cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10337403
title: Retable of passion

description: Retable of passion, Brabant, Brussels, around 1490-1500, Brussels punches. Oak, original polychromy, partially reworked gilding, the shutters are gone. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from Autodesk.

Various techniques are visible in the original polychromy, such as the brocade decor (among others for the clothes of Mary Magdalene in the scene of the Cruxifixion), the red lacquered paint that enhances the shine of the gold of the clothes of some characters and very fine hand-painted patterns. In addition, the edges of the garments were even hemmed with small dots and tiny metallic fleurons were affixed on the cross of the Crucifixion. This small "domestic altarpiece" was probably intended to adorn the altar erected in a convent or in a particular rich person.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337405
title: Stub-stemmed Pipe (2445a2212)

description: **Stub-stemmed pipe**

Location: Eagle Tavern site on UNC Campus (RLA-Or257), Orange County, North Carolina.

Period: Historic (19th century).

Material: ceramic.

Dimensions: length, 47.2 mm; width, 28.5 mm; height, 53.6 mm.

Notes: Catalog no. 2445a2212.  Bears the stamps "N H DIXON" AND "NO 8" on each side of the stem. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337404
title: Stub-stemmed Pipe (2445a2212)

description: **Stub-stemmed pipe**

Location: Eagle Tavern site on UNC Campus (RLA-Or257), Orange County, North Carolina.

Period: Historic (19th century).

Material: ceramic.

Dimensions: length, 47.2 mm; width, 28.5 mm; height, 53.6 mm.

Notes: Catalog no. 2445a2212.  Bears the stamps "N H DIXON" AND "NO 8" on each side of the stem. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337407
title: Mérida Cosmological Mosaic

description: 3rd or 4th century CE Cosmological Mosaic from the Casa del Mitreo in Mérida, Spain (ancient Augusta Emerita)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337406
title: Mérida Cosmological Mosaic

description: 3rd or 4th century CE Cosmological Mosaic from the Casa del Mitreo in Mérida, Spain (ancient Augusta Emerita)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337408
title: Fossil Bicho Preguiça

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337409
title: Fossil Bicho Preguiça

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337410
title: Cupid Triumphant

description: Cupid Triumphant, 1814, Bertel Thorvaldsens, plaster, height 144 cm. Thorvaldsens Museum (Copenhagen, Denmark). Made with ReMake and ReCap from AutoDesk.

The fact that the god of love, Cupid, is the figure most commonly seen in Thorvaldsen's art is related to Cupid's also being the most powerful figure in classical mythology – not because he is physically strong, but because he represents the power to which both human beings and gods are subject. Cupid Triumphant is about Cupid's superior power in relation to the gods.  "Triumphant" means purely and simply "victorious" – victorious over the other gods: Hercules is one of the first to have thrown in the towel in the form of the lion skin hanging over the tree stump behind Cupid. Apollo has handed over his beloved lyre to Cupid: it stands behind the tree stump; Jupiter has placed his thunderbolt at Cupid's feet, and Mars has surrendered his helmet. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337411
title: Cupid Triumphant

description: Cupid Triumphant, 1814, Bertel Thorvaldsens, plaster, height 144 cm. Thorvaldsens Museum (Copenhagen, Denmark). Made with ReMake and ReCap from AutoDesk.

The fact that the god of love, Cupid, is the figure most commonly seen in Thorvaldsen's art is related to Cupid's also being the most powerful figure in classical mythology – not because he is physically strong, but because he represents the power to which both human beings and gods are subject. Cupid Triumphant is about Cupid's superior power in relation to the gods.  "Triumphant" means purely and simply "victorious" – victorious over the other gods: Hercules is one of the first to have thrown in the towel in the form of the lion skin hanging over the tree stump behind Cupid. Apollo has handed over his beloved lyre to Cupid: it stands behind the tree stump; Jupiter has placed his thunderbolt at Cupid's feet, and Mars has surrendered his helmet. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337416
title: Fountain Basel Flames

description: Fountain Basel Flames

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337417
title: Fountain Basel Flames

description: Fountain Basel Flames

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337420
title: 3064 Sfânta Treime

description: **3064 Sfânta Treime**
Datare: prima jumătate a secolului al XIX-lea
Centru: Laz
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu pensula, după un izvod; pictarea suprafețelor cu tempera; lipirea pe alocuri a hârtiei
argintate folosite drept fundal; rama de esență rășinoasă, profilată și băițuită.
Dimensiuni: 46,5 cm x 41 cm.

