Then I have to write letters to the DJ's who I've removed from the film, thanking them for their patience and apologizing for the way the edit went down. It's all a normal part of the process. We needed the graces and approval of the Universal Zulu Nation to be able to film him. We'd been asking to interview him for over a year and when they finally understood the nature of our film, they consented. The Zulu Nation was incredibly supportive of our film in the end, and, for me, that kicked my enthusiasm for this film into overdrive.
Film is just like vinyl.
You can touch it. You can Scratch it. You can taste it. Film looks far, far, far better. Rob Bennett, my DP and camera operator possesses many skills for filming live performances.