The Passion of Ayn Rand
Tags: psychological, cult, flashback, humor, philosophical, revenge

Plot synopsis:
The film begins with a night view of New York. It's the funeral of Ayn Rand (Helen Mirren), the renown novelist. It's on 8th March 1992. The lady who speaks was her best friend, but because of their falling out, she has to wait outside in the cold to see the body, with many other fans of the writer. Finally, the doors are opened by the funeral director (John Lefebvre). Another lady (Katherine Trowell) at the funeral comments that Ayn Rand wouldn't have liked that display of popular sentimentalism. A security guard (Robert Thomas) appears to tell the ladies to keep on moving.Los Angeles, 1951. The door bell keeps ringing. Frank O'Connor "Frank Rand" (Peter Fonda), with a bouquet of flowers on his hand, opens up the door. A young couple wants to talk to Ayn Rand. She appears, dressed almost as a man. The young couple introduce themselves: they are Nathaniel (Eric Stoltz) and Barbara (Julie Delpy) Branden. They want to interview her about the social and psychological implications of her novels. Ayn uses them as examples of the young fresh people who read her novels. Returning home, Barbara says that she's felt as though Rand could read her innermost hidden thoughts. Nathaniel and Barbara kiss on the car, but she prevents her from going further. He has taken her back home: it looks that they are an unmarried couple.Later, Ayn Rand and Barbara have a conversation, and the former concludes that Nathan is the perfect man for Barbara, but the young girl doesn't feel love within her. Rand says she sees herself in Barbara's confusion. Barbara promises not to disappoint Rand ever. They return to the cocktail party. There, Nathan hears about Rand's new novel, entitled Atlas Shrugged . The man who wanted to write a script about Rand's previous novel is pushed to quit the project because he feels guilt - a feeling which Rand doesn't approve of.A scene of Barbara and Nathan making love. Next step, it's their wedding. Rand attends the wedding and dances with Nathan. She starts to feel that Nathan may be the person who will carry on her work. When she tries to speak to Frank, he's busy gardening. Ayn tells him that she wants to live in New York. However, Fran loves their mansion in the countryside. Ayn tries to make love to him passionately to convince him. She shouts to him "Why do you always have to ask for my permission?", so he tears her beautiful dress into pieceds.New York. 3 months later. During a taxi ride, Nathan reads Rand's book. Barbara writes in her diary about her own identity problems. The marriage calls on Frank and Ayn. She says that the dollar sign is her god. Nathan confides to Ayn that Barbara feels confused and needs guidance.That night, Nathan tries to make love to Barbara, but she is a bit passive, as usual. That night, Nathan doesn't want to make the effort. Barbara feels that she always has to fit an ideal. Barbara is outraged that he has talked about their bedroom problems to somebody outside the marriage. Each one of them sleeps feeling angry towards the other.In a later party, Barbara notices that Frank is sad and depressed as well, because he's having problems in his marriage too. Meanwhile, Ayn chain-smokes while writing her novel. She gets stuck because of her personal problems. Finally, she picks up the receiver to make a phonecall. She confides in Nathan. They both stay behind, sitting, while Barbara and Fran ice-skate. Barbara notices them whispering and smiling, as if they were in love.Once alone with her husband, Barbara tells him that Ayn Rand was in love with him. Nathan denies to be in love with her: he mentions that she's 25 years older than him. He says that Barbara's fears are ridiculous. He encourages her to control her emotions. At the same time, Ayn gives the silent treatment to Frank.Nathan finally visits Ayn Rand. At first, she feels outraged of having been misunderstood by Barbara. However, she finally puts it out there: she says she loves him. They kiss.Another day, Ayn defends her idea of lesser people having to accept the moral superiority of higher people like herself. She is proposing to maintain both marriages but allowing herself to have Nathan as lover. Her words about love come down to being proposing open marriages. Frank refuses to oblige with "this insanity". Nathan tries to talk to Barbara, telling her that he loves her, but that he must be with Ayn as well. Frank takes it the works, but at least Barbara offers her arm in consolation. Frank looks defeated, remembering how Ayn used to tell him that he was her ideal for a man. They both talk at a bar. Frank wasn't sure that was equal to love, but he accepted that. He also recognises that, at 54, he's got no job of his own, he's got no higher