She loves street theatre and open spaces, unbound and imposing no limits. People contact one another using advanced technology, but fail to communicate. The storyteller has been cruelly banished, to be replaced by television. I work on the actor's body to produce the expression sought, a technique that is not common in Arab theatre. I use Western techniques, but my spirit is purely Arab.
Words follow the whims of the flesh.
What we lack in Arab theatre is the element of surprise. The differences have to do with circumstances of time and perspective, or the approach of the artist. Her initial approach to her work is as instinctual and raw. She will fall in love with a script only if it is relevant. The role of art, she believes, is to establish a perspective on the future by tying it to both past and present.