The Saint Strikes Back
Tags: revenge, murder

Plot synopsis:
While dancing at a New Year's party, the Saint spots an agent of Valerie Travers preparing to shoot someone, so Templar guns him down first at the stroke of midnight. Templar is placed by witnesses at the scene, so the San Francisco police request the assistance of Inspector Henry Fernack (Jonathan Hale) of the NYPD. Before Fernack can leave, the Saint arrives in New York and accompanies him to the West Coast.
Travers' father had been a police inspector whose efficiency caused trouble for a mysterious criminal mastermind named Waldeman. When a large sum of money was found in his safe deposit box, however, he was fired on suspicion of working for Waldeman and committed suicide. Travers is determined to clear his name by any means necessary. The Saint takes up her cause, despite her hostility for his interference in her plans and her suspicions about his motives. Templar gets the cooperation of the police commissioner, over the objections of Chief Inspector Webster and criminologist Cullis, who wonder if the Saint is Waldeman himself.
Templar and Travers cross paths again when the trail leads to Martin Eastman, a noted philanthropist and seemingly-irreproachable citizen, whom they both suspect is linked to Waldeman in some way. Templar forces Travers and her gang to drive away, all except her burglar, Zipper Dyson. Templar gets Dyson to open Eastman's safe and takes the money inside. The serial numbers confirm that it was stolen in a robbery perpetrated by Waldeman. When Eastman contacts Cullis instead of reporting the theft, Templar knows that Cullis is also working for Waldeman. With that information, not only does the Saint exonerate Travers' father, he also identifies Waldeman.

Review: "Well, not the man who knows everything, just the man who knows the important things." George Sanders is the mysterious, charming and dangerous Simon Templar: "You're important to me—that's why I know you," he explains to an annoyed Wendy Barrie, whom he has just forcibly escorted from a nightclub—moments before the cops arrive to investigate a murder.
Sanders explains her plot nicely to the investigating officers: "She thinks he got a dirty deal from the police so she's enlisted a bunch of second rate crooks to annoy you."The Saint is on the scene as one who always takes an interest in rooting out corruption; in this case, his sense of adventure and interest in justice have brought him all the way to San Francisco.
The supporting cast includes great character actors who all do their jobs: Jerome Cowan is a cop who's obviously mixed up in the dirty business somehow; Neil Hamilton is another detective; Barry Fitzgerald is "Zipper," a small time crook impressed with Sanders' style ("I never seen such a cop").Jonathan Hale is again on hand as Inspector Fernack, the old pro who has had dealings with Templar in the past.
His relationship with the Saint is of course complicated—one minute he is sticking up for Templar's motives and methods, not much later he is (momentarily) convinced that Templar is the mastermind behind the whole San Francisco setup.Besides the great cast, this film features a strong script and is beautifully photographed—a very classy B mystery..
"The Saint Strikes Back" (1939) is directed by a young John Farrow, who would not only go onto to make film noir classics like "The Big Clock" (1948), "Alias Nick Beal" (1949) and "Where Danger Lives" (1950), but he would win an Oscar for writing the screenplay for Michael Todd's multi-award winning "Around the World in Eighty Days" (1956).
So, not only do you have a notable director at the beginning of his career here, but George Sanders in his first role as The Saint, eleven years away from getting the Academy Award for Best Supporting Actor for "All About Eve" (1950).
The acting too, is polished and professional.On the other hand, the screenplay, written by John Twist, from Leslie Charteris's "She Was a Lady" (1931), credited in the film as "Angels of Doom", while it moves briskly along, is a tad confusing.
This was George Sanders's first appearance as the Saint, where he replaces Louis Hayward.In this one, the Saint is sent to San Francisco to investigate a shooting at a night club.
With the help of his acquaintance Inspector Fernack who has come down from New York, they help a daughter of a crime boss.Joining Sanders in the cast are Wendy Barrie and Jonathan Hale.Not a bad Saint movie.
It's not too bad a b movie, with Sanders, Barrie, Hale, Cowen, Hamilton, Gargan, Fitzgerald and even Willie Best we could be either with Charlie Chan, Moto, the Falcon, Blackie, Holmes or the Saint etc.
