cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10241219
title: ROI018-281-02

description: KIrk Stemmed Point collected in Jay County, Indiana.

Catalog # 12-Ja-359-26

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Collin Minnick and Kevin C. Nolan, 2021. ROI018-281-02, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241221
title: Djembe Goplet Drum - Photogrammetry Scan

description: Photogrammetry model of an african Djembe drum.
 
The model was made with 3DF Zephyr and Blender, from 372 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241222
title: Djembe Goplet Drum - Photogrammetry Scan

description: Photogrammetry model of an african Djembe drum.
 
The model was made with 3DF Zephyr and Blender, from 372 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241224
title: Vaso

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241223
title: Vaso

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241226
title: Monument

description: 52.33576, 24.37228

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241225
title: Monument

description: 52.33576, 24.37228

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241227
title: Carlos Prasenti´s Mansion (Front)

description: Upon once a time.... Front of the Mansion builded by Carlos Prasenti (XVII Century). A Bussinessman from Genova settled in the South of Spain. Sadly, only the fassade remains in a near-good state. The interior is mostly destroyed.
This building, located at Hormaza Street, was used as mansion, school, even as a bakery.
King José Bonaparte visited Chiclana in 1810 (French-Spanish War) and slept in this older small palace.
Google map: https://goo.gl/maps/WjEJib1XJDAeT81r9

Quick photo session. Around 300 pictures. Canon 550D (Rebel T2I), stock lens (18-55 EFS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241228
title: Carlos Prasenti´s Mansion (Front)

description: Upon once a time.... Front of the Mansion builded by Carlos Prasenti (XVII Century). A Bussinessman from Genova settled in the South of Spain. Sadly, only the fassade remains in a near-good state. The interior is mostly destroyed.
This building, located at Hormaza Street, was used as mansion, school, even as a bakery.
King José Bonaparte visited Chiclana in 1810 (French-Spanish War) and slept in this older small palace.
Google map: https://goo.gl/maps/WjEJib1XJDAeT81r9

Quick photo session. Around 300 pictures. Canon 550D (Rebel T2I), stock lens (18-55 EFS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241230
title: COADS_129VC-175

description: This is a diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_129VC-175, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241229
title: COADS_129VC-175

description: This is a diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_129VC-175, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241231
title: "Hera of Samos" – a plaster cast

description: "Hera of Samos" – a plaster cast of an antique sculpture

ID no: Rz 43

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2231

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241232
title: "Hera of Samos" – a plaster cast

description: "Hera of Samos" – a plaster cast of an antique sculpture

ID no: Rz 43

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2231

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241233
title: Double Sphinx

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241234
title: Double Sphinx

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241236
title: Gran Dama oferente del cerro de los santos.

description: Título: Gran Dama oferente del cerro de los santos.
Descripción: Se trata de la reproducción una figura femenina de 1,35 m de altura realizada en piedra caliza que se encontró antes de 1870 en el santuario de la cultura ibérica situado en el Cerro de los Santos, en Montealegre del Castillo (Albacete, España). En el mismo yacimiento se encontró un elevado número de exvotos y esculturas, en piedra, de hombres y mujeres en posturas oferentes. La cronología del yacimiento se entiende desde el siglo IV a.C. hasta la época romana.
Lugar de origen: Santuario del Cerro de los Santos (Monte Alegre del Castillo, Albacete).
Método: Escáner 3D
Modelo del escáner: EinScan Pro 2X Plus
Software: EXscan.pro. y Unreal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241235
title: Gran Dama oferente del cerro de los santos.

description: Título: Gran Dama oferente del cerro de los santos.
Descripción: Se trata de la reproducción una figura femenina de 1,35 m de altura realizada en piedra caliza que se encontró antes de 1870 en el santuario de la cultura ibérica situado en el Cerro de los Santos, en Montealegre del Castillo (Albacete, España). En el mismo yacimiento se encontró un elevado número de exvotos y esculturas, en piedra, de hombres y mujeres en posturas oferentes. La cronología del yacimiento se entiende desde el siglo IV a.C. hasta la época romana.
Lugar de origen: Santuario del Cerro de los Santos (Monte Alegre del Castillo, Albacete).
Método: Escáner 3D
Modelo del escáner: EinScan Pro 2X Plus
Software: EXscan.pro. y Unreal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241238
title: ROI018-071-01

description: Madison Point collected in Jay County, Indiana.

