cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.22008/fk2/oiajvo/ei0xbu
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/lavma0
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/j2l7on
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/70vghe
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/nlcqls
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/rnpnj4
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/xww073
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/mmial0
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/ohzhy1
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/oufrio
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/awdody
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/wynue2
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/xc4mt9
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/axbxge
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12367478.v1
title: On the Inside- Holloway Prison Historical Photography for Research Process

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains historical photography used as part of the research process. <b><br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.22008/fk2/oiajvo/tea57b
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12367469.v1
title: On the Inside - Research Timeline & Research Questions

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.22008/fk2/oiajvo/qzfzk0
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12367463.v1
title: On the Inside - Playing the Game - Main Performance Output (2019)

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains a video recording of the full <i>Playing the Game</i> performance at Bedlam Festival, Birmingham Repertory Theatre, which took place on the 10th and 11th October 2019.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>Directors:Andy Watson & Helena Enright<br>Cast:Liz BrownCasey FoxRuth MilneLaurence Saunders<br>Sound design:Daniel Pearce<br>
DOI: 10.22008/fk2/oiajvo/wmyhx5
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12367433.v1
title: On the Inside - 300 Word Statement

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the 300 Word Statement.<br><br>
DOI: 10.22008/fk2/oiajvo/cepskg
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12367391.v1
title: The River Shannon Project - 300 Word Statement

description: <i>The River </i>is a one woman play which researches through testimonial performance and storytelling how people engage with the landscape, physicality and presence of the River Shannon as it flows through the city of Limerick.<i> The River Shannon Project</i> documents this creative practice research carried out by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University in partnership with Elemental Arts & Culture Festival, Limerick and Limerick City of Culture 2014.<br><br>This item contains the 300 word statement.<br><br><br>
DOI: 10.22008/fk2/oiajvo/iblhxl
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12349439.v1
title: Original Artist Identity in Song - CousteauX Album

description: Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><br><b>This item contains audio files from the Album "CousteauX" which is the research output for this project.</b><br><b>Audio files & Image courtesy of Davey Ray Moor.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.22008/fk2/oiajvo/tlnxqz
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12326624.v1
title: Original Artist Identity in Song - Davey Ray Moor Solo Tour 2019 - Images

description: Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><b><br>This item contains Images from a Solo Tour of music from the CousteauX album.<br><br>Images courtesy of Davey Ray Moor and Nigel Ford.</b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.22008/fk2/oiajvo/9tzlkj
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/p3jwu0
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12326618.v1
title: Original Artist Identity in Song - CousteauX Album Tour 2017 - Images

description: Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><b><br>This item contains Images from the CousteauX European Album tour in 2017.<br><br>Images courtesy of Davey Ray Moor and Nigel Ford.</b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.22008/fk2/oiajvo/ljm4av
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/3bo4ox
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12311138.v1
title: Releasing the Archive - Performance: 'Lost & Found [Dances of Exile]' - Video of Performance & Documentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains video documentation of the Performance 'Lost & Found', which is one component of the Research Output for this project. Also included are Images of the Performance Plan/Process.</b><br><br>Event Location: Q-Theatre, Auckland, New Zealand<br>Site - responsive immersive dance performance<br>Movement direction and research: Carol Brown and Thomas Kampe<br>Sound Design: Russell Scoones<br>Costume Design: Kasia Pol<br>Lighting design: Jo Kilgour<br>Dramaturg: Fiona GrahamVideographer Zuiderwyk, Meek Dancers: Campbell, Kasina; Nesami, Maryam; Kokiri, Chrissy; Rudd, Katie; Tolentino, Carl; Ji, Xin<br><b><br>Video, Images & Floor Plan courtesy of Carol Brown, Russell Scoones and Kasia Pol.</b><b><br></b><b>Used with permission.</b><b><br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.22008/fk2/oiajvo/x8k1d3
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12301940.v1
title: Dramaturgies of Hauntology - The Strange Geometry of Time (2018) - Performance Poster, University Theatre, Bath Spa University

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br>This item contains the promotional poster for the performance of <i>The Strange Geometry of Time</i> at the University Theatre, Bath Spa University.<br><br>Photo by Mary Steadman. Poster designed by Mary Steadman.Used with permission.
DOI: 10.22008/fk2/oiajvo/nqnxbn
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12294917.v1
title: Dramaturgies of Hauntology - Dwelling (2019) - Publicity design

