The new output achieves its energetic mass through a rhythmic integration of childish stick figures and the hand-lettered text of crass jokes screened into layers of dense splotches of warm, mainly monochromatic swipes of paint. The allover pattern is a departure for Prince, whose works are usually more minimal. Narratives from Plastic Cameras . When Diana was originally created in the '70s, primarily for children, it sold for less than one dollar and at the very most three dollars. Because there is no focus mechanism, the imagery produced is a bit fuzzy and dream-like, which adds to the sense of poetry inherent in all the work.
Photographers give up control and yield to whatever the camera takes.
Despite the difference in type of cameras used, the range of subject matter is similar to what might be found in any traditional photo exhibition. Gordon Stettinius captures precious human moments. Jennifer Jenkins sets up delightful still lifes. Robert Owen's sensitive eye finds abstractions in every day objects. Mark Sink recreates the Swiss painter Henri Fuseli's angelic compositions in black and white.