cyanic-selkie/wikianc huggingface dataset:
Hulubanténg, Ciledug, Cirebon
Hulubanténg nyaéta salah sahiji désa di kacamatan Ciledug, Kabupatén Cirebon, Propinsi Jawa Barat, Indonésia.
2 Pallas
Pallas (simbol: ) nyaéta astéroid gedé anu perenahna aya di Beubeur astéroid sistem surya mandala sarta mangrupa astéroid ka-2 anu kapanggih. Kapanggih sarta dingaranan ku astronom Heinrich Wilhelm Matthaus Olbers ping 28 Maret 1802. Pallas mangrupa salah sahiji ti 4 astéroid badag (1 Ceres, 4 Vesta, 10 Hygiea, sarta Pallas). Asteroid badag kasebut teu kaasup 704 Interamnia. Pallas ukuranana sarua kawas 4 Vesta. Ngaran Dewi Yunani Pallas Athena ieu pisan anu dibikeun pikeun astéroid anu aya di Beubeur utama astéroid di antara Jupiter sarta Mars. Obyek masif kasebut kaitung unik sabab orbitanna béda ti astéroid séjénna sarta mibanda sudut déngdék luhur. Loba hal metot anu baris ditalungtik ngaliwatan wangwangan anu dibikeun Hubble kawas, kumaha bentukna, kumaha kaayaan dadasarna, naha manéhna mibanda kawah badag alatan tabrakan, atawa naha Pallas mibanda topografi anu husus. Kalayan wangwangan anu dihasilkeun Hubble, Schmidt saparakanca bisa ngalakonan itungan pikeun nyaho ukuran sarta wangun éta astéroid. Kaungkab ogé lamun dadasar Pallas mibanda rohangan poék sarta caang anu nyirikeun obyek kalayan kelimpahan cai éta geus ngaliwatan parobahan internal kawas anu dialaman planét umumna. Pallas tétéla lain saukur batuan badag anu kabentuk ti silikat hidrat sarta és.
Nadila Cindi Wantari
Nadila Cindi Wantari atanapi anu teu biasa ogé disebut Nadila atanapi Paw-Paw (ogé katelah Nadila JKT48 (salami janten anggota JKT48) mangrupikeun penyanyi Indonesia sareng anggota grup idola JKT48 anu asalna ti Bogor, Jawa Kulon. Nadila mangrupikeun anggota generasi kadua JKT48 anu ayeuna janten anggota resmi Team J saprak 21 Juli 2019.
Acrylonitrile butadiene styrene (ABS)
Akrilonitril-butadiena-stirena (ABS) nyaéta bahan Termoplastik anu diwangun tina graft/cangkokan kopolimér, maksudna molekul ieu diwangun tina ranté polibutadien anu kaluar tina  bagéan tengah ranté tulang tonggong kopolimer stirena-akrilonitril (SAN) anu  leuwih gedé pangaruhna di mana SAN anu henteu mibanda kantétan/(liontin) polibutadiena. Ieu dijieun ku jalan ngaleyurkeun polibutadiena dina ancuran akrilonitril jeung stirena monomer anu satérusna polimerisasi monomer jeung pangantétna (inisiator radikal bebas). ABS ogé bisa dilakukeun sajéroeun prosés émulsi, anu mana ancuran latéks disayagikeun pikeun polibutadiena  di dieu stirena jeung akrilonitril dihijikeun terus dikopolimerkeun. Jumlah anu loyog tina unggal kopolimer, panjang ranté kantétan polimer, jeung undakan interlinking bisa disaluyukeun ngajadi pageuh, ieu anu mangrupa sarat anu dipaké nyieun  produk. Dasarna tilu komponén ieu méré kasaimbangan sipat, butadiena-na nambahan kana kakuatan dampak sipat heuras anu  hadé, acrylonitrile-na mibanda sipat tahan panas, jeung  stiréna méré kakuatan kopolimér. ABS dianggap hasil pangropéa plastik anu alus (nyaéta, bisa dijadikeun pilihan keur gaganti logam di bagéan struktural). Bahan ieu ogé bisa dijieun maké mesin injéksi, mesin blow, atawa diékstrusi.
Kopolimer akrilonitril-butadiena-stirena (ABS) Loba dimangpaatkeun kana pakakas rumah tangga, Elektronik, kandaraan (interior). Dasarna kopolimer stirena-akrilonitril diropéa ku butadiene rubber, ABS ngahijikeun kakuatan  polibutadien anu heuras jeung teuas  poliakrilonitril ditambah polystyrene. ABS geus dipatenkeun dina taun 1948 diwanohkeun ka pasar internasional ku Borg-Warner Corporation dina taun 1954.
Pamangpatan
Plastik ABS ieu dimangpaatkeun dina loba widang utamana dina industri, tabel di handap ngagambarkeun pamangpaatan umum bahan ABS:
Batasan Pikeun Pamaké
ABS téh stabil pikeun dekomposisi sajeroeun pamakéan jeung pangolahan polimer dina kaayaan normal di mana  paparan karsinogen sahandapeun batas anu geus disaluyuan ditempat gawe. Tapi, dina panas suhu leuwih ti (400 °C) ABS bisa laleupasan deui komponenna: butadiene (karsinogenik bagi manusia), akrilonitril (mungkin karsinogenik bagi manusia), dan styrene.
Kloroplas
Kloroplas téh organél nu aya dina sél tutuwuhan jeung ganggang eukariot nu bisa ngayakeun potosintésis. Kloroplas nyerep énérgi cahya ti panonpoé pikeun ngahasilkeun énérgi bébas nu diteundeun dina ATP jeung NADPH dina prosés potosintésis.
Asal-usul
Kloroplas mangrupa salah sahiji bentuk plastid, sarta sacara umum dianggap 'turunan' sianobaktéri éndosimbiotik. Dina lebah dieu, kloroplas téh sarimbag jeung mitokondria, tapi kloroplas mah ukur aya di tutuwuhan jeung protista. Dua organél ieu dikubeng ku dua lapis pinding nu dipisahkeun ku rohangan antarmémbran boga DNA sorangan nu aub dina métabolisme énérgi, sartaboga rétikulasi (krista) nu ngeusi rohangan jero.
Penting kauninga ogé, yén dina sababaraha ganggang (kayaning heterokont jeung protista lianna kawas Euglenozoa jeung Cercozoa), kloroplas téh siga nu tumuwuh ngaliwatan kajadian éndosimbiosis sekundér, nalika sél eukariot 'ngalegleg' sél eukariot kadua nu ngandung kloroplas, sahingga ngabentuk kloroplas nu dibungkus ku tilu atawa opat lapis mémbran. Dina sababaraha kajadian, éndosimbion sekundér ieu dilegleg deui ku eukariot lianna, sahingga ngabentuk éndosimbion tersiér.
Struktur
Kloroplas téh bentukna buleud gepéng nu diaméterna 2-10 mikrométer, sedengkeun kandelna 1 mikrométer. Kloroplas boga dua lapis mémbran nu disebut mémbran luar jeung jero. Dua mémbran ieu dipisahkeun ku rohangan antarmémbran.
Cairan dinajero kloroplas disebut stroma, sarupa jeung sitoplasma baktéri, sarta ngandung DNA sirkulér leutik nu jeung ribosom, najan lolobana protéinna mah disandi ku gén nu aya di inti, nu produk protéinna diangkut ka jero kloroplas.
Stroma téh pinuh ku tumpukan tilakoid, sub-organél tempat potosintésis nu sabenerna. Tilakoid ieu bentukna buleud gepéng, nu jerona rohangan kosong nu disebut rohangan tilakoid atawa lumén. Tilakoid ieu disusun numpuk, sarta sasusunan tilakoid disebutna granum. Réaksi potosintésis lumangsung dina mémbran tilakoid, sarta, sarupa jeung dina mitokondria, ngawengku aliran biosintésis antarmémbran.
Lumban Binanga, Laguboti, Toba Samosir
Lumban Binanga nyaéta salah sahiji Désa di kacamatan Laguboti, Kabupatén Toba Samosir, Propinsi Sumatra Kalér, Indonésia.
2010 RL42
Ari 2010 RL42 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.435, sedengkeun magnitudo mutlakna 22.6. Ari nu jadi référénsina mah nyaéta MPO 271270.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
2016 GB222
Ari 2016 GB222 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.455, sedengkeun magnitudo mutlakna 26.8. Ari nu jadi référénsina mah nyaéta MPO�386977.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Babah Jurong, Mila, Pidie
Babah Jurong nyaéta salah sahiji Gampong di kacamatan Mila, Kabupatén Pidie, Propinsi Acéh, Indonésia.
(419829) 2010 XK52
Ari 2010 XK52 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.518, sedengkeun magnitudo mutlakna 18.0. Ari nu jadi référénsina mah nyaéta MPO 368841.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
2013 LL31
Ari 2013 LL31 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.150, sedengkeun magnitudo mutlakna 20.3. Ari nu jadi référénsina mah nyaéta MPO 369185.
2016 SG45
Ari 2016 SG45 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.466, sedengkeun magnitudo mutlakna 19.5. Ari nu jadi référénsina mah nyaéta MPO 403116.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Opak
Opak nyaéta kadaharan tina béas ketan. Cara ngolahna bagenyel digepeng-gepeng nepi ka jadi ipis pisan, sagédé-gédé piring terus dipoé nepi ka garing, di daharna sanggeus didéangkeun atawa digoréng nepi ka beukah.
Cara Nyieun Opak
prosés nyieuna kaasup sederhana namung kudu miboga kaparigelan. Sangkan hasil opak téh ngeunah kudu ngaliwatan prosés nyieuna kawilang lila. Mimiti urang kudu nyiapkeun béas anu geus dikumbah nepi ka bersih (diisikan),tuluy éta ketan digigihan kalayan cai anu teu pati loba, sangkan teu beyé teuing. Sanggeus asak di asupkeun kana dulang tuluy ditutuan ku halu bari dicampuran sambara. Sambarana nyaéta uyah jeung cipati. Sanggeus adonan jadi disebutna jengél atawa jangggél. Tuluy diléot sina baruleud ipis bari didadasaran ku samak lempit. Sanggeus kitu dipoé nepi ka garing. Biasana dipoé dina ayakan, opak anu geus garing disebut babanggi. Lamun geus garing prosés terahir nyaéta dibeuleum. Dibeuleumna saperti saté ku sabab opak di tojoskeun kana kawat saperti saté. Opak dianggap asak lamu geus beukah jeung warnana semu konéng.
1058
Taun ka-1058 Maséhi dina Kalénder Grégorian.
Batutulis, Bogor Selatan, Bogor
Batutulis nyaéta salah sahiji kalurahan di kacamatan Bogor Selatan, Kota Bogor, Propinsi Jawa Barat, Indonésia.
Alur Baning, Babul Rahmah, Aceh Tenggara
Alur Baning nyaéta salah sahiji Gampong di kacamatan Babul Rahmah, Kabupatén Aceh Tenggara, Propinsi Acéh, Indonésia.
Kabupatén Bantul
Kabupatén Bantul, nyaéta salahiji kabupatén di Propinsi Yogyakarta. Ibu kotana nyaéta Bantul.
Mata Ie, Peusangan Selatan, Bireuen
Mata Ie nyaéta salah sahiji Gampong di kacamatan Peusangan Selatan, Kabupatén Bireuen, Propinsi Acéh, Indonésia.
Kirata
Kirata nyaéta istilah basa anu ngarujuk kana nyieun papanjangan atawa harti dina kecap anu geus aya tiheula. Kecap kirata éta sorangan mangrupa kirata tina kira-kira sugan nyata. Kirata ilahar aya di basa Sunda ku lantaran Urang Sunda anu mindeng tur beuki nyieun singgetan-singgetan atawa papanjangan-papanjangan tina kecap anu geus aya pikeun heuheureuyan baé.
Salian di basa Sunda, kirata ogé dipikawanoh di basa séjén, saperti basa Indonésia, basa Inggris, jeung sajabana.
Stasion Purwakarta
Stasion Purwakarta (PWK) (Aksara Sunda baku: ) nyaéta stasion karéta api kelas II anu perenahna di Nagritengah, Purwakarta, Purwakarta. Stasion anu aya dina tingkat kaluhuran +84 méter ieu kaasup ka Daérah Operasi II Bandung. Di deukeut stasion ieu aya urut dipo lokomotip. Stasion ieu miboga genep jalur karéta kalawan jalur 1 minangka sepur lurus jalur ganda ti arah Jakarta sarta jalur 2 minangka sepur lurus jalur ganda ka arah Jakarta jeung ogé jalur tunggal ti/ka Bandung.
