cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10324755
title: Art Nouveau perfume bottle

description: Perfume bottle featuring an Art Nouveau decoration

ID no.: FZRS/56

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1699

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324756
title: Dolmen de Lácara

description: Título: Dolmen de Lácara.
Descripción: Dolmen ubicado cerca de la Nava de Santiago, Badajoz, España. Mide unos 26 m de longitud, de los cuales 20 m corresponden al corredor. El ortostato de la cámara que se conserva íntegro mide 5 m de altura.
Cultura: Calcolítico.
Datación: 4000-3000 a.C.
Localización: https://goo.gl/maps/cLx4ZccY26E2 
Método: Fotogrametría.
Cámara: Nikon D7000 con objetivo Nikkor de 10.5 mm.
Software: Agisoft Photoscan Standard y MeshLab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324757
title: Dolmen de Lácara

description: Título: Dolmen de Lácara.
Descripción: Dolmen ubicado cerca de la Nava de Santiago, Badajoz, España. Mide unos 26 m de longitud, de los cuales 20 m corresponden al corredor. El ortostato de la cámara que se conserva íntegro mide 5 m de altura.
Cultura: Calcolítico.
Datación: 4000-3000 a.C.
Localización: https://goo.gl/maps/cLx4ZccY26E2 
Método: Fotogrametría.
Cámara: Nikon D7000 con objetivo Nikkor de 10.5 mm.
Software: Agisoft Photoscan Standard y MeshLab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324758
title: Textiles: Ippolit, "It's Not All Shrovetide..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Ippolit in the play "It's Not All Shrovetide for the Cat" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

This work was supported by the Russian Historical Society and the History of the Fatherland Foundation under project titled "NashOstrovsky".

DOI: 10.13140/RG.2.2.16915.35367

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324759
title: Textiles: Ippolit, "It's Not All Shrovetide..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Ippolit in the play "It's Not All Shrovetide for the Cat" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

This work was supported by the Russian Historical Society and the History of the Fatherland Foundation under project titled "NashOstrovsky".

DOI: 10.13140/RG.2.2.16915.35367

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324760
title: Lauburu, Alarcos, Ciudad Real

description: Lauburu from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000472. Processed in Reality Capture from 561 images. 

Alarcos 91
sector IV, cuadrícula 15   

Nº 1482.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324761
title: Lauburu, Alarcos, Ciudad Real

description: Lauburu from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000472. Processed in Reality Capture from 561 images. 

Alarcos 91
sector IV, cuadrícula 15   

Nº 1482.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324762
title: ROI022-381-07

description: Unclassified Point collected in Allen County, Indiana

Catalog #: 12-Al-896-50

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-381-07, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324763
title: ROI022-381-07

description: Unclassified Point collected in Allen County, Indiana

Catalog #: 12-Al-896-50

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-381-07, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324764
title: Nacemento de Cristo en Arcos de Furcos

description: Escena do baldaquino da igrexa de Arcos de Furcos. Nacemento de Cristo. Realizado con iPad Pro e 3dScannerApp.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324765
title: Nacemento de Cristo en Arcos de Furcos

description: Escena do baldaquino da igrexa de Arcos de Furcos. Nacemento de Cristo. Realizado con iPad Pro e 3dScannerApp.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324767
title: Garrafa de Champagne

description: Simulação em 3D modelada modelada por Vander Gabriel Camargo  a partir de um fragmento de uma garrafa de vidro ( gargalo) encontrada em 2021 em meio das Obras de Requalificação da Praça da Matriz, Centro Histórico de Porto Alegre - RS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324766
title: Garrafa de Champagne

description: Simulação em 3D modelada modelada por Vander Gabriel Camargo  a partir de um fragmento de uma garrafa de vidro ( gargalo) encontrada em 2021 em meio das Obras de Requalificação da Praça da Matriz, Centro Histórico de Porto Alegre - RS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324768
title: Rail By Yassin Wessam

description: this is my model i made it because i want to make a subway game

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324769
title: Rail By Yassin Wessam

