cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m13627
title: Portrait drawing of Colonel John Charles Fremont as he looked on his first trip across the continent in 1824, [s.d.]

description: Photograph of a portrait drawing of Colonel John Charles Fremont as he looked on his first trip across the continent in 1824, [s.d.]. Fremont is shown from his upper torso to his head and is facing to the right. He is wearing a civilian greatcoat, a white shirt and a dark tie. He has a thin beard and mustache and his curly hair is wild and unkempt. The bottom of the picture is embellished with decorative flourishes.
DOI: 10.25549/chs-m13517
title: Portrait of Don Manuel Cota, [s.d.]

description: Photographic portrait of Don Manuel Cota, [s.d.]. He is pictured from his torso to his head and is facing straight ahead. He is wearing a dark suit, dark vest, dark tie, and white shirt. He is old and has thinning white hair and a white moustache and goatee. He is thin and has large ears and sunken eyes. His home was on the west side of Main Street between First Street and Third Street when the entire district was adobe houses. Picture file card states that:  "He remembers when he was a boy, Colonel John C. Fremont, commanding a party of United States troops, rode up to his house and an orderly asked him if there were any men at home. He replied 'No'. The orderly reported this to Fremont with the comment that he did not believe it and advised searching the house. But Fremont replied, 'It is best not to offend citizens' and they rode away". There were five men hiding away in the rear rooms of the house. The picture file card also states that this information came from Charles Prudholme.
DOI: 10.25549/chs-m11850
title: Stage coach from Vichy Springs at Ukiah, ca.1920

description: Photograph of the stage coach from Vichy Springs at Ukiah, ca.1920. The stage coach is a large four-wheeled vehicle at center. The front is at right and the driver's seat is visible on top. The sides of the coach are open and two white padded benches are visible inside. The words "Vichy Springs" are painted in white on the dark side of the stage below a logo. The stage rests on a slab of concrete and in front of it are several wooden pieces used to hitch up horses. There is a row of tall bushes in the background. The stage was built in 1914 and owned by Ben M. Powers. It was sold to Philip Wrigley of Santa Catalina Island in 1937.
DOI: 10.25549/chs-m14874
title: Grand Canyon, looking east from Grand View Point, 1900-1930

description: Photograph of the Grand Canyon, looking east from Grand View Point, 1900-1930.
DOI: 10.25549/chs-m19298
title: Portrait of the wife of Colonel Thomas who lived at the Casa Figueroa, [s.d.]

description: Photographic portrait of the wife of Colonel Thomas who lived at the Casa Figueroa, [s.d.]. The woman is standing at center and looking at the camera with her body turned slightly to the left and leaning on the back of a sofa. She is wearing a dark dress with lace decorations around the collar and cuffs. Her dark hair is tied in a bun behind her head. The sofa at left is upholstered and a tassel hangs down from the back in front of Mrs. Thomas.
DOI: 10.25549/chs-m19299
title: Portrait of Colonel C. C. Thomas, [s.d.]

description: Photographic portrait of Colonel C. C. Thomas, [s.d.]. The colonel is pictured from his upper torso to his head and is slightly turned to the left. He is wearing a black jacket, black vest, white shirt and a white bowtie. He has a large white goatee and short white hair. He is a heavyset man with narrow eyes. He bought the leases to the Figueroa property, 40 acres in January 1891 from Graft(?) for five thousand dollars. Frank Thomas, his son, married Judge Silent's daughter, Libby, and lived at Bel Air, 1934.
DOI: 10.25549/chs-m19300
title: Exterior view of Mission Purisima Concepcion from the east end, ca.1898

description: Photograph of an exterior view of Mission Purisima Concepcion from the east end, ca.1898. The long adobe structure is at center. The front side, at left, is made up of an adobe colonnade. The side wall at right is missing much of the spackle and most of the adobe bricks are exposed. The roof remains intact over the building except at right, where sunlight can be seen streaming through holes in the roof. There is a tree at left and a narrow dirt road makes its way from the bottom right corner to the left edge.
DOI: 10.25549/chs-m19301
title: Exterior view of the chapel at Mission Soledad, [s.d.]

