Lucky Stiff

Plot synopsis:
Prologue
Ten characters in a quasi-Greek Chorus inform the audience of the zany plot's twists to come. One of them, a man wearing dark glasses and silk pyjamas, is murdered (Something Funny's Going On).
Act I
English shoe salesman Harry Witherspoon spends his Friday night taking inventory in a shoe shop, dreaming of a better life. Arriving at his shabby apartment, run by a mean-spirited landlady, he receives a telegram summoning him to a solicitor's office (Mr. Witherspoon's Friday Night). There, Harry learns that Anthony Hendon, an American uncle that he never met, has left him six million dollars. However, to receive the estate, Harry must take the corpse of his Uncle Anthony on an all-expenses paid "vacation" to Monte Carlo. Uncle Anthony's embalmed body is in a wheelchair and has been dressed to appear alive. Harry must fulfill the tasks specified by his uncle's will, or the money will go to his uncle's favorite charity, the Universal Dog Home of Brooklyn. Harry reluctantly accepts the terms of the will. He travels to Monte Carlo with the cassette tape that contains his instructions, a mysterious heart-shaped box, and his uncle's corpse in the wheelchair.
Meanwhile, in Atlantic City, optometrist Vinnie DiRuzzio is suddenly visited by his distressed, legally blind sister Rita LaPorta. She shows him a news article: "English shoe salesman has inherited six million dollars from his casino manager uncle." Rita tells Vinnie that due to her poor eyesight she accidentally shot her lover Tony. Tony was the manager of her husband Nicky's casino, and she had suspected that Tony was cheating on her. Rita explains that, with the help of Tony, she embezzled six million dollars worth of diamonds from her husband. The heart-shaped box that contained the diamonds has disappeared. She also confesses that she has blamed this embezzlement on Vinnie, and so her husband Nicky has placed a contract on Vinnie's life. They fly to France to find Harry and retrieve the diamonds before Rita's husband kills Vinnie (Rita's Confession).
On the train to Monte Carlo, Harry meets Luigi Gaudi, a flashy Italian, who offers to be his tour guide. Harry notices that a mysterious young woman is glaring at him and diligently taking notes (Good to Be Alive). He arrives in Monte Carlo with his uncle. Although frustrated that he must fulfill many painstakingly specific tasks to gain his inheritance, he ultimately reasons that he is "lucky" to be there (Lucky). When he sees the young woman from the train following him, he confronts her. Her name is Annabel Glick, a representative of the Universal Dog Home of Brooklyn, and she earnestly attempts to convince Harry to donate his uncle's money to the Dog Home. Harry hates dogs, due to his scarring experiences with his landlady's vicious dogs, and flatly refuses. Annabel notes that Harry must finish every task required by the will and that she is recording his every move to make sure that he executes flawlessly all of the conditions. Harry knows that if he makes one mistake, she will take charge of his uncle, finish the trip, and claim the estate. Harry vows to persevere (Dogs vs. You).
Vinnie and Rita arrive in Nice, France. While Rita telephones hotels in Monte Carlo to find where Harry is staying, Vinnie telephones his wife. Vinnie informs her that he will not be home for dinner because he has been forced to travel to Monte Carlo to save his life; she angrily hangs up (The Phone Call). Rita finds Harry's hotel and books two rooms down the hall from his. Meanwhile, Harry and his uncle, doggedly pursued by Annabel, spend the day traveling around Monte Carlo doing what is required in the will, buying new clothes, gambling, visiting museums, skydiving, fishing and scuba diving (A Day Around Town (Dance)).
That night Harry, Annabel and Luigi go to a glamorous nightclub where the glitzy Emcee declares Monte Carlo a place for "lovers in love". He mistakes Harry and Annabel for a couple on their honeymoon (Monte Carlo!). The Emcee then introduces the voluptuous singer and dancer Dominique du Monaco to the crowd. She sings a flamboyant cabaret number and has everybody in the nightclub bumping (Speaking French). After her performance Dominique speaks to Harry and tells him that his uncle has arranged for the two them to spend many hours together that night. Dominique sits next to Harry and teaches him a continental toast. Annabel, thoroughly out of her element in the nightclub, recalls the comfort that only a dog can bring (Times Like This). Dominique exits the nightclub with Harry; Annabel follows. The Emcee lauds the romantic merits of Monte Carlo (Monte Carlo! (reprise)).
While Harry is having fun in the casino, Rita, now disguised as a maid, searches Harry's hotel room for the diamonds. Vinnie is nervous and soon leaves. Harry returns to the hotel room with Uncle Anthony; Rita hides in the closet. Harry leaves the corpse in the room and returns to the casino to continue gambling, closely followed by Annabel. Rita, squinting from the closet, can barely make out the shape of the man in the wheelchair. She steps out to face who she believes to be her still-living lover, Tony. After begging his forgiveness and declaring her continued love for him, she kisses his cold hand and discovers that he is dead (Fancy Meeting You Here). Harry is on a winning streak at the casino due to Tony's friend's infallible system for winning at roulette. Rita, now livid, arrives at the casino armed with a gun and Tony's corpse. She threatens to kill Harry unless he hands over the diamonds (Act I Finale: Good to Be Alive).
Interlude
The cast as a Greek Chorus briefly reminds the audience of where they left off (Something Funny's Going On (reprise))
Act II
Annabel and Harry, with Uncle Anthony in tow, escape from Rita. In the ensuing fracas, Rita's gun accidentally goes off as her brother tries to restrain her. Rita turns the crowd on Vinnie and pursues Harry. Chaos ensues as Harry and Annabel try to hide from Rita and protect Uncle Anthony. A drunken maid mistakes Uncle Anthony for a pile of laundry and wheels him away. Annabel, Harry, Rita and Vinnie then frantically attempt to locate one another, the heart-shaped box, and the missing corpse. During Vinnie's search, he encounters the shapely Dominique du Monaco. She is most interested in his search for the diamonds (Him, Them, It, Her).
Unable to locate Uncle Anthony, Annabel and Harry return to Harry's room. Several people attempt to earn a cash reward by bringing people in wheelchairs into the room. None is Uncle Anthony. Giving up the search, Harry and Annabel open a bottle of Anthony's Dom Perignon and let down their guard. Annabel makes a toast to Harry and herself, saying that it was "nice" suffering through the week with him. Their relationship mellows as they finish the bottle (Nice).
That night in bed, Harry has a terrible nightmare. Everyone is half dog and half human ... his landlady maliciously welcomes him back to his depressing life as a shoe salesman ... Rita threatens him with a machine gun ... Luigi and Annabel taunt him for his failure to fulfill the terms of the will. Harry's dead uncle gets out of his wheelchair and tap dances while everyone else forms a ghastly kickline (Welcome Back, Mr. Witherspoon). Harry wakes up horrified to find Annabel in bed next to him. They are both shocked to find themselves together in a state of undress. Miraculously, the drunken maid enters the bedroom with Uncle Anthony. Harry and Annabel exchange a quick moment of joy before becoming embarrassed again. Annabel, now antagonistic towards Harry, goes to the bathroom to get dressed, and Harry mulls over the situation (A Woman in My Bathroom).
As Annabel is about to leave, Rita bursts into the room, gun in hand. She is now wearing her glasses and realizes that the corpse is not her lover Tony, but a dead stranger; she then demands the heart-shaped box from Harry and Annabel. They refuse to give in to her demands. With nowhere to hide, Harry and Annabel huddle together in fear, expecting to be shot dead (Nice (reprise)). Luigi Gaudi enters the room and proclaims that he is the real Uncle Anthony. He explains that his best friend (the dead man in the chair and the real Luigi Gaudi) was murdered by Rita and that he sent Harry to Monte Carlo in order to give his dead friend one last chance to experience Monte Carlo, in accordance with Luigi's dying wishes (Confession #2 (reprise)). Anthony reveals that the six million dollars in diamonds is actually sewn inside the corpse. The heart-shaped box contains only the heart of the dead Luigi.
Vinnie and Dominique du Monaco burst into the room dressed as maids. Brandishing a gun at everyone, Vinnie tells the group that he plans to start a new life in Europe with Dominique. He demands the diamonds. Rita gladly hands him the heart-shaped box; Vinnie and Dominique exit. Tony gives Annabel Luigi's life savings in the form of a $10,000 cheque made out to the Universal Dog Home of Brooklyn. Tony gives Harry $500 and reminds him that he still has the rest of the week in Monte Carlo; he says the week is prepaid and that Harry has Luigi's infallible roulette system at his disposal. Rita points the gun at Harry and Annabel and backs them into a closet. Rita apologizes to Tony for everything, and Tony forgives her (at gunpoint). Rita and Anthony take the diamond-laden corpse and depart (Fancy Meeting You Here (reprise)).