description: this is my model i made it because i want to make a subway game

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324772
title: Toorlectra - Lime kilm example one

description: Lime kilns were structures in which limestone was heated to a high temperature to produce quicklime. lime kilns were  filled from the top, and could also be unloaded from the top, access to the top was necessary. Therefore, kilns were generally constructed on either a rock face or earthen bank to permit this. Ramps were sometimes built to allow access.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324773
title: Toorlectra - Lime kilm example one

description: Lime kilns were structures in which limestone was heated to a high temperature to produce quicklime. lime kilns were  filled from the top, and could also be unloaded from the top, access to the top was necessary. Therefore, kilns were generally constructed on either a rock face or earthen bank to permit this. Ramps were sometimes built to allow access.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324774
title: Pessebre Can Trinxeria

description: Sculptured scene of the Nativity. Built from the XVIIIth century to the XXth in one of the whealthiest houses in Olot: Can Trinxeria. 

https://ca.wikipedia.org/wiki/Casa_Museu_Can_Trinxeria

Captured with Trnio-Plus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324775
title: Pessebre Can Trinxeria

description: Sculptured scene of the Nativity. Built from the XVIIIth century to the XXth in one of the whealthiest houses in Olot: Can Trinxeria. 

https://ca.wikipedia.org/wiki/Casa_Museu_Can_Trinxeria

Captured with Trnio-Plus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324776
title: San Giovanni baptistery's dome (Florence)

description: This is the dome of San Giovanni baptistery in Florence. The Baptistery is crowned by a magnificent mosaic ceiling. The earliest mosaics date from 1225. It was probably not completed until the fourteenth century. The mosaics are done in a Byzantine style, with iconic figures and a gold background.
This mosaic cycle depicts the Last Judgement with a gigantic, majestic Christ and the Angels of Judgement at each side, the rewards of the saved leaving their tomb in joy (at Christ's right hand), and the punishments of the damned (at Christ's left hand). This last part is particularly famous: evil doers are burnt by fire, roasted on spits, crushed with stones, bit by snakes, chewed by hideous beasts.
The other scenes on the ceiling depict different stories: (starting at the top) Choirs of Dominations, Powers, Archangels, Angels, Principalities, Virtues and Thrones; stories from the Book of Genesis; stories of Joseph; stories of Mary and the Christ and finally in the lower tier stories of Saint John the Baptist.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324777
title: San Giovanni baptistery's dome (Florence)

description: This is the dome of San Giovanni baptistery in Florence. The Baptistery is crowned by a magnificent mosaic ceiling. The earliest mosaics date from 1225. It was probably not completed until the fourteenth century. The mosaics are done in a Byzantine style, with iconic figures and a gold background.
This mosaic cycle depicts the Last Judgement with a gigantic, majestic Christ and the Angels of Judgement at each side, the rewards of the saved leaving their tomb in joy (at Christ's right hand), and the punishments of the damned (at Christ's left hand). This last part is particularly famous: evil doers are burnt by fire, roasted on spits, crushed with stones, bit by snakes, chewed by hideous beasts.
The other scenes on the ceiling depict different stories: (starting at the top) Choirs of Dominations, Powers, Archangels, Angels, Principalities, Virtues and Thrones; stories from the Book of Genesis; stories of Joseph; stories of Mary and the Christ and finally in the lower tier stories of Saint John the Baptist.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324781
title: bow

description: game bow wood

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324780
title: bow

description: game bow wood

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324782
title: споменик Синиши Јанићу, Запађе

description: локација: 43.062782, 22.129789 // https://goo.gl/maps/PGrGgDppcyiQ39yj9

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324783
title: споменик Синиши Јанићу, Запађе

description: локација: 43.062782, 22.129789 // https://goo.gl/maps/PGrGgDppcyiQ39yj9

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324784
title: Monument 1

description: Memorial Park, Toowoomba, QLD

1st model ever uploaded for testing purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324785
title: Monument 1

description: Memorial Park, Toowoomba, QLD

1st model ever uploaded for testing purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324790
title: Armored statue from Tarraco (Tarragona, Spain)

description: Armored statue of an emperor from the site of Tarraco (Tarragona, Spain). Armored statue wich was a part of the decoration of the frons scaena from the Theatre of Tarraco. Represents an emperor with military attire. Dated in the 1st century AD. 

