Question: Which film poster played off "The Creation of Adam" for its art?
About the article "The Creation of Adam", section "Popular culture".

Candidate passages:
Alvin's first official movie art campaign was for the poster for "Blazing Saddles", directed by Mel Brooks, in 1974.
Movie posters were considered to be the preeminent means of advertising new films at the time and often appeared in newspapers and billboards.
Alvin, who was working as an animator at an animation studio at the time, was invited to work on the "Blazing Saddles" poster by a friend.
Alvin took an unusual path when designing the movie poster.
He designed a serious movie poster, which incorporated unusual and quirky elements from the film.
For example, in the poster, Alvin depicted Mel Brooks, who plays a Yiddish-speaking Native American chief in the film, wearing a headdress inscribed with the phrase, "Kosher for Passover".
The joke had been suggested by Alvin's wife, Andrea.
Alvin's work on Blazing Saddles was liked by Mel Brooks, as well as by others in the industry.
He went on to work on a number of Brooks' later films, including "Young Frankenstein", which was also released in 1974.
Another of Alvin's most famous cinematic posters was his work for Steven Spielberg's 1982 film, "E.T.
the Extra-Terrestrial".
Alvin designed the film's iconic poster showing E.T.
's finger touching the finger of his human friend, Elliott, finger tip to finger tip.
The fingers create a glow where they touch.
The idea for the poster was reportedly suggested by Spielberg, and was inspired by Michelangelo's painting, The Creation of Adam.
The E.T.
poster was personally important to Alvin.
He used his own daughter, Farah Alvin, as the human hand model for the poster.
Alvin created artwork for more than 135 film campaigns over the span of three decades.
His work for such high profile film studios as New Line Cinema, Warner Bros. Entertainment, Disney Studios and Lucasfilm Ltd., included "Blade Runner", "Cocoon", "The Lost Boys", "Predator", "The Princess Bride", "Gremlins", "The Lion King", "Beauty and the Beast", "Batman Returns", "Batman Forever", and "Jurassic Park".
He also created the anniversary posters and other artwork for the 30th anniversary "Star Wars Celebration".
His recent high profile campaigns included commissioned artistic posters for Peter Jackson's "Lord of the Rings trilogy", the Harry Potter film series and Walt Disney's "Pirates of the Caribbean" films.
Alvin, and the images he created for his films, often played a key role in the success of a film.
John Sabel, the executive vice president of creative print advertising at Walt Disney Pictures, who often worked with Alvin, told the Los Angeles Times that, "There was a reason why "The Lion King" did the numbers that it did...
There was a reason why 'Hunchback Notre Dame' became a big success.
It's because of the images that were produced, and a lot of those were John Alvin's paintings."
Alvin's poster for "The Phantom of the Paradise" was selected by the National Collection of Fine Arts, the Smithsonian Institution Smithsonian Museum and the Museum of Modern Art to be included in "Images of an Era (1945-1975)," a collection of posters that toured Europe as part of the US Bicentennial under the auspices of the Smithsonian American Art Museum.
Alvin began to focus more on cinematic fine art in recent years, as the importance of movie posters has gradually been usurped by newer forms of advertising, such as the Internet marketing of new films.
Alvin's fine art portfolio centered on movies artistically, rather than on advertising.
His most recent work was as an artistic contributor to the campaign of the Walt Disney Pictures film, "Enchanted", which was released in November 2007. 
The annual Key Art Awards, sponsored by "The Hollywood Reporter", include awards for best film poster in the categories of comedy, drama, action adventure, teaser, and international film.
The "Hollywood Reporter" defines the term "key art" as "the singular, iconographic image that is the foundation upon which a movie's marketing campaign is built."
In 2006, the original poster for "The Silence of the Lambs" was named best film poster "of the past 35 years". 
Critics and film buffs were quick to notice that the poster, designed by Art Sims, was similar to Saul Bass' art for Otto Preminger's 1959 film "Anatomy of a Murder".
Sims claimed that it was a homage, but Bass regarded it as a rip-off. 
The film's festival-touring poster, which parodies James Montgomery Flagg's famous Uncle Sam recruitment poster, has independently received critical acclaim and was named as one of the 12 best movie posters of 2012 by Film School Rejects.
Oscilloscope Pictures is using an updated version of the same poster design, with the movie's film festival awards and a critic's quote added, for its commercial theatrical release. 
An important trait of the collective is its openness in collaborative works with other groups and organizations.
In the summer of 2006, NMP designed the advertising materials for the independent musical e-zine Plagij.at (http://www.plagij.at) birthday concert called "Plagij.at Turns1".
In the same period, NMP participated in the creation and the promotion of the film “Does it Hurt?
– The First Balkan Dogma”: the official movie poster won the film magazine Skrien’s award for the Best Poster of the Rotterdam Film Festival 2007.
Other notable NMP partners include: Gluva Soba, Lokomotiva, Kanal 103, Line I+M, Pogon, Project Pechat, ComeClean, etc.