The House of the Spirits

Plot synopsis:
Prologue
A young woman, Blanca Trueba (Winona Ryder), arrives at a house with an old man and the young woman starts remembering her life.
Clara and Esteban
Blanca's mother, Clara del Valle (Meryl Streep) was a child with psychic power when Esteban Trueba (Jeremy Irons) came to propose to Clara's older sister, Rosa del Valle. Esteban left his fiancée with her family to earn money for their wedding. One day, Clara has a vision and tells her sister Rosa that there will be a death in the family. The next day, Rosa dies after drinking poison intended for her father, Senator Severo. Clara blames herself for her sister's death, and after watching her sister's autopsy, decides never to speak again.
Esteban was heartbroken. At home, his sister, Férula (Glenn Close) lives and takes care of their sick mother. Esteban used the money he earned from mining and bought a hacienda, Tres Marías. He finds many natives living on his land and tells them to work for him for food and shelter. For the next twenty years, Esteban makes Tres Marías an example of a successful Hacienda. One day he rapes a peasant girl, Pancha García (Sarita Choudhury) and she gave birth to a son. He spends some nights with Tránsito, a local prostitute (María Conchita Alonso), to whom he lends money so she can start a new career in the capital.
Twenty years later, Esteban receives a letter that his mother has died. After her funeral, Esteban decides to ask for Clara's hand, despite Férula's protests that Clara is too sickly and will not take care of him properly. When he shows up at the Del Valle family's house, Clara asks him right away if he has come to ask her to marry him, thus speaking again for the first time in twenty years.
Férula meets Clara at a coffee shop to talk about her own future, and Clara, sensing Férula's worries, promises her that she can live with her and Esteban in Tres Marías after the wedding and the two will be like sisters.
Clara gives birth to a girl as she predicted, and names her Blanca. One day, the girl whom Esteban raped, Pancha García appears at the family house with Esteban's illegitimate teenage son, Esteban García and asks for money. Esteban Trueba gives them some money and harshly orders them never to come back threatening to have his dogs attack them both if they return.
Clara holds classes for the peasant children and Blanca. Pedro Tercero, the young son of Esteban's foreman Segundo at Tres Marias befriends Blanca and the two become playmates. Esteban Trueba does not like his daughter playing with a peasant boy and sends Blanca to a boarding school.
Blanca and Pedro Tercero
After graduating from school, Blanca returns home to Tres Marías and meets with Pedro Tercero (Antonio Banderas) by the lagoon every night. One night while Esteban attends a political meeting, there is an earthquake; he worries about Clara and Blanca, goes home to Tres Marías and finds that Férula has climbed into bed with Clara. He is so angry that he throws Férula out of the house telling her never to come back. Férula curses Esteban but leaves. Clara is deeply disappointed that Esteban would kick his sister out of their family home.
One day Esteban brings the French Count Jean de Satigny (Jan Niklas) to his home intending to arrange a marriage between him and Blanca. Clara senses that the French "nobleman" is a fraud while reading cards, but Esteban dismisses her folly. While Satigny is still visiting, Esteban catches Pedro preaching revolutionary ideas that are critical of wealthy landowners like Esteban to the peasant workers. Esteban orders the workers to return to work and punishes Pedro with a fierce whipping and banishes him from Tres Marías. That night at dinner, Férula suddenly appears in the house, kisses Clara on the forehead and leaves again. Clara tells the rest of the family that Férula has died. Clara and Esteban drive into town to Férula's modest house where they find her dead on the bed.
Pedro returns to Tres Marías to talk to the peasants about their rights and nearly gets shot by Esteban. That night, Count Jean de Satigny, who is visiting again, watches Blanca and Pedro meeting secretly at the lagoon. He reveals Blanca's lover to her father who immediately drags Blanca back to the house. When Clara tries to persuade him not to be violent, Esteban hits his wife and she falls. Esteban immediately expresses his regret, but Clara tells him in shock and agony that she will never speak to him again. Clara moves with Blanca to her parents' home in the capital.
