Question: how many rental video copies did shawshank ship?
About the article "The Shawshank Redemption", section "Home media".

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Despite its disappointing box office return, Warner Bros. shipped 320,000 rental video copies throughout the United States, and it became one of the top rented films of 1995.
The film's home viewing success was considered to be based on positive recommendations and repeat customers.
The film's Academy Award nominations enabled it to fare well in the video sales and cable TV viewings.
In June 1997, TNT, an American cable network, showed the film for the first time.
The film was the first feature in TNT's "Saturday Night New Classics".
A 2004 "Sunday Times" article suggested that TNT aired the film frequently from then on, about once every two months.
TV airings of the film accrued record breaking numbers.
During the 1990s, FACT created a 30 second anti-piracy warning called "Beware of Illegal Video Cassettes", reminding customers to check whether they have a genuine video and how to report questionable copies.
They appeared on many different video cassettes by home video companies including Columbia-TriStar Home Video, Buena Vista Home Video, CIC Video (and its successor, Paramount Home Entertainment), Warner Home Video, 20th Century Fox Home Entertainment, Guild Home Video and others.
Versions for each studio depicting their respective security label (generally a hologram of the studio logo) were created, with several iterations for each as the FACT hotline number changed multiple times throughout the decade.
The warning was placed at the beginning of practically every rental released VHS tape in the UK (as well as many retail tapes), similar to the FBI Warning found on tapes in the United States.
Since late 1996, this warning was followed by a public information film featuring a man attempting to return a pirate video purchased from a market after discovering that the sound was garbled and the picture unwatchable, ending with the tagline "Pirate Videos: Daylight Robbery."
A video rental shop is a physical business that rents home videos.
Typically, a rental shop conducts business with customers under conditions and terms agreed upon in a rental agreement or contract, which may be implied, explicit, or written.
Services such as video on demand and DVD-by-mail have become increasingly popular since the mid 2000s, in turn greatly reducing the demand for video rental shops.
As such, many major chains have gone out of business. 
Early fansubs.
Early or "traditional" fansubs were produced using analog video editing equipment.
First, a copy of the original source material, called a "raw" was obtained.
The most common raw source was a commercial laserdisc.
However, a commercial VHS tape or even a homemade recording could be used as well, though that would entail a lower quality finished product.
A translated script was then made to match the dialog of the raw video.
The video script was then "timed".
Timing is the process of assigning a "start time" (Synch-Point) and "end time" for each line of subtitling; this determines how long a given subtitle would remain on the screen.
Timing a script was usually done in conjunction with computer software designed specifically for that purpose.
The person performing the timing would watch the source video and would assign the appearance, changing, and removal of the subtitle text using a computer.
The two most popular programs used in this process were JACOsub (on the Commodore Amiga) and Substation Alpha (on MS Windows).
Once the script was prepared and timed, the next step was to produce one or more "masters".
A master was a high quality copy of the finished fansub from which many distribution copies could be made.
The fansubber would play back the raw video through a computer equipped with a genlock in order to generate the subtitles and then overlay them on the raw signal.
The hardware of choice was an Amiga PC as most professional genlocks were extraordinarily expensive.
The final output of this arrangement was then recorded.
The master was most often recorded onto S-VHS tape in an attempt to maximize quality, though some fansubbers were forced to use inferior but less expensive VHS or Beta.
Once completed, the master copy was then sent to a "distributor".
Fansub distributors (who delivered videos to fans) were usually separate from fansubbers, who did translations and produced masters.
Since most members of the fansub community did not want to profit from their activities, fansubs were usually not "sold".
Typically, a fan who wanted copies of a given program would mail blank VHS or Betamax tapes to a fansub distributor, along with a modest payment for shipping expenses.
The distributor would then record copies onto the "customer's" blank cassettes, and ship them back.
Alternatively, a fansub distributor might sell copied tapes outright, but at a low price which was intended to be exactly enough to cover the cost of blank cassettes and shipping.
This style of fansubbing was quite cost-intensive for the fansubber and the distributor.
The raw usually was purchased at a high price; nearly all Anime Laserdiscs (or tapes) cost more than $50, and many cost more than $100.
It would not be uncommon for a $50 Laserdisc to contain just 30 minutes of video.
Obtaining quality raws for a series of moderate length could cost over $1000.
As well, many fansubbing groups paid professional translators in order to generate the script.
Then, expensive video equipment was required: Laserdisc player, PC, genlock, and recording deck for producing the "master"; subsequently two or more video decks were then needed for producing distribution copies.
Professional grade video hardware such as players, recorders, and editing decks was extremely expensive; easily into the thousands of dollars.
Various factors made it difficult for fansubbing groups to make releases with good video quality.
The high cost of equipment forced most fansubbing groups to use less expensive but inferior quality consumer grade electronics.
Even when a high quality LD source and professional grade hardware could be used, the final fansub was at best a third-generation copy.
In reality, most fansubs in circulation were fourth or fifth generation copies, and were not made on professional equipment.
Thus, in practice quality was usually very poor, though the actual localization and translation were closer to a professional level than those found in modern fansubs. 
The facility gained fame when it served as Shawshank State Prison in the 1994 film "The Shawshank Redemption" starring Tim Robbins and Morgan Freeman.
The facility has also been used in many other productions (even while it still held inmates), such as:  "Harry and Walter Go to New York" (1975) - Harry and Walter spend some time behind bars at the penitentiary, when the prison was still in operation.
"Tango & Cash" (1989) - The facility was used for various prison scenes.
"The Shawshank Redemption" (1994) - The prison was used in the large panning scene, the warden's office, and an officers' quarters was used to shoot Brooks' apartment.
"Air Force One" (1997) - The prison was used for scenes of a Russian prison for General Ivan Radek.
Godsmack "Awake" music video 2000.
Marilyn Manson promotional photography, 1996 - Frontman, Brian Hugh Warner, grew up in Canton, Ohio.
Ohio State Reformatory has been the subject of numerous paranormal investigation shows, including the Fox Family Channel's "Scariest Stories on Earth", and "Scariest Places On Earth".
The Travel Channel did a tourism documentary on the OSR.
In 2005, The Atlantic Paranormal Society (TAPS) investigated the facility for the SciFi Channel's TV series "Ghost Hunters".
In 2004 Lil Wayne featured this prison in his video for the song "Go DJ".
In April 2006 the horror/thriller motion picture "Fallen Angels" (2007) was filmed almost entirely at OSR.
The film featured many genre favorites.
WWE shot a promotional poster featuring Triple H for their 2008 Judgment Day event in the facility.
In 2009 the facility was featured on ""Ghost Adventures"", where the crew received multiple equipment problems, such as charged batteries inexplicably draining.
In 2010, the facility was used for an episode of "Ghost Hunters Academy".
It is the filming place for the music video of the song "Relentless Chaos" by Miss May I.
The Purple Smoke Project (Hip hop group) filmed a video for the song "Calm Down" in 2011  Attack Attack shot a portion of their video "Smokahontas" in 2011 Anti-Flag shot the majority of their video for "The New Sound" in the prison