Reducing the noise in the signal simplifies out human difference for the sake of accessibility and creates work that is pleasant but does not bring us to new understanding. Information prose writers must write for an audience that finds noise and its attendant uncertainty stimulating. Much contemporary writing neglects them. Currently, the writers doing the most work towards some of information prose's goals are hypertext writers. Hypertext writers are not necessarily information prose writers, and not all information prose writers will seek to be hypertext writers, but hypertext has merits that should be considered by writers of information prose.
Some hypertexts consist solely of navigable webs of interlinked fragments.
Some information prose writers may find this approach fruitful. But hypertextuality need not be incompatible with more traditional narrative. There is nothing about hypertext that demands that a story incorporating it must be written with forking paths and multiple endings. The bibliography is the model here. Information prose writers should embrace the elements of hypertextuality which aid documentary.