Question: what record selling did the matrix sell during it's release?
About the article "The Matrix", section "Release".

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MTV censored, and later banned, the single's music video because of a lyric in the song that refers to sexual intercourse.
Carlton said it was hypocritical for MTV because "All that is on MTV is sex.
They are selling it all the time with sexy hip-hop videos with girls in their bras and panties doing their booty dance.
But an eloquent statement about it from a female point of view...".
After the conclusion of the "Harmonium" tour, A&M Records sent Carlton into the recording studio because they didn't feel that there was a potential follow-up single on the album.
During her studio time, in which she wrote songs with Linda Perry and The Matrix, she had what she called a "revelation" about leaving the label to find another record deal.
In May, Carlton wrote to her fans on her official website that because "shortsighted (nonmusical bastards)" at the label did not believe the album would sell well if given promotion, there would be no second single released in the US.
"worked my ass off promoting Harmonium in the ways that [I could control, but you can't sell records to someone in the middle of without a little help", she wrote.
By the following month, Carlton had separated from A&M Records.
Carlton explained the situation in an interview with "Express" in 2007:Weeks before the announcement, "PopMatters" magazine wrote, "One has to wonder how long it will be before we hear the inevitable "the industry ate me up" stories from Vanessa Carlton.
Perhaps when this record fails to outsell her debut and A&M drops her?".
The Herald & Review said that Carlton " another one of the new millennium’s poster children for what happens when music labels are taken over by accountants and artist development is abandoned."
On 2 December, Leona Lewis earned her sixth week at number one with "Bleeding Love".
On 9 December Leona earns her seventh week at number one as "Bleeding Love" continues to sell well, selling over 700,000 copies thus far.
"Bleeding Love" is now in joint 3rd place for Most Weeks At The top Of The Charts.
Her album Spirit has so far sold 1,146,246 copies and has gone 3x platinum in just under a month.
"Bleeding Love" was the joint third longest number one of the 21st Century so far.
Mariah Carey enters into the top ten for the first time in two years as seasonal favourite "All I Want for Christmas Is You" reaches number eight via downloads.
"Crank That (Soulja Boy)" enters at number ten also via downloads for Soulja Boy Tell 'Em which topped the US Chart for six weeks back in the autumn.
On 10 December German Dance Group Cascada enter the top 10 with "What Hurts The Most" (which peaked at #10) after entering at #16 on downloads alone.
This was also their 4th top ten single.
On 16 December, singer/songwriter Katie Melua earned her first UK number one single with a duet with Eva Cassidy.
It's a cover of Louis Armstrong's classic "What a Wonderful World".
All proceeds from the single will go to the Red Cross charity.
The song was only available from supermarket chain Tesco.
Christmas spirit also returned to the charts as Mariah Carey got to number one on downloads but only number four (behind Eva Cassidy & Katie Melua, Leona Lewis & Soulja Boy Tell 'Em) with "All I Want for Christmas Is You" in the combined chart.
The Pogues also charted well, getting to number eight during their third week in the chart (on downloads alone) with Fairytale of New York.
Wham!, Wizzard, Andy Williams, Slade, Shakin' Stevens, Band Aid, Chris Rea and John Lennon also provided a festive feel to the top 40.
T2 featuring Jodie Aysha slipped to number nine after two weeks at number two.
On the 'Christmas Chart', Kylie Minogue entered at number 32 on downloads alone with her single "Wow" while the Sugababes climbed up thirteen places to number 13 with "Change" after the physical release.
Also, Rihanna had three singles in the Top 40, ("Umbrella" at 38, "Hate That I Love You" at 37, and "Don't Stop the Music" at 30), the latter being on downloads alone.
X Factor winner Leon Jackson topped the Christmas chart with "When You Believe".
This marks the third year in a row that an X Factor winner tops the Christmas chart (Shayne Ward "That's My Goal" did it in 2005 and Leona Lewis repeated it in 2006 with "A Moment Like This").
