But there's not much you can do with oats. During that time she engaged in a lot of guerrilla theater, a euphemism for putting on a show without a permit. In the mid-1990s, things began looking up. Rhonda Price of the Gersh Agency took Bareikis on as a client after an assistant discovered her in a small play and brought her into the office. Bareikis currently reads six to eight scripts a week.
Every actor is worried about the future.
I'm always job-hunting. How does she define a good role, I ask. One dream part is Nina in Chekhov's The Seagull . She's already had a chance to do another favorite, Juliet, at the New Jersey Shakespeare Festival. There is no experience like it.