cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10294269
title: 20 Francs - MAROC, MOHAMMED V 20 Francs - 1371

description: **Année** : 1371
**Atelier** : Paris
**Métal** : Bronze-Aluminium (Cupro Aluminium)
**Pays** : Maroc
Type de produit : Monnaie
Valeur faciale : 20 Francs
Diamètre : 23.8
****Nom du régnant : Mohammed V
Poids brut théorique : 4
Première date d'émission : 1951
Période : 1371
Type de monnayage : Standard Coinage

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294268
title: 20 Francs - MAROC, MOHAMMED V 20 Francs - 1371

description: **Année** : 1371
**Atelier** : Paris
**Métal** : Bronze-Aluminium (Cupro Aluminium)
**Pays** : Maroc
Type de produit : Monnaie
Valeur faciale : 20 Francs
Diamètre : 23.8
****Nom du régnant : Mohammed V
Poids brut théorique : 4
Première date d'émission : 1951
Période : 1371
Type de monnayage : Standard Coinage

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294270
title: Per Adriano (1993)

description: Escultura que se encuentra en la plaza del Teatro Guimerá de Santa Cruz de Tenerife. Fotos con el móvil.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294271
title: Per Adriano (1993)

description: Escultura que se encuentra en la plaza del Teatro Guimerá de Santa Cruz de Tenerife. Fotos con el móvil.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294272
title: St Twrogs, Severn Estuary, April 2017

description: Sitting on an outcrop of rock just beyond the Beachley peninsula lies a tidal island that is home to the remains of what was once a chapel. 
Old wives tales connect the chapel with a 5th Century anchoress who abandoned her father to take up the life of a religious hermit. The remains tell a slightly different story however and date the construction of the Chapel to around the early 13th Century. 
The story of its construction is still a mystery, records suggest that it is not linked to the Church but was built by one of the Marcher Lords, powerful men who upheld the rule of law on the controversial Welsh/England border. Whilst we may not know who built it, the connection with the established crossing point of the River Severn cannot be ignored and it is considered likely that you may have prayed for your safe passage across this treacherous route. You can find more about the Chapel and crossing the Severn in our [blog](https://www.citizan.org.uk/blog/2017/Apr/22/crossing-the-severn-through-the-ages/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294273
title: St Twrogs, Severn Estuary, April 2017

description: Sitting on an outcrop of rock just beyond the Beachley peninsula lies a tidal island that is home to the remains of what was once a chapel. 
Old wives tales connect the chapel with a 5th Century anchoress who abandoned her father to take up the life of a religious hermit. The remains tell a slightly different story however and date the construction of the Chapel to around the early 13th Century. 
The story of its construction is still a mystery, records suggest that it is not linked to the Church but was built by one of the Marcher Lords, powerful men who upheld the rule of law on the controversial Welsh/England border. Whilst we may not know who built it, the connection with the established crossing point of the River Severn cannot be ignored and it is considered likely that you may have prayed for your safe passage across this treacherous route. You can find more about the Chapel and crossing the Severn in our [blog](https://www.citizan.org.uk/blog/2017/Apr/22/crossing-the-severn-through-the-ages/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294274
title: Vas de perfil en essa decorat – Sant Jaume

description: Procedeix de l'àmbit A4 de la residència de la primera edat del ferro (800-550 aC, pre-ibèric) de Sant Jaume d'Alcanar (Terres del Sénia, Catalunya). Formava part d'un servei de vaixella singular utilitzat en banquets excepcionals i cerimonials.

Els vasos "de perfil en essa", fets a mà, són molt comuns des del neolític. Reben aquest nom per la seva forma sinuosa i les seves funcions eren múltiples. El que ja no és tan habitual és que presentin una decoració zoomorfa. Observem com hi van aplicar, al damunt del cordó del coll, quatre elements plàstics amb forma de petits caps de boc, cabra o bou, molt estilitzats. Aquests caps apareixen ornats per sota amb semicercles (garlandes) formats per petits cordons digitats. 

Pensem que aquesta decoració no és ni atzarosa ni tan sols estètica, sinó que té relació amb les creences dels habitants de Sant Jaume. És molt possible que l'ús que en feien hagués tingut, doncs, un caràcter cerimonial i fins tot cultual. 

(Model 3D: Jorge Botero. Restauració: Isabel Moreno)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294275
title: Vas de perfil en essa decorat – Sant Jaume

description: Procedeix de l'àmbit A4 de la residència de la primera edat del ferro (800-550 aC, pre-ibèric) de Sant Jaume d'Alcanar (Terres del Sénia, Catalunya). Formava part d'un servei de vaixella singular utilitzat en banquets excepcionals i cerimonials.

