Question: Where is The Vitruvian Man, the drawing created by Leonardo da Vinci kept?
About the article "Vitruvian Man", section "Abstract".

Candidate passages:
Leonardo da Vinci believed that the ideal human proportions were governed by the harmonious proportions that he believed governed the universe such that the ideal man would fit cleanly into a circle as in his famed "Vitruvian man" drawing. 
The programme's distinctive identity owed much to its striking title sequence created by John Sheppard.
The music, based on a descending series of organ chords, was called "Jam for World in Action" and is usually credited to Jonathon Weston, though the American musician Shawn Phillips disputes this.
He has posted his claim of authorship on YouTube.
The programme's logo, and the centrepiece of its titles, was the Leonardo da Vinci drawing, the Vitruvian Man. 
The Vitruvian Man, , is a drawing created by Leonardo da Vinci circa 1490.
It is accompanied by notes based on the work of the architect Vitruvius.
The drawing, which is in pen and ink on paper, depicts a male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square.
The drawing and text are sometimes called the "Canon of Proportions" or, less often, "Proportions of Man".
It is kept in the Gabinetto dei disegni e stampe of the Gallerie dell'Accademia, in Venice, Italy, under reference 228.
Like most works on paper, it is displayed to the public only occasionally.
The drawing is based on the correlations of ideal human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise "De Architectura".
Vitruvius described the human figure as being the principal source of proportion among the Classical orders of architecture.
Vitruvius determined that the ideal body should be eight heads high.
Leonardo's drawing is traditionally named in honor of the architect.
The album cover was illustrated by artist Dean Motter and was a mechanized version of the Vitruvian Man by Leonardo da Vinci.
The cover is a visible element of the album's concept, in which the band examines the actions and abnormalities of man at the turn of the 21st century. 
"De divina proportione", written by Luca Pacioli in Milan in 1496–1498, published in Venice in 1509, features 60 drawings by Leonardo da Vinci, some of which illustrate the appearance of the golden ratio in geometric figures.
Starting with part of the work of Leonardo da Vinci, this architectural treatise was a major influence on generations of artists and architects.
Vitruvian Man, created by Leonardo da Vinci around the year 1492, is based on the theories of the man after which the drawing takes its name, Vitruvius, who in "De Architectura: The Planning of Temples" (c. I BC) pointed that the planning of temples depends on symmetry, which must be based on the perfect proportions of the human body.
Some authors feel there is no actual evidence that Da Vinci used the golden ratio in "Vitruvian Man"; however, Olmos (1991) observes otherwise through geometrical analysis.
He also proposes Leonardo da Vinci's "self portrait", Michelangelo's "David" (1501–1504), Albrecht Dürer's "Melencolia I" and the classic violin design by the masters of Cremona (Guarneri, Stradivari and several members of the Amati family) as having similar regulator lines related to the golden ratio.
Da Vinci's "Mona Lisa" (c. 1503–1506) ""has been the subject of so many volumes of contradicting scholarly and popular speculations that it virtually impossible to reach any unambiguous conclusions"" with respect to the golden ratio, according to Livio.
The "Tempietto" chapel at the Monastery of Saint Peter in Montorio, Rome, built by Bramante, has relations to the golden ratio in its elevation and interior lines.