Question: Does a dubstep remix for "Party Rock Anthem" exist?
About the article "Party Rock Anthem", section "Track listings".

Candidate passages:
;Download
"Party Rock Anthem" – 4:28
;CD single
"Party Rock Anthem" (Album Version) – 4:23
"Party Rock Anthem" (Audiobot Remix) – 6:01
;Remixes
"Party Rock Anthem" (Wideboys Radio Edit) – 3:25
"Party Rock Anthem" (Wideboys Club Mix) – 5:49
"Party Rock Anthem" (Benny Benassi Radio Edit) – 3:36
"Party Rock Anthem" (Benny Benassi Club Mix) – 6:17
"Party Rock Anthem" (Christopher Lawrence Radio Edit) – 3:38
"Party Rock Anthem" (Christopher Lawrence Club Mix) – 7:11
"Party Rock Anthem" (Arion Dubstep Remix) – 3:23
"Party Rock Anthem" (Russ Chimes Dub) – 6:25
"Party Rock Anthem" (Alesso Remix) – 5:49
"Party Rock Anthem" (Avollo Remix) - 6.17
"Party Rock Anthem" (DJ Enferno Remix) – 4:52
"Party Rock Anthem" (Kim Fai Remix) – 6:53
"Party Rock Anthem" (Millions Like Us Dubstep Remix) – 4:38
"Party Rock Anthem" (Alyn's Goin Hard Remix) – 4:20
"Party Rock Anthem" (Mt Parahaki Dubstep Remix) – 4:22
"Party Rock Anthem" (DJ Bent Dutch Remix) - 5:54
The song is a poppy, keyboard-driven new wave anthem with a touch of dubstep. 
 "Cold Rock a Party" (Bad Boy Remix - Clean Version) - 4:12 "Cold Rock a Party" (Bad Boy Remix) - 4:37 "Cold Rock a Party" (Original Album Clean) - 4:19 "Cold Rock a Party" (Milk Remix) - 3:20 "Cold Rock a Party" (Bad Boy Remix - Acapella) - 4:19  
The influence of dubstep on more commercial or popular genres can be identified as far back as 2007, with artists such as Britney Spears using dubstep sounds; critics observed a dubstep influence in the song "Freakshow", from the 2007 album "Blackout", which Tom Ewing described as "built around the 'wobbler' effect that's a genre standby."
Benga and Coki's single "Night" still continued to be a popular track on the UK dance chart more than a year after its release in late 2007, still ranking in the top five at the start of April 2008 on Pete Tong's BBC Radio 1 dance chart list.
However, the year 2009 saw the dubstep sound gaining further worldwide recognition, often through the assimilation of elements of the sound into other genres, in a manner similar to drum and bass before it.
At the start of the year, UK electronic duo La Roux put their single "In for the Kill" in the remix hands of Skream.
They then gave remix duties of "I'm Not Your Toy" to Nero and then again with their single "Bulletproof" being remixed by Zinc.
The same year, London producer Silkie released an influential album, "City Limits Vol.
1", on the Deep Medi label, using 1970s funk and soul reference points, a departure from the familiar strains of dub and UK garage.
The sound also continued to interest the mainstream press with key articles in magazines like "Interview", "New York", and "The Wire", which featured producer Kode9 on its May 2009 cover.
"XLR8R" put Joker on the cover of its December 2009 issue.
In a move foreshadowed by endorsements of the sound from R&B, hip-hop and recently, mainstream figures such as Rihanna, or The Bomb Squad's Hank Shocklee, Snoop Dogg collaborated with dubstep producers Chase & Status, providing a vocal for their "underground anthem", "Eastern Jam".
The 2011 Britney Spears track "Hold It Against Me" was also responsible for promoting dubstep tropes within pop music.
Rihanna's "Rated R" album released such content the very year dubstep saw a spike, containing three dubstep tracks.
Such events propelled the genre into the biggest radio markets overnight, with considerable airplay.
Other hip-hop artists like Xzibit added their vocals to dubstep instrumental tracks for the mixtape project "Mr Grustle & Tha Russian Dubstep LA Embrace The Renaissance Vol.
1 Mixed by Plastician".
In summer 2009, rapper and actress Eve used Benga's "E Trips"; adding her own verses over the beat to create a new tune called "Me N My"; the first single on her album "Flirt".
The track was co-produced by Benga and hip hop producer Salaam Remi.
Throughout 2010, the presence of dubstep in the pop charts was notable, with "I Need Air" by Magnetic Man reaching number 10 in the UK singles chart.
This presented a turning point in the popularity of mainstream dubstep amongst UK listeners as it was placed on rotation on BBC Radio 1.
"Katy On a Mission" by Katy B (produced by Benga) followed, debuting at number 5 in the UK singles chart, and stayed in the top 10 for five more weeks.
Also in 2010, American producer Skrillex achieved moderate commercial success in North America with a dubstep-influenced sound.
By 2011 his EP "Scary Monsters and Nice Sprites" had peaked at number three on the U.S.
Billboard Dance/Electronic album charts.
In February 2011, Chase & Status's second album "No More Idols" reached No.2 in the UK album chart.
On 1 May 2011, Nero's third single "Guilt" from their album reached number 8 in the Official UK Singles Chart.
DJ Fresh and Nero both had number one singles in 2011 with "Louder" and "Promises".
Strong baselines imported from dubstep continued in popular music with the Taylor Swift song I Knew You Were Trouble, which made number 1 on Billboard's U.S.
Mainstream Top 40 chart. 
LMFAO — "Party Rock Anthem" (from "21 Jump Street") College with Electric Youth — "A Real Hero" (from "Drive") The Chemical Brothers — "The Devil Is in the Details" (from "Hanna") Figurine — "IMpossible" (from "Like Crazy") Kid Cudi — "Pursuit of Happiness (Steve Aoki remix)" (from "Project X")