I think it s really good if you and your agent can actually like each other, or failing that, at least be able to talk to each other candidly, says Jess Taylor. Some writers have this unrealistic attitude about their agents that almost compels the agent to lie to them. Either about what the agent ought to be able to accomplish, or just how much the agent is able to accomplish. One of the best things that can happen between a writer and agent is if there s a rapport that is strong enough to let the agent tell the writer the truth. Writers must also respect the fact that they are not the agents only client.
Many writers have the mistaken belief that agents have time to devote equally to all their clients.
Some agents work ten hours per day and in those ten hours, must juggle the careers of nearly 15 to 20 clients, handle hundreds of phone calls from producers and studio executives, plus keep track of projects in varying stages of development. Calling an agent several times a day or expecting an agent to call is unrealistic. Generally most agents agree that contact is very important for the relationship, however, there are differing beliefs on how often a writer should get in touch. Since each relationship is unique, the writer and agent should agree on the phone policy from the beginning in order to avoid confusion. Moreover, a writer should contact his agent with important matters.