cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12555362
title: Sadang B: 300 Word Statement

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains a 300 Word Statement on <b>Sadang B</b> by Young In Hong.
DOI: 10.17870/bathspa.12555362.v1
title: Sadang B: 300 Word Statement

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains a 300 Word Statement on <b>Sadang B</b> by Young In Hong.
DOI: 10.17870/bathspa.12555374
title: Sadang B: Research Questions

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains Research Questions for <b>Sadang B</b> by Young In Hong.
DOI: 10.17870/bathspa.12555374.v1
title: Sadang B: Research Questions

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains Research Questions for <b>Sadang B</b> by Young In Hong.
DOI: 10.17870/bathspa.14273258
title: Sadang B: Research Timeline and Research Material

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains a <b>Sadang B </b>Research Timeline, 4 archival images and photographs from a public workshop Hong conducted at Spike Island in 2019 as part of her research. This item also includes the catalogue from her exhibition Sadang B at the MMCA in Seoul, October 11th 2019 - 1st March 2020.<br><br><b>Photography by Young In Hong.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14273258.v1
title: Sadang B: Research Timeline and Research Material

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains a <b>Sadang B </b>Research Timeline, 4 archival images and photographs from a public workshop Hong conducted at Spike Island in 2019 as part of her research. This item also includes the catalogue from her exhibition Sadang B at the MMCA in Seoul, October 11th 2019 - 1st March 2020.<br><br><b>Photography by Young In Hong.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12582836
title: Sadang B: Un Splitting (Performance), Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains a performance outline, a 3 minute film of the performance, 5 performance views, 3 images of poses and the script used by the performers.<br><br>This item documents the performance of <b>Un-Splitting, </b>1 of 3 works for <b>Sadang B </b>at the Museum of Modern and Contemporary Art in Seoul, Korea in 2019. <b>Un-Splitting </b>directly addresses the notion of the 'animal-ity' within us, as humans. The performance<b> </b>was developed in collaboration with choreographer Stephanie Schuelbeck by combining the body poses from photographs of oppressed female workers in post war South Korea and the movements of animals and birds.<br><br>Photography Courtesy of the Museum of Modern and Contemporary Art, Seoul, and Seoul Broadcasting System Foundation.<br><br>Videographers Seunghun Ryu, Hyunwoo Yang, Geonhui Park<br><br>Video editing by Yong Seok Park. Video used with permission courtesy of videographers the Museum of Modern and Contemporary Art, Seoul, and Seoul Broadcasting System Foundation.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.12582836.v1
title: Sadang B: Un Splitting (Performance), Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains a performance outline, a 3 minute film of the performance, 5 performance views, 3 images of poses and the script used by the performers.<br><br>This item documents the performance of <b>Un-Splitting, </b>1 of 3 works for <b>Sadang B </b>at the Museum of Modern and Contemporary Art in Seoul, Korea in 2019. <b>Un-Splitting </b>directly addresses the notion of the 'animal-ity' within us, as humans. The performance<b> </b>was developed in collaboration with choreographer Stephanie Schuelbeck by combining the body poses from photographs of oppressed female workers in post war South Korea and the movements of animals and birds.<br><br>Photography Courtesy of the Museum of Modern and Contemporary Art, Seoul, and Seoul Broadcasting System Foundation.<br><br>Videographers Seunghun Ryu, Hyunwoo Yang, Geonhui Park<br><br>Video editing by Yong Seok Park. Video used with permission courtesy of videographers the Museum of Modern and Contemporary Art, Seoul, and Seoul Broadcasting System Foundation.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.12588554
title: Sadang B: Un-Splitting Process and Methods 2019.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item documents the methods and processes used in developing the performance of <b>Un-Splitting, </b>and includes images of choreography rehearsals, a contextual outline of the artists process, images of workshops at the artists studio, a video of bird movement, and a video of rehearsals.<br><br><b>Also included here is a YouTube link to the tutorials formulated for the participants of Un Splitting : https://www.youtube.com/channel/UCqk3k_Ow2rWRQ_HF7jloQfw?app=desktop<br></b><b><br>Photography and videography: Young In Hong<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12588554.v1
title: Sadang B: Un-Splitting Process and Methods 2019.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint the Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item documents the methods and processes used in developing the performance of <b>Un-Splitting, </b>and includes images of choreography rehearsals, a contextual outline of the artists process, images of workshops at the artists studio, a video of bird movement, and a video of rehearsals.<br><br><b>Also included here is a YouTube link to the tutorials formulated for the participants of Un Splitting : https://www.youtube.com/channel/UCqk3k_Ow2rWRQ_HF7jloQfw?app=desktop<br></b><b><br>Photography and videography: Young In Hong<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12600287.v1
title: Sadang B: To Paint The Portrait of a Bird, Museum of Modern and Contemporary Art, Seoul, Korea

