cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10422453
title: Francesco Totti's mural in Rome, rione Monti

description: 41.894153181876156, 12.490037456159824

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422454
title: Francesco Totti's mural in Rome, rione Monti

description: 41.894153181876156, 12.490037456159824

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422455
title: Tour des Aiguilhons details

description: My 3D model from photos generated with photogrammetry software 3DF Zephyr v4.513 processing 8 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422456
title: Tour des Aiguilhons details

description: My 3D model from photos generated with photogrammetry software 3DF Zephyr v4.513 processing 8 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422457
title: Ölberggruppe

description: This Mount of Olives scene is part of the Calvary of Wilfersdorf and is the 1st station of the Sorrowful Rosary "Jesus who sweated blood for us". The depiction corresponds to the scene when Jesus, followed by his disciples went to the Mount of Olives to pray. Then an angel appeared to him from heaven and gave him new strength. And he prayed even more fervently in his anguish. After praying, he got up and went back to the disciples and found them asleep, for they were exhausted with grief. The groups of figures on Calvary were donated by Hartmann and Sidonie von Liechtenstein and date from around 1674.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422458
title: Ölberggruppe

description: This Mount of Olives scene is part of the Calvary of Wilfersdorf and is the 1st station of the Sorrowful Rosary "Jesus who sweated blood for us". The depiction corresponds to the scene when Jesus, followed by his disciples went to the Mount of Olives to pray. Then an angel appeared to him from heaven and gave him new strength. And he prayed even more fervently in his anguish. After praying, he got up and went back to the disciples and found them asleep, for they were exhausted with grief. The groups of figures on Calvary were donated by Hartmann and Sidonie von Liechtenstein and date from around 1674.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422459
title: Maratha Warrior Armor

description: Developed by LivePixel Technologies

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422460
title: Maratha Warrior Armor

description: Developed by LivePixel Technologies

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422461
title: Karl-Volkmar-Stoy-Schule Jena (HQ)

description: Erstellt in Agisoft PhotoScan aus 224 Fotos aufgenommen mit einem DJI Phantom 4 pro Copter.
http://jenacopterlabs.de/?p=783

POI- und NADIR-Aufnahme

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422462
title: Karl-Volkmar-Stoy-Schule Jena (HQ)

description: Erstellt in Agisoft PhotoScan aus 224 Fotos aufgenommen mit einem DJI Phantom 4 pro Copter.
http://jenacopterlabs.de/?p=783

POI- und NADIR-Aufnahme

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422464
title: ROI018-257-01

description: Jack's Reef/ Racoon Notched Point collected in Jay County, Indiana.

Catalog#: 12-Ja-420-25

Uploaded by: Sherlyn Contreras

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI018-257-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana,* Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422465
title: ROI018-257-01

description: Jack's Reef/ Racoon Notched Point collected in Jay County, Indiana.

Catalog#: 12-Ja-420-25

Uploaded by: Sherlyn Contreras

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI018-257-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana,* Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422467
title: Old Tape Measure

description: Use the Trnio app at www.trnio.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422466
title: Old Tape Measure

description: Use the Trnio app at www.trnio.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422468
title: Diyanet Center of America, Lanham, MD, USA

description: Directorate of Religious Affairs, Turkish Gov't, Lanham, MD, USA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422469
title: Diyanet Center of America, Lanham, MD, USA

description: Directorate of Religious Affairs, Turkish Gov't, Lanham, MD, USA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422470
title: Trekņu pilskalns

description: Trekņu pilskalna 3D modelis. Koordinātas: 56.367020, 21.640533

https://www.latvijas-pilskalni.lv/treknu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422471
title: Trekņu pilskalns

description: Trekņu pilskalna 3D modelis. Koordinātas: 56.367020, 21.640533

https://www.latvijas-pilskalni.lv/treknu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422472
title: Satyr with panther

description: Satyr with a panther, 2nd century B.C., Italy, Marble, at Musee du Cinquantenaire (Brussels, Belgium), 3D scan made with memento Beta

This is a young satyr with pointed ears and tail, playing with a panther

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422473
title: Satyr with panther

description: Satyr with a panther, 2nd century B.C., Italy, Marble, at Musee du Cinquantenaire (Brussels, Belgium), 3D scan made with memento Beta

This is a young satyr with pointed ears and tail, playing with a panther

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422475
title: Castle passage

description: Partial interior passageway/doorways of Old Wardour castle in Wiltshire, UK.

