page_title: Antonio Stradivari
section_title: Influence in the 19th and 20th century
hierarchical_section_title: Antonio Stradivari / Stradivari and the Cremonese violin making school / Influence in the 19th and 20th century
caption_attribution_description: Français&#160;: Cette image décrit les relations entre les grands luthiers de Crémone des XVIe, XVIIe et XVIIIe. Seuls les luthiers sont indiqués (donc tous sont luthiers), les relations Père-Fils sont donc aussi des relations Maitre-Élève. Attention&#160;: Niccolò Amati est mort en 1684 et non en 1630, comme indiqué par erreur. English: The chart shows the relation between Cremona's principal violin makers of the 16th, 17th and 18th centuries. The links show master–student relationships, and often include a father–son pairing.
context_page_description: Antonio Stradivari was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, Stradivarius, as well as the colloquial Strad are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survived, including 450 to 512 violins.
context_section_description: The 19th century was not as eventful in comparison to the previous centuries. Some of the most important luthiers from this part of history include Giovanni Rota, as well as the two non-Italian makers François Chanot in France and the artist, inventor and musician William Sidney Mount in the US, who both created experimental violins.
  The 20th century was the so-called rebirth of Cremonese making, when luthiers such as Giuseppe Antonio Rocca, Giovanni Battista Morassi, Beltrami, and the Antoniazzi family emerged from a seemingly uneventful and experimental period. These makers, sometimes basing their early violins on Strads, would later on make their own models and would inspire each other's work.
caption: The Cremonese violin-making school
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