Revolutionary Road
Tags: boring, depressing, flashback

Plot synopsis:
The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence.

Review: There are many themes in this film, mainly being love, marriage, relationships, and life.DiCaprio and Winslet give powerhouse performances.
April (Kate Winslet) finds unreserved determination to leave to Paris and although her character seems at times erratic, we gradually come to understand that she is in fact the stronger personality of the two; she truly finds change favorable, whereas Frank (Leonardo DiCaprio) seems to find the idea of change more flattering than change itself.Each choice a person makes can change a life, and that life is not always theirs.
This is a heavy film with emotionally complex characters, I'm not sure I could think of any two actors that could pull off the roles of Frank and April Wheeler like Leonardo and Kate did."Truth is usually in singular - Lies always come in plural." I'm not sure who said that, but it is a notion that sums up this film.Michael Shannon shinned in his role as the clinically insane son of Kathy Bates character; John Givings.
But after an unexpected event and other factors, will the dream plan go through?The chemistry between Winslet and DiCaprio in "Revolutionary Road" reminded me in many ways of the chemistry between Liz Taylor and Richard Burton in the 1966 film "Who's Afraid of Virginia Woolf?".
Kate Winslett said afterward that (interestingly) it was she who had brought the book and the project to her husband, not vice versa and that it took some consideration for Sam Mendes to convince himself that he hadn't already told this story before, and by the final credits, I too was thinking just that, it felt like I'd watched a prequel to American Beauty, but without the pizazz and the rapture and the delight.
He plays well but I feel as if something is missing from his character.The directing of Sam Mendes is good in that the film brings you back in time.
In this Richard Yates story portrayed through the lens of Mr. Mendes' camera, we enter the relationship of Frank and April Wheeler; a young married couple depicted brilliantly by DiCaprio and Winslet, who seem to be on the verge of marital and emotional collapse as their growing desperation and dissatisfaction with their town and their relationship leads them to think of an escape.
There has been a lot of expectation about the movie that would bring Leonardo DiCaprio and Kate Winslet together again for the first time in more than a decade, but the romance that they share in Revolutionary Road could not possibly be more different from the one they developed on the Titanic.They are Frank and April Wheeler, an outwardly charming husband and wife who live in a beautiful dream house on Revolutionary Road.
The movie begins with April in an unsuccessful play, and we learn very quickly about their relationship in the car on the way home as Frank thoughtfully assures her that it's okay that she didn't become an actress, it's not her fault that the play was lousy, and then in the fight that ensues, Frank tells her that she acts "sick" when she gets mad like this.It seems that the most important thing that Frank and April embody about the traditional 1950s couple was the routine sacrificing of dreams upon the altar of conformity and fulfilling expectations.
But he is stuck in a job that he hates despite a good salary, they have two kids already and a third accidentally on the way, and adultery's going on left and right.April suggests that they drop everything and move to Paris where, with money that she could make working combined with whatever they could get for the house, they could live comfortably until he could get on his feet artistically and they could both live the lives they have always dreamed of.
A gossipy real estate agent, played perfectly by Kathy Bates, makes friends with April and nervously asks if she might bring over her son John, who has been in a mental institution and who she thinks might benefit from meeting a happy couple like April and Frank.
When he does this with April and Frank, the results are not pretty, but they are some of the best movie moments of 2008.Kate and Leo both approach perfection in their performances.
Both of them have appeared in other brilliant films in 2008 (Kate in The Reader and Leo in Body of Lies), but in Revolutionary Road their performances reach such a level of pitch and depth that, when combined, they reverberate against each other and turn into something entirely different.
If there were an Oscar for the best combination of two performances, there would be no need for any other nominees.Revolutionary Road is not the most uplifting film of the year (although it's also not nearly as depressing as, say, Rachel Getting Married), but it is definitely among the most important.
But I understand some audiences may enjoy this and, in any case, it doesn't matter: it's your message, isn't it?According to Justin Haythe (writer) and Sam Mendes (director), life is just too painful to be lived, too full of suffering and sorrow as to find the time to enjoy, create or love.
DiCaprio and Winslet's chemistry was once again flawless, I honestly felt like I was watching a 50's suburban couple fighting about normal, every day problems, no scripts.
All of the supporting cast was superb, especially Kathy Bates and Michael Shannon, who should both be very tough contenders to beat for the best actress and best supporting actor Oscars, respectively.Thank you, Sam Mendes, for giving the American people another great drama to watch, that really gave people a dose of what the "perfect 50's suburban life", was really like..
If you want to see a film about a dysfunctional couple of the era, try "Come back little Sheba" or "Death of a Salesman." Each of these films created actual characters, and we were drawn into their lives as we learned about the era.This film was about 2008, and how when two super stars are signed for a film deal there is no need to throw away money on writers who flesh out their characters, and provide plausible circumstances of their lives.I just learned that the director of this film was the same man who directed, "American Beauty," one of my all time favorites.Go figure!.
into "Revolutionary Road," my husband said "all three main characters were in 'Titanic." I replied, "I think this movie is sinking faster."The '50s are certainly a treasure trove of depression, conformity and hidden angst.
