By playing these pieces, you will discover that each of them consists of many small pieces. Apperentely using a computer with a sound card, Taylor composes small pieces of electro-acoustic music. These small pieces bear no apparent relation to each other, so why not indexed as seperate tracks. There are excursions into plain feedback, sound processing of acoustic sounds but it stays on the 'normal' side of things. It seems rather unfocussed, not going in any particular direction.
Sounds come in, go out and that is it.
The CD called 'Of' has some beautiful drony ambient works. Just as nature has a frightening character, the music from IOS is at times disturbing too. Lilt' starts out with an orchestra tuning, people in waiting for the concert to start, but that doesn't happen. The wind blows in the microphone and rain drops fall. More orchestral, microtonal processing take shape on the first piece of the 'The' CD and sounds rather majestic.