cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10329688
title: WPMP dosseret type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6286/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329689
title: Cash register with a counting machine

description: ID no.: KW/3434

https://muzea.malopolska.pl/en/objects-list/293

Museum: Museum of the Biecz Land

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329683
title: Herramienta lítica

description: Título: Herramienta lítica.
Descripción: no disponible
Cultura: Paleolítico.
Datación: <10000 a.C.
Método: Escáner de luz estructurada.
Escáner: Go!Scan 20 procesado con VXModel.
Notas: Depósito en estudio por Lucia Ruano y Nicolás Alonso. Recogido en superficie por Javier Naves en la Playa de Bañugues (Asturias, España).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329687
title: WPMP dosseret type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6286/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329690
title: Cash register with a counting machine

description: ID no.: KW/3434

https://muzea.malopolska.pl/en/objects-list/293

Museum: Museum of the Biecz Land

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329691
title: Giant bottle of wine

description: Large bottle of wine sits on a small square at the entrance of the terroir of Montlouis-sur-loire, a french town.

[Situated in the wine region of touraine](https://www.youtube.com/watch?v=9-YAxayJVb4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329692
title: Giant bottle of wine

description: Large bottle of wine sits on a small square at the entrance of the terroir of Montlouis-sur-loire, a french town.

[Situated in the wine region of touraine](https://www.youtube.com/watch?v=9-YAxayJVb4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10439653
title: A Positive Atmospheric Feedback on the North Atlantic Warming Hole Data Availability

description: There are three files with the data required to recreate: Figure 1, Figures 2&3, and Figure 4. Contact the corresponding author (sydney.kramer@colorado.edu) for additional information. The MATLAB files contain variables including: Sea Surface Temperature (SST), Zonal Wind (u), Meridional Wind (v), Sea Level Pressure (slp), Geopotential Height (z), Virtual Temperature (VirtualTemp), Latitude (lat), Longitude (lon), Vertical Levels (lev), and coastlines (xcoast/ycoast). These variables are provided for five different experiments, CESM control, CESM NAWH, CESM NAWH-S, ECHAM control, and ECHAM NAWH.
DOI: 10.5281/zenodo.10329693
title: Book

description: The book of Abai Kunanbayev with a brown cover.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329694
title: Book

description: The book of Abai Kunanbayev with a brown cover.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329695
title: Roman Stela from Homolje near Konjic

description: Roman tombstone / Stela with figural decoration and inscription.  from Homolje near Konjic, Bosnia and Herzegovina. Curated in the National Museum, Sarajevo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329696
title: Roman Stela from Homolje near Konjic

description: Roman tombstone / Stela with figural decoration and inscription.  from Homolje near Konjic, Bosnia and Herzegovina. Curated in the National Museum, Sarajevo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329698
title: Protoichthyosaurus prostaxalis BIRUG BU5323

description: Skull of *Protoichthyosaurus prostaxalis*. This species of ichthyosaur is known from the Hettangian Stage in the UK (Lower Jurassic: 201–199 million years ago). *P. prostaxalis* was a medium-sized species of ichthyosaur and likely would not have exceeded 2.5 metres in total length. Similarly to the majority of ichthyosaurs, it would have been an active hunter with good eyesight; there is evidence from the gut contents of numerous ichthyosaur specimens that fish and belemnites constituted a large proportion of ichthyosaur diet. Information from Lomax et al. (2017) and Hart et al. (2018) and references therein. This specimen is on display in the Evolution of Life Gallery at the Lapworth Museum and was digitised by Andrew Jones using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329697
title: Protoichthyosaurus prostaxalis BIRUG BU5323

description: Skull of *Protoichthyosaurus prostaxalis*. This species of ichthyosaur is known from the Hettangian Stage in the UK (Lower Jurassic: 201–199 million years ago). *P. prostaxalis* was a medium-sized species of ichthyosaur and likely would not have exceeded 2.5 metres in total length. Similarly to the majority of ichthyosaurs, it would have been an active hunter with good eyesight; there is evidence from the gut contents of numerous ichthyosaur specimens that fish and belemnites constituted a large proportion of ichthyosaur diet. Information from Lomax et al. (2017) and Hart et al. (2018) and references therein. This specimen is on display in the Evolution of Life Gallery at the Lapworth Museum and was digitised by Andrew Jones using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329699
title: B9200 - Icoană pe sticlă Arhanghelul Mihail

description: **B9200 Icoană pe sticlă Arhanghelul Mihail** Clasată în Tezaur. Sticlă, pigmenți multicolori, tempera, foiță metalică aurie. Arhanghelul Mihail este redat frontal, stând în picioare pe o salbă de nori, purtând în mâna dreaptă o sabie, iar în mâna stângă un potir. Școala de la Nicula, sec. XIX.

