She is exacting, engaging and I want to find her because she exudes character and depth even when in the back row of the flock. Now, on to the principals. I ask because in theory this is not all about him. He is the evil, the one we mustn't love. But I do.
Spotlight scans the stage slowly.
A castle in the distance, dim-light, and, alone on a rock, a tall swan perches, regally. A plan simmers. Siegfried is of course a heck of a morsel of a role. Cote does well to clasp on to it and wrestles it to the ground with a lot of vigor and terrific acting skill. Cote's allegro and arabesque lines are consistently beautiful.