The Minion
Tags: good versus evil, cult, violence, romantic

Plot synopsis:
The film's plot revolves around the coming of the Apocalypse, heralded by the imminent liberation of the Antichrist from the depths of Hell through a certain gateway at the close of one full millennium. This gate can only be opened by a special key, which has been kept guarded by the order of the Templars (who in this version existed since the last days of Jesus). The key in turn is sought out by the servant of the Antichrist, simply known as the Minion, a demonic spirit that transfers itself into the next available host body when his previous one is killed off. His first attempt to gain the key at the close of the year 999 is foiled; the sole surviving Templar of the company charged with hiding the key eventually takes off with a ship to the west, to what was at that time known as the "end of the world", to keep it from the Minion's grasp.
A thousand years later, near Christmas of 1999, two city engineer workers accidentally find a hidden Templar burial chamber beneath New York City. A Mohawk archeologist, Karen Goodleaf, is tasked with the examination of the chamber and its contents, but then the Minion attacks. Before he can claim the key, however, he is hindered by a man in priest garb, who kills the Minion's host body with a blow from a spiked gauntlet to a certain part of the neck and then takes the key for himself. Startled and confused, Karen chases after the man, who gradually introduces himself as "Lukas". Lukas Sadorov is a Templar and a former Speznas who deserted the Soviet army following a massacre on civilians in Afghanistan, sent by the head of his order to recover the key. After a lot of insistence, Karen tags along with Lukas and eventually gains his trust, and after having seen the Minion in action, she decides to aid him in his quest by proposing to hide the key in a nuclear waste depository built on the grounds of her childhood reservation home, whose lingering radioactivity would theoretically prevent the Minion's host bodies from claiming it. She enlists the help of her grandfather, Michael Bear, a Mohawk shaman who works as a foreman at the depository plant, in order to gain access to the facility.
However, the Minion repeatedly takes over people who unwittingly come into contact with his previous, if disabled host bodies, enabling him to continue his relentless pursuit. He finally takes possession of Karen's former archeology tutor, Professor Schulman, who is providing assistance to the NYPD during the investigation of the apparent serial murder case, and tricks the police into opening a manhunt on Lukas. After killing Karen's grandfather and donning his radiation suit as a disguise, he tricks Lukas into giving him the key and escapes with it to Jerusalem, the location of the Templar's sanctuary and the gate to Hell hidden within its crypts.
The Minion arrives at the Templars' headquarters just before Lukas and Karen do, taking the Templars by surprise and killing most of them. Bernhard, one of the Templar Knights, manages to kill the Minion, but in his eagerness to prove himself better than Lukas, he accidentally allows the Minion to take possession of him and thus insert the key into the gate. Lukas and Karen arrive shortly after, and while Karen tries to remove the key from the lock, Lukas battles the possessed Bernhard and kills him. Together, he and Karen, although tempted by the Antichrist himself, manage to prevent the gate's unlocking just before the final seal on the door is burst. With the Templars decimated, Lukas decides to rebuild the order, and Karen spontaneously declares to join him in his efforts, marking the dawn of a new generation of Templars to guard the gate and the key.

Review: Worst portrayal of archaeology in a movie EVER.
Please believe me when I tell you, dear ones, archaeologists don't go about their business acting like obsessive, `I work alone,' TV criminologists gasping (made-up) historical trivia into a dictaphone while diving straight for the shiny things without any sort of support team (and if we ever get that possessive about archaeological material, someone needs to slap us upside the head.) Makes Indiana Jones look professional in comparison.
Dolph Lundgren plays Lukas, a member of a secret order of Templars, who is tasked to keep the key away from the minion.
The movie begins a thousand years ago, in the Middle East where a couple of knight templars flee from the minion.
Needless to say, the minion is after the key, and the movie becomes a long winded chase scene between the minion and Lukas and archeologist.The movie, is just that, a low budget B-movie flick.
You'll follow the chase but you won't ever feel involved in the story which willfully takes ideas from previous movies (especially The Terminator films).
The fight scenes with the minion is troublesome, in that you never get the sense of how good or how bad a warrior this demon is.
The whole idea of a secret order of Templars, a door to hell, and the key isn't well explained.
The movie seems to have been made with the feeling there's not much potential to the story but only enough to make a few bucks.
