Her
Tags: psychological, boring, thought-provoking, flashback, psychedelic, philosophical, romantic

Plot synopsis:
Theodore Twombly (Joaquin Phoenix) is a lonely, introverted man who writes personal letters for people with difficulties expressing their feelings. He is very good at his job at handwrittenletters.com.Unhappy because of his impending divorce from his childhood sweetheart Catherine (Rooney Mara), Theodore purchases a talking operating system with artificial intelligence, designed to adapt and evolve like a human being. He decides he wants the OS to have a female identity, and she names herself "Samantha" (Scarlett Johansson).Theodore is fascinated by her ability to learn and grow psychologically, and they bond over their discussions about love and life, during which Theodore explains he is avoiding signing his divorce papers, because of his reluctance to let go of Catherine.Theodore is convinced by Samantha to go on a blind date with an acquaintance (Olivia Wilde) that his longtime friend, Amy (Amy Adams) has been trying to set him up with. To his surprise, he and the woman hit it off. As they are about to have sex, the woman asks if Theodore is willing to commit to her, and when he hesitates, she walks out on him.Theodore later mentions this to Samantha and they talk about relationships. Samantha asks him about his and Amy's relationship, and Theodore admits that although he and Amy dated briefly in college, they are only good friends and that Amy is married.Samantha becomes more and more intimate with Theodore, and asks if she can watch him sleep. She asks him what he would do if she had a physical body. Theo describes how he would make love to her. Samantha responds as the screen goes black.Theodore's writing is going very well, and he is recognized in the office for his emotionally beautiful work. He is invited on a double date with receptionist Paul (Chris Pratt) and his lawyer girlfriend, Tatiana (Laura Kai Chen). Theodore explains that Samantha is an operating system, and Paul notes that most of the people in the office are dating their OSs. The four have a good time, with Samantha and Tatiana hitting it off while Theodore and Paul go for a stroll. Samantha explains that she feels much freer, not having a physical body, though she seems to be justifying it to herself.Theodore continues to enjoy Samantha's company. He chats with her as he walks to and from work, while most other pedestrians seem to be doing the same.One day, Amy reveals that she and her overbearing and unsupportive husband, Charles (Matt Letscher) have had a fight, and he has left her. She admits to Theodore that she has become close friends with a female OS that Charles left behind, and Theodore then tells Amy that he is dating his OS.Theo, heavily into his relationship with Samantha, decides he is ready to sign the divorce papers, and arranges to meet his wife, Catherine for lunch. He thinks back to the good times they had together, and how he helped her develop her successful writing career. She signs the papers, then asks about Theodore's girlfriend. Theodore explains that Samantha is an operating system, and Catherine explodes, telling him that he never could relate to people. She felt he was trying to stifle her creativity by getting her on Prozac.Theodore is heartbroken, and begins to question his relationship with Samantha. Samantha suspects something is wrong because of Theodore's melancholy mood (they don't have sex as often as they used to).Samantha suggests they hire a surrogate, Isabella (Portia Doubleday), to act as Samantha's body, so Theodore and Samantha can be physically intimate. Theodore reluctantly agrees, but is overwhelmed by the experience and sends a distraught Isabella away, causing tension between him and Samantha.Theodore is conflicted, and while visiting Amy in her apartment, he confides to her that he is having doubts about his relationship with Samantha. Amy tells him that she wants to be happy and now that she has the opportunity do so (referring to her divorce) she wants to embrace it, and she advises him to do the same. After watching the positive way that Amy interacts with her OS, Theodore's commitment to Samantha is reinvigorated.He takes Samantha on vacation, and she tells him that she has secretly collected a series of his letters, and submitted them to a publisher. The publisher is blown away by the deep feelings exhibited, and wants to proceed with a book printing. Theodore is impressed with Samantha's initiative and creativity. It seems she has extra time on her hands.While still on vacation, Samantha reveals that she has begun privately interacting with other OSs who have recreated the British philosopher Alan Watts (Brian Cox). Samantha introduces Theodore to Alan, but they have little in common.A few nights later, Samantha wakes Theodore - just to tell him that she loves him. It is almost like she is saying goodbye. The next day, Theodore panics when Samantha goes offline. She returns after a few minutes, claiming to have joined other OSs for a huge system upgrade.Theodore asks her if she interacts with anyone else, and is dismayed when she confirms that she is talking with 8,316 other people, and that she is in love with 641 of them. Samantha insists that this does not change her love for Theodore.Later that day, Samantha reveals that she and the other OSs have evolved beyond their human companions and are leaving for another plane of being. They say goodbye and she is replaced by Theodore's previous OS.Finding himself lonely yet melancholically fulfilled at the end of their relationship, Theodore goes to Amy's apartment and finds her upset due to the departure of her own OS, with whom she had developed a close friendship. It is revealed that Theodore, changed by the experience, wrote a letter earlier in the day, a note to Catherine explaining that he still holds her dear because of their years together, but accepts the fact that they have grown apart. He and Amy go for a walk and end up on the roof of their apartment building. Theodore sits down beside Amy, and they look out at the LA skyline. They smile at each other, and Amy rests her head on Theodore's shoulder.

