This is resumed at the movement's meetings and in prison where the men use it to heighten their spirits and build off aggression. It follows Panic into one of his last interviews and partly blocks his perception of the inspector with his threats and bribes. It is a uniquely empowering force. For both the individual Panic and the black community, the reinvention of identity is of great importance to their empowerment and stability. Stability in this sense means not rigidity but control over one's life and future and the independence from corrupting powers.
Stability allows self- respect instead of opportunism and betrayal.
Mapantsula is an open-ended and optimistic film that actually believes that the anti apartheid movement and with it South Africa stands a chance. In a climactic scene towards the end the shot of when Panic hurls a stone through a window of the white woman's house is recalled and given a new interpretation. The first time this shot is but another proof of Panic's egocentrism and undirected anger. It is symbolic for the breaking point that finally makes Panic side with the movement and not give in to temptations of becoming a 'near- self. He has made the first step in reclaiming his identity.