Tapestry is particularly suited to community projects because it comes from a tradition of shared production and accommodates various levels of skill. The great European tapestries of the 15th and 16th centuries were woven in the large guild workshops by a mix of highly skilled and apprentice weavers, dyers, spinners and cartoonists. The vision of the finished piece, its significance and eventual place in the community are the inspiration that sustains the undertaking, but at its heart is a core group of tapestry artists who love sitting at a loom and constructing images out of warp and weft. Their dedication spreads its enthusiasm to others whose participation will make the project a community tapestry. Anyone taking part in the work in any way is making a contribution that will be incorporated into the finished piece.
Participation expands to include things, like watching.
Thus, at seemingly watching every point, from initial idea to cutting off, the tapestry is a community endeavor. After the vision is established by the core group, tasks and responsibilities have to be delegated. Funds must be raised well before the weaving commences, a venue or venues for weaving have to be arranged, and once weaving has begun, yarns and other materials have to be purchased and made ready, schedules organized, and communication among participants kept clear. A central group with clearly defined, allotted or shared responsibilities is essential. As written in Weaving Between The Lines, BC Stars, 1999.