I listen meditatively to an acoustic phenomenon. I want to surprise its natural direction, its noematic tendencies, the sense of its sonic matter. The intuition has to liberate itself from factitious things. You have to leave it to operate in its original purity. So, you have to enter and absolute game where there is no comparative.
Nothing is purer, more real, more alive.
There is the truth or the untruth. The Husserlian sense that I'm indicating here has become, thanks to Celibidache, a support hardly replaceable, a cardinal support. Theoretical speculations alone cannot result in anything important anymore Even at the beginning of my personal development in the writing of composition I was intimately linked to the processes of interpretation. That's Why always pursued my research in the manner of found realities as I shared them with instrumentalists. In 1976, rejecting the done and seen I founded the Hyperion Ensemble, a multimedia group dedicated to experimental music.