Deletion of Anything Goes (John McGlinn recording)

Comment: per . The article's COPYVIO issue has now been addressed - brief quotes from reviews will be supplied in due course. The album is the first historically informed recording of the work and of fundamental importance in its discography. See ''Opera Now'', April 1991, p. 45 for further discussion
Stance: keep
Cited policy: Wikipedia:Notability (WP:NALBUM)

Comment: although technically meeting no. 1 of  - "subject of multiple ie. 2 or more, non-trivial, published works appearing in sources that are reliable, not self-published, and are independent from the musician or ensemble who created it." as article (now after possible copyvio being removed) lists reviews by ''Gramophone (magazine)|Gramophone'' and ''Sound & Vision (magazine)|Sound & Vision'', past consensus amongst classical album wikieditors appears to require more
Stance: comment
Cited policy: Wikipedia:Notability (WP:NALBUM)

Comment: meets  with multiple reviews in article and listed above
Stance: keep
Cited policy: Wikipedia:Notability (WP:NALBUM)

Comment: note that it also fails '''''' and ''''''. The main bulk of the article consists of long paraphrases of critics reviews - these are certainly violations of copyright
Stance: delete
Cited policy: Wikipedia:Notability (WP:NALBUM||WP:COPYVIO)

Comment: per criteria 1 in . The uniqueness of this recording is discussed in context to the show and other recordings in the book ''Anything Goes: A History of American Musical Theatre'' By Ethan Mordden, OUP USA, 2013, pg 141, 307, and 312. The work was also reviewed in ''''Fanfare (magazine)|Fanfare'', 1993, Volume 16, Issues 5-6, Page 415; ''Stereo Review'', 1991, Volume 56, Page 53; ''Theater Week'', 1991, Volume 3, Issues 21-29 - Page 42; and ''Musical America'', 1990, Volume 110, Issue 2, Page 76
Stance: keep
Cited policy: Wikipedia:Notability (WP:NALBUM)