I was shooting Conspiracy Theory, I work for Richard Donner, and we were in New York City shooting, and I met a bunch of people from DC Comics. I guess I was asking a lot of questions about comics, and they said that I should pitch them something. But I got the proposal for Stars and Stripe up, and they took it. And that was it, more work just started coming in after that. Comics are my first passion.
Story is most important.
Story and character, and the visuals. Those are the biggest crossovers. Script is the most important thing, for a foundation, and then visuals are just as important. You keep going up the ladder, and everything's got to be just right, and if one of those isn't, it screws everything else on top of it. When you read a bad comic, it can look beautiful, but it feels empty.