But maybe the interlocutors may not be aiming that high. Perhaps what they really want from the guitarist is just that he or she play things in such a way that they understand them. In this case the familiar reality is preserved. The interlocutors' sense of bearing in the surrounding is not lost. This familiar sound of a familiar instrument is for the interlocutors accurate representations of reality.
Familiarity becomes a necessary condition of accurate representation.
The one set of vocabulary describing the world truly is arises out of words and contexts among which the interlocutors find comfortable. In the second canto it is probably the guitarist himself who does the talking and refers to himself in the first person. I patch it as I can. His creative artistry cannot bring forth the real reality, reality unalloyed by representations. There is always a gap between the two.