Andy Patton and Peter Dykhuis both use a poster format to involve themselves with presenting process of information, context and duration. Stan Denniston coordinates a photographic view of a Vancouver skyline with a respective Toronto panorama. Brian Groombridge and Lee Pacquette made use of the situation to talk about visual metaphor. Groombridge's link-fence xerox construction on an Adelaide Street construction wall creates a harmonic metaphor between abstraction and fact. The tar and snow-fence construction of Lee Pacquette has connotations of suspended train trestles or simply the train track it sits beside.
Some works also pay attention to more sociopolitical topics.
The Campbell piece is an architectural alteration of a house's front porch on St. Patrick Square alluding to concerns of history and style. Then there is the small kiosk on King Street built by Caroline Simmons that invites the viewer to enter and add graffiti to the chalk-board walls inside. There are also ventures into areas connected and bounded by prefabricated markers. Dan Reid subtly maps a square by placing four cast steel cornerstones in an open field of steel-coloured sand. Another square is laid out by Taciuk's incisions cut into the concrete surface and framed by plate steel on the Harbourfront York Quay dock area.