Question: What rating did the first episode of Nurse Jackie get by Entertainment Weekly?
About the article "Nurse Jackie", section "Critical reception".

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Critical reception.
The premiere of "Nurse Jackie" was met with generally positive reviews from critics.
"Entertainment Weekly" gave the first episode a B+, stating "Edie Falco brings a genial forcefulness to Nurse Jackie."
"New York" magazine called the Showtime series "smart, acrid, alternately sharp and sentimental" and "the best series yet in the cable channel’s ongoing meditation on the nature of addiction ... and the setting for a truly breakthrough female character".
James Poniewozik from "Time" magazine ranked Nurse Jackie's episode "Tiny Bubbles" (106) as 5th on his "Top 10 Episodes of 2009" list.
Reception was not entirely positive, with "Variety" noting, "The series increasingly feels like all style and limited substance – a star showcase that's less 'triumphant return' than 'Nice to have you back, but...'"
Hillary Busis of Entertainment Weekly reviews the episode.
Sara Brady of Television Without Pity reviews the episode and gives it a C rating. 
"All Mixed Up" was originally broadcast on September 22, 2010 in the United States on ABC.
Upon airing, the episode garnered 8.35 million viewers, despite airing simultaneously with episodes of "Hell's Kitchen" on Fox, "Criminal Minds" on CBS, "" on NBC, and "Hellcats" on The CW.
It attained a 3.3/9 rating amongst people the 18–49 demographic, according to Nielsen ratings.
"All Mixed Up" achieved the series' highest total viewership in a year, and earned the highest rating in the 18–34 demographic of the night in its respective timeslot, garnering a 3.0/9 rating.
The episode became the third-highest rated episode of "Cougar Town", as well as the highest-rated episode of its second season.
"All Mixed Up" was well received by television critics.
Todd VanDerWerff of "The A.V.
Club" issued the episode a B+ grade, and felt that the episode was superior to those of the show's first season.
He asserted: ""Cougar Town" hasn't taken as big of a step up from season one to season two as it did from the first part of season one to the last part of season one.
But the step from 'average' to 'good' was the easy part.
Season two is the season where viewers are going to find out if the show has what it takes to make the small steps needed to get from 'good' to 'great'.
There's every indication that it's on the way there in the premiere because it's finally started to wrestle with some of the knottier questions at its center."
HitFix writer Alan Sepinwall opined that the show averted from its original premise; "It's become one of my favorite comedies, and whether you care about Aniston or not, tonight is a good time to sample it if you dismissed it last year because of the title, the original premise or some of those early episodes."
Commentators cited Jennifer Aniston's appearance as the highlight of the episode.
"Entertainment Weekly" Annie Barrett lauded the interactions between Aniston and Cox; "Their interactions were along the lines of what I imagine it would have been like if Rachel's character had suddenly decided she had become a wizard."
Kevin Fallon of "The Atlantic" echoed synonymous thoughts, and felt that Aniston's performance reminded the audience of her star power.
Fallon wrote: "Aniston's performance was delightfully weird and offbeat—and comedically sharp, a welcome change from the generic and bland film roles she's played in the years since "Friends" ended.
Last night's performance spotlighted her gifts as a character actress—and served as a frustrating reminder of what we've been missing since she has but abandoned that niche of acting."
Sepinwall expressed that Aniston "acquits herself just fine in the small role of Jules' eccentric new therapist.
She's likable and daffy but never over-the-top."
"Hollywood Life" journalist Laura Schreffler was not as enthusiastic as the general consensus, avouching that Aniston's guest appearance was overhyped and a "glorified cameo".
Schreffler added that Cox overshadowed her, asserting that she "is still way more hilarious". 
The episode received mixed reviews from critics.
Rae Votta of "Billboard" gave the episode a positive review, saying it "is pretty straight-forward in that it’s about control -- characters who want to control the world around them, characters who can't control the image thrust on them by others, and characters who want to control themselves.
It’s clean, and relatively linear for all its wackiness.
And it actually works.
If only all of "Glee" could be this good."
She did, however, criticize the casts' performance of "The Fox (What Does the Fox Say?
)," saying "it's absolutely batshit and nonsensical and yet somehow the perfect ending to an hour of gas-induced puppet, Janet Jackson and Fred Astaire related hallucinations."
Brandon Nowalk of "The A.V.
Club" gave the episode a B-, saying "Clearly there’s new life in these characters—hell, old life in half of the New Directions—and low-key episodes like “Puppet Master” make great opportunities to explore and define them.
Artists are certainly allowed to fail.
Hopefully Glee starts failing bigger.
"Miranda Wicker of "TV Fanatic" gave the episode a more negative review, rating it a 1.5 out of 5, saying "The good news is that they buried an otherwise ridiculous and silly episode on a night when (probably) no one was watching, what with all the tryptophan comas and shopping.
The bad news is that Glee Season 5 Episode 7 was 45 minutes of my life I can never get back and very little about it was redeeming."
Samantha Highfill of "Entertainment Weekly" also received the episode negatively, saying "Overall, I think the episode was trying just a little too hard, and what maybe could have been cute (but probably not) forced me to watch most of the hour through squinted eyes, and not because I was tired from eating turkey."
The episode received mixed reviews among television critics, and it outperformed the previous episode in terms of both viewership and ratings.
"Flight" was originally broadcast on May 17, 2012 in the United States on the American Broadcasting Company (ABC).
The episode was watched by a total of 11.44 million Americans, a 16.5% (1.62 million) increase from the previous episode "Migration", which garnered 9.82 million viewers.
In terms of viewership, "Flight" ranked fourth for the night, behind the season finales of Fox's "American Idol", and CBS's "Person of Interest" and "The Mentalist".
In terms of "Grey's Anatomy" other season finales, the episode was the show's second least-viewed finale, just behind the seventh season's, which garnered 9.89 million viewers.
The episode did not rank in the top three for viewership, but its 4.1/11 Nielsen rating ranked first in its 9:00 Eastern time-slot and second for the night, registering the show as Thursday's No.
1 drama, for both the rating and share percentages of the key 18–49 demographic.
Its rating lost to "American Idol", but beat out CBS's "The Big Bang Theory", "Person of Interest", and "The Mentalist".
In addition to its rating being in the top rankings for the night, it was an increase from the previous episode, which netted a 3.5/10 rating/share in the 18–49 demographic.
The episode also showed an increase in ratings in comparison to the previous year's finale, which attained a 3.6/9 rating/share in the 18–49 demographic.
"Poptimal" Tanya Lane wrote, "Wow…just wow.
"Grey's Anatomy" has once again managed to shock with its season finale."
While she appreciated the "realism and authenticity that "Grey's" is known for", she found the episode was "almost too much" as it was "extremely gory and difficult to watch, initially because of the grisly wounds" but later because of the "heavy and emotional things that transpired".
She thought Pompeo gave one of her best performances when her character learned that her sister was dead.
"Digital Spy" Ben Lee found Leigh's and Dane's performances "phenomenal" and added that he had probably never seen a better performance from Dane.
He described the moment the two actors shared as "truly poignant".
To him, Lexie's death felt like a finale, which was thus too early.
As for what was happening in Seattle Grace, he thought it was "a bit pointless" and "uninteresting" except Altman's departure, which he deemed "the most significant moment at the hospital".
"Entertainment Weekly" Tanner Stransky commented of Lexie's death: "It was an intense death.
I mean, how awful was it to watch one of "Grey’s" longest-running characters pass away so quickly -- and rather unceremoniously?
I get that Ms. Rhimes had to do what she had to do -- and every show needs to be shaken up once in a while -- but I don't love that Lexie was the one to die.
Could it have been someone less important somehow?
I guess it would have been too obvious to do Kepner.
And you probably just don't kill off a hottie like Mark Sloan, right?"
Stransky also complained about Robbins' screams at the beginning of the episode, but enjoyed Bailey's story.
In an "Entertainment Weekly" poll that judged all the television season finales of the year, Lexie's death was voted the "Top Tissue Moment", while Robbins' injured leg and Shepherd's mangled hand were voted the "Most Disturbing Image".
The ending of the episode was also considered as the "Best Ending to an Otherwise So-So Season".
Lexie's death was also nominated under the "Best (Presumed) Death" category, while the plane crash's aftermath was nominated as the "Best Non-romantic Cliffhanger", and the episode in entirety was nominated for the special award for "Biggest Regret That I Didn't See It, I Just Heard or Read About It".
"Entertainment Weekly" later named the scene where Meredith is crying one of the best crying scenes of 2012.
In TVLine's review of 2012, Lexie's death was runner-up for "Biggest Tearjerker".
The episode is nominated at the NAACP Image Awards under the Outstanding Writing in a Dramatic Series category for Rhimes.