cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/hancock-c82-24358
title: Brodetsky Ensemble, 1944-01-23

description: Brodetsky Ensemble records Ernst Toch String quartet no. 9, op. 26, C major, Los Angeles, 1944 January 23. Julian Brodetsky, conductor. After a concert at Wilshire-Ebell Theater, 4401 West 8th Street, Los Angeles, California, 1944 January 22, 8:15 p.m. The concert also included Handel Concerto grosso in D minor and Franck Piano quintet in F minor. Announced in Los Angeles Times (1944 January 16), p. III:6. Announced in Los Angeles Times (1944 January 22), p. II:6. Reviewed by Isabel Morse Jones "Playing by Ensemble distinguished" Los Angeles Times (1944 January 24), p. I:8.CONTENTS: String quartet no. 9, op. 26, C major / Ernst Toch.
DOI: 10.25582/data.2020-05.1984875/2167486
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24842
title: Brazilian music, 1946-02-06

description: Brazilian music, Wilshire Ebell Theatre, 4401 West 8th Street, Los Angeles, California, 1946 February 6, presented by the Music Guild. Hancock Foundation. Rehearsal. José Vieira Brandão (1911-2002), piano; Hancock Foundation String Quartet; University of Southern California Madrigal Singers; Max T. Krone, conductor. CONTENTS: PIANO WORKS: Plantio do caboclo [Native planting song], Impressões seresteiras [Minstrel impressions], and Dança do índio branco [Dance of the white indian], nos. 1, 2, and 4 from Ciclo brazileiro [Brazilian cycle], W374 (piano) / Heitor Villa-Lobos -- A maré encheu [The tide came in] and A roseira [The rosebush], nos. 2 and 3 from Guia prático [Practical guide], album 1, W277 (piano) / Heitor Villa-Lobos -- O sim [The yes], no. 5 from Guia prático [Practical guide], album 4, W280 (piano) / Heitor Villa-Lobos -- O carangueijo [The crab], no. 3 from Guia prático [Practical guide], album 6, W282 (piano) / Heitor Villa-Lobos -- Clair de lune, no. 3 from Suite bergamasque (piano) (partial) / Claude Debussy -- CHORAL WORKS: Bazzum (male chorus) (arranged for mixed chorus) / Heitor Villa-Lobos -- Jaquibão (chorus) / Heitor Villa-Lobos -- Súe [Your] (soloists, mixed chorus) / Heitor Villa-Lobos -- Nésta rua [On my street] and On our plantation, from Three Brazilian folk songs (chorus) / José Vieira Brandão (arranger) -- The strings of the guitar (mixed chorus, piano) / Heitor Villa-Lobos -- Xangô (song) / Heitor Villa-Lobos -- CHAMBER WORKS: 1st and 2nd movements from Choro carioca (woodwind quartet) / José Vieira Brandão -- String quartet no. 6 (2 violins, viola, violoncello / Heitor Villa-Lobos (announced but not present on extant disks). See also "Brandao to be guest maestro" <em>Daily trojan</em> 37/64 (1946 February 5): 1. https://doi.org/10.25549/uschist-dt-m62833. See also "Melodies of Villa-Lobos to be featured at Ebell" <em>Los Angeles Times</em> (1946 February 3): 27. See also "Music Guild presents Brazilian music" [advertisement] <em>Los Angeles Times</em> (1946 February 3): 24.
DOI: 10.25582/data.2020-05.1983714/2167487
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24459
title: American Music Festival opening concert, 1947-04-25

description: American Music Festival week opening concert (1st of 5), Bovard Auditorium, University Avenue [later 3551 Trousdale Parkway], University of Southern California, Los Angeles, California, 1947 April 25, 8:30 p.m. Broadcast, KUSC, Southern California Network. University of Southern California Trojan Band [i.e. Concert Band]; William H. Gould, conductor; William H. Gould, commentator; John Check, trumpet; John Dutton, trumpet; George Hyde, horn; Scott McKinnen, trombone; Jack Coleman, baritone horn; Ernest Kanitz, conductor; William Teaford, piano. CONTENTS: Stars and stripes forever (band) / John Philip Sousa -- Wasatchia, suite for band / Clair Whitney Johnson -- Two movements, from Music for brass instruments / Ingolf Dahl -- Caribbean fantasy (band) / John J. Morrisey -- Serenade (piano, wind and percussion instruments) / Ernest Kanitz -- Rhapsody in blue (arranged for band) / George Gershwin -- public service announcement regarding "The perplexing problems of peace". Announced in "Concert opens Music Festival" <em>Daily Trojan</em> (1947 April 24): p. 1. See https://doi.org/10.25549/uschist-dt-m63487.
DOI: 10.25549/hancock-c82-24768
title: Ancient music on ancient instruments, 1948-07-25

