cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10355943
title: Gyrolithes isp.

description: **Icnoespecie:** *Gyrolithes isp*
**Descripción:** estructura de bioturbación formada principalmente por una galería horizontal comunicada perpendicularmente con una galeria espiral longitudinal de diámetro constante y preservadas con el mismo material que la matriz, una calcarenita amarilla de grano medio . Posiblemente producida por crustáceo decápodo.
**Edad:** Plioceno 5´3-2´6 Ma. (Neógeno)
**Localidad: ** Alicante, España. 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Skolithos
**Técnica digitalización / modelo:** fotogrametría con Pentax Mark II
**Software empleado:** Metashape con calida alta
**Archivo 3D:** Obj 10´8 Mb , textura JPG 2´53 Mb
**Autor procesado fotografías y procesado fotogramétrico:** Javier García y Jose A. Villena
**Colección" préstamo temporal al MUVHN de Javier G.
![img](https://live.staticflickr.com/65535/51886026425_c74eb1413d_z.jpg)

Galería de bioturbación icnofósil *Gyrolithes isp.*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355944
title: Gyrolithes isp.

description: **Icnoespecie:** *Gyrolithes isp*
**Descripción:** estructura de bioturbación formada principalmente por una galería horizontal comunicada perpendicularmente con una galeria espiral longitudinal de diámetro constante y preservadas con el mismo material que la matriz, una calcarenita amarilla de grano medio . Posiblemente producida por crustáceo decápodo.
**Edad:** Plioceno 5´3-2´6 Ma. (Neógeno)
**Localidad: ** Alicante, España. 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Skolithos
**Técnica digitalización / modelo:** fotogrametría con Pentax Mark II
**Software empleado:** Metashape con calida alta
**Archivo 3D:** Obj 10´8 Mb , textura JPG 2´53 Mb
**Autor procesado fotografías y procesado fotogramétrico:** Javier García y Jose A. Villena
**Colección" préstamo temporal al MUVHN de Javier G.
![img](https://live.staticflickr.com/65535/51886026425_c74eb1413d_z.jpg)

Galería de bioturbación icnofósil *Gyrolithes isp.*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355945
title: Pillory

description: Shameful pillar, 3D model for the game

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355946
title: Pillory

description: Shameful pillar, 3D model for the game

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355949
title: Leonardo Da Vinci - 3407 (Arte Italiano)

description: Autor: Quarelli, Emilio

Estilo: No determinado

Procedencia: Italia

Datación: Primer Tercio XX

Material/Soporte: Bronce

Técnicas: Vaciado, pintado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355950
title: Leonardo Da Vinci - 3407 (Arte Italiano)

description: Autor: Quarelli, Emilio

Estilo: No determinado

Procedencia: Italia

Datación: Primer Tercio XX

Material/Soporte: Bronce

Técnicas: Vaciado, pintado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355951
title: M.G.E.C.F. (Antilles - Partie Est)

description: **Monument à la gloire de l'expansion coloniale française (Antilles - Partie Est)**

Figure du Monument à la gloire de l'expansion coloniale française (1913), Paris, jardin tropical.

Le monument à la gloire de l'expansion coloniale française (ou à la plus grande France) est un groupe statuaire réalisé par Jean-Baptiste Belloc en 1913. En 2015, ses cinq morceaux sont exposés dans le jardin tropical de Paris, en France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355952
title: M.G.E.C.F. (Antilles - Partie Est)

description: **Monument à la gloire de l'expansion coloniale française (Antilles - Partie Est)**

Figure du Monument à la gloire de l'expansion coloniale française (1913), Paris, jardin tropical.

Le monument à la gloire de l'expansion coloniale française (ou à la plus grande France) est un groupe statuaire réalisé par Jean-Baptiste Belloc en 1913. En 2015, ses cinq morceaux sont exposés dans le jardin tropical de Paris, en France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355955
title: Bronze horse spout . Mleiha, Sharjah

description: Bronze horse spout for a bowl. Mleiha, Sharjah. 2nd entury BCE (Córdoba 2016:118, Figure 136). Catalogue No. M7-03. 2017-FG.F049

542 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La era de Mleiha: navegantes y caravanas antes del Islam. Pp 83-130 (Figure p. 92). In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355956
title: Bronze horse spout . Mleiha, Sharjah

description: Bronze horse spout for a bowl. Mleiha, Sharjah. 2nd entury BCE (Córdoba 2016:118, Figure 136). Catalogue No. M7-03. 2017-FG.F049

542 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La era de Mleiha: navegantes y caravanas antes del Islam. Pp 83-130 (Figure p. 92). In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355957
title: St Martin's Bell

description: One of the bells of St Martin Ludgate Church, Ludgate Hill, London. Now located in the church's nave against the north wall.

