cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10341736
title: Apis Bull, c. 664 BCE - 30 CE

description: Ancient Egyptian bronze sculpture of an Apis Bull (representing the god Osiris), c. 664 BCE - 30 CE, now in the collection of the Minneapolis Institute of Art. 

More information: 

https://collections.artsmia.org/art/104/apis-bull-ancient-egyptian

The sculpture is less than 5cm / 2" long ; in Sketchfab VR it's set to about 30cm / 12" long.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341737
title: Apis Bull, c. 664 BCE - 30 CE

description: Ancient Egyptian bronze sculpture of an Apis Bull (representing the god Osiris), c. 664 BCE - 30 CE, now in the collection of the Minneapolis Institute of Art. 

More information: 

https://collections.artsmia.org/art/104/apis-bull-ancient-egyptian

The sculpture is less than 5cm / 2" long ; in Sketchfab VR it's set to about 30cm / 12" long.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341738
title: Hand Painted Whiteware Rim Sherd

description: Hand Painted Whiteware (Possible Plate or Saucer)

Rim Sherd (burned rim)

By: William Drumm (Public History Intern), Marcus Lastname (Volunteer), Andrew Carter (Curator of Collections)

This sherd was recovered from UWG's campus in 1998 as part of an archaeological fieldschool that sought to investigate the Bonner Plantation and the original location of the "Bonner House."

Whiteware ceramics, like this rim sherd, were first developed in England around 1810 and by the mid-19th century could be considered the most familiar earthenware in the U.S. (and remains common to this day!). Whiteware ceramics are characteristically stark white and their glazes are typically clear (though some color may be visible in areas that sees the glaze pooling). There are a number methods used to decorate the surfaces of whiteware ceramics. Here, we see part of a floral motif that was hand painted using a cobalt-oxide underglaze. The edge of the rim also appears to have been burned. Take a look!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341739
title: Hand Painted Whiteware Rim Sherd

description: Hand Painted Whiteware (Possible Plate or Saucer)

Rim Sherd (burned rim)

By: William Drumm (Public History Intern), Marcus Lastname (Volunteer), Andrew Carter (Curator of Collections)

This sherd was recovered from UWG's campus in 1998 as part of an archaeological fieldschool that sought to investigate the Bonner Plantation and the original location of the "Bonner House."

Whiteware ceramics, like this rim sherd, were first developed in England around 1810 and by the mid-19th century could be considered the most familiar earthenware in the U.S. (and remains common to this day!). Whiteware ceramics are characteristically stark white and their glazes are typically clear (though some color may be visible in areas that sees the glaze pooling). There are a number methods used to decorate the surfaces of whiteware ceramics. Here, we see part of a floral motif that was hand painted using a cobalt-oxide underglaze. The edge of the rim also appears to have been burned. Take a look!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341741
title: Prop Modelling: Time Piece

description: Year 2 Animation Assignment 02

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341742
title: Prop Modelling: Time Piece

description: Year 2 Animation Assignment 02

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341744
title: Torso

description: Bessie Stough Callender, Torso, ca. 1930, granite on marble base, Smithsonian American Art Museum, Bequest of Harold Callender, 1960.8.5

https://americanart.si.edu/artwork/torso-3712

**Reprocess for better capture**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341745
title: Torso

description: Bessie Stough Callender, Torso, ca. 1930, granite on marble base, Smithsonian American Art Museum, Bequest of Harold Callender, 1960.8.5

