Graffiti theory is the first class coach on the freight train of graffiti history. One good journalist is worth more than a hundred great painters. If it is not multi-leveled than the graffiti is nothing. It is all the anti-signature. The signature that refuses.
Graffiti stands to deny all the gushy promises made in the sunshine.
Technical production is not the highest priority on the train tracks. The experience of art is cemented in the excitement of peering at inaccessible capital, whereas graffiti provides the viewer with the presentation of the city as the great condenser of moral chaos. So we spin circles and forever dance on the ballroom floor of bathos and compromise wielding the power of subversive graffiti and the graffiti of subversive power, the reaction of product and the product of reaction.