cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25420/britishmuseum.31325254.v1
title: Translation of Conversation with DFZ exploring the cultural meaning and heritage of Chitrali Shu

description: Translation of Part 6 of the interview with cultural historian DFZ illuminates the cultural significance of Shu and wool in Chitral's heritage. DFZ discusses various production techniques and their cultural importance, highlighting how they shape local proverbs that embody values of diligence and resilience. The creation of Chitrali Shu fabric intertwines with poetry, folk traditions, and linguistic expressions in Khowar, serving as a metaphor for life that reflects the community's ethos, connection to nature, and philosophical insights into existence.
DOI: 10.25420/britishmuseum.31325299
title: Translation of Interview with MZH on the Cultural Legacy of Shu in Chitral

description: Translation of conversation with academic MZH sheds light on the role of Shu and wool in Chitral’s cultural heritage. He explores traditional production techniques and their deeper meanings, revealing how they’ve influenced local proverbs that reflect values of hard work and perseverance. Drawing from personal memories, MZH offers thoughtful reflections on the past and the enduring presence of these practices in everyday life.
DOI: 10.25420/britishmuseum.31325299.v1
title: Translation of Interview with MZH on the Cultural Legacy of Shu in Chitral

description: Translation of conversation with academic MZH sheds light on the role of Shu and wool in Chitral’s cultural heritage. He explores traditional production techniques and their deeper meanings, revealing how they’ve influenced local proverbs that reflect values of hard work and perseverance. Drawing from personal memories, MZH offers thoughtful reflections on the past and the enduring presence of these practices in everyday life.
DOI: 10.25420/britishmuseum.31325317
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 1 interview translation in English with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.25420/britishmuseum.31325317.v1
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 1 interview translation in English with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.25420/britishmuseum.31325599
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 2 interview translation with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.25420/britishmuseum.31325599.v1
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 2 interview translation with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.25420/britishmuseum.31353520
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 3 interview translation with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.23668/psycharchives.21686
title: Dataset for: Sleep Links Gist Abstraction to Veridical Memory

description: Sleep is important for memory consolidation. By strengthening the original memory trace, sleep may improve monitoring processes, and thus the distinction between veridical and false memories. Simultaneously, sleep may facilitate gist abstraction and thus enhance false memory generation. Here, this question is studied using the Deese–Roediger–McDermott (DRM) paradigm, where participants learn lists of semantically related words, constructed to lead to false retrieval of lure words (semantically linked to the lists, but never presented). Previous literature has found sleep to increase or decrease false memories, or no significant effect, which might be due to methodological variance, but can also be explained by low statistical power. In this large online study (sleep = 104, wake = 101, AM control = 99, PM control = 94), a preregistered replication of Diekelmann et al. (2010), we find no effect of sleep on false memories, nor on general memory performance. We also do not replicate the finding that sleep increases false memories when overall memory performance is low. Instead, we find that false memories increase after sleep when intrusion-adjusted memory performance is high. We interpret this as generalization process during sleep (gist), which helps to form veridical memory, but also generates false memories.
DOI: 10.25420/britishmuseum.31353520.v1
title: Interview translation with master weaver GNK on his lifelong journey of Shu in Royee village

description: Part 3 interview translation with master weaver GNK shares his lifelong journey with Chitrali Shu. Beginning in childhood, GNK quickly rose to local acclaim for his craftsmanship. He reflects on the cultural and economic significance of Shu making, its evolving tools, from wooden looms to steel frames, and the enduring role of family in the production process.
DOI: 10.15468/dl.aakgkg
title: Occurrence Download

description: A dataset containing 91 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Ceraclea riparia"
 ]
}

