cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10319427
title: DOW047:042 - Cross Inscribed Stone 3

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319428
title: DOW047:042 - Cross Inscribed Stone 3

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319429
title: Toy – a little horse on wheels

description: ID no.: 2011/MEK

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1511

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319430
title: Toy – a little horse on wheels

description: ID no.: 2011/MEK

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1511

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319432
title: B9236 - Acoperitoare potir

description: **B9236 Acoperitoare potir** Mătase, decorată cu motive religioase, florale, geometrice. Era folosită pentru acoperirea potirului în biserică. Primul sfert al sec. XX.

**B9236 Silk chalice cover**, decorated with religious, floral, geometric motifs. It was used to cover the chalice in the church. The first quarter of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319431
title: B9236 - Acoperitoare potir

description: **B9236 Acoperitoare potir** Mătase, decorată cu motive religioase, florale, geometrice. Era folosită pentru acoperirea potirului în biserică. Primul sfert al sec. XX.

**B9236 Silk chalice cover**, decorated with religious, floral, geometric motifs. It was used to cover the chalice in the church. The first quarter of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319437
title: CASTILLO DEL BERRUECO (Torredelcampo, Jaén)

description: [**Berrueco Castle**](https://www.google.com/maps/place/Castillo+del+Berrueco/@37.8653027,-3.944017,2086m/data=!3m1!1e3!4m5!3m4!1s0x0:0x9b099cf7df688115!8m2!3d37.8653782!4d-3.9387029) (XIIIth century). Torredelcampo, Jaén (SPAIN)

[Levantamiento fotogramétrico](https://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XLI-B5/207/2016/isprs-archives-XLI-B5-207-2016.pdf) con UAV Falcon8 y cámara Sony 5N.
Grupo de Investigación TEP-213 (Sistemas fotogramétricos y topométricos). Departamento de Ingenería Cartográfica, Geodésica y Fotogrametría. Universidad de Jaén

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319438
title: CASTILLO DEL BERRUECO (Torredelcampo, Jaén)

description: [**Berrueco Castle**](https://www.google.com/maps/place/Castillo+del+Berrueco/@37.8653027,-3.944017,2086m/data=!3m1!1e3!4m5!3m4!1s0x0:0x9b099cf7df688115!8m2!3d37.8653782!4d-3.9387029) (XIIIth century). Torredelcampo, Jaén (SPAIN)

[Levantamiento fotogramétrico](https://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XLI-B5/207/2016/isprs-archives-XLI-B5-207-2016.pdf) con UAV Falcon8 y cámara Sony 5N.
Grupo de Investigación TEP-213 (Sistemas fotogramétricos y topométricos). Departamento de Ingenería Cartográfica, Geodésica y Fotogrametría. Universidad de Jaén

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319439
title: централни споменик, Предејане

description: локација: 42.829537, 22.129617 // https://goo.gl/maps/xcopGBddNe3FNu8y5

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319440
title: централни споменик, Предејане

description: локација: 42.829537, 22.129617 // https://goo.gl/maps/xcopGBddNe3FNu8y5

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319441
title: Roman Painted Wall Plaster

description: Everyday life in Pontes, Roman Staines; a piece of painted wall plaster. Some people in Roman Staines did rather well out of selling provisions to passing travellers; their houses had tiled roofs, Opus Signinum (concrete) floors, hypocaust flue tiles (under floor heating), window glass and painted walls. This is one of many fragments of painted wall plaster found in Staines. 

If you look carefully you can see a groove on the back where the slaked lime/sand/aggregate plaster was attached to the wooden 'wattle' frame of the wall, and a thin fine smooth layer of crushed marble which is applied to the outer surface to provide a painting surface. Analysis of samples from Staines by the University of Leicester showed our painted plaster to be painted 'buon fresco', or when the plaster was still wet, meaning plastering and painting were completed in panels of one days work before the plaster dried.

This fragment is ca. 2cm across and photography employed a 50mm lens at F22.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319442
title: Roman Painted Wall Plaster

description: Everyday life in Pontes, Roman Staines; a piece of painted wall plaster. Some people in Roman Staines did rather well out of selling provisions to passing travellers; their houses had tiled roofs, Opus Signinum (concrete) floors, hypocaust flue tiles (under floor heating), window glass and painted walls. This is one of many fragments of painted wall plaster found in Staines. 

If you look carefully you can see a groove on the back where the slaked lime/sand/aggregate plaster was attached to the wooden 'wattle' frame of the wall, and a thin fine smooth layer of crushed marble which is applied to the outer surface to provide a painting surface. Analysis of samples from Staines by the University of Leicester showed our painted plaster to be painted 'buon fresco', or when the plaster was still wet, meaning plastering and painting were completed in panels of one days work before the plaster dried.

This fragment is ca. 2cm across and photography employed a 50mm lens at F22.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319443
title: Bretagne Fresque by Toqué Frères

description: Street art by Toqué frères on how women in traditional Brittany wear their hats

Passage Legendre, Paris XVIIème - April 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319444
title: Bretagne Fresque by Toqué Frères

description: Street art by Toqué frères on how women in traditional Brittany wear their hats

Passage Legendre, Paris XVIIème - April 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319445
title: Burg Dill

description: Ruins of Dill Castle, municipality of Dill in the Hunsrück area, Germany. Visible remains from the 14th century.

Photogrammetry as part of the ARGO Augmented Archaeology project (https://ar-route.de/).
Drone survey by Geocoptix (https://www.geocoptix.com/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319446
title: Burg Dill

description: Ruins of Dill Castle, municipality of Dill in the Hunsrück area, Germany. Visible remains from the 14th century.

Photogrammetry as part of the ARGO Augmented Archaeology project (https://ar-route.de/).
Drone survey by Geocoptix (https://www.geocoptix.com/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319447
title: Back To The Future - Dutch Museum - ARCore Scan

description: Quick scan from my visit to the biggest Dutch BTTF museum.
Scanned using Open Constructor and Note 8.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319448
title: Back To The Future - Dutch Museum - ARCore Scan

description: Quick scan from my visit to the biggest Dutch BTTF museum.
Scanned using Open Constructor and Note 8.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319449
title: осыпь

description: Осыпь камней от городских построек в северной части зачистки обрыва берега реки Раздольная (Суйфун) на Старореченском городище

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319450
title: осыпь

description: Осыпь камней от городских построек в северной части зачистки обрыва берега реки Раздольная (Суйфун) на Старореченском городище

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319453
title: Brueil-en-Vexin "La Cave aux Fées"

description: L'allée couverte de la Cave aux Fées à Brueil-en-Vexin (Yvelines) est une sépulture mégalithique de la fin du Néolithique (fin 4e/3è. millénaire av. n.e.). Elle a été fouillée au 19e s. et restaurée en 1970 par la DRAC Ile-de-France. Classé monument historique, ce monument fait l'objet d'un projet de valorisation.
Clichés F. Giligny, modélisation M. Tudal et C. Galinand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319454
title: Brueil-en-Vexin "La Cave aux Fées"

description: L'allée couverte de la Cave aux Fées à Brueil-en-Vexin (Yvelines) est une sépulture mégalithique de la fin du Néolithique (fin 4e/3è. millénaire av. n.e.). Elle a été fouillée au 19e s. et restaurée en 1970 par la DRAC Ile-de-France. Classé monument historique, ce monument fait l'objet d'un projet de valorisation.
Clichés F. Giligny, modélisation M. Tudal et C. Galinand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319455
title: Small carinated vase - PG.41.1.074

description: It concerns a small type 5, biconical pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped, carinated vessels are associated with funerary contexts and are regularly found together with type 3 bowls. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.074

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133993&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319456
title: Small carinated vase - PG.41.1.074

description: It concerns a small type 5, biconical pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped, carinated vessels are associated with funerary contexts and are regularly found together with type 3 bowls. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.074

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133993&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319457
title: Lochranza Castle

description: The castle dates from the 13th century when it was owned by the MacSweens. In 1262, King Alexander III granted the castle and its lands to Walter Stewart, the Earl of Menteith. It is believed that Robert the Bruce landed at Lochranza in 1306 on his return from Ireland to claim the Scottish throne. By 1371, the castle was the property of Robert II. It is thought that at this time it was used as a royal hunting lodge.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319458
title: Lochranza Castle

description: The castle dates from the 13th century when it was owned by the MacSweens. In 1262, King Alexander III granted the castle and its lands to Walter Stewart, the Earl of Menteith. It is believed that Robert the Bruce landed at Lochranza in 1306 on his return from Ireland to claim the Scottish throne. By 1371, the castle was the property of Robert II. It is thought that at this time it was used as a royal hunting lodge.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319459
title: Camaron

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319460
title: Camaron

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319461
title: Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319462
title: Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319463
title: The royal Lion Hunt of Ashurbanipal

description: The royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319464
title: The royal Lion Hunt of Ashurbanipal

description: The royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319465
title: Flintlock Pistol

description: Pistols made in the Balkans, differed by narrower elongated handle with knob shaped "apple", while the grip "apples" of the Turkish guns were of a more round shape.

