He readily commented on most of the pieces, and much could be learned from his descriptions. Frasca described the process, saying that the plaster was picked up while wet. He then placed lines or flower shapes where he wanted them. Japanese pottery influenced many of his works. The pieces are fired clay with some having a stoneware body.
Some clay is wood fired, and some is gas fired.
I spend several days working on them at their various stages. Usually I work on six to ten pieces at a time. Frasca pays careful attention to colors in his work. His clay vessels display an array of colors, from brown to orange to cream to white and black. In addition, in some of his more recent works, he has experimented with soft greens and blues, in varying shades.