cyanic-selkie/wikianc huggingface dataset:
Kastil Codnor
Taun 1211 kastil punika kagunganipun Henry de Grey, keturunan satriya Normandia Anchetil de Greye. Keturunan Henry kalebet Lords Grey saking Codnor, Lords Grey saking Ruthyn, Wilton lan Rotherfield, Lady Jane Grey lan Earls saking Stamford, lan kulawarga Dukes saking Suffolk lan Kent ingkang boten gadhah keturunan malih. Larénipun mapan wonten ing Codnor lan dados Baron ingkang loyal marang Henry III. Sareng kaliyan sedhèrèkipun John lajeng nglayani Raja ing Tanah Suci. John Grey misah saking perang Sekotlan lan gabung marang Edward III. Sareng kaliyan William D'Eincourt, Lord Grey mimpin sadaya kesatriya Derbyshire lan Nottinghamshire kanggé nyingkiri invasi. Henry, keturunan pungkasan kulawarga séda nalika masa papréntahan Henry VIII. Piyambakipun marisaken sapérangan lemahipun dhateng putra-putranipun, Henry lan Richard. Sanèsipun dipunwarisaken dhateng bulekipun Elizabeth Grey ingkang lajeng ing taun 1429 krama kaliyan Sir John Zouche, lare paling enèm saking sekawan sedhèrèk Baron Zouche saking Harringworth. Sir John Zouche saking Codnor kaping tiga dados High Sheriff of Derbyshire. Kastil punika dados kagunganipun kulawarga Zouche 200 taun dumugi dipunsadé lajeng pindhah dhateng Virginia taun 1634. Sir Streynsham Master, High Sheriff of Derbyshire ingkang mapan wonten ing kastil taun 1712, dipunlaporaken minangka tiyang pungkasan ingkang manggèni kastil mau.
Petrus Kanisius Ojong
Ojong ya iku anak mbarepe Auw Jong Pauw, imigran saka Pualau Quemoy, Taiwan. Dhèwèké dijenengi Auw Jong Peng Koen, didhidhik hemat, teteg usahane kawit isih bocah.
Kastil Codnor
''Kastil Codnor mapan ing dhataran inggil mawi sesawangan ingkang saé mangetan ingkang wonten sapérangan témbok ingkang taksih wonten, bolonganipun sapunika dados papanipun manuk. Saking tilas témbok lan pondasi, katingal naté dados papan ingkang wiyar. Ing kidul wonten ruang persegi ingkang ageng mawi kalih lawang mlebet ing kastil. Ing sisih wétan wonten parit ingkang wiyar lan jero déné ing tanggulipun naté ketuwuhan kalih larik wit ingkang sapunika dipuntegor ing taun 1738. Taman ing wewengkon Kastil wiyaripun kirang langkung 8.9 km2. Ing wiwitan abad kaping 13 wonten kastil ing mriku lan ing masa papréntahan Henry III dados papan tugas Richard de Grey, keturunanipun Baron Grey saking Codnor manggeni radi dangu, keturunan paling pungkasan, Henry satunggaling filsuf lan ahli alkimia ing masa papréntahan Henry IV pikantuk lisensi kanggé sinau ngeahi logam. Piyambakipun séda ing taun 1526, nalika laladan Codnor dipunalihaken dhateng Sir John Zouch ingkang krama kaliyan Elizabeth. Wewengkon Codnor dipunsadé déning Sir John Zouch lan John Zouch, Esq. pewarisipun nalika 1634 marang Biskop Agung Neile lan larénipun Sir Paul. Keturunanipun, Richard Neile, Esq. nyade kastil lan lahan kagunganipun ing Codnor dhateng anggota Heanor, Loscoe, lan Langley. Lajeng lemah ing Taman Codnor, taun 1692 marang Sir Streynsham Master ingkang dados high sheriff taun 1712 lajeng nguwaosi Kastil Codnor, nanging lajeng dados yasan ingkang boten keurus saking periode wiwit rubuh. Kacariyosaken wonten enem griya tetanen lan yasan sanèsipun dipunyasa saking lahan yasan ingkang dipunpendhet saking rontokan. Kanal Cromford lan Erewash lajeng dados satunggal''
Sapunika ingkang kantun saking Kastil Codnor punika rubuhan ingkang sampun gapuk. Tembokipun dipunsangga mawi perancah. Tandha ingkang pager watesan nedahaken bilih papan punika kagunganipun UK Coal Mining Ltd. lan tiyang umum boten kénging mlebet. Ing Juni 2007, program Time Team saking Channel 4 nglampahi pengedhukan arkéologi ing kiwa-tengené kastil kanthi kasil ingkang saé. Ingkang paling spektakuler inggih punika pepanggihan koin emas abad tengahan ingkang kapanggih ing parit, sapunika kapanggih Museum lan Gladri Kagunan Derby
Wanaléla, Sawangan, Magelang
Wanaléla iku désa ing Kacamatan Sawangan, Kabupatèn Magelang, Jawa Tengah.
Purbayan, Kemiri, Purwareja
Purbayan iku désa ing Kacamatan Kemiri, Kabupatèn Purwareja, Jawa Tengah.
Cikatomas, Tasikmalaya
Cikatomas iku kacamatan ing Kabupatèn Tasikmalaya, Jawa Kulon, Indonésia.
Gangneung
Gangneung inggih menika satunggaling kutha ingkang mapan wonten ing Provinsi Gangwon, Korea Kidul. Nalika taun 2006 Gangneung menika gadhah populasi ingkang cacahipun 229.869 tiyang. Gangneung menika dados pusat ékonomi wonten ing wewengkon Yeongdong, ing sisih wetan Gangwon. Wonten sapérangan tilaran sajarah wonten ing Gangwon kadosta kuil Ojukheon lan Gyeongpodae. Gangneung menika kawentar minangka papan pariwisata dhomèstik ingkang nyawisaken pantai ingkang madhep laut Jepang. Wonten ing kutha menika ugi wonten pusat angkatan udara Korea Kidul ingkang ginanipun minangka papan anggegana.
Kutha menika ugi dados tuan rumah saking klub bal-balan nasional Korea Kidul Gangneung City.
Gyeongpodae
Gangneung menika gadhah satunggal paviliun sajarah ingkang namanipun Gyeongpodae.
SD Negeri 02 Jatikuwung, Karanganyar
SD Negeri 02 Jatikuwung, Karanganyar, iku salah siji Sekolah Dasar nagari sing dumunung ana ing Kepuh, Jatikuwung, Karanganyar, provinsi Jawa Tengah. Kayadéné ing SD lumrahé, mangsa pendidikan sekolah ing SD Negeri 02 Jatikuwung, Karanganyar ditempuh ing sajeroning wektu nem taun wulangan, wiwit saka Kelas I nganti Kelas VI.
