He now lives with his prostitute, who however is in gaol at the moment. Every night, Kadri beats his wife with his strong fists. For three weeks, he had kept her a prisoner in a room, Kadri's mother feeding her secretly. Remzija's last child was born just a few months ago. As soon as she ceases giving it milk, Kadri has decided to send her out on the streets too, chained down by the blackmail of the children and by threats of physical violence.
Every narrative is imperfect, and affected by countless factors.
But in the end, we have to choose whether we prefer the official story, or the direct story of the victim when he or she dares to speak, despite the tremendous costs involved. Kadri, without running any risk, expectably says that his family lives in the best of all possible worlds. Remzija, whispering in fear at night, tells her sister that she lives in hell. And she has nothing to gain by saying so. It is up to us to decide whether we prefer to listen to the oppressors or to the oppressed.