cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10299510
title: Bute, Glenvoidean Rab_1

description: Lying alongside track, in north Bute.  20 meters from water tank. East of Kilmichael Cottage. stone dressed on east side. The panel is almost certainly not in its original position.
Photographed by Patrick O'Sullivan BM&NHS and part of the Rock Art Bute team and ScRAP survey.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299512
title: Gezicht op Arnhem

description: Museum Arnhem - Gezicht op Arnhem vanuit het zuidwesten

Datering: 1643

Dit schilderij van de landschapschilder Jan van Goyen toont het prille begin van de stad Arnhem. Het is een gezicht op de stad vanuit het zuidwesten. Links zien we de Walburgiskerk en rechts de Eusebiuskerk. Landschapsschilders in de 17e eeuw tekenden natuurgetrouw, maar schilderden met veel creativiteit en idee voor compositie. Zo ook Van Goyen. In werkelijkheid staat de Walburgiskerk achter de Eusebiuskerk vanuit deze kijkhoek. Op dit schilderij springt verder de rivier in het oog. Rivieren zijn niet alleen karakteristiek voor het Gelderse landschap, maar waren voor vele generaties Gelderlanders ook van groot belang voor transport en mobiliteit. 

* Meer informatie: www.schatkamersvangelderland.nl
* Museum Arnhem: www.museumarnhem.nl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299513
title: Gezicht op Arnhem

description: Museum Arnhem - Gezicht op Arnhem vanuit het zuidwesten

Datering: 1643

Dit schilderij van de landschapschilder Jan van Goyen toont het prille begin van de stad Arnhem. Het is een gezicht op de stad vanuit het zuidwesten. Links zien we de Walburgiskerk en rechts de Eusebiuskerk. Landschapsschilders in de 17e eeuw tekenden natuurgetrouw, maar schilderden met veel creativiteit en idee voor compositie. Zo ook Van Goyen. In werkelijkheid staat de Walburgiskerk achter de Eusebiuskerk vanuit deze kijkhoek. Op dit schilderij springt verder de rivier in het oog. Rivieren zijn niet alleen karakteristiek voor het Gelderse landschap, maar waren voor vele generaties Gelderlanders ook van groot belang voor transport en mobiliteit. 

* Meer informatie: www.schatkamersvangelderland.nl
* Museum Arnhem: www.museumarnhem.nl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299514
title: Cham ZG, Switzerland - Täubmatt Underwater Mound

description: [Deutsche Version siehe [hier](https://skfb.ly/6UrzO).]


Part of the top of the artificial Täubmatt underwater mound in Lake Zug, near Cham (for a bathymetric map see [https://s.geo.admin.ch/8aee71d9ba](https://map.geo.admin.ch/?lang=de&topic=ech&bgLayer=ch.swisstopo.pixelkarte-farbe&layers=ch.swisstopo.swissbathy3d-reliefschattierung&E=2677288&N=1225420&zoom=10&crosshair=marker)). The wooden pile dates to the Middle Ages, the stone mound itself is still undated.

Photography by Daniel Freund in December 2019, 3D modelling by Jochen Reinhard.


**Literatur**

J. Reinhard/D. Freund/A. Meier, Die "Steinberge" im Flachwasser des nördlichen Zugerseeufers. Tugium 36, 2020, 89-100. URL: [https://www.researchgate.net/publication/344777440_Steinberge_im_Flachwasser_des_nordlichen_Zugerseeufers](https://www.researchgate.net/publication/344777440_Steinberge_im_Flachwasser_des_nordlichen_Zugerseeufers).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299515
title: Cham ZG, Switzerland - Täubmatt Underwater Mound

description: [Deutsche Version siehe [hier](https://skfb.ly/6UrzO).]


Part of the top of the artificial Täubmatt underwater mound in Lake Zug, near Cham (for a bathymetric map see [https://s.geo.admin.ch/8aee71d9ba](https://map.geo.admin.ch/?lang=de&topic=ech&bgLayer=ch.swisstopo.pixelkarte-farbe&layers=ch.swisstopo.swissbathy3d-reliefschattierung&E=2677288&N=1225420&zoom=10&crosshair=marker)). The wooden pile dates to the Middle Ages, the stone mound itself is still undated.

Photography by Daniel Freund in December 2019, 3D modelling by Jochen Reinhard.


