The producer is often in a hurry to put his programme on air and therefore doesn't give enough room to his writer or creative team to delve deep into the subject. The desire to make quick money within a short time at the cost of quality in every department beats the programme. The buck doesn't stop at the producer's door alone. Technicians are equally at fault. By and large, most technicians do not know how to execute scripts on screen and generate interest because they are not thorough professionals and also do not know the rules and demand of the medium.
Actors are equally at fault.
The popularity of a programme partly depends on the performance. But today actors, often working in two and three shifts, do not have the time to think and get under the skin of the characters. Because of the desire to achieve instant name, fame and fortune, the level of involvement in every department is so low that creativity has been put on the back burner, thus affecting the quality and popularity of programme. But the channels or the programming teams of the channels, to be precise, also need to review their programming strategy for better results. Whether it is the makers or the channel's programming team, both often resort to short-cuts and often start aping popular shows of rival channels.