Question: Who did the director invite to revise the script?
About the article "Fight Club", section "Writing".

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The working titles of this story were "The Return", "Warhead", and "The Resurrection".
The story was originally due to be produced as the climax of Season 20.
However, due to a strike by the electricians, the story was postponed and, with minor rewrites, resurrected for Season 21.
Because of the delay, Michael Wisher, who had originated the role of Davros, was unavailable, and the role was given to Terry Molloy instead.
The story was originally supposed to be directed by returning director Peter Grimwade.
When the story was postponed, Grimwade took the cast and crew out to dinner, but did not invite John Nathan-Turner, because he had intended to take Nathan-Turner out separately.
But Nathan-Turner felt slighted by the omission and refused to allow Grimwade to direct the story when it was re-scheduled for Season 21.
However, Saward had already promised Grimwade that he could provide a script for the season, so Grimwade was allowed to write "Planet of Fire".
This serial was partly shot in Shad Thames. 
Though the movie was a remake, the story did not credit Madhu Muttam, who wrote the story for "Manichithrathazhu".
Instead, the story was credited to the director P. Vasu.
The same controversy happened in Vasu's "Apthamitra".
Vasu, however stated that the script was revised and was different from the original, though very slightly.
The script was also said to have partially inspired from another Malayalam flick "Aaraam Thampuran". 
Stephen King's 1979 novel "The Dead Zone" is about a man named Johnny Smith who enters a coma after an accident, and reemerges with the psychic ability to learn the secrets of people he meets.
The novel involves multiple parallel story threads which culminate in Smith meeting an evil politician, Greg Stillson, and ascertaining that Stillson will cause a nuclear war.
Smith then plots Stillson's assassination.
When Lorimar was developing "The Dead Zone" film adaptation, producer Carol Baum gave the book to Boam, and asked him to write a screenplay.
"I saw it had great possibilities and agreed to do it," he said.
He developed a script with director Stanley Donen, who left the project before the film reached production at Lorimar.
The company eventually closed its film division after a series of box-office failures, and soon after producer Dino de Laurentiis bought the rights to "The Dead Zone".
He initially disliked Boam's screenplay and asked King to adapt his own novel.
De Laurentiis reportedly rejected King's script as "involved and convoluted.
", however David Cronenberg, who ultimately directed the film, said that he was the one who decided not to the use script, finding it "needlessly brutal".
De Laurentiis rejected a second script by Andrei Konchalovsky, eventually returning to Boam.
The film was finally on track to be made when de Laurentiis hired a producer, Debra Hill, to work with Cronenberg and Boam.
Boam abandoned King's parallel story structure for "The Dead Zone"'s screenplay, turning the plot into separate episodes.
Boam told writer Tim Lucas in 1983, "King's book is longer than it needed to be.
The novel sprawls and it's episodic.
What I did was "use" that episodic quality, because I saw "The Dead Zone" as a triptych."
His script was revised and condensed four times by Cronenberg, who eliminated large portions of the novel's story, including plot points about Johnny Smith having a brain tumor.
Cronenberg, Boam, and Hill had script meetings to revise the screenplay page by page.
Boam's "triptych" in the screenplay surrounds three acts: the introduction of Johnny Smith before his car accident and after he awakes from a coma, a story about Smith assisting a sheriff track down the Castle Rock Killer, and finally Johnny deciding to confront the politician Stillson.
Boam said that he enjoyed writing the character development for Smith, having him struggle with the responsibility of his psychic abilities, and ultimately give up his life for the greater good.
"It was this theme that made me like the book, and I particularly enjoyed discovering it in what was essentially a genre piece, a work of exploitation," he said.
In Boam's first draft of the screenplay, Johnny doesn't die at the end, but rather has a vision about the Castle Rock Killer, who is still alive and escaped from prison.
Cronenberg insisted that this "trick ending" be revised.
Boam submitted the final draft of the screenplay on November 8, 1982.
King is reported to have told Cronenberg that changes the director and Boam made to the story "improved and intensified the power of the narrative."
In an interview with film critic Christopher Hicks, Boam said that the success of the movie is generally is credited to Cronenberg, and that King wouldn't give Boam credit for writing a good script.
He said, "It's hard for him to admit that he's not the one who could crack that book.
But I think that movie holds together as a real movie.
It's not just some kind of weird concoction of Stephen King's."
  Paper Heads (Director, Story, Script) (1995)  Private Lives (Director, Story, Script) (1990)  Silent Joy (Director, Story, Script) (1985)  I Love, You Love (Director, Story, Script) (1980)  Rosy Dreams (Director, Story, Script) (1976)  Pictures of the Old World (Director, Story, Script) (1972)  322 (film) (Director, Story, Script) (1969)  
Hayes was originally a journalist who worked for a time in New York.
He met director George Miller when he did the novelisation of the script to "Mad Max" (1979).
He and Miller got on well and the director subsequently hired Hayes to help on the script for "Mad Max 2" (1981).
Hayes went on to become an in-house writer for Kennedy Miller, working on the scripts for all their subsequent mini-series.
He also wrote the script for "Dead Calm" (1989).
Hayes subsequently moved to Hollywood.
In 2001, he was nominated for the Bram Stoker Award for Best Screenplay for his work on "From Hell".
His debut novel, I Am Pilgrim was published by Transworld Publishers on 18 July 2013.