Planet Terror
Tags: comedy, murder, cult, horror, violence, humor

Plot synopsis:
Over the opening credits, Cherry Darling (Rose McGowan) works as a go-go dancer at a club. After crying onstage, she tells her boss Skip (Skip Reissig) that she needs to make a real change in her life and quits her job. While walking home, several military trucks pass her close enough that she throws herself into a bunch of trashcans. She also gets several splinters in her thigh for her trouble.At the military base a couple of miles away from town, scientist Abby (Naveen Andrews) is threatening his incompetent employee Romey (Julio Oscar Mechoso) for having lost three very valuable 'specimens'; the price of failure is Abby's henchmen cutting off Romey's testicles, which Abby keeps in a jar along with a collection of them from other victims. Lt. Muldoon (Bruce Willis) shows up, wearing a gas mask. He asks Abby where the "shit" is, and Abby says that its all there on the base, prompting a short gunfight. His men are shot to death by Muldoon's troops, and he again asks where the mysterious "shit" is. Muldoon's face starts to boil and Abby says that its all around them. He grabs a pistol and blasts a gas canister open, spreading gas everywhere. Some are unfortunately exposed instantly to the gas, melting into gooey messes. However, Muldoon and his men walk into the green gas and enjoy it while Abby escapes in a vehicle, not noticing one of Muldoon's soldiers is riding on top of the vehicle. The green mist spreads through the air.Meanwhile, Cherry stops at a rundown barbecue restaurant called 'The Bone Shack'. A young woman named Tammy (Fergie) arrives and asks the owner J.T. (Jeff Fahey) for some water for her car's overheated engine. Cherry goes to the dirty ladies room where she cleans her leg wound and sits down in the restaurant where she is the only customer. After Tammy drives away, Wray (Freddy Rodríguez), a local mechanic, arrives in his truck. J.T., obsessed with having the best barbecue in Texas and winning a local contest tells Wray that he is celebrating is restaurant's 25th anniversary. Wray sits at Cherry's table and the two converse, revealing Wray and Cherry have a history together, and she's wearing his jacket. They briefly talk about their past, and Cherry sardonically states that she is going to become a stand-up comedian. Their flame for each is other is clearly still there, and Cherry catches a lift with Wray.Dr. William Block (Josh Brolin) and Dr. Dakota Block (Marley Shelton) wake up at 8:00 PM for their late shift at the hospital where they work. Through their window, they can see the eerie green mist. Dakota makes breakfast for her husband and son, Tony (Rebel Rodriguez) and slyly texts her lover to pick up Tony, who will be with the babysitter.In the hospital where Bill and Dakota work, people with strange symptoms start arriving: the first one, Joe (Nicky Katt), has a bite supposedly half an hour old with an advanced stage of gangrene and bacterial infection. Dr. Felix (Felix Sabates) notes he has seen similar wounds before in Iraq soldiers, due to mustard gas. Joe's temperature is high, and when Block makes Joe open his mouth he is startled that his tongue is infected as well. Block squeezes a boil, making it burst and blood and fluid spurt onto his face. The infection on Joe's arm is spreading, so he calls in Dakota and tells Joe that he's going to amputate his arm. Dakota has three needles and injects Joe with all of them, making him pass out.On the road, Tammy is listening to a radio broadcast dedicated to the memory of someone named Jungle Julia when her car breaks down near the military base. While trying to hitch a ride she is attacked by the infected people (called "sickos"), who tear her apart and drag her body off the road. Wray and Cherry see them dragging the body, but think that it's just a dead deer. (Wray says that its best to run right through a deer if it's in front of you, because trying to swerve might cause you to crash.) He is immediately startled by a sicko in the road and swerves, losing control of his truck. The truck rolls over until its upside down, and Cherry gets after him for swerving; he replies that it wasn't just a deer in the road. Sickos suddenly grab Cherry and take her to the woods. Wray grabs a rifle and runs after her. By the time Wray catches up with them, the sickos have ripped off Cherry's right leg and have run off with it. Wray shoots the sickos, but they don't die. He puts Cherry in his truck and speeds off to the hospital.At the hospital, Cherry is barely awake when admitted. While Dr. Block asks Wray what happened, Sheriff Hague (Michael Biehn) arrives with Deputy Carlos (Carlos Gallardo) and Deputy Tolo (Tom Savini). Hague is startled to see Wray due to an unexplained secret in his past and asks why he's carrying a rifle. Hague arrests him as more sick people show up. Block calls Dakota over and shows her Tammy's corpse which also arrives. A doctor calls her a "no-brainer", since she's missing the back of her head and her brain. Dakota gets upset and cries in a room while Block follows her. He knows that Tammy and Dakota used to have a lesbian relationship, and that they were going to run off that night. Block grabs one of Dakota's needles and stabs her hands with it, causing her hands to become numb. Before he can kill her, Block is called away by another doctor, but he first locks Dakota in the room. The other doctor tells him that all the dead bodies have disappeared from the morgue, with a thick trail of blood leading away.At the police station, Wray is permitted to make one phone call where he has a coded conversation with someone on the other end; Wray asks about something called "DC-2", and asks more coded questions. Earl McGraw (Michael Parks), a local Texas Ranger, talks with Wray over his troubles, and leaves for home to care for his sick wife who's dying from lung cancer. Sheriff Hague keeps asking Wray who he really is when he gets a call from his brother J.T., who complains that there are two people loitering in front of his restaurant who aren't customers. Their conversation reveals that Hague owns the diner and is raising J.T.'s rent due to his brother's refusal to reveal his secret barbecue recipe. J.T. tells Hague not to bother coming over, since the people are coming in, but it turns out the people are sickos, and they presumably attack J.T...Back with the sheriff, Deputy Tolo arrives angry about some maniac that he arrested at Skip's club that bit off his finger. When the cops go outside to investigate, they see that the sicko has escaped from Tolos' cop car. Carlos finds Tolo's ring on the ground, but no finger. As he gives Tolo his ring back, Carlos is bitten on the arm and attacked by sickos. Before they react, Carlos is gruesomely torn apart and eaten by his attackers. Hague and Tolo shoot the sickos, but more show up. Hague and Tolo fight them off as Wray stays inside the station. Tolo is thrown hard against a car, but lives. More police officers, including an attractive female deputy, show up and blast away the sickos. Wray breaks free from his handcuffs after saving Hague's life, and tells him that he's going to the hospital to get Cherry. Hague tells him that they'll take his car. Hague's car explodes, and so the remaining cops get into the back of Wray's truck and head towards the hospital.At the home of Earl McGraw, he feeds his virtually catatonic cancer-stricken wife some soup. He looks away for a second, and when he looks back she's turned into a sicko; she attacks him almost instantly.Back at the hospital, more and more people are coming in with boils and infections. Dr. Felix and Dr. Block are unable to comprehend what's happening. As Dr. Block walks down a hallway, he looks into a room where Joe has turned into a sicko and walks towards him with a surgical saw. Joe cuts Block's glasses, but the saw shuts off when he walks too far away from the outlet, pulling out the plug. Instead, Joe bursts a boil on his face and smears his blood all over Blocks' face, infecting him. Also, Cherry wakes up in a hospital room, and is depressed over her severed leg.Dakota throws herself out of a window, landing in trash outside of the hospital. She goes to her car, but her hands are still numb. She puts her hand through the handle on her car door and kicks the door open, but loses her balance and falls, breaking her left wrist. Dakota gets into the car and puts her keys in with her mouth, then drives off and runs into a lot of cars. As she leaves, Wray and the cops show up. Wray tries to grab a gun, but is stopped by Hague. Instead, Wray grabs a couple of butterfly-knives out of the truck's glove compartment and runs into the hospital as the cops fight the sickos outside. Tolo accidentally shoots a hospital patient wondering around after mistaking him for a sicko.Wray enters the hospital and finds total mayhem has taken over; the infected corpses and injured are chasing and attacking both doctors and patients ripping them apart and eating them. With his two butterfly knives, Wray, like a professional fighter, charges into the carnage, brutally stabbing, slashing, slicing and dicing all the sickos in his path. He eventually makes it to Cherry's room where she's hiding under a sheet playing dead. He tells her to come with him as the hospital is now on fire from the mayhem, but she can't walk. Wray tells her to suck it up, and breaks a leg from a table, shoving it onto Cherry's stump. Cherry awkwardly walks with Wray through the hospital as he protects her from the sickos. They make it to his truck and drive off hoping to make it to J.T.'s place.Meanwhile at Dakota's house, the Crazy Babysitter Twins (Electra Avellan and Elise Avellan) talk on their cell phones with their boyfriends while Dakota's son plays with his pets which include a spider, scorpion, and turtle. Dakota, looking exhausted and dishevelled, comes home, and the babysitter twins get