cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/dl.jfze23
title: Occurrence Download

description: A dataset containing 6391 species occurrences available in GBIF matching the query:
{
 "and" : [
 {
 "or" : [
 "Geometry POLYGON((-4.51256 36.64333,-4.43012 36.64333,-4.43012 36.72278,-4.51256 36.72278,-4.51256 36.64333))",
 "Geometry POLYGON((-4.49074 36.6838,-4.48866 36.66912,-4.46703 36.64709,-4.44373 36.65777,-4.43665 36.68213,-4.44331 36.70849,-4.4845 36.70349,-4.49074 36.6838))"
 ]
 },
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Plantae"
 ]
}

 The dataset includes 6391 records from 44 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0017483-250525065834625/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.5281/zenodo.15564849
title: INTEGRATIV YONDASHUV ASOSIDA TALABALARNING KASBIY TAYYORGARLIGINI RIVOJLANTIRISHNING PEDAGOGIK JIHATLARI
DOI: 10.5281/zenodo.15564850
title: INTEGRATIV YONDASHUV ASOSIDA TALABALARNING KASBIY TAYYORGARLIGINI RIVOJLANTIRISHNING PEDAGOGIK JIHATLARI
DOI: 10.15468/dl.8nyedw
title: Occurrence Download

description: A dataset containing 54 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Erythronium oregonum Applegate",
 "Year is less than or equal to 2000",
 "Year is greater than or equal to 1970",
 {
 "or" : [
 {
 "not" : {
 "EstablishmentMeans" : [
 "is one of (MANAGED, INTRODUCED)"
 ]
 }
 },
 "EstablishmentMeans is null"
 ]
 },
 {
 "or" : [
 "CoordinateUncertaintyInMeters is less than 1000",
 "CoordinateUncertaintyInMeters is null"
 ]
 }
 ]
}

 The dataset includes 54 records from 17 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0012043-250525065834625/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.5281/zenodo.15564793
title: Data and Code for: Aboveground competition by Nephrolepis brownii inhibits tree seedling recruitment in a tropical restoration experiment

description: Here you can find an HTML report generated using R Markdown, which contains annotated code and output for the data analysis associated with the research paper titled "Aboveground competition by Nephrolepis brownii inhibits tree seedling recruitment in a tropical restoration experiment," authored by Luis C. Beltrán, Karla M. Aguilar-Dorantes, Lilia L. Roa-Fuentes, Cristina Martínez-Garza, and Henry F. Howe. The required data files are also included.
DOI: 10.5281/zenodo.15564794
title: Data and Code for: Aboveground competition by Nephrolepis brownii inhibits tree seedling recruitment in a tropical restoration experiment

description: Here you can find an HTML report generated using R Markdown, which contains annotated code and output for the data analysis associated with the research paper titled "Aboveground competition by Nephrolepis brownii inhibits tree seedling recruitment in a tropical restoration experiment," authored by Luis C. Beltrán, Karla M. Aguilar-Dorantes, Lilia L. Roa-Fuentes, Cristina Martínez-Garza, and Henry F. Howe. The required data files are also included.
DOI: 10.5281/zenodo.10419255
title: Sound-Frameworks: Elahe Karimnia (UWE Bristol) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419220
title: Sound-Frameworks: Stephane Llorca (JML Water Features) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.14176752
title: Characterization Factors for Microplastic Emissions in Life Cycle Assessment Considering Multimedia Fate Modelling

description: These data provide supporting information for a forthcoming publication proposing new Regionalized Characterization Factors for Microplastic Emissions in Life Cycle Assessment. 

The Characterization Factors (CFs) are developed thanks to a fate model based on SimpleBox4Plastics: https://doi.org/10.5281/zenodo.5743268 and adapted to meet the USEtox methodology. 

They are derived from the "Regionalized_CFs_for_MP_emissions_in_LCIA.ipynb" script available on GitHub at https://github.com/Julouve/Regionalized_Characterization_Factors_for_Microplastic_Emissions_in_LCIA.git

The CFs are developed for 14 polymers (EPS, PP, LDPE, HDPE, PS, PAN, PHA, PA, PLA, strach blend, PBAT, PET, PVC, TRWP) at 5 sizes (1, 10, 100, 1000, 5000 μm) for 9 different regions (North America, Latin America, Europe, Africa & Middle East, Central Asia, Southeast Asia, Northern regions, Oceania, World) for 9 environmental compartments (air, lake water, river water, sea water, their sediment, natural soil, agricultural soil) on two scales (continental & global) and for 3 ecosystems (marine, freshwater and terrestrial). 

