cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.13089527.v1
title: Social Experiments: Material Environments: Bad Shit, The Tetley, Leeds, UK, 4th May - 8th July 2018.

description: <b>Social Experiments</b> brings together 2 projects, <b>Material Environments: Bad Shit </b>and <b>Knowledge is Power: 6 Towns</b>. Rooted in place and history, both projects research the capacity for material and socio-political transformation through live scientific experimentation, production and participation to suggest new ways of thinking.<br><br>This item contains a contextual project outline, an exhibition guide. promotional pamphlet and flyer (courtesy of The Tetley gallery), 10 exhibition views, an extract of the Asteroids film loop, 5 images of the Tetley Weekender Workshops and 3 preliminary drawings.<br>This item documents Harrison's participation in <b>Material Environments </b>at The Tetley in 2018. Along with 4 other artists Harrison was invited to respond to the building's industrial heritage and develop work that would evolve during the exhibition. Focusing on the site's history as a brewery the installation involved live intervention in the fermentation process to produce CO2 gas in one gallery space which was pumped through to inflate a 2.5m balloon in another. An adaptation of <i>Asteroids, </i>a 1980's video game on a continuous loop, reflecting the alchemical shifts in the ongoing CO2 production, was displayed on a monitor as part of the installation. Harrison conducted public workshops during the Tetley Weekender on 19th-20th May, live testing the CO2 by-products to create special editions of <b>Bad Shit</b> to give away to the public.<br><br>The exhibition was curated by Ben Roberts Director of the Artists’ Research Centre.<br><br><b>Photography by Jules Lister. Images used with permission courtesy of the photographer and The Tetley.<br><br><i>Asteroids</i> loop made in collaboration with Carl Slater. Used with permission.</b> <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br> <br>
DOI: 10.17870/bathspa.13089848
title: Social Experiments: Knowledge Is Power: 6 Towns, Spode Factory, Stoke-on-Trent, 23 September - 5 November 2017.

description: <b>Social Experiments</b> brings together 2 projects, <b>Material Environments: Bad Shit </b>and <b>Knowledge is Power: 6 Towns</b>. Rooted in place and history, both projects research the capacity for material and socio political transformation through live scientific experimentation, production and participation to suggest new ways of thinking.<br><br>This item contains a project outline and BCB Festival Invitation (courtesy of the British Ceramics Biennial 2017), 13 Exhibition Views, 2 images of the Clay Book Making Workshops, 2 developmental drawings, audio of the firing sound, and a <b>Ceramic Values Congress Programme</b>, courtesy of Ulster University and the Ceramics and its Dimensions Congress.<br><br>This item documents <b>Knowledge Is Power: 6 Towns </b>an interactive installation commissioned for the British Ceramics Biennial in 2017, in collaboration with Stoke On Trent Libraries and Archives. Inspired by the history books in Stoke-on-Trent’s special 6 Towns Collection Harrison worked with local schools, businesses and community groups to create a complete set of clay replica books. Housed in 6 large adapted shelving units, the replicas were fired daily in accordance with the library’s lending figures. The project celebrates the changing role of Stoke-on-Trent’s libraries as cultural agents, repositories of local knowledge and sources of inspiration, invention and pleasure.<br><br>To coincide with the 5th BCB Harrison delivered a keynote speech at the <i>Ceramics And Its Dimensions Congress </i>held to extend the debate on the value and role of ceramics in society.<br><b><br>Photography by Darren Washington. Images used with permission courtesy of the Photographer and the British Ceramics Biennial.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089848.v1
title: Social Experiments: Knowledge Is Power: 6 Towns, Spode Factory, Stoke-on-Trent, 23 September - 5 November 2017.

