cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m12740
title: Painting depicting the Mission Francis de Asis (Dolores) before the Americans came, 1845

description: Photograph of a painting depicting the Mission Francis de Asis (Dolores) before the Americans came, 1845. Men are shown attending to mules in front of the two-story Romanesque building of the mission. At center one of them, a priest, struggles with his. The Mexican flag is flying from a flagpole that stands in front of  the missions one-story corridor, which features terracotta roofing and extended eaves. A stone wall is visible extending from the mission to the left. Picture file card reads: "Painting Pares (Deakin)".
DOI: 10.25549/chs-m12741
title: Exterior view of the Mission Francis de Asis (Dolores), showing building materials, San Francisco, 1909

description: Photograph of an exterior view of the Mission Francis de Asis (Dolores), showing building materials, San Francisco, 1909. The arched Romanesque entranceway to the two-story mission is pictured at center, with roof beams laying on the sidewalk, a pile of lumber to the left, and bricks stacked to the right. Clapboard can be seen along with crumbling spackle on the broad right side of the building. A cross stands at the top of the roof. The road in front appears to be unpaved.
DOI: 10.25549/chs-m12762
title: Exterior view of the Mission Francis de Asis (Dolores) after the earthquake, showing a funeral procession in front, San Francisco, ca.1906

description: Photograph of an exterior view of the Mission Francis de Asis (Dolores) after the earthquake, showing a funeral procession in front, San Francisco, ca.1906. The two-story Romanesque building of the mission is pictured at center, a column flanking the arched doorway to either side. Four horse-drawn coaches stand in the road out front, the second from the left a lightly-colored hearse. To the right, the gothic architecture of the cathetral has collapsed, rubble pouring from its doorway. A streetlamp is visible in the right foreground.
DOI: 10.25549/chs-m17977
title: Exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), ca.1870

description: Photograph of an exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), ca.1870. A long, short adobe with terracotta roof tiles stands in front of two other buildings at center, its spackle having crumbled mostly off. A small, clapboarded shack is partially visible behind it with a sign that reads "North Hotel". A second, long, two-story adobe with similar roofing pictured standing perpendicularly still farther behind. Hills are visible in the left background. A wide, unpaved road stand in the foreground. A stage-style building with a balcony and matching porch can also be seen in the right background. Picture file card reads "Purchased from Terrill and Miller, 1909, 4005 17th St., Corner Market, San Francisco".
DOI: 10.25549/chs-m12765
title: Exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), ca.1865

description: Photograph of an exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), ca.1865. The two-story adobe of the mission stands pictured at center, its main entrance visible on the broad left side and a smaller, unarched single door on its front narrow side. A cross is affixed to the peak of the roof. A post-and-rail fence demarcates the property. A shorter, more modern looking building is partially visible to the right, next to a flagpole. The road in front is unpaved. Hills are visible in the background.
DOI: 10.25549/chs-m12770
title: Exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), showing the south end of the cloister, ca.1900

description: Photograph of an exterior view of the Mission San Jose de Guadalupe (St. Joseph of Guadalupe), showing the south end of the cloister, ca.1900. Six people are pictured on the porch of the adobe cloisters at center, which seem in disrepair. The entrance behind them shows a set of double doors, however, as the building extends to the left, single doors are pictured spaced evenly apart from one another. The porch is shaded by the roofs eaves, which are covered in terracotta tile. A dirt clearing is pictured in front. Picture file reads: "From stereo made by Kemp and Klint Terrill (?)" and "California Legislature met here in 1849.".
DOI: 10.25549/chs-m9662
title: Drawing depicting vaqueros roping a steer at the mission San Jose de Guadalupe, ca.1849

description: Photograph of a drawing depicting vaqueros roping a steer at the mission San Jose de Guadalupe, ca.1849. A man clothed in bolero dress with a bandana tied around his head is pictured rearing back on his horse in the foreground, swinging his lasso behind him, while a second horseman leans his horse to the right, having already roped the feet of the steer between them. Cows are visible in the left background, with the mission buildings visible in the right background in front of mountains. Grass is pictured in the extreme foreground.
DOI: 10.25549/chs-m12854
title: Exterior view of the Mission San Antonio de Padua, ca.1876

