The Queen of Spades
Tags: paranormal

Plot synopsis:
As described in a film magazine, Hermann, a Russian military officer with a small fortune, is fascinated when he hears a story of Countess Fedotovna, who won her fortune by playing three certain cards, the identity of which she refuses to reveal. Hermann gains entrance to the house through a flirtation with Lizaveta, ward of the countess. He confronts the countess with a revolver and demands to know the cards she played. The countess falls to the chair, apparently dead. Remorseful, Hermann goes home. The next morning he receives a message from the countess telling him that the three cards are the trey, seven, and ace. The first two nights he plays the trey and seven and is successful. The third night he bets all of his money, feeling sure that the card will be the ace. He finds it is the queen. With the loss of his money he loses his mind.

Review: Anchor Bay's new DVD set includes a beautiful presentation of it, along with the 1945 anthology horror film "Dead of Night."  I've read nothing but good things about "Dead of Night," but haven't gotten around to seeing it yet.
Once seen, it's hard to forget.Anton Walbrook may have played more multi-dimensional characters in other films, but never with the same frightening intensity as in this one.
As a result there arose many superstitions concerning the cards-one of these was the evil influence of THE QVEEN OF SPADES."The dead shall give up their secrets.Haunting, poetic, lyrical, romantic and visually arresting, Thorold Dickinson's take on the Pushkin story is a magnificent picture of many wonders.
However, now widely available on DVD (the Optimum Region 2 issue is a spankingly fine transfer), and with Martin Scorsese lending his weight to the film's greatness, it's hoped that more people will get to see and embrace this masterpiece.Dickinson (Gaslight) was only brought in at the last minute, literally days before the picture went into production.
The story is a more than solid source to work from, Walbrook's Tsarist Captain Suvorin aspires to gain wealth by learning Countess Ranevskaya's (Evans) secret to wining at the card game Faro.
Working from a book he located about people making deals with the Devil, Suvorin worms his way into the affections of the Countess' ward, Lizaveta Ivanova (Mitchell), so as to get close to the aged and fragile Countess and put the squeeze on the old dear.
He is obsessed and oblivious to the feelings of others and ignorant to the age old adage about being careful about what you wish for.....Filmed in subtle black and white by Otto Heller (They Made Me A Fugitive), film is big on shadows, odd camera angles, clinical sound work and haunting imagery.
Mirrors, too, play a prominent part in proceedings, hauntingly so, while many of the characters have an other worldly sheen to them.3, 7 & Ace.Mostly the film is highly thought of by those that have seen it, what negative reviews I have come across appear to be written by horror fans unhappy with not getting the horror film suggested by tag words such as ghost and the Devil.
Cast are terrific, Walbrook (Gaslight/The Red Shoes) is intense and maniacal, Evans (The Importance of Being Earnest) is oddly scary but pitiful, Mitchell is beautiful but perfectly staid and Howard (son of Leslie) is straight backed and gentleman like.From the opening credits that are off kilter written on scratchy looking paper, accompanied by Auric's blunderbuss music score, to the "devilment" of the denouement, this is a classic Ealing film for true classic film fans.
Adapted from a short story by Pushkin, this brilliant film is far too rarely seen or mentioned, which is tragic, because it is without question one of the best British films ever made.I was fortunate enough to see it on cable, where by coincidence it was shown right after 'The Third Man' and just before another Brtish b/w masterpiece, 'The Haunting' -- what a triple bill!
There are also close connections with The Archers (Powell & Pressberger) -- Anton Walbrook featured in three P&P films, and co-writer Rodney Ackland also scripted one of those films, P&P's '49th Parallel'.Watching 'Queen Of Spades' it's obvious that many of the team who made it learned their craft in the silent era -- lighting, costumes, set design and cinematography are all fantastic, and though on a slightly smaller and more restrained scale, QOS is almost on a par with Von Sternberg's baroque masterpiece 'The Scarlett Empress'.Brilliantly directed by Torold Dickinson (who also did 'Gaslight', in which Walbrook also features), the incredible, wildly expressionistic b/w cinematography is by legendary Czech-born DOP Otto Heller, who began his career in 1922(!) and who also shot Olivier's 'Richard III', 'The Ladykillers', Powell's 'Peeping Tom' and those three classic Michael Caine films of the 60s, The 'Ipcress File', 'Alfie' and 'Funeral In Berlin.'The casting is perfect, and it's easy to see why Anton Walbrook was one of Michael Powell's favourite actors.
