Pride and Glory
Tags: violence, murder

Plot synopsis:
Opens with a Football game where the NYPD are playing. Jimmy Egan (Colin Farrell) is the main player and gets the word from the coach to do everything to keep their lead - they are up 14-10. He tells the team he believes in them all and they can do it. Ray Tierney (Edward Norton) sits by Megan Egan (Lake Bell) and watches the game with Francis Tierney Jr (Noah Emmerich), his brother. They win and there is cheering all around, but Francis Jr. gets a call that a bunch of men from his Division (Francis is the CO) got killed, four officers down.Francis Jr. and Ray run to the scene and in a shabby apartment there are bodies everywhere. By the door, by the window, everything is a mess. An officer is taken out of the apartment on a stretcher as Jimmy runs in from the football game and looks at all the dead cops and starts getting angry and then locks himself into a bathroom, crying and breaking the mirror. He's very, very upset. Francis Sr. (Jon Voight) is at the scene as well, being some bigshot in the department (although it's not 100% clear what is role is) and makes orders all around.In the hospital, Ray and Jimmy are sitting there and the officer who was taken in dies. You can hear the wailing of the wife. It was a friend of everyone, it appears.Ray goes into the bathroom and starts popping some prescription pills. Francis Sr. (his father) comes in and looks at his son and tells him he should apply to be on the task force to investigate the murders of the men. Ray mentions he isn't ready and his father disagrees, saying the dead man would have done it for him, why wouldn't he do it. Ray tries to demur again citing an old incident making him go into missing person's division, but his father will have none of it and in the end strongarms him into joining the task force.Cut to the alley where everything happened. Ray and a fellow task force officer look up the window and know whoever the shooter was, got shot and then ran out. They follow the blood and it stops, so the guy must have gotten into a car, but they don't know anything more. They find a cell phone in the snow. They have gotten some handouts of six prime suspects. An officer comes over and asks if anyone speaks Spanish because they have a kid who might have seen something. Ray says he speaks some and they go into a small convenience store where a man is yelling things in Spanish (note, most Spanish is not subtitled in the movie.) Ray tells him to calm down and get out of his face and gets the wife to take him to the kid.The kid is sleeping on a couch and is woken up when Ray comes in. Ray asks him some questions and they find out from the kid that the shooter was bleeding from his stomach, he looks scared and when he is shown the pictures, they find out his name is Angel Tezo (Ramon Rodriguez) When Ray asks what color the car was, they are told it was a white, four door car, a cab car, but not a yellow one.Cut to the car, it's abandoned in some green, non-industrial area. Jimmy, Kenny (Shea Whigham), Sandy (John Ortiz) and Eddie (Frank Grillo) are all checking out the car. Apparently this was a deal gone very bad. They were trying to kill Tezo and get some money, but everything went bad and Tezo got away, killed their people and took the money. And he killed the driver. They set out to find and kill Tezo because he can finger all of them and he knows they are out to kill him. They talk about drugs, payoff money and hits - obviously dirty cops. First, they torch the car and everything inside it.Cut to Tezo getting a doctor to sew up his gut wound in some safehouse while some of his cronies count up the money. Tezo obviously has a temper and yells at the doctor a lot. When the doctor is done, they hand him some money, but Tezo's girl hands Tezo a potato and Tezo puts it on his gun and while kissing her, shoots the doctor using the potato as a silencer.Ray is sitting on his houseboat, looking at the crime scene photos and sees something strange in a photo. One of the men who was killed didn't have bootlaces or a belt on, so why were they there? He makes some calls, but doesn't come up with much.It's Christmas (the next day) and Ray goes up to a townhouse and puts his hand out to knock, but then just drops off a small gift on the porch instead. As he leaves, the door opens and it's Ray's wife. They are obviously estranged and it is revealed they are one month away from divorce. They've apparently had a lot of difficulties and while they both care for each other, she can't go through it anymore and they part sadly.Eddie and Sandy go to a convenience store and get everyone out and pistol whip the cashier until he tells