Question: What two films made in the 2000's were based on the vietnam war?
About the article "Vietnam War", section "Popular culture".

Candidate passages:
Oliver Stone had previously made two films about the Vietnam War, 1986's "Platoon", which won the Academy Award for Best Picture and "Born on the Fourth of July".
Stone won the Academy Award for Directing for both films.
Both films were told from the perspective of Americans.
"Platoon" was based on Oliver Stone's own experience in Vietnam and "Born on the Fourth of July" was based on the experiences of veteran Ron Kovic.
After "Platoon", Hayslip would stand outside movie theaters in San Diego, where she lived at the time, and hand out fliers.
"I am not against the movie," Hayslip said, "But I want them to know that 3 million of my people died in that war too.
"Stone had been a United States Army soldier in Vietnam in 1967 and 1968.
Hayslip was living and working in Da Nang, Vietnam at the same time Stone was stationed there and they have speculated that they possibly crossed paths.
Stone read her memoir when it was published in 1989 and felt that his look at the Vietnam War was incomplete without telling the story from the perspective of the Vietnamese.
He optioned the book and the film was released in 1993.
The film version was also based in part on Hayslip's second book, "Child of War, Woman of Peace", about her adaptation to life in the United States.
The film was not as well-received as "Platoon" or "Born on the Fourth of July". 
The effects of the Vietnam War tended to diminish the appetite for fictional war films by the turn of the 1970s.
American war films produced during and just after the Vietnam War often reflected the disillusion of the American public towards the war.
Most films made after the Vietnam War delved more deeply into the horrors of war than films made before it (This is not to say that there were no such films before the Vietnam War).
Later war films like "Catch-22" (set in WWII) and the black comedy "MASH" (set in Korea), reflected some of these attitudes.
Another film, "Patton" (1970), showed the actions of real life General George S. Patton, but intermixed action with commentary about how he waged war, in North Africa and the Sicilian campaign, showing good and bad sides to a command.
The smash film won seven Academy Awards, including Best Picture and Best Actor George C. Scott (he refused the Award).
In the decades following the War, the American film industry produced many war films either critical of American involvement in Vietnam, depicting American war crimes or the negative effects of war on combatants.
These films included works by the most prominent actors and directors in American film and garnering the highest accolades and commercial success including:  "Taxi Driver" (1976) — nominated for four Academy Awards, directed by Martin Scorsese.
"Coming Home" (1978) — winner of three Academy Awards, directed by Hal Ashby.
"The Deer Hunter" (1978) — winner of five Academy Awards, including Academy Award for Best Picture, directed by Michael Cimino.
"Apocalypse Now" (1979) — winner of two Academy Awards, directed by Francis Ford Coppola.
"Full Metal Jacket" (1987) — directed by Stanley Kubrick.
"Hamburger Hill" (1987) — directed by John Irvin.
"Casualties of War" (1989) — directed by Brian De Palma.
During the 1980s and 1990s, Oliver Stone did a trilogy of Vietnam War films:  "Platoon" (1986) — winner of Academy Award for Best Picture.
"Born on the Fourth of July" (1989) — winner of two Academy Awards.
"Heaven & Earth" (1993) Another subgenre were films that portrayed the American government cynically by reflecting upon the Vietnam War POW/MIA issue, the most known of which were "Missing in Action" (1984) and "" (1985).
An exception was the 1982 South Korean-American production "Inchon" about a battle in the Korean War, although both a critical and commercial failure. 
The Vietnam War has been the subject of many films.
One of the first major films based on the Vietnam War was John Wayne's "The Green Berets" (1968).
Further cinematic representations were released during the 1970s and 1980s, including Michael Cimino's "The Deer Hunter" (1978), Francis Ford Coppola's "Apocalypse Now" (1979), Oliver Stone's "Platoon" (1986) — based on his service in the U.S. Military during the Vietnam War, Stanley Kubrick's "Full Metal Jacket" (1987), "Hamburger Hill" (1987) and "Casualties of War" (1989).
Later films would include "We Were Soldiers" (2002) and "Rescue Dawn" (2007).
Other films in this genre include films that deal more with the issues veterans face at home after returning from the war.
Films of this type include "Taxi Driver" (1976), "Heroes" (1977), "Coming Home" (1978), "Combat Shock" (1986), "First Blood" (1982), "The War at Home" (1979), "Born on the Fourth of July" (1989), "Jacob's Ladder" (1990), "Heaven & Earth" (1993), "Forrest Gump" (1994), "Dead Presidents" (1995), and "Music Within" (2007). 
Ng has also invested in major motion pictures directed by Oliver Stone, including 1993's "Heaven & Earth", the final in Stone's trilogy of films focused on the Vietnam War; and 1994's "Natural Born Killers". 
The Vietnam War has been featured extensively in television, film, video games, and literature in the participant countries.
In American popular culture, the "Crazy Vietnam Veteran", driven mad or otherwise disturbed by his experiences in Vietnam, became a common stock character after the war.
One of the first major films based on the Vietnam War was John Wayne's pro-war film, "The Green Berets" (1968).
Further cinematic representations were released during the 1970s and 1980s, including Michael Cimino's "The Deer Hunter" (1978), Francis Ford Coppola's "Apocalypse Now" (1979), Oliver Stone's "Platoon" (1986) — based on his service in the U.S. Military during the Vietnam War, Stanley Kubrick's "Full Metal Jacket" (1987), "Hamburger Hill" (1987), and "Casualties of War" (1989).
Later films would include "We Were Soldiers" (2002) and "Rescue Dawn" (2007).
The war also influenced a generation of musicians and songwriters in Vietnam and the United States, both anti-war and pro/anti-communist.
The band Country Joe and the Fish recorded "I-Feel-Like-I'm-Fixin'-To-Die Rag" / The "Fish" Cheer in 1965, and it became one of the most influential anti-Vietnam protest anthems.
Trinh Cong Son was a South Vietnamese songwriter famous for his anti-war songs.