cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10261558
title: Musfur sinkhole (Qatar)

description: Musfur sinkhole is also know as Dhal Al Misfir (دحل المسفر).
Coordinates: 25.175175728759516, 51.21170898510756

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261560
title: COADS_212-16

description: This is a diagnostic biface collected in Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_212-16, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261559
title: COADS_212-16

description: This is a diagnostic biface collected in Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_212-16, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261562
title: San Agustin Church

description: San Agustin Church (or giving its full name, the "Church of the Immaculate Conception of San Augustin") is located insided the historic walled city of Manila. It was originally built on its present site by Augustinian monks in 1571 and is the mother church of the Augustian order in the Philippines.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261561
title: San Agustin Church

description: San Agustin Church (or giving its full name, the "Church of the Immaculate Conception of San Augustin") is located insided the historic walled city of Manila. It was originally built on its present site by Augustinian monks in 1571 and is the mother church of the Augustian order in the Philippines.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261563
title: Jarro - Fajalauza-HD (10)

description: Jarro (HR-17046) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma cerrada, solo se conserva un cuello vertical y un hombro curvilíneo cóncavo. El cuerpo es globular y la base plana. Del cuerpo arranca un asa de puente con sección elíptica. Está decorado en azul sobre blanco con una cenefa de motivos vegetales y en el cuello hojas con branquias.

* Cronología: 1511-1549.
* Depósito: Museo Arqueológico y Etnológico de Granada. 
* Yacimiento: Excavación del Hospital Real, 1990.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261564
title: Jarro - Fajalauza-HD (10)

description: Jarro (HR-17046) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma cerrada, solo se conserva un cuello vertical y un hombro curvilíneo cóncavo. El cuerpo es globular y la base plana. Del cuerpo arranca un asa de puente con sección elíptica. Está decorado en azul sobre blanco con una cenefa de motivos vegetales y en el cuello hojas con branquias.

* Cronología: 1511-1549.
* Depósito: Museo Arqueológico y Etnológico de Granada. 
* Yacimiento: Excavación del Hospital Real, 1990.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261565
title: Photogammetry of Canon at Valley Forge Redoubt

description: Photogammetry of Canon at Valley Forge Redoubt - Raw Rough Scan, not game ready.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261566
title: Photogammetry of Canon at Valley Forge Redoubt

description: Photogammetry of Canon at Valley Forge Redoubt - Raw Rough Scan, not game ready.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261567
title: WERISD1

description: VSFM+CCOMPARE+POISSON

If someone wants to print it, please send me pictures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261568
title: WERISD1

description: VSFM+CCOMPARE+POISSON

If someone wants to print it, please send me pictures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261569
title: Four mortsafes, Cluny Old Churchyard.

description: Cluny, Old Churchyard.  In front of the Fraser mausoleum stand four mortsafes, consisting of iron cages which would have enclosed the coffin in the grave, topped by massive slabs of granite which would have been extremely diffIcult to shift clandestinely. Such weighty mortsafes required block and tackle to manoeuvre them into the grave. These are of a uniform pattern, comprising a coffin-shaped granite slab, 2.15m in length by 0.74m in width and 0.15m in thickness, fastened to a wrought-iron, riveted cage, 0.28m in height. 

Alternative Name(s) Old Churchyard Of Cluny; Linton Burial-enclosure; Old Cluny Churchyard

Canmore ID 135634

NJ 68472 12563

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261570
title: Four mortsafes, Cluny Old Churchyard.

description: Cluny, Old Churchyard.  In front of the Fraser mausoleum stand four mortsafes, consisting of iron cages which would have enclosed the coffin in the grave, topped by massive slabs of granite which would have been extremely diffIcult to shift clandestinely. Such weighty mortsafes required block and tackle to manoeuvre them into the grave. These are of a uniform pattern, comprising a coffin-shaped granite slab, 2.15m in length by 0.74m in width and 0.15m in thickness, fastened to a wrought-iron, riveted cage, 0.28m in height. 

