Question: Where did Van Gogh live when he began the first version of 'Bedroom in Arles'?
About the article "Bedroom in Arles", section "First version".

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Paul-Eugène Milliet was a 2nd Lieutenant at the 3rd Zouave Regiment which had quarters at the Caserne Calvin located on Boulevard des Lices in Arles.
Vincent van Gogh gave him drawing lessons, and in return Milliet took a roll of paintings by Van Gogh to Paris, when in mid August he was passing the French capital on his way to the North, where Milliet spent his holidays.
On his return to Arles, at the end of September 1888, Milliet handed over a batch of Ukiyo-e woodcuts and other prints selected by Vincent's brother Theo from their collection.
In the days that followed Vincent executed this portrait of Milliet.
In the first version of Van Gogh's Bedroom, executed in October 1888, Milliet's portrait is shown hanging to the right of the portrait of Eugène Boch.
Decades later, when Milliet had retired to the 7th arrondissement in Paris, his memories of Van Gogh were recorded by Pierre Weiller, at this time living on lease in a building owned by Milliet, and published in 1955, after Milliet's death. 
Saintes-Maries is the subject of a series of paintings that Vincent van Gogh made in 1888.
When Van Gogh lived in Arles, he took a trip to Saintes-Maries-de-la-Mer on the Mediterranean sea, where he made several paintings of the seascape and town. 
When Gauguin agreed to visit Arles, Van Gogh hoped for friendship and for his utopian idea of a collective of artists.
In anticipation that August he painted sunflowers.
When Boch visited again, Van Gogh painted a portrait of him, as well as the study "The Poet Against a Starry Sky."
Boch's sister Anna (1848–1936), also an artist, purchased "The Red Vineyard" in 1890.
In preparation for Gauguin's visit he bought two beds, on advice from his friend the station's postal supervisor Joseph Roulin, whose portrait he painted, and on 17 September spent the first night in the still sparsely furnished Yellow House.
When Gauguin consented to work and live side-by-side in Arles with Van Gogh, he started to work on "The Décoration for the Yellow House," probably the most ambitious effort he ever undertook.
Van Gogh did two chair paintings: "Van Gogh's Chair" and "Gauguin's Chair.
"After repeated requests, Gauguin finally arrived in Arles on 23 October.
During November, the two painted together.
Gauguin painted Van Gogh's portrait "The Painter of Sunflowers: Portrait of Vincent van Gogh," and uncharacteristically, Van Gogh painted some pictures from memory – deferring to Gauguin's ideas in this – as well as his "The Red Vineyard".
Notable amongst these "imaginative" paintings is " Memory of the Garden at Etten".
Their first joint outdoor painting exercise produced "Les Alyscamps", and was conducted at the Alyscamps.
The two visited Montpellier that December and viewed works in the Alfred Bruyas collection by Courbet and Delacroix in the Musée Fabre, but their relationship began to deteriorate.
Van Gogh greatly admired Gauguin, and desperately wanted to be treated as his equal.
But Gauguin was arrogant and domineering, a fact that often frustrated Van Gogh.
They quarreled fiercely about art; Van Gogh felt an increasing fear that Gauguin was going to desert him, as a situation he described as one of "excessive tension" reached crisis point.
The precise chain of events that led to the celebrated incident of van Gogh slicing off his ear is not known reliably in detail.
The only account attesting a supposed earlier razor attack on Gauguin comes from Gauguin himself some fifteen years later and biographers agree this account must be considered unreliable and self-serving.
It does seem likely, however, that by 23 December 1888 van Gogh had realized that Gauguin was proposing to leave and that there had been some kind of contretemps between the two.
That evening van Gogh severed his left ear (wholly or in part, accounts differ) with a razor, inducing a severe haemorrhage.
He bandaged his wound and then wrapped the ear in paper and delivered the package to a brothel frequented by both him and Gauguin before returning home and collapsing.
He was found unconscious the next day by the police and taken to hospital.
The local newspaper reported that van Gogh had given the ear to a prostitute with an instruction to guard it carefully.
In Gauguin's later account he implies that in fact van Gogh had left it with the doorman as a memento for Gauguin.
Van Gogh himself had no recollection of these events and it is plain that he had suffered an acute psychotic episode.
Family letters of the time make it clear that the event had not been unexpected.
He had suffered a nervous collapse in Antwerp some three years before and as early as 1880 his father had proposed committing him to an asylum (at Gheel).
The hospital diagnosis was "generalized delirium", and within a few days van Gogh was sectioned.
During the initial few days of his treatment van Gogh repeatedly asked for Gauguin, but Gauguin stayed away.
Gauguin told one of the policeman attending the case, "Be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."
Gauguin wrote of Van Gogh, "His state is worse, he wants to sleep with the patients, chase the nurses, and washes himself in the coal bucket.
That is to say, he continues the biblical mortifications."
Theo – notified by Gauguin – visited, as did both Madame Ginoux and Roulin.
Gauguin left Arles and never saw Van Gogh again.
Despite the gloomy initial disgnosis, van Gogh made a surprisingly speedy recovery.
He returned to the Yellow House by the beginning of January, but was to spend the following month between the hospital and home, suffering from hallucinations and delusions that he was being poisoned.
In March, the police closed his house after a petition by 30 townspeople (including the Ginoux family), who called him "fou roux" ("the redheaded madman").
Paul Signac visited him in the hospital and Van Gogh was allowed home in his company.
In April, he moved into rooms owned by his hospital physician Dr. Rey after floods damaged paintings in his own home.
Around this time, he wrote, "Sometimes moods of indescribable anguish, sometimes moments when the veil of time and fatality of circumstances seemed to be torn apart for an instant."
Two months later he left Arles and entered an asylum (at his own request) in Saint-Rémy-de-Provence. 
View of Arles, Flowering Orchards is a painting by Vincent van Gogh, executed in spring 1889, one of several paintings he produced on the subject of Flowering Orchards (Van Gogh series) while living in Arles.  
Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the "Bedroom in Arles" series of paintings by Vincent van Gogh.
It is the only quotation of another painting that Lichtenstein did of an interior.
It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection.