“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students

[1] Imagine this-it's a week before the beginning of the school year and you've just been told that a blind student will be in your sophomore theory class. What do you do? In late August 2007, I found myself in this situation. This essay is intended to enable someone in a similar situation to save some time in investigating available technology and in devising methodology. It will focus on teaching blind students, but resources for the visually impaired in general are also included.[2] According to my university's Academic Resource Center, we are required by the 1973 Rehabilitation Act and the 1990 Americans with Disabilities Act to provide reasonable accommodations for students with disabilities.A reasonable accommodation is a modification to a non-essential aspect of a course, program, service or facility which does not pose and [sic] undue burden and which enables a qualified student with a disability to have adequate opportunity to participate and to demonstrate his or her ability.(1)[3] Some schools will provide extensive aid for the purpose of accommodating visually impaired students in the music classroom, including spending a significant amount of money converting textbooks to Braille. My university did not do this, but it did provide excellent peer tutors and guides.[4] The more time one has to prepare for a visually impaired student, the better. Hardware, software, Brailled textbooks and scores need to be ordered ahead of time, tutors need to be found, and teaching aids may need to be constructed. I have found that the more one can think through what the student needs and the best method for providing it, the more successful the teaching experience will be. Whether or not the student comes armed with the latest technology, the teacher should be ready to spend extra time, either preparing class materials or working together one-on-one.[5] Because my student had transferred from another local school, she did not come through our first-year theory class, which would have given me a lot more notice, and I could have drawn upon the experience of my colleagues. Our Academic Resource Center also did not have the experience to help me with any specific music-related accommodations.(2) It turned out that the most information came from colleagues who had encountered the same circumstances. I had sent a message to the SMT-talk discussion group that expressed my predicament:I'd ... welcome any suggestions you might have for helping a blind student in the second year of a two-year theory sequence. She's a transfer student, so I have little information about how things were done at her previous school (more discussion with her is in order). Somehow I need to find ways to do written and aural skills with her. We do have a resource center to help out, but they apparently haven't had to deal with a blind musician before. Any advice would be greatly appreciated!Many responses advised me about types of available resources, and about issues that might arise.(3) This information enabled me to seek out further resources, some of which are contained in Figures 1-4 below.[6] The following discussion will focus on the individual skills usually incorporated into a core music theory curriculum, how I dealt with them with my particular student, and other methods to deal with them.Dictation[7] At first, I gave dictation quizzes to my blind student privately or had her tutor administer them, since she did not have a laptop or other electronic note taker (see Figure 2) to use in class. Had I known about it at the time, a slate and stylus (Figure 1, item 1) could have worked as well. I would play the examples, she would tell me the answers, and I would notate them. After she acquired her laptop, we worked out a method by which she took the quizzes with the rest of the class. She does not read Braille music notation,(4) so we used a system by which she notated the pitches and rhythms separately in two different lines. …