Question: At what place this Helm's original show up on the charts?
About the article "Jingle Bell Rock", section "Chart performance".

Candidate passages:
Inspiration and Influences.
The inspiration for and influences affecting the composition of "The Weight" came from the music of the American South, the life experiences of band members, particularly Levon Helm, and movies of Spanish filmmaker Luis Buñuel.
The original members of The Band performed the "The Weight" as an American Southern folk song with country music (vocals, guitars and drums) and gospel music (piano and organ) elements.
The lyrics, written in the first-person, are about a traveler's experiences arriving, visiting, and departing a town called Nazareth.
The singers, led by Helm, vocalize the traveler's encounters with people in the town from the perspective of a Bible Belt American Southerner, like Helm himself, a native of rural Arkansas.
After Helm's death in 2012, Robertson, who was raised in Canada, described how visits to the Memphis, Tennessee area, around which Helm grew up, affected him and influenced his songwriting: "To me ... going there was like going to the source.
Because I was at such a vulnerable age then, it made a really big impact on me.
Just that I had the honor joining up with this group and then even going to this place, which was close to a religious experience – even being able to put my feet on the ground there, because I was from Canada, right?
So it was like, 'Woah, this is where this music grows in the ground, and from the Mississippi river.
My goodness.'
It very much affected my songwriting and, because I knew Levon's musicality so well, I wanted to write songs that I thought he could sing better than anybody in the world.
"While I was there, I was just gathering images and names, and ideas and rhythms, and I was storing all of these things ... in my mind somewhere.
And when it was time to sit down and write songs, when I reached into the attic to see what I was gonna write about, that's what was there.
I just felt a strong passion toward the discovery of going there, and it opened my eyes, and all my senses were overwhelmed by the feeling of that place.
When I sat down to write songs, that's all I could think of at the time."
The colorful characters in "The Weight" were based on real people members of The Band knew, as Levon Helm explained in his autobiography, "This Wheel's on Fire".
In particular, "young Anna Lee" mentioned in the third verse is Helm's longtime friend Anna Lee Amsden, and, according to her, "Carmen" and "Crazy Chester" were people from Helm's hometown, Turkey Scratch, Arkansas.
According to Robertson, "The Weight" was inspired by the movies of Spanish filmmaker Luis Buñuel.
Buñuel's films are known for their surreal imagery and criticism of organized religion, particularly Catholicism.
While the song's lyrics and music invoke vivid imagery and the main character's perspective is influenced by the Bible, the song's episodic story was inspired by the predicaments Buñuel's film characters faced that undermined their goals for maintaining or improving their moral character.
Of this, Robertson once stated: "(Buñuel) did so many films on the impossibility of sainthood.
People trying to be good in "Viridiana" and "Nazarin", people trying to do their thing.
In "The Weight" it's the same thing.
People like Buñuel would make films that had these religious connotations to them but it wasn't necessarily a religious meaning.
In Buñuel there were these people trying to be good and it's impossible to be good.
In "The Weight" it was this very simple thing.
Someone says, "Listen, would you do me this favour?
When you get there will you say 'hello' to somebody or will you give somebody this or will you pick up one of these for me?
Oh?
You're going to Nazareth, that's where the Martin guitar factory is.
Do me a favour when you're there."
This is what it's all about.
So the guy goes and one thing leads to another and it's like "Holy shit, what's this turned into?
I've only come here to say 'hello' for somebody and I've got myself in this incredible predicament."
It was very Buñuelish to me at the time."
 Original version Live version  
The Battle of the Hornburg is a fictional battle in J. R. R. Tolkien's novel "The Lord of the Rings".
Published in the volume "The Two Towers", it is recounted in the chapter "Helm's Deep", and the aftermath is briefly shown in the next one, "Flotsam and Jetsam".
The battle pitted the forces of the Wizard Saruman against the Rohirrim under King Théoden, who had taken refuge in the mountain fortress of the Hornburg at Helm's Deep.
After being released from his malevolent adviser Gríma Wormtongue's influence by the benevolent Wizard Gandalf, Théoden set out to the Fords of Isen, where his marshal Erkenbrand was fighting Saruman's forces.
However, Théoden found out that they had been scattered.
Gandalf advised him to take refuge in the "Hornburg" fortress of "Helm's Deep", an area named after one of their kings.
