cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10268518
title: Altaarreliek

description: Dit één van de twee altaarrelieken uit een set van twee fraai gesneden houten reliekhouders, deels verguld en deels wit beschilderd.

Centraal in beide barokke reliekhouders bevinden zich schedelrelieken van twee van de elfduizend maagden, die de heilige Ursula vergezelden op haar pelgrimstocht naar Rome. Boven en onder het centrale tafereel zijn twee medaillons uitgespaard, waarin in de ene houder relieken worden bewaard van Laurentius van Rome en Theresia van Avila. 

De schedels zelf en de ruimte er omheen zijn gedecoreerd met nauwgezet decoratief handwerk van metaaldraad, glaskralen en parelkralen en gestanste metalen plaatjes. Deze vorm van handwerk werd vooral in vrouwenkloosters beoefend. Boven en onder het centrale tafereel zijn twee medaillons uitgespaard.

Datering: 1700 – 1750
Soort object: Reliekhouder
Plaats: Zuidelijke Nederlanden
Deelcollectie: Devotionalia Collectie Hamers-IJsebrand
Techniek: Gesneden, Applicatiewerk
Afmeting: (hxbxd) 59,5 x 16,5 x 13 cm

Gedigitaliseerd door: Hane3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268519
title: Altaarreliek

description: Dit één van de twee altaarrelieken uit een set van twee fraai gesneden houten reliekhouders, deels verguld en deels wit beschilderd.

Centraal in beide barokke reliekhouders bevinden zich schedelrelieken van twee van de elfduizend maagden, die de heilige Ursula vergezelden op haar pelgrimstocht naar Rome. Boven en onder het centrale tafereel zijn twee medaillons uitgespaard, waarin in de ene houder relieken worden bewaard van Laurentius van Rome en Theresia van Avila. 

De schedels zelf en de ruimte er omheen zijn gedecoreerd met nauwgezet decoratief handwerk van metaaldraad, glaskralen en parelkralen en gestanste metalen plaatjes. Deze vorm van handwerk werd vooral in vrouwenkloosters beoefend. Boven en onder het centrale tafereel zijn twee medaillons uitgespaard.

Datering: 1700 – 1750
Soort object: Reliekhouder
Plaats: Zuidelijke Nederlanden
Deelcollectie: Devotionalia Collectie Hamers-IJsebrand
Techniek: Gesneden, Applicatiewerk
Afmeting: (hxbxd) 59,5 x 16,5 x 13 cm

Gedigitaliseerd door: Hane3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268524
title: Tanum 19:1 Aspeberget

description: Model of Tanum 19:1 at Aspeberget. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268525
title: Tanum 19:1 Aspeberget

description: Model of Tanum 19:1 at Aspeberget. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268546
title: Stylized Wagon

description: Stylized Wagon with 2K texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268547
title: Stylized Wagon

description: Stylized Wagon with 2K texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268556
title: Julius Caesar

description: **Details**
Inventarisnummer: I 1895/2.11
Afdeling: Klassieke oudheid
Objectnaam: kop ; mannenkop ; Romeinse portretkop
Materiaal: marmer
Afmetingen: 36 cm
Periode: laat-republikeins 60-30 v.Chr.
Vindplaats: onbekend
Verwerving: aankoop 1895 februari

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268557
title: Julius Caesar

description: **Details**
Inventarisnummer: I 1895/2.11
Afdeling: Klassieke oudheid
Objectnaam: kop ; mannenkop ; Romeinse portretkop
Materiaal: marmer
Afmetingen: 36 cm
Periode: laat-republikeins 60-30 v.Chr.
Vindplaats: onbekend
Verwerving: aankoop 1895 februari

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268562
title: San Gennaro Catacomb Fresco, Napoli (12a)

description: The arched niche (arcosolium) for 5 burials is located in a hypogeum (a subsurface burial ground of greater size) in the upper level of the catacombs. The niche is currently dated in the 3rd century AD and belongs to the oldest part of that level. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. Paintings: A red-green-orange frame system divides the surface in geometrical motives, in which different objects are placed such as birds, flowers and vessels (some with fruits). Greek inscriptions preserve some of the names of the deceased. Two recesses on the left side were presumably the place for lamps. 

Processed from 288 photos and 3 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 12a.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268563
title: San Gennaro Catacomb Fresco, Napoli (12a)

description: The arched niche (arcosolium) for 5 burials is located in a hypogeum (a subsurface burial ground of greater size) in the upper level of the catacombs. The niche is currently dated in the 3rd century AD and belongs to the oldest part of that level. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. Paintings: A red-green-orange frame system divides the surface in geometrical motives, in which different objects are placed such as birds, flowers and vessels (some with fruits). Greek inscriptions preserve some of the names of the deceased. Two recesses on the left side were presumably the place for lamps. 

