The work is modal in character with a great deal of tonal presence. Cajun tunes, harmonic and melodic elements derived from New Orleans blues, and musical ideas from other world cultures comprise the basic body of the work. The piece employs an adaptation of a Cajun folk tale by the composer's wife and professional librarian, Judy Constantinides. Based on modal harmonies, both the vocalist and the reader interact with each other throughout both works. Its style is declamatory and its material is derived from various modes.
Intervalic relationships pervade the cycle, thus giving unity to all three parts.
A performance plan is included with the separate pieces.