cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-c65-1557
title: Small Chinese boy in traditional clothing, ca.1900-1920

description: Photograph of a small Chinese boy standing next to a doorframe, wearing trousers and a varigated collar with a patchwork bib, ca.1900-1920. Over the bib he is wearing a long chain with either a watch or a large locket on it. He is wearing high buttoned shoes and bracelets on both wrists. His left hand grasps the edge of a wall or sign on which chinese characters are painted. He is outside.
DOI: 10.25549/chs-c65-717
title: Water wheel used for mining at Angel's Camp, [s.d.]

description: Photograph of a water wheel used for mining at Angel's Camp, [s.d.]. The wooden water wheel and the wooden scaffolding supporting it are visible at right while below it is a rapidly moving river bordered by dense foliage. At left, there is a large building with wooden(?) walls. In front of the building are several wood scraps. The waterwheel was used for mining gold. Picture file card reads "Duplicate of #20446".
DOI: 10.25549/chs-c65-1235
title: San Pedro Harbor and Southern Pacific Depot

description: Photograph of San Pedro Harbor and the Southern Pacific Depot. Looking toward Long Beach and Santa Ana Mountains from San Pedro. Railroad tracks and a caboose in foreground. Brighton Beach and Terminal Island in background. Several ships are sitting beside the wharf and railroad tracks. Numerous other smaller boats are in the water in the are as well.
DOI: 10.25549/chs-c65-488
title: Petroglyphs at Verde Valley, Arizona, ca.1900

description: Photograph of the petroglyphs at Verde Valley, Arizona, ca.1900. Stick figures, animal shapes and a variety of other symbols are carved into the canyon wall (or cave wall?). The wall is cracked and has large ripples running through it. Large pieces have eroded from the walls at right.; "The majority of the petroglyphs at this site have well-defined edges and circular 'pecks,' made by hitting a chisel-like stone into the design with a larger hammer stone. This provides a level of precision and artistic clarity. This style is so distinct that it has warranted its own classification, the Beaver Creek Style. It is unique in this area. This is also the largest rock art panel in this area. So far, 1032 individual petroglyphs have been identified in the 13 panels here. They are outstanding examples of the Beaver Creek Style, found throughout the eastern half of Verde Valley. The style is noted for its precise execution.
DOI: 10.25549/chs-c65-1667
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Crocker residence, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Crocker residence, 1906. A paved, narrow street runs the width of the image, a large swath of charred trees and the burnt remains of buildings spread out over the remaining foundations to the right. At center, a section of brick chimney can be seen standing on its own. In the background left, scaffolding can be seen alongside a highrise under construction, which looks more complete than the toppled, freestanding walls of decimated city buildings that stretch to the right. The mountains are visible in the distance.
DOI: 10.25549/chs-c65-1489
title: View of the beach in Santa Monica, south of the pier, ca.1920

description: Photograph of a view of the beach in Santa Monica, south of the pier, ca.1920. A large grassy park is in the foreground at right. Many people are seated beneath umbrellas or on blankets on the grass. A covered walkway runs through the middle of the park at right. The beach is in the background at center and is also crowded with umbrellas and people. There is a rocky outcropping in the foreground at left. In the background at right are several large buildings and a parking lot full of early-model automobiles. Part of a pier is jutting out into the water in the distance at center, and there appears to be a roller coaster in the far distance.; Legible signs include, from left to right: "Ball Room", "The Rendezvous", "Ice Cream", "Tom's", and "Pacific Bath House".
DOI: 10.25549/chs-c65-1187
title: Composite portrait of Alice Stebbins Wells and Aletha Gilbert, two of the first police women, 1910

description: Photographic composite portrait of Alice Stebbins Wells and Aletha Gilbert, two of the first female police women, 1910. Wells is at left and is wearing a long dark jacket over a dark dress. She has a lace collar and a large police badge is affixed to her lapel at right. She is wearing a hat that resembles a scarf wrapped around her head with a large flower decoration at right. The badge in the photo is #398 Los Angeles Police; later, this badge was replaced with Policewoman #1 after Alice was accused of using her husband's badge to ride the street car. Back of photoprint reads "One of the first policewomen, Lucy Gray 1910". Gilbert is at right and is also wearing a dark jacket and dress. She has a similar badge. She is wearing a broad-brimmed hat with a large flower at right. Her mother, Lucy Gray, was hired as Los Angeles's first female jailer in 1888. Back of photoprint reads "One of the first Police Women, Alethe Gilbert 1910".
DOI: 10.25549/chs-c65-405
title: Panoramic view of Los Angeles's Central Market on Tenth Street, 1904