education: their lifestyle is financed by her on her own. He's got nowhere to go, so he's got no other choice. He tells Barbara that she's got a choice. Finally, Frank and Barbara decide to accept that Ayn and Nathan must meet twice a week at her mansion. Barbara can't stand Nathaniel to touch her, but Ayn is extra-warm towards Frank. While they are leaving, Nathaniel makes promises of love towards Barbara. She knows him and he loves her.Cut to Nathan and Ayn making love: this causes Ayn to enter a period of high creativity. She writes her ideology of love within her books. They see each other, and Nathan and Ayn go at it like rabbits in heat.Ayn sees her novel to spiral out of control in number of pages. She questions Caroline (Sybil Temchen) and other students about love. David (Donald Carrier) and other students (Tomas Chovanec, Patrick Garrow, Aviva Armour-Ostroff, Tara Meyer, Sergio Di Zio) are discussing the matter of love. Caroline wanted to become a teacher to teach others, but Ayn rejects that view, stating that Caroline is looking for appraisal according to her disposal to think of others before herself. Ayn throws another of her diatribes, this time addressing Barbara, who seems to feel dizzy. Meanwhile, a waiter (Daniel Enright), keeps on serving wine around them. Ayn says that the physical symptoms Barbara has been feeling arise from her anxiety. Caroline is eager to do whatever it takes to get better. Nathan tells her that she's not putting effort in getting better. Barbara leaves but Nathan does not go with her, not even to check that she's all right. Barbara has sweaty hands, breathes heavily, feels everything moving around here... Meanwhile, Ayn and Nathan are at it. Ayn picks up the phone, and Barbara asks her to visit them. However, Ayn gets furious, saying that it's all Barbara's fault, that she's brought her condition onto herself, that she knows that this is Ayn and Nathan's time... and Ayn hangs up violently. Barbara cries and has a panic attack. A man knocks on the phone booth and asks her whether she's alright. When Nathan arrives home, he enquires about the treatment of Barbara's illness.Barbara tries to please Nathan, but it's not working. Nathan keeps on treating Caroline, who wants to stop worrying about anybody else's.All of a sudden, Ayn finishes  Atlas Shrugged , after 12 years. Frank and Ayn dance to celebrate it, while Nathan keeps on staring at them, full of jealousy. Frank gives a painting to Ayn as a present. Ayn is very rude to people and rejects a price she's offered. Nathan makes a toast saying how important it was for him to meet his idol, Ayn Rand. She gets up and says that the people who surround her are all heroes and heroines, and also says that her ideology will not have preponderance during her own lifetime. She calls Nathaniel her inheritor. The waiter keeps on bringing liquor to Frank. Nathan finds Frank completely downtrodden and drunk at the end of the party.Caroline reads what she's written, to the effect that she won't care about other people's feelings. She tells Frank, her psychiatrist, that she can't stop thinking about him. They kiss, but Frank says that that can never happen. They separate themselves, only to end up making love in bed.Richard (Tom McCamus) phones Barbara and asks her to see him. For the first time in a huge amont of time, Barbara looks happy. In front of a billboard announcing Bill McManus, they see  Atlas Shrugged  in the shop window of a book shop.A journalist (David Ferry) interviews Ayn, who defends that better people have been enslaved by the morality of poorer people, who should not be taken into account. People should be selfish, Ayn says, and until they are, America won't get better. Barbara watches on her own. Ayn only loves reason. Rand has to defend herself of bad critics, who calls her a fascist.When Frank takes dinner to her in her bedroom, she complains that nobody defends her or her books. Frank is in silence, and sighs. He leaves her crying. Frank turns to painting when Nathan arrives. He gives a massage to her. The Brandens give conferences about Rand's ideology. A young man (Andrew Dolhan), asks Ayn Rand to make an outline of her philosophy standing on one leg. He's vooed by the audience, but Ayn Rand complies.Barbara has realised that there's something between Caroline and Nathan, so she pursues Richard. They kiss passionately. Barbara asks Nathan permission to see Richard, but he thinks that it's a way of degrading herself, as Richard is so below him. Barbara tells him that she knows about Caroline. Even though he denies everything and calls Barbara paranoid, Nathan is worried of Barbara telling Ayn about it. Richard and Barbara see each other. Caroline also wonders what she means to Nathan. They kiss, and she says she loves him.Los Angeles, 1964. Rand