A single grain is unremarkable.
Great deserts inspire awe.
The earth's immense oceans began with drops of rain onto a barren world. And these add further patterns of their own. In his very choice of medium, and in its culmination as works of art, Korean artist, Chun, Kwang-Young, offers complex subtleties in a minimalist serenity of form. The range of color in these works is indeed confined to shale greys, off-whites, myriad flecks of black, and, in some pieces, the ferric reds of iron rust. The field of every work consists of small styrofoam triangles covered with mulberry paper, every one a note in lettered calligraphy and each attached by twisted strands fashioned from fragments of similar messages.