Dieu est grand, je suis toute petite
Tags: romantic, flashback

Plot synopsis:
The film begins with Michèle's first journal entry, "I am 20 years old, and I have ruined my life!" This is just one of the many journal entry titles that are flashed before every particular scene in the film. Michèle had just recently broken up with her boyfriend so she meets up with some of her friends at a café. It is there that she meets the charming veterinarian François. Though Michèle has a promising modeling career, she feels that something, or someone, is missing in her life. François quickly fills this void, and Michèle feels partially whole. She first claims that she is Catholic but is dissatisfied with the results of praying and worshipping. By recommendation, she begins to follow Buddhism through meditation and use of elaborate costume jewelry. Eventually, she discovers that François is Jewish; however, he does not practice his faith. Throughout the film, she immerses herself in Judaism, following traditions such as the Sabbath. François breaks up with her by telling her "your touch sickens me", after accusing her of lying. He then engages in several other affairs but fails to ever marry. She attempts to date a few men but does not create any true connections. Finally, at a wedding of their friend Valérie, Francois has broken up with yet another woman and claims to desire her. The movie ends with the famous line, "...to be continued" leaving viewers curious about their future.

Review: Search for Spirituality Loses Me. This is the story of a woman, played by Audrey Tautou, who searches for herself by searching for a religion she can relate to.
She tries all of the major religions and ends up with Judaism when she starts to data Francois, who is lapsed in his faith.Her spiritual quest drives her, Francois and ME crazy.
I tend to like character and plot-driven movies, but it is important that I relate to the character in some way.
I rented this movie primarily because I enjoy Audrey Tautou's acting.
There are a lot of very short scenes that are distracting and don't seem to advance the story.By no means is this a bad movie, but unless you can relate to a spiritual journey more than me, this movie probably won't quite do it for you..
Michèle (Tautou) falls for this guy, François (Baer), but also for his religion: Judaism.
There is some tiny bit of thinking on what is it exactly to be a believer, but the movie doesn't go far enough.But again, watch it for Tautou.
Twenty-year-old Michele (Audrey Tatou, star of the hit film "Amelie") is a successful model but an emotional wreck.
But when she meets handsome Francois, twelve years her senior and a successful secular Jew, she has a religious awakening.
Suddenly obsessed with Judaism, she is soon driving Francois crazy nailing up mezuzahs, keeping kosher, observing Shabbat and accusing him of not being Jewish enough!
"God is Great...I am Small" is an unusually smart and contemporary comedy/drama that builds its story around controversial issues affecting today's Jewry: Who or what is a Jew?
Audrey Tatou Makes This Movie Swell (If Not Great).
Audrey Tatou, for certain France's most charismatically engaging young actress today, made "God is Great, I'm Not" before "Amelie" projected her to international acclaim.
This release, coming quietly after the famous film, has had little if any U.S. theater exposure but it's a DVD that cries out for word-of-mouth boosterism.Tatou plays Michele, a self-proclaimed "top model" (well she clearly does have a successful career going).
More to the point she a 100% certifiable flake who flits from religion to religion seeking wisdom and, perhaps, a sense of belonging.After a party she meets veterinarian Francois (Edouard Baer).
Anyway, without it the film would end at this point.
Francois has a quiet accommodating quality: he's the kind that a Michele will always enrapture.Michele falls in love with Francois, a fellow comfortable as a "secular Jew."  In his case that means he doesn't even want his apartment house neighbors to know his heritage.
Absurd, declaims Michele, who proceeds to noisily attempt to affix a "mezuzah" to his front door (a Jewish talismanic article that observant members of that religion invariably have at each door in their homes sans the bathroom).Anyway, the real fun is that Michele, bored with her past religious explorations, decides to study Judaism both with a rabbi and also in a class for possible converts - but only with Francois safely sitting beside her and actively participating.
He IS besotted!There's a lot of good humor as Francois allows himself to be drawn into Judaism - but only so far.
Meanwhile Michele gets more serious about not only studying the religion but observing its very restrictive dietary precepts and other controlling laws.So much for the basic plot-anything more would spoil the fun.
But director Pascale Bailly has insured that no viewer need be Jewish to enjoy madcap Tatou's foray into that ancient religion.Tatou has the most marvelous ability to instantly telegraph her feelings through economical but mesmerizing facial expressions.
Born a century earlier, she would have been a silent film star to rival the Gish sisters, Pola Negri and many others.She's the treat who makes this offbeat comedy (with a dollop of serious relationship issues) worth watching.So rent it!8/10.
Like everyone else who has written in, I watched this film (and Happenstance) because I had seen Amelie and had fallen in love with Tautou and was hoping to relive the Amelie experience.
This movie is as close as I have come, but of course, NOT Amelie.
The fun parts of this movie were: learning about the Jewish faith through the eyes of a non-Jew, hoping that Tautou and Baer really do end up together, and I must mention all of Tautou's awesome outfits and hairstyles as a French "top model." Very fun!
I felt that I got confused about the plot at points due to the back-and-forth cut sequences and thought maybe I missed something in translation?
Or maybe Americans like me just need to be led by the nose through the plot a little more?
The great surprise for me was Edouard Baer.
The movie nicely balances comedy and seriousness and has sat well with me in the days after watching it.
As long as you're not expecting Amelie: The Prequel, I think you can watch this and enjoy the fun and beauty Tautou brings to the screen..
Audrey Tautou stars in a so-so comedy.
If Amelie had not been released prior to Dieu est Grand, this film would not have had the same exposure...And it's no surprise.
The plot is simple though entertaining; a young girl (Tautou) searches for spirituality in religion and love.
Having gone through Catholicism, Buddhism, she meets a Jew (Edouard Baer) and falls in love for him and Judaism...
Well, I understood it like this, and I don't think religion plays a great part anyway.
It is just a pretext for funny scenes and as a way to show some depth to the character.Parts of the film are extremely funny, revolving around religion (misunderstandings...) and family troubles (Catherine Jacob as the mom is astounding as usual).
However the film drags a bit on the conversion to Judaism and loses the edge in the end completely.All in all, entertaining, light, but certainly not unforgettable...
People who loved Amelie (like myself) will like it for the wonderful Audrey Tautou: she makes the plot ticks by herself.
Not to forget Edouard Baer -a renowned and funny TV presenter (he hosts the French Oscar ceremony)- who is charming and credible when he could have overplayed his part easily!
Starts and Stops: A Movie Trying to Find A Story.
'Dieu est grand, je suis toute petite' is a little film by Pascale Bailly that spends a lot of time trying to tell a story in bits and pieces with numerous characters, interesting in and of themselves but confusing to the viewer, attempting to keep up with the breakneck speed of this French comedy.
The saving grace is the presence of Audrey Tautou and a few other actors whose screen magnetism holds our interest.Fresh from a breakup with a boyfriend Bertand (Mathieu Demy) top model Michèle (Tautou) is a wreck of a person flirting with all manner of religious outlets (Hindu, Buddhism, Catholicism, etc) trying to find something to make her crazy life make sense.
She encounters a veterinarian François (Edouard Baer) who is a secular Jew (non-practicing, closeted, etc) and not only does she fall immediately into bed with him (and a next morning attempted suicide!) she begins to stalk him trying to embrace Judaism - a fact that at first drives François away and then a little mad himself.
The manner in which Michèle and François study Judaism and all its graces and restrictions is (I think) the basis for the rest of the story: the filming technique of flashbacks and fragmentary moments and cutesy scribblings on pages are paced to confuse and make this simple story a maze to follow!
Along the way we meet some interesting types including Valérie (Julie Depardieu) who opens her door to her first psychology patient (Thierry Neuvic) and promptly falls in love with him; Ali (Atmen Kelif) who is Michèle's nutty fashion photographer and a number of others.
