Question: When was the Grand Central School of Art located in the terminal?
About the article "Grand Central Terminal", section "Layout".

Candidate passages:
From 1922 to 1958, Grand Central Terminal was the home of the Grand Central Art Galleries, which were established by John Singer Sargent, Edmund Greacen, Walter Leighton Clark, and others.
The founders had sought a location in Manhattan that was central and easily accessible, and through the support of Alfred Holland Smith, president of the New York Central Railroad, the top of the terminal was made available.
A 10-year lease was signed, and the galleries, together with the railroad company, invested more than $100,000 in preparing the space.
The architect was William Adams Delano, best known for designing Yale Divinity School's Sterling Quadrangle.
At their opening, the galleries extended over most of the terminal's sixth floor, , and offered eight main exhibition rooms, a foyer gallery, and a reception area.
A total of 20 display rooms were planned for what was intended as "...the largest sales gallery of art in the world."
The official opening was March 22, 1923, and featured paintings by Sargent, Charles W. Hawthorne, Cecilia Beaux, Wayman Adams, and Ernest Ipsen.
Sculptors included Daniel Chester French, Herbert Adams, Robert Aitken, Gutzon Borglum, and Frederic MacMonnies.
The event attracted 5,000 people and received a glowing review from "The New York Times".
A year after they opened, the galleries established the Grand Central School of Art, which occupied on the seventh floor of the east wing of the terminal.
The school was directed by Sargent and Daniel Chester French.
Its first year teachers included painters Jonas Lie and Nicolai Fechin, sculptor Chester Beach, illustrator Dean Cornwell, costume designer Helen Dryden, and muralist Ezra Winter.
The Grand Central Art Galleries remained in the terminal until 1958, when they moved to the Biltmore Hotel.
When the Biltmore was demolished in 1981 they relocated to 24 West 57th Street.
They ceased operations in 1994. 
The Toronto Coach Terminal is the central bus station for inter-city services in Toronto, Ontario, Canada.
It is located at 610 Bay Street, in the city's Downtown.
The terminal is owned by Toronto Coach Terminal Inc., a wholly owned subsidiary of the Toronto Transit Commission (TTC).
The TTC managed the station directly until July 8, 2012, when it was leased out in its entirety to bus lines.
Opened in 1931 as the Gray Coach Terminal, the Art Deco style terminal was home base for Gray Coach, an interurban bus service then owned by the TTC.
It replaced an earlier open air terminal, Gray Line Terminal. 
The Grand Central Palace was an exhibition hall in New York City.
Built in 1911, the 13-story building was located on Lexington Avenue between 46th and 47th Streets, occupying the air rights over the railroad tracks leading into Grand Central Terminal.
The Palace was designed by Warren and Wetmore and Reed and Stem, who had collaborated on Grand Central Terminal.
It replaced the original Grand Central Palace, built in 1893 on Lexington Avenue between 43rd and 44th Streets and demolished by 1913 to make way for the Grand Central development after it had served as a temporary station during the building of the terminal.
The Palace was New York's main exposition hall until it closed in 1953.
Its location and the proximity of Grand Central Terminal spurred the construction of a hotel district in the area.
The new Grand Central Palace was demolished in 1964 to make way for 245 Park Avenue.  
The Grand Central Art Galleries were the exhibition and administrative space of the nonprofit Painters and Sculptors Gallery Association, an artists' cooperative established in 1922 by Walter Leighton Clark together with John Singer Sargent, Edmund Greacen, and others.
Artists closely associated with the Grand Central Art Galleries included Hovsep Pushman, George de Forest Brush, and especially Sargent, whose posthumous show took place there in 1928.
The Galleries were active from 1923 until 1994.
For 29 years they were located on the sixth floor of Grand Central Terminal.
At their 1923 opening, the Galleries covered and offered nine exhibition areas and a reception room, described as "the largest sales gallery of art in the world."
In 1958 the Galleries moved to the second floor of the Biltmore Hotel, where they had six exhibition rooms and an office.
They remained at the Biltmore for 23 years, until it was converted into an office building.
The Galleries then moved to 24 West 57th Street, where they remained until they ceased activity.
In addition to their main offices, the Grand Central Art Galleries directed a number of other enterprises.
They launched the Grand Central School of Art in 1923, opened a branch gallery at Fifth Avenue and 51st Street in 1933, and in 1947 established Grand Central Moderns to show non-figurative works.
The Grand Central Art Galleries were also responsible for the creation, design, and construction of the United States Pavilion at the Venice Biennale. 
The Grand Central Academy of Art is an art school located at 20 West 44th Street in New York City.
Founded by New York artist Jacob Collins, the school focuses on training artists in the classical art tradition.