cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/johnson-ouc17239292
title: Copán Photographs

description: Archaeologists digging in the excavation tunnels deep within Temple #16 unexpectedly discovered a slightly smaller and elaborately sculptured ancient temple still in original condition. It had been build by the 10th Ruler of Copan, "Moon Jaguar," and had been dedicated in AD 571, long before Copan's 16th Ruler "Yax Pahsaj" consturcted Temple #16 over the newly discovered temple. In most instances, when a new Maya king constructs a larger structure over one built by the previous ruler, it causes considerable damage to the earlier structure and they were often dismantled before new construction began. But in this instance, the earlier temple's exterior walls had been carefully covered and preserved with soft soil, protecting them from any damage. Because there were traces of the original bright rose coloring still showing on the buried temple, archaeologists decided to name it "Rosalila." It is the only known example of a temple structure surviving intact at Copán.A narrow illuminated path inside the tunnel entrance now allows visitors to walk around the footprint of Temple #16 just inside its exterior walls, allowing visitors to view sections of the recently unearthed "Rosalila" temple.Having discovered this amazing Maya art treasure in good condition, archaeologists and the Honduran Goverment wanted to preserve Temple #16 as it is, but also allow visitors to view the newly discovered temple as it once appeared. A creative solution was conceived by making lightweight plaster castings of its exterior walls while it was still underneath Temple #16. The team of archaeologists then used the finished castings to reconstruct a facsimile of "Rosalila" where visitors could view an ancient Maya temple in its original bright colors and appearance. To enhance this opportunity, funds were raised to construct a spacious modern Copán Sculptures Museum in 1996 just outside the Copán ruins in which to house the reconstructed "Rosalila" temple. In addition, the new museum also exhibits and preserves many of Copán's other rare sculptures, altars, and temple facades. When a monolith or altar is about to be moved into the new Copán Sculptures Museum, a casting is carefully mae of the original carved stone and the cast duplicate is made weatherproof and painted to look like the original sculpture, then is put in the original's place within the ruins.
DOI: 10.25549/johnson-ouc17239294
title: Chichén Itzá Photographs
DOI: 10.25549/johnson-ouc17239291
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239295
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239287
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239286
title: Chichén Itzá Photographs
DOI: 10.15468/dl.fhf7r8
title: Occurrence Download

description: A dataset containing 27 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Sabia racemosa H.Y.Chen"
 ]
}

 The dataset includes 27 records from 4 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0100911-240321170329656/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/johnson-ouc17239284
title: Palenque Photographs
DOI: 10.25549/johnson-ouc17239282
title: Bonampák Photographs
DOI: 10.25549/johnson-ouc17239285
title: Copán Photographs

description: Archaeologists digging in the excavation tunnels deep within Temple #16 unexpectedly discovered a slightly smaller and elaborately sculptured ancient temple still in original condition. It had been build by the 10th Ruler of Copan, "Moon Jaguar," and had been dedicated in AD 571, long before Copan's 16th Ruler "Yax Pahsaj" consturcted Temple #16 over the newly discovered temple. In most instances, when a new Maya king constructs a larger structure over one built by the previous ruler, it causes considerable damage to the earlier structure and they were often dismantled before new construction began. But in this instance, the earlier temple's exterior walls had been carefully covered and preserved with soft soil, protecting them from any damage. Because there were traces of the original bright rose coloring still showing on the buried temple, archaeologists decided to name it "Rosalila." It is the only known example of a temple structure surviving intact at Copán.A narrow illuminated path inside the tunnel entrance now allows visitors to walk around the footprint of Temple #16 just inside its exterior walls, allowing visitors to view sections of the recently unearthed "Rosalila" temple.Having discovered this amazing Maya art treasure in good condition, archaeologists and the Honduran Goverment wanted to preserve Temple #16 as it is, but also allow visitors to view the newly discovered temple as it once appeared. A creative solution was conceived by making lightweight plaster castings of its exterior walls while it was still underneath Temple #16. The team of archaeologists then used the finished castings to reconstruct a facsimile of "Rosalila" where visitors could view an ancient Maya temple in its original bright colors and appearance. To enhance this opportunity, funds were raised to construct a spacious modern Copán Sculptures Museum in 1996 just outside the Copán ruins in which to house the reconstructed "Rosalila" temple. In addition, the new museum also exhibits and preserves many of Copán's other rare sculptures, altars, and temple facades. When a monolith or altar is about to be moved into the new Copán Sculptures Museum, a casting is carefully mae of the original carved stone and the cast duplicate is made weatherproof and painted to look like the original sculpture, then is put in the original's place within the ruins.
DOI: 10.15468/dl.mvt9nu
title: Occurrence Download

description: A dataset containing 203 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Salix kusanoi (Hayata) C.K.Schneid."
 ]
}

