Then the reverse is revealed at chapter 10. On the widescreen version, more image is revealed on both sides, however on the full screen version, in this instance both sides are cropped. Despite these problems, overall the widescreen side still exhibits preferred, more balanced framing. The audio is presented in Dolby Digital 2.0 mono. It is fairly clean with a satisfying dynamic range for such an old soundtrack.
Dialogue is very clear, highs are well-defined, and there is fairly good bottom end.
And Streisand's crummy theme song at the beginning and the score's orchestration could've benefited from a stereo mix. Regardless, this original mono track suits the film fine. An optional 2.0 French track is included, as well as English Closed Captions, and subtitles in English, French, Spanish, Portuguese, Chinese, Korean and Thai. Peter Yates delivers a mellow but interesting screen-specific audio commentary. There are periods when Yates doesn't talk much, and it sometimes feels like he hasn't visited the film for many years.