The rights granted to the author in accordance with the preceding paragraph shall, after his death, be maintained, at least until the expiry of the economic rights, and shall be exercisable by the persons or institutions authorized by the legislation of the country where protection is claimed. However, those countries whose legislation, at the moment of their ratification of or accession to this Act, does not provide for the protection after the death of the author of all the rights set out in the preceding paragraph may provide that some of these rights may, after his death, cease to be maintained. The means of redress for safeguarding the rights granted by this Article shall be governed by the legislation of the country where protection is claimed. Author's right countries give their authors the same exclusive property rights, plus moral rights that are personal rights, inalienable and may last more than the duration of economic rights. Thus, to ensure an equivalent protection of their moral rights, they would need to include a provision when contracting the licensing of their works.
Bargaining power determines what rights each party gets in a contract.
Thus only a minority of well renown authors can get away with true moral rights protection. For the majority, they get financing with whatever moral rights collective bargaining or other may provide. Each system has its pros and cons. Both aim at promoting the arts but differ on the means. The author suggests that contracts, collective bargaining and common practice in the entertainment industry provide for sufficient protection of moral rights, except for, the right to the integrity of works.