cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14922978
title: Supplementary Material for: The Prognostic Ability of RAS Pathway-Related Gene Mutations in Patients with Myeloid Neoplasms Treated with Hypomethylating Agents

description: <b><i>Introduction:</i></b> This study aimed to identify genetic predictors of treatment response and survival in patients with myeloid neoplasms treated with hypomethylating agents (HMAs). <b><i>Methods:</i></b> We performed next-generation sequencing on bone marrow aspiration samples of 59 patients diagnosed with acute myeloid leukemia (AML), myelodysplastic syndrome with excess blasts-2, or chronic myelomonocytic leukemia and treated with decitabine or azacitidine as a frontline therapy. <b><i>Results:</i></b> A single gene with the most common mutations was <i>TP53</i> (14 of 59 patients), and mutations in RAS pathway-related genes including <i>KRAS</i>, <i>NRAS</i>, <i>FLT3</i>, <i>PTPN11</i>, <i>CBL</i>, and <i>KIT</i> were found in 28.8% of patients. The overall response rate to HMAs was 33.9%. Predictive factors for a poor response were an age &gt;75 years (<i>p</i> = 0.007), 3 or more gene mutations (<i>p</i> = 0.004), mutations in RAS pathway-related genes (<i>p</i> = 0.033), and a mutated <i>NRAS</i> gene (<i>p</i> = 0.042). An age &gt;75 years (hazard ratio 2.946), diagnosis of AML (hazard ratio 2.915), and mutations in <i>NRAS</i> (hazard ratio 4.440) were identified as poor prognostic factors for survival. <b><i>Conclusion:</i></b> In conclusion, mutations in RAS pathway-related genes were predictors of a poor response to HMAs. Particularly, mutated <i>NRAS</i> was associated with inferior survival rates.
DOI: 10.6084/m9.figshare.14922978.v1
title: Supplementary Material for: The Prognostic Ability of RAS Pathway-Related Gene Mutations in Patients with Myeloid Neoplasms Treated with Hypomethylating Agents

description: <b><i>Introduction:</i></b> This study aimed to identify genetic predictors of treatment response and survival in patients with myeloid neoplasms treated with hypomethylating agents (HMAs). <b><i>Methods:</i></b> We performed next-generation sequencing on bone marrow aspiration samples of 59 patients diagnosed with acute myeloid leukemia (AML), myelodysplastic syndrome with excess blasts-2, or chronic myelomonocytic leukemia and treated with decitabine or azacitidine as a frontline therapy. <b><i>Results:</i></b> A single gene with the most common mutations was <i>TP53</i> (14 of 59 patients), and mutations in RAS pathway-related genes including <i>KRAS</i>, <i>NRAS</i>, <i>FLT3</i>, <i>PTPN11</i>, <i>CBL</i>, and <i>KIT</i> were found in 28.8% of patients. The overall response rate to HMAs was 33.9%. Predictive factors for a poor response were an age &gt;75 years (<i>p</i> = 0.007), 3 or more gene mutations (<i>p</i> = 0.004), mutations in RAS pathway-related genes (<i>p</i> = 0.033), and a mutated <i>NRAS</i> gene (<i>p</i> = 0.042). An age &gt;75 years (hazard ratio 2.946), diagnosis of AML (hazard ratio 2.915), and mutations in <i>NRAS</i> (hazard ratio 4.440) were identified as poor prognostic factors for survival. <b><i>Conclusion:</i></b> In conclusion, mutations in RAS pathway-related genes were predictors of a poor response to HMAs. Particularly, mutated <i>NRAS</i> was associated with inferior survival rates.
DOI: 10.15468/j2fs7t
title: NHMD Invertebrate Zoology Collection

