X-Men: Days of Future Past
Tags: suspenseful, murder, violence, flashback, psychedelic, action, revenge, sci-fi

Plot synopsis:
Patrick Stewart's Charles Xavier recounts how humans created sentinels to hunt and kill mutants. While they at first only hunted mutants, the sentinels later began targeting humans who held a probability of becoming mutants. The resulting events have created an apocalyptic wasteland in which only a handful of mutants have survived, facing extinction should they be found by the sentinels.Three strange objects are ejected from a large airship and crash to the ground. Warpath realizes that the sentinels have found them and leaves with Blink to warn the others, including Colossus, Sunspot, Bishop, Iceman, and Kitty Pryde. Bishop immediately requests that Sunspot give him some energy in the form of fire, which he absorbs and channels into his advanced rifle. Bishop takes off with Kitty Pryde as the others form a ring of defense against the invading sentinels. The sentinels drill into the mutant's base, their bodies having the ability to rearrange into different forms and tools. They break through and Sunspot engages the first, drenching it in flames. Colossus engages the second, getting knocked to the ground by the towering sentinel. Warpath tries to help but is knocked away. The third sentinel intercepts Bishop and Kitty. Bishop fires a large energy blast at the sentinel, barely affecting it. Blink appears via the use of her portals and makes an exit for the two fleeing mutants. She then opens up a portal for Iceman to assist against their foe. Iceman uses his ice slide to outmaneuver the pursuing sentinel, encasing it in a thick wall of ice. Kitty and Bishop arrive at a safe room, where Kitty has Bishop lie on a table. She puts her hands around his head as he loses consciousness.Meanwhile, the sentinels are getting the upper hand in the fight. When Colossus throws a punch that is caught by a sentinel, Colossus' metal skin begins to form over the sentinel as well. It becomes clear that the sentinels are able to absorb and replicate mutant powers. Both Colossus and Warpath are killed by the sentinel they are fighting. The sentinel fighting Sunspot begins to form a protective cocoon of ice around itself, using the powers of Iceman. It breaks through the gout of flames keeping it at bay and strangles Sunspot to death. Subsequently, the sentinel fighting Iceman encases itself in fire to melt itself free from the ice, using the powers of Sunspot. It breaks through the ice and grabs Iceman by the neck. Iceman's frozen head slides across the floor and the sentinel steps on it. The sentinels proceed to melt down the door to the room Kitty and Bishop are hiding in. But as they enter, Kitty says "Too late, assholes!" Just before the sentinels can kill the two, everyone in the scene disappears.The remaining future mutants, Wolverine/Logan, Storm, Professor X/Charles Xavier, and Magneto/Erik Lensherr, disembark from their jet to greet the group of mutants that we just saw die and subsequently disappear. It is revealed that Kitty Pryde's mutation has evolved to allow her to send someone's consciousness back through time. During the sentinel assault in the previous scene, Bishop's consciousness was sent back through time to his younger body. He warned the others of the impending sentinel assault so they could leave before the sentinels ever arrived. Bishop and Kitty disappeared from the opening sequence because that reality had been erased and the time line altered. Kitty explains to the four arrivals that they have done this many times before. Each time the sentinels attack, Warpath spots them, the mutants make a line of defense to buy some time, Kitty sends Bishop back through time with the warning of the attack, and the mutants of the past flee before the attack can ever take place.Professor Xavier then exclaims that he is aware and has come up with a plan to send his own consciousness back through time to the point when the sentinels were first unleashed. We learn that in 1973, Mystique assassinated Bolivar Trask, the creator of the sentinel program. This murder spurred the humans to further the sentinel program. Mystique is later captured and it is through the study of her DNA that the sentinels of the future are born. Her unique DNA allows the sentinels to adapt mutant powers for their own use. Professor Xavier plans to go back in time to stop the assassination of Bolivar Trask and in turn, prevent the anti-mutant tide that leads to the creation of the sentinels. Kitty says, however, that she can only send someone back a couple of weeks or a month into the past, not decades. She warns that the mind can only be stretched so far without breaking. Wolverine volunteers to go back, his healing ability allowing him to survive the procedure. He must go to the past and convince a broken Charles Xavier to take up arms and work with the man that he hates, Erik Lehnsherr. It is only together that they can find Mystique and prevent her from assassinating Trask. Kitty carries out the procedure, warning Logan that while his consciousness is in the past, his body will stay in the future. Only when his consciousness returns from the past will the timeline change. His mind staying in the past is contingent upon his body existing in the future