In his work, Benjamin compared the Baroque era to his own decadent, devoid of community ethos, obsessed with aesthetics. This was a political-aesthetic statement. In other words, Benjamin's work itself was an allegory of politics. Thus, the transition to political activism comes as no surprise to us. The author employs a similar technique in her book.
Dialectical images are imanent in such a transcendental consciousness.
They are not the result of a commodity fetish. That our very capacity to recognize proleptic or anticipatory images is conditioned and biased. The Party would have been proud of her. The author is General Manager of Capital Markets Institute Ltd, a consultancy firm with operations in Macedonia and Russia. He is an Economic Advisor to the Government of Macedonia.