cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10318514
title: Moonbrand (Early 14th C Arming Sword)

description: Late 13th/Early 14th Century

Private Owner, in the care of the Oakeshott Institute

Click the model for audio!

Swords of this form were common in Europe throughout the 13th and 14th Centuries. Similar swords are depicted in I.33, the earliest European personal combat instruction that we know of today. . This was a dynamic time in the use of the sword as combatants transitioned from mail to plate armor and the use of the buckler was common.


* Overall Length : 36.06 in | 916mm
* Blade Length: 28.89 in | 734mm
* Blade Width: 2.75 in | 70mm
* Grip Length : 3.66 in | 93mm
* Guard Width : 9.21 in | 234mm
* Weight: 2.95 lbs | 1339 gr

![](https://i.imgur.com/KJ8QVVT.jpg)

Thanks to Renee Werbowski for narration.

Music - *Virtutes Instrumenti* Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
http://creativecommons.org/licenses/by/3.0/


[Support us on Patreon](https://www.patreon.com/oakeshott)


[Follow us on Facebook](https://www.facebook.com/oakeshottinstitute)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318515
title: Percussion pistol / Pedersoli XIII

description: Percussion pistol inspired by the original Pedersoli year XIII. Made on Blender then texture on Substance Painter. Made of wood, gold and steel.

Not "Game Ready" version.
(Thats means that is not for game import)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318516
title: Percussion pistol / Pedersoli XIII

description: Percussion pistol inspired by the original Pedersoli year XIII. Made on Blender then texture on Substance Painter. Made of wood, gold and steel.

Not "Game Ready" version.
(Thats means that is not for game import)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318519
title: Recipiente antropomorfo prehispánico de Copiapó

description: Recipiente antropomorfo de posible origen incaico y de uso ceremonial. Fue donado por el explorador e ingeniero Francisco San Román a fines del siglo XIX. 
Nuestro actual territorio nacional fue parte del provincia sur del imperio Inca, denominada "Collasuyu".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318520
title: Recipiente antropomorfo prehispánico de Copiapó

description: Recipiente antropomorfo de posible origen incaico y de uso ceremonial. Fue donado por el explorador e ingeniero Francisco San Román a fines del siglo XIX. 
Nuestro actual territorio nacional fue parte del provincia sur del imperio Inca, denominada "Collasuyu".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318521
title: Final Fantasy VII Save Point

description: Modelled after the save points from the original Final Fantasy VII game. Fusion 360/Blender/Illustrator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318522
title: Final Fantasy VII Save Point

description: Modelled after the save points from the original Final Fantasy VII game. Fusion 360/Blender/Illustrator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318523
title: Skomętno 1

description: 3D model. Coordinates: 53.8475, 22.6374

http://grodziskajacwiezy.pl/en/listing/hillfort-in-skometno-1/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318524
title: Skomętno 1

description: 3D model. Coordinates: 53.8475, 22.6374

http://grodziskajacwiezy.pl/en/listing/hillfort-in-skometno-1/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318525
title: 鐔塚(東京都豊島区高田2丁目12番39号 目白不動尊 金乗院)

description: 鐔塚(東京都豊島区高田2丁目12番39号 目白不動尊 金乗院)

寛政12年(1800年)建立

![](https://pbs.twimg.com/media/Faq2MJKaQAIMeXN?format=jpg&name=4096x4096)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318526
title: 鐔塚(東京都豊島区高田2丁目12番39号 目白不動尊 金乗院)

description: 鐔塚(東京都豊島区高田2丁目12番39号 目白不動尊 金乗院)

寛政12年(1800年)建立

![](https://pbs.twimg.com/media/Faq2MJKaQAIMeXN?format=jpg&name=4096x4096)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318530
title: 抽象文深鉢形土器(茅野市東風呂遺跡)2点 観察記録3Dモデル

description: 抽象文深鉢形土器(茅野市東風呂遺跡)2点 観察記録3Dモデル
撮影場所:尖石縄文考古館
撮影月日:2020.03.13
ガラス越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 47 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318529
title: 抽象文深鉢形土器(茅野市東風呂遺跡)2点 観察記録3Dモデル

description: 抽象文深鉢形土器(茅野市東風呂遺跡)2点 観察記録3Dモデル
撮影場所:尖石縄文考古館
撮影月日:2020.03.13
ガラス越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 47 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318533
title: Colonna

description: there are some simple and clean  coloumn style set

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318534
title: Colonna

description: there are some simple and clean  coloumn style set

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318535
title: Kirkjubømúrurin: R013

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. krossur høgdur í steinin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. A cross has been cut into the stone.

