When two pitches are perfectly in tune, there are no beats. Memorize the pure interval chart above, and keep it in mind when you are playing in an ensemble. The chart implies, for example, that if you have the third of a chord and hear beats, lowering the pitch has a good chance of improving the situation. A lot goes into playing in tune and getting the most from working with a tuner. This article has only touched upon some of the highlights.
Time spent with a tuner can be well-spent indeed.
There's some pretty heady theory involved, not to mention intermediate to advanced playing skills required. At the same time, it is not unreasonable to expect even young players to play fairly well in tune. The techniques are much less conscious with younger students. As you begin to incorporate a tuner into your practice, be sure to discuss its use with your private teacher to make certain you are using it productively. All rights reserved.