talks about her novels and ideology. People argue with her ideas. In a private dinner afterwards, Nathan wants to discuss business, but Ayn realises that he's changed towards her a lot. Nathan says that his marriage is falling apart because Barbara can't change her petty views. Ayn recommends Nathan to free himself for once and all. A young waiter interrupts the conversation to ask Rand for an authograph.Nathan looks at Caroline, who now works at the Branden Institute. Finally, Nathan admits that he's been sleeping around with Caroline to Barbara. Barbara thinks he's got no principles at all. Barbara wants a divorce.Frank explains a painting to Barbara. Ayn asks Barbara why Nathan's love is lost to her, meaning to Ayn. Caroline tells Nathan, who's giving out a conference, that he must see Ayn at once. He leaves the conference unfinished. Ayn feels humiliated, because Nathan owes all his success to her. Nathan has fallen in love with Caroline. Ayn slaps Nathan three times and puts him out of her house immediately. [That's what Barbara should have done a long time ago]. Barbara tries to offer some consolation, but Frank does nothing, as usual.Frank goes out to the conference room, where he says that he has broken up with Ayn Rand, but that shouldn't matter to the supporters of positivism. His nose bleeds while he speaks. He resigns from the institute. Barbara hugs Nathan. Caroline appears, and even though Barbara stares hard at her to make her go, it's finally Barbara who leaves. When Caroline hugs him, Nathan whispers that he's free at last.Ayn wants to destroy Nathan. Finally, Barbara stands up to Ayn, who's on a hunt for Nathan's head. Barbara asks Ayn to show compassion; she also asks Frank to speak on Nathan's behalf, but Frank, drinking as much as usual, says he's never understood anything. Barbara decides to leave Ayn for good, to which Ayn coolly replies that she's disappointed on her.Los Angeles, 1981. Miss Rand answers questions wittyly in a conference, until somebody asks her what the nature of love is. At the beginning, she's confused, and thinks that it's a young Nathaniel Branden who's asked her that. She says that it's the command to rise to one's potential, that it's the greatest moral achievement and that people love superior things.Years later, Barbara takes some flowers to the tombstones of Frank O'Connor (1897-1979) and Ayn Rand O'Connor (1905-1982). Barbara leaves with her new partner.Images of the Chrysler building and New York at night.---written by KrystelClaire

Review: I agree with Wayne Tolmachoff's review, published here, and with director Christopher Menaul's statement that Ayn Rand probably would have been horrified by the intimate nature of Barbara Branden's fascinating biography of this highly individual and talented novelist/philosopher.
At the same time, Mirren's performance hints at the vulnerability, isolation and loneliness that Rand must have experienced as she destroyed or abandoned one important personal relationship after another.
Whether you love Ayn Rand or hate her, this film makes a powerful impression..
(I then discovered that "The Fountainhead", a very good piece of cinematic work, was based on her book.) But I am basically writing this only to correct what a reviewer said (back in September 2001), quite emphatically and with considerable reasoning behind the statement: that Ayn Rand shouldn't have been portrayed by an "American actress".
The role of Ayn Rand was played by Helen Mirren, a truly great British actress.
As an Ayn Rand fan who is interested in anything about the author, I couldn't be sure that this movie was as good a drama as I thought it was, so I showed it to intelligent friends who don't know her work.
This film is about the mesmerizing personality of Ayn Rand and the effect it had on the life of a disciple, Barbara Branden, and that of her husband, Nathaniel Branden, and, perhaps most pitiably, on the life of Rand's husband, Frank O'Connor.
This dramatization of about 17 years in the mid-life of novelist Ayn Rand focuses on her intimate relationship with one of her much younger disciples, one Nathaniel Blumenthal, who changed his last name to Branden (get it?
Although the heart of the film is the love relationship we are also introduced to the social circle of the controversial Rand whose novels featured larger-than-life heroes whose glaring individuality and egoism pit them against the common mass, or "second handers" as Rand called them; she elevated personal selfishness to a high ethical principle, and revered the capitalist way of life.
The film is set during the period when Rand was writing her last mammoth novel, ATLAS SHRUGGED, which she believed would rock the world and spark a revolution of human creativity and a rebirth of individualism and entrepreneurial, creative spirit.
