cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10262238
title: Casa Pittner

description: Pittner Haus in Resita

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262239
title: Rocky cave entrance

description: 3D model of the Hohlenstein-Stadel cave entrance (Swabian Jura, Germany), under the belly of a mammoth shaped rock, which has undoubtedly been visible since prehistoric times. Photogrammetry processing 27 images taken by Nature-Témoin in april 2022. Top info has not been acquired neither processed, since humans have only seen this rock from the bottom up.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262240
title: Rocky cave entrance

description: 3D model of the Hohlenstein-Stadel cave entrance (Swabian Jura, Germany), under the belly of a mammoth shaped rock, which has undoubtedly been visible since prehistoric times. Photogrammetry processing 27 images taken by Nature-Témoin in april 2022. Top info has not been acquired neither processed, since humans have only seen this rock from the bottom up.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262245
title: Saviastia

description: Saviastia on ajoitettu noin nuorakeraamiseen kulttuuriin 2800–2000 eaa. Astia on muutoin sileä, mutta sen yläreunassa on koristeena nuorakeramiikalle tyypillinen siro nuorakuviointi ja pienet painanteet. Pohjassa on lisäksi pyöreä sädekuvio. Astian halkaisija on suurimmillaan noin 11,9 cm ja korkeus 9,4 cm. Astian kyljessä on ohuita halkeamia. Nuorakeraaminen astia on löydetty Helsingin pitäjästä Kårbölestä vuonna 1939. Paikallinen työmies oli löytänyt esineen ajaessaan hiekkaa hiekkakuopasta ja tuonut sen Kansallismuseoon. Astia on todennäköisesti peräisin haudasta, joita alueella on useita noin puolen metrin syvyydessä.

Saviastia on esillä Kansallismuseon esihistorian näyttelyssä.

Malli on tehty 3D-skannaamalla.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262246
title: Saviastia

description: Saviastia on ajoitettu noin nuorakeraamiseen kulttuuriin 2800–2000 eaa. Astia on muutoin sileä, mutta sen yläreunassa on koristeena nuorakeramiikalle tyypillinen siro nuorakuviointi ja pienet painanteet. Pohjassa on lisäksi pyöreä sädekuvio. Astian halkaisija on suurimmillaan noin 11,9 cm ja korkeus 9,4 cm. Astian kyljessä on ohuita halkeamia. Nuorakeraaminen astia on löydetty Helsingin pitäjästä Kårbölestä vuonna 1939. Paikallinen työmies oli löytänyt esineen ajaessaan hiekkaa hiekkakuopasta ja tuonut sen Kansallismuseoon. Astia on todennäköisesti peräisin haudasta, joita alueella on useita noin puolen metrin syvyydessä.

Saviastia on esillä Kansallismuseon esihistorian näyttelyssä.

Malli on tehty 3D-skannaamalla.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262247
title: Saint Ambrose in His Study - Tamara de Campos

description: Saint Ambrose in His Study, ca. 1500. wood with traces of paint. [The Met Fifth Avenue, New York, Gallery 305](https://www.metmuseum.org/art/collection/search/464610).  [San Hipólito de Támara de Campos](https://es.wikipedia.org/wiki/Iglesia_de_San_Hip%C3%B3lito_el_Real_(T%C3%A1mara_de_Campos)), Palencia. 
 ![](http://imgfz.com/i/1PyBfW9.jpeg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262248
title: Saint Ambrose in His Study - Tamara de Campos

description: Saint Ambrose in His Study, ca. 1500. wood with traces of paint. [The Met Fifth Avenue, New York, Gallery 305](https://www.metmuseum.org/art/collection/search/464610).  [San Hipólito de Támara de Campos](https://es.wikipedia.org/wiki/Iglesia_de_San_Hip%C3%B3lito_el_Real_(T%C3%A1mara_de_Campos)), Palencia. 
 ![](http://imgfz.com/i/1PyBfW9.jpeg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262251
title: Oil Lamp

description: Oil

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262252
title: Oil Lamp

description: Oil

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262255
title: Nämforsen, Laxön B2, Ådals-Liden 193:1

description: Nämforsen, Laxön, Hallström_B2, Ådals-Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262256
title: Nämforsen, Laxön B2, Ådals-Liden 193:1

description: Nämforsen, Laxön, Hallström_B2, Ådals-Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262257
title: Green New Jersey Union City Trash Container

description: Green trash container,with a few graffiti at alley way access to the mall

