There are two plates used to make this print. One is smaller in the middle and was a messy oil of wintergreen transfer. The second, larger plate was made with riston film. Up close, the print shows those little geometric lines that computers make. I was happy that the oil of wintergreen plate was more organic.
Printmaking is an extremely versatile medium.
Each individual technique takes a lot of patience and practice which ultimately has to contend with creative spontaneity. So one can't help but assess the validity of each technique used to make a print. The result, of course, is an edition, each print containing the same high resolution, the same variety of color as a handmade painting, and potentially the same variety of texture. You might be interested to know that commercial photography is limited in color and always favours one end of the spectrum. Therefore, the colors you enjoy in photographs and here on the internet are always an inferior representation of the original.