page_title: The Robbers
section_title: Dramatis personae
hierarchical_section_title: The Robbers / Dramatis personae
caption_attribution_description: Deutsch: Theaterzettel zur Erstaufführung von Die Räuber von Friedrich Schiller in Würzburg (Der Name von Maximilans Nichte ist Amelia, nicht Amelie, wie auf dem Theaterzettel gedruckt.) English: Playbill for the premiere of The Robbers by Friedrich Schiller in Würzburg (The name of Maximilan's niece is Amelia, not Amelie as printed on this playbill.)
context_page_description: The Robbers is the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz' earlier play Julius of Taranto. It was written towards the end of the German Sturm und Drang movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama. The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, I masnadieri.
context_section_description: Maximilian, Count von Moor (also called "Old Moor") is the beloved father of Karl and Franz. He is a good person at heart, but also weak, and has failed to raise his two sons properly. He bears responsibility for the perversion of the Moor family, which has caused the family's values to become invalidated. The Moor family acts as an analogy of state, a typical political criticism of Schiller's.
  Karl (Charles) Moor, his older son, is a self-confident idealist. He is good-looking and well liked by all. He holds feelings of deep love for Amalia. After his father, misled by brother Franz, curses Karl and banishes him from his home, Karl becomes a disgraceful criminal and murderous arsonist. While he exudes a general spirit of melancholy about the promising life he has left behind, Karl, together with his gang of robbers, fights against the unfairness and corruption of the feudal authorities. His despair leads him to express and discover new goals and directions, and to realize his ideals and dreams of heroism. He does not shrink from breaking the law, for, as he says, "the end justifies the means". He develops a close connection with his robbers, especially Roller and Schweizer, but he recognizes the unscrupulousness and dishonor of Spiegelberg and his other associates. Amalia creates a deep internal twist in the plot and in Karl's persona. He swore allegiance to the robbers after Schweizer and Roller died for his sake, and he promised that he would never separate from his men, so cannot return to Amalia. In deep desperation due to the death of his father, he eventually kills his true love and decides to turn himself in to the law.
  Franz Moor, the count's younger son, is an egoistic rationalist and materialist. He is cold-hearted and callous. He is rather ugly and unpopular, in contrast to his brother Karl, but quite intelligent and cunning. However, since his father loved only his brother and not him, he developed a lack of feeling, which made the "sinful world" intolerable for his passions.  Consequently, he fixed himself to a rationalistic way of thinking. In the character of Franz, Schiller demonstrates what could happen if the moral way of thinking were replaced by pure rationalization. Franz strives for power in order to be able to implement his interests.
  Amalia von Edelreich, the count's niece, is Karl's love, and a faithful and reliable person (to learn more of their relationship see "Hektorlied" (de)). She spends most of the play avoiding the advances of the jealous Franz and hopes to be rejoined with her beloved Karl.
  Spiegelberg acts as an opponent of Karl Moor and is driven by crime. Additionally, he self-nominated himself to be captain in Karl's robber band, yet was passed up in favor of Karl. Spiegelberg tries to portray Karl negatively among the robbers in order to become the captain, but does not succeed.
  Other characters
  Schweizer
  Grimm
  Razmann
  Schufterle
  Roller
  Kosinsky
  Schwarz
  Herrmann, the illegitimate son of a Nobleman
  Daniel, an old servant of Count von Moor
  Pastor Moser
  Pater
  A Monk
  Band of robbers, servants, etc.
caption: Playbill of Würzburg performance, 1804
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