cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.30546164.v1
title: <b>Whole genome assembly and annotation of the acorn weevil, </b><b><i>Curculio nanulus </i></b><b>(Coleoptera: Curculionidae)</b>

description: The acorn weevil <i>Curculio nanulus </i>(Coleoptera: Curculionidae) is a seed predator that lays its eggs inside developing acorns and hickory nuts in the western United States. The female weevil uses her elongated rostrum to excavate a hole into the seed, creating a protected site for oviposition. Natural history traits among <i>Curculio </i>species—such as host-specificity and variation in larval diapause—suggest a dynamic evolutionary relationship with their host plants. These traits are best studied through a comparative genomic framework, but such analyses cannot currently be undertaken due to the lack of whole genome assemblies for <i>Curculio </i>species. To address this gap, we generated a whole genome assembly for <i>C. nanulus</i> using PacBio HiFi sequencing. The resulting assembly is ~1.5 Gbp in length, with high contiguity (contig N50 = 7.7 Mbp) and gene completeness (BUSCO score: 98.97%). To enable comparative analysis, we also assembled the genome of the pecan weevil, <i>Curculio caryae</i>, using publicly available PacBio HiFi reads. For both species, we annotated repetitive elements and protein-coding genes, and compared these features with those of other weevil genomes. Our results reveal a marked expansion of repetitive elements within <i>Curculio</i> and its close relatives. These genomic resources provide a foundation for investigating seed predation, co-speciation, and host-parasite evolutionary dynamics in <i>Curculio </i>and related taxa, as well as their impacts on forest ecology.
DOI: 10.5281/zenodo.13489377
title: Interactions between dense seasonal macroalgal mats and oysters on natural and constructed shellfish reefs

description: Oysters are important coastal foundation species that provide valuable hard substrate for the recruitment of epibiotic organisms in environments otherwise dominated by soft sediment. Yet, their interactions with epibionts are relatively understudied. Despite the proliferation of macroalgal mats across the Southeastern United States in winter months, the relationship between oysters (Crassostrea virginica) and seasonal macroalgae is poorly understood. We conducted an observational field survey and two manipulative field experiments to document seasonal macroalgal dynamics on intertidal oyster reefs and to better understand the interaction between the oysters and algae. We found that algal mats in North Carolina were primarily composed of two genera, Ulva and Ectocarpus, which together reached extremely high cover (up to 100%) over large areas of reef. Macroalgae appeared in January and declined in May, with peak cover in February and March. Algal cover was significantly higher on constructed oyster reefs versus natural oyster reefs. Our field experiments showed that algal cover was significantly higher on dead oyster mimics versus live oysters, suggesting that the primary mechanism of algal facilitation is associated with the provisioning of hard substrate rather than fertilization. Reciprocally, we found no significant effects of macroalgae on oyster abundance or growth, likely due to relatively low algal cover in the experimental treatments. With a predicted proliferation of macroalgae under global change, our study highlights the important role that intertidal oyster reefs play in providing substrate for macroalgae, but more research on this key species interaction in intertidal areas of the Southeastern United States is needed.
DOI: 10.5281/zenodo.17547196
title: Interactions between dense seasonal macroalgal mats and oysters on natural and constructed shellfish reefs

description: Oysters are important coastal foundation species that provide valuable hard substrate for the recruitment of epibiotic organisms in environments otherwise dominated by soft sediment. Yet, their interactions with epibionts are relatively understudied. Despite the proliferation of macroalgal mats across the Southeastern United States in winter months, the relationship between oysters (Crassostrea virginica) and seasonal macroalgae is poorly understood. We conducted an observational field survey and two manipulative field experiments to document seasonal macroalgal dynamics on intertidal oyster reefs and to better understand the interaction between the oysters and algae. We found that algal mats in North Carolina were primarily composed of two genera, Ulva and Ectocarpus, which together reached extremely high cover (up to 100%) over large areas of reef. Macroalgae appeared in January and declined in May, with peak cover in February and March. Algal cover was significantly higher on constructed oyster reefs versus natural oyster reefs. Our field experiments showed that algal cover was significantly higher on dead oyster mimics versus live oysters, suggesting that the primary mechanism of algal facilitation is associated with the provisioning of hard substrate rather than fertilization. Reciprocally, we found no significant effects of macroalgae on oyster abundance or growth, likely due to relatively low algal cover in the experimental treatments. With a predicted proliferation of macroalgae under global change, our study highlights the important role that intertidal oyster reefs play in providing substrate for macroalgae, but more research on this key species interaction in intertidal areas of the Southeastern United States is needed.
DOI: 10.15468/dl.yjkrne
title: Occurrence Download

description: A dataset containing 21426 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is adc3d841-aefb-4d7c-9ab1-2156d614b27b",
 "TaxonKey is Animalia"
 ]
}

