cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.7784426
title: Re-writing the machinic anthropocene - Book: The Signal and the rock (2017)

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item</b> contains documentation of the artist's book The Signal and the rock (2017). This book was presented alongside the exhibition at the Stanley Picker Gallery in 2017 and is designed to accompany the final audio work Re-writing the overcode (2017). The Signal and the rock operates as a form of fictive hyperobject, expanding on the function and the contents of the film and audio work and building on the strategies and methods of the practice via a series of cross-referenced notes from a wide variety of sources.<br>The book is significant as it enlists a set of non human fictive characters to highlight the non human perspectives and materialities of digital technologies, including characters such as the 'Digital Image' and the 'Mountain Gorilla' as well as decomposing electrical components located below an e-waste site. In the final part of the book a manifesto is outlined which directly engages with the research questions by employing fiction to re-write relations between man made machines, their raw materials and the earth.<br><b>All materials are owned and produced by Charlie Tweed and displayed with permission. The items remain in Copyright to Charlie Tweed and may not be reused or distributed.</b><b><br></b><b>Material in this item is under copyright and not to be used or shared without permission of the author and artist. Use of this repository acknowledges cooperation with its policies</b>.<br><br><br>
DOI: 10.17870/bathspa.7784426.v1
title: Re-writing the machinic anthropocene - Book: The Signal and the rock (2017)

description: 'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives.<br>This item contains documentation of a book output, publication, and development. Accompanying the development of audio work for the project is a publication entitled <i>The Signal and the rock</i>, which operates as a form of fictive hyperobject, expanding on the function and the contents of the audio transmission and the strategies and methods of the practice via a series of cross-referenced notes from a wide variety of sources.Tweed, C (2017) ‘The Signal and the rock’, Publication designed by Modern Activity for the exhibition launch at Stanley Picker Gallery.<b>All materials are owned and produced by Charlie Tweed and displayed with permission. The items remain in Copyright to Charlie Tweed and may not be reused or distributed. </b>
DOI: 10.17870/bathspa.7784459
title: Re-writing the machinic anthropocene - Symposium: Digital Ecologies and the Anthropocene

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item </b>contains documents from the symposium which included a dynamic range of theoretical and practice-based interdisciplinary responses from researchers, artists, filmmakers, writers and theorists. It aimed to foreground new political arguments, new modes of behaviour, new narratives, new languages and new creative forms. This symposium built on the methods and findings that were developed in the first part of the research project. It engaged directly with the research question: ‘How can a symposium and thematic journal issue be developed that highlights these methods and interrogates similar innovative approaches within media art research?’<br>The symposium included a range of innovative practice based approaches that were being used to interrogate and rethink the relations between digital technologies and the anthropocene. <br>The symposium was curated and organised by Charlie Tweed, who also presented a paper at the symposium.<br>
DOI: 10.17870/bathspa.7784459.v1
title: Re-writing the machinic anthropocene - Symposium: Digital Ecologies and the Anthropocene

description: 'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives.This item contains documents from the symposium which included a dynamic range of theoretical and practice-based responses from researchers, artists, filmmakers, writers and theorists. It aimed to foreground new political arguments, new modes of behaviour, new narratives, new languages and new creative forms. The symposium was curated and organised by Charlie Tweed, who also presented a paper at the symposium. <br><br><b>Keynotes:</b>Dr Ele Carpenter (Goldsmiths)<br>Professor Charlie Gere (Lancaster) Bath Spa University<br><b><br></b><b>Other speakers:<br></b>Professor Owain Jones, Environmental Humanities, Bath Spa University<br>Philip Hüpkes, University of Vechta, Germany<br>Dr Joshua McNamara, University of Melbourne<br>Dr Mike Hannis, Bath Spa University<br>Jeff Scheible, Kings College, London<br>Ramon Bloomberg, Goldsmiths College, University of London<br>Teresa Carlesimo, Queens University<br>Chris Bailey, Plymouth College of Art<br>Matthew Lovett, University of Gloucestershire<br>Charlie Tweed, Bath Spa University<br>Alison Harper, Bath Spa University<br><br><b>Film screenings and performances:</b><br>Joey Holder, OPHIUX (2016)<br>Dr. Oliver Case, Dr. Bradley Garrett and Dr. Adam Fish, System Earth Cable - Einstock Mountain (2017)<br>Peter Bo Rappmund, Topophilia (2015)<br>Andy Weir, The Plureal Deal (2016)<br>Lucy Pawlak, WE EAT THE EARTH THE EARTH EATS US (2016)<br>Nathan Hughes, OBJECT (2016)<br>Sasha Litvintseva: Asbestos (performance) (2016)<br>
DOI: 10.17870/bathspa.7784474
title: Re-writing the machinic anthropocene - Screenworks special issue

