That s where our destiny is at stake, as far as the global catastrophe and the pursuit of alternatives are concerned. That s where mankind s imaginary is moving to. We do not believe in the private property of ideas. Being free-lance is not enough, we have to acquire more strength, get control on the production process and the results of our creative labor. Nowadays information is the most important productive force.
Mental labor is completely within the production networks, indeed, it is their main driving force.
To write is part of production, to narrate is politics. Now the distinction is between those who are aware and the legion of reactionaries, whether the latter are self-conscious or not. First of all, stories that have a beginning, an end and a plot in between. Experimentation is acceptable only and exclusively if it improves narration. Novels that process raw materials found in the gloomy zones of history, real stories told like fiction and vice versa.