The Hateful Eight
Tags: comedy, suspenseful, murder, violence, flashback, revenge

Plot synopsis:
Note: The movie is divided into six narrative sequences, all of which take place chronologically, with the exception of Chapter Five, which takes place before the others.Chapter One: "Last Stage to Red Rock"Set in the dead of winter in post-Civil War Wyoming, Major Marquis "The Bounty Hunter" Warren (Samuel L. Jackson) attempts to hitch a ride on a stagecoach driven by O. B. Jackson (James Parks). Warren is trying to transport the corpses of three outlaws to Red Rock for a handsome reward; O. B. instructs Warren to consult the passenger of the coach, one John "The Hangman" Ruth (Kurt Russell), himself an infamous bounty hunter. Ruth is escorting fugitive Daisy "The Prisoner" Domergue (Jennifer Jason Leigh) to Red Rock - alive - to collect a $10,000 reward, and to see her hanged. To ensure she cannot escape, Ruth has handcuffed her to his own arm. Ruth and Warren know each other, having seen each other in Chattanooga some eight months before.Ruth agrees to let Warren ride with them to a passover called Minnie's Haberdashery, where they intend to take shelter from an oncoming blizzard. While riding, Ruth asks Warren to see his letter written to him by Abraham Lincoln. Warren produces the letter, which Ruth reads. Then Daisy spits on the letter, and Warren hits her in the face, causing her to fall out of the carriage, yanking Ruth out of the carriage as well. Warren signals the driver to stop the coach while Ruth picks himself up. Warren exits the coach to find his letter, and throws snow in Daisy's face. The driver sees another man in the road. Ruth makes Warren put on handcuffs, suspecting the Major is in cahoots with Daisy or the new man.Chapter Two: "Son of a Gun"They are approached by Chris "The Sheriff" Mannix (Walton Goggins), who is also looking to hitch a ride to Red Rock. He says his horse stepped in a hole in the snow, and recognizes Ruth and Warren, but not Daisy. He claims to have been appointed the title of Sheriff of Red Rock and to be the person who is supposed to pay the bounties Ruth and Warren seek to collect. Ruth tells Warren that Mannix is the youngest son of the leader of the "Mannix Marauders", a group who terrorized South Carolina following the Civil War. Mannix refuses to wear handcuffs, and insists on coming aboard since Ruth will be charged with murder if he causes his death. Ruth reluctantly allows Mannix to ride with them, but uncuffs Warren and has him hold a gun on Mannix for the remainder of the ride. Ruth knows Mannix would never work with Warren since he is notoriously racist.On the coach, Mannix says he will buy the two men dinner and a drink at the Haberdashery. Ruth says he does not drink or break bread with rebel renegades. Mannix says, "it sounds like you have an ax to grind against the cause," and Ruth says that there was no cause, just terrorizing people, especially (he points out to Warren) emancipated blacks. Domergue says she supports that kind of thing. Mannix says that Ruth is misinformed by Union newspapers.Mannix asks Warren if Ruth knows how famous Warren once was. Warren's answer is no. Mannix asks if Daisy knows Warren. She says she knows he had a huge bounty from when he Confederacy put a $30,000 on Warren's head, and he was openly suspected in the North of just wanting to kill white people. Warren's bounty fell to $5,000, but people would still try to collect it. Warren says he has killed several of them. Warren, a Union veteran, tells Ruth of how he burned down Wellenbeck prison camp in order to escape.Mannix is offended because many young southern men died there, but Warren is indignant, asking why he should apologize for killing Confederates who wanted to enslave him. Mannix says that he also killed 37 Union prisoners of war. Warren says indifferently that "people die in war." Mannix says "War is hell" is hard to argue with, but that the Union also investigated him following the war. Mannix claims that Warren was ultimately forgiven because of his service in the cavalry during wars against indigenous people.Ruth says that Mannix has no right to talk, given the atrocities that his father inflicted on black people. Mannix says not to talk about his father, who was fighting for the dignity in defeat that southern white men, as the "brothers" of those in the North, deserved. Warren asks how many black towns Mannix