Faster, Pussycat! Kill! Kill!
Tags: pornographic, comedy, grindhouse film, murder, cult, violence, atmospheric

Plot synopsis:
Three wild, uninhibited go-go dancers—Billie, Rosie, and Varla, dance at a club before racing their sports cars across the California desert. They play a high-speed game of chicken on the salt flats and encounter a young couple, Tommy and Linda, out to run a time trial. After breaking Tommy's neck in a fight, Varla kidnaps and drugs Linda.
In a small desert town, they stop at a gas station where they see a wheelchair-bound old man and his muscular, dim-witted son. The gas station attendant tells the women that the old man was crippled in a railway accident, “going nuts" as a result, and that he received a large settlement of money that is hidden somewhere around his decrepit house in the desert. Intrigued, Varla hatches a scheme to rob the old man, and the three women follow him back to the ranch, with their captive in tow.
At the ranch they encounter the old man, his younger son (who they learn is called "The Vegetable" due to his feeblemindedness) and his elder son, Kirk. The group all have lunch together, and Billie taunts Rosie when Varla leaves with Kirk, hoping to seduce him into revealing the location of the money. Linda subsequently escapes the drunken Billie and runs away into the desert. The old man and the younger son pursue in their truck. The younger son catches Linda and seems about to assault her, but he collapses in tears as Varla and Kirk arrive. Kirk finally acknowledges his father’s lecherous nature and the old man’s hold over his younger brother, and he vows to have his younger brother institutionalized. He tries to take the hysterical Linda into town in the truck, but the old man says that he has thrown away the keys, and Kirk and Linda set out across the desert on foot.
Varla drives back to the house and tells Billie and Rosie that they should kill the men and the girl to cover up Linda’s kidnapping and the murder of her boyfriend. Billie refuses, but as she walks away, Varla throws a knife into her back just as the old man and his younger son arrive. Rosie and Varla hit the old man with their car, killing him and knocking over his wheelchair to reveal the money hidden inside. Rosie is stabbed and killed by the younger son while trying to retrieve the knife from Billie's body. Varla tries to ram him into a wall with her car, injuring him. She drives off in the truck and overtakes Kirk and Linda, chasing them into a gully. Varla and Kirk fight hand-to-hand. She gets the better of him until Linda hits her with the truck, and she dies. Kirk and Linda drive off together in the truck.

Review: Then things move to the barren California desert for drag races, catfights, murders, straining blouses, and a lot of torrid action and satirically overwrought melodrama.Tura Satana, Haji, and Lori Williams have terrific screen presence as the three tough-as-nails villainesses.
Three go-go dancers - Varla (Tura Satana), Rosie (Haji) and Billie (Lori Williams) - are racing their sports cars out in the desert when they meet up with a young man named Tommy (Ray Barlow) and his girlfriend Linda (Susan Bernard).
They will have to rely on their own deadly talents and the possible decency of the old man's other son Kirk (Paul Trinka).Russ Meyer's black and white "ode to the violence in women" made little impact when first released in 1965.
Yet Tura Satana in her tight black jeans, half-exposed breasts practically bursting free as she eyes up a man like a side of beef or takes him out with karate chop to the neck, distills any amount of sex and violence into a single unforgettable mythic figure.
Add to this the brilliant build-up of the opening monologue, Meyer's masterful editing and Jack Moran's eminently quotable and often hilariously funny camp dialogue and you have a trash film masterpiece that just gets better and better the more times you watch it..
However, it isn't long before Russ Meyer's film takes off - and before I knew it, I was watching one of the greatest pieces of trash ever to hit the silver screen!
He's got some money hidden, and the lead chick wants it...only the old man and his sons stand in her way.It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset.
These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value.
While there are some who argue that it is a pro-feminist flick with lots of social significance, truth is FASTER PUSSYCAT KILL KILL is a very deliberately made bit of ultra-drive-in trash, a movie that glories in all things low-brow, low-rent, and low-neck lined.
But the real attraction here are the "pussycats." It isn't often that you see a 2D movie with 3D effects, but that's exactly what happens when Tura, Haji, Lori, and their six talents hit the screen.
They actually come across as a feminist empowerment fantasy, which is consistent with Meyer's almost exclusive career focus on situations in which women wreak their will upon men.If they are too extreme for your tastes there is blonde free spirit Lori Williams and air-headed sweet young thing Susan Bernard.