**Literatur**

J. Reinhard/D. Freund/A. Meier, Die "Steinberge" im Flachwasser des nördlichen Zugerseeufers. Tugium 36, 2020, 89-100. URL: [https://www.researchgate.net/publication/344777440_Steinberge_im_Flachwasser_des_nordlichen_Zugerseeufers](https://www.researchgate.net/publication/344777440_Steinberge_im_Flachwasser_des_nordlichen_Zugerseeufers).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299516
title: 41VV0218 LV2 BISONMANDIBLES SFM FINAL

description: This SfM model is part of a before-and-after glimpse into archaeology and the processs of excavation. This mass of bone is a grouping of bison antiquis (extinct bison) bones and mandibles (lower jaw). The large boulder in the model might have been used by humans to break open the bison longbones for marrow extraction. The SfM model following this one shows the excavation  starting from the sediment deposit above, down to this level.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299517
title: 41VV0218 LV2 BISONMANDIBLES SFM FINAL

description: This SfM model is part of a before-and-after glimpse into archaeology and the processs of excavation. This mass of bone is a grouping of bison antiquis (extinct bison) bones and mandibles (lower jaw). The large boulder in the model might have been used by humans to break open the bison longbones for marrow extraction. The SfM model following this one shows the excavation  starting from the sediment deposit above, down to this level.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299520
title: ROI018-312-01

description: Genesee Point collected in Jay County, Indiana.

Catalog # 12-Ja-251-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Collin Minnick, and Kevin C. Nolan, 2020. ROI018-312-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, An Archaeological Survey of Jay County, Indiana, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299521
title: ROI018-312-01

description: Genesee Point collected in Jay County, Indiana.

Catalog # 12-Ja-251-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Collin Minnick, and Kevin C. Nolan, 2020. ROI018-312-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, An Archaeological Survey of Jay County, Indiana, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299522
title: Goryoukaku

description: This is the 3D model of the Special Treasure site Goryoukaku in Hakodate, the site where the feudal era in Japan ended.

Didn't turn out as well as I hoped, as I'm not able to get the finer structures of the buildings reproduced correctly.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299523
title: Goryoukaku

description: This is the 3D model of the Special Treasure site Goryoukaku in Hakodate, the site where the feudal era in Japan ended.

Didn't turn out as well as I hoped, as I'm not able to get the finer structures of the buildings reproduced correctly.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299526
title: Wooden Mug

description: own project.
Has handpainted texture.
Software used maya and photoshop
has normal map, roughness and metal map

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299527
title: Wooden Mug

description: own project.
Has handpainted texture.
Software used maya and photoshop
has normal map, roughness and metal map

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299528
title: XCB-003-867 Izembek Point

description: Izembek Point. Biface XCB-003-867.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299529
title: XCB-003-867 Izembek Point

description: Izembek Point. Biface XCB-003-867.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299532
title: Војводе Путника 3, Књажевац

description: The photogrammetric model was created in September 2019 for the needs of The Conservation Study of Knjaževac Building Heritage done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić, and art historian Milena Milošević Micić. Photogrammetric model is made by the architect Aleksandar Nikšić. 
https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299533
title: Војводе Путника 3, Књажевац

description: The photogrammetric model was created in September 2019 for the needs of The Conservation Study of Knjaževac Building Heritage done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić, and art historian Milena Milošević Micić. Photogrammetric model is made by the architect Aleksandar Nikšić. 
https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299536
title: Elastolin norman bowman

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299537
title: Elastolin norman bowman

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299538
title: Broughmore Wood 1a  - Quernstones & Rock Art

description: This model show the E portion of the large rock panel, Broughmore Wood 1, which is split by a deer fence. This is a complex rock surface which has rock art motifs (notably rosettes, cup marks and oval-shaped cup marks) together with arrays of miniature quern stone rough-outs and larger quernstone to millstone sized rough-outs. Activity possibly extending from the Neolithic/Bronze Ages through the Iron Age through to post-medieval activity.

A plan is now in the pipeline for a full excavation of the site, which it is hoped will shed more light on its chronology and, hopefully, reveal even of these more fascinating rock surfaces.

This panel was recorded and 3D modelled by Nick Parish for Scotland's Rock Art Project (ScRAP).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299539
title: Broughmore Wood 1a  - Quernstones & Rock Art

description: This model show the E portion of the large rock panel, Broughmore Wood 1, which is split by a deer fence. This is a complex rock surface which has rock art motifs (notably rosettes, cup marks and oval-shaped cup marks) together with arrays of miniature quern stone rough-outs and larger quernstone to millstone sized rough-outs. Activity possibly extending from the Neolithic/Bronze Ages through the Iron Age through to post-medieval activity.

A plan is now in the pipeline for a full excavation of the site, which it is hoped will shed more light on its chronology and, hopefully, reveal even of these more fascinating rock surfaces.

This panel was recorded and 3D modelled by Nick Parish for Scotland's Rock Art Project (ScRAP).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299540
title: ROI041-027-02

description: McWhinney Point collected in Dearborn County, Indiana.