angry at her because her friend didn't show up to take her son on time. Dakota kicks them out of her house and tells her son that they have to leave, but before they do he takes every pet he has with them. While Dakota and her son, Tony, are in their car, the Crazy Babysitter Twins attack them with shovels and smash the windshield. She speeds off, causing one of the twins to land hard on the ground. Dakota drives to Earl McGraw's house, and gives her son a pistol. She tells him that if anyone other than her comes to the car, he must shoot them in the head like in his video games. He asks what if it's dad, and she tells him "especially if it's him." Before she leaves, Dakota tells him to be careful or he'll shoot his own face off. As Dakota walks to the house, she hears a gunshot. She runs to the car to find that her son accidentally shot himself in the head. Her grief is interrupted by Block showing up, having turned into a sicko. He holds her by the hair, but she rips herself away from him, grabs her dead son, and knocks on the front door. Earl, who is revealed to be Dakota's father, lets her in; it is apparent from an axe that he's holding and from blood splattered all over the inside walls, that he has killed his infected wife.Wray and Cherry meet up with Sheriff Hague at J.T.'s restaurant with other survivors from the town where the Sheriff makes them deputies, and they make their way up a hill to J.T.'s. When they get there, they see J.T. lying down on the floor behind the counter, allegedly with his intestines ripped out. Upon further inspection, though, it turns out J.T. was merely unconscious with some barbecued sausages on his stomach, having killed all the sickos by shooting them in the head. Wray tries the sausage, and says that it is the best he's ever had. J.T. tastes the sauce and agrees. His brother, the sheriff, points out that he's bleeding from the temple and it's probably his own blood that's given the sauce the perfect flavour. Afterward, J.T. shows the group some of his escape vehicles. One of which is a chopper motorcycle, while the other is cut and chopped 1950s convertible automobile. Sheriff Hague continues to ask Wray who is really is, but Wray refuses to answer.Cherry and Wray discuss their previous relationship in J.T.'s bedroom. We learn that Cherry left Wray because he couldn't commit. Wray has Cherry look in the pocket of his coat (that she took when she left). She finds an engagement ring. They have sex.What happens after this is unclear to us due to a "missing reel," which causes the film to stop abruptly and melt on screen. The theatre apologizes for the inconvenience.When we do get back to the movie, some 20 minutes of the story have passed. J.T.'s diner is engulfed in flames, besieged by dozens of sickos. A wounded Sheriff Hague is brought inside after he was accidentally shot in the neck by Tolo. More survivors have showed up at J.T.'s place (the babysitter twins, Cherry's boss Skip, Dakota, Earl, and several other people). Also, Wray has evidently told Hague who he really is, with both men hinting at some important dialogue that we would have heard if not for this "missing reel". Hague gives his pistol to Wray, whom he now calls "El Wray". Tolo is against it, but Hague wants Wray to have all the guns. Wray spins his pistols and becomes the leader of the group. Then Tolo is ripped apart and eaten by the sickos who break into the restaurant. The survivors, Wray, J.T., the wounded Hague, and the remaining survivors go outside and see that they're surrounded by the sickos. They unload all their pistols and rifles into them killing several of sickos, but more and more keep on coming. They retreat back inside the burning building and Wray says that someone needs to retrieve his truck so that they can leave. Cherry volunteers and hobbles out as Wray covers her by firing an assault rifle at the dozens of sickos outside. Cherry drives Wray's truck into the restaurant and Hague gets into the driver's seat. The others pile into the back while Skip gets into J.T.'s roofless convertible along with the babysitter twins and Dakota. Cherry rides the motorcycle, and Earl stays behind to provide cover for their escape. After they break through the sickos, the survivors stop at Dakota's car and pull out a minibike, Tony's Pocket Bike, out of the trunk. Dakota rides on the large motorcycle with Cherry as Wray leads the way on the tiny vehicle. They shoot more sickos on the road while Hague runs them over with the truck. J.T.'s dog unfortunately jumps out of the truck and is run over as well.Near the military base, they are blocked by a wall of sicko zombies on a bridge, which are killed by a bunch of soldiers coming up from behind. They are Muldoon and his men. Muldoon knows who Wray is, and has his men knock him out. When Wray wakes up, he finds himself locked up with the other survivors in the military base (Abby is there as well). We find out "El Wray" is actually a war veteran. The soldiers