Mesh is decimated/optimised in zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422476
title: Castle passage

description: Partial interior passageway/doorways of Old Wardour castle in Wiltshire, UK.

Mesh is decimated/optimised in zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422479
title: LAZARO CARDENAS (Colour)

description: Centro de Estudios Cientificos y Tecnologicos 4.

http://www.cecyt4.ipn.mx/Paginas/inicio.aspx

http://www.cecyt4.ipn.mx/Conocenos/Paginas/Escudo.aspx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422480
title: LAZARO CARDENAS (Colour)

description: Centro de Estudios Cientificos y Tecnologicos 4.

http://www.cecyt4.ipn.mx/Paginas/inicio.aspx

http://www.cecyt4.ipn.mx/Conocenos/Paginas/Escudo.aspx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422481
title: Architectural fragment

description: [MM 1974:014](http://kulturarvsdata.se/SMVK-MM/GreekRoman/html/3101607), Fragment of Corinthian (or composite) column capital; only one volute and part of an acanthus leaf preserved; drill-holes in leaf; plastic profile on the right hand side; yellowish white large-crystalline marble. Bequest of H.M. King Gustaf VI Adolf 1974. The earliest remains in the area of the sanctuary of Demeter at Eleusis date back to the Bronze Age, but whatever structures there were at that time were abandoned at the end of Mycenaean civilization, around 1200 BCE. However, the nature of these structures are highly unclear and it is unknown if they represent an early form of a sanctuary. Instead, the evidence for the existence of a sanctuary proper stretches from the eighth century BCE until the end of the fourth century CE, when Eleusis was sacked by the Goths. There was no attempt to rebuild the sanctuary after the sack and the mysteries faded into obscurity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422482
title: Architectural fragment

description: [MM 1974:014](http://kulturarvsdata.se/SMVK-MM/GreekRoman/html/3101607), Fragment of Corinthian (or composite) column capital; only one volute and part of an acanthus leaf preserved; drill-holes in leaf; plastic profile on the right hand side; yellowish white large-crystalline marble. Bequest of H.M. King Gustaf VI Adolf 1974. The earliest remains in the area of the sanctuary of Demeter at Eleusis date back to the Bronze Age, but whatever structures there were at that time were abandoned at the end of Mycenaean civilization, around 1200 BCE. However, the nature of these structures are highly unclear and it is unknown if they represent an early form of a sanctuary. Instead, the evidence for the existence of a sanctuary proper stretches from the eighth century BCE until the end of the fourth century CE, when Eleusis was sacked by the Goths. There was no attempt to rebuild the sanctuary after the sack and the mysteries faded into obscurity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422486
title: SHREK

description: SHREK

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422485
title: SHREK

description: SHREK

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422487
title: Gegraveerd glas Spui

description: Het was gebruikelijk om in gezelschap een heildronk uit te brengen op de stadhouder waarbij in dit geval speciale glazen werden gebruikt. Daarbij werd in dit geval geroepen: 'Vive La Branche d'Orange'. Vertaald : leve de tak van de Oranjes. De tak verwijst naar Maurits, zoon van de vermoorde Willem van Oranje. Ook de oranjeappels (sinaasappels) zijn afgebeeld. Deze glazen zijn gegraveerd door een Oranjegezind persoon in het begin van de 17de-eeuw die op de stam van een van de glazen een mannen- en vrouwenkopje heeft gegraveerd, een unicum. Afmetingen: 10,7 cm hoog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422488
title: Gegraveerd glas Spui

description: Het was gebruikelijk om in gezelschap een heildronk uit te brengen op de stadhouder waarbij in dit geval speciale glazen werden gebruikt. Daarbij werd in dit geval geroepen: 'Vive La Branche d'Orange'. Vertaald : leve de tak van de Oranjes. De tak verwijst naar Maurits, zoon van de vermoorde Willem van Oranje. Ook de oranjeappels (sinaasappels) zijn afgebeeld. Deze glazen zijn gegraveerd door een Oranjegezind persoon in het begin van de 17de-eeuw die op de stam van een van de glazen een mannen- en vrouwenkopje heeft gegraveerd, een unicum. Afmetingen: 10,7 cm hoog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422489
title: Andžānu pilskalns

description: Andžānu pilskalna 3D modelis. Koordinātas: 56.113617, 27.923017

https://www.latvijas-pilskalni.lv/andzanu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422490
title: Andžānu pilskalns

description: Andžānu pilskalna 3D modelis. Koordinātas: 56.113617, 27.923017

https://www.latvijas-pilskalni.lv/andzanu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422491
title: PNRP F.1.30.134.1.b trim v3

description: This is a virtual L parietal fragment recovered from a 2nd century BC to 1st century AD tomb (F.1) from the North Ridge cemetery in Petra, Jordan. The file title refers to the accession number in the PNRP skeletal remains database.

3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422492
title: PNRP F.1.30.134.1.b trim v3

description: This is a virtual L parietal fragment recovered from a 2nd century BC to 1st century AD tomb (F.1) from the North Ridge cemetery in Petra, Jordan. The file title refers to the accession number in the PNRP skeletal remains database.

3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422493
title: 25,000 years abandoned hut

description: Anthropos Pavilion
http://www.mzm.cz/en/pavilon-anthropos/permanent-exhibitions/

Round bones, uncovered by M. Olivová in Milovice, under the Pavlovské hills, were surrounded by a simple hut dating from more than 25 thousand years ago. The smaller fireplace was inside, a larger fireplace where the bones were burned in front of the entrance. Numerous blades, pans, lower jaws and long bones were used only to load leather walls. Chalets, where the bones are made up of structures, are known only from the later East European epigravettien

Phorogrammetry from 117 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422494
title: 25,000 years abandoned hut

description: Anthropos Pavilion
http://www.mzm.cz/en/pavilon-anthropos/permanent-exhibitions/

Round bones, uncovered by M. Olivová in Milovice, under the Pavlovské hills, were surrounded by a simple hut dating from more than 25 thousand years ago. The smaller fireplace was inside, a larger fireplace where the bones were burned in front of the entrance. Numerous blades, pans, lower jaws and long bones were used only to load leather walls. Chalets, where the bones are made up of structures, are known only from the later East European epigravettien

Phorogrammetry from 117 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422495
title: cute ukulele

description: ukulele

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422496
title: cute ukulele

description: ukulele

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422498
title: Bardiche

description: Bardiche

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422497
title: Bardiche

description: Bardiche

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422500
title: Raised tomb - Rookwood Cemetery  Sydney.

description: Raised tom of Robert Coveny  , died 1878, aged 69 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Plot 837.  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
17 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422499
title: Raised tomb - Rookwood Cemetery  Sydney.

description: Raised tom of Robert Coveny  , died 1878, aged 69 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Plot 837.  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
17 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422501
title: Redfern Floor Art

description: This art on the floor at Redfern is a large size artwork that people walk around and probably cannot be seen from top bird eye view like this, unless via scanning or looked via drone. The Forge 3D Lidar scanner app helps me to achieve a clean result.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422502
title: Redfern Floor Art

description: This art on the floor at Redfern is a large size artwork that people walk around and probably cannot be seen from top bird eye view like this, unless via scanning or looked via drone. The Forge 3D Lidar scanner app helps me to achieve a clean result.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422503
title: Mammuth statue WIP

description: This is a WIP of the Mammuth statue erected in the park near the Kazakh National Academy of Arts in Almaty.
Unfortunately, I'm still having some issues with uploading textures. I'll try to fix it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422504
title: Mammuth statue WIP

description: This is a WIP of the Mammuth statue erected in the park near the Kazakh National Academy of Arts in Almaty.
Unfortunately, I'm still having some issues with uploading textures. I'll try to fix it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422507
title: Helmet - Archery

description: English Archer Helmet, 15th ct., 1.6 mm steel. This particular helm is based not on what the nobles might have worn, but instead, on what the typical troop would have favored, possessing a straight-forward design that is both effective and protective, being shaped similarly to a barbute, of later 15th century Italian descent. It is made entirely from 16 gauge steel and features rivets about the skull-cap, as well as protection on the sides and back of the head and face, while leaving the front open, so as to not interfere with an archers vision or draw. The interior of the helmet also features a leather liner with an adjustable chin strap, which helps to make the helmet all the more comfortable and easy to wear. The helmet is based entirely on a historical piece, which is held in the Royal Armouries, in Leeds, England.

This model is a part of the Callectable Item Pack for Unreal Engine 4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422508
title: Helmet - Archery

description: English Archer Helmet, 15th ct., 1.6 mm steel. This particular helm is based not on what the nobles might have worn, but instead, on what the typical troop would have favored, possessing a straight-forward design that is both effective and protective, being shaped similarly to a barbute, of later 15th century Italian descent. It is made entirely from 16 gauge steel and features rivets about the skull-cap, as well as protection on the sides and back of the head and face, while leaving the front open, so as to not interfere with an archers vision or draw. The interior of the helmet also features a leather liner with an adjustable chin strap, which helps to make the helmet all the more comfortable and easy to wear. The helmet is based entirely on a historical piece, which is held in the Royal Armouries, in Leeds, England.

