Jerry Springer: The Opera

Plot synopsis:
=== Act I ===
Jerry Springer's frenzied audience greets Jerry as he arrives at his notorious TV talk show. His first guest, Dwight, is cheating on Peaches with Zandra. The three fight, and Jerry's security men break up the battle. Jerry is briefly admonished by his inner Valkyrie. Dwight is also cheating with a transsexual, Tremont. After a commercial break, Jerry's second guest, Montel, tells his partner, Andrea, that he likes to dress as a baby and that he is cheating on her with Baby Jane, a woman who dresses as a little girl. Jerry's Warm-Up Man contributes to Andrea's humiliation and is fired. Jerry again wrestles with his inner Valkyrie. Jerry's final guests are Shawntel and her husband, Chucky. She wants to be a stripper and demonstrates a dance before her mother, Irene, arrives. Irene attacks Shawntel. Chucky pleads innocence, but Jerry's secret JerryCam camera footage shows that Chucky is a patron of strip clubs and a Ku Klux Klan member. The Klan comes up on stage, and the Warm Up Man gives Montel a gun. The Warm-Up Man jostles Montel, who accidentally shoots Jerry.
=== Act II ===
Jerry is found injured in a wheelchair, accompanied by his security man, Steve. The scene is Purgatory, a fog enshrouded wilderness. Jerry meets ghostly versions of his talk show guests, who have all suffered unpleasant fates. Jerry tries to justify his actions to the ghosts. The Warm-Up Man arrives and is revealed to be Satan. Baby Jane asks Satan to spare Jerry's soul. Satan forces Jerry to return to Hell with him to do a special show.
=== Act III ===
Jerry arrives in Hell at a charred version of his Earthly TV studio. The audience is locked into cracks in its walls. Jerry reads cue cards produced by Baby Jane that introduce Satan, who is in charge of the proceedings. Satan seeks an apology for his expulsion from Heaven and wants to reunite Heaven and Hell. Jerry must faithfully read the cue cards, which introduce Jesus, the next guest, who resembles Montel. Jesus and Satan trade accusations. Adam and Eve are next; they are reminiscent of Chucky and Shawntel. They argue with Jesus, and Eve eventually attacks him. Mary, mother of Jesus, who resembles Irene, condemns Jesus. Everyone turns against Jerry, who hopes for a miracle.
God and the angels arrive and ask Jerry to come to Heaven and help God judge Humanity. He accepts the offer, but the angels and devils fight over Jerry; and the talk-show host finds himself suspended over a pit of flame. Jerry launches into a series of glib homilies asking for his life, but finally gives up and makes an honest statement that resounds with his audience. Devils, angels, and everyone sing a hymn of praise to life.
Back on solid ground, Baby Jane tells Jerry that he must go back to Earth. Jerry wakes up in his television studio, having been shot, his life ebbing away as he is cradled in Steve's arms. Jerry gives a final speech, and everyone is joined in sorrow.

Tags: paranormal

Review:
I thought that this was a brilliantly entertaining critique which was far from being the blasphemous obscenity which many organisations would have us believe.
The performances were electric, especially Alison Jiear and David Bedella who were simply stunning in the way they twisted the audience from one emotion to the other.
Their characters were a heady mix of comedy and pathos.I am glad the BBC did not cave and showed this as I think this is a clear example of where people pre-judge an issue and make decisions for the masses on an uninformed premise.
I'm an adult and I am happy to to make up my own mind!.
An musically stunning piece of satirical humour and philosophy.
I'm not here to tell you the plot, but this show (which I have also seen Live in London) is absolutely wonderful!
Of course it's obscene and distasteful in parts, but that is because it's subject matter is the Jerry Springer Show.As a musical this show has a wonderful storyline, some great characters, some outstanding actors (such as David Bedella as Satan, and Alison Jiear as Shawntel are both amazing actors with stunning voices and vocal ranges), the music and songs themselves are sublime, with some very inventive lyrics and stylings.
Also the set is simple yet wonderfully equipped and working..
Daring stuff.
This is a show that is pornographic, vulgar, profane and blasphemous.
It is a thoughtful polemic against fallen media and social standards and against organized religion.
