Question: Did Marlon Brando provide voice work for the game?
About the article "The Godfather", section "Video game".

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The filmography of Marlon Brando: 
The video game company Electronic Arts released a video game adaptation of "The Godfather" on March 21, 2006.
The player assumes the role of a "soldier" in the Corleone family.
Prior to his death, Marlon Brando provided some voice work for Vito, which was eventually deemed unusable and was dubbed over by a Brando impersonator.
Francis Ford Coppola said in April 2005 that he was not informed of Paramount's decision to allow the game to be made and he did not approve of it.
Al Pacino also did not participate, and his likeness was replaced with a different depiction of Michael Corleone. 
In March 2006, a video game version of "The Godfather" was released by Electronic Arts.
Before his death, Marlon Brando provided voice work for Vito; however, owing to poor sound quality from Brando's failing health, only parts of the recordings could be used.
A sound-alike's voice had to be used in the "missing parts".
James Caan, Robert Duvall, and Abe Vigoda lent their voices and likenesses as well, and several other "Godfather" cast members had their likeness in the game.
However, Al Pacino's likeness and voice (Michael Corleone) was not in the game as Al Pacino sold his likeness and voice exclusively for use in the "" video game.
Francis Ford Coppola said in April 2005 that he was not informed and did not approve of Paramount allowing the game's production, and openly criticized the move.
 Marlon Aguirre Marlon Alex James Marlon Anderson Marlon Asher Marlon Ayoví Marlon Barnes Marlon Beresford Marlon Black Marlon, Mário Brandão da Silveira Marlon Brando (1924–2004), American actor Marlon Brando Sr. Marlon Broomes Marlon Byrd KMC (musician) Marlon Devonish Marlon Dingle Marlon Farias Marlon Fernández, Cuban salsa singer, winner of the third season of Objetivo Fama Marlon Fletcher Marlon Green (1929–2009), American pilot Marlon Harewood Marlon Jackson, American singer Marlon Jordan Marlon King (born 1980), Jamaican footballer Marlon Kittel Marlon Knauer, German singer, identified for professional purposes only as "Marlon" Marlon Guillermo Lara Orellana Marlon Legere Marlon Magtira Marlon Manalo Marlon Maxey Marlon McCree Marlon Miguel Marlon Patersson Marlon Piedrahita Marlon Riggs Marlon Rojas Marlon Samuels Marlon Saunders, American singer, songwriter, record producer Marlon Ventura Rodrigues Marlon Vonhagt Marlon Wayans, American actor and writer  
Brando's first six films – "The Men", "A Streetcar Named Desire", "Viva Zapata!
", "Julius Caesar", "The Wild One" and "On the Waterfront" – laid a foundation of authenticity and influence that would sustain him throughout his career and establish a new standard that other actors—and Brando himself—would have difficulty attaining.
As the decade continued, Brando remained a top box office draw but some critics felt his performances lacked the intensity and commitment found in his earlier work, especially with Kazan.
He portrayed Napoleon in the 1954 film "Désirée".
According to co-star Jean Simmons, Brando's contract forced him to star in the movie.
He did not approve of the script, consequently putting little effort into the role and later dismissing the entire movie as "superficial and dismal" and admitted to being astonished by the great success it turned out to be.
Brando was especially contemptuous of director Henry Kostner and, according to the book "Somebody: The Reckless Life and Remarkable Career of Marlon Brando", the actor "made a policy of forgetting his lines or reciting them with a nasal pseudo-British intonation and creating havoc between takes, passing around a football, squirting extras with a fire hose, and mocking the Anglo-Indian intonations of his costar Merle Oberon.
"Brando and Simmons were paired together again in the MGM film adaptation of the musical "Guys and Dolls" (1955).
"Guys and Dolls" would be Brando's first and last musical role.
"Time" found the picture "false to the original in its feeling", remarking that Brando "sings in a faraway tenor that sometimes tends to be flat."
Appearing in Edward Murrow's "Person to Person" interview in early 1955, he admitted to having problems with his singing voice, which he called "pretty terrible."
