Question: In what location was Payphone recorded?
About the article "Payphone (song)", section "Background".

Candidate passages:
This was the central area of the camp site, located in front of Hylands House.
The Plaza is the location for all services that the participants need during EuroJam.
The Plaza included shops, cafes, an internet cafe, payphone, the EuroJam radio station and areas for the "Evening Programme" (See Program below) 
The overall international song of 2012 in South Korea was "Payphone" by Maroon 5 featuring Wiz Khalifa, which had a total amount of downloads of 2,229,057. 
Dunsop Bridge is a village within the Ribble Valley borough of Lancashire, England, situated north-west of Clitheroe, south-east of Lancaster and west of Skipton.
It is in the civil parish of Bowland Forest High.
It is one of two main contenders for the location of the exact geographic centre of Great Britain.
The other town is Haltwhistle in Northumberland, some 71 miles (114 km) to the north.
Dunsop Bridge's claim is calculated on the fact that it is the "gravitational centre" of the island (although the exact point is at Whitendale Hanging Stones, near Brennand Farm, north of the village).
In 1992, BT installed its 100,000th payphone at Dunsop Bridge and included a plaque to explain its significance - the plaque reads "You are calling from the BT payphone that marks the centre of Great Britain."
The telephone box was unveiled by Sir Ranulph Fiennes.
In BT's A1141 list of unique alphabetical Telephone Exchange codes, the code for Dunsop Bridge is DSB.
The Queen has visited Dunsop Bridge twice, once during the late 1980s and more recently in the summer of 2006. 
Construction on the center by Valley Transit began on September 12, 1989, and service began on March 1, 1990.
It was the first transit center built in Appleton.
It has climate controlled waiting rooms, public washrooms, a payphone and free direct line telephones to Valley Transit, and vending machines.
The north side of the building is the location of the Greyhound Lines office.
Additional benches are outside, where there are designated bus boarding bays in a traffic-free transfer area, and the entire grounds, inside and out, are non-smoking. 
The song received positive reviews from music critics.
Bill Lamb from About.com gave to the song 4 out of 5 stars, praising the "full band arrangement on second and third choruses", "Adam Levine's soulful vocals" and the "melodic pop feel", but dismissed Wiz Khalifa's rap, calling it "unnecessary."
Crystal Bell from "Huffington Post" called it "definitely one of the band's most pop-y singles to date."
Amy Sciarretto from Pop Crush commented that the song is "buoyant, airy and catchy" and wrote that it is "yet another melodically blithe single that will be dominating the airwaves."
Robbie Daw from Idolator wrote that the song is "extremely Top 40-friendly."
Melinda Newman from HitFix wrote that the song "is a straight-ahead pop ditty, that, like everything else these days, seems to take a page from Bruno Mars’ "Grenade" for its shiny, military-like precise beat that still manages to sound convincingly warm.
It's melodic and catchy, and but not overly aggressive.
Rick Florino of Artist Direct commented that the song "merges one of the band's biggest hooks with clever lines."
Robert Copsey from Digital Spy described it as "a shining example as an addictive head-nodder.
"Chris Payne from "Billboard" wrote that "The pop/R&B fling is far from a classic Maroon 5 cut, yet it serves as a testament to the band's continued rebranding and a reminder of how much the airwaves have changed since 'This Love' hit in 2004."
Andrew Unterberger from "Pop Dust" criticized Khalifa's verse, writing that "the group’s first rapper guest of note, can’t do much to spice up the proceedings, and it’s unclear if he even knows what the song he’s rapping on is about."
He also criticized the song's title, writing: "nobody’s seriously used a payphone in a dramatic life moment in a decade."
Another mixed review came from "Entertainment Weekly"'s Marc Snetiker, who commented that "it’s pretty easy to replace the band’s signature electronic meta-funk with any of the boy band’s impish members, for example One Direction."
However, he concluded that "it's catchy, infectious, and overwhelmingly mellow."
Fraser McAlpine from BBC Music criticized his voice, writing: "Adam Levine fires up that nasal yelp as soon as the song begins, and does not let up until the fadeout."
McAlpine also wrote that "Wiz Khalifa gets more space at the front of the stage than the rest of his band do.
"Adam Markovitz from "Entertainment Weekly" concluded:"Payphone is an alchemy of elemental pop-rock building blocks that conjures virile longing in the same corny-graceful way as past M5 hits like "She Will Be Loved."
Levine's voice soars, the piano and guitar hit notes of bitter nostalgia, and for once the words' hurt feels real.
And whether by Pro-Tooled magic or old-fashioned sweat, the song also sounds remarkably like it was recorded in a studio by musicians who actually came together to play as a band — even if one of them was only dropping by on his way to the soundstage.
"The theme of being at a payphone has been interpreted as his yearning for a past that he knows cannot happen again.
Many have been critical of the anachronism, which misses this primary point.
The song ranked number 46 on "Rolling Stone"s list of the 50 best songs of 2012.