Processed from 288 photos and 3 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 12a.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268573
title: Vestige du couvent des Mathurins rue de Cluny

description: **Le couvent des Mathurins** a été **la maison de l'ordre des trinitaires** au début du **XIIIe siècle** situé en plein centre de Paris à côté de l'actuel musée du Moyen-âge de Cluny (croisement rue du Sommerard et rue de Cluny), jusqu'à la dissolution de l'ordre en 1790. Ce lieu fût le **siège de l'Université de Paris**, dont toutes les assemblés se tenaient dans le cloître. 
L'ensemble est détruit à la révolution, certains vestiges sont découverts et détruits lors des travaux du Baron Haussman. 
En 1907, lors de la destruction d'un magasin à proximité, **un reste d'arcade est mis au jour** et est toujours visibles par les passants aujourd'hui. D'autres vestiges sont également toujours visibles dans les cours privées des constructions contemporaines. 

![](https://upload.wikimedia.org/wikipedia/commons/6/60/Les_Mathurins_b%C3%A2timent_conventuel_d%C3%A9moli_en_1860.jpg "Le Batiment conventuel avant sa destruction")

*Le batiment conventuel avant sa destruction*

photos : téléphone samsung ; agisoft photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268572
title: Vestige du couvent des Mathurins rue de Cluny

description: **Le couvent des Mathurins** a été **la maison de l'ordre des trinitaires** au début du **XIIIe siècle** situé en plein centre de Paris à côté de l'actuel musée du Moyen-âge de Cluny (croisement rue du Sommerard et rue de Cluny), jusqu'à la dissolution de l'ordre en 1790. Ce lieu fût le **siège de l'Université de Paris**, dont toutes les assemblés se tenaient dans le cloître. 
L'ensemble est détruit à la révolution, certains vestiges sont découverts et détruits lors des travaux du Baron Haussman. 
En 1907, lors de la destruction d'un magasin à proximité, **un reste d'arcade est mis au jour** et est toujours visibles par les passants aujourd'hui. D'autres vestiges sont également toujours visibles dans les cours privées des constructions contemporaines. 

![](https://upload.wikimedia.org/wikipedia/commons/6/60/Les_Mathurins_b%C3%A2timent_conventuel_d%C3%A9moli_en_1860.jpg "Le Batiment conventuel avant sa destruction")

*Le batiment conventuel avant sa destruction*

photos : téléphone samsung ; agisoft photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268578
title: Αμφορέας "Εστία"

description: Model made for Digitization Course of the Digital Humanities MSc  AUEB.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268579
title: Αμφορέας "Εστία"

description: Model made for Digitization Course of the Digital Humanities MSc  AUEB.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268584
title: Roman gravestone

description: ''Burial inscription on local limestone plate''

[L]ocus consecratus
Otacilio Licino
in fronte p(edes) cxx
in agro p(edes) xxx
Trophimus lib(ertus)
posuit 

The presence of the Otacilii in Terracina (italy) is evidenced by two other inscriptions, one coming from location "ritiro".  (C.I.L. X, II - Auctarium n.8404) and the other found during excavation work on location "Le Mole" (NSA 1894, p. 250)

Trophimus is a name of Greek origin attested by the early imperial age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268585
title: Roman gravestone

description: ''Burial inscription on local limestone plate''

[L]ocus consecratus
Otacilio Licino
in fronte p(edes) cxx
in agro p(edes) xxx
Trophimus lib(ertus)
posuit 

The presence of the Otacilii in Terracina (italy) is evidenced by two other inscriptions, one coming from location "ritiro".  (C.I.L. X, II - Auctarium n.8404) and the other found during excavation work on location "Le Mole" (NSA 1894, p. 250)

Trophimus is a name of Greek origin attested by the early imperial age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268592
title: CS:GO Operation Payback Coins

description: Models of CS:GO Operation Payback Coins. Materials were adjusted by eye

Credits: Valve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268593
title: CS:GO Operation Payback Coins

description: Models of CS:GO Operation Payback Coins. Materials were adjusted by eye

Credits: Valve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268598
title: Trelänning Q&D

description: (c) Maritime Archaeological Society of Finland

Quick & dirty temporary model of the Trelänning wreck

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268599
title: Trelänning Q&D

description: (c) Maritime Archaeological Society of Finland

Quick & dirty temporary model of the Trelänning wreck

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268606
title: Petroglyph J8, Khatm Al Melaha, Kalba, Sharjah.

description: Natural. Petroglyph J8, Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268607
title: Petroglyph J8, Khatm Al Melaha, Kalba, Sharjah.

description: Natural. Petroglyph J8, Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268616
title: La Pureté, Costas Valsensis (1955)

description: Purity (1955) Costas Valsensis. A sculpture donated by the Greek community of France to the city of Paris.

