Question: Who worked on the "Every Breath You Take" video and won the MTV cinemetography award for his work?
About the article "Every Breath You Take", section "Music video".

Candidate passages:
The song had a music video (directed by duo Godley & Creme) that was praised for its black-and-white cinematography.
Both MTV (1999) and VH1 (2002) named it as one of the best music videos ever, placing it 16th and 33rd in their respective top 100 lists.
Daniel Pearl won the first MTV cinematography award for his work on the video.
Daniel Pearl, A.S.C.
(born 1951, The Bronx, New York) is an American cinematographer who has worked on many feature films, over 400 music videos and more than 250 commercials.
His best-known work is probably "The Texas Chain Saw Massacre" and its 2003 remake.
After gaining a masters degree at University of Texas at Austin, Pearl met Tobe Hooper in a film lab.
After receiving some advice from the cinematographer about filters, Hooper later invited him to work on "The Texas Chain Saw Massacre", saying that "it's really important that I have a Texan shoot this film.
"He won the first MTV cinematography award for "Every Breath You Take."
He filmed the Michael Bay-directed "I'd Do Anything for Love (But I Won't Do That)", which he cites as "one of my personal all-time favorite projects ...
I think the cinematography is pure, and it tells a story about the song."
Michael Bay would later produce the 2003 "Chainsaw" remake. 
The 1984 MTV Video Music Awards aired live on September 14, 1984, honoring the best music videos from May 2, 1983, to May 2, 1984.
The show was hosted by Dan Aykroyd and Bette Midler at the Radio City Music Hall in New York City.
Herbie Hancock was the night's biggest winner, taking home five awards, followed by Michael Jackson, who won three.
The night's main award, though, went to The Cars for "You Might Think," making this the first of a very small number of times in which the winner of Video of the Year did not take home any other awards that night.
In terms of nominations, Hancock's "Rockit" and The Police's "Every Breath You Take" were the year's most nominated videos, with each receiving eight nominations apiece.
Meanwhile, the most nominated artist of 1984 was Cyndi Lauper, who aside from winning the Best Female Video Moonman received nine nominations that year for two of her videos: six for "Girls Just Want to Have Fun" and three for "Time After Time.
"Other major nominees that night included the aforementioned Michael Jackson and The Cars, both of whom received six nominations for their videos "Thriller" and "You Might Think," respectively; ZZ Top, who also received six nominations between their videos for "Legs," "Sharp Dressed Man," and "Gimme All Your Lovin';" and Billy Idol, who got five nominations for "Dancing with Myself" and "Eyes Without a Face."
Lastly, David Bowie had four nominations for his "China Girl" and "Modern Love" videos, and he was also one of the night's honorees for the Video Vanguard award. 
In 1983, the Police released their last studio album, "Synchronicity", which spawned the hit singles "Every Breath You Take", "Wrapped Around Your Finger", "King of Pain" and "Synchronicity II".
The Synchronicity Tour began in Chicago, Illinois in July 1983 at the original Comiskey Park, and ended in Melbourne, Australia in March 1984 at the Melbourne Showgrounds (the final concert featured Simple Minds, Flock of Seagulls, The Fixx, Joan Jett and the Blackhearts, and The Police topping the bill).
Sting's look, dominated by his orange-coloured hair (a result from his role in "Dune") and tattered clothing, all which were emphasized in the music videos from the album, carried over into the set for the concert.
The tour was the band's largest to date, each of the band members had expanded gear with added instruments (such as Stewart Copeland's auxiliary percussion and Andy Summers' guitar synthesizer components), and the band used backup singers for the first time.
Except for "King of Pain", the singles were accompanied by music videos directed by Godley & Creme.
This album hit No.
1 in both the UK (where it debuted at No.
1) and the U.S.
It stayed at No.
1 in the UK for two weeks and in the U.S. for 8 weeks.
It was nominated for the "Album of the Year" Grammy, but lost to Michael Jackson's "Thriller".
"Every Breath You Take" won the Grammy for "Song of the Year", beating Jackson's "Billie Jean".
"Every Breath You Take" also won the Grammy for "Best Pop Performance by a Duo or Group with Vocal" while "Synchronicity II" won the Grammy for "Best Rock Performance by a Duo or Group with Vocal".
"Every Breath You Take" also won the American Video Award for "Best Group video", and the song won two Ivor Novello Awards in the categories "Best Song Musically and Lyrically" and "Most Performed Work" from the British Academy of Songwriters, Composers and Authors. 
