Then I fill in the details with creativity methods and write the scenes. If you have a blank page problem, you simply have no stimuli. If you have no ideas, it s because you re not feeding your brain anything new. You can look at this from a psychological perspective. Either way, one person wants one outcome, and the other wants another.
Good arguments travel all over the manipulation map.
In a good dramatic argument, you never really get past step one. As the writer, you should have a good idea of what the characters would find if they made it to step 2 - because that is what is causing the whole conflict. For each number, I derive a scene, a step, toward the turn. Each one theoretically contains character-defining conflict. Of course, if I think of any specifics I note them immediately - I may write an entire scene.