Some while ago I reviewed quite positively a CD by these people, and now I have a new work that primarily deals with feedback. But added with the help of a metal cabinet and a typewriter, to mention some of the sound sources. Brutum Fulmen succeed again in combining harsh noise with more subtle moments. This works best, I think, in the shorter pieces, and they are luckily in majority here. The shorter pieces work best in their noisy, Hendrix feedback like capacities.
Excellent noise is hard to find - but here's an example.
One of those puzzling affairs. Seven tracks by five different improvising musicians from Japan. Followed by a solo saxophone improvisation by Masahiko Okura, which is also subtle and nice. Tamaru's bass is entirely covered with effects and is of droning nature. Akifumi Imaizumi plays guitar and effects and is sustained piece is like a huge crescendo from an orchestra and remote strings.