cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10270435
title: ROI032-004-02

description: Matanzas Point collected in Madison County, Indiana.

Catalog #: 12-M-266-43

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI032-004-02, 3D Model .ply file. Recovered as part of Report of Investigations 32, *A Reconnaissance Level Survey of the Valley Corridor of the Upper West Fork of the White River in Madison County, Indiana*, Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270438
title: Invader2

description: >

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270439
title: Invader2

description: >

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270440
title: XPM-104 Hafted knife, Sapsuk River, Alaska

description: Hafted knife recovered from Excavation 3, at XPM-104. Hafted tools become common elsewhere on the Alaska Peninsula after 600 B.C. Unit 3, Level 6 catalog number 208. XPM-104-E3-U3-L6

Sapsuk River, Nelson Lagoon area, Alaska Peninsula, Alaska. Several salmon fishing sites. Early period dating 3200-2100 BCE, and a later occupation 100 BCE to 500 CE. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270441
title: XPM-104 Hafted knife, Sapsuk River, Alaska

description: Hafted knife recovered from Excavation 3, at XPM-104. Hafted tools become common elsewhere on the Alaska Peninsula after 600 B.C. Unit 3, Level 6 catalog number 208. XPM-104-E3-U3-L6

Sapsuk River, Nelson Lagoon area, Alaska Peninsula, Alaska. Several salmon fishing sites. Early period dating 3200-2100 BCE, and a later occupation 100 BCE to 500 CE. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270442
title: Crossbow Bolt (tip of the arrow)

description: Crossbow Bolt (specimen #096-725). The Berry Site (31BK22). Burke County, North Carolina. Excavated in the fall of 2017 by 6th graders from Carolina Day School participating in a visit to the site sponsored by the Exploring Joara Foundation. Unit: N804E200, level: Plowzone 1. Weight: 16.5 g. Material: Iron

Remarks:
This iron artifact is a crossbow bolt that was left behind by a member of Juan Pardo's troops. It was found inside the area of Fort San Juan and is the first crossbow bolt found at the Berry site. Several crossbow bolt have been recovered at the contemporary Santa Elena site at Parris Island, SC, inside Fort San Felipe. For more information (including several photos and figures) see Spanish Artifacts from Santa Elena (1988) by Stanley South, Russell K. Skowronek, and
Richard E. Johnson, pages 103-108.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270443
title: Crossbow Bolt (tip of the arrow)

description: Crossbow Bolt (specimen #096-725). The Berry Site (31BK22). Burke County, North Carolina. Excavated in the fall of 2017 by 6th graders from Carolina Day School participating in a visit to the site sponsored by the Exploring Joara Foundation. Unit: N804E200, level: Plowzone 1. Weight: 16.5 g. Material: Iron

Remarks:
This iron artifact is a crossbow bolt that was left behind by a member of Juan Pardo's troops. It was found inside the area of Fort San Juan and is the first crossbow bolt found at the Berry site. Several crossbow bolt have been recovered at the contemporary Santa Elena site at Parris Island, SC, inside Fort San Felipe. For more information (including several photos and figures) see Spanish Artifacts from Santa Elena (1988) by Stanley South, Russell K. Skowronek, and
Richard E. Johnson, pages 103-108.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270444
title: Insular work from the viking age.

description: Insular work from the viking age.
Museums number: S14171
Found in Jåttå - Stavanger, Rogaland. Norway.
Made from copper, glass and gold.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270445
title: Insular work from the viking age.

description: Insular work from the viking age.
Museums number: S14171
Found in Jåttå - Stavanger, Rogaland. Norway.
Made from copper, glass and gold.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270446
title: Кувшин (музей археологии МГУ)

description: Кувшин (музей археологии МГУ)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270447
title: Кувшин (музей археологии МГУ)

description: Кувшин (музей археологии МГУ)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270449
title: Yumuktepe Mersin

description: PanoramicWEB tarafından hazırlanmıştır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270448
title: Yumuktepe Mersin

description: PanoramicWEB tarafından hazırlanmıştır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270455
title: Monmouth Victorian air brick

description: This is a 3D scan of a late Victorian air brick in the walls of St Mary's Priory Church in Monmouth, South Wales. It's one of many in the walls, which appear to be carved from a soft stone that has suffered quite a lot over the years. While the scanned air brick was also quite eroded, it was chosen as one that had suffered the least and so can be considered more representative of the original design.

