The Grand Budapest Hotel
Tags: comedy, boring, fantasy, murder, whimsical, violence, flashback, absurd, humor, psychedelic, entertaining

Plot synopsis:
A young woman walks into a cemetery in the Republic of Zubrowka, a place said to have fallen on hard times. She passes a bench with three men singing and then approaches a memorial with several hotel keys attached to it, dedicated to a man known only as Author. The woman puts a key on the memorial and then takes out a book titled "The Grand Budapest Hotel".1985 - We meet the Author (Tom Wilkinson) in his home as his grandson runs around firing his toy gun. The Author addresses the audience and begins to tell the story behind his book as it was told to him in a very unexpected way.1968 - In his youth, the Author (here played by Jude Law) travels to Zubrowka, a place that has been devastated by war. He ventures up to The Grand Budapest Hotel, which was once well-renowned. It sees very few guests apart from the Author, and several unnamed patrons.One day while chatting with concierge M. Jean (Jason Schwartzman), they happen to see an old man (F. Murray Abraham) sitting in the lobby by himself, looking rather sad and lonely. When The Author asks who he is, Jean informs him that the old man is Zero Moustafa, the owner of the hotel. It is widely-known that Mr Moustafa has procured many other fine lodgings throughout the world, but Jean surprises The Author, when he explains that in The Grand Budapest, he occupies a small servant's quarters.However, their conversation is interrupted when a man in the lobby begins choking. As Jean rushes to help him, The Author returns to his room, via elevator. As the days go on, curiosity about Moustafa continues to haunt The Author, until they chance to meet in the hotel's bath.Moustafa invites the Author to dine with him that evening. When they meet again, Zero begins to tell his story.Part 1 - M. Gustave1932 - Zero starts off his story in his teenage years. We first see Zero (here played by Tony Revolori) assisting other members of the Grand Budapest Hotel, at the beck and call of the legendary concierge, M. Gustave H. (Ralph Fiennes), as they prepare a meal for the concierge, and an elderly woman known as Madame D. (Tilda Swinton).During the meal, the old woman tells how she is frightened to leave the hotel, afraid she'll never see Gustave again. The man keeps assuring her that she's worrying over nothing.Before her car pulls away, she requests that the concierge light a candle for her, before the say "I love you," and she is driven back to her home.It was then that Zero was "formally" introduced to Gustave. Originally wishing to just send him off to light the candle as Madame D has wished, Gustave soon questions the young man's employ. Soon finding out he's there on a 'trial basis,' Gustave initiates an impromptu interview with Zero. Despite what Zero begins telling him, Gustave determines that the boy has no hotel experience, education, or family. When asked why he would want to be a lobby boy, Zero replies, "Who wouldn't, at the Grand Budapest Hotel?" Gustave is pleased with this answer. Zero asks him if he was ever a lobby boy. Gustave merely replies, "What do you think?"With Gustave acting as his mentor, Zero works at the hotel just as quickly and efficiently as everybody else. He never misses any detail to ensure the guests are perfectly pleased with their visit, taking all the tips Gustave gives him, to heart.As for just who owns The Grand Budapest, the identity of the hotel's owner is a mystery, but it is well-known that the owner sends an emissary, Deputy Kovacs (Jeff Goldblum) to the hotel to check up on business. Zero also learns that many of the hotel's most special guests would come for Gustave. It became well-known that the man would sleep with a number of elderly blonde women with insecurities and a need for attention.During this time, Zero would come to meet the love of his life, Agatha (Saoirse Ronan), a baker with a distinctive birthmark on her cheek who works at Mendl's, Gustave's favorite pastry shop. However, though Old Zero makes a small mention of her (now), he quickly moves on to other matters in his story.Part 2 - Madame C.V.D.u.TWhile fetching newspapers one morning, an article catches Zero's eye. He rushes back to the hotel to show Gustave, that Madame D. has been found dead in her bathroom. A shocked Gustave immediately takes Zero on a train where they travel to Madame D.'s estate.On the train, they stop by a barley field on a day that is known as the "Closing of the Frontier". Gustave and Zero see soldiers standing in the field. A group of soldiers enter and ask to see the documents of both men. Gustave shows his papers, but Zero has none as he is an immigrant. The main soldier orders Zero to come