Right now, I actually enjoy the exercise, although I could dispense with the sore wrist. I make sure as I go along that I am not moving the paper from the registration marks and that I am getting all the areas printed evenly. Don't be afraid of lifting the paper and gently placing it down again. A sheet of glassine on the back of thinner paper assures that I don't tear it, thicker paper can stand the punishment and you can see the design from the back in the form a burnished mark. I place the printed paper on stackable sweater racks, hang them on a clothes line, or place them on cardboard on the floor.
Music helps the whole process, as does coffee, lemonade, rests, and a tiny TV if football season.
Registering I use three basic methods of registering. In this case, even though the edges may misregister, the center of the image is always perfect. The paper is placed against this corner and long-side for perfect registration every time. To get a margin, I paste foam board flat against my registration molding of the exact width of the margins I want. The reason for registering outside the block, is that the cherry blocks are often small and this allows larger designs since the kento registration marks are not carved on the block.