cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10351484
title: Foro Romano del castillo de Sagunto

description: **Modelo 3D** de las ruinas del centro de la plaza de armas del castillo de Sagunto. Estas ruinas pertenecen a  parte del antiguo **Foro Romano del castillo de Sagunto**.


> Su planta y sus alzados constituyen una unidad perfectamente proporcionada, a pesar de que en ellos se conjugue un templo más antiguo con el resto de edificios augústeos que rodean el espacio abierto central. En la plaza pública hubo pedestales para estatuas ecuestres, aras votivas, retratos de magistrados y dedicaciones a los emperadores. En él se congregaron las labores más esmeradas del artesanado arquitectónico: columnas y pilastras de estuco coloreado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351488
title: 49-20

description: 49-20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351487
title: 49-20

description: 49-20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351491
title: Oldtown Plain Jar Rim (2388p603,p636,641)

description: **Oldtown Plain jar rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 277 mm; width, 180 mm; thickness, 7.3 mm.

Notes: Catalog no. 2388p603, p636, p641 (Vessel 23), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Jordyn Gray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351492
title: Oldtown Plain Jar Rim (2388p603,p636,641)

description: **Oldtown Plain jar rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 277 mm; width, 180 mm; thickness, 7.3 mm.

Notes: Catalog no. 2388p603, p636, p641 (Vessel 23), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Jordyn Gray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351496
title: Santuario heroico de El Pajarillo (Huelma, Jaén)

description: Figura humana perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España) 

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351497
title: Santuario heroico de El Pajarillo (Huelma, Jaén)

description: Figura humana perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España) 

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351501
title: ROI018-283-01

description: Table Rock Point collected in Jay County, Indiana.

Catalog #: 12-Ja-361-25 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-283-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351500
title: ROI018-283-01

description: Table Rock Point collected in Jay County, Indiana.

Catalog #: 12-Ja-361-25 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-283-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351506
title: 有孔鍔付土器(茅野市尖石遺跡)その2他2点 観察記録3Dモデル

description: 有孔鍔付土器(茅野市尖石遺跡)その2他2点 観察記録3Dモデル
左から有孔鍔付土器(茅野市尖石遺跡) 縄文中期前半 長野県宝、蛇体把手付深鉢形土器(茅野市尖石遺跡) 縄文中期前半 長野県宝、深鉢(茅野市尖石遺跡) 縄文中期前半
撮影場所:尖石縄文考古館 
撮影月日:2019.09.13 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 25 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351507
title: 有孔鍔付土器(茅野市尖石遺跡)その2他2点 観察記録3Dモデル

description: 有孔鍔付土器(茅野市尖石遺跡)その2他2点 観察記録3Dモデル
左から有孔鍔付土器(茅野市尖石遺跡) 縄文中期前半 長野県宝、蛇体把手付深鉢形土器(茅野市尖石遺跡) 縄文中期前半 長野県宝、深鉢(茅野市尖石遺跡) 縄文中期前半
撮影場所:尖石縄文考古館 
撮影月日:2019.09.13 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 25 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351508
title: British Museum 102485

description: Limestone kudurru recording the grant of corn-land in Southern Babylonia. The stone is engraved with divine symbols arranged on several registers.
This kudurru cannot be dated to the time of a specific Babylonian king, but epigraphic observations and the recognition of Eanna-shum-iddina as governor of the Sea Land during the reign of the king Enlil-nadin-aplu suggest a date between 1125-1100 BC 

* Height: 14.25 inches
* Length: 9 inches
* Width: 5 inches


Photos©Silvia Ferreri. Taken courtesy of the Trustees of The British Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351509
title: British Museum 102485

description: Limestone kudurru recording the grant of corn-land in Southern Babylonia. The stone is engraved with divine symbols arranged on several registers.
This kudurru cannot be dated to the time of a specific Babylonian king, but epigraphic observations and the recognition of Eanna-shum-iddina as governor of the Sea Land during the reign of the king Enlil-nadin-aplu suggest a date between 1125-1100 BC 

* Height: 14.25 inches
* Length: 9 inches
* Width: 5 inches


Photos©Silvia Ferreri. Taken courtesy of the Trustees of The British Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351510
title: Charlton Ship Timbers 11

description: Ship's timbers on the Thames foreshore at Charlton (near the Anchor & Hope Pub), London.

