Question: When did Brazilian cinema get new international acclaim?
About the article "Brazil", section "Culture".

Candidate passages:
Cinema has a long tradition in Brazil, reaching back to the birth of the medium in the late 19th century, and gained a new level of international acclaim in recent years.
The documentary film "Bus 174" (2002), by José Padilha, about a bus hijacking, is the highest rated foreign film at Rotten Tomatoes.
"O Pagador de Promessas" (1962), directed by Anselmo Duarte, won the Palme d'Or at the 1962 Cannes Film Festival, the only Brazilian film to date to win the award.
Fernando Meirelles' "City of God" (2002), is the highest rated Brazilian film on the IMDb Top 250 list and was selected by Time magazine as one of the 100 best films of all-time in 2005.
The highest-grossing film in Brazilian cinema, taking 12 million viewers to cinemas, is "Dona Flor and Her Two Husbands" (1976), directed by Bruno Barreto and basead on the novel of the same name by Jorge Amado.
Acclaimed Brazilian filmmakers include Glauber Rocha, Fernando Meirelles, José Padilha, Anselmo Duarte, Walter Salles, Eduardo Coutinho and Alberto Cavalcanti. 
The core culture of Brazil is derived from Portuguese culture, because of its strong colonial ties with the Portuguese empire.
Among other influences, the Portuguese introduced the Portuguese language, Roman Catholicism and colonial architectural styles.
The culture was, however, also strongly influenced by African, indigenous and non-Portuguese European cultures and traditions.
Some aspects of Brazilian culture were influenced by the contributions of Italian, German and other European as well Japanese, Jewish and Arab immigrants who arrived in large numbers in the South and Southeast of Brazil.
The indigenous Amerindians influenced Brazil's language and cuisine; and the Africans influenced language, cuisine, music, dance and religion.
Brazilian art has developed since the 16th century into different styles that range from Baroque (the dominant style in Brazil until the early 19th century) to Romanticism, Modernism, Expressionism, Cubism, Surrealism and Abstractionism.
Brazilian cinema dates back to the birth of the medium in the late 19th century and has gained a new level of international acclaim since the 1960s.
In 1969, the Brazilian government instituted Embrafilme, a company designed to produce and distribute Brazilian cinema.
Embrafilme produced movies of various genres, including fantasies and big-budget epics.
At the time, Cinema Novo filmmaker Carlos Diegues said he supported Embrafilme because it was "the only enterprise with sufficient economic and political power to confront the devastating voracity of the multinational corporations in Brazil."
Moreover, Diegues held that while Cinema Novo "is not identified with Embrafilme", "[Embrafilme's] existence ... is in reality a project of Cinema Novo.
"When Embrafilme was dismantled in 1990 by President Fernando Collor de Mello, "the consequences" for the Brazilian film industry "were immediate and grim."
Lacking investors, many Brazilian directors co-produced English films.
This caused English cinema to overrun the Brazilian market, which went from producing 74 films in 1989 to producing nine films in 1993.
Brazilian President Itamar Franco ended the crisis by implementing the Brazilian Cinema Rescue Award, which funded 90 projects between 1993 and 1994.
The award "opened new doors to a young generation of new film-makers (and a few of the veterans) who were confident that, as the title of a film by Cinema Novo veteran director Carlos Diegues prophetically announced, better days would come ("Melhores Dias Virao"/"Better Days Will Come", 1989)."
Raduan Nassar (born November 27, 1935, in Pindorama, São Paulo state) is a Brazilian writer.
The son of Lebanese immigrants, he moved to São Paulo when he was a teenager.
He studied Law and Philosophy at one of the most important universities in Brazil, the University of São Paulo.
In 1970, he wrote "Um Copo de Cólera", published in 1978.
His literary debut was in 1975, when "Lavoura Arcaica" was released.
The Brazilian cinema adapted both of his books (see the article Lavoura Arcaica (To the left of the father)).
In 1997, "Menina a Caminho", a book of tales written during the 1960s and 70s, was released.
Despite great critical acclaim, Nassar stopped writing in 1984, claiming he had lost interest in literature and wanted to work with agriculture instead.
As a landowner, Nassar dedicated himself to commercial farming until 2011, when he donated the entire farm to the Federal University of São Carlos, on the condition that it should become a new campus.
He has also donated much of his real estate and invested in local charity, retiring then to a small farm. 
Jagúar (pronounced ) is a funk band formed in 1998 in Reykjavík, Iceland.
They went international in 2000, when they performed at the "1000 years since the Vikings found America" celebration in New York.
The band gained critical acclaim for their second album, "Get the Funk Out", which won the Icelandic Music Awards' 2001 "Album of the Year".
The band and its many current and former members continue to be active in the Icelandic jazz scene.