cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10267668
title: Egyptian false door, about 2400 BCE

description: From the door's description on artsmia.org:
> 
"A false door, built into the west wall of the tomb chapel, was the focal point of the cult of the deceased in ancient Egypt. This was the interface between the world of the living and the world of the dead, where visitors came to say prayers and deposit offerings for the spirit of the deceased, whose soul could pass through the door. The inscriptions on this door commemorate the priest Iryenakhet (year-ee-en-AH-ket), who is depicted seven times. The central niche is framed by two door jambs and a lintel in a composition ruled by symmetry. The normal direction of Egyptian writing was from right to left, with the hieroglyphs facing right, but here the hieroglyphs on the right jamb face left (as do the figures), toward the niche."

More information about the object here:
https://collections.artsmia.org/art/1230/false-door-ancient-egyptian

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267669
title: Egyptian false door, about 2400 BCE

description: From the door's description on artsmia.org:
> 
"A false door, built into the west wall of the tomb chapel, was the focal point of the cult of the deceased in ancient Egypt. This was the interface between the world of the living and the world of the dead, where visitors came to say prayers and deposit offerings for the spirit of the deceased, whose soul could pass through the door. The inscriptions on this door commemorate the priest Iryenakhet (year-ee-en-AH-ket), who is depicted seven times. The central niche is framed by two door jambs and a lintel in a composition ruled by symmetry. The normal direction of Egyptian writing was from right to left, with the hieroglyphs facing right, but here the hieroglyphs on the right jamb face left (as do the figures), toward the niche."

More information about the object here:
https://collections.artsmia.org/art/1230/false-door-ancient-egyptian

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267672
title: Restos de Rostro Virgen Del Rosario - Mamiña

description: Restos del rostro de Nuestra señora Virgen del Rosario de Mamiña. Data indeterminada (Siglo XVIII-XIX?)

Con una pérdida del 95% de la imaginería, estos restos claves, fueron  rescatados posteriormente al incendio de la Iglesia de San Marcos de Mamiña, en enero 8 del año 2017. Gracias a la acción mancomunada y delicada de la comunidad y los arqueólogos y conservadora, que diigieron una dedicada acción de emergencia para rescatar los restos de la imaginería, mobiliario y diversos tipos de bienes patrimoniales que pudieron haber quedado sepultados bajo cenizas después del voráz incendio.

Lamentablemente, la factura de las obras, en su mayoría, madera, crudo, yeso y pigmentos fue consumida por el fuego.

Hallazgo y Levantamiento: Luis Pérez Reyes. Arqueólogo & M. J. Capetillo Prieto. Arqueóloga.

Escaneo y reconstrucción digital. Luis Pérez Reyes, Arqueólogo & Cecilia Sandoval Tripailaf. Conservadora y Restauradora.

Modelo subido para apoyo del trabajo de reconstrucción, que lleva la Comunidad de Mamiña.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267673
title: Restos de Rostro Virgen Del Rosario - Mamiña

description: Restos del rostro de Nuestra señora Virgen del Rosario de Mamiña. Data indeterminada (Siglo XVIII-XIX?)

Con una pérdida del 95% de la imaginería, estos restos claves, fueron  rescatados posteriormente al incendio de la Iglesia de San Marcos de Mamiña, en enero 8 del año 2017. Gracias a la acción mancomunada y delicada de la comunidad y los arqueólogos y conservadora, que diigieron una dedicada acción de emergencia para rescatar los restos de la imaginería, mobiliario y diversos tipos de bienes patrimoniales que pudieron haber quedado sepultados bajo cenizas después del voráz incendio.

Lamentablemente, la factura de las obras, en su mayoría, madera, crudo, yeso y pigmentos fue consumida por el fuego.

Hallazgo y Levantamiento: Luis Pérez Reyes. Arqueólogo & M. J. Capetillo Prieto. Arqueóloga.

Escaneo y reconstrucción digital. Luis Pérez Reyes, Arqueólogo & Cecilia Sandoval Tripailaf. Conservadora y Restauradora.

Modelo subido para apoyo del trabajo de reconstrucción, que lleva la Comunidad de Mamiña.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267674
title: Gothic Mace / Готическая Булава

description: Mace - a short-handled shock-crushing melee weapon in the form of a handle with a spherical shock part - pommel.

According to some sources, the mace is a type of club, according to others, the mace and the club are different types of shock and crushing weapons. The length of the handle of the mace, as a rule, was about 50-80 centimeters; the weight of the top is 200-300 grams. Historical sources indicate that maces could be used not only for close combat, but also as a thrown weapon.

