אסף_פינקוס
מאמרים
• “The Impact of the Black Death on the Sculptural Programs of the Pilgrimage Church St. Theobald in Thann: New Perceptions of the Genesis Story,” ''Assaph. Studies in Art History'' 6, (2001): 161–76. • “Four Creation Visions in Fourteenth-Century Southern German Sculpture: Reflections of Changing Mentalities,” Motar 9 (2001): 63–70 (Hebrew). • “Johann Parler and the Thann Workshop: A Master and his Workshop,” in Nurith Kenaan-Kedar and Asher Ovadia (eds.), Arts and Crafts: Interrelations and Boundaries (Tel-Aviv, 2003), 105–26 (Hebrew). • “Rudolf’s Journey: Art Patronage and Politics in the St. Theobald Minster in Thann,” Wallraf-Richartz-Jahrbuch 65 (2004): 273–88. • “The German in the Parler Art: Narratives of South German Gothic Sculpture,” in Pictorial Languages and their Meanings, eds. Christine B. Verzar and Gil Fishhof (Tel Aviv, 2006), 185–202. • “Das Schöpfungsportal: Kunst und Lehre im mittelalterlichen Freiburg,” Münsterblatt 13 (2006): 4–12. • “L’art des Parler: l’église Saint-Thiébaut de Thann au temps des Habsbourg,” ''Thann. Petite et Grande Histoire'' 21 (2006): 12–20. • “The Patron Hidden in the Narrative: Eve and Johanna at St. Theobald in Thann,” Zeitschrift für Kunstgeschichte, 70, no. 1 (2007): 23–54. • “The Parler School of Southwestern Germany: a Reconsideration of 14th Century Workshops and Mass Sculpture,” Zeitschrift des Deutschen Vereins für Kunstwissenschaft 61 (2007): 49–80. • “The Italian Connection: On the Origins of the Parler Art,” ''Assaph. Studies in Art History'' 12 (2008): 63–102. • “A Voyeuristic Invitation in the Arena Chapel” in ''Sehen und Sakralität in der Vormoderne. KultBild'', vol. 4, ed. Thomas Lentes (Berlin: Reimer, 2009), 106–19. • “Giottus Pictor: Review Essay,” Kunstchronik 63, no. 4 (2010): 165–72. • “Parler Lapicide,” online article and exhibition, ICMA, Princeton University, http://medievalart.org/?page_id=787 (2010). • “Violent Imagery in Late medieval Germany: A Preliminary Consideration,” Festschrift in Honor of Prof. Mordechai Omer, Assaph 9 (2010): 189–202. • “Voyeuristic Stimuli: Seeing and Hearing in Giotto's Painting,” Wiener Jahrbuch Für Kunstgeschichte LIX (2010): 7–26. • “Violence and Sacredness in Fourteenth-Century Art,” Zmanim 118 (2011): 32–41 (Hebrew). • “ICMA at Leeds 2011,” ICMA News Letter 32/2 (2011): 3–4. • “The Womb and the Eye: Viewing the Shrine Madonna,” Arte Medievale IV/II (2012): 223–4. • “Gothic Symulachra: The Naumburger Stifterfiguren,” in Der Naumburger Meister – Bildhauer und Architekt im Europa der Kathedralen, vol. 3, ed. Guido Siebert (Petersberg: Imhof, 2013), 204–217. • “Capturing Light in Late Antique, Medieval and Early Modern Art,” ICMA News Letter (2013): 5. • “Visual Aggression: The Martyrs’ Cycle in Schwäbisch Gmünd,” Gesta 52, no. 1 (2013): 43–59. • “The Founder Figures at Vienna Cathedral: Between Imago and Symulachrum,” Marburger Jahrbuch für Kunstwissenschat 40 (2013): 63–92. • “The Transformative Body: Seeing through the Schreinmadonna,” The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings, T. 1-3, eds. Ulrich Großmann/Petra Krutisch (Nuremberg, 2014). • “Imaginative Responses to Gothic Sculpture: the Bamberg Rider,” Viator 45, no. 1 (2014): 331–60. • “Guido da Sienna and the Four Modes of Violence,” in Death, Torture and the Broken Body in European Art', 1300-1650, eds. John Decker and Mitzi Kirkland-Ives (Aldershot: Ashgate, 2014), 24–43.</div'''> • “Imagining the Magdeburg Rider,” Paragrana 23, no. 1 (2014): 23–45. • Assaf Pinkus and Michal Ozeri, “From Body to Icon: The Life of Sts. Peter and Paul in the Murals of S. Piero a S. Piero a Grado,” Convivium 2 (2014): 1–21. • “Lost in Symulachra: The Living Statues on the Imperial Balcony in Mühlhausen,” in Theologisches Wissen und die Kunst: Festschrift für Martin Büchsel, Neue Frankfurter Forschungen zur Kunst 16 (2015): 384–400. • “Imagining the Magdeburg Rider,” Paragrana 23, no. 1 (2014): 23–45. • Assaf Pinkus and Michal Ozeri, “From Body to Icon: The Life of Sts. Peter and Paul in the Murals of S. Piero a S. Piero a Grado,” Convivium 2 (2014): 1–21. • “Lost in Symulachra: The Living Statues on the Imperial Balcony in Mühlhausen,” in Theologisches Wissen und die Kunst: Festschrift für Martin Büchsel, Neue Frankfurter Forschungen zur Kunst 16 (2015): 384–400. • “Towers in the Air,” ''Babel. Works form the Igal Ahouvi Art Collection and the University Art'' Gallery (Tel Aviv, 2014). 137–52. • “Transformative Werke: Materie, Farbe und Res spätmittelalterlicher Schnitzwerke am Mittelrhein,” in ''Frankfurt als Zentrum unter Zentren? Kunsttransfer und Formgenese am Mittelrhein 1400 – 1500'', ed. Berit Wagner, Hilja Droste, Martin Büchsel (due 2017). • “Verkörperte Imagination, imaginierte Körper: Die Martyrien des hl. Bartholomäus und der hl. Katharina in der rheinischen Kunst des Spätmittelalters,” forthcoming. • “The Giant of Bremen: Roland and the “Colossus Imagination,” forthcoming.