cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10290790
title: Luxor Medinet Habu Hypostyle (360 Sphere)

description: https://library.ucsd.edu/dc/object/bb6930466p

Collection
CAVEcam Virtual Reality Photography Collection
Photographers
DeFanti, Thomas A.
Saad, Adel
Wickham, Greg
Contributor
Ainsworth, Richard A.
Date Issued
2016
Creation Date
Date captured: 2011-04-30. Date rendered: 2011-05-11. Revision date: 2016-01-13
Cite This Work
DeFanti, Thomas A; Saad, Adel; Wickham, Greg; Ainsworth, Richard A (2016): Luxor - Medinet Habu - Hypostyle. In CAVEcam Virtual Reality Photography Collection. UC San Diego Library Digital Collections. http://doi.org/10.6075/J01V5BW2

Description
This CAVEcam was shot in the Temple of Ramesses III at Medinet Habu. This is outside of the columns CAVEcam shot and the Royal Treasure Halls.

Geographics

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290791
title: Luxor Medinet Habu Hypostyle (360 Sphere)

description: https://library.ucsd.edu/dc/object/bb6930466p

Collection
CAVEcam Virtual Reality Photography Collection
Photographers
DeFanti, Thomas A.
Saad, Adel
Wickham, Greg
Contributor
Ainsworth, Richard A.
Date Issued
2016
Creation Date
Date captured: 2011-04-30. Date rendered: 2011-05-11. Revision date: 2016-01-13
Cite This Work
DeFanti, Thomas A; Saad, Adel; Wickham, Greg; Ainsworth, Richard A (2016): Luxor - Medinet Habu - Hypostyle. In CAVEcam Virtual Reality Photography Collection. UC San Diego Library Digital Collections. http://doi.org/10.6075/J01V5BW2

Description
This CAVEcam was shot in the Temple of Ramesses III at Medinet Habu. This is outside of the columns CAVEcam shot and the Royal Treasure Halls.

Geographics

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290794
title: Dagger (12801A)

description: Carved, black wood handle and etched iron blade.

https://stanford.pastperfectonline.com/webobject/E28BECC8-A73E-487D-93C8-197575526005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290795
title: Dagger (12801A)

description: Carved, black wood handle and etched iron blade.

https://stanford.pastperfectonline.com/webobject/E28BECC8-A73E-487D-93C8-197575526005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290796
title: Medieval Chair 01

description: Medeival Chair 01 for fantasy\medievla interiors.
4k textures. Optimized for Unreal and Unity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290797
title: Medieval Chair 01

description: Medeival Chair 01 for fantasy\medievla interiors.
4k textures. Optimized for Unreal and Unity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290800
title: Hercules wrestling with Antaeus

description: Hercules wrestling with Antaeus (1800), early Netherlandish. The National Art Gallery museum (Copenhagen, Denmark). Made out 100 pictures with MetaShape from Agisoft.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290801
title: Hercules wrestling with Antaeus

description: Hercules wrestling with Antaeus (1800), early Netherlandish. The National Art Gallery museum (Copenhagen, Denmark). Made out 100 pictures with MetaShape from Agisoft.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290802
title: LCol John McCrae Statue

description: Lieutenant-Colonel John McCrae was the Canadian soldier, doctor and poet who wrote In Flanders Fields during the First World War. GPS Coordinates: Lat: 45.440141   Long: -75.696289

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290803
title: LCol John McCrae Statue

description: Lieutenant-Colonel John McCrae was the Canadian soldier, doctor and poet who wrote In Flanders Fields during the First World War. GPS Coordinates: Lat: 45.440141   Long: -75.696289

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290804
title: Wood Horse (models Theo Jansen). Download free.

description: Download free this model is a 3D Model part of project of tangible interaction
Summary Video of the project in youtube https://www.youtube.com/watch?v=kdtAwtMheuI
If you want more models please subscribe to my channel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290805
title: Wood Horse (models Theo Jansen). Download free.

description: Download free this model is a 3D Model part of project of tangible interaction
Summary Video of the project in youtube https://www.youtube.com/watch?v=kdtAwtMheuI
If you want more models please subscribe to my channel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290806
title: Babon Aniem Kotabaru | Historical Building

description: Bangunan cagar budaya pada kompleks Kotabaru, Kota Yogyakarta. Dibangun pada tahun 1918 di masa Hindia Belanda. Dahulu dipergunakan sebagai gardu listrik dan pengatur suplai daya.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290807
title: Babon Aniem Kotabaru | Historical Building

description: Bangunan cagar budaya pada kompleks Kotabaru, Kota Yogyakarta. Dibangun pada tahun 1918 di masa Hindia Belanda. Dahulu dipergunakan sebagai gardu listrik dan pengatur suplai daya.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290810
title: Spear / Mızrak

description: Spear like a homo erectus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290811
title: Spear / Mızrak

description: Spear like a homo erectus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290812
title: Conac II

description: Scanned Old barn Conac unfinished upload
colored albedo - inspect textures

