Looking for clues, he eventually rounds up a list of Lorca's possible killers. None of this is especially compelling. When it's answered, Zuringa doesn't follow through and make it comprehensible. Like that disastrous early-1960s thriller, Nine Hours to Rama , in which Gandhi's assassin got far more screen time than Gandhi, The Disappearance of Garcia Lorca has its priorities all mixed up. Thanks to Gil Parrondo's impressive production design, the movie is more effective at evoking the differences between chaotic 1930s Spain and the superficially more civilized Spain of the 1950s than it is at making its people matter.
Nothing here adds up.
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