The intensifier senses the boundaries between things, like when sound is loaded into a computer to be recoded as a graphic and manipulated, combined, played with touch. Devious and impossible to anticipate, subtle and insubstantial, the intensifier leaves no trace. Pretending to stand still and accommodate itself to the subliminal designs of corporate machines, the intensifier knows speed and deception secretly free it from imposed values. Immersing bodies in unpredictable ways, sound enters in several directions at once, producing internal connections and motions, anticipating a desire to interact with others. There are no rules.
Genres cross fertilise constantly, mapping the mutant subjectivities of dancers.
The intensifier is not concerned with reaching an abstract audience, but chooses to operate at an immediate level, making parties and following desires. The intensifier represents movements that anyone can use.