cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.13089518
title: Fragile Stories - Elam International Print Workshop Exhibition, New Zealand, 2015

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains a wood engraving by Bonnell, 'Tea Tree Seed and Flower' (2015), which was shown at the Elam International Print Workshop exhibition, Gus Fisher Gallery, Auckland, New Zealand, 30 January 2015 - 28 February 2015.The Elam International printmaking Workshop (EIPW 2015) brought together an invited group of international printmakers and Elam School of Art Students and staff to work together in the wider community and produce new original works across the full range of printmaking processes. The workshop culminated in a major exhibition at the University of Auckland’s Gus Fisher Gallery.Bonnell also gave a keynote lecture on her work and ran a workshop on wood engraving for MA printmaking students at the University of Auckland.Image courtesy of the artist. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.13089518.v1
title: Fragile Stories - Elam International Print Workshop Exhibition, New Zealand, 2015

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains a wood engraving by Bonnell, 'Tea Tree Seed and Flower' (2015), which was shown at the Elam International Print Workshop exhibition, Gus Fisher Gallery, Auckland, New Zealand, 30 January 2015 - 28 February 2015.The Elam International printmaking Workshop (EIPW 2015) brought together an invited group of international printmakers and Elam School of Art Students and staff to work together in the wider community and produce new original works across the full range of printmaking processes. The workshop culminated in a major exhibition at the University of Auckland’s Gus Fisher Gallery.Bonnell also gave a keynote lecture on her work and ran a workshop on wood engraving for MA printmaking students at the University of Auckland.Image courtesy of the artist. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.13089416
title: Fragile Stories - Seeds and Syntax, London, 2015

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.<i>Seeds and Syntax </i>was a two-person exhibition with Julia Farrer at Eagle Gallery EMH Arts, London, 6 February 2015 - 6 March 2015.Alongside other works, Bonnell exhibited the work 'Moss Box', a unique work that was made as a result of Bonnell’s residency at the Albers Foundation in 2014, and responds to Anni Albers's collection of lace samples. The box contains 10 folded envelopes of graphite drawings, mirrored by pin-pricked drawings, and the dried, pressed botanical samples on which they are based. Detailing includes letterpress, knitted paper yarn and collaged elements held in hand-folded envelopes. Box H15 x W42cm; pages 15cm x 14cm, opening to 15cm x 28.5cm. 'Ginko Leaf' (2013) was first shown at Seeds and Syntax (2015).<br><br><b>For more information about the exhibition, please see link in the references field below. </b><br><br>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089416.v1
title: Fragile Stories - Seeds and Syntax, London, 2015

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.<i>Seeds and Syntax </i>was a two-person exhibition with Julia Farrer at Eagle Gallery EMH Arts, London, 6 February 2015 - 6 March 2015.Alongside other works, Bonnell exhibited the work 'Moss Box', a unique work that was made as a result of Bonnell’s residency at the Albers Foundation in 2014, and responds to Anni Albers's collection of lace samples. The box contains 10 folded envelopes of graphite drawings, mirrored by pin-pricked drawings, and the dried, pressed botanical samples on which they are based. Detailing includes letterpress, knitted paper yarn and collaged elements held in hand-folded envelopes. Box H15 x W42cm; pages 15cm x 14cm, opening to 15cm x 28.5cm. 'Ginko Leaf' (2013) was first shown at Seeds and Syntax (2015).<br><br><b>For more information about the exhibition, please see link in the references field below. </b><br><br>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089431
title: Fragile Stories - Imaginary Worlds, Oriel Davies, Wales, 2016-17

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.<br><br><i>Imaginary Worlds</i> was an open call, juried exhibition at Oriel Davies Gallery, Wales, 22 October 2016 - 25 February 2017.<br><br><b>For more information about the exhibition, please see the link in the references field below. <br><br></b>'Bethany Seeds' (2013) was created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.Images courtesy of the artist and George Meyrick. Used with permission. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089431.v1
title: Fragile Stories - Imaginary Worlds, Oriel Davies, Wales, 2016-17

