Into the Wild

Plot synopsis:
The film is presented in a nonlinear narrative, cutting back and forth between McCandless' time spent in the Alaskan wilderness and his two-year travels leading up to his journey to Alaska. The plot summary here is told in a more chronological order.
In April 1992, Christopher McCandless (Emile Hirsch) arrives in a remote area just north of the Denali National Park and Preserve in Alaska. Noting Chris' unpreparedness, the stranger who drops him off lends him a pair of boots. Chris travels into the wildness and sets up a campsite in an abandoned city bus, which he calls "The Magic Bus." At first, McCandless is content with the isolation, the beauty of nature around him, and the thrill of living off the land. He hunts with a .22 caliber rifle, reads books, and keeps a diary of his thoughts as he prepares himself for a new life in the wild.
Two years earlier, in May 1990, McCandless graduates with high honors from Emory University. Shortly afterwards, McCandless rejects his conventional life by destroying all of his credit cards and identification documents. He donates nearly all of his savings to Oxfam and sets out on a cross-country drive in his Datsun B210 to experience life in the wilderness. McCandless does not tell his parents, Walt (William Hurt) and Billie McCandless (Marcia Gay Harden), or his sister Carine (Jena Malone) what he is doing or where he is going. He refuses to keep in touch with them after his departure, causing his parents to become increasingly anxious and eventually desperate.
At Lake Mead, McCandless' car is caught in a flash flood, causing him to abandon it and begin hitchhiking. He burns what remains of his cash and assumes a new name: "Alexander Supertramp." In Northern California, McCandless encounters a hippie couple named Jan Burres (Catherine Keener) and Rainey (Brian H. Dierker). Rainey tells McCandless about his failing relationship with Jan, which McCandless helps rekindle. In September, McCandless arrives in Carthage, South Dakota and works for a contract harvesting company owned by Wayne Westerberg (Vince Vaughn). He is forced to leave after Westerberg is arrested for satellite piracy.
McCandless then travels on the Colorado River and, though told by park rangers that he may not kayak down the river without a license, ignores their warnings and paddles downriver until he eventually arrives in Mexico. There, his kayak is lost in a dust storm, and he crosses back into the United States on foot. Unable to hitch a ride, he starts traveling on freight trains to Los Angeles. Not long after arriving, however, he starts feeling "corrupted" by modern civilization and decides to leave. Later, McCandless is forced to resume hitchhiking, after he is beaten by the railroad police.
In December 1991, McCandless arrives at Slab City, California, in the Imperial Valley, and encounters Jan and Rainey again. There, he also meets Tracy Tatro (Kristen Stewart), a teenage girl who shows interest in McCandless, but he rejects her because she is underage. After the holidays, McCandless decides to continue heading for Alaska. One month later, while camping near Salton City, California, McCandless encounters Ron Franz (Hal Holbrook), a retired man who recounts the story of the loss of his family in a car accident while he was serving in the United States Army. He now occupies his time in a workshop as an amateur leather worker. Franz teaches McCandless the craft of leatherwork, resulting in the making of a belt that details McCandless' travels. After spending two months with Franz, McCandless decides to leave for Alaska, despite this upsetting Franz, who has become quite close to McCandless. On a parting note, Franz gives McCandless his old camping and travel gear, along with the offer to adopt him as his grandchild, but McCandless simply tells him that they should discuss this after he returns from Alaska; then, he departs.
Four months later, at the abandoned bus, life for McCandless becomes harder, and he becomes less discerning. As his supplies begin to run out, he realizes that nature is also harsh and uncaring. McCandless concludes that true happiness can only be found when shared with others, and he seeks to return from the wild to his friends and family. However, he finds that the stream he had crossed during the winter has become wide, deep, and violent due to the snow thaw, and he is unable to cross. Saddened, he returns to the bus. In a desperate act, McCandless is forced to gather and eat roots and plants. He confuses similar plants and eats a poisonous one, falling sick as a result. Slowly dying, he continues to document his process of self-realization and imagines his family for one last time. He writes a farewell to the world and crawls into his sleeping bag to die. Two weeks later, his body is found by moose hunters. Shortly afterwards, Carine returns to Virginia with her brother's ashes in her backpack.

Tags: psychological, dramatic, violence, atmospheric, flashback, tragedy, inspiring, home movie

Review:
I think exploring a journey of this magnitude required visiting all of the people he touched and taking the time to see the land.Hal Holbrook was just perfect, as was the cast as a whole, and I think Emile Hirsch is really going places - he was fantastic and he owned the role.
