cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10293328
title: 18th Century Headstone, Lorrha

description: 18th century headstone dedicated to the Nowlan family standing south of the Dominican Friary (TN004-010001-) in Lorrha Graveyard, North Tipperary. The top of the stone is decorated with a soul effigy carved in false relief. The border around the headstone is decorated with a running lozenge pattern. The headstone is similar to the Sweeny memorial located in nearby Kilbarron Graveyard (TN009-003002-), North Tipperary.  For more information on the friary, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=TN004-010001-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293329
title: 18th Century Headstone, Lorrha

description: 18th century headstone dedicated to the Nowlan family standing south of the Dominican Friary (TN004-010001-) in Lorrha Graveyard, North Tipperary. The top of the stone is decorated with a soul effigy carved in false relief. The border around the headstone is decorated with a running lozenge pattern. The headstone is similar to the Sweeny memorial located in nearby Kilbarron Graveyard (TN009-003002-), North Tipperary.  For more information on the friary, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=TN004-010001-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293331
title: 1758 Cannon Pew Pew

description: Old cannon pulled out of Louisburg Harbour, Nova Scotia, Canada in 1900.

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293330
title: 1758 Cannon Pew Pew

description: Old cannon pulled out of Louisburg Harbour, Nova Scotia, Canada in 1900.

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293332
title: SCHS 2019.029.069

description: Grooved axe dating to the Archaic Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Unidentified Chert
Length: 130.52 mm
Width:  87.18 mm
Thickness: 63.58 mm
Weight: 401 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Kiera McWhinney and Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.069, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293333
title: SCHS 2019.029.069

description: Grooved axe dating to the Archaic Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Unidentified Chert
Length: 130.52 mm
Width:  87.18 mm
Thickness: 63.58 mm
Weight: 401 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Kiera McWhinney and Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.069, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293334
title: Lesbian Pride Flag

description: Although there are multiple versions of a [Lesbian Pride Flag](https://www.rd.com/list/lgbtq-flags/), this one—which has been around since 2018—appears to be the one that's most widely embraced. The seven different shades of pink, orange, white, and red were used to represent different types of femininity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293335
title: Lesbian Pride Flag

description: Although there are multiple versions of a [Lesbian Pride Flag](https://www.rd.com/list/lgbtq-flags/), this one—which has been around since 2018—appears to be the one that's most widely embraced. The seven different shades of pink, orange, white, and red were used to represent different types of femininity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293336
title: Headstone St Michael's Parish Church, Inveresk

description: Headstone within Inveresk Parish Church cemetery, Musselburgh, Scotland.  

No inscription.

80 photographs from Huawei Mate Pro 10 mobile phone. 
Model Decimated to 1,800,000 from 3,750,000 faces.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293337
title: Headstone St Michael's Parish Church, Inveresk

description: Headstone within Inveresk Parish Church cemetery, Musselburgh, Scotland.  

No inscription.

80 photographs from Huawei Mate Pro 10 mobile phone. 
Model Decimated to 1,800,000 from 3,750,000 faces.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293338
title: Kirkjubømúrurin: T033

description: Sligin fitisteinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

English: Carved soapstone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 18 x 13 x 4.5 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293339
title: Kirkjubømúrurin: T033

description: Sligin fitisteinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

English: Carved soapstone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 18 x 13 x 4.5 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293340
title: Kirkjubømúrurin: I003

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 19 x 30 x 23 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293341
title: Kirkjubømúrurin: I003

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 19 x 30 x 23 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293342
title: CAPITELL ROMÀNIC - Pere Oller

description: CAT: Capitell romànic fet de pedra calcària el 1410 per Pere Oller i trobat a la Creu de la Mà de Figueres (donació de Frederic Marès i Deulovol el 1971). Dimensions: 43 cm x 38 cm.

ESP: Capitel románico hecho de piedra calcária el 1410 por Pere Oller y encontrado en la Creu de la Mà de Figueres (donación de Frederic Marès i Deulovol el 1971). Dimensiones: 43 cm x 38 cm. 

ENG: Romanesque capital made of limestone in 1410 by Pere Oller and found in the Creu de la Mà in Figueres (donated by Frederic Marès i Deulovol in 1971). Dimensions: 43 cm x 38 cm.

