cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10344058
title: Dyce 6, Inscised Cross Stone, St Fergus'

description: Cross inscised stone, St Fergus' Kirk, Dyce, Aberdeenshire, Scotland.  Early medieval stone found in burial ground.
Canmore ID 19464

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344060
title: Early Dynastic Statue from Hierakonpolis

description: Early Dynastic statue found at Hierakonpolis Temple enclosure in 1897 by James Quibell and Frederick Green.  The statue is one of a pair of statues, the second of which was in very poor condition and did not survive excavation. Carved from limestone, the statue is in poor condition today.  It is currently in the Egyptian Museum, Cairo (JE 32159).

Created from 125 photographs (Canon EOS Rebel T7i) using Metashape 1.6.1.  The back of the statue was inaccesible and has been in-filled using Blender 3D 2.8.

Photographed in October 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344061
title: Early Dynastic Statue from Hierakonpolis

description: Early Dynastic statue found at Hierakonpolis Temple enclosure in 1897 by James Quibell and Frederick Green.  The statue is one of a pair of statues, the second of which was in very poor condition and did not survive excavation. Carved from limestone, the statue is in poor condition today.  It is currently in the Egyptian Museum, Cairo (JE 32159).

Created from 125 photographs (Canon EOS Rebel T7i) using Metashape 1.6.1.  The back of the statue was inaccesible and has been in-filled using Blender 3D 2.8.

Photographed in October 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344062
title: LP_Oil_Lantern

description: Made with max, textured with substance painter.
An oil lamp is an object used to produce light continuously for a period of time using an oil-based fuel source. The use of oil lamps began thousands of years ago and continues to this day, although not commonly anymore. They are often associated with stories in which rubbing an oil lamp would summon a genie dwelling in it. Oil lamps are a form of lighting, and were used as an alternative to candles before the use of electric lights. Starting in 1780, the Argand lamp quickly replaced other oil lamps still in their basic ancient form. These in turn were replaced by the kerosene lamp in about 1850. In small towns and rural areas the latter continued in use well into the 20th century, until such areas were finally electrified and light bulbs could be used. Sources of fuel for oil lamps include a wide variety of plants such as nuts and seeds. Also widely used were animal fats.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344063
title: LP_Oil_Lantern

description: Made with max, textured with substance painter.
An oil lamp is an object used to produce light continuously for a period of time using an oil-based fuel source. The use of oil lamps began thousands of years ago and continues to this day, although not commonly anymore. They are often associated with stories in which rubbing an oil lamp would summon a genie dwelling in it. Oil lamps are a form of lighting, and were used as an alternative to candles before the use of electric lights. Starting in 1780, the Argand lamp quickly replaced other oil lamps still in their basic ancient form. These in turn were replaced by the kerosene lamp in about 1850. In small towns and rural areas the latter continued in use well into the 20th century, until such areas were finally electrified and light bulbs could be used. Sources of fuel for oil lamps include a wide variety of plants such as nuts and seeds. Also widely used were animal fats.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344064
title: Coppellato 1 - Lunes - Teodone

description: Il mio modello 3D da fotografie generato con il software di fotogrammetria 3DF Zephyr  v6.010 processing 54 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344065
title: Coppellato 1 - Lunes - Teodone

description: Il mio modello 3D da fotografie generato con il software di fotogrammetria 3DF Zephyr  v6.010 processing 54 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344066
title: Banner Of Peace

description: The [Banner of Peace](https://en.wikipedia.org/wiki/Banner_of_Peace) is a symbol of the [Roerich Pact](https://en.wikipedia.org/wiki/Roerich_Pact) and was proposed by Russian Mystic and Artist [Nicholas Roerich](https://www.roerich.org/) for an international pact for the protection of culture values. This pact is the first international treaty dedicated to the protection of artistic and scientific institutions and historical monuments. The most important idea of the Roerich Pact is the legal recognition that the defense of cultural objects is more important than the use or destruction of that culture for military purposes, and the protection of culture always has precedence over any military necessity. It was signed on April 15, 1935.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344067
title: Banner Of Peace