description: Photograph of a panoramic view of Los Angeles's Central Market on Tenth Street, 1904. The large, open-air market is at center and is crowded with horse-drawn wagons full of food and produce. There are also many pedestrians wandering around the busy area. The market is bordered by long, low brick buildings housing stores and shops. A line of utility poles runs away from the viewer at center.; Legible signs include, from left to right, "Imperial Produce Co.", "H & F Co.", "Sole Agents Covina Strawberry Association", "Tents Awnings Wagon Covers", "Produce Exchange Building", "Heidt Fruit Co.", "Durdore Fruit Company", "Vegetables and Fruits Dock Hop Co.", "Rivers Bros Co.", "Marston & Martin", "Receivers Western Fruit Co. Distributors", "M. A. Newmark & Co.", "Ridgways Tea", "Wholesale Shippers Adams & Rhodes Co. Commission Merchants", "Fruits H. Boogar Produce" and "Car Load".
DOI: 10.25549/chs-c65-854
title: View of Griffith Park along a mountain drive, showing a man in a horse-drawn carriage, ca.1908

description: Photograph of a view of Griffith Park along a mountain drive, showing a man in a horse-drawn carriage, ca.1908. A lightly-colored horse is shown just to the left of center, pulling a man and coach behind him down a narrow stretch of unpaved road. In the background, the hills and mountains of Griffith Park can be seen.
DOI: 10.25549/chs-c65-853
title: View of Griffith Park along a mountain drive, showing a man in a horse-drawn carriage, ca.1908

description: Photograph of a view of Griffith Park along a mountain drive, showing a man in a horse-drawn carriage, ca.1908. A lightly-colored horse is shown just to the left of center, pulling a man and coach behind him down a narrow stretch of unpaved road. In the background, the hills and mountains of Griffith Park can be seen.
DOI: 10.25549/chs-c65-1263
title: Panorama of the San Pedro Harbor, showing lumber being loaded from ships to freight trains, ca.1913

description: Photograph of a panorama of the San Pedro Harbor, showing lumber being loaded from ships to freight trains, ca.1913. Masses of stacked lumber are visible to both sides of a narrow channel which runs the width of the panorama. Towards the center, a small steam ship can be seen docked against the far edge of the channel. In the background, a warehouse can be seen which bears the sign "Pacific Wharf and Storage Co.". A second ship is farther right on the opposite side of the channel, where railroad cars can be seen packed with lumber. Still farther right, more freight cars can be seen on the tracks, these apparently filled with gravel or some other granular material. Towards the right edge of the photo, just across a dirt road which separates it from the rest of the shipyard, a large flat of dry, cracked earth can be seen, possibly a dried or drained section of marsh.
DOI: 10.25549/chs-c65-64
title: Panorama of the San Pedro Harbor waterfront, ca.1913

description: Photograph of a panorama of the San Pedro Harbor waterfront, ca.1913. At left, a long wooden dock is in the foreground, while on the far side of the water, a big sign advertises "Globe A Flour" near a large silo. Stacks of lumber are visible near the water at left, and several buildings are visible on top of a ridge that runs parallel to the waterfront in the background. At center, several large steam ships are tied up along the waterfront, including a dark-hulled ship slightly to the left of center and a light-hulled ship at center. A tugboat is also at center. There is a large square building with a domed roof overlooking the water at center. At right, a massive dark-hulled ocean liner is spewing smoke from its smokestack. The wooden dock in the foreground continues at right, and several railroad cars are visible along the curved surface. At extreme right is the shore, and the dock intersects it in the distance. Several large warehouse buildings are visible, and many ships can be seen in the water in the background.
DOI: 10.25549/chs-c65-754
title: Both sides of the Civil War discharge papers for Private William M. Cann, for medical reasons following surgery, ca.1881

