Question: When was the CD and cassette reissue through DCC Compact Classics?
About the article "The Terminator", section "Release-1".

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The soundtrack album was originally released through Enigma Records.
It was followed by a CD and cassette reissue on July 1, 1991 through DCC Compact Classics.
A remastered edition entitled "The Definitive Edition" was released on August 22, 1995 through Edel AG.
This edition contained a 73-minute running time and included a bonus track the "Judgement Day Remix" of "Theme from The Terminator."
The liner notes of the album contained extensive annotations for each track.
The Digital Compact Cassette (DCC) is a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette.
It was also a direct competitor to Sony's MiniDisc (MD) but neither format toppled the then ubiquitous analog cassette despite their technical superiority.
Another competing format, the Digital Audio Tape (DAT) had by 1992 also failed to sell in large quantities (although it was established in recording studios)—DCC was envisaged as a cheaper alternative to DAT.
DCC shared a similar form factor to analog cassettes, and DCC recorders could play back either type of cassette.
This backward compatibility allowed users to adopt digital recording without rendering their existing tape collections obsolete. 
DCC signalled the parting of ways of Philips and Sony, who had worked together successfully on the Compact Disc, CD-ROM and CD-i before.
Based on the success of Digital Audio Tape in professional environments, both companies saw a market for a new consumer-oriented digital audio recording system that would be less expensive and perhaps less fragile.
Sony decided to create the entirely new MiniDisc format (based on their experience with magneto-optical recording and Compact Disc) while Philips decided on a tape format that was compatible with their earlier analog Compact Cassette format.
DCC was developed in cooperation with Matsushita, and the first DCC recorders were introduced at the Firato consumer electronics show in Amsterdam in 1992.
At that time, not only Philips and Panasonic (brand of Matsushita) announced DCC-recorders but also other brands such as Grundig and Marantz (both related to Philips at the time).
More recorders and players were introduced by Philips and other manufacturers in the following years, including some portable players and recorders as well as in-dash DCC/radio-receiver combinations for automotive use.
In November 1995 at the "HCC dagen" computer fair in Utrecht, The Netherlands, Philips presented the DCC-175 portable recorder that could be connected to an IBM-compatible PC using the "PC-link" cable.
This was the first (and only) DCC recorder that could be connected to, and controlled by, a computer, and it was only ever available in the Netherlands.
Philips marketed the DCC format in Europe, the United States and Japan.
According to the newspaper article that announced the demise of DCC, DCC was more popular than MiniDisc in Europe (especially in the Netherlands), however this claim has yet to be verified.DCC was quietly discontinued in October 1996 after Philips admitted it had failed at achieving any significant market penetration with the format, and unofficially conceded victory to Sony. 
Elcaset was a short-lived audio format created by Sony in 1976 that was about twice the size, using larger tape and a higher recording speed.
Unlike the original cassette, the Elcaset was designed from the outset for sound quality.
It was never widely accepted, as the quality of standard cassette decks rapidly approached high fidelity.
Technical development of the cassette effectively ceased when digital recordable media, such as DAT and MiniDisc, were introduced in the late 1980s and early 1990s.
Anticipating the switch from analog to digital format, major companies, such as Sony, shifted their focus to new media.
In 1992, Philips introduced the Digital Compact Cassette (DCC), a DAT-like tape in almost the same shell as a Compact Cassette.
It was aimed primarily at the consumer market.
A DCC deck could play back both types of cassettes.
Unlike DAT, which was accepted in professional usage because it could record without lossy compression effects, DCC failed in both home and mobile environments, and was discontinued in 1996.
The microcassette has in many cases supplanted the full-sized cassette in situations where voice-level fidelity is all that is required, such as in dictation machines and answering machines.
Even these, in turn, are starting to give way to digital recorders of various descriptions.
Since the rise of cheap CD-R discs, and flash memory-based digital audio players, the phenomenon of "home taping" has effectively switched to recording to Compact Disc or downloading from commercial or music sharing Web sites.
Because of consumer demand, the cassette has remained influential on design, more than a decade after its decline as a media mainstay.
As the Compact Disc grew in popularity, cassette-shaped audio adapters were developed to provide an economical and clear way to obtain CD functionality in vehicles equipped with cassette decks.
A portable CD player would have its analog line-out connected to the adapter, which in turn fed the signal to the head of the cassette deck.
These adapters continue to function with MP3 players as well, and generally are more reliable than the FM transmitters that must be used to adapt CD players and digital audio players to car stereo systems.
Digital audio players shaped as cassettes have also become available, which can be inserted into any cassette player and communicate with the head as if they were normal cassettes. 
 "That's the Way Love Goes" was reissued on CD by DCC Compact Classics in 2000.
"That's the Way Love Goes" was reissued along with "Going Where the Lonely Go" on CD by S & P Records in 2005.