take survivors as prisoners. Abby reveals to Wray and the others that he is the scientist and businessman who has sold the virus, DC2, to the soldiers. They are infected, but can use the gas itself to control the symptoms.Two of the militants (one of them is played by a lecherous Quentin Tarantino) grab Cherry and Dakota. Wray tries to help, but is beaten up. On the elevator ride down, the lecherous soldier stops the elevator and takes off his gas mask. He threatens Cherry with his pistol while his face starts to boil. The other military guy tells him to put his mask back on, and when he does his face becomes normal again.Back in the cell, J.T. rambles on about the barbecue sauce recipe to distract the guard's attention. El Wray, J.T. and a sax playing prisoner (playing the movie's theme song) overpower the guards, but J.T. is shot. El Wray and Abby break out and find Lt. Muldoon who explains what it is actually happening. Lt. Muldoon and his soldiers were in Afghanistan; they'd accidentally found and killed Osama Bin Laden. But as this was against America's interest, so instead of medals they got gassed with DC2, a chemical weapon designed to wipe out entire cities. He figured that the best way to find a cure was to gas a whole town then take the survivors to extract a cure from them. While he talks he has not been wearing his gas mask, so he swells and blisters and finally is shot and killed by El Wray.Meanwhile, the rapist soldier tells Cherry to dance on her wooden leg, and takes off his gas mask. While she dances, Cherry hits him in the head with her wooden leg, splintering it to a sharp point which she then stabs him in the eye with. Furious, he drops his pants, and we see his crotch turn to mush melt away. Cherry is horrified and backs away. Dakota, finally getting some feeling back into her hands, shoots a dart-like needle in his other eye. Abby and El Wray arrive and shoot the rapist and his partner. They all go back to fetch the others. Sheriff Hague and J.T. are both near death from their gunshot wounds, so they are left behind, in control of a bomb. El Wray sticks a specially crafted custom-made M4A1 carbine assault rifle/M203 grenade launcher into Cherry's stump. She uses it to open the door to the command centre, shooting a grenade through the rapist, whose condition has worsened severely. She shoots all the men in the command centre with the rifle.The survivors force their way through the dying soldiers to a couple of helicopters using Cherry's new leg and their own guns. The fatally wounded J.T. and Sheriff Hague volunteer to stay behind and blow up the stash of DC-2 canisters with a remote control detonate that El Wray gives to J.T. After the survivors file out of the building, and engage in a gunfight with the soldiers outside, whom are starting to transform into sickos, J.T. finally tells Hague the secret to his rib recipe (canned tomatoes), then blows up the military base. Storming the helicopters, Abby gets killed and Dakota is attacked by Dr. Block in zombie state. Her father, Earl McGraw, suddenly appears and kills him. During the final battle, Cherry launches herself off the ground with her grenade launcher and blows up a bunch of sickos mid-air. When she lands, she spins around and blasts them away. The survivors make it behind the walls and fight the sickos. One of them shoots a rocket at Cherry, but she dodges it and blows him up. All looks well, and Cherry watches the base burn, but doesn't notice a sicko soldier behind her. Wray and the soldier unload into each other, and Cherry runs to the dying Wray.Everyone gets into the helicopter and Skip flies it, but not before he cuts through a group of sickos with the helicopter's rotary blades. The Crazy Babysitter Twins laugh with glee over the bloodbath and enjoy taking pot-shots themselves at the sickos on the ground, while one gets into the co-pilot seat and turns on the helicopter's windshield wipers to wash the blood splattered on the front windowsEl Wray tells Cherry to go to the ocean, turn her back to the sea, and fight. Cherry pleads with him, asking him not to forget his promise of "two against the world"; he says that the promise is still good, as he has made her pregnant ("I told you, I never miss"). Wray dies, and Cherry grabs onto a lowered rope from the helicopter as it flies away.Cut to Mexico one year later. Cherry tells us via voice-over that she's found other survivors, and that they took Wray's advice and settled down near the ocean in a remote part of Mexico. On the beach, Skip is enjoying this new lifestyle with the Crazy Babysitter Twins by his side, with several armed survivors, including Dakota, patrolling the area for sickos. A sicko pops out to attack a small child in the crowd of survivors when Cherry blasts him away with her new chain-machine gun attached to her leg. The final shot shows Cherry and her baby daughter, the product from her brief period of sex with El Wray, being happy... two against the world.

