Then, toward the end, I bring in different piano players to illustrate a variety of musical styles, and to get people working with instrumental accompaniment. There are vocal beds to sing over, call and response with many singers, and just great singing. It's all about levels. Nothing else matters. We don't do things the same.
Human beings are remarkably inventive if they have the opportunity.
I work with a lot of beginning singers, and I'm always amazed by them. If you have a song that's really driven by rhythm, it's going to affect you in a kind of pulsing way. And then it goes into the song itself. But once you try, you start to feel part of something larger. There's also gospel singing on Flight .