cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.11210954
title: (Dis)enchanted Walking - Honouring Esther: Live Phase. A selection of materials and documentation from the live walking phase of the project in Somerset, England and Lower Saxony Germany, including social media generation.

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><b><br></b><b>This item contains documentation of the following:</b><b><br></b><b>Honouring Esther 2015-17</b><b>Aim: </b>to develop a critical participatory walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.<br><b>In this item: </b>A selection of briefings and promotional material and images documenting the live phase of the walking arts project 'Honouring Esther' in Germany and in England. Sample of testimony used on the walk. Images from the live relay of the progress of the walk in Germany and related social media trail to Bath Spa University mediawall (Feb 2016). Further images show route development including the 'entwined' routes created through the transposition of the Death March route from Germany to Somerset and the establishment of 10 stopping places at the point of intersection.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>
DOI: 10.17870/bathspa.11210954.v1
title: (Dis)enchanted Walking - Honouring Esther: Live Phase. A selection of materials and documentation from the live walking phase of the project in Somerset, England and Lower Saxony Germany, including social media generation.

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><b><br></b><b>This item contains documentation of the following:</b><b><br></b><b>Honouring Esther 2015-17</b><b>Aim: </b>to develop a critical participatory walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.<br><b>In this item: </b>A selection of briefings and promotional material and images documenting the live phase of the walking arts project 'Honouring Esther' in Germany and in England. Sample of testimony used on the walk. Images from the live relay of the progress of the walk in Germany and related social media trail to Bath Spa University mediawall (Feb 2016). Further images show route development including the 'entwined' routes created through the transposition of the Death March route from Germany to Somerset and the establishment of 10 stopping places at the point of intersection.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>
DOI: 10.17870/bathspa.11278988
title: (Dis)enchanted Walking - Honouring Esther: Extended Phase. Esther's twitter statement. A selection of files documenting social media, other networked engagements and the exhibitions/installations at 44AD Gallery, Bath and BSU Corsham Court.

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><b><br></b><b>This item contains documentation of the following: </b><b><br></b><b>Honouring Esther 2015-17</b><b>Aim: </b>to develop a critical participatory walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.<br><b>In this item: </b>statement by Esther Brunstein networked worldwide via Twitter and SoundCloud, other sample documentation and screen grabs from the Honouring Esther project presented in exhibition/installation at 44AD Gallery Bath, Beaumont Gallery, Wiltshire and BSU Corsham Court. The samples include screen grabs of social media trails, images of documentation produced by walkers in exhibition, including notes books and curated screens. The project website holds more including remote networked responses by other walkers to the project call.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>
DOI: 10.17870/bathspa.11278988.v1
title: (Dis)enchanted Walking - Honouring Esther: Extended Phase. Esther's twitter statement. A selection of files documenting social media, other networked engagements and the exhibitions/installations at 44AD Gallery, Bath and BSU Corsham Court.

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><b><br></b><b>This item contains documentation of the following: </b><b><br></b><b>Honouring Esther 2015-17</b><b>Aim: </b>to develop a critical participatory walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.<br><b>In this item: </b>statement by Esther Brunstein networked worldwide via Twitter and SoundCloud, other sample documentation and screen grabs from the Honouring Esther project presented in exhibition/installation at 44AD Gallery Bath, Beaumont Gallery, Wiltshire and BSU Corsham Court. The samples include screen grabs of social media trails, images of documentation produced by walkers in exhibition, including notes books and curated screens. The project website holds more including remote networked responses by other walkers to the project call.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>
DOI: 10.17870/bathspa.11282102
title: (Dis)enchanted Walking - Publications and Exhibition: walking and media arts a developing approach

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><br>This item documents developing the walking/social media process. A documentary video record of the installation element of an exhibition showing work from <i>Honouring Esther</i> and <i>Sweet Waters</i> Publications exploring earl.y and continuing development of the creative practice as research process: reporting on a walking and social media workshop at the site of the 2012 Olympic Games in East London for the Living Maps Network, and most a recent publication following participation in a partnership programme with Huron College, Ontario exploring the theme of reluctant heritage and hidden history walking the spaces and silences of slave-ownership.<br><br>Citations for the included articles:<br><b>White, R (2016) 'Social media trails, mapping and mashing memories at the Queen Elizabeth Olympic Park.' <i>Livingmaps Review</i>, 1 (1). ISSN 2398-0338<br></b><br><b>Reid-Maroney, N, Bell, A, Brooks, N, Otele, O and White, R (2019) 'From 'Uncle Tom’s Cabin' to “Countering Colston”: slavery and memory in a transatlantic undergraduate research project.' <i>International Public History</i>, 2 (1). 020190006. ISSN 2567-1111</b><br>
DOI: 10.17870/bathspa.11282102.v1
title: (Dis)enchanted Walking - Publications and Exhibition: walking and media arts a developing approach

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).<br><br>This item documents developing the walking/social media process. A documentary video record of the installation element of an exhibition showing work from <i>Honouring Esther</i> and <i>Sweet Waters</i> Publications exploring earl.y and continuing development of the creative practice as research process: reporting on a walking and social media workshop at the site of the 2012 Olympic Games in East London for the Living Maps Network, and most a recent publication following participation in a partnership programme with Huron College, Ontario exploring the theme of reluctant heritage and hidden history walking the spaces and silences of slave-ownership.<br><br>Citations for the included articles:<br><b>White, R (2016) 'Social media trails, mapping and mashing memories at the Queen Elizabeth Olympic Park.' <i>Livingmaps Review</i>, 1 (1). ISSN 2398-0338<br></b><br><b>Reid-Maroney, N, Bell, A, Brooks, N, Otele, O and White, R (2019) 'From 'Uncle Tom’s Cabin' to “Countering Colston”: slavery and memory in a transatlantic undergraduate research project.' <i>International Public History</i>, 2 (1). 020190006. ISSN 2567-1111</b><br>
DOI: 10.17870/bathspa.11349731
title: (Dis)enchanted Walking - 300-word statement

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997). <br>This item contains a 300 statement, description of practice approach and context of research-creation activity.<br>
DOI: 10.17870/bathspa.11349731.v1
title: (Dis)enchanted Walking - 300-word statement

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997). <br>This item contains a 300 statement, description of practice approach and context of research-creation activity.<br>
DOI: 10.17870/bathspa.11349806
title: (Dis)enchanted Walking - Research Timeline

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997)." <br>This item contains a Research Timeline and Research Questions for the project. <br>
DOI: 10.17870/bathspa.11349806.v1
title: (Dis)enchanted Walking - Research Timeline

description: Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997)." <br>This item contains a Research Timeline and Research Questions for the project. <br>
DOI: 10.5281/zenodo.5783311
title: LoGov Albania Interview Report n°4

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.5281/zenodo.5783310
title: LoGov Albania Interview Report n°4

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.5281/zenodo.7704889
title: Encuesta Covid bloque III: Actividades y actitudes durante la pandemia

description: Encuesta sobre Actividades y actitudes durante la pandemia Total de Respuestas recibidas al grupo de preguntas (31-42) 31. A modo general ¿Han cambiado sus hábitos y actitudes como consecuencia de la pandemia? 32. Entre las siguientes actitudes, indique cómo han variado como consecuencia de la pandemia por COVID-19. Como y picoteo Alimentación saludable Aseo personal Dedicación familiar Realización de ejercicio físico Duermo Tomo medicación para relajarme o dormir Fumo Consumo bebidas alcohólicas Hago apuestas Consumo de videojuegos Veo canales de televisión generalistas Veo canales de televisión de pago Compra en internet / proveedores digitales 33. ¿A lo largo de la pandemia ¿Ha sentido que está desempeñando un papel útil en la vida?. 34. ¿A lo largo de la pandemia ¿Se ha sentido capaz de tomar decisiones?. 35. ¿A lo largo de la pandemia ¿Se ha sentido constantemente agobiado y/o en tensión?. 36. ¿A lo largo de la pandemia ¿Ha sentido que no puede superar sus dificultades?. 37. ¿A lo largo de la pandemia ¿Ha sido capaz de hacer frente adecuadamente a sus problemas? . 38. ¿A lo largo de la pandemia ¿Ha sido capaz de disfrutar de sus actividades normales de cada día?. 39. ¿A lo largo de la pandemia ¿Ha perdido confianza en si mismo?. 40. ¿Ha cambiado de vivienda tras el confinamiento? Si ha cambiado de vivienda ¿Dónde lo ha hecho? (responder solo si ha cambiado tras el confinamiento) De qué características es su nueva vivienda? Marque las que sean necesarias (responder solo si ha cambiado tras el confinamiento) Si NO ha cambiado de vivienda ¿Ha valorado en cambiar tras el confinamiento?, Si lo tiene en proyecto o lo ha valorado ¿Dónde lo hará o haría? De qué características será o sería su nueva vivienda? Marque las que sean necesarias 41. ¿Ha teletrabajado durante la pandemia? ¿Durante cuánto tiempo? (de 1 muy poco tiempo a 7 todo el tiempo) 42. Desde el final del periodo de confinamiento domiciliario, ¿ha cumplido las medidas de higiene y distancia social indicadas por las autoridades competentes? Acceso a la ficha descriptiva del dataset
DOI: 10.5281/zenodo.7704888
title: Encuesta Covid bloque III: Actividades y actitudes durante la pandemia

description: Encuesta sobre Actividades y actitudes durante la pandemia Total de Respuestas recibidas al grupo de preguntas (31-42) 31. A modo general ¿Han cambiado sus hábitos y actitudes como consecuencia de la pandemia? 32. Entre las siguientes actitudes, indique cómo han variado como consecuencia de la pandemia por COVID-19. Como y picoteo Alimentación saludable Aseo personal Dedicación familiar Realización de ejercicio físico Duermo Tomo medicación para relajarme o dormir Fumo Consumo bebidas alcohólicas Hago apuestas Consumo de videojuegos Veo canales de televisión generalistas Veo canales de televisión de pago Compra en internet / proveedores digitales 33. ¿A lo largo de la pandemia ¿Ha sentido que está desempeñando un papel útil en la vida?. 34. ¿A lo largo de la pandemia ¿Se ha sentido capaz de tomar decisiones?. 35. ¿A lo largo de la pandemia ¿Se ha sentido constantemente agobiado y/o en tensión?. 36. ¿A lo largo de la pandemia ¿Ha sentido que no puede superar sus dificultades?. 37. ¿A lo largo de la pandemia ¿Ha sido capaz de hacer frente adecuadamente a sus problemas? . 38. ¿A lo largo de la pandemia ¿Ha sido capaz de disfrutar de sus actividades normales de cada día?. 39. ¿A lo largo de la pandemia ¿Ha perdido confianza en si mismo?. 40. ¿Ha cambiado de vivienda tras el confinamiento? Si ha cambiado de vivienda ¿Dónde lo ha hecho? (responder solo si ha cambiado tras el confinamiento) De qué características es su nueva vivienda? Marque las que sean necesarias (responder solo si ha cambiado tras el confinamiento) Si NO ha cambiado de vivienda ¿Ha valorado en cambiar tras el confinamiento?, Si lo tiene en proyecto o lo ha valorado ¿Dónde lo hará o haría? De qué características será o sería su nueva vivienda? Marque las que sean necesarias 41. ¿Ha teletrabajado durante la pandemia? ¿Durante cuánto tiempo? (de 1 muy poco tiempo a 7 todo el tiempo) 42. Desde el final del periodo de confinamiento domiciliario, ¿ha cumplido las medidas de higiene y distancia social indicadas por las autoridades competentes? Acceso a la ficha descriptiva del dataset
DOI: 10.5281/zenodo.5783301
title: LoGov Albania Interview Report n°3

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.5281/zenodo.5783300
title: LoGov Albania Interview Report n°3

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.34740/kaggle/ds/2306807
title: Historic Australian Horse Racing Dataset
DOI: 10.5281/zenodo.5783289
title: LoGov Albania Interview Report n°2

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.5281/zenodo.5783288
title: LoGov Albania Interview Report n°2

description: The interviews have been realised in the framework of the H2020-MSCA-RISE-2018 project “LoGov - Local Government and the Changing Urban-Rural Interplay” as part of the implementation phase of the project. The interviews have been conducted with experts in the field of public administration, public law and political science, both researchers and practitioners, with the aim of widening the scope of the Country Report on Albania. To access the other interview reports on Albania and to receive more information about the project, please visit: https://www.logov-rise.eu/. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 823961.
DOI: 10.5519/qd.prv1390o
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1831 records)