Question: What writer wrote the book that became the movie "Wake in Fright?"
About the article "Wake in Fright", section "Production".

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Evan Jones (born 1927, Portland, Jamaica) is a poet, playwright and screenwriter based in Britain.
He was educated in Jamaica, the United States and England.
Jones taught at schools in the United States before moving to England in 1956 and beginning a career as a writer.
He wrote the scripts for the feature films "King & Country", "Modesty Blaise", "Funeral in Berlin", "Wake in Fright" and several television plays. 
The world premiere of "Wake in Fright" (as "Outback") occurred at the 1971 Cannes Film Festival, held in May.
Ted Kotcheff was nominated for a Golden Palm Award.
The film opened commercially in France on 22 July 1971, Great Britain on 29 October 1971, Australia during the same month and the United States on 20 February 1972.
"Wake in Fright" received generally excellent reviews throughout the world and found a favourable public response in France (where it ran for five months) and in the United Kingdom.
However, despite receiving such critical support at Cannes and in Australia, "Wake in Fright" suffered poor domestic box-office returns.
Although there were complaints that the film's distributor, United Artists, had failed to promote the film successfully, it was also thought that the film was “perhaps too uncomfortably direct and uncompromising to draw large Australian audiences".
During an early Australian screening, one man stood up, pointed at the screen and protested "That's not us!
", to which Jack Thompson yelled back "Sit down, mate.
It is us.
"The un-restored version of "Wake in Fright" received a three stars (out of four) rating from the American film reviewer Leonard Maltin in his "2006 Movie Guide", while Brian McFarlane, writing in 1999 in "The Oxford Companion to Australian Film", said that it was “almost uniquely unsettling in the history of new Australian Cinema”.
Askmen.com echoed these sentiments, citing that "it's not hard to see why the dusty savagery and clown-faced surrealism of Ted Kotcheff's fourth feature was never shown on telly at the time.
"Following the film's restoration, "Wake in Fright" screened at the 2009 Cannes Film Festival on 15 May 2009 when it was selected as a Cannes Classic title by the head of the department, Martin Scorsese.
"Wake in Fright" is one of only two films ever to screen twice in the history of the festival.
Scorsese said, ""Wake in Fright" is a deeply -- and I mean deeply -- unsettling and disturbing movie.
I saw it when it premiered at Cannes in 1971, and it left me speechless.
Visually, dramatically, atmospherically and psychologically, it's beautifully calibrated and it gets under your skin one encounter at a time, right along with the protagonist played by Gary Bond.
I'm excited that "Wake in Fright" has been preserved and restored and that it is finally getting the exposure it deserves.
"Roger Ebert reviewed the re-release and said "It's not dated.
It is powerful, genuinely shocking and rather amazing.
It comes billed as a 'horror film' and contains a great deal of horror, but all of the horror is human and brutally realistic."
Don Groves of SBS gave the film four stars out of five, claiming that ""Wake in Fright" deserves to rank as an Australian classic as it packs enormous emotional force, was bravely and inventively directed, and features superb performances. "
Rex Reed, an early advocate of "Wake in Fright", praised the film's restoration as "the best movie news of the year", and said it "may be the greatest Australian film ever made".
Currently, the film has a rating of 100% on Rotten Tomatoes, based on 42 reviews. 
Fright Night was also a horror program that aired on New York's WOR-TV, Channel 9.
Unlike some of the station's other horror showcases from the 1970s such as Thriller Theater and Chiller Thriller, "Fright Night" catered to an adult audience.
As the Championship Wrestling show was ending, a Channel 9 off-screen announcer (either Ray Marlin, Jesse Elin Browne, Barbara Daniels Korsen or Ted Mallie) would say "Now stay tuned for Fright Night, next on Channel 9."
The opening featured a series of classic monsters from the Universal Horror series.
