Question: Who wrote that the best results come when Guetta rips artists from their comfort zone?
About the article "Turn Me On (David Guetta song)", section "Critical reception".

Candidate passages:
The song has garnered generally positive responses.
Scott Schelter wrote for "Pop Crush" that "It’s cool that Guetta is going for a little bit of a different sound, but different for him sounds like what everybody else is doing in the dance music world.
Still, having Minaj sing makes the tune worthwhile, even if “sing” must be used in quotes because of all the voice-processing."
Al Fox of BBC Music wrote that "the best results come when Guetta mercilessly rips artists from their comfort zone – take Minaj in songbird mode on 'Turn Me On."
Allmusic's David Jeffries wrote that "Nicki Minaj does a pole dance on the operating table for 'Turn Me On', while picking it as one of the best tracks on the album.
Carol Cooper of Village Voice gave a review talking about her voice, writing that "on "Turn Me On" Nicki Minaj gamely shifts between her Madonna range and her Rihanna register."
Ken Capobianco somewhat echoed the same thought of Cooper, writing that " Nicki Minaj delivers solid singing on the track.
"Joe Copplestone of PopMatters wrote a mixed review, saying that "the song showcases a suspiciously melodic performance by Minaj, with massive hooks that somehow let her make the transition from freak to diva."
Harley Brown of Consequence of Sound thought that the "skipping beat and screaming synths are more recognizable as quintessential techno."
Genevieve Koski of The A.V.
Club was more negative, writing that on the song Minaj is a "faceless-disco-diva."
Another negative review came from Idolator's Becky Bain, who dismissed "Guetta’s decision to take one of the most exciting rapper’s today and not only have her not rap, but drown her in Auto-Tune."
It should be noted that the artists listed below (with the exception of Madonna, David Guetta and Calvin Harris, who all crossed over from Dance and continue to be core artists in that genre) are Pop and/or Rhythmic acts; their singles were remixes of the original recordings: 
Thierry Guetta is a French immigrant living in Los Angeles, making a comfortable living with his vintage clothing shop.
He also has a strange obsession with carrying a camera everywhere he goes, constantly filming his surroundings.
On a holiday in France, he discovers his cousin is Invader, an internationally known street artist.
Thierry finds this fascinating, and accompanies Invader and his friends, including the artists Monsieur André and Zevs on their nocturnal adventures, documenting their activities.
A few months later, Invader visits Thierry in LA, and arranges a meeting with Shepard Fairey.
Thierry continues filming Fairey's activities even after Invader has returned home to France.
While Fairey is confused by Thierry's enthusiasm, Thierry states that he wishes to make a complete documentary about street art, and the two cross the nation, shooting other artists at work, including Seizer, Neck Face, Sweet Toof, Cyclops, Ron English, Dotmasters, Swoon, Azil, Borf and Buffmonster.
What Guetta fails to tell Fairey is that he has no plan to compile his footage into an actual film, and indeed never looks at his footage.
Guetta continues to hear more about Banksy – a prominent and particularly secretive artist.
His attempts to contact Banksy meet with failure, until one day Banksy visits LA without his usual accomplice, who is refused entry to the US.
Stuck in LA without a guide, Banksy contacts Fairey, who calls Guetta.
Guetta becomes Banksy's guide in LA, later following him back to England, winning the privilege to film Banksy on his home turf – a feat that confuses Banksy's crew.
Banksy, however, sees the opportunity to document street art, which he recognizes as having a "short life span", and after Guetta aids him in recording both production, deployment and crowd reactions to his "Murdered Phone-box" piece, asks him to film the preparations for his "Barely Legal" show.
The two become friends, as Guetta provides Banksy with some relief from his anonymity.
Returning to LA, Guetta becomes bored, and eventually ends up producing his own stickers and decals and putting them up in the city.
Banksy's show is being prepared in Skid Row, Los Angeles, and while in LA, Banksy has the idea of deploying a Guantanamo Bay detainee doll in Disneyland.
He visits the location and places the doll while Guetta films.
A short while later, however, the rides stop, and the park's security catch Guetta, who is taken to an interrogation room, while Banksy switches clothes and blends into the crowd.