https://americanart.si.edu/artwork/torso-3712

**Reprocess for better capture**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341746
title: 田川内第一号古墳石室(熊本県指定史跡)

description: * 田川内第一号古墳
* 県史跡
* 熊本県八代市
* 概要 石室は、壁に接して石障がめぐらされ、床面には板石で仕切られた屍床が設けられている。奥の屍床は、左右に立てた袖石の上に板石を乗せて石屋形状に構築されている。室内全体は赤色顔料で塗布され、壁面には円文や二重の円文が認められる。
* 八代市紹介サイト
[https://www.city.yatsushiro.lg.jp/kankou/kiji003537/index.html](https://www.city.yatsushiro.lg.jp/kankou/kiji003537/index.html)
* Googleマップ
https://goo.gl/maps/ycPcwziCMKE88HhD8
* 全国遺跡総覧
[https://sitereports.nabunken.go.jp/ja/search/item/16365?all=%E8%A3%85%E9%A3%BE%E5%8F%A4%E5%A2%B3](https://sitereports.nabunken.go.jp/ja/search/item/16365?all=%E8%A3%85%E9%A3%BE%E5%8F%A4%E5%A2%B3)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341747
title: 田川内第一号古墳石室(熊本県指定史跡)

description: * 田川内第一号古墳
* 県史跡
* 熊本県八代市
* 概要 石室は、壁に接して石障がめぐらされ、床面には板石で仕切られた屍床が設けられている。奥の屍床は、左右に立てた袖石の上に板石を乗せて石屋形状に構築されている。室内全体は赤色顔料で塗布され、壁面には円文や二重の円文が認められる。
* 八代市紹介サイト
[https://www.city.yatsushiro.lg.jp/kankou/kiji003537/index.html](https://www.city.yatsushiro.lg.jp/kankou/kiji003537/index.html)
* Googleマップ
https://goo.gl/maps/ycPcwziCMKE88HhD8
* 全国遺跡総覧
[https://sitereports.nabunken.go.jp/ja/search/item/16365?all=%E8%A3%85%E9%A3%BE%E5%8F%A4%E5%A2%B3](https://sitereports.nabunken.go.jp/ja/search/item/16365?all=%E8%A3%85%E9%A3%BE%E5%8F%A4%E5%A2%B3)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341748
title: Medieval Stone Head Ballymaloe Tower House

description: Medieval Stone Head Ballymaloe Tower House, County Cork, Ireland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341749
title: Medieval Stone Head Ballymaloe Tower House

description: Medieval Stone Head Ballymaloe Tower House, County Cork, Ireland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341750
title: "Andesite sun" from Sarmizegetusa Regia

description: "Soarele de andezit" de la Sarmizegetusa Regia
![andesite-sun](http://dacians.romaniadevis.ro/storage/blog/2017/sa042017v6/soare-de-andezit_0010.jpg)

- [article 1](http://dacians.romaniadevis.ro/blog/21)
- [article 2](http://dacians.romaniadevis.ro/blog/22)

https://en.wikipedia.org/wiki/Sarmizegetusa_Regia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341751
title: "Andesite sun" from Sarmizegetusa Regia

description: "Soarele de andezit" de la Sarmizegetusa Regia
![andesite-sun](http://dacians.romaniadevis.ro/storage/blog/2017/sa042017v6/soare-de-andezit_0010.jpg)

- [article 1](http://dacians.romaniadevis.ro/blog/21)
- [article 2](http://dacians.romaniadevis.ro/blog/22)

https://en.wikipedia.org/wiki/Sarmizegetusa_Regia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341754
title: Escultura Xochicalco

description: Escultura. Xochicalco, Morelos, México. 
Práctica fotogrametría digital, ENAH.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341755
title: Escultura Xochicalco

description: Escultura. Xochicalco, Morelos, México. 
Práctica fotogrametría digital, ENAH.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341758
title: YPM ANT.135940

description: Catalog Number: YPM ANT.135940

Description: Spindle whorl

Materials: ceramic

Culture Group: Latin American; Mesoamerica; Aztec

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341759
title: YPM ANT.135940

description: Catalog Number: YPM ANT.135940

Description: Spindle whorl

Materials: ceramic

Culture Group: Latin American; Mesoamerica; Aztec

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341760
title: Medieval Village

description: Set of low poly medieval village game assets.

Any questions please contact me!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341761
title: Medieval Village

description: Set of low poly medieval village game assets.

