cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.11989161
title: Honouring Esther walks live phase documentation

description: <b>Honouring Esther.</b> Documentary materials from the two cycles of walks, Somerset, UK 2015 and Lower Saxony, Germany 2016.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><b>This item contains documentation of the live phase of the walks:</b><b><br></b><b>In this item: </b>A selection of briefings and promotional material and images documenting the live phase of the walking arts project 'Honouring Esther' in Germany and in England. Sample of testimony used on the walk. Images from the live relay of the progress of the walk in Germany and related social media trail to Bath Spa University mediawall (Feb 2016). Further images show route development including the 'entwined' routes created through the transposition of the Death March route from Germany to Somerset and the establishment of 10 stopping places at the point of intersection.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>Maps from the Social Hiking website used here with attribution: http://www.shareyouradventure.com/<br>
DOI: 10.17870/bathspa.11989161.v1
title: Honouring Esther walks live phase documentation

description: <b>Honouring Esther.</b> Documentary materials from the two cycles of walks, Somerset, UK 2015 and Lower Saxony, Germany 2016.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><b>This item contains documentation of the live phase of the walks:</b><b><br></b><b>In this item: </b>A selection of briefings and promotional material and images documenting the live phase of the walking arts project 'Honouring Esther' in Germany and in England. Sample of testimony used on the walk. Images from the live relay of the progress of the walk in Germany and related social media trail to Bath Spa University mediawall (Feb 2016). Further images show route development including the 'entwined' routes created through the transposition of the Death March route from Germany to Somerset and the establishment of 10 stopping places at the point of intersection.<br><b>Project Outline: </b>The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.<br><br>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br>Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br>Maps from the Social Hiking website used here with attribution: http://www.shareyouradventure.com/<br>
DOI: 10.17870/bathspa.12003066
title: Honouring Esther and Sweet Waters projects: Documentation of media installations and closing events for both projects including the PhD show, '(dis)enchantments and perambulations' at Corsham Court, 2019

description: Documentary media and video walk-throughs for the following events:<br>Honouring Esther 2015 at 44AD Art Space, BathHonouring Esther 2017 at 44AD Art Space, BathSweet Waters, Soundings 2017at Saltford Brass Mill'(dis)enchantments and perambulations' at Corsham Court, 2019<br><br>The Corsham installation showed work from the two projects in the cellars of this English Country House.<br><br><br><b>Honouring Esther</b><br>The two exhibitions for Honouring Esther were held at 44AD ArtsSpace, Bath, one in July 2015 following the walk in Somerset and one in January 2017 following the 2016 walk in Germany. The second installation closed the project.<b><br></b>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br><br>Germany <br>http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br><b>Sweet Waters:</b>The Sweet Waters 2017 project closed with an installation at Satlford Brass Mill<b>. </b>Projections and soundscapes ere inserted and projected onto the heritage orientations and fabric of the former brass mill<b><br></b>website/blog: http://www.walknowtracks.co.uk/sweet-waters.html<br>Aggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17<br>Vimeo folder: https://vimeo.com/album/5488933
DOI: 10.17870/bathspa.12003066.v1
title: Honouring Esther and Sweet Waters projects: Documentation of media installations and closing events for both projects including the PhD show, '(dis)enchantments and perambulations' at Corsham Court, 2019

description: Documentary media and video walk-throughs for the following events:<br>Honouring Esther 2015 at 44AD Art Space, BathHonouring Esther 2017 at 44AD Art Space, BathSweet Waters, Soundings 2017at Saltford Brass Mill'(dis)enchantments and perambulations' at Corsham Court, 2019<br><br>The Corsham installation showed work from the two projects in the cellars of this English Country House.<br><br><br><b>Honouring Esther</b><br>The two exhibitions for Honouring Esther were held at 44AD ArtsSpace, Bath, one in July 2015 following the walk in Somerset and one in January 2017 following the 2016 walk in Germany. The second installation closed the project.<b><br></b>Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015<br><br>Germany <br>http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016<br><b>Sweet Waters:</b>The Sweet Waters 2017 project closed with an installation at Satlford Brass Mill<b>. </b>Projections and soundscapes ere inserted and projected onto the heritage orientations and fabric of the former brass mill<b><br></b>website/blog: http://www.walknowtracks.co.uk/sweet-waters.html<br>Aggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17<br>Vimeo folder: https://vimeo.com/album/5488933
DOI: 10.5281/zenodo.7711870
title: Data for the article "Emission of coherent THz magnons in an antiferromagnetic insulator triggered by ultrafast spin-phonon interactions "

