Question: Michelangelo's Jesse Tree showcases what emotions?
About the article "Sistine Chapel ceiling", section "Treatment".

Candidate passages:
Michelangelo's depiction of the Genealogy of Jesus departs from an artistic tradition for this topic that was common in medieval times, especially in stained-glass windows.
This so-called Jesse Tree shows Jesse lying prone and a tree growing from his side with the ancestors on each branch, in a visual treatment of a biblical verse.
The figures in the lunettes appear to be families, but in every case they are families that are divided.
The figures in them are physically divided by the name tablet but they are also divided by a range of human emotions that turn them outward or in on themselves and sometimes towards their partner with jealousy, suspicion, rage or simply boredom.
In them Michelangelo has portrayed the anger and unhappiness of the human condition, painting "the daily round of merely domestic life as if it were a curse".
In their constraining niches, the ancestors "sit, squat and wait".
Of the fourteen lunettes, the two that were probably painted first, the families of Eleazar and Mathan and of Jacob and Joseph are the most detailed.
They become progressively broader towards the altar end, one of the last being painted in only two days.
The Eleazar and Mathan picture contains two figures with a wealth of costume detail that is not present in any other lunette.
Prior to restoration, of all the paintings in the Sistine Chapel, the lunettes and spandrels were the dirtiest.
Added to this, there has always been a problem of poor daytime visibility of the panels nearest the windows because of "halination".
Consequently, they were the least well known of all Michelangelo's publicly accessible works.
The recent restoration has made these masterly studies of human nature and inventive depiction of the human form known once more.
Section References
A tree-structured list of emotions was described in Parrott (2001). 
This section showcases stories that are larger than life - grand emotions, lavish production design, big names in front of and behind the camera, traditionally crafted movies by acclaimed, experienced directors as well as by outstanding, lesser-known filmmakers. 
Priory Church of St Mary, Abergavenny, Wales.
The Priory Church of St Mary, Abergavenny, formerly held a 15th-century composition, described by Thomas Churchyard in 1587 as "a most famous worke in maner of a genealogie of Kings, called the roote of Jesse".
By this date it had been destroyed during the Reformation, but what survives is the larger than life-sized recumbent figure of Jesse himself, carved from a single piece of oak.
It has been described by Andrew Graham-Dixon as "the most impressive wood carving to have escaped the bonfires of the Reformation in Wales"; and by Phillip Lindley as "without doubt one of the finest pieces of fifteenth-century wood sculpture remaining in England or Wales".
It is unclear what form the rest of the tree originally took, but there are currently plans to install a new stained-glass Jesse window in the church, incorporating the wooden Jesse at its foot.
The work is expected to be completed by the Summer of 2014.
Abbotsford House Chapel, Abbotsford, Nr Melrose, Borders, Scotland.
The Chapel of Abbotsford House, built in 1855 by Sir Walter Scott's granddaughter Charlotte, houses a Flemish Gothic carved and painted wooden altar front of c.1480, depicting the Tree of Jesse.
It was purchased by her husband, James Hope-Scott.
Church of Saint Francis, Oporto, Portugal.
An 18th-century Tree of Jesse carved in wood in Baroque style, it is three-dimensional and has coloured and gilded figures perched among its branches.
Thirteen figures with the black bearded figure of Jesse lying on the bottom.
The tree culminates with a picture of the Madonna and Child and a dove above them.
On either side of the tree are other figures who appear to be either singing or reading from an open book which they are holding. 
Click on the images to enlarge them.