Back to the suture with ER Michael Idato visits the set of E.R. and finds no expense spared in the quest for realism.
Television is the art of illusion.
From three wobbly walls and a sparsely furnished set comes the stuff of dreams. But on the set of E.R. , the world's most successful medical drama, little is left to the imagination. There are no dressing rooms, no props bay and definitely no timber sets with a fourth wall left open for cameras. Accuracy is an expensive business, but it has become E.R.'s hallmark. It is Baer's job, as a real medical intern, to ensure E.R.'s accuracy.