cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.17549292
title: MAGIC-CT: Multiorgan Annotation and Grounded Image Captioning in CT for Cancer

description: We present MAGIC-CT, a contrast-enhanced CT dataset of 562 patients with abdominal tumors (liver cysts/cancer, lung metastases, lung cancer, kidney cysts, renal cancer, pancreatic cancer). All 562 patients have CT scans and 3D lesion/organ masks; a subset of 492 patients also have organ-wise, radiologist-authored reports (RU/KZ/EN) totaling 4,937 organ descriptions. The dataset spans 8 pathologies across 4 organs, with about 1,250 annotated lesions and about 500 lesion-linked textual findings, enabling training of multimodal systems that connect volumetric localization to clinical language. MAGIC-CT uniquely integrates volumetric lesion localization, quantitative metrics (e.g., tumor volume, angular involvement of vasculature), and rich semantic context (e.g., "cuff-like encasement of the celiac trunk"), addressing the lack of resources bridging radiological imaging, segmentation, and clinical language. This dataset is expected to enable advancements in AI-driven tumor characterization, automated report generation, and metastasis tracking, with implications for precision oncology.

 

Data Use Agreement



If I am granted access to the database:

I will not attempt to identify any individual or institution referenced in MagicCT data.I will exercise all reasonable and prudent care to avoid disclosure of the identity of any individual or institution referenced in MagicCT restricted data in any publication or other communication.I will not share access to MagicCT restricted data with anyone else.I will exercise all reasonable and prudent care to maintain the physical and electronic security of MagicCT restricted data.If I find information within MagicCT restricted data that I believe might permit identification of any individual or institution, I will report the location of this information promptly by email to the corresponding author, citing the location of the specific information in question.I have requested access to MagicCT restricted data for the sole purpose of lawful use in scientific research, and I will use my privilege of access, if it is granted, for this purpose and no other.I have completed a training program in human research subject protections and HIPAA regulations, and I am submitting proof of having done so.I will indicate the general purpose for which I intend to use the database in my application.If I openly disseminate my results, I will also contribute the code used to produce those results to a repository that is open to the research community.This agreement may be terminated by either party at any time, but my obligations with respect to MagicCT data shall continue after termination.



License: CC0-1.0. Contact: maxim.popov@nu.edu.kz
DOI: 10.5281/zenodo.18389015
title: MAGIC-CT: Multiorgan Annotation and Grounded Image Captioning in CT for Cancer

description: We present MAGIC-CT, a contrast-enhanced CT dataset of 562 patients with abdominal tumors (liver cysts/cancer, lung metastases, lung cancer, kidney cysts, renal cancer, pancreatic cancer). All 562 patients have CT scans and 3D lesion/organ masks; a subset of 492 patients also have organ-wise, radiologist-authored reports (RU/KZ/EN) totaling 4,937 organ descriptions. The dataset spans 8 pathologies across 4 organs, with about 1,250 annotated lesions and about 500 lesion-linked textual findings, enabling training of multimodal systems that connect volumetric localization to clinical language. MAGIC-CT uniquely integrates volumetric lesion localization, quantitative metrics (e.g., tumor volume, angular involvement of vasculature), and rich semantic context (e.g., "cuff-like encasement of the celiac trunk"), addressing the lack of resources bridging radiological imaging, segmentation, and clinical language. This dataset is expected to enable advancements in AI-driven tumor characterization, automated report generation, and metastasis tracking, with implications for precision oncology.

 

Data Use Agreement



If I am granted access to the database:

I will not attempt to identify any individual or institution referenced in MagicCT data.I will exercise all reasonable and prudent care to avoid disclosure of the identity of any individual or institution referenced in MagicCT restricted data in any publication or other communication.I will not share access to MagicCT restricted data with anyone else.I will exercise all reasonable and prudent care to maintain the physical and electronic security of MagicCT restricted data.If I find information within MagicCT restricted data that I believe might permit identification of any individual or institution, I will report the location of this information promptly by email to the corresponding author, citing the location of the specific information in question.I have requested access to MagicCT restricted data for the sole purpose of lawful use in scientific research, and I will use my privilege of access, if it is granted, for this purpose and no other.I have completed a training program in human research subject protections and HIPAA regulations, and I am submitting proof of having done so.I will indicate the general purpose for which I intend to use the database in my application.If I openly disseminate my results, I will also contribute the code used to produce those results to a repository that is open to the research community.This agreement may be terminated by either party at any time, but my obligations with respect to MagicCT data shall continue after termination.



