page_title: Sanaa manuscript
section_title: Media coverage
hierarchical_section_title: Sanaa manuscript / Media coverage
caption_attribution_description: English: One of the Qur'an fragments from the Sana'a palimpsest, found in 1972 in the loft of the Great Mosque in Sanaa, Yemen, and photographed by Doctor Gerd R. Puin who was in charge of the project between 1981 and 1985. The writings are from verses 3 to 10 of Sura 20 (Taha). The File was transferred from English Wikipedia [1]
context_page_description: The Sanaa palimpsest is one of the oldest Quranic manuscripts in existence. Part of a sizable cache of Quranic and non-Quranic fragments discovered in Yemen during a 1972 restoration of the Great Mosque of Sanaa, the manuscript was identified as a palimpsest Quran in 1981; as it is written on parchment and comprises two layers of text. The upper text largely conforms to the standard 'Uthmanic' Quran in text and in the standard order of chapters; whereas the lower text contains many variations from the standard text, and the sequence of its chapters corresponds to no known quranic order. A partial reconstruction of the lower text was published in 2012; and a reconstruction of the legible portions of both lower and upper texts of the 38 folios in the Sana'a House of Manuscripts was published in 2017 utilising post-processed digital images of the lower text. A radiocarbon analysis has dated the parchment of one of the detached leaves sold at auction, and hence its lower text, to between 578 CE and 669 CE with a 95% accuracy.
context_section_description: Puin and his colleague Graf von Bothmer have published only short essays on the Ṣana'a find. In a 1999 interview with Toby Lester, the executive editor of The Atlantic Monthly website, Puin described the preserved fragments by the following: 
  So many Muslims have this belief that everything between the two covers of the Quran is Allah's unaltered word. They like to quote the textual work that shows that the Bible has a history and did not fall straight out of the sky, but until now the Quran has been out of this discussion. The only way to break through this wall is to prove that the Quran has a history too. The Sana'a fragments will help us accomplish this.
  Puin claimed that the Yemeni authorities want to keep work on the Ṣana'a manuscripts "low-profile".
  In 2000, The Guardian interviewed a number of academics for their responses to Puin's remarks, including Tarif Khalidi, and Professor Allen Jones, a lecturer in Koranic Studies at Oxford University. In regard to Puin's claim that certain words and pronunciations in the Koran were not standardized until the ninth century, The Guardian reported:
  Jones admits there have been 'trifling' changes made to the Uthmanic recension. Khalidi says the traditional Muslim account of the Koran's development is still more or less true. 'I haven't yet seen anything to radically alter my view,' he says. [Jones] believes that the San'a Koran could just be a bad copy that was being used by people to whom the Uthmanic text had not reached yet. 'It's not inconceivable that after the promulgation of the Uthmanic text, it took a long time to filter down.'
  The article noted some positive Muslim reaction to Puin's research. Salim Abdullah, director of the German Islamic Archives, affiliated to the Muslim World League, commented when he was warned of the controversy Puin's work might generate, "I am longing for this kind of discussion on this topic."
  Based on interviews with several scholars, Sadeghi and Goudarzi question Puin's claims regarding Yemeni suppression of research on the manuscripts and Puin's statement that the Yemenis did not want others to know that work was being done on them. For instance, they note that in 2007 Sergio Noja Noseda (an Italian scholar) and Christian Robin (a French archaeologist) were allowed to take pictures of the Sana'a palimpsest. They write that according to Robin, his colleagues were "granted greater access than would have been possible in some European libraries." They report a similar view from Ursula Dreibholz, the conservator for the restoration project, who describes the Yemenis as supportive. They quote Dreibholz as saying that the Yemenis "brought school children, university students, foreign delegations, religious dignitaries, and heads of state, like François Mitterrand, Gerhard Schröder, and Prince Claus of the Netherlands, to see the collection."
  Sadeghi and Goudarzi conclude:
  Although the Yemeni authorities' openness proved a boon to scholarship, they were to be punished for it. The American media amplified the erroneous words of G. Puin, purveying a narrative that belittled Yemen and misrepresented the work done there. The Arab press, in turn, exaggerated the American story. The outcome was a media discourse in Yemen borne of three stages of misrepresentation. This embarrassed the Yemeni authorities responsible for the House of Manuscripts, and the Head of the Antiquities Department had to defend before Parliament the decision to bring in the foreigners.
  In the wake of the Birmingham Quran manuscript news story of 2015, Gabriel Said Reynolds, professor of Islamic Studies and Theology, published a commentary clarifying the unique differences between extant ancient Qur'an copies. He defines the lower text of the Sana'a palimpsest as ”a rare Qur’anic palimpsest – a manuscript preserving an original Qur’an text that had been erased and written over with a new Qur’an text.” Reynolds explains that the lower script of the Sana'a palimpsest ”has so many variants that one might imagine it is a vestige of an ancient version that somehow survived Uthman’s 
caption: A fragment showing part of Surat Ta-Ha
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