The one certainty is that 'something' is experienced on a definite but unknown level of consciousness. It is again symbolically decoded in order to be used for domestic magical and consciousness expanding needs. Imagination and interpretation testify to the real - the sacredness of images. The creativity released by the visions, and the writing down of visions themselves, give more reality to the experience, and make it more holy. The occultist does not appear to provide a well supported or unsplintered identity, compared with a traditional concept of personality.
Visions become extensions of man into a state of gnosis.
Through the interpretation, an increase of reflection arises, which cannot be attributed to a particual author, and cannot be regulated by the chief of any particular order. As an organiser of images experienced in trance, the occultist reflects back to the archaic idea of creation by idealistic aesthetics. Like surrealism, occultism tries to break the domination of rational philosophy and logic, stressed by Descartes. As many voices, colours and material as is possible, need to be perceived in the underground culture of the occultist. A euphoria of images and voices determines his identity and reflection.