Catalog # 12-Ja-162-25

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI018-071-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241237
title: ROI018-071-01

description: Madison Point collected in Jay County, Indiana.

Catalog # 12-Ja-162-25

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI018-071-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241239
title: Prexer AP-44 Projector

description: The Prexer AP-44 film projector, manufactured in the 1970s, is designed to project films from a 16mm tape. It was designed to be used in small projection rooms or other rooms with limited dimensions. As an optical device, the Prexer AP-44 allows projection of images onto a projection screen, for which it uses film tape wound onto two reels. Enclosed in the body of the device is the mechanism for the continuous movement of film at a speed of 16 frames per second or more, enabling the creation of the impression of a moving image. Like other projectors made by ŁZK, this device was advertised as "easy to operate" and "durable in use", and, above all, as providing a "sharp, stable and clear image and clean, undistorted sound". For these reasons it was a device useful for teaching in schools and universities.

Manufacturer: Łódzkie Zakłady Kinotechniczne PREXER, Łódź, 1970s

Inv. No.: MIM 83/VI-26

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241240
title: Prexer AP-44 Projector

description: The Prexer AP-44 film projector, manufactured in the 1970s, is designed to project films from a 16mm tape. It was designed to be used in small projection rooms or other rooms with limited dimensions. As an optical device, the Prexer AP-44 allows projection of images onto a projection screen, for which it uses film tape wound onto two reels. Enclosed in the body of the device is the mechanism for the continuous movement of film at a speed of 16 frames per second or more, enabling the creation of the impression of a moving image. Like other projectors made by ŁZK, this device was advertised as "easy to operate" and "durable in use", and, above all, as providing a "sharp, stable and clear image and clean, undistorted sound". For these reasons it was a device useful for teaching in schools and universities.

Manufacturer: Łódzkie Zakłady Kinotechniczne PREXER, Łódź, 1970s

Inv. No.: MIM 83/VI-26

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10254656
title: Fragment and size distribution of green peas upon impact comminution

description: Raw data of fragments and corresponding morphological descriptors of green peas after impact comminution in a hammer mill.
DOI: 10.5281/zenodo.10254657
title: Fragment and size distribution of green peas upon impact comminution

description: Raw data of fragments and corresponding morphological descriptors of green peas after impact comminution in a hammer mill.
DOI: 10.5281/zenodo.10241241
title: Simon Particles

description: My brother's eyes in a particles chaos.  
Scanned with Agisoft Photoscan, construct mesh with Unity3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241242
title: Simon Particles

description: My brother's eyes in a particles chaos.  
Scanned with Agisoft Photoscan, construct mesh with Unity3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241244
title: Fiji

description: [Fiji](https://en.wikipedia.org/wiki/Fiji) is an island country in Melanesia, part of Oceania in the South Pacific Ocean. It lies about 1,100 nautical miles (2,000 km; 1,300 mi) northeast of New Zealand. Fiji consists of an archipelago of more than 330 islands—of which about 110 are permanently inhabited—and more than 500 islets, amounting to a total land area of about 18,300 square kilometres (7,100 sq mi). The most outlying island group is Ono-i-Lau. About 87% of the total population of 883,483 live on the two major islands, Viti Levu and Vanua Levu. About three-quarters of Fijians live on Viti Levu's coasts: either in the capital city of Suva; or in smaller urban centres such as Nadi—where tourism is the major local industry; or in Lautoka, where the sugar-cane industry is dominant. The interior of Viti Levu is sparsely inhabited because of its terrain.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241243
title: Fiji