**B9200 Icon on glass Archangel Michael** Classified in Treasure. Glass, multicolored pigments, tempera, gold foil. Archangel Michael is depicted in front, standing on a cloud of clouds, carrying a sword in his right hand and a chalice in his left hand. Nicula School, sec. XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329700
title: B9200 - Icoană pe sticlă Arhanghelul Mihail

description: **B9200 Icoană pe sticlă Arhanghelul Mihail** Clasată în Tezaur. Sticlă, pigmenți multicolori, tempera, foiță metalică aurie. Arhanghelul Mihail este redat frontal, stând în picioare pe o salbă de nori, purtând în mâna dreaptă o sabie, iar în mâna stângă un potir. Școala de la Nicula, sec. XIX.

**B9200 Icon on glass Archangel Michael** Classified in Treasure. Glass, multicolored pigments, tempera, gold foil. Archangel Michael is depicted in front, standing on a cloud of clouds, carrying a sword in his right hand and a chalice in his left hand. Nicula School, sec. XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329702
title: Ballyscullion Bronze Cauldron

description: Culture: [Bronze Age](http://n2t.net/ark:/99152/p0ff3dtkhrjj) Material: Bronze Accession No: HCA 458 Current Location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). Found at Toome, Co. Antrim, the body and rim comprise eight pieces of beaten bronze, hammered to 1mm and riveted together. Horizontal rows of conical-headed rivets are functional and decorative. Four handles are of cast circular rings of ribbed cross-section. The rim was strengthened by eight vertical slender bronze stays riveted to the body. Cauldrons date to Late Bronze Age Europe, c. 800 BC. They were highly prized, often deposited in watery places. [More](https://www.huntmuseum.com/explore/item/64e856bd-9f41-3e76-a2c8-ee6b7b6247ca/?s%3Dcauldron&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329703
title: KLASTORISKO carthusian monastery - church

description: KOSTOL
Má pozdĺžny tvar (30 x 6,5 m) ukončený polygonálnym presbitériom, orientovaným na východ. 
Loď kostola je rozdelená priechodovou stavebnou priečkou (letner), širokou 60 cm, na 2 časti. Prvá časť, tzv. predkostol – slúžiaci pre konveršov a donátorov (darcov). Druhá časť slúžila otcom kartuziánom. Za spomínanou stavebnou priečkou stáli dva bočné oltáre, ktorých kamenné základy sa zachovali. Pred letnerom boli osadené drevené lavice.(stally). Rovnako v druhej, mníšskej časti kostola, boli osadené drevené lavice. Umiestnené boli tak, že mnísi pri spoločných modlitbách sedeli oproti sebe. Lavice boli osadené v maltovej podlahe. Mnísi prichádzali do kostola dvomi vstupmi v južnej stene, teda najkratšou cestou od ich príbytkov. Západný portál (brána) umožňoval vstup i pre veriaci ľud. Hlavne pre ubytovaných v hosťovskom dome kláštora. Nad vstupom západného priečelia možno predpokladať gotické kruhové okno o priemere 300 cm. Kostol nemal vežu. Vnútorný priestor kostola osvetľovali z juh tri gotické okná.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329704
title: KLASTORISKO carthusian monastery - church

description: KOSTOL
Má pozdĺžny tvar (30 x 6,5 m) ukončený polygonálnym presbitériom, orientovaným na východ. 
Loď kostola je rozdelená priechodovou stavebnou priečkou (letner), širokou 60 cm, na 2 časti. Prvá časť, tzv. predkostol – slúžiaci pre konveršov a donátorov (darcov). Druhá časť slúžila otcom kartuziánom. Za spomínanou stavebnou priečkou stáli dva bočné oltáre, ktorých kamenné základy sa zachovali. Pred letnerom boli osadené drevené lavice.(stally). Rovnako v druhej, mníšskej časti kostola, boli osadené drevené lavice. Umiestnené boli tak, že mnísi pri spoločných modlitbách sedeli oproti sebe. Lavice boli osadené v maltovej podlahe. Mnísi prichádzali do kostola dvomi vstupmi v južnej stene, teda najkratšou cestou od ich príbytkov. Západný portál (brána) umožňoval vstup i pre veriaci ľud. Hlavne pre ubytovaných v hosťovskom dome kláštora. Nad vstupom západného priečelia možno predpokladať gotické kruhové okno o priemere 300 cm. Kostol nemal vežu. Vnútorný priestor kostola osvetľovali z juh tri gotické okná.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329705
title: Old National Theater (Стар Народен театар)

