cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc11399kb2y
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb30
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd5u
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd3m
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd5i
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kihx
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb2s
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nehl
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5517/ccdc.csd.cc2ntcb6
title: CCDC 2467238: Experimental Crystal Structure Determination

description: Related Article: Shengqing Ye|2025|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.25549/maw-ouc113888387
title: Huastec zoomorphic vessel : bat

description: The Huasteca, a northern branch of the Maya, lived in the Panuco River area in Northern Veracruz. They produced a distinctive creamware enhanced with dark red-brown iron oxide. The zoomorphic olla takes the form of a mammal, possibly a bat. Around his neck, he wears a pendant that represents a sliced conch shell.
DOI: 10.25549/maw-ouc113888380
title: Yoke : U-shaped

description: The yoke, worn around the waist of a ball player, was used to hit or deflect a fast-moving rubber ball. They were probably made of animal skins and plant materials. Wearing a stone yoke does increase the ball's speed and the distance it travels. Stone yokes are found in elite burials and probably not used during a ballgame. The stone on this piece is scratched and has a few chips. However, the overall condition is good.
DOI: 10.25549/maw-ouc113888423
title: Yoke : U-shaped

description: The yoke, worn around the waist of a ball player, was used to hit or deflect a fast-moving rubber ball. They were probably made of animal skins and plant materials. Wearing a stone yoke does increase the ball's speed and the distance it travels. Stone yokes are found in elite burials and probably not used during a ballgame. The stone on this piece is scratched and has a few chips. However, the overall condition is good.
DOI: 10.15468/dl.bgtzyh
title: Occurrence Download

description: A dataset containing 1194 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Tiliacora"
 ]
}

 The dataset includes 1194 records from 74 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001186-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113888633
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.15468/dl.ta7xnr
title: Occurrence Download

description: A dataset containing 67246 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Luzula campestris",
 "Year is less than or equal to 2000",
 "Year is greater than or equal to 1970",
 {
 "or" : [
 {
 "not" : {
 "EstablishmentMeans" : [
 "is one of (MANAGED, INTRODUCED)"
 ]
 }
 },
 "EstablishmentMeans is null"
 ]
 },
 {
 "or" : [
 "CoordinateUncertaintyInMeters is less than 1000",
 "CoordinateUncertaintyInMeters is null"
 ]
 }
 ]
}

 The dataset includes 67246 records from 285 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001148-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113888642
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113887243
title: Three obsidian winged labrets : C

description: Obsidian, a volcanic glass-like stone cleaves concavely. Working obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.25549/maw-ouc113887389
title: Three Obsidian Winged Labrets, A

description: Obsidian is a volcanic glass-like stone cleaves concavely. Working with obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.25549/maw-ouc113887344
title: Three Obsidian Winged Labrets, A

description: Obsidian is a volcanic glass-like stone cleaves concavely. Working with obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.34740/kaggle/dsv/14977541
title: Peer-to-Peer Boliviano (BOB) Exchange Data
DOI: 10.25549/maw-ouc113887345
title: Three obsidian winged labrets : B

description: Obsidian is a volcanic glass-like stone cleaves concavely. Working with obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.25549/maw-ouc113887459
title: Tzintzuntzan teapot with stirrup handle

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113888612
title: Ceramic earspools : 2

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888622
title: Ceramic earspools : 2

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888626
title: Ceramic earspools : 2

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888631
title: Ceramic earspools : 2

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888643
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113887469
title: Tripodal pillow rattle bowl

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887471
title: Tripodal pillow rattle bowl

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887563
title: Tripodal pillow rattle bowl

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887519
title: Tajaderas : copper axe money

description: Mesoamericans became aware of metal during the Early Postclassic, ca. A.D. 900. Introduced from Central and South America, Mesoamericans chose to use metal for decorative purposes: chains, rings, bells, and axe money. A copper-arsenic alloy, smelted from copper nuggets and ore, was cast in molds, cold hammered, and possibly annealed to form crescent-shaped axe money. Three axe heads. Copper blades are found in tombs, usually grouped in a circular design with the handles turned to the center. The blades were cast in open molds, cold worked to thicken the inner edges and then reheated or annealed to make the metal flexible if further hammering was required.
DOI: 10.25549/maw-ouc113887512
title: Piercing tool or perforator

description: Mesoamerican people pierced their noses, low lips, and ear lobes for decorative purposes. Tongues and penises were pierced for ritual bloodletting or self-sacrifice. Both of these areas heal rapidly.
DOI: 10.15468/dl.g35w9h
title: Occurrence Download

description: A dataset containing 5 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Chrysiptera hemicyanea"
 ]
}

 The dataset includes 5 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001187-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113889571
title: Small seated figure wearing a headdress

description: Chupicuaro figurines are handmade using tan clay and colored with red and white pigments. The small seated female figure wears a flattened cone shape hat usually seen on the hollow female figure.
DOI: 10.25549/maw-ouc113889585
title: Ring vessel : anthropomorphic serpent

description: The circular-shaped vessel suggests a coiled snake with diamond designs. The snake has been anthropomorphized/humanized with a human head. The snake is an important symbol of rebirth, renewal, and resurrection.
DOI: 10.25549/maw-ouc113889595
title: Ring vessel : anthropomorphic serpent

description: The circular-shaped vessel suggests a coiled snake with diamond designs. The snake has been anthropomorphized/humanized with a human head. The snake is an important symbol of rebirth, renewal, and resurrection.
DOI: 10.25549/maw-ouc11399coqf
title: Kneeling female giving birth : assisted by a female

description: Chupicuaro figures describe events from their life and culture. This charming group shows a mother being assisted by a midwife during childbirth.
DOI: 10.25549/maw-ouc113889599
title: Chupicuaro standing female figure

description: A female figure stands with her hands on her swollen abdomen with a smile on her face. Geometric stars decorate her eyes, nose-mouth area, and the sides of her abdomen.
DOI: 10.25549/maw-ouc113887560
title: Pierced blackware ear spool

description: Red-brown clay was probably pressed into a circular mold and allowed to become a leather hard disc. The disc has curved concave sides for wearing as an earspool. The disc was pierced with a bilateral radiating design. The pierced ear spool was fired in a reduced carbon friendly environment