Supervixens

Plot synopsis:
Gas station attendant Clint Ramsey, who works at Martin Bormann's Super Service in the desert, finds himself too irresistible to a series of girls, all of whom have the word "Super" in their given names. In the beginning, he is married to the hypersexual, demanding, and jealous SuperAngel (Shari Eubank), who constantly harasses him at work. She orders him home at once when she calls Clint and overhears a female customer, SuperLorna (Christy Hartburg), hitting on him at work. Clint finds SuperAngel's constant accusations and arguing a turn-off and, back at home, they fight after he rejects her aggressive advances. A neighbor calls the police as Clint leaves for a local bar, where the bartender is the very scantily clad SuperHaji (Haji).
Meanwhile, SuperAngel seduces Harry Sledge (Charles Napier), the cop who responded to the police call. He is impotent and unable to perform. She repeatedly taunts and insults him over this, which finally results in him killing her by stomping her brutally in a bathtub, then throwing a radio in the water which was plugged into the wall socket. Sledge burns down the house, then tries to pin the murder on Clint. Clint claims being in the pub all night, but SuperHaji has her revenge on him (for insulting her breast size earlier) by refusing to confirm his alibi. Clint is then forced to flee.
In his rush to escape, Clint hitchhikes a ride from a boy (John LaZar) and his girlfriend SuperCherry (Colleen Brennan). During the drive, SuperCherry comes on to him and puts his hand over her breast, but then pulls it back. She then tries to give him a handjob over his pants, but he continues to resist her advances. The driver takes offense to Clint rejecting his girlfriend, but she says he probably just wants a closer contact. She again attempts and fails to seduce him and he asks the driver to let him get out. The driver follows him out and beats and robs him. Clint is found by an old farmer who takes him to his farm to heal from his injuries and Clint agrees to work for the farmer for a week to repay him.
The farmer has a younger Austrian mail-order bride, SuperSoul (Uschi Digard), who is hypersexual. After energetically satisfying her husband, she comes knocking on Clint's door at night. She immediately pushes him into his bed where she proceeds to mount and rape him, until he manages to overpower her. However, she does the same the following day and this time overpowering him after jumping him from behind in the barn. Looking for SuperSoul, the farmer finds them in the barn, then chases Clint away and punches SuperSoul.
Fleeing from the farm, Clint meets a motel owner and his deaf daughter, SuperEula (Deborah McGuire), who convinces him to take a ride with her in her dune buggy to have sex in the desert. They are caught by her father and chased out of town.
Clint eventually meets up with SuperVixen (also played by Shari Eubank) at Supervixen's Oasis, a roadside diner. SuperVixen is (inexplicably) a friendly and giving reincarnation of SuperAngel, whose ghost now appears nude between scenes to comment on the plot from atop a bedspring balanced on a mesa. Clint and SuperVixen fall in love and are inseparable, although their common nemesis, Harry Sledge, arrives on the scene and plots ending the lives of the now happy couple.

Tags: pornographic, dark, cruelty, murder, cult, violence, psychedelic, satire, comic, sadist

Review:
After the brutal murder of his promiscuous wife, Clint (Charles Pitts) is forced to flee a small town Harry (Charles Napier), a wicked look-alike who committed the killing, had little trouble to put the blame for the murder on Clint Clint falls into a number of adventures, getting caught in the act with the mail-order wife of a farmer, having a brief affair with a chesty black mute girl, and finally coming across a diner/gas station run by a lonely but beautiful woman who turns out to be a copy of his former wife Clint stays on at the diner to help out the woman, and falls in love The assassin, however, passes through, discovers Clint, kidnaps his new girlfriend, and tries to kill them both The women in "Supervixens" are buxom, attractive, and very intelligent, whereas the men are generally sex-crazed, vicious, and uncoordinated...
Meyer usually bombards his audience with erotic imagesbig breasts, strong desire women, and simulated lovemakingbut here he gets carried away with several sadistic scenes that are real turn-offs....
The movie follows the hilarious odyssey of a nice young fellow, on the run for one man and an army of very very voluptuous bigbreasted women.
Russ Meyer, like David Lynch or Alejandro Jodorowsky, creates his own world in his movies and invites you to visit.
This movie is like no other ever made, with it's surreal mix of buxom babes, humour, violence, car chases and dynamite that has to be seen to be believed!
Charles Napier fans note that this is his definitive performance playing psycho cop Harry Sledge, which may or may not be a reprise of his role in Cherry, Harry and Raquel!
Russ Meyer often reuses stuff that also featured in his earlier movies.
