cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10346157
title: Arte Rupestre de Estilo Taira

description: Panel de Arte Rupestre de Estilo Taira ubicado en el curso medio del río Loa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346158
title: Recipiente de piedra en forma de pez

description: Este recipiente proviene de la zona de Cogotí y posiblemente sea de origen incaico, considerando la presencia de ejemplares similares hallados en la zona del Cuzco. Los Incas incorporaron gran parte de nuestro actual territorio a su imperio, llegando hasta el sector de Rancagua por el sur. En el sector de Combarbalá, ellos se impusieron sobre las poblaciones Diaguita quienes eran los habitantes locales de dicha zona. Esta pieza fue donada a nuestro museo por José Manuel Niño de Zepeda en el siglo XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346159
title: Recipiente de piedra en forma de pez

description: Este recipiente proviene de la zona de Cogotí y posiblemente sea de origen incaico, considerando la presencia de ejemplares similares hallados en la zona del Cuzco. Los Incas incorporaron gran parte de nuestro actual territorio a su imperio, llegando hasta el sector de Rancagua por el sur. En el sector de Combarbalá, ellos se impusieron sobre las poblaciones Diaguita quienes eran los habitantes locales de dicha zona. Esta pieza fue donada a nuestro museo por José Manuel Niño de Zepeda en el siglo XIX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346160
title: Pow Block

description: Pow Block

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346161
title: Pow Block

description: Pow Block

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346163
title: Epitaph

description: Elaborately designed gravestone with cherub heads and skulls at Limberg cemetery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346162
title: Epitaph

description: Elaborately designed gravestone with cherub heads and skulls at Limberg cemetery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346164
title: Stratford Midlands Yellow Shakespeares Cup

description: An example of a midlands yellowware ceramic from a small drinking vessel. This type of vessel was poorly represented in the ceramic assemblage, but is one William Shakespeare is most likely to have known. This dates from the last quarter of the sixteenth century at the period of Shakespeare's occupation of New Place.  It was likely to have been produced in Wednesbury, Staffordshire or Ticknall, Derbyshire. More information at: www.searchingforshakespeare.co.uk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346165
title: Stratford Midlands Yellow Shakespeares Cup

description: An example of a midlands yellowware ceramic from a small drinking vessel. This type of vessel was poorly represented in the ceramic assemblage, but is one William Shakespeare is most likely to have known. This dates from the last quarter of the sixteenth century at the period of Shakespeare's occupation of New Place.  It was likely to have been produced in Wednesbury, Staffordshire or Ticknall, Derbyshire. More information at: www.searchingforshakespeare.co.uk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346166
title: #4 Penan Handwoven Rattan Basket (Handbag Style)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346167
title: #4 Penan Handwoven Rattan Basket (Handbag Style)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346168
title: Ocarina

description: Título: Ocarina de cerámica.
Descripción: Réplica de una cerámica precolombina en forma de pájaro con función de ocarina o silbato.
Cultura: Colombia, precolombina.
Datación: n/a.
Método: Fotogrametría.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346169
title: Ocarina

description: Título: Ocarina de cerámica.
Descripción: Réplica de una cerámica precolombina en forma de pájaro con función de ocarina o silbato.
Cultura: Colombia, precolombina.
Datación: n/a.
Método: Fotogrametría.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346170
title: ROI010-060-01

description: Brewerton Point collected in Huntington County, Indiana.

Catalog #: 12-Hu-540-18

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI010-060-01, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346171
title: ROI010-060-01

description: Brewerton Point collected in Huntington County, Indiana.

