I apparently overdosed. No more dysfunctional family plays without some reasonable resolution or, at least, some redeeming purpose. The premise of the play is a good one and the Women's Project and Productions and Playwrights Horizons are to be commended for their support of new works.
All movements go through change throughout their history.
Sometimes that change is precipitated from within the movement, sometimes from without. So, too, family systems undergo change in similar ways. That change is often chaotic, especially if the family or corporate system is in any way dysfunctional. Change for Corlis is very chaotic. It feels like the playwright tried to do much with the script.