There was no other style that would fit this story. It's a light style, weightless. But to tell about certain feelings, I didn't see any other option. Yes, whereas with black and white it's more about the light. It's a very dramatic story, with a coldness in the line.
Darkness replaces light.
There's also electricity in it. It's done entirely with a flexible pen. I felt very comfortable with that. It provides a lot of nuance. If I hadn't done The Man at the Window , I would never have been able to do Stigmata .