cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.22008/fk2/oiajvo/ddtlhn
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/3tvvfj
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/4ciaoo
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.6084/m9.figshare.13350560.v1
title: ECCOv2 sea ice concentration

description: ECCOv2 sea ice concentration every 3 days 1992-2019
DOI: 10.22008/fk2/oiajvo/bj7mkb
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/dbxjgx
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/bbv5h5
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.13340789.v1
title: Coding the Contemplative Collective - $ echo - Screenshots of Pure Data Patch & Finished Work

description: Coding the Contemplative Collective investigates how aesthetic objectives related to contemplative practice might be embedded within the space of a mobile platform and how these objectives are shaped when authors from distinct domains (technology, business, and the arts) collaborate on a single artistic project. <br><br>The collection consists of the projects <i>$ echo </i>& <i>Infínity</i>, and the collaborative context for each project shaped the final artworks through managing the multiple perspectives on what constituted a suitable level and type of interactivity for a contemplative space. <br><br><b>This item contains a screenshot of the Pure Data patch used for the sound design of the project, and screenshots of the finished project.</b>
DOI: 10.22008/fk2/oiajvo/vqppnj
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/xszjuj
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/lnfo1q
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/5xq5bc
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/gcpt78
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12973322.v1
title: Performance / Exile / Heritage - One Lost Stone - Video & Collage Examples

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains example Videos & Collages from the "One Lost Stone" Website.<br><br></b>Videos and photographs by T.Kampe, sound by R.Kozokaro.<b><br></b><br><b>Videos and Collages courtesy of Thomas Kampe, with permission from Ronen Kozokaro and the featured actors.</b><b><br></b><b>Used with permission.<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.22008/fk2/oiajvo/xlm8mk
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/rq2vdu
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12973058.v1
title: Performance / Exile / Heritage - Symposium: Theatre, Youth, Trauma and Europe in Crisis

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains a flyer for the Symposium "Theatre, Youth, Trauma and Europe in Crisis" which is contextualising information for this collection</b>.<br><br>Symposium on performance activism & cultural trauma, coordinated by T.Kampe and Laura Purcell-Gates in association with ‘David Glass Ensemble’( DGE). Launch of the ‘AB Project’ of DGE on reluctant history of neo-Nazi murders in Norway. Bath Spa University - 25/06/2016<br><br><b>Used with permission.</b><br><br> <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.22008/fk2/oiajvo/ex6po6
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12939791.v1
title: Tarrare - Tarrare Outline Schedule 2015-2017

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Outline of the Schedule for production.<br>Created by Sita Calvert-Ennals and Laura Purcell-Gates. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.22008/fk2/oiajvo/ubihyt
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.25345/c5p51t
title: MassIVE MSV000087091 - No effects of direct pesticide exposure to queen fat body protein expression
title: To investigate direct effects of pesticide exposure on queen health, we tested a range of doses of coumaphos (a common miticide), atrazine (an endocrine disruptor), and a cocktail of the 9 most abundant agrochemicals/pesticides found in beeswax. Doses for all ranged from 1x (where x = the median wax concentration) to 32x, administered as a 2 ul (in acetone) topical application to the thorax. We found no significant effect of the treatments.
DOI: 10.17870/bathspa.12939773.v1
title: Tarrare - Storyboard Map

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains an example of the storyboard map as contextualising material.<br>Created by Sita Calvert-Ennals, Tobi Poster-Su, and Hattie Naylor.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.22008/fk2/oiajvo/mxvv60
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/em9vxz
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12939752.v1
title: Tarrare - Production Photography

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains photographic documentation of the performance as contextualising material.<br><b>Photo Credit : Fluxx Films</b><b>Used with permission.</b><b>Courtesy of Wattle & Daub.<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12936779.v1
title: Tarrare - Photographic Documentation of Initial Story Mapping Sessions

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains photographic documentation of the initial story mapping sessions taken with Tobi Poster-Su and Tom Poster as contextualising material.<br><b>Photo Credits: Tobi Poster-Su</b><b>Images used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.22008/fk2/oiajvo/pfoarq
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/esgfj5
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/yraffv
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12936743.v1
title: Tarrare - Production Flyer

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the performance flyer as contextualising material.<br><b>Flyer design by Guy J. Sanders https://www.guyjsanders.com/<br><br></b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.22008/fk2/oiajvo/tkikew
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12936737.v1
title: Tarrare - Promotors Pack

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience.<i> ‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Performance Production Pack as contextualising material.<br><br><b>Photography Credit: Fluxx Films</b><b>Promoter's pack courtesy of Wattle & Daub productions. </b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.22008/fk2/oiajvo/l29vu3
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/tzsk0g
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12925559.v1
title: On the Inside - Project Information Sheets for Participants and Prison Staff

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the Project Information Sheets given to participants and prison staff, provided as contextualising information.<br><br>Courtesy of Geese Theatre. Used with permission. <br><br>
DOI: 10.22008/fk2/oiajvo/a0qtar
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/osiuy7
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12925514.v1
title: On the Inside - Abstract - IOHA Biannual Conference in Singapore - (Forthcoming Presentation)

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the accepted abstract for the paper that was to be presented by Dr Helena Enright at the IOHA Biannual Conference in Singapore 2020, included as contextualising information. The conference was cancelled due to the Covid-19 pandemic, and is due to be rescheduled for a future date to be determined. <br><br>
DOI: 10.22008/fk2/oiajvo/vnevla
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12925508.v1
title: On the Inside - 'Reflecting history: Geese, On The Inside' from the Prisoner Health Project Publication’ University of Warwick Conference Booklet

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains an excerpt from the ‘Prisoner Health Project Publication’ document, created for the University of Warwick Conference, which provides further context for <i>On the Inside</i>. The excerpted section, titled 'Reflecting history:Geese, On The Inside', contains a dialogue with Helena Enright about her work on the project. <br>The full conference publication can be found via the University of Warwick website, at the following link:https://warwick.ac.uk/fac/arts/history/chm/research/current/prisoners/20459k_-_uow_prisoner_health_project_conference_publication.pdf<br><b>Courtesy of the University of Warwick. </b><b>Used with permission. </b>
DOI: 10.22008/fk2/oiajvo/swcclw
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/saj9hn
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/lcbuoj
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/8enolr
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12924536.v1
title: Performance / Exile / Heritage - "Whispering Secrets" - Journal Article

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><b>This item contains a Journal Article which is contextualising information for this collection.</b><br> <b>Kampe, T. (2016) 'Whispering secrets', Journal of Dance & Somatic Practices, 8 (2), pp. 165-177. <br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b> <br>
DOI: 10.22008/fk2/oiajvo/kfrinb
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/piihbk
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/czu6yu
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/ly0zah
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12924494.v1
title: Performance / Exile / Heritage - Research Timeline & Research Questions

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains the Research Questions & Research Timeline for the project.</b><br>
DOI: 10.22008/fk2/oiajvo/vjj8uz
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/f9ahus
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12924488.v1
title: Performance / Exile / Heritage - 300-Word Statement

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains the 300-Word Statement for the project.</b>
DOI: 10.22008/fk2/oiajvo/vd19ai
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/r8fadw
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12894710.v1
title: Tarrare - Research Timeline and Questions

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Research Questions and Timeline.<br><br>
DOI: 10.22008/fk2/oiajvo/vills1
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12894704.v1
title: Tarrare - 300 Word Statement

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. T<i>he Depraved Appetite of Tarrare the Freak</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England. <br><br>This item contains the 300 Word Statement. <br>
DOI: 10.22008/fk2/oiajvo/3yh4fb
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12834371.v1
title: Dramaturgies of Hauntology - The Strange Geometry of Time (2018) - Performance Images

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br><b>This item contains a collection of images of the production<i>, </i>performed by Mary Steadman and Leeza Jessie, with live Vocals/Sound Helen Roberts. Lighting by Bryan Wallbridge. Photographs credited to Stephan Beese and used with permission. </b><br>The performance took place in the University Theatre, Bath Spa University, November 2018.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.22008/fk2/oiajvo/al17sq
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/p7hnxc
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4