Casino Royale

Plot synopsis:
Casino Royale (1967)Sir James Bond (David Niven) retired at the height of his powers when forced to betray his lover Mata Hari, and now lives in an English country house, surrounded by lions, devoting himself to Debussy and cultivating black roses, attended by his butler (Erik Chitty). However, alarmed by the mounting losses of their spies, he is visited by the heads of the British ('M' or McTarry; John Huston), French (LeGrand; Charles Boyer), American (Ransome; William Holden) and Russian (Smernov; Kurt Kasznar) Secret Services (collectively driven by M's chauffer John LeMesurier), who petition him to return. He refuses, considering himself to belong to a nobler tradition, and them all gadget-ridden "jokeshop" spies, and deploring the handing on of his legend, name and number to a "sexual acrobat". Even a letter from the Queen does not sway him, and as a final desperate trick M signals for Sir James' home to be blown up by the Army: the attack also kills M (but not, apparently, the others).Smersh Authority (the villains) learns that "Sir James Bond is back, with his morals, his vows and his celibate image. We must destroy that image".Sir James, thus forced out of retirement, travels to Scotland, taking M's toupee (the only surviving relic or heirloom) to M's widow, Lady Fiona, who has been substituted by Smersh agent Mimi (Deborah Kerr). She explains the rituals surrounding the death of The McTarry, which include a banquet (with fresh goat haggis and lots of whisky), dancing, and a memorial grouse shoot ("Whenever a McTarry dies, the grouse come into season"). The castle is filled with beautiful girls, agents of Smersh, pretending to be M's eleven 16-19-year-old daughters ("some of us are adopted") including Heather (Tracey Crisp) and Meg (Alexandra Bastedo), who undress Sir James for his bath ("be careful, that's my loose kneecap"), Buttercup ("Daddy's little thermometer", Angela Scoular) whom Sir James discovers actually in his bath, as well as Eliza (Gabriella Licudi), Peg (Elaine Taylor), and Michele (Frances Cosslett).Sir James drinks all the others under the table at the banquet, but when later approached by Mimi in his bedroom claiming he "comfort her" as her "widow's due", upon rejecting her, she calls him a "ninnogaywillycouf" and summons the pipers for a 'worzle', a contest which involves picking up and attempting to throw large stone cannonballs. This he wins, largely as the five pipers (Robin, Jock, Sandy: Bob Godfrey, Percy Herbert) injure themselves in trying to pick up the balls, whereas he manages to pick one up, throw it and catch it. Mimi is so impressed the other girls decide she is a risk and lock her in her room.At the grouse shoot, one of Sir James' cape buttons has been substituted with a homing beacon, and the girls send rocket-launched explosive-laden dummy grouse towards him. Assisted by Mimi, who has escaped down the rather unsafe drainpipe from her room, Sir James uses his braces to fire the button back into the rocket launcher, blowing it up. Mimi, injured, wins a farewell kiss from Sir James ("Madam, are you quite sure you're dying?") before entering a convent, and tells him that their orders came from "Authority: International Mothers' Help, East Berlin" (1).Driving back from Scotland, Sir James is trailed by a remote-controlled booby-trapped milk float (control girl Penny Riley), but manages to escape so that it kills yet another Smersh agent (). In London, he takes over as head of the British Secret Service, whose only surviving members are his secretary Miss Moneypenny (or rather her daughter; Barbara Bouchet), and his assistant Hadley (or rather his son; Derek Nimmo), who explain that all the secret agents apart from Sir James' replacement (now doing television) have been killed in sexually suggestive situations ("stabbed to death in a ladies sauna bath", "burnt in a blazing bordello", "garrotted in a geisha house", etc.) with the possible exception of Sir James' nephew, Jimmy Bond (Woody Allen), last seen in the Caribbean escaping a firing squad ("I have a very low threshold of death") with an exploding cigarette, only to end up in front of another firing squad. Sir James decides to call up all the auxiliary staff, and to create the ultimate 'Anti-Female Spy Device' - a man whom all women desire, but who is indifferent to them. Miss Moneypenny is tasked with finding one such ("your mother did some of her best work at night"), and she finds Cooper ('Coop': Terence Cooper: "Sounds like something for keeping birds." "That's me"). Coop, a holder of the 'Kama Sutra Black Belt', is then sent for his anti-female training, against a gym-full of a variety of