Catalog # 12-D-263-1

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-027-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299541
title: ROI041-027-02

description: McWhinney Point collected in Dearborn County, Indiana.

Catalog # 12-D-263-1

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-027-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299542
title: Pierre de Carpentras ou Stèle de Taba

description: Pierre rectangulaire sculptée en bas-relief et gravée.
Deux scènes funèbres superposées : 1/ registre
inférieur : deux personnages debout, têtes coiffées de
masques d'animaux, préparent une momie sur un lit en
forme de lion. De part et d'autre, une femme accroupie.
2 / registre supérieur : la défunte, debout, présente des
offrandes à Osiris assis sur un trône. Une femme se
tient debout derrière le dieu. Sous les scènes figurées,
une inscription est gravée en caractères araméens.
Traduction française de la transcription latine du texte
araméen ( le latin est dans le "Corpus inscriptionem
semiticarum" ) :
"Bénie sois-tu, Taba, fille de Tahapi, parvenue à la
perfection auprès du dieu Osiris /Tu n'as accompli
aucune mauvaise action et tu n'as jamais calomnié
personne sur cette terre/Qu'Osiris en personne te
bénisse. Reçois les eaux chez Osiris (sois reçue reçue
à la table d'Osiris ?)/Prie, mon amour, et [ sois parfaite ]
parmi les âmes chères au dieu."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299543
title: Pierre de Carpentras ou Stèle de Taba

description: Pierre rectangulaire sculptée en bas-relief et gravée.
Deux scènes funèbres superposées : 1/ registre
inférieur : deux personnages debout, têtes coiffées de
masques d'animaux, préparent une momie sur un lit en
forme de lion. De part et d'autre, une femme accroupie.
2 / registre supérieur : la défunte, debout, présente des
offrandes à Osiris assis sur un trône. Une femme se
tient debout derrière le dieu. Sous les scènes figurées,
une inscription est gravée en caractères araméens.
Traduction française de la transcription latine du texte
araméen ( le latin est dans le "Corpus inscriptionem
semiticarum" ) :
"Bénie sois-tu, Taba, fille de Tahapi, parvenue à la
perfection auprès du dieu Osiris /Tu n'as accompli
aucune mauvaise action et tu n'as jamais calomnié
personne sur cette terre/Qu'Osiris en personne te
bénisse. Reçois les eaux chez Osiris (sois reçue reçue
à la table d'Osiris ?)/Prie, mon amour, et [ sois parfaite ]
parmi les âmes chères au dieu."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299544
title: Mleiha MLH04 Farmhouse, Sharjah

description: Mleiha Archaeological Center area, Mleiha, Sharjah. Pre-Islamic

A large farmouse complex, built of mud-brick walls, situated 250m south-east of the Mleiha fort. The site was partially reconstructed and covers a total area of 35m x 25m.  At first glance it appears to be a single large building but in fact MLH-4 comprises five residential units with separate entrances. Each of the five units at MLH-4 contains a number of different sized rooms.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299545
title: Mleiha MLH04 Farmhouse, Sharjah

description: Mleiha Archaeological Center area, Mleiha, Sharjah. Pre-Islamic

A large farmouse complex, built of mud-brick walls, situated 250m south-east of the Mleiha fort. The site was partially reconstructed and covers a total area of 35m x 25m.  At first glance it appears to be a single large building but in fact MLH-4 comprises five residential units with separate entrances. Each of the five units at MLH-4 contains a number of different sized rooms.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299554
title: Holwick  F12

description: Holwick Medieval Settlement  Feature F12

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299555
title: Holwick  F12

description: Holwick Medieval Settlement  Feature F12

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299558
title: Escultura moderna

description: Esta imagen representa a la virgen de la purísima concepción; quien es conocida por la población de Túcume, cómo la virgen chica, la andariega o la ingrata; Todo el tiempo está caminando por el área rural de familia en familia, de caserío en caserío para ingresar durante la fiesta principal o la fiesta de medio año, al pueblo de Túcume a participar en las procesiones y celebraciones religiosas.  Durante su caminar esta virgen recorre Mochumí, Túcume, Pítipo y parte de Illimo. La Virgen Chica está bajo el cuidado de las mujeres.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299559
title: Escultura moderna

description: Esta imagen representa a la virgen de la purísima concepción; quien es conocida por la población de Túcume, cómo la virgen chica, la andariega o la ingrata; Todo el tiempo está caminando por el área rural de familia en familia, de caserío en caserío para ingresar durante la fiesta principal o la fiesta de medio año, al pueblo de Túcume a participar en las procesiones y celebraciones religiosas.  Durante su caminar esta virgen recorre Mochumí, Túcume, Pítipo y parte de Illimo. La Virgen Chica está bajo el cuidado de las mujeres.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299562
title: Geometric Model Central Surface

