They're both high up on a mountain. Brass accents enter the mix. Then Tony Thompson unleashes controlled explosions on the rocks below. Each pounded outburst is pregnant with musical ideas. It's an awesome, ground-breaking drum solo.
Nard delivers staccato bass that barely fits into a bar.
This track cries out for more space and several completely different mixes focusing on all the different ideas. On Side 2, it's as if Diana gives up the struggle against CHIC's production instincts and offers her voice as another element in the mix, and it's the better side for it. Diana's voice cajoles and soothes the nervous instrumentation. The group trade musical lines effortlessly. And the lyrics are good, respectful of the instrument.