보니와_클라이드
1933년 : 벅의 가담
그들은 조플린에서 경찰을 피해 달아났지만, 대부분의 물품을 그 아파트에 남겨두고 떠났다. 벅과 블랜치의 결혼증명서, 3주된 벅의 가석방 증서, 화력이 좋은 총기들, 보니가 직접 쓴 시와 인화되지 않은 여러 개의 필름과 카메라 등이 남겨둔 품목들이었다. 이 필름들은 조필린 글로브에서 인화를 하였고, 인화된 사진들은 많은 사람들에게 널리 알려진 배로와 파커, 그리고 존슨이 서로에게 총을 겨누며 익살을 떨고 있는 사진들이다. Ramsey p 108–113 boasts of publishing all the frames from the Joplin rolls in proper sequence, but in fact missed at least ten: one is a shot of W. D. Jones sitting at the wheel of the Rosborough car with "Bonnie's" cigar clenched in his teeth like FDR (Barrow and Phillips, p 60); another has Jones lounging atop the familiar weedy clay bank behind the car in the most famous of the set-ups (Barrow and Phillips, p 107); yet another is a second shot of Clyde alone up on the rocks, but here with his hat off (Knight and Davis, p 72). There are three frames apparently unpublished in books but available to view at the Bonnie and Clyde-oriented website Boodles Board : in two, W.D. is perched high on the rocks, and in a third, Clyde and W.D. play movie outlaws behind some large boulders, pointing their pistols; the quality of this shot is poor because Bonnie jarred the camera while she was pushing the shutter button. At the same website is a facsimile of a 1935 Startling Detective Adventures magazine with a rare shot of Clyde squatting in front of the car by the weedy clay bank. The final three of the missed ten are right within the Ramsey book, but not included in the Joplin gallery: one is a simple "profile" of the Rosborough car all by itself, with no people (Ramsey, p 98); a second is Clyde standing by himself on the ground near the rocks with his hat in his hand (Ramsey, p 41) in the same spot where he also posed with Bonnie, and with W.D.; and finally a shot of Jones, again with the weedy clay bank as background (Ramsey, p 80)—the tight crop on Jones makes it hard to tell if there had been someone else in the picture at some point. The film was the then-popular size 116, finally discontinued in 1984; the Kodak No. 2A Folding Autographic Brownie camera, on loan from Blanche (Barrow and Phillips, p 227n10) produced eight shots per roll. Ramsey's gallery of 29 frames, plus the ten "extra" frames, yield a total of 39 frames, a shot shy of five complete rolls. Perhaps the police found four exposed rolls plus a fifth roll still in the camera with a shot to go, or perhaps the outlaws did expose all forty frames and there is one more Joplin photo waiting to be discovered and reunited with its familiar brethren. Timing: if Blanche had lent them "the kodak" on their well-documented late night visit to her mother's place in Wilmer, Texas on March 25, then the Joplin photos would have been snapped between Monday, March 27 and Wednesday, March 29. The five met up on Thursday the 30th at Checotah, OK, and proceeded on to Joplin from there (Barrow and Phillips, p 38). Since there are no photos of Buck or Blanche on the Joplin rolls (the Ramsey book mistakes 1931 honeymoon photos for 1933 Joplin shots), the photography likely had concluded by March 29. A different version by Jones in his 1933 debriefing places some of the photography in North Carolina, in a timeframe contradicted by the theft timing of the Rosborough car. Ramsey says the fate of the original negatives has been a mystery since 1933 when the Missouri Highway Patrol took possession of them; the negatives known today are copy negs made in 1963. (Ramsey, p 107) 파커의 시와 손에 권총을 들고 담배를 꼬나물고 있는 파커의 사진이 새로 시작한 뉴스에 공개되자, 댈러스에서 온 정체불명의 5인조는 미국 전역에 배로 갱이라는 이름으로 사진과 시 “샐의 자살 이야기”와 함께 신문 1면을 장식했다.