Color Me Blood Red
Tags: violence, cult, cruelty, murder, sadist

Plot synopsis:
At the Farnsworth Galleries, Farnsworth looks at a painting is evidently admires and reluctantly picks the canvas up and takes it outside. He drops it to the ground, saturates it with gasoline and sets it afire. Blood pours out of the canvas as it burns.Artist Adam Sorge stands before a blank canvas, paints it a bit, and angrily throws it aside. He selects another canvas, and places it on the easel, but is upset because he cannot get the right color. Gigi, Adam's live-in girlfriend and model, enters the room and Adam accidentally hits her with his paintbrush. Gigi tells Adam that he is due at the Farnsworth Galleries in one hour and critics will be there. Adam arrives at his showing where an art critic, named Gregorovich, is talking with Farnsworth. Gregorovich tells that due to his less-than-impressive use of color, he is an "artist imposter". Adam argues with the critic and leaves, passing Mrs. Carter who admires Adam's past work that is on display.The next day, Farnsworth goes to Adam's house to pick up a new painting. He tells Adam that he feels the same way as Gregorovich about Adam's use of color. Farnsworth takes another painting and leaves, and Adam beats a painting, leaving the broken frame on the floor. Adam and Gigi then spend some intimate time in the bedroom and afterwards, Gigi bends over to pick up the destroyed painting and cuts her finger on a nail. Adam later sees the smeared blood on the canvas and checks it outside with the other paintings. Gigi comes into the room and apologies about the blood, when Adam picks up a rough sketch of a woman and places it on the easel. He asks Gigi to open the wound and he cuts her finger with a razor and "paints" by smearing her blood on the canvas. Gigi pulls her finger away and tells him to use his own blood. Adam cuts all of his fingers and paints with his blood until he is weak and collapses on the couch.After resting for a while, Adam looks at his painting. Gigi talks about how he phoned Farnsworth and told him that he had something big, and she wonders where he is going to get the blood to finish the painting. Suddenly, Adam stabs Gigi in the face and uses her bloody head as a brush to finish the painting. Adam buries Gigi's body in the sand hear his house and the next day, he takes the finished painting to the gallery to show everyone. Gregotovich declares it Adam's "finest." Mrs. Carter is there and agrees to Farnsworth's high price of $15,000 to purchase the painting. But Adam tells them that the painting is not for sale. Gregotovich challenges Adam to paint another masterpiece and Adam agrees.Meanwhile, Mrs. Carter is talking with her daughter April, who is going on a picnic with her boyfriend Rolf, and two other friends, Jack and Sydney. At Adam's house, he prepares to cut his fingers again to paint a new painting, when he sees April and her friends on the beach near his house. Adam goes out to spy on them and wait to jump on them so he can kill them and use their blood, but he gets diverted when he sees another couple, named Norman and Betsy, nearby kissing each other on a beach towel. Betsy wants to ride two water bikes that are in the water near Adam's house. As they are doing so, Adam approaches them in a motorboat where he attacks and stabs Norman in the chest with a spear killing him as Betsy screams. Adam subdues her and takes her away. Later, Adam is seen painting a new canvas with blood. He goes in to the next room where the dead Betsy is tied to a wall with her intestines and innards hanging out of her stomach. Adam squeezes more blood out of the disemboweled girl and finishes his painting. He takes it the following day to the gallery and again refuses to sell it. Adam storms out of the gallery, and Gregorovich notes that the painting is still wet and that Adam forgot to varnish it.A few weeks later, Adam is beside himself in his house, more or less a recluse. Mrs. Carter is at her home also wondering why she hasn't heard from Adam for this whole time. April then goes out with Rolf and their two friends again for another beach party. Adam watches them from a distance. When April ventures near Adam's house, Adam takes a canvas outside and pretends to be painting. Adam tells the curious April that he is looking for a model and he asks her to pose. After he tells April his name, she tells him that her mother is Mrs. Carter who wants to buys some of his paintings. Adam tells April that if she poses for him, she can have the painting for free. April returns to her friends near the beach and tells them about meeting Adam and she will be going back later in the evening.That evening, Adam lets April into his house where