From the label: "The gif of William Warne, Serivener to the Parish of St Martin's, Ludgate. 1683."

The bells of St Martin's feature in the nursery rhyme, Oranges and Lemons: "You owe me five farthings, Say the bells of St. Martin's".

https://en.wikipedia.org/wiki/St_Martin,_Ludgate

77 photos taken in January 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355958
title: St Martin's Bell

description: One of the bells of St Martin Ludgate Church, Ludgate Hill, London. Now located in the church's nave against the north wall.

From the label: "The gif of William Warne, Serivener to the Parish of St Martin's, Ludgate. 1683."

The bells of St Martin's feature in the nursery rhyme, Oranges and Lemons: "You owe me five farthings, Say the bells of St. Martin's".

https://en.wikipedia.org/wiki/St_Martin,_Ludgate

77 photos taken in January 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355961
title: XCB-003-667 Polished Slate End Blade

description: Stemmed Polished Slate End Blade XCB-003-667.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355962
title: XCB-003-667 Polished Slate End Blade

description: Stemmed Polished Slate End Blade XCB-003-667.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355965
title: Saint-andré-sur-Orne-INRAP

description: Chantier INRAP
Vue des bâtiments 1,2,3,4,5
Saint-andré-sur-Orne, Calvados
Responsable chantier: Emmanuel Ghesquière

Grands bâtiments du Néolithique final de St André sur Orne, entre 2800 et 2300 avant notre ère.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355966
title: Saint-andré-sur-Orne-INRAP

description: Chantier INRAP
Vue des bâtiments 1,2,3,4,5
Saint-andré-sur-Orne, Calvados
Responsable chantier: Emmanuel Ghesquière

Grands bâtiments du Néolithique final de St André sur Orne, entre 2800 et 2300 avant notre ère.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355970
title: Mossy cobbles - tilable material.

description: Tileable material of mossy cobbles from photoscan. 
It is free to download. 
For more photoscanned content follow https://www.instagram.com/blrr.studio/?hl=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355971
title: Mossy cobbles - tilable material.

description: Tileable material of mossy cobbles from photoscan. 
It is free to download. 
For more photoscanned content follow https://www.instagram.com/blrr.studio/?hl=en

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355973
title: 30 - Al Latiif اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

اللَّطِيفُ	AL-LATEEF	The Subtle One, The Most Gentle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355972
title: 30 - Al Latiif اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

اللَّطِيفُ	AL-LATEEF	The Subtle One, The Most Gentle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355974
title: Woven indonesian basket

description: A woven basket with a lid and embeded red pattern. From Bali, Indonesia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355975
title: Woven indonesian basket

description: A woven basket with a lid and embeded red pattern. From Bali, Indonesia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355976
title: Sundial of the Nuremberg type

description: Time and place of creation: 1584, Nuremberg

Creator: Hans Droschel the Elder (1549–1612)

Inventory number: 14954; 1712/V

Museum: Jagiellonian University Museum Collegium Maius

https://muzea.malopolska.pl/en/objects-list/2730

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355977
title: Sundial of the Nuremberg type

description: Time and place of creation: 1584, Nuremberg

Creator: Hans Droschel the Elder (1549–1612)

Inventory number: 14954; 1712/V

Museum: Jagiellonian University Museum Collegium Maius

https://muzea.malopolska.pl/en/objects-list/2730

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355979
title: The Baraat

description: With the melancholic Bride contrasting the cheerful rest, the concept was to hint the flaw in the ethos of forced marriage.

**Warli**: The traditional art of Gujarat-Maharashtra, is known for its narrative tendencies. While being true to the legacy of skilful artistry, I believe, current issues regarding forced marriage would best be represented by this art form.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355978
title: The Baraat

description: With the melancholic Bride contrasting the cheerful rest, the concept was to hint the flaw in the ethos of forced marriage.

