cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/dl.r2hp78
title: Occurrence Download

description: A dataset containing 157140 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is one of (Solidago canadensis, Solidago eminens, Solidago hirsuta, Solidago mollis, Solidago humilis, Solidago canadensis canadensis, Solidago tournefortii, Solidago canadensis glabrata, Solidago hirsutissima hirsutissima, Solidago anthropogena, Solidago praecox, Solidago canadensis intermedia, Solidago eminens, Solidago hirsuta, Solidago longifolia, Solidago canadensis canadensis, Solidago nutans, Solidago arcuata, Solidago nervosa, Solidago reflexa, Solidago canadensis bartramiana, Doria canadensis, Aster canadensis, Solidago glabra canadensis)",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "Year is greater than or equal to 2000"
 ]
}

 The dataset includes 157140 records from 858 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0007339-250717081556266/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/ijpc-ouc113764753
title: Image of the Journalist in popular culture special promotion and research videos

description: Image of the Journalist in popular culture special promotion and research videos
DOI: 10.25549/ijpc-ouc1sto1843100
title: Image of the journalist in popular culture collection, promotion, and research videos

description: The Image of the Washington Journalist in Movies and Television, 1932-2013, is a video compilation with 126 movie and television clips tracing the history of the Washington journalist in the 20th and 21st centuries. The Image of the Public Relations Practitioner in Movies and Television, 1901-2011, is a video compilation with 326 movie and television clips tracing the history of the public relations practitioner in the 20th and 21st centuries. The Image of the Gay Journalist in Movies and Television, 1929-2009, is a video compilation with 123 movie and television clips tracing the history of the gay journalist in the 20th and 21st centuries. Also included is a special supplement on The Image of the Gay Public Relations Practitioner in Movies and Television. 2009. The Image of the War Correspondent in Movies and Television, 1939-2007, is a video compilation with 166 movie and television clips tracing the image of the war correspondent in films and television from 1931 to 2007. Journalism Ethics Goes to the Movies is a one-hour-and-50 minute video compilation created to supplement the book edited by Howard Good. (Rowman & Littlefield, Lanham, MD, 2008). The Image of the Broadcast Journalist in Movies and Television, 1937-2006, is a video compilation containing 200 movie and television clips tracing image of the broadcast journalist in films and television from 1937 to 2006. Real-Life Journalists in Movies and Television, 1931-2007, is a video compilation containing 79 movie and television clips tracing image of the journalist in films and television from 1939 to 2003 featuring real-life journalists or actors portraying real-life journalists or movies based on the lives of real-life journalists. Sob Sisters: The Image of the Female Journalist, 1929-2007, is a video compilation with more than 136 movie and television clips documenting the history of the female journalist in film and television in the 20th and 21st centuries. Hollywood Looks at the News, 1914-2007, video compilation with 165 movie and television clips documenting the history of journalists in film and television in the 20th and 21st century. IJPC special promotion and research videos include:Journalists in the Media – USC Annenberg Research VideoAll the News that Fit to Stream TCM Mini documentaryFake News and the Image of the Journalist in Popular CultureIJPC Research Presentation, 2022Image of the Journalist in Popular Culture Course PromoAEJMC Panel 2015 – Joe Saltzman Tribute involving IJPC, Documentaries.Annenberg Research Seminar – Joe Saltzman Presentation
DOI: 10.7910/dvn/gwfkzj
title: Figures, Supplemental Figures and Supplemental Material for Fanda et al:Local Systems, Local Solutions: Which factors drive essential medicine availability in public health facilities across Indonesia?
title: Figures, Supplemental Figures and Supplemental Material

