But it was Antony Tudor and Donald Saddler who made the biggest impression on her choreographic career. Everything had to have a meaning, to say something, to have an inner dialogue, however simple or complicated. While she appreciates the non-linear work produced by many contemporary, downtown choreographers, Ellington feels that in the world of musical theater, that approach is misguided. Once rehearsals were set, she invited the famed Lindy dancer, choreographer, and teacher, Frankie Manning, to work with the performers in the studio.
Swing dancing depends on how well dancers relate to each other.
When you truly swing, the audience can feel it. It's not a surprise that it's one of Ellington's favorite numbers. It was a challenge. But it was also very interesting the way she is silhouetted to create complimentary movement and also be indicative of the style of singers of the day. That said, she believes her grandfather would have enjoyed the merging of his music with Shakespeare.