**3064 Holy Trinity**
Dating: first half of the 19th century
Center: Laz
Material / Technique: Contour drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the brush, after an izvod; painting surfaces with tempera; gluing the paper in places
silverware used as a background; resinous, profiled and stained resin frame.
Dimensions: 46.5 cm x 41 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337421
title: 3064 Sfânta Treime

description: **3064 Sfânta Treime**
Datare: prima jumătate a secolului al XIX-lea
Centru: Laz
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu pensula, după un izvod; pictarea suprafețelor cu tempera; lipirea pe alocuri a hârtiei
argintate folosite drept fundal; rama de esență rășinoasă, profilată și băițuită.
Dimensiuni: 46,5 cm x 41 cm.

**3064 Holy Trinity**
Dating: first half of the 19th century
Center: Laz
Material / Technique: Contour drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the brush, after an izvod; painting surfaces with tempera; gluing the paper in places
silverware used as a background; resinous, profiled and stained resin frame.
Dimensions: 46.5 cm x 41 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337422
title: Small Old Ship Cannon

description: Small cannon made of steel with little gold on it curvature.

- Made in Blender 3D
- LowPoly
- 30-min modeling process

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337423
title: Small Old Ship Cannon

description: Small cannon made of steel with little gold on it curvature.

- Made in Blender 3D
- LowPoly
- 30-min modeling process

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337424
title: Altar dedicat lui Iupiter - Iacubus

description: I(ovi) o(ptimo) m(aximo)
P(ublius) Ael(ius)
Iacubus
dec(urio)
mun(icipii)
Por(olissensis)
v(otum) s(olvit) l(ibens) m(erito).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337425
title: Altar dedicat lui Iupiter - Iacubus

description: I(ovi) o(ptimo) m(aximo)
P(ublius) Ael(ius)
Iacubus
dec(urio)
mun(icipii)
Por(olissensis)
v(otum) s(olvit) l(ibens) m(erito).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337428
title: La ilusión de la Materia - Chile - 2019 - 55

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337429
title: La ilusión de la Materia - Chile - 2019 - 55

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337431
title: (VR mobile optimized) Wellington landing gear

description: Remains of the starboard landing gear (lying turtle) of a RAF Wellington bomber crashed in the North Sea during WO2 just above the Dutch island Ameland.See also our YouTube report/documentary about this wreck https://www.youtube.com/watch?v=81jExNR-QC8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337430
title: (VR mobile optimized) Wellington landing gear

description: Remains of the starboard landing gear (lying turtle) of a RAF Wellington bomber crashed in the North Sea during WO2 just above the Dutch island Ameland.See also our YouTube report/documentary about this wreck https://www.youtube.com/watch?v=81jExNR-QC8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337432
title: ROI013-111-01

description: Madison Point collected in Wabash County, Indiana.

Catalog # 12-Wb-389-13

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI013-111-01, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337433
title: ROI013-111-01

description: Madison Point collected in Wabash County, Indiana.

Catalog # 12-Wb-389-13

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI013-111-01, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337434
title: Record_player

description: Second part of XYZ homework on tertiary forms

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337435
title: Record_player

description: Second part of XYZ homework on tertiary forms

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337436
title: Shoe last 6-14-20 full

description: Wooden shoe last with rubber and metal elements.
170 shots.
Photogrammetry process with Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337437
title: Shoe last 6-14-20 full

description: Wooden shoe last with rubber and metal elements.
170 shots.
Photogrammetry process with Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337438
title: Joueur de flûte en bois.

description: Hauteur statuette : 22 cm

Appareil photo : Nikon D5000
Objectif : AF-S Nikkor 18-55

Logiciel : Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337439
title: Joueur de flûte en bois.

description: Hauteur statuette : 22 cm

Appareil photo : Nikon D5000
Objectif : AF-S Nikkor 18-55

Logiciel : Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337440
title: Historic hut on the island of Spitsbergen

description: This hut was once part of a mining settlement on the island of Spitsbergen in the Polar Sea and was imported from Great Britain as a prefabricated kit at the beginning of the twentieth century. The numbering of the beams, which allowed the hut to be easily assembled, can still be seen today. As there are no natural wood resources on the entire island, it is precious and the hut was reused elsewhere after the mine was abandoned in 1908 and is probably one of the oldest buildings in the archipelago today. The rapid thawing of the permafrost soils due to climate change is endangering the survival of the remains of the oldest year-round mine on Spitsbergen.

In the background is a photograph of the Advent City mine at the time of its construction in 1905. In addition the American mine owner John Munro Longyear reports about the unsuccessful mine in summer 1909. 

More at this point: https://escience-center.uni-tuebingen.de/svalbard/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337441
title: Historic hut on the island of Spitsbergen

description: This hut was once part of a mining settlement on the island of Spitsbergen in the Polar Sea and was imported from Great Britain as a prefabricated kit at the beginning of the twentieth century. The numbering of the beams, which allowed the hut to be easily assembled, can still be seen today. As there are no natural wood resources on the entire island, it is precious and the hut was reused elsewhere after the mine was abandoned in 1908 and is probably one of the oldest buildings in the archipelago today. The rapid thawing of the permafrost soils due to climate change is endangering the survival of the remains of the oldest year-round mine on Spitsbergen.

In the background is a photograph of the Advent City mine at the time of its construction in 1905. In addition the American mine owner John Munro Longyear reports about the unsuccessful mine in summer 1909. 

More at this point: https://escience-center.uni-tuebingen.de/svalbard/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337444
title: Picardy Stone, Insch

description: https://canmore.org.uk/site/18294/myreton-farm-picardy-stone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337445
title: Picardy Stone, Insch

description: https://canmore.org.uk/site/18294/myreton-farm-picardy-stone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337447
title: Gladivs Romana

description: Aunque su origen es desconocido, este arma es conocida como Gladivs, un término latino utilizado para designar una espada, el cual se aplica de manera moderna al arma utilizada por las legiones de la Antigua Roma desde el siglo III a. C. hasta el siglo III aproximadamente.
Estaba diseñado para ataques rápidos de estocada. Esto era muy práctico, ya que el legionario romano que llevaba la espada se resguardaba tras un scutum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337446
title: Gladivs Romana

description: Aunque su origen es desconocido, este arma es conocida como Gladivs, un término latino utilizado para designar una espada, el cual se aplica de manera moderna al arma utilizada por las legiones de la Antigua Roma desde el siglo III a. C. hasta el siglo III aproximadamente.
Estaba diseñado para ataques rápidos de estocada. Esto era muy práctico, ya que el legionario romano que llevaba la espada se resguardaba tras un scutum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337448
title: Ancient stone sculpture house

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337449
title: Ancient stone sculpture house

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337450
title: Annaduff Church - E Window - LE032-054001

description: [Source](webgis.archaeology.ie/historicenvironment/?SMRS=LE032-054001) 

This site is a protected structure and access is limited due to instability of the surrounding  walls.  The Window is located on the East Gable wall and was uncovered at time of recording (November 02 2019). 

The church is a rectangular limestone structure surviving to the eaves (ext. dims 14.2m E-W; 8.5m N-S; H 3.5m) with dressed quoins and a modernised doorway (Wth 1.7m) at W but the walls are completely overgrown with ivy. There are two blocked rectangular windows in both the S and N walls and a single-light decorated 15th-century window in the E gable which is inserted over the base of a simpler window and which is illustrated by Grosse. There are two corbels with carved heads at roof level at the SE and SW angles.
Recording funded by Leitrim Heritage Officer 


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337451
title: Annaduff Church - E Window - LE032-054001

description: [Source](webgis.archaeology.ie/historicenvironment/?SMRS=LE032-054001) 

This site is a protected structure and access is limited due to instability of the surrounding  walls.  The Window is located on the East Gable wall and was uncovered at time of recording (November 02 2019). 

The church is a rectangular limestone structure surviving to the eaves (ext. dims 14.2m E-W; 8.5m N-S; H 3.5m) with dressed quoins and a modernised doorway (Wth 1.7m) at W but the walls are completely overgrown with ivy. There are two blocked rectangular windows in both the S and N walls and a single-light decorated 15th-century window in the E gable which is inserted over the base of a simpler window and which is illustrated by Grosse. There are two corbels with carved heads at roof level at the SE and SW angles.
Recording funded by Leitrim Heritage Officer 


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337452
title: Ball Bearings Box

description: The Ball Bearings Box belongs to the Indianpolis Speedway Museum Collection.

This object was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337453
title: Ball Bearings Box

description: The Ball Bearings Box belongs to the Indianpolis Speedway Museum Collection.

This object was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337454
title: Nämforsen, Laxön D10, Ådals-Liden 193:1.

description: Nämforsen, Laxön, Hallström_D10, Ådals-Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337455
title: Nämforsen, Laxön D10, Ådals-Liden 193:1.

description: Nämforsen, Laxön, Hallström_D10, Ådals-Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337456
title: Arts of Southeast Asia gallery - animated!

description: An experimental verison of [this virtual gallery](https://skfb.ly/6UtC8), but all the art is rotating.

These virtual galleries are a combination of two things: our curator's and our exhibition designer's vision for the fall 2020 gallery remodel; and the sculptures for which we have made 3D models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337457
title: Arts of Southeast Asia gallery - animated!

description: An experimental verison of [this virtual gallery](https://skfb.ly/6UtC8), but all the art is rotating.

