Some find that the film moves too slowly, but Herzog's unwillingness to rush things allows the images and music to work their magic, building a powerful and foreboding sense of atmosphere. Jonathan's journey through the Borgo Pass is a perfect example of this. Another director might have edited this ten-minute sequence to a fraction of its running length, but, by keeping it intact, the striking visuals and haunting score heighten suspense and build anticipation. Visually, this is a film of great moments. Taking his cue from the German expressionist directors of the '20s, Herzog in many cases limits dialogue and allows images to advance the story.
Shadows also play an important part in the film's palette.
Dracula is often preceded by a gigantic, distorted version of his shadow, and, in the film's most memorable scene, Lucy only sees Dracula's shadow approaching as she gazes at her reflection in a mirror. Nosferatu the Vampyre will not be to everyone's taste. Instead, Nosferatu the Vampyre , like its silent inspiration, concentrates on tone and atmosphere. The result is a superior horror film that offers a greater sense of disquiet than any other Dracula motion picture. Nosferatu the Vampyre may not be scary in a traditional sense, but it is not easily forgotten.