The Guardian Rape has no duration and no narrative content. It is a catastrophe, and as such can only function as the end of one story and the beginning of another. Of itself it can have no motivation and no psychology. That does not mean some playwright or other has not written a spectacle of prolonged sexual assault, in which characters are repeatedly raped and sodomised. But it could hardly be done in a way that would make such criminal behaviour explicable.
Evil is chaos.
To render it in any other way, as if it had some kind of internal logic, would be to deny its essential character. Rape cannot make sense but narratives must. Though feminist critics may argue that the humiliation of women is a spectacle that masculinist culture never tires of, it is seldom actual rape that is depicted. In Rubens's Rape of the Sabine Women, we do not see the Centaurs forcefully penetrating the women. In the same way, Europa, who was mythically raped by Zeus disguised as a bull, is always shown on top of a magnificent white animal, rather than the other way about.