At any given moment, the contradicting properties of one cancel out our ability to perceive or take in its opposite. In Flow Inversion , inversion refers to the reversal of the natural order of things. Von Euer intuitively grasps the intricate, if illogical, balance that lies beneath the chaotic surface of nature. Inspired by John Cage's theories on randomness and chance, fields of twelve scalloped elliptical shapes ascribe the attributes of location. They in turn are superimposed upon fields of randomly assigned, diagonally oriented fragmented shapes that address movement or velocity.
Colors are in varying combinations that include browns, greens and reds.
The combined fields result in contradictions between the flat surface of the picture plane and pictorial illusions. Included are notations and drawings, as well as paintings and collages that combine hard-edged geometry with amorphous forms. Structures add form to pictorial spaces and a complex cacophony of rhythms emanate from drums, dance and electronic music. The overall implication suggests, and at the same time negates, a sense of space and time. The result is a recondite play on credulity.