Appointment in London
Tags: romantic

Plot synopsis:
Wing Commander Tim Mason (Dirk Bogarde) is nearing the end of his third tour of operations, meaning that he has flown nearly 90 missions over Germany. Having twice volunteered to continue operational flying, Mason is keen to make it a round 90 "ops", but just as he is nearing the end of his tour he receives orders banning him from further flying. Meanwhile, losses are mounting and several raids are being seen as failures, so that some of the members of his crews, Brown (Bill Kerr) and "The Brat" Greeno (Bryan Forbes) among them, are thinking that there must be a "jinx" at work. Soon afterwards, "The Brat" is caught sending unauthorised telegrams off the station. These turn out to be written to his wife, Pam (Anne Leon), rather than anything more sinister; however, Mason reprimands Greeno for the lapse in security. A few days later, Greeno's aircraft fails to return from a raid and Mason agrees to meet Pam, who has asked to see him.
With only one more flight to go, he accepts that the decision to ground him was for his own good, and he visits Brown's aircraft as Brown and his crew prepare to take off on a mission. As the crew board the Lancaster the large 4,000 lb "cookie" bomb that is part of the bomber's load, slips from the bomb shackles and injures one of the crew. With no time to obtain a replacement crew member, US observer Mac Baker (William Sylvester) takes his place. Mason decides to go as well, to reassure the crew's worries about the jinx, and the bomber takes off.
During the attack on the target, the Pathfinder plane directing the raid is shot down, causing the remaining bombers to begin bombing inaccurately. Hearing and seeing this, Mason takes the Pathfinder's place on the radio, broadcasting corrections and accurate instructions, and the bombing becomes accurate again. Listening-in to the Pathfinder's broadcast back in Britain, Mason's commanding officer, Group Captain Logan (Ian Hunter) hears Mason's voice and realises that he's disobeyed orders and flown on the operation. However, Mason's intervention turns the raid from a probable a failure to a success, so on Mason's return Logan greets him at his aircraft.
At the end of the mission, Mason, along with Eve Canyon, Brown and Greeno's wife Pam, take a taxi to Buckingham Palace to receive an award from King George VI.

Review: ***SPOILERS*** Somewhat talky but very good WWII movie set on an English airfield of RAF Lancaster Bombers in the late summer of 1943.
Grounded Wing-Commander Tim Mason, Dirk Bogarde, who has flown 89 bombing missions over German occupied Europe seems to have developed a dislike of his airmen under his command who have anything to do with their loved one's back home.
Mason feels that their, the bomber pilots, emotions will get in the way of their ability in flying their dangerous bombing missions over Europe.
One of those airmen pilot Pete Greeno,Bryan Forbes,who was just recommended for the DFC, Distinguish flying Cross, for bravery is called into his office and is chewed out by Mason for calling his girl, really his wife, after every mission to tell her in code that he was all right.
Greeno who had an appointment in London to receive his DFC at Buckingham Palace never made it there, on his next mission his plane was lost over the English Channel after a bomb run over the skies of Germany.
Mason was also a bit hypocritical since he was itching to go on a bombing mission and has a girlfriend himself back in England Eve Canyon, Dinah Sheridan, a officer in Naval intelligence and also a war widow of a navy man who was lost at Dunkirk.Troubled and almost suicidal on what he did to the Greeno's Mason takes his 90th mission , against orders, on a night-time raid over German controlled Holland and guides his Lancaster Squadron over the target where they dropped their bomb payload successfully and then returned to the safety of the British Isles due to Mason's courage under fire.
Receiving an award for bravery instead of a court-martial Mason together with bomber pilot and friend of the late Pete Greeno Bill Brown,Bill Kerr, and the widowed Pam Greeno are seen at the end off the movie on a taxi going to Buckingham Palace for their appointment in London.
Even more important, to Mason, the late Pet Greeno's wife Pam has changed her mind about him and due to his brave actions in the air over Holland knows that he was very mournful and sorry for what he did to her husband by browbeating him about her and, what seems like to me, forgave Wing-Commander Mason for it.The movie "Appointment in London" not only shows the courage under fire of the brave men and women of the RAF in WWII but also the dedication and courage of their friends families and loved ones that they left behind who may have never seen them come back..