description: Photograph of an exterior view of the chapel at Mission Soledad, [s.d.]. The dilapidated adobe building is at center. It is a single-story structure with an open doorway at right and an open window at right. The spackle covering the adobe bricks is mostly gone, and the roof is crumbling. There is another building in a similar state of disrepair in the background at right. The ground in front of the buildings is covered in low grass and shrubs.
DOI: 10.25549/chs-m19302
title: Exterior views of Mission Padua from the inner courtyard, ca.1890

description: Photograph of exterior views of Mission Padua from the inner courtyard, ca.1890. The image is a composite of three photographs and the area between them at center is decorated with a drawing of a cross. The image at left shows a long adobe structure with a crumbling terracotta tile roof. There are several bushes in the foreground and a cross on a hill behind the building. Below this image at center is an image of a building with a peaked roof and a cross on top. It is also adobe and there is a tree in the foreground. The final image is in the upper right corner and shows a small adobe building with a doorway at left and plants growing up the side at right. It has a terracotta tile roof. Another building is visible in the background and a window with an arched top is cut into the adobe wall.
DOI: 10.25549/chs-m19304
title: Portrait of Francisco Alvarado, grandfather of Mrs. Fuga(?), [s.d.]

description: Photograph of a portrait of Francisco Alvarado, grandfather of Mrs. Fuga(?), [s.d.]. The man is shown from his upper torso to his head and is looking slightly to the right with his shoulders turned towards the camera. He is wearing a gray suit, gray vest, white shirt and black tie. He has a thick white beard that occupies the bottom half of his face and thinning white hair parted at right.
DOI: 10.25549/chs-m19305
title: Portrait of Mr. Gass Zanjano(?) and Mr. F. M. Slaughter, [s.d.]

description: Photographic portrait of Mr. Gass Zanjano(?) and Mr. F. M. Slaughter, [s.d.]. Mr. Zanjano is seated at left and is turned slightly to the right, although he is looking at the camera. He has his hand in his vest at left. He is wearing a dark suit with a dark vest and a white shirt and black boots. He has a long dark beard and is balding. Mr. Slaughter is seated at right and is turned to the left. He has his legs crossed and is holding a small book in his hands. He is wearing a light suit with a vest, white shirt , dark tie and dark boots. He has a long gray goatee and mustache and his dark hair is slicked back on his head. There is a dark curtain in the background at left.
DOI: 10.25549/chs-m13406
title: Portrait of Barbara Alexander, Julia Slaughter Fuga and Libby Alexander, [s.d.]

description: Photographic portrait of Barbara Alexander, Julia Slaughter Fuga and Libby Alexander, [s.d.]. Barbara is standing at left and is wearing a long white dress with a white shawl draped around her shoulders. Her hands are held across her stomach and her long dark hair is tied behind her head. Julia is sitting at center and wearing a long black dress with a black shawl around her back. Her hand is resting in her lap at left and her long hair is resting down her body at right. Libby is standing at right and is wearing a dark dress with a floral print shawl. Her hair is tied back behind her head. All three women can be seen looking off towards the right. There are archways visible in the background.
DOI: 10.25549/chs-m19309
title: Portrait of Ynez B. De Botillere, [s.d.]

description: Photographic portrait of Ynez B. De Botillere, [s.d.]. She is standing at center with her body facing to the right at and her head turned slightly toward the camera. She is wearing a long black dress that is pleated at the bottom and has long sleeves. Her dark hair is down and reaches to her calves. She is wearing a black flowered headpiece. Her hands are resting on a pedestal at right, and a painted backdrop of a tree is visible at left.
DOI: 10.25549/chs-m19311
title: Portrait of Barbara Palomares, [s.d.]

description: Photographic portrait of Barbara Palomares, [s.d.]. She is pictured from her shoulders to her head and is looking directly at the camera. She has a dark floral-print shawl draped over her head. Her gray hair is mostly covered by the shawl, but part of it can be seen at center, parted at the middle. Her eyes are sunken in her head and she has a tired appearance.
DOI: 10.25549/chs-m14875
title: Grand Canyon, grand view looking east from Bright Angel Hotel, 1900-1930

description: Photograph of the Grand Canyon, grand view looking east from Bright Angel Hotel (not visible), 1900-1930.
DOI: 10.25549/chs-m13732
title: Portrait of Cruz Avila de Lopez, wife of Marino Lopez, [s.d.]

description: Photographic portrait of Cruz Avila de Lopez, wife of Marino Lopez, [s.d.]. She can be seen from her upper torso to her head and is turned slightly to the left. She is wearing a plaid dress and large earrings. Her dark hair is parted at the center and is pulled back into a tight bun behind her head. She has a stern expression on her face.
DOI: 10.25549/chs-m19316
title: Portrait of Beasaida and Slyleste Yorba, [s.d.]

