The History of Love
Tags: romantic, flashback

Plot synopsis:
Approximately 70 years before the present, the 10-year-old Polish-Jewish Leopold (Leo) Gursky falls in love with his neighbor Alma Mereminski. The two begin a relationship that develops over the course of 10 years. In this time, Leo writes three books that he gives to Alma, since she is the only person he deeply cares about. Leo promises he will never love anyone but her.
Alma, now 20, is sent to the United States by her father, who feared the alarming news concerning fascist Germany. Leo does not know that Alma is pregnant and dreams of going to America to meet her. A short time after, the Germans invade Poland and Leo takes cover in the woods, living on roots, small animals, bugs and what he can steal from farmers' cellars. After three and a half years of hiding, he goes to America and finds Alma but is shocked to hear she thought he had died in the war and had married the son of the manager of the factory she works at. He is devastated when he finds she has had another child with her husband. He asks her to come with him, but she refuses. She tells him, however, about his son Isaac who is now five years old. Heartbroken, Leo leaves, and later becomes a locksmith under the guidance of his cousin. Leo regularly watches Isaac from a distance, wishing to be part of the boy's life but scared to come in contact with him.
In the present day, Leo is a lonely old man who waits for his death, along with his recently found childhood friend, Bruno, and Alma has been dead for five years. Leo still keeps track of his son, who has become a famous writer, much to Leo's enjoyment since he believes Isaac inherited the talent from his father. Leo's depression deepens when he reads in a newspaper that his son has died at the age of 60, and Leo develops an obsession with finding his place in his son's world, to the extent that he breaks into Isaac's house to see if he had read Words for Everything, a book about his life that he recently wrote and sent to Isaac.
Zvi Litvinoff's perspective is introduced. In the past, a younger Leo wrote a letter to his old friend Zvi, asking for his manuscript of The History of Love to be returned to him. Leo had given Zvi The History before they parted, years ago. However, his wife Rosa informs him that the book was destroyed in a flood, choosing to hide that her husband did not write The History of Love. Zvi also describes an event where Leo fell gravely ill in Poland and wrote his own obituary, after which Zvi stole it in the hope that it would keep his friend alive.
Unknown to Leo is that the book had been published in a small printing of two thousand copies (and re-published upon the supposed author's death) in Spanish, but under the name of Zvi Litvinoff, who copied the book thinking Leo was killed in Poland. Zvi felt so guilty for copying his book that he added his friend's stolen obituary as the last chapter, telling the publisher that including the obituary was conditional to printing the book, although doing so did not make sense with the plot. Zvi died later without telling the world about the real author of The History of Love.
In a parallel story, a 15-year-old girl, Alma Singer, named after the Alma in The History of Love, her parents' favorite book, is struggling to cope with the loss of her father due to cancer. Her mother becomes distant and lonely, escaping into her work of book translation. Her younger brother Bird, so called for jumping from the second story of a building hoping he could fly, seeks refuge in religion and believes himself to be one of God's chosen people, thus distancing himself from reality. Alma finds refuge in one of her father's hobbies: surviving in the wild. Alma also bears a crush on her Russian pen friend Misha, who has moved to New York. The two become a couple but they break up because of Alma's incertitude.
One day, her mother receives a letter from a mysterious man named Jacob Marcus who requests that she translate The History of Love from Spanish to English for $100,000, to be paid in increments of $25,000 as the work progresses. Alma's mother finds the sum suspicious, but the stranger confesses that his mother used to read the book to him when he was a child, so it has a great sentimental value. Alma sees this as an opportunity to help her mother recover from her depression and changes her mother's straightforward letters to Jacob Marcus into more romantic versions. When the letters stop before her mother completes the translation of the book, Alma decides to find the mysterious client.
She starts by noting down what she knows about Jacob Marcus in her diary, and concludes that the Alma in the book was real and proceeds to find her. She struggles in her search for Alma Mereminski, but succeeds when she realizes that Alma could have married and finds her under the name of Moritz. She is disappointed to hear that Alma has been dead for five years. However, she finds out that Isaac Moritz is the first of Alma's sons and a famous writer. When she starts reading his bestselling book, she finds that the main character's name is Jacob Marcus and realizes that Isaac Moritz had hired her mother to translate the book. Isaac is dead, however, which explains why his letters had stopped coming to their home. To be sure about her suspicions, Alma leaves a note on Isaac's door asking who the writer of the novel is.
