cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10328577
title: 4atl

description: 4 athletes relief (greek)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328579
title: Agamennone

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328580
title: Agamennone

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328581
title: Pesa de 1 kg de Hierro

description: Pesa de 1 Kilo de Hierro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328582
title: Pesa de 1 kg de Hierro

description: Pesa de 1 Kilo de Hierro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328584
title: Desmán o Galemys pyrenaicus

description: **Ejemplar:** *Galemys pyrenaicus* 
**Taxonomía:** Talpidae-Desmaninae
**Nombre común**: Desmán o rata almizclera
**Localidad**: Pirineos catalanes
**Descripción:** escultura a tamaño real esculpida en arcilla por el Dr. Julio Pitarch
**Dimensión ejemplar:** 18 cm. altura y 9 cm. anchura.
**Sigla museo, colección y entidad:** MUVHNZJ0310, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas) del Museo de la Universitat de Valencia de Historia Natural 
**Realización recreación:** Julio Pitarch Reig (1986)
**Técnica digitalización / modelo:** fotogrametría, cámara sony DSC HX60
**Software empleado:** photoscan
**Parámetros software:** modo fijo con plataforma giratoria, calidad alta
**Archivo 3D:** obj 12,4 textura jpg 10,5 MB
**Autor fotografías:** Guillermo Rodero (alumno trabaJo fin de máster 2020)
**Autor fotogrametría**: Jose A. Villena
**Cita ejemplar:** modelo 3D colección "Padre Ignacio Sala S.J." del Museo de la Universitat de Valencia de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328583
title: Desmán o Galemys pyrenaicus

description: **Ejemplar:** *Galemys pyrenaicus* 
**Taxonomía:** Talpidae-Desmaninae
**Nombre común**: Desmán o rata almizclera
**Localidad**: Pirineos catalanes
**Descripción:** escultura a tamaño real esculpida en arcilla por el Dr. Julio Pitarch
**Dimensión ejemplar:** 18 cm. altura y 9 cm. anchura.
**Sigla museo, colección y entidad:** MUVHNZJ0310, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas) del Museo de la Universitat de Valencia de Historia Natural 
**Realización recreación:** Julio Pitarch Reig (1986)
**Técnica digitalización / modelo:** fotogrametría, cámara sony DSC HX60
**Software empleado:** photoscan
**Parámetros software:** modo fijo con plataforma giratoria, calidad alta
**Archivo 3D:** obj 12,4 textura jpg 10,5 MB
**Autor fotografías:** Guillermo Rodero (alumno trabaJo fin de máster 2020)
**Autor fotogrametría**: Jose A. Villena
**Cita ejemplar:** modelo 3D colección "Padre Ignacio Sala S.J." del Museo de la Universitat de Valencia de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328585
title: Monumento Arqueológico - Alto Ariquilda

description: Complejo de Arte Ruestre Monumental Alto Ariquilda, Comuna de Huara. Región de Tarapacá.

3ra Revisión - Corrección de modelo. Levantado 19.01.2022.  1er y 2do (20-21 de 06.2021), presentó daños en datos GeoTIFF, desplazando de elevación en sección Suroeste.

Se ha identificado nuevos hallazgos de geoglífo al poniente, y otros de data Temprana, asociado a sitios Arcaico, al occidente.

La evaluación crítica, permitió identificar diversas afectaciones, la más graves es la pérdida del panel meridional por la carretera.

Realizado para: "Estudio de las Relaciones Astronómicas y Espaciales para los Geoglifos de Ariquilda" Fonpat, MINCAP 2021. de los responsables Pablo Trincado/Carlos Aracena.

Levantamiento y caracterización: Luis Pérez Reyes. Arqueólogo. Mg. Paleontología. Programa de Dotorado. Institut für Archäologie und Kulturanthropologie. Universität Bonn. Alemania.
Conservadora: Cecilia Sandoval Tripailaf. Conservadora y Restauradora. U. de Chile. Restauración Materiales Arqueológicos, Yachay Wasy, Perú.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328586
title: Monumento Arqueológico - Alto Ariquilda

description: Complejo de Arte Ruestre Monumental Alto Ariquilda, Comuna de Huara. Región de Tarapacá.

3ra Revisión - Corrección de modelo. Levantado 19.01.2022.  1er y 2do (20-21 de 06.2021), presentó daños en datos GeoTIFF, desplazando de elevación en sección Suroeste.

Se ha identificado nuevos hallazgos de geoglífo al poniente, y otros de data Temprana, asociado a sitios Arcaico, al occidente.

La evaluación crítica, permitió identificar diversas afectaciones, la más graves es la pérdida del panel meridional por la carretera.

