Lights Out

Plot synopsis:
In a textile warehouse, worker Esther sees a silhouette of a figure when she turns the lights off, but sees nothing with the lights on. She warns owner Paul about the apparition, which he ignores, and leaves. Paul is then chased and gruesomely killed by the figure.
Paul's stepdaughter, Rebecca, lives away from her mother Sophie and half-brother Martin. Sophie suffers from mental illness and a depression that has resurfaced, talking to an imaginary friend. One night, Martin sees Sophie talking to a figure and is horrified, gaining insomnia. Rebecca takes Martin to her apartment to protect him, against their mother's wishes. That night, Rebecca awakens to see the figure, barely avoiding its attack thanks to the building's neon sign flashing through her window. The next morning, Rebecca finds "Diana" scrawled on the floor. She recalls Diana from her own childhood, the reason she left when her father, Sophie's first husband, seemingly abandoned them. Later, she breaks in and sees files about Sophie and Diana, and that Diana was killed when exposed to a bright light during an experiment.
Sophie has a movie night with Martin, but seemingly invites the figure, frightening him. She tells him a story about the figure, Diana, her friend when she was in an institution, who had an unusual condition that made her skin photosensitive. Martin sees Diana crouched above and turns on the light, escaping to Rebecca's before Diana can attack him.
Rebecca confronts Sophie about Diana but she denies the accusations. Rebecca, her boyfriend Bret and Martin decide to stay overnight to protect Sophie. Rebecca goes to her bedroom door to reconcile; however, Sophie secretly passes her a note saying "I need help" before Diana tugs her back in. Rebecca realizes that she is being controlled and turns on all the lights in the house to keep Diana away.
Knowing their intentions, Diana baits Rebecca and Martin into the basement by shorting out the power. Bret is attacked but escapes and contacts the police. Rebecca realizes that using a blacklight can allow them to see Diana and discovers scrawled writings along the wall, explaining how Diana won't let anyone "take" Sophie and that she killed Rebecca's father.
A pair of police officers arrive and free Rebecca and Martin but are killed by Diana. Rebecca sends Martin out with Bret and goes back to rescue Sophie. Diana attacks Rebecca violently, but Sophie confronts her with a gun. Realizing she's Diana's tether to the world, Sophie commits suicide with the gun, which makes Diana disappear. Distraught, Rebecca, Martin and Bret reconcile and vow to stay together.

Tags: paranormal, suspenseful

Review:
A creaky curio/fascinating relic from "The Golden Age of TV". This NBC TV series was based on a popular radio show of the same name and aired Tuesday nights at 9pm. Each week, fantastic tales of terror and the supernatural were filmed "live" on kinescope and fog-bound sound stages, backdrop paintings, and a bit of inventive camera work all tried hard to disguise the limitations of early television. A disembodied head (Jack LaRue and later, Frank Gallop) opens and closes the show with pithy commentary -a gimmick later used by Alfred Hitchcock, Boris Karloff, and Rod Serling. A few of these half-hour shows even have their original commercials still intact and the guest stars include Basil Rathbone, Veronica Lake, Robert Stack, Yvonne De Carlo, John Carradine, Tom Ewell, Anne Bancroft, and Burgess Meredith. A fascinating relic.DARK IMAGE (aired 10/8/51) A young groom on his honeymoon returns to the Southwestern ranch he grew up on and his bride is soon terrorized by a bedroom mirror; in the glass is the man's dead sweetheart intent on trading places.THE MEDDLERS (aired 7/9/51) Before blowing out a candle and bellowing "Lights out!", the disembodied head (Frank Gallop), intones, "Hello. Have you ever had the urge to search for lost treasure such as the fortunes of Captain Kidd, or the ancient Incas, or others closer to home? If you have, let me remind you of an old saying: larrows catch meddlers. What are larrows? Hmmm. We shall see. Lights out!" A history teacher (John Carradine) convinces a Virginia hillbilly (E.G. Marshall) to help him find a fortune in gold buried under the old, abandoned Larrow plantation house... "I told you larrows catch meddlers!" This no-budget nugget has it all -a cursed gold shipment, a "glory hand" cut from a hanged man, betrayal, murder, and Condederate zombies. Although reminiscent of the controversial horror comics popular at the time (TALES FROM THE CRYPT, VAULT OF HORROR , etc.), I'll bet this was one series that wasn't for the kiddies. Creaky fun.AND ADAM BEGOT (aired 7/2/51) Kent CAT PEOPLE Smith stars in this pretty primitive but nonetheless ambitious episode about two men and a woman who crash their car near an archaeological find and are thrown back 50,000 years where they're hunted by a cannibalistic Neanderthal. An eerie ending helps.DEAD MAN'S COAT (aired 5/14/51) Legend has it that digging up a corpse at midnight and donning its coat will grant the wearer invisibility and a vindictive, murderous millionaire browbeats his butler into helping him find out if it's true. Basil Rathbone plays the valet and the ironic yarn starts out with the two watching a LIGHTS OUT! TV show about digging up a dead man and putting on his coat.... Fine Sci-Fi for 1949!. I recall Burgess Meredith in an episode involving some sort of "Time Machine" episode of "Lights Out", a la a Twilight Zone script, but mostly I remember the opening of the show... A deep voice saying, "Lights Out!" when a candle blew out. The unidentified voice was a deep male one, and one I'll never forget. I was scared to death by this as a kid, and still thought it was extremely dramatic as an adult in re-runs on a now defunct cable network, maybe one called the 'Nostalgia Channel'. I wish this program could be shown again because the talent involved in the early television shows can never be equaled today. "Lights Out" may have been performed live and filmed on kinescope, and it may have been as imperfect as a stage play, but the drama was there, and the cast was always adept with timing and creativity.. Very inconsistent. For every 3 or 4 bad episodes, there appears to be one good one.. It's hard to judge this show in its entirety as there are probably only about 12-20 episodes available today (at archive.org). Most of the early shows (from 1946) were never recorded and don't exist any more. Based on what I've seen, this isn't exactly a tragedy! Compared to another similar anthology series from about the same time ("Tales of Tomorrow"), "Lights Out" is pretty limp. Both shows suffered from very poor budgets and the crudeness of early live television--but "Tales of Tomorrow" worked despite this because the writing was so good. As for "Lights Out", for a horror series, it was seldom scary and often overplayed and was seldom subtle. However, a few of the shows are quite good--such as "Dead Man's Coat" and are so good that the horrible ones like "Jasper" might just be worth wading through despite this! Very uneven and mostly second (or third) rate.