Wim Wenders concern with violence, particularly in movies, is literal rather than merely metaphorical. I have a feeling that the more films show violence explicitly, the less they deal with it. And the less they make us understand what its roots are and where it's coming from. It's difficult to get a handle on violence. A filmmaker can't deny that it has a lot of power.
Violence is attractive.
So it's ambiguous. Nobody can define it. And Mike at the end of this film is really more in touch with everybody than he could have ever been as a film producer.