This is probably the most realistic drama filmed about Bomber Command late in WWII.
if you don't believe me watch "Target for Tonight" which covered a Wellington Bomber mission early in the war and used real RAF crews .There are no over the top heroics, but the mood is just right, with a constant tension even in moments of relaxation...
"Appointment in London" is an unusually-atmospheric, stylish and very-consistently-interesting late British WWII film.
The subject is the pilots of British Bomber Command and the stresses they encounter in battles as the fly Lancasters in night missions over the European mainland.
Specifically, the film features as its central character a dedicated pilot, played elegantly by Dirk Bogarde.
he is angry and frustrated, but during his time on the ground, he reconnects to life and wins lovely Dinah Sheridan, who acts very strongly as the widow of a naval intelligence type, winning her from breezy Willaim Sylvester, a U.S. pilot.
The added tension in the film comes from Bogarde's desire to complete his third tour with one final mission, and the fact that everything about it sets up to be a "jinxed" mission from the start.
I will not give away the breath-taking and vivid climax, but apart from some leisurely spots here and there, I will claim that director Philip Leacock has produced one of the best of all war films in "Appointment in London" The script was credited to Robert Westerby and John Woolridge, with cinematography by Stephen Dade and art direction by Donald M.
Bogarde and Sheridan are extraordinarily touching and intelligent; I cannot recommend this film too highly as drama, as a war movie or as a cinematic "sleeper", one which in lesser hands would not have been as absorbing as it was made to be..
This is one of my favourite WW2 films and yet I only discovered it in the last few years.The script is well written, the acting particularly by Dirk Bogarde and Dinah Sheriden is excellent and believable.
The footage of night bombing raids and the master bomber techniques it shows is by far the best of any film covering this subject.The film accurately portrays the life of a bomber squadron on "maximum effort".
The Wing Commander's sheer bloodymindedness and a sense of having to finish the tour is set against the knowledge of those around him that statistically his number should have come up several times already.This is truly excellent film.
This film depicts, at length, the method of target marking the flight path using coloured airburst flares, eliminating 'creepback' by approaching the target along different vectors, air and ground marking the target and using a 'Master Bomber' to control the incoming streams and give bomb aimers feedback on accuracy.No medal was struck for Bomber Command and many of the crew themselves felt their contribution was best forgotten, so this film is one of the few accurate testaments to their courage..
I agree that it's not in the same class as "12 o'clock High"...For me the film Gregory Peck should have won his Oscar for..it truly is a "maxium effort"..but it's an elegant and high quality cinematic testament to the heroism of Bomber-Command.
We Aussies were there in high numbers like so many Commonwealth aircrew who included my Pilot-Officer Uncle Arthur(Nash)shot down with the loss of all in a Wellington bomber on a night raid over Dusseldorf..
A quiet, realistic drama about a bomber squadron during the War. This film was also released as APPOINTMENT IN London.
Dirk Bogarde is the stalwart star of this wartime drama centered around the lives of the men of a bomber squadron based at Lincoln.
A great deal of original aerial footage is edited into the film throughout, culminating in a huge bombing raid over Germany in the latter part of the film, which shows a genuine squadron flying in formation at night, and features the most astonishing real footage of the roaring inferno produced by such a bombing raid.
Bogarde plays Wing Commander Mason, who at the beginning of the film has flown 87 sorties over Germany and is being urged on all sides to call it quits, but he is determined to go on until he completes 90 missions, because 'I have set my mind on it'.
This film is probably about as realistic as you can get, as a portrait of Bomber Command in operation during the War. But it never sacrifices fiction for fact, and maintains strong story lines and dramatic narrative throughout, with all the accuracy serving to make it more moving and authentic..
Leacock and his lead man, the splendidly regal Dirk Bogarde, produce a war film of undoubted human depth.
There's no sledge hammer tactics to try and curry favour with the critics and film goers alike, no clichés bogging the narrative down, this is an honest to goodness telling of the emotional trials, strains, fears and peeves of a Bomber Command Squadron in England preparing for a mission during WWII 1943.
