Film is forever.
There was a time when exploitation cinema was genuinely entertaining. Small, long-gone studios like Cannon, New World and Empire hopped on whatever mainstream bandwagon had been picking up steam, and we were rewarded with imaginative, if not original, cinematic efforts. On home video in my living room it seems more than a little out of place. At first he's Lyle Mason, a greasy, ponytailed hit-man who provides muscle for the Russian mafia.