Question: Who did Some Nights want as their producer?
About the article "Some Nights", section "Background".

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Musically, "Some Nights" is an indie pop song with strong, festive elements of power pop and afrobeat and influences from folk rock.
It is written in the key of C major.
A line in their lyrics, "this is it boys, this is war", recalls the English version of Nena's 1983 hit "99 Luftballons".
Lyrically, the song expresses the existential angst of a young protagonist who is a long way from home.
Lead singer Nate Ruess explained to Mesfin Fekadu of the "Associated Press": "I'm always thinking about, 'Who am I and why did I do something like that?'
And I think then it harkens back to my family, and I have such a strong tie to them and it's always therapeutic to sing about them.
"There has been some confusion with the fans as the lyric "Some terrible nights" was mistaken for "...lies".
Members of Fun.
confirmed on November 18, 2012 on their Twitter and Facebook accounts that "it's NIGHTS not LIES."
Many critics have noted significant similarities between "Some Nights" and Simon and Garfunkel's "Cecilia."
Members of Fun have refused to comment on these comparisons, and have refused to credit Simon and Garfunkel, despite criticism. 
Her descriptions of the nights she spent with Elvis before their marriage suggest that the star was not overtly sexual towards her.
The couple kissed and engaged in petting, but Elvis always stopped the make out sessions before it led to actual intercourse.
While describing a "cleansing period" in Elvis's life, Priscilla claims that "Any sexual temptations were against everything he was striving for, and he did not wish to betray me, the girl waiting for him at home who was preparing to be his wife.
"According to her account, Elvis told her that they had to wait until they were married before having intercourse.
He said, "I'm not saying we can't do other things.
It's just the actual encounter.
I want to save it."
Priscilla adds, "Fearful of not pleasing him—of destroying my image as his little girl—I resigned myself to the long wait.
Instead of consummating our love in the usual way, he began teaching me other means of pleasing him.
We had a strong connection, much of it sexual.
The two of us created some exciting and wild times."
Kiss took a different approach in creating their album Crazy Nights, in efforts to turn around their image after they had a down fall in their music career due to experimentation of the band's music genre and the loss of two prime members.
The band had a lot to prove after their decrease of success, leading to the decision to change their trademark appearance from the removal of their signature make-up to their rock inspired style.
A few shows performed in Brazil would be the last time KISS performed in their signature make-up until The KISS Reunion Tour in 1996.
After the "Asylum Tour" had ended, Kiss went on couple of month long hiatus due to Gene Simmons' career as an actor and a producer which made the band seem like his side job instead of primary job.
For "KISStory", Paul Stanley stated that he got tired of Simmons' lack of commitment and one day he told him:We were in the parking lot one day, and I said to Gene:"Look – you're off doing all these other things while still reaping the benefits of this band, and I'm getting screwed.
It's not fair for me to put in this kind of time, while somebody else who is supposed to be my partner, is not."
And Gene looked at me and said:"That's fair."
I could have used Gene's input.
But my attitude at that point was that I certainly wasn't going to listen to a guy who's off managing cabaret singers, and producing five bands, while I was trying to make an album.
Simmons' temporary departure gave space to Eric Carr and Bruce Kulick.
Kulick had four co-writing credits and Carr one, but almost got other material on the album.
Stanley had worked with Desmond Child, Diane Warren and Adam Mitchell and co-wrote songs: "Crazy Crazy Nights", "I'll Fight Hell to Hold You" and "When Your Walls Come Down" with Mitchell ("I'll Fight Hell to Hold You" and "When Your Walls Come Down" with Kulick), "Bang Bang You", "My Way" and "Reason to Live" with Child ("My Way" with Bruce Turgon also), and "Turn On the Night" was co-written by Stanley and Warren.
As Kiss' previous two albums had been self-produced, the band felt it needed to bring in an outside producer who would help the album achieve more commercial success.
Producer Ron Nevison was hired to produced the album, but because of Nevison's filled schedule, the band had to wait for his schedule to clear.
Nevison was chosen in part from his recent commercial success in producing platinum albums for Heart and Ozzy Osbourne.
Simmons said for "KISStory", "When we started working on "Crazy Nights", we looked for someone else to pull the cart – another person to help guide the band...
