Question: Why did the video come out one day earlier than it should have?
About the article "Wide Awake (Katy Perry song)", section "Release and reception".

Candidate passages:
  "One Step Further"  "By the Way"  "Killin' Me (Where Did I Go Wrong?)"
Rizzo radio :)  "We're All Alone"  "Don't Wanna Cry Anymore"  "Shadow of a Stranger"  "Why Should I Believe You" Harris dance  "All Out of Love"  "Impossibility"  "Thousand Times a Day"  "I Told You So"  "Was It Something I Said"  "Breaking Me"  "Why Should I Believe You" Hot AC  "Why Should I Believe You" Churko bagpipe  "Killin' Me (Where Did I Go Wrong?)"
Giuseppe D remix  "One Step Further" rockin' radio  
In this section of the book Carr talks about causation in history.
He believed that everything that happened in this world happened because of cause and effect.
Carr holds on to a deterministic outlook in history and firmly believes that events could not have happened differently unless there was a different cause.
He called “these so called accounts in history represent a sequence of cause and effect interrupting and so to speak clashing with the Sequence of which the historian is primarily concerned to investigate.” As historians he feels our main job is to investigate the reasons/causes as to why events occurred not to create the events or justify them.
He was not a fan of what if history and he found it pointless because of it did not happen.
Carr saw accidents in history as impossible and felt that historians should seek rational causes as to why events happened rather than blame them on chance.
He gives various examples throughout the book to illustrate his point that everything has a reason.
One involves a common man who apparently we are friendly with and he one day acts out, it is because of something else in his life that is influencing him to act out the norm not just chance. 
The song's music video, shot and directed by Shia LaBeouf, was filmed in Amsterdam back in 2010, when Cudi served as a judge for the "High Times"' Cannabis Cup.
LaBeouf originally reached out to Cudi through their mutual friend Cage, because he wanted to shoot a short film centered around "MANIAC," another song from "Man on the Moon II: The Legend of Mr. Rager": "While we were brainstorming that, I had the gig to perform in Amsterdam.
I was thinking about ways to do a video for 'Marijuana' because I knew I wanted to do something and I wanted to do the right thing," Cudi told MTV News from the set of his HBO series "How to Make It in America."
"And it just hit me one day, like, 'Yo, I can have Shia come with me and film the whole trip and we could do it like a real vintage documentary style of the entire trip.'
What could be iller than that?
"The video shows Cudi and Cage arriving in Amsterdam, moving through a restaurant, their hotel and the famed red-light district smoking exotic strains of weed.
Aesthetically, the "Marijuana" video comes off like old home footage thanks to LaBeouf's 8 mm and 16 mm cameras.
"That's why it looks real vintage; that's not an effect," Cudi said.
Some fans were confused by the video, however, given that on April 1, 2011, Kid Cudi announced on his Tumblr page that he had given up smoking marijuana.
Kid Cudi assured MTV that nothing had changed: "It's something I did before I decided to quit smoking marijuana," Cudi explained of the video.
"However, I didn't want to deprive people of the footage, deprive people of the video because of my personal decisions.
It was almost like an R.I.P.
video to my whole smoking career."
Cudi insisted that he is done with herb.
"That was a big, big, memorable moment for me and watching it reminds me of those good times we had," he said.
"It's kinda like the last hoorah, the last time you will ever see me smoking."
Originally the video for "Hung Up" was scheduled to be directed by photographer David LaChapelle.
He wanted the video to have a "documentary"-style look, much like that of his 2005 film, "Rize", in which five of the dancers from the "Hung Up" video appeared.
LaChapelle and Madonna disagreed on the concept, prompting the project to be reassigned to Johan Renck, who worked with Madonna in her video for "Nothing Really Matters".
According to an interview with MTV, Renck was directing Kate Moss for a H&M commercial when he received a phone call from Madonna who desperately wanted to work with him.
The next day he went to Los Angeles to meet the stylist and the choreographer hired by Madonna, who mailed him with her ideas for the video.
The director explained that he "kind of liked that we didn't have time to over-think this and be too clever, I like being out on a limb and not know what we're doing and why.
Just deal with it, the mayhem, you know?
"Madonna clarified that the video was a tribute to John Travolta and to dance in general.
Her dance moves for the video, which were inspired by Travolta's movies like "Saturday Night Fever" (1977), "Grease" (1978) and "Perfect" (1985) took three hours to shoot.
Madonna had broken eight bones in a horseback-riding accident a few weeks before shooting the video.
Hence she faced difficulty doing the steps as devised by choreographer Jamie King.
Renck said,"She was such a trooper, [...] She just fell off a horse!
said 'If you were a real dance choreographer, you could tell I can't lift my left arm higher than this' — and it was like, what, a 20-centimeter difference?
[...] But when she said it 'hurts like f---,' she'd take a break and sit down for two minutes.