Dolph Lundgren sure looks like he wish he were somewhere else.The verdict: 2 of 5 stars..
Dolph Lundgren just looked positively bored.
The only redeeming quality I could find in this movie was that the artifacts looked authentic enough to pass for medieval or Gothic period pieces.
When seeing this first time i thought that it was poor because there was not much action in it and that is what you'd expect from a Dolph film, but having watched it again and concentrated more on the plot and characters i found it quite good.
Its promise was really in the story, it was similar to End of days with Satan as the threat of human extinction, but the plot was a lot better than Arnies film but the fact that E-O-Days had the big budget, and the impressive cast list it will be preferable to most people.
The cast in the Minion has Dolph has it's only recognizable name and face but to be fair the other performances are of a good standard.
I think it would make an interesting film if just for once the world did end or the bad guy wins then at least it would surprise the audience, just when they expect the hero to save us from Satan he gets impaled with a spear or something and turns the earth into a blazing inferno then follows on by eating Jennifer Anistons charred bottom, but thats not gonna happen.
As for this film it's a decent enough film with a good plot let down by the director who has only done the Minion and it shows, the film does'nt live up to its potential but i still liked it..
P.U. The Minion (AKA Fallen Knight) stars Dolph Lundgren as a priest who must keep a key out of the hands of a demon who is trying to set the antichrist free.
This is not a movie...It consists of one sided fights (That are poor) And bad acting that will make anybody groan.
The Templars should keep this movie from an audience.....Because this groan inducing bore will have you wishing the end of the world would happen just you could get out of this stinkbomb.
The story is actually quite good but the way it´s carried out made even my body hurt.
The actors, except for Dolph who kinda sucks also, perform so badly you can´t help but wonder if their reason for being there is that they´re all friends of the director, who by the way must have been absent most, if not all, of the time.
Dolph Lundgren stars as a templar who comes to New York when a key that unlocks the anti-Christ is found by an archaeologist, of course the demon is only a couple miles behind Dolph and isn't killed so easily as he transfers from body to body.
(Like Fallen without the suspense) Of course Lundgren is out of his element and the movie is completely unwatchable.
I admit to being a fan of Dolph Lundgren, like Steven Seagal and Jean-Claude Van Damme, I try to watch his movies whenever they're on TV.
Worst of all is Lundgren's woefully unconvincing perf as a tough guy priest (!) all of this made worse that the movie is such a rip off of Fallen (Which was good) and End Of Days (Which was bad but better than this) overall this movie is the worst movie I've seen from Dolph Lundgren.
My entire body was tense throughout the duration of the movie because I could not wait for the awful thing to be over and done.
Very Strange Movie But It Wasn't That Bad I Wished It Was Done A lot Better.
this movie was so strange the story and way it looks of movies.
Dolph Can Do Russian Accent like in Rocky IV, Red Scorpion, The Mechanik AKA The Russian Specialist he can do a German or French Accent in War Pigs But His Character Is A Jewish Character can't do a Jewish Accent i am sorry his voice in this movie sounds terrible in this movie just terrible gives me headaches but he was a Templar and a former Speznas who deserted the Soviet army following a massacre on civilians in Afghanistan.
the story is similar to Arnold Schwarzenegger end of days expect this is a very low budget movie sadly can't be bigger movie i wish this was directed by Peter Hymas Who Made End of Days Dolph Character can team up with Schwarzenegger Character.
this movie come out after end of days one year later it's because it's kinda Similar story to End of Days with New York, Christmas Eve, 1999 - at the dawn of the new millennium - a subway construction crew unearths an eight hundred year old Celtic skeleton and a mysterious key.
News of the discovery reaches a Middle East monastery where the warrior monks knowns as the Knights Templer - an ancient sect entrusted with protecting holy relics - choose their best pupil, Lukas (Dolph Lundgren) to face the diabolical threat.
As Lukas races to New York, an evil Minion seizes Karen and uses its body like a parasite and host.
Lukas arrives just in time to rescue Karen and despatch the Minion.
now he kills a lot Demons in this movie and theirs another character with him is woman Karen Goodleaf (Françoise Robertson) Who Saw All What Happened Follows Lukas, She Doesn't Get What's Going on she Decides to Follow Lukas.