Dimension: 35 x 40 x 20 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318536
title: Kirkjubømúrurin: R013

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. krossur høgdur í steinin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. A cross has been cut into the stone.

Dimension: 35 x 40 x 20 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318537
title: The Mask of Agamemnon

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318538
title: The Mask of Agamemnon

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318539
title: Sheffield-anglo-saxon-cross-shaft

description: BRITISH MUSEUM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318540
title: Sheffield-anglo-saxon-cross-shaft

description: BRITISH MUSEUM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318541
title: Membro dianteiro de cavalo | Monte Mozinho

description: Membro dianteiro de cavalo, que integrava uma estátua equestre. Elemento escultórico em granito.

Castro de Monte Mozinho
N.º Inventário: MMPNF 4870.c

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318542
title: Membro dianteiro de cavalo | Monte Mozinho

description: Membro dianteiro de cavalo, que integrava uma estátua equestre. Elemento escultórico em granito.

Castro de Monte Mozinho
N.º Inventário: MMPNF 4870.c

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318543
title: Black-gloss olla, Poggio Pinci, Asciano

description: Black gloss olla, used as an urn. Bones preserved inside. Brown clay with with black paint. Form created in Volterra at the end of the 4th c. BCE. Produced also in other north-etrsucan workshops until the end of the 2nd c. BCE. Tomb II.137, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 24. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.   

Processed in Reality Capture from 553 images. GDH ID No. case 01_018 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank the staff from Palazzo Corboli Museum for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318544
title: Black-gloss olla, Poggio Pinci, Asciano

description: Black gloss olla, used as an urn. Bones preserved inside. Brown clay with with black paint. Form created in Volterra at the end of the 4th c. BCE. Produced also in other north-etrsucan workshops until the end of the 2nd c. BCE. Tomb II.137, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 24. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.   

Processed in Reality Capture from 553 images. GDH ID No. case 01_018 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank the staff from Palazzo Corboli Museum for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318545
title: Milton Parks 14, Dumfries and Galloway

description: An area of outcrop carved with cup and ring motifs. The panel was recorded for ScRAP by the Kirkcudbright Rock Art Team.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318546
title: Milton Parks 14, Dumfries and Galloway

description: An area of outcrop carved with cup and ring motifs. The panel was recorded for ScRAP by the Kirkcudbright Rock Art Team.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318548
title: Abadia

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318547
title: Abadia

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318551
title: Dog Sculpture

description: Photoscan with 104 photos, not the best conditions.
Still learning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318552
title: Dog Sculpture

description: Photoscan with 104 photos, not the best conditions.
Still learning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318553
title: Balustrada // Balustrade

description: Drewniana balustrada, jakich wiele wycinanych jest z kamienic. W naszym atelier odnalazła swój nowy dom, stanowi swego rodzaju relikt początku XX wieku i  słuzy do aranżacji wystaw.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318554
title: Balustrada // Balustrade

description: Drewniana balustrada, jakich wiele wycinanych jest z kamienic. W naszym atelier odnalazła swój nowy dom, stanowi swego rodzaju relikt początku XX wieku i  słuzy do aranżacji wystaw.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318557
title: Vucedolska Golubica VR

description: AR/VR ready lowpoly 3D model representation of Vučedolska golubica - a hystorical item from Croatia.

More info at: https://en.wikipedia.org/wiki/Vu%C4%8Dedol_culture#The_Vu%C4%8Dedol_dove

Author: Igor Puškarić, portfolio & contact: https://sketchfab.com/iggy-design

Developed for Equinox XR, http://equinox.vision

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318558
title: Vucedolska Golubica VR

description: AR/VR ready lowpoly 3D model representation of Vučedolska golubica - a hystorical item from Croatia.

