Plate No. 2. Dick Higgins' intermedia paintings belong equally to the graphic arts, poetry, music and performance. In this image, looking at and looking through are juxtaposed as a reflective resonance that constitutes a fragment and a whole simultaneously. Plate B Plate No. 1. Toccata, borrowed from the Baroque keyboard style, implies a free form.
Musicians read the color score from left to right.
The editors regret that this illustration was mistakenly printed in black and white with Michael Poast's article. Plate No. 2. Note in column A that the right parietal areas are activated. This area is associated with facial perception.