You may question the connection of the three pictures and find some interesting possibilities. It is an ordeal of one man, who stays behind his creation and is a survived prototype for his own judgment. Neither the beginning, nor the end of his tormented existence is constructed here, but the lesson of a legend is. To fulfill his concept, Jaisini uses the personages of Icarus who is a traditional image of an inventor. The portrayal of Icarus by Jaisini is a spiritual trial, the expression of delimitation that can happen of just-awakened and terrified consciousness of man.
Creation brings the artists close to the destructive powers from beyond.
Artists and inventors are familiar with this feeling of fall into abyss that can also be a moment of rise. Icarus looks at the destination of his fall with a weak, last hope, just as the Bosch's dying miser-man, for a miracle. In Jaisini's version, no one passes the test of Last Judgment, except for Icarus. He represents the creative kind, whose legend never dies. The work is a new poetic representation of the human dream to reach powers which do not belong to the human nature.