I actually think that this is part of the problem. The current normaized body cannot carry the proposed technological superstructure. It, of course, has a fail-safe. The computer is trusted more than the pilot.
Critical artists can bring the knowledge out of the labs, and into the lives of nonspecialists.
The problem now is that the nonspecialist public does not have a clue what is happening in the labs and clinics. Artists can play a significant role in developing an awareness about bio-tech, and languages with which to speak about it critically. However, to accomplish these goals, artists have some self-educating to do too.