Rujukan
SD Negeri 02 Jatikuwung
Setatsiyun Owari Yokosuka
Setatsiyun Owari Yokosuka (尾張横須賀駅) yaiku setatsiyun sepur ing kutha Tōkai, Prefektur Aichi, Jepang, sing dioperasike dening Meitetsu.
Jalur
Setatsiyun Owari Yokosuka dilayani dening Jalur Meitetsu Tokoname, lan nduweni adoh 13.7 kilometer saka titik awal jalur kasebut ing Jingū-mae.
Sysle
Sysle punika dhusun ingkang kapernah ing praja Nurwègen.
Daniel Kolář
Daniel Kolář (lair 27 Oktober 1985) iku sawijining juru main bal-balan Céko.
Kabiskopan Jowai
Kabiskopan Jowai (Iovaien(sis)) yaiku kabiskopan sing ana ing kutha Jowai, provinsi grejawi Shillong, India. Duwe amba 3,819 kilometer persegi, wilayah kabiskopan kasebut ngeliputi distrik-distrik saka Perbukitan Jaintia Kulon lan Wetan ing Meghalaya.
David Lafata
David Lafata (lair 18 September 1981) iku sawijining juru main bal-balan Céko.
Soetarno Dwijonagoro
'''Soetarno Dwijonagoro, Prof. Dr. KRHT. H.''' Lair ing Surakarta, 7 Maret 1944, agamané islam. Lulus SD taun 1957, STN ( Sekolah Teknik Negerti ) 1960, karoné dirampungké ing Sukoharjo. Banjur nglanjutké menyang KONSERVATORI (1964) nuli ASKI (STSI saiki) (1974) Solo. S2 lan S3 Bidang Etnologi Seni digayuh ing Uniersitas Paris VII, Sorbone, Paris, yaiku 1976 LAN 1977. Saiki dipercaya dadi Ketua STSI ( Sekolah Tinggi Seni Indonesia) Surakarta. Saliyané iku, dhèwèkè uga dadi anggota Governing Board ping SEAMC (South East Asian Ministers of Education Organization) Regional Venter for Achaeology and Fine Arts (SPAFA) kang manggon ing Bangkok (2004-saiki) lan tau dadi anggota Konsorsium Disiplin Ilmu Seni Direktirat Jendral Pendidikan Tinggi Departemen Pendidikan Nasional (2001-2003)
Kauripan
Tenanan anggoné nggayuh kekarepané, sawisé lulus saka STN, dhèwèké banjur ngleboni KONSERVATORI. Kétok banget, dhèwèké kagugah bakat lan kepinginané kanggo bisa nguasani seni karawitan lan pedhalangan. Nalika iku, durung kaangen-angen kalawan bakat-bakaté nggamel lan ndhalang bakal bisa sekolah nganti menyang Sorbone Perancis nganti ngolèhake gelar doktor luwih-luwih bisa dadi guru besar ing bidang pedhalangan lan dadi wong kang kapisan ing STSI saiki. Minangka wong kang mangertèni temenanan babagan tokoh-tokoh wayang, dhèwèké mesti ngerti sifat-sifat wayangé. Tokoh wayang sing dadi kesenengané garwané Dra. Sri Hesti Herawati iki yaiku Bima. Miturute, Bima yaiku tokoh kang nggambaraké manungsa urip sing uwis nganti kasampurnan lair lan batin, ora gumedhé lan ndhuwèni wolu sifat kang apik ( astabrata-wolung laku utama ) yaiku Hambeging surya, hambeging candra, hambeging kartika, hambeging samodra, hambeging tirta, hambeging bantala, hambeging dahana, lan hambeging maruta.
Borja Valero
Borja Valero Iglesias ya iku salah sijining juru main bal-balan sing kewarganegaraané Spanyol sing main kanggo klub Fiorentina, lan biyasa main ing posisi glandhang.
Borja Valero miwiti karir junioré ing klub Real Madrid, lan salanjuté miwiti karir senioré ing Real Madrid C lan Real Madrid B. Sempet pindah ing Mallorca lan West Bromwich Albion sing njilihaké ing Mallorca lan Villarreal sadurungé gabung karo Fiorentina ing taun 2012.
Kabiskopan Aachen
Kabiskopan Aachen yaiku salah sijining saka 27 kabiskopan ing Jerman lan salah sijining saka enem kabiskopan ing provinsi grejawi Koln. Biskop petahanane menika Helmut Dieser, sing dipilih dening Paus Fransiskus ing 23 September 2016. Tahta biskope menika Aachen.
Cineam, Tasikmalaya
Cineam iku kacamatan ing Kabupatèn Tasikmalaya, Jawa Kulon, Indonésia.
Lie with Me (filem)
Lie with Me ya iku film dramatis nalika taun 2005 saka nagara Kanada sing diarahake dening Clément Virgo, film iki adhedhasar saka novel 2001 jeneng sing padha kang tinulis dening Tamara Faith Berger. Bintang film kasebut ing Lauren Lee Smith lan Eric Balfour. Plancongan kasebut nyatakake ana wanita enom kang duwe sipat agresif banjur nemoni lan miwiti kasmarane karo wong lanang enom sing padha agresif banjur nggawa konflik.
Disetting lan dijupuk ing Toronto (utamane The Annex ), film kasebut diarahake dening Clement Virgo. Film iki diwiwiti ing Festival Film Internasional Toronto 2005. Lagu
Plot
Kamera alon-alon ngadohi wong wadon enom sing lagi ndeleng tv. Dheweke tangi kanthi gumregah lan metu menyang phesta, saperlu nggolek kanca. Leila wis ngerti yen dheweke duwe keluwihan saka liyane, ananging rumangsa lara atine ora bisa ditambani, dheweke panggah menengan, sanajan dheweke negesake pangrasane. Sadurunge dheweke bisa milih bojo kanggo urip iki. Banjur tangane dheweke diresiki dening David, menyang jedhing, nalika pacare nelpon liwat lawang. David lunga, nanging mripate Leila terus ndeleng David nalika milih wong lanang mau rada isin, Banjur dheweke bingung ing njaba nalika David ndeleng prastawa iku saka mobil nalika pacare, Victoria (Polly Shannon). Leila kepingin pepanggihan maneh karo David sanajan dheweke tetep pasif banget.
Leila mara menyang wong tuwane ing omah lan ngerti yen ibune ninggal bapake lan adol omah. Bapake wis lara ati, piranti ing omah tetep dibenturi watu ing pot lan nolak kanggo nindakake apa-apa nalika ibuné langsung metu saka omah lan kepingin pegatan. Kanca paling apik Leila, Rachel (Kristin Lehman) wis ameh rabi, nanging ngakoni yen dheweke wis nggawe rasa tresnane karo pacar lawas (Mantane), sanajan ana dheweke njaluk rabk karo pacare lan siap mapan. Leila mangu-mangu nanging prekewuhan, lan Rachel (Kristin Lehman) ngguyu nalika nguripake VCR lan nemokake tv sing ditonton Leila; Leila ora ngandhani apa-apa babagan David.
