cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.13148765.v5
title: Herbaceous and woody plants providing resources for bees in a semi-arid tropical climate

description: Dataset of plant inventory and phenology of herbaceous and woody strata in in three 0.5-ha plots located in the Vale do Curu Experimental Farm of Unversidade Federal do Ceará, Pentecoste, Ceará State, Brazil. The climate zone <br> corresponding to semi-arid (BSh) and the plots were installed in Caatinga vegetation.<br><br>Each plot was divided into 50 10x10 m subplots to identify the floristic composition and the abundance of each species and to facilitate the phenological evaluation. <br><br>The dataset includes 4 spreadsheet: <br>1) inventory of all woody individuals in the plots with stem perimeter at the ground level equal to or greater than<br>9 cm. <br>2) phenology of woody plants int the plots. the flowering intensity of each plant observed with flowers,using the semi-quantitative method of Fournier (1974). This method estimates visually the percentage of the canopy covered with flowers, classifying it in one of the five cover classes<br>(0 to 4): 0 = absence of phenophase, 1 = 1-25%, 2 = 26-50%, 3 = 51-75%, and 4 = 76-100%.3) floral cover of herbaceous plants in 25 of the 50 10x10m<br>subplots of each plot. To assess the flowering in herbaceous strata we used the semi-quantitative method of Daubenmire<br>(1959), which also uses cover classes to estimate the population abundance of each species. To this aim we used a 50x50 cm PVC square. We used six classes to<br>estimate floral cover per species: 1 = up to 5%, 2 = 6-25%, 3 = 26-50%, 4 = 51-75%, 5 = 76-95%, 6 = 96-100% . <br>4) List of species recorded in the three plots, their classification in growth and life forms, indicating <br>whether bees visit the species and the resources collected by the bees. <br> <br> <br>
DOI: 10.6084/m9.figshare.13148765.v4
title: Herbaceous and woody plants providing resources for bees in a semi-arid tropical climate

description: Dataset of plant inventory and phenology of herbaceous and woody strata in in three 0.5-ha plots located in the Vale do Curu Experimental Farm of Unversidade Federal do Ceará, Pentecoste, Ceará State, Brazil. The climate zone <br> corresponding to semi-arid (BSh) and the plots were installed in Caatinga vegetation.<br><br>Each plot was divided into 50 10x10 m subplots to identify the floristic composition and the abundance of each species and to facilitate the phenological evaluation. <br><br>The dataset includes 4 spreadsheet: <br>1) inventory of all woody individuals in the plots with stem perimeter at the ground level equal to or greater than<br>9 cm. <br>2) phenology of woody plants int the plots. the flowering intensity of each plant observed with flowers,using the semi-quantitative method of Fournier (1974). This method estimates visually the percentage of the canopy covered with flowers, classifying it in one of the five cover classes<br>(0 to 4): 0 = absence of phenophase, 1 = 1-25%, 2 = 26-50%, 3 = 51-75%, and 4 = 76-100%.3) floral cover of herbaceous plants in 25 of the 50 10x10m<br>subplots of each plot. To assess the flowering in herbaceous strata we used the semi-quantitative method of Daubenmire<br>(1959), which also uses cover classes to estimate the population abundance of each species. To this aim we used a 50x50 cm PVC square. We used six classes to<br>estimate floral cover per species: 1 = up to 5%, 2 = 6-25%, 3 = 26-50%, 4 = 51-75%, 5 = 76-95%, 6 = 96-100% . <br>4) List of species recorded in the three plots, their classification in growth and life forms, indicating <br>whether bees visit the species and the resources collected by the bees. <br> <br> <br>
DOI: 10.5281/zenodo.4642836
title: Raw Forecasts and Observations for ecPoint-Calibrate Case Studies

