cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dance-ouc13008809
title: On stripping the bark from myself, 1996-05-17

description: The premiere of "On Stripping the Bark from Myself" at Loyola Marymount University's Strub Theatre by Donna Sternberg and Dancers. Insprired by Alice Walker's poem by the same name, 1996 May 17. The program includes world music, poetry, and modern dance to demonstrate a woman's search for identity.
DOI: 10.25549/dance-ouc13008736
title: Dances inspired by art, 1997-05-10

description: Concert performance by Donna Sternberg and Dancers, showcasing dances inspired by art, 1997 May 10. "Emily Carr: Paintings in Motion" by Donna Sternberg and Dancers. Emily Carr (1871-1945) is the foremost female artists from British Columbia, Canada. Premiered in the show "Dances Inspired by Art," which took place at Loyola Marymount University's Strub Theatre on 1997 May 10. "Fractured" by Donna Sternberg and Dancers. Premiered in the show "Dances Inspired by Art," which took place at Loyola Marymount University's Strub Theatre on 1997 May 10.
DOI: 10.25549/dancestry-c105-1278
title: Heidi Duckler, my Beowulf project, 2006; 2007

description: "How to Read Beowulf" was the first section to be workshopped of the CDT’s My Beowulf project. This installment, presented in a mock lecture format, represents the preface of the Old English poem, and depicts schoolgirls confronting an old professor. Written by Merridawn Duckler, 2006. The "Beowulf on the Couch" module of the My Beowulf project represents the contemporary Beowulf translator’s notes and puts the poem “on the couch” for the artist to gaze into the text and see her own reflection. The audience is invited on stage for a “keyhole” view of this therapy session. This piece was first workshopped at a storefront space in Hollywood, and was later selected as part of REDCAT’s 2007 NOWFestival. Text and voiceover by Merridawn Duckler, 2006. "Beowulf on Ice" was performed at a community ice rink. It used this site and the specific conditions of an icy ground to create a work based on the battle between Grendel and Beowulf. Grendel’s mother is played by a Zamboni and the audience enjoyed an all-skate following the performance.This piece was made into a short film in collaboration with filmmaker George Langworthy and Merridawn Duckler, 2007.
DOI: 10.25549/dancestry-c105-1290
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-1284
title: Locker rumors, performance and rehearsal, 1999-03-28; 1999-04-30; 1999-05-01

description: Set in a school locker room, Locker Rumors explores adolescent friendships, shared secrets, teenage strategies and relationships. Bob Fernandez’ musical score makes use of locks, metal lockers and water in shower stalls. Performed at Valley College in Van Nuys, California, and Culver City High School in Culver City, California, 1999 April 30.
DOI: 10.25549/dance-ouc13013459
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc13012959
title: Legendary California choreographers, 1998-03-21; 1998-03-22

description: "Legendary California Choreographers" was a concert event that took place on 1998 March 21 and 22 at the UCLA Center for the Performing Arts. The program was dedicated to the choreographers who inspired and enriched the art form, and were based in California for a period in their career. The event was funded in part by the City of Los Angeles, Department of Cultural Affairs, Howard Gilman Foundation, Frederick Dahlquist & Patricia Lambert, Carole & Barry Hirsch, and Joseph A. Tucker Jr. The following pieces are presented in this concert footage: 1) "Incense," (1906) choreography and costume by Ruth St. Denis, with music bhy Harvey Loomis, reconstructed by Karoun Tootikian, constume reconstructed by Milly Colahan, and restaging performed by Nancy Colahan, 2) "Two Ecstatic Themes: A. Circular descent and B. Pointed ascent," (1931) choreography and costume by Doris Humphrey, music by Metner and Melipiero, directed by Ernestine Stodelle in arrangement with Dance Notation Bureau and restaging performed by Risa Steinberg, 3) "On My Mother's Side: Great Grandfather Walcott, Great Grandfather Hoffman, Grandmother Hoffman, Grandfather Hoffman, Aunt Jessie, Sonny," (1939) choreography by Charles Weidman, restaged and directed by Peter Hamilton, music by Lionel Nowak, played by Lynn Haesseler, text by Billy Archibald, narrated by Don Liberto, costume by James Berton Harris, after Pauline Lawrence, researched and performed by Douglas Nielsen, 4) "Michio Ito Suite," choreography and costume by Michio Ito, restaging directed by Taeko Furusho, costumes reconstructed by Roslyn Moore. This suite included the following pieces: "Symphonic Etudes," (1928) performed to Schmann's "Symphonic Etudes, op 13, Var. II", "Prayer" performed by Janet Eilber, and "Greek Warrior" performed by Nancy Colahan, "Pizzicati, (1916) performed to Delibes' "Pizzicati from Sylvia", performed by Risa Steinberg, "Tango," (1927) performed to "Tango in D" by Isaac Albeniz, performed by Bonnie Oda Homsey, and "Tone Poem I and II," (1928) performed to music by Kosaku Yamada's "Tone #1 and Tone #8", performed by Nancy Colahan and Janet Eilber. 5) "The Antenna Bird, A Figment of Natural Science," (1956) recreated from choreography by Eve Gentry by Michele Larsson assisted by Nancy Colahan, music for this recreation by Michael Dotolo and Joseph Weber, costume recreated by Milly Colahan, recreation performed by Nancy Colahan, 6) "Evocation," (1953) recreated from choreography by Carmelita Maracci, music by Isaac Albeniz, reconstruction premiere for Los Angeles Dance Theater by Victoria Koenig, 1998 March, guest pianist Althea Waites, researched and performed by Victoria Koenig, 7) "Debut at the Opera," (recreation premiere by Los Angeles Dance Theater, 1995 February), recreation based on notes by Agnes de Mille, music from Delibes' Coppelia, scored by Allen Krantz, costume reconstructed by George Bergeron, researched and performed by Janet Eilber.
DOI: 10.25549/dance-ouc1512559
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716715
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716705
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716660
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716680
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716662
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc112716608
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.