cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10323820
title: The Parade Armour of King Erik XIV of Sweden

description: This magnificent armour made [King Erik XIV](https://bit.ly/2XHLbZ0) of Sweden look imposingly triumphant. In true renaissance spirit, the motifs on the armour were borrowed from ancient myths, the characteristics of which lent themselves perfectly to the Swedish history and national symbols of that time.

The armour was probably made in [Arboga](https://bit.ly/2FQKrGy), Sweden, around 1562, from where it was sent to Antwerp in Belgium to be decorated by the goldsmith Elisaeus Libaerts. The opaque gilt ornamentation has been [repousséd](https://bit.ly/2xuxmy0) from the back and chased from the front. 

Perhaps the armour was worn by King Erik XIV on 2 October 1564 when, following a military campaign in [Blekinge](https://bit.ly/2KUVNNQ) in the South of Swedan, he returned to Stockholm with his military entourage. Whilst winding its way through the streets of Stockholm, the procession was showcasing chained prisoners of war from Denmark, a motif that can also be found on the armour.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323821
title: The Parade Armour of King Erik XIV of Sweden

description: This magnificent armour made [King Erik XIV](https://bit.ly/2XHLbZ0) of Sweden look imposingly triumphant. In true renaissance spirit, the motifs on the armour were borrowed from ancient myths, the characteristics of which lent themselves perfectly to the Swedish history and national symbols of that time.

The armour was probably made in [Arboga](https://bit.ly/2FQKrGy), Sweden, around 1562, from where it was sent to Antwerp in Belgium to be decorated by the goldsmith Elisaeus Libaerts. The opaque gilt ornamentation has been [repousséd](https://bit.ly/2xuxmy0) from the back and chased from the front. 

Perhaps the armour was worn by King Erik XIV on 2 October 1564 when, following a military campaign in [Blekinge](https://bit.ly/2KUVNNQ) in the South of Swedan, he returned to Stockholm with his military entourage. Whilst winding its way through the streets of Stockholm, the procession was showcasing chained prisoners of war from Denmark, a motif that can also be found on the armour.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323822
title: Notre Dame crowdsourced photogrammetry

description: Notre Dame crowdsourced photo/video photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323823
title: Notre Dame crowdsourced photogrammetry

description: Notre Dame crowdsourced photo/video photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323824
title: Virgin standing at the Child

description: Virgin standing at the Child, North of the Rhine region, circa 1480-1490, oak. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReCap Pro from Autodesk.

The Virgin raises the Child to present him to the believers. The more lively attitude of the Child and the dynamic pleating of the clothes are characteristic of the late Gothic style.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323825
title: Virgin standing at the Child

description: Virgin standing at the Child, North of the Rhine region, circa 1480-1490, oak. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReCap Pro from Autodesk.

The Virgin raises the Child to present him to the believers. The more lively attitude of the Child and the dynamic pleating of the clothes are characteristic of the late Gothic style.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323827
title: Book Free 3D Game Asset

description: Book Free 3D Model For Games and Animation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323826
title: Book Free 3D Game Asset

description: Book Free 3D Model For Games and Animation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323828
title: A stump in Mochizuri Kan'non Temple/ 文知摺観音境内の切り株

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323829
title: A stump in Mochizuri Kan'non Temple/ 文知摺観音境内の切り株

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323830
title: Diorama Camio Miquel

description: Diorama de un excavación para la clase de 3Dmax.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323831
title: Diorama Camio Miquel

description: Diorama de un excavación para la clase de 3Dmax.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323832
title: Mudbrick watchtower in Al Khashaba

description: One of the four mudbrick watchtowers in the oasis of Al Khashabah in the Sultanate of Oman. The towers are all highly endangered by erosion and disregard. The site was documented within an aerial survey by the eScience-Center of the University of Tübingen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323833
title: Mudbrick watchtower in Al Khashaba

description: One of the four mudbrick watchtowers in the oasis of Al Khashabah in the Sultanate of Oman. The towers are all highly endangered by erosion and disregard. The site was documented within an aerial survey by the eScience-Center of the University of Tübingen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323834
title: Early Bronze Age House, Links of Noltland

description: Early bronze age house discovered during testing at the Links of Noltland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323835
title: Early Bronze Age House, Links of Noltland

description: Early bronze age house discovered during testing at the Links of Noltland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323838
title: 156680 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156680.nosub[1]
Description: cylinder seal
Notes: two seated human figures facing each other, between them another standing. Each had one arm raised.
Materials: stone; serpentine
Time Period: Sumero-Akkadian
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: X-419
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq, Excavations at Kish, Iraq