Blanca becomes pregnant with Pedro's child and gives birth to a girl named Alba.
Revolution
Esteban is busy with his political career as a senator, but as an old man he is lonely and finds comfort in the arms of Tránsito, who now runs a high-class prostitution establishment.
During the national election, Esteban believes his Conservative Party will win as usual, but the People's Front ends up winning control of the government. Blanca goes out on the street to celebrate and to meet Pedro, now a leading figure in the People's Front. Clara stays home with Alba to decorate the house for Christmas, where after what seems like a heart attack she passes away, instructing the little girl to give the diaries she had kept all her life to her mother Blanca, so that "she may understand better that and how events are related".
Meanwhile, a conspiracy between some Conservative Party members and the military leads to a coup d'état, and the military takes control of the country. At first, Esteban believes it is good for the country and that the military will hand power back to the Conservative Party, but he soon learns that the military have other plans. Under the control of the military, people associated with the People's Party are captured and even killed. Blanca is very involved and eventually the police come to arrest her for being with Pedro Tercero. Blanca reveals to her father that Pedro has been hiding in their house's cellar and begs him to help Pedro get out of the country.
In the coming days, Blanca is tortured and abused by her half-brother, Esteban García, who had joined the military with his father's help. Esteban honours his daughter's wishes and helps Pedro Tercero find exile in Canada. Esteban then turns to Tránsito, now an influential Madam with lots of connections to high level military figures, to help free Blanca. One morning, a beaten and raped Blanca arrives at her home and Esteban tells her that Pedro is waiting for her in Canada.
Epilogue
Blanca and Esteban return to Tres Marías with Alba. Esteban is finally visited by Clara's spirit who has come to help the old man on to the next world. Blanca sits outside and ponders her life, looking forward to a life with Pedro and her daughter Alba.

Tags: paranormal, revenge, avant garde, romantic, flashback

Review:
The relationship between Esteban and Pedro Tercero (Tercero-third-, by the way, is the son and thus comes after Segundo-second-) and its connections to that between Esteban and his grandson from Pancha García (not son, who he also did recognize) is chopped in half and its importance downplayed.One of the most fundamental things about the book that the film is all but stripped of: this is called "The House of the Spirits." Where is the house?
The house in fundamental to the story, but the movie unjustly relegates it to a mere backdrop.If I hadn't read the book before, I would have never guessed that such a sappy, shallow movie could be based on such a rich and entertaining novel..
I loved the people with the notable and chilly brilliant exception from Jeremy Irons (Can we ever really love his incredible characters?)Another underrated movie that seeks much and delivers well although at times with a bit too much telegraphing (the bathing scene with the young Blanca for example.)It was a three hankie movie in the end, A great three hankie movie.metro_alma@earthlink.net.
Jeremy Irons was almost perfect (I just think that there should be a little more Spanian accent there); Glenn Close seems to fit any character she's into and make it look real, in this case, painfully real; and what can I say about Meryl Streep?
This is the second time I have seen this film, but the story's continuity did not get me really sympathising with and feeling for the characters.
It may be arguable that this film is better than `Missing' (1982) (qv), however `Missing' pulled me much more into the story.Certainly, in no way should you pass up this film if you get a chance to see it: there are very good interpretations, at times even wondrous, combining with very intelligent photography and Hans Zimmer doing some of his best work..
The book on which this movie was based is a wonderful, engaging story of the Trueba family, with a typical South American ambiance, in a way similar to the stories of another great author, Gabriel Garcia Marquez.
Maybe the director thought it necessary for Winona Ryder to play a larger role.Furthermore, there were little wonderful elements of the book which might have been added to the movie, without much trouble.
That might also be the reason why Alba plays just a minor role, because her life is quite intertwined with that of her uncles.To conclude, movies based on a novel rarely give a satisfying image and for people who haven't read the book it will probably be quite entertaining.
The lumbering oaf of a movie that resulted--largely due to a magnificent cast of Anglo actors completely unable to carry off the evasive Latin mellifluousness of Allende's characters, and a plodding Scandinavian directorial hand--was so uncomfortable in its own skin that I returned to the theater a second time to make certain I had not missed something vital that might change my opinion.
