I know on this planet. He does things they still can't figure out on computer. Peter was an old school pal of mine from CalArts and defended me each step of the way. By the second and third episodes of the first season shorts, they trusted me enough to let me do the music, dialogue and sound effects without any guidance. Industrial cyberethno technoambient classical.
Monican music is chaotic, passionate, eerie, airy, dusty, a bit French modern.
Harmonies are Slavic, Hungarian, Whole tone, etc. My main favorite machines are the Ensoniq ASR 10 Moog memorymoog, ARP 2600, Waldorf Wave and Microwave. The samples used in the show come from a variety of original sources, recorded to DAT with a Neumann RSM191 stereo Microphone. Most of the samples are processed, often using Alchemy or Turbosynth. In some places there were as many as 60 different instrumental tracks playing.