description: The [Banner of Peace](https://en.wikipedia.org/wiki/Banner_of_Peace) is a symbol of the [Roerich Pact](https://en.wikipedia.org/wiki/Roerich_Pact) and was proposed by Russian Mystic and Artist [Nicholas Roerich](https://www.roerich.org/) for an international pact for the protection of culture values. This pact is the first international treaty dedicated to the protection of artistic and scientific institutions and historical monuments. The most important idea of the Roerich Pact is the legal recognition that the defense of cultural objects is more important than the use or destruction of that culture for military purposes, and the protection of culture always has precedence over any military necessity. It was signed on April 15, 1935.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344068
title: Govan 27

description: Govan 27 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n46/mode/2up); ECMS 17) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. These monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. The inscription was added around 1634, when the stone was reused. This is the earliest confirmed date we have for this type of reuse.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344069
title: Govan 27

description: Govan 27 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n46/mode/2up); ECMS 17) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. These monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. The inscription was added around 1634, when the stone was reused. This is the earliest confirmed date we have for this type of reuse.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344070
title: Callanish 03 Stone 08

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344071
title: Callanish 03 Stone 08

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344072
title: Blue glazed ceramic stoneware sherd #1

description: This is one of many 3D scans of a late 1800s blue glazed, ceramic stoneware mixing bowl sherd found at the McClure Archaeological Site. Located in the Shawnee National forest, the McClure farmstead is part of a freed African-American community known as Miller Grove. This piece was found during an SIUC summer 2019 Field School excavation. This field school was mentored by Dr. Mark J. Wagner, Director of the Center for Archaeological Investigations.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344073
title: Blue glazed ceramic stoneware sherd #1

description: This is one of many 3D scans of a late 1800s blue glazed, ceramic stoneware mixing bowl sherd found at the McClure Archaeological Site. Located in the Shawnee National forest, the McClure farmstead is part of a freed African-American community known as Miller Grove. This piece was found during an SIUC summer 2019 Field School excavation. This field school was mentored by Dr. Mark J. Wagner, Director of the Center for Archaeological Investigations.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344074
title: Tanum 319 1

description: Laserscan of some of the images on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344075
title: Tanum 319 1

description: Laserscan of some of the images on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344076
title: Ziggurat of Ur

description: Photogrammetric model of the Great Ziggurat of Ur created in DroneDeploy from aerial photographs taken by the team of the Lagash Archaeological Project of the Penn Museum on November 8th, 2021.

**Credits:**

[![Lagash Archaeological Project](https://web.sas.upenn.edu/lagash/files/2020/09/lagash-logo_lighter-200x200-1.png)](https://web.sas.upenn.edu/lagash/) ![SBAH](https://web.sas.upenn.edu/lagash/files/2020/09/State-Board-of-Antiquities-and-Heritage.jpeg)
[![Penn Museum](https://web.sas.upenn.edu/lagash/files/2020/09/pm-logo-blue-1.jpg)](https://www.penn.museum)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344077
title: Ziggurat of Ur

description: Photogrammetric model of the Great Ziggurat of Ur created in DroneDeploy from aerial photographs taken by the team of the Lagash Archaeological Project of the Penn Museum on November 8th, 2021.

**Credits:**

[![Lagash Archaeological Project](https://web.sas.upenn.edu/lagash/files/2020/09/lagash-logo_lighter-200x200-1.png)](https://web.sas.upenn.edu/lagash/) ![SBAH](https://web.sas.upenn.edu/lagash/files/2020/09/State-Board-of-Antiquities-and-Heritage.jpeg)
[![Penn Museum](https://web.sas.upenn.edu/lagash/files/2020/09/pm-logo-blue-1.jpg)](https://www.penn.museum)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344078
title: Panela

