Price's music has been performed at several regional and national events, including the LSU Festival of Contemporary Music, the North American Saxophone Alliance New Millennium Conference, and several Society of Composers, Inc. regional conferences. FM synthesis, phase vocoding, and granular synthesis techniques were used in the creation of the composition. John Perrine, for whom the work was written for and dedication to, was used as the model for the sampling procedures. All saxophone sounds that are used on the tape portion of the composition were derived from recordings of his performances of improvisatory excerpts, which were extracted and manipulated using various computer programs. As the performer settles into his or her practice routine, the sound of traffic becomes more ethereal and is incorporated into the music that he or she is practicing.
Fantasy becomes motive to develop within the reality of the performer's existence.
Distorted traffic sounds, radio signals, jazz fragments, and the saxophonist's own sounds become an enriched tapestry of memories, impressions and influences. Near the end of the piece, the performer is shocked back into his mundane reality only remembering fleeting images of what could or what will be. He has won the Stetson University Concerto Competition and the Central Florida Jazz Society's improvisation competition. Perrine has performed with the Louisiana State University Wind Ensemble playing Michael Colgrass' Urban Requiem and the Louisiana State University Orchestra playing Philip Glass' Concerto for Saxophone Quartet and Orchestra with the Red Stick Saxophone Quartet. He is currently lecturer of saxophone and jazz studies at Southeastern Louisiana University and a doctoral candidate at Louisiana State University where he studies saxophone with Griffin Campbell.