Early in this draft, we see him spare the life of a target because he's cradling his young son in his arms. Rye, essentially Alex's past self, wouldn't have been swayed by such overt sentimentality. Rebecca was a surprisingly effective supporting character. Her dialogue was better than I'd expected, save for one scene where she explains to Alex about her phobias of large groups and open spaces. If the final film remains the same way, then some will be glad the story didn't detour into Schmaltzville while others might find this subplot under-developed and arbitrary.
Rye is a relentless killing machine, pure and simple.
He'd be more professional and intimidating if he spoke less, and it would also play up his machine-like nature even more. From the moment we meet him, we know what Holland's purpose is. Because both Rye and Holland are such conventional heavies, the plot of Gemini was often quite predictable. There were not as many surprises or twists in this draft as I was hoping for. It's a chase picture and the chases themselves have been seen in countless derivatives of The Fugitive .