Question: What was the viewership of second, third, fourth, and fifth episodes of the show Once Upon A Time?
About the article "Once Upon a Time (TV series)", section "Ratings".

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The following is a table of seasonal U.S. rankings (based on total viewers per episode including reruns) of "Fringe" on Fox.
"Fringe" premiered in the 2008 United States television season at a regular timeslot of 9:00 pm Eastern on Tuesdays.
During Season 1, "Fringe" was part of a Fox initiative known as "Remote-Free TV".
Episodes of "Fringe" were longer than standard dramas on current network television.
The show ran with half the commercials, adding about six minutes to the show's runtime.
When the show went to a commercial, a short bumper aired informing the viewer of roughly how much time commercials would consume before the program resumed.
The pilot episode was leaked via BitTorrent, three months before the series premiere; similar to leaked fellow Fox series "".
The series was renewed for a second season on May 4, 2009, and moved to 9:00 pm on Thursday.
It was renewed for a third season on March 6, 2010.
As part of a reorganization of its 2010 midseason line up to capture more market for "American Idol", the Fox network shifted "Fringe" to 9:00 pm on Fridays.
This timeslot, commonly considered the "Friday night death slot" for several previous Fox shows due to cancellation shortly following the move to that slot, left critics considering the show's fate.
While "The X-Files" originally premiered during this slot and would continue to be a highly successful series, critics were unsure if "Fringe" could duplicate this performance.
In this slot, the show competed with "Supernatural", a series that attracts similar types of viewers.
Fox's Entertainment President Kevin Reilly, in response to these concerns, stated that 45% of "Fringe"s viewership is from time shifting recording through digital video receivers, and does not expect the viewership numbers to change significantly with the change to Friday.
Reilly further postulated that "If it does anywhere near what it did on Thursdays, we can glue that show to the schedule because it can be a big win for us".
Further promoted by the critical reaction to the rescheduling, the Fox network created a self-deprecating promotional advertisement acknowledging the reputation of the time slot, including quotes from other media outlets concerned about the move, but asserted that the move would "re-animate" the show.
The network also created a music video, set to "Echoes" by the band Klaxons as a means of summarizing the third season to date prior to the first Friday broadcast.
Joshua Jackson, who plays Peter Bishop on the show, cautioned that time-shifted viewership may not be enough to save the show: "It's not that not enough people are watching "Fringe", it's that not enough people are watching "Fringe" during the hour that it's on the air, which is key for the network."
Producers Pickner and Wyman also were excited about the move to Fridays, considering the slot as "open territory that can be conquered" and that they "can actually deliver like "The X-Files" did".
Series creator Abrams was less optimistic of the move to Friday nights, aware that the show's likelihood to be renewed for a fourth season would be highly dependent on the number of niche viewers that continue to watch the show.
Abrams did affirm that moving to Friday nights allows them to take more creative freedoms to maintain viewership in the new timeslot, but feels that if the show was not renewed for another season, they would be "hard pressed" to resolve the story by the end of the third season.
The show's first episode at the Friday 9:00 pm timeslot ("The Firefly") scored a 1.9 in the key 18–49 demographic which was an increase of 12% over its last Thursday-aired episode ("Marionette") which scored a 1.7, and maintained similar numbers in the second week for "Reciprocity".
Though viewership slipped in further weeks, the show was renewed for a fourth season in March 2011.
The move was unexpected based on these ratings, given the past performance of shows with similar viewership numbers in the Friday night slot, but several critics attribute it to the strong fanbase that the show has garnered, which contributes in part to consistently higher time-shifted viewership.
Fox's Reilly stated that:Reilly further added that the renewal was also prompted by the high risk of trying to replace "Fringe" with another show with unknown viewership metrics; he commented that they "have a far better shot of sticking with a show that has an audience that think [they can grow".
Prior to the onset of the fourth season, Reilly reiterated that they do not expect any significant growth in "Fringe"s viewership within that season: "It’s a pretty complex show.
If "Fringe" can do exactly what "Fringe" did last year, we’re going to be very happy.
They’re right in the pocket creatively once again."
Wyman stated in an interview with the "Hollywood Reporter" that the Fox network had been "supportive throughout this process", and though the show's viewership "wasn't exactly what they would've hoped for", aspects such as a loyal fan base and supportive critics were enough to take the show forward for another season.
Pinkner commented that "there were no creative conditions" on the show's renewal, nor any cuts in the show's budget, though was unsure if the show will be moved to a different time slot.
Noble, at the 2011 Comic-Con "Fringe" panel, reiterated that the fans were responsible for the livelihood of the show, stated, "Seriously, without your efforts, your rabid support, we wouldn’t be here right now.
You are the best fans that ever existed".
The fourth season premiered on September 23, 2011.
Before the renewal of the fifth season, Abrams stated some skepticism for a renewal opportunity, but hoped that if it was cancelled, that it may be picked up by another network.
On the other hand, Abrams considered that if Fox did pick up the show for a fifth season, "the next year would be the great ending for the show".
Similarly, Fox's Reilly remained cautious about a renewal, noting that while the show is one of the top shows in the Friday night slot, "it's an expensive show.
