Wonder Woman
Tags: psychedelic, murder

Plot synopsis:
=== Pilot ===
Though not successful at the first attempt, ABC still felt a Wonder Woman series had potential, and within a year another pilot was in production. Keen to make a distinction from the last pilot, producers gave the pilot the rather paradoxical title The New Original Wonder Woman. Scripting duties were given to Stanley Ralph Ross, who was instructed to be more faithful to the comic book and to create a subtle "high comedy." Ross set the pilot in World War II, the era in which the original comic book began.
After an intensive talent search, Lynda Carter, who had had a handful of minor acting roles and had been the 1972 Miss World USA and a Bob Hope USO cast member, was chosen for the lead role. For the role of Steve Trevor, the producers chose Lyle Waggoner, despite his dark brown, almost-black, hair not matching the comic's blond Trevor, who at the time was better known as a comedic actor after several years co-starring in The Carol Burnett Show. He was also known to Ross as having been one of the leading candidates to play Batman a decade earlier, but instead Adam West was signed. Waggoner was also considered a pin-up hunk, having done a semi-nude pictorial in the first issue of Playgirl.
Although the pilot followed the original comic book closely, in particular the aspect of Wonder Woman joining the military under the name Diana Prince, a number of elements were dropped. It mainly omitted Diana's origin, including her birth on Paradise Island. The comic book Diana obtains the credentials of a look-alike nurse. Although the pilot shows Diana briefly as a nurse at one point, Diana takes on the identity of a Navy Yeoman Petty Officer First Class.
One change, which was later to become synonymous with the show, was the transformation of Diana Prince into Wonder Woman by spinning. During the filming of the pilot, producers were trying to figure out a way to show how Diana Prince became Wonder Woman, when Carter suggested that she do a spin.
Unlike the earlier pilot, the comic-book origins of the character were emphasized by the retention of the character's traditional uniform (the design of which was interpreted and executed by Donald Lee Feld, credited as "Donfeld") with the original setting and through the use of comic book elements. The series's title sequence was animated in the form of a series of comic book panels featuring Wonder Woman performing a variety of heroic feats. Within the show, location and exposition were handled through comic book-style text panels. Transitions between scenes and commercial breaks were marked by animated starburst sequences.
==== Synopsis ====
In early 1942, during the Second World War, American pilot Major Steve Trevor (Waggoner) bails out during an air battle over the Bermuda Triangle, location of Paradise Island. The island is home to the Amazons: beautiful, ageless women with great strength, agility, and intelligence. Amazon princess Diana (Carter) rescues the handsome Trevor and helps nurse him back to health. Her mother, the Amazon queen (Cloris Leachman; succeeded by Carolyn Jones and Beatrice Straight in later episodes), decrees that Olympic-style games shall be held to select one Amazon to return Trevor back to America. But she forbids her own daughter Diana, the princess, to participate. Diana states that since she is not allowed to participate, she does not want to be present for the games and will take a retreat to the other side of the island. The games are held with participants wearing masks and numbers, shown as Roman numerals in triangles on white sleeveless short tunic-dresses. Among the contestants is a blonde Amazon. During the events, the blonde Amazon shows exceptional skills and she ties for first with another Amazon. To break the deadlock, the "bullets and bracelets" event is decided as the tiebreaker, wherein each of the women takes turns shooting at the other; the one being shot at must deflect the bullets with her bulletproof bracelets. The blond woman wins the event, superficially injuring her opponent's arm. When she is pronounced the winner, she removes her mask and wig and reveals that she is Diana. Her mother, though initially shocked, relents and allows her to go to America.
Diana's uniform as Wonder Woman, designed by Queen Hippolyta, features emblems of America, the land to which she will be returning Steve Trevor. A golden belt will be the source of her strength and power while away from Paradise Island. She has her bullet-deflecting bracelets and also receives a golden lasso which is unbreakable and forces people to obey and tell the truth when bound with it. As shown later in flashback, Hippolyta also teaches Diana how to transform her clothes magically into the uniform.
Diana, as Wonder Woman, flies to Washington, D.C. in an invisible plane. After dropping Trevor off at a hospital, the heroine stumbles upon a bank robbery, which she stops. A theatrical agent who sees her in action offers to help make her bullets and bracelets act a stage attraction. Diana is hesitant, but needing money in this new society, she agrees.