Realizado para: "Estudio de las Relaciones Astronómicas y Espaciales para los Geoglifos de Ariquilda" Fonpat, MINCAP 2021. de los responsables Pablo Trincado/Carlos Aracena.

Levantamiento y caracterización: Luis Pérez Reyes. Arqueólogo. Mg. Paleontología. Programa de Dotorado. Institut für Archäologie und Kulturanthropologie. Universität Bonn. Alemania.
Conservadora: Cecilia Sandoval Tripailaf. Conservadora y Restauradora. U. de Chile. Restauración Materiales Arqueológicos, Yachay Wasy, Perú.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328587
title: Asterix, Obelix e Ideafix

description: Instalação na exposição Cómic: Sueños e História, CaixaForum, Madrid.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328588
title: Asterix, Obelix e Ideafix

description: Instalação na exposição Cómic: Sueños e História, CaixaForum, Madrid.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328590
title: Botella Wari

description: 1.	Botella de cuerpo esférico y achatado con representación pintada de una figura humana. 
2.	Además de adornos corporales como la pintura facial, su cabeza está adornada con un tocado. 
3.	Viste una camisa sin mangas (uncu) con placas de metal que podrían indicar distinción.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328589
title: Botella Wari

description: 1.	Botella de cuerpo esférico y achatado con representación pintada de una figura humana. 
2.	Además de adornos corporales como la pintura facial, su cabeza está adornada con un tocado. 
3.	Viste una camisa sin mangas (uncu) con placas de metal que podrían indicar distinción.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328591
title: Cántaro de Cuerpo Ovoide

description: Cántaro de cuerpo ovoide, asas laterales y base convexa. Presenta diseños de líneas entrecruzadas y zigzageantes Cultura Chancay Intermedio Tardío (1000 d.C. – 1470 d.C.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328592
title: Cántaro de Cuerpo Ovoide

description: Cántaro de cuerpo ovoide, asas laterales y base convexa. Presenta diseños de líneas entrecruzadas y zigzageantes Cultura Chancay Intermedio Tardío (1000 d.C. – 1470 d.C.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328593
title: Chief Pocatello Northern Shoshone Tribal Leader

description: Chief Pocatello was a leader of Shoshone in Idaho. He is what Pocatello Idaho is named after. He tried to unite the tribal bands after fighting with the Army for a few decades.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328594
title: Chief Pocatello Northern Shoshone Tribal Leader

description: Chief Pocatello was a leader of Shoshone in Idaho. He is what Pocatello Idaho is named after. He tried to unite the tribal bands after fighting with the Army for a few decades.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328595
title: Deposito Votivo13

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328596
title: Deposito Votivo13

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328597
title: Gilliam Springs Baptist Church

description: Our mission at Gilliam Springs Baptist Church is to glorify God by introducing Jesus Christ as Savior and Lord to as many people as possible and to guide them to Christian maturity.

https://www.gilliamsprings.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328598
title: Gilliam Springs Baptist Church

description: Our mission at Gilliam Springs Baptist Church is to glorify God by introducing Jesus Christ as Savior and Lord to as many people as possible and to guide them to Christian maturity.

https://www.gilliamsprings.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328600
title: Mosiężny iluminator z m.s. "Piłsudski"

description: **Mosiężny iluminator z m.s. "Piłsudski"**

**Nr inw.:** CMM/BO/1663

**Wymiary:** średnica zewnętrzna 42 cm

**Tworzywo:** mosiądz, szkło

**Okres powstania:** 1935 (przypuszczalnie)

**Opis:** Okrągły, mosiężny iluminator składający się z dwóch zasadniczych części: okrągłej ramy o średnicy i okrągłej oprawy ze szkłem, zamykanej na ramie. Dar płetwonurków z klubu nurkowego "Chadderton Club" z Oldham k/Manchesteru w Wielkiej Brytanii.

Więcej na: http://www.mspilsudski.pl

Zdigitalizowano w ramach Projektu "Transatlantyk MS Piłsudski - pływająca ambasada polskiej kultury" dofinansowanego ze środków MKiDN w ramach Programu "Kultura Cyfrowa", którego Beneficjentem jest Fundacja Koncept Kultura, a Partnerem strategicznym Narodowe Muzeum Morskie w Gdańsku.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328599
title: Mosiężny iluminator z m.s. "Piłsudski"

description: **Mosiężny iluminator z m.s. "Piłsudski"**

**Nr inw.:** CMM/BO/1663

**Wymiary:** średnica zewnętrzna 42 cm

**Tworzywo:** mosiądz, szkło

**Okres powstania:** 1935 (przypuszczalnie)

**Opis:** Okrągły, mosiężny iluminator składający się z dwóch zasadniczych części: okrągłej ramy o średnicy i okrągłej oprawy ze szkłem, zamykanej na ramie. Dar płetwonurków z klubu nurkowego "Chadderton Club" z Oldham k/Manchesteru w Wielkiej Brytanii.

