cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10318993
title: COADS_203-5

description: This is a diagnostic biface collected in Pickaway County, Ohio.
Material Type: Delaware

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Sidney Travis, and Michael Shott, 2017. COADS_203-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318994
title: COADS_203-5

description: This is a diagnostic biface collected in Pickaway County, Ohio.
Material Type: Delaware

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Sidney Travis, and Michael Shott, 2017. COADS_203-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318995
title: Neolithic pottery piece

description: A small pottery piece from the dólmen of Torais. This is Monument erected between the end of the IV and beginning of the third millennium a.C., which some authors attribute to the so-called "eborense megalithism". This dólmen has a polygonal 6-stone chamber and a roofing slab in situ. There are no traces of a corridor, although there are still fragments of the mamoa. The dólmen was, in the 20th century, reinforced with masonry.
According to the habitantes of the region, up to the 60's of the 20th century, the dólmen was used by a shoemaker who wielded his craft in it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318996
title: Neolithic pottery piece

description: A small pottery piece from the dólmen of Torais. This is Monument erected between the end of the IV and beginning of the third millennium a.C., which some authors attribute to the so-called "eborense megalithism". This dólmen has a polygonal 6-stone chamber and a roofing slab in situ. There are no traces of a corridor, although there are still fragments of the mamoa. The dólmen was, in the 20th century, reinforced with masonry.
According to the habitantes of the region, up to the 60's of the 20th century, the dólmen was used by a shoemaker who wielded his craft in it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318998
title: Bust of the Ancient Greek Philosopher Socrates

description: Model created for digitization as part of the course "Digitization Technologies, Techniques and Applications" of the Digital Humanities MSc Program of Athens University of Economics and Business. During the creation process I used Autodesk ReCap software.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318997
title: Bust of the Ancient Greek Philosopher Socrates

description: Model created for digitization as part of the course "Digitization Technologies, Techniques and Applications" of the Digital Humanities MSc Program of Athens University of Economics and Business. During the creation process I used Autodesk ReCap software.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319000
title: Pinzgauer Stier

description: Pinzgauer bull at the former slaughterhouse in St. Marx, Vienna. The main gate to the slaughterhouse grounds is flanked by two monumental bull figures. On the left side there is a Hungarian Grey, on the right side a Pinzgauer breed in slaughter situation. The stone bulls were created by sculptor Anton Schmidgruber and date from 1883. In 2014 the 7 1/2 metre high monuments made of Hungarian sandstone were restored.

The slaughterhouse Sankt Marx was the largest slaughterhouse in Vienna and therefore important for the meat supply of the city. At first, slaughtering in Vienna took place mainly on bridges over the Danube Canal. There, blood and slaughterhouse waste could be easily disposed of. The slaughterhouse was built between 1846 and 1848, but was not put into operation until 1851 after the revolution in the Austrian Empire. 

The Pinzgauer breed is considered endangered, and the population decreases about 10% per year. Worldwide there were around 1.3 million.

![](https://wien.noe-3d.at/SF/pinzg.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318999
title: Pinzgauer Stier

description: Pinzgauer bull at the former slaughterhouse in St. Marx, Vienna. The main gate to the slaughterhouse grounds is flanked by two monumental bull figures. On the left side there is a Hungarian Grey, on the right side a Pinzgauer breed in slaughter situation. The stone bulls were created by sculptor Anton Schmidgruber and date from 1883. In 2014 the 7 1/2 metre high monuments made of Hungarian sandstone were restored.

The slaughterhouse Sankt Marx was the largest slaughterhouse in Vienna and therefore important for the meat supply of the city. At first, slaughtering in Vienna took place mainly on bridges over the Danube Canal. There, blood and slaughterhouse waste could be easily disposed of. The slaughterhouse was built between 1846 and 1848, but was not put into operation until 1851 after the revolution in the Austrian Empire. 

The Pinzgauer breed is considered endangered, and the population decreases about 10% per year. Worldwide there were around 1.3 million.

![](https://wien.noe-3d.at/SF/pinzg.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319001
title: Residential complex of Chamko

description: 3D photogrammetric model of the Residential complex of Chamko in Konitsa

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319002
title: Residential complex of Chamko

description: 3D photogrammetric model of the Residential complex of Chamko in Konitsa

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319003
title: Parthenon - Acropolis, Athens Greece

description: Parthenon temple, Acropolis in Athens Greece.
I created the model of the temple and the landscape with Agisoft Photoscan trial using a drone video. Fixes of the geometries and texture maps were done in ZBrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319004
title: Parthenon - Acropolis, Athens Greece

description: Parthenon temple, Acropolis in Athens Greece.
I created the model of the temple and the landscape with Agisoft Photoscan trial using a drone video. Fixes of the geometries and texture maps were done in ZBrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319005
title: Cozy armchair

description: 50 thousand polygons (the cover can be removed)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319006
title: Cozy armchair

description: 50 thousand polygons (the cover can be removed)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319007
title: 水神碑

description: [水神碑](https://www.city.edogawa.tokyo.jp/e016/sports/kankomidokoro/edogawa100/edogawarashisa/rekishi/127suijinhi.html)

江戸時代より水不足で苦しんでいたこの地で、小岩田村の石井善兵衛を中心に附近の村民が力を合わせて江戸川から水を引く工事を行いました。その遺功をたたえた水神碑が今も残されています。

![](https://pbs.twimg.com/media/FTZpyC_aIAI0yuu?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319008
title: 水神碑

description: [水神碑](https://www.city.edogawa.tokyo.jp/e016/sports/kankomidokoro/edogawa100/edogawarashisa/rekishi/127suijinhi.html)

江戸時代より水不足で苦しんでいたこの地で、小岩田村の石井善兵衛を中心に附近の村民が力を合わせて江戸川から水を引く工事を行いました。その遺功をたたえた水神碑が今も残されています。

![](https://pbs.twimg.com/media/FTZpyC_aIAI0yuu?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319009
title: Megalithic Tomb from "Schmietkow", Germany

description: Created from around 1200 Imges using Meshroom, Blender, Gimp and Instant Meshes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319010
title: Megalithic Tomb from "Schmietkow", Germany

description: Created from around 1200 Imges using Meshroom, Blender, Gimp and Instant Meshes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319013
title: Hafted Knife. XCB-105-1150

description: Hafted Knife. XCB-105-1150. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319014
title: Hafted Knife. XCB-105-1150

description: Hafted Knife. XCB-105-1150. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319015
title: Petroglifo Fonte da Anella

description: Modelo tridimensional con textura del Petroglifo Fonte da Anella (Bermés, Lalín) para Proxecto Monte do Carrio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319016
title: Petroglifo Fonte da Anella

description: Modelo tridimensional con textura del Petroglifo Fonte da Anella (Bermés, Lalín) para Proxecto Monte do Carrio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319017
title: Pieza 2

description: Pieza del Museo de Arqueología de Bilbao

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319018
title: Pieza 2

description: Pieza del Museo de Arqueología de Bilbao

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319019
title: Crucea de la Puțul Moaștelor

description: Crucea se află lângă localitatea Gherghița, com. Gherghița, jud. Prahova, pe un teren viran, culcată/trântită la pământ cu faţa. A fost dărămată cu scopul de o muta, probabil. Mai multe informații găsiți aici:
https://monumentelarascruce.ro/gherghita-jud-prahova-cruce-6/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319020
title: Crucea de la Puțul Moaștelor

description: Crucea se află lângă localitatea Gherghița, com. Gherghița, jud. Prahova, pe un teren viran, culcată/trântită la pământ cu faţa. A fost dărămată cu scopul de o muta, probabil. Mai multe informații găsiți aici:
https://monumentelarascruce.ro/gherghita-jud-prahova-cruce-6/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319022
title: ROI018-316-01

description: Projectile point collected in Jay County, Indiana.

Catalog # 12-Ja-274-25

Uploaded by: Reganne O'Connor

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-316-01, 3D Model .ply file. Recovered as part of Report of Investigations # 18, *An Archaeological Survey of Jay County*, Indiana, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319021
title: ROI018-316-01

description: Projectile point collected in Jay County, Indiana.