http://www.thamesdiscovery.org/riverpedia/charlton-riverpedia

Photos taken in April 2021 with a Sony a6000 and processed in Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351511
title: Charlton Ship Timbers 11

description: Ship's timbers on the Thames foreshore at Charlton (near the Anchor & Hope Pub), London.

http://www.thamesdiscovery.org/riverpedia/charlton-riverpedia

Photos taken in April 2021 with a Sony a6000 and processed in Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351512
title: Lucerna ME5035 Roman Lamo, Evora

description: Roman clay lamp (lucerna) dated in the 2nd century AD, of unknown origin. Lamps fueled with olive oil and other vegetable oils were very common in the Roman world to provide artificial light. The specimen presents 3,4 cm in height and 10,3 cm in long. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME5035.

FERREIRA DE ALMEIDA, José Antonio - "Introdução ao estudo das lucernas em Portugal" in O Arqueólogo Português, Nova Série, II. Lisboa: 1953, p. 177.

427 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351513
title: Lucerna ME5035 Roman Lamo, Evora

description: Roman clay lamp (lucerna) dated in the 2nd century AD, of unknown origin. Lamps fueled with olive oil and other vegetable oils were very common in the Roman world to provide artificial light. The specimen presents 3,4 cm in height and 10,3 cm in long. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME5035.

FERREIRA DE ALMEIDA, José Antonio - "Introdução ao estudo das lucernas em Portugal" in O Arqueólogo Português, Nova Série, II. Lisboa: 1953, p. 177.

427 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351514
title: Puerta

description: Puerta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351515
title: Puerta

description: Puerta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351522
title: ентеријер,  црква преображења господњег

description: The photogrammetric model was created for the needs of *The Conservation Study of Sokobanja Cultural Heritage* done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić. 
The Conservation Study of Sokobanja Cultural Heritage: http://studije-zastite.zzsknis.rs/soko-banja/

The photogrammetric model is made by the architect Aleksandar Nikšić.
https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351523
title: ентеријер,  црква преображења господњег

description: The photogrammetric model was created for the needs of *The Conservation Study of Sokobanja Cultural Heritage* done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić. 
The Conservation Study of Sokobanja Cultural Heritage: http://studije-zastite.zzsknis.rs/soko-banja/

The photogrammetric model is made by the architect Aleksandar Nikšić.
https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351524
title: Okapi (Okapia johnstoni)

description: **Ejemplar**: *Okapia johnstoni* 
**Taxonomía**: Artiodactyla-Giraffidae 
**Nombre común**: Okapi 
**Autor recreación**: Dr. Julio Pitarch Reig 
**Recreación**: Escultura en arcilla a escala 1:20 de un ejemplar adulto 
**Descripción**: Especie herbívora considerada fósil viviente. Pariente taxonómico más cercano de las jirafas. Endémico de las selvas tropicales del centro y noreste de la República Democrática del Congo. Estado de conservación en peligro de extinción debido a la deforestación y la caza furtiva 
**Sigla museo, colección y entidad**: MUVHNJ0873, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas) del Museo de la Universitat de Valencia de Historia Natural 
**Técnica digitalización / modelo**: escaneado superficial 3D Einscan Pro
**Software empleado**: einscan v3.1.0.2, modo manual con plataforma giratoria, calidad media 
**Autor digitalización**: Natalia Conejero-Ortega
**Cita ejemplar:** modelo 3D colección "Padre Ignacio Sala S.J." del Museo de la Universitat de Valencia de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351525
title: Okapi (Okapia johnstoni)

description: **Ejemplar**: *Okapia johnstoni* 
**Taxonomía**: Artiodactyla-Giraffidae 
**Nombre común**: Okapi 
**Autor recreación**: Dr. Julio Pitarch Reig 
**Recreación**: Escultura en arcilla a escala 1:20 de un ejemplar adulto 
**Descripción**: Especie herbívora considerada fósil viviente. Pariente taxonómico más cercano de las jirafas. Endémico de las selvas tropicales del centro y noreste de la República Democrática del Congo. Estado de conservación en peligro de extinción debido a la deforestación y la caza furtiva 
**Sigla museo, colección y entidad**: MUVHNJ0873, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas) del Museo de la Universitat de Valencia de Historia Natural 
**Técnica digitalización / modelo**: escaneado superficial 3D Einscan Pro
**Software empleado**: einscan v3.1.0.2, modo manual con plataforma giratoria, calidad media 
**Autor digitalización**: Natalia Conejero-Ortega
**Cita ejemplar:** modelo 3D colección "Padre Ignacio Sala S.J." del Museo de la Universitat de Valencia de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351526
title: Hellraiser [DSF]

description: **Hellraiser**

*from DSF [digital skin forward] series.*

*Niccolò da Uzzano* was a renaissance politician in *Florence*.
Thanks to *Donatello*, we can imagine *Niccolò* rose from the dead to make politics again, now for eternity. He will need to feed on people and probably there will be women who will bring victims to him.

