cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.13691878
title: Bryophyte C:N:P stoichiometry, biogeochemical niches, and elementome plasticity driven by environment and coexistence - Datasets and R script

description: Datasets, phylogenetic trees and R script to perform the analyses reported in Fernández-Martínez et al., Bryophyte C:N:P stoichiometry, biogeochemical niches, and elementome plasticity driven by environment and coexistence. <br>
DOI: 10.6084/m9.figshare.13691878.v1
title: Bryophyte C:N:P stoichiometry, biogeochemical niches, and 1 elementome plasticity driven by environment and coexistence - Datasets and R script

description: Datasets, phylogenetic trees and R script to perform the analyses reported in Fernández-Martínez et al., Bryophyte C:N:P stoichiometry, biogeochemical niches, and elementome plasticity driven by environment and coexistence. <br>
DOI: 10.25646/8168
title: Tagesdaten-CSV aus dem DIVI-Intensivregister

description: Die Tagesdaten-CSV entspricht einem Auszug der Daten des DIVI-Intensivregisters. Die Datei enthält eine Aggregation der aktuellsten Meldungen pro Landkreis. Es werden die aktuell gemeldeten Anzahlen der COVID-19 Intensivfälle sowie die gemeldeten intensivmedizinischen Behandlungskapazitäten angezeigt. Die Tagesdaten-CSV liefert dabei ausschließlich einen Blick auf die Daten gemäß dem Stand des betrachteten Tages. Die Daten sind im situationsbedingten Kontext aufbereitet, damit sind verschiedene Tagesdaten-CSVs u.U. nicht direkt miteinander vergleichbar. Die aktuellsten Meldungen werden im gewählten Betrachtungszeitfenster über alle Meldebereiche und Standorte aufsummiert. Weitere Informationen sind zu finden unter https://www.intensivregister.de/#/faq
DOI: 10.21227/xxt7-t822
title: January 22 submission

description: ---
DOI: 10.6084/m9.figshare.14252846
title: Deng_ecosphere

description: <b>Intraspecific trait variation drives grassland species richness and productivity under changing precipitation</b>
DOI: 10.21227/p5qy-1n49
title: Load forecasting with mixture of experts

description: Submission for January 22
DOI: 10.17870/bathspa.12340775
title: Tarrare the Freak - Research Questions & Timeline

description: <i>Tarrare the Freak</i> is a project which negotiates a model of puppetry as a practice-based analytic to deepen understanding of ethical and historical issues within the medical humanities. The piece showcased at the Bristol Festival of Puppetry (Tobacco Factory Theatres, September 2015) and Suspense Festival, London (New Diorama Theatre, November 2015), and toured the UK in 2017 including a 3-week run at Wilton’s Music Hall, London.<br><br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.12340775.v1
title: Tarrare the Freak - Research Questions & Timeline

description: <i>Tarrare the Freak</i> is a project which negotiates a model of puppetry as a practice-based analytic to deepen understanding of ethical and historical issues within the medical humanities. The piece showcased at the Bristol Festival of Puppetry (Tobacco Factory Theatres, September 2015) and Suspense Festival, London (New Diorama Theatre, November 2015), and toured the UK in 2017 including a 3-week run at Wilton’s Music Hall, London.<br><br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.12349808.v1
title: Tarrare the Freak - Journal Article - 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body'

description: <i>Tarrare the Freak</i> is a project which negotiates a model of puppetry as a practice-based analytic to deepen understanding of ethical and historical issues within the medical humanities. The piece showcased at the Bristol Festival of Puppetry (Tobacco Factory Theatres, September 2015) and Suspense Festival, London (New Diorama Theatre, November 2015), and toured the UK in 2017 including a 3-week run at Wilton’s Music Hall, London.<br><br>This item contains contextualising material in the form of a journal article. This is the Accepted Manuscript of an article published by Taylor & Francis Group in <i>Research in Drama Education: The Journal of Applied Theatre and Performance</i> on 26/06/2017, and available from the publisher online at the below referenced address. Please also see covering sheet. <br><br><b>Purcell-Gates, L. and Fisher, E. (2017) 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body’ , Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3), pp. 363-372. </b><br>
DOI: 10.17870/bathspa.12349808
title: Tarrare the Freak - Journal Article - 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body'