The crucial scene in which Suvorin tries unsuccessfully to beg, cajole, and finally force the secret of the cards from the Countess is truly electrifying -- Walbrook is absolutely rivetting, and Evans -- who has no lines and plays the scene only with her eyes -- shows why she was considered one the greatest actors of her generation.
The climax of that scene, the look of stark horror on Walbrook's face, is one of the most powerful film moments I've ever seen, perhaps only surpassed by incredible card-game scene at the end of the film..
Why The Queen of Spades is so overlooked is a mystery to those who have seen it....it is a dazzling tour de force.Anton Walbrook pulls out all the stops as the army officer obsessed with learning how to win at faro.
The countess sold her soul to learn the magic of the cards, 3,7 and Ace and, in the end, that does not bode well for Walbrook.The baroque sets, assisted by wonderful lighting effects, builds an eerie, almost surreal atmosphere.
My Win. I've seen this now probably 10 times or more over the decades  it's an out and out genuine British film classic, and still only Thorold Dickinson and Anton Walbrook's second best to Gaslight made 10 years before.
The production values in both were high lending a richly dark and brooding b&w atmosphere on nitrate film stock to compliment the inventive camera-work.Relatively poor Captain in the Royal Engineers jealous of the wealthy Cavalry officers around him dreams of making his fortune at faro, and eventually gets his way at the price of his precious soul.
What she does not reveal however is her mortal fear of death.There is a young soldier who would love to get the secrets of the cards from her and agrees to take the sins of her soul upon his in exchange for the knowledge - which does him no good.Photography and suspense is superb from filmmakers who knew their craft.
A gripping and atmospheric film with excellent performances from Anton Walbrook and Edith Evans, this film is up there with The Third Man as one of the best British films ever made.
It's the kind of highly stylized costume mystery/horror, that will undoubtedly appeal to lovers of old British cinema.The story is based on Alexander Puschkin's novella, "The Queen of Spades (1834), about a young captain in the Russian army (Anton Walbrook), an outsider (because he's German) who secretly covets the wealth and position of his fellow officers.
When he discovers that an aged countess has sold her soul to the devil in exchange for eternal fortune at the card table, he attempts to gain entry to the household by seducing the countess' naive ward, but his envy envy leads to the dowager's death, a loveless marriage, and Herman's descent into madness.The production initially ran into some trouble with director Thorold Dickinson entering the project when a great deal of the pre-production was already done.
The acting is somewhat stagy and highly stylized, but this was probably a common characteristic in British acting in those days, and I don't think of Anton Walbrook as a great actor, but the rest of the cast is fine, with Edith Evans in great form as the countess.
Any other version of Alexander Pushkin's short story classic The Queen of Spades, that isn't one of the brilliant Tchaikovsky opera, has to be really outstanding to beat this film, which is often considered the definitive version.
While Thorold Dickinson directs with a more than sure hand, there are some imaginative touches and he allows the atmosphere to really speak, a good thing considering that it is a ghost story, and the dialogue is intelligently written and easy to understand while respectful to Pushkin.
The story is hugely compelling, yes it is a slow-burner(which is not a hindrance at all, the film was unlikely to be as effective otherwise), but the spooky atmosphere and the high levels of suspense make the film's best scenes chill the blood even now.
The acting is spot on, especially from Anton Walbrook, who gives perhaps a career best performance, and a heavily made up(and effectively) Edith Evans- looking deliberately older than her years- who is terrifying and tormented.
