To this end, they gave the film a greenish color palette, created primarily by draining the red out of the image. Overall, the image is sharp and I noticed no instances of compression glitches, a minor feat considering how many complicated warp-speed stunts and visual effects there are.
Basses are deep and rumbling and high-end effects and dialogue are crystal clear.
Don Davis' moody instrumental score is more along the lines of what I expected, and it sounds great, too. Davis' score has been isolated on an auxiliary audio channel, interspersed with the composer's own audio commentary. In a move that has drawn justifiable criticism, Warner has made the two exciting theatrical trailers accessible only to PC s equipped with DVD-ROM . Hands down, these are two of the best trailers to come out of Hollywood in years, so it's an unforgivable snub that Warner has programmed them so that they won't play on TV -based DVD systems. The story is a tasty bit of Orwellian paranoia, set 200 years in the future, at a time when machines rule the earth and humans are harvested as energy for the massive super-computers.