description: The invertebrate collection (excepting insects and some other arthropods) is for historical reasons very much focused on marine fauna. The geographical representation is especially good for areas where Denmark has been present as a nation: Danish marine territory, Greenland, the North Atlantic in general, and our former, tropical colonies. The collection contains large amounts of original and type material from the period 1760 to about a hundred years later, when the description of the animal kingdom was really gaining speed. From later, important initiatives it is relevant to mention material from the “Dana” plankton expeditions, the “Galathea” Deep Sea Expedition, and from recent years large amounts of previously poorly known or undescribed, so called meiofauna animals. Samlingen af hvirvelløse dyr (undtagen insekter og visse andre leddyr) har af historiske grunde specielt fokus på den marine fauna. Geografisk er repræsentationen særligt god for områder, hvor Danmark har været nationalt til stede: dansk havområde, Grønland, Nordatlanten generelt og vore tidligere tropekolonier. Samlingen rummer store mængder original- og typemateriale fra perioden 1760 og hundrede år frem, hvor dyrerigets beskrivelse virkelig tog fart. Af senere, vigtige indsatser kan nævnes “Dana”-ekspeditionernes plankton, “Galathea” Dybhavsekspeditionens indsamlinger og fra de senere år de store materialer af tidligere ret ukendte eller helt ubeskrevne, såkaldte meiofauna-dyr.
DOI: 10.6084/m9.figshare.14923017
title: EP2019_Electoral_Dataset.xlsx

description: Dataset on electoral system elements and effects for the 2019 EP Election
DOI: 10.6084/m9.figshare.14909934
title: Identification of rock and fracture kinaematics in high Alpine rockwalls under the influence of elevation

description: This data set contains crackmeter data from the laboratory and the field as well as rock temperature data from the Hungerli Valley, Swiss Alps.The data was used in Draebing (2021): Identification of rock and fracture kinaematics in high Alpine rockwalls under the influence of elevation. Earth Surface Dynamics. https://doi.org/10.5194/esurf-2020-69
DOI: 10.6084/m9.figshare.14909934.v1
title: Identification of rock and fracture kinaematics in high Alpine rockwalls under the influence of elevation

description: This data set contains crackmeter data from the laboratory and the field as well as rock temperature data from the Hungerli Valley, Swiss Alps.The data was used in Draebing (2021): Identification of rock and fracture kinaematics in high Alpine rockwalls under the influence of elevation. Earth Surface Dynamics. https://doi.org/10.5194/esurf-2020-69
DOI: 10.6084/m9.figshare.14922975
title: Outcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerusm

description: This dataset contains data on the effectiveness of arthroscopic arthrolysis and extraction of the osteosynthetic material after osteosynthesis of the proximal humerus in patients with problems persisting 12 months after the original surgery. It describes a group of 34 such patients in whom we performed arthroscopic arthrolysis, extraction of fixation screws and, where protruding, of the nail in 34 patients. This dataset was used for calculating results presented in the paper Outcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerus.<br><br><br>
DOI: 10.6084/m9.figshare.14922975.v2
title: Outcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerusm

description: This dataset contains data on the effectiveness of arthroscopic arthrolysis and extraction of the osteosynthetic material after osteosynthesis of the proximal humerus in patients with problems persisting 12 months after the original surgery. It describes a group of 34 such patients in whom we performed arthroscopic arthrolysis, extraction of fixation screws and, where protruding, of the nail in 34 patients. This dataset was used for calculating results presented in the paper Outcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerus.<br><br><br>
DOI: 10.6084/m9.figshare.14922975.v1
title: Untitled IteOutcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerusm

description: This dataset contains data on the effectiveness of arthroscopic arthrolysis and extraction of the osteosynthetic material after osteosynthesis of the proximal humerus in patients with problems persisting 12 months after the original surgery. It describes a group of 34 such patients in whom we performed arthroscopic arthrolysis, extraction of fixation screws and, where protruding, of the nail in 34 patients. This dataset was used for calculating results presented in the paper Outcomes of miniinvasive arthroscopic arthrolysis and intramedullary nail extraction after osteosynthesis of the proximal humerus.<br><br><br>
DOI: 10.25403/upresearchdata.13302464
title: Consolidated framework for interventions intended to stimulate micro-enterprise growth in South Africa