It is infuriating but it is as though the infuriation factor is designed as a filter to keep out anyone unable to appreciate the thoughtful arguments beneath the shock and the schlock.
The music (if not the raunchy lyrics) has an echo of Andrew Lloyd Weber.
The voices, the choreography, the staging and the orchestra are all first rate.
Think of it as a modern day Don Giovanni.
Indeed the premise and the conclusion are much the same as those in Mozart's masterpiece.
There are some great lines as when Springer, brilliantly played by Davd Soul, protests "You can't put me in hell.I'm Jewish." It's doubtful this will make it to US television.
It was on Bravo here in Canada Saturday night and I applaud them for their chuptzah in showing it.
It might turn up in some fringe theatres or video shops in the US.
Once you get past the provocative format, you'll find it a worthwhile exercise..
Okay, its gross, disgusting and kinda fun.
To begin with I hate, with a passion, the Jerry Springer show.
As soon as it comes on; off goes the TV.
But Jerry Springer the Opera is different.
Act one deals with typical Jerry show characters with secrets and desires.
Act two, well without mentioning too many spoilers, lets just say that act two is a roller-coaster ride of Jerry-isms and religious theory.
This is an opera, and some of the operatic moments, with the high sopranos hitting the notes that makes the dog wonder "what the hell was that?" On the other hand, some of the tunes are rather hummable.
It is a well produced show with lots of technical magic.
Where Jerry Springer the Opera steps into a whole new level in is its use of language.
If the HBO series "Deadwood" made you blush, Jerry Springer will take you to a who new level of conceivable swearwords and blue actions.
But I don't think you could do the show without it, and without the F**ks, the show would just seem out of place.
If that kind of thing bugs you, watch something else and they you will not have anything to complain about.
If you are okay with foul language for the sake of art, enjoy the show.One more thing, this show deals with religious themes in a very non-standard way.
If you don't like seeing or hearing bad things about Mary, Jesus, or the big guy himself, then you are going to have some issues..
Finally Out On DVD - So make up your own mind.
Since watching this when it first aired on the BBC, I have been awaiting the DVD release.
Bought it as soon as I saw it for sale which must mean I like it, right?!
Well, I do like it.
There is a lot to like about it.
There is a lot to like about it.
But it also occurs to me that this 'Opera' has polarized opinion to such an extent into the twin extremes of love it or hate it that it's difficult to view it objectively.It would take too, too long to go through a full critique but a couple of plus and a negative points to get a discussion going.
Plus point, was the irreverence of the piece - as a biting satire it is intelligent and astute and very amusing.
The first half, especially, really does "hold a mirror up to society" with far greater validity than The Jerry Springer Show itself ever has.
On the other hand, the second half doesn't fully work for me - too much reliance on foul language for comedic effect and not enough substance to the resolution.Another plus would be the score and choreography which are excellent.
But conversely, I think two or three of the singers let the production down.
The diaper-wearing Jesus turns in the kind of crude, obvious performance more often seen in amateur dramatics and the big guy/God singer seemed frequently out of tune to me and his diction was awful.So there you have it...
or at least a start to it.
Not a flawless production but pretty damn good.
And I would defend anybody's right to view it.
Make up your own mind, that's what I'd say I understand that Sainsburys and Woolworths have pulled it off their shelves to appease a noisy minority.
Must remember not to shop there then!.
Very little to say other than swearing; it is "different" but it has none of the value, interest, intelligence or even humour that the BBC defenders claimed it did.
Jerry Springer's chat show is the place to come to air your problems if you are a deviant, freak or just plain trash.
Jerry will try and solve your issues while his bouncers break up any fights.
On just another day in his series, Jerry's guests include a man who wants to be a baby, a man having an affair with a woman and a man, a fat woman who wants to be a lapdancer and so on.
However, an argument with his ambitious warm-up man sees Jerry shot dead and finding himself in Hell.
With a choice of helping Satan or facing a future of being "f****d up the *ss with barbed wire", Jerry chooses to help and finds himself presenting a show in which Satan, Mary, Adam and Eve all seek an apology from a slightly gay Jesus.Recently in Birmingham several thousand members of the Sheik community protested outside the Rep Theatre about the play Behzti where a rape occurs within a meeting room within a Sheik temple  they claimed this was offensive to their faith.