In the 1965 documentary "Meet Marlon Brando" he revealed that the final product heard in the movie was a result of countless singing takes being cut into one and later joked, "I couldn't hit a note with a baseball bat; some notes I missed by extraordinary margins...
They sewed my words together on one song so tightly that when I mouthed it in front of the camera, I nearly asphyxiated myself..." Relations between Brando and Sinatra were also frosty, with Stefan Kanfer observing, "The two men were diametrical opposites: Marlon required multiple takes; Frank detested repeating himself."
Upon their first meeting Sinatra reportedly scoffed, "Don't give me any of that Actors Studio shit."
Brando later famously quipped, "Frank is the kind of guy, when he dies, he's going to heaven and give God a hard time for making him bald."
The film was a smash, however, costing $5.5 million to make and grossing $13 million.
Brando played Sakini, a Japanese interpreter for the U.S. Army in postwar Japan in "The Teahouse of the August Moon" (1956).
Pauline Kael was not particularly impressed by the movie, but noted "Marlon Brando starved himself to play the pixie interpreter Sakini, and he looks as if he's enjoying the stunt—talking with a mad accent, grinning boyishly, bending forward, and doing tricky movements with his legs.
He's harmlessly genial (and he is certainly missed when he's offscreen), though the fey, roguish role doesn't allow him to do what he's great at and it's possible that he's less effective in it than a lesser actor might have been."
In "Sayonara" (1957) he appeared as a United States Air Force officer.
"Newsweek" found the film a "dull tale of the meeting of the twain" but fans disagreed and the movie became a nationwide hit.
According to Stefan Kanfer's biography of the actor, Marlon's manager Jay Kanter negotiated a profitable contract with ten percent of the gross going to Brando, which put him in the millionaire category.
The movie was controversial due to openly discussing interracial marriage but proved a great success, earning 10 Academy Award nominations, with Brando being nominated for Best Actor.
The film went on to win four Academy Awards.
"Teahouse" and "Sayonara" were the first in a string of films Brando would strive to make over the next decade which contained socially relevant messages, and he formed a partnership with Paramount to establish his own production company called Pennebaker, its declared purpose to develop films that contained "social value that would improve the world."
The name was a tribute in honor of his mother, who had died in 1954.
By all accounts, Brando was devastated by her passing, with biographer Peter Manso telling A&E's "Biography", "She was the one who could give him approval like no one else could and, after his mother died, it seems that Marlon stops caring."
Brando shocked many who knew him by appointing his hated father to run Pennebaker.
In the same A&E special, George Englund claims that Brando did it because "it gave Marlon a chance to take shots at him, to demean and diminish him" while biographer David Thomson speculates that "Brando was psychologically daunted by his father.
"In 1958, Brando appeared in "The Young Lions", dyeing his hair blonde and assuming a German accent for the role, which he later admitted was not convincing.
The film was based on the novel by Irwin Shaw and Brando's portrayal of the character Christian Diestl was daring and controversial for its time.
He later wrote, "The original script closely followed the book, in which Shaw painted all Germans as evil caricatures, especially Christian, whom he portrayed as a symbol of everything that was bad about Nazism; he was mean, nasty, vicious, a cliché of evil...I thought the story should demonstrate that there are no inherently "bad" people in the world, but they can easily be misled."
Shaw and Brando even appeared together for a televised interview with CBS correspondent David Schoenbrun and, during a bombastic exchange, Shaw charged that, like most actors, Brando was incapable of playing flat-out villainy; Brando responded by stating "Nobody creates a character but an actor.
I play the role; now he exists.
He is my creation."
"The Young Lions" also features Brando's only appearance in a film with friend and rival Montgomery Clift.
Brando closed out the decade by appearing in "The Fugitive Kind" opposite Anna Magnani.
The film was based on another play by Tennessee Williams but was hardly the success "A Streetcar Named Desire" had been, with the "Los Angeles Times" labeling Williams's personae "psychologically sick or just plain ugly" and "The New Yorker" calling it a "cornpone melodrama".