cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10240572
title: WW2 Props

description: 5 Props from WW2 for the Q-week assignment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240573
title: WW2 Props

description: 5 Props from WW2 for the Q-week assignment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240575
title: Pav V Ionic Capital

description: Ionic capital at Pavilion V, Academical Village, University of Virginia; data was obtained from 3D scanning using FARO Focus 3D X 130 laser scanner and Creaform GoScan 50 structured light scanner; data was processed to combine datasets into one contiguous 3D model using GeoMagic DX

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240574
title: Pav V Ionic Capital

description: Ionic capital at Pavilion V, Academical Village, University of Virginia; data was obtained from 3D scanning using FARO Focus 3D X 130 laser scanner and Creaform GoScan 50 structured light scanner; data was processed to combine datasets into one contiguous 3D model using GeoMagic DX

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240577
title: Puffin skull

description: Micro CT scan of a puffin skull from the D'Arcy Thompson Zoology Museum at the University of Dundee.

DUNUC 1808. Fratercula arctica - Puffin.

Scanned with a Nikon XT H 225ST micro CT scanner. The resulting file is exported as an stl. and imported in to Zbrush. Texture is added from photographs using the Spotlight function and Polypainting.

We'd love to hear from you if you download or print our models, especially if you use them in education and outreach.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240576
title: Puffin skull

description: Micro CT scan of a puffin skull from the D'Arcy Thompson Zoology Museum at the University of Dundee.

DUNUC 1808. Fratercula arctica - Puffin.

Scanned with a Nikon XT H 225ST micro CT scanner. The resulting file is exported as an stl. and imported in to Zbrush. Texture is added from photographs using the Spotlight function and Polypainting.

We'd love to hear from you if you download or print our models, especially if you use them in education and outreach.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240579
title: Greenbriar Arrowhead

description: Made with 3df zephyr aerial using 96 photos.

This is a fine Greenbriar point I found a few years back...  It's about 4.5 cm (or 1.75 in) long, and made of a white flint that has a waxy gleam to it.  The flint also contains a few tiny fossils in some of the dark patches.  The rock I've set it on is a piece of cooled lava I found as a kid...  I think it made a fantastic second-subject... I'll probably use it again in the future.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240578
title: Greenbriar Arrowhead

description: Made with 3df zephyr aerial using 96 photos.

This is a fine Greenbriar point I found a few years back...  It's about 4.5 cm (or 1.75 in) long, and made of a white flint that has a waxy gleam to it.  The flint also contains a few tiny fossils in some of the dark patches.  The rock I've set it on is a piece of cooled lava I found as a kid...  I think it made a fantastic second-subject... I'll probably use it again in the future.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240581
title: Pozzo Piazza della verdura

description: Sito in Ascoli Piceno in Piazza della verdura o Piazza delle erbe.
Al centro della sua area sorge il pozzo, di epoca trecentesca, decorato all'esterno da specchiature rettangolari inquadrate da colonnine tortili di gusto gotico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240580
title: Pozzo Piazza della verdura

description: Sito in Ascoli Piceno in Piazza della verdura o Piazza delle erbe.
Al centro della sua area sorge il pozzo, di epoca trecentesca, decorato all'esterno da specchiature rettangolari inquadrate da colonnine tortili di gusto gotico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240583
title: Relieve de Asclepios - Periodo Clásico (IV a.C)

description: El relieve presenta una figura femenina central que está siendo atendida por una figura masculina (Asclepios, dios de la medicina en la mitología griega), mientras otros asistentes admiran el milagro. Está realizado en mármol. Este modelo se hizo a partir de la pieza expuesta en la Facultad de Filosofía y Letras de la Universidad de Granada.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240582
title: Relieve de Asclepios - Periodo Clásico (IV a.C)

description: El relieve presenta una figura femenina central que está siendo atendida por una figura masculina (Asclepios, dios de la medicina en la mitología griega), mientras otros asistentes admiran el milagro. Está realizado en mármol. Este modelo se hizo a partir de la pieza expuesta en la Facultad de Filosofía y Letras de la Universidad de Granada.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240584
title: Textiles: Gurmyzhskaya, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Raisa Gurmyzhskaya in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.20270.79685

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240585
title: Textiles: Gurmyzhskaya, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Raisa Gurmyzhskaya in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.20270.79685

