I was struck by the fact that we were provided with no information regarding the images and this seemed especially problematic for the most violent of these images, since what read as intense and dangerous interaction was limited to the realm of form. Rather than alter the image, itself, I took this as an invitation to explore the interpretive contingencies inherent in this image. While the brutality depicted in the piece was disturbing, my ignorance of context and concrete fact allowed me to construct a series of narratives and self-dialogues which played off visual components of the photo.
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