He is great and so is the Philharmonia. Because they re an orchestra that works together all the time it made it much easier. Still, continuous discussions always ignite the question, which sound format is the best-suited one. Whether it s one system or another, I think the Dolby Digital format is a wonderful system, so I am very happy that you can finally experience audio at home the way it was supposed to be heard. And I was theatrically released in 4 different sound formats, including Dolby Digital, SDDS and DTS, and according to Berger they all sounded wonderful.
Some systems have their benefits versus their deficicts.
With arguments still flaring up all over the place, the question clearly becomes, why does an audiophile like Berger go for a Dolby Digital track in this release instead of a DTS track that might be able to reproduce the music even better. For me Dolby Digital is excellent. Dolby Digital is an excellent format, so that s what we used for that particular movie. We chose to go with a 448 kbps data rate for the audio instead of the standard 384 kbps. That way the audio stream is less compressed which in turn gives us more dynamic.