Булава́ — короткодревковое ударно-дробящее холодное оружие в виде рукояти с шаровидной ударной частью — навершием.

Согласно одним источникам, булава является разновидностью палицы, согласно другим — булава и палица являются разными типами ударно-дробящего оружия. Длина рукояти булавы, как правило, составляла около 50—80 сантиметров; вес навершия — 200—300 граммов. Исторические источники свидетельствуют о том, что булавы могли использоваться не только для ближнего боя, но и в качестве метаемого оружия.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267675
title: Gothic Mace / Готическая Булава

description: Mace - a short-handled shock-crushing melee weapon in the form of a handle with a spherical shock part - pommel.

According to some sources, the mace is a type of club, according to others, the mace and the club are different types of shock and crushing weapons. The length of the handle of the mace, as a rule, was about 50-80 centimeters; the weight of the top is 200-300 grams. Historical sources indicate that maces could be used not only for close combat, but also as a thrown weapon.

Булава́ — короткодревковое ударно-дробящее холодное оружие в виде рукояти с шаровидной ударной частью — навершием.

Согласно одним источникам, булава является разновидностью палицы, согласно другим — булава и палица являются разными типами ударно-дробящего оружия. Длина рукояти булавы, как правило, составляла около 50—80 сантиметров; вес навершия — 200—300 граммов. Исторические источники свидетельствуют о том, что булавы могли использоваться не только для ближнего боя, но и в качестве метаемого оружия.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267676
title: Vintage Seltzer Bottle

description: A vintage seltzer bottle from my family's collection.  Scanned using an Artec Space Spider handheld 3D scanner.  The bottle was sprayed with an aerosol wax spray to reduce the reflectivity and opacity of the glass to help with scan alignment.  The scan was then cleaned up in Zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267677
title: Vintage Seltzer Bottle

description: A vintage seltzer bottle from my family's collection.  Scanned using an Artec Space Spider handheld 3D scanner.  The bottle was sprayed with an aerosol wax spray to reduce the reflectivity and opacity of the glass to help with scan alignment.  The scan was then cleaned up in Zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267678
title: Teapot

description: En tekanna som är rekvisita i kommande utställning i Göteborg [Human Nature](http://kulturarvsdata.se/SMVK-VKM/exhibition/html/2513385).

A teapot that is props in the upcoming exhibition in Gothenburg Human Nature.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267679
title: Teapot

description: En tekanna som är rekvisita i kommande utställning i Göteborg [Human Nature](http://kulturarvsdata.se/SMVK-VKM/exhibition/html/2513385).

A teapot that is props in the upcoming exhibition in Gothenburg Human Nature.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267680
title: Victor Hugo's death mask

description: To know more about this artwork : http://parismuseescollections.paris.fr/en/node/456350#infos-principales

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267681
title: Victor Hugo's death mask

description: To know more about this artwork : http://parismuseescollections.paris.fr/en/node/456350#infos-principales

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267683
title: Baby Waiting For Birth

description: Baby Waiting For Birth is one of several sculptures of infants in Vigeland Park.
The park is the world's largest sculpture park made by a single artist, and is one of Norway's most popular tourist attractions. The park is open to visitors all year round.
The unique sculpture park is Gustav Vigeland's lifework with more than 200 sculptures in bronze, granite and wrought iron. Vigeland was also in charge of the design and architectural layout of the park. The Vigeland Park was mainly completed between 1939 and 1949.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267682
title: Baby Waiting For Birth

description: Baby Waiting For Birth is one of several sculptures of infants in Vigeland Park.
The park is the world's largest sculpture park made by a single artist, and is one of Norway's most popular tourist attractions. The park is open to visitors all year round.
The unique sculpture park is Gustav Vigeland's lifework with more than 200 sculptures in bronze, granite and wrought iron. Vigeland was also in charge of the design and architectural layout of the park. The Vigeland Park was mainly completed between 1939 and 1949.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267684
title: Coombe Shallow Wreck 2

description: Part of the SCRIMSHAW project. The Coombe Shallow Wreck 2, recorded on the 6th of May 2017 by Patrick Morrison, and processed on all medium settings in agisoft photoscan. 

Vlog of the day can be found here: https://www.youtube.com/watch?v=xgkyXDsYXLk&lc=z135x3hwjsjswhh2d22xdf5zgvjcgxdaf04

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267685
title: Coombe Shallow Wreck 2

description: Part of the SCRIMSHAW project. The Coombe Shallow Wreck 2, recorded on the 6th of May 2017 by Patrick Morrison, and processed on all medium settings in agisoft photoscan. 

