Question: Who  enters a pool of water next to him and in the end of the video, he gets out of the water, rises on his feet and looks up at the camera as it zooms out overhead?
About the article "Chasing Cars", section "Music video".

Candidate passages:
There are two music videos: one for UK, one for the US.
In the music video for UK, Gary Lightbody lies on open ground as cameras film him from different angles.
It starts raining, splashing his face and hands.
Gary enters a pool of water next to him and in the end of the video, he gets out of the water, rises on his feet and looks up at the camera as it zooms out overhead.
In the US music video, Lightbody is shown lying down in busy places while singing.
People ignore him and step over him.
Among the places he lies are a diner, an intersection, at the top of an escalator, in a subway car, at the top of a hill overlooking a highway, and at the end on a bed.
The cartoon begins with Wile E. Coyote chasing the Road Runner.
Road Runner zooms off, and Wile stops.
He looks up at the sun, and Road Runner enters and does the same.
After a shot of the hot sun, the Road Runner zooms offscreen again.
The Coyote sees Road Runner in an oasis and jumps in.
The oasis turns out to be a mirage, and Wile falls between two cliffs.
After landing, he sees another oasis, but he thinks that this one is a mirage as well.
It turns out that that oasis was real, as Wile falls in.
As he sinks, Wile holds up one hand as he counts to three as he drowns before the screen fades.1.
Wile paints a TNT stick to look like a glass of lemonade.
He puts a straw and a lemon slice in it as well.
Road Runner approaches and drinks the "lemonade".
Wile E. presses on the detonator, but nothing happens.
Wile takes the "lemonade" and starts to drink it when it explodes!2.
We see a sign that says "FREE BIRD BATH".
The camera zooms out to show Wile E. setting up the birdbath.
Road Runner approaches, and we see Wile on a diving board attached to a rock above the birdbath.
Road Runner reads the sign and jumps into the birdbath.
Wile jumps off the diving board, hoping to catch the Road Runner.
Road Runner jumps out of the birdbath, and Wile gets stuck in it.
After this, Wile falls off a cliff.
While falling, he gets out of the birdbath, which ends up landing on him.3.
Wile sees an emergency fire hose, which he tries to use to get a drink.
He hardly gets any water from it at first, but the Road Runner turns it on maximum.
The hose gets out of control, sending the Coyote flying!
He sticks his finger in the nozzle, but it gets stuck.
The water coming out of the hose gets it unstuck, and sends him falling off a cliff.4.
Finally, we see Wile setting up a "DETOUR" sign pointing to a tunnel with a cannon at the end.
He hears the Road Runner approaching, and enters the tunnel.
Road Runner enters the tunnel, and Wile sees him.
He fires the cannon, and the cannonball misses Road Runner and hits a rope which sends the cannonball back through the tunnel.
Wile enters the tunnel to see what happened, and he (possibly) ends up swallowing the cannonball.
He enters the cannon, and Road Runner fires it.
Wile E. goes through the tunnel, hits the rope, goes back through the tunnel and into the cannon, which Road Runner fires again.
Fade out. 
The music video was filmed in June 2001 at an airplane hangar at Los Angeles International Airport and at a Lifehouse show in London.
It was directed by Marcos Siega, who is most notable for his work with Blink-182 and Papa Roach.
In an interview with MTV, Wade talked about the idea behind the music video and said, "This is the closest we'll probably ever come to being in a Tim Burton fantasy world.
It was done in a real 'Jack and the Beanstalk' style.
And Marcos used some camera tricks that make it look amazing.
From far away, the stage set looked normal, but when you get closer you get smaller and it gets huge.
We were being filmed in front of this bookcase that was like 150 feet high.
It's a real visual trip."
It premiered on VH1.com on June 27, 2001.
It begins with a shot of Wade's face and the guitar introduction.
He then sings the first line of lyrics, which is followed by a transition to a boy lying on a bed.
As the video switches between Wade and the boy, it zooms on the bed frame and opens into another area.
The boy is then seen walking around the new area looking around until he goes up nearby stairs.
While going up the stairs, the video switches between shots of the boy going up the stairs and Wade singing the lyrics.
Once up the stairs, the boy looks around and then walks into a bright light that he sees nearby.
He walks through the bright archway into a dark room as the video switches to Lifehouse playing the song.
After this, it switches to the boy as he looks up and the camera zooms out to reveal that he is in a giant maze.
He then walks back where he came from to find that he is in a house with Lifehouse playing on the television.
He then jumps off a window sill and appears tiny as he walks up to a book that is bigger than him.
It then transitions to Lifehouse playing the song as the boy gets up on a chair which slowly transcends into his original bed.
