I used to agonize over choices. Move on to the next thing. He told me that in business there's a statistic, that the people who make the most successful decisions make the most decisions. The more decisions you make, the better, statistically, your odds of success are. When you're directing, you can agonize, but you can't indulge.
Stuff has to happen.
One of these good people with whom you worked on this film is your cinematographer, Tony Richmond. And his style is very realistic, very organic, he moves the camera with the actors. And that's what I wanted to do, with regard to the formulaic nature of the genre. While being true to the genre, I wanted it to be real. I wanted it to be in New York, and fought shooting in Canada.