His music has been performed in the United States, South America and Europe. Run, fly, never stop. Never think about being lost in the maze of illusions, or you will be. Glide with me through rooms, doors and corridors, surfing on tides of time, looking for that universe left behind an eternity ago. Listen to the distorted steps, the shimmering vibrations that reflect in the darkness.
Hits can play notes, phrases, or can create or destroy virtual musical performers.
Movements of the batons can be linked in each pad to several dimensions of expression control. The virtual pads are arranged in sets or scenes that represent sections of the piece. As it unfolds, the behavior of the surface is constantly redefined by the performer. The performance of House of Mirrors oscillates between the rigid world of determinism as represented by the scores contained in each pad, and the freedom of improvisation the performer has in arranging those tiles of music in time and space. He started working with electroacoustic music by building his own analog studio in 1976.