Meanwhile, Trevor's civilian secretary Marcia (Stella Stevens) is a double agent for the Nazi Fifth Columnists. She seeks to aid top spies in killing Trevor and opposing this new threat, Wonder Woman. Her first attempt is arranging for an accomplice to fire a machine gun at Wonder Woman during her stage act. Later, as spy activities increase, Trevor leaves the hospital but gets in a fight and is captured, prompting his "nurse" Diana to come to his rescue. Wonder Woman defeats Marcia in an extended fight sequence in the War Department. Having defeated Marcia, Wonder Woman thwarts a Nazi pilot who had plans to bomb the Brooklyn Navy Yard by using her invisible plane, and she rescues Trevor. With Marcia and the spy ring defeated, the film closes as Trevor and Brigadier General Blankenship talk about Trevor's new secretary whom Blankenship selected not only for her outstanding clerical test scores, but her decidedly plain appearance in contrast to Marcia: the bespectacled Yeoman First Class Diana Prince USNR(WR), Wonder Woman in disguise.
=== Season 1 ===
The pilot film aired on November 7, 1975, was a ratings success, and ABC quickly authorized the production of two one-hour specials which aired in April 1976. These three productions would later be considered part of the show's first season. The episodes scored strong ratings, and ABC ordered an additional 11 episodes for the new 1976–77 TV season. The network began airing the episodes every few weeks apart at the beginning of the TV season in September 1976. After mid-December 1976, episodes aired on a weekly basis until mid-February 1977.
A few cast changes were made between the specials and the series. Former Happy Days recurring actress Beatrice Colen joined the cast as Corporal Etta Candy WAAC, General Blankenship's secretary, thereby providing YN1 Prince with a subordinate. Three episodes featured Debra Winger as Diana's younger sister, Drusilla, a.k.a. Wonder Girl, in one of her earliest acting roles.
One of the most memorable aspects of the show that was developed during the first season was the transformation sequence that changed Diana Prince into her superheroine alter ego. The sequence in the original specials employed a slow fade between two synchronized shots, both filmed with an overcranked camera to create a slow motion effect. A twirling Diana Prince's hair would fall loose as the shot transitioned to a twirling Wonder Woman holding her Diana clothes, which she would stow nearby in a closet or locker. (How she changes back to Diana is never shown, although presumably she must return to the location to retrieve her clothes.) To ensure both segments transitioned smoothly the camera was locked off (secured in place) while Carter's clothing, make-up, and hair was altered between identities, a process Carter said on a DVD commentary typically took about 45 minutes. The spinning transformation was later incorporated into the comics and into animated appearances such as Justice League Unlimited. (Prior to the series in which Carter starred, the transformation was depicted in the comics by way of Diana spinning her magic lasso around her body, with the lasso changing her clothes, or by simply changing at super-human speed.)
The iconic explosion overlay most associated with the TV show was introduced after the third episode to mask the cut point between the Diana and Wonder Woman clips, meaning they no longer needed to be perfectly aligned. This allowed them to be shot without a locked off camera at more convenient points in the production schedule, when Carter was already in the appropriate costume. The slow motion aspect of the sequence was dropped, and Wonder Woman was no longer left holding her Diana Prince clothes. A thunderclap sound effect accompanied the explosion effect; both the explosion flash and its sound are apparently non-diegetic (only heard by the audience, not within the narrative world), as demonstrated by Diana changing unnoticed in a dormitory of sleeping women, in adjoining office spaces, etc. Generally the audience never sees Wonder Woman change back to Diana Prince, although there is one occasion when it is almost shown: Wonder Woman reveals her secret identity to her little sister Drusilla by slowly turning on the spot, but the actual moment of transformation is masked by a cut-away reaction shot of Drusilla (no thunderclap was heard.)
During season one, Wonder Woman has the ability to impersonate anyone's voice, which came in handy over the telephone. She did not use this ability during seasons two and three.
