The Hart of London Directed by Jack Chambers.
Some viewers consider it a masterpiece, some give it mixed reviews, and some are merely baffled.
I fell into the third category when I first saw the film, finding it disorganized and confusing, but on each successive viewing I've loved it. The filmmaker was diagnosed with leukemia in 1969, the year he began work on the film, which might explain its numerous disasters and frequent juxtapositions of life and death. But there are other major threads as well. Like many avant-garde films it explores objective versus subjective perception, and Chambers also suggests that all things are mystically unified by light. His theme that we're alienated from nature is hardly novel, but it's intertwined with a brilliant analysis of how news cinematography caters to the viewer's voyeurism.