Selections from the Roskilde Show VideoFeedback Waterbed The Scandinavian descendant of the original Waterbed is notably less funky.
All paintings are in motion, if only because of entropy.
When we look at a painting, the light that bounces into our eyes has already changed the painting a little bit. Digital works of art are potentially eternal in the abstract, but in practice are even more transient than pre-digital artifacts, because of the difficulty of replicating all the factors that influence the quality of interaction. In the present case a painting is made hyper-sensitive to the motions of viewers, creating a new form that is halfway between painting and dance. The collaborative motions of groups of viewers are capable of sending the painting into states that a single viewer cannot. The image above is an example of the paintings interacting in response to the motions of viewers, which in this case has also evoked a creature from the underworld, seen in red, and throwing off red light.