And she is also showing the dog. But the pictures feel cold, or at least distant. The unpopulated photos are of almost no interest. Those with people in them are riveting. There are intriguing dramas in these photos.
People are rare in architectural photography, but perhaps they are useful.
Serraino's commentary is often misspelled and only occasionally really enlightening. His discussion of the importance of the architectural photographer with regard to memorializing particular architects is telling and true, especially since most of the architects in this volume are practically unknown.