The experiment, particularly the artistic one, immediately turns into merciless conformism, behavior becomes a hieroglyph, nature is simply a landscape, culture an arsenal of super-sign strategies. The fetishist character of things becomes the real thing, nature is mind. Anything physical means resistance, which has to be broken. However, signs always have to be explained, while orientation solely comes about through the systems of the visual itself. This is the aesthetic precondition of the prevailing TV nation, not the other way around, the effect of a technology.
Technologies cyberspace, too - are always metaphors going back to a hieroglyphic culture.
Therefore, all experience is ritual, is formed by the systems of appeal, glamour and star cult. The individual is the material for an enactment, the staging of its sign-determining luster. Technical achievements are being used as magical happenings. In the perceptive space of such techno-machines, it becomes impossible to distinguish between religious, technological and psychedelic experiences. The only thing that matters here is the creation of impact and effect.