Through the device of capturing snatches of conversation at dinners and small meetings as well as question-and-answer sessions at public gatherings, the film takes the time to explore the mind-set of the Rand followers, including the ugly confrontations within the innermost circle as members are emotionally humiliated for not uttering the correct Objectivist formulations in deadly group meetings in Rand's smoke-filled living room.
The makers of this film probably felt the TV audience wouldn't sit still for too much cerebral content so some may wonder why people felt so strongly about Rand that they would attach themselves to her the way her followers did.But the real power in this TV movie comes across in the four central performances by Helen Mirren as Ayn Rand, Peter Fonda as her passive, dispirited, alcoholic husband, the always excellent Eric Stolz as "Branden" and Julie Delpy as his long-suffering wife.
It was a couple years before we learned that there had been a split between Ayn Rand, Nathaniel and Barbara Branden -and many more years before we learned the split had occurred years before we were told about it.
(And it was clear that information was covered up, repressed for years.) So when Barbara Branden came out with, The Passion Of Ayn Rand, and it later was made into the movie - I paid attention and compared what was presented with my memories.
I like the movie's frankness for it shows how damaging Rand was to other people's relationships and how disappointed she was with the men in her circle who consistently fell short of her fictional male characters.
The movie should be seen by all those who have read Rand's works and know at least something of her actual history.
For those who are not aware of the Ayn Rand mystique, she was a philosopher who presented her ideas in the form of novels, most notably, "Atlas Shrugged", "The Fountainhead" (also a movie with Gary Cooper and Patricia Neal), and "We The Living".
Helen Mirren does an outstanding job of portraying Miss Rand; she has copied the look and mannerisms and attitude of a unique individual, revealing the strength of character that drove this woman whose ideas radically changed our culture and still do..
Having read almost all of Rand's works and considering her a brilliant philosopher and writer, I was apprehensive about seeing her personal side in a movie.
Hoving subscribed to her newsletter, 'The Objectivist', I will never forget the short column she wrote therein, something to the effect "Nathaniel Branden is no longer associated with me, etc" (after she had dedicated Atlas Shrugged to him).There is a human side to every hero.Above all, read 'The Fountainhead', her greatest work.
This film will be a valuable resource for the ingenue researching Ayn Rand's life and work for the first time.
The film succeeds because it portrays Ayn Rand's character in all of its complexity without emphasizing any one single as- pect.Some of Miss Rand's devotees may find this production oversexu- alized, but as someone familiar with her life and work, I find the account of her behavior and her thinking to be consistent with much of what I've read about her and heard in interviews.
Considering Ayn Rand's passion for the consistency of principle and action, this film is in no way disparaging to her in character, even while it may not be as compli- mentary as some would like.In fact, this movie may become an important historical resource for those who are unfamiliar with Miss Rand's life and work and want to research her.
Even though Helen Mirren absolutely nails the part and does a great job of capturing the image of Ayn Rand, we just don't get much of a movie here and the whole production smacks of 'made for tv.' I've always been a big fan of Ayn Rand, even though I'm a liberal, and I guess I hoped for something with a little more quality about her writing, philosophy, and the unusual woman she actually was, you know, the passion of Ayn Rand..
"Ayn Rand wouldn't like this movie" said director Christopher Menaul prior to its premier at the Sundance Film Festival.
Based on the biography by Barbara Braden, this film focuses on the later years of Ayn's life and her affair with an associate.
Instead, this film covers the sexual passion, which is only a minute element of the complexity of Ayn Rand.
Of particular merit are Julie Delpy as Barbara Braden and Peter Fonda accurately portraying the meek Frank O'Connor.A movie should be judged by whether it is the best product that can be created by the elements being used.
"The Passion of Ayn Rand" picks up the story of the best selling author and intellectual after "The Fountainhead" and continues through the publishing of "Atlas Shrugged".
Although the film spends about equal time between the bio of the brittle and eccentric Rand (Mirren) and the sundry affairs of her closest friends and like-minded followers it does not crystallize the philosophies which established her as a prominent intellectual of the time.
The film lays bare her inability and also her disciples, to practice what they preach.It may not be a profound revelation that Gurus often succumb to human frailties and are unable to overcome the adversities they advocate against, but this movie is a thoughtful rendering based on the non-fiction book of the same name.
In the movie, they show  a young woman, in front of Rand and Nathaniel Branden (Eric Stoltz),  coming to tears for not having the correct interpretation of some  behavioral peccadillo.
