Ristovski's character actions bring him to conflict with Alex. The paths of Michael and the cab driver are similar, as they weave throughout Belgrade and, scene by scene, weave more turns into the plot. Paskaljevic's Belgrade is still a city where people make their own decisions. Sometimes the victims of the tumultuous city are innocent, often they are not. There is, however, a line of truth running through the plot.
Accidents happen, but most are the result of personal accidents.
Most notably, no one is well-off or unaffected by the chaotic town. Paskaljevic's intricate techniques to move the plot by creating a plot that follows one person as he moves and then jumps to another. Such a film, that, in theory seems confusing, either works or doesn't. Cabaret Balkan works, and that is no small feat, by itself. But the manner, effectiveness and reality of the film is unparalleled.