cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10422395
title: Cairn 2, Linjaharju, Pori, Finland

description: Iron age (from 500 AD to 1200 AD in Finland) burial cairn 2 in Linjaharju, Pori, Finland. Exact dating 300 AD - 600 AD is based on post-glacial rebound. The cairn is built around a heart stone. Diameter is 8 meters and height 0,6 meters. The cairn was excavate at 1968. There were no findings.

There are total 6 burial cairns in the site. All cairns are aligned at the top of esker at a distance of 200 meters.

Other models from the same site:

* [Cairn 1](https://skfb.ly/o6xUR)
* [Cairn 4](https://skfb.ly/o6xVG)
* [Cairn 5](https://skfb.ly/o6xVN)
* [Cairn 6](https://skfb.ly/o6xVX)

More info:

* [Location in Google Maps](https://goo.gl/maps/4zdqcN8ASPz9mTRu9)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.609010001)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422396
title: Cairn 2, Linjaharju, Pori, Finland

description: Iron age (from 500 AD to 1200 AD in Finland) burial cairn 2 in Linjaharju, Pori, Finland. Exact dating 300 AD - 600 AD is based on post-glacial rebound. The cairn is built around a heart stone. Diameter is 8 meters and height 0,6 meters. The cairn was excavate at 1968. There were no findings.

There are total 6 burial cairns in the site. All cairns are aligned at the top of esker at a distance of 200 meters.

Other models from the same site:

* [Cairn 1](https://skfb.ly/o6xUR)
* [Cairn 4](https://skfb.ly/o6xVG)
* [Cairn 5](https://skfb.ly/o6xVN)
* [Cairn 6](https://skfb.ly/o6xVX)

More info:

* [Location in Google Maps](https://goo.gl/maps/4zdqcN8ASPz9mTRu9)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.609010001)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422397
title: Half-Life: Crowbar

description: The Crowbar is an iconic melee weapon and the signature weapon of Gordon Freeman. It is the first weapon acquired in Half-Life, serving as a signature melee weapon and a tool for puzzles. The crowbar is also used as a tool for breaking open supply crates and clearing destructible obstacles. The main melee weapon in the Half-Life story arc and the only melee weapon in the Half-Life 2 story arc, it is widely considered the iconic weapon of the Half-Life series, perhaps almost as famous as Gordon Freeman himself when referring to Half-Life.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422398
title: Half-Life: Crowbar

description: The Crowbar is an iconic melee weapon and the signature weapon of Gordon Freeman. It is the first weapon acquired in Half-Life, serving as a signature melee weapon and a tool for puzzles. The crowbar is also used as a tool for breaking open supply crates and clearing destructible obstacles. The main melee weapon in the Half-Life story arc and the only melee weapon in the Half-Life 2 story arc, it is widely considered the iconic weapon of the Half-Life series, perhaps almost as famous as Gordon Freeman himself when referring to Half-Life.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422399
title: Wmid-094712 - Roman trumpet brooch

description: An incomplete copper alloy Trumpet style brooch, of Roman (75 to 175 AD) dating.

Approximately 50% of the brooch is present, with the pin and spring missing and an incomplete catch plate, presumed lost in antiquity. The rest of the brooch is intact. 

The head of the brooch is oval in plan, and tapers into the bow. The reverse of the head is concave. A vertical bar is present in the reverse of the head, with an incomplete circular hole for the axis bar (infilled with iron corrosion products). There is no evidence of a head loop or plate. The bow of the brooch is D shaped in cross section. Symmetrical Curvilinear decoration is present on the head of the brooch.

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1057911

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422400
title: Wmid-094712 - Roman trumpet brooch

description: An incomplete copper alloy Trumpet style brooch, of Roman (75 to 175 AD) dating.

Approximately 50% of the brooch is present, with the pin and spring missing and an incomplete catch plate, presumed lost in antiquity. The rest of the brooch is intact. 

The head of the brooch is oval in plan, and tapers into the bow. The reverse of the head is concave. A vertical bar is present in the reverse of the head, with an incomplete circular hole for the axis bar (infilled with iron corrosion products). There is no evidence of a head loop or plate. The bow of the brooch is D shaped in cross section. Symmetrical Curvilinear decoration is present on the head of the brooch.

