He is smooth and sweet on the theme, then gets fluttery on his solo, a little like Kenny G but with a lot more feeling. Robinson sticks to piano here, getting in a little funk here and there but mostly sounding compact and classical. It's a nice change from the great washes of sound on the opener. This is Young's number, and he does well with it. In keeping with the Evans mood, John Patiucci brings us a virtuoso bass solo, very reminiscent of Scott LaFaro.
Gentry comes in mournful, with a pure tone that later develops a pleasing grit.
This prods Robinson, and he plays intensely, getting moody again when he solos. It's neat to hear the two horns and how Robinson reacts to each in a different way. Stern's solo is liquid and smooth, and Robinson rides out the theme for all it's worth. A fine moment. Like many of the tracks, it opens with meditation and gets more aggressive as the song unrolls.