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item</b> contains documentation of the Screenworks special issue: <i>Digital Ecologies and the Anthropocene</i> which was co-edited by Charlie Tweed. This special issue emerged from both the findings within the practical and theoretical research as well as the interdisciplinary research that was highlighted at the <i>Digital Ecologies and the Anthropocene</i> symposium. It interrogates a range of innovative practice based approaches that are being used to investigate and rethink the relationships between digital technologies, the earth and the Anthropocene. It also considers how such methods can bring into view nonhuman voices and perspectives, making theoretical material operational.<br>Charlie Tweed also organised a special launch event with performances, talks and screenings at Cube, Bristol in June 2018 which was funded by MeCCSA. <br><b>View the full issue online at the reference link below. Screenshot images of the Screenworks issue are used with permission, but may not be reused or distributed. </b><br><br>
DOI: 10.17870/bathspa.7784474.v1
title: Re-writing the machinic anthropocene - Screenworks special issue

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item</b> contains documentation of the Screenworks special issue: <i>Digital Ecologies and the Anthropocene</i> which was co-edited by Charlie Tweed. This special issue emerged from both the findings within the practical and theoretical research as well as the interdisciplinary research that was highlighted at the <i>Digital Ecologies and the Anthropocene</i> symposium. It interrogates a range of innovative practice based approaches that are being used to investigate and rethink the relationships between digital technologies, the earth and the Anthropocene. It also considers how such methods can bring into view nonhuman voices and perspectives, making theoretical material operational.<br>Charlie Tweed also organised a special launch event with performances, talks and screenings at Cube, Bristol in June 2018 which was funded by MeCCSA. <br><b>View the full issue online at the reference link below. Screenshot images of the Screenworks issue are used with permission, but may not be reused or distributed. </b><br><br>
DOI: 10.17870/bathspa.7804271
title: Re-writing the machinic anthropocene - Research Timeline & Research Questions

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item </b>contains the Research Timeline and the Research Questions for the project.<br>
DOI: 10.17870/bathspa.7804271.v1
title: Re-writing the machinic anthropocene - Research Timeline & Research Questions

description: 'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives. <br>This item contains a Research Timeline and Research Questions for the project.
DOI: 10.17870/bathspa.7804271.v2
title: Re-writing the machinic anthropocene - Research Timeline & Research Questions

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><br><b>This item </b>contains the Research Timeline and the Research Questions for the project.<br>
DOI: 10.17870/bathspa.7951721
title: Re-writing the machinic anthropocene - Performance Lecture

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item </b>contains documentation of the performance lecture 'The Signal and the rock' which emerged from the initial mapping process, highlighting the material realities of a single capacitor component from a smart phone. In this way it converted the findings from the map into a performative work that exposes the network of the capacitor's production, operation and disposal and begins to propose alternative network relations using a speculative fiction approach.<br><br>
DOI: 10.17870/bathspa.7951721.v2
title: Re-writing the machinic anthropocene - Performance Lecture

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item </b>contains documentation of the performance lecture 'The Signal and the rock' which emerged from the initial mapping process, highlighting the material realities of a single capacitor component from a smart phone. In this way it converted the findings from the map into a performative work that exposes the network of the capacitor's production, operation and disposal and begins to propose alternative network relations using a speculative fiction approach.<br><br>
DOI: 10.17870/bathspa.7951721.v1
title: Re-writing the machinic anthropocene - Performance Lecture

description: 'Re-writing the machinic anthropocene' investigates how speculative fictional methods in creative practice could be used to expose and rewrite the relations between digital technologies and the anthropocene, and also how these methods could bring into view nonhuman voices and perspectives.<br>This item contains documentation of a performance lecture.
DOI: 10.17870/bathspa.11365292
title: Re-writing the machinic anthropocene - 300-word statement

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item</b> contains the project's 300-word statement.
DOI: 10.17870/bathspa.11365292.v2
title: Re-writing the machinic anthropocene - 300-word statement

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item</b> contains the project's 300-word statement.
DOI: 10.17870/bathspa.11365292.v1
title: Re-writing the machinic anthropocene - 300-word statement

description: ‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.<br><b>This item</b> contains the project's 300-word statement.
DOI: 10.5519/qd.1nx3m96a
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1 records)
DOI: 10.15151/esrf-dc-1104468572
title: BCDI imaging of Pt crystals during electrochemical reaction

description: In this proposal, we intend to follow and study the structural changes in three dimensions (3D) of multiple Pt nanoparticles (NPs) under realistic electrochemical reactions, such as oxygen reduction reaction (ORR) and hydrogen evolution reaction (HER). More precisely, we aim to map the strain response of multiple single NPs as a function of the electrode potential by probing the particles at different Bragg peaks to get the full 3D strain tensor. The Pt NPs will be immersed in H2SO4 and the electrode potential will be applied to trigger different reactions (e.g ORR, HER). This experiment will complement previous studies carried out at ID01 beamline. Scan 182 Pristine state Scan 183 0.1V Scan 184 0.2V Scan 185 0.3V
DOI: 10.18419/darus-2815/1
title: load_truth.m

description: :unav
DOI: 10.18419/darus-2815/2
title: BMEfactors_Scen1.m

description: :unav
DOI: 10.18419/darus-2815/3
title: BMEfactors.m

description: :unav
DOI: 10.18419/darus-2815/4
title: Update_rule.m

description: :unav
DOI: 10.18419/darus-2815/5
title: Update_rule_trick.m

description: :unav
DOI: 10.18419/darus-2815/6
title: GasClusSepn.m

description: :unav
DOI: 10.18419/darus-2815/7
title: ThreshCalc.m

description: :unav
DOI: 10.18419/darus-2815/8
title: runNew20Times.m

description: :unav
DOI: 10.18419/darus-2815/9
title: runNew20Times.m

description: :unav
DOI: 10.18419/darus-2815/10
title: load_exptruth.m

description: :unav
DOI: 10.18419/darus-2815
title: Replication Data for: The Method of Forced Probabilities: a Computation Trick for Bayesian Model Evidence

description: This dataset contains the codes used for implementing the method of forced probabilities of the manuscript: The Method of Forced Probabilities: A Computation Trick for Bayesian Model Evidence. Here, one can find the codes of implementation of the trick on stochastic invasion percolation (SIP) models discussed in the manuscript; it can be used by the reader to replicate the results of our paper. Further, if the reader wants to apply the trick to his own model and data, this code can serve as a guideline on how to implement it.
DOI: 10.18419/darus-2815/11
title: add_evaluations_realData.m

description: :unav
DOI: 10.18419/darus-2815/12
title: searching_subset.m

description: :unav
DOI: 10.18419/darus-2815/13
title: evaluate_BME_realData.m

description: :unav
DOI: 10.18419/darus-2815/14
title: runNew20Times.m

description: :unav
DOI: 10.18419/darus-2815/15
title: BMEfactors.m

description: :unav
DOI: 10.18419/darus-2815/16
title: GasClusSepn.m

description: :unav
DOI: 10.18419/darus-2815/17
title: Update_rule_trick.m

description: :unav
DOI: 10.18419/darus-2815/18
title: Update_rule.m

description: :unav
DOI: 10.18419/darus-2815/19
title: ThreshCalc.m

description: :unav
DOI: 10.18419/darus-2815/20
title: y0_clean.mat

description: :unav
DOI: 10.18419/darus-2815/21
title: data_load_y0.m

description: :unav
DOI: 10.18419/darus-2815/22
title: importim.m

description: :unav
DOI: 10.18419/darus-2815/23
title: README.txt

description: :unav
DOI: 10.18419/darus-2815/24
title: README.txt

description: :unav
DOI: 10.18419/darus-2815/25
title: README.txt

description: :unav
DOI: 10.18419/darus-2815/26
title: gen_truth.m

description: :unav
DOI: 10.18419/darus-2815/27
title: SIP.m

description: :unav
DOI: 10.18419/darus-2815/28
title: README_SIP.txt

description: :unav
DOI: 10.18419/darus-2815/29
title: eval_Trick.m

description: :unav
DOI: 10.18419/darus-2815/30
title: eval_Trick_multEvents.m

description: :unav
DOI: 10.18419/darus-2815/31
title: eval_Trick_noInit.m

description: :unav
DOI: 10.18419/darus-2815/32
title: generate_sub_exp.m

description: :unav
DOI: 10.18419/darus-2815/33
title: SIP_Ewing_noReInv.m

description: :unav
DOI: 10.18419/darus-2815/34
title: plotSIPFM.m

description: :unav
DOI: 10.18419/darus-2815/35
title: runGasFM.m

description: :unav
DOI: 10.18419/darus-2815/36
title: README_SIP.txt

description: :unav
DOI: 10.18419/darus-2815/37
title: SIP.m

description: :unav
DOI: 10.18419/darus-2815/38
title: eval_Trick.m

description: :unav
DOI: 10.18419/darus-2815/39
title: eval_Trick_multEvents.m

description: :unav
DOI: 10.18419/darus-2815/40
title: eval_Trick_noInit.m

description: :unav
DOI: 10.18419/darus-2815/41
title: generate_sub_exp.m

description: :unav
DOI: 10.18419/darus-2815/42
title: SIP_Ewing.m

description: :unav
DOI: 10.18419/darus-2815/43
title: plotSIPFM.m

description: :unav
DOI: 10.18419/darus-2815/44
title: runGasFM.m

description: :unav
DOI: 10.18419/darus-2815/45
title: evaluate_BME.m

description: :unav
DOI: 10.18419/darus-2815/46
title: add_evaluations_similarTe.m

description: :unav
DOI: 10.18419/darus-2815/47
title: evaluate_BME_similarTe.m

description: :unav
DOI: 10.18419/darus-2815/48
title: add_evaluations_unknownTe.m

description: :unav
DOI: 10.18419/darus-2815/49
title: evaluate_BME_unknownTe.m

description: :unav
DOI: 10.5281/zenodo.6363169
title: Solid-state NMR spectra of the complex of PD-L1 with the anti-PD-L1 fusion protein and of the mixture of PD-L1 with a non-binding mAb

description: Solid-state NMR spectra used in the analysis of the interaction between PD-L1 and anti-PDL1 fusion protein. Reference paper: <strong>Epitope mapping and binding assessment by solid-state NMR provide a way for development of biologics under the Quality by Design paradigm</strong>
DOI: 10.5281/zenodo.6363168
title: Solid-state NMR spectra of the complex of PD-L1 with the anti-PD-L1 fusion protein and of the mixture of PD-L1 with a non-binding mAb

description: Solid-state NMR spectra used in the analysis of the interaction between PD-L1 and anti-PDL1 fusion protein. Reference paper: <strong>Epitope mapping and binding assessment by solid-state NMR provide a way for development of biologics under the Quality by Design paradigm</strong>
DOI: 10.17870/bathspa.11295035
title: Landscape/Composite - Research Timeline & Research Questions

description: <i>Landscape/Composite</i> is a multi-component output that uses visual effects compositing techniques to examine intertextual representations of British idylls and the Pastoral.<br>This item contains the Research Timeline and Research Questions for the project.
DOI: 10.17870/bathspa.11295035.v1
title: Landscape/Composite - Research Timeline & Research Questions

description: <i>Landscape/Composite</i> is a multi-component output that uses visual effects compositing techniques to examine intertextual representations of British idylls and the Pastoral.<br>This item contains the Research Timeline and Research Questions for the project.
DOI: 10.17870/bathspa.11295056
title: Landscape/Composite - 300 Word Statement

description: <i>Landscape/Composite</i> is a multi-component output that uses visual effects compositing techniques to examine intertextual representations of British idylls and the Pastoral.<br><br>This item contains the 300 word statement for the project.
DOI: 10.17870/bathspa.11295056.v1
title: Landscape/Composite - 300 Word Statement

description: <i>Landscape/Composite</i> is a multi-component output that uses visual effects compositing techniques to examine intertextual representations of British idylls and the Pastoral.<br><br>This item contains the 300 word statement for the project.
DOI: 10.5517/ccdc.csd.cc80wfk
title: CCDC 239178: Experimental Crystal Structure Determination

description: Related Article: William Harrison|2022|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc11hk8c
title: CCDC 968262: Experimental Crystal Structure Determination

description: Related Article: W.Harrison|2022|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc1n430x
title: CCDC 1523278: Experimental Crystal Structure Determination

description: Related Article: M J Plater and W T A Harrison|2022|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2b00ds
title: CCDC 2144964: Experimental Crystal Structure Determination

description: Related Article: Zhu Wu, Nikolai Hippchen, Jie Han, Lei Ji, Alexandra Friedrich, Ivo Krummenacher, Holger Braunschweig, Johannes Krebs, Michael Moos, Philipp Biegger, Olena Tverskoy, Steffen Maier, Christoph Lambert, Andreas Dreuw, Todd B. Marder, Jan Freudenberg, Uwe H. F. Bunz|2023|J.Org.Chem.|88|2742|doi:10.1021/acs.joc.2c02279
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.