description: Photograph of an exterior view of the Mission San Antonio de Padua, ca.1876. The patio of the adobe mission is pictured to the left, the eaves of its terracotta roof hanging over the cloister doors. The two-story main mission building is pictured to the right farther in the background, with three archways along its lower floor and a bell visible through a porthole in its upper floor. A makeshift post-and-rail fence is pictured cutting vertically towards the camera at center. The rest of the ground appears dry and dusty. Picture file card reads: "N.H. Read copy of Watkins.".
DOI: 10.25549/chs-m12975
title: Exterior view of the Mission San Antonio de Padua in disrepair, ca.1892

description: Photograph of an exterior view of the Mission San Antonio de Padua in disrepair, ca.1892. The roofs of both the cloister patio at left and the main building to the right appear to be buckling in spots, and the spackle of the two-story main building can be seen crumbling in spots, showing brick. Vines grow through the cloister roof. Two busts stands on pedestals in the yard to the right, which is overgrown. Clusters of short posts are visible at the center and to the left. Compare to: CHS-7719. Photo shows a similar view of  the mission in ruins.
DOI: 10.25549/chs-m12976
title: Ruins of the Mission San Antonio de Padua, Tulare County, ca.1884

description: Photograph of the ruins of the Mission San Antonio de Padua, Tulare County, ca.1884. The adobe main building of the mission stands two stories tall to the right, the cross at the peak of its roof leaning precariously.  Both the spackle on this building and the patio around the cloisters that extend to the left is all but gone, revealing the bricks. The terracotta-tiled roofing of the patio has collapsed inward towards the center, and rubble is visible in a large pile past the archways. A few overgrown bushes stand at the extreme left, and to the right. The remains of approximately nine short wooden posts in the foreground can also be seen. Compare to: CHS-7718. Photo shows a similar view of the mission in minor disrepair.
DOI: 10.25549/chs-m14648
title: Pima Indian woman winnowing beans over her head onto a mat on the ground, Gila River Reservation[?], ca.1902

description: Photograph of a Pima Indian woman winnowing beans over her head onto a mat on the ground, Gila River Reservation(?), ca.1902. The woman can be seen at center wearing a long, striped dress. A man with a child in his lap can be seen seated in the doorway of a straw hut behind the woman. A dog is visible laying next to the hut at right, while a pot and what appears to be another hut can be seen in the left background. Mountains can be seen in the distance at left, while desert shrubs are visible in the right background.
DOI: 10.25549/chs-m12992
title: Exterior view of the Mission San Miguel Archangel, ca.1870-1876

description: Photograph of an exterior view of the Mission San Miguel Archangel, ca.1870-1876. The main building of the mission, which stands at center, is a two-story adobe. Its entrance is a single door, with a singular rectangular window centered directly over it on the second floor. Its spackle has come off in spots, revealing brick. A patio for the cloisters extends out from the left, single doors separated at regular intervals visible through the archways that support the eaves of its terracotta-tiled roof. A roofless brick structure with several entrances is visible to the right of the main building. A collection of stacked roof tiles stands in the foreground, under a post-and-rail fence. Hills are visible in the background to the left.
DOI: 10.25549/chs-m12993
title: Painting "Santa Barbara and the Mission" by George Melville Stone, ca.1895-1905

description: Photograph of the painting "Santa Barbara and the Mission" by George Melville Stone, ca.1900. A woman in a long robe is pictured to the left in the ovoid frame of the painting, holding what appears to be a palm frond or laurel leaf. The domed,  two-tiered adobe bell tower of the mission is visible in the valley below her in the background. Rocks and what appears to be an unlit torch are visible in the foreground. Picture file card reads: "Original in the Glenwood Mission Inn, Riverside: 49" x 30"".
DOI: 10.25549/chs-m13010
title: Exterior view of the Mission Santa Barbara, ca.1900

description: Photograph of an exterior view of the Mission Santa Barbara, ca.1900. The mission is pictured a little into the distance at center, showing its broad side. The main building is flanked to the left and right by attached bell towers which sport domes. Beyond the entranceway, the adobe building's brick is unspackled. A patio covers the cloisters and extends to the left from the entranceway, its shingled roof contrasting to the main building's terracotta tiles. An L-shaped formation of other, one-story adobe buildings is visible up the hill farther in the foreground, apparently in disrepair near a crumbling wall. More buildings of similar construction are visible behind the mission to the left, along with a few two- to three-story buildings that can be seen in the clearing in the distance. Rubble litters the hill in the foreground. Mountains are visible in the background.
DOI: 10.25549/chs-m13120
title: Exterior view of the Mission Santa Barbara, ca.1900

description: Photograph of an exterior view of the Mission Santa Barbara, ca.1900. The mission is visible past the field in the foreground and behind a picket fence and several trees. Its main entrance stands to the right, flanked to either side by tiered bell towers and capped with a cross. A rose window is visible over the archway of the door. Cloisters extend to the left, shaded by a archway-supported eaves. Long, one-story adobe buildings can be seen in disrepair to the right. Mountains are visible in the background.
DOI: 10.25549/chs-m13197
title: Exterior view of the Mission Santa Barbara, ca.1880

description: Photograph of an exterior view of the Mission Santa Barbara, ca.1880. The mission can be seen to the right distance, standing two stories tall. The two bell towers that flank the entrance can be seen, as well as the bricks in the broad unspackled side of the building. A post-and-rail fence stretches in from the left foreground along a dirt path that runs towards the mission. A field and two one-story adobes in disrepair can be seen to the left. Some sort of broken kiln stands on the hill in the right foreground. The city can be seen in the distance.
DOI: 10.25549/chs-m7538
title: Drawing depicting the presidio and pueblo of Mission San Carlos, Monterey, 1839

description: Photograph of a drawing depicting the presidio and pueblo of Mission San Carlos, Monterey, 1839. Three settlers are depicted kneeling by a rock formation in the right foreground while two horsemen make their way along the hills below. Small, one-story buildings fill the clearing in the center distance, separated from the hills by picket fencing. Mountains are visible in the background. Picture file card reads: "From 'California', 1839 by Alex Forbes". Drawn by Captain Smyth.
DOI: 10.25549/chs-m13201
title: Oil painting depicting soldiers and Indian worshippers at the Mission San Carlos' first mass, ca.1900

description: Photograph of an oil painting depicting soldiers and Indian worshippers at the Mission San Carlos' first mass, ca.1900. Soldiers are situated to the left of the image, three ranks deep and nine files wide. They are prostrate, each on one knee with their heads bowed. What appear to be monks are situated farther right in the image, also knelt around the altar, which is a small platform overhung by a canopy. Trees and wilderness surround the worshippers. In the background, behind a second group of soldiers, a sailed ship can be seen in the water along the horizon. Picture file card reads: "Terrille and Miller". Painted in 1770.
DOI: 10.25549/chs-m13211
title: Exhuming and reinterring ceremony of the remains of Friar Junipero Serra at the Mission San Carlos Borromeo de Carmel, Monterey, July 3, 1882

description: Photograph of the exhuming and reinterring ceremony of the remains of Friar Junipero Serra at the Mission San Carlos Borromeo de Carmel, Monterey, July 3, 1882. A priest at center stands over an open tomb, with a workman sitting on its edge. They are surrounded by a large crowd of people in formal dress, a group of marching bandsmen in their uniforms, and a collection of soldiers, also in uniform. The adobe mission wall shows a window above them just left of center. The picture file card reads: "Mr. Machado is sitting at the edge of the vault, and Friar Angelo Casanova is standing with book in his hand.". According to Ms. Joan King, Mr. Machado's great-granddaughter, Christiano Machado was from Ponta Delgada, Sao Miguel, Azores. He traveled to Massachussetts, like so many -- as a teenager, working on a whaling ship. He settled in California the second time he came to the USA, with his new wife. Christiano lived on Mission lands and farmed, and was caretaker of the Mission. He was believed to discover the remains of Father Serra, thanks to information from the Indians/Mexicans(?) who lived around there. His children and some of his grand and great-grandchildren were baptized at Mission San Carlos Borromeo".
DOI: 10.25549/chs-m13215
title: Portrait of soldiers, bandsmen and civilians posing in front of the Mission San Carlos for the exhuming of Friar Junipero Serra's remains, Monterey, July 3, 1882

description: Photographic portrait of soldiers, bandsmen and civilians posing in front of the Mission San Carlos for the exhuming of Friar Junipero Serra's remains, Monterey, July 3, 1882. Twenty-seven riflemen stand in a rank with their rifles held by their feet, two captains with swords in similar positions standing in front of them. A rank of marching band members is situated behind them, behind which a crowd of civilians stands. The entrance to the Mission San Carlos Borromeo de Carmel stands two stories tall behind them, its bell tower connected to the left, a rose window situated above the arched doorway. The bulk of the adobe building can be seen to the left, without spackle and apparently in disrepair. What appears to be an cemetery stands enclosed by fence to the right.
DOI: 10.25549/chs-m13588
title: Exterior view of the Mission San Francisco Solano de Sonoma after the earthquake of 1906

description: Photograph of an exterior view of the Mission San Francisco Solano de Sonoma after the earthquake of 1906. The mission is pictured to the left, along the unpaved road in the foreground, its roofs collapsing in several spots. The main chapel stands farthest left, a short bell tower extending from its roof and apparently unharmed. One-story, secondary buildings, which appear to be the cloisters, stand farther right, their walls unharmed in light of their roofs. A wrought-iron fence surrounds what appears to be a small ranch-style home farthest to the right, separated from the mission.
DOI: 10.25549/chs-m14649
title: Pima Indian woman sitting on the ground making pottery by an adobe and grass hut, Gila River Reservation[?], ca.1902

description: Photograph of a Pima Indian woman sitting on the ground making pottery by an adobe and grass hut, Gila River Reservation(?), ca.1902. The woman can be seen at center wearing a skirt, long-sleeved shirt, and cloth tied around her head. She is facing right, but her head is turned to look straight ahead. The adobe and grass hut can be seen at right. The relatively barren landscape has only scrub brush in the background at left, and a butte is visible in the distance at left.
DOI: 10.25549/chs-m13602
title: Drawing depicting the exterior of the Mission Santa Clara, ca.1853

description: Photograph of a drawing depicting the exterior of the Mission Santa Clara, ca.1853. The mission is pictured in the background, its main building standing to the right, its two-story entrance enclosed by a wrought-iron fence and a bell tower standing connected to the cloisters farther right. The single doors of the cloisters can be seen spaced at regular intervals beneath the overhanging eaves. The roofs on both buildings are covered by terracotta tiles. A priest stands in the clearing pictured in the centerground, while agave plants and other low-growing vegetation can be seen in the foreground. A tall cross stands near the priest to the extreme right. The mission is now located within the campus of the University of Santa Clara.
DOI: 10.25549/chs-m13753
title: Sonoma and the Mission Solano, ca.1865(?)

description: Photograph of Sonoma and the Mission Solano, ca.1865(?). A picket fence stands in the foreground enclosing a flat clearing, behind which the mission and houses of Sonoma are visible. The mission stands at center, two stories tall, a bell tower extending from its roof. Three tall stain-glass windows are visible along its broad side. A long adobe building stands to the left of the mission, showing its broad side as well. The one- to two-story craftsman-style buildings of the town are visible along a dirt road to the right, extending towards the foreground in front of the mission. Hills and mountains are visible in the background. A tall flagpole can be seen in the clearing.
DOI: 10.25549/chs-m13994
title: Painting depicting the exterior of the Mission Nuestra Senora de la Soledad, Monterey, ca.1900

description: Photograph of a painting depicting the exterior of the Mission Nuestra Senora de la Soledad, Monterey, ca.1900. The two-story adobe of the mission's main building is pictured at center, its roof covered by terracotta tiles and a cross affixed to its top. To the right of it, the roof of the cloisters has collapsed inward. Several crossed gravestones stand planted in the ground to the left, next to a cluster of trees. Piles of indefinite material stand in the field at front.
DOI: 10.25549/chs-m15762
title: Painting depicting the exterior of the Mission Santa Cruz, ca.1900