In other words you get the chance to spend another hour in the company of some old friends, from plain to urbane, murdering and being murdered - always a pleasure in my book.Barrie's a hard-boiled dame out to avenge and clear her framed and dead father, a police detective by planning and carrying out with her coterie a string of underworld assassinations.
Sanders joins in the fun simply by dancing in the right club in the right place in the right city at the right time with the right lighting falling on both him and the first killer (at the right time!) and killing him.The story and acting's OK, the only gripe I've got is near the end with the hurried and almost laughable discovery of who the evil genius (Waldeman) was - did they almost forget about his relevance in the plot?
George Sanders made his debut as Leslie Charteris's international man of mystery Simon Templar, AKA The Saint in this film, The Saint Strikes Back.
For all the rumors about his crooked ways Sanders is more often helping the local authorities than not, especially if it's doggedly honest Inspector Fernack of the NYPD homicide squad resolutely played as always by Jonanthan Hale.
But Sanders had to have the worst case of it film history as he flies from San Francisco to New York after saving Wendy Barrie from being the object of a hit man.
Sanders then flies back bringing Hale in tow.She's close to them however in her associates and it's up to the Saint to discover who's a San Francisco rackets boss and bring them to justice.Sanders who in most films was the movie's biggest cad is a fine hero, a regular modern Robin Hood.
George Sanders makes his first appearance as the Saint in this film and all I can think is: "Hey, It's Addison DeWitt, private eye!" Because this Saint is nothing but snide, more prone to shoot off a cutting remark than a gun.
This was also the first of Barrie's three appearances in the Saint series, although she played a different character each time.But what of the film itself?
I love B-detective series films like Charlie Chan, Sherlock Holmes and The Falcon.
While the Saint series is not my favorite, I have always enjoyed them because I love seeing George Sanders so gracefully navigate himself through the mystery--he was the epitome of cool and sophisticated.
This is not George Sanders' best "Saint" movie by any stretch("The Saint in London" gets that honor).
George Sanders is introduced to us as Simon Templar in this movie.
Wendy Barrie plays the female lead(as she did in two other Sanders-Saint films)but she is much too stiff.
When Simon Templar (aka The Saint) helps self-styled crime boss and daughter of a disgraced cop Val Travers to get away from a nightclub after they were both involved in a shooting.
Meanwhile Templar gets on the wrong side of Travers and earns her vengeance while also trying to get to the bottom of the mystery surrounding her father's fall from grace at the hands of an internal investigation.Following on from the hard edge and anti-hero approach of The Saint when he was in New York, this film cannot help but feel like much more of a sedentary affair with a more liberal approach perhaps befitting the San Francisco setting.
That said the film still has a nice feel to it that makes it just a shade better than the b-movie series generally achieved from this point onwards.
The story is quite good although not anywhere near as engaging as it should have been and I must admit that at times I drifted away as it lacked a consistent hook to keep me watching.Coming in to replace Hayward, Sanders was never really going to do it for me as I already knew him to be all about the smoothness and the suaveness and it didn't surprised me when his criminal edge was played down to almost nothing and he turned in the sort of performance that made him vastly inferior to the original Saint (in my mind anyway).
Hale is OK while people like Elliot, Fitzgerald etc all fill in around the edges.Overall a well-directed film that is a reasonable stab at continuing the series but, for reasons that are perhaps obvious, scaling down the mean edge the original had.
Sanders is a nice lead but he cannot lift the material and the end result is a standard b-movie that will please fans of The Saint and The Falcon..
In this, the second "Saint" film, George Sanders takes over the role of Simon Templar and makes it his own (though Louis Hayward was excellent in the debut of the series).
At just 64 minutes, "The Saint Strikes Back" is packed with unexplained plot twists, huge helpings of comic filler and enough suspicious characters to form two football squads.In many an early detective novel, the writer included a list of characters, major and minor, so the reader could refer back to it when things got murky.
Let's move on to another." Fortunately, Sanders' later "Saint" films were much better than this..
