Sculptures also show a propensity for hybrids. In the 1992 bronze, The Woman Who Waits by the Sea , Pre-Columbian and Asian influences appear prominently. A stylized woman stands upon a dog-like figure. Both are etched with a sundry amount of designs and figures. But her amalgamation of images can extend the imagination of the spectator.
Enigmatic forms rooted in ambiguous space give the illusion of dream metaphors.
Juxtapositions that evoke associative meanings can transport viewers into their own fantasy universes.