Carnival_of_the_Animals
Movements
After an introduction the pianos introduce a march theme. They imitate the roar of the lions. This music sounds like hens clucking (the strings) and a cock crowing (the clarinet). The two pianos seem to go wild with scales rushing up and down madly. This movement for strings and piano is very slow, like a tortoise. Saint-Saëns makes a musical joke here: the tune is the same tune as the famous 'Can-Can' from Jacques Offenbach's operetta Orpheus in the Underworld, but played very slowly. This double bass solo with piano accompaniment makes the elephant sound heavy and clumsy. In the middle section the elephant tries to dance a waltz. This is also a musical joke - the tune is taken from Felix Mendelssohn's Incidental Music to A Midsummer Night's Dream and Hector Berlioz's Dance of the Sylphs. These two pieces are meant to be played on higher sounding instruments, like the flute and violin, but in this piece, the tune is played on the double bass, the lowest sounding instrument in the orchestra/ The two pianos hop about gracefully like kangaroos. This is very graceful music with the tune played on the flute, accompanied by strings, with occasional glissandi (slides) on the glass harmonica. The “Persons with Long Ears” are actually donkeys. It is a very short piece, and it is played on two violins which imitate the “hee-haw” sound of the donkey. Some people think that Saint-Saëns is making a joke about music critics, who bray like donkeys. The pianos play gentle chords, like someone walking quietly through a forest. Now and again the clarinet plays two notes which sound like the call of the cuckoo. In the original sheet music, it is said that the clarinet player should move off stage, to make it sound more like the cuckoo is calling from a distance. The flute has a very delicate, fast tune accompanied by strings and pianos. It sounds like birds flying in an aviary (bird cage). This is another joke, because “pianists” are people who play the piano, they are not animals. Saint-Saëns makes them seem rather stupid as they practise their scales. When this movement was first published, a note was included that said that "Performers should imitate the playing of beginners, and their awkwardness". Because of this, in some performances, the pianists become out of time with each other on purpose. The xylophone plays a fast tune which sounds like skeletons playing. Saint-Saëns is making a joke about himself, because he uses a tune from one of his own works: the Danse Macabre. There are bits of other tunes as well: "Ah! vous dirai-je, Maman" (known in the English-speaking world as Twinkle Twinkle Little Star), the French nursery rhymes "Au Clair de la Lune" and "J'ai du bon tabac", the popular anthem Partant pour la Syrie as well as the aria Una Voce Poco Fa from Rossini's Barber of Seville. Saint-Saëns was saying that these tunes were old-fashioned (like fossils). This is one of the most famous of all tunes for the cello. It is a lovely tune which sounds like a swan swimming gracefully along. There is a famous solo ballet dance called The Dying Swan which is set to this tune. All the instruments join in the Finale which has bits from nearly all the movements.