cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10341020
title: Low Poly 20pence Coin

description: **Low Poly 20pence**

* 1024x1024 Pixel **PNG** Texture.
* **PBR**:BaseColor, Ambient Oclusion, Metalness, Roughness and Normalmap.
* **Retopology and UV**:Blender.
* **Texturing**:SubstancePainter.
* **Source 3D Model and Textures by Andrea Spognetta (Spogna)**:[](http://)skfb.ly/6ZspN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341023
title: Tanum 156:1

description: Laserscanning of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341024
title: Tanum 156:1

description: Laserscanning of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341025
title: Luthers Bierkrug / Luther's Beer Mug

description: ***Luthers Bierkrug***

*1. Hälfte 16. Jh.*

*Wurzelholz, gedrechselt, *

*Silbermontierung von 1694*

*H 15,5 cm; Dm 11,2 cm*

*Stiftung Luthergedenkstätten in Sachsen-Anhalt*

Der Krug stammt wohl aus dem Besitz des Reformators. Er wurde im 17. Jahrhundert zu einer Luther-Reliquie. 
______________________________________________________

***Luther's Beer Mug***

*1st-half of the 16th century*

*Root wood, turned*

*silver rims of 1694*

*H 15.5 cm; D 11.2 cm*

*Luther Memorials Foundation of Saxony-Anhalt*

It is possible that the Reformer used this beer mug. It became a Luther-relic in the 17th century. 

---
Literature: Noack, Robert, 'Luthers's Beer Mug', in: Harald Meller et al. (eds.), Martin Luther. Treasures of the Reformation. Dresden 2016, No. 387

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341026
title: Luthers Bierkrug / Luther's Beer Mug

description: ***Luthers Bierkrug***

*1. Hälfte 16. Jh.*

*Wurzelholz, gedrechselt, *

*Silbermontierung von 1694*

*H 15,5 cm; Dm 11,2 cm*

*Stiftung Luthergedenkstätten in Sachsen-Anhalt*

Der Krug stammt wohl aus dem Besitz des Reformators. Er wurde im 17. Jahrhundert zu einer Luther-Reliquie. 
______________________________________________________

***Luther's Beer Mug***

*1st-half of the 16th century*

*Root wood, turned*

*silver rims of 1694*

*H 15.5 cm; D 11.2 cm*

*Luther Memorials Foundation of Saxony-Anhalt*

It is possible that the Reformer used this beer mug. It became a Luther-relic in the 17th century. 

---
Literature: Noack, Robert, 'Luthers's Beer Mug', in: Harald Meller et al. (eds.), Martin Luther. Treasures of the Reformation. Dresden 2016, No. 387

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341027
title: Cemetery Statuary - Burton

description: Play nice. Share what you create. Make friends. Eat your vegetables. 

Nearly 3 meters tall, this was a tough one. Taken with lots of photos and processed using stuff n' things.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341028
title: Cemetery Statuary - Burton

description: Play nice. Share what you create. Make friends. Eat your vegetables. 

Nearly 3 meters tall, this was a tough one. Taken with lots of photos and processed using stuff n' things.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341031
title: Livery Button

description: EU-LAC  Museums & Community; Barbados Museum & Historical Society. This project has recived funding from the European Union's Horizon 2020 Research and Innovation programme ander grant agreement No 693669.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341032
title: Livery Button

description: EU-LAC  Museums & Community; Barbados Museum & Historical Society. This project has recived funding from the European Union's Horizon 2020 Research and Innovation programme ander grant agreement No 693669.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341035
title: Sühnekreuz Klaffenbach

description: Heidenapostel Bischof Arn von Würzburg erlitt am 13. Juli 892 an dieser Stelle den Märtyrertod. Gelegentlich soll mann Irrlichter sehen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341036
title: Sühnekreuz Klaffenbach

description: Heidenapostel Bischof Arn von Würzburg erlitt am 13. Juli 892 an dieser Stelle den Märtyrertod. Gelegentlich soll mann Irrlichter sehen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341041
title: ROI013-058-02

description: Groundstone celt collected in Wabash County, Indiana.

