cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10384927
title: Evangelical Church of Sebes_St. John

description: A medium quality model (here decimated to 1000k) of a 14th Century Gothic sculpture of a saint, decorating the north side of the choir, within the ensemble of the Evangelical Church of Sebes (Muhlbach), Alba County, Romania. This entire ensemble is considered to be the  the most representative Gothic style construction for the entire region of Transylvania. (copyright Muzeul Municipal Ioan Raica Sebes 2017).

The model was created from a total of 58 photos obtained using a 180 mm telephoto lens, from ground level, hence the gaps. 

DEM with color ramp shader:
![](http://i65.tinypic.com/2jga5o1.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384928
title: Asotes pilskalns

description: Asotes pilskalna 3D modelis. Koordinātas: 56.492965,25.918804

https://www.latvijas-pilskalni.lv/asotes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384929
title: Asotes pilskalns

description: Asotes pilskalna 3D modelis. Koordinātas: 56.492965,25.918804

https://www.latvijas-pilskalni.lv/asotes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384932
title: St James Garlickhythe Lion

description: A carved and painted lion (one of two) in St James Garlickhythe Church, Upper Thames Street, London.

http://www.stjamesgarlickhythe.org/

113 photos taken in September 2021 with a Sony a7R III and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384933
title: St James Garlickhythe Lion

description: A carved and painted lion (one of two) in St James Garlickhythe Church, Upper Thames Street, London.

http://www.stjamesgarlickhythe.org/

113 photos taken in September 2021 with a Sony a7R III and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384934
title: Wooden apothecary vessel for dried quince fruit

description: On the front, there is an escutcheon with the inscription: Poma Cydoniorum imat(immaturus), meaning the fruit of the quince (Cydonia oblonga Mill.). It was mainly used as a thickener, as the quince fruit contains a lot of thick juices. Quince fruit preparations were also used to relieve irritation caused by stomatitis and as a liquid for washing sore eyes and the skin of the eyelid.

ID no.: KGZ 890/22

Time of creation: 19th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/863

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384935
title: Wooden apothecary vessel for dried quince fruit

description: On the front, there is an escutcheon with the inscription: Poma Cydoniorum imat(immaturus), meaning the fruit of the quince (Cydonia oblonga Mill.). It was mainly used as a thickener, as the quince fruit contains a lot of thick juices. Quince fruit preparations were also used to relieve irritation caused by stomatitis and as a liquid for washing sore eyes and the skin of the eyelid.

ID no.: KGZ 890/22

Time of creation: 19th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/863

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384936
title: AR014-001-01

description: Projectile point collected in Gibson County, Indiana. 

Catalog # 12-G-9

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, and Kevin C. Nolan, 2022. AR014-001-01, 3D Model .ply file. Recovered as part of Archaeological Report # 14, *Ethnohistorical and Archaeological Descriptive Accounts of the War of 1812 Mississinewa Campaign and Aftermath: Project Report*, By Elizabeth J. Glenn, B.K. Swartz Jr., and Russell E. Lewis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384937
title: AR014-001-01

description: Projectile point collected in Gibson County, Indiana. 

Catalog # 12-G-9

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, and Kevin C. Nolan, 2022. AR014-001-01, 3D Model .ply file. Recovered as part of Archaeological Report # 14, *Ethnohistorical and Archaeological Descriptive Accounts of the War of 1812 Mississinewa Campaign and Aftermath: Project Report*, By Elizabeth J. Glenn, B.K. Swartz Jr., and Russell E. Lewis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384941
title: Santuario ibérico de El Pajarillo

description: Fragmentos del rostro del héroe perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España). 

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384940
title: Santuario ibérico de El Pajarillo

description: Fragmentos del rostro del héroe perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España). 

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384942
title: Tanum 18B Hfg SHFA

description: Laserscan from a part of the panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384943
title: Tanum 18B Hfg SHFA

description: Laserscan from a part of the panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384944
title: Cranshaw Thorn Hill 08 (July 2013)

description: This small stone is set within the remains of denuded prehistoric walling on Cranshaw Thorn Hill, Ilkley Moor, Rombalds Moor, West Yorkshire.

It's probably safe to assume from the level of motif preservation, that this stone has spent most of its carved life covered. The majority of cups, rings and grooves are irregular and crudely carved but, still have fresh looking pecking. However, a central broad groove and possible worn ring south of the pecked ring lack tooling, which might suggest different phases of carving. This is recorded in Boughey & Vickerman's 2003 publication 'Prehistoric Rock Art of the West Riding' as IAG276 and was added to ERA by the CSI:Rombalds Moor Project as 'Cranshaw Thorn Hill 08'. It became a protected monument in 1995 as part of the MPP. 

