Maybe the fact that I am not a natural virtuoso helps me to feel always as trying to do the impossible. Indeed, every recording means to give my last energy to it. If so, does one hear stylistic progression in the music or had Weiss reached a mature style of composition at the outset. Officially, so far, it is impossible to know this compilation chronologically. But, like Tim Crawford, today's best musicologist-specialist on Weiss, I think more and more that London is quite chronological after all, if not entirely.
Stylistic progression is there, suite after suite.
But as for many great composers, the early works are already very perfect.