Third New rhythmic cycles also form in a regular sequence as the frequencies become offset during the slight tuning variations in vibrato. Some intervals produce a sequence of rhythmic patterns in shifting meters which are similar in dynamic character to the multiple meter sequences performed by traditional drummers in West Africa. The connections between each individual pitch and its relative tempo are subject to the perception of rhythmic pulse when interpreted by the listener. An understanding of the rhythmic basis for harmonic sonorities can aid in the overall integration of the components of music. For example a tempo, when viewed as tonic, can be chosen accordingly.
Performance techniques can synchronize, offset or fragment harmo-rhythmicity.
Arppegiations can be played in time with the harmo-rhythmics to create desirable combinatory tones. Bending notes and glissandos equal ritards and accelerandos on the harmo-rhythmic level. When relative synchronization is performed, and the frequency of the dominant pitches are multiples of the tempo and rhythm at which they are being played, a wide natural resonance occurs between the most basic aspects of music. Awareness of harmonic rhythm may also lead to the realization of a more cohesive musical symmetry through subtle adjustments and nuance in performance and compositional techniques.