'The Saint Strikes Back' is a decent start for the Saint films starring George Sanders, but there are better films in the series since, this had a bit of a finding-its-feet feel and the previous Louis Hayward outing had a tougher edge that is lacking a little here.Sanders himself is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb.
The sets are very atmospheric, captured very well by some classy photography, and John Farrow directs with a briskness and a clear purpose.Regarding the script, some of it does get confusing especially towards the end, but Sanders has some nice cutting ones and the dialogue did amuse and provoke thought enough.
Some of the film also got a tad over-complicated, though most of it was not too hard to follow, particularly towards the end.Overall, decent first Sanders-Saint film and Sanders acquits himself very well in the role, but not one of the better films in the series.
The second movie in RKO's The Saint series is the first to star the inimitable George Sanders.
Here we have Simon Templar, aka the Saint, helping a woman who turned to crime after her policeman father was disgraced and committed suicide.
While Louis Hayward was a tough and gritty Saint in the first film, George Sanders is all style and class.
Jonathan Hale plays Templar's police inspector friend who finds himself torn between trusting Simon and doing his duty.
George Sanders, Wendy Barrie, John Hale, Jerome Cowan and Barry Fitzgerald star in "The Saint Strikes Back," which serves as the debut of George Sanders as Simon Templar.
He follows Louis Hayward who starred as The Saint in "The Saint in New York." Simon travels from coast to coast more than once in this story, which concerns a San Franciso crime ring.
As a result, his daughter, Val (Barrie) has formed a crime organization of her own, hoping to draw out the head of the ring, a man named Waldeman, who is responsible for framing her father.Templar and Inspector Fernak (Hale) work together to find Waldeman -- of course, Fernack thinks Waldeman might actually be Templar.Directed by John Farrow, the script is a little confusing.
He made a big impression on me when I saw The Saint in New York a long time ago.Wendy Barrie plays the late police inspector's tough daughter, and she's pretty hard-nosed.
Hale and Sanders play well off of one another.I like some other Saint films better, but this one is okay..
THE SAINT STRIKES BACK, an early adaptation of a Leslie Charteris novel starring George Sanders, is a real chore to sit through.
Saint Strikes Back, The (1939) ** (out of 4) The second film in RKO's series has George Sanders taking over the role of The Saint.
Another problem is I think Sanders, a great actor, is too dry for the role and this eventually turns the character pretty boring.
Several years after this film Sanders would make The Falcon series and I think he did a better job there, although looking at this film and those Falcon movies it's hard to tell which is which because Sanders plays the role the same way.
Perhaps I wouldn't have been so hard on this film if I hadn't watched it so closely with The Saint in New York but where that film is original and entertaining, this one here just comes off rather bland..
I like George Sanders as the saint.
I wasn't sure.In spite of the plot issues, and inconsistent behavior of some of the characters I still enjoy watching George Sanders Saint.
George Sanders steps into the shoes of Simon Templar for the first time and beds himself in for a further four movies.
Support is good from Wendy Barrie, Jonathan Hale, Jerome Cowan and Barry Fitzgerald, while director John Farrow, without adding any stylish flourish, at least keeps the picture nice and brisk.
You have to stay wide awake to follow the plot convolutions of THE SAINT STRIKES BACK and by the time it reaches its final scene you may lose your way keeping track of a number of undeveloped characters whose names are bandied about with such nonchalance that in the end it hardly matters when you discover who the main culprit is.The plot revolves around hard-boiled dame WENDY BARRIE who's surrounded herself with gangsters in order to avenge the death of her father.
She's a one note actress if ever there was one.Fortunately, the script is graced by the presence of GEORGE SANDERS, who can deliver a crisp line with so much bite and sarcasm that it's fun to see him using his verbal wit on some unsavory characters.
NEIL HAMILTON makes no impression whatsoever in a colorless role as a man supposedly in love with Barrie, but BARRY FITZGERALD turns up to put some spice into the story, at least in the last half of the film.It's strictly formula stuff intended to entertain as a programmer in the late '30s and offers nothing very original or new to make it anything more than something of passing interest..