Review: Because of low box office returns in the USA (total gross: 25 million $; movie's budget: 100 million), that outrageously mouth-watering experiment known as Grindhouse was split in half for the European release: first came Quentin Tarantino's Death Proof, a masterful reinvention of the slasher flick, the main strength of which was focusing on characters and atmosphere rather than film references; and now comes Planet Terror, Robert Rodriguez's zombie opus which has "excessive" (read: fun) written all over it.That this is going to be a different cinematic experience is obvious before the movie's even started, as it is preceded by the RIP (Rodriguez International Pictures) logo and the fake trailer Machete (the other three are not included in the separate cut), starring Danny Trejo: a bona fide B-movie advert, so gloriously OTT the MPAA would never approve it in real life (swearing, nudity and explicit violence: not good).
And as the inevitable final battle approaches, the blood keeps flowing freely.At first sight, Planet Terror may seem like the lesser of the two Grindhouse halves, mainly because the director, unlike Tarantino who made the separate version of Death Proof longer and better-looking, hasn't modified his segment at all (aside from reinserting half an hour worth of excised material): the scratches and aging signs are still there, and the "missing reel" (a love scene between the two leads) is still missing.
have already done it), puts all his energy in the execution (pun not intended) and delivers exactly what the audience demands: from sexy start to gory finish, Planet Terror is a 105-minute long, shamelessly overblown money shot, a picture that dumps all pretensions and sets out to simply entertain.The focus on blood and guts (and there's plenty of them), however, does not make the film a mere exercise in style, because while he may not be as skilled a writer as his partner, RR manages to deliver some memorable lines (a satirical stab at Bin Laden being the standout) and craft excessive yet immediately likable characters, all played with almost puerile joy by a terrific cast: McGowan, who was killed off immediately in Death Proof, makes up for it here by giving flesh (and what flesh) to one of the toughest babes ever to hit a screen (the image of her with a machine gun instead of her missing leg is already iconic); Freddy Rodriguez, having stolen scenes for five years in Six Feet Under, is completely at ease in the role that should make him an A-lister; Naveen Andrews, best known for playing Sayid on Lost, has the fun of a lifetime shaking off his nice guy image as a testicle-collecting (!) scientist; and finally, people like Bruce Willis and Tarantino (whose part is ten times as crazy and hilarious as his Death Proof cameo) pop up briefly to memorable effect for one simple reason: they just want to have a good time.A good time: that is all Planet Terror has to offer, no more, no less.
While Quentin Tarantino's Death Proof seems to be a much more authentic representation of 1970s grindhouse pictures, Robert Rodriguez' Planet Terror is more of a loving caricature of 1980s zombie splatter films.
For Tarantino it's stylized long-shots, intellectual-cum-vapid dialog, and a penchant for bad-ass ladies and some sick violence.For Rodriguez, it's what we've come to see as a sort of mix between his Mariachi films and From Dusk till Dawn: slam-bang action, truly absurd twists with the occasional shock factor (in this case the "accidental" death of a child), and raucous humor from dialog that, in its own right, is probably just as self-consciously clever as QT's.
