Question: When did the track "Amen" featured in the movie All Is Lost come out?
About the article "All Is Lost", section "Music".

Candidate passages:
When responding "amen", it must be pronounced in a proper manner, consistent with its significance in Jewish law.
There are a number of ways to respond "amen" that are discouraged as being either disrespectful or careless.
The articulation of the "alef" (א, first letter of "amen" in Hebrew) and its proper vowelization must be clear.
If the "kametz" vowel is rushed and mispronounced as the vowelization of a "shva", the "amen" is termed an "amen chatufa", as "chatufa" is synonym for the "shva".
Another type of "amen chatufa" is one that is recited prior to the completion of the blessing it is being recited to follow; this comes from the Hebrew word "chatuf" (חטוף, "snatched").
The impatient rush to respond "amen" before the blessing has even been completed is prohibited.
If insufficient stress is placed on the "nun" (נ, the last letter of "amen" in Hebrew) and the "mem" (מ, the middle letter) drowns it out, this is termed an "amen ketufa" (אמן קטופה, "a cut "amen"").
One must also not recite "amen" too quickly; one should allocate enough time for the "amen" as necessary to say "’El melekh ne’eman".
Saying an "amen ketzara" (אמן קצרה, "short "amen"") recited too quickly shows a lack of patience. 
In late 1999 and 2000, Vibert began touring with BJ Cole to promote their fusion album "Stop the Panic".
In 2002, he would begin a series of live collaborations with Aphex Twin.
Although Aphex Twin and Luke Vibert never released an album together, Aphex Twin used the song name "Analord", from Vibert's album "Lover's Acid", for a series of EPs.
Vibert's later releases varied in style as he released albums under various names, including Plug, Amen Andrews, Kerrier District and Spac Hand Luke.
"Amen Andrews" is a word play on the name of Irish game show host Eamonn Andrews, referring to the fact that each Amen Andrews track uses the Amen break.
In 2004, Vibert explored acid disco when he remixed a Black Devil song, which was released on "Disco Club (Remix)" and released his first album under the alias Kerrier District.
In 2006, a collection of vintage Plug drum'n'bass songs were released on "Here It Comes EP".
In 2006, Vibert's song "Shadows" was featured on the DJ mix album "A Bugged Out Mix" by Miss Kittin, which charted at number one-hundred seventy on the French Albums Chart.
In 2009, he contributed a cover of LFO's song "LFO" to the "Warp20 (Recreated)" compilation. 
Upon its release, "Amen" received unanimously rave reviews from critics.
Critics praised the film for its technical aspects and music.
Paresh C Palicha of Rediff.com stated that "Amen" is "brilliant" and concluded that "Director Lijo Jose Pellissery can be proud of making a brilliant film that has an intelligent story, a multi-layered screenplay, excellent cinematography and powerful performances from the actors."
Aswin J Kumar of "The Times of India" gave the movie 3.5 stars in a scale of 5, stating that "In "Amen", director Lijo Jose Pallisserry dabbles in a newly-found realm.
He does the act joyfully with a tinge of absurdity and he derives laughter that sometimes wobbles on sheer madness.
The good part is that the joy stays, warm and pleasant, all through the film."
Jo of "Malayala Manorama" gave the film a favourable review praising the cinematography of Abinandhan Ramanujam and direction.
"Mathrubhumis entertainment website mb4frame also wrote a positive review saying "Amen" is visually and technically brilliant.
Sify.com gave the movie a verdict of "brilliant" and concluded the review, saying that "When most films move out of your mind minutes after you leave the theaters, Amen just grabs you in a fantastic way.
It has its flaws for sure, but just don't miss this gem.
Two big thumbs up and a must watch recommendation for "Amen"!"
Smitha of Oneindia.in also gave the movie 3.5 stars and recommended to watch the movie "only if you enjoy watching different and experimental cinema."
Veeyen of Nowrunning.com gave the movie 3 stars out of 5 and appreciated the movie, commenting that "The flavor, spirit and fun of "Amen" make it buoyantly unpretentious, and the sheer exuberance that it lets out renders it a movie of the magical kind.
A feel-good, jovial and unfussy musical experience, it's a sunny gem of a film that drops down from the heavens above, as the Lord parts the clouds to take a look at the world down below."
Strait began the decade with the release of his tenth studio album, "Livin' It Up", which featured two No.
1 hits including "Love Without End, Amen", his first multi-week hit, and "I've Come to Expect It From You".
Both songs remained No.
1 for five weeks in 1990.
"Chill of an Early Fall" shortly followed in 1991, and received positive reviews.
"Entertainment Weekly" noted that the album marked a shift for Strait from "repeating himself" in his previous works to producing different material.
It produced the No.
1's "If I Know Me" and "You Know Me Better Than That", but ended his streak of 31 straight top ten hits with the cover of "Lovesick Blues", which peaked at No.
24.
The record blocked his run of eight top charting albums with its peak of No.
4.
In the spring of 1992, "Holding My Own" was released.
It did not produce any No.
1s but did include two top five songs including "So Much Like My Dad".
