Edmund and Fremund . Again the range in quality of his work suggests the intervention of an assistant on occasion. His palette is broad, even garish, and his figures sometimes doll-like. He usually paints grass as short vertical strokes, but in the latter part of the manuscript, under the influence of the first artist, he attempts more elaborate forms of herbage. Above all, it is the soft modelling of the border decoration, with little of the outlining of forms noticeable in London books, that sets this group of manuscripts apart.
Frame contains three spaced stanzas.
Harleian binding in red leather. Catchwords, some signatures. Printed with all other items in this manuscript by Horstmann, pp. 376-440, Hervey, pp. 3v gilded painting 134 X 100 mm. of the triple crown of England, Ireland, and France on blue ground.