page_title: Chinese numismatic charm
section_title: Liao dynasty charms
hierarchical_section_title: Chinese numismatic charm / Charms from ethnic minorities / Liao dynasty charms
caption_attribution_description: 095_20100911_bt_shanghai_museum
context_page_description: Yansheng Coins, commonly known as Chinese numismatic charms, refer to a collection of special decorative coins that are mainly used for rituals such as fortune telling, Chinese superstitions, and Feng shui. They originated during the Western Han dynasty as a variant of the contemporary Ban Liang and Wu Zhu cash coins. Over the centuries they evolved into their own commodity, with many different shapes and sizes. Their use was revitalized during the Republic of China era. Normally, these coins are privately funded and cast by a rich family for their own ceremonies, although a few types of coins have been cast by various governments or religious orders over the centuries. Chinese numismatic charms typically contain hidden symbolism and visual puns. Unlike cash coins which usually only contain two or four Hanzi characters on one side, Chinese numismatic charms often contain more characters and sometimes pictures on the same side.
  Although Chinese numismatic charms are not a legal form of currency, they used to circulate on the Chinese market alongside regular government-issued coinages.
context_section_description: Liao dynasty charms are Chinese numismatic charms produced during the Khitan Liao dynasty that are written in Khitan script and, unlike Liao dynasty coins, were read counter-clockwise. Because Khitan script hasn't been completely deciphered, these rare charms aren't fully understood by modern experts. Some Liao dynasty era charms had no inscriptions at all, and are not well understood as the Khitan people may have interpreted certain symbols differently from the Chinese. One of the most well-known Liao dynasty charms is the "Mother of Nine Sons" charm, which bears no inscription. It depicts three groups of three people which are believed to be the sons of the woman riding a dragon on the other side; the three groups are believed to symbolise the three levels of the imperial examination system. A more recent hypothesis proposes that the person riding the dragon is the Yellow Emperor returning to the heavens and that the people represent the Nine Provinces (九州).
caption: A Liao dynasty period charm with Khitan script[disambiguation needed] on display at the Shanghai Museum.
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