Question: Who manages all of Warhol's digital images?
About the article "Andy Warhol", section "Foundation".

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Warhol worked across a wide range of media—painting, photography, drawing, and sculpture.
In addition, he was a highly prolific filmmaker.
Between 1963 and 1968, he made more than 60 films, plus some 500 short black-and-white "screen test" portraits of Factory visitors.
One of his most famous films, "Sleep", monitors poet John Giorno sleeping for six hours.
The 35-minute film "Blow Job" is one continuous shot of the face of DeVeren Bookwalter supposedly receiving oral sex from filmmaker Willard Maas, although the camera never tilts down to see this.
Another, "Empire" (1964), consists of eight hours of footage of the Empire State Building in New York City at dusk.
The film "Eat" consists of a man eating a mushroom for 45 minutes.
Warhol attended the 1962 premiere of the static composition by LaMonte Young called "Trio for Strings" and subsequently created his famous series of static films including "Kiss", "Eat", and "Sleep" (for which Young initially was commissioned to provide music).
Uwe Husslein cites filmmaker Jonas Mekas, who accompanied Warhol to the Trio premiere, and who claims Warhol's static films were directly inspired by the performance.
"Batman Dracula" is a 1964 film that was produced and directed by Warhol, without the permission of DC Comics.
It was screened only at his art exhibits.
A fan of the Batman series, Warhol's movie was an "homage" to the series, and is considered the first appearance of a blatantly campy Batman.
The film was until recently thought to have been lost, until scenes from the picture were shown at some length in the 2006 documentary "Jack Smith and the Destruction of Atlantis".
Warhol's 1965 film "Vinyl" is an adaptation of Anthony Burgess' popular dystopian novel "A Clockwork Orange".
Others record improvised encounters between Factory regulars such as Brigid Berlin, Viva, Edie Sedgwick, Candy Darling, Holly Woodlawn, Ondine, Nico, and Jackie Curtis.
Legendary underground artist Jack Smith appears in the film "Camp".
His most popular and critically successful film was "Chelsea Girls" (1966).
The film was highly innovative in that it consisted of two 16 mm-films being projected simultaneously, with two different stories being shown in tandem.
From the projection booth, the sound would be raised for one film to elucidate that "story" while it was lowered for the other.
The multiplication of images evoked Warhol's seminal silk-screen works of the early 1960s.
Other important films include "Bike Boy", "My Hustler", "The Nude Restaurant", and "Lonesome Cowboys", a raunchy pseudo-western.
These and other titles document gay underground and camp culture, and continue to feature prominently in scholarship about sexuality and art.
"Blue Movie"—a film in which Warhol superstar Viva makes love and fools around in bed with a man for 33 minutes of the film's playing-time—was Warhol's last film as director.
The film was at the time scandalous for its frank approach to a sexual encounter.
For many years Viva refused to allow it to be screened.
It was publicly screened in New York in 2005 for the first time in over thirty years.
After his June 3, 1968, shooting, a reclusive Warhol relinquished his personal involvement in filmmaking.
His acolyte and assistant director, Paul Morrissey, took over the film-making chores for the Factory collective, steering Warhol-branded cinema towards more mainstream, narrative-based, B-movie exploitation fare with "Flesh", "Trash", and "Heat".
All of these films, including the later "Andy Warhol's Dracula" and "Andy Warhol's Frankenstein", were far more mainstream than anything Warhol as a director had attempted.
These latter "Warhol" films starred Joe Dallesandro—more of a Morrissey star than a true Warhol superstar.
In the early 1970s, most of the films directed by Warhol were pulled out of circulation by Warhol and the people around him who ran his business.
After Warhol's death, the films were slowly restored by the Whitney Museum and are occasionally projected at museums and film festivals.
Few of the Warhol-directed films are available on video or DVD. 
Warhol's will dictated that his entire estate — with the exception of a few modest legacies to family members — would go to create a foundation dedicated to the "advancement of the visual arts".
Warhol had so many possessions that it took Sotheby's nine days to auction his estate after his death; the auction grossed more than US$20 million.
In 1987, in accordance with Warhol's will, the Andy Warhol Foundation for the Visual Arts began.
The foundation serves as the estate of Andy Warhol, but also has a mission "to foster innovative artistic expression and the creative process" and is "focused primarily on supporting work of a challenging and often experimental nature.
"The Artists Rights Society is the U.S. copyright representative for the Andy Warhol Foundation for the Visual Arts for all Warhol works with the exception of Warhol film stills.
The U.S. copyright representative for Warhol film stills is the Warhol Museum in Pittsburgh.
Additionally, the Andy Warhol Foundation for the Visual Arts has agreements in place for its image archive.
All digital images of Warhol are exclusively managed by Corbis, while all transparency images of Warhol are managed by Art Resource.
The Andy Warhol Foundation released its "20th Anniversary Annual Report" as a three-volume set in 2007: Vol.
I, 1987–2007; Vol.
II, Grants & Exhibitions; and Vol.
III, Legacy Program.
The Foundation remains one of the largest grant-giving organizations for the visual arts in the U.S.
Hsin Hsin initiates, establishes and creates different genres of digital art:  Non-Photorealistic Rendering Images (NPR) by a hand held device (mouse) * Images include digital oil paintings, digital watercolor, digital cartoons, digital Chinese ink, digital crayons, digital pencils, etc.
Photorealistic Images by a hand held device (mouse) * Images include digital oil paintings, digital watercolor, digital Chinese ink, digital crayons, digital pencils, etc.
Mathematical art * 2D — still images include: 253 categories of digital fabrics, digital coin * 3D — still and animated.
Computation-based digital voyages; 3D modeling digital sculptures, 3D modeling digital objects  Grid Geometry art * 2D Grid Geometry art * 2D Interactive Grid Geometry Art * 2D Perception-Based Art * 3D Perception-Based Art ** lenticular, "coleuraille" ** Stereoscopic 3D   Equation-based art * 2D — still and animated.
Images include digital oil and digital watercolor.
* 3D — still and animated digital sculptures, digital jewelries digital objects.
digital furnitures, * All 2D and 3D equation-based art can be realized and fabricated into real-world entities.
Web-based art * 2D — still, animated and interactive.
* 3D — still, animated and interactive.
ICP (In-Camera Painting)  Android Smartphone Platform * finger digital painting without image editing software ** abstract ** calligraphic ** photorealistic * 2D, 3D — still, animated and interactive * Web-based  
Digital Radiography<br>XbitPro software for sharing of digital images 
You Are the One, by Andy Warhol, was an Amiga-made music video.
"You Are the One" was Warhol's second foray into Amiga, having originally made a video highlighting Debbie Harry.
"You Are the One" featured animated Marilyn Monroe images set to a short soundtrack.
Long thought to be lost, the video was found on two old Amiga discs in Warhol's studio and was restored for display at the Museum of New Art.