description: <b>Social Experiments</b> brings together 2 projects, <b>Material Environments: Bad Shit </b>and <b>Knowledge is Power: 6 Towns</b>. Rooted in place and history, both projects research the capacity for material and socio political transformation through live scientific experimentation, production and participation to suggest new ways of thinking.<br><br>This item contains a project outline and BCB Festival Invitation (courtesy of the British Ceramics Biennial 2017), 13 Exhibition Views, 2 images of the Clay Book Making Workshops, 2 developmental drawings, audio of the firing sound, and a <b>Ceramic Values Congress Programme</b>, courtesy of Ulster University and the Ceramics and its Dimensions Congress.<br><br>This item documents <b>Knowledge Is Power: 6 Towns </b>an interactive installation commissioned for the British Ceramics Biennial in 2017, in collaboration with Stoke On Trent Libraries and Archives. Inspired by the history books in Stoke-on-Trent’s special 6 Towns Collection Harrison worked with local schools, businesses and community groups to create a complete set of clay replica books. Housed in 6 large adapted shelving units, the replicas were fired daily in accordance with the library’s lending figures. The project celebrates the changing role of Stoke-on-Trent’s libraries as cultural agents, repositories of local knowledge and sources of inspiration, invention and pleasure.<br><br>To coincide with the 5th BCB Harrison delivered a keynote speech at the <i>Ceramics And Its Dimensions Congress </i>held to extend the debate on the value and role of ceramics in society.<br><b><br>Photography by Darren Washington. Images used with permission courtesy of the Photographer and the British Ceramics Biennial.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13150457.v1
title: Social Experiments: Knowledge Is Power: 6 Towns 2017: Process and Methods

description: <b>Social Experiments</b> brings together 2 projects, <b>Material Environments: Bad Shit </b>and <b>Knowledge is Power: 6 Towns</b>. Rooted in place and history, both projects research the capacity for material and socio political transformation through live scientific experimentation, production and participation to suggest new ways of thinking.<br><br>This item contains a contextual outline of the project's methods and processes,10 working preparatory drawings, 5 images of the clay book making workshops, 2 designs for the cage and folding chairs, a list of the <i>6 Towns Collection</i> of Books, an image of the Dewey Classification System and the Electrical Colour Codes, 2 images of the metal folding chair and 2 photos of books from the <i>6 Towns Collection</i>.<br><br>This item documents the processes undertaken and methods used in the creation of <b>Knowledge Is Power: 6 Towns,</b> including clay book making workshops, the live firing sequencing and the design and fabrication of folding chairs for the reading room.<br><br><b>Knowledge Is Power: 6 Towns </b>was staged as part of the British Ceramics Biennial 2017 at the Spode Factory Site, Stoke-On-Trent, UK on 23 September until 5 November 2017.<br><br><b>Photography by Darren Washington and Peter Jones. Images used with permission courtesy of the photographers and BCB.<br></b><br><b>Chair drawing is by Peter Jones. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13150457
title: Social Experiments: Knowledge Is Power: 6 Towns 2017: Process and Methods

description: <b>Social Experiments</b> brings together 2 projects, <b>Material Environments: Bad Shit </b>and <b>Knowledge is Power: 6 Towns</b>. Rooted in place and history, both projects research the capacity for material and socio political transformation through live scientific experimentation, production and participation to suggest new ways of thinking.<br><br>This item contains a contextual outline of the project's methods and processes,10 working preparatory drawings, 5 images of the clay book making workshops, 2 designs for the cage and folding chairs, a list of the <i>6 Towns Collection</i> of Books, an image of the Dewey Classification System and the Electrical Colour Codes, 2 images of the metal folding chair and 2 photos of books from the <i>6 Towns Collection</i>.<br><br>This item documents the processes undertaken and methods used in the creation of <b>Knowledge Is Power: 6 Towns,</b> including clay book making workshops, the live firing sequencing and the design and fabrication of folding chairs for the reading room.<br><br><b>Knowledge Is Power: 6 Towns </b>was staged as part of the British Ceramics Biennial 2017 at the Spode Factory Site, Stoke-On-Trent, UK on 23 September until 5 November 2017.<br><br><b>Photography by Darren Washington and Peter Jones. Images used with permission courtesy of the photographers and BCB.<br></b><br><b>Chair drawing is by Peter Jones. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.3886/e136181
title: The Power of Abortion Policy: Reexamining the Effects of Young Women’s Access to Reproductive Control

