cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.1036379.v7
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. This led to the digitisation of additional material for the project including the Style Bibles and the Textile Design Bibles. The UCA Research Fund provided Marie-Therese with a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. Additional materials were consulted in the Zandra Rhodes Archives including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in the journal article and in this fileset group in an accompanying document (Rich Text Format).
DOI: 10.6084/m9.figshare.1036379.v8
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. This led to the digitisation of additional material for the project including the Style Bibles and the Textile Design Bibles. The UCA Research Fund provided Marie-Therese with a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. Additional materials were consulted in the Zandra Rhodes Archives including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in the journal article and in this fileset group in an accompanying document (Rich Text Format).
DOI: 10.6084/m9.figshare.1036379.v9
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. This led to the digitisation of additional material for the project including the Style Bibles and the Textile Design Bibles. The UCA Research Fund provided Marie-Therese with a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. Additional materials were consulted in the Zandra Rhodes Archives including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in the journal article and in this fileset group in an accompanying document (Rich Text Format).
DOI: 10.6084/m9.figshare.1036379.v10
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. This led to the digitisation of additional material for the project including the Style Bibles and the Textile Design Bibles. The UCA Research Fund provided Marie-Therese with a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. Additional materials were consulted in the Zandra Rhodes Archives including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in the journal article and in this fileset group in an accompanying document (Rich Text Format).
DOI: 10.6084/m9.figshare.1035856
title: Gaussian Job Archive for C25H33N3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1036379.v11
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. This led to the digitisation of additional material for the project including the Style Bibles and the Textile Design Bibles. The UCA Research Fund provided Marie-Therese with a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. Additional materials were consulted in the Zandra Rhodes Archives including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in the journal article and in this fileset group in an accompanying document (Rich Text Format).
DOI: 10.6084/m9.figshare.1035834
title: Gaussian Job Archive for C25H33N3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1035835
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1035856.v1
title: Gaussian Job Archive for C25H33N3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1036379.v12
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the unique artistic research design process involved. The UCA Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for the research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset group's notes document.
DOI: 10.6084/m9.figshare.1035834.v1
title: Gaussian Job Archive for C25H33N3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1035835.v1
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1035788
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1036379.v13
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035788.v1
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1036379.v14
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035787
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1035787.v1
title: Gaussian Job Archive for C25H34ClN3O

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1036379.v15
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1036379.v16
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1036379.v17
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035095
title: Output data files for simulation: top_hat_cg_supg

description: Output data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1035097
title: A Structural Comparison of Organoterminated Selenide, Diselenide, and Triselenide

description: GRAPHICAL ABSTRACT
DOI: 10.6084/m9.figshare.1036379.v18
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035093
title: Output data files for simulation: top_hat_cg_supg

description: Output data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1036379.v19
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1036379.v21
title: Zandra Rhodes

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035095.v2
title: Output data files for simulation: top_hat_cg_supg

description: Output data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1035097.v1
title: A Structural Comparison of Organoterminated Selenide, Diselenide and Triselenide

description: A series of organosubstituted mono-, di- and triselenides has been prepared and structurally characterized. In this series a novel modification of 1,2,3-triselena-[3]ferrocenophane has been obtained in which intermolecular contacts between the central selenium atoms are below the sum of the van der Waals radii. Moreover, dimesitylselenide has been structurally characterized.
DOI: 10.6084/m9.figshare.1036379.v20
title: Zandra Rhodes' Works of Art 1979-87

description: The British fashion designer Zandra Rhodes (1940 - ) uses the term ‘Works of Art’ to describe her dresses due to the artistic design process. The University for the Creative Arts Research Fund provided a small grant to write a journal article investigating Zandra Rhodes’ Works of Art in the 1980s. The idea for this research project originated during the Jisc-funded Zandra Rhodes Digital Study Collection project (2011-13). As Digital Cataloguer, Marie-Therese investigated materials in the Zandra Rhodes Archives in London to assist with describing the dress collections. Additional materials were consulted for this research grant including: press books (UK and international magazine and newspaper clippings), postcards, posters and fashion show invitations. The research was also informed by conversations with Zandra Rhodes and Frances Diplock at the Studio and an extensive literature review. More details of the research methodology are provided in this fileset's notes document.
DOI: 10.6084/m9.figshare.1035097.v3
title: A Structural Comparison of Organoterminated Selenide, Diselenide, and Triselenide

description: GRAPHICAL ABSTRACT
DOI: 10.6084/m9.figshare.1035083
title: Input data files for simulation: top_hat_cg_supg

description: Input data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1035097.v2
title: A Structural Comparison of Organoterminated Selenide, Diselenide, and Triselenide

description: GRAPHICAL ABSTRACT
DOI: 10.6084/m9.figshare.1035083.v3
title: Input data files for simulation: top_hat_cg_supg

description: Input data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1035083.v2
title: Input data files for simulation: top_hat_cg_supg

description: Input data files for simulation: top_hat_cg_supg
DOI: 10.6084/m9.figshare.1035077
title: Explorando a nova PLOS-ALM Reports

description: Uma exploração da ferramenta PLOS-ALM Reports, que oferece métricas relacionadas a artigos publicados nos periódicos PLOS. Trabalho e pôster submetidos ao 4° Encontro Brasileiro de Bibliometria e Cientometria, realizado entre 14 e 16 de maio de 2014 em Recife, PE - Brasil. ---------- An exploration of the PLOS-ALM Reports tool, which offers metrics related to individual articles published in PLOS journals. Paper and poster presented at the 4th Brazilian Meeting on Bibliometrics and Scientometrics (EBBC4), in May 2014. [pt-br]
DOI: 10.6084/m9.figshare.1035077.v1
title: Explorando a nova PLOS-ALM Reports

description: Uma exploração da ferramenta PLOS-ALM Reports, que oferece métricas relacionadas a artigos publicados nos periódicos PLOS. Trabalho e pôster submetidos ao 4° Encontro Brasileiro de Bibliometria e Cientometria, realizado entre 14 e 16 de maio de 2014 em Recife, PE - Brasil. ---------- An exploration of the PLOS-ALM Reports tool, which offers metrics related to individual articles published in PLOS journals. Paper and poster presented at the 4th Brazilian Meeting on Bibliometrics and Scientometrics (EBBC4), in May 2014. [pt-br]
DOI: 10.6084/m9.figshare.1035071
title: Summary of conserved local base-pairing interactions in HIV-1 PR and RT wild-type consensus sequences

description: The MFOLD thermodynamic folding algorithm, which predicts RNA structure based on minimum free energy on folding, was used to detect potential local base pairing interactions between RNA nucleotides in the PR-RT region. Mfold analysis was carried out using a sliding window scanning process (implemented in perl) to minimize any arbitrary effects of the region chosen for analysis. Stepwise scanning in a 5’ to 3’ direction with a ‘sliding window’ of fixed length was used to generate subsequences within the region of the HIV genome under analysis (codons 1-99 of PR and 1-240 of RT) and 500bp of flanking sequence either side (derived from subtype consensus sequences available from the Los Alamos HIV Sequence database). A step size of 20bp was used in combination with a range of window sizes (300, 600, 900 and 1200bp). Base pairing interactions within predicted structures generated using this approach were then analysed. The frequency of base-paring between pairs was calculated across each of the windows in which the pair occurred. When a range of structures was predicted for a sequence under analysis, the average frequency of pairs across each of the predicted structures was scored. Base pairing interactions that were consistently predicted across all windows and structures (&gt;90%) were considered robust. With MFOLD, all sequences were folded at 37 degrees Celsius using default parameters.