Yet with statue photos that possess certain human characteristics and intrusive chirping sounds, the entrance way acts as a direct confrontation to the visitor. The darkness of the tunnel and its imagery of a sculpture garden in ruins affords it a soothing effect to counteract its unnerving one. This theme of paradox is one that Wilson develops in the exhibit throughout. The tunnel branches out into a white, open room filled with objects. The whiteness represents innocence, day, or perhaps birth.
Objects range in size and take the form of chair, statue, door, and placard.
The space is arranged so that visitors can walk around or underneath and, in general, get very close to Wilson's objects. Notably, some of these objects are stage props created with the intent of eliciting reactions from an audience. Curiosity and wonder were common reactions. The intermittent sounds of bells clanging and glass breaking enhanced the distraction and rapture. The organizing principle in the second room is formality.