cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.57760/sciencedb.28709
title: A long-term dataset of maize phenology observations from agrometeorological stations in Northeast China (1981–2024)
title: A long-term dataset of maize phenology observations from agrometeorological stations in Northeast China (1981–2024)

description: We present a meticulously curated, long-term (1981–2024) dataset documenting maize phenology dynamics across Northeast China, the nation's most critical commercial grain base. Derived from 61 national agrometeorological stations, it captures the timing of 10 pivotal phenological stages (sowing, emergence, three-leaf, seven-leaf, jointing, tasseling, flowering, silking, milking, maturity) and derives the durations of 4 growth period lengths (sowing-jointing, jointing-silking, silking-maturity, sowing-maturity). The dataset underwent a rigorous, multi-tiered quality control protocol, including automated checks for internal consistency and expert arbitration for ambiguous records, ensuring high integrity. Subsequent analysis employed kernel density estimation to characterize the probability distribution of phenological events and univariate linear regression to quantify decadal trends. The resulting repository is substantial, comprising 976 georeferenced diagnostic plots in JPEG format and two primary data tables in XLSX format, with a total volume of 601.04 MB. Systematically organized by province and station, this dataset serves as a foundational empirical resource for quantifying climate-driven shifts in crop development, enhancing the parameterization and validation of process-based crop models, and informing the development of optimized cultivation practices and regional climate adaptation frameworks.
description: We present a meticulously curated, long-term (1981–2024) dataset documenting maize phenology dynamics across Northeast China, the nation's most critical commercial grain base. Derived from 61 national agrometeorological stations, it captures the timing of 10 pivotal phenological stages (sowing, emergence, three-leaf, seven-leaf, jointing, tasseling, flowering, silking, milking, maturity) and derives the durations of 4 growth period lengths (sowing-jointing, jointing-silking, silking-maturity, sowing-maturity). The dataset underwent a rigorous, multi-tiered quality control protocol, including automated checks for internal consistency and expert arbitration for ambiguous records, ensuring high integrity. Subsequent analysis employed kernel density estimation to characterize the probability distribution of phenological events and univariate linear regression to quantify decadal trends. The resulting repository is substantial, comprising 976 georeferenced diagnostic plots in JPEG format and two primary data tables in XLSX format, with a total volume of 601.04 MB. Systematically organized by province and station, this dataset serves as a foundational empirical resource for quantifying climate-driven shifts in crop development, enhancing the parameterization and validation of process-based crop models, and informing the development of optimized cultivation practices and regional climate adaptation frameworks.
DOI: 10.25549/whittington-ouc113779394
title: Steps in powder room, Somerset House, Beverly Hills, Calif., 1945

description: 3 photographs of steps in powder room of Somerset House, 155 North La Cienega Boulevard, Beverly Hills, California, USA, 11 June 1945. Client: Saint Paul Mercury Indemnity Company (Mr. La Velle). Operator: Brown.
DOI: 10.25549/whittington-ouc113779398
title: Old photographs of people, [1920s-1940s]

description: 9 photographic copies (11 June 1945) of old photographs of people, [1920s-1940s]. Client: Miss Frances Sielert (care of Comfort Paper Corporation, 2945 East 12th Street, An 5161).
DOI: 10.25549/whittington-ouc113779403
title: Ediphone installations, before 1945?

description: 8 photographic copies (14 June 1945) of Ediphone installations, before 1945?. Client: The Ediphone Company (George Montgomery, 943 South Broadway).
DOI: 10.25549/whittington-ouc113779514
title: Robert Bragg, PHM 2/c, Los Angeles, Calif., 1945

description: 3 photographic portraits of Robert Bragg, Pharmacist's Mate 2nd class (PHM 2/c), United States Navy, Los Angeles, California, USA, 15 June 1945. Client: Line Food Products (Mrs. Samuelly). Agency: Robert Bragg Pharmacist's Mate 2nd class (8707 4th Avenue, Inglewood). Operator: Cross.
DOI: 10.25549/whittington-ouc113779427
title: Pepsi-Cola stand, Chapman Park Hotel, Los Angeles, Calif., 1945

description: 4 photographs of Pepsi-Cola stand poolside, at luncheon at the Chapman Park Hotel, 3405 Wilshire Boulevard, Los Angeles, California, USA, 16 June 1945. Client: Pepsi-Cola Company (Mr. C.C. McGeehie, Long Island City, New York). Agency: J.D. McWhinnie Company (444 H Street, San Bernardino, California). Operator: Cross. "Pepsi-Cola, ice cold, hits the spot, 12 full ounces 5¢ ice cold".
DOI: 10.25549/whittington-ouc113779429
title: Luncheon, University Club, Los Angeles, Calif., 1945