description: Data for the article "Emission of coherent THz magnons in an antiferromagnetic insulator triggered by ultrafast spin-phonon interactions" URL: https://arxiv.org/abs/2205.11965<br> DOI: In press in Nature Communications
DOI: 10.5281/zenodo.7711869
title: Data for the article "Emission of coherent THz magnons in an antiferromagnetic insulator triggered by ultrafast spin-phonon interactions "

description: Data for the article "Emission of coherent THz magnons in an antiferromagnetic insulator triggered by ultrafast spin-phonon interactions" URL: https://arxiv.org/abs/2205.11965<br> DOI: In press in Nature Communications
DOI: 10.48544/fa14e51c-6b10-4d51-a7f1-b5470ea9c977
title: Abcdefgh
DOI: 10.17870/bathspa.12003792
title: Sweet Waters live phase documentation

description: Documentation of the walking art project<br><b>SWEET WATERS 2016-17: sense-ing legacies of slave-ownership in Bath and along the River Avon</b><br><b>Project Outline:</b> Developed over an 18 month period involving over 50 walkers and many hundreds online, Sweet Waters was part of Richard White’s ongoing investigation of walking arts as social justice intervention, developing tactics for articulating and materialising corporeal experience and affective resonance. The project resonates with UNESCO World Heritage programmes, specifically attending to legacies of slave-ownership. The project was commissioned for Bath Festival Fringe, funded by Arts Council England with support from Bath Spa University, Festival of Nature and Fringe Arts Bath. An installation at a heritage site, Saltford Brass Mill, followed as part of Museums Week and Journey to Justice Bristol. Participation was extended using social media with trails generated live and aggregated. Referencing body fluids and the memory of water folded in an understanding of the water cycle, the project generates insights and observations on volatile and porous bodies (Longhurst 2001), the power of things and memory making practices (Micieli-Voutsinas 2016; Bennett 2010).<br><b>This item</b> includes documentary images captured by the author and by walkers, a screen grab of the aggregated social media trails and a podcast from Avon Stories as sound track to a slide show of documentary images. The podcast, Avon Stories 10 was recorded with Sarah Connelly during one of the walks, reproduced here with permission, details below.<br><br><b>website/blog</b>: http://www.walknowtracks.co.uk/sweet-waters.html<br>Aggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Sweet Waters videos also available here https://vimeo.com/showcase/548893<br><b>Avon Stories</b><br>https://itunes.apple.com/gb/podcast/10-a-sweet-waters-art-walk-with-richard-white/id1244393926?i=1000390796360&mt=2<br><br>From Avon Stories<br>A podcast and art project by Sarah Connolly<br>8 Aug 2017<br><br>A Sweet Waters art-walk with Richard White<br><br>https://avonstories.com/2017/08/08/avon-stories-10-richard-white/<br><br>
DOI: 10.17870/bathspa.12003792.v1
title: Sweet Waters live phase documentation

