In the past fifteen years Branescu has designed plays by Euripedes, Moliere, Ostrovski, Ibsen, Wedekind, Chekhov, Ionesco and Arthur Miller, and has worked with such world-renowned directors as Lucian Pintilie, Robert Wilson and Dominique Serrand. Her Shakespearean credits include a Commedia, The Winter's Tale in Italy and Twelfth Night in Rumania. Without ever having spoken together before, our ideas and images were fitting together. His interpretation was something I felt inside myself, and he does great research into the human mind. Our education is advanced, but morally we are the same.
Evil always comes invisibly.
The world becomes smaller and darker, and then fear takes over. To suggest the conflict between primitive impulses and the social order which Macbeth depicts, she has chosen to use a' variety of coarse fabrics enhanced by details emblematic of political hierarchy.