The Larry Sanders Show
Tags: humor, satire

Plot synopsis:
The show follows the production of a fictional late night talk show The Larry Sanders Show. It chronicles the daily life of host Larry (Garry Shandling), producer Arthur "Artie" (Rip Torn), sidekick Hank Kingsley (Jeffrey Tambor) and their interaction with celebrity guests, the network and others. Episodes focus on the professional and personal lives of the principal characters, with most focusing on Larry. Ancillary characters are also featured, among them the writers Phil and Jerry, talent bookers Paula and Mary Lou, and the personal assistants Beverly, Darlene and Brian. Larry's wife, ex-wife and girlfriends are frequent sources of conflict, and his home is a secondary location for the show.
A typical early episode opens to the titles with the sound of Hank's audience warm-up routine in the background. This is followed by the talk show's titles and an excerpt from Larry's monologue. Episodes vary after this, sometimes continuing with the studio recording, but often cutting to a back-stage shot or to the production offices.
=== Writing and production ===
The Larry Sanders Show is a satire on show business that mixes fact with fiction. It featured real-life celebrity guests as they performed on the talk show and as they appeared behind the scenes. For example, in the final episode Larry interviews Sean Penn who, once they cut to a commercial break, gossips freely about Shandling's acting, insecurity, and behaviour towards Penn's wife (Robin Wright) on the set of Hurlyburly, in which all three appear. The scripts often shocked by appearing to show the guest's malice, or the difference between their public and private personas.
Profanities are used on the show, although not gratuitously, with the writers taking advantage of the freedom allowed by HBO as a subscription cable service. It paved the way for subsequent HBO shows such as Oz, The Sopranos, and Deadwood. According to Peter Tolan, early episodes were also recorded with language suitable for broadcast syndication until midway through the second season, when the actors resisted shooting the extra takes.
The show used both videotape and film. The behind the scenes footage was shot on film, often using hand-held cameras, in a documentary style. Four video cameras recorded the show-within-a-show which gives a brighter, less grainy picture and helps distinguish the talk show from the back-stage scenes. The talk show was staged with realistic music, lighting and set design. It was recorded in front of an actual live studio audience during the first season and then occasionally during later episodes.
The show had a few catchphrases used throughout its entire run. The most common was "Hey now", a phrase Hank repeats in the opening credits of the fictional talk show and whenever he greets someone (though it was intellectual property of the network; season 3, episode 1, "Montana"). It mirrors the "Hi-yo" catchphrase used by Ed McMahon (sidekick on The Tonight Show), upon whom Hank Kingsley was based. In one episode, Hank says he invented the phrase when he accidentally said it to someone and liked it. In 2007, Nickleodeon's TV Land ranked "Hey Now" as the 87th Best Television catchphrase. "No flipping" is a phrase Larry uses to go to commercial breaks, encouraging the viewer audience not to change to another channel (which was considered public domain; season 3, episode 1, "Montana"). In the series finale, the last thing Larry says on his talk show is, "You may now flip" (though he said near the end of episode 18, season 2, "New York or LA": "You may feel free to flip" while pondering relocating to New York City due to a change in network ownership).