We don't have that collaboration to have that kind of conversation about the arts. That's the reality. All our contact with Balkan art is with our people who live in Kosovo. Kosovo is well known as an Albanian territory and population so all we've done is just share some ideas with Kosovo people about Balkans. We took part in one festival, a school festival, which was in Skopja, Macedonia.
Balkan schools do come and take part.
But for different reasons we haven't stayed at the festival for more than four days. That means one day to go, one day to rehearse, one day to perform and then off you go. So the contacts I can say are poor, very poor. I'm not quite sure. It's quite deep and coming today from year to year from century to century.