One painter might lays down an imprimatura of transparent earth color then build paintings using direct painting technique. Always, his first layer shows in certain areas. The color gives these paintings a warmth and comfort reminiscent of early 19th century Romanticism. Another painter might build paintings with pure colors and tints to make a jarring, noisy surface. Then by using a signature glaze color mixed to evoke an emotional sensation, the painter can unify and soften the surface.
Every green element becomes more vibrant.
The color mixtures will have a new softness. If you are interested in maximum intensity then use only modern organic colors like Quinacridone or Phthalo colors instead of mineral colors. See the Gamblin Color Chart for selections of modern and mineral colors. Over many years of paintmaking I have come to think that the subjective qualities of color, the emotion that each color represents, is as important to me as the technicalities of color mixing. And I feel that when I am missing one of my colors I am missing a potential emotion.