Which N ietzsche also supplies. In any case, asserting the composite nature of things makes possible no more than names on the marquee for what we should expect to be exceptionally action-packed adventure. An idea also important to K ant, 'Character' in B ergson finds articulation as how a whole appears in expressions that are evidently partial. Taking character as our scene, we aspire to encounter individuation in how it is implicated in issues of integrity . As musical changes hold their season in meshing paraphrase of note structures, so life's circumstance poses life questions of integrity.
Patterns interfere with each other and condense or rarify distributions of potential differences.
So from how life wears, life finds a familiar spirit ranging in differential sensitivities beyond the relevance of immediacy. The condensations, in bearing inward, in posing discontinuities, often take origin even from the structural consequences of the rarefactions attentioning the gradations of a life's sensitivities beyond itself. Life exists as tearings and mendings, and life's patchwork negotiates against taking its form as expressing a principle of identity, though not as marks of character . Character especially when tearing and mending can converge and superpose as exposure and expression, for then part and whole wear together, an option of providential economy. Then again, development as direction, before it finds itself as character, sends itself as play , but the reader should not expect to find more now than - ' characters from a play '.