And John Hannah s Canadian accent has more than a few traces of Scottish cadence. But the main difficulty with this movie is its attitude to fact. Films dealing with injustice are invariably given to manipulation and even dishonesty. The altering of truth to make a better movie is problematic in that the narrative purports to be true. Like many of its powerful predecessors, The Hurricane is not straight history.
Real life is messier than fiction.
Lives are more complex. Words seldom roll from the tongue in eloquent discourse. People often act out of a grab bag of motives. Films cut out much of the grey, tonal elements of life in capturing the black and white drama of film. The Hurricane is no exception.