They don't tell stories. Her dancers seem supremely intelligent, but they aren't strongly differentiated. For Whiting they come close to a kind of universalized humanity. She choreographs facial expressions as well as body movements. As these gestures recur, they suggest various meanings.
Lights come on and off.
There's a transparent wall at the left side of the stage. That's a lot of stuff, but it's composed and architectural. The dancers are in a comprehensible space, an articulated space, and they interact with it in various ways. Video-dance combinations are a dime a dozen these days, and mostly I find the video distracting, bombastic, and irrelevant. But not always.