She's hot-headed, tempestuous. Her biggest headache is trying to decide whether to take part in the festivities when her parents renew their marriage vows. Catch almost floats through the film. He does small good deeds for others. He goes into a jazz club, borrows a trumpet and begins to play the haunting Nature Boy.
Catch seems positively otherworldly.
Posters to the contrary, perhaps he's really the angel eyes of the title. Catch is mysteriously drawn to Sharon, saving her life in a tight and dangerous situation, then befriending her. Dressed in a long overcoat, living in a sparely furnished loft, speaking in riddles, in another movie and if the audience hadn't been clued in beforehand, Catch would seem truly creepy. Caviezel's role model could have been Norman Bates in Psycho. Since Sharon hasn't had the benefits of those clues, one gets the feeling that if Catch hadn't already saved her life and proved his worthiness, she'd probably have him locked up as a weirdo stalker.