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290813
title: Conac II

description: Scanned Old barn Conac unfinished upload
colored albedo - inspect textures

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290814
title: Portrait of a Bearded Roman

description: This is an 11 ⅞" marble bust of a bearded male figure, produced in Rome around the mid-2nd century A.D. by an unknown patron. A great amount of detail can be seen in the hair and beard. The nose of the bust has been damaged and is missing, and the eyes do not appear to have any discernible pupils or irises. The carving on the bust seems to be a mix of contrasting idealistic and veristic styles, as evidenced by the square, idealized shape of the bust's face and the more realistic wrinkles on the bust's forehead. The bust is severed at the neck, indicating that it is part of a larger piece. It is uncertain whether this piece was originally a bust, or if it may have been part of a full-length statue that was later cut for ease of sale or transport. The absence of these key identifying details make identifying the subject depicted in the bust difficult; however, based on details that are present, it seems likely that this could be a portrait of Roman Emperor Antoninus Pius.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290815
title: Portrait of a Bearded Roman

description: This is an 11 ⅞" marble bust of a bearded male figure, produced in Rome around the mid-2nd century A.D. by an unknown patron. A great amount of detail can be seen in the hair and beard. The nose of the bust has been damaged and is missing, and the eyes do not appear to have any discernible pupils or irises. The carving on the bust seems to be a mix of contrasting idealistic and veristic styles, as evidenced by the square, idealized shape of the bust's face and the more realistic wrinkles on the bust's forehead. The bust is severed at the neck, indicating that it is part of a larger piece. It is uncertain whether this piece was originally a bust, or if it may have been part of a full-length statue that was later cut for ease of sale or transport. The absence of these key identifying details make identifying the subject depicted in the bust difficult; however, based on details that are present, it seems likely that this could be a portrait of Roman Emperor Antoninus Pius.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290818
title: Capitell del Claustre de Sant Pau del Camp

description: La petita església romànica de Sant Pau del Camp està en el que ara és el barri del Raval, al centre de Barcelona. https://ca.wikipedia.org/wiki/Sant_Pau_del_Camp

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290819
title: Capitell del Claustre de Sant Pau del Camp

description: La petita església romànica de Sant Pau del Camp està en el que ara és el barri del Raval, al centre de Barcelona. https://ca.wikipedia.org/wiki/Sant_Pau_del_Camp

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290820
title: Petroglyph H17, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H17, Khatm Al Melaha, Kalba, Sharjah. Six Syrian Wild Asses. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290821
title: Petroglyph H17, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H17, Khatm Al Melaha, Kalba, Sharjah. Six Syrian Wild Asses. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290823
title: Silberberg Reverse Modeling

description: 3D model of vase, using reverse modeling.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290822
title: Silberberg Reverse Modeling

description: 3D model of vase, using reverse modeling.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290824
title: Small Japanise Shrine

description: This shrine is heavily inspired by Japanese small shrines

***This model contains little texture errors that will be fixed when time goes by***

***This asset is free to use!***

**But if you use it, I hope you add credits where credits are due!***

This model was created in blender 3.0.1 and textures were also created in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290825
title: Small Japanise Shrine

description: This shrine is heavily inspired by Japanese small shrines

***This model contains little texture errors that will be fixed when time goes by***

***This asset is free to use!***

**But if you use it, I hope you add credits where credits are due!***

This model was created in blender 3.0.1 and textures were also created in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290827
title: Staffa2018_Tr1

description: Staffa 218 (@Staffa2018) Trench 1, Excavated 24-28 August 2018, This model created from images captured 27th August, before final excavation phase for this season. Cut, storage pit and fills, including reddish fill in baulk are clearly visible. Context annotation to be added.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290826
title: Staffa2018_Tr1

description: Staffa 218 (@Staffa2018) Trench 1, Excavated 24-28 August 2018, This model created from images captured 27th August, before final excavation phase for this season. Cut, storage pit and fills, including reddish fill in baulk are clearly visible. Context annotation to be added.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290829
title: Plato de cerámica estilo Killke

description: N° de Registro Nacional: 0000297548

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Tazón 

MATERIAL: Cerámica

CULTURA / ESTILO: Lucre

CRONOLOGIA: Intermedio Tardío
 (1,000 d.c. - 1476 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290828
title: Plato de cerámica estilo Killke

description: N° de Registro Nacional: 0000297548

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Tazón 

MATERIAL: Cerámica

CULTURA / ESTILO: Lucre

CRONOLOGIA: Intermedio Tardío
 (1,000 d.c. - 1476 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290831
title: MR. FISH

