cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10262175
title: Luo Hat

description: This hat by the cultural group of "Luo" is a 3D creation based off an artefact. It was made for my 3rd semester project about stolen artefacts from Kenya.
You can find the original piece here: https://www.inventoriesprogramme.org/explore The IIP Object Number is 10693.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262174
title: Luo Hat

description: This hat by the cultural group of "Luo" is a 3D creation based off an artefact. It was made for my 3rd semester project about stolen artefacts from Kenya.
You can find the original piece here: https://www.inventoriesprogramme.org/explore The IIP Object Number is 10693.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262176
title: Roman Pot,  Montemor-o-Novo, Portugal

description: A small roman pot discovered in the historical urban part of Montemor-o-Novo, Portugal. It is not a common find in the city, although there are several roman sites identified around the city. This pot is made in a red clay that is very typical from Montemor-o-Novo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262177
title: Roman Pot,  Montemor-o-Novo, Portugal

description: A small roman pot discovered in the historical urban part of Montemor-o-Novo, Portugal. It is not a common find in the city, although there are several roman sites identified around the city. This pot is made in a red clay that is very typical from Montemor-o-Novo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262180
title: ROI007-256-01

description: Madison Point collected in Wabash County, Indiana.

Catalog # 12-Wb-142-1

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI007-256-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, By William Wepler and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262181
title: ROI007-256-01

description: Madison Point collected in Wabash County, Indiana.

Catalog # 12-Wb-142-1

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI007-256-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, By William Wepler and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262182
title: Offering Bearers in the Tomb of Khunes, Aswan

description: Relief of offering bearers in the 6th dynasty tomb of Khunes (QH 34h) in Qubbet el-Hawa, Aswan, Egypt.

Created from 25 photographs (Canon EOS Rebel T71) using Metashape 1.6.1.  Photographed in January 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262183
title: Offering Bearers in the Tomb of Khunes, Aswan

description: Relief of offering bearers in the 6th dynasty tomb of Khunes (QH 34h) in Qubbet el-Hawa, Aswan, Egypt.

Created from 25 photographs (Canon EOS Rebel T71) using Metashape 1.6.1.  Photographed in January 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262184
title: Ethiopian Medical Book - Version 2

description: Ethiopian Medical Book

18th Century Illuminated Manuscript
Israel Museum Jerusalem
Photogrammetric model.
Agisoft Photoscan + Autodesk Meshmixer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262185
title: Ethiopian Medical Book - Version 2

description: Ethiopian Medical Book

18th Century Illuminated Manuscript
Israel Museum Jerusalem
Photogrammetric model.
Agisoft Photoscan + Autodesk Meshmixer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262188
title: Frog Fountain

description: I set up some lamps to try and get decent lighting, since I had to bring this heavy thing indoors due to rain. Taken on a Nikon D3200 with 72 photos, processed in Photoscan, and cleaned up in Remake.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262189
title: Frog Fountain

description: I set up some lamps to try and get decent lighting, since I had to bring this heavy thing indoors due to rain. Taken on a Nikon D3200 with 72 photos, processed in Photoscan, and cleaned up in Remake.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262192
title: "Unknown 13"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262193
title: "Unknown 13"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262194
title: Molino San Vincenzo US 1500/S5/2018/HS 11

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262195
title: Molino San Vincenzo US 1500/S5/2018/HS 11

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262198
title: Ivory Pot

description: Material: Ivory. Accession no: L 004. Current Location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). Very little is known about this object. An ivory pot, the long bowl standing with three legs on a circular base. Possibly African.
[More](https://www.huntmuseum.com/explore/item/32aa7221-62ea-3c30-bf2f-87aa00bcda63/?s%3Dafrican&pos=2).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262199
title: Ivory Pot

description: Material: Ivory. Accession no: L 004. Current Location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). Very little is known about this object. An ivory pot, the long bowl standing with three legs on a circular base. Possibly African.
[More](https://www.huntmuseum.com/explore/item/32aa7221-62ea-3c30-bf2f-87aa00bcda63/?s%3Dafrican&pos=2).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262200
title: 023 Dolchklinge / Dagger blade

description: # **Fundort / Site**
Petershagen-Hävern, Kreis Minden-Lübbecke (Germany)


# **Fundumstände / Circumstances of discovery**
Fluss / River

1989


# **Objekt / Object**
Bronze / Bronze

Länge / Length: 26,6 cm

Breite / Width: 5,0 cm

Dicke / Thickness: 0,5 cm


# **Datierung / Dating**
Ca. 1500 v. Chr.

Mittlere Bronzezeit / Middle Bronze Age


# **Fundverbleib / Repository**
Zentrales Fundarchiv der LWL-Archäologie für Westfalen, Münster


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262201
title: 023 Dolchklinge / Dagger blade

description: # **Fundort / Site**
Petershagen-Hävern, Kreis Minden-Lübbecke (Germany)


# **Fundumstände / Circumstances of discovery**
Fluss / River

1989


# **Objekt / Object**
Bronze / Bronze

Länge / Length: 26,6 cm

Breite / Width: 5,0 cm

Dicke / Thickness: 0,5 cm


# **Datierung / Dating**
Ca. 1500 v. Chr.

Mittlere Bronzezeit / Middle Bronze Age


# **Fundverbleib / Repository**
Zentrales Fundarchiv der LWL-Archäologie für Westfalen, Münster


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262202
title: Trucker Hat Black (Toon)

description: A trucker hat, mesh cap or netback cap is a type of baseball cap. It is also sometimes known as a "gimme cap" or a "feed cap" because this style of hat originated during the 1960s as a promotional give-away from U.S. feed or farming supply companies to farmers, truck drivers, or other rural workers.

*1 model (low poly) with materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262203
title: Trucker Hat Black (Toon)

description: A trucker hat, mesh cap or netback cap is a type of baseball cap. It is also sometimes known as a "gimme cap" or a "feed cap" because this style of hat originated during the 1960s as a promotional give-away from U.S. feed or farming supply companies to farmers, truck drivers, or other rural workers.

*1 model (low poly) with materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262204
title: XCB-003-882 Izembek Point, base

description: Izembek Point, base XCB-003-882.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262205
title: XCB-003-882 Izembek Point, base

description: Izembek Point, base XCB-003-882.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262206
title: Attalus I, King of Pergamon

description: Attalus I, King of Pergamon in 3rd century BC.

Pergamon Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262207
title: Attalus I, King of Pergamon

description: Attalus I, King of Pergamon in 3rd century BC.

Pergamon Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262209
title: Husaaripiippu - Hussar Pipe

description: TMK14827:2

Ns. husaaripiipun koppa, jota koristelee turkkilaismiestä kuvaava pää. Tämä koppa on löytynyt Turun Urheilupuistosta vuonna 1954. Samankaltaisia turkkilaisaiheisia piippuja on valmistettu 1700-luvulla sekä Alankomaissa että Tanskassa, mutta tämä piippu on alkuperänsä suhteen vielä mysteeri. Kopan ylälaidasta erottuu teksti "Anno 1786 Tartar", mikä todennäköisesti paljastaa kopan valmistusvuoden. Erikoista tämän tyyppisissä piipuissa on myös se, että Suomessa niitä on eniten löydetty eniten Torniosta, josta niitä on löytynyt kymmenen kappaletta.

The bowl of a so-called Hussar pipe. The bowl is decorated with a face imitating a Turkish man. This bowl was found in 1954 from Sports Park, Turku. Similar kind of pipes depicting Turks started to become produced in the Netherlands and Denmark in the 1730s, and became popular for the rest of the century. The country of origin for this bowl is unknown, but the text "Anno 1786 Tartar" on the lip of the bowl gives a likely date of production for it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262208
title: Husaaripiippu - Hussar Pipe

description: TMK14827:2

Ns. husaaripiipun koppa, jota koristelee turkkilaismiestä kuvaava pää. Tämä koppa on löytynyt Turun Urheilupuistosta vuonna 1954. Samankaltaisia turkkilaisaiheisia piippuja on valmistettu 1700-luvulla sekä Alankomaissa että Tanskassa, mutta tämä piippu on alkuperänsä suhteen vielä mysteeri. Kopan ylälaidasta erottuu teksti "Anno 1786 Tartar", mikä todennäköisesti paljastaa kopan valmistusvuoden. Erikoista tämän tyyppisissä piipuissa on myös se, että Suomessa niitä on eniten löydetty eniten Torniosta, josta niitä on löytynyt kymmenen kappaletta.

The bowl of a so-called Hussar pipe. The bowl is decorated with a face imitating a Turkish man. This bowl was found in 1954 from Sports Park, Turku. Similar kind of pipes depicting Turks started to become produced in the Netherlands and Denmark in the 1730s, and became popular for the rest of the century. The country of origin for this bowl is unknown, but the text "Anno 1786 Tartar" on the lip of the bowl gives a likely date of production for it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262214
title: Funeral altar (Bômos)

description: Funeral altar (Bômos), 313-314, Otourak (near Acmonia, Phrygia), Marble. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

The decoration of the four faces is composed of the following elements made difficult to read by a hammering due to the Christians: a) medallion representing a rider hero (Manes?) Surmounted by the bust of the Sun. Below niche with a bust of the goddess Hecate (?) B) a crown once containing a portrait (?) replaced by a cross; c) an eagle, a crown in its beak and indisctinct figures (a rider and two felines); d) Hermés holding the purse and the caduceus (?).

In the inscription spread over three faces (a-c), the high priest Athanatos Epitynchanos boasts of having received, thanks to his initiation by the high priestess Ispatalé, the gift "to make oracles real".

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262213
title: Funeral altar (Bômos)

description: Funeral altar (Bômos), 313-314, Otourak (near Acmonia, Phrygia), Marble. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with CapturingReality.

The decoration of the four faces is composed of the following elements made difficult to read by a hammering due to the Christians: a) medallion representing a rider hero (Manes?) Surmounted by the bust of the Sun. Below niche with a bust of the goddess Hecate (?) B) a crown once containing a portrait (?) replaced by a cross; c) an eagle, a crown in its beak and indisctinct figures (a rider and two felines); d) Hermés holding the purse and the caduceus (?).

In the inscription spread over three faces (a-c), the high priest Athanatos Epitynchanos boasts of having received, thanks to his initiation by the high priestess Ispatalé, the gift "to make oracles real".

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262215
title: Esfinx

description: **Mites universals**

**CAT:** També la cultura ibèrica va conèixer l'esfinx, aquesta figura mitològica venerada i temuda alhora per diferents civilitzacions al llarg de la Mediterrània antiga. La d'Ullastret va ser tallada damunt d'una placa d'os d'animal. Amb les seves urpes, ales i mirada humana, té aproximadament 27 segles d'antiguitat.

**ES:** La cultura ibérica también conoció la esfinge, esa figura mitológica adorada y temida a partes iguales por diferentes civilizaciones a lo largo del Mediterráneo antiguo. La de Ullastret fue esculpida sobre una placa de hueso animal. Con sus garras, alas y mirada humana, tiene aproximadamente 27 siglos de antigüedad.

**ENG:** The Iberian Culture knew about the sphinx too, that mythological creature  adored and dreaded in a same way for many civilisations along the Ancient Mediterranean. The sphinx from Ullastret was carved on a piece of some animal bone. With its claws, wings and human gaze, it has about 27 centuries of antiquity.

http://www.macullastret.cat/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262216
title: Esfinx

description: **Mites universals**

**CAT:** També la cultura ibèrica va conèixer l'esfinx, aquesta figura mitològica venerada i temuda alhora per diferents civilitzacions al llarg de la Mediterrània antiga. La d'Ullastret va ser tallada damunt d'una placa d'os d'animal. Amb les seves urpes, ales i mirada humana, té aproximadament 27 segles d'antiguitat.

**ES:** La cultura ibérica también conoció la esfinge, esa figura mitológica adorada y temida a partes iguales por diferentes civilizaciones a lo largo del Mediterráneo antiguo. La de Ullastret fue esculpida sobre una placa de hueso animal. Con sus garras, alas y mirada humana, tiene aproximadamente 27 siglos de antigüedad.

**ENG:** The Iberian Culture knew about the sphinx too, that mythological creature  adored and dreaded in a same way for many civilisations along the Ancient Mediterranean. The sphinx from Ullastret was carved on a piece of some animal bone. With its claws, wings and human gaze, it has about 27 centuries of antiquity.

http://www.macullastret.cat/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262219
title: Apollo Belvedere

description: Bronze statue Apollo Belvedere, H. C. Orsted's Park, Copenhagen, Denmark

Casting of a Roman sculpture, copied from a Greek original, erected in the 1880s. Donated by brewer and art aficianado Carl Jacobsen, founder of the Carlsberg breweries.

![](http://rigsters.com/sketchfab_img/apollo-belvedere-3dscan-rigsters.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262220
title: Apollo Belvedere

description: Bronze statue Apollo Belvedere, H. C. Orsted's Park, Copenhagen, Denmark

Casting of a Roman sculpture, copied from a Greek original, erected in the 1880s. Donated by brewer and art aficianado Carl Jacobsen, founder of the Carlsberg breweries.

![](http://rigsters.com/sketchfab_img/apollo-belvedere-3dscan-rigsters.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262223
title: XCB-003-157 End Blade Base, Fishtail Arrow Point

description: End Blade Base, Fishtail Arrowpoint  XCB-003-148. Likely 400-1 BCE

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262224
title: XCB-003-157 End Blade Base, Fishtail Arrow Point

description: End Blade Base, Fishtail Arrowpoint  XCB-003-148. Likely 400-1 BCE

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262225
title: Spear Point

description: This is a spear point found in Sheridan/Big Horn Mountain region of Wyoming.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262226
title: Spear Point

description: This is a spear point found in Sheridan/Big Horn Mountain region of Wyoming.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262229
title: Developable Surface

description: Developable Surface (Surface développable), 1941
Bronze and silver gilt, 55 x 36.3 x 49.1 cm
Peggy Guggenheim Collection, Venice 76.2553 PG 62
© Antoine Pevsner, by SIAE 2008

https://www.youtube.com/channel/UCC880BUJ1peB1DhkdHZ_k5Q

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262230
title: Developable Surface

description: Developable Surface (Surface développable), 1941
Bronze and silver gilt, 55 x 36.3 x 49.1 cm
Peggy Guggenheim Collection, Venice 76.2553 PG 62
© Antoine Pevsner, by SIAE 2008

https://www.youtube.com/channel/UCC880BUJ1peB1DhkdHZ_k5Q

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262231
title: Abandoned Reid Hospital  -RAWscan

description: The Old Reid Hospital is a building in Richmond, Indiana that previously housed Reid Hospital and Health Care Services. The hospital was founded in 1905 by Daniel Grey Reid. The building is currently abandoned with plans in place for demolition.  wikipedia

photogrammetry from video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262232
title: Abandoned Reid Hospital  -RAWscan

description: The Old Reid Hospital is a building in Richmond, Indiana that previously housed Reid Hospital and Health Care Services. The hospital was founded in 1905 by Daniel Grey Reid. The building is currently abandoned with plans in place for demolition.  wikipedia

photogrammetry from video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262235
title: Griffin Grasping Nemesis' Wheel of Fate

description: "The Roman goddess of fate and revenge, Nemesis, was the personification of godly punishment for those guilty of pride. She was first portrayed as a female figure beside the wheel of fate and a griffin, a horned, winged creature with a beak and the body of a lion. Over time, however, she lost her anthropomorphic character and these two images came to represent the goddess in and of themselves. During the Roman Period, Nemesis rose in popularity- particularly among soldiers, who brought her cult to the Land. The base of the sculpture bears a greek inscription that reads "Year 522, I, Mercurios, son of Alexander, dedicate [this statue[ during my priesthood.""


Photographed in the Israel Museum 


Erez, Northern Negev


210-211 CE


Marable

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262236
title: Griffin Grasping Nemesis' Wheel of Fate

description: "The Roman goddess of fate and revenge, Nemesis, was the personification of godly punishment for those guilty of pride. She was first portrayed as a female figure beside the wheel of fate and a griffin, a horned, winged creature with a beak and the body of a lion. Over time, however, she lost her anthropomorphic character and these two images came to represent the goddess in and of themselves. During the Roman Period, Nemesis rose in popularity- particularly among soldiers, who brought her cult to the Land. The base of the sculpture bears a greek inscription that reads "Year 522, I, Mercurios, son of Alexander, dedicate [this statue[ during my priesthood.""


Photographed in the Israel Museum 


Erez, Northern Negev


210-211 CE


Marable

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262237
title: Casa Pittner

description: Pittner Haus in Resita

Source: Objaverse 1.0 / Sketchfab