Guitars are out, drum machines and synthesizers are in.
Or so it appears when listening to the results of Miss Angie's second trip to the recording studio. Gone are the pop-alternative guitars, and in their place are plenty of abrasive yet infectious synthesizer sounds. This album almost sounds like what might happen if Fleming and John collaborated with His Name Is Alive. Is Alive's last album. Unfortunately this album lacks the avant-garde creativity that such a collaboration would doubtless produce.