with him. Gustave defends Zero and gets into a fight with the soldiers. They pin the two of them against the wall, and Gustave, seeing Zero in trouble, barks at the soldiers, "TAKE YOUR HANDS OFF MY LOBBY BOY!"The fracas soon catches the attention of Inspector Henckels (Edward Norton), who enters the car, and quickly recognizes Gustave! When Gustave hears the names of Henckel's parents, he quickly remembers who they were, as well as Henckel's childhood name of "Little Albert". Henckels gives Zero a pardon for the trip, but urges him to get official papers immediately.Gustave and Zero soon after, arrive at Madame D.'s mansion. Her maid, Clotilde (Lea Seydoux), guides them to the old woman's body lying in a casket. Gustave speaks to her corpse, praising her as if she were still alive.Eventually, Clotilde tells Gustave that the butler, M. Serge X (Mathieu Amalric), wishes to speak to him. However, Serge is frantic and panicky, and quickly rushes off, with Gustave and Zero in pursuit.They soon find themselves in the trophy room of the house, where all manner of relations to Madame D are present for the reading of her will. Surprising to both Gustave and Zero, is Mr Kovacs, who is the executor of her estate, and who has analyzed her will, and its numerous amendments.Key among the inheritors mentioned, are her son Dmitri (Adrien Brody) and his three sisters, Marguerite (Michaela Caspar), Laetizia (Sabine Urig), and Carolina (Heike Hanold-Lynch). There are also small provisions for other members of the family, but Kovacs claims that a new amendment was sent to his offices just recently. Reading it aloud, the amendment (which is still being investigated), thanks Gustave for his kindness, and allows him ownership of cherished painting, titled "Boy With Apple."When Gustave steps forward, Dmitri angrily confronts him, hurling several homophobic slurs, and refusing him the painting. A small war of words causes a small scuffle among Dmitri, Gustave, Zero, and Dmitri's right-hand man, J.G. Jopling (Willem Dafoe).Gustave then takes Zero to the room where "Boy With Apple" is hanging. After admiring it for a little while, the two take it down, and replace it (with a rather vulgar painting). Gustave then has Serge wrap up "Boy With Apple". Unseen by anyone else, Serge tucks an envelope labeled "CONFIDENTIAL" into the rear of the painting, before it is wrapped in brown paper, and given to Gustave. Before Gustave and Zero leave, Gustave remembers that Serge had wanted to speak to him before about something, but the Frenchman does not say anything more.On the train ride back, Gustave claims he will cherish the gift from Madame D, but quickly realizes that Dmitri may come looking for the painting. He proposes to Zero that they sell off "Boy With Apple" on the black market, and, in exchange for his services, Zero will be given 1.5% of the cut and Gustave will make him his heir. Zero agrees, and quickly jots down the concierge's declaration, to make it "official."Once back at the hotel, the two hide "Boy With Apple" in the hotel's vault, before Henckels arrives, to arrest Gustave as the suspect murderer in Madame D's death. As Zero watches, Gustave attempts to run, but Henckels and his men give chase.Part 3 - Check Point 19 - Criminal-Interment CampOne week before his trial, Gustave is imprisoned. Going to visit him, Zero is shocked to find his senior has suffered injuries, but Gustave simply claims he had to prove himself to the others, once they questioned his virility.Zero has also met with Mr Kovacs, who explains that a deposition was given by several members of Madame D's family, that Gustave had secretly entered the mansion, and poisoned Madame D with strychnine. However, the one who claimed to have seen the events unfold, Serge X, has gone missing.Gustave is pretty sure that Madame's family forced Serge to bear false witness, and though Gustave has an alibi as to where he was at the time, he fears bringing the woman to whose company he was in (the Duchess of Westphalia) into the events, as it will ruin her reputation.In the meantime, Dmitri has secretly begun his own search for the missing Serge, sending his henchman Jopling to check on Serge's sister, who claims she has not seen her brother recently.Zero soon ends up acting as the middle-man for Gustave's correspondence with the staff of the Grand Budapest, reading them the concierge's letters, and his own prose poems. Gustave also requests that any issues should be addressed to Zero in his absence.Back in the prison, Gustave has almost become a concierge to the inmates there, serving many of them mush with a cheery air. He has also shared the Mendl's pastries he receives, with several inmates: Pinky (Florian Lukas), Wolf (Karl Markovics), Gunther (Volker Michalowski), and