Question: Who was the Mona Lisa painted after?
About the article "Mona Lisa", section "Abstract".

Candidate passages:
Lisa del Giocondo (; née Gherardini ; 15 June 1479 – 15 July 1542 or ca.
1551), also known as Lisa Gherardini, Lisa di Antonio Maria (or Antonmaria) Gherardini and Mona Lisa, was a member of the Gherardini family of Florence and Tuscany in Italy.
Her name was given to "Mona Lisa", her portrait commissioned by her husband and painted by Leonardo da Vinci during the Italian Renaissance.
Little is known about Lisa's life.
Born in Florence and married in her teens to a cloth and silk merchant who later became a local official, she was mother to five children and led what is thought to have been a comfortable and ordinary middle-class life.
Lisa outlived her husband, who was considerably her senior.
Centuries after Lisa's death, "Mona Lisa" became the world's most famous painting and took on a life separate from Lisa, the woman.
Speculation by scholars and hobbyists made the work of art a globally recognized icon and an object of commercialization.
In 2005, Lisa was definitively identified as the model for the "Mona Lisa". 
  "Moona Lisa" - painting of the Mona Lisa showing her bottom.
Sold in 2006.
"The Morning After New York" - painted in 2008 in East Village, New York.
The building was threatened with demoltion in 2011.
"Pope" - painted on a ticket hut in London for the pontiff's visit in 2010.  
The "Isleworth Mona Lisa" is wider than the "Mona Lisa" in the Louvre, having columns on either side which also appear in some other versions.
The Louvre painting merely has the projecting bases of columns on either side, suggesting that the picture was originally framed by columns but was trimmed.
However, experts who examined the "Mona Lisa" in 2004–2005 stated that the original painting had not been trimmed.
The figure of the "Isleworth Mona Lisa" closely resembles that of the "Mona Lisa", being identically composed and lit.
However, the face of the "Isleworth Mona Lisa" appears younger, leading to speculation that it is an earlier version by the artist.
According to Pulitzer, multiple art experts agreed that the neck of the "Isleworth Mona Lisa" is inferior to the necks of other Leonardo subjects, suggesting that somebody else touched up the neck.
Several people Pulitzer consulted believed that the hands and face of the portrait were by Leonardo, but the rest may have been finished by another or others.
The background in the Isleworth painting is considerably less detailed than the background in the Louvre painting, causing many art experts cited in Pulitzer's book to suggest that if Leonardo did indeed paint the subject, it is likely somebody else painted the background. 
In 2011, the Prado museum in Madrid, Spain, announced discovery of what may be the earliest known replica.
Miguel Falomir, heading the Department of Italian Renaissance Painting at the time of the discovery, stated the Prado "had no idea of (the painting's) significance" until a recent restoration.
Recovered from the Prado's vaults, the replica – which El Mundo newspaper dubbed ""Mona Lisa"'s twin" ("above, far right") – was reportedly painted simultaneously alongside Leonardo as he painted his own "Mona Lisa"; in the same studio, by a "key" student.
It was also painted on walnut, as was Leonardo's original.
The replica has been part of the Prado's collection since the museum's founding in 1819.
After restoration, the Prado's "Mona Lisa" revealed details covered by previous restorations and layers of varnish.
Furnishings and fabrics were enhanced, as well as landscape and facial features.
It is anticipated that such revelations may offer further insight into Leonardo's original.
Experts at the Louvre reportedly supported the Prado museum's findings.
The Prado replica was subsequently transported to the Louvre in 2012 to be displayed next to "Mona Lisa" as part of a temporary exhibition. 
  Monna Vanna, by Dante Gabriel Rossetti (1866)  Dante and Beatrice", by Henry Holiday (1864)  "Monna Vanna", a nude version of the "Mona Lisa" painted by Salaì (Gian Giacomo Caprotti da Oreno), a pupil of Leonardo da Vinci.
("Monna" was the Renaissance title for "Lady", e.g., Mona Lisa, Monna Vanna).