More solo stuff from Franky De Waard who limits his sound source for this project to guitar and studio effects. Pang a is the name given, not only to an album by Miles Davis, but also to the first continent which gradually spread itself across the surface of this planet like slow, crunchy peanut butter eventually forming places like Yorkshire and Asia. A low throb does exactly the opposite, pulling everything back into shape before letting the sounds that a tinkling bell makes, slip into this palette of drifting continents. Music which doesn't stay still even if you do. Chunks of processed guitar are set adrift in a muggy storm of weighty tone collisions and static throb.
Distant bellows rise and fall, peaking in shrill, cracked tones during the third of four movements.
Beautifully recorded and ideal for late night headphone investigation. Ah, a very nice and extremely minimal wall of noise from the frozen fields of the Netherlands. Similar in direction to Voice Crack in that things just seem to run by themselves in a random fashion, Shifts run the gamut from Flying Saucer Attach-ish plinking guitars to droning and shifting feedback to sounding like a stuck meat cutter in a wind tunnel.