On returning to London, she taught printmaking at Goldsmiths College of Art, London. I live in one of the most lovely places in England with a wealth of changing landscape on my doorstep, in a corner of Wiltshire that borders on Dorset, Somerset and Hampshire. I work from the land and the sea travelling to the north of Scotland each year where the landscape is rugged and wild and the skies reflect their changing moods upon the hills and mountains. Islands are scattered on the sea and the land is untamed. This is in contrast to where I live, the fields are ploughed, sown and harvested and it is the hand of man that makes the changing landscape - the mark of the plough, the harrow and the harvester.
Crops are green, yellow, ochre and blue.
The earth is brown and tinged with chalk. I have also travelled by boat in Greece and Turkey - across that great untamed land Australia, and flown over India. There are always shapes and light that become absorbed. I start a painting from an idea or a quick drawing, and as the painting progresses it takes on a life of its own. I make rapid pencil notes and take photographs to remind me of the colours.