Question: When was the Still Life with GEraniums exhibited?
About the article "Henri Matisse", section "Legacy".

Candidate passages:
Still Life with Geraniums is a 1910 oil on canvas painting by Henri Matisse.
It is in the collection of Pinakothek der Moderne, Munich, Germany, to whom it was given in 1912, thus becoming, according to the museum, the first Matisse to enter a public collection.
It was one of six paintings in the museum's collection to survive World War II.
The painting should not be confused with Matisse's 1906 painting "Still Life with a Geranium", which is held by the Art Institute of Chicago, or his 1912 painting "Pot of Geraniums" in the National Gallery of Art.
(Juan Gris also painted "Pot of Geraniums" in 1915, sold at auction in 2007.)
The first painting of Matisse acquired by a public collection was "Still Life with Geraniums" (1910), exhibited in the Pinakothek der Moderne.
His "The Plum Blossoms" (1948) was purchased on 8 September 2005, for the Museum of Modern Art by Henry Kravis and the new president of the museum, Marie-Josée Drouin.
Estimated price was US$25 million.
Previously, it had not been seen by the public since 1970.
In 2002, a Matisse sculpture, "Reclining Nude I (Dawn)," sold for US$9.2 million, a record for a sculpture by the artist.
Matisse's daughter Marguerite often aided Matisse scholars with insights about his working methods and his works.
She died in 1982 while compiling a catalogue of her father's work.
Matisse's son, Pierre Matisse, (1900–1989) opened a modern art gallery in New York City during the 1930s.
The Pierre Matisse Gallery which was active from 1931 until 1989 represented and exhibited many European artists and a few Americans and Canadians in New York often for the first time.
He exhibited Joan Miró, Marc Chagall, Alberto Giacometti, Jean Dubuffet, André Derain, Yves Tanguy, Le Corbusier, Paul Delvaux, Wifredo Lam, Jean-Paul Riopelle, Balthus, Leonora Carrington, Zao Wou Ki, Sam Francis, sculptors Theodore Roszak, Raymond Mason and Reg Butler, and several other important artists, including the work of Henri Matisse.
Henri Matisse's grandson, Paul Matisse, is an artist and inventor living in Massachusetts.
Matisse's great-granddaughter Sophie Matisse is active as an artist.
Les Heritiers Matisse functions as his official Estate.
The US copyright representative for Les Heritiers Matisse is the Artists Rights Society.
"Vase with Zinnias and Geraniums" (F241) reflects the influence of Adolphe Monticelli (1824–1886) in its vivid color and impasto paint.
Van Gogh admired, and later collected, Monticelli's work.
Van Gogh had been introduced by his brother Theo to Monticelli's still life work with flowers in Paris.
He admired Monticelli's use of color as an expansion of Delacroix's theories of color and contrast.
Secondly he admired the effect Monticelli created by heavy application of paint called "impasto".
It was partially Monticelli, from Marseilles, who inspired Van Gogh's southerly move to Provence in 1888.
He felt such kinship for the man, and desire to emulate his style, that he wrote in a letter to his sister Wil that he felt as if he were "Monticelli's son or his brother."
The first owner in the provenance of this painting is "C.M.
van Gogh Gallery, Amsterdam, The Netherlands", which was owned by Van Gogh's uncle and an art dealer, Cornelius Marinus van Gogh (1824–1908).
"Bowl with Zinnias and Other Flowers" (F251), painted within days of "Vase with Zinnias and Geraniums" (F241), is evidence of Van Gogh's transition to a lighter color palette.
Picking up elements of Impressionism Van Gogh painted with a more vigorous brushstroke, with thick application of paint, called "impasto" which created a three-dimensional relief.< 
Tucker was a member of the Salmagundi Club, and many of his works were exhibited at Salamagundi shows.
Tucker’s Geraniums was shown at The Smithsonian Institution, National Gallery of Art, Washington, D.C. as a part of the American Artists Professional League, American Art Week Exhibition in 1963.
Tucker also exhibited at several shows in the New York City area. 
The 18th century was marked by introductions from the Cape of South Africaincluding ericas, geraniums, pelargoniums, succulents, and proteaceous plantswhile the Dutch trade with the Dutch East Indies resulted in a golden era for the Leiden and Amsterdam botanical gardens and a boom in the construction of conservatories.