Some questions appeared on the screen, and after one pressed a knob to signal willingness for discussion, the recording system started. The spoken answer was, through realtime signalprocessing, manipulated with sounds. Gabriela Proy had programmed specially for this event the software packet Max-Audio, which takes over the transformation of the word files. The sounds were audible through loudspeakers which were placed all through the room.
Sounds are pictures of the environment, they represent social-political corections.
In composing, I want to communicate, to have contact with the acoustical environment, a discursive dialogue through acoustical parameter. To make it possible to experience communication as interactive sound-architecture is the intention of my work. The other interesting artist was Annemarie Roelofs, a Dutch musician living in Germany. She had a classical education at the Conservatory in Amsterdam, and is a well-known performer in the improvisation circuit. She played both trombone and violin in a magnificent way.