Question: Rembrandt learned to use lighting effects in his work where?
About the article "Rembrandt", section "Works".

Candidate passages:
Lighting is the deliberate use of light to achieve a practical or aesthetic effect.
Types of lighting include:  Aquarium lighting  Automotive lighting * Emergency vehicle lighting * Ground effects lighting  Backlighting  Bicycle lighting  Cameo lighting  Carbide lighting  Celebratory lighting  Computer graphics lighting * Image-based lighting * Per-pixel lighting * Per-vertex lighting * Unified lighting and shadowing * Volumetric lighting  Cove lighting  Electric lighting  Emergency lighting  Excessive lighting (light pollution)  Fluorescent lighting  Fusion lighting  Gas lighting  Incandescent lighting  Landscape lighting  Library lighting  Mood lighting  Photographic lighting * High-key lighting * Low-key lighting * Rembrandt lighting  Runway lighting  Security lighting  Solid-state lighting  Stage lighting * Intelligent lighting * LED stage lighting  Street lighting  Task lighting  Track lighting  Urban lighting  
  Carel Fabritius paints his "Young Man in a Fur Cap" and "The Goldfinch", showing use of lighting effects with a bright background.
Rembrandt completes "Bathsheba at Her Bath" and "Woman Bathing in a Stream" (both featuring his mistress Hendrickje) and paints a portrait of Jan Six.
Bartholomeus van der Helst paints "The Van Aras Family"  
Richard Kelly (1910 - 1977) was an American lighting designer and considered one of the pioneers of architectural lighting design.
Kelly had already established his own New York-based lighting practice in 1935 before enrolling at the Yale School of Architecture where he graduated in 1944.
Kelly characterized the difficulty in selling lighting consultancy, then a new discipline, when he reflected "There weren't lighting consultants then.
Nobody would pay for my ideas, but they would buy fixtures."
By the 1950s, his work in lighting design led him to coin the terms 'focal glow', 'ambient luminescence' and 'play of brilliants' to describe particular effects in lighting design.
His later career also saw him lecture at, among others, Yale, Princeton, and Harvard Universities.
After his death, the Illuminating Engineering Society of North America established the Richard Kelly Grant in his name to encourage creativity in lighting among young people. 
The 17th and 18th century saw the greatest use of brown.
Caravaggio and Rembrandt Van Rijn used browns to create chiaroscuro effects, where the subject appeared out of the darkness.
Rembrandt also added umber to the ground layers of his paintings because it promoted faster drying.
Rembrandt also began to use new brown pigment, called Cassel earth or Cologne earth.
This was a natural earth color composed of over ninety percent organic matter, such as soil and peat.
It was used by Rubens and Anthony van Dyck, and later became commonly known as Van Dyck brown. 
The Rembrandt House Museum is a house in the Jodenbreestraat in Amsterdam not far from the new townhall, where Rembrandt lived and painted for a number of years.
A few years ago the house was thoroughly reconstructed on the inside to show how the house would have looked in Rembrandt's days.
Adjoining (and linked to) the house is a modern building where work of Rembrandt is on display, mainly etchings and also a part of his collection of objects from all over the world.
Rembrandt purchased the house in 1639 and lived there until he went bankrupt in 1656, when all his belongings went on auction.
The auction list enabled the reconstructions of all his belongings which are also on display in the house.