cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m17979
title: Exterior view of the Mission San Luis Obispo, ca.1870

description: Photograph of an exterior view of the Mission San Luis Obispo, ca.1870. A large clump of tree foliage at the top of the Romanesque steps leading up to the mission's main building obscures most of the lower floor. Three arched windows can be seen on the second floor of the adobe mission, however, each with a bell hanging within it. Two more can be see at the building's right side. The mission's cloister stands in front along the sidewalk, its doors shaded by overhanging eaves. The roof is covered by terracotta tiles. Writing on the main building's front reads: "EST Cx" and "Reparata MDCCCLXVII".
DOI: 10.25549/chs-m17980
title: Exterior view of the Mission San Luis Obispo, ca.1865

description: Photograph of an exterior view of the Mission San Luis Obispo, ca.1865. Tree foliage visible behind a wall in the foreground obscures the mission's main building to the left and the right. The arched entranceway, however, is visible through the open gate of the wall and the three bells hanging from the building's second story are visible above the wall. The beginning of a cloister can be seen to the left of the wall with the remnants of illegible posters on its wall next to a window. Its roof is covered by terracotta tiles. What appears to be a tall, rough-cut sidewalk can be seen in the foreground. Picture file card reads: "Vischer?".  English and Latin text on the front of the main building reads: "Vere hic est homus Dei et [...] / Only One [...]" as well as "Creata MD[CD?]LCXII / Reparata MDCCCLXVII".
DOI: 10.25549/chs-m17981
title: Painting depicting the grounds of the Mission San Luis Obispo, ca.1865

description: Photograph of a painting depicting the grounds of the Mission San Luis Obispo, ca.1865. Vaqueros are pictured in the clearing at center, rounding up a steer while more horsemen stand and watch farther in the foreground to the right. The two-story adobe building of the mission church is visible to the right, with three bells hanging in second floor windows above the three arched doorways on the first floor. A cross is affixed to the top of the roof. The cloister extends out to the left from the church, a long, one-story high adobe with an terracotta-tiled roof. A tree stands in the left foreground in front of a partially visible house from which a porch extends. More activity is pictured in the background, along with the peak of a mountain to the right.
DOI: 10.25549/chs-m17982
title: Painting depicting the Mission La Purisma Concepcion, 1880

description: Photograph of a painting depicting the Mission La Purisma Concepcion, 1880. A long, one-story adobe cloister is pictured behind a long stretch of post-and-rail fence. The remains of a wall stands farther in the foreground to the right behind the fence while appear to be cows are pictured in the clearing behind it. Small houses can be seen at the foot of the hills in the background. A second crumbling wall is pictured to the left in front of the fence.
DOI: 10.25549/chs-m17983
title: Exterior view of the Mission San Fernando, Los Angeles, 1870

description: Photograph of an exterior view of the Mission San Fernando, Los Angeles, 1870. The two-story main building of the mission is pictured to the left, having lost most of its spackle. A cloister extends out from it to the right, and features a terracotta-tiled roof that has collapsed inward in spots, the entire eave gone to the extreme right. A stretch of short, dry grass stands in the foreground.
DOI: 10.25549/chs-m17984
title: Exterior view of the Mission San Fernando, ca.1870

description: Photograph of an exterior view of the Mission San Fernando, ca.1870. Two dirt paths enter in from the foreground, intersecting at the adobe cloister of the mission, which stands to the right of center. A collection of archways holds the eaves of the terracotta-tiled roof up over the cloister's patio. More adobe buildings can be seen to the left, with two-story adobe building standing to the left of an older cloister whose roof has collapsed. Compare to: CHS-7744. Photo shows the buildings at left in greater detail.
DOI: 10.25549/chs-m17986
title: View of the Mission San Fernando Rey de Espana from an olive orchard, ca.1890

description: Photograph of a view of the Mission San Fernando Rey de Espana from an olive orchard, ca.1890. Two lush olive trees stand in the foreground to the left and the right, a withered tree standing between them. Farther back, a brick wall separates them from the mission grounds. The mission church can be seen in the center background, a two-story adobe. It features an arched doorway over which a single rectangular window is positioned. A post-and-rail fence is visible along its side.
DOI: 10.25549/chs-m6326
title: Exterior view of the Mission San Gabriel, ca.1870

