I know she generates a great deal of mistrust. She wouldn't, either, need to fuse pop and classical, as she does. But I wanted to break boundaries. It wasn't my goal to shock people. It was to bring the violin into a broader spectrum.
Classical music is a small world.
It's a museum art. I wanted to work with things that are alive. I just don't know. Whatever, the posher critics have never been overly fond of her. She says she doesn't care.