description: Em completo estado de ruína em meados do século XX, o mosteiro de Santo António de Lisboa em Montemor-o-Novo escondia nas suas abóbadas, antes da sua reconstrução arquitectónica, uma colecção de olaria ímpar no panorama nacional do século XVI. Pela sua especificidade e quantidade, esta colecção do Museu de Arqueologia de Montemor-o-Novo é um exemplo único para a compreensão do seu contexto histórico, não só pela representatividade das peças enquanto objectos utilitários mas também pela sua reutilização enquanto elemento de construção arquitectónica.
Corpo ovóide, colo envasado e bordo recto com lábio oblíquo inclinado para o interior, incisão a nível da asa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344079
title: Panela

description: Em completo estado de ruína em meados do século XX, o mosteiro de Santo António de Lisboa em Montemor-o-Novo escondia nas suas abóbadas, antes da sua reconstrução arquitectónica, uma colecção de olaria ímpar no panorama nacional do século XVI. Pela sua especificidade e quantidade, esta colecção do Museu de Arqueologia de Montemor-o-Novo é um exemplo único para a compreensão do seu contexto histórico, não só pela representatividade das peças enquanto objectos utilitários mas também pela sua reutilização enquanto elemento de construção arquitectónica.
Corpo ovóide, colo envasado e bordo recto com lábio oblíquo inclinado para o interior, incisão a nível da asa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344080
title: P. maxima footprints from F-G22 quadrates

description: **Description:**
**Location**: Site 1 of Ipolytarnóc locality, Hungary
**Position**: F-G22 quadrates of site 1
**Age**: Lower Miocene
**Material**: Imprints of partial left pes and right pes
**Reference**: Gábor Botfalvai, János Magyar, Veronika Watah, Imre Szarvas & Péter
Szolyák (2022): Large-sized pentadactyl carnivore footprints from the early Miocene fossil track site
at Ipolytarnóc (Hungary): 3D data presentation and ichnotaxonomical revision, Historical Biology,
DOI: 10.1080/08912963.2022.2109967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344081
title: P. maxima footprints from F-G22 quadrates

description: **Description:**
**Location**: Site 1 of Ipolytarnóc locality, Hungary
**Position**: F-G22 quadrates of site 1
**Age**: Lower Miocene
**Material**: Imprints of partial left pes and right pes
**Reference**: Gábor Botfalvai, János Magyar, Veronika Watah, Imre Szarvas & Péter
Szolyák (2022): Large-sized pentadactyl carnivore footprints from the early Miocene fossil track site
at Ipolytarnóc (Hungary): 3D data presentation and ichnotaxonomical revision, Historical Biology,
DOI: 10.1080/08912963.2022.2109967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344082
title: Newnan Point, SJ13_128

description: Newnan style biface, Silicified Coral, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_128

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344083
title: Newnan Point, SJ13_128

description: Newnan style biface, Silicified Coral, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_128

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344087
title: Small Christian Jug, Calatrava La Vieja, Spain

description: Small jug without decoration from Calatrava la Vieja, Castilla-La Mancha, Spain. Christian period, mid-13th century. This artifact was found in the 2009 excavations in the south-east sector of the medina, next to the western wall of the alcázar. This piece inherits the tradition of an earlier type of jar from the Almohad period, and has a finish treatment typical of the Castilian pieces of Calatrava la Vieja. Catalog No. CV 26 880 27. Processed and modeled in Reality Capture from 145 photos.

Melero Serrano, M.; Retuerce Velasco, M. & Hervás Herrera, M.A. (2009): "Cerámica dle siglo XIII en Calatrava la Vieja (Ciudad Real)", en Actas del VIII Congreso Internacional de Cerámica Medieval en el Mediterráneo, tomo II, pp. 759-772.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344088
title: Small Christian Jug, Calatrava La Vieja, Spain

description: Small jug without decoration from Calatrava la Vieja, Castilla-La Mancha, Spain. Christian period, mid-13th century. This artifact was found in the 2009 excavations in the south-east sector of the medina, next to the western wall of the alcázar. This piece inherits the tradition of an earlier type of jar from the Almohad period, and has a finish treatment typical of the Castilian pieces of Calatrava la Vieja. Catalog No. CV 26 880 27. Processed and modeled in Reality Capture from 145 photos.

