Some players use the throat, which usually produces the strangest of sounds. There was a great flutist who was principal in the New York Philharmonic for many years, a wonderful musician named John Wummer, who used vibrato from the throat. Finally, as you can understand, it is highly individual and can be done in different ways. Try to read about the history of vibrato. It is fascinating, because it changes from period to period and style to style, and country to country and voice to instrument, and I could go on.
Vibrato is a fascinating study.
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