cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10388478
title: Tertrapod Footprints - Valentia Island

description: Ireland is littered with wonderful archaeological sites, but not many people are aware that off the south costs on the Island of Valenta lies a set of animal footprints which were made somewhere between 350 and 370 million years ago. 

The Tetrapod (four limbed[foot]) footprints were made by one of the first amphibians and represents the transition of life from water to land – a momentous turning point in evolution and provides the oldest reliably dated evidence of four legged vertebrates (amphibians) moving over land. 

The Valentia Island Tetrapod footprints are the most extensive of the four Devonian trackways in the world. (The others are in Tarbet Ness, Scotland; Genoa River, NSW Australia; Glen Isla, Victoria Australia). Access to the track way is by a pathway down to the rocks.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388484
title: Dinosaur footprint (cf. Anomoepus isp.)

description: The presented specimen was found in Czerwone Żlebki [literally Red Couloirs], in the peak zone (Upper Triassic, from 201.3 to 237 million years ago). The footprint has been preserved on a small piece of sandstone in rock debris.
Anomoepus is an ichnologic name applied to the ornithischian dinosaurs described by Edward Hitchcock in 1848. Their traces were found in Poland before in the Świętokrzyskie Mountains [also known as Holy Cross Mtn.], the Czech Republic and Western Australia. Interestingly, ichnologists have not yet managed to find the skeleton of the described species, so it is difficult to recreate the actual appearance of the animal.

Triassic, Tatra Mountains

The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1984

Inventory number:
G/1677/MT

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388485
title: Dinosaur footprint (cf. Anomoepus isp.)

description: The presented specimen was found in Czerwone Żlebki [literally Red Couloirs], in the peak zone (Upper Triassic, from 201.3 to 237 million years ago). The footprint has been preserved on a small piece of sandstone in rock debris.
Anomoepus is an ichnologic name applied to the ornithischian dinosaurs described by Edward Hitchcock in 1848. Their traces were found in Poland before in the Świętokrzyskie Mountains [also known as Holy Cross Mtn.], the Czech Republic and Western Australia. Interestingly, ichnologists have not yet managed to find the skeleton of the described species, so it is difficult to recreate the actual appearance of the animal.

Triassic, Tatra Mountains

The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1984

Inventory number:
G/1677/MT

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388487
title: Aquamanile, um 1230 | KG488

description: Das Wort "Aquamanile" setzt sich aus den lateinischen Bezeichnungen für Wasser (aqua) und Hand (manus) zusammen. Diese figürlich gestalteten Gießgefäße aus Bronze wurden im Mittelalter als Wasserbehälter zur Reinigung der Hände im Rahmen der Messliturgie, aber auch im Zusammenhang der elitären Tafelkultur verwendet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388486
title: Aquamanile, um 1230 | KG488

description: Das Wort "Aquamanile" setzt sich aus den lateinischen Bezeichnungen für Wasser (aqua) und Hand (manus) zusammen. Diese figürlich gestalteten Gießgefäße aus Bronze wurden im Mittelalter als Wasserbehälter zur Reinigung der Hände im Rahmen der Messliturgie, aber auch im Zusammenhang der elitären Tafelkultur verwendet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388488
title: Beirut Silo Scale 1 / 100

description: **Beirut silo scale 1/100**
I am sharing with you my latest .USDZ in memory of Beirut's blast.  
08_04_2020 
For those who have lost loved ones, those who are still fighting, and those who have survived.
Never forgive never forget.
Charles Nakhle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388489
title: Beirut Silo Scale 1 / 100

description: **Beirut silo scale 1/100**
I am sharing with you my latest .USDZ in memory of Beirut's blast.  
08_04_2020 
For those who have lost loved ones, those who are still fighting, and those who have survived.
Never forgive never forget.
Charles Nakhle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388490
title: SCHS 2019.029.087.01

description: Notched Point dating to the Late Woodland, 800-1000 AD Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Laurel Chert (Heat Treated)
Length: 44.39 mm
Width: 21.5 mm
Thickness: 4.92 mm
Weight: 3.9 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Kiera McWhinney and Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.087.01, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388491
title: SCHS 2019.029.087.01

description: Notched Point dating to the Late Woodland, 800-1000 AD Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Laurel Chert (Heat Treated)
Length: 44.39 mm
Width: 21.5 mm
Thickness: 4.92 mm
Weight: 3.9 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Kiera McWhinney and Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.087.01, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388492
title: Brazier, XIII c AC, Chersonesus

description: This is a simple floor brazier intended to use with one big candle.
Made by @yellika optimized by @Moora and me.  
Part of our interactive architecture visulisations.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388493
title: Brazier, XIII c AC, Chersonesus

description: This is a simple floor brazier intended to use with one big candle.
Made by @yellika optimized by @Moora and me.  
Part of our interactive architecture visulisations.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388494
title: Διπλό κυκλαδικό ειδώλιο

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388495
title: Διπλό κυκλαδικό ειδώλιο

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388496
title: Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah. Strange Design, might be natural from rock breakage. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388497
title: Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah. Strange Design, might be natural from rock breakage. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388500
title: John Gower Monument

description: The tomb of John Gower (1330-1408) in Southwark Cathedral, London. John Gower was Poet Laureate to Richard II and Henry VI.