More info at: https://en.wikipedia.org/wiki/Vu%C4%8Dedol_culture#The_Vu%C4%8Dedol_dove

Author: Igor Puškarić, portfolio & contact: https://sketchfab.com/iggy-design

Developed for Equinox XR, http://equinox.vision

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318561
title: puit, tour

description: Petit puit au milieu des vignes du village de Plan De La Tourb dans le Var. Photogramétrie réalisée à partir d'un drone DJI Mavic 3 Ciné.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318562
title: puit, tour

description: Petit puit au milieu des vignes du village de Plan De La Tourb dans le Var. Photogramétrie réalisée à partir d'un drone DJI Mavic 3 Ciné.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318564
title: Old stone sculpture, midle ages.

description: Stone sculpture found near the St. Olav's Church in Avaldsnes, Rogaland - Norway in 1922. Decorative part of a stone building, either the church or the adjacent royal hall. The sculpture depicts a mans head with locks of hair. Made of soap stone but has become heavily worn during the course of time. 
Museums ID: S11724

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318563
title: Old stone sculpture, midle ages.

description: Stone sculpture found near the St. Olav's Church in Avaldsnes, Rogaland - Norway in 1922. Decorative part of a stone building, either the church or the adjacent royal hall. The sculpture depicts a mans head with locks of hair. Made of soap stone but has become heavily worn during the course of time. 
Museums ID: S11724

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318565
title: Bute, Glenvoidean 14

description: NR97SE 81 99668 70653

This cup-marked boulder is situated in improved pasture on a SW-facing slope 90m NNW of the Glenvoidean chambered cairn (NR97SE 2). It measures 0.8m by 0.4m by about 0.25m in height, and there are twelve shallow cupmarks, the largest measuring 50mm in diameter and 3mm deep, on its upper surface, which slopes gently to the W.
Photographed by Patrick O'Sullivan, Bute Museum & NHS, Rock Art Bute team and ScRAP

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318566
title: Bute, Glenvoidean 14

description: NR97SE 81 99668 70653

This cup-marked boulder is situated in improved pasture on a SW-facing slope 90m NNW of the Glenvoidean chambered cairn (NR97SE 2). It measures 0.8m by 0.4m by about 0.25m in height, and there are twelve shallow cupmarks, the largest measuring 50mm in diameter and 3mm deep, on its upper surface, which slopes gently to the W.
Photographed by Patrick O'Sullivan, Bute Museum & NHS, Rock Art Bute team and ScRAP

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318567
title: Low Poly Samurai

description: Low poly samurai. Textured + rigged. Armor plates are separeted in case you want to change them. Mainly for mobile games but works well on any platform.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318568
title: Low Poly Samurai

description: Low poly samurai. Textured + rigged. Armor plates are separeted in case you want to change them. Mainly for mobile games but works well on any platform.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318569
title: Daubigny's 'The Dunes at Camiers"

description: Photogrammetry scan of Daubigny's 'The Dunes at Camiers,' 1871, in the collection of the Minneapolis Institute of Art.

More information about the painting here:
http://collections.artsmia.org/art/3531/the-dunes-at-camiers-charles-francois-daubigny

Made with about 60 80-megapixel photos, built in PhotoScan.

This is a low-res version of the object; contact permissions@artsmia.org for a higher-resolution file.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318570
title: Daubigny's 'The Dunes at Camiers"

description: Photogrammetry scan of Daubigny's 'The Dunes at Camiers,' 1871, in the collection of the Minneapolis Institute of Art.

More information about the painting here:
http://collections.artsmia.org/art/3531/the-dunes-at-camiers-charles-francois-daubigny

Made with about 60 80-megapixel photos, built in PhotoScan.

This is a low-res version of the object; contact permissions@artsmia.org for a higher-resolution file.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318571
title: Chozuya scans with iPhone12 Pro

description: Chozuya (also pronounced Temizuya) is an area within the precinct of a Shinto shrine or Buddhist temple at which worshippers wash their hands and mouths.

