Book Reviews: Social histories of disability and deformity.

In the afterword Sharon Snyder and David Mitchell suggest that a disability studies perspective is somewhat lacking in this volume; this may be the case, but is it the point? I may seem facetious, but this is an important issue raised by this collection. At present, disability history and historians sit uncomfortably between the edge of mainstream historical research and the more overtly politicized disability studies. This is nothing new and has been evident in histories of race, class, and gender. Do we explore the undoubted exclusionary nature of the past? Should we embrace emancipatory research methods? Should we use disability as a lens through which to view history? These questions should be explored by the individual, not at the dictate of the sub-discipline. To follow one predetermined intellectual path is in itself exclusionary, unproductive, and stultifying. From the outset, David Turner and Kevin Stagg's project is to consider disability as a way to understand society, to explore the impact medicine had on legitimizing notions of normalcy, and to think about shifts in perceptions surrounding disability and deformity over time. Kevin Stagg's exploration of monstrous births through the medium of early modern broadsheets indicates the importance of thinking about how such ideas expressed the wider workings of society. The broad implications of disability are also considered by Ayca Alemdaroglu through twentieth-century Turkish nationalism and eugenic ideology. Whilst such ideas seem to spring from post-Enlightenment rational thought that supported the medicalization of disability, Alemdaroglu suggests that the populace still believed in the connection between deformity and religion. This may indicate that shifts in understanding overlapped, but show the need to understand attitudes towards, and experiences of, disability in all their complexity; acknowledging continuity as well as difference. Thus, Suzanne Nunn's description of anti-vaccination satires in the nineteenth century supports the continuity of fears surrounding the loss of humanity that disability or deformity deemed to express. Sharon Morris shows that this was not the only view. In her consideration of eugenic ideology and the mentally deficient, she ends by demonstrating that families were often reluctant to sterilize their children. Conceptions of disability are hardly monolithic. This is evident within David E Shuttleton's work that combines politics and morality in the rhetoric of smallpox, and Francois Buton's consideration of educational policy shifts for deaf children. Connections between the political and the moral are themes that wind throughout the collection. Kristy Muir explores individual experience via oral testimony of Australian and Indonesian veterans with post-traumatic stress. This provides a useful insight into control over the self that institutional histories may lack. The individual also comes to the fore through Hal Gladfelder's consideration of sexuality and deformity, bringing the body into the debate. The controlled body is also a central theme of Anne Borsay's analysis of orthopaedics and social control. She suggests holism was a central tenet in the drive to produce economic units via orthopaedic care in the early twentieth century. This is worth further exploration as it could be suggested that through holistic approaches a modern perspective of disability could be formed and disseminated. One of the aims of the project was to consider historical shifts. Whilst this is important, we should not forget the continuities. They include the obvious, but important, negativity that surrounded disability, the continued use of morality and politics to define or treat the disabled, and the tensions that exist between institutional histories and personal experiences. More could have been said about the connection between disability and various national perspectives, but such projects should be taken up by interested parties rather than being prescribed avenues of research.