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains contextual information on the installation, a poem by Jacques Prevert, 6 exhibition views, a 2.47min film documenting the work, a 2 minute extract from the soundscape, a design plan of the installation, 4 images showing the artists studio process, and 8 images of birds and architecture used as source material.<br><br>This item documents <b>To Paint A Portrait of a Bird, </b>1 of the 3 works shown as part of <b>Sadang B</b> at the Museum of Modern and Contemporary Art in Seoul, Korea. Resembling a ceremonial space, <b>To Paint a Portrait of a Bird </b>is a large mesh birdcage only allowing the audience to access the 'inside' of the cage where artworks are displayed, while the 'outside' can only be viewed through mesh walls. Videos of birds are projected through the space with an accompanying soundscape of recorded bird song. The binary structure of the installation throws open the hierarchical positioning of birds and animals.<br><br><b>Photography courtesy of the artist, and additional photography and video courtesy of the Museum of Modern and Contemporary Art, Seoul and the Seoul Broadcasting System Foundation. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12600287
title: Sadang B: To Paint The Portrait of a Bird, Museum of Modern and Contemporary Art, Seoul, Korea

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br>This item contains contextual information on the installation, a poem by Jacques Prevert, 6 exhibition views, a 2.47min film documenting the work, a 2 minute extract from the soundscape, a design plan of the installation, 4 images showing the artists studio process, and 8 images of birds and architecture used as source material.<br><br>This item documents <b>To Paint A Portrait of a Bird, </b>1 of the 3 works shown as part of <b>Sadang B</b> at the Museum of Modern and Contemporary Art in Seoul, Korea. Resembling a ceremonial space, <b>To Paint a Portrait of a Bird </b>is a large mesh birdcage only allowing the audience to access the 'inside' of the cage where artworks are displayed, while the 'outside' can only be viewed through mesh walls. Videos of birds are projected through the space with an accompanying soundscape of recorded bird song. The binary structure of the installation throws open the hierarchical positioning of birds and animals.<br><br><b>Photography courtesy of the artist, and additional photography and video courtesy of the Museum of Modern and Contemporary Art, Seoul and the Seoul Broadcasting System Foundation. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12613229
title: Sadang B: The White Mask (Music Performance), Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains a contextual outline of the performance, an excerpt of The White Mask (5 mins), an exhibition leaflet, an exhibition view and a composite of stills from the installation.<br><br>This item documents <b>The White Mask,</b> a 3-screen video installation of a musical performance developed and created in a collaboration between Young In Hong and Notes Inegales, an experimental music ensemble, to address the notion of 'becoming animal' through music making.<br><b><br>Videographer: Will Smith<br>Photography Courtesy of Museum of Modern and Contemporary Art, Seoul.</b><b>Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12613229.v1
title: Sadang B: The White Mask (Music Performance), Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>Un-Splitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains a contextual outline of the performance, an excerpt of The White Mask (5 mins), an exhibition leaflet, an exhibition view and a composite of stills from the installation.<br><br>This item documents <b>The White Mask,</b> a 3-screen video installation of a musical performance developed and created in a collaboration between Young In Hong and Notes Inegales, an experimental music ensemble, to address the notion of 'becoming animal' through music making.<br><b><br>Videographer: Will Smith<br>Photography Courtesy of Museum of Modern and Contemporary Art, Seoul.</b><b>Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14273210
title: Sadang B: The White Mask (31 mins) - Complete Video Work, Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>UnSplitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains the full length version of <b>The White Mask</b> - a 3 screen installation (31mins), of a musical performance developed and created in a collaboration between Young In Hong and Notes Inegales to address the notion of 'becoming animal' through improvised music making.<br><br><b>The White Mask</b> 하얀 가면Three 65 inch monitors, two speakers31 mins 50 secs<br><br><b>Videographer: Will Smith</b><b>Photography Courtesy of Museum of Modern and Contemporary Art, Seoul.<br></b>
DOI: 10.17870/bathspa.14273210.v1
title: Sadang B: The White Mask (31 mins) - Complete Video Work, Museum of Modern and Contemporary Art, Seoul, Korea, October 11th 2019 - 1st March 2020.

