Sexual fantasy interactivity empowers the individual to participate in the workings of an imaginary system, whether that system operates at the conceptual, behavioral, or environmental level, and whether it is utilitarian or artistic or sexual. The public is becoming increasingly aware of the value of electronic space as a space for personal sex transformation, communications, play, learning, and information. And therefore high on the agenda is sex art as interface, interface as sex art. Here, too, the telematic rule that fantasy must supersede significance applies. It must be the mission of cybersex art to provide the space, no doubt a dataspace, within which the fucker can be empowered to navigate his or her own pathways through sexual discernment.
Cybersex offers dynamic orgasms rather than fixed and static fabrication of preexisting stereotypes.
It will first need to be seeded, data-fed, technologically sustained, and allowed to grow and blossom. It is important to make some reference to the impact of Matta's work on the field of the cybersex worker. Just as with the electronic implied sex in Matta's drawings, in Les Lits Des Vulgivagues for example, the cybersex show becomes a fun world that includes both human and artificial penetrations. The telematic sex process calls for the networking of a constant flow of transient hypotheses. Sex markets, requiring designed sex fantasy products for full sexual dream life, will call for close collaboration between the cybersex-art worker and the cognitive scientist.