raided in this struggle for dignity. Mannix says many, and that when black people are scared, white people are safe. Warren immediately points the gun straight at Mannix's temple and says that if he speaks so hatefully, Warren will kill him immediately. Mannix is very scared, says he only starting talking "politics" by mistake, and goes to sleep.Chapter Three: "Minnie's Haberdashery"The group finally arrive at Minnie's Haberdashery with the blizzard bearing down fast, and they find it in the hands of Bob "The Mexican" (Demian Bichir), who explains that the owner, Minnie Mink (Dana Gourrier), is visiting family for a week and has entrusted the passover to him; Warren is suspicious of Bob's explanation. Ruth and Daisy go inside and meet the others staying at the haberdashery. Oswaldo "The Little Man" Mobray (Tim Roth), introduces himself as the hangman of Red Rock and speaks with an English accent. He asks to see the warrant Ruth is carrying for Daisy. Meanwhile, in the blinding wind of the blizzard outside, Warren, Mannix, O.B. and Bob put the horses away. Mannix and O.B. further set up ropes to find the outhouse and stable in the snow, and Warren stays behind to help Bob with the remaining stablework. Warren asks Bob again where Minnie is, and says it doesn't sound like her to have left Joe "The Cow Puncher" Gage (Michael Madsen), a quiet cowboy and Sanford "The Confederate" Smithers (Bruce Dern), an aging former Confederate General. Ruth, suspicious that they may be trying to ambush him and release Daisy, announces his intent to deliver Daisy to Red Rock alive and forcefully disarms all but Warren of their pistols.Over a dinner of hot stew, Mannix teases Warren over his letter from Abraham Lincoln, saying that there is no chance Warren was friends with Abraham Lincoln. Ruth says that he is surely telling the truth, but Warren reveals that it is a lie. Mannix and Daisy laugh. Ruth spitefully throws stew in Daisy's face. Ruth is angered and loses trust in Warren, saying that it must be true what people say: that you can't trust black people. Warren asks Ruth if he hurt his feelings and Ruth says yes. Warren rebuts by saying that Ruth cannot understand what it is like to be a black man faced with America. Warren says that black people are safe when white people are disarmed, and the letter disarms white people (sets them more at ease). Ruth says it is still a dirty trick to him. Warren points out that it got him a seat on Ruth's stagecoach.Mannix says the letter wouldn't have worked on him. Daisy says she spat on it, and Mannix congratulates her for it. Warren brings Sanford food and asks to join him. Sanford says yes and Warren places a gun on a side table next to Sanford. Warren reveals to Sanford that he murdered Chester Smithers, Sanford's son, in a retaliation for the latter trying to kill him (most likely for the bounty). Warren taunts Sanford with the humiliating details of his son's death, claiming he was forced to march naked in the snow for over two hours and perform fellatio on Warren before being killed. In a fit of rage, Sanford reaches for the gun to shoot Warren, but Warren swiftly draws his other gun and shoots Sanford dead, much to Mannix's dismay.Chapter Four: "Domergue's Got a Secret"Daisy asks to play the guitar and Ruth says yes. A narrator then reveals that while everybody was distracted by Sanford's death, an unseen character slipped poison into the brewing coffee, which only Daisy witnessed. Ruth and O.B. drink the coffee, and Daisy smiles knowingly. She sings a beautiful song on the guitar, which she plays well. Ruth asks to hear another verse as he drinks coffee, and Daisy sings a verse that end with the line "You'll be dead behind me John as I go to Mexico." Ruth becomes furious, takes the guitar and smashes it before handcuffing Daisy to himself once again.Mannix pours himself a cup of coffee. Suddenly Ruth violently vomits blood on the table, just as Mannix is about to take a sip. O.B. also vomits blood, and collapses onto all fours, repeatedly vomiting up more blood. Ruth throws the coffee cup away, and Mannix realizes it was the coffee and throws his cup away too. As Daisy mocks a dying Ruth, the latter tries to kill her, only for her to seize his pistol and shoot him dead.With Ruth and O.B. dead, Warren lines up the rest of the lodgers at gunpoint and throws the key to Ruth's handcuffs in stove, ensuring that Daisy cannot