These virtual galleries are a combination of two things: our curator's and our exhibition designer's vision for the fall 2020 gallery remodel; and the sculptures for which we have made 3D models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337462
title: Mount Albert Reconstruction

description: The top of the volcanic cone was quarried away by 1940 but based on the angle of the lower slopes, and historic photos and paintings from various angles, here is a rough estimate of how it might have looked. The cone looks like it was crescent shaped, with the sports field built into a breached crater opening to the west. 
It was a Maori hillfort known as Owairaka, and would have had defensive terraces and ditches on the slopes.  Auckland, New Zealand. Photogrammetry model made in 3DF Zephyr Free, with 1940 aerial photos from retrolens.nz, and a reconstruction of the volcanic cone added with Blender's sculpting tools.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337463
title: Mount Albert Reconstruction

description: The top of the volcanic cone was quarried away by 1940 but based on the angle of the lower slopes, and historic photos and paintings from various angles, here is a rough estimate of how it might have looked. The cone looks like it was crescent shaped, with the sports field built into a breached crater opening to the west. 
It was a Maori hillfort known as Owairaka, and would have had defensive terraces and ditches on the slopes.  Auckland, New Zealand. Photogrammetry model made in 3DF Zephyr Free, with 1940 aerial photos from retrolens.nz, and a reconstruction of the volcanic cone added with Blender's sculpting tools.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337464
title: Rand van Romeinse pot (Belsele - Mierennest)

description: Deze rand van een pot uit de Romeinse tijd werd gevonden in de gracht die een Romeinse weg begrensde die werd aangesneden tijdens de opgraving van de Mierennest te Belsele (Sint-Niklaas) in 2015.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337465
title: Rand van Romeinse pot (Belsele - Mierennest)

description: Deze rand van een pot uit de Romeinse tijd werd gevonden in de gracht die een Romeinse weg begrensde die werd aangesneden tijdens de opgraving van de Mierennest te Belsele (Sint-Niklaas) in 2015.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337466
title: Masada Fortress  -RAWscan

description: Masada (Hebrew: מצדה‎ metsada, "fortress") is an ancient fortification in the Southern District of Israel situated on top of an isolated rock plateau, akin to a mesa. It is located on the eastern edge of the Judaean Desert, overlooking the Dead Sea 20 km (12 mi) east of Arad.
Herod the Great built palaces for himself on the mountain and fortified Masada between 37 and 31 BCE. According to Josephus, the siege of Masada by troops of the Roman Empire at the end of the First Jewish–Roman War ended in the mass suicide of 960 people, the Sicarii rebels and their families hiding there.
Masada is one of Israel's most popular tourist attractions.  wikipedia

coordinates: 31.317779, 35.354158

photogrammetry from video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337467
title: Masada Fortress  -RAWscan

description: Masada (Hebrew: מצדה‎ metsada, "fortress") is an ancient fortification in the Southern District of Israel situated on top of an isolated rock plateau, akin to a mesa. It is located on the eastern edge of the Judaean Desert, overlooking the Dead Sea 20 km (12 mi) east of Arad.
Herod the Great built palaces for himself on the mountain and fortified Masada between 37 and 31 BCE. According to Josephus, the siege of Masada by troops of the Roman Empire at the end of the First Jewish–Roman War ended in the mass suicide of 960 people, the Sicarii rebels and their families hiding there.
Masada is one of Israel's most popular tourist attractions.  wikipedia

coordinates: 31.317779, 35.354158

photogrammetry from video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337468
title: Bute, Scarrel 9

description: The panel lies in a field of improved pasture on a SW sloping hillside approximately 250m NE of the minor road which leads from Drumachloy Bridge to Glecknabae, Isle of Bute. It lies beside a field gate and has probably been cleared off the field at some point in the past. The ruined farmstead of Scarrel lies about 375m to the E. There are views SW across the West Kyle of Bute towards Ardlamont Point and the island of Inchmarnock.
Photography Patrick O'Sullivan, Bute Museum & NHS, ScRAP and Rock Art Bute team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337469
title: Bute, Scarrel 9

description: The panel lies in a field of improved pasture on a SW sloping hillside approximately 250m NE of the minor road which leads from Drumachloy Bridge to Glecknabae, Isle of Bute. It lies beside a field gate and has probably been cleared off the field at some point in the past. The ruined farmstead of Scarrel lies about 375m to the E. There are views SW across the West Kyle of Bute towards Ardlamont Point and the island of Inchmarnock.
Photography Patrick O'Sullivan, Bute Museum & NHS, ScRAP and Rock Art Bute team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337470
title: "Wounded Amazon"

description: This is a scan of the statue at the Museo Histórico Municipal de Écija, but there are several variations at museums across the world: http://penelope.uchicago.edu/~grout/encyclopaedia_romana/greece/paganism/amazons.html

Copies and variants of this statue can be found at the Met Museum in New York, the Musei Capitolini and the Vatican Museum in Rome, at the Pushkin State Museum, the Staatliche Antikensammlungen in Munich, the Pergamon Museum in Berlin and many other museums.

Source: Objaverse 1.0 / Sketchfab