As a matter of fact, remember that he got famous spontaneously a few years before his death in the '80s. The majority of his scores where published only three or four years latter, around '87-'88, by which time I had already pursued the adventures most significant to me. I currently feel a strong attraction on his music, but at the same time the opposite is true. He has a great spirit. His experiences, mostly meta-musical, are close to me but also limited.
Observation is made under a magnifying glass.
Consequently, the inner structure and infinitesimal changes are hyperbolically enlarged, which of course implies a large dose of idealism and whimsical imagination. But that can also happen to me, when ten years before Scelsi's apparition I had recorded and composed a major part of my music on record. It's a difficult one to summarize. From age 7 to 22, I went through the conventional steps of musical studies. I have a master's degree in composition from the CNSM from Bucharest.