In the Geneva area, over the space of a few days, I was able to look at and play many instruments by various builders, more than I have seen in 20 years of searching in the United States, England, and the Netherlands. There is a centuries-old tradition of small organ building in Switzerland. I found one suited to home use in performing baroque and late renaissance music, with enough chiff to give well-defined attacks on even the lowest notes. The instrument is suitable for accompanying and for compositions by, to name a few, Bach, Buxtehude, Froberger, the Gabrielis, Frescobaldi, Purcell, and Green. The keyboard has a fine touch.
Some positives have a symmetrical pipe layout.
This means that consecutive notes on the chromatic scale come alternately from the right and left side of the organ, a trait I find disturbing. This organ, fortunately, has the pipes arranged linearly, which also makes for simpler linkages, easing adjustment. It is not traditional in appearance. The facade is entirely functional, with the 2' rank exposed. The 4' is metal, the 8' is wood, and both are inside the case.