cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-274
title: Filipino Americans: a glorious history, a golden legacy, Echo Park, 1995

description: Filipino Americans: a glorious history, a golden legacy, Echo Park, 1995, U.S. Postal Service Annex, exterior, 1660 Beverly Boulevard, Echo Park. Four thousand years of Filipino and Filipino-American history. The design is divided into two part. The first is historical, leading up to the awakening of Filipino national and political consciousness. The second part is dominated by a huge bird with significant Filipino American on its wings, the farmworkers on the bottom, and the youth and community on the right. The mural faces a large community garden. Acrylic, 140' x 20', by Eliseo Art Silva. Sponsored by SPARC. -- Dunitz, Street gallery, rev. 2nd ed., p. 111, #27.
DOI: 10.25549/dunitz-c15-285
title: Education, key to the future, Los Angeles, 1986

description: Education, key to the future, Los Angeles, 1986, Betty Plasencia Elementary School, exterior courtyard, Temple Street (between Douglas and East Edgeware), Echo Park. Ancient Mexican god observing two contemporary Latino students reading. There are two other exterior murals at the school. One, done by Mary Suarez in 1977 under the auspices of the Citywide Mural Project, depicts silhouettes of children holding hands. Another mural inside the kindergarten playground shows toys and baloons. By Carlos Calleja with rival gang members on SYETP. Sponsored by CDP. -- Dunitz, Street gallery, p. 105, #19.
DOI: 10.25549/salamun-c98-117
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-124
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1923940
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1923945
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926101
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926524
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924189
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926525
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924186
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924191
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-94
title: Dusk, Los Angeles, 1991

description: Dusk, Los Angeles, 1991. Pacific Bell/AT&T. building, exterior, 433 South Olive Street (between 4th and 5th streets). This abstract composition, using trompe l'oeil effects, is part of the artist's on-going Moby Dick series. Acrylic, 300 feet long, designed by Frank Stella. Executed by Architectural Wallcoverings Installations, Inc., of Phoenix, Arizona. Sponsored by The Gas Company/Percent for Art program of CRA. -- Dunitz, Street gallery, rev. 2nd ed., p. 55, #86.
DOI: 10.25549/dunitz-c15-98
title: La Ofrenda, Los Angeles, 1990

description: La Ofrenda, 1990, Toluca Street under the 1st Street bridge (near 2nd St. and Glendale Blvd.), Echo Park. This tribute to the struggle and strength of the farmworkers and all Latinos particularly emphasizes the role of women by spotlighting Dolores Huerta, a longtime leader of the United Farm Workers Union. Acrylic, 36' x 20', by Yreina Cervantez, assisted by Claudia Escobedes, Eriick Montenegro, Vladimir Morales, and Sonia Ramos. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 108, #18.
DOI: 10.25549/dunitz-c15-106
title: The street speaks, Los Angeles, 1986

description: The street speaks, 1986, La Jolla Hotel, exterior front, 721 East 6th St. (between Crocker and Towne). A map of the area around the hotel, identifying the location of the services frequently used by the low-income people who live there. By Judith Baca. Acrylic, 2 panels, 8' x 16' (each). Sponsored by SPARC. -- Dunitz, Street gallery, p. 48, #74.
DOI: 10.25549/dunitz-c15-134
title: Religious and gang imagery, Los Angeles, 1990

description: Religious and gang imagery, Untitled, Los Angeles, 1990, Kenmore and Pico, northeast corner. Religious and gang imagery, low rider, Virgin of Guadalupe. By Luis Tapia. Dunitz, Street gallery, p. 72, #44.
DOI: 10.25549/dunitz-c15-136
title: Chabelita Tacos, Los Angeles, 1985-1990

description: Chabelita Tacos, untitled mural, 1985-1990, Chabelita Tacos, exterior and interior, Western Avenue at 20th Street. Burgers, tacos, and people eating cover every inch of the walls. Oil, by Juan Hector Ponce.-- Dunitz, Street gallery, rev. 2nd ed., p. 76, #35.
DOI: 10.25549/salamun-c98-483
title: Lauridsen, card, 1991-12-15, to Salamunovich

description: Morton Lauridsen, greeting card, 1995 December 15, to Paul Salamunovich. "The attached memento I hope will serve as reminder of your most beautiful performance of O magnum mysterium." -- first line.
DOI: 10.25549/salamun-c98-485
title: Lauridsen, card, 1991-12-15, to Salamunovich

description: Morton Lauridsen, greeting card, 1995 December 15, to Paul Salamunovich. "The attached memento I hope will serve as reminder of your most beautiful performance of O magnum mysterium." -- first line.
DOI: 10.15468/dl.2ccqhj
title: Occurrence Download

description: A dataset containing 1373 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Uromyrtus"
 ]
}