them some information (and admits he knows) about Tezo. The man is given 24 hours to get information or they'll kill him. Eddie shows how unstable he is when he puts a gun to the man's head and fires it, but it's empty. They then pop the register and take all his money as well.Francis Jr's wife Abby (Jennifer Ehle) is sitting on the bed, she has a bald head and looks very sick. She takes some pills and Francis comes out, asking her if she wants to do this party. She says she wouldn't miss it for anything. Downstairs there is a lot of cooking going on, Francis Sr. is very drunk and the kids are running around wanting to open presents. Upstairs, Francis Jr. gives Abby a ring saying he will love her forever and Abby almost starts crying. They go downstairs as Jimmy and his wife and family come in and everyone begins opening presents.At the dinner table, Francis Sr. is very drunk and starts overpraising Ray saying he was always the brains, and would soon be an investigator and his daughter, Megan had a huge heart and she became a nurse. He doesn't say much about Francis Jr or about Jimmy (son-in-law.) It becomes very strange and awkward at the table and it goes pretty quiet. Francis and Jimmy have a quiet talk in the hall about what is going on. Jimmy says he'll have it under control. Francis is very worried about what is going on and Jimmy isn't giving him any information.There is another shooting at the house where we first saw Tezo. The men look out and see cops and then there is blood splattering. Cut to Ray looking around and seeing they were all shot execution style. Tezo's girlfriend, who we saw give him the potato, is there and Ray squeezes her (they talk in Spanish) and she eventually reveals (after Ray threatens to take her kid away) Tezo was tipped off by a guy called Sandy in the police department. Ray says nothing to the detectives on the scene about the information and walks out.There is a large funeral procession for the dead officers and Francis Jr. has a large roll as the CO. After it is done, Ray catches up to him and starts grilling him on what might be going on in his Division. His brother starts to take offense and they get into a heated conversation when Ray says Tezo's girl dropped the name Sandy and he's a police officer. Tezo's phone was called by people outside, so someone knew about the bust the four men were doing. Ray asks him if there is anyone who goes by that nickname in his department. Francis Jr. looks shady and denies there is anyone. Ray and Francis Jr. part ways, with both being unhappy at each other.Francis Sr. meets Ray on the boat and asks what happened with him and his brother. Ray explains what he thinks might be going on and his father says to sit on it and see what really happens before stirring up a mess, after all you have to protect your own. Ray obviously doesn't like it, but his father orders him and Ray reluctantly agrees.Francis Jr. confronts Sandy in the police showers and kicks everyone else out. Sandy, in turn, starts crying and feeling very remorseful. He tells Francis Jr. that Jimmy has been doing drug dealing and tons of planned executions and that he wanted Tezo dead so he could start working with Casado (Rick Gonzalez). Francis is shocked when he hears his brother-in-law is doing all that. Sandy said he thought Francis knew everything, everyone knew about it. Francis Jr. tells Sandy to give up his badge and gun immediately and never to say anything or come by again or he'd cut his pension too. Sandy tells Francis Jr. the force is all he has, Francis Jr. says Sandy doesn't have that anymore. End shot with Sandy crying on the shower floor.Abby is sitting and look at her children and starts crying, because she's dying and she's going to leave them. She hears the car pull up. Francis Jr. is sitting the car and is upset, not moving for a while as his wife tries to stop crying upstairs.Jimmy and his wife are playing with the kids. They're having fun. They bring the kids in and show a foozball table and a huge TV. The doorbell rings and a gangbanger looking person is at the door asking for Jimmy. Jimmy comes up and orders the guy out back. Jimmy's wife is very nervous about what is going on.The man is Casado and he's upset with Jimmy not keeping up his part of the deal to kill Tezo. He asks if Jimmy is slipping and Jimmy ends up pinning him to a wall, saying he's going to take care of it and threatens Casado if he ever comes near his place or family again.Jimmy calls his crew and they find out Tezo's right hand man is in town and they bust down the door and break up their dinner. They throw the man to the floor and beat him, but he won't say where Tezo is. Finally, they push