page_title: Monument to the Great Fire of London
section_title: History
hierarchical_section_title: Monument to the Great Fire of London / History
caption_attribution_description: English: A dragon sculpture on the Monument to the Great Fire of London in the City of London.
context_page_description: The Monument to the Great Fire of London, more commonly known simply as the Monument, is a Doric column in London, United Kingdom, situated near the northern end of London Bridge. Commemorating the Great Fire of London, it stands at the junction of Monument Street and Fish Street Hill, 202 feet in height and 202 feet west of the spot in Pudding Lane where the Great Fire started on 2 September 1666. Constructed between 1671 and 1677, it was built on the site of St Margaret, New Fish Street, the first church to be destroyed by the Great Fire. It is Grade I listed and is a scheduled monument. Another monument, the Golden Boy of Pye Corner, marks the point near Smithfield where the fire was stopped.
  The Monument comprises a fluted Doric column built of Portland stone topped with a gilded urn of fire. It was designed by Christopher Wren and Robert Hooke. Its height marks its distance from the site of the shop of Thomas Farriner, the king's baker, where the blaze began.
  The viewing platform near the top of the Monument is reached by a narrow winding staircase of 311 steps.
context_section_description: The first Rebuilding Act, passed in 1669, stipulated that "the better to preserve the memory of this dreadful visitation", a column of either brass or stone should be set up on Fish Street Hill, on or near the site of Farynor's bakery, where the fire began. Christopher Wren, as surveyor-general of the King's Works, was asked to submit a design. Wren worked with Robert Hooke on the design. It is impossible to disentangle the collaboration between Hooke and Wren, but Hooke's drawings of possible designs for the column still exist, with Wren's signature on them indicating his approval of the drawings rather than their authorship. It was not until 1671 that the City Council approved the design, and it took six years to complete the 202 ft column. It was two more years before the inscription (which had been left to Wren — or to Wren's choice — to decide upon) was set in place.
  "Commemorating — with a brazen disregard for the truth — the fact that 'London rises again...three short years complete that which was considered the work of ages.'"
  Hooke's surviving drawings show that several versions of the monument were submitted for consideration: a plain obelisk, a column garnished with tongues of fire, and the fluted Doric column that was eventually chosen. The real contention came with the problem of what type of ornament to have at the top. Initially, Wren favoured a statue of a phoenix with outstretched wings rising from the ashes, but as the column neared completion he decided instead on a 15 ft statue either of Charles II, or a sword-wielding female to represent a triumphant London; the cost of either being estimated at £1,050. Charles himself disliked the idea of his statue atop the monument and instead preferred a simple copper-gilded ball "with flames sprouting from the top", costing a little over £325, but ultimately it was the design of a flaming gilt-bronze urn suggested by Robert Hooke that was chosen.
  The total cost of the monument was £13,450 11s 9d., of which £11,300 was paid to the mason-contractor Joshua Marshall. (Joshua Marshall was Master of the Worshipful Company of Masons in 1670.)
  The Edinburgh-born writer James Boswell visited the Monument in 1763 to climb the 311 steps to what was then the highest viewpoint in London. Halfway up, he suffered a panic attack, but persevered and made it to the top, where he found it "horrid to be so monstrous a way up in the air, so far above London and all its spires".
  The area around the base of the column, Monument Street, was pedestrianised in 2006 in a £790,000 street improvement scheme.
  The Monument closed in July 2007 for an 18-month, £4.5 million refurbishment project and re-opened in February 2009.
  Between 1 and 2 October 2011, a Live Music Sculpture created especially for the Monument by British composer Samuel Bordoli was performed 18 times during the weekend. This was the first occasion that music had ever been heard inside the structure and effectively transformed Wren's design into a gigantic reverberating musical instrument.
caption: Dragons sculpture on the side of the Monument
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