Notice the assertiveness of the orchestra in the first and last movements, contrasted with the accompanying role it serves in the pensive Andante movement. The ascending horn calls with answering oboes of the first movement are balanced with descending horn calls and oboes in the final, succinct Rondo. The composer's unique lyrical genius was first manifest in his songs, but as he matured, this lyricism was also displayed in the orchestral and chamber works, bringing a truly romantic feeling to these classical forms. After being hidden away for thirty-seven years, this manuscript finally came to light, and was handed over to the conductor of the orchestra of the Musikverein in Vienna. Before he has scarcely entered, they know him by his step, by the way he lifts the latch.
Many theories abound as to why, or even if, the symphony was left unfinished.
Today we enjoy the piece as it stands, although some have attempted to expand it to a four-movement work by completing the scherzo sketches and using the B minor Entr acte from the composer s incidental music to Rosamunde for a finale. However, with these two most perfect movements, Schubert ushered in the age of the romantic symphony. Back to top Program notes by Linda Mack. Send me e-mail .