Content addresses theory and application of color correction, image control, and manipulation techniques. Principles of color theory and the tools available to filmmakers engaged in the processes of electronic media and image manipulation are explored through lecture, interactive computer exercises, and hands-on telecine experience. The Documentary Vision 3 cr. Students explore a broad range of classical and innovative approaches and discuss television documentaries, cinema verite, and re-enacted cinema. Project-oriented course introduces filmmakers to portable video and digital production techniques.
Students learn videography, nonlinear digital editing, and the basics of electronic recording.
Class examines issues of visual communication and design of the cinematographic image. Through lectures, practical assignments, and critiques, students refine their ability use images to see, conceive, and communicate most effecitively. They also develop critical thinking necessary for filmmakers when creating the visual concept of the story. Course begins study of the basic relationship between actor, text, and director, then expands to include irectorial use of storyboards, camera plots, brackets, and shooting scripts as tools for camera placement. Emphasis is on development of director's camera placement and breakdowns, beat analysis, rehearsal techniques, and casting.