Sean Penn's new movie Into the Wild arrives on the wave of a well-regarded novel about a college graduate who decides that the anger and violence in civilized society is too much to handle and commences a journey through nature in order to truly live life as it was meant to be.
These three kids have a blast, if only for a few minuteswith Hirsch being chased by the police for rafting with no licenseand it makes one wonder if maybe we all should take a journey into nature and feel the freedom and full warmth of heart that a lack of stress to succeed in the business world can give.All the supporting players are magnificent at helping show the side to McCandless that Penn needs on display to succeed.
I'm finding it hard to see why this film has taken such a tongue lashing (or keyboard lashing) by some people...mostly it is said that the main character is selfish and self indulgent, and that this film builds him up to be some kind of hero..but I think that's missing the point...through-out I was thinking about how, on one hand it was admirable that he wanted to break from the materialistic, money grabbing oppressive shackles placed on us by modern society, but on the other, how he had gone about it in such an irresponsible, hurtful and self-righteous way...the way he abandoned his parents and loving sister without a phone call note or explanation, and from the people he met along the way, like the kind old man and young romance, especially compounded this...and ultimately he realised this at the end by scribbling into a book, "happiness only real when shared" surely that is the lesson here!
Man, this is a beautifully filmed and, at 142 minutes, there are a lot of great scenes to admire.Sean Penn directed and Eddie Gautier was the Director Of Photography.
I can't stand Penn as a person but fair-is-fair and I think he's great as a director, having seen his work in "The Pledge" and "The Crossing Guard." The main actor, Emile Hirsch, who plays "Chris McCandless" (a.k.a.
Sneaks Up On You. INTO THE WILD definitely works as a film - I had read the book so I certainly knew the tragic story of this young man's life but I was blown away by the performances.
In fact, to have this young talent Emile Hirsch working with the old, legendary Hal Holbrook makes the film a must see - in fact, their scene near the end in the truck is one of the best pieces of acting I have ever seen on film - Holbrook is amazing there.
Every scene, every image used in this film tells it's own story and the countless people Chris meets along the way are as magical and integral to his journey as his survival in the wilderness.
Sean Penn's Into the Wild is beautiful, staggering, thoughtful, a labor of love made by a filmmaker with real passion for the story he set out to tell.
If one really has to say something on the subject, then Into the Wild should have shared the Best Picture award with No Country for Old Men, but that kind of thinking is besides the point because Penn's masterpiece is more than a movie, or a work of art for that matter: it's a life experience.A rebel at heart, Penn clearly identifies, at least on a few levels, with the film's unconventional protagonist, a bright young boy named Christopher McCandless (Emile Hirsch), whose astounding true story was first recounted in Jon Krakauer's book which gives the picture its title.
"I'm going into the wild" the self-renamed Alex Supertramp wrote in his journal, and though he occasionally ran into people (Catherine Keener, Vince Vaughn and others) he would connect with in a deeper way, that's where he really belonged: away from civilization, just him, his elementary tools and the pure, untarnished nature surrounding him.Christopher's journey, which is carried out with just the basic resources one needs to survive (no cell phone or other gadgets), is a modern odyssey of sorts, a quest for something that was lost forever and won't be found in the near future.
It doesn't matter whether we are young or old, as the protagonist touchingly teaches an elderly man (Hal Holbrook, the only cast-member to be nominated for an Oscar), the important thing is we give it a serious try.To simply call this a film isn't enough: in one of the most amazing combinations of efforts in the history of movie-making, the story, Penn's soulful direction, Hirsch's painfully real performance (will he ever be this good again?) and Eddie Vedder's elegiac songs (an essential soundtrack for any true film-lover) merge into something that's almost too powerful to describe in words: you have to see it to believe it.Into the Wild isn't an "easy" film: it will leave you very affected, possibly devastated, but also as enriched as one can ever be after seeing a genuine masterwork.
Uninteresting and very boring story about a selfish, arrogant man, blaming all his problems on his parents, who runs away from his family to live in the wilderness for 4 months before he finds out that happiness is found in the company of other people and family.
He travels across the country (ultimately to Alaska) and along the way he touches lives and becomes a man.This movie really makes a person reevaluate their priorities in life and I personally found it to be inspiring.
They have warm beds, gambling and all the maggot-free moose you can eat.Actually, I won't argue the merits of Chris' little adventure, suffice to say if I were going to throw myself in the wilderness I would have watched some episodes of Survivorman and got me some good Boy Scout books.My beef is with the movie-making.
