To reinforce the point, let's underscore that it is almost always by utilizing distinctive imagery, evocative text and virtual results, that a content-rich experience is produced by artists for others who appreciate fine workmanship. Neither authorities nor the viewing public can tell the good guys from the monsters anymore, and so heroes and anti-heroes alike keep getting shot between the eyes, their bodies thrown onto pyres along with those of the twice dead. Consumers are consumable. The dead, reawakened by the energies of bad cosmic rays, instinctively avoid the half-eaten, and prey on the intact living. Ever ything is poison.
Nothing is poison.
Zombification occurs primarily because zombies are believed into existence through the invention of theoretical machines. These same machines are the source of all advertising foofaraw, and give rise to the analyses t hat produce authorities and experts that are the excremental byproducts of lust and their own avarice. Despite their hideous crimes of reason, the Machinators are not the fantasies of sick imaginations, nor are they isolated and abnormal, though there is little doubt that they are sociological monsters. The relatio n of any such process to any other translation is, of course, a source of deliberate dread. Less persuasive ideas ma y carry some weight with others, but are never whole.