description: <i>Tarrare the Freak</i> is a project which negotiates a model of puppetry as a practice-based analytic to deepen understanding of ethical and historical issues within the medical humanities. The piece showcased at the Bristol Festival of Puppetry (Tobacco Factory Theatres, September 2015) and Suspense Festival, London (New Diorama Theatre, November 2015), and toured the UK in 2017 including a 3-week run at Wilton’s Music Hall, London.<br><br>This item contains contextualising material in the form of a journal article. This is the Accepted Manuscript of an article published by Taylor & Francis Group in <i>Research in Drama Education: The Journal of Applied Theatre and Performance</i> on 26/06/2017, and available from the publisher online at the below referenced address. Please also see covering sheet. <br><br><b>Purcell-Gates, L. and Fisher, E. (2017) 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body’ , Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3), pp. 363-372. </b><br>
DOI: 10.25934/00003130.0
title: Available IPD datapackage for study 'Randomized Clinical Trial Comparing Low Power (50W) Holmium Laser Enucleation of the Prostate (HoLEP) Versus High Power (100W) HoLEP'

description: Vivli is an independent, non-profit organization that has developed a global data-sharing and analytics platform to serve all elements of the international research community. Our mission is to promote, coordinate, and facilitate scientific sharing and reuse of clinical research data through the creation and implementation of a sustainable global data-sharing enterprise. The Vivli platform includes an independent data repository, in-depth search engine and a cloud-based, secure analytics platform.
DOI: 10.25934/00004970.1
title: Available IPD datapackage for study 'Comparative Efficacy of Duloxetine vs Escitalopram in Patients With Fibromyalgia'

description: Vivli is an independent, non-profit organization that has developed a global data-sharing and analytics platform to serve all elements of the international research community. Our mission is to promote, coordinate, and facilitate scientific sharing and reuse of clinical research data through the creation and implementation of a sustainable global data-sharing enterprise. The Vivli platform includes an independent data repository, in-depth search engine and a cloud-based, secure analytics platform.
DOI: 10.6084/m9.figshare.14252867
title: Aperture output in simulation test

description: Aperture output in simulation test
DOI: 10.6084/m9.figshare.14252867.v1
title: Aperture output in simulation test

description: Aperture output in simulation test
DOI: 10.6084/m9.figshare.14252870
title: toy sample and Aperture output

description: toy sample and Aperture output
DOI: 10.6084/m9.figshare.14252870.v1
title: toy sample and Aperture output

description: toy sample and Aperture output
DOI: 10.6084/m9.figshare.13653539
title: Aliment to Bodily Condition Knowledgebase

description: The graph database built and used in the ABCkb paper. The scripts used to generate and run this database are contained in the following github repository. <br>https://github.com/atrautm1/ABCkb<br>
DOI: 10.6084/m9.figshare.13653539.v1
title: Aliment to Bodily Condition Knowledgebase

description: The graph database built and used in the ABCkb paper. The scripts used to generate and run this database are contained in the following github repository. <br>https://github.com/atrautm1/ABCkb<br>
DOI: 10.6084/m9.figshare.13573424
title: Data set 2 - Proteome set

description: 73 top-quality proteomes that are taxonomically rich (especially in plastid-bearing organisms) and suited for orthology inference.<br>
DOI: 10.6084/m9.figshare.13573424.v1
title: Data set 2 - Proteome set

description: 73 top-quality proteomes that are taxonomically rich (especially in plastid-bearing organisms) and suited for orthology inference.<br>
DOI: 10.6084/m9.figshare.13604102
title: Supplementary file 1

description: Methodology description<br>
DOI: 10.6084/m9.figshare.13604102.v2
title: Supplementary file 1

description: Methodology description<br>
DOI: 10.6084/m9.figshare.12753698
title: I2E NLP results

description: Natural Language Processing results from queries in I2E run on MEDLINE indexed in May, 2019
DOI: 10.6084/m9.figshare.12753698.v1
title: I2E NLP results

description: Natural Language Processing results from queries in I2E run on MEDLINE indexed in May, 2019
DOI: 10.5281/zenodo.4624874
title: Gradient tables

description: This contains the 6 gradient tables used in the study of memsmt-CSD and DIVIDE. The three versions of L<sub>1</sub> (L<sub>1</sub>, L<sub>1</sub><sup>*</sup> and L<sub>1</sub><sup>**</sup>) are labeled L1.b, L1s.b and L1ss.b, respectively.
DOI: 10.5281/zenodo.4624873
title: Gradient tables

description: This contains the 6 gradient tables used in the study of memsmt-CSD and DIVIDE. The three versions of L<sub>1</sub> (L<sub>1</sub>, L<sub>1</sub><sup>*</sup> and L<sub>1</sub><sup>**</sup>) are labeled L1.b, L1s.b and L1ss.b, respectively.
DOI: 10.6084/m9.figshare.13113893
title: Data set 1 - Proteome set description

