Thus we find confirmation of the logical priority of an internal planning that projects an indirect, involuntary semantics onto the exterior, producing an impression of transparency. Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another. As these forms develop out of each individual material's potential for application and from the building procedures proper to it, they have grown up with and through the material. No material permits any intrusion on its own repertoire of forms. Anyone who still dares to make such an intrusion is branded by the world as a forger.
Art has nothing to do with forgery, with the lie.
Details Schliessmanngasse 11, Vienna 13 the original layout of the interior has been modified in recent alterations Resources Sources on Rufer House Roger H. Clark and Michael Pause. Precedents in Architecture. Van Nostrand Reinhold, 1985. Rizzoli International Publications, 1982. Ludwig M nz and Gustav K nstler.