Some Like It Hot
Tags: entertaining, cult, comedy, murder, romantic

Plot synopsis:
Joe and Jerry, a saxophonist and bassist, respectively, are two working-class musicians, working in a Chicago speakeasy in February, 1929. Though they have steady work, they still owe money to many of their friends. However, Joe, the optimist, isn't worried since the gig they have seems to be stable. Joe does flirt briefly with the idea of taking all the money he and Jerry have and betting it on a greyhound race but the plan is soon discarded.Fortune changes a few minutes later when a police officer, Mulligan, working on a hot tip from a mob informant, Toothpick Charlie, raids the place for illegal liquor sales. The speakeasy itself belongs to Chicago's most notorious mob boss, Spats Colombo. Joe and Jerry barely escape the raid. Jobless, they try to figure out a plan to earn money; Joe suggests they hock their overcoats and bet the money on a long shot at the dog racing track. Joe's plan fails miserably and the guys are more broke than ever during a bitterly cold Chicago winter.Joe and Jerry go to the offices of their talent agents, whom have no work for them. They go to the last one, Sig Poliakoff's, where Joe talks to the receptionist, Nellie, whom he has been dating. She tells him that Poliakoff has openings for a sax player and bass player in a band that will be traveling to Florida. In Sig's office, Sig is on the phone frantically trying to find replacement musicians for Sweet Sue, the band's leader, and her assistant, Beinstock. Sue's band is all-female and she has a strict "NO MEN" policy; Sue's frustrated because one of her players got pregnant and another ran off to get engaged. Jerry and Joe, not knowing Sue is looking for women, burst into Sig's office and ask for the gig. Poliakoff informs them that they're the wrong gender, but he does have a gig in Urbana, Illinois, for one night. Joe and Jerry accept and con Nellie into loaning them her car to drive to the gig.Joe and Jerry go to the garage where Nellie's car awaits. A group of shady-looking men are playing cards in the corner, one of them is Toothpick Charlie. While the mechanic fills the car with gas, a large limo rolls into the garage and several gang members, armed with shotguns and Thompson machine guns get out. Joe and Jerry hide behind Nellie's car while everyone else is lined up against the wall. The gangsters who burst into the place work for Spats Colombo, who steps from the limo. He has come to Charlie's garage seeking revenge for the speakeasy being busted. He gives the command and his men slaughter everyone against the wall (a reference to the infamous St. Valentine's Day Massacre perpetrated by Al Capone). The gas nozzle in Nellie's car suddenly pops out when the tank is full and clatters on the ground, drawing the attention of Spats' men, who see Joe and Jerry. Spats orders them to be killed too, while at the same time, Charlie, still alive, tries to reach a nearby phone. Spats grabs a Thompson and kills Charlie, temporarily forgetting Joe and Jerry, who escape. One of Spats' goons shoots at them but only succeeds in hitting Jerry's bass. Joe and Jerry, now on the run, call Poliakoff's office, planning to fool their agent into thinking they're the women musicians needed for Sweet Sue's band.Joe and Jerry, dressed as women, arrive at the train station. They use false names; Joe becomes Josephine and Jerry becomes Daphne (he'd originally agreed to be Geraldine, but tells Joe he never liked the name). They meet Sue and Beinstock and fool them effectively enough to be hired. They also spot the band's singer and ukulele player, the attractive and blond Sugar Kowalczyk. Both men are instantly attracted to her, especially Joe.During a band practice on the train Sugar drops a flask of bourbon; alcohol is strictly forbidden by Sue. Beinstock reminds Sugar that he warned her not to hide liquor, however, Jerry tells them it's his flask and covers for Sugar. Later that night, Sugar sneaks into Jerry's berth to thank Daphne for covering for her. Jerry suggests that they both share a drink of whiskey, which Jerry steals from Joe's suitcase in the berth below his. The other women in the band quickly discover Jerry and Sugar and assume they're having a party. Joe and Sugar go to the ladies' room to prepare some ice and during their conversation, Sugar tells Joe that she's had bad luck with romance and men and that she has a soft-spot for saxophone players. Joe is floored but keeps his composure and they share a drink together. In his berth, Jerry finds that the other girls are becoming a bit too physical and, afraid they'll find out his true identity, pulls the emergency cord, stopping the train. All the