 The dataset includes 91 records from 17 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003696-260221153910048/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25420/britishmuseum.31353613
title: Interview translation with KRM and GLF on the Changing Practices of Shu Felting in Garam Chashma

description: Interview translation in English with KRM and GLF, seasoned Shu felters, offers a personal account of their experiences in washing and felting Shu over the years. They share insights into the traditional techniques, how these practices were once deeply embedded in daily village life, and the gradual changes they’ve witnessed, both in method and community engagement.
DOI: 10.25420/britishmuseum.31353613.v1
title: Interview translation with KRM and GLF on the Changing Practices of Shu Felting in Garam Chashma

description: Interview translation in English with KRM and GLF, seasoned Shu felters, offers a personal account of their experiences in washing and felting Shu over the years. They share insights into the traditional techniques, how these practices were once deeply embedded in daily village life, and the gradual changes they’ve witnessed, both in method and community engagement.
DOI: 10.2908/sdg_13_21
title: Netto-Treibhausgasemissionen aus den Bereichen Landnutzung, Landnutzungsänderung und Forstwirtschaft
title: Émissions nettes de gaz à effet de serre résultant des secteurs d’utilisation des sols, de changement d'utilisation des sols et de sylviculture (UTCATF)
title: Net greenhouse gas emissions of the Land use, Land use change and Forestry (LULUCF) sector

description: This indicator measures net carbon removals from the land use, land use change and forestry (LULUCF) sector, considering both emissions and removals from the sector. The indicator is expressed as CO2 equivalents using the global warming potential (GWP) of each gas. Emissions and removals data, known as GHG inventories, are submitted annually by Member States to the EU and the United Nations Framework Convention on Climate Change (UNFCCC).
description: Dieser Indikator misst den Nettoabbau von CO2-Emissionen aus dem Sektor Landnutzung, Landnutzungsänderung und Forstwirtschaft (LULUCF) unter Berücksichtigung der Emissionen und des Abbaus aus dem Sektor. Der Indikator wird als CO2-Äquivalent unter Verwendung des Treibhauspotenzials (GWP) jedes Gases ausgedrückt. Emissions- und Abbaudaten, sogenannte Treibhausgasinventare, werden jährlich von den Mitgliedstaaten der EU und dem Rahmenübereinkommen der Vereinten Nationen über Klimaänderungen (UNFCCC) übermittelt.
description: Cet indicateur mesure les absorptions nettes de carbone provenant du secteur de l’utilisation des terres, du changement d’affectation des terres et de la foresterie (UTCATF), en tenant compte à la fois des émissions et des absorptions du secteur. L’indicateur est exprimé en équivalents CO2 en utilisant le potentiel de réchauffement planétaire (PRG) de chaque gaz. Les données relatives aux émissions et aux absorptions, connues sous le nom d’inventaires de GES, sont transmises chaque année par les États membres à l’UE et à la convention-cadre des Nations unies sur les changements climatiques (CCNUCC).
DOI: 10.25420/britishmuseum.31353670
title: Interview translation with BHD on a Life in Shu Weaving in his village in Royee.

description: Interview translation with BHD, a Shu weaver, reflects on his lifelong relationship with the craft. He shares how Shu weaving has shaped his personal identity, livelihood, and connection to his community. Through his story, BHD explains the cultural, economic, and emotional importance of Shu, both as a textile and as a tradition passed down through generations.
DOI: 10.25420/britishmuseum.31353670.v1
title: Interview translation with BHD on a Life in Shu Weaving in his village in Royee.

description: Interview translation with BHD, a Shu weaver, reflects on his lifelong relationship with the craft. He shares how Shu weaving has shaped his personal identity, livelihood, and connection to his community. Through his story, BHD explains the cultural, economic, and emotional importance of Shu, both as a textile and as a tradition passed down through generations.
DOI: 10.25420/britishmuseum.31353724
title: Interview translation with ADK on the Tools and Traditions of Shu Weaving in Royee

description: Interview translation in English of ADK, Carpenter from Royee village, Chitral, shares his deep knowledge of crafting traditional weaving tools, including looms, heddles, and reed teeth made from walnut and willow wood. He explains the technical precision required in shaping each component and reflects on the cultural value of handmade tools versus modern alternatives. Through personal memory and lived experience, ADK offers insight into a fading craft and the legacy of Shu weaving in his community.
DOI: 10.25420/britishmuseum.31353724.v1
title: Interview translation with ADK on the Tools and Traditions of Shu Weaving in Royee

description: Interview translation in English of ADK, Carpenter from Royee village, Chitral, shares his deep knowledge of crafting traditional weaving tools, including looms, heddles, and reed teeth made from walnut and willow wood. He explains the technical precision required in shaping each component and reflects on the cultural value of handmade tools versus modern alternatives. Through personal memory and lived experience, ADK offers insight into a fading craft and the legacy of Shu weaving in his community.
DOI: 10.15468/dl.hm8hhd
title: Occurrence Download

