Question: What did Padua call Donatello?
About the article "Donatello", section "In Padua".

Candidate passages:
The Equestrian Statue of Gattamelata is sculpture by Italian early Renaissance artist Donatello, dating from 1453, located in the Piazza del Santo in Padua, Italy, today.
It portrays the Renaissance condottiero Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. 
Padua has long been famous for its university, founded in 1222.
Under the rule of Venice the university was governed by a board of three patricians, called the "Riformatori dello Studio di Padova".
The list of professors and alumni is long and illustrious, containing, among others, the names of Bembo, Sperone Speroni, the anatomist Vesalius, Copernicus, Fallopius, Fabrizio d'Acquapendente, Galileo Galilei, William Harvey, Pietro Pomponazzi, Reginald, later Cardinal Pole, Scaliger, Tasso and Sobieski.
It is also where, in 1678, Elena Lucrezia Cornaro Piscopia became the first woman in the world to graduate.
The university hosts the oldest anatomy theatre, built in 1594.
The university also hosts the oldest botanical garden (1545) in the world.
The botanical garden Orto Botanico di Padova was founded as the garden of curative herbs attached to the University's faculty of medicine.
It still contains an important collection of rare plants.
The place of Padua in the history of art is nearly as important as its place in the history of learning.
The presence of the university attracted many distinguished artists, such as Giotto, Fra Filippo Lippi and Donatello; and for native art there was the school of Francesco Squarcione, whence issued the great Mantegna.
Padua is also the birthplace of the famous architect Andrea Palladio, whose 16th-century "ville" (country-houses) in the area of Padua, Venice, Vicenza and Treviso are among the most beautiful of Italy and they were often copied during the 18th and 19th centuries; and of Giovanni Battista Belzoni, adventure-man, engineer and egyptologist.
The famous sculptor Antonio Canova produced his first work in Padua, one of which is among the statues of Prato della Valle (presently a copy is displayed in the open air, while the original is in the Musei Civici, Civic Museums).
One the most relevant places in the life of the city has certainly been The Antonianum.
Settled among Prato della Valle, the Saint Anthony church and the Botanic Garden it was built in 1897 by the Jesuit fathers and kept alive until 2002.
During World War II, under the leadership of P. Messori Roncaglia SJ, it became the center of the resistance movement against the Nazis.
Indeed, it briefly survived P. Messori's death and was sold by the Jesuits in 2004.
Some sites are trying to collect what can still be found of the college: (1) a non-profit pixel site is collecting links to whatever is available on the web; (2) a student association created in the college is still operating and connecting Alumni.
It also plays host to the majority of "Taming the Shrew" by William Shakespeare and in "Much Ado About Nothing" Benedick is named as "Signior Benedick of Padua.
"In Padua was born in 1905 and lived Paolo De Poli painter and enamellist, author of decorative panels and design objects, 15 times invited to the Venice Biennale.
The electronic musician Tying Tiffany was also born in Padua. 
The following services call at the station: Intercity services ("Intercity") Naples - Rome - Florence - Bologna - Padua - Venice - Trieste Night train ("Intercity Night") Rome - Bologna - Padua - Venice - Trieste Regional services ("Treno regionale") Bologna - Ferrara - Rovigo - Padua - Venice Local services ("Treno regionale") Bologna - Ferrara - Rovigo - Monselice - Padua Local services ("Treno regionale") Padua - Monselice - Cerea - Nogara - Mantova  
There is little biographical information about Brunelleschi's life to explain his transition from goldsmith to architect and, no less importantly, from his training in the gothic or medieval manner to the new classicism in architecture and urbanism that we now loosely call the Renaissance and of which Brunelleschi is considered the seminal figure.
By 1400 there emerged an interest in "humanitas" which contrasted with the formalism of the medieval period, but initially this new interest in Roman antiquity was restricted to a few scholars, writers and philosophers; it did not at first influence the visual arts.
Apparently it was in this period (1402–1404) that Brunelleschi and his friend Donatello visited Rome to study the ancient Roman ruins.
Donatello, like Brunelleschi, had received his training in a goldsmith's workshop, and had then worked in Ghiberti's studio.
Although in previous decades the writers and philosophers had discussed the glories of ancient Rome, it seems that until Brunelleschi and Donatello made their journey, no-one had studied the physical fabric of these ruins in any great detail.
They gained inspiration too from ancient Roman authors, especially Vitruvius whose "De Architectura" provided an intellectual framework for the standing structures still visible. 
Bartolomeo Bellano, also known as Bartolomeo Vellano, was an Italian renaissance sculptor and architect who was born in Padua in 1437 or 1438.
He was the son of a goldsmith and became a student of the sculptor Donatello, with whom he worked on many projects, including in the Basilica of Saint Anthony of Padua.
Bartolomeo Bellano’s earliest documented works are four terracotta relief sculptures of boys, which were commissioned about 1460.
One of which is held by the Musée des Beaux-Arts in Lyon.
He created a statue of Pope Paul II in Perugia in 1467.
Among his students was the sculptor and architect Andrea Riccio.
Riccio imitated Bellano's "Europa and the Bull" sculpture.
Bartolomeo died in Padua in 1496 or 1497.