Italian movies are our bread and butter when it comes to the money side of things.
He, at the time, was just getting out of composing for Italian movies. I got in touch with his contacts and within about three weeks I was composing for an Italian thriller called 'The Rider' which never did very well. After this we got steady work in Japan and other Asian areas and have composed over sixty soundtracks . The biggest mistake most filmmakers make is to not think about music until they're editing. They then spend hours, days and weeks trying to think about what to do.