Protest turned into violence and the Rep made a hasty decision to withdraw the play long before the end of its run.
I mention this because I believe it was this event that made the Christian groups realise that they should try and get on this PC-wave of appeasement as well.
However, being "hideously white" and middle class, their protests were ignored (despite breaking all records) and the BBC screened Jerry Springer: The Opera claiming its artistic merit made it worth the "slight offence".
Conveniently the Director for BBC2, when asked if he would screen the opera if it was Mohammad dressed in a nappy saying he was gay, he replied that that opera would have no artistic merit (Radio 5  7th January 2005).
Just for the record, I believe the BBC was right to show it  but the problem is that society seems to be frightened to say boo to an ethnic minority group while white people are fair game.Anyway, with loads of warnings beforehand, the BBC showed the project on the grounds that it was an important piece of work with artistic merit.
Of course, this is nonsense that they need to say to justify upsetting people and getting free publicity.
I could agree with them on the basis of what the show could have done  it had the potential to really look at the ethics of the trash culture and the media's role in revelling in it.
Sadly the majority of the show revels in the same thing; drawing easy laughs from the juxtaposition of the music with the language & subject matter  the only real applause from the audience (apart from the start and end) came from the chorus singing the C word about 15 times in succession.
This is a major problem with the show because it is very much an one-joke affair and after the first 20 minutes of Springer excess, language and characters all singing swear words it just stops being amusing  I say amusing because, aside from the odd titter, neither I nor the audience really found it that good.
After the novelty wears off, and the thoughtful side fails to materialise then all that is really left is the show revelling in attempts to shock  the end result pleasing those looking for "something different" and offending those who will be offended.
Not really fitting into either camp in that regard I just found myself bored.The lyrics are not that funny and it shows that Lee & Herring cannot move past their student humour even when trying to do opera.
Not that the whole thing is an opera because it does wander into other types of music at times.
The cast are mixed as well.
The chorus line may mostly be to blame to The Sun's estimate of 8000 swear words but mainly they are responsible for overacting and just playing to the easy laugh achieved by singing the F and C words in falsetto.
Soul is a pretty good Jerry Springer and his performance is the only one that really hints that the material could have been much more thoughtful and interesting.
Craig plays on his appearance in nappies more than he does on anything else while the rest of the cast revel in the trash they play and the chance to swear in opera!
They are all upstaged by Delacey's Satan; he seems to have gotten the tone just right and he never takes the material seriously once, playing his characters with a real wit that I felt worked.Overall, after all the fighting and hype and so on the show still must be judged on its own merits and it is all pretty much an average affair that relies more on being "different" to please than it does on the material or ideas that could have been brought out.
It is worth seeing just because it is "different" but it has very little to say (other than lots of swear words) and is nowhere near as clever, important or even entertaining as the BBC would have us believe.
Watch if you want  that is the beauty of a free society, but just don't expect it to be worth the bother..
dear god, i know i'm not a fan of opera or the theater in general but this was one of the biggest, most insulting and regrettable wastes of me and my partners time.this is clearly an opera aimed at prim and proper upper class theater goers as it thinks its hilariously daring and provocative with all its swearing but it just isn't, its deliberate and unfunny and it congratulates itself at every turn with sycophantic audience laughter.at 15 mins i could see it wasn't going anywhere yet i sat through the whole sorry 2 hours of this drivel, 2 hours man.jerry went to hell in the show, i wish he'd go to hell for real..
Written by people wanting to make a fast buck by being 'outrageous'?.
I watched it on BBC2 at the time and was so disgusted with it that I cancelled my television licence and never renewed it.
It is vulgar and boring; it made me sick to my stomach.
It was co-written by Stewart Lee, who once said, "One would like to think that comedy could incite religious hatred.
That would be great." (The Independent on Sunday, 5th December 2004.) I'm at a loss to explain how a degenerate load of sick rubbish like this has positive reviews.
How the people have been dumbed down, dehumanised and brainwashed into accepting mockery as entertainment.
God will not be mocked.As another reviewer discovered, once the faux shock of the vulgarity wears off after 15 minutes, the 'opera' is exposed as being not worth watching, even, I suspect, if for Dawkins-worshipping 'atheists'..
