cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10386395
title: VASIJA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386396
title: Petroglyph J17 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph J17 Khatm Al Melaha, Kalba, Sharjah. Two poorly defined animals. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386397
title: Petroglyph J17 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph J17 Khatm Al Melaha, Kalba, Sharjah. Two poorly defined animals. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386398
title: Casón de Jumilla

description: El panteón funerario de El Casón de Jumilla, de época tardoromana, se encuentra en el paraje de "Tras el Huertecico", en las afueras de Jumilla. 
El Casón es un edificio formado por un cuerpo de planta rectangular, cubierto por bóveda de cañón, de 3,15 p 2,15 metros, con un acceso en su lado este, al que se le adosa por sus extremos norte y sur dos pequeñas habitaciones de planta absidal en las cuales se sitúan dos estrechas ventanas que iluminan el interior del panteón. Es por tanto, el mausoleo de Jumilla, de planta central cruciforme.

En el interior, bajo su suelo se encontraron tres tumbas cuyos muros estaban construidos en mampostería que habían sido saqueadas de antiguo

El Casón se encuentra en un magnífico estado de conservación gracias en parte a sus sólidos muros, de casi 50 cm de grosor, a sus muros mampostería, a las rocas consistentes y morteros de cal empleados en sus cimientos así como a la gran habilidad técnica de sus constructores.

Mas info en: regmurcia.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386399
title: Casón de Jumilla

description: El panteón funerario de El Casón de Jumilla, de época tardoromana, se encuentra en el paraje de "Tras el Huertecico", en las afueras de Jumilla. 
El Casón es un edificio formado por un cuerpo de planta rectangular, cubierto por bóveda de cañón, de 3,15 p 2,15 metros, con un acceso en su lado este, al que se le adosa por sus extremos norte y sur dos pequeñas habitaciones de planta absidal en las cuales se sitúan dos estrechas ventanas que iluminan el interior del panteón. Es por tanto, el mausoleo de Jumilla, de planta central cruciforme.

En el interior, bajo su suelo se encontraron tres tumbas cuyos muros estaban construidos en mampostería que habían sido saqueadas de antiguo

El Casón se encuentra en un magnífico estado de conservación gracias en parte a sus sólidos muros, de casi 50 cm de grosor, a sus muros mampostería, a las rocas consistentes y morteros de cal empleados en sus cimientos así como a la gran habilidad técnica de sus constructores.

Mas info en: regmurcia.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386400
title: Room at Skara Brae

description: Orkney, Scotland.

https://en.wikipedia.org/wiki/Skara_Brae

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386401
title: Room at Skara Brae

description: Orkney, Scotland.

https://en.wikipedia.org/wiki/Skara_Brae

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386402
title: COADS_13-4

description: Core collected in Liberty Township, Ross County, Ohio; Material: Flint Ridge

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_13-4, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386403
title: COADS_13-4

description: Core collected in Liberty Township, Ross County, Ohio; Material: Flint Ridge

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_13-4, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386405
title: Handpainted Wooden Sign

description: This model is first modelled in Zbrush, and then brought over to 3D-coat, going back and forth with Photoshop to create handpainted stylized textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386404
title: Handpainted Wooden Sign

description: This model is first modelled in Zbrush, and then brought over to 3D-coat, going back and forth with Photoshop to create handpainted stylized textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386407
title: Le canon de Guiche

description: Nous sommes au port de Guiche, dans le Pays Basque (France), sur le chemin de la cale d'Harriet en léger aval du pont de Sames, pas très loin de l'embouchure de la Bidouze dans l'Adour. Le vieux canon veille en pointant les éventuels brigands susceptibles d'envahir Guiche.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386406
title: Le canon de Guiche

description: Nous sommes au port de Guiche, dans le Pays Basque (France), sur le chemin de la cale d'Harriet en léger aval du pont de Sames, pas très loin de l'embouchure de la Bidouze dans l'Adour. Le vieux canon veille en pointant les éventuels brigands susceptibles d'envahir Guiche.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386408
title: Horse bridle decoration №42

description: Russia, Republic of Bashkortostan, Khaibullinsky District. Excavations in 2007. Necropolis Perevolochan-I. Kurgan №11. Burial №1. Dimensions: 49x20 mm. Figurine fish. It is cut from a bronze sheet, or cast in a flat casting mold. Iron Age. Chronology: IV century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386409
title: Horse bridle decoration №42

description: Russia, Republic of Bashkortostan, Khaibullinsky District. Excavations in 2007. Necropolis Perevolochan-I. Kurgan №11. Burial №1. Dimensions: 49x20 mm. Figurine fish. It is cut from a bronze sheet, or cast in a flat casting mold. Iron Age. Chronology: IV century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386410
title: #MudSoldier in Trafalgar Square - 28.07.17

description: Sculpted on site in Trafalgar Square (London) by Damian and Kilian Van Der Velden to commemorate the Ypres/Passchendaele Centenary.
Crafted with sand mixed with mud from Passchendaele the sculpture is only on display for four days and will slowly deteriorate and wash away in the rain.

