cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367665
title: Stone Inkwell

description: Material: Stone. Accession no: DG 039. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). 

A [medieval](http://n2t.net/ark:/99152/p08m57h8zmq) stone container which is rectangular in shape with five carved-out circular hollows. It was possibly used as a [inkwell](http://vocab.getty.edu/page/aat/300196797).

[More](https://www.huntmuseum.com/explore/item/94b6ff6a-f5d9-3398-9d0b-0c0fd1d7e21d/?s%3Dinkwell&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367668
title: Scutum Shield - Dura Europos

description: https://artgallery.yale.edu/collections/objects/5959

Made by wrapping image around model in blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367669
title: Scutum Shield - Dura Europos

description: https://artgallery.yale.edu/collections/objects/5959

Made by wrapping image around model in blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367670
title: YPM ANT.135865

description: Catalog Number: YPM ANT.135865

Description: Spindle whorl

Materials:	ceramic

Function:	textiles weaving equipment

Culture Group:	Latin American : Mesoamerica : Aztec

Culture Period:	Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367671
title: YPM ANT.135865

description: Catalog Number: YPM ANT.135865

Description: Spindle whorl

Materials:	ceramic

Function:	textiles weaving equipment

Culture Group:	Latin American : Mesoamerica : Aztec

Culture Period:	Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367672
title: Pistol 19th century. Sweden

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Brass and wooden pistol. 19th century.

1800-tal. Av trä (valnöt?) med beslag av mässing. Perkussionslås. Stämplar "430", "70" på beslagen. I stocken inkarvat "12" ("2"?). Funnen omärkt i Högantorpmagasinet. 1931 togs den tillvara "ovan fönster i svale tillhörande färgeriets bostadshus"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367673
title: Pistol 19th century. Sweden

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Brass and wooden pistol. 19th century.

1800-tal. Av trä (valnöt?) med beslag av mässing. Perkussionslås. Stämplar "430", "70" på beslagen. I stocken inkarvat "12" ("2"?). Funnen omärkt i Högantorpmagasinet. 1931 togs den tillvara "ovan fönster i svale tillhörande färgeriets bostadshus"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367674
title: Wooden Knight Effigy (Southwark Cathedral)

description: From the Southwark Cathedrak website:


"In the North Choir Aisle, is a wooden effigy of a Knight. This is one of only 94 similar wooden effigies throughout Great Britain. The knight wears mail coat and coif dating him to around 1280. The carving is very similar to stone effigies of the same period.

The identity of the knight is unknown. He may be a member of the de Warenne family which had strong links with the church at this time."

http://cathedral.southwark.anglican.org/visit/area-3


Processed from 109 photos (taken with a Nikon D5300 and kit lens) on medium in Agisoft

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367675
title: Wooden Knight Effigy (Southwark Cathedral)

description: From the Southwark Cathedrak website:


"In the North Choir Aisle, is a wooden effigy of a Knight. This is one of only 94 similar wooden effigies throughout Great Britain. The knight wears mail coat and coif dating him to around 1280. The carving is very similar to stone effigies of the same period.

The identity of the knight is unknown. He may be a member of the de Warenne family which had strong links with the church at this time."

http://cathedral.southwark.anglican.org/visit/area-3


Processed from 109 photos (taken with a Nikon D5300 and kit lens) on medium in Agisoft

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367676
title: PORTRAIT BUST PERIKLES - BRITISH MUSUEM 2020

description: Marble portrait bust: Pericles wearing a helmet pushed back on his head. A Roman copy of an earlier Greek original. The name is inscribed in Greek.
CULTURE : ROMAN
PERIOD : 2nDC
DIMENSIONS : Height: 58.42 centimetres

**3D Model Update and Optimized 12 / 05 / 2020**

**Fixed : Optimized / Lights / Textures maps**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367677
title: PORTRAIT BUST PERIKLES - BRITISH MUSUEM 2020

description: Marble portrait bust: Pericles wearing a helmet pushed back on his head. A Roman copy of an earlier Greek original. The name is inscribed in Greek.
CULTURE : ROMAN
PERIOD : 2nDC
DIMENSIONS : Height: 58.42 centimetres

**3D Model Update and Optimized 12 / 05 / 2020**

**Fixed : Optimized / Lights / Textures maps**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367678
title: CPDP window

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/4771/view?wisski_bundle=b0c45007d4aaa61f5961be4fb6902a6b. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367679
title: CPDP window

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/4771/view?wisski_bundle=b0c45007d4aaa61f5961be4fb6902a6b. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367680
title: Alexander the Great

description: A hypothetical reconstruction of the polychromy of the famous portrait head of Alexander from the British Museum ( https://www.britishmuseum.org/collection/object/G_1872-0515-1 ). 

