According to its lay-out, the monastery church is a true successor of traditions of ancient Moldavian structures. The narthex is mor e elongat ed since it is separated from the naos by a triple arcade. Later on, a porch was added to the church building. Inside the bulk of the western narthex wall there was a staircase leading to the choir gallery. An octagonal tow er with a high pyramidal roof was rising over the naos.
Ancient inscriptions are mad e on the northern altar wall.
Th e decorativ e exterior design is achi ev ed by two rows of arcatures surrounding the Saint Trinity Church. These decorative elements animate the monotonous look of the structur e imparting it expressive plasticity and accentuating at the same time the monumental view of th e building. In the interior th e naos and narthex are s eparat ed by two cylindrical columns. The ancient iconostasis created by local craftsmen is mounted between the naos and altar. On many interior walls fragm ents of murals performed in the fresco method still can be s een.