Baldwins are too slow, although every piano is different and I've encountered a few friendly Baldwins. Never trust a white piano, or a piano with no middle peddle. I always remove the music stand as I sometimes sporadically reach inside the instrument to strum or pluck or damp strings. So this is the side or your face that will break out before a concert. This has no bearing on pianos, but seems to be a universal law, like gravity.
Art is a different experience for everyone, and no two people hear music in quite the same way.
Actually, most of them come from a place within me that I know very little about. There might be a specific name for the place in question, like the terminus striata of the medulla oblongata, or Fresno, but I can't say. Some things are not meant to be understood. Questions about how much practice- time I put in daily always come up. I try to explain that music to me is an organic event, a biological activity, a flow of event and nonevent, a melting into the fabric of time and space.