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290830
title: MR. FISH

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290832
title: Old Helm

description: Old medieval helmet modeled in 3ds Max and textured in Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290833
title: Old Helm

description: Old medieval helmet modeled in 3ds Max and textured in Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290834
title: "Sieh um Dich" in Trier (Look around you)

description: A short alley in Trier located in the cathedral immunity which, together with the southern section of Liebfrauenstraße, follows a Roman cardo (north-south street).
Named platea cantoris (Sängersgäßchen) in 1571 after the cathedral cantor's curia located in the alley, the alley derives its current name, in use since the 18th century, from an inscription of the same name on a door lintel walled up in the adjacent mountain wall of the Domfreihof 3 property.

Eine in der Domimmunität gelegene kurze Gasse in Trier, die zusammen mit dem südlichen Abschnitt der Liebfrauenstraße einem römischen Cardo (Nord-Süd-Straße) folgt. 1571 nach der in der Gasse gelegenen Kurie des Domkantors platea cantoris (Sängersgäßchen) genannt, leitet die Gasse ihren heutigen, seit dem 18. Jahrhundert gebräuchlichen Namen von einer gleichlautenden Inschrift eines Türsturzes ab, der in der angrenzenden Beringmauer des Anwesens Domfreihof 3 vermauert ist.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290835
title: "Sieh um Dich" in Trier (Look around you)

description: A short alley in Trier located in the cathedral immunity which, together with the southern section of Liebfrauenstraße, follows a Roman cardo (north-south street).
Named platea cantoris (Sängersgäßchen) in 1571 after the cathedral cantor's curia located in the alley, the alley derives its current name, in use since the 18th century, from an inscription of the same name on a door lintel walled up in the adjacent mountain wall of the Domfreihof 3 property.

Eine in der Domimmunität gelegene kurze Gasse in Trier, die zusammen mit dem südlichen Abschnitt der Liebfrauenstraße einem römischen Cardo (Nord-Süd-Straße) folgt. 1571 nach der in der Gasse gelegenen Kurie des Domkantors platea cantoris (Sängersgäßchen) genannt, leitet die Gasse ihren heutigen, seit dem 18. Jahrhundert gebräuchlichen Namen von einer gleichlautenden Inschrift eines Türsturzes ab, der in der angrenzenden Beringmauer des Anwesens Domfreihof 3 vermauert ist.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290836
title: Tartupaluk (Hans Island),

description: Este pequeña isla mide apenas 1200 m de diámetro y está ubicada en el canal Kennedy del estrecho de Nares. Este estrecho separa la isla de Ellesmere en Canadá, del norte de Groenlandia, y conecta la bahía de Baffin con el mar de Lincoln. Es objeto de litigio entre Canadá y Dinamarca por su situación en el posible Paso de Noroeste, si este se despeja de hielo por el calentamiento global. 
Obra derivada de ALOS Global Digital Surface Model (AW3D30) e imagen del servicio World Imagery de ArcGIS online. 
Localización https://osm.org/go/dwT8ZY--?layers=C&relation=11602182  
geo:80.8020,-66.2448?z=9 
¿Cómo se hace? Descargar guía en https://tinyurl.com/y76md9bs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290837
title: Tartupaluk (Hans Island),

description: Este pequeña isla mide apenas 1200 m de diámetro y está ubicada en el canal Kennedy del estrecho de Nares. Este estrecho separa la isla de Ellesmere en Canadá, del norte de Groenlandia, y conecta la bahía de Baffin con el mar de Lincoln. Es objeto de litigio entre Canadá y Dinamarca por su situación en el posible Paso de Noroeste, si este se despeja de hielo por el calentamiento global. 
Obra derivada de ALOS Global Digital Surface Model (AW3D30) e imagen del servicio World Imagery de ArcGIS online. 
Localización https://osm.org/go/dwT8ZY--?layers=C&relation=11602182  
geo:80.8020,-66.2448?z=9 
¿Cómo se hace? Descargar guía en https://tinyurl.com/y76md9bs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290838
title: Généreuse

description: Une sculpture en pierre calcaire de Crazannes d'environ 3.20 m de hauteur sous la signature de "T. Jarrice" sans aucun comentaire. je l'ai nommée "Généreuse"...comprendra qui pourra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290839
title: Généreuse

description: Une sculpture en pierre calcaire de Crazannes d'environ 3.20 m de hauteur sous la signature de "T. Jarrice" sans aucun comentaire. je l'ai nommée "Généreuse"...comprendra qui pourra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290840
title: Helmet with Beaked Visor

description: This helmet features decorative grooves on the skull and the visor has been extended into a beak.