If you like this model please read more about it on the blog page below:

http://parth3d.co.uk/monmouth-victorian-air-brick

Please note that this model is provided without any license for commercial use. It is intended simply as a historical model you can have the fun of printing yourself. And of course it is intended to be a motivation for you to visit Monmouth yourself.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270454
title: Monmouth Victorian air brick

description: This is a 3D scan of a late Victorian air brick in the walls of St Mary's Priory Church in Monmouth, South Wales. It's one of many in the walls, which appear to be carved from a soft stone that has suffered quite a lot over the years. While the scanned air brick was also quite eroded, it was chosen as one that had suffered the least and so can be considered more representative of the original design.

If you like this model please read more about it on the blog page below:

http://parth3d.co.uk/monmouth-victorian-air-brick

Please note that this model is provided without any license for commercial use. It is intended simply as a historical model you can have the fun of printing yourself. And of course it is intended to be a motivation for you to visit Monmouth yourself.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270460
title: The Fall of the Roman Empire

description: This is a part of the project called "The Fall of the Roman Empire" made in Maya 2020.
Textures made in Substance Painter.
Rendered in Arnold.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270461
title: The Fall of the Roman Empire

description: This is a part of the project called "The Fall of the Roman Empire" made in Maya 2020.
Textures made in Substance Painter.
Rendered in Arnold.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270464
title: Rotherhithe Picture Library Knee 26

description: A ship's knee timber reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270465
title: Rotherhithe Picture Library Knee 26

description: A ship's knee timber reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270466
title: Ernst Albert Fabarius

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270467
title: Ernst Albert Fabarius

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270468
title: Charles C. Imus Tombstone

description: Charles C. Imus came to California from Illinois in 1846 as the co-leader of a small group of pioneers. One of the members of the party was Adna Hecox, Santa Cruz Lighthouse's first lightkeeper. For a portion of their journey the group traveled with the doomed Donner Party.
Mr. Imus was the son of Hiram A. Imus Sr. (not the Hiram on the Imus obelisk https://sketchfab.com/models/56db612f25c241688e4dc810ba9580bd) and his wife Ruth. He died May 13, 1856. It seems rather strange that there is a rectangle carved between May and 1856, particularly since it is not centered and seems too short to have been a blank for the day. The stone is marked as being from Excelsior Marble Works, San Jose (http://quarriesandbeyond.org/states/ca/ca-stone_carvers/e-5_excelsior_marble_works.html).
For more on Charles and family see:
http://researchforum.santacruzmah.org/viewtopic.php?p=603&sid=29baaf21ed266e38aba184612224eee5 and
http://wc.rootsweb.ancestry.com/cgi-bin/igm.cgi?op=GET&db=rdwyer&id=I32

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270469
title: Charles C. Imus Tombstone

description: Charles C. Imus came to California from Illinois in 1846 as the co-leader of a small group of pioneers. One of the members of the party was Adna Hecox, Santa Cruz Lighthouse's first lightkeeper. For a portion of their journey the group traveled with the doomed Donner Party.
Mr. Imus was the son of Hiram A. Imus Sr. (not the Hiram on the Imus obelisk https://sketchfab.com/models/56db612f25c241688e4dc810ba9580bd) and his wife Ruth. He died May 13, 1856. It seems rather strange that there is a rectangle carved between May and 1856, particularly since it is not centered and seems too short to have been a blank for the day. The stone is marked as being from Excelsior Marble Works, San Jose (http://quarriesandbeyond.org/states/ca/ca-stone_carvers/e-5_excelsior_marble_works.html).
For more on Charles and family see:
http://researchforum.santacruzmah.org/viewtopic.php?p=603&sid=29baaf21ed266e38aba184612224eee5 and
http://wc.rootsweb.ancestry.com/cgi-bin/igm.cgi?op=GET&db=rdwyer&id=I32

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270470
title: Australian Park Bench 2

description: I tried another bench scanning, this time using Apple's Object Capture API photogrammetry. Around 50 photos. There are a newer design of the bench, but this classic one is my fave.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270471
title: Australian Park Bench 2

description: I tried another bench scanning, this time using Apple's Object Capture API photogrammetry. Around 50 photos. There are a newer design of the bench, but this classic one is my fave.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270474
title: George Melamphy - Ventry 11

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270475
title: George Melamphy - Ventry 11

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270478
title: 5 Heritage Building.fbx

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270479
title: 5 Heritage Building.fbx

