Michael Clayton
Tags: mystery, murder, dramatic, intrigue, flashback, insanity, storytelling

Plot synopsis:
The film opens with the rabid ranting and raving of Arthur Eden's (Tom Wilkinson). Most of this speech is rambling and babbling. He begins talking about how one day he was leaving work and he walked out into the street into traffic and suddenly he found he could not move, even though there was traffic incoming. Essentially he tells us he was frozen in a moment of utter consternation brought on by the shambles he has made of his life doing what it is that he does. His work as an attorney helping a corrupt company defend the indefensible has left him where must break the shackles with his old life and try something new. In an office a legal team of dozens of people are diligently taking phone calls, shedding documents, comparing notes, etc. A lawyer talking to a reporter on the phone and walks over to Marty Bach (Sydney Pollack) and hands him the phone. He tells Bach that it's a reporter from the Wall Street Journal inquiring about the "settlement". Bach looks infuriated but takes the phone. He simply tells the reporter that "U-North is not settling at this time" and that nothing has changed in the legal case. The reporter remains dubious, but Bach says he does not care and simply hangs up the phone. Bach then asks about where Crowder went to. We then see Karen Crowder (Tilda Swinton) in the bathroom having what looks like a panic attack.The film cuts to a card game where we see Michael Clayton (George Clooney) at the table with a handful of other men. One of the men recognizes Clayton. He tells Clayton he knows him from a game they played some years back. Clayton looks up and admits he recognizes him. The player says he won a whole bunch of money off Clayton. The player continues to brag about winning a whole bunch of cash off Clayton and it clearly annoys him. Clayton says "I see you've bought some hair since then", but the other gambler retorts, "Yeah, with your money." Clayton leaves.Clayton is sent by a legal friend of his to the house of a man who desperately needs legal counsel. Clayton learns that the man hit a pedestrian and may have killed him earlier that night. Clayton explains to the man and his wife that his options are limited. Even though it may have been an accident, there are all sorts of variables that could affect the criminality of the case. Clayton tells the man he needs to find a good trial lawyer, because he is going to need one. The man becomes irate and asks, "What the hell are you supposed to be?" He wants to know why Clayton can't be his lawyer and he tells Clayton that he was promised a "miracle worker". Clayton tells him that is not the case. He explains what he does by calling himself a "janitor". Clayton is an overall strategic legal adviser. He has a tremendous acumen for understanding how to plan and execute a legal defense from start to finish even though he actually does not lead any of it. He merely advises. Clayton finally realizes there is nothing more he can give the man and leaves.As Clayton is driving he notices his car's GPS system is behaving erratically. As Clayton drives an intriguing sight catches his eye. He sees three horses standing on a hilltop together by themselves. Clayton is so captivated by this event he stops the car. Clayton approaches the horses and is fascinated by their presence in the middle of nowhere. Clayton's car suddenly explodes behind him and the horses charge off. Clayton is stunned and petrified for a few moments as he looks at the flaming wreck. When he finally regains his wits he runs away.The film cuts to four days earlier ......Clayton's son Henry (Austin Williams) is getting ready to go to school. Clayton is divorced from his wife and his son lives with her and his step-dad. Henry leaves the house and joins Clayton in his car. Clayton drives Henry to school. On the way Henry tells Clayton about all the fantasy novels he likes to read. He describes how the current one is about a bunch of characters that are in a universe where they each have a nemesis, but don't know who that person is so they can't trust anyone and just live for themselves. Clayton laughs and says, "That sounds familiar", obviously alluding to his own legal work.We next see Crowder, who is a head executive for U-North, is a tremendously large, corporate agricultural conglomerate that creates various types of substances to help better cultivate land for farming. As we observer her, the film cuts back and forth between her giving an interview on camera with her boss Don Jefferies (Ken Howard) and Crowder anxiously rehearsing the interview in her hotel room as she tries to prepare herself for it. The subject of Crowder's interview is about how she is taking Jefferies' old job as one of the head corporate managers. As she is giving the interview, an assistant walks in and interrupts them with what clearly appears to be a urgent matter. She tells them that Eden just stripped down in the middle of a deposition for their current legal battle. This is a dire matter, because Eden is handling the legal defense for this case involving a weed killer which is potentially toxic and lethal