The interviewer says that doing what Salas proposes will generate some resistance from the people who base the tango on feelings. That s anecdotal, Fabian says. The tango was born in the neighborhood, I m a product of the neighborhood and I like that twist, but I can t help recognize the value that technique has on the most advanced couple s dance in the world. What s fundamental about the renaissance of the tango is not a feeling that somebody who lives abroad can t feel. Today we analyze the dance as language.
Most people speaking a language know nothing about grammatical rules, however they speak.
Fabian Salas began to dance eleven years ago and he learned like everybody else with things that later he realized didn t work. Fabian Salas in the beginning had very few options. Yes, he confirms, and they pushed you around everywhere. If you went to a milonga right away somebody would come close to intimidate you, or if you were lucky to be like, here the interviewer uses the letters XX to hide the name of a well known show dancer who according to Salas is the mama s boy of the milongas. I m not complaining, but that is the way it was.