description: Photograph of both sides of the Civil War discharge papers for Private William M. Cann, for medical reasons following surgery, ca.1881. Both the back and front of the document are shown; the certificate of discharge features a heading that reads "To Whom it May Concern" and lists Cann's commanding officer as Captain James W. Fellows. The reverse of the document is twice stamped, one stamp bearing the disclaimer "Bounty Disallowed", the other reading "U.S. Pension Office. November 19, 1881". A form for the "Oath of Identity" is pictured at the right third of the image. Cann belonged to the 84th Infantry of Indiana.
DOI: 10.25549/chs-c65-1660
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Stanford residence (?) on Nob Hill, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Leland Stanford residence (?) on Nob Hill, 1906. A Gothic church is pictured at center, its roof missing or destroyed, while razed building foundations can be seen across the entire foreground of the image. To the far right, a collection of freestanding chimneys are grouped in such a concentration that they look like a miniature city of their own. More churches can be seen to the far left, while back at center, a building under construction can also be seen. A sign to the right of it reads "Bur[...] Shoes [...] 112 Geary [...]".
DOI: 10.25549/chs-c65-1661
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Stanford residence (?) on Nob Hill, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Leland Stanford residence (?) on Nob Hill, 1906. A Gothic church is pictured at center, its roof missing or destroyed, while razed building foundations can be seen across the entire foreground of the image. To the far right, a collection of freestanding chimneys are grouped in such a concentration that they look like a miniature city of their own. More churches can be seen to the far left, while back at center, a building under construction can also be seen. A sign to the right of it reads "Bur[...] Shoes [...] 112 Geary [...]".
DOI: 10.25549/chs-c65-1656
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Stanford residence (?) on Nob Hill, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Leland Stanford residence (?) on Nob Hill, 1906. A Gothic church is pictured at center, its roof missing or destroyed, while razed building foundations can be seen across the entire foreground of the image. To the far right, a collection of freestanding chimneys are grouped in such a concentration that they look like a miniature city of their own. More churches can be seen to the far left, while back at center, a building under construction can also be seen. A sign to the right of it reads "Bur[...] Shoes [...] 112 Geary [...]".
DOI: 10.25549/chs-c65-1665
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Crocker residence, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Crocker residence, 1906. A paved, narrow street runs the width of the image, a large swath of charred trees and the burnt remains of buildings spread out over the remaining foundations to the right. At center, a section of brick chimney can be seen standing on its own. In the background left, scaffolding can be seen alongside a highrise under construction, which looks more complete than the toppled, freestanding walls of decimated city buildings that stretch to the right. The mountains are visible in the distance.
DOI: 10.25549/chs-c65-1662
title: Panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Stanford residence (?) on Nob Hill, 1906

description: Photograph of a panorama of San Francisco in the aftermath of the 1906 earthquake and fire, shown from the Leland Stanford residence (?) on Nob Hill, 1906. A Gothic church is pictured at center, its roof missing or destroyed, while razed building foundations can be seen across the entire foreground of the image. To the far right, a collection of freestanding chimneys are grouped in such a concentration that they look like a miniature city of their own. More churches can be seen to the far left, while back at center, a building under construction can also be seen. A sign to the right of it reads "Bur[...] Shoes [...] 112 Geary [...]".
DOI: 10.15468/dl.6v6t3k
title: Occurrence Download

description: A dataset containing 66 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Oreocharis benthamii reticulata"
 ]
}

 The dataset includes 66 records from 14 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0016999-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/chs-c65-1674
title: Panorama of San Francisco from Nob Hill in the aftermath of the fire and earthquake, 1906

description: Photograph of a panorama of San Francisco from Nob Hill in the aftermath of the fire and earthquake, 1906. To the right, a section of brick chimney can be seen standing free in the foreground, just to the right of a section of road that leads down an incline to the right and back up to the residential section of the city. Farther left, the foundation of a decimated building takes up the entire foreground until just right of center, with the charred city and mountains visible in the background. At left, a lone dark building with a tall domed tower stands amongst piles of rubble and the burned remains of other buildings. Scattered throughout the city are burned trees.
DOI: 10.25549/chs-c65-1469
title: Aerial view of Santa Anita Racetrack in Arcadia, 1934

description: Photograph of an aerial view of Santa Anita Racetrack in Arcadia, 1934. The large oval track is at center and encircles an open infield. There is a single small building on the left side of the infield. A covered grandstand is at the left side of the track on the outside, and a several rows of stables are visible in the distance at left. In the background at right are hundreds of trees, and the land in the foreground is neatly mowed. The racetrack was built in 1934.
DOI: 10.25549/chs-c65-1490
title: View of the beach in Santa Monica, south of the pier, ca.1920

description: Photograph of a view of the beach in Santa Monica, south of the pier, ca.1920. A large grassy park is in the foreground at right. Many people are seated beneath umbrellas or on blankets on the grass. A covered walkway runs through the middle of the park at right. The beach is in the background at center and is also crowded with umbrellas and people. There is a rocky outcropping in the foreground at left. In the background at right are several large buildings and a parking lot full of early-model automobiles. Part of a pier is jutting out into the water in the distance at center, and there appears to be a roller coaster in the far distance.; Legible signs include, from left to right: "Ball Room", "The Rendezvous", "Ice Cream", "Tom's", and "Pacific Bath House".
DOI: 10.25549/chs-c65-407
title: Panoramic view of Los Angeles's Central Market on Tenth Street, 1904

description: Photograph of a panoramic view of Los Angeles's Central Market on Tenth Street, 1904. The large, open-air market is at center and is crowded with horse-drawn wagons full of food and produce. There are also many pedestrians wandering around the busy area. The market is bordered by long, low brick buildings housing stores and shops. A line of utility poles runs away from the viewer at center.; Legible signs include, from left to right, "Imperial Produce Co.", "H & F Co.", "Sole Agents Covina Strawberry Association", "Tents Awnings Wagon Covers", "Produce Exchange Building", "Heidt Fruit Co.", "Durdore Fruit Company", "Vegetables and Fruits Dock Hop Co.", "Rivers Bros Co.", "Marston & Martin", "Receivers Western Fruit Co. Distributors", "M. A. Newmark & Co.", "Ridgways Tea", "Wholesale Shippers Adams & Rhodes Co. Commission Merchants", "Fruits H. Boogar Produce" and "Car Load".
DOI: 10.25549/chs-c65-1516
title: Exterior view of a ramshackle wooden cabin in Randsburg, ca.1924

description: Photograph of an exterior view of a ramshackle wooden cabin in Randsburg, ca.1924. The cabin is at center and is a simple building made from a rough collection of wooden boards. There is a screen door at center and several wooden chairs are visible beneath an overhang at right. A crude chimney protrudes from the side of the house at left. A large bush is next to the house at left, and behind it is a tall mountain. The foreground is occupied by hundreds of small rocks.
DOI: 10.25549/chs-c65-1587
title: Street view in San Bernardino, California, includes courthouse, ca.1905

description: Photograph of a street view in San Bernardino, California, includes courthouse, ca.1905. Horse-drawn carriages are parked at left and right. Streetcar rails go down the center of the dirt street. The courthouse, on the left, is a tall stone building with a clock tower. Utility lines and poles go down both sides of the street. A large tree is in the right foreground. Numerous pedestrians are on the sidewalks. A bicyclist is visible riding down the street in the distance. Legible signs include: ..."nn [...]ale[...] liquors, cigars, insurance"..., "The Stewart", "Prices cut in twain on the Santa Ana stock of clothing and shoes", "Law office"..., "Dry goods".
DOI: 10.25549/chs-c65-1416
title: Panorama of Long Beach, showing the beach, pier, and ocean, ca.1912

description: Photograph of a panorama of Long Beach, showing the beach, pier, and ocean, ca.1912. The left and center fore- and middlegrounds are filled with men, women, and children, dressed predominantly in suits and bowler hats or dresses and sunhats. The beachgoers sit and stand amidst striped sand chairs and umbrellas. The ocean occupies the right middleground, while the pier stretches horizontally from the left background to the center background. A small clapboard structure with a turret protruding from its shingled roof sits amidst the crowd in the left middleground, offering "[Ta]ckle For Rent". A Second Empire-style building occupies the leftmost background. The left and center backgrounds show the distant "Hotel Eastman", as well as the three-story building that sits at the leftmost end of the pier, bearing a tall sign that reads "Welcome".
DOI: 10.25549/chs-c65-1419
title: Panoramic view of the Long Beach Pier and Pike amusement park, 1923

