Schindler begins by creating a set of computer simulated 3-dimensional objects. He composes them into a spatial arrangement, wrapping colors, patterns, and textures around each object. Simulated lights are then added, and a viewpoint is chosen, along with camera angle and depth of field. Using human forms, he creates a mythology for synthetic life, a mythology that is both sensual and mechanical, both realistic and surrealistic. It represents science and nature's struggle and final union, which emerges as art imitating life, imitating art.
Works are for sale directly from the artist.
These paintings are about a different landscape one seen from above and, at the same time, from the traditional ground view. These paintings hopefully do with large swashes of buttery paint in khaki tones interspersed with black lines and flat areas of colorful wash. These are layered canvases with powerful drawing elements, carved into or painted in black. These are creamy textured studies in brush and palette knife. Dark browns, cool blues and touches of clear reds and yellows are painted in casual bands of color outlined by darker tones.