Grindhouse
Tags: comedy, boring, murder, cult, violence, good versus evil, action, revenge, sadist

Plot synopsis:
Coming Attraction:MACHETE; A mysterious well-dressed white guy (Jeff Fahey) picks up a Mexican manual laborer named Machete (Danny Trejo), and wants him to assassinate a senator. When Machete is about to kill his target, he's double-crossed by the white guy and shot. Machete survives; it is revealed that he is actually a federale, and he asks his priest (Cheech Marin) for help in killing the plotters. Machete and the priest go on a killing rampage, and Machete even gets with the white guy's wife and daughter in their pool. The trailer ends as Machete attaches a machine gun to his motorcycle and is launched in the air, blasting away the bad guys. Directed by Robert Rodriguez. Rated X for extreme violence.PLANET TERRORCherry Darling (Rose McGowan) is dancing at a go-go bar during the opening credits. As she finishes, she cries. Her boss Skip (Skip Reissig) gets upset with her for crying again. Cherry says that she is quitting, though she says that she only works there once a week. She takes her pay and leaves. Cherry walks down a road and is almost run over by a convoy of military vehicles on their way to an old military base, led by scientist Abby (Naveen Andrews) and Lt. Muldoon (Bruce Willis). They get to the base, where Abby expresses his disappointment that his three specimens have escaped. The man in charge (Julio Oscar Mechoso) pleads for him to spare him, but Abby wants his balls and takes out a big jar full of testicles that he collects. The man is held down, and Abby cuts off his balls to add it to his collection, and then shoots him dead. Muldoon and his men are all wearing gas masks, and their supply of gas runs out. They are all forced to breathe without them, and Muldoon asks where the "shit" is. Abby says that its all there on the base and a shootout begins. His jar of balls is destroyed and he's hit by a car, landing face first into testicles. His men are shot to death by Muldoon's troops, and he again asks where it is. Muldoon's face starts to boil and Abby says that its all around them. He grabs a pistol and blasts a gas canister open, spreading gas everywhere. Some men are unfortunate and walk through the gas, melting into a gooey mess. However, Muldoon and his men walk into the gas and enjoy it while Abby escapes in a vehicle. But one of the soldiers is riding on top of the vehicle.Dr. William Block (Josh Brolin) and his wife Dr. Dakota Block (Marley Shelton) prepare for work at the hospital during the night shift as their son Tony (Rebel Rodriguez) plays with his toy car and eats his meal. While Doc Block is in another room, Dakota text messages someone on her cell phone and makes plans to rendezvous with them later that night. Block is clearly suspicious, but she acts like nothing's wrong. Two twin babysitters will arrive soon for their kid. Dr and Mrs. Block go to their hospital, where Block immediately is needed for a patient named Joe (Nicky Katt), who's been bitten in the arm and now the wound is infected. Block looks at his nasty wound while another doctor looks through pictures of severe infections to try and figure out what Joe has. His temperature is high, and when Block makes Joe open his mouth he is startled that his tongue is infected as well. Block squeezes a boil, making the blood spurt onto his glasses. The infection on his arm is spreading, so he calls in Dakota and tells Joe that he's going to sever his arm. Dakota has three needles and injects Joe with all of them, making him pass out.Elsewhere, Cherry goes to J.T.'s (Jeff Fahey) restaurant, a greasy-spoon diner called 'The Bone Shack' on a hill, where she is the only customer. Tammy (Fergie) also pulls into J.T.'s, where her car has overheated. She puts water in her radiator while J.T. tries to persuade her to order something inside. Tammy gets her car working again and leaves as Wray (Freddy Rodríguez) arrives in his truck. J.T.'s dog eats at the counter as he welcomes Wray, and J.T. points out that Cherry is his only other customer that night. Turns out Wray and Cherry have a history together, and she's wearing his jacket. They briefly talk about their past, and Cherry sardonically states that she is going to become a stand-up comedian. Their flame for each is other is clearly still there, and Cherry catches a lift with Wray.Back at the hospital, more and more people are coming in with boils and infections. The doctors don't know what the hell is going on. On the road, Tammy is listening to a radio broadcast dedicated to the memory of someone named Jungle Julia when her car breaks down near the military base, and upon trying to hitch a ride she is attacked by the infected people (called sickos), who tear her apart and drag her body off the road. Wray and Cherry see them dragging the body, but think that it's just a dead deer. Wray says that its best to run right through a deer if it's in front of you, because trying to swerve might cause you to crash. He is immediately startled by a sicko in the road and swerves, losing control of his truck. The truck rolls over until its upside down, and Cherry gets after him for swerving; he replies that it wasn't just a deer in the road. Sickos grab Cherry and take her to the woods. Wray grabs a rifle and runs after her. By the time Wray catches up with them, the sickos have ripped off and eaten Cherry's right leg. Wray shoots the sickos, but they don't die. He puts Cherry in his truck and speeds off to the hospital. Doc Block asks Wray what happened when Sheriff Hague (Michael Biehn) arrives with Deputy Carlos (Carlos Gallardo) and Deputy Tolos (Tom Savini). Hague is startled to see Wray due to an unexplained secret in his past, asks why he's carrying a rifle, and arrests him as more sick people show up. Block calls Dakota over and shows her Tammy's corpse. A doctor calls her a no-brainer, since she's missing the back of her head and her brain. Dakota gets upset and cries in a room while Block follows her. He knows that Tammy and Dakota used to have a lesbian relationship, and that they were going to run off that night. Block grabs one of Dakota's needles and stabs her hands with it, causing her hands to become numb. Before he can kill her, Block is called away by another doctor, but he first locks Dakota in a room. The other doctor tells him that all the dead bodies have disappeared from the morgue, with a thick trail of blood leading away. As Dr. Block walks down a hallway, he looks into a room where Joe has turned