she notes blood-like paint in his picture, and after she makes a joke about putting blood into the work, Adam explodes at her and says that the joke is not funny to him. April wants to leave, but Adam convinces her to stay, and has her stand on a small stepladder. In order to keep her hands still, Adam ties up April's wrists and restrains her.Meanwhile, Jack and Sydney go looking for some firewood for a fire they make on the beach. Sydney finds Gigi's badly decomposed, half-buried corpse and screams for Jack. They show the body to Rolf who runs towards Adam's house with a flashlight. In the house, Adam tells April to turn away from him for a few seconds and he will be done... as he lifts up a large axe to kill her. Rolf runs inside where he acts rudely towards Adam. Seeing the axe Adam has, Rolf grabs a nearby shotgun and points it at Adam keeping him at bay as he unties April. But Adam knocks the shotgun out of Rolf's hands and talks about how he "immortalizes" Gigi by keeping her alive in his painting and using peoples blood to "immortalize" them as well. When Jack and Sydney run into the house and momentarily distract Adam, Rolf grabs the shotgun. Adam lifts his axe to kill Rolf when he fires, hitting the deranged artist in the face. Adam stumbles and falls dead with his bloodied face on a blank canvas.The final scene picks up where the opening scene left off where Farnsworth is burning Adam's painting after it is made public about the insane artist using peoples blood for his paintings. Gregorovich arrives just as Farnsworth stands looking at the burning canvas where he tells the critic that he is burning Adam's "funeral pyre".

Review: "Color me Blood Red" completes the infamous Blood-trilogy by the even more infamous director Hershell Gordon Lewis and, although my least favorite film of the three, it's another silly entertaining and smutty gore classic.
Don't look for many film-making qualities here, as the story is rather unoriginal (imitating Roger Corman's 1959 "Bucket of Blood"), the acting is unspeakable and  especially compared to "Two Thousand Maniacs"  it's clumsily edited together.
Good old Lewis brings the art of finger painting to a whole new dimension here, when mentally unstable artist Adam Sorg discovers that the blood of his girlfriend's cut finger supplies him with the exact right shade of red he needs for his macabre paintings.
I spotted LESS gore than in the previous two Blood-trilogy films, still there are some effectively nauseating scenes, most notably the one where Sorg literally squeezes all the blood out of one his victims' intestines.
Color Me Blood Red is the third film contained in what is typically known as the Blood trilogy directed by that world renowned director of gore...Herschell Gordon Lewis.
For a Lewis film, Color Me Blood Red is a fun picture.
Hershell Gordan Lewis, you all should know him from his cult classics like "Blood Feast", "2000 Maniacs!", "Wizard of Gore", "Blood Feast 2", etc.
has anything to do with Blood Feast) it is still a lot of fun.The story opens with a disgruntled artist who isn't getting enough respect from the local art critic.
This movie is for people who like quirkiness, b-grade film-making, c-grade acting, cheesy gore and..
A phrase I see a lot on the IMDb is "BAD meaning GOOD", not many movies are more deserving of that praise than Color Me Blood Red..
'Color Me Blood Red' is the last in Lewis' Blood Trilogy, and is the second best of the three in my opinion.
'Color Me Blood Red' is dumb, no doubt about that, but it's dumb FUN, and should be seen by every horror movie buff for its historical interest if nothing else..
This is the final film in the infamous Blood Trilogy from director Herschell Gordon Lewis and producer David Friedman.
The trilogy also includes superior films "Blood Feast" and "Two Thousand Maniacs".
While "Color Me Blood Red" is the most inferior film in the trilogy, it is still worth at least a one time viewing.
The gore effects are also inferior to the other 2 entries...there aren't as many but one effect in particular is especially grotesque (this would be the scene where a woman is shown strung from the ceiling with her intestines dangling out and the villain squeezes the blood out of them in order to finish his painting).
The first three of their horror ventures, BLOOD FEAST (1963), 2000 MANIACS (1964) and this feature from 1965 made up what was later to be called their "Blood Trilogy." COLOR ME BLOOD RED is easily the least shocking, least entertaining and least memorable of the bunch, but it does have it's moments...Adam Sorg (Don Joseph) is a Florida based struggling artist living in a beach house who has not yet been able to break through on the snobbish local art scene.
