Based loosely on Interlude. Solo becomes fast and wailing. Coltrane solos, using violently rapid runs, false tones, and altissimo. After applause, Sanders solos on alto sax. Alice Coltrane becomes more forceful and dissonant in her accompaniment, Ali moves further from regular timekeeping, Garrison moves freely.
Sanders continues to quote segments freely through next part of solo.
Alice Coltrane's accompaniment changes to reflect indications of A harmonic structure. After some hinting, Sanders plays the melody, but moves away mid-phrase to further improvisation, returns to segments of melody periodically. After applause, Alice Coltrane begins to solo. Sounds much like a freer McCoy Tyner. Frequently alternating chords in left hand accompany rapid flourishes in right hand.