tinsel
Language: English
Part of speech: adj
Pronunciation: ipa: /ˈtɪns(ə)l/
ipa: /ˈtɪnsəl/
rhymes: -ɪnsəl
Etymology: The noun is derived from Middle English tinsel (“cloth containing gold or silver thread”) [and other forms], probably from Anglo-Norman tincel, tincelle, tencele, and then:
* from Old French estincelle, estencele (“a spark”) (modern French étincelle), from Vulgar Latin *stincilla, a metathesis of Latin scintilla (“a glimmer; a spark”), probably from Proto-Indo-European *(s)ḱeh₁y- (“to shimmer, shine”); and
* from Old French estincelé, the past participle of estinceler, estenceler (“to produce sparks”) (modern French étinceler (“to sparkle, twinkle; (archaic) to produce sparks”)), from Vulgar Latin *stincillāre, a metathesis of Latin scintillāre, the present active infinitive of scintillō (“to scintillate, sparkle”), from scintilla (“a glimmer; a spark”) (see above) + -ō (suffix forming regular first-conjugation verbs).
The English word is a doublet of scintilla, scintillate, and stencil.
The adjective is from an attributive use of the noun; while the verb is derived from the noun.
Senses: examples: text: Liſten and appeare to us / In the name of great Oceanus, / […] / By Leucothea’s lovely hands, / And her ſon that rules the ſtrands, / By Thetis tinſel-ſlipper’d feet; […]
ref: 1634 October 9 (first performance), [John Milton], edited by H[enry] Lawes, A Maske Presented at Ludlow Castle, 1634: […] [Comus], London: […] [Augustine Matthews] for Hvmphrey Robinson, […], published 1637, →OCLC; reprinted as Comus: […] (Dodd, Mead & Company’s Facsimile Reprints of Rare Books; Literature Series; no. I), New York, N.Y.: Dodd, Mead & Company, 1903, →OCLC, page 30:
english: Comus
translation: Comus
glosses: Of fabric: ornamented by being woven with gold or silver thread, or overlaid with thin metal plates; brocaded.
examples: text: Baſes and tinſel Trappings, gorgious Knights / At Jouſt and Touneament; then marſhal'd Feaſt / Serv'd up in Hall with Sewers, and Seneſhals; […]
ref: 1667, John Milton, “Book VIII”, in Paradise Lost. […], London: […] [Samuel Simmons], and are to be sold by Peter Parker […]; [a]nd by Robert Boulter […]; [a]nd Matthias Walker, […], →OCLC; republished as Paradise Lost in Ten Books: […], London: Basil Montagu Pickering […], 1873, →OCLC, lines 36–37:
glosses: Glittering.
examples: text: Went to that magnificent Temple of Thalia, the New Olympic, and saw the bewitchingest Pauline, in the person of Winifred Emery, that ever I saw in the shammiest, stagiest, tawdriest, tinsellest, transparentest, most diaphanously theatrical comedy I ever saw in the absolute period of my Thespian existence.
ref: 1890 December 24, “Judy’s Diary”, in Judy: The London Serio-comic Journal, volume 46, London: [s.n.], →OCLC, page 306, column 2:
text: Sensing plenty of room for such displays of conspicuous consumption, no less than three other knockoffs—The Good Life ("the most luxurious half-hour on television"), The Robb Report (a spinoff of the ultra high-end auto magazine), and Eye on Hollywood (the tinselest side of Tinseltown)—were soon on the air, each also a tour de force of hedonism and exhibition.
ref: 2009, Larry Samuel, “Lifestyles of the Rich and Famous: 1980–1994”, in Rich: The Rise and Fall of American Wealth Culture, New York, N.Y.: AMACOM, →ISBN, page 192:
glosses: Apparently beautiful and costly but having little value; superficially attractive; gaudy, showy, tawdry.