He faces a system entirely autistic, operating completely independent from its surroundings. The system has no aim - except itself. The result is an indifferent, autonomous space. The contrast of the easily comprehensible structure and the system's chaotic kinetics makes the spheres of perception of culture and, on the other hand, of nature superimpose each other, the system's clear structure being ascribed to the cultural-technical sphere, the chaotic motions, to the sphere of nature defying control. The installation does not utilise technology as a model merely simulating something, but develops an autonomous existence.
Technology is no longer a mere means of, but a precondition for, operative processes.