Rameses, whose heart had hardened towards Moses with each passing pestilence, finally relents after his own son perishes from the finger of God in the night. Rameses lets the slaves go free. Moses leads the slaves out of the bondage of Egypt, towards the sea. By this time Rameses has regained his anger and vows revenge for the death of his son, ordering his troops to wipe out the slaves. In two more amazing feats of his power, God slows the advance of Rameses and his troops with a swirling tower of flame, while parting the Red Sea, to allow the Hebrews to escape the wrath of the perplexed Pharaoh and certain death.
Images are sharp and clear and very detailed.
Though key lighting is often dark and colors muted during these scenes, this is entirely consistent with the theatrical presentation and represents a stunning replication of the original elements. When color is called for, the saturation is rich, vibrant and deep with never any bleeding or discernable artifacts. DreamWorks just keeps getting better and better all the time. ANTZ looked exceptional. Flickering firelight is achieved by increasing and decreasing bright areas of the frame, while leaving the darker portions alone.