Great Expectations
Tags: romantic

Plot synopsis:
On Christmas Eve, around 1812, Pip, an orphan who is about six years old, encounters an escaped convict in the village churchyard while visiting the graves of his mother, father, and siblings. The convict scares Pip into stealing food and a file to grind away his shackles, from the home he shares with his abusive older sister and her kind, passive husband Joe Gargery, a blacksmith. The next day, soldiers recapture the convict while he is engaged in a fight with another convict; the two are returned to the prison ships from which they escaped.Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's "Uncle Pumblechook" (who is actually Joe's uncle) to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, with Miss Havisham's encouragement. Pip visits Miss Havisham multiple times, and during one of these visits, he brings Joe along. During their absence, Joe's wife is attacked by a mysterious individual and lives out the rest of her life as a mute invalid.Later, when Pip is a young apprentice at Joe's blacksmith shop, a lawyer, Mr. Jaggers, approaches him and tells him he is to receive a large sum of money from an anonymous benefactor and must immediately leave for London, where he is to become a gentleman. Assuming that Miss Havisham is his benefactress, he visits her and Estella, who has returned from studying on the Continent.Years later, Pip has reached adulthood and is now heavily in debt. Abel Magwitch, the convict he helped, who was transported to New South Wales where he eventually became wealthy, reveals himself to Pip as his benefactor. There is a warrant for Magwitch's arrest in England, and he will be hanged if he is caught. Pip and his friends Herbert Pocket and Startop hatch a plan for Magwitch to flee by boat. Pip also discovers that Estella is the daughter of Magwitch and Mr. Jaggers' housemaid, Molly, whom Jaggers defended in a murder charge and who gave up her daughter to be adopted by Miss Havisham.Pip learns that Miss Havisham's fiancé jilted her, resulting in her strange behaviour and her desire to have revenge on men by using Estella to break Pip's heart. He confronts Miss Havisham with Estella's history. In a fit of depression and remorse, Miss Havisham accidentally sets her dress on fire. Pip saves her, but she eventually dies from her injuries, lamenting her manipulation of Estella and Pip.
Magwitch makes himself known to PipA few days before the escape, Joe's former journeyman, Orlick, who was responsible for the attack on Mrs. Joe, attacks Pip. Herbert Pocket and his friends save Pip and prepare for the escape.During the escape, Magwitch kills his enemy Compeyson, a con artist and Miss Havisham's fiancé. Police capture Magwitch and jail him. Pip visits a deathly ill Magwitch in jail and tells him that his daughter Estella is alive. Barely alive, Magwitch responds with a squeezing of Pip's palm and dies shortly after, before his execution. Pip is about to be arrested for unpaid debts when he falls ill. Joe comes to London and nurses Pip back to health and pays off his debts. Pip realises that in his fruitless pursuit of Estella and wealth, he has callously ignored Joe. Realising the error of his ways, Pip returns to propose to Biddy, a friend from his childhood in Kent, only to find that she and Joe have married.Pip asks Joe for forgiveness, and Joe forgives him. As Pip has lost his fortune upon Magwitch's death, he is no longer a gentleman. Pip promises to repay Joe and goes to Egypt, where he shares lodgings with Herbert and Clara and works diligently as a clerk.Eleven years later, Pip visits the ruins of Satis House and meets Estella, whom her dead husband, Bentley Drummle, had abused. She asks Pip to forgive her, assuring him that misfortune has opened her heart and that she now empathises with Pip. As Pip takes Estella's hand and leaves the ruins of Satis House, he sees "no shadow of another parting from her."

Review: The last BBC Dickens' dramatisation broke "Bleak House" down into half-hour soap-opera size elements for easy digestion and to sort of tie-in with the original publication of the story in instalments, but here the format reverted to the more traditional one-hour episodes shown over three consecutive nights.You pays your money and while I welcomed the 30 minute novelty was happy this time to sit for longer and take in the master's story over a shorter period.There have been so many previous adaptations that any new production has to offer something different, particularly in the scenes meant to grab the viewer's attention, like Pip's first meeting with Magwich and his first visit to Miss Havisham's mausoleum of a house.
Both are done very well, particularly Ray Winstone's Magwich rising from the depths of the marshland to confront the terrified youngster while the set-dressing for Satis House certainly conveys the requisite decay and obsolescence of the dwelling-place of its jilted, cold-hearted owner.It's really only necessary to film the story here to succeed, so great is the narrative Dickens provides, with his adeptness at furnishing a circular story-line, where nothing and no-one is missed out in the resolution as everyone gets more or less their just desserts.
