Fury
Tags: realism, murder, dramatic, violence, action, historical, sentimental

Plot synopsis:
The opening title cards state that it is April 1945, and the Allies have entered Germany. The Nazis have become desperate and are forcing every man, woman and child to join the military. Though the Nazis are clearly losing, fighting continues, and the US tanks are often overpowered by the German technologically-superior 60-ton Tiger and 70-ton Tiger II tanks.A lone Nazi soldier rides his horse through a field where a battle has been fought. He rides among the dead bodies and blown up tanks and vehicles. As he rides past a seemingly busted tank, US Army Staff Sergeant Don "Wardaddy" Collier jumps out and stabs him repeatedly. He sets the horse free and returns to the inside of his tank where the rest of his crew, Gordo, Boyd (also known as "Bible") and Grady, wait. They are clearly tired and battle-hardened as they argue and berate each other as Grady attempts to fix their tank. Collier is tough on his men, calling Grady a dog and kicking him while demanding that he fix the tank and demeaning Gordo for speaking Spanish when he should be speaking like an American as he is in the American army. Bible tells the crew that God was watching over them, and God hasn't called them home yet, much to the annoyance of the rest of the crew. Grady finally fixes the tank and they drive back to base.After arriving at the base, Collier orders his men to quickly refuel and resupply the tank and get it ready to move out again. He is stopped by a lieutenant who asks what happened to the rest of his platoon and Collier tells him that his tank, Fury, is the only one remaining of the platoon. Collier takes a quiet moment for himself and breaks down briefly, feeling the rigor and stress of the war. He watches as trucks full of bodies of troops are driven back to the base. He also sees a German POW being taken to questioning. Speaking German himself, Collier takes the liberty and proceeds to question the Nazi, and then bursts with anger, clamoring his fists onto the German until the rest of the soldiers and his crew separates him from the man.A young soldier, Norman Ellison, approaches Collier and tells him that he's been assigned to his tank crew. Collier is angry that someone so young would be assigned to his crew and questions Ellison. Ellison tells him he's been in the army for only eight weeks and has no tank training as he was trained as a typing clerk.Ellison meets the rest of the crew who are also dismissive of him. They go through his pack and question him, though they clearly don't actually care about his answers. Bible asks Ellison about his religion and asks him if he's been saved, as he is continually trying to save his whole crew. The crew orders Ellison to get a bucket of hot water and clean out the inside of the tank. When Ellison gets inside, he sees that the previous gunner was killed inside when the tank took a hit. He cleans up the gruesome remains, including a piece of the gunner's face that was blown off, and exits the tank to vomit when it becomes too much for him.Collier becomes enraged when he sees that an SS officer is being marched through the US base as he is being taken to the commander for questioning. Collier tries to beat him, but his crew holds him back.Collier meets with three other tank commanders, and they are clearly a tight-knit group. The lieutenant tells them that their new orders are to head out to meet Baker Company and then to take over a small town, and he will lead the convoy in his own tank.Fury's crew throws Ellison into the tank and tell him to shoot every German he sees. Gordo, the driver, tells Ellison to shoot in small bursts to maximize the number of kills. The crew speaks crudely about how they enjoy killing Nazis, having sex with German women and what to do with Hitler. The crew has clearly been together a long time and despite some occasional fighting, they are very close to each other. As the convoy continues, the soldiers see the bodies of people, including children, strung up with signs around their necks. Collier, who speaks German, translates the signs, which say they were cowards for refusing to fight for the Nazis.The convoy begins to pass a dense forest and Collier warns them to shoot at anything they see because German soldiers could be hiding, waiting to attack the tanks. Ellison sees someone moving through the bushes, but hesitates when he sees it's a child. Gordo calls it out at the last second before a Panzerfaust warhead is launched at the lead tank, instantly setting it aflame. Everyone fires into the bushes while the lieutenant in the lead tank, completely engulfed in flames, screaming in agony, shoots himself in the head to keep from burning alive. Collier berates Ellison for failing to shoot and tells him the lieutenant's death is his fault. They