What I'm really interested in is theatre and artistic practice as a way forward in a period where, shall we, say the major international issue is security, where the banking system was set up on the basis of security, where a whole series of things we're told national security requirement, and of course the surprise is there is no security. The Bank of Australia has demonstrated that very profoundly. Life isn't about security at all, something else has been prepared for us. I attended this last week here in Adelaide a very powerful show about the working class and whether we're afraid of it or not.
Human productivity is a cultural question before it's an economic one.
At what point does one engage at the root of a problem. Depression is an economic term, it's a very powerful term at the end of this century. I come from a country that has the best economy it has ever had in its history. The American economy dominates 50 per cent of the world economy, and these are the good times. Now how is it that in the good times just about once a week there is a massacre in an American city.