In the end this is a fun film in which it is a bit trying to connect all the dots!
Tautouology is concerned, on the contrary, with necessary repetitions, that is, with the annual recurrence of a species of elfin creature with large eyes, which once a year appears in films.
Certainly, the Tautou has been observed frequently in Paris, and it is thought that this rare creature may have some connection with the Paris catacombs, to which it may possibly retire at night (though this has never been reliably reported by a qualified observer).
This film, 'God Is Great but I Am Tiny', preserves valuable evidence on film of the behaviour of the Tautou.
This film was made immediately after 'Amelie', when the Tautou is estimated by science to have been 24 years of age.
In fact, it is believed by some that these infantilisms will never disappear, or at least many scientists hope not, and that the Tautou will still be a little girl when it reaches the age of 100 which is predicted for it.
In this film, a fine contribution is made by Edouard Baer, who delivers an excellent performance as a human, as do Julie Depardieu, Anna Koch, Atmen Kelif, and other humans who surround and interact with the Tautou in this excellent natural history film.
The direction of the film by Pascale Bailly is lively, if somewhat over-quirky at times, adopting very much a cinema verite approach (the references to Godard in the film did not go unnoticed by scientists).
The theological implications of this study of the religious behaviour of the Tautou, as it wavers in the film from religion to religion (Catholicism, Buddhism, Judaism, you name it), is thought to be a comment upon Heidegger's views of 'being and essence'.
Certainly the Tautou says at one point to Francois: 'You aren't Jewish enough.' The social interactions of the Tautou with the humans make this film fascinating to watch, as the Tautou shows extreme volatility, which the humans have trouble coping with.
The Tautou is liable to change religions in the same way that the Arctic hare goes from brown to white when the snow falls.
This film is of extreme importance to the discipline of Tautouology, and is recommended to all serious students of this rare mammal..
Reading the message boards and some of the reviews for this film, I was amused (and I confess, a bit surprised) at how few viewers seemed to grasp the point.
This is the sort of film that you have to think about while watching; it requires something on the part of the viewer.
Yes, Baer's character is irritating.
Tatou's "Michele" is a shallow, superficial fashion model in search of a "great cause" to identify with.
(Of course, we know that no top model was ever like that, don't we!) Her constant reading of self-help books and what I like to call "bathtub philosophy" (like bathtub gin, it is home made and of dubious quality) leads her on a "spiritual quest" in the modern sense of the buzzword that spirituality has become--the search for a feel-good factor that will make her feel better about herself, her decisions and her life.
Baer's "François" considers himself to be above all need for religion, heritage, even his own history.
And yet he is drawn into a relationship with the dysfunctional, needy Michele because neither one is happy with themselves and both hope to find someone to fill the gaping hole in their lives.I have known many people of this type personally...they wander from one idea, one philosophy, one country, career or "lifestyle" to another without ever really committing to anything.
That's why it says "To be continued" at the end of the film: these people will search forever, without ever seeing what's right in front of their noses.
When the lights come up at the end of the show of their lives, Death will take them totally by surprise.At first, I found the choppy editing annoying and confusing; it looks like a poorly made end-of-term project for film school.
This is one of those minor films that can grow on you with time, if you learn to see beyond the surface into the ideas behind the emotions.
Audrey will never be able to play the great and wonderful character of Amelie again.
Both movies have made me want to leave, but instead I end up staying to find out if her cute and adorable self ever comes out.
Maybe it's just because of the director and her awful choice of script is why this movie blows.
I just watched this movie and i felt i had to warn potential watchers : This is by no means a good movie.You may have been lured into seeing it because of Audrey Tautou of Amelie's fame.
It's about a whimsy girl who tries to get in touch with her spirituality.So she goes from one boyfriend to the other, and each time embraces the religion of his.
At some point she tries to embrace Judaism, and it's the only time the movie conveys any interesting idea.
