Following this vocal flourish is the verse sung either by the gallo or the gallo with one or two other voices in harmony. Between phrases, there may be more, short diana-type phrases. The coro and response are the same length. This call-response section is called the estibillo. Following the estribillo may be a quinto solo which can then be followed by a truncated version of the estribillo or a new one entirely.
Dancers often start at the entrance of the coro in the estribillo section.
When he is successful, the movement of the the pelvis is termed vacunao. The wooden drums, or cajones, date from colonial times when actual drums were prohibited by the government. This is an exception to the rule. The columbia is the most distinct of the three rumba rhythms. The diana section is called llorao in columbia and often sounds influenced by Arabic wailing.