In the second half, add percussive tapping. Add what sounds like a bass drum on the downbeats. Try to shift the tapping to just offbeats, but note how the pattern is NOT carefully maintained. The vocal part has no words. The tapping is back.
Brass returns for the curtain call, and the final title line of singing is double tracked.
As a foible of human nature we each tend to hold on to multiple self images, some sincere and realistic, some completely fantastic. And then there are some that may appear to originate from the fantasy side of the house, but which are capable of being fully actualized through the ineffible union with a true mate. This article may be reproduced, retransmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Click here to return. Click here to return to AWP's index.