The juxtaposition of a swan reproduced in the embedded image in the upper register with a female nude, crouching with both hands on left foot, below elicits a reference to Leda and the swan. At the left of the embedded images, the text NUDE runs vertically, at the right of the embedded images, the text SWAN runs vertically. Confidential Copy , along with Fragments and Cover-Up , represent the female figure as divided between segmented embedded images. Cover-Up represents the same individual as Cynthia , and perhaps is the same individual in the crumpled and unmfolded embedded image in Dorothy's Vision . In Cover-Up , the image of the crouching figure is divided into three parts, with an upper and lower large rectangles and a small triangular wedge at the center.
Flight seems to end the sequence of works in the exhibition.
A reclining nude female figure stretches across the field, parallel to the image plane, seeming asleep. To the left above the figure, an umber chine coll area demarks a representation of a male and female couple holding hands and dressed in late nineteenth century bathing costumes, male figure with two feet on the ground, female figure with right foot raised as if about to test the water. From the works alone, on intrinsic evidence, one cannot determine who originates the tales told in these prints. This indeterminancy has is correlate in the material cause of the works, which problematize the notion of original and copy within the medium. That one comes in the end to an aporetic indeterminancy is, in the end, to assert the inadequacy of terms to engage the domain with which one is confronted.