escape. Warren determines that Mannix could not have poisoned the coffee since he was about to drink it himself, so he gives Mannix a spare gun. He goes on to explain that the stew they ate was made by Minnie that morning, so something must have happened to her. Bob asks Warren if he is really accusing him of murder.Warren then explains that Bob's story about Minnie entrusting the place to him cannot be true, since she hated Mexicans. He also finds a dried bloodstain on one of the armchairs, and hypothesizes that Bob murdered Minnie; he knows, however, that Bob cannot be the person who poisoned the coffee since he was playing the piano at the time. He shoots and kills Bob because he knows he was involved in killing Minnie, only to be shot in the groin from underneath the floorboards by a shadowy gunman. Mobray then draws a gun and shoots Mannix, hitting him the thigh, before the latter shoots him back, hitting Mobray in the abdomen.Chapter Five: "The Four PassengersEarlier that morning....A stagecoach arrives at Minnie's Haberdashery containing the four passengers: Bob, Mobray, Gage, and Jody (Channing Tatum). They are driven by the cheerful and cheeky Six Horse Judy (Zoe Bell), who hails from New Zealand. They are met by Charlie (Keith Jefferson) outside Minnie's. Charlie, a black man, stays outside and helps the carriage driver with his horses before he travels on. Judy leads the passengers inside and introduces them to Minnie Mink. Minnie is shown to be a cheery, light-skinned black woman perhaps in her thirties, and is there with a younger black woman, Gemma (Belinda Owino) cooking. Two older white men, Sweet Dave (Gene Jones) and the previously seen Sanford, are playing chess by the hearth.The crew makes small talk for a few minutes before violently massacring everybody in the lodge, leaving only General Sanford alive. Charlie comes in from outside just in time to see the massacre, and is shot by Bob in the doorway (one of the shots destroys the door's latch) before fleeing outside. Mobray asks in Spanish if they should perhaps keep Sanford alive to create the illusion of a more lively setting. They agree to try it, and Jody talks to the old man while his crew starts cleaning up the mess the massacre left. Gage goes to kill Charlie, whom he finds hiding in a shed and shoots in the throat with a shotgun as he begs for his life.Jody explains to Sanford that they are preparing to ambush Ruth to rescue Jody's sister, Daisy, and that they will not kill him if he agrees to keep quiet about their plan. Sanford agrees, and the bandits all prepare for Ruth to arrive: throwing the bodies down the well, hiding guns around the lodge, cleaning up the jelly beans that had spilled. Jody hides in the basement (implying that he was the one who later shot Warren in the crotch from under the floorboards).Chapter Six: "Black Man, White Hell"We cut back to the present as, Warren, in agonizing pain, is confined to a bed while he and a wounded Mannix hold guns on the surviving lodgers - Domergue, Gage, and a mortally wounded Mobray. Warren tells Mannix his genitals are destroyed, and he thinks he will bleed to death. They flush Jody out of the basement by threatening to kill Domergue. Warren shoots Jody through the head, killing him. Domergue becomes hysterical, berating Mannix for working with a black man. She then attempts to strike a deal with Mannix, explaining that her brother was the leader of a notorious gang and that 15 of his men are waiting in Red Rock. Domergue further claims that these men will hunt down Mannix if he kills her, however she will call them off if he kills Warren instead. Mannix tells Warren Domergue has "nothing to sell," but to humor him as he listens to Domergue's offer. They count up the bounties that Mannix could collect: Bob, revealed to be "Marco the Mexican" with a bounty of $12,000, and Mobray, really Pete Hicox, with a bounty of $15,000, and Gage, really Grouch Douglas, has a bounty worth $10,000.Domergue explains that they cannot collect the bounties if they kill her since the gang waiting in Red Rock will kill them. She also says the gang will sack the town and kill all the residents. If Mannix as sheriff wants to protect the town, he should spare her life. Warren shoots Domergue in the foot. Hicox tries to convince Mannix again that they can forgive him what he has done if he kills Warren. Warren shoots Hicox in the leg. The scene is then