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240587
title: Old and dusty multi-crate storage

description: A dusty multicrate palette. Used maya's nCloth for the covering. Textured with Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240586
title: Old and dusty multi-crate storage

description: A dusty multicrate palette. Used maya's nCloth for the covering. Textured with Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240589
title: MA040-031004- Kilgavan

description: In the NE quadrant of a graveyard (MA040-031002-), lying on the ground surface. A prostrate, pillar-like block of granitic stone (L 1.35m N-S; Wth 0.3m E−W, T 0.15-0.2m), with a roughly rectangular cross-section, bearing an ogham inscription along one angle of its long axis. The stone lies on the ground surface with its long axis oriented N−S; the inscription can be seen on the upper angle on the W side of the stone. It extends from the N end of the stone to roughly mid-way along its length. The surface of the stone is moderately blotched with lichens and moss, with denser growth on the W face. (Jane O'Shaughnessy, field report) The ogham inscription has been interpreted as DOTAGNI or possibly COTAGNI, as the spall at the start of the inscription may have removed a couple of scores.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240588
title: MA040-031004- Kilgavan

description: In the NE quadrant of a graveyard (MA040-031002-), lying on the ground surface. A prostrate, pillar-like block of granitic stone (L 1.35m N-S; Wth 0.3m E−W, T 0.15-0.2m), with a roughly rectangular cross-section, bearing an ogham inscription along one angle of its long axis. The stone lies on the ground surface with its long axis oriented N−S; the inscription can be seen on the upper angle on the W side of the stone. It extends from the N end of the stone to roughly mid-way along its length. The surface of the stone is moderately blotched with lichens and moss, with denser growth on the W face. (Jane O'Shaughnessy, field report) The ogham inscription has been interpreted as DOTAGNI or possibly COTAGNI, as the spall at the start of the inscription may have removed a couple of scores.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240592
title: Silver Smelting Plant, Russia, XIX century

description: Барнаульский сереброплавильный завод
Историческое предприятие в городе Барнауле, работавшее с 1744 по 1893 год. До середины XIX века на Барнаульском сереброплавильном заводе выплавляли 90% всего российского серебра.
Является памятником архитектуры федерального значения. Сейчас памятник архитектуры находится в аварийном состоянии и его посещение ограничено.

Barnaul Silver Smelting Plant, Barnaul, Russian Empire, XIX century.
Historical company in the city of Barnaul, operating from 1744 to 1893. Until the mid-19th century, 90% of all Russian silver was smelted at the Barnaul Silver Smelter
It is a monument of architecture of federal significance. Nowadays, the architectural monument is in disrepair and its availability for visitors is limited.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240593
title: Silver Smelting Plant, Russia, XIX century

description: Барнаульский сереброплавильный завод
Историческое предприятие в городе Барнауле, работавшее с 1744 по 1893 год. До середины XIX века на Барнаульском сереброплавильном заводе выплавляли 90% всего российского серебра.
Является памятником архитектуры федерального значения. Сейчас памятник архитектуры находится в аварийном состоянии и его посещение ограничено.

Barnaul Silver Smelting Plant, Barnaul, Russian Empire, XIX century.
Historical company in the city of Barnaul, operating from 1744 to 1893. Until the mid-19th century, 90% of all Russian silver was smelted at the Barnaul Silver Smelter
It is a monument of architecture of federal significance. Nowadays, the architectural monument is in disrepair and its availability for visitors is limited.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240594
title: Spitzmaus

description: Die Spitzmaus mit langgestrecktem, walzenförmigen Körper, deutlich abgesetztem Hals, langer Schnauze, kleinen Augen und Ohren ist naturrealistisch gearbeitet. Das Augenweiß ist mit Silber ausgelegt worden. Sie misst mit Sockel ca. 4 x 16,3 x 6,5 cm und datiert in die Spätzeit (ca. 664–332 v. Chr.). Auf dem Rücken befinden sich vom Kopf zum Schwanz drei fein ausgearbeitete Verzierungen: eine Flügelsonne, ein geflügelter Falke sowie ein geflügelter Geier. Die Spitzmaus war dem Falkengott Horus in Letopolis heilig.
Inv. Nr. 1101

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240595
title: Spitzmaus

description: Die Spitzmaus mit langgestrecktem, walzenförmigen Körper, deutlich abgesetztem Hals, langer Schnauze, kleinen Augen und Ohren ist naturrealistisch gearbeitet. Das Augenweiß ist mit Silber ausgelegt worden. Sie misst mit Sockel ca. 4 x 16,3 x 6,5 cm und datiert in die Spätzeit (ca. 664–332 v. Chr.). Auf dem Rücken befinden sich vom Kopf zum Schwanz drei fein ausgearbeitete Verzierungen: eine Flügelsonne, ein geflügelter Falke sowie ein geflügelter Geier. Die Spitzmaus war dem Falkengott Horus in Letopolis heilig.
Inv. Nr. 1101

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240596
title: Disney Kaleidescope

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240597
title: Disney Kaleidescope

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240598
title: Warrior 2

description: First tryout of 3D scanning using 123D catch 3 years ago of chinese terracotta soldier souvenir. The 3D model is then cut using CNC machine on foam to create a plaster template for ceramic casting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240599
title: Warrior 2

description: First tryout of 3D scanning using 123D catch 3 years ago of chinese terracotta soldier souvenir. The 3D model is then cut using CNC machine on foam to create a plaster template for ceramic casting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240600
title: Kriegerdenkmal Hormersdorf Erzgebirge

description: Das Ehrenmal am Huthübel Hormersdorf
Schon aus der Ferne gut sichtbar, erhebt sich ein ganz besonderes Bauwerk stolz auf einer kleinen Anhöhe zwischen Hormersdorf und Günsdorf. Auch von der Straße zwischen den Beiden Ortsteilen ist es gut zu sehen und zieht die Blicke auf sich.
So Mancher, der diese Straße passiert stellt sich die Frage, was dies wohl für ein mystischer Ort ist, der auf dem seichten Hügel thront.
Das Krieger-Ehrenmal auf dem Huthübel bei Hormersdorf wurde im Jahre 1929 zu Ehren der Gefallenen im Ersten Weltkrieg errichtet und im September des selben Jahres feierlich eingeweiht.
Groß und massiv, bestehend aus mit Natursteinen gemauerten, hohen Einzelblöcken, die kreisrund angeordnet sind wirkt das Mahnmal durchaus monumental.
Im Inneren liegt ein schwerer Steinblock. Die gepflegte Anlage ist von alten Laubbäumen eingesäumt und eine steinerne Bank läd zu einer besinnlichen Rast mit Weitblick ein."
http://www.stuelpners-erben.de/2018/04/26/das-ehrenmal-am-huthuebel-bei-hormersdorf/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240601
title: Kriegerdenkmal Hormersdorf Erzgebirge

description: Das Ehrenmal am Huthübel Hormersdorf
Schon aus der Ferne gut sichtbar, erhebt sich ein ganz besonderes Bauwerk stolz auf einer kleinen Anhöhe zwischen Hormersdorf und Günsdorf. Auch von der Straße zwischen den Beiden Ortsteilen ist es gut zu sehen und zieht die Blicke auf sich.
So Mancher, der diese Straße passiert stellt sich die Frage, was dies wohl für ein mystischer Ort ist, der auf dem seichten Hügel thront.
Das Krieger-Ehrenmal auf dem Huthübel bei Hormersdorf wurde im Jahre 1929 zu Ehren der Gefallenen im Ersten Weltkrieg errichtet und im September des selben Jahres feierlich eingeweiht.
Groß und massiv, bestehend aus mit Natursteinen gemauerten, hohen Einzelblöcken, die kreisrund angeordnet sind wirkt das Mahnmal durchaus monumental.
Im Inneren liegt ein schwerer Steinblock. Die gepflegte Anlage ist von alten Laubbäumen eingesäumt und eine steinerne Bank läd zu einer besinnlichen Rast mit Weitblick ein."
http://www.stuelpners-erben.de/2018/04/26/das-ehrenmal-am-huthuebel-bei-hormersdorf/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240602
title: Hafted Tool XCB-003-302

description: Hafted Tool  XCB-003-302 Likely 400-1 BCE

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240603
title: Hafted Tool XCB-003-302

description: Hafted Tool  XCB-003-302 Likely 400-1 BCE

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240604
title: Tanum 174:1 Prästgården

description: Lasermodel of Tanum 174:1 at Prästgården.
Documentationproject Länstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240605
title: Tanum 174:1 Prästgården

description: Lasermodel of Tanum 174:1 at Prästgården.
Documentationproject Länstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240606
title: B9190 Antimis datat 1823 - restaurat

description: **B9190 Antimis datat 1823** Obiect liturgic, țesut în două ițe, fibre vegetale, margini tivite. Era folosit de preoți în Sfântul Altar. înfățișează un desen cu scene biblice imprimate prin gravură cu cerneală ferogalică. Inscripție în limba română cu caractere chirilice.

**B9190 Antimis dated 1823** Liturgical object, woven in two threads, vegetable fibers, edged edges. It was used by priests in the Holy Altar. depicts a drawing with biblical scenes printed by engraving in ferogal ink. Inscription in Romanian with Cyrillic characters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240607
title: B9190 Antimis datat 1823 - restaurat

description: **B9190 Antimis datat 1823** Obiect liturgic, țesut în două ițe, fibre vegetale, margini tivite. Era folosit de preoți în Sfântul Altar. înfățișează un desen cu scene biblice imprimate prin gravură cu cerneală ferogalică. Inscripție în limba română cu caractere chirilice.

