page_title: Louvre
section_title: Medieval, Renaissance, and Bourbon palace
hierarchical_section_title: Louvre / History / 12th–20th centuries / Medieval, Renaissance, and Bourbon palace
caption_attribution_description: Donjon de la Forteresse du Louvre médiéval
context_page_description: The Louvre, or the Louvre Museum, is the world's largest art museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement. Approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square meters. In 2019, the Louvre received 9.6 million visitors, making it the most visited museum in the world.
  The museum is housed in the Louvre Palace, originally built as the Louvre castle in the late 12th to 13th century under Philip II. Remnants of the fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French Kings. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture.
context_section_description: The Louvre Palace, which houses the museum, was begun as a fortress by Philip II in the 12th century to protect the city from English soldiers which were in Normandy. Remnants of this castle are still visible in the crypt. Whether this was the first building on that spot is not known; it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den (via Latin: lupus, lower Empire: lupara). In the 7th century, St. Fare, an abbess in Meaux, left part of her "Villa called Luvra situated in the region of Paris" to a monastery, this territory probably did not correspond exactly to the modern site, however.
  The Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis I renovated the site in French Renaissance style. Francis acquired what would become the nucleus of the Louvre's holdings, his acquisitions including Leonardo da Vinci's Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed; however, the move permitted the Louvre to be used as a residence for artists, under Royal patronage. Four generations of Boulle were granted Royal patronage and resided in the Louvre in the following order: Pierre Boulle, Jean Boulle, Andre-Charles Boulle and his four sons (Jean-Philippe, Pierre-Benoît (c. 1683–1741), Charles-André (1685–1749) and Charles-Joseph (1688–1754)), after him. André-Charles Boulle (1642–1732) is the most famous French cabinetmaker and the preeminent artist in the field of marquetry, also known as "Inlay".  Boulle was "the most remarkable of all French cabinetmakers". He was commended to Louis XIV of France, the "Sun King", by Jean-Baptiste Colbert (1619–1683) as being "the most skilled craftsman in his profession".  Before the fire of 1720 destroyed them, André-Charles Boulle held priceless works of art in the Louvre, including forty-eight drawings by Raphael.
  By the mid-18th century there were an increasing number of proposals to create a public gallery, with the art critic La Font de Saint-Yenne publishing, in 1747, a call for a display of the royal collection. On 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. A hall was opened by Le Normant de Tournehem and the Marquis de Marigny for public viewing of the Tableaux du Roy on Wednesdays and Saturdays, and contained Andrea del Sarto's Charity and works by Raphael; Titian; Veronese; Rembrandt; Poussin or Van Dyck, until its closing in 1780 as a result of the gift of the palace to the Count of Provence (the future king, Louis XVIII) by the king in 1778. Under Louis XVI, the royal museum idea became policy. The comte d'Angiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the "French Museum". Many proposals were offered for the Louvre's renovation into a museum; however, none was agreed on. Hence the museum remained incomplete until the French Revolution.
caption: Below-ground portions of the medieval Louvre are still visible.[9]
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