It's all I know. In addition, I see it done all the time in romance novels.
Viewpoint is the reader's vehicle for the experience of the story.
So if I am in the heroine's viewpoint, the reader should ideally experience this event as the heroine experiences it. If the heroine sees the house among the poplars and knows the villain lurks within, the reader should experience dread along with her. The reader should get some sense of who this person is from the way she thinks, feels, and perceives the world. That is, viewpoint is a way to characterize AND to convey information. There's nothing preventing you from giving the reader TWO experiences of an event, as long as you do it in a way that doesn't muddle those two experiences.