 The dataset includes 203 records from 17 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0100912-240321170329656/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/johnson-ouc17239283
title: Xul Photographs
DOI: 10.25549/johnson-ouc17239279
title: Uxmal Photographs
DOI: 10.25549/johnson-ouc17239277
title: Chichén Itzá Photographs
DOI: 10.25549/johnson-ouc17239274
title: Palenque Photographs
DOI: 10.25549/johnson-ouc17239273
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239271
title: Quiriguá Photographs
DOI: 10.25549/johnson-ouc17239269
title: Machu Picchu Photographs
DOI: 10.25549/johnson-ouc17239268
title: Macoba Photographs
DOI: 10.25549/johnson-ouc17239261
title: Copán Photographs

description: Archaeologists digging in the excavation tunnels deep within Temple #16 unexpectedly discovered a slightly smaller and elaborately sculptured ancient temple still in original condition. It had been build by the 10th Ruler of Copan, "Moon Jaguar," and had been dedicated in AD 571, long before Copan's 16th Ruler "Yax Pahsaj" consturcted Temple #16 over the newly discovered temple. In most instances, when a new Maya king constructs a larger structure over one built by the previous ruler, it causes considerable damage to the earlier structure and they were often dismantled before new construction began. But in this instance, the earlier temple's exterior walls had been carefully covered and preserved with soft soil, protecting them from any damage. Because there were traces of the original bright rose coloring still showing on the buried temple, archaeologists decided to name it "Rosalila." It is the only known example of a temple structure surviving intact at Copán.A narrow illuminated path inside the tunnel entrance now allows visitors to walk around the footprint of Temple #16 just inside its exterior walls, allowing visitors to view sections of the recently unearthed "Rosalila" temple.Having discovered this amazing Maya art treasure in good condition, archaeologists and the Honduran Goverment wanted to preserve Temple #16 as it is, but also allow visitors to view the newly discovered temple as it once appeared. A creative solution was conceived by making lightweight plaster castings of its exterior walls while it was still underneath Temple #16. The team of archaeologists then used the finished castings to reconstruct a facsimile of "Rosalila" where visitors could view an ancient Maya temple in its original bright colors and appearance. To enhance this opportunity, funds were raised to construct a spacious modern Copán Sculptures Museum in 1996 just outside the Copán ruins in which to house the reconstructed "Rosalila" temple. In addition, the new museum also exhibits and preserves many of Copán's other rare sculptures, altars, and temple facades. When a monolith or altar is about to be moved into the new Copán Sculptures Museum, a casting is carefully mae of the original carved stone and the cast duplicate is made weatherproof and painted to look like the original sculpture, then is put in the original's place within the ruins.
DOI: 10.25549/johnson-ouc17239262
title: Copán Photographs