Kirata
Tingali ogé
Basa
Stasion Purwakarta
Stasion ini perenahna deukeut pisan jeung kantor bupati Purwakarta nu bisa ditempuhan ku ngan leumpang.
Stasion ieu jadi "tempat istirahat panungtung" (pamakaman) pikeun sakabéh karéta rél listrik ékonomi non-AC anu kungsi beroperasi di lintas Jabodetabék ti saprak dihupusna KRL non-AC tanggal 25 Juli 2013. Di dieu aya KRL Rhéostatik, BN-Holec, jeung Hitachi. Di dieu ogé aya sésa gerbong KRL AC séri Tōyō Rapid 1000 jeung Tokyo Metro 5000.
Tempat pikeun ngarucat KRL lianna aya di Stasion Cikaum, nyaéta tempat perucatan KRL Éksekutip AC milik PT KAI anu diimpor atawa diproduksi saacan taun 2009.
Kelas éksekutip
Argo Parahyangan, jurusan Jakarta (tambahan) jeung jurusan Bandung Hall (régulér jadwal beurang serta tambahan jadwal isuk-isuk jeung soré) / Bandung Kiaracondong (tambahan jadwal isuk-isuk)
Jadwal karéta api
Ieu jadwal karéta api panumpang anu eureun di Stasion Purwakarta per 2 Januari 2019 (révisi Gapeka 2017).
Keterangan:
*) = Lamun KA 35F-36F Argo Parahyangan Fakultatif beroperasi, KA 7077 Argo Parahyangan Tambahan teu beroperasi. Kitu ogé sabalikna.
**) = Lamun KA 125F-126F Fajar/Senja Utama CN beroperasi, PLB 7061-7062 Argo Parahyangan Tambahan teu beroperasi. Kitu ogé sabalikna.
Tumbu kaluar
Situs resmi KAI dan jadwal kereta api tahun 2017
SMAN 1 Pusakanagara
SMAN 1 Pusakanagara nyaéta Sakola Menengah Atas Negeri anu aya di Kabupatén Subang. Alamat lengkepna di Jalan Ciawitali No. 47, Kalurahan/Désa Pusakaratu Kacamatan Pusakanagara, Kabupatén Subang, Jawa Kulon kalawan nomor NPSN 20233654.
(137158) 1999 FB
Ari (137158) 1999 FB mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.607, sedengkeun magnitudo mutlakna 17.9. Ari nu jadi référénsina mah nyaéta MPO�407067.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
2005 WP3
Ari 2005 WP3 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.550, sedengkeun magnitudo mutlakna 24.9. Ari nu jadi référénsina mah nyaéta MPO97976.
Érie Suzan
Érie Suzan nyaéta saurang panyanyi dangdut anu mimiti ténar liwat lagu Khusus Malam Ini. Erie pernah digugat ku musisi Surendro Prasetyo patali jeung pamakéan lagu "Aku Rindu" ciptaan grup musik Family Band, apingan Yoyo. Singel pamungkas anu dipedal ku Erie nyaéta "Minta Kawin" dina taun 2014 anu diciptakeun ku Posan Tobing drummer grup musik Winner.
2013 BL18
Ari 2013 BL18 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.593, sedengkeun magnitudo mutlakna 25.9. Ari nu jadi référénsina mah nyaéta MPO�265048.
Si'ofaewali Selatan, Bawolato, Nias
Si'ofaewali Selatan nyaéta salah sahiji Désa di kacamatan Bawolato, Kabupatén Nias, Propinsi Sumatra Kalér, Indonésia.
Kalirejo, Kalirejo, Lampung Tengah
Kalirejo nyaéta salah sahiji Désa di kacamatan Kalirejo, Kabupatén Lampung Tengah, Propinsi Sumatra Kalér, Indonésia.
SMKS Insan Madani
SMKS Insan Madani nyaéta Sakola Menengah Kajuruan Swasta anu aya di Kabupatén Bogor. Alamat lengkepna di Jl Raya Cipatat Km 13 Sukajaya, Kalurahan/Désa Urug Kacamatan Sukajaya, Kabupatén Bogor, Jawa Kulon kalawan nomor NPSN 20280616.
Kalirejo, Kalirejo, Lampung Tengah
Kalirejo, Kalirejo, Lampung Tengah
Krueng Lala, Mila, Pidie
Krueng Lala nyaéta salah sahiji Gampong di kacamatan Mila, Kabupatén Pidie, Propinsi Acéh, Indonésia.
Krueng Lala, Mila, Pidie
Sijenjang, Jambi Timur, Jambi
Sijenjang nyaéta salah sahiji kalurahan di kacamatan Jambi Timur, Kota Jambi, Propinsi Jambi, Indonésia.
Roti
Roti nyaéta salah sahiji kadaharan. Bahan dasar utama roti nyaéta tipung tarigu jeung cai anu difermentasikeun ku ragi, tapi aya ogé anu henteu maké ragi. Kamajuan teknologi manusa nyieun roti téh diolah kalayan sababaraha bahan saperti uyah, minyak, mantéga, endog pikeun nambahan kadar protéin dina roti sangkan teksturjeung rasa nu tangtu.
Kosta Rika
Kosta Rika, resmina Républik Kosta Rika (Costa Rica atanapi República de Costa Rica, ) nyaéta hiji nagara multibasa, multiétnis, jeung multibudaya di Amérika Tengah, wawtesan jeung Nikaragua di kalér, Panama di tenggara, Samudra Pasfik di kulon, sarta Laut Karibia di wétan.
Hulubanténg Lor, Ciledug, Cirebon
Hulubanténg Lor nyaéta salah sahiji désa di kacamatan Ciledug, Kabupatén Cirebon, Propinsi Jawa Barat, Indonésia.
