It is a continual dislocation of establishing codes - of identity itself. This is the case despite the fact that Identity is still the prize. It is a challenge to a fixed policy of representation. It is a tactic which orients to confounding a placement while it simultaneously revels in its difference. Here it challenges at each instance the predetermined currency of these as a self-evident position.
Vampires are warriors.
Death is Dead cultivates an eroticized indifference to consequence. The erotics of envelope modification. It is oblique. The title allows for electrical analogies and the structure of the play fits an oblique agenda. Death, then, as a fractal calculus or algebra set up for interfacing.