You can only paint a couple of hours every day, a few weeks every year, since the light changes, and with it the complexion of the landscape. You have to stop at the limit of this change, whatever the state of the painting. Splet's widow and longtime collaborator Ann Kroeber maintains his legacy and, through this pricey but plentiful software compilation from her company, Sound Mountain, makes it available to a new generation of audio anarchists. Rem Koolhaus designs buildings, but when it came time to make his now classic book, S, M, L, XL, he found a collaborator in Toronto-based Bruce Mau. Recognizing the extent to which a surplus of contemporary graphic ingenuity has created its own surburban sprawl, Mau envisions various counterpractices and embeds them in book designs for publishers Zone, further collaborations with Koolhaus, and even a print version of Chris Marker's classic sci-fi short La Jetee, all discussed and reprinted here.
Montage is now deliriously self-inflicted.
6 Long slow movies. Conversely in the '90s, work, with its new technologies and economies, became hard, so art had to become a little easier. Take off work and realize the Ruizian sublimity of dozing in the theater and waking up refreshed yet confused by the images in front of you. Not Faust, the anarchic German band whose first incarnation has always influenced the day's most vital musicians. Seventeen cities are logged on, so choose an intersection and Vindigo obliges with concise food, drink and shopping details within a selected distance.