W.H Randoll Blacking was appointed architect for the reconstruction, and he prepared plans for a rebuilding, using the old walls but slightly adapting the layout. Many years of discussion and indecision followed and Randoll Blacking died. In the 1960s the decision was finally taken to rebuild the church, and Robert Potter was appointed as architect. He thought it impossible to use the old walls, and produced a new conception, incorporating the sound remains of the old church, the narthex, lower stages of the tower and the sacristy . In some senses it was fortunate that the delay in rebuilding had occurred, particularly because the understanding of the Eucharistic Liturgy and its presentation required a setting somewhat different to that of Street.
Various utilities open off it.
The three small windows on the western wall contain glass salvaged from the old church, depicting St. Mildred, Laetitia and St. Anthony of Padua. If you turn to the left as you come in from the porch you find yourself in the nave of the church. This has been turned through 90 degrees from the line of the nave of the original church so that the altar is to the east. The first impression is of light and colour, the whole scheme of glazing having been carried out in fibre glass by John Piper. It stands beneath a ciborium designed by Randoll Blacking and erected in the temporary church in 1952, as a memorial to Henry James Cridland, for many years a sidesman and server.