The Lone Ranger
Tags: murder

Plot synopsis:
In 1933, a boy, Will, who idolizes the legendary Lone Ranger, encounters the elderly Comanche Native American Tonto at a sideshow in a San Francisco fair. Tonto proceeds to recount his experiences with that Old West adventurer.
In 1869, lawyer John Reid returns home to Colby, Texas via the uncompleted Transcontinental Railroad, managed by railroad tycoon Latham Cole. Unknown to Reid, the train is also carrying Tonto and outlaw Butch Cavendish, who is being transported for his hanging after being captured by Dan Reid, John's Texas Ranger brother. Cavendish's gang rescues Butch and derails the train. Tonto is subsequently jailed. Dan deputizes John as a Texas Ranger, and with six others they go after the Cavendish gang.
Cavendish's men ambush and kill their pursuers in a canyon and Cavendish cuts out and eats Dan's heart. Tonto, who has escaped from jail, comes across the dead men and buries them. However, a white spirit horse awakens John as a "spirit walker", and Tonto explains John cannot be killed in battle. Tonto also tells him Collins, one of the Rangers, betrayed Dan and is working with Cavendish, whom Tonto believes is a "wendigo". As John is thought to be dead, he wears a mask to protect his identity from enemies. Tonto gives John a silver bullet made from the fallen Rangers' badges and tells him to use it on Cavendish.
At a brothel Collins recently visited, Red Harrington informs them about Dan and Collins' fight over a cursed silver rock. Meanwhile, Cavendish's men, disguised as Comanches, raid frontier settlements. John and Tonto arrive after raiders abduct Dan's widow and son, Rebecca and Danny. Regretting his earlier actions, Collins attempts to help Rebecca and Danny escape, but is shot dead by Cole, who rescues them. Claiming the raiders are hostile Comanches, Cole announces the continued construction of the railroad and dispatches United States Cavalry Captain Jay Fuller to exterminate the Native Americans.
A Comanche tribe captures John and Tonto soon after the pair finds railroad tracks in Native territory. The tribe leader tells John of Tonto's past: As a boy, Tonto had rescued Cavendish and another man from near-death and later showed them a mountain full of silver ore in exchange for a pocket watch. The men murdered the tribe to keep the location a secret, leaving Tonto with great guilt.
Tonto and John escape as the cavalry attack the Comanche. At the silver mine, they capture Cavendish. Tonto demands that John use the silver bullet to kill Cavendish, but John refuses. Tonto attempts to kill Cavendish, but John knocks him unconscious and brings in Cavendish alive. Upon returning Cavendish to Cole and Fuller's custody, Cole is revealed to be Cavendish's partner and brother. Fearing that if his actions are publicly revealed he'll be charged as a war criminal, Fuller sides with Cole. Rebecca is held hostage, and John is taken back to the silver mine to be executed. However, Tonto rescues him and the two flee as the Comanche attack and are massacred by the cavalry. Realizing that Cole is too powerful to be taken down lawfully, John dons the mask again.
At Promontory Summit, during the union ceremony of the railroad, Cole reveals his true plan: to take complete control of the railroad company and use the mined silver to gain more power. John and Tonto steal nitroglycerin and use it to destroy a railroad bridge. With Red's help, Tonto steals the train with the silver, and Cole, Cavendish and Fuller pursue him in a second train on which Rebecca and Dan Jr. are being held captive. Riding his horse, John pursues both trains. After a furious chase and fights on both trains, both Cavendish and Fuller are killed, Rebecca and Dan Jr. are rescued and Cole drowns buried beneath the silver ore after the train plunges off the severed bridge and into the river below.
The town and railroad enterprise recognize John (whose identity is still unknown to them) as a hero and offer him a law-enforcement position. John declines, and he and Tonto ride off. Back in 1933, Will questions the truth of the story. Tonto gives him a silver bullet and tells him to decide for himself, and then vanishes, with a crow flying away into the night.

Review: Clayton Moore and Jay Silverheels reprise their television roles in this western classic that has the Lone Ranger and Tonto defusing a war between ranchers and Indians.
The picture was filmed in beautiful color with excellent sound, and has a solid cast and a very good music score, including the signature William Tell Overture.
The grand mountain vistas of southern Utah provide the backdrop for this film and the Ranger and Tonto never looked better as they ride the trail for justice and bring peace to a young territory hoping for statehood.
Moore and Silverheels get great support from Lyle Bettger as the scheming rancher, Robert Wilke, John Pickard, Michael Ansara, Frank de Kova and Perry Lopez..
"The Lone Ranger" was the first of two feature films made in the 50s starring Clayton Moore as The Lone Ranger and Jay Silverheels as Tonto.