description: <strong>Raw Forecasts and Observations for ecPoint-Calibrate Case Studies</strong> <em>Forecasts</em> The forecasts used in this case study are for days between January 1st and December 31st, 2019. These are not operational forecasts but they were computed specifically for calibration purposes. The forecasts are from the ECMWF IFS 47r1. The description of the forecasts from this version of the ECMWF IFS can be found here:<br> "https://www.ecmwf.int/en/forecasts/about-our-forecasts/evolution-ifs/cycles/summary-cycle-47r1". <em>Observations</em> The observations are from NOAA and they can be downloaded from:<br> "https://www.ncei.noaa.gov/data/global-summary-of-the-day/archive/"<br> The description of the observations can be found in the following pdf README file:<br> "https://www.ncei.noaa.gov/data/global-summary-of-the-day/doc/readme.pdf". <em>Licensing</em><br> Both forecasts and observations are available for not commercial use under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Public License.
DOI: 10.5281/zenodo.4642835
title: Raw Forecasts and Observations for ecPoint-Calibrate Case Studies

description: <strong>Raw Forecasts and Observations for ecPoint-Calibrate Case Studies</strong> <em>Forecasts</em> The forecasts used in this case study are for days between January 1st and December 31st, 2019. These are not operational forecasts but they were computed specifically for calibration purposes. The forecasts are from the ECMWF IFS 47r1. The description of the forecasts from this version of the ECMWF IFS can be found here:<br> "https://www.ecmwf.int/en/forecasts/about-our-forecasts/evolution-ifs/cycles/summary-cycle-47r1". <em>Observations</em> The observations are from NOAA and they can be downloaded from:<br> "https://www.ncei.noaa.gov/data/global-summary-of-the-day/archive/"<br> The description of the observations can be found in the following pdf README file:<br> "https://www.ncei.noaa.gov/data/global-summary-of-the-day/doc/readme.pdf". <em>Licensing</em><br> Both forecasts and observations are available for not commercial use under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Public License.
DOI: 10.17870/bathspa.13281452
title: 5100 Pentagon: 300 Word Statement

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100: Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a 300 Word Statement on <b>5100:Pentagon</b> by Young In Hong.
DOI: 10.17870/bathspa.13281452.v1
title: 5100 Pentagon: 300 Word Statement

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100: Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a 300 Word Statement on <b>5100:Pentagon</b> by Young In Hong.
DOI: 10.17870/bathspa.13281458.v1
title: 5100 Pentagon: Research Questions

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains Research Questions for <b>5100:Pentagon</b> by Young In Hong.<br>
DOI: 10.17870/bathspa.13281458
title: 5100 Pentagon: Research Questions

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains Research Questions for <b>5100:Pentagon</b> by Young In Hong.<br>
DOI: 10.17870/bathspa.14307698.v1
title: 5100 Pentagon : Research Timeline

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a Research Timeline for <b>5100:Pentagon</b> by Young In Hong.
DOI: 10.17870/bathspa.13281461
title: 5100 Pentagon: 10th Gwangju Biennale 2014, Gwangju, South Korea 2014.

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100: Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a project outline, an exhibition leaflet and press release, 12 choreography drawings, 1 performance image and 9 Gwangju rehearsal photos, a video demonstration of movements, social media project links, 2 adapted score sheets and an audio piano guide to the performance music.<br><br>This item documents the creation and performance of <b>5100 Pentagon</b> at the 10th Gwangju Biennale in 2014. The project was a ritualistic memorialisation of the violent Gwangju Uprising on 18th May 1980, a seminal moment in history, marking the emergence of democracy in South Korea. Volunteers were invited through an online open call to appear in the gallery space to interpret and perform a series of gestural movements accompanied by volunteer musicians, and then to leave. <b>5100: Pentagon</b> was performed differently by a separate group of participants each week, with no restrictions in age, gender or experience with each iteration activating and re contextualising a past seminal event it in the present as an act of resistance.<br><br><b>Photography and videography by Young In Hong. Used with permission.<br></b><br><b>Leaflet and promotional material courtesy of Gwangju Biennale.</b><br><br><b>The archival images partially included as references alongside the drawings made by Young In Hong as a part of the choreography were drawn from her research at the Seoul Museum of History and other archival sources, and used with permission. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13281461.v1
title: 5100 Pentagon: 10th Gwangju Biennale 2014, Gwangju, South Korea 2014.

