You know, the girl in the Aerosmith videos who's not Steve Tyler's daughter, the blond with the killer kick and the bungee cord. Her film debut as a psycho-Lolita in The Crush landed her MTV's Movie Awards for best breakthrough performance and for best villain. But it revisits this territory with an engaging mixture of affection and acerbic awareness. The world of the film is ideal, shimmering, stable. No surprise that she Develops, which means learning something about something resembling Values and Love, which means finding romance, predictably right under her perfect little nose.
Malls are real life.
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