his wife down and take his infant, holding it against the ironing board. Jimmy tells Kenny to call in a child services call for baby with a disfigured face. He takes the hot iron and starts to move it closer to the child's face. The mother screams for the man to tell him what the police want to know. Eventually, he reveals where Tezo is and Jimmy leaves, giving the baby back to the mother, unharmed.Ray tracks down one of his old CIs, a junkie, and after taking his stash and destroying some of it, his stoolie tells him where Tezo is.Ray calls in the location and tells the task force to get there. When he arrives outside the building, he starts scoping it out, but hears some gunshots. He calls for backup and starts going up the stairs, scared tenants are pointing him upwards. Finally he gets to the floor and sees a dead body and hears some screaming and yelling. Ray looks to find Tezo in a bathtub with Jimmy standing over him, shoving a nightstick down his throat. Ray yells at all of them and pulls the nightstick out of the man's throat and says he's still alive and to get help. Jimmy pulls Ray's gun out of Ray's holster and shoots Tezo three times in the chest. He hands the gun back and says Ray will say he was first on scene and shot the bastard who killed four cops. Ray asks if he's insane, and Jimmy pushes him against a wall and says they're all cops, so just go with the story.Ray and Francis Jr. are outside Ray's boathouse and Ray is very upset, telling Francis what happened and asking him why Francis lied about knowing Sandy. Francis asks what Ray is going to do and Ray doesn't say much, wanting to get the blood off him and walks to the boathouse.Francis Jr. is pouring a bath for his wife and Abby can tell he's upset. She asks him what's going on and he's silent. She begs him not to start with this now. Francis Jr. says he's in really deep and doesn't know what to do and he's scared. Abby looks shocked (and very sick) and asks if there is any way to make it right. Francis Jr. says no way. It won't bring everything he's worked for crumbling down. Abby replies she knows he's a good man and she trusts him and trusts him with her children. She wants him to continue to be a good man for them. Francis Jr. replies he has Abby's back.Cut to a large office, a newspaper room. There are all sorts of theories going around and the fact Tezo's mouth was busted in and apparently there were splinters in his throat is circulating. This is big news. A call comes in for a reporter and he takes it, a man wants to meet. They meet in the rain and cold in a parking lot and the person who called in was a very disheveled looking Sandy. The reporter hides a tape recorder under his seat and tells Sandy no recording devices are around when Sandy gets into the back seat of his car. Sandy doesn't mention names but says 'everyone' is on it. They sold their shields to the highest bidder. They killed people, dealt drugs and took payouts. He wanted to be a good cop, to protect and serve and to have pride in his job and in the blue uniform. But it all turned bad. The reporter tries to tell Sandy he can make a story out of this, get the truth out, but Sandy puts a white cloth over his head and shoots himself, splattering blood on the rear windshield.Press conference and the police are pinning the 'vigilante' problem on the four officers already dead and Sandy. Francis Jr. is confronted by Francis Sr. who asks his son how much he knew. Francis Jr. replies he knew enough. His father expresses huge distaste and starts chiding his son when Francis Jr. breaks in that his father must have had a time where push came to shove. His father replies he never took a payout and his son looks shocked saying he never, ever took money either. He then leaves, saying he has things to do, leaving his father looking distraught.Ray picks up some street vendor food and wanders around some less than reputable part of NYC. A person is tailing him. Ray walks a bit more and then confronts the tail. It's the reporter. The reporter says he knows what happened and implies Ray is a pretty good cop. However, he knew Ray lied in a case a few years back to protect other cops (this is what is being referred to at the beginning when Ray had a small breakdown.) He tells Ray he just wants the truth to come out about the people in his older brother's division, not bring Ray down. Ray leaves, very angry and upset.In a bar, Francis Jr comes in looking for Jimmy and they go into the men's room. Francis Jr. asks Jimmy what the hell is going on and Jimmy says he's doing what Francis Jr told him to. The collars are up, the crime is down. Francis Jr. says he knows that, and he never minded if Jimmy