description: Attached is recordings of the data collection meetings and feedback meeting conducted with the consulting client.
DOI: 10.25403/upresearchdata.13302464.v1
title: Consolidated framework for interventions intended to stimulate micro-enterprise growth in South Africa

description: Attached is recordings of the data collection meetings and feedback meeting conducted with the consulting client.
DOI: 10.6084/m9.figshare.14923059
title: PSC

description: This is the metadata information for Cohort1 of Yilmaz et al. 2019 Nature Medicine Paper.
DOI: 10.6084/m9.figshare.14923011
title: urban data

description: time series NDVI and NTL data, roads layer, urban layer, slope and hillshade layer
DOI: 10.6084/m9.figshare.14923011.v1
title: urban data

description: time series NDVI and NTL data, roads layer, urban layer, slope and hillshade layer
DOI: 10.5281/zenodo.5078235
title: Multimodal poster presentation feedback dataset

description: This is a dataset used for a multimodal poster presentation experiment and data analysis performed at the Division of Speech, Music and Hearing (TMH) at KTH Royal Institute of Technology in Stockholm Sweden in 2019 and 2020. The compressed elan_files.zip file contains raw ELAN annotated data, and the various .csv files contain formatted data for training for statistical learning models. Used in an upcoming publication.
description: Funded by the SSF (Swedish Foundation for Strategic Research) project COIN (Co-Adaptive Human-Robot Interaction).
DOI: 10.5281/zenodo.5078234
title: Multimodal poster presentation feedback dataset

description: This is a dataset used for a multimodal poster presentation experiment and data analysis performed at the Division of Speech, Music and Hearing (TMH) at KTH Royal Institute of Technology in Stockholm Sweden in 2019 and 2020. The compressed elan_files.zip file contains raw ELAN annotated data, and the various .csv files contain formatted data for training for statistical learning models. Used in an upcoming publication.
description: Funded by the SSF (Swedish Foundation for Strategic Research) project COIN (Co-Adaptive Human-Robot Interaction).
DOI: 10.1285/i22840753n19p1
title: Frontespizio
DOI: 10.1285/i22840753n19p3
title: Indice
DOI: 10.1285/i22840753n19p5
title: Immaginario
DOI: 10.1285/i22840753n19p7
title: Schermo, habitat, piattaforma. Metafore dell'immaginario della comunicazione = Screen, habitat, platform. Metaphors of the imaginary of communication

description: Over the last forty years, by incarnating the very essence of an increasingly widespread and pervasive symbolic power, communication has acquired an unprecedented centrality. Additionally, over the same period there has been an exponential multiplication of interpretations, readings, studies and research that have affected public and academic debate. Dystopias and fears, fuelled by the historical-political events of the first half of the 20th century and then reinforced in the 1970s by the hypothetical return to powerful media, were first flanked and then hybridised by new conceptions and utopian visions, sometimes simplistic and even populist. This certainly represents a more articulated and complex Weltanschauung, capable of uncovering an evolved imaginary, rich in contradictions due to the many roles and multiple values and functions (even vicarious) acquired by communication itself. In the light of the above premises, this paper aims to suggest a reflection regarding the way some interpretative categories and key concepts of communication, capable of crystallising its specific aspects, have contributed over the last few decades to re-construct its current imaginary. In particular, we seek to analyse the dynamic figuration in which images, meanings and metaphors are stratified and confused, referable to the impact of media on everyday life, to the flourishing of cultural industries, to the gradual domestication of technologies, to the surfacing of a connective and collective intelligence and to a proper utopia of communication. Such imaginary has been marked, in more recent years, by the affirmation of a convergence that also comes to be cultural, as well as by new collective obsessions, by forms of control, homologation, and surveillance.
DOI: 10.1285/i22840753n19p31
title: L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity

description: The research path I am presenting here focuses on an analysis of the imagery of the "Performance Society". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as "having to be performative" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily "performance". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.
DOI: 10.1285/i22840753n19p55
title: Immaginario Tintoretto o della visione eversiva = Imaginary Tintoretto or subversive vision

description: Reconstructing the expressive "hazard" and the visionary innovative matrix of Jacopo Rubusti aka Tintoretto (Venice 1518-1594) in creative processes. This is the goal of our essay which reconstructs the centrality of Tintoretto's imagination in some chapters of the twentieth century. In particular, we find Tintoretto's work in the realist / symbolist writing of Henry James, in the philosophical-literary analysis of Jean-Paul Sartre, in the painting of Emilio Vedova, in the gaze of Peter Greenaway, in the acting of David Bowie. But what is the attraction of Tintoretto? Probably: the fury of style, the dimension of tonal painting, the idea of a new luminosity, the energetic tension, the attention to new trends (rejected or denied by his teacher Tiziano), the sense of the dramatic, the scenic construction , teamwork, the great variety of genres (the altarpiece, the profane fable, allegorical painting), the overcoming of mannerism and the announcement of the Baroque. And it is precisely this imaginative stratification that first provoked our curiosity and then the desire for a more in-depth methodical study that prompted us to perceive comparisons, continuity and research directions to be deepened (in a very dense and interdisciplinary mosaic) between different authors but united by the "subversive vision" of Tintoretto. With this essay we want to reconstruct the anxiety of innovation put in place by Tintoretto (who in the beginning "disturbed" Roberto Longhi) and analyze it both as an extraordinary imaginary to be reconstructed and as a masterly "device" to recompose a chapter of the imagination of our contemporaneity (up to the docu-film Tintoretto. A rebel in Venice directed in 2019 by the writer Melania Mazzucco who shows us the subversion and modernity of the "kidnapped of Venice").
DOI: 10.1285/i22840753n19p71
title: Una dinamica degli sguardi dall'immaginario creepypasta all'horror videoludico = A dynamics of gazes from the creepypasta imaginary to horror videogames

description: Over the last decades, immersivity has gained increasing importance in the audiovisual imaginary. In this paper, we propose to take a different route and to explore to what extent the dynamics of gazes – and particularly the direct address – can promote "emersive" strategies that challenge the dominant imaginary, with specific reference to creepypastas and horror video games. First, we trace back the origins of the emersive route to Bertolt Brecht, showing that his theory can be adapted to videogames. Second, we provide a survey of some of the types of gaze that actively involve the player in horror videogames. Then, we focus on creepypastas to demonstrate that the gaze is key to their aim of circumventing the players' character, in order to get in touch with the players themselves. Finally, we analyze a specific creepypasta-based game: Doki Doki Literature Club!. Based on this analysis, we draw the main lines of what, in our view, represents a key modification of contemporary horror imaginary.
DOI: 10.6084/m9.figshare.14626197.v1
title: Ruská pravoslavná církev a ochrana křesťanů jako směr zahraniční politiky Ruské federace

description: Ruská pravoslavná církev a ochrana křesťanů jako směr zahraniční politiky Ruské federace
DOI: 10.1285/i22840753n19p93
title: The Queen's Gambit. Un perfect match tra immaginario ludico e calcoli algebrici = The Queen's Gambit. A perfect matching between game imagery and algebraic strategies

