I'm not exactly 21, so having seen the other side of it, it's an encouraging sign. And I think that is happening at the other labels. I see Matt Pierson, who used to work for me, running jazz at Warner Brothers. Before Matt Pierson, there was a commercial jazz roster, but there wasn't an active contemporary acoustic jazz roster there. I think the same is true with the tremendous expansion of Verve and with what BMG has done.
Lets take some questions from the floor.
At midnight, cats would just come in and they'd bring their axes, and he would just let them play. They'd talk about it, and whoever was going to throw down, he'd welcome them on the show. Cats would always stop in and he'd be able to just interview them at the drop of a hat. Now you have a situation where even NPR starts to follow the money trail rather than follow the trail of the music. Dollars really drive so many of the decisions.