Nalika Leila ndelok David maneh dheweke pungkasane jagongan karo liyane, lan dheweke ngajak david mulih, ing ndadekake dheweke duwe rasa tresna. Dheweke takon karo Leila yen dheweke bakal nresnani karo dheweke kanthi nyata, menehi nomer telpun kasebut nalika dheweke banjur lunga.
Pungkasane dheweke metu, lan miwiti rasa asmara nyata. Dheweke ketemu bapakne David, sing ringkih tuwa nanging lucu banget, nggoda dheweke babagan pacaran lan nggawe swara ing njero apartemen. Si David nggegirisi banget karo bapakne, sing apik banget. Leila isih ora nggagas sanajan dheweke ora wedi nalika pacar lawas David, Victoria (Polly Shannon) nyerang dheweke ing pakaryan, amarga menehi labrakan yen David duwe masalah karo karukunan. Nalika bali menyang klub kasebut maneh, Leila njoget kanthi pasangan karo wong lanang nalika nonton reaksi David, lan dheweke lara ati lan nesu nalika bali menyang papane. Dheweke ngrasa wedi, nalika dheweke ngaku ora mikir apa-apa, nanging dheweke butuh leila,
nanging dheweke tumindak kaya kabwes pedhot. eavideke njaluk dheweke janji yen ora bakal ninggalal ila,k e, lan dheweke rra percaya karo awake dhewe.
Leila nglampahi wektu karo wong tuwane nalika lagi lumaku kanthi cara sing kapisah, lan wis siyap kanggo pernikahan nalika musim panas wis rampung. Nalika nitih sepedha menyang upacara kasebut, David ndeleng dheweke lan ngetutake truk kasebut. Dheweke ngenteni ing njaba papan pangibadah lan nyedhaki dheweke amarga kabèh wong banjir menyang trotoar sawise pernikahan kasebut, banjur Rachel (Kristin Lehman) nyekel tangane Leila lan dheweke nimbali David, kanggo takon apa dheweke bakal teka. Ing resepsi David nonton dansa Leila karo wong tuwa, nanging dheweke lumayu maneh nalika nyedhaki dheweke. Iki wektu dheweke ngetutake kabèh, mulih menyang omah, lan ujar yen dheweke ora bakal ditinggal maneh. Dheweke nggabungake maneh lan film kasebut rampung karo loro sing lagi andum tresna.
Tomáš Hübschman
Tomáš Hübschman (lair tanggal 4 September 1981) iku sawijining juru main bal-balan Céko. Dhèwèké tau main kanggo Shakhtar Donetsk. Posisiné ya iku dadi bèg. Tomáš Hübschman iku isih katurunan Jerman.
Geoje
Geoje inggih menika satunggaling kutha wonten ing provinsi Gyeongsang Kidul, Korea Kidul.Cacahing penduduk nalika taun 2009 menika wonten 229.500 jiwa. Kutha menika wonten sapérangan pulau, kanthi Pulau Geoje menika minangka pulau ingkang paling ageng.
Montong Gading, Lombok Wétan
Montong Gading iku kecamatan ing Kabupatèn Lombok Wétan provinsi Nusa Tenggara Kulon.
Provinsi Nusa Tenggara Kulon
Prau panumpes Jepang Fubuki (1927)
Prau Fubuki (吹雪) iku prau panumpes klas Fubuki kang kaanggo nalika Perang Donya I lan Perang Donya II darbéné Wadya Sagara Kamaharajan Jepang. Prauné minangka prau angka loro kang kaaran mitrut jenengé "Fubuki".
Fubuki kapernahaké rikala 19 Juni 1926 ing Maizuru, Kyoto déning Astragara Wadya Sagara Maizuru; banjur kababar rikala 15 Novèmber 1927. Prau iki kinepyakaké rikala 10 Agustus 1928 ing pamangkuné Kumendhan Litnan Yamashita Shizuo. Prau iki kèrem rikala 11 Oktober 1942 ing Ironbottom Sound.
Beringin Jaya, Anjir Muara, Barito Kuala
Beringin Jaya iku salah siji désa ing Kacamatan Anjir Muara, Kabupatèn Barito Kuala, Provinsi Kalimantan Kidul, Indonésia.
Wanakerta, Karangtengah, Demak
Wanakerta iku salah siji désa / kalurahan ing Kacamatan Karangtengah, Kabupatèn Demak, Provinsi Jawa Tengah, Indonésia.
Kabupatèn Kulon Praga
Géografi
Letak geografis Kabupatèn Kulon Praga papan antawis 007°38'42" - 007°59'3" lintang kidul lan 110°01'37" -110°16'26" bujur wetan. Kabupatèn Kulon Praga kalebu salah siji saka gangsal daerah otonom ing DIY ingkang kaletak paling kulon, kanthi bates wilayah :
- Kulon : Kabupatèn Purworejo, Provinsi Jawa Tengah
- Wétan : Kabupatèn Sléman lan Bantul, Pemerintah Daerah D.I.Yogyakarta
- Lor : Kabupatèn Magelang, Provinsi Jawa Tengah
- Kidul : Samudera Hindia
Papréntahan
Kabupatèn Kulon Praga katata sajeroning 12 kacamatan, 87 désa, 1 kalurahan, lan 917 padukuhan. Kacamatan-Kacamatan ing Kabupatèn Kulon Praga yaiku:
Endang Sri Sulistyarini
Èndang Sri Sulistyani, misuwur aran E.S Listyarini, lair ing Kadhiri, Jawa Wétan 19 April 1962. Penganggit muslim iki wiwit 1962 ngabdi dadi guru SD Bendogerit VI Blitar tamatan pendidikan SD taun 1974 ing Blitar, SLTP tahun 1977, SLTA taun 1981ing Blitar, lan S-1 taun 1997 IKIP Malang. Wiwit SMP, Endang wis hobi maca lan nulis. Wiwit iku karya-karyané Endang arupa cerpèn ugi géguritan akèh ing mèdia masa. Wanita kang tau njabat minangka Pengurus Pusat Sanggar Triwida iki olèh penghargaan juara II Penulisan Bacaan Anak wektu pahargyan HUT GUPPI kaping 44. Èndang sing hoby nulis iki manggon ing Jl.Borobudur49, RT 02 RW 10, Kelurahan Bendogerit, kecamatan Sanawetan,Kabupaten Blitar (0342 800232). Sanajan ora pati produktif anggone nganggit lumaku kanthi otodidak iki terus nulis ganggo basa Jawa uga basa Indonesia. Dheweke ora weruh pira cerpen lan geguritane kang kapacak ana ing média masa.