Roti
Kandungan gizi
Opat lambar roti tawar bisa ngahasilkeun kalori anu sarua jeung sangu. Salain loba ngandung serat, kadar protein roti ogé leuwih loba kandungan gijina dibandingkeun sangu. Kandungan pati roti 13 persén sedengkeun sangu ngan 4-8 persén. Nu boga panyakit diabetes sakuduna ngadahar roti dibandingkeun sangu sangkan kadar glisemik tetep stabil. Ka ayeunakeun loba perusahaan roti anu ngalengkepan kandungan gizi roti saperti vitamin, sajumlahing mineral saperti zat besi, iodium, kalsium, jrrd. Roti ogé miboga kandungan asam lemak teu jenuh ganda pikeun orok atawa balita, omega 3, jeung DHA (Docosahexaenoic acid atawa asam lemak teu jenuh ganda rantai panjang) pikeun ningkatkeun mutu protein dina awk. Tapi perlu diperhatikeun, kandungan gizi dina roti gumantung kana cara nyieuna. Gizi roti bisa rusak lamun di beuleum kalayan suhuna tinggi jeung durasi waktu anu lila.
Bahaya roti pikeun awak
Loba teuing ngadahar roti ngabalukarkeun panyakit ADD (Attention Deficit Disorder) jeung Kangker. Lantaran dina roti miboga kandungan zat anu bahaya saperti Calcium Propianate jeung Potassium Bromate. Calcium Propianate ngabalukarkeun penyakit ADD sedengkeun Potassium Bromate ngabalukarkeun sél kangker (carcinogenic).
Kosta Rika
Propinsi, kanton, jeung distrik
Kosta Rika miboga 7 propinsi, nu mana salajengna dibagi kana (total 81) kanton (cantón, leuwih ti 1: cantones), unggalna diluluguan ku mayor. Mayor dipilih saban 4 taun ku masarakat kanton. euweuh badan législatif propinsi. Kanton teras dibagi kana (total 421) distrik (distritos).
Propinsi-propinsina nyaéta:
Kabupatén Galuh
Kabupatén Galuh nyaéta kabupatén anu diadegkeun taun 1815 ku Wiradikusumah minangka gabungan Kabupatén Kertabumi (Bojonglopang), Utama, Imbanagara, Cibatu, jeung Kawasén. Wilayahna harita méh sarua jeung Kabupatén Ciamis kiwari ditambah Pangandaran. Taun 1915, ieu kabupatén diasupkeun Karésidénan Priangan sarta diganti ngaran jadi Ciamis.
2010 MH1
Ari 2010 MH1 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.324, sedengkeun magnitudo mutlakna 21.3. Ari nu jadi référénsina mah nyaéta MPO�392357.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Karéta api Kamandaka
Karéta api Kamandaka nyaéta karéta api kelas ékonomi anu ngalayanan rute Stasion Purwokerto - Stasion Semarang Tawang. Karéta ieu dioperasikeun ku Daérah Operasi V Purwokerto
Jadwal
Karéta api Kamandaka dijalankeun 6 kali dina sapoé. Jadwal anu leuwih lengkepna tingali di Wikipédia basa Indonésia
Tingali ogé
Karéta Api
Tumbu kaluar
Situs resmi PT Kereta Api Indonesia
1057
Taun ka-1057 Maséhi dina Kalénder Grégorian.
Depok TV
Depok TV nyaéta stasion TV lokal di Indonésia.
Bondongan, Bogor Selatan, Bogor
Bondongan nyaéta salah sahiji kalurahan di kacamatan Bogor Selatan, Kota Bogor, Propinsi Jawa Barat, Indonésia.
Pasar Krui, Pesisir Tengah, Pesisir Kulon
Pasar Krui nyaéta salah sahiji Kalurahan di kacamatan Pesisir Tengah, Kabupatén Pesisir Kulon, Propinsi Sumatra Kalér, Indonésia.
Ompu Raja Hutapea, Laguboti, Toba Samosir
Ompu Raja Hutapea nyaéta salah sahiji Désa di kacamatan Laguboti, Kabupatén Toba Samosir, Propinsi Sumatra Kalér, Indonésia.
Racun
R acun mangrupa zat padet, cair, atawa gas, nu bisa ngaganggu prosés hirupna sél hiji organismeu. Zat racun bisa asup kana awak boh liwat jalur oral (baham) boh jalur topikal (pabeungeutan awak). Dina patalina jeung biologi, racun nyaéta zat nu nyumebabkeun cidera, nyeri, jeung paéhna organismeu, biasana jeung réaksi kimia atawa aktivitas lianna dina dalam skala molékul.
Bapa Toksikologi, Paracelsus, ngedalkeun yén: Sagala rupa téh racun jeung taya nu tanpa racun. Ngan dosis nu nyieun hiji hal jadi lain racun (Dosis solum facit venum).
Terminologi
Istilah racun téh saru boh jeung kecap toksin boh jeung kecap peurah, saenya mun dilenyepan mah ieu téh béda pisan définisina. Kecap "toksin" didéfinisi minangkana mah racun nu dihasilkeun tina prosés biologi, atawa sok disebut minangka biotoksin. Sedengkeun peurah mah minangka cairan nu ngandung racun nu disékrésikaeun atawa dihasilkeun ku sato dina prosés mertahankeun diri atawa narajang sato lian kalawan macok atawa nyongcong.
Istilah miracun, toksik, jeung peurahan ogé mangrupa kecap nu sabanding mun dipaké pikeun ngébréhkeun watek atawa éfék tina racun. Ngan, tetep aya saeutik bédana dina katila kecap éta téh. Miracun dipaké pikeun sagala hal nu akibatna fatal atawa bahaya mun diasupkeun dina jumlah tinangtu ka mahluk hirdup. Sedengkeun toksik ngungkabkeun watek atawa éfék tina toksin, jeung peurahan mah nujul ka sato nu mibanda peurah.
Klasifikasi
DIna hiji buku forénsik médis nu ditulis ku JL Casper, racun diklasifikasikein jadi 5 golongan, nyaéta:
Sajarah
Sajarah awal ngeunaan racun ruket patalina jeung mitos sarta ageman. Taun 2500 SM, bangsa Suméria dipikanyaho nyembah déwi racun nu disebut Gula. Dina mitologi Yunani, nyangkaruk sawatara rujukan ngeunaan racun, di antarana nyaéta kisah ngeunaan Medéa, incuna Helios (déwa panonpoé). Medéa hayang maténi anak téréna, Theseus ku inuman anggur nu diracunan. Ngan, éta tarékah téh dibolaykeun ku Aegeus, salakina Medéa. Tulisan pangbuhunna ngeunaan racun kapanggih di Mesir jeung angkana taun kurang leuwih 3000 SM jeung dokumén ngeunaan panalungtikan pepelakan miracun nu dilakonan ku Menes, raja Mesir.
