cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18343
title: The painting "Oriental Flower Girl" by Nathaldi Siehel, depicting a western woman in Japanese robes with a plate of flowers, [s.d.]

description: Photograph of the painting "Oriental Flower Girl" by Nathaldi Siehel, depicting a western woman in Japanese robes with a basket of flowers, [s.d.]. The woman stands at center, her legs bound closely together by the skirt of the robe, which is decorated with a floral pattern. Long, billowing sleeves drape down to the mid-forearm at each side, where the left arm is held at the hip and the right hand holds the edge of a metal plate on which flowers have been placed. To the left, a small table supports a cloisonne vase. Below, a few blossoms from the plate have fallen onto the patterned rug which covers the floor. The womans hair is dark, curly and cut short. Hoop earrings hang from her ears. Her eye makeup is heavy.
DOI: 10.25549/chs-m18342
title: The painting "Shiek's Daughter" by Nathaldi Siehel, depicting an arabasque woman holding a lute, [s.d.]

description: Photograph of the painting "Shiek's Daughter" by Nathaldi Siehel, depicting an arabasque woman holding a lute, [s.d.]. The woman stands at center, apparently dressed in Japanese-style robes, her legs bound close together by the skirt, on which a floral pattern can be seen. She rests a lute-like string instrument between her left hip and the corresponding hand, while she holds her other arm up and back, free of the instrument, as if in presentation. Her hair is dark and thick, and drapes backwards off her shoulders. Her eye makeup is heavy and dark, similar to her lips. Her complexion is slightly tan. An urn sits just to the left, while flower blossoms can be seen on the ground over a patterned rug. Other objects are indistinctly suggested in the background.
DOI: 10.25549/chs-m18334
title: The painting "Pride of the Ghetto" by Nathaldi Siehel, depicting a young gypsy woman against a wall, [s.d.]

description: Photograph of the painting "Pride of the Ghetto" by Nathaldi Siehel, depicting a young gypsy woman against a wall, [s.d.]. The young girl stands at center, her hands clasped in front of her, holding up a bunch of slack from her skirt. The sleeves of her lightly-colored blouse billow down around her elbows. Her hair is dark and thick, her large, almond-shaped eyes peering out directly at the viewer from under the bangs. Hoop earrings can be seen dangling from her ears.
DOI: 10.25549/chs-m18250
title: The painting "Psyche Before Nature's Mirror" by Thurman, depicting a nymph by the lakeside, [s.d.]

description: Photograph of the painting "Psyche Before Nature's Mirror" by Thurman, depicting a nymph by the lakeside, [s.d.]. A fairy in the form of a bare-chested young girl crouches by the lakeside, wearing a diaphanous skirt. Her hair is pulled back into a bun. She leans out to peer at her reflection in the lake, but none is shown. The darkness of the forest fills the background, just behind a patch of meadow grass.
DOI: 10.25549/chs-m18330
title: The painting "Flower Girl" by Kisel, depicting a woman with a jug of flowers, [s.d.]

description: Photograph of the painting "Flower Girl" by Kisel, depicting a woman with a jug of flowers, [s.d.]. The woman stands in what appears to be a Roman garden, a portion of column visible behind her. Shown from the thighs up, she wears a toga with a floral pattern on it. In the crook of her left arm, she holds an urn of flowers while she dallies at a blossom on her head with the other arm.
DOI: 10.25549/chs-m18331
title: The painting "Fair Musician" by Le Roux, depicting a woman with a lute, [s.d.]

description: Photograph of the painting "Fair Musician" by Le Roux, depicting a woman with a lute, [s.d.]. The woman is shown at center in a toga and bead necklace that seems to allude to the 'flapper' style of the 1920's. Her left leg is raised, and she rests the body of the lute on her thigh and her free hand on her hip. Her hair is dark and blends in with the background, while her eyes are so heavily shadowed that her pupils cannot be seen. She smiles.
DOI: 10.25549/chs-m14122
title: Cathedral Spires in Yosemite National Park, ca.1900

description: Photograph of Cathedral Spires in Yosemite National Park, ca.1900. The two rocky formations, at 2,678 feet high, resemble the spires of a cathedral and tower above the forest below.
DOI: 10.25549/chs-m18286
title: The painting "Diana Resting After Bath" by Boucher, depicting two nudes in the wilderness, [s.d.]

