The hallow eyes and clinched jaw remain frozen from the pain of its death. These spines, sticking out of the wall, might mirror Roger's view on people who follow mainstream thought. In this work he collects the spines from the people absent the ability or desire to think and act individually. He exposes these shells, laughing at their primal state. These pieces sit on three levels, trapped between two flowing rusted-metal sculptures.
White veils seal the collection, creating one striking piece of art.
Both sculptures are assembled with twisting pieces of crude metal, spiking into the work's space. This fluid movement lures the viewer's eye toward the rest of the art. Rogers effectively uses the space, penetrating the viewer's senses with his hard and dark intruding technique. Another of Max's sculptures is simple but this bronze shows off his artist talent. The sculpture on the left moves the audience's attention to the right with its jagged-edged metal.