Ludwig (Harvey Keitel). Gustave's hospitality towards the men pays off, and they want to help him break out of the prison. However, the amount of tools to break out of the prison are limited, but upon looking at the Mendl's box, Gustave hatches a cunning plan.It is at this point where Old Zero becomes overwhelmed with emotions and he starts to cry. He explains to the Author that talking about Agatha makes him emotional. Old Zero then stops his main story, and gives some background on his and Agatha's relationship, of which even Gustave was privy to (though seemed to also flirt with, much to Zero's ire), even 'interviewing' the young woman to see if she was proper for his Lobby Boy.Returning to the story, Zero worked with Agatha, to place specific tools, baked into several pastries sent to Gustave. This fashioning of them to look like baked goods fooled the prison guards, and allowed Gustave and his comrades the proper tools to attempt their escape.In regards to Madame D's will, Kovacs is of the mind that something is missing from the paperwork, and that along with the disappearance of Serge, the executor asks Dmitri and his sisters to bring the local authorities to look into the matter...of which Dmitri quickly refuses to do so. Dmitri simply seems to want what he feels is owed him, while Kovacs is of the mind that he must follow the instructions his former client laid out, and proceed in an honest matter. This retort is met with Dmitri storming out of the room, and Jopling throwing Kovac's cat out the window to its death.Later, Kovacs collects the cat's body and boards a trolley, but soon finds Jopling following him. Kovacs attempts to lose the bodyguard, by ducking into the Kunst Museum (after quickly disposing of his dead cat in a trash can). However, as he attempts to leave out a rear door, Jopling stops him, slamming the door, severing 4 of the man's fingers, before murdering him. Kovac's absence is felt the next day at The Grand Budapest, when a note is received from his office, telling that his usual visit has been cancelled.As the time for Gustave's escape draws near, Zero tells Agatha about "Boy With Apple." Fearful that he and Gustave might be caught, he gives her the necessary information to remove it from the hotel's vault (information which she reluctantly takes).At the prison, Gustave and his fellow inmates begin to put their plan of escape into action. Aside from a noisy prisoner who sees them escape (who is quelled by an inmate whom Gustave gave mush to), the group finds their biggest obstacle in an underground hatch, which is occupied with several guards playing poker. Gunther sacrifices himself for the group, killing the guards, but dying in the process.Finally, the remaining men reach the outside of the prison with Zero waiting for Gustave. Ludwig, Pinky, and Wolf part ways, overtaking a nearby bus. However, Gustave soon grows upset at Zero when he finds the lobby boy has not procured a safe house, spare clothes, or brought his favorite cologne. Gustave then angrily lashes out at the boy, criticizing his culture, before the boy shames the concierge, by telling how his family was killed, forcing him to retreat and look for work on his own. Gustave sincerely apologizes to Zero, before the escape sirens blare, and the two make a run for it.In the aftermath of the escape Henckels and his men investigate the break out, but also find Jopling in their midst. Henckels also informs Jopling that Madame D's lawyer was found dead just recently. Jopling claims he was aware Mr Kovacs had gone missing, but claims he knew nothing of the man's death, before being escorted from the prison.After traipsing across the snow-covered countryside, Gustave and Zero find a telephone box. Once he gets through, Gustave then relays a special request to...Part 4 - The Society of the Crossed KeysThe society turns out to be an inter-woven group of numerous hotel concierges. Gustave's message for help, soon finds it's way through concierges M. Ivan (Bill Murray), M. Martin (Bob Balaban), M. Robin (Fisher Stevens), M. Georges (Wallace Wolodarsky), and M. Dino (Waris Ahluwalia).In the end, it is M. Ivan who retrieves Gustave and Zero from the countryside. The concierges have also learned through sources, that Serge has sought refuge in a mountain range known as Gabelmeister's Peak. The concierges have been able to obtain train tickets for the two, as well as Gustave's favorite cologne (though in a much smaller bottle, Ivan regrets to say).With Mr Kovacs now deceased, Dmitri attempts to go over the remnants of his mother's will. It is during this time that the painting "Boy With Apple" returns to his mind...and is the first time he has found it missing from the mansion's study! Clotilde the maid then confirms that the painting was