Question: What does he think about the people who like it
About the article "Moves like Jagger", section "Background and composition".

Candidate passages:
Kid Marine is 3rd album by Robert Pollard, released in 1999.
It is the first release of Robert Pollard's Fading Captain Series.
Pollard has stated that the album is about Jeff "Kid Marine" Davis, the person pictured on the cover [http://web.archive.org/web/20030617162435/http://magnetmagazine.com/interviews/pollard.html].
Robert told Mojo magazine, "My personal favorite, a weird record, almost a concept album, about the typical Ohio male and what he does - drink, watch television, eat pizza.
It got mixed reviews, there are people who hate it and others who think it's our best record and I'm on their side.
I just love the songs.
It feels like one piece, like it all fits together.
I like the cover and I like the whole package."
  "Borges doesn't care, I think he fires away and doesn't think about the fans or anyone else.
I think he fires away with honesty and candor with no other objective but to tell people what he really thinks.
And if people don't like it, fuck 'em."
– Bob Ryan  "He's always expressed his opinions, bluntly."
– former "Globe" sports editor Don Skwar.
"We should have one of those "Globe" polls—'Who do you hate more?'
I've challenged Borges to see who could get out the vote.
It would be close.
And it would be a lot more interesting than who’s going to win the MVP."
– Dan Shaughnessy  
Perry’s work has been praised by Oprah Winfrey, who joined Perry in promoting Lee Daniels' film "Precious" (2009).
She told an interviewer, "I think grew up being raised by strong, black women.
And so much of what he does is really in celebration of that.
I think that's what Madea really is: a compilation of all those strong black women that I know and maybe you do too?
And so the reason it works is because people see themselves.
"Goldie Taylor, of The Grio and MSNBC, stated in an April 21, 2011 NPR "All Things Considered" interview regarding Perry's target audience: "I don't think Tyler Perry is talking to Touré.
I don't think he's talking to me, but I know that he's speaking directly to my mother, my sister, my cousins and meeting them at their point of need, and that's what art and filmmaking is about."
Accidental Dropping Ai Weiwei is so concerned with Chinese history as a whole and the fact that people are not playing the proper role in learning about it or preserving it.
By dropping a near-priceless artifact, Ai is essentially asking if the Chinese people really care about their history, and why not?
It is taking something that is worth an immense amount of money and reducing it to shards.
If he can do this with an artifact this important, it should suffice to raise awareness about the importance of all aspects of Chinese history.
Golden Sunlight (Performance) He Yuchang does a large amount of performance art and is known to push the limits in what he does.
His goal is to “seek enduring and fearless confrontation with reality and a poetic expression for this.” Chinese Landscape: Tattoo No.
2 Huang Yan sees landscape paintings as a way of expressing himself.
The landscapes he paints show tranquility, and does so on a variety of things.
These scenes are painted on his body, on pork, and even on cow bones.
Mouse Jin Le experiments with a wide variety of materials in order to demonstrate what he thinks that people and animals would look like if scientists succeeded in combining them into one form.
Peace series No.
19 Liang Yue uses photoshop as his main form of expression.
He attempts to photoshop a variety of ads onto photos he takes and then post them absolutely everywhere in an attempt to require people to see them.
Paradise Lost No.
17 Meng Huang was born in Beijing, and says “I grew up, knowing nothing.
Now I live in Beijing and find that works of art stars are very much westernized.” His works seem to be reminiscent of an almost unattainable land that was once a paradise, but is now sad and downtrodden.
Stamping on Water Song Dong notes “I find more pleasure in doing ‘art’ as a matter because of the openness of artistic language.
As I understand it, the time is over when artistic styles are defined by medium, method and paradigm.
When I make use of these, the only thing that I have in mind is whether they fit my ideas.” His work seems to show a lot of disparity in life and the fact that humans are a lot less important to the world around them.
Skin Graft Zhu Yu is a very outspoken artist who uses his work to make a statement.
His work is aimed at making people think about the world around them.
He says that “We’re not very afraid that we are not thinking what others are thinking since such an issue is taken care of by our spirit.
What we are afraid of is that people are thinking what they are not supposed to think.
So we need to re-think over what people initially take to be right, and abstract out everything that has nothing to do with reality.” 
Sessions ran from 2010—to begin recording of the album—until 2011, when in July (the 6th) Noel had announced details of the album.
Producer Dave Sardy had said of the album and Noel turned solo musician "It wasn't a weird situation for me.
Noel is the main songwriter for Oasis—he always was—and whether anyone wants to admit it, he's kind of the co-manager of the band.
He's a very smart guy.
[..] I think Noel is a real grown-up in what he does as far as his writing and his music.
I mean, I wasn't working with him when he was 18 – I'm sure he's changed, because who hasn't?
– but for me, politically, there wasn't anything to think about.
Noel is the songwriter, and I'm a song guy.
If there was a chance for me to work with anybody in the band, I'd go with the awesome songwriter.
"In this interview with MusicRadar.com, Dave also reveals:"Noel's songs were great.
The recordings needed fixing.
I think he started out doing demos and then the excitement grew to the point where he thought he was done.
It was presented to me like, 'Here's the album, when are you available to mix it?'
[..] I flew to the UK and sat down with Noel, and I went through it song by song and what I thought the problems were.
By the time we got to the fifth song, he had his head in his hands, and he was like, 'What are you trying to say?'
And I said, 'I'm not trying to say.
I'm telling you.
'; We went through each song measure by measure, and every fifth measure or so I'd say, 'And what about this?'
or 'What about that?'
It wasn't like I said anything that was a shock to him; I just think he was used to the way everything sounded.
At the end, he said, 'Well, how do we change it?'
And I said, 'Don't worry, leave it up to me.'
He had built a beautiful house, but it was sitting on a tarpit.
We had to move it and put it on a better foundation.
"Noel had said that when working on the basic demos for the album at the time of the album's beginning stages of production, "Dave said he thought he could make it 10 percent better by re-recording some drums and bass and things.
Watching Dave make it sound like a group when it's really just me and a click track was just a fantastic experience.
I love Dave Sardy.
He's great at what he does.
He's great at what I'm not great at.
In fact, I don't know exactly what he does, but he's brilliant at it.
He really digs my songwriting, and he brings the best out of me because what he does inspires me.
""I'm pleased the production of the album, and I'm just glad to play it for the people.
"To record the album, Noel and Dave were using a(n) EMI TG console and several Fairchild limiters, in a basic studio set-up.
Various locations for the album production were Surrey's State of the Ark, Manchester's Strangeway Studio, London's Dean St. Studios and the famous Abbey Road Studios.