Ann Kendall's blending of thought, sensation, intitution, and feeling reproduce nature's handwriting into sensory art. In her suspended symbols there exists a polymorphous perversity. It is a translation of all of our senses into one another and this interplay becomes a metaphor of free translation of nature's message. In this experience there is no antinomy, there is only harmony. Everything becomes a metaphor of the free translation of natures inscriptions.
Literal meanings are packaged commodities for passive consumers.
The detached observer views the subject and the object as separate. The work of Ann Kendall offers no option of this type. The viewer becomes self and not-self identified in the moment of experience. This is the secret soul of Ann Kendall's paintings. Ann Kendall is unbelievable.