Opening is straightforward.
Trey lets loose a flurry of digital delay loops. The jam is incredibly textural for the opening few minutes, like many of the tweezer-jams from the last few years. What sets this jam over and apart from the others, though, is Trey's melodic, soulful soloing above this wall of sound, and Mike's remarkably gorgeous accompaniment. By the 10 min point, the jam is in the midst of an enchantingly harmonic bridge of sorts, driven in part by a simple but catchy riff that Trey repeats. There's even some Eddie Van Halen-like trilling for a measure or so around the 13 minute point.