That is to say, the layout of a hologram is constituted with the formulation of the diverse ways of perception the spectator will have, keeping in mind the degree of the hologram's parallax. It is for this reason that the poem acquires independence from the support and, thinking in terms of real image, permits that the spectator move the hand between the page and its holographic projection. Instead of the pen or the typewriter or the Letraset, the laser. Even faced with the evidence, there are critics that reject systematically the electronic art and who believe that holography is merely an idiom. But the poet of the XXI century elaborates a holographic language and inquires.
Poetry is a three-dimensional enigma.