Le solitaire
Tags: revenge

Plot synopsis:
The policeman Stan Jalard and his colleague Simon Lecache are rather fed up with police work. They are toying with the idea to quit police service in order to run a hotel on the Antilles. Single father Lecache has already asked his son Christian about it. But at the very evening when Lecache tells Jalard that his son approves of their plan, Lecache is murdered by the professional killer Charly Schneider.
Jalard changes his mind. He dedicates his life all the more to police work. After two more years he has been promoted but he had no chance to get Schneider yet because Schneider disappeared. Eventually Schneider returns to France and commits crimes. Moreover he threatens Jalard on the phone and later devastates his flat. He even sends somebody to shoot Jalard and his godson Christian in the street.
Jalard identifies Schneider's new accomplices and puts them under pressure. Step by step he closes in on him until he can confront him in his hide-out. Schneider refuses to show any regret, eludes and steals a car. He tries to run over Jalard who arrests him anyway. Now that Jalard has brought the murderer of Christian's father to justice, he allows Christian to call him “Dad”. He, who has put his godson away into boarding schools all the time and lived only for his police work, now demonstrates a shift in priorities. When they drive home, Jalard puts a police siren on top of his car and drives wiggly lines just because that obviously amuses little Christian a lot.

Review: Belmondo takes the lion's share.. Jacques Deray,who recently died, made several commendable works ,even if he never made a masterpiece:"la piscine" "un papillon sur l'épaule" or in his latter days "un crime".But "le solitaire" has nothing going for it:here Deray is Belmondo's drudge,trying to direct a star who overplays and who single-handedly gets rid of the villains and even the treacherous cops.They added a child's character (Belmondo's godson whom he takes in after his father's death )to sweeten the violence ;the brat is subject to some gaffes concerning Godfather's love affairs.This is supposed to provide the poor screenplay with a comic relief.The film wasn't even a commercial success in France which had begun to have enough of these cops and robbers flicks. Doesn't get much worse.... This film is really bad even for 80s Belmondo standards. Story? None. Belmondo is looking for his friends' killer and chases cars, beats up and kills people in the process. At one stage or other the director seemed to have noticed that this wouldn't fill 90 minutes and added the character of a child. So all in all it seems like a tough and nasty version of a 60s Eddie Constantine film. It is interesting though that if you watch the film closely you'll notice that props and cast also feature in some other 80s Belmondo movies. The overall impression is that nothing really seems to fit story wise as well. The whole film seems to be made up of odds and ends. In Germany the film was called The Professional 2- a bit pointless given the fact that the original professional actually dies in the first part.. Le Solitaire's the only game in town. Jean Paul Belmondo takes his "Dirty Harry" persona deep into the heart of eighties fashion, putting off a planned early retirement to the Carribean in order to track down the man who killed his partner.
Only in France could a Police Superintendant get away with wearing the bright yellow sports jacket Belmondo wears here (or could he?) and his detective team are even worse, looking like sartorial escapees from a bad episode of Miami Vice.
Outside the office Belmondo still favours the black leather jacket though, and the action is still pretty gritty, but backs off a bit from the dizzy heights of Le Marginal.
And this time Belmondo does it by the book in the end, bringing the murderer to justice and resisting the urge to blow him away, despite being presented with the opportunity (excuse?) of favourable circumstances in which to do so with a clear concience.
Perhaps the attitude was toned down to avoid further criticism from the liberal press of his vigilante stance in that earlier movie, rather like when the original "Harry" made some adjustments in his second outing in order demonstrate that he wasn't a complete red neck?
However a Pug is no substitute for an armour plated Mustang!. great belmondo!. this is one of the very best of belmondo! see, how the "old bebel" is hunting for the killer of his cop-partner. one of my favourites... i am looking for all belmondo movies. since early 50s he was getting more marvelous and a "strong hero". belmondo is the greatest actor in europe!