Kenny Washington's excellent liners get you started, but on further listening one can pick out a whole world of differences between Haynes, Philly Joe, Blakey and Baretto. But that may have been by default. They are very short tracks mostly. He had extra talent, and was extremely musical. Art must have searched around for those lovely cymbals, because they sound much better than the average hard bop drummer's cymbals.
Art produces a massive wash of sound behind the soloist.
One of my favorite Art devices is that huge press roll at the start or end of a solo. Sometimes I am amazed at the mileage that Bu got out of his bag of tricks. I mean, he has the same routine basically for decades, and he was loud and busy as busy can be most the time, but he had the taste and the savoir faire to make it work and be exciting, year after year, outfit after outfit, as a sideman and as a leader. In the wrong hands, that volume level would be a pain in the neck. Of course, we also know that both Art and Elvin could also play softly behind a group.