cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367533
title: Armenka

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367532
title: Armenka

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367534
title: CERÁMICA NEGRA ASTURIANA

description: Cerámica Negra de Cangas de Narcea. Jesús Rodriguez y sus hijos han sido los únicos artesanos de Llamas del Mouro que ha mantenido ininterrumpidamente la secular tradición de la Alfarería Negra, con formas que entroncan con las culturas prerromanas y medieval y respeto escrupuloso a los métodos, formas y barro empleados en su elaboración.
Fotogrametría con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367535
title: CERÁMICA NEGRA ASTURIANA

description: Cerámica Negra de Cangas de Narcea. Jesús Rodriguez y sus hijos han sido los únicos artesanos de Llamas del Mouro que ha mantenido ininterrumpidamente la secular tradición de la Alfarería Negra, con formas que entroncan con las culturas prerromanas y medieval y respeto escrupuloso a los métodos, formas y barro empleados en su elaboración.
Fotogrametría con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367536
title: Silovas pilskalns

description: Silovas pilskalna 3D modelis. Koordinātas: 56.46777, 27.78944

https://www.latvijas-pilskalni.lv/silovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367537
title: Silovas pilskalns

description: Silovas pilskalna 3D modelis. Koordinātas: 56.46777, 27.78944

https://www.latvijas-pilskalni.lv/silovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367540
title: Scottish Right Cathedral (Round 1)

description: Tried doing just orbiting and using dronedeploy 90 degree overlook.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367541
title: Scottish Right Cathedral (Round 1)

description: Tried doing just orbiting and using dronedeploy 90 degree overlook.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367543
title: Ancient Low poly weapon spear

description: Ancient Low poly weapon spear created with 3ds max substance painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367542
title: Ancient Low poly weapon spear

description: Ancient Low poly weapon spear created with 3ds max substance painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367544
title: Tomba02

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367545
title: Tomba02

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367546
title: Capela de Nossa Senhora das Brotas

description: Pequena capela seiscentista, de planta longitudinal simples e espaço interior único coberto com falsa abóbada de estuque e iluminada lateralmente. É construída sobre plataforma tronco-piramidal muito elevada, de planta quadrangular, com portal de aduelas largas.

Bibliografia
ABREU, Thomé de Távora e, Notícias geographicas e Históricas da província de Tras dos Montes, ms. 221 da BNL, transcrição de Júlio Montalvão Machado, Revista Aquae Flaviae, 2, Chaves, 1989, pp. 24 - 25; SIMÕES, J. M. dos Santos, Corpus da Azulejaria Portuguesa. Azulejaria em Portugal no século XVII, tomo I e II, Lisboa, 1997; MACHADO, Júlio M., Crónica da Vila Velha de Chaves, Chaves, 2000, pp. 232 - 233.

http://www.monumentos.gov.pt/Site/APP_PagesUser/SIPA.aspx?id=12023

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367547
title: Capela de Nossa Senhora das Brotas

description: Pequena capela seiscentista, de planta longitudinal simples e espaço interior único coberto com falsa abóbada de estuque e iluminada lateralmente. É construída sobre plataforma tronco-piramidal muito elevada, de planta quadrangular, com portal de aduelas largas.

Bibliografia
ABREU, Thomé de Távora e, Notícias geographicas e Históricas da província de Tras dos Montes, ms. 221 da BNL, transcrição de Júlio Montalvão Machado, Revista Aquae Flaviae, 2, Chaves, 1989, pp. 24 - 25; SIMÕES, J. M. dos Santos, Corpus da Azulejaria Portuguesa. Azulejaria em Portugal no século XVII, tomo I e II, Lisboa, 1997; MACHADO, Júlio M., Crónica da Vila Velha de Chaves, Chaves, 2000, pp. 232 - 233.

http://www.monumentos.gov.pt/Site/APP_PagesUser/SIPA.aspx?id=12023

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367548
title: B9211 - Față de masă

description: **B9211 Față de masă** Fire de lână colorată înnodate cu bumbac, dispuse în pătrate de culori diferite; ciucuri. Era folosită la acoperirea mesei din altar. Prima jumătate a sec. XX.

**B9211 Tablecloth** Colored wool yarns knotted with cotton, arranged in squares of different colors; tassels. It was used to cover the altar table. The first half of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367549
title: B9211 - Față de masă

description: **B9211 Față de masă** Fire de lână colorată înnodate cu bumbac, dispuse în pătrate de culori diferite; ciucuri. Era folosită la acoperirea mesei din altar. Prima jumătate a sec. XX.

