In fact, just the opposite may be true. Ironically, however, these practices often result in opaque, erratic, or dream-like art that seems intensely teleological or intentional. Within a stable system, or a more structured work, where events are causal and more regular, there are fewer and less variety of unrelated inconsequential events. Only useful patterns produced by chance have the potential to appear telic. Artistic authors notice such patterns and make use of them.
Artistic audiences do as well.
But this beauty might be found in all kinds of poetry, even that which seems to be more about the object than the process of creation. Both forms can reveal the profoundly human process of creation in important, though very different, ways. Dactyl offers educational support by hosting panels and poetry readings with in-depth presentations by scholars representing the full range of opinions of the perceived purposes of life and art.