My number one complaint with this camera is that the focusing helical will only rack the lens far out enough for sharp focus at 3 meters. Sometimes a helical just isn't a substitute for a bellows. Fuji provides some clever mechanical alignment aids and a fluid level, but you still don't quite know what you have until you get back from the lab. I understand why some people get a ground glass for the back so that they can frame their images more precisely. You only get four shots on a roll of 120 so having to open the back to frame every shot isn't a big deal.
Results are incredibly sharp and detailed, however.
It is very difficult to get this kind of quality out of a view camera because the film is so much thicker and doesn't lie flat in the film holder. It showed 5 on the shutter counter on the bottom of the camera, which means that 50 exposures had been made. The price included a center filter, hard case, lens hood, cable release, and manual. Probably the toughest thing to figure out with the camera is what to do with the output. Magazines can reproduce from the big chromes with no problem.