He appears to want some personal angst so badly that he uses this to fuel his requirement for his own "personal issues".In order to "understand his true nature" (yuk!) he drops out of the education system and goes walkabout in the wilds - another prime motive for which appears to be to punish his parents for their sin of being less than truthful to him during his upbringing.I do not think a European audience will warm to the story of such a self-indulgent, cruel character who appears to have no empathy for the people he emotionally hurts, and at 150 minutes I almost felt I had gone through a trial equal to that undergone by the character in the film.What I also do not get is the big deal about living in the wilderness - replete with hunter's rifle, gas lighters and various other technological accoutrements including a derelict bus.
Again, another America-centric theme: this time of "frontiersmanship" I would suggest.Finally, I would say that the lack of empathy I felt for the character meant that the narrative did not touch me or make me care about his fate - and the way Emile Hirsch occasionally played to the camera, like a fly-on-the-wall reality show, broke the spell of "suspending belief" that is so critical in allowing yourself to be immersed in the story - it suddenly reminded me that I was merely watching a film All-in-all, I would recommend steering clear..
This movie shows the life of a man who leaves every thing, absolutely everything and go for an ultimate and pure escapism, and what does he learn and realize at the end.
As such, "Into The Wild" works, but only because the real life events force you to think.That said, it's been quite some time since I have endured a movie wherein the film direction was so annoying.
Sean Penn.I normally like outdoor adventure stories and films based on real life events.
Or, simply because it is so slow and boring (and it tries too hard to be deep and meaningful), it must be a good movie.If you want something deep, meaningful, and life-affirming, yet fun and modern, go watch '127 Hours'..
The L.A. scene was disgusting to watch, not everyone can run away from poverty like he could, only a dumb white kid could get away with the antics he pulled.There are many problems with the film, including the music, but the greatest failure was the lack of creative thought in a person's life.
"Into the Wild," has the ingredients that should lead to a good film; a talented cast, an Oscar-winning actor at the helm, and what should be the compelling story of a young man who left everything behind to find himself in the wilderness.
I have not read the book on which the movie is based, but probably the biggest flaw with the film is that Christopher McCandless comes off as a spoiled, self-righteous, whiner.
Instead what do some people do, they hero worship a fool like McCandless.It irritates me that Sean Penn needs to idealize Christopher McCandless and his little adventure.
Penn does not make an attempt to truly understand the psychology of what appears to be a very disturbed young man, instead he tries to suggest that 'Supertramp' is some sort of messianic character.Nature, like life, does not suffer fools well and making heroes of people like Christopher McCandless just distracts us from the journey that centuries of civilization has been partaking in-- Life.
Along the way he touches many lives, some brief, some profound and gains experience and character that some might never have even if they lived to a hundred.Sean Penn's photography and affection for nature give this film an overall gorgeous look.
The narration by the sister of "Alexander Supertramp," (the character of Christopher McCandless played by Emile Hirsch), the Supertramp himself, and the unspoken perspective of the Supertramp's parents.The story: A disillusioned, intelligent college graduate realizes that he can not tolerate "society." As a result, he decides to dump his money, dump his car, and travel, as a tramp, losing himself by looking for himself.
He heads, in a round-about-way, for Alaska where he can live alone.Supertramp's sister provides various narrations throughout the film trying to understand why he disappeared as he did -- and gets it -- after reflecting on their family life together.Not examined is the parental perspective -- worried and concerned -- at times fearing that Chris is dead, but not wanting to bear the fact that he wanted to disappear and they are or were at least partly to blame.While the film is enjoyable as we follow the adventures of Chris, it is unbearable to see this story from the parent's mindset.
Chris is selfish, self-centered, and immature, and never thinks of how his parents may feel not knowing whether Chris is dead or alive, suffering somewhere alone, hungry or sick.Chris makes some mistakes living alone which eventually kills him -- wasting his life, devastating his parents and causing a great deal of sorrow for his sister..
(My Synopsis) Based on the true story of 22 year-old Christopher McCandless (Emile Hirsch) a.k.a. Alexander Supertramp, gives his entire savings to charity after he graduates with honors from Emory, and begins his journey and great adventure into the wild.
Once in Alaska, Chris must battle for his life against the harsh reality of nature in an abandoned bus.(My Comment) This isn't a happy movie, but it is an emotionally wrenching and thought provoking story that will make you think.
Sure, you have to be in the mood for this (and it's best to see it in a cinema, I guess), but if you really let yourself in for "Into The Wild", you'll be deeply touched by the story of this remarkable young guy who chose to live by his own rules and by his own rules alone.There's not one weak link in the cast and Sean Penn directs all the actors to perfection.
