sgraffito
Language: English
Part of speech: noun
Pronunciation: ipa: /sɡɹəˈfiːtəʊ/
ipa: /skɹəˈfiːtəʊ/
ipa: /sɡɹəˈfiːtoʊ/
ipa: /skɹəˈfiːtoʊ/
enpr: sgrə'fītō
Forms: form: sgraffiti
form: sgraffitoes
form: sgraffitos
Etymology: Borrowed from Italian sgraffito, from s- (“out”) + graffito (past participle of graffire), ultimately from Ancient Greek γράφειν (gráphein, “to write or scratch”).
Senses: examples: text: Through color and tone Byzantine potters gave to sgraffito pottery qualities that go beyond the contrasts possible in metalwork. And the history of the colors in their use on Byzantine sgraffito ware again takes us back to Tang China.
ref: 1992, Dēmētra Papanikola-Bakirtzē, Eunice Dauterman Maguire, Henry Maguire, Ceramic Art from Byzantine Serres (Illinois Byzantine Studies; III), Urbana and Chicago, Ill.: University of Illinois Press, →ISBN, page 17:
text: Sgraffito is a valuable design technique for working with slips[…], but did you know that this technique has other applications? With leather-hard clay you can incise (cut into) the clay surface. […] To make smooth lines in a raw-glazed surface, first cover the area with liquid wax. Then, using any sharp-edged tool, scratch through the wax and into the glaze, pressing deeply enough to reveal the clay body underneath[…]. When the piece is fired, the wax will burn off and the glaze will pull back from the sgraffito scratches to reveal the underlying clay.
ref: 2008, Maureen [Elizabeth] Mills, Surface Design for Ceramics, New York, N.Y.: Lark Books, →ISBN, page 100:
text: Sgraffito is not only weather resistant but also requires less artistic skill than alfresco painting. Although scratch work was used in Germany from the 13th century (e.g. Magdeburg Cathedral, cloisters), true sgraffito developed in Italy and spread from there. Decoration of a plastered façade with simulated regular stonework existed in Florence from the late 13th century, two-tone decorations from the 15th century. The early sgraffito decorations follow on from the medieval practice of using overlay and ornamentation on buildings and reflect the way in which stone is worked.
ref: 2012, Colum P. Hourihane, editor, The Grove Encyclopedia of Medieval Art and Architecture, volume I (Aachen to Cecco di Pietro), Oxford: Oxford University Press, →ISBN, page 498:
topics: art
arts
glosses: A technique in ceramics, art and wall design, where the top layer of pigment or slip is scratched through to reveal an underlying layer.
examples: text: [I]n the corner room a sitting platform, 3 ft. broad, as well as a large fireplace, were brought to light, while in the hall (E. iii.), open towards the south, the rough plaster surface of the partly well-preserved east wall proved to be covered with sgraffiti both Tibetan and Chinese.
ref: 1907, [Marc] Aurel Stein, Ancient Khotan: Detailed Report of Archaeological Explorations in Chinese Turkestan Carried out and Described under the Orders of H. M. Indian Government, Oxford: Clarendon Press, →OCLC, page 432:
text: The few surviving examples of early sgraffiti are thought to be late 14th century and have a mediaeval quality about them. Ugo Procacci points out that the technique of two contrasting colours was seldom used and most of them are pure and simple sgraffiti.
ref: 1985, Leonardo Ginori Lisci, The Florentine Palazzi: Their History and Art, volume I, Florence: Giunti Barbera, →OCLC, page 53:
text: I did murals there as well, designs for windows, bas relief and otherwise, sgraffitoes – a very special technique cut in stucco.
ref: 1994, Hilda Kirkwood, Between the Lines, Ottawa: Oberon Press, →ISBN, page 71:
text: [Josep] Puig [i Cadafalch] wanted to emphasize the ornamentation of the stone window frames of the facade by contrasting it against the white stucco sgraffitos.
ref: 2001, Raúl García i Aranzueque, Barcelona and Gaudí: Examples of Modernist Architecture, Spain: Kliczkowski Publications, →ISBN, page 61:
text: SGRAFFITI. Artwork painted on the exterior of private homes, sgraffiti emerged at the end of the 19th century, when city officials encouraged urban beautification by organizing competitions for decorating house fronts. Several techniques developed; the most common one involves applying a light-colored base to the surface, after which portions of the base are scratched away while still wet, leaving the support medium to show through in displaying a drawing.
ref: 2015, Paul F. State, Historical Dictionary of Brussels, 2nd edition, Lanham, Md.: Rowman & Littlefield, →ISBN, page 389:
topics: art
arts
glosses: An instance or sample of sgraffito.