cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10269832
title: XFP-054 Side-blade, Sanak Island, Alaska.

description: Side-blade, basalt, Sanak Island, Alaska. CAT# XFP-054-3336

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269834
title: Ding food vessel, 11th-10th century BCE

description: Ding food vessel, 11th-10th century BCE, now in the collection of the Minneapolis Institute of Art.

From [artsmia.org](www.artsmia.org):

*'...Bronze versions of the flat-legged ding began to be cast early in the Shang dynasty (c. 1600–1300 BCE). The flat legs of those Shang ding were mostly shaped like stylized dragons. In the early Western Zhou period (c. 1046–977 BCE), it became popular for the ding legs to take the form of birds. In this example, the shallow bowl with a round bottom is supported by three flattened legs, each rendered in the form of a bird standing upon its claws and tail. Above the legs is a row of cicadas. Perhaps because the life cycle of the cicada was seen as symbolic of renewed life—they lie dormant underground for seven to 14 years, and emerge for only one summer—the insect was a popular motif during the Shang and Zhou dynasties, commonly represented in bronze and jades.'*

More [here](https://collections.artsmia.org/art/816/ding-food-vessel-china)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269835
title: Ding food vessel, 11th-10th century BCE

description: Ding food vessel, 11th-10th century BCE, now in the collection of the Minneapolis Institute of Art.

From [artsmia.org](www.artsmia.org):

*'...Bronze versions of the flat-legged ding began to be cast early in the Shang dynasty (c. 1600–1300 BCE). The flat legs of those Shang ding were mostly shaped like stylized dragons. In the early Western Zhou period (c. 1046–977 BCE), it became popular for the ding legs to take the form of birds. In this example, the shallow bowl with a round bottom is supported by three flattened legs, each rendered in the form of a bird standing upon its claws and tail. Above the legs is a row of cicadas. Perhaps because the life cycle of the cicada was seen as symbolic of renewed life—they lie dormant underground for seven to 14 years, and emerge for only one summer—the insect was a popular motif during the Shang and Zhou dynasties, commonly represented in bronze and jades.'*

More [here](https://collections.artsmia.org/art/816/ding-food-vessel-china)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269836
title: Bandyristka

description: Bandura is a Ukrainian folk stringed plucked musical instrument. Classic and modern instrument from the family of harps, gusels and psalterions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269837
title: Bandyristka

description: Bandura is a Ukrainian folk stringed plucked musical instrument. Classic and modern instrument from the family of harps, gusels and psalterions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269838
title: D12 - Eext Es

description: http://www.hunebeddeninfo.nl/d12eext-es

Hunebedden in Nederland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269839
title: D12 - Eext Es

description: http://www.hunebeddeninfo.nl/d12eext-es

Hunebedden in Nederland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269840
title: Xolo (dog effigy) | NCMA Explore

description: **Artist:** Unknown Colima Artist
**Medium: **Ceramic 
**Year work created:** circa 200 B.C.E.–300 C.E.
**Dimensions:**  11 x 9.75 x 15 inches (27.9 x 24.8 x 38.1 centimeters)
[https://learn.ncartmuseum.org/artwork/dog-effigy/](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269841
title: Xolo (dog effigy) | NCMA Explore

description: **Artist:** Unknown Colima Artist
**Medium: **Ceramic 
**Year work created:** circa 200 B.C.E.–300 C.E.
**Dimensions:**  11 x 9.75 x 15 inches (27.9 x 24.8 x 38.1 centimeters)
[https://learn.ncartmuseum.org/artwork/dog-effigy/](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269842
title: Side Scraper (690a21-2)

description: **Side scraper (type II)**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: rhyolite.

Dimensions: length, 76.5 mm; width, 59.1 mm; thickness, 12.9 mm.

Notes: Catalog no. 690a21 (specimen 1), North Carolina Archaeological Collection, Research Laboratories of A2chaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 66. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269843
title: Side Scraper (690a21-2)

description: **Side scraper (type II)**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: rhyolite.

Dimensions: length, 76.5 mm; width, 59.1 mm; thickness, 12.9 mm.

