page_title: Hammond organ
section_title: Notable players
hierarchical_section_title: Hammond organ / Notable players
caption_attribution_description: English: Joey DeFrancesco, at "Jazz im Palmengarten", Frankfurt am Main Deutsch: Joey DeFrancesco, bei „Jazz im Palmengarten“, Frankfurt am Main
context_page_description: The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker.
  Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios, small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a generation of organ players, and its use became more widespread in the 1960s and 1970s in rhythm and blues, rock, reggae, and progressive rock.
context_section_description: Early customers of the Hammond included Albert Schweitzer, Henry Ford, Eleanor Roosevelt, and George Gershwin.
  The instrument was not initially favored by classical organ purists, because the tones of two notes an octave apart were in exact synchronization, as opposed to the slight variation present on a pipe organ. However, the instrument did gradually become popular with jazz players. One of the first performers to use the Hammond organ was Ethel Smith, who was known as the "first lady of the Hammond organ". Fats Waller and Count Basie also started using the Hammond. Organist John Medeski thinks the Hammond became "the poor man's big band", but because of that, it became more economical to book organ trios.
  Jimmy Smith began to play Hammond regularly in the 1950s, particularly in his sessions for the Blue Note label between 1956 and 1963. He eschewed a bass player, and played all the bass parts himself using the pedals, generally using a walking bassline on the pedals in combination with percussive left-hand chords. His trio format, composed of organ, guitar, and drums, became internationally famous following an appearance at the Newport Jazz Festival in 1957. Medeski says musicians "were inspired when they heard Jimmy Smith's records." "Brother" Jack McDuff switched from piano to Hammond in 1959, and toured regularly throughout the 1960s and 1970s. In his Hammond playing, Keith Emerson sought partly to replicate the sound achieved by McDuff in his arrangement of "Rock Candy". An admirer of Billy Preston's work also, particularly the 1965 instrumental "Billy's Bag", Emerson limited the use of Leslie because he felt that was Preston's domain at the time, whereas he himself was approaching the instrument with an aesthetic combining "a white European attitude", classical music, and rock.
  Booker T. Jones is cited as being the bridge from rhythm and blues to rock. British organist James Taylor said the Hammond "became popular [in the UK] when people such as Booker T. & the M.G.'s and artists on the Stax Records label came over to London and played gigs." Matthew Fisher first encountered the Hammond in 1966, having heard the Small Faces' Ian McLagan playing one. When Fisher asked if he could play it, McLagan told him, "They're yelling out for Hammond players; why don't you go out and buy one for yourself?" Fisher went on to play the organ lines on Procol Harum's "A Whiter Shade of Pale", which topped the UK charts in the summer of 1967. Steve Winwood started his musical career with the Spencer Davis Group playing guitar and piano, but he switched to Hammond when he hired one to record "Gimme Some Lovin'".
  Gregg Allman became interested in the Hammond after Mike Finnigan had introduced him to Jimmy Smith's music, and started to write material with it. His brother Duane specifically requested he play the instrument when forming the Allman Brothers Band, and he was presented with a brand new B-3 and Leslie 122RV upon joining. Allman recalls the instrument was cumbersome to transport, particularly on flights of stairs, which often required the whole band's assistance. Author Frank Moriarty considers Allman's Hammond playing a vital ingredient of the band's sound.
  Deep Purple's Jon Lord became inspired to play the Hammond after hearing Jimmy Smith's "Walk on the Wild Side". He modified his Hammond so it could be played through a Marshall stack to get a growling, overdriven sound, which became known as his trademark and he is strongly identified with it. This organ was later acquired by Joey DeFrancesco. Van der Graaf Generator's Hugh Banton modified his Hammond E-100 extensively with customised electronics, including the ability to put effects such as distortion on one manual but not the other, and rewiring the motor. The modifications created, in Banton's own words, "unimaginable sonic chaos."
  The Hammond was a key instrument in progressive rock music. Author Edward Macan thinks this is because of its versatility, allowing both chords and lead lines to be played, and a choice between quiet and clean, and what Emerson described a
caption: Joey DeFrancesco has achieved critical success in the jazz genre using both original tonewheel Hammonds and the "New B-3".
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