We can see elementary particles in bubble chamber photographs.
Artists face similar problems.
An excellent example is Pablo Picasso's painting of 1907 Les Demoiselles d'Avignon. This work is considered to be a turning point in 20th century art because from it emerged what became known as Cubism, the origin of all subsequent art movements. In their own way, both bubble chamber photographs and Picasso's Les Demoiselles d'Avignon contain data offered by nature. I will address this part of the wide-ranging problem of knowledge representation with a case study of how artists and scientists discovered a new type of visual imagery, one that represents reality beyond sense perceptions.