had to pad his income a little, but this was totally out of hand. He also says if Jimmy thinks Ray is going to just turn over and lie to the IAB (Internal Affairs Bureau) he's wrong. Ray wouldn't do something like that. Jimmy tries to give Francis Jr. a bunch of money saying it was 'his part of all the takes', but Francis Jr. just stares at the money and then leaves. Jimmy sees things crumbling and looks distraught.Ray gets woken up in his boathouse with a call saying he needs to give his statement to the IAB. Ray doesn't want to, he thought he had more time, but he goes in. There are tons of reporters outside as well as protesters who learned Tezo was brutalized, teeth were found in his stomach and a lot of other nasty things. Ray and the IAB all shake hands, the men obviously respect him a lot. When asked what happened, Ray pauses for a long time and tells them this isn't going to go how they want it to. He says he was not the one who shot Tezo, but won't say who it was who shot him. He then respectfully declines (over and over) to make any further statement. It's the only way he can be true to himself and to the department.Francis Sr. is seeing video of Jimmy saying Ray killed Tezo and is lying. Another high up person in the department is saying all these other officers are willing to testify that is exactly how it happened. Ray is being set up and Francis Sr. says his son wouldn't ever have killed anyone like that. He walks out of the office where he's watching the videos.Ray and Francis Sr. have a fight about what Ray should do now. It vacillates a lot, but Francis Sr. just wants the department not to take a fall. Ray is still burnt up about the lie he was told to tell by his father to save the department years ago and refuses to do it again. He can't. Francis Sr's wife even comes in, but is driven out with yells from her husband. Francis Sr. is on his way to ordering Ray to lie about what happened and follow Jimmy's original story when Francis Jr. comes in and tells his father to stop. He is going to tell everything he knows about the corruption in his division (which he started) and will work with Ray to clear everything up. First, they are going to find Jimmy. Jimmy is in a bar called Irish Eyes and Francis Jr and Ray head there.Kenny and Eddie are in a car driving. Eddie says he needs some money, but Kenny says they need to lay low, citing Jimmy told them to. Eddie says that doesn't pay his rent and goes into the convenience store and tries to rob it again. He gets shot. People start looking around and some gangbangers start noticing the ruckus. Kenny runs in and sees a man holding something and shoots him, but it's just a cell phone. Kenny starts to panic, knowing he has a serious problem now. Some of the gang members who are very upset about the police murders which have been hitting the press, start to smash up the car and throw things at the store. Kenny locks the store and tries to get out, but the police at the back exit too. He holes up and uses the owner as a hostage.Francis Jr. gets the call about Kenny and Ray says he'll take care of Jimmy and Francis Jr. needs to take care of the Kenny / hostage situation. Kenny is frantically calling Jimmy, asking how to get out of the mess. It's implied Jimmy isn't answering his phone. Francis Jr. goes up to the door and talks Kenny down and gets him to open up the door, saying he just wants to help.Francis Sr. gets a call from an officer who is looking for Ray to arrest him. Francis Sr. says (honestly) Ray isn't there even though his car is outside. The detective/officer asks to come in, Francis Sr. refuses.Jimmy is sitting at the bar, looking at pictures of his wife and kids, drinking and depressed. Ray comes in, flashes his badge and orders everyone out. Ray says they are going to make things right, holding a gun on Jimmy and tells him to put his gun on the bar. They both put their gun, badges and cuffs on the bar and prepare to duke it out, with whoever wins, taking the other one in. They fight, knocking down tables and chairs and flinging each other onto the bar, scattering Jimmy's photos of his family. Finally, they land on a pool table and things are looking rough for Ray until he grabs the cue ball and beans Jimmy twice with it. Jimmy falls to the ground, dazed and Ray falls with him, hurt, but better off.Francis Jr has talked Kenny down and gets him out of the store and into a car and away. Meanwhile the whole neighbourhood is up in arms because of the police problems. One of the ringleaders who is getting everyone riled up is Tezo's right hand man who almost got his kid burnt up by Jimmy. When they see Kenny get taken away, the crowd starts to disperse, but