Now sometimes if we're on a very long lens or we're tracking on a close up we would still put track down because it makes it even smoother. And sometimes we just can't put track down because we'd see it. On a 35 mil a lot of that kind of work might be done with a steady cam which is a hand-held camera that you mount on a human being and is carried around. But apparently you can't put this camera on a steady cam because it's too heavy. Ken has a very unique way of filming certain sequences which is doing a huge piece of dialogue and a huge piece of action all in one shot.
All directors are different because they're all different people.
Ken's not that much different to other directors, I don't think. It's different that he's an actor and a director because I think that means he relies a lot on people on our side of the camera when he's acting.