But the Videssence class of SRGB fluourescent equipment is specifically made for digital photography. Once I began using the Videssence lighting for the digital system, I began to keep the same lights when I used by film-based Leicas and Hasselblads for taking slides. With daylight lamps in the Videssence, the color balance was green with normal outdoor daylight film, so this should not be tried without having the proper filter, either on the lamps or on the lens. Videssence lighting is cool, secure, and will not melt your subjects, or the photographer. Don't throw away your old tungsten fixtures yet, because Lowel DP class of lighting is still useful to get depth of field in digital shots.
Photographers tend to use either strobe lights or tungsten lighting.
Most digital cameras require constant illumination, so strobes or flash will not work at all. Tungsten lighting has the disadvantage of generating considerable heat, so you cannot do digital photography of ice cream with tungsten lights. Working in Guatemala I have to constantly move the lights, going from one museum to another.