A key episode, a moment of discovery, is revealed obliquely, not through direct statement. Short short stories are snapshots, single frames, complete in themselves. In-class exercises generate quick and spontaneous first drafts that are reworked at home, then discussed. Particular attention is given to structure, detail, rhythm, and tone. Voice, theme, conflict, viewpoint, and dialogue are explored within the framework of the form.
Experimentation is encouraged.
A variety of authors are read, including Chekhov, Oates, and Hemingway. Katia Spiegelman Permission required. Our goal is to come away with a heightened sense of confidence in our ability to articulate and craft ideas into stories or novels, and specifically to have improved the shared fiction. Ken Foster Permission required. This may require pulling the piece apart and restructuring it thoroughly, developing the characters, or creating a different voice.