By listening I mean a deep, concentrated and very intense activity. One of the preconditions of this activity is the complete spiritual silence of the mind. A musical work is like a rock of complex formation with streaks and patterns engraved inside and out, which people can decipher a thousand different ways. I invite the listener to participate in a merger with phenomena. There are, initially, only few elements at play, in continual permutation.
Apparent simplicity makes intriguing complexity truly observable.
Upon closer listening, one discovers, that each of these initial configurations have their own interior pulsation. Even the subtlest change in sound configuration will result in a change in the temporal domain as well. Any engaged sonority generates its own temporality. In a long-held sonority orchestrated for a string quartet, such engagement may be called focus. Sections define themselves as a result of patterns.