Notes: Catalog no. 690a21 (specimen 1), North Carolina Archaeological Collection, Research Laboratories of A2chaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 66. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269844
title: Centennial Crazy Quilt - Preview

description: For more information about this item visit:
https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269845
title: Centennial Crazy Quilt - Preview

description: For more information about this item visit:
https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269846
title: Kirkjubømúrurin: P056

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 10 x 26 x 15 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269847
title: Kirkjubømúrurin: P056

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 10 x 26 x 15 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269849
title: Saltoun Mausoleum, Fraserburgh - June 2020

description: Photogrammetry model of Saltoun Mausoleum, Fraserburgh. Survey undertaken 09/06/20.

Model created using 891 images, captured on a Nikon DSLR camera.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269848
title: Saltoun Mausoleum, Fraserburgh - June 2020

description: Photogrammetry model of Saltoun Mausoleum, Fraserburgh. Survey undertaken 09/06/20.

Model created using 891 images, captured on a Nikon DSLR camera.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269851
title: France: Carved church door ZenFone AR 3D scan

description: Beautifully detailed, hand carved wood door in the highest keep of Europe, Crest, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269850
title: France: Carved church door ZenFone AR 3D scan

description: Beautifully detailed, hand carved wood door in the highest keep of Europe, Crest, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269853
title: Medieval Ceramic, Castilla-La Mancha, Spain

description: Ceramic lid from the  site of  Calatrava la Vieja, Carrión de Calatrava,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000150. Processed in Reality Capture from 226 images.

Almohad (1195-1212)

Citation:  Alarcos'95. El fiel de la balanza, 1995: 227

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269852
title: Medieval Ceramic, Castilla-La Mancha, Spain

description: Ceramic lid from the  site of  Calatrava la Vieja, Carrión de Calatrava,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000150. Processed in Reality Capture from 226 images.

Almohad (1195-1212)

Citation:  Alarcos'95. El fiel de la balanza, 1995: 227

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269856
title: ROI032-279-01

description: Groundstone gorget fragment collected in Madison County, Indiana.

Catalog # 12-M-547-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Collin Minnick, and Kevin C. Nolan, 2021. ROI032-279-01, 3D Model .ply file. Recovered as part of Report of Investigations 32, *A Reconnaissance Level Survey of the Valley Corridor of the Upper West Fork of the White River in Madison County, Indiana*, By Donald Cree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269857
title: ROI032-279-01

description: Groundstone gorget fragment collected in Madison County, Indiana.

Catalog # 12-M-547-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Collin Minnick, and Kevin C. Nolan, 2021. ROI032-279-01, 3D Model .ply file. Recovered as part of Report of Investigations 32, *A Reconnaissance Level Survey of the Valley Corridor of the Upper West Fork of the White River in Madison County, Indiana*, By Donald Cree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269858
title: Trilobite (Flexicalymene ouzregui)

description: **Ejemplar:** .*Flexicalymene ouzregui* 
**Edad:** 449-443 Ma. Ordovícico Superior
**Localidad:** Rissani, Montañas Anti-Atlas (Marruecos)
**Dimensión ejemplar:** 18x11x8 cm.
**Descripción:** nódulo con ejemplar completo incluido en matriz y presencia de fragmentos de cefalón. Se conserva el molde y contramolde del ejemplar
**Sigla museo, colección y entidad:** MGUV-
**Técnica digitalización / modelo:** fotogrametría, Pentax K-1 Mark II
**Software y parámetros:** Metashape, 104 fotografías, calidad alta
**Autor fotografías:** Guillermo Rodero
**Autor procesado fotogramétrico:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269859
title: Trilobite (Flexicalymene ouzregui)

description: **Ejemplar:** .*Flexicalymene ouzregui* 
**Edad:** 449-443 Ma. Ordovícico Superior
**Localidad:** Rissani, Montañas Anti-Atlas (Marruecos)
**Dimensión ejemplar:** 18x11x8 cm.
**Descripción:** nódulo con ejemplar completo incluido en matriz y presencia de fragmentos de cefalón. Se conserva el molde y contramolde del ejemplar
**Sigla museo, colección y entidad:** MGUV-
**Técnica digitalización / modelo:** fotogrametría, Pentax K-1 Mark II
**Software y parámetros:** Metashape, 104 fotografías, calidad alta
**Autor fotografías:** Guillermo Rodero
**Autor procesado fotogramétrico:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269860
title: 有岡城跡石垣

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269861
title: 有岡城跡石垣

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269863
title: Wmid-c46f25 - Post medieval furniture fitting

description: An incomplete copper alloy modern zoomorphic vessel or furniture foot of Modern dating (AD 1800 to AD 1950).

