Plainly, Moon is an excellent craftsperson, as the Belle photograph of his work testifies. To answer this question, we need to look at the effect of what he has produced. On first glance, Moon's work seems quite sensual, if not almost salacious. Moon offers us a seductive photograph of ceramics standing naked before the camera. Without the cover of glaze, our eyes are free to caress their porous surface.
Light gently follows the curve of the plate and their flesh-tones suggest a gentle warmth.
In concrete terms, it renders the object more or less useless as a vessel. Visually, the matte surface is less reflective than glossy paint. What comes to the fore in its place is a visual texture, where we can touch with our eyes. Such opportunities are rare. More and more of our public world is transmitted through small screens, such as televisions, computers and LED readouts.