Dance maybe the art form closest to the organism. From the author's perspective, as a choreographer working with computers, this is not without some justification. Yet he can also see the computer as a champion to the cause, re-introducing elements of interactively which, while common to its primitive forms, have largely disappeared from dance. He describes his work in the context of a field reticent to embrace evolving technologies.
Dancing boasts an ageless tradition of undermining the intellect.
Therein, it is said, lies its power. From this perspective, the computer, as the ultimate tool of the intellect stands diametrically opposed to the art of dance. I wouldn't say we look askance at the intellect exactly. Conceptual abstractions are enjoyed, but they are mistrusted. There is rarely much discussion, nor are there typically any scores involved.