Sonny's tone changes here, and he gets a growly honk at the end of his solo. The steel drum returns, and we are done, taking in the shade as it winds down. Sonny's best bit comes at the end, some delicious guttural squawking which hits you just before it fades. Sonny starts assured, climbing the scale, gaining grit with each step. Broom has a nice round tone, keeping low for a distinctive taste.
Hutch is active, rolling the notes and letting the sustain do the rest.
The highlight is a good theme, and Sonny's strong voice. It's a good sendoff to a happy, swift album. While I prefer the intense Sonny, this will work if you want flavorful background music.