The fortepiano and organ are tuned to equal temperament , in which each half-step is made equal. In the 20th century, this temperament of 12-note equal distribution has predominated. One type of contrapuntal composition for a certain number of voices, each entering one at a time in imitation of each other. The theme of the first voice is known as the subject, whereas the next voice to enter would be the answer. When all voices have stated their theme, the exposition is complete.
Subjects alternate with brief episodes, or short independent sections, throughout the piece.
A sacred musical composition for solo vocalists, chorus, and orchestra. Instrumental composition in several movements for piano solo or instrumental combinations with piano accompaniment. Originated in the 16th century for any work played and not sung, becoming prevalent during the 17th century. The key of a particular composition, derived from the relationships of tones. The Baroque Age Baroque Music - A site devoted to the respect and appreciation of baroque music.