Despite the consistency of the rough pieces, they don't seem to fit any stylistic vision, and the ornate costumes belie the primitive set construction. What is not negotiable on stage at the Lon Cheney Theater is the quality of performances from a 23-person cast. King Lear is often seen as a vehicle for Lear. Mathewson is dynamic and commanding in the role, raining a storm of regret and heartbreak throughout the play, seizing the stage whenever he is on it, but leaving room for the rest of the cast to have their moments to shine. The strength of the company is what elevates this production beyond a typical presentation of Lear , and beyond anything I've seen from Star Bar Players in the last year and a half.
Virtuoso performances keep the audience enraptured as the tale unfolds with power and clarity.
John Barber is an excellent Kent, grounding the characters as they tread into a dangerous no man's land of madness and fantasy. Julian Bucknall is equally strong as Gloucester, and his gruesome blinding and vulnerability provide some of the play's most powerful moments. Rod Garrison has never been better in his interpretation of Edgar, turning in a stunningly versatile performance head and shoulders above any of his recent work. His turn as Poor Tom, haunted by the foul fiend, gives the play its deepest emotional texture. Mark Hennessy clearly relishes the chance to play the juicy role of the villain Edmund, and he captivates the audience with his insight into the web of intrigue he spins.