Catalog # 12-Wb-333-87

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI013-058-02, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341042
title: ROI013-058-02

description: Groundstone celt collected in Wabash County, Indiana.

Catalog # 12-Wb-333-87

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI013-058-02, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341044
title: AR010-043-29

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, Mary Swartz, and Kevin C. Nolan, 2021. AR010-043-29, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341043
title: AR010-043-29

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, Mary Swartz, and Kevin C. Nolan, 2021. AR010-043-29, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341045
title: YPM ANT.131809

description: Catalog Number: YPM ANT.135859

Description: Spindle Whorl

Materials: ceramic

Function: Textiles Weaving Equipment

Culture Group: Latin American : Mesoamerica

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Calixtlahuaca

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341046
title: YPM ANT.131809

description: Catalog Number: YPM ANT.135859

Description: Spindle Whorl

Materials: ceramic

Function: Textiles Weaving Equipment

Culture Group: Latin American : Mesoamerica

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Calixtlahuaca

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341047
title: MALE TORSO - Sculpt January Day 22

description: I was working on a male character for an indie game and I figured "Hey, why don't I post my Torso of this Merfolk Creature". I used to do a lot of wood working years ago, so I wanted to show that in the etxtures :) The prompt was Anatomy Male Torso. The texture is one of the Wood Smart Materials from 3dCoat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341048
title: MALE TORSO - Sculpt January Day 22

description: I was working on a male character for an indie game and I figured "Hey, why don't I post my Torso of this Merfolk Creature". I used to do a lot of wood working years ago, so I wanted to show that in the etxtures :) The prompt was Anatomy Male Torso. The texture is one of the Wood Smart Materials from 3dCoat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341049
title: Kville 168 1 Left Part

description: Laserscan of the leftpart of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341050
title: Kville 168 1 Left Part

description: Laserscan of the leftpart of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341051
title: Mortar and pestle

description: For your alchemical endevours.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341052
title: Mortar and pestle

description: For your alchemical endevours.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341053
title: 28 Stela of The Great Cats of Ra and Atum

description: 28 Stela of The Great Cats of Ra and Atum. (Dynasty 19) New Kingdom. Ashmolean Museum, London.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341054
title: 28 Stela of The Great Cats of Ra and Atum

description: 28 Stela of The Great Cats of Ra and Atum. (Dynasty 19) New Kingdom. Ashmolean Museum, London.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341056
title: Happisburgh Footprint

description: This model has been prepared by Steven Dey, ThinkSee3D from an original model by Sarah M Duffy (see https://skfb.ly/HpIo) and is on display in Room 3 at the British Museum: Moving stories: three journeys. For more information see the British Museum blog post 'Step back in Time' by Nick Ashton: http://british.museumblog.org/step-back-in-time/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341055
title: Happisburgh Footprint

description: This model has been prepared by Steven Dey, ThinkSee3D from an original model by Sarah M Duffy (see https://skfb.ly/HpIo) and is on display in Room 3 at the British Museum: Moving stories: three journeys. For more information see the British Museum blog post 'Step back in Time' by Nick Ashton: http://british.museumblog.org/step-back-in-time/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341057
title: Entrada de troya

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341058
title: Entrada de troya

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341059
title: Fuente de la Salud

description: Fuente de Donostia-San Sebastián, España

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341060
title: Fuente de la Salud

description: Fuente de Donostia-San Sebastián, España

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341063
title: Chozuya scans with iPhone12 Pro

description: Chozuya (also pronounced Temizuya) is an area within the precinct of a Shinto shrine or Buddhist temple at which worshippers wash their hands and mouths.

Yanagimori Shrine
2-15-1 Kandasudacho, Chiyoda-ku, Tokyo 101-0041

![](https://pbs.twimg.com/media/E5BTrS8VUAMxolD?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341064
title: Chozuya scans with iPhone12 Pro

description: Chozuya (also pronounced Temizuya) is an area within the precinct of a Shinto shrine or Buddhist temple at which worshippers wash their hands and mouths.

Yanagimori Shrine
2-15-1 Kandasudacho, Chiyoda-ku, Tokyo 101-0041

![](https://pbs.twimg.com/media/E5BTrS8VUAMxolD?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341065
title: 15th C. Graffiti, Calatrava la Vieja, Esp

description: Medieval graffiti from Calatrava la Vieja, Castilla-La Mancha, Spain. Late medieval Christian period (15th century CE). They were discovered in 1984, during the excavation works carried out under the direction of the architect Miguel Fisac. They are located in the crypt of the Santa María La Blanca Church, inside the alcazar, and were made with a sharp object in the plaster of the south wall of the crypt. They include several groups of lines, and a small figure of a man in frontal view, looking straight at the spectator. GDH Interior Graffiti Panel 7.

Hervás Herrera, Miguel Ángel (2016): Calatrava la Vieja. Conservación y Restauración (1975-2010), Universidad de Castilla-La Mancha, Repositorio Digital RUIDERA, Albacete, 2016, 958 págs. URI: http://hdl.handle.net/10578/8711.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341066
title: 15th C. Graffiti, Calatrava la Vieja, Esp

description: Medieval graffiti from Calatrava la Vieja, Castilla-La Mancha, Spain. Late medieval Christian period (15th century CE). They were discovered in 1984, during the excavation works carried out under the direction of the architect Miguel Fisac. They are located in the crypt of the Santa María La Blanca Church, inside the alcazar, and were made with a sharp object in the plaster of the south wall of the crypt. They include several groups of lines, and a small figure of a man in frontal view, looking straight at the spectator. GDH Interior Graffiti Panel 7.

Hervás Herrera, Miguel Ángel (2016): Calatrava la Vieja. Conservación y Restauración (1975-2010), Universidad de Castilla-La Mancha, Repositorio Digital RUIDERA, Albacete, 2016, 958 págs. URI: http://hdl.handle.net/10578/8711.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341069
title: Schiffsglocke / Ship's bell

description: Schiffsglocke von einem Wrack aus der Ostsee. 
Die gut erhaltene Glocke hat eine Seitenhöhe von 30 cm. Der Schärfendurchmesser beträgt 31 cm. Die vierteilige Krone ist 5 cm hoch. Schulter und Flanke der Glocke sind mit floralen Verzierungen versehen. Am unteren Teil der Flanke findet sich die Inschrift: ME FECIT GERHARDT MEYER ANNO 1706. Darunter ist das gekrönte Monogramm von Karl XII von Schweden sichtbar. Gerdt Meyer, ein Bronzegießer deutschen Ursprungs erhielt 1641 die Vollmacht als königlicher Stückgießer in Stockholm zu arbeiten. Sein Enkel Gerhardt Meyer der Ältere leitete den Meyerschen Familienbetrieb von 1695 bis 1710 und war wahrscheinlich für den Guss der Schiffsglocke verantwortlich.
ALM2019/699,1 - Scan J. Pröbstle, Artec Spider

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341070
title: Schiffsglocke / Ship's bell

description: Schiffsglocke von einem Wrack aus der Ostsee. 
Die gut erhaltene Glocke hat eine Seitenhöhe von 30 cm. Der Schärfendurchmesser beträgt 31 cm. Die vierteilige Krone ist 5 cm hoch. Schulter und Flanke der Glocke sind mit floralen Verzierungen versehen. Am unteren Teil der Flanke findet sich die Inschrift: ME FECIT GERHARDT MEYER ANNO 1706. Darunter ist das gekrönte Monogramm von Karl XII von Schweden sichtbar. Gerdt Meyer, ein Bronzegießer deutschen Ursprungs erhielt 1641 die Vollmacht als königlicher Stückgießer in Stockholm zu arbeiten. Sein Enkel Gerhardt Meyer der Ältere leitete den Meyerschen Familienbetrieb von 1695 bis 1710 und war wahrscheinlich für den Guss der Schiffsglocke verantwortlich.
ALM2019/699,1 - Scan J. Pröbstle, Artec Spider