The object takes the form of a three-toed, clawed birds foot. A flat plate projects at a right-angle from the angle, terminating in a split break where the edges of a circular attachment hole is visible. This hole has an internal diameter of 2.8 mm. Two supportive knops project from the centre and rear edge of the base. 

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1071077

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269862
title: Wmid-c46f25 - Post medieval furniture fitting

description: An incomplete copper alloy modern zoomorphic vessel or furniture foot of Modern dating (AD 1800 to AD 1950).

The object takes the form of a three-toed, clawed birds foot. A flat plate projects at a right-angle from the angle, terminating in a split break where the edges of a circular attachment hole is visible. This hole has an internal diameter of 2.8 mm. Two supportive knops project from the centre and rear edge of the base. 

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1071077

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269864
title: 加曽利EⅢ式深鉢(成田市新山台遺跡)企28 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(成田市新山台遺跡)企28 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2020.01.07 
整理番号:企28 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 68 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269865
title: 加曽利EⅢ式深鉢(成田市新山台遺跡)企28 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(成田市新山台遺跡)企28 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2020.01.07 
整理番号:企28 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 68 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269866
title: 赤井南3号墳

description: 岡山県倉敷市の赤井南3号墳
蚊がすごくて逃げるように立ち去りました。夏にはオススメしません。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269867
title: 赤井南3号墳

description: 岡山県倉敷市の赤井南3号墳
蚊がすごくて逃げるように立ち去りました。夏にはオススメしません。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269868
title: Stylised Treasure Chest

description: First attempt at duplicating UVs. A quarter of the model was created and then sculpted and textured. Then the original low poly was mirrored on the X and Z axes.
Also my first proper go at using Substance Painter beyond just sticking a smart material on a model and calling it good.

Turned out all right but you can see some seams at the lines of symmetry. In the future I will model, then sculpt, then mirror original model, and THEN paint, which will hopefully remove the possibility of those seams.

In general though, I am pleased with this model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269869
title: Stylised Treasure Chest

description: First attempt at duplicating UVs. A quarter of the model was created and then sculpted and textured. Then the original low poly was mirrored on the X and Z axes.
Also my first proper go at using Substance Painter beyond just sticking a smart material on a model and calling it good.

Turned out all right but you can see some seams at the lines of symmetry. In the future I will model, then sculpt, then mirror original model, and THEN paint, which will hopefully remove the possibility of those seams.

In general though, I am pleased with this model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269872
title: Scottish Boatbuilding School: point cloud(II)

description: The Scottish Boatbuilding School at the Scottish Maritime Museum in Irvine was established in 2014 to provide education and qualification in both traditional and modern boat building, as well as vessel conservation and restoration.

This point cloud generated from photogrammetry as a part of 'Scanning the Horizon' project, provides a unique glimpse into the school's boatbuilding workshop, which is not accessible for the public. This particular model shows the two skiffs as they are being constructed: a result of a very quick data capture!

Listen to Martin, the Boatbuilding School Manager as he talks about a joint project with Garnock Connections and Rathbone Training Trust, which transform the lives of young people from local community through work based training in the form of apprenticeships and traineeships.

To discover more about the boatbuilding workshop visit: https://skfb.ly/6MyMF

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269873
title: Scottish Boatbuilding School: point cloud(II)

description: The Scottish Boatbuilding School at the Scottish Maritime Museum in Irvine was established in 2014 to provide education and qualification in both traditional and modern boat building, as well as vessel conservation and restoration.

This point cloud generated from photogrammetry as a part of 'Scanning the Horizon' project, provides a unique glimpse into the school's boatbuilding workshop, which is not accessible for the public. This particular model shows the two skiffs as they are being constructed: a result of a very quick data capture!

Listen to Martin, the Boatbuilding School Manager as he talks about a joint project with Garnock Connections and Rathbone Training Trust, which transform the lives of young people from local community through work based training in the form of apprenticeships and traineeships.

To discover more about the boatbuilding workshop visit: https://skfb.ly/6MyMF

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269882
title: Seal Matrix

description: Culture: [Medieval](http://n2t.net/ark:/99152/p08m57h8zmq). Material: Brass. Accession no: MG 047. Current Location: [The Hunt Museum,](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). 

