Question: What was metacritics score?
About the article "The Shawshank Redemption", section "Critical response".

Candidate passages:
The score was composed by Odd Crew. 
The game was highly anticipated after its release being announced because of its numerous new features and improvements of the last in the series.
After its release, it scored 78 out of 100 on Metacritics review system, and received an average ratio of 77% at Game Rankings.
In just under four months, over 1 million copies of "Dynasty Warriors 3" had been sold in North America and Japan combined and made it the first of Koei’s games to pass one million sales on a single platform and making it a platinum title.
Not only that but it topped the sales charts for five consecutive weeks and, according to Famitsu Weekly, it was ranked the 9th best selling game of 2001.
"Dynasty Warriors 3" still retains a number of the bad features that were in the previous game such as fogging and low quality English voice actors.
Although the English voices were poor (they have gained a cult-like status among fans of the series), the player has the choice to turn on Japanese voices and they are considered to be of a much higher quality.
IGN strongly criticized the game over the sound, both music and the voice acting.
Despite a number of negative points coming up throughout the review it scored 6.8/10 and the reviewer saw it had potential to become a very good game.
On release, "Famitsu" magazine scored the game a 34 out of 40.
Chi Kong Lui at Gamecritics.com looked past the sound and graphical flaws and concentrated more on the gameplay and setting, giving a high score of 9/10.
He gave high praise to how much the game was based on the original Romance of the Three Kingdoms story and even went as far as saying "All the costuming of the 3D models is ethnically authentic and beautifully lavished" whereas a number of reviews described the graphical quality as being plain and blurry (Such as the said IGN review).
It is also notable that the IGN review was based on the PS2 version, which has more fog and slowdown (especially in multi-player) when compared to the Xbox version, and those were his two heaviest faults of the game. 
The soundtrack for "What Dreams May Come" was composed and conducted by Michael Kamen and produced by James Seymour Brett.
Ennio Morricone completed and recorded a full score for the film.
After editorial changes were made, his score was rejected, and Kamen was hired for the film score.  
John Williams composed the score for "Raiders of the Lost Ark", which was the only score in the series performed by the London Symphony Orchestra, the same orchestra that performed the scores for the "Star Wars" saga.
The score most notably features the well-known "Raiders March."
This piece came to symbolize Indiana Jones and was later used in the scores for the other three films.
Williams originally wrote two different candidates for Jones's theme, but Spielberg enjoyed them so much that he insisted that both be used together in what became the "Raiders March".
The alternately eerie and apocalyptic theme for the Ark of the Covenant is also heard frequently in the score, with a more romantic melody representing Marion and, more broadly, her relationship with Jones.
The score as a whole received an Oscar nomination for Best Original Score, but lost to the score to "Chariots of Fire" composed by Vangelis. 
The film's score was composed by Alan Silvestri.
This film marks Silvestri 11th time collaborating with Zemeckis.
Other films Silvestri has scored are "Cast Away", "What Lies Beneath", "Contact" and "Forrest Gump".