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br>This item contains a collection of images of the poster and postcards for performances of <i>Dwelling</i> at the Anglican Chapel, Arnos Vale Cemetery, and Bath Spa University with Bath Spa Productions.<br><br>Images by Mary Steadman.Poster designed by Mary Steadman.<br>All used with permission.
DOI: 10.22008/fk2/oiajvo/gpajk2
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/roritk
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/2fvqoo
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12287870.v1
title: Releasing the Archive - Research Process Documentation - Images & Videos - Auckland 2015/16 and Berlin 2016

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains Research Process Documentation from workshops in Auckland in 2015 & 2016 & Berlin in 2016.<br><br>Photographs courtesy of Thomas Kampe.</b><b>Used with permission.</b><b><br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.22008/fk2/oiajvo/gytzbs
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/g3nurx
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12287021.v1
title: Releasing the Archive - Contextualising Information - Book Chapter & Powerpoint Presentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies. <br><br><b>This item contains contextualising information for the project in the form of a Book Chapter ('Tanz als Überlebenskunst') & Powerpoint Presentation ('(re)membering: Revitalising Marginalised Dance Practices').</b><b><br></b><b>Kampe, T (2019) 'Tanz als Überlebenskunst: Die Choreografin Hilde Holger und ihr Einfluss auf die britische Tanzkultur.' In: Amort, A, ed. Alles tanzt: Kosmos Wiener Tanzmoderne. Hatje Cantz, Vienna, pp. 289-297. ISBN 9783775745673<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.22008/fk2/oiajvo/b2sw5t
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12287006.v1
title: Releasing the Archive - Historical Resource Images

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains historical resource images illustrating the broader historical context within which the research was undertaken.<br><br>Photographs courtesy of Margaret Michaelis and Studio D'Ora. <br><br>Dancers: Gertrud Bodenweiser, Hilary Napier, Lisl Rinaldini, Hilde Holger and Shona Dunlop McTavish. <br><br>Photographs of posters courtesy of Thomas Kampe. <br><br>Images of Hilde Holger courtesy of Thomas and Gerhard Kampe, with permission from Theatermuseum Wien and Hilde Holger Archives (Legacy Project).</b><b><br></b><b>All material used with permission.<br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.22008/fk2/oiajvo/jkkjqh
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12286988.v1
title: Releasing the Archive - Installation: 'I Travel With You' - Interactive Mobile Phone Dance - Installation & Exhibition Documentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies. <br><br><b>This item contains images from the 'I Travel With You' installation and the text provocation which accompanies the piece which is one component of the Research Output for this project.</b><b><br></b>'I Travel with you' (2016-2019), is a participatory micro- screen dance installation & score for mobile phone, tracing and constructing diasporic dance practice; dancers in Kampala (Uganda), Sydney ( AUS), and Kuching (Malaysia) recorded and uploaded short choreographic responses on a mobile device which travelled across four continents.<br>Part of the project 'Good Bags, Bad Bags - in 225 days around the world', curated by German artist Reinhardt Wanzke and part of the exhibition ‘Sammlung als Erzählung’ Weltkulturen Museum Frankfurt a.M. (16.05.2019)<br><br><b>Photographs courtesy of Reinhardt Wanzke. <br><br></b><b>Used with permission.</b><b><br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.22008/fk2/oiajvo/rfq5ix
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12286979.v1
title: Releasing the Archive - Research Timeline & Research Questions

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b><br>This item contains the Research Questions & Research Timeline for the project. </b>
DOI: 10.22008/fk2/oiajvo/qg3dha
title: snow_specific_area.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12286973.v1
title: Releasing the Archive - 300-Word Statement

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><br><b>This item contains the 300-Word Statement for the project.</b>
DOI: 10.22008/fk2/oiajvo/f4ixbg
title: al.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/pnydlp
title: albedo_bb_planar_sw.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/8nfbgb
title: diagnostic_retrieval.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.22008/fk2/oiajvo/nt1vtu
title: grain_diameter.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4
DOI: 10.17870/bathspa.12279890.v1
title: Original Artist Identity in Song - "Constructing Artist Identity in Song" - Journal Article & Publication Delay Letter

description: Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><br><b>This item contains a Journal Article written as part of the research for this project & a letter explaining the delay in publication of the Journal, due to the COVID-19 Pandemic. </b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.22008/fk2/oiajvo/tlrqfv
title: r0.tif

description: SICE version: Cloud removed, PPGC, SNAP7, pySICEv1.4