Question: Bathsheba was the mother of what king?
About the article "Bathsheba", section "Abstract".

Candidate passages:
According to the Hebrew Bible, Bathsheba (, "Bat Sheva", "daughter of the oath") (, "ابنة القسم") was the wife of Uriah the Hittite and later of David, king of the United Kingdom of Israel and Judah.
She is most known for the Bible story in which King David took her to sleep with him.
Bathsheba was a daughter of Eliam, one of David's "thirty" (2 Sam.
23:34; cf 1 Chr.
3:5); Eliam was the son of Ahitophel, one of David's chief advisors.
Ahitophel was from Giloh (Josh.
15:51;cf 2 Sam.
15:12), a city of Judah, and thus Bathsheba was from David's own tribe and the granddaughter of one of David's closest advisors (2 Sam.15:12)."
She was the mother of Solomon, who succeeded David as king, making her the Queen Mother.
The named sons are as follows.
First those born in Hebron: Amnon, David's firstborn, born in Hebron to Ahinoam of Jezreel.
Killed by Absalom Kileab (or Daniel), second son, whose mother was Abigail from Carmel.
He probably died young since there is no record of his life.
Absalom, the third son, born to Maacah, the daughter of Talmai, king of Geshur.
He was killed by Joab (1 Chronicles 3:1-2).
Adonijah, the fourth son of King David from Haggith (2 Samuel 3:4) Shephatiah, whose mother was Abital.
Ithream, whose mother was Eglah, "David’s wife."
The sons born to David in Jerusalem included the sons of Bathsheba: The infant who died without being named Shimea, or Shammua, probably the first surviving child of Bathsheba Shobab, from Bathsheba Nathan (son of David), Bathsheba the ancestor of Jesus according to the Genealogy of Jesus in Luke, considered by some to be the maternal line via Heli, possible father of Mary.
Solomon, Bathsheba, the ancestor of Jesus according to the Genealogy of Jesus in Matthew, often considered to be Joseph's line.
Nine other sons from other wives:   Ibhar, Elishua, Elpelet, Nogah, Nepheg, Japhia, Elishama, Eliada, and Eliphelet, and one further unnamed son, who would also have died in infancy.  
 at her Bath.
Bathsheba at her Bath is the formal name for the subject in art showing Bathsheba bathing, watched by King David.
As an opportunity to feature a large female nude as the focus of a history painting, the subject was popular from the Renaissance onwards.
Sometimes Bathsheba's maids, or the "messengers" sent by David are shown, and often a distant David watching from his roof.
The messengers are sometimes confused with David himself, but most artists follow the Bible in keeping David at a distance in this episode.
Paintings with articles include:  Bathsheba at Her Bath (Rembrandt), Louvre, the most famous painting of the subject.
Bathsheba at her Bath (Veronese), 1575, Musée des Beaux-Arts de Lyon, France.
Atypically, Bathsheba is clothed in this.  
David and Bathsheba is a 1951 historical Technicolor epic film about King David made by 20th Century Fox.
It was directed by Henry King, produced by Darryl F. Zanuck, from a screenplay by Philip Dunne.
The music score was by Alfred Newman and the cinematography by Leon Shamroy.
King David was the second king of Israel and this film is based on the second Old Testament book of Samuel from the Bible.
Gregory Peck stars as King David and the film follows King David's life as he adjusts to ruling as a King, and about his relationship with Uriah's wife Bathsheba (Susan Hayward).
It was shot entirely in Nogales, Arizona.
Goliath of Gath was portrayed by a Polish wrestler named Walter Talun. 
The Second Book of Samuel (11:2-4) gives the account of King David who saw a woman bathing from his palace roof.
When he asked after her, he was told that she was Bathsheba, daughter of Eliam and wife of Uriah the Hittite.
David had his messengers retrieve her, and after they slept together she became pregnant with his child.
David was able to marry Bathsheba by sending Uriah into battle where he was killed.
Prior to "Bathsheba at Her Bath", the standard treatment had been to show Bathsheba bathing out of doors—thus accounting for her visibility to David—and accompanied by maidservants.
A tower could usually be seen in the distance, and perhaps a small figure of David, sometimes accompanied by his two courtiers.
Such was the design Rembrandt's earlier "The Toilet of Bathsheba", dated 1643.
By eliminating David, his messengers and most of the traditional narrative elements from the picture—the only anecdotal references included are the letter from David (not actually mentioned in Samuel) and the presence of an attendant drying her foot—Rembrandt's presentation of Bathsheba is both intimate and monumental.
As a result, the moralistic theme of previous treatments of the subject is replaced by a direct eroticism in which the viewer supplants David as voyeur.
The work is painted as life sized and in a shallow space, with Bathsheba dominating the composition as she had in no other earlier version of the scene.
It is not known whether Rembrandt painted "Bathsheba" for his own reasons, or to satisfy a commission.
Presumably in response to Rembrandt's painting, his ex-pupil and close associate Willem Drost painted "Bathsheba with David's Letter" the same year, which is also in the Louvre.