which stands to lose U-North billions of dollars.We then cut back to Clayton who is visiting an older man. The man is a "Bookmaker" who takes bets and handles local gambling operations. We learn of Clayton's severe gambling addiction. Clayton is in debt for a massive amount of money to the gamblers. He has sold off much of his possessions, but yet still is approximately $80,000 short of what he needs to settle his debt. The man tells Clayton that he had better pay up in a week or the consequences could be catastrophic.Clayton gets in contact with the head of his legal firm, Marty Bach. Bach informs Clayton of the situation with Arthur Eden who also works for the firm. Bach tells him of the disastrous ramifications of Eden's mental breakdown. Clayton says that Eden's episode is understandable given the amount of time and energy Eden has invested into this case. He basically says that for the last decade Eden has basically "lived" this case and his life is tumultuous and fractured because of it. This case is in many ways just as big of a deal for the legal firm as it is for U-North, because it coincides with a vital impending merger with a London-based firm. Clayton then agrees to head to Minnesota to meet with Eden who is currently being held in a police station.As Clayton arrives at the station we hear Crowder (who is at one of the U-North offices) discussing with some of her assistants Clayton's background. She learns from documents that Clayton used to be a major criminal prosecutor, but now has been seemingly relegated to a more menial task of handling "wills and trusts". Crowder seems baffled that Michael is the one being sent to handle the crisis with Eden. As she has been saying all this, we are watching Clayton arrive at the station and visiting Eden in a holding cell. He meets with Eden and learn more about Eden's crazed rambling from the start of the film. As Eden finishes his lengthy and deranged claims, Clayton becomes completely livid and says, "You stopped taking your pills again? Didn't you?", as he shows him the still clearly full bottle.Eden says he is no longer going to be a slave to his medication and that his eyes have been opened by a woman who is one of the plaintiffs in the lawsuit against U-North named Anna. He claims that Anna is a beautiful, kind, and graceful soul and that he refuses to assist in the defense of a product against her and all the other people involved in the law suit knowing that it has really is a killer and how much pain it has caused them. Clayton can clearly see how grievous the situation is. Eden is potentially infatuated with one of the people he is supposed to be defending U-North from and may have caused irreparable damage to the suit in the process. He tries to remind Eden of his responsibilities and what he means to the firm, but Eden only responds to this by proclaiming, "I am Shiva The God of Death!". Realizing that Eden is incorrigible at this point and is causing a scene at the precinct which could potentially make things even worse than they are, Clayton persuades Eden to leave with him and return to his hotel room.The next day Clayton meets with Crowder who is extremely upset over all that has transpired with Eden. Clayton reassures Crowder that all will be fine. He tells her that Eden does have a history of mental illness, but that it has been largely regulated in recent years. He tells her that his last episode was several years ago and that it was not a major issue and Eden was able to continue his war largely unhindered. Clayton reminds Crowder how hard U-North has been pushing him on this case and how he has been near singularly devoted to this case for a long time now. Crowder however, seems full of antipathy over Clayton's claims and says that U-North has been paying Clayton's legal firm a very lucrative sum for Eden's time. Clayton simply reassures her that he will straighten Eden out and everything will return to its previous status. Crowder however, seems completely dubious about this.We then see Crowder back at the U-North office watching a videotape of Eden's episode from the deposition. Everything is going routinely until Eden suddenly stands up and begins spouting a bunch of rhetoric in a obstreperous tone about how Anna was right and how wrong he was. He tells her he doesn't want to continue this charade any longer. As he is saying all this he is stripping off all his clothes. The tape finally ends and we are informed that Eden then followed Anna into the parking lot outside totally naked. Crowder is deeply mortified and aghast as she realizes how damaging this tape could be to further legal proceedings. Especially given how Eden seemingly admits to U-Norths guilt in the case.The scene shifts back again to Eden in the hotel room at night, who has managed to contact Clayton's son Henry. Henry tells him about another new book he is reading called "Realm & Conquest". He says in this book the characters are experiencing visions of things that would seem too fantastic to possibly be real, but they challenge conventional opinions and choose to believe that these illusions are real and that they must believe in them regardless of what others deem to be