ERA record: https://archaeologydataservice.ac.uk/era/section/panel/details.jsf?eraId=2593

Historic England scheduling: https://historicengland.org.uk/listing/the-list/list-entry/1012834

Model created from 11 photos captured in July 2013.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384945
title: Cranshaw Thorn Hill 08 (July 2013)

description: This small stone is set within the remains of denuded prehistoric walling on Cranshaw Thorn Hill, Ilkley Moor, Rombalds Moor, West Yorkshire.

It's probably safe to assume from the level of motif preservation, that this stone has spent most of its carved life covered. The majority of cups, rings and grooves are irregular and crudely carved but, still have fresh looking pecking. However, a central broad groove and possible worn ring south of the pecked ring lack tooling, which might suggest different phases of carving. This is recorded in Boughey & Vickerman's 2003 publication 'Prehistoric Rock Art of the West Riding' as IAG276 and was added to ERA by the CSI:Rombalds Moor Project as 'Cranshaw Thorn Hill 08'. It became a protected monument in 1995 as part of the MPP. 

ERA record: https://archaeologydataservice.ac.uk/era/section/panel/details.jsf?eraId=2593

Historic England scheduling: https://historicengland.org.uk/listing/the-list/list-entry/1012834

Model created from 11 photos captured in July 2013.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384946
title: Arts of Southeast Asia virtual gallery

description: This virtual gallery is a combination of two things: our curator's and our exhibition designer's vision for the fall 2020 gallery remodel; and the sculptures for which we have made 3D models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384947
title: Arts of Southeast Asia virtual gallery

description: This virtual gallery is a combination of two things: our curator's and our exhibition designer's vision for the fall 2020 gallery remodel; and the sculptures for which we have made 3D models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384948
title: Xiphactinus Audax Fossil Skull

description: XIPHACTINUS AUDAX Fossil Skull photogrammetry model.  More models:  -link removed-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384949
title: Xiphactinus Audax Fossil Skull

description: XIPHACTINUS AUDAX Fossil Skull photogrammetry model.  More models:  -link removed-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384950
title: Shell Beads (1040a1381)

description: ** Shell Beads (n=82)** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: marine shell. 
  
Dimensions: length, 19.6 cm; width, 16.8 cm (background size). 
  
Notes: Catalog no. 1040a1381 (n=82).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Sebastian Farris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384951
title: Shell Beads (1040a1381)

description: ** Shell Beads (n=82)** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: marine shell. 
  
Dimensions: length, 19.6 cm; width, 16.8 cm (background size). 
  
Notes: Catalog no. 1040a1381 (n=82).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Sebastian Farris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384953
title: Stalidzānu Svilušais kalns

description: Stalidzānu Svilušā kalna 3D modelis. Koordinātas: 56.18865, 27.37161

https://www.latvijas-pilskalni.lv/stalidzanu-svilusais-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384954
title: Sculpture Sans Nom

description: Sculpture en pierre d'environ 1.60 m de hauteur, se trouvant dans le parc du Waux-Hall à Mons (Belgique), ne portant aucune référence...nous cherchons...Si quelqu'un a des idées à ce sujet il est le bienvenu. Il est possible que cette oeuvre soit due à Albin Courtois (24/04/1912 à Shaerbeek - 10/02/2015 à Rebecq) (?)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384956
title: Mosaic Room 40. Villa Romana del Casale, Sicily

description: Mosaic Room 40, Semicircular Atrium

Villa Romana del Casale in Piazza Armerina, Sicily is home of 3500 m of the most important Roman mosaics in the world. This is an Imperial villa dating to 350 CE. It is a UNESCO World Heritage site. 

These models are the result of combined FARO scans and photogrammetry datasets returned to GDH in C4D format. The models were each exported out of C4D, cleaned in Meshlab, retopologized in ZBrush, UV unwrapped in Blender, and textured and normal-map baked in Blender or Substance Designer.

The original project was a joint effort between the U. of Catania and CVAST at USF. Dr. Mariarita Sgarlata and Dr. H. Maschner, Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data were transferred to GDH for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, H. Maschner, PI.

Details: Salvatore Ciurca (1997)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384957
title: Mosaic Room 40. Villa Romana del Casale, Sicily

description: Mosaic Room 40, Semicircular Atrium

Villa Romana del Casale in Piazza Armerina, Sicily is home of 3500 m of the most important Roman mosaics in the world. This is an Imperial villa dating to 350 CE. It is a UNESCO World Heritage site. 

These models are the result of combined FARO scans and photogrammetry datasets returned to GDH in C4D format. The models were each exported out of C4D, cleaned in Meshlab, retopologized in ZBrush, UV unwrapped in Blender, and textured and normal-map baked in Blender or Substance Designer.

The original project was a joint effort between the U. of Catania and CVAST at USF. Dr. Mariarita Sgarlata and Dr. H. Maschner, Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data were transferred to GDH for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, H. Maschner, PI.

