As a result it was not so easily understood or accepted by the general public. At the same time many people were quick to spot the similarities between the new works and those of Western modern art, and tended to view them as mere copies. Fries Museum, Netherland Zhuang Hui Year 2000. It represents the culmination of years of research and a significant and challenging contribution to the discussion of the advent of modernism in Asia. Clark offers a unique viewpoint, debunking the idea of a single 'modern Asian art' and of a one-way flow of influence from West to East, presenting instead a complex ebb and flow of information and transformation, where many diverse modernisms interact.
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