description: Archaeologists digging in the excavation tunnels deep within Temple #16 unexpectedly discovered a slightly smaller and elaborately sculptured ancient temple still in original condition. It had been build by the 10th Ruler of Copan, "Moon Jaguar," and had been dedicated in AD 571, long before Copan's 16th Ruler "Yax Pahsaj" consturcted Temple #16 over the newly discovered temple. In most instances, when a new Maya king constructs a larger structure over one built by the previous ruler, it causes considerable damage to the earlier structure and they were often dismantled before new construction began. But in this instance, the earlier temple's exterior walls had been carefully covered and preserved with soft soil, protecting them from any damage. Because there were traces of the original bright rose coloring still showing on the buried temple, archaeologists decided to name it "Rosalila." It is the only known example of a temple structure surviving intact at Copán.A narrow illuminated path inside the tunnel entrance now allows visitors to walk around the footprint of Temple #16 just inside its exterior walls, allowing visitors to view sections of the recently unearthed "Rosalila" temple.Having discovered this amazing Maya art treasure in good condition, archaeologists and the Honduran Goverment wanted to preserve Temple #16 as it is, but also allow visitors to view the newly discovered temple as it once appeared. A creative solution was conceived by making lightweight plaster castings of its exterior walls while it was still underneath Temple #16. The team of archaeologists then used the finished castings to reconstruct a facsimile of "Rosalila" where visitors could view an ancient Maya temple in its original bright colors and appearance. To enhance this opportunity, funds were raised to construct a spacious modern Copán Sculptures Museum in 1996 just outside the Copán ruins in which to house the reconstructed "Rosalila" temple. In addition, the new museum also exhibits and preserves many of Copán's other rare sculptures, altars, and temple facades. When a monolith or altar is about to be moved into the new Copán Sculptures Museum, a casting is carefully mae of the original carved stone and the cast duplicate is made weatherproof and painted to look like the original sculpture, then is put in the original's place within the ruins.
DOI: 10.25549/johnson-ouc17239265
title: Cobá Photographs
DOI: 10.25549/johnson-ouc17239266
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239263
title: Chichén Itzá Photographs
DOI: 10.25549/johnson-ouc17239102
title: La Venta Photographs
DOI: 10.15468/dl.3sjf98
title: Occurrence Download

description: A dataset containing 21 species occurrences available in GBIF matching the query:
{
 "and" : [
 "BasisOfRecord is Specimen",
 "Continent is South America",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Phrynops geoffroanus (Schweigger, 1812)",
 "Year 1979-2024"
 ]
}

 The dataset includes 21 records from 8 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0100914-240321170329656/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/johnson-ouc17239105
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239260
title: Tulum Photographs
DOI: 10.25549/johnson-ouc17239108
title: Uxmal Photographs
DOI: 10.15468/dl.e44k5g
title: Occurrence Download

description: A dataset containing 583 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Sabia schumanniana Diels"
 ]
}

 The dataset includes 583 records from 21 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0100913-240321170329656/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/johnson-ouc17239106
title: Machu Picchu Photographs
DOI: 10.25549/johnson-ouc17239104
title: Chichén Itzá Photographs
DOI: 10.15468/dl.pjcp4v
title: Occurrence Download

description: A dataset containing 19 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Salix kuznetzowii Laksch. ex Goerz"
 ]
}

 The dataset includes 19 records from 9 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0100915-240321170329656/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/johnson-ouc17239103
title: Cobá Photographs
DOI: 10.25549/johnson-ouc17239096
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239100
title: Bonampák Photographs
DOI: 10.25549/johnson-ouc17239087
title: Copán Photographs

description: Archaeologists digging in the excavation tunnels deep within Temple #16 unexpectedly discovered a slightly smaller and elaborately sculptured ancient temple still in original condition. It had been build by the 10th Ruler of Copan, "Moon Jaguar," and had been dedicated in AD 571, long before Copan's 16th Ruler "Yax Pahsaj" consturcted Temple #16 over the newly discovered temple. In most instances, when a new Maya king constructs a larger structure over one built by the previous ruler, it causes considerable damage to the earlier structure and they were often dismantled before new construction began. But in this instance, the earlier temple's exterior walls had been carefully covered and preserved with soft soil, protecting them from any damage. Because there were traces of the original bright rose coloring still showing on the buried temple, archaeologists decided to name it "Rosalila." It is the only known example of a temple structure surviving intact at Copán.A narrow illuminated path inside the tunnel entrance now allows visitors to walk around the footprint of Temple #16 just inside its exterior walls, allowing visitors to view sections of the recently unearthed "Rosalila" temple.Having discovered this amazing Maya art treasure in good condition, archaeologists and the Honduran Goverment wanted to preserve Temple #16 as it is, but also allow visitors to view the newly discovered temple as it once appeared. A creative solution was conceived by making lightweight plaster castings of its exterior walls while it was still underneath Temple #16. The team of archaeologists then used the finished castings to reconstruct a facsimile of "Rosalila" where visitors could view an ancient Maya temple in its original bright colors and appearance. To enhance this opportunity, funds were raised to construct a spacious modern Copán Sculptures Museum in 1996 just outside the Copán ruins in which to house the reconstructed "Rosalila" temple. In addition, the new museum also exhibits and preserves many of Copán's other rare sculptures, altars, and temple facades. When a monolith or altar is about to be moved into the new Copán Sculptures Museum, a casting is carefully mae of the original carved stone and the cast duplicate is made weatherproof and painted to look like the original sculpture, then is put in the original's place within the ruins.
DOI: 10.25549/johnson-ouc17239088
title: La Venta Photographs
DOI: 10.25549/johnson-ouc17239099
title: Machu Picchu Photographs
DOI: 10.25549/johnson-ouc17239085
title: Macoba Photographs
DOI: 10.25549/johnson-c33-175
title: Incidents of travel in Central America, Chiapas, and Yucatan, 1854

description: John Lloyd Stephens. Incidents of travel in Central America, Chiapas, and Yucatan, with numerous engravings. Revised from the latest American edition, with additions, by Frederick Catherwood. London: Arthur Hall, Virtue & Co., 1854. Illustrations by Frederick Catherwood on page (digital file): frontispiece (8), 16 (44), 42 (70), 56 (84), 65 (93), between 80-81 (110), 82 (112), between 82-83 (114), 83 (115), between 84-85 (117, 120), 85 (121), between 86-87 (123, 125, 128), between 92-93 (135, 137, 139, 142, 144, 146, 148), between 94-95 (151, 153, 156, 158, 160), 95 (161), 96 (162), between 96-97 (164, 166, 168), between 102-103 (176), between 162-163 (237), 168 (244), between 178-179 (255), 293 (371), 295 (373), 325 (403), 334 (412), 336 (414), 350 (428), 367 (445), 384 (462), 397 (475), 416 (494), 419 (497), 420 (498), 422 (500), 425 (503), 426 (504), 427 (505), 429 (507), 430 (508), 431 (509), 433 (511), 435 (513), 446 (524), 448 (526), 449 (527), 451 (529), 452 (530), 453 (531), 454 (532), 455 (533), 456 (534), 457 (535), 459 (537), between 460-461 (539), between 462-463 (543), 464 (546), between 464-465 (547), 466 (550), 468 (552), 469 (553), 471 (555), 472 (556), 508 (592), 516 (600), 522 (606), 526 (610), 530 (614), 539 (623).
DOI: 10.25549/johnson-c33-165
title: Incidents of travel in Central America, Chiapas, and Yucatan, 1854

description: John Lloyd Stephens. Incidents of travel in Central America, Chiapas, and Yucatan, with numerous engravings. Revised from the latest American edition, with additions, by Frederick Catherwood. London: Arthur Hall, Virtue & Co., 1854. Illustrations by Frederick Catherwood on page (digital file): frontispiece (8), 16 (44), 42 (70), 56 (84), 65 (93), between 80-81 (110), 82 (112), between 82-83 (114), 83 (115), between 84-85 (117, 120), 85 (121), between 86-87 (123, 125, 128), between 92-93 (135, 137, 139, 142, 144, 146, 148), between 94-95 (151, 153, 156, 158, 160), 95 (161), 96 (162), between 96-97 (164, 166, 168), between 102-103 (176), between 162-163 (237), 168 (244), between 178-179 (255), 293 (371), 295 (373), 325 (403), 334 (412), 336 (414), 350 (428), 367 (445), 384 (462), 397 (475), 416 (494), 419 (497), 420 (498), 422 (500), 425 (503), 426 (504), 427 (505), 429 (507), 430 (508), 431 (509), 433 (511), 435 (513), 446 (524), 448 (526), 449 (527), 451 (529), 452 (530), 453 (531), 454 (532), 455 (533), 456 (534), 457 (535), 459 (537), between 460-461 (539), between 462-463 (543), 464 (546), between 464-465 (547), 466 (550), 468 (552), 469 (553), 471 (555), 472 (556), 508 (592), 516 (600), 522 (606), 526 (610), 530 (614), 539 (623).
DOI: 10.25549/johnson-c33-159
title: Incidents of travel in Central America, Chiapas, and Yucatan, 1854

description: John Lloyd Stephens. Incidents of travel in Central America, Chiapas, and Yucatan, with numerous engravings. Revised from the latest American edition, with additions, by Frederick Catherwood. London: Arthur Hall, Virtue & Co., 1854. Illustrations by Frederick Catherwood on page (digital file): frontispiece (8), 16 (44), 42 (70), 56 (84), 65 (93), between 80-81 (110), 82 (112), between 82-83 (114), 83 (115), between 84-85 (117, 120), 85 (121), between 86-87 (123, 125, 128), between 92-93 (135, 137, 139, 142, 144, 146, 148), between 94-95 (151, 153, 156, 158, 160), 95 (161), 96 (162), between 96-97 (164, 166, 168), between 102-103 (176), between 162-163 (237), 168 (244), between 178-179 (255), 293 (371), 295 (373), 325 (403), 334 (412), 336 (414), 350 (428), 367 (445), 384 (462), 397 (475), 416 (494), 419 (497), 420 (498), 422 (500), 425 (503), 426 (504), 427 (505), 429 (507), 430 (508), 431 (509), 433 (511), 435 (513), 446 (524), 448 (526), 449 (527), 451 (529), 452 (530), 453 (531), 454 (532), 455 (533), 456 (534), 457 (535), 459 (537), between 460-461 (539), between 462-463 (543), 464 (546), between 464-465 (547), 466 (550), 468 (552), 469 (553), 471 (555), 472 (556), 508 (592), 516 (600), 522 (606), 526 (610), 530 (614), 539 (623).
DOI: 10.25549/johnson-c33-160
title: Incidents of travel in Central America, Chiapas, and Yucatan, 1854

description: John Lloyd Stephens. Incidents of travel in Central America, Chiapas, and Yucatan, with numerous engravings. Revised from the latest American edition, with additions, by Frederick Catherwood. London: Arthur Hall, Virtue & Co., 1854. Illustrations by Frederick Catherwood on page (digital file): frontispiece (8), 16 (44), 42 (70), 56 (84), 65 (93), between 80-81 (110), 82 (112), between 82-83 (114), 83 (115), between 84-85 (117, 120), 85 (121), between 86-87 (123, 125, 128), between 92-93 (135, 137, 139, 142, 144, 146, 148), between 94-95 (151, 153, 156, 158, 160), 95 (161), 96 (162), between 96-97 (164, 166, 168), between 102-103 (176), between 162-163 (237), 168 (244), between 178-179 (255), 293 (371), 295 (373), 325 (403), 334 (412), 336 (414), 350 (428), 367 (445), 384 (462), 397 (475), 416 (494), 419 (497), 420 (498), 422 (500), 425 (503), 426 (504), 427 (505), 429 (507), 430 (508), 431 (509), 433 (511), 435 (513), 446 (524), 448 (526), 449 (527), 451 (529), 452 (530), 453 (531), 454 (532), 455 (533), 456 (534), 457 (535), 459 (537), between 460-461 (539), between 462-463 (543), 464 (546), between 464-465 (547), 466 (550), 468 (552), 469 (553), 471 (555), 472 (556), 508 (592), 516 (600), 522 (606), 526 (610), 530 (614), 539 (623).
DOI: 10.25549/johnson-c33-152
title: Incidents of travel in Central America, Chiapas, and Yucatan, 1854

description: John Lloyd Stephens. Incidents of travel in Central America, Chiapas, and Yucatan, with numerous engravings. Revised from the latest American edition, with additions, by Frederick Catherwood. London: Arthur Hall, Virtue & Co., 1854. Illustrations by Frederick Catherwood on page (digital file): frontispiece (8), 16 (44), 42 (70), 56 (84), 65 (93), between 80-81 (110), 82 (112), between 82-83 (114), 83 (115), between 84-85 (117, 120), 85 (121), between 86-87 (123, 125, 128), between 92-93 (135, 137, 139, 142, 144, 146, 148), between 94-95 (151, 153, 156, 158, 160), 95 (161), 96 (162), between 96-97 (164, 166, 168), between 102-103 (176), between 162-163 (237), 168 (244), between 178-179 (255), 293 (371), 295 (373), 325 (403), 334 (412), 336 (414), 350 (428), 367 (445), 384 (462), 397 (475), 416 (494), 419 (497), 420 (498), 422 (500), 425 (503), 426 (504), 427 (505), 429 (507), 430 (508), 431 (509), 433 (511), 435 (513), 446 (524), 448 (526), 449 (527), 451 (529), 452 (530), 453 (531), 454 (532), 455 (533), 456 (534), 457 (535), 459 (537), between 460-461 (539), between 462-463 (543), 464 (546), between 464-465 (547), 466 (550), 468 (552), 469 (553), 471 (555), 472 (556), 508 (592), 516 (600), 522 (606), 526 (610), 530 (614), 539 (623).