exotic, exotically dressed Bond girls (Yvonne Marsh, Veronica Gardnier - there are over 200 beautiful girls in the film), overcoming them all but eventually meeting new secret weapon The Detainer (Daliah Lavi), who also becomes 007 ("I don't do anything, but, unless you're one of them, you do"), Sir James having decided that to create confusion all agents, both male and female, will become 'James Bond, 007'.Sir James personally recruits two new 007 spies. The first is wealthy Vesper Lynd (Ursula Andress: assistant Valentine Dyall), who Sir James persuades using a £5m tax arrears demand (2). Vesper is given the task of approaching and recruiting Evelyn Tremble (Peter Sellers: "Isn't Evelyn a girl's name? No, its mine"), an expert in baccarat at the Buckingham Club, whom Sir James wants to use to defeat Smersh's treasurer, Le Chiffre (Orson Welles), currently gambling with Smersh's money at Casino Royale. She does this, seducing Tremble at her Mayfair flat (to which she has lately had Nelson's Column removed) and also encouraging him to dress up in a number of costumes (including Napoleon - complete with 'Sunny Elba' pamphlet - Hitler and Toulouse-Lautrec: "Come on, you have more to do". "More?!"). Tremble, now also James Bond, 007, goes to Q (Geoffrey Bayldon) and his fey assistant Fordyce (John Wells) in their cellars full of inept inventions (where he is also shadowed by a dwarf dressed as a garden gnome "He's our security man") for his fitting with a gadget-filled suit ("a little bit tight about the..." "Poison capsule compartment?").Sir James then recruits his own daughter by Mata Hari, Mata Bond (Joanna Pettet), currently working as a living Eastern goddess ("Celestial Virgin of the Sacred Altar" "Figuratively speaking, of course": temple guard Milton Reid, monk John Hollis): there is a superb temple dance sequence. Mata Bond is sent to West Berlin by London taxicab (taxicab driver Bernard Cribbins) to infiltrate International Mothers' Help, known to be a Smersh cover for the Mata Hari School of Dancing, a spy training school, with rather complex neo-Cubist décor, presided over by the formidable Frau Hoffner (Anna Quale) and the diminutive Polo (Ronnie Corbett). Revealing her identity as Mata Hari's daughter, she is shown by Polo to her mother's old room ("What an enormous bed!" "The German army was very large in those days"), where she discovers a secret passageway activated by the cistern, which leads to a projection suite: she also discovers 'little Otto' one of her mother's lovers ("Is he dead?" "Hard to tell. He always looked like that"). She learns that Le Chiffre is, via his agent (Vladek Sheybal) auctioning his art collection of blackmail photographs to raise money: the auction in the auditorium is attended by officers from the British (Jack Gwilliam, Richard Wattis), Chinese (Burt Kwouk), American (Hal Galili) and Russian armies. Warned by the taxi-driver (revealed as Carlton-Towers of the Foreign Office) to prevent Le Chiffre raising the money, as the bidding for the first lot escalates ("Seventy million tons of rice!" "Sixty tons of caviar!"), Mata returns to the projection room, seizes the case of projector slides and flushes them away: she then escapes Polo by unplugging his external heart battery, Frau Hoffner is shot by Otto, and Mata, using a foam fire-extinguisher on the assorted military, makes good her escape with Carlton-Towers (first trying a drain, but on hearing 'What's New, Pussycat', by taxi back to London). Le Chiffre's agent, telephoning him to report his failure, and that Smersh's leader Dr. Noah now knows what Le Chiffre has been up to, is blown up in his telephone box (the explosion also destroys part of the Berlin Wall).Tremble now travels to Casino Royale, where after meeting Matthis, a French inspector of police (with an improbable Scots accent; Duncan Macrae (3)) , and having a car-wash with many eavesdroppers (yet more beautiful girls), in his room meets Miss Goodthighs (Jacqueline Bisset) "the management of the Hotel Tropical present their compliments" who attempts to drug him with doped champagne. Vesper arrives, 'takes care of' Miss Goodthighs, and rouses Tremble.Vesper and Tremble go the Casino: they deposit £100,000 (cashier Graham Stark) and then meet the casino director Slimmington-Jones (Colin Gordon) in his office. Tremble spots that Le Chiffre is using infra-red spectacles to cheat: Vesper steals these: Le Chiffre shows off with some magic (assistants Jennifer Baker, Susan Baker), and then Tremble and Le Chiffre play a very-high-stakes baccarat game (50 million francs: ~£3.6m or $10m at the time), which Tremble ultimately wins. Tremble takes his winnings as a cheque drawn on a