Question: What percentage of french films account for the total film revenues of France
About the article "France", section "Cinema".

Candidate passages:
France has historical and strong links with cinema, with two Frenchmen, Auguste and Louis Lumière (known as the Lumière Brothers) having created cinema in 1895.
France remains a leader in filmmaking, as of 2006 producing more films than any other European country.
The nation also hosts the Cannes Festival, one of the most important and famous film festivals in the world.
Although the French film market is dominated by Hollywood, France is the only nation in the world where American films make up the smallest share of total film revenues, at 50%, compared with 77% in Germany and 69% in Japan.
French films account for 35% of the total film revenues of France, which is the highest percentage of national film revenues in the developed world outside the United States, compared to 14% in Spain and 8% in the UK.
Until recently, France had for centuries been the cultural center of the world, although its dominant position has been surpassed by the United States.
Subsequently, France takes steps in protecting and promoting its culture, becoming a leading advocate of the cultural exception.
The nation succeeded in convincing all EU members to refuse to include culture and audiovisuals in the list of liberalized sectors of the WTO in 1993.
Moreover, this decision was confirmed in a voting in the UNESCO in 2005, and the principle of "cultural exception" won an overwhelming victory: 198 countries voted for it, only 2 countries, the U.S and Israel, voted against it.
Article 72-2 of the French constitution (amended 28 March 2003) created the obligation of the state to promote equality between regional bodies (regions and municipalities).
This is achieved by both direct tax collection by local government (Taxe professionelle) or by grants from central government.
Direct financing by the state amounted to 28% of revenues in 2011, devolved tax revenues account for 60% of revenues, debt accounted for the remainder. 
On September 23, 1948, the National Assembly revised the agreements so that French cinema had to reserve five weeks out of every thirteen weeks for French-made films.
Numerical quotas were also reintroduced.
121 dubbed American films and 65 other foreign films were permitted each year with exceptions for countries that made significant efforts to import and distribute French films.
The revisions also called for extra state aid to the French film industry.
This request for financial aid was realized on September 23, 1948 with the introduction of a new program where taxes were imposed on movie tickets and the tax revenues were distributed to French film producers.
In this way, American film sales helped the French film industry. 
Cinema of France refers to the film industry based in France.
The French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad.
France is the birthplace of cinema and was responsible for many of its early significant contributions.
Several important cinematic movements, including the Nouvelle Vague, began in the country.
It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.
Apart from its strong indigenous film tradition, France has also been a gathering spot for artists from across Europe and the world.
For this reason, French cinema is sometimes intertwined with the cinema of foreign nations.
Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema.
Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant, and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works.
With 206.5 million tickets sold in 2010 and 215.6 million in 2011, France is the third biggest film market in the world both in terms of admissions (after the United States and India) and revenues (after the United States and Japan).
It is the most successful film industry in Europe, with a record breaking 261 films produced in 2010.
France is also one of the few countries where non-American productions have the biggest share: American films only represented 47.7% of total admissions in 2010.
This is largely due to the commercial strength of domestic productions, which accounted for 40% of admissions in 2011 (35.7% in 2010; 45.4% in 2008).
Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone. 
Small Change () is a 1976 French film directed by François Truffaut.
The title translates to "Pocket Money" from French, but since there was a Paul Newman movie called "Pocket Money", Steven Spielberg suggested the title "Small Change" for US release.
In English-speaking countries outside North America the film is known as "Pocket Money".
The film had a total of 1,810,280 admissions in France, making it one of Truffaut's most successful films.