All three plays are intended to embrace the audience with feelings of being part of the play. In the Knickerware Lady, the play starts with Carol and Doreen, who have been sitting quietly in the audience, getting up to leave. They jostle, and mess about thereby irritating some people who see this as an intrusion to their evening's enjoyment. An Inspector of Sheets is designed to play on audience emotion, especially in the context of the bureaucratic bully, the unseen rape and of the tragic situation whereby a young person is terminally ill because she was given infected blood. The Gas Man begins with Wayne striding through the audience and again, there are the ups and downs of emotion associated with potential violence and macabre events, the childhood backgrounds of both characters and the final reversal of the situation.
All characters are 'blank characters' except for actions required in the script.
It is foreseen that the actor plays and develops the part as she or he perceives it and feels comfortable with. The script can be altered to enable regional dialect or in ways that would progress the acting.