Swiss bank.On the way out of the Casino, Vesper is kidnapped: Tremble, advised of this by the doorman (John Bluthal) follows in a racing car (the racing car driver Sterling Moss, as himself, having run off) but is also captured by Le Chiffre, who wants the cheque. Placed in a very elaborate but broken chair in Le Chiffre's dungeon, he suffers torture - not physical, but mental - eventually becoming a Scot in full Highland costume attacked by four Scots marching bands (including Peter O'Toole), he is rescued by Vesper using a machine gun disguised as bagpipes, who then, however, betrays and kills him (and presumably takes the cheque: "Never trust a rich spy'). Le Chiffre is then killed by Smersh agents sent by Dr. Noah.Back in London, Sir James goes to see the Prime Minister, leaving Mata to sight-see ("Mummy would have taken me in" "Mummy took everyone in"): she is captured by a Household Cavalry officer () on horseback and taken by flying saucer, which lands on the now-vacated site of Nelson's Column, to Casino Royale, where, it is now revealed, the secret headquarters of Smersh's leader Dr. Noah are located (announcer Valentine Dyall). Advised of this by former agent Mimi, now a nun collecting donations ("This department has always been very helpful to needy girls") Sir James and Moneypenny follow to Casino Royale: attacked in the casino director's room (which is a lift connecting to Dr. Noah's HQ, activated by pushing the eye of a stuffed tiger) they eventually win through to an audience hall with chairs made of gold ingots to see Dr. Noah himself - who turns out to be Sir James' missing nephew, Jimmy Bond. Jimmy is however speechless in his uncle's presence: "I never should have let Nellie send him to progressive school... I'm beginning to think you're a trifle neurotic". Dr. Noah/Jimmy reveals part of his plans (using a taped message); to release a bacillus which will leave all women beautiful and all men shorter than himself; and then hits a gong to summon his staff and have Sir James and Moneypenny incarcerated.Dr. Noah then reveals to The Detainer, whom he has also captured, stripped and strapped down to a couch ("I learnt that in the Boy Scouts"), his desire to outshine his uncle, and the rest of his plans: to substitute robot doubles for all world leaders (some of which he has already done). He also shows her a pill he has invented, which "looks like an aspirin, it tastes like an aspirin, but it is not an aspirin" - it is in fact an atomic bomb, which goes off after 400 chain reactions. Feigning interest in him, she is released, steals the pill, and manages to slip it into his champagne, and he starts his hiccup-visualized countdown.Sir James, Mata, Moneypenny and Coop (captured earlier) now manage to escape the psychedelically-decorated room in which they have been imprisoned (using exploding 'vaporized lysergic acid' (4)), and making their way back to the audience hall ("Super place for a coming-out party") and meeting up with The Detainer, find their way back to the Casino (with the aid of Frankenstein's monster: David Prowse). Whilst The Detainer escapes, Sir James tries to call London for aid, but is stopped by Vesper; "Dear Vesper. The things you do for money": who has, however, apparently fallen in love with him, and everything that has happened has been a plan to lure him to her at Casino Royale. He overpowers her, and then he and the remaining James Bonds initiate an attack on the Smersh agents in the Casino, aided by the French (Jean-Paul Belmondo: translates 'Merde!' as 'Ouch') and the Americans, both horse-riding Cowboys and tomahawk-wielding Red Indians (air-dropped with tepees as parachutes: Ransome reappears also): George Raft (as himself) shots himself during the affray, and the Keystone Cops have a cameo. Dr. Noah appears with the final chain-reaction countdown hiccups, and the Casino is explosively completely destroyed, killing all five remaining James Bonds (Sir James, Coop, Vesper, Mata, Moneypenny), as well as Dr. Noah/Jimmy Bond. The closing song explains that six James Bonds (including Tremble) go to "a heavenly spot", Jimmy to "a place where it's terribly hot").Notes:
(1) For younger readers: During the Cold War, the city of Berlin was divided by the Berlin Wall (1961-1989) into West Berlin (under Allied control: the Wall surrounded this) and East Berlin (under Soviet control). One of the motifs of the film is that the International Mothers' Help building straddles the border, this being reflected in the interior décor and lighting, and a symbolic rope bisecting the auditorium.
(2) In 1967, £5m was half of art auctioneers Christie's annual turnover. Nowadays (2009) it buys 10% of a Titian.