into a sicko and walks towards him with a circular power saw. Joe cuts Block's glasses, but the saw shuts off when he walks too far away from the outlet, pulling out the plug. Instead, Joe bursts a boil on his face and smears his blood all over Blocks face, infecting him. Also, Cherry wakes up and is depressed over her severed leg.At the police station, Hague keeps asking Wray who he really is when he gets a call from his brother J.T., who complains that there are people loitering in front of his restaurant who aren't customers. Their conversation reveals that Hague owns the diner and is raising J.T.'s rent due to his brother's refusal to reveal his secret recipe. J.T. then tells Hague not to bother coming over, since the people are coming in, but it turns out the people are sickos, and they presumably attack J.T. after the scene cuts away. Suddenly, Tolos bursts into the police station and says that a man bit off his finger. When the cops go outside to investigate, they see that the sicko has escaped from Tolos' cop car. Carlos finds Tolos' ring on the ground, but no finger. As he gives Tolos his ring back, Carlos is bitten on the arm and attacked by sickos. Before they know it, Carlos is gruesomely torn apart and eaten by the sickos. Hague and Tolos shoot the sickos, but more show up. Hague and Tolos fight them off as Wray stays inside the station.Tolos is thrown hard against a car, but lives. More police officers show up and blast away the sickos by shooting them in the head. Wray says that he's going to the hospital to get Cherry, and Hague tells him that they'll take his car. Hague's car explodes, and so the remaining cops get into the back of Wray's truck and head towards the hospital.At the home of Texas Ranger Earl McGraw (Michael Parks), he feeds his virtually catatonic cancer-stricken wife some soup. He looks away for a second, and when he looks back she's turned into a sicko.Dakota throws herself out of a window, landing in trash outside of the hospital. She goes to her car, but her hands are still numb. She puts her hand through the handle on her car door and kicks the door open, but loses her balance and falls, breaking her hand. Dakota gets into the car and puts her keys in with her mouth, then drives off and runs into a lot of cars. As she leaves, Wray and the cops show up. Wray tries to grab a gun, but Hague won't let him. Instead, he grabs a couple of knives out of the truck's glove compartment and runs into the hospital as the cops fight the sickos outside. Wray slices and dices all the sickos in his path, and eventually makes it to Cherry's room. He tells her to come with him, but she can't walk. Wray tells her to suck it up, and breaks a table, shoving its leg into Cherry's stump. Cherry awkwardly walks with Wray through the hospital as he protects her from the sickos. They meet up with Hague, and they make their way to J.T.'s. When they get there, they see J.T. lying down on the ground apparently with his intestines out. Upon further inspection, though, it turns out J.T. was merely unconscious with some barbecued sausages on his stomach, having killed all the sickos by shooting them in the head.Meanwhile, the crazy babysitter twins (Electra Avellan and Elise Avellan) talk on the phone while Dakota's son plays with his toys. Dakota comes home, and the babysitter twins get angry at her because her friend didn't show up to take her son, and they have other things to do. Dakota kicks them out of her house and tells her son that they have to leave, but before they do he takes every pet he has with them. While Dakota and her son, Tony, are in their car, the crazy babysitter twins attack them with shovels and smash the windshield. She speeds off, causing one of the twins to land hard on the ground. Dakota drives to Earl McGraw's house, and gives her son a pistol. She tells him that if anyone other than her comes to the car, he must shoot them in the head like in his video games. He asks what if it's dad, and she tells him "especially if it's him." Before she leaves, Dakota tells him to be careful or he'll shoot his own face off. As Dakota walks to the house, she hears a gunshot. She runs to the car to find that her son accidentally shot himself in the head. Her grief is interrupted by Block showing up, having turned into a sicko. He holds her by the hair, but she rips herself away from him, grabs her dead son, and knocks on the front door. Earl, who is revealed to be Dakota's father, lets her in; it is apparent that he has killed his infected wife.Back at J.T.'s, while everyone recuperates and thinks about what to do, Cherry and Wray go to J.T.'s bedroom to talk. Wray says that the reason he looked for his jacket so much is because of what's inside it. Cherry looks through it and finds a wedding ring which has "two against the world" etched into it. Wray was going to propose to her, but she left him. As Wray and Cherry have sex...The film is broken up and stops. A title card comes up saying that the film is missing a reel, and the theater apologizes for the inconvenience.When the film starts again, J.T.'s diner is engulfed in flames, besieged by sickos. Hague has apparently been accidently shot in the neck by Tolos, and more survivors have showed up (the babysitter twins, Cherry's boss Skip, Dakota, Earl, and several other people). Also, Wray has evidently told Hague who he really is, with both men hinting at some important dialogue that was apparently lost in the missing reel. Hague gives his pistol to Wray. Tolos is against it, but Hague wants Wray to have all the guns. Wray spins his pistols and becomes the leader of the group. The survivors go outside and see that they're surrounded by the sickos. They unload into them, but more keep on coming. Then Tolos is ripped apart and eaten by the sickos. They go back inside and Wray says that someone needs to retrieve his truck so that they can leave. Cherry volunteers and hobbles out as Wray covers her by firing an assault rifle at the dozens of sickos outside. Cherry drives Wray's truck into the restaurant, and Hague gets into the driver's seat. The others pile into the back while Skip gets into J.T.'s roofless convertible along with the babysitter twins and Dakota. Cherry rides the motorcycle, and Earl stays behind to provide cover for their escape. After they break through the sickos, the survivors stop at Dakota's car and pull out a small motorcycle out of the trunk. Dakota rides on the large motorcycle with Cherry as Wray leads the way on the tiny vehicle. They shoot more sickos while