Question: When did Van Gogh live with his brother?
About the article "Sunflowers (Van Gogh series)", section "The Paris "Sunflowers"".

Candidate passages:
In 1880 when he was 27 years-old, Van Gogh decided to become an artist.
In October of that year he moved to Brussels and began a beginner's course of study.
Van Gogh returned to Etten in April 1881 to live with his parents and studied art on his own.
His younger brother Theo, an art dealer at the main branch of Goupil & Cie, encouraged him and started covering Van Gogh's expenses.
Van Gogh used images from illustrated magazines to teach himself how to draw.
Charles Bargue, a French artist, wrote two books on drawing that were a significant source of study for Van Gogh.
Both written in 1871, one is "Cours de dessin" and the other "Exercises au fusain pour préparer à l’étude de l’académie d’après nature," Van Gogh created copies of the drawings or adapted nude images for clothed depictions.
In January 1882, he settled in The Hague where he called on his cousin-in-law, the painter Anton Mauve (1838–88).
Mauve introduced him to painting in both oil and watercolor and lent him money to set up a studio.
Van Gogh began drawing people from the working poor, including the prostitute Clasina Maria "Sien" Hoornik (1850–1904, with whom he would become involved.
Van Gogh dreamed his studio would one day become a form of respite for the poor where they could receive food, shelter and money for posing.
His work was not well received; Mauve and H.G.
Tersteeg, manager of Goupil & Cie, considered the drawings coarse and lacking charm.
Van Gogh likened the subjects "unrefined" characteristics of his drawings to harsh "yellow soap" made of lye.
Van Gogh's relationship with Sien changed as they lived together with Maria, her five-year-old daughter, to the great disappointment of his family.
Mauve appears to have suddenly gone cold towards Van Gogh and did not return a number of his letters, Van Gogh supposed that Mauve did not approve of his domestic arrangement with Sien and her young daughter.
Van Gogh created a number of drawings of Sien and her daughter.
Having ended his relationship with Sien, Van Gogh moved to Drenthe in September 1883 and painted landscapes.
Three months later, he moved back in with his parents, who were at that point living in Nuenen.
In 1884, Van Gogh created the weaver series, works of rural life and landscapes.
For a brief period of time, he gave painting lessons in Eindhoven.
Near the end of the year, Van Gogh began experimenting with complementary colors, influenced by the color theories of Charles Blanc.
Vincent made many studies of peasants in 1885, culminating in his first major painting, "The Potato Eaters."
In his works, Van Gogh used particularly somber colors and colors mixed with black, which he felt was like that of 17th-century masters, such as Frans Hals.
His brother, Theo van Gogh (art dealer) had asked him often to lighten up his work, referring to the work of the Impressionists.
Once Van Gogh went to Paris, he did open up his palette to color and light and admitted that his works from this period were old-fashioned.
Theodorus van Gogh, Vincent's father, died March 26, 1885.
In November, Vincent moved to Antwerp. 
Van Gogh did not have a close relationship with his oldest sisters or Cornelius his youngest brother. 
[[File:George Hendrik Breitner - Distribution of Soup.jpg|thumb|left|200 px|alt= A watercolor of a group of people standing in front of a courtyard.
Some are carrying pots.|George Hendrik Breitner - "Distribution of Soup", watercolor, 1882, Stedelijk Museum, Amsterdam.
In the early months of 1882, Breitner came into contact with Vincent van Gogh.
Van Gogh appears to have been introduced to him by his brother Theo, and the pair sketched together in the working-class districts of The Hague.
Breitner was motivated to do so because he regarded himself as a painter of the common folk.
Van Gogh, initially at any rate, was more intent on recruiting models.
It is likely that Breitner introduced van Gogh to the novels of Émile Zola and the cause of social realism.
Breitner was hospitalised in April.
Van Gogh visited him in hospital, but Breitner did not return the visits when van Gogh himself was hospitalised two months later, and they did not meet again until the following July when van Gogh was on the verge of leaving The Hague and Breitner spending more time in Rotterdam than the Hague.
At that time van Gogh gave Theo a less than flattering account of Breitner's paintings as resembling mouldy wallpaper, although he did say he thought he would be all right in the end.
For his part, there is no evidence that Breitner saw anything notable in van Gogh's work.
He later reminisced that sketching with van Gogh was problematic because, whereas Breitner sketched discreetly in a notebook, van Gogh came laden with apparatus and attracted hostile attention.
Two years after van Gogh's death, Breitner wrote that he did not like van Gogh's paintings:"‘I can’t help it, but to me it seems like art for Eskimos, I cannot enjoy it.
I honestly find it coarse and distasteful, without any distinction, and what’s more, he has stolen it all from Millet and others."
Due to his relationship with Sien, van Gogh experienced the loss of support and goodwill from family and friends, and he experienced an even more strained relationship with his parents.
His teacher and cousin-in-law, Anton Mauve, abruptly ceased his support and tutelage of van Gogh within a few short weeks of van Gogh first meeting Sien, although there were other factors involved as well, not least their mutual melancholy.
Hulsker called this a simple tragedy for van Gogh.
Likewise, a long-standing family friend, Hermanus Tersteeg, an influential art dealer who taught van Gogh and his brother Theo a great deal about art and literature, and who gave van Gogh his first set of art supplies when he decided to become an artist, although he was always somewhat equivocal in his support, abruptly withdrew at the same time.
Van Gogh's relationship with Mauve in truth had scarcely lasted a month.
Already by the end of January, van Gogh was writing his brother Theo that he did not always find it easy to get on with Mauve.
Shortly after this, they fell out with each other over an issue involving drawing from plaster casts, which Mauve was anxious van Gogh should undertake to perfect his technique.
Van Gogh, however, vehemently insisted on drawing from models, and in a fit of pique destroyed some plaster casts of hands and feet that Mauve had given him to make studies from.
Following that incident, Mauve said he would have nothing more to do with him for the next two months (i.e.
for the rest of the winter).
In reality, Mauve, had resolved to break with van Gogh completely.
Van Gogh initially blamed Tersteeg for Mauve's indifference, but a chance meeting with Mauve in May made it clear to him that Mauve had definitively broken with him.
He described the meeting in a letter to Theo, and in the same letter he revealed his relationship with Sien for the first time and passionately defended it:Van Gogh left Sien the autumn of 1883.
Van Gogh went to Drenthe to paint and Sien went back to work as a seamstress, charwoman and possibly as a prostitute.
Her children, Maria and Willem, lived with Sien's mother and brother Pieter.
In 1901 Sien married a seaman, Anton van Wijk.
She committed suicide in 1904 at the age of 54 in Rotterdam's harbor, 14 years after van Gogh's death. 
The early works of Vincent van Gogh is a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882, his first two years of serious artistic exploration.
Over the course of the two-year period Van Gogh lived in several places.
He left Brussels, where he had studied for about a year in 1881, to return to his parent's home in Etten, Netherlands where he made studies of some of the residents of the town.
In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, funded by Mauve.
During the ten years of Van Gogh's artistic career from 1881 to 1890 Vincent's brother Theo would be a continuing source of inspiration and financial support; his first financial support began in 1880 funding Vincent while he lived in Brussels.
In 1882 Van Gogh had an offer for a commission of paintings of The Hague however the paintings, now considered masterpieces, were not acceptable.
Van Gogh started out primarily drawing and painting with watercolor.
Under Mauve's tutelage Van Gogh began painting with oils in 1882.
A subject that fascinated Van Gogh was the working class or peasant, inspired by the works of Jean-François Millet and others.