description: One of the few high-ranking Ottoman officials who served in Bitola and left a lasting mark on the city was Abdul Karim Pasha. He was appointed governor in 1895 and immediately embarked on reforms that gave Bitola a different "modern" look. Several important public buildings were erected, including the one behind the "Shark" Hotel (Orient), which was to serve as a tobacco processing facility and a wine customs house. The revenue was to cover the costs of the city hospital, which was also built during that period.
But there were already a Muslim cemetery at the site, which created resistance among the Muslim population. 
Read more: https://cineculture.online/en/virtual-reconstruction-of-the-old-theater-building-in-bitola/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329706
title: Old National Theater (Стар Народен театар)

description: One of the few high-ranking Ottoman officials who served in Bitola and left a lasting mark on the city was Abdul Karim Pasha. He was appointed governor in 1895 and immediately embarked on reforms that gave Bitola a different "modern" look. Several important public buildings were erected, including the one behind the "Shark" Hotel (Orient), which was to serve as a tobacco processing facility and a wine customs house. The revenue was to cover the costs of the city hospital, which was also built during that period.
But there were already a Muslim cemetery at the site, which created resistance among the Muslim population. 
Read more: https://cineculture.online/en/virtual-reconstruction-of-the-old-theater-building-in-bitola/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329707
title: Cuneiform 930

description: A rare plan of a Sumerian temple impressed onto a clay tablet.

Ur III (c. 2100-2000 BC)

Few Sumerian building plans have survived in such complete condition. Clay or mud bricks were the most common building material of the period and would have been moulded and sun-baked for each construction. Similarly this plan was made out of clay inscribed with a wedge shaped tool (from which the word "cuneiform" is derived), and hardened in the sun.

The plan is roughly to scale and gives nineteen measurements, which are given in terms of KÙŠ (a cubit of about 50 centimetres) and GAR (about 6 metres). The building itself would have been approximately 22 by 16 metres, a fairly substantial property. There is a doorway on the left wall, and the rectangles in the upper left-hand room probably indicate stairs.

There were two substantial cracks running across the friable surface of this fragile plan. A specialist object conservator carefully applied 5% PVAlc and plaster/pigment to stabilise and consolidate the tablet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329708
title: Cuneiform 930

description: A rare plan of a Sumerian temple impressed onto a clay tablet.

Ur III (c. 2100-2000 BC)

Few Sumerian building plans have survived in such complete condition. Clay or mud bricks were the most common building material of the period and would have been moulded and sun-baked for each construction. Similarly this plan was made out of clay inscribed with a wedge shaped tool (from which the word "cuneiform" is derived), and hardened in the sun.

The plan is roughly to scale and gives nineteen measurements, which are given in terms of KÙŠ (a cubit of about 50 centimetres) and GAR (about 6 metres). The building itself would have been approximately 22 by 16 metres, a fairly substantial property. There is a doorway on the left wall, and the rectangles in the upper left-hand room probably indicate stairs.

There were two substantial cracks running across the friable surface of this fragile plan. A specialist object conservator carefully applied 5% PVAlc and plaster/pigment to stabilise and consolidate the tablet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329710
title: Manhole Cover 2

description: Just a modern manhole cover, in Clydebank. Part of a little project. I'll put them into a collection when I've got a few.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329709
title: Manhole Cover 2

description: Just a modern manhole cover, in Clydebank. Part of a little project. I'll put them into a collection when I've got a few.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329711
title: AR010-008-07

description: Kirk Point collected in Union County, Indiana. 

Catalog # 12-U-14

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2022. AR010-008-07, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329712
title: AR010-008-07

description: Kirk Point collected in Union County, Indiana. 

Catalog # 12-U-14

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2022. AR010-008-07, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329713
title: Morton Castle Wall

description: I just really liked the shadows on this part of wall in the ruin of Castle Morton in Scotland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329714
title: Morton Castle Wall

description: I just really liked the shadows on this part of wall in the ruin of Castle Morton in Scotland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329715
title: 'Guardians of Traffic' Pillar

description: This is one of the art deco styized pillars of the Hope Memorial Bridge in Cleveland, OH (Lorain Bridge). Sorta of becoming rather iconic with the city. Cleveland Pride!

It was free hand sculpted based on photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329716
title: 'Guardians of Traffic' Pillar

description: This is one of the art deco styized pillars of the Hope Memorial Bridge in Cleveland, OH (Lorain Bridge). Sorta of becoming rather iconic with the city. Cleveland Pride!

It was free hand sculpted based on photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329717
title: #17 Blasón - Ornament "Inktober2019"

description: # #17 Blasón de "Santa Cruz de la Palma" - Ornament "Inktober2019"

**Blason of Santa Cruz de la Palma**
or
**Coat of arms of San Miguel de la Palma**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329718
title: #17 Blasón - Ornament "Inktober2019"

description: # #17 Blasón de "Santa Cruz de la Palma" - Ornament "Inktober2019"

**Blason of Santa Cruz de la Palma**
or
**Coat of arms of San Miguel de la Palma**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329719
title: Red Hair Mural

description: This mural is no longer there since the clothing shop is closed down.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329720
title: Red Hair Mural

description: This mural is no longer there since the clothing shop is closed down.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329722
title: Dores Boar (National Museum of Scotland)

description: This fragment of a carved stone was found at Clune at Dores in Inverness-shire. It dates from between 500 and 800.  The stone was carved with a finely-designed boar symbol which was perhaps the only symbol on the stone.  