3333 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 7582.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324791
title: Armored statue from Tarraco (Tarragona, Spain)

description: Armored statue of an emperor from the site of Tarraco (Tarragona, Spain). Armored statue wich was a part of the decoration of the frons scaena from the Theatre of Tarraco. Represents an emperor with military attire. Dated in the 1st century AD. 

3333 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 7582.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324792
title: Pedra da Moura Encantada (Pedra do Laberinto*)

description: Petroglifo de Mogor :Pedra da Moura Encantada Pedra (do Labirinto*) (42.385689464964386,-8.718686699867249) Este petróglifo é o segundo grupo da estación rupestre de Mogor e é coñecido como Pedra do Labirinto, aínda que o seu nome debería ser Pedra da Moura Encantada según novas investigacións. Está situado a 50 m ao Oeste da Pedra dos Mouros. Idade do Bronce.
![](http://i66.tinypic.com/t6urkl.png)

[Información](http://patrimoniogalego.net/index.php/3834/2011/08/pedra-do-labirinto/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324793
title: Pedra da Moura Encantada (Pedra do Laberinto*)

description: Petroglifo de Mogor :Pedra da Moura Encantada Pedra (do Labirinto*) (42.385689464964386,-8.718686699867249) Este petróglifo é o segundo grupo da estación rupestre de Mogor e é coñecido como Pedra do Labirinto, aínda que o seu nome debería ser Pedra da Moura Encantada según novas investigacións. Está situado a 50 m ao Oeste da Pedra dos Mouros. Idade do Bronce.
![](http://i66.tinypic.com/t6urkl.png)

[Información](http://patrimoniogalego.net/index.php/3834/2011/08/pedra-do-labirinto/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324794
title: Iron Age Votive Offering, Castilla La Mancha

description: Bronze ex-voto (votive offering) with anthropomorphic shape  from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000033. Processed in Reality Capture from 539 images. Exvoto34PE .

Sanctuary of the Alarcos oppidum.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324795
title: Iron Age Votive Offering, Castilla La Mancha

description: Bronze ex-voto (votive offering) with anthropomorphic shape  from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000033. Processed in Reality Capture from 539 images. Exvoto34PE .

Sanctuary of the Alarcos oppidum.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324796
title: Ukrainian Tombstone 06

description: XVIII century tombstone form odessa Cossack cemetery. Ukarine

ЗДЕ
СЬ ОПОЧИВАЕТ
РАБЪ БОЖИЙ ЛУКА
СЛАВУ (ЛАБУ) 

1898

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324797
title: Ukrainian Tombstone 06

description: XVIII century tombstone form odessa Cossack cemetery. Ukarine

ЗДЕ
СЬ ОПОЧИВАЕТ
РАБЪ БОЖИЙ ЛУКА
СЛАВУ (ЛАБУ) 

1898

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324798
title: Frost Dragon

description: Frost Dragon without the base

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324799
title: Frost Dragon

description: Frost Dragon without the base

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324802
title: Prolate ellipsoid of revolution

description: * The ellipse is rotated about its longer axis; the resulting surface is known as a prolate spheroid or prolate ellipsoid of revolution. no label
* Эллипс вращается вокруг своей длинной оси; полученная поверхность известна как вытянутый сфероид или вытянутый эллипсоид вращения. 
* *(метка Р6)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324803
title: Prolate ellipsoid of revolution

description: * The ellipse is rotated about its longer axis; the resulting surface is known as a prolate spheroid or prolate ellipsoid of revolution. no label
* Эллипс вращается вокруг своей длинной оси; полученная поверхность известна как вытянутый сфероид или вытянутый эллипсоид вращения. 
* *(метка Р6)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324804
title: Cae Coch Standing Stone

