cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/satjrnl-m1033
title: Maski, no. 1 (1906)

description: [description (english with transliteration)] Maski [Masks], no.1, February 1, 1906. Weekly. Published and edited by S.V. Chekhonin. St. Petersburg. Typography: Ia. Balianskogo. Journal of political-social satire. The journal "Maski" was first published after the journal "Zhurnal" [Journal] had been shut down, and it was sent out to subscribers of the temporarily stopped journal "Zritel" -- Rudzinskii, no. 67; BPIR, no. 4590.
DOI: 10.25549/satjrnl-ouc112746801
title: Moi Pulemet, no. 5 (1906)

description: [description (english with transliteration)] Moi Pulemet, no. 5, 1906
DOI: 10.25549/satjrnl-ouc112746879
title: Moi Pulemet, no. 2 (1906)

description: [description (english with transliteration)] Moi Pulemet, no. 2, 1906
DOI: 10.25549/satjrnl-c1-1349
title: Isaak Izrailevich Brodskii, 1884-1939

description: BIOGRAPHY (English): Isaak Izrailevich Brodskii, 1884-1939. Painter and graphic artist. Born in Sofievka, Ukraine, 6.I.1884 [25.XII.1883, O.S.]; died in Leningrad, 14.VIII.1939.CHRONOLOGY (English):1896-1902 - studied at the Odessa art school1902-1908 - studied at the Academy of Arts under G. G. Miasoedov, Ia. F. Tsionglinskii, and I. E. Repinbefore 1917 - Brodskii was associated with the Neo-Realist movement and was a member of the Association of Artists of Revolutionary Russia (AKhRR)after 1917 - after the Revolution Brodskii became the founding father of Socialist Realism, famous for portraits of Lenin, Stalin and other Soviet leaders and for depictions of the Civil War and Revolution of 1917; he was the first artist to be awarded the Order of Lenin1934 - he was appointed Director of the All-Russian Academy of Arts.MONOGRAM DESCRIPTION (English): Monograms, Isaak Izrailevich Brodskii (Jan. 6, 1884 or Dec. 25 1883, OS – Aug. 14,1939 ). The monograms are taken from the journal Plamia (Blaze), 1905.
DOI: 10.25549/satjrnl-c1-1302
title: Sergei Vasil'evich Chekhonin, 1878-1936

description: BIOGRAPHY (English): Sergei Vasil'evich Chekhonin, 1878-1936. Painter, graphic artist, theatrical designer.CHRONOLOGY (English):1878 September 21 (October 3, old style) (some sources give February 2 (February 14)) - born Lykoshino, near Novgorod1896-1897 - attended the school of the Society for the Encouragement of the Arts in St. Petersburg1897-1900 - took lessons in painting from Il'ia Repin at Princess Mariia Tenisheva's Art School in St. Petersburg (in 1900 renamed the Free Studio)1902-1907 - worked with sculpture and ceramics under Petr Vaulin at the Abramtsevo Ceramic Studio in Moscow; helped with the decorations for the Hotel Metropole in Moscow1903-1904 - contributed to the designs of the Contemporary Art enterprise in St. Petersburg1905-1907 - contributed caricatures and cartoons to revolutionary satirical journals1906-1907 - worked in Paris1906 onwards - designed and made illustrations for books and magazines, which became a major occupation in the ensuing years1907-1915 - continued to work under Vaulin at the Kikerino workshop near St. Petersburg1908 - returned to St. Petersburg; worked on interior designs for various residences; contributed to the "Wreath" exhibition in St. Petersburg; thereafter contributed to many national and international exhibitions1910 - joined the revived World of Art society and contributed regularly to its exhibitions until 19241913-1918 - head of the Art Section of the Craft Industries at the Ministry of Agriculture1918-1923 and 1925-1927 onward - Artistic Director of the State Porcelain Factory, Petrograd-Leningrad1923-1925 -lived in Novogord Province1925 - contributed to the "Exposition Internationale des Arts Décoratifs," Paris1928 - emigrated to Paris; in emigration worked as a designer for Nikita Baliev's Chauve-Souris cabaret and for the Ballets Russes Vera Nemtchinova in Paris1929 - worked for "Vogue" magazine; designed porcelain and jewelry. (Bowlt, 1994, p. 278.) 1936 February 23 - died Lorrach, Switzerland
DOI: 10.25549/satjrnl-ouc112745468
title: Molot, no. 2 (1906)