Els vasos "de perfil en essa", fets a mà, són molt comuns des del neolític. Reben aquest nom per la seva forma sinuosa i les seves funcions eren múltiples. El que ja no és tan habitual és que presentin una decoració zoomorfa. Observem com hi van aplicar, al damunt del cordó del coll, quatre elements plàstics amb forma de petits caps de boc, cabra o bou, molt estilitzats. Aquests caps apareixen ornats per sota amb semicercles (garlandes) formats per petits cordons digitats. 

Pensem que aquesta decoració no és ni atzarosa ni tan sols estètica, sinó que té relació amb les creences dels habitants de Sant Jaume. És molt possible que l'ús que en feien hagués tingut, doncs, un caràcter cerimonial i fins tot cultual. 

(Model 3D: Jorge Botero. Restauració: Isabel Moreno)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294276
title: Ouse and Derwent Project 2018 - Trench 3

description: Trench 3 at North Duffield is placed over the eastern side of a huge trapezoidal enclosure. The ditches visible in this trench continue south, then turn west to meet those in [Trench 2](https://sketchfab.com/models/33b740fe1287480aa204f1421bae3b01).

The [Ouse and Derwent Project](https://www.facebook.com/IAOuseandDerwent/) is a three year community project examining the Iron Age landscape in the Vale of York. It is funded by a grant from the Heritage Lottery Fund.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294277
title: Ouse and Derwent Project 2018 - Trench 3

description: Trench 3 at North Duffield is placed over the eastern side of a huge trapezoidal enclosure. The ditches visible in this trench continue south, then turn west to meet those in [Trench 2](https://sketchfab.com/models/33b740fe1287480aa204f1421bae3b01).

The [Ouse and Derwent Project](https://www.facebook.com/IAOuseandDerwent/) is a three year community project examining the Iron Age landscape in the Vale of York. It is funded by a grant from the Heritage Lottery Fund.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294278
title: 15th C. Ship Graffiti, Calatrava la Vieja, Esp

description: Medieval graffiti from Calatrava la Vieja, Castilla-La Mancha, Spain. Late medieval Christian period (3rd quarter 15th century CE). Located in the crypt of the Santa María La Blanca Church, inside the alcazar. The main motif is a "coca" from the later 15th C, a merchant ship etched with precision and detail, probably by a sailor who knew this type of ship well, and with this act requested the protection of the virgin, as a votive graffiti. It is an interesting drawing because it depicts the complete rigging, including the crow´s nests, the bow castle, the stern fortress, and the "codaste" rudder-an element of great importance in the history of navigation, given that its use after 1425 allowed navigation on the high seas, and gave way to the Age of Discovery. GDH Graffiti Panel 1. 

Hervás Herrera, Miguel Ángel (2016): Calatrava la Vieja. Conservación y Restauración (1975-2010), Universidad de Castilla-La Mancha, Repositorio Digital RUIDERA, Albacete, 2016, 958 págs. URI: http://hdl.handle.net/10578/8711.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294279
title: 15th C. Ship Graffiti, Calatrava la Vieja, Esp

description: Medieval graffiti from Calatrava la Vieja, Castilla-La Mancha, Spain. Late medieval Christian period (3rd quarter 15th century CE). Located in the crypt of the Santa María La Blanca Church, inside the alcazar. The main motif is a "coca" from the later 15th C, a merchant ship etched with precision and detail, probably by a sailor who knew this type of ship well, and with this act requested the protection of the virgin, as a votive graffiti. It is an interesting drawing because it depicts the complete rigging, including the crow´s nests, the bow castle, the stern fortress, and the "codaste" rudder-an element of great importance in the history of navigation, given that its use after 1425 allowed navigation on the high seas, and gave way to the Age of Discovery. GDH Graffiti Panel 1. 

Hervás Herrera, Miguel Ángel (2016): Calatrava la Vieja. Conservación y Restauración (1975-2010), Universidad de Castilla-La Mancha, Repositorio Digital RUIDERA, Albacete, 2016, 958 págs. URI: http://hdl.handle.net/10578/8711.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294280
title: Olivella Shell Bead (71a785-1)

description: **Olivella shell bead**

Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina.

Period: Mississippian (AD 1150-1400).

Material: marine shell.

Dimensions: length, 51.2 mm; width, 21.4 mm; thickness, 17.9 mm.

Notes: Catalog no. 71a785 (specimen 1 of 2).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294281
title: Olivella Shell Bead (71a785-1)

description: **Olivella shell bead**

Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina.

Period: Mississippian (AD 1150-1400).

Material: marine shell.

Dimensions: length, 51.2 mm; width, 21.4 mm; thickness, 17.9 mm.