Melero Serrano, M.; Retuerce Velasco, M. & Hervás Herrera, M.A. (2009): "Cerámica dle siglo XIII en Calatrava la Vieja (Ciudad Real)", en Actas del VIII Congreso Internacional de Cerámica Medieval en el Mediterráneo, tomo II, pp. 759-772.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344089
title: Chichen Itza Pyramid 3D Reconstruction

description: Chichen Itza,  from Yucatec Maya: Chi'ch'èen Ìitsha'  ("at the mouth of the well of the Itza people") was a large pre-Columbian city built by the Maya people of the Terminal Classic period. The archaeological site is located in Tinúm Municipality, Yucatán State, Mexico.

Chichen Itza was a major focal point in the Northern Maya Lowlands from the Late Classic (c. AD 600–900) through the Terminal Classic (c. AD 800–900) and into the early portion of the Postclassic period (c. AD 900–1200). The site exhibits a multitude of architectural styles, reminiscent of styles seen in central Mexico and of the Puuc and Chenes styles of the Northern Maya lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion

[Map](https://goo.gl/maps/VJVGEidS9bH2)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344090
title: Chichen Itza Pyramid 3D Reconstruction

description: Chichen Itza,  from Yucatec Maya: Chi'ch'èen Ìitsha'  ("at the mouth of the well of the Itza people") was a large pre-Columbian city built by the Maya people of the Terminal Classic period. The archaeological site is located in Tinúm Municipality, Yucatán State, Mexico.

Chichen Itza was a major focal point in the Northern Maya Lowlands from the Late Classic (c. AD 600–900) through the Terminal Classic (c. AD 800–900) and into the early portion of the Postclassic period (c. AD 900–1200). The site exhibits a multitude of architectural styles, reminiscent of styles seen in central Mexico and of the Puuc and Chenes styles of the Northern Maya lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion

[Map](https://goo.gl/maps/VJVGEidS9bH2)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344091
title: Antonine Wall Distance Slab, Hunterian Museum

description: The artifact would have been painted on the Antonine Wall.  


71 Photos taken at the Hunterian Musuem at the University of Glasgow on June 9, 2019. 

C. 142-180 AD

Inscription Reads: " IMP C T AE HADRIANO ANTONINO AVG PIO P P VEX LEG XX VV FEC PP IIII CDXI "

Translation: " For the Emperor Caesar Titus Aelius Hadrianus Antoninus Augustus Pius, Father of his Country, a detachment of the Twentieth Valiant and Victorious Legion Built [this] Over a Distance of 4411 Feet "

Sandstone Distance Slab, Object Number 	GLAHM:F.15 

More Information at: 
http://collections.gla.ac.uk/#view=list&id=218b&what=Distance%20Slab&locality=Antonine%20Wall

Check out the research from Dr. Louisa Campbell: https://twitter.com/PPIP_Paints

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344092
title: Antonine Wall Distance Slab, Hunterian Museum

description: The artifact would have been painted on the Antonine Wall.  


71 Photos taken at the Hunterian Musuem at the University of Glasgow on June 9, 2019. 

C. 142-180 AD

Inscription Reads: " IMP C T AE HADRIANO ANTONINO AVG PIO P P VEX LEG XX VV FEC PP IIII CDXI "

Translation: " For the Emperor Caesar Titus Aelius Hadrianus Antoninus Augustus Pius, Father of his Country, a detachment of the Twentieth Valiant and Victorious Legion Built [this] Over a Distance of 4411 Feet "

Sandstone Distance Slab, Object Number 	GLAHM:F.15 

More Information at: 
http://collections.gla.ac.uk/#view=list&id=218b&what=Distance%20Slab&locality=Antonine%20Wall