The series began at a time when violence on television was under intense scrutiny. As a result, Wonder Woman was less frequently seen punching or kicking people the way she did in the early episodes. She would usually be shown pushing and throwing enemies or using creativity to get them to somehow knock themselves out (such as jumping high into the air to cause pursuers to collide). Despite the wartime setting, she almost never resorted to deadly force. The only exception occurs in the pilot episode when she sinks a German U-boat by crashing an airplane into it, presumably killing everyone aboard. Wonder Woman herself was occasionally overpowered by chloroform and poison gas, but she always came back in the second half of the show to save the day. In some episodes, her enemies learn the secret of her superhuman strength – her magic belt – and temporarily steal it, leaving her with average human strength. Her indestructible lasso and bracelets were stolen or taken away in one episode (leaving her defenseless against gunfire), but Wonder Woman recovered them by the end of the episode. (In the comics, Wonder Woman's bracelets were welded onto her forearms, and she would lose most of her strength if men were to join them forcibly with metal.)
With the backdrop of World War II, Diana frequently pontificated on the need to preserve the morally supreme ideals of democracy from the threat of Nazis, even in private to her sister. When doing so, she made no attempt to reconcile her democratic sentiments with their Amazonian system of hereditary monarchy, to which Diana herself was heiress apparent. Likewise, in each of the first two one-hour episodes, Diana asserted that the Nazis had no regard for their women, ignoring the vastly lower value which her own people placed upon men. So common were the Nazi and war events that Carter frequently complained about it, explaining: "I yelled when the scripts were bad. Week after week, nothing...would change except the names of the villains. So I made noise. Men don't like dealing with women who make demands."
In story, Wonder Woman remained active from 1942 to 1945 and was honored by Franklin D. Roosevelt for her work against Axis attacks.
=== Season 2 ===
Despite good ratings for the series, ABC stalled on picking up the show for a second season. This was because Wonder Woman was a period piece, being set in the 1940s, which made the set, clothing, automobiles, etc. more expensive to produce. While ABC had not yet committed, the show's production company Warner Bros. listened to an offer from rival network CBS. While ABC continued to make up its mind, CBS agreed to pick up the series on condition that the setting be changed from World War II (the 1940s) to the modern day (the 1970s). Changing the title to The New Adventures of Wonder Woman, the series was moved away from international intrigue to a more conventional police/detective action-type show that was more common in the 1970s.
Princess Diana, aging slowly because of her Amazon nature, returns from Paradise Island after a 35-year absence (looking virtually the same) to become an agent with the Inter-Agency Defense Command (IADC), a CIA / FBI-type organization fighting crime, criminal organizations and the occasional alien invasion.
Strictly speaking, Lynda Carter was the only cast member whose character continued into the second and third seasons (aside from a brief cameo appearance of Major Trevor (Lyle Waggoner) in Diana's flashback when she first encountered his son and a framed photograph of him seen on the younger Trevor's office credenza in season 3). The original Steve Trevor was revealed to have risen to the rank of major general and died in the 35-year interim between the first and second seasons, although Lyle Waggoner remained with the series, portraying Trevor's son, Steve Jr.
As a child, Steve Jr. had heard his late father's stories of adventures with Wonder Woman during World War II. It is essentially confirmed in the second season première that his father never introduced him to Wonder Woman and that he had never even seen her photographed. It is similarly implied that he and YN1 Diana Prince were unaware of each other. Diana is taken aback by the younger Steve's existence, implying that his father had never spoken of the boy to either Wonder Woman or YN1 Prince. This was particularly striking when she spoke to Steve Jr. about knowing his father well, from the j-shaped burn scar on his right shoulder, to the 20mm shell casing that he used as a paperweight.
Despite (or perhaps because of) the fact that Wonder Woman had fallen in love with the first Steve Trevor, the producers chose to drop any suggestion that Steve Jr. and Wonder Woman were anything more than good friends. Indeed, when an impostor posing as Steve Jr. attempted to seduce Diana, she made it quite clear that she had no sexual interest in him. Executive producer Douglas S. Cramer noted the difficulties in maintaining long-term romantic tension between leads, because the resolution of that romantic tension often results in the cancellation of the series.
Since Waggoner returned in a technically new role, Diana's mother Hippolyta was the only other first season character to be seen or mentioned, though she was played by a new actress, Beatrice Straight, succeeding Carolyn Jones and Cloris Leachman in the role. The post-war fates of General Phil Blankenship, Etta Candy, and Drusilla / Wonder Girl were never revealed.
