Using criticism, promptbooks, and recordings, he is able to communicate Jefferson s unique artistic accomplishment in a clear way, without becoming clinical. Arthur Bloom proves to be Jefferson s equal in this area. While the first quarter of the book moves slowly, the momentum picks up and the picture of Jefferson emerges with contradictions, frailties, strengths and more. By focusing closely on the life of Jefferson, Bloom indirectly captures the evolution of theatre in America. Although one wishes for more information on the relationship between Edwin Booth and Jefferson, and for more details about Jefferson s relationship with his children, it is difficult to fault the author.
Bloom is able to present.
This biography will stand as a cornerstone for future works on Joseph Jefferson and the American Theatre. The Dean of the American Theatre is as innovative and compelling as its subject.