Leona Lewis topped the Christmas album charts with her debut album "Spirit" for the sixth week.
In the last singles chart of the year Leon Jackson and "When You Believe" remained at number one for a second week, with Leona Lewis climbing back to number two with "Bleeding Love".
There were also a number of re-entries from some of the biggest selling singles of the year in the post-Christmas rush, as consumers looked to fill newly purchased digital music players.
In the album chart Leona Lewis completed her seventh week at number 1 with "Spirit", with Westlife's "Back Home" holding steady at 2 and Take That climbing back up to 3 with "Beautiful World".
It was also announced by the Official Chart Company that Amy Winehouse had the biggest selling album of the year with "Back To Black" selling 1,586,194 copies.
Leona Lewis who had the second biggest selling album with "Spirit" selling 1,550,037 copies in the 48 days since its release.
Mika's "Life in Cartoon Motion" was the third biggest selling album of the year.
Leona Lewis had the biggest selling single of 2007 with "Bleeding Love" (787,652), with Rihanna's "Umbrella" at number two (512,730), and Mika's "Grace Kelly" in third position.
Radiohead's "In Rainbows" finally got a physical CD release on 31 December 2007 after causing controversy within the music industry upon initial release as a download only on 10 October 2007.
The public were asked to pay whatever they wanted for the record (including nothing) and despite this the CD release would still go on to be the first Number One in the Official Chart Company's album chart for 2008. 
The release date of the album was delayed several times.
The album was originally set for a release on February 4, 2003 in Europe and Japan, and on February 24 in the US and Canada.
After the prolongation of the release date for territories outside Japan and Europe, Charlie Benante posted an explanation on the band's official website: "I hate to tell you this but... the record got pushed back to April 15.
It's only been 73 years since "Vol.
8" released, what's another week or two?
The record company needed the extra time to put more time into the promotion.
One day all this crap will be over, you'll be rocking out to some killer shit."
It was later announced that the release date for Europe would be also pushed back to March 3, 2003, eventually setting it on May 6.
The problems occurred after a breakdown in negotiations between Beyond Records and Sanctuary Records over a buy-out of the band's contract.
According to Blabbermouth, Beyond Records was in the process of selling their entire catalog to Sanctuary, but the arrangement have fallen through.
However, the problems were resolved and the record was successfully distributed through Sanctuary in North America and Nuclear Blast in Europe.
The album debuted at No.
122 on the "Billboard 200" chart with first week sales of just under 10,000 units.
Since its release in May 2003, "We've Come For You All" sold about 62,000 copies in the United States.
Apart from entering the French Albums Chart at number 95, the record did not manage to chart in any other country.
Referring to the low record sales, guitarist Scott Ian posted a message on the band's official web site saying: "That's more than I thought it would do after five years away.
That's basically what group's last album "Volume 8" did in its first week and this one was based on mostly just Internet promo."
"Be Here Now" was released in the UK on 21 August 1997.
The release date had been brought forward out of Ignition's fear that import copies of the album from the United States would arrive in Britain before that country's designated street date.
Worrying that TV news cameras would interview queuing fans at a traditional midnight opening session, Ignition forced retailers to sign contracts pledging not to sell the record earlier than eight a.m.
However, when the album did go on sale, the cameras showed up regardless, just in time to record the initially slow trade.
It was not until lunch time that sales picked up.
By the end of the first day of release, "Be Here Now" sold over 350,000 units and by the end of business on Saturday of that week sales had reached 696,000, making it the fastest-selling album in British history.
The album debuted at number two on the "Billboard" charts in the United States, but its first week sales of 152,000—below expected sales of 400,000 copies—were considered a disappointment.
Contemporaneous reviews of "Be Here Now" were, in John Harris's words, unanimous with "truly amazing praise."
According to Harris, "To find an album that had attracted gushing notices in such profusion, one had to go back thirty years, to the release of "Sgt.
Pepper's Lonely Hearts Club Band"."
