cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12906776.v1
title: The Habits of Artists - Inventory of Behaviours #1 (pilot), blip blip blip, Leeds, 2017

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity. Addison and Kidd employed the participatory methods tested in <i>Noticer</i> to design <i>Inventory of Behaviours</i>. In this series of events participants were invited to adopt more overtly performative roles in the collective endeavour of studying the patterns of behaviours of artists. This item contains a description of the pilot event, along with photographic documentation and a link to further details on the blip blip blip website. For the link see 'References' below. <br><b>Photographs courtesy of Jo Addison, Will Kendrick, and Harry Meadley.</b><b><br></b><b>Used with permission. </b><br>
DOI: 10.17870/bathspa.12906788
title: The Habits of Artists - Inventory of Behaviours #2 and #3, Tate Exchange, 2018 and 2019

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>Addison and Kidd employed the participatory methods tested in <i>Noticer</i> to design <i>Inventory of Behaviours</i>. In this series of events participants were invited to adopt more overtly performative roles in the collective endeavour of studying the patterns of behaviours of artists.<br><br><i>Inventory of Behaviours #2, </i>Tate Exchange, 19-22 June 2018.<i>Inventory of Behaviours #3, </i>Tate Exchange, 18-21 June 2019.<br>This item contains a description of the events along with photographic documentation and example instructions. This item also includes links to web press on the Tate website and information about the event from Freelands Foundation (for links see 'References' below). <br><b>Photographs courtesy of Jo Addison, Jennifer Cooper, and Raine Smith.</b><b><br></b><b>Used with permission.</b>
DOI: 10.17870/bathspa.12906788.v1
title: The Habits of Artists - Inventory of Behaviours #2 and #3, Tate Exchange, 2018 and 2019

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>Addison and Kidd employed the participatory methods tested in <i>Noticer</i> to design <i>Inventory of Behaviours</i>. In this series of events participants were invited to adopt more overtly performative roles in the collective endeavour of studying the patterns of behaviours of artists.<br><br><i>Inventory of Behaviours #2, </i>Tate Exchange, 19-22 June 2018.<i>Inventory of Behaviours #3, </i>Tate Exchange, 18-21 June 2019.<br>This item contains a description of the events along with photographic documentation and example instructions. This item also includes links to web press on the Tate website and information about the event from Freelands Foundation (for links see 'References' below). <br><b>Photographs courtesy of Jo Addison, Jennifer Cooper, and Raine Smith.</b><b><br></b><b>Used with permission.</b>
DOI: 10.17870/bathspa.12906797
title: The Habits of Artists - Inventory of Behaviours #4, Uniqlo Tate Lates, Tate Tanks, 2019

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>Addison and Kidd were commissioned to contribute to Uniqlo Tate Lates with their multi-platform, participatory work. Taking up residence for one evening in the South Tanks lobby, they welcomed 11,524 visitors to engage with the collected instructions to explore the preparations, patterns, and procrastinations that surround the production of art in the studio.<br><i>Inventory of Behaviours #4</i>, Uniqlo Tate Lates, Tate Tanks, London, 27 September 2019.<br>This item contains photographic documentation of the event.<br><b>Photographs used courtesy of Jo Addison and @Tate.</b><b><br></b><b>Used with permission. </b>
DOI: 10.17870/bathspa.12906797.v1
title: The Habits of Artists - Inventory of Behaviours #4, Uniqlo Tate Lates, Tate Tanks, 2019

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>Addison and Kidd were commissioned to contribute to Uniqlo Tate Lates with their multi-platform, participatory work. Taking up residence for one evening in the South Tanks lobby, they welcomed 11,524 visitors to engage with the collected instructions to explore the preparations, patterns, and procrastinations that surround the production of art in the studio.<br><i>Inventory of Behaviours #4</i>, Uniqlo Tate Lates, Tate Tanks, London, 27 September 2019.<br>This item contains photographic documentation of the event.<br><b>Photographs used courtesy of Jo Addison and @Tate.</b><b><br></b><b>Used with permission. </b>
DOI: 10.15468/se98v2
title: Seven new species of the Exocelina ekari group from New Guinea central and coastal mountains (Coleoptera, Dytiscidae, Copelatinae)