description: Photograph of an exterior view of the Mission San Gabriel, ca.1870. A tree is pictured in front of a picket fence in the foreground, to the left of which stands a horse and to the right of which stands three women and a man. The thin, tall adobe building of the mission is situated in the background, bells arranged in the six arched portholes in its upper left side. Stairs lead to the entrance in the distance at the right. Pillars attached to the front wall appear to support the structure. To the far left, a shorter adobe shack stands behind the picket fence and a collection of trellises. The ground in front is grassless.
DOI: 10.25549/chs-m14651
title: Pima Indian woman seated on the ground making a basket, Gila River Reservation[?], [s.d.]

description: Photograph of a Pima Indian woman seated on the ground making a basket, Gila River Reservation(?), [s.d.]. The woman is wearing a long dress with ruffles around the neck. Her hair is tied back, and she has bangs. She holds the uncompleted basket in her lap and hands, while a brick (adobe?) house is visible behind her. A child is sitting in the doorway at right. A few pots and rocks can be seen near the building. Copyright February 9, 1901.
DOI: 10.25549/chs-m17987
title: Exterior view of the Mission San Gabriel Archangel, ca.1870

description: Photograph of an exterior view of the Mission San Gabriel Archangel, ca.1870. A lone palm tree stands to the left of center in the foreground, while the two-story adobe complex of the mission can be seen in the right background behind a stretch of post-and-rail fence. The building's narrow side shows an arched doorway above which a rectangular window is arranged. Pillars attached along the broad side of the building appear to support the structure. A small, craftsman-style house can be seen farther back to the left.
DOI: 10.25549/chs-m17988
title: Exterior view of the Mission San Juan Capistrano, ca.1876

description: Photograph of an exterior view of the Mission San Juan Capistrano, ca.1876. Two women and a young girl stand in the center foreground, in front of a depression in the ground that stands beside the mission. A large, stone building appears to be collapsing in areas to the right, while two sections of adobe cloisters are visible to the left, in front of which a horseman sits astride his horse. The cloister at center appears in good repair. However, the cloister running perpendicular to it farther to the left has its terracotta-tiled roof caving in at spots, and appears to have lost much of its spackle. Several other men stand near a wooden corral near the fallen building's rubble. Picture file card reads: "Rare Picture showing in center foreground the ancient masonry pila or tank in which the Indians washed in mission times. To the center above the pila may be seen the ruined adobe walls remaining from the attempt in 1862-1863 to rebuild the stone church with adobes. At that time four of the remaining somes and the stone lantern were blown down with gun powder. Much of the masonry debris may be seen in the corner of the church. It was later turned into lime by Padre Hose [Jose?] Mut (1866-86) at San Juan in old Mission Kilns, still existing. The long building to the left is the barracks or cuartel of the mission. This picture is believed to be the only one in existence clearly showing practically all the tiles till on the cuartel roof. Another interesting point is the triangular shaped façade on the building to the left of the campanario. This was altered in 1887 to the modern shape which it now has. The road seen in the extreme lower right hand corner of the ancient Camino Real.".
DOI: 10.25549/chs-m17989
title: Exterior view of the Mission San Juan Capistrano, showing the original façade of the Padre Recamaras campanario, ca.1876

description: Photograph of an exterior view of the Mission San Juan Capistrano, showing the original façade of the Padre Recamaras campanario, ca.1876. The ruins of a two-story stone building can be seen to the right, piles of lime and rubble pouring out beneath it. To the left, a one-story, L-shaped adobe stands behind a square of post-and-rail fence. The individual doors of the adobe can be seen spaced at regular intervals beyond the archways that hold up the eaves of the terracotta-tiled roof.
DOI: 10.25549/chs-m17990
title: Exterior view of the Mission San Luis Rey de Francia, ca.1884

description: Photograph of an exterior view of the Mission San Luis Rey de Francia, ca.1884. The adobe remains of the cloisters stand in the foreground, several roofless walls of brick moving into crumbling archways. The church of the mission can be seen from behind farther into the distance at center, a long two-story adobe itself. Its tiered bell tower can be seen over the top of the roof. Scrub vegetation is visible in the foreground. Mountains can be seen in the background.
DOI: 10.25549/chs-m17991
title: Exterior view of the Mission San Luis Rey de Francia from the rear, showing cemetery, ca.1880