find the bodies of three "soldiers" who were firing at the tanks, young children, dressed in Hitlerjugend uniforms, in the woods.The convoy continues, led by Collier, and meets Baker Company. Collier meets with Captain Waggoner, the man in charge. Waggoner asks Collier to take the four remaining tanks and some of his troops and go rescue men who are trapped in a field, fighting a German troop that are armed with anti-tank weaponry. After rescuing the men, they will rendez-vous outside the town they are to overtake and go in together. Collier suggests a different route for the mission, and Waggoner tells him that he knows his reputation and trusts his instincts.Collier leads the four tanks to the battlefield and belittles Ellison, warning him that he'd better kill as many Nazis as possible. The tanks reach the field where the US army troops are hunkered down. The tanks turn into the field, approaching a tree line where the Germans are based. As the tanks pass the troops lying in the field, the troops roll into the trail of the tank, taking cover behind it and joining the troops as they approach the tree line. The Germans open fire and the tanks return fire. Again, Ellison hesitates to shoot, and when he does, he misses wildly and takes far too long to reload his gun. The rest of the crew is a well-oiled machine, loading the shells over and over again. The Germans fire their anti-tunk guns, and the US tanks fire back furiously to take them out before they are killed. The troops run out from behind the tanks to enter the fight and soon, the battle is over with all the Germans killed.However, the troops find one German soldier in the woods and bring him to the center of a circle of soldiers. They all laugh as they shove him around and taunt him. The solider begs for mercy, showing pictures of his wife and 3 children to Collier. Collier orders him to his knees and drags Ellison out of the tank. He gives Ellison a handgun and orders him to kill the German soldier. Ellison refuses to do so, saying he's unarmed and surrendering, and Collier hits him over and over, telling him that he's endangering the soldiers if he refuses to do his job, which is killing Nazis. Collier tells him that the Nazi's job is to kill him, and it's his job to kill the Nazi, so he has to choose whether he will kill or be killed. Ellison sobs and tells Collier to kill him as he can't bear the war. Collier takes Ellison in a chokehold and puts the gun in Ellison's hand, putting his finger on the trigger and then puts his own finger on top of Ellison's finger on the trigger. He keeps trying to get Ellison to do it himself, and then finally Collier pulls the trigger over Ellison's hand. The other men stand around and cheer.Ellison is traumatized over what's happened, and the Fury crew tries to calm him down. They speak to him kindly, giving him coffee and telling him about the fears they all faced when they first joined the crew. They tell him that Collier is a hard man, but they wouldn't fight with anyone else, and they've been together as a crew since the beginning of a war, which is highly unusual. Collier reappears and in a more compassionate way tells Ellison he should rest and get something to eat.Back in the tank, Ellison angrily asks Collier if he's trying to to "teach him to be a man." Collier tells him that he promised his crew that he'd get them through the war alive and that their former gunner was the best gunner in the whole army, and now they're stuck with Ellison, who is endangering them all. Collier tells him that he's been killing Germans in Africa, all over Europe, and now they're killing Germans in Germany, and while the war is winding down, there will be a lot more killing before it's done.They continue to the town where they reconvene with Waggoner and the rest of the troops. They slowly go through the town, expecting German soldiers to be laying in wait to attack them. Collier asks an elderly German man walking about where the soldiers are hiding, only to watch him be shot through the head by a sniper, setting off the battle. They encounter pockets of Germans hiding in various buildings. After firing a white phosphorus round through one building with a hidden anti-tank gun in it, several Nazi soldiers come running out, screaming in agony as they are on fire. Several US soldiers just watch them burning alive until Ellison finally guns them down. Gordo congratulates him on his first kill, but tells him that he should have let them burn to death. They continue through the town until they come to a building where a German man holds out a white flag. Collier calls the man out and the German man tells him that the soldiers inside want to surrender. Collier agrees to let them exit the building with their hands up. More children in army uniforms run out of the building, followed by an adult wearing an