This unit explores the nature of the guitar in jazz. A historical survey of jazz guitarists includes extensive listening and viewing of video performances, with special attention to the techniques that established their individual voices on the instrument. Elements of guitar acoustics are discussed and demonstrated in the laboratory. While the unit is designed for players or non-players, it will include a discussion of jazz theory and analysis.
Private lessons are available for guitarists.
The Infinite Art of Improvisation , Paul F. Berliner, University of Chicago Press, 1995. Audio Materials Listening to recordings is a large component of this unit. Several copies of each tape are on reserve at the audio desk of Ladd Library. Brief quizzes will be given each class day on the reading and listening assignments. There will also be a final project, which may be either a research paper, a musical analysis, or a live performance.