cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10305287
title: Badge of the beard of Emperor Peter I (1705).

description: Badge of the beard of Emperor Peter I (1705). Year of issue: 1705. Material: copper. Edge: smooth. Diameter: 22-24 mm. Weight: 4.5-5.2 gr.
In 1698, Peter I introduced the beard tax to modernize Russian society. Men with beards (except for peasants and clergy) had to pay an annual beard tax of 100 rubles. Those who paid the tax were required to wear the beard badge, while those who resisted the ban were forcibly and publicly shaved.

2 photos were used to create the model.

Знак бороды императора Петра I Великого (1705). Год выпуска: 1705 год. Материал: медь. Гурт: гладкий. Диаметр: 22-24 мм. Вес: 4,5-5,2 гр.
В 1698 году Петр I ввел налог на бороду для модернизации российского общества. Мужчины с бородами (кроме крестьян и духовенства) должны были платить ежегодный налог на бороду в размере 100 рублей. Те, кто платил налог, должны были носить «знак бороды», в то время как те, кто сопротивлялся запрету, были насильственно и публично выбриты.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305288
title: Badge of the beard of Emperor Peter I (1705).

description: Badge of the beard of Emperor Peter I (1705). Year of issue: 1705. Material: copper. Edge: smooth. Diameter: 22-24 mm. Weight: 4.5-5.2 gr.
In 1698, Peter I introduced the beard tax to modernize Russian society. Men with beards (except for peasants and clergy) had to pay an annual beard tax of 100 rubles. Those who paid the tax were required to wear the beard badge, while those who resisted the ban were forcibly and publicly shaved.

2 photos were used to create the model.

Знак бороды императора Петра I Великого (1705). Год выпуска: 1705 год. Материал: медь. Гурт: гладкий. Диаметр: 22-24 мм. Вес: 4,5-5,2 гр.
В 1698 году Петр I ввел налог на бороду для модернизации российского общества. Мужчины с бородами (кроме крестьян и духовенства) должны были платить ежегодный налог на бороду в размере 100 рублей. Те, кто платил налог, должны были носить «знак бороды», в то время как те, кто сопротивлялся запрету, были насильственно и публично выбриты.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305283
title: Tombstone of Luís do Rego Almeida (Montemor)

description: Armoriated tombstone of Luís do Rego Almeida, of provenance unknown, dated of 1638.  This piece is part of the collection of the museum of São Domingos, in Montemor-o-Novo.

Photos from Canon 5D Mk IV (35mm lens). Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305285
title: Cauldron

description: ID no.: MNS/MS/5 - Ar

Museum: Nowy Sącz District Museum

https://muzea.malopolska.pl/en/objects-list/2442

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305289
title: Guillotine

description: Game ready Guillotine

4k Normal, AO , Diffuse and roughness maps included.
Made in blender 2.9, textured with Qxm and blender.
You can find good renders of the model in my artstation : https://www.artstation.com/artwork/8eLzLw

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305290
title: Guillotine

description: Game ready Guillotine

4k Normal, AO , Diffuse and roughness maps included.
Made in blender 2.9, textured with Qxm and blender.
You can find good renders of the model in my artstation : https://www.artstation.com/artwork/8eLzLw

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305291
title: COADS_102-4

description: Diagnostic Biface collected in Liberty Township, Ross County, Ohio.
Material Type: Flint Ridge
Type Determination: Kirk CN
Uploaded by Gabi Ritter


Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Gabi Ritter, and Michael Shott, 2017. COADS_102-4, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305292
title: COADS_102-4

description: Diagnostic Biface collected in Liberty Township, Ross County, Ohio.
Material Type: Flint Ridge
Type Determination: Kirk CN
Uploaded by Gabi Ritter


Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Gabi Ritter, and Michael Shott, 2017. COADS_102-4, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305293
title: Escultura Deforme Prueba 1

description: Primer esultado de ejercicio de fotogrametria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305294
title: Escultura Deforme Prueba 1

description: Primer esultado de ejercicio de fotogrametria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305295
title: The First Funeral

description: The First Funeral (1878/1892), Louis-Ernst Barrias (1841-1905), marble, Ny Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305296
title: The First Funeral

description: The First Funeral (1878/1892), Louis-Ernst Barrias (1841-1905), marble, Ny Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305298
title: 18th Century Sword Replica in Sheath

description: Most soldados carried espadas (swords).  These espadas primarily consisted of straight bladed rapiers which could be used to "cut and thrust."  Most of the time only the blades were shipped from Spain and the hilts were made in Mexico City or some other larger establishment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305300
title: Reliefs of the Southwestern Palace

description: Reliefs of the Southwestern Palace, Sennacherib reign, 705-681, Niniveh (Kujundjik). Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

Excavations of Henry Austen Layard 1853-1854, rooms 32 and 33, courtyard 6, Mosulalabast, Alabaster of Mosul.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305301
title: Mascaron, Nantes (44)

description: 7 rue des Cadeniers à Nantes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305304
title: Pierre gravée n°5, Caverne des Lataniers

description: La caverne des Lataniers est un des lieux du massif du volcan le piton de la Fournaise qui garde les traces du passé (période du marronnage au XVIIIe siècle et de la conquête de cet espace entre la fin du XVIIIe et le XXe siècle).