Part of the fun of watching a Russ Meyer movie is sitting in mind-boggling disbelief at just how sexist & deranged it is, then going with the flow as you escape into his voluptuous pre-silicone dreamworld.
Misogyny isn't really the word, as you can imagine the old sleazeball worshipping these women & doing anything for them while he's filming them bouncing around.Supervixens, however, is just plain nasty, due to the one scene in which Super-Angel (the running joke is that all the women have the Super- prefix to their names) is kicked to death & electrocuted in a bathtub by Charles Napier's impotent cop.
Doesn't help that Super-Angel's character is set up as being somehow deserving of it.No, not funny at all, even if you're used to the Russ Meyer school of sensitivity.
It belongs in a 1980's splatter film, & leaves a nasty taste in the mouth for the rest of the film, which is pretty ordinary until Charles Napier turns up again & torments Super-Angel's later re-incarnation, Supervixen, in a way that would be amusing if you could only forget his earlier scene.See Beyond The Valley Of The Dolls instead..
His films are filled with lightning-speed edits, larger-than-life characters, delicious women, and over-the-top acting.
Myer masterfully puts his unique vision on the screen in all of his films, and 'SuperVixens' is a shinning example of this...This film starts off wonderfully, for it is incredibly entertaining and highly humorous (filled with VERY sexy women, large breasts, and lots of violence of course).
He is more concerned with amusing characters, gorgeous women, and sweet violence, and this movie has plenty of that.
Charles Napier gives one of his best performances ever here, as a psychotic, impotent, woman-killing cop.
If you are into Russ Meyer you have undoubtedly seen this film- if you haven't, you must!
If you have never seen any of Meyer's films, this as good a place to start as any....
SUPERVIXENS may be the ultimate Russ Meyer film!
Overdosing on breasts, sex, and violence, Meyer delivers the goods to his fans and then some.
In this movie, all women with huge breasts have Super stated before their name, like they are a totally different race of women.
In Meyer's world, they are.Shari Eubanks is amazing as SuperAngel, a slutty bitch who tortures her boyfriend Clint to the point of insanity.
When Angel has an affair with psycho sheriff Harry Sledge (the ever-sneering Charles Napier) who ends up killing her (a sequence that will make even the most jaded viewer cringe), Clint is blamed.
On the run, he encounters more Superwomen (including Haji as SuperHaji and Uschi Digart as SuperSoul) and actors and situations from Meyers' earlier films (including FASTER PUSSYCAT!
Stuart Lancaster plays a farmer who has LOTS of exaggerated, hilarious sex with his German mail-order bride SuperSoul (Uschi Digart).
But Harry shows up in time to provide trouble for Vixen and Clint.SUPERVIXENS has possibly the widest array of sexy women in Meyer's films.
Hallelujah!), all the women here will provide eye candy for ten more Meyer movies!
One thing is noted about Russ Meyer's women and that is they can all at least act a bit.
Regular Meyer fans may be turned off by the multiple violent scenes that seem more gruesome and tasteless than his other films.SUPERVIXENS may be hard to find because of Meyer's strict rental video policy, but is well worth tracking down!
SUPERVIXENS probably stands as Meyer's best 70s film.
Without a doubt, the first 10 minutes of Supervixens is one of the best pieces of comic film editing I've ever seen.
Most of Meyer's movies are pretty bad, but there are three that are great and this is one of them.
Meyer creates a surreal American landscape, where people are all endowed with unreal sex parts, all the woman bare the title "super", and ex-nazi's are gas station owners.
The movie is filled with in-your-face phallic symbols and the scene with Super Angel and the cop is absolutely hysterical.
Women from heaven, a police man from hell, and a hero from God knows where in this orgy of violence, action, comedy, drama and true love and passion, re-born in a Roadrunner movie from the brain of Russ Meyer.
No wonder all the girls are "Super-" in this film, and Charles Napier have never ever been better than the super evil impotent Harry Sledge.-Credits to Uschi Dighart as well.
Russ Meyer does an incredible job of casting and editing that is up to par with his movies, the plot is a lot more elaborate and serious that some of earlier work ("Faster pussycat, kill, kill" comes to mind).
The women are amazing; the sexy Haji playing ball-buster barkeep, Shari Eubanks, impressive as the neglected wife, and sexy seductress, and who can't help to fall in love with the wondrous Swedish beauty Uschi Digart who plays a mail order bride.
"Supervixens" rocks...classic Meyer, and less silly than a lot of his stuff.
Charles Napier actually delivers a credible performance, and the film itself has much more of a plot than most other Meyer movies...worth seeing as soon as possible..