After meeting at School in Oxfordshire dom&nic began their directing career with a music video for British band Supergrass's first Parlophone release "Mansize Rooster".
Parlophone's then video commissioner Dilly Gent introduced dom&nic to music video production company Oil Factory, initially for the purposes of producing this one off video.
Following the video's success Oil Factory began representing dom&nic for music video work and it was here they met John Madsen their long term producer and third member of the team.
They began making videos for a number of bands associated with the Brit Pop movement including The Bluetones, Sleeper and Lush.
In July 1995 their video for Supergrass's Alright was released.
Filmed in Portmeirion Wales it was a tongue in cheek romp, mixing the band's British sense of humour with cult 1960s TV show influences such as "The Monkees" and "The Prisoner".
The video was parodied by "Spitting Image", the satirical television comedy show, which placed Labour Party politicians Tony Blair, John Prescott and Margaret Beckett on Raleigh Chopper bikes with Prescot singing "shut my mouth...zip it tight...while e talks shite".
The Alright video caught the attention of film director and producer Steven Spielberg who met with dom&nic and Supergrass to discuss making a pilot for a TV show with the band.
Supergrass subsequently decided they wanted to concentrate on songwriting and declined to go ahead with the project.
They continued to work with Supergrass making a total of 13 videos over the band's career, receiving a Brit Award nomination in 1998 for Best Music Video for "Late in the Day".
In 1996 they began another long standing working relationship with British electronic music duo The Chemical Brothers, making the video for Setting Sun the first single from their Dig Your Own Hole album.
The track featured vocals from Noel Gallagher who was not available to appear in the video.
Dom&nic's subsequent film was atypical of other dance music videos of the time.
Taking the form of a narrative film which paid reverent attention to the music, it moved away from more abstract trends in the genre.
The Setting Sun video "Spies rave culture's flip from underground to overground through the eyes of a bewildered teenage girl" as it follows her nightmarish out of body experience at an all night free party.
It mixes unsettling psychological confusion with moments of humorous imagery, for example the terrified girl sees break dancing policemen.
Tom Rowlands and Ed Simons played a cameo role as themselves leaving the party with their record cases.
The cameo has become a tradition which continues in many of the Chemical Brothers's videos to date.
Setting Sun received a number of award nominations including the MTV Breakthrough Video Award.
When MTV announced a format shift away from alternative rock to electronica they cited the Setting Sun video as an inspiration.
Dom&nic continued the narrative format for The Chemical Brothers with follow up videos for Block Rockin' Beats (1997) (nominated for the Brit Awards Best Music Video and the MTV Awards Best Dance Video), Hey Boy Hey Girl (1999) and Come with Us/The Test featuring vocals from The Verve's Richard Ashcroft (2002).
In 2006 their video for Believe (released 2005) a track featuring vocals by Bloc Party's Kele Okereke won Best Music Video in both MTV Europe's Awards and the CAD's Music video awards.
The video follows the psychological break down of a young car factory worker who believes he is being pursued by a welding robot from the factory.
Dom&nic worked with visual effects company Framestore to bring the welding robot to life.
In 2007 they worked with Framestore again to create an enormous cast of singing and dancing fish for the Chemical Brothers single The Salmon Dance featuring Vocals by Pharcyde rapper Fatlip.
The Salmon Dance was nominated for MTV Europe's 2007 Video Star Award (which replaced the previous years' Best Video category).
Dom&nic's most recent video for The Chemical Brothers is Midnight Madness, a choreographed dance piece that follows the realtime journey of a mischievous goblin-masked dancer.
The gold sequinned goblin emerges from an industrial bin behind the London Astoria Theatre, climbs over a rooftop, breaks into the theatre and dances on stage before returning to the bin as the track finishes.
Midnight Madness was nominated for best Dance Video at the 2008 UK Music Video Awards.
The directors have also collaborated twice with UK Dance music act Faithless making videos for "We Come 1" (2001) and "Mass Destruction" (2004).
Other music video work includes Oasis's "Do You Know What I Mean" (1997) nominated for Brit Awards Best Group Video, Smashing Pumpkins' "Ava Adore" (1998) nominated for MVPA Best Video Award and winning the MTV Fashion Award and David Bowie's "I'm Afraid of Americans" featuring Trent Reznor which won the MVPA Best Alternative Video Award and was nominated for MTV's Best Male Video Award 1997.
They have also worked with the reinstated Take That singer Robbie Williams casting him as an ice dancing coach who falls in love with his young female skater in the video for his cover version of World Party's song "She's the One".
The video won the Brit Awards for Best British Video 2000.