cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25446/oxford.22888859.v1
title: Frank Budgen

description: Frank BudgenPainter, socialist activist and ear to JJ. Born in Crowhurst, Surrey, Frank Spencer Curtis Budgen spent several years at sea before settling in London as a postal worker. He became General Secretary of the Socialist Labour Party in 1907. In 1910, he went to Paris to study painting, supporting himself as a model for the Swiss sculptor August Suter. During his years in Paris, he became acquainted with the French writer Blaise Cendrars and the Swiss poet and translator Siegfried Lang. At the invitation of August Suter he moved to Switzerland shortly before World War I, where he was employed in Zurich at Great Britain's Ministry of Information, established for "the spread of British propaganda in neutral countries" . In Zurich, he became acquainted with JJ who engaged in lengthy discussions with him about Ulysses, at the time in progress. Budgen wrote about these essential insights in his reminiscences, James Joyce and the Making of "Ulysses" (1934).In his own right, Budgen was a painter, mostly of landscapes, and made several portraits, sketches and charcoal drawings of JJ. He was a model for a sculpture by August Suter which can be seen in Zurich's Uraniastrasse. After the war Budgen returned to London, where he lived until his death. He was married to Francine Budgen (1896-1977) with daughter Joan. Frank and Francine Budgen are buried at the graveyard of St George's Church, Crowhurst, Surrey. Budgen was a guest of honour at the first International James Joyce Symposium in Dublin, June 1967, and participated for a few days in the second one, 1969. Budgen's vivid autobiography of his first forty years, Myselves When Young, was published in 1970. Fritz Senn
DOI: 10.6084/m9.figshare.23541543
title: NGTWR_data

description: NGTWR data.
DOI: 10.25446/oxford.22888874
title: Donn Byrne

description: Donn ByrneIrish novelist, born Brian Oswald Donn-Byrne. Though he spent much of his adult life in the United States, his fiction is set mostly in Ireland and evokes Irish history. He died relatively young in an automobile accident in Ireland. William Brockman
DOI: 10.25446/oxford.22888865.v1
title: Francine Budgen

description: Francine BudgenWife of Frank Budgen, married in October 1924. She was born in The Hague, raised in Belgium, and moved to England as a teenager. She met Frank Budgen through the International Socialist Club in the 1920s. William Brockman
DOI: 10.25446/oxford.22888868
title: Ferruccio Busoni

description: Ferruccio BusoniRenowned Italian composer, pianist and occasionally conductor, whose time in Zurich overlapped almost precisely with JJ's and who knew JJ slightly through their mutual acquaintance, Philipp Jarnach. William Brockman
DOI: 10.25446/oxford.22888868.v1
title: Ferruccio Busoni

description: Ferruccio BusoniRenowned Italian composer, pianist and occasionally conductor, whose time in Zurich overlapped almost precisely with JJ's and who knew JJ slightly through their mutual acquaintance, Philipp Jarnach. William Brockman
DOI: 10.25446/oxford.22888871
title: Mary Byrne

description: Mary ByrneWife of JJ's friend John Francis Byrne. Mary Alice Headen was born in Ballina, Co. Mayo, the daughter of Schools Inspector William P. Headen and Mary Paddle. She attended the Dominican Convent in Eccles Street, Dublin before entering Loreto College, Stephen's Green in 1901 (BA in 1906 at University College). She married Byrne in 1916 and joined him in New York, where he worked as a journalist; their daughter was born the following year. In 1921 she became a naturalised American citizen. They migrated to California, where she filed for divorce in 1957; she died there four years later. John Simpson
DOI: 10.25446/oxford.22888871.v1
title: Mary Byrne

description: Mary ByrneWife of JJ's friend John Francis Byrne. Mary Alice Headen was born in Ballina, Co. Mayo, the daughter of Schools Inspector William P. Headen and Mary Paddle. She attended the Dominican Convent in Eccles Street, Dublin before entering Loreto College, Stephen's Green in 1901 (BA in 1906 at University College). She married Byrne in 1916 and joined him in New York, where he worked as a journalist; their daughter was born the following year. In 1921 she became a naturalised American citizen. They migrated to California, where she filed for divorce in 1957; she died there four years later. John Simpson
DOI: 10.25446/oxford.22888874.v1
title: Donn Byrne

description: Donn ByrneIrish novelist, born Brian Oswald Donn-Byrne. Though he spent much of his adult life in the United States, his fiction is set mostly in Ireland and evokes Irish history. He died relatively young in an automobile accident in Ireland. William Brockman
DOI: 10.25446/oxford.22888883
title: Thomas Caldwell

