page_title: Viorica Ursuleac
hierarchical_section_title: Viorica Ursuleac
caption_attribution_description: Deutsch: Viorica Ursuleac (1894 in Czernowitz, Kronland Bukowina, Österreich-Ungarn – 1985 in Ehrwald, Tirol, Österreich), als Fiordiligi, Salzburger Festspiele 1932. English: Viorica Ursuleac (1894 in Chernivtsi, Bukovina, Austrian Empire – 1985 in Ehrwald, Tyrol, Austria), as Fiordiligi. Salzburg Festival 1932. Français&#160;: Viorica Ursuleac (1894 à Tchernivtsi, Kronland de Bucovine, Autriche-Hongrie – 1985 à Ehrwald, Tyrol, Autriche), comme Fiordiligi. Festival de Salzbourg 1932. Español: Viorica Ursuleac (1894 en Chernivtsi, Bucovina, Imperio austrohúngaro – 1985 en Ehrwald, Tirol, Austria), como Fiordiligi. Festival de Salzburgo 1932. Português: Viorica Ursuleac (1894 em Chernivtsi, Bucovina, Império Austro-Húngaro – 1985 em Ehrwald, Tirol, Áustria), como Fiordiligi. Festival de Salzburgo 1932. Italiano: Viorica Ursuleac (1894 a Černivci, Bucovina, Impero austro-ungarico – 1985 a Ehrwald, Tirolo, Austria), come Fiordiligi. Festival di Salisburgo 1932. Polski: Viorica Ursuleac (1894 w Czerniowcach, Księstwo Bukowiny, Austro-Węgry – 1985 w Ehrwald, Tyrol, Austria), jako Fiordiligi. Festiwal w Salzburgu 1932. Русский: Урсуляк, Виорика Михайловна (1894 год в Черновцах, Буковина, Австро-Венгрия – 1985 год в Эрвальде, Тироль, Австрия), как Фиордилиги. Зальцбургский фестиваль 1932. Română: Viorica Ursuleac (1894 în Cernăuți, Bucovina, Austro-Ungaria – 1985 în Ehrwald, Tirol, Austria), ca Fiordiligi. Festivalul Salzburg 1932.
context_page_description: Viorica Ursuleac was a Romanian operatic soprano. Viorica Ursuleac was born the daughter of a Greek Orthodox archdeacon, in Chernivtsi, which is now in Ukraine. Following training in Vienna, she made her operatic debut in Zagreb, as Charlotte in Massenet's Werther, in 1922. The soprano then appeared at the Vienna Volksoper, Frankfurt Opera, Vienna State Opera, Berlin State Opera, and Bavarian State Opera. She married the Austrian conductor Clemens Krauss in Frankfurt during her time there.
  She was Richard Strauss's favorite soprano, and he called her die treueste aller Treuen. She sang in the world premieres of four of his operas: Arabella, Friedenstag, Capriccio, and the public dress-rehearsal of Die Liebe der Danae.
  She appeared at the Salzburg Festival and in one season at Covent Garden where she sang in the first performances in England of Jaromír Weinberger's Schwanda the Bagpiper and Arabella. She also appeared as Desdemona in Verdi's Otello at the Royal Opera, with Lauritz Melchior in the name part, and Sir Thomas Beecham conducting.
  Ursuleac sang at La Scala in Strauss's Die Frau ohne Schatten, and Elektra, Mozart's Così fan tutte, and Wagner's Die Walküre.
context_section_description: Viorica Ursuleac (26 March 1894 – 22 October 1985) was a Romanian operatic soprano. Viorica Ursuleac was born the daughter of a Greek Orthodox archdeacon, in Chernivtsi, which is now in Ukraine. Following training in Vienna, she made her operatic debut in Zagreb (Agram), as Charlotte in Massenet's Werther, in 1922. The soprano then appeared at the Vienna Volksoper (1924–26), Frankfurt Opera (1926–30), Vienna State Opera (1930–35), Berlin State Opera (1935–37), and Bavarian State Opera (1937–44). She married the Austrian conductor Clemens Krauss in Frankfurt during her time there.
  She was Richard Strauss's favorite soprano, and he called her die treueste aller Treuen ("the most faithful of all the faithful"). She sang in the world premieres of four of his operas: Arabella (1933), Friedenstag (which was dedicated to Ursuleac and Krauss, 1938), Capriccio (1942), and the public dress-rehearsal of Die Liebe der Danae (1944).
  She appeared at the Salzburg Festival (1930–34 and 1942–43) and in one season at Covent Garden (1934) where she sang in the first performances in England of Jaromír Weinberger's Schwanda the Bagpiper and Arabella (her favorite role). She also appeared as Desdemona in Verdi's Otello at the Royal Opera, with Lauritz Melchior in the name part, and Sir Thomas Beecham conducting.
  Ursuleac sang at La Scala in Strauss's Die Frau ohne Schatten (as the Empress), and Elektra (as Chrysothemis), Mozart's Così fan tutte, and Wagner's Die Walküre (as Sieglinde). Her only American appearances were at the Teatro Colón in Buenos Aires, as Brangäne in Wagner's Tristan und Isolde, opposite Kirsten Flagstad, in 1948. Also in her repertory were the Countess Almaviva (The Marriage of Figaro), Donna Elvira (Don Giovanni), Leonore (Fidelio), Senta (Der fliegende Holländer, with Hans Hotter), Amelia Grimaldi (Simon Boccanegra), Amelia (Un ballo in maschera), Leonora (La forza del destino), Élisabeth de Valois (Don Carlos), Tosca, Minnie (La fanciulla del West), Suor Angelica (opposite Luise Willer), Turandot (opposite Erna Berger's Liù), Der Rosenkavalier, Ariadne auf Naxos (first as the Composer, then as Ariadne), Die ägyptische Helena, etc.
  She was awarded the title of an Austrian Kammersängerin in 1934, a Prussian Kammersängerin in 1935. She gave her farewell in 1953 in Wiesbaden in Der Rosenkavalier. She was appointed professor at the Salzburg Mozarteum in 1964.  The soprano recorded for Deutsche Grammophon in 1933, 1936, and 1943, with excerpts from Arabella, Le nozze di Figaro, Tosca, Turandot, Der Rosenkavalier, Il trovatore, and Capriccio, as well as two Lieder of Strauss.
  Ursuleac's voice was not of great beauty, at least as recorded, but she was reckoned a great musician and actress. In the words of one colleague, the soprano Hildegard Ranczak, "Although she had a lovely, facile top, I was constantly amazed at the two hours' vocalizing she went through before each performance. Hers was, in my opinion, a marvelously constructed, not really natural voice which she used with uncanny intelligence". Ursuleac died at the age of ninety-one in the village of Ehrwald in Tyrol where she had resided since before the death in 1954 of her husband, Clemens Krauss.
caption: Ursuleac as Fiordiligi, Così fan tutte, Salzburg 1932
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