Instead, there is a broken, aleatory logic, encompassing possible openings, that are developed, or not. Becoming, a pass word. It's not that it is reprehensible, but that it just does not even function. Classical thought gets depressive, so it gets excavated. Let's proceed differently, for example, by grabbing hold of the middle of the writing.
Writing has nothing to do with signifying.
As for the writer-surveyor, he develops Kafka. Kafka, but also Beckett, Godard, whose style Deleuze and Guattari like. The important thing is that this word produces an impression of familiarity, one that is no longer disturbing. So it's not in the machines that the innovation of A Thousand Plateaus is located. Rather, it's in the writing, first of all.