Diana, Steve and Joe Atkinson (Norman Burton), a weathered IADC agent, received their orders from a "Charlie's Angels-like" character who is heard but never seen. Diana and Steve would go out and work the field while Joe assisted from the office. The Atkinson character was dropped after the ninth episode of this season, and Steve was given a promotion, becoming IADC Director, and Diana's boss, in the process. This promotion for Steve Trevor meant that Lyle Waggoner was seen less in subsequent episodes for the remainder of the series' run. In this season, the computer IRAC (Information Retrieval Associative Computer), more informally known as "Ira," was introduced: its first appearance is in season 2, episode 1, where Diana introduces her Diana Prince identity into its records, over IRAC's protests. Ira was the IADC's super-intelligent computer, who deduces that Diana Prince is really Wonder Woman, although he never shares this information with anyone, except Diana herself. Saundra Sharp joined the cast as Eve, Steve's assistant (the job held by Diana at the start of the season). Towards the end of the season, in the episode "IRAC is Missing," a small mobile robot called Rover was added for comic relief. An offshoot of IRAC who performs duties such as delivering coffee and sorting mail, Rover speaks with a high-pitched voice, occasionally makes "Beep Beep" sounds and, like IRAC, is aware that Wonder Woman's secret identity is Diana Prince.
The theme song was re-written to remove references to the Axis, reflecting the series' new present-day setting, and the action depicted in the opening's animated comic book panels was similarly updated. Beginning with the episode "The Man Who Made Volcanoes," the opening title sequence was changed again to an instrumental and more traditional "action scenes" opening. The animated stars used before and after commercial breaks were dropped.
The producers of Wonder Woman generally maintained her no-kill policy, although there were exceptions: In the episode "Anschluss '77" she is forced to destroy a clone of Adolf Hitler. Another episode made reference to a villain who was believed drowned following a previous unseen encounter with Diana/Wonder Woman.
Unlike in the first season, Wonder Woman's sources of power (magic belt, bracelets, golden lasso) were never removed from her and stolen by villains during the two years the series was set in the 1970s.
Other changes in season two included a slight redesign (again by Donald Lee Feld, still credited as "Donfeld") of Wonder Woman's uniform. The bustier was more flexible, featured less gold metal in the eagle wings in favor of red cloth background, and was cut lower to highlight Carter's décolletage and cleavage. The star-spangled bottoms were cut higher in the thighs, with the number of stars reduced, stopping below her hips, and rearranged in a more symmetrical starburst pattern. The bracelets changed from dull silver-grey to bright gold, and were noticeably smaller and thinner. Her tiara, appearing unchanged when on Wonder Woman's head, would flatten to become a boomerang, and its ruby star functioned as a communications link to Paradise Island and her mother the queen.
Feld also introduced multiple new variants on Wonder Woman's uniform beginning in season two. She still wore the red-white-and-blue cape for special events or appearances from the first season, but without the skirt. (This variant could be described as Wonder Woman's "full-dress uniform.") A diving uniform was introduced—this consisted of a navy-blue lycra body suit with matching gloves, gold bracelets, flat boots, and a flexible tiara; this was featured whenever aquatic activity was required. The same uniform, with low-heeled boots and a gold helmet, was used to ride motorcycles. At first, Wonder Woman would switch to these newer uniforms by performing an extended spin in which she first changed from her Diana Prince clothes to Wonder Woman's standard uniform, then continued to spin until a second light explosion occurred and she would appear in one of the newer variants. However, this extended spin device was dropped for expediency and Diana was then able to change into any of Wonder Woman's uniforms in a single change.
Wonder Woman's invisible plane appeared a couple of times in season two, and not at all in season three. The plane's shape was updated with the change in temporal setting, losing the rounded fuselage and modestly curved wings evocative of a World War II-era pursuit-fighter, in favor of a dart-like, delta winged jet.
=== Season 3 ===
With the beginning of the third season, further changes were made to target the show at a teenage audience. The title theme was re-recorded again to give it a disco beat, the use of the robot 'Rover' was increased for comic effect, and episodes began to revolve around topical subjects like skateboarding, roller coasters and the environment. (Feld also gave Wonder Woman a "skate-boarder's" uniform, which was also capable of use for training in any "extreme sport" in which she participated.) Teenagers or young adults were commonly used as main characters in the plot lines. Eve disappeared from the cast although she is mentioned once or twice. Episodes during this season showed Diana on assignments by herself far more often (particularly outside of Washington DC), and Steve Trevor had become Diana's boss and was seen less.