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262258
title: Green New Jersey Union City Trash Container

description: Green trash container,with a few graffiti at alley way access to the mall

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262259
title: Bison Skull

description: Bison Skull

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262260
title: Bison Skull

description: Bison Skull

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262263
title: Bute, Muclich Hill 3

description: Panel located 9m NNW of Rock Art Stone Muclich 1,Isle of Bute. NW of Bloomery. There is a small view through hills to west of Ascog Loch, Millhouse and church at Tighnabruaich. Through another gap to NNW a view across West Kyle of Bute.
To the SSW there is a lower area of bog which is drained by Laggan Burn.
The area with the Rock Art lies on a SW slope of Muclich with the pass between the two hills leading NE to the Bull Loch.
Photography Patrick O'Sullivan, Bute Museum & NHS, ScRAP and Rock Art Bute Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262264
title: Bute, Muclich Hill 3

description: Panel located 9m NNW of Rock Art Stone Muclich 1,Isle of Bute. NW of Bloomery. There is a small view through hills to west of Ascog Loch, Millhouse and church at Tighnabruaich. Through another gap to NNW a view across West Kyle of Bute.
To the SSW there is a lower area of bog which is drained by Laggan Burn.
The area with the Rock Art lies on a SW slope of Muclich with the pass between the two hills leading NE to the Bull Loch.
Photography Patrick O'Sullivan, Bute Museum & NHS, ScRAP and Rock Art Bute Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262265
title: Paris catacombs - The Crossroad of Death (2)

description: The Crossroad of Death (in French: *Le Carrefour des Morts*) is one of the most impressive places out of the 200 miles of galleries, rooms and chambers. It's made of two curved tunnel travels completely around, forming a rotunda with passages radiating from it in a wheel-spoke fashion.

Larger ring scanned with Scaniverse: https://skfb.ly/o66Io

The area is full of bones and some other galeries are still around, sealed forever. Thousands of bodies from where moved here from different origins: anonymous graves of the Montparnasse cemetery (above), bodies found during road work in Paris, and a cholera epidemic. 

An estimated six million dead bodies lie in the catacombs of Paris.

![](http://gakuran.com/eng/wp-content/uploads/2011/01/paris-catacombs24.jpg)

Scanned with the iPhone12 Pro and Polycam. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262266
title: Paris catacombs - The Crossroad of Death (2)

description: The Crossroad of Death (in French: *Le Carrefour des Morts*) is one of the most impressive places out of the 200 miles of galleries, rooms and chambers. It's made of two curved tunnel travels completely around, forming a rotunda with passages radiating from it in a wheel-spoke fashion.

Larger ring scanned with Scaniverse: https://skfb.ly/o66Io

The area is full of bones and some other galeries are still around, sealed forever. Thousands of bodies from where moved here from different origins: anonymous graves of the Montparnasse cemetery (above), bodies found during road work in Paris, and a cholera epidemic. 

An estimated six million dead bodies lie in the catacombs of Paris.

