cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dance-ouc113756196
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc16009460
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-1581
title: Mahal academy workshop, 1980-06

description: Helena Vlahos teaching an intermediate/advanced belly dance workshop at the Mahal Academy in Houston, Texas, 1980 June.
DOI: 10.25549/dancestry-c105-1605
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.15468/dl.95ckqy
title: Occurrence Download

description: A dataset containing 345668 species occurrences available in GBIF matching the query:
{
 "and" : [
 {
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 }
 ]
 },
 "TaxonKey is one of (Epilobium simulatum, Aquilegia marcelliana, Villanova oppositifolia, Triptilodiscus pygmaeus, Echium clandestinum, Lebeckia uniflora, Dryopteris lewalleana, Ruschia burtoniae, Ruschia brevipes, Spinacia tetrandra, Conophytum schlechteri, Echium angustifolium, Echium decaisnei, Conophytum crateriforme, Deinandra floribunda, Genista segurae, Cnidoscolus elasticus, Dracocephalum peltatum, Dryopteris rossii, Dryopteris burnatii, Agathosma alticola, Agathosma clavisepala, Agathosma dentata, Agathosma florida, Agathosma latipetala, Agathosma pattisonae, Agathosma scaberula, Aquilegia dumeticola, Aquilegia olympica, Castela peninsularis, Epilobium howellii, Genista mezzumarensis, Podolepis gracilis, Alectra capensis, Dryopteris asturiensis, Genista acanthoclada, Genista holopetala, Genista hystrix, Ceratocaryum caespitosum, Tulbaghia acutiloba, Dierama trichorhizum, Brodiaea matsonii, Ackama paniculosa, Solandra guttata, Epilobium alsinifolium, Epilobium marshallianum, Dipodium atropurpureum, Massonia depressa, Massonia pustulata, Brodiaea minor, Ruschia decurrens, Ruschia primosii, Zanthoxylum brachyacanthum, Conophytum armianum, Conophytum bachelorum, Conophytum hammeri, Conophytum praesectum, Conophytum roodiae, Conophytum rugosum, Ruschia dilatata, Saussurea depressa, Genista linifolia, Genista rivasgodayana, Ricinocarpos glaucus, Ricinocarpos speciosus, Zostera noltii, Aegilops biuncialis, Aegilops kotschyi, Lebeckia pauciflora, Agathosma alaris, Aquilegia bertolonii, Aquilegia nugorensis, Rawsonia lucida, Epilobium fleischeri, Epilobium palustre, Podolepis gardneri, Epilobium dodonaei, Genista anglica, Platylobium montanum, Carpesium cernuum, Dierama dissimile, Tulbaghia maritima, Massonia bakeriana, Xysmalobium baurii, Alectra orobanchoides, Dischisma leptostachyum, Epilobium maysillesii, Galinsoga spellenbergii, Dipodium hamiltonianum, Ruschia callifera, Ruschia fourcadei, Ruschia lisabeliae, Ruschia pulvinaris, Ruschia rariflora, Conophytum luckhoffii, Echium bonnetii, Ruschia crassisepala, Gamochaeta humilis, Dracocephalum parviflorum, Poranthera huegelii)",
 "Year is greater than or equal to 1950"
 ]
}

 The dataset includes 345668 records from 1495 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0020610-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dancestry-c105-1612
title: Danzantes unidos festival, 1979-04-07

description: Footage from the first Danzantes Unidos Festival, which took place at the UCLA campus, 1979 April 07. Created by John Estrada, the Danzantes Unidos Festival was created to unite Mexican folkloric groups from all across the state of California to put on a large showcase of regional dances from Mexico. The purpose of the festival was to unify the growing folklorico movement by providing an opportunity for Danzantes to meet, study, and perform in a united celebration for the people of Los Angeles.
DOI: 10.25549/dancestry-c105-1573
title: Danzantes unidos II, 1980-04-19

description: Footage from the second Danzantes Unidos, a Mexican folk dance festival, that took place on the campus of UCLA, 1980 April 19.
DOI: 10.25549/dance-ouc15602510
title: Danzantes unidos III footage, 1981

description: Footage from the third annual Danzantes Unidos Festival, held on the campus of UCLA in 1981. The Danzantes Unidos festival brings together Mexican folk dance groups from across the Southwestern United States for workshops and dance presentations. First video in this series includes the opening ceremony and songs from the region of Veracruz. The second video includes footage of dances from the huasteca region. The third video includes footage from the closing ceremony.
DOI: 10.25549/dancestry-c105-1478
title: Philippine dance gathering and workshops, 2001-08

