This is a throbbing , arpeggiator-pulse type of patch, good for driving basslines and harmonies. It's also less heavy than a lot of Peter's other patches. Note that every modulation listed is necessary and interlinked, a fact not immediately obvious. Pressure affects VCA 2. This produces some nice effects if used sparingly.
Alternate voice panning to opposite sides is interesting.
Adding FM, modulated or static, creates a nice subtle texture change. Hold notes down until sweep ends. This is a wonderfully thick, slow filter divebomb of the type I know and love, with nifty tonal variation across the keyboard. Bill says, This requires some skilled LEV 2 technique to simulate breathy vibratos, or in high ranges to gently add some wind noise. He asked me to run it in this issue, but didn't send any commentary.