cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10347163
title: ROI019-132-03

description: Charleston Point collected in Wabash County, Indiana.

Catalog #: 12-Wb-397-26

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, Mary Swartz, and Kevin C. Nolan, 2021. ROI019-132-03, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347164
title: La ilusión de la Materia - Chile - 2019 - 49

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347165
title: La ilusión de la Materia - Chile - 2019 - 49

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347166
title: Silver cup from Ryzhanovka

description: ID no.: MAK/3597

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/660

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347167
title: Silver cup from Ryzhanovka

description: ID no.: MAK/3597

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/660

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347168
title: 77-47-U281 Side Blade, Hot Springs Village

description: Biface or Side Blade, Hot Springs Village, Port Moller, Alaska CAT# 77-47-U281 Okada excavations HHU, Level 6. Hot Springs 1C. 1300-1000 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347169
title: 77-47-U281 Side Blade, Hot Springs Village

description: Biface or Side Blade, Hot Springs Village, Port Moller, Alaska CAT# 77-47-U281 Okada excavations HHU, Level 6. Hot Springs 1C. 1300-1000 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347170
title: 50 Years of the First Manned Space Flight - Coin

description: 50 years of the first manned space flight commemorative coin. 10 rubles.
The diameter is 22 mm. Steel with brass plated coating.

Made with 3DF Zephyr from 409 photos using CPL filter and polarized light for the mesh and 60 photos without filters for texture. Camera: Canon M10 with macro lense EF-M 28mm f/3.5 Macro IS STM.
Normal map computed with Zephyr. Metalness and roughness maps converted from displacement map.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347171
title: 50 Years of the First Manned Space Flight - Coin

description: 50 years of the first manned space flight commemorative coin. 10 rubles.
The diameter is 22 mm. Steel with brass plated coating.

Made with 3DF Zephyr from 409 photos using CPL filter and polarized light for the mesh and 60 photos without filters for texture. Camera: Canon M10 with macro lense EF-M 28mm f/3.5 Macro IS STM.
Normal map computed with Zephyr. Metalness and roughness maps converted from displacement map.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347172
title: Relieve Herculano

description: Pequeño relieve de marmól de la ciudad romana de Herculano.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347173
title: Relieve Herculano

description: Pequeño relieve de marmól de la ciudad romana de Herculano.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347174
title: YPM ANT.057502

description: Wood Frame Screen from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.057502

Description: Screen. Brown and green and beige, carved with two human figures playing chess-like gam beneath overhanging tree. Set in wood frame. Total height 8 1/8'. China.

Materials: Wood; Stone

Function: Art

Culture Group: Asian : China

Locality: Asia; China

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

432 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347175
title: YPM ANT.057502

description: Wood Frame Screen from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.057502

Description: Screen. Brown and green and beige, carved with two human figures playing chess-like gam beneath overhanging tree. Set in wood frame. Total height 8 1/8'. China.

Materials: Wood; Stone

Function: Art

Culture Group: Asian : China

Locality: Asia; China

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

432 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347177
title: PNRP F.1.28.115.30.a view 2

description: This L scapula fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347178
title: PNRP F.1.28.115.30.a view 2

description: This L scapula fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347179
title: Macierzyństwo II/Motherhood II

description: Macierzyństwo II (Motherhood II), 1972, by a Anna Paszkiewicz. The Statue is situated in Żeromskiego park in Szczecin, Poland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347180
title: Macierzyństwo II/Motherhood II

description: Macierzyństwo II (Motherhood II), 1972, by a Anna Paszkiewicz. The Statue is situated in Żeromskiego park in Szczecin, Poland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347181
title: Right Dome, Bibi-Khanym Mosque, Samarkand

description: Dome on Right. Bibi-Khanym Mosque, Samarkand, Uzbekistan
one of the most important monuments of Samarkand, Uzbekistan. In the 15th century, it was one of the largest and most magnificent mosques in the Islamic world. It is considered a masterpiece of the Timurid Renaissance.

Samarqand, is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. There is evidence of human activity in the area of the city from the late Paleolithic Era, but the city itself was fully established by the 8 cnetury BCE.  Prospering from its location on the Silk Road between China and Europe, at times Samarkand was one of the largest cities of Central Asia. The city was conquered by Alexander the Great in 329 BCE, when it was known as Markanda


3D model made in Reality Capture using 28 FARO Focus3D, Z&F, and Leica RTC 360 scan positions and 2101 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347182
title: Right Dome, Bibi-Khanym Mosque, Samarkand

description: Dome on Right. Bibi-Khanym Mosque, Samarkand, Uzbekistan
one of the most important monuments of Samarkand, Uzbekistan. In the 15th century, it was one of the largest and most magnificent mosques in the Islamic world. It is considered a masterpiece of the Timurid Renaissance.