Details: Salvatore Ciurca (1997)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384959
title: 圣经 新世界译本

description: 圣经 新世界译本
New World Translation of the Holy Scriptures published by [Jehovah's Witnesses](https://www.jw.org/cmn-hans/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384958
title: 圣经 新世界译本

description: 圣经 新世界译本
New World Translation of the Holy Scriptures published by [Jehovah's Witnesses](https://www.jw.org/cmn-hans/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384952
title: Stalidzānu Svilušais kalns

description: Stalidzānu Svilušā kalna 3D modelis. Koordinātas: 56.18865, 27.37161

https://www.latvijas-pilskalni.lv/stalidzanu-svilusais-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384960
title: Mausoleum of Halicarnassus

description: This was just an experiment, reconstructing spaces with photos from limited angles. (37.037936, 27.424104)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384961
title: Mausoleum of Halicarnassus

description: This was just an experiment, reconstructing spaces with photos from limited angles. (37.037936, 27.424104)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384955
title: Sculpture Sans Nom

description: Sculpture en pierre d'environ 1.60 m de hauteur, se trouvant dans le parc du Waux-Hall à Mons (Belgique), ne portant aucune référence...nous cherchons...Si quelqu'un a des idées à ce sujet il est le bienvenu. Il est possible que cette oeuvre soit due à Albin Courtois (24/04/1912 à Shaerbeek - 10/02/2015 à Rebecq) (?)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384964
title: Broughmore Wood 1b - Quernstones & Rock Art

description: This model show the E portion of the large rock panel, Broughmore Wood 1, which is split by a deer fence. This is a complex rock surface which has rock art motifs (notably rosettes, cup marks and oval-shaped cup marks) together with arrays of miniature quern stone rough-outs and larger quernstone to millstone sized rough-outs. Activity possibly extending from the Neolithic/Bronze Ages through the Iron Age through to post-medieval activity.

A plan is now in the pipeline for a full excavation of the site, which it is hoped will shed more light on its chronology and, hopefully, reveal even of these more fascinating rock surfaces.

This panel was recorded and 3D modelled by Nick Parish for Scotland's Rock Art Project (ScRAP).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384965
title: Broughmore Wood 1b - Quernstones & Rock Art

description: This model show the E portion of the large rock panel, Broughmore Wood 1, which is split by a deer fence. This is a complex rock surface which has rock art motifs (notably rosettes, cup marks and oval-shaped cup marks) together with arrays of miniature quern stone rough-outs and larger quernstone to millstone sized rough-outs. Activity possibly extending from the Neolithic/Bronze Ages through the Iron Age through to post-medieval activity.

A plan is now in the pipeline for a full excavation of the site, which it is hoped will shed more light on its chronology and, hopefully, reveal even of these more fascinating rock surfaces.

This panel was recorded and 3D modelled by Nick Parish for Scotland's Rock Art Project (ScRAP).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384966
title: Cattle Trough Park Crescent

description: A cattle drinking trough on Park Crescent near Regents Park, London.

Date: 1878

http://www.mdfcta.co.uk/details/t024.html

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384967
title: Cattle Trough Park Crescent

description: A cattle drinking trough on Park Crescent near Regents Park, London.

Date: 1878

http://www.mdfcta.co.uk/details/t024.html

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384968
title: Little Prince - ClayPot_02 - Ancient Rome Bust

description: PROFESIONAL FREE 3D models for Architectural visualization, game, render ready, PBR material - more modeds - herosstudio.eu
Ancient Rome Bust - Little Prince. Claypot. Create from 3D scanning bust. Real world scale - centered at origin. Object Dimensions:  X 40.4cm / Y 46cm / Z 61.5cm. Polygons: 1891. Low polygonal High Quality mesh. Hand made retopology. Only quads polygons. Hand made Unwrapped UVs - Non-overlapping. Materials are PBR (Physically-Based Rendering). High resolution Texture 4K - 4096x4096
- BSDF Princeple Pixar shader
	- Clarisse iFX
	- Cycles-EEVEE - Blender, Cinema 4D
	- Renderman - Blender, Maya, Houdini, Katana
- Corona - 3D Studio Max, Cinema 4D
- MODO
- PBR Metal Rough
	- Arnold - 3D Studio Max, Maya, Cinema 4D,Houdini, Katana
	- Octane - 3D Studio Max, Maya, Blender, Cinema 4D, Houdini, LightWave, MODO, NUKE, SketchUp
	- Redshift - 3D Studio Max, Maya, C4D, Houdini, Katana
	- iClone
- Unity
- Unreal
- Vray - 3D Studio Max, Maya, Blender, Cinema 4D, MODO, NUKE, Katana, SketchUp, Unreal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384969
title: Little Prince - ClayPot_02 - Ancient Rome Bust

