cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/mq9xme
title: The genus Pseudolycoriella Menzel & Mohrig, 1998 (Diptera, Sciaridae) in New Zealand

description: This dataset contains the digitized treatments in Plazi based on the original journal article Köhler, Arne (2019): The genus Pseudolycoriella Menzel & Mohrig, 1998 (Diptera, Sciaridae) in New Zealand. Zootaxa 4707 (1): 1-69, DOI: https://doi.org/10.11646/zootaxa.4707.1.1
DOI: 10.25919/5dfc7e8912a9c
title: Parkes observations for project P1022 semester 2019OCTS_05

description: We propose observations with the ultra-wide-bandwidth, low frequency receiver (UWL) installed at the Parkes telescope to carry out the first well-calibrated coherent de-dispersed search for pulsars in 47 Tucanae. The proposed observation could result in new pulsars and also provide the firstly detailed study of the calibration and polarisation properties for previously known pulsars.
DOI: 10.1285/i22840753n14p3
title: Indice
DOI: 10.1285/i22840753n14p5
title: Narrazioni
DOI: 10.1285/i22840753n14p7
title: Genio e genius loci. Il Caso Carmelo Bene 0-17 = Genius and genius loci. The Carmelo Bene 0-17 case

description: This video-essay, based on a text by Stefano Cristante and the direction of Emiliano Carico, explores the childhood and early youth of Carmelo Bene, the theatre genius born in Campi Salentina (in the province of Lecce) on the 1st of December 1937. The underlying hypothesis is that the birth place has significantly influenced Bene's cultural and artistic growth. Campi Salentina was not only an important rural centre of Salento, but also a remarkable cultural and educational place, especially for the presence of Calasanzio Institute, founded in XVII century by the Piarist Fathers. It was the school attended by Camelo Bene from elementary to high school. During the first years of school he suffered from various health problems. Since he was four, his fervent religious mother urged him to precociously serve Mass as an altar boy. This condition immersed the child in a visionary and surreal atmosphere. Later, the boy became passionate about poetry and music. His personality turned out to be strange and superb, facilitated by the socio-economic position of the family. Carmelo Bene recited the classics of literature and theater at his disposal in front of a small group of school friends. When his family moved to Lecce, he attended the last year of high school at the Argento College, where he could organize his first show. Immediately after the graduation exam he moved to Rome, where his life was finally consecrated to the theater
DOI: 10.15468/08pcnz
title: Mexican species of the genus Orthocentrus (Hymenoptera, Ichneumonidae: Orthocentrinae)

description: This dataset contains the digitized treatments in Plazi based on the original journal article Humala, Andrei E. (2019): Mexican species of the genus Orthocentrus (Hymenoptera, Ichneumonidae: Orthocentrinae). Zootaxa 4709 (1): 1-83, DOI: https://doi.org/10.11646/zootaxa.4709.1.1
DOI: 10.17632/52nk3426r9.1
title: Data for: Unusual Site of Presentation of Bronchogenic Cyst; A Case Report

description: Figure 1. A 7- year- old female with localized neck mass Figure 2. Well define midline cystic lesion within the anterior aspect of the lower neck and upper chest, extending from the lower pole from thyroid isthmus down to the manubrium sternum with no internal vascularity or intrathoracic extension. The thyroid gland is normal. Figure 3. Well defined subcutaneous superficial lower neck–upper chest mass lesion with an average of 50 Hounsfield units. The lesion extending from the level of the thyroid isthmus down to the manubrium of the sternum, No evidence of calcification, air-fluid level, fatty content or septation. Contrast was given and demonstrates very subtle wall enhancement. No soft tissue component, No intrathoracic or deep neck extension. no adjacent bony destruction Figure 4. Gross image of the mass during excision Figure 5. The cystic lesion containing whitish waxy material Figure 6. shows cyst wall lined by respiratory type epithelium (pseudostratified ciliated columnar epithelium) overlying fibrovascular connective tissue wall. H&E X40 Figure 7. shows cyst wall lined by respiratory type epithelium (pseudostratified ciliated columnar epithelium) overlying fibrovascular connective tissue wall. H&E X100 Figure 8. shows cyst wall lined by respiratory type epithelium. The sub epithelium shows congested blood vessels and lymphoid infiltrate. H&E X200.
DOI: 10.1285/i22840753n14p9
title: Un'arte che cambia profondamente il suo tempo = An art that profoundly changes its time

