It's sort of like a 19th century figure. You collaborated on this book with the artist, Trevor Winkfield. Your short story is there next to photoengravings by Winkfield. More and more recently I have seen these editions coming out with artists and writers collaborating. It's become profitable now.
Speculators have now entered the market, so there is a market for it.
More than there was at one time, thirty years ago. Then, even poets like John Ashbery, Kenneth Koch, and Frank O'Hara were doing books with painters. I usually read part of The Economist, or if I've finished that, I usually read part of a book of contemporary history. I work from about nine till one in the afternoon, till lunch. That is my goal.