description: Photograph of the painting "Diana Resting After Bath" by Boucher, depicting two nudes in the wilderness, [s.d.]. Two women sit and rest among their discarded clothes at the center of the image, the leftmost woman on the ground, while the woman farther right appears to be sitting on a bench or rock of some kind, which is covered by the clothes. In the lower lefthand corner, a quiver of arrows can be seen, and to the right, what appear to be a pair of killed pheasant or other game birds. The forest fills the rest of the image.
DOI: 10.25549/chs-m18341
title: The painting "Lady With Fan" by Faivre, depicting a seated woman wearing an enormous periwig, [s.d.]

description: Photograph of the painting "Lady With Fan" by Faivre, depicting a seated woman wearing an enormous periwig, [s.d.]. The woman is shown from the side, seated in a padded chair with a wooden frame. She wears a florally patterned dress that bares her shoulders. She holds a collapsed fan just centimeters to her lips. On top of her head, a gigantic wig nearly twice the size of her head is twisted up into an ornate shape; a long braid hangs down from the side of it. In the background, the wall is painted with the scene of a naval sailing vessel approaching a castle.
DOI: 10.25549/chs-m18381
title: The painting "He Loves Me, He Loves Me Not" by Melinda, depicting a woman plucking petals off a daisy, [s.d.]

description: Photograph of the painting "He Loves Me, He Loves Me Not" by Melinda, depicting a woman plucking petals off a daisy, [s.d.]. A woman in a brocade corset top and what appears to be satin skirts walks through the meadow pulling at a daisy, her head bowed down to her task. Her hair is pulled back and bound by a ribbon. In the background, a flock of ducks can be seen in the grass.
DOI: 10.25549/chs-m18239
title: "Portrait of Madame Recamier (or Mademoiselle Recamier)", by Jacques-Louis David, [s.d.]

description: Photograph of the painting "Portrait of Madame Recamier (or Mademoiselle Racamier)" by Jacques-Louis David, [s.d.]. Madame Recamier is pictured lounging across a day bed at center in a long, sleek dress. She rests her right arm across the length of her thigh, with her palm upturned. Her hair is curly and held off her face by a wide cloth band. Her feet are bare. To the far left, what appears to be a tall oil lamp is visible.
DOI: 10.25549/chs-m18329
title: The painting "The Sorceress" by Horowitz, depicting a woman gesturing over a cauldron, [s.d.]

description: Photograph of the painting "The Sorceress" by Horowitz, depicting a woman gesturing over a cauldron, [s.d.]. The woman stands behind the small cauldron at center, her dress hanging down around her waist, exposing her chest. Vapor rises from the pot, and the position of her right hand next to her face suggests that she is wafting it towards her. The other arm is outstretched by her side. Behind her, a collection of rocks appear to form a riverbed, the water running off into the distance.
DOI: 10.25549/chs-m18295
title: The painting "Eva" by Cabine, depicting a little girl sitting solemnly on a chair, [s.d.]

description: Photograph of the painting "Eva" by Cabine, depicting a little girl sitting solemnly on a chair, [s.d.]. The chair is turned so that it faces slightly way from the viewer, while the young girl twists her body back around to face the viewer, her arm resting over the back of the chair. Her hair is lightly-colored, her dress short-sleeved and plush. The background is neutral. Painted 1904.
DOI: 10.25549/chs-m18261
title: The painting "Queen Louise" by Lebrun, depicting a young girl in fancy dress, [s.d.]

description: Photograph of the painting "Queen Louise" by Lebrun, depicting a young girl in fancy dress, [s.d.]. The girl is pictured in an oval frame, her body turned in profile while her head faces the viewer. Her hair is dark and curly and is bound up above her brow by a tiara from which diaphanous cloth drapes in back. The short sleeves of her dress appear to be made from the same translucent material, with a filigree pattern at the hem. She wears a string of pearls around her neck. Picture file card lists the artist as "Elizabeth Labrun", while the signature on the portrait reads "Vigie -- le Brun". Painted 1802.
DOI: 10.25549/chs-m3396
title: View of commercial buildings along Hollywood Boulevard looking west, ca.1912

description: Photograph of a view of commercial buildings along Hollywood Boulevard looking west, ca.1912. A row of long, adjacent one-story commercial buildings is pictured back off the unpaved road that cuts across the frame from left to right. Along the sidewalk, four early automobiles have been parked. At the center of the shops, "Overland Automobiles" is pictued, to the left of which is "Nixon Motor Car Co." and "F.C. Howland O.L. Doolittle". To the right, a tarp sign on the front of the commercial shop reads "[...] Tailoring. The better kind. Open in a few days". Street car rails can be seen embedded in the road close to the sidewalk. Utility poles line the street. In the background, a Catholic church can be seen beyond the shops.; Other legible signs from left to right include: "Air Free", "For Rent" and "Tobacco Guy's Ba[...]".
DOI: 10.25549/chs-m18327
title: The painting "The sea hath its pearls" by William Henry Margetson, 1897, depicting a woman collecting shells on the beach, [s.d.]