Dina sajarah Yunani, racun pernah dipaké minangka hukuman pati nu disebut Racun Nagara atawa State Poison. Salah sahiji inohong filsuf nu pernah dihukum pati ku ieu cara téh nyaéta Socrates. Salila mangsa pamaréntahan kakaisaran Romawi, karacunan nalika dahar peuting, utamana di kalangan kelas luhur  mah geus jadi hiji hal anu biasa. Éta perkara mangrupa salah sahiji cara pikeun nyingkahan anggota kulawarga nu teu dipiresep, jiga nu pernah dipilampah ku Nero. Kira-kira taun 246 SM, Cina ngembangkeun hiji drama nu disebut Ritual Chou, nu di jerona nyangkaruk ritual meuleum 5 macem racun.
Asup ka abad pertengahan, dina taun 8 Sanggeus Maséhi, racun mingkin kumembang lantaran ahli kimia Arab ngahasil dina ngarobah arsénik jadi bubuk nu teu mirasa jeung teu bau sangkan teu kadétéksi ayana éta racun. Mangsa harita, racun biasa didagangkeun di apoték jeung dibeuli ku umum téh gampang. Rupa-rupa téks akademis ngeunaan racun ogé dituliskeun ku para biarawan, salah sahijina nyaéta The Book of Venoms (1424) ku Magister Santes de Ardonis nu eusina racun nu dipikanyaho dina mangsa harita, mékanismeu gawéna, jeung cara nyageurkeunna.
Dina abad ka-14 jeung 15, ahli kimia Itali ihtiar nyieun racun nu leuwih kuat tina nu saméméhna jeung ieu perkara téh sumebar ti Itali ka Paris. Ihtiar pikeun ngawates jujualan racun dipilampah ku Louis XIV dina taun tahun 1662 nu medalkeun aturan larangan apoték pikeun ngajual sanyawa racun, iwal ka nu meuli nu geus ngadaptarkeun tujuanna. Taun 1836 jeung 1841, Marsh jeung Riensch sacara papisah ngahasil ngembangkeun métodeu pikeun ngadétéksi arsénik sangkan loba jalma nu ngalakukeun kajahatan, utamana maténi ku racun antukna bisa ditéwak. Dina abad ka-20, racun mimiti ditalungtik pikeun dipaké minangka pakarang. Tumuwuhna widang toksikologi ogé ngarojong kumembangna sistim kontrol jeung sumebaran sanyawa miracun.
Panawar racun
Panawar racun mangrupa ubar nu bisa ngalawan éfék tina racun. Sawatara panawar racun nu sok dipaké di antarana:
Manga
Manga (漫画) nyaéta kecap Basa Jepang keur komik jeung citakan kartun. Di Jepang, ilahar keur rujukan komik Basa Jepang. Manga diwangun ku campuran ukiyo-e jeung gaya gambar asing, sarta mimiti tumuwuh sanggeus Perang Dunya Kadua. Ilahar hideung bodas, iwal ti kaca judul jeung sababaraha kaca mimiti; di sababaraha Animanga sakabéh kacana berwarna.
Manga nu populer sok dirobah kana anime (Basa Jepang keur animasi) lamun pasar miresep keur dijieun. (Manga kadangkala disebut ogé "anime" sanajan lain animasi.) Adaptasi carita remen nuturkeun kahayang pasar. Sanajan teu ilahar, anime asli dirobah kana manga (saperti Neon Genesis Evangelion jeung Cowboy Bebop).
Asli
Sacara literatur, manga hartina "gambar acak (atawa whimsical)". Kecap ieu mimiti ilahar dipaké dina ahir abad ka-18—dina sababaraha citakan saperti Suzuki Kankei "Mankaku zuihitsu" (1771) jeung Santo Kyoden carita nu aya gambarna "Shiji no yukikai" (1798)—sarta dina awal abad ka-19 saperti citakan Aikawa Minwa "Manga hyakujo" (1814) tur Hokusai manga nu diasupkeun tina buku sketsa artis ukiyo-e Hokusai. Sanajan kitu, gi-ga (haritna "gambar lucu", utamana tyō-jyū-jinbutu-gi-ga (鳥獣人物戯画), sacara literatur "gambar lucu keur sato jeung jalma" ) digambar dina abad ka-12 ku sababaraha pelukis nembongkeun kualitas tur caria manga nu sederhana, dina garis-garis artistik. <!-- Manga developed from a mixture of ukiyo-e and foreign art movements. When the United States began trading with Japan, Japan tried to modernise itself and catch up with the rest of the world. Thus, they imported foreign artists to teach their students things such as line, form and colour (things which were never concentrated on in ukiyo-e as the idea behind the picture was normally considered more important). Manga at this period was known as Ponchi-e (Punch-picture) and, like its British counterpart Punch magazine, mainly depicted humour and political satire in short 1 or 4 picture format.
Tezuka Osamu
Tezuka introduced film-like story telling and character in comic format in which each short-film like episode is part of larger story arc. The only text in Tezuka's comics was the characters' dialogue and this lent the comics a cinematic quality. Tezuka also adopted Disney-like facial features where a character's eyes, mouth, eyebrows and nose are drawn in a very exaggerated manner to add more distinct characterisation with fewer lines which made his prolific output possible. This somewhat revived the old ukiyo-e like tradition where the picture is a projection of an idea rather than actual physical reality.
1056
Taun ka-1056 Maséhi dina Kalénder Grégorian.