description: Cae Coch Standing Stone

[https://coflein.gov.uk/en/site/302556]https://coflein.gov.uk/en/site/302556)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324805
title: Cae Coch Standing Stone

description: Cae Coch Standing Stone

[https://coflein.gov.uk/en/site/302556]https://coflein.gov.uk/en/site/302556)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324806
title: AR010-043-75

description: Benton Middle Archaic 3500-1200 BCE Point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR010-043-75, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324807
title: AR010-043-75

description: Benton Middle Archaic 3500-1200 BCE Point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR010-043-75, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324809
title: Echidna

description: Metashape (142 cameras)
Made by [Renee Dixson](https://twitter.com/Renee_Dixson), [Skullbook - Digital Bone Library](http://cdhr.cass.anu.edu.au/research/projects/skullbook-digital-bone-library)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324808
title: Echidna

description: Metashape (142 cameras)
Made by [Renee Dixson](https://twitter.com/Renee_Dixson), [Skullbook - Digital Bone Library](http://cdhr.cass.anu.edu.au/research/projects/skullbook-digital-bone-library)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324810
title: [Rusty Axe] [Hacha Oxidada]

description: Hacha vikinga vieja y oxidada con raspaduras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324811
title: [Rusty Axe] [Hacha Oxidada]

description: Hacha vikinga vieja y oxidada con raspaduras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324812
title: Vampire Hunter Cross

description: Holy weapon for vampire hunters, sacred powers binded inside.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324813
title: Vampire Hunter Cross

description: Holy weapon for vampire hunters, sacred powers binded inside.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324814
title: 铜灯台(561.193)

description: 乌审旗博物馆馆藏品

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324815
title: 铜灯台(561.193)

description: 乌审旗博物馆馆藏品

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324816
title: St Olaves Silver Street Plaque 2

description: An engraved stone plaque in the garden that was once the site of St Olave's Church, Silver Street. Located on London Wall, London.

It reads: "St Olave's Silver Street. This graveyard was thrown back and the road widened eight feet, by the commissioners of sewers at the request of the vestry Anno Domini 1865. H J Cummins, Rector. F J Harris, C E Wilson, Churchwardens".

Date: 1865

https://en.wikipedia.org/wiki/St_Olave%27s_Church,_Silver_Street

82 photos taken in February 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324817
title: St Olaves Silver Street Plaque 2

description: An engraved stone plaque in the garden that was once the site of St Olave's Church, Silver Street. Located on London Wall, London.

It reads: "St Olave's Silver Street. This graveyard was thrown back and the road widened eight feet, by the commissioners of sewers at the request of the vestry Anno Domini 1865. H J Cummins, Rector. F J Harris, C E Wilson, Churchwardens".

Date: 1865

https://en.wikipedia.org/wiki/St_Olave%27s_Church,_Silver_Street

82 photos taken in February 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324818
title: Tomb of Mereruka, East Wall, Chamber A4

description: Relief scene on the East Wall of  Chamber A4 in the Mastaba of Mereruka at Saqqara, Egypt.  The panel as captured is 5.7 m x 1.5 m in size.  In the center it shows men fishing using fish traps, hand nets and lines.  On the right is Mereruka and his wife, while on the left Mereruka stands with one of the sons of King Teti grasping a bird by the wings.  A detail of the fishing scene can be seen [here](https://skfb.ly/6JPXt).

A full publication of the tomb can be found in *The Mastaba of Mereruka, Parts I-II*, Oriental Institute Publications volumes [31](https://oi.uchicago.edu/research/publications/oip/mastaba-mereruka-part-i-chambers-1-10) and [39](https://oi.uchicago.edu/research/publications/oip/mastaba-mereruka-part-ii-chamber-11-13-doorjambs-and-inscriptions-chambers).

Created from 102 photos (Canon EOS Rebel T5i, 18MP) using Metashape Professional 1.6.1.  It was photographed in March 2019.

Source: Objaverse 1.0 / Sketchfab