These are usually open worked panels with swirling arms that can be compared to buffalo and so-called ship of the dead motifs found in other traditional Indonesian societies. Despite the power evoked by the skull, they are multi-dimensional with references to birds and images associated with the soul. Placed above the door of the inner sanctum of the uma longhouse, the jaraik are an important emblem of the inhabitants of the longhouse. These are only a few of the many objects illustrated and explained in this wonderful new book. Others include human effigy statues and panels connected with headhunting to baskets and ritual bowls of great character.
Long knives decorated with spirals and bird motifs are also a highlight.
It is inspirational to discover a new book on Indonesian art focusing on such a specific tradition rather than the general subject. The revelation of an important but unknown art form also serves as a powerful reminder that there are still numerous areas of art and culture calling out for research and exploration even as we approach the beginning of the 21st century. We hope that this is the beginning, not the end, of discovery and documentation of the more isolated regions and subjects. The writers and publishers of Mentawai Art , Insulinde Indonesian Arts and Singapore's Archipelago Press respectively, are to be much commended for producing an exceptionally beautiful book which should attract a readership far beyond the enthusiast of Indonesian art. Archipelago Press, Singapore 1999 112pp.