This is a decimated version of 3d scan done with a smartphone. Blender shaders in eevee.

*unfortunately I did not manage to bake pbr textures exactly how the shader looks in blender. Check video for intended look and feel https://vimeo.com/553986346

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351527
title: Hellraiser [DSF]

description: **Hellraiser**

*from DSF [digital skin forward] series.*

*Niccolò da Uzzano* was a renaissance politician in *Florence*.
Thanks to *Donatello*, we can imagine *Niccolò* rose from the dead to make politics again, now for eternity. He will need to feed on people and probably there will be women who will bring victims to him.

This is a decimated version of 3d scan done with a smartphone. Blender shaders in eevee.

*unfortunately I did not manage to bake pbr textures exactly how the shader looks in blender. Check video for intended look and feel https://vimeo.com/553986346

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351530
title: Henry Trough Battery

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:1f7d20f0-6b3f-4780-b754-91c2f9f91602)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Henry trough battery

Measurements: overall: 1 7/8 in x 8 in x 2 5/8 in; 4.7625 cm x 20.32 cm x 6.6675 cm

Object Name: Battery

Date Made: 1832

Credit Line: from Mary A. Henry

ID Number: EM.181178

Catalog Number: 181178

Accession Number: 27225

Data Source: National Museum of American History

EDAN-URL: edanmdm:nmah_703292

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351531
title: Henry Trough Battery

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:1f7d20f0-6b3f-4780-b754-91c2f9f91602)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Henry trough battery

Measurements: overall: 1 7/8 in x 8 in x 2 5/8 in; 4.7625 cm x 20.32 cm x 6.6675 cm

Object Name: Battery

Date Made: 1832

Credit Line: from Mary A. Henry

ID Number: EM.181178

Catalog Number: 181178

Accession Number: 27225

Data Source: National Museum of American History

EDAN-URL: edanmdm:nmah_703292

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351533
title: Aríbalo del norte de Chile

description: Aribalo incaico miniatura que presenta una franja central decorada con rombos en hilera. Esta vasija procede del desierto de Atacama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351532
title: Aríbalo del norte de Chile

description: Aribalo incaico miniatura que presenta una franja central decorada con rombos en hilera. Esta vasija procede del desierto de Atacama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351535
title: Enthroned Virgin

description: Goro di Gregorio (active ca. 1300-1334)

Terracota

Italian, Tuscany, first half 14th Century

The Cloisters Collection and Rogers Fund, 1998 (1998.214)



The sketchiness of the modeling in several passages, such as the Virgin's right hand, as well as the omission of the Christ Child and the disruption of some of the surfaces suggest that this figure was  not conceived as a finished work of art but may have served as a workshop model, perhaps for a goldsmith. Several sculptures in silver are attributed to Goro di Gregorio, the son of a sculptor from Florence. Goro was born in Siena, and his work across Tuscany as well as in Sicily can be traced in documents dating from 1311 to 1333.

______

**VR mode:** although the original sculpture is about 30cm high, I've decided to make it much bigger for the VR mode.

30 pictures shot on iPhone 6 at the [Met Cloisters](http://www.metmuseum.org/visit/met-cloisters).  Processed with Memento.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351534
title: Enthroned Virgin

description: Goro di Gregorio (active ca. 1300-1334)

Terracota

Italian, Tuscany, first half 14th Century

The Cloisters Collection and Rogers Fund, 1998 (1998.214)



The sketchiness of the modeling in several passages, such as the Virgin's right hand, as well as the omission of the Christ Child and the disruption of some of the surfaces suggest that this figure was  not conceived as a finished work of art but may have served as a workshop model, perhaps for a goldsmith. Several sculptures in silver are attributed to Goro di Gregorio, the son of a sculptor from Florence. Goro was born in Siena, and his work across Tuscany as well as in Sicily can be traced in documents dating from 1311 to 1333.

