Still not right. However, I tried the same filter on the original photo, and it looked pretty good. So, I gave it a new name and saved it, leaving the original photo untouched. Then I selected the ink outline version and dragged it onto the cutout version. A few quick touches with the Saturate sponge boosts some of the colors, and then it's done.
Portraits require a different approach.
You really shouldn't let the photo distort too much or reach a level of abstraction that makes the subject unrecognizable, unless you want to convert it to something other than a portrait. I'm going to try the Colored pencil filter on her. Here it is, with the pencil width set to 1, and the stroke pressure at 15. Paper Brightness is 40. Setting a small pencil width and a high stroke presser gives us a large number of delicate lines.