The B part is truncated to half the usual length, and both it and each half of the A part end with an extra three notes on the tonic. At the end of each chorus or half-figure, face into the set and tap the ground three times.
Second corners do the same.
First corners clash forehand on beat 2, then pass right shoulders to the other's place, facing out. Second corners do the same. Second corners do the same. Pass right shoulders across the set, clashing forehand on beat 1, and turn to face someone up or down the set. Second corners do the same.