As the cycles of dead tones slowly spin and repeat the whole thing becomes temporally and spatially disorientating, truly inhabiting and uprooting whatever space it's played in. Instead of the speech-based pieces of the earlier experiment, this work showcases long sustained tones. Frozen in time, bright blue lines appear in the dark without beginning or end. Immateriality is the key to this continuous hour-long piece. Five movements have been indexed, but they only reflect subtle atmospheric changes.
Microtonal variations make the tones beat softly against each other.
The linearity of the music is punctuated by occasional chords of chimes. Both beautiful and disquieting, this work manages to say a lot with very little. Und wenn einem dann oder berhaupt der Kopf schwirren sollte, empfiehlt sich ein Gang in den Gro en Wasserspeicher. In regelm igen Abst nden begegnet er rot leuchtenden Epiphanien, r hrenf rmigen Elementen, die scheinbar in der Luft schweben. September zu erfahren.