is still pretty angry.Ray has Jimmy in cuffs and is taking him to where the standoff was happening (just a few blocks away) when the crowd starts coming towards him. They want Jimmy. The Tezo right hand man REALLY wants him. They pull Jimmy away from Ray and hold Ray, not having a beef with him. Jimmy looks towards Ray and tells him to tell his wife he loves her. They have armed Jimmy with a baseball bat and the other man has a crowbar. Jimmy realizes it is the end and drops the baseball bat. The man lams him over the head with the crowbar and Ray is screaming and struggling and they punch him one to shut him up and then all beat Jimmy into a pulp.Ray staggers to the hostage scene which is winding down. Francis Jr., while talking to a superior, sees him and walks away to tend to his brother. Music plays over the words, but it is obvious Ray is telling his brother what happened with Jimmy. They get into a car and drive off.Ray, Francis Jr and Francis Sr are all in full dress uniform in a car, pulling up to a courthouse. There are reporters everywhere. They all look at each other and get out of the car together, all three going up the stairs, into the courthouse and in the reflection of the revolving door the final shots are of them shaking the hands of the prosecutors/investigator/bigwigs and then presumably going in to testify.

Review: Voight is believable and realistic as the patriarch of the family of cops and the chief, trying to keep his family in order as he thinks it should be.Despite the inspired performances of the main characters, however, Pride and Glory falls short due to awkward pacing, pointlessly convoluted side-stories revealed in equally pointless scenes, and a general lack of focus.
It's the kind of American movie you don't see anymore, a throwback to the big themes and dramatic tone of the 1950s, when Elia Kazan was making movies like "East of Eden" and "On the Waterfront," and Arthur Miller was writing plays like "Death of a Salesman" and "All My Sons." Family, honor, corruption, right and wrong, fathers and sons--these are the kinds of issues that director/co-writer Gavin O'Connor is taking on in "Pride and Glory," and in doing so he's made a timeless film.
Sincere without being sentimental (much like "Miracle," O'Connor's last effort), "Pride and Glory" gets elbow deep in a corruption scandal that threatens to crack the blue wall of the NYPD and destroy the Tierney family legacy (patriarch Jon Voight, sons Ed Norton and Noah Emmerich, and outlaw brother-in-law Colin Farrell, who has never been better).
From the first scenes of Pride and Glory we see a lot of tragedy,shouts,rage and violence.But,for a long time,none of those elements could emotionally connect with me.And when the main conflict is finally defined,the movie already got a little bit tiring.Pride and Glory is not a bad movie,but I just found it to be mediocre,and I cannot deny that the excellent performances from Edward Norton,Colin Farrell and Jon Voight make this movie seem to be better than what it really is.The weakest element from this film is that it is full of elements we have already seen on many other cop flicks.Some examples are slow motion funerals,private lives which are ruined by the tension of work and the grey morality some cops have.It may seem as a stupid complain,but I found the constant use of the "F" word as a negative element.That does not offend or scandalize me,but it is used with so much frequency that it finishes distracting us from the story.In other words,there comes a moment in which the use of that word stops being realistic for becoming in the version of "New York reality" from co-screenwriters Joe Carnahan and Gavin O'Connor (who was also the director).Besides,the screenplay makes too many turns for getting to the final point we have guessed much before.Pride and Glory is not a bad movie and I can give a slight recommendation to it,because in general it did not bore me.But the final experience is absolutely forgettable..
We've seen a million crooked cop movies, I think we're still looking for one that really stands out, but Pride and Glory holds itself well and is watchable.Jimmy is a narc who does pretty much all the dirty work when it comes to busting in on drug dealers, hookers, murderers, rapists, etc.
But one of the policemen that he suspects is his brother in-law who does the best he can to justify all that he is doing.Pride and Glory is a very good story, I'd say though to wait for the rental, but I'm warning you there are some really intense scenes, Colin goes really far in one scene with a baby, I'm a person who has seen every disturbing film known to man, and this scene had my hands over my eyes.