true, Naturally Eden hears this books plot and it compels him to do the same and keep believing what he has come view U-North as, a corrupt company attempt to insulate themselves from their crimes.In the morning Eden tells Michael that he should go see Anna and he too will feel stimulated to stop trying to help U-North in perpetuating their lies. Clayton tries to assuage Eden and tells him to just take a shower so they can get ready to return to the legal firm in New York. However, Clayton gets occupied for a second and leaves Eden alone, When he comes back the bathroom door is locked. Clayton can hear the shower running, but when he knocks on the door there is no response. Finally, Clayton kicks the door down to discover Eden has fled. He goes over to the window and sees that Eden has left.Back at U-North Crowder learns of the new situation. We see her sitting at a desk looking over a document with an agitated expression. We see the document she is reading. It is an old scientific report from one of U-North's research teams about the hazardous effects of exposure to the weed killer involved in the law suit. It clearly documents that prolonged exposure to the substance can lead to cancer. As we see Crowder reading this document, she is contacting someone on the phone. It becomes immediately evident from the surreptitious tone of the discussion that this is some sort of private cabal of operatives that U-north uses to deal with problems in all sorts of nefarious ways.Meanwhile, Clayton returns to New York to meet with Bach. Bach is absolutely incensed over what has transpired. He tells Clayton that this affair could mean the end of the firm. He says that if the case goes under that U-North could potentially sue the firm for their legal incompetence and ruin them. With the merger coming the situation is even more grave. Bach asks Clayton why he just didn't have Eden committed in Minnesota and says that would've helped quell the problems for the time being until things could be ameliorated. Clayton tells Bach that it is not that simple and that involuntary commitment to a mental facility is a very arduous procedure. Mary asks Clayton "Well don't we have anyone who knows a lot about these types of commitment cases?". Clayton says yes, but informs Bach that the person who is the expert unfortunately is Eden.Eden has also returned to New York and is now roaming freely. He is living a reclusive lifestyle in a private apartment. However, the men hired by U-North are already watching him. They are tracking his movements around the city, have bugged his phone and are surveilling his actions. All the while they are keeping Crowder abreast of important developments.During this time Michael pays a visit to Anna in an attempt to see if he can gain more information about the case. He arrives at a farm in Minnesota. After introducing himself to the family, he taken to meet the woman with whom Eden has become so enamored Anna (Merritt Wever). Clayton gains some more information about Eden and the case. She seems puzzled as to why Eden seems to have been selected to communicate with her when there are over four hundred other people suing U-North. Anna seems rather oblivious of how personally connected Eden is to her.Soon thereafter Eden again contacts Anna over the telephone. He hints to her that he has more information about her case and he will contact her again in the near future about the matter. Anna still seems perplexed and feels awkward about being contacted by the man formerly leading the U-North defense assisting her.Back in New York Bach notifies Clayton about Eden getting in contact with Anna again. It has now become clear that Eden wont abandon this matter and he sends Clayton to go to Eden's location and try to reason with him one last time.Clayton confronts Eden on the street. Eden seems startled, but greets Clayton. Clayton however, is in no mood for pleasantries and is still enraged over Eden's continuing erratic and irrational behavior. Clayton mentions about Eden going to visit Anna again and how idiotic this was. Eden immediately becomes suspicious of how Clayton could possibly have become privy to a private phone call he made to Anna. He inquires to Clayton about this and Clayton responds that Bach told him. He then accuses U-North and the legal firm of colluding together to tap his phone. Clayton tells Eden this is absolutely preposterous and says the most logical answer is that Anna contacted the police herself after Eden called her. Eden disputes this saying that Anna would never betray him like that, but Michael tells Eden this is lunacy. He says after the crazy antics Eden pulled at the deposition, stripping down before Anna and shouting all sorts of psychotic things, it would only be expected she would contact the police. Eden as previously seems totally innocuous to Clayton's continuing reproach and his attempts to reason with him.Finally Clayton makes threats about the state of Eden's sanity and how his recent behavior could lead to him being hospitalized, but Eden still clearly retains his knowledge of legal matters. He tells Clayton that this is New York and here he has no criminal record or history of threatening