If the answer is no, nor would I give one to anyone I know, then you can push your electronic shopping cart elsewhere. After all, it's a cappella. But Millar himself seems a standard-bearer of Harry Jr.'s tone and intonation, although it's possible a true fan of either might contest the comparison. I admit a certain level of unsophistication - I am the sort of person who would enjoy listening to these carols on the radio once a year, without ever needing to have them for my very own. It's an exemplar of this particular style of vocal jazz.
Arrangements are reasonably interesting, well-performed and very safe.
The choruses might well be Millar and a female buddy overdubbing themselves, or it may be six or seven different singers. Pull it out once a year and smile, secure in the knowledge that you have found a vastly preferable substitute to elevator carols. And have some happy holidays. It's somewhat odd to be listening so intently to a Christmas album a couple of months early. From the liner notes to the overall production, this is a remarkably crisp album.