page_title: Mozart in Italy
hierarchical_section_title: Mozart in Italy
caption_attribution_description: English: School of Verona, attributed to Giambettino Cignaroli (Salo, Verona 1706-1770), Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770. Offered for auction at Christie's Paris on 27 November 2019, from the collection of the descendants of pianist Alfred Cortot.
context_page_description: Between 1769 and 1773, the young Wolfgang Amadeus Mozart and his father Leopold Mozart made three Italian journeys. The first, an extended tour of 15 months, was financed by performances for the nobility and by public concerts, and took in the most important Italian cities. The second and third journeys were to Milan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development the journeys were a considerable success, and his talents were recognised by honours which included a papal knighthood and memberships in leading philharmonic societies.
  Leopold Mozart had been employed since 1747 as a musician in the Archbishop of Salzburg's court, becoming deputy Kapellmeister in 1763, but he had also devoted much time to Wolfgang's and sister Nannerl's musical education. He took them on a European tour between 1764 and 1766, and spent some of 1767 and most of 1768 with them in the imperial capital, Vienna. The children's performances had captivated audiences, and the pair had made a considerable impression on European society.
context_section_description: Between 1769 and 1773, the young Wolfgang Amadeus Mozart and his father Leopold Mozart made three Italian journeys. The first, an extended tour of 15 months, was financed by performances for the nobility and by public concerts, and took in the most important Italian cities. The second and third journeys were to Milan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development the journeys were a considerable success, and his talents were recognised by honours which included a papal knighthood and memberships in leading philharmonic societies.
  Leopold Mozart had been employed since 1747 as a musician in the Archbishop of Salzburg's court, becoming deputy Kapellmeister in 1763, but he had also devoted much time to Wolfgang's and sister Nannerl's musical education. He took them on a European tour between 1764 and 1766, and spent some of 1767 and most of 1768 with them in the imperial capital, Vienna. The children's performances had captivated audiences, and the pair had made a considerable impression on European society. By 1769, Nannerl had reached adulthood, but Leopold was anxious to continue 13-year-old Wolfgang's education in Italy, a crucially important destination for any rising composer of the 18th century.
  During the first tour, Wolfgang's performances were well received, and his compositional talents recognised by commissions to write three operas for Milan's Teatro Regio Ducal, each of which was a critical and popular triumph. He met many of Italy's leading musicians, including the renowned theorist Giovanni Battista Martini, under whom he studied in Bologna. Leopold also hoped that Wolfgang, and possibly he himself, would obtain a prestigious appointment at one of the Italian Habsburg courts. This objective became more important as Leopold's advancement in Salzburg became less likely; but his persistent efforts to secure employment displeased the imperial court, which precluded any chance of success. The journeys thus ended not with a triumphant return, but on a note of disappointment and frustration.
caption: Portrait of Mozart, aged 13, in Verona, 1770, attributed to Giambettino Cignaroli
exif: {}