Question: Was Michelangelo's "The Last Judgement" ever considered objectionable?
About the article "The Last Judgment (Michelangelo)", section "Reception and expurgation".

Candidate passages:
The cover artwork features the band jumping in front of Michelangelo's 'The Last Judgment'. 
Lussana published a book on the Physiology of pain in 1859, dedicating it to Paolo Mantegazza, who was later to write his own book on the subject.
Lussana distinguished mental and physical pain.
The one is derived from the intellect and may affect the body, while the other is derived from the body and may affects the intellect.
He gave as examples the statue of Laocoön and the painting of Mary in Michelangelo's "Last Judgement".
Similarly, he contrasted the frenzy and fury of Hercules described by Ovid with the pain of Count Ugolino of Dante. 
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary.
The works encompassed are from Giotto in the early 14th century to Michelangelo's "Last Judgement" of the 1530s.
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution- what was painted and the style in which it was painted.
The artist had far more freedom of both subject and style than did a Medieval painter.
Certain characteristic elements of Renaissance painting evolved a great deal during the period.
These include perspective, both in terms of how it was achieved and the effect to which it was applied, and realism, particularly in the depiction of humanity, either as symbolic, portrait or narrative element. 
The Sistine Chapel (; ) is a large and renowned chapel of the Apostolic Palace, the official residence of the Pope in the Vatican City.
Originally known as the "Cappella Magna", the chapel takes its name from Pope Sixtus IV, who restored it between 1477 and 1480.
Since that time, the chapel has served as a place of both religious and functionary papal activity.
Today it is the site of the Papal conclave, the process by which a new Pope is selected.
The fame of the Sistine Chapel lies mainly in the frescos that decorate the interior, and most particularly the Sistine Chapel ceiling and "The Last Judgment" by Michelangelo.
During the reign of Sixtus IV, a team of Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Roselli, created a series of frescos depicting the "Life of Moses" and the "Life of Christ", offset by papal portraits above and trompe l’oeil drapery below.
These paintings were completed in 1482, and on 15 August 1483 Sixtus IV celebrated the first mass in the Sistine Chapel for the Feast of the Assumption, at which ceremony the chapel was consecrated and dedicated to the Virgin Mary.
Between 1508 and 1512, under the patronage of Pope Julius II, Michelangelo painted the "Sistine Chapel ceiling", a masterpiece without precedent, that was to change the course of Western art.
In a different climate after the Sack of Rome, he returned and between 1535 and 1541, painted "The Last Judgement" for Popes Clement VII and Paul III.
The fame of Michelangelo's paintings has drawn multitudes of visitors to the chapel, ever since they were revealed five hundred years ago. 
The film begins by showing Antonio López García as a very meticulous painter.
He drives in pegs to mark his stance, hangs a weight and uses strings to determine the symmetry and center of his painting.
His first attempt starts out peacefully but he soon encounters problems due to the weather and the size of his canvas.
As García and a friend discuss Michelangelo's The Last Judgement, painted when Michelangleo was in his 60s, which García is fast approaching, the film's subject takes shape as the relationship between the artist's work and his own mortality.
García's future attempts are much more rushed and frantic as he struggles to compete with the weather, the fleeting sun and the rotting and weighed down fruit in maintaining his vision.