An oval [seal](http://vocab.getty.edu/page/aat/300028877) matrix showing the figure of a bishop or saint with his hand up in blessing and carrying a [crozier](http://vocab.getty.edu/page/aat/300212149). There is a figure on either side and over his head. There is an [inscription](http://vocab.getty.edu/page/aat/300028702) around the edge. [More](https://www.huntmuseum.com/explore/item/f263ebc7-9491-334b-b0e1-7b53d83facc8/?s%3Dseal+matrix&pos=3).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269883
title: Seal Matrix

description: Culture: [Medieval](http://n2t.net/ark:/99152/p08m57h8zmq). Material: Brass. Accession no: MG 047. Current Location: [The Hunt Museum,](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). 

An oval [seal](http://vocab.getty.edu/page/aat/300028877) matrix showing the figure of a bishop or saint with his hand up in blessing and carrying a [crozier](http://vocab.getty.edu/page/aat/300212149). There is a figure on either side and over his head. There is an [inscription](http://vocab.getty.edu/page/aat/300028702) around the edge. [More](https://www.huntmuseum.com/explore/item/f263ebc7-9491-334b-b0e1-7b53d83facc8/?s%3Dseal+matrix&pos=3).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269891
title: воденица на Вучјанки 1, Вучје

description: # watermill on Vučjanka river, Vučje, Srebia
>>January2020

https://goo.gl/maps/1d198YMntfRHFCnu7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269890
title: воденица на Вучјанки 1, Вучје

description: # watermill on Vučjanka river, Vučje, Srebia
>>January2020

https://goo.gl/maps/1d198YMntfRHFCnu7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269894
title: Moli Sol, Bañeres de Mariola, Alicante

description: Fachada oeste de la fabrica Moli Sol en Bañeres de Mariola. Se trata de un antiguo molino papelero que funcionó de 1862 hasta 1984 realizando papel para fumar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269895
title: Moli Sol, Bañeres de Mariola, Alicante

description: Fachada oeste de la fabrica Moli Sol en Bañeres de Mariola. Se trata de un antiguo molino papelero que funcionó de 1862 hasta 1984 realizando papel para fumar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269897
title: Oldtown Plain Jar Rim (2388p758)

description: **Oldtown Plain jar rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 186 mm; width, 129 mm; thickness, 7.1 mm.

Notes: Catalog no. 2388p758 (Vessel 20), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Quinn Eury and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269896
title: Oldtown Plain Jar Rim (2388p758)

description: **Oldtown Plain jar rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 186 mm; width, 129 mm; thickness, 7.1 mm.

Notes: Catalog no. 2388p758 (Vessel 20), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Quinn Eury and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269899
title: Chrystus Błogosławiący

description: Chrystus Błogosławiący, manieryzm, XVII w. - rzeźba drewniana, polichromowana, złocona; wym.: 76 x 30 x 24 cm; w pełnej postaci - stojący, w ujęciu frontalnym, z prawą dłonią uniesioną w geście błogosławienia; lewą podtrzymuje glob; rysy twarzy i pukle włosów oddanych schematycznie; ubrany w długą szatę przepasaną złotą taśmą i czerwony płaszcz przerzucony przez lewe ramię; ubytki formy rzeźbiarskiej.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269898
title: Chrystus Błogosławiący

description: Chrystus Błogosławiący, manieryzm, XVII w. - rzeźba drewniana, polichromowana, złocona; wym.: 76 x 30 x 24 cm; w pełnej postaci - stojący, w ujęciu frontalnym, z prawą dłonią uniesioną w geście błogosławienia; lewą podtrzymuje glob; rysy twarzy i pukle włosów oddanych schematycznie; ubrany w długą szatę przepasaną złotą taśmą i czerwony płaszcz przerzucony przez lewe ramię; ubytki formy rzeźbiarskiej.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269900
title: Tumba 11 de la Necrópolis de Villaricos

description: info: www.um.es/cepoat/villaricos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269901
title: Tumba 11 de la Necrópolis de Villaricos

description: info: www.um.es/cepoat/villaricos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269902
title: Cántaro

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269903
title: Cántaro

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269906
title: Venezuela

description: [Venezuela](https://en.wikipedia.org/wiki/Venezuela) is a country on the northern coast of South America, consisting of a continental landmass and many islands and islets in the Caribbean Sea. It has a territorial extension of 916,445 km2 (353,841 sq mi), and the population of Venezuela was estimated at 28 million in 2019. The capital and largest urban agglomeration is the city of Caracas.

Source: Objaverse 1.0 / Sketchfab