In essence, such facilities could institutionalize the experimental, argues Edborg. Other students, however, sided strongly with the notion that a professionally sized performing arts stage would better prepare them for arts careers. For people to learn what's happening out there in the real world, they need a new place experiment that's similar to what's out there in the real world. The audience sits on blankets while rings of burning candles and logs illuminate stage. Bill and Kate walking back and forth, Kate on roof, Bill below.
Musicians wait off stage.
They're not here yet. Fundamentally, however, the Cornerstone plan is about much more than technology and buildings. It's about allocating resources and configuring curriculum in such a way that art education can catch up with the modern art world. Since the 1950s, artists have increasingly melded aesthetic media. Artists such as Meredith Monk, Myron Krueger, Ping Chong and Robert Wilson have all mixed video audio, drama and dance - even sculpture and architecture.