Alternative Name(s) Old Churchyard Of Cluny; Linton Burial-enclosure; Old Cluny Churchyard

Canmore ID 135634

NJ 68472 12563

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261573
title: Fantasterei - baroXmedia 22 | Gartenpavillon

description: baroXmedia 22 - Inetrnationale Barocktage Stift Melk & Bildende Kunst

Fantasterei
Ich, Du, Er, Sie, Es, Wir, Ihr, Sie sind Barock. Die Zeitalter treten uns zumeist in Form von gebauter Welt entgegen. Erinnert ruht das Wesen verschiedener Epochen in Gebäuden, Fassaden und Abbildern, kann von uns gelesen und somit in einen historischen Zusammenhang gebracht werden.
Ich, meiner, mir, mich finde mich in dieser Welt aus Versatzstücken der Vergangenheit wieder, wandle als lebendiges Wesen durch meine Gegenwart und erkenne mich selbst und die Gestalt der menschlichen Gesellschaft in den Spiegelungen der Vergangenheit.
Was ist es anderes als ein Blick zurück, den wir in Mitten einer barocken Architektur, in Mitten der barocken Stifts-Architektur von Melk erblicken dürfen? Ist dieser Blick zurück aber nicht gegengleich ein Blick nach vorne, ein Blick in einen zukünftigen Möglichkeitsraum? 
...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261574
title: Fantasterei - baroXmedia 22 | Gartenpavillon

description: baroXmedia 22 - Inetrnationale Barocktage Stift Melk & Bildende Kunst

Fantasterei
Ich, Du, Er, Sie, Es, Wir, Ihr, Sie sind Barock. Die Zeitalter treten uns zumeist in Form von gebauter Welt entgegen. Erinnert ruht das Wesen verschiedener Epochen in Gebäuden, Fassaden und Abbildern, kann von uns gelesen und somit in einen historischen Zusammenhang gebracht werden.
Ich, meiner, mir, mich finde mich in dieser Welt aus Versatzstücken der Vergangenheit wieder, wandle als lebendiges Wesen durch meine Gegenwart und erkenne mich selbst und die Gestalt der menschlichen Gesellschaft in den Spiegelungen der Vergangenheit.
Was ist es anderes als ein Blick zurück, den wir in Mitten einer barocken Architektur, in Mitten der barocken Stifts-Architektur von Melk erblicken dürfen? Ist dieser Blick zurück aber nicht gegengleich ein Blick nach vorne, ein Blick in einen zukünftigen Möglichkeitsraum? 
...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261575
title: Violet Quamino

description: Grave marker of Violet Quamino from the God's Little Acre Colonial African Cemetery of Newport, RI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261576
title: Violet Quamino

description: Grave marker of Violet Quamino from the God's Little Acre Colonial African Cemetery of Newport, RI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261577
title: Belweder OT 1471 television set

description: The Belweder OT 1471 is the first television set to be manufactured on the basis of Polish documentation and using Polish parts. The first model had a 14-inch cathode-ray tube, and in 1958 the Belweder II OT 1782 variant was made with a 17-inch CRT. It was a modern design, allowing the selection of one of 12 channels and with a wired remote control. It had 12 positions, eight for television channels, and the remaining four were intended for handling UHF sub-ranges. This allowed the Belweder to double as a radio receiver and receive the FM band between 87-100 MHz. The Belweder provided the framework on which subsequent TV set models manufactured in Poland were based, including the Turkus, Szmaragd and Neptun. 

Manufacturer: Warszawskie Zakłady Telewizyjne, Warsaw, 1959

Inv. No.: MIM550/VI-72

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA (CC Attribution-NonCommercial-ShareAlike)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261578
title: Belweder OT 1471 television set

description: The Belweder OT 1471 is the first television set to be manufactured on the basis of Polish documentation and using Polish parts. The first model had a 14-inch cathode-ray tube, and in 1958 the Belweder II OT 1782 variant was made with a 17-inch CRT. It was a modern design, allowing the selection of one of 12 channels and with a wired remote control. It had 12 positions, eight for television channels, and the remaining four were intended for handling UHF sub-ranges. This allowed the Belweder to double as a radio receiver and receive the FM band between 87-100 MHz. The Belweder provided the framework on which subsequent TV set models manufactured in Poland were based, including the Turkus, Szmaragd and Neptun. 

Manufacturer: Warszawskie Zakłady Telewizyjne, Warsaw, 1959

Inv. No.: MIM550/VI-72

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA (CC Attribution-NonCommercial-ShareAlike)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261579
title: Esbós d'Isabel II amb el Príncep d'Astúries, UB

description: **CAT** Aquest esbós d'"Isabel II amb el príncep d'Astúries" és d'Agapit Vallmitjana, que treballava amb el seu germà, Venanci; precursors de la modernització de l'escultura catalana de la segona meitat del XIX. L'obra, de 1860, és a la Facultat de Belles Arts de la UB.

**ES** Este esbozo de "Isabel II con el Príncipe de Asturias" es de Agapit Vallmitjana, que trabajaba con su hermano, Venanci, ambos precursores de la modernización de la escultura catalana de la 2a mitad del XIX. La obra, de 1860, está en la Facultad de Bellas Artes de la UB.

**ENG** This maquette, "Isabel II with the Prince of Asturias", is by Agapit Vallmitjana, who worked alongside his brother Venanci. The pair were antecedents of the modernization of Catalan sculpture in the second half of the 19th century. The piece dates to 1860 and is kept at the Faculty of Fine Arts of the University of Barcelona.

Model: Laia Tubio.  Textos: Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261580
title: Esbós d'Isabel II amb el Príncep d'Astúries, UB

description: **CAT** Aquest esbós d'"Isabel II amb el príncep d'Astúries" és d'Agapit Vallmitjana, que treballava amb el seu germà, Venanci; precursors de la modernització de l'escultura catalana de la segona meitat del XIX. L'obra, de 1860, és a la Facultat de Belles Arts de la UB.

**ES** Este esbozo de "Isabel II con el Príncipe de Asturias" es de Agapit Vallmitjana, que trabajaba con su hermano, Venanci, ambos precursores de la modernización de la escultura catalana de la 2a mitad del XIX. La obra, de 1860, está en la Facultad de Bellas Artes de la UB.

**ENG** This maquette, "Isabel II with the Prince of Asturias", is by Agapit Vallmitjana, who worked alongside his brother Venanci. The pair were antecedents of the modernization of Catalan sculpture in the second half of the 19th century. The piece dates to 1860 and is kept at the Faculty of Fine Arts of the University of Barcelona.

Model: Laia Tubio.  Textos: Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261581
title: ซุ้มประตูพระราชวังดุสิตที่ไม่ได้สร้าง

description: ครั้งหนึ่งพระราชวังดุสิตเคยมีแผนสร้างซุ้มประตูขนาดมหึมา
.
ซุ้มกระทรวงโยธาธิการ ตั้งอยู่ที่หน้าพระลาน ลักษณะเป็นซุ้มโค้งแหลม มีหอสูงสองข้างตรงกลางซุ้มมีตรา จ.ป.ร. สองข้างซุ้มมีกำแพงโค้งมีซุ้มประตูโค้งแหลมหลายประตู ด้านหน้าเป็นปฎิมากรรมรูปเทวดาทรงกวาง อยู่บนแท่นสูง สำหรับ "ปฎิมากรรมรูปเทวดาทรงกวาง" ดังกล่าวหนังสือพิมพ์บางกอกไทม์ได้รายงานรายละเอียดเพิ่มเติมไว้ว่าเป็นรูปพระพฤหัสบดีทรงกวาง ที่ในภายหลังจะเป็นต้นแบบในการก่อสร้างพระบรมรูปทรงม้าที่เราชินตากัน 
.
สำหรับความพิเศษของซุ้มดังกล่าวไม่ใช่แค่ความใหญ่โตเช่นซุ้มชุดอื่นแต่ผลงานชิ้นนี้ยังเปรียบเสมือนโมเดลขนาด 1:1 สำหรับโครงการสร้างซุ้มประตูพระราชวังดุสิตพร้อมๆกับพระที่นั่งอนันตสมาคม โดยในรายงานจากหนังสือพิมพ์บางกอกไทม์ยังได้กล่าวไว้ว่ามีแผนที่จะก่อสร้างซุ้มดังกล่าวขึ้นแบบถาวรด้วยหินอ่อน แต่ก็เป็นที่น่าเสียดายว่าภายหลังการปรับแบบในหลายครั้งรวมถึงการปรับแบบพระที่นั่งอนันตสมาคมเอง โครงการซุ้มประตูนี้ก็เป็นอันพับไป
.
ไฟล์ Sketchup - shorturl.asia/bmOBM
ที่มา - https://www.facebook.com/Arch.kidyang/posts/5356429337731899

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261582
title: ซุ้มประตูพระราชวังดุสิตที่ไม่ได้สร้าง

description: ครั้งหนึ่งพระราชวังดุสิตเคยมีแผนสร้างซุ้มประตูขนาดมหึมา
.
ซุ้มกระทรวงโยธาธิการ ตั้งอยู่ที่หน้าพระลาน ลักษณะเป็นซุ้มโค้งแหลม มีหอสูงสองข้างตรงกลางซุ้มมีตรา จ.ป.ร. สองข้างซุ้มมีกำแพงโค้งมีซุ้มประตูโค้งแหลมหลายประตู ด้านหน้าเป็นปฎิมากรรมรูปเทวดาทรงกวาง อยู่บนแท่นสูง สำหรับ "ปฎิมากรรมรูปเทวดาทรงกวาง" ดังกล่าวหนังสือพิมพ์บางกอกไทม์ได้รายงานรายละเอียดเพิ่มเติมไว้ว่าเป็นรูปพระพฤหัสบดีทรงกวาง ที่ในภายหลังจะเป็นต้นแบบในการก่อสร้างพระบรมรูปทรงม้าที่เราชินตากัน 
.
สำหรับความพิเศษของซุ้มดังกล่าวไม่ใช่แค่ความใหญ่โตเช่นซุ้มชุดอื่นแต่ผลงานชิ้นนี้ยังเปรียบเสมือนโมเดลขนาด 1:1 สำหรับโครงการสร้างซุ้มประตูพระราชวังดุสิตพร้อมๆกับพระที่นั่งอนันตสมาคม โดยในรายงานจากหนังสือพิมพ์บางกอกไทม์ยังได้กล่าวไว้ว่ามีแผนที่จะก่อสร้างซุ้มดังกล่าวขึ้นแบบถาวรด้วยหินอ่อน แต่ก็เป็นที่น่าเสียดายว่าภายหลังการปรับแบบในหลายครั้งรวมถึงการปรับแบบพระที่นั่งอนันตสมาคมเอง โครงการซุ้มประตูนี้ก็เป็นอันพับไป
.
ไฟล์ Sketchup - shorturl.asia/bmOBM
ที่มา - https://www.facebook.com/Arch.kidyang/posts/5356429337731899

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261584
title: Narita Mountain Fudo Myoji Stone Guidepost

description: Narita Mountain Fudo Myoji Stone Guidepost scans with iPhone12 Pro

It was moved to the precincts of Toyota Shrine in Higashimizue 2-chome, but due to the efforts of the locals, it was moved to the south side of JA Tokyo Smile Kamata Branch, which is close to the original position (the border between the former Maeno Village and the former Shimo Kamata Village). rice field. It was built in 1826, and the front is written "Naritasan Fudo Myoo". It is marked in front of the pedestal as "Right Gyotoku" and "Left Ichikawa". Total height 163 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261585
title: Narita Mountain Fudo Myoji Stone Guidepost

description: Narita Mountain Fudo Myoji Stone Guidepost scans with iPhone12 Pro

It was moved to the precincts of Toyota Shrine in Higashimizue 2-chome, but due to the efforts of the locals, it was moved to the south side of JA Tokyo Smile Kamata Branch, which is close to the original position (the border between the former Maeno Village and the former Shimo Kamata Village). rice field. It was built in 1826, and the front is written "Naritasan Fudo Myoo". It is marked in front of the pedestal as "Right Gyotoku" and "Left Ichikawa". Total height 163 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261586
title: Pad Lock

description: 3D model of a very well-preserved padlock made of iron. Physical object held at the National Museum of Iceland nr: 2008-36-562. Found 08/07/2008 by BB https://sarpur.is/Adfang.aspx?AdfangID=1471343

Part of the Skriðuklaustur Monastery 1550 reconstruction.

Digitisation by Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews, in cooperation with the Gunnar Gunnarsson Institute at Skriðuklaustur and the National Museum of Iceland. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Skúli Gunnarsson.

Funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261587
title: Pad Lock

description: 3D model of a very well-preserved padlock made of iron. Physical object held at the National Museum of Iceland nr: 2008-36-562. Found 08/07/2008 by BB https://sarpur.is/Adfang.aspx?AdfangID=1471343

Part of the Skriðuklaustur Monastery 1550 reconstruction.

Digitisation by Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews, in cooperation with the Gunnar Gunnarsson Institute at Skriðuklaustur and the National Museum of Iceland. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Skúli Gunnarsson.

Funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261589
title: 小豆島小瀬原丁場12番石材(加藤家丁場)

description: 香川県小豆島西海岸に位置する石切場です。江戸時代の初めに大坂城石垣再築のために石垣石材を切り出しました。県指定史跡小瀬原石切り丁場は、肥後国熊本藩加藤家の丁場です。


場所:香川県指定史跡 大坂城石垣石切小瀬原丁場跡
  34度28分41.42秒 134度8分50.41秒
  34.478171,134.147336
  UTMポイント:53SMU21701550

住所:香川県小豆郡土庄町小瀬

関連報告書:
徳島文理大学 2019 『東瀬戸内海島嶼部における大坂城築城石丁場と石材輸送水運に関する研究』徳島文理大学
https://sitereports.nabunken.go.jp/49546


Sketchfab  https://sketchfab.com/shozustone
Youtubeチャンネル https://www.youtube.com/channel/UCpsO7-N5aTJc7z9F6SevHRQ


制作:高田祐一(小豆島石丁場調査委員会)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261590
title: 小豆島小瀬原丁場12番石材(加藤家丁場)

description: 香川県小豆島西海岸に位置する石切場です。江戸時代の初めに大坂城石垣再築のために石垣石材を切り出しました。県指定史跡小瀬原石切り丁場は、肥後国熊本藩加藤家の丁場です。


場所:香川県指定史跡 大坂城石垣石切小瀬原丁場跡
  34度28分41.42秒 134度8分50.41秒
  34.478171,134.147336
  UTMポイント:53SMU21701550

住所:香川県小豆郡土庄町小瀬

関連報告書:
徳島文理大学 2019 『東瀬戸内海島嶼部における大坂城築城石丁場と石材輸送水運に関する研究』徳島文理大学
https://sitereports.nabunken.go.jp/49546


Sketchfab  https://sketchfab.com/shozustone
Youtubeチャンネル https://www.youtube.com/channel/UCpsO7-N5aTJc7z9F6SevHRQ


制作:高田祐一(小豆島石丁場調査委員会)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261591
title: Juan Ignacio de Loyola

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261592
title: Juan Ignacio de Loyola

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261593
title: Nämforsen Notön G5 Ådals-Liden 193 Ång. Textur

description: Nämforsen, Notön, Hallström G5, Ådals-Liden 193, For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261594
title: Nämforsen Notön G5 Ådals-Liden 193 Ång. Textur

description: Nämforsen, Notön, Hallström G5, Ådals-Liden 193, For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261596
title: Tintinabulum, Tarraco (Tarragona, Spain)

description: Bronze tintinabulum from the site of Tarraco (Tarragona, Spain), dated in the 1st century AD. Grotesque figure probably depicting Priapus, the god fertility, from wich small bells (tintinabulum) would have hung.

392 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 542.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261597
title: Tintinabulum, Tarraco (Tarragona, Spain)

description: Bronze tintinabulum from the site of Tarraco (Tarragona, Spain), dated in the 1st century AD. Grotesque figure probably depicting Priapus, the god fertility, from wich small bells (tintinabulum) would have hung.

392 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 542.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261598
title: Грузило с антропоморфными личинами

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261599
title: Грузило с антропоморфными личинами

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261600
title: 33 pol (Si-o-se-pol)

description: Si-o-se-pol was built between 1599 and 1602, under the reign of Abbas I, the fifth Safavid king (shah) of Iran. It was constructed under the supervision of Allahverdi Khan Undiladze, the commander-in-chief of the armies, who was of Georgian origin, and was also named after him.

The bridge served particularly as a connection between the mansions of the elite, as well as a link to the city's vital Armenian neighborhood of New Julfa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261601
title: 33 pol (Si-o-se-pol)

description: Si-o-se-pol was built between 1599 and 1602, under the reign of Abbas I, the fifth Safavid king (shah) of Iran. It was constructed under the supervision of Allahverdi Khan Undiladze, the commander-in-chief of the armies, who was of Georgian origin, and was also named after him.

The bridge served particularly as a connection between the mansions of the elite, as well as a link to the city's vital Armenian neighborhood of New Julfa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261604
title: Angel from Njutånger, Sweden

description: Sculpture of an Angel from 1500-1525.

http://historiska.se/upptack-historien/object/93934


Xenter 3D-tekniker Midori Åstrand Fotogrammetri

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261605
title: Angel from Njutånger, Sweden

description: Sculpture of an Angel from 1500-1525.

http://historiska.se/upptack-historien/object/93934


Xenter 3D-tekniker Midori Åstrand Fotogrammetri

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261607
title: Karem el Zeytoun I

description: Stairs of Karem el Zeytoun - Beirut, Lebanon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261606
title: Karem el Zeytoun I

description: Stairs of Karem el Zeytoun - Beirut, Lebanon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261608
title: Caduceu de Hermes

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261609
title: Caduceu de Hermes

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261610
title: Pop Up Mural Installation Hanoman Obong

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261611
title: Pop Up Mural Installation Hanoman Obong

description: Source: Objaverse 1.0 / Sketchfab