______

**VR mode:** although the original sculpture is about 30cm high, I've decided to make it much bigger for the VR mode.

30 pictures shot on iPhone 6 at the [Met Cloisters](http://www.metmuseum.org/visit/met-cloisters).  Processed with Memento.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351538
title: Nunchucks

description: Nunchucks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351539
title: Nunchucks

description: Nunchucks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351540
title: Siderit

description: Siderit

Siderite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351541
title: Siderit

description: Siderit

Siderite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351546
title: Statue Chiriqui

description: [1894.13.0011](http://collections.smvk.se/carlotta-em/web/object/1876951)
Kopia (1-88) av guldföremål, galvanoplastiska, från Chiriqui, m.m.
Liten skulptur föreställande en man (pojke?) stående och hållandes i två objekt (?). Han bär en huvudbonad, örhängen och näsring.
Chiriqui, Panama : Nordamerika

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351547
title: Statue Chiriqui

description: [1894.13.0011](http://collections.smvk.se/carlotta-em/web/object/1876951)
Kopia (1-88) av guldföremål, galvanoplastiska, från Chiriqui, m.m.
Liten skulptur föreställande en man (pojke?) stående och hållandes i två objekt (?). Han bär en huvudbonad, örhängen och näsring.
Chiriqui, Panama : Nordamerika

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351548
title: Corner in a Garden - Mheer

description: Grond. Geschept. Mooi mooi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351549
title: Corner in a Garden - Mheer

description: Grond. Geschept. Mooi mooi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351552
title: Binding for Blackwood's Magazine [Goold]

description: Binding for a volume of James Alipius Goold's Blackwood's magazine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351553
title: Binding for Blackwood's Magazine [Goold]

description: Binding for a volume of James Alipius Goold's Blackwood's magazine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351555
title: Stone anchor from Liméns (Cangas do Morrazo)

description: ►DESCRIPTION:
![] (http://oi67.tinypic.com/34zzx52.jpg)

This two-holed stone anchor was found in 1982 in the cove of Liméns (Cangas do Morrazo, Spain). This type of anchor has two holes, one at each end of the stone. These anchors could be used in two ways, both of which are known from recent ethnographic examples. In the first example, one hole took a rope, the other an arm - usually of wood. In the second, only recorded on fishing gear, both holes took ropes. Wear-patterns on the stone should make it possible to distinguish which method was used.Today it belongs to the [Museum of Pontevedra](https://sketchfab.com/museodepontevedra) collection.

Measurements: 61x30x8 cm.

Check out the full description in galego [here](https://skfb.ly/NGQ7)

►AUTHOR OF THE 3D MODEL: [Eloy Martínez Soto](https://sketchfab.com/eloymarso)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351554
title: Stone anchor from Liméns (Cangas do Morrazo)

description: ►DESCRIPTION:
![] (http://oi67.tinypic.com/34zzx52.jpg)

This two-holed stone anchor was found in 1982 in the cove of Liméns (Cangas do Morrazo, Spain). This type of anchor has two holes, one at each end of the stone. These anchors could be used in two ways, both of which are known from recent ethnographic examples. In the first example, one hole took a rope, the other an arm - usually of wood. In the second, only recorded on fishing gear, both holes took ropes. Wear-patterns on the stone should make it possible to distinguish which method was used.Today it belongs to the [Museum of Pontevedra](https://sketchfab.com/museodepontevedra) collection.

Measurements: 61x30x8 cm.

Check out the full description in galego [here](https://skfb.ly/NGQ7)

►AUTHOR OF THE 3D MODEL: [Eloy Martínez Soto](https://sketchfab.com/eloymarso)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351556
title: 77-47Q88 Walrus Ivory Wedge, Hot Springs Village

description: Heavy, Walrus Ivory Splitting Wedge, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q88 Okada excavations HHQ, Level 2-4 Hot Springs 1C. 1300-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351557
title: 77-47Q88 Walrus Ivory Wedge, Hot Springs Village

description: Heavy, Walrus Ivory Splitting Wedge, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q88 Okada excavations HHQ, Level 2-4 Hot Springs 1C. 1300-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351558
title: Niewiarowo

description: 3D model. Coordinates: 53.35827, 22.74986

http://grodziskajacwiezy.pl/en/listing/hillfort-in-niewiarowo/

Source: Objaverse 1.0 / Sketchfab