Kutha Pontianak
Kutha Pontianak iku kutha ing Provinsi Kalimantan Kulon, Indonésia, uga dadi kutha krajan provinsi. Kutha iki uga duwé jeneng Kutha Katulistiwa
Wewengkon
Wates wewengkon Kutha Pontianak yaiku:
Hymenoptera
Hymenoptera utawa ordho gegremet iku golongan lan 200.000 spésies bangsa utama semut saka tawon kéwan mawa ros-ros kang sikilé enem. Jeneng iki ngrujuk menyang swiwi mawa mémbran saka gegremet, lan didhunké saka basa Yunani Kuna ὑμήν (humẽn): mémbran lan πτερόν (pteron): swiwi. Swisi mburi kagandhèng menyang swiwi ngarep déning sapérangan kait kang diarani hamuli.
Symphyta
Subordo Symphyta kalebu laler godhong, buntut tandhuk, lan tawon kayu parasit. Golongan iki katoné parafiletik, amarga asring dipercaya yèn famili Orussidae ana sajeroning golongan kang saka kono Apocrita ngrembaka. Gegremet iki duwé simpangan ora saya ciut antarané thorax lan abdomen, lan larva-larva saka wangun kang urip bébas lumrahé hèrbivor, duwé sikil, mawa sikil ngarep (ing saben segmen, ora kaya Lepidoptera), lan ocelli.
Apocrita
Tawon, lebah, lan semut mbentuk subordo Apocrita, dicirikaké kanthi panyiutan antarané segmen abdomen pisanan lan kaloro kang diarani bangkèkan tawon (petiola), uga nglibataké manunggalé segmen abdomen pisanan ing thorax. Kabèh larva Apocrita uga ora duwé sikil, sikil ngarep, uga ocelli.
Kutha Pontianak
Padunung
Okèhé kang ndunungi Kutha Pontianak kanggo taun 2008 yaiku 543.996 jiwa, kang ndunungi lanang okèhé 277.138 jiwa lang kang wédok okèhé 266.858 jiwa.
Menara Pisa
Menara Pisa kang megah lan éndah iku duwé pilar-pilar akèh, kori gerbang setengah bunder lan frescone(rerenggan témbok) kang serasi uga kaca warna ing jero jendhéla sing pancèn agawé narik kawigatèné para pelancong. Ing jero ruangan Katedral iku kagantung lampu lan rerenggan papat patung widadari cilik. Lan sing paling apik ya iku pajangan sing obah-obah dhéwé kang awujud dolanan pot-pot bunder lonjong lan lancip ing ngisore.
Thutmose III
Thutmose III (kadhang-kadhang diwaca Thutmosis utawa Tuthmosis III lan tegesé Putrané Thoth) iku Pirngon kang kaping-6 saka Dinasti Mesir angka 18. Sajeroning rolikur taun pisanan saka kakuwasaan Thutmose, panjenengané ngatur bebarengan karo ibu sambungané, Hatshepsut, kang diangkat dadi Pirngon. Hatshepsut katon ing patilasan kang isih ana, kaloroné duwé asma bangsawan lan lambang lan ora ana kang cetha endi kang luwih senior utawa luwih kuwasa. He served as the head of her armies.
Sawisé Hatshepsut séda lan Thutmose diangkat dadi Pirngon, panjenengané nyipta kakaisaran Mesir kang gedhé dhéwé; ora kurang saka 17 paprangan dianakaké, lan panjenengané naklukaké wiwit saka Niy ing Suriah Lor, nganti papat grojogan Kali Nil ing Nubia. <!-- After his years of campaigning were over, he established himself as a great builder pharaoh as well. Thutmose III was responsible for building over fifty temples in Egypt and building massive additions to Egypt's chief temple at Karnak. New levels of artistic skills were reached during his reign, as well as unique architectural developments never seen before and never again after his reign.
Antoine Laurent de Jussieu
Antoine Laurent de Jussieu (12 April, 1748 - 17 September, 1836) iku ahli botani saka Prancis, misuwur minangka sing sapisanan ngusulaké klasifikasi tetuwuhan ngembang; sing akèh-akèhé isih dianggo nganti saiki.
Valentín Elizalde
Valentín Elizalde Valencia (Jitonhueca, Sonora, 1 Februari 1979 - Reynosa, Tamaulipas, 25 November 2006), uga misuwur kanthi jeneng "El Gallo de Oro", minangka penyanyi Meksiko.
Thutmose III
Family
Thutmosis III was the son of Pharaoh the second Thutmose II and Iset (sometimes transliterated Isis), a secondary wife of Thutmosis II. Because he was the pharaoh's only son, he would have become the first in line for the throne when Thutmosis II died; however, because he was not the son of his father's royal queen, his "degree" of royalty was less than ideal. To bolster his qualifications, he may have married a daughter of Thutmose II and Hatshepsut. It has been suggested that the daughter in question may have been Merytre-Hatshepsut, however, she is now proven not to have been a daughter of Hatshepsut's.
Antoine Laurent de Jussieu
Jussieu lair ing Lyon, keponakan saka ahli botani Bernard de Jussieu. Dhèwèké lunga menyang Paris kanggo sinau kadhokteran, lulus taun 1770. Dhèwèké iku dosèn (profesor) botani ing Jardin des Plantes wiwit taun 1770 nganti 1826. Anak lanangé Adrien-Henri uga dadi ahli botani.
Thutmose III
Family
Regardless of this, when Thutmosis II died Thutmosis III was too young to rule, so Hatshepsut became his regent, soon his coregent, and shortly thereafter, she was declared to be the pharaoh. Thutmosis III had little power over the empire while Hatshepsut exercised the formal titulary of kingship, complete with a royal prenomen—Maatkare. Her rule was quite prosperous and marked by great advancements. When he reached a suitable age and demonstrated the capability, she appointed him to head her armies. After the death of Hatshepsut, Thutmosis III ruled Egypt on his own for thirty years, until the last two years of his reign, when his son became a coregent for two years. He died in his fifty-fourth regnal year.
Thutmosis III had two known wives: Satiah and Merytre-Hatshepsut. Satiah bore him his firstborn son, Amenemhat, but the child predeceased his father. His successor, the crown prince and future king Amenhotep II, was born to Merytre-Hatshepsut.
Dates and Length of Reign
Thutmose III reigned from 1479 BC to 1425 BC according to the Low Chronology of Ancient Egypt. This has been the conventional Egyptian chronology in academic circles since the 1960s, though in some circles the older dates 1504 BC to 1450 BC is preferred from the High Chronology. These dates, just as all the dates of the eighteenth Dynasty, are open to dispute because of uncertainty about the circumstances surrounding the recording of a Heliacal Rise of Sothis in the reign of Amenhotep I. A papyrus from Amenhotep I's reign records this astronomical observation which, theoretically, could be used to perfectly correlate the Egyptian chronology with the modern calendar, however, to do this the latitude where the observation was taken must also be known. This document has no note of the place of observation, but it can safely be assumed that it was taken in either a delta city such as Memphis or Heliopolis, or in Thebes. These two latitudes give dates twenty years apart, the High and Low chronologies, respectively.
