cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10300221
title: COADS_155-222

description: Diagnostic biface collected in Franklin County, Ohio.
Material: Flint Ridge
Uploaded by: Kendall Brophy

Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Michael Shott, and Kendall Brophy, 2017. COADS_155-222, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300222
title: COADS_155-222

description: Diagnostic biface collected in Franklin County, Ohio.
Material: Flint Ridge
Uploaded by: Kendall Brophy

Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Michael Shott, and Kendall Brophy, 2017. COADS_155-222, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300225
title: The Fall of the Rebel Angels statue

description: About 1715-25
Southern German or Austrian
Limestone
Valiantly wielding his flaming sword, Saint Michael
casts a group of rebel angels, portrayed as demons,
out of heaven. The demon directly under Michael's
feet has two faces, representing deceit. This group
was carved with great mastery from Solnhofen
limestone, found in the southern German state of
Bavaria, where devotion to Saint Michael was par-
ticularly prevalent in the Baroque period.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300226
title: The Fall of the Rebel Angels statue

description: About 1715-25
Southern German or Austrian
Limestone
Valiantly wielding his flaming sword, Saint Michael
casts a group of rebel angels, portrayed as demons,
out of heaven. The demon directly under Michael's
feet has two faces, representing deceit. This group
was carved with great mastery from Solnhofen
limestone, found in the southern German state of
Bavaria, where devotion to Saint Michael was par-
ticularly prevalent in the Baroque period.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300227
title: B9219 - Prapor (fragment)

description: **B9219 Prapor (fragment)** Pânză de cânepă sau in, grunduită, decorată cu icoane policrome pictate în ulei: Sfântul Nicolae și Sfântul Gheorghe, ucigând balaurul, încadrate de o panglică cu fir metalic și miez textil. Steagul bisericesc era folosit în ceremoniile religioase. Sfârșitul sec. XIX - începutul sec. XX.

**B9219 Prapor (fragment)** Hemp or linen cloth, primed, decorated with polychrome icons painted in oil: Saint Nicholas and Saint George, killing the dragon, framed by a ribbon with wire and textile core. The church flag was used in religious ceremonies. The end of the century XIX - beginning of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300228
title: B9219 - Prapor (fragment)

description: **B9219 Prapor (fragment)** Pânză de cânepă sau in, grunduită, decorată cu icoane policrome pictate în ulei: Sfântul Nicolae și Sfântul Gheorghe, ucigând balaurul, încadrate de o panglică cu fir metalic și miez textil. Steagul bisericesc era folosit în ceremoniile religioase. Sfârșitul sec. XIX - începutul sec. XX.

**B9219 Prapor (fragment)** Hemp or linen cloth, primed, decorated with polychrome icons painted in oil: Saint Nicholas and Saint George, killing the dragon, framed by a ribbon with wire and textile core. The church flag was used in religious ceremonies. The end of the century XIX - beginning of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300229
title: 6stone-right-3 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: 6 ряд, верхний 

Порядок: 3

Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 6stone-right-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300230
title: 6stone-right-3 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: 6 ряд, верхний 

Порядок: 3

Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 6stone-right-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300231
title: Izembek Point XCB-003-448

description: Izembek Point  XCB-003-448

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300232
title: Izembek Point XCB-003-448

description: Izembek Point  XCB-003-448

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300233
title: ROI007-343-01

description: Leimbach Point collected in Wabash County, Indiana.

Catalog #: 12-Wb-231-102

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, Gwyn Harris, and Kevin C. Nolan, 2021. ROI007-343-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300234
title: ROI007-343-01

description: Leimbach Point collected in Wabash County, Indiana.

Catalog #: 12-Wb-231-102

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, Gwyn Harris, and Kevin C. Nolan, 2021. ROI007-343-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300236
title: Yason Kilisesi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300237
title: Yason Kilisesi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300241
title: Klaster_Tepla_situace2

description: Nálezová situace č. 2 při průzkumu fasády západního průčelí kláštera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300242
title: Klaster_Tepla_situace2

description: Nálezová situace č. 2 při průzkumu fasády západního průčelí kláštera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300245
title: Form Tolerances Roundness

description: Form Tolerances Roundness 3D drawing indication

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300246
title: Form Tolerances Roundness

description: Form Tolerances Roundness 3D drawing indication

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300249
title: The dying lion, Lucerne

description: The Lion Monument (Löwendenkmal) is located in [Lucerne, Switzerland](http://www.luzern.com/en/lion-monument).

The monument commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France.

The sculpture was designed by Danish sculptor Bertel Thorvaldsen, and finally hewn in 1820–1821 by Lukas Ahorn, in a former sandstone quarry near Lucerne.

---
![](http://christophe.yamahata.fr/sketchfab/VisualSFM_lion.jpg "VisualSFM")
*3D photogrammetry reconstructed with VisualSFM*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300250
title: The dying lion, Lucerne

description: The Lion Monument (Löwendenkmal) is located in [Lucerne, Switzerland](http://www.luzern.com/en/lion-monument).

The monument commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France.

The sculpture was designed by Danish sculptor Bertel Thorvaldsen, and finally hewn in 1820–1821 by Lukas Ahorn, in a former sandstone quarry near Lucerne.

---
![](http://christophe.yamahata.fr/sketchfab/VisualSFM_lion.jpg "VisualSFM")
*3D photogrammetry reconstructed with VisualSFM*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300255
title: Ghotic Portal

description: iphone
mapy: https://mapy.cz/s/fusozapacu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300256
title: Ghotic Portal

description: iphone
mapy: https://mapy.cz/s/fusozapacu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300257
title: Millwall Concrete Block

description: A graffiti covered concrete block located at the east end of Silwood Street, Millwall, London.

There are several old looking concrete blocks in this area and seem to have been used to block vehicle access to the railway line. I wonder if they could be anti-tank blocks from World War 2 but I have no evidence for this apart from their location.

204 photos taken in February 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300258
title: Millwall Concrete Block

description: A graffiti covered concrete block located at the east end of Silwood Street, Millwall, London.

There are several old looking concrete blocks in this area and seem to have been used to block vehicle access to the railway line. I wonder if they could be anti-tank blocks from World War 2 but I have no evidence for this apart from their location.

204 photos taken in February 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300259
title: Stu'g E'guh

description: The messianic tapeworm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300260
title: Stu'g E'guh

description: The messianic tapeworm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300261
title: kolonna-left6 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд  верхний 

Порядок: 6
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-left6

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300262
title: kolonna-left6 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд  верхний 

Порядок: 6
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-left6

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300263
title: KE042-093003 CAHERNAGAT - Ogham Stone

description: [Source text](http://webgis.archaeology.ie/historicenvironment/?SMRS=KE042-093003) Ogham Stone: This lies loose on the surface of the cashel, in the vicinity of the souterrain. It was discovered within the cashel in 1855 by Rev. James Goodman (Hitchcock 1856, 439-41). Curran (no. 14) was informed by Goodman's family that the stone had been found acting as the entrance lintel to the souterrain. Ferguson (1887, 39) stated that it had been found in an adjoining killeen but this is not consistent with the various other accounts of its provenance. The stone was smashed into 3 pieces in the 1880's and one fragment was lost. The 2 fragments visible today measure 1.81m overall and the inscription reads: TOGITTACC MAQI SAGARET(TOS). The last 3 letters were carved on the missing fragment, but there is no disagreement between the readings by Du Noyer (Antiquarian Sketches, 1, 28), Hitchcock, Brash (1879, 220) and Ferguson.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300264
title: KE042-093003 CAHERNAGAT - Ogham Stone

description: [Source text](http://webgis.archaeology.ie/historicenvironment/?SMRS=KE042-093003) Ogham Stone: This lies loose on the surface of the cashel, in the vicinity of the souterrain. It was discovered within the cashel in 1855 by Rev. James Goodman (Hitchcock 1856, 439-41). Curran (no. 14) was informed by Goodman's family that the stone had been found acting as the entrance lintel to the souterrain. Ferguson (1887, 39) stated that it had been found in an adjoining killeen but this is not consistent with the various other accounts of its provenance. The stone was smashed into 3 pieces in the 1880's and one fragment was lost. The 2 fragments visible today measure 1.81m overall and the inscription reads: TOGITTACC MAQI SAGARET(TOS). The last 3 letters were carved on the missing fragment, but there is no disagreement between the readings by Du Noyer (Antiquarian Sketches, 1, 28), Hitchcock, Brash (1879, 220) and Ferguson.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300265
title: Harringtons Goat from Grand Canyon National Park

description: Harrington's Goat (*Oreamnos harringtoni*) is an extinct species of caprine that was found in the Southwestern part of North America during the last ice age. Osteologically, the Harrington was smaller (by a 1/3) than the living mountain goat, *O. americanus*, to which it is related, but with relatively robust feet, a proportionally long but narrow skull, and smaller horns. Apparently it was also less "beardy" than the living North American goat based on finds of hair.

This fossil skull is in the collections at Grand Canyon National Park, Arizona.
Learn about paleontology in the National Park Service:
https://www.nps.gov/subjects/fossils/index.htm

Learn more about Grand Canyon National Park's Centennial:
https://www.nps.gov/grca/getinvolved/centennial.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300266
title: Harringtons Goat from Grand Canyon National Park

description: Harrington's Goat (*Oreamnos harringtoni*) is an extinct species of caprine that was found in the Southwestern part of North America during the last ice age. Osteologically, the Harrington was smaller (by a 1/3) than the living mountain goat, *O. americanus*, to which it is related, but with relatively robust feet, a proportionally long but narrow skull, and smaller horns. Apparently it was also less "beardy" than the living North American goat based on finds of hair.

