Feature Article Phyllis Curtin performance photos go to Special Collections Caught in the act SFA Dean Emerita Phyllis Curtin in an undated 1960s photo as she prepares for the part of Violetta in Verdi's La Traviata. Photo by Gene Cook Phyllis Curtin is entirely clear about why she chose to give BU's Special Collections more than 100 boxes of photographs by her late husband, Eugene Cook. At BU we get music off the page and into the ears of listeners.
Performance is exactly what the photographs are about.
Taken over a period of 35 years by one of Life magazine's distinguished photojournalists, they depict Curtin's renditions of leading operatic roles beginning in the 1950s as well as scenes from ballets and other musical performances, from the theater, and from Cook's travels in Europe. Cook taught at COM from 1983 until his death in 1986. The acquisition was celebrated at a reception held by the Friends of the Libraries of Boston University on November 19. The exhibition includes dramatic shots of Curtin at a 1954 performance at the New York City Opera, where she stunned critics not only with her singing of the title role of Salome, but also with her seductive rendition of the Dance of the Seven Veils. While dean, she established the Opera Institute, in 1986.