Unfortunately, this is not the case.
Every image is like a celluloid poem and thus very effective.
The audience then learns that Meghna is a terrorist. The script completely falls apart after intermission. Manisha's character waxes and wanes between acting human and acting for her terrorist cause, but with no real pattern or logic to her actions. One minute she will feel guilty about using Shahrukh in order that she may be incognito in Delhi, while the next minute she doesn't bat an eyelid when he's arrested or in danger. Her breakdown scenes seem extremely forced into the script, and the only reason why these scenes prove even somewhat effective is because Manisha is and remains a phenomenal actress, even in an improperly-defined part like this.