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100: Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a project outline, an exhibition leaflet and press release, 12 choreography drawings, 1 performance image and 9 Gwangju rehearsal photos, a video demonstration of movements, social media project links, 2 adapted score sheets and an audio piano guide to the performance music.<br><br>This item documents the creation and performance of <b>5100 Pentagon</b> at the 10th Gwangju Biennale in 2014. The project was a ritualistic memorialisation of the violent Gwangju Uprising on 18th May 1980, a seminal moment in history, marking the emergence of democracy in South Korea. Volunteers were invited through an online open call to appear in the gallery space to interpret and perform a series of gestural movements accompanied by volunteer musicians, and then to leave. <b>5100: Pentagon</b> was performed differently by a separate group of participants each week, with no restrictions in age, gender or experience with each iteration activating and re contextualising a past seminal event it in the present as an act of resistance.<br><br><b>Photography and videography by Young In Hong. Used with permission.<br></b><br><b>Leaflet and promotional material courtesy of Gwangju Biennale.</b><br><br><b>The archival images partially included as references alongside the drawings made by Young In Hong as a part of the choreography were drawn from her research at the Seoul Museum of History and other archival sources, and used with permission. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13281464
title: 5100 Pentagon: Block Universe Performance Festival, Royal Academy, London, 4th June 2017.

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains an open call leaflet, and poster, 8 choreography drawings,11 performance images, and 3 scanned pages of the festival programme (included courtesy of the Block Universe Performance Festival).<br><br>This item documents UK premiere of <b>5100:Pentagon</b> at the Royal Academy, London in 2017 as part of the <i>Block Universe Performance Festival</i>, a week long programme of events exploring identity and inclusivity and the power of the collective voice in divisive times. The choreographed movements for <b>5100: Pentagon </b>were inspired and developed by researching collected archival images relating to the Gwangju uprising of 18th May 1980 and first performed at the 2014 Gwangju Biennale.<br><br>The video of the Royal Academy Performance of <b>5100:Pentagon</b> was also shown at <i>The Moon’s Trick</i> 2017 at the Korean Cultural Centre, London and <i>MaytoDay</i> 2020, the international exhibition commemorating and examining the legacies of the 18 May 1980 Gwangju Uprising. MaytoDay, Gwangju, Republic of Korea, 14th October - 29th November 2020.<br><br>Exhibition Link:<br><b>http://maytoday.org/en/project/young-in-hong/</b><br><br><b>Photography by Young In Hong. Used with permission. </b><b><br></b><b>The archival images partially included as references alongside the drawings made by Young In Hong as a part of the choreography were drawn from her research at the Seoul Museum of History and other archival sources, and used with permission. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13281464.v1
title: 5100 Pentagon: Block Universe Performance Festival, Royal Academy, London, 4th June 2017.

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains an open call leaflet, and poster, 8 choreography drawings,11 performance images, and 3 scanned pages of the festival programme (included courtesy of the Block Universe Performance Festival).<br><br>This item documents UK premiere of <b>5100:Pentagon</b> at the Royal Academy, London in 2017 as part of the <i>Block Universe Performance Festival</i>, a week long programme of events exploring identity and inclusivity and the power of the collective voice in divisive times. The choreographed movements for <b>5100: Pentagon </b>were inspired and developed by researching collected archival images relating to the Gwangju uprising of 18th May 1980 and first performed at the 2014 Gwangju Biennale.<br><br>The video of the Royal Academy Performance of <b>5100:Pentagon</b> was also shown at <i>The Moon’s Trick</i> 2017 at the Korean Cultural Centre, London and <i>MaytoDay</i> 2020, the international exhibition commemorating and examining the legacies of the 18 May 1980 Gwangju Uprising. MaytoDay, Gwangju, Republic of Korea, 14th October - 29th November 2020.<br><br>Exhibition Link:<br><b>http://maytoday.org/en/project/young-in-hong/</b><br><br><b>Photography by Young In Hong. Used with permission. </b><b><br></b><b>The archival images partially included as references alongside the drawings made by Young In Hong as a part of the choreography were drawn from her research at the Seoul Museum of History and other archival sources, and used with permission. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14307698
title: 5100 Pentagon : Research Timeline

