Question: How many children did Monet have?
About the article "Claude Monet", section "Vétheuile".

Candidate passages:
She was the second daughter of Ernest Hoschedé and Alice Hoschedé.
Ernest was a business man, a department store magnate in Paris.
and an art collector of impressionist paintings.
In 1876, he commissioned Claude Monet to paint decorative panels in the round drawing room, in his residence, the "château de Rottembourg", in Montgeron.
In 1877 Ernest Hoschedé, went bankrupt and his art collection was auctioned off.
Ernest, Alice, and their 6 children moved into a house in Vétheuil with Monet, Monet's first wife Camille, and the couple's two sons, Jean and the infant Michel.
Ernest, however, spent most of his time in Paris, and eventually abandoned his family and went to Belgium.
During 1879 after the death of Camille Monet, Alice Hoschedé and the 2 Monet children lived together in Paris.
Eventually joining Monet in Vétheuil, and then moving with him to Poissy in 1881 and finally settling in Giverny in 1883.
The relationship between Claude Monet and Alice Hoschedé developed and became official although they remained unmarried.
After Ernest Hoschedé died in 1891 Claude Monet and Alice Hoschedé did marry in 1892.
Blanche became immediately fond of Claude Monet.
She was eleven when she discovered the art of painting.
Eventually she spent long hours in Claude Monet’s atelier and also in Édouard Manet’s.
In 1882 Claude Monet rented a summer house in Pourville, and Blanche started to paint next to him.
When Claude Monet created his series "Haystacks (1890–1891)" Blanche came completely under his influence.
Blanche became Monet's assistant and pupil.
She often carried Claude Monet’s easel, canvases on a wheel barrow, and then set up her own easel and painted nearby.
She used the same canvas, the same palette, and the same colors and the same subject.
Paul Durand-Ruel purchased a Haystack by Blanche Hoschedé Monet, and it currently is displayed in Claude Monet’s house in Giverny.
While in Italy, Claude Monet wrote a letter to Alice Hoschedé, “Is Blanche still painting and am I going to find her in progress?” Her work was done en plein air as she did not have an atelier.
Claude Monet in January 1888 while in Antibes, encouraged Blanche to submit a work to the Salon.
The Hoschedé-Monet family shared a lot of time with the "American Expatriates".
Blanche also painted alongside John Leslie Breck (1860–1899), and Theodore Earl Butler.
She had a romance with John Leslie Breck which was stopped by Claude Monet.
Consequently, John Leslie Breck left Giverny in 1892 after Theodore Earl Butler’s marriage to Blanche’s sister, Suzanne Hoschedé; a marriage approved by Claude Monet.
Finally, Blanche married Claude Monet’s eldest son, Jean Monet, in 1897.
They lived in Rouen and Beaumont-le-Roger until 1913.
She painted landscapes such as meadows along the Risle’s river and Poplars and Pines.
Upon her husband’s death in 1913 she moved back to Giverny with Claude Monet in 1914.
She went to Clemenceau’s House in the southern part of France in Saint- Vincent-du-Jar with Claude Monet for one week in October 1921.
She returned in 1927, 1928 and 1929 and did some paintings of the he was called by the prime minister of France, Georges Clemenceau, "The Blue Angel", as she spent her time taking care of Claude Monet until his last days.
Janine Burke believes that Blanche may have assisted Monet in the painting of "Grand Decorations".
Monet had trained and encouraged Blanche as an artist.
In a chapter on Blanche and Monet in "Source: Nature's Healing Role in Art and Writing" (2009), Burke comments, "Given the sheer scale of the surfaces to be covered in the Grand Decorations, it is logical to consider Monet had an assistant, and who better than Blanche?"
Most of her works were done in Giverny and around Rouen.
She painted in Giverny from 1883 to 1897 and then from 1926 to 1947.
She eventually decided to have a solo show at Bernheim Jeune, in 1931.
She adopted an almost pure form of impressionism.
She painted for her own pleasure.
It is difficult to distinguish her work from Monet’s especially during her first period in Giverny.
The palette, brushes, paint and canvases came from Claude Monet.
She then painted Claude Monet’s garden, and its surroundings.
A street in Giverny bears her name. 
Women in the Garden (French: "Femmes au jardin") is an oil painting begun in 1866 by French artist Claude Monet when he was 26.
It is a large work painted "en plein air"; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work.
The setting is the garden of a property he was renting.
His companion Camille posed for the figures.
Monet finished the work indoors, and used magazine illustrations to render fashionable clothing.
Monet at this time was early in his career, experimenting with method and subject matter.
His earlier paintings were successful at Paris Salons, but "Women in the Garden" was rejected in 1867 on the grounds of subject and narrative weakness.
The Salon was also troubled by Monet's heavy brushstrokes, a style which would, of course, become one of the hallmarks of Impressionism.
A judge commented, "Too many young people think of nothing but continuing in this abominable direction.
It is high time to protect them and save art!"
The painting was purchased by fellow artist Frédéric Bazille to help support Monet at a time when he had no money.
Although the Musée d'Orsay, the painting's owner, comments that "Monet has skilfully rendered the white of the dresses, anchoring them firmly in the structure of the composition", Christoph Heinrich, author of a Monet biography, notes how posterity has found the painting lacking.
In this view, the figures appear poorly integrated into the scene, with the woman at right "gliding across the ground as if she had a trolley concealed beneath her dress".
The painting's treatment of light and shadow is lauded, however, and in this respect the work may have shown Monet where his artistic path lay. 
 Monet is a citizen of Algeria, Bosnia, and France with passports from all three.
It is not clear how she obtained her Algerian citizenship due to the fact that Algeria does not allow women to pass on citizenship to their children, and only Monet's mother was Algerian.
She may have used her father's wealth and position to secure it, as her father may be of Algerian descent as well, though this remains speculation.
Despite her father being the Monegasque ambassador to France (and therefore a citizen of Monaco), it has never been stated whether or not Monet herself is a citizen of Monaco.
Though it is most likely that Monet is a citizen of Monaco (having grown up there and her father being a citizen) adding to her already three known passports.  
In April 2005, he married American actress Monet Mazur.
Together, they have two children: Marlon, born in 2005 and Luciano, born in 2011. 
In 1871 he married his mother's maid, Julie Vellay, a vineyard grower's daughter, with whom he would later have seven children.
They lived outside of Paris in Pontoise and later in Louveciennes, both of which places inspired many of his paintings including scenes of village life, along with rivers, woods, and people at work.
He also kept in touch with the other artists of his earlier group, especially Monet, Renoir, Cézanne, and Frédéric Bazille.