cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10237263
title: The Lower Agora and Roman Baths of Sagalassos

description: The Lower Agora and Roman Baths of Sagalassos, SW-Turkey. Like the Upper Agora, the smaller Lower Agora of Sagalassos was paved during the 1st c. CE. During the better part of the 2nd c. CE, a massive bathing complex was constructed immediately east of this square. Model was processed in Reality Capture from 4451 Drone photographs.

 The data were collected by Global Digital Heritage in August 2019, as part of the University of Leuven Sagalassos Archaeological Research Project and supported by the Global Heritage Fund.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237264
title: Vaso (K´ero) de estilo Tiwanaku

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237265
title: Vaso (K´ero) de estilo Tiwanaku

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237266
title: Castle Stalker

description: Automatic photogrammetric reconstruction using 150 frames subsampled from YouTube drone video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237267
title: Castle Stalker

description: Automatic photogrammetric reconstruction using 150 frames subsampled from YouTube drone video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237268
title: Stone Wall Nr.5

description: Stone Wall with some plants, moss and lichen, 114 photos processed with Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237269
title: Stone Wall Nr.5

description: Stone Wall with some plants, moss and lichen, 114 photos processed with Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237270
title: Tree of Life

description: Please Like Before Downloading. Thank You!
Carriage Hill Metro Park Huber Heights Ohio
De-lighting needed
Created in RealityCapture by Capturing Reality from 452 images 
Update: This Tree no longer stands. Great model for a Heritage or Spooky scene.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237271
title: Tree of Life

description: Please Like Before Downloading. Thank You!
Carriage Hill Metro Park Huber Heights Ohio
De-lighting needed
Created in RealityCapture by Capturing Reality from 452 images 
Update: This Tree no longer stands. Great model for a Heritage or Spooky scene.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237276
title: Roman Legionnaire Helmet

description: Standard Helmet worn by the Roman Legion.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237272
title: Prolate ellipsoid of revolution

description: * The ellipse is rotated about its longer axis; the resulting surface is known as a prolate spheroid or prolate ellipsoid of revolution. The model shows the behaviour of geodesic lines of a three-axial ellipsoid passing through its umbilical points.
* Эллипс вращается вокруг своей длинной оси; полученная поверхность известна как вытянутый сфероид или вытянутый эллипсоид вращения.
* (метка Р7)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237273
title: Prolate ellipsoid of revolution

description: * The ellipse is rotated about its longer axis; the resulting surface is known as a prolate spheroid or prolate ellipsoid of revolution. The model shows the behaviour of geodesic lines of a three-axial ellipsoid passing through its umbilical points.
* Эллипс вращается вокруг своей длинной оси; полученная поверхность известна как вытянутый сфероид или вытянутый эллипсоид вращения.
* (метка Р7)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237278
title: Homs2

description: Photogrammetry created from Youtube HD drone video of the ruins of Homs, Syria https://www.youtube.com/watch?v=DoRdCbDd50o&t=31s

I see this place in various mediated ways. The places we bomb seen thru media seem unreal, but they are very real.
https://www.google.be/search?q=homs+syria&espv=2&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjqg6KmoMDTAhVJtRQKHWd1AvAQ_AUIBigB&biw=2010&bih=1102#tbm=isch&q=homs+syria+before+war

https://www.google.be/maps/place/Homs%E2%80%8E,+Syria/@34.6663288,36.1618508,8.94z/data=!4m5!3m4!1s0x15230e9047c7c0fb:0xac367e06303788d0!8m2!3d34.7324273!4d36.7136959

How are ruins created? We tend to think of romantic ruins, ruins we visit, de-militarized, we claim them as our own. 
Is that what I am doing when I use a piece of software to recreate? Is it wrong to want to see a destroyed town like this?

I contemplate these ruins in the only way I know how, to place myself within them. It is meant as a personal tool to contemplate destruction.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237279
title: Homs2

description: Photogrammetry created from Youtube HD drone video of the ruins of Homs, Syria https://www.youtube.com/watch?v=DoRdCbDd50o&t=31s

I see this place in various mediated ways. The places we bomb seen thru media seem unreal, but they are very real.
https://www.google.be/search?q=homs+syria&espv=2&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjqg6KmoMDTAhVJtRQKHWd1AvAQ_AUIBigB&biw=2010&bih=1102#tbm=isch&q=homs+syria+before+war

https://www.google.be/maps/place/Homs%E2%80%8E,+Syria/@34.6663288,36.1618508,8.94z/data=!4m5!3m4!1s0x15230e9047c7c0fb:0xac367e06303788d0!8m2!3d34.7324273!4d36.7136959

How are ruins created? We tend to think of romantic ruins, ruins we visit, de-militarized, we claim them as our own. 
Is that what I am doing when I use a piece of software to recreate? Is it wrong to want to see a destroyed town like this?

