Finally, the exhibition prompts an observation for the consideration of artists and the public. One is given the uncommon opportunity to examine artwork created uniquely, and destined for reproduction. The reproduction of art, even in quality limited editions, always entails some loss of subtle color and detail. Physical limitations and economic feasability preclude perfection. It has become common practice in publishing for the artist to work originals at a size somewhat larger than the ultimate printing dimensions.
Subsequent reduction sharpens the image and often smooths over minute imperfections.
Arthur Szyk almost always seems to have worked his art at the size of printing and each line is perfect. He must have worked painstakingly close and almost certainly with a magnifying glass. Nonetheless, almost none of the printed editions convey fully the color nuances and refined linework of the originals. One must really see the originals to appreciate the artist's skills and talents, the building-up of tones and the blending of mixed media, together with the pleasing feel for the weights and shapes of calligraphy. He must have lavished so much effort for the sake of the piece before him.