Judging by the enthusiastic response to a free public run-through of this program at the Conservatoire de musique de Montr al before the recording sessions last May, the upcoming concert and disc should be another success. La Scena Musicale spoke with Karina Gauvin about the recording experience. This will be my third for Analekta. For my first recording, I got a call from Luc Beaus jour who had heard about me from another musician. My second recording was the Beethoven Egmont with the Orchestre Metropolitain.
Recordings are good for promotion.
It's also important to reach the people at home who may not be able to come to a live concert. No, each project has developed separately. For the Bach and the new Vivaldi recordings I have retained the copyright, though it's not always the norm. It's different for the second disc because it is an Orchestre Metropolitain recording. I control content, the cover and the layout.