Any questions please contact me!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341764
title: Lever Action 1873

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341765
title: Lever Action 1873

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341766
title: Antirömische Spottmedaille / Anti-Papal Medal

description: ***Doppelkopf-Spottmedaille***

*Wolf Milicz*

*1543*

*Silber, gegossen*

*Dm 39,5 mm; Gewicht 15,44 g*

>Stiftung Schloss Friedenstein Gotha

Die antirömische Doppelkopfmedaille verspottet die katholische Kirche: der kathol. Würdenträger und der Narr verschmelzen. Bei Drehung der Medaille um 180 Grad wird dies erkennbar. 
___________________________________________
***Double-Obverse Satirical Medal***

*Wolf Milicz*

*1543*

*Silver, minted*

*D 39.5 mm; weight 15.44 g*

>Foundation Schloss Friedenstein Gotha

The anti-papal double-obverse medal mocks the Catholic Church: the church dignitary and the fool are merged together, which becomes visible when the medal is rotated.

---
Literature: Wallenstein, Uta, 'Two Anti-Papal Double-Obverse Satirical Medals', in: Harald Meller et al. (eds.), Martin Luther. Treasures of the Reformation. Dresden 2016, No. 325.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341767
title: Antirömische Spottmedaille / Anti-Papal Medal

description: ***Doppelkopf-Spottmedaille***

*Wolf Milicz*

*1543*

*Silber, gegossen*

*Dm 39,5 mm; Gewicht 15,44 g*

>Stiftung Schloss Friedenstein Gotha

Die antirömische Doppelkopfmedaille verspottet die katholische Kirche: der kathol. Würdenträger und der Narr verschmelzen. Bei Drehung der Medaille um 180 Grad wird dies erkennbar. 
___________________________________________
***Double-Obverse Satirical Medal***

*Wolf Milicz*

*1543*

*Silver, minted*

*D 39.5 mm; weight 15.44 g*

>Foundation Schloss Friedenstein Gotha

The anti-papal double-obverse medal mocks the Catholic Church: the church dignitary and the fool are merged together, which becomes visible when the medal is rotated.

---
Literature: Wallenstein, Uta, 'Two Anti-Papal Double-Obverse Satirical Medals', in: Harald Meller et al. (eds.), Martin Luther. Treasures of the Reformation. Dresden 2016, No. 325.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341769
title: Betilo

description: Betilo de piedra trabajada del periodo calcolítico, procedente del yacimiento de Los Millares (Santa Fe de Mondújar, Almería).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341768
title: Betilo

description: Betilo de piedra trabajada del periodo calcolítico, procedente del yacimiento de Los Millares (Santa Fe de Mondújar, Almería).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341770
title: Colonna Ionica

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341771
title: Colonna Ionica

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341772
title: Petroglyph G24, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version. Petroglyph G24, Khatm Al Melaha, Kalba, Sharjah. One Nubian Ibex. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341773
title: Petroglyph G24, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version. Petroglyph G24, Khatm Al Melaha, Kalba, Sharjah. One Nubian Ibex. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341776
title: COADS_26-5

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_26-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341777
title: COADS_26-5

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_26-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341778
title: Castel Sant'Angelo photogrammetry scan

description: El Castillo de Sant'Angelo o Castel Sant'Angelo (también conocido como el Mausoleo de Adriano o Mole Adrianorum) es un monumento romano situado en la orilla derecha del río Tíber, en frente del pons Aelius (actual puente de Sant'Angelo), a poca distancia de la Ciudad del Vaticano.

Iniciado por el emperador Adriano en el año 135 para ser su mausoleo personal y familiar, fue terminado por Antonino Pío en 139. El monumento, levantado con piedra de travertino, estaba engalanado en su cima por una cuadriga en bronce guiada por el emperador Adriano. El edificio cambió de uso muy pronto y se convirtió en un edificio militar. Se integró a la Muralla Aureliana en el 403.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341779
title: Castel Sant'Angelo photogrammetry scan

description: El Castillo de Sant'Angelo o Castel Sant'Angelo (también conocido como el Mausoleo de Adriano o Mole Adrianorum) es un monumento romano situado en la orilla derecha del río Tíber, en frente del pons Aelius (actual puente de Sant'Angelo), a poca distancia de la Ciudad del Vaticano.

