Question: In Tunisian literature, what percentage of books are published for children?
About the article "Tunisia", section "Literature".

Candidate passages:
Tunisian literature exists in two forms: in French and in Arabic.
Arabic literature in Tunisia dates to the 7th century, with the arrival of Arab civilization in the region.
Arabic literature is more important than French-language literature—which followed the introduction of the French protectorate in 1881—both in volume and value.
The national bibliography lists 1,249 non-academic books published in 2002 in Tunisia, of which 885 titles are in Arabic.
Nearly a third of these books are intended for children.
In 2003, the state budget dedicated 3 million Tunisian dinars to the support of literature.
There are approximately 100 private Tunisian publishing houses that publish virtually all books. 
Tunisian literature exists in two forms: Arabic and French.
Arabic literature dates back to the 7th century with the arrival of Arab civilization in the region.
It is more important in both volume and value than French literature, introduced during the French protectorate from 1881.
Among the literary figures include Ali Douagi, who has produced more than 150 radio stories, over 500 poems and folk songs and nearly 15 plays, Khraief Bashir, an Arabic novelist who published many notable books in the 1930s and which caused a scandal because the dialogues were written in Tunisian dialect, and others such as Moncef Ghachem, Mohamed Salah Ben Mrad or Mahmoud Messaadi.
As for poetry, Tunisian poetry typically opts for nonconformity and innovation with poets such as Aboul-Qacem Echebbi.
As for literature in French, it is characterized by its critical approach.
Contrary to the pessimism of Albert Memmi, who predicted that literature Tunisian was sentenced to die young, a high number of Tunisian writers are abroad including Abdelwahab Meddeb, Bakri Tahar, Mustapha Tlili, Hele Beji or Mellah Fawzi.
The themes of wandering, exile and heartbreak are the focus of their creative writing.
The national bibliography lists 1249 non-school books published in 2002 in Tunisia, with 885 titles in Arabic.
In 2006 this figure had increased to 1,500 and 1,700 in 2007.
Nearly a third of the books are published for children.
Tunisian literature exists in two forms: Arabic and French.
Arabic literature dates back to the seventh century with the arrival of Arab civilization in the region.
It is more important in both volume and value than French literature, introduced during the French protectorate from 1881.
Among the literary figures include Douagi Ali, who has produced more than 150 radio stories, over 500 poems and folk songs and nearly 15 plays, Khraief Bashir, an Arabic novelist who published many notable books in the 1930s and which caused a scandal because the dialogues were written in Tunisian dialect, and others such as Moncef Ghachem, Mohamed Salah Ben Mrad or Mahmoud Messaadi.
As for poetry, Tunisian poetry typically opts for nonconformity and innovation with poets such as Aboul-Qacem Echebbi.
As for literature in French, it is characterized by its critical approach.
Contrary to the pessimism of Albert Memmi, who predicted that literature Tunisian was sentenced to die young, a high number of Tunisian writers are abroad including Abdelwahab Meddeb, Bakri Tahar, Mustapha Tlili, Hele Beji or Mellah Fawzi.
The themes of wandering, exile and heartbreak are the focus of their creative writing.
The national bibliography lists 1249 non-school books published in 2002 in Tunisia, with 885 titles in Arabic.
In 2006 this figure had increased to 1,500 and 1,700 in 2007.
Nearly a third of the books are published for children. 
Child focused.
Early children's literature critics aimed to learn how children read literature specifically (rather than the mechanics of reading itself) so that they could recommend "good books" for children.
These early critics were often teachers, librarians and other educationalists.
The critics often disagreed about what books they think children would like, and why, and about which books will be "good" for children and why.
Though many critics are still child-centric, the discipline has expanded to include other modes of analysis.
As children's literature criticism started developing as an academic discipline (roughly in the past thirty years or so, see historical overviews by Hunt (1991) and McGillis (1997)), children's literature criticism became involved with wider work in literary theory and cultural studies. 
Amina Said, also spelled Amina Saïd (born 1953 in Tunis) is a francophone Tunisian author.
Said was born to a Tunisian father and a French mother and has been living in Paris since 1978 where she studied Literature at the Sorbonne.
She has published several books of poetry, Tunisian folk stories, short stories and essays.
Much of her work has been translated into several languages, mainly Arabic, German, Turkish, English and Italian.
Said has translated works by the Filipino writer Francisco Sionil Jose from English into French.
Said received the Jean Malrieu Prize in 1989 for "Feu d'oiseaux" and in 1994 the Charles Vildrac Prize.
She is a member of the jury (poetry) for the Max-Pol Fouchet Prize.
The Australian composer Richard Mills used her poetry for his work "Songlines of the Heart's Desire" (2007).