The base mesh was downloaded from the British Museum's Sketchfab page (https://skfb.ly/6tAot) and retextured using Substance Painter.

The skin tone and hair color are based on two frescoes from Pompeii assumed to show Alexander: The fresco of the Wedding of Alexander and Statira/Roxanne in the Casa Del Bracciale D'Oro, and the fresco of a seated Alexander from the House of the Vettii. The latter may be a copy of a larger more famous painting by Alexander's court painter, Apelles. If that is the case, it may be the most accurate representation of Alexander we have. I also referenced the so called Alexander Sarcophagus, which preserves some polychromy, the famous Alexander mosaic from Pompeii, and various mummy portraits to try and simulate the sorts of brush strokes used.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367681
title: Alexander the Great

description: A hypothetical reconstruction of the polychromy of the famous portrait head of Alexander from the British Museum ( https://www.britishmuseum.org/collection/object/G_1872-0515-1 ). 

The base mesh was downloaded from the British Museum's Sketchfab page (https://skfb.ly/6tAot) and retextured using Substance Painter.

The skin tone and hair color are based on two frescoes from Pompeii assumed to show Alexander: The fresco of the Wedding of Alexander and Statira/Roxanne in the Casa Del Bracciale D'Oro, and the fresco of a seated Alexander from the House of the Vettii. The latter may be a copy of a larger more famous painting by Alexander's court painter, Apelles. If that is the case, it may be the most accurate representation of Alexander we have. I also referenced the so called Alexander Sarcophagus, which preserves some polychromy, the famous Alexander mosaic from Pompeii, and various mummy portraits to try and simulate the sorts of brush strokes used.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367682
title: Rome House

description: This is a house from rome I made for my city scene for the DAE final assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367683
title: Rome House

description: This is a house from rome I made for my city scene for the DAE final assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367684
title: Qualla Plain Jar (2021p641,p654)

description: **Qualla Plain jar rim** 
  
Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina. 
  
Period: Mississippian, Pisgah phase (AD 1000-1400) 
  
Material: ceramic. 
  
Dimensions: length, 169 mm; width, 136 mm; thickness, 5.0 mm. 
  
Notes: Catalog no. 2021p641, p654, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367685
title: Qualla Plain Jar (2021p641,p654)

description: **Qualla Plain jar rim** 
  
Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina. 
  
Period: Mississippian, Pisgah phase (AD 1000-1400) 
  
Material: ceramic. 
  
Dimensions: length, 169 mm; width, 136 mm; thickness, 5.0 mm. 
  
Notes: Catalog no. 2021p641, p654, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367686
title: спомен плоча у општини

description: локација: 42.993321, 21.946686 // https://goo.gl/maps/LzuRYBtJ3APQ9D5GA

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367687
title: спомен плоча у општини

description: локација: 42.993321, 21.946686 // https://goo.gl/maps/LzuRYBtJ3APQ9D5GA

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367688
title: Hopeakolikko, silver coin VK5738:6

description: Abbasidiaikainen hopeakolikko (1 dirhemi), joka on lyöty al-Abbasiyassa Baghdadin lähellä kalifi al-Mahdin hallitessa (782-783 jaa. / 166 AH).
Lisätietoja: https://finna.fi/Record/museovirasto.7124D5671E443C4768CE4D0E629CEEE2.

The silver coin (1 dirhem) is minted during the reign of caliph al-Mahdi in al-Abbasiya, near Baghdad  (782-783 CE / 166 AH).

3D-digitoitu osana Making Home Abroad / Kotona kulttuurissa -tutkimushanketta 2020-2021, käyttäen digitaalista fotogrammetriaa. 3D-digitointia on yksinkertaistettu huomattavasti katselukokemuksen sujuvoittamiseksi. 