Ed and Colin work well together and are a great duo, Pride and Glory is a good movie, just needs a little more editing.7/10.
It all builds up to a devastating battle between family and friends, loyalty and justice, truth and honour.As any one who's glanced at the trivia section (or Empire Magazine!) will already know, work on Pride and Glory was scheduled to begin as far back as 2001, but owing to America's characteristically patriotic respect for NY cops who risked their lives to save lives that fateful day, any suggestion of corruption amongst them was deemed, well, unpatriotic and it's been left till seven years later for the film to come out.
Also on the plus side are strong, solid performances from leading men Norton and Farrell, not to mention Jon Voight and Noah Emmerich as the other honest, well meaning father/son cop team caught up in the middle of the corrupt shenanigans as everyone else.
Pride & Glory, starring Norton & Farrell, isn't anything revolutionary in the genre but takes a generally strong storyline and adds some good acting.Story revolves around a group of cops (led by Farrell) up to their necks in trouble after their corrupt scams have backfired on them, and to cover their backs they need to tread deeper into the mire.
I could not think of someone who handles complex characters better than Ed Norton and his ability to do that with what might seem like no effort is magical, Colin Farrell on the other hand was equally entertaining with his out look as a police officer.
It hearkens back to the old days when the true value of a movie was in its plot and acting, not a bunch of sci-fi Hollywood special effects.I actually watched it at the Chicago International Film Festival with the director Gavin O'Connor present for a Q&A session at the end of the show.
If there's any value to be gleaned from Pride and Glory it's that even movies built around a pairing of top tier actors with a strong supporting cast can be miserable failures if the story isn't up to snuff.Ed Norton and Colin Farrell play two New York City cops at the center of this tepid tale of corruption and murder.
When a crew of officers are found shot in a botched raid on a crack house, the force puts a full court press on finding the gunman, and hands the reigns of the investigating task force to Tierney.Director and co-screenwriter Gavin O'Connor wastes little time in establishing that the killer was part of a slimy corruption ring involving criminal gangs and cops, however he quickly lifts the veil off the mystery by revealing the identities of the officers on the take, forcing the story to simply go through the motions leading up to the inevitable and all too predictable climax.Norton and Farrell both turn in strong performances, as do Jon Voight and Noah Emmerich as Tierney's father and brother respectively, and if a movie was judged on acting alone, Pride and Glory would be in the top shelf.
Thankfully the iron never touches the babies flesh, but Farrell keeps it about a half an inch away from the baby's face, so you know it's burning the poor kid.It's a extremely unpleasant scene in what has, by this point, proved to be an aggressively lugubrious police procedural.Pride and Glory is drenched in such a suffocating, doom-filled atmosphere that it leaves you feeling depressed when it's over.
He plays Ray Tierney, a sad-eyed New York City cop with a "troubled past" who spends much of his time working on missing persons cases.However, after four cops end up dead in a drug bust, Ray is called to investigate by his high-ranking police officer father, Francis Tierney, Sr.
(Noah Emmerich) and his hot-headed brother-in-law Jimmy Egan (Colin Farrell).What little plot there is is padded out with clichéd side stories involving Francis Jr.'s cancer striken wife (Jennifer Ehle) and Ray trying to work things out with his long suffering wife (Carmen Ejogo).This is all stuff we've seen in a dozen of other movies, done with a lot more energy, humor, and conviction than it is here.Take for instance last year's grossly underrated cop thriller We Own the Night.
That movie, while far from a perfect film, at least had some bitingly intense action scenes and a trio of actors who were able to convince you that they were a family.Pride and Glory has none of these things.
The scene involving the infant is bad enough, there is another particularly stomach turning scene where Jimmy and a couple of his goons were shoving what looked like a lead pipe down one suspects throat.Pride and Glory sat on the shelves for a few years because of its depiction of crooked cops in a post-9/11 New York City.
