page_title: Nativity scene
section_title: Living nativity scenes
hierarchical_section_title: Nativity scene / Components / Living nativity scenes
caption_attribution_description: English: A young Sicilian artisan preparing the set for a living Nativity scene in Santa Maria La Stella, Sicily Italiano: Una giovane artigiana siciliana prepara la scena di un presepe vivente a Santa Maria La Stella
context_page_description: In the Christian tradition, a nativity scene is the special exhibition, particularly during the Christmas season, of art objects representing the birth of Jesus. While the term "nativity scene" may be used of any representation of the very common subject of the Nativity of Jesus in art, it has a more specialized sense referring to seasonal displays, either using model figures in a setting or reenactments called "living nativity scenes" in which real humans and animals participate. Nativity scenes exhibit figures representing the infant Jesus, his mother, Mary, and her husband, Joseph.
  Other characters from the nativity story, such as shepherds, sheep, and angels may be displayed near the manger in a barn intended to accommodate farm animals, as described in the Gospel of Luke. A donkey and an ox are typically depicted in the scene, and the Magi and their camels, described in the Gospel of Matthew, are also included. Several cultures add other characters and objects that may or may not be Biblical.
  Saint Francis of Assisi
  is credited with creating the first live nativity scene in 1223 in order to cultivate the worship of Christ.
context_section_description: Pantomimes similar to the scene staged by St. Francis at Greccio became an annual event throughout Christendom. Abuses and exaggerations in the presentation of mystery plays during the Middle Ages, however, forced the church to prohibit performances during the 15th century. The plays survived outside church walls, and 300 years after the prohibition, German immigrants brought simple forms of the nativity play to America. Some features of the dramas became part of both Catholic and Protestant Christmas services with children often taking the parts of characters in the nativity story. Nativity plays and pageants, culminating in living nativity scenes, eventually entered public schools. Such exhibitions have been challenged on the grounds of separation of church and state.
  In some countries, the nativity scene took to the streets with human performers costumed as Joseph and Mary traveling from house to house seeking shelter and being told by the houses' occupants to move on. The couple's journey culminated in an outdoor tableau vivant at a designated place with the shepherds and the Magi then traveling the streets in parade fashion looking for the Christ child.
  Living nativity scenes are not without their problems. In the United States in 2008, for example, vandals destroyed all eight scenes and backdrops at a drive-through living nativity scene in Georgia. About 120 of the church's 500 members were involved in the construction of the scenes or playing roles in the production. The damage was estimated at more than US$2,000. Additionally, the use of real animals in living nativity scenes has provoked complaint.
  In southern Italy, living nativity scenes (presepe vivente) are extremely popular. They may be elaborate affairs, featuring not only the classic nativity scene but also a mock rural 19th-century village, complete with artisans in traditional costumes working at their trades. These attract many visitors and have been televised on RAI. In 2010, the old city of Matera in Basilicata hosted the world's largest living nativity scene of the time, which was performed in the historic center, Sassi.
caption: Living nativity in Sicily, which also contains a mock rural 19th-century village
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