description: This archive is used to store figures and data for the manuscript titled "Local Systems, Local Solutions: Which factors drive essential medicine availability in public health facilities across Indonesia?", submitted to BMJ Global Health In this folder, there are: Figure 1. Distribution of the medicine availability in Primary Health Centres in Indonesia in 2019. Figure 2a. Spatial autocorrelation of availability of medications at PHC level within a two-kilometre-distance. Figure 2sb. The map of a hotspot analysis to identify clusters of medicine availability at the PHC level in Indonesia. Supplemental Figure 1. Key functions of the local pharmaceutical system Supplemental Figure 2a. Histogram of residuals from spatial autocorrelation analysis. Supplemental Figure 2b. Visualizing fitted values against observed medicine availability in PHCs to assess potential heteroscedasticity and model accuracy from spatial autocorrelation analysis. Supplemental Figure 2c. Visualizing residuals against fitted values to check for constant variance, potential heteroscedasticity, and outliers in the regression model from spatial autocorrelation analysis. Supplemental Figure 2d. Histogram of residuals from multilevel analysis. Supplemental Figure 2e. Visualizing fitted values against observed medicine availability in PHCs to assess potential heteroscedasticity and model accuracy from multilevel analysis. Supplemental Figure 2f. Visualizing residuals against fitted values to check for constant variance, potential heteroscedasticity, and outliers in the regression model from multilevel analysis. Supplemental Figure 3. A local indicator of spatial association analysis. X-axis normalized availability of medicines in health facility, Y-axis: normalized availability of medicines of neighboring facilities (10 km inverse distance weights). Supplemental Material Do File
DOI: 10.25549/ijpc-ouc113764742
title: The Image of the War Correspondent in Movies and Television, 1939 to 2007

description: The Image of the War Correspondent in Movies and Television, 1931-2007, is a video compilation with 166 movie and television clips tracing the image of the war correspondent in films and television from 1931 to 2007. The Image of the War Correspondent in Movies and TV, 1930s to 1960s – 90 clips – 2:04:00, The Image of the War Correspondent in Movies and TV, 1970s to 2000s – 77 clips – 2:11:00. https://www.ijpc.org/page/ijpc_war_correspondent_video_10.htm
DOI: 10.5281/zenodo.17556528
title: COVID-19-Todesfälle in Deutschland

description: Im Datensatz "COVID-19-Todesfälle in Deutschland" des Robert Koch-Instituts werden täglich aktualisierte Informationen zu COVID-19-bedingten Todesfällen in Deutschland bereitgestellt. Die Datenerhebung erfolgt im Rahmen des Infektionsschutzgesetzes (IfSG). Der Datensatz umfasst aggregierte Todesfallzahlen nach Berichtsdatum, Altersgruppen und Bundesländern und wird ergänzt durch den Fall-Verstorbenen-Anteil. Der Datensatz ermöglicht fundierte Analysen zur Bewertung der Krankheitsschwere und Verbreitung von COVID-19 in Deutschland.
DOI: 10.5281/zenodo.17556527
title: 7-Tage-Inzidenz der COVID-19-Fälle in Deutschland

description: Im Datensatz "7-Tage-Inzidenz der COVID-19-Fälle in Deutschland" des Robert Koch-Instituts werden die täglich aktualisierten COVID-19-Inzidenzen auf Bundes-, Landes- und Landkreisebene basierend auf den Meldungen nach dem Infektionsschutzgesetz (IfSG) bereitgestellt. Die 7-Tage-Inzidenz wird definiert als Anzahl gemeldeter Fälle der letzten sieben Tage pro 100.000 Einwohner:innen und differenziert nach Altersgruppen und Regionen. Die Datenverarbeitung erfolgt vollständig elektronisch über das Deutsche Elektronische Melde- und Informationssystem (DEMIS).
DOI: 10.25549/ijpc-ouc113764827
title: Chapter 3: Difference

description: Chapter 3 looks at difference. Journalists have been criticized for seeing themselves as being different from everyone else—as somehow standing above and beyond the rest of the citizenry. At the same time, the struggles of journalists who are not male, white, or heterosexual have been well docu­mented, as have the difficulties of the mainstream press in covering gender, race, and sexual orientation. In the nineteenth century and through most of the twentieth century, journalism was one of the relatively few professions in which a single, divorced, or widowed woman could find work and mar­ried women could earn enough money to take care of themselves and their families. Still, in pop culture, journalism has been portrayed as a particularly difficult career choice for women, who are caught between culture’s “gen­dered” expectations of them as being caring and nurturing and the gendered expectations of journalists as being tough and independent—that is, stereo­typically masculine. The difficulties of ethnic minority and LGBT (lesbian, gay, bisexual, transgender) journalists also have been depicted, with some of the most interesting portrayals having been produced by minority and/ or gay or lesbian authors or directors.
DOI: 10.25549/ijpc-ouc113764825
title: Chapter 2: Professionalism

