Question: What competition was the painting American Gothic entered into?
About the article "American Gothic", section "Reception".

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Beaverboard (also beaver board) is a fiberboard building material, formed of wood fibre compressed into sheets.
It was originally a trademark.
It has occasionally been used as a canvas by artists; most famously, the iconic painting "American Gothic" (1930) by Grant Wood is painted on a beaverboard panel. 
Carpenter Gothic houses and small churches became common in North America and other places in the late 19th century.
These structures adapted Gothic elements such as pointed arches, steep gables, and towers to traditional American light-frame construction.
The invention of the scroll saw and mass-produced wood moldings allowed a few of these structures to mimic the florid fenestration of the High Gothic.
But, in most cases, Carpenter Gothic buildings were relatively unadorned, retaining only the basic elements of pointed-arch windows and steep gables.
Probably the best-known example of Carpenter Gothic is a house in Eldon, Iowa, that Grant Wood used for the background of his famous painting American Gothic.
Benjamin Mountfort of Canterbury, New Zealand imported the Gothic Revival style to New Zealand, and designed Gothic Revival churches in both wood and stone.
Frederick Thatcher in New Zealand designed wooden churches in the Gothic Revival style, e.g.
Old St. Paul's, Wellington.
St Mary of the Angels, Wellington by Frederick de Jersey Clere is in the French Gothic style, and was the first Gothic design church built in ferro-concrete.
Other Gothic Revival churches were built in Australia, in particular in Melbourne and Sydney, see :Category:Gothic Revival architecture in Australia.
In 19th-century northwestern Bulgaria, the informal Slavine Architectural School introduced Gothic Revival elements into its vernacular ecclesiastical and residential Bulgarian National Revival architecture.
These included geometric decorations based on the triangle on apses, domes and external narthexes, as well as sharp-pointed window and door arches.
The largest project of the Slavine School is the Lopushna Monastery cathedral (1850–1853), though later churches like those in Zhivovtsi (1858), Mitrovtsi (1871), Targovishte (1870–1872), Gavril Genovo (1873), Gorna Kovachitsa (1885) and Bistrilitsa (1887–1890) display more prominent vernacular Gothic Revival features. 
Gothic art is a variable term depending on the craft, place and time.
The term originated with Gothic architecture in 1140, but Gothic painting did not appear until around 1200 (this date has many qualifications), when it diverged from Romanesque style.
Gothic sculpture was born in France in 1144 with the renovation of the Abbey Church of S. Denis and spread throughout Europe, by the 13th century it had become the international style, replacing Romanesque.
International Gothic describes Gothic art from about 1360 to 1430, after which Gothic art merges into Renaissance art at different times in different places.
During this period forms such as painting, in fresco and on panel, become newly important, and the end of the period includes new media such as prints.  
The collection of the Art Institute of Chicago encompasses more than 5,000 years of human expression from cultures around the world and contains more than 260,000 works of art.
The museum holds works of art ranging from early Japanese prints to modern American art.
It is principally known for one of the United States' finest collection of paintings produced in Western culture.
Today, the museum is most famous for its collections of Impressionist, Post-Impressionist, and American paintings.
Highlights included in the Impressionist and Post-Impressionist collection include more than 30 paintings by Claude Monet including six of his "Haystacks" and a number of "Water Lilies".
Also in the collection are important works by Pierre-Auguste Renoir such as "Two Sisters (On the Terrace)," and Gustave Caillebotte's "Paris Street; Rainy Day."
Post-Impressionist highlights include Paul Cézanne's "The Basket of Apples", and "Madame Cézanne in a Yellow Chair."
"At the Moulin Rouge" by Henri de Toulouse-Lautrec is another highlight.
The pointellist masterpiece, which also inspired a musical, Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte," is prominently displayed.
Additionally, Henri Matisse's "Bathers by a River", is an important example of his work.
Highlights of non-French paintings of the Impressionist and Post-Impressionist collection include Vincent van Gogh's "Bedroom in Arles" and "Self-portrait, 1887".
Among the most important works of the American collection are Mary Cassatt's "The Child's Bath," Grant Wood's "American Gothic," and Edward Hopper's "Nighthawks."
"The Child's Bath" (1892), Cassatt's intimate portrayal, unusual for the time, was first exhibited in 1890s Paris and came into the collection in 1910.
Although in the main Cassatt is an impressionist, the work's subject matter and the overhead perspective were inspired by Japanese woodblocks.
The more formal portrait, "American Gothic" (1930), by Wood, depicts what has been called "the most famous couple in the world," a dour, rural-American, father and daughter.
It was entered into a contest at the Art Institute in 1930, and although not a favorite of some, it won a medal and was acquired by the museum.
Considered an "icon of American culture", "Nighthawks" (1942) is perhaps Hopper's most famous painting, as well as one of the most recognizable images in American art; its image is on the cover of the Museum's 20th Century Art Collection retrospective by James N. Wood.
Within months of its completion, "Nighthawks" was sold to the Art Institute of Chicago for $3,000.
On May 13, 1942, Hopper wrote to Daniel Catton Rich, the then director of the Art Institute of Chicago, that he was ""very much pleased that you like my Nighthawks well enough to acquire it for the Art Institute.
It is, I believe, one of the very best things I have painted.""
The museum's acquisition of "Nighthawks" "launched" the painting to its "immense popular recognition."
Rich found the painting so important, that the Art Institute awarded the image its "Ada S. Garret" American Art prize.
In addition to paintings, the Art Institute offers a number of other works.
Located on the lower level are the Thorne Miniature Rooms which 1:12 scale interiors showcasing American, European and Asian architectural and furniture styles from the Middle Ages to the 1930s (when the rooms were constructed).
Another special feature of the museum is the Touch Gallery which is specially designed for the visually impaired.
It features several works which museum guests are encouraged to experience though the sense of touch instead of through sight as well as specially designed description plates written in braille.
The American Decorative Arts galleries contain furniture pieces designed by Frank Lloyd Wright and Charles and Ray Eames.
The Ancient Egyptian, Greek, and Roman galleries hold the mummy and mummy case of Paankhenamun, as well as several gold and silver coins.
Whereas, the museum's new Modern Wing (see below) displays additional important works from the 20th and 21st centuries. 
Lluís Borrassà or Luis Borrassa (died 1424/1426) was a Catalan painter born in Girona.
He died in Barcelona.
He is widely considered to have introduced the International Gothic painting style into Catalonia.