Intensity and direction of movement as it is projected spatially. A term used primarily in the manipulation of movement. The original movement need not be completed when fragmentation is applied as a choreographic tool. An area beyond personal space through which all movement may travel. A kind or type of dance style, each type distinguished by specific learned technique with historical, cultural, kinesiological, or entertainment values.
Improvisation is instant and simultaneous choreography and performance.
Refers to the ability of the body's sensory nerve endings in the muscles, tendons and joints to respond to movement while dancing or viewing dance. Applying the study of the principles of mechanics and anatomy in relation to human movement. Term used to refer to body actions that combine space, flow, time, and force. The eight effort actions are flick, dab, punch, wring, float, glide, press, and slash. High, middle, low.