Question: WHat factors into a good "chop"?
About the article "Table tennis", section "Chop".

Candidate passages:
 Side A "Chop-Chop" – 04:18 Side B "Good Samaritan" – 03:30  
Chop-Chop was the youngest member of the Blackhawk team created by Will Eisner, Chuck Cuidera, and Bob Powell for Quality Comics during World War II.
Resembling other Chinese caricatures typical of the era, Chop-Chop was short with bright yellow skin, bucked teeth, and a queue.
His primary role seemed to be as the chef of the Blackhawk team.
Strangely, Chop-Chop was also the only member of the Blackhawks who did not wear a Blackhawk uniform; instead, he wore traditional Chinese shirt and pants.
Many members of the Asian American community found the character of Chop-Chop to be highly controversial and offensive.
Addressing the disparity of Asian American characters in the comic industry and the stereotypical images of early characters, noted Asian American comics writer Larry Hama said, "Many companies were still coloring Asians bright yellow...
In the '40s and '50s, the character Chop Chop in the 'Blackhawks' had big buck teeth, a long pigtail and lots of cleavers.
It wasn't until sometime in the '60s that he evolved into a short slim guy who was a jaundiced shade of orange."
The event to which Hama refers occurred in "Blackhawk" #197 (June 1964).
That issue began the "New Blackhawks", an attempt to modernize the team that included new uniforms.
Chop-Chop got a uniform and his own aircraft (he had nearly always ridden with Blackhawk or one of the other team members prior to this time).
Chop-Chop was treated and portrayed as a full member of the team from this point on but certain stereotypical factors were still in play.
Like most Asian comic book heroes, he was now a martial arts expert.
This was emphasized even more when the Blackhawks tried being super-powered heroes in issues #228 (January 1967) to #241 (Jun-Jul 1968).
In that run of stories, Chop-Chop was known as "Dr.
Hands.
"In the next revival of the Blackhawks (with issue #244, Jan-Feb 1976), Chop-Chop got a new name, Chopper, and was treated pretty much like all the other members of the team.
He was no longer an ethnic caricature and the decades of his portrayal as one were simply ignored as if they had never happened.
It took a third revival of the title in 1982 ("Blackhawk" #251) to finally address that issue.
Writer Mark Evanier and artist Dan Spiegle avoided all the racial and ethnic stereotypes that had previously defined Chop-Chop’s character except one.
They put him back in the coolie outfit that the character had worn for a large part of his existence.
This was a deliberate move so they could examine why Chop-Chop was not treated like a full member of the team in a story titled "What’s the Matter with Chop-Chop?"
(#265, December 1983).
The story has the other Blackhawks examine their attitudes and feelings and, at the end, Wu Cheng gets respect and a uniform.
Howard Chaykin's 1987 "Blackhawk" limited series explains the earlier stereotypical representations as a comic-book-within-a-comic-book and the Chop-Chop of that team expresses indignation toward them. 
"Chop-Chop" is Killing Joke's second single from their third studio album, "Revelations".
It released under E'G Records as a 7" single.
The B-side, "Good Samaritan", was also off "Revelations".
This single, unlike "Empire Song", did not chart. 
A pork chop bun is one of the most famous and popular snacks in Macau.
The bun (piggy bun) is extremely crisp outside and very soft inside.
A freshly fried pork chop is filled into the bun horizontally.
Macau pork chop buns are made to order.
The ingredients of a pork chop bun are only a piece of pork chop and a bun without additional ingredients like lettuce or cucumber. 
 Chop Chop Master Onion (a karate master who is a good friend of PaRappa) Gaster (the antagonist of the series) Groover (Gaster's sidekick) Dorothy (an old lady who was once a dancer)