Wonder Woman was also allowed to become a bit more physical in the third season and could now be seen throwing the occasional punch or kicking. The writers also came up with several unusual ways for Diana to execute her spinning transformation, the most notable instances occurring in the episode "Stolen Faces" in which Diana makes the change while falling off a tall building, and the season two episode "The Pied Piper" in which she changes while strapped into a spinning chair.
Diana also exhibited other powers, particularly in the episode "The Deadly Dolphin," in which she is shown communicating telepathically with animals (reminiscent of the "mental radio" from the comics, which was never shown on the series) and generating bursts of an unknown form of energy to scare away a killer shark.
In the final episode produced, the writers attempted a "relaunch" of sorts by having Diana reassigned to the Los Angeles bureau of IADC with a new supporting cast. Though done in anticipation of a fourth season, the revamp was seen for only a single episode ("The Man Who Could Not Die"), which set up an assortment of new supporting characters. These included Dale Hawthorn, Diana's new IADC boss, Bret Cassiday (Bob Seagren), a genetically enhanced man who was indestructible (the titular character of the episode), as well as a streetwise youngster named T. Burton Phipps III who inexplicably is allowed to hang out at the IADC. Also added to the cast was a chimpanzee who, like Bret, is also indestructible. This episode was actually the last to be produced and should have ended the third season, but was shown out of sequence with the two-parter "The Phantom of the Roller Coaster." These final three episodes aired by themselves in August–September 1979, months after the broadcast of the rest of season three, creating a mini-season, though they remain grouped as part of season three as opposed to being considered an abbreviated fourth season.
CBS ultimately decided to move The Incredible Hulk up to the Friday 8:00 hour from 9:00 to introduce the new series The Dukes of Hazzard, but no further episodes of Wonder Woman were produced due to the lack of new cast members for a fourth season and low ratings. After her first musical television special, Lynda gave up the role to focus more on her musical career.
=== Wonder Woman '77 Comic ===
In October 2014, DC announced an ongoing comic book series set in the Lynda Carter TV series continuity. The comic will be written by Marc Andreyko. It was first published as digital chapters on DC Comics' website. Wonder Woman '77 Special #1 was published in May 2015. A second Wonder Woman '77 Special collecting further digital first chapters was published in September 2015.. A third special was published in April 2016. Wonder Woman team up with Jamie Sommers in the crossover title Wonder Woman ’77/Bionic Woman. Wonder Woman teams up with Batman in the crossover team up "Batman' 66 Meets Wonder Woman '77 writing by both Andreyko and Jeff Parker.

Review: Would just like to disagree with previous comments because i really enjoyed this movie.This time around Wonder Woman was not portrayed as pageant queen with a rope but as a powerhouse warrior.She is not a bouncy beauty queen in a swim suit,she is an amazon.They are born for battle and raised to fight for the greater good.This movie stayed so true to the origin and even gave the characters more personality.She is one kick ass broad and her character in the film could have just as easily been male.Wonder Woman is an icon and a very strong woman who while being kind hearted also knows how to be tough when needed.i recommend this movie to anyone who loves comics and the character and I'm a really picky person when it comes to my DC characters..
studio finished the project when it was on pre-production (I suppose the writers' strike during late-2007 and early-2008,plus the recent economical crisis,have also influenced on that).However,on the straight-to-DVD universe,an excellent animated version of Wonder Woman was made.Like some other animated movies made straight-to-DVD (like Justice League : The New Frontier and Superman Vs. Doomsday),Wonder Woman has been made with little resources but a high level of creativity and fidelity to the original comic.I have found this humble animated film to be way superior to some "real" movies about superheroes,whose elevated budget for some reason avoids them of making something innovative or unexpected.These straight-to-DVD films may not be too accessible to the casual spectators,because they are all designed to the comics reader who does not look for a "movie for kids",but a solid adaptation whose porpoise is not selling toys,but respecting the legacy from the character.And I admired to see that Wonder Woman took that attitude.In other words,we will not find on this movie the cheesiness and simple villains from the sympathetic TV series starred by Lynda Carter because the movie is completely respectful to the comic,which had offered subjects about mythology,honor,violence and the eternal battle between sex.I have to say I did not expect to like this movie so much.The most important elements from this great movie are a solid screenplay and a brilliant cast of voices.The screenplay was crafted on a mature and intelligent way.Plus,it is not afraid of including some decapitations and a more audacious language than the one we could expect on an animated movie.But the best element from the screenplay is that the personality,tone and style of the characters are so well defined that the movie achieved a dramatic level I did not expect to receive.As I previously said,the cast of voices is also brilliant.Keri Russell brings the necessary level of intensity and humor to the voice of the main character.Nathan Fillion also made a very competent work and finally,Alfred Molina made a brilliant work with the voice of his character (I would have never recognized it was his voice the one from the character !).The only fail from this movie is that the animation could have been a little bit more polished on some occasions.But,in spite of that,I liked this movie very much.As I said,I do not know if this is a movie for the casual spectators,but I recommend it with confidence to the people who decide to see a different animation movie.I found it enormously entertaining and very satisfactory..