3D digitized as part of the Making Home Abroad / Kotona kulttuurissa research project 2020-2021, using digital photogrammetry. The 3D digitization is strongly simplified to ensure a smooth online visualization.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367689
title: Hopeakolikko, silver coin VK5738:6

description: Abbasidiaikainen hopeakolikko (1 dirhemi), joka on lyöty al-Abbasiyassa Baghdadin lähellä kalifi al-Mahdin hallitessa (782-783 jaa. / 166 AH).
Lisätietoja: https://finna.fi/Record/museovirasto.7124D5671E443C4768CE4D0E629CEEE2.

The silver coin (1 dirhem) is minted during the reign of caliph al-Mahdi in al-Abbasiya, near Baghdad  (782-783 CE / 166 AH).

3D-digitoitu osana Making Home Abroad / Kotona kulttuurissa -tutkimushanketta 2020-2021, käyttäen digitaalista fotogrammetriaa. 3D-digitointia on yksinkertaistettu huomattavasti katselukokemuksen sujuvoittamiseksi. 

3D digitized as part of the Making Home Abroad / Kotona kulttuurissa research project 2020-2021, using digital photogrammetry. The 3D digitization is strongly simplified to ensure a smooth online visualization.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367690
title: Henri IV

description: Sculpture en marbre blanc d'environ 4.50 m de hauteur  (socle compris), représentant Henri IV (1553-1610). Elle a été réalisée à la demande du roi Louis Philippe et est située sur la place Royale à Pau où elle a été inaugurée en 1842 (M.DCCC.XLII).
Le sculteur Nicolas Bernard Raggi (1750-1862) s'est chargé de la statue elle-même, mais le socle et les bas-relifs ont été réalisés par Antoine Etex (1808-1888). La face avant su socle comporte une inscription:
***"Lou nouste Henric" Henrico nostro pia nepotis augusti munificentia redivivo. *** , qui signifie "Nous sommes Henri"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367691
title: Henri IV

description: Sculpture en marbre blanc d'environ 4.50 m de hauteur  (socle compris), représentant Henri IV (1553-1610). Elle a été réalisée à la demande du roi Louis Philippe et est située sur la place Royale à Pau où elle a été inaugurée en 1842 (M.DCCC.XLII).
Le sculteur Nicolas Bernard Raggi (1750-1862) s'est chargé de la statue elle-même, mais le socle et les bas-relifs ont été réalisés par Antoine Etex (1808-1888). La face avant su socle comporte une inscription:
***"Lou nouste Henric" Henrico nostro pia nepotis augusti munificentia redivivo. *** , qui signifie "Nous sommes Henri"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367692
title: Overchurch Stone

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367693
title: Overchurch Stone

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367694
title: Harpon azilien

description: Reproduction d'après relevés d'un harpon azilien en bois de cervidé.

Modélisation, sculpt et textures : Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367695
title: Harpon azilien

description: Reproduction d'après relevés d'un harpon azilien en bois de cervidé.

Modélisation, sculpt et textures : Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367697
title: Small End Blade XCB-105-2956

description: Small End Blade. XCB-105-2956. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367698
title: Small End Blade XCB-105-2956

description: Small End Blade. XCB-105-2956. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367699
title: Flint Knife

description: Russia, Republic of Bashkortostan, Abzelilovsky district. Find 2004. Parking Berezki-5a (Bannoe-5a). Dimensions: 101x30 mm. Material: black flint. The end of the stone age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367700
title: Flint Knife

description: Russia, Republic of Bashkortostan, Abzelilovsky district. Find 2004. Parking Berezki-5a (Bannoe-5a). Dimensions: 101x30 mm. Material: black flint. The end of the stone age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367701
title: Clay Disk

description: Small clay disk, unknown function. This artifact is currently housed at the Seminole County Museum of History. 

Model made by Emelia Lonsdale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367702
title: Clay Disk

description: Small clay disk, unknown function. This artifact is currently housed at the Seminole County Museum of History. 

