And that's my old Nikon FE2 camera, with a plain-Jane 50mm lens. I shot all the photos using ordinary ASA 100 daylight film. Some of the photos could be color-adjusted through software after they were scanned, but others were unacceptable. You could do better if you fussed more, but the results looked close enough to satisfy me. Lighting was the most difficult problem I had to solve.
Radios are shiny objects, and many are very dark.
You have to get enough light, in just the right spots, to show details like bakelite louvers without creating glare that washes out light areas such as dials. In addition to the lights here, I always had a few others propped near the subject, held in my hand, or whatever, to create the best effect. It's a painstaking business. And it's surprisingly hard to do something as simple as leveling both camera and radio so the image doesn't come out cockeyed. Alignment is critical when you're digitizing the image.