On the other hand, this small space, defined by photos of the building's exterior, allows Act 1 to flow almost seamlessly into Act 2 as the photographic panels lift or slide away to reveal the festive Cafe Momus setting. Act 3, the courtyard scene, is more conventional, using the full width of the stage. The Orpheum, which has heretofore been used occasionally for the Best of Broadway series, proves relatively hospitable to opera. It's a pleasure to hear unmiked voices fill the house, unlike the overamplified voices one often hears at musicals here. To accommodate SFO's needs, the orchestra pit has been enlarged.
Fresh paint is obvious in the lobbies and rest rooms.
Opening night, June 7, featured a cast of young singers who added further credence to the tragic story of young love ended by death. Soprano Patricia Racette was a touching, believable Mimi. Hence San Francisco audiences have had a chance to watch her and the others advance in their careers. Racette, who also is becoming a regular at the Met, has always been a singer to watch. With her pure tones and right-on pitch, she shapes her performances with taste and intelligence.