It's time people start viewing African portraits from a new perspective and this perspective can be treasured. Well, with a general idea about my 4 dimensional art, people should focus on observation in order to reap full, practical aesthetic experience. Depending on the level of observation, you can then project your feelings back into the painting. It's like a rapport - from the painting to you and from you to the painting. In any exhibition people may like this or that portrait.
Some people enter exhibitions with a certain attitude bent towards what they like in art.
Taste in art is subjective. Perspective varies from one person to the next and what you may dislike I might aesthetically love. We should note that our attitude towards African art depends entirely on the amount of effort we're willing to put into transferring our perception into an emotional experience. This is actually the key to the feel of any work of African art. My African sketchings might evoke emotional reactions but the depth of such emotion depends not only on the artistic representation of my works, but also on your ability to observe and capture the feelings from these paintings.