I contemplate these ruins in the only way I know how, to place myself within them. It is meant as a personal tool to contemplate destruction.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237283
title: Pee Dee style cup/pitcher

description: This small, sand tempered, ceramic vessel was found submerged within a stone fish weir in the Pee Dee River, which runs between Montgomery and Stanly counties. It appears that the cup was originally made with a rim that went all the way around the vessel, but apparently broke and the remaining portion was intentionally ground and shaped to produce this unusual pitcher shape. Pee Dee pottery dates to approx. AD 1150-1450 and is perhaps best known from the nearby archaeological site known as Town Creek Indian Mound. It measures approx. 10.5 cm tall and 8 cm wide. Model by David Cranford using 95 digital photos and Agisoft Metashape software. Credit: NCDNCR/OSA

NOTE: Fish weirs and those artifacts associated with them are considered state property and protected by North Carolina General Statutes Chapter 121; Subsection 121-22 establishes title for the State to all shipwrecks, vessels, and underwater archaeological artifacts abandoned for more than ten years and lying on the bottoms of navigable waters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237274
title: Steam Engine Room_Carolina

description: Steam Engine Room model of rice husks factory, Casa Cadaval, Muge, Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237275
title: Steam Engine Room_Carolina

description: Steam Engine Room model of rice husks factory, Casa Cadaval, Muge, Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237281
title: I 1301 die "Trunkene Alte", rendering high

description: Gipsabguß der Statue der "Trunkenen Alten" der Antikensammlung der FAU in Erlangen nach dem Marmororiginal in der Glyptothek in München.
Plastercast of the Statue called 'Old Drunkard', I 1301, Collection of greek and roman Antiquities of the FAU, University at  Erlangen; Original at Munich, Glyptothek.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237282
title: Pee Dee style cup/pitcher

description: This small, sand tempered, ceramic vessel was found submerged within a stone fish weir in the Pee Dee River, which runs between Montgomery and Stanly counties. It appears that the cup was originally made with a rim that went all the way around the vessel, but apparently broke and the remaining portion was intentionally ground and shaped to produce this unusual pitcher shape. Pee Dee pottery dates to approx. AD 1150-1450 and is perhaps best known from the nearby archaeological site known as Town Creek Indian Mound. It measures approx. 10.5 cm tall and 8 cm wide. Model by David Cranford using 95 digital photos and Agisoft Metashape software. Credit: NCDNCR/OSA

NOTE: Fish weirs and those artifacts associated with them are considered state property and protected by North Carolina General Statutes Chapter 121; Subsection 121-22 establishes title for the State to all shipwrecks, vessels, and underwater archaeological artifacts abandoned for more than ten years and lying on the bottoms of navigable waters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237288
title: Tinakansi - Lid of A Pewter Vessel

description: TMK21816:MT1281

Litteäksi väännetty ja rullattu kuusikulmainen tinakansi suolasirottimesta, joka sijoittuu 1300-luvun lopulle tai 1400-luvun alkuun. Kansi löytyi Åbo Akademin arkeologisilta kaivauksilta vuonna 1998. Keskellä olevan tapin jatkeena on ennen ollut koriste. Kansi on jaettu kuuteen osaan, jotka kuvaavat kahta eri kristinuskon ikonografiaan liittyvää tapahtumaa, Marian ilmestystä ja Itämaan tietäjien kumarrusta. 

A hexagonal lid of a pewter salt cellar from the late 14th to early 15th century that has been folded and rolled. The lid was found in the Åbo Akademi University excavation in 1998. The protruding center used to have an ornament of some kind on top of it. The lid is also decorated by six segments of Christian iconography, depicting both the Annunciation and the Adoration of the Magi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237294
title: ROI052-003-17

description: Projectile point fragment collected in Henry County, Indiana.

