cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-52
title: Employment through the ages, Los Angeles, 1977

description: Employment through the ages, Los Angeles, 1977, Employment Development Department, interior lobby, 141 Venice Boulevard (between Hill and Broadway). Vignettes of working people from different cultures. Goez (designed by Robert Arenivar and executed with Jose-Luis Gonzalez and students from East Los Angeles College and Los Angeles City College, 900 square feet. Sponsored by CETA. -- Dunitz, Street gallery, p. 37, #40.
DOI: 10.25549/dunitz-c15-54
title: Unity, Los Angeles, 1984

description: Unity, Los Angeles, 1984, Harbor Freeway at Figueroa St. exit (closed). Colorful melange of faces and athletics. by Roderick Sykes. Acrylic, 2 panels. Sponsored by LAOOC. -- Dunitz, Street gallery, p. 40, #53.
DOI: 10.25549/dunitz-c15-1260
title: Democratic education, Long Beach, ca.1940

description: Democratic education, Long Beach, ca.1940, Woodrow Wilson [Classical] High School auditorium, interior, 10th Street and Ximeno Avenue. The scene is of students congregating on campus, involved in various activities. In casein tempera on asbestos curtain, 22' x 44' by Carlos Dyer. Sponsored by Federal Art Project -- Dunitz, Street gallery, rev. 2nd ed., p. 253, #8.
DOI: 10.25549/dunitz-c15-1263
title: 6 L.A. artists, Torrance, 1979

description: 6 L.A. artists, Torrance, 1979. Employment Development Department, exterior rear, 1220 Engracia Avenue (at Cravens Avenue), Torrance. From left to right the artists are Marta Chaffee Stang, Alonzo Davis, Paul Czirban. Oliver Nowlin, Eloy Torrez and Wayanna Kato. All are graduates of Otis Art Institute in Los Angeles, as is Twitchell. They were friends of his, and represented a cultural cross-section of artists whose work he admitted. Acrylic, 10' x 110', by Kent Twitchell. Sponsored by Office of the State Architect/CAC. -- Dunitz, Street gallery, p. 240, #10.
DOI: 10.25549/dunitz-c15-1267
title: Mail transportation, San Pedro, 1938

description: Mail transportation, San Pedro, 1938. San Pedro Post Office, interior, 839 South Beacon (between 8th and 9th streets), San Pedro. Delivery of the mail in several different settings. Restored during the 1970s by Jose-Luis Gonzalez of Goez Studio. Artist is Fletcher Martin. -- Dunitz, Street gallery, p. 239, #6.
DOI: 10.25549/dunitz-c15-1273
title: Gabrielino nation: Spirit of the sage, San Pedro, 1995

description: Gabrielino nation: Spirit of the sage, San Pedro, 1995. A-1 Photo, exterior, 1306 Pacific Avenue (at 13th Street), San Pedro. A tribute to the indigenous people who originally lived in the area. The main figure is Vera Rocha, the current Gabrielino chief. The sage is a sacred plant to the Gabrielinos, used in the spiritual rituals. They are trying to save the last white sage fields in the area. (Photo on page 239). Acrylic, 20' x 130', by Johanna Poethig and Roberto Salas. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 246, #20.
DOI: 10.25549/dunitz-c15-1297
title: Compton past, present and future, Compton, 1995

description: Compton past, present and future, Compton, 1995. Compton MetroRail Blue Line Station, exterior platform, Willowbrook Avenue at Compton Boulevard, Compton. These murals, mounted above the platform benches, examine the history of Compton with particular emphasis on the arrival of the various ethnic groups that have contributed to the character of the city. Included are a Native American, Spanish, Mestizo, Samoan, and African American. A tile mural at the station's entrance, designed by 11 local hish school students, portrays the musical traditions of each major ethnic group in Compton. The colums contain images of women and children and statements by residents of Compton. Ceramic tile, 6 panels (4' x 14' each), 2 triangular colums (8' x 2'), entry mural, 4' x 30'), by Eva Cockcroft. Sponsored by MTA Art Program. -- Dunitz, Street gallery, rev. 2nd ed., p. 236, #31.
DOI: 10.25549/dunitz-c15-730
title: Chagall returns to Venice Beach, Venice, 1996