description: <b>Sadang B </b>(2019) is an exhibition project comprised of three newly commissioned projects, <b>UnSplitting </b>(Performance), <b>The White Mask</b> (Music performance) and <b>To Paint A Portrait of a Bird </b>(Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human - animal boundary through the lens of those socially marginalised in South Korea. <b>Sadang B</b> is suggested as a site where these enquiries can take place.<br><br>This item contains the full length version of <b>The White Mask</b> - a 3 screen installation (31mins), of a musical performance developed and created in a collaboration between Young In Hong and Notes Inegales to address the notion of 'becoming animal' through improvised music making.<br><br><b>The White Mask</b> 하얀 가면Three 65 inch monitors, two speakers31 mins 50 secs<br><br><b>Videographer: Will Smith</b><b>Photography Courtesy of Museum of Modern and Contemporary Art, Seoul.<br></b>
DOI: 10.5517/ccdc.csd.cc27hxc1
title: CCDC 2070873: Experimental Crystal Structure Determination

description: Related Article: D.N.K. Pham, V.R. Sammeta, A.R. Chadeayne, J.A. Golen, D.R. Manke|2021|Acta Crystallogr.,Sect.E:Cryst.Commun.|77|416|doi:10.1107/S2056989021002838
DOI: 10.5517/ccdc.csd.cc27hxth
title: CCDC 2070887: Experimental Crystal Structure Determination

description: Related Article: Anwar Hussain, Luke Lewandowski, Dawson C. Cork, Kadarkaraisamy Mariappan, Andrew G. Sykes|2021|Polyhedron|200|115120|doi:10.1016/j.poly.2021.115120
DOI: 10.5517/ccdc.csd.cc27hz1s
title: CCDC 2070925: Experimental Crystal Structure Determination

description: Related Article: yuzhi zhao|2021|CSD Communication|||
DOI: 10.6084/m9.figshare.13148765
title: Herbaceous and woody plants providing resources for bees in a semi-arid tropical climate

description: Dataset of plant inventory and phenology of herbaceous and woody strata in in three 0.5-ha plots located in the Vale do Curu Experimental Farm of Unversidade Federal do Ceará, Pentecoste, Ceará State, Brazil. The climate zone <br> corresponding to semi-arid (BSh) and the plots were installed in Caatinga vegetation.<br><br>Each plot was divided into 50 10x10 m subplots to identify the floristic composition and the abundance of each species and to facilitate the phenological evaluation. <br><br>The dataset includes 4 spreadsheet: <br>1) inventory of all woody individuals in the plots with stem perimeter at the ground level equal to or greater than<br>9 cm. <br>2) phenology of woody plants int the plots. the flowering intensity of each plant observed with flowers,using the semi-quantitative method of Fournier (1974). This method estimates visually the percentage of the canopy covered with flowers, classifying it in one of the five cover classes<br>(0 to 4): 0 = absence of phenophase, 1 = 1-25%, 2 = 26-50%, 3 = 51-75%, and 4 = 76-100%.3) floral cover of herbaceous plants in 25 of the 50 10x10m<br>subplots of each plot. To assess the flowering in herbaceous strata we used the semi-quantitative method of Daubenmire<br>(1959), which also uses cover classes to estimate the population abundance of each species. To this aim we used a 50x50 cm PVC square. We used six classes to<br>estimate floral cover per species: 1 = up to 5%, 2 = 6-25%, 3 = 26-50%, 4 = 51-75%, 5 = 76-95%, 6 = 96-100% . <br>4) List of species recorded in the three plots, their classification in growth and life forms, indicating <br>whether bees visit the species and the resources collected by the bees. <br> <br> <br>