Question: According to Sight & Sound, what was the films ranking?
About the article "This Is Not a Film", section "Reception".

Candidate passages:
  "Seven Samurai" (1954) was the highest-ranking historical period film in the 1982 "Sight & Sound" critics' poll.
"Schindler's List" (1993) was chosen as the best political/historical film for "".  
The highest-ranking Asian film in the 1982 "Sight & Sound" Critics' Poll of greatest films was "Seven Samurai" (1954, Akira Kurosawa, Japan).
The highest-ranking Asian films in the 1992 "Sight & Sound" Critics' Poll of greatest films were: 1.
"Tokyo Story" (1953, Yasujirō Ozu, Japan) 2.
"Pather Panchali" (1955, Satyajit Ray, India) 3.
"Seven Samurai" (1954, Akira Kurosawa, Japan) 4.
"Ugetsu" (1954, Kenji Mizoguchi, Japan) 5.
"The Music Room" (1958, Satyajit Ray, India) 6.
"Charulata" (1964, Satyajit Ray, India) 6.
"Ikiru" (1952, Akira Kurosawa, Japan) 8.
"Sansho the Bailiff" (1954, Kenji Mizoguchi, Japan) 8.
"Yellow Earth" (1984, Chen Kaige, China) 10.
"The Life of Oharu" (1952, Kenji Mizoguchi, Japan) 10.
"Rashomon" (1950, Akira Kurosawa, Japan) 10.
"Spring in a Small Town" (1948, Fei Mu, China) 13.
"Aparajito" (1956, Satyajit Ray, India) 13.
"Late Spring" (1949, Yasujirō Ozu, Japan) 13.
"Tokyo Story" (1953, Yasujirō Ozu, Japan) 2.
"Pather Panchali" (1955, Satyajit Ray, India) 2.
"Ugetsu" (1954, Kenji Mizoguchi, Japan) 4.
"Ikiru" (1952, Akira Kurosawa, Japan) 4.
"Seven Samurai" (1954, Akira Kurosawa, Japan) 6.
"Where Is the Friend's Home?"
(1987, Abbas Kiarostami, Iran) 7.
"The Apu Trilogy" (1955–1959, Satyajit Ray, India) 7.
"Yellow Earth" (1984, Chen Kaige, China) 9.
"The Time to Live and the Time to Die" (1986, Hou Hsiao-Hsien, Taiwan) 9.
"A City of Sadness" (1989, Hou Hsiao-Hsien, Taiwan) 11.
"Charulata" (1964, Satyajit Ray, India) 11.
"Floating Clouds" (1955, Mikio Naruse, Japan) 11.
"Mandala" (1981, Im Kwon-Taek, South Korea) 11.
"The Music Room" (1958, Satyajit Ray, India) 11.
"Spring in a Small Town" (1948, Fei Mu, China) 11.
"Subarnarekha" (1962/1965, Ritwik Ghatak, India) In a 2000 audience poll of "Best Asian films" conducted by the UK-based "MovieMail", the highest-ranking films were: 1.
"Raise the Red Lantern" (1991, Zhang Yimou, China) 2.
"The Apu Trilogy" (1955–1959, Satyajit Ray, India) 3.
"Seven Samurai" (1954, Akira Kurosawa, Japan) 4.
"Sansho the Bailiff" (1954, Kenji Mizoguchi, Japan) 5.
"Tokyo Story" (Yasujirō Ozu, 1953, Japan) 6.
"Ugetsu" (1953, Kenji Mizoguchi, Japan) 7.
"In the Mood for Love" (2000, Wong Kar-wai, Hong Kong) 8.
"Chungking Express" (1994, Wong Kar-wai, Hong Kong) 9.
"Crouching Tiger, Hidden Dragon" (2000, Ang Lee, China / Hong Kong / Taiwan) 10.
"Maborosi" (1995, Hirokazu Koreeda, Japan) 10.
"Yellow Earth" (1984, Chen Kaige, China)  
  "Seven Samurai" (1954) was the highest-ranking epic film in the 1982 "Sight & Sound" critics' poll.
