I know my films are extreme in certain ways, like the fact that nobody smiles. All of my films are a desperate attempt to make some philosophic sense out of my own experience. I want to know more. As in real life, I have never really been interested in people who are wavering, who don't know what they like, who don't know what they value. I think sometimes that I've avoided explicit sex in my movies because it's embarrassing.
Redundancy is embarrassing.
And, of course, it always seems beside the point. I don't have any questions to ask about fucking. Whereas I have a lot of questions to ask about the more mundane aspects of life. I've always got my eye out for flat spaces to have someone fall down on. Empty highways have this almost narcotic attraction for me.