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1057911

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422401
title: Stone relief showing mother and child

description: Stone relief showing mother and child

Maker(s) &
Production:
Unknown, Syria, palmyra

Production
Note:
carved & inscribed

Category:
funerary equipment

Name:
grave relief

Date:
101 — 200

Period:
Middle Roman

Description:
mother and child, from funerary monument

Find Spot:
Palmyra Syria

Material:
limestone

Dimension(s):
height, 0.57, m
width, relief, 0.162, m

Acquisition:
bought; 1888; Robertson-Smith, William, Professor

Documentation:
Woudhuysen, P.. 1982. Treasures of the Fitzwilliam Museum.Cambridge (Cambs.): Pevensey Pressp. 204

Budde, Ludwig. Nicholls, Richard V.. 1967. Catalogue of the Greek and Roman sculpture in the Fitzwilliam Museum, Cambridge.
no. 139, pl. 46

Accession:
Object Number: GR.9.1888
(Antiquities)
(record id: 66176; input: 2003-03-25; modified: 2012-05-16)

Permanent
Identifier:
http://data.fitzmuseum.cam.ac.uk/id/object/66176

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422402
title: Stone relief showing mother and child

description: Stone relief showing mother and child

Maker(s) &
Production:
Unknown, Syria, palmyra

Production
Note:
carved & inscribed

Category:
funerary equipment

Name:
grave relief

Date:
101 — 200

Period:
Middle Roman

Description:
mother and child, from funerary monument

Find Spot:
Palmyra Syria

Material:
limestone

Dimension(s):
height, 0.57, m
width, relief, 0.162, m

Acquisition:
bought; 1888; Robertson-Smith, William, Professor

Documentation:
Woudhuysen, P.. 1982. Treasures of the Fitzwilliam Museum.Cambridge (Cambs.): Pevensey Pressp. 204

Budde, Ludwig. Nicholls, Richard V.. 1967. Catalogue of the Greek and Roman sculpture in the Fitzwilliam Museum, Cambridge.
no. 139, pl. 46

Accession:
Object Number: GR.9.1888
(Antiquities)
(record id: 66176; input: 2003-03-25; modified: 2012-05-16)

Permanent
Identifier:
http://data.fitzmuseum.cam.ac.uk/id/object/66176

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422403
title: Malzschaufel

description: Malzschaufel aus der Oberpfalz, Bayern, Deutschland
Sammlung Freilandmuseum Oberpfalz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422404
title: Malzschaufel

description: Malzschaufel aus der Oberpfalz, Bayern, Deutschland
Sammlung Freilandmuseum Oberpfalz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422405
title: 32 Bord toegewijd aan Catharina & Agatha

description: * Object: Bord
* Materiaal: Keramiek
* Afmeting:
* Datering: 1ste helft 16e eeuw
* Vindplaats:
* Beschrijving: aardewerk, rood, lokaal/onbekend, bord, 3 vinvoeten, slibversiering, geel wiel van Catharina, loodglazuur
* ExemplaarNr: HTVH.00478KERe0006
* InventarisNr: 16388




https://nl.wikipedia.org/wiki/Catharina_van_Alexandri%C3%AB
https://nl.wikipedia.org/wiki/Agatha_van_Sicili%C3%AB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422406
title: 32 Bord toegewijd aan Catharina & Agatha

description: * Object: Bord
* Materiaal: Keramiek
* Afmeting:
* Datering: 1ste helft 16e eeuw
* Vindplaats:
* Beschrijving: aardewerk, rood, lokaal/onbekend, bord, 3 vinvoeten, slibversiering, geel wiel van Catharina, loodglazuur
* ExemplaarNr: HTVH.00478KERe0006
* InventarisNr: 16388




https://nl.wikipedia.org/wiki/Catharina_van_Alexandri%C3%AB
https://nl.wikipedia.org/wiki/Agatha_van_Sicili%C3%AB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422407
title: De l'aire a l'aire. Museu d'Art Jaume Morera

description: **CAT** Escultura d'alumini i metall sobre base de fusta de l'escultor Leandre Cristòfol, creada el 1933. Adquirida per l'Ajuntament de Lleida el 1982, va integrar-se a les col·leccions del Museu d'Art Jaume Morera a partir del 2005.

**ES** Escultura de aluminio y metal sobre base madera del escultor Leandre Cristòfol, creada en 1933. Adquirida por el Ayuntamiento de Lleida en 1982, se integró en las colecciones del Museo de Arte Jaume Morera a partir de 2005.

**EN** Aluminium and metal sculpture on a wooden base created by sculptor Leandre Cristòfol in 1933. Acquired by the Lleida City Council in 1982, it was added to the collection of the Jaume Morera Art Museum in 2005.

