The organization of appearances is a system for protecting the facts. Unitary power organized appearances as myth.
Fragmentary power organizes appearances as spectacle.
Challenged, the coherence of myth became the myth of coherence. The poverty of 'the drama' as a literary genre goes hand in hand with the colonization of social space by theatrical attitudes. Enfeebled on the stage, theatre battens on to everyday life and attempts to dramatize everyday behaviour. Lived experience is poured into the moulds of roles. Until now the ideal has been the curse of reality.