To me, this sounded like a grand excuse for not having a concept at all. Because somehow, everything is related to everything else anyway. And the actual program came off more confusedly multi-faceted than subtly linked. The question raised here is an fundamental one.
Great themes have a certain advantage in that there's a lot of space to move around in.
The first part of the title conjures up rather unpleasant associations. Nevertheless, with this blunt thematic statement, the Ars runs straight at the critics' openly wielded knives. The actual planning of the program suggests a certain legitimacy for this suspicion. It's not content that's being programmed, but old loyalties. In the Net.