There isn't some big block of specific scenes stuffed back in from the original cut, however the bits that are noticeable for those who are aware of the original 90 minute version- i.e. waking up at night to see the green-tinted moon, the extra bit at the police station, some extras at the hospital- don't really add much at all to the proceedings to make it any better as it is.For what it's worth though, to those who will seek it out having not had the luck- as imposed by the what seems to be ironic monacher after the Machete trailer "Brought to you by your friends at the Weinstein Company!"- Planet Terror is a kick-ass, take-no-prisoners zombie flick, filled with enough ballsy attitude for two B-movies that deserve to get immediately dusted off and played to packed audiences of sick f***s who cant get enough of gruesome, over-the-top horror violence and tongue-in--so-deep-it's-breaking-the-cheek dialog.
We follow a few main characters, all of which are enigmatic and end up having connections that no one would have seen coming, which reminded me of the low budget films that used to come out back in the day, where the director would try to weave in so many subplots the whole thing becomes silly (and a lot of fun)...The movie is heavy on gore and there's a ton of beautiful women, therefore its a visually pleasing film to watch, especially with the premature aging effect they use to make the movie seem old.Another factor I was excited about was Micheal Biehn, I haven't seen him in an action oriented roll in a while and it was good to see him back in action (whatever happened to him anyway?).
The plot is fairly simple, a zombie outbreak in which the survivors are the cure for the zombie infection and have to survive.Its a really fun movie, and is the better half of Grindhouse (Death Proof seemed like a very ODD chick flick).
I reviewed this before as it was put together next to "Death Proof" (plus a number of inspired trailers for films that don't exist) for the grand experiment "Grindhouse",and I felt that while I still quite enjoyed the whole package, this probably should've been broken into halves to make this a little more viewer friendly (that is,assuming directors Quentin Tarrantino and Robert Rodriguez were EVER interested in trying to make a commercial hit out of their opus).The pulpy,weighted on action tale of a bio-chemical leakage at a rural Texas military outpost that turns people in zombies brings together a variety of disparate locals,among them a hardened and bitingly sardonic stripper (Rose McGowan,who has to work hard to NOT drip sexuality) and her sometime boyfriend and bad-ass fighter (Freddy Rodriguez).
Subplots involving a loveless and abusive marriage between wed doctors (MArley Shelton and Josh Brolin) and rival brothers--one a sheriff (Michael Biehn),the other a BBQ rib joint proprietor (Jeff Fahey,who was unrecognizable to me at first)--seem to be padding to build conflict toward a big,bloody,messy,fiery climax,and if there's anyone who understands those kinds of film finishes,it's director Robert Rodriguez,working the usual flourish and flair.On it's own or added to Tarantino's road menace pic,this is still quite a bit of non-brain-taxing fun!.
This reviewer at least found the results less pretentious, the trash origins not being made more of than they ever were - the sexist treatment of women for instance less insidious.The illusion of viewing much watched, much loved bad 70's junk cinema is extended even to the point of deliberately introducing blemishes to the film, also plot holes, as well as a whole 'missing reel' which interrupts the continuity, with suitable management apologies, half way through the action.
This exciting film packs tension, chills, thrills, terror, sadism, tongue in check and lots of blood and gore- including stabbing,slicing,stabbing,quartering- courtesy of Greg Nicotero and Howard Berger; they create a truly creepy make-up of horrible zombies cannibals.The flesh-eating mutants appearance deliver the goods with hair raising thrills and plenty of scares and eerie murders.The astonishing killings are gruesomely executed and grisly graphic.
for which he prolly got a lot of money...He did direct "Death Proof" which IS, so I too think, a good movie...But this one isn't.I'm feeling sorry for anyone who likes this movie, since it's nothing but a weak jointogether of every other bad zombie movie ever screened...
To me, it seemed that all the cast and crew had a wonderful time trying to recreate those cheesy moments, especially with the spouting of extremely cringeworthy lines of dialogue, and even more terrible acting, but this attitude of fun permeates through the movie, even having an essential reel (with I'm sure plenty more flesh you would want to see, and probably some major plot revelations as well) gone missing.
Look out too for a cameo appearance (and this guy seem to be making a lot of uncredited/cameo appearances too) and his dialogue regarding the war on terror.I'd highly recommend Planet Terror over Death Proof anytime (sorry Tarantino), and it is too bad their idea of kickstarting a slew of Grindhouse features seemed to have taken a backseat due to the lacklustre performance of their double bill.