During interrogation, Guetta refuses to admit any wrongdoing, and when allowed a phone call, covertly alerts Banksy to his situation.
When confronted by security personnel, he destroys the evidence in his stills camera, but stashes the videotape in his sock and is eventually let go, much to the amazement of Banksy who then says he trusts him implicitly because of the incident.
A few days later, "Barely Legal" opens, and becomes an overnight mainstream success.
Street art prices begin to rocket in auction houses.
Banksy is both surprised and disillusioned by the sudden hype surrounding street art, and urges Guetta to finish his supposed documentary.
Guetta begins to edit together the several thousand hours of footage, and produces a film titled "Life Remote Control."
The result is 90 minutes of distorted fast cutting about seemingly random themes.
Banksy questions Guetta's ability as a filmmaker, deeming his product "unwatchable", but realizes the street art footage itself is valuable.
Banksy decides to have a shot at producing a film himself.
To make sure that Guetta remains occupied, Banksy suggests he make his own art show.
Guetta happily accepts the assignment, adopting the name "Mr. Brainwash", putting up street art in the city and six months later, re-mortgaging his business to afford renting copious equipment and a complete production team to create pieces of art under his supervision.
He rents a former CBS studio to prepare his first show, "Life Is Beautiful", and scales up his production to something much larger than Banksy suggested, but with little focus.
When Guetta breaks his foot after falling off a ladder, Banksy realises that the show may well become a trainwreck, and sends a few professionals to help Guetta out.
While the producers take care of the practical side of the show, Guetta spends his time on more publicity, asking support from both Fairey and Banksy, eventually taping up huge billboards with their quotes, and ultimately ending up on the cover of "L. A.
Weekly."
Preparation is seriously behind schedule, and Guetta's production team insists that he must make decisions — yet Guetta spends his time hyping up and marketing his work for tens of thousands of dollars.
Eight hours before the opening, paintings are still missing from the walls, and since Guetta is busy giving interviews, the eventual layout of the show is decided by the crew itself.
Despite all this, however, the show becomes a raging success with the crowd, and after the first week of the show, Guetta sells almost a million dollars worth of art, with his pieces showing in galleries all around the world, to the utter confusion of both Fairey and Banksy.
In an ending montage, Guetta insists that time will tell whether he is a real artist or not. 
From 2004-2007 McDonald sang lead and backing vocals on BBC1's hit programme, Strictly Come Dancing.
In 2005 McDonald co-wrote and sang "feel the Vibe til the morning comes" with Axwell, a top 20 hit in the UK and one of the biggest dance tracks of the year, followed by "My My My" with Armand Van Helden in 2006 which entered the UK commercial charts at number 11.
Both tracks became big dance anthems and saw McDonald perform these live on Pete Tong BBC1 dance show in Ibiza.
In 2007 McDonald co-wrote two tracks on the "Pop Life" album by David Guetta released in 2008, resulting in the hit single "Delirious",one of the most played records on European radio in 2008, and an album track entitled "You're not alone".
McDonald also featured in the music video for this single.2007 also saw McDonald working with Bryan Ferry on his Dylanesque album backing singing and arranging some of the vocal harmonies.
They met previously when Tara was backing singing for the Band Du lac on a special charity concert where Tara was backing singing for Gary Brooker, Eric Clapton, Roger Walters.
Tara backing sang on Bryan's next studio album a work of Dylan covers and toured with him for a year.
McDonald also worked with the "Leo Green experience" as a guest vocalist at jazz venues in the UK like Ronnie Scott's and supported the Roy Ayers.2008 McDonald supported the charity Childline Rocks performing alongside Roger Daltrey (The Who), Thunder, Lulu & Russ Ballard at O2 Indigo, London.
In 2010 McDonald was asked to be the cover model for French Playboy's "Music is Fashion Sexy" edition.
A special music edition of the magazine which was the biggest selling issue of French Playboy in 2010.
Seven pictures of Tara were used in the edition dressing her as a modern day pin up with an Andy Warhol influence.
Bryan Ferry, David Vendetta and David Guetta all wrote supporting articles about their experiences working with Tara McDonald.