Catalog # 12-Ja-274-25

Uploaded by: Reganne O'Connor

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-316-01, 3D Model .ply file. Recovered as part of Report of Investigations # 18, *An Archaeological Survey of Jay County*, Indiana, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319023
title: Herkules

description: Baroque statue of the Greek hero Heracles in the Zellpark in Perchtoldsdorf. The son of Zeus and Alcmene is dressed in a lion's skin. His right hand rests on the club, a snake is wrapped around his left hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319024
title: Herkules

description: Baroque statue of the Greek hero Heracles in the Zellpark in Perchtoldsdorf. The son of Zeus and Alcmene is dressed in a lion's skin. His right hand rests on the club, a snake is wrapped around his left hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319025
title: 縄文中期後半深鉢形土器(飯田市垣外遺跡)上2 観察記録3Dモデル

description: 縄文中期後半深鉢形土器(飯田市垣外遺跡)上2 観察記録3Dモデル 
撮影場所:飯田市上郷考古博物館 
撮影月日:2019.09.25 
整理番号:上2
展示説明:垣外遺跡土坑82出土 結節縄文という模様がついています。
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 22 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319026
title: 縄文中期後半深鉢形土器(飯田市垣外遺跡)上2 観察記録3Dモデル

description: 縄文中期後半深鉢形土器(飯田市垣外遺跡)上2 観察記録3Dモデル 
撮影場所:飯田市上郷考古博物館 
撮影月日:2019.09.25 
整理番号:上2
展示説明:垣外遺跡土坑82出土 結節縄文という模様がついています。
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 22 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319027
title: Hardknott Roman Fort granaries

description: One of the most remote and dramatically sited Roman forts in Britain, the small, three-acre fort at Hardknott (Cumbria, UK) enjoyed command of the Eskdale Valley and the Roman road to Ravenglass. The fort was established early in the second century AD.

All forts were provided with granaries to store the grain which formed the main part of the soldiers diet. The model shows two granary buildings. They have thick outer walls, presumably to support the weight of their superstructure and slate roofs. They had raised wooden floors to keep the grain dry, supported on still visible piers.

https://www.english-heritage.org.uk/visit/places/hardknott-roman-fort/history/

The model was created from 419 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319028
title: Hardknott Roman Fort granaries

description: One of the most remote and dramatically sited Roman forts in Britain, the small, three-acre fort at Hardknott (Cumbria, UK) enjoyed command of the Eskdale Valley and the Roman road to Ravenglass. The fort was established early in the second century AD.

All forts were provided with granaries to store the grain which formed the main part of the soldiers diet. The model shows two granary buildings. They have thick outer walls, presumably to support the weight of their superstructure and slate roofs. They had raised wooden floors to keep the grain dry, supported on still visible piers.

https://www.english-heritage.org.uk/visit/places/hardknott-roman-fort/history/

The model was created from 419 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319029
title: Console des Grands Appartements, Salon d'Apollon

description: L'omniprésence des motifs à caractère martial pourrait éventuellement évoquer un commanditaire gravitant parmi les hauts officiers au service de la Couronne, mais ils ne leur étaient pas obligatoirement réservés. En effet, une des expressions du néoclassicisme durant les années 1780 faisait appel à un vocabulaire ornemental inspiré du répertoire militaire tiré de l'antique. Mêlant faisceaux de licteurs, casques, trophées ou masses d'armes, figure d'Hercule ou mufle de lion, mais aussi des ornements floraux symboliques comprenant principalement chêne, laurier et olivier, cette source d'inspiration fut adoptée avec plus ou moins de bonheur par des artistes comme Jean Charles Delafosse, Richard de Lalonde, Jean Démosthène Dugourc ou François Joseph Belanger.

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319030
title: Console des Grands Appartements, Salon d'Apollon

description: L'omniprésence des motifs à caractère martial pourrait éventuellement évoquer un commanditaire gravitant parmi les hauts officiers au service de la Couronne, mais ils ne leur étaient pas obligatoirement réservés. En effet, une des expressions du néoclassicisme durant les années 1780 faisait appel à un vocabulaire ornemental inspiré du répertoire militaire tiré de l'antique. Mêlant faisceaux de licteurs, casques, trophées ou masses d'armes, figure d'Hercule ou mufle de lion, mais aussi des ornements floraux symboliques comprenant principalement chêne, laurier et olivier, cette source d'inspiration fut adoptée avec plus ou moins de bonheur par des artistes comme Jean Charles Delafosse, Richard de Lalonde, Jean Démosthène Dugourc ou François Joseph Belanger.

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319031
title: F70 Figurin Del B

description: Sannolikt fot till figurin fnr 17.

Fynd från den arkeologiska undersökningen av stenåldersboplatsen i Tråsättra i Österåker 2016. Läs mer om projektet här: Osteraker.se/saljagarna

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319032
title: F70 Figurin Del B

description: Sannolikt fot till figurin fnr 17.