This model is a part of the Callectable Item Pack for Unreal Engine 4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422511
title: Chest11 - KV62

description: Another chest from the KV62 tomb.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422512
title: Chest11 - KV62

description: Another chest from the KV62 tomb.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422513
title: Yanwi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422514
title: Yanwi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422515
title: Dacian Falx

description: An ancient weapon used by Dacians(modern day Romanians). Is famous for it's pronounce forward curve and it's effectivness at fending off the Romans. Based on the works of Cristian Iamandi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422516
title: Dacian Falx

description: An ancient weapon used by Dacians(modern day Romanians). Is famous for it's pronounce forward curve and it's effectivness at fending off the Romans. Based on the works of Cristian Iamandi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422521
title: спомен чесма, Власина - Стојковићева

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

42.691325, 22.374268

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422522
title: спомен чесма, Власина - Стојковићева

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

42.691325, 22.374268

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422523
title: Escultura de madera

description: San Cipriano es venerado como un santo propicio para deshacer hechicerías y trabajos de magia negra. En las mesas de los maestros curanderos san Cipriano es considerado como un gran mago y curandero y está presente en cada mesa y no sólo en imagen sino también en las plegarias realizadas por estos maestros curanderos. A la hora de iniciar los trabajos los maestros curanderos piden permiso a Dios y a San Cipriano

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422524
title: Escultura de madera

description: San Cipriano es venerado como un santo propicio para deshacer hechicerías y trabajos de magia negra. En las mesas de los maestros curanderos san Cipriano es considerado como un gran mago y curandero y está presente en cada mesa y no sólo en imagen sino también en las plegarias realizadas por estos maestros curanderos. A la hora de iniciar los trabajos los maestros curanderos piden permiso a Dios y a San Cipriano

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422527
title: Mummy mask

description: Painted and gilded cartonnage mummy-mask with a striped lappet-wig; representation of Khepri on top of the head; Hieroglyphic text around the fillet; on the back are three painted panels, the uppermost depicting Sekhmet, Isis, Horus and Osiris, the lower two depicting winged deities.

Height: 51 centimetres Width: 25 centimetres Depth: 37 centimetres

COL: [YCA54913](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=125374)

180 photographs, Sony A6000, Photoscan pro by Daniel Pett.

** Work to be done to clean up **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422528
title: Mummy mask

description: Painted and gilded cartonnage mummy-mask with a striped lappet-wig; representation of Khepri on top of the head; Hieroglyphic text around the fillet; on the back are three painted panels, the uppermost depicting Sekhmet, Isis, Horus and Osiris, the lower two depicting winged deities.

Height: 51 centimetres Width: 25 centimetres Depth: 37 centimetres

COL: [YCA54913](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=125374)

180 photographs, Sony A6000, Photoscan pro by Daniel Pett.

** Work to be done to clean up **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422529
title: Spitfire

description: Based on "[Aircraft Painting Contest – Base](https://sketchfab.com/models/e1b4d01dbd7c42bb95c5a0f922747ac2)" by [Renafox](https://sketchfab.com/kryik1023), licensed under CC Attribution-ShareAlike.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422530
title: Spitfire

description: Based on "[Aircraft Painting Contest – Base](https://sketchfab.com/models/e1b4d01dbd7c42bb95c5a0f922747ac2)" by [Renafox](https://sketchfab.com/kryik1023), licensed under CC Attribution-ShareAlike.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10422531
title: WW1 trench, Tuomarinkartano, Helsinki, Finland

description: First World War trench with observation position, machine gun position and shelter room in base XV:1 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Tuomarinkartano, Helsinki, Finland. The base was built in 1915 - 1918. This base contains the only two intact type B observation post and the only intact machine gun position in the whole land front.

The whole base contains:

* 40 meters of thrench
* 2 type B firing and observations positions (both intact)
* 2 machine gun positions (1 intact, 1 destroyed)
* 2 shelter rooms (1 intact, 1 destroyed)

More info:

* [Location in Google Maps](https://goo.gl/maps/HgKwZH5VBJgTXTCC9)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000013609) (only in finnish)

Source: Objaverse 1.0 / Sketchfab