Cyberiada was an attempt to transpose such phenomena into the domain of operatic music. It turned out that such techniques were perfectly suitable for music composed for the stage. Moreover, through these techniques I could realize various expressive shadings and contrasting moods - from the most dramatic to the grotesque, from melancholy to joy. I cannot name and define one concrete emotion which is experienced while composing music. There are formal schemas that might be used or rejected, there is the emotional flow and the structuring of the tensions following the outline of a sinusoid, with greater or smaller peaks at certain points in the piece.
Composing requires relying on experiences, searching for best results, listening to the music.
In the process of composing, the most important role is played by the creative imagination. Music is different because different people, different composers have different compositional talents. Everyone has a different sense of beauty and every composer creates his or her own sound world, reflecting their own experiences, thoughts and emotions. Ptaszy ska's chamber music demonstrates a marked preference for the subtle sonorities of the harp, flute, and voice, often joined by a marimba or vibraphone, and a variety of exotic percussion instruments. She frequently selects titles relating to space, dreams, light, imagination, the charming domains of decorative arabesques and the living beauty of nature.