And it seems that no matter what I do, whether or not I am consciously making these particular forms, by some means they continue to appear in my work. In this way, I see and feel them as being vital fragments of spiritual, cultural, and ancestral memory. Specifically, I am interested in grounding my work in personal stories and daily experiences in order to explore the ways that the past is carried on through the present moment and into the future. My method of working is tightly woven together with the concepts that I am exploring. Since I first started working with wood, a little over two and a half years ago, I have found it to be a highly engaging activity.
Wood is accessible, alive, and functional.
It is a strong, yet flexible, material, to which I feel connected. For me, wood becomes a solid place where memories, feelings, and imaginative ideas can be activated and live. An important element of my work is my process, which involves a great deal of time, thought, and genuine care. An intense amount of energy is required to make my work what it is, and this energy is directly infused into each piece. The very act of working is a highly focused, present, and often meditative experience for me.