The Queen of Spades is very much of the 'slow burn' variety; and like the classics produced by Val Lewton, relies mostly on it's atmosphere and story to keep things interesting - and that is really where the film falls down.
The story focuses around a very simple card game that was very popular around the time in which the film is set.
An army officer, fanatical about cards; but not wealthy enough to play himself, hears about an elderly countess who apparently sold her soul to the devil in return for the ability to always win at cards.
The officer then endeavours to track down the old countess in order to learn her secret so he too can win at cards.The film is based on a short story; and therein lies the problem with it.
A middle ranking soldier in the Russian imperial army is stung in to taking on his superiors at a card game, convincing himself that the secret of success lies in the spooky past of an aristocratic dame.
The photography is outstanding, with light/shadow/angles creating soulful atmosphere, and the director does some great combinations of music and close-ups on old actresses.At first the story is a bit slow and muddled, but it does wind up to an intense climax.
I watched it 3 times and I found much of the dialog to be hard to decipher and there were long passages of very boring scenes { like the dancing scenes while the card playing was going on } .
Poor, ambitious, bitter army captain Anton Walbrook plots to learn the secret to winning at faro so he can amass a fortune and take his revenge on those who look down on him.
This book holds the key to bargaining with the devil to win a fortune by playing a card game and it names a certain old Countess Edith Evans (Ranevskaya) as having gone through this particular process.
Walbrook is desperate to meet Evans and get the secret to everlasting wealth from her, ie, the secret of the cards.The character names can be confusing in this film, particularly at the beginning, but this doesn't really affect the proceedings as it is fairly easy to understand the relationships between the characters and that's what matters.
Edith Evans puts on a good show as a Miss Haversham type, while Yvonne Mitchell (Liza) is OK as her young companion but gets annoying in the scene when she realizes that she has been used by Anton Walbrook.
Walbrook holds our interest in the lead role as he pursues his goal for wealth and plays love rival to cavalry officer Ronald Howard (Andrei) for the attentions of Mitchell.The story is filmed with shadows and mirror images which add to its dark and creepy atmosphere, with great settings and costumes.
There is a particularly well done sequence when we hear the dead Mrs Evans coming for Walbrook.So, it's time to break out a deck of cards and get some wealth - after all, I now know the secret..
*Possible semi-spoilers, but as the story has been around for over 150 years, these may not surprise many...* 1806 Sankt-Peterburg: Herman Suvorin (Anton Walbrook) approaches middle-age as a bitterly disappointed man.
When he learns that old Countess Ranevskaya (Edith Evans)  the grandmother of one of the officers he envies  allegedly sold her soul to the Devil in exchange for learning an infallible way of winning at Faro, he sees a chance of advancement.
Edith Evans, as the Countess, acquits herself well playing a woman some decades her senior: spoilt, vain (still dressing in the high wigs and panniers of thirty years before), bullying - and beneath the show, pathetic and terrified.As a Pushkin adaptation, I would rate this film as highly as Martha Fiennes' 'Onegin'.
Along with Hammer studios,I've been trying to find and view more British Horror films.Thankfully,I recently discovered on the IMDb Film Noir board a huge amount of praise,for a dark,atmospheric UK movie,which seems to have almost been completely forgotten in British Horror history.The plot:Keeping up a tradition of standing in the corner and never partaking in a game of cards,Tsarist Captain Suvorin begins to contemplate on how he can grip all of the "falling" cash being spent by the gang of card players.Shortly after getting hold of some small change,Suvorin discovers a previously hidden book which details a number of deals that people have done with an alleged "devil",who along with helping the willing soul to achieve their desire's,also makes model figurines for the participant's souls to be stored in after their deaths.