None among Meryl Streep, Jeremy Irons, Glenn Close and Vanessa Redgrave could wiggle free of the trap set for them by director Bille August.
Pretty good movie with Streep, Irons, Banderas, Close, Ryder..
A good study in character and family relationships, moves a bit slow at times, but represents leisure story-telling.
He was a horrible man and I could see no reason why Clara would have loved him.There was no point to this movie, unless it is to encourage women to punish themselves by loving evil men.Watching this was a big waste of my time..
When I found out there was a movie that had both my favorite actresses Meryl Streep and Wynona Ryder, I went through the roof!But I had a hard fall after watching this lame movie and I still have the bruise.First of all the character that Jeremy Irons (an actor I still admire even after this disappointment)plays was just awful.
Years later, when Clara dies, Esteban tells his servants "Well, we might as well bury my mother-in-law's head now." Moments like that are missing, and instead we just have a scene of Severo and Nivea in a random car accident in the film, and are then never mentioned again.
Now this leads into another issue: the most infamous criticism of this film is that it stars a bunch of "gringos" (Jeremy Irons, Meryl Streep, Glenn Close, and Winona Ryder) as Chilean characters.
At first glance, you might think this is a shallow thing to criticize: actors play characters of different ethnic backgrounds all the time, nor is there any one way that a Chilean person should "look." But I think this criticism is actually a misdiagnosis of a bigger problem.
In addition to this you have the removal of Blanca's brothers from the book and a climax that doesn't play very dramatically, and the resulting story is very fractured and loses the epic 3-generation sweep of the novel.I am left wondering if any film could have been made of this book, which has so many characters and spans many different episodes.
Meryl Streep, Glenn Close and Jeremy Irons bring Isabel Allende's novel to life with all its passion and suspense.
Jeremy Irons as Esteban Trueba ages and mellows very believably, while Meryl Streep in the role of Clara maintains her gentle, loving warmth throughout her relatively short life.
In the environment of a large estate that arises from the ruins, becoming a force to abuse and exploitation of outrage, a luxury estate for the benefit of the upstart Esteban Trueba and his undeserved family, the brilliant Danish director Bille August recreates, in micro, which at the time would be the process leading to the greatest infamy of his story to the hardened Chilean nation, and whose main character would Augusto Pinochet (Stephen similarities with it are inevitable: recall, as an example, that image of the senator with dark glasses that makes him the wink to the general to begin making the palace).Bille August attends an exceptional cast in the Jeremy protruding Irons, whose character changes from arrogance and extreme cruelty, the hard lesson that life always brings us to almost force us to change.
In Esteban fully applies the law of resonance, with great wisdom, Solomon describes in these words:"The things that freckles are the same punishment that will serve you." Unforgettable Glenn Close playing splint, the tainted sister of Stephen, whose sin, driven by loneliness, spiritual and platonic love was the wife of his cruel snowy brother.
The film moves the bowels, we recreated some facts that should not ever be repeated, but that absurdly still happen (Colombia is a sad example) and another reminder that, against all, life is wonderful because there are always people like Isabel Allende and immortalize just Bille August..
I'm glad I rented this movie for one reason: its shortcomings made me want to read Allende's book and get the full story.
Pros: the movie is beautiful, the period is depicted well and consistently (to the best of my knowledge), and Meryl and Glenn do good jobs.Cons: This is the worst acting job I've ever seen from Jeremy Irons--I kept wondering if something was wrong with his mouth.
I mean this is a good film, and I watched it many times, and I am just amazed how the director tells his basic story..
Isn't this a rather consoling thought?When I watched it for the first time, I thought that after the won election, the movie would be over - I didn't know the book.
Furthermore, the soundtrack is incredibly good and the cast is wonderful as well - especially Winona Ryder and Jeremy Irons.So definitely one of those films that cinema was invented for!.