Interestingly, it was the sweet-faced Bernard who became a Playboy centerfold just a few months after the movie (December 1966).But "Pussycat's" greatness comes from the visceral power of Meyer's unusual images (can you say Fellini).
The old man is apparently sitting on a pile of cash and the girls do their best to separate him from it.Knowing Russ Meyers' later movies I wasn't expecting too much from this movie.
It has the hallmarks of Russ Meyer movies: incredibly beautiful women as the heroes (or main characters, at least), a trashy sort of feel and mediocre performances.
– but still Meyer regular Stuart Lancaster is once again very good in the role as a wheelchair-bound nasty misogynist, while it would be remiss not to mention that he has a simple minded son who is known simply as The Vegetable.But Faster Pussycat is not all about the visuals.
Russ Meyer was probably one of the first - and few - filmmakers to deal explicitly with the link between sex and violence and to reverse the roles of the standard action movies, but technically his film is too cheap and amateurish - apart from a really gripping final fight scene.
Russ Meyer's "Faster Pussycat" has echoes of other, more popular films in its set-up and design, certainly in its overall impact--yet this picture is the precursor to those, and as influential cult flicks go, it still stuns today.
(1965) ** 1/2 (out of 4) Russ Meyer film about three big breasted strippers who murder a man, kidnap his girlfriend and then hold up at an old cripple man's house so that they can steal some money from him.
We all know that Russ Meyer had a thing for big-breasted women, so why is Tura Satana the villain?
GO GO GIRLS GO WILD & WREAK MAYHEM ON MEN!!!One of the all time classic trash B-movies and in my humble opinion Russ Meyer's greatest work (one of the few that had an actual plot).
Before Arnold Schwarzenegger, Stallone, Van Damme and Seagal, and before Thelma and Louise, there was Varla, Rosie and Billie.Russ Meyer, who peppered his "B" movie trash with big-breasted women serves up a cult classic with three buxom strippers driving fast cars through the desert in search of adventure.
Noted for its three chesty leads Tura Satana, Lori Williams and Haji, its classically "so BAD its GOOD" complete with sexploitive romps, drag racing, a lecherous old cripple, nubile innocent, musclebound moron, liquid eyeliner, and doped and drunk beauties.
Although I've wanted to see it for years, I only just saw Faster Pussycat, Kill Kill, and it's my first film by Russ Meyer.If they're all similar to this, I can't wait to see more.
The storyline is pretty dodgy, and so is the acting, but if you're watching a movie called Faster Pussycat, Kill Kill, you are probably after a bit of weirdness and campy fun.
This movie looks like an erotic  comic strip of the sixties.Today,it's priceless delightful trash .If you have a chance to see it -which is not easy- do not think twice.It could be the granddaddy of "pulp fiction" "Texas chain saw massacre" or "Born killers" with more humor than the three former works put together.The three girls act like men,they do not seem to like them -with the exception of the "vegetable" whom they despise anyway-.There 're probably in love with  bubble head girl Linda (they are caricatures of the dyke in the imagination of narrow-minded people) who spends the whole movie in bikini and whom they bind and gag with an intense pleasure!
Like Burnett, or Monty Python, Director Russ Meyer and lead Actress Tura Satana have a true flair for absurd overstatement, though in their case it is carried out with a naive innocence that makes this movie stratospherically trashy camp.To quote another of the characters in the film:  "It's a gas!"Tura Satana is now a grandmother.
What I've heard Russ Meyer is known for nudity on his films but this is different and that's why I like it.I'm the kind of man who thinks revealing skin and sex scenes belong to only XXX-movies.
(Sadly other Russ Meyer's movies might not be for me because of their nudity but hopefully there are other movies somewhere hitting the right spot.) As a conclusion, all I can say is: Anyone even potentially liking old films should watch it.
My main fascination with this film is not the acting or plot, most is definitely drive-in stuff, but the fact that Russ Meyer dared to portray women as openly aggressive (ie., like men).
The victim falls bloodless to the ground, but I guess there's a little redness on the knife?).I think Faster Pussycat might really have been meant as a straight comedy instead of an exploitation thriller; the "fight" scenes are laughable (such as a large woman "karate-chopping" a guy hard enough to give him a slight massage--but it kills him anyway), and the dialogue is inane.The story is slight, the scenery is humdrum (arid landscape for most of it) and the acting is horrible.
