One of my first teachers, David Diao, was from mainland China. He told me that what I was doing was way too Chinese for him. You see through-through the piece, through the wall, through the window, and out. Its center is the world. All of the big and little things collapse on each other.
True metaphors are very liquid and seek many levels.
That just happened. I didn't plan that. Structurally, because the rooms have drop ceilings, I started working with straight lines. One room looks Buddhist and shrine-like. I was surprised by that reference.