Hague runs them over with the truck. J.T.'s dog unfortunately jumps out of the truck and is run over as well. The survivors get to a bridge, where hundreds of sickos are blocking their path. They don't have enough bullets, but the sickos are shot to death by Muldoon and his men. Muldoon knows who Wray is, and has his men knock him out.When Wray wakes up, he finds himself locked up with the other survivors in the military base (Abby is there as well). Two of the militants (including a lecherous Quentin Tarantino) grab Cherry and Dakota. Wray tries to help, but is beaten up. On the elevator ride down, the lecherous soldier stops the elevator and takes off his gas mask. He threatens Cherry with his pistol while his face starts to boil. The other military guy tells him to put his mask back on, and when he does his face becomes normal again. Back in the holding cell, Abby tells Wray about the gas, called DC-2, noting that a small percentage of people are immune to it. Abby has been working on a cure, but was stopped by Muldoon and his men, who are stealing the gas for whatever reason. Wray and J.T. try to overpower the guards, but J.T. winds up shot in the stomach. The last guard orders Wray to give up his gun, but he flips it and shoots the guard dead. Wray tells everyone to stay there, and goes off with Abby to find the girls. Wray and Abby comes across Muldoon in front of a gas canister, and shoot his soldiers dead. Muldoon reveals that he was the soldier who famously killed Osama bin Laden over a year ago on a mission into Pakistan, but when he killed him he was exposed to a deadly gas along with his troops. Muldoon promised to do whatever he could for them, and so they continually need to breathe in the gas or else they'll turn into sickos. He takes off his mask and turns slowly turns into a nasty human blob. Wray and Abby shoot Muldoon to death.Cherry sarcastically complains that now she won't ever be a stand-up comedian, but Dakota gives her some words of wisdom. The two soldiers show up again, and the lecherous one wants Cherry to dance. Cherry hobbles around and cries while the he turns on some music. He takes off his mask again and prepares to rape her when Cherry trips him and stabs him through the eye with her wooden leg, breaking it off. He's not dead, though, and since she "gave him wood" he's looking to return the favor. The rapist drops his pants and everyone is disgusted.When he looks down, he sees that his genitals are melting off. His friend urges him to put his gas mask on, but the rapist says that he'll just have to make it a quickie. Wray and Abby save the girls, but Cherry is bent out of shape over breaking her leg. Wray says that he has something for her, and attaches a machine gun to her stump. Cherry shoots the rapist dead and blast opens a door to kill three more sicko military guys.Wray, Abby, Cherry and Dakota grab a bunch of guns and arm the survivors. They plan to blow up the military base, and they leave the detonator with the mortally wounded J.T. and Hague. The survivors make their way outside and start to kill off the sicko soldiers. Wray drives a motorcycle with Cherry in the back, who unloads her machine gun leg into everyone. J.T. finally tells his brother Hague the recipe he uses for his meat, and Hague dies after writing it down. J.T. then presses the detonator, blowing up parts of the base including himself. The survivors plan to get to the helicopters, but it's behind a series of barriers. Apart from Wray, Cherry's boss Skip is the only one that can fly the choppers. Abby says that he'll take care of the sicko soldiers behind the walls, but immediately has his head blown off. Cherry launches herself off the ground with her grenade launcher and blows up a bunch of sickos mid-air. When she lands, she rolls around and blasts them away. The survivors make it behind the walls and fight the sickos. One of them shoots a rocket at Cherry, but she dodges it and blows him up. All looks well, and Cherry watches the base burn, but doesn't notice a sicko soldier behind her. Wray and the soldier unload into each other, and Cherry runs to the dying Wray.While the survivors get into a helicopter, Dakota runs into another one and is confronted by Block again. Earl shows up and shoots Block to death. Everyone gets into the helicopter and Skip flies it, but not before he cuts through a group of sickos with the helicopter's rotary blades. The crazy babysitter twins laugh with glee over the bloodbath and enjoy taking pot-shots themselves at the sickos on the ground, while one gets into the co-pilot seat and turns on the helicopter's windshield wipers to wash the blood splattered on the front windows. On the ground, Wray tells Cherry to go to the ocean, turn her back to the sea, and fight. Cherry pleads with him, asking him not to forget his promise of "two against the world"; he says that the promise is still good, as he has made her pregnant. Wray dies, and Cherry grabs onto a lowered rope from the helicopter as it flies away.Some months later, Cherry tells us via voice-over that she's found other survivors, and that they took Wray's advice and settled down near the ocean in a remote part of Mexico. On the beach, Skip is enjoying this new lifestyle with the crazy babysitter twins by his side, with several armed survivors, including Dakota, patrolling the area for sickos. A sicko pops out to attack a small child in the crowd of survivors when Cherry blasts him away with her new chain-machine gun attached to her leg. The film ends with Cherry and her baby daughter, the product from her brief period of sex with Wray, being happy, two against the world.Coming Attractions:WEREWOLF WOMEN OF THE SS; a diabolical film about Hitler's real plan on making a superhuman race of werewolves. Starring Udo Kier, Tom Towles, Bill Moseley, Sheri Moon Zombie, Sybil Danning, and Nicolas Cage as Fu Manchu. Directed by Rob Zombie.DONT; a foreign spook film about a haunted mansion. The trailer repeatedly says the title (if you're thinking about seeing this movie alone... don't), and you see ghosts/zombies/ghouls in the house. Directed by Edgar Wright.THANKSGIVING; a slasher flick about a killer (Jeff Rendell), dressed as a pilgrim who attacks people in a small town on Thanksgiving. A town parade is disrupted by the killer decapitating a person in a turkey costume. A cheerleader (Vendula Bednarova) undresses while jumping on a trampoline. The killer/pilgrim grabs her boyfriend (Petr Vancura) and the naked cheerleader falls onto a knife through her vagina. Judy (Jordan Ladd) gives her boyfriend Tucker (Eli Roth) oral sex in a convertible, unaware that he's been decapitated. She swallows, and his head is dropped on the windshield. Bobby (Jay Hernandez) tells Judy to relax and says that he'll take care of her. She kisses him, and finds that he also has been decapitated. A cop (Mark Bakunas) licks blood from a decapitated body and tells the sheriff (Michael Biehn) that it's blood. The killer pilgrim ties down a family over Thanksgiving dinner and reveals a human turkey. The trailer ends as the killer has sex with the turkey. Directed by Eli Roth.DEATH PROOFAustin, Texas. The opening titles come up as Shanna (Jordan Ladd) and Arlene (Vanessa Ferlito) drive around in their car. Local disc jockey Jungle Julia (Sydney Poitier) wanders around her small apartment, gets dressed, sits on her couch, and smokes her bong. Shanna and Arlene pick up Jungle Julia, and they drive around while talking about boys and drugs. They scream every time they see a billboard with Jungle Julia on it. They go to a local bar named Gueros. As they enter, Arlene sees a black car stopped in the middle of the street. The driver watches the girls and then speeds off down the road. Inside, the girls are approached by Jungle Julia's friend. They all make it apparent that Jungle Julia talked a little about Arlene on the radio earlier. She said that she was going out with her friends that night, and if anyone sees Arlene, then they should approach her and give her a drink. When they do, they have to look her in the eyes and recite a little poem. If they do all that and call her "butterfly," then Arlene will give them a lap dance. Arlene gets after Jungle Julia for saying that on the air, but she says that if she doesn't do it, everyone will know that she's chicken shit. Jungle Julia makes a deal with her, though... if it's an unattractive guy, then Arlene can say that she was already approached and already gave the lap dance. She can give it to whoever she wants.The girls drink and then go to another bar, called the Texas Chili Parlor run by Warren (Quentin Tarantino), where they continue to drink up a storm. Dov (Eli Roth) and his friend join the girls and drink with them. Jungle Julia spends some time alone, text messaging a guy and telling him that she's waiting for him. She then rejoins her friends just as Warren buys them all shots of Chartreuse. Arlene has had enough and goes outside to smoke a cigarette. Warren notices that a light in the parking lot is off, and tells a bartender to turn it on. When they do, Arlene sees the black car from before parked in the lot.We are thus introduced to Stuntman Mike (Kurt Russell), sloppily eating nachos at the bar. Dov and his friend want to have sex with the girls, but they're going to a vacation house where there are no boys allowed. Dov plans to get the girls extra drunk so that they will let them come over as well, and then they'll get laid.Dov makes fun of Stuntman Mike due to his 1980s clothes and hairstyle. Also at the bar is Pam (Rose McGowan), an old schoolmate of Jungle Julia, who she has a little rivalry with. Pam asks Warren if he knows anyone dependable who can give her a lift home, when a set of keys slide across the bar. Stuntman Mike offers to drive her home, but she'll have to wait until he's ready to leave. Pam asks if he'll be sober enough to drive later on, but Stuntman Mike says that he doesn't drink alcohol, which prompts her to ask why he's been hanging around the bar for hours. Stuntman Mike says that the bar offers more than alcohol, including women and nachos.Lanna Frank (Monica Staggs) shows up and hangs out with Jungle Julia. At one point they go outside and smoke some pot when Stuntman Mike introduces himself to Jungle Julia. He pretends not to know who she is, even though there's a big billboard of her right next to them. She offers him some pot, but he declines. It looks like he's about to sneeze for the longest time, but he doesn't. He excuses himself and goes back inside, making the girls think he's a loser. Inside, Pam has been talking to Warren, and neither knows which films Stuntman Mike has been in. He gives a whole laundry list of TV shows and actors from the 1970s and 1980s, but Pam is not familiar with any of them. Later on, Jungle Julia asks Arlene if she wants the boys to come with them back to the house, but she says no. Stuntman Mike approaches Arlene with a drink, looks her dead in the eyes, recites the poem, and calls her "butterfly." Jungle Julia says that Arlene already did the lap dance earlier. Stuntman Mike asks if it's his scar across his face that frightens Arlene, but she says that it's his car... she recognizes it from earlier. Jungle Julia again tells him that she already did the lap dance, but he sees right through her. He knows that Arlene feels a little hurt that no one approached her before him to recite the poem, and smooth talks her. He then pulls out a notebook which he says has the names of all the people he's met, and says that he's going to have to put Arlene's name under "chicken shit." Arlene is enticed by him, and agrees to give him the lap dance. She tells him to go inside and get ready.Another message about a missing film reel comes up from the theater owner.When the film starts again, everyone is leaving the bar. Arlene apparently did give Stuntman Mike a lap dance, and he's going to drive Pam home (though she says to the other girls that she won't have sex with him, which he overhears). Pam is a little freaked out by his black car, which has a skull and crossbones on the hood. Stuntman Mike assures her that the car is death proof due to being a stunt car, and is reinforced on all sides. He opens the passenger door for her, and she notices that the passenger seat is only a removable stool, and there's a plexiglass barrier between it and the driver's seat. She sits down, and he slams the door shut. As they begin to leave, Stuntman Mike sees Jungle Julia and her friends turning to the left. He asks Pam which way she's going. She's going to the right, but he tells her that that's too bad because they're both going left. Had Pam been going to the left, she wouldn't have gotten scared for a while, but because she wanted to go to the right she's going to have to be scared immediately. Stuntman Mike slams the gas and speeds off to the left. He swerves around hard, causing Pam to be thrown around in her seat. She's bloodied, and she begs for him to stop and tell her this is a joke. He tells her that this car is 100% death proof, but in order to get the benefit of it she really needs to be sitting in the driver's seat. Stuntman Mike slams on the brakes, causing Pam to smash her head on the dashboard, breaking her nose and apparently sending pieces of it into her brain. She painfully dies as he watches. He then lowers his visor to pull out photos of Jungle Julia, Arlene, and Shanna. He throws out the photos and speeds off towards the girls.Lanna drives the girls down a rural dark road as Jungle Julia puts one of her very long legs out of the window in the front passenger seat. Shanna and Arlene are seated in the back. Everyone is drunk and wasted, and Jungle Julia blasts a song on the radio. Stuntman Mike catches up and speeds ahead of them. While the girls enjoy the song, Stuntman Mike swerves the car around up ahead in the road and turns off his lights. He revs the engine and speeds towards the girls head-on. Stuntman Mike turns on his lights at the last possible moment, but it's too late for the girls. Both cars collide, and carnage ensues. Shanna is thrown from the car and dies from the impact. Lanna's neck is broken as it's smashed against the steering wheel. Jungle Julia is mangled, and her severed right leg goes flying. And as Stuntman Mike's car goes through their car, his wheels brutally rip Arlene's face off. Stuntman Mike is brought to the hospital, where Earl McGraw and his son Edgar McGraw (James Parks) ask Dr. Dakota Block how the patient is doing. Earl gives his daughter some lip about having her last name being Block, which makes Dakota storm off. Earl tells Edgar that he thinks Stuntman Mike premeditated the car crash, but he of course can't prove it. Even though he was seriously hurt in the crash, he will recover from his injuries.14 months later. Lebanon, Tennessee. Abernathy (Rosario Dawson), Kim (Tracie Thoms), and Lee (Mary Elizabeth Winstead) pick up Zoe Bell (Zoë Bell) from the airport. Stuntman Mike takes pictures of all of them and watches from a distance. The girls work in the movie industry, with Zoe and Kim being stuntwomen and Lee being an actress (who's stuck wearing a cheerleader uniform), and Abernathy is a make-up person and stand-in. They have the next few days off, and so they plan to party. They discuss boys, and Abernathy talks about almost sleeping with the director on their way to a restaurant for breakfast. While eating, it's made clear that Lee is not too bright and that Kim carries a gun around. Abernathy tells her that people who carry guns are more likely to get shot, and recommends other weapons to carry (pepper spray, knife, e.t.c...). Kim says that when she does her laundry at midnight, she doesn't want to get raped, so she carries around a gun; people who use knives get shot to hell. Zoe and Kim also talk about the movie Vanishing Point, and what a great movie it is. Zoe says that it's long been her dream to drive a car like the one in the film, and that she has been following the classified ads in the local paper; someone has advertised the same make/model of the car, and Zoe wants to feign a test drive so that she can fulfill her fantasy. Throughout this conversation, Stuntman Mike silently watches them from the front counter.The girls drive to the car owner's house, where Jasper (Jonathan Loughran) keeps the car out back. Zoe wants to test drive the car without Jasper in order to do a dangerous stunt with Kim, but Kim absolutely does not want to take part. Zoe finally convinces her to do it when she offers to be her back-breaking slave for the next few days. Abernathy wants to join in, but Kim and Zoe tell her that it's too dangerous since she's a mother, so she can't. Abernathy is tired of that excuse, and will do whatever they're doing. They all can't go, though, since the plan relies on Jasper letting them take the car without him. Abernathy convinces the others to take her along by persuading Jasper to let them take his car without him. She tells him where they're staying and their full names so he can find them if they take off. Also, she's going to leave Lee behind so that she can possibly engage in sex with him. Jasper happily agrees, and the girls leave the confused Lee behind with Jasper.They stop the car in the middle of the road, and Kim and Zoe discuss who's going to do it first. Zoe will start off on top, and ties her belt around a door. Kim ties Abernathy's belt around the other door. The girls speed down the road with the windows down, and Zoe climbs out the window onto the roof. From there, she holds onto the belts and lies down on the hood while Kim races the car through the road. Abernathy is nervous at first, but slowly enjoys herself. All the while Stuntman Mike watches them with his binoculars. He laughs and speeds off towards the girls.Stuntman Mike smashes into the back of the car, which freaks them out. He continually smashes his car against theirs, causing Zoe to gradually lose her grip on the belts. It gets to the point where Zoe has to hold onto the hood, but she continually struggles to stay on while Stuntman Mike smashes their car. Eventually, he crashes into their car so much that it causes them to swerve onto the shoulder of a road near the woods. Stuntman Mike gets out of his car with glee and says that it was fun. Kim pulls out her gun and shoots him in the shoulder. He speeds off down the road while Abernathy and Kim are shaken up and cry over Zoe, who was ejected from the hood into the brush. Zoe, however, pops up and tells them that she's okay, even enjoying it a little bit. The girls plan to get back at their attacker. Zoe grabs a metal pole and straddles the window of the car while Kim speeds down the road. Stuntman Mike stops in the middle of the road, in pain from his bullet wound, wailing over his undeserved misfortune. He drinks a lot of alcohol and pours some on his arm. The girls crash into the back of his car, and Zoe smashes his windows out. She jabs his arm and head with the pole and Stuntman Mike speeds off again. Zoe, Kim, and Abernathy chase after him down the highway and through back roads. The tables have turned, and Kim now continually smashes into Stuntman Mike's car. Their chase causes other drivers on the highway to swerve out of control, along with a biker who's sent flying off his bike. The girls eventually cause Stuntman Mike's car to lose control and flip over. They get out of their car and drag him out of his. Abernathy, Kim, and Zoe literally beat Stuntman Mike to death with their bare hands. The film ends just as Abernathy lands the death blow by smashing his face in with her boot.