The story briefly, involves big time rancher Reese Kilgore (Lyle Bettger) trying to incite a war with the local Indian tribe on whose reservation a mountain of silver is located.
Moore and Silverheels, who had been around the "B" movie scene since the late 30s, play their parts pretty much the way they did on TV but with a little more edge.
Moore has a knock down drag out fight with the Indian warrior Angry Horse (Michael Ansara) who is trying to take control of the tribe from sickly Chief Red Hawk (Frank DeKova).
Colorful Western in which the strange Masked Man and Tonto must prevent a war between ranchers and Indians.
Enjoyable Lone Ranger western film about the Masked Man and his faithful Indian sidekick .
The legend of the Lone Ranger is ¨the untold story of the man behind the mask and the legend behind the man¨ .
This flick follows the adventures of the Ranger , his white stallion Silver and his American Indian pal Tonto, as they attempt to bring local criminals to justice once again.
This cinematic adaptation deals with the Lone Ranger , here he comes , thundering up the West's deadliest silver mines trail , blasting his way and confronting baddies .
The Ranger accompanied by the Indian Tonto who rides with him, on Silver and Scout, throughout the West, doing good deeds and they dedicate their life to combat the evil that Reece Kilgore -Lyle Bettger- represents.
The two heroes ride off in a cloud of dust under classic musical background composed by Rossini and shouting ¨Hi-Yo silver¨.¨The Legend Of The Lone Ranger¨ is crusader's first silver screen outing .
Clayton Moore is good as the mysterious and righteous gunslinger, yet he shows have an endearing innocent charm , while Jay Silverheels is acceptable as his faithful sidekick Tonto.
Jay Silverheels played as Tonto in the long series and two films , he also played Geronimo in ¨Broken Arrow¨(1950) .
Furthermore , there appears Bonita Granville , she married producer Jack Wrather in 1947, who became the longtime producer of the "Lone Ranger" TV series and films.
Following this movie, Granville retired from acting to become a producer on the long running "Lassie" TV series ; her final film appearance was a cameo in ¨The Legend of the Lone Ranger (1981)¨, also produced by Wrather .
In the scene where the Ranger meets the governor with his mask on, the music in the background is the soon to be "Maverick" theme , both this film and Maverick credit David Buttolph with the music.
The Lone Ranger was also a television series from 1948 through 1957 in which gained widespread notoriety on ABC television, as Clayton Moore donned the mask each week to fight crime and corruption in the old west and of course Jay Silverheels as Tonto .
Furthermore , new version by Willam A Fraker titled ¨The legend of the Lone Ranger¨ that wavers between irony and seriousness , starred by Klinton Spilbury and Michael Horse ; but the film bombed so badly at the box office , as the movie's star Klinton Spilsbury never worked in Hollywood again.
Jerry Bruckheimer Films has debuted a logo for the upcoming adaptation of The Lone Ranger , this is the last big screen iteration of the famous character .
The tagline on the site reads, "The Legend Returns." Gore Verbinski has been contracted to filmmaking the classic TV show film , a blockbuster retelling for the big screen, and Johnny Depp is attached to play Tonto ..
One of the things that amazes me about this film is its surprisingly modern attitude towards Native Americans (no, seriously!)  The Indians in this movie are portrayed with dignity and respect, similar to the way "Dances With Wolves" would portray the Lakota years later.
Naturally, the Lone Ranger and Tonto are good friends and partners (Clayton Moore always said he loved Jay Silverheels like a brother), but the way the Ranger in which treats the Indian chief, Red Hawk, is touching.
No wonder this man is a hero.In an era when Hollywood more often than not used Indians as stereotypical savages and moving targets, "The Lone Ranger" makes a surprising plea for mutual respect and tolerance..
I never knew Clayton Moore had done a feature length movie as the Lone Ranger, so this was a pleasant surprise on many counts.
Michael Ansara is great as Angry Horse, the volatile Indian who is at odds with the Lone Ranger.
After having spent some time with old martial arts classics, I thought I'd set my sights on the western genre, and what more appropriate than the adventures of the legendary Lone Ranger astride his steed Silver, and his Red Indian sidekick Tonto.For those not in the loop of this character, he's like the daytime vigilante of the Wild Wild West, in his mask concealing his true identity, and loads his guns with silver bullets.
Not hard to imagine that I actually grew up on such stuff.The movie begins by diving right into the story, with our heroes up against some mean and corrupt and greedy cattle ranchers who are after more land, and some bad hats amongst them trying to stir up war with the Native Americans.
Called the "trusty scout' (Kemo Sabe) by his Red Indian ally Tonto, the movie also takes a look at the prejudices faced by the Native Americans amongst groups of white men, and the strong partnership between our leads, is testament to the fact that ignorance and the lack of understanding, isn't the way to go.The visual transfer isn't all that great, and it looks like it's VHS based, with little remastering done to remove the cacks and pops.
