Question: In what century was the Mona Lisa created?
About the article "Leonardo da Vinci", section "Paintings of the 1500s".

Candidate passages:
Radio personality "Cousin Brucie" Morrow presided over a promotional event during "Mona Lisa"'s exhibition in New York City.
70,000 entries of a "Best Mona" painting contest were exhibited at the Polo Grounds, with Salvador Dalí helping to pick the winner.
Following the painting's first American presentation, Andy Warhol in 1963 created multiple renditions in his screen-print Pop art style.
""Mona Lisa" (Two Times)," "Four "Mona Lisa"s," and "Thirty Are Better Than One" illustrate Warhol's method of silkscreening an image repetitively within the same work of art.
Also in 1963, Fernando Botero – who had already painted ""Mona Lisa", Age Twelve" in 1959 – painted another, this time in what would become his trademark "Boterismo" style of rendering figures disproportionately "plump".
"Mona Lisa" is also referenced in artwork by Contemporary art luminaries such as Jasper Johns and Robert Rauschenberg, adding to the veritable "who's who" list of artists putting their own spin on the portrait.
A paint by numbers version of "Mona Lisa" accompanied artist Suzanne Lacy during her 1977 travelogue "Travels with Mona", documenting the painting process at landmark locations throughout Europe and Central America.
From the 1980s through the end of the 20th Century, "Mona Lisa" continued to be the subject of re-interpretation among a new generation of emerging artists.
Street artists such as Jean-Michel Basquiat and Keith Haring, who came into prominence in the 1980s, created "Federal Reserve Note" and "Apocalipse 7", respectively, juxtaposing "Mona Lisa" within compositions suiting their styles.
Ballpoint art pioneer Lennie Mace created his "Mona a'la Mace" replica in 1993, a ballpoint "PENting" commissioned by Pilot pen company and featured on CBS News.
Artist Sophie Matisse, great-granddaughter of artist Henri Matisse, in her 1997 "Monna Lisa (Be Back in Five Minutes)" faithfully replicated the setting of the original painting, but omitted Mona Lisa from the scene; a concept she would repeat using other iconic artworks. 
By the 20th century, "Mona Lisa" had already been a victim of satirical embellishment.
"Sapeck" (Eugène Bataille), in 1883, depicted "Mona Lisa" smoking a pipe ("shown above").
Titled "Le Rire" (The Laugh), the artwork was displayed at the "Incoherents" exhibition in Paris at the time of its creation, making it among the earliest known instances of "Mona Lisa"'s image being re-interpreted using contemporary irony.
Further interpretations by avante garde artists beginning in the early 20th century, coinciding with the artwork's theft, attest to "Mona Lisa"'s popularity as an irresistible target.
Dadaists and Surrealists were quick to modify, embellish and caricature "Mona Lisa"'s visage. 
British street artist Banksy in the first decade of the 21st century stenciled a ""Mona Lisa" Mujaheddin" holding a rocket launcher, and another mooning the viewer. 
 Mona Lisa (crater), a crater on planet Venus "Mona Lisa" (film), a 1986 British film "Mona Lisa" (The Outer Limits), a 2001 episode of the "The Outer Limits" television show Mona Lisa, a "Courage the Cowardly Dog" character  Mona Lisa, a "Teenage Mutant Ninja Turtles" character MS "Mona Lisa", ship Monalisa, a variety of potato popular in France and Spain  
At the start of the 16th century, Leonardo da Vinci was commissioned by Florentine nobleman Francesco del Giocondo to paint a portrait of his wife, Lisa.
The painting is believed to have been undertaken between 1503 and 1506.
Leonardo's portrait of "Mona Lisa" ("Mona" being the Italian honorific for "Madame") has been on display as part of the permanent collection at Paris' Louvre museum since 1797.
It is also known as "La Joconde" in French and "La Gioconda" in Italian, and has been known by other names in the past.
Replicas of "Mona Lisa" date back to the 16th century,including sculptures and etchings inspired by the painting.
But even by the start of the 20th century, historian Donald Sassoon has stated, "Mona Lisa" was still "just a well-respected painting by a famous old master, hanging in one of the great museums of the world.
"The image had yet to gain iconic status, and, Sassoon adds, was "not even the most valued painting in the Louvre.
"The painting's theft on August 11, 1911, and the subsequent media frenzy surrounding the investigation and its recovery are contributing factors which ignited public interest and catapulted "Mona Lisa" to its current standing.
"Mona Lisa" is considered public domain and free to be exploited, explaining its reproduction on everything from postcards to coffee mugs, with no legal repercussions.
Artistic replicas and reinterpretations as a whole – demonstrating adequate modification – are considered "new" works eligible for copyright protection.
A fine example is artist Marcel Duchamp's "L.H.O.O.Q.
", a work of art in which Duchamp embellished existing print-reproductions of Leonardo's "Mona Lisa" by merely adding a goatee ("shown below").
While copyright laws do not protect Leonardo's "Mona Lisa", Duchamp's "L.H.O.O.Q."
falls within parameters of copyright law constituting "new" works.
For such reasons, "Mona Lisa" is commonly referenced academically in copyright courses.