Size Varying sizes of type, when combined with smaller body copy, draws the reader's eye to the beginning of aline. But differences in size can also be used for smaller pieces of work with less text, like business cards and covers. You can affect the impact of a large letter by changing its shade. However, many typefaces' companion bolds do not provide enough contrast to the book or light letters. This is usually because the bold style of a typeface is a modification to the book style, rather than an original creation based on the characteristics of the typeface.
Effective contrast is achieved when two faces from the different categories are used together.
Using two faces from the same category does not constitute a contrast, because of the similarities between the strokes and lines of the faces. Form The form of a typeface is simply the shape of each letter. However, there is no contrast between a script against an italic, because there is insufficient differentiation. Organising the colour areas in a few potent points is the most effective. When a solid colour background is used, some white mass should show through, whether with a black type mass or a black area with reverse type.