Some of the action sequences show their age, but that's fine in the context of old time cinema, while the likes of Twelve O'Clock High (which came four years before this was released) set the bar too high for Leacock's film to be unfairly compared with.
Appointment in London: It is 1943, and a Wing Commander of Bomber Command is fighting his personal demons whilst edging towards his 90th (and final) operation over Germany, flying Avro Lancaster bombers.To put this film into context it was made in 1952, from a story written by a WWII veteran who had himself survived over 100 operations.
Most of the film's outdoor sequences were shot at RAF Upwood (http://www.rafupwood.co.uk/) which was at that time home to a squadron of soon-to-be obsolete Avro Lincoln bombers.
It should not be forgotten that for several years they were the sole means of striking back at the enemy, and that they arguably waged what remains the most costly air war ever fought; whilst the US Eighth Air Force suffered appalling aircrew losses (~26000 casualties), Bomber Command lost over twice as many, but from a smaller complement.
Their losses averaged over 44%, and their daily losses were on occasion almost inconceivable, in some instances exceeding (say) the total losses of Fighter Command during the whole Battle of Britain.The effect of this air campaign will be debated for decades to come, but in round numbers -even without allowing for the bombing damage itself- it is estimated that at any one time it cost the Germans the use of about 1000 operational fighter aircraft, several hundred thousand men, about 10000 of the lethal 88mm gun (which was also one of the most devastating anti-tank weapons of WWII), millions of shells, and all the manufacturing facilities and infrastructure to support them.However Albert Speer (Germany's armaments minister during WWII) was in no doubt about the significance of the air war against Germany.
No one has yet seen that this was the greatest lost battle on the German side".This is one of the few films that makes any real attempt to show what the bulk of Bomber Command's operations would have been like in 1943; night ops over Germany, with a high loss rate.
The final operation in the film is portrayed as a mission against a secret weapon facility in Germany; this is quite realistic, echoing the real 'Operation Hydra' of August 1943, in which the V2 development facility at Peenemunde was bombed, causing significant delays to the missile programme.It is all played in a rather understated fashion in this film, and it perhaps lacks the drama of some other WWII films.
It is also a highly detailed treatment that illuminates the RAF's night-time area bombing tactics far beyond else ever dramatized.
Some of the best war films have been movies about the Allied bombing campaign of WWII.
"Command Decision", "12 O'Clock High" and "Raiders in the Sky" are all excellent films--though the latter is set at a British bomber base whereas the first two are about American bases.
While I wouldn't quite put this film in the same level as the other two in quality, it is awfully close and well worth your time.The film centers around Wing Commander Mason (Dirk Bogarde).
The film is a nice portrait of Lancaster pilots and crew and because it was made not too long after the war, the filmmakers were able to use three airworthy bombers--which added to the realism.So why do I think this one isn't quite up to the level of the American films?
this is one of them films that really shows what the Bomber command boys were really at.
we all get taught about the Battle of Britain and stuffy dowding, we rarely hear about how hard it was for those working for Bomber Harris, aircrews flying long jobs, the Squadron & wing commanders being pushed to the brink of destruction and beyond.
but we also see the human side, WC mason is near the end of his tour of 90 jobs and is trying to keep his boys focused on the job both on the ground crews and in the air crews ,keeping their minds on the flying & Maintenance and not the women, which he thinks after one fatality and meeting the widow makes him realise he may be wrong, still he completes his tour and keeps his appointment.
we always remember the few of fighter command, this films makes sure we remember the Many....and is a testament to flyers like Guy Gibson and his many many comrades who died for us..today...WATCH THIS MOVIE.
Lots of tense ground scenes with the full story of a bombing raid over Germany saved until the end.
And, like Gregory Peck, Dirk Bogarde is a pilot who has "done his share of flying" and is now a ground officer, enforcing discipline on the men.
When the Master Bomber, who acts as a kind of coach during the raid, is shot down, Bogarde takes over and saves the day.