We lose a lot of money on the show."
Reilly further reiterated the dedication of the fans of the show for helping it to its fourth season and continued success.
When asked about whether the writers would have enough notice to write the fourth season finale as a series finale if necessary, Reilly stated, "That's a Peter Roth issue" (chief executive of Warner Bros. Television).
To which Roth responded, "We have no plans to give viewers closure this season because we expect the series to continue".
In late January 2012, Fox and Warner Bros. Television were working on negotiating a lower licensing cost for the show to allow a fifth season to occur; this would not only help Fox reduce its losses on the show, but would also bring the total number of episodes above 100, giving Warner Bros. a better opportunity to syndicate reruns of the show.
Before the announcement of the fifth season, Wyman and Pinkner stated that they would have created a series finale for the end of the fourth season should the show be cancelled; Wyman stated "We want to take care of the fans.
We want them to see where it would have gone, but we also know the show has been a commitment and we want everyone to be satisfied with it.
"The show was officially renewed for a fifth and final season for the 2012–2013 television season, consisting of a shortened set of 13 episodes, on April 26, 2012, with its premiere on September 28, 2012.
Reilly, in announcing the renewal, stated that ""Fringe" is a remarkably creative series that has set the bar as one of television's most imaginative dramas.
Bringing it back for a final 13 allows us to provide the climactic conclusion that its passionate and loyal fans deserve".
The writing team crafted an idea for a cohesive story-driven set of thirteen episodes as a means to complete the series, and to "honor the audience that had served us so well was to say a proper farewell", according to Roth.
Noble called it "the season for the fans", with the story revisiting many of the elements from the show's past. 
 "Kath & Kim" premiered on 15 May 2002 and became one of ABC's highest rated shows.
When the show premiered on the Seven Network, it became the highest rating episode in Australian television history, until the record was broken by Nine Network's on 9 February 2009.
The fourth series of "Kath & Kim" debuted with a record breaking 2.511 million viewers peaking at 2.731 million.
In its second and third episodes viewers fell to 1.994 & 1.817 million respectively, however viewers then rebounded for its fourth and fifth episodes with ratings of 2.047 & 2.157 million respectively.
Strong ratings continued with viewers of 2.049 and 2.066 million for the sixth and seventh episodes.
The eighth episode and series finale rated 2.338 million giving the fourth series an average viewership of 2.122 million, making it the highest rating series in Australia for 2007 and the highest rating of all four series of the show.
Channel Seven have since started showing repeats of the show from series one onwards which had previously only aired on the ABC network.
The repeats have proved quite successful, rating 1.465 and 1.530 so far, winning in a very competitive timeslot and being amongst the highest rating shows of the week. 
The season premiere for the fifth season of "American Dad!"
received 6.89 million viewers upon its initial airing, the second highest viewed episode of the season.
The total viewership for the episode significantly increased from the fourth season premiere, which was viewed by 6.07 million viewers upon its original airing.
In the weeks following "1600 Candles", the total viewership ratings hovered right under 7 million.
The fourth episode of the season, "Choosy Wives Choose Smith", garnered the highest ratings of the season, having been watched by 7.09 million viewers.
This would be the highest rated "American Dad!"
episode since the season four episode "Tearjerker", as this episode received 8.62 million viewers upon its initial airing.
The ninth episode of the season, "Stan Time", gained the lowest amount of viewers of the season with 4.60 million viewers.
The average total viewership for the season per episode was 5.5 million viewers, and the season average for ratings in the 18–49 demographic per episode was a 2.9 rating.
The average rating increased by 20% from the previous season.
However, the average total viewership would decrease by 16% from the previous season.
Reviews for the episodes, as well as the season as a whole, were met with mixed reception from critics.
In his review for the season, Hunter Daniels of "Collider" gave it a mixed review.
He opined: ""American Dad" is not a great show.
However, it's pretty funny on occasion.
This set is about on par with the other seasons and might well be worth a purchase for hardcore fans and completeists.
If you think you will like it, you will.
If you're on the fence [...] it's probably only a rental."
R.L.
Shaffer of IGN said that ""American Dad" comes from the weird and wicked mind of Seth MacFarlane, who brought us the irreverent and often puerile powerhouse "Family Guy" [...], and like the show"American Dad" offers a supreme dose of silly mockery that's occasionally offensive [... and outrageously wacky through-and-through."
However, he criticized the show for having similar problem that he thought existed in "Family Guy".
Shaffer opined: ""American Dad" suffers from many of the same problems as "Family Guy".
The show quite often stumbles into territory it's simply not mature enough to handle.
And because the show already plays like "Family Guy" 2.0, the characters and settings aren't quite original enough to keep the material fresh."
He gave the release a 6 out of 10, signifying a "passable" score.
Kevin Stanley of "Cinema.com" gave the season a very positive review, writing, "Overall "American Dad" is consistently funny and amusing, it's certainly in my opinion, currently the best animated comedy and has been for some time.
It is literally laugh-a-minute stuff, which can't be said for all TV shows, even the one's that do bill themselves as comedy.
