After that I collaborated with Walt Disney for some short animated movies and with some strange movie directors for some sci-fi movie soundtracks. In Computer Music Journal, you say that the Ondioline is a 'low-cost' instrument, as with many analog instruments. It's what I do. I've always used both. I use digital when it's necessary and you HAVE to use it in production, but it's not a reason for me leaving analog instruments because I think they've got a certainy the 'Ondes Martenot' and the Ondioline.
Technology gives technical progress but forsakes other emotions.
We have to rediscover the sensibility that makes the instruments speak to the heart and to the soul of the listeners. That's why I advise the new generation of electronic musicians to work hard and not to be ruled by the sound capacities of the machines. With the emergence of such a network as the Internet, frontiers are in a way 'opened up', and numerous groups play live on the net such as the Future sound of London. I can say that nationalism makes me feel sick. Please, open us to worldwide music.