Thomas' new composition held its own next to Beethoven's iconic one. Thomas has an ear for the sensuous qualities of the orchestra. Her modernity is organic and never tries too hard to shock. It seems that with every new Thomas piece one has occasion to remark that this is a gifted young composer who will be heard from. It happens again.
Balances work, blends succeed.
There is a powerful lyrical instinct at work, resulting in some well sustained melodic lines. It is not difficult to understand why. The Thomas Sinfonia Concertante is indeed a winner, a one-movement showpiece that begins with a burst of energy from the saxophone, which retires to mull over its options before working up the musical material to a stunning conclusion. Words of the Sea is a healthy example of a work from a composer who is smitten with the chameleonlike qualities of the orchestra and knows how to exploit its myriad facets.