Question: What year did the movie "Amélie" come out?
About the article "Amélie", section "Home media".

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Kim Clijsters was the defending champion but did not compete that year.
Dinara Safina won in the final 6–4, 2–6, 6–3 against Amélie Mauresmo. 
Venus Williams was the defending champion but did not compete that year.
Serena Williams won in the final 6–2, 6–3 against Amélie Mauresmo. 
Mary Joe Fernández was the defending champion but did not compete that year.
Conchita Martínez won in the final 6–4, 6–4 against Amélie Mauresmo. 
Amélie Louise married Duke Pius August in Bavaria, son of Duke Wilhelm in Bavaria and his wife Countess Palatine Maria Anna of Zweibrücken-Birkenfeld, on 26 May 1807 in Brussels.
Pius August and Amélie Louise had one son: Duke Maximilian Joseph in Bavaria (4 December 1808 – 15 November 1888) After their marriage, the couple moved to Bamberg and their son Maximilian Joseph was born the following year.
In 1817, Amélie Louise sent her only son to reside with his great uncle Maximilian I Joseph of Bavaria, where he studied at the Royal Institute of Education.
Amélie Louise did not see him until 1820.
Shortly after returning from her second visit to Munich, Amélie Louise died in 1823 in Bamberg.
She was interred in the burial crypt of Tegernsee Abbey. 
Critical response.
The film, repeatedly compared by film critics with "Amélie", received an overall very positive reaction, holding a 73% Fresh (i.e.
positive) rating on Rotten Tomatoes.
In the United States, Mick LaSalle noted it was the "first feature from 26-year-old Laetitia Colombani and represents about as assured a debut as they come.
The first smart thing, of many, that Colombani does is cast Audrey Tautou in the lead role.
Tautou has made several movies, but in America she is known for only one, "Amélie", in which she played a wide-eyed innocent.
Here she is just as wide-eyed, but if she's innocent it's only by reason of insanity.
"He Loves Me...
He Loves Me Not" has its own charms, but part of its wicked kick is that it's the anti-"Amélie", presenting romantic fixation, not as noble and sweet, but objectively, as something selfish and volatile...film is driven by a shrewd vision and, beneath its cool French surface, a well-placed sense of moral indignation.
Tautou could not be better: She's infuriating — as well as emotionally present every moment onscreen."
Richard Schickel called Colombani a "terrifically assured filmmaker" whose "twice-told tale" is the "basis for an intricately ironic, darkly witty movie with a twist ending that is both utterly surprising and utterly right"; in a comparison with Tautou's performance in "Amélie", the film "displays a more dangerous kind of innocence with a charm that shades off into obsessive madness in very gentle, persuasive increments.
Mostly, it's because this French film brings a cool, almost Pascalian logic to the messy topic of erotomania."
In the United Kingdom, "The Independent" called it "an assured, if slightly too obvious thriller by first-time director Laetitia Colombani"; the film's originality in its subject matter, called a "welcome change from the offensive 'woman scorned' scenario of so many "Fatal Attraction"s, is lost somewhat in her treatment — which gives first Angelique's perspective, before rewinding to show Loic's.
But a serious plus is Tautou, whose creepy, disturbing performance proves that the wide-eyed Amélie is a young actress with range."
The "Evening Standard" called it an "irredeemably bad French film" with "characters are cartoon representations of good and evil.
By the time we work out what's really going on, it's too late: Angélique has earned our hatred and Loïc has shown himself too passive to hold our interest."