الرياضيات_والهندسة_المعمارية
القرن العشرين
اقترح لو كوربوزييه مقياسًا أنثروبومتريًا للنسب في الهندسة المعمارية ، الموصل ، بناءً على الارتفاع المفترض للرجل. [38] تستخدم مصلى لو كوربوزييه عام 1955، نوتردام دي هوت ، منحنيات حرة الشكل غير قابلة للوصف في الصيغ الرياضية. [e] يقال إن الأشكال هي استحضار أشكال طبيعية مثل مقدمة السفينة أو أيادي الصلاة. [41] التصميم هو فقط على أكبر مقياس: لا يوجد تسلسل هرمي للتفاصيل في المقاييس الأصغر ، وبالتالي لا يوجد بعد فركتلي ؛ وينطبق الشيء نفسه على المباني الشهيرة الأخرى في القرن العشرين مثل دار أوبرا سيدني، ومطار دنفر الدولي ، ومتحف غوغنهايم ، بلباو. [39] 1.	Freiberger, Marianne (1 March 2007). "Perfect buildings: the maths of modern architecture". Plus magazine. Retrieved 5 October 2015. 2.	^ Jump up to:a b Rian, Iasef Md; Park, Jin-Ho; Ahn, Hyung Uk; Chang, Dongkuk (2007). "Fractal geometry as the synthesis of Hindu cosmology in Kandariya Mahadev temple, Khajuraho". Building and Environment. 42: 4093–4107. doi:10.1016/j.buildenv.2007.01.028. 3.	Jump up^ Williams, Kim; Ostwald, Michael J., eds. 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