cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10290500
title: Temple pillars from Kerala

description: Temple pillars, wood, Kerala, South India, late 18th century. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels). Made with CapturingReality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290501
title: Temple pillars from Kerala

description: Temple pillars, wood, Kerala, South India, late 18th century. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels). Made with CapturingReality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290502
title: Palacio Tschudi, Chan Chan, Peru

description: Palacio Tschudi - Chan Chan, Peru.

Original model was ~250 millions faces. Tryied to bake geometry and highly detailed texture in 2x16K normal map and 2x16K diffuse texture (to fit in 200 megabytes limit).

Processed from ~2K aerial and ~11K terrestrial photos (collected by CyArk).

Photos distrubuted by Open Heritage 3D.

https://doi.org/10.26301/4h29-7e80

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290503
title: Palacio Tschudi, Chan Chan, Peru

description: Palacio Tschudi - Chan Chan, Peru.

Original model was ~250 millions faces. Tryied to bake geometry and highly detailed texture in 2x16K normal map and 2x16K diffuse texture (to fit in 200 megabytes limit).

Processed from ~2K aerial and ~11K terrestrial photos (collected by CyArk).

Photos distrubuted by Open Heritage 3D.

https://doi.org/10.26301/4h29-7e80

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290504
title: Payphone. Таксофон

description: The war in Ukraine continues!
low-poly  model for an urban location
I will be glad for your comments

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290505
title: Payphone. Таксофон

description: The war in Ukraine continues!
low-poly  model for an urban location
I will be glad for your comments

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290506
title: Castelo De Moeche

description: El castillo medieval de Moeche, datado del siglo XIV y vinculado a la casa de los Andrade, fue reconstruido a finales del siglo XV tras las Revueltas Irmandiñas. La fortaleza, parcialmente rodeada por un foso, presenta planta poligonal y se divide en 7 estancias, contando con numerosos elementos arquitectónicos de carácter militar defensivo. En la entrada al Castillo a través de la puerta principal se pueden observar la plaza de armas, la barbacana y las saeteras del muro exterior, así como las piedras armeras de la torre. Saliendo al patio de armas se accede al resto de las estancias del Castillo: torre del homenaje de 18 metros de altura, estancia de la servidumbre, estancias para la soldadesca, caballerizas, y el museo de dos plantas, que antaño fue cocina, comedor y aposentos de los señores. (https://www.riasaltas.info/castillo-de-moeche.html)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290507
title: Castelo De Moeche

description: El castillo medieval de Moeche, datado del siglo XIV y vinculado a la casa de los Andrade, fue reconstruido a finales del siglo XV tras las Revueltas Irmandiñas. La fortaleza, parcialmente rodeada por un foso, presenta planta poligonal y se divide en 7 estancias, contando con numerosos elementos arquitectónicos de carácter militar defensivo. En la entrada al Castillo a través de la puerta principal se pueden observar la plaza de armas, la barbacana y las saeteras del muro exterior, así como las piedras armeras de la torre. Saliendo al patio de armas se accede al resto de las estancias del Castillo: torre del homenaje de 18 metros de altura, estancia de la servidumbre, estancias para la soldadesca, caballerizas, y el museo de dos plantas, que antaño fue cocina, comedor y aposentos de los señores. (https://www.riasaltas.info/castillo-de-moeche.html)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290510
title: Asian Pirate Ship

description: I created this ship for a mobile game at my previous job. The design in my own. Because of performance issues on mobile I only used diffuse and specular textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290511
title: Asian Pirate Ship

description: I created this ship for a mobile game at my previous job. The design in my own. Because of performance issues on mobile I only used diffuse and specular textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290514
title: Stone lid, lion-shaped, Mleiha, Sharjah, UAE

description: Stone lid with lion-shaped knob for south Arabian beehive vessels. Mleiha, Sharjah, UAE. 3rd century BCE - 1st century CE. Mleiha area 7. Calcite. In Overlaet 2018:20, Figure 14, and description p. 22: CAT. n° 12. Catalogue No. EXS 199.

448 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290515
title: Stone lid, lion-shaped, Mleiha, Sharjah, UAE

description: Stone lid with lion-shaped knob for south Arabian beehive vessels. Mleiha, Sharjah, UAE. 3rd century BCE - 1st century CE. Mleiha area 7. Calcite. In Overlaet 2018:20, Figure 14, and description p. 22: CAT. n° 12. Catalogue No. EXS 199.

448 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290518
title: Iron Age Pottery Vessel, Sarajevo Museum

description: Iron Age Pottery Vessel, Sarajevo Museum

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 539 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID PrehistoricPottery3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290519
title: Iron Age Pottery Vessel, Sarajevo Museum

description: Iron Age Pottery Vessel, Sarajevo Museum

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 539 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID PrehistoricPottery3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290520
title: Saxon Timber Rotherhithe

description: Possible small Saxon timber on the Thames foreshore near the Mayflower pub at Rotherhithe, London.

Kindly suggested by Alan Murphy (Mudlark_thames_larker, Rothersman).

94 photos taken in January 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290521
title: Saxon Timber Rotherhithe

description: Possible small Saxon timber on the Thames foreshore near the Mayflower pub at Rotherhithe, London.

Kindly suggested by Alan Murphy (Mudlark_thames_larker, Rothersman).

94 photos taken in January 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290524
title: The Expulsion

description: Created by Henry Wiles (1838–1930) in White marble; 1871. Inscribed on back right corner of base: 'Henry Wiles/Sculptor/LONDON 1871'; and on the front and back of the socle: They hand in hand, with wandering steps and slow, Through Eden took their solitary way."

This figure group shows a remorseful Adam and Eve makingtheir way out of the Garden of Eden, having disobeyed God and been expelled from paradise. The quotation on the base is the very final sentence of John Milton's epic poem Paradise Lost. 

https://data.fitzmuseum.cam.ac.uk/id/object/30941

This sculpture is dated 1871, and so must have been produced immediately after Wiles' return from Italy. It was bequeathed to the Museum by the Reverend Blore in 1885, just 14 years after it was made, so it is likely that he was the first owner and perhaps commissioned the work.

Bequeathed by Rev. E.W. Blore, Senior Fellow of Trinity College, in 1885 (M.2-1885)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290525
title: The Expulsion

description: Created by Henry Wiles (1838–1930) in White marble; 1871. Inscribed on back right corner of base: 'Henry Wiles/Sculptor/LONDON 1871'; and on the front and back of the socle: They hand in hand, with wandering steps and slow, Through Eden took their solitary way."

This figure group shows a remorseful Adam and Eve makingtheir way out of the Garden of Eden, having disobeyed God and been expelled from paradise. The quotation on the base is the very final sentence of John Milton's epic poem Paradise Lost. 

https://data.fitzmuseum.cam.ac.uk/id/object/30941

This sculpture is dated 1871, and so must have been produced immediately after Wiles' return from Italy. It was bequeathed to the Museum by the Reverend Blore in 1885, just 14 years after it was made, so it is likely that he was the first owner and perhaps commissioned the work.

Bequeathed by Rev. E.W. Blore, Senior Fellow of Trinity College, in 1885 (M.2-1885)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290528
title: Kruzifix

description: Crucifix with three cherub heads above the entrance of the parish church of the Holy Trinity in Grossharras. 

In heraldry, the cherub head is a figure in the form of a winged human head, which according to the religious imagination represents a cherub.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290529
title: Kruzifix

description: Crucifix with three cherub heads above the entrance of the parish church of the Holy Trinity in Grossharras. 

In heraldry, the cherub head is a figure in the form of a winged human head, which according to the religious imagination represents a cherub.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290532
title: DOW047:042 Cross Inscribed Stone 12

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290533
title: DOW047:042 Cross Inscribed Stone 12

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290534
title: The Fountain of the Sea Horses

description: "Fountain of the Sea Horses" resides in the Philadelphia Museum of Art's Fairmount Park. This sculpture is a replica of the one in the Borghese Gardens in Rome, c.1740, attributed to  Christopher Unterberger and Vincenzo Pacetti. The fountain was a gift of the Italian government to commemorate the 150th anniversary of the US in 1926. It was recently restored in 2013.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290535
title: The Fountain of the Sea Horses

description: "Fountain of the Sea Horses" resides in the Philadelphia Museum of Art's Fairmount Park. This sculpture is a replica of the one in the Borghese Gardens in Rome, c.1740, attributed to  Christopher Unterberger and Vincenzo Pacetti. The fountain was a gift of the Italian government to commemorate the 150th anniversary of the US in 1926. It was recently restored in 2013.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290536
title: Tibetan Amoghasiddhi Buddha, 13th C CE

description: Bronze Tibetan Amoghasiddhi Buddha, 13th C CE, now in the collection of the Minneapolis Institute of Art.

Nore information about the sculpture here:

https://collections.artsmia.org/art/31182/amoghasiddhi-western-tibet-or-central-regions-tibet

From its description on artsmia.org:
*'A devotee might pray to Amoghasiddhi to overcome envy and greed, attempting to transform these emotions into the wisdom of accomplishment. He is one of the five cosmic Buddhas who are crowned and wear jewel ornaments. Associated with the color green and the elements of wind and air, Amoghasiddhi is believed to occupy the northern section of the five directions. His right hand is raised in the "have no fear" gesture. This sculpture is part of an elegant group of bronzes, probably from western Tibet, that displays masterful craftsmanship and stylistic links to Indian sculpture from the Pala period (700s to 1100s CE).'*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290537
title: Tibetan Amoghasiddhi Buddha, 13th C CE

description: Bronze Tibetan Amoghasiddhi Buddha, 13th C CE, now in the collection of the Minneapolis Institute of Art.

Nore information about the sculpture here:

https://collections.artsmia.org/art/31182/amoghasiddhi-western-tibet-or-central-regions-tibet

From its description on artsmia.org:
*'A devotee might pray to Amoghasiddhi to overcome envy and greed, attempting to transform these emotions into the wisdom of accomplishment. He is one of the five cosmic Buddhas who are crowned and wear jewel ornaments. Associated with the color green and the elements of wind and air, Amoghasiddhi is believed to occupy the northern section of the five directions. His right hand is raised in the "have no fear" gesture. This sculpture is part of an elegant group of bronzes, probably from western Tibet, that displays masterful craftsmanship and stylistic links to Indian sculpture from the Pala period (700s to 1100s CE).'*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290538
title: Famous Vehicles Fixed FREE

description: Introducing the Famous Vehicles Fixed made by ACBRadio, the programs used to make this object are as follows: Blender 2.93 & G.I.M.P 2.10.4…The 'Textures' inclued in this object are the following: Diffuse Solid Color…One single image of a 256 bit color palette…free of Charge

Backdrop image by Micah Boerma over on https://www.pexels.com

360 backdrop's total poly count: Triangles: 960 Vertices: 482

Note: Have receipt to represent ownership...major change, interiors removed 

:D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290539
title: Famous Vehicles Fixed FREE

description: Introducing the Famous Vehicles Fixed made by ACBRadio, the programs used to make this object are as follows: Blender 2.93 & G.I.M.P 2.10.4…The 'Textures' inclued in this object are the following: Diffuse Solid Color…One single image of a 256 bit color palette…free of Charge

Backdrop image by Micah Boerma over on https://www.pexels.com

360 backdrop's total poly count: Triangles: 960 Vertices: 482

Note: Have receipt to represent ownership...major change, interiors removed 

:D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290540
title: Test Lithic 20200320 Non-focus stacked, Scaled

description: Test lithic, 2.75cm long, personal collection of author, non-focus stacked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290541
title: Test Lithic 20200320 Non-focus stacked, Scaled

description: Test lithic, 2.75cm long, personal collection of author, non-focus stacked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290544
title: St Thomas's Tower Fireplace

description: The remains of a fireplace in St Thomas's Tower at the Tower of London.

62 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290545
title: St Thomas's Tower Fireplace

description: The remains of a fireplace in St Thomas's Tower at the Tower of London.

62 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290546
title: 'Machina' - Sebastien Boyesen

description: MACHINA
Sebastien Boyesen

Comissioned by Clwyd County Council with the assistance of the Welsh Arts Council and officially unveiled
by Councillor M.H. Davies
on the occasion of the completion of the Hall Fields Bus Centre.
7th Junw, 1986.
The Sculpture depicts the Artist's response to the Art in Engineering.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290547
title: 'Machina' - Sebastien Boyesen

description: MACHINA
Sebastien Boyesen

Comissioned by Clwyd County Council with the assistance of the Welsh Arts Council and officially unveiled
by Councillor M.H. Davies
on the occasion of the completion of the Hall Fields Bus Centre.
7th Junw, 1986.
The Sculpture depicts the Artist's response to the Art in Engineering.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290548
title: Ankara Ulucanlar Ceza Evi Çeşmesi

description: 3D Belgeleme IPAD 12 ve Vidoc ile Pix4d Yazılımı ile Atay Mühendislik tarafından yapılmıştır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290549
title: Ankara Ulucanlar Ceza Evi Çeşmesi

description: 3D Belgeleme IPAD 12 ve Vidoc ile Pix4d Yazılımı ile Atay Mühendislik tarafından yapılmıştır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290551
title: 加曽利EⅢ式深鉢(佐倉市内田端山越遺跡)企2 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(佐倉市内田端山越遺跡)企2 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」
撮影月日:2019.11.19
整理番号:企2
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 59 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290550
title: 加曽利EⅢ式深鉢(佐倉市内田端山越遺跡)企2 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(佐倉市内田端山越遺跡)企2 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」
撮影月日:2019.11.19
整理番号:企2
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 59 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290552
title: Sépulture 13 - Musée archéologie Saint-Laurent

description: Cloître bas - Sépulture 13 - Musée archéologie Saint-Laurent Grenoble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290553
title: Sépulture 13 - Musée archéologie Saint-Laurent

description: Cloître bas - Sépulture 13 - Musée archéologie Saint-Laurent Grenoble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290554
title: Low Poly Sarangi Photogrammetry

description: Sarangi is a folk musical instrument of Nepal. The 3D model has been created with photogrammetry. Then remeshed, done retopology and baked high resolution texture onto it.


Visit our website: http://www.semanticcreation.com

We make 3d models, Virtual Reality / Augmented Reality / Mixed Reality applications and all sorts of server-client based custom applications.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290555
title: Low Poly Sarangi Photogrammetry

description: Sarangi is a folk musical instrument of Nepal. The 3D model has been created with photogrammetry. Then remeshed, done retopology and baked high resolution texture onto it.


Visit our website: http://www.semanticcreation.com

We make 3d models, Virtual Reality / Augmented Reality / Mixed Reality applications and all sorts of server-client based custom applications.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290556
title: Church Door - Demo #2

description: 46 photos with my smartphone and built with 3DF Zephyr Free

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290557
title: Church Door - Demo #2

description: 46 photos with my smartphone and built with 3DF Zephyr Free

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290558
title: Grootzegel

description: www.erfgoedleiden.nl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290559
title: Grootzegel

description: www.erfgoedleiden.nl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290560
title: Blairbuy 2, near Monreith, Dumfries and Galloway

description: Positioned at the highest and flattest point of an outcrop which runs along the top of a low ridge on a SW facing hillside, this panel has been decorated with numerous motifs including cups with multiple rings. For more information, see: 
https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=7065F62B-A4D4-401D-BEC4D8EA02557E52

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290561
title: Blairbuy 2, near Monreith, Dumfries and Galloway

description: Positioned at the highest and flattest point of an outcrop which runs along the top of a low ridge on a SW facing hillside, this panel has been decorated with numerous motifs including cups with multiple rings. For more information, see: 
https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=7065F62B-A4D4-401D-BEC4D8EA02557E52

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290564
title: Jane Austen Desk (closed view), Add 86841

description: A wooden writing desk used by Jane Austen which was given to her by her father in 1794. This portable 'writing-box' opens to provide a slope on which to write. It has various compartments, including a space for an ink pot and a lockable drawer for paper and valuables.

When Austen died in 1817, aged 41, the desk was inherited by her sister Cassandra. It was later passed down through her eldest brother's family. In 1999, Joan Austen-Leigh, Jane Austen's great-great-great-niece, generously presented it to the British Library.
For more information see:

http://searcharchives.bl.uk/IAMS_VU2:IAMS032-002765606

https://www.bl.uk/collection-items/jane-austens-writing-desk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290565
title: Jane Austen Desk (closed view), Add 86841

description: A wooden writing desk used by Jane Austen which was given to her by her father in 1794. This portable 'writing-box' opens to provide a slope on which to write. It has various compartments, including a space for an ink pot and a lockable drawer for paper and valuables.

When Austen died in 1817, aged 41, the desk was inherited by her sister Cassandra. It was later passed down through her eldest brother's family. In 1999, Joan Austen-Leigh, Jane Austen's great-great-great-niece, generously presented it to the British Library.
For more information see:

http://searcharchives.bl.uk/IAMS_VU2:IAMS032-002765606

https://www.bl.uk/collection-items/jane-austens-writing-desk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290567
title: Kiss-Szakács Crucifix (statue part scan)

description: The statue is located in Balatonszentgyörgy.
The pre-restoration condition was scanned.

Artec Eva was used. 
-scan time: 5 minutes
- 3 scanned surfaces was merged together
- Post processing time: 5 minutes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290568
title: Kiss-Szakács Crucifix (statue part scan)

description: The statue is located in Balatonszentgyörgy.
The pre-restoration condition was scanned.

Artec Eva was used. 
-scan time: 5 minutes
- 3 scanned surfaces was merged together
- Post processing time: 5 minutes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290569
title: my son GOD 1

description: 隨手拍3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290570
title: my son GOD 1

description: 隨手拍3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10290571
title: Grisoumètre miniature

description: Grisoumètre miniature, utilisé par les mineurs au fond pour détecter le grisou, gaz incolore et inodore mais très explosif et l'un des principaux dangers dans les mines.

Numérisation par photogrammétrie à partir de 158 photos (Canon Eos 5D mark iii) | Logiciels utilisés : Metashape, 3Dsmax, ZBrush, Substance Painter, Substance Designer

Source: Objaverse 1.0 / Sketchfab