Our need to think in new symbolism is urgent. Perhaps fish who knows no end can help us.
Motion is such a language, poetry another.
So now I have a fish, its action in hand, its naked signature, joy of return to water, eye impress, its silent sound and lines on rice paper. My fish in picture or word is second-hand dead. Better become Fish instead. Charles E. Tuttle Company, Rutland, Vermont, U.S.A. 1969. The concept here is a strident, powerful statement lasting for the first six minutes and developing into a delicate poetic second section.