Question: When should I use a flick serve?
About the article "Badminton", section "Doubles".

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Due to "Flick" also sounding like the word "fuck", it was used in a telephone gag on the show when Herr Flick answered the phone he stated "Flick the Gestapo" and after a pause - and a look of shock upon his face - repeated "I said Flick the Gestapo" (as opposed to "fuck the Gestapo") while pronouncing his name more clearly. 
George Stallings, the manager of the Philadelphia Phillies of the National League (NL), part of Major League Baseball (MLB), noticed Flick while he played for Dayton.
Stallings signed Flick to the Phillies to serve as a reserve outfielder for the team in the 1898 season.
Starting outfielder Sam Thompson injured his back after six games, forcing Stallings to play Flick.
In his debut game, Flick went 2-for-3 with two singles against Fred Klobedanz.
Thompson returned to the team briefly, but reinjured his back and announced his retirement in May, allowing Flick to play regularly.
Flick proved himself a capable big leaguer, batting .302 with eight home runs, 13 triples and 81 runs batted in (RBIs).
In the 1899 season, he batted .342, with 98 runs scored and 98 RBIs.
However, he suffered a serious knee injury in August, and reinjured the knee when he returned to the game too quickly.
Before the 1900 season, Philadelphia stars Napoleon Lajoie and Ed Delahanty held out of renewing their contracts with the team.
Other members of the team had grown disgruntled.
Amid talk of a revival of the American Association, Flick and several other players began to talk about not returning to the team the next year.
"The Philadelphia Inquirer" reported that Flick's father was in the chair business in Cleveland and that he might require Flick's help with the business.
Flick agreed to a contract extension before the season started.
That year, he led the NL with 110 RBIs.
He finished second in the NL with a .367 batting average, a .545 slugging percentage, 11 home runs, 59 extra-base hits, and 297 total bases.
He also engaged in a fistfight with Lajoie that caused Lajoie to miss five weeks due to a broken thumb.
The race for the batting title came down to the end of the season.
The title winner, Honus Wagner, later said, "I've had a lot of thrills, but don't think I was ever happier than in 1900 when I won after battling Elmer Flick to the last day of the season for the title.
"Flick was one of many star NL players who jumped to the fledgling American League (AL) after the 1901 season, playing for the crosstown Philadelphia Athletics.
Flick played in 11 games for the Athletics, before the Phillies obtained an injunction from the Pennsylvania Supreme Court prohibiting any player under contract with the Phillies from playing for another team.
Though this injunction named Lajoie, Bill Bernhard, and Chick Fraser only, it still applied to Flick as well.
As a recourse, Flick and teammate Lajoie signed instead with the Cleveland Naps, as the Pennsylvania injunction could not be enforced in Ohio.
The two players often traveled separately from their teammates for the next year, never setting foot in Pennsylvania in order to avoid a subpoena.
Flick spent the remainder of his career in Cleveland, and the contract dispute was resolved when the leagues made peace in September 1903 with the National Agreement.
On July 6, 1902, Flick hit three triples in one game.
Between 1900 and 2010, 49 players accomplished that feat.
By early 1904, Flick did not want to re-sign with Cleveland for the offered $2,500 ($ in current dollar terms).
Plans were being made to run a railroad through a corner of Flick's farm and Flick hoped to hire some of his horses to the construction team.
"After July 4, my farm work will be along so that I will be able to give considerable attention to independent ball," he said.
Flick did return to Cleveland for the 1904 season.
That year, Flick tied teammate Harry Bay for the league lead with 38 stolen bases.
Flick was the AL batting champion in the 1905 season with a .308 average.
Only Carl Yastrzemski, who won the batting title with a .301 average in the 1968 season, led the league with a lower average.
Flick also led the league with a .462 slugging percentage and 18 triples in 1905.
His .383 on-base percentage trailed only Topsy Hartsel.
During a 1905 game, Cleveland fielders were charged with seven errors in a single inning, but Flick committed only one of the errors.
In the 1906 season, Flick played a league-leading 157 games.
He led the league with 700 plate appearances, 624 at-bats, 98 runs scored, 22 triples, and 39 stolen bases (tied with John Anderson).
However, Flick was "said to be dissatisfied with the team", and the Naps considered trading him to the Detroit Tigers for Matty McIntyre.
Before the 1907 season, the Naps turned down a trade with the Tigers which would have exchanged Flick for the 21-year-old Ty Cobb.
Hughie Jennings, the Tigers' manager, was tired of dealing with Cobb's abrasive behavior.
The Naps refused to part with Flick, even in exchange for Cobb.
They countered with Bunk Congalton, but the Tigers declined.
Flick had been holding out but he signed a few days after the proposed trade.
After Cobb was nearly traded away, Jennings attempted to repair the difficult relationships between Cobb and the other Detroit players.
"Cobb is too good a hitter to let get away, when a little diplomacy will get the boys together," Jennings said.
In the 1907 season, Flick again led the league with 18 triples.
However, baseball took its toll on Flick.
Before the 1907 season, he considered retiring to pursue other business opportunities.
By 1908, he developed stomach problems.
Cleveland personnel initially said that the illness was related to Flick's overeating.
He left training camp that year, complaining of "train sickness", and returned home to Cleveland.
He missed the majority of the 1908 season, playing in only nine games.
He missed the beginning of the 1909 season as well, as a doctor recommended Flick have his appendix removed.
Now weighing , Flick was afraid of a bad outcome from the surgery, which was a significant risk at the time.
He kept his appendix and played in 66 games, batting .255.
He played in another 24 games in the 1910 season before he was again sidelined by his stomach ailment.
The Naps acquired Shoeless Joe Jackson from the Athletics in a trade and had him replace Flick in the lineup.
In July 1910, the Naps sold Flick to the Kansas City Blues of the American Association, but Flick refused to report to Kansas City, which cancelled the transaction. 
The flick consists of an angulated attack with a whipping motion that requires the defender to make a widened parry, and exploits the flexibility of the blade.
If parried, a properly executed flick whips the attacker's blade around the parry.
This is a valid strategy in modern fencing, since any depression of the tip with sufficient force while contacting valid target area constitutes a touch.
In pre-modern fencing, judging was done by side judges, so a touch had to land and stick long enough to be reliably counted.
The flick should not be confused with "whipover" attacks, which occur in saber when an attack is struck with such force that the blade "whips over" the opponent's blade when parried. 
Larry Flick, of "Billboard" magazine reviewed the song favorably saying that he delivers a likeable performance.
He goes on to say that the production has an "easy, summertime feel that should serve radio well."
He states that the only negative is the fact that the song is "pretty lightweight" with not a lot of substance. 
Love is a massively multiplayer online role-playing game (MMORPG) created by Eskil Steenberg.
Unlike most such games, the content in "Love" is almost entirely procedurally generated.
Another major difference is that there are no pre-determined quests; instead, the gameplay is emergent from the interactions of players with each other, with NPCs and the environment.
"Love" uses skill-based progression and any benefits gained from defeating NPC enemies apply to all players from the same settlement.
The graphics style of "Love" is painterly and impressionistic, using relatively simple geometric objects and then adding dynamic details via textured fan polygons and fullscreen filters.
In an interview with Jim Rossignol of "Rock, Paper, Shotgun", Eskil explained his reasoning behind this style, stating that 'any game you make should clear the "flick through a magazine" test.
When you flick through a magazine you should instantly recognize the game'.
"Love" makes use of the Verse protocol, a network protocol allowing for real-time transfer and synchronisation of 3D graphics and audio data.