description: The Philippine Dance Gathering and Workshops (PDGW) is an annual folk and traditional arts project. The gathering brings together a team of accomplished and recognized specialists and artists in the field of Philippine dance and music, and provides an opportunity to learn repertoire of regional dances and music and facilitates a forum for cultural discussion and networking. The third annual gathering took place between 8-12 Aug 2001.
DOI: 10.25549/dancestry-c105-1479
title: Philippine dance gathering and workshops, 2001-08

description: The Philippine Dance Gathering and Workshops (PDGW) is an annual folk and traditional arts project. The gathering brings together a team of accomplished and recognized specialists and artists in the field of Philippine dance and music, and provides an opportunity to learn repertoire of regional dances and music and facilitates a forum for cultural discussion and networking. The third annual gathering took place between 8-12 Aug 2001.
DOI: 10.25549/dancestry-c105-1482
title: Philippine dance gathering and workshops, 2001-08

description: The Philippine Dance Gathering and Workshops (PDGW) is an annual folk and traditional arts project. The gathering brings together a team of accomplished and recognized specialists and artists in the field of Philippine dance and music, and provides an opportunity to learn repertoire of regional dances and music and facilitates a forum for cultural discussion and networking. The third annual gathering took place between 8-12 Aug 2001.
DOI: 10.25549/dancestry-c105-1483
title: Philippine dance gathering and workshops, 2001-08

description: The Philippine Dance Gathering and Workshops (PDGW) is an annual folk and traditional arts project. The gathering brings together a team of accomplished and recognized specialists and artists in the field of Philippine dance and music, and provides an opportunity to learn repertoire of regional dances and music and facilitates a forum for cultural discussion and networking. The third annual gathering took place between 8-12 Aug 2001.
DOI: 10.25345/c5930p78m
title: MassIVE MSV000099780 - Mitochondrial dsRNA drives radial glia-like cell senescence and antiviral immunity in progressive Multiple Sclerosis
title: Progressive multiple sclerosis (PMS) is characterized by neurodegeneration independent of clinical relapses, with senescent glia prominent in chronic lesions. We identified immature, senescent, proinflammatory radial glia-like cells (DARGs) in the PMS brain as key contributors to disease pathobiology. Although cellular senescence and neuroinflammation are recognized as critical contributors, the underlying mechanisms coordinating these processes remain poorly understood. Employing a patient-derived stem cell model that allows precise investigation of the DARG biology, we demonstrate that mitochondria-derived double-stranded RNA (mt-dsRNA) leaks into the cytosol through VDAC channels, activating antiviral responses via TBK1-IRF3 signalling and promoting cellular senescence. This, in turn, induces reactive astrocytic phenotypes through paracrine mechanisms. Importantly, inhibition of the RIG-I/MDA5-MAVS pathway reverses senescence, reduces inflammation, and restores cellular function. Our findings position cytosolic mt-dsRNA sensing as a central mediator of smouldering neuroinflammation in PMS and highlight its potential as a therapeutic target to interrupt ongoing neurodegenerative cascades.
DOI: 10.25549/dance-ouc113756199
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc113756204
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc113756205
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc113756206
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.17182/hepdata.88293.v1/t1
title: "Figure 2, left" of "First measurement of the forward rapidity gap distribution in pPb collisions at $\sqrt{s_\mathrm{NN}}$ = 8.16 TeV"

description: Differential cross section for events with Pomeron-Lead ($\mathrm{I\!P}\mathrm{Pb}$) topology obtained at the reconstruction level for $|\eta| &lt; 3$ region.

Forward Rapidity Gap definition:
$|\eta| &lt; 2.5$: $p_{T}^{track} &lt; 200$ MeV and $\sum \limits_{bin} E^{PF} &lt; 6$ GeV
$|\eta| \in [2.5,3.0]$: $\sum \limits_{bin} E_{neutral}^{PF} &lt; 13.4$ GeV
description: We present, for the first time at LHC energies, the forward rapidity gap spectra from proton-lead collisions for both proton and lead dissociation processes. The analysis is performed over 10.4 units of pseudorapidity at a center-of-mass energy of $\sqrt{s_{\mathrm{NN}}}=8.16~\text{TeV}$, i.e. almost 300 times higher than previous measurements of diffractive production in proton-nucleus collisions. For lead dissociation processes, which corresspond to the pomeron-lead event topology, the EPOS-LHC predictions are a factor of two below the unfolded data but the model does give a reasonable description of the shape of the spectrum. For the pomeron-proton topology the EPOS-LHC, QGSJET II and HIJING generator predictions are all at least a factor of five below the data. This effect can be explained by a significant contribution of ultra-peripheral photoproduction events mimicking the signature of diffractive processes. The obtained data may be of significant help in understanding the high energy limit of QCD and modeling cosmic ray air showers.