Tony White creates mosaic-like compositions by contact printing pieces of 35mm color negatives. He is attempting to bridge the gap between memory and experience in an abstract yet concrete way by collapsing the democratic image onto itself. The composite reflects a whole experience through the resemblance of the original image. Jason Zadak believes critical examination of objects considered to be works of art can provide tactical access to the transparent ideological mechanisms that form the language of art. His humorous take on this discussion prevents the exercise from becoming overly analytical and undermines the elitism often imposed on art discussions.
Admission is free.