cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367017
title: Uzeyir Hajibeyov

description: Bust of Hajibeyov in the Donaupark Vienna. Uzeyir bey Abdul Huseyn oglu Hajibeyov (1885–1948) was an Azerbaijani composer, conductor, publicist, playwright, and social figure. He is recognized as the father of Azerbaijani composed classical music and opera.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367018
title: Alexandre

description: Boite crânienne d'un homme d'une cinquantaine d'années trouvée dans la grotte Joëlle en 1983 et exposée au Musée de l'ancien Évèché à Grenoble. La fouille archéologique a mis à jour côtes et os des membres avec quelques silex datés du paléolithique final.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367019
title: Alexandre

description: Boite crânienne d'un homme d'une cinquantaine d'années trouvée dans la grotte Joëlle en 1983 et exposée au Musée de l'ancien Évèché à Grenoble. La fouille archéologique a mis à jour côtes et os des membres avec quelques silex datés du paléolithique final.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367021
title: Altar to Jupiter and other gods

description: Limestone altar with a long vague inscription, set in a simple frame. Above the inscription two animals are running towards the center and are depicted in a low relief. Between them stands probably a tree. National Museum of Antiquities, Leiden, the Netherlands; Reg. No. Pb 1; limestone; 119x73,5x50cm; 1165kg; Roman period; 174 AD; Vechten, the Netherlands; legacy January 1818

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367022
title: Altar to Jupiter and other gods

description: Limestone altar with a long vague inscription, set in a simple frame. Above the inscription two animals are running towards the center and are depicted in a low relief. Between them stands probably a tree. National Museum of Antiquities, Leiden, the Netherlands; Reg. No. Pb 1; limestone; 119x73,5x50cm; 1165kg; Roman period; 174 AD; Vechten, the Netherlands; legacy January 1818

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367023
title: Bunker LO36 exterior

description: Exterior only version of the Bunker LO36 model: https://skfb.ly/onKDI - with closed door and windows shutters

Infantry casemate bunker pillbox concrete fortress LO36 type "XI./186/C-"  in Ústí nad Labem, Czechia
http://www.ropiky.net/dbase_objekt.php?id=1096630620


Map:  https://goo.gl/maps/GACG47ghnw9kUURr5 Former part of Czechoslovak border fortifiation built in 1930's, now under heritage protection and a museum.
http://www.fortif.net/files/overview.php / https://en.wikipedia.org/wiki/Czechoslovak_border_fortifications

Photogrammetry scan 450 x 24Mpix  + drone by https://sketchfab.com/kubacpetr / 3x16K textures + HD Normals  / .OBJ 

Available for 3D printing. Done for LO36.cz fan community.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367024
title: Bunker LO36 exterior

description: Exterior only version of the Bunker LO36 model: https://skfb.ly/onKDI - with closed door and windows shutters

Infantry casemate bunker pillbox concrete fortress LO36 type "XI./186/C-"  in Ústí nad Labem, Czechia
http://www.ropiky.net/dbase_objekt.php?id=1096630620


Map:  https://goo.gl/maps/GACG47ghnw9kUURr5 Former part of Czechoslovak border fortifiation built in 1930's, now under heritage protection and a museum.
http://www.fortif.net/files/overview.php / https://en.wikipedia.org/wiki/Czechoslovak_border_fortifications

Photogrammetry scan 450 x 24Mpix  + drone by https://sketchfab.com/kubacpetr / 3x16K textures + HD Normals  / .OBJ 

Available for 3D printing. Done for LO36.cz fan community.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367025
title: Plafond église de Plampalacios

description: Plafonds de l'église San-Bartholomé de Plampalacios AINSA-SOBRARBE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367026
title: Plafond église de Plampalacios

description: Plafonds de l'église San-Bartholomé de Plampalacios AINSA-SOBRARBE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367027
title: Angel del Apocalipsis (s. XV) - Mantova

description: Museo Diocesano Francisco Gonzaga, Mantua, Italia
___________________
Angelo dell'Apocalisse, s. XV

Lowpoly model. [Highpoly model here](https://sketchfab.com/3d-models/angel-del-apocalipsis-s-xv-highpoly-d4c90f5474e64482827f8cdac7a3a602)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367028
title: Angel del Apocalipsis (s. XV) - Mantova

description: Museo Diocesano Francisco Gonzaga, Mantua, Italia
___________________
Angelo dell'Apocalisse, s. XV

Lowpoly model. [Highpoly model here](https://sketchfab.com/3d-models/angel-del-apocalipsis-s-xv-highpoly-d4c90f5474e64482827f8cdac7a3a602)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367029
title: Автор Гуляев Арсений, 6 класс

description: Моя Малая Родина —  Мирнинский район республики Саха. Вечная мерзлота этой земли не пугает, а притягивает и завораживает.
В этом городе добываются алмазы, что привлекает многих людей. Здесь 60 лет назад началось заселение территории по причине большого количества алмазов на этой местности.
Я считаю этот памятник символом моей Родины. Мой проект означает покорение алмаза человеком – он смог добыть и воспользоваться им. Этот памятник имеет черты человека. Его вытянутая рука означает победу, радость свершению и стремление идти вверх. Фигура стоит на граните, на этой площади располагаются алмазы, что означает покорение человеком алмаза.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367030
title: Автор Гуляев Арсений, 6 класс

description: Моя Малая Родина —  Мирнинский район республики Саха. Вечная мерзлота этой земли не пугает, а притягивает и завораживает.
В этом городе добываются алмазы, что привлекает многих людей. Здесь 60 лет назад началось заселение территории по причине большого количества алмазов на этой местности.
Я считаю этот памятник символом моей Родины. Мой проект означает покорение алмаза человеком – он смог добыть и воспользоваться им. Этот памятник имеет черты человека. Его вытянутая рука означает победу, радость свершению и стремление идти вверх. Фигура стоит на граните, на этой площади располагаются алмазы, что означает покорение человеком алмаза.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367031
title: Torre de la Merced

description: 19th century tower of a 18th century religious building in Aguascalientes, Mexico.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367032
title: Torre de la Merced

description: 19th century tower of a 18th century religious building in Aguascalientes, Mexico.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367034
title: Wooden Stool with Incised Decoration

description: Collection and item number: Possibly the Donald and Olive Kessler Collection, #167
Origin: West Africa, thought to be Liberian, c. 1961
Size: 18 1/2"H x 8 3/8"W x 7"D
Media: Wood with incised design
Note: Sometimes a series of stools in varying heights offered seating for individuals of corresponding social rank.

This item was 3D scanned using a [Creaform Go Scan 50.](https://onlineresourcesinc.com/products/academia-50/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367033
title: Wooden Stool with Incised Decoration

description: Collection and item number: Possibly the Donald and Olive Kessler Collection, #167
Origin: West Africa, thought to be Liberian, c. 1961
Size: 18 1/2"H x 8 3/8"W x 7"D
Media: Wood with incised design
Note: Sometimes a series of stools in varying heights offered seating for individuals of corresponding social rank.

This item was 3D scanned using a [Creaform Go Scan 50.](https://onlineresourcesinc.com/products/academia-50/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367035
title: Medieval Christian Symbols, Arcidosso

description: A carved stone lintel with christian symbols on Via Codaccio, in Arcidosso, Grosseto, Tuscany. The building si connected to San Leonardo church and this lintel is  a rectangular face architrave with incised decoration representing a cross inscribed in a circle, between a triangle and an elliptical sign representing possibly a fish. It dates to the second half of 12th c. on the basis of stratigraphic analyses. [source: M. De Falco 2004-2005, ref. AVM4, usm 207]

Model was created in Reality Capture using 18 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367036
title: Medieval Christian Symbols, Arcidosso

description: A carved stone lintel with christian symbols on Via Codaccio, in Arcidosso, Grosseto, Tuscany. The building si connected to San Leonardo church and this lintel is  a rectangular face architrave with incised decoration representing a cross inscribed in a circle, between a triangle and an elliptical sign representing possibly a fish. It dates to the second half of 12th c. on the basis of stratigraphic analyses. [source: M. De Falco 2004-2005, ref. AVM4, usm 207]

Model was created in Reality Capture using 18 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367037
title: ДОБРО ПОЉЕ - СПОМЕН ЧЕСМА НОБ

description: 42.892983, 22.280662  GPS Google maps
N: 4749723 E: 604561   GPS GeoSrbija

