My education has also been enriched in fields that I generally comprehend. American history is the primary subject matter of both the National Museum of American History and the National Portrait Gallery. The latter two concern controversial subjects, but both exhibitions were balanced, treating complex events in the context of their times while presenting a glimpse of changes that ensued. The National Portrait Gallery often presents exhibitions that explore meaningful American phenomena centered on important people. These installations deepened my understanding of American history.
Exhibitions can stimulate memories and, as with fine drama, produce meaningful emotional responses.
I have written about both before in this column, stressing the value of exhibitions that evoke deep nostalgia. While the examples given suffice to make the point, I want to mention a sampling of exhibitions in other museums that have had considerable impact. Space does not allow me to identify significant exhibitions in our other museums and exhibition places. But the point I have sought to make is that an intimate connection with the Smithsonian affords the Secretary many opportunities for learning and stimulation. By I. Michael Heyman, Secretary Originally published in the November 1999 issue of Smithsonian Magazine.