In our country the artist have always proclaimed the 'Theory of the independence from organisations'. The examples of practice have shown they were wrong, that they are still wrong. But they still defend the position that an organisation would 'kill their creativity'. Idil's artistic creativity developed parallel to her development in the struggle, her development as a revolutionary. This dilemma resembles a new stream which has not found its bed yet, which doesn't know to flow to the right or to the left, which flows without direction.
Revolutionary artists have found their way, they are artists who know their goal.
For them it is impossible to separate being a revolutionary and an artist, for them there is no contradiction. Being is revolutionary is a paramount characteristic which determines the entire life of a human. Organisation is no hindrance for artists, it is a power. Artists who materialise the culture of the Party-Front become its focus and they can always take from it for their material and immaterial needs. To develop this line from where it is now, is the answer to some abstract debates.