Question: Who included Vermeer in a 1934 painting?
About the article "Johannes Vermeer", section "Rediscovery and legacy".

Candidate passages:
Vermeer Dutch Chocolate Cream Liqueur is a sweet liqueur made of Dutch chocolate, cream, and vodka.
It was created by Maurice Kanbar who tested it for five years before presenting the liqueur to the public in 2001.
Vermeer is 34 U.S. proof (17% alcohol by volume) and the bottles are labeled with an image of Johannes Vermeer's "Girl with a Pearl Earring".
Kanbar, who also developed SKYY vodka, wanted to create "a liqueur as perfect as a Vermeer painting."
The Vermeer liqueur benefited from the popularity of chocolate in the early 2000s, and was included in the "Chocolate Shows" (held annually in New York City since 1998) of 2001 and 2002.
Vermeer is served with ice on the rocks, or it can be mixed in a chocolate martini cocktail or added to coffee or hot chocolate.
It is also used to create sauces, such as for ice cream. 
In 2006, Janson published his first book, "How to Paint Your Own Vermeer: The Methods and Materials of a Seventeenth-Century Master", mainly thought as a manual for practicing painters who wish to emulate the great Dutch Master’s technique and style.
In addition to the book he produced a CD, "How to Paint Your Own Vermeer.
A Painting in Progress" which documents the painting of an interior done in the style of Vermeer with sequential images that enhance the textual contents of "How to Paint Your Own Vermeer".
His second publication, "Looking Over Vermeer’s Shoulders.
A Study of the Painting Methods and Materials of Johannes Vermeer" is an adaptation from the first one, a comprehensible guide to anyone who is interested in exploring the mysterious relationship between painting technique and artistic expression, as well as the mental and physical machinery of Johannes Vermeer, one of the greatest painting technicians of all time. 
For two centuries after Vermeer's death, his works were appreciated by a number of connoisseurs in Holland—although attributed in many cases to better-known artists such as Metsu or Mieris—but were largely overlooked by art historians.
The Delft master's modern rediscovery began about 1860, when the German museum director Gustav Waagen saw "The Art of Painting" in the Czernin gallery in Vienna, and recognized as a Vermeer the work which was at that time attributed to Pieter de Hooch.
Research by Théophile Thoré-Bürger culminated in the publication in 1866 of his catalogue raisonné of Vermeer's works in the "Gazette des Beaux-Arts".
Thoré-Bürger's catalogue, which drew international attention to Vermeer, listed more than seventy works by Vermeer, including many he regarded as uncertain.
The accepted number of Vermeer's paintings today is thirty-four.
Upon the rediscovery of Vermeer's work, several prominent Dutch artists, including Simon Duiker, modelled their style on his work.
Other artists who were inspired by Vermeer include the Danish painter Wilhelm Hammershoi and the American Thomas Wilmer Dewing.
In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" and pitted large copies of the original against a rhinoceros in some now-famous surrealist experiments.
Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934.
Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition.
Motivated by a blend of aesthetic and financial reasons, van Meegeren became a master forger, creating and selling many new 'Vermeers' before being caught and tried.
The Love Letter () is a 17th-century genre painting by Jan Vermeer.
The painting shows a servant maid handing a letter to a young woman with a cittern.
The painting is in the Rijksmuseum Amsterdam. 
  "How to Paint Your Own Vermeer: The Methods and Materials of a Seventeenth-Century Master".
1st edn 2006.
"How to Paint Your Own Vermeer.
A Painting in Progress" (CD).
1st edn 2008.
"Looking Over Vermeer's Shoulders.
A Study of the Painting Methods and Materials of Johannes Vermeer".
2008.