page_title: Iran
section_title: Art
hierarchical_section_title: Iran / Culture / Art
context_page_description: Iran, also called Persia, and officially the Islamic Republic of Iran, is a country in Western Asia. It is bordered to the northwest by Armenia and Azerbaijan, to the north by the Caspian Sea, to the northeast by Turkmenistan, to the east by Afghanistan and Pakistan, to the south by the Persian Gulf and the Gulf of Oman, and to the west by Turkey and Iraq. Its central location in Eurasia and proximity to the Strait of Hormuz give it significant geostrategic importance. Tehran is the capital and largest city, as well as the leading economic and cultural hub; it is also the most populous city in Western Asia, with more than 8.8 million residents, and up to 15 million including the metropolitan area. With 83 million inhabitants, Iran is the world's 17th most populous country. Spanning 1,648,195 km², it is the second largest country in the Middle East and the 17th largest in the world.
  Iran is home to one of the world's oldest civilizations, beginning with the formation of the Elamite kingdoms in the fourth millennium BC.
context_section_description: The art of Iran encompasses many disciplines, including architecture, stonemasonry, metalworking, weaving, pottery, painting, and calligraphy. Iranian works of art show a great variety in style, in different regions and periods. The art of the Medes remains obscure, but has been theoretically attributed to the Scythian style. The Achaemenids borrowed heavily from the art of their neighboring civilizations, but produced a synthesis of a unique style, with an eclectic architecture remaining at sites such as Persepolis and Pasargadae. Greek iconography was imported by the Seleucids, followed by the recombination of Hellenistic and earlier Near Eastern elements in the art of the Parthians, with remains such as the Temple of Anahita and the Statue of the Parthian Nobleman. By the time of the Sasanians, Iranian art came across a general renaissance. Although of unclear development, Sasanian art was highly influential, and spread into far regions. Taq-e-Bostan, Taq-e-Kasra, Naqsh-e-Rostam, and the Shapur-Khwast Castle are among the surviving monuments from the Sasanian period.
  During the Middle Ages, Sasanian art played a prominent role in the formation of both European and Asian medieval art, which carried forward to the Islamic world, and much of what later became known as Islamic learning—including medicine, architecture, philosophy, philology, and literature—were of Sasanian basis.
  The Safavid era is known as the Golden Age of Iranian art, and Safavid works of art show a far more unitary development than in any other period, as part of a political evolution that reunified Iran as a cultural entity. Safavid art exerted noticeable influences upon the neighboring Ottomans, the Mughals, and the Deccans, and was also influential through its fashion and garden architecture on 11th–17th-century Europe.
  Iran's contemporary art traces its origins back to the time of Kamal-ol-Molk, a prominent realist painter at the court of the Qajar dynasty who affected the norms of painting and adopted a naturalistic style that would compete with photographic works. A new Iranian school of fine art was established by Kamal-ol-Molk in 1928, and was followed by the so-called "coffeehouse" style of painting.
  Iran's avant-garde modernists emerged by the arrival of new western influences during World War II. The vibrant contemporary art scene originates in the late 1940s, and Tehran's first modern art gallery, Apadana, was opened in September 1949 by painters Mahmud Javadipur, Hosein Kazemi, and Hushang Ajudani. The new movements received official encouragement by mid-1950s, which led to the emergence of artists such as Marcos Grigorian, signaling a commitment to the creation of a form of modern art grounded in Iran.
caption: A Safavid painting kept at the Abbasi Caravanserai in Isfahan