Think how Manet's 'Olympia' has held our interest since 1863 when it was painted. It obsesses people. It says something about Paris in the 1860s. And think of how we look at it today. There are many interpretations.
Contemporary art is like that.
I see contemporary art one way now, but I may see it differently in the future. Joseph Beuys is a never-ending enigma. Cindy Sherman always challenges me. But what's missing is the energy of the younger emerging artists. We have to see that edgy quality that is interesting even if it is not completely finished.