Vlog of the day can be found here: https://www.youtube.com/watch?v=xgkyXDsYXLk&lc=z135x3hwjsjswhh2d22xdf5zgvjcgxdaf04

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267688
title: Tsar Ivan IV's "Ivan the Terrible's" Helmet

description: Russian helmet with gold decoration, made in Moscow circa 1533 for the future [Tsar Ivan IV](https://en.wikipedia.org/wiki/Ivan_the_Terrible) ("Ivan the Terrible").
Probably first plundered by the Poles as war booty from Moscow, and thereafter claimed by the Swedes in Warsaw in 1655.
This peak shaped helmet features beautifully gilded decorations. The wording in Old Russian around the circumference of the helmet reveals who it used to belong to, that is, Tsar Ivan IV of Russia (1530-1584).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267689
title: Tsar Ivan IV's "Ivan the Terrible's" Helmet

description: Russian helmet with gold decoration, made in Moscow circa 1533 for the future [Tsar Ivan IV](https://en.wikipedia.org/wiki/Ivan_the_Terrible) ("Ivan the Terrible").
Probably first plundered by the Poles as war booty from Moscow, and thereafter claimed by the Swedes in Warsaw in 1655.
This peak shaped helmet features beautifully gilded decorations. The wording in Old Russian around the circumference of the helmet reveals who it used to belong to, that is, Tsar Ivan IV of Russia (1530-1584).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267690
title: São Miguel das Missões

description: Este modelo é um exemplo de como aplicar a Fotogrametria em uma escavação arqueológica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267691
title: São Miguel das Missões

description: Este modelo é um exemplo de como aplicar a Fotogrametria em uma escavação arqueológica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267694
title: Rusted Buckle

description: This artifact is a harness buckle, possibly for a horse. This was found with other artifacts at the McClure farmstead. The site is located in Miller Grove, a freed African-American community located in the Shawnee National Forest. The excavations were performed by an SIUC Field School in 2019. The Director of the Center for Archaeological Investigations, Dr. Mark J. Wagner, lead the field school.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267695
title: Rusted Buckle

description: This artifact is a harness buckle, possibly for a horse. This was found with other artifacts at the McClure farmstead. The site is located in Miller Grove, a freed African-American community located in the Shawnee National Forest. The excavations were performed by an SIUC Field School in 2019. The Director of the Center for Archaeological Investigations, Dr. Mark J. Wagner, lead the field school.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267696
title: Lathing Hatchets

description: "The 'lathing hatchet' is recognized by its flat outside contour, made so nails could be struck near a ceiling without hitting it." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267697
title: Lathing Hatchets

description: "The 'lathing hatchet' is recognized by its flat outside contour, made so nails could be struck near a ceiling without hitting it." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267700
title: Ghazanchetsots Cathedral - Shushi, Artsakh

description: **Description**

A crowdsourced Photogrammetry reconstruction of the Ghazanchetsots Cathedral in Shushi, Artsakh (Nagorno-Karabakh Republic) for cultural hertiage documentation and digital preservation. It was reconstructed using extracted frames from pubclily available drone videos of the site from Youtube.

The cathedral is now heavily damaged as of the 2nd Karabakh war. More information about the cathedral - [Wikipedia](https://en.wikipedia.org/wiki/Ghazanchetsots_Cathedral)

This project is open-sourced. The source data + Reality Capture project are available on [Github](https://github.com/azadbal/Ghazanchetsots_Cathedral_Shushi)

**Video/Image Sources**

Title: Discover Armenia | Visit Artsakh | 4K Drone Footage 
Author: Lilit Asatryan 
Date: June 2019
Video: https://youtu.be/CLK5WJUAnBc

Title: Armenia & Artsakh - A Bird's Eye View - 4K Drone Footage 🇦🇲 - 
Author: apotize (Apo Avedissian) - 
Date: Sep 2018
Video: https://youtu.be/EoRpaXtlmqo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267701
title: Ghazanchetsots Cathedral - Shushi, Artsakh

description: **Description**

A crowdsourced Photogrammetry reconstruction of the Ghazanchetsots Cathedral in Shushi, Artsakh (Nagorno-Karabakh Republic) for cultural hertiage documentation and digital preservation. It was reconstructed using extracted frames from pubclily available drone videos of the site from Youtube.

