A Commodore 64 computer with a home brew MIDI interface running the Dr T sequencer package controlled the whole show. The piece was originally recorded by bouncing tracks between my two open reel recorders. During the most dense passages of the piece there are up to 12 virtual CZ101s panned across the stereo field. The first part of the piece is a quest for something unknown.
Tension slowly builds up until what is searched for is found.
As usual, the end of the quest finds something that is very simple in comparison with the complexity of the search itself, and this new material is developed in the second part of the piece. The natural rhythms of sine wave beats play for a while until the memory of the quest returns and takes command of the discourse while the searcher and the searched-for object become one and end together. He started working with electroacoustic music by building his own analog studio in 1976. He did research in dynamic sound localization and taught an Introduction to Electronic Music course for one year at the Shonan Fujisawa Campus of Keio University, Japan. His music has been released on CD's and played in the Americas, Europe and East Asia.