Subscriptions and individual issues can be ordered from the MIT Press. The author describes Music from the Center of the Earth, a series of three electronic music installations deploying underground loudspeakers in various configurations.
Prefixes is the logical outcome of the author's development of the principle of hybridized sound.
The theory of mixity concentrates on the hybridization that results from fixing signaling particles to the initiative of a sonorous, acoustic entity. Despite prevailing program formats, broadcast radio is a medium in which an unprecedented level of communal participation can be combined with the public exposition of private sound worlds. The authors describe the analysis and reconstruction of this recording and examine the implications of this work as a contribution to the understanding of performance practices in the late nineteenth century. In 1986, Przemyslaw Prusinkiewicz introduced a simple method of producing relatively complex musical scores that incorporate a legible internal structure. Using a scheme called edge-rewriting, one of the authors, Stephanie Mason, has extended Prusinkiewicz's methods to generate melodies and polyphonic structures that conform to traditional Western expectations.