Więcej na: http://www.mspilsudski.pl

Zdigitalizowano w ramach Projektu "Transatlantyk MS Piłsudski - pływająca ambasada polskiej kultury" dofinansowanego ze środków MKiDN w ramach Programu "Kultura Cyfrowa", którego Beneficjentem jest Fundacja Koncept Kultura, a Partnerem strategicznym Narodowe Muzeum Morskie w Gdańsku.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328601
title: Loggia Del Maestri Comagni, Assisi

description: Created in RealityCapture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328602
title: Loggia Del Maestri Comagni, Assisi

description: Created in RealityCapture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328603
title: Stage Piece

description: This stage piece features hand-carved Yoruba inspired masks evocative of the ancient Greek Muses of comedy and tragedy, Thalia and Mepomene. 

This item was 3D scanned using a Creaform Go Scan 50.

To learn more about this piece visit: http://www.thewalkertheatre.org/

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328604
title: Stage Piece

description: This stage piece features hand-carved Yoruba inspired masks evocative of the ancient Greek Muses of comedy and tragedy, Thalia and Mepomene. 

This item was 3D scanned using a Creaform Go Scan 50.

To learn more about this piece visit: http://www.thewalkertheatre.org/

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328606
title: Antinous statue fragment, Els Munts, Tarragona

description: "Fragment from the statue of Antinous from the site of Els Munts (Tarragona, Spain). Depiction of the young Bithynian. A slave and favourite of Hadrian, who the emperor deified following his tragic death by drowning in the Nile in 122 AD. His presence in the Villa of Els Munts would denote the loyalty of the villa´s owner to emperor.

247 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT45406_3. A fragment of sculpture MNAT45406. 

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328607
title: Antinous statue fragment, Els Munts, Tarragona

description: "Fragment from the statue of Antinous from the site of Els Munts (Tarragona, Spain). Depiction of the young Bithynian. A slave and favourite of Hadrian, who the emperor deified following his tragic death by drowning in the Nile in 122 AD. His presence in the Villa of Els Munts would denote the loyalty of the villa´s owner to emperor.

247 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT45406_3. A fragment of sculpture MNAT45406. 

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328611
title: 1698 gravestone Abbey St Bathans, Scotland

description: Gravestone within Abbey St Bathans Kirkyard, Scottish Borders.  Inscribed: 'Here Lyes Patrick Johnston who departed this life 1 May 1698 and of his age 45: Here lies Jean Moffot spous to Patrick Johnston who departed this life 11 April 1723 and of her age . Here lyes Margret Coun spous to James Johnston who departed this life the 27 September 1723 and of her age 17'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328612
title: 1698 gravestone Abbey St Bathans, Scotland

description: Gravestone within Abbey St Bathans Kirkyard, Scottish Borders.  Inscribed: 'Here Lyes Patrick Johnston who departed this life 1 May 1698 and of his age 45: Here lies Jean Moffot spous to Patrick Johnston who departed this life 11 April 1723 and of her age . Here lyes Margret Coun spous to James Johnston who departed this life the 27 September 1723 and of her age 17'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328613
title: "Polish" violin

description: ID no.: MRG PTTK; KW no.: 752

https://muzea.malopolska.pl/en/objects-list/148

Museum: The Ignacy Łukasiewicz Regional Museum of Polish Tourism and Sightseeing Society in Gorlice

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328614
title: "Polish" violin

description: ID no.: MRG PTTK; KW no.: 752

https://muzea.malopolska.pl/en/objects-list/148

Museum: The Ignacy Łukasiewicz Regional Museum of Polish Tourism and Sightseeing Society in Gorlice

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328615
title: Умывальник/Washstand

description: Nazad v proshloe!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328616
title: Умывальник/Washstand

description: Nazad v proshloe!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328618
title: Escudo de alianzas de Calderón de la Barca...

description: Escudo de alianzas de Calderón de la Barca, Rojas, Marín y Ladrón de Guevara.
Procedente de la casa señorial desaparecida de la calle Santa Teresa, Murcia.
Piedra caliza.
Estilo rococó.
Último tercio del siglo XVIII
Actualmente en el Museo Arqueológico de Murcia

Proyecto conjunto con el Museo Arqueológico de Murcia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328617
title: Escudo de alianzas de Calderón de la Barca...

description: Escudo de alianzas de Calderón de la Barca, Rojas, Marín y Ladrón de Guevara.
Procedente de la casa señorial desaparecida de la calle Santa Teresa, Murcia.
Piedra caliza.
Estilo rococó.
Último tercio del siglo XVIII
Actualmente en el Museo Arqueológico de Murcia

Proyecto conjunto con el Museo Arqueológico de Murcia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328619
title: Vessel with Cover (cover), 5th-4th century BCE

description: Ancient Chinese bronze vessel cover, 5th-4th century BCE, now in the collection of the Minneapolis Institute of Art. 