More info at: https://flandersfields1418.prezly.com/press-release https://en-gb.facebook.com/FlandersFields1418/ https://twitter.com/flandersww1?lang=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386411
title: #MudSoldier in Trafalgar Square - 28.07.17

description: Sculpted on site in Trafalgar Square (London) by Damian and Kilian Van Der Velden to commemorate the Ypres/Passchendaele Centenary.
Crafted with sand mixed with mud from Passchendaele the sculpture is only on display for four days and will slowly deteriorate and wash away in the rain.

More info at: https://flandersfields1418.prezly.com/press-release https://en-gb.facebook.com/FlandersFields1418/ https://twitter.com/flandersww1?lang=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386412
title: Shawn Huff's basketball shirt

description: Shawn Huff used this shirt while playing for the Finland national team in the 2014 FIBA Basketball World Cup.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386413
title: Shawn Huff's basketball shirt

description: Shawn Huff used this shirt while playing for the Finland national team in the 2014 FIBA Basketball World Cup.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386415
title: Dvinia prima skull fragment

description: A cast of the cynodont *Dvinia prima* Amalitsky, 1922 skull. The cast belongs to the collection of the Saint Petersburg State University. A 3D scan was performed by [Grigoriev Dmitry](https://www.facebook.com/dmitry.grigoriev.946/) using a structure light based 3D scanner [RangeVision Spectrum](https://rangevision.com/en/products/spectrum/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386414
title: Dvinia prima skull fragment

description: A cast of the cynodont *Dvinia prima* Amalitsky, 1922 skull. The cast belongs to the collection of the Saint Petersburg State University. A 3D scan was performed by [Grigoriev Dmitry](https://www.facebook.com/dmitry.grigoriev.946/) using a structure light based 3D scanner [RangeVision Spectrum](https://rangevision.com/en/products/spectrum/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386416
title: The Great Colonnade of Apamea

description: The Great Colonnade of Apamea (Syria), 115 CE, reconstruction, plaster. Musée du Cinquantenaire (Brussels, Belgium). Made with ReCap Photo Pro from AutoDesk.

At nearly 2km from the north to the south of the city, a portico of about 7.50 m wide spreads on both sides of the high street that was the backbone of urban planning Apamea. The columns were surmounted by a curved frieze with continuous decoration of acanthus foliage, and not a Doric frieze mistakenly placed in 1935. On the floor of the portico, a series of mosaic dating from the year 469 CE.

For more updates, please consider follow me on Twitter (@GeoffreyMarchal).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386417
title: The Great Colonnade of Apamea

description: The Great Colonnade of Apamea (Syria), 115 CE, reconstruction, plaster. Musée du Cinquantenaire (Brussels, Belgium). Made with ReCap Photo Pro from AutoDesk.

At nearly 2km from the north to the south of the city, a portico of about 7.50 m wide spreads on both sides of the high street that was the backbone of urban planning Apamea. The columns were surmounted by a curved frieze with continuous decoration of acanthus foliage, and not a Doric frieze mistakenly placed in 1935. On the floor of the portico, a series of mosaic dating from the year 469 CE.

For more updates, please consider follow me on Twitter (@GeoffreyMarchal).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386418
title: Ripples marks (Cuarcita Armoricana, Ordovícico)

description: *Ripple marks* sobre cuarcitas del Ordovícico en el sector del Paraje Natural de la Cascada de la Cimbarra (provincia de Jaén, España).
Centro de Estudios Avanzados de Ciencias de la Tierra de la Universidad de Jaén.
CEAC-T UJA 2016

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386419
title: Ripples marks (Cuarcita Armoricana, Ordovícico)

description: *Ripple marks* sobre cuarcitas del Ordovícico en el sector del Paraje Natural de la Cascada de la Cimbarra (provincia de Jaén, España).
Centro de Estudios Avanzados de Ciencias de la Tierra de la Universidad de Jaén.
CEAC-T UJA 2016

