The lyrics are intellectual syrup and the instrumentals professional enough to make this send-up on rock iconography feel and look like the real thing. It's Only Just Begun. It lies in front of a window frame, which is suspended in the corner of the gallery and hung with curtains patterned with Transformer Robots, which seems to allude to a geek who liked comic books more than girls. It's a poor man's John McCracken. Light fare The mid-July sky has a certain glow at dusk with an optical ripple effect of sunlight off of the concrete and buildings of the city.
Galleries often respond to the rhythms of the summer with shows that reflect on lightness and color.
Paula Cooper 's effervescent Paula Feldman has curated her first show in the front room dividing the gallery from the main space with Christian Marclay 's translucent curtain of sewn flexdiscs, a large partition that looks like a clear shower curtain with circular groove patterns in squares. Teresita Fernandez contributes three large ink and pencil drawings on Mylar. A single lit candlestick on top of a small circular mirror by Olafur Eliasson has a monkish quality. Jorge Pardo 's hanging lamps contribute a decorative '60s look, while Liam Gillick 's modular anodized aluminum and colored Plexiglas piece puts a spin on the esthetics of Donald Judd and the Eameses. Lynn Aldrich makes inverted lampshades appear as colorful, wall-mounted bullhorns and Sandra Cinto 's exaggerated side table has three phallic bulbous glass formations hanging beneath it.