Once thought to be the work of Pontormo, most scholars now agree this is an early painting by Bronzino, who apprenticed in Pontormo's workshop. The Virgin's symmetrically oval face resembles Pontormo's madonnas, but other elements point to Bronzino's own emerging style, particularly his use of large areas of color and his isolation of the figures. Although they are linked through gesture and gaze, each seems to be framed within an individual space.
Little emotion shows below the hard, smooth paint surface.
From a distance, we first see a strong linear pattern emerging from the almost abstract interplay of bright figure shapes and the dark background. Yet up close, the work's precision and particularity dominate.