This is not the right machine to expect them from. The cymbal and hi-hat sounds that come out of this box are strictly analog, and I say so much the better. The hi-hat tone can be made to sound realistic enough to be mistaken for a sample, or electronic enough to flaunt its silicon origin. Adding a generous Bend amount to a cymbal or hi-hat where you've also turned up the Resonance and closed down the Filter yields some swooshy, spacey noises that bring to mind Studio 54's disco heyday. But used with discretion, Bend also gives you subtle animation that adds character.
Attack adds a metallic ping to the start of the sound.
The Clap channel is nearly as versatile as the Snare. I was able to get a reasonable representation of the sound of funky marching feet for a song my band is working on. It may seem crude, but it sounds smoother than the first digital reverbs. It can be clearly heard on the clap at the end of the breakdown in the website demo sequence. The Clap control adjusts the amount of flam in the sound, giving you the ability to evoke the sound of one talented person or a whole roomful of aryhthmic inebriates clapping.