The music is live and there are usually several microphones wanting to feedback. Sound equipment is often hauled to a dance set up, taken down and stored in somebody's spare bedroom. There is a lack of available, reliable information on choosing and using sound equipment for contra dancing. So in 1998, Weogo Reed started manually resending messages to a group of interested folks. We write about anything to do with dance sound, equipment and its use.
Posts are appropriate for all age groups.
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