The material is oriented to the spoken word, vocal effects, and vocal improvisation as opposed to traditional singing. Kelsey kept an ear open for happy accidents. I have a hunch that there were happy accidents aplenty. You can hear standard effects such as delay, panning, vocoding, pitch shifting, and reverb in the collection. However, at least half of the material has an intuitive, improvised quality thanks to digital signal processing that follows the flow of the sound, completely altering or enhancing it.
Many samples use multi-effects processing.
Although some sounds are composites of two or more samples, most additional textures and artifacts are a result of the processing. Intriguing Utterances I discovered numerous gems in addition to the poetic and stream of consciousness musings. Monkschant and Mountainchant are lengthy, evolving sounds, each evoking the aura of their names in oblique, dreamlike ways. The Voice Rhythms and Beatland sections contain rhythmic material that you can loop. Zeiglig2, from the Syllable Play category, has no bpm reference but is an enigmatic and cool rhythmic bit.