girls spill out of his berth and the party grinds to halt, Sweet Sue flustered by the whole ordeal.The train arrives in Florida and the band is taken to their hotel. Joe leaves Jerry to carry all their luggage and as Jerry climbs the steps to the entrance, he loses a shoe. A rich man, Osgood Fielding III places it back on her feet and proceeds with improper advances toward Jerry's alter ego. Jerry fights the man off after he gropes him in the elevator. In their room, Jerry tells Joe they should leave the band and go further into hiding. Joe tells him they should stay in disguise since Colombo's gang would never look for them in an all-woman band. Joe is also attracted to Sugar, though he doesn't sight that as a reason for staying, and has his own plans to woo her. Sugar shows up and invites the two to the beach; Jerry joins her but Joe declines. After they leave, Joe takes out a suitcase he'd stolen from Beinstock (along with the man's glasses) and dresses up in a fashionable sailor's outfit. Joe goes down to the beach and sits in a chair, reading the Wall Street Journal. He attracts the attention of Sugar and presents himself as an heir to the Shell Oil Corporation. Sugar begins to flirt with him, however, he remains aloof, telling her he's waiting for a signal from his yacht offshore. Jerry happens by and instantly recognizes Joe. He convinces Sugar to go back to his and Joe's hotel room to expose him as an impostor. Joe beats them back there and they find him in the tub, covered with bubbles and posing as Josephine. Sugar tells Josephine that she's probably met a millionaire and she leaves. When she does, Jerry launches into a tirade about faking an identity on the beach and that Joe is trying to take advantage of Sugar. Joe responds by rising out of the tub, still in his Shell Oil Jr. outfit, and plops his wet wig down on Jerry's head. Jerry receives a ship-to-shore call from Osgood: Osgood wants to invite Daphne to have dinner with him aboard his yacht. Joe takes charge of the invitation and tells Jerry to persuade Osgood to take him to a dinner and dancing club instead of the yacht. Joe will go to the yacht as Shell Oil Jr. with Sugar.That night, while Joe & Jerry play with the band at dinner, Jerry receives a giant bouquet of flowers from Osgood. When the gig ends, Joe rushes back to his room and assumes the disguise, while Jerry and Osgood go to the restaurant. Joe arrives at the dock just before Sugar and takes her to the yacht on Osgood's boat. While the two have drinks and eat, Joe again acts aloof towards Sugar, trying to persuade her to kiss him. At first he acts as though he has a psychological block that prevents him from enjoying their romantic evening, but Sugar eventually turns him on. On the shore, Osgood and Jerry dance the tango all night.Sugar and Joe return to the mainland, apparently in love. He bids farewell to Sugar and climbs up to his room where Jerry is lying on one of the beds. Jerry tells Joe he's engaged; when Joe asks "who's the lucky girl?" Jerry says he is himself because Osgood proposed to Daphne. The two have a brief debate where Jerry reveals his plan to marry Osgood and tell him the truth right after the ceremony. He plans to extort a large settlement out of Osgood and live on the alimony checks he believes he'll receive. Joe convinces Jerry that he's committing fraud and will be caught. Jerry shows Joe the pricey diamond bracelet Osgood gave to him as an engagement gift, saying he'll return it. Joe suggests they keep it, perhaps thinking they can hock it for cash.In the hotel lobby, Spats Colombo and his goons arrive for a convention of "Friends of Italian Opera", which is actually a meeting of organized crime gangsters. The organization and meeting are being led by Little Bonaparte, the most powerful gangster there. Bonaparte already has a rivalry with Spats, which has been exacerbated by Spats' murder of Toothpick Charlie, who was a good friend of Bonaparte. Jerry and Joe, in the lobby, spot Spats and his crew and immediately get into the elevator to return to their room. Just as the doors are about to close, Spats and his men enter the elevator; Jerry and Joe's disguises work on them and they make it to their room.They pack hurriedly and Joe wants to take care of one last detail: Sugar. He calls her and once again uses his Shell Oil Jr. voice, telling her that he has to leave suddenly. His parents have told him to marry a woman who is the daughter of another millionaire with a large empire. As a final gesture, Joe leaves a bouquet of flowers outside Sugar's room with Osgood's diamond bracelet (the gift to Jerry) hidden inside. Sugar is devastated but accepts the gift.Jerry and Joe climb out the window to avoid