The ceiling becomes the source of light. The wooden floor is polished so that you click along clinically, or carpeted so that you pad soundlessly, resting the feet while the eyes have at the wall. . . . Unshadowed, white, clean, artificial-the space is devoted to the technology of esthetics. Works of art are mounted, hung, scattered for study. Their ungrubby surfaces are untouched by time and its vicissitudes.
Art exists in a kind of eternity of display, and though there is a lot of period .
Biographical Notes Fahimeh Vahdat received the Bachelor of Fine Arts and Master of Fine Arts from Southern Methodist University. A former adjunct faculty member at Brookhaven College, she is Associate Professor of Art at Milwaukee Institute of Art and Design. Brian Carlson received the Bachelor of Fine Arts and Master of Fine Arts from Southern Methodist University. A former adjunct faculty member at Brookhaven college, he is an artist living in Milwaukee. Kant posits the a priori synthetic transcendental forms of space and time as not derived from sense data, but prior to the particulars which appear within space and time.