Question: Thankfully, Levine loves ladies.
About the article "One More Night (Maroon 5 song)", section "Reception".

Candidate passages:
Celebrity clients.
First Ladies.
The house of Herbert Levine served the United States First Ladies Jackie Kennedy, Mamie Eisenhower, Lady Bird Johnson and Patricia Nixon in the 1960s and early 1970s.
Herbert Levine made black velvet knee-high boots for Mamie Eisenhower as well as most of her pumps.
For Jackie Kennedy, Herbert Levine custom-made a pair of thigh-high boots in burlap with a stacked heel, as well as many of the flats that became a signature element of the Jackie Kennedy style. 
Jonathan Levine claims the movie is semi-autobiographical.
"'I wish I could say that I sold pot and I had a shrink like Ben Kingsley, but no, it wasn't like that,' admits Jonathan Levine .
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'It's the details and the backdrop, and a lot of the perspective of this kid and the way that he looks at the world,' explains Levine .
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'The Stephanie character, I guess, is a composite of a few different ladies who broke up with me,' Levine says with a laugh.
'That happened.'"
When Levine began his acting career, he added the extra "M" to his name because there was already a "Sam Levine" registered with the Screen Actors Guild.
Levine was cast as a character in the sixth and final season of ABC's "Lost" in a small role that was written for him by "Lost" co-creator Damon Lindelof.
Lindelof had frequently told Levine, "I'm going to write you something on the show".
Levine played a clerk in the twelfth episode, "Everybody Loves Hugo.
"He also regularly appears on Doug Benson's "Doug Loves Movies" podcasts and fills in as host of the Leonard Maltin Game when not taped in front of a live studio audience so Doug can play the game as a contestant.
Benson has nicknamed Levine both "Samm the Ma'am Levine" and "Lil' Wolverine".
Benson referred to 2011 as "The Summer of Samm" because Levine played the game so frequently and competitively.
Levine has also been a regular participant on Kevin Pollak's Chat Show since the 1st episode on March 22, 2009, when he was the second guest.
He was a guest on Episode 19 as well, just as the show was about to evolve to one guest for the duration of an episode.
For all but a handful of nearly 200 episodes (and counting), he has sat by the side of Jaime Fox (Pollak's partner (not to be confused with Jamie Foxx, aka Eric Bishop) ) and provided commentary and banter during the opening segments before the guest is introduced.
In addition, he conducts the game "Who Tweeted ?"
between Pollak and his guest.
In February 2014, Levine was voted 99th in VH1's Top 100 Child Stars.  
James Montgomery of MTV News wrote that the video is "an eye-popping, herky-jerky, high-fashion" one.
He praised the way Knowles "her pelvis in ways never imagined", and the wardrobe changes in the clip, before concluding: "She expands on her burgeoning robot fetish, flashes the crazy eyes and contorts her body in downright unsettling ways.
All of which is to say that 'Sweet Dreams' is just like every amazingly crazy Beyoncé video from the past three years, which — to extend the point — also means that it's pretty great."
Olivia Smith of "Daily News" noted that in the video, Knowles references Jane Fonda in the movie "Barbarella" (1968), Tin Woodman and Pamela Anderson through the different costumes she wears.
Smith further compared the video with the one for "Single Ladies", writing that Knowles reprises some of the moves as she "can only swivel those hips in so many ways".
Brandon Soderberg of Slant Magazine described the introductory part of the video as a David Lynch-like mixture of eroticism and symbolism.
He wrote that the video was "one part "Victoria's Secret" commercial, another part dream logic anti-narrative, and a CGI-assisted freakout all around".
Soderberg commended the video for being "an excess of body and action, not filmic techniques", adding that the dancing in the video "blow[s our minds anew".
"Rolling Stone" found similarities between the video for "Sweet Dreams", Kanye West's video for "Paranoid" (2009) and the cover artworks of English rock band Yes.
Canadian magazine "Dose" also compared the video with "Paranoid" due to their similar dream sequences.
Nadia Mendoza of "The Sun" further compared Knowles' look in the video with Lady Gaga's.
Vicki Lutas of the BBC did not appreciate the first 30 seconds of the video, writing that "the dark, horror-type music, the pumping heartbeat, the equally spooky lullaby, the screech of an electric guitar", gave her the impression that she was watching "some magician, with a Knowles soundtrack".
However, she complimented the rest of the video writing that "things (thankfully) move away from the Hallowe'en cheese and into familiar Beyoncé territory (right from the fact it's proper [1980s pop through to the video essentially being 'Single Ladies' with Beyoncé and 2 dancers)".
Lutas concluded that the video might not be remembered for long or hailed as Beyoncé's finest and more memorable work, but it remains one of the best music videos from Knowles she has seen since "Crazy In Love".
Nick Levine of Digital Spy compared the dancing moves in the video with those in "Single Ladies".
The video stayed at number one for several weeks on the UK TV Airplay Chart in August and September 2009.
It was ranked at number 13 on BET's "Notarized: Top 100 Videos of 2009" countdown.
Tamar Anitai of MTV placed the video at number three on his list of the best five videos of 2009, wrote that it "isn't just another high-fashion look at Beyoncé ... " and continued, "It's the dark yin to the brighter, lighter fare of 'Single Ladies.'
This is a 360-degree look at Beyoncé's life: Beyoncé the woman, Sasha Fierce the performer, and the powerful force that occupies the spaces in between.".
In 2013, John Boone and Jennifer Cady of E!
Online placed the video at number ten on their list of Knowles' ten best music videos, praising Knowles' sexy robotic look. 
John Mitchell of MTV News commented: "The clip could be looked at as a metaphor for the difficulties Levine faces balancing his professional life as a world-famous singer and TV star and a personal life with the same wants (happy relationship, a family) as everyone else."
He further added: "Perhaps the video is a lingering response to his recent breakup from model Anne Vyalitsyna.
Robbie Daw of Idolator agreed, writing: "We wouldn’t be surprised to find out that the breakup had some impact on the theme for the video."
However, Daw noted: "The visual, for the most part, strays from the song’s lyrics, which seem to describe a man trying to resist the sexual charms of a woman he realizes he’s not compatible with."
Rolling Stone stated: "Despite the track's laid-back reggae sound, the clip is quite emotionally heavy."
Alexandra Carpototo of "Pop Crush" commented: "We couldn’t even fathom leaving him; and him playing a father just makes us want him even more.
There’s just something so hot about a bruised Adam Levine (both physically and emotionally)."
Ray Rahman of "Entertainment Weekly"'s Music Mix wrote that "You might expect an epic music video — the 'Payphone' clip was a mini action film, after all — but the concept is on the subdued side."
Melinda Newman of HitFix thought that "The clip is beautifully shot and Levine gets to show off his boxing chops and his abs, but it’s a pretty tepid affair all around."
Emily Exton of "Pop Dust" commented about the end of the video, writing "Considering he boxes for a living, we’ll allow five minutes of wallowing before making requisite 'get back in the ring!'
comments in reference to his dating life.
Yes, she’s left him and yes, this is the woman who inflicted her Helen of Troy-like powers across the entire Lonestar State, but isn’t it always on to the next one?
Good thing Levine loves ladies so much."