Later, I saw the movie, and it is incredible.I highly recommend it, and everyone should see it if they haven't already.It took me a while to realize that Winona Ryder played Blanca.The photography is incredible, the plot is amazing, and the story is really interesting.
By the way,what is all this ridiculous criticism to Jeremy Irons, Meryl Streep,Glenn Close and Winona Ryder about not "looking Chileanenough"?
If Bille August, the director and screenwriter (from Isabel Allende's book) had either lengthened the film or snipped a few characters, this film might have worked completely.
OK, most of the actors don't bother with accents, this is usually a pet peeve of mine, but if you're willing to overlook that, a big if I know, you'll be rewarded with a intriguing, compelling film.the story of the Trueba family spans generations.
At the forefront is Esteban, played by Jeremy Irons, though poor he aspires to marry the daughter of a aristocratic South American family.
But in his old age and with his family in jeopardy Esteban finally realizes nothing is stronger than love.The aging of the characters in the film is very well done, seldom have I seen so convincing a performance as Jeremy Irons here.
Overall, this is a good stand-alone movie, but if you want a great story about romance, power, and betrayal, read the book!.
I hate Meryl Streep and Antonio Banderas (in non-Spanish films), and the other actors, including Winona, my favourite actress and Jeremy Irons try hard to get over such a terrible script.
Despite a tremendously talented cast and the sure-handed direction of Bille August, there's just no way to make Allende's sprawling novel into a satisfying cinematic experience: There's everything from telekinesis, child molestation, bestiality, rape, torture, dismemberment and homoeroticism, set against the backdrop of the Chilean revolution through the lives of an patriarchal, aristocratic family.
The house of the spirits,the movie with no single mistake,I don't think any filmmaker could be more sincere,sensitive,deep and attractive more than the crew members of this film,specially Bille August,Jeremy Irons,Hans Zimmer and all the cast members,in outstanding harmony they gave us the core of all the feelings of Allende's Terrific novel.Watch the movie,mind the difference between the nature of a novel and the nature of a movie and don't make comparisons and then you will find yourself completely taken by this masterpiece,if not then better watch different type of movies.
I was wondering "Who is the actress playing Blanca?" all the time, but of course, it was a really young Winona Ryder!All in all, this movie really made me want to read the book..
They didn't include the third Trueba generation, the love between Blanca and Pedro wans't well explained and some actors were too different from what I had imagined.Later I realized that, had the movie been more loyal to the book, it would have been like five hours long, and would be kind of tedious.
Clara really looks like an Angel in live, and her introduction to the story at the beggining of the film was fantastic, loyal and short.
As in the book, the very last part is the most exciting one, and it has real history too there.The movie is really good, specially considering that it was a gringo film based upon a latin american book.
To capture the rich complexity and the intensity of a novel by Isabel Allende is not an easy task; however, it is one that Bille August attempts to do with the film version of Allende's "The House of Spirits." Jam-packed with a stunning cast, including Meryl Streep, Glenn Close, and Winona Ryder, the film covers a span of around 70 years, giving us a glimpse of the different aspects of the family's life that shapes who they become as the film progresses.
I feel that in order to truly capture the complexity of Allende's novel, the film would have to be long enough to delve into each character and their respective stories with much more detail..
What caught my attention and made me watch it was the participation of Jeremy Irons and Meryl Streep, two artists that I love to see working.
The hostile relation between Pedro and Esteban allows the film to show the political evolution of Chile during the twentieth century, from an oligarchic and conservative republic to a military dictatorship.All these things are good but this story has some problems as well, which may (or may not) have origin in Allende's book.
Of course, I really loved the choice of shooting locations, and I found it funny to see the Portuguese Army participating in the film although I wonder who paid for them, after all they are not paid to do figuration and would be very serious if that money came out of the taxpayer's pocket.This is a very good film, with a star-cast working hard to please us, beautiful sets and costumes and an appealing love story.
An interesting story, beautiful landscapes, well developed drama and characters delivered by a great cast.
Jeremy Irons excels as Esteban Truebas, the tough and contradictory landowner, and Merryl Streep is a wonderful Clara, light, breezy, spiritual, as the character in the novel.