![](http://gakuran.com/eng/wp-content/uploads/2011/01/paris-catacombs24.jpg)

Scanned with the iPhone12 Pro and Polycam. Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs: [link](https://sketchfab.com/edemaistre/collections)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262267
title: La ilusión de la Materia - Chile - 2019 - 33

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262268
title: La ilusión de la Materia - Chile - 2019 - 33

description: Public sculpture after october 18, 2019, Santiago of Chile.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262269
title: Folding images

description: Folding images, around 1900, chromolithography. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262270
title: Folding images

description: Folding images, around 1900, chromolithography. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262271
title: Street scan

description: Photogrammetry of a street in Karem el Zeytoun

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262272
title: Street scan

description: Photogrammetry of a street in Karem el Zeytoun

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262273
title: Burnt church entrance

description: Mognisi St. George Church, an Armenian church in Tbilisi.
[Location](https://goo.gl/maps/M1MPHvqiFnFfEh777)

Shot on Sony RX100mk6

Processed with Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262274
title: Burnt church entrance

description: Mognisi St. George Church, an Armenian church in Tbilisi.
[Location](https://goo.gl/maps/M1MPHvqiFnFfEh777)

Shot on Sony RX100mk6

Processed with Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262275
title: 縄文中期 深鉢(清瀬市) 観察記録3Dモデル

description: 縄文中期 深鉢(清瀬市) 観察記録3Dモデル
撮影場所:清瀬市郷土博物館 
撮影月日:2020.01.17 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 36 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262276
title: 縄文中期 深鉢(清瀬市) 観察記録3Dモデル

description: 縄文中期 深鉢(清瀬市) 観察記録3Dモデル
撮影場所:清瀬市郷土博物館 
撮影月日:2020.01.17 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 36 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262277
title: Jue wine vessel, 12th–11th century BCE

description: Jue wine vessel, 12th–11th century BCE, now in the collection of the Minneapolis Institute of Art.

From artsmia.org:
*'This jue is typical of the late Shang dynasty. The vessel's large bowl counterbalances the slender, spreading legs. Unusually, the taotie (composite animal) mask around the bowl's waist is blown open, that is, the mask's principal components are disconnected, its horns, shield, and C-shaped mouth line are so filled with spirals that they almost merge with the similarly decorated background. The deconstructed taotie was a new fashion, just beginning to appear in the late period of the Shang dynasty. A cow-like animal head decorates the top of the handle, and whorls appear on the tops of the two small posts standing on the rim.'*

More information:
https://collections.artsmia.org/art/1146/jue-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262278
title: Jue wine vessel, 12th–11th century BCE

description: Jue wine vessel, 12th–11th century BCE, now in the collection of the Minneapolis Institute of Art.

From artsmia.org:
*'This jue is typical of the late Shang dynasty. The vessel's large bowl counterbalances the slender, spreading legs. Unusually, the taotie (composite animal) mask around the bowl's waist is blown open, that is, the mask's principal components are disconnected, its horns, shield, and C-shaped mouth line are so filled with spirals that they almost merge with the similarly decorated background. The deconstructed taotie was a new fashion, just beginning to appear in the late period of the Shang dynasty. A cow-like animal head decorates the top of the handle, and whorls appear on the tops of the two small posts standing on the rim.'*

More information:
https://collections.artsmia.org/art/1146/jue-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262280
title: World's Oldest Ham (VCU_3D_3709)

description: The world's oldest ham dates to 1902 and is on continuous exhibit at the Isle of Wight County Museum in Smithfield, Virginia. You can learn more about the ham and view it 24 hours every day on Ham Cam (https://www.historicisleofwight.com/). The ham was 3D scanned on June 27, 2018 with a Go!Scan 50. The reflectivness of the ham's brass tag prevented it from being properly scanned and so it i s not part of this model.  Courtesy of the Isle of Wight County Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262279
title: World's Oldest Ham (VCU_3D_3709)

description: The world's oldest ham dates to 1902 and is on continuous exhibit at the Isle of Wight County Museum in Smithfield, Virginia. You can learn more about the ham and view it 24 hours every day on Ham Cam (https://www.historicisleofwight.com/). The ham was 3D scanned on June 27, 2018 with a Go!Scan 50. The reflectivness of the ham's brass tag prevented it from being properly scanned and so it i s not part of this model.  Courtesy of the Isle of Wight County Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262281
title: Neolithic Ground and Polished Axehead

