I still really like it, of course. Opening segment of Tweezer is straightforward. It sounds purposeful and charmed from the start, though. He's very melodic. Page is similarly mellow.
Fish just coasts on a solid tweezeresque groove.
It's very beautiful, in my opinion. Not the typically dark, evil, funky shit one would typically hear in a Tweezer from the last few years at all, in other words. Trey's soloing in this version really sounds purposeful, even soulful and romantic. Mike and Fish coast along, and Trey employs a very high pitched effect and starts toying with the theme he had played on earlier. Page is playing really sweet chords on the piano.