Question: What individual was responsible for creating the sound effects for the movie The Matrix?
About the article "The Matrix", section "Sound effects and music".

Candidate passages:
Dane A. Davis was responsible for creating the sound effects for the film.
The fight scenes sound effects, such as the whipping sounds of punches, came from using junk to create noises and capturing them, then editing the sounds.
The sound of the pod containing a human baby closing required almost fifty sounds put together.
The film's score was composed by Don Davis.
He noted that mirrors appear frequently in the film: reflections of the blue and red pills are seen in Morpheus's glasses; Neo's capture by Agents is viewed through the rear-view mirror of Trinity's Triumph Speed Triple motorcycle; Neo observes a broken mirror mending itself; reflections warp as a spoon is bent; the reflection of a helicopter is visible as it approaches a skyscraper.
Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas.
Davis' score combines orchestral, choral and synthesizer elements; the balance between these elements varies depending on whether humans or machines are the dominant subject of a given scene.
In addition to Davis' score, "The Matrix" soundtrack also features music from acts such as Rammstein, Rob Dougan, Rage Against the Machine, Propellerheads, Ministry, Deftones, Monster Magnet, The Prodigy, Rob Zombie, Meat Beat Manifesto, and Marilyn Manson.
"The Matrix" received Academy Awards for film editing, sound effects editing, visual effects, and sound.
The filmmakers were competing against other films with established franchises, like "", yet they won all four of their nominations.
"The Matrix" also received BAFTA awards for Best Sound and Best Achievement in Special Visual Effects, in addition to nominations in the cinematography, production design and editing categories.
In 1999, it won Saturn Awards for Best Science Fiction Film and Best Direction. 
The Matrix, a renovated former pizza shop, was a nightclub in San Francisco from 1965 to 1972 and was one of the keys to what eventually became known as the "San Francisco Sound" in rock music.
Located at 3138 Fillmore Street, The Matrix opened August 13, 1965 showcasing Jefferson Airplane, which singer Marty Balin had put together as the club's "house band."
Marty had persuaded three limited partners to put up $3,000 apiece to finance the opening of The Matrix, giving them 75% ownership, while he retained 25% for creating and managing it. 
In electrospray ionization (ESI), coeluted matrix components can influence signal intensity through a competition for available charges and for the access to the droplet surface for gas-phase emission, thus creating the so-called matrix effects.
Matrix effects can occur at different stages of the interfacing process leading to unpredictably enhanced or suppressed signal response.
Direct-EI interface, using a gas phase ionization technique, can eliminate most matrix effects observed with ESI.
In fact, it is influenced neither by the mobile phase nor by other matrix components so that the signal response is always proportional only to analyte concentration.
This simplifies sample preparation procedures that can be very complex and time consuming prior to ESI. 
A special effects supervisor (also referred to as a special effects coordinator or SFX Supervisor) is an individual who works on a commercial, theater, television or film set creating special effects.
The supervisor generally is the department head who defers to the film's director and/or producers, and who is in charge of the entire special effects team.
Special effects include anything that is manual or mechanically manipulated (also called "practical effects" or in camera effects).
This may include the use of mechanized props, special effects makeup, props, scenery, scale models, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds etc.
Special effects (SFX) or (SPFX) are produced on the set, as opposed to those created in post-production which are generally called "visual effects" (VFX).
In recent years real physical special effects have been largely overshadowed by computer-generated imagery (CGI) effects created in post-production.
"Some examples of special effects are explosions, car crashes and chases, gunshots, earthquake effects, special makeup, prosthetics, special set construction, snow and rain.
Special Effects Technician is a person working in the special effects department, under the special effects supervisor, and he is responsible for creating and assisting special effects.
Major motion pictures, with many special effects many have many special effects technicians.