(3) There is also a brief pre-credits scene where Tremble (as James Bond) and the Inspector meet in a pissoir
(4) Lysergic acid is a precursor for lysergic acid diethylamide (LSD - very Sixties). As its melting point is 240oC, and its (theoretical) vaporization point considerably higher (it degrades), a certain technical liberty is taken by considering it to be an explosive vapour collectable in a seat-cushion-cover in the film(Original version retained below - fades a bit to the end)Any movie directed by 5 different people is bound
to be confusing. This is, off course, no exception.The movie starts off with James Bond (Evelyn Tremble (Peter Sellers)) meeting Lieutenant Mathis
(Duncan Macrae) of the Special Police in a pissouir in Paris. After Bond checks Mathis' credentials, he follows him out.The credits roll.4 cars come in from different directions - a Citroen, a Cadilac, a Bently, and what appears to be something Russian. The 4 chaufers wait by their cars as the 4 passengers get into a Rolls Royce, driven by a fifth chaufer.Through conversations between M (McTarry (John Huston)), Ransome (William Holden), Le Grand (Charles Boyer), and Smernov (Kurt Kasznar), we learn that this is the home of the original James Bond. He is pure of mind and body. They property is protected by many lions.James is exercising as the gentlemen arrive. He has a stutter. He complains that the agent that replaced him as James Bond 007 is leaving a trail of dead women behind; that the new gadgets have taken the honour from the profession.He takes them outside to show them his black rose. Each spy head complains that they are losing agents at an alarming rate. They want James to come out of retirement to fix their shared problems.James interrupts them to play some Debussy. We learn that Bond retired because he had to lure his lover, Mata Hari, to her death. He returns from playing. M shows him a letter from the Queen. Still, he refuses the request to return to duty. M lights a cigar as a signal, and British troops bomb the property. His mansion is destroyed and M's toupee is blown off.Cut to a Smersh control room. We hear the head of Smersh (Authority) tell them that James Bond is back, with his morals, vows, and celebate image in tact. He tells them to initiate Plan B to attempt to destroy that image.We see James driving his Morgan (?) through the British countryside into Scotland. Various spys report his progress. We learn that he is heading for M's (McTarry's) castle. Plan B is in operation with Agent Mimi taking the place of M's widow (Lady Fiona) because she has the best Scot's accent.Sir James presents the remains of M to Lady Fiona (Deborah Kerr). They explain that they'd heard of the death from the Grey Piper. The room is full of women, mourning. They prepare a traditional hagis feast for midnight, where they will dance the traditional Scotish Fling and drink Ouskabar. It is explained (there's a lot of explaining going on, but it really doesn't help) that they drink until they drop in their tracks, then after an hour's rest, the piper awakes them for the morning grouse shoot.James is shown to his room, where Meg and Heather help him undress for his bath. The room is full of paintings of nude women. Meg and Heather tell him that they are 2 of M's 11 daughters - all between the ages of 16 and 19. As they walk down the hall to the bath, they walk past a series of bedrooms, each with a gorgeous girl peering out.James goes into the bath room and starts to undress, when he notices that 17 year old Buttercup is in the tub - testing the water temperature ("Daddy's little thermometer"). She invites him in to scrub his back. James has to turn on the cold water to avoid certain embarassment.Cut to James' room, where we see Meg and Heather swapping a button on his coat - but they are speaking French! We learn that the button is to be used only as a last resort - that Mimi's never failed before.At the hagis feast, everyone is drinking scotch. Two girls have their legs entwined with James at the table, as he listens to Mimi pass on some of the McTarry folklore. Everyone eventually passes out except James, who takes his cup and the scotch decanter up to his room.He's enjoying a nightcap as Mimi comes in and declares "her Widow's Due", insisting that James "doodle her". He refuses, so she insists that he "pay the piper". She blows a silly trumpet solo on a hunting horn, and calls the huge Scottish pipers in. They are going to "wassle" - play catch with heavy stone cannon balls.The first 5 do themselves in trying to lift and throw the balls. The sixth manages a throw that James catches and throws back. The piper catches the ball, but the weight forces him back, into an armour display, which falls on him and knocks him out. James then picks up the last wassle ball and karate chops it in 2. Mimi is stricken. She praises him in French, blowing her cover. The other girls realize, and lock Mimi in her room.The next morning, James is out for the grouse shoot. Mimi's locked in her room, and realizes that James is in trouble. The truck that brought the beaters is actually a launcher of exploding grouse. Mimi escapes by sliding down a drainpipe outside her window, and come to warn James that the button on his coat is actually a homing device. He shoots the grouse before they can get too close, and tells Mimi to take off his braces. They use them like a slingshot to fire the button back towards the beaters. The beaters use a garter belt to fling the homing button back. James grabs the return shot, and Mimi is able to fire it into the grouse launcher. Mimi is injured, and commits herself to a nunnery. She tells James that they are run by International Mother's Help in Berlin.James leaves the McTarry estate, but is followed by a woman driving an E-Type Jaguar. The women in the Smersh control room activate a rigged milk truck. Through some tricky driving, James gets in front of the Jag, and the milk truck loses its visual feed to Control. Control has to set the truck to automatic. James drives into his gated estate and gets the gate closed as the Jag spins into them. The milk truck plows into the Jag, and they both explode.James shows up at MI5, sees Moneypenny, and gives her a big kiss. Moneypenny enjoys it, but explains that she is actually Moneypenny's daughter. James is on a mission, and has lost his stammer. He meets Hadley, who is also the son of the original Hadley.Hadley goes over the state of MI5's agents. Most have been lured to their death by enemy women agents. The replacement James Bond has quit to "do television". James' nephew, Jimmy Bond was working as a spy in the Caribbean, but hasn't been heard from in a while. In a flashback, we see Jimmy (Woody Allen) about to face a firing squad. He escapes using an exploding cigarette.James assigns Moneypenny to find a replacement 007 agent that is desireable to women, but can be trained to resist them. She selects agent Cooper, and spends the night confirming that he is good with women. The next day, she is having trouble staying awake, but James likes Coopers credentials (6" 2 1/2', 184 lbs, Kama Sutra Black Belt).James announces that all remaining agents and trainees will be known as "James Bond 007" to confuse the enemy.Cooper goes through his anti-female training, flipping off a girl dressed identically to Ursula Andres in Dr. No. The third girl appears later as Dr. Noah's prisoner.James shows up at the headquarters of Vesper Lynd (Ursula Andress). We learn that she is the world's richest spy. She negotiates a trade of the Eiffel Tower for nuclear warheads, and purchases the Lord Nelson's statue. James requests her help in exchange for reducing a large writ for tax arears.Vesper approaches Evelyn Tremble (Peter Sellers) at the Buckingham Club. They come close to kissing, as Vesper suggestively tells him that she would like to go over some of the passeges in his book on winning at Baccarat. She has been reading it in her bed. She will send her car to bring him to her place.Evelyn arrives as Vesper is disposing of a body. In one of the best looking shots in the movie, they walk behind a huge aquarium - in slow motion - to "The Look of Love" song. Vesper is waiting for Evelyn on (in?) her sunken couch. Evelyn admires Lord Nelson's statue from her window. After some suggestive banter, we see Evelyn exercising in his pyjamas and Vesper wearing a nightgown. She films Evelyn dressing up as Hitler, Napolion (complete with a "Sunny Elba" brochure) and Toulouse-Lautrec. She requests his help in breaking La Chiffre, who likes to play high stakes Baccarat. Evelyn accepts, and agrees to become James Bond for the assignment.Evelyn shows up at the MI5 training facility, where we see frog-men firing bows and arrows and a drill sergent leading his men into an elevator. Evelyn is fitted with a wrist-TV, and body armour vest.Cut to James Bond's office, and James has learned that International Mother's Help (IMH) is a Smersh front. He decides that Mata Bond should try to infiltrate. She is his iligitmate daughter with Mata Hari.She gets to IMH and destroys the slides, forcing Le Chiffre to play baccarat.Tremble to France / Carwash / Miss GoodthighsVesper & Tremble to CasinoLe Chiffre's Magic, swap glassesTremble plays one hand, and loses. Le ChiffreStirling MossBig disconnect - Bond is Le Chiffre's prisoner - mind tortureVesper kills Tremble, Dr. Noah's men kill Le ChiffreMata kidnapped - Mimi gives a hintAmbushed in casino officeEscape, but end up in front of Dr. NoahDr. Noah is Jimmy Bond (Woody Allen)BacilliusThe DetainerLooks like an Asperin, tastes like an asperin. 400 tiny little time pills.Vaporized Lysergic Acid - Agent Cooper returnsFrankenstein to officeVesper pulls gun on EvelynAmerican AidMonkey wearing toupeeIndiansPolice - Keystone CopsExplosion

Tags: murder, cult, violence, absurd, psychedelic, satire, comic, revenge

Review:
What should stink of embarrassing desperation, instead proves to cheerfully insane, unpredictable and remarkably free of common sense.The film was intended to be the ultimate spy spoof, an attempt to out-Bond the James Bond movies and their innumerable imitators.
The cast is slumming in style (where else can you find Orson Welles, John Huston and Woody Allen hamming it up in the same film or Peter O'Toole, George Raft, Charles Boyer and Jean-Paul Belmondo dropping in for fleeting cameos?) And you have one of the best soundtrack albums ever, including Herb Alpert's title track and Dusty Springfield's sexy, sultry rendition of the Bacharach and David classic "The Look of Love." Plus, you get Woody Allen as an evil genius out to take over the world and Deborah Kerr dangling from the drain pipe of a Scottish castle.And, to some extend, the film gets Bond right.
NO was a great hit in the early 1960s, and Eon quickly snapped up the rights to the rest of Ian Flemming's novels about super spy James Bond--except for the CASINO ROYALE, which had already been purchased earlier by CBS for a 1950s television adaptation.
The result is one of the most bizarre films imaginable.The story, such as it is, finds James Bond (David Niven) called out of retirement to deal with the sudden disappearance of secret agents all over the world.
Eventually all the Bonds, including (through the magic of editing) Peter Sellers, wind up at Casino Royale, where they confront the evil agents of SMERSH and a diabolical mad man with a plot to rule the world.The plot is absolute chaos, but that doesn't prevent the film from being a lot of fun to watch.
Most threads are just completely abandoned after awhile.The story, which is very loosely based on Ian Fleming's James Bond novel Casino Royale (published in 1953--it's the first Bond novel), is a spoof of the typical adventure featuring the infamous secret agent.
Feldman had different writer/director teams create their own, parodic Bond segments that would be loosely tied together--it was almost a filmic version of the "Exquisite Corpse" game, in which you fold a piece of paper so that you can't see other persons' work, and you have to continue the drawing on your section with only a couple visual anchors.Each segment features a different set of stars--the primary sets centering on Niven, Woody Allen, and Peter Sellers with Ursula Andress and Orson Welles.
However, Bond films aren't quite convoluted or messy enough to deserve this kind of spoofing, so excusing the messiness of the whole to parodic intent seems an over-ambitious stretch.Casino Royale is worth seeing, particularly if you're a big Bond fan or a big fan of any of the cast, or even if you just like a lot of late 1960s/early 1970s big, madcap comedies.
Some of the faces only feature for a few moments (Peter O'Toole's part is tiny, for one), others, like Sellers, Allen, Niven and Welles, do enough to create truly memorable characters despite the frantic pace of much of the film (I still cannot think of Welles' face without those scary shades).
This movie will challenge many who cannot break-out of the mold of needing a firm plot and some commonsense, but in this regard it is much like a comedic version of a David Lynch film, and I enjoyed Twin Peaks: The Movie even if I still don't get it.So watch this for the crackling one-liners, ridiculously pretty women, lurid sets and the most completely unself-conscious approach to making a comedy that I have ever seen.
What a mess of the royal proportions - such a great cast (Peter Sellers, David Niven, Orson Welles, Woody Allen, Ursula Andress, Deborah Kerr, and Jean-Paul Belmondo), the James Bond's story, plenty of beautiful (and I mean it) girls, the music by Burt Bacharach, most famous sets - but the movie is almost totally unwatchable.
Things get more confusing as many other agents (also called James Bond) get involved!With only the number of uncredited writers outweighing the number of directors, this film screams 'mishmash' and indeed, it transpires, that that's exactly what it is  a silly mess which amazingly manages to be less than the sum of its parts.
Allen is an unusual find here and in fairness he is actually funny because he brings his stand up routine to the role and seems to just be having a laugh as he goes.Even to waste these three actors is a crime, but when you consider that the film also has Orson Welles, Ursula Andrews, Deborah Kerr, William Holden, John Huston, George Raft, Jacqueline Bisset, Derek Nimmo, Ronnie Corbett, Bernard Cribbins, Peter O'Toole, Stirling Moss, David Prowse, Burt Kwouk, John Le Mesurier and a few others then you have to wonder how so many people were fooled into appearing in this.
I can only imagine how good it seemed at the development stage ('Bond but with laughs') but I doubt if any of those involved are actually proud to have this on their cv.Overall this is a pretty awful film but I suppose you may get a few laughs out of it if you can buy into the silly tone but I'm afraid I wasn't even able to get close to the mind state needed to enjoy this.
At least it must be the worst ever misuse of a great cast: Peter Sellers, David Niven, Woody Allen, Orson Welles, Deborah Kerr...Some bad films actually become tolerable or even funny just because they are so bad.
Its attempts at comedic surrealism were in vain.The other Bond films up to the Casino Royale of 1967 starring the softly-spoken, Scottish James Bond everyone liked were cleverly satirical and ironic with Sean Connery delivering his lines with his tongue planted firmly in his cheek and a wry smile on his lips.
Even so, the wonderful actors David Niven, Peter Sellers, Ursula Andress and more make this movie one of a kind.The sixties feeling is soothing with the music of Burt Bacharach.
A harsh feud between Orson Welles and Peter Sellers had erupted behind the scenes, but the movie was such a mishmash not all the movie stars in the world working in perfect harmony could have rescued it.The story is supposed to be a spoof of the Bond series.
Besides Peter Sellers and Woody Allen, the movie also features Orson Welles, David Niven, William Holden and John Huston among many other great and well known actors.
And above all its sloppy.One scene very typical of Casino Royale is the gambling scene: Peter Sellers is Bond(at least i think so) and Orson Wells is the villain le Chiffre.
Despite the problems, parts are greater than the whole of this film and some scenes are truly funny, others are campy, and many are sharp spoofs of 60s Bond films - The German school of spying is great, as is any scene with Woody Allen, and all of the bond girls in their over- the-top outfits are entertaining.So, if you think this film looks like it was shot on acid, there is a reason!.
Before I continue, I need to say that the one I am reviewing is definitely not the new film, rather it is a 60s spoof of the James Bond Series starring Woody Allen, Peter Sellers, David Niven, and Ursula Andress.
There's also a plot surrounding a particular James Bond impersonator played by the masterful Peter Sellers in a pretty decent role as the closest thing to the novel from which it's based.I can't really recommend this film because most people who see it will probably hate it simply because it makes no sense at all.
