But the concert hall is an invention of the 18th and 19th centuries. In Morocco, older traditions prevail. For lesser events, or for no reason at all, amateurs may get together and play for themselves and their friends. An equally important, and far more obvious, aspect of musical performance in Morocco falls at the opposite end of the spectrum - the totally public performance. But many individuals and groups with lower volume also appear outdoors, to a more intimate audience.
Many musicians travel a circuit of weekly country markets.
In the larger traditional cities one can always find some open square which is unofficially reserved for public entertainment. The entertainer begins his performance with a great din of shouting and drumming, to attract as many spectators as possible. After every song or tale, he asks for contributions. If the entertainer is satisfied with his take, he blesses the donors and continues the performance. If he fails to collect enough he may abandon his audience and try another part of the square or await another day.