cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10310096
title: Sarcófago paleocristiano de mármol (s. IV)

description: Sarcófago paleocristiano de mármol con escenas del nuevo testamento

Siglo IV d.C., Barcelona. 

Recogido por la Acadèmia de Bones Lletres en el s. XIX. Se tiene noticia de él desde el s. XVIII, cuando se encontraba delante de un hostal llamado Sabre en Barcelona. 

El sarcófago fue trasladado desde Barcelona a Ginebra durante la Guerra Civil Española (1936-39) y tras la guerra, en el 39, llegó en tren a Madrid. El 19 de junio de ese mismo año se le entrega a Martín Almagro, nuevo director del Museo Arqueológico de Barcelona, junto con otras 68 cajas más. 

Desde entonces se encuentra en el Museu d'Arqueologia de Catalunya (MAC).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310097
title: Sarcófago paleocristiano de mármol (s. IV)

description: Sarcófago paleocristiano de mármol con escenas del nuevo testamento

Siglo IV d.C., Barcelona. 

Recogido por la Acadèmia de Bones Lletres en el s. XIX. Se tiene noticia de él desde el s. XVIII, cuando se encontraba delante de un hostal llamado Sabre en Barcelona. 

El sarcófago fue trasladado desde Barcelona a Ginebra durante la Guerra Civil Española (1936-39) y tras la guerra, en el 39, llegó en tren a Madrid. El 19 de junio de ese mismo año se le entrega a Martín Almagro, nuevo director del Museo Arqueológico de Barcelona, junto con otras 68 cajas más. 

Desde entonces se encuentra en el Museu d'Arqueologia de Catalunya (MAC).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310098
title: coin

description: the coin was made in 30 minutes, so there is nothing in it, an ordinary coin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310099
title: coin

description: the coin was made in 30 minutes, so there is nothing in it, an ordinary coin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310101
title: Ringfort - RO021-042026-

description: On the crest of the N-facing slope of a WNW-ESE ridge. Circular grass-covered area (diam. 28.3m E-W; 27.1m N-S) defined by an earthen bank (Wth 2.5m; int. H 0.5m; ext. H 0.9m) and traces of an outer fosse (Wth of base 1.5m; D 0.5m) W-NNE, and by a scarp (H 0.2-0.4m) elsewhere. There is no identifiable original entrance. Rath (RO021-042024-) is c. 150m to the WNW, and rath (RO021-042043-) is c. 120m to the ESE.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310100
title: Ringfort - RO021-042026-

description: On the crest of the N-facing slope of a WNW-ESE ridge. Circular grass-covered area (diam. 28.3m E-W; 27.1m N-S) defined by an earthen bank (Wth 2.5m; int. H 0.5m; ext. H 0.9m) and traces of an outer fosse (Wth of base 1.5m; D 0.5m) W-NNE, and by a scarp (H 0.2-0.4m) elsewhere. There is no identifiable original entrance. Rath (RO021-042024-) is c. 150m to the WNW, and rath (RO021-042043-) is c. 120m to the ESE.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310103
title: Celtic Cross, Minehead

description: The Celtic Cross in the churchyard of St Michael's, Minehead.  This is next to the small garden where cremated ashes are scattered.  The inscription at the base of the cross reads "The Ashes of the Departed are interred in this area."

110 photos in total, taken with a Canon 700D.  Some detail missing from on top of the cross, but couldn't get above it anywhere to snap some better imagery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310104
title: Celtic Cross, Minehead

description: The Celtic Cross in the churchyard of St Michael's, Minehead.  This is next to the small garden where cremated ashes are scattered.  The inscription at the base of the cross reads "The Ashes of the Departed are interred in this area."

110 photos in total, taken with a Canon 700D.  Some detail missing from on top of the cross, but couldn't get above it anywhere to snap some better imagery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310106
title: Medieval Symbols, Arcidosso

description: Medieval symbol on the wall of the arch of the bell tower, in Arcidosso, Grosseto, Tuscany. They  are two greek capital letters: a X (chi) and a P (rho), togerther represents the CHRISMON, a short way to write the name of Jesus Christ

Model was created in Reality Capture using 19 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310105
title: Medieval Symbols, Arcidosso

description: Medieval symbol on the wall of the arch of the bell tower, in Arcidosso, Grosseto, Tuscany. They  are two greek capital letters: a X (chi) and a P (rho), togerther represents the CHRISMON, a short way to write the name of Jesus Christ

Model was created in Reality Capture using 19 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310107
title: Kilbride 6, near Kilmartin, Argyll

description: One of a large group of panels at Kilbride, near Kilmartin. This panel is located on  a ridge to the S of the farmhouse. 
Attribution: ScRAP (c) HES

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310108
title: Kilbride 6, near Kilmartin, Argyll

description: One of a large group of panels at Kilbride, near Kilmartin. This panel is located on  a ridge to the S of the farmhouse. 
Attribution: ScRAP (c) HES

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310109
title: 77-47-Q378 Barbed Ivory, Hot Springs Village

description: Barbed Ivory Artifact, part of composite, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q380 Okada excavations HHQ, Level 4-12 Hot Springs 1C/1B. 1600-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310110
title: 77-47-Q378 Barbed Ivory, Hot Springs Village

description: Barbed Ivory Artifact, part of composite, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q380 Okada excavations HHQ, Level 4-12 Hot Springs 1C/1B. 1600-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310111
title: Gasterópodo Conus

description: **Ejemplar:** *Conus*sp.
**Edad:** Mioceno Superior (Tortoniense  11.6-7.2 Ma.)
**Localidad:** Torrente (Valencia)
**Descripción:** Molde interno de gasterópodo preservado en calcita con una extraordinaria conservación de galerías de esponjas del género cliona situadas donde estária la concha original
**Dimensión ejemplar:** 8 cm. de longitud.
**Sigla museo, colección y entidad:** MGUV, colección de gasterópodos fósiles del Museo de la Universidad de Valencia de historia natural
**Técnica digitalización / modelo:** Fotogrametría, Sony DSC HX60
**Software empleado:** photoscan
**Parámetros software:** modo manual con plataforma giratoria, calidad alta
**Archivo 3D:** obj 82.7 Mb, textura jpg 6.76 Mb
**Autor digitalización:** Pablo Prósper y Jose A. Villena
**Cita ejemplar:** modelo 3D colección gasterópodos del museo de la Universidad de Valencia de historia natural
**Donación:** Joaquín Talavera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310112
title: Gasterópodo Conus

description: **Ejemplar:** *Conus*sp.
**Edad:** Mioceno Superior (Tortoniense  11.6-7.2 Ma.)
**Localidad:** Torrente (Valencia)
**Descripción:** Molde interno de gasterópodo preservado en calcita con una extraordinaria conservación de galerías de esponjas del género cliona situadas donde estária la concha original
**Dimensión ejemplar:** 8 cm. de longitud.
**Sigla museo, colección y entidad:** MGUV, colección de gasterópodos fósiles del Museo de la Universidad de Valencia de historia natural
**Técnica digitalización / modelo:** Fotogrametría, Sony DSC HX60
**Software empleado:** photoscan
**Parámetros software:** modo manual con plataforma giratoria, calidad alta
**Archivo 3D:** obj 82.7 Mb, textura jpg 6.76 Mb
**Autor digitalización:** Pablo Prósper y Jose A. Villena
**Cita ejemplar:** modelo 3D colección gasterópodos del museo de la Universidad de Valencia de historia natural
**Donación:** Joaquín Talavera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310114
title: CE 1657 – OLLA

description: N° de Registro Nacional: 0000296921

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Olla 

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310113
title: CE 1657 – OLLA

description: N° de Registro Nacional: 0000296921

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Olla 

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310115
title: Il Templare di Fontevivo (PR)

description: coming soon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310116
title: Il Templare di Fontevivo (PR)

description: coming soon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310117
title: CS:GO Ten Year Veteran Coin

description: Model of CS:GO Ten Year Veteran Coin. Materials were adjusted by eye

Credits: Valve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310118
title: CS:GO Ten Year Veteran Coin

description: Model of CS:GO Ten Year Veteran Coin. Materials were adjusted by eye

Credits: Valve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310119
title: ROI022-169-01

description: Madison Point collected in Allen County, Indiana.

Catalog # 12-Al-1198-25

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI022-169-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310120
title: ROI022-169-01

description: Madison Point collected in Allen County, Indiana.