The length of Thutmose III's reign is known to the day thanks to information found in the tomb of the court official Amenemheb. Amenemheb records Thutmose III's death to his master's fifty-fourth regnal year, on the thirtieth day of the third month of Peret. The day of Thutmose III's accession is known to be I Shemu day 4, and astronomical observations can be used to establish the exact dates of the beginning and end of the king's reign (assuming the low chronology) from April 24 1479 BC to March 11 1425 BC respectively.
Thutmose's military campaigns
Widely considered a military genius by historians, he was an active expansionist ruler, sometimes called Egypt's greatest conqueror or "the Napoleon of Egypt." He is recorded to have captured 350 cities during his rule and conquered much of the Near East from the Euphrates to Nubia during seventeen known military campaigns. He was the first Pharaoh after Thutmose I to cross the Euphrates, doing so during his campaign against Mitanni. His campaign records were transcribed onto the walls of the temple of Amun at Karnak, and are now transcribed into Urkunden IV. He is consistently regarded as one of the greatest of Egypt's warrior pharaohs, who transformed Egypt into an international superpower by creating an empire that stretched from southern Syria through to Canaan and Nubia. In most of his campaigns his enemies were defeated town by town, until being beaten into submission. The preferred tactic was to subdue a much weaker city or state one at a time resulting in surrender of each fraction until complete domination was achieved.
Much is known about Thutmosis "the warrior", not only because of his military achievements, but also because of his royal scribe and army commander, Thanuny, who wrote about his conquests and reign. The prime reason why Thutmosis was able to conquer such a large number of lands, is because of the revolution and improvement in army weapons. He encountered only little resistance from neighbouring kingdoms, allowing him to expand his realm of influence easily. His army also had carried boats on dry land.
Monumental Construction
Thutmose III was a great builder pharaoh and constructed over fifty temples, although some of these are now lost and only mentioned in written records. He also commissioned the building of many tombs for nobles, which were made with greater craftsmanship than ever before. His reign was also a period of great stylistic changes in the sculpture, paintings, and reliefs associated with construction, much of it beginning during the reign of Hatshepsut.
Artistic developments
Thutmose's architects and artisans showed great continuity with the formal style of previous kings, but several developments set him apart from his predecessors. Although he followed the traditional relief styles for most of his reign, after his forty-second year, he began having himself depicted wearing the red crown of Lower Egypt and a šndyt-kilt, an unprecedented style. Architecturally, his use of pillars also was unprecedented. He built Egypt's only known set of heraldic pillars, two large columns standing alone instead of being part of a set supporting the roof. His jubilee hall was also revolutionary, and is arguably the earliest known building created in the basilica style. Thutmose's artisans achieved new heights of skill in painting, and tombs from his reign were the earliest to be entirely painted, instead of painted reliefs. Finally, although not directly pertaining to his monuments, it appears that Thutmose's artisans finally had learned how to use the skill of glass making—developed in the early eighteenth dynasty—to create drinking vessels by the core-formed method.
Karnak
Thutmose dedicated far more attention to Karnak than any other site. In the Iput-isut, the temple proper in the center, he rebuilt the hypostyle hall of his grandfather Thutmose I, dismantled the red chapel of Hatshepsut, built Pylon VI, a shrine for the bark of Amun in its place, and built an antechamber in front of it, the ceiling of which was supported by his heraldic pillars. He built a temenos wall around the central chapel containing smaller chapels, along with workshops and storerooms. East of the main sanctuary, he built a jubilee hall in which to celebrate his Sed festival. The main hall was built in basilica style, with rows of pillars supporting the ceiling on each side of the aisle. The central two rows were higher than the others to create windows where the ceiling was split. Two of the smaller rooms in this temple contained the reliefs of the survey of the plants and animals of Canaan which he took in his third campaign.
East of the Iput-Isut, he erected another temple to Aten where he was depicted as being supported by Amun. It was inside this temple that Thutmose planned on erecting his tekhen waty, or "unique obelisk." The tekhen waty was designed to stand alone, instead as part of a pair, and is the tallest obelisk ever successfully cut. It was not, however, erected until Thutmose IV raised it, thirty five years later. It was later moved to Rome and is known as the Lateran Obelisk.
Thutmose also undertook building projects to the south of the main temple, between the sanctuary of Amun and the temple of Mut. Immediately to the south of the main temple, he built the seventh pylon on the north-south road which entered the temple between the fourth and fifth pylons. It was built for use during his jubilee, and was covered with scenes of defeated enemies. He set royal colossi on both sides of the pylon, and put two more obelisks on the south face in front of the gateway. The eastern one's base remains in place, but the western one was transported to hippodrome in Constantinople. farther south, alone the road, he put up pylon VIII which Hatshepsut had begun. East of the road, he dug a sacred lake of 250 by 400 feet, and then placed another alabaster bark shrine near it.
Statuary
Following the tradition of earlier pharaohs, Thutmose III placed statues inside his temples to show his strength and to portray him as a devout pharaoh who worshipped the deities. Stylistically, many of his statues share many of the same features of his immediate predecessor, Hatshepsut, and the only statues with solid attributions to either pharaoh are those that were inscribed with the individual pharaoh's name.
Statuary of both of these rulers often share the same almond-shaped eyes, arching browline, moderately aquiline nose and a gently curved mouth with a slight smile. Systematic studies of the inscribed statues of these two pharaohs have been developed that provide a set of stylistic, iconographic, contextual, and technical criteria necessary to identify uninscribed statues of these pharaohs with some degree of certainty.
There are many examples of statues depicting Thutmose III kneeling down in an "offering" position, typically offering milk, wine, or some other food substance to a deity. While examples of this style may be found with some of the earlier pharaohs of the New Kingdom, it is thought that the emphasis on this style marks a change in the increasingly public aspects of the Egyptian religion. These positions include the form called "offering to an altar" and show the pharaoh both in the kneeling and standing positions. Thutmose is shown in other statues offering geese and, possibly, oil. The faces of the statues are idealized to portray both a traditional view of kings and the contemporary idea of beauty; this first was apparent in statues of Hatshepsut, but is more obvious in statues of Thutmose III and his immediate descendants Amenhotep II, Thutmose IV, and Amenhotep III. Another important development that relates to this form of statuary is that at least one instance of this type represents the first known royal statuette that was cast in bronze.