officer's uniform. Collier asks the German man if the officer is the one who's been stringing up children along the road. The German man nods. Collier orders one of the troops to kill the officer on the spot.As the troops celebrate taking over the town, they pilfer jewelry, alcohol and other items from the town. They carouse in the streets, and Gordo drunkenly escorts a German woman to the tank while Grady stands by, waiting for his turn. Collier asks Ellison how he feels with his first kill under his belt, and Ellison tells him he surprisingly enjoyed killing the Nazis. They see a woman peer through a curtain in a building, and Collier takes Ellison with him to investigate.Collier forces his way into the apartment and asks the woman if she's hiding soldiers, and she nervously tells him that she's not. He searches the apartment, before finding a beautiful, young woman, the woman's niece, hiding under the bed. They are both trembling with fear. Collier tells Ellison to lock the door and tells the women to sit down. He speaks to them calmly in German. He tells the older woman, Irma, to bring him hot water. He gives the younger woman, Emma, two packs of cigarettes as a gift. He also gives her six eggs, to prepare for them to eat. Irma and Emma calm down as it seems that Collier and Ellison are not there to hurt them, and they prepare lunch for the men. Ellison sits at their piano and demonstrates that he is a skilled player. Emma is charmed by his playing and sings along to it, while Collier washes his face and shaves in the basin of hot water Irma has prepared. Emma and Ellison see that Collier's back is covered in gruesome scars. Collier catches them looking at his back, and he tells Ellison that Emma is a nice, clean girl and he better take her into the bedroom, or he will. Emma takes Ellison by the hand and leads him into the bedroom. Irma tries to stop them, but Collier tells her to leave them alone as they're young and they're alive.Ellison tries to break the ice by reading Emma's palm, which his grandmother taught him to do, even though she doesn't understand English. He tells her she has the rare mark of Solomon's ring, as he does, meaning she is kind and helpful. Her love line indicates that she will have one great love in her life. He kisses her gently, and she pulls him onto the bed.After exiting the bedroom, they find Collier sitting at the table, reading a newspaper. Irma continues to prepare food. Ellison and Emma sit down with coffee and they all seem to be enjoying the quiet, civilized moment. The rest of the Fury crew barges in, clearly put off that they weren't included. Grady and Gordo are both very drunk and start harassing Emma, who starts crying. They tell Ellison he should go have a turn with the German whore they left in the tank and they'll take turns with Emma. Ellison tries to fight Grady off, who pours his beer all over him and slaps him around. Irma fetches some shot glasses and liquor, trying to placate the men. They drink together, though Grady, Gordo and Bible remain hostile. Collier remains quiet, reading his paper. Irma gets more plates out and serves the eggs. Grady takes another egg and Collier chastises him calmly, telling him that the egg was for Emma, and Collier passes a plate to her. Emma cries quietly off to the side, so Grady goes up to her and grabs her egg and licks it and tells her to enjoy her egg. Collier trades plates with her and eats the egg. He tells the crew that they can try to ruin it all they like, but he's going to enjoy this quiet moment. Gordo drunkenly tells Ellison that their crew rolled into Normandy right after D-Day and for miles and miles there were dead Nazis but the horses they rode in on were still alive. So the crew went through the horses, killing them all. To kill a horse, he explains, you pet it to get it to trust you, and then you shoot it through the spine. All the men seem deeply affected by this story.A solider enters the apartment and tells Collier that Waggoner wants to speak with him. The crew gets up to leave but Ellison tries to talk to Emma, asking for her address so he can write to her. She tearfully embraces him, but Grady drags him away as they reach out for each other.Waggoner tells Collier that a pilot saw German troops marching toward a US supply base where many medics and supplies are stationed. However, the pilot cannot report anything about the number of troops or vehicles or anything as he was being shot at, so they have no idea what they will be up against. He wants Collier to take Fury and the other two tanks up to a crossroads and to keep the Nazis from disrupting the supply chain, which would be a huge loss to the US army.Meanwhile, an artillery barrage hits the small town and everyone takes cover. When Ellison emerges from under the tank, he sees that Emma and Irma's building has been reduced to