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341071
title: Turban (Open)

description: A turban is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Arabian Peninsula, the Middle East, Central Asia, North Africa, West Africa, and East Africa. Wearing turbans is common among Sikhs, including women. The headgear also serves as a religious observance, including among Shia Muslims, who regard turban-wearing as Sunnah fucadahass (confirmed tradition). The turban is also the traditional headdress of Sufi scholars. Additionally, turbans have often been worn by nobility, regardless of religious background. They are also sometimes donned to protect hair or as a headwrap for women following cancer treatments.

*1 model (medium poly) with materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341072
title: Turban (Open)

description: A turban is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Arabian Peninsula, the Middle East, Central Asia, North Africa, West Africa, and East Africa. Wearing turbans is common among Sikhs, including women. The headgear also serves as a religious observance, including among Shia Muslims, who regard turban-wearing as Sunnah fucadahass (confirmed tradition). The turban is also the traditional headdress of Sufi scholars. Additionally, turbans have often been worn by nobility, regardless of religious background. They are also sometimes donned to protect hair or as a headwrap for women following cancer treatments.

*1 model (medium poly) with materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341073
title: 六阿弥陀道道標(東京都江東区亀戸4丁目48番3号 常光寺)

description: 六阿弥陀道道標(東京都江東区亀戸4丁目48番3号 常光寺)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341074
title: 六阿弥陀道道標(東京都江東区亀戸4丁目48番3号 常光寺)

description: 六阿弥陀道道標(東京都江東区亀戸4丁目48番3号 常光寺)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341075
title: my son god 3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341076
title: my son god 3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341083
title: Matkules pilskalns un Baznīckalns (ortofoto)

description: Buses Matkules pilskalna un Baznīckalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.99138, 22.60333

http://www.latvijas-pilskalni.lv/buses-pilskalns/

https://www.senvietas.lv/buses-baznicas-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341084
title: Matkules pilskalns un Baznīckalns (ortofoto)

description: Buses Matkules pilskalna un Baznīckalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.99138, 22.60333

http://www.latvijas-pilskalni.lv/buses-pilskalns/

https://www.senvietas.lv/buses-baznicas-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341085
title: Dk Reanimated Environment

description: An animated environment created for the Donkey Kong Reanimated colab: https://twitter.com/dkreanimated2?lang=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341086
title: Dk Reanimated Environment

description: An animated environment created for the Donkey Kong Reanimated colab: https://twitter.com/dkreanimated2?lang=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341087
title: Volkswagen Tiguan

description: Volkswagen Tiguan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341088
title: Volkswagen Tiguan

description: Volkswagen Tiguan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341089
title: Abitato 14

description: Copertura fotogrammetrica in occasione della giornata formativa per i piccoli assistenti archeologi della Makella Summer School organizzata dall'Associazione Culturale Senza Fissa Dimora, in collaborazione con Asterion s.r.l.s. e l'antropologa Serena Cesare. Scavo simulato di una porzione di abitato con muratura angolare, pavimentzione e ceramica da mensa. Esempio 14

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341090
title: Abitato 14

description: Copertura fotogrammetrica in occasione della giornata formativa per i piccoli assistenti archeologi della Makella Summer School organizzata dall'Associazione Culturale Senza Fissa Dimora, in collaborazione con Asterion s.r.l.s. e l'antropologa Serena Cesare. Scavo simulato di una porzione di abitato con muratura angolare, pavimentzione e ceramica da mensa. Esempio 14

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341091
title: Harvard Square Theatre in Cambridge, MA

description: This is the façade of the Harvard Square Theatre in Cambridge, Massachusetts. While the Theatre closed down in 2012, Joshua Winer's mural remains facing Church Street. I've walked past it so many times but it never gets old!