Tomb
Thutmose's tomb, discovered by Victor Loret in 1898, was in the Valley of the Kings. It uses a plan which is typical of eighteenth dynasty tombs, with a sharp turn at the vestibule preceding the burial chamber. Two stairways and two corridors provide access to the vestibule which is preceded by a quadrangular shaft, or "well". The vestibule is decorated with the full story of the Book of Amduat, the first tomb to do so in its entirety. The burial chamber, which is supported by two pillars, is oval-shaped and its ceiling decorated with stars, symbolizing the cave of the deity Sokar. In the middle lies a large red quartzite sarcophagus in the shape of a cartouche. On the two pillars in the middle of the chamber there are passages from the Litanies of Re, a text that celebrates the later sun deity, who is identified with the pharaoh at this time. On the other pillar is a unique image depicting Thutmosis III being suckled by the goddess Isis in the guise of the tree.
Thutmose III's tomb in the Valley of the Kings, (KV34), is the first one in which Egyptologists found the complete Amduat, an important New Kingdom funerary text. The wall decorations are executed in a simple, "diagrammatic" way, imitating the manner of the cursive script one might expect to see on a funerary papyrus rather than the more typically lavish wall decorations seen on most other royal tomb walls. The colouring is similarly muted, executed in simple black figures accompanied by text on a cream background with highlights in red and pink. The decorations depict the pharaoh aiding the deities in defeating Apep, the serpent of chaos, thereby helping to ensure the daily rebirth of the sun as well as the pharaoh's own resurrection.
Defacing of Hatshepsut's monuments
Until recently, a general theory has been that after the death of her husband Thutmose II, Hatshepsut 'usurped' the throne from Thutmose III. Although Thutmose III was a co-regent during this time, early historians have speculated that Thutmose III never forgave his stepmother for denying him access to the throne for the first two decades of his reign. However, in recent times this theory has been revised after questions arose as to why Hatshepsut would have allowed a resentful heir to control armies, which it is known he did. This view is supported further by the fact that no strong evidence has been found to show Thutmose III sought to claim the throne. He kept Hatshepsut's religious and administrative leaders. Added to this is the fact that the monuments of Hatshepsut were not damaged until at least twenty years after her death in the late reign of Thutmose III when he was quite elderly and in another coregency—with his son who would become Amenhotep II—who is known to have attempted to identify her works as his own.
After her death, many of Hatshepsut's monuments and depictions were subsequently defaced or destroyed, including those in her famous mortuary temple complex at Deir el-Bahri. Traditionally, these have been interpreted by early modern scholars to be evidence of acts of damnatio memoriae (condemning a person by erasure from recorded existence) by Thutmose III. However, recent research by scholars such as Charles Nims and Peter Dorman, has re-examined these erasures and found that the acts of erasure which could be dated, only began sometime during year forty-six or forty-seven of Thutmose's reign (c. 1433/2 BC). Another often overlooked fact is that Hatshepsut was not only one who received this treatment. The monuments of her chief steward Senenmut, who was closely associated with her rule, were similarly defaced where they were found. All of this evidence casts serious doubt upon the popular theory that Thutmose III order the destruction in a fit of vengeful rage shortly after his accession.
Death and burial
According to the American Egyptologist, Peter Der Manuelian, a statement in the tomb biography of an official named Amenemheb establishes that Thutmose III died on Year 54, III Peret day 30 of his reign after ruling Egypt for 53 years, 10 months, and 26 days. (Urk. 180.15) Thutmose III, hence, died just one month and four days shy of the start of his fifty-fourth regnal year. When the co-regencies with Hatshepsut and Amenhotep II are deducted, he ruled alone as pharaoh for just over thirty of those years.
Mummy
Thutmose III's mummy was discovered in the Deir el-Bahri Cache above the Mortuary Temple of Hatshepsut in 1881. He was interred along with those of other eighteenth and nineteenth dynasty leaders Ahmose I, Amenhotep I, Thutmose I, Thutmose II, Ramesses I, Seti I, Ramesses II, and Ramesses IX, as well as the twenty-first dynasty pharaohs Pinedjem I, Pinedjem II, and Siamun.
While it is popularly thought that his mummy originally was unwrapped by Gaston Maspero in 1886, it was in fact first unwrapped by Émile Brugsch, the Egyptologist who supervised the evacuation of the mummies from the Deir el-Bahri Cache five years previously in 1881, soon after its arrival in the Boulak Museum. This was while Maspero was away in France, and the Director General of the Egyptian Antiquities Service ordered the mummy re-wrapped. So when it was "officially" unwrapped by Maspero in 1886, he almost certainly knew it was in relatively poor condition.
The mummy had been damaged extensively in antiquity by tomb robbers, and its wrappings subsequently cut into and torn by the Rassul family who had rediscovered the tomb and its contents only a few years before. Maspero's description of the body provides an idea as to the magnitude of the damage done to the body:
Of the face, which was undamaged, Maspero's says the following:
Maspero was so disheartened at the state of the mummy, and the prospect that all of the other mummies were similarly damaged (as it turned out, few were in so poor a state), that he would not unwrap another for several years.
Unlike many other examples from the Deir el-Bahri Cache, the wooden mummiform coffin that contained the body was original to the pharaoh, though any gilding or decoration it might have had had been hacked off in antiquity.
Wacan
David]], Thutmose III : A New Biography, University of Michigan Press, 2006. ISBN 0-472-11467-0, incorporates a number of important new survey articles regarding the reign of Thutmose III, including administration, art, religion and foreign affairs
Rebug, Kemiri, Purwareja
Rebug iku désa ing Kacamatan Kemiri, Kabupatèn Purwareja, Jawa Tengah.
S.K. Trimoerti
S.K. Triomoerti nduwèni jeneng ganep Surastri Karma Trimurti, nanging luwih tinepang kanthi jeneng S.K. Trimurti (kala-kala tinulis S.K Trimurty). Panjenengané miyos ing Boyalali, Jawa Tengah, ing 11 Mèi 1912. Ing mangsa juangé, panganggit kang dikenal uga minangka politisi iki tau mangun baléwisma karo Muhammad Ibnu Sayuti (Sayuti Melik), paraga perjuang nasional. Nanging, amarga ing jaman kamardikan kaloroné béda pamawas babagan ideologi, kaloroné milih pegatan. Mohammad Sayuti Melik dadi anggota DPR saka Partai Golkar, déné S.K. Trimurti nerusaké kagiyatané ing politik lan jurnalistik.
Pawiyatan
S.K. Trimurti kang dikenal uga minangka wanita pejuang iki nindakaké pawiyatané ing Normaal School lan AMS ing Sala. Sauntara iku, ing mangsa kamardikan, Panjenengané uga kuliah ing Universitas Indonesia (UI) njupuk Jurusan Ékonomi nganti pikantuk jejuluk Doktoranda (Dra.). Sanajan aktif ing bidhang ékonomi, panjenengané uga tetep aktif ing bidhang jurnalisme lan politik. Ing mangsa pamaréntahan Orde Lama, Panjenengané olèh kalungguhan minangka Menteri Perburuhan watawis sapriode (dilantik ing 3 Juli 1947 ing Ngayogyakarta).
Perjuangané
Ing mangsa penjajahan Walanda lan Jepang, panganggit iki mèlu tarung minangka anggota Laskar Wanita, politisi, lan ngewangi Palang Merah Indonesia ing wewengkon sisih mburi. Minangka konsukuènsi ideolog kang diantu, Panjenenganè luwih mentingna politik tinimbang pendhidhikan. Panjenengané uga tau pikantuk hadiah dhuwit saka Panjebar Semangat, ora let suwé sawisé metu saka kunjara. Dhuwit haidah iku dimanfaatna kanggo ngadegaké kalawarti Suluh Kita (bebasa Indonesia) sanadyan kalawarti kasebut ora bisa ngadeg suwé. Katresnane ing donya pèrs nganti mangsa kamardikan. Babagan iku kadeleng saka kagiyatabé ing majalah Mawas Diri (1980) ing Jakarta.
Ing pèngetan Dinten Kamardikan Rèpublik Indonésia kaping 16, S.K. Trimurti kang kekancan apik karo Mr. Maria Ulfah, pinatuk Bintang Mahaputra Tingkat V saka Prèsidhèn Soékarno minangka jasa-jasané ing mangsa perjuangan kamardikan. Sabanjuré, ing 17 Agustus 1965 Panjenengané uga pikantuk pangaji-aji Satya Lencana Perintis Pergerakan Kemerdekaan saka Pamaréntah RI. Ing yuswa sepuh, Panjenengané tetep maca bauwarna-bauwarna politik ing médhia masa. Ing sajroné wawancara ing ngendi waé, kepribadiané wis katon, ya iku péngin tetep dadi pejuang kang ora tau mundur mbela negara.
Arnold Poernomo
Arnold Poernomo luwih misuwur kanthi jeneng Chef Arnold ya iku juru masak kang misuwur sawisé dadi juri ing acara  MasterChef. Chef Arnold dipilih dadi juri wiwit taun 2013 ganti Juna Rorimpandey.
Pringgabaya, Lombok Wétan
Pringgabaya iku kecamatan ing Kabupatèn Lombok Wétan provinsi Nusa Tenggara Kulon.
Provinsi Nusa Tenggara Kulon
SD Negeri 02 Jatisuko, Karanganyar
SD Negeri 02 Jatisuko, Karanganyar, iku salah siji Sekolah Dasar nagari sing dumunung ana ing Tegalkatak, Jatisuko, Karanganyar, provinsi Jawa Tengah. Kayadéné ing SD lumrahé, mangsa pendidikan sekolah ing SD Negeri 02 Jatisuko, Karanganyar ditempuh ing sajeroning wektu nem taun wulangan, wiwit saka Kelas I nganti Kelas VI.
Rujukan
SD Negeri 02 Jatisuko
Cipatujah, Tasikmalaya
Cipatujah iku kacamatan ing Kabupatèn Tasikmalaya, Jawa Kulon, Indonésia.
Subali
Subali iku putrané Resi Gotama ing Pertapan Grastina (ing padhalangan sok diarani pertapan Pancuranmanik) klawan Dèwi Indradi utawa Windradi. Wujudé Subali iku kethèk, nanging bisa tatajalma (omong).
Cupu manik Asthagina
Mauné Subali iku wujud manungsa lumrah, kepara wujudé satriya bagus, kanthi asma Guwarsa iya Anjanarka. Dhèwèké bisa salin wewujudan kaya ngono iku, amarga péngin ndarbèni cupu manik Asthagina duwèké mbakyuné kang sesilih Dèwi Anjani.
Dèwi Anjani duwé dolanan wujud cupu manik kang banget éndahé. Yèn tutupé cupu dibukak, ing njeron cupu iku katon ana jagad saisiné, lan bisa kanggo mangerteni kaanan marcapada utawa lelakon apa kang bakal dumadi samengkoné.
Mula Guwarsa klawan adhiné kang asma Guwarsi utawa Anjaningrat iya banjur kepéngin ndarbèni cupu ajaib iku. Sekawit cupu iku ditembung mung arep disilih sawatara, nanging Anjani ora mènèhaké. Wusana Guwarsa lan Guwarsi enték kesabarané. Cupu manik arep direbut saka tangané Anjani, lan mesthi waé Anjani iya ngukuhi cupu dhuwèké iku. Wusanana dadi padudon ramé.
Endang Suwareh (Suwarsih), pamomongé Anjani gagé misah bocah telu kang padha regejegan nanging dikipataké nganti tiba klumah. Dèwi Anjani banjur lumayu sowan ramané, Resi Gotama.
Mundu Pesisir, Mundu, Cirebon
Mundu Pesisir iku désa ing Kacamatan Mundu, Kabupatèn Cirebon, Jawa Kulon.
Subali
Äna apa kok padha oyak-oyakan kaya patrapé bocah cilik ?,"pitakoné Resi Gotama.
Guwarsa matur, "Rama, Kakangmbok Anjani gadhah cupu manik ingkang wujudipun saklangkung saé sanget. Cupu wau saged kanggé mriksani lelampahan ingkang badhé dumados. Lha kula péngin saged ngampil boten kétang namung sakedhéping netra, nanging boten dipunkeparengaken déning kakangmbok Anjani,"
Wanawasa, Karangtengah, Demak
Wanawasa iku salah siji désa / kalurahan ing Kacamatan Karangtengah, Kabupatèn Demak, Provinsi Jawa Tengah, Indonésia.
Subali
"Boten dhing rama. Piyambakipun meksa péngin ngrebat cupu gadhahan kula,"Anjani suwala.
"Wis..wis, damar mancung cinupet, kowé kabèh ora susah padha regejegan. Coba endi saiki cupu kang marakaké ramé iku ?,"pangandikané Resi Gotama.
Wusana cupu manik Asthagina iku dicaosaké. Kaget Sang Resi Gotama dupi priksa wewujudané cupu manik kang éndah sumorot anelahi. Sangsaya kejot manèh panggalihé Sang Resi bareng ngawuningani isi njeron cupu iku, katon ana gegambarané jagad saisiné: srengéngé (surya), rembulan lan lintang-lintang, tathit lan méga, warna-warna téjané.
"Cupu iki saka sapa, Anjani ?,"pandanguné Resi Gotama.
