The live show was created by presenting images on three video screens, which had given rise to writing exhibited by slides made from a diary. This was already polypoetry, although I began to theorize about it only later in 1983 in the form of essays. Theater implies many precise rules that the poem is unable to make happen. The word must be able to free its own manifold sonorities. The exploitation of sound has no limits.
Language is rhythm.
Sound poetry proves itself to be a more and more ductile magnet, able to attract all the other elements, grading and softening them. It is a real prima donna, inexhaustible and tireless. Return to Light and Dust Poets. A cooperative publication of Atticus Review and Light and Dust Mobile Anthology of Poetry.