The trade is seen for what it was, a lucrative barter of chattels. The idea that these black beasts might benefit from the legal protection bestowed upon civilised people is beyond the comprehension of slavers. When the ship is boarded by American coastguards after eight weeks at sea, sails torn and tattered, food and water almost gone, the 50 rebels are imprisoned in Connecticut and brought to trial for murder. His second is to understand a word they say. The case causes unease in political circles.
Pressure is applied and the law bent backwards.
The Africans do not behave like victims. They are unintimidated and angry, the heart of darkness beating within them. Spielberg exentuates the difference between white and black to emphasise the strengths and fears on either side, creating a powerful otherness. David Franzoni's script is both eloquent and enriching. The actors respond as if honoured to be part of it, especially Hopkins who physically alters his appearance to take on the burden of a crusty old campaigner, soured by experience.