If a tune I write doesn't have an organic sounding melody, then I scrap it. I find that it's easier to come up with an organic, natural sounding melody when I'm away from a musical instrument. Like in the car, for instance. A lot of percussion over a semi-ambiguous tonality. The upright bass is used as a percussion instrument as much as the drums are.
DJs generally like to be able to pronounce and know what the song title refers to.
Please share with the jazz audience how it came to be. Harry Watters Sr. passed away a few months ago, on July 14, 2000. In fact, he was actually AT the recording studio when we laid that track down. I'm still not to the point of being able to play it at gigs again yet, but the day will come. He was an extraordinary person and an extraordinary Dad.