George Hartley Silliman's work often reveals his concern with the social motivation of frames. While the form of much of his work resembles the propositional mode of the conceptualists, as we shall see, he nevertheless insistently extends the focus of those propositions to a more consciously political level than many conceptualists would have. Silliman's The Chinese Notebook . They leap to conclusions that logic cannot reach. Rational judgments repeat rational judgments.
Illogical judgments lead to new experience.
Formal art is essentially rational. Wayward, we weigh words. Nouns reward objects for meaning. The chair in the air is covered with hair. No part is in touch with the planet.