page_title: Tartessos
section_title: Archaeological discoveries
hierarchical_section_title: Tartessos / Archaeological discoveries
caption_attribution_description: Español: Réplica del tesoro del Carambolo en el Museo Arqueológico de Sevilla, (España).
context_page_description: Tartessos or Tartessus, was a semi-mythical harbor city and the surrounding culture on the south coast of the Iberian Peninsula, at the mouth of the Guadalquivir River. It appears in sources from Greece and the Near East starting during the first millennium BC. Herodotus, for example, describes it as beyond the Pillars of Heracles. Roman authors tend to echo the earlier Greek sources but from around the end of the millennium there are indications that the name Tartessos had fallen out of use and the city may have been lost to flooding, though several authors attempt to identify it with cities of other names in the area. Archaeological discoveries in the region have built up a picture of a more widespread culture, identified as Tartessian, that includes some 97 inscriptions in a Tartessian language.
  The Tartessians were rich in metal. In the 4th century BC the historian Ephorus describes "a very prosperous market called Tartessos, with much tin carried by river, as well as gold and copper from Celtic lands". Trade in tin was very lucrative in the Bronze Age, since it is an essential component of bronze and is comparatively rare.
context_section_description: The discoveries published by Adolf Schulten in 1922 first drew attention to Tartessos and shifted its study from classical philologists and antiquarians to investigations based on archaeology, though attempts at localizing a capital for what was conceived as a complicated culture in the nature of a centrally controlled kingdom ancestral to Spain were inconclusively debated. Subsequent discoveries were widely reported: in September 1923 archaeologists discovered a Phoenician necropolis in which human remains were unearthed and stones found with illegible characters. It may have been colonized by the Phoenicians for trade because of its richness in metals.
  A later generation turned instead to identifying and localizing "orientalizing" (eastern Mediterranean) features of the Tartessian material culture within the broader Mediterranean horizon of an "Orientalizing period" recognizable in the Aegean and Etruria.
  J.M. Luzón was the first to identify Tartessos with modern Huelva, based on discoveries made in the preceding decades. Since the discovery in September 1958 of the rich gold treasure of El Carambolo in Camas, three km west of Seville, and of hundreds of artifacts in the necropolis at La Joya, Huelva, archaeological surveys have been integrated with philological and literary surveys and the broader picture of the Iron Age in the Mediterranean basin to provide a more informed view of the supposed Tartessian culture on the ground, concentrated in western Andalusia, Extremadura and in southern Portugal from the Algarve to the Vinalopó River in Alicante.
  Alluvial tin was panned in Tartessian streams from an early date. The spread of a silver standard in Assyria increased its attractiveness (the tribute from Phoenician cities was assessed in silver). The invention of coinage in the 7th century BC spurred the search for bronze and silver as well. Henceforth trade connections, formerly largely in elite goods, assumed an increasingly broad economic role. By the Late Bronze Age, silver extraction in Huelva Province reached industrial proportions. Pre-Roman silver slag is found in the Tartessian cities of Huelva Province. Cypriot and Phoenician metalworkers produced 15 million tons of pyrometallurgical residues at the vast dumps of Riotinto. Mining and smelting preceded the arrival, from the 8th century BC onwards, of Phoenicians and then Greeks, who provided a stimulating wider market and whose influence sparked an "orientalizing" phase in Tartessian material culture (ca.750-550 BC) before Tartessian culture was superseded by the Classic Iberian culture.
  "Tartessic" artifacts linked with the Tartessos culture have been found, and many archaeologists now associate the "lost" city with Huelva. In excavations on spatially restricted sites in the center of modern Huelva, sherds of elite painted Greek ceramics of the first half of the 6th century BC have been recovered. Huelva contains the largest accumulation of imported elite goods and must have been an important Tartessian center. Medellín, on the Guadiana River, revealed an important necropolis.
  Elements specific to Tartessian culture are the Late Bronze Age fully evolved pattern-burnished wares and geometrically banded and patterns "Carambolo" wares, from the 9th to the 6th centuries BC; an "Early Orientalizing" phase with the first eastern Mediterranean imports, beginning about 750 BC; a "Late Orientalizing" phase with the finest bronze casting and goldsmiths' work; gray ware turned on the fast potter's wheel, local imitations of imported Phoenician red-slip wares.
  Characteristic Tartessian bronzes include pear-shaped jugs, often associated in burials with shallow dish-shaped braziers with loop handles, incense-burners with floral motifs, fibulas, both elbowed and double-spring types, and belt buckles.
  No pre-colonial necropolis sites have been identified. The change from a late Bronze Age pattern of circular or oval huts scattered on a village site to rectangular houses with dry stone foundations and plastered wattle walls took place during the 7th and 6th centuries BC, in se
caption: Treasure of El Carambolo, exhibited in the Archaeological Museum of Seville
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