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270480
title: Muñecas (Cusco) - Maximiliana Palomino

description: Elaborado con papel, madera y tela.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270481
title: Muñecas (Cusco) - Maximiliana Palomino

description: Elaborado con papel, madera y tela.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270486
title: Botella - RN 13663

description: Material: Cerámica

Cultura/Estilo: No detemrinado

Datación: No determinado

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270487
title: Botella - RN 13663

description: Material: Cerámica

Cultura/Estilo: No detemrinado

Datación: No determinado

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270490
title: Flamboro - Watch Tower

description: The chalk tower near Flamborough Head. Built in 1669, this is the oldest surviving complete lighthouse in England

https://en.wikipedia.org/wiki/Flamborough_Head#/media/File:Chalk_Tower_Flamborough_Head_058031.jpg

This was a frustrating capture as I could not gain access all the way around the tower for a complete model as it was located in the grounds of a private golf course .. had not make do with a few meagre shots from the road :-(

11 photos raken with Sony RX100 M3 (4k Raw)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270491
title: Flamboro - Watch Tower

description: The chalk tower near Flamborough Head. Built in 1669, this is the oldest surviving complete lighthouse in England

https://en.wikipedia.org/wiki/Flamborough_Head#/media/File:Chalk_Tower_Flamborough_Head_058031.jpg

This was a frustrating capture as I could not gain access all the way around the tower for a complete model as it was located in the grounds of a private golf course .. had not make do with a few meagre shots from the road :-(

11 photos raken with Sony RX100 M3 (4k Raw)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270498
title: Hopi Girl

description: Oeuvre monumentale d'environ 3.20 m de hauteur, en pierre calcaire de Crazannes taillée par Eric Stambirc. ***Les Hopis (contraction de Hopitu-shihumu, « le peuple de la paix » en français) font partie du groupe amérindiens des pueblos d'Amérique du Nord, voisins des Apaches, des Navajos, des Papagos et des Zunis. Les Hopis vivent dans le nord-est de l'Arizona. La société Hopi est exogame. La descendance familiale est matrilinéaire et la demeure matrilocale. Les terres cultivables et les habitations appartiennent aux femmes. Ce sont des pacifistes et leur société est gérée par les femmes. Quoi de plus inspirant en ces périodes de troubles où l'on parle de parité. "Hopi girl", cette jeune fille avec sa coiffure très élaborée qui signifie qu'elle est à marier. Sur son vêtement on retrouvera les motifs de sa culture et elle sera parée des bijoux traditionnels.
*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270499
title: Hopi Girl

description: Oeuvre monumentale d'environ 3.20 m de hauteur, en pierre calcaire de Crazannes taillée par Eric Stambirc. ***Les Hopis (contraction de Hopitu-shihumu, « le peuple de la paix » en français) font partie du groupe amérindiens des pueblos d'Amérique du Nord, voisins des Apaches, des Navajos, des Papagos et des Zunis. Les Hopis vivent dans le nord-est de l'Arizona. La société Hopi est exogame. La descendance familiale est matrilinéaire et la demeure matrilocale. Les terres cultivables et les habitations appartiennent aux femmes. Ce sont des pacifistes et leur société est gérée par les femmes. Quoi de plus inspirant en ces périodes de troubles où l'on parle de parité. "Hopi girl", cette jeune fille avec sa coiffure très élaborée qui signifie qu'elle est à marier. Sur son vêtement on retrouvera les motifs de sa culture et elle sera parée des bijoux traditionnels.
*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270504
title: Powder by Houbigant

description: ID no.: FZRS/76

Museum: Collection of the Sosenko Family Foundation 

https://muzea.malopolska.pl/en/objects-list/1687

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270505
title: Powder by Houbigant

description: ID no.: FZRS/76

Museum: Collection of the Sosenko Family Foundation 

https://muzea.malopolska.pl/en/objects-list/1687

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270510
title: Female Deity | NCMA Explore

description: The Veracruz culture is named for the modern Gulf Coast region of Mexico, where remains of this ancient civilization have been excavated.

[https://learn.ncartmuseum.org/artwork/standing-female-deity-or-deity-impersonator/](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270511
title: Female Deity | NCMA Explore

description: The Veracruz culture is named for the modern Gulf Coast region of Mexico, where remains of this ancient civilization have been excavated.

[https://learn.ncartmuseum.org/artwork/standing-female-deity-or-deity-impersonator/](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270517
title: Horse statuette

description: **Baking, remeshing and automatizing tests**

![Imgur](https://i.imgur.com/qIjlKSB.jpg)

Original HR object: ["Flying Horse of Kansu"](https://skfb.ly/6xzoA) captured with RealityCapture by [David Antalek](https://sketchfab.com/David.Antalek).