description: Thomas CaldwellInept anthologist of modern English poetry. Born Thomas Turlough Cullovin in London, Thomas Caldwell was the son of a Cavanman, Thomas Cullovin, who worked for H. M. Inland Revenue. In late 1921, Caldwell approached J. M. Dent & Sons with a proposal for an anthology of English verse. His Golden Book of Modern English Poetry went through several editions both before and after Caldwell's early death in 1924, not least because of his lack of editorial care. A. E. Housman complained of errors in the texts of his poems in the second edition; JJ's CM III appeared as "At That Hour" in the first edition with its second line, "O lonely watcher of the skies" , misquoted as "O lovely watcher of the skies" . The Golden Book of Modern English Poetry, 1870-1920 (London; Toronto: J. M. Dent & Sons, 1922), p. 310. JJ disappeared from the second, revised edition of 1923. The anthology was reissued in 1935 as part of Everyman's Library. Ronan Crowley
DOI: 10.25446/oxford.22888865
title: Francine Budgen

description: Francine BudgenWife of Frank Budgen, married in October 1924. She was born in The Hague, raised in Belgium, and moved to England as a teenager. She met Frank Budgen through the International Socialist Club in the 1920s. William Brockman
DOI: 10.25446/oxford.22888883.v1
title: Thomas Caldwell

description: Thomas CaldwellInept anthologist of modern English poetry. Born Thomas Turlough Cullovin in London, Thomas Caldwell was the son of a Cavanman, Thomas Cullovin, who worked for H. M. Inland Revenue. In late 1921, Caldwell approached J. M. Dent & Sons with a proposal for an anthology of English verse. His Golden Book of Modern English Poetry went through several editions both before and after Caldwell's early death in 1924, not least because of his lack of editorial care. A. E. Housman complained of errors in the texts of his poems in the second edition; JJ's CM III appeared as "At That Hour" in the first edition with its second line, "O lonely watcher of the skies" , misquoted as "O lovely watcher of the skies" . The Golden Book of Modern English Poetry, 1870-1920 (London; Toronto: J. M. Dent & Sons, 1922), p. 310. JJ disappeared from the second, revised edition of 1923. The anthology was reissued in 1935 as part of Everyman's Library. Ronan Crowley
DOI: 10.25446/oxford.22888880
title: James Branch Cabell

description: James Branch CabellAmerican novelist, best known for his Jurgen: A Comedy of Justice (New York: Robert M. McBride, 1919), whose eponymous character's racy adventures brought the book to the attention of the New York Society for the Suppression of Vice and its secretary, John S. Sumner. Banned, the book became notoriously famous and, after being acquitted in its 1922 obscenity trial, became a best-seller. William Brockman
DOI: 10.25446/oxford.22888880.v1
title: James Branch Cabell

description: James Branch CabellAmerican novelist, best known for his Jurgen: A Comedy of Justice (New York: Robert M. McBride, 1919), whose eponymous character's racy adventures brought the book to the attention of the New York Society for the Suppression of Vice and its secretary, John S. Sumner. Banned, the book became notoriously famous and, after being acquitted in its 1922 obscenity trial, became a best-seller. William Brockman
DOI: 10.25446/oxford.22888886
title: Edgardo Carducci

description: Edgardo CarducciItalian pianist, composer, music critic, and, in later life, professor at the Pontificio Istituto di Musica Sacra in Rome. His article 'The Tenor Voice in Europe' (Music and Letters 11, no. 4 [1930]: 318-24), credits his appreciation of tenor John Sullivan to JJ. Carducci contributed his musical setting of JJ's poem "Alone" to The Joyce Book. He and Joyce became friends in the 1930s. William Brockman
DOI: 10.25446/oxford.22888886.v1
title: Edgardo Carducci

description: Edgardo CarducciItalian pianist, composer, music critic, and, in later life, professor at the Pontificio Istituto di Musica Sacra in Rome. His article 'The Tenor Voice in Europe' (Music and Letters 11, no. 4 [1930]: 318-24), credits his appreciation of tenor John Sullivan to JJ. Carducci contributed his musical setting of JJ's poem "Alone" to The Joyce Book. He and Joyce became friends in the 1930s. William Brockman
DOI: 10.25446/oxford.22888889
title: Viscount Carlow