Russ Meyer is just a filmmaker with a quirky sense of humor and a fetish for big breasts, right?
It is, however, definitely obscene.In interviews Meyer has put down hardcore pornography but I've seen scores of porn flicks and not a ONE of them has anything in them as disgusting (and disturbing) as the brutal stomping and electrocution a young woman receives in this movie.
Russ Meyer loves breasts, and he's a filmmaker, but it's mostly the breast thing.
That doesn't mean that he's not good at what he does, which is making raucous comedies where there's a dumb, well-hung klutz (Charles Pitts, in thankfully his only significant point in his career as Clint Ramsey), the dual role of the schizo-girlfriend (SuperAngel) and later her re-incarnation as a gas station attendant (SuperVixen), and the enemy of the film, the diabolical, totally evil Harry Sledge (Charles Napier, a classic part in a long character actor career).
But looking past the fact that there are a lot of naked women who continually throw themselves at Clint, there is something more to Meyer's psychology here.
It would probably be something of a big point had the film been used in Zizek's The Pervert's Guide to Cinema: it's like a classic farce- yet still a somewhat truthful farce- about male desire.Take the fact that while Clint is on his 'journey'- running from the scene of a crime he didn't commit, which was the murder and burning down of the dig that SuperAngel was living in- he continually gets into situations where the women present want to desperately ride him till Tuesday...but then there's always another man.
Until Clint agrees to stay with SuperVixen and take care of the gas station does he finally seem to relax, as before with the guy in the car, the farmer, the motel owner, all had women as their next of kin or significant others that were persona non grata.
By the time Clint gets to SuperVixen, and finds out her man ran out on her weeks ago, it's like they're suddenly whisked away to the Garden of Eden (rather, in Arizona, as is one of the funniest sections of the flick), as they run around naked in ecstasy.
Harry can't get it up, the truth of it, and it becomes a sudden turn to see Harry suddenly stomp SuperAngel (albeit, in one of the most illogical scenes I've ever seen in any movie, taunts him for five minutes while locked in a bathroom following a bad sexual experience) and burn the place down as a means of compensation, an inherent lack of drive leading to the demise of anyone around him.
While this seems to go overboard in the last twenty minutes of the film, when he returns in and becomes an ultimate terror upon Clint and SuperVixen, there's probably more one could read into in terms of symbolism than your average Bunuel movie: the dynamite shooting out of a chute, the one stick next to SuperVixen's most private of private spots, and all raised to the level of delirium.The more I thought about it after the movie ended, the more it seemed to make sense, the idea of the ID blown-up in, of all things, a Russ Meyer movie.
But this will be moot to most viewers who are just looking for what it there in a Meyer movie- sex and craziness, usually at the same time.
As the first of his films I've seen, it's already apparent how equally proficient and tacky he can be: he's a master at editing, and casts his actors like it's a slight step above Z-grade porn.
though loads of comedy sex and silly story lines keep the film rather funny and exciting.
Referring back to the previous comment - I sure have a sense of humor, and a quirky one at that, (love monty python, super troopers, shaun of the dead, etc) but this has to be the worst movie ever!
Hilarious and great fun - a masterpiece from Russ Meyer!.
Russ Meyer sure did know how to deliver an amazingly good time, and Supervixens is without doubt one of his very finest hours!
Like all Russ Meyer films, this one is completely over the top and every bit an epic, as Meyer crams in a ton of sex, violence and ample chested girls into the sprawling and often hilarious plot line.
The film is completely wayward and since the base of the plot is solely focused on one guy travelling without aim, it means that Russ Meyer can pretty much do whatever he likes - and that's clearly what he did do!
He then sets out on an aimless odyssey, and meets numerous characters along the way, many of which happen to be big breasted ladies...Supervixens really is a dream film for anyone who loves over the top gratuity.
The film is pure comic genius from start to finish and Meyer provides the audience with a constant stream of ridiculous goings on, and it's always great fun to watch.
The lead ample chested vixen is Shari Eubank; she only made two films in her career, and that's a shame as she has real charisma and, like the rest of the girls in this film, looks great too!
This is my second Russ Meyer movie (the first being 'Up!') and I am beginning to see a pattern -- tell a non-nonsensical story full of the naked women.
The screen time given to both is about equal this time whereas in the past, Meyer seemed to tilt more toward violence than sex with a couple of notable exceptions like Vixen.