Catalog #: 12-Hu-540-18

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI010-060-01, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346172
title: Grosmont Pig Iron

description: A unique survivor from Grosmont Ironworks which operated from 1865 to 1891 in the area where the National Park car park now stands. Called pig iron because when the blast furnaces were tapped, the molten iron ran down into lines of sand channels and moulds, looking like a sow's litter suckling from the furnace. The word 'Grosmont' was stamped into the bottom of the sand mould, resulting in the relief you can see in this pig. One theory as to why this still exists is a reference to a race from the Whitby Gazette where 'two noted amateurs took part in a 100 yards handicap race, named the Monk and Ox. Monk gave Ox a 50 yards start, the Ox having to carry a pig iron bar weighing about 8 stones. They were dispatched with a capital start, the Ox kept well in front and beat the Monk by about 5 yards, amidst much excitement.'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346173
title: Grosmont Pig Iron

description: A unique survivor from Grosmont Ironworks which operated from 1865 to 1891 in the area where the National Park car park now stands. Called pig iron because when the blast furnaces were tapped, the molten iron ran down into lines of sand channels and moulds, looking like a sow's litter suckling from the furnace. The word 'Grosmont' was stamped into the bottom of the sand mould, resulting in the relief you can see in this pig. One theory as to why this still exists is a reference to a race from the Whitby Gazette where 'two noted amateurs took part in a 100 yards handicap race, named the Monk and Ox. Monk gave Ox a 50 yards start, the Ox having to carry a pig iron bar weighing about 8 stones. They were dispatched with a capital start, the Ox kept well in front and beat the Monk by about 5 yards, amidst much excitement.'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346174
title: 2005.002.007 Bag 5b Point 393

description: From the Connecticut State Museum of Natural History's Caldwell Collection of Neolithic Mali Points, Bag 5b, Point 393. Max height 57.15mm. Max width 18.63mm.  GSD 0.0158 mm/pix, RMS reprojection error 0.557653 pix.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346175
title: 2005.002.007 Bag 5b Point 393

description: From the Connecticut State Museum of Natural History's Caldwell Collection of Neolithic Mali Points, Bag 5b, Point 393. Max height 57.15mm. Max width 18.63mm.  GSD 0.0158 mm/pix, RMS reprojection error 0.557653 pix.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346176
title: Paris catacombs - Carrefour de Port Royal

description: This is a little crossroad with a sign stating "Carrefour de Port Royal". It seems to have been made in 1721.

Scanned with the iPhone12 Pro and Scaniverse. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346177
title: Paris catacombs - Carrefour de Port Royal

description: This is a little crossroad with a sign stating "Carrefour de Port Royal". It seems to have been made in 1721.

Scanned with the iPhone12 Pro and Scaniverse. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346178
title: Entrada a la cavea del Teatro Romano de Mérida

description: El Teatro Romano de Mérida es uno de los ejemplos de este tipo de edificio mejor conservados en la Península Ibérica. Lo que aquí se muestra es el modelo 3D de la entrada occidental a la cavea -es decir, al graderío- del teatro. 

![Teatro Romano de Mérida](https://upload.wikimedia.org/wikipedia/commons/d/d2/Merida_Roman_Theatre1.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346179
title: Entrada a la cavea del Teatro Romano de Mérida

description: El Teatro Romano de Mérida es uno de los ejemplos de este tipo de edificio mejor conservados en la Península Ibérica. Lo que aquí se muestra es el modelo 3D de la entrada occidental a la cavea -es decir, al graderío- del teatro. 

![Teatro Romano de Mérida](https://upload.wikimedia.org/wikipedia/commons/d/d2/Merida_Roman_Theatre1.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346180
title: Sten Gun MK.2

description: Sten Gun MK.2 for 2nd year student project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346181
title: Sten Gun MK.2

description: Sten Gun MK.2 for 2nd year student project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346182
title: Notre Dame Spire Reconstruction #NewPalmyra

description: Do you have personal high resolution photos of the Notre Dame Spire? Please donate them at newpalmyra.org to help create a detailed reconstruction.

Created from a set 0f 125 open licensed tourist photos on Flickr and Wikimedia
Using Reality Capture

Special thanks to @miguelbandera, who's done an amazing job with his Notre Dame Reconstruction


Speacial thanks to @miguelbandera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346183
title: Notre Dame Spire Reconstruction #NewPalmyra

description: Do you have personal high resolution photos of the Notre Dame Spire? Please donate them at newpalmyra.org to help create a detailed reconstruction.

