This images remain open into yourself. You discover many more meanings for the foggy image and you don't stop at any one particularly but find delight in the fog ambiguity full of possibilities and options. The fog conditions a continuously changing reality and imposes a new reading, again and again. A new writing. Composing and de-composing.
Any traditional museum follows the objects presentation.
Fjaerland Ice Museum follows an array of world landscapes. The basis of this Svere Fehn project is the idea of glacier perceived as a huge mass of snow and ice hiding a puzzle of the past in an imagery scene. In a dialog with the north light, the space museum becomes a piece of art expressing the necessity of turning the visible into invisible, turning the ineffable into concrete. The fog packing the museum originates in Nifellheim , the underworld, the north world of frost, fog and ice. Because of the fractal, discrete and sinuous nature of the fog it transforms the enclosed space in a different from the Euclidean, isotropic and homogeneous one.