We see a  very important part of Rand's life, Rand's husband, Frank O'Connor  (Peter Fonda), as well as Barbara and Nathaniel.
It starts with Barbara and Nathaniel  coming to meet Ayn Rand at her home in California...
This film depicts what I suspect Ayn Rand was really like in her personal life: bitter, angry, lacking in self-confidence and intensely  concerned what people thought of her.
But, since that philosophy is so anti-people, it is easy to understand why not even the person who formulated this outlandish theory -- nor her most ardent follower, Nathanial -- would be able to live up to it.Near the end, Nathanial's wife, Barbara, contradicts Ayn by saying something like, "compassion: it's what humans do" to Ms. Rand.
This, for me, neatly sums up what Ayn Rand's life was about: the antithesis of compassion.Though the film itself is nothing spectacular in its acting, script, effects or direction, the message it puts forward is important.
This is not awful based on production qualities, but rather in the domain of justice.To honestly understand the perspective of the authors, Barbara and Nathaniel Branden, and what they are hiding, see the book, "The Passion of Ayn Rand's Critics" by James Valliant.Ayn Rand is so controversial because she challenges the premises of those in power, from religion, to politics, to academia.
I hope every fan of Ayn Rand's Novels and Philosophy would sit down and view this film.
Barbara Branden's (Ayn's best friend and Wife of Nathaniel Branden) Book tells the disgusting truth that would make a sailor blush.
Helen Mirren is brilliant as Ayn Rand playing her with such honesty that one wonders which one of the artists is on display.
Peter Fonda proves once again that he is one of our finest actors playing Ayn's supportive alcoholic husband.For those of you who felt that Ayn Rand's Novels "changed your life," I suggest that you view this film and see what kind of behavior spurned such "Heroic Individualism" which in my opinion is crap served up as an appetizer.
I have always wanted to know more about the life of Ayn Rand.
I am biased in a way, because I have such a high respect for her work, so I can only comment on the movie's overall content with regards to Ms. Rand's character.
On the other hand, the movie sheds a lot of light on where Rand was in her life during the writing of Atlas Shrugged.
"The Passion of Ayn Rand" is an interesting film about the famous and controversial philosopher, adapted from a book by Barbara Branden.
Due to the fact that the script was derived from Branden's book, the emphasis is on her and her bad marriage and less on Rand and her philosophy.In the movie, Rand (Helen Mirren) becomes involved with Nathaniel Branden (Eric Stoltz), a psychiatrist 25 years younger than she is (and Barbara's husband), and sets up the Nathaniel Branden Institute.
Barbara, well played by Julia Delpy, was an insecure woman, and his marriage to her was not satisfying.Peter Fonda does a fine job as Rand's husband, Frank O'Connor, a man Rand loved, but who himself just went along with her and concentrated on things like painting and gardening.
That's a true story, too.I know something of Ayn Rand from reading The Fountainhead and seeing her interviewed.
A good example of her philosophy is the phrase "Ask not what your country can do for you but what you can do for your country" which she considered to be the wrong way around.The problem with Ayn Rand's philosophy is that, like many philosophies, it's impractical.
I have watched this movie several times.I read Ayn Rand's four major works the first time before I was 16 years old = "We the Living" 1936, "Anthem" 1938, "The Fountainhead" 1943 and "Atlas Shrugged" 1957.
My faith in GOD and his SON Jesus is total.I think the movie "The Passion of Ayn Rand" is well done and reflects the powerful emotions involved between the four individuals = Ayn Rand, Frank O'Connor, Nathaniel Branden and Barbara Branden.I am 41 years younger than Ayn Rand.
From 1993 through 2010 the four significant Ladies in my life are each and every one 24 years younger than me.For me in my life I blend the philosophies of "Atlas Shrugged," 1957 by Ayn Rand and "Stranger in a Strange Land," 1961 by Robert A.
I believe that Ayn Rand found fulfillment in her life and spirit.I recommend the movie "The Passion of Ayn Rand."I have watched the first two "Atlas Shrugged" movies several times.
This film was based on the memoir of the same name by Barbara Branden, and it's exactly the kind of thing you'd expect a woman to write about her husband's affair with an iconoclastic and wildly popular older woman.