description: Chagall returns to Venice Beach, Venice, 1996. Israel Levin Senior Adult Center, exterior, 201 Ocean Front Walk (between Ozone Court and Rose Avenue). A revised repainting of Chagall Comes to Venice Beach (1991), after the damage caused by the 1994 earthquake forced the Center to make building repairs that destroyed the mural. Much of the imagery comes directly from the work of Russian-Jewish painter Marc Chagall, dropped into a setting of the Venice Beach. At the far left a rabbi is holding a Torah on which is written in Hebrew the 5th Commandant, "Honor thy father and thy mother." At the other end of the mural is a poem about overcoming obstacles, called, "Roots," written in 1991 by a 95-year-old poet, Dora Bayrack. Added to the new version is Moses receiving the Ten Commandants from a black God, and a scene commemorating the 3,000th anniversary of Jerusalem. Acrylic, approximately 15' x 75', by Christina Schlesinger with many assistants. -- Dunitz, Street gallery, rev. 2nd ed., p. 195, #30.
DOI: 10.25549/dunitz-c15-731
title: Chagall returns to Venice Beach, Venice, 1996

description: Chagall returns to Venice Beach, Venice, 1996. Israel Levin Senior Adult Center, exterior, 201 Ocean Front Walk (between Ozone Court and Rose Avenue). A revised repainting of Chagall Comes to Venice Beach (1991), after the damage caused by the 1994 earthquake forced the Center to make building repairs that destroyed the mural. Much of the imagery comes directly from the work of Russian-Jewish painter Marc Chagall, dropped into a setting of the Venice Beach. At the far left a rabbi is holding a Torah on which is written in Hebrew the 5th Commandant, "Honor thy father and thy mother." At the other end of the mural is a poem about overcoming obstacles, called, "Roots," written in 1991 by a 95-year-old poet, Dora Bayrack. Added to the new version is Moses receiving the Ten Commandants from a black God, and a scene commemorating the 3,000th anniversary of Jerusalem. Acrylic, approximately 15' x 75', by Christina Schlesinger with many assistants. -- Dunitz, Street gallery, rev. 2nd ed., p. 195, #30.
DOI: 10.25549/dunitz-c15-734
title: Tropical landscape, Venice, 1991

description: Tropical landscape, untitled, Venice, 1991. Brooks Avenue at Pacific Avenue. This colorful tropical landscape was painted in just three days for a Mexican beverage commercial. By Eden Vanus and Michael B. -- Dunitz, Street gallery, rev. 2nd ed., p. 194, #22.
DOI: 10.25549/dunitz-c15-735
title: Tropical landscape, Venice, 1991

description: Tropical landscape, untitled, Venice, 1991. Brooks Avenue at Pacific Avenue. This colorful tropical landscape was painted in just three days for a Mexican beverage commercial. By Eden Vanus and Michael B. -- Dunitz, Street gallery, rev. 2nd ed., p. 194, #22.
DOI: 10.25549/dunitz-c15-749
title: History of mathematics, UCLA Math Sciences Buidling, Los Angeles,1968

description: History of mathematics, 1968, by Joseph Young. UCLA Math Sciences Building, exterior Lecture hall 4000. Byzantine and marble mosaic. The mosaic is integrated into 16 precast concrete bas-reliefs along three walls -- Dunitz, Street gallery, rev. 2nd ed., p.176, #15
DOI: 10.25549/dunitz-c15-755
title: Pride of Mar Vista, Los Angeles, 1988