Country: Ottoman Empire, Balkans

Time of production: XVII-XIX c.

Material: Steel, wood

Decoration technique: Embossing, inlay, filigree

Caliber, mm: 17

Total length, cm: 45,5

Barrel length, cm: 30,5

Weight, kg: 2,4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319466
title: Flintlock Pistol

description: Pistols made in the Balkans, differed by narrower elongated handle with knob shaped "apple", while the grip "apples" of the Turkish guns were of a more round shape.

Country: Ottoman Empire, Balkans

Time of production: XVII-XIX c.

Material: Steel, wood

Decoration technique: Embossing, inlay, filigree

Caliber, mm: 17

Total length, cm: 45,5

Barrel length, cm: 30,5

Weight, kg: 2,4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319467
title: Hjerting Kane (Rhino)

description: The Pram fra Lyngvig which is visible in the Fiskeri- og Søfartsmuseet (Fisheries and Maritime Museum) Esbjerg. It was recorded using a Total Station and then modelled in Rhinoceros 5.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319468
title: Hjerting Kane (Rhino)

description: The Pram fra Lyngvig which is visible in the Fiskeri- og Søfartsmuseet (Fisheries and Maritime Museum) Esbjerg. It was recorded using a Total Station and then modelled in Rhinoceros 5.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319469
title: Donkey Mill Reconstruction

description: A Roman grain mill that was turned by a donkey, mule or horse. Found (upper stone) at Princes Street, London. Now located in the Museum of London.

The upper stone is original (and was imported from Germany), the rest is reconstructed.

Date: 1st - 2nd Century

https://collections.museumoflondon.org.uk/online/object/444964.html

146 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319470
title: Donkey Mill Reconstruction

description: A Roman grain mill that was turned by a donkey, mule or horse. Found (upper stone) at Princes Street, London. Now located in the Museum of London.

The upper stone is original (and was imported from Germany), the rest is reconstructed.

Date: 1st - 2nd Century

https://collections.museumoflondon.org.uk/online/object/444964.html

146 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319473
title: Old Torii

description: An old Torii I made based on the Torii in Genshin Impact but in realistic style.
Duration: 4 hours
Tool: Maya | Zbrush | Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319472
title: Old Torii

description: An old Torii I made based on the Torii in Genshin Impact but in realistic style.
Duration: 4 hours
Tool: Maya | Zbrush | Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319474
title: Leon de San Marcos

description: Actualmente en el Museo de Colmar.
Procedente de la iglesia  de Alspach

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319475
title: Leon de San Marcos

description: Actualmente en el Museo de Colmar.
Procedente de la iglesia  de Alspach

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319477
title: Pomnik upamiętniający zamknięcie Kopalni Rozbark

description: Projekt: Andrzej Szczepaniec
Lokalizacja: ul. Chorzowska, Bytom 
Odsłonięcie: 2005 r.

GPS: 50.342032, 18.931591 
Lokalizacja - [https://goo.gl/maps/9Qed3t6b1zF2](https://goo.gl/maps/9Qed3t6b1zF2)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319476
title: Pomnik upamiętniający zamknięcie Kopalni Rozbark

description: Projekt: Andrzej Szczepaniec
Lokalizacja: ul. Chorzowska, Bytom 
Odsłonięcie: 2005 r.

GPS: 50.342032, 18.931591 
Lokalizacja - [https://goo.gl/maps/9Qed3t6b1zF2](https://goo.gl/maps/9Qed3t6b1zF2)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319478
title: Eltz Castle

description: Medieval castle owned by the noble family of [Eltz](https://en.wikipedia.org/wiki/Eltz_Castle) since the 12th century. It's located near Koblenz, Germany, and sits on the left bank of the Rhine. This is as quick scan I captured on-the-go, as I approached the castle by foot.

Official site: [Burg Eltz](http://burg-eltz.de/en/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319479
title: Eltz Castle

description: Medieval castle owned by the noble family of [Eltz](https://en.wikipedia.org/wiki/Eltz_Castle) since the 12th century. It's located near Koblenz, Germany, and sits on the left bank of the Rhine. This is as quick scan I captured on-the-go, as I approached the castle by foot.