Review: Every obscene and violent action done in previous Rodriguez and Tarantino movies is more than topped here, and fans will be hard set on not wanting some more by the time Death Proof concludes.The faux trailers are also a nice touch, and in a way, push the boundaries of violence and hilarity even more so.
The only remedy I can propose is keep the budgets down and make two more features (this time from different directors), create some new trailers (including one each from Robert Rodriguez and Quentin Tarantino) and market the heck out of this package deal, hoping there is a larger audience who are hipper to this trip the second time around.
The stories of the two movies combined with the detail and inventiveness of Quentin Tarantino and Robert Rodriguez brought together 3 hours of action packed fun.
(Jackie Brown is too believable and therefore, uninteresting) As he has progressed, his movies became fantasy, e.g., From Dusk til Dawn and Kill Bill 1 & 2 and WAY too over the top for a "Tarantino" flick.Death Proof brings it all home!
Grindhouse is a double feature made of Planet Terror and Death Proof, two of the best movies ever made, in my opinion.With nothing but blasts of good gory fun and catchy lines, and talk scenes, Grindhouse is a force to be reckoned with.
No matter if Grindhouse did bad at the box office just 'cause lazy people wouldn't get there sorry butts in there to see a marvelous four hour film and they wanted to see other stupid excuses for movies that were in theatres at the same time, Grindhouse is another astonishing piece of work from the masters Tarantino and Rodriguez.
So remember, that you can only catch these stunning movies at, the Grindhouse.Planet Terror - 10/10, Death Proof - 10/10.
Here are a few brief thoughts: One of the previews, that is being made into a movie, looks absolutely absurd and I am sure that it will be a joy to watch.Planet Terror kept you laughing, groaning, and cringing the entire time.
Also, Kurt Russell is NOT the main star of it as many people believe and I'll leave it at that.Rodriguez's "Planet Terror" on the other hand is a completely off the wall, no holds barred shmorgassboard of absolute cinematic enjoyment.
Although the movie was a long one, you will have no problem sitting through over three hours of nonstop gore, violence some of the best car chase scenes I have ever seen and an all-star cast (including a few surprises I won't ruin for you) that just adds to the fun.
The second batch of girls were incredibly annoying.This is too bad as Death Proof has some really well done stunt work and a nice car chase scene.
Daydreaming about what a film like "Grindhouse" might be like is more fun and productive plus way less tedious than sitting through the actual show.For at least a few minutes Rodriquez's "Planet Terror" segment seems as if it might be a fun spin around the block.
Tarantino obviously comprehends the concept of a faux '70s exploitation homage more than does Rodriguez, plus some of the car stunts toward the end create what amounts to the scant dramatic tension in the entire film.
In fact, what i viewed as the strong part would have made for a brilliant mini-film (it turns out that sitting through two straight movies is a chore.) But no, after a potentially great ending we are treated to a absolutely ludicrous amount of dialog which serves no purpose at all.
Also, Kurt Russells character somehow goes from being amazingly awesome to a whiny little turd in the blink of an eye.And yes, the fake aged film effect goes over the entire thing and is stupidly overused the entire time, especially in Planet Terror.
I'm a fan of Tarantino but not much of one of Rodriguez and it came to my surprise when I found Planet Terror to be much more entertaining than the bloated Death Proof.
Planet Terror, on the other hand, was great fun and while it still wasn't exactly a "grindhouse" movie (I don't remember any zombie movie from the 70s OR 80s being that well made) it worked as a stand-alone gore flick.
Though none shall come as close to bringing one back to the glory days of cheap, exploitative drive-thru style fare as the indomitable pairing of Robert Rodriguez and Quentin Tarantino continues to show, the ambitious throwback to trash cinema is not without it's share of setbacks, chiefly residing with the overall creative indulgences both director's take while attempting to emulate each of their esteemed homage's to underground forms.Starting off appropriately enough (including the first of much touted fake-though not for long- trailers, which work with rousing success), Rodriguez's convoluted but fun zombie disaster piece seems to take it's inspirations a little more literally then it's successor.
Planet Terror manages to squeeze in so many Grindhouse features that eventually one gets the feeling that Tarantino will be trying an altogether different approach.