McDonald won the "Best Female Voice of 2010" in electronic music with OnlyForDj's magazine which launched a worldwide competition and it was voted by the public.
McDonald has been described as a "tigress on stage" and "the chic sexbomb of electro music.
"In 2010 McDonald collaborated on many new records "I'm Your Goddess" with David Vendetta, a dance track with a middle Eastern feel featuring Alim Gasinov from Azerbaijan on DJ Centre Records.
"Elevated" with the Australian dance duo TV Rock, "Everything", "Funkerman", "Beats for You" with Mischa Daniels on Amarda Music, "Set me on Fire" with Sidney Samson on Spinnin Records and the big smash "Give Into The Night/Tomorrow" with Dimitri Vegas, Like Mike Dada Life which was the anthem for the dance music festival Tomorrowland (festival) in Belgium and went to the top of the club charts and peaked as a top 20 track commercially.
Tara wrote the vocal melody and lyric and also recorded & produced the vocals for the track.
In 2011 McDonald released "Dynamite" with Sidney Samson on Spinnin Records and the remix by Nicky Romero became one of the most successful club tracks of that year with over 2 million views on YouTube.
In this year Tara worked again with David Guetta on a new track called "Pandemonium" with Afrojack which was released on FMIF Ibiza mix compilation on EMI Records.
Tara's next record "Generation 24/7" was released though Hed Kandi records on 26/12/11.
McDonald released a new track with David Guetta and Afrojack in 2011 called "Pandemonium" from the 2011 FMIF Ibiza mix album and also wrote and sang the anthem to Tomorrowland (festival) 2010 with Dimitri Vegas, Like Mike and Dada Life called "Tomorrow/Give Into The Night" which was an international club hit as well as a commercial radio hit in Belgium.
In 2010 McDonald was voted the best voice of the dance scene by the readers of "Only For DJ's" magazine in France.
In 2011 McDonald performed at the festival 24hrs of Burning House (held in Smederevo Fortress, Serbia), alongside Junior Jack, Sandy Rivera, Chocolate Puma, Steve Edwards and many other artists.
It was her second time visiting Serbia.
McDonald performed at the "Girls First" concert by children's charity Plan in Amsterdam with the biggest pop stars from The Netherlands and she was the only non Dutch artist to perform on the night.
The concert was to raise awareness for equal rights for girls in developing countries and was televised through Avro.
The United Nations declared 11 October to be an international day to put "Girls First". 
Mr. Brainwash – often stylized as MBW – is the moniker of Paris-born, Los Angeles-based self-proclaimed filmmaker and street artist Thierry Guetta.
According to the Banksy-directed film "Exit Through the Gift Shop" (2010), Guetta began as a proprietor of a clothing store and amateur videographer who filmed street artists through the 2000s and "evolved" into an artist in his own right in a matter of weeks after an off-hand suggestion from Banksy.
Guetta was first introduced to street art by his cousin, the street artist Space Invader.
Guetta does not typically have much physical involvement in the construction of the artwork attributed to him; he passes ideas to his creative team, mostly graphic designers who carry out the artistic side instead of Guetta.
Mimicking his associate Banksy, Guetta employs famous artistic and historic images, many of which are copyrighted, and amends the originals in sometimes slight, sometimes significant ways.
A number of critics have observed that his works strongly emulate the styles and concepts of Banksy, and have speculated that Guetta is an elaborate prank staged by Banksy who may have created the works himself.
Banksy insists on his official website, however, that "Exit Through the Gift Shop" is authentic and that Guetta is not part of a prank.
His work sold for five-figure sums at his self-financed debut exhibit "Life is Beautiful" due, it is thought, to a mixture of an over heated and hyped street art market and – according to Banksy and Shepard Fairey as seen in "Exit" – his misuse of endorsements from Banksy and Fairey.
The exhibit was held in Los Angeles, California, on June 18, 2008, and was a popular and critical success.
In 2009, Madonna paid Guetta to design the cover art for her "Celebration" album.
Many street artists and graffiti artists have spoken out against Guetta and his practice of allegedly stealing ideas from street artists and mainstream artists alike.
Guetta also has come to symbolize the capitalist turn that street art has taken in recent years.