Question: Give the explanation that Monet gave for the title.
About the article "Impression, Sunrise", section "History".

Candidate passages:
Monet and Impressionism.
First "Impressionist" exhibition.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts which held its annual exhibition at the Salon de Paris.
During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Cooperative and Anonymous Association of Painters, Sculptors, and Engravers) to exhibit their artworks independently.
At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name.
"Impression, Sunrise" was painted in 1872, depicting a Le Havre port landscape.
From the painting's title the art critic Louis Leroy, in his review, "L'Exposition des Impressionnistes," which appeared in Le Charivari, coined the term "Impressionism".
It was intended as disparagement but the Impressionists appropriated the term for themselves.  
In this painting entitled "Springtime", Claude Monet uses his first wife, Camille Doncieux, as the model.
Camille and Claude Monet were married in 1870, before this time she had been his mistress and served as a model for Monet's figurative paintings of the 1860s and 1870s.
It is said that Camille possessed unusual talent as a model and was also used by Auguste Renoir and Édouard Manet.
Late in the year 1871, Monet and his family settled in Argenteuil, a village Northwest of Paris.
The village was a popular resort for urban pleasure-seekers.
Colleagues of Monet frequently joined him and the village became associated with Impressionism.
In the spring of 1872, Monet painted a number of canvases in his garden, often showing Camille and Alfred Sisley's companion, Adelaide-Eugenie Lescouezec.
"Springtime" was on display at an exhibition organized by the Impressionists at Durand Ruel's Paris Gallery, from March 30 to April 30, 1876.
Monet exhibited 18 works, for which 6 of these works Camille had posed.
During this exhibition, "Springtime" was given the more generic title of "Woman Reading".
Monet's second wife, Alice Hoschedé, ordered the complete destruction of pictures and mementos from Camille's life with Monet, therefore, Camille's image almost solely survives on the basis of Monet's paintings. 
It was from Eugène Boudin that Monet learned to paint out in the open air.
It is because of this that Monet had a type of revelation.
"It was as if a veil had been suddenly rent; I had understood, I had grasped all that there was in painting."
Monet had many influences; whether he denies it or not all the teachers, in some way or another, shaped Monet.
Monet was influenced by Charles-François Daubigny, though he later denied it, probably because Daubigny used somber tones, which Monet discarded.
While in Paris, Monet became a student in the studio of Constant Troyon, who in his day was a best seller but is almost entirely forgotten now.
Monet, as he did with Daubigny, refused to be influenced by Troyon.
It was Daubigny, however, who prepared Monet for his “real” teacher, Corot.
Monet never actually worked with Corot but Camille Pissarro, a student he befriended, had known Corot and received his advice, and had learned to paint in his ways.
Pissarro "communicated his admiration to Monet, and all the more easily since Corot could in part give Monet what he was searching for: a style fitted to express the freshness and brightness of the open-air world."
Corot, a brilliant landscape painter, discarded somber tones from his palette, and lightened his landscapes.
It is clear why Monet looked back to Corot.
The two painters were very similar in color use, working in the open-air and promoting landscape portraiture.
The influence of Dutch artist Johan Jongkind, who Monet worked with for six months, and several Japanese print masters, most notably Hokusai and Hiroshige, can be seen in "The Cliff Walk at Pourville".
Jongkind worked in open-air with a focus on seascapes.
"The Cliff Walk at Pourville" is a landscape piece featuring two women who appear to be ravished by an almost visible wind and emphasizes the vast greatness of the cliff side and the sea.
The bright and airy colors can be contributed to the Japanese prints that Monet encountered through Hokusai and Hiroshige. 
Monet may refer to:  Claude Monet, French impressionist painter  Jean Monet  Multiwavelength optical networking (MONET)  MonetDB, a database management system  Monet Yvette Clarisse Maria Therese St. Croix, a fictional character known as M and member of the X-Men in the Marvel Comics universe  Daniella Monet, an American actress, singer, and dancer, best known for starring as Trina Vega in the Nickelodeon sitcom Victorious.  
Monet painted a number of scenes in the Argenteuil area.
An acknowledged work with the same title was painted by Monet in 1872.
This work was sold at a Sotheby's auction in New York for $4.8 million in 2005.