It comes down to the right creative people. We need a high profile project. Morasky's view is similar. He feels magnetic motion capture for live performance has advanced to a point where it is more about being an appropriate art form in itself. Once the novelty has really worn off, we will be able to create art.
Live performance is the future.
That is where motion capture should be going, not for more recording with post-filtering. Its value is in real-time interaction. Others saw it as a bold new thing. When something transcends the culture, becomes active in the culture, it takes a lot of time. Motion capture has yet to expand in a really big way.