Catalog # 12-Hn-25-811

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Jarod Heuer, and Kevin C. Nolan, 2021. ROI052-003-17, 3D Model .ply file. Recovered as part of Report of Investigations 52,*An Archaeological Assessment of Three Unique Woodland Sites in Henry County*, Indiana, By Beth K. McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237277
title: Roman Legionnaire Helmet

description: Standard Helmet worn by the Roman Legion.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237280
title: I 1301 die "Trunkene Alte", rendering high

description: Gipsabguß der Statue der "Trunkenen Alten" der Antikensammlung der FAU in Erlangen nach dem Marmororiginal in der Glyptothek in München.
Plastercast of the Statue called 'Old Drunkard', I 1301, Collection of greek and roman Antiquities of the FAU, University at  Erlangen; Original at Munich, Glyptothek.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237285
title: Common ware stamnoid small olla, Poggio Pinci

description: Common ware stamnoid small olla from the Necropolis of Poggio Pinci, Asciano, Tuscany, Italy

Common ware stamnoid small olla used as an urn. Bones preserved inside. Light orange clay. Tomb III.176, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. III, 37. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 321 images. GDH ID No. C7_176 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237286
title: Common ware stamnoid small olla, Poggio Pinci

description: Common ware stamnoid small olla from the Necropolis of Poggio Pinci, Asciano, Tuscany, Italy

Common ware stamnoid small olla used as an urn. Bones preserved inside. Light orange clay. Tomb III.176, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. III, 37. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 321 images. GDH ID No. C7_176 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237287
title: Tinakansi - Lid of A Pewter Vessel

description: TMK21816:MT1281

Litteäksi väännetty ja rullattu kuusikulmainen tinakansi suolasirottimesta, joka sijoittuu 1300-luvun lopulle tai 1400-luvun alkuun. Kansi löytyi Åbo Akademin arkeologisilta kaivauksilta vuonna 1998. Keskellä olevan tapin jatkeena on ennen ollut koriste. Kansi on jaettu kuuteen osaan, jotka kuvaavat kahta eri kristinuskon ikonografiaan liittyvää tapahtumaa, Marian ilmestystä ja Itämaan tietäjien kumarrusta. 

A hexagonal lid of a pewter salt cellar from the late 14th to early 15th century that has been folded and rolled. The lid was found in the Åbo Akademi University excavation in 1998. The protruding center used to have an ornament of some kind on top of it. The lid is also decorated by six segments of Christian iconography, depicting both the Annunciation and the Adoration of the Magi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237289
title: Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237290
title: Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.17632/zd2z3gg228.1
title: EEG Recordings of Mental Commands

description: Research Hypothesis: The research hypothesis posits that discernible patterns exist in the EEG (Electroencephalogram) recordings of individuals aged between 18 and 25 while performing mental commands related to lifting, dropping, pulling, pushing, and moving right. The study suggests that distinct neural signatures corresponding to each mental command can be observed in the EEG data. Data Collection: The dataset comprises 30 raw EEG recordings obtained from participants aged 18 to 25, ensuring they had no prior head injuries or illnesses. Participants were presented with a visual cue in the form of a box, and they were instructed to imagine performing specific mental commands. The experimental protocol involved a series of mental commands, each lasting for 3 minutes, separated by 10-second breaks. The sequence of mental commands included lifting, dropping, pulling, pushing, and moving right. Procedure: 1. Lift Command (3 minutes): Participants were shown a box and instructed to mentally focus on the concept of lifting for 3 minutes, followed by a 10-second break. 2. Drop Command (3 minutes): Similar to the lift command, participants mentally concentrated on the act of dropping for 3 minutes, again followed by a 10-second break. 3. Pull Command (3 minutes): Participants mentally engaged in the concept of pulling for 3 minutes, with a subsequent 10-second break. 4. Push Command (3 minutes): The mental task shifted to pushing for another 3 minutes, followed by a 10-second break. 5. Move Right Command (3 minutes): Participants were instructed to mentally command a movement to the right for 3 minutes, concluding with a 10-second break. Interpretation of Data: The analysis of the raw EEG data aims to identify specific neural patterns associated with each mental command. Given the presentation of a visual cue (the box), changes in electrical brain activity during different mental tasks are anticipated. Analysis methods may include time-frequency decomposition, event-related potentials (ERPs), or machine learning techniques to reveal patterns unique to each command. Future Directions: The dataset opens avenues for further investigations, such as exploring the development of brain-computer interfaces (BCIs) for command recognition based on EEG signals. Additionally, correlations between individual differences (e.g., cognitive abilities) and EEG patterns could be explored to enhance our understanding of the neural correlates of mental commands in this specific age group. In conclusion, this dataset, which includes the visual cue of a box, offers valuable insights into the neural dynamics associated with mental commands. It has the potential to advance our understanding of cognitive processes and contribute to the development of applications in brain-computer interface technology.
DOI: 10.5281/zenodo.10237291
title: Roman mosaic decorated with two fish (brown eel)

description: Fragment of Roman mosaic dating back to the 4th century A.D. from the archaeological site of Herdade da Fonte Coberta. The mosaic is decorated with two fish (brown eel). One of the eels is preserved almost entirely while the second specimen has only survived its final end. For its realization, white, pink, ocher, black and orange-brick limestone tesserae were used. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME18319.

