Question: How did Claude Monet die?
About the article "Claude Monet", section "Death".

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 2003, Claude Monet.  
Jean Monet may refer to:  Jean Monet (Canadian writer), winner at the 1997 Arthur Ellis Awards  Jean Monet (son of Claude Monet), (1867-1913), a frequent subject of paintings by his father Claude Monet  
Springtime is an 1872 painting by Claude Monet. 
She was the second daughter of Ernest Hoschedé and Alice Hoschedé.
Ernest was a business man, a department store magnate in Paris.
and an art collector of impressionist paintings.
In 1876, he commissioned Claude Monet to paint decorative panels in the round drawing room, in his residence, the "château de Rottembourg", in Montgeron.
In 1877 Ernest Hoschedé, went bankrupt and his art collection was auctioned off.
Ernest, Alice, and their 6 children moved into a house in Vétheuil with Monet, Monet's first wife Camille, and the couple's two sons, Jean and the infant Michel.
Ernest, however, spent most of his time in Paris, and eventually abandoned his family and went to Belgium.
During 1879 after the death of Camille Monet, Alice Hoschedé and the 2 Monet children lived together in Paris.
Eventually joining Monet in Vétheuil, and then moving with him to Poissy in 1881 and finally settling in Giverny in 1883.
The relationship between Claude Monet and Alice Hoschedé developed and became official although they remained unmarried.
After Ernest Hoschedé died in 1891 Claude Monet and Alice Hoschedé did marry in 1892.
Blanche became immediately fond of Claude Monet.
She was eleven when she discovered the art of painting.
Eventually she spent long hours in Claude Monet’s atelier and also in Édouard Manet’s.
In 1882 Claude Monet rented a summer house in Pourville, and Blanche started to paint next to him.
When Claude Monet created his series "Haystacks (1890–1891)" Blanche came completely under his influence.
Blanche became Monet's assistant and pupil.
She often carried Claude Monet’s easel, canvases on a wheel barrow, and then set up her own easel and painted nearby.
She used the same canvas, the same palette, and the same colors and the same subject.
Paul Durand-Ruel purchased a Haystack by Blanche Hoschedé Monet, and it currently is displayed in Claude Monet’s house in Giverny.
While in Italy, Claude Monet wrote a letter to Alice Hoschedé, “Is Blanche still painting and am I going to find her in progress?” Her work was done en plein air as she did not have an atelier.
Claude Monet in January 1888 while in Antibes, encouraged Blanche to submit a work to the Salon.
The Hoschedé-Monet family shared a lot of time with the "American Expatriates".
Blanche also painted alongside John Leslie Breck (1860–1899), and Theodore Earl Butler.
She had a romance with John Leslie Breck which was stopped by Claude Monet.
Consequently, John Leslie Breck left Giverny in 1892 after Theodore Earl Butler’s marriage to Blanche’s sister, Suzanne Hoschedé; a marriage approved by Claude Monet.
Finally, Blanche married Claude Monet’s eldest son, Jean Monet, in 1897.
They lived in Rouen and Beaumont-le-Roger until 1913.
She painted landscapes such as meadows along the Risle’s river and Poplars and Pines.
Upon her husband’s death in 1913 she moved back to Giverny with Claude Monet in 1914.
She went to Clemenceau’s House in the southern part of France in Saint- Vincent-du-Jar with Claude Monet for one week in October 1921.
She returned in 1927, 1928 and 1929 and did some paintings of the he was called by the prime minister of France, Georges Clemenceau, "The Blue Angel", as she spent her time taking care of Claude Monet until his last days.
Janine Burke believes that Blanche may have assisted Monet in the painting of "Grand Decorations".
Monet had trained and encouraged Blanche as an artist.
In a chapter on Blanche and Monet in "Source: Nature's Healing Role in Art and Writing" (2009), Burke comments, "Given the sheer scale of the surfaces to be covered in the Grand Decorations, it is logical to consider Monet had an assistant, and who better than Blanche?"
Most of her works were done in Giverny and around Rouen.
She painted in Giverny from 1883 to 1897 and then from 1926 to 1947.
She eventually decided to have a solo show at Bernheim Jeune, in 1931.
She adopted an almost pure form of impressionism.
She painted for her own pleasure.
It is difficult to distinguish her work from Monet’s especially during her first period in Giverny.
The palette, brushes, paint and canvases came from Claude Monet.
She then painted Claude Monet’s garden, and its surroundings.
A street in Giverny bears her name. 
 Claude Monet, "La pointe de la Hève, Sainte-Adresse", 1864, National Gallery, London Claude Monet, "La Pointe de la Hève à marée basse", 1865, 90.2 x 150.5 cm, Kimbell Art Museum, Fort Worth, Texas, États-Unis.
Claude Monet, "Jardin à Sainte-Adresse", 1867, 98.1 cm x 129.9 cm, Metropolitan Museum of Art, New York.
Claude Monet, "La plage de Sainte-Adresse", 1867, Art Institute of Chicago Claude Monet, "La côte de Sainte-Adresse" Claude Monet, "La mer à Sainte-Adresse" Claude Monet, "Promenade sur les falaises de Sainte-Adresse" Claude Monet, "Régates à Sainte-Adresse", 1867, Metropolitan Museum of Art, New York.
Claude Monet, "Les cabanes à Sainte-Adresse", 1868 Claude Monet, "Rue à Sainte-Adresse" Claude Monet, "La falaise de Sainte-Adresse" Claude Monet, "Sainte-Adresse, bateau à voile échoué" Claude Monet, "Sainte-Adresse" Claude Monet, "Sainte-Adresse, bateaux de pêche sur le rivage" Jean-Baptiste-Camille Corot, "Maison de pêcheurs à Sainte-Adresse", entre 1830 et 1840, Musée du Louvre, Paris Raoul Dufy, "La plage de Sainte Adresse", 1902