Question: Who is buried next to Warhol?
About the article "Andy Warhol", section "Death".

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The Andy Warhol Story (1966) is an underground film directed by Andy Warhol with cinematography by Paul Morrissey, and starring Edie Sedgwick and Rene Ricard (as Andy Warhol).
According to the Warhol Stars website, the film was made in November 1966, and is two reels long. 
Shortly before the death of her eldest brother Francis in 1964, Sedgwick moved to New York City to pursue a career in modeling.
Around this time, she began experimenting with drugs and was reportedly introduced to LSD by friends from Cambridge who knew Timothy Leary and Richard Alpert (two prominent Harvard professors who opined an alleged spiritualistic value of LSD).
In March 1965, Sedgwick met artist and avant-garde filmmaker Andy Warhol at a dinner party held at Lester Persky's apartment.
Warhol was immediately impressed with Sedgwick's background and her beauty and invited her and her friend Chuck Wein to visit him at his art studio dubbed The Factory.
During one of those visits, Warhol was filming "Vinyl", his interpretation of the novel "A Clockwork Orange".
Despite "Vinyl"s all-male cast, Warhol put Sedgwick in the movie.
She also made a small cameo appearance in another Warhol film, "Horse", when she entered towards the end of the film.
Although Sedgwick's appearances in both films were brief, they generated so much interest that Warhol decided to create a vehicle in which she could star.
The first of those films, "Poor Little Rich Girl", was originally conceived as part of a series of films featuring Sedgwick called "The Poor Little Rich Girl Saga".
The series was to include "Poor Little Rich Girl", "Restaurant", "Face" and "Afternoon".
Filming of "Poor Little Rich Girl" began in March 1965 in Sedgwick's apartment.
Like the majority of Warhol's avante garde films, "Poor Little Rich Girl" saw a limited release to underground film theaters and viewings at The Factory.
Sedgwick's next film for Warhol was "Kitchen" (1965).
Written by Factory scriptwriter Ronald Tavel, the film stars Sedgwick, Rene Ricard, Roger Trudeau, Donald Lyons and Elecktrah.
After "Kitchen", Chuck Wein replaced Ronald Tavel as writer and assistant director for the filming of "Beauty No.
2", in which Sedgwick appeared with Gino Piserchio.
Warhol's films were not commercially successful and rarely seen outside The Factory circle and underground film theaters, but Sedgwick's notoriety grew.
Mainstream media outlets began reporting on her appearances in Warhol's films and her unusual fashion sense.
During this period, she developed her "trademark" look – black leotards, mini dresses, and large chandelier earrings.
Sedgwick also cut her naturally brown hair short and colored it with silver spray, creating a similar look to the wigs Warhol wore.
Warhol christened her his "Superstar" and both were photographed together at various social outings.
Throughout 1965, Sedgwick and Warhol continued making films together – "Outer and Inner Space", "Prison", "Lupe" and "Chelsea Girls".
However, by late 1965, Sedgwick and Warhol's relationship had deteriorated and Sedgwick requested that Warhol no longer show any of her films.
The edited footage of Sedgwick in "Chelsea Girls" would eventually become the film "Afternoon".
"Lupe" is often thought to be Sedgwick's last Warhol film, but Sedgwick filmed "The Andy Warhol Story" with Rene Ricard in November 1966, almost a year after she filmed "Lupe".
"The Andy Warhol Story" was an unreleased film that was only screened once at The Factory.
The film featured Sedgwick, along with Ricard, satirically pretending to be Andy Warhol. 
Beginning in 2007, Bond No.
9 began a licensing partnership with the Andy Warhol Foundation for Visual Arts, allowing for the creation of fragrances bearing the Warhol name, with bottle designs inspired by his works of art.
The fragrances included: "Andy Warhol Silver Factory" (2007), "Andy Warhol Union Square" (2008), "Andy Warhol Lexington Avenue" (2008), "Andy Warhol Success is a Job in New York" (2009), "Andy Warhol Montauk" (2010), and "Andy Warhol by Bond No.
9" (2011).
When the licensing agreement came to a close in 2013, Bond No.
9 kept the scents, but renamed and repackaged them. 
Penny Morningstar (Anna Favella) is a young and successful art gallery director, while Andy is a failed artist, obsessed with Andy Warhol.
Andy Warhol was a serial killer, without piety, who stole people's soul, letting them die slowly.
Valerie Solanas, Edie Sedgwick or Jean-Michel Basquiat would probably share this theory, but they cannot do it, because they are all death.
These are not the only suicides connected to the controversial figure of Andy Warhol, or as David Solanas called him, of "Mr. America".
In the movie Penny is a sort of Andy Warhol.
She's beautiful and talented, but she's also evil.
When she wants to do something she doesn't care if she hurst people.
Every artist of the gallery is in love with her and she will destroy them.
Then there's a killer, who thinks to be Andy Warhol and kills all the artists who compose Penny Morningstar's factory. 
The Andy Warhol Art Authentication Board, Inc. was a private corporation that certified the authenticity of works by the artist, Andy Warhol.
The organization was created in association with The Andy Warhol Foundation for the Visual Arts.
The Board, based in New York City, consisted of six members who met three times a year to examine works and authenticate them as genuine Warhols.
They did not appraise works' value.
The Board received criticism for its operating methods, which differ from other authentication boards, and its seeming arbitrariness in judging whether or not a work is an authentic Warhol (though, given Warhol's working methods, what constitutes an actual work by Warhol can be open for debate).
The Board did not discuss how they operate, citing privacy concerns.