Question: What did "The Usual Suspect get for it's metascore?
About the article "The Usual Suspects", section "Critical".

Candidate passages:
In his review for AllMusic, William Ruhlmann gave the album three and a half out of five stars, noting that although Glasgow-born Knopfler comes by the Celtic influence honestly, he "seems to be trying to create his own pseudo-traditional repertoire of what often sound like old folk songs.
"In his review for "PopMatters", Michael Kabran gave the album seven out of ten stars, noting that the album is "filled with sweeping strings, subtle melodies, bluesy guitar bits, and Knopfler’s usual smart lyrics."
Kabran concluded, "Knopfler has created an enjoyable collection of blues shuffles, countrified ballads, and Celtic-influenced folk songs that deserves attention and, perhaps most important, deserves to stand on its own.
"In his review for "Sound & Vision", Mike Mettler gave the album four and a half out of five stars, noting that Knopfler "continues to evolve as a storyteller who's never afraid of shying away from rock theatrics to explore his considerable British roots.
"In his review for "AbsolutePunk", Thomas Nassiff gave the album a 95% rating, praising the album's "refreshing insight" and "phenomenal songwriting".
In his review for "Rolling Stone", Michael Tremmel gave the album four out of five stars.
On the review aggregator website, "Metacritic", "Get Lucky" holds a Metascore of 63, meaning the album has received "generally favorable reviews". 
The film received mixed to positive reviews from critics with a 62% rating at Rotten Tomatoes and a 56 metascore at Metacritic.
In his three and half star review, Roger Ebert praised Foster's ability to direct "the film with a sure eye for the revealing little natural moment," and Downey's performance that "brings out all the complexities of a character who has used a quick wit to keep the world's hurts at arm's length."
Janet Maslin, in her review for "The New York Times", praised Holly Hunter's performance: "Displaying a dizziness more mannered than the cool, crisp intelligence she shows in "Copycat", Ms. Hunter still holds together "Home for the Holidays" with a sympathetic performance."
In his review for the "Boston Globe", Jay Carr praised the film for being "filled with juicy performances that expand resourcefully beyond what we think are going to be their boundaries, the film carries us beyond our expectations.
That's what makes it so pleasurable.
""USA Today" gave the film three out of four stars and wrote, ""Home" has the usual hellish ritual.
They come, they eat, they argue, they leave.
It's the stuffing in-between that makes it special."
However, in her review for the "Washington Post", Rita Kempley criticized some of the performances: "Downey brings a lot of energy to the role, but his antics can be both tedious and distracting.
Hunter has a lovely scene with her disgruntled sister, but there's no time for that relationship to develop, what with a romantic interest yet to explore."
In his review for "Rolling Stone" magazine, Peter Travers had problems with the screenplay: "It's a shame that W.D.
Richter's un-Disney-ish script often slides into shrill stereotypes and sitcom silliness."
"Ghost Squad" for the Wii received a metascore of 69 on Metacritic.
IGN gave it a 7.5, remarking that "most of what made Ghost Squad fun in the arcades is still retained though, as there's a huge emphasis on weapon management and mid-level missions". 
Aubrey and Jane of series 2 both hold the record for the longest run as a usual suspect before they were chosen.
That record is 16 games. 
Mitzeee begins being stalked.
Her portrayer Shenton said Mitzeee was unaware of who the stalker was and that "Mercedes hasn't even crossed her mind.
She thinks it's a crazed fan".
The viewers learn that it was Mercedes.
The stalking stopped but later was resumed when Mitzeee and Riley begin a relationship.
Shenton explained that the stalker had a key to Mitzeee's flat and had been watching her every move, and said that "not only has the stalker come back, but they've come back on a whole new level".
Shenton added that at this point "Mitzeee definitely has no idea that it's Mercedes - in fact, Mercedes is probably the last person that she'd suspect.
She actually thinks that it's Lynsey and accuses her, because it seems to make sense".
When Mitzeee realised Mercedes was her stalker, Mercedes knocked Mitzeee out after Mitzeee tries to stab her.
Mercedes realised that she will be blamed for stalking Mitzeee so she stabbed herself to convince people Mitzeee was mad.
Metcalfe said the situation was born through "pure desperation".
She said that "the thought of Mitzeee, Riley and Bobby as a family together was too much for her to take, and she just saw red.
I don't think it's something that Mercedes thought about or planned - she wouldn't have even dreamed of doing it to herself.
But at the time, she saw it as the only way out of the situation".
Shenton explained that Mitzeee was worried due to the stalker so she decided to take some antidepressants and drink wine, which as she states "isn't a great combination."
Shenton revealed that Mercedes arrived to see Mitzee who "still has no idea who the stalker really is, but as they're talking, Mercedes says something that makes Mitzeee discover the truth - and she's totally shocked.
Mitzeee is petrified and picks up a knife in the kitchen.
The next thing you know, Mitzeee wakes up after being unconscious [...] The first thing she sees is Mercedes with a stab wound and there is blood everywhere.
Mitzeee doesn't have a clue whether she could have stabbed Mercedes, or if someone else came into the flat and did it".
According to Metcalfe, during Mercedes' hospitalisation and recuperation she "starts putting it on to get sympathy.
She's determined to get what she wants".
Metcalfe explained that Mercedes did not "feel guilt at all - she just wants Riley back and she'll do whatever it takes to get him".
Metcalfe believed that it was easy for Mercedes to lie; "hence why she does it so much and so well!"
Mercedes felt that she had to lie, and found it easy to cry if she needed to, "especially if it will benefit her".
Metcalfe was unsure whether the audience would start to hate her character because she believed that Mercedes was not hateful.
She stated, "I hope I've done a good job and people still feel sorry for her".
She said that "the viewers have still been feeling some sympathy for Mercedes.
I was getting lots of tweets saying, 'I feel so sorry for Mercedes, she needs to get back with Riley' and 'Mitzeee is being a bitch'".
Metcalfe said that she was surprised by the fans' strong reaction.
"Hollyoaks" executive producer Emma Smithwick also said that Mercedes "gets away with blue murder [...] and yet there's so much love for that character".
Smithwick told Daniel Kilkelly of Digital Spy that Mercedes would get her comeuppance for framing Mitzeee, saying: "there most definitely will be a comeuppance.
With the stabbing, she did it so coolly and lied about it so easily - that can't last forever".
Smithwick explained that Mercedes is "driven by her insecurities.
She thinks she loves Riley and will do what it takes to win him.
That's what it's about...winning.
Mitzeee crossed her - she is dispensable but Riley...well, Riley is the prize.
Mercedes Fisher usually gets what she wants and men usually fall in line with her.
I want to see what happens when they don't..."