**Warli**: The traditional art of Gujarat-Maharashtra, is known for its narrative tendencies. While being true to the legacy of skilful artistry, I believe, current issues regarding forced marriage would best be represented by this art form.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355980
title: Utlåningspjäxa

description: Shot me be, using a Canon 700d, Darktable and Agisoft. Retopology by Niclas Ekholm. Thank you Stockholms Stadsmuseum for providing interesting objects. Check out  https://sketchfab.com/Stadsmuseet

Utlåningspjäxa. 1935-1955 Pjäxa för höger fot av brunt skinn med lädersula och förstärkning med svart gummi på klacken. På sulan står storleken "5" inpräglad, men något otydlig p.g.a. slitage. Pjäxan saknar snörning. Skon är avsedd för utlåning, vilket förekom i Stockholms skolor t.o.m. läsåret 1952-53. I "Stockholms folkskoledirektions berättelse" för detta läsår står på sid. 66, för allra sista gången: "Vid samtliga skolor äro alltjämt anordnade skoförråd, ur vilka barnen ha tillfälle att låna skor under den tid, då deras egna repareras." Gåva från Gärdesskolan, f.d. folkskola, till Stockholms skolmuseum 1981.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355981
title: Utlåningspjäxa

description: Shot me be, using a Canon 700d, Darktable and Agisoft. Retopology by Niclas Ekholm. Thank you Stockholms Stadsmuseum for providing interesting objects. Check out  https://sketchfab.com/Stadsmuseet

Utlåningspjäxa. 1935-1955 Pjäxa för höger fot av brunt skinn med lädersula och förstärkning med svart gummi på klacken. På sulan står storleken "5" inpräglad, men något otydlig p.g.a. slitage. Pjäxan saknar snörning. Skon är avsedd för utlåning, vilket förekom i Stockholms skolor t.o.m. läsåret 1952-53. I "Stockholms folkskoledirektions berättelse" för detta läsår står på sid. 66, för allra sista gången: "Vid samtliga skolor äro alltjämt anordnade skoförråd, ur vilka barnen ha tillfälle att låna skor under den tid, då deras egna repareras." Gåva från Gärdesskolan, f.d. folkskola, till Stockholms skolmuseum 1981.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355982
title: Mug

description: ID no.: FZRS/96

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1616

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355983
title: Mug

description: ID no.: FZRS/96

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1616

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355985
title: Rubel Kaiser Alexander I. (1812).

description: Währungseinheit: Rubel. Stückelung: 1. Ausstellungsjahr: 1812. Material: Silber 868. Rand: Inschrift. Durchmesser: 35,5 mm. Gewicht: 20,73 gr. Auflage: 4.076.000 Exemplare. Regierungszeit von Kaiser Alexander I.
Coin of Emperor Alexander I (1812). Monetary unit: ruble. Denomination: 1. Year of issue: 1812. Material: silver 868. Edge: inscription. Diameter: 35.5 mm. Weight: 20.73 gr. Circulation: 4,076,000 copies. Reign of Emperor Alexander I.
Денежная единица: рубль. Номинал: 1. Год выпуска: 1812 год. Материал: серебро 868 пробы. Гурт: надпись. Диаметр: 35,5 мм. Вес: 20,73 гр. Тираж: 4076000 экз. Царствование импера-тора Александра Первого.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355984
title: Rubel Kaiser Alexander I. (1812).

description: Währungseinheit: Rubel. Stückelung: 1. Ausstellungsjahr: 1812. Material: Silber 868. Rand: Inschrift. Durchmesser: 35,5 mm. Gewicht: 20,73 gr. Auflage: 4.076.000 Exemplare. Regierungszeit von Kaiser Alexander I.
Coin of Emperor Alexander I (1812). Monetary unit: ruble. Denomination: 1. Year of issue: 1812. Material: silver 868. Edge: inscription. Diameter: 35.5 mm. Weight: 20.73 gr. Circulation: 4,076,000 copies. Reign of Emperor Alexander I.
Денежная единица: рубль. Номинал: 1. Год выпуска: 1812 год. Материал: серебро 868 пробы. Гурт: надпись. Диаметр: 35,5 мм. Вес: 20,73 гр. Тираж: 4076000 экз. Царствование импера-тора Александра Первого.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355988
title: Cashel graveslab 5

description: A graveslab located within the walls of medieval Cashel - This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355989
title: Cashel graveslab 5

description: A graveslab located within the walls of medieval Cashel - This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355990
title: Saran, Lac de la Médecinerie, Indéterminé

description: Élément indéterminé en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/indetermine-1361-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355991
title: Saran, Lac de la Médecinerie, Indéterminé

description: Élément indéterminé en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/indetermine-1361-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355992
title: Objeto 4 - Moche

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355993
title: Objeto 4 - Moche

