Question: Who penned We found love?
About the article "We Found Love", section "Recognition and awards".

Candidate passages:
  "The Dirt Glitch Land Alter Affair" (Cambridge: Arehouse, 2003)   "How to make Millions" (Cambridge: Arehouse, 2004)   "I just want you to know that we can still be friends" (Intercapillary Space, 2005)   "When I say I Believe Women…" (London: bad press, 2006)   "Of All the Surprises" (Switzerland: Dusie, 2007)   "Who handles one over the Backlash" (Norfolk: Oystercatcher press, 2008)   "Hopeful For Love Are Th’ Impoverish’d Of Faith" (Southampton: Torque press, 2010)   "Love / All That / & OK: Selected Writing" (London: Penned in the Margins, 2011)   "Sonnets for Luke" (Liverpool: Holdfire press, 2011)   "IMAGINARYLOVEPOEMS" (Paris: Corrupt Press, 2011)   "This is not a True Thing" (London: Intercapillary Press, forthcoming)   
Asper penned words and music for several LDS hymns.
Seven of these are found in the 1985 hymnal "Hymns of The Church of Jesus Christ of Latter-day Saints".
132: God Is in His Holy Temple – music  176: 'Tis Sweet to Sing the Matchless Love – music  189: O Thou, Before the World Began – music  222: Hear Thou Our Hymn, O Lord – words and music  245: This House We Dedicate to Thee – music  257: Rejoice!
A Glorious Sound Is Heard – music  323: Rise Up, O Men of God (Men's Choir) – music  
In 1987, Liberty issued a new disc featuring five additional tracks, covering Rogers' newest hits up to that point.
The new tracks are the last five, including the title single "Love Is What We Make It" and "Sweet Music Man", the latter penned by Rogers himself. 
  Calvin Harris C.- We Found Love  Carly Rae Jepsen - Call Me Maybe- Good Time  Christina Aguilera - Moves Like Jagger- Say Something  Colby O'Donis - Just Dance 
The clean version of "The Way You Love Me" garnered generally positive reviews from music critics who noted the effective melding of the intense vocal delivery of Hilson with the rapid pace and banging beat of the song.
Caroline Sullivan of "The Guardian" said that all the five songs Hilson penned for "No Boys Allowed", with the exception of the "frantic electronic firework 'The Way You Love Me', are too featureless to make an impression."
Ben Hatliff of "The New York Times" commented that Hilson "gets a certain energy out of bossiness" on "The Way You Love Me" which according to him, goes far for a mainstream female singer in its boasting and sexual hunger.
He also added that "it sometimes seems as if it were not a man at all she wants to boss around but Rihanna."
Spence D. of IGN Music commented that Hilson moves "to a gritted-teeth half-rapped, half-sung approach" for "The Way You Love Me".
He went on complimenting the heavy beat of the song which according to him, matches the "shouted vocals" of the singer on the song.
Andy Kellman of Allmusic called "The Way You Love Me" the most emblematic track on "No Boys Allowed".
He praised the line "I got the kinda lovin' that'll keep you off the streets" and describing the song as rowdy and sexually direct, he concluded that it could be ideal for "the soundtrack to a straight-to-DVD "Showgirls" sequel.
"Glenn Gamboa of "Newsday" found that Hilson gets incredibly riled up on "The Way You Love Me".
Rob Sheffield chose "The Way You Love Me" as one of the high points that are worth digging out and called its content "electro-porn."
Mikael Wood of "Entertainment Weekly" called the song a "raunchy" one.
Chris Parkin Yahoo!
Music commented that the "fantastic banger 'The Way you Love Me' [...], filthy song, that makes like the oversexed, doolally cousin of Beyoncé Knowles' "Crazy in Love" (2003).
Idolator's staff members described "The Way you Love Me" as a "pretty much the definition of down-and-dirty, adequately conveying a sexual energy perfect for, shall we say, a 'particular' type of dancing."
They also said that vocals of Hilson sound "less like it was recorded during the throes of passion and more like someone just cut her off on the freeway".
However, they ended up saying that the song works.
Neil Miller, Jr. of UR Chicago called "The Way You Love Me" an undeniable standout on the record thanks to its "serious bass to rattle your trunk, some tweaked out synth stabs, and Hilson's bad bitch attitude."
By contrast, Eric Henderson of Slant Magazine said that it seems that Hilson has begun trusting her ability "to thrust her hips toward recoiling cameras more than she believes in the power of her vocal track."