I particular enjoy the combination of lute and clarsach. Many of the pieces in the lute MSS probably were originally played on harp. My one quibble with this otherwise excellent recording is they are too uncritical of the sources. I suppose classical training leaves you believing that everything that's written down is correct. In Gypsies Lilt from the Rowallan MS, it's clear by looking at the tablature that one note was written one string too far over, and if you play it as written you get a horrible sounding chord.
Some people seem to like the chord.
The mistake is repeated several times throughout the piece, but it is quite likely to be a copying error, since the people who wrote out the lute MSS seem to have been people who played by ear and wrote music on paper only infrequently. If there is one piece that separates Scottish lute music from all other English and continental music then this is it. Despite this odd example, on the whole the notes are very well-written. The Baltimore Consort could learn a lesson from them. There are also some publications available from Forth House .