Question: In modern Italian how would you spell the title?
About the article "Mona Lisa", section "Title and subject".

Candidate passages:
Ciao, Professore!
(original title "Io speriamo che me la cavo", or "Me, Let's Hope I Make It") is a 1992 Italian "fish out of water" comedy film about an elementary school teacher from northern Italy who is sent by mistake to an impoverished town in the Naples region of southern Italy.
There he must deal with vast cultural differences and teach chronically truant children who only respect violence and power.
The film was directed by Lina Wertmüller and stars Paolo Villaggio.
Reviewer Marc Vincenti notes of the film's R rating, "Why, you might ask, is a film that is without an iota of sex or violence, and that has completely to do with 8- and 9-year-olds, off limits to that very age group as an audience?
Let's just say it was a good thing the subtitler knew how to spell four-letter words."
How Do You Spell God?
: Answers to the Big Questions from Around the World is a book on religion by Rabbi Marc Gellman and Msgr.
Thomas Hartman of "The God Squad", which answers questions about different religions.
Each chapter's title is a question about any religion in general; for example, one chapter asks "What are some of the bad things in religions?
", another asks "What question does each religion want to answer the most?
", and another asks "What's a religion?
". 
In his "Modern Singing Methods", John Franklin Botume was perhaps the first published vocal pedagogue to bridge the substantial gap between the "old Italian school" and the "modern school" of singing, showing the strengths and weaknesses of each method alone and how they could support each other combined.
Botume believed that one great strength of the “old Italian school” is its regimen of developing the voice over a long period of training and exercise.
He also found this to be a weakness in the “modern school” training:The teacher of the future will […] follow the old process.
He will attempt little the first or the second year, and will go gradually, carefully, regularly and, above all, slowly to the end.
[…] Nature is a hard task-mistress.
What you steal from her today, she will exact with compound interest tomorrow.
The end of these “short-cuts” is, that every quick result which the pupil gains is attended either with some physical weakness or disease, or else with an accompanying fault; such as a tremolo, a tendency to sing “off the key,” a nasal, sharp, foggy, hard or weak tone, a lack of flexibility, a premature decay of the voice, or some other disagreeable thing, which, like Banquo’s ghost, is apt to pop up at the very moment you wish to display yourself on some festal occasion.
Another strength Botume identified of the “old” method is its viewpoint on what the singer feels.
While modern science can tell us what a good singer’s vocal folds are doing while they are singing, it has been at a loss to help inexperienced singers achieve the same technique.
In the “old Italian school”, singers would listen to the proper execution of a vocalization and attempt to emulate it.
The teacher would then use their experienced ears to inform the student when they had achieved the desired results and the student would memorize the sensations accompanying the correct technique.
Botume recommends that this process be continued in modern voice training, describing five different vocal registers by the region of the body they are felt to vibrate.
Botume did not, however, discount the “modern school” completely.
Indeed, he praised it for bringing a level of “intellectualism” into singing, allowing a method of scientifically based techniques to be taught (“how to sing”), whereas in the “old Italian school” only the desired results were taught (“what one should sound like”).
He also praised the “modern school” for dispelling the myth that voice teachers possess some mystical power for transforming common voices into magnificent ones:It cannot be too strongly insisted that the art of singing is not an occult thing.
It is very much like the carpenter’s trade: one must have some aptitude for it to begin with; next he must learn how to use the tools of his craft; finally, he must acquire mechanical dexterity by practice.
Botume’s "Modern Singing Methods" is a ground-breaking work that held influence over several later vocal pedagogical works.
In his "Psychology of Singing" (MacMillan, 1917), David Taylor said:Probably the best summary of the old Italian method offered by any modern teacher is contained in a little booklet by J. Frank Botume, entitled Modern Singing Methods.
[…] This sums up beautifully the external aspects of the old Italian method, and of modern methods as well.
The work was also cited in "Resonance in Singing and Speaking" by Thomas Fille-Brown (Oliver Ditson & Co, 1911), as well as the modern books "Secrets of Singing" by Jeffry Allen (Alfred, 1994, 2005) and "The Singer’s Companion" by Brent Monahan (Limelight Editions, 2007). 
Spell is the standard English language spell checker for Unix.
Spell was originally written by Stephen C. Johnson of Bell Labs in 1975.
Douglas McIlroy later improved its accuracy, performance, and memory use, and described his work and "spell" in general in his 1982 paper Development of a Spelling list.
Spell has a simple command-line interface: It goes over all the words in a given text file, and prints a sorted list of unique misspelled words in that file.
It does not provide any interface for looking for those words in the file, or helping to correct the mistakes.
In 1983, a different spell-checker, ispell (the "interactive" spell-checker) was ported to Unix.
ispell had a user interface for showing the spelling mistakes in context, and suggest how to correct them.
Since then, the original Spell tool has been mostly considered obsolete.
Another reason why Spell is considered obsolete is that it only supports the English language.
Modern spell-checkers for Unix and Linux systems, such as aspell, MySpell and hunspell all support a multitude of different languages and character sets.
The Single Unix Specification has officially declared Spell a "legacy application", stating that this was done ""because there is no known technology that can be used to make it recognise general language for user-specified input without providing a complete dictionary along with the input file.""
Nevertheless, the Single Unix Specification does not standardize any other spell-checking utility to take Spell's place.
Because of Spell's problems and the superiority of its alternatives, a free software version of McIlroy's spell has never been written.
Instead, in 1996 Thomas Morgan of GNU wrotea simple wrapper to ispell (which was already popular at the time) to replicate spell's original behaviour.
Many Linux distributions include this GNU spell, or an even simpler shell script; For example, the "spell" command in Fedora Linux simply runs aspell, as: 
Wu Chengying emerged with future Chinese internationals Shen Si, Xie Hui and Qi Hong form Shanghai Shenhua where he was predominantly used in the left back position.
During his spell at Shanghai Shenhua the team would claim the 1995 Chinese Jia-A League title and the 1998 Chinese FA Cup.
He would attract the interests of Italian side Calcio Como in January 2002 but the Serie A club failed to reach an agreement with Shanghai Shenhua.
Wu Chengying would instead go on to join Shanghai International later on in 2003 for 13,000,000 RMB, which made him the highest Chinese transfer ever in Chinese football history.
At Shanghai International he would see them push for the league title on several occasions but would fail at the last hurdle.
Nearing the end of his career he was reported to be linked with Hong Kong side South China in 2006 before he virtually retired.