rubble, but he runs to it, hoping to rescue Emma. Grady taunts him viciously, asking if he's Jesus Christ and can raise people from the dead, and if not, to leave the bodies alone. He sees Emma's dead body and returns to the tank, crushed.The four tanks head to the crossroads, but come under fire from a superior German Tiger tank that was sitting in an ambush position. The Tiger killed one US Sherman before the others could realize what's happening. The three remaining Sherman tanks cover the Tiger tank with smoke rounds so they can get to cover. After that they decide to charge the Tiger from across a field, trying to outmaneuvre him because their guns aren't capable of penetrating the armor of the German tank. The Tiger takes out two of the tanks, leaving only Fury. Gordo tries to maneuvre Fury behind the German tank so they can shoot it from behind in its only weak point. Fury took a couple of hits from the German tank but they did only small damage. They finally take out the Tiger, but they are left alone with a busted radio. Bible tells the men again that God was watching over them and wasn't ready to call them home. Gordo angrily asks Bible what God is doing while watching their fellow troops die. They continue on to the crossroads and as they are about to approach the top of a hill, they run over a mine by a farmhouse, disabling the tank tracks. They try to fix the tank while Ellison and Grady check inside the farmhouse to ensure no soldiers are hiding inside.Inside the farmhouse, they find that it's been turned into a makeshift hospital, but everyone has died. Grady takes a moment to apologize to Ellison and tell him that he's a good man, and the rest of them may not be, but Ellison is. They return to Fury, and Collier tells Ellison to head up to the hilltop to stand watch for the troops.Ellison heads up to the trees, and sits quietly, eating his rations, enjoying the peace and quiet. Soon he hears the marching song of the Nazis and peers out to see hundreds of SS troops marching with several trucks. He races back down the hill and tells the crew what he saw. Grady, Gordo and Bible gather their guns and packs, hoping to find somewhere to hide before the Nazi troops arrive, knowing the five of them cannot stop hundreds of German troops. Collier however says that he's never run from a fight before, and he's not going to start now. Fury is his home, and he won't abandon it. But he tells the men to go and leave him there. Ellison refuses to leave and gets on the tank with him. One by one, Bible, Gordo and Grady all rejoin the tank.They take stock of their inventory, ammo, tank shells, grenades and smoke bombs. They retrieve a dead body from the farmhouse, put it on the tank, cover it in a US army jacket and set it along with their packs on the ground on fire. Then they sit inside and wait.The men smoke and talk to pass the time, repeating a refrain, "best job I ever had" about Fury, at first sarcastically, but then deeply and meaningfully. Collier opens a bottle of liquor, which they pass around. After Ellison takes a hearty drink, Grady remarks that Ellison is now a "fucking, fighting, drinking machine," and they all cheerily applaud him and tell him that his war name is now "Machine." Bible preaches to the men, quoting scripture, telling them that God called out to his people, asking, "Whom shall I send" and a man cried out, "Here I am, send me." Collier surprises them all by telling them it's from the book of Isaiah, chapter 6. They hear the Nazi troops approaching and fall silent, preparing themselves.The Germans approach the tank, seeing the body on fire and assuming that the tank must be destroyed. The men inside wait as more and more enemy soldiers get closer to the tank, climbing on board as well as clustering closer together. They throw out several grenades and open fire on the Germans, catching them by surprise. The Fury crew fires shell after shell and guns down the troops. When the Nazis try to run inside the farmhouse for cover, they fire white phosphorus shells at the house. The SS troops prepare to launch an attack with anti-tank weapons. They sneak closer in the cover of the darkness and the smoke. They assault the tank and one anti-tank projectile pierces the turret of the tank, hitting Grady and killing him instantly. Bible collapses on top of him, sobbing for his friend. Ellison runs out of ammo for the bow MG, and Collier and Bible decide to grab one of the turret mounted MGs outside the tank while Gordo and Ellison lay down cover fire from their handheld guns. They pop open the tank cover, throw out smoke grenades and grab the MG and some ammo from outside. Bible jumps down to the ground, hoping to grab guns off a dead Germans when he is tackled by another German. They fight until Ellison suddenly appears, shooting the Nazi dead. Bible and Ellison jump back into