Pat Del Rey and Diane Brook, University of Georgia. Performance by the University of Georgia Adaegwu Dancers. The Women's Studies Program presents Thriller , a film by Sally Potter. Since its release in 1980, Potter's rewriting of Puccini's opera, La Boheme , has become a classic in feminist film theory. A model for the deconstruction of the Hollywood film, Thriller turns the conventional role of women as romantic victims on its head.
Space is limited.
Comments by Janet Wondra, Women's Studies Program and The Georgia Review . In television's early years, two of the strongest mother characters on the small screen were immigrants. Tonight's program features two kinescopes from the Peabody Awards Collection. Comments by Doris Kadish, Department of Romance Languages and the Women's Studies Program. Ruta Abolins, 542-4757.