Número de registre: MALL 1967. [Adreça web >](https://mmorera.paeria.cat)

Model: Aleix Barberà. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422408
title: De l'aire a l'aire. Museu d'Art Jaume Morera

description: **CAT** Escultura d'alumini i metall sobre base de fusta de l'escultor Leandre Cristòfol, creada el 1933. Adquirida per l'Ajuntament de Lleida el 1982, va integrar-se a les col·leccions del Museu d'Art Jaume Morera a partir del 2005.

**ES** Escultura de aluminio y metal sobre base madera del escultor Leandre Cristòfol, creada en 1933. Adquirida por el Ayuntamiento de Lleida en 1982, se integró en las colecciones del Museo de Arte Jaume Morera a partir de 2005.

**EN** Aluminium and metal sculpture on a wooden base created by sculptor Leandre Cristòfol in 1933. Acquired by the Lleida City Council in 1982, it was added to the collection of the Jaume Morera Art Museum in 2005.

Número de registre: MALL 1967. [Adreça web >](https://mmorera.paeria.cat)

Model: Aleix Barberà. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422409
title: Pink Rock Garden

description: A pink rock garden inspired by Japanese rock gardens and the stylistic themes of Animal Crossing. The diarama features 4 grass variants, 3 plant variants, a sakura tree, rocks and pond on a plant bed.
Ocean shader didn't export well - somewhat missing texture :(

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422410
title: Pink Rock Garden

description: A pink rock garden inspired by Japanese rock gardens and the stylistic themes of Animal Crossing. The diarama features 4 grass variants, 3 plant variants, a sakura tree, rocks and pond on a plant bed.
Ocean shader didn't export well - somewhat missing texture :(

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422413
title: Pomocnicza łódź rybacka (CHA-11)

description: **Pomocnicza łódź rybacka (CHA-11)**

**Nr inw.:** 773-1/1

**Wymiary:** wysokość 0,707 m, szerokość 1,653 m, długość 4,900 m 

**Tworzywo:** drewno dębowe, metal

**Okres powstania: **1956

**Opis:** Łódź pomocnicza zbudowana przez Franciszka Hintzke z Chłapowa. Jej właścicielem i użytkownikiem był Roman Struck. Przykład przybrzeżnej łodzi bezpokładowej, bezmieczowej, poruszanej wiosłami i żaglem rejowym, stosowanej na płytkim akwenie wewnętrznej Zatoki Puckiej w okolicach Chałup. Zaliczano ją do grupy łodzi wiosłowo żaglowych określanych wspólnym mianem bôt. Jej cechy charakterystyczne to: poszycie na zakładkę, płaska klepka stępkowa (tzw. czilplónka), nieznacznie zaokrąglona stewa dziobowa i prosta rufowa. Wyposażona pierwotnie w żagiel rejowy. 

Zdigitalizowano w ramach WPR Kultura+ (priorytet Digitalizacja).

https://kolekcje.nmm.pl/Home/Details/570-pomocnicza-lodz-rybacka-cha-11

Dokumentacja 3D łodzi po renowacji: https://skfb.ly/6HNDv

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422414
title: Pomocnicza łódź rybacka (CHA-11)

description: **Pomocnicza łódź rybacka (CHA-11)**

**Nr inw.:** 773-1/1

**Wymiary:** wysokość 0,707 m, szerokość 1,653 m, długość 4,900 m 

**Tworzywo:** drewno dębowe, metal

**Okres powstania: **1956

**Opis:** Łódź pomocnicza zbudowana przez Franciszka Hintzke z Chłapowa. Jej właścicielem i użytkownikiem był Roman Struck. Przykład przybrzeżnej łodzi bezpokładowej, bezmieczowej, poruszanej wiosłami i żaglem rejowym, stosowanej na płytkim akwenie wewnętrznej Zatoki Puckiej w okolicach Chałup. Zaliczano ją do grupy łodzi wiosłowo żaglowych określanych wspólnym mianem bôt. Jej cechy charakterystyczne to: poszycie na zakładkę, płaska klepka stępkowa (tzw. czilplónka), nieznacznie zaokrąglona stewa dziobowa i prosta rufowa. Wyposażona pierwotnie w żagiel rejowy. 

