cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.6125468
title: Cartographies in Morro da Conceição: opening breaches in the body of the city

description: Abstract: The article is constituted through the drift lines of a dance research group in Morro da Conceição, located in the port area of Rio de Janeiro. The drift and the affective occupation in-with the space are affirmed as gestures-fissure in the space-time of the city. It is proposed a research in dance that weaves the edge with other knowledge and practices, in the transit zones of the body with the world, and that affectively occupies some spaces of the city, creating new body-city graphs.
DOI: 10.6084/m9.figshare.6125468.v1
title: Cartographies in Morro da Conceição: opening breaches in the body of the city

description: Abstract: The article is constituted through the drift lines of a dance research group in Morro da Conceição, located in the port area of Rio de Janeiro. The drift and the affective occupation in-with the space are affirmed as gestures-fissure in the space-time of the city. It is proposed a research in dance that weaves the edge with other knowledge and practices, in the transit zones of the body with the world, and that affectively occupies some spaces of the city, creating new body-city graphs.
DOI: 10.6084/m9.figshare.7899908
title: Mata Virgem Brasílica Language: a perspectivism of the transverse knowledge

description: Abstract: A discursive recurrences set around problem of American exteriority, evinces power lines of an imagery and a language that constitute colonials dispositive. As methodological strategy, it signs the modes by which image of Immaculate Conception is given in a figurative fulguration, breaking empirical historical status to entice the transversality of a perspectivist appreciation. Such a course comes together with the thinking of Gilles Deleuze and Félix Guattari and the animist perspectives studied by Eduardo Viveiros de Castro in order to discuss the anthropological tensions of what in our poetics we call iconoclastic idolatry.
DOI: 10.6084/m9.figshare.7899908.v1
title: Mata Virgem Brasílica Language: a perspectivism of the transverse knowledge

description: Abstract: A discursive recurrences set around problem of American exteriority, evinces power lines of an imagery and a language that constitute colonials dispositive. As methodological strategy, it signs the modes by which image of Immaculate Conception is given in a figurative fulguration, breaking empirical historical status to entice the transversality of a perspectivist appreciation. Such a course comes together with the thinking of Gilles Deleuze and Félix Guattari and the animist perspectives studied by Eduardo Viveiros de Castro in order to discuss the anthropological tensions of what in our poetics we call iconoclastic idolatry.
DOI: 10.6084/m9.figshare.11756742
title: Theater, is it Real? Thoughts on the notion of the Real in contemporary stages

description: Abstract: This article focuses on the possible outcomes that may unfold when personal narratives have been intentionally applied on stage to generate a tension between the ideas of reality and fiction in performance. The article uses theoretical references that conceptualize the notion of the ‘Real’ - from the social context of the 1960s to the present - and follows the thoughts of philosophers like Debord, Baudrillard and Rosset with the aim to consider theater and performance as artistic fields that have the potential to interrogate totalizing statements about the truth in today’s world.
DOI: 10.6084/m9.figshare.11756742.v1
title: Theater, is it Real? Thoughts on the notion of the Real in contemporary stages

description: Abstract: This article focuses on the possible outcomes that may unfold when personal narratives have been intentionally applied on stage to generate a tension between the ideas of reality and fiction in performance. The article uses theoretical references that conceptualize the notion of the ‘Real’ - from the social context of the 1960s to the present - and follows the thoughts of philosophers like Debord, Baudrillard and Rosset with the aim to consider theater and performance as artistic fields that have the potential to interrogate totalizing statements about the truth in today’s world.
DOI: 10.6084/m9.figshare.11756838
title: The Performative Nature of Dramatic Imagination

description: Abstract: Creative imagination is a central concept in critical philosophy which establishes the framing faculty of the subject in the middle of the cognitive process. Linking the internal and the external, imagination is also key for dramatic acting methodologies. This mediation has been alternatively interpreted in Western tradition under a reversible perspective, giving priority to either the process that goes from the outside inwards (aesthesis) or just the opposite (poiesis). Going beyond dialectics, this article will connect philosophy with dramatic theory. My proposal explores the virtual drama of identity to emphasise how the transcendental and empirical get linked theatrically.
DOI: 10.6084/m9.figshare.11756838.v1
title: The Performative Nature of Dramatic Imagination

description: Abstract: Creative imagination is a central concept in critical philosophy which establishes the framing faculty of the subject in the middle of the cognitive process. Linking the internal and the external, imagination is also key for dramatic acting methodologies. This mediation has been alternatively interpreted in Western tradition under a reversible perspective, giving priority to either the process that goes from the outside inwards (aesthesis) or just the opposite (poiesis). Going beyond dialectics, this article will connect philosophy with dramatic theory. My proposal explores the virtual drama of identity to emphasise how the transcendental and empirical get linked theatrically.
DOI: 10.6084/m9.figshare.11757066
title: Immund Poses: funk, photography, gender performativity and dance in the construction of the contemporary photographic portrait

description: Abstract: As a phenomenon, funk is wider than its specificities as a musical genre. The cultural space it occupies highlights issues related to the body, gender, race and social classes as sociopolitical aspects in constant friction with elite culture and the media, which absorb it and attempt to sanitize it. If something needs to be sanitized through the erasure of social and racial traits of funk singers and dancers, it is because this condition is seen as abject - immund. This article makes use of the concept of immund to analyze the black and LGBT body within the funk universe by examining the portraits of six young men in light of theoretical reflections derived from the fields of dance, performance art and politics.
DOI: 10.6084/m9.figshare.11757066.v1
title: Immund Poses: funk, photography, gender performativity and dance in the construction of the contemporary photographic portrait

description: Abstract: As a phenomenon, funk is wider than its specificities as a musical genre. The cultural space it occupies highlights issues related to the body, gender, race and social classes as sociopolitical aspects in constant friction with elite culture and the media, which absorb it and attempt to sanitize it. If something needs to be sanitized through the erasure of social and racial traits of funk singers and dancers, it is because this condition is seen as abject - immund. This article makes use of the concept of immund to analyze the black and LGBT body within the funk universe by examining the portraits of six young men in light of theoretical reflections derived from the fields of dance, performance art and politics.
DOI: 10.6084/m9.figshare.11965752.v1
title: Performing Arts and Education: a comparison between Brazil and Italy

description: Abstract: This comparative paper aims to search for modes of doing, thinking and organizing theatre and dance in schools in Brazil and in Italy. Its purpose is to understand the insertion of performing arts in the regular education. For such, it has been analyzed documents from European and Brazilian official government bodies, as well as it has been made a literature review situating the fields of theatre and dance in both countries.
DOI: 10.6084/m9.figshare.11965752
title: Performing Arts and Education: a comparison between Brazil and Italy

description: Abstract: This comparative paper aims to search for modes of doing, thinking and organizing theatre and dance in schools in Brazil and in Italy. Its purpose is to understand the insertion of performing arts in the regular education. For such, it has been analyzed documents from European and Brazilian official government bodies, as well as it has been made a literature review situating the fields of theatre and dance in both countries.
DOI: 10.6084/m9.figshare.14329047
title: Transgenderities in Performance: gender disobedience and anticoloniality in the performing arts

description: Abstract: The article presents the scenic devices of transgender performativity in face of the practical and theoretical paths of anticolonial rupture of body norms. It is questioned here the extent to which gender disobedience is an essential factor in the struggle against the colonial project, highlighting how Eurocentrism and whiteness are amalgamated with the precepts of compulsory cisgenderity as body politics. Two performances are analyzed: Tetagrafias and Tran(S)arau (Coimbra/Portugal, 2015 to 2017). Therefore, the coercive aspects of cisnormativity are presented as hegemonic and colonial conception of corporeality, in scene and in daily life.
DOI: 10.6084/m9.figshare.14329049
title: The Aura of Professing: deterritorialization of authority towards communitas and enthusiasm

description: Abstract: The article characterizes the teaching authority as a product of patriarchal and Christian tradition, according to which the teacher’s performance would establish discipline and silence. Just like the aura (Benjamin, 2017) of a work of art decays through technical advance, so would the teacher's aura: the democratization/secularization of education, by unlinking knowledge from the divine, generates deterritorialization of authority. In response, means of dialectically reverting the aura in teaching are sought here in works of art and philosophy. These point toward the construction of communitas in learning, in which professing becomes an aesthetic and collective experience, marked by the presence of an embodied enthusiasm.
DOI: 10.6084/m9.figshare.14329049.v1
title: The Aura of Professing: deterritorialization of authority towards communitas and enthusiasm

description: Abstract: The article characterizes the teaching authority as a product of patriarchal and Christian tradition, according to which the teacher’s performance would establish discipline and silence. Just like the aura (Benjamin, 2017) of a work of art decays through technical advance, so would the teacher's aura: the democratization/secularization of education, by unlinking knowledge from the divine, generates deterritorialization of authority. In response, means of dialectically reverting the aura in teaching are sought here in works of art and philosophy. These point toward the construction of communitas in learning, in which professing becomes an aesthetic and collective experience, marked by the presence of an embodied enthusiasm.
DOI: 10.6084/m9.figshare.14329050
title: Assembling Shreds of History: dance and memory of the last Argentine civic-military dictatorship

description: Abstract: The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). Throughout this analysis, the article offers some thoughts on the embodied memory or the embodiment of the dictatorship’s memory as a repertoire or performance. How and what kind of memory do the dancing bodies have and evoke? Here, performance as embodied memory is presented as a fragmentary montage that alters the common place of official memory, allowing an intimate and affective dimension to arise.
DOI: 10.6084/m9.figshare.14329050.v1
title: Assembling Shreds of History: dance and memory of the last Argentine civic-military dictatorship

description: Abstract: The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). Throughout this analysis, the article offers some thoughts on the embodied memory or the embodiment of the dictatorship’s memory as a repertoire or performance. How and what kind of memory do the dancing bodies have and evoke? Here, performance as embodied memory is presented as a fragmentary montage that alters the common place of official memory, allowing an intimate and affective dimension to arise.
DOI: 10.6084/m9.figshare.7516247
title: Fictionalized spaces in Desterro, by Luis S. Krausz: an essay in literary geography

description: The majority of fictional texts can be localized geographically in terms of scenario and plot. However, these localizations are constructed in different ways, from imaginary to realistic. I will analyze the contemporary novel Desterro: memórias em ruínas (2011), by Luis S. Krausz, following this premise. The book offers a range of sophisticated representations of fictionalized real spaces, some of them representing a past that no longer exists. Through my analysis I will test a special method that has been developed recently under the name of "literary geography". This approach addresses the relevant questions of text-space relations in general, as well as the different forms of referring to geographical spaces (indicating, suppressing, anonymizing, transforming). Furthermore, different functions are attributed to the fictionalized spaces. In a second step, in line with the same method, I will test the potential of maps in providing an interpretative framework for the analysis. Possible limitations to this method will then be discussed.
DOI: 10.6084/m9.figshare.7516247.v1
title: Fictionalized spaces in Desterro, by Luis S. Krausz: an essay in literary geography

description: The majority of fictional texts can be localized geographically in terms of scenario and plot. However, these localizations are constructed in different ways, from imaginary to realistic. I will analyze the contemporary novel Desterro: memórias em ruínas (2011), by Luis S. Krausz, following this premise. The book offers a range of sophisticated representations of fictionalized real spaces, some of them representing a past that no longer exists. Through my analysis I will test a special method that has been developed recently under the name of "literary geography". This approach addresses the relevant questions of text-space relations in general, as well as the different forms of referring to geographical spaces (indicating, suppressing, anonymizing, transforming). Furthermore, different functions are attributed to the fictionalized spaces. In a second step, in line with the same method, I will test the potential of maps in providing an interpretative framework for the analysis. Possible limitations to this method will then be discussed.
DOI: 10.6084/m9.figshare.7510106.v1
title: From the illustrated book to the app: reflections on multimodality in children's literature

description: This paper reflects on the diversity of semiotic resources in contemporary children's literature, analyzing the impact of technology on the literary text. Using some concepts from the studies of multimodality, we examine the potential of sense resulting from the relationship between verbal and nonverbal features in print and digital literature, in works such as Flicts; "A girafa" and "Cigarra", from Angela Lago's series "Ave, palavra"; and the application of literature for children Es así, by Paloma Valdivia. The author presents evidence to assert that the advances in multimodality studies help improving the literary experience by children nowadays, as it offers ways to know and mediate the process of interpretation and enjoyment of multimodal texts.
DOI: 10.6084/m9.figshare.7510106
title: From the illustrated book to the app: reflections on multimodality in children's literature

description: This paper reflects on the diversity of semiotic resources in contemporary children's literature, analyzing the impact of technology on the literary text. Using some concepts from the studies of multimodality, we examine the potential of sense resulting from the relationship between verbal and nonverbal features in print and digital literature, in works such as Flicts; "A girafa" and "Cigarra", from Angela Lago's series "Ave, palavra"; and the application of literature for children Es así, by Paloma Valdivia. The author presents evidence to assert that the advances in multimodality studies help improving the literary experience by children nowadays, as it offers ways to know and mediate the process of interpretation and enjoyment of multimodal texts.
DOI: 10.6084/m9.figshare.7508567
title: The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli

description: The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente. Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out.
DOI: 10.6084/m9.figshare.7508567.v1
title: The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli

description: The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente. Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out.
DOI: 10.6084/m9.figshare.7517153
title: "Monstro esperançoso": Some thoughts on Oratório, by André Valias

description: ABSTRACT The apprehension of literary works produced on digital context and which make use of the new media's potential should take into consideration that the concept of literature and the parameters used to value literary objects are descendent from the print culture's era. Although it's not about to decree the end of that era, it's undeniable that the digital context has engendered new ways to produce, read and circulate the literary text, which also carries other valuation's criteria, apprehension and definition of literature. Aware of these issues, this text seeks to read the digital poem Oratório, by André Valias, outlining its specificities as a literary text produced (and read) in the digital environment.
DOI: 10.6084/m9.figshare.7517153.v1
title: "Monstro esperançoso": Some thoughts on Oratório, by André Valias

description: ABSTRACT The apprehension of literary works produced on digital context and which make use of the new media's potential should take into consideration that the concept of literature and the parameters used to value literary objects are descendent from the print culture's era. Although it's not about to decree the end of that era, it's undeniable that the digital context has engendered new ways to produce, read and circulate the literary text, which also carries other valuation's criteria, apprehension and definition of literature. Aware of these issues, this text seeks to read the digital poem Oratório, by André Valias, outlining its specificities as a literary text produced (and read) in the digital environment.
DOI: 10.6084/m9.figshare.7506770
title: Resistance and empowerment in urban literature of Rio de Janeiro

description: abstract In the state of Rio de Janeiro the occupation of public areas by art and culture collectives has brought innovative contributions to artistic languages. Exchanges, hybridisms, and experimentations of various cultural manifestations find a welcoming place in streets and public squares. This article will be studying the Roda Cultural in regards to its character as an occupation. This event not only takes art to public areas, but it also uncovers the production of a singular literary expression - the streets' rimes. Nevertheless, since the public areas are regulated and disputed by various segments, the occupation is usually marked by tensions. For a long time, these used to paralyze street art actors who did not believe a negotiation with the public powers was possible. However, with the growth in repression and the increasing need of other types of public leisure and culture, agents involved in the scene have incremented their efforts to negotiate with the sectors in charge of urban development, which, in turn, have attempted generate initiatives aimed at incrementing visibility in order to validate its cultural policies through the "streets." Street art is discovering, albeit it with some difficulty, that the interaction and sorting out of the right tools to cope with public powers, is also a way of resistance.
DOI: 10.6084/m9.figshare.7506770.v1
title: Resistance and empowerment in urban literature of Rio de Janeiro

description: abstract In the state of Rio de Janeiro the occupation of public areas by art and culture collectives has brought innovative contributions to artistic languages. Exchanges, hybridisms, and experimentations of various cultural manifestations find a welcoming place in streets and public squares. This article will be studying the Roda Cultural in regards to its character as an occupation. This event not only takes art to public areas, but it also uncovers the production of a singular literary expression - the streets' rimes. Nevertheless, since the public areas are regulated and disputed by various segments, the occupation is usually marked by tensions. For a long time, these used to paralyze street art actors who did not believe a negotiation with the public powers was possible. However, with the growth in repression and the increasing need of other types of public leisure and culture, agents involved in the scene have incremented their efforts to negotiate with the sectors in charge of urban development, which, in turn, have attempted generate initiatives aimed at incrementing visibility in order to validate its cultural policies through the "streets." Street art is discovering, albeit it with some difficulty, that the interaction and sorting out of the right tools to cope with public powers, is also a way of resistance.
DOI: 10.6084/m9.figshare.7518065.v1
title: À propos a German brother: the fictionalization of an international family affair

description: abstract In framework in which new social voices in Brazilian literature make claims, what could be the relevance of Chico Buarque (1944), a well-known name in Brazilian culture, learning, at the age of 70, about the existence of his German half-brother Sergio Günther Ernst (1930-1981)? A brother that Buarque never met and who already had passed away 30 years ago? At first glance, there is none. Nonetheless, the international incident in the author’s family history served as inspiration and background story for the novel O irmão alemão, published in 2014. This text reveals itself as quite complex due to the transgression of its diegetic, political and chronological borders. In this article I examine how Buarque’s narrative combines facts and historical documents with an imaginary plot; how the book indirectly explores the traumatic history of authoritarian regimes; and how the narrator uses this “family novel” to work through the fantasies through which he establishes a relationship with his father and brothers.