description: Photograph of a portrait of Beasaida and Slyleste Yorba, [s.d.]. Beasaida is standing at left and is looking at the camera with her body turned slightly to the right. She is wearing a long light-colored dress with long sleeves and is resting her arm on a forked tree branch at center. Slyleste is at right and is also wearing a long light-colored dress with long sleeves. Her arms are crossed over her chest and one rests on the tree branch. There is a painted backdrop of a tree in the background.
DOI: 10.25549/chs-m13776
title: Portrait of Luysenda (Lugserda?) Palomares, [s.d.]

description: Photographic portrait of Luysenda (Lugserda?) Palomares, [s.d.]. She is shown in an oval cutout frame from her upper torso to her head and can be seen looking straight ahead. She is visible wearing a dress with vertical stripes and a white collar. She has a necklace with a cross around her neck. Her dark hair is tied up behind her head in a way that makes her head appear heart-shaped. She has an earring in each of her ears.
DOI: 10.25549/chs-m19317
title: Portrait of Ynez Yorba de Cota, daughter of Bernardo Yorba, [s.d.]

description: Photographic portrait of Ynez Yorba de Cota, daughter of Bernardo Yorba, [s.d.]. She is shown from her upper torso to her head and is facing the camera. She is wearing a black dress with white buttons and a white collar. There is decorative clasp on her neck with a silhouette. Her dark hair is tied up on her head and there is a dark ribbon in her hair. The black-clad arm and shoulder of another person is visible in the background at left.
DOI: 10.25549/chs-m13741
title: Portrait of Dolores Machado, son of Augustin Machado and father of Mrs. Dr. John Barrows, [s.d.]

description: Photograph of a portrait of Dolores Machado, son of Augustin Machado and father of Mrs. Dr. John Barrows, [s.d.]. He is pictured from the upper torso to the head and is turned very slightly to the left. He is wearing a light coat, white shirt, and black bowtie. He has a thick, fairly long, dark goatee and mustache, and his dark hair is parted at right.
DOI: 10.25549/chs-m19318
title: Portrait of Francisco Machado, son of Augustin Machado, [s.d.]

description: Photographic portrait of Francisco Machado, son of Augustin Machado, [s.d.]. He can be seen from his upper torso to his head and is looking to the right with his shoulders facing straight ahead. He is visible wearing a light jacket with a partially black collar, a white shirt, and a black tie. He has a long dark goatee and mustache and his dark hair is parted at left.
DOI: 10.25549/chs-m19320
title: Portrait of John Rowland, brother of Billy Rowland and son of John Rowland, Sr., 1841

description: Photograph of a portrait of Thomas "Tomas" Rowland, brother of Sheriff William R. "Billy" Rowland and son of John Rowland, Sr., the Southern California pioneer, 1841. Rowland is seated at left with his legs crossed and his hand resting on a cloth-covered table at left. He is wearing a dark suit with a light shirt and dark leather shoes. He has a long dark beard and mustache and his hairline is receding. Zenobia Yorba de Rowland, Thomas Rowland's wife and daughter of Don Bernardo Yorba, is standing to the right and has her hand on his shoulder. She is wearing a long dress with long sleeves and a white lace collar. Her dark hair is tied behind her head and parted in the middle. (Note: Zenobia Yorba de Rowland's name was also often spelled as Cenobia, and Rowland was some times written in Spanish as Rolend in many early records.)
DOI: 10.25549/chs-m13607
title: Portrait of Francisco Figueroa, the husband of Manuela Cota, [s.d.]

description: Photographic portrait of Francisco Figueroa, the husband of Manuela Cota, [s.d.]. He can be seen standing at center facing straight ahead. He can be seen wearing a dark suit, matching vest, white shirt and dark bowtie. He is visible holding a felt hat in his hand at right and has a flower on his lapel at left. He has a dark mustache and dark hair parted at left. Low bushes are visible in the background that border the dirt path on which he is standing.
DOI: 10.25549/chs-m19321
title: Portraits of Mrs. Rocha Plummer and Emma Plummer, 1869

description: Photograph of portraits of Mrs. Rocha Plummer and Emma Plummer, 1869. The image is a composite of two portraits. At left is the portrait of four-year-old Emma Plummer, who is seated on a basket and looking at the camera. She is wearing a white dress with a black embroidered pattern. She is holding flowers in her lap and wearing leather boots and white stockings. At right is the image of Rocha Plummer. She is standing and wearing a long black and white robe with a quilted pattern. She is resting her hand on a cloth-covered table at left. Her hair is short and curly. She was also known as Dona Cecilia and was the mother of Eugene Plummer.
DOI: 10.25549/chs-m13805
title: Portrait of Maria Refugio Rudecinda Sepulveda, the first(?) daughter of Diego Sepulveda, in her burial casket, [s.d.]

