The war is over and we're moving on. It sounds like a record that you can't ignore because it's supposed to rewrite a history that was squashed. It's an attack, a confession, a dance, a chill-out and a place to hide. Timeless' has dirty breakbeats that are still covered in mud, endless harmonic drones that seem designed to make your E last longer and all the soft, fractured sounds of the comedown. You've only got to hear Goldie discuss MoWax and the title James Lavelle and Carl Craig gave to one of their remixes to get the picture.
Ravers suck our sound and get fucked'.
AND right now this desire to make everyone accept his version of history is what really drives Goldie. Timeless' tells you that you can't ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings. So Goldie's trying to make his sound so awesome that everyone has to suck on it. Everyone from the authors of the Criminal Justice Act to all the DJs, writers and producers who feared this music and hoped it would die. And if 'Timeless' is as successful as it deserves to be then a lot of people are going to have to suck.