190 Bhabha implies that complex-sounding prose is needed to interpret and understand Fanon. Clarity, brevity, and historical analysis are not needed. To actually engage in projects that make political gains is a fate worse than death. Read's contributors offer attacks on Fanon's correctable homophobia, misogyny, and sexism. Moreover, these charges are made without fair reference to historical context, and are amplified to drown out Fanon's understanding of violence.
Violence is the only thing the masters listen to.
These passages offer sufficient proof that activists who have anything contestory to say are not permitted anywhere near the university or art institutions. Tenure protects complacent luminaries. Read's book is a quintessential dead end. There is no human liberation here. It begins where Fanon began, not where Fanon left off.