Question: Who is located to the right of Christ in Michaelangelo's The Last Judgment?
About the article "The Last Judgment (Michelangelo)", section "Description".

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The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome.
It is an Italian Renaissance painting, influenced by Michaelangelo's work on the Sistine Chapel ceiling.
Isaiah, a powerful figure, gives the illusion of a three-dimensional character, flanked by putti figures.
He carries a Hebrew scroll with his prophecy foretelling the birth of Christ.
There is also a message to Saint Anne.
Due to wear, Raphael's work has been retouched by other painters over time.
In 1960, the fresco was restored to Raphael's vision. 
  A 7m tall Carrara marble replica of Michaelangelo's "David" can be viewed at Emerald Lakes, Queensland in the suburb of Carrara, Queensland.  
General judgment is the Christian theological concept of a judgment of the dead by nation and as a whole.
It is related closely to Judgment Day and often is just another phrase for the Last Judgment, but is not necessarily part of any eschatology.
It is generally contrasted with a particular judgment right after death.
The position is hinted at in several places in the Old Testament and in the New, and the "Catholic Encyclopedia" says (here referring to the Last Judgment) "Few truths are more often or more clearly proclaimed in Scripture than that of the general judgment".
When the individual dies, general judgment holds that the person's final dispensation will await the general judgment of the dead at the end of the world, rather than be judged immediately.
Additionally, "general judgment" may refer not only to the judging of each person, but also to the judgment of nations and peoples.
The concept of Last Judgment is similar but unique.
Various Last Judgment scenarios represent different forms of a general judgment, such as a global last judgment or a national last judgment.
It is more concerned with the depictions and descriptions of particular versions.
Jesus provided examples and illustrations of judgments against cities and generations.
Jesus warned his contemporaries that the men of Nineveh, who repented at the preaching of Jonah, and the Queen of the South would testify against them in the judgment.
In the context of dispatching emissaries, Jesus asked them to shake off the dust of cities that would not receive them.
In the same speech, Jesus declared woes upon the cities of Chorazin and Bethsaida declaring that the cities of Sodom, Tyre, and Sidon would have a more tolerable outcome in the judgement. 
Particular judgment, according to Christian eschatology, is the Divine judgment that a departed person undergoes immediately after death, in contradistinction to the general judgment (or Last Judgment) of all people at the end of the world. 
The theme of the Last Judgment is extremely important in Orthodoxy.
Traditionally, an Orthodox church will have a fresco or mosaic of the Last Judgment on the back (western) wall, (see the 12th-century mosaic pictured at the top of this page) so that the faithful, as they leave the services, are reminded that they will be judged by what they do during this earthly life.
The icon of the Last Judgement traditionally depicts Christ Pantokrator, enthroned in glory on a white throne, surrounded by the Theotokos (Virgin Mary), John the Baptist, Apostles, saints and angels.
Beneath the throne the scene is divided in half with the "mansions of the righteous" (), i.e., those who have been saved to Jesus' right (the viewer's left); and the torments of those who have been damned to his left.
Separating the two is the River of fire which proceeds from Jesus' left foot.
For more detail, see below.