running into the gangsters again. However, their path takes them right past Spats' balcony and they're spotted. Spats grabs the bass Jerry left behind and sees the bullet holes from when the two escaped in Chicago. Spats and his men chase them through the hotel but lose them. At one point, Jerry and Joe disguise themselves as a bellhop and a man in a wheelchair and duck into a banquet room, the same room all the gangsters will be eating dinner in. While they hide under the huge table, a pair of shoes with spats on them slides under the table. The two sit still and wait.Little Bonaparte begins the meeting with a lengthy criticism of Spats himself, admonishing him for the assassination on Valentine's Day. Bonaparte seems to forgive Spats' indiscretion and lightens the mood by announcing they will celebrate Spats' birthday. Spats points out that his birthday isn't for a few months but Bonaparte insists they still have a large cake for Spats. After the cake is brought in, the entire room sings to Spats and a gangster pops up out of the cake and shoots Spats and his crew with a Thompson. Jerry and Joe burst out from under the table and run out of the room. Just as Little Bonaparte orders his men to catch them, Chicago cop Mulligan walks in and demands to know what happened. Bonaparte avoids the question and Mulligan promises to start a federal investigation.Jerry and Joe retreat to their room, fixing their disguises once again. They overhear a gangster saying that they've got all the standard escape routes covered. Joe realizes that they can escape on Osgood's yacht and tells Jerry to call the millionaire and accept his marriage proposal. Before they leave, Joe wanders into the dining and dancing hall of the hotel and sees Sugar singing "I'm Through With Love". Moved, Joe approaches her and kisses her. Sugar realizes who Josephine really is and leaves the band, following Joe and Jerry to Osgood's speedboat. They all board it and head for the yacht. Joe tries to tells Sugar that he's a cad who took advantage of her and that he's a sax player who will only treat her badly. Sugar doesn't care and kisses him anyway. Jerry begins to tell Osgood that he's equally as treacherous, that he smokes and can't have children, however Osgood doesn't care. Jerry, frustrated, finally pulls off his wig and tells Osgood he's actually a man. Osgood replies, "Well, nobody's perfect."

Review: I can't remember ever having a better time on stage than I did with "Sugar," and it's all due to the irrepressible talents that instigated it all.In the 1959 classic, Curtis and Lemmon play two ragtag musicians scraping to make ends meet in Prohibition-era Chicago during the dead of winter who accidentally eyewitness a major gangland rubout (aka the St. Valentine's Day Massacre).
gangster, Joan Shawlee shows off a bit of her stinger as the by-the-rules bandleader Sweet Sue, Mike Mazurki overplays delightfully the archetypal dim-bulbed henchman, and, if I'm not mistaken, I think that's young Billy Gray of "Father Knows Best" fame (the role is not listed in the credits) playing a snappy, pint-sized bellhop who comes on strong with the "girls."For those headscratchers who can't figure out why the so-called "mild" humor of "Some Like It Hot" is considered such a classic today, I can only presume that they have been brought up on, or excessively numbed by, the graphic, mindless toilet humor of present-day "comedies."  There was a time when going for a laugh had subtlety and purity - it relied on wit, timing, inventiveness and suggestion - not shock or gross-out value.
It is one of the true classics in the history of film.I know one thing: Marilyn Monroe never looked hotter!The film is a wonderful combination of comedy, action, suspense and romance with great old-time gangster scenes played out first in Chicago and then in Miami Beach.
George Raft and Nehimiah Persoff are just great as gangsters.The stars, though, are Monroe, Jack Lemmon and Tony Curtis but you can also enjoy performances from famous known actors like Pat O'Brien and Joe E.
What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne.
Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities.
There appears a gorgeous singer , Sugar Kane (Marilyn Monroe) , who is object of pursuit by the musicians (Jack Lemmon , Tony Curtis) who cannot reveal their identity because are dressed as women in order to getaway from killer gangsters' retaliation .
After that , they wrote/produced/directed such classics as ¨Ace in the hole¨ , the touching romantic comedy ¨Sabrina¨ , the Hickcoktian courtroom puzzle game ¨Witness for the prosecution¨ and two movies with the great star Marilyn Monroe , the warmth ¨Seven year itch¨ and this ¨Some like hot¨.