the tank with the new ammo but before they are able to close the hatch, a Nazi climbs on board the tank and shoots Collier in the arm. Collier drags the Nazi into the tank, and he turns the Nazi's own knife on him and slashes his throat.Bible treats Collier's gunshot wound, and Collier quotes from the Bible, "Do not love the world nor the things in the world. If anyone loves the world, the love of the Father is not in him. For all that is in the world, the lust of the flesh and the lust of the eyes and the boastful pride of life, is not from the Father, but is from the world." Bible finishes the scripture with the next verse, "the world is passing away, and also its lusts; but the one who does the will of God lives forever." They proclaim their work to be the will of God.Gordo opens his hatch to throw out more grenades, but when he stands, he is shot, dropping a live grenade into the tank. Ellison calls out that there is a live grenade, Gordo grabs the grenade and holds himself over it to protect the other men by covering the fragments with his body.Ellison again runs out of ammo, so Collier decides he will man the second exterior machine gun mounted to the turret. He opens the hatch to jump out and calls out for Bible to hand him the rest of the grenades. When Bible sticks his head out to hand them to him, he is shot through the head by a sniper. Collier gets behind the exterior gun and guns down as many Nazis as he can until he is also shot several times by the sniper. He crawls back into the tank with Ellison.Ellison tearfully tells Collier that he's scared, and Collier says that he's scared as well. Ellison wants to surrender, but Collier tells him he shouldn't, as he will still be tortured and killed. He asks Ellison if can see the hatch below him. He replies that he does, and Collier tells him to get ready. The Nazis are on top of Fury, and then open the hatch and drop a explosive inside. Collier tells Ellison to go for the hatch. He opens it and dives down below the tank, hitting the ground, and he hears the explosive go off inside, killing Collier.Ellison quickly tries to scoop out a hole so he can hide beneath the tank. The Nazi troops seem to believe the whole crew is dead, when one soldier crouches below with his flashlight and sees Ellison. With tears in his eyes, Ellison holds his hands up. The Nazi soldier says nothing and walks away.Hours later, Ellison abruptly awakes to hear someone approaching. He climbs back into the tank, retrieves Collier's handgun and waits for the hatch to be opened, prepared to shoot them. When the hatch is opened, he realizes that is it US Army troops and medics. They retrieve him from the tank, tell him he's a hero, put him in an escort vehicle, and send him away as the rest of the troops continue on.

Review: Having my ear so close to cinema I know for sure that there is always one or two war films floating around in the projection booths, but people are making somewhat of a big deal out of Fury, so I suppose the reel question is will this be a Flag For Our Fathers or will it make us wish for Apocalypse Now?So lets get this out of the way now.
Fury isn't as good as Saving Private Ryan, but then I don't think it ever meant to be, comparing the two movies is like saying that Saun Of The Dead isn't as good as The Book Of Eli, just because both films has similarities (in as much as they are set at the end of the world) doesn't mean they are anything alike.
In the opening scene we are shown Collier (Brad Pitt) ambushing and attacking a German officer, it is crude and desperate and over quickly but we can tell even then that is a man who cannot cope with the horrors he has had to endure.Looking back there are so many moments in Fury that stand out as impressive.
Collier is a man who is forced to be a hero, he never chooses it, he wants only to survive this war.Any war film can be impressive in it's action sequences, anyone can make loud noises and explosions and fighting, but if a war film can still shock and grip and captivate you in the slower periods, in the silences, that's when you know for sure you have an outstanding movie, and that is what happens with Fury.Like all war movies, Fury ultimately builds to a climatic finale and truly I think it's one of the best I've ever seen, not because of the action or it's quality of visuals but because we have invested too much into the characters we have seen on screen.The film of course would be nothing without the men inside the tank, those being Brad Pitt (who helms the best), Shia LaBouf, Logan Lerman, Michael Pena and Jon Bernthal.
With these men there is no star, or main character, outside the tank the two leads are Logan Lerman (Who plays the new recruit) and Brad Pitt, however once we are inside the tank all men are equals, and dare I say it, but Shai LaBouf is actually quite good in his role.
Like the story Gordo narrates at the table of the German house and makes you wonder just how violent and disturbed men and women become during war.Wars wound you psychologically and those wounds probably never heal.It also shows little instance of normality like Norman thinks he can stay in touch with the young woman he met in Germany after the war.
The story shows how Wardaddy trains Norman to be someone who he is not.Direction - David Ayer, known for Training Day and the first Fast & Furious has provided specifics that a lot of American movies do not show.
It wasn't shaky and the sound effects were great with almost real sets.Special Mention - I really liked the dinner scene with Wardaddy, Norman and the two German women.
Fury pits a tank filled with five American soldiers at the tail end of World War II as they struggle to fight off a small army of Nazi soldiers that are closing in on them.
Followed by his brigade of miserable men played by the likes of Michael Peña, Shia LaBeouf, Logan Lerman and Jon Bernthal, Fury depicts not only the atrocities of war but the ideology of brotherhood with this film.
History is violent."These words, delivered by Brad Pitt's scarred and battle-weary Sgt. Don Collier, are meant to bring some level of comfort to Norman Ellison (Logan Lerman), the young man who found himself snatched unceremoniously out of the clerk's office and placed under Collier's command in the final days of WWII.
Ellison has spent most of the war behind a desk, hammering out correspondence at 60 words per minute, but over the last few hours he's been gunning down Nazis in spectacularly gory fashion, and he's struggling to make sense of the carnage.Collier offers no other thoughts on the subject, having already forgotten about the previous battle and instead thinking about the skirmishes yet to come.
A bath, a shave, and a nice dinner are a welcome respite from the day's butchery, but it's the second half of this sequence that truly shows how even the best of men can be transformed by the horror of war.Every member of the cast is at the top of their game here, even LeBeouf, whose well-documented public meltdowns feel like a distant memory.
Pitt and Lerman, on the other hand, are given plenty to work with, and their dialogue exchange during the final moments of the film is one of the most emotionally gripping cinematic moments of the year.Director David Ayer does a superb job with some of the more human moments in Fury, but his skills are best showcased in the thrilling battle sequences, the majority of which were filmed using actual working tanks from the era.
Yes, it's historically accurate, but sometimes it's more distracting than engrossing.While Fury never quite ascends to the level of excellence offered by other WWII epics such as Saving Private Ryan or Cross of Iron, it remains a relentless, unflinching account of the unspeakable nature of war.
Thankfully, FURY is at the top end of his scale, a straightforward war epic centred around the crew of a single tank as they trundle through the German countryside and encounter Nazis at every turn.This is a war film as it should be: gruelling, violent, and dehumanising.
The first tank assault is my favourite scene, as it's an example of blistering, never-seen-before action, although the extended powerhouse climax is almost as good.Yes, the story is predictable and the clear-cut characters a little too simplistic.
I was blown away by this film, I thought the acting was on point (even from Shia, who I don't really like anymore since his "I am not famous anymore" stunt), Brad put in a brilliant performance & looked awesome.
I didn't really rate Pena until seeing End of Watch & this, I was dubious at first.Fury seems to have annoyed several historians, I don't know much about all that so my 9/10 rating takes none of that into account.I loved how gritty it was, reminded me of Saving Private Ryan/Band of Brothers & depicted how brutal war can be & is.Yes, okay, the final scenes might be a bit ridiculous & over- exaggerated but that takes nothing away from this film for me, I would recommend to anyone & everyone.
Fury has Brad Pitt starring as a battle hardened tank commander in those last days before VE Day. Russians to the east, Americans, British, Canadians and assorted other allies invading the Third Reich that was supposed to last for a thousand years.
He has a really bad time of it with Pitt and his crew, but eventually gets into the savage spirit of impatience for these men who just want these people to surrender and get it over.In the end Pitt gets what could be a last stand mission, hold a vital checkpoint crossroads to prevent a Nazi counterattack.Pitt and his soldiers are not from Hollywood World War II era films.
The guy played in transformers for Christ sake) But brad Pitt is suppose to carry this film on he's: I'm-a -larger-than-life- seen it-all-bad ass-war-veteran,with a thousand-yard stare look.