So much fun.
Despite my dislike for The Jerry Springer Show, Jerry Springer: The Opera actually sparked my interest starting with my lifelong love for the genre.
First things off, it is not a conventional opera, but it is so much fun to hear and watch.
The choreography is very nifty and jazzy, and the production values look very good complete with clear camera angles and sound.
The lyrics are daring and very funny and the music while consisting mainly of brief riffs sticks in your head for a long time.
The characters and story are also interesting and entertaining.
David Soul is excellent in the title role and all the other roles are performed with gusto.
Overall, fun and worth watching at least once.
10/10 Bethany Cox. Talk to the hand....
In reviewing this film I may have to resort to generic terms for certain parts of speech.
This opera is based on the Jerry Springer show.
The first act has three typical episodes from the show: a man who cheats on his fiancée with her best friend and with a transvestite; a man who likes to dress as a baby and verb in his diaper; a fat woman who wants to be a pole-dancer.
In the second act, Jerry is shot and goes to hell.
He has to present a special edition of his show where Satan confronts Jesus, Adam and Eve, the Virgin Mary and God.The libretto is obscene, blasphemous and very funny.
I particularly liked the way characters from the first half are mirrored in the second.
For instance, the man who wears nothing but a diaper in Act I plays Jesus in Act 2 wearing nothing but a loincloth.
The work has serious things to say about religion, the fall, redemption and forgiveness.
I also think that some Christians would quietly approve of the depiction of Hell.
They may be less approving of references to Jesus's sexual orientation.The work is not an opera in the conventional sense because most of the numbers consist of brief riffs.
The riffs are based on repeated phrases such as "Talk to the hand, the face ain't listening" or "Momma give me smack on the noun" or "What the noun, what the noun, what the adjective, adjective noun.
Of course Handel built entire arias on such repetitive phrases but here, with a few exceptions, there is very little musical development.
Still, Handel wrote mainly solo arias whereas Jerry Springer is strongest in the ensemble and choral numbers where the repetitive riffs are overlaid.
The musical highlight is the "Verb you" fugue in Act II sung by Satan and Jesus.
Jerry Springer is much stronger musically than a conventional musical and it is through composed with only Jerry Springer speaking.
Both the chorus and the principals are wonderful.
Outstanding in a brilliant cast is Carrie Ellis as Baby Jane.
A masterpiece of contemporary satire.
Based on the famous chat show, Jerry Springer: The Opera is one of the most seediest, dirty, disgusting piece of musical satire....and I loved it.
This show deals with some various offending themes, main of which is how the media exploits peoples hardships for ratings, exactly what the jerry Springer show does.
In this clever story, Jerry starts his show as normal, in which partners expose secrets to each other, but as the show comes to a close, Jerry is shot, and has a near death experience.
He is accompanied by a dream of his security guard Steve, and he see's his guests from the show, and religious icons such as the devil, Jesus, Adam and eve, virgin Mary and God himself.
Here Jerry learns his lesson, and realises his own fault and the nature of good & evil......sounds quite far-fetched, but it's opera, that's what its all about.it's funny to note that at the final scene before the finale, they compare Jerry to god, with people coming to him to help with their problems.
Funny eh?
The music is very catchy, some funny yet crude lines such as Poop your F***ing pants, I used to be a lap dancing, pre-operative transsexual, etc.
The choreography is jazzy, and pin-point timing.
Some notable one's include Adam & Eves, near nakedness, Satan's Striking red jacket and suit, and the various American styling clothing for the ensemble.
The set is a shocking resemblance to the show itself, and the transformation into hell is absolutely spectacular, with fires and explosions.David Soul plays jerry SPringer well in his desperate attempt to escape from his nightmare.
The various guests, such as montel (the man who likes to S*it his pants) are a very strong group who fit their character look and attitude perfectly.
My hats off goes to David Bedella who plays the Warm Up Guy/Satan to a T.
His singing, dancing, and his all round presence make him the suitable man to stand alongside Soul as the two main actors.The overwhelming sound of the show, the deep meanings, the visual feast, THE SWEARING, THE VILE, DISGUSTING FILTH.....My god what a great show.