The analogy between the on-screen texts of Penelope and sequences of photographs prompts the reader's reflection up on the nature of each medium. A photograph can be read as a composed image of visual objects removed from time and stilled into permanence, or as a momentary arrest of motion in time, pointing back toward a just-gone past and forward to a promised future . Both reflect on the self-conceived demons and intimate terrors of awakened imagination. Both might have something to say, if we are inclined to read that way, about female identity in world of mechanism and brutality. Anywhere is not just jottings about how each author would like her past to be seen, but rather a subtly worked epistolary text whose own concerns seem to take precedence over those of the two individuals.
Every memory finds an echo in the next screen which fills it up with a surprising new meaning.
This process brings a catharsis about in which the personal meanings become universals thanks to this response they cause in a different person. It is a writing method where someone is author and reader at the same. William Beaver, Commentaries on Reading Hyperfiction Resist the impulse to know it already. Lve is an ideal which has been emptied, is somehow now elusive. Love one then is a title which resists construction and, therefore, deconstruction.