Similarly, the 28 statements of t8 in Contrapuntus VI , are evenly divided between rectus and inversus . The stretto fugues contain 75 statements of t8 or t9. The trick is to show how many ways the subject can be combined with itself in simultaneous counterpoint. No two combinations are alike. Each stretto employs a different time interval or contrapuntal variation of the subject.
Beat separations range from six to one.
Some stretti are in contrary motion, others in canon. Only the stretti beginning in mm. Click the blue boxes to hear combinations. Stop Play All of Contrapunctus V Notice how the stretti give this fugue atmospherics much different from those of the preceding simple fugues . The sound is one of sweet tenderness, with subjects caressing each other like lovers in a park.