The new play which starts with the first relief tackling the idea of generation continuance depicts a green body approaches four others. The second one develops the negative impact of such continuation, with a cat eating its kids. It symbolizes some artistic figures who used to attack opposite trends. The pressures which are practiced upon the theatrical atmosphere were depicted in the third scene, while the fourth shows the conflict between theater and its enemies. In the next two scenes, the theater appears as a stretched body trying hardly to give birth of two kids in a very gloomy atmosphere.
Few breasts emerge from the body as symbols of continuation and growth of the art.
An ostrich burring its head was Zosar s tool to show the theater s crisis in dealing with the new concept of globalization and its inability to cope with changes of the time. In a following scene, the artist features the theater s enemies by depicting two human bodies one with a head of a monkey and the other with a head of a bat. The last scene was a black seamless ring surrounded by a white line, by which Zosar wants to say that darkness could bring about light, and at the same time voices hope of resolving the current crisis of the Egyptian theater.