As late as in 1866, the helmet was thought to have belonged to King Magnus Ladulås (dead in 1290) and was on display in the Riddarholmen Church together with a suit of armour consisting of unrelated parts.

However, King Magnus would never have come across the helmet which was made in Germany in the 1530s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290841
title: Helmet with Beaked Visor

description: This helmet features decorative grooves on the skull and the visor has been extended into a beak.

As late as in 1866, the helmet was thought to have belonged to King Magnus Ladulås (dead in 1290) and was on display in the Riddarholmen Church together with a suit of armour consisting of unrelated parts.

However, King Magnus would never have come across the helmet which was made in Germany in the 1530s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290843
title: Hammer And Sickle

description: This is a model i created for a personal project of mine and I figured I'd share it considuring the subject matter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290842
title: Hammer And Sickle

description: This is a model i created for a personal project of mine and I figured I'd share it considuring the subject matter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290844
title: Greenwich Visitors Centre Stone With Lion

description: 136 photos taken in May 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290845
title: Greenwich Visitors Centre Stone With Lion

description: 136 photos taken in May 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290846
title: Navan Prehistoric Complex, Navan, N Ireland

description: Navan Fort (Emain Macha) is a ceremonial monument located near Armagh, Northern Ireland. According to tradition it was one of the great royal sites of pre-Christian Ireland & the capital of the Ulaidh. It features prominently in Irish mythology, especially in the tales of the Ulster Cycle. The site consists of a large circular hilltop enclosure—marked by a bank and ditch—inside which is a circular mound and the remains of a ring barrow. Archeological investigations show that there were once buildings on the site including a huge roundhouse-like structure which has been likened to a temple. In a ritual act, this timber structure was filled with stones, deliberately burnt down & then covered with earth to create the mound which stands today.

Navan Fort is the heart of the larger 'Navan complex', which also includes the ancient sites of Haughey's Fort (an earlier hilltop enclosure), the King's Stables (a manmade ritual pool) & Loughnashade (a lake which has yielded votive offerings).

LiDAR data from OpenDataNI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290847
title: Navan Prehistoric Complex, Navan, N Ireland

description: Navan Fort (Emain Macha) is a ceremonial monument located near Armagh, Northern Ireland. According to tradition it was one of the great royal sites of pre-Christian Ireland & the capital of the Ulaidh. It features prominently in Irish mythology, especially in the tales of the Ulster Cycle. The site consists of a large circular hilltop enclosure—marked by a bank and ditch—inside which is a circular mound and the remains of a ring barrow. Archeological investigations show that there were once buildings on the site including a huge roundhouse-like structure which has been likened to a temple. In a ritual act, this timber structure was filled with stones, deliberately burnt down & then covered with earth to create the mound which stands today.

Navan Fort is the heart of the larger 'Navan complex', which also includes the ancient sites of Haughey's Fort (an earlier hilltop enclosure), the King's Stables (a manmade ritual pool) & Loughnashade (a lake which has yielded votive offerings).

LiDAR data from OpenDataNI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290848
title: Terrakottastatuette eines jungen Mädchens

description: Die kleine Statuette trägt als Untergewand einen sog. Chiton und darüber ein Mäntelchen. In der rechten Hand hält sie eine Blüte vor ihrer Brust und mit ihrer linken Hand rafft sie ihr Gewand. Dieses Haltungsschema ist typisch für figürliche Darstellungen junger Frauen in der griechischen Archaik (ca. 700 – 500 v. Chr.)f. Solche Terrakotten dienten zumeist als Votivgaben in Heiligtümern oder als Grabbeigaben.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290849
title: Terrakottastatuette eines jungen Mädchens

description: Die kleine Statuette trägt als Untergewand einen sog. Chiton und darüber ein Mäntelchen. In der rechten Hand hält sie eine Blüte vor ihrer Brust und mit ihrer linken Hand rafft sie ihr Gewand. Dieses Haltungsschema ist typisch für figürliche Darstellungen junger Frauen in der griechischen Archaik (ca. 700 – 500 v. Chr.)f. Solche Terrakotten dienten zumeist als Votivgaben in Heiligtümern oder als Grabbeigaben.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290850
title: Alibates Petroglyph - Turtle

description: A turtle petroglyph from Alibates National Monument. 

[The enhanced version is here.](https://skfb.ly/6XSOn)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290851
title: Alibates Petroglyph - Turtle

description: A turtle petroglyph from Alibates National Monument. 

[The enhanced version is here.](https://skfb.ly/6XSOn)

Source: Objaverse 1.0 / Sketchfab