description: * This white plaster model of a central surface has a rectangular base and a central peak. There are no curves indicated. The model was designed by L. Schleiermacher under the supervision of Ludwig Brill at the technical high school in Munich. It shows the locus of centers of principal curvature of an elliptic paraboloid. A tag on the base of the model reads: Centralfläche des Paraboloids. (/) Verl. v. L. Brill. 1. Ser. Nr. IIb.
* *(метка 32)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299563
title: Geometric Model Central Surface

description: * This white plaster model of a central surface has a rectangular base and a central peak. There are no curves indicated. The model was designed by L. Schleiermacher under the supervision of Ludwig Brill at the technical high school in Munich. It shows the locus of centers of principal curvature of an elliptic paraboloid. A tag on the base of the model reads: Centralfläche des Paraboloids. (/) Verl. v. L. Brill. 1. Ser. Nr. IIb.
* *(метка 32)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299566
title: споменик у атару, Тулово

description: локација: 42.885793, 21.983637 // https://goo.gl/maps/u7ahUpm9nS89NXqa9

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299567
title: споменик у атару, Тулово

description: локација: 42.885793, 21.983637 // https://goo.gl/maps/u7ahUpm9nS89NXqa9

*фотограметријски модел израђен за потребе израде Студије заштите ратних меморијала општине Лесковац, ЗЗСК Ниш*

тим>>>>><<<<<<
архитекта:    Ивана  Цветковић
историчар:   Ђорђе Стошић
фотограметрија:  Никшић Александар  // https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299568
title: Cocina

description: cocina creada por fernando aguirre para la materia de geometria descriptiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299569
title: Cocina

description: cocina creada por fernando aguirre para la materia de geometria descriptiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299570
title: Medieval Treasure Chest - animated

description: A grimey, old 15th century treasure chest holding fabulous wealth and the gem encrusted skull of it's past owner.

Low-poly and usable in games, historical, architectural and VR settings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299571
title: Medieval Treasure Chest - animated

description: A grimey, old 15th century treasure chest holding fabulous wealth and the gem encrusted skull of it's past owner.

Low-poly and usable in games, historical, architectural and VR settings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299573
title: WW1 Memorial

description: World War 1 Memorial - Scotland.

iPhone 13 LIDAR scan - SiteScape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299572
title: WW1 Memorial

description: World War 1 Memorial - Scotland.

iPhone 13 LIDAR scan - SiteScape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299574
title: Niedrušku pilskalns

description: Niedrušku pilskalna 3D modelis. Koordinātas: 56.77529, 26.25149

https://www.latvijas-pilskalni.lv/niedrusku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299575
title: Niedrušku pilskalns

description: Niedrušku pilskalna 3D modelis. Koordinātas: 56.77529, 26.25149

https://www.latvijas-pilskalni.lv/niedrusku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299576
title: 1984:7 "What am I doing and why"; Bananaboy

description: "Mitä teen ja miksi"; Banaanipoika
Blåfield, Paula 1984
Ceramics art practice work. Instructors Henrik Grön and  Timo Pajunen.

[Aalto Archive link](https://aaltoarkisto.finna.fi/Record/raami.urn:nbn:fi-aalto:w_http%253A%252F%252Fwww.profium.com%252Ftaikarchivedobject%252F1A31DA80-CE05-DFBB-C23C-3EFD13CC6EF6?imgid=4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299577
title: 1984:7 "What am I doing and why"; Bananaboy

description: "Mitä teen ja miksi"; Banaanipoika
Blåfield, Paula 1984
Ceramics art practice work. Instructors Henrik Grön and  Timo Pajunen.

[Aalto Archive link](https://aaltoarkisto.finna.fi/Record/raami.urn:nbn:fi-aalto:w_http%253A%252F%252Fwww.profium.com%252Ftaikarchivedobject%252F1A31DA80-CE05-DFBB-C23C-3EFD13CC6EF6?imgid=4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299580
title: Vansteenkiste Scutching Turbine - Texture

description: Reverse Engineering of a scutching turbine - a heritage collection top piece of Flanders that can be found at Texture, museum about Lys and Flax. The CAD model was made by TEN (The Engineering Network) during the Flemish heritage project "Duiken in de Machine"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299581
title: Vansteenkiste Scutching Turbine - Texture

description: Reverse Engineering of a scutching turbine - a heritage collection top piece of Flanders that can be found at Texture, museum about Lys and Flax. The CAD model was made by TEN (The Engineering Network) during the Flemish heritage project "Duiken in de Machine"

Source: Objaverse 1.0 / Sketchfab