Zdigitalizowano w ramach WPR Kultura+ (priorytet Digitalizacja).

https://kolekcje.nmm.pl/Home/Details/570-pomocnicza-lodz-rybacka-cha-11

Dokumentacja 3D łodzi po renowacji: https://skfb.ly/6HNDv

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422415
title: WW1 shelter room, Mäkkylä, Espoo, Finland

description: First World War shelter room in base XXVII:13 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Mäkkylä, Espoo, Finland. The base was built in 1915 - 1918.

The whole base contains:

* 165 meters of trench
* 1 machine gun position
* 4 observation positions
* 2 search light positions
* 5 shelter rooms

More info:

* [Location in Google Maps](https://goo.gl/maps/xQdhNSZnjiEPRejU8)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000007743) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422416
title: WW1 shelter room, Mäkkylä, Espoo, Finland

description: First World War shelter room in base XXVII:13 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Mäkkylä, Espoo, Finland. The base was built in 1915 - 1918.

The whole base contains:

* 165 meters of trench
* 1 machine gun position
* 4 observation positions
* 2 search light positions
* 5 shelter rooms

More info:

* [Location in Google Maps](https://goo.gl/maps/xQdhNSZnjiEPRejU8)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000007743) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422421
title: Cromlech Cefnamwlch

description: Cromlech Cefnamwlch

[https://coflein.gov.uk/en/site/93509/](https://coflein.gov.uk/en/site/93509/)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422422
title: Cromlech Cefnamwlch

description: Cromlech Cefnamwlch

[https://coflein.gov.uk/en/site/93509/](https://coflein.gov.uk/en/site/93509/)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422425
title: Josef Brandstätter

description: Memorial plaque for Josef Brandstätter on the northern façade of St. Martin's Church in Klosterneuburg from 1927.

Josef Brandstätter was the founder of the Klosterneuburg Bell Committee, which in 1923 set itself the task of procuring a new set of bells for the church bells that had been melted down for weapons production during the First World War.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422426
title: Josef Brandstätter

description: Memorial plaque for Josef Brandstätter on the northern façade of St. Martin's Church in Klosterneuburg from 1927.

Josef Brandstätter was the founder of the Klosterneuburg Bell Committee, which in 1923 set itself the task of procuring a new set of bells for the church bells that had been melted down for weapons production during the First World War.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422429
title: Medieval Farm Village

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422430
title: Medieval Farm Village

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422431
title: Netsuke - Shoki capturing an oni

description: "Shoki capturing an oni with a hat," ivory netsuke, unknown Japanese artist, 19th C BCE.

This netsuke is 3.5x3.5x2.5cm (1 3/8 x 1 3/8 x 1") - scale in VR is set to about 35x35x25cm.

A little more information about the object here:
https://collections.artsmia.org/art/30519/shoki-capturing-an-oni-with-a-hat-japan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422432
title: Netsuke - Shoki capturing an oni

description: "Shoki capturing an oni with a hat," ivory netsuke, unknown Japanese artist, 19th C BCE.

This netsuke is 3.5x3.5x2.5cm (1 3/8 x 1 3/8 x 1") - scale in VR is set to about 35x35x25cm.

A little more information about the object here:
https://collections.artsmia.org/art/30519/shoki-capturing-an-oni-with-a-hat-japan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422434
title: Grabados Rupestres Risco Bisechi (1)

description: Panel de grabados rupestres perteneciente a la cultura indígena de Tenerife, , islas Canarias. Forma parte de un conjunto de paneles situados en el Bco. del Rey, término municipal de Adeje. Se encuentra parcialmente dañado por la acción descontrolada de desaprensivos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422433
title: Grabados Rupestres Risco Bisechi (1)

description: Panel de grabados rupestres perteneciente a la cultura indígena de Tenerife, , islas Canarias. Forma parte de un conjunto de paneles situados en el Bco. del Rey, término municipal de Adeje. Se encuentra parcialmente dañado por la acción descontrolada de desaprensivos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422436
title: 1-7501 Zapotec

description: The Zapotec are a culture from Oaxaca in southwest Mesoamerica. This figure is an example of a Zapotec Urn from the Classic Period (250-900 CE). They were often associated with tombs, holding things like food and drink. They vary in size form 10 cm to one meter. A typical characteristic of these figures are ear flares, portraying personhood, and identity. Many of the figures are made from a fine grey paste and have been found with a red coloring caused by cinnabar. Research into the figures has suggested that they have a connection with gods, ancestors, or the Zapotec calendar.  