description: A ritualistic flash mob performance that re interprets a moment in history, <b>5100:Pentagon</b> explores modes of memorialisation and the potential of group subjectivity to challenge socio political hierarchies.<br><br>This item contains a Research Timeline for <b>5100:Pentagon</b> by Young In Hong.
DOI: 10.5063/1v5cb9
title: Co-occurrence of four endangered species in Cajon Bonito, Sonora, Mexico from 2016-2020.

description: Four endangered species (jaguar, ocelot, American black bear, and American beaver) were all recorded within Cuenca Los Ojos, Sonora, Mexico during a long-term wildlife camera study from 2016 to 2020. Jaguar and ocelot are endangered in the US and Mexico. American black bear and American beaver are endangered in Mexico. This dataset intends to establish vouchers for the photos for endangered species included in the paper "Co-occurrence of four endangered mammals in the Mexico-United States borderlands: jaguar (Panthera Onca), Ocelot (Leopardus pardalis), beaver (Castor canadensis) and black bear (Ursus americanus)". More specifics on the project can be found in that publication.
DOI: 10.21227/vm7v-bz90
title: January-31-Dong-Jiawei

description: January-31-Dong-Jiawei
DOI: 10.5517/ccdc.csd.cc27j543
title: CCDC 2071114: Experimental Crystal Structure Determination

description: Related Article: Guo-Bi Li, Zhong Zhang, Lu-Sheng Liao, Rong-Kai Pan, Sheng-Gui Liu|2021|Spectrochim.Acta,Part A|254|119588|doi:10.1016/j.saa.2021.119588
DOI: 10.5281/zenodo.4642692
title: ap11-14.dat

description: Data table for Figure 2 of a paper entitled "Plate Motion On The Moon?". One line of header with column headings "MJD" (date as Modified Julian Date), "Offset" (net displacement in mm of AP14 retroreflector relative to AP11 along the connecting great circle), and "Sigma" (uncertainty in the Offset in mm scaled to produce a chi-square of unity)
DOI: 10.5281/zenodo.4642691
title: ap11-14.dat

description: Data table for Figure 2 of a paper entitled "Plate Motion On The Moon?". One line of header with column headings "MJD" (date as Modified Julian Date), "Offset" (net displacement in mm of AP14 retroreflector relative to AP11 along the connecting great circle), and "Sigma" (uncertainty in the Offset in mm scaled to produce a chi-square of unity)
DOI: 10.6084/m9.figshare.14331413
title: Level of Patient Comfort and Measurement Reliability of Three Different Probes: a cross-sectional study

