Question: What year did Andy Warhol move to New York City?
About the article "Andy Warhol", section "Early life (1928–1949)".

Candidate passages:
The Andy Warhol Art Authentication Board, Inc. was a private corporation that certified the authenticity of works by the artist, Andy Warhol.
The organization was created in association with The Andy Warhol Foundation for the Visual Arts.
The Board, based in New York City, consisted of six members who met three times a year to examine works and authenticate them as genuine Warhols.
They did not appraise works' value.
The Board received criticism for its operating methods, which differ from other authentication boards, and its seeming arbitrariness in judging whether or not a work is an authentic Warhol (though, given Warhol's working methods, what constitutes an actual work by Warhol can be open for debate).
The Board did not discuss how they operate, citing privacy concerns. 
L'Amour may refer to:  Louis L'Amour, an American cowboy novelist  "L'Amour", a 1973 Andy Warhol and Paul Morrissey film  L'Amour (venue), a New York City rock venue  
Beginning in 2007, Bond No.
9 began a licensing partnership with the Andy Warhol Foundation for Visual Arts, allowing for the creation of fragrances bearing the Warhol name, with bottle designs inspired by his works of art.
The fragrances included: "Andy Warhol Silver Factory" (2007), "Andy Warhol Union Square" (2008), "Andy Warhol Lexington Avenue" (2008), "Andy Warhol Success is a Job in New York" (2009), "Andy Warhol Montauk" (2010), and "Andy Warhol by Bond No.
9" (2011).
When the licensing agreement came to a close in 2013, Bond No.
9 kept the scents, but renamed and repackaged them. 
Piserchio was born in Orange, New Jersey, to Joe (1907-1955) and Jennie Piserchio (1909-1975).
In the early 1950s, the Piserchio family moved from their Central Avenue home in Orange to Northfield Avenue in Livingston, New Jersey.
It was there that Piserchio completed his grammar and high school educations.
He graduated with the Livingston High School class of 1962.
Subsequent to his high school graduation, Piserchio graduated from the Mannes College The New School for Music in New York City and did graduate work at Columbia University.
In 1965, Piserchio co-starred with Warhol Superstar Edie Sedgwick in the underground films "Space" and "Beauty No.
2", directed by Andy Warhol.
Two years later, he composed and performed the original music for what would become Sedgwick's final film "Ciao!
Manhattan", which was released a year after her November 1971 death.
In 1970 Piserchio presented three evenings of electronic music in the Moog synthesizer at the Solomon R. Guggenheim Museum in New York City.
In about 1971 he participated with his future wife, Gillian Spreckels Fuller, in producing an experimental 16-mm color movie, "The Tacky Woman", in which she appeared as did Holly Woodlawn who starred.
Bell Labs, circa 1971, selected Piserchio to score a movie about molecular dynamics. 
"La Dolce Viva" is an interview story with "superstar" Viva, who is one of the many actresses in Andy Warhol's movies.
Yet Viva, was headlined as 'The Last of Andy Warhol's "superstars".'
Warhol would simply film them, and declare them "superstars".
Along with being an actresses, Viva is a model who influences the fashion trends of the time.
Viva's modeling and acting career was launched with the help of Andy Warhol and his many friends.
Being in Andy Warhol's inner circle made Viva the perfect character for this interview.
Viva grew up in a very Catholic home surrounded by figures of the Virgin Mary, Bibles, and pictures of First Communion.
At home, religious values were imposed upon Viva from her family.
Viva lived with the nuns until she was twenty years old.
Once Viva turned twenty, she left the religious ways of her family and the Catholic Church and she started to explore what is now her derogatory lifestyle of sleeping around with multiple partners.
The book details Viva's experience with sex, drug, and love in Warhol's factory.
Along with sleeping with a different guy almost every night, Viva also was turned on to drugs by Timothy Leary.
Viva started doing drugs out of curiosity but quickly became addicted and could not stop.
The environment of Andy Warhol and his inner circle did not help her addiction to these drugs due to the fact that everyone else was using them as well.
Once Viva became tired of drugs and sex, she decided to return home to her parents and asked to be put into a mental institution.
Once viva say the institution, she became scared and begged her mother to take her home.
When Viva returned home, she realized that she missed the lifestyle that she had with Andy Warhol and decided to go back to New York with her sister.
Viva started out back in New York with her sister but that quickly ended when she realized her dependency upon Andy Warhol and she decided to leave her sister and move back into Andy Warhol's inner circle.
Her promiscuous ways and drug use led Viva to become very dependent upon men.
Even though in the interview Viva tries to portray herself as an independent woman, she greatly depends on Andy Warhol to not only help pay her rent and electricity bill but to help her keep up with her lifestyle of drug use and fitting in with the crowd.
Having to have Andy Warhol pay for everything Viva needed clearly shows just how dependent she was on someone else.