Apparent simplicity makes intriguing complexity truly observable. Upon closer listening, one discovers, that each of these initial configurations have their own interior pulsation. Even the subtlest change in sound configuration will result in a change in the temporal domain as well. Any engaged sonority generates its own temporality. In a long-held sonority orchestrated for a string quartet, such engagement may be called focus.
Sections define themselves as a result of patterns.
The vertical perspective previously created gradually allows the material to be stratified into occasionally superimposed, independently co-existing layers. Undercurrents are superior to surface currents on the long run.