description: Pride of Mar Vista, 1988, Mar Vista Gardens Recreation, exterior, 11965 Allin Street (near Inglewood Boulevard). Reflecting the African American and Mexican American composition of this neighborhood, the mural draws upon ancient African American and Mexican traditions as well as imagery of contemporary family life. In acrylic, 30' x 30' by East Los Angeles Streetscapers (Wayne Healy and David Botello) with assistance from Daniel Fernandez, Ricardo Lopez, Omar Ross, Bert Juarez, Saul Marquez, Rudy Reyers, Peter Moc and Ronald Rivera. Sponsored by Social and Public Art Resource Center -- Dunitz, Street gallery, rev. 2nd ed., p. 179, #31.
DOI: 10.25549/dunitz-c15-767
title: Martin Luther King, Jr. and Dr. Charles Drew, Watts, 1999

description: Martin Luther King, Jr. and Dr. Charles Drew, Watts, 1999. King/Drew Magnet High School of Medicine and Science, 120th Street and Compton Avenue, Watts. Portraits of two heroes on the main building of this new magnet high school, which is located across the street from King/Drew Medical Center. Concrete relief, 42' x 32', by Tina Allen. -- http://www.lamurals.org/Newsletters/0401Newsltr/0401B.html.
DOI: 10.25549/dunitz-c15-778
title: People taking care of pets, South Los Angeles, 2000

description: People taking care of pets, untitled, South Los Angeles, 2000. South Central Animal Shelter, exterior and interior, 3612 11th Avenue (at 36th Street), South Central Los Angeles. Scenes of people taking care of pets. Acrylic, 2 exterior panels and one interior panel, by Eloy Torres. Sponsored by the L.A. Cultural Affairs Dept. for the Public Works Improvement Arts Program on behalf of the Dept. of Animal Regulations. -- http://www.lamurals.org/Newsletters/1200Newsltr/1200B.html.
DOI: 10.15468/dl.rjag2y
title: Occurrence Download

description: A dataset containing 7 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Ostorhinchus multilineatus"
 ]
}

 The dataset includes 7 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003649-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-784
title: Dial 900 society, Crenshaw High School, Los Angeles, 1992

description: Dial 900 society, 1992, 5010 11th Avenue (at 50th Street), by Ian White with about 10 art students of teacher Susan Curren. Crenshaw High School parking lot. Play on words and satire are used to illustrate some of the contradictions and social ills of our contemporary "900 number society". In one panel the image of a homeless man on a park bench is juxtaposed with the high-priced Park Place square on a Monopoly gameboard. Acrylic, 3 panels, approximately 7.5' x 8' each. Sponsored by Museum of African Art and L.A. Cultural Affairs Department. -- Dunitz, Street gallery, rev. 2nd ed., p. 220, #53.
DOI: 10.25549/dunitz-c15-785
title: Concentrate in love, truth and righteousness, 1991

description: [Concentrate in love, truth and righteousness], 1991. 4909 Crenshaw Boulevard (at West 50th Street), South Los Angeles. Artist unknown. Multiple panels painted on an exterior temporary wood fence. Depicts policemen and multiethnic community members standing before pictures of the ocean, a Mesoamerican pyramid, a prairie, a castle, an Asian landscape, the sphinx and pyriamids, "One world, One love, Jah love". Photographed ca. 1991 April.
DOI: 10.25549/dunitz-c15-614
title: Extinct is forever, North Hollywood, 1990

description: Extinct is forever, North Hollywood, 1990, 5539 Riverton Avenue (near Burbank Boulevard), North Hollywood. Remnant of a much larger environmental mural that was destroyed when the property changed hands. Along the loading dock are dolphins, walruses, penguins, and whales. Aerosol, by Hector Rios (Hex), assisted by Omega. Sponsored by Michael Gold (owner). -- Dunitz, Street gallery, rev. 2nd ed., p. 146, #42.
DOI: 10.25549/dunitz-c15-615
title: Restaurant Los Arcos, North Hollywood, 1990