Revolutionary Road is a tragic realistic love story powered by the believable performances by Leonardo DiCaprio and Kate Winslet who reunite 12 years later after starring in 1997's Titanic together.
Leonardo DiCaprio is good as always as Frank Wheeler and Kate Winslet is just as impressive playing his wife April who seem to have to be the perfect family with the house, the kids, and a good paycheck living in a Connecticut suburb in the 1950's.
Overall Revolutionary Road was better than expected it's a tragic love story brought to life because of the exceptional performances from both Dicaprio and Winslet who make the film worth the time to watch..
Indeed, the whole time I was watching this strangely insubstantial film from director Sam Mendes, the only thing I could think of were all the other movies I've seen that have dealt with the same themes and dealt with them better.Frank and April Wheeler are the miserably married couple at the center of this story.
I guess it's meant to be a sort of modern-day "Who's Afraid of Virginia Woolf?", the story of a married couple who could be helping one another but instead decide to tear each other apart, except that the material isn't nearly as interesting as Edward Albee's play, and neither are the characters.For "Revolutionary Road" to work, we have to really understand why April is so unhappy, and that's something the film doesn't tell us.
This character is wedged awkwardly into the narrative as the movie's id, shouting out truths everyone else is trying to avoid having to admit, but Shannon's performance is over the top and I didn't know what I was supposed to make of him.With wonderful films like "Far from Heaven," "The Hours," "All That Heaven Allows" and "Little Children" (which stars Winslet in a stunning turn, no less) and the cable series "Mad Men" exploring the same themes as "Revolutionary Road" but much more capably, there's really no reason to waste your time or money on this gloomy, depressing movie that has nothing to say.
As I suspect many people were, I was drawn to this movie primarily out of curiosity, wanting to see the "great reunion" - Leonardo DiCaprio and Kate Winslet reunited 11 years after their blockbuster starring turns in "Titanic" - with Kathy Bates thrown into the mix as well.
In this movie set in the 50's, they play the Wheelers - Frank and April - a young couple trying to make their way in the world, dissatisfied with life, with marriage, with each other and with pretty much everything else.
The Wheelers are not a pleasant couple to watch or listen to, and, by the end of the movie, pretty much everybody else is sending the message "I don't want to talk about the Wheelers any more." They do have those handful of powerful, raw with (negative) emotion scenes, but in the absence of that anger (which sometimes seemed to border on hatred) Frank and April are actually pretty dry together, which might make a valid point about the state of their marriage, but which isn't very interesting to watch.
The film stars Leonardo DiCaprio and Kate Winslet, as the married couple who constantly fight.
The Titanic lovers, Leonardo DiCaprio and Kate Winslet, get reunited for Revolutionary Road a tale of sterile life in the suburbs during the Eisenhower years.
Nevertheless Revolutionary Road which is the name of the street the Wheelers live on in the film, got three Oscar nominations including one for Michael Shannon as the bipolar son of the Wheeler's neighbor Kathy Bates who sold them the house.
I mean, at least we didn't see the couple going to a restaurant where a bunch of "poor, disadvantaged black folks" were cruelly refused entry by a tight-lipped host because they were not worthy due to the "color of their skin" (as if race was skin deep, but that's another subject).Skip this piece of fetid spew from the minds and hearts of hateful parasites bent on the complete destruction of all that once made white, European-descended society great and go watch something else instead, like "Blue Lagoon," another movie about a couple who discover the natural and fulfilling way in life is the family unit, which this alien, cancerous element in our world is hellbent on tearing apart..
During watching this movie I was thinking the performances of Kate Winslet and Leonardo DiCaprio are convincing and extremely good.
The fact that the American Beauty and Road to Perdition director assembled such a strong cast doesn't override the fact that it is just not a good film.Basically we get a chance meeting at a party between Leonardo DiCaprio and Kate Winslet.
His twisted and vile psychoanalysis of Leo and Kate is spot on, though ridiculous in itself.Director Sam Mendes (Kate's real life husband) is blessed to have Winslet and DiCaprio cast or this film would die a quick death at the box office and most assuredly would not end up on any best of lists for this year.
In that period, women's freedom and choice of career was virtually non-existent, and whoever tried to shake this equation, often found themselves on the wrong side of society's ability to tolerant social turbulence.In American Beauty director Sam Mendes's adaptation of the bestseller Revolutionary Road, Frank and April Wheeler (portrayed by Leonardo DiCaprio and Kate Winslet together on screen for the first time since Titanic!), a young, suburban couple going through the motions of life.
