Both of which rely I think on music that really draws us to an emotional place. I though Williams' score to Private Ryan was masterful in its subtlety, in its non-manipulativeness, the ability to just get in there and just pull you to every slight place that you need to get when you don't even feel like you're going there. It feels like it's one with the picture. It's just an immaculate creation. Whereas with Titanic, that music is a huge part of the emotion.
Music is more of a propulsion, propulsive force.
I think we've seen a couple. Titanic is technically last year. But it still made so much money in '98. So I think we're seeing some very powerful uses of music. I don't think you can really expect to have that this year, with how much money these films which draw on really powerful human emotion are making, I imagine that the studios will be making more of them, relying on music to be a big part of that.