description: [Fiji](https://en.wikipedia.org/wiki/Fiji) is an island country in Melanesia, part of Oceania in the South Pacific Ocean. It lies about 1,100 nautical miles (2,000 km; 1,300 mi) northeast of New Zealand. Fiji consists of an archipelago of more than 330 islands—of which about 110 are permanently inhabited—and more than 500 islets, amounting to a total land area of about 18,300 square kilometres (7,100 sq mi). The most outlying island group is Ono-i-Lau. About 87% of the total population of 883,483 live on the two major islands, Viti Levu and Vanua Levu. About three-quarters of Fijians live on Viti Levu's coasts: either in the capital city of Suva; or in smaller urban centres such as Nadi—where tourism is the major local industry; or in Lautoka, where the sugar-cane industry is dominant. The interior of Viti Levu is sparsely inhabited because of its terrain.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241245
title: Mercury Amalgam Trough, Calatrava la Vieja-Spain

description: Mercury-based amalgam trough from Calatrava la Vieja, Castilla-La Mancha, Spain. Christian period, 12th-13th centuries. It was found in the 2005 excavations in the central area of the alcázar. It is complete, although broken from ancient times into several fragments. It was made from a single block of basalt. Originally, it could have been made as a sarcophagus for the burial of some outstanding person of the Military Order of Calatrava. Later it was used to work with liquid mercury. In fact, it was exposed to the direct action of fire, and provides abnormally high mercury impregnation rates in XFR analysis. In a first approximation, traces of copper and tin have also been detected, which seems to confirm its relationship with the artisan processes of production of gold-plated metallic pieces. Modeled from 682 photos in Reality Capture.

Barrio Martín, J & Chamón Fernández, J. (2008): Proyecto Dorados. Tecnología, conservación y restauración de los metales dorados medievales. Madrid, 191 págs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241246
title: Mercury Amalgam Trough, Calatrava la Vieja-Spain

description: Mercury-based amalgam trough from Calatrava la Vieja, Castilla-La Mancha, Spain. Christian period, 12th-13th centuries. It was found in the 2005 excavations in the central area of the alcázar. It is complete, although broken from ancient times into several fragments. It was made from a single block of basalt. Originally, it could have been made as a sarcophagus for the burial of some outstanding person of the Military Order of Calatrava. Later it was used to work with liquid mercury. In fact, it was exposed to the direct action of fire, and provides abnormally high mercury impregnation rates in XFR analysis. In a first approximation, traces of copper and tin have also been detected, which seems to confirm its relationship with the artisan processes of production of gold-plated metallic pieces. Modeled from 682 photos in Reality Capture.

Barrio Martín, J & Chamón Fernández, J. (2008): Proyecto Dorados. Tecnología, conservación y restauración de los metales dorados medievales. Madrid, 191 págs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241248
title: 15th-18th C Graffiti, Chateau de la Roche-Guyon

description: Part of a collection of 15th-18th Century French graffiti documented at the Chateau de la Roche-Guyon, France during the summer of 2018. Documentation done with Sony A7III and processed in Reality Capture from 85 photos. GDH ID Graffiti 5.

Two coat of arms formed by diagonal lines are represented. In the lower graffiti the escutcheon has a square ("Old French") shape. In the upper graffiti the escutcheon has "Norman" style shape. In the dimension stone the marks left during the carving process are still appreciated.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241247
title: 15th-18th C Graffiti, Chateau de la Roche-Guyon

description: Part of a collection of 15th-18th Century French graffiti documented at the Chateau de la Roche-Guyon, France during the summer of 2018. Documentation done with Sony A7III and processed in Reality Capture from 85 photos. GDH ID Graffiti 5.

