Question: When and where did Warhol die?
About the article "Andy Warhol", section "Death".

Candidate passages:
Penny Morningstar (Anna Favella) is a young and successful art gallery director, while Andy is a failed artist, obsessed with Andy Warhol.
Andy Warhol was a serial killer, without piety, who stole people's soul, letting them die slowly.
Valerie Solanas, Edie Sedgwick or Jean-Michel Basquiat would probably share this theory, but they cannot do it, because they are all death.
These are not the only suicides connected to the controversial figure of Andy Warhol, or as David Solanas called him, of "Mr. America".
In the movie Penny is a sort of Andy Warhol.
She's beautiful and talented, but she's also evil.
When she wants to do something she doesn't care if she hurst people.
Every artist of the gallery is in love with her and she will destroy them.
Then there's a killer, who thinks to be Andy Warhol and kills all the artists who compose Penny Morningstar's factory. 
Billy Name, (born William Linich, February 22, 1940 in Poughkeepsie, New York), is an American photographer, filmmaker and lighting designer.
He was the archivist of the Warhol Factory, from 1964 to 1970.
His brief romance and subsequent friendship with Andy Warhol led to substantial collaboration on Warhol's work, including his films, paintings and sculpture.
Linich became "Billy Name" among the coterie known as the Warhol Superstars.
He was responsible for "silverizing" Warhol's New York studio, the Factory, where he lived until 1970.
His photographs of the scene at the Warhol Factory and of Warhol himself are important documents of the Pop art era.
In 2001, the United States Postal Service used one of Billy Name's portraits of Warhol when it issued a commemorative stamp of the artist.
Name also has collaborated with Shepard Fairey with his photograph of Nico, singer with the Velvet Underground and part of the social circle of Warhol's Factory. 
Beginning in 2007, Bond No.
9 began a licensing partnership with the Andy Warhol Foundation for Visual Arts, allowing for the creation of fragrances bearing the Warhol name, with bottle designs inspired by his works of art.
The fragrances included: "Andy Warhol Silver Factory" (2007), "Andy Warhol Union Square" (2008), "Andy Warhol Lexington Avenue" (2008), "Andy Warhol Success is a Job in New York" (2009), "Andy Warhol Montauk" (2010), and "Andy Warhol by Bond No.
9" (2011).
When the licensing agreement came to a close in 2013, Bond No.
9 kept the scents, but renamed and repackaged them. 
"Edie: Factory Girl" author David Dalton is a former assistant of Warhol.
He wrote 15 books before this, including "A Year in the Life of Andy Warhol".
(Nat Finkelstein is credited as a photojournalist of "Edie".
)Whereas the similarity in titles might suggest that the film is based on the book, there are considerable differences.
The film is about Sedgwick’s relationships with two people, Andy and Billy, a character who resembles Bob Dylan.
The book is about Sedgwick as part of the circle associated with Warhol known as the Warholites.
Dylan is not described as her lover in the book, although he is said to be a significant figure in her story.
The film-makers did not develop characters based on her friends among the Warholites.
The book describes the Warholites as originally welcoming her into the fold, sympathetic about her problems and charmed by her beauty and personality.
Those interviewed for the book generally remember her as likable when she first made friends at the Factory, amiable and fun at parties, if something of a scene stealer.
The film’s Sedgwick seems carefree when she is about to leave for New York, whereas the book says that she was troubled at the time, impulsive and reckless, having seen a psychiatrist on a three visits per week basis while living in Massachusetts.
Although the book rejects the idea that Warhol was to blame for her use of methamphetamine, it is candid about an ugly side: his “morbid fascinations” and his tendency to observe the miseries of people he knew without showing emotion.
Author and former Warhol screenwriter Robert Heide relates the widely circulated story of Warhol reacting to the suicide of an acquaintance by saying, "Why didn’t he tell us?
We could’ve filmed it."
According to Heide, as the two of them stood on the sidewalk where the acquaintance had recently died, Warhol said to him, "I wonder when Edie will commit suicide.
I hope she lets us know so we can film it.”Like the film, the book tells of her being persuaded to leave Warhol by a singer/songwriter, but the book does not support the film’s love story.
Rather, it says that she had a relationship with Dylan’s friend Bob Neuwirth.
Her story of a pregnancy aborted when she was injured in Dylan’s 1966 motorcycle accident was, the book says, one of the fantasies she conceived while mentally ill and delusional. 
Beginning in the early 1950s, Warhol produced several unbound portfolios of his work.
The first of several bound self-published books by Warhol was "25 Cats Name Sam and One Blue Pussy", printed in 1954 by Seymour Berlin on Arches brand watermarked paper using his blotted line technique for the lithographs.
The original edition was limited to 190 numbered, hand colored copies, using Dr. Martin's ink washes.
Most of these were given by Warhol as gifts to clients and friends.
Copy No.
4, inscribed "Jerry" on the front cover and given to Geraldine Stutz, was used for a facsimile printing in 1987 and the original was auctioned in May 2006 for US $35,000 by Doyle New York.
Other self-published books by Warhol include:  "A Gold Book"  "Wild Raspberries"  "Holy Cats" After gaining fame, Warhol "wrote" several books that were commercially published:  "a, A Novel" (1968, ISBN 0-8021-3553-6) is a literal transcription—containing spelling errors and phonetically written background noise and mumbling—of audio recordings of Ondine and several of Andy Warhol's friends hanging out at the Factory, talking, going out.
"The Philosophy of Andy Warhol (From A to B & Back Again)" (1975, ISBN 0-15-671720-4)—according to Pat Hackett's introduction to "The Andy Warhol Diaries", Pat Hackett did the transcriptions and text for the book based on daily phone conversations, sometimes (when Warhol was traveling) using audio cassettes that Andy Warhol gave her.
Said cassettes contained conversations with Brigid Berlin (also known as Brigid Polk) and former "Interview" magazine editor Bob Colacello.  ""
(1980, ISBN 0-15-672960-1), authored by Warhol and Pat Hackett is a retrospective view of the 1960s and the role of pop art.
"The Andy Warhol Diaries" (1989, ISBN 0-446-39138-7), edited by Pat Hackett, is a diary dictated by Warhol to Hackett in daily phone conversations.
Warhol started the diary to keep track of his expenses after being audited, although it soon evolved to include his personal and cultural observations.
Warhol created the fashion magazine "Interview" that is still published today.
The loopy title script on the cover is thought to be either his own handwriting or that of his mother, Julia Warhola, who would often do text work for his early commercial pieces.