Kunsten å tenke negativt

Plot synopsis:
The Art of Negative Thinking is a burlesque drama about Geirr (35), who is wheelchair bound after a traffic accident. In an attempt to show everyone how miserable his life is, he has reached a dead end. Isolation, a weapon fixation, self-medication, and endless bitterness result in his girlfriend Ingvild (33) being at an utter loss. In a final desperate attempt to save their relationship, she invites the local positivity group to their home. Through a solution-focused method, this group sees opportunity in the blackest of holes. They have simply become one extremely positive group of people. With the threat of losing his girlfriend hanging over him, Geir reluctantly agrees to meet with them.Group leader Tori (40) attacks Geirr with all her positive professionalism, and the group does its best to assist her. Still, it does not take long for Geirr to discover that everyone in this smiling gang is at least as miserable as he is: Lillemor (65) is a lonely, bitter divorcee from the nice side of town who has ended up in a tiny apartment; Asbjørn (50) is a speechless stroke patient full of pent-up aggression; and Marte (28), paralyzed from the neck down, smiles from ear to ear to hide how she really feels about her boyfriend Gard (38). Because, after all, he was the one who forgot to secure the climbing rope.It's time for an intense day at Geirr and Ingvild's, where Geirr refuses to look at anything in a positive light. Eventually he manages to bring the positivity members over to his side; first by neutralizing the group's leader. Totally free from having to think positively, they struggle through a night of despondency, bizarre confrontations and uncomfortable truths, until morning breaks and they again see the light. The positivity group has learned the art of negative thinking.

Tags: absurd, comedy

Review:
awesome movie.
what you might expect when entering the theaters for this movie is a sad little feel-sorry movie from ice-cold Norway.
I mean, how can a movie with handicapped people be any fun?
well, lets start with the colourful ensemble of characters in this movie.
first there's of course geirr, an impotent wheelchair bound master of the negative, that looks like he's been to Vietnam and back a dozen times, who compensates his lack of "drive" with a ridiculously large handgun.
there's also a rebellious grandmother, a stroke-victim, a paralyzed woman with a grin plastered firmly on her face, and a cast of control-freak "healthy" people.
mix this together, and you have a healthy dose of facades being torn down for some self-destructive letting lose.
its a fresh breath of air amidst the dreary number of gangster wannabe movies thats been pouring out of norwegian cinemas.as a bonus on the DVD, you get a small movie about a thug with a bad back filmed in a documentary-style manner, which is also worth a watch.another glittering gem in Norways collection of weird little movies..
Norwegians don't need 150min for a good movie....
I was looking forward to this movie for months.
And not because I studied in Norway, but because we are overwhelmed with American love stories, sad stories, catastrophic movies, movies that have to last at least 2 hours and make your body ache with pain.
I just wanted to see a movie that has actually something to say, can say it clearly enough and be entertaining at the same time.
And it all came true!
This film is very much about the fact, that feeling depressed and angry can be sometimes more useful that false positive and light-hearted approach.
It helps the pain go away much faster and you can finally, at this desperate and hopeless moment, start a new chapter of your life with a clean slate.
Things that we all keep in our minds and are ashamed to think of or even to say aloud are spoken and discussed vividly here with all the logical consequences.
And with all this said, you will rather laugh through out this movie than cry or have deep thoughts.
They come later :-).
I ♥ Your Mom. I recently saw this at the 2008 Palm Springs International Film Festival and of the 38 films I saw there this year, the Art of Negative Thinking has emerged as my film favorite.
Fist of all, this is a small film shot in 20 days with little obvious budget.
Almost the entire film is filmed on location in a house and besides the cast, the most expensive overhead was probably the rights to use Johnny Cash and some other great 60's 70's music and some snippets of a few movies.
This is a dark comedy and the comedy is very, very funny and it's usually unexpected and right around the corner throughout the film.
