Question: How well did the song "Love The Way You Lie" do on the radio?
About the article "Love the Way You Lie", section "Recognition".

Candidate passages:
On May 27, 2010, Eminem revealed the title of "Love the Way You Lie" as part of the tracklist of his seventh studio album "Recovery", which came out on June 21.
Initially a radio single, the song was released later by Polydor Records as a CD in the United Kingdom on August 9, 2010.
Interscope Records distributed it in Germany on August 20.
"Love the Way You Lie" received generally favorable reviews.
An editor for "Rap-Up" listed it among the four best tracks from the album.
"The New York Times" writer Jon Caramanica considered it "one of the album's most engaging songs" and praised Eminem's ability to assess issues from the perspectives of both sexes.
MTV's Rodriguez wrote that the song echoes content from Eminem's earlier albums, but finds him "sober" and "more mature".
He added that the lyrics allude to Eminem's relationship with Scott and that "Love the Way You Lie" is his closest approach to a love song.
Editors of "The A.V.
Club" compared the single with "Kim" and 97 Bonnie & Clyde"; they found he is more tempered in "Love the Way You Lie" when discussing a "mutually destructive relationship" and that Rihanna's involvement creates an eerie mood.
Critics especially praised Rihanna's contribution.
Michael Menachem of "Billboard" complimented her "exquisitely melodic and surprisingly hopeful" vocal performance and "Eminem's dark, introspective" rapping.
He noted that the percussion compliments both artists and that Alex da Kid gave the classical arrangement a mainstream touch.
Kyle Anderson, writing for MTV, remarked that the song showcases Rihanna's emotional vocals and Eminem's "most intense rhymes about his tumultuous relationships".
He regarded "Love the Way You Lie" as an honest, "well-constructed pop song with a killer hook" and likened the "slow-burning" music to that of "Someone Like You", a 2011 single by British singer Adele.
The "Houston Chronicle" pop critic Joey Guerra commented that Rihanna brought a "sandpaper and silk sheen" to the track. 
"Love the Way You Lie" ranked in various best-of-2010 lists.
Claire Suddath of "Time" placed it at number five on her top-ten list and wrote, "That this song didn't come across sounding clichéd or tasteless is a testament to both artists' skill."
AOL Radio considered the song the best of 2010 hip hop music, regarding Eminem as imaginative and passionate.
It ranked ninth on MTV News' top-twenty-five list.
Its editor James Montgomery attributed the song's success to its theme and relation to the artists' past abusive relationships.
He concluded, "You cannot write a song any better than that, because that's how this kind of thing happens in real life."
"The New York Post" placed the song at second place on their "top 210 songs from 2010" list and regarded it as a "comeback club anthem."
In April 2011, Gabriel Alvarez of "Complex" magazine ranked it at number 100 on their "100 Best Eminem Songs" list, calling it a love song and praising Rihanna's vocals as beautiful.
"Love the Way You Lie" and its accompanying music video were nominated for five Grammy Awards at the 2011 ceremony, including "Record of the Year", "Song of the Year" and "Best Short Form Music Video".
It won the People's Choice Awards for "Favorite Music Video" and "Favorite Song".
On March 16, 2012, R&B singer Keyshia Cole came at Gucci Mane for the controversial song "Truth", on which Gucci rapped, "I did a song with Keyshia Cole and I know you still miss her.
But Puff was f---ing her while you was falling in love with her."
implying that, during the time of her rumored relationship with Young Jeezy, Cole was cheating on Jeezy with rap mogul and her "Last Night" collaborator Diddy.
Cole stated on the radio, "Putting all ya trust in some of these 'Hood Rappers'... How you gonna be a G, and you spreading lies, to sell mix tapes!
Where ya talent at.
Dude ain't have to lie though!
Could've kept me out of it."
On March 16, 2012, Cole came at Gucci Mane for the controversial song "Truth", on which Gucci rapped, "I did a song with Keyshia Cole and I know you still miss her.
But Puff was f---ing her while you was falling in love with her."
implying that, during the time of her rumored relationship with Young Jeezy, Cole was cheating on Jeezy with rap mogul and her "Last Night" collaborator Diddy.
Cole stated on the radio, "Putting all ya trust in some of these 'Hood Rappers'... How you gonna be a G, and you spreading lies, to sell mix tapes!
Where ya talent at.
Dude ain't have to lie though!
Could've kept me out of it."
"Two Out of Three Ain't Bad" is a love song performed by the American musician Meat Loaf in his solo career, preceded by "You Took the Words Right Out of My Mouth" and followed by "Paradise by the Dashboard Light".
It is a track off his 1977 album "Bat Out of Hell", written by Jim Steinman.
It reached #11 on the Billboard Hot 100 and earned a million-selling Gold single from the RIAA.
It stands as one of his career signature tunes, still enjoying recurrent airplay.
It was the final song written for the album.
In a 2003 interview for the VH1 "Ultimate Albums" series, Steinman recalls:"I remember Mimi Kennedy cast member of Jim's then-current musical "Rhinegold" telling me, she said, you know, when I was probably complaining why no one liked my stuff and couldn't get a deal, she says, "Well Steiny, your stuff is so complicated.
Can't you write something simple?"
And while she was saying that the oldies station was on the radio and it was playing that old Elvis song, 'I Want You, I Need,' whatever it was.
'I Want You, I Need You, I Love You', you know.
I just started singing my own song but it was 'I Want You, I Need You, I Love You.'
She said, "Why don't you write something simple like that, 'I want you, I need you, I love you'?"
I said, "Well I'll try."
I don't try to make them complicated.
I remember going home and I tried so hard but the best I could do was: "I want you, I need you but there ain't no way I'm ever gonna love you, don't be sad, 'cause two out of three ain't bad".
So it was still a twist but it was my closest to a simple song, and one Elvis could have done.
"A music video was shot for the single and received significant airplay on television video programs of that day, a number of years before the conception of MTV.
Two mixes were created for the song.
In the album mix, timed around 5:27, one can hear prominent Moog-synthesizer embellishments by session keyboardist Roger Powell.
The single mix, timed around 3:50, downmixes the synthesizer considerably, in place of a much warmer and predominant string arrangement by Ken Ascher.
This mix also edits out and removes the first lyrical bridge of the song which includes the line, ""There ain't no Coupe de Ville hiding at the bottom of a Cracker Jack box"", and does some overlapping, splicing and editing to seamlessly merge back into the second part of the lyrical bridge, starting with, ""I can't lie, I can't tell you that I'm something I'm not"".
Yet, another lyrical edit in the last verse removes the lines, ""And though I know I'll never get her out of my heart, she never loved me back, Ooh I know, well I remember how she left me on a stormy night, oh she kissed me and got out of our bed"".
Lastly, a song fade-out beginning in the middle of the ending chorus' second refrain is also featured, hence removing the full-circle lyrics of "Baby we can talk all night, but that ain't getting us nowhere," that both started and ended the song, in its full album mix version.