The film opens in 1929 Chicago during Prohibition, where Spats Colombo (George Raft) and his gang gun down seven men in a car garage A couple of small-time Jazz musicians witness it and flee To avoid the mob, Joe (Tony Curtis) and Jerry (Jack Lemmon) disguise themselves as women and attach themselves to an all-girl band Joe calls himself Josephine and Jerry calls himself Daphne The orchestra takes a train to play an engagement in Florida...
On board, the two men have a hard time keeping cool with all the beautiful girls around, especially during a late-night pajama party in a Pullman sleeper Needless to say, Joe falls in love with the sensual Sugar (Marilyn Monroe), a luscious ukulele player and singer with the troupe Once in Florida, Jerry meets a really wealthy bachelor Osgood Fielding (Joe E.
Of course, Jerry is still dressed as Daphne, and the seven time divorcée proceeds to pursue Daphne Joe wants to romance Sugar but knows that he needs a wealthy front The boys think they are safe until the gangsters arrive at the same Miami hotel to attend a gangsters' convention Marilyn sang three songs in the film: "I'm Through with Love," "I Wanna Be Loved By You," and "Running Wild."The movie's closing line is one of the most celebrated in movie historyThe film won an Oscar for Best Costume Design and was nominated for six Academy Awards Irresistibly funny this black-and-white shot comedy is a definite must-see!.
One of the all time great screen comedies, Some Like It Hot stars Marilyn Monroe, Tony Curtis, and Jack Lemmon at their best.
Billy Wilder, one of the all time great directors, co-wrote and directed this fantastic movie.Set in 1929, Lemmon and Curtis are out of work musicians who witness the St. Valentine's Day Massacre.
After playing witness to a routine gangland shooting, two penniless Chicago musicians, Joe and jerry decide it is the perfect opportunity, to remain safe and get paid a easy buck when they decide to take up residence in an all girl band heading to Florida, crossed-dressed as Josephine (Tony Curtis) and Daphne (Jack Lemmon).
But with the only simple aim of getting paid and avoiding the mob, things soon get a little more tricky when a ditsy singer named Sugar (Marilyn Monroe) captures the heart of' Josephine' and a eccentric playboy millionaire falls for 'Daphne'.Some Like It Hot is one of those rare occasions, where everyone involved is at the very peak of their powers.
But you can't talk about Some Like It Hot, without mentioning Tony Curtis and Jack Lemmon, who were absolutely perfect for their roles, each adding a feeling of assuredness to theirs, as well as bucket full's of originality with every facial expression as well as every line.
Initially I was not convinced by Marilyn Monroe, as I felt she was slightly overrated, but in her role as Sugar, she brings a lot of composure to the role adding balance to the high energy of Tony and Jack, but still getting her laughs not through straight jokes but by simply being able to deliverer every air headed line with great delivery and timing.
Jack Lemmon gave one of the most hysterical performances I've ever seen; add Tony Curtis, Marilyn Monroe, and one hell of a script and you have the classic comedy that all others must try to live up to.
This is the exception.Every time I watch this film, I notice something else that makes me laugh - I cannot think of a weak performance or a dodgy line.I love the fact that George Raft gives the impression that he was not told that it was a comedy and plays the chief mobster completely straight.
This is, of course, not the case for films like "Tootsie" and "Some Like it Hot" in which Billy Wilder using black and white instead of colours turns down the importance of the change of sex in many ways so that you can concentrate on the comedy which is extraordinarily well timed with a spiritual dialogue.
The acting of Jack Lemmon, Tony Curtis, and Marilyn Monroe, not to mention Joe E Brown, Pat O'Brien and George Raft is out of this world, and of course it is possible to make a mafia war comical.
Like when a small berth in a train sleeping car in a few seconds is overcrowded with beautiful girls mixing Manhattan-drinks in their hot-water bottle while Jack Lemmon is desperately trying to remind himself that -- just then -- he is a girl, and Marilyn Monroe in seconds (with her back towards the camera!) produces perfect small, square ice-cubes out of a huge ice block.
Sit back and enjoy this comedy, I don't believe in greatest this and that when it comes to films, but boy, this is superb.The acting here is fantastic, all actors, even Monroe are on top form.The direction by Wilder is superb, the guy's style in this picture is perfect.