interrupted when Gage reaches for a pistol that he had previously hidden underneath a table. Mannix and Warren shoot him dead.Warren tries to shoot Domergue, but his gun is out of bullets. Warren begs Mannix for his pistol, Mannix smiles and sits down. He asks Domergue about the offer: he kills Warren, they wait two days, and then he gets the bounties for Oswaldo and Gage. Domergue ascents. Mannix asks about Jody's bounty, since he is worth $50,000. Warren asks Mannix if he is about to make a deal, and Mannix says they're just talking. Domergue says he is being greedy and that she must take that body, since Jody has children. So Mannix goes over the terms again before looking back at Warren. He turns back to Domergue and says "no deal".Domergue says he is making a big mistake, and that the gang will come and kill him. Mannix says that in order for him to be afraid, he would have to believe that those 15 men existed, which he doesn't. Warren laughs. Mannix says Douglas poisoned the coffee and points out that Domergue didn't say anything as he was about to drink the coffee, too- showing that she didn't care about his life. He says she is a liar and is surely just saying what she needs to in order to escape being hanged. He says he suspects that what remains of Jody's gang is lying dead on the floor.Domergue replies that Jody leads an army of men, but Mannix interrupts her and says that his father led an army, a renegade army fighting for a lost cause- 400 men who followed because of their respect for his command. Warren nods appreciatively, then Mannix says he doesn't feel so good and collapses on the floor, fainting due to his leg wound.Daisy cuts Ruth's handcuffed arm off with a machete, freeing herself, before reaching for the gun Douglas dropped on the floor. Mannix suddenly wakes up (or reveals himself to have been playing possum) and shoots Daisy, wounding her. As he prepares to shoot her again, Warren convinces him to spare her so that they can hang her, just as Ruth wanted to. Since Ruth saved their lives from the storm, they can act out his last wish: to see Domergue hanged.Domergue is hanged from the rafters of the lodge. Mannix pronounces it as his first and final act as sheriff of Red Rock. Mannix is left lying on top of Warren, but then he drops down off the bed and onto the floor. The two men delight in seeing Domergue slowly strangle to death in accordance with Ruth's final wishes and the law.Mannix asks Warren if he can read his letter. Mannix takes the letter in his bloody hands and reads it aloud. In it "Abraham Lincoln" praises Warren for his service and expresses the belief that racial progress is being made slowly in America. Mannix remarks on the final line of the letter, "Ol' Mary Todd is calling so I guess it's time for bed," that it was a nice touch, and Warren thanks him. Mannix crumples the letter up and throws it away, and the movie ends with Mannix and Warren waiting to die.(Note: their ultimate fates are left ambiguous, much like the final scene from John Carpenter's The Thing, but it's doubtful they survive).

Review: OK - if you've already seen the movie and hated it, my review won't change your mind, so move along folks, move along, there's nothing to see for you here, thanks.Now for you, dear film fan, who is about to watch 'The Hateful Eight', but who is now slightly worried because of some very mixed critical reactions - for YOU I'm writing this 100% spoiler-free review.Judging from many comments here on IMDb and other forums, I gather that many long-time Tarantino fans apparently don't like his newest film.
Don't expect any exciting "action" scenes (for lack of a better word: I don't mean the 'Fast & Furious' kind of action scenes) every 10 minutes or so; in fact, don't expect anything other to happen between the characters than dialog for a loooooong time.
Best approach this film as you would theater; for that's what 'The Hateful Eight' really is: a stage play disguised as a movie.
There's a reason for the film's title, and unlike in all his previous films, there is not a single person in Tarantino's latest movie you'll feel any real sympathy for.
All the main characters have committed despicable, hateful acts, and they're all beyond redemption - but that doesn't mean they're not compelling to watch (especially given THIS cast: everyone is fantastic, but Jackson, Russell, Jason Leigh and Goggins are just a joy to watch).5.
