Never again has Belldandy lost all hopes and chose the path of destruction. And yet it is this loss of composure, this display of anxiety, and this strong, independent Belldandy that I sorely miss later in the series. The artwork is early Fujishima, with simpler lines and background. Even so, his trademarks long flowing, well-drawn hair, and a wonderful sense of fashion is already present. He has also established the thin, defined lines that fans associate with his works today.
Most panels have no background, and the few that do tend to use a simple screen tone as one.
The critical reader may also note a lack of dynamics in his art. The characters do not interact well with one another, or with objects. For the most part, it looks like they are cutouts pasted into the image, and you seldom see any of them drawn from an unusual angle. This has remained one of the biggest gripes against Fujishima's style until recently. Despite all this, the overall visual quality remains pleasant and should satisfy most readers.