Sean Penn comes uncomfortably close at times to painting Chris as Jesus-like, the Magic Hobo, but he does at least acknowledge the cruel effect of Chris deserting his parents (and his sister) and the final realization that his journey's epiphany was, thanks to the Nature in which he sought to immerse himself, impossible to realize.
Into The Wild, tells the story of Chris McCandless (played by Emile Hirsch), a kid who just graduated from college and decides to go on a trip throughout the wilderness, with no money, no phone, and clearly no responsibilities.
On his journey, he covered thousands of miles of American wilderness, on foot, by train, car, kayak, meeting a plethora of weird and wonderful people along the way.It is absolutely vital for the movie that the character of Chris/Alex is one whose company we can enjoy.
Filmed, among other places, in the wilds of Alaska where a good deal of the real story it tells occurred, it is a faithful presentation of an interesting tale.The film is the story of Christopher McCandless, a college graduate who becomes disillusioned with the world of upper class life, and goes off into the wild to find something more meaningful in his existence.
Meeting many interesting characters along the way and affecting their own views on life, McCandless aims forever toward Alaska, the final point of his lengthy journey.I found myself instantly drawn into this film.
Sean Penn directed and wrote an excellent film about a young boy named Chris (played by Emile Hirsh) who literally gave away all of his money and went off on an adventure to try to identify with himself and leave behind the world that he couldn't fit in.
It's too bad that I saw Werner Herzog's amazing documentary "Grizzly Man" before I saw "Into the Wild." One can't help but be reminded of Herzog's film while watching Penn's, or the fact that Herzog's is so much better.Both films have as their focus troubled young men who travel to the Alaskan wilderness to escape a society in which they feel they don't belong.
"Into the Wild," being a fictional film, is already once-removed from the real-life story of Christopher McCandless, and director Penn piles on so much bombast and padding, that the impact of the story becomes blunted under a veneer of pure Hollywood studio.My biggest obstacle in liking this film is that I didn't like the character of Christopher, nor did I like Emile Hirsch, the actor who plays him.
His parents are played by William Hurt and Marcia Gay Harden as cartoonish caricatures of Southern aristocracy; his sister, played by Jena Malone, is the only one who Christopher believes understands him, and her character provides the film with one of the most thudding voice over narrations I've ever heard in a movie.
I was like after 15 minutes, come on give me a break, when will this get over.....Honestly, I consider myself as someone who have high levels of tolerance of any kind of trash movie, but this beyond that, and I appreciate Sean Penn for helping me to find that breaking point...
Sean Penn makes a real point even while hammering home a false one.On the other hand, it's terribly annoying the way the parents in this movie are such one-dimensional baddies.
I'm sorry but i found this film absolutely tedious, on paper this looked an interesting account of somebody's disillusionment with the material world and an escape into the wilderness, i would be more critical if the story had not been true and such a tragic waste of life.I'm a big fan of Sean Penn but there were several techniques that for me didn't work for example the Little House On The Prairie meets The Waltons narration and the annoying post card wordage on the screen, the most irritating aspect was the performance of the leading actor, if i met this guy for 5 minutes i would be making excuses to hit the trail, opinions eh..............................
Into the Wild (2007) **** (out of 4) Sean Penn's magical film based on the life of Christopher McCandless (Emile Hirsch) who after graduating college donated his life savings to charity so that he could go on a tour year tour of the country, which would leave him alone and dead at the age of 24 in the wilderness of Alaska.
This film recounts the true story of Chris McCandless, a young man who decided to drop out of society and go live in the wilds of Alaska.
it does appear that he made a pretty bloody remarkable kayaking trip which I'd like to know more about and which should perhaps have been the focus of the film i would expect that the main character had a love of nature, and i found this was totally lost in this movie.
More than a story about a return to nature, or a white middle class youth's protest against his parent's values, it is a search for authenticity in a world that has forgotten what truth looks and feels like.Chris is engagingly played by Emile Hirsch who had to ride the rapids of the Colorado River and lose 45 pounds in the process of making the film.
When Chris McCandless (Emile Hirsch) graduated from college, he had one goal in life - to finally break away from his unhappy family and the constraints of society in general and live off the land in Alaska.
The movie feels much like a documentary as it follows Chris hitchhiking and working his way across the country and then surviving, at first, quite well in Alaska.Emile Hirsch is well-cast as Chris and makes you care about him right from the start.