'I have broken ribs, remember that!'
I just can't imagine dancing like that.
Talk about priorities.
"Madonna wanted to use a few performers from her tour, such as Daniel "Cloud" Campos, Miss Prissy from LaChapelle's "Rize" crew and traceur Sebastien Foucan, a practitioner of Parkour, a philosophical French sport that involves moving via uninterrupted motion, whether over, under, through or around objects.
Renck said that "It's not about the music, but the bodily expression, [...] We wanted to show the whole spectrum, be it krumping, breakdancing, jazz or disco."
Since they could not shoot all over the world, Madonna wanted the video to have an "omnipresent feel", with the middle section of the song generating a sense of congregation.
Renck suggested that they include a boombox, used as a means of uniting everyone and everything since it was through listening to songs on a boombox that street dancing started.
Though some scenes in the video feature cities like London, Paris, New York, Los Angeles, Shanghai and Tokyo, in reality the actual sets were constructed in Los Angeles and London only.
A London suburb was made to look like a Parisian one, where the routine for Parkour takes place, whereas a restaurant in London's Chinatown was used for the Shanghai sequence and Compton stood in for Bronx.
The dancers' scenes were shot in early October 2005 within half a day, for a total of six days of shooting.
The singer was also associated with the editing process of the video.
She was Renck's editing supervisor.
Madonna wanted a raw documentary look for the video which allowed her to be portrayed more realistically.
Regarding the making of "Hung Up", Renck said that it was a massive work to undertake, "It's like you form this little family that's flourished and prospered for the month, and then you chop it down like a tree, [...] You come out with a sense of yearning and longing, like, 'Can we just do that again?
Please?'"
The video starts with Madonna coming to a ballet studio carrying a boombox.
She switches it on as the clock ticking sound of the music starts.
Wearing a pink leotard, Madonna starts gyrating to the music while doing warm up exercises.
The scene interchanges with a group of people on the street who start dancing to the music while listening to a similar boombox.
They also display aspects of the physical discipline Parkour, while climbing over buildings and jumping from staircases.
As the song starts, Madonna dances to the music in the ballet studio.
The second verse shows her continuing dancing while the people from the street take their boombox and board a taxi.
Scenes are interspersed with people dancing in a Chinese restaurant and Parisian streets.
In the meantime, Madonna finishes her workout in the ballet studio, drops her towel, changes her clothes and comes out on the street.
The people on the taxi, leave it and take the Underground instead.
After another round of dancing in the train, the intermediate music starts.
Madonna is shown mingling with some dancers on a dance floor and riding on a boombox.
As the song starts again, Madonna and the people from the street, who act as her background dancers, all dance on a "Dance Dance Revolution" machine in a gaming parlor.
The video ends showing Madonna lying on the ballet studio floor.
The video was nominated for five awards at the 2006 MTV Video Music Awards including Best Female Video, Dance Video, Pop Video, Best Choreography and the Video of the Year award although it did not win any of them. 
Its having been placed after Surahs Al-Alaq and Al-Qadr in the arrangement of the Quran is very meaningful.
Surah Al-Alaq contains the very first revelation, while Surah Al-Qadr shows as to when it was revealed, and in this Surah it has been explained why it was necessary to send a Messenger along with this Holy Book.
First of all the need of sending a Messenger has been explained, saying: The people of the world, be they from among the followers of the earlier scriptures or from among the idolaters, could not possibly be freed from their state of unbelief, until a Messenger was sent whose appearance by itself should be a clear proof of his apostleship, and he should present the Book of God before the people in its original, pristine form, which should be free from every mixture of falsehood corrupting the earlier Divine Books; and which should comprise sound teachings.
Then, about the errors of the followers of the earlier Books it has been said that the cause of their straying into different creeds was not that Allah had not provided any guidance to them, but they strayed only after a clear statement of the Right Creed had come to them.
From this it automatically follows that they themselves were responsible for their error and deviation.
Now, if even after the coming of the clear statement through this Messenger, they continued to stray, their responsibility would further increase.
In this very connection, it has been stated that the Prophets who came from Allah and the, Books sent down by Him, did not enjoin anything but that the way of sincere and true service to Allah be adopted, apart from all other ways, no one else's worship, service or obedience be mixed with His, the Salat be established and the Zakāt be paid.
This same has been the true religion since ever.
From this also it automatically follows that the followers of the earlier scriptures, straying from this true religion, have added extraneous things to it, which are false, and Allah's this Messenger has come to invite them back to, the same original faith.
In conclusion, it has been pointed out clearly that the followers of the earlier Books and the idolaters who would refuse to acknowledge this Messenger are the worst of creatures: their punishment is an everlasting Hell; and the people who would believe and act righteously, and would spend life in the world in awe of God, are the best of creatures: their reward is eternal Paradise wherein they will live for ever.
Allah became well pleased with them and they became well pleased with Allah.