description: [description (english with transliteration)] Molot [Hammer], no. 2, January 8, 1906. Weekly. Published by A.K. Dikson. Edited by K.I. Dikson and N.N. Gerardov. St. Petersburg. Typography: "Tovarishchestva [Company] Obshtestvennaia pol'za." Artistic, literary, and satirical journal. This issue was confiscated by the police. -- Rudzinskii, no. 71; Writers: B. Agafonov, L. Andruson, E. Anichkov, M. Artsebashev, kn. V. Bariaginskii, A. Bogdanovich, F. Batiushkov, V. Brusianin, V. Bystrenin, I. Bunin, Z. Bukharova, V. Bashkin, L. Vasilevskii, S. Gusev-Orenburgskii, V. Gordin, K. Gorbunov, N. Gerardov, G. Galina, K. Grenkhagen, K. Dikson, V. Ermilov, V. Zhabotinskij, I. Zhilkin, P. Zasodimskii, Z. Zor (pseud.), V. Izmailov, A. Kamenskii, V. Kranikhfel'd, N. Krandievskaia, A. Kuprin, A. Luk'ianov, L. L'vov, V. Muizhel', Munshtein (Lolo), M. Nebedomskii, A. de-Pal'do, Pessimist, V. Portugalov, N. Pirogov, I. Poroshin, S. Protopopov, A. Roslavlev, I. Rukavishnikov, F. Sologub, Skitalets, M. Slavinskii, Tan, D. Filosofov, A. Khir'iakov, D. Tsenzor, O. Chiumina (Optimist), V. Chekhov, V. Shchuko, S. Iushkevich, A. Fedorov and others.
DOI: 10.15468/dl.rjhn79
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
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 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Pomacentrus milleri"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003795-260226173443078/datasets/export for details.
DOI: 10.15468/dd.nrbzwu
title: Dataset generated from Esri tool

description: Derived dataset generated by Esri geoprocessing tool using GBIF API
DOI: 10.25549/satjrnl-c1-1335
title: Aleksandr Mikhailovich Liubimov, 1879-1955

description: BIOGRAPHY (English): Aleksandr Mikhailovich Liubimov, 1879-1955, painter and graphic artist.CHRONOLOGY (English):he studied in the school of the Society for the Encouragement of the Arts in St. Petersburg1901-1909 - studied in the Academy of Arts under Il'ia Repin1912-1919 - he was director of the Khar'kov art schoolIn Soviet times - he became professor in the Leningrad Institute of Painting, Architecture and Sculpture.MONOGRAM DESCRIPTION (English): Liubimov monogram 3 and 4 are from "Leshii", no. 2, 1906.
DOI: 10.25549/satjrnl-c1-1497
title: Nevskii

description: Information on some of the writers and artists who contributed to the Russian satirical journals as well as information on some of the people satirized in the journals can be found here.This information is highly selective at this stage. Of particular note are the monograms used in place of full identities of some of the journals' contributors which are identified and described here.
DOI: 10.25549/dadrian-ouc113374105
title: Epilogue by Hovhannes S. Eskijian, 1928, p. 1

description: Handwritten English translation (14 pages) by Hovsep O. Janjikian in 1964 from the Armenian Epilogue by Hovhannes S. Eskijian in 1928 to the Armenian translation of Harold Begbie's book Twice Born Men (English, 1909).
DOI: 10.25549/dadrian-ouc113374150
title: Gulenia Eskijian. "It is easy enough to be pleasant..." [copy 1]

description: Gulenia Eskijian. "It is easy enough to be pleasant...", an aphorism. Handwritten in English (2 pages).
DOI: 10.25549/dadrian-ouc113374156
title: "Mothers testimony: Gulenia Danielian", p. 1

description: "Mothers testimony: Gulenia Danielian", as dictated to Luther Eskijian. Handwritten in English (2 pages).
DOI: 10.25549/dadrian-ouc113374214
title: Եընի Ըօմր [New Life] (1913 September) vol. 4, no. 4 [cover]

description: Եընի Ըօմր [New Life] (1913 September) vol. 4, no. 4: cover, pages 49-67, back cover. In Armenian (22 pages). Includes mention of Hovhannes Eskijian on page 62.
DOI: 10.25549/dadrian-ouc113373945
title: Goldsmith. Siyet - Church in Alexander the Great [label]

description: Pages 370-373 plus 6 pages containing 12 photographs ("little info re father" [Hovhannes Eskijian]) in: Ոսկեմատեան. Սիետ– Եկեղեցին Ալեհսանտրէթի Մէջ [Goldsmith. Siyet - Church in Alexander the Great]. In Armenian (7 pages).
DOI: 10.25549/dadrian-ouc113374228
title: Documents (2) on Hovhannes Eskijian