What makes this film all the more amazing is it is the debut feature film from it's writer/director Bård Breien both as a writer and as a director.
Geirr (Fridtjov Såheim) is a paraplegic whose once idyllic life of matrimonial bliss to Ingvild (Kirsti Eline Torhaug) has been shattered by his paralysis.
Ingvild wants to stay with him but Geirr has withdrawn from her and the world and spends his days watching 1970's Vietnam themed films on TV and listening to Johnny Cash records while he gets drunk and smokes pot, living on pizza, wearing an Army jacket and a silly cap and harboring an unhealthy fascination with handguns.
Tori (Kjersti Holmen) is a national health psychologist who is the head of a state run positivity group program for victims of paralysis.
Ingvild has contracted Tori to try to enroll Geirr in her program and since Gierr is naturally resistant to the idea, Tori takes her group to him.
Marte (Marian Saastad Otteson) is a quadriplegic who is Tori's star pupil in positive thinking.
Gard (Henrik Mestad) is Marte's boyfriend who has joined the group in support of Marte.
Asbjørn (Per Schaaning) is a once successful businessman who as the result of stress and alcoholism suffered a debilitating stroke.
Lillemar wears a neck brace for sympathy but is a bitter 65 year old divorcée.
This is a great ensemble cast with each a memorable character.
This is one of those films that makes me laugh days and weeks after seeing it.
I would give this a 10 out of 10 and highly recommend it..
He's a mean man, but he's my man.
This guy has it tough, no doubt about it.
An accident put Geirr (Fridtjov Såheim) in a wheelchair, literally bringing his life to a standstill.
Disability insurance has made him a wealthy man, but he spends his days locked in a darkened room, watching "Apocalypse Now", listening to "Folsom Prison Blues", doing dope and booze, following the example of the Man in Black himself in nearly every way.
Geirr's girlfriend Ingvild (Kirsti Torhaug) tries to grin and bear it, but it's obvious she could use some help.
Well, she isn't going to get it from Tori (Kjersti Holmen), an annoying Martha Stewart type self-help guru, or her flying circus of misfits.
Instead, Geirr is about to teach the group a valuable lesson and serve them a "hot dog for your brain." Great performances.
Extremely refreshing.
Surprisingly violent.
But these clowns, they had it coming.
See it with your kids..
A Norwegian movie which cuts through the bullshit.
This movie is actually very special.
Not many movies have been this straight forward and cut through THAT much bullshit when it comes to people feeling sorry for themselves.
Finally a movie that doesn't walk the straight line where an overly positive person makes everything better or an overly negative person destroys everything.
In this movie the the two different ends meet and wreaks havoc.
The movie was shot in 20 days and that is quite astonishing..they punch through a wall or two when it comes to taboo areas and in an intelligent and interesting way.
If you're gonna watch a Norwegian movie this year or the next I would recommend you see this.
It has a lot of fantastic funny moments and if you like the Danish movie FESTEN or the American movie RUNNING WITH SCISSORS you will surely like this one.
I'm not a big fan of Norwegian movies, but this one actually has a nerve that most movies lack...what nerve is that?
Standing on both feet.
And not afraid to pull any punches!
If you like your comedies dark, than this one will be a movie you should look out for.
It is anything but political correct.
It is borderline many times and has a few flaws, but it is funny as can be.Again only if you can wrap your mind around the crazy plot and the sometimes degrading humour.
The actors do a fantastic job, it's shot a bit like a documentary and the music is really great.
It's nicely edited and has a strong "strangely" positively feeling about it.
I just loved the movie and I'm happy to have caught it on the Fantasy Filmfest in Stuttgart..
powerful and meaningful, but yet funny.
a cool film about a physically disabled group thinking in a positive way, until a new member enters the gang unwillingly on his part.
suddenly everyone comes to terms of how miserable they really are, which is not necessarily a bad moment in their li...(read more)ves.
they rather seem to have a new purpose in life in a most enjoyable destructive way.
the characters are just funny as hell, and i think the film easily could have gone 1 hour longer with great results.
this was Oscar worthy in my opinion, but it was also too short.
if there would be better time exploring the characters that would be great, because there really was something special about these people in wheelchairs that makes you think of what you usually take for granted.
the relationship between Geirr and his wife was really powerful and seemed so real and conflicting.
everyone should see this film as a sake of not missing out on something great..
