Midsummer's Night Dream uses a more abstract setting where we try to create a mood where magic can happen. Props require creativity, verisimilitude and durability, Payne pointed out. Weapons play a big part in Shakespearean productions, and these are usually purchased, and the actors taught how to use them convincingly and safely. For instance, we had to create a magical flower for Midsummer's Night Dream, and the ordinary silk flower from the craft store just wouldn't do. Another special effect required an arrow protruding from an actor's backside.
Details are important.
For example, when notes are exchanged on stage, they say what they are supposed to and use the calligraphy of the period. The audience may not be aware of this, but it is important in the staging, Payne said. The director also works with the student stage manager, who essentially runs the show, under the guidance of Rick Cunningham, who heads stage management. The PTTP production manager is Gerald Reese who must coordinate all facets of production and ensure that everything is on schedule and on budget. Lighting and sound also are planned and tried out, with recordings and special effects.