The sentiment matches Earle perfectly. He captures the audience with settle intonations and a splendid bouquet of words. Each gesture a grand expression conveying life's most quietest and sweetest moments. A harmonious blend between pace, breath and tone arises with a fascinating quality of freshness. An enrapturing stream of conciousness allows the audience to delve into Ron's rendezvous with his best friend's wife, a legend dying in the studio and the rise to fame with sudden death.
Earle illuminates with the magical swiftness of different voices.
A sympathetic and older sound emerges for the voice of God and a unique one for recording commericals. Robert Smith's interjections as Mike brings a wonderful sense of humour and authencity to the performance. A wonderful chemistry between voice overs and one person on stage allow the audience to revel in the reality of the situation. 30 enlightens the listener as they journey towards self discovery through ordinary events. Chris is also working on a new play, Russel Hill , as part of the Tarragon Playwrights Unit.