Question: How long is Adele's "Rolling in the Deep"?
About the article "Rolling in the Deep", section "Track listing".

Candidate passages:
 During concerts in South America, "Bleed It Out" was performed after "Crawling" During the concert at Hayarkon Park in Tel Aviv, Israel, the band performed Bob Marley's "No Woman, No Cry".
During the concert at The Roundhouse in London, England, the band covered Adele's "Rolling in the Deep".  
Cheryl Cole, Ferguson's mentor on "The X Factor", expressed her views over the album stating "wow".
"The Independent" said; "It's not hard to understand why: there's a hard central core of reality, of real lived experience, running through these ten songs that's almost diametrically opposed to the usual soul-diva cliches promoted by shows like The X Factor.
And Ferguson herself likewise avoids the showboating vocal frippery by which some contestants aim to brandish their technique."
They went onto compare Ferguson's album to Carla Thomas, while also comparing "Glitter & Gold" to Adele's "Rolling in the Deep".
Also, Daily News (New York) commented on how Ferguson is a contender to become the next Adele.
Shah Salimat from MediaCorp's Xinmsn gave 4 out of 5 stars, noting how Rebecca "impresses with her signature brand of soul-blues" and that "Heaven is an album full of gems that remind us why Rebecca should have won The X-Factor in the first place". 
In an interview Adele expressed her initial reservations prior to meeting with Epworth due to their divergent musical styles, but characterised their collaboration as "a match made in heaven."
She also credited Epworth for her increased vocal confidence, stating, "He brought a lot out of me.
He brought my voice out as well—there's notes that I hit in that song ("Rolling in the Deep") that I never even knew I could hit.
"According to reviewer Bill Lamb, "Rolling in the Deep" features "martial beats, pounding piano keys and chanting backing singers".
Adele's vocals have been described as having a "hint of Wanda Jackson's dirty-blues growl".
According to Nadine Cheung from AOL Radio Blog the song is "sung from the perspective of a scorned lover, who is finally able to see the light, but despite regretful sentiments, reconciliation is not an option here."
"Rolling in the Deep" is written in the key of C minor, in common time with a tempo of 105 beats per minute.
The accompaniment uses open fifths, in a progression of C5–G5–B5–G5–B5.
Adele's voice spans from B3 to D5, the highest note sung using the head voice.
The song was reportedly inspired by a Nashville-schooled US tour bus driver, and composed by Epworth and Adele in a single afternoon following Adele's breakup with her boyfriend. 
The song has received acclaim for Adele's vocals, its lyrics, and instrumentation.
"The Sun" called the song "an epic, foot-stomper of a pop anthem with thumping piano and a vocal you would expect from a veteran of 20 years on the road."
Lamb gave it a perfect score of 5, saying: "'Rolling In the Deep' [...] wastes no time in presenting the stunning bluesy authority of her voice.
Less than five seconds in she begins proclaiming the rise of emotion that results in fantasies of revenge against a lover who has done her wrong.
Hers is a voice that can raise chills up the spine, and, when she is in a mood like this, the sense of foreboding will rivet your attention."
Jason Lipshutz of "Billboard" magazine complimented the song's "sweeping chorus" and felt that the song "places a similar emphasis on its refrain but its multilayered instrumentation gives the English singer's wail a previously unheard depth".
Lipshutz also praised Adele's vocal performance by writing, "Adele's noticeable leap in vocal confidence highlights the track.
She gracefully lingers on the last line of the verses and attacks the sorrowful chorus' first words, 'We could have had it all,' head on."
"Rolling Stone" magazine's Barry Walters gave the song a positive review stating, "'Rolling in the Deep' finds the 22-year-old in bluesy gospel mode, sounding powerful but not particularly pop.
Starting with a stroked acoustic guitar, this breakup-mourning track builds to a stomping, hand-clapping climax that affirms the British knack for rejiggering the sound of American roots music."
The "Billboard" Hot 100 is a chart that ranks the best-performing singles of the United States.
Its data, published by "Billboard" magazine and compiled by Nielsen SoundScan, is based collectively on each single's weekly physical and digital sales, as well as airplay.
In 2011, 14 singles claimed the top spot in 53 issues of the magazine, one of which, singer Katy Perry's "Firework" started its peak position in late 2010.
In 2011, nine acts achieved their first US number-one single, either as a lead artist or a featured guest: Wiz Khalifa, Adele, Pitbull, Afrojack, Nayer, LMFAO, Lauren Bennett, GoonRock and Calvin Harris.
Six collaboration singles topped the chart.
Pop singers Adele, Britney Spears, Katy Perry and Rihanna each earned two number-one songs during the year.
One of Adele's songs, "Rolling in the Deep", was the best-performing single of 2011, topping the "Billboard" Year-End Hot 100.
She became the fourth solo female to have multiple songs spend at least five weeks each at number one in one calendar year.
Rihanna's "We Found Love" was the longest-running single of the year, having topped the chart for eight consecutive weeks in 2011 and two additional weeks in 2012.
It became only the eleventh single by a female solo artist to have spent at least ten weeks at number-one in the chart's history.
Adele's "Rolling In the Deep" stayed at number one for seven consecutive weeks, while Lady Gaga's "Born This Way"—the 1,000th number-one single of the Hot 100—and LMFAO's "Party Rock Anthem" topped the chart for six consecutive weeks.
Perry's "E.T."
and Adele's "Someone Like You" each spent five weeks at the number-one spot.