Manga
Tezuka Osamu
Initially, his comic was published in a children's magazine. Soon, it became a specialised weekly or monthly comic magazine, which is now the foundation of the Japanese comic industry. Tezuka adapted his comic to almost all film genres at the time. His manga series cover from action adventure (for example Kimba the White Lion (Jungle Emperor Leo)) to serious drama (Black Jack) to science fiction (Astro Boy), horror (for example Dororo, The Three-eyed One.) It is often commented that any manga genre which Tezuka did not create was done by someone who was desperately trying to find something Tezuka wasn't doing. Though he is known in the West as a creator of the children's animation Astro Boy, many of his comics had some very mature and sometimes dark undertones. Most of his comics' central characters had a tragic background. Atom (Astro Boy) was created by a grieving scientist trying to create an imitation of his dead son, and who later abandoned the boy. Kimba's father was killed by human hunters and the conflict between man and nature was a recurring theme for the comic. Hyakkimaru in Dororo was born severely crippled because his father offered 48 parts of Dororo's infant body to 48 demons. Some criticise Tezuka's somewhat excessive use of tragic dramatisation in his stories. As the manga generation of children grew up, the market for comics expanded accordingly and manga soon become a major cultural force of Japan. Tezuka also contributed to the social acceptance of manga. His qualification as a medical doctor as well as the holder of Ph.D in medical science as well as his serious storylines were used to deflect criticism that manga was vulgar and undesirable for children. He also mentored a number of important comic artists, such as Fujiko Fujio (creator of Doraemon), Fujio Akatsuka and Shotaro Ishinomori.
Gekiga
Another important trend in manga was gekiga ("Dramatic Pictures"). Between the 1960s and the 1970s, there were two forms of comic serialisation. One, the manga format, was based on the sales of anthology magazines which contained dozen of titles. The other, gekiga, was based on a rental format of an individual manga "book" of single title. Manga was based on weekly or biweekly magazine publications, so production was prompt, and the deadline was paramount. Consequently, most manga artists adopted Tezuka's style of drawing, where characters are drawn in a simpler but exaggerated manner, typified by the large round eyes regarded abroad as a defining feature of Japanese comics. In contrast, gekiga typically had more complex and mature story lines, with higher production value per page. For this reason, gekiga was considered to be artistically much superior. However, gekiga's rental business model eventually died out in the 1970s, while manga artists significantly improved their graphic quality. Eventually, gekiga was absorbed into manga and now is used to describe a manga style which does not use cartoonish drawing. The gekiga-style manga most famous abroad is probably Akira.
Jatirenggang, Ciledug, Cirebon
Jatirenggang nyaéta salah sahiji désa di kacamatan Ciledug, Kabupatén Cirebon, Propinsi Jawa Barat, Indonésia.
Cot, Muara Tiga, Pidie
Cot nyaéta salah sahiji Gampong di kacamatan Muara Tiga, Kabupatén Pidie, Propinsi Acéh, Indonésia.
Manga
Gekiga
However, gekiga did not only influence the art style of manga: after the 70s, more mature-themed pictures and plotlines were used in manga. Many had significant depictions of violence and sex, and were marketed at teenagers: unlike in Tezuka's time, children in the 70s had more disposable income, so they could directly purchase manga without asking their parents to buy it for them. Thus, manga publishers did not need to justify their products to the parents. Moreover, the dominance of the serialised manga format on a weekly basis meant that manga was increasingly becoming "pulp fiction", with large amounts of violent content and some nudity (especially, although not exclusively, in manga aimed at boys). Representative titles of this genre were Harenchi Gakuen by Go Nagai and Makoto-chan by Kazuo Umezu, both of which had copious amounts of gore, nudity, and vulgar (often scatological) jokes. Much like in the United States, teachers and parents loathed manga, but unlike the U.S. no attempt was made to create an oversight board like the Comics Code Authority. Interestingly, manga magazines "for children" in the 70s arguably had more vulgar themes (due to the fact that it was the only major publishing format available), but by the 80s and 90s, new magazines catering to teenagers and young adults had come into play.
A wealth of topics
With an immense market in Japan, manga encompasses a very diverse range of subjects and themes, satisfying many readers of different interests. Popular manga aimed at mainstream readers frequently involves sci-fi, action, fantasy and comedy. Notable manga series are based on corporate businessman (the Shima Kousaku series), Chinese cuisine (Iron Wok Jan), criminal thriller (Monster) and military politics (The Silent Service).
Cultural importance
Though roughly equivalent to the American comic book, manga holds more importance in Japanese culture than comics do in American culture. In economic terms, weekly sales of comics in Japan exceed the entire annual output of the American comic industry. Several major manga magazines which contain about a dozen episodes from different authors sell several million copies each per week. Manga is well respected both as an art form and as a form of popular literature though it has not reached acceptance of historically higher art genres like film or music. However, approval of Hayao Miyazaki's Anime and some of other works of manga are gradually changing the perception of Anime and manga, placing them closer to the status of "higher" arts (Top of box office charts of all-time in Japan is Spirited Away by Hayao Miyzaki, 30.4 billion yen). Like its American counterpart, some manga has been criticized for being violent or sexual. For example, a number of film adaptation of manga such as Ichi the Killer or Old Boy were rated Restricted or Mature in the States. However, there have been no official inquiries or laws trying to limit what can be drawn in manga, except for vague decency laws applying to all published materials, stating that "overly indecent materials should not be sold." This freedom has allowed artists to draw manga for every age group and for about every topic.
Characteristics
Expressive dialogue bubbles: The borders of the speech/thought bubbles changes in pattern/style to reflect the tone and mood of the dialogue. For example, an explosion-shaped bubble for an angry exclamation. Also, manga does not usually follow the normal Western comic conventions for speech (solid arc extending from the character's head) and thought bubble (several small circles used in place of the arc).
Speed lines: Often in action sequences, the background will possess an overlay of neatly ruled lines to portray direction of movements. Speed lines can also be applied to characters as a way to emphasis the motion of their bodies (limbs in particular). This style, especially background blurs, extends into most action based anime as well.
Mini flashbacks: Many artists employ copies of segments from earlier chapters (sometimes only a single panel) and edit them into the story panels to act as a flashback (also applying an overlay of darker tone to differentiate it from current events). This can be considered a convenient method to evoke prior event(s) along with visual imagery. In situations where a character's life events flash across his/her mind, a splash page maybe used with the entire background consisting of segments from earlier chapters.