removed by Gustave.During this time, Agatha decides to retrieve Boy With Apple" using Zero's information, but grows wary when she hears footsteps approaching her room.The next day, Serge's sister is found beheaded, the missing body part in a laundry basket (most likely the handiwork of Mr Jopling). Also near her, was a telegram envelope, with its contents missing. Henckel and his soldiers investigate, and also are able to retrieve the telegram's information from the offices, which tell Serge's sister to meet him near Gabelmeister's peak.Gustave and Zero attempt to rendezvous with Serge at an observatory near the summit of Gabelmeister's peak, only for several monks, to direct the two to a monastery high in the hills.In a confessional in the rear of the monastery, Serge informs Gustave and Zero of the death of his sister, as well as his witness to the creation of a second will Madame D had made (in the event she was murdered). Serge explains that Dmitri and his family destroyed it, but that he (Serge) was able to obtain a copy of it. However, before he can tell where it is, Serge falls silent.Gustave and Zero soon find that Serge has been strangled to death, and see Jopling leaving out a side door!The two give chase down the hills, Jopling on skis, and Gustave and Zero on a sled. The wild ride through the snow ends with Jopling pulling off to the side, while the sled plows into a hill, sending Zero into the snow, and Gustave hanging precariously over the edge.Jopling attempts to loosen the icy ledge that the concierge hangs from, when Zero pushes the deranged murderer over the edge, to his death. However, their victory is short-lived, as Henckel is seen across the way, demanding the two not move. Gustave and Zero then take Jopling's motorcycle, amid gunfire from Henckel's troops.Part 5 - The Second Copy of the Second WillThe war finally comes to the residence of The Grand Budapest Hotel, with numerous members of the Military taking over its many rooms. In the absence of Gustave and Zero, concierge duties have now fallen to a man named M. Chuck (Owen Wilson)Retrieving Agatha, both Gustave and Zero have her enter the hotel under the guise of delivering complimentary pastries from Mendl's, as a cover to retrieve "Boy With Apple" for them. However, as they watch the front door, Dmitri and his sisters pull up to the entrance!As the family enters the lobby, Dmitri spies Agatha...who quickly turns around and attempts to escape. The two find themselves in an elevator, where Dmitri tears a corner of the paper wrappings...which reveals a portion of the painting to him. Once they arrive on the 6th floor, Dmitri attempts to chase.Meanwhile, fearing for Agatha's life, Gustave and Zero enter the hotel disguised as Mendl's associates...only to encounter Dmitri! Dmitri attempts to kill Gustave, but the gunfire rouses several other Military men on the floors, and an impromptu shootout breaks loose!Henckel soon reaches the floor, demanding all parties cease-firing. However, the silence is broken when Agatha's voice is heard calling for help! Zero sees her dangling off the edge of the third floor suite, the painting hanging nearby. Rushing to her aid, he ends up pitching over the edge along with her, before they both fall off the building...and through the roof of the Mendl's pastry wagon they came in!After "Boy With Apple" is retrieved, the Confidential paperwork Serge hid on the back is found. With Gustave, Dmitri, Zero, Agatha, and a number of the hotel staff and armed forces around them, Henckels opens the second will, and reads from its contents. Gustave is not only vindicated of Madame D.'s murder, but the second will also gives him numerous portions of numerous businesses she own, including ownership of the Grand Budapest Hotel (of which she was the previously-unknown owner!). In a newspaper article, it is also mentioned that her son Dmitri has disappeared without a trace (and who was suspected of the woman's murder now).As Old Zero continues the story, he notes that Gustave had almost taken on the same aire as the numerous older women he pleasured. As well, with Gustave now having new-found wealth and financial freedom, Zero was then promoted to concierge of the hotel.A scene is shown briefly of Gustave presiding over Zero and Agatha's wedding (with The Society of the Crossed Keys as witnesses), but Zero tells that both his wife and their first child died shortly afterwards, from a fatal disease.The story then switches to Gustave, Zero, and Agatha on a train (some time before her death). During this time, Gustave finally answered the question Zero had asked him some time ago, about if he ever was a lobby boy. The wealthy man says yes, but admits that Zero was a much better lobby boy than he ever was.During the journey, the