A Clockwork Orange

Plot synopsis:
"A bit of the old ultra-violence."The story takes place in London in a dystopian future. "Our humble narrator" Alex DeLarge (Malcolm McDowell) and his droogs, Georgie (James Marcus), Dim (Warren Clarke), and Pete (Michael Tarn), are seated in the Korova Milk Bar stoned on milk laced with narcotics.Shortly, the gang leaves the Korova for a night of ultra-violence. They encounter a wino (Paul Farrell) in an underpass, and beat him with their truncheons. Later, they arrive at a derelict theater. On the stage, another gang, led by a rival named Billy Boy, prepare to rape a voluptuous girl. Instead, the two gangs battle it out-- Alex and his two droogs are victorious.The trio next head out into the dark countryside looking for action. Alex pilots their stolen Durango 95 sports car. After playing "hogs of the road," wherein they drive on the wrong side of the road and run a number of other motorists off into ditches and over embankments, Alex suggests making a "surprise visit." They stop at a lonely country house that displays a backlighted sign that simply reads "Home." Alex tricks his way into the house by claiming to be the victim of a car accident. They beat the homeowner, a writer named Frank Alexander (Patrick Magee), and gang rape his wife (Adrienne Corri) while Alex croons "Singin' in the Rain."When they've finished having fun, the gang returns to the Korova. An opera singer seated at an adjacent table sings the chorus from Beethoven's 9th Symphony. Listening to the woman, Alex is ecstatic -- "I felt all the malenky little hairs on my plott standing endwise"-- but Dim ruins the mood when he makes a farting noise. Alex hits him in the crotch with his truncheon. Henceforth, Dim is resentful but Alex dismisses him.Alex arrives at his apartment just before dawn. Climbing into bed, he fantasizes scenes of violence while listening to Beethoven's 9th Symphony.In the morning, Alex's mother (Sheila Raynor) tries to wake Alex for school, but he feigns illness. At the breakfast table she discusses the situation with his father (Philip Stone). Alex's parents seem foolish and impotent. When Alex later awakens and wanders about the apartment in his underwear he encounters his probation officer, Mr. Deltoid (Aubrey Morris), in his parent's bedroom. The officer lectures Alex about his school truancy and threatens him with jail.After Deltoid leaves, Alex begins another busy day. He picks up two girls at a local shopping mall record store and brings them home. In a sped-up sequence backed by the "William Tell Overture," he has sex with both of them.Later that day, he encounters his droogs in his apartment house lobby. They ominously tell him that they've been "talking." They feel that Alex has been bullying them, especially Dim, and they suggest that Alex has been taking more than his fair share of the spoils from their robberies. Georgie proposes an idea to make lots more money. He wants to rob a rich lady who owns a health farm in the country. Alex perceives Georgie's independent thinking as a threat, but wanting to appear democratic, he goes along with it. As the three droogs walk along a river bank outside the apartment block, Alex attacks. He throws first Georgie and then Dim into the fountain. When Alex offers to help pull Dim out of the water, he slashes the back of Dim's outstretched hand with a hidden dagger. They all retire to the Duke of York, a restaurant. Having re-established his dominance of the group, Alex reconsiders Georgie's idea.Arriving at the health farm that evening, the droogs try the same trick they'd used at Alexander's house previously: pretending that one of them has been injured in a traffic accident. However, the proprietress (Miriam Karlin) is suspicious and calls the police, telling them that she'd heard the news reports about the writer and his wife being victimized in the same manner. When the boys aren't let into the house, Alex climbs up a drainpipe, enters a second floor window, and confronts the homeowner. They fight, the woman defending herself with a bust of Beethoven, until Alex bludgeons her with a huge plastic phallus sculpture. As police sirens are heard in the distance, Alex runs out the front door. It is there and then that his droogs take their revenge. Dim smashes Alex in the face with a milk bottle and the droogs flee. As Alex writhes and screams on the ground, the police arrive.Alex is arrested. At the police station, an uncooperative and belligerent Alex is questioned by several constables. When an overzealous beat constable presses his thumb against Alex's broken nose, Alex kicks the officer in the groin. The other officers then beat Alex until Deltoid shows up. Deltoid tells Alex that unfortunately for him, the proprietress of the health farm has died, making Alex a murderer. He spits in Alex's face and tells him how disappointed he is. Alex laughs it off, but is soon headed for prison.PrisonAlex gets sentenced to fourteen years in prison. He deposits his possessions with Chief Officer Barnes (Michael Bates), undresses, and undergoes a cavity search. After answering several questions about his health and personal well-being, Alex is given prison garb. He's now prisoner number 655321.Two years later, Alex is shown scheming to get favors by feigning piety. He helps the prison chaplain (Godfrey Quigley) with his service and he studies the Bible. But rather than reflecting on the redemptive power of the Lord, Alex visualizes himself torturing Jesus at the crucifixion, killing people in battle, and laying about with concubines in an Old Testament setting.Alex tells the chaplain that he's heard of a new treatment, the so-called "Ludovico Technique," that helps criminals get out of prison. The chaplain says that it's experimental and that he's not sure it's right for Alex. But Alex, eager to finagle a short-cut to freedom, vies to be selected for the experiment. When the government's Interior Minister (Anthony Sharp) visits the prison, Alex makes a show of himself. The minister picks Alex as a perfect Ludovico subject. Alex is taken before the prison governor (Michael Gover) who tells the boy that, although he'd rather punish him, the political party currently in power have "new, ridiculous ideas" about criminal reform, so Alex will shortly be released.The Ludovico TechniqueChief Officer Barnes then transports Alex to the Ludovico Centre. Alex is given a room and is interviewed by Dr. Branom (Madge Ryan). She promises him that he'll be fine, then gives him an injection.In his first day of treatment Alex appears in an auditorium in a straight jacket. His head is strapped to the back of a restraining chair so that he can neither turn his head nor look away. An eye doctor installs clamps on his eyelids that forcibly keep Alex's eyes open. Then, while the doctor constantly drops eye wash into Alex's grotesquely clamped eyes, Alex is subjected to two violent films. The first shows explicit scenes of a severe beating, the second, a gang rape. Halfway through the first film Alex begins to feel sick. By the end of the second, Alex is shouting for something into which to vomit. At the rear of the auditorium, Dr. Brodsky (Carl Duering) explains to observers that the drug administered to Alex causes a form of paralysis with deep feelings of terror and helplessness. Following the screening, Dr. Branom assures Alex that his feeling of sickness is a sign that he's getting better.On the following day Alex is back in the auditorium, this time for two shows: morning and afternoon. While viewing scenes of Nazis during World War II, Alex begins screaming in earnest. The background music is none other than Beethoven's 9th Symphony. Alex screams that he shouldn't be made to feel sick while listening to such beautiful music. Brodsky loudly apologizes, saying that it can't be helped while quietly he speculates to nearby staff that perhaps this is the "punishment element."Two weeks later, presumably after twelve more treatments, Alex is paraded before a group of dignitaries by the Interior Minister. Alex is there for demonstration purposes. He is first confronted by an angry Irishman (John Clive) who throws him to the ground and forces Alex to lick his boot. Next he's approached by a statuesque platinum blonde (Virginia Wetherell) clad only in panties. Alex collapses in a fit of nausea when he tries to touch her breasts. The Interior Minister proclaims a new era in law enforcement and social justice, but the prison chaplain exclaims that the procedure has debased Alex's human nature by taking away his ability to choose good over evil. The Interior Minister counter claims that the only thing that matters is results.Welcome HomeAlex returns home to find his parents plus a stranger (Clive Francis) sitting in the living room reading newspaper accounts of his release. Alex tries to make awkward small talk. When he hints about moving back home, his father tells him that Joe, their new lodger, has already paid the next month's rent. Alex is upset but Joe, who has ingratiated himself with Alex's parents, pushes the situation by castigating Alex for the things he did before going to prison and for breaking his parents' hearts. Before Alex can hit Joe, his psychological conditioning kicks in, leaving him dry heaving, to the dismay and disgust of Joe and Alex's parents. When he has recovered, Alex storms out.Alex later stares at the Thames river below a bridge, presumably contemplating suicide. He's approached by a bum seeking spare change. Alex fishes some cash from his pocket and hands it over. Taking a closer look, the bum recognizes Alex as the same malchick who beat him under the bridge two years earlier. Alex looks at the bum in horror and tries to escape, but is trapped in the very same underpass by the bum and his elderly compatriots. They hit and kick Alex as he cowers on the ground, disabled by his conditioning. Two constables show up to break up the fight. To Alex's further horror, his rescuers turn out to be Dim and Georgie, his former droogs, who are now constables. Demonstrating that police training hasn't altered their basic violent natures, they handcuff Alex, drive him out of town, march him into a wood, push his head into a cattle trough filled with filthy water, and beat him with their batons. They then remove the cuffs and leave him battered and gasping. With thoughts of home echoing in his head, Alex staggers to the first house he can find. It displays a welcoming, backlighted sign that reads "Home."At home, Frank Alexander sits at his typewriter, now in the wheelchair that he's used ever since he was severely beaten two years earlier. Julian (David Prowse), his muscular attendant, answers the doorbell. As Julian opens the door, Alex collapses into the entryway. Julian carries him into the house.When confronted by a concerned Mr. Alexander, Alex realizes he's at the very same residence in which, two years earlier, he and his former partners in crime gang-raped Alexander's wife. He relaxes, however, when he realizes that Mr. Alexander couldn't possibly recognize him due to the fact that Alex and his droogies wore masks back in those days. Mr. Alexander, who knows Alex only as the subject of the Ludovico treatment, invites the lad to have a bath and some supper.As Alex soaks in the bath, Mr. Alexander calls a friend with whom he discusses the political repercussions of Alex's Ludovico conditioning. He believes that the government has a totalitarian agenda, as exemplified by its willingness to rob its citizens of their free will. As he finishes the conversation, Alexander arranges a visit with the person on the other end, stating, "He'll be here," before he hangs up the phone.Mr. Alexander sits in his wheelchair relishing a fantasy of using Alex as a political pawn when he becomes aware of singing coming from the bathroom. In his bath, Alex has struck up a bright rendition of "Singin' in the Rain." Mr. Alexander's face twists in agony and rage as he thinks back to the night of the home invasion that left him crippled and realizes just who Alex is.Later, at the dinner table, an obviously distraught Mr. Alexander encourages Alex to eat and drink. Flanked by the apoplectic Mr. Alexander and the burly Julian, Alex eats a plate of spaghetti while Mr. Alexander plies Alex with red wine. As he eats, Alex grows increasingly fearful, wondering if the hostile-looking old man knows his real identity. Suddenly Mr. Alexander brings up the subject of his wife's rape and subsequent death. He believes that, though she officially died of pneumonia, it was her broken spirit that killed her. She was, according to Mr. Alexander, a victim of the modern age, just as Alex is a victim of the modern age. He tells Alex that two friends are expected and that they will help the boy.A minute later, man named Dolin (John Savident) and a woman (Margaret Tyzack) enter. They question Alex about the Ludovico treatment and whether it is true that, in addition to conditioning him against sex and violence, it has also made him incapable of listening to music. Alex replies that he only feels a foreboding sense of extreme depression when he hears Beethoven's Ninth Symphony specifically-- at which point he passes out, face down, into the plate of spaghetti. He has been drugged by the wine. Dolin congratulates Mr. Alexander who then asks Julian to bring the car around to the front. The conspirators have plans for Alex that will embarrass the government.Alex awakens the next morning in a small, second floor bedroom in an unknown country house. The room is flooded with the strains of Beethoven's 9th Symphony blasted from a stereo in the room below. As Mr. Alexander beams with satisfaction, Alex is driven to suicide. He leaps from the second floor window to the stone patio below.CuredSome time later, Alex wakes up in a hospital in a full-body cast. Newspaper clippings reveal that the government is being vilified for inhuman experimentation. The Interior Minister is being subjected to especially fierce attack. Alex's parents visit, apologizing for not taking him back and promising him his old room when he is released from the hospital.Next, Doctor Taylor (Pauline Taylor), a psychiatrist, shows Alex a series of cartoons having sexual or violent connotations. Alex is to supply the captions. He pleases Dr. Taylor by indicating through his descriptions of the cartoons that sex and violence are the foremost interests on his mind.Once the Ludovico Treatment has been successfully reversed, the Interior Minister visits Alex. As the aristocratic Minister spoon-feeds dinner to the juvenile thug, he assures Alex that he wants to be his friend. With oily smoothness the Minister apologizes for what his government has done. He promises Alex a good job on a good salary, provided that Alex helps the government. He assures the lad that the subversive writer, Frank Alexander, who had threatened him, has been put away. Alex milks the meeting for all it's worth.As a symbol of their understanding, the Minister calls for his assistants. They sweep in with flowers and a massive stereo system blasting Beethoven's 9th Symphony, followed by a troop of reporters and photographers. Alex poses with his new friend, the Interior Minister, aka "Fred," as cameras flash and Beethoven's 9th Symphony reaches its choral climax. Alex's eyes roll back into his head as he fantasizes about an orgy in the snow with a gorgeous blonde, to the applause of Victorian ladies and gentlemen.Alex is heard in voiceover: "I was cured, all right."

Tags: pornographic, avant garde, comedy, murder, neo noir, psychological, dramatic, cult, alternate reality, violence, atmospheric, insanity, psychedelic, satire, brainwashing, revenge, sadist, prank

Review:
A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape.
This is definitely one of the best technically shot movies, another masterpiece of Kubrick like the Space Oddessey.For the uninitiated, set in near future Britain, the movie shows Malcom MacDowell as the head of a group of youngsters involved in sexual violence.
The rest unfolds as a saga of the very human characteristic.Lastly, I would like to say that you may be compelled to leave the movie in between, but if you are watching it for art and cinematic experience, I recommend you to sit through..
Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film.
Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!).
After the third time, I was lost for words.After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them.
This is true with a lot of films but for Clockwork Orange, I only had to watch it 2 subsequent times to fall in love with it.
Kubrick's's best film ever.absolutely mind-blowing.quite disturbing though but that's what moves us.he has amazingly blended the disturbing scenes with the lovely music of Beethoven.a riveting journey of a vicious young hoodlum in modern England who is caught due to the betrayal of his friends and his journey through aversion therapy that drives him to try and do himself in and his cure at last.i never thought i would understand and really appreciate this film but i did and i say that it is one of the best films of the century.Kubrick has excelled himself and i truly feel it is his best film ever.it also has an absolutely mind-blowing performance by young Malcolm Mcdowell as Alex,the best acting performance i have seen..
Many people may say that Alex was the villain of "A Clockwork Orange", but he's only really evil for the 1st 3rd of the film, right?
Everyone is villainized by Kubrick's lens, from the criminals that rape and murder victims, to the punishers of these criminals, enforcing cruel, almost torture-like methods to "cure" these criminals, to those who were victims of these brutal criminals, having their revenge using more harsh techniques of brutality."A Clockwork Orange" is a film that got me thinking and feeling.
Anyone looking to watch A Clockwork Orange might be wanting to revisit some of Stanley Kubrik's work and might be interested in studying this film.
While all these positives make for a great movie-going experience and when Kubrick is at the director's helm not much can go wrong, the film's biggest downfall is indeed its controversy.
Frankly, these extremely rare and offensive movie experiences are not quite the reason I enjoy films in the first place; stories can still be thought-provoking while not morally offend and damage the viewer internally.
In addition, a viewer looking to study the work of Stanley Kubrick can still experience some of cinema's greatest and transcendent experiences without feeling like their conscience has blackened.It's understandable that not everyone feels this way; just as stated before, opinions about this film are all across the board.
I realise it is in the top 250 list but personally I feel this film owes more to its notoriety (people thinking it was banned despite the fact it was actually willingly withdrawn by Kubrick in certain countries) than to any real merit in the film.
I was 14 years old in 8th grade when I found this amazing film that would change my perspective on movies for my whole life.
I am forever thankful for this film for this exact reason and as I know this was not much of a review and more of just a dumb life story I still feel all Bias aside that this movie is pure genius and very much worth a 10/10..
Stanley Kubrick's ninth film, "A Clockwork Orange," is a brilliant and dangerous work, but it is dangerous in a way that brilliant things sometimes are, because it is a movie of such manifold, contradictory effects that it can easily be seen in many ways and may well be wrongly used by a number of people who see it.Although the film, like Anthony Burgess's novel from which it is adapted, is cast as futurist fiction, it is much more a satire on contemporary society than are most futurist works, all of which, if they are worth anything, are meaningful only in terms of the society that bred them.
It may even be a mistake to describe the movie "A Clockwork Orange" as futurist in any respect, since its made-up teenage language, its décor, its civil idiocies, its social chaos, or their equivalents, are already at hand, although it's still possible for most of the people to ignore a lot of them.It seems to me that by describing horror with such elegance and beauty, Kubrick has created a very disorienting but human comedy, not warm and lovable, but a terrible sum- up of where the world is at.
With all of man's potential for divinity through love, through his art and his music, this is what it has somehow boiled down to: a civil population terrorized by hoodlums, disconnected porno art, quick solutions to social problems, with the only "hope" for the future in the vicious Alex.In my opinion, Kubrick has made a movie that exploits only the mystery and variety of human conduct.
If looking at full frontal nudity is your thing, or unrealistic violence turns you on, then this film would probably appeal, but if you like a movie to entertain or to be thought provoking, I should give it a miss..
It makes you feel so horrible and use you get the feeling of what was the point of watching this movie in the first place.The writing is good along with the cinematography which is great giving you the feeling of the chaos we call life.
Here you have a film that has a really antagonistic subject Alex (Malcom McDowell) who revels in sex, violence, and talking in some sort of weird language that's most likely based on sounds emanating from 5-month-old tots.
In my opinion, this movie is a painful mess and has wasted my time.But I am unlike most people, I don't see the point in a lot of mainstream things.
Basically I don't enjoy things that suck my intellect and compassion.So if you have already had all your intellect and compassion sucked out of you by this aggressive insensitive world, like most people, you will be tricked into thinking this movie has something clever to offer as it merely harmonizes with the dark insecure feelings you already own.I also dislike how the scenes in this movie are so abstract in order to shock you but then leave you questioning the meaning, good movies should leave you with a strong message, or a powerful sensation of mystery...
I can actually tell you about the ONLY time I watched it - it was when I was studying the art of film making.
I've literally heard so many good things about this film and I have wondered, "Did we watch the same movie?" And it's not that I don't like violent movies, because I do, but when it has a point to make.
And in the words of the writer Anthony Burgess: "What I was trying to say was that it is better to be bad of one's own free will than to be good through scientific brainwashing" he also says "When Alex has the power of choice, he chooses only violence.
See hp://www.allotropic.com for definitions.Dr. Stanislav Grof replaced LSD with allotropic breathing, but, allotropic breathing has to be voluntary, unless it is forced involuntarily like by crucifixion.In the "Clockwork Orange" treatment the victim is forced to watch violent films while under high doses of LSD.
I knew what I was getting into with Kubrick, and I've either strongly liked or disliked every movie he's made.This was a whole other experience.This film was total garbage.
Of the six people who came to my house to watch this movie, I was the only one that didn't walk out.Most of the aspects of why this film sucks have already been discussed at length.
I can usually enjoy that in films.What bothered me most was after I watched this film, I read a ton of reviews and internet analysis of this movie thinking that there has to be more to this than what meets the eye.There wasn't.
A bleak version of Britain's near future where gang violence and crime is an everyday occurrence, a time and place where Alex, the protagonist of this movie played by Malcom MacDowell, feels right at home as a leader of a gang spending their time with acts of sexual violence and other criminal activities.
This movie is raw, violent and wildly entertaining with it's characters, story, shots, set pieces and Kubrick's direction.
Few films in history have better succeeded in portraying the absolute worst elements of humanity than Stanley Kubrick's disturbing masterpiece, a nose-dive into the sadistic violence of youth and the inhuman lengths that government society go to in order to craft their perfect world.
By no means easy viewing but with an important message, this brilliantly made piece of film shows its audience that the world can be a truly haunting and horrible place, leaving you with an uncertain feeling in your stomach and must be seen to truly be believed..
A clockwork orange is one of the greatest films of all time every scene worthy of an art gallery.
And what's so stinking about it?"Well, according to my fellow reviewers, it glorifies violence (especially towards women,) it's too weird, the language is too hard to understand, it doesn't stick close enough to the book, it's misogynistic, it's too long and boring, the main character is unlikable and it's just stupid!Is it?This happens to be my favorite film ever and I have seen a lot of movies.
This is more of a movie that you sit back and think about it and perhaps rewatch again one more time because you can't really wrap your head around everything in this film.
I have watched it several times and love how disturbing it is.It is still a favourite no doubt but I've seen many more movies since then.
A Clockwork Orange was easily one of the 70s' most controversial movies and easily one of the most disturbed movies of all time; so much so that Kubrick actually withdrew the film from circulation in the UK until he passed away in 1999.
Maybe it even glorifies it, but its hard to say.This film centers around a young man named Alex (Malcolm McDowell) who is a leader of a violent gang and to put it quite bluntly, a sadistic rapist.
Back on the streets, Alex finds it very hard to live a good life especially with all the violence he had a hand in creating.One of the things I admire about Kubrick is how he doesn't rely on a huge cast and he is always trying to find fresh talent to work with.
It was well-done, but watching Alex break down to scenes of Nazi Germany was very intense.Speaking of intense, most of the violence in this film is displayed at such high intensity.
He is a very good artist from the classical era.A Clockwork Orange is a violent, brooding movie set in futuristic England and despite all of the controversy surrounding it, it is a very unique film.
Based on a popular novel by Anthony Burgess, A Clockwork Orange is a must-see as a visually-impressive futuristic movie about a man whose life is made out of violence.