https://en.wikipedia.org/wiki/John_Gower

84 photos taken in July 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388501
title: John Gower Monument

description: The tomb of John Gower (1330-1408) in Southwark Cathedral, London. John Gower was Poet Laureate to Richard II and Henry VI.

https://en.wikipedia.org/wiki/John_Gower

84 photos taken in July 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388502
title: Arsameia

description: Turkey, 3rd century BCE.

https://en.wikipedia.org/wiki/Arsameia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388503
title: Arsameia

description: Turkey, 3rd century BCE.

https://en.wikipedia.org/wiki/Arsameia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388506
title: Bronze statue Roman goddess Victoria (70-250 AD)

description: Here we see the Roman goddess Victoria with open wings and flapping chiton, descending on the globe. Both her dress and her hair are extremely detailed. Unfortunately, one of the wings and both arms are damaged. So we have to guess about her possible attributes, such as a laurel wreath and/or a palm branch.

**For more information about our collections, visit us at:**

[Provinciaal depot voor archeologie Noord-Holland](http://collectie.huisvanhilde.nl/?query=Records/relatedid=[Object39637]&label=Zoekopdracht&showtype=record())

Model by: [Virtutim](http://virtutim.eu), Sara Gonizzi Barsanti

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388507
title: Bronze statue Roman goddess Victoria (70-250 AD)

description: Here we see the Roman goddess Victoria with open wings and flapping chiton, descending on the globe. Both her dress and her hair are extremely detailed. Unfortunately, one of the wings and both arms are damaged. So we have to guess about her possible attributes, such as a laurel wreath and/or a palm branch.

**For more information about our collections, visit us at:**

[Provinciaal depot voor archeologie Noord-Holland](http://collectie.huisvanhilde.nl/?query=Records/relatedid=[Object39637]&label=Zoekopdracht&showtype=record())

Model by: [Virtutim](http://virtutim.eu), Sara Gonizzi Barsanti

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388508
title: Head of the Greek God Hades

description: Terracotta head of the Greek god Hades exhibited in the Museo Archeologico di Aidone, Sicily.

Photogrammetric model created in Reality Capture.

The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388509
title: Head of the Greek God Hades

description: Terracotta head of the Greek god Hades exhibited in the Museo Archeologico di Aidone, Sicily.

Photogrammetric model created in Reality Capture.

The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388510
title: B9203 - Icoană pe sticlă lisus cu Globul

description: **B9203 Icoană pe sticlă lisus cu Globul** lisus Copil, pictat bust, semiprofil, purtâd doar o mantie roșie, Ținâd globul cruciger în mâini. Este încadrat de un chenar ocru- roșu. Carnația este albă, cu umbre schematice gri. Sfârșitul sec. XIX.

**B9203 Icon on glass lisus with Globe lisus Child**, painted bust, semi-profile, wearing only a red cloak, Holding the globe cruciger in my hands. It is framed by a red border. The complexion is white with gray schematic shadows. The end of the century XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388511
title: B9203 - Icoană pe sticlă lisus cu Globul

description: **B9203 Icoană pe sticlă lisus cu Globul** lisus Copil, pictat bust, semiprofil, purtâd doar o mantie roșie, Ținâd globul cruciger în mâini. Este încadrat de un chenar ocru- roșu. Carnația este albă, cu umbre schematice gri. Sfârșitul sec. XIX.

**B9203 Icon on glass lisus with Globe lisus Child**, painted bust, semi-profile, wearing only a red cloak, Holding the globe cruciger in my hands. It is framed by a red border. The complexion is white with gray schematic shadows. The end of the century XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388512
title: Лекиф / Lekythos

description: Лекиф

Древняя Греция

Глина, лак

Коллекция А. Эльтермана

МИПУ ХФ 1024

Музей истории Пермского университета

Lekythos

Ancient Greece

Clay, varnish

Collection of  A. Elterman

МИПУ ХФ 1024

Perm State University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388513
title: Лекиф / Lekythos

description: Лекиф

Древняя Греция

Глина, лак

Коллекция А. Эльтермана

МИПУ ХФ 1024

Музей истории Пермского университета

Lekythos

Ancient Greece

Clay, varnish

Collection of  A. Elterman

МИПУ ХФ 1024

Perm State University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388514
title: Petroglyph H4 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H4 Khatm Al Melaha, Kalba, Sharjah. Some form of cattle?  Likely Iron Are or later. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388515
title: Petroglyph H4 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H4 Khatm Al Melaha, Kalba, Sharjah. Some form of cattle?  Likely Iron Are or later. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388519
title: Anthropomorphic Figurine 1

description: [The Pallasboy Project ](https://thepallasboyvessel.wordpress.com)explores the creative process involved in the crafting of prehistoric wooden artefacts. This [phase](https://thepallasboyvessel.wordpress.com/category/phase-2-anthropomorphic-wooden-figurines/) of the project  develops and extends the practical and theoretical investigations of creativity, craft and woodworking in prehistory by focusing on anthropomorphic wooden figurines recovered from wetland contexts across Europe.

