cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/maw-ouc113889890
title: Large articulated figure

description: A very unusual articulated figure, because of its size and craftsmanship. The hand-made figure incorporates the cleft head, Teotihuacan face, ear spools and collar-necklace as well as belly flap from a previous birth.
DOI: 10.25549/maw-ouc113890478
title: Medium articulated figure

description: Articulated figures are found in burials usually in pairs indicating some sort of funerary function. The majority of the figures are female and if lines appear on the lower body that would indicate a previous birth. The head and body unit is mold-made, while the arms and legs are hand-made. Teotihuacan figures have a clefted head or headdress, a Teotihuacan face, ear spools and a collar necklace.
DOI: 10.25549/maw-ouc113889885
title: Seated female figure : hair braided on right side

description: A nude female sits with crossed legs wearing a headdress with ornaments, braided hair with hair ornaments, ear spools, and several bracelets. Her slightly swollen belly indicates pregnancy or a past pregnancy (belly flap).
DOI: 10.25549/maw-ouc113890365
title: Seated male figure with crossed arms

description: A nude male sits with his knees drawn up to his chest. His left arm rests on his knees. He wears an assortment of jewelry and the chinstrap headdress suggests a ballplayer. The habit of sitting with drawn knees and arms resting on them is a very typical posture in Mesoamerican sculpture.
DOI: 10.25549/maw-ouc11399dlzg
title: Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.25549/maw-ouc1sto1905010
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875413
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875261
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc11399copb
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113887021
title: Aztec head from a mold-made figure

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887062
title: Aztec head from a mold-made figure

description: This incomplete figure was press molded. The orange clay, called orangeware, suggests mazapan ceramics. The flat gingerbread figure was a female holding a child and sometimes a small image of herself. She probably represents Precious Flower-Quetzalbird, Goddess of Flowers and Love. The Figure represents the commoners concern with fertility, health, and well-being. Note: Fingerprint present.
DOI: 10.25549/maw-ouc113887063
title: Aztec head from a mold-made figure

description: Flat "gingerbread" figures were manufactured by pressing wet clay into clay molds. They were removed for air drying, firing, and painting. The figure was broken in a household context rather than a public building. The body has been lost. The male head, wearing a cotton turban has a bird attached, was a warrior.
DOI: 10.25549/maw-ouc113887072
title: Aztec body stamp : monkey warrior

description: This anthropomorphic zoomorphic stamp illustrates a humanized monkey warrior, which carries a mace-like weapon and a shield. On his waist appears a longitudinal cross section of a shell, which can stand for Quetzalcoatl. The monkey image relates to Quetzalcoatl.
DOI: 10.25549/maw-ouc113887037
title: Aztec tripodal plate : burnished graphite ware

description: The Aztecs required tribute from their subjugated people. In the state of Puebla, the Atlixcans produced a simple, but distinctive ceramic called burnished graphite ware. Pitchers, goblets, and tripodal plates were produced with a white clay. It was slipped with red iron oxide and banded with graphite. The fired result was a simple, but rich-looking red brown vessel with a metallic black band.
DOI: 10.15468/dl.nhhn9p
title: Occurrence Download

description: A dataset containing 299549 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is b459e790-0d3c-11d9-8431-b8a03c50a862",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 299549 records from 32 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001233-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113886729
title: Playas red incised olla

description: There are ten different Playas incised redware styles. This olla has a flared rim, a restricted neck, horizontal shoulder incisions and two diagonal linear designs.
DOI: 10.25549/maw-ouc113886734
title: Playas red incised olla

description: There are ten different Playas incised redware styles. This olla has a flared rim, a restricted neck, horizontal shoulder incisions and two diagonal linear designs.
DOI: 10.25549/maw-ouc113886737
title: Labret

description: The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
DOI: 10.25549/maw-ouc113886754
title: Mold made female prisoner figure

description: The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
DOI: 10.25549/maw-ouc113886755
title: Mold made female prisoner figure

description: The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
DOI: 10.25549/maw-ouc113888318
title: Standing male figure

description: The standing hollow male figure has been ritually killed. He has been partially re-constructed where there was sufficient information. His mouth is open which indicates speaking or chanting. He holds his hands in front of his body as if he were carrying two objects. This gives a clue to what he is.
DOI: 10.5281/zenodo.18796651
title: AQ-DP20241228-NGM-XB-Project result and CCK-8 row data
DOI: 10.5281/zenodo.18529586
title: AQ-DP20241228-NGM-XB-Project result and CCK-8 row data
DOI: 10.25549/maw-ouc113888328
title: Standing male figure

description: The standing hollow male figure has been ritually killed. He has been partially re-constructed where there was sufficient information. His mouth is open which indicates speaking or chanting. He holds his hands in front of his body as if he were carrying two objects. This gives a clue to what he is.
DOI: 10.25549/maw-ouc113888363
title: Shamanic flight

description: The figure is in good condition. The figure is flat on the underbelly and has its hands outward with the plums flat. There are four small holes in the top of the head. There are two holes on the ears and the mouth has an opening. At the bottom of the figure there is a large opening. No presence of significant cracks or scratches. The figure is structurally safe. There are black markings on the eyes, center of the upper chest, and ankles of the feet. The shaman wears a large bell pendant necklace, ear discs, a loincloth and four holes in the top of his head.
DOI: 10.25549/maw-ouc113888326
title: Nopiloa articulated figure

description: The Nopiloa culture produced elaborate press mold figures. This figure appears to be a male elite. He wears a tasseled headdress, large disc earrings, a pendant necklace, bracelets, and a dual strapped body covering with an elaborate raptor design. The purpose of this articulated figure is not known. The figure is in poor condition. There is a significant amount of wear, but no significant cracks. There is lots of fading and small scratches on the surfaces of the figure. The ears have holes. The arms and legs are attached to the torso of the figure's body by pins. Overall, the figure is fragile and not structurally safe.
DOI: 10.25549/maw-ouc113888315
title: Nopiloa articulated figure

description: The Nopiloa culture produced elaborate press mold figures. This figure appears to be a male elite. He wears a tasseled headdress, large disc earrings, a pendant necklace, bracelets, and a dual strapped body covering with an elaborate raptor design. The purpose of this articulated figure is not known. The figure is in poor condition. There is a significant amount of wear, but no significant cracks. There is lots of fading and small scratches on the surfaces of the figure. The ears have holes. The arms and legs are attached to the torso of the figure's body by pins. Overall, the figure is fragile and not structurally safe.
DOI: 10.25549/usctheses-ouc11631735
title: A proposal for the production and marketing of a theatrical motion picture entitled, The girls of summer: Proposal
DOI: 10.25549/usctheses-ouc11632772
title: Proposal for the production, marketing, and distribution of a theatrical motion picture, "Somebody's Watching You"
DOI: 10.25549/usctheses-ouc11283880
title: Trespassers: A novel
DOI: 10.25549/usctheses-ouc11285595
title: Everything On, Everything Off
DOI: 10.25549/usctheses-ouc11284941
title: Napa on Fire: A novel
DOI: 10.25549/maw-ouc113890308
title: Obsidian blade cache : 2

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113890485
title: Obsidian blade cache : 2

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113890389
title: Obsidian blade cache : 2

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.15468/dl.2gwre8
title: Occurrence Download

description: A dataset containing 124 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Epinephelus awoara"
 ]
}

 The dataset includes 124 records from 23 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001248-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.15468/dl.9qnn9d
title: Occurrence Download

description: A dataset containing 13711 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Epipactis palustris",
 "Year is less than or equal to 2000",
 "Year is greater than or equal to 1970",
 {
 "or" : [
 {
 "not" : {
 "EstablishmentMeans" : [
 "is one of (MANAGED, INTRODUCED)"
 ]
 }
 },
 "EstablishmentMeans is null"
 ]
 },
 {
 "or" : [
 "CoordinateUncertaintyInMeters is less than 1000",
 "CoordinateUncertaintyInMeters is null"
 ]
 }
 ]
}