description: Photograph of a panoramic view of the Long Beach Pier and Pike amusement park, 1923. The tops of buildings, most of which are sloped, and a roller coaster can be seen at bottom. People can be seen bathing in the ocean at center, while a pier can be seen jutting into the water in the left background. The ocean continues into the distance.
DOI: 10.25549/chs-c65-1456
title: Exterior view of the lit Pico Building on Main Street at dusk or dawn, showing streetcar tracks, ca.1938

description: Photograph of an exterior view of the lit Pico Building on Main Street at dusk or dawn, showing streetcar tracks, ca.1938. A multi-story commercial building, constructed in the Second Empire style of architecture, lines a paved street; streetcar tracks run through the center of the street. The shops' interiors are lit, as is the streetlamp on the paved sidewalk, though the sky is not dark, indicating that the image was made at either dusk or dawn. The Farmers and Merchants National Bank is at center, with the Grand Central Hotel to its left and the Bella Union to its right. A man stands on the sidewalk in the left centerground. This building, shown as 318-322 Main Street, was once 44 Main street, known as Pico's Building. Regarding the building, F.B. Putnam, assistant cashier at the Farmers and Merchants National Bank, is quoted as saying "I am almost certain that it was erected between June 1 and Sept. 1, 1868 and on the latter date Hellman, Temple & Co. opened its banking business here. It was succeeded by Hellman & Co. on Feb. 1, 1871, and then by the Farmers & Merchants Bank of L.A. on April 10, 1871. From 1874 to 1876 it was occupied by the Los Angeles County Bank".; Legible signs, from left to right, include: "Café 324", "C.T. Sun Co. Herbs. Yerbas Chinas", "Arizona Café", "Pearlson Loan & Jewelry Co. Money to Loan. [?] Jewelry. Physical Instruments. Established Over 30 Years", "Azteca Restaurant. Restaurant Para Fam[?]".
DOI: 10.25549/chs-c65-381
title: Map of California showing the trans-continental stage lines that existed in 1858, with a list of California towns on the Great Overland Mail Route, [s.d.]

description: Photograph of a map of California showing the trans-continental stage lines that existed in 1858, with a list of California towns on the Great Overland Mail Route, [s.d.]. Prepared for the Overland Mail Centennials, 1957-1958; the reverse side has further information including portraits of John Butterfield, founder of the Butterfield Overland Mail, and James E. Birch, founder of the first Overland Mail.; CHS-31298 depicts routes such as the Great Overland Mail, Great Salt Lake Mail, San Diego-San Antonio Mail, Stockton-Albuquerque-Kansas City Mail, as well as General Kearny's Route in 1846 and local stages. Wagon roads, railways, and cities are also indicated. A list of 54 stops on the Great Overland Mail Route is visible at top right.; CHS-31298A depicts the "'Jackass' Line, 1857", the "Butterfield Line, 1858", as well as stage, steamer, and railyway connections. The map spans from California to Louisiana, yet state lines are not visible. The "Great American Desert" is depicted at center above what would later become Arizona, New Mexico, and Texas.; Towns on the Great Overland Mail Route include: Clarks, San Mateo, Redwood City, Mountain View, San Jose, Seventeen Mile House, Gilroy, St. Louis Ranch, Lone Willows, Temple's Ranch, Firebaugh's Ferry, Fresno City, Elk Horn Springs, Whitmore's Ferry, Visalia, Packwood, Tule River, Fountain Springs, Mountain House, Posey Creek, Kern River Slough, Sink of Tejon, Fort Tejon, Reed's, French John's, Widow Smith's, King's, Hart's, San Fernando, Cahengo, Los Angeles, Monte, San Jose, Chino Ranch, Temescal, Temecula, Tejungo, Oak Grove, Warner's Ranch, San Isabel, San Pasqual, San Felipe, Vailecito, Palm Springs, Carisso Creek, Indian Wells, Alamo Mucho, Cook's Wells, Pilot Knob, Lassator's Ro., Julian's Ranch, William's Ranch and Ames' Ranch.