Highlights include Tony Curtis's Cary Grant impression (for those of you uneducated in the fabulousness of Cary Grant check out Bringing Up Baby, also on this term), Jack Lemmon being romanced in great style - which leads to just about the best last line of a movie of all time - and Marilyn looking glorious of course.If you've never seen this movie you really really should; if you already have then I am sure you need no persuasion to see it again!.
What a great cinematic experience it is to view Some Like It Hot. The movie provides you with a bit of everything from madcap action, screwball comedy, mob drama, and campy romance, along with a little sugar on top in sweet sensation, Marilyn Monroe.
Although I will say it does take a while for it to get going (namely when they start walking around in wigs and dresses mainly because while there were a couple funny lines beforehand it does get better) and I will say they did save the best joke for last, it does emphasize the right way to end a comedy.If there were any complaints with this I would say it's probably Tony Curtis' relationship with Marilyn.
The story itself is pure comedy gold; the unhappy jazz-musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are witness to the St. Valentine massacre in 1929 and flees from Chicago with an all-girl-band who's headed for Miami, dressed up as "Josephine" and "Daphne".
Soon both are hooked on Sugar Kane (Marylin Monroe), the band's lead singer - but things gets more complicated when arrived in Miami, Daphne attracts a elderly playboy and the gangster of Chicago arrives at the Floria-hotel to have a mafia-meeting.The work of the three participants in center is truly great; Marylin Monroe is at her most sexy and charming, Tony Curtis' brilliant control and Jack Lemmon is truly priceless at his peak.
The movie paces fantastically throughout opening scenes of Chicago, onto the train-ride (features fantastically funny moments of brilliant comedy timing) and arriving at the hotel in Florida, and the situations that occurs with the band, with playboy Osgood Fielding III, Marylin Monroe and the mafia.
To a hilariously great script, Directot Wilder added plenty of Hollywood Star Power in Miss Marilyn Monroe, Mr. Tony Curtis and Mr. Jack Lemmon.
Two struggling and apparently over-sexed Musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon) narrowly missed being arrested in a Police Raid on a Speak Easy run by big time Hoodlum, 'Spats' Columbo (George Raft).
Billy Wilder did this in "Some Like It Hot", the movie that may very well have been the best movie that he, Marilyn Monroe, Tony Curtis and Jack Lemmon ever did.Curtis and Lemmon play Joe and Jerry, two musicians in 1929 Chicago who have to flee a speakeasy before a police raid.
Having just enjoyed last year's 'My Week with Marilyn', where Michelle Williams plays Marilyn Monroe, the epilogue says that Some Like It Hot was her next film and how it was a huge hit.After the semi-scandalous shenanigans that occurred during the filming of that crazy, doomed film in question - The Prince and the Showgirl, it indeed would be very fitting to re-watch (the sixth, or seventh time?) this bubbly frothy classic, that actually starts out as a Prohibition- set gangster movie.Few films manage to instill one with excitable anticipation at a seventh viewing but this Billy Wilder scripted/directed one still does.
It's more than mere comedy, it has literally everything with a perfect cast playing, well, perfectly, with Jack Lemmon and Tony Curtis in drag (to fool the gangsters after witnessing a shooting) one of the most enduring double acts of all time.
The cries of it being a one joke movie don't carry weight because the final result is two hours of tongue in cheek winking entertainment that shatters that particular charge.The cast here are uniformly excellent, Jack Lemmon & Tony Curtis bounce of each other in a sort of lowest denominator camp extreme that makes for mirth in abundance, and Monroe may just give the greatest spoof {of herself} performance in cinema history as she plays up perfectly to her image so played out in the press of the time.
George Raft throws his lot in with a delightful caricature show, whilst Joe E Brown almost steals the film as Osgood, in fact he gets the icing on the cake final line that is now considered right at the top of the tree for closing lines.The off screen troubles with Monroe are some source of reference, and it really isn't my wish to waffle about stories that are available to you at a click of your mouse, what we know is that Wilder with the help of I.A.L. Diamond managed to create a much loved film that all involved can take as a legacy of success that the masses will enjoy for generations to come, it is what it is, 10/10..
Will make you forget all your worries and give you a good time, it atleast did for me.The movie is about two guys (Lemmon and Curtis) who cross-dress as women to play with an all-girl band.
