Starting from massing the large basic shapes, which are derived from the underlying bone structure, and working step by step towards more detailed and finished stages, the student has endless opportunity to experiment with form by adding and subtracting repeatedly. This allows for exploration and flexibility to make changes and even mistakes. It is a great way to obtain knowledge about form which can be applied to any future sculpture. Also leaning how to observe a model closely and translating those observations into sculpture is an invaluable artistic tool. If you ever want to go beyond working from other peoples models and patterns, and want to impart a sense of true realism into your human figures, than studying from life is a must.
Some students use it purely as a learning experience.
Some may use it as a model for a woodcarving. Some may wish to fabricate a waste mold and cast in plaster. The plaster model may then be finished with a patina, or used to create a rubber mold for lost wax casting. He maintains a working studio in Brooklyn NY, with several other New York Artists. Dana s classes have been getting better and better and are not to be missed by the serious carver.