In the meanwhile, Bird finds Alma's diary and misinterprets the names Alma Mereminski and Alma Moritz as being his sister's real names, and believes they had different fathers. Isaac's brother calls Alma, after reading the note and the original manuscript of the book, to tell her that Gursky is the real author, but Bird answers the telephone and it confuses him even further. He now suspects that Leopold Gursky is Alma's real father. To cleanse his sin of bragging and to regain the status as one of the chosen ones, he decides to set up a meeting with Alma and Gursky, thus doing a good deed without anybody knowing except God.
When the two receive the letter regarding their meeting, both are confused: Alma tries to discover which of the people she met during her searches could have sent her the note, while Leo comes to believe it was Alma who sent him the note, despite her being dead.
Leo settles himself on a park bench, waiting a long while for Alma to appear. He ponders his life, key moments from his past, the loss of his love, and what it means to be human. He imagines that he will die while he is waiting there, his own death and mortality being one of his preoccupations in the novel. When Alma finally appears, he and she are both confused, although at first Leo believes that she is his Alma from the past and that she is really just in his imagination. After he realizes that she doesn't look like his Alma, and he gets confirmation from a man walking by that the Alma who is there is actually real, Leo talks to her briefly about Bruno and Isaac, while Alma starts piecing together the puzzle of who Leo is. When Alma asks him if he ever loved a girl named Alma Mereminski, the old man finally feels a sense of transcendence in being recognized at long last, and instead of being able to respond to Alma's questions with words, he keeps tapping his fingers twice against her. She puts her head on his shoulder and hugs him, and he is finally able to speak again, saying her name three times and giving her her own feeling of transcendence at finally being recognized, too.
(Some readers believe that Leo has a heart attack and dies at this point, possibly because of Leo's earlier assumption that he is about to die, and also because he says during this meeting with Alma, "I felt my heart surge. I thought: I've lived this long. Please. A little longer won't kill me." A more compelling case can be made that the novel, for all its poignancy, simply ends with this mutually transcendent moment for these two characters.)
The last chapter is entitled "The Death of Leopold Gursky" and is identical with the last chapter of the book inside a book The History of Love, both being the self-written obituary of Leopold Gursky. By ending the novel this way, Krauss is richly alluding to earlier parts of the novel and to her theme of how words keep people alive for us, indeed, make people in danger of becoming invisible, visible. Zvi Litvinoff carried Leo's self-written obit in his pocket for years, as a talisman guarding against Leo's death. Litvinoff, when preparing History of Love for publication, insists that his editor include the Leo Gursky obit at the end, his way of ensuring that Leo will continue to "live" in the hearts of all readers of the book. And finally, Nicole Krauss includes the same obit at the end of her novel, as a way of urging all readers to keep this Leo, and all Leos, alive.

Review: romantic epic.
In the old world, country girl Alma (Gemma Arterton) is loved by three boys; Leo, Bruno, and Zvi. She makes Leo promise to write about his love for her.
In 2006 NYC, Léo Gursky (Derek Jacobi) is a grumpy old retired locksmith.
He is trying to contact his estranged author son over his autobiography and desperate to find a book called, "The History of Love".
Bruno Leibovitch (Elliott Gould) is his neighbor friend.
Alma Singer (Sophie Nélisse) is named after the Alma in the book.
Her mother Charlotte (Torri Higginson) and her late father fell in love with the book.
Her little brother believes himself to be one of the 36 righteous Lamed Vovnik in Judaism and is building an ark.
She's in love with Russian boy Misha but she insists on staying friends.
Her mother is hired to translate "The History of Love" into english.I know nothing about the book.
I'm sure it's a romantic epic.
This film is ambitious in its ideas.
This could be a great movie concentrating on Leo. There is this story about Alma Singer which does not measure up to the epic romanticism of Leo's story.
Adapting from a novel is often ambitious especially when the adapter is reluctant to use an ax to chop out sections.
Alma Singer's story is probably necessary for the book but not for the movie.
With a great veteran like Jacobi, this needs to trust his ability to take over the screen.
