He used an oversized brass section, with a lot of French Horns, to give it a semi-gothic and omnipotent sound. A lot like he did for Hellraiser 2, actually. Bringing in Toots Thielemans to play it, he did that to emphasize the middle-American setting of the movie. The overall effect, however, is a little more like the immortal little tune Ennio Morricone wrote for Clint Eastwood's character in The Good, The Bad, and The Ugly, which pops up every time he appears onscreen. I would love to know how THAT came about.
Life is just funny that way.
There's certainly nothing wrong with the music - I think Young has real talent, and I'm glad to see him scoring more and more mainstream stuff. So what we're left with is a very loud, bombastic, somewhat unoriginal action score. If you fit either of the above categories, check it out, but if you're not, it won't make a convert out of you. Go back to the A-I index. Go back to the Young page.