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.<br><br><i>Imaginary Worlds</i> was an open call, juried exhibition at Oriel Davies Gallery, Wales, 22 October 2016 - 25 February 2017.<br><br><b>For more information about the exhibition, please see the link in the references field below. <br><br></b>'Bethany Seeds' (2013) was created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.Images courtesy of the artist and George Meyrick. Used with permission. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089461
title: Fragile Stories - Scuola Internazionale di Grafica Gallery, Venice, 2017

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains works by Bonnell shown at a solo exhibition at the Scuola di Grafica Gallery, Venice, Italy, 3-11 March 2017. <b>For more information, see links in reference field below.</b>Alongside other works, Bonnell exhibited the following:1. The artist's book 'Bethany Seeds' (2013), containing wood engravings, collage monotype cut out, lino cut and letterpress H. The book contained a poem by Gabriel Gbadamosi, who responds to the images of hard wood seeds collected and drawn while in residency at The Josef and Anni Albers Foundation, CT, USA.2. 'Eloise Butler's Wildflower Garden' (2013). A paper covered box comprising 3 paper slip cases with letterpress and emboss, 'Flora', 'Flower', and 'Fleuron', produced to hold 8 folded concertina page spreads, which contain graphite, letterpress, hand cut paper, collage, paper cut out and natural specimens.'Bethany Seeds' (2013) and 'Eloise Butler's Wildflower Garden' (2013) were created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.<br>Following the exhibition, Bonnell took up a Fellowship Award at The Scuola di Grafica (27 March - 7 May 2017). Alongside working on a new body of work, Bonnell ran a series of Letterpress workshops for the School and gave a talk about her work.Images courtesy of the artist and George Meyrick. Used with permission. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089461.v1
title: Fragile Stories - Scuola Internazionale di Grafica Gallery, Venice, 2017

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains works by Bonnell shown at a solo exhibition at the Scuola di Grafica Gallery, Venice, Italy, 3-11 March 2017. <b>For more information, see links in reference field below.</b>Alongside other works, Bonnell exhibited the following:1. The artist's book 'Bethany Seeds' (2013), containing wood engravings, collage monotype cut out, lino cut and letterpress H. The book contained a poem by Gabriel Gbadamosi, who responds to the images of hard wood seeds collected and drawn while in residency at The Josef and Anni Albers Foundation, CT, USA.2. 'Eloise Butler's Wildflower Garden' (2013). A paper covered box comprising 3 paper slip cases with letterpress and emboss, 'Flora', 'Flower', and 'Fleuron', produced to hold 8 folded concertina page spreads, which contain graphite, letterpress, hand cut paper, collage, paper cut out and natural specimens.'Bethany Seeds' (2013) and 'Eloise Butler's Wildflower Garden' (2013) were created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.<br>Following the exhibition, Bonnell took up a Fellowship Award at The Scuola di Grafica (27 March - 7 May 2017). Alongside working on a new body of work, Bonnell ran a series of Letterpress workshops for the School and gave a talk about her work.Images courtesy of the artist and George Meyrick. Used with permission. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089524
title: Fragile Stories - From the Ground, Trowbridge, UK, 2018

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains Bonnell's work 'Eloise Butler's Wildflower Garden' (2013) shown at <i>From the Ground</i>, a two-person exhibition with James Brooks, held at Drawing Projects UK, Trowbridge, 5 May - 30 June 2018.<b>For more information about the exhibition, please see the link in the references field below.</b> 'Eloise Butler's Wildflower Garden' (2013) was created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.<br>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089524.v1
title: Fragile Stories - From the Ground, Trowbridge, UK, 2018

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains Bonnell's work 'Eloise Butler's Wildflower Garden' (2013) shown at <i>From the Ground</i>, a two-person exhibition with James Brooks, held at Drawing Projects UK, Trowbridge, 5 May - 30 June 2018.<b>For more information about the exhibition, please see the link in the references field below.</b> 'Eloise Butler's Wildflower Garden' (2013) was created for, and first shown at, the exhibition <i>Of Green Leaf Bird and Flower</i> at the Yale Center for British Art, 15 May - 10 August 2014.<br>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089497.v1
title: Fragile Stories - Special Editions, London, 2019

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains Bonnell's work 'Bethany Grasses' (2019), (etching, collage, and letterpress), shown at <i>Special Editions </i>at Eagle Gallery EMH Arts, London, 28 March - 20 April 2019.<b>For more information about the exhibition, please see the link in the references field below. </b>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089497
title: Fragile Stories - Special Editions, London, 2019