DSLR Scan of 109 shots, process with Reality Capture in 00h:34m:27s.

**free download but do not forget to credit me if you use it publicly.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268617
title: La Pureté, Costas Valsensis (1955)

description: Purity (1955) Costas Valsensis. A sculpture donated by the Greek community of France to the city of Paris.

DSLR Scan of 109 shots, process with Reality Capture in 00h:34m:27s.

**free download but do not forget to credit me if you use it publicly.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268624
title: Tenor Ukulele Moldable - Top (Part 1 of 2)

description: Injection Moldable design of a Tenor scaled ukulele. Part 1 of 2.

See http://www.mind2form.com for more details.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268625
title: Tenor Ukulele Moldable - Top (Part 1 of 2)

description: Injection Moldable design of a Tenor scaled ukulele. Part 1 of 2.

See http://www.mind2form.com for more details.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268630
title: Guerrero Copper Spike on Bedrock (2019)

description: Site 2-04-8MO02343 Copper Spike. This spike, approximately 16 centimeters long, sits in a shallow recess in the bedrock. It is one of many copper spikes found across the shipwreck site. This model was made in June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268631
title: Guerrero Copper Spike on Bedrock (2019)

description: Site 2-04-8MO02343 Copper Spike. This spike, approximately 16 centimeters long, sits in a shallow recess in the bedrock. It is one of many copper spikes found across the shipwreck site. This model was made in June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268640
title: FukurinjiBuddha3

description: Small statues of Buddha arranged with a shape of C
福林寺摩崖仏3 コの字型に配列された小石仏

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268641
title: FukurinjiBuddha3

description: Small statues of Buddha arranged with a shape of C
福林寺摩崖仏3 コの字型に配列された小石仏

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268650
title: Mascarons, Nantes (44)

description: Sur cette façade du quai de la Fosse (d'où partaient les bateaux vers l'Afrique), on reconnaît Mercure, dieu du commerce (identifiable à son pétase, un casque ailé). "Pourquoi retrouve-t-on Mercure sur de nombreuses façades à Nantes ? Parce qu'il représente l'appétit de l'argent, l'appétit du bénéfice...", rappelle l'historien Jean Breteau. Le commerce des esclaves représentait une telle source de profits qu'après son interdiction en 1815 par le traité de Viennes, Nantes a poursuivi la traite illégale pendant une quinzaine d'années.

![](http://www.odile-halbert.com/Paroisse/Cartes/Cartes_44/44_Nantes-Port.49.jpg)


On this facade of the Quai de la Fosse, we recognize Mercury, the god of commerce (identifiable by his petasha, a winged helmet). "Why do we find Mercure on many facades in Nantes? Because it represents the appetite for money, the appetite for profit ...". The slave trade was such a source of profits that after its ban in 1815, Nantes continued the illegal trade for fifteen years.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268651
title: Mascarons, Nantes (44)

description: Sur cette façade du quai de la Fosse (d'où partaient les bateaux vers l'Afrique), on reconnaît Mercure, dieu du commerce (identifiable à son pétase, un casque ailé). "Pourquoi retrouve-t-on Mercure sur de nombreuses façades à Nantes ? Parce qu'il représente l'appétit de l'argent, l'appétit du bénéfice...", rappelle l'historien Jean Breteau. Le commerce des esclaves représentait une telle source de profits qu'après son interdiction en 1815 par le traité de Viennes, Nantes a poursuivi la traite illégale pendant une quinzaine d'années.

![](http://www.odile-halbert.com/Paroisse/Cartes/Cartes_44/44_Nantes-Port.49.jpg)


On this facade of the Quai de la Fosse, we recognize Mercury, the god of commerce (identifiable by his petasha, a winged helmet). "Why do we find Mercure on many facades in Nantes? Because it represents the appetite for money, the appetite for profit ...". The slave trade was such a source of profits that after its ban in 1815, Nantes continued the illegal trade for fifteen years.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268654
title: Fougères Castle Square Tower Gate [France]

description: Custom low-poly asset made with Blender and Gimp for the Cities: Skylines video game. Available on the Steam Workshop here: https://steamcommunity.com/sharedfiles/filedetails/?id=1557421494 Tour de la Haye-Saint-Hilaire

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268655
title: Fougères Castle Square Tower Gate [France]

description: Custom low-poly asset made with Blender and Gimp for the Cities: Skylines video game. Available on the Steam Workshop here: https://steamcommunity.com/sharedfiles/filedetails/?id=1557421494 Tour de la Haye-Saint-Hilaire