The original Pictish fragment was roughly triangular, the shape due to its reuse as a chimney-head in a cottage.  It contained only the central part of the body, two forelegs and one hind leg,  The complete carving on display today comprises a large area of clay modelling upon which the lines of the fragment have been extended and interpreted to illustrate how the full original caving might have looked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329721
title: Dores Boar (National Museum of Scotland)

description: This fragment of a carved stone was found at Clune at Dores in Inverness-shire. It dates from between 500 and 800.  The stone was carved with a finely-designed boar symbol which was perhaps the only symbol on the stone.  

The original Pictish fragment was roughly triangular, the shape due to its reuse as a chimney-head in a cottage.  It contained only the central part of the body, two forelegs and one hind leg,  The complete carving on display today comprises a large area of clay modelling upon which the lines of the fragment have been extended and interpreted to illustrate how the full original caving might have looked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329723
title: Antler Comb from Clachtoll Broch, Assynt

description: This antler comb was found during excavations at Clachtoll Broch in Sutherland. It dates to the Iron Age and was used in textile production, possibly for wool combing. There are signs of use-wear around the perforation, showing where it has been suspended on a cord or string, perhaps carried by the person who used it, or simply hung for storage. There is also some wear between the teeth indicating that, despite looking pretty pristine, it had indeed been used.

Excavations at Clachtoll Broch were carried out on behalf of [Historic Assynt](https://www.facebook.com/historicassynt/) as part of [Coigach & Assynt Living Landscape](https://coigach-assynt.org/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329724
title: Antler Comb from Clachtoll Broch, Assynt

description: This antler comb was found during excavations at Clachtoll Broch in Sutherland. It dates to the Iron Age and was used in textile production, possibly for wool combing. There are signs of use-wear around the perforation, showing where it has been suspended on a cord or string, perhaps carried by the person who used it, or simply hung for storage. There is also some wear between the teeth indicating that, despite looking pretty pristine, it had indeed been used.

Excavations at Clachtoll Broch were carried out on behalf of [Historic Assynt](https://www.facebook.com/historicassynt/) as part of [Coigach & Assynt Living Landscape](https://coigach-assynt.org/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329725
title: 福島市飯野町樫の木の倶利伽羅不動

description: 福島市飯野町樫の木の傍の巨石に彫りこまれた倶利伽羅不動です。当地域で不動尊の倶利伽羅剣を表現する例はめずらしいです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329726
title: 福島市飯野町樫の木の倶利伽羅不動

description: 福島市飯野町樫の木の傍の巨石に彫りこまれた倶利伽羅不動です。当地域で不動尊の倶利伽羅剣を表現する例はめずらしいです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329727
title: Celadon jar with architectural motif

description: Dated Western Jin period (3rd century). Yue kiln. Zhejiang Provincial Museum, Gushan Branch. Hangzhou, China.
Like other jars from the same area and time period, this piece of object is characterized by a cover shaped into a building complex which evokes the Han ritual architecture "Hall of Light (*mingtang*)." Four (one missing) small corner pavilions surround the central tower, which has three stories as suggested by the three layers of eaves. The acroteria (corner ornaments of roof ridges) are prominent. 
The tower and pavilions are enclosed by four pairs of watchtowers (*que*) at the four cardinal directions. The eight mustache-looking objects springing from atop the watchtowers are perhaps representations of brackets, though they have been rendered in a curious way with scroll-like ends and a curving body not repeated elsewhere.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329728
title: Celadon jar with architectural motif

description: Dated Western Jin period (3rd century). Yue kiln. Zhejiang Provincial Museum, Gushan Branch. Hangzhou, China.
Like other jars from the same area and time period, this piece of object is characterized by a cover shaped into a building complex which evokes the Han ritual architecture "Hall of Light (*mingtang*)." Four (one missing) small corner pavilions surround the central tower, which has three stories as suggested by the three layers of eaves. The acroteria (corner ornaments of roof ridges) are prominent. 
The tower and pavilions are enclosed by four pairs of watchtowers (*que*) at the four cardinal directions. The eight mustache-looking objects springing from atop the watchtowers are perhaps representations of brackets, though they have been rendered in a curious way with scroll-like ends and a curving body not repeated elsewhere.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329729
title: Sandstone Bead, SJ13

description: Bead, sandstone, bidirectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_292

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10329730
title: Sandstone Bead, SJ13

description: Bead, sandstone, bidirectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_292

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab