Along the right side of the drawing, repetitive vertical lines emphasize the interior's elevation. While the church's wooden pews fill the foreground, an organ accentuates the rear wall. The lack of any human presence seems to underscore that this space is meant for personal reflection. Bonvin used many materials to heighten the drawing's sense of perspective and mood. Pen, brown ink, and black chalk outline the church's details.
Watercolor fills in the rear wall, the ceiling in the background, and the pews.
White gouache highlights the columns and arches in the foreground. In many ways, this finely detailed drawing recalls the work of Pieter Saenredam, Bonvin's predecessor in painting church interiors.