On the contrary, they are opposed to it, tending to restrict the richness, vigor and abundance of living forms. By means of . . . . the ornamental line an artist dominates life, by soothing and purifying it and setting it in an emphasized order . . . . Between these two alternatives the art of drawing swings. There is no third, unless, indeed, one be arrived at by the synthesis of the former two. In the beginning of all the arts lies this graphic act by pen, pencil, brush or chisel with which, and from which, all else follows.
Drawing evokes a dialogue between itself and the viewer.
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