description: Photograph of an exterior view of the Mission San Luis Rey de Francia from the rear, showing cemetery, ca.1880. The church of the mission is shown to the left of center, a large, two-story adobe with an attached bell tower farther left, next to which the cemetery is visible surrounded by a brick wall. A cross gravestone peeks over the top. Farther in the foreground, the remains of a decimated adobe wall ridge the ground. In the background, farther right, the archways of the cloisters can be seen. Hills are visible in the distance.
DOI: 10.25549/chs-m17992
title: Lithograph depicting the Mission San Luis Rey de Francia, ca.1900

description: Photograph of a lithograph depicting the Mission San Luis Rey de Francia, ca.1900. Missionaries and civilians stand in the clearing of the foreground, some on foot, some on horses. The mission itself stands in the background, the church to the right, flanked to either side by two bell towers. An arched entranceway stands at the center of the wall in front of it. To the left, a cloister extends from the church, a long one-story stretch lined to one side by trees. Two gnarled trees stand in the left foreground, under which a mother, child and three other civilians can be seen next to a pile of cut lumber.
DOI: 10.25549/chs-m17993
title: Portrait of Indians at the rededication of the Mission San Luis Rey de Francia, ca.1892

description: Photographic portrait of Indians at the rededication of the Mission San Luis Rey de Francia, ca.1892. A group of four elderly Native American women stand at center, shown from the knees up. Two to the left hold canes or appear to be sweeping, while of the two to the right, one sits against the wall while the other stands, wrapped in a shawl. A Caucasian with a beard stands to the left, wearing a suit. The rest of the crowd pictured are non-Caucasian children wearing formal clothes. An adobe wall losing its spackle can be seen behind them. Picture file card reads: "Mexican Franciscans came in 1892. Planned to establish noviciate--plan approved by Bishop Moray. Church sufficiently repaired to celebrate the holy sacrifice, May 12, 1893.".
DOI: 10.25549/chs-m17994
title: Exterior view of the Mission San Diego Alcala, showing palms and an olive orchard, ca.1900

description: Photograph of an exterior view of the Mission San Diego Alcala, showing palms and an olive orchard, ca.1900. Four palm trees stand in the foreground behind a fence made of adobe brick and wood rails. Behind this, a small garage-style shack and a clapboard sided house can be partially seen. An olive orchard can be seen farther in the background, stretching towards the hills in the distance.
DOI: 10.25549/chs-m13918
title: Painting "Hanging the Mission Bell", depicting a friar and young men doing so, ca.1900

description: Photograph of a painting "Hanging the Mission Bell", depicting a friar and young men doing so, ca.1900. The friar stands at the top of the scaffolding to the right, supervising the work. He holds on to the rail with his left hand, pointing with the other while three young men position the bell. Two of the men are pictured on a ladder in the foreground, tugging a pulley rope. The third is pictured on the scaffolding to the left, adjusting the bell by hand. Painting in Mission Inn, Riverside by Geo Melville Stone.
DOI: 10.25549/chs-m17995
title: Wash drawing (watercolor painting?) depicting the exterior of the Mission Santa Barbara, ca.1850

description: Photograph of a wash drawing (watercolor painting?) depicting the exterior of the Mission Santa Barbara, ca.1850. People can be seen on the steps of the mission's church, which features arched double-doors that appear to be made out of wrought-iron. A rose window is positioned directly above them, while two bell towers flank the steps to either side, each topped by a cross. The one-story cloister extends to the left from the mission, a second-story annex rising above the terracotta-tiled main roof to its right side. A small, darkly colored shack can be seen in the far right in front of the mission.
DOI: 10.25549/chs-m14652
title: Corral constructed by the Pima indians, Gila River Reservation, ca.1902

description: Photograph of a corral constructed by the Pima indians, Gila River Reservation, ca.1902. It is made of branches. The mountains rise majestically at left.
DOI: 10.25549/chs-m17996
title: Lithograph depicting Junipero Serra surrounded by a congregation of Indians, showing Spanish text below, [s.d.]