His new morbid creations suddenly become the craze on the art scene, so he must kill more people for more blood to make more paintings.Lewis must have really liked "aquacycles," some incredibly slow-moving bikes with floating tires, cause he puts these hilariously dated things in every possible scene.
He won't notice!"), prompting Sorg to impale the guy, then kidnap the girl, tie her up in his house, cut open her stomach and squeeze blood out of her guts directly onto a palette!This film (briefly known as MODEL KILLER) is now noteworthy mainly as a vintage curio, complete with primitive gore FX, dated fashions faux pas and colorful lines of dialogue like "Come out to the patio, daddy-o!"All in all, a decent watch..
After seeing the first two installments of the Blood Trilogy, Blood Feast and 2,000 Maniacs, I was a bit skeptical about watching the final film, Color Me Blood Red. It's not that the first two were awful, but by no means can they be considered good either.
That's not to say the Blood Trilogy wasn't worth the purchase I made (it was interesting to see the origins of gore) but without a doubt, this movie stands alone from the other two.
Even if there never was a Blood Trilogy , even with the absence of Blood Feast and 2,000 Maniacs, this movie stands alone as a great example of how story and gore can sometimes mix for the best.
it's a very good looking movie and lots of fun and I like its take on art and violence and snobbery and "daddy-o" ness.
how about one from the movie, "Her blood, you, you used it as paint!?!!?""It's quite the thing to own a Sorge painting!""there is one great painting in all of us.""that caviar critic Farnsworth!"I still need more lines?
Bad is GOOD!If you like this one, get Blood Feast, 2000 Maniacs, and Gore Gore Girls!
Sure, it wasn't as groundbreaking or gory as Blood Feast, or as flat-out entertaining as Two Thousand Maniacs, plus, the presence of a Thomas Wood and/or a Connie Mason might have helped a little, but I still consider the unwanted step-sibling of the Blood Trilogy to be a bit underrated.
Color Me Blood Red has pleasant Sarasota beach locations, and not to mention, Adam Sorg is a lot more convincing as a killer than Fuad Ramses, or any single one of the 2000 Maniacs.
Color Me Blood Red also stars several attractive women, some of which not nearly as young as the roles suggests, this film just didn't seem to try all that hard to entertain us, not quite as ambitious as the first two.
F stands for Farnsworth wasn't any funnier the second time Sorg said it, and Holy Banana's just doesn't express the horror and confusion one would feel after finding a girls leg.
All sarcasm aside, Color me Blood Red is the final entry in , the legendary Herschell Gordon Lewis's Blood Trilogy, so, naturally, it's worth a look, and I'll probably give it a higher score than it deserves.
As good as Color Me Blood Red could have been, it does fall short in certain areas as there are absolutely no likable characters, unlike in 2000 Maniacs, where everyone was likable.
Color Me Blood Red is not the best Florida Gore has to offer, but certainly not the worst, although, I can't really think of one Florida Gore Film from the 60's that was worse.
On one last positive note, Color Me Blood Red has tolerable acting (like it matters), as well as a decent, little score, as well as, a modest amount of gore, but mostly, innocent, teenage hi jinx, or at least something similar.
Not all Hershell Gordon Lewis films are alike, though, as many are not just bad but pretty much unwatchable, such as his MONSTER A GO-GO and THE Gruesome TWOSOME.The film is basically a rip-off of Roger Corman's BUCKET OF BLOOD (which, despite the title, is a very good film).
Like the previous film, this one concerns a crazy artist who manages to impress the critics when he kills people to make his art.
It all comes to an end when he's about to kill victim #4--when her goofy boyfriend and her even goofier friends come to the rescue.Overall, despite being a terrible film in every way (acting, direction, a stolen plot, dialog, etc.), the pieces all seem to fit together to make a reasonably watchable exploitation film.
Color Me Blood Red has a few good moments.
Color Me Blood Red (1965)** 1/2 (out of 4) The third film in director Herschell Gordon Lewis' "blood trilogy," this one here centers on a crazed painter (Goron Oas-Heim) who finally reaches his breakthrough when he realizes that human blood is the perfect red for his paintings.