description: <b>METHODOLOGY</b><b>Study design and ethical considerations.</b><b> </b>This was a cross-sectional observational study. The manuscript was prepared in accordance with the Strengthening the Reporting of Observational Studies in Epidemiology (STROBE) statement.<sup>14</sup> The protocol was approved by the research ethics committee of the Universidad Científica del Sur, Lima, Peru (Protocol # 260 CIEI) and was conducted in accordance with the Declaration of Helsinki of 1964, in its revised form (2008). Volunteers seeking dental care at the Universidad Científica del Sur (Lima, Peru) were informed of the details of the study, instructed about its risks, and told that they were free to withdraw at any time. All patients signed a term of free and informed consent prior to beginning with the measurements. The study was conducted at the postgraduate clinic of the Universidad Científica del Sur.<br><b>Clinical evaluations </b><b> </b>Three experienced periodontists (&gt; 10 years of clinical experience), trained and calibrated, performed the clinical evaluations throughout the study. During pre-determined appointments, the volunteers were submitted to a periodontal clinical evaluation lasting approximately 10 minutes per each probe with 20 minutes intervals between measurements. This evaluation was carried out once a week for 3 consecutive weeks. Each week the periodontal evaluation was performed by a different examiner using the different probe models. The results were recorded in a data collection sheet. At the end of the last evaluation, in the third week, all participants received dental prophylaxis, free of charge. Acrylic guides were made for all participants, with respect to the teeth to be evaluated (# 16, # 21, # 24, # 36, # 41, # 44). In each acrylic model, 3 gutters were made (mesial, central, and distal) in the guides, so that each evaluator made the measurement in the same place. Measurements of probing depth from the mesial to central and distal regions of the buccal surfaces of the teeth were recorded in the respective patient’s record chart. <b>Patient-reported outcomes</b><b>Patient Questionnaire (Pain)</b> The patients were given thorough verbal information on how to use the pain scale. Feedback from the patients was asked for to make certain that they understood the nature of the scale. Instructions on how to use the VAS scale were also written on the scale forms. The patients were also assured that their VAS pain responses would not be disclosed to the treating therapist. Patient discomfort (pain) was measured using a visual analogic scale (VAS 0-10). At the end of each periodontal evaluation, all the volunteers filled out the VAS questionnaire to record the comfort experienced during the evaluation.
DOI: 10.6084/m9.figshare.14331440
title: Ribosomal protein database of Staphylococcus pasteuri strain BAB3

description: This work presents the ribosomal protein database of <i>Staphylococcus pasteuri </i>strain BAB3. Original data for the work came from the annotated proteome data of the bacterium downloaded from UniProt. Using an in-house MATLAB ribosomal protein database analysis software, the original proteome data file was parsed to extract protein name and amino acid sequence of all ribosomal proteins in the species. The database also includes calculated variables such as number of residues, molecular weight, and nucleotide sequence. Overall, the presented database could serve as a ribosomal protein mass fingerprint for use in microbial identification, or it could be used in fundamental studies seeking to uncover new insights into ribosomal protein biology.
DOI: 10.6084/m9.figshare.14331440.v1
title: Ribosomal protein database of Staphylococcus pasteuri strain BAB3

description: This work presents the ribosomal protein database of <i>Staphylococcus pasteuri </i>strain BAB3. Original data for the work came from the annotated proteome data of the bacterium downloaded from UniProt. Using an in-house MATLAB ribosomal protein database analysis software, the original proteome data file was parsed to extract protein name and amino acid sequence of all ribosomal proteins in the species. The database also includes calculated variables such as number of residues, molecular weight, and nucleotide sequence. Overall, the presented database could serve as a ribosomal protein mass fingerprint for use in microbial identification, or it could be used in fundamental studies seeking to uncover new insights into ribosomal protein biology.
DOI: 10.6084/m9.figshare.14330882.v1
title: raw data.xlsx

description: Underlying research materials related to my paper (<b>Construction of enzalutamide-resistant cell model of prostate cancer and preliminary screening of potential drug-resistant genes</b><b></b>)
DOI: 10.6084/m9.figshare.14330882
title: raw data.xlsx

description: Underlying research materials related to my paper (<b>Construction of enzalutamide-resistant cell model of prostate cancer and preliminary screening of potential drug-resistant genes</b><b></b>)
DOI: 10.6084/m9.figshare.14331470
title: figsharedata.dta

description: This is the data upon which the paper "Voter turnout decline is a myth" is based. The data will be publicly available once the paper is accepted. <br><br>
DOI: 10.6084/m9.figshare.14331470.v1
title: figsharedata.dta

description: This is the data upon which the paper "Voter turnout decline is a myth" is based. The data will be publicly available once the paper is accepted. <br><br>
DOI: 10.5517/ccdc.csd.cc24m1kd
title: CCDC 1984513: Experimental Crystal Structure Determination

description: Related Article: Valmik P. Jejurkar, Gauravi Yashwantrao, Pawan Kumar, Suditi Neekhra, Parimal J. Maliekal, Purav Badani, Rohit Srivastava, Satyajit Saha|2021|Chem.-Eur.J.|27|5470|doi:10.1002/chem.202004942