**B9211 Tablecloth** Colored wool yarns knotted with cotton, arranged in squares of different colors; tassels. It was used to cover the altar table. The first half of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367550
title: Курган 2020

description: Розкопки Гречка Д.С. 2020 р.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367551
title: Курган 2020

description: Розкопки Гречка Д.С. 2020 р.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367554
title: Model-Gedera

description: Grid  Model , Tel Ktura

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367555
title: Model-Gedera

description: Grid  Model , Tel Ktura

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367556
title: コップ

description: 練習用

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367557
title: コップ

description: 練習用

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367558
title: Cemetery Angel - Furey

description: Scanned today (2016-12-05) in a grave yard in Ft. Worth, Texas.

This is a decimated model. Processed using RealityCapture with 335 photographs. Canon 6D, 50mm lens, 800 ISO, f8 @ 1/100 sec. No tripod and no footstool to get the top of the cross... oh, well... I think I got most of the important stuff.

Here's a video of the photos, dense cloud, mesh and textured mesh if you're interested: 

[https://youtu.be/iEFNKzgrzig](https://youtu.be/iEFNKzgrzig)


You'r welcome to use this model in your art work as long as it's non-commercial and you give proper attribution.

Have fun!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367559
title: Cemetery Angel - Furey

description: Scanned today (2016-12-05) in a grave yard in Ft. Worth, Texas.

This is a decimated model. Processed using RealityCapture with 335 photographs. Canon 6D, 50mm lens, 800 ISO, f8 @ 1/100 sec. No tripod and no footstool to get the top of the cross... oh, well... I think I got most of the important stuff.

Here's a video of the photos, dense cloud, mesh and textured mesh if you're interested: 

[https://youtu.be/iEFNKzgrzig](https://youtu.be/iEFNKzgrzig)


You'r welcome to use this model in your art work as long as it's non-commercial and you give proper attribution.

Have fun!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367560
title: Drumgoon Hill - Old Graveyard Headstone 569

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367561
title: Drumgoon Hill - Old Graveyard Headstone 569

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367562
title: Cuenco - 253921 (Puruchuco)

description: Material: Orgánico

Cronología: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367563
title: Cuenco - 253921 (Puruchuco)

description: Material: Orgánico

Cronología: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367564
title: Sculpt January 2018 - 20 Memorial -- lionsgate

description: The oldest monumental plastic in Europe shows two lions and was built in the 13. century BC. According to antique sources the builder was the mythical king Atreus.

The imposing gate of the citadel with the representation of the lionesses or lions was an emblem of the Mycenaean kings and a symbol of their power to both subjects and foreigners. 

The model was made for SculptJanuary2018.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367565
title: Sculpt January 2018 - 20 Memorial -- lionsgate

description: The oldest monumental plastic in Europe shows two lions and was built in the 13. century BC. According to antique sources the builder was the mythical king Atreus.

The imposing gate of the citadel with the representation of the lionesses or lions was an emblem of the Mycenaean kings and a symbol of their power to both subjects and foreigners. 

The model was made for SculptJanuary2018.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367566
title: TABLET 001 QUEEN NEFERTARIS EGYPT

description: TABLET 001 FROM THE QUEEN NEFERTARIS EGYPT EXHIBIT 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367567
title: TABLET 001 QUEEN NEFERTARIS EGYPT

description: TABLET 001 FROM THE QUEEN NEFERTARIS EGYPT EXHIBIT 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367568
title: Willis Tower

description: Willis tower and surrounding buildings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367569
title: Willis Tower

description: Willis tower and surrounding buildings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367570
title: Dino skull, 512px wood textures, 7k tris

description: Making some tests for different baking resolutions, with an [original scan](https://skfb.ly/B8LD) from [Benoit Rogez](https://sketchfab.com/shadows44) , remeshed from 600k to 7k tris. 

CC - Non Commercial - Share alike license

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367571
title: Dino skull, 512px wood textures, 7k tris

description: Making some tests for different baking resolutions, with an [original scan](https://skfb.ly/B8LD) from [Benoit Rogez](https://sketchfab.com/shadows44) , remeshed from 600k to 7k tris. 

CC - Non Commercial - Share alike license

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367572
title: Coat of arms of Bishop D. Bernardino

description: Heraldic coat of arms of Bishop D. Bernardino López de Carvajal y Sande (1495-1511), who replaced Pedro González de Mendoza at the head of the Diocese of Sigüenza (Spain). Born in 1456 in Plasencia (Cáceres), he studied at the University of Salamanca. He was appointed Bishop of Astorga (1488-1489), Badajoz (1489-1493), Cartagena (1493-1495), Sigüenza (1495-1511), and Plasencia (1513-1523). He was one of the most influential men of his time with strong international connections. He passed away in 1523 and was buried in Rome.

