The most noticeable change in the sound is that for the very first time Front 242 sound positively lush in places. Leaving aside the individual songs for the moment, the album flows beautifully with many of the tracks being separated by atmospheric noises, bleeps and whooshes. The songs themselves are often smoother in sound and more melodic, although those who like their Front 242 with more of an edge shouldn't be disappointed either, as there's plenty of that too. The sound is very busy yet at the same time very clear and this track is one of the highpoints of the album. Again, it's more conventionally melodic than the group's older material.
Guitars make an appearance, but it's still very much a synth track.
Loaded with guitar samples and with heavily distorted vocals, it's pretty atypical of the group's prior output but a great track nonetheless. This is fairly lightweight stuff, combining harshly whispered vocals with almost tinkly synths. It reminds me a lot of something else, but I'm damned if I can remember what. The resemblance ends there though as the rest of the track features both a typical Front 242 beat and another sound entirely that features light, sparkly synths and female backing vocals. The disc is closed by two remixes.