A fascination with the pre-eminence of line and the supremacy of the human figure as subject mark his work and explain his preference for black and white images. In addition to all the ballet he has seen, he has sharpened his eye by studying art history and the collections of major museums in North America and Europe over the past 30 years. They give some insight into what is important for me, but hopefully the images will speak for themselves. The body is shaped, disciplined, honored, and in time, trusted. The movement becomes clean, precise, eloquent, truthful.
Movement never lies.
You will know the wonders of the human body because there is nothing more wonderful. It is a miracle. To a few, though, it may be poetry. The dates the images were created are in parentheses.