description: Restaurant Los Arcos, untitled mural, North Hollywood, 1990. Restaurant Los Arcos, exterior, 7227 Vineland Avenue (near Sherman Way), North Hollywood. Farm scene and the Virgin of Guadalupe. Oil on stucco, by Juan Hector Ponce. -- Dunitz, Street gallery, rev. 2nd ed., p. 146, #44.
DOI: 10.25549/dunitz-c15-625
title: Take the future in your hands, Pacoima, 1992

description: Take the future in your hands, Pacoima, 1992. Haddon Avenue School, exterior playground, 10115 Haddon Avenue (between Terra Bella and Osborne streets), Pacoima. Portraits of four children of different ethnicities. Between them are large scenes of cultural history, family, education, and careers, as well as smaller images of nutritious food, different kinds of athletic balls, and technological tools. The artists made a conscious effort to incorporate such architectural elements as the windows and columns into the graphic parts of the mural. Judith Baca, SPARC's creative director attended this school as a child. Acrylic, by East Los Streetscapers (David Botello, Wayne Healy, Rich Raya), assisted by D. Montez, A. Johson, S. Trangsrud. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 148, #52.
DOI: 10.25549/dunitz-c15-626
title: Take the future in your hands, Pacoima, 1992

description: Take the future in your hands, Pacoima, 1992. Haddon Avenue School, exterior playground, 10115 Haddon Avenue (between Terra Bella and Osborne streets), Pacoima. Portraits of four children of different ethnicities. Between them are large scenes of cultural history, family, education, and careers, as well as smaller images of nutritious food, different kinds of athletic balls, and technological tools. The artists made a conscious effort to incorporate such architectural elements as the windows and columns into the graphic parts of the mural. Judith Baca, SPARC's creative director attended this school as a child. Acrylic, by East Los Streetscapers (David Botello, Wayne Healy, Rich Raya), assisted by D. Montez, A. Johson, S. Trangsrud. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 148, #52.
DOI: 10.25549/dunitz-c15-630
title: Aztec pride, Van Nuys, 1992

description: Aztec pride, Van Nuys, 1992. 14958 Delano Street (at Lemona Avenue), Van Nuys. Aztec calendar and warrior, Quetzalcoatl (feathered serpent god), and the Aztec god of war. Acrylic, by Yoouth under the direction of Jose de ala Cruz. -- Dunitz, Street gallery, rev. 2nd ed., p. 148, #51.
DOI: 10.25549/dunitz-c15-683
title: The people of Venice vs. the Developers (aka The Jaya Mural), Venice, 1975

description: The people of Venice vs. the Developers (aka The Jaya Mural), Venice, 1975. 316 South Venice Boulevard (mural on Dell St.). On the left side a bulldozer tears down a house with someone in it. The other side shows how the Venice canals would be destroyed under the nurturing care of the residents themselves. The word Jaya in Sanscrit means non-violent victory. The mural was restored in 1996, sponsored by the Social and Public Art Resource Center. 15' x 25', designed by Emily Winters, assisted by Judith Foster. Painted by Jaya, a Women Artists Collective. Sponsored by Citywide Mural Project. -- Dunitz, Street gallery, rev. 2nd ed., p. 190, #7.
DOI: 10.25549/dunitz-c15-688
title: Brandelli's Brig, Venice, 1973 (restored in 1978 and 1989)

description: Brandelli's Brig, Venice, 1973 (restored in 1978 and 1989). Brandelli's Brig (a local bar), exterior, Abbot Kinney Boulevard at Palms Boulevard. A mural inside a mural inside a mural. Painting of the bar's owner and his wife outside of the bar and the mural which shows the owner and his wife, and on and on. Latex, 16' x 22'. Arthur Mortimer and friends. Sponsored by California Arts Council. -- Dunitz, Street gallery, p. 184, #4. The artist is standing in front of the mural in the first silde. He is wearing a white T-shirt with 7th Street altarpiece" as a logo. The two people in the mural are Babe and Betty Brandelli -- http://laexplored.wordpress.com/, viewed on October 7, 2012.
DOI: 10.25549/dunitz-c15-692
title: The story of Venice, Venice, 1941

