Sampou draws from a vast pool of styles. Sampou allows us to hear that instrument only once, even though there are many other mighty fine guitar parts on this record. Sampou has a very impressive way of singing, full of emotions, still very matter of factly. Whether she's belting or crooning, she's always convincing. It's here, where the comparison to Etheridge makes the most sense.
Lighter moments are very scarce here.
And the healing process must be a slow one. Now, they say that great art comes through great suffering. Les Sampou's new CD seems to prove that point. It's a truly dark album. And it's a truly great album.