The material used is a mix of the original vertex color, "augmented" with a simple bronze patina PBR material. The final mesh is a decimated version of the original one (created with [mmgs](https://www.mmgtools.org/)), reducing the polycount from 2M to ~40k.

The low resolution mesh has then been manually unwrapped to maximize the texture size while minimizing shading artifacts.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270523
title: Howff_Pi-COLMAP-Agisoft test02 (5k images)

description: description forthcoming

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270516
title: Horse statuette

description: **Baking, remeshing and automatizing tests**

![Imgur](https://i.imgur.com/qIjlKSB.jpg)

Original HR object: ["Flying Horse of Kansu"](https://skfb.ly/6xzoA) captured with RealityCapture by [David Antalek](https://sketchfab.com/David.Antalek).

The material used is a mix of the original vertex color, "augmented" with a simple bronze patina PBR material. The final mesh is a decimated version of the original one (created with [mmgs](https://www.mmgtools.org/)), reducing the polycount from 2M to ~40k.

The low resolution mesh has then been manually unwrapped to maximize the texture size while minimizing shading artifacts.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270529
title: Tungsram frosted lightbulb with switch

description: The lightbulb has replaced candles, kerosene lamps and gas lamps, which were once the main sources of light in households and public places. It also contributed to the popularisation of electricity. Every lightbulb has a base connected to a source of electricity, a glass bulb, which sometimes, as is the case in the presented example, also fulfils the function of diffuser of light, and a filament that glows as electricity passes through it. 
In some cases, lightbulbs have their own switch incorporated. 
A tungsten filament was used in a lightbulb for the first time by Aleksander Nikolayevich Lodygin in 1890. The choice of tungsten as a material was determined by the most important physical characteristic of this element, i.e., its high melting point (at 3422 °C). 
The item presented here was made at the Tungsram factory, which made light bulbs and electron lamps. 

Manufacturer: Tungsram, 1930-1940

Inv. No.: MIM1890/IV-101

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270522
title: Howff_Pi-COLMAP-Agisoft test02 (5k images)

description: description forthcoming

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270528
title: Tungsram frosted lightbulb with switch

description: The lightbulb has replaced candles, kerosene lamps and gas lamps, which were once the main sources of light in households and public places. It also contributed to the popularisation of electricity. Every lightbulb has a base connected to a source of electricity, a glass bulb, which sometimes, as is the case in the presented example, also fulfils the function of diffuser of light, and a filament that glows as electricity passes through it. 
In some cases, lightbulbs have their own switch incorporated. 
A tungsten filament was used in a lightbulb for the first time by Aleksander Nikolayevich Lodygin in 1890. The choice of tungsten as a material was determined by the most important physical characteristic of this element, i.e., its high melting point (at 3422 °C). 
The item presented here was made at the Tungsram factory, which made light bulbs and electron lamps. 

Manufacturer: Tungsram, 1930-1940

Inv. No.: MIM1890/IV-101

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270532
title: Mt Wellington 1940

description: Mt Wellington / Maungarei - volcanic cone and Maori hillfort. Auckland, New Zealand. Aerial photos from retrolens.nz . 
My 3D asset generated with photogrammetry software 3DF Zephyr v4.353 processing 6 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270533
title: Mt Wellington 1940

description: Mt Wellington / Maungarei - volcanic cone and Maori hillfort. Auckland, New Zealand. Aerial photos from retrolens.nz . 
My 3D asset generated with photogrammetry software 3DF Zephyr v4.353 processing 6 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270537
title: Sappho Books Cafe

description: 📍 [Broadway, Glebe, NSW](https://scaniver.se/L-33.88337,151.19151)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270536
title: Sappho Books Cafe

description: 📍 [Broadway, Glebe, NSW](https://scaniver.se/L-33.88337,151.19151)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270542
title: Trilobite Hamatolenus (Myopsolenus) sp.

description: Made using reality capture this is a triobite. about 400 photos went into the making of this and its a neat little fossil.
Scan By
austinbeaulier.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270543
title: Trilobite Hamatolenus (Myopsolenus) sp.

description: Made using reality capture this is a triobite. about 400 photos went into the making of this and its a neat little fossil.
Scan By
austinbeaulier.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270548
title: Martín de Japón

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10270549
title: Martín de Japón

description: Source: Objaverse 1.0 / Sketchfab