cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10305486
title: ROI005-045-01

description: Projectile Point collected in Wabash County, Indiana.

Catalog # 12-Wb-79

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI005-045-01, 3D Model .ply file. Recovered as part of Report of Investigations 5, *Final Report on the 1980-81 Mississinewa Reservoir Survey*, By William Wepler.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305487
title: ROI005-045-01

description: Projectile Point collected in Wabash County, Indiana.

Catalog # 12-Wb-79

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI005-045-01, 3D Model .ply file. Recovered as part of Report of Investigations 5, *Final Report on the 1980-81 Mississinewa Reservoir Survey*, By William Wepler.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305491
title: Samarra ware bowl, 9th C CE

description: Samarra ware bowl, 9th C CE, now in the collection of the Minneapolis Institute of Art.


From the bowl's description on [artsmia.org](www.artsmia.org):

*'These rare bowls typify those that apparently were made primarily in Iraq during the first Abbasid period of the ninth and tenth centuries. They are important early examples of ceramics decorated with cobalt-blue oxide, a Middle Eastern invention. During the period of Mongol rule in the fourteenth century, technically superior Chinese blue-and-white ware began to be exported to the Middle East, where it gained immediate popularity among the Muslim upper classes and influenced Middle Eastern styles for centuries to come.'*

More information [here](https://collections.artsmia.org/art/497/bowl-iraq)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305490
title: Samarra ware bowl, 9th C CE

description: Samarra ware bowl, 9th C CE, now in the collection of the Minneapolis Institute of Art.


From the bowl's description on [artsmia.org](www.artsmia.org):

*'These rare bowls typify those that apparently were made primarily in Iraq during the first Abbasid period of the ninth and tenth centuries. They are important early examples of ceramics decorated with cobalt-blue oxide, a Middle Eastern invention. During the period of Mongol rule in the fourteenth century, technically superior Chinese blue-and-white ware began to be exported to the Middle East, where it gained immediate popularity among the Muslim upper classes and influenced Middle Eastern styles for centuries to come.'*

More information [here](https://collections.artsmia.org/art/497/bowl-iraq)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305492
title: Walking Stick / Picnic Stool

description: This handy contraption doubled as a walking stick and a seat. Made by the timber company Enso-Gutzeit Oy for the Helsinki Olympic Games of 1952, it came to good use at the marathon and the 50-kilometre walk race, which took place on a highway. After seeing the athletes on their way to the turning point, the spectators had to wait for a long time before catching a glimpse of them again on their way back to the Stadium.

The length of the stick is 89 centimetres. The diameter of the stool is only 23 cm, which makes it rather uncomfortable for an adult person.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305493
title: Walking Stick / Picnic Stool

description: This handy contraption doubled as a walking stick and a seat. Made by the timber company Enso-Gutzeit Oy for the Helsinki Olympic Games of 1952, it came to good use at the marathon and the 50-kilometre walk race, which took place on a highway. After seeing the athletes on their way to the turning point, the spectators had to wait for a long time before catching a glimpse of them again on their way back to the Stadium.

The length of the stick is 89 centimetres. The diameter of the stool is only 23 cm, which makes it rather uncomfortable for an adult person.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305494
title: M113A1 Troop Carrier (Raw Scan)

description: An armored personnel carrier located on museum grounds at Fort Benning, GA.

Orginally developed in the 1960s as a mechanized troop carrier, these metal boxes have remained in service ever since.

Processed from 113 photos taken with a Canon Rebel EOS XSI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305495
title: M113A1 Troop Carrier (Raw Scan)

description: An armored personnel carrier located on museum grounds at Fort Benning, GA.

Orginally developed in the 1960s as a mechanized troop carrier, these metal boxes have remained in service ever since.

Processed from 113 photos taken with a Canon Rebel EOS XSI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305498
title: Randolph Stemmed (312a520)

description: **Randolph Stemmed arrow point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 35 mm; width, 22 mm; thickness, 9.5 mm.

Notes: Catalog no. 312a520, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 43. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305499
title: Randolph Stemmed (312a520)

description: **Randolph Stemmed arrow point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 35 mm; width, 22 mm; thickness, 9.5 mm.

Notes: Catalog no. 312a520, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 43. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305501
title: Hradisko Železník

description: Bližšie informácie o lokalite na stránke [hradiska.sk](http://www.hradiska.sk/2020/03/zeleznik-dolne-oresany.html)

Zdroj produktov LLS: ÚGKK SR
Lidar: Vizualizácia s rozlíšením 25cm/pc

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305500
title: Hradisko Železník

description: Bližšie informácie o lokalite na stránke [hradiska.sk](http://www.hradiska.sk/2020/03/zeleznik-dolne-oresany.html)

Zdroj produktov LLS: ÚGKK SR
Lidar: Vizualizácia s rozlíšením 25cm/pc

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305502
title: HBVR - Photogrammetry : Pont vieux, Brignais FR

description: Listed as a historical monument from the 11th - 12th century.
Old Lyon road.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305503
title: HBVR - Photogrammetry : Pont vieux, Brignais FR

description: Listed as a historical monument from the 11th - 12th century.
Old Lyon road.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305504
title: Shaving

description: This 3D model of a vessel shows traces of modification of the base by shaving. 

The original pot was produced with the wheel-coiling method as defined by Roux-Courty (1998), shown below.
![](https://www.researchgate.net/profile/Caroline_Jeffra/publication/317545934/figure/fig30/AS:504406546317317@1497271300319/FOUR-METHODS-OF-RKE-AND-COIL-COMBINATION-ROUX-AND-COURTY-1998-749-FIGURE-1.png)
View our blog post about wheel coiling [here](https://tracingthewheel.eu/article/what-is-wheel-coiling) 

**Technical details**
The 3D model was created with the David SLS-3 scanner and processed with HP 3D Scan Pro 5 by archaeologist Loes Opgenhaffen. The original file size is 366MB, has a resolution of 0.0131mm (vertex spacing) and contains 2433102 vertices. The part with the relevant trace(s) was then extracted with 3D modelling software Maxon Cinema4D, upscaled 3 times, and exported to .STL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305505
title: Shaving

description: This 3D model of a vessel shows traces of modification of the base by shaving. 

The original pot was produced with the wheel-coiling method as defined by Roux-Courty (1998), shown below.
![](https://www.researchgate.net/profile/Caroline_Jeffra/publication/317545934/figure/fig30/AS:504406546317317@1497271300319/FOUR-METHODS-OF-RKE-AND-COIL-COMBINATION-ROUX-AND-COURTY-1998-749-FIGURE-1.png)
View our blog post about wheel coiling [here](https://tracingthewheel.eu/article/what-is-wheel-coiling) 

**Technical details**
The 3D model was created with the David SLS-3 scanner and processed with HP 3D Scan Pro 5 by archaeologist Loes Opgenhaffen. The original file size is 366MB, has a resolution of 0.0131mm (vertex spacing) and contains 2433102 vertices. The part with the relevant trace(s) was then extracted with 3D modelling software Maxon Cinema4D, upscaled 3 times, and exported to .STL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305506
title: Viking Axe

description: Viking-inspired two handed axe. Could be improved, but learned alot making it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305507
title: Viking Axe

description: Viking-inspired two handed axe. Could be improved, but learned alot making it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305508
title: Pewter Button: EOA:2022.127

description: Pewter button, 56th Regiment of Foot, from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.127


Collection: Earl of Abergavenny

Classification: Military

Measurements: Diametre 20mm

Date made: circa 1782

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

This is an unusual find from the wreck as there are no records for members of the 56th West Essex Regiment of Foot on board the Abergavenny. The first battalion was stationed on the Isle of Wight awaiting embarkation (due to begin in March 1805) while the recently formed second battalion was at Farnham. 
One possibility is that a soldier transferred from the 56th regiment prior to the voyage, or, that the button was traded by a member of the 56th with a soldier of another regiment.

The museum would be grateful for any more information on this unusaul find.


For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click here: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305509
title: Pewter Button: EOA:2022.127

description: Pewter button, 56th Regiment of Foot, from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.127


Collection: Earl of Abergavenny

Classification: Military

Measurements: Diametre 20mm

Date made: circa 1782

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

This is an unusual find from the wreck as there are no records for members of the 56th West Essex Regiment of Foot on board the Abergavenny. The first battalion was stationed on the Isle of Wight awaiting embarkation (due to begin in March 1805) while the recently formed second battalion was at Farnham. 
One possibility is that a soldier transferred from the 56th regiment prior to the voyage, or, that the button was traded by a member of the 56th with a soldier of another regiment.

The museum would be grateful for any more information on this unusaul find.


For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click here: portlandmuseum.co.uk/news

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305510
title: Réplica Lucerna Romana

description: Las lucernas o antiguas lámparas romanas eran pequeños utensilios, hechos en piedra o de terracota, usados desde la prehistoria aunque fueron los antiguos romanos quienes explotaron su producción masiva y su uso generalizado para tener luz artificial. Eran alimentadas con aceite de oliva y tenían desde una a una docena de mechas. Algunas tenían asas, por lo que podían ser llevadas de una habitación a otra, y también podían ser llevadas por actores en las obras o por los participantes en actividades rituales.
Fuente: https://es.wikipedia.org/wiki/Lucerna_(l%C3%A1mpara)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305511
title: Réplica Lucerna Romana

description: Las lucernas o antiguas lámparas romanas eran pequeños utensilios, hechos en piedra o de terracota, usados desde la prehistoria aunque fueron los antiguos romanos quienes explotaron su producción masiva y su uso generalizado para tener luz artificial. Eran alimentadas con aceite de oliva y tenían desde una a una docena de mechas. Algunas tenían asas, por lo que podían ser llevadas de una habitación a otra, y también podían ser llevadas por actores en las obras o por los participantes en actividades rituales.
Fuente: https://es.wikipedia.org/wiki/Lucerna_(l%C3%A1mpara)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305512
title: Tibetan Prayer Wheel w/ 2 LOD - Nepal heritage

description: ![](https://i.imgur.com/2ghDfbe.jpg)