description: The painting "The sea hath its pearls" by William Henry Margetson, 1897, depicting a woman collecting shells on the beach, [s.d.]. The woman is shown in a circular frame, wearing a toga with a floral pattern at the hem. She is bent slightly at the waist, clutching her toga to her chest and examining the shell in her hand. The sea water laps at her sandaled feet and fills the rest of the background.
DOI: 10.25549/chs-m14713
title: Calcas Column (balanced rock) near Oregon City, Oregon, ca.1900-1930

description: Photograph of Calcas Column (balanced rock) near Oregon City, Oregon, ca.1900-1930. The large part of the rock seems to balance on a thin column below it. A small plant grows from the dark mineral at top. A clear lake lies below reflecting the forest of evergreen trees across the background.
DOI: 10.25549/chs-m18326
title: The painting "Winter" by V. Tojetti, depicting a cloaked child in the crotch of a tree, [s.d.]

description: Photograph of the painting "Winter" by V. Tojetti, depicting a cloaked child in the crotch of a tree, [s.d.]. A young girl is pictured at center, sitting up in a tree, her body wrapped in billowing cloth. Some of her dark hair escapes to the right, blowing in the breeze towards the five songbirds that sit on a nearby branch.
DOI: 10.25549/chs-m18372
title: The painting "Autumn" by Tojetti, depicting a young woman in a tree draped in cloth, [s.d.]

description: Photograph of the painting "Autumn" by Tojetti, depicting a young woman in a tree draped in cloth, [s.d.]. The woman leans along the thin trunk of the tree, gripping the branch above her. A length of cloth spirals around her body, blowing in the breeze. To the left, a collection of songbirds can be seen flying away from their nest.
DOI: 10.25549/chs-m18371
title: The painting "Summer" by Tojetti, depicting a pre-adolescent girl draped along a tree trunk, [s.d.]

description: Photograph of the painting "Summer" by Tojetti, depicting a pre-adolescent girl draped along a tree trunk, [s.d.]. The young girl holds the branch above her with both arms, laying across the thin trunk of the tree. She wears a thin dress, and to the left several songbirds can be seen tending to their nest.
DOI: 10.25549/chs-m13670
title: Portrait of Sir Galahad, [s.d.]

description: Photograph of a portrait of Sir Galahad, [s.d.]. A young man dressed in full armor carries his helmet on his back, and faces the left, with a white horse next to him. A woodland scene is depicted all around.
DOI: 10.25549/chs-m18373
title: The painting "Blossoms" by Morre, depicting a woman draped in cloth, [s.d.]

description: Photograph of the painting "Blossoms" by Morre, depicting a woman draped in cloth, [s.d.]. The woman stands in full figure at center, wrapped in a lightly-colored sheet. She crosses both of her arms across her chest, holding the hands behind her right ear. Her flaxen hair seems to be bound back with a darkly-colored bonnet of some kind. She is barefoot. A wall of flowers can be seen behind her.
DOI: 10.25549/chs-m18374
title: The painting "Study for the Mask of Cupid" by Burne-Jones, depicting three faces, [s.d.]

description: Photograph of the painting "Study for the Mask of Cupid" by Burne-Jones, depicting three faces, [s.d.]. Three disembodied heads are shown: the leftmost is shown in profile, grinning, the center is inclined at three-quarters profile and bears a neutral expression, and the third appears to be contorted in rage. All three have billowing, unkempt hair. To the left, the latin "Crudelitas" is inscribed and to the far right, "Saevitia".
DOI: 10.25549/chs-m18348
title: The painting "Night" by Hans Zatzka, depicting cherubs and a woman by the lakeside, [s.d.]

description: Photograph of the painting "Night" by Hans Zatzka, depicting cherubs and a woman by the lakeside, [s.d.]. The woman stands at center, shown in full figure, her diaphanous dress swirling around her. To the right, two cupids glide by the foliage at the lake's edge toward a third, which sleeps on a rock in the left foreground. Above, a bat can be seen flying, the moon visible just to the left of it with lake visible beneath. Daubs of light near the cherubs suggest fireflies or embers.
DOI: 10.25549/chs-m14714
title: Yosemite Valley from Inspiration Point, Yosemite National Park, ca.1850-1930

description: Photograph of Yosemite Valley from Inspiration Point, Yosemite National Park, ca.1850-1930. Woman in foreground is looking away from camera.
DOI: 10.25549/chs-m18347
title: The painting "Morning" by Hans Zatzka, depicting a woman and cherubs delighting in a meadow, [s.d.]