In an early spy spoof, aging Sir James Bond comes out of retirement to take on SMERSH.I hate to say that I did not really enjoy this movie.
Directed by five different directors, its two major stars (David Niven and Peter Sellers) never sharing a scene, the film shows zero coherence in design or execution.
When spies start dropping like flies, targets of a secret organization, East and West come together to coax Sir James back into the game.I enjoy watching "Casino Royale" for its lost-in-time ambiance, and for little things like the boxy cut of Barbara Bouchet's eyelashes and the creaking percussion of Dusty Springfield's centerpiece song, "The Look Of Love." But all this points up how cinema works best as communal and not individual entertainment.
It's a great set, and great music, but the elements never come together, so the scene drags.Occasionally there are laughs, as when Daliah Lavi introduces herself: "I'm the new secret weapon, and I've just been perfected." Woody Allen gets off some good lines, too, but he's hardly in the film.
CASINO ROYALE, a 1967 spoof of the whole James Bond spy genre, has to be one of the messiest films ever made.
An appears-in-anything Ursula Andress is the crumpet, while the supporting cast in this bloated production is packed with cameoing stars like Deborah Kerr, John Huston, William Holden, and even one Woody Allen playing 'Jimmy Bond'.CASINO ROYALE has an episodic structure that is generally hard to watch as most of the supposed funny bits are anything but.
His role is rather brief, but it contains some of his funniest lines ("My doctor said I cannot have bullets enter my body at any time!") and physical comedy EVER!2) The production is lavish, full of bright colors and large-scale sets.3) The women look fantastic, especially Ursula Andress (my God!), Barbara Bouchet and Joanna Pettet.4) Burt Bacharach's music and songs are very catchy.There are also some bizarre moments that are neither good nor bad...just interesting (like the appearance of the UFO).BUT...the script is disjointed, the direction has no sense of comic rhythm and, worst of all, most of the comedy is PAINFULLY unfunny.I think it all comes down to this: "Casino Royale" is too pleased with itself.
Hiring an ever-increasing pool of screenwriters, and getting a variety of directors to film various sequences, based on their availability, an 'ultimate' James Bond satire began production.Some of the ideas were quite creative; to bring in past 'Bond' co-star Ursula Andress in a key role; to hire legendary actors who would have been 'believable' in a 'serious' Bond film (Orson Welles as 'Le Chiffre', John Huston as 'M', William Holden as the American intelligence boss); to cast Fleming's own first choice for Bond, David Niven, as the 'original', now retired Sir James Bond; and to include two of the most brilliant comic actors around, Peter Sellers and Woody Allen, as variations of 007.So what went wrong?
Peter Sellers, trying to move beyond comedy, thought he was hired to actually play 007 'straight', and caused considerable delays when he realized he wasn't going to be allowed to; Woody Allen, despite giving the funniest performance in the film, was refused the right to rewrite the script (which was being filmed in scattered pieces, all over the lot), and publicly blasted the film; there was no cohesiveness in any of the various plot lines, making the film editors' job a nightmare; even the music score, by Burt Bacharach, teetered between light-hearted bounce and silliness and more serious motifs (represented by the song, "The Look of Love"), uncertain which direction the film was going.By the time the production 'wrapped', I think Feldman wished he'd paid Connery's salary!
Deathray" and "Operation Double 007," best endured in their MST3K incarnations).While this movie is all over the place and hard to defend, it does at least offer: some pretty hilarious sketches (all the David Niven/Deborah Kerr stuff, Peter Seller's obvious unease around Orson Welles, Joanna Pettet in East Berlin), some gorgeous 60's babes whose screen careers never quite panned out (Pettet, Daliah Lavi, Barbara Bouchet) and a simply extraordinary Burt Bacharach score.You need to be in a somewhat indulgent mood for this one (and try to see it letterboxed on disc or DVD), but it's a movie that always makes me smile (I'm more inclined to watch it again than any of the "real" Bond movies) and always a pure romp.Viva "Casino Royale"!
The original Casino Royale has an all star cast included Peter Sellers, David Niven, Ursula Andress, Joanna Pettet, Orson Welles, Woody Allen, Daliah Lavi, Charles Boyer, Peter O'Toole, Jacqueline Bissett, and John Huston.
Casino Royale" is definitely not a James Bond film, its not either a parody of Bond films as you could call the Derek Flint or Matt Helm issues and if its a comedy it is not funny at all.The script is poor, the dialogues don't make any sense, the plot is a mess and as for comedy just a couple of smiles (in more than 2 hours run) with Woody Allen or perhaps Peter Sellers).The whole thing is impossible to defend, its a really bad film and a truly waste of a story and an all star cast with real big names.