Notes: Catalog no. 71a785 (specimen 1 of 2).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294283
title: Scrolls unfold skeleton animation

description: Scrolls unfold skeleton animation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294282
title: Scrolls unfold skeleton animation

description: Scrolls unfold skeleton animation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294284
title: Igrexa Santiago de Cereixo (Vimianzo)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294285
title: Igrexa Santiago de Cereixo (Vimianzo)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294287
title: Grabfigur

description: Grave figure in the form of a standing angel. In his left hand he holds a wreath, the right arm leaning on an urn, the right wing and the upturned torch are no longer completely preserved.

![](https://wien.denkmal-3d.at/SF/marx_grabfigur601.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294286
title: Grabfigur

description: Grave figure in the form of a standing angel. In his left hand he holds a wreath, the right arm leaning on an urn, the right wing and the upturned torch are no longer completely preserved.

![](https://wien.denkmal-3d.at/SF/marx_grabfigur601.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294288
title: Slaidēnu pilskalns

description: Slaidēnu pilskalna 3D modelis. Koordinātas: 56.67583, 24.87916

https://www.latvijas-pilskalni.lv/slaidenu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294289
title: Slaidēnu pilskalns

description: Slaidēnu pilskalna 3D modelis. Koordinātas: 56.67583, 24.87916

https://www.latvijas-pilskalni.lv/slaidenu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294290
title: Stone Mould 1911_79

description: Photographed with the permission of the National Museum of Ireland. Photographed by Barry Molloy and modelled by Marina Milic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294291
title: Stone Mould 1911_79

description: Photographed with the permission of the National Museum of Ireland. Photographed by Barry Molloy and modelled by Marina Milic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294292
title: Shrine of King Taharqa

description: North wall of the sandstone shrine of King Taharqa of the 25th Dynasty, Egypt.  The shrine was originally located in Kawa, Nubia (Sudan).  The shrine is now in the galleries of the Ashmolean Museum, Oxford.

This scene shows King Taharqa standing before the deities Nefertum-Horakhty and Sekhmet.  The king is receiving life, power and stability from the god Nefertum-Horakhty.

Scanned using 48 photographs (Canon EOS Rebel T5i, 18MP) and Agisoft Photoscan 1.4.3.  Photographed in January 2018.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294293
title: Shrine of King Taharqa

description: North wall of the sandstone shrine of King Taharqa of the 25th Dynasty, Egypt.  The shrine was originally located in Kawa, Nubia (Sudan).  The shrine is now in the galleries of the Ashmolean Museum, Oxford.

This scene shows King Taharqa standing before the deities Nefertum-Horakhty and Sekhmet.  The king is receiving life, power and stability from the god Nefertum-Horakhty.

Scanned using 48 photographs (Canon EOS Rebel T5i, 18MP) and Agisoft Photoscan 1.4.3.  Photographed in January 2018.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294294
title: Kirkjubømúrurin: L014

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. Tveir krossar høgdir í steinin, harumframt eru tvær linjur "I I" høgdar í steinin, tætt við tann eina krossin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. Two crosses have been cut into the stone, as have two lines "I I" of unidentified origin.

Dimension: 20 x 36 x 18 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294295
title: Kirkjubømúrurin: L014

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. Tveir krossar høgdir í steinin, harumframt eru tvær linjur "I I" høgdar í steinin, tætt við tann eina krossin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. Two crosses have been cut into the stone, as have two lines "I I" of unidentified origin.

Dimension: 20 x 36 x 18 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294296
title: ROI008-053-01

description: Paleoindian fluted point collected in Vermillion County, Indiana.

Catalog #: 12-Ve-170-1

Uploaded by: Sherlyn Contreras

Thompson, Christine, Gwyn Harris, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI008-053-01, 3D Model .ply file. Recovered as part of Report of Investigations 8, *An Archaeological Survey of the Newport Army Ammunition Plant, Vermillion County, Indiana: Predicting the Archaeological Potential of an Upland Forest- Prairie Edge in West Central Indiana*, By William Reseigh

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294297
title: ROI008-053-01

description: Paleoindian fluted point collected in Vermillion County, Indiana.

