I eventually get to step out and watch the ongoing process, and even step back in to assume the images created by the spect-actors, images both myself and of my sibling. Through an extended series of substitutions and parallel actions, the various images weave in and out of re-enactments of the initial scene. The active work of Augusto Boal is supported by extensive theory and his own personal history. These presentations also include analysis of the role of the work of Paulo Freire and the Pedagogy of the Oppressed canon. Particularly in focus here include the entire area of active learning, critical pedagogy, and the role Boal's theatre plays in generating such learning environments.
Fees are generally lower for workshops in Omaha proper and in the immediate Omaha vicinity.
Doug can reduce fees for non-profit organizations working with marginalized, disadvantaged populations, especially young people. There are simple but important room requirements for the workshops and performances. Please inquire about these specific needs. He also collaborates with the Center for the Theatre of the Oppressed in Omaha, which he founded and which is based on the approaches to theatre developed by Brazilian director Augusto Boal. He received his BA degree from Yankton College in 1968, and his Master's and Ph. D. from Cornell University, Ithaca, New York, in 1970 and 1972.