A deceptively simple, but potent ending to a profoundly downhearted song. Musically, Feldman keeps his keyboard work spare, mostly blocking chords and modulating them on the beat which makes him sound somewhat like Procol Harum's Gary Brooker. Because Feldman's obviously capable of doing so much more, his restraint takes on an undercurrent of added weight. There's nothing simple about most of these surface simple songs. Repeated listenings reveal rewarding details of both form and substance.
Great piano sound too, and the strings sing.
Pop music with a conscience. Oh, you can find a few, that's true. Well, if such a scenario does occur, I'll get you one-third of the way to enjoying financial security. Remember the name Lee Feldman. You might think that such an arrangement would give his music a jazz or lounge feel, and it does to an extent.