Question: What is the Doctor's ship called?
About the article "Doctor Who", section "Abstract".

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 Captain Jack is seen using what resembles the Doctor's sonic screwdriver without the noise in the episode "Day One".  
As with the television series, the William Hartnell version of the Doctor was the original comic strip Doctor.
However, the actor's portrayal of the character was often lost in TV Comic, the dominant publication to feature First Doctor stories.
At a superficial level, the character wasn't called "the Doctor", but "Dr. Who".
Yet at a basic level, the comics were hampered by the inclusion of two children as his companions.
Though they may well have made it easier for kids — the primary target audience for the comic strips — to relate to the Doctor, they made it almost impossible for a well-rounded portrayal of the First Doctor's many qualities.
Especially profound was the loss of the Doctor's inherent "grumpiness"; with no adults around, the Doctor had no target for his anger.
Thus, the comic First Doctor was reduced to being just a grandfather with a time-space ship.
However, even these two points were somewhat in doubt.
The comic TARDIS wasn't actually much of a time-travel device.
As almost every story was set in the far future, it was little more than a simple spaceship.
That threw the First Doctor's inclination towards historical adventures out the window.
In addition, his status as "grandfather" was a point of incredulity, as well.
How could he be the grandfather to John and Gillian?
What was their relationship to the never-referenced Susan?
How did the stories told in the comic strips relate to the television series?
These were all questions left completely unanswered.
Worse still, the comic First Doctor was deprived even of the Daleks.
Since Terry Nation had licensed the comic Daleks to appear only by themselves from 1965 to 1967, the comic First Doctor never encountered them.
He was forced instead to repeatedly face the TV Comic "substitute", the Trods.
The best the TV Comic First Doctor could muster by way of resembling himself was a lone story that tied in with an atypical television adventure: Dr. Who and the Zarbi on the Web Planet.
It really wasn't until Doctor Who Magazine began publishing a handful of original First Doctor stories that the William Hartnell portrayal was really seen in comics.
Consequently, most of the First Doctor's companions didn't have their comic debuts until the early 1990s.
By then, thirty years after the fact, it was really a case of "too little, too late".
Comic readers are still waiting for the First Doctor to encounter the Daleks.
Given these facts, it is perhaps not surprising that, as a matter of Doctor Who Magazine continuity, the entirety of the First Doctor's TV Comic run was retconned out of existence as a dream of the Eighth Doctor. 
Similarly to "The Documentary", Doctor's Advocate is obsessed with the West Coast, especially Game's former mentor and producer Dr. Dre, whose name is dropped repeatedly.
During several of the songs, Game uses words like "family" and "father" to pay tribute to their relationship before at Aftermath Entertainment.
Dre associate Busta Rhymes is brought in as a guest on the title track.
Critics noted that the Game made many references to N.W.
A and other staples of the golden age of the West Coast in the late 1980s and early 90s, even though he himself was not a part of it.
"It's called the Doctor's Advocate," The Game revealed the name of the album back in November 2005 at the Vibe Awards, "It means Dr. Dre's the man; what he says goes.
He's got the formula, and we gonna make it happen."
The Game said. 
In the programme, the Doctor's TARDIS is an obsolete "Type 40 TT capsule" that he unofficially "borrowed" from the repair shop when he departed his home planet of Gallifrey.
That incident was referred to as early as 1969, but not shown on screen for another 44 years, in a scene where future companion Clara Oswald advised him the specific capsule to take: although navigation system was malfunctioning it would be much more fun.
The TARDIS was already old when the Doctor first took it, but its actual age is not specified.
In the unfinished TV serial "Shada", fellow Time Lord Professor Chronotis said that the Type 40 models came out when he was a boy.
There were originally 305 registered Type 40s, but all the others had been decommissioned and replaced by new, improved models.
According to the Eighth Doctor Adventures novel "The Gallifrey Chronicles" by Lance Parkin, the Doctor's TARDIS previously belonged to a Time Lord named Marnal, who was, like the Doctor, something of a renegade.
The spin-off media have, on a number of occasions, had the TARDIS wait around for the Doctor for decades and even centuries in relative time.
By the time of "The Pirate Planet", the Doctor had been travelling on board in time and space for 523 years, by the time of "The Doctor's Wife", he had been travelling in it for 700 years, and in "Journey to the Centre of the TARDIS" he had been travelling for 900 years.
In "The Empty Child" (2005), the Ninth Doctor claimed that he has had "900 years of phone box travel".
The appearance of the primary console room has changed over the years, sometimes in minor ways and sometimes drastically when the set has had to be moved or rebuilt.
This has often been rationalised in the scripts as redecoration, the ship's own ability to reconfigure or repair itself, or even a change of "desktop theme".
In "The Doctor's Wife" the TARDIS says she has thirty desktops archived, although the Doctor has only changed it a dozen times "yet".
In the 2011 episode "The Doctor's Wife" the "soul" of the ship is transferred into the body of a humanoid female called Idris, enabling the Doctor to have a conversation with his craft.
The TARDIS says that she deliberately allowed the Doctor to "steal" her, as she wanted to see the universe itself; in a reversal of the traditional view, the TARDIS claims to have stolen the Doctor.
When he accuses the TARDIS of being unreliable, she defends herself by saying that she has always taken him where he "needed to go", as opposed to where he "wanted to go".
During their brief opportunity to converse, the TARDIS expresses both affection and frustration with the Doctor (including annoyance that he pushes her doors open rather than pulls them open as the instructional sign on the outside indicates).
When asked by the Doctor if she actually has a name, she self-identifies with the name "Sexy", based upon what the Doctor calls her when he's alone in the ship (she later introduces herself to the Doctor's companions using this name).
Eventually, the Idris "avatar" dies, and the last words uttered by the TARDIS to the Doctor using this interface are "I love you."
Two additional pieces of information confirmed by the TARDIS during this incident are that TARDIS consciousnesses are female and that she and the Doctor have been travelling for approximately 700 years.
In a later episode, "Let's Kill Hitler" (2011), the Doctor speaks to the TARDIS by way of a holographic voice interface.
In this instance, after providing options including an image of himself and former companions, the TARDIS manifests as an image of Amelia Pond as a child.
In "Hide" (2013), companion Clara Oswald interacts with a similar interface outside the TARDIS' doors when it refuses to open for her.
In a subsequent mini-episode entitled "Clara and the TARDIS", further animosity between Clara and the ship's consciousness is indicated when the TARDIS reconfigures her internal layout to prevent Clara from finding her bedroom.
However, following The Name of the Doctor - in which her leap into the Doctor's time stream is what facilitated the Doctor and Susan to steal "that" TARDIS instead of the adjacent one that they had intended to take - the TARDIS's animosity appears to have disappeared as Clara is now shown as able to close the TARDIS doors with a click of her fingers. 
This camp was operated by the former Milwaukee County Council on the shore of Lake Michigan north of Milwaukee.
It was near Doctor's Park in Fox Point, probably what is now the Schlitz Audubon Nature Center.