Question: Who has been the drafts person for the ground breaking plan and development of the gallery for the last 42 years?
About the article "Metropolitan Museum of Art", section "Architecture".

Candidate passages:
Just like in real football, each year fantasy football leagues have a draft (note: in dynasty leagues, this normally consists of NFL rookies only), in which each team drafts NFL players.
These players are kept unless they are traded or dropped, whereby they enter a pool of unowned players that any team may claim.
In most leagues, no player may be owned by more than one team, although some leagues do allow for this.
There are essentially two types of drafts.
In a traditional "serpentine" or "snake" draft, owners take turns drafting players in a "serpentine" method, i.e.
the owner who picks 1st in the odd rounds picks last in the even rounds, in the interests of fairness.
In an auction draft, each owner has an imaginary budget which he must use to purchase all his players in an auction format.
Owners take turns nominating players for open bid.
The owner who bids the highest on each player receives that player, reducing their remaining budget accordingly.
Auction drafts are viewed as the more fair method since every owner begins on equal ground.
A few leagues use a hybrid of the two styles, selecting a portion of their roster via auction, with the remainder selected through a serpentine method.
As the NFL has evolved, so have fantasy football draft strategies.
The most commonly used strategies are value based drafting and opinion based drafting.
Value base drafting entails projecting the total fantasy point value for each player in the draft and then figuring their value with respect to other players at their position, while standard cheat sheet based drafting requires ranking each player based on your opinion of worth, or other people’s opinion of said player's worth.
Because of the influx of new league types and new players, many content sites have emerged.
In addition to the major publications, prominent sites such as DraftSharks and Pro Football Focus have been recognized in recent years as having the most accurate player projections.
Drafts can be conducted in "live" or "auto" formats.
Live drafts involve players utilizing real-time strategy and reactionary measures to acquire specific available players.
Auto-drafts use preliminary draft rankings set by each team to automate the draft cycle and establish the teams.
Live drafts are often preferred to automated as they are believed to require more skill.
The location of fantasy football drafts depend on the geographic location of each team manager.
With the rise of the internet, all Fantasy football providers have made online drafting an option for leagues in which the managers are too far away to meet up in person.
Other leagues make a tradition of meeting up to draft, and in some leagues, managers travel cross-country to attend annual league drafts.
Group drafts conducted in-person are typically scheduled many weeks in advance.
Common locations include boardrooms, offices, bars, or dining establishments. 
DuPlessis is the editor of numerous volumes as diverse as "The Selected Letters of George Oppen" (Duke University Press, 1990) and with Peter Quartermain of "The Objectivist Nexus: Essays in Cultural Poetics" (University of Alabama Press, 1999).
In conjunction with teaching and editing projects, DuPlessis has been writing her "poem of a life," called "Drafts."
Among others, poet Ron Silliman has referred to DuPlessis's poem "Drafts" as a "life poem":More than any other text, Drafts has made me understand the difference between the longpoem and the life poem, and I read Drafts, like (Zukofsky's “A”), like The Cantos, like Bev Dahlen’s "A Reading", like my own project, as an instance of the latter.
Since then, DuPlessis's "life poem" project is collected in (as of February 2010): "Drafts 1-38, Toll" (Wesleyan University Press, 2001) and "Drafts 39-57, Pledge, with Draft, Unnumbered: Précis" (Salt Publishing, 2004), "Torques: Drafts 58-76" (Salt Publishing, 2007), "Pitch: Drafts 77-95" (Salt Publishing, 2010), and Surge: Drafts 96-114 (Salt Publishing, 2013).
In 2006, two books of essays were published: "Blue Studios: Poetry and Its Cultural Work" (2006), and the ground-breaking "The Pink Guitar: Writing as Feminist Practice" ( 2006) both from University of Alabama Press.
Uncollected "Drafts" *Recent Drafts “Draft 78: Buzz Track.” Interval(le)s II.2-III.3 (Fall 2008/Winter 2009)“Draft 81: Gap.” BlackBox Manifold (Summer 2009).¹“Draft 84: Juncture” Salt Magazine 2 (March 2009).“Draft 91: Proverbs.” 17 seconds: a journal of poetry and poetics (Fall 2008).“Draft 92: Translocation.” EOAGH 5 (July 2009).“Draft 94: Mail Art.” Jacket Magazine 37 (March 2009).“Draft 97: Rubrics.” BlackBox Manifold (Summer 2009).
*A Periodicity of  The “Line of 15” from Drafts.
All poems to date (2009) from this thread, which is “the little.” Other Voices Anthology, ed.
Roger Humes.
(Journal sponsored by UNESCO) *Six Vispo Works Drunken Boat 10(July 2009). 
Players who have played for the Manchester Phoenix who have been selected in NHL entry drafts; 
Wright was been appointed as recruiting and list manager at in June 2011.
He replaced Hawthorns' long-time list manager Chris Pelchen, who quit the club for a position at .
Wright has experience in recruitment at both Brisbane (2004-2007) and Hawthorn (since 2007).
He also has an MBA in Sports Management.
When Hawthorn needed to reconstruct its team in recent years of the diluted drafts and then free agency.
Wright was the man to find the players - teenagers and veterans who arrived to build this side.
Wright was the person responsible for bringing Shaun Burgoyne, David Hale, Josh Gibson, Jack Gunston, Jonathan Simpkin and Brian Lake to the club and ultimately the 2013 premiership.  
Standards in the warez scene are defined by groups of people who have been involved in its activities for several years and have established connections to large groups.
These people form a committee, which creates drafts for approval of the large groups.
In warez distribution, all releases must follow these predefined standards to become accepted material.
The standards committee usually cycles several drafts and finally decides which is best suited for the purpose, and then releases the draft for approval.
Once the draft has been e-signed by several bigger groups, it becomes ratified and accepted as the current standard.
There are separate standards for each category of releases.
All groups are expected to know and follow the standards.