The Fallen Sparrow
Tags: murder

Plot synopsis:
John "Kit" McKittrick (John Garfield) endured two years of brutal torture after being captured in the Spanish Civil War. However, he managed to withhold the vital information sought by his captors, particularly their leader, a never-seen Nazi with a limp. His lifelong friend, Louie Lepetino, arranged his escape. When Louie, a New York police lieutenant, dies under suspicious circumstances, Kit ends his convalescence in Arizona and returns to the city to investigate. At the end of the trip, he bumps into attractive fellow passenger Toni Donne (Maureen O'Hara).
When Kit goes to the police to find out what they know, Inspector Tobin (John Miljan) tells him it was suicide, but Kit knows better. After arranging to stay in the apartment of another friend, Ab Parker (Bruce Edwards), he begins to make the acquaintance of the various guests at the party in which Louie made his fatal plunge. Among them are noted Norwegian historian and wheelchair-using refugee Dr. Christian Skaas (Walter Slezak), his nephew Otto (Hugh Beaumont), Kit's old flame Barby Taviton (Patricia Morison), who hosted the ill-fated party, and Toni Donne. Also present were singer Whitney Parker (Martha O'Driscoll), who is Ab's cousin, and her piano-playing accompanist Anton (John Banner). Kit is shaken when Dr. Skaas discusses the superiority of modern methods of torture over those of the past; it jibes too closely with what he endured.
Kit does not know whom to trust, but is attracted to Toni, and she to him. However, it turns out that Toni was the only witness to Louie's fall, raising Kit's suspicions. Meanwhile, Kit repeatedly hears, or imagines he hears, the man with the limp, showing that he may not be fully recovered from his ordeal.
Later, when Kit returns to the apartment, he is attacked in the darkness. He manages to gain the upper hand. When he turns on the light, he discovers his assailant is Anton. Anton reveals that Kit was allowed to escape from Spain, and that he has been watched constantly ever since in the hope that he would betray himself. It turns out that Kit's brigade killed a general who was very close to Adolf Hitler. Hitler vowed to get all those responsible and to hang the brigade's battle standard on his wall; Kit knows where the flag is hidden.
The next morning, Kit is awoken by a shot; he finds Ab dead in the next room with a bullet through the head. Again, Inspector Tobin insists it must have been suicide. However, Kit knows that Ab was terrified of guns as a result of a childhood incident.
Kit publicly gives Toni a medallion (from the battle standard) he has had mounted in a necklace, a declaration for all to see that he knows where the flag is. Toni begs him to give up what she considers to be just a "dirty rag", but Kit is determined to foil the "little man" in Berlin.
In the end, Kit insists she choose between him and the enemy; she agrees to help him get into Dr. Skaas's office during another party. Before though, he has to drink a toast with Skaas. As he had before when drinking with the doctor, Kit switches his goblet with Skaas's, an "old Borgia custom". However, Skaas has outwitted him, having prearranged for Toni to drug his own drink. While Kit is searching the office, he hears once again the man with a limp. The door opens, and Skaas enters, free of his wheelchair and dragging one leg. Skaas reveals that Kit has been drugged, that Otto killed Lepetino (who was investigating the Skaas for the federal government) and that he himself murdered Ab. However, before the drug can take full effect, Kit manages to shoot and kill the doctor, and summon the police.
Before they arrive, Toni explains that she was forced to betray him because of her young daughter, held hostage. Kit lets her go and arranges to meet her in Chicago. However, when he and Inspector Tobin watch her board an airplane bound for Lisbon, he knows for certain that she has thrown in her lot with the enemy. She is removed from the plane, and Kit takes her seat to fetch the flag.

Review: Although "The Fallen Sparrow" isn't one of Garfield's greatest parts or films, he's on target in every scene.
A good looking, sharp and crisp, black-and-white production design enhances this presentation, which also features the always dependable Maureen O'Hara and Walter Slezak..
