Mythification also implies identification, and thus spectators who can identified with the mythified person or thing. Thus, people elevate, through mythification, those who are racially like them and demonize those who are different from them. Because film constitute us as a community or audience it has the power to use mythification effectively in order to elevate those who are dominant and to degrade those who are subordinates. Soon through the repetition of mythyfication, white and black filmed images become large-scale models for behavior. To mark is to point for identification, and remembering.
Black skin is over-marked obsessively so as to eliminate ambiguity.
It occurs by making the blacks as exotic. They are figuratively own by the whites mainly through the White men obsession to look at them curiously. Eventually they are also owned by the white man's modes of exploitation. Their home land is almost literally invaded by the film-ship crew. Kong's rule is overthrown.