Lopamudra is represented as inviting the caresses of her aged husband Agastya, and complaining of his coldness and neglect. Agastya responds in stanza 3, and in the second half of stanza 4 the disciple or the poet briefly tells the result of the dialogue. Stanza 5 is supposed to be spoken by the disciple who has overheard the conversation, but its connexion with the rest of the hymn is not very apparent. M. Bergaigne is of opinion that the hymn has a mystical meaning, Agastya being identifiable with the celestial Soma whom Lopamudra, representing fervent Prayer, succeeds after long labour in drawing down from his secret dwelling place. See La Religion Vedique, ii.
Old age impairs the beauty of our bodies.
Let husbands still come near unto their spouses. Superemus in hac centum artium pugna in qua duas partes convenientes utrinque commovemus. This Soma I address that is most near us, that which hath been imbibed within the spirit, To pardon any sins we have committed. Verily mortal man is full of longings. 6 Agastya thus, toiling with strong endeavour, wishing for children, progeny and.