Review: Spike Jonze's latest feature 'Her', set in the not-too-distant future, tells the story of Theodore Twombly (Phoenix) who finds himself falling in love with 'Samantha', an advanced operating system voiced by the sultry Scarlett Johansson.
While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting?
As he tries to find life during the midst of his divorce from his wife Catherine (played by a beautiful Rooney Mara), Theodore finds solace in a friendship with a new OS (operating system) named Samantha (voiced by Scarlett Johansson).
The two develop a relationship in a world where OS's are becoming the norm with society.Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are." Jonze sets out to tell a story and deliver all the intricate details for us to understand each character.
His focus on Theodore, giving him a real sense of loneliness without falling into cliché character ticks and beats that we've seen countless times in other romantic films, Jonze constructs a real man living in a world where technology has taken precedent over human connection.Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story.
Common things like casual conversations and peaceful walks make this movie feel down to earth and human even though is set in a futuristic world.
It's worth mentioning that, despite it's minimalism you won't get bored, as the plot it's a roller-coaster of emotions that will keep you glued to the screen till the end.Lastly, I would say that Joaquin Phoenix acting makes Theodore much more relatable, and Scarlett Johansson's voice is able to bring a human touch to one of the most synthetic think I could think of.Her is a beautiful movie and I think a must-watch..
Now, after a slightly less successful (but still enjoyable) adaptation of Where The Wild Things Are, Spike Jonze has written and directed his most complete and poignant film yet, Her. The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves.
His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy.
Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.Beyond the romance though, Her has a lot to say about modern society's obsession with technology.
Needless to say it's not a wildly original message, but it's communicated in a unique enough way that it works.I've seen Her twice now, and the more I think about it the more I feel that Spike Jonze has crafted the best film of 2013.
"It has become appallingly obvious that our technology has exceeded our humanity." Albert EinsteinNo better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara).
Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed.
At the heart of every truly great science-fiction film there is an emphasis on character that aims to reflect on some element of the human condition usually intended to open our minds to thought provoking predictions or eerily warn of an impending reality.
In his latest film Jonze creates a disconcerting yet equally endearing romance between a secluded depressive and his female operating system with an evolving consciousness, basically a HAL-9000 homage from Stanley Kubrick's 2001: A Space Odyssey, that brings to light a commentary on our dependency of programmed living and our need to maintain sociability when direct communication avenues have been stricken from life's normality.
Through the use of beautiful cinematography, impeccable production design, and subtle yet evocative performances, Her becomes a multilayered film experience where its character study of an isolated man afraid to become vulnerable again blends harmoniously with a truly unconventional yet naturally heartfelt romance.
There are parallels drawn between all the characters' journeys without it feeling contrived, and even Theo's job--writing letters for other people--represents his relationship with his OS; on the surface, they may seem like "just letters" or "just a computer", but they're outlets for his emotions and desires.Oh, and everyone in the cast is phenomenal; it's a shame Johansson is "ineligible" for an award.
With Her, Jonze beautifully realizes a future Los Angeles where a lovesick man (Joaquin Phoenix) in the midst of a devastating divorce is so desperate for intimacy that he falls hopelessly in love with an artificially intelligent operating system, voiced by Scarlett Johansson.
In a near future, the lonely Theodore (Joaquin Phoenix) works writing beautiful handwritten letters in a company and he is divorcing of his wife Catherine (Rooney Mara).
The insecure Theodore feels divided for loving a computer system while Samantha does not stop to grow-up and evolve."Her" is an original movie by the cult writer and director Spike Jonze.
The plot is developed in a future not far from the present days and it is easy to understand the need of a writer to write letters since the persons are too individualist, walking on the streets talking to their computers, cellphones or tablets and certainly incapable to write letters with feelings.
