Question: Who is credited for songwriting for "Rolling in the Deep"?
About the article "Rolling in the Deep", section "Personnel".

Candidate passages:
As with many of the band's albums, the songwriting is credited to varying combinations of the band members: Martin Tielli, Dave Bidini and Tim Vesely.
(Don Kerr does not receive songwriting credit, as virtually all of these songs predate his arrival in the band.
In some cases, even the "performance" predates Kerr.)
Former band member Dave Clark is also credited on some numbers.
Songwriting credits for each track are listed below. 
 Digital download "Rolling in the Deep" – 3:48 Digital EP "Rolling in the Deep" – 3:48 "Rolling in the Deep (Jamie xx Shuffle)" – 4:17 "Rolling in the Deep (Acapella)" – 3:56 "Rolling in the Deep (Avicii Remix)" – 4:25 CD single "Rolling in the Deep" – 3:48 "If It Hadn't Been for Love" (written by Mike Henderson and Chris Stapleton) – 3:09  
The band produced the album with Carl Canedy, Jon Zazula serving as executive producer.
The album includes the single "Madhouse".
A music video was produced for "Madhouse" as well, but didn't receive much airplay because it was banned by MTV, who believed the content to be degrading to the mentally insane.
This was the last Anthrax album to feature songwriting from ex-vocalist Neil Turbin, who is given songwriting credit on the songs "Armed and Dangerous" and "Gung-Ho".
Songwriting credit was shared to the track "Medusa", the first and only songwriting contribution from former producer Jon Zazula.
Originally he was credited as the sole writer of the song, but reissues credited the rest of the band to it as well. 
The Rolling Stones, Now!
is the third American studio album by the Rolling Stones, released in 1965 by their initial American distributor, London Records.
The album contained seven tracks from their second UK album "The Rolling Stones No.
2", the recent US Top 20 hit "Heart of Stone", the recent UK No.
1 hit single "Little Red Rooster", "Surprise, Surprise", from The Lord's Taverners Charity Album", "Mona (I Need You Baby)" from "The Rolling Stones" and "Oh Baby (We Got A Good Thing Goin')"" which would appear on the UK edition of the Stones' next album "Out of Our Heads" later in 1965.
The album contains a different, and shorter, version of "Everybody Needs Somebody to Love" than the recording on "The Rolling Stones No.
2", although the latter version was accidentally used on the 1986 CD of "The Rolling Stones Now."
The 2002 CD includes the shorter version, as heard on the original LP.
Four of the songs on "The Rolling Stones, Now!"
were penned by the songwriting team of Mick Jagger and Keith Richards (who dropped the "s" from his surname until 1978).
For the back cover, London Records simply took the back cover of "The Rolling Stones No.
2" and amended the tracklisting and label information.
Where the UK liner cover said "No.
2" after 'THE ROLLING STONES' was simply whited out for the American cover.
One thing that was overlooked, however, was a mention of Ian Stewart playing organ on "Time Is on My Side," which made no sense on "The Rolling Stones, Now!"
as the song was not on that album.
This credit was deleted from the 1986 and 2002 reissues.
The liner notes on initial pressings contained Andrew Loog Oldham's advice to the record buying public, which was quickly temporarily removed from some subsequent pressings:""(This is THE STONES new disc within.
Cast deep in your pockets for the loot to buy this disc of groovies and fancy words.
If you don't have the bread, see that blind man knock him on the head, steal his wallet and low and behold you have the loot, if you put in the boot, good, another one sold!
)"""The Rolling Stones, Now!"
is generally considered a very strong album and a highlight of their early American releases.
Upon its February issuing, "The Rolling Stones, Now!"
reached No.
5 in the US and became another gold seller for The Rolling Stones.
In 2003, the album was ranked number 180 on "Rolling Stone" magazine's list of The 500 Greatest Albums of All Time.
In August 2002 "The Rolling Stones, Now!"
was reissued in a new remastered CD and SACD digipak by ABKCO Records.
This version included stereo mixes of "Heart of Stone", "What a Shame", and "Down the Road Apiece". 
Unsure and insecure as a composer, Jones was not a prolific songwriter.
The 30-second "Rice Krispies" jingle for Kellogg's, co-written with the J. Walter Thompson advertising agency in 1963 and performed by the Rolling Stones incognito was credited to Jones; this did not sit well with the rest of the band, who felt it was a group effort and all should benefit equally.
Jones was also included in the "Nanker/Phelge" songwriting credit, a pseudonym used on fourteen tracks that were composed by the entire band and Andrew Oldham.
According to Andrew Oldham, the main reason for Jones's not writing songs was that Jones, being a blues purist, did not love simple pop music enough.
Oldham tried to establish a songwriting partnership between Jones and Gene Pitney after "becoming bored senseless by Jones's bleating about the potential of half-finished melodies that by no means deserved completion", but after two days of sessions "the results remain best to be unheard, even by Stones' completists".
When asked in 1965 if he had written songs, Jones replied: "Always tried.
I've written quite a few, but mostly in blues style".
Many years later after his death, Keith Richards stated: "No, no, absolutely not.
That was the one thing he would never do.
Brian wouldn't show them to anybody within the Stones.
Brian as far as I know never wrote a single finished song in his life; he wrote bits and pieces but he never presented them to us.
No doubt he spent hours, weeks, working on things, but his paranoia was so great that he could never bring himself to present them to us".
Bill Wyman has stated that Jones was "an incredibly gifted musician, but not a song writer"; and in 1995, Mick Jagger told "Rolling Stone" that Jones had been jealous of the Jagger/Richards songwriting team, and added: "To be honest, Brian had no talent for writing songs.
None.
I've never known a guy with less talent for songwriting.
"Marianne Faithfull reported that Brian Jones wrote an early version of the melody for "Ruby Tuesday" and presented it to the group.
Victor Bockris reported that Keith Richards and Brian Jones worked out the final melody in the studio.
Additionally, Jones is credited (along with Keith Richards) for the instrumental piece "Hear It", though it is generally considered Jones's work.
However, in 1966 Jones composed, produced, and played on the soundtrack to "Mord und Totschlag" (English title: "A Degree Of Murder"), an avant-garde German film with Anita Pallenberg, adding the majority of the instrumentation to the soundtrack.
Although guitarist Jimmy Page is one of the three extra musicians Jones hired to play on the soundtrack.
In 1990, Carla Olson was given permission from Jones's estate to put one of his poems to music and thus created the Jones/Olson song "Thank You For Being There".
It appeared on the album "True Voices", performed by Krysia Kristianne and Robin Williamson.