The instant the film is complete, it is crystallized in its eternal fate. Even music does not share this quality, only in the sense that it is recorded, but even then, the piece played remains the work of the composer, which is ultimately open to the interpretation of the performer. Perhaps not, perhaps that would depend on the purposes of the filmmaker, and of the film itself. In his films, the English filmmaker Peter Greenaway displays the kind of decision making that Nietzsche calls for with the Eternal Recurrence. There is not a single moment in his films that is not made as interesting as possible.
Every frame is a painting, a moment that is made to be lived to the fullest.
Through H show that even a seemingly uninteresting story can be made to be interesting. A Walk Through H was a highly personal narrative about a traveler we never see who is seeking a person we don't know. The filmmaker's Greatest Weight are the decisions that must be made for every second of footage. It is a common conception that Greenaway's films are merely beautiful, that the visuals are so exceptional they carry a poorer story. There is no denying the quality of Greenaway's visual sense, but there is also a dramatic sense in which every moment is interesting and every moment in necessary.