Such ceremonies form a large part in the continuing success of the community, as they keep the past alive in the present by remembering traditional values and respected ancestors. The first is woven from silk, using gold threads for embellishment over the dyed design and a supplementary weft weave. The second is a far more freeform composition painted onto the cloth, depicting human, animal and plant figures and motifs. The interpretation of the various motifs used in Indonesian textile design is difficult, as they could be derived from either personal, communal or traditional sources, or a combination of all three. They often represent spirits from mythology or dream scenarios experienced by the weaver.
Motifs are also particular to specific regions throughout Indonesia.
The colour and shape of the cloth is dependent on the age, sex and status of the wearer, as well as the occasion for which it is intended. Designs can also reveal the clan, moiety and village of the wearer. Before the introduction of cotton and silk to the area through trade with other Asian countries, textiles were woven from local plant fibres including hemp, wild banana threads, pineapple plant fibres as well as the leaves and fronds of various other plants and palms. Cotton was then grown locally to support local demand. The importance of textiles as trade items undoubtedly played a large part in the transference of styles and techniques throughout Asia.