The dancer uses the whole stage, front to back, side to side. The rich, lilting cello is reflected in the dance. The second movement introduces staccato rhythms. He somersaults, shakes it out, kicks, and pirouettes, as the tempo rises. The third movement is contemplative, introspective, and much more static and precise.
Every movement has a purpose.
No motion is wasted. The fourth movement is a gigue. He's supremely confident as he kicks and spins in big sweeping movements. He somersaults, cartwheels, and waves his arms almost in amusing disgust, at the cellist. It opens with the powerful male dancers dressed in red who are joined by three ballerinas in lime green tutus that look like they're made out of cardboard.