So we hooked up with a producer named Ron Nevison, who Paul had wanted to work with for a while, although I never did.
In the ""Crazy Nights, it's 25 years strong"" KissFAQ interview Ron Nevison describes the efforts band members put in to the album, “Well, this was the only album I did with them.
I do know that Gene wasn’t there all the time.
Obviously Bruce was, and to some extent, Eric.
Mostly, a majority of the work on that album I did with Bruce and Paul.
The bass tracks were cut initially, and Gene was only needed for lead vocals.
I must say that most of the time he was there, he was in the back of the studio reading “Variety.” Although Simmons' participation was low for the album he did contribute in providing Nevison with 20-25 songs that were potential material for the Crazy Nights album.
Including one song called "I'm Going to Put A Log In Your Fire Place" which was ultimately not used on this or any subsequent albums.
The albums Crazy Nights and Asylum were also under new management representation with Larry Mazur, a consultant.
The album was at first called "Who Dares Wins", which was Carr's idea.
According to him, "During a photo session our wardrobe girl had this commando patch lying around with 'Who Dares Wins' on it, and I said: "Hey, what a great idea for an album title!"
Then she brought it over to Paul who said the same thing.
We ended up not using it because it didn't look good in print, and it sounded as if no one would understand it."
The idea was dropped in June, but managed to appear on some Japanese advertisements for the upcoming album.
Another title the band thought of was "Condomnation", but as Stanley said, "Well, Condomnation was never really the title.
It was just a thought that passed through our minds and gave everyone a chuckle."
The record sessions started in March at One on One Recording Studios in Canoga Park, California but later continued in Rumbo Recorders also in Canoga Park and Can-Am Recorders in Tarzana, California.
In June the album was completed and it was mixed at Can-Am Recorders by Nevison, before being turned over to PolyGram in July. 
"Rhodium Nights" was written by executive producer/show runner Warren Leight with Julie Martin and directed by Norberto Barba.
On April 25, 2012, Warren Leight noted on his Twitter profile that he had just finished the first draft of the season finale, "Thanks to everyone at SVU for all your hard work.
Thanks to all tweeps/fans for your support."
Dean Winters returns to the show in this episode as , who was last seen in the first season episode, "", where he felt he should transfer to a Narcotics Unit of the NYPD.
On May 16, 2012, Ice-T said on his Twitter profile that filming on the episode had finished, "Just shot the last scene of the 13th SVU season.. See y'all for season 14.
#SVU Season Wrapped!
"Being interviewed by "Zap2It" at the NBC 2012-13 upfronts, Danny Pino noted, "There is a huge cliffhanger at the end, so it's worth sticking around to the end."
Ice-T added, "Some people end up in harms way, I mean the show is really about us going up against pretty much an organized crime family, well not really a crime family but some criminals who have their hooks pretty deep in the system.
They got their hooks in the politicians, and really we're pushing against people who can push back, and it turns out to be a little hazardous for us."
And Dann Florek joked, "I think it's the biggest cliffhanger we've ever had in the show, stuff is flying, you know what I'm saying, stuff hits the fan.
[...], there are deaths.
Generally there's some deaths, there's some blood, you know what, I'm going to tell you the honest truth, I'm not one-hundred percent sure everyone walks away or not, it's exciting you know.
"Dann Florek noted to "TV Guide"; "It looks like he could be a little shady, and it's up to Cragen to say, 'I know Brian and he's a good cop,'"; Detective Brian Cassidy (Dean Winters), is now an undercover cop who is involved in the team's latest case.
Unfortunately, Detective Amaro (Danny Pino) doesn't quite believe him.
"It's contentious with Amaro," Pino says.
"Dean's character is not as affable as Amaro would like.
"In "Rhodium Nights", For Pino’s Detective Amaro, one part of his personal life — a shaky marriage to Laura Benanti's Maria — will be touched on.
"There’s a scene that may or may not illuminate where their future is headed," Pino hinted to "TV Line".
He also noted about the cliffhanger, "It doesn’t end well certain characters, let’s put it that way.
In fact it’s such a cliffhanger, if I say anything more, I’m going to give it up!"
Kelli Giddish said of the episode, "It’s a great cliffhanger, one that really mirrors a lot of stuff that’s been going on in front-page news."
