The history of collaboration in public art, including its processes and participating assemblies, is still largely invisible after more than 25 years of sustained activity. A pioneer in the sculptural use of light, Stephen Antonakos discusses his use of neon and his recent architectural constructions, including a chapel for the Venice Biennale. Mugger Music Sculpture Magazine Archives Vol.
Sculpture is available at newsstands.
The complete contents of each issue of Sculpture are indexed and listed in The Art Index. Permission is required for any reproduction. Sculpture is not responsible for unsolicited material. Please send an SASE with material requiring return. Advertising in Sculpture is not an indication of endorsement by the ISC, and the ISC disclaims liability for any claims made by advertisers and for images reproduced by advertisers.