In the art of abstract steel sculpture, one practitioner, it seems, stands above the rest, writes Sebastian Smee.
Modern sculpture seems to thrive on embattlement.
Check out the Sydney City Sculpture Walk for a demoralising example of the latter. Campbell has been organising group exhibitions, talking it up, hustling for space and pushing for attention. It's a Fringe Festival event and it pushes several dozen sculptors out of the fringes they so despondently inhabit into the spotlight. Unfortunately, it's the kind of harsh spotlight that washes away distinguishing characteristics and gives everyone a bleached pallor. There is only one solo show.