description: Photograph of the painting "Morning" by Hans Zatzka, depicting a woman and cherubs delighting in a meadow, [s.d.]. The woman is shown in full figure at center, dressed in a billowing diaphanous dress. Above her to the right, a cherub holds up a bit of the material, while birds also hover around her. At the bottom of the image, two other cupids can be seen by what appears to be the edge of a pond, the leftmost cherub drinking from the blossom of a lily. The sun can be seen rising behind the clouds in the distance.
DOI: 10.25549/chs-m21213
title: Five Pima Indians resting near Phoenix, Arizona [s.d.]

description: Photograph of five Pima Indians resting near Phoenix, Arizona, [s.d.]. Five old men can be seen sitting side by side on the ground. They are all wearing a combination of vests, long sleeved shirts, jackets, pants, and hats. Two men are barefoot, while one man wears a bandana around his head. Two of the men are smiling. Desert can be seen in the background. Photoprint reads: "Photographed for the first time".
DOI: 10.25549/chs-m18375
title: The painting "Hope" by Watts, depicting a blindfolded minstrel seated on a hemisphere, [s.d.]

description: Photograph of the painting "Hope" by Watts, depicting a blindfolded minstrel seated on a hemisphere, [s.d.]. The minstrel is wrapped in a cloth robe that bunches and wrinkles around his limbs, while he bends deeply to put his ear near the body of his lute, which he holds to the right, plucking. Below him, a half-globe supports his weight, appearing to rise from a liquid of some kind. The background is neutral.
DOI: 10.25549/chs-m18452
title: The painting "Innocence" by Nicolas Lancret, depicting two young women being seranaded by a minstrel, [s.d.]

description: Photograph of "Innocence" a painting by Nicolas Lancret, depicting two young women being seranaded by a minstrel, [s.d.]. The scene is framed by a circular edge, with the minstrel standing and playing lute near to center. Farther left, the two women relax on the ground, clothed in gowns that appear to be made of satin, a square column visible behind them. In the right distance, the woods are visible after a small clearing.
DOI: 10.25549/chs-m18346
title: The painting "An Evening Song" by Max Ring, depicting a woman reading sheet music in a meadow, [s.d.]

description: Photograph of the painting "An Evening Song" by Max Ring, depicting a woman reading sheet music in a meadow, [s.d.]. The woman is shown in full figure at center, dressed in what appears to be a bridal gown. She tilts her head back and rolls her eyes to the sky, while holding a sheaf of sheet music in her hands, as well as a violin, which she carries by the neck. In the background, a clearing is visible, moving back towards thicker forest.
DOI: 10.25549/chs-m18249
title: The painting "Slave Market" by Girand, depicting naked women being presented to an emperor, [s.d.]

description: Photograph of the painting "Slave Market" by Girand, depicting naked women being presented to an emperor, [s.d.]. The disinterested emperor sits to the right, while an eager slave-trader holds forth a reluctant woman from the group at the far left, gesturing at her with a pointed finger. Two dogs lay behind the emperor's seat, while other men dally in the background. Among the other slaves to the left, a baby and a young boy can be seen. Mountains and classical Greek buildings can be seen in the distance. A previous record titles this painting "A New Slave in Harlem" and credits it to Eugene Giraud.
DOI: 10.25549/chs-m18454
title: The painting "The Sylvan Fete" by Faber, depicting young men and women dallying in the forest, [s.d.]

description: Photograph of "The Sylvan Fete" a painting by Faber, depicting young men and women dallying in the forest, [s.d.]. Two women sit on the grass in the foreground, gossiping, one of them holding an open book. Behind them, a minstrel seranades them with his lute. Farther left, a young man in a ruffed collar feels the forehead of another, while still farther left, a much younger girl can be seen bunching up a fold of cloth in her arms. Directly at center, behind all the others, a flaxen-haired girl examines the blossoms on a bush. The forest can be seen in the background, along with a few houses in the left distance.
DOI: 10.25549/chs-m18380
title: The painting "Pastorale" by an unknown artist, depicting a shepherd and a young maid resting in the forest, [s.d.]

description: Photograph of the painting "Pastorale" by an unknown artist, depicting a shepherd and a young maid resting in the forest, [s.d.]. The young shepherd sits on a stone to the left, holding his staff and wagging his finger at the sleeping, bare-chested maid laying on the ground to the right, just in front of the sheep. Their belongings are strewn around the scene: a hat, a purse, another staff and a garland. The forest is visible to their left, while past a dip to the right, rolling hills can be seen through a clearing in the brush.
DOI: 10.25549/chs-m18344
title: The painting "Summer Moon" by an unknown artist, depicting two women sleeping on a marble bench, [s.d.]