Good Cop Bad Cop Badass Cop. Gavin O'Connor's 'Pride and Glory' is a well-made, dark, gritty, urban film that looks into corruption within the police force.
In addition, he has extracted some fine performances from his principle cast that includes Jon Voight, Edward Norton, Noah Emmerich and especially Colin Farrell (this is easily one of the best works of his career).
Pride and Glory (2008) is a decent cop drama that despite having a great cast is far from a good movie.
Carnahan, along with director Gavin O'Connor (Miracle), wrote the script and the two each add their own intense little touches but the movie as a whole just doesn't quite get there.Ed Norton plays Ray, the brother of Francis (Noah Emerich) and brother-in-law of Jimmy (Colin Farrell).
Director Gavin O'Connor uses his hand-held camera and shoots the movie in a dreary, cold looking blue which gives the movie some texture and realism, and Carnahan likes to throw the F-bomb around a lot and make things bloody but all this can only go so far.The movie does have scenes that brim with high intensity and emotional effectiveness and that has everything to do with a solid cast.
And a surprise is Noah Emerich, known mainly for supporting performances, most notably "The Truman Show", does strong work here as Ray's brother."Pride and Glory" has tension and good performances but it's not quite as gritty and electrifying as this year's "Street Kings" and you can tell it wants to be taken seriously but a "been there, seen that" feel coupled by a really disappointing ending make it hard to recommend.
Bad cops rot the whole fruit and undermine the very pinnings of society -- no matter the reasons for their corruption.Here, what made the movie shine was the performances, by all four main leads, but especially Ed Norton and Noah Emmerich.
Colin Farrell was pretty good, as was Jon Voight, but then so were Robert Duvall and Mark Wahlberg in "We Own The Night," but neither did they shine.It's a classic bad-cop, tangled-messy-crime-scene, one-guy-uncovers-the-truth and what-will-he-do kind of story.
Gavin O'Connor's new release, "Pride and Glory," is a violent story about the NYPD that begs the question, "How moral are today's police departments?""Pride and Glory" is a drama-filled story that follows the Tierney family as they try to fulfill their role, to serve and protect, and survive in the Big Apple.
Edward Norton plays the role of 'good cop' Ray Tierney, Emmerich's younger brother, who has obviously been through some traumatic event in the field that has forced him to accept a desk job with the NYPD.
Voight, who plays the role of the drunk, ex-cop father, wants nothing more than for his family to emerge from the rubble with pride and glory intact.Upon seeing this film, the viewer is thrust into the world of New York gang heat and dirty cops.
An absolutely brilliant performance from Edward Norton and a great job by Colin Farrell, Noah Emmerich, and Jon Voight, showed me that this movie was not well worth, not only my $9, but awards for individual performances and possibly best picture.If you enjoyed The Departed, American Gangster, etc.
It just isn't an interesting movie, in a genre that is so over exploited.A fantastic cast including Farell and Norton as well as many well-known supporting artists (and a less than terrific performance by John Voight) fail to make this film worth watching.The performances are well above average but the movie has no substance and just seems like a pointless story that we've all seen before in many different forms.Rather go see Body of Lies..
It is really refreshing to see every member of the cast and crew give their best to a project and the results speak for themselves.Sterling performances aside, Pride and Glorys script (co written by Narc writer/director Joe Carnahan) is also extremely effective, slowly unfurling a dense and dark tale of power, greed and the dramatic effects which come from being a family of cops.
With a 7/10 rating on IMDb, I was expecting something pretty entertaining but instead, you are delivered to a cliché good versus bad cop story with family relationships to kill most of the screen time.
But I guess cop thrillers don't tend to give too much room for acting talents.Colin Farrell: 2 Stars Like Norton, he wasn't quite able to shine through in this movie, though there was a little spark left there.Jon Voight: 3 Stars Voight seemed to make the best of a fairly basic role, and must be commended on his performance.
Pride and Glory starring Colin Farrell and Ed Norton is a take on a typical NYPD good-cop-bad cop film with a plot that resembles several old television shows.
