The interactive furniture sculptures of Wendy Jacob require the audience to be both aggressive and submissive, the controller of another's experience and passive recipient. Working at the crossroads of art and engineering, Natalie Jeremijenko conducts experiments into the merging of the biological and technological. Naomi London's work has consistently investigated aspects of women's everyday culture. From knitting to recipe-sharing, from diary writing to the ways in which knowledge is passed from one generation to another, London's focus on the products and process of domestic labour contains elements that are both celebratory and subtly critical. Sandra Rechico creates environments that confront viewers with extremes of pleasure and pain.
Shards consists of a floor covered in broken glass, upon which intrepid viewers can walk.
Other works implicate the body viscerally, in both real and symbolic manners. Claire Savoie explores the notion of synaesthesia through sound and visual installations that map mental and physical experience. The audio installation presented here contrasts the white cube with the experiential fullness of the home. Chrysanne Stathacos is represented by two works. The Wish Machine is a conventional vending machine transformed into a purveyor of dream-fulfilling aromatic oils.