Question: Where is the world's most-watched cinema produced?
About the article "India", section "Motion pictures".

Candidate passages:
The following is a list of most watched films by total number of viewers; dates are when the films were broadcast, not necessarily when they were produced.)
East Asian cinema is cinema produced in East Asia or produced by people from this region.
It is part of Asian cinema, which in turn is part of world cinema.
World cinema is used in the English-speaking world to refer to all foreign language films.
The most significant film industries categorizable as East Asian cinema are the industries of China, Hong Kong and Japan, Taiwan and South Korea.
Other countries include Mongolia, Vietnam, Singapore, North Korea and Macau.
The terms 'Far Eastern cinema', 'Asian cinema', 'Eastern cinema' or 'Oriental cinema' are sometimes used synonymously with East Asian cinema, particularly in the United States, although their broader scope means that Asian cinema could equally well apply to the movies produced in other parts of Asia, particularly the cinema of India including the enormous Bollywood film industry. 
While in the industrialized nations of the West, motion pictures had first been accepted as a form of cheap recreation and leisure for the working class, Russian filmmaking came to prominence following the 1917 revolution when it explored editing as the primary mode of cinematic expression.
Russian and later Soviet cinema was a hotbed of invention in the period immediately following the 1917 revolution, resulting in world-renowned films such as "Battleship Potemkin".
Soviet-era filmmakers, most notably Sergei Eisenstein and Andrei Tarkovsky, would become some of the world's most innovative and influential directors.
Eisenstein was a student of filmmaker and theorist Lev Kuleshov, who developed the groundbreaking Soviet montage theory of film editing at the world's first film school, the All-Union Institute of Cinematography.
Dziga Vertov, whose "kino-glaz" ("film-eye") theory—that the camera, like the human eye, is best used to explore real life—had a huge impact on the development of documentary film making and cinema realism.
In 1932, Stalin made socialist realism the state policy; this somewhat limited creativity, however many Soviet films in this style were artistically successful, like "Chapaev", "The Cranes Are Flying", and "Ballad of a Soldier".1960s and 1970s saw a greater variety of artistic styles in the Soviet cinema.
Eldar Ryazanov's and Leonid Gaidai's comedies of that time were immensely popular, with many of the catch phrases still in use today.
In 1961–1967 Sergey Bondarchuk directed an Oscar-winning film adaptation of Tolstoy's epic "War and Peace", which was the most expensive Soviet film made.
In 1969, Vladimir Motyl's "White Sun of the Desert" was released, a very popular film in a genre known as 'osterns'; the film is traditionally watched by cosmonauts before any trip into space.
The late 1980s and 1990s were a period of crisis in Russian cinema and animation.
Although Russian filmmakers became free to express themselves, state subsidies were drastically reduced, resulting in fewer films produced.
The early years of the 21st century have brought increased viewership and subsequent prosperity to the industry on the back of the economy's rapid development, and production levels are already higher than in Britain and Germany.
Russia's total box-office revenue in 2007 was $565 million, up 37% from the previous year (by comparison, in 1996 revenues stood at $6 million).
Russian cinema continues to receive international recognition.
"Russian Ark" (2002) was the first feature film ever to be shot in a single take. 
The Indian film industry produces the world's most-watched cinema.
Established regional cinematic traditions exist in the Assamese, Bengali, Hindi, Kannada, Malayalam, Punjabi, Gujarati, Marathi, Oriya, Tamil, and Telugu languages.
South Indian cinema attracts more than 75% of national film revenue.
Television broadcasting began in India in 1959 as a state-run medium of communication, and had slow expansion for more than two decades.
The state monopoly on television broadcast ended in the 1990s and, since then, satellite channels have increasingly shaped popular culture of Indian society.
Today, television is the most penetrative media in India; industry estimates indicate that as of 2012 there are over 554 million TV consumers, 462 million with satellite and/or cable connections, compared to other forms of mass media such as press (350 million), radio (156 million) or internet (37 million).
 Cinema of Yugoslavia This is a list of the most notable films produced in Cinema of Yugoslavia.
For an alphabetical list of articles on Yugoslav films see :Category:Yugoslav films.