That's any one of Dizzy's orchestras right there.
Tracks are long, individuals hard to hear, and the beat .
The beat is relentless, and everything inevitably melts together after awhile. Only the title track, which mamboes deeply and sensitively, pokes out. It's a minor flaw, when you think about it, and I hope Rivers forgives this simpleton writer who was raised in the television age and, while not one to fiddle with what is obviously highly-crafted art, can't help but think that a little less surfacey sameness would have exponentially upped Inspiration 's playability. All rights reserved. May not be reprinted or reproduced in any form without permission.