Mary suffers from a similar fuzz factor, despite stellar solos and a handful of fabulous gospel power chords. The singers, however, have to take the hit for some of the other weak spots. There , otherwise one of the most interesting songs on the album. I don't know how much was them and how much was copied from the original, but I do know that the thick percussion, and neat overlays combine for a terrific groove. With a little better execution, it could have been a real keeper.
Solos are uniformly excellent.
Depth, soul, and practice all come through, whetting the listener's appetite. It's this very strength that makes the backgrounds such a disappointment - a good collegiate effort isn't enough to satisfy such lofty aspirations. Here comes closest, with a lovely gospel choir swell behind the solo, but the instrumentals behind the choir still sound a bit off. With EP Jones , Everyday People proved that they have taken concept a cappella to a new level. No one else is doing this kind of music, let alone pursuing it so consistently.