It just feels like clunky editing.So to wrap this up: this movie has wonderful humor, exciting action, great acting, and is well made in pretty much every way.
If they added a little more to fill it to maybe 100 minutes, and got someone young new and able for the lead part, and maybe removed some of this Steve's chauvinist's attitude, then this Wonder Woman movie in Live action WOULD BE EPIC!
I've never been a Wonder Woman fan, the ridiculous outfit always put me off much alike Superman and at time of writing haven't even watched the live action Gal Gadot filmFor this reason I went into this expecting very little so found myself blown away by just how good it is.Essentially an origin story it follows Diana from birth through to adulthood and her double pronged first mission to return a pilot to the world of man and to defeat Ares God Of War who has escaped confinement.It never fails to amaze me how good the voice talent is in these things.
...But this movie was the best of the new Animated DC and even Marvel movies coming out yet (maybe with an exception of the Justice League: The New Frontier Movie), which might've been a bit better...Everything just fit from the Storytelling, Jokes to the Action and even the Voice cast...
The animation is wonderful, very like Justice League but that is a good thing in my eyes, with detailed backgrounds, fluid character designs and bold and atmospheric colours.
As of now this is one of my favorite animated DC movies.This is basically wonder womans origin story,and her fight against Ares, the god of war.
I also loved that the movie didn't took itself too serious and fooled around with some of the more ridiculous things regarding the WW character (like WW considering Heels, Amazons referred as "armed supermodels", invisible missiles and pretty much everything with the lasso).
this is DC comics latest animated feature,and it is good.in my mind,it's the best animated feature from both DC and their rival Marvel.the action is outstanding,especially the fight scenes.the dialogue is good,as is the voice acting.there are some big names lending their voices here,and all suit the characters very well.i also liked the story,though how accurate it is to the comic book i don't know.i do know it's nice to have a strong central female character who can hold her own with any guy,and i don't just mean physically or intellectually.there is actually a pretty funny scene which illustrates this point,but i won't get into it here.anyway,hopefully in the next couple of years or so a live live action Wonder Woman film will hit theatres.anyway,for me,this animated Wonder Woman is a 9/10.
I like the music and I do like that this film keeps with the newer ideas of Greek Mythology laid down by Clash of the Titans (the original) and Hercules the Legendary Journeys, stuff like Hades being a neutral force (though in this movie he looks like a cross between Ursula from The Little Mermaid and Jabba the Hutt from Star Wars), Ares as the villain, the Greek Gods being petty and cruel, stuff like that, also this depiction of Wonder Woman is nice being the type who takes no nonsense from anybody.
The worst case of these cliché Amazons movie men is Steve Trevor, a pilot who crash lands on the Amazon island and has to be Wonder Woman's guide in the regular world, he's a drooling sexist idiot pretty much, sure wonder woman hilariously puts him in his place a few times but he gets old fast.
In summary this movie comes close to being a decent female Superhero movie but the Amazon movie clichés drag it down to the point where it stops being fun, the action is fun, the story is interesting at times but this film isn't really worth watching..
This animated triumph gives hope to the Wonder Woman fan who is salivating for a serious live action film.
For those of us that grew up liking the Super Friends and think a female superhero is long overdue on the big screen, this movie was an excellent teaser for the real thing.The voice-overs were excellent, and from doing a little research, it appears that several of the actors (including Virginia Madsen) are interested in reprising their characters in a big-screen release.The feminist message is a little forceful at times, but not out of line with the character's origins and previous incarnations.We want more!
