Question: Which single did Jeff Bhasker refer to when eh stated that it "had a Queen/Freddie Mercury vibe to it"?
About the article "Some Nights", section "Composition".

Candidate passages:
After the poor commercial performance of their debut album, "Aim and Ignite", Fun decided to put Jeff Bhasker as producer for their second studio effort.
The band's frontman, Nate Ruess, met with Bhasker at his hotel in New York City in February 2011.
Ruess was anxious about meeting Bhasker, so he arrived early at the bar in the Bowery Hotel on the Lower East Side "and had a little to drink just to make sure I was loosened up."
According to Bhasker, he wasn't really wanting to meet the band, as he "was working with Beyoncé, and also with Alicia, Kanye and Jay-Z, and doing this had been a big goal in my life.
I had no intention of being distracted.
"Bhasker had just finished a long day in the studio with Beyoncé, and had decided to give Ruess 10 minutes.
He had previously already canceled two meetings with him.
The two began talking about music, and Ruess' desire to merge hip-hop beats and electronic effects with pop rock intrigued Bhasker, who invited Ruess up to his hotel room to show him some Beyoncé tracks he had been working on.
"Slightly tipsy and feeling inspired," Ruess belted out the chorus for "We Are Young," which at that time was an unfinished composition.
Bhasker was taken aback and automatically "freaked out," demanding he see the band for studio time "in the next few days."
The next day, Bhasker and Ruess booked a New York studio and cut a version of "We Are Young" not far from the final version of the track.
On the first day of recording at Jungle City, Bhasker programmed the drums on his Akai MPC3000 machine, a moog bass and "maybe using my little Juno 106, and we added vocals and piano.
We worked for many more days on it afterwards, but the core of the final version of the song was recorded on that first day.” After the Jungle City sessions, more vocal, guitar and piano tracks were recorded at Electric Ladyland Studios, and from there sessions continued at Enormous Studios in Los Angeles, The Village Recorder to track the children's choir, and Abbey Road Studios to record the orchestral arrangements.
The band invited Janelle Monáe to provide guest vocals on "We Are Young" through her friendship with Bhasker.
After being played the song, Monáe was enthused about the song and recorded her vocals in Bristol, England.
Bhasker further mixed the song in a 44.1 kHz/24-bit Pro Tools HD session at the course of almost two weeks, and the stereo mix was mastered using a L2 limiter and an API 550 EQ.
When Bhasker multitracked Ruess' vocals for the chorus, he noticed that it "had a Queen/Freddie Mercury vibe to it."
Guitarist Jack Antonoff called "We Are Young" the "bull's-eye center" of the sound the band was striving for while producing "Some Nights."
The song displays the influences brought by Jeff Bhasker and hip-hop music.
Antonoff agreed with the notion that the song was their de facto anthem: "It's pretty rare, because any other projects that we've done, I don't think any of us have ever had that song that was like, 'This is our band,'" Antonoff said.
"We're proud to say, 'Listen to this one song, and then come listen to the rest.
Here it is.'"
The album and the band's music has received several comparisons to Queen.
"Rolling Stones"'s Jody Rosen, called the album a mix of "close harmony chorales, showy key changes, a dash of Queen here, a dollop of Les Miz there".
In an interview with "Fuse", producer Jeff Bhasker also stated that the album's lead single "We Are Young" "had a Queen/Freddie Mercury vibe to it".
Marcus Glimer of "The A.V.
Club" wrote that the album featured "more synthetic elements and drum machines" than their debut album "Aim and Ignite" and compared the beat to "All Alone" to a hip-hop track.
NPR columnist Daoud Tyler-Ameen commented that the album might be the start of a new phase of music, in which musicians would infuse the "sounds and rhythms once associated with hip-hop" with their pop music.
The album's lyrics have been called "plaintive", for dealing with themes of loneliness, self-worth, introspection, paranoia and existentialism, contrasting with the album's "anthemic" music.
Tyler-Ameen considered the album "remarkable for its sheer optimism", despite the sad and mournful lyrics, Rosen wrote that "Ruess' knack for the anthemic is matched by Gen-Y humor – emo self-deprecation that leavens the bombast".
while Marcus Gilmer praised Ruess' "prose-style lyrics", similar to his work in his previous band, The Format.
Ruess later commented on the importance of lyrics to him, saying that he took "great pride", after he finished writing them.
He also considered most lyrics written by current musicians to be "dumbed down", partially causing "rock music's current woes".
"A Winter's Tale" is a song by Queen, from the album "Made in Heaven", released in 1995 after Freddie Mercury's death in 1991.
It was written after the "Innuendo" sessions, inspired as Mercury was staring out the windows of their recording studio, at Lake Geneva.
The song has a psychedelic, dreamy feel, and describes what Mercury saw outside the windows.
Freddie wrote, composed, and did the vocals and keyboards for it.
In the documentary "Queen - Champions of the World", it was stated that this was if not the first then an extremely rare style of recording for Freddie, as it was all performed in one take live in the studio.
It was stated in the film that Freddie had always insisted upon music being completed prior to the vocal arrangement beginning, but acknowledged that he had little time left and there was not enough time to work on it differently.
The song was released as the second single from the album.
In the UK the single was also available in a special limited edition green paper CD case which resembled Christmas wrapper. 
"Too Much Love Will Kill You" is a song written by Queen guitarist Brian May, Frank Musker, and Elizabeth Lamers.
The song was recorded by Queen around 1988 or before, and was intended to be on the band's "The Miracle" album in 1989, but did not make the cut.
After Freddie Mercury's death in 1991, May arranged a solo version, which he performed at the Freddie Mercury Tribute Concert in 1992, and subsequently included on his solo album "Back to the Light" that same year.
Released as a single, it reached #5 on the UK Singles Chart.
Because it was first played publicly at The Freddie Mercury Tribute Concert, a common misconception is that it was written as a tribute to Freddie Mercury, although it had actually been written several years prior. 
Larry Lurex was an artist name used by Freddie Mercury for a musical project by Trident Studios’ house engineer Robin Geoffrey Cable, in 1972.
The name is a pun on the stage name of glam rock star Gary Glitter and the metallic yarn Lurex.
Cable was experimenting with re-creating the "Wall of Sound" style favoured by Phil Spector.
He recorded cover versions of the following two songs:  "I Can Hear Music" (1973) (written by Jeff Barry, Ellie Greenwich and Phil Spector, which had been a hit for The Ronettes and The Beach Boys)  "Goin' Back" (written by Carole King and Gerry Goffin, which had been a hit for Dusty Springfield and The Byrds ) Cable enlisted singer Freddie Mercury from the band Queen to perform lead vocals on these tracks.
(Queen were recording their debut album in Trident Studios at the time.)
Mercury in turn suggested bringing his band-mates Roger Taylor and Brian May to add percussion, guitar and backing vocals to the recordings.
The tracks were released as a 7" vinyl single on EMI in 1973 (catalogue number EMI 2030); it did not chart in the UK, but it did manage to hit #115 on the US Bubbling Under The Hot 100 chart.
This pre-dated the release of the first "Queen" album.
They have subsequently been included on the 1995 Italian bootleg Queen In Nuce and the Freddie Mercury solo compilation albums "The Solo Collection" and "Lover of Life, Singer of Songs".
Part of the song, "goin' back" was used on the track Mother Love on the last Queen album to feature Freddie Mercury, Made In Heaven