Catalog #: 12-Ve-170-1

Uploaded by: Sherlyn Contreras

Thompson, Christine, Gwyn Harris, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI008-053-01, 3D Model .ply file. Recovered as part of Report of Investigations 8, *An Archaeological Survey of the Newport Army Ammunition Plant, Vermillion County, Indiana: Predicting the Archaeological Potential of an Upland Forest- Prairie Edge in West Central Indiana*, By William Reseigh

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294298
title: SDG12L5-7948-3D

description: Wedge-shaped core

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294299
title: SDG12L5-7948-3D

description: Wedge-shaped core

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294300
title: Taming Dragon Lohan 降龙罗汉 木雕

description: **Taming Dragon Lohan 降龙罗汉**

木雕 Wood Carving

中国工艺美术大师梁铁球2015年作品 现收藏于中国衡阳南岳梁丰助工艺美术馆

高 90.5公分 宽26.6公分

Hight 90.5CM Width 26.6CM

In the hands are the spiritual pearl and the holy bowl,
Endowed with power that knows no bounds.
Full of valour, vigour and awe-inspiring dignity,
To succeed in vanquishing the ferocious dragon.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294301
title: Taming Dragon Lohan 降龙罗汉 木雕

description: **Taming Dragon Lohan 降龙罗汉**

木雕 Wood Carving

中国工艺美术大师梁铁球2015年作品 现收藏于中国衡阳南岳梁丰助工艺美术馆

高 90.5公分 宽26.6公分

Hight 90.5CM Width 26.6CM

In the hands are the spiritual pearl and the holy bowl,
Endowed with power that knows no bounds.
Full of valour, vigour and awe-inspiring dignity,
To succeed in vanquishing the ferocious dragon.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294302
title: KAJ14 Sherd 7

description: A krater sherd from Khirbat al-Jariya, Jordan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294303
title: KAJ14 Sherd 7

description: A krater sherd from Khirbat al-Jariya, Jordan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294304
title: Saran, Lac de la Médecinerie, Antéfixe

description: Tuile antéfixe en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/tuite-antefixe-79-4-5)

Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294305
title: Saran, Lac de la Médecinerie, Antéfixe

description: Tuile antéfixe en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/tuite-antefixe-79-4-5)

Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294306
title: La ilusión de la Materia - Chile - 2019 - 15

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294307
title: La ilusión de la Materia - Chile - 2019 - 15

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294308
title: 220208 Post-earthquake housing 1916+ Avezzano IT

description: *Created with Polycam*

Part of a daily personal challenge while I commute to work (part 4).

Avezzano, in the middle of Italy, was completely destroyed by an earthquake in 1915.
Around the city there are a lot of small houses like this one, one floor plan, wooden roofs, mostly constructed during the reconstruction.

[More on the earthquake](https://en.wikipedia.org/wiki/1915_Avezzano_earthquake)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294309
title: 220208 Post-earthquake housing 1916+ Avezzano IT

description: *Created with Polycam*

Part of a daily personal challenge while I commute to work (part 4).

Avezzano, in the middle of Italy, was completely destroyed by an earthquake in 1915.
Around the city there are a lot of small houses like this one, one floor plan, wooden roofs, mostly constructed during the reconstruction.

[More on the earthquake](https://en.wikipedia.org/wiki/1915_Avezzano_earthquake)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294311
title: Nigerian Ebony Bust

description: Nigerian Ebony bust of a man in traditional dress is part of Manchester University's Ethnographic Art Collection.

This item was 3D scanned using a Creaform Go Scan 20.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294310
title: Nigerian Ebony Bust

description: Nigerian Ebony bust of a man in traditional dress is part of Manchester University's Ethnographic Art Collection.

This item was 3D scanned using a Creaform Go Scan 20.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294312
title: zooforo battistero

description: Modello di zooforo in rilievo sul Battistero di Parma realizzato nel corso Pon  sulla modellazione 3d organizzato presso l'Ites Bodoni di Parma

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294313
title: zooforo battistero

description: Modello di zooforo in rilievo sul Battistero di Parma realizzato nel corso Pon  sulla modellazione 3d organizzato presso l'Ites Bodoni di Parma

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294315
title: Petroglyph N15 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph N15 Khatm Al Melaha, Kalba, Sharjah. Three or four Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294314
title: Petroglyph N15 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph N15 Khatm Al Melaha, Kalba, Sharjah. Three or four Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294316
title: Piratecannon

description: clean uv

8880 faces    9135 verts    17630 tris

real world dimensions

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294317
title: Piratecannon

description: clean uv

8880 faces    9135 verts    17630 tris

real world dimensions

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294319
title: Tyburn Stone

description: A milestone now located in the entrance to the Hilton London Metropole at the junction of Edgeware Road and Praed Street, London.

It marks half mile to Tyburn Gate tollhouse.

https://www.londonremembers.com/memorials/tyburn-stone

286 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10294318
title: Tyburn Stone

description: A milestone now located in the entrance to the Hilton London Metropole at the junction of Edgeware Road and Praed Street, London.

It marks half mile to Tyburn Gate tollhouse.

https://www.londonremembers.com/memorials/tyburn-stone

286 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab