The line travels from the family album through a film poster to a Time magazine cover and back again. It shows the way we were and the way we thought we were, while delivering some message or other about fleeting fame and long-forgotten hairstyles. Zittel's works include personal takes on the camper van, hen house and clock. Swede Henrik Hakansson's installations usually contain live insects that breed or are eaten by plants right there in the gallery. It's dusk in the jungle.
Insects cheep incessantly.
A spider steps over a web. The man behind the camera walks through a dark house to a room with one table. Back in the forest, he seems to be doing something sinister, mad. Sometimes he sets down the camera and we see him as a shadowy blot. Mostly we see his hands fiddling with electronic gadgets, producing mechanical tones.