An altered version of Protection, a 1993 CD by Britain's Massive Attack, demonstrates why such a wide variety of acts have turned to the Professor. Their version was popular, but I think what my version did is, it came at the right time to show people about this thing called dub. I guess in that sense, we were ideal for each other. Since that time, dub has been embraced as dance music by devotees of other forward-looking musical approaches, including techno and trance. In the Professor's view, this breakthrough makes perfect sense.
Dub is like the uncharted territory of music.
But with dub, it was like some people had no respect for dub for years. They always regarded it as the kind of music you just make to fill in space when you had a gap. But that was really the wrong way to look at it. The evidence was there. Then people got bored with everything else.