It needs to be a character study of this grumpy old man.
This could have been amazing but it needs someone more daring in adapting the material..
The story of love --- A romantic fresco of the most successful.
My opinion---After "Go, Live and Become", "The Source of Women" and "The Concert" - Radu Mihaileanu returns with a most successful romantic fresco, where he will evolve these characters in different periods of their life, By the carelessness, love, promises and dramatic passages of their respective lives, with all the delicacy and emotions that Radu Mihaileanu knows how to put into his achievements by making us share them.
This beautiful movie is also served in the most beautiful way by a cast of the most successful brings all the strength that will make this movie really good, thanks to: "Derek Jacobi" (masterful), the young "Sophie Nélisse" (Beautiful), "Gemma Arterton" (superb) and "Elliott Gold" (perfect), plus an effective scenario, you have all the elements of a superb film that I advise of course, because its quality is no doubt, good movie time..
2 Amazing Hours.
I really liked this film, its story is really something,i loved the way it has been pictured, the leading actors' performances were really convenient, you actually live the scene with them, furthermore, the music was remarkable, each note served its moment very well..
a movie full of symbols.
This is a fantastic movie, full of symbols.
It conveys the most diverse emotions from sympathy to admiration, from sadness to enthusiasm.Radu Mihaileanu managed to build an amazing character, Léo Gursky with whom it is impossible not to empathize.
He is like an oxymoron.
You can feel both his sorrow and his positive and innocent attitude towards life.
He conveys sympathy as well as dignity at the same time!
The film is also very dynamic, with intertwined plans, which keeps you focused.
In a world where relationships are consumed so quickly, what a wonderful lesson we are given by these loyal and faithful characters who decide to love one person for their whole life!.
I thought the movie was just great.
It is a very moving story, based on facts that happened to the Jewish population in Eastern Europe during WW2.
From beginning to end, there is nothing that I disliked about this movie.
The characters, the story, the music, they all get a solid 10 from me..
Will Hurt Your Soul.
If you've read the book, this movie will be painful beyond all belief.
It will prove sometimes good authors cave for monetary reasons and give up the purpose of their novel for some cheap big screen existence.
All that was beautiful in the novel, the true symbols and emotions was stripped apart to bit and pieces of modern gimmicky references.
Stilen names of characters and brief concepts of ideas was all that was left.
A innocent girl in love with her family turned into a moody teenager, a sweet sad old man turned into an angry spout of distaste, and a sad beautiful mother turned into a crazy agoraphobic?
Did the author lose the rights to her book in a card game?
They left out the actual history of love....
The definitive bad adaption.
On can only hope that this film servers some purpose by being used in Film 101 for film students to see all the possible attributes of definitive bad adaption.
I have to say I enjoyed the novel.
The novel *tries* to be original, self consciously so.
One gets the sense the author had made a study of non-linear timeline work and threw in some Proust and painful immigration and old age stories.
Still the novel is worth a read, it is complex, and average to above average workBut the film is a complete mess.
Two thirds or more of the narrative complexity and intersections, which are precisely what makes the novel interesting, are lopped away.
Amazingly the film still is disjointed and jarring, and instead of being easier to follow -- now simply full of narrative holes..
moody and incohesive.
I don't know the novel, but from the hints of the film I could gather that the novel must have some deep appeal and intrigue.
The film adaptation lacks any of that.
The different layers of the story hardly make sense on their own, becoming only shorthands and clichees with little emotional impact.
The episodes are longish and loose sight of the bigger picture.
Production value and acting is good though, only the script lacks finesse..
Great movie.
Great movie.
Its awesome how this film manages to twist and bring together its multi-layered story.
Really heartwarming.
Especially because you actually don't like any character of this movie.
They are cute and you feel with them, but there isn't someone who is clearly the hero-main character.
I really enjoyed it, all of them have there small personalities and mistakes.
But you cant stop watching because of this.They cut out one scene with the young Alma, which i would regret as a cutter, because it clarifies the motivation of young Alma on the point, where i had some struggles to understand her only with the movie, though i have to say, you can understand her motivation only with the movie as well.Everybody who likes a heartwarming story with multidimensional characters and a multi-layered story, i can hardly recommend this movie.