The best moments are included in the previews, so watch them instead. Like Charlie Chaplin, he knows how to mix broad comedy with almost mawkish sentimentality, and he has the ability to take advantage of just about everything set within a scene - in this case, putting to clever use just about anything Western, from barroom items to desert trees and shrubs, for his acrobatic stunts. Chan, obviously an outsider, comes to America to save his Chinese princess from greedy bad guys holding her for ransom. He does, but not before he has a chance to show off his skills in acrobatics and comedy. I'm sorry to say, this is not up to Chan's earlier flicks.
Ethnic jokes abound in a hit and miss fashion.
An Indian wife is neatly vanished from the plot, once her use is over. That's a term loosely used here. Even the outtakes, which we eagerly await, are disappointingly tame and obviously staged. If Chan is searching for a kinder, gentler demeanor, he is headed in the right direction, but has not yet reached it. Like Chan's movie, it promises a great deal more than it can possibly deliver.