Question: What year is the Grand Egyptian Museum scheduled to open?
About the article "Egypt", section "Museums".

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The Grand Egyptian Museum (GEM), also known as the Giza Museum, is a planned museum of artifacts of ancient Egypt.
Described as the largest archaeological museum in the world, the museum is scheduled to open in 2015.
The museum will be sited on of land approximately two kilometers from the Giza pyramids and is part of a new master plan for the plateau. 
Egypt has one of the oldest civilizations in the world.
Thus, it has been in contact with many other civilizations and nations and also has been through so many eras, starting from pre-historic age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages.
Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.
The Three main museums in Egypt are; The Egyptian Museum which has more than 120,000 items, the Egyptian National Military Museum and the 6th of October Panorama.
The Grand Egyptian Museum (GEM), also known as the Giza Museum, is a planned museum of artifacts of ancient Egypt.
Described as the largest archaeological museum in the world, the museum is scheduled to open in 2015.
The museum will be sited on of land approximately two kilometers from the Giza Necropolis and is part of a new master plan for the plateau.
The ruins of ancient Memphis have yielded a large number of sculptures representing Pharaoh Rameses II.
Within the museum in Memphis is a giant statue of the pharaoh carved of monumental limestone, about 10 metres in length.
It was discovered in 1820 near the southern gate of the temple of Ptah by Italian archaeologist Giovanni Caviglia.
Because the bottom of the sculpture has been broken off, it is currently displayed lying on its back.
Some of the colours are still partially preserved, but the beauty of this statue lies in its flawless detail of the complex and subtle forms of human anatomy.
The pharaoh wears the white crown of Upper Egypt, Hedjet.
Caviglia offered to send the statue to Grand Duke of Tuscany, Leopold II, through the mediation of Ippolito Rosellini.
Rosellini advised the sovereign of the terrible expenses involved with transportation, and considered as necessary the cutting of the colossus into pieces.
The Wāli and self-declared Khedive of Egypt and Sudan, Muhammad Ali Pasha, offered to donate it to the British Museum, but the museum declined the offer because of the difficult task of shipping the huge statue to London.
It therefore remained in the archaeological area of Memphis in the museum built to protect it.
The colossus was one of a pair that historically adorned the eastern entrance to the temple of Ptah.
The other, found in the same year also by Caviglia, was restored in the 1950s to its full standing height of 11 metres.
It was first displayed in the Bab Al-Hadid square in Cairo, which was subsequently renamed Ramses Square.
Deemed an unsuitable location, it was moved in 2006 to a temporary location in Giza, where it is currently undergoing restoration.
It is due to be exhibited at the entrance of the Grand Egyptian Museum, scheduled to open in 2015.
A replica of the statues stands in the suburb of Heliopolis, in Cairo. 
The Egyptian Museum of Berlin () is home to one of the world's most important collections of Ancient Egyptian artifacts.
The collection is part of the Neues Museum. 
His tomb lies close to Khufu's pyramid, and contains reliefs of his image.
Some stones of his mastaba are marked with dates referring to Khufu's reign.
His statue can be found at the Pelizaeus Museum, Hildesheim, Germany.
This statue is scheduled to be loaned for the opening of the Grand Egyptian Museum in 2015.
The extremely well-preserved seated statue is notable for its unusual realism, with Hemiunu's features only lightly stylised, and clearly based on his actual appearance.
His unidealised body is frankly shown as flabby, with a notable accumulation of fat in the pectoral region.
This contrasts with the more usual virile representation of male subjects in royal portraiture in this and most succeeding periods of Ancient Egyptian art.