Question: When did the museum announce it was stopping the project
About the article "Cloning", section "Cloning extinct and endangered species".

Candidate passages:
Stopping times, with time index set "I" = [0,∞), are often divided into one of several types depending on whether it is possible to predict when they are about to occur.
A stopping time τ is predictable if it is equal to the limit of an increasing sequence of stopping times τ"n" satisfying τ"n" < τ whenever τ > 0.
The sequence τ"n" is said to "announce" τ, and predictable stopping times are sometimes known as "announceable".
Examples of predictable stopping times are hitting times of continuous and adapted processes.
If τ is the first time at which a continuous and real valued process "X" is equal to some value "a", then it is announced by the sequence τ"n", where τ"n" is the first time at which "X" is within a distance of 1/"n" of "a".
Accessible stopping times are those that can be covered by a sequence of predictable times.
That is, stopping time τ is accessible if, P(τ = τ"n" for some "n") = 1, where τ"n" are predictable times.
A stopping time τ is totally inaccessible if it can never be announced by an increasing sequence of stopping times.
Equivalently, P(τ = σ < ∞) = 0 for every predictable time σ.
Examples of totally inaccessible stopping times include the jump times of Poisson processes.
Every stopping time τ can be uniquely decomposed into an accessible and totally inaccessible time.
That is, there exists a unique accessible stopping time σ and totally inaccessible time υ such that τ = σ whenever σ < ∞, τ = υ whenever υ < ∞, and τ = ∞ whenever σ = υ = ∞.
Note that in the statement of this decomposition result, stopping times do not have to be almost surely finite, and can equal ∞. 
When it was commissioned, the project was called the "First Government House Museum".
Whilst the museum building was being built in November 1993, the New South Wales Minister for the Arts announced that the museum would be known as the "Museum of Sydney on the Site of First Government House", described in the press at the time as a "mouthful" and commonly contracted to The Museum of Sydney.
The change of name attracted protests. 
The Museum was originally (1873) called the "Scandinavian ethnographic collection" ("Skandinavisk-etnografiska samlingen"), from 1880 the "Nordic Museum" ("Nordiska Museum", now "Nordiska museet").
When Hazelius established the open-air museum Skansen in 1891, it was the second such museum in the world.
For the Nordic museum, Hazelius bought or managed to get donations of objects – furniture, clothes, toys etc.
– from all over Sweden and the other Nordic countries; he was mainly interested in peasant culture but his successors increasingly started to collect objects reflecting bourgeois and urban lifestyles as well.
For Skansen he collected entire buildings and farms.
Although the project did not initially get the government funding he had hoped, Hazelius received widespread support and donations, and by 1898 the "Society for the promotion of the Nordic Museum" ("Samfundet för Nordiska Museets främjande") had 4,525 members.
The Riksdag allocated some money for the museums in 1891 and doubled the amount in 1900, the year before the death of Hazelius. 
While there have been plans for a Jewish Museum dating back as far as 1928, the project did not gain significant momentum until the early 1980s when gallery owner Richard Grimm opened a private Jewish museum in a small space on Maximilianstraße.
As the private collection gained popularity the need for a larger, public museum became apparent.
However, Grimm's private museum closed after ten years for financial reasons and the Jewish community transferred the collection to a provisional exhibition space at Reichenbachstraße 27 where the Museum of the City of Munich presented exhibitions and events in collaboration with the City Archives, until the spring of 2006.
It was then decided to build a municipal Jewish Museum as part of the new Jewish Center at Sankt-Jakobs-Platz.
As an alternative to the mandatory national military service, young Austrians have the opportunity to serve as Austrian Holocaust Memorial Servants at the Jewish Museum Munich. 
General design.
The primarily modernist complex was designed by James Polshek's Polshek Partnership Architects, led by Polshek and partner Richard Olcott.
The museum and exhibitions were designed by Ralph Appelbaum Associates, with landscaping by Hargreaves associates.
Clinton did not announce his choice of architect until 1999, when Polshek was officially hired that August.
Although Appelbaum was the official designer for the exhibitions, Appelbaum called Clinton "the editor-in-chief, the curator-in-chief and in many times the art director of the exhibits".
It is constructed primarily of steel and glass.
The main building is based on the diagonal truss.
Originally, the museum was planned parallel to the river, but was quickly changed so it would lie perpendicular to the river, for the purpose of providing a better view to visitors.
The western façade of the museum is a screen wall composed of laminated glass tiles, providing a sunscreen for the building.
The underside is constructed of aluminum.
Some critics dislike the bridge design, saying it looks too much like a trailer on stilts.