Ray Tierney (Edward Norton) is looking into a corruption scandal that involves his brother in law Jimmy Egan (Colin Farrell) but this threatens to embroil his father and brothers who or previously have worked for the police.The film is cliché ridden, silly (just check out the two bad cops that rob stores) and unoriginal.
The ending I feel is a particular let down not because it's necessary that bad, just doesn't lead up to the promise of the beginning of the film, which I feel stops the film from being a classic.The acting for the film was fantastic, especially, Norton and Farrell who played their characters particularly well indeed.The setting is also perfect for this dark crime thriller and is definitely a strong point for the film.Overall I feel the film is certainly worth a watch if you like crime films, you just might be disappointed with the end of the film..
Jimmy Egan (Colin Farrell) is his brother-in-law who leads a group of corrupted cops.It's a gritty crime drama with lots of top notch acting talents.
The last thing you want to uncover is the truth." Everyone's morality is on the line when Ray Tierney (Edward Norton) investigates a case and uncovers the terrifying truth about a torturous corruption scandal involving his brother-in-law Jimmy Eagan (Colin Farrell).
As with any movie though, there are a few ridiculously out of place scenes like the whole thing in the bar, but in the end, these problems are few and far between and hardly detract from the overall quality of the film.Pride and Glory would be one of my personal favorite films of all-time had it not been for the bluntly obvious problem of the camera-work.
Edward Norton and Colin Farrell are as good as ever, with strong support from Jon Voight as the father of the brothers and also a cop.
There were some scenes within the film which weren't necessary, the ones including Noahs wife, they felt forced and didn't really hit home all they did was add to the running time of the film.If you want to see a gritty, urban NYPDesque film I highly recommend Ben Afflecks 'Gone Baby Gone', fortunately for us all Ben Affleck is 10fold better behind the camera than he is infront of it along with the aid of his younger brother and a supporting cast I thought 'Gone Baby Gone' was brilliant.'Pride and Glory' has been compared to 'We On The Night' and I admit that much is true but not just because they deliver the clichéd, family-cop drama but because they both miss the target it was aiming for..
In Pride and Glory, Ray Tierney (Norton) and Jimmy Egan (Farrell) are brothers-in-law whose Tierney family has a retired police chief father Francis Tierney, Sr., (Jon Voight) and his other son Frances Jr.
Edward Norton, Colin Farrell, Noah Emmerich, and the late Jon Voight, these guys have played cop roles before but this movie just impressed me in unexpected ways.
Pride and Glory is a very good police thriller with a very interesting story and a very well developed plot about A gritty and emotional portrait of the New York City Police Department, the film follows a multi-generational police family whose moral code is tested when one of two sons on the force investigates an incendiary case involving his older brother and brother-in-law.
The movie has a very good cast, Edward Norton in the role of Ray Tierney gives us a very decent performance.
Colin Farrel as Jimmy Egan, shows us that he actually knows how to act, Jon Voight very convincing as always and Noah Emmerich also with a good acting job as Edward Norton's character brother Francis.
Papa Cop Never Took Anything but the Paycheck Cut by the City.This is an Actors Movie with Edward Norton, Colin Farrell, Jon Voight, and Noah Emmerich All Giving it 100%.
I managed to watch pride and glory , and my god i got a true pleasure satisfaction and happiness.The movie contained Great acting done by Edward Norton and Collin Farrell and all they other actors .Great story to describe what really does go in U.S with cops .
But slowly Ray begins to discover a link back to his cop brother in law Jimmy (Colin Farrell), and the rabbit hole goes down a lot further with possible involvement back to his own family, together with opening up a Pandora's Box that implicates almost everyone in the precinct.Unfortunately this is not an investigative drama per se, because like Confession of Pain, it decides to show all its hand 30 minutes into the movie, and you'll know who are those responsible, together with who is indirectly guilty within the force.
Night isn't a bad movie but Pride and Glory is just better.This film is another film that deals with police corruption in the NYPD.