page_title: Athalie
section_title: Reception
hierarchical_section_title: Athalie / Reception
context_page_description: Athalie is a 1691 play, the final tragedy of Jean Racine, and has been described as the masterpiece of "one of the greatest literary artists known" and the "ripest work" of Racine's genius. Charles Augustin Sainte-Beuve deemed it comparable to Oedipus Rex in beauty, with "the true God added." August Wilhelm Schlegel thought Athalie to be "animated by divine breath"; other critics have regarded the poetics of drama in the play to be superior to those of Aristotle.
context_section_description: Athalie was the victim of opposition from moralists at its creation. Represented on the public scene after the death of Madame de Maintenon, it was never part of the most popular plays of Racine, though Voltaire saw it as "perhaps the masterpiece of mankind" and Flaubert's character Monsieur Homais, the pharmacist, in Madame Bovary calls it the most "immortal masterpiece of the French stage," and names one of his daughters Athalie. However Homais is a boor and ignoramus so it is not clear what Flaubert's own judgement of the play was.
caption: "Racine Reading Athalie Before Louis XIV and Madame de Maintenon", painting by Julie Philipault.
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