description: Viscount CarlowPublisher of the Corvinus Press. George Lionel Seymour Dawson-Damer, styled Viscount Carlow (a Viscountcy in the Peerage of Ireland) was an Air Commodore with the Auxiliary RAF. As a young lieutenant in the British army, he met T. E. Lawrence ("Lawrence of Arabia" ); their shared interest in fine printing and book collecting led to Carlow's founding of the Corvinus Press in 1936. His first titles were several limited editions by and about Lawrence. Titles by other contemporary writers, including Louis Golding, L. A. G. Strong, and Edmund Blunden, followed. Seeking new manuscripts, he contacted JJ in 1936, who suggested the publication of Storiella as She Is Syung. Published in 1937, it was one of the press's most elaborate productions, using a variety of typefaces in black and red ink, an initial letter designed by Lucia Joyce, and an orange binding with the title printed in gold. JJ and Carlow corresponded occasionally through the next few years. The Corvinus Press published some 58 titles through 1945. An avid pilot throughout his adult life, Carlow was killed in action towards the end of World War II. William Brockman
DOI: 10.25446/oxford.22888895
title: Emilio Cecchi

description: Emilio CecchiItalian literary critic whose review of Ulysses in La Tribuna (2 March 1923) was one of the first notices of the book in Italy. William Brockman
DOI: 10.25446/oxford.22888895.v1
title: Emilio Cecchi

description: Emilio CecchiItalian literary critic whose review of Ulysses in La Tribuna (2 March 1923) was one of the first notices of the book in Italy. William Brockman
DOI: 10.25446/oxford.22888898.v1
title: Henri Codet

description: Henri CodetFrench psychiatrist whom Joyce consulted in regard to his daughter Lucia in 1932. William Brockman
DOI: 10.25446/oxford.22888889.v1
title: Viscount Carlow

description: Viscount CarlowPublisher of the Corvinus Press. George Lionel Seymour Dawson-Damer, styled Viscount Carlow (a Viscountcy in the Peerage of Ireland) was an Air Commodore with the Auxiliary RAF. As a young lieutenant in the British army, he met T. E. Lawrence ("Lawrence of Arabia" ); their shared interest in fine printing and book collecting led to Carlow's founding of the Corvinus Press in 1936. His first titles were several limited editions by and about Lawrence. Titles by other contemporary writers, including Louis Golding, L. A. G. Strong, and Edmund Blunden, followed. Seeking new manuscripts, he contacted JJ in 1936, who suggested the publication of Storiella as She Is Syung. Published in 1937, it was one of the press's most elaborate productions, using a variety of typefaces in black and red ink, an initial letter designed by Lucia Joyce, and an orange binding with the title printed in gold. JJ and Carlow corresponded occasionally through the next few years. The Corvinus Press published some 58 titles through 1945. An avid pilot throughout his adult life, Carlow was killed in action towards the end of World War II. William Brockman
DOI: 10.25446/oxford.22888901
title: Curtis Brown Ltd

description: Curtis Brown LtdWith a background in journalism, American Albert Curtis Brown established in London in 1899 one of the first literary agencies, the International Publishing Bureau, and by 1905 was operating under his own name. In 1914 Brown set up a New York branch. The firm became, and remains, one of the most prominent agencies, its clients including numerous well-known writers. William Brockman
DOI: 10.25446/oxford.22888898
title: Henri Codet

description: Henri CodetFrench psychiatrist whom Joyce consulted in regard to his daughter Lucia in 1932. William Brockman
DOI: 10.25446/oxford.22888901.v1
title: Curtis Brown Ltd

description: Curtis Brown LtdWith a background in journalism, American Albert Curtis Brown established in London in 1899 one of the first literary agencies, the International Publishing Bureau, and by 1905 was operating under his own name. In 1914 Brown set up a New York branch. The firm became, and remains, one of the most prominent agencies, its clients including numerous well-known writers. William Brockman
DOI: 10.25446/oxford.22888904
title: Lauro De Bosis

description: Lauro De BosisItalian poet and translator. Though a recent university graduate with a degree in chemistry when he first met JJ, De Bosis was an eager literary translator, influenced by his father Adolfo De Bosis, who was known for his translations into Italian of works by Shelley. JJ and De Bosis apparently had a plan to produce a partial Italian translation of Ulysses, similar to the one in French proposed by Valery Larbaud (LI 199). Neither plan came to fruition, although De Bosis and JJ remained in contact for several years. An avowed anti-fascist and amateur pilot, he is remembered primarily for his flight over Rome on 3 October 1931 when he dropped some 400,000 anti-fascist leaflets over the city and then disappeared, never to be seen again. William Brockman
DOI: 10.25446/oxford.22888904.v1
title: Lauro De Bosis