Two good friends, Jerry (Jack Lemmon) and Joe (Tony Curtis), witness a murder by one of the biggest gangsters but manage to escape but instead of running to the police, they decide to hide from the gangsters by dressing up as two women who play in a band (I forgot to mention that their job is to play in a band).
Two Musicians happens two become witness of the St. Valentine's Day Massacre in Chicago and to escape they join a all-woman band that is going to Florida.Curtis, Lemmon and Monroe are fantastic in this film together.
The fun was that all it took for men to gambol with the chicks was their putting on dresses and wigs, and raising their voice an octave.The DVD shows the complete film with commentary by the son of billy Wilder's co-writer, Babaloo Mandell along with Jack Lemon and Tony Curtis, describing more than the technical aspects Most touching were how Marilyn Monroe resonated to the fictional character.
Curtis is at his best when courting Marilyn's Sugar Kane while sporting his Cary Grant impersonation and driving the boat backwards.There are so many classic comedy moments in this film, and though it is based on a 1935 French farce titled Fanfare d'Amour, Wilder and his co-writer and frequent collaborator I.A.L. Diamond made it their own by adding the gangster story line.
Hilarious film still delivers the goods, from Tony Curtis' Cary Grant impression (to win over chanteuse Marilyn Monroe) to Jack Lemmon inexplicably falling for a wacky elderly millionaire (the priceless Joe E.
A few years ago, "Some like it hot" was rated the greatest comedy ever made and though I do not much care for -- or believe in -- such ratings the fact is that I was readily in agreement with this one and I continue to think so.It is a film full of verve, sharp dialog, stinging one-liners, quick pace, imaginative chase sequences, and possibly the quickest-witted ending answer in the history of the cinema: Nobody's perfect!
Yep, too true, nobody is perfect - but in this movie director Billy Wilder came as close to the Holy Grail of a perfectly directed movie as I can remember: Marilyn was at her most sensual and in the best acting form I ever saw from her; Tony Curtis, Jack Lemmon, Joe E.
"Some Like it Hot" is Billy Wilder's classic farce about a pair of male musicians (Tony Curtis & Jack Lemmon) who join a female band in order to hide out from the mob.
Driven by the outstanding performances of three top-notch stars in Jack Lemmon, Tony Curtis and the one and only Marilyn Monroe, Some Like It Hot will make you smile, make you laugh and maybe even make you cry but only because you're laughing so hard at times.
SOME LIKE IT HOT (1959) **** Tony Curtis, Marilyn Monroe, Jack Lemmon, Joe E.
Classic comedy from writer/director Billy Wilder about musicians Curtis and Lemmon eyewitness to the Valentine's Day Massacre and hightail it inconginto to Miami Beach as women in an all female nightclub act with Monroe as sultry, love-starved Sugar Kane.
It combines the talents of Tony Curtis, Jack Lemmon, Billy Wilder, George Raft (old time gangster/actor), Joe E.
I'm sure no one had to twist arms to get Marilyn Monroe, Jack Lemmon and Tony Curtis to sign for the leading roles once they looked at the hilariously witty script by Billy Wilder and I.A.L. Diamond.
I watched this film again last night, with the added bonus of seeing it for the first time in widescreen, and was immediately struck once again by how perfect a movie it is.You've got a Billy Wilder film with female impersonators in it, in the forms of Tony Curtis and Jack Lemmon, and Marilyn Monroe with a screen name that reeks of porn and/or strippers - "Sugar Cane".
This wondrous mix combined to make one of the greatest comedies in the history of film.Tony Curtis and Jack Lemmon portray down-and-out musicians who accidentally witness a mob massacre and immediately flee from the mob as George Raft's character says, "I don't like no loose ends." In desperation, they disguise themselves as women - Curtis as "Josephine", and Lemmon as "Daphne", in order to join an all-girl band and leave town.Once "Sugar Cane" (Monroe) sashays past the pair on the way to the train they're about to board, all bets are off.
'Some Like it Hot' is Wilder's gender-bending comedy wherein two small time musicians, Gerald (Jack Lemmon) and Joe (Tony Curtis) find themselves witnesses to the St. Valentine's Day massacre in Chicago, 1929.
Billy Wilder created one of the greatest comedies of all time in "Some Like It Hot" with Tony Curtis and Jack Lemmon and in a peerless performance, the one the only the fabulous Marilyn Monroe.