The Challenge of Exhibiting a Supernatural Instrument Claire Barliant looks at their ungainly efforts. Sol Lewitt's concrete block sculptures lope across the courtyard.
Patrons flop down on the steps.
The rooms are huge, airy, and endless. The staff, all of whom seem to be under eighteen, lean on the walls and flirt with each other. It fit the atmosphere. And more than that, it seemed to fit the exuberant informality of the Internet. There is hardly a consensus on the best way to exhibit Net art, but it's generally understood that it should be an interactive experience.