Bogarde is aboard one of the planes and the dramatic structure could go either way.I suspect that there may be more movies about the Americans' daylight precision bombing than about the British night-time area bombing partly because more combat footage is available from daylight missions.
Wing Commander Mason (Mr D.Bogarde)has flown 87 missions,the equivalent of spitting in The Grim Reaper's face several times.He is determined to complete his third tour despite opposition from his Commanding Officer and the M.O."Appointment in London" tells the story of his fight to survive against all the odds.
Superficially resembling the mighty "Twelve o' clock high",closer study reveals more differences than might be immediately apparent.Gregory Peck's character was imposed on a failing squadron whose popular C.O. suffered a breakdown,Mason has been on base for a long time and is well - liked and respected,Peck a martinet where Bogarde tolerates his pilots' horseplay,for instance.There is no doubt "Twelve o' clock high" is the superior movie,but that doesn't make "Appointment in London" a poor one.
Much of the pleasure is in the supporting cast,Mr A.Shaw as "Smithy",the adjutant,a much older man,outwardly stuffy,a veteran of the Great War and a man who has seen too many airmen die to allow himself to become affected.Mr C.Victor as the village publican and confidant to aircrew,paternal and compassionate,a splendid bit of acting.Mr C.Singer in a customary senior NCO role as the Flight Sergeant in charge of the groundcrew who lend the planes to the fliers and hope they take good care of them and,last but not least Mr S.Kydd as the mechanic who finds his pilot's lucky charm and is confronted late at night by an angry Mr Bogarde.This is a key scene in the movie as Bogarde's anger(mainly against himself) manifests itself in an exchange that graduallly moves from aggression to awkwardness to genuine respect.It is beautifully played by these two fine actors.
My only personal caveat with the film is the complete lack of anything resembling affection between Mr Bogarde and Miss D.Sheridan as the naval officer he falls in love with.I'm sorry I just didn't believe in them as a couple.No spark,no chemistry,no nothing.Maybe it's me.
All round though,"Appointment in London" is a well - made,interesting and enjoyable film with lots of well - loved faces.I recommend that you watch it..
'The Lancaster bombing raid which climaxes the film is just about the best treatment of this subject I have seen.' Daily Mail 1953Not only does this film contain good solid performances and evidence the director's solid capabilities, but more importantly captures the tension and high risks of serving in Bomber Command in the Second World War. The audience acquires a better feel for the sheer exhaustion and pain at the loss of comrades those serving in these squadrons experienced.
Moreover, the links with that famous bombing raid are further bolstered by the fact that Dirk Bogarde based his interpretation of Wing Commander Tim Mason on Gibson, while the Lancasters used in this production would two years later be captured to magnificent effect as cinematic tribute to the 'Dambusters' in the much more revered film detailing their exploits.
Bogarde is nothing short of excellent in portraying a committed commanding officer who has flown too many sorties, and whose determination to fly one more mission, despite his mental exhaustion, leads him to be grounded by his superiors.
Though well- respected by his men, a combination of recent losses and near-misses gradually lead to the feeling that both their commander and the squadron are jinxed.
This sequence of events leads to one of the most memorable scenes of the movie when the lost pilot's wife reveals that her deceased partner had hidden their marriage, conscious of his commanding officer's demands that nothing should interfere with their focus on the mission at hand.
By contrast, the film achieves great dramatic effect with its depiction of the final mission over occupied Holland.
In the final scene of the film we accompany Mason, and a fellow pilot, as they head towards their own medals for gallantry, together with the widow of this lost colleague.
Dirk Bogarde once again places the introspective lead character, a bomber pilot jaded by the pressures of the war and the endless toll of men and planes lost on a daily basis.
Dirk Bogarde was no Gregory Peck and though he gives the battle fatigue resulting from leading 80 + missions his best shot he doesn't quite cut it.
Of course, if you haven't seen Twelve O'Clock High (released a couple of years earlier) chances are you'll enjoy this take on life on a bomber station in World War Two. All the usual suspects are wheeled out from Brian Forbes to Sam Kydd and there's even William Sylvester and Bill Kerr to ensure a balance of nationalities.