description: Professionalism is the subject of chapter 2. Apart from questioning whether journalists are true professionals (or even should be professionals), scholars have been particularly interested in the role of “objectivity” in journalism and in the practice and philosophy behind journalism ethics. In popular culture, so-called objective reporting is shown to be deeply problematic and is often implicitly equated to a lack of passion and commitment. Still, profes­sional values do have a place as ethical dilemmas are brought to dramatic life and journalists who violate the public trust suffer the consequences of their misdeeds.
DOI: 10.25549/ijpc-ouc113764820
title: Chapter 2: Professionalism

description: Professionalism is the subject of chapter 2. Apart from questioning whether journalists are true professionals (or even should be professionals), scholars have been particularly interested in the role of “objectivity” in journalism and in the practice and philosophy behind journalism ethics. In popular culture, so-called objective reporting is shown to be deeply problematic and is often implicitly equated to a lack of passion and commitment. Still, profes­sional values do have a place as ethical dilemmas are brought to dramatic life and journalists who violate the public trust suffer the consequences of their misdeeds.
DOI: 10.25549/ijpc-ouc113764809
title: Chapter 1: History

description: The first field, history, is the focus of chapter 1. Some historians have argued that journalism history too often has served only to celebrate the press rather than providing critical insight into its problems. Pop culture regu­larly depicts journalism’s history through simple, linear, dramatic tales that use the past to speak to the present and that adopt partisan viewpoints on historical issues. It both mythologizes and demythologizes the press, at once celebrating and parodying well-known figures and happenings in journalism’s past. Fictional tales also can offer valuable historical evidence in their own right.
DOI: 10.25549/ijpc-ouc113764430
title: Image of the Journalist in popular culture special promotion and research videos

description: Image of the Journalist in popular culture special promotion and research videos
DOI: 10.15468/dl.c9y5x6
title: Occurrence Download

description: A dataset containing 17892 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is one of (Derris malaccensis, Desmodium gangeticum, Desmodium heterocarpon, Erythrina subumbrans, Falcataria moluccana, Flemingia macrophylla, Indigofera spicata, Indigofera suffruticosa, Stylosanthes guianensis, Cryptostegia madagascariensis, Thevetia peruviana, Thyrsacanthus tubaeformis, Clerodendrum buchananii, Clerodendrum chinense, Clerodendrum quadriloculare, Gmelina arborea, Hyptis pectinata, Leonurus japonicus, Ocimum gratissimum, Plectranthus scutellarioides)",
 "BasisOfRecord is one of (Machine Observation, Human Observation, Observation)",
 "HasCoordinate is true",
 "Year is greater than or equal to 1990"
 ]
}

 The dataset includes 17892 records from 212 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0022758-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/ijpc-ouc113764746
title: Image of the Journalist in popular culture special promotion and research videos

description: Image of the Journalist in popular culture special promotion and research videos
DOI: 10.25549/ijpc-ouc113764740
title: The Image of the War Correspondent in Movies and Television, 1939 to 2007

description: The Image of the War Correspondent in Movies and Television, 1931-2007, is a video compilation with 166 movie and television clips tracing the image of the war correspondent in films and television from 1931 to 2007. The Image of the War Correspondent in Movies and TV, 1930s to 1960s – 90 clips – 2:04:00, The Image of the War Correspondent in Movies and TV, 1970s to 2000s – 77 clips – 2:11:00. https://www.ijpc.org/page/ijpc_war_correspondent_video_10.htm
DOI: 10.25549/ijpc-ouc113764735
title: The Image of the Washington Journalist in Movies and Television, 1932 to 2013

description: "The Image of the Washington Journalist in Movies and Television, 1932 to 2013, a video compilation with 126 movie and television clips tracing the history of the Washington journalist in films and television from 1901 to 2013. The Image of the Washington Journalist in Movies and TV, 1932 to 1995 – 67 clips – 263 Minutes, The Image of the Washington Journalist in Movies and TV, 1996 to 2013 – 59 clips – 239 Minutes. https://www.ijpc.org/page/ijpc_washington
DOI: 10.25549/ijpc-ouc113764732
title: The Image of the Washington Journalist in Movies and Television, 1932 to 2013

description: "The Image of the Washington Journalist in Movies and Television, 1932 to 2013, a video compilation with 126 movie and television clips tracing the history of the Washington journalist in films and television from 1901 to 2013. The Image of the Washington Journalist in Movies and TV, 1932 to 1995 – 67 clips – 263 Minutes, The Image of the Washington Journalist in Movies and TV, 1996 to 2013 – 59 clips – 239 Minutes. https://www.ijpc.org/page/ijpc_washington
DOI: 10.25549/ijpc-ouc113764724
title: The Image of the Gay Journalist in Movies and Television, 1929 to 2009

description: The Image of the Gay Journalist in Movies and Television,1929 to 2009, in three parts with a preview, with 123 movie and television clips tracing the history of the gay journalist in the 20th and 21st centuries. Also included is a special supplement on The Image of the Gay Public Relations Practitioner in Movies and Television. 2009. The Image of the Gay Journalist in Movies and TV 1929 to 1995– 44 clips – 1:36:14, The Image of the Gay Journalist in Movies and TV 1996 to 2004 – 39 clips – 1:32:14, The Image of the Gay Journalist in Movies and TV 2005-2009 – 32clips – 1:33:55. https://www.ijpc.org/page/ijpc_the_image_of_the_gay_journalist.htm
DOI: 10.25549/ijpc-ouc113765269
title: Heroes and scoundrels journalist in popular culture project video collection

description: Heroes and Scoundrels journalist in popular culture video collection companion videos follow the outline of the book and are divided by the same chapters using excerpts from more than 340 movies, television, and radio programs, Broadway plays and video games.
DOI: 10.25549/ijpc-ouc113765205
title: Chapter 6: War

description: Chapter 6 looks at war. The coverage of war has been considered one of the most important and challenging tasks for the press. Popular culture shows the journalist serving as either a necessary witness and voice of conscience in reporting on global conflict or a sensation seeker and propagandist. Much as in real life, war correspondents in popular culture must answer the ques­tions of whose side they are on and what personal price they are willing to pay in order to report the truth.
DOI: 10.25549/ijpc-ouc113765083
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.25549/ijpc-ouc113764840
title: Chapter 3: Difference

description: Chapter 3 looks at difference. Journalists have been criticized for seeing themselves as being different from everyone else—as somehow standing above and beyond the rest of the citizenry. At the same time, the struggles of journalists who are not male, white, or heterosexual have been well docu­mented, as have the difficulties of the mainstream press in covering gender, race, and sexual orientation. In the nineteenth century and through most of the twentieth century, journalism was one of the relatively few professions in which a single, divorced, or widowed woman could find work and mar­ried women could earn enough money to take care of themselves and their families. Still, in pop culture, journalism has been portrayed as a particularly difficult career choice for women, who are caught between culture’s “gen­dered” expectations of them as being caring and nurturing and the gendered expectations of journalists as being tough and independent—that is, stereo­typically masculine. The difficulties of ethnic minority and LGBT (lesbian, gay, bisexual, transgender) journalists also have been depicted, with some of the most interesting portrayals having been produced by minority and/ or gay or lesbian authors or directors.
DOI: 10.25549/ijpc-ouc113764832
title: Chapter 3: Difference

