The integration of a comic book concept and transferring those glimpses of still action to fluid movement may be overwhelming to some. The reassuring quality of storytelling is, in whatever form it manifests, that the content or the structural tapestry that your story takes can easily progress past the confounds of it's displayed medium. It all depends on how strong the weave is. What I mean is very simple. Plot is key.
Characters are the lock to all action.
The depth of the story is in the interaction. The strength of the storytelling breathes life into the image be it a comic book panel or a simple wink from a store clerk facing a gun in a robbery that has his own death wish. Capturing that image in three panels can be easily achieved in a comic book page. The obvious question is how to project the same image on film. The answer is simple but complex.