This here is pretty much a re-working of the Roger Corman classic A BUCKET OF BLOOD with the biggest difference being that this here is in bright color, which perfectly shows off the various bloody scenes.
With that said, film history has all sorts of items that remain important and there's no doubt that Lewis' blood trilogy is one such thing.
The movie contains some awful acting, a silly script, lame dialogue and there are countless other things that you could pick on but in the end the picture is at least fun.
COLOR ME BLOOD RED doesn't come close to the same level as BLOOD FEAST or TWO THOUSAND MANIACS but it's still a nice entry in the series..
Director Herschell Gordon Lewis's concluding film in his "Blood Trilogy" (and final film with producer David F.
That's not to say that there aren't good moments - there just aren't enough of them.Gordon Oas-Heim, definitely one of the better actors to be found in an HGL gore epic, plays the highly unlikable, mentally unstable painter Adam Sorg, who's impatient waiting for inspiration to strike.
He realizes that using his own blood is a very wearying process, so he has to obtain blood from other unwilling donors.Overall "Color Me Blood Red" is fairly amusing cheesy nonsense with the gleefully squishy splatter and inept acting that we come to expect from HGL's films.
And the movie does end on a very funny note with its final line.If you're new to the works of HGL and want to do the completist thing, then "Color Me Blood Red" is definitely worth seeing.
Just don't expect the same level of entertainment if you've already seen and enjoyed "Blood Feast" and "Two Thousand Maniacs!".Six out of 10..
The plot = Adam Sorg (Gordon Oas Heim) is an eccentric artist whose not quite there yet with his paintings due to lack of good red colouring until one day he discovers that the best shade of red is blood, and after tiring of using his own he starts to kill people and drain they're blood.This movie could have been great, if it had better pacing, more gore and better actors, but sadly it's not.
With a title like this you'd think there would be tons of gore, although there are a few bits here and there, but overall it's rather tame, I mean come on this director made "Blood Feast" for god's sake.
There could have been more murders and more artwork thrown into all that wasted time, and in doing so, would have made this movie so much better than it was.The cast = Gordon Oas Heim (Adam Sorg) okay he wasn't that great but he was the only half way interesting character in this movie, but his weak acting doesn't even make him chewing the scenery any fun.
Candi Conder (April) the supposed final girl, well I guess she was but all she did was walk around in a bikini that looked like something an old age pensioner would wear and she had terrible hair, she was just way too dull and uninteresting to root for and her boyfriend Rolf was even more boring and should have died, and lasting what the hell was with that couple who dressed alike, I mean what was the point of them, they should have died at least, (If they did I might have given this movie a higher rating).All in all I don't know what the director set out to do when he made this piece of tripe, but if you watch this expecting nothing and then you'll get nothing..
A crackpot artist (Gordon Oas-Heim) kills various people to use their blood as his new crimson red color for his paintings.Lewis has said that "A Bucket of Blood" served as inspiration for this film, and I am not surprised.
(This theme has been explored before and since, but not in such an obvious way.) I recommend this one, and think it is better than "Two Thousand Maniacs", on par with "Blood Feast" but just under "Gore Gore Girls".
For the second film in his infamous 'Blood' trilogy, 'Godfather of Gore' Herschell Gordon Lewis gleefully rips off Roger Corman's beatnik horror A Bucket of Blood, but fails to deliver in almost every department: the direction is dull; the dialogue is awful ('Holy Bananas, it's a girl's leg!' exclaims one character upon finding a dead body); the acting is atrocious; the music is bland, generic jazz; and the one factor that audiences have come to expect from Lewis—outrageous 'grand guignol' style splatter—is notable by its absence (only one scene, in which the protagonist squeezes blood from one of his victim's intestines, comes close to providing gore-hounds with the goods).Gordon Oas-Heim is reasonably convincing as obnoxious artist Adam Sorg, who discovers that he produces his best work when painting in blood, but almost everyone else puts in absolutely dreadful performances, with special mention going to Pat Lee as wig-wearing teen Sydney: her incessant use of hip 60s slang ('where's the snacks, Jack?', 'on the patio, Daddio', 'dig that crazy driftwood') might be amusing at first, but is guaranteed to eventually grate on the nerves.Fans of Lewis will no doubt wish to see this film so that they can complete the trilogy, and those with a thing for curvaceous cuties in big bikinis might get the occasional thrill, but it's hard to imagine anyone else finding Color Me Blood Red to be anything other than a bore.3.5 out of 10, generously rounded up to 4 for IMDb..
