They were formerly in strict and just order, but we have replaced them with a liberal disorganized and arbitrary administration. We have tampered with Jurisprudence, the franchise, the press, freedom of the person, and, most important of all, education and culture, the cornerstone of free existence. Above existing laws, without actual change but by distorting them through contradictory interpretations, we have created something stupendous in the way of result Chapter 11. Many people have wondered whence come the waves upon waves of musical slush that invade decent homes and set the young people of this generation imitating the drivel of morons. Popular music is a Jewish monopoly.
Jazz is a Jewish creation.
The mush, slush, the sly suggestion, the abandoned sensuousness of sliding notes, are of Jewish origin. The fluttering music sheets disclose expressions taken directly from the cesspools of modern capitals, to be made the daily slang, the thoughtlessly hummed remarks of school boys and girls. The Jewish influence on American music is without doubt regarded as serious by those who know anything about it. Not only is there a growing protest against the Judaization of our few great orchestras, but there is a strong reaction from the racial collusion which fills the concert stage and popular platform with Jewish artists to the exclusion of all others. It is the purpose of this article to put people in possession of the truth concerning the moron music which they habitually hum and sing and shout day and night, and if possible to help them to see the invisible Jewish baton which is waved above them for financial and propaganda purposes.