Eric Bana, an adequate comedian, proves he is an outstanding dramatic actor, bringing to Chopper much of the power of the film. He knows that the key to Chopper is not his words, which are often flagrantly exaggerated and the work of a showman, but in his face, his eyes, which frequently betray the truth. By bringing this duality to his performance, Bana truly captures the complexity of the man his cockiness, and his deep-seated fears. This is a difficult role, and one that relies on nuance right down to speech patterns, gestures, a demented look in the eyes, and Bana succeeds every time. Dominik has chosen wisely in his direction of the film his casting shows equal audacity and nous.
Chopper is tough, provocative and challenging.
But as far as Australian cinema goes, this one distinguishes itself for its clear vision, inspired approach and dedication to something more than easy jokes and bland stereotypes. Dominik may have struggled to get Chopper onto our screens, but the wait has certainly been worth it. This is an excellent film, and one worthy of the praise it has already attracted. It may be brutal, violent and tough to watch, but it s not a film that allows complacency or sloth in its audience. Chopper is a vibrant film that kicks and bullies its way into your mind, and forces you to grapple with the thorny intricacies of the man and the film.