 The dataset includes 13711 records from 154 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001249-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113890489
title: Dog effigy bowl

description: An ovular bowl form has been appliqued with three triangular pierced legs, a tail, and a dog's head. A black checkerboard pattern surrounded by a long rectangle appears on each side. One ear and eye have been painted black.
DOI: 10.25549/maw-ouc113890711
title: Dog effigy bowl

description: An ovular bowl form has been appliqued with three triangular pierced legs, a tail, and a dog's head. A black checkerboard pattern surrounded by a long rectangle appears on each side. One ear and eye have been painted black.
DOI: 10.25549/maw-ouc113887093
title: Pitcher with two effigy heads : Aztec ewer

description: Elaborate twisted hairdo: knotted on top -- possibly female. Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113891070
title: Bichrome graphite ware goblet

description: As the Aztecs conquered their surrounding neighbors, they required tribute from their subjects. Atlixca, in the northern state of Puebla, was a ceramic center known for vibrant red and black ware. The ceramic ware was hand-built, wheel-processed, and burnished. This graphite ware appealed to the senses and tastes of elite Aztecs.
DOI: 10.25549/maw-ouc113891079
title: Bichrome graphite ware goblet

description: As the Aztecs conquered their surrounding neighbors, they required tribute from their subjects. Atlixca, in the northern state of Puebla, was a ceramic center known for vibrant red and black ware. The ceramic ware was hand-built, wheel-processed, and burnished. This graphite ware appealed to the senses and tastes of elite Aztecs.
DOI: 10.25549/maw-ouc113887234
title: Aztec stone sculpture

description: Elaborate twisted hairdo: knotted on top -- possibly a female. Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887233
title: Aztec stone sculpture

description: Elaborate twisted hairdo: knotted on top -- possibly a female. Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887239
title: Aztec stone sculpture

description: Elaborate twisted hairdo: knotted on top -- possibly a female. Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887384
title: Large smoking pipe : bulbous bowl

description: The large ceramic smoking pipe was used to smoke a variety of tobacco. The tobacco contained a higher concentration of nicotine and other substances. There is a possibility that the tobacco was combined with other drugs to give a hallucinogenic experience.
DOI: 10.25549/maw-ouc113887237
title: Large smoking pipe : bulbous bowl

description: The large ceramic smoking pipe was used to smoke a variety of tobacco. The tobacco contained a higher concentration of nicotine and other substances. There is a possibility that the tobacco was combined with other drugs to give a hallucinogenic experience.
DOI: 10.25549/maw-ouc113887251
title: Purepecha hatchet : sling blade

description: The Purepechas or Tarascans are one of the few Mesoamerican cultures to work or forge metal. Copper ore was smelted to form tools and weapons. This bronze sling blade, called an asymmetrical hoe or a Taregue, was used to clear brush or as a digging stick.
DOI: 10.15468/dl.d9cxrf
title: Occurrence Download

description: A dataset containing 16 species occurrences available in GBIF matching the query:
{
 "and" : [
 "BasisOfRecord is Specimen",
 "Country is China",
 "TaxonKey is Pseudolysimachion longifolium"
 ]
}

 The dataset includes 16 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001250-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.15468/dl.sc8b6t
title: Occurrence Download

description: A dataset containing 6324946 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is ff90b050-c256-11db-b71b-b8a03c50a862",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 6324946 records from 1016 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001217-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113887232
title: Earspool : bobbin style

description: Green obsidian is formed only in one place in Mesoamerica. It was controlled by Teotihuacanos and the Aztecas. However, the Tarascan culture in Michoacan excelled in producing very thin, transparent earspools in the bobbin style.
DOI: 10.25549/maw-ouc113888317
title: Large huastec zoomorphic pouring vessel

description: A zoomorphic vessel resembling a rodent-like creature with an elaborately painted body. The strap handle facilitates handling and the tail spout allows for control pouring. In Mesoamerica the number three refers to the three realms; the heavens or the sky, the earth or the living world, and the underworld or the land of the dead.
DOI: 10.25549/maw-ouc113888327
title: Xipe totec ceramic mask

description: Xipe Totec, the agriculture God of Spring time and regeneration, represented the dualistic concept, "out of death comes life." After a year of pleasure, a young man climbed the steps of a pyramid to have his heart cut out and his skin flayed. A young priest wore the skin for a month and later symbolically tore the dead skin off to reveal his youth.
DOI: 10.25549/maw-ouc113888334
title: Wheel toy or ritual object : jaguar lying prone

description: The object is in good condition. There are wooden sticks holding the wheels in place. The mouth has an opening with a red pigment in the center of the mouth. The eyes have black pigment. The object is made of buff clay with black and red pigment. There is a large hole in the under stomach of the figure.
DOI: 10.25549/maw-ouc113888388
title: Huastec zoomorphic vessel : bat

description: The Huasteca, a northern branch of the Maya, lived in the Panuco River area in Northern Veracruz. They produced a distinctive creamware enhanced with dark red-brown iron oxide. The zoomorphic olla takes the form of a mammal, possibly a bat. Around his neck, he wears a pendant that represents a sliced conch shell.
DOI: 10.25549/maw-ouc113888382
title: Yoke : U-shaped

description: The yoke, worn around the waist of a ball player, was used to hit or deflect a fast-moving rubber ball. They were probably made of animal skins and plant materials. Wearing a stone yoke does increase the ball's speed and the distance it travels. Stone yokes are found in elite burials and probably not used during a ballgame. The stone on this piece is scratched and has a few chips. However, the overall condition is good.
DOI: 10.25549/maw-ouc113886753
title: Mold made female prisoner figure

description: The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
DOI: 10.25549/maw-ouc113886767
title: Mold made female prisoner figure

description: The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
DOI: 10.25549/maw-ouc113886760
title: Drinking vessel goblet : Aztec style

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113890801
title: Drinking vessel goblet : Aztec style

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113886796
title: Ceramic panel fragment : two kneeling Pauahtuns engaged in conversation

description: Two Pauahtuns or Maya chiefs face each other engaged in a dialog. The slightly larger chief is more important. A white pole between them indicates the conversation took place in a ball court. The glyph above could be part of a date, a place, or a name.
DOI: 10.25549/maw-ouc113887043
title: Aztec skull censer : articulable jaw one death

description: The censer's image combines a skull and a left arm with a predominate index figure. The index figure hand incorporates a rattle. The skull and figure can be read as "One Death". The skull has been painted with twenty-two marigold flowers and thirteen arrows, which all point to death.
DOI: 10.25549/maw-ouc113887047
title: Aztec skull censer : articulable jaw one death

description: The censer's image combines a skull and a left arm with a predominate index figure. The index figure hand incorporates a rattle. The skull and figure can be read as "One Death". The skull has been painted with twenty-two marigold flowers and thirteen arrows, which all point to death.
DOI: 10.25549/maw-ouc113887088
title: Aztec tripodal bowl : eagle design

description: A ceramic tripodal bowl with a simple red-brown interior has an elaborately decorated exterior. The central roundel depicts the profile of an eagle wearing a feathered headdress surrounded by a geometric pattern.
DOI: 10.25549/maw-ouc113887035
title: Aztec greenstone coiled snake heart

description: A veined greenstone has been chipped, abraded, and polished to reveal a coiled predatory snake. A symbol of fertility, rebirth, and regeneration, the coils of the snake transform into the sacred heart, the precious symbol of life. The stone snake represents duality, life and death.