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268657
title: Figures

description: Oil on canvas

20 x 20 cm

2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268656
title: Figures

description: Oil on canvas

20 x 20 cm

2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268658
title: Yuca Tecos 3d Dance2

description: TEST DE FBX YUCATECO

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268659
title: Yuca Tecos 3d Dance2

description: TEST DE FBX YUCATECO

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268660
title: Rogu Kara kapi

description: Rogu Kara kapu 3D modelis. Koordinātas: 56.806352, 27.674867

https://www.latvijas-pilskalni.lv/rogu-kara-kapi/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268663
title: Medieval Church, Calatrava la Nueva, Spain

description: Medieval church located inside the impressive Fortress of Calatrava La Nueva in Aldea del Rey (Ciudad Real, Spain). The castle/convent of Calatrava La Nueva was built in the 13th century to serve as the seat of the powerful Order of Calatrava and today it is one of the most important castles in Spain. Inside, a large 3-nave church was built in an artistic style that mixes elements of Romanesque, Gothic and influences of Islamic art. This mixture of styles, but also of constructive and decorative techniques, make the church of Calatrava La Nueva a unique place.

We want to publicly thank the collaboration of the Castilla-La Mancha regional government, Aldea del Rey City Council, and the archaeologist Ana Segovia Fernández, for the assistance and faciliation they have given provided.

Processed in Reality Capture from 76 Faro laser scans and 4100 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268665
title: Càntir de ceràmica

description: Càntir de ceràmica del segle XX, de la col·lecció del Museu de Reus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268667
title: IP Aron Hakodesch

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6331/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268661
title: Rogu Kara kapi

description: Rogu Kara kapu 3D modelis. Koordinātas: 56.806352, 27.674867

https://www.latvijas-pilskalni.lv/rogu-kara-kapi/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268662
title: Medieval Church, Calatrava la Nueva, Spain

description: Medieval church located inside the impressive Fortress of Calatrava La Nueva in Aldea del Rey (Ciudad Real, Spain). The castle/convent of Calatrava La Nueva was built in the 13th century to serve as the seat of the powerful Order of Calatrava and today it is one of the most important castles in Spain. Inside, a large 3-nave church was built in an artistic style that mixes elements of Romanesque, Gothic and influences of Islamic art. This mixture of styles, but also of constructive and decorative techniques, make the church of Calatrava La Nueva a unique place.

We want to publicly thank the collaboration of the Castilla-La Mancha regional government, Aldea del Rey City Council, and the archaeologist Ana Segovia Fernández, for the assistance and faciliation they have given provided.

Processed in Reality Capture from 76 Faro laser scans and 4100 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268664
title: Càntir de ceràmica

description: Càntir de ceràmica del segle XX, de la col·lecció del Museu de Reus.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268666
title: IP Aron Hakodesch

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6331/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268669
title: Rusted Japanese Torii Gates

description: low poly japanese Rusted Torri Gate.  4K PBR textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268668
title: Rusted Japanese Torii Gates

description: low poly japanese Rusted Torri Gate.  4K PBR textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268670
title: Druim Mor DS22

description: 6? cup marks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268671
title: Druim Mor DS22

description: 6? cup marks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268676
title: Mayoral Gown Without Sides 75

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268677
title: Mayoral Gown Without Sides 75

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268687
title: Waltham Abbey Cloister Entry

description: From the plaque: "This vaulted passage of late 12th Century date formed an entry to the cloister of the abbey through the northern range of claustral buildings."

Located in the parkland to he north east of Waltham Abbey (church), England.

https://en.wikipedia.org/wiki/Waltham_Abbey_Church
https://historicengland.org.uk/listing/the-list/list-entry/1337453

623 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.
Interior photographed through gates so quality not as high. Top and west side could not be photographed.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268689
title: Waltham Abbey Cloister Entry

description: From the plaque: "This vaulted passage of late 12th Century date formed an entry to the cloister of the abbey through the northern range of claustral buildings."

Located in the parkland to he north east of Waltham Abbey (church), England.

https://en.wikipedia.org/wiki/Waltham_Abbey_Church
https://historicengland.org.uk/listing/the-list/list-entry/1337453

623 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.
Interior photographed through gates so quality not as high. Top and west side could not be photographed.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10268696
title: Mycenae

description: Legendary home of **Agamemnon** ancient greek king, main participant of the Trojan wars. 

**Mycenae** (Greek: Μυκῆναι Mykēnai or Μυκήνη Mykēnē) is an archaeological site in Greece, located about 90 kilometres (56 miles) southwest of Athens, in the north-eastern **Peloponnese**. Argos is 11 kilometres (7 miles) to the south; Corinth, 48 kilometres (30 miles) to the north. From the hill on which the palace was located, one can see across the Argolid to the Saronic Gulf.

Source: Objaverse 1.0 / Sketchfab