After analyzing the development of Cubism in the art of Braque and Picasso, the course discusses the Cubist followers, Gris, Leger, Delaunay, and the Italian Futurists. American art since 1950 and its roots in traditions of European modernism is considered. Examples on painting, sculpture and architecture are used for the various movements. Although class discussion is strongly encouraged, this is primarily a lecture course based upon the visual content of works of art presented by way of projected slides. Attendance is highly recommended for every class meeting.
Students are responsible for the content of ALL lectures and assigned reading materials.
Harry A. Abrams, 1979. In addition, a series of articles will be placed on reserve in the Reserve Section of the O'Leary Library. Other items will be found in the Periodical Section of the O'Leary Library. W.W. Norton, 1980. Oxford University Press, 1980.