The membrane quality as interface between the self and the other is transformed into a wearable recording devide by collecting a massive amount of images in kogyarus. This device is not something practical, but it is to surround one's body as a piece of suits, a virtual wear, along with the sphere of images which can be communicated. Japanese society is going through a transformation phase. The economic recovery promoted by the modernist idea is already a product of the past. At the same time, the illusion of a community imagined from a modernist viewpoint is ending in failure.
Younger generation depends on communications that are confined to a small scale and limited level.
However, this communication is a multiplying act to evade the identity crisis, and is the product of the community's illusion as noise-proof. In this era of communication, artists multiply the domain of such membranes and enter into their own interior so that they disappear. In this way, the artists try to practice the use of interface as media.