description: Chapter 3 looks at difference. Journalists have been criticized for seeing themselves as being different from everyone else—as somehow standing above and beyond the rest of the citizenry. At the same time, the struggles of journalists who are not male, white, or heterosexual have been well docu­mented, as have the difficulties of the mainstream press in covering gender, race, and sexual orientation. In the nineteenth century and through most of the twentieth century, journalism was one of the relatively few professions in which a single, divorced, or widowed woman could find work and mar­ried women could earn enough money to take care of themselves and their families. Still, in pop culture, journalism has been portrayed as a particularly difficult career choice for women, who are caught between culture’s “gen­dered” expectations of them as being caring and nurturing and the gendered expectations of journalists as being tough and independent—that is, stereo­typically masculine. The difficulties of ethnic minority and LGBT (lesbian, gay, bisexual, transgender) journalists also have been depicted, with some of the most interesting portrayals having been produced by minority and/ or gay or lesbian authors or directors.
DOI: 10.25549/ijpc-ouc113764722
title: The Image of the Gay Journalist in Movies and Television, 1929 to 2009

description: The Image of the Gay Journalist in Movies and Television,1929 to 2009, in three parts with a preview, with 123 movie and television clips tracing the history of the gay journalist in the 20th and 21st centuries. Also included is a special supplement on The Image of the Gay Public Relations Practitioner in Movies and Television. 2009. The Image of the Gay Journalist in Movies and TV 1929 to 1995– 44 clips – 1:36:14, The Image of the Gay Journalist in Movies and TV 1996 to 2004 – 39 clips – 1:32:14, The Image of the Gay Journalist in Movies and TV 2005-2009 – 32clips – 1:33:55. https://www.ijpc.org/page/ijpc_the_image_of_the_gay_journalist.htm
DOI: 10.25549/ijpc-ouc113764612
title: The Image of the Broadcast Journalist in Movies and Television, 1937-2006

description: The Image of the Broadcast Journalist in Movies and Television, 1937-2006, a two-hours-and-48 minute video compilation containing 200 movie and television clips tracing image of the broadcast journalist in films and television from 1937 to 2006. https://www.ijpc.org/page/ijpc_broadcast_video_2006.htm
DOI: 10.5281/zenodo.17556369
title: Underwater images collected by a Kite surf in Le-Morne-Manawa, Mauritius - 2018-11-18

description: This dataset was collected by a Kite surf in Le-Morne-Manawa, Mauritius - 2018-11-18. 

            Underwater or aerial images collected by scientists or citizens can have a wide variety of use for science, management, or conservation.
            These images can be annotated and shared to train IA models which can in turn predict the objects on the images.
            We provide a set of tools (hardware and software) to collect marine data, predict species or habitat, and provide maps.

            This dataset is part of larger collection referencing numerous underwater and aerial images Seatizen Altas. 
            Methods, tools and scientific objectives are also described in a dedicated data paper.

            

            
 Generic folder structure 
            
            YYYYMMDD_COUNTRYCODE-optionalplace_device_session-number 
            ├── DCIM :  folder to store videos and photos depending on the media collected. 
            ├── GPS :  folder to store any positioning related file. If any kind of correction is possible on files (e.g. Post-Processed Kinematic thanks to rinex data) then the distinction between device data and base data is made. If, on the other hand, only device position data are present and the files cannot be corrected by post-processing techniques (e.g. gpx files), then the distinction between base and device is not made and the files are placed directly at the root of the GPS folder. 
            │   ├── BASE :  files coming from rtk station or any static positioning instrument. 
            │   └── DEVICE : files coming from the device. 
            ├── METADATA : folder with general information files about the session. 
            ├── PROCESSED_DATA : contain all the folders needed to store the results of the data processing of the current session. 
            │   ├── BATHY :  output folder for bathymetry raw data extracted from mission logs. 
            │   ├── FRAMES :  output folder for georeferenced frames extracted from DCIM videos. 
            │   ├── IA :  destination folder for image recognition predictions. 
            │   └── PHOTOGRAMMETRY :  destination folder for reconstructed models in photogrammetry. 
            └── SENSORS : folder to store files coming from other sources (bathymetry data from the echosounder, log file from the autopilot,  mission plan etc.).       
            

            
 Software 
            All the raw data was processed using our worflow. All predictions were generated by our inference pipeline. You can find all the necessary scripts to download this data in this repository. Enjoy your data with SeatizenDOI!