Later in 1992, Strait played the main character in the movie "Pure Country", and released the film's soundtrack.
It was his most successful studio album, producing such hits as "Heartland", "I Cross My Heart", and "When Did You Stop Loving Me", and peaked at No.
1 and No.
6 respectively on the Country and Billboard 200 album charts.
The success continued with his next album, "Easy Come, Easy Go" in 1993, which reached the top five on the Billboard 200 and featured the hits "I'd Like to Have That One Back", "The Man in Love with You", and the No.
1 title track.
His next four albums, including "Lead On" in 1994, "Blue Clear Sky" in 1996, "Carrying Your Love with Me" in 1997, and 1998's "One Step at a Time", all charted at No.
1, with "Blue Clear Sky" claiming the spot on its debut week, and "Carrying Your Love with Me" peaking at No.
1 on the Billboard 200 for the first time in Strait's career.
This series of albums produced eight number one singles for Strait, including "You Can't Make a Heart Love Somebody", "Carried Away", "One Night at a Time", and "I Just Want to Dance with You".
During this period, Strait also released a four-disc box set career retrospective, "Strait Out of the Box", in 1995, which became the second-best-selling box set ever with shipments of 8 million in the United States.
He also was named as the CMA's Top Male Vocalist in 1997 and 1998.
Starting in '97, and continuing until the first year of the 21st century, Strait headlined the George Strait Country Music Festival, which included artists such has Tim McGraw, Faith Hill, Kenny Chesney, Alan Jackson, and others.
In an effort to introduce these acts to as many fans as possible, the festival promised not to visit any market more than twice.
It played only a small number of dates, usually no more than twenty a year, but still managed to be the ninth-biggest-grossing tour of 1998.
In 2009, the George Strait Country Music Festival was voted the most important tour in the history of country music and the best selling country music tour in the 90s .
Strait completed the decade with the album "Always Never the Same" in 1999, which peaked at No.
2 on country charts and matched the cross-over success of "Pure Country" by reaching No.
6 on the Billboard 200.
The record produced the hits "What Do You Say to That", "Meanwhile", and the No.
1 "Write This Down".
Reviews of the album's material were generally moderate, but "Entertainment Weekly" observed that at this point in his career, Strait could record the "most lightweight" material and "make it soar" on the radio with his "grace".
All in all, Strait scored 17 No.
1 hits on the Billboard country airplay charts in the decade, and carried his successes into the next century. 
The most common context in which an "amen" is required by halakhah is after one hears a blessing recited.
In fact, it is prohibited to willfully refrain from responding "amen" when it is indicated.
The source of this requirement is the verse in Deuteronomy 32:3: "When I proclaim the name of "Hashem", give glory to our God."
This mandate refers to the mention of the Tetragrammaton, which was only pronounced at certain specific times within the confines of the Holy Temple in Jerusalem.
Whoever heard this special name of God mentioned was obliged to respond with "Barukh shem kvod malkhuto l'olam va'ed" (ברוך שם כבוד מלכותו לעולם ועד, "Blessed be the Name of His glorious kingdom for all eternity").
With the destruction of the Temple in 70 CE, however, pronouncing the Tetragrammaton was prohibited, and was replaced with the pronunciation "Adonai".
Although this term bears significant holiness (and is in fact one of the seven names of God) and may not be pronounced without purpose, it may be pronounced when appropriate in prayer and blessings.
The aforementioned response for the Tetragrammaton, however, is not warranted when one hears "Adonai" pronounced.
The Talmudic Sages therefore mandated that one must answer "amen" at the completion of a blessing outside of the Temple, comparable to the "barukh shem" that was used in the Holy Temple.
However, while ""barukh shem" is an expression of praise and honour, "amen" is an affirmation of belief."
The Talmud teaches that the word "Amen" is an acronym for אל מלך נאמן ("’El melekh ne’eman", "God, trustworthy King.")
The word "amen" itself is etymologically related to the Hebrew word "emunah" (אמונה, "faith") asserting that one is affirming the fundamental beliefs of Judaism.
Although "amen," in Judaism, is most commonly stated as a response to a blessing that incorporates God's name, "amen" is more generally an affirmation of any declaration.
Accordingly, it is customary in some communities to respond "amen" after each "harachaman" in Grace after meals and after a "mi'shebeirach".
When reciting "amen", it is important that the response is not louder than the blessing itself.
When trying to encourage others to respond "amen", however, one may raise ones voice to stir others to respond in kind.
Since answering "amen" indicates approval of the content of the blessing, it is appropriate to answer "amen" to another's blessing even if one could not halachically recite the blessing oneself.
For example, when the kohanim recite the blessing, "... Who has sanctified us with the holiness of Aaron, and commanded us to bless His people Israel with love," the congregation responds "amen," even though they are not descendants of Aaron the High Priest.
Likewise, a Gentile may respond "amen" to a Jew's blessing, even when the blessing contains the text, "... Who has sanctified us with His commandments, and commanded us to...," since by answering "amen," the Gentile is agreeing that Jew was sanctified with the commandment about to be performed.
So too with blessings on foods and smells; one is not required to likewise partake in order to answer "amen."