Symbols: Certain visual symbols have been developed over the years to become common methods of denoting emotions, physical conditions and mood. The following is a brief list of representative manga symbols and usage:
The popular and recognizable style of manga is very distinctive. Emphasis is often placed on line over form, and the storytelling and panel placement differs from those in American comics. Impressionistic backgrounds are very common, as are sequences in which the panel shows details of the setting rather than the characters. Panels and pages are typically read from right to left, consistent with traditional Japanese writing. While the art can be incredibly realistic or cartoonish, it is often noted that the characters have large eyes (female characters usually have larger eyes than male characters), small noses, tiny mouths, and flat faces. Large eyes have become a permanent fixture in manga and anime since the 1960s when Osamu Tezuka (see above) started drawing them in this way, mimicking the style of Disney cartoons from the United States. Further more, inside the big eyes, the transparent feeling of pupils and the glares, or small reflections in the corners of the eyes are often exaggerated, regardless of surrounding lighting, although they are only present in living characters: the eyes of characters who have died are the colour of the iris, but darker. (See also: Bishoujo)
Being a very diverse artform, however, not all manga artists adhere to the conventions most popularized in the States through anime such as Akira, Sailor Moon, Dragon Ball Z, and Ranma ½.
A fair number of manga artists do not feel that their stories and characters are set in stone. So a set of characters may build relationships, jobs, etc. in one set of stories ("story arc") only to have another story arc run where the same characters do not know each other. The Tenchi series in particular is known for this; there are more than thirteen different unrelated story arcs based around Tenchi and his friends. There is also the case of JoJo's Bizarre Adventure where the protagonist changes depending on the story arc following new generation of characters.
Manga symbols
The following is a non-exhaustive and incomplete list of artistic conventions used in mainstream manga and their place of origin.
2015 HL1
Ari 2015 HL1 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.588, sedengkeun magnitudo mutlakna 21.9. Ari nu jadi référénsina mah nyaéta MPO 349338.
2015 BE
Ari 2015 BE mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.451, sedengkeun magnitudo mutlakna 24.9. Ari nu jadi référénsina mah nyaéta MPO�331381.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Lagasimahe, Bawolato, Nias
Lagasimahe nyaéta salah sahiji Désa di kacamatan Bawolato, Kabupatén Nias, Propinsi Sumatra Kalér, Indonésia.
Lagasimahe, Bawolato, Nias
2015 HL1
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Émpang, Bogor Selatan, Bogor
Émpang nyaéta salah sahiji kalurahan di kacamatan Bogor Selatan, Kota Bogor, Propinsi Jawa Barat, Indonésia.
Manga
Manga format
Manga magazines usually have many series running concurrently with approximately 20–40 pages allocated to each series per issue. These manga magazines, or "anthology magazines", as they are also known (colloquially "phone books"), are usually printed on low-quality newsprint and can be anywhere from 200 to more than 850 pages long. Manga magazines also contain one-shot comics and various four-panel yonkoma (equivalent to comic strips). Manga series can run for many years if they are successful. Manga artists sometimes start out with a few "one-shot" manga projects just to try to get their name out. If these are successful and receive good reviews, they are continued.
Gasaribu, Laguboti, Toba Samosir
Gasaribu nyaéta salah sahiji Désa di kacamatan Laguboti, Kabupatén Toba Samosir, Propinsi Sumatra Kalér, Indonésia.
Manga
Manga format
When a series has been running for a while, the stories are usually collected together and printed in dedicated book-sized volumes, called tankōbon. These are the equivalent of American comic's trade paperbacks. These volumes use higher-quality paper, and are useful to those who want to "catch up" with a series so they can follow it in the magazines or if they find the cost of the weeklies or monthlies to be prohibitive. Recently, "deluxe" versions have also been printed as readers have gotten older and the need for something special grew. Old manga have also been reprinted using somewhat lesser quality paper and sold for 100 yen (approximately one US Dollar) each to compete with the used book market.
Pasar Kota Krui, Pesisir Tengah, Pesisir Kulon
Pasar Kota Krui nyaéta salah sahiji Kalurahan di kacamatan Pesisir Tengah, Kabupatén Pesisir Kulon, Propinsi Sumatra Kalér, Indonésia.
Manga
Manga format
Manga are primarily classified by the age and gender of the target audience. In particular, books and magazines sold to boys (shōnen) and girls (shōjo) have distinctive cover art and are placed on different shelves in most bookstores.
Japan also has manga cafés, or manga kissaten. At a manga kissaten, people drink coffee and read manga.
Many things appear in manga format, including wanted posters for criminals.
Traditionally, manga are written from right to left. Some publishers of translated manga keep that format, but some switch the direction to left to right, so as not to confuse foreign readers. This pratice is known as "flopping" and is often criticized by the readers and even the artists themselves, citing that it goes against their original intentions (for example, if a person wears a shirt that reads "may" on it, and gets flopped, then the word is altered to "yam".
Dōjinshi
Some manga artists will produce extra, sometimes unrelated material, which are known as omake (lit. "bonus" or "extra"). They might also publish their unfinished drawings or sketches, known as oekaki (lit. "sketches").
Unofficial fan made comics are also called dōjinshi. Some dōjinshi continue with a series' story or write an entirely new one using its characters, much like fan fiction.
Types of manga
Many of these genres apply equally well to anime (which very often includes adaptations of manga) and Japanese computer games (some of which are also adaptations of manga).
International influence
Manga has long had an influence on international comics and animation the world over.
American artist and writer Frank Miller has been heavily influenced by Manga and in particular by Kazuo Koike's 28 volume samurai epic Lone Wolf and Cub. Miller was one of the first American comic artists to make use of decompression, a style prevalent in manga.
Other American artists such as Becky Cloonan (Demo, East Coast Rising), Corey Lewis (Sharknife, PENG) and Canadian Bryan Lee O'Malley (Lost At Sea, Scott Pilgrim) are heavily influenced by the mainstream manga style and have received acclaim for their work outside of anime/manga fan circles. These artists have their roots in the anime/manga subculture of their particular regions (as well as the Internet and webcomics), but incorporate many other influences that make their work more palatable to non-manga readers.
American artist Paul Pope worked in Japan for Kodansha on the manga anthology Afternoon. Before he was fired (due to an editorial change at Kodansha) he was developing many ideas for the anthology that he would later publish in the U.S. as Heavy Liquid. As a result his work features a strong influence from manga without influences from international otaku culture.