description: This dataset contains the digitized treatments in Plazi based on the original journal article Shaverdo, Helena, Surbakti, Suriani, Sumoked, Bob, Balke, Michael (2021): Seven new species of the Exocelina ekari group from New Guinea central and coastal mountains (Coleoptera, Dytiscidae, Copelatinae). ZooKeys 1026: 45-67, DOI: http://dx.doi.org/10.3897/zookeys.1026.61554, URL: http://dx.doi.org/10.3897/zookeys.1026.61554
DOI: 10.17870/bathspa.12927800
title: The Habits of Artists - Conference Papers and Seminar Presentations (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity. Since 2014, Addison and Kidd have presented papers at conferences, symposia and seminars in order to further disseminate their research. By reframing the academic conference paper, which is predominantly a written document and an oral presentation as a performative, participatory encounter, they have attempted to subvert hierarchies and subject their ideas to live enquiry and interpretation. This item contains a copy of the Powerpoint presentation for Jo Addison and Natasha Kidd's paper 'Routine, Regulation, Resistance: What do the behaviours of artists tell us?' given at the National Association for Fine Art Education (NAFAE) conference at Sheffield Hallam University, 13-15 February 2020.
DOI: 10.17870/bathspa.12927800.v1
title: The Habits of Artists - Conference Papers and Seminar Presentations (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity. Since 2014, Addison and Kidd have presented papers at conferences, symposia and seminars in order to further disseminate their research. By reframing the academic conference paper, which is predominantly a written document and an oral presentation as a performative, participatory encounter, they have attempted to subvert hierarchies and subject their ideas to live enquiry and interpretation. This item contains a copy of the Powerpoint presentation for Jo Addison and Natasha Kidd's paper 'Routine, Regulation, Resistance: What do the behaviours of artists tell us?' given at the National Association for Fine Art Education (NAFAE) conference at Sheffield Hallam University, 13-15 February 2020.
DOI: 10.17870/bathspa.14213120
title: The Habits of Artists - Live Resource (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains a book chapter co-authored by Jo Addison and Natasha Kidd:<br><b>Addison, J. and Kidd, N. (2017) 'Live resource' , in Turvey, L., Walton, A. and Daly, E., eds., <i>In site of conversation</i>. London: Tate London Learning, pp. 67-145. </b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14213120.v1
title: The Habits of Artists - Live Resource (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains a book chapter co-authored by Jo Addison and Natasha Kidd:<br><b>Addison, J. and Kidd, N. (2017) 'Live resource' , in Turvey, L., Walton, A. and Daly, E., eds., <i>In site of conversation</i>. London: Tate London Learning, pp. 67-145. </b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12927833
title: The Habits of Artists - Regulation, resistance, readiness and care (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains the Author Accepted Manuscript version of a book chapter co-authored by Jo Addison and Natasha Kidd:<br><b>Addison, J. and Kidd, N. (2019) 'Regulation, resistance, readiness and care: what can be learnt by performing the peripheral behaviours of artists?' in, Campbell, L., ed. Leap into action: critical performative pedagogies in art & design education. New York: Peter Lang. </b><br><b><br></b><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b><b><br></b><br>
DOI: 10.17870/bathspa.12927833.v1
title: The Habits of Artists - Regulation, resistance, readiness and care (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains the Author Accepted Manuscript version of a book chapter co-authored by Jo Addison and Natasha Kidd:<br><b>Addison, J. and Kidd, N. (2019) 'Regulation, resistance, readiness and care: what can be learnt by performing the peripheral behaviours of artists?' in, Campbell, L., ed. Leap into action: critical performative pedagogies in art & design education. New York: Peter Lang. </b><br><b><br></b><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b><b><br></b><br>
DOI: 10.17870/bathspa.13805228
title: The Habits of Artists - Research Context, References, and Findings (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists </i>seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains information about the context for the research project, findings and insights resulting from the research, and a selection of research references.
DOI: 10.17870/bathspa.13805228.v1
title: The Habits of Artists - Research Context, References, and Findings (Contextualising Information)

