Question: Who felt that Criminal Minds had confusing characters?
About the article "Criminal Minds", section "Critical reception".

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Critical reception.
The premiere episode was met with mixed reviews, receiving a score of 42 out of 100 on aggregate review site Metacritic, indicating "mixed or average" reviews.
Dorothy Rabinowitz said, in her review for the "Wall Street Journal", that "From the evidence of the first few episodes, "Criminal Minds" may be a hit, and deservedly" and gave particular praise to both Matthew Gray Gubler and Mandy Patinkin's performance.
"The New York Times" was less than positive, saying "The problem with "Criminal Minds" is its many confusing maladies, applied to too many characters" and felt that "as a result, the cast seems like a spilled trunk of broken toys, with which the audience - and perhaps the creators - may quickly become bored.
""The Chicago Tribune" reviewer, Sid Smith, felt that the show "May well be worth a look" though he too criticized the "confusing plots and characters.
""PopMatters" panned the show, saying the show "confuses critical thinking with supernatural abilities" and criticized the "stereotypical characters".
The "Los Angeles Times" gave a similar review.
However, both reviewers praised Patinkin and Gubler's performances.
This is a list of characters in the television series "Criminal Minds", an American police procedural drama that premiered September 22, 2005, on CBS and that is also shown on A&E in the United States.
"Criminal Minds" consists of nine seasons and 205 episodes as of March 19, 2014. 
In the 1980s, editors at DC Comics felt that its characters and their history had become convoluted and confusing to casual readers.
In 1985, DC published "Crisis on Infinite Earths", which rewrote the history of the DC Universe.
DC had been planning to revamp Superman for some time, and "Crisis" gave the company the freedom to reset the character from the very beginning. 
The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it.
Written by Mark James in 1968, who was also co-writer of "Always on My Mind" (which Presley would later record), the song first was recorded and released by James on Scepter Records in 1968.
Chips Moman had asked James to come to Memphis to write songs for American Sound Studio.
At the time, James was residing in Houston.
James had written three songs that became number one hits in the Southern United States.
American Sound Studio was gaining a reputation in the industry as the Box Tops had just recorded "The Letter" there so James relocated to Memphis.
James said that late one night, he was fooling around on his Fender guitar and using his Hammond organ pedals for a bass line and came up with what he thought was a catchy melody.
James at the time was married to his first wife, but still had feelings for his childhood sweetheart, who was married back in Houston.
James's wife has suspicions of his feelings.
James felt it was a confusing time for him and that all three were caught in this trap that they could not walk out of.
At the recording session, James sang the lead vocals, and the studio band backed him with Momam producing.
The horns, strings and vocals of the Holladay Sisters were later overdubbed.
After the tape was mixed, James and Chips flew to New York, where James's manager had contacts with Scepter Records.
The label loved the song and put it out, but Scepter did not have the money to promote new artists, and the song did not make the charts.
Later that year, Don Cruise, Moman's partner, told James that Elvis had booked their studio to record what would become the "From Elvis in Memphis" album.
Cruise kept asking James if he had any songs that would be right for Elvis.
James felt Elvis needed a mature rock 'n' roll song to bring him back as Tom Jones was a hot artist at the time.
Cruise and James thought of "Suspicious Minds" and James began urging others to get Elvis to hear it.
Even though James's recording initially had not been commercially successful, Elvis decided he could turn it into a hit on reviewing the song. 
Carlo Santos, writing for Anime News Network, enjoyed the writing and "passion" that Thompson brought to the work, and the diversity of the characters.
Melinda Beasi felt the characters, while over-the-top, were "grounded in just enough reality to ring true".
Joanna Draper Carlson compared the graphic novel with "Penny Arcade" and found the “zany adventure” plot "didn't work for ".
Carlson felt that there was too much tone being used in the art and that the layout was confusing.
Michael Lorah felt that if he was a fan of RPGs, he would understand the book better, but enjoyed the "enthusiasm" of the work.
He found the art confusing, especially when characters are reacting with extreme emotion.
Nick Smith, writing for ICv2, felt the lead character exhibited signs of "multiple personality disorder" due to his roleplaying.
Smith also found it "isn't always funny" when "relatively innocent individuals" are hurt as part of the story.