In other works, Vitiello has sought to reveal sounds that, in a given space, are ambient or inaudible, sounds that might exist just beyond the reach of the listener. One example is his 1999 installation atop the World Trade Center, in which he placed contact microphones against the glass windows of a 91st-floor office to amplify exterior noises that were otherwise unheard but implied by the view. In addition, he has created new sound pieces generated in part from his collection of found Web-based sounds. Vitiello's additional recordings include Scratchy Marimba, Fantastic Prayers and Sounds Building in the Fading Light , among others. This performance follows the opening reception for the exhibition Automedia in the Pascal and Kresge Galleries.
Admission is free.