Ice-T added, "A lot of people end up in harm’s way."
And having been down this annual road before with "SVU", he reminds, "You don’t want to go into the finale bleeding or shot, because that is not good.
It’s hard for negotiations, too!
"In an interview with "Yahoo TV" show runner/executive producer Warren Leight noted, "This episode is a real potboiler that involves a lot of politics, and in politics, you never know who to trust."
With a smirk, Leight continued, "I know viewers hear this about shows a lot, but I'm very serious when I say, do not turn off the last five minutes of this episode."
Bringing on Cassidy falls right into Leight's vision for the show throughout the 13th season, "A lot of what I was trying to do this year was pick up the interesting threads that have been left over the years.
We brought Olivia's brother back in "" and Fin's son showed up in ""."
With the recent renewal of the show, Leight says there will be adjustments for next season, although he's not sure what those are as yet.
He did mention that at some point during the show's the show will hit episode number 300, certainly a major milestone.
"I think we really have to do something for that," he offers.
"I'm not sure what it is, but I'd like to figure out something special to do.
"Pippa Black who portrayed Carissa Gibson said of the episode to the Australian "News.com", "Playing this character was something new for me," Black says.
"Any role you do, you go outside of yourself, but you don't want to stretch it so far that it's unbelievable to you.
Carissa is someone who felt no man would say no to her.
I loved doing the role.
And working with Danny Pino (Nick Amaro)... he's a very handsome man, isn't he?"
Black added with a laugh.
Black said to "Yahoo Australia", "I thought, 'Oh my god, I'm going to have to be naked and on a stripper pole,' but my manager said it was a really great role and that I should have a look," she explained.
"So I was sitting there trying to scroll through the episode (script), and my god it was such a page turner.
I loved the character, it was such a strong story of who-done-it.
"Just two days after agreeing to take on the part, Black flew to New York to begin filming, "I love New York," she said.
"Spending two weeks there was great.
We were filming New York stories on New York streets, so it felt very real."
She continued, "I guess the thing that sticks out to me is that last scene where I'm with (detective) Nick, it was the first time he sees her scared, when she's around him she's always seductive or very in control of herself but at this point she's almost helpless.
""Rhodium Nights" was partially inspired by a woman who claimed to be raped by New York City FOX 5 news reporter, Greg Kelly - who is the son of the actual NYPD Police Commissioner Raymond Kelly - Kelly was accused by this woman who said Kelly took advantage of her after she had too much to drink.
The case was handed to the district attorney's office, which later decided not to charge Kelly, based on insufficient evidence that a rape occurred.
Warren Leight has confirmed that the guest stars from "Rhodium Nights" will return for the 14th season's premiere episode, which will possibly be a two-parter itself, and it will pick-up where the finale left off.
In fact, there were a number of scenes that were shot that didn't make it into this cut that may make it into the next one.
...
It's good to know who did it and why, and who's pulling the strings.
I don't think we have every beat plotted out, and we may even do a two-parter to open the season.
That's still in discussion.
We have booked many of the actors so they're available when we begin shooting again in July.
So just on that basis, we had to know who was complicit, because we had to know who was coming back."
Leight said to "Zap2It".
After filming for season 14 started, Warren Leight said to "Today", that while they were filming the season finale, NBC hadn't yet renewed "SVU" a 14th season.
Leight admitted that having a cliffhanger was a bit of a wink at NBC, "I thought, let's make it as difficult for the network as possible," he chuckled.
"I don't think that swayed them one way or the other."
In preparation for the album's recording, Television rehearsed for four to six hours a day and six to seven days a week.
Lloyd said that they were "both really roughshod musicians on one hand and desperadoes on the other, with the will to become good."
Once the band signed to Elektra Records, Verlaine said that they did not want to be guided in the recording studio by a famous producer.
Instead, they enlisted engineer Andy Johns, who Lloyd said had produced "some of the great guitar sounds in rock".
Television recorded "Marquee Moon" in September 1976 at A & R Recording in New York City.
Johns produced the album with Verlaine.
They recorded two new songs for the album—"Guiding Light" and "Torn Curtain"—and older songs such as "Friction", "Venus de Milo", and the title track, which had become a standard at their live shows.
Elektra did not query Television's studio budget.