Question: What did the guy who asked how to bring five felons together do?
About the article "The Usual Suspects", section "Origins".

Candidate passages:
Bryan Singer met Kevin Spacey at a party after a screening of the young filmmaker's first film, "Public Access", at the 1993 Sundance Film Festival.
Spacey had been encouraged by a number of people he knew who had seen it, and was so impressed that he told Singer and McQuarrie that he wanted to be in whatever film they did next.
Singer read a column in "Spy" magazine called "The Usual Suspects" after Claude Rains' line in "Casablanca."
Singer thought that it would be a good title for a film.
When asked by a reporter at Sundance what their next film was about, McQuarrie replied, "I guess it's about a bunch of criminals who meet in a police line-up," which incidentally was the first visual idea that he and Singer had for the poster: "five guys who meet in a line-up," Singer remembers.
The director also envisioned a tagline for the poster, "All of you can go to Hell."
Singer then asked the question, "What would possibly bring these five felons together in one line-up?"
McQuarrie revamped an idea from one of his own unpublished screenplays — the story of a man who murders his own family and walks away, disappearing from view.
The writer mixed this with the idea of a team of criminals.Söze's character is based on the accounts of John List, a New Jersey accountant who murdered his family in 1971 and then disappeared for almost two decades, assuming a new identity before he was ultimately apprehended.
McQuarrie based the name of Keyser Söze on one of his previous supervisors, Keyser Sume, at a Los Angeles law firm that he worked for, but decided to change the last name because he thought that his former boss would object to how it was used.
He found the word "söze" in his roommate's English-to-Turkish dictionary, which translates as "talk too much."
All the characters' names are taken from staff members of the law firm at the time of his employment.
McQuarrie had also worked for a detective agency, and this influenced the depiction of criminals and law enforcement officials in the script.
Singer described the film as "Double Indemnity" meets "Rashomon," and said that it was made "so you can go back and see all sorts of things you didn't realize were there the first time.
You can get it a second time in a way you never could have the first time around."
He also compared the film's structure to "Citizen Kane" (which also contained an interrogator and a subject who is telling a story) and the criminal caper "The Anderson Tapes."
There were many specific problems with the purge list regarding the verification of felons, including over 4,000 blank conviction dates, and over 325 conviction dates dating in the future.
Nearly 3,000 out-of-state felons with voting rights restored, as well as voters linked to felonies in states which do not remove felons from voting rolls or that automatically restore voting rights, were included on the list.
According to a 1998 ruling by the 2nd District Court of Appeals, they cannot then be ruled ineligible by another state.
DBT had decided in March 1999 not to include felon lists from South Carolina or Texas, which automatically restore voting rights, but that was overruled by the head of the Florida Office of Executive Clemency, Janet Keels, who ordered inclusion of any felon who did not have a written order of clemency, even from these states, wrongly placing 996 voters on the felon list.
Florida did not restore their voting rights until three months after the election.
Additionally, a number of persons listed as felons had been convicted of misdemeanors only, and therefore were eligible by law.
Greg Palast, who has investigated this issue and identified occurrences of these problems, provides a sample of 23 names as they appear on the Florida 2000 felons list, with five examples of these erroneous listings highlighted (this represents a minimum rate of inaccuracy of 22% in this sample).
Thomas Cooper, the second one in the list, was listed as being convicted on January 30, 2007. 
The album features vocal appearances by Justin Timberlake, Timbaland, Pharrell Williams and Kanye West.
It features production by Madonna, Timbaland, Timberlake, The Neptunes and Nate "Danja" Hills.
Previously, Madonna had worked with relatively unknown producers like William Orbit, Mirwais Ahmadzaï and Stuart Price.
However, for "Hard Candy" Madonna decided to collaborate with producers and artists who were already well-known.
Talking to MTV, Madonna explained her decision to collaborate with well-known producers: "Because they're good, and I like their shit.
[...] I mean, I don't like to repeat myself, and I was sitting around thinking, 'What music do I love right now?'
And it was actually record "FutureSex/LoveSounds".
[...
I was listening to it obsessively."
Madonna had already started work on the album with Pharrell, and during one of her breaks from recording, her manager Guy Oseary spoke to Timberlake, suggesting that it "would be cool" if he recorded some songs with her.
Timberlake commented "'That would be awesome,' but I thought, 'That'll never happen', [...] But it's a testament to Pharrell.
He had already laid the groundwork where she was going with it.
She played 'Candy Shop' for me, and a couple of other songs, and I thought, 'What a cool direction.'
I thought she could essentially do the whole record with Pharrell if she wanted to, and I asked Tim, 'How do we fit in?'
And it basically came down to how we did my record, co-producing, and just throwing Madonna in the mix."
The first track recorded by Madonna and Timberlake was "Devil Wouldn't Recognize You".
Timberlake felt that the song, which Madonna had been working on for years before the "Hard Candy" project, was comparable to "Frozen" (1998).
He wanted to turn the line "'The devil wouldn't recognize you, but I do" into a catchy hook and make it sound like a concept.
Timberlake was impressed by the amount of recording material Madonna would already have ready.
He said that he does not normally write down his lyrics, since the ideas come faster to him, but Madonna had "all these thoughts, riddles, poems, feelings, all written in huge notebooks ... she kept handing them over.
It was amazing, taking these little bits here and there and putting them together like a puzzle."
For recording "Miles Away", Timberlake played a guitar riff for Madonna and asked "How do we want to do this?
What do we want it to be about?
What do we want to say?"
Madonna decided to have discussions between herself and Timberlake to develop other ideas for the songs.
One of the ideas they connected on was the universality of long-distance relationships, which they felt was too personal for them, but nevertheless used the concept in "Miles Away".
Madonna commented on the recorded version: "We put our stuff out there.
[...] And after we did the song, everybody in the studio was like, 'Oh, I can relate to that.'"
Due to the notoriety surrounding how the band was signed with Durst, the band is often asked regarding their relationship with him.
Scantlin blasted Durst in an interview in 2004 with Canada's "Chart" magazine.
He stated, "He doesn't write our songs, he doesn't produce our songs, he doesn't do anything for us.
He doesn't do our videos anymore.
He doesn't do anything for this band.
I don't know what he's doing, I don't know what the guy's like.
All I know is that he's like Mr. Hollywood guy, Mr. Celebrity.
Like, 'I don't hang out with anybody except Hollywood celebrities'.
Every single fucking interview I've ever fucking done, I get asked about that fucking guy..." He added, "And for me to do interviews all the time and be asked about this certain individual... People think he writes music with me or something.
He does not do that.
I just don't get it.
We have nothing in common.
He doesn't even call us, he has his assistant call us to congratulate us on our record.
Yeah, that's how pathetic he is.
"On January 6, 2011, Durst attempted to get back in touch with Scantlin via a tweet on his official Twitter page.
"Who knows Wes from puddle of mudd?
I wanna connect w him again.
Let me know."
Scantlin's reaction to this is not yet known, but both Limp Bizkit and Puddle of Mudd are playing together on Epicenter 2011, along with another one of Durst's former proteges, Staind. 
In an oral history shortly before his death, Yonash recalled how he got his start in the aircraft industry.
"It was the middle of the Great Depression, and I had just unloaded a boxcar load of Borax with a wheelbarrow and shovel.
It took me three days and I was paid three dollars, which was a good wage for the time: one man, one day, one dollar.
"On my way home I noticed a line of men outside a factory, so I stopped and got in line as you did during the Depression.
I asked one of the guys in line who was hiring and he said, “Vultee Aviation.” I thought, “What do I know about airplanes?” I did have a little experience with aluminum welding, although at the time I didn’t know I couldn’t have passed their certification test.
"The guy two in front of me, when asked what he was, said, “Aluminum welder.” Their response was, “Sorry, we have all the welders we need.” When they came to the guy in front of me, he said, “Sheet metal worker.” They asked, “Can you read a blueprint?” and when he said “no,” they dismissed him too.
"When they asked me, I said “I’m a sheet metal worker.” When they asked, “Can you read a blueprint?” I answered, “Of course,” which was true.
After a quick test of my blueprint-reading skills, they hired me and said, “Show up Monday with your tools.” So I went home, took an empty fish tackle box, and filled it with everything that might be construed to be a sheet metal-working tool.
When I showed up for work the foreman asked me, “Can you run a nibbler?” I said, “Sure, where is it?” Luckily it was a fairly simple machine for blanking sheet metal parts, and it was relatively easy to master.
"Shortly thereafter, I moved into the drop hammer department."