Two coat of arms formed by diagonal lines are represented. In the lower graffiti the escutcheon has a square ("Old French") shape. In the upper graffiti the escutcheon has "Norman" style shape. In the dimension stone the marks left during the carving process are still appreciated.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241249
title: Gribuļu pilskalns

description: Gribuļu pilskalna 3D modelis. Koordinātas: 56.58861, 27.36833

https://www.latvijas-pilskalni.lv/gribulu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241250
title: Gribuļu pilskalns

description: Gribuļu pilskalna 3D modelis. Koordinātas: 56.58861, 27.36833

https://www.latvijas-pilskalni.lv/gribulu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241251
title: Blind Gothic Portal

description: **map/mapa:** https://mapy.cz/s/dabeborane

original model: 2,761,611tris
original texture: 20,000px

mysteryous insription :) https://drive.google.com/file/d/1j5hEUHVqzj6MzExdg_8t06qL2XxHaXG7/view?usp=sharing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241252
title: Blind Gothic Portal

description: **map/mapa:** https://mapy.cz/s/dabeborane

original model: 2,761,611tris
original texture: 20,000px

mysteryous insription :) https://drive.google.com/file/d/1j5hEUHVqzj6MzExdg_8t06qL2XxHaXG7/view?usp=sharing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241253
title: Risch-Rotkreuz, Mammutstosszahn und -knochen

description: [English version [here](https://skfb.ly/LsnA).]

Im Juli 2015 wurden in Risch-Rotkreuz ZG ein Stosszahn und verschiedene weitere Knochenfragmente (rot markiert) eines adulten Mammutbullen entdeckt. Ausweislich zweier Radiokarbondatierungen gehören die Knochen an das Ende der letzten Eiszeit bzw. in die Zeit um 15'000 v. Chr.

Markierung der in Rotkreuz gefundenen Knochen durch Eva Kläui, ADA ZG, auf einem lasergescannten Mammutskelett aus der Sammlung der Smithsonian Institution in Washington D.C., siehe hier [https://skfb.ly/6QS7F](https://skfb.ly/6QS7F).

**Literatur**

"Das letzte Zuger Mammut?" (2016). [http://dx.doi.org/10.5169/seals-632509](http://dx.doi.org/10.5169/seals-632509).

"Durchleuchtet und analysiert. Ein Update zur Genetik, Isotopie und Radiografie..." (2018). [http://dx.doi.org/10.5169/seals-787150](http://dx.doi.org/10.5169/seals-787150).

"CT-based Age Estimation of a Mammoth Tusk" (2022). [https://doi.org/10.1148/radiol.220265](https://doi.org/10.1148/radiol.220265).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241254
title: Risch-Rotkreuz, Mammutstosszahn und -knochen

description: [English version [here](https://skfb.ly/LsnA).]

Im Juli 2015 wurden in Risch-Rotkreuz ZG ein Stosszahn und verschiedene weitere Knochenfragmente (rot markiert) eines adulten Mammutbullen entdeckt. Ausweislich zweier Radiokarbondatierungen gehören die Knochen an das Ende der letzten Eiszeit bzw. in die Zeit um 15'000 v. Chr.

Markierung der in Rotkreuz gefundenen Knochen durch Eva Kläui, ADA ZG, auf einem lasergescannten Mammutskelett aus der Sammlung der Smithsonian Institution in Washington D.C., siehe hier [https://skfb.ly/6QS7F](https://skfb.ly/6QS7F).

**Literatur**

"Das letzte Zuger Mammut?" (2016). [http://dx.doi.org/10.5169/seals-632509](http://dx.doi.org/10.5169/seals-632509).

"Durchleuchtet und analysiert. Ein Update zur Genetik, Isotopie und Radiografie..." (2018). [http://dx.doi.org/10.5169/seals-787150](http://dx.doi.org/10.5169/seals-787150).