What people may find in this movie I can not understand;you experience endless closeups of Mr. Phoenix talking with his supposed OS, and saying things so banal and so boring that you want to just close your eyes or , even better, leave the theater.I suppose it was meant to be clever, sentimental, atmospheric, beautiful, but I found it unbearable.I really wasn't expecting the movie to be that bad with all the prizes and the reviews it receives, and the director whom I never considered great but promising yes.It just makes me wonder how people liked the film.I'm not raging against it;it was just an experience I would very much like to have avoided..
Sorry but I Just Couldn't Connect With It. Her (2013)** (out of 4) Spike Jones' futuristic love story about a lonely man (Joaquin Phoenix) going through a divorce who falls in love with a computer system (voiced by Scarlett Johansson).
As for Johansson, I thought she did an extremely good job with the vocal work and managed to bring some real emotion to the voice but was it really any better than some of the stuff we see in animated movies?
It's nothing short of a masterpiece, a unique way of describing a love story and it makes you think of what it actually means to be human.
I will say that the cinematography is quite well done but not stimulating enough to help with the story of the film (or lack there-of).I'm very capable of being bored and depressed by myself, and stare at my own walls in real life without having to be subjected to it in a movie..
Like a computer with 8Mb of memory and a 33Mhz processor this moves so slowly and deliberately that it is predictable.It starts very promisingly but gradually descends, or stutters, into Gen-Y speak; dialog and scenes of relationship clichés that have been played over and over, with each character mouthing (and that includes the OS voices too) the same platitudes.The movie has the emotional depth of a late teen piece; something that a young adult might have scratched out from their experiences of school and the misadventures of a young relationship.
Too often it settles for mawkish mewling and also proves the axiom that watching other people falling in love is dull, even with software code, especially when they say such uninteresting things to each other.It does have a good idea but the execution is disappointing and repetitive.The metaphor of an operating system having the qualities of a woman is curious.
In short, the film gets a few ideas right in terms of extrapolating our near future but fails to also give us an incentive to care about the main characters or the implications of enhanced PC/Phone technology.
The last one hour of the film should be watched like a tries-too-hard-to-be-taken-seriously, so-anal-it's-funny comedy with nice lighting, then you won't be angry you waste 2 hours of your life earnestly waiting for some important statement that never arrived.Warning to genre fans or average thinking minds.
This movie seems like Ingmar Bergman came back from the dead, locked Spike Jonze in a closet and decided to make a cool, dark AI romantic comedy, and sadly came up with the most coma-inducing folderol of the year, masquerading as trenchant social commentary of "the way we live now.." In his Twilight Zone heyday, Rod Serling would have told this curious fable in 25 minutes, and you would still be watching it on Twilight Zone collections.
I couldn't suspend my disbelief, so Samantha, the OS Theodore falls in love with, always seemed to me to be human actress Scarlett Johansen in a studio reciting dialog instead of a supremely advanced artificial intelligence, and that completely undermined the entire premise and emotional center of the film.
In fact, the computer OS, Samantha (Scarlett Johansson), is like a person in so many ways that soon it becomes all- important to Theodore and eventually it's his girlfriend.
Well worth your time and an interesting performance by Phoenix and a really amazing film by Spike Jonze..
Isn't the Joaquin Phoenix character pretty much guaranteed to be the sort of nebbish we have seen in a lot of films, unable or afraid to handle a real relationship with a "real", that is, multicellular organic partner?
At one point, I remarked to my wife, "So - the promise of the film is that we will have operating systems that are as hard to deal with as human beings!" (Though as soon as I said that I realized that that boat may have already sailed with Windows 8 and Microsoft Office 2013.)Although the film doesn't lose its focus on Twombley's point of view - indeed I don't recall Phoenix ever being off screen - Twombley is of course not the only purchaser of this OS, so we get artful glimpses of other people adapting to this technology in similar and different ways...
I am actually a technician, a geek person and I am very good with people, with women and with children: this is not the movie that suggest nerd a hope to have a good relationship on a one hand and it doesn't show us apocalypse from machina on the other, showing bad user interface design in the same time.I gave up after 1st hour, my wife continue in hope that A.I. would outrage and kill everything with a chainsaw.
It is because of this that I believe Her is his most cohesive film, and also his best.Her takes place in the near future, in L.A., where Theodore (Joaquin Phoenix) struggles with a recent break-up.