description: Documentation of the walking art project<br><b>SWEET WATERS 2016-17: sense-ing legacies of slave-ownership in Bath and along the River Avon</b><br><b>Project Outline:</b> Developed over an 18 month period involving over 50 walkers and many hundreds online, Sweet Waters was part of Richard White’s ongoing investigation of walking arts as social justice intervention, developing tactics for articulating and materialising corporeal experience and affective resonance. The project resonates with UNESCO World Heritage programmes, specifically attending to legacies of slave-ownership. The project was commissioned for Bath Festival Fringe, funded by Arts Council England with support from Bath Spa University, Festival of Nature and Fringe Arts Bath. An installation at a heritage site, Saltford Brass Mill, followed as part of Museums Week and Journey to Justice Bristol. Participation was extended using social media with trails generated live and aggregated. Referencing body fluids and the memory of water folded in an understanding of the water cycle, the project generates insights and observations on volatile and porous bodies (Longhurst 2001), the power of things and memory making practices (Micieli-Voutsinas 2016; Bennett 2010).<br><b>This item</b> includes documentary images captured by the author and by walkers, a screen grab of the aggregated social media trails and a podcast from Avon Stories as sound track to a slide show of documentary images. The podcast, Avon Stories 10 was recorded with Sarah Connelly during one of the walks, reproduced here with permission, details below.<br><br><b>website/blog</b>: http://www.walknowtracks.co.uk/sweet-waters.html<br>Aggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Sweet Waters videos also available here https://vimeo.com/showcase/548893<br><b>Avon Stories</b><br>https://itunes.apple.com/gb/podcast/10-a-sweet-waters-art-walk-with-richard-white/id1244393926?i=1000390796360&mt=2<br><br>From Avon Stories<br>A podcast and art project by Sarah Connolly<br>8 Aug 2017<br><br>A Sweet Waters art-walk with Richard White<br><br>https://avonstories.com/2017/08/08/avon-stories-10-richard-white/<br><br>
DOI: 10.5281/zenodo.7711096
title: EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification

description: EuroSAT is a land use and land cover classification dataset. The dataset is based on Sentinel-2 satellite imagery covering 13 spectral bands and consists of 10 LULC classes with a total of 27,000 labeled and geo-referenced images. The dataset is associated with the publications "Introducing EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification" and "EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification". EuroSAT_RGB.zip contains the RGB version of the dataset, which includes the optical R, G and B frequency bands encoded as JPEG images. EuroSAT_MS.zip contains the multi-spectral version of the EuroSAT dataset, which includes all 13 Sentinel-2 bands in the original value range.
description: Sentinel data is free and open to the public under EU law. Please consider the Copernicus Sentinel Data Terms and Conditions (https://sentinel.esa.int/documents/247904/690755/Sentinel_Data_Legal_Notice) when using Copernicus Sentinel data. The work associated with the creation of the dataset and the publication of the related article and conference paper was partially funded by the BMBF project DeFuseNN (01IW17002). The authors thank NVIDIA for the support within the NVIDIA AI Lab program.
DOI: 10.5281/zenodo.7711097
title: EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification

description: EuroSAT is a land use and land cover classification dataset. The dataset is based on Sentinel-2 satellite imagery covering 13 spectral bands and consists of 10 LULC classes with a total of 27,000 labeled and geo-referenced images. The dataset is associated with the publications "Introducing EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification" and "EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification". EuroSAT_RGB.zip contains the RGB version of the dataset, which includes the optical R, G and B frequency bands encoded as JPEG images. EuroSAT_MS.zip contains the multi-spectral version of the EuroSAT dataset, which includes all 13 Sentinel-2 bands in the original value range.
description: Sentinel data is free and open to the public under EU law. Please consider the Copernicus Sentinel Data Terms and Conditions (https://sentinel.esa.int/documents/247904/690755/Sentinel_Data_Legal_Notice) when using Copernicus Sentinel data. The work associated with the creation of the dataset and the publication of the related article and conference paper was partially funded by the BMBF project DeFuseNN (01IW17002). The authors thank NVIDIA for the support within the NVIDIA AI Lab program.
DOI: 10.5281/zenodo.7711810
title: EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification

description: EuroSAT is a land use and land cover classification dataset. The dataset is based on Sentinel-2 satellite imagery covering 13 spectral bands and consists of 10 LULC classes with a total of 27,000 labeled and geo-referenced images. The dataset is associated with the publications "Introducing EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification" and "EuroSAT: A Novel Dataset and Deep Learning Benchmark for Land Use and Land Cover Classification". EuroSAT_RGB.zip contains the RGB version of the dataset, which includes the optical R, G and B frequency bands encoded as JPEG images. EuroSAT_MS.zip contains the multi-spectral version of the EuroSAT dataset, which includes all 13 Sentinel-2 bands in the original value range.
description: Sentinel data is free and open to the public under EU law. Please consider the Copernicus Sentinel Data Terms and Conditions (https://sentinel.esa.int/documents/247904/690755/Sentinel_Data_Legal_Notice) when using Copernicus Sentinel data. The work associated with the creation of the dataset and the publication of the related article and conference paper was partially funded by the BMBF project DeFuseNN (01IW17002). The authors thank NVIDIA for the support within the NVIDIA AI Lab program.
DOI: 10.5281/zenodo.7711878
title: Data related to publication: https://doi.org/10.1080/15361055.2022.2141528

