The peace the plate symbolized met with such success that the plate was given a place of honor on the wall. The white dove, bird of love and fraternity, can always be seen as decoration in fashionable restaurants. Taking flight on the walls of the dining room, it doesn't have to fear confrontation with meat and, at the same time, with one fell swoop, induces the guests to begin eating. It is true that the mentality of a person while eating is precariously unstable, and that his appetite is proportional to the bill he'll have to pay after the coffee. Thus, for economic reasons, one must never eat and reflect at the same time.
Decorative peace has happy days ahead of it.
And yet, to finally be invited to sit at the grown-ups' table is seen as a sign of emancipation. At one time, it was customary to give new tablemates cutlery engraved with their initials as a celebration of this passage into adulthood. It puts those things which conformity neglected right there on the plate in front of him. The set is destined for mass-market discount stores. In considering the bottom of the plate as a platform for information and for emblematic images of crisis and violence, Mouille explores the predatory aspect of eating.