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This piece explores the evolution of both raw and generated sounds as well as the construction and deconstruction of sounds. I used a portable DAT machine to record sounds from my environment. The sounds were then processed using a variety of software and hardware tools. The final step of putting it all together was accomplished in Pro-Tools. While my official concentration as an undergraduate at Brown University from 1995 to 1999 was in Electrical Engineering, I focused much attention on electives in music including the completion of a track in computer music and studio recording classes.