The firing of the sculptures crosses the millennia, embodying their common visions of form, technique and symbolism. Cast as groups of three identical shapes, they remain unique in bronze, aluminium or terracotta. These ambiguous artifacts hold their own secret power. This year Newbolt has returned to the aquatint, his favourite print technique well suited to his latest experiments with light and dark. In both prints and paintings he achieves mysterious effects of light through trees, which, fallen and criss-cross, provide interesting structures.
Dogs make an appealing appearance.