description: A dataset containing 11383 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Paragymnodinium",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 11383 records from 136 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003695-260221153910048/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25420/britishmuseum.31353796
title: Interview translation with AHB on the Tools and Traditions of Shu Weaving in Chitral

description: Part 1 of interview translation in English, AHB weaver from gohik village shares his knowledge of traditional Shu making tools including the spinning wheel, loom, spindle, bobbins, shuttle, and baskets. He explains how each is crafted using local woods like walnut, willow, gum tree, and red berries, and reflects on changes in materials and practices over time.
DOI: 10.25420/britishmuseum.31353796.v1
title: Interview translation with AHB on the Tools and Traditions of Shu Weaving in Chitral

description: Part 1 of interview translation in English, AHB weaver from gohik village shares his knowledge of traditional Shu making tools including the spinning wheel, loom, spindle, bobbins, shuttle, and baskets. He explains how each is crafted using local woods like walnut, willow, gum tree, and red berries, and reflects on changes in materials and practices over time.
DOI: 10.25420/britishmuseum.31353802
title: Interview translation with AHB on the Tools and Traditions of Shu Weaving in Chitral

description: Part 2 of interview translation in English, AHB weaver from gohik village shares his knowledge of traditional Shu making tools including the spinning wheel, loom, spindle, bobbins, shuttle, and baskets. He explains how each is crafted using local woods like walnut, willow, gum tree, and red berries, and reflects on changes in materials and practices over time.
DOI: 10.25420/britishmuseum.31353802.v1
title: Interview translation with AHB on the Tools and Traditions of Shu Weaving in Chitral

description: Part 2 of interview translation in English, AHB weaver from gohik village shares his knowledge of traditional Shu making tools including the spinning wheel, loom, spindle, bobbins, shuttle, and baskets. He explains how each is crafted using local woods like walnut, willow, gum tree, and red berries, and reflects on changes in materials and practices over time.
DOI: 10.5281/zenodo.8249437
title: Dataset for publication "Influence of precursor morphology and cathode processing on performance and cycle life of sodium-zinc chloride (Na-ZnCl2) battery cells"

description: High-temperature sodium-metal battery; sodium-metal halide battery (ZEBRA); molten-salt battery; zinc battery for stationary energy storage; alkali metal anode.

Datasets used in https://doi.org/10.1016/j.ensm.2023.103077.
DOI: 10.5281/zenodo.8249436
title: Dataset for publication "Influence of precursor morphology and cathode processing on performance and cycle life of sodium-zinc chloride (Na-ZnCl2) battery cells"

description: High-temperature sodium-metal battery; sodium-metal halide battery (ZEBRA); molten-salt battery; zinc battery for stationary energy storage; alkali metal anode.

Datasets used in https://doi.org/10.1016/j.ensm.2023.103077.
DOI: 10.25420/britishmuseum.31353811
title: Interview translation with ATS on the Shu Trade in Garam Chashma

description: This interview translation in English, conducted in Garam Chashma town, features a seasoned trader discussing the evolution of the Shu trade. The conversation covers traditional practices, from home based weaving, carding, and full-scale production to the historic role of Shu in community livelihoods and education. The trader reflects on how trade once enriched families and communities, the transition from handmade to MAKhine-based components, and how market dynamics like cash versus commodity exchanges have affected Shu quality and profitability.
DOI: 10.25420/britishmuseum.31353811.v1
title: Interview translation with ATS on the Shu Trade in Garam Chashma

description: This interview translation in English, conducted in Garam Chashma town, features a seasoned trader discussing the evolution of the Shu trade. The conversation covers traditional practices, from home based weaving, carding, and full-scale production to the historic role of Shu in community livelihoods and education. The trader reflects on how trade once enriched families and communities, the transition from handmade to MAKhine-based components, and how market dynamics like cash versus commodity exchanges have affected Shu quality and profitability.
DOI: 10.25420/britishmuseum.31353838
title: Interview translation with RMN and PNG on Warping the threads of Shu in Berzeen village.