**B9190 Antimis dated 1823** Liturgical object, woven in two threads, vegetable fibers, edged edges. It was used by priests in the Holy Altar. depicts a drawing with biblical scenes printed by engraving in ferogal ink. Inscription in Romanian with Cyrillic characters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240608
title: Retirement post 引退ポスト【Banshu Kiyomizudera】

description: 推古・聖武 両帝勅願所  本尊 大講堂(千手観音)・根本中堂(十一面観音)奉安
御開山法道仙人は印度の僧で、今より1800年前、人皇十二代景行天皇が治められていた時に、中国、朝鮮を経て御嶽山に住まわれ鎮護国家豊作を祈願されました。
推古35年(627年)推古天皇勅願により、根本中堂が建立され、仙人一刀三礼の秘仏「十一面観音」、「脇士毘沙門天王」、「吉祥天女」の聖像が安置されました。
もともとこの地は水に乏しく、仙人、水神に祈ったところ、霊泉が湧水し、その事に感謝して「清水寺」と名付けられました。
神亀2年(725年)聖武天皇は行基菩薩に勅願して大講堂を建立、永く経典の講義をする道場として、法灯を国中に輝かされました。
花山法皇西国御巡拝の時、ここを訪ねられ御詠されて以来、西国二十五番の札堂と称するようになりました。(播州清水寺HPより)

ここにひっそりと佇むポスト、大正時代までは使われていたとか。。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240609
title: Retirement post 引退ポスト【Banshu Kiyomizudera】

description: 推古・聖武 両帝勅願所  本尊 大講堂(千手観音)・根本中堂(十一面観音)奉安
御開山法道仙人は印度の僧で、今より1800年前、人皇十二代景行天皇が治められていた時に、中国、朝鮮を経て御嶽山に住まわれ鎮護国家豊作を祈願されました。
推古35年(627年)推古天皇勅願により、根本中堂が建立され、仙人一刀三礼の秘仏「十一面観音」、「脇士毘沙門天王」、「吉祥天女」の聖像が安置されました。
もともとこの地は水に乏しく、仙人、水神に祈ったところ、霊泉が湧水し、その事に感謝して「清水寺」と名付けられました。
神亀2年(725年)聖武天皇は行基菩薩に勅願して大講堂を建立、永く経典の講義をする道場として、法灯を国中に輝かされました。
花山法皇西国御巡拝の時、ここを訪ねられ御詠されて以来、西国二十五番の札堂と称するようになりました。(播州清水寺HPより)

ここにひっそりと佇むポスト、大正時代までは使われていたとか。。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240611
title: Brown's Bottom_i119v12_C19

description: Cordamrked rim sherd with hard incised lines, punctates, and dowel marks; from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio.  The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104). Note: model not exported for printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240610
title: Brown's Bottom_i119v12_C19

description: Cordamrked rim sherd with hard incised lines, punctates, and dowel marks; from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio.  The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104). Note: model not exported for printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240612
title: Kukulcán Pyramid

description: Kukulcán Pyramid

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240613
title: Kukulcán Pyramid

description: Kukulcán Pyramid

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240614
title: PNRP F.1.28.102.25.a

description: This R fibula fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240615
title: PNRP F.1.28.102.25.a

description: This R fibula fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240616
title: M'Bole People Anthropomorphic Figure

description: From the M'Bole People of Zaire. Carved wood with variegated brown patina with aged white kaolin of a male figure with human body arching forward with elongated torso.  White kaolin, arms extended outward from body and hands resting on upper thighs, small concave heart-shaped face with small seed eyes, round animal-like mouth, double crested head treatment, indigenous rope wrapped around wrists, additional rope extending from neck and secured at waist for suspension.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240617
title: M'Bole People Anthropomorphic Figure

description: From the M'Bole People of Zaire. Carved wood with variegated brown patina with aged white kaolin of a male figure with human body arching forward with elongated torso.  White kaolin, arms extended outward from body and hands resting on upper thighs, small concave heart-shaped face with small seed eyes, round animal-like mouth, double crested head treatment, indigenous rope wrapped around wrists, additional rope extending from neck and secured at waist for suspension.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240618
title: AMX-30 B2 scale model scan

description: This 3D reference model was generated with photogrammetry software 3DF Zephyr v4.513 processing 214 images taken from a 1/35 scale model.

And is intented for referencing when 3D modeling this tank.

Source: Objaverse 1.0 / Sketchfab