He had a brief break during the thousand framer, otherwise all his animations were produced in one sweep. He took a short loop and kept adding and adding moving shapes of various kinds. For example, a curved comb shape near the bottom left keeps waving towards and away from the viewer. In the end, he creates two large pulsating shapes behind which almost all the other shapes are tantalisingly hidden. It took him around an hour of unswerving concentration to make.
Professional animators use storyboards with the sequence sketched out before their eyes.
Each of Ferenc's animations is an evidently creative project. He explores possibilities and discovers how to make effects which he later deploys in a context which contributes to their meaning, eg his first flying rectangle is the conclusion of a trek round the edge of the screen. Then he made this elegant and playful demonstration of his newly discovered powers to control and revolve premade objects. The more confident and skilful he becomes with this program the more scope there seems to be for a playfulness which he rarely shows in any other context. For examples of on-line autistic creativity and playfulness visit the URLs of Wendy Lawson, Tony Langdon , and Lindsay Weekes .