Co-director Gretchen Bender's large video projections are images taken from the workshops, medical journals, FX houses. They pulse and move as if living themselves and form a potent backdrop for the piece. Still is sometimes an extension of the children's game of trust.
Dancers fall backwards, without looking, into each others' arms.
Still is sometimes an adult lament for irreconcilable loss, a grasp of limbs, people, moments.