The Dionysiac building on the east side of the acropolis further illustrates this Greco-Roman influence by demonstrating a prolonged infiltration of culture. Fifteen mosaic floor panels depictig various scenes from the life of Dionysos and his cult decorate the floor, scenes conspicuously identified by Greek inscriptions, made according to the emblem tradition. The cultural mixing therefore did not stop with the introduction of the theater in 2nd century CE, but continued on into the following centuries. The continued use of Greco-Roman architecture shows a permanent internalization of foreign symbolism by the residents of Sepphoris. These Hellenic images by no means destroyed the native symbology of the Jews.
Numismatic evidence helps illustrate the coexistence of pagan and Jewish symbol structures.
After the quelling of the jewish revolt in 70 CE, the Romans issued a huge number of coins to commemorate the defeat of the Jews. The Romans not only destroyed Jerusalem, but disseminated currency designed to totally strip the Jews of the cultural autonomy. Coins struck during this period in Sepphoris, however, often portrayed Jewish symbols such as the palm tree and ears of barley in a positive light. Sepphoris was allowed to mint such coins, and to retain its Jewish culture solely because of its capitulation to the Romans after the fall of Jotapata.