behavior both of which are critical for compulsory treatment. He says that now that he is out of Minnesota, that Clayton can no longer use prior incidents there to try and go after him in this state. Clayton finally concedes that he cannot win here and leaves.Later that night Eden is in his apartment. He makes a tape of one of U-Norths commercials. He then plays this tape as he makes a phone call, correctly knowing that the U-North agents are listening. He plays the commercial and then begins reading in a sardonic tone to them the scientific report from earlier in the film. As he reads it, he mocks the company and the consequences the report could have. The agents are shocked to learn that Eden has this document in his possession. The agents meet with Crowder. When she hears the tape she becomes very perturbed. She asks the agents what can be done. They make some suggestions about additional measures, but then Crowder subtly implies she wants them to go much further than just mere subterfuge. U-North agents enter Eden's apartment, drug him, and inject a drug under his toenail, killing him. They then arrange a suicide scene.Michael Clayton is notified about Eden's death at a police station. The police detective tells Clayton that it looks like a possible suicide or accidental overdose. Clayton is confounded and doesn't believe that Eden would kill himself, but the policemen reminds him about Eden s perverse behavior in recent weeks. Clayton asks if he can go to Eden's apartment, but the officer says this is impossible and the place has been sealed. Clayton meets with his fellow legal employees. There he tells Bach that Eden was onto something and Clayton feels it is linked to his death. Clayton tells Bach that he desperately needs a loan. Bach promises Clayton he will look into the loan and given what a valuable asset Clayton has been to the firm he should be able to convince them to help him out. Bach also notifies Clayton that Eden was scheduled to meet with Anna in New York.After contacting Anna's sister and learning of Anna's location Clayton arrives at a hotel where she is staying. Clayton inquires with Anna about the final conversation she and Eden had. Anna says Eden told her he has an item in his possession which could win the case for her. Clayton now becomes more convinced Eden's death was no mere suicide.Clayton goes to a family gathering at his sister's house. His brothers Timmy Clayton (David Lansbury) and Raymond Clayton (Kevin Hagan) are there. Timmy is a recovering substance abuser and the two have a rather uncomfortable confrontation over this, which Clayton's son Henry witnesses. Clayton also talks with his brother Ray (who is a policeman) about needing a possible favor regarding Eden's death. After the party, Clayton talks with Henry and says that his son doesn't have to worry about going astray in life like Timmy did and that he believes in him.Clayton then meets with his brother Ray who provides him with keys to Eden's apartment. Ray reminds Clayton that this is a serious issue and Clayton cannot get caught. Eden's apartment is still watched by the U-North operatives and they watch him enter. Clayton searches Eden's apartment and finds a copy of "Realm and Conquest", the book Clayton's son Henry was reading. When Clayton opens it, a slip of paper falls out. It is a receipt from a copy store which shows Eden ordered copies of a memorandum. Shortly afterward cops arrest Clayton.Raymond gets Clayton out of jail, but is angry because Clayton's illegal entry might be connected to Ray. Clayton tells Ray someone set him up at Eden's place and that they called the cops. Following this Clayton goes to the printing place with Eden's receipt. There he finds out that Eden has ordered 3000 copies of: the confidential U-North report. He tells the clerk to hold onto the documents for him and takes one with him. As he leaves, the U-North operatives arrive and learn about the copies. They then tell Crowder about the copies. She realizes she must do something immediately before Clayton finishes what Eden started.Clayton meets with Bach who gives him a check with the money needed to pay off his gambling debt. With the check, Clayton signs a 3-year contract that binds him to secrecy about past and future events. Clayton visits the man to pay what his gambling debt, and then plays cards in a underground card game for a few minutes. From this point the film recaps the opening moments of the film. Clayton leaving the card game, but this time we also see the U-North agents putting an explosive bomb into his car. Since Clayton leaves the game early they didn't finish hooking the bomb up, which apparently interfered with his GPS signal. The two U-North operatives following him experience difficulty tracking the device's signal. Clayton reverses direction and then takes a side road, and they agents lose him. They trigger the bomb, not knowing Clayton is not in the car. Clayton runs back to the flaming car and throws his wallet, watch and other personal belongings inside. A short time later Clayton's brother Timmy picks him up.The staff at Clayton's law firm is notified of Clayton's supposed death from a car bomb. In a hotel theatre, Crowder