Then Gandalf left on some unexplained errand.
Théoden's army went to the area, where local people were commanded by a captain called Gamling the Old.
Many of the forces there were too old or too young.
The women and children of Théoden's capital Edoras were safe in Dunharrow, led by the King's niece Éowyn.
The forces of Saruman, common Orcs and Uruk-hai, along with some orc-human hybrids (called "half-orcs and goblin-men" — which may have referred to or included the Uruk-hai themselves) and human Dunlendings, arrived at the valley of Helm's Deep in the middle of the night during a storm.
Meanwhile, Legolas the Elf and Gimli the Dwarf agreed to compete, to see which one could kill the most orcs.
The attackers quickly scaled over the first defence, Helm's Dike, forcing the defenders there to fall back to the fortress.
When the Orcs were close, the defenders drove them back with arrows and stones, but they managed to get close to the wall after multiple charges.
They attempted to break down the gate with a battering ram, but a sortie led by Aragorn and Éomer scattered the forces.
The Orcs and Dunlendings then raised hundreds of ladders to scale the wall.
Aragorn and Éomer repeatedly motivated the tired defenders to repel the Orcs coming up the ladders.
However, some Orcs had crept in through a culvert which let a stream out of Helm's Deep, and while the defenders were busy with the assault on the wall, they were suddenly attacked from behind.
This was repulsed and the culvert was blocked up under Gimli's supervision.
However, the enemies re-entered the culvert and blasted a wide hole in the wall using an ambiguous explosive device invented by Saruman, a "blasting-fire".
The defenders then retreated to the Glittering Caves, Éomer and Gimli among them.
Soon Saruman's forces broke through the gate and gained entrance to the fortress.
At this moment, however, the horn of King Helm was sounded, and a cavalry charge led by Théoden and Aragorn rode forth, followed by all the Rohirrim left inside.
They cut their way through the Orcs and broke free.
Both armies then noticed that many Huorns had moved to block a possible escape route for the Orcs.
Then Gandalf arrived on Shadowfax, with Erkenbrand and a thousand infantry — the remaining strength of the Rohirrim that had been routed at the Fords of Isen.
They charged into the fray.
The Dunlendings were so terrified of Gandalf that they could no longer fight.
The Orcs lost control and ran into the "forest" of Huorns, where they were completely annihilated.
After the battle, those Dunlendings who surrendered were given amnesty by King Théoden and allowed to return home (much to their surprise, since Saruman had told them that the men of Rohan would burn all survivors alive).
The Rohirrim required that all hostilities cease, and that the Dunlendings retreat behind the River Isen again and never recross while bearing arms.
Among the Rohirrim dead was Háma, captain of Théoden's personal guard and doorward of his hall (he plays a significant role in the previous chapter, "The King of the Golden Hall").
Gimli was wounded, but had killed 42 to Legolas' 41.
The event is sometimes called the "Battle of Helm's Deep", a title which was never used by Tolkien but which is often used by readers and other fans, this has led to the misconception that the term "Helm's Deep" refers to the fortress.
Properly speaking, the fortress is the "Hornburg" (Anglo-Saxon = horn fortress) and "Helm's Deep" is the ravine behind it.
In one of his letters regarding a proposed film adaptation, Tolkien protested the use of "Helm's Deep", stating that, "the 'defence of the Hornburg' would be a better title, since Helm's Deep, the ravine behind, is not shown" ("Letters", 210). 
After years of releasing live albums, Kaukonen felt it was time to record a new electric studio album with the band when his current label for his solo work, Red House Records, was interested.
Kaukonen started by writing one song, but with deadlines set and being locked in to studio time with the band, he collaborated and ended up writing six songs for the album.
The band used Levon Helm's studio which Kaukonen had recorded his previous solo album at, "River of Time".
For the new album, Kaukonen decided to take the approach he used with Jefferson Airplane, letting others work out the charts for the rhythm section and concentrating on the lead guitar lines.
Also to reflect back to Jefferson Airplane's style, Teresa Williams recorded harmony vocals similar to Grace Slick's on several tracks. 
This album peaked at #103 on the Billboard album chart, Mathis' 30th album to place on the chart and his lowest placing original studio album to this point on the chart.