ABRAÇOS, Maria de Fátima S. - História da Conservação e Restauro do Mosaico Romano. Subs´dios para o conhecimanto do estado de conservação dos mosaicos no sul de Portugal. Tese de Mestrado, FLUL: 2000, pp. 133-135.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 129.

464 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237292
title: Roman mosaic decorated with two fish (brown eel)

description: Fragment of Roman mosaic dating back to the 4th century A.D. from the archaeological site of Herdade da Fonte Coberta. The mosaic is decorated with two fish (brown eel). One of the eels is preserved almost entirely while the second specimen has only survived its final end. For its realization, white, pink, ocher, black and orange-brick limestone tesserae were used. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME18319.

ABRAÇOS, Maria de Fátima S. - História da Conservação e Restauro do Mosaico Romano. Subs´dios para o conhecimanto do estado de conservação dos mosaicos no sul de Portugal. Tese de Mestrado, FLUL: 2000, pp. 133-135.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 129.

464 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237293
title: ROI052-003-17

description: Projectile point fragment collected in Henry County, Indiana.

Catalog # 12-Hn-25-811

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Jarod Heuer, and Kevin C. Nolan, 2021. ROI052-003-17, 3D Model .ply file. Recovered as part of Report of Investigations 52,*An Archaeological Assessment of Three Unique Woodland Sites in Henry County*, Indiana, By Beth K. McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.17632/zd2z3gg228.2
title: EEG Recordings of Mental Commands

description: Research Hypothesis: The research hypothesis posits that discernible patterns exist in the EEG (Electroencephalogram) recordings of individuals aged between 18 and 25 while performing mental commands related to lifting, dropping, pulling, pushing, and moving right. The study suggests that distinct neural signatures corresponding to each mental command can be observed in the EEG data. Data Collection: The dataset comprises 30 raw EEG recordings obtained from participants aged 18 to 25, ensuring they had no prior head injuries or illnesses. Participants were presented with a visual cue in the form of a box, and they were instructed to imagine performing specific mental commands. The experimental protocol involved a series of mental commands, each lasting for 3 minutes, separated by 10-second breaks. The sequence of mental commands included lifting, dropping, pulling, pushing, and moving right. Procedure: 1. Lift Command (3 minutes): Participants were shown a box and instructed to mentally focus on the concept of lifting for 3 minutes, followed by a 10-second break. 2. Drop Command (3 minutes): Similar to the lift command, participants mentally concentrated on the act of dropping for 3 minutes, again followed by a 10-second break. 3. Pull Command (3 minutes): Participants mentally engaged in the concept of pulling for 3 minutes, with a subsequent 10-second break. 4. Push Command (3 minutes): The mental task shifted to pushing for another 3 minutes, followed by a 10-second break. 5. Move Right Command (3 minutes): Participants were instructed to mentally command a movement to the right for 3 minutes, concluding with a 10-second break. Interpretation of Data: The analysis of the raw EEG data aims to identify specific neural patterns associated with each mental command. Given the presentation of a visual cue (the box), changes in electrical brain activity during different mental tasks are anticipated. Analysis methods may include time-frequency decomposition, event-related potentials (ERPs), or machine learning techniques to reveal patterns unique to each command. Future Directions: The dataset opens avenues for further investigations, such as exploring the development of brain-computer interfaces (BCIs) for command recognition based on EEG signals. Additionally, correlations between individual differences (e.g., cognitive abilities) and EEG patterns could be explored to enhance our understanding of the neural correlates of mental commands in this specific age group. In conclusion, this dataset, which includes the visual cue of a box, offers valuable insights into the neural dynamics associated with mental commands. It has the potential to advance our understanding of cognitive processes and contribute to the development of applications in brain-computer interface technology.
DOI: 10.5281/zenodo.10237296
title: Goblet

description: Low-poly goblet with mother-of-pearl inlay.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10237299
title: RM_project : Inca Statue

description: Reverse Modelling of a little inca statue

Source: Objaverse 1.0 / Sketchfab