description: 5 photographs of luncheon at the University Club of Los Angeles, 614 South Hope Street, Los Angeles, California, USA, 16 June 1945. Client: California Fruit Growers Exchange (707 West 5th Street). Operator: Cross.
DOI: 10.25549/whittington-ouc113779438
title: Golf tournament ceremony, Oakmont Country Club, Glendale, Calif., 1945

description: 7 photographs of golf tournament ceremony at Oakmont Country Club, 3100 Country Club Drive, Glendale, California, USA, 19 June 1945. Client: Los Angeles Rotay (Frank Payne, care of hearst Davertising Service, 714 West Olympic Boulevard).
DOI: 10.25549/whittington-ouc113779487
title: Clini-Plex bottle, Los Angeles, California, USA, 1945

description: Photograph of Clini-Plex bottle, Los Angeles, California, USA, 20 June 1945. Client: William T. Thompson Company (Mrs. B. Maschler, 2727 Hyperion). Operator: Cross. "Clini-Plex. Luddy Pharmaceuticals. Manufactured by Wm. Luddy Co., Los Angeles. 100 coated tablets. This product consists of vitamins B-1, B-2 (G or riboflavin), B-6, niacinamide, calcium panothenate (dextrorotatory) vitamin C, calcium pyrophosphate, tricalcium phosphate, sucrose and vegetable stearin."
DOI: 10.25549/whittington-ouc113779516
title: Tommy Tucker autographic records, Bullocks, Los Angeles, Calif., 1945

description: 2 photographs of Tommy Tucker autographing records in Bullock's Department Store Bond window, Broadway and West 7th Street, Los Angeles, California, USA, 23 June 1945. Client: Ray Thomas (Mr. lee, 1601 South Hope Street). Operator: Vannice.
DOI: 10.25549/whittington-ouc113779492
title: Interstate Aircraft publicity, El Segundo, Calif., 1945

description: 3 photographs of publicity, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 25 June 1945. Client: Interstate Aircraft (Miss Matson, El Segundo). Agency: Mitchell and Herb - Engravers (1041 South Olive Street). Operator: Vannice.
DOI: 10.25549/whittington-ouc113779440
title: Rancho Vega housing development, Los Angeles, Calif., 1945

description: 8 photographs of housing development of Rancho Vega Housing Corporation, Cahuenga Boulevard and Oxnard Street, Los Angeles, California, USA, 27 June 1945. Client: Edwin A. Tomlin Company (510 West 6th Street, Los Angeles 14). Operator: D.W.
DOI: 10.34740/kaggle/dsv/13634159
title: Trending Youtube Video Statistics (113 Countries)
DOI: 10.25549/whittington-ouc113779524
title: Rancho Vega housing development, Los Angeles, Calif., 1945

description: 8 photographs of housing development of Rancho Vega Housing Corporation, Cahuenga Boulevard and Oxnard Street, Los Angeles, California, USA, 27 June 1945. Client: Edwin A. Tomlin Company (510 West 6th Street, Los Angeles 14). Operator: D.W.
DOI: 10.25549/whittington-ouc11399fase
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399erij
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.57760/sciencedb.31115
title: SMART Model for HCV Management - Data
title: SMART Model for HCV Management - Data

description: De-identified dataset supporting the manuscript 'Innovative Management of Hepatitis C: Implementation and Outcomes of the SMART Model in a General Hospital'
description: De-identified dataset supporting the manuscript 'Innovative Management of Hepatitis C: Implementation and Outcomes of the SMART Model in a General Hospital'
DOI: 10.25549/whittington-ouc11399er84
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fupo
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fcb6
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1hm
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-c170-3962
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/chi-posters-ouc113134286
title: Mobil [copy 2]

description: Poster for 美孚行 [Mobil].
DOI: 10.15468/dl.k3hkt3
title: Occurrence Download

description: A dataset containing 2 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Primulina maguanensis"
 ]
}

 The dataset includes 2 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019450-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/chi-posters-ouc113134365
title: Old People's Brand Quaker Oats [copy 2]

description: Poster for 老人牌桂格麥片 [Old People's Brand Quaker Oats].
DOI: 10.18728/igb-fred-1033.0
title: ODER~SO water chemistry
DOI: 10.25549/chi-posters-ouc113134360
title: Bournville Cocoa Powder [green, copy 1]

description: Poster for 本味可可粉 [Bournville Cocoa Powder].
DOI: 10.25549/whittington-ouc11399f1hu
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399hczt
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go4t
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.