While "Q" magazine described the album as "cocaine set to music", most early reviews praised the record's length, volume and ambition.
Reviews in the British music press for Oasis' previous album "(What's the Story) Morning Glory?"
had been generally negative.
When it went on to become, in the words of "Select" editor Alexis Petridis, "this huge kind of Zeitgeist defining record" the music press was "baffled".
Realising they had gotten it wrong the last time, Petridis believes the initial glowing reviews were a concession to public opinion.
By the end of 1997, "Be Here Now" had sold eight million units worldwide.
However, the sales volume was largely gained in the first two weeks of release, and once the album was released to UK radio stations the turnover tapered off.
Buyers realised that the album was not another "(What's the Story) Morning Glory?
", and by 1999, "Melody Maker" reported that it was the album most sold to second-hand record stores.
In the 2003 John Dower-directed documentary "", music critic Jon Savage pinpointed "Be Here Now" as the moment where the Britpop movement ended.
Savage said that while the album "isn't the great disaster that everybody says", he noted that "was supposed to be the big, big triumphal record" of the period.
"Q" expressed similar sentiments, writing, "So colossally did "Be Here Now" fall short of expectations that it killed Britpop and ushered in an era of more ambitious, less overblown music".
"Irish Times" journalist Brian Boyd wrote: "Bloated and over-heated (much like the band themselves at the time), the album has all that dreadful braggadocio that is so characteristic of a cocaine user."
Reflecting in 2007, Garry Mulholland admitted, "the fact that nothing could have lived up to the fevered expectations that surrounded its release doesn't change the facts.
The third Oasis album is a loud, lumbering noise signifying nothing.
"The Gallagher brothers hold differing opinions about the album.
As early as July 1997, Noel was "talking down" "Be Here Now" in the music press, describing the production as "bland", and remarking that some of the tracks were "fucking shit".
In "Live Forever: The Rise and Fall of Brit Pop", he dismissed the album, and blamed its faults on drugs and the band's indifference during recording.
He suggested that the people unsatisfied with the record simply sell it.
In contrast, Noel noted that his brother "thinks it fucking rocks."
In the same documentary, Liam defended the record, and said that "at that time we thought it was fucking great, and I still think it's great.
It just wasn't "Morning Glory"."
In 2006, Liam said of Noel, "If he didn't like the record that much, he shouldn't have put the fucking record out in the first place ...
I don't know what's up with him but it's a top record, man, and I'm proud of it—it's just a little bit long."
DJ Burn One was born in Hapeville, Georgia, and moved to Atlanta at age 10.
Although Burn One has said that, growing up, his household wasn't very musical, he did grow up listening to a variety of musical genres -- '80s music with his mother; country music with his father—and also joined the church choir at four-years-old for several years.
In high school, DJ Burn One started to work at a mom-and-pop music store in Atlanta called Super Sounds.
Burn One credits the experience with teaching him how to "sell" music, from a marketing standpoint, to an interested customer.
At this time, DJ Burn One was also selling mixtapes locally, to kids at his high school, an experience that led to DJ Burn One developing his professional moniker.
In a recent interview with Passion of the Weiss, Burn One stated, "So when I'd be in school and selling these CD, I'd have them for like $20-25 dollars…I tried to sell them and say, 'hey, I've got the new T.I.
album, it's $25,’ and everyone would say, ‘Oh, man, come on, just burn me one, burn one, burn me one’…All day, all I'd hear is 'Burn One’…so after a while, I was like, you know what?
It's kind of got a ring to it."
While in high school, DJ Burn One was formally introduced to the music industry through a chance meeting with a group named Xtaci, at the time signed to T.I.
's Grand Hustle label.
The connection with Xtaci allowed DJ Burn One to spend time around the Grand Hustle label, and other artists on the label, like Big Kuntry King and Young Dro, in addition to other big name artists, like Paul Wall, watching them record, learning how to run studio sessions, and learning about the industry.