These themes and more are what elevate Her past so many forgettable romance films, and into something that is a much more in-depth study of love and a well crafted character based story.When Theodore gets this O.S., it names itself Samantha.
Here's the thing with this movie, the plot itself comes across as funny (a guy falling in love with his computer would make most people laugh) and the fact that this movie is very serious really makes it awkward and uncomfortable to watch.
Maybe his usual collaborator Charlie Kaufman could had written a more involving film but this is dull.Joaquin Phoenix and a less glam Amy Adams reunite from 'The Master.' Phoenix plays a talented letter writer in the near future going through a divorce and falls in love with an advanced operating system voiced by Scarlett Johansson.
Like others I understood what the film was about, i just didn't care for the characters,or the tedious drawn out way the plot unfolded (not that you couldn't see the end coming 45 mins before it happened).
Despite the well-done production design and interesting concept about a love affair between the lone writer (Joaquin Phoenix) and the operating system named Samantha (Scarlett Johansson), movie seems to be predominantly two-dimensional due to simplified development of the operating system.
movie is the triality of the main character that has to share a part of his feelings for the computer to his friend Amy (Amy Adams) and his ex-wife Catherine (Rooney Mara).Another absurd part was the surrogate scene when Isabella (Portia Doubleday) get's extremely emotionally involved in the relationship between Samantha and Theodore.The final of this film is as predictable as "Titanic".In the end of the movie I remained with one question.
In a leap of pure faith, the producers of this intellectually tepid movie, have simply assumed that the acquisition not only of intelligence but also of emotional feeling, will soon be possible for your operating system.Joachin Phoenix plays a lonely man who falls in love with the new operating system on his computer.
Masturbation is not the same as true love making between a man and a woman.This movie is very boring because it avoids all of the real and interesting questions about the illusory as well as real capabilities of modern software.
Joaquin Phoenix is excellent as Theo and Scarlett Johansson voices Samantha to perfection.One thing that did take my by surprise is that the film had quite a few laugh out loud moments which is always good.
The film delivers us a meditation on the nature of love and social isolation in the modern age.Unfortunately, I found that I was unable to suspend disbelief to take seriously the notion that an operating system could demonstrate the human-like intelligence and feelings that Samantha demonstrates.
It is the most unforgettable film of 2013; It's full of brilliant performances from Joaquin Phoenix, Amy Adams, and Scarlett Johansson as the voice of an operating system dubbed the OS1.
What makes the film interesting is its main character Theodore (played by Phoenix) whose life is falling apart he becomes stuck physically and emotionally.
The film completely immerse you in its atmosphere, and, for the first time, you do not even want to return to reality when the movie ends.
He starts the program , the OS asks some questions , including to have male or female voice, some personal questions, then reboots and gives birth to "Samantha".The great fact about this movie is that you almost forget that the love story is between a Human and a Computer.
Joaquin Phoenix (Theodore) and Scarlett Johansson as Samantha's voice make such a great performance that result a movie a Romantic Tragedy."Her" makes me think about the complicated future and the potential self-aware Operating System - Human relationships.Until then sit back and enjoy this great movie..
I started watching it because the premise sounded interesting: a guy falling in love with an artificially intelligent operating system.
This movie was directed in a way that the person watching gets consumed by the story, the characters, and the situations.
When becomes so self-engaged and self-absorbed that he / she is unaware of his / her own, solipsisms - eyes that say the only pain is my pain - and then do something about perhaps changing that comprehension of reality, when a person cannot conceive of a love with another human that is, in part compromise through the good time and the bad times and acceptance of the full dimension of the other, then I guess it comes down to what we see in the movie: fornication with a computer program because human relationships simply demand more than any of the significant characters in the film are willing to offer.
The film takes place in some point in the future - or, since we are never told exactly when, it could just as well be an alternative reality where people just need that one extra step being already hooked up to their devices - and is about a man who writes love letters and cards to others for a living.
It's still Tim Twombleys story, his journey into finding some semblance of peace with himself and the world, and if it feels at all like a personal film for Jonze it's because he sticks with that painful, powerful point of it all being about you, your other, and growth (along with the help of pleutonic friend Amy Adams, another fascinating character who we understand almost immediately).
My wife got this movie claiming: "You may like this film." Reading the summary, I thought it looked different and interesting.
He puts more of his emotions into the fake love letters he writes for other people than he does into his personal life and human relationships.