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists </i>seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains information about the context for the research project, findings and insights resulting from the research, and a selection of research references.
DOI: 10.5287/bodleian:y56kydgmj
title: Atom Cloud Detection and Segmentation Using a Deep Neural Network (Data)
DOI: 10.15468/yhhny3
title: Three new species of Ametrodiplosis (Diptera: Cecidomyiidae) from Japan, with a key to the Japanese species and a molecular phylogenetic analysis

description: This dataset contains the digitized treatments in Plazi based on the original journal article Elsayed, Ayman Khamis, Yukawa, Junichi, Mochizuki, Ko, Tokuda, Makoto, Kawakita, Atsushi (2021): Three new species of Ametrodiplosis (Diptera: Cecidomyiidae) from Japan, with a key to the Japanese species and a molecular phylogenetic analysis. Zootaxa 4942 (2): 151-172, DOI: https://doi.org/10.11646/zootaxa.4942.2.1
DOI: 10.6084/m9.figshare.12333290
title: A relational database of Roman law based on Justinian’s Digest

description: The Digest is the definitive Roman law compendium compiled under the Byzantine emperor Justinian I (533 CE). This relational database includes the text of Theodor Mommsen’s authoritative edition of the Digest with accompanying information about its compositional structure and its featured jurists. The data was collected from raw text files and transformed to a structured machine-readable form in a Python coding environment. Pre-processed data stored in flat files were loaded to a single super lightweight SQLite database (&lt;7Mb) which chains six tables to each other in many-to-one relationships. The database can be easily browsed, queries and expanded in a variety of free-to-use interfaces. Apart from reliable, efficient and structured information retrieval, the database assists large scale quantitative analysis and it can be used as the starting point for further computer-assisted Roman law projects.<br><br>** Consult the README.md file on the project's GitLab page to enable interactive features. See reference link below. **
DOI: 10.5517/ccdc.csd.cc2575n8
title: CCDC 2002899: Experimental Crystal Structure Determination

description: Related Article: Shui Yu, Huancheng Hu, Yunkai Chen, Zilu Chen, Zhanyun Zhang, Man-Man Ding, Yi-Quan Zhang, Dongcheng Liu, Yuning Liang, Fupei Liang|2021|J.Mater.Chem.C|9|3854|doi:10.1039/D0TC03250F
DOI: 10.5517/ccdc.csd.cc2575p9
title: CCDC 2002900: Experimental Crystal Structure Determination

description: Related Article: Shui Yu, Huancheng Hu, Yunkai Chen, Zilu Chen, Zhanyun Zhang, Man-Man Ding, Yi-Quan Zhang, Dongcheng Liu, Yuning Liang, Fupei Liang|2021|J.Mater.Chem.C|9|3854|doi:10.1039/D0TC03250F
DOI: 10.5281/zenodo.3972075
title: The Effect of Fertility on Mothers' Labour Supply over the Last Two Centuries

description: Replication programs and data for "The Effect of Fertility on Mothers' Labour Supply over the Last Two Centuries"
DOI: 10.5281/zenodo.3972074
title: The Effect of Fertility on Mothers' Labour Supply over the Last Two Centuries

description: Replication programs and data for "The Effect of Fertility on Mothers' Labour Supply over the Last Two Centuries"
DOI: 10.21227/ympr-t542
title: Sensor Data of Mobile Sink for Precision Agriculture

description: This dataset comprises sensory data of in and out miniature vehicle (mobile sink) movement in the agriculture fields. The dataset is collected from the miniature vehicle using a 9-axis Inertial Measurement Unit (IMU) sensor (MPU-9250) placed on the top of the vehicle. Though the vehicle is small but designed to handle all the hurdles of the agricultural land, such as rough and muddy surface. This dataset aims to facilitate appropriate path planning in the agricultural field for the automatic cultivation of seeds, manure spread, and nutrients insertion. In addition, this path planning helps in cheaper and convenient monitoring of farmland.
DOI: 10.21227/jsm2-v248
title: Forecast Result for January 28

description: This csv file contains the load forecasts result on Jan.28, conducted by Hongqiao Peng.
DOI: 10.5281/zenodo.4635925
title: JMPO 104411 data release

