Alas, he's no Atlas. Then she's grieving for her dad - and mourning becomes Elektra. It gets Bond's attention. It's beginning to look like Elektra is acting out her hostilities stemming from that incident, which ended when she grabbed a guard's gun and blasted her way to freedom. Elektra has taken over her father's big project - building a pipeline to serve Russia and compete with established lines.
Russian terrorists are out to sabotage the project.
Bond is sent to protect Elektra. In an instant, he's enmeshed in another scheme to hijack a surplus Russian nuclear warhead. Even the snappy puns that characterize Bondfests seem smarmy here, right down to the groaner of a misogynistic closing line. If only it were what it could be. Rated PG-13 for intense sequences of action violence, some sexuality and innuendo.