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355995
title: Le cortège des adolescents

description: Oeuvre en chêne brûlé peint de 122 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 3 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***Le renouveau s'exprime ici comme hymne de joie en cortèges d'adolescents porteurs des mêmes symboles : masculin, féminin, dans des cercles magiques répétés. En trois frises parallèles, ascendantes. Des éléments répétitifs, obsédants. Et ils seraient plus obsédant encore s'ils étaient encore plus nombreux, si les frises s'allongeaient indéfiniment. Les poutres de chêne n'avaient pas la largeur nécessaire et notre imagination doit corriger l'étroitesse du bois, prolonger le mouvement***.  Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355996
title: Le cortège des adolescents

description: Oeuvre en chêne brûlé peint de 122 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 3 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***Le renouveau s'exprime ici comme hymne de joie en cortèges d'adolescents porteurs des mêmes symboles : masculin, féminin, dans des cercles magiques répétés. En trois frises parallèles, ascendantes. Des éléments répétitifs, obsédants. Et ils seraient plus obsédant encore s'ils étaient encore plus nombreux, si les frises s'allongeaient indéfiniment. Les poutres de chêne n'avaient pas la largeur nécessaire et notre imagination doit corriger l'étroitesse du bois, prolonger le mouvement***.  Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355998
title: Historic building in Moscow. Gorky Central Park

description: Quick scan of a historic building.

Model is created by using RealityCapture and Houdini.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355997
title: Historic building in Moscow. Gorky Central Park

description: Quick scan of a historic building.

Model is created by using RealityCapture and Houdini.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10355999
title: Lielvircavas Jāņa kalniņš

description: Lielvircavas Jāņa kalniņa 3D modelis. Koordinātas: 56.52173, 23.75916

https://www.senvietas.lv/lielvircavas-jana-kalnins/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356000
title: Lielvircavas Jāņa kalniņš

description: Lielvircavas Jāņa kalniņa 3D modelis. Koordinātas: 56.52173, 23.75916

https://www.senvietas.lv/lielvircavas-jana-kalnins/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356001
title: Vasija zoormorfa Pitrén

description: Vasija tipo Pitrén (350-1200 d.C.) obtenida en los trabajos arqueológicos en Traitraico realizados por Mayo Calvo en 1976.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356002
title: Vasija zoormorfa Pitrén

description: Vasija tipo Pitrén (350-1200 d.C.) obtenida en los trabajos arqueológicos en Traitraico realizados por Mayo Calvo en 1976.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356005
title: Centauro

description: Practica de modelado hardsurface y escultura digital con zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356006
title: Centauro

description: Practica de modelado hardsurface y escultura digital con zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356007
title: East Saltoun Gravestone 1658

description: Gravestone within East Saltoun kirkyard for the Parish of Yester, Bolton and Saltoun, East Lothian, Scotland

Inscribed:

'Heir Lyeth James Johnstoun who depertid the leventh of Desember the yeir of God 1658'

3D model from 52 pictures using Huawei Pro 10 mobile phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356008
title: East Saltoun Gravestone 1658

description: Gravestone within East Saltoun kirkyard for the Parish of Yester, Bolton and Saltoun, East Lothian, Scotland

Inscribed:

'Heir Lyeth James Johnstoun who depertid the leventh of Desember the yeir of God 1658'

3D model from 52 pictures using Huawei Pro 10 mobile phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356009
title: Callanish 10 Stone 17

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356010
title: Callanish 10 Stone 17

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356011
title: Tympan de l'abbatiale Sainte-Foy, Conques (12)

description: "L'abbatiale Sainte-Foy de Conques est une église abbatiale située à Conques, dans le département de l'Aveyron. Considérée comme un chef-d'œuvre de l'art roman du sud de la France, elle reste surtout célèbre pour son tympan et son trésor comprenant des pièces d'art uniques de l'époque carolingienne, dont la statue-reliquaire de sainte Foy."
[Sur wikipedia ...](https://fr.wikipedia.org/wiki/Abbatiale_Sainte-Foy_de_Conques) ou pour aller [plus loin dans l'étude avec l'INHA.](https://portail3d-conques.inha.fr/#Accueil)
 ![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Tympan_Sainte-Foy_de_Conques.jpg/1920px-Tympan_Sainte-Foy_de_Conques.jpg) 
![](https://upload.wikimedia.org/wikipedia/commons/thumb/5/57/Panoramic_sunset_in_Conques_02.jpg/849px-Panoramic_sunset_in_Conques_02.jpg)

Source: Objaverse 1.0 / Sketchfab