Sellen, Adam T. "Research - Introduction to the Catalogue of Zapotec Effigy Vessels." FAMSI, www.famsi.org/research/zapotec/index.html.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422435
title: 1-7501 Zapotec

description: The Zapotec are a culture from Oaxaca in southwest Mesoamerica. This figure is an example of a Zapotec Urn from the Classic Period (250-900 CE). They were often associated with tombs, holding things like food and drink. They vary in size form 10 cm to one meter. A typical characteristic of these figures are ear flares, portraying personhood, and identity. Many of the figures are made from a fine grey paste and have been found with a red coloring caused by cinnabar. Research into the figures has suggested that they have a connection with gods, ancestors, or the Zapotec calendar.  

Sellen, Adam T. "Research - Introduction to the Catalogue of Zapotec Effigy Vessels." FAMSI, www.famsi.org/research/zapotec/index.html.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422437
title: HUCHA ANTIGUA

description: HUCHA ANTIGUA. Caja de madera reforzada que serviría en tiempos como hucha donde guardar los ahorros.
Se encuentra en el municipio de Pozalmuro (Soria)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422438
title: HUCHA ANTIGUA

description: HUCHA ANTIGUA. Caja de madera reforzada que serviría en tiempos como hucha donde guardar los ahorros.
Se encuentra en el municipio de Pozalmuro (Soria)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422439
title: The age of bronze

description: The Age of Bronze (1875-1876), made by Auguste Rodin (1840-1917), Nye Carlsberg Glyptotek (Copenhagen, Denmark). MAde with Memento Beta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422440
title: The age of bronze

description: The Age of Bronze (1875-1876), made by Auguste Rodin (1840-1917), Nye Carlsberg Glyptotek (Copenhagen, Denmark). MAde with Memento Beta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422441
title: Auckland North Shore 1980s

description: Photogrammetry model of Auckland's North Shore using aerial photos from 1987-1988, sourced from retrolens.nz . The software doesn't handle smooth areas like water too well, I've left  those glitchy areas on this model rather than trim them off. The settings I used seem to have exaggerated the vertical height a bit. 
My 3D model from photos generated with photogrammetry software 3DF Zephyr v5.019 processing 9 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422442
title: Auckland North Shore 1980s

description: Photogrammetry model of Auckland's North Shore using aerial photos from 1987-1988, sourced from retrolens.nz . The software doesn't handle smooth areas like water too well, I've left  those glitchy areas on this model rather than trim them off. The settings I used seem to have exaggerated the vertical height a bit. 
My 3D model from photos generated with photogrammetry software 3DF Zephyr v5.019 processing 9 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422443
title: model - Antorcha

description: Antorcha low poly textura stilizada

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422444
title: model - Antorcha

description: Antorcha low poly textura stilizada

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422446
title: Nykleus №30

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422445
title: Nykleus №30

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422447
title: Korovai Bird

description: The bird on the Ukrainian wedding bread (korovai) is found in pairs, and are formed from twisting a single piece of dough. The birds represent the marrying couple as well as their family and friends, and taking home parts of the bread can bring the well wishes baked into it to your own home. Please feel free to download a bird.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422448
title: Korovai Bird

description: The bird on the Ukrainian wedding bread (korovai) is found in pairs, and are formed from twisting a single piece of dough. The birds represent the marrying couple as well as their family and friends, and taking home parts of the bread can bring the well wishes baked into it to your own home. Please feel free to download a bird.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422449
title: FMAAP 2013 Logo

description: Credit to JuanTheMC154 for the model

Released: 21st February 2013

The searclights we're moving, the spotlights are spotting towards

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422450
title: FMAAP 2013 Logo

description: Credit to JuanTheMC154 for the model

Released: 21st February 2013

The searclights we're moving, the spotlights are spotting towards

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422451
title: Panel from King Nebuchadnezzar II's throne room

description: Originally from Babylon, Iraq, on loan to the British Museum, London, from the Vorderasiatisches Museum, Berlin.

More info:

http://blog.britishmuseum.org/2013/12/19/a-loan-from-berlin-a-lion-from-babylon/

http://www.smb.museum/museen-und-einrichtungen/vorderasiatisches-museum/home.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422452
title: Panel from King Nebuchadnezzar II's throne room

description: Originally from Babylon, Iraq, on loan to the British Museum, London, from the Vorderasiatisches Museum, Berlin.

More info:

http://blog.britishmuseum.org/2013/12/19/a-loan-from-berlin-a-lion-from-babylon/

http://www.smb.museum/museen-und-einrichtungen/vorderasiatisches-museum/home.html

Source: Objaverse 1.0 / Sketchfab