Involves a systematic study of the figure and the origin of the figure form. Special emphasis is placed on the study of anatomical structure and the tensions that animate form. Traditional clay modeling practices are employed. 3.00 Explores the full diversity of the intaglio process which utilizes recessed marks as the image-making vehicle. A variety of drawing mediums are used.
Special attention is given to the problem of metal fabrication as needed in non fine arts fields.
Students are encouraged to apply skills taught in their individual disciplines. Fine Arts majors may only use this class for elective credit. Bronze, iron, aluminum, and cement as well as non-traditional materials are utilized to explore casting as process as well as a means to a product. As the scope of artistic development and sensibility matures, instruction becomes increasingly individualized. This course addresses advanced painting problems covering representational and non-representational issues.