Classical music would be a good example. I really like to hear our guitar played in the manner of a beautiful, well-written piece that has a depth and richness to it. With regard to tone woods, Goodall strives to find the combination that will best complement the player's music, style, and playing technique. For a fingerstyle player, it means you can get more volume, power and fullness, as well as string to string balance. That seems to be the darkest in the midrange, but is also warm and full and responsive, and the top will be the most flexible Sitka spruce I can find.
Mahogany is also a great choice.
For the sensitive fingerstyle player, I might pick a cedar top Grand Concert cutaway. For someone with a more aggressive fingerstyle approach, the Standard would probably be the better option. For this person, the woods could vary from koa to rosewood for the back and sides, with a harder Engelmann or Sitka spruce top. It depends on what gauge strings one uses. If a person has a light attack and uses light gauge strings, then Engelmann would be an excellent choice, or even possibly redwood or cedar.