description: 2 documents on Hovhannes Eskijian: Summary of Hovhannes Eskijian's assistance with Armenian refugees in Syria. Handwritten in English (2 pages) as transcribed by Luther Eskijian. "translation of Shemoveon Janjigian" -- handwritten at head of first page. Yevniga Jebejian (care of Robert Jebejian), Rue Khendek, Aleppo, Syria, letter, 1953 March 15, to Emanuel Eskijian and Luther Eskijian. "Maybe my letter will be a surprise to you both" -- first line. Handwritten in Armenian (4 pages) with handwritten English translation (3 pages).
DOI: 10.25549/dadrian-ouc113374227
title: Yevniga Jebejian, letter, 1953-03-15, to Emanuel & Luther Eskijian [label]

description: Yevniga Jebejian (care of Robert Jebejian), Rue Khendek, Aleppo, Syria, letter, 1953 March 15, to Emanuel Eskijian and Luther Eskijian. "Maybe my letter will be a surprise to you both" -- first line. Handwritten in Armenian (4 pages) with handwritten English translation (3 pages).
DOI: 10.25549/satjrnl-c1-1500
title: Nevskii

description: Information on some of the writers and artists who contributed to the Russian satirical journals as well as information on some of the people satirized in the journals can be found here.This information is highly selective at this stage. Of particular note are the monograms used in place of full identities of some of the journals' contributors which are identified and described here.
DOI: 10.25549/satjrnl-c1-1347
title: Boris Izrailevich Anisfel'd, 1879-1973

description: BIOGRAPHY (English): Boris Izrailevich Anisfel'd, 1879-1973 (born Ber Srulevich Anisfel'd). Painter and theatrical designer.CHRONOLOGY (English):1879.X.2 (X.14, old style) - born in the town of Belz (Beltsy) in Bessarabla (Moldova)1895-1901 - studied at the Odessa Drawing School1901-1909 - studied at the Academy of Art under Dmitrii Kardovskii, Il'ia Repin and other professors1905-1907 - contributed caricatures to journals of political satire1906 - contributed to the exhibitions of the World of Art, the Union of Russian Artists, Moscow, and the Salon d'Automne in Paris and thereafter exhibited frequently in Russia and abroad; 1907 designed the production of Hugo von Hofmannsthal's "Die Hochzeit der Sobeide" at Vera Komissarzhevskaia's Theater, St. Petersburg1908 - worked on the designs for Sergei Diaghilev's production of "Boris Godunov" in Paris with Alexandre Benois and Alexander Golovin; 1909 worked on the designs for Diaghilev's production of the "Maid of Pskov" with Golovin and Nikolai Roerich1911 - created the decor and costumes for Diaghilev's production of "Sadko"1912-1914 - designed many ballet and drama productions such as Milii Balakirev's "Islamey," Leonid Andreev's "Ocean," and Michael Fokine's "Une Nuit d'Egypte"1913 - collaborated with Anna Pavlova on a production of "Les Préludes" for the Manhattan Opera House, New York1914 - designed Vaslav Nijinskii's production of "Les Sylphides" in London1918 - emigrated to the U.S., where he lived for the rest of his life1918-1920 - one-man exhibition at the Brooklyn Museum, New York, and other institutions1919 - designed Xavier Leroux's "La Reine Fiammette" and Maurice Maeterlinck's "L'Oiseau Bleu" for the Metropolitan Opera, New York, the first of several major productions for New York, Chicago, and other U.S. cities1921 - designed Sergei Prokof'ev's "Love for Three Oranges" for the Chicago Opera company1922 - designed Nikolai Rimskii-Korsakov's "Snegurochka" (Snow Maiden) for the Metropolitan Opera1926 - after working on designs Puccini's "Turandot" (not produced) gave more attention to painting and to teaching1928 - became a professor at the Art Institute of Chicago where he taught for more than thirty years (Bowlt, 1994, p. 21)1973.XII.4 - died in Waterford, Connecticut, USASOURCE: [book] Bowlt, John E. Russian Stage Design: Scenic Innovation, 1900-1930: From the Collection of Mr. and Mrs. Nikita D. Lobanov-Rostovsky. Jackson, MS (P.O. Box 1330, Jackson 39205): Mississippi Museum of Art, 1982, pp. 54-60.
DOI: 10.25549/satjrnl-c1-1283
title: Ivan Iakovlevich Bilibin, 1876-1942