Here is my list of errors:No way would tank crews be that old (seemingly 35-45 in this movie); the average age of WWII soldiers was between 20-26By the time the US entered Germany in 1945 the tables had turned considerably with Germany getting pounded in the East by the Russians and the US having reinforced a HUGE front before entering Germany.
The film succeeds at breaking the misinterpretation of the context of war, giving awareness to what people actually struggle in this conflict.Once we get to the action, the tank battles are impressively constructed with consistency at showing each of the soldier's duty beneath their tank.
And as bad an actor as Pitt is, he looks like Lawrence Olivier compared to Shia LaBouf who's also in the movie and overacts in every single scene he's in, possibly in an attempt to conceal that fact that he can't act...If your anti-American and/or anti-military this is definitely the movie for you, enjoy!
I wonder what is happening there?It's just a shame that a clueless dolt like Brad Pitt and everyone else involved, got the green light to dis-respect WWII soldiers with this project, I wouldn't expect him to understand that, I doubt he has the sense god gave a donut and Hollywood is generally anti-military, and at times anti-American anyway, but somewhere along the way someone should have realized that this piece of drek was an insult to the men and women who served, and those who died, in World War II..
While nowhere near as good as it obvious influences, such as 'Saving Private Ryan' and 'All Quiet on the Western Front', 'Fury' is still an effective and competent entry in the war genre, aided by its talented cast and intense, harrowing battle sequences.'Fury' follows the five-man crew of the titular tank as they travel across Nazi Germany during the later days of WWII, focusing on the atrocities they encounter, and sometimes generate themselves.
The scenes in which Fury's crew take on a German Tiger, as well as its stand against 300 Nazi soldiers, are some of the most effective I've seen in recent years.
Sure, it doesn't have as much emotional impact as say 'Apocalypse Now' or 'Platoon' in this revisionist, attemptedly unbiased approach, but 'Fury' still manages to be a hard-hitting, perfectly acceptable modern war film that doesn't shy away from portraying its protagonists in a morally ambiguous light..
This movie tells the story of men who operate a Sherman tank code named Fury during the Allies final push into the heart of Nazi Germany.
The casting is PERFECT and includes Shia LaBeouf, Michael Pena, Jon Bernthal of Walking Dead fame, Logan Lerman and Brad Pitt as the men of tank Fury and a bevy of other actors that truly look like men of war not Hollywood actors.
Well done.The basic story is easy to follow, a tank and its crew involved in the battles across Germany near the end of the war, the characters are well defined, the acting is flawless, and there are several especially good scenes with memorable dialogue, so I've given it a 9.
Honestly, you should just watch it for a serious laugh because it is truly hilarious to think that the people who made this movie quite possibly thought that they made a film that would undoubtedly touch the hearts of its viewers and show the grimness and despair of a WWII tank crew...
In this case we are shown what a Tank Crew went through in the War , what part they played , I can't remember anything like that before other than say ' Kelly's Heroes ' so from that point of view it's original .
-Fury is the WWII film about an American tank crew, led by Brad Bitt, fighting in Germany.
It got a little bit better after the first half, but it was really bad.-So in all, Fury is a well-acted, well-made, entertaining war movie that is just great!
I won't get bogged down in the dozens of other historical inaccuracies, historically revisionist statements and attitudes of the characters and pure idiocy of the plot and just say that films like this take us back to the bad old days of the post war vainglorious posturing where the only good German is a dead German.Avoid this and hope they don't make any more..
I enjoyed Fury very much as the film in which it turned out to be, the story was fair and enough to keep me in my seat; yet the long wait through the movie to get to the action was still worth the wait..
He perfectly represents what a person must become in order to be an effective soldier.The focus of the story is on Pitt training a new member of the tank crew, a young guy who's previously only been a clerk.
Fury is a brutal, nasty movie, but it does give us at least a dim sense of war is *really* like.
If you want to watch a good film about being stuck in a tank behind enemy lines, see LEBANON , about the 1982 Israeli war..
It tries its best to be a realistic war movie but unfortunately it feels like a typical blockbuster action flick where the heroes carry out missions with impossible odds and the enemies are ridiculously dumb.
