Sorted by grain, then resolution, then sharpness. Kodak print films are listed separately because the manufacturer does not report RMS, resolution, or sharpness numbers. Fuji exposure latitudes extrapolated from DX codes. Film with RMS 5 is twice as grainy as film with RMS 4.
Characteristic curves measure film contrast and color saturation.
Maximum values for blue, green, and red are listed as a rough guide to the color saturation of different films. Slide film RMS measures differently than for print film, because RMS is correlated with contrast and slide film is contrastier. Divide slide film RMS by 2.5 to get a rough equivalent. To judge results visually, see Rob Miracle's ISO 800 Film Comparisons . For film scanning it's worth knowing about the phenomenon of Grain Aliasing .