https://collections-anthropology.fieldmuseum.org/catalogue/1059319

Photography: JP Brown 
Image generation: Olivia
Metashape Pro: Olivia
Meshlab 2016.12: Olivia
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323839
title: 156680 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156680.nosub[1]
Description: cylinder seal
Notes: two seated human figures facing each other, between them another standing. Each had one arm raised.
Materials: stone; serpentine
Time Period: Sumero-Akkadian
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: X-419
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq, Excavations at Kish, Iraq

https://collections-anthropology.fieldmuseum.org/catalogue/1059319

Photography: JP Brown 
Image generation: Olivia
Metashape Pro: Olivia
Meshlab 2016.12: Olivia
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323840
title: 1K62

description: 3d model 1K62

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323841
title: 1K62

description: 3d model 1K62

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323843
title: Wooden Mask

description: A carved wooden mask from northern Mexico.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323842
title: Wooden Mask

description: A carved wooden mask from northern Mexico.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323844
title: Magpie Mine Square Chimney

description: Magpie Mine (Derbyshire, UK) was the last working lead mine in the Peak District. It is probably the best surviving example of a 19th century lead mine in the UK. 

The Square Chimney is one of the oldest structures on the site, and was originally built in 1840 to serve a steam-powered winding engine.

The extensive surface remains have been managed by the Peak District Mines Historical Society since 1962.

https://pdmhs.co.uk/magpie-mine-peak-district/

The model was created from 75 aerial photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323845
title: Magpie Mine Square Chimney

description: Magpie Mine (Derbyshire, UK) was the last working lead mine in the Peak District. It is probably the best surviving example of a 19th century lead mine in the UK. 

The Square Chimney is one of the oldest structures on the site, and was originally built in 1840 to serve a steam-powered winding engine.

The extensive surface remains have been managed by the Peak District Mines Historical Society since 1962.

https://pdmhs.co.uk/magpie-mine-peak-district/

The model was created from 75 aerial photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323846
title: Africa Statue

description: 1900.32.0213[http://kulturarvsdata.se/SMVK-EM/objekt/html/1937716]
Gudabild snidad i trä, bestående av två figurer, den ena stående på den andres huvud. Gaboon.
"En 135 cm hög snidad och målad träskulptur...utförd i en okonventionell stil...Den nutida staten Republiken Gabon fanns inte i slutet av 1800-talet och tidigare erfarenheter säger att termen användes i museisammanhang för ett stort och inte så noga avgränsat område i västra Centralafrika, söder om Biafrabukten (dagens Nigeria och Kamerun) och norr om Kongofloden. Föremålets proveniens är med andra ord inte särskilt väl dokumenterat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323847
title: Africa Statue

description: 1900.32.0213[http://kulturarvsdata.se/SMVK-EM/objekt/html/1937716]
Gudabild snidad i trä, bestående av två figurer, den ena stående på den andres huvud. Gaboon.
"En 135 cm hög snidad och målad träskulptur...utförd i en okonventionell stil...Den nutida staten Republiken Gabon fanns inte i slutet av 1800-talet och tidigare erfarenheter säger att termen användes i museisammanhang för ett stort och inte så noga avgränsat område i västra Centralafrika, söder om Biafrabukten (dagens Nigeria och Kamerun) och norr om Kongofloden. Föremålets proveniens är med andra ord inte särskilt väl dokumenterat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323848
title: Josef Labor

description: Joseph Labor memorial in Vienna. The stone bust on a pedestal from 1928 was made by Fritz Hänlein. 

Josef Labor (1842-1924) was an Austrian composer, organist and pianist. At the age of 3 he fell ill with smallpox and went blind as a result. He received his schooling at the Institute for the Blind in Vienna, and his musical education took place at the Music Conservatory of the Gesellschaft der Musikfreunde. His piano playing has been praised by contemporary critics for its not only technical perfection and "plastic beauty", but also his comprehensive understanding of art.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323849
title: Josef Labor

description: Joseph Labor memorial in Vienna. The stone bust on a pedestal from 1928 was made by Fritz Hänlein. 

