Long before the invasion of proper curtain-walls, the shop windows of the first chic restaurants, of the hotel halls and even of some agencies, banks or shops benefitted this treatment. Meanwhile, this became so usual, that we are even no more asking why public spaces, normally accessible to anyone, make no attempt to lure their customers showing off their interiour charms, they carefully hide behind some protective membranes. It seems even that no intention exists to attract the client from the street. The particular place is no more an extension of the urban space, but rather a sanctuary for the chosen ones. These phenomena do not justify proletarian wrath originated criticism.
Spatial discrimination is positive in itself.
And the modern component of the model however perverted, is however preferable to the megalomaniac tendencies of a national pompous type. However, when perceiving these objects the sensation is annoyingly like the conversation with someone who keeps his sunglasses on his nose. The described tendency could be only a reflection of a mentality belonging to some social categories. Or maybe we are only dealing with a face of the evolution towards the Rem Koolhaas's Generic Town - a collection of isolated introverted objects, upon which a system more and more complex of networks is superimposed from which the urban space disappeared. Koolhaas elaborated his model starting from an extrapolation of contemporary Megalopolis, especially of those from the full developing South Eastern Asia.