cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.3535/vqz-q0p-n4r
title: Semicytherura nigrescens (Baird, 1838)

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.5281/zenodo.17539157
title: Near-explicit simulation of chemical composition, size distribution and cloud condensation nuclei of secondary organic aerosol from α-pinene ozonolysis

description: These files serve as input files for the PyCHAM model (which need chemical scheme txt and xml files, model variable file, and corresponding observation constrained file) and can be used to obtain the simulation results in the title paper.
DOI: 10.25549/chi-posters-ouc113134262
title: Picture of a Beauty under the Flower Recording Tang Jiyi’s Cough Pill Test

description: Poster for 花下美人紀錄唐拾義咳丸應驗之圖 [Picture of a beauty beside flowers taking Tang Jiyi’s Cough Pill test].
DOI: 10.25549/chi-posters-ouc113134291
title: Bournville Cocoa Powder [blue, copy 1]

description: Poster for 本味可可粉 [Bournville Cocoa Powder].
DOI: 10.25901/9db0-3q58
title: Yarramundi Control Flux Data Release 2025_v2
DOI: 10.25549/chi-posters-ouc113134371
title: Bournville Cocoa Powder [green, copy 2]

description: Poster for 本味可可粉 [Bournville Cocoa Powder].
DOI: 10.5281/zenodo.17533997
title: Topography-Corrected, Downscaled GHI Dataset for Northwestern Argentina

description: This dataset contains high-resolution, topography-corrected and statistically downscaled Global Horizontal Irradiance (GHI) fields for Northwestern Argentina for the year 2009. The data are derived from reanalysis inputs and corrected using a machine learning model for site adaptation.
DOI: 10.5281/zenodo.17533996
title: Topography-Corrected, Downscaled GHI Dataset for Northwestern Argentina

description: This dataset contains high-resolution, topography-corrected and statistically downscaled Global Horizontal Irradiance (GHI) fields for Northwestern Argentina for the year 2009. The data are derived from reanalysis inputs and corrected using a machine learning model for site adaptation.
DOI: 10.25549/chi-posters-ouc1sto1866989
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/chi-posters-ouc1sto1866666
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/chi-posters-ouc113134280
title: New York LANMAN & KEMP Medicinal and Herb Perfumery Factory

description: Poster and calendar for 紐約林文煙 藥材香水廠 [New York LANMAN & KEMP Medicinal and Herb Perfumery Factory].
DOI: 10.25549/chi-posters-ouc113134281
title: Da Chang Tobacco Company

description: Poster for 大昌煙公司 [Da Chang Tobacco Company].
DOI: 10.25549/chi-posters-ouc113134283
title: Taicheng [copy 4]

description: Poster for 泰成 [Taicheng].
DOI: 10.25549/chi-posters-ouc113134261
title: Quintessence Pharmaceutical House of Watsons, 1921 [copy 1]

description: Poster for 屈臣氏大藥房 [Quintessence Pharmaceutical House of Watsons].
DOI: 10.15468/dl.ps96vs
title: Occurrence Download

description: A dataset containing 35 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is Canada",
 "OccurrenceStatus is Present",
 "TaxonKey is Dama dama"
 ]
}

 The dataset includes 35 records from 3 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019167-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/chi-posters-ouc1sto1866574
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/chi-posters-ouc1sto1866945
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/chi-posters-ouc1sto1866550
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/chi-posters-ouc1sto1866524
title: Chinese Cinema Posters

description: David E. James provides (2024 April 25) the following information regarding the provenance of the Chinese Cinema Posters."In 1990, I was appointed a professor in the School of Cinema at USC. Thereafter I regularly taught Chinese film and I developed a personal connection with the China Film Group Corporation (the state export company, https://en.wikipedia.org/wiki/China_Film_Group_Corporation), from whom I was able to obtain films from the PRC for my classes. In September 2006, the LA office closed, and my friends there invited to me take whatever of their films and posters I wanted. A Mr. Wang there said they had 120 films, 90 in 35 mm and 30 in 16 mm. Thinking that these would be valuable additions to the USC Film Archive, I gladly accepted their offer.""I was assisted in obtaining these by Professor TAN Jia, now at the Chinese University of Hong Kong but who was at that time a USC graduate student writing her dissertation on Chinese cinema. Dr. Tan did most of the work obtaining the films from the storage facility, but together we obtained over 100 films and 125 posters for Chinese films from China Film. Most of these films were from the 1980s and 1990s, with a few exceptions from the 1940s to 1970s. We deposited them all in the USC Cinema Archive, and for more than a year Dr. Tan was employed to catalog the film prints. Since then, the Archive has made the films available to educational establishments and film festivals. Dr. Tan, together with Dr. Feng-Mei Heberer, another USC graduate student at that time, curated 'Chinese Female Filmmakers Screening Series: Highlighting USC China Film Collection' screening program for 'Cinematheque 108' at USC in November 2009."USC users may login using SSO (https://digitallibrary.usc.edu/saml2/login.aspx) to view the posters.
DOI: 10.25549/whittington-ouc11399erfr
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go61
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go8d
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399er9y
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.y96t7e
title: Occurrence Download

description: A dataset containing 396 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is 99fe7290-d54a-4f1e-b0dd-3989337a22eb",
 "TaxonKey is Animalia"
 ]
}

 The dataset includes 396 records from 5 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019169-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc11399era6
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fc6o
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/chi-posters-ouc113134366
title: Peacock Brand Sweetened Condensed Milk [copy 2]

description: Poster for 孔雀牌甜煉乳 [Peacock Brand Sweetened Condensed Milk].
DOI: 10.15468/dl.rsveed
title: Occurrence Download

description: A dataset containing 15031 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is one of (Monochamus scutellatus, Monochamus scutellatus oregonensis, Monochamus scutellatus scutellatus, Monochamus scutellatus scutellatus)"
 ]
}

 The dataset includes 15031 records from 50 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019168-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.