De nombreuses pierres gravées ont été retrouvées sur le site. Elle portent les noms des premiers explorateurs du volcan qui ont voulu laisser une trace de leur passage. Les gravures sont étudiées par des spécialistes pour retracer l'histoire de la fréquentation de la caverne et des modèles 3D sont réalisés à des fins d'analyse et de conservation numérique.

Inscription : 

"HOARAU 
1927
A BRUNET 1929
E. PALMER
Augustin BRUNET
J. PICARD	

LAURET 
1930

PAYET 
1920"

* Fouille archéologique : sous la direction de Virginie Motte (SRA, DAC Réunion)
* Photogrammétrie : Jonhattan Vidal (SRA, DAC Réunion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305297
title: 18th Century Sword Replica in Sheath

description: Most soldados carried espadas (swords).  These espadas primarily consisted of straight bladed rapiers which could be used to "cut and thrust."  Most of the time only the blades were shipped from Spain and the hilts were made in Mexico City or some other larger establishment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305306
title: 明ケ島5号墳下層 A40ブロック レプリカ

description: 静岡県磐田市
明ケ島古墳群出土土製品(重要文化財)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305299
title: Reliefs of the Southwestern Palace

description: Reliefs of the Southwestern Palace, Sennacherib reign, 705-681, Niniveh (Kujundjik). Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

Excavations of Henry Austen Layard 1853-1854, rooms 32 and 33, courtyard 6, Mosulalabast, Alabaster of Mosul.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305308
title: Sanctuaire Beaupre

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305309
title: Sanctuaire Beaupre

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305302
title: Mascaron, Nantes (44)

description: 7 rue des Cadeniers à Nantes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305310
title: Men-an-Tol standing stones

description: Possibly one of the best known and least understood monuments in Cornwall, it probably dates from the late Neolithic or Bronze age (2500-1000 BCE). At least one of the stones is thought to have been moved in Georgian times. The function of the stones is not known but suggestions have included an astronomical observatory, fragments of a stone circle, or part of a burial mound.
Local tradition has it that rickets can be cured by passing the afflicted child through the holed stone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305311
title: Men-an-Tol standing stones

description: Possibly one of the best known and least understood monuments in Cornwall, it probably dates from the late Neolithic or Bronze age (2500-1000 BCE). At least one of the stones is thought to have been moved in Georgian times. The function of the stones is not known but suggestions have included an astronomical observatory, fragments of a stone circle, or part of a burial mound.
Local tradition has it that rickets can be cured by passing the afflicted child through the holed stone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305305
title: Pierre gravée n°5, Caverne des Lataniers

description: La caverne des Lataniers est un des lieux du massif du volcan le piton de la Fournaise qui garde les traces du passé (période du marronnage au XVIIIe siècle et de la conquête de cet espace entre la fin du XVIIIe et le XXe siècle).

De nombreuses pierres gravées ont été retrouvées sur le site. Elle portent les noms des premiers explorateurs du volcan qui ont voulu laisser une trace de leur passage. Les gravures sont étudiées par des spécialistes pour retracer l'histoire de la fréquentation de la caverne et des modèles 3D sont réalisés à des fins d'analyse et de conservation numérique.

Inscription : 

"HOARAU 
1927
A BRUNET 1929
E. PALMER
Augustin BRUNET
J. PICARD	

LAURET 
1930

PAYET 
1920"

* Fouille archéologique : sous la direction de Virginie Motte (SRA, DAC Réunion)
* Photogrammétrie : Jonhattan Vidal (SRA, DAC Réunion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305307
title: 明ケ島5号墳下層 A40ブロック レプリカ

description: 静岡県磐田市
明ケ島古墳群出土土製品(重要文化財)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305313
title: Bridge House

description: Bridge House (Ambleside, UK) is possibly the most photographed building in the Lake District. 

The tiny building, originally an apple store over Stock Beck, was built in the 17th century by the Braithwaite family. 

The house was purchased by local people in 1926, and subsequently given to the National Trust.

https://historicengland.org.uk/listing/the-list/list-entry/1245148

The model was created from 857 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305314
title: Bridge House

description: Bridge House (Ambleside, UK) is possibly the most photographed building in the Lake District. 

The tiny building, originally an apple store over Stock Beck, was built in the 17th century by the Braithwaite family. 