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386420
title: Leguia 1863 - 1932

description: Augusto Bernardino Leguía y Salcedo fue un político peruano, que ejerció cuatro veces la Presidencia Constitucional del Perú: de 1908 a 1912; y de 1919 a 1930.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386421
title: Leguia 1863 - 1932

description: Augusto Bernardino Leguía y Salcedo fue un político peruano, que ejerció cuatro veces la Presidencia Constitucional del Perú: de 1908 a 1912; y de 1919 a 1930.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386422
title: Coffee Grinder, PBR

description: Antique Coffee Grinder. Made with blender and substance painter. 
It was my first project with substance painter. I think the texture set for the handles are totally unnecessary. feel free to remove them before using...some basic dia-electric materials would be enough :")
Renders:
![](https://cdnb.artstation.com/p/assets/images/images/030/869/193/large/omar-faruq-coffee-grinder.jpg?1601915492)

![](https://cdna.artstation.com/p/assets/images/images/030/869/198/large/omar-faruq-close-up.jpg?1601914928)
![](https://cdna.artstation.com/p/assets/images/images/030/869/426/large/omar-faruq-close-up-version-day-2.jpg?1601915391)
![](https://cdnb.artstation.com/p/assets/images/images/030/869/207/large/omar-faruq-clay1.jpg?1601914948)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386423
title: Coffee Grinder, PBR

description: Antique Coffee Grinder. Made with blender and substance painter. 
It was my first project with substance painter. I think the texture set for the handles are totally unnecessary. feel free to remove them before using...some basic dia-electric materials would be enough :")
Renders:
![](https://cdnb.artstation.com/p/assets/images/images/030/869/193/large/omar-faruq-coffee-grinder.jpg?1601915492)

![](https://cdna.artstation.com/p/assets/images/images/030/869/198/large/omar-faruq-close-up.jpg?1601914928)
![](https://cdna.artstation.com/p/assets/images/images/030/869/426/large/omar-faruq-close-up-version-day-2.jpg?1601915391)
![](https://cdnb.artstation.com/p/assets/images/images/030/869/207/large/omar-faruq-clay1.jpg?1601914948)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386424
title: CE 0191 - OLLA

description: N° de Registro Nacional: 0000303476

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Olla

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386425
title: CE 0191 - OLLA

description: N° de Registro Nacional: 0000303476

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Olla

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386426
title: Wappen

description: Coat of arms on the Vienna Post Office building, designed and built by Otto Wagner in 1904-1908. The coat of arms, a double-headed eagle of the Habsburg-Lorraine dynasty, was the common emblem of the Austro-Hungarian Empire. In the center the house coat of arms Habsburg-Lothiringen in a heart shield, above the Austrian imperial crown and the Order of the Golden Fleece (hanging ram) at the bottom.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386427
title: Wappen

description: Coat of arms on the Vienna Post Office building, designed and built by Otto Wagner in 1904-1908. The coat of arms, a double-headed eagle of the Habsburg-Lorraine dynasty, was the common emblem of the Austro-Hungarian Empire. In the center the house coat of arms Habsburg-Lothiringen in a heart shield, above the Austrian imperial crown and the Order of the Golden Fleece (hanging ram) at the bottom.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386428
title: Snook Bank N22 (March 2007)

description: Carving on Snook Bank, north of Longframlington, Northumberland.

This boulder was found during NADRAP surveys by Team 2. It was added to ERA as 'Snook Bank N22' in 2008. NADRAP Team 2 describe their find as "Rounded boulder possibly quarried from outcrop. Single possible cup on north side about 4 cm diameter."

ERA info: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=471

Model created from a single stereo pair captured by NADRAP Team 2 in MArch 2007. The imagery used forms part of the NADRAP / ERA archive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386429
title: Snook Bank N22 (March 2007)

description: Carving on Snook Bank, north of Longframlington, Northumberland.

This boulder was found during NADRAP surveys by Team 2. It was added to ERA as 'Snook Bank N22' in 2008. NADRAP Team 2 describe their find as "Rounded boulder possibly quarried from outcrop. Single possible cup on north side about 4 cm diameter."