description: Even though an increasing number of experts in popular culture has repeatedly highlighted that over the past two decades mass entertainment, notably tv series and videogames, has grown more and more sophisticated, the narratives enjoyed in this context are still often described as mercenary and useless rivals of novels and movies. Most of the detractors, indeed, hold that tv series and videogames are not as capable of conveying substantial experiences as literature and cinema; they believe, on the contrary, that these forms of entertainment are likely to miseducate people by anesthetizing their thought or by subjecting it to the will of pointless passions. In this video essay I will examine the genesis, the narrative strategies and the modes of fruition that characterize two representative products of contemporary entertainment, the videogame Detroit: Become Human and the tv series Westworld, in order to argue for a more constructive interpretation of the videogame and complex television storytelling. My claim is that the level of sophistication and self awareness of these narratives, as well as their cunning use of different strategies and genres, is commensurate with the nobler literary and cinematographic tradition: contemporary videogame and television storytelling proves to be capable of involving the users and leading them through a significant experience, both cognitive and ethical. Complex entertainment storytelling, just as literature and cinema, succeeds in triggering and developing a many-sided and flexible "multi-world" rationality as an alternative to rigid forms of thinking which no longer result suitable for understanding reality.
DOI: 10.3886/e116861
title: SOC-TPB Model to predict oral health behaviours among preschoolers

description: Objectives: Dental caries is the most common chronic childhood disease that occurs in a continuum and can be prevented by children and their parents’ adherence to recommended oral health behaviors. Theory-driven tools help practitioners to identify the causes for poor adherence and develop effective interventions. This study examined the Expanded Theory of Planned Behaviour (TPB) Model by adding the concept of Sense of Coherence (SOC) to predict parental adherence to preschooler’s preventive dental visits. Methods: Data regarding socio-economic demographics were collected from parents of children aged 2-6 years. Constructs of TPB including parental attitudes, subjective norms (SN), Perceived Behavioural Control (PBC), and intention to attend preventive dental visits for their preschoolers were collected by questionnaire, alongside parents' sense of coherence (SOC). Dental attendance was measured by asking if the child had a regular dental visit during the last year. Structural Equation Modeling Analysis (SEMA) was carried out to identify significant direct and indirect (mediated) pathways in the extended TPB model. Conclusions: The expanded TPB model explained a great deal of variance in preschooler’s dental attendance. These findings suggest that the expanded model could be used as the framework for designing interventions or strategies to enhance dental attendance among preschoolers; in particular, such strategies should focus specifically on enhancing parental SOC including empowerment. <br><br><br><br><br>
DOI: 10.3886/e116861v1
title: SOC-TPB Model to predict oral health behaviours among preschoolers

description: Objectives: Dental caries is the most common chronic childhood disease that occurs in a continuum and can be prevented by children and their parents’ adherence to recommended oral health behaviors. Theory-driven tools help practitioners to identify the causes for poor adherence and develop effective interventions. This study examined the Expanded Theory of Planned Behaviour (TPB) Model by adding the concept of Sense of Coherence (SOC) to predict parental adherence to preschooler’s preventive dental visits. Methods: Data regarding socio-economic demographics were collected from parents of children aged 2-6 years. Constructs of TPB including parental attitudes, subjective norms (SN), Perceived Behavioural Control (PBC), and intention to attend preventive dental visits for their preschoolers were collected by questionnaire, alongside parents' sense of coherence (SOC). Dental attendance was measured by asking if the child had a regular dental visit during the last year. Structural Equation Modeling Analysis (SEMA) was carried out to identify significant direct and indirect (mediated) pathways in the extended TPB model. Conclusions: The expanded TPB model explained a great deal of variance in preschooler’s dental attendance. These findings suggest that the expanded model could be used as the framework for designing interventions or strategies to enhance dental attendance among preschoolers; in particular, such strategies should focus specifically on enhancing parental SOC including empowerment. <br><br><br><br><br>
DOI: 10.1285/i22840753n14p13
title: Appropriazioni virtuali. MoMAR, Audio Tour Hack, Recycle Group. La realtà aumentata come sovversione della narrazione museale = Virtual appropriations. MoMAR, Audio Tour Hack, Recycle Group. Augmented Reality as a subversion of museum storytelling

