The less fashionable Kashgar rubab has been superseded by the Tar from Azerbaijan. Perhaps a new tradition will arise out of the same feelings that inspired the shash maqam. Malika sings about suffering In the rural areas the picture seems somewhat different. Musicians play a more integral role. In Kazakstan and Kyrgyzstan which were largely nomadic musicians still sustain an aural tradition which is part of everyday life and life events.
Many great musicians are farmers or labourers who are partially self sufficient.
Money means little to them and many seemed perplexed by our fees for recordings. The western distinctions of professional and amateur do not apply here. Music is too important to be exploited for money. As the rural ways of life continue so the music has survived alongside it. The hospitality often being inseparable from the music.