They will therefore be occupied with both the design of shape and surroundings. One of the potential shapes is the digidandy. He matters because predecessor from the 19th century had a special bond to the city, the masses and street life. The digidandy only collects information to flaunt it, not to transfer it. He is informed all too well, even excessively so.
Specific questions prompt undesired answers.
The phenotype of the digidandy is confronted with the same fear as his historic predecessor, whose stages were the street and the salon. The elegant extravagance with which the most detailed information is displayed, shocks the efficient media user. He mocks measured consumption and intake of current news and amusement in dosages and doesn't worry about excess or overload of specialistic knowledge. His carefully composed information portfolio shows no constructive motivation. His zapping is not prompted by boredom, but by a superior unwillingness to stay in touch with current events and the latest trivia.