Bela Lugosi's Dracula, Elsa Lanchester as the Bride Of Frankenstein, Lon Chaney, Jr.. as The Wolfman and then Boris Karloff as the Frankenstein Monster which dissolved into a skull from whose empty eye socket flowed wispy dry ice mist.
Then two words appeared in the eye socket...FRIGHT NIGHT.
From there the screen would give way to an incredible array of weekly horror films unlike those offered on any other station of the time.
The show ran at various times throughout its history, ranging from midnight to 1 and 1:30 am.
"Fright Night" had its premiere on Saturday night, October 6, 1973 at midnight.
The first film shown was one of Hemisphere Pictures' television films called Decoy For Terror.
From 1973 to 1979 "Fright Night" showed mainly the Universal Horror classics like Dracula and Frankenstein.
In fact, The Invisible Man became a Christmas tradition, broadcast whenever the Saturday night program fell on a Christmas weekend.
"Fright Night" also later made a tradition of showing the violent Christmas chiller "Silent Night, Bloody Night" instead.
The movie Mad Max also debuted in the New York Television area for the first time on Fright Night in 1980.
In early 1979 the films changed switched to more 1970s slasher films and B-movies like:From 1979 until its end in 1987, many famous horror and science-fiction films debuted on Fright Night, like "Ben", "Halloween", "House of Dark Shadows", "It's Alive", "Night of Dark Shadows", "The Amityville Horror", "The Deep", "The Hills Have Eyes", "The Legend of Hell House", "The Texas Chain Saw Massacre", and "Willard".
"Fright Night" was discontinued in September, 1987.
A new book about the WOR-TV NY version of FFRIGHT NIGHT is scheduled for release in November 2011 by McFarland Publishing.
It is called FRIGHT NIGHT ON CHANNEL 9 - SATURDAY NIGHT HORROR FILMS ON NEW YORK'S WOR-TV, 1973 - 1987 
For many years, the only known print of "Wake in Fright", found in Dublin, was considered of insufficient quality for transfer to DVD or videotape for commercial release.
In response to this situation, "Wake in Fright"s editor, Anthony Buckley, began to search in 1994 for a better-preserved copy of the film in an uncut state.
Ten years later, in Pittsburgh, Buckley found the negatives of "Wake in Fright" in a shipping container labelled "For Destruction".
He rescued the material, which formed the basis for the film's painstaking 2009 restoration.
Another complete copy of "Wake in Fright", reputedly in good condition, exists in the collection of the Library of Congress, which has screened it in the library's Mary Pickford Theater.
"Wake in Fright" was released on DVD and Blu-ray Disc formats on 4 November 2009, based on a digital restoration completed earlier that year.
This restoration was shown to the general public for the first time at the Sydney Film Festival in June 2009, was subsequently given limited theatrical re-release in Australia and received wide and consistently positive coverage in the Australian media. 
Venus met American novelist Henry Miller when she was in her twenties and became his muse.
In his book "Joey", Miller wrote of Venus: "To love at the end of one's life is something special.
Few women can inspire that sort of love.
To wake up with the words of love on one's lips--what bliss!
Just to say "Brenda" puts me in ecstasy."
Miller's long-time friend and confidant, fellow novelist and poet Lawrence Durrell wrote in the introduction to Miller's book "Dear, Dear Brenda" that: "The role of Brenda Venus will keep its interest and importance also as a memorial of his last great attachment--an Ariel to his Prospero... She enabled him to dominate his infirmities and to experience all the Joys of Paradise."
According to writer Ed Millis, Venus was a source of inspiration to the aging and ailing Miller: "Brenda was 20, Henry was 84.
She was a beautiful Southern belle, "The Boticelli of Mississippi"—he called her.
Henry, the renegade intellectual, the writer, had taken millions of us to the sexy Tropic of Cancer and Capricorn.
Now he was sick and slowly recuperating.
He needed a lift in spirits... Brenda the Muse breathed life into her mortal charge and gave him reason to live.
He wrote her over 1,500 letters and gave her focus and fine tuning!"