Witty and totally accessible, he re-edits Planet of the Apes , Top Gun , and The Sound of Music with brilliant attention to detail and innuendo. But Ben Pruskin's Plastikamglampanproco is the star. The lack of soft surfaces heightens the anxiety produced by the epileptically paced strobe effect of colour and text. Pruskin has even silicone-sealed the meeting point between wall and floor. You are not quite sure whether to play viewer or victim.
Spectacle is the absence of power.
This is a strong exhibition of strong works, not a strong exhibition as a result of the interrelationship of its individual parts. As form follows finance, the show is professionally produced with clever design reinventing the historical Granary building into a capsule of the very contemporary. According to Goodman, Britain could do with some issue-based shows, not just more Young British Artists rehashings.