When April comes up with a daring idea to relocate to Paris, France, the consequences of the decision manage to make the couple's life even glummer.Personally speaking, I found Revolutionary Road to be a depressing experience, lacking the optimism or cynicism director Sam Mendes demonstrated in films like American Beauty or Jarhead.
The film reunites the popular stars of Titanic, Kate Winslet and Leonardo DiCaprio, as a suburban couple, Frank and April Wheeler, who see themselves as special but whose mediocre lives do not reflect their ideals.
There is very little else other the arguments of a married couple and in the end that gets a little tiring.I would though say that this film is well worth a watch, the performances are terrific and it is beautifully shot, I just don't think it is the seminal commentary on marriage it sets out to be..
Of course, Kate Winslet was great in the role, but I don't think this is anywhere near her best work, and it would be a shame to see an Oscar go to this performance when 2008 was such a wonderful year for the leading ladies.
This has to be like my favorite movie from Sam Mendes, I'd have to re-watch American Beauty and Road To Perdition just make sure though, but I'm still pretty sure.
But "Revolutionary Road" is not only the typical story of a couple who buys a house, has kids, goes out with the friendly neighbor's and one day starts asking "what are we doing around here?"...Seems like no one knows the answer except a magnificent character, a neighbor's son who has a psychiatric problem.
Michael Shannon is Oscar nominated for his role as a mentally ill neighbour who is the only one willing to speak what everybody else is thinking - his key scene is hilarious and horrific.The cinematography and period detail are beautiful and James Newton's score is affecting - particularly in a scene where Winslet grasps the last moments of light against the back garden tree, while, after their biggest bust up yet, Leo DiCaprio wanders around in the darkness of the house on Revolutionary Road - the house that typified everything 'perfect' about their life.As just about every critic ever has noted, the concept is not original; David Lynch blew it apart in 'Blue Velvet' and 'Twin Peaks' and surely after 3 seasons of Desperate Housewives, it's no longer an alien concept.
American Beauty had one and so does Sam Mendes' new film Revolutionary Road.
Through four movies, he's the only director working today who has yet to make a movie that's less than a minor classic, though his dark sensibility admittedly makes his films difficult to watch repeatedly.In Revolutionary Road, Di Caprio and Winslet give believable, fully human performances in the challenging roles of Frank and April Wheeler, a young couple struggling with their own lack of belief in the life they've chosen.
Brilliant convincing performance from both,Kate Winslet and Leonardo DiCaprio,actually took away the fact that am not watching anything of drama genre but a reality.It was expected.The background score also perfectly mingled with the flow of the movie.
Great acting by Winslet and DiCaprio make Revolutionary Road a must watch..
The drama has 3 main characters - April (Kate Winslet) the housewife, Frank (Leonardo DiCaprio), the main character and will talk about the third one later.If you experience anything what you've seen in the movie, you are psychologically abused and should see someone specialised immediately.
Revolutionary Road is a great movie with a well developed storyline and a terrific cast.It is certainly a well acted movie,though it is certainly not their finest performances,Leonardo DiCaprio and Kate Winslet both shine in the lead roles,and their acting has certainly improved over the eleven year gap of Titanic,both movies contain great chemistry between DiCaprio and Winslet,but this time around it felt more real and sincere.I felt like there were certainly several things missing than could have made this movie better,one thing is that it certainly would have benefited with making us feel for these characters more,I found them quite unlikable for the most part,and at times that certainly made it difficult for me to care about the decisions they make or the things that happen to them.I also think it needed more scenes containing intense dialogue between the Wheeler's,these parts were the highlight of the movie as Winslet and DiCaprio both deliver their dialogue beautifully.Its certainly not outstanding and could have benefited more from its two leads,but Revolutionary Road is still a very enjoyable film that I would recommend to anyone looking for a good drama or romantic film.
This is one of the most honest films I've ever seen about marriage and the emptiness that brings it apart.The story involves Frank and April (Leonardo DiCaprio and Kate Winslet) who meet at a party one night and discuss their future plans.
April: It takes backbone to lead the life you want!Oscar-winning director Sam Mendes (American Beauty, Road to Perdition) works for the first time with his wife Kate Winslet in Revolutionary Road, a heavy drama based on Richard Yates' novel.
Sam Mendes, in an effective follow-up of sorts to American BEAUTY (I say follow-up because both films touch on the same subject matter), has created a film that is amazingly realistic and compelling, and examines life in Suburbia to the extent that most directors are afraid to go.The acting by Leonardo Dicaprio and Kate Winslet is astounding and is reason enough to watch the film.
Revolutionary Road (2008)**** (out of 4) A suburban couple (Leonardo DiCaprio, Kate Winslet) find their lives getting boring and their marriage falling apart so they think a trip to Paris will give their lives a new direction to keep them going.
Having read about the plot, I really didn't want to watch Sam Mendes' "Revolutionary Road." But I figured that in light of an article I'm writing, I should see it because both Leonardo DiCaprio and Kate Winslet are lauded for their performances.