description: The story of Venice, Venice, 1941. Venice Post Office, interior, 1601 Main Street (near Windward Avenue). The central focus is Abbot Kinney, the visionary developer who created this beach community with its canals and pier. Oil wax emulsion on canvas, 6 1/2' x 15 5/8', by Edward Biberman. Sponsored by Treasury Section of Painting and Sculpture. -- Dunitz, Street gallery, rev. 2nd ed., p. 189, #3.
DOI: 10.25549/dunitz-c15-726
title: A call to earth's caretakers, Venice, 1991

description: A call to earth's caretakers, Venice, 1991. Gold's Gym, exterior, 360 Hampton Drive, (Between Rose and Sunset avenues). Environmental mural done in honor of Eart Day. Aerosol, approximately 15' x 100', by Earth Crew. -- Dunitz, Street gallery, rev. 2nd ed., p. 194, #23.
DOI: 10.25549/dunitz-c15-727
title: Venice reconstituted, Venice, 1989

description: Venice reconstituted, Venice, 1989. Venice Beach Hotel (formerly St. Mark's Hotel), exterior, 25 Windward Avenue (mural on SpeedwaY). this mural reinterprets "Venus on the Halfshell," a work by Italian Renaissance painter Boticelli, and Cronk's own Venice on the Halfshell, which was painted on this same wall in 1980. The current work addresses the artist's concern over the lack of spirituality in contemporary society by showing the underlying harmony of Western tradition in the context of the familiar Venice Beach setting. Liquitex acrylic/air brush, 100' x 21', by Rip Cronk, assisted by Juan Burgueno, Mishell Caldwell, Dimitree Kadlev, Bruce Smith, Elizabeth Tenchavez. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 191, #14.
DOI: 10.25549/dunitz-c15-1352
title: The History of L.A., East Los Angeles, 1980

description: The History of L.A., East Los Angeles, 1980. Argil Building Materials Company, exterior, 4754 Floral Drive (near North Mednick Avenue). Symbols from Chicano history and modern Los Angeles. Acrylic on cinder block, by Carlos Almaraz, assisted by Guillermo Bejarano. -- Dunitz, Street gallery, p. 315, #60; Dunitz, Street Gallery, Revised 2nd edition, p. 304, #41.
DOI: 10.21227/fpqq-nr70
title: "Hourly Electricity Demand and Weather Data for Major U.S. Cities (2019\u20132023)"

description: "This dataset provides a curated, multi-regional hourly electricity demand and weather resource for 141 U.S. metropolitan areas spanning five years (2019\u20132023), constructed to directly support AI and machine learning model development in power and energy systems. Each of the 141 city files synchronizes three independently sourced data streams \u2014 county-level megawatt demand from the NREL\/OEDI Hourly Electricity Demand dataset (Obika et al., 2025), ground-truth meteorological observations from the NOAA Integrated Surface Database, and satellite solar irradiance from the NREL National Solar Radiation Database (NSRDB) \u2014 into a single analysis-ready time series of 43,824 hourly records and 22 columns.Physics-informed features are pre-engineered into each file, including apparent temperature (heat index), 24-hour thermal memory, cooling and heating degree days, wind speed extrapolated to 100-meter turbine hub height via the Hellman power law, behind-the-meter rooftop solar proxy, 3-hour solar volatility, and cyclical encodings of hour, day-of-week, and month.Of the 141 cities, 101 are pristine (zero missing values, zero imputation) and 40 are intentionally quarantined with documented data quality issues, providing a realistic benchmark set for imputation and denoising research. Dataset utility is validated through five distinct machine learning experiments conducted across all 101 pristine cities on a held-out 2023 test year:- Autoregressive Load Forecasting: ARX-LSTM achieved a mean R\u00b2=0.993 and MAE=23.66 MW, establishing a strong baseline for sequence-to-sequence grid demand prediction.- Thermodynamic Load Forecasting: Weather-only LSTM (R\u00b2=0.853, MAE=164.91 MW) isolates the contribution of meteorological drivers without autoregressive feedback.- Baseline Benchmarking: Random Forest load forecasting (R\u00b2=0.864, MAE=159.94 MW) provides interpretable feature importance rankings that reveal dominant climate drivers \u2014 thermal inertia in humid climates versus solar irradiance in desert regions.- Grid Volatility: Grid ramp rate forecasting via LSTM (R\u00b2=0.853, MAE=28.41 MW\/h) supports flexibility and storage dispatch planning.- Renewable Potential: Solar GHI forecasting via LSTM (R\u00b2=0.881, MAE=46.56 W\/m\u00b2) enables renewable integration and behind-the-meter solar estimation.Together, these experiments confirm that the dataset supports load forecasting, renewable energy forecasting, grid flexibility analysis, feature engineering research, and climate-driven demand modeling across diverse U.S. regional grid conditions."
DOI: 10.25549/dunitz-c15-1354
title: Jesus, Boyle Heights, [s.d.]