Created on an iPhone 12 Pro Max using Polycam AI, an incredible tool for creating LiDAR scans on iOS devices: https://polycam.ai/

  #1scanaday #LiDARScanChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341092
title: Harvard Square Theatre in Cambridge, MA

description: This is the façade of the Harvard Square Theatre in Cambridge, Massachusetts. While the Theatre closed down in 2012, Joshua Winer's mural remains facing Church Street. I've walked past it so many times but it never gets old!

Created on an iPhone 12 Pro Max using Polycam AI, an incredible tool for creating LiDAR scans on iOS devices: https://polycam.ai/

  #1scanaday #LiDARScanChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341093
title: VASIJA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341094
title: VASIJA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341095
title: Diving suit

description: This old diving suit is on display in the lobby at @[NianticLabs](https://twitter.com/nianticlabs). It's up against a wall, so I could only scan the front.

📍 [Ferry Building, San Francisco, CA](https://scaniver.se/L37.79593,-122.39368)

Made with [Scaniverse](https://scaniverse.com) on an iPhone 13 Pro.

I'm posting one scan each day in June. See the [entire collection](https://skfb.ly/ouVY8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341096
title: Diving suit

description: This old diving suit is on display in the lobby at @[NianticLabs](https://twitter.com/nianticlabs). It's up against a wall, so I could only scan the front.

📍 [Ferry Building, San Francisco, CA](https://scaniver.se/L37.79593,-122.39368)

Made with [Scaniverse](https://scaniverse.com) on an iPhone 13 Pro.

I'm posting one scan each day in June. See the [entire collection](https://skfb.ly/ouVY8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341099
title: Hraniční kámen 1589

description: V oblasti dnešní brněnské obory Holedná v Jundrově se na tratích "u jezírek" a "u zabitého" nachází několik hraničních kamenů, jejichž původ sahá až k roku 1588. Tyto hraniční kameny vymezovaly katastrální území třech brněnských klášterů. Jednalo se o klášter svaté Anny, klášter při kostele Panny Marie v Jundrově a klášter Králové na Starém Brně.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341100
title: Hraniční kámen 1589

description: V oblasti dnešní brněnské obory Holedná v Jundrově se na tratích "u jezírek" a "u zabitého" nachází několik hraničních kamenů, jejichž původ sahá až k roku 1588. Tyto hraniční kameny vymezovaly katastrální území třech brněnských klášterů. Jednalo se o klášter svaté Anny, klášter při kostele Panny Marie v Jundrově a klášter Králové na Starém Brně.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341101
title: Galena (var Plumbeine) BIRUG 1044

description: Plumbeine is a variety of galena (the principal ore of lead) in which the crystals have pseudomorphically replaced pyromorphite. Chemically galena is PbS or "lead sulphide".

Interestingly, galena constitutes one of the oldest forms of cosmetic – known as kohl in ancient Egypt, worn around the eyes to lessen glare from the sun.
The etymology of "galena" is poorly known – the same word in Latin referred to lead ore, however no further information is available.

The mineral's modern usage is primarily as an ore of lead, but can also be used to create a green pottery-glaze. Its properties as a natural semiconductor have also been used in the recent past as the crystal in early crystal radios.

This specimen was digitised using an Artec Spider 3D scanner by Courtney Szanto.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10341102
title: Galena (var Plumbeine) BIRUG 1044

description: Plumbeine is a variety of galena (the principal ore of lead) in which the crystals have pseudomorphically replaced pyromorphite. Chemically galena is PbS or "lead sulphide".

Interestingly, galena constitutes one of the oldest forms of cosmetic – known as kohl in ancient Egypt, worn around the eyes to lessen glare from the sun.
The etymology of "galena" is poorly known – the same word in Latin referred to lead ore, however no further information is available.

The mineral's modern usage is primarily as an ore of lead, but can also be used to create a green pottery-glaze. Its properties as a natural semiconductor have also been used in the recent past as the crystal in early crystal radios.

This specimen was digitised using an Artec Spider 3D scanner by Courtney Szanto.

Source: Objaverse 1.0 / Sketchfab