She is supported in the making of the material by her dancers, which in one sequence number an astonishing 25 - possibly a venue record. But numbers are not the point - at least, not large numbers of people. This is mainly an understated piece for soloists and a much smaller ensemble.
Numbers also look as though they enter into it with the mathematical assembling of the sequences.
In fact, what happens to the movement is mostly more interesting than the movement itself. This has a modest, organic vocabulary that appears to have its roots in postmodernism. It is well executed by the performers, who develop its loose-limbed, swinging character with buoyant rhythms and concentrated focus. First we see one pair of legs, bare and lit from the knees down. They are up on the tiny stage, tracing out a neat phrase, when they are joined by another pair of legs.