I thought both of his turns at Bond were done with a great deal more sincerity and drama than what Roger Moore had done with the character for the fourteen-years prior to Dalton's debut. In The Living Daylights, and especially here in LTK, he brought a very human element to a character that had become a style and genre all its own. I just happen to think that he ended up playing Bond at the wrong point in time and unfortunately had to take the brunt of much of the series failure when it happened. History will judge it differently I think. Another winner from MGM, although marginally.
Colors are strong and rock solid, with absolutely no bleeding from one color to the next.
Detail is generally very strong, with only occasional lapses into a softer picture. Darker scenes end up looking extremely film-like with excellent black level and shadow detail. Now for the bad news. There's quite a bit more edge enhancement than I would prefer and it often gives too much shimmer to small objects, especially in more brightly lit scenes. There's also more dirt and nics in the print than I would have thought with License To Kill being so much newer than most of the other films.