Question: What rating did Luke Lewis of "NME" give the song "We Are Young"?
About the article "We Are Young", section "Critical reception".

Candidate passages:
"We Are Young" has received generally positive reviews from critics.
Jody Rosen of "Rolling Stone" called the song "rollickingly catchy," writing that "Ruess' knack for the anthemic is matched by Gen-Y humor – emo self-deprecation that leavens the bombast."
In addition, fellow "Rolling Stone" columnist Steve Knopper compared the song's crossover success to that of Foster the People's "Pumped Up Kicks" (2011), writing that the song displays a "sprightly pop-novelty feel" that is the best track on the album.
Al Shipley of "The Village Voice" agreed with this comparison, attributing the song's success to the changing music industry as a result of advertising and iTunes.
MTV News called "We Are Young" the band's "breakout anthem" and one of the year's most unlikely sensations.RJ Cubarrubia of "Billboard" commended the band for taking their "warm retro sound into soaring ballad territory," calling the track a "bold statement."
He did however, criticize the small inclusion of Janelle Monáe in the track: "Monáe's guest spot is a missed opportunity, as the budding R&B star is relegated to background harmonies instead of adding something soulful and special to an already powerful hook."
Bill Lamb of About.com praised the chorus stating : "We Are Young" carries a hook in the chorus that is likely to stop many listeners dead in their tracks the first time they hear it.
The second time around this just might have become your new favorite song.
However Luke Lewis of "NME" gave a highly negative review of the song, giving a 5 out of 10 stating: "It's not clear what compelled Janelle Monáe to work with these New York-based Panic!
at the Disco soundalikes.
They're hardly natural bedfellows, and her input is limited to a brief vocal.
It's a winning formula though – this stirring emo ballad went to Number One in the US.
This year's Owl City then, if that concept doesn't chill your blood.
"The song won the Grammy Award for Song of the Year at the 2013 Grammy Awards, where it was also a nominee for Record of the Year and Best Pop Duo/Group Performance.
  Indie musicians Tanya Donelly and Dylan In The Movies teamed up to record a cover of "The Lovecats" for the 2008 American Laundromat Records tribute album "Just Like Heaven - a tribute to The Cure".
Luke Doucet covered the song on his album "Blood's Too Rich".
OK Go released a cover on the Do What You Want (EP).
The Futureheads recorded a cover for the NME CD "Pictures of You – a tribute to Godlike Geniuses The Cure".
"The Cure are one of my favourite bands," remarked guitarist Ross Millard in an accompanying feature (NME, 28 February 2009).
"We played with them on a TV show years ago, and I thought Robert hated us.
I can't explain how excited I was to hear he liked our cover!"
Tricky covers the song on the album "Vulnerable".
Jamie Cullum and Katie Melua performed a cover version of it at the 2004 BRIT Awards.
Paul Anka covers the song on his 2005 album of covers, "Rock Swings".
Patchwork Grace covered the song on their debut album "Milk Teeth" in 2007 and released the track as a single in 2008.
Cursive recently recorded a cover of the song, featured on the website www.daytrotter.com.
The Hot Rats covered the song on their 2010 debut album "Turn Ons".
A portion of the song is sung by the character of The Moon in the BBC television show "The Mighty Boosh".
Finalist Lucas Francis Claver sang a jazz version of the song on Series 2 of "The X Factor"   The Sharp cover the song on their EP Yeah I Want You.
Kinny covers the song on her album Can't Kill a Dame With Soul.
Tiya covers the song on the album "Oggy et les Cafards: Le Show du Chat".  
Writing and recording the band's fourth studio album began in early 2007.
Originally the band stated that they wanted the album released in 2007, however due to both touring and being unhappy with the results of their work in the studio the band did not keep to their original release plan.
Despite recording an entire album's worth of material with producer John Feldmann, this work was shelved in favour of material they later recorded and produced themselves, with recording sessions for what would later be known as "The Betrayed" beginning in November 2008.
Consequently the album was not released until 13 January 2010, where it reached a peak of 3 on the UK Albums Chart.
Throughout the earlier part of 2008, the band performed several dates, including Download Festival which they headlined on the Sunday night, V Festival and Rock am Ring and Rock im Park, as well as a small amount of performances around the UK.
They also headlined the NME/Radio 1 tent at 2009's Reading and Leeds Festival.
The band have claimed that "The Betrayed" is "by far the finest, darkest and most real album" of their career.
Originally, Ian Watkins stated he wanted the new album to be "nastier" and "darker" than previous efforts, with more energy and vibe than before.
In a blog post, guitarist Mike Lewis suggested that Ilan Rubin (who subsequently left the band to join Nine Inch Nails) was very much a large part of the writing/recording process.
Following Rubin's departure, Luke Johnson of Beat Union was officially announced as the band's new drummer in August 2009.
During this time, Kerrang!
magazine published a "world exclusive" article on Lostprophets, revealing the album's title, and its release date of January 2010.
In a latter interview with Kerrang in early 2009, Watkins stated that the record was "the most honest album" the band has ever done, and that overall the record was "a lot grittier and sleazier", while also stating that did not mean "it won't be catchy", but that it would not be done "in such a twee way".
