That's the so-what factor . It does not have to be a true story. Arrange the events in a series that will maintain the interest of your readers. Look for opportunities to enrich your story with details that give the reader a sense of being on the scene, witnessing the events first hand. Look for opportunities to use dialogue the actual words spoken by the people in your story.
Dialogue is most effective when it reveals something about the person who speaks it.
Create an ending. This is usually achieved by resolving all problems or answering all questions raised in the story. Show a draft to fellow students in a formal or informal workshop, and see if your strategies are having the effects you want them to have. The So-What Factor. Look for examples of the writer's eye and the writer's ear at work.