cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10324496
title: Ancient Bead from Necklace, Sarajevo Museum

description: Ancient Bead from Necklace, Sarajevo Museum

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 251 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NecklaceAccount4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324497
title: Ancient Bead from Necklace, Sarajevo Museum

description: Ancient Bead from Necklace, Sarajevo Museum

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 251 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NecklaceAccount4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324498
title: ROI004-009-01

description: Early Archaic Point Fragments collected in Allen County, Indiana. 

Catalog #: 12-Al-123-3

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI004-009-01, 3D Model .ply file. Recovered as part of Report of Investigations 4, *An Archaeological Assessment of Fox Island County Park*, Donald R. Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324499
title: ROI004-009-01

description: Early Archaic Point Fragments collected in Allen County, Indiana. 

Catalog #: 12-Al-123-3

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI004-009-01, 3D Model .ply file. Recovered as part of Report of Investigations 4, *An Archaeological Assessment of Fox Island County Park*, Donald R. Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324502
title: Historical vault

description: Detail of the vault. Located in beautiful Pilgrimage Church of Saint John of Nepomuk by famous architect Jan Santini Aichel

https://goo.gl/maps/4q6cTcW3fr42

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324503
title: Historical vault

description: Detail of the vault. Located in beautiful Pilgrimage Church of Saint John of Nepomuk by famous architect Jan Santini Aichel

https://goo.gl/maps/4q6cTcW3fr42

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5066/p9kh3q2d
title: Geospatial data for the report Groundwater Discharge by Evapotranspiration from the Amargosa Wild and Scenic River and Contributing Areas, Inyo and San Bernardino Counties, California

description: This data release supports U.S. Geological Survey Scientific Investigations Report 2023-5106, Groundwater Discharge by Evapotranspiration from the Amargosa Wild and Scenic River and Contributing Areas, Inyo and San Bernardino Counties, California. Geospatial datasets presented are two polygon shapefiles representing the groundwater discharge areas and evapotranspiration units for the Amargosa Wild and Scenic River and contributing areas, and a raster dataset representing the vegetation index corresponding to the vegetated evapotranspiration unit.
DOI: 10.5281/zenodo.10324507
title: Roman Altar from Arezzo - Romulus and Remus

description: Dated stylistically to the Augustan period.

Discovered in 1933 in Piazza di Porta Crucifera in Arezzo. Currently in the Museo Archeologico Nazionale "Gaio Cilnio Mecenate" in Arezzo. On the front Romulus and Remus, suckled by the she-wolf before the *ficus ruminalis* on a rocky outcrop, are discovered by the shepherd Faustulus and Mars (or a second shepherd). Two winged victories are depicted on the sides. One pours a libation from a patera and the other carries a cista on her head. Evans connects these to Augustan "Asia recepta" [coins](http://numismatics.org/ocre/id/ric.1(2).aug.276) on which Victory appears with the *cista mystica*.

Evans, J.D. 1992. *The Art of Persuasion: Political Propaganda from Aeneas to Brutus,* Ann Arbor: University of Michgan Press, p. 72.

Del Vita, A. 1934. "Ara Marmorea trovata presso Porta Crucifera." *Notizie degli Scavi di antichità*:429—433, tav. XV—XVI.

Model created in RealityCapture from photographs taken in 2019. Note: Scale is approximated, not exact.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324506
title: Roman Altar from Arezzo - Romulus and Remus

description: Dated stylistically to the Augustan period.

Discovered in 1933 in Piazza di Porta Crucifera in Arezzo. Currently in the Museo Archeologico Nazionale "Gaio Cilnio Mecenate" in Arezzo. On the front Romulus and Remus, suckled by the she-wolf before the *ficus ruminalis* on a rocky outcrop, are discovered by the shepherd Faustulus and Mars (or a second shepherd). Two winged victories are depicted on the sides. One pours a libation from a patera and the other carries a cista on her head. Evans connects these to Augustan "Asia recepta" [coins](http://numismatics.org/ocre/id/ric.1(2).aug.276) on which Victory appears with the *cista mystica*.

Evans, J.D. 1992. *The Art of Persuasion: Political Propaganda from Aeneas to Brutus,* Ann Arbor: University of Michgan Press, p. 72.

Del Vita, A. 1934. "Ara Marmorea trovata presso Porta Crucifera." *Notizie degli Scavi di antichità*:429—433, tav. XV—XVI.

Model created in RealityCapture from photographs taken in 2019. Note: Scale is approximated, not exact.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324508
title: End Blade Base XCB-003-399

description: End Blade Base  XCB-003-399

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324509
title: End Blade Base XCB-003-399

description: End Blade Base  XCB-003-399

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324512
title: Sledge with Mythological frieze

description: Sledge with Mythological frieze, Second half of the 18th century, Liège (Belgium), wood, sheet, metal. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

The crate, semi-circular at the back, marries, at the front, the shape of a shell painted in silver gray. The enveloping back is lined with blue fabric. The seat cushion conceals a storage compartment. The outside of the box is painted in imitation of a reddish-brown and beige marble, bordered by a frieze where mythological creatures of light shade contrast against the dark background.
The molded skates describe a pretty S movement and present, at their junction, a carved openwork floral pattern. The ornamental repertoire of this sled, combining elements Louis XV and Louis XVI, encourages to locate it in the second half of the eighteenth century.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324513
title: Sledge with Mythological frieze

description: Sledge with Mythological frieze, Second half of the 18th century, Liège (Belgium), wood, sheet, metal. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

The crate, semi-circular at the back, marries, at the front, the shape of a shell painted in silver gray. The enveloping back is lined with blue fabric. The seat cushion conceals a storage compartment. The outside of the box is painted in imitation of a reddish-brown and beige marble, bordered by a frieze where mythological creatures of light shade contrast against the dark background.
The molded skates describe a pretty S movement and present, at their junction, a carved openwork floral pattern. The ornamental repertoire of this sled, combining elements Louis XV and Louis XVI, encourages to locate it in the second half of the eighteenth century.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324514
title: Vase

description: Ceramic Vase, aged. Use as a single asset (no chunks)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324515
title: Vase

description: Ceramic Vase, aged. Use as a single asset (no chunks)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324518
title: Evasion

description: Oeuvre datant de 2002, en acier, d'environ 2.00 m de hauteur (socle compris) placée près de l'Allée des Pensées du Château de Jehay (Province de Liège en Belgique). Sculpture de Jean Michel Folon (1934-2005) faisant partie d'une série de sculptures mises en place entre 1996 et 2005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324519
title: Evasion

description: Oeuvre datant de 2002, en acier, d'environ 2.00 m de hauteur (socle compris) placée près de l'Allée des Pensées du Château de Jehay (Province de Liège en Belgique). Sculpture de Jean Michel Folon (1934-2005) faisant partie d'une série de sculptures mises en place entre 1996 et 2005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324520
title: Ídolo-Falange

description: Na transição do Neolítico final para o Calcolítico (início do III milénio a.C.) a simbologia mágico-religiosa materializa-se em diversos objetos de culto, muitas vezes associados aos sítios de sepultamento dos mortos. Entre eles sugerem estes ídolos-falange, produzidos a partir de ossos de animais. O ídolo da Gruta do Escoural foi encontrado junto do restante espólio dos enterramentos neolíticos. Não apresenta qualquer tipo de decoração, apenas o debaste e o polimento necessários para acentuar o aspeto sumariamente feminino que lhe pretenderam dar.
O modelo 3D que apresentamos é uma optimização de um levantamento pela Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324521
title: Ídolo-Falange

description: Na transição do Neolítico final para o Calcolítico (início do III milénio a.C.) a simbologia mágico-religiosa materializa-se em diversos objetos de culto, muitas vezes associados aos sítios de sepultamento dos mortos. Entre eles sugerem estes ídolos-falange, produzidos a partir de ossos de animais. O ídolo da Gruta do Escoural foi encontrado junto do restante espólio dos enterramentos neolíticos. Não apresenta qualquer tipo de decoração, apenas o debaste e o polimento necessários para acentuar o aspeto sumariamente feminino que lhe pretenderam dar.
O modelo 3D que apresentamos é uma optimização de um levantamento pela Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324523
title: Paris catacombs - "La mort est tellement bien"

description: The writing on the wall says "*La mort est tellement bien que personne n'en revient*", i.e. "Death is so nice that nobody ever came back from it"

Scanned with the iPhone12 Pro and 3dScannerApp. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324522
title: Paris catacombs - "La mort est tellement bien"

description: The writing on the wall says "*La mort est tellement bien que personne n'en revient*", i.e. "Death is so nice that nobody ever came back from it"

Scanned with the iPhone12 Pro and 3dScannerApp. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324524
title: FS2177 Sheep

description: Model made from plastic toy approximately 1.5 inches high to be used in a project scaled down to much smaller size

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324525
title: FS2177 Sheep

description: Model made from plastic toy approximately 1.5 inches high to be used in a project scaled down to much smaller size

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324526
title: Holy Water

description: Holy Water captured with iPhone12Pro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324527
title: Holy Water

description: Holy Water captured with iPhone12Pro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324529
title: Theatre and Amphitheatre of Merida Part 2

description: Point cloud uniform and edit. The large Roman theater of Merida was constructed between 15 and 16 century BC and the adjacent amphitheater was built in the 8th century BC. The amphitheater has an elliptical shape with an arena of 64 meters by 41 meters used for gladiatorial contests and 15,000 spectators and has lowest, middle and upper tier rows for the ruling classes and the commoners.

More info: ation 2020: Theatre and Amphitheatre of Merida - LiDAR - Terrestrial . Collected by La Sapienza University , The Department of Antiquities (DoA) in Jordan . Distributed by Open Heritage 3D. https://doi.org/10.26301/txve-tm52

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324528
title: Theatre and Amphitheatre of Merida Part 2

description: Point cloud uniform and edit. The large Roman theater of Merida was constructed between 15 and 16 century BC and the adjacent amphitheater was built in the 8th century BC. The amphitheater has an elliptical shape with an arena of 64 meters by 41 meters used for gladiatorial contests and 15,000 spectators and has lowest, middle and upper tier rows for the ruling classes and the commoners.

More info: ation 2020: Theatre and Amphitheatre of Merida - LiDAR - Terrestrial . Collected by La Sapienza University , The Department of Antiquities (DoA) in Jordan . Distributed by Open Heritage 3D. https://doi.org/10.26301/txve-tm52

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324530
title: 31WA2534 Feature 1 - Hogg-Dortch cellar wall

description: Stone foundation associated wtih Hogg-Dortch residence, Raleigh, NC. Documentation of this archaeological feature was done in coordination with Holt Brothers Construction and the NC Freedom Park Board of Directors.  This model was constructed by Mary Beth Fitts with 86 photos using Agisoft Metashape software. (Credit: NCDNCR/OSA)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324531
title: 31WA2534 Feature 1 - Hogg-Dortch cellar wall

description: Stone foundation associated wtih Hogg-Dortch residence, Raleigh, NC. Documentation of this archaeological feature was done in coordination with Holt Brothers Construction and the NC Freedom Park Board of Directors.  This model was constructed by Mary Beth Fitts with 86 photos using Agisoft Metashape software. (Credit: NCDNCR/OSA)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324532
title: 1960s Kodakchrome Movie Film Boxes

description: Boxes of home movies from the 60s. Two versions, one with the personal notes on them and one without. Use for decoration, vintage renders, video games, whatever. Lowest poly possible: its only a cube, and only uses a diffuse texture, but feel free to add or a

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324533
title: 1960s Kodakchrome Movie Film Boxes

description: Boxes of home movies from the 60s. Two versions, one with the personal notes on them and one without. Use for decoration, vintage renders, video games, whatever. Lowest poly possible: its only a cube, and only uses a diffuse texture, but feel free to add or a

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324534
title: Survival Knife 7

description: one of the very simple survival knife models

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324535
title: Survival Knife 7

description: one of the very simple survival knife models

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324536
title: 3 figures debout

description: Sculpture brute dans la pierre datant de 1978, due à Eugène Dodeigne (1923-2015). Hauteur d'environ 1.80m. Cette sculpture fait partie des 400 sculptures exposées en plein air au Middelheim Museum d'Anvers (Belgique)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324537
title: 3 figures debout

description: Sculpture brute dans la pierre datant de 1978, due à Eugène Dodeigne (1923-2015). Hauteur d'environ 1.80m. Cette sculpture fait partie des 400 sculptures exposées en plein air au Middelheim Museum d'Anvers (Belgique)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324538
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of Grace Mcbride, died 1876, aged 37  years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Section M2 13 LEW, 639.  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
20 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324539
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of Grace Mcbride, died 1876, aged 37  years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Section M2 13 LEW, 639.  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
20 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324540
title: Haile Sand Fort - UK

description: A videogrammetry 3d scan of Haile Sand Fort made in Agisoft software from 119 frames from this video: https://www.youtube.com/watch?v=OSWSbicdOB0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324541
title: Haile Sand Fort - UK

description: A videogrammetry 3d scan of Haile Sand Fort made in Agisoft software from 119 frames from this video: https://www.youtube.com/watch?v=OSWSbicdOB0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324542
title: Outbuilding at 21 Taylor, Deadwood SD

description: 21 Taylor Ave. Deadwood, SD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324543
title: Outbuilding at 21 Taylor, Deadwood SD

description: 21 Taylor Ave. Deadwood, SD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324546
title: Mug House,  Mesa Verde

description: Unlike other archaeological sites in the park, this one has been undisturbed since its discovery and will never be fully excavated. Bones, tools, and impressions from ancient fireside corn cobs imbue the space with a sense of industry and life. But most notable are the beautiful black-and-white potsherds that appear ageless and still gleaming.

Mug House itself is one of the largest complexes at Mesa Verde, with 94 rooms and eight kivas (rooms used by Puebloans for religious rituals and political meetings), possibly housing up to 80 people at its height.   In the 1920s, as well as the controversies of early explorers removing artifacts bound for museums and private collections all over the world. The intimacy of the small-group setting prompted lots of discussions about the mysteries and culture of the Ancient Puebloans.
https://gearjunkie.com/outdoor/hiking/mesa-verde-national-park-mug-house

http://hiddenarchitecture.net/mesa-verde/ 

From 931 images.   A newer version; https://skfb.ly/or8pR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324547
title: Mug House,  Mesa Verde

description: Unlike other archaeological sites in the park, this one has been undisturbed since its discovery and will never be fully excavated. Bones, tools, and impressions from ancient fireside corn cobs imbue the space with a sense of industry and life. But most notable are the beautiful black-and-white potsherds that appear ageless and still gleaming.

Mug House itself is one of the largest complexes at Mesa Verde, with 94 rooms and eight kivas (rooms used by Puebloans for religious rituals and political meetings), possibly housing up to 80 people at its height.   In the 1920s, as well as the controversies of early explorers removing artifacts bound for museums and private collections all over the world. The intimacy of the small-group setting prompted lots of discussions about the mysteries and culture of the Ancient Puebloans.
https://gearjunkie.com/outdoor/hiking/mesa-verde-national-park-mug-house

http://hiddenarchitecture.net/mesa-verde/ 

From 931 images.   A newer version; https://skfb.ly/or8pR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324548
title: Tête de femme encastrée dans un mur

description: Sculpture monumentale en pierre calcaire de Crazannes, d'environ 3.20 m de hauteur portant réalisée par Alain Dony, sans aucune autre explication. L'oeuvre fait penser aux "Moai" de l'île d Pâques

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324549
title: Tête de femme encastrée dans un mur

description: Sculpture monumentale en pierre calcaire de Crazannes, d'environ 3.20 m de hauteur portant réalisée par Alain Dony, sans aucune autre explication. L'oeuvre fait penser aux "Moai" de l'île d Pâques

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324550
title: Bodie Transformer

description: Electrictiy was installed for the Rose-Klip mine around 1896

https://books.google.com/books?id=Xoe0wJgUql8C&pg=PA44&lpg=PA44&dq=rose-klip+mine+co+transformer&source=bl&ots=Mp3iwBZ9Hd&sig=OKNIpNO2FAQ6zua3mh48lu2X5sA&hl=en&sa=X&ved=0ahUKEwiZ5ba329nVAhUK22MKHeJyCXEQ6AEIKDAA#v=onepage&q=rose-klip%20mine%20co%20transformer&f=false


Capturing Reality from 27 images in 00h:21m:04s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324551
title: Bodie Transformer

description: Electrictiy was installed for the Rose-Klip mine around 1896

https://books.google.com/books?id=Xoe0wJgUql8C&pg=PA44&lpg=PA44&dq=rose-klip+mine+co+transformer&source=bl&ots=Mp3iwBZ9Hd&sig=OKNIpNO2FAQ6zua3mh48lu2X5sA&hl=en&sa=X&ved=0ahUKEwiZ5ba329nVAhUK22MKHeJyCXEQ6AEIKDAA#v=onepage&q=rose-klip%20mine%20co%20transformer&f=false


Capturing Reality from 27 images in 00h:21m:04s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10324554
title: Anton Günther Grab

description: Anton Günther war ein deutscher Volksdichter und Sänger des Erzgebirges. Er gilt als Erfinder der Liedpostkarte. Wikipedia

Geboren: 5. Juni 1876, Boží Dar, Tschechien
Gestorben: 29. April 1937, Boží Dar, Tschechien

Source: Objaverse 1.0 / Sketchfab