Penelope Rosemont still works within an ongoing Breton-esque tradition, albeit with forays beyond. The 'seams' are not apparent. At the Rendezvous of the Re-enchanters , like a Sixties psychedelic vision of the American Southwest, assumes its own reality. The Red Magician postulates another viewing point. The Red Magician does raise a question.
Most viewers do discern a face as well.
It has effects. The Surrealist gambit is not quite so bizarre or so diffuse as first might seem. Certainly, the results of Rosemont's art engage and intrigue. Some are, quite obviously, anecdotal, or historical account. But real history it is, and well of note.