Спомен чесма је подигнута у знак признања и чувања успомене на 13 погинулих бораца и ЖФТ од 1941-1954. године. Порука на спомен чесми је следећа: " Нека зној наш падне где је крв њихова пала да би нам путеви били достојнији њихове величине".
 Спомен чесма је дело архитекте Димитријевић Милорада-Радета из Доброг Поља, свечано је прорадила поводом Дана бораца 1961. године, а обновљена је 2005. године.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367038
title: ДОБРО ПОЉЕ - СПОМЕН ЧЕСМА НОБ

description: 42.892983, 22.280662  GPS Google maps
N: 4749723 E: 604561   GPS GeoSrbija

Спомен чесма је подигнута у знак признања и чувања успомене на 13 погинулих бораца и ЖФТ од 1941-1954. године. Порука на спомен чесми је следећа: " Нека зној наш падне где је крв њихова пала да би нам путеви били достојнији њихове величине".
 Спомен чесма је дело архитекте Димитријевић Милорада-Радета из Доброг Поља, свечано је прорадила поводом Дана бораца 1961. године, а обновљена је 2005. године.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367039
title: Tomba dei Giganti - Sedda Sa Caudela - Collinas

description: # Tomba dei giganti Sa Sedda 'e Sa Caudela A

Monumento funerario nuragico che si trova ai piedi della Giara di Collinas, Sardegna. La tomba è stata oggetto di scavo da parte della Soprintendenza e ora il sito è visitabile e fruibile. Nel sito sono presenti un'altra tomba dei giganti, mutila a causa di lavori per la realizzazione della vicina strada, ed una cista litica che conteneva ossa di infanti.

Planimetria: lungo corridoio costituito da ortostati squadrati di basalto infissi nel terreno, a formare una allée couverte. si conserva in situ una sola lastra di copertura, mentre le altre sono ai margini della tomba. il corridoio, che termina con una lastra più grande, è interamente pavimentato con lastre di scisto. La sepoltura collettiva conservava numerosi resti umani, frammenti ceramici ed un coltello in bronzo.

datazione: Bronzo Medio-Bronzo Recente (XVI-XII a.C.)

Rilievo fotogrammetrico, elaborazione, texturizzazione e musealizzazione virtuale a cura di Maily Serra 

Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367040
title: Tomba dei Giganti - Sedda Sa Caudela - Collinas

description: # Tomba dei giganti Sa Sedda 'e Sa Caudela A

Monumento funerario nuragico che si trova ai piedi della Giara di Collinas, Sardegna. La tomba è stata oggetto di scavo da parte della Soprintendenza e ora il sito è visitabile e fruibile. Nel sito sono presenti un'altra tomba dei giganti, mutila a causa di lavori per la realizzazione della vicina strada, ed una cista litica che conteneva ossa di infanti.

Planimetria: lungo corridoio costituito da ortostati squadrati di basalto infissi nel terreno, a formare una allée couverte. si conserva in situ una sola lastra di copertura, mentre le altre sono ai margini della tomba. il corridoio, che termina con una lastra più grande, è interamente pavimentato con lastre di scisto. La sepoltura collettiva conservava numerosi resti umani, frammenti ceramici ed un coltello in bronzo.

datazione: Bronzo Medio-Bronzo Recente (XVI-XII a.C.)

Rilievo fotogrammetrico, elaborazione, texturizzazione e musealizzazione virtuale a cura di Maily Serra 

Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367042
title: Horsemen Graffiti Haddington Church

description: Graffiti on two men on horses on stone work on south wall of  St Mary's Parish Church, Haddington.  There are also marks from musket balls probably made during the siege of Haddington in 1548.

'The eighteen month occupation of Haddington 1548–1549 is said to be Scotland's longest siege. French, German and Scottish armies battered the defences of the burgh town trying to dislodge a stubborn and forlorn English garrison. In September 1549, the English relief column arrived unopposed and extricated the remaining plague-ridden defenders, leaving the fortifications to be levelled by the besiegers.'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367041
title: Horsemen Graffiti Haddington Church

description: Graffiti on two men on horses on stone work on south wall of  St Mary's Parish Church, Haddington.  There are also marks from musket balls probably made during the siege of Haddington in 1548.