A graceful Amazon princess of untold strength and beauty attempts to prevent the god of war from instigating a conflict that will last for centuries and destroy the human race as the animated adventure marking the return of DC Comics heroine Wonder Woman.
Following on the heels of the animated New Frontier movie, where we got to see a kick-ass Wonder Woman fighting for Asian refugees, this time it's an origin story focused on how Princess Diana came to be on the Amazonian island secluded away from the world- especially those icky men, eww- and how she has to go out into the said world (i.e. New York City, Washington DC) to stop Ares, the semi-God who will take over the world.The short of it is to say that Wonder Woman, at least in this incarnation, is like Gloria Steinem on steroids with a big grab-bad of mythology.
But this beat is continued for nearly the entire film, the break in this femi-Nazi ice (yeah, sorry to go to the Nazi place there, do forgive me) is the character Steve Trevor, a pilot who crashes on the island and starts womanizing Wonder Woman.
A fight at night between Diana and a big monster working for Ares in the NYC streets is nifty, and there's some good swordplay, but the climax feels rushed; it's not that the bases aren't covered, but they go by so quickly that it's like the opposite of a Lord of the Rings battle- instead of too much there's too little in terms of scope and excitement.
Albeit not the best of the DC original animated movies, Wonder Woman boasts a bold direction, thrilling plot, and loads of mythology.
It also doesn't hurt to have Nathan Fillion voice comedic relief and Diana Prince's love interest, Steve Trevor.Compared to other DCOAM's, Wonder Woman is brutally graphic for an animated film.
Wonder Woman makes her live action solo movie debut in 2017, but that is not her first feature length film.
Surprising when you consider that on its own, WONDER WOMAN is a well made, thought provoking, energetic little movie that deserved much more recognition than it got.Our story opens in ancient times where the amazon women wage a bloody war which ended with he imprisonment of Ares, but at the cost of many lives.
Take the visuals out of the equation and it feels like watching a well written live action movie or prime time TV show.Our characters are brought to life by a perfect cast; Alfred Molina is truly menacing as Ares, Rosario Dawson as the regal queen, and Keri Russell imbuing a nuanced inner strength to Diana.However the true standout performance is Firefly's Nathan Fillon as daring scoundrel pilot Steve Trevor.
Animated movie that tells Wonder Woman's origin story and her fighting to stop Ares from doing what a god of war tends to do.
We've got a live action Wonder Woman film finally coming out next year.
I think in today's society, what with Christopher Nolans Batman,the popularity they gain and what have you, it's easy to forget or downright exclude other superheroes, especially ones that aren't included or seen as popular in the eyes of your average Joe. But this animated movie and the way it handles the origin story of Wonder Woman, very much impressed me.
The film reprises Wonder Woman's birth, her early years on the hidden island of Themyscira, and her encounter with man once Ares, the god of war, escapes and she is entrusted with the task of bringing him to justice.The film, surprisingly bloody by DC standards at the time it was made, benefits from excellent animation and a strong voice cast.
Alfred Molina embodies evil as Ares, while Keri Russell more than holds her own as Diana Prince/Wonder Woman, and Nathan Fillion also provides excellent comic timing and support as Steve Rogers.
Like "Green Lantern: First Flight," "Wonder Woman" establishes itself in pretty quick-step tempo: on the island of Themyscira, a proud, strong race of eternally youthful Amazon women (based on the ancient Amazons of Greek mythology) live in peaceful seclusion from the evil Man's World (the rest of human society).
A millennium ago, the malevolent god Ares (voiced by Alfred Molina), the God of War, was defeated in battle by Hippolyta (voiced by Virginia Madsen), queen of the Amazons, and sentenced to eternal imprisonment by the god Zeus (voiced by David McCallum) and Hera (Marg Helgenberger).Years later, an internal betrayal allows Ares to escape, and Hippolyta's strong, courageous daughter Diana (voiced by Keri Russell), earns the right to not only track down Ares and bring him to justice, but to escort downed fighter pilot Steve Trevor (voiced by "Firefly" Nathan Fillion) back to human civilization.
Keri Russell gives the film's best voice acting performance as Wonder Woman, whose character is tracked to the beginnings of her DC Comics super-heroine career.
Additionally, Nathan Fillion gives the film's most enthusiastic performance as the wise-cracking hot-shot pilot Steve Trevor.Although it runs only at a brisk 74 minutes and is deftly directed by Lauren Montgomery (who also directed "Green Lantern: First Flight"), it's still an engaging, action-packed thrill ride of an animated superhero adventure.