When speaking about what the record would sound like, Jamie Oliver stated that he felt it had "the bite that "Start Something" had, with the song-ability of "Liberation Transmission" but personality of "The Fake Sound of Progress".
"The first single from the new album, "It's Not the End of the World But I Can See It from Here," was aired for the first time on BBC Radio 1 on 19 August.
It was subsequently released on 12 October 2009 and reached #16 on the Official UK chart.
This was followed by "Where We Belong", which was released on 4 January 2010.
The band commenced their UK tour with support from Kids in Glass Houses, Hexes, We Are the Ocean and Sharks, in February 2010.
The Doncaster date to the UK tour was cancelled and refunded, but no reason was given for the cancellation.
The Port Talbot date of the tour had been postponed and moved to a different venue due to a fire at the Afan Lido Leisure Centre.
The show took place on 1 May at the Cardiff International Arena to a sold out crowd of 7,000 people.
The band spilt in mid-September 2013 following sexual offence charges brought against singer Ian Watkins, including the attempted rape and sexual assault of a child under 13. 
Marc Hogan of Pitchfork called the song a "so-wrong-it's-right collaboration with tastemaking Philadelphia DJ/producer Diplo."
Hogan wrote that "It's here, dancing, with a chorus that Santigold and Gwen Stefani might kill for, that Robyn is free from all the worries that are "killing" her at the album's start."
Christopher Muther of "The Boston Globe" wrote that "[Robyn's] take on Jamaican music has the potential to reek of day-old Ace of Bass", but called it "surprisingly solid".
Noel Gardner of Drowned in Sound called it "frankly peculiar", and wrote, "It’s evidently laced with irony, and is possibly the most fun tune on here".
Luke Lewis of "NME" wrote a mixed review of the song, stating, "It feels less authentic, especially on ‘Dancefloor Queen’, a misfiring collaboration with Diplo that features the least convincing patois this side of a George Lamb radio show."
Ben Norman of About.com wrote, "Nothing against 'Dancehall Queen,' but it just isn't the Robyn people have come to love."
Robbie Daw of Idolator called it "subtle", and wrote that "it’s hard to imagine this song being worked as a single", but concluded saying that it "definitely has an infectious hook".
Anthony Balderrama of Consequence of Sound wrote that the song "is what you’d expect to hear: a smooth beat and an international sound, but nothing you’ll keep on repeat.
It seems like a match made in heaven, but ultimately it’s fairly safe."
Matthew Horton of BBC Music called the song "superfluous".
The song entered the Sverigetopplistan chart at its peak position of number fifty-six, before dropping out the next week.
The song also peaked at number fifty-one on the Swedish Digital Chart. 
Writing and recording the band's fourth studio album began in early 2007.
Originally the band stated that they wanted the album released in 2007; however, due to both touring and being unhappy with the results of their work in the studio, the band did not keep to their original release plan.
Despite recording an entire album's worth of material with producer John Feldmann, this work was shelved in favour of material they later recorded and produced themselves, with recording sessions for what would later be known as "The Betrayed" beginning in November 2008.
Consequently the album was not released until 13 January 2010, where it reached a peak of 3 on the UK Albums Chart.
Throughout the earlier part of 2008, the band performed several dates, including Download Festival which they headlined on the Sunday night, V Festival and Rock am Ring and Rock im Park, as well as a small amount of performances around the UK.
They also headlined the NME/Radio 1 tent at 2009's Reading and Leeds Festival.
The band claimed that "The Betrayed" is "by far the finest, darkest and most real album" of their career.
Originally, Ian Watkins stated he wanted the new album to be "nastier" and "darker" than previous efforts, with more energy and vibe than before.
In a blog post, guitarist Mike Lewis suggested that Ilan Rubin (who subsequently left the band to join Nine Inch Nails) was very much a large part of the writing/recording process.
Following Rubin's departure, Luke Johnson of Beat Union was officially announced as the band's new drummer in August 2009.
During this time, "Kerrang!"
published a "world exclusive" article on Lostprophets, revealing the album's title, and its release date of January 2010.
In a later interview with Kerrang in early 2009, Watkins stated that the record was "the most honest album" the band has ever done, and that overall the record was "a lot grittier and sleazier", while also stating that did not mean "it won't be catchy", but that it would not be done "in such a twee way".
When speaking about what the record would sound like, Jamie Oliver stated that he felt it had "the bite that "Start Something" had, with the song-ability of "Liberation Transmission" but personality of "The Fake Sound of Progress".
"The first single from the new album, "It's Not the End of the World, But I Can See It from Here", was aired for the first time on BBC Radio 1 on 19 August.
It was subsequently released on 12 October 2009 and reached No.
16 on the Official UK chart.
This was followed by "Where We Belong", which was released on 4 January 2010.
The band commenced their UK tour with support from Kids in Glass Houses, Hexes, We Are the Ocean and Sharks, in February 2010.
The Doncaster date to the UK tour was cancelled and refunded, but no reason was given for the cancellation.
The Port Talbot date of the tour was postponed and moved to a different venue due to a fire at the Afan Lido Leisure Centre.
The show took place on 1 May at the Cardiff International Arena.
Lostprophets confirmed that they would tour Australia.
The tour took place on 27 March 2010 at "The Roundhouse", NSW, Sydney.
The band also played at the 2010 Reading and Leeds Festival.