Created from a set 0f 125 open licensed tourist photos on Flickr and Wikimedia
Using Reality Capture

Special thanks to @miguelbandera, who's done an amazing job with his Notre Dame Reconstruction


Speacial thanks to @miguelbandera

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346184
title: BBFS295 Awl

description: Copper awl from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio. The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104). Note: model not exported for printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346185
title: BBFS295 Awl

description: Copper awl from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio. The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104). Note: model not exported for printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346186
title: 铜制供器

description: 乌审旗博物馆馆藏品

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346187
title: 铜制供器

description: 乌审旗博物馆馆藏品

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346188
title: Cattle Femur: EOA:2022.90

description: Cattle femur from the wreck of the Earl of Abergavenny.

ID: EOA:2022.90

Collection: Earl of Abergavenny

Classification: Remains

Measurements: Length 170mm Width 150mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Cattle femur with evidence of butchery. 

The Earl Of Abergavenny carried livestock on board to feed high ranking crew and passengers. Barrels of salted beef and pork would have formed the rations for the lower ranking crew and passengers.

The livestock were kept on the poop deck of the ship leading to a description of East Indiamen as 'floating farmyards'. 

Sheep, chicken, cattle, pig & turkey remains have been found on the wreck.

Information courtesey of Ed Cumming and Dr Philip Armitage.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click here: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346189
title: Cattle Femur: EOA:2022.90

description: Cattle femur from the wreck of the Earl of Abergavenny.

ID: EOA:2022.90

Collection: Earl of Abergavenny

Classification: Remains

Measurements: Length 170mm Width 150mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Cattle femur with evidence of butchery. 

The Earl Of Abergavenny carried livestock on board to feed high ranking crew and passengers. Barrels of salted beef and pork would have formed the rations for the lower ranking crew and passengers.

The livestock were kept on the poop deck of the ship leading to a description of East Indiamen as 'floating farmyards'. 

Sheep, chicken, cattle, pig & turkey remains have been found on the wreck.

Information courtesey of Ed Cumming and Dr Philip Armitage.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click here: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346190
title: Big stone grave marker

description: Big stone grave maker photoscanned at Hollybrook Cemetery, Southampton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346191
title: Big stone grave marker

description: Big stone grave maker photoscanned at Hollybrook Cemetery, Southampton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346192
title: Vase and plate

description: Containers made to fit the Aztec style and given concepts for a university project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346193
title: Vase and plate

description: Containers made to fit the Aztec style and given concepts for a university project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346194
title: Elastolin diorama romans (with sound)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346195
title: Elastolin diorama romans (with sound)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346196
title: Yaxchilán Lintel 17

description: Photogrammetry of Yaxchilán Lintel 17 taken at the British Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346197
title: Yaxchilán Lintel 17

description: Photogrammetry of Yaxchilán Lintel 17 taken at the British Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346199
title: Macahuitl

description: [![](https://blog.sketchfab.com/scripts/assets/weekly.png)](https://sketchfab.com/blogs/community/sketchfab-weekly/?ref=sfb)

Thanks to the entry in the page "Fair" (Faithful Answers, Informed Response) about the existence of swords in Pre-Columbian America (https://www.fairlatterdaysaints.org/respuestas/Pregunta:_%C2%BFExisten_espadas_en_la_Am%C3%A9rica_Precolombina%3F), I could know the existence of the "Macuahuitl" an ancient Mesoamerican weapon referred as a "sword" by the Spanish in their chronicles of the conquest and see the reconstruction made by Scott Brian of Brigham University.

In this model I started to explore texture painting in Blender to make the details of the center of the piece and decrease the number of vertices of the 3d model, I still have a lot to do :v

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346198
title: Macahuitl

description: [![](https://blog.sketchfab.com/scripts/assets/weekly.png)](https://sketchfab.com/blogs/community/sketchfab-weekly/?ref=sfb)

Thanks to the entry in the page "Fair" (Faithful Answers, Informed Response) about the existence of swords in Pre-Columbian America (https://www.fairlatterdaysaints.org/respuestas/Pregunta:_%C2%BFExisten_espadas_en_la_Am%C3%A9rica_Precolombina%3F), I could know the existence of the "Macuahuitl" an ancient Mesoamerican weapon referred as a "sword" by the Spanish in their chronicles of the conquest and see the reconstruction made by Scott Brian of Brigham University.