description: Program of ancient music on ancient instruments, Hancock Auditorium, Hancock Foundation Building, University of Southern California, Los Angeles, California, 1948 July 25, 8:30 p.m., broadcast on KUSC, the Southern California Network. Alice Ehlers, harpsichord; Virginia Majewski, viola d'amore; Frieda Bellinfante, viola da gamba; Doriot Anthony Dwyer, flute. CONTENTS: [Sonata (flute, continuo)?] / Johann Sebastian Bach -- [Sonata (violoncello, continuo)?] / George Frideric Handel -- Aria, 4th movement from Sonata no. 2, D major, from 6 sonatas, livre 5 (treble viola de gamba, continuo) / Jean-Baptiste Barrière -- Gavotte (viola d'amore, continuo) / Ugard[?] -- Minuetto primo, 3rd piece from 5 pieces (viola d'amore, continuo) / Louis-Toussaint Milandre -- 3 preludes, from 24 préludes, op. 5 [24 preludes] (viola d'amore, harpsichord) / Henri Casadesus -- Sonata à 4, G major, TWV 43:G10 (flute, 2 violas da gamba, continuo) / Georg Philipp Telemann. See also "Ehlers to play ancient music" <em>Daily Trojan: Summer news</em> 3/13 (1948 July 21): 4. https://doi.org/10.25549/uschist-dt-m67344. See also "Ehlers interprets 18th century music: Harpsichordist plays concert" <em>Daily Trojan</em> 3/14 (1948 July 23): 1. https://doi.org/10.25549/uschist-dt-m67319. Also included is a disregarded recording of a "roll call" of older amateur radio operators identifying their call signs and locations.
DOI: 10.25582/data.2020-05.1986753/2167488
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24737
title: Remembering laughter, 1948-04-02

description: "Remembering laughter", a radio play with incidental music based on the 1937 book by Wallace Earl Stegner. Broadcast, Southern California Network, 1948 April 2. Alex Frontsman, producer; Frank Wood, actor; Jane Whiteman, actor; Arelia Sherrif, actor; Bill Smith, actor; Luke Evans, actor; Harper McCay, music; Ingolf Dahl, conductor.
DOI: 10.25582/data.2020-05.1983806/2167489
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24757
title: Easter program, 1947-04-06

description: [Easter program], Bell High School Glee Club, etc., University of Southern California, Los Angeles, California, broadcast on KUSC, 1947 April 6, 8:30 p.m. - 9:00 p.m.CONTENTS: Processional -- When the dawn was breaking (Polish folk song) (chorus) -- Into the woods my master walked (men's chorus, piano) -- The strife is o'er (men's chorus, piano) (William Henry Monk, arranger) (Francis Pott, English translation) / Giovanni Pierluigi da Palestrina -- The way of the cross, "They gave him a name, when from heaven he came" (male voice; piano) -- Lift thine eyes, o lift thine eyes to the mountains, no. 28 from Elijah, op. 70 (2 sopranos; alto) (Julius Schubring, text; Karl Klingemann, text; William Bartholomew, English translation) / Felix Mendelssohn -- commentary from the Bible, Luke 24 -- Steal away to Jesus (African American spiritual) (chorus) -- Lost in the night (Olaf Lee, text) (chorus) -- Three men trudging (chorus) -- Onward Christian soldiers (chorus) (Sabine Baring-Gould, text) / Arthur Sullivan.
DOI: 10.25582/data.2020-05.1987498/2167490
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24540
title: Holiday music, 1942-12-12

