I always cared about the props, lights, set. I always thought about why I was staged the way I was. Koniordou also brings a global perspective to the performance of Greek tragedies in today's society. Electra is about this chain of hatred. The dilemma of keeping one's memory and the price you have to pay for it, or of forgetting about it instead.
All tragedies pose a basic passion.
We are led to think and wonder and find our solutions in our own life and to pose questions for our own generation. Tragedies are not ancient at all. Today we need to ask these same questions or there may be no more time. Koniordou said the wisdom gained from remembering traditions kept by the folk people in Greece is not academic. That is our tradition.