Dèwi Anjani ora wani dora, amarga wedi yèn kena soté (upatané) ingkang rama, mula dhèwèké matur walaka (blaka) manawa cupu manik Asthagina iku paringané ingkang ibu, Dèwi Windradi. Resi Gotama nuli dhawuh marang Endang Suwareh supaya ngaturi Dèwi Windradi. Sawisé marak, Dèwi Windradi dinangu déning sang Resi, saka sapa pinangkané cupu manik kang kanggo dolanan Anjani. Dèwi Windradi ora wangsulan, kaya-kaya ana bab kang disingidaké. Brol, waspané tumetes nelesi pipiné.
"Hé Windradi, kowé iku duwé kuping apa ora ? Ana wong ditakoni kok meneng waé ora wangsulan. Kepara adol tangis. Apa nék ngono iku terus enték perkarané, iya ? Kaya-kaya ana bab kang winadi kang mbok dhelikaké. Coba yèn aku isi mbok-anggep garwamu, kowé blakaa, ora perlu wedi,"
Nganti ambal kaping telu Sang Resi anggoné mundhut priksa, nanging Sang Dèwi Windradi tetep meneng waé ora wangsulan. Wasana ndadèkaké dukané Sang Resi Gotama.
Mandi sabdané Sang Resi Gotama, sanalika Dèwi Windradi malih dadi tugu watu. Padha kaget kang samiya mulat. Dèwi Anjani angrerepa supaya Sang Resi njabel "soté"(upatané). Nanging Sang Resi Gotama ora merduli. Kepara tugu watu kedadèyané Dèwi Windradi malah dibuncang anglayang ing gegana. Pungksané tugu watu tiba ing tapel wates kukuban nagara Alengka. Ing tembé tugu iku bisa dadi sarana patiné Patih Prahasta kang dikepruk mustakané nganggo tugu iku déning Jaya Anila, senopatiné Prabu Ramawijaya. Mbarengi sirnané Prahasta, tugu bisa bali dadi wujudé Dèwi Windradi manèh.
Sawisé iku, Resi Gotama banjur nyawataké cupu manik Asthagina. Para putrané kadhawuhan mbujung kumleyangé cupu. Anèhé bareng tiba ing bantala, cupu mau dadi sendhang (tlaga kang banjur diarani tlaga Madirdha iya tlaga Sumala. Guwarsa lan Guwarsi kang mbujung kumleyangé cupu, ngira yèn cupu kecemplung ing sendhang. Kekaroné nuli nyemplung sendhang bebarengan. Bareng mentas saka sendhang, kekaroné salin wujud dadi pragosa alias kethèk. Déné Dèwi Anjani lan Endang Suwareh kang tumeka ing sendhang iku ora nyemplung, nanging mung suryan (raup) lan wijik tangan karo sikilé. Wanita kekaroné uga banjur salin wujud dadi manungsa nanging pasuryan lan tangané metu wuluné kadidéné kethèk.
Bisané ruwat, Dèwi Anjani banjur kadhawuhan déning ingkang rama, Resi Gotama, supaya mbangunaké tapa "nyanthok" ana ing bengawan Bagiratri. Tembé mburiné Anjani nglairaké putra wujud wanara séta kekasih Bambang Senggana iya Anoman, Endhang Suwareh uga nglairaké wanara ulesé ireng mulus (lutung) banjur kaparingan asma Kapi Suwidha. Sabanjuré Guwarsa uga kadhawuhan tapa ngalong ana alas Sonyapringga lan banjur salin asma dadi Subali. Déné Guwarsi kang kadhawuhan tapa ngidang ana ing alas Dhandaka uga banjur salin asma dadi Sugriwa.==Cupu manik Asthagina== Mauné Subali iku wujud manungsa lumrah, kepara wujudé satriya bagus, kanthi asma Guwarsa iya Anjanarka. Dhèwèké bisa salin wewujudan kaya ngono iku, amarga péngin ndarbèni cupu manik Asthagina duwèké mbakyuné kang sesilih Dèwi Anjani.
Pucet sanalika pasuryané Dèwi Anjani. Dhèwèké kelingan piwelingé ibuné, aja pisan-pisan cupu iku kepriksan déning Sang Resi Gotama. Barang iku pancèn wadi banget. Cupu kang kanggo rebutan iku mau banjur disuwun déning Sang Resi Gotama. Dèwi Anjani sangsaya luwih wedi marang dukané ramané ketimbang ibuné.
Sawisé iku, Resi Gotama banjur nyawataké cupu manik Asthagina. Para putrané kadhawuhan mbujung kumleyangé cupu. Anèhé bareng tiba ing bantala, cupu mau dadi sendhang (tlaga kang banjur diarani tlaga Madirdha iya tlaga Sumala. Guwarsa lan  Guwarsi kang mbujung kumleyangé cupu, ngira yèn cupu kecemplung ing sendhang. Kekaroné nuli nyemplung sendhang bebarengan. Bareng mentas saka sendhang, kekaroné salin wujud dadi pragosa alias kethèk. Déné Dèwi Anjani lan Endang Suwareh kang tumeka ing sendhang iku ora nyemplung, nanging mung suryan (raup) lan wijik tangan karo sikilé. Wanita kekaroné uga banjur salin wujud dadi manungsa nanging pasuryan lan tangané metu wuluné kadidéné kethèk.
Bisané ruwat, Dèwi Anjani banjur kadhawuhan déning ingkang rama, Resi Gotama, supaya mbangunaké tapa "nyanthok" ana ing bengawan Bagiratri. Tembé mburiné Anjani nglairaké putra wujud wanara séta kekasih Bambang Senggana iya Anoman, Endhang Suwareh uga nglairaké wanara ulesé ireng mulus (lutung) banjur kaparingan asma Kapi Suwidha. Sabanjuré Guwarsa uga kadhawuhan tapa ngalong ana alas Sonyapringga lan banjur salin asma dadi Subali. Déné Guwarsi kang kadhawuhan tapa ngidang ana ing alas Dhandaka uga banjur salin asma dadi Sugriwa.
Subali lawan Prabu Maésasura
Sadurungé lumebu ana kedhatoné Prabu Maésasura kang wujud guwa, Subali weling marang Sugriwa supaya nunggu ana jaba. Mengko yèn kang mili saka jero guwa banyu rupané abang, iku ateges kang mati Maésasura lan Lembusura. Yèn kang mili metu rupané putih, tegesé kang mati Subali, mula Sugriwa didhawuhi énggal nablek guwa iku karebèn buta loro iku mati.
Aji Pancasona
Kacarita, Subali kang ana sajeroning guwa akhiré bisa metu. Dhèwèké kandha yèn wis trima, nuli ambegawan ing Sonyapringga kanthi peparab Resi Subali. Anggoné tapa ing Sonyapringga, Subali éntuk kanugrahan aji Pancasunya (Pancasona) kang dayané sanajan sadina mati kaping pitu janji isih kambah ing pratala, utawa kasiliring samirana lan kasiram banyu, bisa bali urip manèh. Mula Subali iya digdaya banget.