Today's film stocks can capture the extremes of light and dark as well as the nuances. We cinematographers have a tremendous advantage with the current varied range of film stocks which, in conjunction with computer imaging, can make almost anything visually and creatively possible. Once impossible shots are now conceivable. Your imagination can run completely free. It's like having an extended palette or and enhanced vocabulary.
Filmmakers can find new ways of telling stories and new ways of expressing themselves.
Rene Ohashi studied filmmaking at York University in Toronto. His work as director of photography encompasses a wide spectrum from early documentaries to dramatic television series and pilots, including Party of Five and Early Edition , MOWs, feature films and hundreds of commercials. In high school, I started to have an interest in still photography. Jack van der May. He did a newsmagazine show.