Check out the research from Dr. Louisa Campbell: https://twitter.com/PPIP_Paints

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344093
title: 19th century Fortress Room

description: Room of fortress Monostor, Komárom, Hungary. Made with Agisoft Metashape and Blender. About 120 photos were taken with a Sony A6000 camera, and additional I used a smartphone to take some close ups of the portholes. This rooms seems to be some sort of bastion but I don't know it's exact purpose. As far as I know the red painting is from the Soviet era, the carved graffiti's however seem to be much more recent. Parts of the fortress used to showcase some grafitis in russian.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344094
title: 19th century Fortress Room

description: Room of fortress Monostor, Komárom, Hungary. Made with Agisoft Metashape and Blender. About 120 photos were taken with a Sony A6000 camera, and additional I used a smartphone to take some close ups of the portholes. This rooms seems to be some sort of bastion but I don't know it's exact purpose. As far as I know the red painting is from the Soviet era, the carved graffiti's however seem to be much more recent. Parts of the fortress used to showcase some grafitis in russian.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344095
title: Château du Goust (Malville - France) XIVe/XVIe

description: ![](https://example3972.files.wordpress.com/2018/04/goust_escalier.jpg)

[**Descriptif**](http://celtijima.skynetblogs.be/archive/2012/05/03/chateau-du-goust-malville-44.html)

[**Restitution de la porte**](https://example3972.files.wordpress.com/2016/04/tourelle_porte.jpg)


[**Affichage Stéréo statique:**](https://example3972.files.wordpress.com/2016/06/goust-escalier-stereo.jpg)![](https://example3972.files.wordpress.com/2018/05/lunettes3d1.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344096
title: Château du Goust (Malville - France) XIVe/XVIe

description: ![](https://example3972.files.wordpress.com/2018/04/goust_escalier.jpg)

[**Descriptif**](http://celtijima.skynetblogs.be/archive/2012/05/03/chateau-du-goust-malville-44.html)

[**Restitution de la porte**](https://example3972.files.wordpress.com/2016/04/tourelle_porte.jpg)


[**Affichage Stéréo statique:**](https://example3972.files.wordpress.com/2016/06/goust-escalier-stereo.jpg)![](https://example3972.files.wordpress.com/2018/05/lunettes3d1.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344101
title: Inscripción en Puente Almuhey

description: Este sillar que podemos observar en las antiguas escuelas de Puente Almuhey, Valderrueda, León, es parte de una de las inscripciones que figuraban en la capilla del palacio de Renedo de Valdetuéjar, según el texto transcrito por Manuel Gómez Moreno en su Catálogo Monumental y Artístico de España, Provincia de León, Instituto Leonés de Cultura, 1906-1908, que conoció el palacio cuando la capilla, bajo advocación de San Juan Evangelista, ya estaba en ruinas.
Dada la longitud de las mismas se realizaron en varios sillares, algunos reutilizados en inmuebles de construcción posterior por la comarca del entorno. 
Transcripción: (entre paréntesis lo escrito en la pieza)
...dest(e apellido y señ)ores desta cassa y estado, que fund(ó el serenísimo Ynfante) D. Nuño de Prado, primero des(te apellido, hijo del) señor rey D. Bermudo de León en l(os prinzipios de la) restauración...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344102
title: Inscripción en Puente Almuhey

description: Este sillar que podemos observar en las antiguas escuelas de Puente Almuhey, Valderrueda, León, es parte de una de las inscripciones que figuraban en la capilla del palacio de Renedo de Valdetuéjar, según el texto transcrito por Manuel Gómez Moreno en su Catálogo Monumental y Artístico de España, Provincia de León, Instituto Leonés de Cultura, 1906-1908, que conoció el palacio cuando la capilla, bajo advocación de San Juan Evangelista, ya estaba en ruinas.
Dada la longitud de las mismas se realizaron en varios sillares, algunos reutilizados en inmuebles de construcción posterior por la comarca del entorno. 
Transcripción: (entre paréntesis lo escrito en la pieza)
...dest(e apellido y señ)ores desta cassa y estado, que fund(ó el serenísimo Ynfante) D. Nuño de Prado, primero des(te apellido, hijo del) señor rey D. Bermudo de León en l(os prinzipios de la) restauración...

Source: Objaverse 1.0 / Sketchfab