The moments of perfect pitch-black humour, that pop up every so often, are worth the cost of the boxset alone."
From the selection of season four episode of the Volume Four DVD box set, he called "1600 Candles" and "The One That Got Away" as the highlights.
Steve Heisler of "The A.V.
Club" generally reacted positively to the majority of "American Dad!"
episodes of the fifth season.
He gave the highest grades to the episodes "Delorean Story-an" and "Choosy Wives Choose Smith", which was an 'A'.  
Ratings and broadcasts.
The series premiere received 16.13 million viewers and a 6.3 rating in the 18–49 demo against "s 18.17 million and 6.6 rating.
"Medium" was a consistent performer throughout its first season and landed in the Nielsen Top 20 with an average of 13.9 million viewers.
The series remained in its original time slot for the second season when the network announced its Fall 2005 schedule.
Throughout the season, the series experienced a decline in viewership, pulling an average of 11 million viewers.
"Medium" was renewed for a third season in April 2006, but was missing from NBC's Fall 2006 schedule.
The series was slated to return in early 2007; however, in October it was announced that production would resume immediately for a third season start-up on November 15, 2006, replacing the time slot vacated by "Kidnapped".
Its move to the Wednesday time slot opposite CBS' ' and ABC's "Lost" led to some ratings erosion, in comparison to the ratings success of the first two seasons, with year-end ratings for the third season dipping into single-digit millions of viewers.
Despite the ratings decline on Wednesdays, the series was seen by the network as a reliable self-starter, building on its then lead-in "Crossing Jordan".
The ratings decline put the series on the bubble for renewal, but the series showed signs of life when NBC requested six additional scripts in April 2007.
Renewal for a fourth season of "Medium" was announced on May 7, 2007, with an undetermined premiere date and number of episodes.
It was the seventh series to be renewed by the network, behind solid performers "Heroes" and "".
One week later, the network announced that "Medium" would move to the Sunday 9 p.m. time slot upon its return in January 2008.
News on the series' return did not come until December 2007 when NBC announced that the fourth season would begin in January in its original Monday 10 p.m. time slot, despite the WGA Strike of 2007, which forced the show to cease production, allowing for only nine segments/episodes to be filmed.
Scheduling returning mid-season shows in timeslots where they were previously successful was a pattern for NBC during the strike: "Law & Order" returned to Wednesdays at 10 and "The Apprentice" was back on Thursdays at 9:00 p.m. With the ratings improvement "Medium" demonstrated in its fourth season after returning to Mondays, it was one of the first series to be renewed in an early announcement in April 2008 from NBC regarding its 2008–09 season.
Similar to the previous season, "Medium" was initially scheduled to move to the Sunday night line-up; however, a December 2008 press release revealed that the fifth season would air in the series' original Monday night 10 p.m. time slot.
After some ratings erosion during its fifth season, NBC renewed "Medium" for an abridged sixth season in early May 2009.
However, within a week negotiations stalled over episode count and subsequently NBC decided not to renew the series despite the fact that it outperformed some of the network's renewed shows.
Within 24 hours of NBC's cancellation, CBS, whose production arm produces the series, renewed the show for a full, 22-episode, sixth season, placing it in the Friday at 9:00 p.m. slot between fellow CBS in-house productions "Ghost Whisperer" (which had a similar theme to "Medium") and "Numb3rs".
CBS first aired this series with a rerun episode on July 21, 2009.
The sixth season premiered on Friday, September 25, 2009 at 9pm.
Throughout its sixth season, "Medium" and its lead-in "Ghost Whisperer" won their respective time slots on most Fridays, and each show took turns being the most-watched show of the night.
As the season drew to a close, "Ghost Whisperer" was considered a definite renewal, whereas "Medium" was once again on the bubble for renewal.
However, in a dramatic move from CBS, the network announced on May 18, 2010, that "Medium" was renewed for a seventh season, while seven other series, including "Ghost Whisperer", were canceled by the network.
TVbytheNumbers.com speculated that the decision was made because "Medium" is fully owned by CBS, while "Ghost Whisperer" was split between CBS and ABC.
Upon its return in September 2010, "Medium" took over the Friday 8 p.m. slot vacated by "Ghost Whisperer".
On October 26, 2010, CBS ordered the seventh and final season cut from 22 to 13 episodes.
On November 15, 2010, Arquette told "Entertainment Weekly" that the show "got canceled" and had only two more episodes to shoot.
She also said the writers were excited that they would be able to end the show properly.
On November 18, series creator Glenn Gordon Caron posted to both the "Medium" Facebook page and the CBS forums, stating that the show had been canceled and that the series finale would be broadcast on January 21, 2011.
CBS confirmed the cancellation with a press release on December 21, 2010, which also confirmed the series finale date of January 21. 
The first series of Undercover Boss was broadcast in 2009 and consisted of two episodes.
A second series was commissioned and was aired in 2010 featuring seven episodes, six with new companies and a return visit to the business where it all started to see what impact the show had in the longer term.
A third series of six episodes aired in 2011, with a fourth series following in 2012.