"CT-based Age Estimation of a Mammoth Tusk" (2022). [https://doi.org/10.1148/radiol.220265](https://doi.org/10.1148/radiol.220265).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241257
title: FukurinjiBuddha4

description: Statues of Buddha 
福林寺摩崖仏群 コの字型に配列された石仏

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241258
title: FukurinjiBuddha4

description: Statues of Buddha 
福林寺摩崖仏群 コの字型に配列された石仏

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241260
title: Big Indian Rock Petroglyphs 2 (middle right)

description: This is a partial LiDAR scan of Big Indian Rock (middle right of the 40'x60' boulder) located in Safe Harbor, PA. The scan was performed by an iPhone 13.

Did you know that one of Pennsylvania's most significant archaeological sites is in Lancaster County? Hidden in plain sight in the middle of the Susquehanna River, a half-mile below Safe Harbor dam, is the millennium-old petroglyphs of Little Indian Rock and Big Indian Rock. 

These boulders represent one of the two largest remaining concentrations of rock art in the northeast United States (the other site being the Machias Bay Petroglyphs along the northeast coast of Maine).

*Read more about the Big Indian Rock here*: https://wp.me/PazrDx-5vW

*Additional scans of the petroglyphs at Safe Harbor*:

Little Indian Rock: https://skfb.ly/ow9Fz

Big Indian Rock 1 (middle left): https://skfb.ly/owuFQ

Big Indian Rock 2 (middle right): https://skfb.ly/ow9Fx

Big Indian Rock 3 (front center): https://skfb.ly/ow9FB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241259
title: Big Indian Rock Petroglyphs 2 (middle right)

description: This is a partial LiDAR scan of Big Indian Rock (middle right of the 40'x60' boulder) located in Safe Harbor, PA. The scan was performed by an iPhone 13.

Did you know that one of Pennsylvania's most significant archaeological sites is in Lancaster County? Hidden in plain sight in the middle of the Susquehanna River, a half-mile below Safe Harbor dam, is the millennium-old petroglyphs of Little Indian Rock and Big Indian Rock. 

These boulders represent one of the two largest remaining concentrations of rock art in the northeast United States (the other site being the Machias Bay Petroglyphs along the northeast coast of Maine).

*Read more about the Big Indian Rock here*: https://wp.me/PazrDx-5vW

*Additional scans of the petroglyphs at Safe Harbor*:

Little Indian Rock: https://skfb.ly/ow9Fz

Big Indian Rock 1 (middle left): https://skfb.ly/owuFQ

Big Indian Rock 2 (middle right): https://skfb.ly/ow9Fx

Big Indian Rock 3 (front center): https://skfb.ly/ow9FB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241261
title: re:3D Holiday Ornament 2016

description: This year's holiday ornament has a print-in-place rotating outer shell!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241262
title: re:3D Holiday Ornament 2016

description: This year's holiday ornament has a print-in-place rotating outer shell!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241263
title: Ganesa

description: Ganesa, Cental Java, Indonesia, 10th century A.C., Musee du Cinquantenaire (Brussels, Belgium). 3D scan made with Memento Beta.
Ganesha, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India. Hindu god with elephant shaped head, soon of gods Siva and Parvati.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241264
title: Ganesa

description: Ganesa, Cental Java, Indonesia, 10th century A.C., Musee du Cinquantenaire (Brussels, Belgium). 3D scan made with Memento Beta.
Ganesha, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India. Hindu god with elephant shaped head, soon of gods Siva and Parvati.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241265
title: Skull right side

description: 3D scan of the right side of the skull in color

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241266
title: Skull right side

description: 3D scan of the right side of the skull in color

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10241267
title: Tengu Mask

description: Felt like making a Tengu mask while I was working on character models for a project. Since it has no use for the gig I am working on, other than being an easter egg. I thought I could post it on here. Eye brows and the band behind the mask can be adjusted. May it frighten bad spirits and bring you good luck.

Source: Objaverse 1.0 / Sketchfab