Senegal, for instance, is finding it difficult to develop an indigenous children's literature because of the power of imported French publications. On the other hand, folktales and historical stories are published to counteract the influence of Western civilization on youth by infusing pride in their traditional heritage and the national struggle for cultural and political independence. Ironically, when Western authors discuss the same issues they are often condemned for their neocolonial attitude and the invasiveness of Western civilization. This objection raises the question of who has the authority to speak for whom. Marcellino's cover art for The Story of Little Babaji perpetuates the stereotype of the little maharajah, dressed in sherwani and upturned jootis and riding a tiger, instead of presenting the protagonist as the village boy that he is.
Postcolonial discourse is also revisionist.
Ironically, some of these revisions have created new stereotypes. The stereotypical names, doll-like and wooden physiognomy, and ludicrous poses have now been transferred to Indians. Cultural details are used for their exotic appeal and are inconsistent with the professional and socioeconomic status of the family in the story.