It is an additional way of expressing myself, but it is certainly not a new direction I plan to take. We've noticed that over the years we haven't always been particularly kind. The first time I reviewed your work was a conceptual Cavalleria and Pagliacci in Amsterdam. I don't think it was wrong. It didn't say much for the piece itself or help the piece.
People often speak today of direction d'acteurs.
This should of course always be the goal, but I'm not sure that it's always possible with singers. Things have changed enormously and many singers have become extraordinary actors. With some you can even work as you would with a theatrical actor. Of course, the techniques are completely different and probably the most important thing a theater or movie director does is work on timing, whereas in opera the timing is already there. The most important thing is the timing.