More information: 

https://collections.artsmia.org/art/1145/vessel-with-cover-china

A model of the base of the vessel is here:

https://skfb.ly/6AGZR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328620
title: Vessel with Cover (cover), 5th-4th century BCE

description: Ancient Chinese bronze vessel cover, 5th-4th century BCE, now in the collection of the Minneapolis Institute of Art. 

More information: 

https://collections.artsmia.org/art/1145/vessel-with-cover-china

A model of the base of the vessel is here:

https://skfb.ly/6AGZR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328621
title: Tanum 430 1

description: Laserscanning of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328622
title: Tanum 430 1

description: Laserscanning of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328623
title: Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah. One poorly defined animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328624
title: Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah. One poorly defined animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328625
title: MARBLE CHEST BURIAL INFANT - BRITISH MUSEUM 2020

description: Marble chest with lid, used for the burial of two infant boys. At each angle of the front there is a flaming candelabrum, resting on dolphins and having a winged Sphinx in the middle of the stem. A pomegranate (?) flower hangs on each side of a tablet with moulded frame, inscribed. On the right side is a wreath of fruit tied with sashes. Two birds are pecking at a lizard, and two are pecking at the wreath. On the left side is a similar wreath. Two birds are feeding their young in a nest, and two birds are pecking at the wreath. The cover is in pediment form, with a shell in the middle of the pediment and a dolphin at each angle. At each side are rosettes (description by Smith 1904, p.348 n.2359).

SEE : https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=400348&page=6&partId=1&plaA=39435-2-11&place=39435

**3D Model Update and Optimized 13 / 05 / 2020**

**Fixed : Box / Optimized / Lights / Textures maps**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328626
title: MARBLE CHEST BURIAL INFANT - BRITISH MUSEUM 2020

description: Marble chest with lid, used for the burial of two infant boys. At each angle of the front there is a flaming candelabrum, resting on dolphins and having a winged Sphinx in the middle of the stem. A pomegranate (?) flower hangs on each side of a tablet with moulded frame, inscribed. On the right side is a wreath of fruit tied with sashes. Two birds are pecking at a lizard, and two are pecking at the wreath. On the left side is a similar wreath. Two birds are feeding their young in a nest, and two birds are pecking at the wreath. The cover is in pediment form, with a shell in the middle of the pediment and a dolphin at each angle. At each side are rosettes (description by Smith 1904, p.348 n.2359).

SEE : https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=400348&page=6&partId=1&plaA=39435-2-11&place=39435

**3D Model Update and Optimized 13 / 05 / 2020**

**Fixed : Box / Optimized / Lights / Textures maps**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328627
title: Bronzetto Sardo, Sardinian Bronze

description: Il bronzetto nuragico (brunzìttu nuragicu in lingua sarda) è una scultura bronzea tipica della Sardegna.
Nonostante la datazione di questi bronzetti sia tuttoggi incerta è stimata tra il XII e il VII secolo a.C.

The Nuragic bronze statuettes (bronzetti in Italian, brunzittos or brunzittus in Sardinian) are typical Sardinian bronze sculptures of the final phase of the Bronze Age and the early Iron Age.

Archaeologists have not been able yet to date the figures accurately: they were allegedly made between the XIII° century BC and the VI° century BC.

Modello 3D generato con il software di fotogrammetria 3DF Zephyr  v3.702 processing 32 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328628
title: Bronzetto Sardo, Sardinian Bronze

description: Il bronzetto nuragico (brunzìttu nuragicu in lingua sarda) è una scultura bronzea tipica della Sardegna.
Nonostante la datazione di questi bronzetti sia tuttoggi incerta è stimata tra il XII e il VII secolo a.C.

The Nuragic bronze statuettes (bronzetti in Italian, brunzittos or brunzittus in Sardinian) are typical Sardinian bronze sculptures of the final phase of the Bronze Age and the early Iron Age.

Archaeologists have not been able yet to date the figures accurately: they were allegedly made between the XIII° century BC and the VI° century BC.

Modello 3D generato con il software di fotogrammetria 3DF Zephyr  v3.702 processing 32 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328629
title: Coppellato 1 dett. - Lunes - Teodone

description: Il mio ricostruzione 3D generato con il software di fotogrammetria 3DF Zephyr  v6.010 processing 45 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10328630
title: Coppellato 1 dett. - Lunes - Teodone

description: Il mio ricostruzione 3D generato con il software di fotogrammetria 3DF Zephyr  v6.010 processing 45 images

Source: Objaverse 1.0 / Sketchfab