Samarqand, is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. There is evidence of human activity in the area of the city from the late Paleolithic Era, but the city itself was fully established by the 8 cnetury BCE.  Prospering from its location on the Silk Road between China and Europe, at times Samarkand was one of the largest cities of Central Asia. The city was conquered by Alexander the Great in 329 BCE, when it was known as Markanda


3D model made in Reality Capture using 28 FARO Focus3D, Z&F, and Leica RTC 360 scan positions and 2101 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347183
title: Calcite Vase No. 44 Mleiha, - Optimized

description: Calcite Vase No. 44 of 47, from cache, Mleiha, Sharjah, UAE. The find was made by the Sharjah Archaeology Authority. 2nd-3rd Century CE. 399 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La era de Mleiha: navegantes y caravanas antes del Islam. Pp 83-130 (Figure p. 92). In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347184
title: Calcite Vase No. 44 Mleiha, - Optimized

description: Calcite Vase No. 44 of 47, from cache, Mleiha, Sharjah, UAE. The find was made by the Sharjah Archaeology Authority. 2nd-3rd Century CE. 399 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La era de Mleiha: navegantes y caravanas antes del Islam. Pp 83-130 (Figure p. 92). In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347185
title: Tau restauracion - Santiago ecuestre

description: ### **santiago matamoros**
---------------------------------
Conjunto escultórico de Santiago ecuestre.
Museo de las Peregrinaciones de Santiago de Compostela.

+ Objeto: Escultuta.
+ Datación: 1601 -1701 (siglo XII).
+ Lugar de producción: Comunidad Valenciana.
+ Uso/función: Devocional.
+ Dimensiones: Largo - 140 cm.,  Prof. - 45 cm., Alto - 110 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347186
title: Tau restauracion - Santiago ecuestre

description: ### **santiago matamoros**
---------------------------------
Conjunto escultórico de Santiago ecuestre.
Museo de las Peregrinaciones de Santiago de Compostela.

+ Objeto: Escultuta.
+ Datación: 1601 -1701 (siglo XII).
+ Lugar de producción: Comunidad Valenciana.
+ Uso/función: Devocional.
+ Dimensiones: Largo - 140 cm.,  Prof. - 45 cm., Alto - 110 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347187
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture with Paint

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347188
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture with Paint

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347189
title: ROI018-128-01

description: Jacks Reef/ Racoon Notched Point collected in Jay County, Indiana.

Catalog #: 12-Ja-231-25 

Uploaded by: Carson Wright and Collin Minnick

Christine Thompson, Gwyn Harris, Collin Minnick and Kevin C. Nolan, 2021. ROI018-128-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347190
title: ROI018-128-01

description: Jacks Reef/ Racoon Notched Point collected in Jay County, Indiana.

Catalog #: 12-Ja-231-25 

Uploaded by: Carson Wright and Collin Minnick

Christine Thompson, Gwyn Harris, Collin Minnick and Kevin C. Nolan, 2021. ROI018-128-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347192
title: Kalamba

description: Wadah kubur dari batu. Merupakan sistem penguburan masa akhir prasejarah

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347191
title: Kalamba

description: Wadah kubur dari batu. Merupakan sistem penguburan masa akhir prasejarah

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347193
title: The Other Cannon at Camp George West

description: Happy 4th or July!

Here is the other cannon that you can find at Camp George West in Golden Colorado. There was no editing in any external 3D program so another raw scan. I'm still getting my sea legs with photogrammetry and I think the results are better than my first photo scan of the smaller older cannon https://skfb.ly/68trH from last month. Don't know what type of cannon this is, so if anyone knows let me know.

Created in RealityCapture by Capturing Reality from 281 images in 00h:59m:33s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347194
title: The Other Cannon at Camp George West

description: Happy 4th or July!

Here is the other cannon that you can find at Camp George West in Golden Colorado. There was no editing in any external 3D program so another raw scan. I'm still getting my sea legs with photogrammetry and I think the results are better than my first photo scan of the smaller older cannon https://skfb.ly/68trH from last month. Don't know what type of cannon this is, so if anyone knows let me know.

Created in RealityCapture by Capturing Reality from 281 images in 00h:59m:33s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347195
title: Captain's Quarters - Norse Chair

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347196
title: Captain's Quarters - Norse Chair

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347197
title: Teemu Selänne's Hockey Shirt

description: Teemu Selänne began his NHL career with the Winnipeg Jets in 1992. In 1995 he moved to the Anaheim Ducks, where he played until 2001 and again from 2005 after intervening spells with the San Jose Sharks and the Colorado Avalanche.

