They represent the ever-changing evolvement of human inhabitance. Nature, time, and human consumption have caused the erosion and decay of buildings in the urban neighborhood. Simond brings life to the dying by creating the dwelling place for an imaginary race. He chooses to recycle the decaying buildings as a foundation for his art, and communicate a vision of human reality, showing how human consumption deteriorates the earth. His art soon shows signs of disintegrating, similar to the larger buildings they are nested in.
People take souvenir bricks from the ruins and the weather continues to destroy the structures.
This might be a symbol of how we get involved in the gains of life and fail to search for the bigger picture of protecting our environment. The abandonment of the lost tribe has meaning as well. It is up the viewer to decide what could have happened to a race that once occupied this condemned space. The scale of his work allows us to find a fascination in the expression of the dwelling. It involves contact with destitute people who inhabit dwellings that may be deemed unlivable.