Iniciado por el emperador Adriano en el año 135 para ser su mausoleo personal y familiar, fue terminado por Antonino Pío en 139. El monumento, levantado con piedra de travertino, estaba engalanado en su cima por una cuadriga en bronce guiada por el emperador Adriano. El edificio cambió de uso muy pronto y se convirtió en un edificio militar. Se integró a la Muralla Aureliana en el 403.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341780
title: Glimmingehus nedre förstugan barnversion 2(11)

description: #Den röda cirkeln visar var du är.
![trappa 1](https://pub.raa.se/nedladdning/sketchfab/bilder/lokaliseringssymboler/trappa1.jpg?dl=0&raw=1)

Sådär ja, nu har vi kommit innanför dörren på Glimmingehus. Det var verkligen inte alla som fick göra det på min tid. Den här borgen var en av de säkraste som fanns med en massa bra knep för att hålla fienden borta. Kanske kommer du ihåg vallgraven med vindbryggan? Eller karnapen? Om någon ändå klarade sig förbi dom hindren så ska jag visa dig några andra hemliga fällor här i trappan upp genom huset. Till vardags när allt var lugnt användes trappan förstås som i vilket hus som helst.

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341781
title: Glimmingehus nedre förstugan barnversion 2(11)

description: #Den röda cirkeln visar var du är.
![trappa 1](https://pub.raa.se/nedladdning/sketchfab/bilder/lokaliseringssymboler/trappa1.jpg?dl=0&raw=1)

Sådär ja, nu har vi kommit innanför dörren på Glimmingehus. Det var verkligen inte alla som fick göra det på min tid. Den här borgen var en av de säkraste som fanns med en massa bra knep för att hålla fienden borta. Kanske kommer du ihåg vallgraven med vindbryggan? Eller karnapen? Om någon ändå klarade sig förbi dom hindren så ska jag visa dig några andra hemliga fällor här i trappan upp genom huset. Till vardags när allt var lugnt användes trappan förstås som i vilket hus som helst.

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341782
title: SGR - Escalinates monumentals

description: **Descripció:** Escalinata de comunicació entre el claustre i les dependències monàstiques

**Ubicació: **Monestir de Sant Genís de Rocafort (Martorell)

**Datació:** segle XII-XIII
_________

**Descripción:** Escalinata de comunicación entre el claustro y las dependencias monásticas

**Ubicación:** Monasterio de Sant Genís de Rocafort (Martorell)

**Datación:** siglo XII-XIII
__________

**Description:** Staircase of communication between the cloister and the monastic dependencies

**Location:** Monastery of Sant Genís de Rocafort (Martorell)

**Dating: **12th-13th century

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341783
title: SGR - Escalinates monumentals

description: **Descripció:** Escalinata de comunicació entre el claustre i les dependències monàstiques

**Ubicació: **Monestir de Sant Genís de Rocafort (Martorell)

**Datació:** segle XII-XIII
_________

**Descripción:** Escalinata de comunicación entre el claustro y las dependencias monásticas

**Ubicación:** Monasterio de Sant Genís de Rocafort (Martorell)

**Datación:** siglo XII-XIII
__________

**Description:** Staircase of communication between the cloister and the monastic dependencies

**Location:** Monastery of Sant Genís de Rocafort (Martorell)

**Dating: **12th-13th century

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341789
title: Veckuldīgas pilskalns (ortofoto)

description: Veckuldīgas pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.994036, 21.961402

http://www.latvijas-pilskalni.lv/kuldigas-veckuldigas-pilskalns

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341790
title: Veckuldīgas pilskalns (ortofoto)

description: Veckuldīgas pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.994036, 21.961402

http://www.latvijas-pilskalni.lv/kuldigas-veckuldigas-pilskalns

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341791
title: Nämforsen, Laxön F5, Ådals Liden 193:1