The house was purchased by local people in 1926, and subsequently given to the National Trust.

https://historicengland.org.uk/listing/the-list/list-entry/1245148

The model was created from 857 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305315
title: Buste de femme (Bust of a Woman), 1931 - Pablo P

description: Buste de femme (Bust of a Woman), 1931 - Pablo Picasso
Shot on my Note 10 at Arken Museum, Ishøj, Denmark

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305316
title: Buste de femme (Bust of a Woman), 1931 - Pablo P

description: Buste de femme (Bust of a Woman), 1931 - Pablo Picasso
Shot on my Note 10 at Arken Museum, Ishøj, Denmark

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305317
title: Medieval Wheel Barrow

description: This Medieval Wheel Barrow is my first 3D Model I made independently from 3DS Max for a uni project. I welcome full feedback since I aim to improve my 3D skills. I'm just starting out and enjoying this process. Thanks for viewing. (:

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305318
title: Medieval Wheel Barrow

description: This Medieval Wheel Barrow is my first 3D Model I made independently from 3DS Max for a uni project. I welcome full feedback since I aim to improve my 3D skills. I'm just starting out and enjoying this process. Thanks for viewing. (:

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305321
title: Barbarossa

description: VirtualshopX
Scan the world.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305322
title: Barbarossa

description: VirtualshopX
Scan the world.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305323
title: "Jaguar & Alligator Monolith"

description: Guayabo, Costa Rica.

Rotate to see the other side.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305324
title: "Jaguar & Alligator Monolith"

description: Guayabo, Costa Rica.

Rotate to see the other side.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305325
title: WBCA - 2020 High School Visual Arts Contest

description: **White Bear Center for the Arts - 2020 High School Visual Arts Contest** will be shown virtually. Click this [link](https://whitebeararts.org/hsvac-2020/) for the gallery of 100 2D & 3D selected works, representing six regional high schools. New this year, WBCA worked with the students to include artist statements alongside professionally edited images. 

(A virtual gallery I made in Unreal Engine 4 for an easy view for those who don't want to install the game app. -Mike Peterson)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305326
title: WBCA - 2020 High School Visual Arts Contest

description: **White Bear Center for the Arts - 2020 High School Visual Arts Contest** will be shown virtually. Click this [link](https://whitebeararts.org/hsvac-2020/) for the gallery of 100 2D & 3D selected works, representing six regional high schools. New this year, WBCA worked with the students to include artist statements alongside professionally edited images. 

(A virtual gallery I made in Unreal Engine 4 for an easy view for those who don't want to install the game app. -Mike Peterson)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305330
title: Odeon at Pompeii

description: Another test of the found video to model workflow. Used regard3d to stitch the stills together. Not having the original camera, I assumed a gopro and used http://www.kolor.com/wiki-en/action/view/Autopano_Video_-_Focal_length_and_field_of_view for details on focal length etc. 

This is the model straight out of the workflow. There are some bits and blobs floating around that one would delete with eg meshlab.

Source video: https://www.youtube.com/watch?v=6IL3ilHMrwg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305329
title: Odeon at Pompeii

description: Another test of the found video to model workflow. Used regard3d to stitch the stills together. Not having the original camera, I assumed a gopro and used http://www.kolor.com/wiki-en/action/view/Autopano_Video_-_Focal_length_and_field_of_view for details on focal length etc. 

This is the model straight out of the workflow. There are some bits and blobs floating around that one would delete with eg meshlab.

Source video: https://www.youtube.com/watch?v=6IL3ilHMrwg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305331
title: Chapel Stone, Lammermuirs, Scotland

description: Chapel Stone, Penshiel Grange, East Lothian, Scotland.

Canmore ID 57557
NT64012 63176

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305332
title: Chapel Stone, Lammermuirs, Scotland

description: Chapel Stone, Penshiel Grange, East Lothian, Scotland.

Canmore ID 57557
NT64012 63176

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305334
title: Старотадамское городище. Закамье РТ.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305333
title: Старотадамское городище. Закамье РТ.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305335
title: Balnuaran of Clava, Inverness, Scotland

description: This Bronze Age funerary monument, known as a 'Clava Cairn', is located in a cemetery of similar monuments that are managed by Historic Environment Scotland.    

The cairn has a kerb of massive boulders 16.75m (55 feet) in diameter. The stones graduate irregularly in size from 0.9m by the entrance on the south-west side to 0.45m at the back. The cairn reaches a height of 3m. 

The cairn is surrounded by a stone platform, which has grassed over, that is 3-5.5m wide and 0.45m high.   The chamber c.4m in diameter and survives 2.1m high.  

The cairn is surrounded by a circle of eleven standing stones (and one small earthfast stone). The stones are irregularly spaced and vary from 7m to 10m from the kerb and have an overall diameter of  33.5-35.5m. The two stones on either side of the entrance one 2.75m and 1.6m. high.

