An orchestral introduction presents the main thematic ideas before the concertino players each take solo turns. Revealing his penchant for dramatic contrast, Bach provides ample opportunity for technical display as the music flows conversationally. A recurrence of the broad opening theme serves to round off the movement. Poignant expression is shared throughout this quietly introspective movement. In movements like this, one can sense an undercurrent of poised classic-era emotion.
Spirited elegance returns with a finale in something reminiscent of rondo form.
Rustic Italian themes and spirits emerge as the concertino alternates solo turns with delightful ensembles. An earlier edition of this music was performed on this series under Harry John Brown in October of 1965. On the occasion of the 300th anniversary of his death, we celebrate the achievement of Henry Purcell, who, despite the brevity of his life, achieved the fullest expression of the English High Baroque. Although it may seem difficult to appreciate music so far removed in time, the direct eloquence of Purcell's compositions transcend their era through his timeless genius. Purcell came from a musical family and received his training as a child chorister in London's Chapel Royal.