In this model I started to explore texture painting in Blender to make the details of the center of the piece and decrease the number of vertices of the 3d model, I still have a lot to do :v

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346200
title: End Blade. XCB-105-1127

description: End Blade. XCB-105-1127. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346201
title: End Blade. XCB-105-1127

description: End Blade. XCB-105-1127. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346202
title: Bronze Age Pendant, Jebel al-Buhais, Sharjah

description: Bronze Age silver brooch in form of two griffin standing back to back. One broken and missing. Jebel al-Buhais, Sharjah, UAE. On display in the Mleiha Archaeological Center. 2nd millenium BCE.  Catalog number SM1997.262. Processed in Reality Capture from 197 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346203
title: Bronze Age Pendant, Jebel al-Buhais, Sharjah

description: Bronze Age silver brooch in form of two griffin standing back to back. One broken and missing. Jebel al-Buhais, Sharjah, UAE. On display in the Mleiha Archaeological Center. 2nd millenium BCE.  Catalog number SM1997.262. Processed in Reality Capture from 197 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346204
title: Punta aguda (punzón)

description: Ejemplar LV1-2062, instrumento confeccionado con un metapodio distal de guanaco. Perteneciente a la colección recuperada en el sitio arqueológico Las Vueltas 1. Escaneado con Smart 3D Range Vision.

Querés saber más: [LINK](http://www.academia.edu/37380973/Tecnolog%C3%ADa_%C3%B3sea_en_el_Holoceno_tard%C3%ADo_de_Tierra_del_Fuego_Argentina_el_sitio_Las_Vueltas_1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346205
title: Punta aguda (punzón)

description: Ejemplar LV1-2062, instrumento confeccionado con un metapodio distal de guanaco. Perteneciente a la colección recuperada en el sitio arqueológico Las Vueltas 1. Escaneado con Smart 3D Range Vision.

Querés saber más: [LINK](http://www.academia.edu/37380973/Tecnolog%C3%ADa_%C3%B3sea_en_el_Holoceno_tard%C3%ADo_de_Tierra_del_Fuego_Argentina_el_sitio_Las_Vueltas_1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346207
title: Botella - RN 13020

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346206
title: Botella - RN 13020

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346208
title: Plai

description: a piece of land with road and old wooden barn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346209
title: Plai

description: a piece of land with road and old wooden barn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346210
title: Govan Graveyard 237

description: Produced as part of the Govan Old Community Project. Stone recorded by visitor Michael Lekakis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346211
title: Govan Graveyard 237

description: Produced as part of the Govan Old Community Project. Stone recorded by visitor Michael Lekakis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10346212
title: S. Pedro | St. Peter

description: Esta imagem de S. Pedro é uma das muitas feitas em Inglaterra a partir do chamado Alabastro de Nottigham.

O alabastro é ideal para o fabrico de pequenas esculturas, sendo muito fácil de trabalhar devido à sua baixa dureza, para além disso, esta rocha é translúcida e tem, por vezes, um brilho acetinado.

Durante a Idade Média, este era explorado, sobretudo, na região de Nottingham, dando origem à designação Alabastros de Nottigham comummente atribuída a estas peças. No entanto, estas eram fabricadas, na sua maioria, em Londres e daqui exportadas para vários destinos europeus entre os séculos XIV e XVI, incluindo Portugal.

O aspecto alongado da figura de S. Pedro e o remate vegetalista da chave que segura na mão direita, permitem datá-­lo do primeiro quartel do século XV. Originalmente apresentava pintura, mas hoje são apenas visíveis alguns resquícios desses pigmentos.

Source: Objaverse 1.0 / Sketchfab