Whether the scale of the work is large or small is a relative matter. Berrocal deals with all sizes, all scales, all proportions. His forms contain various permutations that are determined according to his intention. Whether they be a multiple edition or a monument, Berrocal adjusts the scale to the space the space of the city plaza or the space of the hand that intimately disassembles the bronze form. Sculpture is not an instantaneous titillation like the discovery of an image on the internet.
Sculpture requires patience.
The eye guides the body and the body becomes the eye that circumambulates around the form. By conceptually assembling the various angles of vision through one s own physical experience, the cognitive dimension of Berrocal s work begins to coincide with the form s sensory appeal. The work of Berrocal, as so accurately shown in the Almog vares , is a construction of parts in relation to the whole. This is fundamentally a Gestalt concept. Each torso is literally constructed of elements that can be deconstructed.