presents a case for settling the law suit to U-North executives. She says the timing for a settlement has improved due to recent events and that the cost will be offset by tax benefits. Jefferies asks her to leave while they discuss the proposed settlement. Crowder steps outside and is slack-jawed to see Michael Clayton standing before her, thinking he is dead. Clayton tells her that "Arthur is around here somewhere." He shows Crowder the report and tells her how foolish she was to try and eliminate him. He tells her it would've been far easier and more prudent to just buy him off and tells Crowder he wants "10". Clayton tells her to either pay up or he will go public with the report. Crowder asks him what he wants. She asks him if there "is a number?" She says, "10 million?" He offers 5 to "forget about Eden," which she says would be easier. And then he says the "other 5 is to forget about the other 468 people you knocked off with your weed killer." He forces her to repeat the terms of the bribe, and she tells him, "You have a deal."Jefferies emerges from the conference room and asks Crowder to rejoin the board meeting. She finally agrees to Clayton's terms for the payoff, he promptly responds, "You're so fucked.". Crowder, confused, asks, "You don't want the money?" Clayton says. "Wait, let me get a picture of this!" and takes a picture of her with his cell phone. He then begins to walk away. Jefferies asks who Clayton is, and Clayton responds, quoting Eden, "I am Shiva The God of Death!" Jefferies becomes irate and calls for security to seize Clayton. Crowder slumps to the floor in shock and dismay. A group of police officers walk past Clayton and instead move to arrest Crowder and Jefferies. Clayton asks his brother Ray, "Did you get all that?" Clayton thanks him for helping him out. Clayton walks outside and gets in a taxi. He gives the driver $50 and tells him to "just drive". As the taxi drives away the credits roll.

Review: But in the case of Michael Clayton, the film focuses most of its attention on the questionable moral quagmire of working for guilty clients, living your life protecting those who you can't help but find reprehensible, wanting to get out, but finding you are good at it and that is where your superiors want you.
Michael Clayton isn't a revelatory film, but it is a smart one that deals in the grey world that we all live in, not the black and white one legal films are usually about.The central character is Michael Clayton (George Clooney), a "fixer" at a major Manhattan law firm.
Things are not rosy for Michael right now: his addict brother has run a business venture that Michael was a partner in into the ground, leaving Michael with thousands of dollars in debt; his relationship with his ex-wife is on the rocks, and into this environment comes a whole new caliber of problem: Michael's friend, and fellow attorney, Arthur Edens (Tom Wilkinson), who is a lead attorney for a major case for the firm involving U/North, a huge, multifaceted corporation, has discovered evidence damning to U/North, and has also, seemingly, lost his senses.Arthur begins plotting to publicly expose U/North with this evidence, thereby destroying them, something that U/North's lead corporate attorney, Karen Crowder (Tilda Swinton), cannot allow.
It is debatable whether Arthur is mentally unhinged, or simply woken up to the reality of his actions and what they mean in the grander scheme of things.Michael Clayton is the directorial debut of Tony Gilroy, a longtime Hollywood screenwriter, who crafts a film that manages to keep you involved like a good thriller without providing many of the requisite elements: chases, shootouts and fisticuffs.
(The moment where, after Michael's son has seen a beloved uncle who's an addict come groveling for forgiveness, he stops the car and lets the boy know he's stronger than that uncle is so right and so perfect, I nearly wept.) And Tilda Swinton's litigator, Karen Crowder, is so desperate and unsure, you can almost understand why she makes some of the decisions she does.
And Tom Wilkinson blazes across the screen as Arthur Edens, who has finally seen the evil within himself and wants to make it right but who, despite all his legal brilliance, is still naive enough to think he can get away with it.The direction is taut, cinematography and editing cool and precise, and all are at the service of an elegant work that uses the suspense genre to illuminate a filthy world that has been glossed over by money and power.
It builds slowly, it features the key characters in sometimes agonising close-up, it weaves an intricate plot (a bit too intricate, in hindsight -- I'm still not sure why some events were included), and George Clooney is masterful as the morally conflicted character who does his best to hold his collapsing life together, while slowly realising that his role in life is not quite what he thought it was in any case.There are some things this film is not.
It's reality rather than escapism.If you like suspense, unflinching realism, stories of moral conflict, criticisms of corporate America, or George Clooney -- or if you're just in the mood to see that kind of film -- you'll love it.