train stops again in the same barley field as before, and a number of soldiers board checking for papers. While Gustave and Agatha check out, the soldier does not accept Zero's pass. Gustave attempts to use the pass Henckel gave them on their last trip, but the man tears it up, showing that it has no value in their current wartime climate, as the country on the pass (Zubrowkia) has now ceased to exist. Though Gustave threatens the soldier with punishment, the man knocks out Zero with the barrel of his gun, causing the former concierge of the Grand Budapest Hotel, to leap to his feet and assault the man.As Old Zero comes out of his story, the Author inquires what happened to Gustave after that. Old Zero then tells that the soldiers had him killed, and with his death, everything that he owned, was willed to him (Zero).After the story and their meal, the two men head to the front desk, though the concierge is nowhere to be found. Zero then goes behind the counter, and retrieves the keys to both of their rooms. One of the key's large tags reads: "M Gustave Suite."As they wait for the elevator to their rooms, The Author asks Zero if he chose not to sell the hotel to maintain a part of Gustave's world. Zero replies he kept the hotel as a tribute to Agatha, and the best years of his life. He believes the world Gustave had was gone before he worked at the hotel. He departs from the Author. The Author states that he would later travel to South America after visiting the hotel, which he describes as "marvelous ruins that he never returned to."The film closes with a shot of the young woman finishing the Author's book at the cemetery.

Review: This marvelous attention to detail, the way he composes his shots( tracking shots, the symmetry, the characters running in slow-motion), chase scenes, love story, nostalgia, explanatory montages, the colourful set design and the prevalent theme of every one of his films: family.
Though the tale (with Tom Wilkinson as the author of the story) and the tale within the tale (with Jude Law as the young author & F Murray Abraham as the mysterious owner of THe Grand Budapest Hotel) have straightforward narratives, the tale within the tale within the tale, which comprises the bulk of the film and is set in the years preceding the Second World War, is a wild uproarious train ride of story telling.
It also boasts the cast of a life time: Ralph Fiennes, Tilda Swinton, Edward Norton, Adrien Brody, Willem Dafoe, Harvey Keitel, Jeff Goldblum, Bill Murray, Owen Wilson & countless cameos.
I was very excited for The Grand Budapest Hotel, because of its excellent cast, the fact it's directed by Wes Anderson and just by how unique it looked.
After watching The Grand Budapest Hotel, I can confidently say that it's my new favourite Wes Anderson film, and probably his best.As I was hoping, the story to The Grand Budapest Hotel is very original and unique, some may even say strange.
This was a great benefit to my viewing experience as I loved everything I saw, and felt as though nothing was spoiled from watching too many trailers.I haven't been a huge fan of most of Ralph Fiennes' work since his phenomenal performance in 1993′s "Schindler's List", but this is easily his best performance since then.
I won't get into the whole supporting cast because there's so many who were all so great, but I was particularly impressed by Willem Dafoe, Adrien Brody, Harvey Keitel, Jude Law and Saoirse Ronan.The Grand Budapest Hotel is definitely a Wes Anderson film, down to its very core.
It's probably Wes Anderson's best film, it has gorgeous visuals, excellent acting and a wonderful story.
The Grand Budapest Hotel is the latest from Wes Anderson, and what great fun it is.
The answer is a near masterpiece of cameos that add up to a highly entertaining and memorable film.In a complex serious of flashbacks, Tom Wilkinson plays an author remembering his younger self (Jude Law) being recounted, a number of years before, the life story of The Grand Budapest's mysterious elderly guest Zero Moustafa, played by Abraham.
What follows is a madcap pursuit across snowy landscapes, various grisly murders, a couple of civil wars, some disconnected fingers, a prison break and a downhill ski chase.All the cast seem to enjoy themselves immensely, but it is the production design and cinematography that really shines through: every single shot of the film is just a joy to look at, from the bright pastel colours of some scenes to the oak-panelled finery of the elderly lady's mansion.
A wonderfully funny fable of the adventures of world's greatest hotel concierge (a brilliant, inventive and hilarious performance by Ralph Fiennes) and the friendship he strikes up with the hotel's new lobby boy (a strong debut by newcomer Tony Revolori).
