Question: In what year did Moore win a scholarship to study at the Royal College of Art in London?
About the article "Henry Moore", section "Beginnings as a sculptor".

Candidate passages:
Stephen Farthing grew up in London and after resisting the temptation to join the Royal Navy, earned a bachelor's degree from Saint Martin's School of Art in 1973 and a Masters degree in painting from the Royal College of Art, London in 1976.
In the final year of his master's program, Farthing won a scholarship to study at the British School in Rome for one year. 
 2005  Henry Moore Artist in Residency, University of Sunderland, UK 2002  Rome Scholar in Fine Arts, The British School at Rome, IT 2001  Credit Suisse First Boston Award, US 2000  Sharett Scholarship, America Israel Cultural Foundation, New York, US Karten Scholarship, University College London, UK Eric & Jean Cass Scholarship, Royal College of Art, London, UK 1997  Audrey Wykeham Prize for Fine Art, University College London, UK  
After the war Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him.
At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years.
In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development.
In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries.
While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum.
The student sculptures of both Moore and Hepworth followed the standard romantic Victorian style, and included natural forms, landscapes and figurative modelling of animals.
Moore later became uncomfortable with classically derived ideals; his later familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture.
Having adopted this technique, Moore was in conflict with academic tutors who did not appreciate such a modern approach.
During one exercise set by Derwent Wood (the professor of sculpture at the Royal College), Moore was asked to reproduce a marble relief of Domenico Rosselli's "The Virgin and Child" by first modelling the relief in plaster, then reproducing it in marble using the mechanical technique of "pointing".
Instead, he carved the relief directly, even marking the surface to simulate the prick marks that would have been left by the pointing machine.
In 1924, Moore won a six-month travelling scholarship which he spent in Northern Italy studying the great works of Michelangelo, Giotto di Bondone, Giovanni Pisano and several other Old Masters.
During this period he also visited Paris, took advantage of the timed-sketching classes at the Académie Colarossi, and viewed, in the Trocadero, a plaster cast of a Toltec-Maya sculptural form, the Chac Mool, previously seen in book illustrations.
The reclining figure was to have a profound effect upon Moore's work, becoming the primary motif of his sculpture.
He was born and grew up in Pakefield, near Lowestoft, Suffolk, where his mother kept the village shop.
He studied at Lowestoft School of Art, and later in London at the Royal College of Art, where he won a scholarship to the United States.
He lives in London (2010). 
Grace Golden (Associate of the Royal College of Art) was born to a working-class family in east London.
After her education at the City of London School for Girls, she won a scholarship to the Chelsea College of Art, where she studied from 1920-1923.
She progressed from there to the Royal College of Art, where she first studied and later taught at from 1926-1927.