To make his case, an author must examine all significant approaches to resolving the story's specific problem. If a part of the argument is left out, the story will have holes. If the argument is not made in an even-handed fashion, the story will have inconsistencies. Characters, Plot, Theme, and Genre are the different families of considerations in the Story Mind made tangible, so audience members can see them at work and gain insight into their own methods of solving problems. Plot documents the problem solving methods employed by the Story Mind.
Theme examines the relative worth of the Story Mind's value standards.
Genre establishes the Story Mind's overall attitude, which casts a bias or background on all other considerations. When a story is fully developed, the model of the Story Mind is complete. Inc. All Rights Reserved. Based on theories and materials developed by Melanie Anne Phillips and Chris Huntley Dramatica is a registered trademark of Screenplay Systems Incorporated.