This was the tale of Gustave H, the legendary and infamous Concierge of The Grand Budapest Hotel, a rather glamorous edifice perched atop a mountain and his protégé and most trusted friend Zero, The Lobby Boy. This is a tale of friendship, murder, revenge and deep dark plotting.
As I said a host of stars in this film ranging from Ralph Fiennes, Jeff Goldblum, Jude Law and Bill Murray to Tilda Swinton, Owen Wilson and Harvey Keitel to name a few, but one of the outstanding performances must go to Tony Revolori, a relatively unknown young actor who plays Zero, who is In almost every scene.
That it was directed by Wes Anderson (who has a unique style that really fascinates, but admittedly not everybody will like or warm to his style) and that the cast is so stellar were reasons enough to see 'The Grand Budapest Hotel' in the first place, as well as its many accolades and critical acclaim.While it isn't quite flawless, and it is easy to see why a number of people don't like or will not like it (due to a lot of the cast's roles being pretty short, only Gustave and Zero being fully fleshed out of the characters and those who have a problem with Anderson's style), 'The Grand Budapest Hotel' is a visually stunning, hugely entertaining, wonderfully weird and impeccably cast and acted film.It really stuns visually, with cinematography that is not only clever in technique but also gorgeous in aesthetic and tight, fluid editing.
Anderson directs superbly, the story balances darkness and quirkiness to great effect (the prison scene is unforgettable) and it's never too simplistic or convoluted (though of course the visuals, dialogue and performances make much more of an impact) and the screenplay is a sublime mixture of the dark, the quirky, the witty and the subtle delivered with rapid-fire.'The Grand Budapest Hotel' boasts an impeccable cast and pretty much everybody does a splendid job, though many of the roles are short.
Murray Abraham, Jeff Goldblum, Jason Schwartzman and Owen Wilson give very entertaining performances, while Edward Norton is delightfully droll and Adrien Brody and especially Willem Dafoe bring sinister foreboding to the film.
The film belongs to Ralph Fiennes, in what is essentially the heart of the film, while he has always been a fine actor he has not given a performance this brilliant in years, never knew he could be so riotously funny.In conclusion, a wonderful film and a hotel well worth revisiting more than once if to one's taste.
Director of Photography Robert Yeoman brings back the signature style of Wes Anderson films that audiences have grown to love.
At this point, his films are an acquired taste, and there's enough of a body of work for people to make up their minds whether they like the brand of hand-made, exquisitely carved life-sized doll houses he's selling (if you told me a major director was also a serial killer, my first guess would be Wes Anderson).
The Grand Budapest Hotel has it all: great actors, an interesting story-line, beautiful cinematography, a dreamlike set, and of course a brilliant director.
It is weird, it is old, you wouldn't believe this is a 2014 movie but like Gustav' tastes, it takes a gourmet to appreciate it.There's something delightfully refreshing in "The Grand Budapest Hotel" in the way it doesn't call for any particular analysis, and provides nothing that can encourage your mind to venture into intellectual considerations.
You don't need and you shouldn't, because if you try, you're likely to find yourself in some sort of private joke you're the only one not to get.So, embrace that big joke of a film, that shaggy-dog story where each shot, looks like the vignette of a comic-book, enjoy the dry with of Ralph Fiennes in his greatest comedic performance since "In Bruges" and don't take the whole thing seriously.
The only serious aspect about it is that the film is a visual masterpiece with a unique use of colors, contrasts and environment shots, Anderson is a director, who like Jeunet in "Amélie" knows how to make people move in an environment, whether a hotel lobby, a jail or a mountain.
The uses of costume is another aspect that immediately associates the film with the animated world, nothing is too wacky or over-the-top if it means a great-looking shot or a hilarious gag, or both.The film is also known for his ensemble star-cast and indeed, it's part of the publicity, it would take a whole paragraph to list all the actors, but the thing is that the film owes them nothing, they're giving their best shot even for a few minutes of screen-time (Bill Murray doesn't have more than a minute but he steals that minute) because they know the film is good enough to have fun with it.