In France there is a "Nouvelle Manga" movement started by Frédéric Boilet which seeks to combine mature sophisticated daily life manga with the artistic style of traditional Franco-Belgian comics. While the movement also involves Japanese artists, a handful of French cartoonists other than Boilet have decided to embrace its ideal.
In addition, there are many amateur artists who are influenced exclusively by the manga style. Many of these have their own small publishing houses, and some webcomics in this style have become very popular (see Megatokyo). For the most part, these artists are not yet recognized outside of the anime and manga fan community. Many people outside of those circles view those works as being too focused on the American anime subculture, and not focused enough on telling stories that resonate with a wider audience.
The manga style has influenced not only writers and artists but musicians as well. Turkish rock band maNga has not only its name derived from the style; their videos and album cover feature manga-style animation and the members of the band have their own manga characters, drawn by award-winning artist Kaan Demirçelik.
Lingga Alas, Babul Rahmah, Aceh Tenggara
Lingga Alas nyaéta salah sahiji Gampong di kacamatan Babul Rahmah, Kabupatén Aceh Tenggara, Propinsi Acéh, Indonésia.
(419464) 2010 CC180
Ari 2010 CC180 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.322, sedengkeun magnitudo mutlakna 18.7. Ari nu jadi référénsina mah nyaéta MPO 392086.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Lingga Alas, Babul Rahmah, Aceh Tenggara
Lingga Alas, Babul Rahmah, Aceh Tenggara
2000 WH10
Ari 2000 WH10 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.663, sedengkeun magnitudo mutlakna 22.5. Ari nu jadi référénsina mah nyaéta MPO�7641.
SMKN 1 Legonkulon
SMKN 1 Legonkulon nyaéta Sakola Menengah Kajuruan Negeri anu aya di Kabupatén Subang. Alamat lengkepna di Jl Raya Pondok Bali Km 9, Kalurahan/Désa Legon Wetan Kacamatan Legon Kulon, Kabupatén Subang, Jawa Kulon kalawan nomor NPSN 69757495.
2000 WH10
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Balai Rejo, Kalirejo, Lampung Tengah
Balai Rejo nyaéta salah sahiji Désa di kacamatan Kalirejo, Kabupatén Lampung Tengah, Propinsi Sumatra Kalér, Indonésia.
Balai Rejo, Kalirejo, Lampung Tengah
Blang Pala, Peusangan Selatan, Bireuen
Blang Pala nyaéta salah sahiji Gampong di kacamatan Peusangan Selatan, Kabupatén Bireuen, Propinsi Acéh, Indonésia.
Kasang Jaya, Jambi Timur, Jambi
Kasang Jaya nyaéta salah sahiji kalurahan di kacamatan Jambi Timur, Kota Jambi, Propinsi Jambi, Indonésia.
Hilihao Cugala, Bawolato, Nias
Hilihao Cugala nyaéta salah sahiji Désa di kacamatan Bawolato, Kabupatén Nias, Propinsi Sumatra Kalér, Indonésia.
Hilihao Cugala, Bawolato, Nias
2007 FP3
Ari 2007 FP3 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Apollo, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.403, sedengkeun magnitudo mutlakna 28.4. Ari nu jadi référénsina mah nyaéta MPO�118244.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Kabupatén Gunungkidul
Kabupatén Gunungkidul, nyaéta salahiji kabupatén di Propinsi Yogyakarta. Ibu kotana nyaéta Wonosari.
SMK 2 Pembina Bangsa
SMK 2 Pembina Bangsa nyaéta Sakola Menengah Kajuruan Swasta anu aya di Kabupatén Bogor. Alamat lengkepna di Jl Warung Nangka Km 13 Rancabungur, Kalurahan/Désa Rancabungur Kacamatan Ranca Bungur, Kabupatén Bogor, Jawa Kulon kalawan nomor NPSN 69880577.
1055
Taun ka-1055 Maséhi dina Kalénder Grégorian.
Tgk Di Laweung, Muara Tiga, Pidie
Tgk Di Laweung nyaéta salah sahiji Gampong di kacamatan Muara Tiga, Kabupatén Pidie, Propinsi Acéh, Indonésia.
Tgk Di Laweung, Muara Tiga, Pidie
Dhoho TV
Dhoho TV nyaéta stasion TV lokal di Indonésia Sing Merupakan Jaringan tvOne. Dhoho TV Merupakan Jaringan tvOne di Jakarta Dan Menjadi Mitra jaringan tvOne Jakarta.
Watu Agung, Kalirejo, Lampung Tengah
Watu Agung, Kalirejo, Lampung Tengah
Saté
Saté nyaéta daging anu dikeureutan sagedé-gedé indung leungeun sarta dicolok ku sujén, diasakanana dibeuleum dina luhureun ruhak. Ilaharna saté maké daging saperti daging embé, kelenci, domba, jeung sapi.
Pardinggaran, Laguboti, Toba Samosir
Pardinggaran nyaéta salah sahiji Désa di kacamatan Laguboti, Kabupatén Toba Samosir, Propinsi Sumatra Kalér, Indonésia.
Way Redak, Pesisir Tengah, Pesisir Kulon
Way Redak nyaéta salah sahiji Désa di kacamatan Pesisir Tengah, Kabupatén Pesisir Kulon, Propinsi Sumatra Kalér, Indonésia.
Duta TV
Duta TV nyaéta stasion TV lokal di Indonésia.
2013 LH29
Ari 2013 LH29 mangrupa hiji astéroid. Ieu asteroid téh bagéan tina astéroid Amor, anu nganjrek deukeut jeung marcapada. Ékséntrisitas orbit ieu astéroid kacatet gedéna 0.300, sedengkeun magnitudo mutlakna 24.6. Ari nu jadi référénsina mah nyaéta MPO 266959.
Bebentukan
Kawas sakumna astéroid, ieu astéroid kabentuk tina nébula panonpoé primordial minangka beubeulahan planétisimal, objék di nébula marcapada ngora nu teu cukup badag pikeun robah jadi planét.
Krueng Beukah, Peusangan Selatan, Bireuen
Krueng Beukah nyaéta salah sahiji Gampong di kacamatan Peusangan Selatan, Kabupatén Bireuen, Propinsi Acéh, Indonésia.