Model made by Emelia Lonsdale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367703
title: Château de Baldenau, Allemagne

description: Ruines d'un château construit à partir de 1315. Il fait 52 mètres de long et 20 mètres de large, son donjon atteint 24 mètres de haut.
[Wikipedia](https://de.wikipedia.org/wiki/Burg_Baldenau)
![](https://www.swr.de/-/id=20482508/property=gallery/pubVersion=3/tc5ooa/Wasserburg%20Baldenau.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367704
title: Château de Baldenau, Allemagne

description: Ruines d'un château construit à partir de 1315. Il fait 52 mètres de long et 20 mètres de large, son donjon atteint 24 mètres de haut.
[Wikipedia](https://de.wikipedia.org/wiki/Burg_Baldenau)
![](https://www.swr.de/-/id=20482508/property=gallery/pubVersion=3/tc5ooa/Wasserburg%20Baldenau.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367705
title: Madera 5

description: pieza tallada en madera del museo carnaval

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367706
title: Madera 5

description: pieza tallada en madera del museo carnaval

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367709
title: NPMP cornice type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5300/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367710
title: NPMP cornice type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5300/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367712
title: Day 314: Angels

description: Captured in Chateau de Versailles with Scaniverse

I'm trying to post 1 scan a day in 2021. You can follow the tag [#1scanaday](http://sketchfab.com/tags/1scanaday), or my [2021 collection here](https://sketchfab.com/alban/collections/1-scan-a-day-in-2021). You can also join at anytime, as long as you try keeping up from there. 

My tips on iphone lidar scanning: http://bit.ly/lidarscanning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367711
title: Day 314: Angels

description: Captured in Chateau de Versailles with Scaniverse

I'm trying to post 1 scan a day in 2021. You can follow the tag [#1scanaday](http://sketchfab.com/tags/1scanaday), or my [2021 collection here](https://sketchfab.com/alban/collections/1-scan-a-day-in-2021). You can also join at anytime, as long as you try keeping up from there. 

My tips on iphone lidar scanning: http://bit.ly/lidarscanning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367713
title: V for vendetta metal mask

description: Simply V for vendetta metal mask retopologized from original model : Original model : https://sketchfab.com/mathewdc . Made with Zbrush, 3ds max, Topogun and Substance painter. UV mapped. 2048 textures size.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367714
title: V for vendetta metal mask

description: Simply V for vendetta metal mask retopologized from original model : Original model : https://sketchfab.com/mathewdc . Made with Zbrush, 3ds max, Topogun and Substance painter. UV mapped. 2048 textures size.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367715
title: Cairn in Orjapaadenkallio, Kokemäki, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn in Orjapaadenkallio, Kokemäki, Finland. Cairn width is 18,5 meters, length 19,5 meters and height 0,10–0,45 meters.

The cairn contains grave structure that is 3,85 meters long and 1,6 meters wide. There are also three later burials at the borders of the cairn from 200–400 AD. 

More info:

* [Location in Google Maps](https://goo.gl/maps/osu4Eq3UST9QopxM9)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.271010036)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367716
title: Cairn in Orjapaadenkallio, Kokemäki, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn in Orjapaadenkallio, Kokemäki, Finland. Cairn width is 18,5 meters, length 19,5 meters and height 0,10–0,45 meters.

The cairn contains grave structure that is 3,85 meters long and 1,6 meters wide. There are also three later burials at the borders of the cairn from 200–400 AD. 

More info:

* [Location in Google Maps](https://goo.gl/maps/osu4Eq3UST9QopxM9)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.271010036)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367717
title: Burial of a nomad warrior AIK2B2.

description: Russia, Republic of Bashkortostan, Abzelilovsky district. Avlasovsky necropolis. Kurgan №2. Burial №2. Fragment of the collective burial of soldiers. Early Iron Age. Chronology: V-VI centuries BC. Early Sarmatian culture.

Россия, Республика Башкортостан, Абзелиловский район. Некрополь Авласовский. Курган №2. Захоронение №2. Фрагмент коллективного захоронения воинов. Ранний железный век. Хронология: V-VI века до н.э. Ранняя сарматская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367718
title: Burial of a nomad warrior AIK2B2.

description: Russia, Republic of Bashkortostan, Abzelilovsky district. Avlasovsky necropolis. Kurgan №2. Burial №2. Fragment of the collective burial of soldiers. Early Iron Age. Chronology: V-VI centuries BC. Early Sarmatian culture.

Россия, Республика Башкортостан, Абзелиловский район. Некрополь Авласовский. Курган №2. Захоронение №2. Фрагмент коллективного захоронения воинов. Ранний железный век. Хронология: V-VI века до н.э. Ранняя сарматская культура.

Source: Objaverse 1.0 / Sketchfab