A composer was no longer dependent for income on the steady employment by nobility but relied instead on the support of the public and the patronage of individuals. Music was seen less as an occupation and more as a calling. Women found more opportunities for musical expression, especially as performers, but social and cultural barriers still limited their participation as composers. The nineteenth century saw the development of many different musical styles, so it is difficult to describe the Romantic style. There is a greater variety of instruments, including improved or newly-invented wind instruments.
Melodies are longer, more dramatic and emotional.
Tempos are more extreme, and tempo rubato is often called for. Harmonies are fuller, often more dissonant. Formal structures are expanded. These are often determined by the programmatic content of the piece.