description: <b>- proteomes-73.csv</b>: Table describing taxonomically the 73 organisms used for the orthology inference and links for download.<br><br><b>- sampling_OF73</b>.<b>html</b>: interactive taxonomic visualization generated using Krona [https://bmcbioinformatics.biomedcentral.com/articles/10.1186/1471-2105-12-385].<br>
DOI: 10.6084/m9.figshare.13573658
title: Data set 4 - Orthogroups

description: 47,266 orthogroups obtained through orthology inference using 73 top-quality and taxonomically diverse proteomes. They are provided into three separate folders (two-algae, one-alga, zero-algae) according to the classification described in the note and performed with classify-mcl-out.pl (see YAML configuration file provided in the config folder).<br>
DOI: 10.6084/m9.figshare.13573658.v2
title: Data set 4 - OGs

description: 47,266 orthogroups obtained through orthology inference using 73 top-quality and taxonomically diverse proteomes. They are provided into three separate folders (two-algae, one-alga, zero-algae) according to the classification described in the note and performed with classify-mcl-out.pl (see YAML configuration file provided in the config folder).<br>
DOI: 10.5281/zenodo.4624474
title: DNAseq data for Module 4

description: Data from SRR1171886 (downfiltered)
DOI: 10.5281/zenodo.4624473
title: DNAseq data for Module 4

description: Data from SRR1171886 (downfiltered)
DOI: 10.25345/c5mb8k
title: MassIVE MSV000087075 - Prunus domestica methanol extract
title: Prunus domestica skin polyphenolic-enriched extract obtained using Pressurized Liquid Extraction (PLE) in methanol and purified using an Amberlite column
DOI: 10.17870/bathspa.14160986
title: Polymorphism in audio-visual composition - 300-Word Statement

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. <br><br>Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><br><b>This item contains the 300-Word Statement for the project.</b> <br><br><br>
DOI: 10.17870/bathspa.14160986.v1
title: Polymorphism in audio-visual composition - 300-Word Statement

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. <br><br>Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><br><b>This item contains the 300-Word Statement for the project.</b> <br><br><br>
DOI: 10.17870/bathspa.14174717
title: Polymorphism in audio-visual composition - Research Timeline & Research Questions

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. <br><br>Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><b>This item contains the Research Timeline & Research Questions for this project.</b>
DOI: 10.17870/bathspa.14174717.v1
title: Polymorphism in audio-visual composition - Research Timeline & Research Questions

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. <br><br>Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><b>This item contains the Research Timeline & Research Questions for this project.</b>
DOI: 10.17870/bathspa.14192687
title: Polymorphism in audio-visual composition - Research Context and Methodology

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><br><b>This item contains a Research Overview Document, which is contextualising information for the project. </b>
DOI: 10.17870/bathspa.14192687.v1
title: Polymorphism in audio-visual composition - Research Context and Methodology

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><br><b>This item contains a Research Overview Document, which is contextualising information for the project. </b>
DOI: 10.17870/bathspa.14192699
title: Polymorphism in audio-visual composition - Interviews with Paul Jebanasam

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><b><br>This item contains five interviews with Paul Jebanasam in which he explains his work on <i>Continuum,</i> which are contextualising information for this collection.<br></b><b><br>Please see links below for open versions of the interviews, accessible elsewhere online.</b><b><br></b>Belanciano, V. (2017). Paul Jebanasam e uma experiência audiovisual que nos agarra à vida. <i>Ípsilon</i>, 20 December [online]. Available at:<b> https://www.publico.pt/2017/12/20/culturaipsilon/entrevista/paul-jebanasam-e-a-experiencia-audiovisual-que-nos-agarra-a-vida-1796579 </b>(Accessed: 18 December 2020).<br><br>Cornils, K. (2016). Paul Jebanasam & Tarik Barri: Transforming energies. <i>Groove</i>. Available at: <b>https://groove.de/2016/04/05/paul-jebanasam-tarik-barri/ </b>(Accessed: 18 December 2020).<br>FACT Magazine (2016). The overwhelming A/V experience of Paul Jebanasam and Tarik Barri: MUTEK 2016. Available at: <b>https://www.youtube.com/watch?v=55goff87I7k&ab_channel=FACTmagazine </b> (Accessed: 18 December 2020).<br><br>Jebanasam, P. (2016). How JET inspires the sound of the universe. <i>Fusion in Europe</i>, 2, pp.20-21 [online]. Available at: <b>Fusion in Europe/EUROfusion Fusion in Europe 2016 Jun.pdf </b>(Accessed: 18 December 2020).<br>Kali, J. (2016). Origin Myths: Paul Jebanasam. <i>Stray Landings</i>. Available at: <b>straylandings.co.uk/interviews/paul-j </b>(Accessed: 18 December 2020).<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14192699.v1
title: Polymorphism in audio-visual composition - Interviews with Paul Jebanasam