Now This is So Similar to End of Days the all Thing and Horror and Apocalypse and Christmas all That did Peter Hymas Watch This Movie Made his Own Movie Better Then This ?
i believe Peter Hymas is a Better Director then from this movie Jean-Marc Piché Who Can't Make Action a lot to it or Horror in it, i thought this was most strangest movie i have watched like Character Comes in with Heavy Weapons in Police Station i am like ok ?
Sadly Theirs Not Much Action In Movie The Only Shameful Thing is When Dolph Character Lukas Has This Great Looking Glove with sharp objects on top of it and if he punch's it, it kills person it looks sick that glove i wished he would use that in movie the all movie use that Glove killing all demons but no he uses that for 30 min or less he loose it sadly shame.
there is action i like ending of showdown with Dolph And Villain each another with weapons was great looking and well shot i love that scene pretty fun but movie wasn't fun.
There is action moments but movie wasn't great but i like idea of having Dolph Lundgren In Horror movie like End of Days.
But Sadly End of Days Is A Better Movie Then This.
this kinda hard to watch but unless if your Lundgren fan like me then you could watch this movie very easily i thought story was really good and having Dolph in it but i really wish it was peter hymas making this movie with Arnold and Dolph to save world but sadly it didn't happen or no one had thought of it.
When your movie is envious of "End of Days"...
"Fallen Knight" here in Canada) is a boring fantasy action flick with bad acting, a lazy script and with a budget so thin (too thin for grenade explosions apparently) that there's no way any audience could see it without being disappointed.
The plot, not that you will remember or care by the time the movie is over, concerns a warrior belonging to an ancient order or super priests who have to prevent "The Minion", a servant of the Antichrist from opening a doorway to Hell and unleashing the apocalypse every thousand years.
The Minion is able to possess the bodies of people, so even when our hero Lukas (Dolph Lundgren) or the woman who decides to join his quest, Karen (Françoise Robertson) get rid of it, the big bad will just come back in the body of another person.
You would think that would make for some sort of excitement, particularly when you see Lukas' ridiculous spiked gauntlet thing, but the movie wastes every opportunity to deliver.
An obvious plot point for example, would be for a character we care about to be possessed by "The Minion" to create the "are they going to find a way to bring him back, or are they going to have to kill their friend?" scenario but this never happens.
Even if you are a hardcore fan of Dolph Lundgren, the action scenes are bad so there's no reason to see this.
This is probably one of the worst movies I have ever seen.
If you really want to know what NOT to do when either writing, directing or editing a movie, watch this!.
STAR RATING:*****Unmissable.****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs.Sigh,why must Dolphy boy always go on about being a better actor than people give him credit for when he keeps churning this sort of far fetched nonsense out.I suppose from what I was expecting of it,it was entertaining enough.His accomplice was quite attractive,though she was dressed kind of like a hooker.But,as ever,towards the end,I thought it just got pathetically silly.Nuclear silos?What on earth did they have to do with the story?And since when can you phone somebody in a church?I've come to a conclusion that I will probably enjoy most of his films...but I'm going to stop taking them so seriously,because they're at the mental level of a 2 year old.
Dolph Lundgren (Lukas) is at his best and Françoise Robertson (Karen Goodleaf) shines in this movie.
This story is well written and has a great plot, with some great choreographed fight scenes.
The Director (Jean-Marc Piché) did such a great job when he directed this movie that it is obvious that he put in allot of hard work and long hours in putting this great movie together.
As to the special effects they did such a great job making the actual fighting seem real.
It is so obvious that anyone who has seen this movie would see how great it is.
I would recommend to anyone that they either purchase, rent, borrow, or watch this movie on TV.Karen Goodleaf shows great courage and heroism throughout the movie, and endures the death of a loved one with dignity.
Dolph Lundgren carries out his mission to prevent the Minion from releasing Lucifer from his prison with a missionary zeal.
Terrible - One of Lundgren's worst movies.
Unfortunately this movie is just SO bad that I can't think of any redeeming quality in it.I simply can't believe that they spent 12 million $ on this movie.
That's a mystery more intriguing than the whole movie.Dolph Lundgren in this movie plays a tough guy priest !
I've seen better fights in amateurish movies The story rips off "Fallen" and "End of days" , but that's the smallest problem.
The authors couldn't even get the dates right (The Knights Templar did not even exist until the early 12th century).
Wow and I thought that any Steven Segal movie was bad.