 The dataset includes 1373 records from 49 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003610-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/salamun-c98-733
title: Lauridsen, card, 2000-12, to Salamunovich

description: Morton Lauridsen, greeting card, 2000 December, to Paul Salamunovich. "Thank you, Paul, for the most beautiful performance of O magnum ever!" -- first line.
DOI: 10.25549/salamun-c98-1
title: Lauridsen, letter, 2002-10-15, to Salamunovich

description: Morton Lauridsen, Indianapolis, Indiana, USA, letter, 2002 October 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "My ears are still rining with the sounds of your stunningly beautiful performance of the Lux aeterna on Sunday." -- first line. With envelope.
DOI: 10.25549/salamun-c98-5
title: Lauridsen, letter, 2002-10-15, to Salamunovich

description: Morton Lauridsen, Indianapolis, Indiana, USA, letter, 2002 October 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "My ears are still rining with the sounds of your stunningly beautiful performance of the Lux aeterna on Sunday." -- first line. With envelope.
DOI: 10.25549/salamun-c98-623
title: Lauridsen, letter, 2001-04-23, to Salamunovich

description: Morton Lauridsen, letter, 2001 April 23, to Paul Salamunovich. "Thank you from the bottom of my heart for such an elegant, sensitive and stunningly beautiful performance of the Lux aeterna." -- first line.
DOI: 10.25549/salamun-c98-62
title: Lauridsen, letter, 2010-12-14, to Salamunovich

description: Morton Lauridsen, letter, 2010 December 14, to Paul Salamunovich. "Fine performance of older works by the successors to the Dale Warland Singers." -- first line.
DOI: 10.15468/dl.efa97e
title: Occurrence Download

description: A dataset containing 3 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Ostorhinchus nigrocincta"
 ]
}

 The dataset includes 3 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003611-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/salamun-c98-1004
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-1013
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-1014
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924164
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926674
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924192
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926881
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926889
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-719
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-721
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-608
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-609
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-615
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-1025
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-1028
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-1029
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-1037
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-18
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-292
title: Seeds of illusion, Los Angeles, 1990

description: Seeds of illusion, Los Angeles, 1990, 1448 North Alvarado Street (at Glendale Boulevard), Echo Park. TV sets thrashing in turbulent waters, meant to indicate the tense dynamic between nature and technology. On a side panel, a poor woman searches among the TVs for a sign of hope. Acrylic, 9' x 27' (each of three panels), by Guillermo Bert. Sponsored by SPARC. -- Dunitz, Street gallery, p. 106, #25.
DOI: 10.25549/dunitz-c15-295
title: J.A.C. 25th anniversary mural, Los Angeles, 1991

description: J.A.C. 25th anniversary mural, Los Angeles, 1991, Barnsdall Park Junior Arts Center, exterior south-facing wall, 4814 Hollywood Boulevard (near Vermont Avenue), Los Feliz. Cityscape featuring freeways and the hill on which Barnsdall Park is located. Two other murals done by children -- one under Romero's supervision -- face the Junior Arts Center Gallery. Acrylic, by Frank Romero, assisted by Jenna Cohn, Sonia Ramos, Keefer Butterworth, Erick Montenegro, and Alexandru Anton-Luca. Sponsored by SPARC. -- Dunitz, Street gallery, p. 107, #27.
DOI: 10.5281/zenodo.18809806
title: HEART FAILURE PATHOPHYSIOLOGY AND CONTEMPORARY THERAPEUTIC APPROACHES

description: This article provides a comprehensive overview of heart failure, focusing on its pathophysiology and contemporary therapeutic approaches. Heart failure is a complex clinical syndrome caused by structural or functional cardiac abnormalities that impair the heart’s ability to pump blood effectively. The article reviews hemodynamic changes, neurohormonal activation, cellular remodeling, and molecular mechanisms underlying the disease. It also examines modern treatment strategies, including pharmacological therapy, lifestyle modifications, device-based interventions, and surgical options. Emphasis is placed on integrating clinical insights with recent research to improve patient outcomes, quality of life, and prognosis.
DOI: 10.5281/zenodo.18809805
title: HEART FAILURE PATHOPHYSIOLOGY AND CONTEMPORARY THERAPEUTIC APPROACHES

description: This article provides a comprehensive overview of heart failure, focusing on its pathophysiology and contemporary therapeutic approaches. Heart failure is a complex clinical syndrome caused by structural or functional cardiac abnormalities that impair the heart’s ability to pump blood effectively. The article reviews hemodynamic changes, neurohormonal activation, cellular remodeling, and molecular mechanisms underlying the disease. It also examines modern treatment strategies, including pharmacological therapy, lifestyle modifications, device-based interventions, and surgical options. Emphasis is placed on integrating clinical insights with recent research to improve patient outcomes, quality of life, and prognosis.
DOI: 10.25549/dunitz-c15-298
title: The tree of the middle place, Los Angeles, 1992

description: The tree of the middle place, Los Angeles, 1992, Canoe Storage House (at the park), exterior, Echo Park Avenue and Park Avenue, Echo Park. Done in honor of the 500-year anniversary of the meeting of the old and new worlds and cultures. Shown are native plants of the Americas using Aztec and Mayan symbols, Chumash astrological imagery, and a western European representation of the sun and moon. Acrylic, 9' x 60', by Barbara Benish. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 110, #23.
DOI: 10.6084/m9.figshare.31435678
title: Comparison of concurrent chemoradiotherapy followed by immunotherapy and induction chemoimmunotherapy followed by radiotherapy in unresectable stage III NSCLC: a retrospective cohort study

description: Concurrent chemoradiotherapy followed by immune consolidation therapy (cCRT+IO, the PACIFIC regimen) is the standard treatment for unresectable stage III non-small cell lung cancer (NSCLC). However, the optimal timing of combining radiotherapy with immunotherapy remains unexplored. This study compared the efficacy and safety of induction chemoimmunotherapy followed by radiotherapy (ICT+RT) with cCRT+IO. This study included patients with unresectable stage III NSCLC who received cCRT+IO or ICT+RT between January 2021 and August 2023. Efficacy outcomes and safety profiles were assessed. A total of 183 eligible patients were enrolled; 108 (59.0%) received cCRT+IO, and 75 (41.0%) received ICT+RT. The median progression-free survival (PFS) was 26.8 months in the cCRT+IO group and 16.4 months in the ICT+RT group (hazard ratio [HR] 0.66; 95%CI 0.45–0.97; p = 0.031). The median overall survival (OS) was 45.4 months in the cCRT+IO group and was not reached in the ICT+RT group (HR 0.57, 95%CI 0.32–0.99; p = 0.046). In the cCRT+IO group, the incidence of grade 3 pneumonitis was 6.48%, whereas it was 13.33% in the ICT+RT group (p = 0.116). Compared with ICT+RT, cCRT+IO demonstrated superior efficacy with a manageable safety profile in unresectable stage III NSCLC. This study compared two treatment approaches for patients with stage III non-small cell lung cancer that cannot be removed by surgery. The first is the current standard treatment: chemotherapy and radiotherapy given at the same time, followed by immunotherapy. The second approach uses chemotherapy combined with immunotherapy first, then radiotherapy alone. We found the standard treatment helped patients live longer and was generally safe in clinical practice. While the immunotherapy-first approach may sound promising, it carried a higher risk of severe lung inflammation. This research provides practical evidence to help doctors and patients make more informed decisions on the optimal treatment sequence for this type of lung cancer.
DOI: 10.6084/m9.figshare.31435678.v1
title: Comparison of concurrent chemoradiotherapy followed by immunotherapy and induction chemoimmunotherapy followed by radiotherapy in unresectable stage III NSCLC: a retrospective cohort study

description: Concurrent chemoradiotherapy followed by immune consolidation therapy (cCRT+IO, the PACIFIC regimen) is the standard treatment for unresectable stage III non-small cell lung cancer (NSCLC). However, the optimal timing of combining radiotherapy with immunotherapy remains unexplored. This study compared the efficacy and safety of induction chemoimmunotherapy followed by radiotherapy (ICT+RT) with cCRT+IO. This study included patients with unresectable stage III NSCLC who received cCRT+IO or ICT+RT between January 2021 and August 2023. Efficacy outcomes and safety profiles were assessed. A total of 183 eligible patients were enrolled; 108 (59.0%) received cCRT+IO, and 75 (41.0%) received ICT+RT. The median progression-free survival (PFS) was 26.8 months in the cCRT+IO group and 16.4 months in the ICT+RT group (hazard ratio [HR] 0.66; 95%CI 0.45–0.97; p = 0.031). The median overall survival (OS) was 45.4 months in the cCRT+IO group and was not reached in the ICT+RT group (HR 0.57, 95%CI 0.32–0.99; p = 0.046). In the cCRT+IO group, the incidence of grade 3 pneumonitis was 6.48%, whereas it was 13.33% in the ICT+RT group (p = 0.116). Compared with ICT+RT, cCRT+IO demonstrated superior efficacy with a manageable safety profile in unresectable stage III NSCLC. This study compared two treatment approaches for patients with stage III non-small cell lung cancer that cannot be removed by surgery. The first is the current standard treatment: chemotherapy and radiotherapy given at the same time, followed by immunotherapy. The second approach uses chemotherapy combined with immunotherapy first, then radiotherapy alone. We found the standard treatment helped patients live longer and was generally safe in clinical practice. While the immunotherapy-first approach may sound promising, it carried a higher risk of severe lung inflammation. This research provides practical evidence to help doctors and patients make more informed decisions on the optimal treatment sequence for this type of lung cancer.
DOI: 10.25549/dunitz-c15-301
title: Brooklyn house, West Hollywood, 1998

description: Brooklyn house, West Hollywood, 1998. Brooklyn house, exterior, Spaulding Avenue at Melrose Avenue, West Hollywood. Aerosol, by UTI, Carlos "Asylum" Ortiz, Jaime Reyes "Vyal' with COI. -- Dunitz, Street gallery, rev. 2nd ed., p. 101, #53.
DOI: 10.25549/dunitz-c15-304
title: Graffiti mural, Hollywood, 1998

description: Graffiti mural, Hollywood, 1998. Alley in La Brea and Nelrose Avenue, Hollywood. Artist unknown.
DOI: 10.25549/salamun-c98-979
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-993
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-994
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-76
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-77
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926112
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1923934
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926104
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926105
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926114
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.