Nothing much comes out of this interview, although a trivia was shared that the Lone Ranger actually never kills anybody on screen.
Running at 17mins and 15 secs, I would recommend going straight for the second interview instead.The second interview has more substantial material discussed, and it's natural given that it's conducted by Leonard Maltin of Entertainment Tonight, with the guest Dawn Moore, daughter of the Lone Ranger himself Clayton Moore.
Conducted and recorded on 9 Feb 2001 and clocking in at 39 minutes, it is a heartfelt session with recollection of memories of Clayton Moore, about her childhood and growing up with the legend, many behind the scenes discussion at the production, anecdotes shared that only a child will know, and even talk about Silver the horse.
It's a shame that this film is not more widely known and available, because it represents the pinnacle of the Lone Ranger, at least the on-screen version.
In addition to being the Lone Ranger's zenith, it also ranks among the Greatest Super-Hero Films of All Time, and is very good Western in its own right.The TV series (which, BTW, I loved) was always hampered by shooting schedule and budget, so location filming, riding scenes, fight scenes, etc., were always kept to a minimum.
And usually the sets always looked as if they were constructed in 3 hours by the technicians at a local TV station in Cleveland, Ohio.But in this film, besides being in color and having lots of outdoors scenes, there are plenty of great riding and fight scenes, including a full blown stampede.
I won't spoil it how that situation resolves) Additional treats include the Lone Ranger donning the Old Geezer disguise he often used in the TV series, and Silver doing some memorable work (similar to Lassie or Flipper, yet amazingly, this does not come off as corny).Certainly there were no other actors, at least on screen, who ever did or ever could portray the Masked Man and Tonto as good as Clayton Moore and Jay Silverheels.
I attribute this to Silverheels' ability as an actor.It's undeniable that the Lone Ranger's target audience was mostly kids, and that his appeal to adults draws its strength from the well of our childhood.
The Lone Ranger himself says outright that in all the fights between Whites and Indians, it's the Whites who have always started the trouble.
There are anti-war as well as anti-racism messages that seem ahead of their time.The Masked Man and Tonto, as unequivocal representatives of Good, channel their energies into a desperate campaign to prevent a destructive war.
Near the end of his famous TV show of the 1950s, "The Lone Ranger," Clayton Moore made this feature film with costar Jay Silverheels as "Tonto." The main plot revolves around Lyle Bettger, who has plans of running the Indians off their land, so he can claim it and the silver mountain they revere.
Enough of the plot, the star of the film is Clayton Moore as the bigger-than-life Lone Ranger.
Throughout the film we find out how he became The Lone Ranger.
But all of it is the heart of the film, which makes us feel like we the viewer are The Lone Ranger.
(He wears his disguise until injustice has come to an end and there is no further need for his alter-ego.) And, this film really delivers the goods.
It is reported that Clayton Moore loved this chance to be The Lone Ranger, because, as a boy, he dreamed of being a cowboy or a policeman.
If anyone had told me I'd look at, let alone write a review for a 'Lone Ranger' film I'd have laughed at them Big Time!
Here is a film from 1956, based on a TV series that I fully expected to look and sound as bad as they could come....was I surprised to find this had elements you might usually expect to find in a major work.Technically, it doesn't get too much better than this curious show.
Firstly, an above average script credited to 'Have Gun Will Travel' creator: Herb Meadow (based on the original characters created by Francis Striker and George Trendle in 1932) this kicks things off to a good start, then you notice the great cinematography by special effects man Edwin B.
Although its script is strictly utilitarian and a bit dull at times, this movie is a worthy companion to the beloved TV series, with Clayton Moore and Jay Silverheels in their most familiar roles.
There are a couple good action sequences and some admirable horsemanship to help out the rather formulaic script.If that really is Moore playing the Ranger in disguise as an old prospector, then it's a treat to see him in something other than his one-note performance as the masked man.
Also, it sure looked to me like, contrary to legend, the Lone Ranger shot and killed a man!
The Lone Ranger is simply the Coolest Western Hero ever.
It's all done with Wit, Skill, and a Fearful Fighting Style Unique in the Untamed West.This Movie version of the Extremely Popular TV-Entertainment is a well-Produced, Colorful, well-Written, well-Done Addition that will Please Western Fans of All Ages.
The 1956 version I just watched is 18 years and several The Lone Rangers later.This movie took me from "no way am I watching this" to "OK, this might be decent" to "Ugh."Initially I thought this was an American Indian demonization film.
Because I didn't know the characters, or who was good and who was bad, it looked to be a film about noble white men trying to establish a living in the wild west but were being pestered by barbaric Indians.