'Fury' is worth a shot if you just want some heroic war action with big stars like Brad Pitt, but bad clichéd writing destroyed the potential the movie had.RATING: [2.5/5].
I only went to see this because my friend wanted to see it, I'm not a Brad Pitt fan, he is a horrible actor and I never enjoyed any of his movies, and the same with this one, the violence is gratuitous and certain scenes were overacted, and again I couldn't feel anything to any of the characters, they were bland and unlikeable.
I don't recommend this film to anyone who wants to enjoy a war movie.
It has all been said before, but crack SS troops, even at the end of the war, would not be as stupid as to attack a stricken tank from the front; although it has to be said that the final shot shows German bodies splayed out front, sides and back, so perhaps Fury had deployed some hidden weaponry, which we were not to know about.The denouement reminded me of that other great leap of the imagination, the final scene of "Gauntlet", hardly Clint Eastwood's finest hour, in which hundreds of Policeman, armed to the teeth, stand either side of a flimsy bus and pour torrents of bullets into it.
By doing so, you might find Fury to be a masterpiece in far-fetched war story (like many WWII tales our grandparents told us) and no less gripping or important than say, Saving Private Ryan.Follow David Ayers on-screen cues and let the movie reveal itself!
I never take time to write a review, but in this case I gladly do, because the IMDb score of this laughable tank story is an exaggeration.Nevertheless a movie is not a documentary, it would be nice, makers stick to some accurate and obvious WOII facts, for instance African American soldiers were segregated from white ones, apparently not in this movie...At some point, the movie reminds to a very weak version of "Saving Private Ryan", a clerk who has no experience, has to fight, struggles with it, (vomitting, because the audience has to know he is not OK with it), team around him dies and he survives...woohoo, only the visiting to the cemetery was missing, pity.
I don't want to go into details so as not to spoil anything, but let's just say, it turns into basically a bad B-level-Rambo-like-action-flick, except with great acting, cinematography, etc, etc, yadda, yadda, yadda, but still - you'd have to be quite dumb to believe what's happening on the screen.All in all, a good watch, just close your eyes or squint hard once the final battle begins (you'll know), but if half the stuff mentioned in the trivia section is true (about actors pulling their teeth / self inflicting wounds, etc, to get into character more), then let me just say - the final result is not worth it.
I feel that Writer-Director David Ayer's World War II film "Fury" got massacred with many unfair negative reviews.
If one was hoping for a groundbreaking war movie (I know I was), this is not it.We are treated to the education of a young soldier, reluctant to participate in the inevitable butchery (which incidentally is displayed in images more akin to films like 'Rambo' (2008) or Ayer's more recent 'Sabotage' than 'Saving Private Ryan'), but it turns out he just needs his arm twisted properly by strict but fair father figure "Wardaddy" (so much for subtlety) in order to accept the facts of life: war is beastly and you have to do what you have to do to survive, son.
That's pretty much all he does again in "Fury." This isn't your "Saving Private Ryan" like war film, but more of a fun action film with spectacular sound and editing that triggers exceptional war scenes and a lot of dead Nazis.
Others have listed them before - they come right out of the plot of a cheap comic book from the 1960's, complete with SS villains and good guys struggling with the horrors of war.At least the sex scenes were only implied - probably didn't want to distract from the violent effects elsewhere in the movie.There's lots of gore, some heavily choreographed combat scenes (the tank ballet where all the American tanks move in perfect co-ordination is at least funny), and some pretty good special effects, but it fails on so many levels these make no difference.Don't waste your time.
With ingeniously-crafted intense war scenes, strong acting across the board, and a new somewhat claustrophobic setting, a tank, Fury has become the best war film of the past five years.
Suffice to say, this movie has no shortage of outstanding acting.If you can handle some very intense war scenes and also love incredible films, I highly recommend Fury as your first choice going into the theater.
The movies have reinforced this notion with films like Fury, a World War II adventure attempting to scale the heights of Saving Private Ryan or Platoon though ultimately regressing to its own variation of gratuitous carnage and destruction.