The viewer gets spots of her philosophy here and there, but never enough to fully understand what she's talking about--just enough to convey the image of a woman who's totally convinced of her own beliefs.The film gives few details about why Rand was such a revered philosopher, but this isn't a biography so much as the recrimination of a woman who consented to her husband's affair and then regretted it..
Bringing to life the nearly mythic figure of philosopher Rand, a nearly unrecognizable Helen Mirren turns in a brilliant performance as a character trying to rise above human frailty but ultimately failing to resist being dragged into the depths of childish emotionalism and petty jealousy.
Eric Stoltz, as Rand protege Nathaniel Branden, is convincing as a youthful visionary, but as the three-decade span of the story develops, his baby face stands in the way of his character's advancing age and cynicism.
Ultimately, he looks like a kid dressed in his father's suit, smoking his father's cigarettes.The film is very unflattering to Ayn Rand, especially in its up-front display of Objectivism's arguably inhumane side, unbalanced by any mention of the rigorous logic that Rand applied in developing her views.
The movie held my attention because I kept wondering what she would do next, especially when she was seducing a much younger man.Unfortunately, she failed to make us understand why Ayn Rand had such a hold on (some) people.
I didn't rate the film (having not seen it and having only read the book) but I comment here to note that the documentary "Ayn Rand - A Sense Of Life" is a necessary counter-comment to the Brandens' later statements of these events, some of which form the book.
From the very beginning of The Passion of Ayn Rand there is a feeling that one is watching people fall down a well, one after the other without concern for their own well being - never mind others (that would altruistic and therefore, forbidden).
As I mentioned; the film is worth seeing for Helen Mirren, but otherwise I recommend Rand's writing, as time much better spent.For those who still would like to see it, I believe it would be useful to know both sides to the conflict between the Nathaniel Branden camp and the Ayn Rand camp.
I have never heard of Ayn Rand, and I was disappointed we didn't get to hear more about her philosophy, and why so many people objected to it.
The film is completely without meaning and I would like to argue it was made solely by opposers of rand's philosophy to discredit her.
This film came out in 1999, more then 15 years after the death of Ayn Rand.
Although the film promises a narrative on the celebrated writer and philosopher, Ayn Rand, the actual script seems to focus as much on other people.
Having read her book Atlas Shrugged, her Playboy interview, and subscribing to the Objectivist Newsletter for a time, I was familiar with Ayn Rand's philosophy.
Therefore any other portrayal of her ideal diminishes the viewer's perspective.**Below there are a few spoilers included to show the flaws of this film to followers of Ayn Rand's Objectivist philosophy.Strangely, this movie doesn't seem to be primarily about philosophy, but rather the torments of an extra-marital affair.
Her husband, Nathaniel (an egotistical and sex-hungry psychologist), has an affair with Ayn Rand.
The film begins to get gray here in that it doesn't fully the develop the reason for Barbara Branden's non-sexuality, which in part fosters Nathaniel's cheating on her.
Strangely, Barbara once again appears noble as she defends her husband's destruction before Ayn.If I haven't explained it to you Ayn Rand's fans clearly enough, this movie is full of holes in her philosophy.
I'll quote a line from Nathaniel Branden in the movie, "A philosophy should not be judged by the actions of its teachers."  This statement surely applies to this film!
However, I wonder just how "objective" a testament Barbara Branden gave when she wrote the book this film is based on.
The movie begins with the success of "The Fountainhead" by Ayn Rand (Helen Mirrin) and covers the next fifteen or so years of her rise to the top of a collective movement known as "objectivism," which became a kind of cult with Rand as the golden-gowned Inca empress.
Rand and Branden's sex-life is presented as having helped her give birth to "Atlas Shrugged".
And this too is a fascinating insight and, to my mind at least, doesn't diminish her philosophy one bit.The main difference, though, between the film and the book is that the movie doesn't have the time to tell Ayn's whole story, nor does it even attempt to.
The performances are excellent, especially Helen Mirren as Ms. Rand, and it really brings to life what the whole thing must've been like.But one really does worry what the uninitiated come away thinking.
It's really not that the movie is trying to do a hatchet job on her, it's just that, because it doesn't have the time or interest to actually go into her philosophy, there's no way you could really figure out what Ms. Rand was really on about, from the few stray comments she makes out of context.Mind you, some people who DO know her work still think she's a crack-pot.
POSSIBLE SPOILERS!!This is not the best movie or work made about Ayn Rand.