Stop smiling and it'll hurt less.
Breien's film about handicapped people is a corrective.
It mocks programs that offer false cheer, repress the need to express anger, and don't give people who need to do so the right to take things in their own hands.Things get lively as soon as Tori (Kjersti Holmen),a smug therapist who works for the Norwegian state health system, takes her group of variously dysfunctional folks in a van to the house of Geirr (Fridtjov Såheim), a wheelchair bound man who's refused to join the program.
If she thinks she's going to win Geirr over, she's got another think coming.
As we see before the group arrives, Geirr, who's paraplegic and impotent from a car accident, doesn't get along with his wife Ingvild (Kirsti Eline Torhaug) and likes to spend his time getting high, drinking beer, listening to Johnny Cash albums and watching war movies.Tori has brought quite a motley crew.
There's Lillemor (Kari Simonsen), a middle aged divorced woman in a neck brace.
Marta (Marian Saastad Ottesen) is a pretty woman.
She is paraplegic too, from a mountaineering accident.
Gard (Henrik Mestad) is her self-righteous, self-pitying boyfriend.
Asbjorn (Per Schaaning) is an older man who is seriously damaged by a stroke and can hardly speak.
Tori imposes a regime of forced cheer.
It's obviously gone too far with Marta, who wears a fixed rictus smile.
Lillemor is perpetually whining.
She gets to voice her complaints into the knitted "shit bag," which Tori passes to people who want to say something uncheerful.Ingvild has invited the group over because she can't take Geirr's withdrawn grumpiness much longer and is desperately hoping they can get through to him.
The surprise is that it's he who gets through to them.
Geirr doesn't want anybody to try to tell him that things are okay for him.
By shaking up the group and expelling Tori and encouraging the others to admit what's really going on inside or alternately dropping their facades of self-pity, Geirr releases a swoosh of energy in the group that flows back to him.
It turns out he's a pretty together fellow.
He becomes the leader--and the exponent of The Art of Negative Thinking.
The group helps him by pointing out that of all of them, he's materially the best off.
He lives in a big, beautiful house, while some of them are struggling to survive financially.
Others also reveal what else is going on with them, that Tori's bossiness had kept from coming out.
Marta stops smiling long enough to point out to Gard that his failing to tie her off is why she fell.
On the other hand he needs to stop agonizing over that and move forward.
Lillimor doesn't really need the neck brace.
Asbjorn gets so involved in the proceedings, which involve some useful drunken revels, that he regains some of his power of speech.
In time Tori is allowed back to apologize and the air has been cleared.The solutions the group, with Geirr, arrive at relate to 12-step recovery, which assumes as a given that people must help themselves and you don't know what it's like unless you've been there yourself.
Nobody who hasn't dealt with the minute to minute hardships of being disabled has the right to tell handicapped people to keep their chin up.
You have to acknowledge the dark side to get to the light.
When being honest is the prime requisite it also comes clear who has been faking and who can get a lot better fast if they try.But this isn't some kind of instructional film.
It's a somewhat theatrical happening, whose improvisational surprises at times suggest the work of Lars von Trier.
The actors manage to seem real and at the same time somewhat stylized.This is a nice little film that somehow seems ideally a product of the angst-ridden world of the Scandinavian northland.
But a lot of what goes on here is universal, and by no means restricted to the handicapped--or to Norwegians.Seen as part of the San Francisco International Film Festival 2008..
Very recommended..
Very few movies are made about disabled people.
