When the Benefactor of Mankind is liberated, Nature resumes the beauty of her prime, and is united to her husband, the emblem of the human race, in perfect and happy union. In the fourth Act, the poet gives further scope to his imagination, and idealizes the forms of creation, such as we know them, instead of such as they appeared to the Greeks. Shelley develops, more particularly in the lyrics of this drama, his abstruse and imaginative theories with regard to the Creation. It requires a mind as subtle and penetrating as his own to understand the mystic meanings scattered throughout the poem. They elude the ordinary reader by their abstraction and delicacy of distinction, but they are far from vague.
More popular poets clothe the ideal with familiar and sensible imagery.