description: BIOGRAPHY (English): Ivan Iakovlevich Bilibin, 1876-1942. Painter and graphic artist.CHRONOLOGY (English):1876 August 4 (July 23) - born in the village of Tarkhov near St. Petersburg1895-1898 - attended the drawing school of the Society for the Encouragement of the Arts1896 - attended Law School at St. Petersburg University1898 - visited Munich, then Switzerland and Italy1898-1900 - attended Princess Mariia Tenisheva's art school in St. Petersburg, taking courses under Il'ia Repin1899 onward - close to the World of Art artists, contributing to the journal and exhibitions; contributed illustrations to editions of Russian fairy-tales1900-1904 - attended the Higher Art Institute of the Academy of Art1904 - made designs for Nikolai Rimsky-Korsakov's "Snegurochka" produced in 1905 at the Prague National Theater; published an article on the popular art of Northern Russia in the "World of Art" magazine1905 - contributed to satirical journals such as "Zhupel"1907-1911 - worked on designs for Sergei Diaghilev's production of "Boris Godunov" in Paris; traveled to England; began to teach at the Society for the Encouragement of the Arts school; began work on designs for Rimsky-Korsakov's "Sadko" at the People's House, St. Petersburg1909 - designed Sergei Zimin's production of "The Golden Cockerel" in Moscow1915 - decorated ceilings for the Kazan Station, Moscow1917-1919 - lived in the Crimea1920-1925 - lived in Egypt and then moved to Paris1920-1930s - continued to work as a stage and book designer1936 - returned to Leningrad. (Bowlt, 1994, p. 91.)1942 February 7 - Died in Leningrad; 1890-96 attended gymnasium in St. Petersburg
DOI: 10.25549/satjrnl-ouc112738111
title: Na Rasput'i, no. 1 (1906)

description: [description (english with transliteration)] Na Rasput'i, no. 1, 1906
DOI: 10.25549/satjrnl-ouc112745905
title: Otboi, no. 3 (1906)

description: [description (english with transliteration)] Otboi [Retreat], no. 3, March 5, 1906. Published by M. K. GurskaIa. Edited by M. K. GurskaIa. St. Petersburg. Typography: U. L. Mansfel'd. Art journal of public and political satire. This issue contains poetry, prose, pictures and illustrations by artists and writers.
DOI: 10.25549/satjrnl-ouc112745483
title: Pliuvium, no. 67 (1908)

description: [description (english with transliteration)] Pliuvium, no. 67, January 12, 1908. Published by V. M. Brevern. Edited by V. M. Brevern and V. Lebel'. St. Petersburg. Journal of political satire. This issue contains poetry, prose, pictures and illustrations by artists and writers. This was an anti-Semitic journal.
DOI: 10.15468/dl.kbkcc8
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
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 "is one of (Fossil, Living Specimen)"
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 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Pomacentrus pikei"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003796-260226173443078/datasets/export for details.
DOI: 10.15468/dl.b7ewvq
title: Occurrence Download

description: A dataset containing 252090 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Valerianella"
 ]
}

 The dataset includes 252090 records from 2141 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003776-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/inscriptifact-ouc110625513
title: Persepolis Fortification Elamite Tablet 0081, PF-NN 0081

description: [Text Description:] Administrative text with seal ❧ [Text or Publication Number Note:] PF-NN 0081 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Alphabetic Cuneiform ❧ [Physical Object Description:] Clay tablet with cuneiform text. Seal impression on left edge. ❧ [Physical Object Note:] Damage or cracks on left edge, right edge, reverse and upper edge.
DOI: 10.25549/inscriptifact-ouc110622756
title: Persepolis Fortification Anepigraphic Tablet 0704.201, PFAnep 0704.201

description: [Text Description:] Administrative text with seals ❧ [Text or Publication Number Note:] PFAnep 0704.201, PFUT 0704-201 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Text ❧ [Physical Object Description:] Clay tablet with seal impressions on bottom edge, left edge, obverse, right edge, upper edge. ❧ [Physical Object Note:] Minor cracks on left edge. Minor cracks and encrustation on reverse.
DOI: 10.25549/inscriptifact-ouc110622744
title: Persepolis Fortification Anepigraphic Tablet 0704.201, PFAnep 0704.201

description: [Text Description:] Administrative text with seals ❧ [Text or Publication Number Note:] PFAnep 0704.201, PFUT 0704-201 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Text ❧ [Physical Object Description:] Clay tablet with seal impressions on bottom edge, left edge, obverse, right edge, upper edge. ❧ [Physical Object Note:] Minor cracks on left edge. Minor cracks and encrustation on reverse.
DOI: 10.25549/inscriptifact-ouc110624670
title: Persepolis Fortification Anepigraphic Tablet 0992.103, PFAnep 0992.103

