I'm afraid it didn't happen. I'm 50 now. On the practical side, the way it happened for me, I have been writing for people in Hollywood for a little while now. The real test of screenplays as far as they're concerned is not how good they are, although they do care about that, it's whether they get made. Because if a screenplay gets greenlit, a whole lot of people are in work and they get paid.
Studio executives get credit.
All sorts of other people, their lives become real instead of imaginary. So, there's a tremendous value attached to screenwriters that write screenplays that stars commit to that get made. And I've had a few of these. I'm not a top property, but I'm valuable. And when that happens, people start wanting you to persuade them to work for them.