Mr Rodrigues, please remove thyself from the movie business, you are ruining good film for reasons i will never comprehend, nor do i wish to, shame on you Quentin for even putting your name on this rubbish, this movie is a series of fragmented violence of blood and pure gore, how do the Weinstien sleep at night, if there was a minus score, i would willingly and gleefully give it, and by the average rating, i would suggest that your viewers get a real brain, omg, this movie and i use that term loosely, is a perfect example of the American healthcare systems, poor bastards, i am now willing to concede under protest that No Country For Old Men is a spectacle compared to this screwed up offering, Robert, please do us all a favour and squeeze a couple of rounds in thy mouth, quickly oh one last word, i do not need an American spelling count as an error, bloody savages!.
I think there running out of ideas, This was so bad and flawed it even made old grindhouse movies seem like they deserve an Oscar nomination.IF the directors and actors made money from this film i will be shocked and appalled, many movies that never made it onto the big screen that were 100 times better.Beware don't rent this movie, its quite embarrassing..
But at the same time, it contradicts itself as you wouldn't get big action stars such as Bruce Willis, making a cameo in b-movies.So other than contradicting itself, and showing the obvious reason b-movies are b-movies and not watched by many people, planet terror does well, although there's nothing left to do well n, so overall its poor.+ rose McGowan with a gun on her stump??
It was seen even in From Dusk Till Dawn, where the movie started brilliantly (with his pal Tarantino doing a good job as a psychotic killer)and then drifted to the Rodriguez favorite zombie theme.Planet Terror has all the ingredients that can disgust anyone - blood spilling, arms getting pulled out, stabbing in the eye ,etc,etc.
Planet Terror (2007)The first part of the B movie double feature 'Grindhouse' by Robert Rodriguez and Quentin Tarantino is intended to be something like a 1960s -70s B-movie, where the golden era of exploitation movie sprung such notable examples as George A Romero's 'Night of the Living Dead' and Joe Dante's ridiculous 'Piranha'.At 191 minutes of sleazy, gory, mouthy, gratuitous content whizzing around it is no surprise that 'Grindhouse' flopped at the box-office, which forced the studio to split the films separately to raise more revenue for outside the USA.
When the outbreak affects most of the local population, a group of people with immunity leaded by the mechanic Wray (Freddy Rodriguez), Sheriff Hague (Michael Biehn), the stripper Cherry (Rose McGowan) and the Dr. Dakota (Marley Shelton) fight to survive and become the last hope to save the world.The stylish, gore and hilarious "Planet Terror" has a great potential of cult-movie, with an immediate association with "Braindead" and "Night of the Living Dead".
I get it: the director's respected, he has a cult-following, and he apparently likes the kind of trashy films that cause the rest of us to change channel.I've seen really bad films on the sci-fi and horror channels and I've seen spoofs of them too, but since neither are entertaining nor can hold one's attention for 90 minutes, I have to wonder why such an esteemed director opted to make this ode to crapness.The beginning, with the girl who was hot in Scream and then made a series of bad films, did succeed in getting my red blood pumping somewhat, but unfortunately, this promptly turned into yet another of those awful flicks I've since seen her in.Hey, she's gorgeous, she's probably a good actress, but she makes crappy judgements on what to play.And sadly, three hot girls is about all I could find remotely interesting in this dire mess, which isn't even remotely funny, just plain bad.Watch gore comedy classics like Blood Diner or Bad Taste if you fancy some nasty laughs, but leave this rubbish well alone...
Just give them guns, and let them shoot every motherf***er Zombies."Planet Terror" is a crazy/serious pastiche and a beautiful homage to the Grinhouse Z-movies, with it's stupid situations, stereotype characters, out of the blues dialogs, extremely gore and fun action scenes, and beautiful woman with gun-legs.
It's a little bit like "From dusk 'till Dawn", only in better.Extremely funny and fun, the movie also manages to be a sincere homage to the genre as well as an experimental movie, that beats the Tarantino's one in its own field (the "mising reel" is a real post-modern sabotage of the movie, like the scratches on the film, that gives "Planet Terror" a magnificent vintage look).