The Spanish Civil War was never a popular subject to begin with for Hollywood, but in 1943 two films would come about it.
The first was Paramount's big budget For Whom The Bell Tolls and the second made for considerably less was The Fallen Sparrow about a veteran of that conflict's and the quest after him.Before just membership in the Abraham Lincoln Brigade blacklisted you from all kinds of places after, people returned after the loss of the war by the Republic to the Falangists without any of the problems that John Garfield faces in The Fallen Sparrow.
But it seems as though Garfield managed to cop a battle flag from some old European house that is in sympathy with the Nazis.
Believe it or not, Adolph Hitler is going through some really unbelievable lengths to get it back.Maybe if Garfield had some secret chemical formula stashed somewhere I might have gotten the plot of this film.
But for the life of me if it weren't for Garfield's strong performance as a veteran who underwent all kinds of sophisticated torture, the film would have been laughable.
So while the plot premise was ridiculous, Garfield's performance anticipates by several years other films about brainwashing techniques on prisoners and the readjustment to civilian life which Garfield never quite makes.In any event back from the Spanish Civil War and before America gets into World War II, Garfield finds himself involved with some strange foreign refugee types as he goes looking for the murderer of a New York City cop and pal of his who arranged his escape from the clutches of the new Falangist government under Francisco Franco.
The most sinister of them and he usually is in these films is Walter Slezak.In her memoirs Maureen O'Hara said that Garfield was a delightful person to work with even though she was far from sympathetic with his politics.
In point of fact Garfield was a strong New Deal Democrat who in his years growing up poor and later in the Group Theater made some friends who unashamedly were Communists.
The Fallen Sparrow would have been a lot better film had it been given a stronger plot premise..
***SPOILERS*** Almost incomprehensible plot that has to do with a Nazi spy ring in the heart of New York City masquerading around as a bunch of refugee European society blue-bloods.
Emotionaly disturbed and mentally broken Jon "Kit" McKittrick, John Garfield,is back in New York after a stay at a rest home in Arizona.
Having been captured at the end of the Spanish Civil War were he fought the Spanish Fascists forces of Francisco Franco Kit was put under extreme torture by his captors to find something that he hid from them before he was apprehend.
With all the sub-plots and double-crossing in the movie "The Fallen Sparrow" you never get a handle to what these cryptic-Nazis, hiding behind the facade of Spanish and French Royality, want from the poor and mentally unbalanced Kit McKittrick.
Were given information from Kit,in what looks like a drug induced stupor, that he was involved in the death of a top German general in the Spanish Civil War. This general was a close friend and fellow 1923 Beer Hall putsch veteran of Adolf Hitler himself.
Kit's all over the place looking for this lame or club footed Nazi doctor, like the one-armed man in the TV show "The Fugitive", who's now the Nazi agent out to get him to talk about where the pennant is and, after getting the information from Kit, then murder him.
This Nazi is also the man who Kit remembers back from his time in the Spanish prison from the sounds he made when he walked.
It later comes out that everything that happened to Kit from the time he left Arizona to when he got to New York was all planned, ahead of time, by this group of pseudo-aristocratic Nazis themselves.
Kit finally finds out not just who was behind the death of policemen Louie Lepitino, it turns out that Louie didn't kill himself like Kit suspected, but the murder of his close friend and Washington insider Ab Parker, Bruce Edwards.
An obsession on Hitler's part which, if you take Kit and the movie "The Fallen Sparrow" seriously,eventually cost him the war.The relationship between Kit and mystery women Toni Donne, Maureen O'Hara,also took a great strain on your thought processing mechanisms.
The Nazi spies are headed by this off-the-wall torture fixated psycho Dr. Christian Skaas, Walter Slezak.
Garfield's a shattered veteran of the Spanish Civil War, tortured by the fascists and a mysterious limping man.