This project has been funded by the World Wood Day Fund via the International Wood Culture Society, and is co-ordinated by; Brian MAc Domhniall, Dr. Benjamin Gearey, and Caitríona Moore.

This figure was crafted by Brian Mac Domhnaill as part of an experimental workshop facilitated by [Meitheal Mara Community Boatyard Cork](http://meithealmara.ie/).  

To learn more about The Pallasboy Project's experimental workshop:
https://vimeo.com/187676381

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388518
title: Anthropomorphic Figurine 1

description: [The Pallasboy Project ](https://thepallasboyvessel.wordpress.com)explores the creative process involved in the crafting of prehistoric wooden artefacts. This [phase](https://thepallasboyvessel.wordpress.com/category/phase-2-anthropomorphic-wooden-figurines/) of the project  develops and extends the practical and theoretical investigations of creativity, craft and woodworking in prehistory by focusing on anthropomorphic wooden figurines recovered from wetland contexts across Europe.

This project has been funded by the World Wood Day Fund via the International Wood Culture Society, and is co-ordinated by; Brian MAc Domhniall, Dr. Benjamin Gearey, and Caitríona Moore.

This figure was crafted by Brian Mac Domhnaill as part of an experimental workshop facilitated by [Meitheal Mara Community Boatyard Cork](http://meithealmara.ie/).  

To learn more about The Pallasboy Project's experimental workshop:
https://vimeo.com/187676381

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388520
title: Kit Rae Sword of Darkness

description: Not too long ago I challenged myself to model a sword in under an hour. I was successful, but the topology was awful. So I decided to fix the topology and learn how to retopologize in blender!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388521
title: Kit Rae Sword of Darkness

description: Not too long ago I challenged myself to model a sword in under an hour. I was successful, but the topology was awful. So I decided to fix the topology and learn how to retopologize in blender!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388522
title: Microlith, SJ13_265

description: Expanded base microlith, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_265

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388523
title: Microlith, SJ13_265

description: Expanded base microlith, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_265

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388524
title: Peter Ganine Classic Knight

description: Peter Ganine Classic Knight - Altered slightly. One of the most famous and iconic props from Star Trek is the three dimensional chess set, and the most generally associated were the Ganine "Classic Style" chess pieces.

Peter Ganine (October 11, 1900 – August 11, 1974) was a Russian-American sculptor best known for his work in ceramics and his chess sets. When Ganine gave human faces to chess pieces, he introduced "first major change of design for chess sets in more than a century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388525
title: Peter Ganine Classic Knight

description: Peter Ganine Classic Knight - Altered slightly. One of the most famous and iconic props from Star Trek is the three dimensional chess set, and the most generally associated were the Ganine "Classic Style" chess pieces.

Peter Ganine (October 11, 1900 – August 11, 1974) was a Russian-American sculptor best known for his work in ceramics and his chess sets. When Ganine gave human faces to chess pieces, he introduced "first major change of design for chess sets in more than a century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388526
title: Kirkjubømúrurin: G020

description: Gipsformur av vígslukrossi úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Plaster cast with a consecration cross motive, from Kirkjubømúrinum (The Saint Magnus Cathedral). In storage at Tjóðsavnið.

Dimension: 40.5 x 39.5 x 4.5 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388527
title: Kirkjubømúrurin: G020

description: Gipsformur av vígslukrossi úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Plaster cast with a consecration cross motive, from Kirkjubømúrinum (The Saint Magnus Cathedral). In storage at Tjóðsavnið.

Dimension: 40.5 x 39.5 x 4.5 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388528
title: улична фасада, фабрика Коста Стаменковић

description: # street facade, former textile factory Kosta Stamenković, Leskovac, Serbia
>>February 2020

https://goo.gl/maps/gjgpokudyejk6VF57

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388529
title: улична фасада, фабрика Коста Стаменковић

description: # street facade, former textile factory Kosta Stamenković, Leskovac, Serbia
>>February 2020

https://goo.gl/maps/gjgpokudyejk6VF57

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388530
title: Medieval Iron Dog Collar

description: Culture: [Medieval](http://n2t.net/ark:/99152/p0gjgrsxwzx). Material: Iron. Accession no: HCM 199. Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html).

An iron dog-collar with spikes. It is hinged with a clasp and ring in the front. The edges are perforated at the edges for the attachment of a lining. [More](https://www.huntmuseum.com/explore/item/2e76c063-5a6c-3074-8898-1eaacdec6634/?s%3DHCM+199&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388531
title: Medieval Iron Dog Collar

description: Culture: [Medieval](http://n2t.net/ark:/99152/p0gjgrsxwzx). Material: Iron. Accession no: HCM 199. Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html).

An iron dog-collar with spikes. It is hinged with a clasp and ring in the front. The edges are perforated at the edges for the attachment of a lining. [More](https://www.huntmuseum.com/explore/item/2e76c063-5a6c-3074-8898-1eaacdec6634/?s%3DHCM+199&pos=1).

Source: Objaverse 1.0 / Sketchfab