cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/salamun-c98-690
title: Lauridsen. Mid-Winter songs [excerpt], 1980

description: For SATB chorus. First page of the autograph manuscript. Includes handwritten marginalia by the composer thanking the conductor Paul Salamunovich on the occasion of his recording of the work, 1999 April. 27. Includes an attached note from the composer to the conductor, 1991 April 27.
DOI: 10.25549/salamun-c98-774
title: Stravinsky. Symphony of psalms, 1948

description: For mixed chorus and orchestra arranged for voice and piano. Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-627
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-632
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-638
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-643
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-191
title: The living city, Koreatown, 1991

description: The living city, Koreatown, 1991, H & K Supermarket, exterior, 124 North Western Avenue (between 1st Street and Beverly Boulevard), Koreatown. L.A.'s cultural diversity is represented through architecture, including the Watts Towers, Mann's Chinese Theater, Olvera Street, and Beverly Hills. Freeways twist and turn throughout the mural, linking the various neighborhoods. There are also hundreds of miniature portraits, among them such eccentric personalities as a Domino's Pizza man, a pimp in a feathered hat, a graffiti artist, a black Bart Simpson (a TV cartoon character), and a homeless man who regularly hung out near the mural during its painting. Acrylic, 16' x 94', by Sandra Drinning, assisted by Julio Crespo, Masakela Poles, Samara Tanzaws, Esther Kwan Tak, Sue Griffin, and Lesley Grant. Sponsored by Social and Public Art Resource Center.-- Dunitz, Street gallery, rev. 2nd ed., p. 79, #49.
DOI: 10.25549/dunitz-c15-195
title: The living city, Koreatown, 1991

description: The living city, Koreatown, 1991, H & K Supermarket, exterior, 124 North Western Avenue (between 1st Street and Beverly Boulevard), Koreatown. L.A.'s cultural diversity is represented through architecture, including the Watts Towers, Mann's Chinese Theater, Olvera Street, and Beverly Hills. Freeways twist and turn throughout the mural, linking the various neighborhoods. There are also hundreds of miniature portraits, among them such eccentric personalities as a Domino's Pizza man, a pimp in a feathered hat, a graffiti artist, a black Bart Simpson (a TV cartoon character), and a homeless man who regularly hung out near the mural during its painting. Acrylic, 16' x 94', by Sandra Drinning, assisted by Julio Crespo, Masakela Poles, Samara Tanzaws, Esther Kwan Tak, Sue Griffin, and Lesley Grant. Sponsored by Social and Public Art Resource Center.-- Dunitz, Street gallery, rev. 2nd ed., p. 79, #49.
DOI: 10.25549/dunitz-c15-196
title: The living city, Koreatown, 1991

description: The living city, Koreatown, 1991, H & K Supermarket, exterior, 124 North Western Avenue (between 1st Street and Beverly Boulevard), Koreatown. L.A.'s cultural diversity is represented through architecture, including the Watts Towers, Mann's Chinese Theater, Olvera Street, and Beverly Hills. Freeways twist and turn throughout the mural, linking the various neighborhoods. There are also hundreds of miniature portraits, among them such eccentric personalities as a Domino's Pizza man, a pimp in a feathered hat, a graffiti artist, a black Bart Simpson (a TV cartoon character), and a homeless man who regularly hung out near the mural during its painting. Acrylic, 16' x 94', by Sandra Drinning, assisted by Julio Crespo, Masakela Poles, Samara Tanzaws, Esther Kwan Tak, Sue Griffin, and Lesley Grant. Sponsored by Social and Public Art Resource Center.-- Dunitz, Street gallery, rev. 2nd ed., p. 79, #49.
DOI: 10.25549/dunitz-c15-198
title: The sun and the moon, Los Angeles, 1992

description: The sun and the moon, Los Angeles, 1992, Westlake/MacArthur Park station, interior mezzanine level, Metro Line C (formerly the Red Line), Wilshire Boulevard and Alvarado Street), MacArthur Park. The murals were inspired by the nearby communities, which are a meeting of worlds and cultures. The Central and South American peoples here create new homes while transforming Los Angeles. The titles come from the pyramids built in Mexico during the Toltec empire. They were later absorbed into the better-known Aztec civilization. Ceramic tile, two panels, 15' x 45' (each), by Francisco Letelier. Sponsored by MTA Metro Art.-- Dunitz, Street gallery, rev. 2nd ed., p. 79, #50.
DOI: 10.25549/dunitz-c15-202
title: MacArthur Park tunnels, Westlake, 1984-1993

description: MacArthur Park tunnels, Westlake, 1984-1993. Under Wilshire Boulevard (between South Park View Street and South Alvarado Street). Some of these tunnels are fenced off now, although you can peer in and see part of the work. Aerosol, by Robert Williams, Skill, John "Zender" Estrada, Hector "Hex" Rios, and others. Aerosol. Self-sponsored. -- Dunitz, Street gallery, rev. 2nd ed., p. 80, #54.
DOI: 10.25549/salamun-c98-649
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-650
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-660
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-661
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-665
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-838
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-841
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-850
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-852
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-856
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-ouc1924331
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1928013
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1928025
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1928006
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1928010
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-669
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-682
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-370
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-373
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-375
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-376
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-381
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-382
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-383
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-399
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926115
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1923938
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926290
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1923947
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926265
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-612
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-614
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-616
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-618
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-620
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-401
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-403
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-418
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-420
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-424
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-862
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-869
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-871
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-880
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-884
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-425
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-426
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-431
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-433
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-435
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-889
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-894
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-900
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-911
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-914
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-ouc1926510
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926512
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924174
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924105
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926511
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-951
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-954
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.