The Cinema of Herschel Gordon Lewis: Color Me Blood Red. Color Me Blood Red (1965) is a about a talent challenged artist who's "art" lacks a lot of things such as depth, creativity and form.
You'll find the answer to these questions and scratching your head at others when you watch COLOR ME BLOOD RED!!Herschel Gordon Lewis is an enigma, he's like Ed Wood but with business smarts and knows what brings people back to the theaters..
I haven't seen too many HGL films but the ones I've seen are Two Thousand Maniacs, The Wizard of Gore, The Gore Gore Girls, Blood Feast, The Gruesome Twosome and now Color Me Blood Red. This was definitely my least favorite so far because it was dull and didn't even keep my attention for longer than 5 minutes.
I think I might give on HGL because I've only liked two of his films so far.The thing about Herschell Gordon Lewis is that his films are either so bad that they're good or so bad that they're unwatchable and not worth wasting time on.
Colour Me Blood Red is pretty much the typical Herschell Gordon Lewis film.
This film is the third and final entry in Herschell Gordon Lewis' "Blood Trilogy", and while it is perhaps not as gory as the other two; Blood Feast and Two Thousand Maniacs, if you enjoy Lewis' style, you're bound to like this one!
The director's use of music is good, however, as while it does nothing to increase the film's credibility; it does give the movie a hilarious sense of humour, and it works really well with the plot.
As I said, this isn't as gory as some of Herschell's earlier stuff, but it's still got plenty of blood and gore; although as anyone that has seen one of these movies before will know; it's absolutely impossible to take seriously.
In Herschel Gordon Lewis' third part of the "blood trilogy" he did with producer Dave Friedman, a local crackpot artist named Adam Sorel (Don Joseph) can't get the right shade of red for his canvases.
Sorel thinks this is the perfect shade of red he's looking for so he starts off by cutting his fingers and supplies his own blood to his first canvas.But he soon realizes that he doesn't have enough blood to supply all the red 'paint' that he needs, so he goes on a gore killing spree.
That's why I just bought the DVD for this fantastic "Color Me Blood Red."There is more technical mistakes in this film than I could count.
Hershell Gordon Lewis writes, directs and photographs COLOR ME BLOOD RED...just another of the bloody messes he is noted for.
Adam Sorg(Don Joseph)plays a psychotic and obnoxious artist that gets acclaim for painting with his own blood.
It's a girl's leg!".The first of the few gore scenes comes when Adam Sorg - the artist - decides to do in his girlfriend by driving a sharp implement into the side of her face (we're later treated to a lovely closeup of her gory countenance as it is devoured by insects).
Color Me Blood Red. Macabre black comedy from schlock gore director Herschell Gordon Lewis has a very disturbed painter killing innocent people for their blood supply which lends to creative masterworks on canvas.
The color red is vibrantly used with lots of fake blood contributing to the plot(..what little there is).
Again, this is not a work of art, and director Lewis understood this, so COLOR ME BLOOD RED might entertain less discriminating viewers who are accustomed to how his movies are made.
I personally never expected anything other than a wacky graphic violent affair with bizarre flourishes and a sick premise, and COLOR ME BLOOD RED didn't disappoint in that regard..not exactly a ringing endorsement for the film, but I think some will find it amusing.Then again, HGL has become a guilty pleasure director of mine, so perhaps I find value in his movies many others with better sound minds do not..
Herschell Gordon Lewis's worst film, and that's saying something if you've seen any of 'em!.
Adam Sorg (Gordon Oas-Heim as Don Gordon) lives with is girlfriend Gigi (Elyn Warner) in a nice house on a Florida beach, and paints for a living.
Written, photographed and directed by Herschell Gordon Lewis this is one awful film.
Gordon Lewis seems to ignore the over-the-top gore scenes which made some of his other films somewhat watchable on a certain level.