One picture becomes clear. Some noise was made by someone in the Boston Museum's Laboratory. Another man comes out of the bush, hears it and starts yelling with all his might. Others soon follow and add their sound to the already deafening noise. They yell and scream in different tones and languages, but they don't know what they are yelling and screaming about.
History repeats itself.
Controversies on art have come and gone. The vast majority of them have been solved by logic, true knowledge and common sense. What is unknown in one age, is clarified in the next. It is the conviction of the present writer that a few dissident Egyptologists and their followers in the museum world have made innumerable mistakes and have shown poor judgment in their evaluation of the quality, aesthetic merit, and antiquity of these sculptures. Some have said that certain heads in the Mansoor Collection are copies of heads of Amarna in the Museums of Cairo, Berlin, etc., when the latter were discovered many years after the first appearance of the Mansoor sculptures.