Idil's artistic creativity developed parallel to her development in the struggle, her development as a revolutionary. This dilemma resembles a new stream which has not found its bed yet, which doesn't know to flow to the right or to the left, which flows without direction. Revolutionary artists have found their way, they are artists who know their goal. For them it is impossible to separate being a revolutionary and an artist, for them there is no contradiction. Being is revolutionary is a paramount characteristic which determines the entire life of a human.
Organisation is no hindrance for artists, it is a power.
Artists who materialise the culture of the Party-Front become its focus and they can always take from it for their material and immaterial needs. To develop this line from where it is now, is the answer to some abstract debates. The fact that she took her place in this bitter war also shows she wasn't a sensitive artists without political identity. The sensitivity of an artist alone is not enough to take a place in such a heroic struggle. What is needed is the totality of revolutionary sensibility, the responsibility towards the people and the revolution.