Lying in her bed, she is suddenly transported into the world of their world, known as Innerspace, where she becomes Milady, a super-heroine. After the requisite amount of action-hero battling, romance and cases of mistaken identity, all ends on an up note. Beowolf Boritt's sets, on the other hand, don't. Whatever the aspirations and budget, they meet no reasonable standard, whether serious or cartoon in origin. John Russell's costumes are pretty much on target, as is Aaron Spivey's lighting.
Sound design is another matter.
I'm sure I can't fully appreciate the challenge of designing sound for a pop-rock score in an acoustically unsupported space that's not much bigger than a huge apartment, but the result here could hardly be called a victory over the obstacles. If meek little Eleanor could bring the mighty Shak Graa to its knees, maybe she should have been enlisted in this battle as well. A production of Amas Musical Theatre.