FRA: Chapiteau roman réalisée en pierre calcaire en 1410 par Pere Oller et decouvert à la Creu de la Mà à Figueres (don de Frédéric Marès i Deulovol en 1971). Dimensions : 43 cm x 38 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293343
title: CAPITELL ROMÀNIC - Pere Oller

description: CAT: Capitell romànic fet de pedra calcària el 1410 per Pere Oller i trobat a la Creu de la Mà de Figueres (donació de Frederic Marès i Deulovol el 1971). Dimensions: 43 cm x 38 cm.

ESP: Capitel románico hecho de piedra calcária el 1410 por Pere Oller y encontrado en la Creu de la Mà de Figueres (donación de Frederic Marès i Deulovol el 1971). Dimensiones: 43 cm x 38 cm. 

ENG: Romanesque capital made of limestone in 1410 by Pere Oller and found in the Creu de la Mà in Figueres (donated by Frederic Marès i Deulovol in 1971). Dimensions: 43 cm x 38 cm.

FRA: Chapiteau roman réalisée en pierre calcaire en 1410 par Pere Oller et decouvert à la Creu de la Mà à Figueres (don de Frédéric Marès i Deulovol en 1971). Dimensions : 43 cm x 38 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293344
title: DungeonPack

description: 3D Asset Pack

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293345
title: DungeonPack

description: 3D Asset Pack

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293346
title: Crathes Castle, Aberdeenshire

description: Crathes Castle sits on land given as a gift to the Burnetts of Ley family by King Robert the Bruce in 1323.

In the 14th and 15th centuries the Burnett of Leys built a fortress of timbers on a crannog in nearby Loch of Leys. Construction of the current tower house of Crathes Castle was begun in 1553 but delayed several times during its construction due to political problems during the reign of Mary, Queen of Scots.

It was completed in 1596 by Alexander Burnett of Leys, and an additional wing added in the 18th century. Crathes Castle served as the ancestral seat of the Burnetts of Leys until Sir James Burnett, 13th Baronet gave it to the National Trust for Scotland in 1951. A fire damaged portions of the castle (in particular the Queen Anne wing) in 1966.

The castle and grounds are open to the public and the site is managed by the National Trust for Scotland.

371 photographs taken with a DJI Mavic2 Pro drone with permission. 


Canmore ID 36693

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293347
title: Crathes Castle, Aberdeenshire

description: Crathes Castle sits on land given as a gift to the Burnetts of Ley family by King Robert the Bruce in 1323.

In the 14th and 15th centuries the Burnett of Leys built a fortress of timbers on a crannog in nearby Loch of Leys. Construction of the current tower house of Crathes Castle was begun in 1553 but delayed several times during its construction due to political problems during the reign of Mary, Queen of Scots.

It was completed in 1596 by Alexander Burnett of Leys, and an additional wing added in the 18th century. Crathes Castle served as the ancestral seat of the Burnetts of Leys until Sir James Burnett, 13th Baronet gave it to the National Trust for Scotland in 1951. A fire damaged portions of the castle (in particular the Queen Anne wing) in 1966.

The castle and grounds are open to the public and the site is managed by the National Trust for Scotland.

371 photographs taken with a DJI Mavic2 Pro drone with permission. 


Canmore ID 36693

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293348
title: COADS_29-374

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Delaware

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter Abby Clark, and Michael Shott, 2017. COADS_29-374, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293349
title: COADS_29-374

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Delaware

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter Abby Clark, and Michael Shott, 2017. COADS_29-374, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293350
title: Carrowntomuch Cross

description: A unfinished medieval cross from Carrowbtomuch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293351
title: Carrowntomuch Cross

description: A unfinished medieval cross from Carrowbtomuch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293352
title: Cart1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293353
title: Cart1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293354
title: The inn

description: The inn, Barend Gael, made in Haarlem (The Netherland) 1630/35 - Amsterdam 1698. Royal Museum of Fine Art of Belgium. Made of 310 pictures with Zephyr3D Lite from 3DFlow.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293355
title: The inn

description: The inn, Barend Gael, made in Haarlem (The Netherland) 1630/35 - Amsterdam 1698. Royal Museum of Fine Art of Belgium. Made of 310 pictures with Zephyr3D Lite from 3DFlow.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293356
title: Diane VI - Louvre Museum (Low Definition)

description: **LOUVRE Museum All-in-one pack on Gumroad: [-link removed-](http://)**


**Anselme FLAMEN**
**(Saint-Omer, 1647 - Paris, 1717)**

**Diane **
*Marbre*

This model is a scan done for the short movie **Gloria Victis**
https://www.artstation.com/artwork/A6doN

**This model in low definition is used for the wide angle shots.**

Here is the shot done with this scan.
![](https://cdnb.artstation.com/p/assets/images/images/003/498/561/large/benjamin-bardou-p018.jpg?1474371485http://)

The model may have misinterpreted faces or holes. 
I scanned the models according to the camera shots. **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293357
title: Diane VI - Louvre Museum (Low Definition)

description: **LOUVRE Museum All-in-one pack on Gumroad: [-link removed-](http://)**


**Anselme FLAMEN**
**(Saint-Omer, 1647 - Paris, 1717)**

**Diane **
*Marbre*

This model is a scan done for the short movie **Gloria Victis**
https://www.artstation.com/artwork/A6doN

**This model in low definition is used for the wide angle shots.**

Here is the shot done with this scan.
![](https://cdnb.artstation.com/p/assets/images/images/003/498/561/large/benjamin-bardou-p018.jpg?1474371485http://)

The model may have misinterpreted faces or holes. 
I scanned the models according to the camera shots. **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293358
title: Sweden

description: [Sweden](https://en.wikipedia.org/wiki/Sweden) is a Nordic country in Northern Europe. It borders Norway to the west and north, Finland to the east, and is connected to Denmark in the southwest by a bridge-tunnel across the Öresund Strait. At 450,295 square kilometres (173,860 sq mi), Sweden is the largest country in Northern Europe, the third-largest country in the European Union, and the fifth largest country in Europe. The capital and largest city is Stockholm. Sweden has a total population of 10.4 million, the largest of the Nordic countries; and a low population density of 25.5 inhabitants per square kilometre (66/sq mi). 87% of Swedes live in urban areas, which cover 1.5% of the entire land area. The highest concentration is in the central and southern half of the country.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293359
title: Sweden

description: [Sweden](https://en.wikipedia.org/wiki/Sweden) is a Nordic country in Northern Europe. It borders Norway to the west and north, Finland to the east, and is connected to Denmark in the southwest by a bridge-tunnel across the Öresund Strait. At 450,295 square kilometres (173,860 sq mi), Sweden is the largest country in Northern Europe, the third-largest country in the European Union, and the fifth largest country in Europe. The capital and largest city is Stockholm. Sweden has a total population of 10.4 million, the largest of the Nordic countries; and a low population density of 25.5 inhabitants per square kilometre (66/sq mi). 87% of Swedes live in urban areas, which cover 1.5% of the entire land area. The highest concentration is in the central and southern half of the country.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293360
title: Ethiopian Cross - Wood Carving

description: Wood carving of a cross from Ethiopia, 3D scanned with the Artec Space Spider. Texture captured and wrapped in Artec Studio 15.

For more information on the scanner, please visit: https://gomeasure3d.com/artec/spider

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293361
title: Ethiopian Cross - Wood Carving

description: Wood carving of a cross from Ethiopia, 3D scanned with the Artec Space Spider. Texture captured and wrapped in Artec Studio 15.

For more information on the scanner, please visit: https://gomeasure3d.com/artec/spider

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293362
title: Latin MS 182

description: Bede's Historia ecclesiastica gentis Anglorum, with the Continuo Bedae and two miracle stories, formerly owned by - and possibly produced at - the Benedictine Abbey of (Mönchen-)Gladbach, Germany in the twelfth century.

Ancient binding, parchment over wooden boards, carefully restored. The 12th century script is in double columns of 31 lines, a very fine upright minuscule. Some coloured initials.

Creator: Bede, the Venerable, Saint, 673-735

https://www.digitalcollections.manchester.ac.uk/view/MS-LATIN-00182/1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293363
title: Latin MS 182

description: Bede's Historia ecclesiastica gentis Anglorum, with the Continuo Bedae and two miracle stories, formerly owned by - and possibly produced at - the Benedictine Abbey of (Mönchen-)Gladbach, Germany in the twelfth century.

