page_title: Jan Borman
section_title: Life
hierarchical_section_title: Jan Borman / Life
caption_attribution_description: English: Tomb of Mary of Burgundy by Jan Borreman (1602)- Our Lady church of Bruges (Belgium).Deutsch: Grab Marias von Burgund von Jan Borreman (1602) - Liebfrauenkirche in Brügge (Belgien). Français&#160;: Mausolée de Marie de Bourgogne par Jan Borreman (1602) - Église Notre-Dame à Bruges (Belgique).Nederlands: Praalgraf van Maria van Bourgondië (1602) door Jan Borreman in de O.-L.-Vrouwekerk te Brugge (België).
context_page_description: Jan Borman was a Flemish Northern renaissance sculptor.
context_section_description: Jan Borman belonged to a family of sculptors. His father was also a sculptor and the two seem to have worked together on at least one occasion. Jan Borman is mentioned for the first time in 1479, when he joined the guild of sculptors in Brussels. In 1484-86, he received a commission to supply statues for one of the side-altars in Antwerp Cathedral. In 1491, in connection with a commission to restore and create new sculptures for Sint-Jacobskerk (Church of St. James) in Leuven, Borman is reported to have entered the joiner's guild of Leuven. In the same year, he was probably responsible for making the wooden model for the bronze tomb of Mary of Burgundy in the Church of Our Lady in Bruges. A few years later, he is recorded having received payment for a crucifix for the Church of St. Sulpitius in Diest.
  Borman made a large, signed and dated altarpiece dedicated to St. George for the Guild of Crossbowmen in Leuven in 1493, today housed in the Cinquantenaire Museum, Brussels. It has been described as Jan Borman's most famous work.
  With time, Borman became a highly regarded artist. In 1511 he was commissioned to make wooden models and other sculptures for the tombs of the Duke and Duchess of Brabant. In the same year, he is described in royal accounts as "the best sculptor". He received further prestigious commissions and official accounts imply that he may have been at some stage employed by the city of Brussels.
  Jan Borman had two sons, named Jan and Passchier, who also were sculptors and who occasionally collaborated with their father.
caption: The bronze tomb of Mary of Burgundy. Jan Borman made the wooden model.
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