Then we will continue on to discuss the mountings which were made by tailors who worked by a completely different set of guidelines. Paintings Basic painting technique differs with regional style, training of the artist and the funding available to purchase gold, expensive pigments and so on. Also with the number of students or assistants the master painter employed. The Conservator would have to study thangka painting technique to understand. A good way to recognise these techniques is by learning to paint thangkas or by studying incomplete thangka paintings.
Regional styles differ in the technique of paint application.
Private collectors and dealers, for example, often request a Conservator to inpaint all damaged areas. Although some of these questions are standard conservation issues, they are further complicated when religious and iconographic message must be respected and maintained. Mountings Thangkas are not only paintings. Their textile mountings are very important. When dealing with the mountings, a new set of questions arises.