Question: What record label did Lights sign to in 2008?
About the article "Lights (musician)", section "2008–09: "Lights" and "The Listening"".

Candidate passages:
  Light Records, a record label  Lights (musician) (born 1987), Canadian singer-songwriter * "Lights" (EP), a 2008 EP by Lights  
After the Hit The Lights tour of 2005, Hot Rod Circuit began what was over a year long break.
In early 2006, the band played a few college shows, but did not tour for an entire year.
Hot Rod Circuit had announced plans to record and release a record in 2006, but no music was released other than a few demos.
Rumors began circulating of their relationship with Vagrant Records, who had removed them from their online roster.
The band gave no information or comment on this, and did not report any set plans for a new record.
Finally, around Thanksgiving of 2006, Hot Rod announced their departure from Vagrant Records.
The band stated that they had signed with independent music label, Immortal Records.
Joe Ballaro was now a permanent fixture to the band as their new bass player.
Andy Jackson released this statement: "Our contract was up with Vagrant.
Vagrant's format changed a lot since we've been there, especially since Sorry About Tomorrow came out.
They just added a whole lot of different bands and we pretty much became lost in the shuffle.
The commodity bands were getting the attention we felt we deserved.
With Immortal they contacted us, asked if we wanted to sign, and we told them: "look, we want to sign with a label that'll let us make our own record."
They were hip with it and down with our demos and stuff like that.
It was kind of a no-brainer on our part to have a label that's going to support and be into what we're doing."
Sound of Guns are an alternative rock band from Liverpool, England formed in 2008.
Discovered by BBC Introducing the band went on to sign with independent record label Distiller Records through which they released their debut album 'What Came From Fire' on 28 June 2010 and second album 'Angels and Enemies' on 5 March 2012.
In early 2012 the band announced a full UK and European tour to coincide with the release of their second album. 
In 2003, Robyn left her record label, Jive Records, because of the lack of artistic control offered to her by the label.
The previous year she had released her third album, "Don't Stop the Music", but felt disillusioned by the label's attempt to market her as the next Christina Aguilera in the United States.
Robyn described the album as a "big compromise" and was upset because she "was going backwards" and not "doing what wanted to".
That same year, Robyn returned home to Sweden and discovered the electronic music brother-and-sister duo The Knife while browsing through a record store.
She became inspired by how the duo self-financed and released their recordings and bought herself out of her recording contract with Jive Records.
She was free from her contract, but did not want to sign with another major label because she felt that "it was totally illogical.
Why would I do that?
I felt like either I quit making music or I start my own record company".
Six months after leaving Jive Records, Robyn founded her own record label Konichiwa Records and began recording songs for her fourth album.
Regarding the album's lyrical inspiration, Robyn told Pete Lewis of "Blues & Soul" in March 2008: "I think the biggest lyrical inspiration for this album was going back to when I was like 15 and on the subway listening to hip hop.
Back then—because I didn't know many people in Sweden who knew about rap, it was like my own music world—where the lyrics were very direct.
So I tried to return to that age when you're so strong and self-confident, while acknowledging there's also a part of being a teenager when you're sometimes very insecure and feel very fragile."
Much as the label had argued with the band over the quality of the songs before production, RCA continued to debate the issue with Priestess after the album sessions were finished in the fall of 2008.
Despite the confidence the band themselves had in the strength of the album's material, RCA still did not share that sentiment and refused to release the album, as they felt it still lacked a potential single.
Reflecting on the situation, Heppner remarked, "You can't force write a single, it's impossible to do that.
At least it's impossible for us.
We're not Tin Pan Alley songwriters; we're a rock band.
"RCA subsequently released the group from their contract.
Despite having funded the album's production, RCA gave the band the opportunity to find another label to release the finished product instead, thus losing any money the company had invested in it.
The group had hoped to release the album in March 2009, but RCA's reluctance caused Priestess to miss this anticipated timeframe completely.
A Canadian release (on Indica Records, which has always been the band's Canadian label) was withheld until the band could find a new label to replace RCA.
By all accounts, the band lost a year trying to get "Prior to the Fire" released.
Because of RCA's leniency in the end, the band's departure was peaceful despite complications, and they still hold respect for RCA for what the label allowed them to do.
Heppner credits the label for allowing the record that RCA funded to go to some other company who would want it instead, while Watchorn acknowledges that recent economic troubles would have mandated that record labels only keep "the things that are going to sell" on their rosters.
Heppner noted that labels usually shelve albums permanently if they are deemed unfit for commercial sale rather than give them to the artists who recorded them, and that the band were "really, really lucky" in comparison.
Priestess found and signed with New York City independent record label Tee Pee Records to replace RCA in late 2009; Tee Pee Records had offered to sign the group years earlier, but the band chose RCA over Tee Pee.
They enjoy being signed to Tee Pee Records rather than RCA, where they feel more "at home".
The band have stated that they feel less pressure to succeed on Tee Pee Records, and they do not feel any less important to the label compared to its higher-profile artists, such as "American Idol" contestants.
"Tee Pee is the perfect label for us right now, because they totally understand what we want to do," Heppner stated.
"I am alas stoked to be labelmates with so many wicked bands."
He additionally noted that the only advantage the band had when signed to RCA was more money, and that having a different kind of music meant that Priestess were not as lucrative as a band such as the Foo Fighters, who were more heavily promoted.