page_title: Huipil
section_title: Creation
hierarchical_section_title: Huipil / Creation
caption_attribution_description: English: Joining edges of woven cloth together to make a huipil in Xochistlahuaca, Guerrero
context_page_description: Huipil is the most common traditional garment worn by indigenous women from central Mexico to Central America.
  It is a loose-fitting tunic, generally made from two or three rectangular pieces of fabric, which are then joined together with stitching, ribbons or fabric strips, with an opening for the head and, if the sides are sewn, openings for the arms. Traditional huipils, especially ceremonial ones, are usually made with fabric woven on a backstrap loom and are heavily decorated with designs woven into the fabric, embroidery, ribbons, lace and more. However, some huipils are also made from commercial fabric.
  Lengths of the huipil can vary from a short blouse-like garment or long enough to reach the floor. The style of traditional huipils generally indicates the ethnicity and community of the wearer as each have their own methods of creating the fabric and decorations. Some huipils have intricate and meaningful designs. Ceremonial huipils are the most elaborate and are reserved for weddings, burials, women of high rank and even to dress the statues of saints.
context_section_description: The huipil is a tunic-like garment made by stitching together anywhere from one to five pieces of cloth. The most common fiber is cotton, but there are those made from wool and silk as well. Most huipils are made from two or three pieces, which are usually the same size, with one exception being those from the highlands of Chiapas, where the center piece is wider than the side ones. The panels are not sewn together in the normal sense with seams but rather they are joined using ribbons, small strips of cloth or complicated stitching which has the edges of the panels touching or almost touching. This adds a layer of decoration to the garment.
  Most classic huipils are wider than they are long although there has been a reduction in width in recent years. Huipils can be as short as waist length or can reach to the ankles or anywhere in between, but most fall just above or just below the knee. Long or short, it is not designed to be a close-fitting garment. The neckline can be round, oval, square or a simple slit. Most are sewn on the sides, leaving an opening in the upper part for the arms to pass through. Some huipils are not sewn on the sides, especially the very short ones.
  While huipils today are made from commercial cloth, the most traditional are made from hand woven fabric made on a backstrap loom. The pieces to be used to make the huipil are woven to size and are never cut. Despite its simplicity, the backstrap loom permits more types of techniques and designs to be woven into the cloth than other types of looms. Most of the hand woven fabric have designs woven into them, especially cloth destined for ceremonial huipils. The decorative elements can signify history, cultural identity, something personal about the wearer and more. Since most indigenous come from agricultural societies, clothing designs generally relate to the natural world. The most complicated designs are generally known only to a few older master weavers. In addition to designs embedded into the fabric, other decorative elements can include embroidery, ribbon, feathers, lace and more.
  The making of traditional huipils is an important cultural and economic activity for the Amuzgos, especially in Xochistlahuaca where most people still wear traditional clothing. Girls begin learning the craft when they are young, learning techniques and designs from their mothers and grandmothers. The weaving is an important source of income as agriculture is not enough to meet most families’ needs. While they work on other items such as tablecloths and other items of clothing, the most popular and most valued remains the huipil. Amuzgo women have achieved a certain level of fame, with weavers such as Florentina López de Jesús winning recognition at the 2001 UNESCO handcraft competition for Latin America and Caribbean.
caption: Stitching together two panels in Xochistlahuaca
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