Question: Which person is to the right of Christ in Michaelangelo's The Last Judgement?
About the article "The Last Judgment (Michelangelo)", section "Description".

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  A 7m tall Carrara marble replica of Michaelangelo's "David" can be viewed at Emerald Lakes, Queensland in the suburb of Carrara, Queensland.  
The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome.
It is an Italian Renaissance painting, influenced by Michaelangelo's work on the Sistine Chapel ceiling.
Isaiah, a powerful figure, gives the illusion of a three-dimensional character, flanked by putti figures.
He carries a Hebrew scroll with his prophecy foretelling the birth of Christ.
There is also a message to Saint Anne.
Due to wear, Raphael's work has been retouched by other painters over time.
In 1960, the fresco was restored to Raphael's vision. 
As Henry says in his last book "Paroles du Christ" ("Words of Christ"), it is in the heart that life speaks, in its immediate pathetic self-revelation; but the heart is blind to the Truth, it is deaf to the word of Life, it is hard and selfish, and it is from this that evil comes.
It is in the violence of its silent and implacable self-revelation, which bears witness against this degenerate life and against the evil that comes from it, that Judgement stands — Judgement which is identical to the advent of each Self to itself and from which none can escape. 
Like most of Fra Angelico's work, the iconography is standard for the contemporary treatments of the Last Judgement.
Among the most common subjects of painting in churches, it is found more often on walls.
In the top centre of the picture, Christ sits in judgement on a white throne surrounded by angels, Mary, John, and the saints.
Christ is shown as judge of the living and dead, his left hand pointing down to Hell, his right up to Heaven.
On Christ's right hand is paradise, with angels leading the saved through a beautiful garden into a shining city.
In the middle are the broken tombs of the risen dead, come out of their graves to be finally judged.
On Christ's left demons drive the damned into Hell, where the wicked are tormented.
At the very bottom Satan chews on three of the damned, and grasps two others. 
The painting's composition has similarities with the "The Last Judgment" triptych in Vienna and the "Garden of Earthly Delights": both show the Garden of Eden in the left panel and the Hell at right.
Like in other contemporary Flemish triptychs, the shutters are externally painted in grisaille with an "Coronation with Thorns".
In the central panel is Christ as a judge within a celestial sphere, flanked by angels who are playing the Trumpets of Last Judgement, and by the apostles.
Below him is the punishment of sinners which, like the "Last Judgement" of Vienna, continues in the Hell depiction at right.
At left is the Paradise, where the blessed souls are being shipped to Eden on a boat with a pink tent.
The tower is a symbol of the Fountain of Eternal Youth, a more articulate version of which appears in the "Garden of Delights".
The central panel is mostly occupied by insect-like demons who torture the men, punishments including burning, eating impure food (the gluttonous) etc, all inspired by Netherlandish Proverbs.
The infernal city at right is under siege by demons, while a fire is visible in the far background.