3D model made in Reality Capture using 300 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367573
title: Coat of arms of Bishop D. Bernardino

description: Heraldic coat of arms of Bishop D. Bernardino López de Carvajal y Sande (1495-1511), who replaced Pedro González de Mendoza at the head of the Diocese of Sigüenza (Spain). Born in 1456 in Plasencia (Cáceres), he studied at the University of Salamanca. He was appointed Bishop of Astorga (1488-1489), Badajoz (1489-1493), Cartagena (1493-1495), Sigüenza (1495-1511), and Plasencia (1513-1523). He was one of the most influential men of his time with strong international connections. He passed away in 1523 and was buried in Rome.

3D model made in Reality Capture using 300 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367574
title: Monument to "A Baby in a Cabbage" (Tomsk)

description: It was set up in 2008 on Lenina Prospect in front of the entrance of Maternity Hospital #1.

This monument is of a small size. There is a half-open head of cabbage in which there is a newly born baby. This monument is made of stone; the height of the baby is 60 cm. The monument has a granite pedestal and the overall height is about 1.5 m.

The monument helps parents answer the question "Where do babies come from?" from their sons and daughters. The sculptor is Oleg Kislitsky.

Установлен  2008 году на проспекте Ленина, 65, напротив входа в здание роддома № 1.

Скульптура малой формы «Младенец в капусте» представляет собой полураскрытый кочан капусты, из которого появляется на свет младенец. Выполнена из камня, диаметр кочана – 80 сантиметров, рост малыша – около 60 сантиметров. Скульптура установлена на гранитном постаменте, общая высота – около 1,5 метра.

Памятник помогает родителям отвечать на вечный вопрос сыновей и дочек, откуда берутся дети. Скульптор - Олег Кислицкий.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367575
title: Monument to "A Baby in a Cabbage" (Tomsk)

description: It was set up in 2008 on Lenina Prospect in front of the entrance of Maternity Hospital #1.

This monument is of a small size. There is a half-open head of cabbage in which there is a newly born baby. This monument is made of stone; the height of the baby is 60 cm. The monument has a granite pedestal and the overall height is about 1.5 m.

The monument helps parents answer the question "Where do babies come from?" from their sons and daughters. The sculptor is Oleg Kislitsky.

Установлен  2008 году на проспекте Ленина, 65, напротив входа в здание роддома № 1.

Скульптура малой формы «Младенец в капусте» представляет собой полураскрытый кочан капусты, из которого появляется на свет младенец. Выполнена из камня, диаметр кочана – 80 сантиметров, рост малыша – около 60 сантиметров. Скульптура установлена на гранитном постаменте, общая высота – около 1,5 метра.

Памятник помогает родителям отвечать на вечный вопрос сыновей и дочек, откуда берутся дети. Скульптор - Олег Кислицкий.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367576
title: Sadulamägi (Estonia)

description: Sadulamägi 3D model with ortophoto. Coordinates: 59.30533, 26.1197

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367577
title: Sadulamägi (Estonia)

description: Sadulamägi 3D model with ortophoto. Coordinates: 59.30533, 26.1197

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367580
title: Homo neanderthalensis (Tabun 2) (1979rp33)

description: ***Homo neanderthalensis*** 
  
Location: Mugharet et-Tabun, Mt. Carmel, Israel. 
  
Age: 122,000 years B.P. 
  
Material: plaster cast. 

Dimensions: length, 118 mm; width, 129 mm; height, 68 mm.
  
Notes: RLA catalog no. 1979rp33 (cast).  Adult male mandible.  Discovered between 1929 and 1934 by Dorothy Garrod.  Cast made by the University Museum of the University of Pennsylvania.  From the teaching collection of the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367581
title: Homo neanderthalensis (Tabun 2) (1979rp33)

description: ***Homo neanderthalensis*** 
  
Location: Mugharet et-Tabun, Mt. Carmel, Israel. 
  
Age: 122,000 years B.P. 
  
Material: plaster cast. 

Dimensions: length, 118 mm; width, 129 mm; height, 68 mm.
  
Notes: RLA catalog no. 1979rp33 (cast).  Adult male mandible.  Discovered between 1929 and 1934 by Dorothy Garrod.  Cast made by the University Museum of the University of Pennsylvania.  From the teaching collection of the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367582
title: William the Hippo

description: A 3D scan of the beloved William the Hippo from a recent trip to [The Metropolitan Museum of Art](https://www.metmuseum.org/art/collection/search/544227). 

ca. 1961–1878 B.C.

"This statuette of a hippopotamus (popularly called "William") was molded in faience, a ceramic material made of ground quartz. Beneath the blue glaze, the body was painted with lotuses. These river plants depict the marshes in which the animal lived, but at the same time their flowers also symbolize regeneration and rebirth as they close every night and open again in the morning...The hippo's modern nickname first appeared in 1931 in a story that was published in the British humor magazine Punch. It reports about a family that consults a color print of the Met's hippo—which it calls "William"—as an oracle. The Met republished the story the same year in the Museum's Bulletin, and the name William caught on!"

