The lithograph, the printing press and the museum, all machines for putting images in motion, are forms of early cinema. The concept of visual economy is developed using Cinema 1 and Cinema 2 of Gilles Deleuze.
Cinema realizes a new interface between machines and bodies.
Other texts considered include the Coen brothers' Barton Fink , Orson Welles' Citizen Cane , and the IMAX film Blue Planet . The Next Generation , a television program about the future's altruistic exploration of space, remains grounded in contemporary ideological representations of the American frontier, radical individualism, and naturalized versions of identity. In the public discourse of the Challenger disaster, extending into public hearings and sociological analyses of NASA, the body was reconstructed within an organizational safety model that denied any further possibility of collapse. The Rogers Commission attempted to reinstate national faith in technological existence, made safe through vigilance and the most minute surveillance of body-machine relations. Invested in government consulting, the academic response was an effort to restore the vision of manned space flight, and, in an entirely self-referential mode, to reassure its academic audience that their ideologies, disciplines, and bodies were still in place and all was right with the world.