Advertising as the language of oil painting. Consumption as a substitute for democracy. Tangibility as an event in itself, advertising as itself eventless. The roots of Post-Modernism. Experimental, encyclopedic, and eclectic works.
Art becomes process.
Art is as the artist does. The search for subject matter. Avant-garde television and the era of portable video. Emshwiller and Paik. Maus as a post-modernist text.