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Dolerite Dims: L 11.7cm, W 7.3cm Accession No: HCA 123 Current Location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). This [axe](http://vocab.getty.edu/page/aat/300024664) weighs 478g, has a symmetrical cross-section, damaged edges, asymmetrical blade and rounded, almost flat butt. The blade, sides, butt and faces are ground and polished. The sides are slightly splayed. The edge is heavily chipped, worn and blunted. The findspot is [Rockbarton Bog](https://www.logainm.ie/en/30685), [Lough Gur](https://www.logainm.ie/en/1166374?s=Lough+Gur), Limerick. Dolerite predominantly comes from the [north-east](https://www.logainm.ie/en/61855?s=Ballyvoy) of Ireland. [More](https://www.huntmuseum.com/explore/item/abc9c741-7a8e-31e8-a5a5-e43abffec9bc/?s%3DHCA+123&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262282
title: Neolithic Ground and Polished Axehead

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Dolerite Dims: L 11.7cm, W 7.3cm Accession No: HCA 123 Current Location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). This [axe](http://vocab.getty.edu/page/aat/300024664) weighs 478g, has a symmetrical cross-section, damaged edges, asymmetrical blade and rounded, almost flat butt. The blade, sides, butt and faces are ground and polished. The sides are slightly splayed. The edge is heavily chipped, worn and blunted. The findspot is [Rockbarton Bog](https://www.logainm.ie/en/30685), [Lough Gur](https://www.logainm.ie/en/1166374?s=Lough+Gur), Limerick. Dolerite predominantly comes from the [north-east](https://www.logainm.ie/en/61855?s=Ballyvoy) of Ireland. [More](https://www.huntmuseum.com/explore/item/abc9c741-7a8e-31e8-a5a5-e43abffec9bc/?s%3DHCA+123&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262283
title: Scorhill

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262284
title: Scorhill

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262287
title: Battistero Francenigo

description: Battistero cinquecentesco con portelle lignee dipinte, sopralluogo.

Rilievo preliminare con fotogrammi da video con smartphone XIAOMI MI10.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262288
title: Battistero Francenigo

description: Battistero cinquecentesco con portelle lignee dipinte, sopralluogo.

Rilievo preliminare con fotogrammi da video con smartphone XIAOMI MI10.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262292
title: Scroll

description: Scroll of Paper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262291
title: Scroll

description: Scroll of Paper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262294
title: Spear Bearer - Low Poly

description: Low Poly version of [Doryphoros](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc) from SMK – National Gallery of Denmark

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262293
title: Spear Bearer - Low Poly

description: Low Poly version of [Doryphoros](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc) from SMK – National Gallery of Denmark

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262297
title: Street art-ed Louvre

description: Quite proud of myself for this 3D scan vandalization !

![Imgur](https://i.imgur.com/DUxMAGj.jpg)

[Original Object](https://skfb.ly/DuwG) (2M tris) from Benoit Rogez.

The statues were extracted from the original high resolution mesh by quickly cutting them in blender. They were then roughly remeshed with mmgs to get smooth surfaces.

The room model (very basic) was made from the original scan, trying to stick to the main dimensions. More elements should have been added to add to the sense of realism, and more complex materials than just basic textures should have been used to break the surfaces uniformity. Dirt and beer cans on the ground would have been appropriate too...

However the graphs look fine, but much artifacts remain on normal mapping + texture bleeding between UV seams.

Textures are 4K, and the model is not optimized at all, so the loading time might get a bit long...

Plus: I need to make more screenshots.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262298
title: Street art-ed Louvre

description: Quite proud of myself for this 3D scan vandalization !

![Imgur](https://i.imgur.com/DUxMAGj.jpg)

[Original Object](https://skfb.ly/DuwG) (2M tris) from Benoit Rogez.

