So I started composing in a new style that was influenced by indonesian instruments without being truly indonesian. Around this time was the meeting with Stephen in London and subsequent development. I was working professionally in Canada as the music composer for a dance company called Cymbali, a cooperative ensemble that did festivals and put our a couple of cassettes. It is part of our common, combined experience. I think that's very important in the context of what we do today because it enhances the visual sense of our music.
People see it as music that is inspiring at the image level, true soundscape.
I have always maintained an interest in art involved with movement. It was a very simple project. It was a very foggy day. We sat down in this triangular room. We shut the door to the pitch black.