Question: What is the first and last name of Pollock's wife?
About the article "Jackson Pollock", section "From naming to numbering".

Candidate passages:
Hans Namuth was not initially interested in the work of Jackson Pollock, but was convinced by his teacher Alexey Brodovitch that Pollock was an important painter.
In July 1950, Namuth approached Pollock and asked to photograph the artist working in his studio.
Pollock agreed, encouraged by his wife, Lee Krasner, who was aware of the importance of media coverage.
The resulting images helped to demystify Pollock's famous "drip" technique of painting, revealing it to be a deliberative process rather than a random splashing of paint.
They "helped transform Pollock from a talented, cranky loner into the first media-driven superstar of American contemporary art, the jeans-clad, chain-smoking poster boy of abstract expressionism," according to acclaimed culture critic Ferdinand Protzman.
Not satisfied with black and white stills, Namuth wanted to create a color film that managed to focus on Pollock and his painting at the same time, partially because he found more interest in Pollock's image than in his art.
His solution was to have Pollock paint on a large sheet of glass as Namuth filmed from underneath the work.
As Namuth could not afford professional lighting, the film was shot outside Pollock's Long Island home.
This documentary (co-produced with Paul Falkenberg) is considered one of the most influential for artists.
In November 1950, Namuth and Pollock's relationship came to an abrupt conclusion.
After coming in from the cold-weather shoot of the glass painting, Pollock, who had been treated in the 1930s for alcoholism, poured himself a tumbler of bourbon whiskey after supposedly having been sober for two years.
An argument between Namuth and Pollock ensued with each calling the other a "phony", culminating in Pollock overturning a table of food and dinnerware in front of several guests.
From then on, Pollock reverted to a more figure-oriented style of painting, leading some to say that Namuth's sessions robbed Pollock of his rawness and made Pollock come to feel disingenuous about doing things for the camera that he had originally done spontaneously.
Art critic Jonathan Jones suggests that by filming Pollock, Namuth "broke the myth of trance" and by framing Pollock's work in the larger surrounding landscape, destroyed Pollock's view that his paintings were boundless.
Jeffrey Potter, a close friend of Pollock's, described Namuth as commanding, frequently telling Pollock when to start and stop painting.
According to Potter, Pollock "felt what was happening was phony."
Namuth himself describes Pollock as being "very nervous and very self-conscious" of the filming at the time, but less so when Pollock discussed it in a later interview.
During his time with Pollock, Hans Namuth had created two films and captured more than 500 photographs of the artist.
These photos were first published in 1951 in "Portfolio", a journal edited by Alexey Brodovitch and Franz Zachary.
After the death of Pollock in 1956, Namuth's photos grew in popularity and were often used in articles about the painter in place of Pollock's artwork itself.
Art historian Barbara Rose states that the photographs changed art by focusing on the creation of art rather than the final product alone.
Younger artists such as Bruce Nauman, Richard Serra, and Robert Morris were able not only to view Pollock's paintings, but, with Namuth's images, to see Pollock in the act of painting, giving rise to the popularity of Process Art.
These photos have also allowed art historians to dissect the details of Pollock's method.
For example, art historian Pepe Karmel found that Pollock's painting in Namuth's first black-and-white film began with several careful drippings forming two humanoid figures and a wolf before being covered beneath several layers of paint. 
In 1955, Pollock painted "Scent" and "Search," his last two paintings.
He did not paint at all in 1956, but was making sculptures at Tony Smith’s home: constructions of wire, gauze, and plaster.
Shaped by sand-casting, they have heavily textured surfaces similar to what Pollock often created in his paintings.
On August 11, 1956, at 10:15 pm, Pollock died in a single-car crash in his Oldsmobile convertible while driving under the influence of alcohol.
One of the passengers, Edith Metzger, was also killed in the accident, which occurred less than a mile from Pollock's home.
The other passenger, Ruth Kligman, an artist and Pollock's mistress, survived.
For the rest of her life, his widow Lee Krasner managed his estate and ensured that Pollock's reputation remained strong despite changing art-world trends.
The couple are buried in Green River Cemetery in Springs with a large boulder marking his grave and a smaller one marking hers. 
Continuing to evade the viewer's search for figurative elements in his paintings, Pollock abandoned titles and started numbering his works.
He said about this: "...look passively and try to receive what the painting has to offer and not bring a subject matter or preconceived idea of what they are to be looking for".
Pollock's wife, Lee Krasner, said Pollock "used to give his pictures conventional titles... but now he simply numbers them.
Numbers are neutral.
They make people look at a picture for what it is—pure painting."
The Pollock Medal is a prize awarded to the best cadet of the season, in commemoration of Sir George Pollock's exploits in Afghanistan, first at the East India Company's Military Seminary at Addiscombe, and later at the Royal Military Academy Sandhurst. 
Pollock's Toy Museum is a small museum in London, England.
It was started in 1956 in a single attic room at 44 Monmouth Street, near Covent Garden, where Pollock's Toy Theatres were also sold.
As the enterprise flourished, other rooms were taken over for the museum and the ground floor became a toyshop.
By 1969 the collection had outgrown the Monmouth Street premises and Pollock's Toy Museum moved to 1 Scala Street, with a museum shop on the ground floor to contribute to its support.
The museum continues today to be run by the grandson of the founder Marguerite Fawdry.