While the album itself is uneven, it shows Orton can play for both the folk and techno teams. Her wounded voice is distinctive and instantly memorable while at the same time drawing comparisons to Joni Mitchell and Suzanne Vega. The techno side is just as accomplished. It grips you and never lets you go. Unfortunately, the second song is a major pot hole.
Problems also occur midway through the album.
As Orton's voice is intoxicating, it is also draining. Her limited range tends to make the mid-portion of the album seem like one continuous downer. If you don't have a nice cup of coffee next to you, it is likely you may nod off. Credit Orton for taking a huge risk. If her next album can build on Trailer Park 's best moments as well as iron out the weaker moments of the rest of the album, you've got a potential classic in the making.