antiquitization
Language: English
Part of speech: noun
Forms: form: antiquitisation
Etymology: From antiquity + -ization.
Senses: examples: text: As I will present it, the first moment identifies the problematics of reading what was deemed vulgar. The subsequent two moments suggest containment strategies, namely antiquitization and poeticization. The final moment delineates the effect of these strategies, namely the disappearance of the body in any capacity other than its poetic voice.
ref: 1994, Graven Images: A Journal of Culture, Law, and the Sacred, page 176:
text: The room as a whole conveyed a sense of refined, contemporary taste, as summed up elegantly by Wyler: “The ‘antiquitization’, the ‘graecization’ and the ‘orientalization’ of the surroundings are certainly cultivated references that heighten the artistic quality of the décor and of the owner”.
ref: 2009, Sarah Levin-Richardson, Roman Provocations: Interactions with Decorated Spaces in Early Imperial Rome and Pompeii, page 62:
text: The movement reached a new level with the purported discovery by MANU member Tome Boševski and Professor Aristotel Tentov that the Rosetta Stone was written in ancient Macedonian, a language allegedly closely related to modern Macedonian (cf. Ilievski 2006). / A physical and most recent example of the antiquitization movement is the so-called Skopje 2014 project. This multimillion-Euro urban project, first made known in 2009 and managed by the Macedonian Ministry of Culture and the Municipality of Centar, includes among other tasks the building of an Orthodox church (Sts. Constantine and Helena church), and the erection of a monument depicting Alexander the Great on his horse and at least a dozen tall statues of other historical figures, whom the government claims as Macedonian, in and around the central square of the capital.
ref: 2012, Vasiliki P. Neofotistos, “Epilogue”, in Tobias Kelly, editor, The Risk of War: Everyday Sociality in the Republic of Macedonia (The Ethnography of Political Violence), University of Pennsylvania Press, →ISBN, page 126:
text: Although antiquity emerged as an important factor in nation building and since independence in 1991, as I described above, the wave of antiquitization (antikvizacija) sweeping over Skopje’s central public space and the entire country since 2006 is unprecedented indeed. The epic monument of the Warrior on the Horse (or, evidently, Alexander the Great) occupies the most central place in the capital of the country. The same day (14 June 2011) that this monument was brought to the main square, two monuments of Philip II of Macedon were also erected: a 5-meter tall monument placed on a 3.5-meter base, designed by the same artist who created the Warrior on the Horse, was installed in the Skopje Avtokomanda Municipality, and another monument was erected in June 2012 on the other side of the Stone Bridge, in front of the church St. Dimitrija, an impressive 17 meters tall.
ref: 2013, Rozita Dimova, “Chapter 5. The Baroque effect: Central Skopje between antiquitization and Christianization”, in Ethno-Baroque: Materiality, Aesthetics, and Conflict in Modern-Day Macedonia, Berghahn Books, →ISBN, page 128:
text: Bian Zhilin’s preface to his collected poems shows how these questions were central to his own conceptualization: / In the vernacular new-style poems I write, for all that they may be called “Europeanized” … they are also “antiquitized.” The one is mainly in exterior form, where effects are easy to spot, while the other is entirely in content, where effects do not leave much of a trace.[…]/ “Europeanization” and “antiquitization,” fundamental to Bian and his readers, quiver against each other in the poem in the shape of space and time.
ref: 2018, Lucas Klein, “Part 1”, “1. Discerning the Soil: Dual Translation and the World Poetics of Bian Zhilin”, in Barend J. ter Haar, Maghiel van Crevel, editors, The Organization of Distance: Poetry, Translation, Chineseness (“Sinica Leidensia”, volume 141), Brill Publishers, →ISBN, page 29:
text: This shift culminated in the massively pro-Hellenic “antiquitization” public works program. Massive Byzantine structures were erected all over Skopje, greatly antagonizing the Albanian minority.
ref: 2019, Erin Jenne, Beáta Huszka, “7. The Importance of Being Balanced: Lessons from Negotiated Settlements to Self-Determination Movements in Bosnia, Macedonia, and Kosovo”, in Jon B. Alterman, Will Todman, editors, Independence Movements and Their Aftermath: Self-Determination and the Struggle for Success, Rowman & Littlefield, →ISBN, page 131:
text: Others are newer, such as the ethnocentric narrative of today’s Macedonian nation as a symbolic continuation of Alexander the Great’s empire (minimising any Albanian past within Macedonian national history) which Nikola Gruevski’s government made to pervade the built environment of Skopje through a grandiose programme of monument-building and ‘antiquitization’.
ref: 2020, Catherine Baker, “Part One: Politics and Society”, “3. Music, Media and Culture One Generation after Yugoslavia: Do we Still Need ‘Nostalgia’?”, in Othon Anastasakis, Adam Bennett, David Madden, Adis Merdzanovic, editors, The Legacy of Yugoslavia: Politics, Economics and Society in the Modern Balkans, Bloomsbury Publishing, →ISBN, pages 72–73:
text: This used-book-buying boom led to gnashing of teeth by bibliophiles, who bristled at the “antiquitization” (kottōka) of old books and the accompanying price bubble. Among bibliophiles, “antiquitization” served as shorthand for anxieties over the integration of old books into a general market of commodities for profit.
ref: 2020, Nathan Shockey, The Typographic Imagination: Reading and Writing in Japan’s Age of Modern Print Media, Columbia University Press, →ISBN:
glosses: Alternative form of antiquization.