I'm not too particularly fond of. There was Roy, Jeff, and me, and the help of a couple of guys in the studio. On stage, our keyboardist, Richard Tandy, uses his vast array of keyboards to make up for the lack of people we use in the studio. We started looking at it with a perfectionist's attitude. Now we meticulously plan a show number by number, and very rarely change it.
People like to listen to our pieces for a while and then they like to get stompin'.
He thinks that it's a bit of history and that's the end of it. He cuts himself off from the whole cult. We did it ourselves, really, without the help of anybody at all. We arrived in New York, hired a car for ourselves, a U-Haul trailer for our gear, and drove to Detroit. We were so narrow-minded in those days.