description: Interview translation in English, recorded in Berzeen village, documents the traditional Shu warping process by RMN and PNG. They detail the technical steps involved—balancing threads, knotting, and attaching warps to the cloth roll, while emphasising the precision and teamwork required, especially for larger Shu lengths.
DOI: 10.25420/britishmuseum.31353838.v1
title: Interview translation with RMN and PNG on Warping the threads of Shu in Berzeen village.

description: Interview translation in English, recorded in Berzeen village, documents the traditional Shu warping process by RMN and PNG. They detail the technical steps involved—balancing threads, knotting, and attaching warps to the cloth roll, while emphasising the precision and teamwork required, especially for larger Shu lengths.
DOI: 10.25420/britishmuseum.31353871
title: Interview translation, SRN on Shu Trade and Transformation in Chitral town

description: Interview translation in English with Shu trader SRN, who reflects on his decades long involvement in the trade, beginning in the 1980s. He discusses the shift from traditional hand made Shu to MAKhine based production, the impact on quality, and changing market dynamics. SRN highlights the economic and cultural importance of Shu, the challenges of sustaining the craft, and the need for renewed investment and youth engagement to preserve Chitral’s wool heritage.
DOI: 10.25420/britishmuseum.31353871.v1
title: Interview translation, SRN on Shu Trade and Transformation in Chitral town

description: Interview translation in English with Shu trader SRN, who reflects on his decades long involvement in the trade, beginning in the 1980s. He discusses the shift from traditional hand made Shu to MAKhine based production, the impact on quality, and changing market dynamics. SRN highlights the economic and cultural importance of Shu, the challenges of sustaining the craft, and the need for renewed investment and youth engagement to preserve Chitral’s wool heritage.
DOI: 10.25420/britishmuseum.31353877
title: Interview translation with RMN and PNG on walnut dying process in Berzeen village.

description: Interview translation with RMN and PNG in Berzeen explores the intricate process and cultural memory of warping in traditional Shu weaving. The discussion details technical steps, tools, and the importance of precision for quality outcomes. They underscore how warping, once sacred and communal, now faces erosion due to modern education and market pressures.
DOI: 10.25420/britishmuseum.31353877.v1
title: Interview translation with RMN and PNG on walnut dying process in Berzeen village.

description: Interview translation with RMN and PNG in Berzeen explores the intricate process and cultural memory of warping in traditional Shu weaving. The discussion details technical steps, tools, and the importance of precision for quality outcomes. They underscore how warping, once sacred and communal, now faces erosion due to modern education and market pressures.
DOI: 10.25420/britishmuseum.31353907
title: Interview with MKH on Crafting Shu in Royee Village

description: Part 1 Interview with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353907.v1
title: Interview with MKH on Crafting Shu in Royee Village

description: Part 1 Interview with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353910
title: Interview translation with MKH on Crafting Shu in Royee Village

description: Part 1 Interview translation in Urdu and English with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353910.v1
title: Interview translation with MKH on Crafting Shu in Royee Village

description: Part 1 Interview translation in Urdu and English with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353913
title: Interview with MKH on Crafting Shu in Royee Village

description: Part 2 Interview with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353913.v1
title: Interview with MKH on Crafting Shu in Royee Village

description: Part 2 Interview with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353919
title: Interview translation with MKH on Crafting Shu in Royee Village

description: Part 2 Interview translation in Urdu and English with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353919.v1
title: Interview translation with MKH on Crafting Shu in Royee Village

description: Part 2 Interview translation in Urdu and English with MKH in Royee village detailing the complete traditional process of Shu production, from shearing and washing wool to dyeing, carding, spinning, and weaving. MKH reflects on the importance of color consistency, quality control, and her personal role as a Shu maker within her household.
DOI: 10.25420/britishmuseum.31353922
title: Interview with ABN on the Memory of Shu-Making in Royee village

description: Part 1 Interview with ABN, from Royee village, who recounts her deep knowledge of Shu making, with a focus on spinning, carding, and warp preparation. She discusses fiber quality, the importance of careful carding to avoid mixed colors, and traditional tools like baskets and wooden spinning wheels. ABN shares personal memories of communal work gatherings and how Shu sustained families.