Some scenes are therefore repeated during the three acts, using a different viewpoint, and requiring the actors to re-stage precisely their initial scenes. As some scenes are lengthened, or modified in the light of what we have seen before we gain a greater understanding of the events from each character's viewpoint. Whilst this would be relatively simple to achieve on film, for live drama it involved complex methods of panning and camera movement to capture and expand the chronicity of events and repeat them exactly as it had gone before. Schaffner achieves this by using several cranes to snake through the various sets as the scenes are played and repeated, often in a different order. There is no time.
Time is only an illusion.
And Studio One could prove it. Brooks, Tim, and Earle Marsh, editors. Gianakos, Larry James. A Comprehensive Chronicle, 1947-1959. Kindem, Gorham, editor.