Official site: [Burg Eltz](http://burg-eltz.de/en/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319480
title: Ancien pont

description: Ancien pont

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319481
title: Ancien pont

description: Ancien pont

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319484
title: Poverty Point Object

description: Baked earth cooking ball. Poverty Point culture.

1700-1200 BCE

35mm x 32mm x 35mm, 33.8g

From the collection of Billy Guthrie

PPO_02

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319485
title: Poverty Point Object

description: Baked earth cooking ball. Poverty Point culture.

1700-1200 BCE

35mm x 32mm x 35mm, 33.8g

From the collection of Billy Guthrie

PPO_02

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319486
title: Lintel 16 of Yaxchilán Structure 21

description: Lintel 16 of Yaxchilán Structure 21 
16°53'57.51"N, 90°57'52.13"W

Carved from limestone, this scene was once the lintel f Yaxchilán's Structure 21. It depicts the ruler Bird Jaguar IV (*Yaxun B'alam IV*) standing above a recent captive, a prominent sublord ( *sajal* ) from Pay Lakam Chahk in the year 752 CE. It is uncertain if the captive is being depicted as beaten and bloody, of if a blood letting ceremony is being depicted. Bird Jaguar IV was one of Yaxchilán's most prolific builders, constructing or remodelling at least a dozen major structures during his reign. The lintel is thought to have been created between 755-770 CE. 

*Currently on display at the British Museum*

Translations from [Harvard Peabody](https://www.peabody.harvard.edu/cmhi/detail.php?num=16&site=Yaxchilan&type=Lintel)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319487
title: Lintel 16 of Yaxchilán Structure 21

description: Lintel 16 of Yaxchilán Structure 21 
16°53'57.51"N, 90°57'52.13"W

Carved from limestone, this scene was once the lintel f Yaxchilán's Structure 21. It depicts the ruler Bird Jaguar IV (*Yaxun B'alam IV*) standing above a recent captive, a prominent sublord ( *sajal* ) from Pay Lakam Chahk in the year 752 CE. It is uncertain if the captive is being depicted as beaten and bloody, of if a blood letting ceremony is being depicted. Bird Jaguar IV was one of Yaxchilán's most prolific builders, constructing or remodelling at least a dozen major structures during his reign. The lintel is thought to have been created between 755-770 CE. 

*Currently on display at the British Museum*

Translations from [Harvard Peabody](https://www.peabody.harvard.edu/cmhi/detail.php?num=16&site=Yaxchilan&type=Lintel)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319488
title: Ram of Amun, Kawa

description: Granitic gneiss sphinx of the ram of Amun protecting figure of Taharqo between folded front legs; the rectangular base, which has been partially restored, is inscribed with a continuous horizontal register of hieroglyphs.

COL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=8807

Created by Daniel Pett using a OnePlus3 mobile phone from 199 photos. This is a reprocessed model in reality capture of my original one done in late 2016 in Photoscan (https://sketchfab.com/3d-models/statue-of-the-ram-of-amun-35d49b6d599045d6ba1dd41999b0012e)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319489
title: Ram of Amun, Kawa

description: Granitic gneiss sphinx of the ram of Amun protecting figure of Taharqo between folded front legs; the rectangular base, which has been partially restored, is inscribed with a continuous horizontal register of hieroglyphs.

COL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=8807

Created by Daniel Pett using a OnePlus3 mobile phone from 199 photos. This is a reprocessed model in reality capture of my original one done in late 2016 in Photoscan (https://sketchfab.com/3d-models/statue-of-the-ram-of-amun-35d49b6d599045d6ba1dd41999b0012e)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319491
title: 伊豆の国市原木の伊豆型道祖神

description: 伊豆型 中啓

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319490
title: 伊豆の国市原木の伊豆型道祖神

description: 伊豆型 中啓

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319492
title: Tombstone

description: Ancient Tombstone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319493
title: Tombstone

description: Ancient Tombstone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319496
title: Submerged Forest, Thurlestone Devon

description: Extensive submerged forest or intertidal peat deposit on the beach at Thurlestone Sands has been revealed on a number of occasions and was first recorded in 1866. It was rediscovered in 1923 when a number of prehistoric artefacts were recovered.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319497
title: Submerged Forest, Thurlestone Devon

description: Extensive submerged forest or intertidal peat deposit on the beach at Thurlestone Sands has been revealed on a number of occasions and was first recorded in 1866. It was rediscovered in 1923 when a number of prehistoric artefacts were recovered.

Source: Objaverse 1.0 / Sketchfab