description: Jesus, [s.d.], 1104 Spence Street (mural on fence on Beswick Street), by Hex (Hector Rios). Aerosol. Wild-style writing and figure of Jesus. -- Dunitz, Street gallery, p. 320, # 80.
DOI: 10.25549/dunitz-c15-1355
title: Jesus, Boyle Heights, [s.d.]

description: Jesus, [s.d.], 1104 Spence Street (mural on fence on Beswick Street), by Hex (Hector Rios). Aerosol. Wild-style writing and figure of Jesus. -- Dunitz, Street gallery, p. 320, # 80.
DOI: 10.25549/dunitz-c15-1358
title: Mujer del Este de Los Angeles (Lady of the Eastside), Boyle Heights, 1989

description: Mujer del Este de Los Angeles (Lady of the Eastside), Boyle Heights, 1989. 418 South Pecan Street (near 4th Street exit off the 5 Freeway), [Boyle Heights]. The title was inspired by Our Lady Queen of the Angels, the saint after whom the city of Los Angeles was named. The image is an idealistic one, expressing a desire for world harmony by portraying a Latina with the flags of more that 100 countries draped around her. The Mexican flag is over her heart, with that of the United States directly below. Acrylic, 23' x 11', by George Yepes, assisted by Frederick Amador, Edgar Castaneda, Mark A. Callindo, Andy Ortega. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 308, #56.
DOI: 10.25549/dunitz-c15-1363
title: Combined forces, Lincoln Heights, 1990

description: Combined forces, Lincoln Heights, 1990. 2000 Eastlake Avenue, mural on Darwin Avenue), Lincoln Heights. The complex themes of family , technological progress, and environmental concerns are addressed in this painting. Botello portrays his ambivalence toward technology through a dangerous network of pipes, which are shown expanding beyond the sites of medical miracles and urban development to encroach upon nature. The volcanic eruption suggests that Mother Nature may get the last word. Acrylic, 40' x 18', by Paul Botello, assisted by Delia de la Rosa, Angela Cardenas, Paula Gutierrez, Ricardo Munoz. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 309, #63.
DOI: 10.25549/dunitz-c15-746
title: Farm/ranch mural inside the swim gym at Beverly Hills High School, Beverly Hills, 1938

description: Farm/ranch mural inside the swim gym at Beverly Hills High School, 1938, by Scotti -- Dunitz, Street gallery, rev. 2nd ed., p.173, #4
DOI: 10.25549/dunitz-c15-748
title: History of mathematics, UCLA Math Sciences Buidling, Los Angeles,1968

description: History of mathematics, 1968, by Joseph Young. UCLA Math Sciences Building, exterior Lecture hall 4000. Byzantine and marble mosaic. The mosaic is integrated into 16 precast concrete bas-reliefs along three walls -- Dunitz, Street gallery, rev. 2nd ed., p.176, #15