The film is too well crafted to get the really low scores, the cinematography is too good, the acting too high caliber, the direction too solid, the score too nice, and the flick too engaging for such ratings.This also applies to the other end.
The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort.
The storyline is a simple one, but it's told in a complex, interesting, and relatively unique way that is guaranteed to keep your eyes glued to the screen throughout the entire 3 hour run time of the movie.
Tarantino's direction is unparalleled as usual, and the performance of the entire cast combined with the wonderful cinematography and deeply engaging dialogue make for a remarkably fun time at the theater, if your willing to sit through a lot of grisly violence and mean spirited subject matter.
And for those of you who are willing to let Tarantino's comments about the police force get in the way of your enjoyment of this film, like I said; Disney is more than willing to take your hard earned money..
It does help a lot that we do get a great cast (Kurt Russel, Sam L Jackson and Jennifer Jason Leigh) because without them the movie would fall apart rather quickly.
The film was shot on 2,76:1 70mm widescreen because retro elitist Tarantino thinks digital isn't good enough and I do have to say the snowy landscape shots look awesome but they make up only 2% of the flick.
It may be similar to his previous movies, but great directors don't come often and in a single life they can make only so many films.
Even if he makes similar movies a dozen times, I would still watch it, cause this guy knows filmmaking at its finest.
I enjoyed the film but my biggest flaws were the length and the spontaneous introduction of a narrator mid- movie, that was a pretty 'out of nowhere' lazy way to develop the back story, but oh well, Tarantino is known for making risks and doing crazy sh*t.
He has those suspicions justified before the film is ended.80% of the action takes place on set of the 19th century bed and breakfast during the time of a nasty Wyoming winter and does the dialog crackle.
If you were bored by this movie, I hope you can at least admit that the people involved with this film are extremely talented.
It feels very much like a stage play (as another reviewer mentioned), allowing greater intimacy with the characters and their interactions, while providing us with an opportunity to witness multiple scenarios unfolding at the same time.
Im required to write a minimum of 10 lines, so this is my take on this...putrid, poor excuse of a movie.I just cant see how Kurt Russell or Samuel L Jackson could ever take this script seriously as the dialog was a total load of diatribe on a path that led nowhere!
How can all these great people come together to make something so terrible?The overuse of the N word was done well in other Tarantino films, but in this one it's just gratuitous without any humour at all.Please don't waste your time..
This movie is like a box,a really well packed box,decoration is very interesting,very intriguing.Gonna take a lot of time to open it-hell gonna take 3 long hours of your life just to find a little piece of turd inside of it.But it's a Quentin Tarantino's turd (although QuenTEEN would be much more appropriate) so movie critics are gonna celebrate this piece of turd and write how great this turd is.Don't be fooled.This movie has lots of qualities for sure-cinematography is great,music as well (Ennio Morricone!),almost all performances from actors are fine too-but the story,OMG...some stories simply don't have a right to be told..
Tarantino used the UltraPanavision format to good effect, and the results are on the screen (I saw the 70mm film version).That said, the dialogue is comic-book level, the characters are cardboard props with no development whatsoever, the plot is rice paper-thin, the violence is beyond extreme for no good reason, and it is too long by at least an hour (more like an hour and a half, given the lack of a compelling plot).
Many times during a day.It seemed like Tarantino's whole point to the movie was the degradation of the African American, which I found repulsive and not fitting the facts of our modern world, based on my real life exposure to working with and around a mix of Caucasians and African Americans.
I realize that African Americans were probably not treated well back in western times, but it seemed to be very overboard, and felt like it was trying to make a modern point.A lot of what Tarantino has done in past movies was used in this movie, I guess he was so anxious to push his private agenda that it blinded him to being creative.
Unless he has lost his touch, which often occurs with movie guru's.I also felt that some of the actors were wrong for their parts, things for some of the characters just didn't feel real, lines were spoken as if read off of a billboard out of sight of the camera.
I think Tarantino was more fixated on getting names to raise ticket sales, then on focusing on creating something people will want to re watch in a year..
I will never watch another Tarantino film as long as I may live (37 years old as of this review).
Another Tarantino movie about a bunch of depraved killers, another three-hour bore-fest by the master of unabashed hate.
The plot of TH8 is simple, but told very heavy-handedly, with lots of chitchat & filler scenes; several times, for example, we have to watch people meticulously nailing a door shut, because the lock is broken.
The way it's shot gives you feeling that you are watching a play, but all of the details of a movie like this don't fit into such a limited frame, so the effect is that it's sloppy.
They write it, paying homage to Tarantino films in a few different ways, casting some of his usual players.
I hated this film so much that it caused me to write my very first movie review to help you save your money, your time, and leaving the theater with an awful feeling in the pit of your stomach!.
Why do people insist on glorifying every pointless, overly-violent, massively cliché, plot devoid, piece of drivel that Quentin Tarantino manages to capture on film?
You would think that after watching the last several Tarantino films with the EXACT SAME formula that people would eventually get tired of it.
Quentin Tarantino surely must rate as one of the most dissipated directors of all time, and his latest piece of cr@p is called "The Hateful Eight".
The moonlight coming through the windows is as bright and harsh as the sunlight in the day scenes; and if that's not enough to take out of the movie, there are at least 10 separate times throughout where the film falls so flat that I had my face in my hands saying to myself, "what the hell is this?"...
Blazing Saddles has better use of the n-word, is less boring and has an actual message.http://www.imdb.com/title/tt0071230/If you want I'll spare you the interminable three hours and sum up the Tarantino version, here it is >>Spoilers<< Just say niggler minus the l over and over again until you pass out from boredom.Honestly that word so many times was distracting and just smells of lazy writing.
Nothing.If you enjoy absurd levels of blood (again for no good reason) and you like lots of racial epithets, maybe you could sit through this film, but giving the the movie an eight rating?
However the general movie just felt like an overall waste of time.
Armed with vicious humor and an intense story, Quentin Tarantino's The Hateful Eight is as brutal in its insights into race relations and human nature as it is in its depiction of violence in the old West.I'm starting to doubt if Pulp Fiction is still his best movie to date..
He must feel he gets away with it because he adds black actors, making them main characters many times the hero.
While Quentin Tarantino makes cameos in his movies he doesn't here, he does for the first time in this movie start narrating right after this descriptive scene.
To sum up, this is a western that takes place 90% of the times in a one room building, the fact they pulled this off is impressive, would be a lot more impressive if the movie was actually better..
This story is typical with the other Tarantino movies: Add a bland story line with lots of violence and blood, which men generally enjoy (I am a male) and therefore give Tarantino an Oscar.This movie is exactly like his others, think of it like Gran Torino, simple movie, lots of violence, great acting, great Directing, BUT pathetic storyline.The "twist" was like a murder investigation programme like Law & Order, the film had no leads, no 'Who done it?' moments, just some guy who happened to admit to the murder or some unrelated character who just happens to become important, who admits to the murder.Think of it like a Harry Potter sequel where Voldermort just happens to be resurrect him, or a new 'one ring' was created in Lord of the Rings.
Its almost as if Tarantino tried to remake "Clue: The Western" except it was so boring for 2 hours of the 2 hours and 47 minutes of the movie, that I really didn't care who did what by then of it.
If you want to watch the movie but don't have a lot of time, skip to the last 47 minutes and you will know enough and get most of the excitement to enjoy the film.
P.S. For a Tarantino movie, it was lacking in the violence, excitement and blood for the overall film.
I thought the Movie started out very good with some humor, I liked the actors that were in the show, I was expecting something on the lines of tombstone, but wasn't even close.Towards the middle of the movie it turned south, with the way they portrayed a black man and a white man and what the black man did to the white man.
It seemed like it could have been a good story but the way they finished the movie I thought was very disappointed.
If you are willing to watch a limitless, unbounded extravaganza of unreal gore and depravity; that violates all standards of moral behavior; that repeats racial, ethnic, and sexual epithets ad nauseum primarily for their shock value; that obliterates heads and bellies; that rips off limbs; that describes the complete and utter degradation of a human being by another--then actually shows it; this is your movie.Yah, it was very artistically filmed, a gripping mystery full of surprises.
Quentin Tarantino can and does make good films but sadly 'The Hateful Eight' was for me a long drawn out affair, glorifying violence to new highs whilst a basic story line made it a great disappointment and a restless 3 hour cinema experience.May I point out also how powerfully dark this Hollywood film was with my subconscious mind that I awoke at 5am the following morning with the image of Christ and the hammering of nails.If you are in to ultra violence, blood/guts, the N word and don't mind hurting your subconscious state then go and feast your eyes on this movie.
Maybe it's time Tarantino takes a break from writing and directing, and starts rethinking his approach to movie making?
Before I begin my review, I'd like to emphasise that there are two different versions of Quentin Tarantino's eighth film, the 70mm print which runs for 187 minutes including an overture and intermission, and the 168 minute version I saw which has been released in digital cinemas.
It will be shame when Tarantino retires from writing and directing for he has provided some innovative and entertaining films in his time.
3/4 of the movie is just painfully boring, you have to wait a long time to see some nice gore scenes but its all predictable.
The entire movie sounds and looks like a bad high school production of a badly written stage play.When everyone starts projectile vomiting blood all over each other and getting shot in the nether regions, and it isn't interesting, cool, or even mildly diverting.
From the opening credits when he bills it as literally "The eighth film by Quentin Tarantino" on down, every single thing in this movie is not only done with ineptitude, but is covered with a veneer of arrogance that is more offensive and shocking than Tarantino's gratuitous use of the 'n-word' and blasé attitude about everyone taking turns beating the crap out of a woman.Better movies than this go straight to cable/Netflix every day..
Many times it looked like some bad theater play, but for god's sake this is a movie, please give me some action.
To be completely honest here, The Hateful Eight is Tarantino's worst effort as a writer and a director but it is his best film visually.
While these performances are perfection, especially Jennifer Jason Leigh, who is absolutely brilliant in this role and deserves any award that they throw her way, the film ultimately suffers from it's best attribute...Quentin Tarantino, himself.
I watched it a few nights ago, knowing Tarantino was a lover of the old spaghetti westerns, as I am myself, I was hoping for a modern version of the good , the bad and the ugly.
The recent Tarantino movies have been tongue in cheek comedies, it worked in Django to some extent.This film never had any depth, the characters were never developed, you couldn't relate to any of them, they were not believable.
If you watch this movie you have wasted 3 hours of your life..
Actors: Fantastic, the only fault here is that with this cast, there could have been a truly memorable movie instead of this waste of film.Story: I have seen better suspense in a Scooby Doo cartoon.
it had enough substance to fill a 30 minute short.Mr Tarantino you owe me 4 movie tickets and 3 hours of my life back.....
Please watch a Clint Eastwood movie to try and get some idea of what a good film should be like.
After you have finished the movie, you actually feel like you had spent 24 hours of your life watching it.
Imagine a movie about Julius Caesar and Tarantino has the Caesar say, "Hey Dudes, we Italianos, we gotta go and beat up the Frogs and Krauts, pronto-like." It is that bad.3) Strike Three - They talk about an escape from a West Virginia Prison in the Civil War by the character played by Samuel Jackson.
I went into "The Hateful Eight" fairly blind, having made it a point to not want to let the reviews or my perception of past Tarantino movies spoil the film for me.
I have never seen a movie this bad; 3 hours of my life wasted.
more time spent with these characters!If you want to watch a three hour live action cartoon (that feels like 5) about gun toting morons who can't die quickly enough, The Hateful Eight might be right up your ally.
In this movie, however, they actually distract from the story.Narration by some unknown person is also no longer needed in his films.
The rest of the characters are merely bit players to push the story forward.There were a lot of throwaway scenes I don't even want to get into because it might spoil the story for anyone who hasn't seen the film yet.People are comparing this movie to Reservoir Dogs, which is laughable.