description: [Text Description:] Administrative text with seals ❧ [Text or Publication Number Note:] PFAnep 0992.103, PFUT 0992-103 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Text ❧ [Physical Object Description:] Clay tablet with seal impressions on left edge, obverse. ❧ [Physical Object Note:] Small cracks on bottom edge, left edge, right edge, reverse, upper edge.
DOI: 10.25549/inscriptifact-ouc110624667
title: Persepolis Fortification Anepigraphic Tablet 0992.103, PFAnep 0992.103

description: [Text Description:] Administrative text with seals ❧ [Text or Publication Number Note:] PFAnep 0992.103, PFUT 0992-103 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Text ❧ [Physical Object Description:] Clay tablet with seal impressions on left edge, obverse. ❧ [Physical Object Note:] Small cracks on bottom edge, left edge, right edge, reverse, upper edge.
DOI: 10.25549/inscriptifact-ouc1sto1611761
title: InscriptiFact -- an image database of inscriptions and artifacts

description: The InscriptiFact Collection is designed to allow access via the Internet to high-resolution images of ancient inscriptions and artifacts, primarily from the Near Eastern and Mediterranean Worlds. The targeted inscriptions constitute some of the world’s earliest written records, which are mostly housed in a number of international museums and libraries, as well as field projects where inscriptions still remain in situ. Included, for example, are, selected Dead Sea Scrolls; cuneiform tablets from Mesopotamia, Persia, Canaan and Egypt; early Jewish papyri from Egypt; lapidary inscriptions, primarily from Jordan, Lebanon and Cyprus; inscriptions on a variety of hard media (e.g., ostraca, copper, semi-precious stones, jar handles) mostly written in early Canaanite, Phoenician, Hebrew, Aramaic, Ammonite and Edomite; and much more. These ancient texts are foundational documents that serve as a point of reference for Judaism, Christianity, Islam and the cultures out of which they emerged. The name "InscriptiFact" is intended to convey the concept of a scholarly archive based on "facts" about "inscriptions" and "artifacts." West Semitic Research Project (WSRP) under the auspices of the University of Southern California (USC) is broadly acknowledged as a leader in the application of photographic and digital technologies to capture and analyze data of ancient texts. The West Semitic Research image archive now contains approximately 1,500,000 images. Important! Search terms with more than one word or number need to be enclosed in quotation marks.Guide to Searching InscriptiFact
DOI: 10.25549/inscriptifact-ouc110624650
title: Persepolis Fortification Anepigraphic Tablet 0991.101, PFAnep 0991.101

description: [Text Description:] Administrative text with seals ❧ [Text or Publication Number Note:] PFAnep 0991.101, PFUT 0991-101 ❧ [Excavation Description:] Found during Oriental Institute's excavations in Spring, 1933, near the northeastern corner of the stone platform of Persepolis, in two small rooms of a bastion in the fortification wall ❧ [Medium:] Clay ❧ [Script Note:] Non-Text ❧ [Physical Object Description:] Clay tablet with seal impressions on bottom edge, left edge, obverse, reverse and upper edge. ❧ [Physical Object Note:] Damaged area on corner of obverse. Some roughness on tablet.
DOI: 10.25549/inscriptifact-ouc1sto1611757
title: InscriptiFact -- an image database of inscriptions and artifacts

description: The InscriptiFact Collection is designed to allow access via the Internet to high-resolution images of ancient inscriptions and artifacts, primarily from the Near Eastern and Mediterranean Worlds. The targeted inscriptions constitute some of the world’s earliest written records, which are mostly housed in a number of international museums and libraries, as well as field projects where inscriptions still remain in situ. Included, for example, are, selected Dead Sea Scrolls; cuneiform tablets from Mesopotamia, Persia, Canaan and Egypt; early Jewish papyri from Egypt; lapidary inscriptions, primarily from Jordan, Lebanon and Cyprus; inscriptions on a variety of hard media (e.g., ostraca, copper, semi-precious stones, jar handles) mostly written in early Canaanite, Phoenician, Hebrew, Aramaic, Ammonite and Edomite; and much more. These ancient texts are foundational documents that serve as a point of reference for Judaism, Christianity, Islam and the cultures out of which they emerged. The name "InscriptiFact" is intended to convey the concept of a scholarly archive based on "facts" about "inscriptions" and "artifacts." West Semitic Research Project (WSRP) under the auspices of the University of Southern California (USC) is broadly acknowledged as a leader in the application of photographic and digital technologies to capture and analyze data of ancient texts. The West Semitic Research image archive now contains approximately 1,500,000 images. Important! Search terms with more than one word or number need to be enclosed in quotation marks.Guide to Searching InscriptiFact