However, player number one here may also wait as long as he wishes before he reacts. The significance of the signs in the score is further elaborated in the CD booklet. Certain characteristics enhance the force of the piece even more, such as the so-called framed signs, which trigger the player to play a signal, calling the others to follow him. R instructs them all to play in the same register, I calls on them to use the same intensity, D tells them to adjust their durations to each other, and G means that they all synchronously play the same rhythmic subdivision of the duration. There is a number to be spotted after each R , I , D and G , determining how long the other players must follow the signal-giver.
Similar rules apply to the end of the piece.
If a player finds the ending to be similar to another, previous ending, he plays another event, and the ensemble joins in, each member reacting to the new event. Section 2 . Heterophonically synchronous playing by camel bells, tam-tam and electronium, a little later joined polyphonically and synchronously by piano and Kandy drum. The tam-tam appears soloistic. The Kandy drum appears towards the end, gradually growing more dominant.