Not very much in terms of real solid plot, actually: it's about a few hot-riding chicks (yes, I'll call them chicks, feminists) who ride around in their cars fast, drinking "hard" stuff, and wearing clothes that make some (i.e. old Republican in the wheelchair), and some other straight-laced guy and his chick come by in another car, and a race ensues and when the race is lost a fight breaks out, the guy is karate-chopped to death, and the rest of the girls high-tail it out of their to some farm where a rotten old man in a wheelchair and two sons (one a muscle-bound Spartan with two brain cells and a million times more brawn, the other just a regular "cute" guy Satara wants to have her way with) take them in reluctantly.So just from that little description, you can see where this might go.
Depends on what you think of Satara with a voice that usually goes up to yelling level to get dramatic and often acts tough enough that Clint Eastwood might be liable to pee himself, while the big galut barely utters a word and one of the girls (the blonde one, I forget her name) usually dances and makes comments like "Me Jane, you Tarzan." But really, what's on display here isn't masterpiece theater: it's what the audience wants and wants so bad that they can taste it through their drive-in mirrors, their sticky low-rent theater seats, through their (unfortunate) bootleg DVDs.This movie simply has, even by Russ Meyer standards, more intentional and/or unintentional comedy and more kick-ass take-no-damn-prisoners violence and not-really-X-rated sexual content than any other movie I can think of from its period.
To sum it all up, if you like beautiful busty girls, fast cars, great catch phrases and lots of action, then you will not be disappointed by this film!
Again, on the other hand, it is a film with incredible action pictures, erotic vision and tasty jazz background, which opens the door to a certain type of production.Three wild go-go dancers Varla, Billie and Rosie enjoy their sports car across the California desert.
Ray Barlow plays a "nice boy" desert racer while Michael Finn is on hand as a gabby gas station attendant.The movie has a big reputation as a cult flick and Meyer's definitive film, along with 1970's "Beyond the Valley of the Dolls," so I was very interested in finally viewing it.
Russ Meyer made a masterpiece of this film which will entertainment many generations of movie goers..
Faster Pussycat is about beautiful women that kick ass and drive fast cars, and there is nothing more I really expect out of a movie.
There's also plenty of action and violence.This is considered to be Russ Meyers best film.
i have only seen a few Russ Meyer films,this one and beyond the valley of the dolls.but faster pussycat kill kill is a great one,and ahead of its time for 1965.its about three sexy go go dancers(tura satana,Lori Williams,hajj)involved in causing mayhem and even murder.there's enough violence to give this an r rating,but when i saw it on rob zombies underground on turner classics it was rated m,it was uncut,there's no nudity but tura satana,hajj,and Lori Williams look sexy throughout the whole movie.tura satana always looks like shes going to bust out of her top,and this was before breast implants,Russ Meyer delivers a real good sexy violent b movie with a lot of action.and a cult following,I'm surprised they did'nt try to remake this.i remember tura satana in a really bad movie called astro zombies starring the great john carradine, but ill have to say faster pussycat kill kill was a great Russ Meyer movie.filmed in glorious black and white.10 out of 10..
This is a classic a total art in pop culture.Three thrill-seeking go-go dancers  Billie (Lori Williams), Rosie (Haji), and their leader, Varla (Tura Satana)are criminals(Billie not so much)they have a drag racing in desert and Varla kill one man and they kidnapped his girlfriend and hide herself all in one rancho and there meet one old-man and his two son's one is ordinary man,but other is stupid bodybuilder who afraid trains.Varla is very aggressive,draconian and felonious.I didn't liked this character,but all characters were without a doubt charismatics and Varla evil too that she killed Billie and made much hurt to vegetable.in the end Varla appears to win the fight and is about to kill Kirk.
If Meyer believed that a movie just needed to have speed, sex and violence, then he sure accomplished it with "Faster, Pussycat!
Lori Williams is also great as Billie, the blonde "good girl" who breaks into go-go dancing fits, seduces musclemen, and gets into a wet wrestling bout with Rosie!While plenty of people will not only accuse Russ Meyer of being a pornographer, but as being misogynistic, "Faster Pussycat!" and plenty of his other films are strongly the opposite.
It is a true original, perhaps too "different" for many tastes, but certainly one of the quintessential films within the exploitation genre.Three sexy go-go dancers  Varla (Tura Santana), Rosie (Haji), and Billie (Lori Williams)  spend their spare time car-racing in the Californian desert.
