By calculating when, where and how the shadow intersected the Zeughaus, the installation's computers triggered audiovisual events which used the texts contributed by the people on the IRC sessions. The piece emphasized the fact that the shadow is formed by a collaboration between the light, the building and the participant. Here, the Zeughaus became a repository that performed the transformation and the repositioning of the fears. The arsenal has appropriate dimensions, history and aesthetics for the piece, particularly considering it is now a public museum, where fear and paranoia have become tourism and postnoia. The tele-absence interface benefits from the impossibility of positioning the body within its shadow.
Relational architecture suggests that nothing is farther from the truth.
Other texts on relational architecture.