Question: On what date was Still Life with GEraniums shown?
About the article "Henri Matisse", section "Legacy".

Candidate passages:
Still Life with Geraniums is a 1910 oil on canvas painting by Henri Matisse.
It is in the collection of Pinakothek der Moderne, Munich, Germany, to whom it was given in 1912, thus becoming, according to the museum, the first Matisse to enter a public collection.
It was one of six paintings in the museum's collection to survive World War II.
The painting should not be confused with Matisse's 1906 painting "Still Life with a Geranium", which is held by the Art Institute of Chicago, or his 1912 painting "Pot of Geraniums" in the National Gallery of Art.
(Juan Gris also painted "Pot of Geraniums" in 1915, sold at auction in 2007.)
"Vase with Zinnias and Geraniums" (F241) reflects the influence of Adolphe Monticelli (1824–1886) in its vivid color and impasto paint.
Van Gogh admired, and later collected, Monticelli's work.
Van Gogh had been introduced by his brother Theo to Monticelli's still life work with flowers in Paris.
He admired Monticelli's use of color as an expansion of Delacroix's theories of color and contrast.
Secondly he admired the effect Monticelli created by heavy application of paint called "impasto".
It was partially Monticelli, from Marseilles, who inspired Van Gogh's southerly move to Provence in 1888.
He felt such kinship for the man, and desire to emulate his style, that he wrote in a letter to his sister Wil that he felt as if he were "Monticelli's son or his brother."
The first owner in the provenance of this painting is "C.M.
van Gogh Gallery, Amsterdam, The Netherlands", which was owned by Van Gogh's uncle and an art dealer, Cornelius Marinus van Gogh (1824–1908).
"Bowl with Zinnias and Other Flowers" (F251), painted within days of "Vase with Zinnias and Geraniums" (F241), is evidence of Van Gogh's transition to a lighter color palette.
Picking up elements of Impressionism Van Gogh painted with a more vigorous brushstroke, with thick application of paint, called "impasto" which created a three-dimensional relief.< 
József Koszta (Brassó, 1861 - Budapest, 1949) was a Hungarian painter whose major works include "Girl with Geraniums", "Corn Snappers", and "Woman Drying Plates". 
 Umberto Boccioni - "Self-portrait" Gustaf Cederström - "Victory at Narva" Evelyn De Morgan - "Queen Eleanor and Fair Rosamund" Jacob Epstein - "Mrs Epstein Leaning on One Hand" (portrait bust) Florence Fuller - "A Golden Hour" J. W. Godward *"Flabellifera" *"A Greek Beauty" *"Mischief" *"A Roman Matron" Henri Matisse *"Landscape at Collioure" *"The Open Window, Collioure" *"Still Life with Geraniums" *"Les toits de Collioure" *"Portrait of Madame Matisse (The green line)" *"Woman with a Hat" Pablo Picasso *"Family of Saltimbanques" *"Garçon à la pipe" *"Les Noces de Pierrette" *"Portrait of Madame Canals" (Musée Picasso, Paris) *"Woman with a Fan" (National Gallery of Art, Washington, D.C.) Henri Rousseau - "The Hungry Lion Throws Itself on the Antelope" Marianne Stokes - "Hungarian portrait" Abanindranath Tagore *"Bharat Mata" *"Dancing Girl"  
Two songs recorded for the film, "You're a Queer One, Julie Jordan" (sung by Barbara Ruick and Shirley Jones) and "Blow High, Blow Low" (sung by Cameron Mitchell and a male chorus) were eventually left out of the movie because the producers wanted to keep the length at 128 minutes.
They have, however, been included in all editions of the soundtrack album.
"The Highest Judge of All", a song which precedes Billy's meeting with the Starkeeper in the show, in which he asks to meet God, was eliminated from the film score and does not appear on the soundtrack album, presumably because the flashback scenes precluded it.
Mr.
Snow's sentimental song, "Geraniums in the Winder", which serves as an introduction to "Stonecutters Cut It on Stone", was also eliminated, as was a reprise of "Mister Snow".
As with "The Highest Judge", neither "Geraniums" nor the reprise of "Mister Snow" were ever recorded for the film, and have not appeared on any editions of the film's soundtrack.
One verse of "Stonecutters Cut It on Stone" (which appears on the album) was omitted from the film, perhaps because it contains a veiled reference to sex and the movie censors of the day might have objected.
The soundtrack album also featured (as noted above) the complete version of "Carousel Waltz" which is first heard at the beginning of the original show and early in the film.
Because of its nearly eight-minute length, only an abridged version of the waltz was actually heard in the movie, and many stage productions of "Carousel" tend to shorten the piece as well, because of time considerations.
In addition, the soundtrack album version of the song "When the Children Are Asleep" includes the long introductory section to the song sung by Mr.
Snow as it is in the show; the film does not use this.
The soundtrack album also includes a section of "If I Loved You" not in the film.
The lyric of this section, which is supposed to be sung by Billy Bigelow, is as follows: : "Kind of scrawny and pale : "Pickin' at my food : "And lovesick like any other guy.
: "I'd throw away my sweater : "And dress up like a dude : "In a dickey and collar and a tie, : "If I loved you".
This section leads to Billy reprising the refrain of the song.
In the film, the refrain is still there, but the lines quoted above are omitted.
Billy simply says "I wonder what it'd be like", upon which Julie responds knowingly, "If you loved me?
But you don't".
Billy, in turn, answers, "No I don't", and goes on to sing the refrain of the song beginning with the lines : "But somehow I can see" : "Just exactly how I'd be".