Highlighted by some explosively sexy action sequencing (of course prominently advertised with Rose McGowan's leg-shooting antics), Planet Terror cuts out just as it is about to overstay it's welcome with a wild if predictable conclusion.Following with three more artificial movie trailers, guest director's Eli Roth, Edgar Wright and Rob Zombie wisely use the few minutes they are given to provide some explosive comedic relief while indulging their b-movie fetishes.
While it remains cool throughout to see Rodriguez and Tarantino emulate the old days by adding dirt, dust, missing frames, poor edits, and an overall muddied production to the two tales, often these indulgences seem to be less about the style of the film and more about hiding a distinct lack of storytelling or personality these writer's should be articulating instead of shunning.This becomes no more apparent then after a few minutes into Tarantino's Death Proof, which from the very beginning employs too many cheaply edited pot-shots that do nothing but gently condescend the viewer with it's misleading mystique.
A far cry from the fun, fast pace of movie number 1, Tarantino's extended conversations centering around a group of (not so) bad-ass females may leave many of the director's fans expecting more.
As we watch a pseudo-edgy female cast talk through an unnecessary amount of Pulp Fiction-like banter that refuses to engage the crowd, most non-visceral tension is largely squandered by the writer's inability to further Stuntman Mike's (a refreshed and rockin' Kurt Russell) characterization which leads to a spectacularly filmed, though psychologically unfulfilled car chase finale.
Alas, when the ego-maniacal director is not busy indulging some irrelevant fetish of his, Death Proof is a taut, eerie film that makes good on it's deal to shoot some of the most harrowing car sequences of the past few decades.Anyone not directly investing multiple sleepless nights of fanboy devotion in anticipation to the B-movie double feature spectacle should not feel shortchanged despite all the problems I have noted above.
He may learn something from mistakes.", but the majority of his audience actually liked listening to groups of young women talking about pointless crap...for an hour...in a splatter movie...Many people seem to have had the impression that the 20 something minutes of action made up for the preceding boredom.
People at Troma must be laughing at the excess of it all.If you see this movie, see it for Rose McGowan (which is why I rate this 4 stars) but aside from her, there's no point of seeing this useless homage when you could rent or buy DVDs or even out-of-print videos of real grindhouse films and experience the real thing first hand.
I know that was the pint but had this film was made with a low budget film would have worked better."Death-proof" is good but goes on way too long.
With the fake trailers, messed up prints and bloody action, this movie is unlike any other ever made and that can only mean fun.Planet Terror Robert Rodriguez's horror film about a chemical outbreak, which turns the citizens of a small Texas town into zombies.
Others beware.Death Proof Quentin Tarantino's homage to those car chase movies features Kurt Russell as Stuntman Mike, a psychopath who loves to stalk women in his death proof car.
Moviegoers are always looking for something different--especially in an age of remakes and sequels--and when it came out that Robert Rodriguez and Quentin Tarrantino were working together on a throw-back double feature which would capture the feeling of grindhouse cinema people were curious, especially fans of the two directors.Although it will be considered a flop and future projects of this type may be put on hold or axed, "Grindhouse" starts strong with tons of attitude but seems to come to a dead stop about two-thirds the way through.The film's opener, "Planet Terror" is by far the superior film.
Think ASSAULT ON PRECINCT 13 meets DAY OF THE DEAD.On the other end of the spectrum from this rip-roaring blast of action is the second feature of GRINDHOUSE, Quentin Tarantino's DEATH PROOF.
He hangs out in the background for most of the film, only really having two scenes that count in this tedious and talky exercise that would make MY DINNER WITH ANDRE look like an actionfest.The script to DEATH PROOF explains far more than ended up on screen but neither version gives a whole lot of motivation for why Stuntman Mike terrorizes women with his tricked-out car.
Knowing that director Tarantino likes to muck about with time (DEATH PROOF is set after PLANET TERROR), some have proposed that the second half of DEATH PROOF comes before the first half chronologically.
In Rodriguez's film the missing reel contains a wealth of action sequences that other characters elude to, effectively winking at the audience and counting on them to be smart enough to get the joke.In short, if you haven't seen GRINDHOUSE yet do yourself a favor and leave after the preview for Eli Roth's THANKSGIVING.
Robert Rodriguez "Planet Terror" is one of the most outrageous and entertaining films I have ever seen in the theater!
Planet Terror - 8/10 - I felt RR really nailed his movie and made a very entertaining and fun film.
Nobody walked out at my theatre, but the audience certainly wasn't as involved in "Death Proof" as it had been for "Planet Terror".The two-for-one special and the great fake trailers make me hesitantly still recommend "Grindhouse" as an enjoyable detour, but Death Proof seems like it might have missed the exit sign..
Then was Quentin Tarantino's Death Proof, it was about a guy named Stuntman Mike who is having a fun time with a bunch of girls, by killing them.
This movie has it all, gore, action, and nudity.This movie will be in the top for all Tarantino and Rodriguez fans, this sure is in my top.The first one is Planet Terror which is about the military send out monsters the infected people, the soldier's are to but they use this mask with gas to heal them.So in this little town Cherry was with El Wray were talking then crash, then a monster tears out Cherry's leg, not bit.
The next is Death Proof, a more calmer movie or is it when a derange driver Stuntman Mike comes in the film.A bunch of girls are about to have a ride to hell, in the beginning there are a set of girls that really matched and had stuff to say, then with Stuntman Mike look at these girls and have fun with them he kills them and boy was it gruesome.Then the next set comes and they were a bit uninteresting, it was the same thing only this time in the car chase, it switches.
