The anomalous case in the Fluxus tradition is Joseph Bueys who considered his work social sculpture. However, just as with the video collectives, Bueys failed to actually change society in any radical way. Currently, there is a renewed interest in utopia. He sees mankind as emerging out of a commodity space into a knowledge space. In this space, humans can relate to knowledge in all its diversity.
Identity becomes nomadic.
We involve ourselves in the production of meaning. We generate worlds of signification. New ways of living in time and space emerge from collective becomings. Levy sees utopias, not as unrealizable dreams for fools and fascists, but as seeds that can engender the actualization of highly differentiated pluralistic societies. In that essay, I traced the tension between video as a tool of social change and video as an art form.