Harry and Annabel are left alone with each other. Harry locks the door of the hotel room to protect them from any more unwelcome intruders and persuades her to stay with him in Monte Carlo. Harry and Annabel kiss (Act II Finale: Good to Be Alive).

Tags: comedy

Review:
I loved it.
Mind you I seem to be in the minority but the reason i loved this movie is because it is fun and silly.
Whether it was intended to be or not i am not sure.
I guess it depends what you are looking for.
The first time i saw this movie, i was home on the couch late night looking for something to give me a brain break.
This movie fit the bill perfectly.
It is the perfect mindless fluff to watch when you are not wanting to think, giggle a little and not have to follow a story line.
I actually found this site because i have not been able to find a copy of this movie anywhere and only one other person that i know has even ever heard of it.
So if you are looking for brainless fun with a little bit of a twist, sit back and enjoy!.
Cannibalism and incest - in a light tone!.
A strange mix of traditional-80s, smartassy, Chevy Chase-type, "every-ten-lines-you-get-a-funny-one" farce and sickie black comedy.
Mildly amusing in spots, but utterly tasteless.
There is a skiing sequence that includes the fakest-looking back-projections since "On Her Majesty's Secret Service".
Well acted, funny little flick.
Donna Dixon as always looks sexy, Joe Alaskey is funny, Morgan Shepard and Fran Ryan look tough as the parents of Donna, Jeff Kober looks creepy and menacing and Barbara Howard looks scared, but at the same time she is as lovely as Ms Dixon.
The story is about sexy Donna inviting Joe to her hometown where her parents and the rest of her family are craqzy and eat human flesh, there Joe meets Barbara who married one of Donna's many brothers and together they must fight and run for their lives if they don't want to be the main course.
Rent it, you'll laugh a lot..
Tasty treat for fans of Pat Proft (Police Acadamy, Hot Shots, Naked Gun).
As mentioned in the title, this is another story by Pat Proft who has written for all a few serial comedies, including the last two Scary Movie films.
Stop here if you don't like these types of films as you most certainly won't like this movie either!
To be honest, I own both Hot Shot films.
This is not because I love them, it is more that I know that if I need some head cleaner these can do the trick.
Comedies that have crazy plots and over the top characters which won't win Oscars, but should be entertaining enough when the mood is right.Over the years, a few other programs have made direct references to this film.
One was a kids program that re-enacted the 'scary ghost' scenes almost verbatim.
As I was channel surfing, I had no idea what the program was, but needless to say, this film inspires.I first saw Lucky Stiff in parts while on tour in Delaware.
This night had a lot of partying involved, and having this film on was perfect.
For years, me and one of my band mates sought this film.
I finally nailed it down and bought it as a birthday gift.
That copy was lost on a subsequent birthday house fire.Now, with the DVD available, we have it once again and can rejoice in splendor of the quips, gags, and creepiness of this film.
I suggest to those of you who can enjoy the Naked Gun or Hot Shot series to give this one a try.
The DVD is cheap to buy online, so get it before it goes out of print!
I give this a high rating for what it is against those who pan it for not being 'Gone with the Wind' or something of that caliber.
I would truly offer a 6 star rating otherwise..
Directed by...Anthony Perkins?.
Portly nice guy falls for a luscious blonde; she likes him too, but not for the reasons you might think.
Little-seen black comedy from writer Pat Proft features very good performances by Joe Alaskey and Donna Dixon, yet it makes no lasting impact.
It's just a quickie throwaway effort, helmed by Norman Bates himself, Anthony Perkins.
Even on the level of B-comedies, the somewhat-similar "Eating Raoul" is a better bet.
There's definitely an amusing set-up here; unfortunately, the picture has nowhere to go in its second act.
An interesting try, but it misfires.** from ****.
Cannibalism and humour just don't mix in this pitiful comedy.
LUCKY STIFF is probably one of the most unworkable comedies I can remember watching.
The story is about an all-American nuclear family who just so happen to be cannibals.
Hungry for their next feast, they send out their attractive daughter to hunt for suitable villains, and she soon discovers one in the form of the obese and loathsome Ron Douglas.For most of the running time, LUCKY STIFF plays out as a ridiculous romantic comedy with all manner of lame situations and bizarre interludes.
The aim is to deliver something quirky and humorous, but the effect is excruciating; I can't imagine anyone would have found this funny at the time, let alone now.
Joe Alaskey's hammy turn as the lead is embarrassing and at no point do any of the cast members try any form of restraint.Yes, there's a little macabre humour here and there, and some action at the climax, but for the most part LUCKY STIFF is as dull as it is unfunny.
Believe it or not, PSYCHO star Anthony Perkins directed this, which was my main reason for watching; sadly he has about as much interest in the material as the viewer does.
Watch out for THE WALKING DEAD actor Jeff Kober (he played the lead Claimer in the hit zombie show) in an early role..
Worst movie I have ever seen.
When many people say it's the "worst movie I've ever seen", they tend to say that about virtually any movie they didn't like.
However, of the nearly 700 movies I can remember ever seeing this one is one of two that I walked away from feeling personally insulted and angry.
This is my first movie review, by the way, and I registered with IMDb just to rave at this movie's badness.
I went to see it when it was in the theaters (myself and my two buddies were 3 of 5 people there), and after 15 years I can't remember very many specifics, but my attitude upon leaving the theater is still crystal clear.---Spoiler alert---Oh my, where to begin.
Fat loser left at altar, goes on ski weekend, meets blonde bombshell who takes an interest in him, takes him home to meet the family, they're all cannibals and he's the main course, pathetic attempt at a dramatic escape, kicks all their butts and runs off with the brother's girlfriend, they live happily ever after.
Puke.
Firstly, the gags are so bad that it took me a while to understand that they were trying to be FUNNY, and that this was a COMEDY.
The special effects, what few there are, look like they were done 15 years earlier.
The big dramatic ending was so hokey and poorly acted that it was nearly unbearable to watch (he knocks out the entire cannibal family with rakes laying in the lawn, that stand up Tom and Jerry style when they step on them).
I'm sure that there's much, much more, but I have no intention on seeing it again for a refresher..
Horrendous.
So let me start off by saying that I saw this movie as part of a bargain.
I was really bored one fine 1997 day and so I biked over to the movie rental store.
I asked the clerk what the worst movie he had in stock was.
Without hesitation he walked me over to "Lucky Stiff." He told me that he'd waive the $1 rental fee (he said it would be wrong to charge more) if I promised to watch the whole movie.
So watch it I did, for free...This movie is terrible.
God-Awful even.
I don't need to go into plot details, read the other reviews.
The jokes make no sense.
The acting was terrible.
I know it was supposed to be a comedy, but the stupidity of the main character was exhausting.
You might try to watch it as something to laugh at, but it's so bad that it isn't even funny in that way.
Avoid!.
Enjoyable offbeat comedy.
Pudy Ron Douglas (a solid and likable performance by Joe Alaskey) can't believe his luck when he wins over the stunning Cynthia Mitchell (radiantly played with sultry aplomb by ravishing blonde knockout Donna Dixon).
However, Ron doesn't know that Cynthia's kooky backwoods family are really a bunch of cannibals who want to have him for Christmas dinner -- as the main course!
Director Anthony Perkins, working from a witty and quirky script by Pat Proft, nicely milks an amusing line in off-center black humor, relates the loopy story at a zippy pace, and maintains an engaging lightweight tone throughout.
Perkins warrants extra praise for handling the dark and potentially off-putting themes of incest and cannibalism in a pleasant and charming manner.
The wacky members of the Mitchell clan are drawn in colorfully broad strokes.
Moreover, it's acted with zest by an enthusiastic cast, with especially stand-out work from Jeff Kober as the creepy Ike, William Morgan Sheppard as the gruff Pa, Barbara Howard as the sweet Frances, and Leigh McCloskey as shallow arrogant jerk Eric West.
Jacques Haitkin's sharp cinematography gives the picture an attractive bright look.
The spirited score by Tom Jenkins and Mike Tavera keeps things bouncing along.
A real hoot.