page_title: Phantom power
section_title: Caveats
hierarchical_section_title: Phantom power / Caveats
caption_attribution_description: English: AKG C1000S cardioid condenser microphone, open to show its 9-volt battery that can be used in lieu of phantom power
context_page_description: Phantom power, in the context of professional audio equipment, is DC electric power transmitted through microphone cables to operate microphones that contain active electronic circuitry.
  It is best known as a convenient power source for condenser microphones, though many active direct boxes also use it. The technique is also used in other applications where power supply and signal communication take place over the same wires.
  Phantom power supplies are often built into mixing consoles, microphone preamplifiers and similar equipment. In addition to powering the circuitry of a microphone, traditional condenser microphones also use phantom power for polarizing the microphone's transducer element.
context_section_description: Some microphones offer a choice of internal battery powering or (external) phantom powering. In some such microphones it is advisable to remove the internal batteries when phantom power is being used since batteries may corrode and leak chemicals. Other microphones are specifically designed to switch over to the internal batteries if an external supply fails, which may be useful.
  Phantom powering is not always implemented correctly or adequately, even in professional-quality preamps, mixers, and recorders. In part this is because first-generation (late-1960s through mid-1970s) 48-volt phantom-powered condenser microphones had simple circuitry and required only small amounts of operating current (typically less than 1 mA per microphone), so the phantom supply circuits typically built into recorders, mixers, and preamps of that time were designed on the assumption that this current would be adequate. The original DIN 45596 phantom-power specification called for a maximum of 2 mA. This practice has carried forward to the present; many 48-volt phantom power supply circuits, especially in low-cost and portable equipment, simply cannot supply more than 1 or 2 mA total without breaking down. Some circuits also have significant additional resistance in series with the standard pair of supply resistors for each microphone input; this may not affect low-current microphones much, but it can disable microphones that need more current.
  Mid-1970s and later condenser microphones designed for 48-volt phantom powering often require much more current (e.g., 2–4 mA for Neumann transformerless microphones, 4–5 mA for the Schoeps CMC ("Colette") series and Josephson microphones, 5–6 mA for most Shure KSM-series microphones, 8 mA for CAD Equiteks and 10 mA for Earthworks). The IEC standard gives 10 mA as the maximum allowed current per microphone. If its required current is not available, a microphone may still put out a signal, but it cannot deliver its intended level of performance. The specific symptoms vary somewhat, but the most common result will be reduction of the maximum sound-pressure level that the microphone can handle without overload (distortion). Some microphones will also show lower sensitivity (output level for a given sound-pressure level).
  Most ground lift switches have the unwanted effect of disconnecting phantom power. There must always be a DC current path between pin 1 of the microphone and the negative side of the 48-volt supply, if power is to reach the microphone's electronics. Lifting the ground, which is normally pin 1, breaks this path and disables the phantom power supply.
  There is a common belief that connecting a dynamic or ribbon microphone to a phantom-powered input will damage it. There are three possibilities for this damage to occur. If there is a fault in the cable, phantom power may damage some mics by applying a voltage across the output of the microphone. Equipment damage is also possible if a phantom-powered input connected to an unbalanced dynamic microphone or electronic musical instruments. The transient generated when a microphone is hot-plugged into an input with active phantom power can damage the microphone and possibly the preamp circuit of the input because not all pins of the microphone connector make contact at the same time, and there is an instant when current can flow to charge the capacitance of the cable from one side of the phantom-powered input and not the other. This is particularly a problem with long microphone cables. It is considered good practice to disable phantom power to devices that don't require it.
caption: AKG C1000S, uses phantom power or a battery
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