That's a signal composition in jazz.
Every jazz musician knows it.
It's written by Oliver Nelson. The Blues And The Abstract Truth , Oliver Nelson. Because you've got great writing, great playing, and you've got a real capture of the music of 1961, which was very much a live period in jazz. We don't think of the 1960's, necessary as one of the great golden ages of jazz. But certainly in composition, and in the virtuosity of the playing, this record is as good as anything in jazz music, I think.