Josef Labor (1842-1924) was an Austrian composer, organist and pianist. At the age of 3 he fell ill with smallpox and went blind as a result. He received his schooling at the Institute for the Blind in Vienna, and his musical education took place at the Music Conservatory of the Gesellschaft der Musikfreunde. His piano playing has been praised by contemporary critics for its not only technical perfection and "plastic beauty", but also his comprehensive understanding of art.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323850
title: NPMP vault

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5283/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323851
title: NPMP vault

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5283/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323852
title: Saint Zoilo abbey's coat of arms

description: ![](https://4.bp.blogspot.com/-h4HGzUKTHDA/WGYwRxiaZ2I/AAAAAAAAcQM/YtVp9SH_jRAV4EmeB1sNuHtmOG8WRjLpwCEw/s1600/33.JPG)
Coat of arms of the abbey, placed at 9 meters height in the apse, right of the high altar, flankening the tomb of the re-foundress, Count Teresa.
_______________________________________________

Escudo de la abadía de San Zoilo, situado a 9 metros de altura en el ábside, a la derecha del altar mayor, flanqueando la tumba de la fundadora, la Condesa Doña Teresa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323853
title: Saint Zoilo abbey's coat of arms

description: ![](https://4.bp.blogspot.com/-h4HGzUKTHDA/WGYwRxiaZ2I/AAAAAAAAcQM/YtVp9SH_jRAV4EmeB1sNuHtmOG8WRjLpwCEw/s1600/33.JPG)
Coat of arms of the abbey, placed at 9 meters height in the apse, right of the high altar, flankening the tomb of the re-foundress, Count Teresa.
_______________________________________________

Escudo de la abadía de San Zoilo, situado a 9 metros de altura en el ábside, a la derecha del altar mayor, flanqueando la tumba de la fundadora, la Condesa Doña Teresa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323854
title: Butterflies - Collection of Stanisław Batkowski

description: Butterflies from the collection of Stanisław Batkowski

Stanisław Batkowski (1907–1991) was an employee of the Polish Cable Railways in Zakopane, an electrician-mechanic by education, and a natural scientist and entomologist by passion. 

During 1962–1988, he donated the largest currently known collection of butterflies from the Tatra, Podhale and Pieniny areas to the Tatra Museum – it contains over 28,000 specimens. It is also the largest collection kept in the Zakopane museum. The presented showcase number one contains 60 butterflies represented by 5 species. Their wingspan, depending on the species, ranges from 5 to 8 cm.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/1827

Inventory number: Z/620/MT

Localisation of the physical object: Tatra Museum in Zakopane, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" Project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323855
title: Butterflies - Collection of Stanisław Batkowski

description: Butterflies from the collection of Stanisław Batkowski

Stanisław Batkowski (1907–1991) was an employee of the Polish Cable Railways in Zakopane, an electrician-mechanic by education, and a natural scientist and entomologist by passion. 

During 1962–1988, he donated the largest currently known collection of butterflies from the Tatra, Podhale and Pieniny areas to the Tatra Museum – it contains over 28,000 specimens. It is also the largest collection kept in the Zakopane museum. The presented showcase number one contains 60 butterflies represented by 5 species. Their wingspan, depending on the species, ranges from 5 to 8 cm.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/1827

Inventory number: Z/620/MT

Localisation of the physical object: Tatra Museum in Zakopane, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" Project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323856
title: NMB&H, Bronze Age pottery

description: "Ceramic vessel with high neck and one handle. Height 16 cm. National Museum BiH Bronze Age From the site of  Late Bronze Age. . Artifact in the 11th-9th c. BCE. Processed in Reality Capture from 373 images. GDH ID No. 19501

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323857
title: NMB&H, Bronze Age pottery

description: "Ceramic vessel with high neck and one handle. Height 16 cm. National Museum BiH Bronze Age From the site of  Late Bronze Age. . Artifact in the 11th-9th c. BCE. Processed in Reality Capture from 373 images. GDH ID No. 19501

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323858
title: Bloco de Riolito (Bloco 2)

description: Sítio Rio Ipanema - Bloco de riolito com marcas de lascamento (negativos de percussão bipolar)

Programa de Gestão do Patrimônio Arqueológico - A LASCA Arqueologia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323859
title: Bloco de Riolito (Bloco 2)

description: Sítio Rio Ipanema - Bloco de riolito com marcas de lascamento (negativos de percussão bipolar)

Programa de Gestão do Patrimônio Arqueológico - A LASCA Arqueologia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323861
title: Barningham Moor 6 (Nov 2006)

description: Ground level boulder found 5 metres W of Woodclose Gill in the Scale Knoll Allotment area of Barningham Moor, County Durham. 

