The spotlight, though, shines brightly on Morris Cummings. And well it should. Cummings' harp playing raises the ghosts of Little Walter. Like Little Walter, Cummings combines large chords with blasts of fast leads. Cummins is equally strong on vocals.
Clever studio tricks on several tracks boost the link with the past.
But it is the power of Cummings' voice that comes through. He pours heart and soul into his blues. Strong backup comes from a tight band, which co-wrote most of the songs with Cummings. Webb and Daniels provide just the right mix of guitar to accompany Cummings' harmonica, never stealing the show but not getting lost in the mix either. Tony Adams provides background vocals as well as solid drumming.