CFs are computed thanks to 2 approaches: a surface approach (in PDF*m2*year/kg) and a species approach (in PDF*year/kg or species*year/kg).
DOI: 10.5281/zenodo.15564841
title: Characterization Factors for Microplastic Emissions in Life Cycle Assessment Considering Multimedia Fate Modelling

description: These data provide supporting information for a forthcoming publication proposing new Regionalized Characterization Factors for Microplastic Emissions in Life Cycle Assessment. 

The Characterization Factors (CFs) are developed thanks to a fate model based on SimpleBox4Plastics: https://doi.org/10.5281/zenodo.5743268 and adapted to meet the USEtox methodology. 

They are derived from the "Regionalized_CFs_for_MP_emissions_in_LCIA.ipynb" script available on GitHub at https://github.com/Julouve/Regionalized_Characterization_Factors_for_Microplastic_Emissions_in_LCIA.git

The CFs are developed for 14 polymers (EPS, PP, LDPE, HDPE, PS, PAN, PHA, PA, PLA, strach blend, PBAT, PET, PVC, TRWP) at 5 sizes (1, 10, 100, 1000, 5000 μm) for 9 different regions (North America, Latin America, Europe, Africa & Middle East, Central Asia, Southeast Asia, Northern regions, Oceania, World) for 9 environmental compartments (air, lake water, river water, sea water, their sediment, natural soil, agricultural soil) on two scales (continental & global) and for 3 ecosystems (marine, freshwater and terrestrial). 

CFs are computed thanks to 2 approaches: a surface approach (in PDF*m2*year/kg) and a species approach (in PDF*year/kg or species*year/kg).
DOI: 10.5281/zenodo.10419183
title: Sound-Frameworks: Hani Salih (Quality of Life Foundation) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.15468/dl.bazsvb
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Talismania antillarum (Goode & Bean, 1896)",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "BasisOfRecord is one of (Specimen, Living Specimen, Observation, Human Observation, Machine Observation, Material sample, Literature Occurrence, Material citation, Occurrence evidence)",
 "Geometry POLYGON ((37.8208 19.3058,37.7519 19.8496,35.9648 19.8496,35.9648 10.8496,44.9648 10.8496,44.9648 11.0757,44.5079 10.8984,44.021 11.3535,43.8449 12.4869,43.4392 13.1773,42.7805 13.6576,42.3014 14.2854,41.9925 14.3935,41.4722 15.0272,40.477 15.6908,40.2575 16.0951,39.9024 16.3482,38.9748 18.3342,37.8208 19.3058))"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0012044-250525065834625/datasets/export for details.
DOI: 10.5281/zenodo.10419139
title: Sound-Frameworks: Arnthrudur Gisladottir (NIRAS) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419112
title: Sound-Frameworks: Rachid Abu-Hassan (Platform 78) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.15564846
title: anas_melleri_decontaminated_FSCR.fasta.gz
DOI: 10.5281/zenodo.15564847
title: anas_melleri_decontaminated_FSCR.fasta.gz
DOI: 10.5281/zenodo.10419067
title: Sound-Frameworks: Angus Deuchars (Arup) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.34740/kaggle/dsv/12018778
title: Peer-to-Peer Boliviano (BOB) Exchange Data
DOI: 10.15468/dl.6tgzqq
title: Occurrence Download

description: A dataset containing 1623 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Eschscholzia californica Cham.",
 "Year is less than or equal to 2000",
 "Year is greater than or equal to 1970",
 {
 "or" : [
 {
 "not" : {
 "EstablishmentMeans" : [
 "is one of (MANAGED, INTRODUCED)"
 ]
 }
 },
 "EstablishmentMeans is null"
 ]
 },
 {
 "or" : [
 "CoordinateUncertaintyInMeters is less than 1000",
 "CoordinateUncertaintyInMeters is null"
 ]
 }
 ]
}

 The dataset includes 1623 records from 176 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0012045-250525065834625/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.