Question: Where have the artifacts been on display since their removal?
About the article "Machu Picchu", section "Cultural artifacts: Dispute between Peru and Yale University".

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In 1912 and 1914–15, Bingham excavated treasures from Machu Picchu—ceramic vessels, silver statues, jewelry, and human bones—and took them from Peru to Yale University in the United States for further study, supposedly for a period of 18 months.
Yale has retained the artifacts until now, under the argument that Peru did not have the infrastructure or proper conditions to take care of the pieces.
Eliane Karp, an anthropologist who is married to the former Peruvian President Alejandro Toledo, accused Yale of profiting from Peru's cultural heritage by claiming title to thousands of pieces removed by Bingham.
Many have been on display at Yale's Peabody Museum since their removal.
Yale returned some of the artifacts to Peru, but the university kept the remainder, claiming its position was supported by federal case law involving Peruvian antiquities.
On 19 September 2007, the "Courant" reported that Peru and Yale had reached an agreement regarding the requested return of the artifacts.
The agreement includes sponsorship of a joint traveling exhibition and construction of a new museum and research center in Cusco about which Yale will advise Peruvian officials.
Yale acknowledges Peru's title to all the excavated objects from Machu Picchu, but Yale will share rights with Peru in the research collection, part of which will remain at Yale as an object of continuing study.
On 19 June 2008, National Geographic Society's vice-president Terry Garcia was quoted by the daily publication, "La República".
"We were part of this agreement.
National Geographic was there, we know what was said, the objects were lent and should be returned.
"On 21 November 2010, Yale University agreed in principle to the return of the controversial artifacts to their original home in Peru.
As of November 2012, the third and final batch of thousands of artifacts were delivered.
La Casa Concha (The Shell House) located close to Cusco's colonial center will be the permanent site where the Yale University artifacts will be exhibited.
Owned by the National University of San Antonio Abad Del Cusco, La Casa Concha will also feature a study area for local and foreign students.
Emily Carr House passed through the Carr family for several years, before being sold to a private owner for use as a rental property.
The building was extensively modernized following a fire in 1938.
In 1964, MP David Groos saved the building from demolition and turned it over to the Emily Carr Foundation three years later, for use as an art gallery and school known as the Emily Carr Arts Centre.
In 1976, the provincial government purchased the property, and helped return the building to its original condition.
The building was extensively restored by two different architects, undoing many of the additions and modernizations that had been added to the house since the 19th century.
The wood finishes, mentioned by Carr, were restored from scratch, while the exterior of the house was returned to its original design and color using period photos from Emily Carr's lifetime.
The interior of the house is faithful to the original, following the painstaking removal of layers of newer paint and wallpaper to discover the original pattern and colors used inside.
Most of the original artifacts in the home have long-since been replaced; however, a handful have been recovered and restored.
The Carr family Bible was recovered, along with some of the original pieces of hardware for the doors and windows.
Most items from the house have been replaced with replicas, or other period artifacts — such as the piano in parlour, which was originally owned by neighbours of the Carr family.
Emily Carr House is currently an interpretive centre for Carr's art, writings and life.
It is operated by Clio Arts Associates Ltd. on behalf of the Province of British Columbia.
Emily Carr House is located at 207 Government Street - follow the pavement of what was once Carr Street, named after Richard Carr, Emily's father.
Carr House is just six blocks from Victoria's Inner Harbour and the beautiful Parliament Buildings designed by architect, Francis Rattenbury.
It is the starting off point for anyone interested in learning more about this remarkable Canadian icon.
In addition to the heritage rooms and artifacts on exhibit in the museum; Carr House is surrounded by a charming Victorian styled garden.
In the spirit of Emily Carr it features a "People's Gallery", where local artists inspired by Emily Carr display their work. 
The Roman Bath, one of the biggest buildings of Hierapolis antique city, has been used as the site of the Hierapolis Archaeology Museum since 1984.
In this museum, alongside the historical artifacts which were found in Hierapolis, there are some artifacts from Laodiceia, Colossae, Tripolis, Attuda and other towns of the Lycos (Çürüksu) valley.
In addition to these, the museum has a large section devoted to artifacts found at Beycesultan Hüyük and which includes some of the most beautiful examples of Bronze Age craft.
Artifacts which have come from the Caria, Pisidia and Lydia regions are also on display in this museum.
The museum's exhibition space consists of three closed areas of the Hierapolis Bath and open areas in the eastern side, which are known to have been used as the library and the gymnasium.
The artifacts in the open exhibition space are mostly marble and stone. 
All of the thousands of artifacts exhumed from the Tutenkhamun tomb are, by international convention, considered property of the Egyptian government.
Consequently, these pieces are normally kept at the Egyptian Museum in Cairo; the only way for them to be shown internationally is by approval of Egyptian authorities.
Although journalists and government officials generally support the tours, some Egyptians argue that the artifacts should remain on display in their own country, where Egyptian school-children would have greater access to them, and where the museum's exhibit would attract foreign tourists. 
The former Roman Bath of the ancient city of Hierapolis has been used as the site of the Hierapolis Archaeology Museum since 1984.
In this museum, alongside historical artifacts from Hierapolis, there are also artifacts from Laodiceia, Colossae, Tripolis, Attuda and other towns of the Lycos (Çürüksu) valley.
In addition to these, the museum has a large section devoted to artifacts found at Beycesultan Hüyük that includes some of the most beautiful examples of Bronze Age craft.
Artifacts from the Caria, Pisidia and Lydia regions are also on display in this museum.
The museum’s exhibition space consists of three closed areas of the Hierapolis Bath and the open areas in the eastern side which are known to have been used as the library and gymnasium.
The artifacts in open exhibition space are mostly marble and stone.
Hierapolis is broken down into ruins.