This elongated panel is a scheduled monument and referenced 13a in Beckensall & Laurie's 1998 publication, 'Prehistoric Rock Art of County Durham, Swaledale and Wensleydale'. It was added to ERA by NADRAP in 2008 as 'Barningham Moor 6'. Design consists of cups enclosed by grooves and a cup with an irregular ring. Tooling marks can still be seen in some of the motifs. The cup and ring towards the west is usually turf covered and is in a particularly good state of preservation. Presumably, it went to ground shortly after being carved. 

ERA record: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=805

Historic England scheduling: https://historicengland.org.uk/listing/the-list/list-entry/1017417

Model created from 2 stereo pairs captured by NADRAP Team 5 in November 2006. The imagery forms part of the full NADRAP archive deposited with Historic England.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323860
title: Barningham Moor 6 (Nov 2006)

description: Ground level boulder found 5 metres W of Woodclose Gill in the Scale Knoll Allotment area of Barningham Moor, County Durham. 

This elongated panel is a scheduled monument and referenced 13a in Beckensall & Laurie's 1998 publication, 'Prehistoric Rock Art of County Durham, Swaledale and Wensleydale'. It was added to ERA by NADRAP in 2008 as 'Barningham Moor 6'. Design consists of cups enclosed by grooves and a cup with an irregular ring. Tooling marks can still be seen in some of the motifs. The cup and ring towards the west is usually turf covered and is in a particularly good state of preservation. Presumably, it went to ground shortly after being carved. 

ERA record: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=805

Historic England scheduling: https://historicengland.org.uk/listing/the-list/list-entry/1017417

Model created from 2 stereo pairs captured by NADRAP Team 5 in November 2006. The imagery forms part of the full NADRAP archive deposited with Historic England.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323862
title: Pietat, Museu Frederic Marès

description: **CAT** Escultura de terracota policromada realitzada per l'escultor renaixentista Juan de Juni (Joigny [?], cap al 1507 – Valladolid, 1577). Es tracta d'una imatge d'oratori de petit format.

**ES** Escultura de terracota policromada realizada por el escultor renacentista Juan de Juni (Joigny [?], hacia 1507 - Valladolid, 1577). Se trata de una imagen de oratorio de pequeño formato.

**EN** Polychromed terracotta sculpture by Renaissance sculptor Juan de Juni (Joigny [?], 1507 approx. - Valladolid, 1577). This is a small piece for use during prayer.

Número de registre: MFM 1383. [Adreça web >](https://cataleg.museumares.bcn.cat/fitxa/seccio_escultura/H304034/?resultsetnav=615584eb92d54)

Model: Jaime Salguero. Text: Museu Frederic Marès

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323863
title: Pietat, Museu Frederic Marès

description: **CAT** Escultura de terracota policromada realitzada per l'escultor renaixentista Juan de Juni (Joigny [?], cap al 1507 – Valladolid, 1577). Es tracta d'una imatge d'oratori de petit format.

**ES** Escultura de terracota policromada realizada por el escultor renacentista Juan de Juni (Joigny [?], hacia 1507 - Valladolid, 1577). Se trata de una imagen de oratorio de pequeño formato.

**EN** Polychromed terracotta sculpture by Renaissance sculptor Juan de Juni (Joigny [?], 1507 approx. - Valladolid, 1577). This is a small piece for use during prayer.

Número de registre: MFM 1383. [Adreça web >](https://cataleg.museumares.bcn.cat/fitxa/seccio_escultura/H304034/?resultsetnav=615584eb92d54)

Model: Jaime Salguero. Text: Museu Frederic Marès

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323864
title: Marrick High and Low Smelt Mills and Peathouses

description: Marrick High and Low Smelt Mills and Peathouses in Swaledale.
https://historicengland.org.uk/listing/the-list/list-entry/1015824
3D LIDAR model processing: Many thanks to @jost_hobic, Cotswold Archaeology and @M_J_Gill, Avon Valley Archaeology Society. 
Procedure further modified by Stephen Eastmead (@spe_ny), webmaster'@'altogetherarchaeology.org

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323865
title: Marrick High and Low Smelt Mills and Peathouses

description: Marrick High and Low Smelt Mills and Peathouses in Swaledale.
https://historicengland.org.uk/listing/the-list/list-entry/1015824
3D LIDAR model processing: Many thanks to @jost_hobic, Cotswold Archaeology and @M_J_Gill, Avon Valley Archaeology Society. 
Procedure further modified by Stephen Eastmead (@spe_ny), webmaster'@'altogetherarchaeology.org

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323868
title: Petroglyph H14, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H14, Khatm Al Melaha, Kalba, Sharjah. Unusual anthropomorphc figure. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab