page_title: Music history of the United States in the 1970s
section_title: Country
hierarchical_section_title: Music history of the United States in the 1970s / Country
context_page_description: Popular music of the United States in the 1970s saw various forms of pop music dominating the charts. Often characterized as being shallow, 1970s pop took many forms and could be seen as a reaction against the high-energy and activist pop of the previous decade. It began with singer-songwriters like Carole King and Carly Simon topping the charts, while New York City saw a period of great innovation; hip hop, punk rock and salsa were invented in 1970s New York, which was also a center for electronic music, techno
  By the middle of the decade, various trends were vying for popular success. Sly & the Family Stone's pop-funk had spawned singers like Roberta Flack and Donny Hathaway, alongside George Clinton's spacy P Funk extravaganzas, Lynyrd Skynyrd and the Allman Brothers Band led a wave of country rock bands. Pop progressive-hard rock bands like Boston, Kansas, Journey, and Styx had long-running popularity. Bruce Springsteen garnered critical acclaim during much of the decade, finally breaking through in a big way very late in the 1970s.
context_section_description: A number of styles defined country music during the 1970s decade. At the beginning of the decade, the countrypolitan — an offshoot of the earlier "Nashville Sound" of the late 1950s and early 1960s – and the honky-tonk fused Bakersfield Sound were some of the more popular styles.
  The countrypolitan sound – a polished, streamlined sound featuring string sections, background vocals and crooning lead vocalists – was popularized by artists including Lynn Anderson, Glen Campbell, Anne Murray, Dottie West, Tammy Wynette and others, achieving their successes through such songs as "(I Never Promised You a) Rose Garden", "Snowbird" and others. The Bakersfield sound, first popularized in the early 1960s, continued its peak in popularity through artists such as Buck Owens and Merle Haggard.
  But other styles began to emerge during the 1970s. One of the more successful styles was "outlaw country", a type of music blending the traditional and honky tonk sounds of country music with rock and blues music, and mixed with the anger of an alienated subculture of the nation during the period. The leaders of the movement were Waylon Jennings and Willie Nelson, although others associated with the movement were David Allan Coe, Jessi Colter, Tompall Glaser, Gary Stewart and Billy Joe Shaver. The efforts of Jennings, Nelson Colter and Glaser were encapsulated in the 1976 album Wanted! The Outlaws.
  The country pop sound was a successor to the countrypolitan sound of the early 1970s. In addition to artists such as Murray and Campbell, several artists who were not initially marketed as country were enjoying crossover success with country audiences through radio airplay and sales. The most successful of these artists included The Bellamy Brothers, Charlie Rich, John Denver, Olivia Newton-John, Marie Osmond, Starland Vocal Band, B. J. Thomas and Kenny Rogers. Newton-John, an Australian pop singer, was named Female Vocalist of the Year by the Country Music Association, sparking a debate that continues to this day – what is country music? A group of traditional-minded artists, troubled by this trend, formed the short-lived Association of Country Entertainers, in an attempt to bring back traditional honky-tonk sounds to the forefront. The debate continued into 1975, a year where six songs reached No. 1 on both the Billboard Hot Country Singles and Billboard Hot 100 charts. Things came to a head when, at that year's CMA Awards, Rich – the reigning Entertainer of the Year, and himself a crossover artist – presented the award to his successor, "my good friend, Mr. John Denver." His statement, taken as sarcasm, and his setting fire to the envelope (containing Denver's name) with a cigarette lighter were taken as a protest against the increasing pop style in country music.
  By the later half of the 1970s, Dolly Parton, a highly successful traditional-minded country artist since the late 1960s, mounted a high-profile campaign to crossover to pop music, culminating in her 1977 hit "Here You Come Again," which peaked at No. 1 country and No. 3 pop. Rogers, the former lead singer of The First Edition, followed up a successful career in pop, rock and folk music by switching to country music. Like Parton, he enjoyed a long series of successful songs that charted on both the Hot Country Singles and Billboard Hot 100 charts; the first of the lot was "Lucille," a No. 1 country and No. 5 pop hit. Crystal Gayle, Ronnie Milsap, Eddie Rabbitt and Linda Ronstadt were some of the other artists who also found success on both the country and pop charts with their records as well.
  The 1970s continued a trend toward a proliferation of No. 1 hits on the Billboard Hot Country Singles chart. In 1970, there were 23 songs that reached the top spot on the chart, but by the mid-1970s, more than 40 titles rotated in and out of the top spot for the first time in history. The trend temporarily reversed itself by the late 1970s, when about 30 to 35 songs reached the pinnacle position of the chart annually.
caption: Willie Nelson became one of the most popular country music artists during the 1970s.
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