It sits agreeably on the ear, helps plants grow and prosper, it even soothes the proverbial savage beast. But, like sentient energy everywhere, each molecule of a musical event does not fall into the Good Box.
Some music is wholly, intrinsically evil.
It isn t necessarily a result of defective genetics or the product of a dysfunctional society, it can t blame its badness on suspect compositional constructs or other aesthetic foibles. It simply is. It is music that hurts, that injures, that wounds. It chills the fires of passion like a polar tsunami dousing a birthday candle. It rouses inanimate objects to actions most awful.