description: Holiday music, Bovard Auditorium (3:30 p.m.) and Tower of Bovard Auditorium (3:15-3:30 p.m.), University of California, Los Angeles, California, 1942 December 13. Recorded 1942 December 12. Hancock Ensemble; Alice Ehlers, harpsichord; George Hultgren, tenor; Ruth Trevorrow, soprano; Mary Lou Perry, soprano; Lucille Peterson, soprano; Belva Kibler, contralto; Michael Mersman, bass; School of Music Faculty members; Orchestra advanced students; University Choir; Max T. Krone, conductor; University Brass Quartet; Lucien Cailliet, director; University Orchestra; Loren Powell, conductor. CONTENTS: 2 preludes (brass quartet) / Johann Sebastian Bach -- 2 preludes (orchestra) / Johann Sebastian Bach -- Christmas oratorio, BWV 248 [Weihnachts-Oratorium] / Johann Sebastian Bach. Announced in "Holiday music features Bach" <em>Daily Trojan</em> (1942 December 11): p. 1. See https://doi.org/10.25549/uschist-dt-m60330. Also announced in "S.C. to sponsor Bach Oratorio" <em>Los Angeles Times</em> (1942 November 22): p. III:6. Also announced in I.M.J. "Sharps and flats: Oratorio offered" <em>Los Angeles Times</em> (1942 November 29): p. III:6.
DOI: 10.25582/data.2020-05.1990678/2167491
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24742
title: University Concert Band Spring concert, 1948-04-30

description: University Concert Band Spring concert, Second Concert in the First Annual Festival of Contemporary Arts, Bovard Auditorium, University Avenue [later 3551 Trousdale Parkway], University of Southern California, Los Angeles, California, 1948 April 30. Broadcast on KUSC, Southern California Network. University of Southern California Concert Band; Clarence Edwin Sawhill, conductor; Clarence Sawhill, commentator; J. Durward Morsch, conductor; Frank Desby, conductor; Leslie Schroeder, conductor; Ralph E. Rush, conductor. CONTENTS: March (band) / Thomas Beecham -- Andante teneramente, con semplicità, 2nd movement from Symphony no. 1, "Nordic", op. 21, E minor (1922) (orchestra) (arranged for band) / Howard Hanson -- Sinfonietta for brass choir, op. 13 (members of the University of Southern California Concert Band (Sidney Lazar, trumpet; Charles Costrelli, trumpet; Ben Keeler, trumpet; Harold Hankins, trumpet; Samuel Solomon, trumpet; Arlene Weeful, trumpet; Jack Coleman, baritone horn; James Van Dyke, baritone horn; George Hyde, horn; Jack Verlocker, horn; Charles Mack, horn; Frank Zimmerman, horn; Sam Casino, horn; J.D. Morsh, trombone; Scott McKinnon, trombone; Francis Holquist, trombone; Joseph Kuhn, tuba) / Ralph Dale Miller -- Red red rose, from Ballet of the flowers, 92 (arranged by J. Durward Morsch for band) / Henry Kimball Hadley -- Prelude, from Irmelin (arranged by Frank Desby for band) / Frederick Delius -- Ritual fire dance [Danza ritual del fuego], from El amor brujo (arranged by Leslie Schroeder for band) / Manuel de Falla -- Legend, op. 31 (band) / Paul Creston -- Suite française, op. 248 / Darius Milhaud -- American folk rhapsody no. 1 (band) / Clare Grundman -- Jericho rhapsody (band) / Morton Gould -- His honor: march (band) / Henry Fillmore. Announced in "Band to offer Spring concert" <em>Daily Trojan</em> 39/130 (1948 April 30): p. 1. See https://doi.org/10.25549/uschist-dt-m64648. Also included is a disregarded recording of an unidentified orchestral fragment and commentary regarding University of Southern California College of Music student chamber music recital broadcast featuring the works of Sergei Prokofiev, Samuel Barber, and David Diamond.
DOI: 10.25582/data.2020-04.1982262/2167492
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24400
title: Hancock Ensemble, 1937-11-21 (2 exemplars)

description: Hancock Ensemble, Mutual Don Lee Studios, Associated Cinema Studios, Hollywood, Los Angeles, California, 1937 November 21. Broadcast by KHJ, Mutual Don Lee Broadcasting System. Hancock Ensemble; George Allan Hancock, violoncello; Isla Lora Detter, soprano; Floyd Mack (Floyd Taft MacLaughlin), commentator.CONTENTS: En bateau, no. 1 from Petit suite (arranged for instrumental ensemble) / Claude Debussy -- Sonata a quatre / Jean Baptiste Lully -- Gypsy serenade "Sérénade du Tsigane" / Charles Robert Valdez -- The maids of Cadiz [Les filles de Cadix] (soprano, strings, flute, harp, piano) (Isla L. Detter, soprano) / Léo Delibes -- Elegiac melodies, op. 34, no. 1. Heart wounds [Elegiske melodier, op. 34, no. 1. Hjertesår] / Edvard Grieg -- Characteristic waltzes, op. 22, no. 1. Valse Bohemienne / Samuel Coleridge-Taylor -- The robin's song (soprano, ensemble) (Isla L. Detter, soprano) / Howard White -- 12 Spanish dances, op. 37, no. 6. La Jota [Danzas españolas. Rondalla aragonesa] / Enrique Granados.
DOI: 10.25582/data.2020-05.1986547/2167493
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24783
title: Theme and variations, 1943-03-26