"Lawrence of Arabia" (1962) was voted best epic by readers of "Total Film" in May 2004.
It was selected as the best epic movie ever by the American Film Institute during their 10 Top 10.  
  "Rashomon" (羅生門), 1950: This film by Akira Kurosawa was the first Japanese film to gain worldwide acclaim.
It is the highest-ranked Japanese and Asian film in the "Village Voice" poll of "Best Films of the Century" (ranked #10).
It also tied for the highest-ranked Japanese and Asian film on the "Sight and Sound" 2002 Directors' Top Ten Poll (ranked #9).
"Seven Samurai" (七人の侍 "Shichinin no Samurai"), 1954: Also by Kurosawa, this period adventure film is frequently cited as the greatest Japanese film ever; at #12, it is the highest-ranked Japanese and Asian film on the Internet Movie Database's "Top 250 movies" list.
It ranked, for the first time, at #3 in the 1982 "Sight & Sound" Critics' Top Ten Poll, appeared on the "Sight & Sound" Directors' Top Ten Poll in 1992 (ranked #10), tied for the highest-ranked Japanese and Asian film in 2002 (ranked #9), and ranked #17 on the 2012 critics' poll.
It is ranked #2 on Rotten Tomatoes' top 100 foreign films, and #1 on their top 100 action/adventure films.
It was also voted the "Best Japanese Film ever" in a 1979 Kinema Junpo critics’ poll.
It also topped "Empire" magazine's "The 100 Best Films Of World Cinema" list.
"Tokyo Story" (東京物語 "Tokyo Monogatari"), 1953: Directed by Yasujirō Ozu, is the highest-ranked Japanese and Asian film on the 2002 "Sight and Sound" Critics' Top Ten Poll (ranked #5).
It was also declared the greatest film ever by Halliwell's Film Guide in 2005.
In 2012, "Tokyo Story" topped the "Sight & Sound" directors' poll, dethroning "Citizen Kane" for the first time since the directors' poll began in 1992, and has also come third place in the 2012 critics' poll.
"Ugetsu" (雨月物語 "Ugetsu Monogatari"), 1953: Directed by Kenji Mizoguchi, it was the highest-ranking Asian film in the "Sight & Sound" critics' polls in 1962 (ranked #4) and 1972 (ranked #10).  
Polls of critics and filmmakers.
"Sight & Sound" poll.
Every decade, the British film magazine "Sight & Sound" asks an international group of film professionals to vote for the greatest film of all time.
The "Sight & Sound" accolade has come to be regarded as one of the most important of the "greatest ever film" lists.
The American film critic Roger Ebert described it as "by far the most respected of the countless polls of great movies—the only one most serious movie people take seriously."
"Citizen Kane" (1941) by Orson Welles was voted #1 in the five "Sight & Sound" critics' polls from 1962 to 2002.
A separate "Sight & Sound" poll of established film directors, held for the first time in 1992, also placed "Citizen Kane" at the top in 1992 and 2002.
"Bicycle Thieves" (1948) by Vittorio De Sica topped the first "Sight & Sound" critics' poll, in 1952.
It also came #7 in 1962 and #6 in 2002.
It also came #10 in the 2012 directors' poll.
"Tokyo Story" (1953) by Yasujirō Ozu topped the "Sight & Sound" directors' poll in 2012, dethroning "Citizen Kane".
"Tokyo Story" also appeared in the "Sight & Sound" critics' poll at third place in 1992, fifth in 2002, and third in 2012.
"Vertigo" (1958) by Alfred Hitchcock topped the "Sight & Sound" critics' poll in 2012, dethroning "Citizen Kane".
It also came #7 in 1982, #4 in 1992, and #2 in 2002.
In the directors' poll, it came #6 in 1992 and 2002, and #7 in 2012.
"La Règle du Jeu (The Rules of the Game)" (1939) by Jean Renoir is the only movie to have appeared in every one of the "Sight & Sound" critics' polls; its only appearance in the directors' poll was #9 in 2002.