Sure, the Lone Ranger is a bit pretentious and hoky but he's a real good guy.Then one scene ruined everything.
In this movie it was a scene of The Lone Ranger getting shot and looking near death only to reveal he'd only been shot in the arm!
I'm not a big fan of 'classic' American westerns, usually preferring a little 'spaghetti' with my saddles, Stetsons and six-shooters, but I do have a fondness for the adventures of The Lone Ranger, which were a part of my childhood in the '70s (repeat showings aired during summer holidays and on Saturdays).
Like an American Robin Hood, The Lone Ranger served up entertaining half hour slices of wholesome escapism and acts of derring do in which good always triumphed over evil.This, the first of two full length features to star Clayton Moore as the legendary masked vigilante, sees our dashing hero and his faithful sidekick Tonto (Jay Silverheels) coming to blows with dastardly rancher Reece Kilgore (Lyle Bettger) and his men, who have been stirring up trouble with the natives on a nearby reservation in an attempt to lay their hands on the silver lode within the Indians' sacred mountain.Plot-wise, it's a fairly routine and rather predictable escapade for the ranger, but one enlivened by strong performances from heroes and villains alike, enjoyable action (there are several impressive fist-fights featuring great stunt-work), glorious colour cinematography, a rousing score (including, of course, the show's signature theme, the William Tell Overture), and some welcome humour (as Moore dons the guise of an old prospector in order to investigate)—all of which adds up to a very enjoyable time.7.5 out of 10, rounded up to 8 for the sake of nostalgia..
i still get a kick out of watching white men play indian roles and ride saddled horses with blankets hiding the saddle.
The Masked Man and his faithful Indian companion Tonto struggle to thwart a greedy cattle baron from igniting a full-scale war with Native Americans on a nearby reservation.
Compared to the Spartan production values on the ABC-TV series, "The Lone Ranger" movie looks like a million-dollar spectacle.
Clayton Moore and Jay Silverheels reprised their roles, and they have no trouble stirring up action.
The Lone Ranger swaps blows with a potential Indian chieftain and gets clipped by a bullet to the head.
Anyway I was a big fan of the Lone Ranger and his message of justice and racial tolerance definitely had an impact on my life, but he had been out of my life for at least 30 years until last night when I watched this film on TCM.
Why this film was not shown on TV is anyone's guess since they showed the TV show for so long, but whatever the reason, bottom line, if you are a Lone Ranger fan this is the movie to see.
I like also that there is death and injustice and prejudice, these are all adult themes that most kids shows lack, that is what sets the Lone Ranger apart from other kids shows of the past and today.
For someone who's either seen or been aware of all the various Lone Ranger movies including the early serials, I was caught off guard by the presentation of this story on Turner Classics the other night.
The bonus for movie fans watching today is that it was done in WarnerColor, though the color rendition varies in scene to scene from rather drab to quite brightly saturated given the type of scene.For viewers unfamiliar with the origin of The Lone Ranger (Clayton Moore), his friend and sidekick Tonto (Jay Silverheels) does a nice job explaining it by telling the story of the box canyon ambush and how Silver was nursed back to health by the Ranger following a fight with a buffalo.
It's easier just to take Tonto's word for it.The story here has the Ranger and Tonto trying to find out what's really going on in the town of Brasada as local rancher Reece Kilgore (Lyle Bettger) seems to be defying statehood for the territory against the wishes of the territorial governor (Charles Meredith).
Kilgore has a hot headed foreman named Cassidy (Robert Wilke), who turns out to be a fiery enemy of the local Indian tribe and puts a number of henchmen to work disguised as Indians in a familiar ruse in any number of Westerns whereby their destructive raids are blamed on the local tribe.Fans of the TV series will recognize Clayton Moore underneath the old prospector disguise whenever he goes undercover trying to learn new information.
Silver also got some commendable screen time making the save for the Ranger when he got shot in the left arm by one of the bad guys.
With the Ranger's good arm hooked into a stirrup, Silver dragged him over to a water hole until Tonto could come by.
I guess we were supposed to overlook the fact that the masked man was dragged over on his wounded arm, which should have sent him to the moon in pain.We finally learn that the motivation for rancher Kilgore's determination to keep the Indians on the warpath had to do with sacred ground known as Spirit Mountain.
That tussle was actually a pretty good one, the stunt men for their respective characters earning their pay by staging a wild fight while rolling down the side of a hill.With all the neat work by the supporting players, I was curious to see how many of them appeared in the Lone Ranger TV show, and was surprised to learn that Bettger didn't appear in a single one.
Pickard had a role in seven of the Lone Ranger TV episodes, including the very last one in a series that ran for two hundred and twenty one shows.