page_title: Alexis Grimou
section_title: Life
hierarchical_section_title: Alexis Grimou / Life
context_page_description: Alexis Grimou, also Grimoult or Grimoux was a French portrait painter. He worked for an elite clientele and was called the French Rembrandt as he introduced the Northern European style of portrait painting in France. Many of his intimate portraits at half-lengths were influential on the development of 18th century portrait painting in France. Portrait painters such as Jean-Honoré Fragonard, and Jean-Baptiste Greuze were influenced by his work.
context_section_description: Grimou was born in Argenteuil on 24 May 1678, the son of a carpenter. He is often confused with Jean Grimou (1674-1733), an unrelated Swiss genre painter whose father served with the Swiss Guards at Versailles.  Grimou probably trained with François de Troy, from whom he learnt to use a warm palette and simple pictorial compositions. Sometime in the late 1690s, he was apprenticed to the painter and engraver, Bon Boullogne.
  In 1704, he married Marie-Gabrielle Petit, a niece of Procopio Cutò, founder of the Café Procope, a meeting place for artists and intellectuals. Economics may have been a motive in the union, as a notary document in the Archives Nationales reveals that she owned a considerable amount of property on Mauritius; along with slaves and "autres effets mobiliers et immobiliers" (other assets, moveable and immoveable).
  His brother-in-law, Matthias François Petit, was the intermediary who, between 1740 and 1753, was commissioned to purchase art for the collection of King Friedrich II of Prussia. That collection would come to include numerous works by Boullogne and his students.
  In 1705 he was approved (agréé) by the Académie Royale. In order to be admitted as full member of the Académie he was required to paint two reception pieces, being portraits of the sculptor, Jean Raon, who died before it was completed, and the painter, Antoine Coypel, whose portrait was still unfinished by 1709. As a result of his failure to present the reception pieces, he was removed from the list of the Académie. He then joined the Académie de Saint-Luc instead.
  In 1709, he may have visited the Netherlands to copy the Dutch Masters. This is inferred from a sudden darkening in his palette and some copies after Dutch masters which he made later. Known to have a dissolute lifestyle, he was always in debt and often paid his creditors with small works done on the spot. He was in his time referred to as a weird and strange person, in particular for his heavy drinking. According to contemporary anecdotes he always had five bottles of good burgundy with him while he painted. He also was said to have live a life of dissolution and poverty.   In 1805, he was the subject of a vaudeville entitled "Grimou ou Le portrait a finir", which was staged by Maxime de Redon in Paris.  From 1720 until his death, for unknown reasons, he became much more responsible and productive.
  He died in 1733, well known and appreciated for his work.
caption: The Marquis d’Artaguiette as a drinker
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