Ancient binding, parchment over wooden boards, carefully restored. The 12th century script is in double columns of 31 lines, a very fine upright minuscule. Some coloured initials.

Creator: Bede, the Venerable, Saint, 673-735

https://www.digitalcollections.manchester.ac.uk/view/MS-LATIN-00182/1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293365
title: Areca nut scissors – kacip

description: The presented tool comes from the collection of the Polish zoologist, Prof. Michał Siedlecki (1873–1940) who, similarly to Prof. Marian Raciborski before, resided in Java between 1907–1908, in the famous Botanical Garden in Buitenzorg (present-day Bogor). Fascinated with Javanese culture, he brought many ethnographic exhibits back to his homeland.
Kacip – a tool commonly called betel scissors. It is used to cut the nuts of the palm called areca areka katechu (pinang) – one of the main ingredients of the betel stimulant for chewing. The main ingredients of betel, in addition to areca nuts, are betel leaves, i.e. Piper betle (siri), and lime (kapur).

ID no.: 36174/MEK

Time and place: early 20th century, Jawa

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1517

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293364
title: Areca nut scissors – kacip

description: The presented tool comes from the collection of the Polish zoologist, Prof. Michał Siedlecki (1873–1940) who, similarly to Prof. Marian Raciborski before, resided in Java between 1907–1908, in the famous Botanical Garden in Buitenzorg (present-day Bogor). Fascinated with Javanese culture, he brought many ethnographic exhibits back to his homeland.
Kacip – a tool commonly called betel scissors. It is used to cut the nuts of the palm called areca areka katechu (pinang) – one of the main ingredients of the betel stimulant for chewing. The main ingredients of betel, in addition to areca nuts, are betel leaves, i.e. Piper betle (siri), and lime (kapur).

ID no.: 36174/MEK

Time and place: early 20th century, Jawa

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1517

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293366
title: Petroglyph V1 Khatm Al Melaha, Kalba, Sharjah.

description: Natural Version. Petroglyph V1 Khatm Al Melaha, Kalba, Sharjah. Two sides of the same rock. Each panel has two Syrian Wild Asses and a Human Male. But in slightly different styles implying two different artists. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

 Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293367
title: Petroglyph V1 Khatm Al Melaha, Kalba, Sharjah.

description: Natural Version. Petroglyph V1 Khatm Al Melaha, Kalba, Sharjah. Two sides of the same rock. Each panel has two Syrian Wild Asses and a Human Male. But in slightly different styles implying two different artists. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

 Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293368
title: St Peter's Church,Cambridge; North Wall

description: The northern wall of the church showcases an excellent example of Medieval recycling of Roman building materials, with a series of Roman bricks being incorporated into the lower course of the wall. These bricks likely came from the former Roman wall of Cambridge, a section of which ran through where the adjacent Kettles Yard art gallery now sits. The rest of the building material is made up of flint rubble and Barnack stone, being of Medieval and Georgian origin.

St Peter's Church is thought to have been built in the 12th-century, possibly with Anglo-Saxon origins. Most of the church seen today is Georgian and was heavily reconstructed in 1781 when the Norman nave and chancel were demolished and rebuilt following a long period of ruin. The Georgian reconstruction reused much of the original material, including Roman tiles and bricks robbed from the ruins of Roman Cambridge, including the once-adjacent 4th-century town wall. 

St Peter's Church is open daily from 10am-4pm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10293369
title: St Peter's Church,Cambridge; North Wall

description: The northern wall of the church showcases an excellent example of Medieval recycling of Roman building materials, with a series of Roman bricks being incorporated into the lower course of the wall. These bricks likely came from the former Roman wall of Cambridge, a section of which ran through where the adjacent Kettles Yard art gallery now sits. The rest of the building material is made up of flint rubble and Barnack stone, being of Medieval and Georgian origin.

St Peter's Church is thought to have been built in the 12th-century, possibly with Anglo-Saxon origins. Most of the church seen today is Georgian and was heavily reconstructed in 1781 when the Norman nave and chancel were demolished and rebuilt following a long period of ruin. The Georgian reconstruction reused much of the original material, including Roman tiles and bricks robbed from the ruins of Roman Cambridge, including the once-adjacent 4th-century town wall. 

St Peter's Church is open daily from 10am-4pm.

Source: Objaverse 1.0 / Sketchfab