Nevertheless the story-telling is enhanced with excellent performances by its big names, Winstone and Gillian Anderson (who was also in "Bleak House"), although the production is less starry than "Bleak House", with only David Suchet as the very correct Jaggers perhaps claiming marquee status.
That said the rest of the cast are mostly excellent, playing their well-known characters with aplomb, particularly the portrayals of Pip's shrewish sister, redoubtable Joe Gargery and loyal Herbert Pocket.
However I sensed some weakness in the casting of the adult Pip and Estella, the former not imposing enough (in fact I preferred the acting of the young Pip), the latter not glacial or even beautiful enough, but they don't fatally wing the story.The cinematography is superb, utilising washed-out, almost monochromatic shots to suggest the bleakness of the Dartford Moors and the Thames at the conclusion, while the depiction of the London Gentleman's Clubs as well as the afore-mentioned Satis House are superbly realised.
My only other carp would be the occasional "modern" vulgarisation of aspects of the story, for example Drummle's taking Pip to a brothel, as if this wonderful story needs "sexing-up" in some way, which of course it doesn't.Nevertheless with the promise of a new version of "Edwin Drood" to come, this was a very good and occasionally memorable version of a classic story..
Fine work of all of the cast relating a story that has been told so many times, that you cannot expect to feel it fresh and deeply touching, but they do.
I love Dickens and his way of unfolding his characters, so I was very pleased to see the series keeping close to his book, but in a fresh way suited for the understanding of 21st century audience.
Outstanding performance of Gillian Anderson.As an ethereal and ghostly Miss Havisham she is still creepy and manipulative.Who would say that "Scully" managed to be such a great actress!
Although Douglas Booth is by far much more handsome as Pip would be;his performance is really good.Many critics complained on the actor being such a model!I suppose this is nonsense.
I anticipated this adaptation for months, being a great Dickens fan, especially after the BBC's magnificent adaptation of Bleak House.Similar problems always arise in these adaptations, both suffered from an absence of some key characters (although the latter had more episodes, and didn't suffer as a result) so here as a result the character development is not as it should have been.I was impressed however by how much of the plot they fit into just 3 episodes over Christmas, and the pace was terrific.
She was very convincing as Mrs Joe. Shaun Dooley was excellent as Joe Gargery, as were Harry Lloyd as Herbert Pocket, Jack Roth as Orlick, David Suchet as Jaggers and Ray Winstone definitely brought great life and humanity to the dreaded Magwitch.My hat though must go off to Gillian Anderson, although many have thought her wrong for the part, let me explain why she was so good and right for the role.Although Miss Havisham has been typically played as elderly, and her age is never specified really in the book, she was almost married as a teenager, and the time passing would place her in her forties, to early fifties.
GREAT EXPECTATIONS follows in the footsteps of those unwise productions and turns out to be another utterly forgettable adaptation.This miniseries is laid out over three hour-long episodes and yet contains less depth and material from the book than the shorter David Lean version.
New, endless scenes of characters arguing or sitting around tables are not a substitute for genuine penmanship.Although the production looks good, with some excellent atmospheric shots of Romney Marsh at the opening, like THE OTHER BOLEYN GIRL the whole of the action takes place in only a handful of locations, which soon becomes repetitive.
Douglas Booth (PILLARS OF THE EARTH) is adequate as Pip and Ray Winstone makes an excellent Magwith and deserves more screen time.
Gillian Anderson's Miss Havisham is horrible, and not in a good way.
Vanessa Kirby's Estella is certainly not the woman that "any man would want to marry" and David Suchet and Mark Addy are both wasted in nothing roles.A distinctly lacklustre Dickens that takes away the very life and voice of the author, leaving only bland characters going through the motions..
As a Dickens tragic I am well aware that adapting his novels for dramatic performance, whether on stage, TV or on film, will always pose problems, but there have been some triumphant successes.
Ray Wintone was born to play Abel Magwitch, and whilst I initially stepped back in amazement at Gillian Anderson's performance as Miss Havisham, I was finally convinced that she was right; her child-like approach fits in with the psychology of a young bride jilted and bitter - excellent.
While I have read 'Great Expectations' probably about three times in my life and am blown away every single time I do- I find that I have yet to find a film that captures the importance and reverence that the book generates.
I start with what was good- First, the scenery and cinematography was spot on, from the home of childhood Pip, to the streets of London, it was close to what I experience when I read the book.
I am constantly blown away with regard to BBC Masterpiece Theaters ability to take me to a different place and time so masterfully and 'Expectation' was no different.Second, Jillian Andreson's Miss Havisham was great.