Cupmarks a stone in the passage and one on the north side of the kerb.  For more info see: https://canmore.org.uk/site/14257/balnuaran-of-clava-north-east

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305336
title: Balnuaran of Clava, Inverness, Scotland

description: This Bronze Age funerary monument, known as a 'Clava Cairn', is located in a cemetery of similar monuments that are managed by Historic Environment Scotland.    

The cairn has a kerb of massive boulders 16.75m (55 feet) in diameter. The stones graduate irregularly in size from 0.9m by the entrance on the south-west side to 0.45m at the back. The cairn reaches a height of 3m. 

The cairn is surrounded by a stone platform, which has grassed over, that is 3-5.5m wide and 0.45m high.   The chamber c.4m in diameter and survives 2.1m high.  

The cairn is surrounded by a circle of eleven standing stones (and one small earthfast stone). The stones are irregularly spaced and vary from 7m to 10m from the kerb and have an overall diameter of  33.5-35.5m. The two stones on either side of the entrance one 2.75m and 1.6m. high.

Cupmarks a stone in the passage and one on the north side of the kerb.  For more info see: https://canmore.org.uk/site/14257/balnuaran-of-clava-north-east

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305338
title: alishan-sacred-tree-station-segment-a

description: "Alishan Sacred Tree Station: A Volumetric Approach"

Segment A of ?

Location:  approaching Sacred Tree Station from the South, just to the east of another shifter junction
Google Maps:  https://goo.gl/maps/GvYBv3TdSB8sm9k9A

Scan made with colmap using frames extracted from front window facing footage from a moving train which can be located at these coordinates:  
https://youtu.be/dgTebpOmWaI?t=524

All geometry wrangling, animation and rendering performed with Houdini.

Special thanks to Eyes Ball for creating and sharing unique videos from a mountain top of magic that we have only now begun to explore remotely thanks to you.  :)  
Eyes Ball:  https://www.youtube.com/channel/UCbfE78PSCka1D4EEvFAXkLw

We have begun queuing and curating some of our favorite clips...we will return.

Sea U Soon,
-Alan/Organic

This signal was analyzed by Organic.  
Additional data may be found here: 
https://www.instagram.com/p/CFEkKZnH5Vq/

https://www.youtube.com/c/OrganicComputer

https://www.patreon.com/artbyorganic

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305337
title: alishan-sacred-tree-station-segment-a

description: "Alishan Sacred Tree Station: A Volumetric Approach"

Segment A of ?

Location:  approaching Sacred Tree Station from the South, just to the east of another shifter junction
Google Maps:  https://goo.gl/maps/GvYBv3TdSB8sm9k9A

Scan made with colmap using frames extracted from front window facing footage from a moving train which can be located at these coordinates:  
https://youtu.be/dgTebpOmWaI?t=524

All geometry wrangling, animation and rendering performed with Houdini.

Special thanks to Eyes Ball for creating and sharing unique videos from a mountain top of magic that we have only now begun to explore remotely thanks to you.  :)  
Eyes Ball:  https://www.youtube.com/channel/UCbfE78PSCka1D4EEvFAXkLw

We have begun queuing and curating some of our favorite clips...we will return.

Sea U Soon,
-Alan/Organic

This signal was analyzed by Organic.  
Additional data may be found here: 
https://www.instagram.com/p/CFEkKZnH5Vq/

https://www.youtube.com/c/OrganicComputer

https://www.patreon.com/artbyorganic

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305339
title: PANTEÓN FERNÁNDEZ_Lopoly2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305340
title: PANTEÓN FERNÁNDEZ_Lopoly2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305342
title: Corbel - Killaloe

description: One of 8 elongated corbels of the 13th century. These late romanesques/transitional designs have a short shaft tapering to a knot, leaf, interlace and in this instance a horse. The capitals of each are unqiue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305341
title: Corbel - Killaloe

description: One of 8 elongated corbels of the 13th century. These late romanesques/transitional designs have a short shaft tapering to a knot, leaf, interlace and in this instance a horse. The capitals of each are unqiue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305343
title: Nobber - Cross 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305344
title: Nobber - Cross 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305347
title: Copper Ingot: EOA:2022.80.1

description: Copper ingot from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.80.1

Collection: Earl of Abergavenny

Classification: Trade

Measurements: Length 153mm Width 20mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

One of several hundred copper ingots recovered from the wreck. 

Copper ingots recovered from the Earl of Abergavenny are thought to have come from Cornish mines due to their distinctive high bismuth and arsenic content.

Being the second most expensive item of cargo on board, after the consignment of broadcloth, the ingots were bound for Bengal where one of the East India Company's mints was located.


The British Museum was donated seven copper ingots from the Earl of Abergavenny: https://www.britishmuseum.org/collection/object/H_1993-0202-1

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click here: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab