But he keeps on. But, in the end, it's grace and skill wasted on high-class cliches and obvious preachments. Thanks to Luedtke's script, the latter is what we get here. If you begin to closely examine this story, it's so wildly improbable that it might better have been developed as comedy. The media is too scandal-conscious and intrusive.
Politicos play dirty.
Too many dubious billionaires are running for office on their own moolah. Adultery is now almost a way of life among parts of the upper middle class, but it's better to 'fess up than cover up. And though the star does a good job here, there's little chemistry between him and Scott Thomas. And it doesn't give the audience enough of anything. It's just not written well enough.