Turns out everybody, including the limping man, is trying to get possession of a regimental battle standard whose whereabouts only Garfield knows.
On a different note, the limping man's dragging foot adds a creepy sound to the sinister atmosphere and is what I remember most from seeing the film as a kid.
Tough John Garfield haunted by beastly spies and beautiful Maureen O'Hara fights on....
Lovely and curvaceous Maureen O'Hara is so sweetly sympathetic but also duplicitous, her true motivations are as hard to guess as her stunning appearance is easy to admire.As far as a stand alone film it is a tad dated because it was a product of it's time and agenda.
But we know in the end the good guys will win and their pride, their spirit and their cause must lose.So in retrospect I give it a soft recommendation unless you can put yourself in the mind-set that was made for a specific audience, the mothers, fathers, wives, girlfriends', and children of those fighting the biggest war in history..
Lillian Hellman's Watch on the Rhine was one; The Fallen Sparrow was another.John Garfield (who else?) survived torture while fighting for the anti-Franco forces in the Spanish Civil War, but it took its toll; he recuperated in a sanitarium in the Southwest.
Upon returning to New York  where a war buddy has met death by defenestration from a penthouse party  he finds some of his friends traveling in the same circles as vaguely sinister Europeans and fly-specked aristocrats  Germans, Italians, Spaniards  who take a perverse interest in him.
Walter Slezak plays a mittel-European professor whose passion seems to be the aesthetics of torture, and whose limp summons up nightmares for Garfield.
There are also family crests dating from at least the Borgias (whose speciality was goblets of poisoned wine), a senile old curmudgeon who believes he'll be restored to the throne of France, and a tattered standard Garfield has rescued from Spain, which becomes this film's black bird....Following all these threads require rapt attention, but who would be willing to devote anything less to the fight against Fascism?
A Flat-Out good film...John Garfield is a master in this one.
John Garfield returns to the US after having escaped from a Franco concentration camp where he was tortured and drugged.
Along with his performance, Maureen O'Hara is in an unusual role as the mysterious girl friend.
"The Fallen Sparrow" is a 1943 film starring John Garfield, Maureen O'Hara, Walter Slezak, and Patricia Morison.
Directed by Richard Wallace, from the novel by Dorothy Hughes, the story concerns John McKitrick, a Spanish Civil War vet who escaped from a prison camp, where he was tortured.
He's suffering from severe post-traumatic stress, but he has returned to New York to find out who killed his best friend.
McKittrick doesn't know whom he can trust, and that includes the beautiful Toni Donne (O'Hara), the mysterious wheelchair-bound refugee doctor (Walter Slezak), or even an old friend (Martha Driscoll).Though Garfield is excellent as a former prisoner of war, and his performance is well worth seeing, the plot of "The Fallen Sparrow" is confusing; the film moves slowly and has very little action.
It will surely sound low-brow, but I got very tired of John Garfield being so pleasant--I wanted to see him shoot some of the bad guys.
Tortured by Fascists during the Spanish Civil War, veteran John Garfield (as John "Kit" McKittrick) returns to find the policeman who helped him escape has supposedly committed suicide by jumping, or accidentally falling, from an open window.
The first suspects are three beautiful women - presumably red-haired hat clerk girl Maureen O'Hara (as Toni Donne), brunette ex-girlfriend Patricia Morison (as Barby Taviton), and blonde songstress Martha O'Driscoll (as Whitney Parker).As he relives psychological trauma incurred during his imprisonment, German Nazis close in on Garfield.
And, as you'll see, Garfield and three beautiful women go a long, long way.******** The Fallen Sparrow (8/19/43) Richard Wallace ~ John Garfield, Maureen O'Hara, Walter Slezak, Patricia Morison.
The Spanish Civil War angle is interesting, and the relation of Hitler's Germany to Franco's Spain provides some historical base for the plot.