description: Photographic portrait of Maria Refugio Rudecinda Sepulveda, the first(?) daughter of Diego Sepulveda who was born on March 2(?), 1848, in her burial casket, [s.d.]. She can be seen lying down at center with her head at right; it is turned forward but her eyes are closed. She is visible wearing a fancy white dress and a crown, and can be seen holding a bouquet of flowers. Her head can be seen resting on a pillow with a lace cover and her body is resting on a sheet with zigzag edges. There is a fancy gold frame around the oval image.
DOI: 10.25549/chs-m14876
title: The Grand Canyon, grand view looking east from Bright Angel Hotel, 1900-1930

description: Photograph of the Grand Canyon, grand view looking east from Bright Angel Hotel (not visible), 1900-1930.
DOI: 10.25549/chs-m13467
title: Portrait of Don Juan Botillare, silversmith and saddle-maker, [s.d.]

description: Photographic portrait of Don Juan Botillare, silversmith and saddle-maker, [s.d.]. He is standing at center and looking straight ahead with his body turned to the left. His land rests on the back of a wicker chair at left. He is wearing a dark suit with a dark vest and plaid shirt. His gray hair is neatly combed and parted at right. He is standing on a fancy rug, and the image another high backed chair, as well as curtains and a large plant are visible in the background. He also made saddles at the corner of Ninth Street and San Pedro Street.
DOI: 10.25549/chs-m19326
title: Portrait of Francesca Carrillo, mother of Leo Carrillo, [s.d.]

description: Photographic portrait of Francesca Carrillo, mother of Leo Carrillo, [s.d.]. She is pictured from her shoulders to her head and is looking to the left with her shoulders turned toward the camera. She is wearing a dark dress with light polka dots. Her dark hair is tied into a ponytail behind her head by a lightly-colored ribbon.
DOI: 10.25549/chs-m7824
title: Portrait of Don Juan Avila, known as Don Juan "El Rico" at San Juan Capistrano, ca.1874

description: Photographic portrait of Don Juan Avila, known as Don Juan "El Rico" at San Juan Capistrano, ca.1874. He is visible at center looking straight ahead and is mounted on a small pinto horse that is facing right. Don Juan is dressed in a Spanish costume that consists of a dark jacket, striped pants and a broad-brimmed hat. He is riding in a Western saddle with large stirrups. Adobe archways can be seen in the background. The ground by the horse's hooves is covered in tall dry grass.
DOI: 10.25549/chs-m19327
title: Portrait of Santiago de Arguello of Mission San Juan Capistrano, ca.1841

description: Photographic portrait of Santiago de Arguello of Mission San Juan Capistrano, ca.1841. He can be seen from his upper torso to his head facing straight ahead. He is visible wearing a dark jacket, white shirt and has a black bowtie. His dark, medium length hair curls around his ears and is parted on the right. He has long sideburns and a wide, round face. Photoprint reads: "Santiago E. Auguello of San Juan Capistrano -- when it was called by his name in 1841".
DOI: 10.25549/chs-m19328
title: Portrait of Dolores Yorba and Pablo Pryor in San Juan Capistrano, ca.1860

description: Photograph of a portrait of Dolores Yorba and Pablo Pryor in San Juan Capistrano, ca.1860. Yorba is standing at left and has his left hand in his pocket as he holds his hat with his other hand. He is wearing a long gray coat, plaid pants, and a dark vest. He has short dark hair and a long mustache and goatee. He was the son of Jose Antonio Yorba, III. Pryor is standing at right and is holding a hat at right with his other hand in his coat. He is wearing a long gray coat and black pants. He has short dark hair and is considerably taller than his compatriot. He was the son of Miguel Pryor and a Sepulveda from Palos Verdes.
DOI: 10.25549/chs-m13485
title: Portrait of Mrs. Robert Burdette, [s.d.]

description: Photographic portrait of Mrs. Robert Burdette, [s.d.]. She is shown from her torso to her head and is looking straight ahead with her shoulders slightly turned to the right. She is visible wearing a lightly-colored, long-sleeved blouse decorated extensively with lace and ribbons. She can be seen wearing a pair of small, round glasses and her long dark hair is tied above her head with a ribbon. She has a slight smile on her face.
DOI: 10.25549/chs-m13518
title: Portrait of Mrs. J. E. Cowles, [s.d.]

description: Photographic portrait of Mrs. J. E. Cowles, [s.d.]. Her entire body is pictured and she is standing at center, looking slightly to the left with her body turned a little to the right. She is wearing a long black skirt and matching jacket, as well as a white shirt. Her dark hair is held on top of her head by a flower-covered straw hat. Her hands are linked together in front of her body.
DOI: 10.25549/chs-m13675
title: Portrait of Mrs. Margaret Collier Graham, [s.d.]

description: Photographic portrait of Mrs. Margaret Collier Graham, [s.d.]. She is shown from her upper torso to her head and is looking straight ahead with her shoulders turned to the right. She is wearing a dress with puffy shoulders which is decorated ornately with black lace and ribbons. She has a black lace collar. Her curly white hair is tied behind her head, giving her the appearance of having very short hair.
DOI: 10.25549/chs-m19261
title: Portrait of Mrs. W. W. Stillson, [s.d.]

description: Photographic portrait of Mrs. W. W. Stillson, [s.d.]. She can be seen standing at center looking straight ahead with her body turned slightly to the right. Her hands can be seen linked together in front of her, while her head is tilted slightly to the left. She is wearing a long white dress with long sleeves. Her dark hair is held in place on top of her head by a light colored hairpiece.
DOI: 10.25549/chs-m19322
title: Portrait of Clotilda de la Guerra de Sepulveda, wife of Andronico Sepulveda, [s.d.]

description: Photographic portrait of Clotilda de la Guerra de Sepulveda, wife of Andronico Sepulveda, [s.d.]. She can be seen leaning on a podium at left and looking straight ahead with her body turned to the left. She is holding a book in her hands at left. She is wearing a long black dress that blends in with the furniture at left. She also is wearing a scarf in her dark hair. Born in Santa Barbara, Clotilda was prominent in the early days of Los Angeles and Santa Barbara.
DOI: 10.25549/chs-m14877
title: The Grand Canyon, grand view looking east from Bright Angel Hotel, 1900-1930

description: Photograph of the Grand Canyon, grand view looking east from Bright Angel Hotel (not visible), 1900-1930.
DOI: 10.25549/chs-m18897
title: Portrait of the Most Reverend Monsignor St. John O'Sullivan, rector of Mission San Juan Capistrano, 1934

description: Photographic portrait of the Most Reverend Monsignor St. John O'Sullivan, rector of Mission San Juan Capistrano, 1934. He is pictured from his waist to his head and is looking to the right. He is holding a pair of glasses in his hands in front of him. He is wearing a black coat with a white collar and a square hat topped by a feather that likely indicates his rank in the clergy. There are bushes, a fountain and archways holding bells in the background.
DOI: 10.25549/chs-m19329
title: Exterior view of Mission San Miguel from the south end, 1897

description: Photograph of an exterior view of Mission San Miguel from the south end, 1897. The adobe buildings are at center. In the foreground is a long low structure with a set of arches at right. At left, the adobe bricks are not covered in spackle and their brown shapes are exposed. The roof of this building is made of terracotta tiles. There is a taller adobe building in the background; it too has a terracotta roof and is mostly covered with white spackle. The extensive grounds in front of the mission buildings are covered in dry grass.
DOI: 10.25549/chs-m13728
title: Portrait of President Abraham Lincoln, 1861

description: Photographic portrait of President Abraham Lincoln, 1861. He is shown from the upper torso to the head and is looking squarely at the camera. He is wearing a dark suit, dark vest, white shirt, and dark bowtie. His thin, rectangular face is framed by a dark beard, and his dark hair is parted at right. He has large ears and thick eyebrows.
DOI: 10.25549/chs-m13701
title: Portrait of William H. Henderson, a pioneer teacher, [s.d.]

description: Photographic portrait of William H. Henderson, a pioneer teacher, [s.d.]. He is shown from his upper torso to his head and is looking straight ahead with his shoulders slightly turned to the left. He can be seen wearing a dark jacket, white shirt, and white bowtie. He has a long white goatee and a mustache, and his hair sticks out from his balding head in three places.
DOI: 10.25549/chs-m19331
title: Portrait of Ormesindo Yorba, ranchero of Valle de las Palmas in Baja, [s.d.]

description: Photograph of a portrait of Ormesindo Yorba, ranchero of Valle de las Palmas in Baja, [s.d.]. He is pictured from the upper torso to the head and is looking directly at the camera. He is wearing a dark suit, dark vest, white shirt, and plaid tie. He has a square goatee and a long mustache, and his hair is short and white. He was the son of Jose Antonio Yorba, III, and Benigna Lopez.