description: Theme and variations, University of Southern California, Los Angeles, California, 1943 March 26, broadcast on KHJ, Mutual Don Lee Broadcasting System. Hancock Foundation. Hancock Ensemble; Maurice Eisenberg, violoncello; William Strobridge, commentator.CONTENTS: Allegro moderato and Rondo. Allegro, 1st and 3rd movements from Concerto, B-flat major, G. 482 (violoncello and orchestra) (arranged for violoncello and instrumental ensemble) / Luigi Boccherini -- Adagio, 2nd movement from Concerto, G major, G. 480 (violoncello and orchestra) (arranged for violoncello and instrumental ensemble).
DOI: 10.25582/data.2020-05.1987828/2167494
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24385
title: Hancock Ensemble, 1937-12-26

description: Hancock Ensemble, Mutual Don Lee Studios, Associated Cinema Studios, Hollywood, Los Angeles, California, 1937 December 26. Recoded by Carson E. Donaldson. Broadcast by KHJ, Mutual Don Lee Broadcasting System. George Allan Hancock, violoncello; Catherine Jackson Donaldson, harp; Floyd Mack (Floyd Taft MacLaughlin), commentator.CONTENTS: En bateau, no. 1 from Petit suite (arranged for instrumental ensemble) / Claude Debussy -- Tamourin Chinois, op. 3 (arranged for instrumental ensemble) / Fritz Kreisler -- Abendlied, no. 12 from 12 Klavierstücke, op. 85 (arranged for instrumental ensemble) / Robert Schumann -- Vers la source dans le bois (Catherine Jackson Donaldson, harp) / Marcel Tournier -- Valse de la Reine, no. 3 from 4 Characteristic waltzes, op. 22 (arranged for instrumental ensemble) / Samuel Coleridge-Taylor -- Old Italian love song = Liebeslied = Canto amoroso, on a theme of Giuseppe Sammartini (arranged for violoncello and instrumental ensemble by William Henry Squire) (George Allan Hancock, violoncello) / Alfred Kaiser -- 5. Rococo minuet from 6 Piano pices, "Spring", op. 47 [6 Pianosarja "Vår", op. 47] (arranged for instrumental ensemble) / Selim Palmgren -- Dance of the clowns, from Snow maiden [Снегурочка. Пляска скоморохов] (arranged for instrumental ensemble) / Nikolay Rimsky-Korsakov [Николай Римский-Корсаков] -- Bourree, in G major, from Violoncello suite no. 3, BWV 1009 (arranged for instrumental ensemble) / Johann Sebastian Bach.
DOI: 10.25582/data.2020-05.1988311/2167495
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24710
title: Summer Festival of Music, opening concert, 1943-07-11

description: Summer Festival of Music, opening concert, University of Southern California, Hancock Auditorium, Los Angeles, California, 1943 July 11, 8:00 p.m. Broadcast, KHJ-MDL (Mutual Don Lee Broadcasting). Sponsored by the Hancock Foundation and the University of Southern California School of Music. London String Quartet (John Pennington[?], violin; Laurent Halleux, violin; William Primrose[?], viola; Charles Warwick-Evans[?], violoncello).String quartet, op. 10, G minor / Claude Debussy [recording not extant] -- String quartet no. 6, op. 12, A minor / Ernst Toch (dedicated to Elizabeth Sprague Coolidge) -- String quartet, G major / Wolfgang Amadeus Mozart.Announced in "London Quartet to open S.C. Music Festival today" Los Angeles Times (1943 July 11): p. III:6.
DOI: 10.25582/data.2020-05.1988163/2167496
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24399
title: Hancock Ensemble, 1937-11-21 (2 exemplars)