description: To facilitate the reproduction of the study, below we provide (a) the codes used in the search for information and (b) the elements of methodological triangulation used. We also provide (c) specific data on the networks of relationships between the participants, their attributes, and the matrix of co-occurrences between species in the catches, as well as basic information on the spatial-temporal characteristics of the photographs under study.
DOI: 10.5281/zenodo.4635924
title: JMPO 104411 data release

description: To facilitate the reproduction of the study, below we provide (a) the codes used in the search for information and (b) the elements of methodological triangulation used. We also provide (c) specific data on the networks of relationships between the participants, their attributes, and the matrix of co-occurrences between species in the catches, as well as basic information on the spatial-temporal characteristics of the photographs under study.
DOI: 10.34740/kaggle/dsv/2057412
title: Skin Wrinkles vs Non-Wrinkles
DOI: 10.25592/uhhfdm.8961
title: Krisenbewältigung in der ersten Welle der Coronavirus-Pandemie am Beispiel von Einrichtungen der Migrationsberatung in Hamburg

description: Interviewtranskripte und Analysedaten für die Masterarbeit "Krisenbewältigung in der ersten Welle der Coronavirus-Pandemie am Beispiel von Einrichtungen der Migrationsberatung in Hamburg". Readme: Die Aufnahmen wurden direkt nach der Einholung der Einwilligung gestartet und mit dem Ende des Telefonats beendet. In einem Fall des Präsenzinterviews wurde die Aufnahme nach dem Ende des Interviews beendet. Die Aufnahmen wurden vollständig transkribiert, zunächst mithilfe vom VR-Tool "TRINT", und anschließend manuell im MAXQDA Pro 2020. Die Interviews fanden per Telefon auf Deutsch statt. In den Transkriptionen wird überwiegend Hochdeutsch verwendet, die dialektale Besonderheiten im Satzbau oder Aussprache wurden nicht berücksichtigt. An vielen Stellen musste für eine bessere Lesbarkeit die Wortfolge geändert werden. Diese Stellen sind in PDF-Versionen blau gekennzeichnet. Ebenso für die bessere Lesbarkeit mussten wenige Wörter verändert oder hinzugefügt werden. Diese sind grün gekennzeichnet. Andere Farben stellen folgende thematische Codes dar: gelb – technische/Online-Ausstattung rot – Sprache lila – Existenzsicherung türkis – Zeit (Veränderungen im Zeitplan, Arbeitszeiten etc.) In den Transkriptionen wurden außerdem folgende Kennzeichnungen verwendet: ( ) – unverständlich (vermutlich) – vermuteter Wortlaut ((lacht)) – nichtsprachliche Ereignisse [anonymisiert] – anonymisierte Namen oder Bezeichnungen LAUT – betonte Wörter weil- – abgebrochene Sequenzen (wurde mit aufgeschrieben, wenn ggfs. wichtig für die Auswertung) (.) – kurze Pause (Pause 3 Sek.) – Pause oder Unterbrechung mit Angabe der Dauer Das zip-Archiv beinhaltet: Tabelle mit der Cross-Analyse von Interviews (manuell erstellt); Ergebnisse maschineller Analyse – Ergebnisse der Wortsuche, visualisierte Portraits sowie eine Tabelle mit allen codierten Segmenten; Transkripte der Interviews in HTML (nur Text) und PDF (mit farblicher Codierung). Originalaufnahmen wurden am 11. März 2021 im Datenrepositorium der Universität Hamburg gespeichert und können jederzeit auf Anfrage abgerufen werden.
DOI: 10.5281/zenodo.4636801
title: 4MuLA: A Multitask, Multimodal, and Multilingual Dataset of Music Lyrics and Audio Features (Small version)

description: The small version of 4MuLA Dataset consists of 9661 musics represents by melspectrogram and metadata. The subset contains 51 genres and 491 artists. The audio file is not available. All attributes are: [<br> 'music_id', 'music_name', 'music_lang', 'music_lyrics', 'art_id',<br> 'art_name', 'art_rank', 'main_genre', 'related_genre', 'related_art',<br> 'related_music', 'musicnn_tags', 'melspectrogram'<br> ] See more in the paper 4MuLA: A Multitask, Multimodal, and Multilingual Dataset of Music Lyrics and Audio Features or 4mulaDataset github repository.