It contains a number of spoken sound pieces each of which reinvents poetry by making works of words that exist in no language other than the one constructed by the poem. The final five pieces are by Steve McCaffery. McCaffery's interest in sonic renditions of imaginary language is to work the threshold that demarks the difference between sound and meaningful sound. He notes that St. Augustine recorded that his own experience of hearing a dead language stirred in him the desire for the will to know the meaning.
Imaginary languages are similar purveyors of virtual significations.