This figure is counter-balanced by the Cross at the opposite left side. The Cross emerges from the twelfth Station in such a manner that the associated figure is both contained by it, and yet also free of it. It is a engaging piece of art, and a serious theological treatise in wood. The mahogany is allowed to reveal the stroke of the tools, clearly presenting the sculpture as an object fashioned by the hand of man, while the overall design leads the eye to gaze into the wood and seek beyond. It is the object which finds its subject within the viewer.
Sacred art is a difficult genre.
The Steligas have sculpted numerous representations of the crucifixion which are profoundly moving. They are real, somewhat mischievous in expression, and, well, what real angels should be. The pose, heads resting in palm, as if observing the public in bemusement, is worthy of Notre Dame. They are excellent. I wish I could show photographs of the 'pond' tables.