description: Lauro De BosisItalian poet and translator. Though a recent university graduate with a degree in chemistry when he first met JJ, De Bosis was an eager literary translator, influenced by his father Adolfo De Bosis, who was known for his translations into Italian of works by Shelley. JJ and De Bosis apparently had a plan to produce a partial Italian translation of Ulysses, similar to the one in French proposed by Valery Larbaud (LI 199). Neither plan came to fruition, although De Bosis and JJ remained in contact for several years. An avowed anti-fascist and amateur pilot, he is remembered primarily for his flight over Rome on 3 October 1931 when he dropped some 400,000 anti-fascist leaflets over the city and then disappeared, never to be seen again. William Brockman
DOI: 10.25446/oxford.22888910
title: Giorgio de Santillana

description: Giorgio de SantillanaItalian-American acquaintance of Lauro De Bosis and later philosopher of science, who achieved significant acclaim in the 1950s and 1960s as a historian at the Massachusetts Institute of Technology. William Brockman
DOI: 10.25446/oxford.22888910.v1
title: Giorgio de Santillana

description: Giorgio de SantillanaItalian-American acquaintance of Lauro De Bosis and later philosopher of science, who achieved significant acclaim in the 1950s and 1960s as a historian at the Massachusetts Institute of Technology. William Brockman
DOI: 10.25446/oxford.22888913.v1
title: Éamon De Valera

description: Éamon De ValeraBorn in the United States, De Valera spent most of his life in Ireland, first as a teacher, then a revolutionary and controversial figure in Ireland's 1922 Civil War, then eventually as taoiseach and president of Ireland. Finnegans Wake's allusion to his name in "devil era" (473.08) recalls the Civil War's divisiveness. William Brockman
DOI: 10.25446/oxford.22888913
title: Éamon De Valera

description: Éamon De ValeraBorn in the United States, De Valera spent most of his life in Ireland, first as a teacher, then a revolutionary and controversial figure in Ireland's 1922 Civil War, then eventually as taoiseach and president of Ireland. Finnegans Wake's allusion to his name in "devil era" (473.08) recalls the Civil War's divisiveness. William Brockman
DOI: 10.25446/oxford.22888916
title: George Dempsey

description: George DempseyLay teacher of Literature and History at Belvedere College between 1884 and 1923, where he taught JJ. George Stanislaus Dempsey was born in Dublin and, already a "˜Professor', married Mary Ellen Doyle in 1888; she ran a grocery and post office at their house, 13 Dunville Avenue, in south-east Dublin. Dempsey was typically well-dressed, sported a moustache, and had a military bearing; pupils remembered him fondly. He died in Dublin, aged seventy, in 1924, and was buried at Glasnevin Cemetery. The George Dempsey Memorial prize is awarded annually at Belvedere College for excellence in English. John Simpson
DOI: 10.25446/oxford.22888916.v1
title: George Dempsey

description: George DempseyLay teacher of Literature and History at Belvedere College between 1884 and 1923, where he taught JJ. George Stanislaus Dempsey was born in Dublin and, already a "˜Professor', married Mary Ellen Doyle in 1888; she ran a grocery and post office at their house, 13 Dunville Avenue, in south-east Dublin. Dempsey was typically well-dressed, sported a moustache, and had a military bearing; pupils remembered him fondly. He died in Dublin, aged seventy, in 1924, and was buried at Glasnevin Cemetery. The George Dempsey Memorial prize is awarded annually at Belvedere College for excellence in English. John Simpson
DOI: 10.25446/oxford.22888922
title: André Derain

description: André DerainFrench fauvist painter. William Brockman
DOI: 10.25446/oxford.22888922.v1
title: André Derain

description: André DerainFrench fauvist painter. William Brockman
DOI: 10.25446/oxford.22888925
title: Édouard Dujardin

