Just as important, with the network of mail artists are interchanges of ideas and proceedings which are important factors for the production of mail objets. In whatever product of communication that I choose to transmit there are the characteristics of relationships between society and me. Of course, this includes the antagonisms and contradictions that these relationships present. Mail Art reflects these relationships without often reproducing approved ideologies. The political sense of art is inseparable from its artistic sense.
Art can be an instrument of change and transformation.
The ideological mechanisms of cultural control thrive in societies that favor a hegemonic system. No wonder that Mail Art, intended as a full expression of humanity, is distorted to the point that it can only be spoken of as a historical or autonomous discourse, like an entity floating in space. Mail Art is taken out of the world and is alienated from the social reality that gave rise to it. It is necessary that we recover Mail Art from these tendencies and return it to its communicative efficacy. They can qualify or try to measure the different mechanisms of control within the system, or try a new form of representation that will enable artists to question all established knowledge.