The film compacts three generations into two, understandably for the development of characters in a movie.
And then, towards the end of the film, he has a change of heart.Huh.The problem here is that the conservative right wing, of which Jeremy Irons' character is a part, are shown as sexually repressed or twisted individuals.
Jeremy Irons, Meryl Streep, Antonio Banderas, Glenn Close and other contemporary actors form an all star cast for what really is an exceptionally well put together film.The problem comes down to the fact that it is factually flawed to push an agenda, as are a lot of films of this ilk.
It looks good, it moves well in the story department, it does get pretty hokey with the spirituality (borderline laughable), but otherwise it's an okay piece of cinema.But, as a pro-business American who is hawkish on international politics, I think this movie's theme is poor at best.
But one where prosperity was reserved for a few.This film is the story of the rags to riches rise of Ernesto Trueba as played by Jeremy Irons.
This film clearly belongs to Jeremy Irons.The House Of The Spirits is a well constructed film with some moving performances and is recommended highly for those who want some insights into Chilean history and culture..
The stand out performance in the movie is that of Glenn Close , who has made the character come alive..
Winona Ryder looking stunning and could have been given more screen-time along with Antonio Banderas, both being versatile actors..The story moves though three generation in just above two hours and you feel it...
The novel has some more entertaining subplots like the one involving the "aristocratic" Frenchman who marries the daughter in the book.Look all in all it is entertaining has wonderful actors and if you love Chile you will enjoy it--just ignore the pounding political correctness..
The movie "The House of the Spirits" is an adaptation of the novel of the same name by Isabel Allende.
The book is set in Chile, so the least the casting director could have done is cast its movie adaptation with all Hispanic actors.
The book is a beautiful, rich work of art; the movie, on the other hand, isn't worth the celluloid it was filmed on..
I have nothing against Meryl Streep, Jeremy Irons or Glenn Close, I think they are excellent actors but why cast them when their characters are CHILEAN?!
Having read the wonderful book by Isabel Allende I looked forward to viewing this film.
It's an excellent story and the actors in the movie are some of the best.
My message to film makers adapting from books is to add value to the story through visual interpretation rather than detract through poor character representation.
Jeremy Irons is Esteban, the central character, and the movie does a great job showing Iron's transformation from a young romantic to a cynical old man.As good as Irons is, the other cast members seem under used.
"The House of the Spirits" may not be the BEST movie ever by these talented actors (Close, Streep, Irons, Ryder), but it isn't the worst movie ever.
It was as if I was looking at paintings many times, which I think was the idea.Terrific movie, story, actors, and cinematography.
Although I am not particularly fond of romance movies, I loved this and was deeply moved by Winona Ryder's plea to her father toward the end.Mr. Irons deserved an award for his performance and Close was never better..
Maybe they've only  seen two movies (ever), and the other one must have been very good indeed!I specially liked Jeremy Irons, and really understood his character, someone who crawled up the social ladder with very hard work, then fights against those who would take his life's work from him, only he gets so involved in this fight, he doesn't realize reason is no longer at his side, and he ends up a beaten, disappointed man.
Irons made this so believable, I sympathized with the character despite his brutality.After Jeremy Irons, Winona Ryder is also wonderful as a romantic young women, who is drawn into the revolutionary ideals by her boyfriend (Banderas, he had an under-developed part, I think), and Glenn Close was also very good.
This movie included very good performances by a variety of actors, and demonstrated accurately the political aspects of the novel.
Meryl Streep, as the main character Clara, is great, although she's often even better than she was in this movie.
With the exception of only a few fairy-tale like scenes involving talented veteran actress Meryl Streep's telepathic supernatural character (and a few unnecessary love scenes), the movie was extremely well executed.
The film is so centered on the main character, Esteban Trueba, and his family, or rather his personal history in Chile, his economic fight to raise himself by his own effort over his lot, to become one of the most economically powerful, and later one of the most politically powerful men that we do not really capture the country itself.
Irons' character here is so despicable that you know he will get his comeuppance before the movie ends.