It is a curious question to examine how far the converse of this proposition is true, and in what degree eminent talents are compatible with the absence of virtue. From the arguments already adduced, it appears that virtuous desire is wholly inseparable from a strong and vivid perception of the nature and value of the object of virtue. Hence it seems most natural to conclude that, though understanding, or strong percipient power, is the indispensable prerequisite of virtue, yet it is necessary that this power should be exercised upon this object, in order to its producing the desired effect. Thus it is in art. There is however some difference between the two cases.
Poetry is the business of a few, virtue and vice are the affair of all men.
To every intellect that exists, one or other of these qualities must properly belong. It must be granted that, where every other circumstance is equal, that man will be most virtuous whose understanding has been most actively employed in the study of virtue. But morality has been, in a certain degree, an object of attention to all men. It must further be remembered that a vicious conduct is always the result of narrow views. A man of powerful capacity, and extensive observation, is least likely to com mit the mistake, either of seeing himself as the only object of importance in the universe, or of conceiving that his own advantage may best be promoted by trampling on that of others.