This fossil skull is in the collections at Grand Canyon National Park, Arizona.
Learn about paleontology in the National Park Service:
https://www.nps.gov/subjects/fossils/index.htm

Learn more about Grand Canyon National Park's Centennial:
https://www.nps.gov/grca/getinvolved/centennial.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300267
title: Seven Sisters Sussex - UK -- low-poly

description: Seven Sisters - Sussex UK - low poly 

Learn more about these Chalk Cliffs which can be seen in a few iconic music videos, well, one in particular ... https://en.wikipedia.org/wiki/Seven_Sisters,_Sussex

compiled from 260 frames of aerial video captures -- vertex colors from dense cloud baked to basecolor ;)  [[more soon]]

made with colmap, instantmeshes, meshlab and houdini

--

This signal was analyzed by Organic.  
Additional data may be found here: 
https://www.instagram.com/p/BkmMya_gc8D/
and here:
https://www.instagram.com/p/BkmfUp9gcwb/

--

Tools used: youtube-dl, ffmpeg, python, colmap, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300268
title: Seven Sisters Sussex - UK -- low-poly

description: Seven Sisters - Sussex UK - low poly 

Learn more about these Chalk Cliffs which can be seen in a few iconic music videos, well, one in particular ... https://en.wikipedia.org/wiki/Seven_Sisters,_Sussex

compiled from 260 frames of aerial video captures -- vertex colors from dense cloud baked to basecolor ;)  [[more soon]]

made with colmap, instantmeshes, meshlab and houdini

--

This signal was analyzed by Organic.  
Additional data may be found here: 
https://www.instagram.com/p/BkmMya_gc8D/
and here:
https://www.instagram.com/p/BkmfUp9gcwb/

--

Tools used: youtube-dl, ffmpeg, python, colmap, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300270
title: Seven Half Hull Models

description: Ship models are made for many different purposes. Before computer technology became standard for ship design, wooden models were made. The models here represent those used for framework, plating, and showing-off! But why build only half a hull? The answer lies in symmetry. If you design one half to perfection and reverse it, when it comes to the build you will have a symmetrical hull.

The small models are scale replicas of yacht hulls and are inscribed with a series of lines to indicate the position of the framework. The lines would then be traced or "laid down" on the floor and used as an outline for the shape of the hull. The larger models depict the hulls of cargo vessels. They were used to determine the best size and layout for the steel plates which formed the hull.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300269
title: Seven Half Hull Models

description: Ship models are made for many different purposes. Before computer technology became standard for ship design, wooden models were made. The models here represent those used for framework, plating, and showing-off! But why build only half a hull? The answer lies in symmetry. If you design one half to perfection and reverse it, when it comes to the build you will have a symmetrical hull.

The small models are scale replicas of yacht hulls and are inscribed with a series of lines to indicate the position of the framework. The lines would then be traced or "laid down" on the floor and used as an outline for the shape of the hull. The larger models depict the hulls of cargo vessels. They were used to determine the best size and layout for the steel plates which formed the hull.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300271
title: 3D-модель Усадьбы №25

description: ***Усадьба 25*** — это уникальный археологический объект Хоры Херсонеса, который мы проектируем как общественное пространство с четырьмя функциональными зонами –музей под открытым небом, городской парк, зона выгула собак и детская площадка.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300272
title: 3D-модель Усадьбы №25

description: ***Усадьба 25*** — это уникальный археологический объект Хоры Херсонеса, который мы проектируем как общественное пространство с четырьмя функциональными зонами –музей под открытым небом, городской парк, зона выгула собак и детская площадка.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300273
title: Cerdito La Nava

description: Cerdito tallado en granito, en la localidad de La Nava (Salamanca)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300274
title: Cerdito La Nava

description: Cerdito tallado en granito, en la localidad de La Nava (Salamanca)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300275
title: Pica-pau

description: Woody Woodpecker plush doll gifted to Alessandro by his aunt when he was five. She got it in a kid's meal from an arab fast food restaurant. He watched a lot of Woody's cartoons on DVD because she rarely let him play outside, afraid for his safety. He used to leave the Vila only to inflate his bike tires in a workshop nearby.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300276
title: Pica-pau

description: Woody Woodpecker plush doll gifted to Alessandro by his aunt when he was five. She got it in a kid's meal from an arab fast food restaurant. He watched a lot of Woody's cartoons on DVD because she rarely let him play outside, afraid for his safety. He used to leave the Vila only to inflate his bike tires in a workshop nearby.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300280
title: Buddha souvenir

description: Souvenir Buddha Figure used for Reverse Modeling Course at Polimi 2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300281
title: Buddha souvenir

description: Souvenir Buddha Figure used for Reverse Modeling Course at Polimi 2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300282
title: Mount Alt Farm - Cup Marked Stone

description: This stone is on display in the Smith Art Gallery & Museum, Stirling.  It was found in 1893 near Mount Alt Farm in the Ochils along with a cinerary urn (whereabouts now not known).  The precise location and circumstances of the find is unknown and the only record the museum now has of it is on its display card.
It has been classified as a cup marked rock but the indentations are much largers and deeper than the usual cup marks and appear more like bowls. I would speculate that this is more likely to have been used as a 'knockin' stane' or was possibly a bullaun stone as the bowls would have collected water.  Possibly it may have been associated with a cist as it is stated to have been found in association with a funerary urn.

Source: Objaverse 1.0 / Sketchfab