The phrase is emphasized, and the rest holds the beat in exploded-throat chanting. Vader's work differs in that it builds complex structures out of its unification of dissonance into idea, both in raw sound and in structural opposition within its boundaries. The music reminds us that all our perceptions are just containers, and brings into play the rare and intricate art of complex recombinance. In this it significantly differs from The Ultimate Incantation, Vader's 1993 debut on Earache Records. There is not as much of the melodic experimentation as on Sothis, but its more deathmetal replacement is very fast strumming of chords or low notes to produce a flowing feel to the music, a blurring of structure, between more definitive moments of the song.
Production is decent.
All album notes are in Polish but lyrics and explanation are English. I think this album could be termed a logical successor to Slayer, because all though it is not so awe-inspiringly outrageous, it follows and develops the logic of Slayer more than Slayer can at this time. Guitars are often destroyed by voice, coming overhead as a blast of static, and often drums bass and voice peak each other into oblivion. However most of the time you can hear guitars and relatively clear representations of solos and intricacies in the song, although detail is lost. The whole set is one track on the CD, with long pauses of crowd noise between songs, to give you the real experience of being there.