By definition, they are not familiar to others. Thus they are stored in the memory of a computer. The thread that connects these images with the source of their origin is invisible and mystical as it is unwound by experiences that are not repeated and do not belong to the viewer. All the illustrated information, all the connections that bind it to speech, are clearly a personal matter of contemporary man. The viewer who projects them on the screen with the use of his voice, appropriates them and starts experiencing the illusion of personal narration.
Nothing corresponds to anything.
A strange presentation of the re-presentation is inaugurated. The objects placed in his installations in space are his own creations that have an intensely ironical character like the works he appropriates. He voluntarily confirms or revokes his existence in the capacity of the artist-creator in relation to what already exists in everyday life whether that may be in the past or in the future. However, the use of this apparatus, the artist does not pretend to be paving the way in order to facilitate the viewer's transport to the top of creation. The person who talks in front of the screen, enters into it in order to dispense with the artist.