But it has the potential to be worse because this company is guilty as sin and will do anything to limit the liability and keep their good name.Michael Clayton was nominated for a flock of Oscars including Best Actor for George Clooney as a much flawed hero.
Saw this at a screening at the Toronto Int'l Film Festival.This movie is appropriately titled "Michael Clayton" because in it we are introduced to the man in his many life roles; father, ex-husband, brother, son, friend and businessman.
For a fairly busy plot with numerous sub-characters, he did a good job of turning over pieces of the puzzle to bring the audience back full circle to the opening scene.Michael Clayton fixes things, but we see in his own personal life there are a trail of problems he's dealing with.
I think Clooney has long been an interesting performer but this role is just one of his best - dedicated, sometimes mysterious, loving and charming; even funny and sad.You may look for more in the story line but you may miss the best part if you don't accept that the people are the story once the movie gets rolling.8 of 10.
Michael Clayton is about the character trying to deal with his hand of fate, which is pretty dire: he's 45, working for 17 years for a law-firm where he's a "fixer", cleaning up the problems that can't be solved through simple litigations.
Murder, wire-taps, cover-ups, bombs, and at the core the placidity of a straight-laced face (Tilda Swinton), are all apart of the not-too-complicated puzzle.It goes without saying that there is a little more than some debt that Gilroy owes to Network, if only in the face-value to be taken from the characters: the weathered professional, the nut who really has ecstatic truth in the Herzog sense, the cold and exacting woman, and the guy working as a top dog behind the scenes.
And you thought the Bourne movies- co-written by Gilory- were tense genre pieces.What makes a film like Michael Clayton end up as memorable as it is, almost essential for those wanting to go to the movies for a serious drama without pretense or extreme melodrama, is the script and the performances.
And it's something as literate as this that allows for actors to go for what they can do best: for Wilkinson, Oscar worthy to a T, it's both subtle and over-the-top with Arthur, at one point making a masterful stroke of carrying loaves of bread; Swinton makes the careful act of preparation and looking at a mirror like it's everything to the character; Pollack, solid as usual, not too much to say.Then there's Clooney.
Tony Gilroy, the screenwriter of "The Bourne" trilogy, revisits the saint-or-sinner theme in "The Devil's Advocate" and brings an excellent script that is full of precise dialog and intense sequences.Michael Clayton, the senior lawyer in his firm, has fixed up many troubling cases which might not be considered as justice methods.
In this case, Clooney's excellent work is in evidence, but also watch for an Oscar-worthy turn from Tom Wilkinson, and a powerful, edgy performance by Tilda Swinton.Michael Clayton is perfectly paced, and complex without being confusing.
The director, Tony Gilroy, chooses lingering and steady shots over in the jumbled, shaky hand-held style that is currently so in vogue -- and his choice works well as the tension and drama build to a climactic, and terrific, final act.In my opinion, if George Clooney keeps himself in the right direction he will definitely take another Oscar.Entertainment: 9.7/10Overall Score: 9.5/10.
A few secrets of this film's success, as far as performances go, I believe, are the followings: 1) the likable nature of George Clooney's character 2) the absolutely non-penetrative nature of the character of Tilda Swinton 3) the wonderful madness of the character of Tom Wilkinson 4) the cold-blooded charm of the character of Sydney Pollack.
It was pretty simple story that tried to appear complex.I think there were great individual acting performances, but I think something was lacking in the relationships between the story's main characters, which made it not compelling enough.One of the biggest reasons for the lack of suspense is that the flash-forward opening killed any possibilities of suspense in the movie's later scenes.
Michael Clayton is like a throwback to the days when movies actually had a story instead of just explosions and computer graphics, and that is a really good thing.
The problem is they like words, words feel nice on paper and they end up over-burdening the director since words don't necessarily translate well in terms of visual and space narratives.Michael Clayton and Duplicity were two movies with a very interesting premise, a promising cast, and a very unimpressive result.
In New York, the divorced attorney Michael Clayton (George Clooney) has been working for many years fixing messy situations for the law firm Kenner, Back and Odeen.