 The dataset includes 21426 records from 5 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0020600-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.15468/dl.4uu2hu
title: Occurrence Download

description: A dataset containing 46711 species occurrences available in GBIF matching the query:
{
 "and" : [
 "OccurrenceStatus is Present",
 "TaxonKey is Kalmia latifolia"
 ]
}

 The dataset includes 46711 records from 287 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0020601-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.5281/zenodo.17547085
title: Materials for "An invasive species cost review for New South Wales. Australia. highlights key drivers and limitations of economic cost estimates"

description: Materials for the manuscript “An invasive species cost review for New South Wales, Australia, highlights key drivers and limitations of economic cost estimates”

Nicholas P. Moran, Lu-Yi Wang, Anca M. Hanea, Tom Kompas

The Centre for Environmental and Economic Research (CEER), School of BioSciences, The University of Melbourne, Parkville, Victoria 3010, Australia 

Centre of Excellence for Biosecurity Risk Analysis (CEBRA), School of BioSciences, The University of Melbourne, Parkville, Victoria 3010, Australia

 

Materials include:



Supplementary Materials for the manuscript (as of 21 August 2025; MS_NSWNRC_SupplementaryMaterials_4ZEN.pdf).

A copy of the code and data repository “nsw-nrc-review_4MS.zip” (current as of Nov 2025).



Data and code is all incorporated into an RProject folder. To use and repoduce results, please download and unzip with RProject folder and copy it to you R working directory.

README.md file within this folder provide all details of data and code provided, to fully replicate results.



PRISMA diagram (PRISMA_v6.png) and checklist (PRISMA-EcoEvo_WordChecklist.docx).


The project received funding from the NSW Natural Resources Commission
DOI: 10.5281/zenodo.17535313
title: Dynamics and environmental drivers of methane and nitrous oxide fluxes at the soil and ecosystem levels in a wet tropical forest

description: Databases of environmental and greenhouse gas fluxes (methane (CH₄) and nitrous oxide (N₂O)) at the soil and ecosystem levels, recorded at the Guyaflux tropical forest site in French Guiana between 17 May 2016 and 2 August 2018. These data are presented in the scientific article entitled "Dynamics and environmental drivers of methane and nitrous oxide fluxes at the soil and ecosystem levels in a wet tropical forest" (EGUsphere [preprint]; https://doi.org/10.5194/egusphere-2025-3501; 2025). The data are daily averages for both the raw data and the 1st - 99th percentile range.
DOI: 10.25549/dance-ouc145824
title: Philippine dance gathering and workshops, 2001-08

description: The Philippine Dance Gathering and Workshops (PDGW) is an annual folk and traditional arts project. The gathering brings together a team of accomplished and recognized specialists and artists in the field of Philippine dance and music, and provides an opportunity to learn repertoire of regional dances and music and facilitates a forum for cultural discussion and networking. The third annual gathering took place between 8-12 Aug 2001.
DOI: 10.25549/dance-ouc1sto1655697
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc1sto1653333
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc111358883
title: Dance kaleidoscope, 1993

description: Videos and program for Dance Kaleidoscope, California State University, Los Angeles, 5151 State University Drive, Los Angeles, California, USA, and John Anson Ford Theatre, 2580 Cahuenga Boulevard E, Los Angeles, California, USA, 1993-07-16/1993-07-31.
DOI: 10.25549/dance-ouc111359046
title: Dance kaleidoscope, 2000

description: Videos and program for Dance Kaleidoscope, Luckman Fine Arts Complex, California State University, Los Angeles, 5151 State University Drive, Los Angeles, California, USA, Japan America Theatre, 244 South San Pedro Street, Los Angeles, California, USA, and John Anson Ford Amphitheatre, 2580 Cahuenga Boulevard E, Los Angeles, California, USA, 2000 July 14/2000 July 23.
DOI: 10.25549/dance-ouc1sto1606498
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc1sto1653486
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc1sto1653498
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc1sto1653332
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc111359140
title: Dance kaleidoscope, 1985

description: Videos and program for Dance Kaleidoscope, John Anson Ford Theatre, 2580 Cahuenga Boulevard E, Los Angeles, California, USA, 1985-06-21/1985-06-28. Produced by the Los Angeles Area Dance Alliance.
DOI: 10.25549/dance-ouc1sto1655698
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.