License: CC0-1.0. Contact: maxim.popov@nu.edu.kz
DOI: 10.25549/maw-ouc113889746
title: Nayarit group : pole ceremony

description: Nine individuals sit facing inward towards a central pole. Eight of the individuals appear to be adults or possibly couples. The ninth figure appears to be a juvenile. The grouping suggests a ceremonial procedure.
DOI: 10.25549/maw-ouc11399coqr
title: Tableau : circular platform : pole ceremony

description: A three-legged circular platform contains eight figures sitting in an inward-facing circle. Centrally, a tall pole supports a prone figure on top and a figure holding a fan-like object climbing the pole.
DOI: 10.25549/maw-ouc11399coqs
title: Tableau : circular platform : pole ceremony

description: A three-legged circular platform contains eight figures sitting in an inward-facing circle. Centrally, a tall pole supports a prone figure on top and a figure holding a fan-like object climbing the pole.
DOI: 10.25549/maw-ouc113889703
title: Procession : five warriors and four prisoners or captives with captive family

description: This processional group consists of nine figures. Five figures wear headdresses and hold weapons. The remaining four represent nude prisoners, a female, a male, and two adolescents or possibly a family unit.
DOI: 10.25549/maw-ouc113889778
title: Procession : five warriors and four prisoners or captives with captive family

description: This processional group consists of nine figures. Five figures wear headdresses and hold weapons. The remaining four represent nude prisoners, a female, a male, and two adolescents or possibly a family unit.
DOI: 10.25549/maw-ouc11399dlyt
title: Seated horned shaman [3D]

description: This charming seated figure represents a classic Zacatecas horned shaman. His two horns allude to peyote use and hallucinations. His open mouth suggests changing, singing, or speech. Elitism and power are suggested by his erect posture as well as his body paint and/or jewelry.
DOI: 10.15468/dl.hu6qy9
title: Occurrence Download

description: A dataset containing 33 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Epinephelus latifasciatus"
 ]
}

 The dataset includes 33 records from 9 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001316-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113889789
title: Zacatecas female figure

description: A small female figure sits with her hands on her abdomen indicating her fertility. Her facial features have been semi-abstracted with large perforated eyes and mouth. She wears large disc perforated earspools. Her face and body appear to be painted.
DOI: 10.25549/maw-ouc113888467
title: Maya shell pectoral

description: A triangular section from the interior of a lightning whelk shell has been incised with a kneeling male figure. He holds a knife in his left hand and a large shell in his right. Maya shell pectoral / pendant.
DOI: 10.25549/maw-ouc113888437
title: Female standing watcher figure

description: Part of Student Study Ceramic grouping. A swale standing female figure with arms straight out. No description given.
DOI: 10.25549/maw-ouc113888356
title: Female standing watcher figure

description: Part of Student Study Ceramic grouping. A swale standing female figure with arms straight out. No description given.
DOI: 10.3886/e246409
title: The Nigeria navy form 2026/2027 is out call 09017730052 to apply now before the closing date

description: The Nigeria navy form 2026/2027 is out call 09017730052 to apply now before the closing date
DOI: 10.15468/dl.svrtwx
title: Occurrence Download

description: A dataset containing 10431 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Mammalia",
 "HasCoordinate is TRUE",
 "HasGeospatialIssue is FALSE",
 "DecimalLatitude is greater than or equal to 19.9",
 "DecimalLatitude is less than or equal to 27.1",
 "DecimalLongitude is greater than or equal to 87.5",
 "DecimalLongitude is less than or equal to 93.2",
 "Year is greater than or equal to 1985"
 ]
}

 The dataset includes 10431 records from 26 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001315-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113888403
title: Xipe Totec figure

description: A seated figure with folded legs has placed both hands on his knees. He wears a flayed skin of a sacrificial victim over his face. You can see his mouth inside the victim's mouth. The black pigment, that highlights different body paint, is bitumen.
DOI: 10.25549/maw-ouc113888357
title: Xipe Totec figure

description: A seated figure with folded legs has placed both hands on his knees. He wears a flayed skin of a sacrificial victim over his face. You can see his mouth inside the victim's mouth. The black pigment, that highlights different body paint, is bitumen.
DOI: 10.25549/maw-ouc113887332
title: Seated figure looking up with crossed legs

