Her instinctive affinity with her chosen art has been confirmed by formidable research. The real test of a workshop is how you feel at the end, and in my case, that was about ten years younger. Morocco s teaching style adapts with sensitivity and skill to the varied talents of a mixed group. She broke down the swift and subtle swerves and drops of the first Sharki piece into units that were gradually accumulated, then speeded up to form the complete dance. She also used her extensive experience of the authentic Ghawazee and Schikhatt in short interludes of narrative, which illuminated what we were learning to do, and tactfully gave us background information in the form of breathing space while we sat at her tireless feet.
Words are inadequate to sum up the total impact of Morocco.
She radiates a warmth, wit, and enthusiasm that carries you along for days. I left feeling that she could have taught us to walk on water if she wanted to.