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains Bonnell's work 'Bethany Grasses' (2019), (etching, collage, and letterpress), shown at <i>Special Editions </i>at Eagle Gallery EMH Arts, London, 28 March - 20 April 2019.<b>For more information about the exhibition, please see the link in the references field below. </b>Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089440.v1
title: Fragile Stories - Homebody: New Prints 2020/Winter, New York, 2020

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.Bonnell's work 'Bethany Grasses' (2019) (etching, collage, and letterpress), was shown at <i>Homebody: New Prints 2020/Winter</i>, an open call, juried exhibition at the International Print Center New York (IPCNY), USA, 14 Jan - 21 March 2020.Images courtesy of the artist and George Meyrick. Used with permission.<b>Also included is the press release for the exhibition. For more information about the exhibition, please see link in the references field below. </b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089440
title: Fragile Stories - Homebody: New Prints 2020/Winter, New York, 2020

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.Bonnell's work 'Bethany Grasses' (2019) (etching, collage, and letterpress), was shown at <i>Homebody: New Prints 2020/Winter</i>, an open call, juried exhibition at the International Print Center New York (IPCNY), USA, 14 Jan - 21 March 2020.Images courtesy of the artist and George Meyrick. Used with permission.<b>Also included is the press release for the exhibition. For more information about the exhibition, please see link in the references field below. </b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.13089539
title: Fragile Stories - Fragile Stories, Venice, 2020

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains Bonnell's book work 'Imparaticci' (pinpricking, letterpress, collage, needle punching, and pencil) which was due to be shown at a solo exhibition <i>Fragile Stories</i> at Palazzo Mocenigo, Venice, Italy in 2020. Due to the Covid-19 pandemic, this exhibition will now run at Eagle Gallery EMH Arts London in 2021.Images courtesy of the artist and George Meyrick. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14269337
title: Fragile Stories - Contextualising Information

description: <i>Fragile Stories</i> explores the complexity of mark making on an intimate scale, using typographic punctuation and careful precision to create skeletal structures inspired by the natural world and textile samples. It responds to nature as lines, shapes and rhythms of contemplative repetition, and to stitching as text and language.This item contains the following contextualising information about the international dissemination of Mandy Bonnell's work between 2015 and 2020:1. Documentation of work-in-progress at the <b>Elam International Print Workshop</b>, Auckland, New Zealand, 30 January 2015 - 28 February 2015. Image courtesy of Mandy Bonnell. Used with permission.2. Online publicity for <b><i>Seeds and Syntax</i></b><i>, </i>Eagle Gallery EMH Arts, London, 6 February 2015 - 6 March 2015. Available via this link and also below under 'References'.3. Online publicity for <b><i>Imaginary Worlds, </i></b>Oriel Davies Gallery, Wales, 22 October 2016 - 25 February 2017. To view use this link or see below under 'References'.4. Online publicity for Bonnell's exhibition at <b>Scuola di Grafica Gallery</b>, Venice, Italy, 3-11 March 2017. To view use this link or see 'References' below.5. Online publicity for <b><i>From the Ground</i></b>, Drawing Projects UK, Trowbridge, 5 May - 28 June 2018. To view use this link or see 'References' below.6. Online publicity for a talk by Mandy Bonnell and James Brooks in association with <b><i>From the Ground</i></b>, Drawing Projects UK, Trowbridge, 5 May - 28 June 2018. View via this link or see 'References' below.7. Publicity documents for <b><i>Special Editions</i></b><i> </i>at Eagle Gallery EMH Arts, London, 28 March - 20 April 2019. See PDFs contained within this item. Documents courtesy of Eagle Gallery EMH Arts. Used with permission.8. Online publicity for <b><i>Homebody: New Prints 2020/Winter</i></b>, International Print Center New York (IPCNY), USA, 14 Jan - 21 March 2020. View via this link or see 'References' below.9. A virtual tour of the exhibition <b><i>Homebody: New Prints 2020/Winter</i></b>, International Print Center New York (IPCNY), USA, 14 Jan - 21 March 2020. View via this link or see 'References' below.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>