description: The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
DOI: 10.25549/maw-ouc113887226
title: Seated figure looking up with crossed legs

description: The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
DOI: 10.25549/maw-ouc113887362
title: Seated figure looking up with crossed legs

description: The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
DOI: 10.25549/maw-ouc113887114
title: Mixtec tripodal polychrome olla

description: The structure of this Mixtec vessel consists of a circular collar rim, a heart shape olla, and tripodal legs. Around the rim appears open mouth creatures with multiple eyes. The black heart-shape olla contains fantastic menacing creatures in what appears to be a liquid environment. Three white and red legs with red spirals support the vessel, which depicts the watery realm of the underworld, Mictlan.
DOI: 10.25549/maw-ouc113887121
title: Mixtec tripodal polychrome olla

description: The structure of this Mixtec vessel consists of a circular collar rim, a heart shape olla, and tripodal legs. Around the rim appears open mouth creatures with multiple eyes. The black heart-shape olla contains fantastic menacing creatures in what appears to be a liquid environment. Three white and red legs with red spirals support the vessel, which depicts the watery realm of the underworld, Mictlan.
DOI: 10.25549/maw-ouc113887177
title: Codex style vessel : old God emerges from the mouth of a serpent

description: This codex style vessel represents a scene for the underworld, Xilbaba. An aged Maya god emerges from the mouth of the bearded dragon, Ochu Chan. Behind the old God appears the profile image of the Jeslure (sic) God, a god important to Maya nobility. In front of the old god is an offering vessel with human bones, an eyeball, and a severed hand.
DOI: 10.17172/nomad/2026.02.27-1
title: NOMAD dataset: Dataset for "Symmetries of excitons" paper
DOI: 10.25549/maw-ouc113887835
title: Maya spondylus shell ornaments : earspools

description: Two earspools.
DOI: 10.25549/maw-ouc113887828
title: Maya spondylus shell ornaments : earspools

description: Two earspools.
DOI: 10.25549/maw-ouc113887788
title: Maya plumbate olla : rattle

description: This unusual plumbate cacao vessel is divided into three quadrants. Each quadrant contains an elaborate design of semi-abstract faces and zoomorphic (supernatural entities) on the vessel's neckband and wide shoulder band. Between each quadrant, the Maya "kin" crosses hold a ceramic sphere to create a rattling sound.
DOI: 10.25549/maw-ouc113887784
title: Maya plumbate choc vessel

description: The elite of Mesoamerica were always looking for new and better elite vessels to serve their guests cacao. A new type of ceramic, plumbate ware, appealed to their sensabilities for its varigated, shiny, metallic surface. This phytomorhpic cacao vessel depicts the maya rain god Chac.
DOI: 10.25549/maw-ouc113888463
title: Standing female figure wearing a headdress and jewelry

description: In a mild or warm climate, there is little need for clothing, just pubic covering. Personal adornment included an animal headdress, ear spools and a pendant necklace. Body paint or chapopote heighten features and decorated the body.
DOI: 10.25549/maw-ouc113888457
title: Huastec ball player

description: A male standing figure wears a yoke around his waist and a leather wrap around his left hand. This ball player wears a rounded headdress, ear spools, a necklace, a knee pad, and sandals. A black petroleum material, chapopote, has been painted on his headdress, his hips, and groin.
DOI: 10.25549/maw-ouc113888455
title: Huastec ball player

description: A male standing figure wears a yoke around his waist and a leather wrap around his left hand. This ball player wears a rounded headdress, ear spools, a necklace, a knee pad, and sandals. A black petroleum material, chapopote, has been painted on his headdress, his hips, and groin.
DOI: 10.25549/maw-ouc113888454
title: Standing priest with hands out

description: The figure stands with his arms stretched out. He could be a priest or a dancer, but his clothing indicates another profession. He wears an elaborate headdress, his arms are covered above and below the elbow, his waist has a thick wide belt and his knees are padded. What is his profession?
DOI: 10.25549/maw-ouc113888521
title: Veracruz rattling bowl

description: A potter created a simple flared bowl with a continuous decorative band. This central band was carved with a step/fret design with a rope design at the bottom. The bottom of the bowl is hollow and incorporates a rattle.
DOI: 10.15468/dl.z5xbzt
title: Occurrence Download

description: A dataset containing 135 species occurrences available in GBIF matching the query:
{
 "and" : [
 "GadmGid is CHN.29_1",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Chloris ambigua"
 ]
}