Leslie Charteris' series of novels of the adventures of the slightly shady Simon Templar ("The Saint") was brought to the screen in the late 1930s with the up and coming George Sanders as Templar.
The films are not the best series of movie mystery serials - but they are serviceable.
Like Rathbone's Holmes series or Oland's Chan's series the show frequently had actors repeating roles or playing new ones (the anti-heroine in the film here was played by Wendy Barrie, who would show up in a second film in the series).
But as the film dealt with the identity of a criminal mastermind, it became obvious that this person was made so slightly noble as to merit being the mysterious mastermind (i.e., the script disguised him as the least likely suspect).Barrie is after the proof that her father (who died in prison) was framed by the real criminals in a robbery gang.
Best has to remind him (when he feels better) to head for a location that Sanders told him to go to at a certain time.There is also an interesting role for Gilbert Emery.
After Roger Moore, this was my very first SAINT film with George Sanders.
However, this gets my vote for the WORST Saint film ever made-- and let me tell you why.I sat thru this thing at least 3 times and could not make heads or tails of the plot at all.
And then, not long after seeing Louis Hayward in THE SAINT IN NEW YORK, I started reading Leslie Chartis' books.
And then of course there's George Sanders, who's COMPLETELY miscast as Simon Templar.
The dialog Templar spouts in much of this film would be impossible for ANY actor to deliver credibly, EXCEPT for Louis Hayward, and I doubt even he could have made the story in this one fly.
Maybe it wasn't just RKO's low low budget that caused him to depart after only one picture-- maybe he read the script, too.In all fairness, and despite himself, the next 4 SAINT films all had the dialog tailored specifically to fit Sanders' personality.
Truthfully, the only one who comes off unscathed is Jonathan Hale, and you can't help but feel sorry for his Inspector Fernack, for the dizzying way Templar leads him on a confused merry chase, on his way to becoming a "hero" at the end.As if everything else wasn't so bad, at the end of the film, the "big reveal" as to the true identity of the main villain ALSO is told entirely thru confused dialog, and we find that the baddie got KILLED-- off-screen!
Ironically, RKO distributed the 2 British-made films that followed, and simultaneously did THE FALCON series, initially also with Sanders, which was based on a novel that was the subject of a plagiarism lawsuit brought against it by Leslie Charteris!
I guess that didn't bother RKO any...Finally, allow me to recommend much better Simon Templar films...THE SAINT IN NEW YORK THE SAINT IN London THE SAINT TAKES OVER THE SAINT'S VACATION.
It is interesting the control that even RKO had over casting.The creator of The Saint character did not like George Sanders playing the role of the character he created.
It sold a lot of tickets and it even does a great job giving the series new star a lock on his role.Overall a smashing success for Saint fans everywhere.
Hayward starred in the first movie, director Ben Holmes" "The Saint in New York." Interestingly enough, Hayward encored as the halo clad hero in the 1953 film "The Saint's Girl Friday," long after not only Sanders, but also Hugh Sinclair had impersonated the fictional Robin Hood character.
Sanders starred in five "Saint" sagas between 1939 and 1941 for RKO Pictures.
"The Saint Strikes Back" is a rather straight-forward crime thriller with the Saint living up to his own self-proclaimed description of himself as "the man who knows everything-just the man who knows the important things." Indeed, our hero knows ahead of time that the heroine he must save is not guilty of murder.In "The Saint Strikes Back," our adventure-prone protagonist dispatches a New York cop killer, Tommy Voss, in the Colony Club nightclub in San Francisco on New Year's Eve and sets out to save Val Travers (Wendy Barrie of "Dead End") who has suffered a lot of bad publicity since her father was framed for police corruption.
Incidentally, Hale co-starred in the first "Saint" escapade and he reprised his role here.This Saint outing is adequate, and Twist gave Sanders some good lines that he utters with aplomb.
Since I've never read a Charteris novel, I cannot understand what the author objected to about Sanders' performance, but the British actor seems born to play the role, and he appears to have a grand time doing it, savoring each of his loquacious lines.