After a strange gasa biological weapon developed by the militaryis deliberately released into the atmosphere, a group of survivors must do battle with hordes of bloodthirsty zombies, whilst also trying to stop the bad guys responsible for the epidemic.Planet Terror is Robert Rodriguez's half of the faux exploitation double-bill originally released in the States (along with Quentin Tarantion's Death Proof and some 'fake' trailers) as Grindhouse.
Whilst neither film is a particularly good example of either directors' work, at least Planet Terror isn't the major disappointment that QT's dull yakathon proved to be.Rodriguez begins his paean to the mindlessly violent drive-in flicks of yesteryear with a fun trailer for a trashy thriller entitled 'Machete', which, packed with OTT action, looks extremely impressive and certainly whets the appetite for the 'main feature'.
Fun but shallow.At the end of the day "Planet Terror" is the more entertaining out of the two "Grindhouse" films and it's also Robert Rodriguez' best movie so far.
Should viewers be ready for some surprise cameos and shameless gross-out gags?Oh, yes.Originally partnered with Quentin Tarantino's "Death Proof" under the title "Grindhouse," as a double-feature celebration of '70s Grade-B hardcore action movies, "Planet Terror" gives you a gripping story that features a diverse array of characters and several subplots, all of which mesh together very well while keeping the ultra-violent action flowing.Even when writer-director Robert Rodriguez doesn't have an idea completely worked out, he manages to cover for it cleverly by exploiting the exploitation genre itself, serving up a "missing reel" to fast-forward the film through what might well have been a tedious explanation phase."Thank you for telling me aboutyou know," says a sheriff (Michael Biehn) who had previously been suspicious about El Wray's true identity."Don't mention it," El Wray (Freddy Rodriquez) replies.
In 2007, Quentin Tarantino and Robert Rodriguez joined forces to create the Grindhouse film experience: a double feature intended to emulate the thrilling grittiness and distinctive roughness of 1970s exploitation cinema.Planet Terror is a sick, disgusting, schlocky, over-the-top and ridiculous zombie flick, and for a Grindhouse feature, it's perfect!
Robert Rodriguez's music score is pretty damn awesome too.Of the Grindhouse double-feature, Planet Terror is my favorite of the lot, for it is so full of crazy energy, crazy blood and gore, crazy characters, and crazy style.
Planet Terror is an excellent,Action-Packed,Bloody and Gory Zombie Horror film that is filled with amazing direction,wonderful cast,a well-written script,great special make-up effects and fantastic score and is Robert Rodriguez at his best.Set in Texas,Planet Terror tells the story of Cherry Darling(Rose McGowan),a Go-Go Dancer and inspiring stand-up comedian who along with her ex-boyfriend El Wray(Freddy Rodriguez)have to lead a group of survivors when a toxic chemical is released into the air and turning people into Zombie-like creatures.
The movie would be Robert Rodriguez's Planet Terror,an Action-packed,gory and over the top Zombie film that was the best of the two Grindhouse double bill with the other film being Quentin Tarantino's Death Proof.
After watching Planet Terror for the first time, it instantly became one of my favorite films.It has lots of blood and gore, great well known cast with great performances and I loved the film grains and filters they used to make it look older than it actually is.There was really nothing about this film I didn't like apart from wishing Michael Biehn and Bruce Willis had bigger roles.A very interesting and entertaining take on zombie movies.
Among the survivors are Wray (Freddy Rodríguez), go-go dancer Cherry (Rose McGowan) and Sheriff Hague (Michael Biehn) who all fit perfectly into the bizarre setting as the stereotypes they are, the casting throughoutly is just right.The film looks good and is fun to watch; the deliberate improper cuts, sound distortions and visual filters all add up to the unorthodox movie experience.
And there's a drastic difference -- "Death Proof" has the dialogue and the superior music, but "Planet Terror" has the action, the blood, the humor and the pure campiness people were coming to see.The cast makes this film.
Rodriguez' "Planet Terror" is even more entertaining and  especially  more 'grindhouse' than Tarantino's "Death Proof".
And yes it is way better than Death proof witch i was a little disappointed after watching but i would have wanted to see the grindhouse double feature, This is still a very fun,action packed,zombie shooting movie ever!