The Matrix Revolutions
Tags: suspenseful, fantasy, murder, avant garde, mystery, cult, alternate reality, violence, psychedelic, action, philosophical, romantic, sci-fi

Plot synopsis:
Bane/Smith and Neo are both in an unconscious state. The former is said to be merely asleep, whereas neural patterns of Neo are identical to those of people who are connected to the Matrix. Morpheus, dispirited after the destruction of the Nebuchadnezzar and discovering the true nature of the Prophecy at the end of the last film, starts a search for Neo within the Matrix despite him not being jacked in. Neo is in fact trapped in a limbo: a subway station named "Mobil Avenue" ("Mobil" notably being an anagram for "Limbo".), a transition zone between the Matrix and the Source (the Machine mainframe). At this station, Neo meets a 'family' of programs (of Indian Origin). The little girl called Sati talks to Neo, saying that her father has told her Neo isn't supposed to be in the station. Father tells Neo that Mobil Avenue is controlled by a program called The Trainman who, in turn, is an exile loyal only to The Merovingian. When Neo tries to board the train with the family, the Trainman refuses, and knocks him away from the train, telling Neo he makes the rules down here.Seraph contacts Morpheus on behalf of the Oracle, who now resides in a different "shell" (see Cast, above). The Oracle informs Morpheus and Trinity of Neo being trapped in Mobil Avenue. Seraph, Morpheus, and Trinity pursue the Trainman to secure Neo's release, but he escapes. Their only option now is to go to a place called Club Hel and confront the Merovingian for Neo's freedom. The three fight their way from the club's parking garage to the coat check station. They engage some of the Merovingian's guards, who are able to walk on ceilings and walls and kill them all, gaining access to the elevator.The trio force their way into a large dance hall, brandishing two guns each. The Merovingian, in a display of scornful admiration, tells them to hand over their guns and he'll meet with them directly. The Merovingian demands "the eyes of the Oracle" in exchange for Neo's release. Trinity however loses her patience and provokes a Mexican standoff in which she, Morpheus, Seraph and the Merovingian each have a gun to their heads, forcing the Merovingian to release Neo.In Mobil Ave, Neo tries to leave by running through the train tunnel. When he does, he simply runs back into the station from the opposite direction. Some time later, Trinity arrives and frees Neo.Troubled by new visions of the Machine City, Neo decides to visit the Oracle one last time before returning to the real world. She informs him that as the One, upon visiting the Source (the Machine mainframe), he developed a connection with it. The Matrix and the rest of the Machine world, are derived from the Source as well. Thus we learn that all of Neo's abilities - both in and out of the Matrix - exist because of this connection. This is how Neo was able to stop the machines giving pursuit after the Nebuchadnezzar was destroyed, although the end result of his lack of preparation was temporary confinement in Mobil Avenue. She characterizes Smith (who is also growing in power) as his exact "opposite" and his "negative". She also elaborates upon the relationship between her and the Architect (tellingly, each of them ejects an exasperated "Please!" when Neo asks them about the other). She also tells Neo cryptically that "everything that has a beginning has an end" and warns that Smith's power threatens not only the Matrix, but also the Source and eventually the Machine City. The Oracle states that the war is about to end "one way or another."After Neo takes leave of the Oracle, a large group of Smith clones arrive at her home. One of them, the original Smith, finds Seraph and Sati. Smith then confronts the unresisting Oracle and assimilates her, and having gained her powers of precognition, the new Smith cackles maniacally at the future he is seeing.In the real world, the remaining crew of the Nebuchadnezzar and the Mjolnir (referred to by the characters as "the Hammer") encounter Niobe's deactivated ship, the Logos and its crew (whose ordeal is portrayed in the game Enter The Matrix). They successfully reactivate the ship and begin to interrogate the now awakened Bane, who claims he has no memory of the events of the earlier battle. After contemplating his visions, Neo announces that he needs a ship to travel to the Machine City, although he cannot explain why. Roland, the Mjolnir's captain refuses him but Niobe (who was told by the Oracle in Enter The Matrix that she would have to make a choice to help Neo or not), lets him take the Logos over Roland's protests. Trinity decides to accompany Neo.The two remaining crews plan to return to Zion, and avoid the Sentinel army by allowing Niobe to pilot the Mjolnir through a series of service tunnels, which are nearly impossible to navigate. Shortly after departure, the Mjolnir's crew discover that Bane has murdered a crew member and has hidden aboard the Logos. However they are unable to double-back in order to warn Trinity and Neo. Before the Logos can depart, Bane ambushes Trinity and takes her hostage. Neo fights Bane, who reveals himself as a manifestation of Smith. During the struggle, Bane manages to blind Neo by cauterizing his eyes with a severed electric cable. As Bane appears to have the upper hand, he closes in on Neo - only to have his attack thwarted and reversed. Neo can see Smith inside Bane as a fiery form, in spite of his blindness. Neo finishes the fight by smashing Bane's head with a jackhandle and releases Trinity, who pilots them towards the Machine City.Niobe, with Morpheus as her co-pilot, flies the Mjolnir through the lowest tunnel system. Flying slowly and at low power to avoid detection, they make their way to Zion. One of the craft's hover pads collides with the debris on the floor of the tunnel - the bang is heard by the sentinels, who immediately pursue the craft. The crew makes a valiant effort to fight them off, however, they overwhelm the ship and begin to damage it with cutting lasers. A small group of sentinels also rips off the craft's communication's antenna, making it impossible for them to signal Zion they're coming.In Zion, the defenders deploy infantry armed with rocket launchers and Armored Personnel Units in order to protect the dock from assault. The dock is breached by two giant drilling machines, Diggers, and a huge swarm of sentinels, igniting The Battle of Zion. Despite a desperate effort the APUs fail in holding the Dock and many are destroyed. In other areas of the dock, Link's wife, Zee, and her partner, Charra, use a rocket launcher to fight the sentinels and Diggers. Charra manages to blow the leg off a Digger, however it uses another of it's legs to stabilize itself. She is also able to disable another Digger for a short time - it is soon reactivated by more sentinels that recharge the massive machine. Zee is able to escape the sentinels, however, Charra is killed by them.During the battle, Captain Mifune fails to open the gate for the approaching Mjolnir and is attacked and viciously wounded by a swarm of sentinels. With his last breath he tells Kid (who was renewing his ammunition supply at the time), to open the gate for the Mjolnir. Kid is reluctant at first, saying he did not complete the combat training needed, only for Mifune to tell him, "Neither did I." The Kid suddenly finds the courage to fight through a cloud of Sentinels to the gate and open it. Just as the remaining humans are about to be overwhelmed, the Mjolnir bursts through the gate, with further Sentinels close behind. The Mjolnir's EMP is fired which disables all electronic equipment in the area. The EMP destroys all the present Sentinels, but it also disables the remainder of Zion's defenses. The humans are forced gather what weapons they can and fall back to the temple entrance, awaiting the next Sentinel swarm which will surely overwhelm them all.Nearing the Machine City, Neo and Trinity fly over the harvesting fields where millions of humans produce energy for the city. They are attacked by the city's defense system, which hurls numerous mobile bombs and Sentinels at the Logos. Neo uses the power given by his connection to the Source to destroy the incoming bombs. However, Sentinels overwhelm the ship. To evade them Trinity flies the Logos up into an electrical storm cloud. The Sentinels are disabled, but the cloud also disables the ship's engines. As the ship emerges temporarily above the cloud layer, Trinity gets her only glimpse of real sunlight and blue sky. The ship then stalls and plummets back into the storm cloud as it free-falls directly toward the Machine City. Trinity attempts to ignite the engines but it is too late and the ship crashes into a machine tower. The impact of the collision fatally wounds Trinity, and she dies in Neo's arms.Neo emerges into the Machine City to strike a bargain with the machines, personified by the Deus Ex Machina. Neo warns the machines that Smith (who has by now assimilated every human and programme within the Matrix) is beyond the machines' control, and will soon assault the Source to which the Matrix is connected. He offers to help stop Smith in exchange for a ceasefire with Zion. The second wave of Sentinels in Zion instantly responds by standing down at the temple entrance. Neo openly confronts the Deus Ex Machina, a massive droid with a human child's face that acts as the interface to The Source. Neo negotiates with it, saying that in exchange for a peaceful coexistence, he'll destroy Smith and his clones, which have infected most of the Machine City. The Deus insists that they don't need Neo's assistance, to which Neo says "If that's true... then you should kill me now." The Deus agrees, providing a connection for Neo to enter the Matrix and confront Smith. The Deus suggests that Neo might fail - Neo says he won't.The city is now wholly populated by tens of thousands of Smith copies - the clone with the Oracle's powers steps forth, claiming he has already foreseen his own victory. Smith's clones stand by and watch while Neo and Smith square off. Fighting on the streets, through buildings and into the sky, they continually repel each other. While battling in the sky, Smith grabs Neo and plunges to the ground with him, creating a massive crater. The two continue to battle in the crater, seemingly to a standstill. Neo is eventually outmatched by Smith, who pauses to gloat that he has "seen this [the details of his victory] before". Describing the details aloud, he cannot remember what he was supposed to say next in his vision. Neo refuses to give up the fight, and a frustrated Smith continues his attack until Neo is too badly hurt to go on. To both Smith and Neo's surprise, Smith announces "everything that has a beginning has an end." Hearing the Oracle's parting advice again allows Neo to understand that Smith's assimilation is not total, and baits the scared Smith into assimilating him. Neo's final words to Smith are, "It was inevitable," quoting Smith's oft-spoken admonition.Smith's assimilation of Neo is seemingly successful, and when the Oracle-Smith asks Neo-Smith whether it is over, he receives a nod and smile as reply. Back in the Machine city, Neo's body spasms as a surge of energy enters his body through the Matrix connection. Neo is returning to the source, and starting with the Neo copy of Smith, a white light begins to rip the clones apart from the inside out. One by one, similar to the destruction of Agent Smith at the end of The Matrix, the copies are destroyed.With the elimination of the Smiths, all the programs and humans that were possessed return to normal, including the Oracle. The Sentinels that were about to attack the humans withdraw from Zion. Neo, having sacrificed himself to save both the Machines and humans, is unplugged from the Matrix and his body is respectfully carried away by the Machines.The Architect, upon meeting the Oracle, tells her that she "played a very dangerous game" by attempting to change the way the Matrix functioned. The Oracle responds by saying that she understood the risk and knew it was worth taking. She asks the Architect what will become of any humans who want to be unplugged from the Matrix, and the Architect replies that "they will be freed." The Oracle asks the Architect, "Do I have your word?" The Architect answers "What do you think I am? Human?"The closing shot of the film depicts a new dawn on the world of the Matrix, created by Sati. Plant life is shown in the Matrix, and for the first (and last) time the ubiquitous green tint is absent.

Review: In this explosive final chapter of the Matrix trilogy, Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race.
It is my second favorite film in the trilogy because it ends the story and answers what happened with Neo (Keanu Reeves), he saved Whole planet and defeat Smith (Hugo Weaving) on the end of the movie.
That end fight and emotional ending leaving behind a plot for sequel ...Second really expanded the meaning of matrix and the whole idea so I don't understand the hate.There is a lot of memorable moments the Smith vs Neo climax rain scene is one of my favorite movies scenes of all time.
Whether or not people like a film or not is a subjective matter but I can't help feeling that the people who dislike (or even hate) this film are missing something because Revolutions is an intelligent, entertaining, beautiful, sad and moving picture.The acting of all three films have been a mixed bag and although I usually join in the bashing of Keanu Reeves I find him strangely fitting for the part of Neo. His voice is not the perfect voice due to its monotonous tone but his body language is very good and sometimes even great and that is the case in Revolutions as well.
'The Matrix Revolutions' is the much-anticipated conclusion to the Wachowski Brothers' cultic sci-fi trilogy, whose previous entries were 'The Matrix' and 'The Matrix Reloaded.' In the series' final installment, the messiah figure, Neo, does battle with the diabolical forces that have imprisoned most of humanity in a world of cyber unreality via a massive computer program known as The Matrix.Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting.
Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is.
Makes me laugh when people speak of logic in such type of movies.What a dose of special effects, which were really fantastic, specially the final battle, with $110 million budget it outcast many biggies of nowadays.I personally believed that those who felt disappointed was because:1.They wanted to see the normal happy ending.
The dialog is geared toward answering unanswered questions rather than raising new ones, and even the new questions raised in the third film can be answered by watching the film again (watch all three a few times over and you'll be as pointlessly knowledgeable about The Matrix universe as I am!).Unlike Reloaded, even the score fits well with every scene in the movie.
Such an egotistical, maniacal character should be the focus of more attention than what he received in what is supposed to be the best movie of the trilogy.(One thing I must say to any viewers who criticize the film because it doesn't look real enough or doesn't feel right: you need to stop thinking like an illogical human and treat The Matrix like what it is: something that isn't real.
The Wachowski brothers put together an excellent body of work with these films and accompanying works on various media -- so excellent, in fact, that I am easily distracted by discussion of The Matrix, both within the context of the story and above and beyond the story (symbolism, allegorical applications, etc.)My only complaints were that the Merovingian was grossly underused, the fate of the Twins and some other characters was not explained, and the Kid's triumphant "The war is over!" at the end was a bit premature, given what we had just watched for the last two hours.Finally, everyone should keep in mind that the machines have Neo's code, and whether Keanu Reeves comes back or not, his intellect may yet survive in the Matrix somehow....
I hope that in ten years time, as happened with the Highlander series, somebody will come along and pretend that these original sequels never existed and create some new ones following on from the first film.Too many characters with too little substance.
It is as if the Wachowski brothers have run out of ideas for the main characters, who, without the fast-paced world of the matrix to play with, reveal themselves as increasingly 2-dimensional, only defined by each one's singular purpose - i.e. Morpheus' faith in Neo as saviour, Trinity's love for Neo, or Neo simply being Neo, the all-asskicking super-dude we all secretly wish and/or think we might be.
Neo and Trinity are given little screen-time for the bulk of the film as they go about their separate mission while Morpheus literally takes a backseat to Niobe, a character for which we care little for unless we have been lining the Wachowski brother's pockets further by buying Enter The Matrix.The action scenes themselves can err the viewer towards boredom - there's only so much interest or fear to be gleaned from admittedly well-crafted but still obviously CG creations.
The questions of free-will and metaphysical freedom touched upon in the first film are largely ignored in favour of a simple fight for survival against the evil machines invading Zion and Neo's battle with the cyber-bogeyman that is Agent Smith instead of the potential for a psychic/psychological battle with the matrix program itself - a potential for a mindblowing effects-fest if ever there was.All in all the concluding part of the Matrix trilogy comes over as a bloated, overlong ending tacked on to reloaded with few to zero new ideas, less engaging action scenes and an ending that may well have been conceived on the back of an envelope while on the way to work.
Consequently, those who have a grasp on what happened enjoyed the experience as much as I did and feel the same way I do.The Wachowski brothers, perhaps, could have portrayed the finale with a little more clarity; but I find it ashame that so many have come to hate this trilogy upon seeing Revolutions.
Why not just end the movie with 100 years later everyone celebrating a holiday called "Neomas?"  Despite all the Matrix fans who say that this is a film designed to "deprogram" people and "open minds," and all the Matrix fans I met who bash christianity, this is a pretty pro-christian movie.When I first saw the Revolutions trailer, I said "This fight between Smith and Neo had better be the best throwdown ever caught on film."  Well, it wasn't.
I tried watching Matrix the other day, and it just wasn't as good now that I know the full story and most of the disapointing answers to the questions asked in the original.So those are my problems with the movis, but I've got one other problem pertaining to Matrix Revolutions.
I know that a film is good if it leaves you thinking about things and I could sort of guess that Neo might have become some sort of programme etc at the end, but I still felt that the film should have helped me out even a little bit!The plot is very heavy going and it lacks the light imagination evident in the first film.
some of the machine action sequences or battle scenes or whatever didn't do so much for me, but that storyline was fairly necessary for the movie.all in all i am really looking forward to seeing what the wachowski brothers do next.
i really like the philosophical/psychological elements in their films and would really be interested in seeing what they could do with a movie that didn't require so much action and special effects.
and who could ever get enough of agent smith?the matrix: 9.5, reloaded: 8 (mostly for the weakness of the first 40 minutes), and revolutions: 9 (for being too dependent on the machine action/battle sequences).
That's how there are so many interpretations to it, it has so many layers that it would take more than just one good chat to understand all the meanings of the matrix.This third installment didn't have more kung fu, or philosophical speech than the first two, it rather had more symbolisms throughout not only the actions and reactions of the characters but also through  the concepts used.Something people should consider  is that according to Joel Silver, Reloaded and Revolutions are the same movie cut in half, which gives a different perspective to Revolutions if only analyzed alone.This movie is about an end, death, finding a meaning for life, fighting, truth, etc.
Why the Wachowski Brothers turned the third (and hopefully final) saga of the Matrix, into a emotionless, plot-lacking, ridiculous battle against the machines, that the humans could never hope to win, I will never know.
The final "battle" between Neo and Agent Smith is perhaps the most anti-climactic finale in any movie ever made.Some people have come to the film's defense.
In the first two movies, the main plot was the rebellion of mankind against the machines, not vice-versa, forgotten?What about the promising thought at the end of "reloaded", that maybe all the setting of the underground world and the machine-ruled earth surface were kind of another matrix themselves, including Zion and the characters of Morpheus and even Trinity?
The first Matrix was a pretty good movie...but not a huge revolution...and what kinds of drugs were people smoking when they thought the Brothers W had invented some kind of deep new philosophy?
Neo is no more intended to have deep psychological realism than Indiana Jones, but the thing is, I liked Indy and hoped he got out in one piece -- while my concern about Neo has been jerked around by so many layers of whether he's real or not, and whether he's really doing what he seems to be doing, that finally I measure my concern for him not in affection but more like the score in a video game."OK, so again I use the words of critic Roger Ebert to help express the feelings I have towards the groundbreaking "The Matrix" (1999) and its two lackluster sequels "The Matrix Reloaded" and "The Matrix Revolutions" (both films released in 2003).The first "Matrix" was (obviously) the best film in the series, with its wild and kinetic action scenes, and gravity-defying special effects.
That kind of killed the experience knowing that is what was most likely the intention behind this film; but at least it kept you watching through the special effects and breathtaking action scenes that were reminiscent of the sequences in the first "Matrix" film.Indeed "Revolutions" was much more tolerable to watch, and it did go out with a bang as was expected by the "holy" crowds that view these films as some sort of new religious experience.Another scene would be the attack on Zion, which, forgive me, reminded me a little too much of the battle sequence from Michael Bay's "Pearl Harbor" (2001) because of the style and the way it was presented to the audience.
The trilogy certainly ended the way I predicted that it would (I will not disclose the details) but it ends up being worth it (much more satisfying than the abrupt conclusion of the previous film), especially for the all-too symbolic, apocalyptic "Burly Brawl" action sequence between Neo (Keanu Reeves) and Agent Smith (Hugo Weaving) at the end of the film.
If the Wachowski Brothers (Andy and Larry) ever did something right with the sequels, it would easily be this one scene.Anyways, to conclude, "The Matrix Revolutions" ended the series on a good note and I enjoyed it a lot.I give it a solid "7.".
The first time was "Boat Trip" (which was a sneak preview, I had no idea they were showing this, I assure you I would never have chosen that movie out of free will), the second time was while I was watching "The Matrix Revolutions".I liked the first Matrix film.
To top it all of, most of the film is about defending this city, which is done by characters which were all added later while the main characters just vanish or become cyphers.Only two scenes of the movie take place in the matrix, one in the beginning and one at the end.
the entire film had been ruined for me a long time before during all these ridiculous and redundant fighting scenes in Zion.This third installment is so terrible, that it weakens the entire trilogy and even the first movie as a standalone work.The only positive thing that can be said about it is that after that, all that annoying geek talk about the matrix allegories stopped.
After all the battles they've had over the trilogy, I didn't know how this one can be any different or any more special, but the Wachowski brothers definitely raised it up to another level.Like I said, this movie is still pretty confusing.
It is as if any form of freedom and anarchy that was in the first film turned into consumerism and conformity in the second two movies.If you are a fan of the Matrix DON'T see Reloaded or Revolution.
The Matrix Revolutions marked a sorry end for one of, certainly at the beginning, the most creative; most original science fiction films running on a smart premise we'd seen for some time.
The Matrix Revolutions appears tired with its origins, bored even; like the cleverest student in the class whom sits at the back just not feeling up to it on the day of the big exam, and falling just a little short of the pass mark when so much more was expected of them.As the piece crawled towards the end of its one hundred and twenty five odd minute run time, nearly all sense of immersement and respect for the trilogy was on the way out of the window, and I was praying their God-like Architect character would simply walk onto the screen, turn to the camera, hold up a remote control of some kind and just press a button that would make the screen go black.
Revolutions is the point The Matrix ceases to be a science fiction film about ideas complete with an initial, original vision; now rendered a dorky war-come-action film which pastes on a dull love story or two involving the leads and their supporting acts so as to try and insert a bit of heart into proceedings, amidst the gradually less and less interesting teenage orientated spectacle.The war between man and machine has reached its crescendo, the ultimate showdown between flesh and blood and metal and A.I. has arrived after burning at the back on a hob throughout 2003's other Matrix sequel entitled Reloaded.
That's right, unlike the Matrix Reloaded which was just a giant action movie (not saying that's bad either) but Revolutions was a lot about preparation and Planning.
The first Matrix was good for introducing you (obviously) The second for Action (action taking you deeper into the story) And the third one for making you think and (as I said) BLOWING you away.I give this movie a 10/10.
He does stumble in the ending, mainly because the fight scene is ludicrous, but his character is still the best thing in The Matrix series.So what does work in this movie?
I'm sure that movie has much less ambiguity for your jaded tastes, and will spoon-feed you the answers like you need them.I am by no means a huge fan of the Matrix trilogy, nor did I find the last 2 installments particularly good, but Reloaded and Revolutions were, in their own right, entertaining and visually spectacular.
But the action sequences are still intense and fun to watch, especially the final showdown between Neo and Agent Smith.This movie actually requires you to listen to the dialogue like the second one, which seemed to disappoint all the 12 year-olds in the screening I went to.
Neo is stricken blind by a man that has been possessed by Agent Smith, Trinity serves as only a dramatic character, and the film ends with peace between man, the machines, and the Matrix, rather than the annihilation of the last two.
However, looking at it now, all of these things work in favor of the movie.While Reloaded exploited the iconic nature of the first film with such stunts as having Neo fly, having Neo fight fifty Agent Smiths at once, having Neo manipulate the Matrix in every way imaginable, having Morpheus fight bad guys for fifteen minutes straight, and having the machines attack the Nebuchadnezzar again, Revolutions seems to throw off all of the iconic nature of the trilogy, and instead find a conclusion that is interesting and, surprisingly, in tune with all the mounds of philosophical ideas they built into the first one.
However, it is made even worse by the fact that these characters fighting the machines were not developed enough in this film or the previous one.Bottom line: The Matrix Revolutions is about a war between some humans and some machines which I just don't care about all that much.
Instead the final scene ends too quickly and it's predictable, recycling some of the ideas from the first Matrix film.The Wachowskis failed big time on Revolutions, it lacks pretty much everything that made the first film exciting to watch, and everything that made Reloaded at least passable as a sequel.
Revolutions was hyped for having an awesome battle in Zion as well as one final showdown between Neo and Agent Smith - but both these "highlights" are just run-of-the-mill CGI frenzys, that cannot stand up to any of the action scenes in the first film.
The matrix revolution is amazing action film i enjoy watching them it is such a great movie.