Colonial discourse is built upon a difference between the West and the rest, that is other. It centres West as the dominant norm and situates the rest as its other. Colonial discourse constitutes its subjects as coloniser and colonised. They share the guilt. There need not be an administrative colonial power for this, the discourse is so strong that it suffices to justify colonialism which is no more administrative but virtual.
Colonial discourse is very complex in nature and it has countless variations and versions.
As is the case with many melodramas, Azize coincidentally becomes a famous singer, finding herself in an entirely different network of socio-cultural and economic relations. Kenan, having failed to find a decent job, begins to work as a waiter in the same place. They, eventually, fall in love. He mails his work anonymously and does not give away his identity. Azize quits her job, goes back to fishing.