Question: What movie won the Oscar for Best Sound Editing and tied with Skyfall?
About the article "Zero Dark Thirty", section "Accolades".

Candidate passages:
Both Oscars are for Best Sound Editiing.
80th Academy Awards: "The Bourne Ultimatum".
Shared with Per Hallberg.
Won.
85th Academy Awards: "Skyfall".
Shared with Per Hallberg.
Won.
(Tied with "Zero Dark Thirty" which the winner for that was Paul N. J. Ottosson).   
"Zero Dark Thirty" was nominated for five Academy Awards at the 85th Academy Awards, including Best Picture,Best Actress, Best Original Screenplay, Best Sound Editing and Best Film Editing.
Paul N. J. Ottosson won the Academy Award for Best Sound Editing, tying with "Skyfall".
This was only the sixth tie in Academy Awards history, and the first since 1994.
"Zero Dark Thirty" was nominated for four Golden Globe Awards at the 70th Golden Globe Awards, including Best Motion Picture – Drama, Best Director, Best Screenplay, with Chastain winning Best Actress – Motion Picture Drama.
The Washington D.C. Area Film Critics Association's award for Best Director was given to Bigelow, the second time the honor has gone to a woman (the first also being Bigelow for "The Hurt Locker").
The film swept critics groups' awards for Best Director and Best Picture including the Washington D.C., New York Film Critics Online, Chicago and Boston film critics associations.
Tom McCarthy is an Academy Award winning sound editor.
He won the Academy Award for Best Sound Editing during the 65th Academy Awards.
He won for "Bram Stoker's Dracula".
His Oscar was shared with David Stone.  
The song went to number one at the UK's iTunes online store less than ten hours after it was released, surpassing "Diamonds" by Rihanna.
At 6 am on 5 October Clear Channel began airing "Skyfall" on 180 radio stations around the United States every hour, on the hour; within 24 hours, "Skyfall" had garnered 10 million audience impressions and had already begun to rank within the Top 50 of the Nielsen Broadcast Data Systems-based Radio Songs chart.
On 7 October "Skyfall" entered the UK Singles Chart at number 4 after less than 48 hours on sale.
The single sold 84,000 copies in the UK during its first two days of release.
On 14 October "Skyfall" rose to number 2 on the UK Singles Chart with sales of 92,000 copies.
This tied "Skyfall" with Duran Duran's "A View to a Kill" as the highest-charting James Bond theme song on the UK Singles Chart.
The song was the 20th best-selling song of 2012 in the UK with 547,000 sold.
"Skyfall" debuted at number one in Ireland.
The song entered the "Billboard" Hot 100 at number 8, Adele's first song to debut in the Top 10, selling 261,000 copies in the United States in its first three days.
Although "Skyfall" debuted at number 8, it was actually the third best-selling single in the US that week – the Hot 100 ranks songs based on sales, radio airplay and online streaming.
"Skyfall" is the first James Bond theme to chart within the Top 10 in the US in a decade, and is the first James Bond theme to debut in the Top 10.
Interest in "Skyfall" led to a 10% increase in sales of Adele's last album, "21", in the US.
On the week commencing 27 October 2012, the second week after its release, the song fell from number 8 to number 13.
After "Skyfall" was released in cinemas in North America, Adele's song saw a sales increase of 66%.
In January 2013 unofficial remixes also warranted the song an inclusion on the "Billboard" Hot Dance Club Songs chart, peaking at the 10th spot.
After Adele won the Oscar for the song, sales in the US increased by 56% with 56,000 downloads.
The following week "Skyfall" sold an additional 103,000 downloads and climbed 28 spots on the "Billboard" Hot 100.
As of July 2013, "Skyfall" has sold over five million copies worldwide.
As of January 2013 it had sold 1,600,000 copies in the US according to Soundscan, and is the first Bond song to sell a million digital copies. 
In February 2013, "Welcome to Briarcliff" won a Golden Reel Award for Best Sound Editing: Short Form Sound Effects and Foley in Television by the Motion Picture Sound Editors society.
In September 2013, the episode won a Creative Arts Emmy Award for Outstanding Sound Editing for a Miniseries, Movie, or Special.