Simha
Tags: good versus evil, revenge, cruelty, violence, flashback

Plot synopsis:
Srimannarayana (Nandamuri Balakrishna) is a lecturer in a University in Hyderabad and lives with his grandmother (K. R. Vijaya). He does not tolerate injustice anywhere and mercilessly beats up people who dare to break the law, a personality which makes him feared and respected among others. A female lecturer Mahima (Namitha) is attracted to him, though he doesn't reciprocate her feelings. While beating up a goon who threatened to acid attack|throw acid on a girl after she spurned his advances, he accidentally punches a comatose man on the head, waking him from his 28-year coma. This man's name is Veerakesavudu (Sai Kumar).
One day, a new student Janaki (Sneha Ullal) joins the college where Srimannarayana is teaching. She initially thinks that he is a rowdy after an earlier encounter with him in a share auto and seeing how everyone in the college fears him, but once she finds out about his true personality, she develops a crush on him. One day, after Srimannarayana rescues her from a group of thugs, she reveals her past. Her father, businessman Jagadish Prasad (Rahman), has a business rivalry with Gopi (Adithya Menon), a gangster, who happens to be Veerakesavudu's son. After Veerakesavudu woke up from his coma, he ordered Jagadish to give Janaki's hand in marriage to Gopi so that their mutual rivalry is finished, to which he agreed, fearing the wrath of Veerakesavudu. But Gopi killed Janaki's brother during the wedding after he insulted him, prompting Jagadish to send Janaki to Hyderabad to continue her studies. The thugs who tried to kidnap her were Gopi's henchmen. On hearing this, Srimannarayana vows to protect Janaki and accommodates her next to his house. He soon reciprocates her feelings for him, prompting Maheswari to drop her love for him.
Unfortunately for Janaki, Gopi finds out that she is with Srimannarayana and kidnaps her, only for Srimannarayana to rescue her after a dramatic car chase. When they reach home, they are confronted by Gopi's henchmen. Jagadish too arrives there at the same time that Srimannarayana is fighting the henchmen and in a bid to help, accidentally stabs Srimannarayana's grandmother. Srimannarayana is enraged and attempts to kill him, but his grandmother stops him. Jagadish immediately leaves with Janaki. Later, Srimannarayana confronts his grandmother and asks her why she didn't let him kill Jagadish. In reply, she reveals about their past.
30 years ago, in the town of Bobbili, Veerakesavudu and his family ran a ruthless self-government, tormenting the townsfolk and supported by the police. The only person who dared to fight them back was a doctor named Narasimha (Nandamuri Balakrishna), who belonged to the Bobbili royal family and was the father of Srimannarayana. He took the law into his own hands and killed many of Veerakesavudu's henchmen, including his brothers, when he caught them tormenting others. While not killing others, he ran a 24x7 hospital which provided treatment free of cost. His wife Gayatri (Nayantara) was an ideal wife who was always affectionate towards Narasimha and supported all his methods. Jagadish, who was Gayatri's brother and who wanted to start a business with Veerakesavudu's help, warned her about the dangerous behaviour of Narasimha, but she brushed the warnings aside, having full faith in her husband and his methods. Veerakesavudu and his father (Kota Srinivasa Rao) eventually decided to eliminate Narasimha and his family once and for all by attempting to poison them during a temple function. When the temple priest warned Narasimha about the threat to his life, Narasimha rushed to Veerakesavudu's house and killed all his men as well as his father. However, Veerakesavudu was ultimately successful in killing Narasimha and Gayatri. But just before he died, Narasimha hit Veerakesavudu on the head, sending him into a coma which he only woke up from after 28 years. Narasimha's mother, who happens to be Srimannarayana's grandmother, took the young and newly orphaned Srimannarayana away with her to Hyderabad so that he could be brought up away from the violence in Bobbili.
On hearing about his family's past, Srimannarayana immediately decides to take revenge on Veerakesavudu and heads for Bobbili to finish his father's mission. He single-handedly fights Veerakesavudu, Gopi and their henchmen and finally kills them all, fulfilling the wishes of the Bobbili townsfolk who wanted the Veerakesavudu family's reign of terror and horror to be ended for good.

Review: Ballaya is the real Simha. When I first heard that SIMHA is creating new box office records, I thought about giving it a chance. I am a north Indian and haven't watched any of Ballaya's movie. Though I have watched more than 50 Telugu movies till now, a Ballaya movie has still eluded me. After watching the teasers of SIMHA on you tube, I finally booked tickets for it. When the movie started, it felt like a usual feast, especially because of Namitha mainly. Though Ballaya looked a little old for Sriman Narayana's role, but he seemed serious. The first half was overall average, the usual fights sequences, villains making grueling faces, heroins drooling over Ballaya and all. However post intermission movie turned out to be much better. The Narasimha role suited Ballaya very well. He looked every bit of that fiery tiger. Nayanthara looked royal and elegant. Sneha Ullal seemed lost, while Namitha looked ugly, she is too fat even for being a porn star now.. Feast for Fans. Bala Krishna is terrific as Simha in the flashback episode. His dialogue delivery is controlled and is extremely effective. His get-up as Simha is highly respectable and dignified. After a long gap, Bala Krishna fans are going to cherish the looks and performance of Bala Krishna as he plays it to the galleries. His other character of Srimannarayana is also good.Nayana Tara is very good in the flashback episode with jewellery and traditional wear belonging to lineage of kings. The voice given by Sunitha helps in some key episodes of the movie. Sneha Ullal is improving from film to film and she is good too. Namitha should watch her weight. Kota comes up with another fine performance.Story of the movie is not new, but follows a time-tested formula. Boyapati Seenu who mastered mass treatment to his movies like Bhadra and Tulasi made sure that there are ample commercial elements that satisfy the thrust of masses and fans. He projected Bala Krishna in the right way and extracted powerful mass performance. Screenplay of the movie is predictable. Direction is good in parts.First half of the movie is adequate. The flashback episode is established well. The climax should have been more effective. The plus points of the movie are Bala Krishna performance (and dialogues) and mass elements. On the flip side, there is excessive violence/fights in the movie. Simha movie generated tremendous pre-release positive buzz and it resulted in humongous openings.. soooooooper. This is the best movie for the hero. No doubt about it. Everyone should watch it at least once in their lifetime. Songs are very good. Punch dialogs are ultimate. I will watch this movie again. I will take my friends as well. Thanks to the director for giving such a hit movie. Thanks to the crew and many thanks to the hero. This movie should break all records in telugu film industry. The screenplay is good and cinematography is good.Background score is a little irrelevant in some places but not really noticeable.It would be called balayyawood and not tollywood any more.I wouldn't reveal the story or any more details. Just go watch and enjoy the movie.. Not bad. When compared to recent films of balayya this film is some what better and can be seen for one time.Bala Krishna flash back character in the movie is good and you can see the age of balayya in this movie.There is no comedy track in the movie at all.Brahman and jhonshi were wasted in the film.There is no much necessity of huge jewelery for nayana and the of sneha is good but namita as a lecturer is not at all good.there are so many fights in the film and the flashback episode was not convincing as 1980 village backdrop and there are also several flaws in the movie.Overall I can say that it is not an extraordinary film but a film which can be watched for one time