Catalog # 12-Al-1198-25

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI022-169-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310122
title: Кинжал сарматского воина

description: Russia, Republic of Bashkortostan. An accidental find. Chronology: Early Iron Age; III-II centuries BC. Sarmatian culture.
Россия, Республика Башкортостан. Случайная находка. Хронология: ранний железный век; III-II века до нашей эры. Сарматская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310121
title: Кинжал сарматского воина

description: Russia, Republic of Bashkortostan. An accidental find. Chronology: Early Iron Age; III-II centuries BC. Sarmatian culture.
Россия, Республика Башкортостан. Случайная находка. Хронология: ранний железный век; III-II века до нашей эры. Сарматская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310123
title: Ceramic dish

description: This model is a ceramic dish with some beautiful drawings painted by hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310124
title: Ceramic dish

description: This model is a ceramic dish with some beautiful drawings painted by hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310127
title: Street Art, Toulouse, France

description: From the card next to the artwork (from the French):

Installation Inspired by the work of Mademoiselle Maurice.

Work by:

Tony Lim

Anna Mansour

Ulric Picard

Eugénie Thomas

Lucie Tran

Nikita Yakimovich

Shot with a Canon 5Ds and a 50mm lens.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310128
title: Street Art, Toulouse, France

description: From the card next to the artwork (from the French):

Installation Inspired by the work of Mademoiselle Maurice.

Work by:

Tony Lim

Anna Mansour

Ulric Picard

Eugénie Thomas

Lucie Tran

Nikita Yakimovich

Shot with a Canon 5Ds and a 50mm lens.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310129
title: Bunker (klein)

description: test van de bunker voor willemstad, opdracht minor digitale ontwerpverkenningen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310130
title: Bunker (klein)

description: test van de bunker voor willemstad, opdracht minor digitale ontwerpverkenningen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310132
title: 18th century chocolate bar

description: A chocolate bar from the times of King Stanisław August Poniatowski.
The chocolate bar is rectangular in shape with bevelled edges. In the center there is a five-field cartouche with the coats of arms of Poland, Lithuania and the coat of arms of the Poniatowski family (Ciołek). The cartouche is topped with a crown.
In June 1787, King Stanisław August Poniatowski stayed in Kraków for two weeks. He stayed at the royal castle in Wawel. At that time, Jan Rychter was the royal court confectioner. Perhaps he is the creator of the bar of chocolate kept in university collections.

Creator: Jan Rychter

Time and place of creation: 1787, Kraków

Jagiellonian University Museum Collegium Maius

Inventory number: 5879; 3153/IV

https://muzea.malopolska.pl/en/objects-list/2804

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310133
title: 18th century chocolate bar

description: A chocolate bar from the times of King Stanisław August Poniatowski.
The chocolate bar is rectangular in shape with bevelled edges. In the center there is a five-field cartouche with the coats of arms of Poland, Lithuania and the coat of arms of the Poniatowski family (Ciołek). The cartouche is topped with a crown.
In June 1787, King Stanisław August Poniatowski stayed in Kraków for two weeks. He stayed at the royal castle in Wawel. At that time, Jan Rychter was the royal court confectioner. Perhaps he is the creator of the bar of chocolate kept in university collections.

Creator: Jan Rychter

Time and place of creation: 1787, Kraków

Jagiellonian University Museum Collegium Maius

Inventory number: 5879; 3153/IV

https://muzea.malopolska.pl/en/objects-list/2804

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310134
title: споменик палима у ратовима у XX веку, Jелашница

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

42.639264, 22.097465

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310135
title: споменик палима у ратовима у XX веку, Jелашница

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

42.639264, 22.097465

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310136
title: Travis Family cemetery of Jamestown, Virginia

description: The Travis Family owned much of what was left of the first English settlement in the New World: Jamestown Island, Virginia. These gravesites, dating circa 1700, hold several Travis members near the plot of the family mansion.

* [article about the Travis Family](https://www.dailypress.com/news/dp-xpm-19950108-1995-01-08-9501080033-story.html)
* [the gravesite](https://www.findagrave.com/cemetery/52453/travis-graveyard)

📍 [Williamsburg, VA](https://scaniver.se/L37.20379,-76.74910)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310137
title: Travis Family cemetery of Jamestown, Virginia

description: The Travis Family owned much of what was left of the first English settlement in the New World: Jamestown Island, Virginia. These gravesites, dating circa 1700, hold several Travis members near the plot of the family mansion.

* [article about the Travis Family](https://www.dailypress.com/news/dp-xpm-19950108-1995-01-08-9501080033-story.html)
* [the gravesite](https://www.findagrave.com/cemetery/52453/travis-graveyard)

📍 [Williamsburg, VA](https://scaniver.se/L37.20379,-76.74910)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310139
title: Waen Bryn-gwenith Stone Ii

description: Waen Bryn-gwenith Stone Ii

[https://coflein.gov.uk/en/site/276519](https://coflein.gov.uk/en/site/276519)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310138
title: Waen Bryn-gwenith Stone Ii

description: Waen Bryn-gwenith Stone Ii

[https://coflein.gov.uk/en/site/276519](https://coflein.gov.uk/en/site/276519)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310140
title: Small Pulley Block: EOA:2022.24

description: Small pulley block from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.24

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: Diameter 118mm Depth 78mm

Date made: circa late 18th century

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Threaded with rope, pulley blocks were used to control a ship's sails and rigging as well as for loading / unloading cargo.

At the the time the Earl of Abergavenny sank in 1805, pulley blocks were made by craftsmen leading to inconsistencies in sizes, quality and effectiveness, as can be seen by recovered examples.
Standardisation was still very new - the world's first steam powered production line at Portsmouth was working up to full production for the Royal Navy.

You can read more information here: http://www.engineering-timelines.com/scripts/engineeringItem.asp?id=103


For more information about the Earl of Abergavenny project: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310141
title: Small Pulley Block: EOA:2022.24

description: Small pulley block from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.24

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: Diameter 118mm Depth 78mm

Date made: circa late 18th century

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Threaded with rope, pulley blocks were used to control a ship's sails and rigging as well as for loading / unloading cargo.

At the the time the Earl of Abergavenny sank in 1805, pulley blocks were made by craftsmen leading to inconsistencies in sizes, quality and effectiveness, as can be seen by recovered examples.
Standardisation was still very new - the world's first steam powered production line at Portsmouth was working up to full production for the Royal Navy.

You can read more information here: http://www.engineering-timelines.com/scripts/engineeringItem.asp?id=103


For more information about the Earl of Abergavenny project: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310143
title: 加曽利貝塚周辺の地形1 地理院地図3Dモデル

description: 加曽利貝塚周辺の地形1 地理院地図3Dモデル
写真

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310142
title: 加曽利貝塚周辺の地形1 地理院地図3Dモデル

description: 加曽利貝塚周辺の地形1 地理院地図3Dモデル
写真

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310145
title: Block XXXVII Parthenon

description: The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
This block shows parts of three riders. The lead rider is bare-headed, wears a chlamys over a short tunic and is without boots. To his right another rider wears only a tunic, belted at the waist and with long sleeves. A third figure is largely lost at the junction of this block and an adjacent one (Block XXXVIII). The horsemen of the cavalcade on the North frieze are composed of a series of phalanxes overlapping one on another in an unequal division. There is among the riders of the North frieze great variation in composition and in dress. Some are heavily draped in mantle and tunic, while others are all but naked. 

The head of the horse and rider's arm, the fragment joined to the top right corner, was added in 1850. It was discovered by George Scharf in the Smith Barry Collection of Marbury hall in Cheshire.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310146
title: Block XXXVII Parthenon

description: The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
This block shows parts of three riders. The lead rider is bare-headed, wears a chlamys over a short tunic and is without boots. To his right another rider wears only a tunic, belted at the waist and with long sleeves. A third figure is largely lost at the junction of this block and an adjacent one (Block XXXVIII). The horsemen of the cavalcade on the North frieze are composed of a series of phalanxes overlapping one on another in an unequal division. There is among the riders of the North frieze great variation in composition and in dress. Some are heavily draped in mantle and tunic, while others are all but naked. 

The head of the horse and rider's arm, the fragment joined to the top right corner, was added in 1850. It was discovered by George Scharf in the Smith Barry Collection of Marbury hall in Cheshire.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310147
title: Filigree Eye Necklace

description: My eye will never be neutral, it will always be informed by my culture. A metal supporting structure is placed around an eye. A structure of looking, of understanding, of existing. We all live within our structures of culture. Mine being an eye informed by a civil war, by a country which no longer exists: Yugoslavia. My memory of this culture is linked to this process of looking. Looking at the artifacts, memories of my mom's jewelry, is what connects me back to where my family is from. A culture, its stories passed down, wrapped up in a necklace I onced gazed upon as a child. But can my eye ever truly remember the things I have never seen? Will my eye ever be cultural? 

3D rendered image series, based on Traditional Croatian Filigree Jewelry. Modeled in Maya and Blender, rendered in Blender. Made by Luka Hinic

Source: Objaverse 1.0 / Sketchfab