From the works alone, on intrinsic evidence, one cannot determine who originates the tales told in these prints. This indeterminancy has is correlate in the material cause of the works, which problematize the notion of original and copy within the medium. That one comes in the end to an aporetic indeterminancy is, in the end, to assert the inadequacy of terms to engage the domain with which one is confronted. The most powerful works of visual art are, in the end, those to which words will not stick. Works in the Exhibition Clockwise, from the entrance.
Dimensions are of the image area, in inches.
His work is included in the collections of the Speed Art Museum, The Art Institute of Chicago, and The Dahl Art Museum. Kaulitz received the Master of Fine Arts and the Bachelor of Fine Arts degrees from Rochester Institute of Technology. Endnotes Maurice Merleau-Ponty, Phenomenology of Perception , trans. Return 5 See Maurice Merleau-Ponty, The Visible and the Invisible , trans.