Besson's magic has seemingly dried up. The film starts to seem like an Arnold Schwarzenegger vehicle. It tries to remain realistic but it eventually loses it's uniqueness simply by doing this. Worse yet is the totally unacceptable epilogue which belies Matilda's true nature. We'd believe that the studio slapped it on if a major prop wasn't used as a hackneyed metaphor.
Someone let's all the air out of the balloon.
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