Our hero works as a gas pump jockey for Martin Borman's Super Service with a wife who alternates between super horn dog and bitch extraordinaire and unfortunately does the transformation with the greatest of ease until a psycho cop, played by Charles Napier, ends her bitchery for good by stomping her to death in her overflowing bathtub and then dropping a plugged in toaster into it, electrocuting her to death and causing a full out blaze that completely destroys the house.
Our hero is blamed for it and is hunted by the policeman responsible for doing the deed so our hero must take it on the lam and in doing so runs into a whole array of huge breasted females on the make for him including in the funniest scenes of the picture, Uschi Digard as a mail order Austrian bride of Stuart Lancaster's farmer.
You just can't go wrong with a film chock full of gigantic breasts and violence towards women.
I'm only a fan of it when it's just simulated violence and Russ Meyer happens to be the guy simulating it.
Russ combines sex and violence like no one else can and Supervixens is a prime example of that.
Boobs galore in Russ Meyers's "Super Vixens", including quite a lot of misogynistic violence, a horsely hung Charles Napier playing a psycho cop, some utterly demented humor and maybe even some extremely weird and incomprehensible supernatural goings-on with that Witch of the Phallus Mountain there.
No need to mention the luscious women portraying their goods & having sex in this film, right?
If you don't like it, turn it off, or make your own goddamned movie.There's love in every frame of SUPERVIXENS as Charles Pitts skips town to avoid the cuffs of lawman Napier.
Nevertheless, Meyer features a movie that is not entirely cheesy trash and cheap 70s soft-porn.
While the women (with big breasts) are clearly depicted as agents of their sexual likings, the male characters do not seem to recognize these clear-cut own will and agency.
When he is raped by Supersoul, he screams, "Let go of my cock!" In the end Harry plans to blow up Clint's girlfriend Supervixen...?
The ultimate trash classic from cult director Russ Meyer, the man known for his obsession with large-breasted woman and an eye for absurdist humour and bizarre situations.
SUPERVIXENS mixes in some rough thrills and spills with its serious storyline of an innocent man and the deranged cop he encounters in his life, and of course the many beautiful women also involved with the pair come foremost.
But along with the conventional format of the thriller picture, there also comes plenty of sexploitation in the bountiful forms of Meyer's favourite stars (Shari Eubank, Uschi Digard, Christy Hartburg, Sharon Kelly, Deborah McGuire, Haji) and a weird helping of offbeat humour which you just can't see anywhere else these days.
In fact the film has plenty of diverse elements, with something for every male viewer watching.Utilising the scorched desert as a backdrop for his strictly adult tale, Meyer fills the screen at every opportunity with barely-clothed and unclothed women, who give various over-the-top performances as typically sex-mad nymphos hungry for our young hero's loins.
The most notable performer in the film is Shari Eubank, who excels in two different roles as firstly the abusive, bitchy wife, and secondly the altogether sweeter Supervixen who runs a café out in the middle of nowhere.
Charles Pitts proves to be a handsome if unmemorable leading figure, whilst the rest of the cast offer up some distinctive - if not brilliant - portrayals of weird characters, my favourite being the sex-mad farmer and his young Austrian wife, who are literally addicted to having sex.A nasty edge of violence comes in the form of the burly Charles Napier, giving here what is perhaps his definitive performance as a sick, psychopathic and murderous policeman, whose scene with Shari Eubank in the bathroom is sadistic and cruel viewing, guaranteed to make any viewer wince with the on-screen brutality.
Russ Meyer fills the film to bursting with bust-lines and wacky comedy.The plot is almost nonexistent.
Reading the comments posted almost makes me feel as if I do not understand cinema.The storyline is implausible, the humor crass, satire entirely lost; I wonder what was Meyer thinking when he made the movie!
Will never venture for another weird world of Russ Meyers!.
my least favorite of all the Meyer films, and although I do like Napier, Supervixens and also Cherry, Harry, And Raquel are the 2 Meyer films I've seen that I really don't like much.
And granted, a bad Meyer film still has a lot going for it.
The reason why Faster Pussycat remains Meyer's best-known film is because the females are the main characters.
A lot of the music is goofy, too, a common thing in Meyer films that often give it a cheap dated feel in 2007.
This isn't one of those thriller type films filled with mainly sex and nudity scenes, it is a pretty amusing comedy filled with it.
It kind of a mix of Carry On and Confessions comedy, but with more sex and nudity and directed by the quite obsessed (with big breasts) director Russ Meyer.
I think there is some kind of super girl with some powers called Super Vixen, but it's more likely that all girls in the film are Supervixens.
Filled with loads of scenes with big breasts, some good arses and plenty of comedy like sex, this is probably better than Carry On or Confessions combined (in terms of nudity).