I thought that he played the 'father figure' well and when he confronted Pip about his behavior and new life-he demanded attention to not only Pip's choices, but as the book captures so well, the deeper themes of social class struggles, family versus money and honesty all took center stage.
The minor characters, such as Able Magwitch (Ray Winstone), Herbert Pocket (Harry Lloyd) and Jaggers (David Suchet) were also very good and fit nicely into their individual roles.The bad was really not all that bad for all intensive purposes, but I felt that a few things just brought down the film adaption.Pip. Oh, Pip. Played by Douglas Booth, who is perfectly wonderful to look at was flat.
Since it was clear early on in this adaptation that Estella and Pip encompassed the main theme, it was on the shoulders of Booth to carry the film and he struggled.
Perhaps he was too young of a choice to play Pip, while he is close to the actual age of Pip in the book, but he seemed to struggle with how to emphasize his desire, his call for greatness.
Booth's performance was not terrible, but it was not great and that was what it needed to be.The same problem occurred with the female lead, Vanassa Kirby, who played Estella.
I cannot get the time back that I wasted watching this horrible piece of garbage, but I hope these actors (particular Gillian Anderson) got paid a lot of money to appear here!
Not only did they rush through crucial parts of the story, but by rushing through these parts, they added dialog that didn't exist in the book, and deleted extremely important (and well known) dialog from the film.The rushed nature of the film (considering the fact that these are the same people who took five episodes to complete "Bleak House") is mind boggling!
"Great Expectations" is one of the Dickens novels that someone unfamiliar with Dickens might watch in adaptation, and yet "Bleak House...?" The psychological games played between characters is far too sinister for the story.
Or re watch the John Mills and Jean Simmons version which is near perfect.Lots has been said about Gillian Anderson being too young and pretty to be Ms Havisham but she is actually alright quite ghostly and spooky.
It just looks like a standard household with the usual quarrels not what Dicken's showed us at all.Mr. Gargery was a kind-hearted simpleton who said next to nothing in the book but here he's all ready to do the right thing and take action.
I don't know WHY they did it but it was EPIC FAIL.And as a last complaint, I think the film (i.e. characters, sets etc) could've been much much filthier just as Dicken's describes it.If you've haven't read the book this version will be fine but nothing outstanding.If you haven't read the book DO SO NOW.If you have read the book, you can watch this if you want to yell at the screen the whole time.
If you had never seen earlier versions or had never read the book then you would think this is a marvellous production.The piece got off to a magnificent start - the scenes at the forge and surrounding countryside.
Its a shame that he was not saved for the BBC Films version which was released in 2012.Gillian Anderson brings an ethereal touch as Miss Havisham.
Douglas Booth was beige as Pip and you just kept wondering why Harry Lloyd wonderful as Herbert Pocket should had been cast as Pip.Its a watchable version, very atmospheric and the side actors bring some verve to their roles.
Airing over Christmas 2011 this adaptation of Dickens' classic novel is actually pretty good.
It can't compete with the David Lean version, but there's a lot to be liked about it.Yes, it cuts out some moments, which is odd seeing as they had several episodes to tell it in rather than the 90 mins you'd have in a film, but all involved seem to suit their roles well and give good performances.It's not perfect, but there are lots of strong moments within this mini series and I rate it as being stronger than the film version that followed a year later..
I tried hard to check my own Great Expectations at the door but I could not help make comparisons to David Lean's classic film and of course Dickens superb book.
Gillian Anderson was just flat out wrong for the role of Miss Havisham.
The Pip character was just the right amount of smouldering,young sexiness needed, look forward to seeing more of Mr Booth, Estella was so cold and so good,her soon to be husband was a super baddie.
Great to see Mr Suchet playing the Lawyer,Orlick was excellent too.Ray Winstone was an added bonus and brought some real originality to this great Dickens story.
There are several fantastic Dickens adaptations, especially David Lean's Great Expectations(the 1999 version is also very impressive) and Oliver Twist, David Copperfield(1999), Bleak House and Little Dorrit.
I also didn't like the decision to cut out Biddy and let Pip's sister live, it didn't add anything to the storytelling, and while harrowing in a sense Magwitch's recapture was rather drawn out.Unfortunately I also have to agree that Douglas Booth and Vanessa Kirby as the adult Pip and Estella were miscast.
Likewise Kirby came across as too plain, especially compared to Booth which was a little disconcerting, and awkward.Luckily their child counterparts were much better, young Estella was beautiful in looks and cold in manner, and Oscar Kennedy who is every bit as promising as he was in Toast is even better.
