There are some big arguments. Music is playing, we video everything and improvise, improvise improvise. When I turn it was like I was pitching the ball. It's all very elegant within the context of the piece. I see my character as the baseball diamond goddess who is mythical, majestic and doing this amazing pitch for six minutes.
Giant poles become spokes attached to a bowl-shaped hub in which sits a proud priestess.
Dancers adorn the spokes as the wheel-like structure rotates and undulates, lifting and descending to the music. The accidents that do happen are really stupid things like dropping something on your foot, stubbing your toe, or running into a light stand. Quinn said that although she's been performing some dances for years, they are ever changing. I've been doing 'Medusa' for 15 years and 'White Widow' for almost 10 and they keep evolving because they are living entities, constantly growing. Click for online calendars and events.