Capitals and column bases are represented by medallions with birds at the top and quadruped animals at the bottom. The interior is rich in contrast, packed with figures, and resembles a child's room. David with his harp is positioned in the centre, and around his sofa there are smaller figures cheerfully beating the drum, tooting, and clapping. The tectonic structure of the canon table is preserved but is now interpreted completely independent of the tectonic conditions with Celtic and Anglo-Saxon plaited and basketry patterns. The arch is subdivided into various areas that are each decorated differently.
Columns become bands and the capitals resemble loose heads of lettuce.
Evidently the autochthonous develops its own world, overcoming the imported canon of forms. The following two pictures of the Evangelists Matthew and John seem strangely stiff. The columns and their bases look rough and wooden, just like compressed heaps of earth. Similarly rigid are the chairs and the figures themselves. In contrast, the arches are light, filigreed, and treated decoratively.