description: Photograph of a lithograph depicting Junipero Serra surrounded by a congregation of Indians, showing Spanish text below, [s.d.]. The Franciscan priest is shown at center, with what is either a potato or a rock by his side in his right hand, and a crucifix curled toward himself in his left. He is dressed in his friar's habit, surrounded by apparently adoring Indians and Caucasians alike. A cup stands at his feet to the left, in which a snake is curled. A human skull and a chain are also at his feet. The text below the image begins: "V.R. Del V.P.F. Junipero Serra / hijo de lea Sra. Prova. De N.P.S. [...]".
DOI: 10.25549/chs-m17997
title: Exterior view of the Governor Vallejo residence at Sonoma, ca.1900-1940

description: Photograph of an exterior view of the Governor Vallejo residence at Sonoma, ca.1900-1940. A set of wooden double doors stand open from the side of a two-story brick house in the right foreground. A second two-story home, this one clapboarded, is visible behind a line of leafless trees at left. A fountain stands in front of it. Dirt paths connect the two buildings.
DOI: 10.25549/chs-m17998
title: Grounds of Governor Vallejo's residence at Sonoma, ca.1900-1940

description: Photograph of the grounds of Governor Vallejo's residence at Sonoma, ca.1900-1940. A decorative fountain stands in a dirt clearing at center, tree foliage hanging in from the left. In the background, a two-story brick building stands to the left with a set of wooden double doors hanging open. A clapboarded one-story house is partially visible to the right with a pile of roof shingles stacked in front of it. What appears to be a garden hose has been laid across the ground in front of the fountain.
DOI: 10.25549/chs-m17999
title: Father Serra walking from Mission to Mission, [s.d.]

description: Photograph of a painting of Father Serra walking from mission to mission, [s.d.]. A man in monk's robes walks down an unpaved road, towards the left, on the trail of a donkey bearing a heavy load.
DOI: 10.25549/chs-m18000
title: Wagon travelers in front of the Mission San Fernando Rey de Espana, ca.1900

description: Photograph of wagon travelers in front of the Mission San Fernando Rey de Espana, ca.1900. Three women and two men stand with two children in front of a horse-drawn covered wagon in the left foreground. Another group comprised of a man, woman and a young boy and girl stand to the right of a second wagon, at the helm of which a man with a rifle sits. A final person can be seen at the back of the second wagon, turned away from the camera. The cloister of the mission is pictured directly behind them in the background, a long, one-story adobe featuring a row of archways that supports the roof's overhang. Two doors are visible on the narrow side of the building, and a chimney is visible at the close corner of its terracotta-tiled roof. The ground in front is dusty and unpaved.
DOI: 10.25549/chs-m18001
title: Painting dated 1785 depicting Friar Junipero Serra during his last communion at the city of Mexico, [s.d.]

description: Photograph of a painting dated 1785 depicting Friar Junipero Serra during his last communion at the city of Mexico, [s.d.]. The friar stands at center dressed in his communion robes holding a communion wafer in his right hand and the wine chalice in this left. Other priests are knelt to either side by his feet on a decorated rug. Two men who appear to be in military uniforms stand to the left, one of them holding a candle. The altar stone is visible in the background beneath a statue of the Virgin Mary and Baby Jesus. Text can be seen on the bottom of the image, written in Spanish. A line of text in the image itself near Serra reads in Latin: "Tantum ergo Sacramentum". Compare to CHS-331 and CHS-337. These photographs depict portraits of Serra, along with a dagguereotype.
DOI: 10.25549/chs-m18002
title: Junipero Serra's statue in Golden Gate Park, San Francisco, [s.d.]

description: Photograph of Junipero Serra's statue in Golden Gate Park, San Francisco, [s.d.]. The statue of the Franciscan catholic is pictured at center, his arms outstretched and robes flaring, a cross nearly as tall as he is held in his right hand. He stands on a pedestal on which writing has been engraved. Trees are visible behind the statue. Picture file card reads "Photo by Chas. Weidener, 787 Market Street, S.F.".
DOI: 10.25549/chs-m18003
title: Portrait of patrons in front of Junipero Serra's statue during its unveiling, San Francisco, November 17, 1907

description: Photographic portrait of patrons in front of Junipero Serra's statue during its unveiling, San Francisco, November 17, 1907. A group of men, women and children are pictured from the knees up, standing around the pedestal of the statue of Friar Junipero Serra at Golden Gate Park. Mayor Taylor is pictured at center, a policeman to the left of him and a child in front of him. The statue of Friar Serra is pictured above them, depicting the Franciscan Catholic with his arms outstretched and robes flaring, a cross nearly as tall as he is held in his right hand.
DOI: 10.25549/chs-m18004
title: Painting depicting a Roman chariot race at the Circus Maximus, [s.d.]