description: Nämforsen, Laxön, Hallström_F5, Ådals Liden 193:1, Ångermanland.  För mer information se www.namforsen.com och / eller www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341792
title: Nämforsen, Laxön F5, Ådals Liden 193:1

description: Nämforsen, Laxön, Hallström_F5, Ådals Liden 193:1, Ångermanland.  För mer information se www.namforsen.com och / eller www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341793
title: HL-19 Biface End Blade

description: Biface Base. Hot Springs Village, Port Moller, Alaska CAT# HL-19 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341794
title: HL-19 Biface End Blade

description: Biface Base. Hot Springs Village, Port Moller, Alaska CAT# HL-19 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341797
title: Stone signpost scans with iPhone12 Pro

description: Stone signpost on the Jionji road scans with iPhone12 Pro

Built in 1713, it is a memorial tower for the statue of Jizo Bodhisattva. The inscription is "From this on the right Iwatsuki Jionji Road, Shichiri to Iwatsuki" on the front, and on the left side, "From this on the left Senju Road, from Senju 2 and a half".
Jionji Temple is an ancient temple of the Tendai sect in Iwatsuki City, Saitama Prefecture, and is the 12th temple of Bando Sanjusankannon Sacred Ground. It is said that the foundation of Jikaku Daishi (Ennin) was founded in the early Heian period, and the Senju Kannon Bodhisattva is the principal image.
This signpost was built on Tsuji on the Iwatsuki Highway as a signpost for the road to Jionji (Jionji Road).

Ward registered tangible cultural properties and historical materials
Kitakoiwa 8-29 ahead
Notification on February 8, 1982

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341798
title: Stone signpost scans with iPhone12 Pro

description: Stone signpost on the Jionji road scans with iPhone12 Pro

Built in 1713, it is a memorial tower for the statue of Jizo Bodhisattva. The inscription is "From this on the right Iwatsuki Jionji Road, Shichiri to Iwatsuki" on the front, and on the left side, "From this on the left Senju Road, from Senju 2 and a half".
Jionji Temple is an ancient temple of the Tendai sect in Iwatsuki City, Saitama Prefecture, and is the 12th temple of Bando Sanjusankannon Sacred Ground. It is said that the foundation of Jikaku Daishi (Ennin) was founded in the early Heian period, and the Senju Kannon Bodhisattva is the principal image.
This signpost was built on Tsuji on the Iwatsuki Highway as a signpost for the road to Jionji (Jionji Road).

Ward registered tangible cultural properties and historical materials
Kitakoiwa 8-29 ahead
Notification on February 8, 1982

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341799
title: Nekropola Koposici - Nasici

description: Kod sela Koposici u opcini Ilijas nalazi se nekropola stecaka u kojoj su ukopani pripadnici vlastele srednjevjekovnog bosanskog kraljevstva.

Na jednom od stecaka nalazi se i natpis:
"Va ime Oca i Sina i Duha, amin. Se lezi knez Batic na svojoj zemlji na plemenitoj, milostju Bozijom i slavnoga kospodara kralja Tvrtka kne bosanski. Na Visokom se pobolih, na Duboku me dan dojde. Si biljeg postavi gospoja Vukava s mojimi dobrim, i zivu mi vjerno sluzase i mrtvu mi posluzi"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341800
title: Nekropola Koposici - Nasici

description: Kod sela Koposici u opcini Ilijas nalazi se nekropola stecaka u kojoj su ukopani pripadnici vlastele srednjevjekovnog bosanskog kraljevstva.

Na jednom od stecaka nalazi se i natpis:
"Va ime Oca i Sina i Duha, amin. Se lezi knez Batic na svojoj zemlji na plemenitoj, milostju Bozijom i slavnoga kospodara kralja Tvrtka kne bosanski. Na Visokom se pobolih, na Duboku me dan dojde. Si biljeg postavi gospoja Vukava s mojimi dobrim, i zivu mi vjerno sluzase i mrtvu mi posluzi"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341801
title: Limpkin skull & apple snail shell

description: Source: Objaverse 1.0 / Sketchfab