Question: Which film critic compared the film tunnel visioning?
About the article "Jiro Dreams of Sushi", section "Critical reception".

Candidate passages:
The Tunnel is a 2009 film. 
  "Der Tunnel" (1915 film), a 1915 German silent film, based on "Der Tunnel" by Bernhard Kellermann   "Der Tunnel" (1933 film), a 1933 German film, based on "Der Tunnel" by Bernhard Kellermann  * "Le tunnel", a 1933 French-language version of the same film  "The Tunnel" (1935 film), a 1935 British film based on "Der Tunnel" by Bernhard Kellermann  "The Tunnel" (NBC documentary), 1962 television documentary film  "The Tunnel" (2001 film), 2001 German film by Roland Suso Richter  "The Tunnel" (2011 film), a 2011 Australian horror film  "The Tunnel" (TV series), a 2013 French-British production based on the 2011 Danish-Swedish police drama "Broen" ('The Bridge')  
The film has received mixed-to-negative reviews from American critics.
Film critic Phil Boatwright called the film "a compelling, thoughtful homage to religious freedom," saying it brings back memories of "El Cid" and "A Man for All Seasons".
Stephen Holden of "The New York Times" described the film as an "old-fashioned, Hollywood-style epic" and said it compared favorably to Christian mega-hits of the 1950s such as "The Robe".
He was most satisfied with Dean Wright, referring to his direction as "impressively spacious".
Composer James Horner also scored high marks for his score which Holden found "uplifting without being syrupy" and which set an "inspirational mood".
Roger Ebert's complaint that "it is well-made, yes, but has such pro-Catholic tunnel vision I began to question its view of events."
As of June 20, 2012 it holds a 35% rating on Metacritic based on 17 critics, and a 16% rating on Rotten Tomatoes based on 42 reviews.
The latter site states: "It has laudable aspirations, but "For Greater Glory" ultimately fails to fulfill its goals due to an overstuffed script, thinly written characters, and an overly simplified dramatization of historical events.
"The fact that the Cristero War is little known – even in Mexico – is illustrated by film critic Steven D. Greydanus.
He writes that "For Greater Glory" may help to rectify the situation.
He observes that the film is "one of the most lavish and ambitious films ever produced in Mexico" and "a sweeping, handsome epic with strong performances, solid production values and magnificent locations across Mexico."
However he found the screenplay overbearing and would have liked to have seen more character development.
Lauren Markoe, discussing the film for the Religion News Service, wrote: 
Kunitoshi Manda was a student at Rikkyo University, where he took Shigehiko Hasumi's filmology class.
Manda directed his first feature film, "Unloved", in 2001.
It won the Grand Rail d'Or prize and the Future Talent prize at the 2001 Cannes Film Festival.
"The Tunnel", one of his television films, screened at the 2004 Cannes Film Festival.
Manda's third feature film, "The Kiss", premiered at the Jeonju International Film Festival in 2008.
Japanese film critic Inuhiko Yomota praised the film as "a fantastic film.
"His 2014 film, "Dog's Way", premiered at the Yubari International Fantastic Film Festival. 
In visioning, a cross-functional team comes together to create stories of how new product concepts, services, and technology can better support the user work practice.
The visioning team starts by reviewing the data to identify key issues and opportunities.
The data walking session is followed by a group visioning session during which the visioning team generates a variety of new product concepts by telling stories of different usage scenarios based on the data collected.
A vision includes the system, its delivery, and support structures to make the new work practice successful, but is told from the user's point of view.