Fynd från den arkeologiska undersökningen av stenåldersboplatsen i Tråsättra i Österåker 2016. Läs mer om projektet här: Osteraker.se/saljagarna

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319033
title: Pseudotoucasia santanderensis

description: **Ejemplar:** *Pseudotoucasia santanderensis* 
**Edad:** Cretácico
**Localidad:** 
**Descripción:** ejemplar de valva original derecha de un bivalvo ostreido preservada en calcita y con evidencias de perforaciones de bivalvos litófagos.
**Dimensión ejemplar:**  cm. longitud máxima
**Sigla museo, colección y entidad:** MGUV , colección bivalvos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 106 Mb , textura JPG 7,4 Mb
**Autor digitalización:** Jose A. Villena
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319034
title: Pseudotoucasia santanderensis

description: **Ejemplar:** *Pseudotoucasia santanderensis* 
**Edad:** Cretácico
**Localidad:** 
**Descripción:** ejemplar de valva original derecha de un bivalvo ostreido preservada en calcita y con evidencias de perforaciones de bivalvos litófagos.
**Dimensión ejemplar:**  cm. longitud máxima
**Sigla museo, colección y entidad:** MGUV , colección bivalvos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 106 Mb , textura JPG 7,4 Mb
**Autor digitalización:** Jose A. Villena
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319035
title: 9stone-right5 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд 9 верхний 

Порядок: 5
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 9stone-right5

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319036
title: 9stone-right5 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд 9 верхний 

Порядок: 5
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 9stone-right5

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319039
title: AR007-057-07

description: Projectile Point collected in Randolph County, Indiana.

Catalog # 12-R-57-8-A

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Reganne O'Connor, and Kevin C. Nolan, 2021. AR007-057-07, 3D Model .ply file. Recovered as part of Archaeological Report 7, *Archaeological Survey of Randolph County, Indiana from 1968 and 1969*, By Ben Morris, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319040
title: AR007-057-07

description: Projectile Point collected in Randolph County, Indiana.

Catalog # 12-R-57-8-A

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Reganne O'Connor, and Kevin C. Nolan, 2021. AR007-057-07, 3D Model .ply file. Recovered as part of Archaeological Report 7, *Archaeological Survey of Randolph County, Indiana from 1968 and 1969*, By Ben Morris, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319041
title: Plow graffiti in Villarrubia de los Ojos Jail

description: The 18th century jail of Villarrubia de los Ojos, built on the ground floor of the old City Hall building, is located in the center of the town of Villarrubia de los Ojos (Ciudad Real, Spain). As in other jails of the same period, the walls of some cells contain engravings (graffiti). Among all of them here it is possible to distinguish a plow. The representation of a plow is probably related to the fact that in the 18th century in this area most of the workers were farmers.

3D model made in Reality Capture using 60 images. Additional processing completed in Geomagic Wrap, Zbrush, Substance Designer, and Blender.

Bibliography: 
López-Menchero, V.M. et al. (2020): "Los graffiti carcelarios de la Edad Media y Moderna en la provincia de Ciudad Real: Un estudio comparado", in De los controles disciplinarios a los controles securitarios: Actas del II Congreso Internacional sobre la Historia de la Prisión y las Instituciones Punitivas, pp. 37-54.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10319042
title: Plow graffiti in Villarrubia de los Ojos Jail

description: The 18th century jail of Villarrubia de los Ojos, built on the ground floor of the old City Hall building, is located in the center of the town of Villarrubia de los Ojos (Ciudad Real, Spain). As in other jails of the same period, the walls of some cells contain engravings (graffiti). Among all of them here it is possible to distinguish a plow. The representation of a plow is probably related to the fact that in the 18th century in this area most of the workers were farmers.

3D model made in Reality Capture using 60 images. Additional processing completed in Geomagic Wrap, Zbrush, Substance Designer, and Blender.

Bibliography: 
López-Menchero, V.M. et al. (2020): "Los graffiti carcelarios de la Edad Media y Moderna en la provincia de Ciudad Real: Un estudio comparado", in De los controles disciplinarios a los controles securitarios: Actas del II Congreso Internacional sobre la Historia de la Prisión y las Instituciones Punitivas, pp. 37-54.

Source: Objaverse 1.0 / Sketchfab