Finding out of a party being held by reclusive Countess Ranevskya,Suvorin quickly learns that Ranevskya is infamous for having turned her luck around and winning a huge amount of cash from a card game decades ago,before retiring to become extremely reclusive.Feeling that Ranevskya's life weirdly mirrors a chapter in the book,about a woman selling her soul to the devil so that she can win a card game,and secretly put all of the money that she had stolen from her husband "back in its place".Suvorin starts to try getting the attention of Ranevskya's family,in the hope of getting close to the Countess and finding out how she scored such a devilish winning handView on the film:For their absolutely stunning adaptation of Alexander Pushkin's short story,screenwriters Rodney Ackland and Arthur Boys have Ranevskya's past dark dealings be something that slowly manifestation's into Suvorin,as he goes from just wanting to put his friends noses out of place,to being desperate to holding the key of the "dark arts".Placing the movie in a dark,almost Dickens Gothic setting, (with Countess Ranevskya sometimes looking like the sister of Miss Havisham!)director Thorold Dickinson brilliantly uses disjointed sound effects to show Suvorin's obsession breaking his reality apart,whilst also using complex,but perfectly executed camera moves to greatly increase the mysteriousness of the surrounding,and also turning the card games into truly tense,nail-biting scenes.Along with the strong directing,and Otto Heller's chillingly moody,low-lit cinematography,Anton Walbrook gives an excellent performance as Suvorin,who Walbrook shows to be a man that is never truly easy in his own skin,and always has an ulterior motive hidden under his sleeve..
The Queen of Spades, based on a story by Pushkin, is a marvelously atmospheric and menacing tale of obsession and greed.
Then he hears the story of Countess Ranevskaya (Edith Evans), who, a generation earlier, is supposed to have sold her soul for "the secret of the cards"...the three cards to choose which will win a fortune at faro.
Anton Walbrook was one of the great actors of his time.
A Captain of the Russian army, with little money, becomes mad for the secret of three cards which could yield a fortune.
That Captain, Suvorin(Anton Walbrook, who is mesmerizing)reads about Countess Ranevskaya(Edith Evans)who, facing public scrutiny after she commits adultery with a thief who desires money from a locked box, sells her soul instead of being found out of her sins.
Suvorin wants the secret of the cards more than anything and will manipulate her servant, Lizaveta Ivanova(Yvonne Mitchell)so that he can get in to meet the Countess.
The film might start out rather slow, but it gets better and better as time passes and the greedy dementia of Suvorin, a man who wants to know what wealth and privilege taste like, takes shape when it appears the secret he so longs for seems completely out of reach.
He's distant from the other officers, a bit unfriendly, and seems content to stay that way but, man, would he like to beat them all at a game of cards and carry off a king's ransom in kopeks.The problem is that, as it stands, he can't afford to "risk the necessary to obtain the superfluous." That kind of phraseology, plus certain other things like the retention of patronyms, makes me think the writers hewed fairly close to Pushkin's original story.
It's easier to steal dialog than to make it up.Dame Edith Evans is all lace and ancient fragility, is terribly wealthy, lives in a remote estate, and is rumored to have sold her soul to the devil in order to learn how to win at cards.
Anton Walbrook did a good job of portraying Suvorin, the gambler who doesn't want to actually gamble anything.
He's a man who is looking to sell his soul to gain wealth and power, yet by his actions he seems to be lacking one to bargain with.***SPOILER ALERT*** Here are some stupid plot points that helped kill this film for me: #1- Oh no, she has found the secret staircase behind the bookshelf!
This wouldn't be the first or the last time that a producer made an acclaimed film and followed it with a mediocre overrated picture.This pretty costume drama of a film meandered around boring me for a while, then gave me a bad romance between a stupidly smitten girl and conniving man and adds a third to the triangle with a boring character and after the death of an obnoxious old woman concludes with a tense, but ultimately ridiculous card game.Do you really want good 'slow burn Brit horror'?
And that the movie managed to be really creepy when it wanted to be.Not for every taste, but worth your time if you like Pushkin, Russians, British cinema or slow-burn tales of the supernatural..
The story itself reminded me a bit of Faust where a man would sell his soul to the devil in order to gather fortune.
So in the last 20 minutes this movie finally gets going with some exciting scenes between German and the countess and the card game between German and Andrei.