description: Set of input and output files to reproduce data in the publication: https://doi.org/10.1080/15361055.2022.2141528
DOI: 10.5281/zenodo.7711877
title: Data related to publication: https://doi.org/10.1080/15361055.2022.2141528

description: Set of input and output files to reproduce data in the publication: https://doi.org/10.1080/15361055.2022.2141528
DOI: 10.6084/m9.figshare.22240414
title: Fagopyrum dibotrys

description: Genomic information of Fagopyrum dibotrys
DOI: 10.17870/bathspa.7783541
title: Re-writing the machinic anthropocene - Initial Research

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item </b>contains the initial research explorations for the project highlighting specifically how the use of a mapping process to reveal the material realities of a smartphone then informed the development of a performative lecture. <br>Secondly there is documentation of the fictional research space that was deployed as a mechanism for voicing non human and material perspectives and revealing hidden networks.<br><br>
DOI: 10.17870/bathspa.7783541.v2
title: Re-writing the machinic anthropocene - Initial Research

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item </b>contains the initial research explorations for the project highlighting specifically how the use of a mapping process to reveal the material realities of a smartphone then informed the development of a performative lecture. <br>Secondly there is documentation of the fictional research space that was deployed as a mechanism for voicing non human and material perspectives and revealing hidden networks.<br><br>
DOI: 10.17870/bathspa.7783541.v1
title: Re-writing the machinic anthropocene - Initial Research

description: 'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives.<br>This item contains initial research explorations for the project. <br>The fictional approach was made operational via the construction of a fictive research space and set of research personas, positioned below an e-waste site. From here a mapping process traced the technical hyperobject of a smartphone, including the sourcing of raw materials, the production of new forms of waste and the impacts on human and nonhuman. This map was developed into The Signal and the Rock: Proposal for a film (2014-18), an iterative multimedia lecture that exposes and rewrites the technical hyperobject of a smartphone.<br>
DOI: 10.17870/bathspa.7784210.v2
title: Re-writing the machinic anthropocene - Creation of sound work and exhibition

description: <b>The film referenced in this item is located externally on the Vimeo platform, and can be viewed in full at the following link: https://vimeo.com/238908979</b><br>‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item </b>contains files documenting the final sound-work and spectrogram (hosted externally) <b><i>Rewriting the overcode</i> </b>(2017) as well as documentation of the exhibition where it was exhibited at Stanley Picker Gallery in 2017.<b><br></b><b>To view the work (48:53), please click the following link: https://vimeo.com/238908979</b>
DOI: 10.17870/bathspa.7784210
title: Re-writing the machinic anthropocene - Creation of sound work and exhibition

description: <b>The film referenced in this item is located externally on the Vimeo platform, and can be viewed in full at the following link: https://vimeo.com/238908979</b><br>‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item </b>contains files documenting the final sound-work and spectrogram (hosted externally) <b><i>Rewriting the overcode</i> </b>(2017) as well as documentation of the exhibition where it was exhibited at Stanley Picker Gallery in 2017.<b><br></b><b>To view the work (48:53), please click the following link: https://vimeo.com/238908979</b>
DOI: 10.17870/bathspa.7784210.v1
title: Re-writing the machinic anthropocene - Creation of sound work and exhibition

description: The film referenced in this item is located externally on the Vimeo platform, and can be viewed in full at the following link: https://vimeo.com/238908979<br>'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives.<br><br>This item contains files documenting the creation of sound-works, a film (hosted externally), and an exhibition.<br><br>To view the film (48:53), please click the following link: https://vimeo.com/238908979