'The eighteen month occupation of Haddington 1548–1549 is said to be Scotland's longest siege. French, German and Scottish armies battered the defences of the burgh town trying to dislodge a stubborn and forlorn English garrison. In September 1549, the English relief column arrived unopposed and extricated the remaining plague-ridden defenders, leaving the fortifications to be levelled by the besiegers.'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367043
title: Ring - Vikings 3D Prophecy - Episode 18

description: Episode eighteen of [@historyvikings](https://www.instagram.com/historyvikings/) 3D Prophecy brings us this fleur-de-lis ring. It was printed in wax on a [@formlabs](https://www.instagram.com/formlabs/) Form 2 and then cast in brass. Seen here being curved from a flat piece and soldered together by [@dominateallaspectsjewelry](https://www.instagram.com/dominateallaspectsjewelry/)

[Watch the reveal](https://www.facebook.com/Vikings/videos/1052238868214320/)

[See more about Vikings 3D Prophecy at 3D Brooklyn](http://www.3dbrooklyn.com/case-studies/2016/11/30/vikings-3d-prophecy)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367044
title: Ring - Vikings 3D Prophecy - Episode 18

description: Episode eighteen of [@historyvikings](https://www.instagram.com/historyvikings/) 3D Prophecy brings us this fleur-de-lis ring. It was printed in wax on a [@formlabs](https://www.instagram.com/formlabs/) Form 2 and then cast in brass. Seen here being curved from a flat piece and soldered together by [@dominateallaspectsjewelry](https://www.instagram.com/dominateallaspectsjewelry/)

[Watch the reveal](https://www.facebook.com/Vikings/videos/1052238868214320/)

[See more about Vikings 3D Prophecy at 3D Brooklyn](http://www.3dbrooklyn.com/case-studies/2016/11/30/vikings-3d-prophecy)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367045
title: Trade Kaolin Pipe - 36YO09

description: Reported found at the final Susquehannock Fort abandoned late 17th century, along the Susquehanna River in York County, Pennsylvania.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367046
title: Trade Kaolin Pipe - 36YO09

description: Reported found at the final Susquehannock Fort abandoned late 17th century, along the Susquehanna River in York County, Pennsylvania.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367047
title: Verge Maria. La Seu de Manresa

description: Isabel Marcos

La Seu de Manresa

Imatge mutilada de la verge Maria que formà part d'un grup de l'Anunciació. S. XV?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367048
title: Verge Maria. La Seu de Manresa

description: Isabel Marcos

La Seu de Manresa

Imatge mutilada de la verge Maria que formà part d'un grup de l'Anunciació. S. XV?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367050
title: 2921 - Buna Vestire

description: **2921 Buna Vestire**
Datare: începutul secolului al XX-lea
Centru: Laz
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată manual) cu penițăa, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței aurii; rama de esență rășinoasă, profilată, sculptată cu un brâu în formă de torsadă, vopsită.
Dimensiuni: 50,6 cm x 46 cm.

-------------------
** 2921 Good News **
Dating: early 20th century
Center: Laz
Material / Technique: Outline drawn with ink on the back of the glaze (thin, irregular glass, executed by hand) with the pen, after a izvod; painting surfaces with tempera; applying gold foil; resinous frame, profiled, carved with a twisted belt, painted.
Dimensions: 50.6 cm x 46 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367049
title: 2921 - Buna Vestire

description: **2921 Buna Vestire**
Datare: începutul secolului al XX-lea
Centru: Laz
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată manual) cu penițăa, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței aurii; rama de esență rășinoasă, profilată, sculptată cu un brâu în formă de torsadă, vopsită.
Dimensiuni: 50,6 cm x 46 cm.