and Kitty remaining at his side. Logan will have a limited amount of time before they are found by the sentinels of the future; he must complete his mission before then or all will be lost.Logan wakes up and finds himself in bed with a woman. He looks outside and realizes that the procedure has worked; it is 1973. Seconds later, three thugs burst through the door as Logan is getting dressed. Apparently, he was supposed to be guarding someone's daughter instead of sleeping with her. He asks if they would believe that he was from the future at which they scoff. He extends his bone claws and the henchmen pull out guns and begin shooting him. He heals from his wounds and proceeds to take out the men, stealing their car.The next scene introduces Bolivar Trask, who is trying to convince members of Congress to fund his sentinel program. He tells the panel that mutants are a threat to humanity. The committee does not share Trask's belief, saying that if mutants have been among humankind for some time now, they have existed peacefully alongside their fellow humans. They decide to not provide the funding.In a US military camp in Vietnam, a high-ranking army officer walks into a segregated tent to find a man named William Stryker preparing to take a group of mutants into custody. The army officer says that these men are going home. Stryker flashes around a document claiming to be part of a special outfit who is transferring the mutants to a Trask Industries facility, informing the army officer that he doesn't have jurisdiction. The officer counters that he does, transforming into the shape-shifter Mystique. She begins to take out all of the men in the tent in hand-to-hand combat with some assistance from the mutants. Before she can kill Stryker, one of the mutants intervenes and knocks Stryker unconscious. This mutant is Havok from the previous film in the series and he asks about the whereabouts of Magneto. Mystique responds that she's on her own now. The mutants board a plane home while Mystique walks away in disguise, claiming that there is still work to be done.Logan drives up to the dilapidated and overgrown Xavier mansion. Hank, also known as Beast, answers the door in his human form. Logan asks to see Charles but is rebuffed by Hank. He forces his way in, exclaims that he and Hank will be good friends in the future, and punches Hank right in the face. Blue fur appears on Hank as he transforms into the Beast. He begins to throw Logan around, giving him a good beating before being stopped by Charles. Despite being paralyzed by a bullet to his spine, he's walking around normally. Logan pleads his case to Charles only to be ridiculed by the drunken and disheveled young man. Logan asks Charles to read his mind, but Charles can't. Beast/Hank explains that he developed a serum to control his mutation and keep his beast form at bay. From this, he developed another serum to cure Xavier's paralysis. A side effect of taking the drug, however, left Charles unable to use his mutant ability to read and control minds. Logan is able to convince him nonetheless, after revealing secrets of Xavier's past that he had never told anybody. Charles refuses to help Logan and it is clear that he is a broken man, depressed and filled with the guilt of losing his friends, students, and most of all losing Raven/Mystique. Eventually, he agrees to assist Logan for the sake of Raven herself. One problem still exists: they need to enlist the help of Magneto, whom Charles absolutely loathes. Magneto is being kept underneath tons of concrete in a prison at the Pentagon, having already served 10 years in prison for the alleged killing of John F. Kennedy.We cut to Mystique disguising herself as Bolivar Trask to gain entrance to his personal office. She pores through documents and discovers that Trask has been experimenting on mutants and killing them. She pulls a file regarding an event at which Trask will be present with members of the Vietnamese government and asks Trask's secretary to type up his itinerary.To break Magneto out of prison, the group enlists the help of Pietro Maximoff/Quicksilver. He uses his ability of ultrafast movement to almost instantly do whatever he chooses. The group arrives at the Pentagon and Hank uses a piece of equipment to interfere with the surveillance cameras. Quicksilver steals a guard's uniform and makes his way to Magneto's prison, where he vibrates his hands at a resonant frequency to shatter the glass ceiling. The two make their way to a kitchen when they confront Logan and Charles. Charles immediately punches Erik, who comments that it was nice to see him. Just then guards burst through the door and draw their weapons. Erik asks Charles to use his powers to stop the men but Charles replies that he can't. The guards open fire and Erik gets ready to kill them, ignoring Charles' pleas not to. Before anything can happen, we experience a scene from the perspective of Quicksilver with time almost standing still. He uses his enhanced speed to comically knock out the guards and redirect the bullets in flight.Charles, Erik, Hank, and Logan are aboard a plane en route to Paris to stop Raven from assassinating Trask. Things get heated between Charles and Erik as Charles accuses Erik of taking the things that were most precious away from him. Erik in turn