Question: Was Ken Tucker's impression of the series positive?
About the article "The New Normal (TV series)", section "Critical reception".

Candidate passages:
"Tucker's Last Stand" is a 1990 Blackford Oakes novel by William F. Buckley, Jr..
It is the ninth of 11 novels in the series. 
"Tucker's Luck" was a British television series made by the BBC between 1983 and 1985.
The series is a spin-off from the school drama "Grange Hill" and capitalised on the popularity of one of the series' original characters — Peter "Tucker" Jenkins, played by Todd Carty.
"Tucker's Luck" followed the exploits of Tucker and his friends, Alan Humphries and Tommy Watson, after they had left school and their attempts to find employment and cope out there in the "real world".
Three series were made (although by Series Three, Tommy was gone — his absence explained by his having decided to join the Navy), with several former "Grange Hill" cast members reprising their roles for the spin-off (such as Linda Slater as Susi MacMahon, Alan's former school girlfriend, in Series One; and Michelle Herbert as Tucker's old class enemy Trisha Yates in the final episode of series three), although the programme never came close to matching the popularity of "Grange Hill".
The third and final series saw the first appearances of Tucker's younger sister, eight-year old Rhona (who had never been seen nor referred to previously), and Tucker's elder brother Barry (frequently mentioned by Tucker, albeit only as "our kid", in "Grange Hill"). 
Two annuals and three novels associated with the series were published between 1983 and 1985.
[http://www.tuckersluck.com/books.html] The annuals were simply called the "1984 Tucker's Luck Annual" and "1985 Tucker's Luck Annual".
The novels were:  "Forty Days of Tucker J.
", by Robert Leeson.
Published by Fontana Lions in 1983.
"Tucker's Luck", by Jan Needle.
Published by Fontana Lions in 1984.
"Tucker in Control", by Jan Needle.
Published by Magnet in 1985.  
Tucker's Town is a small, exclusive community in St. George's Parish, Bermuda at the mouth of Castle Harbour, on Tucker's Town Peninsula on Bermuda's main island. 
Tucker's main inspirations include post-impressionists, expressionists and social realists, as well as personal experience.
Tucker's work was strongly influenced by the realistic reflections of two important émigré artists, Josl Bergner and Danila Vassilieff, who arrived in Melbourne in the late 1930s about the same time that Tucker began to explore images of the Great Depression.
Tucker also met Sunday and John Reed, members of the Contemporary Arts Society, which was set up in 1938 by George Bell, in opposition to the government Australian Academy of Art, which was believed to promote conservative art and not the modernists.
Tucker's first significant works were produced during his involvement in the army.
In 1940, Tucker was called up for army service and spent most of his time working in Heidelberg Military Hospital drawing patients suffering from wounds and mental illnesses as a result of war.
He produced three important works at this stage, "Man at Table", a pen and ink illustration of a man whose nose had been sliced off by a shell fragment, "The Waste Land", an image of death sitting on a stool watching and waiting, and "Floating Figures", of two figures floating down a hall, a third with a demented smile.
All of these images illustrated the horror and madness of war, but in a style reflecting his social realists surrealistic and expressionistic style.
In 1942, Tucker was discharged from the war and returned to a Melbourne.
An impression of Australian soldiers, clutching young women was the catalyst for his series of works known as the "Images of Modern Evil", Victory Girls, depicting Melbourne nightlife.
Tucker also took to photography, both of his own paintings, and to record the ideas and scenes he used to compose them, and innadvertanlty create a document of his time.