I have extensive mixing experience beyond those styles. I've mixed many Variety shows, Musical Theater, Big Bands and Symphony Orchestras. I also have many non English speaking clients, frequently using indigenous, traditional instruments. Towards that end I believe that if an instrument is onstage it should be heard by the audience. This seems so simple so it amazes me whenever I fail to hear an instrument in the mix.
Breakout boxes with twist-lock and edison outlets.
Really helps an event if everyone keeps in touch. I make scale drawings of event venues, specify generator sizes, power distribution plan, time tables, logistical supervision,stage management. I am willing to teach those who are willing to learn. Prefer those who are actually interested in the Pro Sound Industry. Mark Liddell's agency books alot of National touring and Local talent.