Their relationship, which is one of the mentor and master can be very inspiring at time, even poignant, so maybe there are a few things to appreciate beyond the zaniness, after all.But apart from that, it's a film that can be tasted like a treat and full of tricks whose only purpose is to make you laugh, the whole thing wrapped up in a sumptuous visual package à la Anderson, a cinematic Mendl.
Wes Anderson is undoubtedly one of the finest directors we have working today, and this is very much evident throughout the span of his latest film The Grand Budapest Hotel.
It doesn't have anything to separate itself from previous quirky and dark humor filled films that Wes Anderson has released, it doesn't have the heart from Moonrise Kingdom, the charisma of The Fantastic Mr. Fox, or the mystique from The Darjeeling Limited.
Yes, every director may have their own styles and tweak it differently for each of their works, but Wes Anderson only adds some minor plot differences to his films to make them slightly "different," yet still far too similar.
Yes, I am harshly bad mouthing this movie, but I did still find some enjoyment in watching the gorgeous film making and the once in while funny script, but come the third act, all the twists just become much too predictable, and ultimately unsatisfying.
Having lost almost 2 hours of my life watching this pretentious, awkward, tedious,repetitive nonsense masquerading as a film, I felt an urgent need to warn my fellow movie goers of this stinker of a movie.The Great Budapest Hotel is "in your face" director's overindulgence in experimenting.
Just like most of his films, the style and personality are written all over it, from aesthetics to pizazz, but compare this to the others, The Grand Budapest Hotel crafts something that is nearly otherworldly which (obviously) makes it very charming.
It is a part thriller and part comedy film that is perfectly coated by its artistic panache, but looking deep within the structure, you may also find a bunch of witty humor and rich character development from the two leads which makes it a really special experience.The film is actually a set of layered events telling how many generations have reached the story of the past hotel owner, Gustave H.
The rest of the cast are just equally terrific at they are doing, whether it's to deliver great humor or give a lot of life in each scene.The Grand Budapest Hotel is often manic yet (obviously) often creative and witty.
A hotel employee is framed for the murder of one of the frequenters but none of it is actually essential to the filming of a project that most likely appeals to Wes Anderson fans only.
The extraordinarily many famous actors do not reach anywhere to potential - instead it seems like squeezing in as many stars as possible in roles that do not offer full scope for their talent.The second character, Zero Moustafa, as young played by an Indian-looking (apparently Latino) actor, as old by a white Caucasian (why?), may ring fresh with current political news for a British/American audience as he is a refugee who has had to leave his home country due to war - and due to this fact the constant nonsense-speaking Gustave excuses himself for a "racist" remark.
I don't know that I'd call "The Grand Budapest Hotel," Wes Anderson's latest bit of whimsy, exactly a misfire, but I certainly didn't like it as much as some of his other recent films.Almost always there's a strong emotional core to Anderson's films that anchors the idiosyncratic absurdity that defines his style.
I was excited when, for example, Jason Schwartzman made his entrance, because he's been given the opportunity in previous Anderson movies to make such a comedic impression, but he gets about two minutes of unremarkable screen time before the story whisks on to the next disposable character.
It's the first Wes Anderson film I can think of that caused me to actually be annoyed by his self conscious style, a sure sign that in other respects Anderson was off his game.I should add, though, that Ralph Fiennes is sensational.
The Grand Budapest Hotel is written and directed by Wes Anderson,starring Ralph Fiennes as a concierge who teams up with one of his employees to prove his innocence after he is framed for murder.
I have never been fortunate enough to watch works of the Director Wes Anderson but I do not usually connect with the works of a director in today's movie industry but the satisfaction of laying eyes over the imagination and absolute freedom of this director attracted me to write a review.The Grand Budapest Hotel wasn't flawless or a masterpiece in my eyes or even what I would categorize as a movie.
It merely gave away a confusing vibe, felt cheap at points and it had wrong pacing at points but the fact is that The Grand Budapest Hotel is a movie for just about 2 minutes until you are immersed into the words of a book for a matter of minutes and then again into imagination and thoughts of a fantastic listener who barely lays a word into the story.
I don't know why I never learn: ever since Rushmore, a film to which I simply could not warm up, every time I watch one of Wes Anderson's films, I end up disliking it intensely.
