They have been included for readers wishing to cite the print rather than the internet version of the book.
Every literary description is a view.
From this absence follow two implications important to the student of iconsology. Second, each form of the situation is associated with both a particular point of view and a characteristic narrative distance. The relation of the paradigm to the work of visual and verbal art is therefore never merely additive. The contrast between Christian and post-Christian intonations of the shipwreck paradigm appears in the fourth book of Childe Harold's Pilgrimage where Byron employs both of them . Thus, like another deity, the speaker would send a Deluge to cleanse the earth of men who corrupt and abuse nature.