Created using 560 images taken through glass with an Canon 5D Mark IV and processed in RealityCapture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367583
title: William the Hippo

description: A 3D scan of the beloved William the Hippo from a recent trip to [The Metropolitan Museum of Art](https://www.metmuseum.org/art/collection/search/544227). 

ca. 1961–1878 B.C.

"This statuette of a hippopotamus (popularly called "William") was molded in faience, a ceramic material made of ground quartz. Beneath the blue glaze, the body was painted with lotuses. These river plants depict the marshes in which the animal lived, but at the same time their flowers also symbolize regeneration and rebirth as they close every night and open again in the morning...The hippo's modern nickname first appeared in 1931 in a story that was published in the British humor magazine Punch. It reports about a family that consults a color print of the Met's hippo—which it calls "William"—as an oracle. The Met republished the story the same year in the Museum's Bulletin, and the name William caught on!"

Created using 560 images taken through glass with an Canon 5D Mark IV and processed in RealityCapture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367584
title: Punctated rim piece

description: Rotund rim piece with punctated decoration.

Found in Tensas Parish, Louisiana

MSV_11

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367585
title: Punctated rim piece

description: Rotund rim piece with punctated decoration.

Found in Tensas Parish, Louisiana

MSV_11

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367587
title: Medieval Forest Glass Beaker XV-XVIth century

description: A model of medieval "Forest" green glass beaker.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367586
title: Medieval Forest Glass Beaker XV-XVIth century

description: A model of medieval "Forest" green glass beaker.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367588
title: Roman Column base

description: This is a column base from the roman archaeological site of villa of Hora da Torre, in the region of Fronteira - Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367589
title: Roman Column base

description: This is a column base from the roman archaeological site of villa of Hora da Torre, in the region of Fronteira - Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367590
title: Apple II

description: Apple II

Year: 1977

Developed in conjunction with the Australian Centre for the Moving Image [(ACMI)](http://https://www.acmi.net.au/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367591
title: Apple II

description: Apple II

Year: 1977

Developed in conjunction with the Australian Centre for the Moving Image [(ACMI)](http://https://www.acmi.net.au/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367592
title: Poblado de Coimbra del Barranco Ancho - Jumilla

description: El yacimiento ibérico esta formado por el Poblado, un santuario y un grupo de tres necrópolis de incineración (el Poblado , la Senda y el Barranco). El Poblado se sitúa en el primer tercio de la falda norte y sureste del cerro del Maestre, entre 700 y 825 m. sobre el nivel del mar. El Santuario se ubica geográficamente en un lugar idóneo para sus fines coronando una colina a dos vertientes en un espacio abierto pero conexionando con todo el conjunto. Muy cercanas al poblado se hallan las tres necrópolis: la del Barranco , que se asienta al Oeste del Poblado, en el fondo del Barranco que da nombre a Coimbra; la del Poblado, que recibe este apelativo por encontrarse muy cerca del hábitat, limitada al oeste por las estructuras de habitación más tardías, al sur por una pequeña cresta rocosa, al Norte por un acantilado y al Este por una torrentera.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367593
title: Poblado de Coimbra del Barranco Ancho - Jumilla

description: El yacimiento ibérico esta formado por el Poblado, un santuario y un grupo de tres necrópolis de incineración (el Poblado , la Senda y el Barranco). El Poblado se sitúa en el primer tercio de la falda norte y sureste del cerro del Maestre, entre 700 y 825 m. sobre el nivel del mar. El Santuario se ubica geográficamente en un lugar idóneo para sus fines coronando una colina a dos vertientes en un espacio abierto pero conexionando con todo el conjunto. Muy cercanas al poblado se hallan las tres necrópolis: la del Barranco , que se asienta al Oeste del Poblado, en el fondo del Barranco que da nombre a Coimbra; la del Poblado, que recibe este apelativo por encontrarse muy cerca del hábitat, limitada al oeste por las estructuras de habitación más tardías, al sur por una pequeña cresta rocosa, al Norte por un acantilado y al Este por una torrentera.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367594
title: Asa cerámica de periodo andalusí

description: Asa de cerámica que presenta restos de pintura (en su cara superior) y la marca de un dedo (en la parte inferior).

Modelo 3D realizado por Noelia Jiménez Jiménez.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367595
title: Asa cerámica de periodo andalusí

description: Asa de cerámica que presenta restos de pintura (en su cara superior) y la marca de un dedo (en la parte inferior).

Modelo 3D realizado por Noelia Jiménez Jiménez.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367596
title: Statueta antropomofă

description: Statueta antropomofă feminină, având redate brațele aduse pe pântec. Piesa are baza ruptă din vechime fiind probabil amplasată pe ceva. A fost descoperită în anul 2010 în așezarea neo-eneolitică de la Suplacu de Barcău/Porț-Corău, cca 4800-4500 î.Chr.

Source: Objaverse 1.0 / Sketchfab