There are some good bits, like when Peter Sellers and Orson Welles are playing baccarat but they are outnumbered by many scenes just falling flat especially the over the top farce ending.With five directors the movie was bound to be unusual, but this movie isn't weird enough to be cool or straight enough to be classed as a "normal" spy movie.If you want a decent spy movie then rent any Sean Connery Bond, or if you want a classic slice of 60s psychedelia then watch "Head" starring the Monkees, or "Magical Mystery Tour".
Imagine wasting actors such as Peter Sellers (who plays, apparently, a zombie), David Niven, Charles Boyer, Orsen Welles, William Holden, Jean-Paul Belmondo, George Raft, Jacqueline Bisset, Ursula Andress, Woody Allen (back when he was funny in the 60s) and Deborah Kerr!!!
Yes this Bond spoof is a very silly , self indulgent and daft mess with bits like Tremble getting into a racing car and the ending that don't even begin to make sense but there are also some fun moments like Jimmy Bond facing the firing squad and a few smart lines : " Mummy would take me in - yes well mummy took everyone in " Despite all the madcap moments at least the cast manage to keep their dignity which isn't always true of madcap comedies from the 1960s ( Check out Jack Lemmon in THE GREAT RACE to see what I mean ) and CASINO ROYALE has a good soundtrack .
It is so bad you would think that the producers deliberately made it a dud to prank the paying public.Worst thing is, it has an incredible cast: Orson Welles, Peter Sellers, David Niven, William Holden, Woody Allen, Ursula Andress, Deborah Kerr, John Huston, Jean-Paul Belmondo, George Raft, Jacqueline Bisset, Ronnie Corbett, Peter O'Toole (very briefly).
Long before Austin Powers, Charles Feldman, against his will, did a spoof of the James Bond movies with Casino Royale.
David Niven is a stiff, Woody Allen in an early performance is a crack-up, Peter Sellers never looked so lost, and the music is fun, but other than that, it's pretty much a mess.William Holden, Charles Boyer, Deborah Kerr, and George Raft are completely wasted.
James Bond, Burt Bacharach, Herb Alpert, Peter Sellers, Ursula Andress, Woody Allen, Paco Rabanne clothes, spies, babes in miniskirts, "special" effects, gigantic sets, psychedelic scenes, Terry Southern humor, gadgets galore, cameo appearances stars ,stars, stars!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Peter Sellers, Ursula Andress, David Niven, Orson Welles, Woody Allen, Deborah Kerr, William Holden, Charles Boyer, John Huston, George Raft, Jean-Paul Belmondo, Jacqueline Bissett – these are just among the bigger names of filmdom for the time..
Well, after a circus line-up of no less than five directors (including John Huston), three scripters (not including ghostwriters Woody Allen, Peter Sellers, Billy Wilder, Terry Southern and Ben Hecht(!)), an enormously eclectic cast, and swarms of unbilled star cameos, this is the elephant they hatched.David Niven (who, by the way, was Fleming's "personal" choice to play "007" in the popular film series) plays an aging Sir James Bond who reluctantly comes out of retirement to do battle with his old nemesis, the syndicate SMERSH (they should have called it CHAOS), after international spies are being knocked off left and right.
"Cassino Royale" was supposed to be a psychedelic and funny spoof of James Bond movies.
How many times the viewer has the chance to see names like Peter Sellers, David Niven, Ursula Andrews, Orson Welles, Woody Allen, Deborah Kerr, William Holden, Charles Boyer, John Houston, Jean-Paul Bemondo, Jacqueline Bisset, Peter O'Toole, Anjelica Huston and other less famous actors and actresses acting together in the same film?
This "spoof" of the James Bond films falls very short of being as funny as everyone thinks it is.The plot does not make a bit of sense and you find yourself thinking "what is the point of this movie?".I DO NOT laugh at all during the movie.
Secondly, they had a great cast (David Niven, Peter Sellers, Ursula Andress, Orson Welles, Woody Allen, etc.).
Hijinks ensues.The film boasts a cast that includes David Niven, Peter Sellers, Ursula Andress, Deborah Kerr, Orson Welles, and many other stars in roles of varying significance.
But it screams '60s British ridiculousness, so if that's what you're looking for, you may enjoy CASINO ROYALE.From the makers of WHAT'S NEW PUSSYCAT?, this film is notable for its star-studded cast and legendary production complications, as well as its legacy as a piece of James Bond trivia.
Possibly a perfect example of how NOT to make a movie (nine writers and five directors, unreliable star, etc.), CASINO ROYALE makes absolutely no sense, is impossible to follow in any conventional plot sense, and just plain completely loopy.Nonetheless, it does have a quirky, wonked-out charm all it's own (you'd be hard-pressed to find another film remotely like it), and certainly gains with multiple viewing, provided you make it through the first time.In any case, it's certainly more entertaining than some of the later-day James Bond flicks with Roger Moore .