Question: How long does the triple guitar solo that closes out "Free Bird" last?
About the article "Free Bird", section "Reception".

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"Free Bird" is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and at number 193 in Rolling Stone's 500 Greatest Songs of All Time.
In 2009 it was named the 26th best hard rock song of all time by VH1.
The song—half ballad, half up-tempo guitar solo—quickly became a staple for Lynyrd Skynyrd at their live performances.
Many recognize its 5:12 triple guitar solo section that closes it out.
It often turned into an extended jam session at concerts.
The band would consistently play it as the last song of every show, as it was their biggest crowd pleaser.
Overall the song proved to be a huge hit for Lynyrd Skynyrd and it remains a fan favorite to this day.
It is also a classic rock radio staple.
Following the plane crash in 1977 in which several band members were killed, all of the songs played by surviving members were performed as instrumentals beginning with the Charlie Daniels Volunteer Jam V in 1979.
When "Free Bird" came up, a solitary microphone with a single spotlight would be at center stage while the band played the instrumental version.
This tradition lasted until 1989, when an almost-rioting audience coerced Rossington to urge Johnny Van Zant to sing the song for the first time – something he had vowed never to do on stage during the Tribute Tour.
The current version has a shortened solo similar to the original studio version.
Musically, the album features a dark sounding heavy metal style with occasional speed metal influences.
Dale Thompson represents his high-pitched and pseudo-operatic lead vocal style on the record.
Troy Thompson and Steve Osborne handle all the albums guitar duties.
Dale plays bass on eight tracks and Scott Hall does the other two.
Stephen Rolland's drum work is more based on traditional metal drumming and lacks the double bass that would be heard on the band's following releases.
The album starts with "Forever in Darkness," a fast, rhythm guitar and bass driven song that contains an epic chorus.
Followed by a minute of lead guitar playing, the song closes in a haunting way as Dale repetitiously wails "forever in darkness" with a high-pitched voice.
"Follow Your Heart" also contains a chorus in which Dale represents a wider range of vocals.
The song breaks for a brief guitar solo before slowing to several seconds of acoustic guitar playing.
A quiet guitar interlude opens the album's title track, followed by a groovy riff.
"Show No Mercy" takes a slowe pace with an acoustic guitar playing, and the lyrics deal with spiritual warfare: "I am strong and you are weak/ Jesus gives me power to defeat/ I can't be bought and/ won't sell out/ The battle cry is good and loud/ Show no mercy!"
"I Will Be with You" starts after a spooky output of keyboards, acoustic guitar, and bass.
The song progresses through its verses, and reaches it peak at its chorus.
"Thunder in the City" combines a fast combination of piano and rhythm guitar before the song slows for its first verse.
"Thunder in the City" progresses aggressively until it peaks for a chorus.
"No Matter the Price" includes some Keyboard playing, and a brief drum solo as well as some melodic rhythm guitar work.
The song slowly proceeds through its verses, and gains momentum until it attains an anthemic chorus backed by a powerful guitar riff.
Steve Osborne displays virtuoisic guitar playing throughout a minute and a half long instrumental interlude.
"The First Will Be Last" is a mid-tempo track before it evenly develops to a chorus containing a touch of vocal harmonies.
The song features a passage narrated by a female voice low in the mix, followed by Osborne's sweeping lead guitar work. 
Mickey Thomas, Earl Slick, Nathan East and Steve Ferrone covered the song for the Aerosmith tribute album "Not the Same Old Song and Dance" (Eagle Records, 1999).
A cover version – which uses a less deep tuning, closes with a lengthy solo based on the "A Little South of Sanity" live version and the "home... sweet... home" verse repeats at the end instead of the fade-out featured on the original recording – appears in "Guitar Hero II". 
Long self-released a solo EP titled "Dodo Bird" in March 2006, in which Long played all the instruments.
While they performed the songs from this release, Long and Kroeber met and started playing together.
They worked to blend Long's training in West African Ewe drumming and Kroeber's experience in metal bands to create music in which "drumming could be a center role and help bring out the syncopated rhythms coming out of the acoustic guitar."
"Sea Drift" takes its name from a section of Walt Whitman's poetical compilation "Leaves of Grass", Sea-Drift, which contains several poems about the sea or the shore.
The text is drawn from the poem "Out of the Cradle Endlessly Rocking", though it does not use the full text.
In the poem, the speaker describes how, as a boy, he watched a pair of mocking-birds nesting, until one day the she-bird flew away and never returned.
In a long section usually printed in italics, the he-bird, unable to leave in case his mate should return and find him gone, waits forever and calls his sorrowful song to the moon, the stars and the sea, which are heavy and drooping with his lost love.
The text employed by Delius closes with the bird's apostrophe, 'translated' by the boy, who seems to understand it, or projects it from his own awakening feelings.
The poem however continues to explain how the boy's feelings suddenly burst out tumultuously, and he ran weeping down to the sea in the moonlight as the bird's call unlocked the questions in his own heart.
Knowing that he will never escape the unknown want aroused in him, 'the sweet hell within', he begs for some word more of understanding.
The unhurrying sea Lisp'd to me the low and delicious word death,And again death, death, death, deathHissing melodious, neither like the bird nor like my arous'd child's heart,But edging near as privately for me rustling at my feet,Creeping thence steadily up to my ears and laving me softly all over,Death, death, death, death, death.