Question: Which album did the Beatles record the year before Let It Be?
About the article "Let It Be", section "Conflicts".

Candidate passages:
Let It Be is an album by The Beatles.
Let It Be may also refer to:In uses related to The Beatles: "Let It Be" (song), the title song of the Beatles album *"Let It Be" (Ferry Aid song), a cover version of the Beatles song "Let It Be... Naked", an alternative version of the Beatles album "Let It Be" (1970 film), a 1970 documentary film about the Beatles album "Let It Be" (Laibach album), a cover of the Beatles album "Let It Be" (musical), a West End musical using Beatles songs In other uses: "Let It Be" (Green Jellö album) "Let It Be" (The Replacements album) "Let It Be", a song by Benny Benassi from "Hypnotica" "Let It Be" (2004 film), a Taiwanese documentary "Let It Be" ("Grey's Anatomy"), an episode of the TV series "Grey's Anatomy" "Let It Be", an episode of the TV series "Instant Star"  
Por Siempre Beatles is a compilation album by The Beatles released originally in Argentina in 1971 (EMI-Odeon LDS 2200), and in Spain one year later (1972 – EMI/Odeon J060-04973).
It collects various songs from 1965–1970 which did not make a British studio album.
The album is the never-published compilation LP called "Beatles' Celebration", which had been planned (and also Odeon gone so far as to publicise it) in 1968, but the whole project was aborted due to not receiving the authorisation from Parlophone.
That was precisely a condition imposed by the Beatles themselves at the time of renegotiating their contract in 1967: They were not ready to allow that any EMI branch kept on editing compilations when and how they wanted.
The order and the selection of songs for this first version was slightly different from the one featured on the later released "Forever" album.
The album, whose title translates, "Forever Beatles" or "Beatles Forever", is best remembered for the inclusion of two b-sides, "The Inner Light", which was the b-side to "Lady Madonna," and "I'm Down," the b-side to "Help!
", neither of which were available on American or British Beatles albums until the late 1970s.
Both "The Inner Light" and "I'm Down", along with "You Know My Name (Look Up the Number)" (the b-side to "Let It Be") represented the only Beatles songs not to appear on an American Beatles album in the sixties or early seventies.
Because of the inclusion of "I'm Down" and the George Harrison composition, "The Inner Light," "Por Siempre Beatles" was, for much of the seventies, a highly-sought album among Beatles collectors.
With the placement of "I'm Down" on the 1976 compilation album, "Rock 'n' Roll Music" and the inclusion of "The Inner Light" on "Rarities" (which was first included in the 1978 boxed set, "The Beatles Collection", and then released as a separate British album in 1979), interest in "Por Siempre Beatles" waned among collectors.
"You Know My Name (Look Up the Number)", was also included on "Rarities".
None of the twelve tracks on "Por Siempre Beatles" appear on an official British studio Beatles album, although "Day Tripper" and "We Can Work It Out" are included on the 1966 British compilation album, "A Collection of Beatles Oldies", while "The Fool on the Hill", "Strawberry Fields Forever", "Your Mother Should Know", "Penny Lane", "Baby, You're a Rich Man", and "Blue Jay Way" appear on the American "Magical Mystery Tour" album, which was widely available as an import in Great Britain prior to its release in the UK in 1976.
"I Call Your Name" and "Yes It Is" were only released on American albums in the sixties ("The Beatles' Second Album" and "Beatles VI" respectively.
)The album inspired the band Chirigotas de Cadiz to perform a cover of the Beatles rarity "I Call Your Name" in their act, "Los Beatles de Cadiz."
Let It Stink is an EP by the band of the Death Breath.
The EP's title and album cover are a reference to The Beatles album "Let It Be". 
Album format and covers.
Prior to The Beatles' influence, record albums were of secondary consideration to singles ("45s") in mass marketing, generally devised to contain "filler" material along with one or two hits.
As their career proceeded, however, The Beatles began to increasingly focus on the album as an artistic medium in its own right.
In general the Beatles did not include their singles on their albums.
Several Beatles album covers have been copied or parodied, for example:  All of the band's album covers were spoofed by the parody band The Rutles in their 1978 mockumentary "All You Need Is Cash".
"With The Beatles" was defaced by "Meet The Residents" (The Residents) and more or less loosely imitated by "Get The Knack" (The Knack), "Meet The Smithereens!"
(The Smithereens), Young Black Teenagers self-titled debut album, Kiss's self-titled debut album, and "Deface the Music" (Utopia) – itself an album of pastiches spanning The Beatles' career.
As well, the Japanese anime soundtrack "Meet the Tenchi Muyo!"
parodies the cover, though no Beatles songs are used.
The artwork of the 1986 Genesis single Land of Confusion, is a parody of the original Beatles cover, with puppet versions of the members of Genesis.
"A Hard Day's Night" was imitated by "House of Heroes Meets The Beatles" (House of Heroes).
"Sgt.
Pepper's Lonely Hearts Club Band" was imitated by "The Yellow Album" (The Simpsons), "We're Only in It for the Money" (Frank Zappa and the Mothers of Invention), "Cripple Crow" (Devendra Banhart), "Sinister Slaughter" (Macabre), "Electric Circus" (Common), and "Let's Eat" (The Wiggles)  "Abbey Road" was imitated by "The Abbey Road E.P."
(Red Hot Chili Peppers), and the soul act ' New York City' did the same thing with their 1974 album "Soulful Road".
The cover of the Booker T. and the MGs album, "McLemore Avenue" is an homage to Abbey Road.
"Let It Be" was imitated by "Demon Days" (Gorillaz), and "Shout at the Devil" (Mötley Crüe).
* The title of "Let It Be" is similar to that of "Let It Bleed" by the Rolling Stones, which was released six months before, but had begun recording just nine months after.  
Following the death of Epstein in August 1967, there was a vacuum in the management of The Beatles' affairs.
The Beatles asked Aspinall to take over the management of Apple Corps in 1968, which had been founded in April of the same year.
Aspinall later said that he only accepted the position after being asked, but did not want to do it full-time, and would only do it "until they found somebody else."
George Martin (The Beatles' record producer) was against the idea, as he thought that Aspinall did not have the necessary social qualifications to be able to speak to the upper-class executives at EMI.
Aspinall accompanied McCartney and Lennon to New York on 11 May 1968, to announce the formation of Apple to the American Media.
Apple Corps had five divisions: electronics, film, publishing, records, and retailing.
Aspinall later spoke of The Beatles' business arrangements:Derek Taylor (Apple's press officer) said that Aspinall hated being stuck in the Apple office (at 3 Savile Row) all through the recording of "The White Album" and "Let It Be" album.
Life in the Apple office, however, was improved by having a chef and various assistants at hand: "The liquor bill was £600 per month and the food bill was close to that."
This was mostly due to Aspinall's and Peter Brown's four-course lunches with expensive wines in the dining room at Apple.
After Allen Klein was brought in to be The Beatles' manager Aspinall was dismissed, but reinstated after complaints from the group, and because Klein realised that Aspinall was no threat to his control of the company.
Klein lost a High Court action in 1971 (started by McCartney) but lawsuits between Klein and Apple kept Aspinall busy until 1977.