description: Édouard DujardinFrench writer of poetry, novels, drama and of studies of art, music and religion. As part of the publicity for Ulysses, JJ claimed that the interior monologue technique had been invented by Dujardin in his novel Les lauriers sont coupés which he had bought because Dujardin was the dedicatee of George Moore's Irish novel The Lake.As a young man Dujardin was a well-connected Parisian dandy who lost most of his family's fortune on his early plays and other artistic schemes. While publishing poetry, drama and prose, in 1885 he founded the Revue Wagnérienne which a year later became Revue indépendante, the most important magazine of the French symbolist movement of the eighties of the nineteenth century. This journal (which first published Les lauriers sont coupés) was a hotbed of experimental art, from Wagner's music to the neo-impressionist painters and the literary work of Jules Laforgue and Stéphane Mallarmé.It is in this radical and anti-clerical context that Dujardin met George Moore, who lived in Paris at the time. The two writers remained friends until Moore's death. With Moore, the French writer shared an interest in the early history of Christianity, on which he lectured and published in the twenties and thirties.JJ knew of Dujardin through Moore's mention of him in The Lake and in Dana, and JJ had told Valéry Larbaud about the source of his use of the interior monologue, which Larbaud then explained in his introduction to a new edition of Les lauriers sont coupés in 1925. By that time, the old French maître was honored by JJ's insistence on his role in literary history and in 1931 he published a study of the interior monologue and its role in his own and in JJ's work. Geert Lernout
DOI: 10.25446/oxford.22888925.v1
title: Édouard Dujardin

description: Édouard DujardinFrench writer of poetry, novels, drama and of studies of art, music and religion. As part of the publicity for Ulysses, JJ claimed that the interior monologue technique had been invented by Dujardin in his novel Les lauriers sont coupés which he had bought because Dujardin was the dedicatee of George Moore's Irish novel The Lake.As a young man Dujardin was a well-connected Parisian dandy who lost most of his family's fortune on his early plays and other artistic schemes. While publishing poetry, drama and prose, in 1885 he founded the Revue Wagnérienne which a year later became Revue indépendante, the most important magazine of the French symbolist movement of the eighties of the nineteenth century. This journal (which first published Les lauriers sont coupés) was a hotbed of experimental art, from Wagner's music to the neo-impressionist painters and the literary work of Jules Laforgue and Stéphane Mallarmé.It is in this radical and anti-clerical context that Dujardin met George Moore, who lived in Paris at the time. The two writers remained friends until Moore's death. With Moore, the French writer shared an interest in the early history of Christianity, on which he lectured and published in the twenties and thirties.JJ knew of Dujardin through Moore's mention of him in The Lake and in Dana, and JJ had told Valéry Larbaud about the source of his use of the interior monologue, which Larbaud then explained in his introduction to a new edition of Les lauriers sont coupés in 1925. By that time, the old French maître was honored by JJ's insistence on his role in literary history and in 1931 he published a study of the interior monologue and its role in his own and in JJ's work. Geert Lernout
DOI: 10.25446/oxford.22888931
title: John Dulanty

description: John DulantyIrish civil servant and diplomat, serving in the 1930s and 1940s as Irish high commissioner in London. Dulanty and JJ were acquainted; in 1939 JJ wrote to Dulanty seeking assistance in promoting Giorgio's singing career. William Brockman
DOI: 10.25446/oxford.22888934.v1
title: T. S. Eliot

description: T. S. EliotRenowned American poet, dramatist, and critic. Born in St. Louis, Thomas Stearns Eliot was educated at Harvard. From his first marriage in 1915 he spent the rest of his life in Britain. Eliot and JJ first met in Paris in 1920. Eliot's major poem "The Waste Land" was published in 1922 only months after Ulysses. The two had only sporadic contact until Eliot joined the publisher Faber & Faber in 1925. The firm published works on JJ, three fragments from "Work in Progress" , and finally in 1939 Finnegans Wake. Despite frequent tension between the two in publication matters, Eliot was an unceasing supporter of JJ's work. His review, "Ulysses, Order, and Myth" (The Dial 75 [November 1923]: 480-83) remains one of the most influential evaluations of the novel. Eliot was largely responsible for maintaining JJ's posthumous prominence with his editing of Introducing James Joyce: A Selection of Joyce's Prose (London: Faber & Faber, 1942). Eliot largely abandoned poetry in the 1940s, preferring to write for the stage, and was awarded the Nobel Prize in Literature in 1948. William Brockman
DOI: 10.25446/oxford.22888931.v1
title: John Dulanty

description: John DulantyIrish civil servant and diplomat, serving in the 1930s and 1940s as Irish high commissioner in London. Dulanty and JJ were acquainted; in 1939 JJ wrote to Dulanty seeking assistance in promoting Giorgio's singing career. William Brockman