description: PROFESIONAL FREE 3D models for Architectural visualization, game, render ready, PBR material - more modeds - herosstudio.eu
Ancient Rome Bust - Little Prince. Claypot. Create from 3D scanning bust. Real world scale - centered at origin. Object Dimensions:  X 40.4cm / Y 46cm / Z 61.5cm. Polygons: 1891. Low polygonal High Quality mesh. Hand made retopology. Only quads polygons. Hand made Unwrapped UVs - Non-overlapping. Materials are PBR (Physically-Based Rendering). High resolution Texture 4K - 4096x4096
- BSDF Princeple Pixar shader
	- Clarisse iFX
	- Cycles-EEVEE - Blender, Cinema 4D
	- Renderman - Blender, Maya, Houdini, Katana
- Corona - 3D Studio Max, Cinema 4D
- MODO
- PBR Metal Rough
	- Arnold - 3D Studio Max, Maya, Cinema 4D,Houdini, Katana
	- Octane - 3D Studio Max, Maya, Blender, Cinema 4D, Houdini, LightWave, MODO, NUKE, SketchUp
	- Redshift - 3D Studio Max, Maya, C4D, Houdini, Katana
	- iClone
- Unity
- Unreal
- Vray - 3D Studio Max, Maya, Blender, Cinema 4D, MODO, NUKE, Katana, SketchUp, Unreal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384972
title: Neolithic Bone Pin

description: Neolithic Bone Dress Pin found during excavations at the Links of Noltland Westray Orkney Islands

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384973
title: Neolithic Bone Pin

description: Neolithic Bone Dress Pin found during excavations at the Links of Noltland Westray Orkney Islands

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384976
title: Bull of Dionysios of Kollytos Kerameikos

description: Bull from the grave enclosure of Dionysios of Kollytos, near the Way of the Tombs. 
around 350 BCE, Athenes, Greece.
Kerameikos Archaeological Museum - Athens
https://fr.wikipedia.org/wiki/Fichier:Bull_of_Dionysios_of_Kollytos_Kerameikos_P689_Athens.jpg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384977
title: Bull of Dionysios of Kollytos Kerameikos

description: Bull from the grave enclosure of Dionysios of Kollytos, near the Way of the Tombs. 
around 350 BCE, Athenes, Greece.
Kerameikos Archaeological Museum - Athens
https://fr.wikipedia.org/wiki/Fichier:Bull_of_Dionysios_of_Kollytos_Kerameikos_P689_Athens.jpg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384978
title: ARULA - TARRACO

description: Arula del yacimiento de Tarraco (Tarragona, España), datada entre los siglos I y II d.C. Arula votiva dedicada a Júpiter por Publio Elio, liberto de Augusto. Desde el Foro Colonial de Tarraco

Arula from the site of Tarraco (Tarragona, Spain), dated between the 1st and 2nd centuries A.D. Votive arula dedicated to Jupiter by Publius Aelius, a freedman of Augustus. From the Tarraco Colonial Forum

****This 3D Model it's a Optimized model (Triangles: 26.8k) from original (Triangles: 1.1M)

3D Model Original :https://skfb.ly/6T7HS  (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384979
title: ARULA - TARRACO

description: Arula del yacimiento de Tarraco (Tarragona, España), datada entre los siglos I y II d.C. Arula votiva dedicada a Júpiter por Publio Elio, liberto de Augusto. Desde el Foro Colonial de Tarraco

Arula from the site of Tarraco (Tarragona, Spain), dated between the 1st and 2nd centuries A.D. Votive arula dedicated to Jupiter by Publius Aelius, a freedman of Augustus. From the Tarraco Colonial Forum

****This 3D Model it's a Optimized model (Triangles: 26.8k) from original (Triangles: 1.1M)

3D Model Original :https://skfb.ly/6T7HS  (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384980
title: Lapidaire, broyon ?

description: Fonction inconnue, possible broyon ? Deux stries qui se croisent sont visibles, Lubéron, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384981
title: Lapidaire, broyon ?

description: Fonction inconnue, possible broyon ? Deux stries qui se croisent sont visibles, Lubéron, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384984
title: The Spooky Old Keep

description: Another old building. Made entirely in blender you can use it as a backdrop or a distant prop. I would suggest removing the ivy planes and ground cube as they are only decoration, but up to you:}

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384985
title: The Spooky Old Keep

description: Another old building. Made entirely in blender you can use it as a backdrop or a distant prop. I would suggest removing the ivy planes and ground cube as they are only decoration, but up to you:}

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10384986
title: KTP Mine [170620]

description: Processing: Reality Capture
Images: 264
Camera: Sony a6000, 16mm f/2.8 lens

Source: Objaverse 1.0 / Sketchfab