description: The streaming video platforms, like Netflix and Amazon Prime Video, continue to grow up the original content titles, proposing changes and variation without being choked by the production costs. Something that would have been impossible in the past decade. Today, the platforms can provoke such broad interest exploiting in one shot a double effect of revenue maximizing and effort minimizing: a combination of executives' intuition and analytics suggestion about the best-watching movie or series. The Queen's Gambit, produced by Netflix last year, ranked everywhere at first position in the first month, is not unfamiliar to this classification. In this work we try to deconstruct the main features that have achieved worldwide prominence: the script's ability to maintain an equilibrium between originality and curiosity, weirdness and popular attitudes (at worst addictions) with which the general audience could recognize themselves or the neighbor. We focus the attention on the more interesting contribution of the subject, a mixture between logic of chess strategies and imagination of the player. Not only this pattern opens the path of the success but becomes the central point of main topics' attraction around the story (the changing of the fashion, the brand female evolution, the prodigy addiction, the friction between instinct and education).
DOI: 10.1285/i22840753n19p105
title: Unicorno-mania: dalla mitologia greca all'immaginario contemporaneo = Unicorn-mania: from Greek mythology to contemporary imagery

description: Since 2016 the unicorn has become one of the trendiest subjects in several sectors: from fashion to accessories, to food, as is proved by the launch of drinks such as "unicorn's milk". Yet, what does the unicorn represent in contemporary imagery? In order to answer such a question, this research traces the history of the symbolism of the unicorn, so as to understand how its representation and meaning have changed. Ever since ancient times the Greeks had attributed thaumaturgical powers to the unicorn; in particular, its horn was considered a universal antidote to any poison, whereas the unicorn itself became a symbol of purity. The presence of the figure of the unicorn in Psalm 91 brings the animal close to Christianity. In the Middle Ages the unicorn was often depicted in the illuminated Bibles and was also used in the decorations of the main buildings of the time, usually next to a virgin as an allegory of chastity. For this reason, it became a symbol of chaste love and marital fidelity. In the 16th and 17th centuries, the powder of the unicorn horn was still considered an antidote to poison and even an aphrodisiac. Only in the Victorian Age did the unicorn begin to people children's stories, losing the sexual meaning and being associated with the rainbow for the first time. The connection between the unicorn and the rainbow has led to the present use of the animal as an emblem of LGBT+ community. Nowadays the unicorn embodies the concepts of rarity and magic. It is even worth noting how the term "unicorn" has also become part of the economic language. The instagrammability of the unicorn has made the animal even more popular, making it, in the social media era, the symbol of uniqueness and differentiation from the mass.
DOI: 10.1285/i22840753n19p115
title: Intersezioni di immaginari in un iper-immaginario postmoderno e postmediale: il caso della serie Once Upon a Time = Intersections of imaginaries in a postmodern and postmedial hyper-imaginary: the case of the series Once Upon a Time

description: Within the contemporary mediascape, Once Upon a Time (ABC, seven seasons, 2011-2018) represents a rather original serial experiment: starting from the shared westerly (and not only) fairy-tale imagery, fueled and sometimes created by Disney, the series, thanks to its ecosystem structure, is configured in its essence by intersections with other imaginaries. The result is the creation of a contaminated hyper-imaginary novel that rethinks, re-semantizes and reformulates characters and stories already imprinted in the collective imaginary. The architecture of the series resorts to the starting imaginaries as architraves and foundations; the semantic construction, instead, weaves a constant dialogue with the spectators, questioning stories, characters, musical moments, costumes, iconographies, even entire sequences of other films - all materials well impressed in the collective imaginaries of viewers, whose memory is solicited. It is only thanks to the links generated in the audiovisual memory of the spectators – in turn, well evoked by the narrative and metanarrative strategies applied by the authors – it the series manages to carve out its own originality. Therefore, the series under discussion creates, from scratch, a reflective imaginary of imaginaries in a constant evolution. So, the traditional fairy-tale imagery is not forgotten, but reshaped and re-semantized in favor of the new perspectives that dominate in the contemporary mediascape (gender perspectives, villains back history, transmedia storytelling, replicability), combined with an original metanarrative: therefore Once Upon a Time, referring to the paradigm of complexity, proposes itself as a new point of reference that can be useful on several levels, and could be seen as a new postmodern and postmedial myth valid from childhood to adulthood.