description: Replication package contains information and program files needed to replicate results in Caitlin Myers. 2017. "The Power of Abortion Policy: Re-examining the Effects of Young Women's Access to Reproductive Control." The Journal of Political Economy 125(6): 2178-2224.
DOI: 10.3886/e136181v1
title: The Power of Abortion Policy: Reexamining the Effects of Young Women’s Access to Reproductive Control

description: Replication package contains information and program files needed to replicate results in Caitlin Myers. 2017. "The Power of Abortion Policy: Re-examining the Effects of Young Women's Access to Reproductive Control." The Journal of Political Economy 125(6): 2178-2224.
DOI: 10.25919/3nyx-p368
title: Raw and meta data for 16S ecogenomics of a hydrocarbon containmated site

description: Petroleum contaminants are exposed to weathering when released into environment, resulting in the alteration of their chemical composition. Here, we investigated microbial communities through the soil profile at an industrial site, which was exposed to various petroleum products for over 50 years. The petroleum is present as light non-aqueous phase liquid (LNAPL) and is un-dergoing natural source zone depletion (NSZD). Microbial community composition was com-pared to the contaminant type, concentration, and its depth of obtained soil cores. A large population of Archaea, particularly Methanomicrobia and Methanobacteria and indication of complex syntrophic relationships of methanogens, methanotrophs and bacteria were found in the con-taminated cores. Different families were enriched across the LNAPL types. Results indicate methanogenic or anoxic conditions in the deeper and highly contaminated sections of the soil cores investigated. The contaminant was highly weathered, likely resulting in the formation of recal-citrant polar compounds. This research provides insight into the microorganisms fundamentally associated with LNAPL, throughout a soil depth profile above and below the water table, un-dergoing NSZD processes at a legacy petroleum site. It advances the potential for integration of microbial community effects on bioremediation and in response to physicochemical partitioning of LNAPL components from different petroleum types.
DOI: 10.6084/m9.figshare.14331305.v1
title: brainExtractionT1.h5

description: updated weights for ANTsXNet brain extraction<br>
DOI: 10.6084/m9.figshare.14331305
title: brainExtractionT1.h5

description: updated weights for ANTsXNet brain extraction<br>
DOI: 10.17870/bathspa.12410198.v1
title: Material Soundsystems: 300 Word Statement

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute, </b><b>Ecstatic Material</b> and <b>Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br>This item contains a 300 Word Statement on <b>Material Soundsystems</b> by Keith Harrison.<br><br><br><br><br>
DOI: 10.17870/bathspa.12410198
title: Material Soundsystems: 300 Word Statement

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute, </b><b>Ecstatic Material</b> and <b>Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br>This item contains a 300 Word Statement on <b>Material Soundsystems</b> by Keith Harrison.<br><br><br><br><br>
DOI: 10.17870/bathspa.12480467
title: Material Soundsystems: Research Questions and Timeline

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 projects, <b>Mute, </b><b>Ecstatic Material</b> and<b> </b><b>Bloom</b><b>, </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br>This item contains Research Questions and a Timeline for <b>Material Soundsystems</b> by Keith Harrison.<br><br><br><br><br><br><br><br><br>
DOI: 10.17870/bathspa.12480467.v1
title: Material Soundsystems: Research Questions and Timeline

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 projects, <b>Mute, </b><b>Ecstatic Material</b> and<b> </b><b>Bloom</b><b>, </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br>This item contains Research Questions and a Timeline for <b>Material Soundsystems</b> by Keith Harrison.<br><br><br><br><br><br><br><br><br>
DOI: 10.17870/bathspa.12409376
title: Material Soundsystems: Mute, 'Fragile', National Museum Wales, Cardiff, 18th April - 4th October, 2015.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, an e-invitation (courtesy of National Museum Wales, Cardiff), 4 images of A1 preparatory drawings, 2 pdfs containing preparatory sketches, concept and design plans, and 11 installation views.<br><br><b>Mute </b>was commissioned by the National Museum of Wales as part of <i>Fragile,</i> an International Survey of Contemporary Ceramics Exhibition in 2015. The installation aimed to explore the effects on matter of sonic resonance within a PA system where the sound was completely internalised, then gradually exposed in short bursts. <b>Mute</b> was a soundsystem built from 72 clay filled speakers, gold tiles and separate twin turntables, from where dual vinyl single tracks were played simultaneously by members of the public. The ensuing muted sound clash created a force of internalised sound offering the potential for material destruction.<br><br><b>Photography: Robin Maggs. Images used with permission courtesy of the photographer and the National Museum of Wales.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12409376.v1
title: Material Soundsystems: Mute, 'Fragile', National Museum Wales, Cardiff, 18th April - 4th October, 2015.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, an e-invitation (courtesy of National Museum Wales, Cardiff), 4 images of A1 preparatory drawings, 2 pdfs containing preparatory sketches, concept and design plans, and 11 installation views.<br><br><b>Mute </b>was commissioned by the National Museum of Wales as part of <i>Fragile,</i> an International Survey of Contemporary Ceramics Exhibition in 2015. The installation aimed to explore the effects on matter of sonic resonance within a PA system where the sound was completely internalised, then gradually exposed in short bursts. <b>Mute</b> was a soundsystem built from 72 clay filled speakers, gold tiles and separate twin turntables, from where dual vinyl single tracks were played simultaneously by members of the public. The ensuing muted sound clash created a force of internalised sound offering the potential for material destruction.<br><br><b>Photography: Robin Maggs. Images used with permission courtesy of the photographer and the National Museum of Wales.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12369275
title: Material Soundsystems: Ecstatic Material 1, Tour Documentation, (Venue 1) Karst, Plymouth, 7th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, a <i>Karst </i>event flyer, 16 event images and a performance tour flyer.<br><br>This item documents <b>Ecstatic Material</b> at <i>Karst,</i> Plymouth on 7th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Material </b>was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material </b>poster. (Event poster and tour flyer included courtesy of Outlands.) <br><br>The performance at 3 other tour venues have also been documented in the <b>Ecstatic Material</b> item: South London Gallery, Caustic Coastal, Manchester & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Dom Moore. Images used with permission courtesy of the photographer and KARST.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12369275.v1
title: Material Soundsystems: Ecstatic Material 1, Tour Documentation, (Venue 1) Karst, Plymouth, 7th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, a <i>Karst </i>event flyer, 16 event images and a performance tour flyer.<br><br>This item documents <b>Ecstatic Material</b> at <i>Karst,</i> Plymouth on 7th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Material </b>was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material </b>poster. (Event poster and tour flyer included courtesy of Outlands.) <br><br>The performance at 3 other tour venues have also been documented in the <b>Ecstatic Material</b> item: South London Gallery, Caustic Coastal, Manchester & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Dom Moore. Images used with permission courtesy of the photographer and KARST.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.11400570.v1
title: Material Soundsystems: Ecstatic Material 2, Tour Documentation (Venue 4), Caustic Coastal, Manchester, 11th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, 15 event images and a promotional video.<br><br>This item documents <b>Ecstatic Material </b>at <i>Caustic Coastal</i>, Manchester on 11th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment.<br><br><b>Ecstatic Material</b> was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material</b> poster. Promotional material courtesy of Outlands. <br><br>The performances at 3 other tour venues have also been documented in the <b>Ecstatic Materia</b>l item: <i>Karst</i> in Plymouth, South London Gallery & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Dean Brierley. Images used with permission courtesy of the photographer and Caustic Coastal.</b><b><br></b><b>Video used courtesy of Outlands and Caustic Coastal. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright la</b>w.