No, it's a fat man. The white is a way of operating. What I'm doing is re-arranging shapes in a field . . . D - I'm always moving things around in paintings. Shapes are being moved slightly or radically or turned upside down.
Adjustments take place over a long period of time.
I choose white as the ground on which these adjustments would take place. It's a kind of a non decision, it's not a decision to use white. In fact it's not white. Mixed with yellow and black, and red at times, the white is variable, also white is colorless, it is supposed to function as a non-color. J - A host, a pizza . . .