Examples range from computer-supported collaborative work to interactive music systems.
This thesis presents a general model for structured collaboration based on conversational turn-taking . According to the model, collaboration participants share both a representation of the collaboration's structure and the algorithms governing navigation through that structure. The framework demonstrates how computers can participate in musical improvisation, and how the study of conversation can improve that participation. Two musical improvisational domains are described. The first is a free-form three part canon defined by Sal Martirano's Sound and Logic system .