description: Hancock Ensemble, Mutual Don Lee Studios, Associated Cinema Studios, Hollywood, Los Angeles, California, 1937 November 21. Broadcast by KHJ, Mutual Don Lee Broadcasting System. Hancock Ensemble; George Allan Hancock, violoncello; Isla Lora Detter, soprano; Floyd Mack (Floyd Taft MacLaughlin), commentator.CONTENTS: En bateau, no. 1 from Petit suite (arranged for instrumental ensemble) / Claude Debussy -- Sonata a quatre / Jean Baptiste Lully -- Gypsy serenade "Sérénade du Tsigane" / Charles Robert Valdez -- The maids of Cadiz [Les filles de Cadix] (soprano, strings, flute, harp, piano) (Isla L. Detter, soprano) / Léo Delibes -- Elegiac melodies, op. 34, no. 1. Heart wounds [Elegiske melodier, op. 34, no. 1. Hjertesår] / Edvard Grieg -- Characteristic waltzes, op. 22, no. 1. Valse Bohemienne / Samuel Coleridge-Taylor -- The robin's song (soprano, ensemble) (Isla L. Detter, soprano) / Howard White -- 12 Spanish dances, op. 37, no. 6. La Jota [Danzas españolas. Rondalla aragonesa] / Enrique Granados.
DOI: 10.5281/zenodo.10065313
title: Experimental and numerical investigations into the influence of temperature on the permeability of hydrate-bearing sediments

description: Induced by heat injection and climate change, temperature change in hydrate reservoir significantly affects the permeability. A combination of experimental tests and fluid-mechanical-thermal coupling simulations is applied to investigate the temperature influence. The numerical and experimental data is listed here. Results show that the permeability decreases with increasing temperature with a quadratic function relation. Moreover, higher hydrate saturation will promote this reduction. In principle, the increase of temperature leads to linear narrowing of pore throats, further causes the quadratic function relation between permeability and temperature. Higher hydrate saturation will increase the thermal expansion and reduce the initial size of pore throats, which results in a more significant temperature sensitivity. The reduction of permeability may affect the advancement of decomposition front and the release of methane into atmosphere. Accordingly, a theoretical model is developed to describe the permeability-temperature relation, which offers a support for production estimation and environmental assessment.
DOI: 10.25582/data.2020-05.1990723/2167497
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24467
title: Opera Repertory Class of Ingolf Dahl, 1948-06-01

description: Opera Repertory Class of Ingolf Dahl, Hancock concert hour, Hancock Auditorium, University of Southern California, Los Angeles, California, 1948 June 1. Ingeborg Kindem, soprano; Rosaline Milooly, mezzo-soprano; Bernice Wilner, soprano; Herbert Isaacson, tenor; Donald Combs, baritone; Karl Kludt, tenor; Mabel McGill, soprano; Grace Burdick, mezzo-soprano; Vincent Reau, baritone; H. Allen?; unidentified, piano. Broadcast on KUSC.CONTENTS: Last scene, from Act 1 of Der Rosenkavalier, op. 59 (arranged for soprano, mezzo-soprano, and piano) / Richard Strauss -- Scene 1, from Act 2 of Der Rosenkavalier, op. 59 (arranged for mezzo-soprano, soprano, and piano) / Richard Strauss -- "Il cenno mio", from Act 1 of The masked ball [Un ballo in maschera] (arranged for tenor, baritone, and piano) / Giuseppe Verdi -- "A tal colpa è nulla; Morrò, ma prima in grazia", from Act 3 of The masked ball [Un ballo in maschera] (arranged for soprano, baritone, and piano) / Giuseppe Verdi -- "Parle-moi de ma mère", no. 7 from Act 1 of Carmen (arranged for tenor, soprano, and piano) / Georges Bizet -- "Je vais danser en votre honneur; La fleur que la m'avais jeté", no. 17 from Act 2 of Carmen (arranged for mezzo-soprano, tenor, and piano) / Georges Bizet -- Quintet, "Nous avons en tête une affaire", no. 15 from Act 2 of Carmen (arranged for mezzo-soprano, 2 sopranos, tenor, baritone, and piano) / Georges Bizet -- Intermezzo, from Carmen? (arranged) [not recorded] / Georges Bizet.
DOI: 10.5281/zenodo.10065312
title: Experimental and numerical investigations into the influence of temperature on the permeability of hydrate-bearing sediments

