Small samples evolve into larger constructed works, making use of both indigo, cold, and hot water dyes. The human image is used as a point of departure for three-dimensional forms in fiber, fabric, and mixed media, along with experimental techniques. Personal statements make direct reference to the mask, the doll, or the garment, along with inquiries of ethnographic origins and contemporary sources often in the context of performance and ritual. This course investigates structuring processes and surface manipulation using found and purchased materials. Techniques may include uses of piece work, applique, quilting, layering, and stitching, as well as other unconventional methods of joining.
Emphasis is on the development of strong personal direction.
This mixed-media course introduces the concept of traditional fibers, fabrics, and other pliable elements in conjunction with alternative materials and processes, providing a context for creating surface transformations. Students are encouraged to develop individual direction within a framework of technical demonstrations and conceptual problems through the exploration of form and content. Groups as well as individual critiques, and discussions of historical and contemporary issues are an important part of this course. Woven Structures Workshop Beginning, intermediate, and advanced levels are given technical guidance for exploration of the formal and expressive properties of woven structures. Introductions to the preparation of the loom and basic weaves are presented to beginners.