Question: Who are two of the main producers of Spanish language media content in the world?
About the article "Mexico", section "Cinema and media".

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Multiple Media Entertainment is a full-service media content distribution company with offices in Toronto and Vancouver.
Co-founded by Drew Craig (Chairman) and Michael Taylor (CEO).
They are involved in all aspects of the entertainment content industry including co-development, co-production, distribution, product integration, branded content, barter distribution, etc.
Multiple Media Entertainment works with program producers, program suppliers and all of the Canadian media outlets, in all media, including television, radio, outdoor, print, online, mobile, etc.
They also provide resources to assist producers to produce media content; assist distributors to distribute media content; and assist media outlets in commissioning and acquiring media content. 
The Convergence International Digital Forum (CIDFo) is an annual international pitching and showcasing event where digital content meets technology and investment.
CIDFo takes place in Norwich, England.
(www.cidfo.com)Since 2013, CIDFo has been part of Norwich Sound and Vision.
For the previous four years it was based in Cambridge and was known as the Cambridge International Digital Forum.
For 2013, CIDFo 5 takes place at the EPIC Studio, Norwich, England on 9 October.
Participation is free to successful applicants.
Created by John Marshall in 2008, CIDFo's mission is to develop events and activities where the results are real business and inspired digital media creation, not theoretical discussion.
Based on the idea that, "content is the creative use of technology", CIDFo introduces creative media producers to cutting-edge digital technologies and vice-versa.
Over two days each year, CIDFo combines project pitching from all media genres, digital technology showcasing, global video conferences, finance and networking.CIDFo has been held at the Cambridge Judge Business School and The Moller Centre, Cambridge.
Participant numbers are usually limited to 100, plus those who engage through video conferences.
The event is deliberately international, seeking the most stimulating digital media content creators and technologies, guided by leading names in their fields.
By putting them together, new dimensions open for digital media and business development.
The main Dinner has been held in the intimate dining hall of Cambridge University's ancient Christ's College.CIDFo connects:  media content producers  cutting edge digital technologies  commissioners and investors  new markets CIDFo's aim is to stimulate digital media content, from television formats to games; mobile to sync music; animation to factual.CIDFo focuses on the "business" of digital media content: its innovative creation; its financing; its future audiences and how to reach them. 
TMS vendors target two main buyers when marketing and selling their products.
On the one hand, software developer-only companies attract content producers, and sell their offering with no strings attached.
On the other hand, software developers can also be Language Service Providers (LSPs), so they offer their language services over their custom-made technological offering for easier customer integration.
The latter is commonly referred to as a captive solution, meaning that buyers must use the TMS developer's language services in order to take advantage of their platform.
Content producers with preferred or previous language service agreements to third LSPs may prefer to maintain their independence and purchase software licences only.
However, a combined option of technology solution and language services in one package is bound to be more cost effective.
Similarly, LSPs may prefer to contact technology vendors who are not part of the competition, offering also language services.
Many LSPs got nervous when SDL bought Trados in 2005, becoming the biggest translation technology provider, while still having language services as part of their activities.
Of course, the two above possibilities are only extremes and the market requires more flexible solutions.
For instance, the LSP Moravia Worldwide announced in 2007 a partnership with TMS developer Idiom Worldserver to remain independent and still provide added value to their customers. 
 as a commercial model.
In addition to freely distributed material, some broadcasters and others use similar methods for the controlled placement of proprietary content on multiple partnering Internet destinations.
In addition to web feeds, such commercial syndicators may use other methods to distribute their content such as Reuters, Associated Press, All Headline News, and PreviewNetworks.
Such commercial web syndication borrows its business models from syndication in other media, such as Print, radio, and television.
Primarily, syndication arose in those other media so that content creators could reach a wider audience.
In the case of radio, the United States Federal government proposed a syndicate in 1924 so that the nation's executives could quickly and efficiently reach the entire population.
In the case of television, it is often said that "Syndication is where the real money is."
Additionally, syndication accounts for the bulk of TV programming.
Commercial web syndication can be categorized in three ways:  by business models  by types of content  by methods for selecting distribution partners Commercial web syndication involves partnerships between content producers and distribution outlets.
There are different structures of partnership agreements.
One such structure is licensing content, in which distribution partners pay a fee to the content creators for the right to publish the content.
Another structure is ad-supported content, in which publishers share revenues derived from advertising on syndicated content with that content's producer.
A third structure is free, or barter syndication, in which no currency changes hands between publishers and content producers.
This requires the content producers to generate revenue from another source, such as embedded advertising or subscriptions.
Alternatively, they could distribute content without remuneration.
Typically, those who create and distribute content for free are promotional entities, vanity publishers, or government entities.
Types of content syndicated include RSS or Atom Feeds and full content.
With RSS feeds, headlines, summaries, and sometimes a modified version of the original full content is displayed on users' feed readers.
With full content, the entire content—which might be text, audio, video, applications/widgets or user-generated content—appears unaltered on the publisher's site.
There are two methods for selecting distribution partners.
The content creator can hand-pick syndication partners based on specific criteria, such as the size or quality of their audiences.
Alternatively, the content creator can allow publisher sites or users to "opt in" to carrying the content through an automated system.
Some of these automated "content marketplace" systems involve careful screening of potential publishers by the content creator to ensure that the material does not end up in an inappropriate environment.
Just as syndication is a source of profit for TV producers and radio producers, it also functions to maximize profit for Internet content producers.
As the Internet has increased in size it has become increasingly difficult for content producers to aggregate a sufficiently large audience to support the creation of high-quality content.
Syndication enables content creators to amortize the cost of producing content by licensing it across multiple publishers or by maximizing distribution of advertising-supported content.
A potential drawback for content creators, however, is that they can lose control over the presentation of their content when they syndicate it to other parties.
Distribution partners benefit by receiving content either at a discounted price, or for free.
One potential drawback for publishers, however, is that because the content is duplicated at other publisher sites, they cannot have an "exclusive" on the content.
For users, the fact that syndication enables the production and maintenance of content allows them to find and consume content on the Internet.
One potential drawback for them is that they may run into duplicate content, which could be an annoyance. 
  "Content" (album), a 2011 studio album by the UK band Gang of Four  Content (Freudian dream analysis), a dream as it is remembered and the hidden meaning of the dream in Freudian analysis  Content (media), information or experience provided to audience or end-users by publishers or media producers * Content industry, an umbrella term that encompasses companies owning and providing mass media and media metadata * Content provider, a provider of non-core services in the telecommunications industry * Free content, published material that can be used, copied, and modified without significant legal restriction * Open content, published material licensed to authorize copying and modification by anyone * Web content, information published on the World Wide Web  Contentment, a state of being  Contents insurance, insurance that pays for damage to, or loss of, an individual’s personal possessions whilst they are located within that individual’s home  Table of contents, a list of chapters or sections in a document  Content analysis, a methodology used in the social sciences and humanities for studying the content of communication  Content format, an encoded format for converting a specific type of data to displayable information  "Brill's Content", a former media watchdog publication by Steven Brill (journalist)