Separated by a wide transverse band and strongly protruding joints the window zone appears which contains a fresco in the east panel. On top of this zone we have the dome which is marked by a strong horizontal line. In the lower area of the dome there appears a painted, storylike architectural zone. In a graded fashion we see here walls and stucco merging into painting. Through the idea of a painted heaven in the dome the effect of having no ceiling is supposed to come about.
Reality thus blends with the unreal.
The baroque period, still full of imagery and descriptiveness, dares to place this heaven over us, although this heaven is a spiritual reality. The statues of the saints on the altars seem to be engaged in a holy conversation with eadh other or are loudly singing the praises of God. They too only stand still for a moment. From the two middle altars large draperies hang down held badk toward the top of the altar, in order to give the viewer a glance at the scene of the altar painting. All over we see constant movement before a stable background.