Some tracks are notably reminiscent of the esteemed Belgian's works, particularly those utilizing primitive percussion. Slowly pulsing shimmers are decorated with slow beats and occasional shakers, sounding quite Obmana-like. The shaker-rhythm of earthbody spiritbody definitely echoes the Obmana sound, and accompanies a densely welling stream from which leaps a recurring flutey pattern. More spacious, wafting tones rise from somewhere else , a place where veils of assorted translucency percolate. Not surprisingly, through the valley of shadow is a detour into, then out of, a darker zone.
Hollow winds blow ominously, but warmer rays of synth shine in to lighten the latter movement.
Like its first part, at the edge of calm waters - II rises and falls in a lush atmosphere that truly evokes a tangibly sensual humidity.