The cathedral is now heavily damaged as of the 2nd Karabakh war. More information about the cathedral - [Wikipedia](https://en.wikipedia.org/wiki/Ghazanchetsots_Cathedral)

This project is open-sourced. The source data + Reality Capture project are available on [Github](https://github.com/azadbal/Ghazanchetsots_Cathedral_Shushi)

**Video/Image Sources**

Title: Discover Armenia | Visit Artsakh | 4K Drone Footage 
Author: Lilit Asatryan 
Date: June 2019
Video: https://youtu.be/CLK5WJUAnBc

Title: Armenia & Artsakh - A Bird's Eye View - 4K Drone Footage 🇦🇲 - 
Author: apotize (Apo Avedissian) - 
Date: Sep 2018
Video: https://youtu.be/EoRpaXtlmqo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267702
title: Waitomokia volcano 1939

description: Waitomokia or Mt Gabriel volcanic scoria cone in 1939 before it was quarried. Auckland, New Zealand. Aerial photos from retrolens.nz. 
My 3D reconstruction generated with photogrammetry software 3DF Zephyr v4.009 processing 3 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267703
title: Waitomokia volcano 1939

description: Waitomokia or Mt Gabriel volcanic scoria cone in 1939 before it was quarried. Auckland, New Zealand. Aerial photos from retrolens.nz. 
My 3D reconstruction generated with photogrammetry software 3DF Zephyr v4.009 processing 3 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267704
title: An Achaemenid lancer from Susa

description: A lancer from the archer's frieze, from Darius's palace at Susa. This frieze panel is made from glazed siliceous bricks and dates to the Achaemenid Empire circa 510 BC.

Achéménide Reigne - Lancier, détail de la frise des archers du palais de Darius à Suse. 

This was shot in 5 minutes at the Louvre Abu Dahbi in afternoon opening hours with a Sony A6000, 44 pictures, processed on high settings with Agisoft Photoscan Pro. The model is not perfect, but gives a good representation and has been downsampled from 2.5 million faces to 500,000.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267705
title: An Achaemenid lancer from Susa

description: A lancer from the archer's frieze, from Darius's palace at Susa. This frieze panel is made from glazed siliceous bricks and dates to the Achaemenid Empire circa 510 BC.

Achéménide Reigne - Lancier, détail de la frise des archers du palais de Darius à Suse. 

This was shot in 5 minutes at the Louvre Abu Dahbi in afternoon opening hours with a Sony A6000, 44 pictures, processed on high settings with Agisoft Photoscan Pro. The model is not perfect, but gives a good representation and has been downsampled from 2.5 million faces to 500,000.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267706
title: Biface Knife XCB-105-1079

description: Biface Knife. XCB-105-1079. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267707
title: Biface Knife XCB-105-1079

description: Biface Knife. XCB-105-1079. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267708
title: Vine - sculpture

description: The white marble statue of a girl with grapes is the work of sculptor Karla Vobisova from 1960. The girl's act is on a sandstone base, her right leg is moved, left slightly kneeling in her knees. In the hands bound on his chest he holds the grapes of wine, the vine is decorated with his hair.

The statue of Karla Vobišová, the pupils of Bohumil Kafka and Emil Bourdel, belongs to the characteristic examples of the work of this figural and portrait-based artist. A statue of white marble on a sandstone plinth was placed in a park on Kampa in 1960. The last one was restored in 1997. A statue of 1.65m high is signed at the back of the base: Vobisova.

Photogrammetry from 85 photos. Ivy from Ivy generator for 3dsmax.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267709
title: Vine - sculpture

description: The white marble statue of a girl with grapes is the work of sculptor Karla Vobisova from 1960. The girl's act is on a sandstone base, her right leg is moved, left slightly kneeling in her knees. In the hands bound on his chest he holds the grapes of wine, the vine is decorated with his hair.

The statue of Karla Vobišová, the pupils of Bohumil Kafka and Emil Bourdel, belongs to the characteristic examples of the work of this figural and portrait-based artist. A statue of white marble on a sandstone plinth was placed in a park on Kampa in 1960. The last one was restored in 1997. A statue of 1.65m high is signed at the back of the base: Vobisova.

Photogrammetry from 85 photos. Ivy from Ivy generator for 3dsmax.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267710
title: Grabados Rupestres Risco Bisechi (3)

description: Panel de grabados rupestres perteneciente a la cultura indígena de Tenerife, islas Canarias, España. Forma parte de un conjunto de paneles situados en el Bco. del Rey, término municipal de Adeje.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267711
title: Grabados Rupestres Risco Bisechi (3)

description: Panel de grabados rupestres perteneciente a la cultura indígena de Tenerife, islas Canarias, España. Forma parte de un conjunto de paneles situados en el Bco. del Rey, término municipal de Adeje.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267712
title: Vas ceramic

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267713
title: Vas ceramic

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267714
title: Cane Fishing Pole

description: Cane pole for fishing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267715
title: Cane Fishing Pole

description: Cane pole for fishing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267718
title: Port structures

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10267719
title: Port structures

description: Source: Objaverse 1.0 / Sketchfab