The support cast are also wonderful, with honourable mentions going to Shaun Dooley, who came across as sympathetic and having a lot more steel, David Suchet's firm Jaggers, Jack Roth as Orlick, Ray Winstone whose acting in the first episode is quite terrifying and especially Gillian Anderson's haunting Miss Havisham.Visually it looks wonderful, it has some beautiful sets and locations while still keeping the evocative atmosphere and not looking too clean.
The script while not always having Dickens' wit and not following the novel's prose(in fact the language such as Magwitch's description of the second man seems to have been "simplified") is still good and flows well.On top of this, the story even with the rushed or jarring parts is compelling and makes you want to see the rest after the previous episode ends.
Fairly unimpressive adaptation that simplifies the storyline a little too much, has some very uneven performances and the whole thing plays like a rather dodgy episode of 'Eastenders' complete with the odd swear word and graphic image.
Gillian Anderson's Miss Haversham is in a different film from everyone else and there are some laugh out loud moments like Estella thanking the horse and Ray Winstone throwing money everywhere and saying 'This is yours' making it look like one of the bets he advertises has just come up.On the plus side it is well photographed and Shaun Dooley and David Suchet make their characters real.Such a shame that the 200th anniversary of Dickens is marked by such inferior product..
Yes it cuts characters from the book, Biddy for example, but with limited time and for the sake of streamlining the story these are characters only missed if you knew of their existence in the first place.
For those new to Dickens and there will many, as every generation arrives at classic literature from it's own direction, it is a great introduction to the novel, which I encourage anyone to pick up and read.Standout performances are definitely Ray Winstone and Gillian Anderson, both obviously enjoying their roles enormously and inhabiting their characters perfectly.
Any misgivings people have to the casting of the 43 year old Anderson as Miss Havisham should be put to one side.
The actors were excellent, Gillian Anderson giving a very creepy yet sympathetic performance of Miss Havisham, and Harry Lloyd was pitched perfectly as the eccentric and loyal Herbert Pocket.
The scenery and setting were great, the young Pip and Estella were magical, and the whole thing was flawless, exceptional.
It is almost as if the screenwriter was thinking, "I can do a better job of telling the story than this Dickens guy." The bottom line is, if you love Dickens' work in general, and Great Expectations in particular, you would do well to skip this version..
Apparently the BBC has more subsidy money that they can think of what to do with it.Frankly, the actor playing Pip is not that great and Estella is downright homely and I can't help but see Hercule Perot.
I had seen the South Park spoof first, and then I had seen the original film from director Sir David Lean starring Sir John Mills and Sir Alec Guinness, so I was intrigued to see that the BBC were making a three part television version, based on the famous book by Charles Dickens.
Pip is an orphan, but lives with his sister (Collision's Claire Rushbrook) and her blacksmith husband Joe Gargery (EastEnders' Shaun Dooley), and they are excited to hear from Pip's uncle Pumblechook (Mark Addy) that the wealthy and secluded Miss Havisham (Gillian Anderson) wants a young man to come round to her mansion a couple of times a week.
Naturally Pip is sent round to enquire about the job, and Miss Havisham does find him a suitable candidate, the role is to play with her adopted daughter Estella (Izzy Meikle-Small), who looks down on his common and poor mannerisms and demeanour.
Miss Havisham decides that Pip needs to get somewhere in life, so she grants him the money he needs to start an apprenticeship with Joe as a blacksmith, and this last for seven years until Pip (Douglas Booth) is older.
So the young man of great expectations go to the city, and he shares quarters Herbert Pocket (Harry Lloyd), who is there also to help him learn to be more like a gentleman and fit into a posh and higher class society.
Eventually Pip does learn the identity of his benefactor, it is not Miss Havisham, it is in fact Abel Magwitch, because of the kindness he was shown on the moors, the young man is for a while appalled, but eventually this feeling fades.
Booth plays the famous lead character very well, Anderson is somewhat more sympathetic than other versions of the old woman who secludes herself, Winstone gets his time as the first scary then interesting character, and the supporting cast members are all good too.
Made for television, this film like mini series sticks to the Victorian setting and illustrates it very well, with some dark undertones and themes to fit the story, it feels like a completely experience in a Dickens tale, and a most watchable one, fantastic period drama.
For one thing, every time a book is turned into a film, little things must be changed.
Gillian Anderson played an outstanding Miss Havisham.
Yet toward the end, there isn't a lot said, but you can feel her change in her feelings towards Pip. Her realization that he was right all along and she is capable of loving him.
If you are going to be a stickler about every little thing and expect every detail of the original book to be in the film, than yes, of course you'll be disappointed.