I prefer the shambling and distrust design. I know this is perverse. The pots are not fixed. Nothing holds them together but suggestion. I let them go.
Some new works are more specific in their reference to families.
The first, Procession, was made after my father's funeral. The others, like some recent Still Lifes have more than one suggested arrangement. There might be a group of pots posed as families. Their references are intimacy and distance. Groups within groups huddle or stand aloof.