Cut to the credits. From there, things just get weird. Mary is apparently the only person who survived, and she makes her way out of the river. Things start to get worse, when she feels an urge to visit a dilapidated building sitting on the shores of Salt Lake. What works the most for this film is how it was shot.
Happy accidents abound.
Budget dictated black and white film, but it's very textured and beautiful black and white cinematography. Weird camera angles, like the shots in the organ factory, the shots in the amusement park and the time when the dancers run toward the camera, just ingrain themselves into your mind's eye. This film has aged surprisingly well, considering. Sure, based on its age, the twist ending has sort of been given away and doesn't have the impact it could. But it's still a pretty cool concept.