description: Induced by heat injection and climate change, temperature change in hydrate reservoir significantly affects the permeability. A combination of experimental tests and fluid-mechanical-thermal coupling simulations is applied to investigate the temperature influence. The numerical and experimental data is listed here. Results show that the permeability decreases with increasing temperature with a quadratic function relation. Moreover, higher hydrate saturation will promote this reduction. In principle, the increase of temperature leads to linear narrowing of pore throats, further causes the quadratic function relation between permeability and temperature. Higher hydrate saturation will increase the thermal expansion and reduce the initial size of pore throats, which results in a more significant temperature sensitivity. The reduction of permeability may affect the advancement of decomposition front and the release of methane into atmosphere. Accordingly, a theoretical model is developed to describe the permeability-temperature relation, which offers a support for production estimation and environmental assessment.
DOI: 10.25549/hancock-c82-24852
title: Brazilian music, 1946-02-06

description: Brazilian music, Wilshire Ebell Theatre, 4401 West 8th Street, Los Angeles, California, 1946 February 6, presented by the Music Guild. Hancock Foundation. Rehearsal. José Vieira Brandão (1911-2002), piano; Hancock Foundation String Quartet; University of Southern California Madrigal Singers; Max T. Krone, conductor. CONTENTS: PIANO WORKS: Plantio do caboclo [Native planting song], Impressões seresteiras [Minstrel impressions], and Dança do índio branco [Dance of the white indian], nos. 1, 2, and 4 from Ciclo brazileiro [Brazilian cycle], W374 (piano) / Heitor Villa-Lobos -- A maré encheu [The tide came in] and A roseira [The rosebush], nos. 2 and 3 from Guia prático [Practical guide], album 1, W277 (piano) / Heitor Villa-Lobos -- O sim [The yes], no. 5 from Guia prático [Practical guide], album 4, W280 (piano) / Heitor Villa-Lobos -- O carangueijo [The crab], no. 3 from Guia prático [Practical guide], album 6, W282 (piano) / Heitor Villa-Lobos -- Clair de lune, no. 3 from Suite bergamasque (piano) (partial) / Claude Debussy -- CHORAL WORKS: Bazzum (male chorus) (arranged for mixed chorus) / Heitor Villa-Lobos -- Jaquibão (chorus) / Heitor Villa-Lobos -- Súe [Your] (soloists, mixed chorus) / Heitor Villa-Lobos -- Nésta rua [On my street] and On our plantation, from Three Brazilian folk songs (chorus) / José Vieira Brandão (arranger) -- The strings of the guitar (mixed chorus, piano) / Heitor Villa-Lobos -- Xangô (song) / Heitor Villa-Lobos -- CHAMBER WORKS: 1st and 2nd movements from Choro carioca (woodwind quartet) / José Vieira Brandão -- String quartet no. 6 (2 violins, viola, violoncello / Heitor Villa-Lobos (announced but not present on extant disks). See also "Brandao to be guest maestro" <em>Daily trojan</em> 37/64 (1946 February 5): 1. https://doi.org/10.25549/uschist-dt-m62833. See also "Melodies of Villa-Lobos to be featured at Ebell" <em>Los Angeles Times</em> (1946 February 3): 27. See also "Music Guild presents Brazilian music" [advertisement] <em>Los Angeles Times</em> (1946 February 3): 24.
DOI: 10.25582/data.2020-05.1987142/2167498
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24691
title: Hancock concert hour, 1947-12-12

description: Hancock concert hour, University of Southern California, Los Angeles, California, KUSC broadcast, 1947 December 12, 7:00 p.m. William Vennard, bass; Ingolf Dahl, piano. CONTENTS: A piper; Nocturne: Over the rim of the moon; Money, O; You should not go a maying; When I think upon the maidens / Michael Head [recording not extant] -- Hymn and Toccata (piano) / Ingolf Dahl [Note this recording may actually have come from Disk 68.20.] -- Impromptu, A-flat major (piano) / Franz Schubert [recording not extant] -- Linden Lea; Silent moon; The roadside fire / Ralph Vaughn Williams [recording not extant] -- Nocturne; A clear night; Joy, shipmate, Joy / Walt Whitman [recording not extant]. Announced in "KUSC to air two soloists in concert" <em>Daily Trojan</em> (1947 December 11): p. 1. See https://doi.org/10.25549/uschist-dt-m64850.