The Patriot . The Last of the Mohicans 2. Crimson Tide 3. Not very often does a huge box-office success have a hideous soundtrack, but Brad Fiedel managed to do it with this one. His score utilizes a variety of electronic noises that at times don't even sound like music.
Some portions sound like someone pounding a wrench against a fire hydrant or mailbox.
Fiedel only uses it in full twice, and even then it is poorly arranged. Only in the finale, as the T101 is lowered into the molten steel, does this theme make a full, enjoyable appearance. For me it was too little too late. The first film made better use of this theme, especially in the relationship between Sarah and Kyle. John Connor has no identifiable theme in the sequel.