![](https://pbs.twimg.com/media/E5BnsfIVEAIq1Kw?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318572
title: Chozuya scans with iPhone12 Pro

description: Chozuya (also pronounced Temizuya) is an area within the precinct of a Shinto shrine or Buddhist temple at which worshippers wash their hands and mouths.

![](https://pbs.twimg.com/media/E5BnsfIVEAIq1Kw?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318574
title: Mandible

description: Madnible from a pile dwelling in Sweden. The dwelling was in use between 3350-2750 BC.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318573
title: Mandible

description: Madnible from a pile dwelling in Sweden. The dwelling was in use between 3350-2750 BC.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318577
title: Dancers swords dark souls

description: please rate it 
and tell me what should I make next
please consider to like and follow 
if so that will be super duper awsome

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318578
title: Dancers swords dark souls

description: please rate it 
and tell me what should I make next
please consider to like and follow 
if so that will be super duper awsome

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318579
title: 2021-07 - Santiago - Muro 44

description: 193 Photos taken with a Camera SONY Alpha 7 (RAW), then processed with Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318580
title: 2021-07 - Santiago - Muro 44

description: 193 Photos taken with a Camera SONY Alpha 7 (RAW), then processed with Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318581
title: Mascarilla mortuoria de José Carlos Mariátegui

description: Artemio Ocaña

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318582
title: Mascarilla mortuoria de José Carlos Mariátegui

description: Artemio Ocaña

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318583
title: YPM ANT.029088

description: Tripod Bowl from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.029088

Description: Tripod bowl. From Terriba, Costa Rica.

Materials: Ceramic

Function: Containers

Culture Group: Latin American : Central America

Locality: North America; Costa Rica

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

212 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318584
title: YPM ANT.029088

description: Tripod Bowl from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.029088

Description: Tripod bowl. From Terriba, Costa Rica.

Materials: Ceramic

Function: Containers

Culture Group: Latin American : Central America

Locality: North America; Costa Rica

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

212 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318585
title: Venus of Malta

description: Modello realizzato per tirocinio tenuto in collaborazione con il Dott. Rocco D'Errico, nell'attività del Master Universitario di II Livello STArch Scienze e tecnologie per i beni culturali a rischio. Disputer Università G. d'Annunzio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318586
title: Venus of Malta

description: Modello realizzato per tirocinio tenuto in collaborazione con il Dott. Rocco D'Errico, nell'attività del Master Universitario di II Livello STArch Scienze e tecnologie per i beni culturali a rischio. Disputer Università G. d'Annunzio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318587
title: 77-47-Q78 Retouched Flake, Hot Springs Village

description: Retouched Flake, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q78 Okada excavations HHQ, Level 2-1 Hot Springs 2B. 500-800 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318588
title: 77-47-Q78 Retouched Flake, Hot Springs Village

description: Retouched Flake, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q78 Okada excavations HHQ, Level 2-1 Hot Springs 2B. 500-800 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318589
title: Bronze figurine, Campo Muri, Asciano

description: Bronze votive elongate male nude figurine. 2nd c. BCE. Etruscan-Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Citation: Tabolli & Salvi 2022.

GDH ID No Case5_226147_Model_12.  

This model was created in Reality Capture using 322 photographs, captured with a SONY camera ILCE-7M3, 70mm lens, ISO-320, f/20. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318590
title: Bronze figurine, Campo Muri, Asciano

description: Bronze votive elongate male nude figurine. 2nd c. BCE. Etruscan-Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Citation: Tabolli & Salvi 2022.

GDH ID No Case5_226147_Model_12.  

This model was created in Reality Capture using 322 photographs, captured with a SONY camera ILCE-7M3, 70mm lens, ISO-320, f/20. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318591
title: The Tack Room

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

Inside the stables at No 4 Hamngatan there is a tack room for the coachman and the tack. It was kept as a museum environment after 1908 when the horses were sold.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318592
title: The Tack Room

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

Inside the stables at No 4 Hamngatan there is a tack room for the coachman and the tack. It was kept as a museum environment after 1908 when the horses were sold.

Source: Objaverse 1.0 / Sketchfab