page_title: Penny Arcade (performer)
section_title: Return to New York
hierarchical_section_title: Penny Arcade (performer) / Return to New York
caption_attribution_description: English: Looking southwest from Thompson Street at the Village Gate Sign on the corner of Thompson and Bleecker Streets in New York CIty
context_page_description: Penny Arcade is an American performance artist, actress, and playwright based in New York City. She is known for her comedic wit, forthright delivery, and stage presence. Her performances explore topics such as gentrification, humanity, womanhood, LGBT culture, nostalgia, family history, and the life of the outsider. Additionally, Penny Arcade is known for her association with underground arts and culture.
context_section_description: When Penny Arcade was thirty years old, she returned to New York City in 1981. She worked with underground theatre artists, including Jack Smith, Charles Ludlam and the Angels of Light. She co-starred with Quentin Crisp in the long-running performance/interview piece, The Last Will and Testament of Quentin Crisp. In the spring of 1982, she improvised her first performance piece in Tinsel Town Tirade at Theater for The New City, receiving her first writer's credit.
  In February 1985, Penny Arcade presented her first full length evening of original improvised work, While You Were Out, at the Poetry Project, and then presented it at Performance Space 122 in June later that same year.  While You Were Out then moved to University of The Streets in November 1985 and continued to run another four months.
  Penny Arcade was featured in 1988 Vogue Magazine's "People Are Talking About" issue, the first mention of performance art in a national fashion magazine. In the late 1980s, she created a character named Margo Howard-Howard, a 50-year-old drag queen with a scandalous past, for her performances. The New York Times refers to the character as "patently unbelievable", but in a later article acknowledges that her monologue was "based on real Lower East Side residents." Howard-Howard received an obituary in The Village Voice.
  In the 1990s, Arcade toured internationally with her most popular show, Bitch! Dyke! Faghag! Whore!, which, like much of her work, was an opinionated commentary on sexuality and censorship. It featured a chorus of amateur reverse strippers. In 1998 she performed at the first Gay Shame event (as opposed to gay pride) at DUMBA in Brooklyn; she appears in the documentary film of the event by Scott Berry, entitled Gay Shame '98.
  Arcade's 2002 performance New York Values, which also toured abroad, addressed the loss of cultural identity in New York during the Giuliani years. The famous Village Gate marquee in New York is still adorned with her name and the title of her performance piece Politics, Sex & Reality, although the nightclub no longer exists.
  Arcade is a co-founder of the Lower East Side Biography Project, a video production and oral history workshop that trains participants in documentary filmmaking and preserves the stories of Lower Manhattan artists and activists. Recently profiled individuals have included Herbert Huncke, Jayne County, and Marty Matz, among others.
  In 2002 Arcade ran for the New York State Assembly as a candidate of the Green Party.  She received 1,054 votes out of 32,976 in the 74th Assembly district, losing to incumbent and anti-rent control advocate Steven Sanders.
  In January 2011 Arcade had an on-stage spat with notorious performance artist Ann Liv Young who was in guise as her alter ego Sherry. In 2012 she took up residence at London's Arcola Theatre for a run of her show Bitch! Dyke! Faghag! Whore! 
  In 2013 Arcade appeared in a revival of Tennessee Williams one-act play, The Mutilated. The production was directed by Cosmin Chivu with music by Jesse Selengut, and produced as part of the eighth annual Provincetown Tennessee Williams Theater Festival in Massachusetts. It later opened for a run at the New Ohio Theatre in the West Village.
caption: The Village Gate Sign on the corner of Thompson and Bleecker streets, January 2006
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