The video then zooms out on the boy lying on his bed and then switches to the band.
It ends with the boy walking into darkness and Wade's face looking on the floor. 
The Kroffts obtained the services of a professional pool company, and the pool arrived in sections that were bolted together and sealed.
They had to get clearance from the City of Los Angeles that the substructure of sound stage would hold it up, and because the water weight distributed itself evenly over the floor the pounds per inch was given approval.
The swimming pool was forty-five feet long, twenty-five feet across, and sixty-eight inches deep, and was constructed on Stage 2 at KTLA in Hollywood above the floor.
It contained 47,756 gallons of water complemented by spiral staircases, psychedelic lights, steep water slides, rushing water jets, and overhead runways.
Seven porthole windows along the sides of the tank and underwater cameras allowed crew members to film the swimmers performing “aquabatics.” The production crew ended up having to put Sparkletts bottled water in the pool and install a recycling pump station outside the sound stage.
Finally, an overhead camera was installed to film the pool from above as the swimmers formed kaleidoscopic shapes in the water.
Both the swimmers and stage crew faced many challenges with the swimming pool during production.
Because the pool was located next door to the ice rink for Donny & Marie on Stage 1, the Krofftettes entered exited the water in frigid air temperatures while rehearsing for the pilot episode.
This caused steam to rise out of the water.
Attempts to equalize the temperature of both the water and air then turned the pool into a warm bath.
Because the pool had no indentures along the sides or ladders, the swimmers were forced to tread water for lengthy periods of time.
Unlike traditional synchronized swimming, the Krofftettes were expected to sit on the bottom of the pool floor in various formations.
In order to accomplish this, the women had to completely exhale all of their breath so that they would sink in a state of hypoxia.
The ABC network would not allow the use of goggles and any unsightly air bubble escaping from a desperate nostril was absolutely forbidden.
Because the Krofftettes had double duty as dancers on stage with the Bradys during the day, swimming sequences were often relegated to late night hours.
This required the women to work more than 15 consecutive hours on days they were filming.
Other hazards with the swimming pool included props weighed to the bottom which presented unwelcome obstructions.
In addition, the Kroffts decided in one production number to have gas canisters in the pool which they ignited during filming as a special effect.
The Krofftettes were also forced to smear Vaseline into their scalp so that everything would stay in place while under water.
This could only be removed with a recipe of Spic and Span along with Joy dishwashing liquid which turned everyone’s hair green.
Turbans and other head pieces were then used for the remainder of the series.
At one point, Sid Krofft wanted to put dolphins in the pool with the Krofftettes.
When he was informed that they would die in chlorinated water, Sid is credited with replying, “Well, "how long would they live"?”The Krofftettes were the first water ballet troupe to be filmed on video tape, which presented its own set of challenges.
The Kroffts experimented with an under water camera but relied more on large porthole windows in which cameras taped from outside of the pool itself.
Cast, crew, and visitors alike were known to visit the stage and observe the young women during rehearsals through these windows, which included Chevy Chase and Paul Shaffer who were working at KTLA on a television special.
Shaffer noted in his autobiography, "We'll Be Here For the Rest of Our Lives", that Chase would cut production meetings short so that everyone could go watch the Krofftettes perform. 
The music video for "서커스" ("Circus") features rapper Park Jang Geun and two young boys who performed with MC Mong during most of his performances for "서커스" ("Circus").
In the beginning of the music video, Noh Hong-cheol makes a cameo appearance as a master of ceremonies (MC) and introduces MC Mong.
Behind the curtains, MC Mong is nervously waiting in a waiting room for a circus show.
Next, rappers Inati, Dayday and Dari of Dalmatian (pre-debut) come out of a silver car and enter into the waiting room with a surprise.
MC Mong gets up from the chair and allows them to sit while he stands.
Next, MC Mong leaves the waiting room where he starts singing on stage for his first broadcast.
In the waiting room, Dalmatian's rapping line starts pointing and laughing at MC Mong.
After that, MC Mong is seen with a bouquet of flowers with many paparazzi taking pictures of him for winning the popularity award.
After becoming popular, the next scene shows MC Mong and a girl being caught in a car by the paparazzi.
He then holds a press conference to explain the situation.
Next, he becomes famous and re-enters the same waiting room in the beginning of the scene where he "shoos" off the three members of Dalmatian and sits in their place.
Noh Hong-cheol re-appears at the end saying "Did it bring you tears".
As the camera zooms out, MC Mong stares into the TV that Noh Hong-cheol was in with a straight face.
Lastly, he turns off the television set, which ends with his stage name and the name of the track ("Circus") in bright, lively colors.