The soundstage on this track is so expansive, it sounds like it's coming from all around you even in stereo. This is especially true if you're using dipolar speakers up front, as I often do. On the minus side, the cymbals could be better. Where things get interesting is the use of the rear speakers. Some of the little background sound effects are moved to the rear, which makes for easier discrimination compared with the denser stereo version.
All background vocals go the rear, which makes it easier to distinguish all the guys singing along.
There's also an occasional instrument thrown backwards as well, usually to good effect. What most impresses me is the extra resolution DTS's 20-bit remastering process brings during portions of the song that are mostly stereo. In particular, the percussion snaps are considerably crisper, and their room echo is supported slightly by some rear material. Out of all the songs on the album, I consider this track the best usage of surround to support the music. I thought was well mixed.