cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/cassady-c85-2053
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2058
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2061
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2075
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-1625
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-1635
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-1643
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-1653
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-1658
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-2008
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2009
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2016
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.5281/zenodo.17536217
title: A Comprehensive Multi-Scale Evolutionary Framework for Hybrid Pharmacological Protocol Targeting Tumor Microenvironment: Integrating Smart Nanomedicine Platforms, Adaptive Immune Modulation, and Rigorous Clinical Validation

description: This comprehensive study introduces an enhanced Hybrid Pharmacological Protocol (HPP) that systematically addresses the critical challenges in tumor microenvironment (TME) targeting through integrated multi-scale modeling and advanced nanomedicine platforms. Building upon recent breakthroughs in intelligent nanomedicine and computational oncology, we develop a sophisticated framework that explicitly incorporates spatial heterogeneity beyond spherical symmetry, evolutionary dynamics of drug resistance, cellular plasticity mechanisms, and rigorous validation protocols.The framework integrates ordinary differential equations (ODEs) with resistant subpopulations, partial differential equations (PDEs) in patient-derived irregular geometries, and advanced agent-based models (ABMs) with genetic lineages and phenotypic transitions. We incorporate cancer-associated fibroblasts (CAFs) as key stromal regulators and model active nanoparticle transport mechanisms including transcytosis and receptor-mediated uptake.Our enhanced HPP employs theranostic nanoparticles for real-time monitoring, mRNA-loaded lipid nanoparticles for precise immune activation, and stimulus-responsive nanocarriers for selective drug release. We propose a specific Phase 0 clinical trial design with quantitative endpoints and statistical power calculations.In silico simulations predict 85-90% initial tumor reduction with delayed resistance emergence (median time to progression: 180 days), outperforming conventional therapies across multiple metrics. The complete implementation includes Bayesian parameter estimation, global sensitivity analysis, and comprehensive uncertainty quantification, providing a robust platform for translational oncology research.
DOI: 10.5281/zenodo.17536218
title: A Comprehensive Multi-Scale Evolutionary Framework for Hybrid Pharmacological Protocol Targeting Tumor Microenvironment: Integrating Smart Nanomedicine Platforms, Adaptive Immune Modulation, and Rigorous Clinical Validation

description: This comprehensive study introduces an enhanced Hybrid Pharmacological Protocol (HPP) that systematically addresses the critical challenges in tumor microenvironment (TME) targeting through integrated multi-scale modeling and advanced nanomedicine platforms. Building upon recent breakthroughs in intelligent nanomedicine and computational oncology, we develop a sophisticated framework that explicitly incorporates spatial heterogeneity beyond spherical symmetry, evolutionary dynamics of drug resistance, cellular plasticity mechanisms, and rigorous validation protocols.The framework integrates ordinary differential equations (ODEs) with resistant subpopulations, partial differential equations (PDEs) in patient-derived irregular geometries, and advanced agent-based models (ABMs) with genetic lineages and phenotypic transitions. We incorporate cancer-associated fibroblasts (CAFs) as key stromal regulators and model active nanoparticle transport mechanisms including transcytosis and receptor-mediated uptake.Our enhanced HPP employs theranostic nanoparticles for real-time monitoring, mRNA-loaded lipid nanoparticles for precise immune activation, and stimulus-responsive nanocarriers for selective drug release. We propose a specific Phase 0 clinical trial design with quantitative endpoints and statistical power calculations.In silico simulations predict 85-90% initial tumor reduction with delayed resistance emergence (median time to progression: 180 days), outperforming conventional therapies across multiple metrics. The complete implementation includes Bayesian parameter estimation, global sensitivity analysis, and comprehensive uncertainty quantification, providing a robust platform for translational oncology research.
DOI: 10.25549/cassady-c85-2021
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2025
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2087
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2089
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2091
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2105
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2108
title: Alice in Wonderland, 1947

description: Alice in Wonderland adapted for the stage by Eva Le Gallienne and Florida Freibus; from Lewis Carroll's Alice in Wonderland and Through the looking-glass. Mimeographed typescript of script of the play ; correction sheets laid in before p. 46 (1st act), and p. 16 (2nd act), and in front. Attached in blue paper folder printed with Hart Stenographic Bureau, New York, and with stamp of the American Repertory Theatre, New York. Flier and program for the April 5, 1947 performance at the International Theatre, New York, laid in. Bambi Lynn's (Alice) copy, the title-page containing 29 signatures of the cast and crew including Philip Bourneuf (White Knight), Ted Tenley (Caterpillar), Angus Cairns (Mock Turtle), and Julie Harris (White Rabbit). Four leaves of handwritten and typed inserts/corrections laid in.
DOI: 10.25549/cassady-c85-2446
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.