description: Photograph of the painting "Summer Moon" by an unknown artist, depicting two women sleeping on a marble bench, [s.d.]. The two women recline against each other, dressed in romanesque gowns, their hands clasped together at center. Behind them, in a circular molding, a cluster of pomegranates are visible, with one of their blossoms fallen onto the floor beneath the women's bare feet. The woman to the left wears a dark robe. The woman to the right, a light one.
DOI: 10.25549/chs-m18392
title: The painting "Love's Baubles" by Shinn (?), depicting a procession following a boy with a platter of fruit, [s.d.]

description: Photograph of the painting "Love's Baubles" by Shinn (?), depicting a procession following a boy with a platter of fruit, [s.d.]. The young boy is bare-chested and can be seen at the left of the image, holding the fruit out in front of him. Behind him, a long line of women in Renaissance dress follow him, gathering dropped fruit and eating it. To the far right, a lone woman has dropped to her knees, eagerly eating a peach. To the left, a second lone woman can be seen standing in the distance. What appear to be cherry blossoms also litter the ground.
DOI: 10.25549/chs-m14715
title: Man in horse-drawn wagon driving through the "California" Big Tree in Mariposa Grove in Yosemite National Park, California, ca.1900

description: Photograph of a man in horse-drawn wagon driving through a large rectangular hole cut through the "California" Big Tree in Mariposa Grove in Yosemite National Park, California, ca.1900
DOI: 10.25549/chs-m18370
title: The painting "Joy of Life" by Middleton, depicting three naked women on the edge of the sea, [s.d.]

description: Photograph of the painting "Joy of Life" by Middleton, depicting three naked women on the edge of the sea, [s.d.]. All three women have their backs to the viewer, the center woman with her arms outstretched to the sea below. The other two are seated. The woman to her right appears to be playing a flute, while the one to the left simply lounges. Below, terns circle over the surf which breaks over an array of rocks.
DOI: 10.25549/chs-m18345
title: The painting "Forsaken" by Jozef Israels, depicting a woman staring out her window, [s.d.]

description: Photograph of the painting "Forsaken" by Jozef Israels, depicting a woman staring out her window, [s.d.]. The woman sits facing left, wrapped in a long coat and wearing a kerchief on her head. She rests her head in her hand, her right arm propped-up by a small table which sits beneath the window sill. The other hand rests on her thigh. The brushstrokes are rough, and vaguely impressionistic.
DOI: 10.25549/chs-m18379
title: The painting "La Fortuna" by Bandry, depicting a naked woman and child by the edge of a well, [s.d.]

description: Photograph of the painting "La Fortuna" by Bandry, depicting a naked woman and child by the edge of a well, [s.d.]. The woman sits on the well's edge at left, a length of linen draped over her leg. She reaches out and caresses the face of the young male child to the right, who clasps her wrist. A satin-like material is lain below him, also on the edge of the well. By the woman's feet, an object that appears to be either a spinning or roulette wheel can be seen. In the distance, sparse trees and mountains can be seen.
DOI: 10.25549/chs-m18248
title: The painting "Naiad" by Henrietta Rae showing an almost nude woman posing near a cascade, [s.d.]

description: Photograph of a the painting "Naiad" by Henrietta Rae, showing an almost nude woman posing near a cascade, [s.d.]. The woman is pictured seated on a rock at center, leaning over to the left to gaze out over the water. She grasps a nearby tree branch for support with her left arm, which is draped in a diaphanous material that also wraps around her legs. Lilypads can be seen in the water by her bare feet.
DOI: 10.25549/chs-m18279
title: The painting "Venus Anadyomene" by Bocklan, depicting a nude woman raised from the sea by cherubs, [s.d.]

description: Photograph of the painting "Venus Anadyomene" by Bocklan, depicting a nude woman raised from the sea by cherubs, [s.d.]. The woman is pictured in full figure at center, her dark hair cropped short to her head. Above, cupids pull on strands of seaweed to raise her from the sea, the centermost in the act of putting a garland on her head. Beneath the woman's feet, a hump and splashing tail are visible, suggesting a whale, although the eyes painted on what is visible of the head seem cartoonish and primate-like. A rocky island is visible along the horizon in the distance.; "Anadyomene is a name of Aphrodite when she was represented as rising from the sea. Aphrodite was the Greek goddess of love. The Romans called her Venus." -- unknown author.