'A Clockwork Orange' is violent, it's brutal, but what it's not is a film that glorifies its violence as many critics and audiences believe it does.
I think the music and playful tone of the scenes directly express the allure that violence holds in the minds of youngsters like Alex.
In the movie, Kubrick depicts a society around Alex that cannot completely wash its hands off the crimes of Alex and claim absolution from the guilt of giving rise to boys like him.
Alex is a product of the society that he lives in and of course a product of the government that 'protects' him.On one hand, Kubrick opens up the discussion in the social context, but at the same time, he manages to convincingly condense the discussion to a personal level too.
After Alex undergoes the Ludovico Technique and gets completely stripped of his right to choose, everything that comes up in the film subsequently involves Kubrick making the audience ask themselves the tough central question: Should I feel sorry for Alex?
British TV-actor James Marcus,before having a good career in television (London's burning is the best example!)was(...back in 1971)playing one of the most memorable roles in the cult film,Oscar nominated,classic Stanley Kubrick's A Clockwork Orange...in which he played with great presence and solid acting style Georgie(one of the 4 Droogs).
The way he played the character was so good and very convincing that many people believed he should have won an Award nomination as best actor in a supporting role;he played very straight and gave to his character a kind of cold and nasty air,,,very different from the one in the original Anthony Burgess novel;that's why he was considered great...he was able to change it completely and give to it his own type of personality and identity!
Between the 4 Droogs,Malcolm McDowell(Alex),Warren Clarke(Dim),Michael Tarn(Pete)and him,Marcus played the most nasty character,the most hated...and if the result was so good it was basically due to his particular serious and solid acting and also(which was very determinating)to his extremely deep English accent(considered by many the strongest English accent in film history!).
Kubrick's 'A Clockwork Orange' is one movie that is talked about more than it is watched, especially in Britain where it was banned for many years.
Rather terribly empty...Stanley Kubrick has many good movies like "Full Metal Jacket", "Eyes Wide Shut", "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" and "2001: A Space Odyssey".
In this movie we have a Beethoven-loving crazy hoodlum, who likes to beat up, rape and kill people with his "friends".
Many people say nonsense like "this is the greatest movie of all times".
At this point I waited several years till it came to TV before revisiting it  I wanted to watch it away from media hype and make my own mind up.What I found was a film that was taking it's points from the debate that was going on at the time over treatment of criminals.
Visually the film works well, even if some of the scenes of sexual violence I felt were more than they needed to be and it felt like it was revelling in the very things it was criticising.
However at it's heart the story is a good idea and it is told in a weird way that holds the attention.Alex's weird childlike use of made up words make it feel like he really is a teenager trying to create a world different from his parents and plenty of the images show the reality of his world.
A Clockwork Orange has to be one of the worst films I have ever had to watch.
The first thing I want to point out in this film was the performance of the actor, Malcolm McDowell and his portrayal of Alex in the movie.
Thus it's being taken from another mans words, so less than 25% of this movie is unoriginal work taken from another and throwing the author into the trash much like he did with Stephen King's the shining and most of his so called symbolism and symmetry isn't anything different than what any film school grad student loves to experiment with.
He skips some of the best parts in the book including WHY THE MOVIE IS CALLED CLOCKWORK ORANGE!
Looks like this movie dumbs-down the book for people who haven't read it.
The main character, Alex, is a completely different person in the film than he is in the book.
After loving the story so much, and knowing the high regards the film gets, I had to watch it again, and once again I didn't like it.
"A Clockwork Orange" is as unenjoyable and dislikeable as films come and you can't help but feel guilty watching it (and rightfully so).
A Clockwork Orange is one of the most overrated and twisted movies of all time.
Now I have come to know this movie as one of the most surreal and masterful films of all time.
Having read many reviews, I think people often miss the point of the film's satire, at least my interpretation of it.The movie is a satire about how the mixture of politics and the ideology of `political correctness' fails to recognize the existence of and to understand the nature of evil and, as a result, fails to deal with it appropriately.
I am a movie lover, but this film would have to be the worst of all time.
If ever there was an over-rated Kubrick film, for my money, "Clockwork Orange" is probably it.
It was a good story line but it just lacked everything that would keep me awake during a film and I honestly don't understand why people think this movie is so great.
The story concerns Alex DeLarge, a criminal who is sent to prison, was cured from his obsessions, and was released, When released, he is taunted by his former victims and friends.A Clockwork Orange had an impact on me like no other movie before.