The statues were extracted from the original high resolution mesh by quickly cutting them in blender. They were then roughly remeshed with mmgs to get smooth surfaces.

The room model (very basic) was made from the original scan, trying to stick to the main dimensions. More elements should have been added to add to the sense of realism, and more complex materials than just basic textures should have been used to break the surfaces uniformity. Dirt and beer cans on the ground would have been appropriate too...

However the graphs look fine, but much artifacts remain on normal mapping + texture bleeding between UV seams.

Textures are 4K, and the model is not optimized at all, so the loading time might get a bit long...

Plus: I need to make more screenshots.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262301
title: Carved Bone Artifact, Seminole County, FL

description: Made from a modified deer radius, this artifact features an intricately carved geometric pattern along with two large circular perforations. Based on complete examples from other sites in the region, the broken off portion was likely ground into a sharpened point, forming a dagger-like tool with an unknown function. This example was recovered from a site in the Little Big Econ State Forest in Seminole County, Florida. It is currently curated in the Rollins College Archaeology Lab. 

Model by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262302
title: Carved Bone Artifact, Seminole County, FL

description: Made from a modified deer radius, this artifact features an intricately carved geometric pattern along with two large circular perforations. Based on complete examples from other sites in the region, the broken off portion was likely ground into a sharpened point, forming a dagger-like tool with an unknown function. This example was recovered from a site in the Little Big Econ State Forest in Seminole County, Florida. It is currently curated in the Rollins College Archaeology Lab. 

Model by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262303
title: ROI013-293-01

description: Projectile Point collected in Miami County, Indiana.

Catalog # 12-Mi-203-15

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez and Kevin C. Nolan, 2022. ROI013-293-01, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*	, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262304
title: ROI013-293-01

description: Projectile Point collected in Miami County, Indiana.

Catalog # 12-Mi-203-15

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez and Kevin C. Nolan, 2022. ROI013-293-01, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*	, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262313
title: KE043-013003- High Cross - Rinn Chonaill

description: Calluragh burial ground/An Cheallúnach: KE043-013001- is located on a very gentle S facing slope at the head of the broad valley that extends N from Dingle Harbour. It consists of a subrectangular enclosure, within which are a burial ground, a large stone cross and remains of a possible hut.

Within the burial area is the stone cross (KE043-013003-) which stands 1.72m high above its modern base. On its SSE face is inscribed a large Latin cross with T-bar terminals, the crossing of arms and shaft surrounded by 2 large concentric circles.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262314
title: KE043-013003- High Cross - Rinn Chonaill

description: Calluragh burial ground/An Cheallúnach: KE043-013001- is located on a very gentle S facing slope at the head of the broad valley that extends N from Dingle Harbour. It consists of a subrectangular enclosure, within which are a burial ground, a large stone cross and remains of a possible hut.

Within the burial area is the stone cross (KE043-013003-) which stands 1.72m high above its modern base. On its SSE face is inscribed a large Latin cross with T-bar terminals, the crossing of arms and shaft surrounded by 2 large concentric circles.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262317
title: Galdós

description: Descarga para usarlo en todo tipo de trabajos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262318
title: Galdós

description: Descarga para usarlo en todo tipo de trabajos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262327
title: 8826 Nașterea Domnului

description: **8826 Nașterea Domnului**
Datare: a doua jumătate a secolului al XIX-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; lipirea pe alocuri a hârtiei
argintate folosite drept fundal; rama de esență rășinoasă, profilată și vopsită.
Dimensiuni: 44 cm x 38,2 cm.

** 8826 The Nativity **
Dating: second half of the 19th century
Center: Lancrăm
Material / Technique: Ink drawn on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; gluing the paper in places
silverware used as a background; resinous, profiled and painted frame.
Dimensions: 44 cm x 38.2 cm.

Source: Objaverse 1.0 / Sketchfab