Question: Who called that concept very flattering
About the article "Moves like Jagger", section "Critical reception".

Candidate passages:
Bill Lamb from About.com gave the song a positive review, giving the single four-and-a-half out of five stars.
Lamb wrote that, "The funky, whistle driven melody here is loose, light, and irresistibly funky.
The punchy guest vocal from fellow judge Christina Aguilera is simply icing on the cake.
There is a real vocal chemistry between Aguilera and Levine."
Lamb called the song an "outstanding summer song", writing that "It is light, danceable, and would sound great in the car with the top down."
Robbie Daw from Idolator wrote that "It takes a full two minutes and 15 seconds for Christina's soulful pipes to begin trilling on "Moves like Jagger."
But once she does, she immediately steals the show."
Daw concluded by writing that "this is the best thing from either of these two in years.
"While naming the song "a contender for 2011's song of the summer", James Dinh from MTV Newsroom wrote that "Adam Levine and Christina Aguilera have turned their friendly rivalry on NBC's "The Voice" into some studio chemistry."
Scott Schelter from Pop Crush awarded "Moves like Jagger" four-and-a-half out of five stars.
Schelter called the song "danceable and fun" and wrote that "the song would've been great even without Aguilera, but her fiery cameo makes it that much better."
Robert Copsey wrote for Digital Spy: " "Take me by the tongue and I'll know you/ Kiss me till you're drunk and I'll show you," Ad insists over a funky, finger-clicking bassline and an irresistible whistle hook that immediately burrows deep into the recesses of your brain.
"If I share my secret/ You're gonna have to keep it," Xtina says on her short, sweet and perfectly-formed cameo.
We've already got your number, love, but our surprise is still 100% genuine.
"Jagger himself acknowledged the song in an interview, calling the concept "very flattering."
Since the release of "Marvins Room", several recording artists have released their own remixes and interpretations of the song.
American pop singer JoJo recorded a remix entitled "Can't Do Better", which re-interprets the song's concept from a feminine standpoint.
A remix of "Marvins Room" was performed by Chris Brown for his 2011 mixtape "Boy in Detention", featuring J. Valentine, Dawn Richard, SeVen and Kevin McCall.
Brown's version peaked at number 77 on the "Billboard" Hot R&B/Hip-Hop Songs chart.
Rapper Lil Wayne recorded a freestyle over the track for his 2011 mixtape "Sorry 4 the Wait".
Other artists who have released their own versions of "Marvins Room" include Sammie, Cody Simpson and Teyana Taylor.
Drake reacted positively to the various interpretations of his song, saying: "The writing is doing something to people for them to want to take it and remix it.
It's very flattering, you know.
Thank you to anybody that did a remix.
I hope other songs on the album get reactions like that too."
He expressed a special interest in JoJo's remix and commented: "In JoJo's case, she actually took the time to write really potent new lyrics.
It was really shocking, I think, for her audience since throughout her career she's been kind of stereotyped as this teen pop star and then she comes out with this different kind of substance.
It's very rare that people take your song and do it over like that."
He received a common school education, and passed one term in the Jesuit college of Chambly, Quebec.
At 15, he was appointed assistant to the state librarian, who was also his guardian, at the state library at Albany.
He remained there until 1838.
At this time he began to publish poems and sketches in the daily papers, his first contribution being a long poem, which he dropped stealthily into the editor's letterbox, and which appeared the next day with flattering comments, but so frightfully misprinted that he hardly knew it.
This experience and a natural aptitude led him to acquire proofreading as an accomplishment, at which he became very expert. 
"The Insider" was adapted from "The Man Who Knew Too Much", an influential article on tobacco industry whistleblower Jeffrey Wigand, written by journalist Marie Brenner for the May 1996 issue of "Vanity Fair".
Wallace, in particular, was upset that the film would not portray him in the most flattering way. 
Ernest Jones contributed the term "rationalization" to psychoanalysis in 1908, defining it as "the inventing of a reason for an attitude or action the motive of which is not recognized"'.
Although Jones had not coined the term - the "Oxford English Dictionary" records the year of its first use as 1846' - he was the first to employ it in the context of psychoanalysis: 'No one will admit that he ever deliberately performed an irrational act, and any act that might appear so is immediately justified by...providing a false explanation that has a plausible ring of rationality'.
The term was taken up almost immediately by Sigmund Freud to account for the explanations offered for neurotic symptoms - 'a process which (borrowing a useful term from Ernest Jones we may describe as "rationalization"' - and was later developed further by his daughter Anna Freud.
However the concept itself (as opposed to the term) can be traced back millennia earlier, to Quintilian and classical rhetoric: 'The "pat excuse" is the "color", a frequent technical term among the rhetoricians for any approach that would present an action in the most favourable possible light'.
By the eighteenth century, it was almost a commonplace that, were a man to consider his actions, 'he will soon find, that such of them, as strong inclination and custom have prompted him to commit, are generally dressed out and painted with all the false beauties which, a soft and flattering hand can give them'.
What psychoanalysis added was the specific idea of the motives that were glossed or colored being unconscious, a point developed further by Lundhold, "Repression and Rationalization", in 1933, and by Hollitscher, "The Concept of Rationalization" in 1939.
By the 1940s Fenichel could distinguish 'various types of rationalization...
Emotional attitudes become permissible on condition that they are justified as "reasonable"', but equally 'Defensive attitudes and resistances, which seem irrational because their real purpose is unconscious, frequently are "rationalized" by the ego's foisting other secondary purposes upon them'.
For a near-determinist like Eric Berne, one's 'important decisions are already made...in early childhood': thereafter 'other decisions...are "directed" decisions rationalized on spurious grounds'.
Once a decision has been made on unconscious grounds, 'without the individual's being aware of the real forces behind it.
he takes upon himself the task of finding justifications for it..."rationalization"'.
Lacan in his concept of "meconnaissance" came very close to the same idea: 'everything that the ego neglects, scotomizes, misconstrues...everything that it ignores, exhausts, and binds in the significations that it receives from language'.
Some later psychoanalysts might take a more positive view of the process, suggesting that 'Intellectualisation and rationalisation...bridge the gap between immature mechanisms and those of maturity'; but to object relations theory it could be part of a more sinister process whereby the mind 'detaches feelings from their true locus and attaches them to the exact reverse; it falsifies judgement; it splits intellect from feeling and enslaves reason...a process called rationalization'.