When the brilliant attorney Arthur Edens (Tom Wilkinson) that has been ahead of the U-North case, a complicated three billion dollars lawsuit, for six years has a nervous breakdown and is arrested naked in a parking area in Milwaukee, Michael tries to help his friend, and is involved in an evil scheme plotted by Karen Crowder (Tilda Swinton), the legal counsel of U-North.The low-paced "Michael Clayton" is a good but overrated thriller tailored for George Clooney, who is perfect performing his complex and ambiguous character.
However, I am not sure whether I was not paying much attention, but I found the screenplay confused and in the end something was missing to make "Michael Clayton" a great movie.
The scene where Swinton is discussing with one of her hired hands how to handle a very unpleasant situation, and she is deciding whether to "do the other thing," is wonderfully written and performed.The musical score accentuates but does not intrude.This well-crafted examination of greed, power, and fear in high places, and the effects those powerful forces have on the participants, makes "Michael Clayton" an absorbing movie..
its amazing the pace of these movies and the reality of life they reflect.On to Michael Clayton, Nothing big new on the plot, and the truth that personal guilt will make you change and will not let you do the wrong thing.
Michael Clayton (2007) ** (out of 4) George Clooney plays the title character, a "fixer" for various law firms whose latest case might just destroy everyone involved including himself.
It Enters the Psyche and will Not Leave until You Give it its Due.The People that brought You this decidedly Different Masterpiece of Movie Making are Writer/Director Tony Gilroy, Indelible Screen Performances from George Clooney, Tom Wilkinson, Tilda Swinton, and Sydney Pollack and Supporting Roles that every Actor Nailed.A Welcome, Against the Grain Film that Restores the thing that the most Popular form of Entertainment in modern History can be at its Best.
It's no wonder that this was not much of a box office hit when released last fall.I'd lament the previous stuff just mentioned were it not for the fact that,after seeing it,I know that this is a very adult,sober and intelligent story(written by the director,long-time scribe and first time helm Tony Gilroy)and that basically this probably wasn't even really MEANT to be a widely grasped,popularity-sucking film.The title character is a low-level "mop-up guy" for a powerful NYC law firm and he(George Clooney,muted and cool) and his latest assignment for the firm is to "reign in" the chief litigator (Tom Wilkinson),who lost it during a class action deposition in Milwaukee.
Lost among the acting nominees Clooney,Wilkinson and Swinton (and kind of unfairly so) are Sydney Pollack as the soulless senior partner of the firm and Austin Williams as Clayton's bright and insightful grade school age son.This is a movie for people who like their films to have story and trust the audience is mature enough to understand that problems,crises and conflict can take place under VERY ordinary circumstances,with consequences and effects that go much deeper into the psyche and can have quiet but undeniably lasting effects.
In the dramatic story arc George Clooney as attorney Michael Clayton goes down the throat of Senior In-House Counsel Karen Crowder (played by Tilda Swinton), "Do I look like I'm negotiating!" Clooney is powerful and riveting in Director and Writer Tony Gilroy's "Michael Clayton".
It is a great movie.George Clooney plays Michael Clayton, who is an attorney for Kenner, Bach & Ledeen, one of the largest and most prestigious law firms in New York.
A gripping, intelligent thriller about what can happen when a killer shark lawyer grows a conscience, MC boasts one of George Clooney's most powerful performances to date, as well as a stark, sleek, stunning directorial debut for screenwriter Tony Gilroy.A "fixer"  or as he bitterly refers to himself, a "janitor"  at New York law firm Kenner, Bach & Ledeen, Clooney's Michael is like a Cary Grant whose life is falling apart along with his confidence.
So please resist the urge to turn off the movie...I felt a bit like doing this early on in the story.Michael Clayton (George Clooney) is a fixer...a lawyer whose job it is to make clients' problems disappear.
Still, it is good....just don't expect it's great...which all the nominations would seem to imply.By the way, one of the little things about the film I loved was the scene where Clayton needed to kick in a door.
It's a shame that he did not receive more screen time.Perhaps I built it up too much, given the good reviews and Oscar nominations, but I fail to see how Michael Clayton is anything more than a typical legal film that tries too hard to be an edgy thriller.
Although women across the world will probably still drool at his magnetism here in this film, he pulls this engrossing movie along and carries most  if not all  of its weight.The story surrounds a pair of attorneys, Michael Clayton (Clooney) and Arthur Edens (Tom Wilkinson, THE EXORCISM OF EMILY ROSE) who are employed as "janitors" at a powerhouse law firm.
Coming to the end of his career, the weight of his decisions are heavy upon him and we can feel his dire wish to find a smidgin of good in his final days ("I am Shiva, the god of death.") Tilda Swinton plays Karen Crowder, the firm's new lead attorney for the case abandoned by Arthur (Wilkinson).
George Clooney plays the role of Michael Clayton -a legal firms downtrodden dogs body.While struggling to juggle the many aspects of his life- friends , family , money , and work he becomes involved in the dark underworld of business.
As a result of this , by the end of the movie ,you are left with the feeling that you don't know Michael Clayton any better than you did after the first 10 minutes of the film.
This is unusual film as its a legal drama without a single courtroom scene.Michael Clayton(George Clooney) is not a normal lawyer.His role at a prestigious New York lawyer firm is a fixer.He works behind the scenes to make scandals go away.In the process, he has lost sight of who he is.He is mired in debt, divorced and he gambles.We never see him relaxed or at peace during the film.His chance at redemption appears when one of the firms senior lawyer loses his marbles during a deposition of a witness in a case.The lawyer,Arthur Eden(Tom Wilkinson)has gone off message.Clayton has to bring him around, there are millions (and jobs) at stake.Tilda Swinton gives a great performance as the in house lawyer for the chemical company being sued.You know that this highly strung woman is just a few crises away from cracking up under the strain.The film is a commentary on corporate culture and goals,and the lengths that people will go to achieve their goals.
Think Three Days of the Condor, which was also about company/Company (CIA) culture and you get my meaning.As a nod to the those 1970s thrillers, we even have the great director Sydney Pollack in the cast, playing one of the firm's senior partners.Clooney portrays a man who is drowning, but has enough humanity left to save himself.Well worth a look, if you like films that take their time, and does not spell everything out to you.Classy!.
Arthur Edens (Wilkinson) knows the truth about the organic company and will do almost anything in bringing down C.E.O. Karen Crowder (Tilda Swinton) after a guilty conscience.The clock is ticking for Clayton as he must do what he can in helping Edens while getting the feeling that Crowder and her people will do what they can in making sure that the guilty conscience lawyer doesn't speak.With the film at nearly two hours, each of the three principal actors do a good job in their performances.
Michael Clayton, despite wonderful, sincere performances by George Clooney, Tilda Swinton, and Tom Wilkinson, is alternately confusing and overwrought, and once the bells and whistles of the extraneous plot devices are stripped it’s no better or worse than a standard John Grisham adaptation.
Tony Gilroy, who has scripted all three Jason Bourne adaptations recently and helped revive the spy genre, has his directorial debut of his script in Michael Clayton, and the results are nothing short of spectacular with a story that hearkens back to the conspiracy laden, morality plays of the 1970's and passionate acting to boot by a strong cast.Michael Clayton (George Clooney) is a fixer of problems for a leading law firm which experiences a crisis as its leading legal mind, Arthur Edens (Tom Wilkinson) has a breakdown as he defends an industrial giant, U-North, from a multi-billion dollar lawsuit.
'Michael Clayton,' the directorial debut of screenwriter Tony Gilroy ("The Bourne trilogy"), is a mature, intelligent and polished corporate/legal thriller, featuring excellent performances from George Clooney, Tom Wilkinson, Tilda Swinton and Sydney Pollack.
George Clooney never became Michael Clayton for me, and so the other characters, as well-acted as they were, continued to feel like props, not people.
What with performances from every actor being praised and pushed for Oscar, first-time director Tony Gilroy getting a pat on the back from everyone he encountered; Michael Clayton was that rare film that everyone enjoyed.
It is so rare these days that we are given a really good mystery at the movies, that when we see one its like being given a great big gift.Michael Clayton (the character) is a fixer at a large law firm that has been working on a case for a major corporation called UNorth for six years.
In this movie George Clooney has a similar type of role, a former cop and attorney Michael Clayton that works for a big law firm.
George Clooney is "Michael Clayton" in this 2007 film about a man with the somewhat thankless job of putting out fires for his legal firm.