He directs and curates Momenta Art, the pioneering Brooklyn gallery. From Polaroids of intimate carnal acts, the artists create a variety of art objects which present desire as the impulse for interaction set against the framework of institutional structures. Warhol being an important figure in generating ideas for the project, particularly his ability to bring the contemporary world and a critique of commerce into artmaking, as well as his interest in androgyny to deconstruct desire. Desire itself is presented as an addiction. It represents our search for something to break our habits and relieve boredom, which leads to the recognition that existence itself is a habit.
Paintings are sugar-coated.
Sugar represents that desire which drives us to continue. Paintings and sculptural objects are presented as self-conscious class signifiers, referring as much to the systems that create them as to their qualities as art objects. Desire is presented as a necessity to human survival transcending issues of economy and class. The carnal is the divine brought down, momentarily, to our earth and our bodies. As we become addicted, we repeat the most satisfying fragments and methods trying to bond our self more permanently to the other.