I can only hope that unlike last year's "Green Lantern," the live-action adaptation of "Wonder Woman" will be something worth watching more than once.8/10.
It's actually a decent movie showing the origin story of Wonder Woman, like where she comes from and what she represents and all that.
The action was good, the story was simple but engaging, the dialogue was sharp, and the movie lacked the sense of its own importance that drags down so many big budget superhero movies.Fast paced and often amusing, the movie creates a convincing Wonder Woman both fascinated and repelled by the outside world.
Wonder Woman offers a good take on the origin of the titular character with the right amount of tense action and witty dialogue.
Princess Diana aka Wonder Woman goes through a tough test of the principles of the Amazonian women when she escorts an accidentally trespassing man, Steve Trevor, back to New York and slowly learns about man's world which offers great commentary on women's role in that culture.
After a fantastic, action-packed opening, 'Wonder Woman (2009)' continues to tell its eponymous hero's origin story with a suitably fast pace and refreshing focus on both her Greek god inspired background, with the legends of old being nicely reinterpreted to fit with the characters and world, and her attempts to integrate into modern society with the help of her recent rescuee, who is both the cause of and remedy to much of her disillusionment with the 'world of men'.
Now Diana has two missions to accomplish.The director does a wonderful job of keeping the action sequences coming thick and fast while interweaving some very good drama sequences (of which I particularly like the Steve Trevor lasso interrogation scene and Diana's introduction to Ares).
But Keri Russell is the best Wonder Woman we've had yet in the animated arena, while Nathan Fillion basically plays Steve Trevor as ...
PLOT: In her first solo animated feature, DC's Wonder Woman/Princess Diana gets her basic origin story told & goes about battling Ares, God of War, and bantering with Col. Steve Trevor.For some strange reason, the First Lady of DC, Wonder Woman seems to be a very difficult character to write for, even when compared to DC's other two big iconic characters, Superman & Batman, respectively.
Passable for the bored princess just killing time on paradise island perhaps, maybe even fine for a character such as Lois Lane or Barbara Gordon, but for Wonder Woman Keri's voice lacked the power & forcefulness of a warrior, especially when compared to Lucy Lawless, who voiced WW in New Frontier and Susan Eisenberg of the Justice League series, or even Shannon Farnon, who voiced the character in (most of) the old Super Friends cartoons.
If you're tired of seeing her share screen time and story roles with other heroes and would like to see her fly solo, then you've come to the right place.The movie also does a great job on how she does things.
But the Amazons long time prisoner, Ares, god of war, has escaped and threatens to throw the world into chaos and destruction and it's up to Diana and Steve to stop him.The movie benefits from great animation, featuring a vivid color scheme, quick and fluid movements, and very good character designs.
Personally, I never cared much for her, but apparently DC feels that she has become a classic character of the Wonder Woman cast.Anyway, nice superhero action movie, but still somewhat aways from being perfect.7 out of 10..
Meanwhile, Ares, God of War has escaped his imprisonment, leading to a confrontation in Washington D.C. This film has some great action, some wonderful animation, and even some fun parts (where Trevor confesses his male insecurities because he inadvertently got his leg caught in the Lasso of Truth.) All that said, Wonder Woman's main problem is that she really is the weakest of the important DC heroes.
Animated film of the origins of Wonder Woman..
Keri Russell, who I have always liked, voices Wonder Woman and Nathan Fillion voices the downed pilot, Steve Trevor.And no, these Amazon women do not live in the Amazon forest that the Amazon river runs through..
However, the peaceful existence is shattered when a pilot named Steve arrives and Diana, princess of the Amazons is assigned to take Steve back to the world of the living.....But Diana faces the greatest threat of all, when Ares is released...As a 'Comic-Book Fan' it shames me that I did not take time to read about Wonder-Woman, mainly because I was attracted to 'Batman and Wolverine' (I honestly do not know why.) But Wonder-Woman is a character that is fascinating and strong, she the definitive heroine.I felt that this movie was perfect as it had the right amount of comedy, romance and action with some great scenes of self-Independence..Like when Diana lifts the table with a single hand.
If you are a fan of Wonder Women, the DC comics and if you enjoyed the movie that released this year then you might enjoy this animated version of Wonder Woman.