If you don't know what they are at the beginning, Lees has drilled them and their variants into you so thoroughly, you'll know them by the end. I suspect that one reason why Lees is so hard to pin down stylistically is that not only doesn't he steal from others, he also doesn't steal from himself. Orner and Wizansky give passionate, committed performances, in the beautifully balanced, fully equal partnership implied by the music itself. It couldn't have been easy, but they give back the music as if they had first absorbed it into their bones. There are finer technicians around than either one, but no better musicians.
Sound is acceptable.
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