Michael McLain adds dynamic banjo picking. Glen Duncan chimes in with tasty licks on fiddle. And then there's Lynch's voice, sweet and pure, passionate and melodic, with an innocent, penetrating, country lilt. The production on this album is clean and easy to listen to. Instruments don't overpower one another.
Breaks are expressive, melodic and unblustery.
Most of all, Lynch's voice is always at the forefront, making this album a true gem and her best, most enjoyable and inventive yet.