 The dataset includes 135 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001318-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113887857
title: Maya plumbate choc vessel

description: The elite of Mesoamerica were always looking for new and better elite vessels to serve their guests cacao. A new type of ceramic, plumbate ware, appealed to their sensabilities for its varigated, shiny, metallic surface. This phytomorhpic cacao vessel depicts the maya rain god Chac.
DOI: 10.25549/maw-ouc113887856
title: Maya plumbate choc vessel

description: The elite of Mesoamerica were always looking for new and better elite vessels to serve their guests cacao. A new type of ceramic, plumbate ware, appealed to their sensabilities for its varigated, shiny, metallic surface. This phytomorhpic cacao vessel depicts the maya rain god Chac.
DOI: 10.25549/maw-ouc113887787
title: Orangeware effigy vessel : deity Simian

description: A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
DOI: 10.25549/maw-ouc113887793
title: Orangeware effigy vessel : deity Simian

description: A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
DOI: 10.25549/maw-ouc113887805
title: Vessel in the form of a dog, Esquintla

description: The Maya domesticated their dogs for household pets and hunting animals. They were raised for food, a heat source (hot water bottle) and sacrificial animal. The god Quetzalcoatl or Feathered Serpent's twin brother was called Xolotl. He was believed to help guide souls through Xibalba or the underworld. The esquintla wears an Aztec heart amulet around his neck.
DOI: 10.25549/maw-ouc113889791
title: Small seated enthroned figure

description: Human figurines have been handmade at Teotihuacán since 150 BC. Around AD 250, the Teotihuacanos began mass-producing figures using molds. The figurines are not found in burials or temple complexes. The thousands that have been found in residential middens and fills suggest they were important in daily household rituals at the 2000 apartment complexes.
DOI: 10.25549/maw-ouc113889794
title: Small seated enthroned figure

description: Human figurines have been handmade at Teotihuacán since 150 BC. Around AD 250, the Teotihuacanos began mass-producing figures using molds. The figurines are not found in burials or temple complexes. The thousands that have been found in residential middens and fills suggest they were important in daily household rituals at the 2000 apartment complexes.
DOI: 10.25549/maw-ouc113889752
title: Student study ceramics : Teotihuacán : effigy vessel : Tlaloc

description: A small hollow cylinder has been appliqued with a horned headdress, bulging disc eyes and a nose with a moustache. The image is the rain god, Tlaloc.
DOI: 10.25549/maw-ouc113889859
title: Teotihuacán seated elite

description: Earliest figurines were handmade with elaborate headdresses. The tradition began about 150 B.C., but around A.D. 250 mold-made figures began to be produced. Teotihuacán figurines are usually found in residential middens and fills which suggests they were used in household rituals in apartment compounds.
DOI: 10.25549/maw-ouc113889864
title: Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.25549/maw-ouc113889912
title: Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.25549/maw-ouc113889808
title: Base for Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.25549/maw-ouc113889866
title: Base for Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.25549/maw-ouc113889873
title: Florero : Tlaloc with his attributes

description: A basic blackware vessel called a florero has been transformed into the image of the Storm God, Tlaloc. The Rain God holds an incense bag in his right hand and a lightning bolt in his left. The Tlaloc vessel with goggled eyes, ears with ear spools, and fangs emerging from a curved mouth held water for ritual ceremonies.
DOI: 10.25549/maw-ouc113889915
title: Small articulated female figure

description: This miniature articulated figure came from Tlapacoya, a site in the southeastern part of Mexico City. The press-molded head and formed body are atypical of Teotihuacan. Her separate head supports an elaborate headdress with appliques. The body with modeled breasts has been appliqued with a necklace and a belly button design. The arms and legs are handmade.
DOI: 10.25549/maw-ouc113888370
title: Standing male figure

description: The standing hollow male figure has been ritually killed. He has been partially re-constructed where there was sufficient information. His mouth is open which indicates speaking or chanting. He holds his hands in front of his body as if he were carrying two objects. This gives a clue to what he is.
DOI: 10.25549/maw-ouc113888332
title: Standing male figure

description: The standing hollow male figure has been ritually killed. He has been partially re-constructed where there was sufficient information. His mouth is open which indicates speaking or chanting. He holds his hands in front of his body as if he were carrying two objects. This gives a clue to what he is.