But perhaps it's something else. Naimark's erasure of the digital future into an auto-loop of staged communication, and a photographic erasure of the memory of the Yerba Buena Center victims by recovering their violent displacement aesthetically, only better to forget. But not to worry. Today, in art as in politics, apparent opposites only confirm the irreducibility of the liberal will to master the digital future and the staged past. All remembrance is memory wipe.
All projection is digital amnesia.