description: In 2018, an art collective called MoMAR has transformed, with its project "Hello, we are from the Internet", MoMA's Jackson Pollock room, in New York, into a personal exhibition area of Augmented Reality. By downloading a specific app, or via smartphones distributed at the entrance of the building by the artists themselves, visitors could access "augmented paintings", created by the collective on the basis of Pollock's works of art. In this as in other similar cases, the museum's hack can be considered a real artistic practice, valued with great interest even by critics and gallery owners against whom this operation is direct. In MoMAR, as in other experiments, this subversion was the result of an overlap, in a literal sense, of online and offline environments, capable of reconfiguring a new type of museum narrative. Museums have often resorted to narrative schemes to communicate with their audience, as they employ art objects as elements in institutionalized stories (Ferguson, Greenberg, Nairne, 1996). Storytelling, in this sense, presents itself as a set of choices made to convey the contents of the museum, and its absence can be perceived as disconcerting by visitors. If the concept of museum narrative is linked to that of authority, the practices mentioned above seem to undermine the very legitimacy of the museum institution, through the use of technologies and virtual environments. The aspect that emerges as crucial, as this paper will argue, is the non-hierarchical nature of the images that represent the world, and that can lead to the development of alternative narratives in the perception of the same.
DOI: 10.1285/i22840753n14p15
title: Bob Dylan: Narrazione dell''Umanesimo paranoide americano' = Bob Dylan: Narration of American paranoid Humanism

description: Aiming to review Bob Dylan's poetics discussing it outside its traditional interpretative paths — which use to interpret his poetry as a brilliant literary form of political commitment, the present video-essay argues that Dylan's lyrical production has to be interpreted as individualistic and universalistic, rather than as communitarian and ideological. What is claimed is that in the twentieth century, in the United States, cultural conditions were created that were completely similar to those of Italian Renaissance humanism. However, what is here called 'the Paranoid, American Humanism', does not aspire to the harmony of forms, but to their corruption, determined by the paranoid influence of the religious precepts introduced by the Pilgrim Fathers. It will be argued that Dylan, as well as the greatest American narrators of the mid-twentieth century, have debunked the great American narratives through such groundbreaking form of pop humanism.
DOI: 10.1285/i22840753n14p17
title: Fantozzi: un volto umano tra il tragicomico ed il nichilismo = Fantozzi: a human face between tragicomics and nihilism

description: This essay's construction would start with a brief analysis of Rag. Ugo Fantozzi's character, and the socio-media impact that his figure, since the mid-seventies, has brought on society, focusing on two points of reflection. The first, the best known and "popular", perhaps, concerns the language that is born and spreads from the films of the saga. Terms such as "Megaditta" or "Megagalattico", or the conjunctive conjunctions, such as "Vadi" and "Dichi", have entered in the common language use even today, bringing a structural change in the communication that, hypothetically, would become an all-Italian slang integration, which is alienated, this time, from contaminating elements of extraterritorial importation. The second point of reflection concerns Fantozzi worker image, the average employee who reflects his daily life in the historical and social context in which the character lives, the existential drama of those who suffer, those who doesn't know / cannot to react, of those who have neither the abilities nor the will to emulate the powerful, enduring with resignation a mobbing without way out, under penalty of an identity dissolution that is now totally annihilated. The example comes from the Fantozziana mask which, if, on the hand, shows profound hatred for years of servility and exploitation, on the other hand is unable to do without it because his life would no longer make sense without the Megaditta. This situation could be compared between Fantozzi and today's precarious worker, albeit taking into account the professional gap between the two figures, trying to bring possible common points between the two parties, first, then go into a generalized view of a similar reality in which we cannot finally affirm that we are all Fantozzi a little, with a bitter smile…
DOI: 10.1285/i22840753n14p19
title: La narrazione interattiva di Detroit: Become Human™ e la definizione etico-politica dell'individuo contemporaneo = The Detroit: Become Human ™ interactive narrative and the ethical-political definition of the contemporary individual

description: As has recently been admitted, videogames are the new frontier of the experiential entertainment. Different shapes and types of videogames are born to meet the specific demands of the players who, in a prospective of prosumerism, had contribute to developing the industry and the imaginary. The first and the oldest one, is the research of the meaning inside the narration, because we are stories, stuck in there. To the other side the sci fi narration is not crystallized to Isaac Asimov and Philip Dick, but it finds in some way new possibilities with products who interacts more with the customers. Detroit: become Human is the clearest example of Dick's influence. The game is set into a possible dystopian future, where Cyberlife, a company who make handyman droids, has became the most important political-institution of the world. This scenery had generated a huge social tension, because every work sector is filled by droids, even though they are formally integrated and partially accepted by the society. Nevertheless, the droids are ready for the revolution, because they want to be recognized as alive by the human. It's a continues mirroring through the experiences of the characters, that allow us to think about the real nature of the mankind: they become the prove not only of their world, but also of the discriminatory problems that we are living into the present. This game presents itself as a governance and social and policy videogame exercise, a topic that discusses its values.
DOI: 10.1285/i22840753n14p21
title: Variazione del tema. Sinossi, trailer, trama, tema, significato nel re-editing di "The Favourite" = Variation of the theme. Synopsis, trailer, plot, theme, meaning in the re-editing of "The Favourite"

description: The research hypothesis that guides the work is that the meaning of a film, as intended in a "procedural terms", begins even before its vision and precisely in the dialogue between the paratexts to which we expose ourselves before its vision and the film itself, which can direct the viewer's interpretation in several ways. The video essay is a double experiment: on one hand, it reconstructs "what it is about" The Favourite by Yorgos Lanthimos by recomposing the information retrieved from some promotional texts that are available online. On the other hand it reassembles parts of the film verbatim to show how it would have been according to the narrative segments highlighted by the various synopses or, vice versa, recontextualizing the images of the trailer as they are presented in the film. If on one hand this highlights the partiality and the differences of focus in the various texts, on the other hand the editing operations, made possible by the very form of the essay, touch the living material of the narrative structure of the film by distorting it, thus giving it the possibility of revealing its own density by exposing the multiple interpretations it contains. A practice of "metacriticism" that analyzes the narrative to reveal the semantic paths that are not immediately obvious.
DOI: 10.1285/i22840753n14p23
title: Percorsi di Ricerca
DOI: 10.1285/i22840753n14p25
title: Il mio corpo che cambia. Tra costruzione e smantellamento, lo spazio suburbano come paesaggio fisico, sociale e psicologico della Cina nel cinema di Jia ZhangKe = My body is changing. Between construction and destruction, the urban space as physical, social and psychological Chinese landscape in Jia ZhangKe's cinema

description: My body is changing.Between construction and destruction, the urban space as physical, social and psychological Chinese landscape in Jia ZhangKe's cinema. It is certainly true that cinema has always dialogued with architectural urban space, highlighting, depicting and investigating the multiple landscape transformations. In order to explore how cinema reflects upon marginalization process provoked by the organization of urban space, in the present essay I will take into account Jia ZhangKe's cinema, which explores and traverses China's post-socialist alterations, as well as personal, collective, private and public mutations. Revealing the several layers, voices and levels concerning Chinese history the films discussed shed a light on the urban transformation in a global landscape. The World (2004), Still Life (2006), 24 City (2008) and I Wish I Knew (2010) reflect upon marginalization, deterritorialization and alienation process caused by the production of urban space through a superimposition of imaginaries which trace Chinese history and cultural evolution.
DOI: 10.1285/i22840753n14p45
title: Comunicazione simulativa e allodoxia comunicativa nella storia sociale dei media = Simulative communication and communicative allodoxia in the social history of the media

description: Simulative communication and communicative allodoxia in the social history of the media. This paper deals with the problem of defining the different communicative, artistic or literary genres, which have in common both the explicit declaration of not wanting to represent reality, and the ability to credit their content as true, provoking reactions worthy of note in the public. The cases reported in this study are paradigmatic of a "simulative" kind of communication, in which the fiction plays the role of reality and in the viewer/reader a false opinion is created on the content and nature of the communication, definable as "communicative allodoxia". Hence "simulative communication" and "communicative allodoxia" are like two sides of the same "false" coin. The two elements hold each other because one generates the other.
DOI: 10.1285/i22840753n14p78
title: Colophon
DOI: 10.14272/xrzqchktivomje-uhfffaoysa-n.1
title: C22H19NO2
title: InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2

description: This dataset contains experimental data from a sample (InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2). The datasets from the following experiments are available: infrared absorption spectroscopy (IR) 13C nuclear magnetic resonance spectroscopy (13C NMR) 1H nuclear magnetic resonance spectroscopy (1H NMR) mass spectrometry (MS)
DOI: 10.14272/xrzqchktivomje-uhfffaoysa-n/chmo0000470
title: mass spectrometry (MS) ()
title: InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2

description: dataset for mass spectrometry (MS) HRMS (C22H20O2N1) calc.330.1494, found 330.1495.
DOI: 10.14272/xrzqchktivomje-uhfffaoysa-n/chmo0000593
title: 1H nuclear magnetic resonance spectroscopy (1H NMR) ()
title: InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2

description: dataset for 1H nuclear magnetic resonance spectroscopy (1H NMR) 1H NMR (400 MHz, Chloroform-d, ppm) δ = 8.34 (d, J = 8.8 Hz, 2H), 7.63 (d, J = 8.8 Hz, 2H), 6.75–6.37 (m, 7H), 3.35 (ddd, J = 13.1 Hz, jJ = 10.0 Hz, J = 3.2 Hz, 1H), 3.27–3.13 (m, 3H), 3.12–2.85 (m, 3H), 2.64 (ddd, J = 13.1 Hz, J = 10.0 Hz, J = 4.7 Hz, 1H).
DOI: 10.14272/xrzqchktivomje-uhfffaoysa-n/chmo0000595
title: 13C nuclear magnetic resonance spectroscopy (13C NMR) ()
title: InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2

description: dataset for 13C nuclear magnetic resonance spectroscopy (13C NMR) 13C NMR (100 MHz, Chloroform-d, ppm) δ = 147.9, 146.8, 140.4, 139.7, 139.7, 139.6, 137.4, 136.4, 133.7, 133.5, 132.9, 132.2, 132.0, 130.5 (2C), 129.7, 124.0 (2C), 35.6, 35.3, 35.1, 34.2.
DOI: 10.14272/xrzqchktivomje-uhfffaoysa-n/chmo0000630
title: infrared absorption spectroscopy (IR) ()
title: InChI=1S/C22H19NO2/c24-23(25)21-13-11-20(12-14-21)22-15-18-6-5-16-1-3-17(4-2-16)7-9-19(22)10-8-18/h1-4,8,10-15H,5-7,9H2

description: dataset for infrared absorption spectroscopy (IR) IR (ATR, ṽ) = 2927, 2890, 2873, 2850, 1591, 1513, 1475, 1436, 1414, 1344, 1315, 1288, 1238, 1179, 1164, 1105, 1091, 1045, 1013, 907, 881, 851, 841, 822, 806, 796, 756, 735, 732, 718, 701, 686, 659, 647, 625, 591, 554, 533, 516, 476, 450, 433, 426, 416, 380 cm–1.
DOI: 10.18716/nmrshiftdb2/21333
title: NMR data for 5-Acetylamino-2-(2-carboxy-ethyl)-benzoic Acid
DOI: 10.18716/nmrshiftdb2/21332
title: NMR data for Neoboutonin
DOI: 10.18716/nmrshiftdb2/21337
title: NMR data for (2-propenyl) [4-(2-butyl)phenyl) ether; allyl (4-sec-butylphenyl) ether; allyl p-sec-butylphenyl ether; allyl [4-(2-butyl)phenyl ether
DOI: 10.18716/nmrshiftdb2/21338
title: NMR data for (2-propeynl) {4-[2-(2-methylpropyl)]phenyl} ether; allyl (4-tert-butylphenyl) ether; allyl p-t-butylphenyl ether; allyl p-tert-butylphenyl ether; allyl {4-[2-(2-methylpropyl)]phenyl} ether