Landing is his first solo release. It's a tall order to make an hour of circular breathing through a wooden tube interesting , let alone inspiring, but Kent does it. The effect is, frankly, trance-inducing. Something truly original and challenging, yet true to it's source. Kent plays almost everything here, including a tuba, and is clearly committed to the traditions of those who taught him his craft.
Landing is unique and worth checking out .
Kent drops dollops of assorted African, Asian and European musics into the mix for a hypnotic journey that will easily captivate the ears of world beatniks, new agers and other adventurous listeners. Contained here are three long solo didg workouts from one of the instrument's foremost exponents in the West. The didg works principally with the field of harmonics, the resonance and overtone series created by a fundamental note made by the breath in the wood. It is these overtones and harmonics which create the otherworldly state that you find yourself in when listening to this music. Born of the Australian tribal communities, the didg is key indicator of what really happens during any music which causes an altered state, and particularly during any music which uses repetition.