description: Photograph of a painting depicting a Roman chariot race at the Circus Maximus, [s.d.]. One chairoteer is pictured at center, driving his horses on with a whip. A second chariot is partially visible behind him to the left, while a third is making the track's bend to the right. Romans in togas cheer from the centerpiece as well as the stadium seats in the left background. An obelisk is visible in the right background.
DOI: 10.25549/chs-m14653
title: Pima Indian granary, Gila River Reservation, ca.1900

description: Photograph of a Pima Indian granary, Gila River Reservation, ca.1900. The granary can be seen at center and is made of branches. The frame of the low hut is made from sticks tied together at right angles, while the roof is covered with thatched grass and sticks. There are large baskets for holding grain in the structure.
DOI: 10.25549/chs-m18005
title: Painting depicting Socrates in prison, Rome (or Athens?), [s.d.]

description: Photograph of a painting depicting Socrates in prison, Rome (or Athens?), [s.d.]. Socrates is pictured at center surrounded by adorers, wearing the only lightly-colored toga in the image. He holds the bowl of hemlock in his right hand while he puts his left on the head of a kneeling disciple whose hands are clasped in pleading. A woman and child are pictured farther to the right. One of two stools is overturned to the left, where two other mourners weep at the couch. The brick walls of the prison are evident in the background.
DOI: 10.25549/chs-m18006
title: Painting (or lithograph?) depicting the Roman Forum restored, [s.d.]

description: Photograph of a painting (or lithograph?) depicting the Roman Forum restored, [s.d.]. A parade is making its way through the city at center, the emperor pictured closest to the foreground, followed by a chariot and a procession of soldiers. Statues adorn the roman architecture of the forum all around them. Spectators can be seen cavorting in the streets, or on the steps of various buildings. Some are naked, particularly the children.
DOI: 10.25549/chs-m18007
title: Painting by Anton Hoffman, depicting ships warring in the Greek Battle of Salamis, [s.d.]

description: Photograph of a painting by Anton Hoffman, depicting ships warring in the Greek Battle of Salamis, [s.d.]. A group of Goths are pictured in the water at center, clinging to the remains of their sinking ship as roman vessels flank them to either side, the soldiers on board assailing them with arrows. A third roman vessel is capsizing in the background. The soldiers on board the roman ships appear to be in a chaotic frenzy. Hoffman created the painting in Meunchen.
DOI: 10.25549/chs-m18008
title: Painting depicting the emperor Trajan addressing Roman soldiers, [s.d.]

description: Photograph of a painting depicting the emperor Trajan addressing Roman soldiers, [s.d.]. Trajan (Marcus Ulpius Trajanus) stands on a pedestal at right with three advisors. All four are dressed in capes and light armor. Below them, to the right, a group of Roman soldiers in full armor, carrying spears and shields stand expectant. One soldier to the far right wears armor which imitates a bare torso. Tall tents are visible in the background.
DOI: 10.25549/chs-m18009
title: Painting (lithograph)by Peter R. Woltze, which depicts two views of the shrine for the worship of Methras, god of light, [s.d.]

description: Photograph of a painting (lithograph)by Peter R. Woltze, which depicts two views of the shrine for the worship of Methras, god of light, [s.d.]. The small brick hut of the shrine is pictured from a distance in the top image, a small well pictured in the foreground, surrounded by wooden rails. Latin text beneath it reads: "Mithraeum Cum Fonte Perenni". The top image is decorated outside its frame to either side by watercolor paintings of statuary and artifacts. The lower image shows a more detailed shot, with the interior of the shrine visible. An altar is shown at the back of the shack, flanked to either side by a statue. Long platforms lead away from them to the front of the shrine, where they terminate in descending steps. A urn is pictured next to the left set of steps. A cobbled walkway is pictured in front of the shrine, with trees pictured in the background. The text under the image reads: "Mithraei Par Interior".  Woltze wrote "Frankfurt" below his name in the lower right corner.