Parsons delivers her world view in the same way that Rothko delivered his. As Hidden Cinema Soundtracks plays, you're looking at Parson's frame of reference. And what a melancholy, depressed outlook it is. The sampled dialog speaks of the impossibility and improbably of life.
Parsons questions the obviousness of our existence.
Hankering after the myth, Parsons concludes not in a joyous celebration, but by proposing that we disappoint the miracle. Parsons laments our failings, just as her former Third Eye Foundation partner, Matt Elliot, does. The realizations of their shared despair differ though. She doesn't proffer an alternative. Both series seem intent on provoking both our third eyes and our consciences, and both labels have bravely embarked on a program of a weirdly didactic music.