Her two beguiling creations speak for themselves, steeped as they are in the telling conventions of the handmade and the artfully manufactured. Planework is the neck-ruff of a giantess fashioned from flyscreen wire. Parsons makes no claims for, or through, these likable objects, leaving it to the viewer to reflect on their meaning. In contrast, Dagostino and Griggs verbal the viewer unconscionably. They have the better title.
Parsons has the better show.
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