I find that a strange, paradoxical situation. Rocks and roots mutate into organs and bones. Forest rivers become rushing blood streams. It is also a more complex and interactive work, according to Davies. Osmose is like a stage set, where things are there for the whole duration of the piece that only fade as you pass from one scene into another.
Every single thing comes into being, lingers, and then passes away.
The landscape on the upper level is constantly cycling from day to night and through the seasons. In the body level, the organs give way to bones that begin to fade until all that is left is dust. It's like endless waves of comings and goings, visually and sonically. One of the interactive modes we used was gaze. If you gaze at certain objects long enough, they grow and evolve into other forms.