Yes, one I did in the 60s called Live at the Ryman that we recorded at the Ryman Auditorium in Nashville in 1963. Good, good stuff. Another favorite of mine was called I Love Paris and was done with a full orchestra in California during the 60s and they just recently re-issued it as A Touch of Class. We did that one in the late 60s. At the time, it didn't get much play because the company was pushing out five or six records a year of me because they might sell 200,000 copies.
Jazz is funny.
They're not looking to sell a million. They're just looking for that core jazz audience. So every few months or so, we'd go into the studio and pop out another one. But doing it that way meant that I made money and the record company made money. I have a few new CDs out now, one is Cheek to Cheek, and Swinging Blues and, of course, the Touch of Class re-issue.