The away jersey used by the Anaheim hockey team from 1993 to 2006 carried the team logo: a duck mask and two crossed sticks.  The duck logo was a product of the original owners of the team, The Walt Disney Company. The team was named after the movie The Mighty Ducks, distributed by Walt Disney Pictures in 1992. After ownership change the team was renamed as the Anaheim Ducks in 2006, and the logo was changed as well.

Teemu Selänne wore this jersey, manufactured by Nike, in the away game against the Ottawa Senators on 5 March 1997. He scored two goals as the Ducks won the game 4–1. Selänne wrote his name, the year and his player number 8 on the right side of the team logo on the chest.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347198
title: Teemu Selänne's Hockey Shirt

description: Teemu Selänne began his NHL career with the Winnipeg Jets in 1992. In 1995 he moved to the Anaheim Ducks, where he played until 2001 and again from 2005 after intervening spells with the San Jose Sharks and the Colorado Avalanche.

The away jersey used by the Anaheim hockey team from 1993 to 2006 carried the team logo: a duck mask and two crossed sticks.  The duck logo was a product of the original owners of the team, The Walt Disney Company. The team was named after the movie The Mighty Ducks, distributed by Walt Disney Pictures in 1992. After ownership change the team was renamed as the Anaheim Ducks in 2006, and the logo was changed as well.

Teemu Selänne wore this jersey, manufactured by Nike, in the away game against the Ottawa Senators on 5 March 1997. He scored two goals as the Ducks won the game 4–1. Selänne wrote his name, the year and his player number 8 on the right side of the team logo on the chest.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347199
title: UPTLA #133

description: Utah Pioneer Trails and Landmarks Association Pleasant Grove Fort Monument

📍 [Pleasant Grove, UT](https://scaniver.se/L40.36020,-111.73592)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347200
title: UPTLA #133

description: Utah Pioneer Trails and Landmarks Association Pleasant Grove Fort Monument

📍 [Pleasant Grove, UT](https://scaniver.se/L40.36020,-111.73592)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347201
title: burned_chest

description: This is the asset I made  in two weeks for 3d modeling and animation that I made in 3ds max. This is my first time putting uvs on models. I wanted a charred, and burned chest for my project because fire is neat (more so, i like "weathering"). I 
spent some time painting materials like the charred part. And I'm pretty happy with how it turned out.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347202
title: burned_chest

description: This is the asset I made  in two weeks for 3d modeling and animation that I made in 3ds max. This is my first time putting uvs on models. I wanted a charred, and burned chest for my project because fire is neat (more so, i like "weathering"). I 
spent some time painting materials like the charred part. And I'm pretty happy with how it turned out.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347203
title: 青面金剛(東京都江戸川区東葛西2丁目34番20号)

description: 青面金剛(東京都江戸川区東葛西2丁目34番20号)

天明6年(1786年)建立

![](https://pbs.twimg.com/media/FOnorR5aMAEfs5B?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347204
title: 青面金剛(東京都江戸川区東葛西2丁目34番20号)

description: 青面金剛(東京都江戸川区東葛西2丁目34番20号)

天明6年(1786年)建立

![](https://pbs.twimg.com/media/FOnorR5aMAEfs5B?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347205
title: Amphora, Necropolis of Poggio Pinci, Asciano

description: Amphora with cylindrical body and elongated pointed bottom. Light brown clay. Assigned to form ""Lamboglia 2"" and used as container of wine. Most probably produced in Magna Grecia, at the end of the 2nd - first half of 1st c. BCE and exported throughout the Mediterranean. Tomb II.450, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 141. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 282 images. GDH ID No. Case8_Amphora1 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347206
title: Amphora, Necropolis of Poggio Pinci, Asciano

description: Amphora with cylindrical body and elongated pointed bottom. Light brown clay. Assigned to form ""Lamboglia 2"" and used as container of wine. Most probably produced in Magna Grecia, at the end of the 2nd - first half of 1st c. BCE and exported throughout the Mediterranean. Tomb II.450, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 141. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 282 images. GDH ID No. Case8_Amphora1 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347207
title: Paris catacombs: Fontaine Des Chartreux (1)

description: This is one of the most stunning places in the Paris catacombs. Built in the early XIX century, this fountain is located under the Luxembourg garden (at the place where once stood the great *Chartreuse* of Paris - a large monastery of the Carthusian religious order).

Louis Héricart-de-Thury (then the General Inspector of the Paris' underground quarries) built the fountain to drain underground water and better monitor the water tables. The water has a blue-green color thanks to some minerals. It's one of the best places to have a break during a night of underground exploration.

Check out some pictures [here](https://tinyurl.com/55bu2ddr)

![](https://arrets-sur-images.fr/wp-content/uploads/Fontaine-des-Chartreux-I.jpg)

Scanned with the iPhone12 Pro and Scaniverse. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab