cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.11239460.v1
title: it is impossible for everyone to achieve everything they want_research questions and timeline

description: <i>it is impossible for everyone to achieve everything they want </i>(2018) asks the players to construct sequences of sounds, responding to what they hear preceding players do. Players have control over their own actions, but generally not those of others. They can influence some behaviours but not control the group totally, although forming allegiances might enable more control to be exerted on the group. The piece uses a set of artificially constructed or presented sounds, including text-to-speech computer voices, recordings of real world sounds, algorithmically generated music, synthesisers, radio, dictaphones, and spoken commands delivered over megaphones. The title is taken from Larry Diamond's text 'What is Democracy?' (2004).<br>This item contains the research questions for <i>it is impossible for everyone to achieve everything they want. </i>
DOI: 10.6084/m9.figshare.14248769
title: KG4ASTRA_dataset

description: Indian Missile Dataset for generation of knowledge graph
DOI: 10.6084/m9.figshare.14252912
title: Effect of basal metabolic rate on cancer: a Mendelian randomization study

description: Supplementary tables
DOI: 10.17870/bathspa.11295734.v1
title: alternate between attention and ease_300 word statement

description: <i>alternate between attention and ease</i> explores cognitive load and how we remember associations between sets of unrelated elements dependent on the structure of their presentation and the inherent difficulty of the task. It focuses on the way intrinsic, extraneous, and germane cognitive load affects the response time to a series of cues given by two speakers to the orchestra. The two cueing players each have a set of 24 words and samples that are used to instruct the orchestra. The word and sample cues are related (e.g. the word ‘cow’ and the sound of a cow mooing), and each cue is linked to a major or minor triad, played by the orchestra (e.g. ‘door’ is A major). The cueing players develop sequences and associations between the cues, such as gun/dog or water/gate, to which the orchestra respond as quickly as possible. The resultant texture is a map of the speed of response of the individual orchestral players, with the cueing players making it harder or simpler for the orchestra to respond correctly. The conductor also has a set of cues that initiate noise drone samples and static noise sounds from the orchestra. The piece alternates between these two cueing systems to manage the cognitive load.<br>Commissioned by BBC Radio 3 and first performed on 7 May 2017 at Tectonics Music Festival by BBC Scottish Symphony Orchestra and Parkinson Saunders, conducted by Ilan Volkov.<br>This item contains the 300-word research summary for <i>alternate between attention and ease</i>.
DOI: 10.17870/bathspa.11295734
title: alternate between attention and ease_300 word statement

description: <i>alternate between attention and ease</i> explores cognitive load and how we remember associations between sets of unrelated elements dependent on the structure of their presentation and the inherent difficulty of the task. It focuses on the way intrinsic, extraneous, and germane cognitive load affects the response time to a series of cues given by two speakers to the orchestra. The two cueing players each have a set of 24 words and samples that are used to instruct the orchestra. The word and sample cues are related (e.g. the word ‘cow’ and the sound of a cow mooing), and each cue is linked to a major or minor triad, played by the orchestra (e.g. ‘door’ is A major). The cueing players develop sequences and associations between the cues, such as gun/dog or water/gate, to which the orchestra respond as quickly as possible. The resultant texture is a map of the speed of response of the individual orchestral players, with the cueing players making it harder or simpler for the orchestra to respond correctly. The conductor also has a set of cues that initiate noise drone samples and static noise sounds from the orchestra. The piece alternates between these two cueing systems to manage the cognitive load.<br>Commissioned by BBC Radio 3 and first performed on 7 May 2017 at Tectonics Music Festival by BBC Scottish Symphony Orchestra and Parkinson Saunders, conducted by Ilan Volkov.<br>This item contains the 300-word research summary for <i>alternate between attention and ease</i>.
DOI: 10.17870/bathspa.11295737
title: alternate between attention and ease_research timeline and research questions

description: <i>alternate between attention and ease</i> explores cognitive load and how we remember associations between sets of unrelated elements dependent on the structure of their presentation and the inherent difficulty of the task. It focuses on the way intrinsic, extraneous, and germane cognitive load affects the response time to a series of cues given by two speakers to the orchestra. The two cueing players each have a set of 24 words and samples that are used to instruct the orchestra. The word and sample cues are related (e.g. the word ‘cow’ and the sound of a cow mooing), and each cue is linked to a major or minor triad, played by the orchestra (e.g. ‘door’ is A major). The cueing players develop sequences and associations between the cues, such as gun/dog or water/gate, to which the orchestra respond as quickly as possible. The resultant texture is a map of the speed of response of the individual orchestral players, with the cueing players making it harder or simpler for the orchestra to respond correctly. The conductor also has a set of cues that initiate noise drone samples and static noise sounds from the orchestra. The piece alternates between these two cueing systems to manage the cognitive load.<br>Commissioned by BBC Radio 3 and first performed on 7 May 2017 at Tectonics Music Festival by BBC Scottish Symphony Orchestra and Parkinson Saunders, conducted by Ilan Volkov.<br>This item contains the research timeline and questions for <i>alternate between attention and ease</i>.
DOI: 10.17870/bathspa.11295737.v1
title: alternate between attention and ease_research timeline and research questions

description: <i>alternate between attention and ease</i> explores cognitive load and how we remember associations between sets of unrelated elements dependent on the structure of their presentation and the inherent difficulty of the task. It focuses on the way intrinsic, extraneous, and germane cognitive load affects the response time to a series of cues given by two speakers to the orchestra. The two cueing players each have a set of 24 words and samples that are used to instruct the orchestra. The word and sample cues are related (e.g. the word ‘cow’ and the sound of a cow mooing), and each cue is linked to a major or minor triad, played by the orchestra (e.g. ‘door’ is A major). The cueing players develop sequences and associations between the cues, such as gun/dog or water/gate, to which the orchestra respond as quickly as possible. The resultant texture is a map of the speed of response of the individual orchestral players, with the cueing players making it harder or simpler for the orchestra to respond correctly. The conductor also has a set of cues that initiate noise drone samples and static noise sounds from the orchestra. The piece alternates between these two cueing systems to manage the cognitive load.<br>Commissioned by BBC Radio 3 and first performed on 7 May 2017 at Tectonics Music Festival by BBC Scottish Symphony Orchestra and Parkinson Saunders, conducted by Ilan Volkov.<br>This item contains the research timeline and questions for <i>alternate between attention and ease</i>.
DOI: 10.5281/zenodo.4608587
title: TCTracer Evaluation Data - Empirical Software Engineering 2021

description: This repository provides the data artefacts for the experiments conducted using our tool TCTracer for the journal paper "TCTracer: Establishing Test-to-Code Traceability links Using Dynamic and Static Techniques" as submitted to the Empirical Software Engineering journal in 2021.
DOI: 10.5281/zenodo.3637596
title: TCTracer Evaluation Data - Empirical Software Engineering 2021

description: This repository provides the data artefacts for the experiments conducted using our tool TCTracer for the journal paper "TCTracer: Establishing Test-to-Code Traceability links Using Dynamic and Static Techniques" as submitted to the Empirical Software Engineering journal in 2021.
DOI: 10.5519/qd.diqj0ciy
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (6 records)
DOI: 10.5281/zenodo.4624959
title: Oxidation of 1-methylnaphthalene at 1–13 atm: P=1 phi=1

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.5281/zenodo.4624958
title: Oxidation of 1-methylnaphthalene at 1–13 atm: P=1 phi=1

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.5281/zenodo.4624973
title: Oxidation of 1-methylnaphthalene at 1–13 atm, P=1 atm phi=1.5

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.5281/zenodo.4624972
title: Oxidation of 1-methylnaphthalene at 1–13 atm, P=1 atm phi=1.5

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.34740/kaggle/dsv/2042162
title: YouTube Trending Video Dataset (updated daily)
DOI: 10.5281/zenodo.4624977
title: Data in Support of TRBAM-S-20-01940

description: This is the aggregated data used to create the tables and charts in the TRB paper mentioned in the title. It is also used in the summary information of our US DOT National Transportation Center final project report.
description: Original data is not available for open access as it is licensed from the Pennsylvania Department of Transportation.
DOI: 10.5281/zenodo.4624976
title: Data in Support of TRBAM-S-20-01940

description: This is the aggregated data used to create the tables and charts in the TRB paper mentioned in the title. It is also used in the summary information of our US DOT National Transportation Center final project report.
description: Original data is not available for open access as it is licensed from the Pennsylvania Department of Transportation.
DOI: 10.5281/zenodo.4624995
title: Oxidation of 1-methylnaphthalene at 1–13 atm, P=1 phi=1 correct

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.5281/zenodo.4624994
title: Oxidation of 1-methylnaphthalene at 1–13 atm, P=1 phi=1 correct

description: Mati, K., Ristori, A., Pengloan, G., & Dagaut, P. (2007). Oxidation of 1-methylnaphthalene at 1–13 atm: experimental study in a JSR and detailed chemical kinetic modeling. Combustion science and technology, 179(7), 1261-1285.
DOI: 10.6084/m9.figshare.14253047
title: Lisrel and SmartPLS output for Journal 18

description: SEM output using Lisrel and SmartPLS<br>
DOI: 10.21227/pgrb-2t59
title: January 23 submission

description: ---
DOI: 10.17870/bathspa.10275380
title: things to do_portfolio contents

description: <i>things to do </i>is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the contents list for the <i>things to do</i> collection.
DOI: 10.17870/bathspa.10275380.v1
title: things to do_portfolio contents

description: <i>things to do </i>is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the contents list for the <i>things to do</i> collection.
DOI: 10.17870/bathspa.10273127
title: things to do_300-word statement

description: <i>things to do </i>is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the 300-word supporting statement for the <i>things to do</i> portfolio.
DOI: 10.17870/bathspa.10273127.v1
title: things to do_300-word statement

description: <i>things to do </i>is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the 300-word supporting statement for the <i>things to do</i> portfolio.
DOI: 10.17870/bathspa.10046441
title: things to do_research questions and timeline

description: <i>things to do</i> is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the research questions underpinning the <i>things to do</i> project.
DOI: 10.17870/bathspa.8427077
title: things to do_list of performances

description: <i>things to do</i> is a series of pieces which use a set of instructions in different categories (including noises, pitches, devices and processes) spoken by players and other participants during the performance and which govern the actions made by the players. Players respond to instructions they can hear by realizing the defined actions as soon as possible after they are spoken. The differences in each piece, and the relationships between the players and other participants, are determined by constraints which govern who each player responds to and who gives instructions. It creates modes of interaction between individuals, allows group behaviours to emerge, and reveals the personal characteristics of each performer in an immediate way. Players may use any instruments, sound-producing objects, devices or sound processing equipment (digital, analogue, or acoustic), and performances are characterised by the wide range of personal choices brought together as a group.<br><br>This item contains the list of performances for the <i>things to do</i> collection.
DOI: 10.5281/zenodo.4625047
title: Local Z Projector example dataset and parameters 01

description: Drosophila pupa notum, captured with a laser-scanning confocal microscope (LSM 880, Zeiss). Pixel size 0.188 µm, z step 1 µm. This dataset also contains the parameters to generate the reference surface and local projection, also included. It is meant to be used with the Fiji plugin called 'LocalZProjector': https://gitlab.pasteur.fr/iah-public/localzprojector. The two <em>*.localzprojector </em>files can be loaded directly in the plugin to load adequate parameters. See the accompanying paper: <em>DProj: A toolbox for local 2D projection and accurate morphometrics of large 3D microscopy images.</em> https://www.biorxiv.org/content/10.1101/2021.01.15.426809v2 This is <em>a downsampled version of </em>the dataset used to generate the figures 1, 2 and 3 in this paper, as well as the comparison in table 1.
DOI: 10.5281/zenodo.4449951
title: Local Z Projector example dataset and parameters 01

description: Drosophila pupa notum, captured with a laser-scanning confocal microscope (LSM 880, Zeiss). Pixel size 0.188 µm, z step 1 µm. This dataset also contains the parameters to generate the reference surface and local projection, also included. It is meant to be used with the Fiji plugin called 'LocalZProjector': https://gitlab.pasteur.fr/iah-public/localzprojector. The two <em>*.localzprojector </em>files can be loaded directly in the plugin to load adequate parameters. See the accompanying paper: <em>DProj: A toolbox for local 2D projection and accurate morphometrics of large 3D microscopy images.</em> https://www.biorxiv.org/content/10.1101/2021.01.15.426809v2 This is <em>a downsampled version of </em>the dataset used to generate the figures 1, 2 and 3 in this paper, as well as the comparison in table 1.
DOI: 10.5281/zenodo.4608502
title: COM-COVID project: results dataset

description: Results of the COM-COVID project, which aim is to assess the psychosocial impact of the Covid-19 pandemic first outbreak on general population and health care workers. These are the results of the 56,656 responses to a 74-question survey questionnaire which were obtained during the first pandemic peak. This study is registered at Clinicaltrials.gov under the identifier NCT04378452. Results are expressed as total n of answers and percentage for each category of answers to each question, and then broken by category and gender, and by category and age group.
DOI: 10.5281/zenodo.4608501
title: COM-COVID project: results dataset

description: Results of the COM-COVID project, which aim is to assess the psychosocial impact of the Covid-19 pandemic first outbreak on general population and health care workers. These are the results of the 56,656 responses to a 74-question survey questionnaire which were obtained during the first pandemic peak. This study is registered at Clinicaltrials.gov under the identifier NCT04378452. Results are expressed as total n of answers and percentage for each category of answers to each question, and then broken by category and gender, and by category and age group.
DOI: 10.5281/zenodo.4625051
title: Local Z Projector example dataset and parameters 02

description: Drosophila pupa notum, captured with a laser-scanning confocal microscope (LSM 880, Zeiss). Pixel size 0.188 µm, z step 1 µm. This dataset also contains the parameters to generate the reference surface and local projection. It is meant to be used with the Fiji plugin called 'LocalZProjector': https://gitlab.pasteur.fr/iah-public/localzprojector. The two <em>*.localzprojector </em>files can be loaded directly in the plugin to load adequate parameters. See the accompanying paper: <em>DProj: A toolbox for local 2D projection and accurate morphometrics of large 3D microscopy images.</em> https://www.biorxiv.org/content/10.1101/2021.01.15.426809v2
DOI: 10.5281/zenodo.4449998
title: Local Z Projector example dataset and parameters 02

description: Drosophila pupa notum, captured with a laser-scanning confocal microscope (LSM 880, Zeiss). Pixel size 0.188 µm, z step 1 µm. This dataset also contains the parameters to generate the reference surface and local projection. It is meant to be used with the Fiji plugin called 'LocalZProjector': https://gitlab.pasteur.fr/iah-public/localzprojector. The two <em>*.localzprojector </em>files can be loaded directly in the plugin to load adequate parameters. See the accompanying paper: <em>DProj: A toolbox for local 2D projection and accurate morphometrics of large 3D microscopy images.</em> https://www.biorxiv.org/content/10.1101/2021.01.15.426809v2
DOI: 10.21227/tnx8-sf29
title: January-23-Dong-Jiawei

description: January-23-Dong-Jiawei
DOI: 10.34740/kaggle/dsv/1822349
title: 20210106 reproducibility and output
DOI: 10.34740/kaggle/dsv/1983944
title: ECB speeches etc. 1997 to 20210228
DOI: 10.5281/zenodo.4625079
title: Dataset PRA1 UOC

description: Aquest conjunt de dades proporciona informació sobre els nivells actuals i una predicció dels nivells ambientals futurs de pol·len i espores al·lergògens
DOI: 10.5281/zenodo.4625078
title: Dataset PRA1 UOC

description: Aquest conjunt de dades proporciona informació sobre els nivells actuals i una predicció dels nivells ambientals futurs de pol·len i espores al·lergògens
DOI: 10.18112/openneuro.ds003540.v1.0.1
title: Which multiband factor should you choose for your resting-state fMRI study?