I just felt the movie was ultimately a let down because the Planet terror has you so pumped up and death proof is just really slow and boring.
Sadly, a lot of the fun in this movie seems to have been for the directors alone.The first half of the double feature is Rodriguez's Planet Terror.
It leaves Planet Terror as a high budget pastiche of movies that generally weren't that great to begin with.Death Proof is better in this regard, as Tarantino does attempt to twist the genre conventions into something a little different.
And the ending of both films was satisfying, Death Proof in particular.Overall, Grindhouse is worth watching.
After the literal cheers and laughs and just overall good feeling going through the audience while watching Planet Terror it was horribly disappointing to see Death Proof.
While the first movie (Planet Terror )was good and gory and whatnot, Deathproof, the second movie by Tarinto himself pretty much sucked!I realize this was a throwback to 70's style cornball movies, but I don't think that makes it OK to devoid it of character completely!The long;drawn out girlie conversations had nothing to remember--No "Royal with cheese", no "Oh that you and me's"-- just a bunch of gibber jabber that wasted a bunch of my time!
So lacking in even the most elemental skills of film making, his festering no-talent virus has even infected the usually reliable Robert Rodriquez, who turns in "a trying so hard it's dead on arrival" riff on seventies exploitation movies that only looks good by comparison with Tarantino's dreck that follows it.In the name of all that is holy, save your dimes and save your time.Can't help wondering if there's a way to start a petition for Quentin to lose his DGA card by popular demand.Q.T. has found a new bottom in a career death spiral that's agonizing to audiences everywhere who keep going to his boring "concept" movies hoping he has another Pulp Fiction in him.
And as for Death Proof, it's a movie with a lot of women sitting around talking like QT.
And I'm quite happy this movie is flopping, because it's going to make it a LOT harder for him to get funding next time.Remember how good his early stuff was with no money to spend (and Rodriguez too) and then try to tell me how "great" this double feature was.
And chief among them are 1990's action-movie greats Robert Rodriguez and Quentin Tarantino.
Rodriguez and Tarantino each contributed a feature-length segment done in the style of the old films, but set in modern times.The first segment is "Planet Terror", which is basically an Americanized version of "28 Days Later" (zombies and rapist soldiers), but with the genders of the two lead actors switched, and the female lead (Rose McGowan) having a machine gun where her leg should be.
And in both features, it is strong women who save the day from evil men.About the only thing I didn't like about "Grindhouse" was the filmmakers' insistence on preserving the feel of watching the films in an actual grind-house theater (scratchy print, shoddy projection, missing reels, etc).
Robert Rodriguez' "Planet Terror," the first half of the double-bill, is terrific: very campy, very funny, takes all the good parts of the old exploitation movies and uses them to its advantage.
Lots of gore, gratuitous nudity, none of the actors seems to take it seriously and that makes it that much more enjoyable.The previews are well-done, especially Rob Zombie's "Werewolf Girls of the SS" and Rodriguez' "Machete." Eli Roth's "Thanksgiving" was a hoot.Quentin Tarantino's "Death Proof," though, is awful: boring, extremely dialogue-heavy: it takes all the bad parts of the old exploitation movies and doesn't improve on them.
As good as "Planet Terror" is, "Death Proof" just sucked all the enjoyment I'd had previously during the movie..
I was not prepared for these movies to be SO BAD!The critics supposedly liked Tarantino's half, Death Proof, better than Rodriguez's Planet Terror, so I was hoping for a lift during phase two.
Everyone has been wetting their pants about the whole Grindhouse thing ever since the banana-chinned one first starting blabbing about it, but I'm not too sure why - surely for two experienced filmmakers it should be no trouble at all to copy a sub-genre that at best is cult viewing and at worst a load of old balls, poorly scripted, poorly acted, poorly produced - so why should such filmmakers be given huge credit for recreating such shoddy films on a much larger budget?Having said that, Robert Rodriguez's 'Planet Terror' is an excellent example of everything these types of films should be - humor, fighting, sex, loose storyline only held together by the sheer unbelievability and gross out quality of the action sequences, and the so-bad-it's-good effects that gave all such low budget gore-fest such a cult status.
I was left with a feeling that poor old Quentin was happily making another Tarantino movie, until someone (probably Rodriguez) reminded him that this was supposed to be a Grindhouse flick.
The look of the film I feel is more genuine here but it isn't as action packed as "Planet Terror." But this movie does have the most tense car chase I've ever seen.Also thrown in the mix are four fake trailers.
Rodriguez's "Machete," Edgar Wright's "Don't," Rob Zombie's "Werewolf Women of the SS" and Eli Roth's "Thanksgiving." They are all perfect in capturing the feel of old grindhouse movies but Roth's is the best.For a great time look no further.
Planet Terror was a great movie, I really liked it.
The only good parts where the car chases and the crash scenes.I give Planet Terror a 9/10 Death Proof gets a 4/10.
I went into the Grindhouse with the expectation that Rodriguez would deliver an explosive film of greatness and Tarantino would come in second.
It's not art, like his last movies.Rodriguez however, made the hilarious Planet Terror, which blew me away!
They're both imperfect movies, but naturally so, and there's stuff in both that can be criticized for (i.e. Planet Terror goes too far and has dialog written as if by a guy in prison, and Death Proof is maybe too much like a Tarantino movie to really squeeze into the grindhouse mold).