asks where Charles was when they came for Angel, Banshee, Azazel, and Emma Frost. He shouts that they were taken, experimented on and killed and that both he and Charles were supposed to protect them. (It is implied that Trask was responsible.) During this heated exchange, Erik almost causes the plane to crash before calming down.In a French nightclub, Mystique seduces a Vietnamese army official whom she plans to impersonate to get to Trask.Back on the plane, Erik says that he was not the one who killed JFK. He claims that he was trying to save him, his reasoning being that JFK was a fellow mutant. Erik apologizes to Charles about how things have played out during the last decade and the two begin to play chess.Trask enters a conference room full of officials of various governments and tries to convince them of the threat posed by mutants. Having been turned down by the US government, he is exploring other sources of funding for his sentinel program. During the presentation, he demonstrates how his robots are made without one ounce of metal and goes on to describe their ability to distinguish mutants from non mutants. He pulls out a hand-held detector that can sense the Mutant X gene in people; it begins to go off. Mystique's cover has been blown -- she has disguised herself as the Vietnamese officer she seduced -- and she begins to take out many of the men in the room. Enter Logan, Charles, and Erik, who stop Mystique just before she can shoot Trask. Charles tries to explain everything to Mystique and persuade her to drop the gun. She is defiant and Erik strips the gun from her. He then does the unthinkable and aims it at her. She is a threat to all mutants because her DNA can lead to the creation of the sentinels of the future. Erik believes that it is too risky for her to remain alive. Raven pleads with Charles to use his powers to stop Erik, unaware that he is powerless. Meanwhile, upon seeing Stryker, who is also at the meeting, Logan begins to lose himself emotionally in a flashback to the experiments performed on him during the Weapon X Program; he falls into a sort of coma as his connection between future and past is disrupted. His body in the future thrashes and extends its claws, injuring Kitty Pryde, who struggles to reconnect the link through time. Logan comes to in Paris, doesn't recognize anyone or know where he is, and is told by Charles that someone gave him some bad acid. He passes out again.Hank tackles Erik but fails to stop him from firing the gun. Mystique jumps out the window but Erik is able to guide the bullet to follow her; it hits her in the leg. Outside, crowds of people with cameras capture images of a wounded Mystique running away. They watch as Magneto levitates outside and drags Mystique to him, the bullet still stuck in her leg. He pulls the bullet from her body, ready to finish her off with it, when a transformed Beast attacks him. Onlookers watch in horror as Beast strangles Magneto under water. Mystique uses this time to escape the area and seek medical treatment. Magneto restrains Beast using some metal ornaments from the fountain and makes an escape as well. Logan regains consciousness -- memories intact this time -- and he and Charles rendezvous with Hank and leave for the mansion to plan their next move.The media is now in a panic because of the footage of mutants creating mayhem in public. In a tense, crowded Oval Office meeting, Richard Nixon gives Trask the green light to proceed with his sentinel program. Trask says that he can have eight sentinels operational soon. Nixon want to hold a press conference to unveil the sentinels and reassure the American public that he can protect them from the mutant threat.In a crowded Metro station, Mystique ambushes Magneto, pressing a small pointed piece of plastic to his throat. He claims that he no longer wants to kill her. He notes that their previous encounter left Mystique's blood on the pavement, which Trask has undoubtedly already obtained. They go their separate ways.Upon entering the mansion, Charles' legs give way and he falls to the ground and starts hearing people's thoughts. Hank rushes to get him his serum. Charles says that he doesn't take the serum to walk, he takes it to stop the voices he keeps hearing. He is tired of having to feel and hear all of the pain that mutants and humans are experiencing. Logan convinces Charles to not take the serum, exclaiming that he needs the professor to have his powers; it's the only way to find Raven before she can make another attempt to kill Trask. They proceed to use cerebro to try and locate Raven, but Charles is overwhelmed by all the noise he has been keeping out for the past 10 years. Logan pleads with Charles to try and read his mind. He does so and sees all of the pain and trauma that Logan has experienced through his lifetime. He sees glimpses of the future and has a telepathic conversation with his future self. His future self reassures Charles that there will always be pain but that it is his gift to use that pain to help others. He shows a younger Charles images of what he will accomplish and how he will use his power to bring hope to others in their most dire times. This is just what Charles needed to bring him focus. He tries locating Mystique again.Back at a Trask facility, a preliminary analysis