ERA info: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=471

Model created from a single stereo pair captured by NADRAP Team 2 in MArch 2007. The imagery used forms part of the NADRAP / ERA archive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386431
title: A gift from Ballarat California

description: This galena (lead ore) specimen in quartz is one of many items in Ballarat Council's historic collection that have been gifted to the City throughout the years of its diplomatic relations. As the plaque describes, it was presented to the City of Ballarat, Victoria, in 1981 by the city of the same name located in California. The Californian city was in fact named after Ballarat, Victoria, by an Australian migrant, due to it being founded in 1896 as a supply point for the mines in the nearby canyons of the Panamint Range.
Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386430
title: A gift from Ballarat California

description: This galena (lead ore) specimen in quartz is one of many items in Ballarat Council's historic collection that have been gifted to the City throughout the years of its diplomatic relations. As the plaque describes, it was presented to the City of Ballarat, Victoria, in 1981 by the city of the same name located in California. The Californian city was in fact named after Ballarat, Victoria, by an Australian migrant, due to it being founded in 1896 as a supply point for the mines in the nearby canyons of the Panamint Range.
Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386432
title: Relief

description: On the back of the chapel-like wide pillar from the early 18th century is this relief, which shows Archduke Charles in the Battle of Aspern in 1809. The portrait probably dates from 1879.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386433
title: Relief

description: On the back of the chapel-like wide pillar from the early 18th century is this relief, which shows Archduke Charles in the Battle of Aspern in 1809. The portrait probably dates from 1879.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386434
title: Torno De Oleiro

description: Dérik Nícolas 
Curso Superior de Tecnologia em Jogos Digitais - PUC Minas 
Disciplina: Modelagem de Objetos 
Compositor de cenário para o Tower Defense: Ameaça Youkai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386435
title: Torno De Oleiro

description: Dérik Nícolas 
Curso Superior de Tecnologia em Jogos Digitais - PUC Minas 
Disciplina: Modelagem de Objetos 
Compositor de cenário para o Tower Defense: Ameaça Youkai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386436
title: Museum Village Düppel - House 11

description: [**Museum Village Düppel**](https://bit.ly/3q58lnq) is a seasonal open-air museum. It presents visitors with a reconstruction of an approximately 800-year-old village. The site of this former settlement has now been reconstructed with residences, storehouses, workshops, fields and gardens.

1967 marked the start of archaeological excavations in southwest Berlin. They revealed evidence of building foundations and farmyards of a village from the period just before 1200. Thanks to experimental archaeology, it was possible to rebuild the medieval village on the settlement's original site. The village has developed into a widely recognised centre for experimental archaeology.

Digitized by the [HTW Berlin - University of Applied Sciences, Institute  DE:HIVE](https://bit.ly/3cG7bug). The project was a part of a yearly programme, organized by [digiS](https://bit.ly/37e5Eae) and is financed by the [Senate of Berlin](https://bit.ly/3q55b2L).

**CC BY-Attribution: HTW Berlin - DE:HIVE/City Museum Berlin**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386437
title: Museum Village Düppel - House 11

description: [**Museum Village Düppel**](https://bit.ly/3q58lnq) is a seasonal open-air museum. It presents visitors with a reconstruction of an approximately 800-year-old village. The site of this former settlement has now been reconstructed with residences, storehouses, workshops, fields and gardens.

1967 marked the start of archaeological excavations in southwest Berlin. They revealed evidence of building foundations and farmyards of a village from the period just before 1200. Thanks to experimental archaeology, it was possible to rebuild the medieval village on the settlement's original site. The village has developed into a widely recognised centre for experimental archaeology.

Digitized by the [HTW Berlin - University of Applied Sciences, Institute  DE:HIVE](https://bit.ly/3cG7bug). The project was a part of a yearly programme, organized by [digiS](https://bit.ly/37e5Eae) and is financed by the [Senate of Berlin](https://bit.ly/3q55b2L).

**CC BY-Attribution: HTW Berlin - DE:HIVE/City Museum Berlin**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386438
title: Bone Axe

description: I'm trying to learn how to sculpt in blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386439
title: Bone Axe

description: I'm trying to learn how to sculpt in blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386442
title: Walbrook Outflow

description: The outflow point where the river Walbrook meets the Thames. Located just west of Cousin Lane, London.

The river Walbrook is now hidden beneath the streets of London. It once flowed open to the air through the centre of the City of London with the Romans even building a temple (Mithraeum) on its banks.

https://en.wikipedia.org/wiki/River_Walbrook

450 photos taken in November 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386443
title: Walbrook Outflow

description: The outflow point where the river Walbrook meets the Thames. Located just west of Cousin Lane, London.

The river Walbrook is now hidden beneath the streets of London. It once flowed open to the air through the centre of the City of London with the Romans even building a temple (Mithraeum) on its banks.

https://en.wikipedia.org/wiki/River_Walbrook

450 photos taken in November 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386444
title: Mexican Skull Art Deco

description: A decorative, art object celebrating mexican culture like day of the dead - using lidar scanning technology on the iPhone 11 pro and the Trnio App

Source: Objaverse 1.0 / Sketchfab