Blade on the Feather

Plot synopsis:
Professor Jason Cavendish is the septuagenarian author of Cloud Cape, a children's fantasy novel. He lives in a secluded cliff-top mansion with his second wife Linda, his 18-year-old daughter Christabel and Mr Hill, his butler and personal secretary. They are visited one day by Daniel Young, who claims to be writing a thesis on political allegory in children's literature. After saving Cavendish's life when the old man has a seizure, Daniel is invited to stay by Linda and Christabel who fight for his affections. Mr Hill, meanwhile, is suspicious of Daniel's motives and concerned by Cavendish's reluctance to show him what he is writing.
Daniel seduces Christabel and, unknown to the others, murders Linda. Daniel reveals to Cavendish that his true name is Daniel Cartwright, and that his father Andrew was a British intelligence officer who was murdered by Cavendish while escorting a Soviet defector to the British embassy. Cavendish leads Daniel to a summer house at the bottom of the garden where the author reveals he has been writing his memoirs, implicating himself and Mr Hill, as well as several high-profile MPs, as Soviet sympathizers. Daniel convinces Cavendish to surrender the papers and shoot himself; the old man obliges, having grown weary of the enforced secrecy of his final years.
Having discovered Linda's body, Hill arrives at the summer house to execute Daniel. The young man reveals that he has been sent by the KGB at Hill's request to prevent Cavendish blowing their cover, and that Linda was a sleeper agent for MI6. Daniel leaves Hill to clean up the mess and leaves. The remorseful Hill approaches the summer house to attend his beloved friend's body.
=== Principal cast ===
Tom Conti as Daniel Young
Donald Pleasence as Jason Cavendish
Denholm Elliott as Mr Hill
Kika Markham as Linda
Phoebe Nicholls as Christabel
Gareth Forwood as Doctor Bell
Alvar Lidell as newsreader

Tags: flashback

Review:
Unhistorical Fiction, But Admirably Achieves Its Artistic Goals.. The infamous Cambridge Apostles, alumni of Trinity College at the University, supplied the members of that group of double agents, including Guy Burgess, Kim Philby, and Donald MacLean, who opted during the Cold War to side with the Soviet Union against their own MI5/MI6 employers in the 1950s, with their sensational exposure damaging beyond conceivable repair England's longstanding class system, and it is this tawdry affair that composes the spine of this outstanding motion picture filled with superior aesthetic moments. Conceived and scripted by Dennis Potter, the film's action opens upon the setting of a fully-nourished and isolated country estate where an erstwhile Cambridge don, Jason Cavendish (Donald Pleasence) resides in hoped-for seclusion, along with his daughter, second wife, and personal secretary, Mr. Hill, as we watch the two women hard at a highly competitive match of lawn tennis, when suddenly a stranger, Daniel Young (Tom Conti) invades the small group's privacy, albeit fortuitously since he performs successful first aid upon Cavendish after the old man suffers a near fatal attack of an undetermined sort. Young has purportedly come to the estate as an academic researching background of an early fantasy novel by Cavendish, "Cloud Cape", but the other men are suspicious of his agenda, and their proffered hospitality to Daniel, in spite of his lifesaving act, is forced; this not at all being the case with the women, however, who plainly find his aggressive attentions to be very pleasurable. Penned shortly after public identification of Anthony Blunt as the "Fourth Man" of the Cambridge Apostle scandal, the screenplay's title is taken from an Eton boating song (Guy Burgess attended Eton) that is raucously sung here by Cavendish and Hill (Denholm Elliott), additionally being heard during the closing credits. Shot upon the picturesque Isle of Wight, the film is graced by handsome visual texture throughout thanks to the combined talents of director Richard Loncraine and cinematographer Peter Hannan, in addition to the production design of Andrew Drummond, and there are splendidly witty animated graphics from Pat Gavin for the opening credits. Well-known earmarks of Potter's prose style, composed in equal parts of the elevated and the base, are to be found here in plenitude, a challenge easily met by an accomplished cast that benefits hugely from capable editing by Jon Costelloe. There are mysteries here: did Cavendish teach any of the wayward Apostles, who is Hill and what is his true function as secretary to the former don, and why has Young come to the estate? The still existent English class system is rather harshly dissected, most tellingly by Cavendish, as in his remark that "The upper class loves only what it owns." Engrossing from beginning to end, the work leaves lingering images of sequences and dialogue within a viewer's thoughts and must be watched more than once in order to fully appreciate its many merits and, in particular, the interwoven complexities of Potter's script.. A great spy film with great acting and dialogue but no significant blood and guts.. This is a really wonderful film.  It is almost like a play set on an estate in England.  There are a few flashbacks but these are of short duration. It is one of those films that need to be viewed multiple times to really appreciate.  A spy drama rather than a spy thriller.