of Mystique's blood holds promise for Trask, who demands that she be captured. They will need to harvest her brain tissue, spinal fluid, and bone marrow. Outside, the Mark I sentinels are loaded aboard a train for their trip to Washington DC; Magneto sneaks aboard the train while it speeds toward its destination. While in motion, Magneto rips the metal from the tracks as they pass over them. He manipulates the metal into small strands which he laces throughout the non-metallic bodies of the sentinels.At an airport, Charles uses random people as avatars to urge Mystique to stop her mission. Charles is not yet strong enough to mentally stop Mystique as she resists his mental probes. He fails to stop her and he, along with Hank and Logan, depart for Washington DC for the press conference.Magneto enters a secure facility holding two large ball bearings. He uses the bearings to incapacitate three guards and opens a vault. In the vault we see several artifacts: Havok's X-Men suit, one of Angel's wings, and Magneto's helmet. He is here for the helmet, which he takes.In the future, Kitty is losing a lot of blood. Standing guard outside, Warpath spots multiple sentinel ships heading their way. The mutants make their preparations for a final defense; Kitty, Iceman, Professor X, and Wolverine shelter inside while the others guard outside.Back in the past, Magneto levitates a sports stadium and moves it towards the press event on the White House lawn at which President Nixon will present Trask's sentinels. Hank, Logan, and Charles are there amongst the crowd trying to find Mystique. Nixon addresses the nation and drops the curtains, unveiling the sentinels to the public to much applause. Charles finally spots Mystique impersonating a secret serviceman and freezes her in place before she can pull her gun. Charles has a conversation with her telepathically, trying to persuade her that she was not always so quick to kill and that the Raven that he knew was incapable of doing so. All of a sudden the sentinels roar to life to the shock of Trask and the others. They fire at the police cars and it is apparent that Magneto is controlling them. Trask, Nixon, and other VIPs flee to an underground bunker.Simultaneously, the battle in the future is erupting as well. Storm uses lightning and wind to crash some of the sentinel transporters. Bishop shoots his rifle through portals created by Blink to take out a few sentinels. Magneto takes the X-Jet and modifies in into an explosive, using Storm to charge it with a bolt of lightning. It explodes sending shrapnel everywhere, decimating much of the sentinel force. Magneto is wounded in the resulting explosion by a piece of shrapnel in his abdomen. The mutants take a sigh of relief, believing the battle to be over. It is not, however, and a sentinel sneaks up behind Storm, stabbing her and throwing her off a cliff as more sentinels flood the mutant stronghold.In the past, Magneto arrives at the press event and drops the stadium around it. He has created a concrete barrier around the White House to prevent any escape. Charles is pinned by debris in the chaos. Magneto posts seven of the sentinels atop the stadium walls to guard the perimeter and leaves one to engage Wolverine and Beast, ordering the sentinel to do what it was designed to do. The sentinel identifies the two as mutants and attacks. Wolverine is unable to inflict any damage against the sentinel with his bone claws and merely distracts it long enough for Beast to jump on its back and rip out its circuitry. While this is going on we see that Nixon, Trask and company are locked securely in their bunker. Trask's mutant detector begins to go off. Before anything can happen, the room begins to shake; Magneto is ripping the safe room from its foundation.In the future, the mutants are dying one by one. Colossus is ripped in half by multiple sentinels. Bishop is bombarded by three of them with energy beams, overcharging him until he explodes. Warpath is killed after a sentinel grabs him, slowly moving the mutant's face into the path of its energy beam. One sentinel forms diamond skin like that of Emma Frost to overcome Sunspot's flames and cuts off one of his arms. He fights back but is flanked by another sentinel who stabs him with claws that resemble Lady Deathstrike's. Magneto, realizing the end is near, uses the last of his strength to apply metal reinforcements to the entrance of the building. Before the sentinels can kill him, Blink transports him inside. As the last line of defense outside, Blink puts up a valiant effort to hold the sentinels at bay but is stabbed by many of them. The sentinels then begin breaking through Magneto's barrier and Iceman leaves to reinforce it with ice.In the past, Wolverine charges at Magneto. In defense, Magneto hurls debris at Wolverine and stops his assault with a large block of concrete to the back. He then proceeds to force rebar all throughout Wolverine's body, lifting him in the air and throwing him hundred of meters into the Potomac River, where he apparently drowns. Beast is thrown from the back of the sentinel into a wrecked car. Magneto has now fully excavated the metal safe room and ripped off its door. He aims news cameras at himself and addresses the world. He explains that the sentinels were created out of fear for how dangerous mutants could be. He says that they should be scared and proclaims that a new order will be established with mutants in control, threatening to kill everyone in the safe room. Nixon emerges from the safe room, urging Magneto to kill him if he wants but to let the rest of the people go. "Nixon" is actually Mystique in disguise with a gun behind her back. The sentinel targeting Beast rips through the car and is ready to finish him off but Beast is able to inject himself with his serum in time to change back into normal. The sentinel thinks Hank isn't a mutant anymore and proceeds to find new targets, Magneto and Mystique are in its sights. The sentinel charges and Magneto begins tearing the robot limb from limb. Mystique uses this moment an takes a shot at Magneto with the metal-less gun. He is hit non-fatally in the neck causing him to lose focus. She is able to knock him out during his brief moment of weakness and remove his helmet. Charles uses his power to pacify Magneto and it is obvious he has lost. Attention turns to Mystique, who is aiming her gun at Trask, saying that he is a monster for the cruel things he has done to her friends. Xavier stops her and makes one final plea to Mystique, saying that he has hope that she will do the right thing. He points out that right now she is a hero in the public eye. He relinquishes control over her, saying that the future is in her hands now.In the future, the sentinels have breached the room and killed Iceman with energy beams. They confront the last of the survivors and fire killing shots at the group, which includes Xavier, Kitty, and the still unconscious Logan. Just before the shots can reach them, everyone on screen disappears. Mystique has dropped the gun in the past and decided not to kill Trask. Magneto remarks that if he is turned in, they will kill him. Xavier agrees and releases control of him, allowing Magneto to levitate and flee. Newspapers run headlines saying that a mutant saved the president, that the sentinel program was being shut down, and that Trask was being indicted for treason.Flash to the future where Logan is waking up at the mansion. He hears schoolchildren outside and realizes that the plan worked. He is surprised to see Storm, Iceman, Rogue, and Beast all alive. He encounters Jean Gray. He is awestruck that she is real and doesn't understand why she is alive. Scott Summers appears and is dumbfounded by Logan's happiness at seeing them all. Logan sees Xavier and tells him it worked. Xavier welcomes him back and begins to explain what has happened in the years from 1973 to the future that Logan has missed.In a voice-over, Xavier explains that events can cause ripples through the river of time and when enough ripples are created, the flow of the river can be changed. Back in the past we see that Logan's body was recovered by military personel. He comes back to life aboard the boat with an army official asking William Stryker what he would like to do with him. Stryker replies that he will take him. As the scene cuts away we see that it is actually Mystique disguised as Stryker.In a post-credits scene, a skinny bluish mutant, robed and hooded, stands atop a structure. Hundreds of people are bowing to him and chanting his name -- En Sabah Nur -- as he uses his powers to levitate ancient pyramids into place. We see four people on horseback covered in black as the scene fades to black: Apocalypse and his Four Horsemen.

Review: What really sets the X-men films apart from the ever more derivative comic-book adaptations – at least as far as I'm concerned – is that I always genuinely cared for the characters, and 'Days of Future Past' is no exception.
For finding that perfect, rare balance between character-driven human drama and no-holds-barred popcorn action spectacle, 'Days of Future Past' deserves my 10-star rating (which is a first for me: I've never given 10-stars to a comic-book movie).So my verdict: If you like to get your minds blown by something with true heart and soul, this massive 'mutant' of a film is upon you, and all you have to do is give in to the X-citement.
But, when it works (which is most of the time), Days Of Future Past comes pretty darn close to nerdvana – this is a smart, rich film that effectively mines its source material (both the movies and Chris Claremont's classic 1981 storyline in the comic books) and its incredible cast for emotion, power and depth.Flash forward to the bleakest of futures.
Rather, this is the work of the Singer who made his mark with films like X1, X2 and The Usual Suspects, all of which featured a masterful blend of wit and wisdom, character and story.In Days Of Future Past, Singer skilfully plays on the schism that opened up between Erik and Charles at the end of First Class to add welcome depths of emotion to the high stakes already in play.
Crucially, Singer also finds the time and space within the darkest shadows of his story to have a little fun, judiciously tossing quips and sight gags into the mix – particularly in a tour de force prison break sequence, in which the preternaturally speedy Pietro Maximoff (Evan Peters), better known to comic aficionados as Quicksilver, literally runs away with the entire show.Make no mistake about it, this is a behemoth of a film that won't go down well with everybody.
Steeped in history and lore, both of the cinematic and comic-book variety, Days Of Future Past feels like a dark love letter to the spirit of that original band of mutants and the message of hope, tolerance and humanity that has always accompanied their attempts to find their place on Earth.Most remarkably of all, Days Of Future Past practically radiates a bravery and freshness that you'd never expect from the seventh film in a blockbuster franchise.
Days Of Future Past is the best X-men movie so far for two main reasons:Fans of the original trilogy and First Class will definitely enjoy this one thanking its nostalgia and its perfect and well balanced mix between the original characters and the new ones (with just a few ones who maybe deserved more credit, but is not at all a problem for the movie).
The movie is very well paced, I never grew bored and I didn't want it to end.'Days Of Future Past' also surprisingly has a lot of very funny humour in it, but it's not humour that's just forced in for the sake of it, it all feel natural and within the confines of these characters.
I had high expectations with this movie, and yet I am not an X-Men fan and Bryan singer disappointed me a lot of times - but the trailer gave me chills and as French, I really wanted to see Omar Sy in a super-production (stupid but true).
You'll be amazed, thrilled and captivated when you will realize that every single scene has a purpose, whether it has some action or simple emotions and character's development.All these qualities put together are forming a very classical but excellent & accomplished movie, completed by a skilled sense of cinematic continuity that we didn't have since Singer left the franchise (at least until X-Men First Class).
That happens about five minutes into Days of Future Past and serves as a staggering reminder that this ultimately is a movie for kids.Along the same vein, it would take the film watching experience of a child to not recognize that DOFP is basically an unoriginal mash-up of better films that came before it (the most obvious ripoffs being Back to the Future, Terminator 2, and The Matrix).In fact, DOFP is nothing more than a mutant version of Back to the Future, with fewer memorable lines, mediocre acting (save for the always excellent Michael Fassbender), without the classic soundtrack, and with no real villain.**Spoiler Alert** Plot Synopsis: The Matrix, I mean, DOFP, starts with the all-powerful Sentinels having basically destroyed civilization and terrorizing the mutants who remain in Zion, I mean whatever city they live in.
There is a real direction going on to these sequences and the camera perfectly shows its every action which makes it totally entertaining.X-Men: Days of Future Past stands as perfect as a fan service.
X-Men: Days of Future Past saw Bryan Singer return to the director's chair for the film series that he helped spark, having something of a mixed legacy since he chose not to direct The Last Stand.
I don't want to give much away, but of all of the X-Men ever made, this is one of my favorites!The additional cast was concerning, but overall actually added to this film.Of course the rest of the usual cast were on point as usual, but what made this movie different than the others, was not the battle of good vs evil, but the timeline differences and the new cast's involvement.A great addition to the X-Men franchise, and a 9/10 from me!.
Origins: Wolverine, is certainly a low point and while The Last Stand was no where near the awesomeness and greatness that was Bryan Singer's first 2 films, it's still a fairly entertaining action movie.
Ahhh the X-men Franchise.There's the good: X-men, X2 and x-men first class and the bad: X3, god dammit Brett Ratner.But with a familiar face returning to the franchise Its easy to say the franchise is being brought to life and exceeding new levels with Days of future past.So as always I will rank this art film as 1.Acting, 2.Plot, 3.Sfx and 4.Flaws, 5:Direction.1:The acting:The acting was superb.Hugh Jackman is as good as always playing the 6 foot 3 Canadian with anger issues.Micheal Fassbender and especially James McAvoy gave praising performances as the younger counterparts of Patrick Stewart and Ian Mckellen.Micheal Fassbender shows how cold and calculating Magneto is making him the bad-ass super villain.James McAvoy gave a shuddering performance as a broken down Charles Xavier who's lost his way.Evan Peters was great as the speedy quicksilver(I doubt avengers 2 quicksilver will beat this one)who stole the show for the part he was given.Jennifer Lawrence was also good as the troubled Mystique.10/10 2.The Plot:In 2023, the mutants face the biggest threat yet:the sentinels, which are mutant killing robots made by Bolivar Trask, 50 years ago.The sentinels are so advanced that they adapt to any mutant power.So what do they have to do to stop the massacre?They have to send the Wolverine back to the past to change the future.Sounds good right?10/10 3.SFX:The GCI was simply stunning.The sentinels (both future and past)looked amazing.The mutant powers were awe strucking(especially quicksilver's superhuman speed).10/10 4.Flaws:Although the X-men franchise is pretty flawed some things were explained.Like how Charles could walk.How Hank Mcoy was still human in X2.But some questions remain unanswered.Like did Logan ever undergo the weapon X procedure?How is professor X still alive?Well we still have X-men:Apocalypse coming up so they might be awnsered.9/10 5.The direction:After 3 blockbuster movies, it really shows how Bryan Singer knows how this team of outcasts functions(Not you, Brett Ratner).He really knows how this team works and there's heart in this film (unlike the Avengers).There's a right amount of action, dialog and emotion to this film.Worth buying.Overall:10/10.This flick is a perfect blend of everything.Even if your-re not a fan of superhero movies this one is still going to surpass your expectations.Its worth it.Cant wait for Apocalypse, Bryan Singer..
I thought there is no way for Days of Future Past to disappoint me, but sadly, I was wrong.Don't get me wrong or think I am to negative - the movie is visually great (especially the "villains") and the actors do their job more than well.
Overall I think this movie could have failed at being good very easily and so many times for so many reasons but it didn't at all, besides a few minor things in the story which seem a bit too easy to go for and didn't challenge itself more this is the X-Men film you have wanted to see for a long time and fans will not be disappointed with this one..
The X-Men series has been with us now for well over a decade and in that time we have been witness to some truly great examples of the comic book genre (X-Men 2, First Class) and some truly forgettable examples of the genre (X-Men 3, X-Men Origins) and in an instance where things seem to have come full circle with the reappearance of the series original helmer Bryan Singer, this latest X-Men falls somewhere in between the others, despite it being arguably at certain times the most entertaining entry into the series to date.With a convoluted story line that even the slightest thought into will display its many flaws, Days of Future Past for the first 90 or so minutes displays an incredible ability to be fun, frenetic, original and engaging with one of the year's best singular scenes taking place in the Pentagon and a whole lot of creative banter taking place between everyone's favourite mutton chop sporting superhero and the younger more sombre Professor X and his loyal sidekick Beast.
Time fly's by as the action takes place in the 70's, full of camcorder action, 70's ditties and enough old school fashion to outrival American Hustle, the jaunt back in time really takes X-Men to places we have not yet been and with a fantastic cast, all feels steadily on song to become the quintessential adventure in the series so far but then low and behold like so many before it, this superhero adventure gets lost in its third act.Days of Future Past seemingly went all out to create a 3rd act not content with one time frame but multiple ones, and it becomes a mess of a million different ideas flying about the screen all at once.
While the ending is a huge anticlimax the acting by the large is fantastic with Fassbender and McAvoy in particular continuing on their fine turns and the direction of Singer is often highly inventive, therefore the film feels frequently fresh.This newest entry into the X-Men cannon has been highly regarded by critics and audiences alike and with a large haul at the Box Office the world over it looks likely that many will be waiting Apocalypse's arrival with baited breathe.
My general summary is that this is a 'good' film with lots of action, 'some' great acting and is overall well worth watching.Unfortunately, I can't give this more than a 7 (much as I would like to as I love X-Men) because for me, this was as good/disappointing as the Breaking Bad finale.The good:Obviously the 'real' leads: James McAvoy and Michael Fassbender.
X-Men:Days of Future Past is one of my favorite movies of all time.I love how cast members from the prequels and original movies all appear in the same movie.Every actor and actress in the movie and their performances are really great.I love what Wolverine's reaction was like when he met the younger x-men in the past.And Evan Peters did such a terrific job as Quicksliver.
My Verdict – Singer and Company Delivered!!!The movie does start out a bit slow in the first few minutes, but quickly picks up steam as Hugh Jackman's "Wolverine" is sent back to 1973, to try avoid the creations of the Evil Robot "Sentinels" which basically appear set to wipe out Mutants and Humans alike in the present day.
It can't compete on pure cinematography with Whedon, or the creative reinterpretation of Nolan, or even the visuals of Snyder.Consider, though, that it adds meaning to 4 prior movies that were made in the shallow days of hero movies, retroactively creating motivations and plot foreshadowing in almost 8 hours of cinema that weren't meant to go anywhere, while developing the relationships between the main characters and progressing the story lines of side characters in the background.It's an incredible work of art, and the piece that made me a huge can of Bryan Singer.However, it does sadden me that to get the full emotional impact from the film you have to watch X1-3 (and Wolverine Origins, too), which are nowhere near as good films and are extremely dated by today's genre standards.When I really want someone to watch this movie, I still do make them sit through the 8+ hours of backstory, but at least I feel a little guilty about it =P.
It becomes the human story of understanding fear and embracing hope.Bryan Singer's spectacular "X-Men: Days of Future Past" is more than a sequel to "X-Men: First Class" or a prequel to "X-Men." It is a wrap-around event that courses through and changes the world of the previous films.
There is next to no complaints I have about this film, while this isn't the realistic superhero movie you would see in the Dark Knight trilogy, this film most definitely matches it in terms of emotional impact and entertainment,The acting has never been so good in an X-Men film like here, every single actor in this film gives a top-notch performance, with James McAvoy being the stand-out.
First Class was a much better effort with an exceptional cast – it felt fresh and reignited the franchise.Don't get me started on the Wolverine movies.The first thing you'd notice about Days of Future Past is who's in it.
It also appropriately utilizes good humor throughout the seemingly melancholy plot.X-Men: Days of Future Past is an ambitious movie, it brings the newer cast from First Class as well as the older trilogy, plus Hugh Jackman.
All the flaws are just little hindrance, they barely affect the gripping performance of the talents.X-Men: Days of Future Past is arguably the best of the franchise, it will entertain viewers with exquisite acting, finely pace story and delightfully likable characters..
Gathered with Professor X (Stewart) and Magneto (McKellen) against the Sentinel threat are familiars Storm (Halle Berry) and Wolverine (Hugh Jackman), Kitty Pryde (Ellen Page), Iceman (Shawn Ashmore), as well as some new additions including Bishop (Omar Sy), Blink (Fan Bingbing), and Warpath (Booboo Stewart).The one hope to their survival lies back in the past - or more precisely, the year 1973 - where Mystique's (Jennifer Lawrence) assassination of Sentinel creator Bolivar Trask (Peter Dinklage) will not only cement the humans' suspicion of the mutants as a threat but also lead to her capture and the use of her shape-shifting DNA into the design of the robots.
Logan/ Wolverine's (Hugh Jackman) ability to heal makes him the only suitable candidate for travelling back in time - his mission to convince the younger Professor X (McAvoy) and Magneto (Fassbender) to put aside their differences in order to avert the killing that would change the course of history.That's a fair bit of exposition to set up the events that follow, but Singer knows just how to keep the pacing nimble.
In the future Sentinels are hunting and killing mutants, in an attempt to save mutantkind Wolverine is sent back to the past to change the future.Movies that take on time travel take a huge risk, it generally makes for a flawed film.
Movies that depend on moving to the past to change the future are improbably to direct properly, because no matter what the conflict is, there is an easier way to go about it, i.e. go back a little further then planned and stop the beginning conflict from taking affect (hard to go into detail without spoiling.) All in all 20th Century & Marvel did a fantastic job of stealing your money, putting Jennifer Lawrence on a pedestal (Mystique is supposed to stay blue most of the time, that's the point) and showing that Hugh Jackman can be an old man & ripped..
Wolverine (Hugh Jackman), Professor X (Patrick Stewart/James McAvoy), Magneto (Ian McKellen/Michael Fassbender), Mystique (Jennifer Lawrence), Storm (Halle Berry), Beast (Kelsey Grammar/Nicholas Hoult), Quicksilver (Evan Peters), all have their moments to shine.Director Bryan Singer and scribes Simon Kinberg, Matthew Vaughn and Jane Goldman wisely weave a story that is properly weighty with big stakes and big pay-offs all while being a character centered tale.
Bringing back the man that delivered the best of the X-Men films up to this point, 20th Century Fox went all out to ensure that they can still hang on to the Marvel franchise.Based off of the highly-successful comic book series, Days of Future Past revolves around Wolverine (And not Kitty) heading back to the past to prevent a murder from occurring and creating the fallout that would lead to the dystopian-like present that involves all the mutants hiding for their lives.
My opinion is that First Class is the best X-Men film so far, but Days Of Future Past is just about as good.
The balance of all these names and faces is down to how enjoyable the script is, because even though we barely see some people, it makes sense within the context of the story being told, so doesn't feel like they are wasted (although I could have done with a few fewer in the final scenes).Days of Future Past is perhaps not as amazing as the high IMDb rating suggests, but it is an enjoyable and satisfying superhero movie with good edge and seriousness in the plot, which is all played straight aside from a few moments, helping it carry it off and keep the viewer engaged..
He makes his way into the past and must convince not only Professor Xavier, but also Magneto that they must stop Mystique and thus stop the horrific future.The story was pretty good and I liked that Beast played a huge role in this film.