Images of flames projected with infrared tracking devices onto two dancers were merely a swirl of light hovering on their stomachs. The beating heart that was supposed to have appeared on a dancer at the final climax didn't. Indeed, perhaps Parsons was sending the same one - toward the end of the piece, the dancers swirled among words and flickering media images. The stage was filled with chaos. Enhanced by music by Charles Ives, the dance embodied a host of moods.
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