Before picking up a boxset of his films in the Christmas sales last year,I had heard about 2 Russ Meyer movies,due to both of the titles later being used as the name for some bands,with Mudhoney being one of the earliest bands from the Grunge sub-genre,and Faster Pussycat being a Hard Rock band,whose music video for the single "Don't change that song" was directed by Russ Meyer!.With having found Mudhoney to be a great,southern-fried Drama,I decided to find out how wild Meyer's cats could be.The plot:Searching round for a place to do some test laps before a big race,Tommy and Linda are pleased to find a deserted desert area,that will give Tommy all the room he needs to run his test laps.Reaching the centre of the area,Tommy and Linda discover 3 parked up cars,that belong to a group of go-go dancers called Varla,Rosie and Billie.Attempting to politely introduce themselves,Tommy and Linda are instead pushed around by the gang,who tell Tommy that if he wants to prove the he is a "real man",then he must go against them in a race,right now.Aggreing to the challenge,Tommy is left dazed and confused after the gang reveal their less than "traditional" driving skills.Taking advantage of the situation,Varla,Rosie and Billie grab Linda,and tell her that they are going to kidnap her,so that they can put Linda up for ransom.Rushing to save his girlfriend from being kidnapped,Tommy inadvertently runs into Varla's deadly karate chops,which lead to Tommy being left for dead,face down in the desert.Filling Linda up with sleeping pills so that she keeps her mouth shut,the gang head to a peteral station,so that they can fill the cars up,and get of there with Linda as quickly as possible.Waiting for the peteral station guy to finish filling up the cars,the gang notice a fellow,wealthy-looking,wheel-chair bound customer being helped into a truck by the man's son.Keeping their interest under wraps,the girls ask the peteral station attendant if he knows anything at all about the man.Taken by the girls sudden interest in local knowledge,the attendant tells the gang that the man lives in an isolated farm house with his two sons,and that their have been rumours going around the town for years that the man is sitting on a suitcase full of cash.Excited over the opportunity of grabbing more cash then she originally expected,Varla tells Rosie and Billie,that before they run off with their bounty in Linda,that it might be a good idea,if they pay this kind,wealthy old man a surprise visit.View on the film:Reuniting with co- screenwriter Jack Moran, (who wrote one of the last titles from Russ Meyer's "Nudie-Cutie" era with Wild Girls of the Naked West)co-writer/co-producer/editor and directing auteur Russ Meyer shows in his eye-catching stylised directing a tremendous skill in combining the cartoon style aspects of his Nudie-Cutie movies,with the Film Noir path that he is currently on,so that Meyer can create an unforgettably wild,cartoon-bonkers,deranged Film Noir.Introducing each of the rough'n tumble amazonian women, (played by the splendid,and very easy on the eye's Haji,Lori Williams and Tura Satana) in a go-go dancing nightclub,Meyer bravely keeps away from building a "safe" centre-ground that the movie can relay on,to instead push everything contained within the film right to the edge of the sanity,with each of the actress's delivering their cracking dialogue with extremely over exaggerated pronunciation,which helps to create an irresistible animated atmosphere.Keeping away from making any of the stunning girls mere 2D characters,Meyer shows a surprising amount of subtly in the way that he reveals the "true" relationship that Varla,Rosie and Billie have with each other,with the relationship between Varla and Rosie being one the is filled with glances that last just that bit too long,which become much more noticeably on repeat viewings of the film.
Lurid, gritty, and malevolent best describe director Russ Meyer' cult classic "Faster Pussycat Kill Kill" with Tura Satana, Haji, and Lori Williams as three bodaciously breasted go-go dancers who careen around the desert, murder guys, and kidnap a sixteen-year old for kicks.
And Stuart Lancaster perfectly captures the Old Man's pathetic situation as well as his vileness.And Meyer had a keen eye for the action that was as unique as his gander for the female form; just look at the scene where Varla tries to crush the muscle bound Vegetable with her car, there's nothing quite like in any other movie.To answer my question, yes, FASTER, PUSSYCAT!
When concocting her crazy scheme, Satana's character Varla tells Billie, "you don't have to believe it, just act it" or words to that effect, which sounds like the voice of Russ Meyer.
Russ Meyer (Beyond the Valley of the Dolls, Supervixens) was a cult director of "sexploitation" and titillation films, and this one, with no real nudity, appears in the book 1001 Movies You Must See Before You Die. Basically three busty strippers, Femme Fetale leader Varla (Tura Satana), Rosie (Haji) and Billie (Lori Williams) are thrill-seeking in the desert.