In particular he has realized entirely by stereolithography a series of sculptures inspired by minimal surfaces. He creates strange biomorphic forms and is interested by the question of color in these new processes. For reasons of accessibility, of cost and also of mentality, that I have already evoked, digital sculpture is still out of reach for most. However, there is an exponential growth in the number of artists, architects, designers who are interested in it. The cost of equipment and materials is decreasing.
Technological support is always possible.
But it is time to move at a faster pace like in USA and England. Answer at the next InterSculpt in October 1999, where we invite all readers of Computer Arts.