His preference for imaginary and fictitious travelling relates Walser to the American artist Joseph Cornell, whose often tiny boxes take us on an extensive fictitious European Grand Tour. From the first letter she wrote she told her correspondants she didn't go out, she didn't want to go out, and she did not come to visit them. Dickinson stayed home, insistently. Locking herselve into her attic room, she invented another form of travel of travels and went places. The exhibtions are a detournement of an existing situation, a supplement , a parallel activity, a shift.
Official museums are often the right context for exhibititons.
Exhibitions which take place in other contexts and outer museum spaces trigger energies with what is happening in museums and vice versa.