Music is the bitter noise.
09 September 2000. Influences included electro-acoustic, progressive, jazz, pop, electronic, psychedelic, musique concret, new music, downtown, industrial noise, as readily as Fluxus, Dada and Futurist audio art experiments. Studio and live performances bore out a strong rhythmical composition and often oblique, Beat-influenced lyrics tagged with ready wit and wordplay. Today, the primary players of the band are scattered across the United States yet mail-collaborations over the distance keeps the band alive. The band freely swings from developing noise into drunken 'cartoon' scores to Sousa-driven Downtown marches in an original audio origami.