And with each series being 22 episodes of 25 different TV shows, some of them being an hour, some of them being a half-hour, running anywhere from 4 to a dozen writers per episode and not all writers are on every episode, you re looking at a tremendous writer base that encompasses a major motion picture studio complex, for TV and for feature film. We re talking many thousands of jobs. Also, you have to look at lyrics for music. So we end up with a whole industry which employs 5-10,000 men, women, and children at a very high rate of pay. Yes, what I want to do is give enough tools to the San Diego writing community to enable them to take the reins and establish themselves in a global entertainment industry.
Funding is what makes the world go round.
Everybody has a story, and every other person has a screenplay. We hear forty of them a day, whether they used to date a billionaire, or they ve been locked up in a prison in Tijuana for carrying tea across the border we ve heard them all. If a writer has access to funding sources, Angelic Entertainment or AFC Studios would want them to come to the table with the funding in hand. They came with the funding, and Disney turned them away. So they went to Warner Brothers and Sony and were turned away again.