description: Photograph of a painting depicting the exterior of the Mission Santa Cruz, ca.1900. A friar converses with another man in the clearing at center, next to a cross that has been driven into the ground. The main building of the mission stands behind them, the cloisters extending from it to the left and a wall to the right. A small window is situated at the second floor over the arched doorway. A tiered bell tower stands to the immediate right in front of the wall. The doors of the cloisters can be seen past a colonnade, spaced at regular intervals. Hills are visible in the background. What appears to be either a stream or a path is pictured in the foreground.
DOI: 10.25549/chs-m17942
title: Painting depicting the Mission Santa Cruz the day after the earthquake, ca.1859

description: Photograph of a painting depicting the Mission Santa Cruz the day after the earthquake, ca.1859. The entire front of the mission has collapsed to rubble, showing the interior and the altar, which stand behind the altar rail. A striped patter can be seen on the interior roof beams. Hilly terrain can be seen to the right. Picture file card reads: "photo obtained by Vischer", and "Picture appears to be the same as one The Pioneers Society of Cal. Credited to Mrs. Julia Matthew as the artist (see p.12)".
DOI: 10.25549/chs-m17972
title: Exterior view of the Mission San Juan Bautista, before 1875

description: Photograph of an exterior view of the Mission San Juan Bautista, before 1875. A man stands with a walking stick at center, wearing a hat and a long, dark coat. The two-story adobe main building of the mission stands behind him to the right, enclosed by a wrought-iron fence. A rectangular window is visible overhanging the arched doorway. A small cross is affixed at the peak of the shingled roof. The cloisters stand connected to the building, standing to the right. An overhang supported by arches shades the doors which are spaced at even intervals. Two bells hang from a post framework to the extreme right. Compares to: CHS-7275.
DOI: 10.25549/chs-m7365
title: Exterior view of the Mission San Juan Bautista, in the garden, ca.1900

description: Photograph of an exterior view of the Mission San Juan Bautista, in the garden, ca.1900. Three short, slim trees stand in the left foreground while a tall shrub is visible farther back to the right, under which a chicken can be seen. The cloister is visible in the background, a long adobe building with a terracotta-tiled roof. Its spackle is coming off in stops and a roof beam appears to be leaning against it to the left of center. A stack of trimmed lumber is partially visible to the right. Mountains are visible in the right distance. The ground in front appears dry, and is covered with debris.
DOI: 10.25549/chs-m16677
title: Exterior view of the Mission San Juan Bautista, showing the garden entrance, ca.1900

description: Photograph of an exterior view of the Mission San Juan Bautista, showing the garden entrance, ca.1900. A two-tiered adobe stands in the background, a paved path lined with bushes and trees in the foreground leading towards its door. Two pillar-like bushes stand to either side in front of the main door to the adobe, whose roof is covered with terracotta tiles. A second floor to the adobe can be seen to the right, extending out from the main one-story roof. Trees can be seen to the right of the foreground path, along a crossing path. A wooden chair leans against one of them.
DOI: 10.25549/chs-m7068
title: Birdseye view of the Mission Ventura, ca.1870

description: Photograph of a birdseye view of the Mission Ventura, ca.1870. The adobe buildings of the mission are pictured from behind, the L-shaped one-story cloisters in the foreground having lost most of their spackle. A kiln stands in front of them to the left, with two grain wheel situated a little farther forward in the clearing. The mission's church can be seen in the background, a two-story long adobe with a shingled roof. Its tiered bell tower can be seen to the right of center. The Schiappapietra house can be seen to the left of center in the town. The ocean is visible in the distance.
DOI: 10.25549/chs-m17978
title: Panoramic view of San Luis Obispo, ca.1900

description: Photograph of a panoramic view of San Luis Obispo, ca.1900. A single mountain peak stands directly at center in the background, with the town spread out below it, full of one- to two-story residential houses. The bell tower of a school or mission is visible to the left of center, while a three-story building that appears to be a hotel stands off from the rest to the right of center. Cleared cropland is pictured in the foreground.
DOI: 10.25549/chs-m14650
title: Pima Indian woman carrying her baby on her back, Gila River Reservation, ca.1902

description: Photograph of Pima Indian woman carrying her baby on her back, Gila River Reservation, ca.1902. The woman can be seen from head to toe and is facing left with her head turned to face straight ahead. She is wearing a long dress with two different patterns on it. She has bangs, and her baby is strapped to her back. A few scattered trees, a house or two, scrub brush, and distant mountains are visible in the blurry background.