page_title: Palace of Queluz
section_title: Grounds
hierarchical_section_title: Palace of Queluz / Grounds
caption_attribution_description: English: Canal dos Azulejos (Channel of the Tiles) in the Gardens of the Palace of Queluz, Portugal
context_page_description: The Palace of Queluz is an 18th-century palace located at Queluz, a city of the Sintra Municipality, in the Lisbon District, on the Portuguese Riviera. One of the last great Rococo buildings to be designed in Europe, the palace was conceived as a summer retreat for Dom Pedro of Braganza, later to become husband and then king consort to his own niece, Queen Maria I. It served as a discreet place of incarceration for Queen Maria as her descent into madness continued in the years following Dom Pedro's death in 1786. Following the destruction by fire of the Ajuda Palace in 1794, Queluz Palace became the official residence of the Portuguese prince regent John VI, and his family and remained so until the royal family fled to the Portuguese colony of Brazil in 1807 following the French invasion of Portugal.
  Work on the palace began in 1747 under Portuguese architect Mateus Vicente de Oliveira. Despite being far smaller, the palace is often referred to as the Portuguese Versailles. From 1826, the palace slowly fell from favour with the Portuguese sovereigns. In 1908, it became the property of the state.
context_section_description: Queluz is famed for the glory of its gardens, which include a large topiary parterre laid out in the manner of Le Nôtre at the rear of the palace (see key 14). The Flemish influences, including the canals, in the garden are the work of the Dutch gardener Gerald van der Kolk, who assisted Robillon from 1760. Formal terraces and walkways are given extra interest by statuary and fountains. The dominant feature of the principal parterre is the "Portico dos Cavalinhos", a garden temple flanked by two allegorical equestrian statues depicting Fames, and two sphinxes (see final illustration) surreally dressed in 18th-century costume, combining the formal and the fantastic. This surreal theme continues elsewhere in the gardens where such motifs as the rape of the Sabines and the death of Abel alternate with statuary of donkeys dressed in human clothing. Deeper in the gardens is a grotto complete with a cascade. Later to be a popular feature in Portuguese gardens, the Queluz cascade was the first artificial waterfall to be constructed near Lisbon.
  An avenue of huge magnolias forms the approach to the classical Robillon wing of the palace (see key 7), while from the wing a double staircase leads to the canal. More than 100 metres (330 ft) long, the walls of the canal are decorated with tiled panels depicting seascapes and associated scenes. This is the largest of a series of canals in the gardens bordered with chinoiserie-style azulejo tiles. Fed by a stream, the sluice gates to the canals are only opened in May. During the 18th century, the canals were the setting for fêtes champêtres during which fully rigged ships would sail in processions with figures aboard in allegorical costumes.
  The gardens also contain a fountain with tritons and dolphins which has been attributed to Bernini. There are further fountains and statuary in the lower gardens, including an important collection of statues by the British sculptor John Cheere (1709–1787). These gardens are set within tall hedges of yew and cypress, and magnolia and mulberry trees planted by Marshal Junot during the French occupation in the Napoleonic wars.
caption: Canal dos Azulejos (Channel of the Tiles) in the Gardens of the Palace
exif: {"Image Make": "NIKON CORPORATION", "Image Model": "NIKON D800E", "Image Orientation": "Horizontal (normal)", "Image XResolution": "300", "Image YResolution": "300", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Ver.1.01", "Image DateTime": "2018:04:01 12:56:52", "Image Artist": "", "Image YCbCrPositioning": "Co-sited", "Image Copyright": "", "Image ExifOffset": "348", "GPS GPSVersionID": "[2, 3, 0, 0]", "Image GPSInfo": "35896", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "300", "Thumbnail YResolution": "300", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "36024", "Thumbnail JPEGInterchangeFormatLength": "8933", "Thumbnail YCbCrPositioning": "Co-sited", "EXIF ExposureTime": "1/100", "EXIF FNumber": "16", "EXIF ExposureProgram": "Aperture Priority", "EXIF ISOSpeedRatings": "100", "EXIF SensitivityType": "Recommended Exposure Index", "EXIF ExifVersion": "0230", "EXIF DateTimeOriginal": "2018:04:01 12:56:52", "EXIF DateTimeDigitized": "2018:04:01 12:56:52", "EXIF ComponentsConfiguration": "YCbCr", "EXIF CompressedBitsPerPixel": "4", "EXIF ExposureBiasValue": "0", "EXIF MaxApertureValue": "4", "EXIF MeteringMode": "Pattern", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "24", "EXIF SubSecTime": "20", "EXIF SubSecTimeOriginal": "20", "EXIF SubSecTimeDigitized": "20", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "7360", "EXIF ExifImageLength": "4912", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "35866", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CVAPattern": "[0, 2, 0, 2, 0, 1, 1, 2]", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF DigitalZoomRatio": "1", "EXIF FocalLengthIn35mmFilm": "24", "EXIF SceneCaptureType": "Standard", "EXIF GainControl": "None", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal", "EXIF SubjectDistanceRange": "0"}