The name that has been called out is repeated periodically in the tempo of the model and with about the same articulation as the model, until identity is reached again. The instructions to retain the lip and mouth positions of the model as far as possible cause the names to become distorted. Each new name brings on a different, changed mood, according to the meaning of it and its character. The poems also bring on reactions and transformations in a startling way, with poem residue flying around the progressing poem like a flock of birds, or like a gang of kids holding up concave and convex little mirrors to the words of the poem. The same passage is manifest on the 1969 recording too, of course, but in this case I think the later version is superior.
Time is suspended.
All these names of gods of different cultures inspire in me the notion that these gods are all different paths into the same divine realm, all serving their purpose, which makes the idea of one religion's superiority over another completely absurd.