These distinctions make it easy to root for one group, even if they still are the bad guys. Once the film gets rolling, it becomes a caper. Under Lynn's direction, the film is more than a one note comedy. He gleefully exploits the dark elements of the script, and the results are more than satisfactory. Attention to detail is good but not exact, while depth of field sometimes suffers from a soft focus.
Flesh tones are good, while colors are nice and warm on the inside, bright and vivid on the outside.
There are some minor issues with digital transfer, but they are hardly noticeable. The pristine master print allows for a clean transfer, with no surface dirt or scratches. The Dolby Digital 5.1 Surround soundtrack isn't very expressive, but it more than gets the job done. The dialogue mix is adequate but not overly strong, but the surround effects keep the bullets flying. Rear speaker output is relegated to musical cues and ambient noise, while stereo split is effective.