-------------------
** 2921 Good News **
Dating: early 20th century
Center: Laz
Material / Technique: Outline drawn with ink on the back of the glaze (thin, irregular glass, executed by hand) with the pen, after a izvod; painting surfaces with tempera; applying gold foil; resinous frame, profiled, carved with a twisted belt, painted.
Dimensions: 50.6 cm x 46 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367051
title: Glimmingehus Frustugan (modell 9 av 12)

description: #Du befinner dig i detta rum:
![frustugan](https://pub.raa.se/nedladdning/sketchfab/bilder/lokaliseringssymboler/fstugan.jpg)

Borgens mest dekorerade rum är lite av en gåta. Det har kallats för kyrkan på grund av alla kristna motiv i stentavlorna. Idag kallas det dock frustugan och tros ha varit Jens fru Margaretas rum. Det var vanligt med en manlig och kvinnlig del i finare bostäder. Margareta tillhörde adelsätten Trolle och rådde över Glimmingehus som borgfru. I entréns stentavla kan vi se borgnycklarna hängandes från hennes skärp. Hon var mor till åtta av Jens nio barn, och av rummet att döma bör hon ha åtnjutit högt anseende, här finns de mest värdefulla stenskulpturerna tillsammans med hög komfort för tiden. 

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367052
title: Glimmingehus Frustugan (modell 9 av 12)

description: #Du befinner dig i detta rum:
![frustugan](https://pub.raa.se/nedladdning/sketchfab/bilder/lokaliseringssymboler/fstugan.jpg)

Borgens mest dekorerade rum är lite av en gåta. Det har kallats för kyrkan på grund av alla kristna motiv i stentavlorna. Idag kallas det dock frustugan och tros ha varit Jens fru Margaretas rum. Det var vanligt med en manlig och kvinnlig del i finare bostäder. Margareta tillhörde adelsätten Trolle och rådde över Glimmingehus som borgfru. I entréns stentavla kan vi se borgnycklarna hängandes från hennes skärp. Hon var mor till åtta av Jens nio barn, och av rummet att döma bör hon ha åtnjutit högt anseende, här finns de mest värdefulla stenskulpturerna tillsammans med hög komfort för tiden. 

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367053
title: Adamovas pilskalna vieta

description: Iznīcinātā Adamovas pilskalna vietas 3D modelis. Koordinātas: 55.89388, 27.13361

https://www.latvijas-pilskalni.lv/adamovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367054
title: Adamovas pilskalna vieta

description: Iznīcinātā Adamovas pilskalna vietas 3D modelis. Koordinātas: 55.89388, 27.13361

https://www.latvijas-pilskalni.lv/adamovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367055
title: 1930.331 Nataraja, Shiva as the Lord of Dance

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Nataraja, Shiva as the Lord of Dance*, 1000s. South India, Tamil Nadu, Chola period (900-1200s). Bronze; overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); base: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1930.331

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1930.331 

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367056
title: 1930.331 Nataraja, Shiva as the Lord of Dance

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Nataraja, Shiva as the Lord of Dance*, 1000s. South India, Tamil Nadu, Chola period (900-1200s). Bronze; overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); base: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1930.331

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1930.331 

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367057
title: 双葉町後迫B(うしろさくびー)遺跡弥生時代の竪穴住居跡

description: 双葉町後迫B(うしろさくびー)遺跡弥生時代の竪穴住居跡(SI53)です。丘陵斜面部に築かれ、平面形は不整形で掘り込みは浅いです。床面は踏みしまっています。福島県浜通り地域の弥生時代中期の住居跡はこのような形のものが多いです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367058
title: 双葉町後迫B(うしろさくびー)遺跡弥生時代の竪穴住居跡

description: 双葉町後迫B(うしろさくびー)遺跡弥生時代の竪穴住居跡(SI53)です。丘陵斜面部に築かれ、平面形は不整形で掘り込みは浅いです。床面は踏みしまっています。福島県浜通り地域の弥生時代中期の住居跡はこのような形のものが多いです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367061
title: Porte Centrale, Cathédrale de Strasbourg

description: Porte Centrale de la Cathédrale de Strasbourg
Front Door, Strasbourg Cathedrale
Stéréophotogrammétrie, 66 photos, Nikon D5200, 50mm, reconstruction par Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367062
title: Porte Centrale, Cathédrale de Strasbourg

description: Porte Centrale de la Cathédrale de Strasbourg
Front Door, Strasbourg Cathedrale
Stéréophotogrammétrie, 66 photos, Nikon D5200, 50mm, reconstruction par Photoscan

Source: Objaverse 1.0 / Sketchfab