The Grand Budapest Hotel is a pretentious film, in which visual style stifles any substance its talented actors might have brought to the story..
In 1932, in the glorious days of the Grand Budapest Hotel, Zero Moustafa (Tony Revolori) is hired to work as lobby boy under the command of the legendary concierge Monsieur Gustave H (Ralph Fiennes) that becomes his friend.
Will his friend Zero leave him die in the prison?"The Grand Budapest Hotel" is another original and weird movie by Wes Anderson with his usual bizarre characters.
And his was the only character about whom I had any feeling for care or concern.Will I ever watch a Wes Anderson film?
"The Grand Budapest Hotel", Wes Anderson's most successful film to date, is visually enthralling, every frame a veritable art museum painting (and not just on the level of "Boy with Apple"), cleverly utilizing glass-paintings and CGI-enhanced locations in Germany and Poland actually to the level of picture postcards.
Anderson's latest, The Grand Budapest Hotel, is very much in the audacious visual style of his previous comic fantasies - absurd situations, oddball characters, and zany action unfolding at a frantic pace.
Though on the surface, The Grand Budapest Hotel is a Mack Sennett-like comedy, beneath the surface, the film touches on universal themes and has a serious purpose.
Such a delightful character and his sheer poise is the source of most of the humour.The Grand Budapest Hotel is a must see for all Wes Anderson fans and all of those that want to see a comedy with wit, style and finesse..
He has away with telling the story, directing and getting his characters in the flawless brilliant, funny scenarios that will leave the viewer with a lasting impression of his ultimate, original brilliance.The Grand Budapest Hotel is an instant classic.
So what i would like you to know about the plot is that it's about a concierge (Ralph Fiennes) at a hotel called Grand Budapest.
The Grand Budapest Hotel (2014)** (out of 4) Wes Anderson's critically acclaimed film tells the story of concierge M.
Gustave (Ralph Fiennes) who befriends a young lobby boy and goes on an adventure dealing with a priceless stolen painting.THE GRAND BUDAPEST HOTEL has gotten some of the greatest reviews of the year and it even managed to pick up several Oscar-nominations but it just didn't work for me.
I'm saddled by the fact that I really don't ever feel like I would seek out to watch a film of his a second time, and Grand Budapest Hotel certainly leaves me with no desire to watch it again.
Well, Wes Anderson is the man about wild ideas and he surpasses his own impressive credits (Moonrise Kingdom, Fantastic Mr. Fox, The Royal Tenebaums, Rushmore, etc) with this zany and delightful romp.GRAND BUDAPEST HOTEL recounts the adventures of Gustave H (Ralf Fiennes, a legendary concierge at a famous European hotel in the fictional Republic of Zubrowka between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend.
Ridiculously detailed to every nook right down to very twirls at the end of moustache of Mr.Gustave (Ralph Fiennes) THE GRAND BUDAPEST HOTEL is a must watch for the fans of Wes Anderson.
If that's your game TGBH is her name!TITLE: THE GRAND BUDAPEST HOTEL DIRECTED BY: WES ANDERSON STARRING: RALPH FIENNES, TONY REVOLORI, WILLIAM DAFOE, ADRIAN BRODY, EDWARD NORTON, OWEN Wilson & BILL MURRAY RATED: R RATING : 08/10 RUNTIME: 100 MINUTES.
Wes Anderson's "The Grand Budapest Hotel" is a great film and one of my favorite Anderson films.
The story is about hotel concierge Gustave H (Ralph Fiennes) and lobby boy Zero Moustafa (Tony Revolori) as they navigate their way through a murder mystery and a growing war in Europe in the 1930s.
"The Grand Budapest Hotel" has everything you want from an Anderson film.
Ralph Fiennes is wonderful, as are all of the usual actors in Anderson's films.
Anderson's films are definitely stylised to say the least and not all people like his style of still shots with a vintage look and feel.
The Grand Budapest Hotel is now one of my all time favourite films and I am proud to say so.
I have not seen all of Wes Anderson films, but what I have seen I like.
Those who turn their nose up at the thought of another fussily-filmed, wildly colourful journey into the world and mind of Wes Anderson, will no doubt detest his latest, and arguably most perfect work, The Grand Budapest Hotel.
If you like Wes Anderson, you will love this movie.