Forever Free, 1997.
Censorship is to art what lynching is to justice.
They are both informed and energized by resistance to persistent colonial stereotyping. The debate is open that questions who expolited whom. Charles is keenly aware of the dangers of exploitation. But unlike Basquiat, whose reactions seem to beat an immediate gut level, Charles analyzes the traditions and sources of sterotypes. He does meticulous research into sources to find the origins of the caricatured images.