So he's crossing over to her door, and he looks down the other side of the hall to see if anyone's coming. And then he comes back to the door. It's very simple. But Angelo Badalamenti wrote a piece of music I'm not sure if it was written for someplace else in the film, but it ended up right there which conjures up a mood, so that it's way more than just that hallway now. It's kind of a feeling of an older hallway, something from the past.
Cinema history comes through.
And also it has a mood that is just thrilling to me. That's the magic of film. I'm lucky, because I like all the different parts. And they are all extremely important, because if one or two fall short, the whole thing falls apart. So you have to be involved in every part of the process, making choices that reinforce the whole idea which started the thing in the beginning.