There are disjointed scenes, such as those with a murdered friend's mother pleading for justice and the gypsy dance segment, which are only weakly related to the ideas of dangerous spies in a world about to enter World War Two. There also seems to be a chronic problem with 1943 movies about events of 1940 or earlier in that what transpired in the intervening years tends to mangle both time and history.
Garfield's tough passionate character in a watchable plot.
Most of Garfield's movies are too old and mired in the great depression to hold up.
Like most film noirs the good guys triumph but they don't find happiness.An interesting characterization by Maureen O'Hara as the mysterious woman who seems to share her love with Garfield.
In a feminine way she is tougher than Garfield's character.Like any movie made in 1943 the plot is anti fascist.
But as someone who fought in the Spanish Civil War, Garfield's character should lean to the left.
Yet he is part of a wealthy uptown crowd.If you like John Garfield but find his movies of the depression too distant to appreciate, try this one..
John Garfield plays a former POW from the Spanish Civil War who returns to New York City to investigate the murder of his friend, the same man who got him out of Spain.
He soon finds himself pursued by Nazis who want a flag Garfield has in his possession.
Noirish WW2 thriller offers good performances from Garfield and Walter Slezak but ultimately misses the mark at being anything memorable.
When this movie was made, Stalin had pulled out his support for the Spanish Civil War, had made a pact with Hitler, and took his share of Poland in 1939.
John Garfield is always wonderful, but for me the most interesting character was that played by the great Walter Slezak.
It contains what may well have been the finest performance by John Garfield in his brief career (he died aged only 39 of congenital heart disease in 1952, though he had by then appeared in 32 films).
Garfield plays a man who had fought on the Republican side in the Spanish Civil War but had been captured, imprisoned, and sadistically tortured by Nazis involved in supporting the Franco side.
After escaping, he made his way back to America, where he was followed, and Nazi spies continually monitor him and kill his best friend.
Very effective use of sound occurs in this film, the sound of a crippled man dragging his bad foot is continually heard at moments of Garfield's greatest stress, as it was the same sound made by the Nazi official who came once a month to Spain from Berlin to supervise Garfield's torture.
It's a pretty dull and boring propaganda movie and to tell the truth, though I know it will be considered sacrilegious by most, Garfield's expressionist acting doesn't help.
It's so outdated that the torments that seize all of a sudden the poor victim of fascism ( Garfield was jailed in fascist Spain but tortured by Nazis who wanted nobody knows what from him), making his face change and show inner terror are almost funny.
Political and Propaganda Picture, this John Garfield Film-Noir has its Pro-War Message Buried Deep in 1940 Pre-War Foreign Intrigue Involving Fascist and Hitler's Henchmen Coming to America to Recover an Important and Symbolic Emblem.It is All Convoluted into a Multi-Character, Twisted Plot that is so Confusing and "Foreign" at Times it sort of Begs for the McGuffin to be Forgotten for a While.
People Talk about it Relentlessly and as the Viewer Strains for it All to Make Sense the Movie is in Danger of Losing Anyone who was Initially Interested.But Garfield and a Pretty Good Cast Including a Stiff Looking but Stunning Maureen O'Hara and some Great Noir Cinematography and Claustrophobic Sets Keeps Things Engaging.
There is some Cutting Edge Talk about Torture and the Psychological Scarring of Garfield Returning from a POW Camp Suffering from Hallucinations and Confusion is Central to the Perplexing Plot, Suspicious Loyalties, and Spy Stuff.Overall the Overwritten and Obscure Talking about so Many Characters keeps this from Excellent Status, but Garfield's Mental Instability and an Underlying Creepy Factor make this an Above Average War Story about Life During Wartime..
Hughes built a good head of paranoia and suspense in her 1942 thriller THE FALLEN SPARROW (TFS), and RKO masterfully and faithfully adapted the 1943 movie version.