It seems to be a taboo area that few filmmakers are willing to venture into, as they do not want to make a tearjerker propaganda film that manipulates people's feelings or appear to be too insensitive about the issue.
This film does neither; instead, through realistic characters, it takes the honest approach and allows the audiences to examine the characters and understand how they feel without the filmmakers help.
Thus, it makes the film enticing and provocative.The film examines the different degrees and dimensions of both physical and emotional disability and how it affects those around them.
It shows how some people are down on themselves and refuse to improve or become worst than they are.
It shows how those disabled can increase pressure and frustration on those closest to them, and vice-versa, how those closest to them can cause them pain and suffering, even if they had the best of intentions.
Finally, it shows that acceptance, both the disabled and those around them, is a process.
It takes time and patience; if one does not have the patience, it is better off if that person leaves.One thing to take away from this film, as it offers a great lesson: there must be a balance between positive and negative thinking.
Being too positive and smiling all the time might not be such a good tactic in life.
Just look at Marte.
She tries to be positive in order to protect her partner's feelings; instead, he feels very guilty and does not appreciate her efforts.
However, at the same time, being too negative will only sent one into depression, as Lillemor demonstrates.
She is rather healthy, but because she is so down on herself, she thinks she is no better than the disabled people she associates with.
Therefore, in the end, one must be both positive and negative.
This way, a person would be able to examine the reality of the situation and have the courage to move forward.8/10.
A woman is repeatedly sexually assaulted, bitten and punched in the face.
And we are supposed to feel fine about it.
This black comedy is a stranger comes to town story (although in this case the community comes to the stranger, since he is housebound through grief after suffering a spinal cord injury) that capitalizes on the bad-behavior genre.
The violence and cruelty in the movie -- there is a surprising amount of violence, although it results in very little gore -- express a universal urge to rage against bad luck, and this is the pleasure viewers are supposed to derive from watching.
Unfortunately, in this pre-#MeToo movie, this violence is overwhelmingly directed at a woman.
The woman who receives this violence is one of four able-bodied characters, and, as the facilitator of a support group for people with disabilities, she represents authority.
She also represents the system and the vapidity of mainstream culture, which is a substantial narrative stretch, since people who work in care are almost always disadvantaged women.
To cover this stretch, she is presented as the author of a book about the group that has just been accepted for publication.
This plot point touches on interesting issues about representation of illness and disability, but, like the issue of suffering as competition also raised by the movie, the treatment is confusing and unresolved.
At some points, the group members are shown as collaborators, and at others, victims of exploitation.
The other women in the movie come in for a lot of abuse, too; the long-suffering girlfriend, the group member whose suffers a mental illness rather than a physical disability, and the woman with quadriplegia function primarily as sexual objects.
Their agency is limited to providing sexual access.
The men in the movie don't benefit from this; their agency is limited to sexual performance, and this, it seems, is the real problem of the badly-behaving hero stranger.
In this film, the men's violence stands in for sexual performance; by battering a woman, they demonstrate they still have some agency.
Bigger issues about loneliness and guilt are raised in the process of farcical sexual pursuit, but, like the suffering-as-competition and disability-porn themes, they aren't explored with any depth.
Instead, the badly-behaving hero is cast as redeemer, and the narrative ends with the perplexing message that deliverance comes in the form of a wealthy white man with a big gun, booze and weed.
The long-suffering girlfriend rides off into the sunset (sunrise, in this case) with the stranger, who has, one hopes, finally realized clinical potency isn't required for sex.
Farce and loose threads aren't problems.
The ambiguity and dominant theme of moral anarchic catharsis would be enjoyable if it weren't for the sexist framing of the violence in this film.
The assaults endured by the group facilitator are simply too realistic, too close to the harassment and abuse endured by women in all kinds of workplaces, particularly care work, to fall under black comedy.
This film literally gave me nightmares, and will give nightmares to many women who have experienced sexual, verbal, emotional and verbal assault of the kind that has been overlooked or trivialized.