description: <i>Polymorphism in audio-visual composition </i>defines a novel approach to materiality in audio-visual composition that fuses processes across sound and image mediums to develop a language based on hyperreal forms. Through the focussing of spectral sound processing, light and fluid simulation techniques towards a hyperreal materiality, novel depictions of physical phenomena as mythic forms were produced. The materiality is the substrate of the works’ central mythological structures and presents a new development in the representational capacities of the audio-visual artform.<br><b><br>This item contains five interviews with Paul Jebanasam in which he explains his work on <i>Continuum,</i> which are contextualising information for this collection.<br></b><b><br>Please see links below for open versions of the interviews, accessible elsewhere online.</b><b><br></b>Belanciano, V. (2017). Paul Jebanasam e uma experiência audiovisual que nos agarra à vida. <i>Ípsilon</i>, 20 December [online]. Available at:<b> https://www.publico.pt/2017/12/20/culturaipsilon/entrevista/paul-jebanasam-e-a-experiencia-audiovisual-que-nos-agarra-a-vida-1796579 </b>(Accessed: 18 December 2020).<br><br>Cornils, K. (2016). Paul Jebanasam & Tarik Barri: Transforming energies. <i>Groove</i>. Available at: <b>https://groove.de/2016/04/05/paul-jebanasam-tarik-barri/ </b>(Accessed: 18 December 2020).<br>FACT Magazine (2016). The overwhelming A/V experience of Paul Jebanasam and Tarik Barri: MUTEK 2016. Available at: <b>https://www.youtube.com/watch?v=55goff87I7k&ab_channel=FACTmagazine </b> (Accessed: 18 December 2020).<br><br>Jebanasam, P. (2016). How JET inspires the sound of the universe. <i>Fusion in Europe</i>, 2, pp.20-21 [online]. Available at: <b>Fusion in Europe/EUROfusion Fusion in Europe 2016 Jun.pdf </b>(Accessed: 18 December 2020).<br>Kali, J. (2016). Origin Myths: Paul Jebanasam. <i>Stray Landings</i>. Available at: <b>straylandings.co.uk/interviews/paul-j </b>(Accessed: 18 December 2020).<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.11239361
title: it is impossible for everyone to achieve everything they want_300-word statement

description: <i>it is impossible for everyone to achieve everything they want </i>(2018) asks the players to construct sequences of sounds, responding to what they hear preceding players do. Players have control over their own actions, but generally not those of others. They can influence some behaviours but not control the group totally, although forming allegiances might enable more control to be exerted on the group. The piece uses a set of artificially constructed or presented sounds, including text-to-speech computer voices, recordings of real world sounds, algorithmically generated music, synthesisers, radio, dictaphones, and spoken commands delivered over megaphones. The title is taken from Larry Diamond's text 'What is Democracy?' (2004).<br>This item contains the 300-word statement for <i>it is impossible for everyone to achieve everything they want. </i>
DOI: 10.17870/bathspa.11239361.v1
title: it is impossible for everyone to achieve everything they want_300-word statement

description: <i>it is impossible for everyone to achieve everything they want </i>(2018) asks the players to construct sequences of sounds, responding to what they hear preceding players do. Players have control over their own actions, but generally not those of others. They can influence some behaviours but not control the group totally, although forming allegiances might enable more control to be exerted on the group. The piece uses a set of artificially constructed or presented sounds, including text-to-speech computer voices, recordings of real world sounds, algorithmically generated music, synthesisers, radio, dictaphones, and spoken commands delivered over megaphones. The title is taken from Larry Diamond's text 'What is Democracy?' (2004).<br>This item contains the 300-word statement for <i>it is impossible for everyone to achieve everything they want. </i>
DOI: 10.17870/bathspa.11239460
title: it is impossible for everyone to achieve everything they want_research questions and timeline

description: <i>it is impossible for everyone to achieve everything they want </i>(2018) asks the players to construct sequences of sounds, responding to what they hear preceding players do. Players have control over their own actions, but generally not those of others. They can influence some behaviours but not control the group totally, although forming allegiances might enable more control to be exerted on the group. The piece uses a set of artificially constructed or presented sounds, including text-to-speech computer voices, recordings of real world sounds, algorithmically generated music, synthesisers, radio, dictaphones, and spoken commands delivered over megaphones. The title is taken from Larry Diamond's text 'What is Democracy?' (2004).<br>This item contains the research questions for <i>it is impossible for everyone to achieve everything they want. </i>