It can be difficult to keep our artists here. We actually run an effects school, where we train artists and orient them to the way we do things at this company. We give them an overall look at the filmmaking process as opposed to just showing them how to use the software. So in that way, we try to encourage people's involvement on different levels. It's sort of a carrot that we keep there for our artists.
People move around.
But one of the ways we keep them, in addition to what Joel said, is that we let the artists run their entire shot. But it would be less fun to work here. So we chose, quite deliberately, to be a little less efficient and to give each artist total control of their shot. Well, it's different for Toronto compared with Vancouver, which is something many people fail to realize. But Toronto is far-enough away that for a show coming up from L.A., the whole project gets sent here.