For years, most of my work was officially out of print or simply unfindable. From when the civil-rights law was passed in Minneapolis until 1990, after I found a new publisher, Pornography could only be bought in northern California, via exceptionally resourceful distributors. In the US the pornography industry and the publishing industry see themselves as twin entities engaged in exercising and protecting the same rights in the same way. My work is radical. A lot of people, especially the already comfortable, don't like it.
Men especially object.
Women don't want to be associated with work that brings out unambiguous hostility in men. The left refuses to change, and in order to organise for the equality of women, the left must change. Even to consider, for example, the analysis in Right-Wing Women means reconceptualising what it would take to organise women politically. I didn't come to feminism until I was in my mid-20's. It's hard for younger women now to understand that women my age didn't have feminism as a movement or an analytical tool.