The rest is as shallow and meaningless as the character portrayed by Audrey Tautou.
Her male counterpart, a somewhat nihilist but well educated man, portrayed by Edouard Baer really fits in his role, alas the way he tries to seduce again and again a girl which he has rejected twice is simply not believable.
How he could be interested by a person which apparently has no brain and exists only through other people's beliefs is beyond our comprehension.We can even sense some possible twists that could occur during certain scenes, but the director is in this case less smart than the viewers : she just misses completely what could have made an interesting movie.
After those ten minutes, the plot will simply not progress in spite of the various shallow characters thrown our way.So what can be said about a movie that brings nothing vaguely looking like character development, that conveys absolutely no message, that is not funny at all (ok, maybe i smiled twice), and portrays a girl with cuteness as her only selling point, to sum it all ?
I encourage you to stay away from this movie, and rather stay on the good impression you had when viewing Amélie.
For fans of the film AMELIE, despite starring Audrey Tautou, this film is NOT a reprise of this role, though you can't blame her for branching out to other type roles (and I certainly enjoyed her film HE LOVES ME).The film's sole focus is Tautou and her quest for spiritual fulfillment.
While this is initially entertaining, her character is so screwed up and self-involved that you really find her annoying over time---her relationship with her mom, her suicide attempt, her desire to become Jewish, etc.
So, the spiritual journey itself COULD have been an interesting plot element--but her character wasn't.
I think I would have liked the film if it had a more likable, less self-involved and shallow character.She's cute in this film too but also shallow and stupid.
As a result, her performance, over time, becomes a little bit annoying and trivial--so much so that the film becomes just a time-passer.Did I mention that she was shallow?.
Audrey is Charming, the Story is Not. As almost all the other reviews observe, this film is a disappointment, and for mostly the same reasons already mentioned.
First, I do not find Edouard Baer's a sympathetic character at all - he is very pushy and aggressive with Michele (Tautou's character) and it is a real turn-off from the beginning.
The age difference between them is obvious and awkward, as Tautou really plays the wide-eyed, ditsy innocent in this film, to Baer's often angry and inscrutable character, not made any clearer by the jump-cut style.
(Though I liked the cut and fade style a lot, in most places; it allowed the story to move steadily.) Second, while potentially a deep subject, the "religious quest" element is done in the air of a light romantic comedy, and this is at base slightly inappropriate and not carried off well.
Third, the most interesting relationships in the film are arguably those between Michele and her troubled family, where we might see some healing and emotional growth, but these are not well and clearly developed at all.
Michele has serious father issues, a primary source of her vulnerability which makes Baer's pursuit of her smack of exploitation and pedophilia.The above flaws in combination result in the impression that, though the work of a woman - Pascale Bailly - the film comes off slightly misogynistic.
Tautou's character is made fun of, and not redeemed by positive developments in the story.
Baer treats her like a child and is not disciplined by the story line for doing so; indeed, in the inconclusive ending we see him pushing himself on her again, with the hint that he will likely be allowed to succeed.
Tautou really shines and is a pleasure to watch, but basically no other element of the film works well.
Audrey Tautou offers a great quality performance but offers nothing original.
But the director of the movie appeared to be uninspired and trying too much to make something special out of the film.
Once you get into the story you are alright but the 100 braking up scenes and the annoying and cheeky characters lead the film to a ending that offers no satisfaction at all.
Audrey Tautou was just beginning to happen when she made this movie; she'd appeared in a good half dozen films of which the best by far was Tonie Marshall's Venus Beaute in which she got to play alongside Nathalie Baye, Mathilde Seigner and Micheline Presle where she couldn't help picking up some strong tips on technique.
So what of this; well, it's patchy, quirky and the director has an annoying habit of cutting to Black in the middle of a scene and sometimes coming back to it a few seconds later as if the film had run out and they couldn't afford another complete Take so they just carried on after they reloaded.