Director Richard Wallace, screenwriter Warren Duff, and editor Robert Wise condense the novel's events and complex relationships without watering it down.Starting with the quote "...in a world at war many sparrows must fall...", the film brings us into the mindset of troubled yet determined hero John "Kit" McKittrick (John Garfield).
Kit's boyhood friend Lt. Louie Lepetino had helped him escape the Spanish prison where he'd been tortured for two agonizing years after the Spanish Civil War. Returning to New York City from a ranch rest cure, Kit's stunned to discover that Louie's been killed in a 12-story fall from a window at a swanky party for wartime refugees Dr. Skaas (Walter Slezak) and his nephew Otto (Hugh Beaumont, pre-LEAVE IT TO BEAVER).
Was it Kit's alluring old flame Barby Taviton (brunette Patricia Morison may not look like the blonde Barby described in Hughes's book, but she's got the sophistication and entitled attitude)?
He's still haunted by the memory of the mysterious man from Franco's elite Nazi squad, a limping man who tortured Kit in his dark cell, trying to make him reveal where he'd hidden his regiment's battle standard.
Terror mounts as Kit realizes his enemies may have followed him home, maybe even planting their spies into every aspect of Kit's life, placing not only himself in danger, but also his friends and loved ones...The role of Kit, a working-class, self-described "mug" in gent's clothing (his ex-cop dad struck it rich) with a heart full of all-but-shattered ideals, fits John Garfield like a glove.
Hughes's haunting descriptions of Kit's memories of his horrific Spain ordeal are conveyed well in Garfield's powerful monologue, enhanced by the camera's slow close-up on his expressive face.
The sweat on Garfield's brow and the twitch in his cheek as he finally faces his enemy during the climax speak volumes.As Toni Donne, the guarded beauty with a terrible hold over her, lovely Maureen O'Hara (did they darken her red hair, or is it just Nicholas Musuraca's gorgeous black-and-white photography?) tries to downplay her Irish accent, but it still lurks in certain words.
In this film version, Kit and Toni finally share longing kisses and tender embraces -- much more fun to watch!
Today's audiences might not understand Kit's obsession with the battle flag, even with the explanatory scene at Toni's home -- but then again, I bet the men and women fighting overseas will get the significance of a battle standard and what it symbolizes.Although Dorothy B.
While this is not the greatest Garfield movie, it contains one of his most gritty and complex performances.
While his tough, streetwise characters usually have a tender, caring heart that is in the right place, in this film he portrays a vulnerable, nearly-broken man who really has to work hard to summon the strength to fight and survive.
I think it is a good solid war drama full of some ambitious ideas and novel effects for that time period.
All in all, I think the film is strongest in the acting department, and none stronger than John Garfield.
The Nazis are in New York, and they want their flag back!.
Yet it is good if you like international espionage and World War II spy movies.
John McKittrick(John Garfield)was tortured in Franco's Spanish prison camp, but survives and returns home to find out who killed his comrade in arms Louis Lepetino, formerly a fellow New York City cop.
Anton(John Banner)who plays piano accompaniment to his childhood friend Whitney's(Martha O'Driscoll)singing is a spy for the Skaas family and attempts to kill Kit because he knows too much.
Meanwhile Kit has fallen for the mystery lady on the train back who was also at his welcome home party and works modelling at a womens hat boutique, Toni Donne(O'Hara).
He was the Nazi guard at the prison camp with the dragging leg that followed tortures that come back to haunt Kit.
The very thought of Maureen O'Hara with the Nazis is most ridiculous.
At least, they should have had her with a strong Irish accent, as we know that many in Ireland was sympathetic to the Germans during World War 11 because of their hatred towards England.We never fully understand why the Nazis wanted McKittrick, the James Garfield character.
Therefore, it becomes puzzling that he was supposedly allowed to escape.It doesn't take much to realize who the man with the limp is.We're dealing with a Nazi spy ring in the higher classes of New York, but no, this is certainly no "House on 92nd Street."In this film, everyone is suspect.