Question: What magazine does Jon Dolan write for?
About the article "Take Care (album)", section "Lyrics".

Candidate passages:
Moltisanti met Dolan while both were in rehab recovering from heroin addiction.
In the episode "In Camelot" (5x07), their friendship was complicated when Christopher introduced J. T. to the underground world of high-stakes poker games, inadvertently giving the writer a new outlet for his addictive personality.
Dolan rapidly found himself $60,000 in debt, and soon wound up back in rehab at Moltisanti's prompting.
The film itself originated in "Mayham" (6x03), when Moltisanti offered Dolan a way to clear his debts: write a screenplay for a digital slasher film based on a concept by Christopher.
But the story had its genesis long before, when Christopher began his quest to write a screenplay in "The Legend of Tennessee Moltisanti" (1x08).
After struggling through 19 pages, Moltisanti became disillusioned and slipped into a depression, throwing away his work.
He later had an affair with studio vice-president Amy Safir in "D-Girl" (2x07); through her he met "Swingers" and "Made" scribe Jon Favreau, with whom he discussed his film concept.
In "Kaisha" (6x12), he discussed the similarities between Sally Boy and Anthony Soprano with Julianna Skiff, describing both as men who think that everything belongs to them — a notion crystallized by Sally Boy in "Cleaver"'s finale when he tells Michael: "What you have belongs to me" because "what's mine is mine; what's yours is mine."
Kevin Barber from Consequence of Sound was positive with the song, by saying that: "“Like It’s Her Birthday” is a little off-color from what the album is trying to accomplish.
It does not shy away from the dance-y, mall-pop type of music that they were trying to avoid, but it is a catchy single that lets the public know that Good Charlotte is back.
Barber also said that: "It will be a guilty pleasure that some will try to ignore, but most will succumb to."
Ian Drew from "US Magazine" considerate it a "downright danceable fun".
Jon Dolan from "Rolling Stone" ironically said: "Like It's Her Birthday" sets a man's problem ("She said she only had a meeting/But she is dressed for something/Something that is no good") to a bubblegum groove that a 14-year-old could throw a fist to."
Eric Sundermann from Spin positively reviewed the track, saying: "The track blends a combination of old and new Good Charlotte: It's a fast paced party song, but rather than "The Anthem"-style distorted electric guitars, the group uses synthesizers to create the upbeat sound."
Receiving 3 stars out of 5, Jon Dolan of "Rolling Stone" magazine said that the song "may become a metaphor for its slog towards redemption."
Victoria Meng of "TheCelebrityCafe" was critical of the song, saying it "tries to sound good and somewhat succeeds", but that the song didn't convey the true personality of Spider-Man. 
"Stay" received mostly positive reviews from music critics.
Jon Dolan for "Rolling Stone" was complimentary of Rihanna's execution of the song, writing that she performs it "within an inch of its life" and "pleads at the piano."
Dolan continued to state that it is "stark" and "shadowy" which is "confrontationally honest."
Dan Martin for "NME" described "Stay" as "Unapologetic"s highlight, writing that it is a "gorgeous piano ballad."
Martin continued to write that the song "puts a vulnerable spin on the Brown situation, repeating another theme of the album", a reference to her relationship with Chris Brown.
Smokey Fontaine for the "Huffington Post" also praised "Stay", placing emphasis on Rihanna's vocal performance.
He wrote that "Three years ago, no one would have paid attention to a beautiful piano-ballad like 'Stay.'
Not because of the events we all witnessed, but because of how honest and emotionally-connected her vocals are.
"Lewis Corner for "Digital Spy" awarded "Stay" four out of five stars, commenting that Rihanna "doesn't need all the controversial romp to top the charts."
Corner also compared "Stay" to the work of "some of 2012's most successful female balladeers" Emeli Sandé and Lana Del Rey and concluded by stating that Rihanna "never the pack" but "[airs her seemingly complex emotions through music's current trend."
The song garnered a mixed review from Genevieve Koski for "The A.V.
Club", writing that the album is "heavy on the sort of milquetoast ballads that have never been Rihanna's specialty" with regard to "Stay" and "What Now".
However, Jon Caramanica for "The New York Times" negatively critiqued the song, writing that it is "dull piano driven song."
The reason he gave for it being "dull" was that he felt "Stay", along with "Get It Over With" and "Lost in Paradise", were the "least texturally confrontational" and therefore "by far the least successful."
With a background in radio, Dolan has stayed close to the medium in which his career began.
Alongside the aforementioned C4 radio show, Dolan is a regular presenter on LBC radio and BBC London, as well as being a panellist on a wide variety of Radio 4 comedy shows including "The Personality Test" and the "Jon Ronson Show".
Dolan has lent his voice to a range of television and radio programmes, including commercials.
Dolan is currently developing "I'm Here To Help!"
for TV, and recently finished the third series of "Balls of Steel".