Every time I thought that the movie couldn't get worse it proved me wrong.
The story was good but the actors couldn't carry it off.
It may not be one of Dolph's shining moments, but The Minion really isn't all that bad..
When archaeologist Karen Goodleaf (Robertson) goes to investigate a burial site found underneath New York City, she gets way more than she bargained for.
This key just happens to unlock the hiding place of "The Minion", a devil or demon of some sort.
Luckily, Lukas (Dolph), is sent from a monastery in Jerusalem to help recover the key before it falls into the wrong hands.
As it turns out, Lukas is a direct descendant of The Templars, and his "warrior priest" status helps Karen fend off the powers of The Minion, whose spirit can inhabit the bodies of others.
The Minion has some noteworthy ideas, such as modern-day Templars, and the dialogue is fairly interesting, or at least attempts to be.
So many DTV movies seem like they're not even trying.
The dialogue to convey said ideas is delivered convincingly by Dolph, who must have chosen this role because it's a bit different than what he's usually known for (or he was hitting a rough patch in his career and had no other option but to go to Canada and shoot this).Now while there are historical references (among plenty of mumbo-jumbo, of course) - the film borrows heavily from such contemporary movies as The Relic (1997), but crosses it with C.H.U.D.
Actually, an entire movie could - nay - MUST be made of Dolph fighting more baddies and punks with a spiked glove.
Anyway, add in a demon in some kind of supernatural prison, and Dolph as the most badass dude to wear a white Priest's collar, and you have a decently entertaining Dolph vehicle, despite its flaws.It may not be one of Dolph's shining moments, but The Minion really isn't all that bad.
The best actor who ever lived, Adolphus Lundgren, graces the movie with his presence, with this shining luminary of the thespian arts miming a black-clad Knight Templar in his inimitable, hard-hitting fashion.
If you have but one hour left to live, this movie is what you should spend the time with.
Not one of Dolph Lundgren's best.
He plays Lukas Sadorov, an ex- Spetznaz soldier turned priest in a sort of Templar order, who comes to New York when an ancient key is discovered by workers digging a tunnel.
Apparently the key unlocks a special cell in the Templar order's monastery in Israel in which is imprisoned a Someone .
Also on the trail of the key is The Minion, who is the servant of the Someone.
The identity of the Someone, how the key came to New York, and the overall plot itself are ludicrous.
Why the Templar order never destroyed the key instead of hiding it for centuries as it was never to be used again is never mentioned.
Dolph Lundgren himself looks uninterested most of the time and even in the action scenes looks half-hearted.
The Minion is played by several people as it can leap from person to person, only to give itself away by a hilarious kind of growl."Some questions are best left unanswered" says one of the characters.
This movie had the potential to be really good, considering some of the plot elements are borrowed from the sci-fi actioner THE HIDDEN.
But someone somewhere really dropped the ball on this one.Dolph plays a butt-kicking monk (!) who travels to New York to retrieve a key that unlocks a door beneath his monastery that has imprisoned the antichrist for 2000 years.
He must battle the minion, who is a spirit that jumps from body to body much like THE HIDDEN and JASON GOES TO HELL.
The minion, naturally, wants the key so it can let the antichrist out.
Along for the ride is an annoying female archaeologist and together she and Dolph are chased by the minion-possessed bodies.If I'm making this sound entertaining, forget it.
The pacing is very awkward and sluggish, the acting subpar at best, and the fight scenes staged poorly.
Dolph sleepwalks through his role and spouts some of the worst dialogue of his career.The cheese factor really picks up at the end when the minion battles an army of machine-gun wielding monks at the monastery, but the rest of this flick is a snoozefest.Too bad, I really wanted to like this..
The 1st half is kind of dull, with lots of boring and pointless dialog, but the 2nd half is great with lots, of action, however, Dolph has done a LOT better, as i was a bit disappointed by this movie.
This may be Dolph's worst(well at least that i have seen so far), and, the ending was kinda abrupt.
Dolph Lundgren is AMAZING as always, however, he looked bored here, and had to spurt out some awful dialog, but he kicked that ass, and made the movie bearable, and his chemistry with Françoise Robertson, is decent.
Françoise Robertson, is good looking but is kind of annoying at times, but she did okay.
**1/2 out of 5 Dolph has done a lot better.