Free model including :

- LOD0 is 35k tris and 8k textures diffuse/normal/metalness/roughness
- LOD1 is 15k tris and 4k textures diffuse/normal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305515
title: COADS_240-458

description: Core collected in Ross County, Ohio.
Material: Delaware

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Sidney Travis, Kendall Brophy, Michael Shott, and Kendall Brophy, 2017. COADS_240-458, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305513
title: Tibetan Prayer Wheel w/ 2 LOD - Nepal heritage

description: ![](https://i.imgur.com/2ghDfbe.jpg)

Free model including :

- LOD0 is 35k tris and 8k textures diffuse/normal/metalness/roughness
- LOD1 is 15k tris and 4k textures diffuse/normal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305514
title: COADS_240-458

description: Core collected in Ross County, Ohio.
Material: Delaware

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Sidney Travis, Kendall Brophy, Michael Shott, and Kendall Brophy, 2017. COADS_240-458, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305517
title: Arrowhead P2K4B2S2N5

description: Russia, Republic of Bashkortostan, Khaibullinsky district. Excavation in 2010. Necropolis Perevolochan-2. Kurgan №4. Burial №2. Skeleton №2. Arrowhead from a quiver numbering 106 copies. Material: bronze. Early Iron Age. Chronology: the second half of the 5th century BC - the turn of the 5th and 4th centuries BC. Early Sarmatian culture.
Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2010 года. Некрополь Переволочан-2. Курган №4. Захоронение №2. Скелет №2. Наконечник стрелы из колчана, насчитывавшего 106 экземпляров. Материал: бронза. Ранний железный век. Хронология: вторая половина V века до новой эры – рубеж V и IV веков до новой эры. Ранняя сарматская культура

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305516
title: Arrowhead P2K4B2S2N5

description: Russia, Republic of Bashkortostan, Khaibullinsky district. Excavation in 2010. Necropolis Perevolochan-2. Kurgan №4. Burial №2. Skeleton №2. Arrowhead from a quiver numbering 106 copies. Material: bronze. Early Iron Age. Chronology: the second half of the 5th century BC - the turn of the 5th and 4th centuries BC. Early Sarmatian culture.
Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2010 года. Некрополь Переволочан-2. Курган №4. Захоронение №2. Скелет №2. Наконечник стрелы из колчана, насчитывавшего 106 экземпляров. Материал: бронза. Ранний железный век. Хронология: вторая половина V века до новой эры – рубеж V и IV веков до новой эры. Ранняя сарматская культура

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305518
title: Rapanui Beach (North End)

description: The geology of the cliffs at Rapanui Beach, North Taranaki, New Zealand.

Exposed in the middle of the cliffs is an ancient submarine landslide. Above it sit sandstones that have been eroded by an angular unconformity called the Rapanui Surface. This young 125 thousand year old wave cut surface extends over the entire Taranaki Region, and helps constrain how quickly this part of the coastline is rising due to tectonics, which gives us these fantastic coastal cliff sections to study.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305519
title: Rapanui Beach (North End)

description: The geology of the cliffs at Rapanui Beach, North Taranaki, New Zealand.

Exposed in the middle of the cliffs is an ancient submarine landslide. Above it sit sandstones that have been eroded by an angular unconformity called the Rapanui Surface. This young 125 thousand year old wave cut surface extends over the entire Taranaki Region, and helps constrain how quickly this part of the coastline is rising due to tectonics, which gives us these fantastic coastal cliff sections to study.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305521
title: Estela de Ategua

description: 8th centry BCE limestone stela found near Cordoba. [Wikipedia](https://es.wikipedia.org/wiki/Estela_de_Ategua) 

On display in the Archeology Museum of Cordoba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305520
title: Estela de Ategua

description: 8th centry BCE limestone stela found near Cordoba. [Wikipedia](https://es.wikipedia.org/wiki/Estela_de_Ategua) 

On display in the Archeology Museum of Cordoba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305522
title: Travertine base, Campo Muri, Asciano

description: Travertine rectangular base for metal votive offering. 3rd – 1st c. BCE. Etruscan- Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Citation: Tabolli & Salvi 2022.

GDH ID No Case5_226146B_Model_7.  

This model was created in Reality Capture using 271 photographs, captured with a SONY camera ILCE-7M3, 70mm lens, ISO-320, f/20. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305523
title: Travertine base, Campo Muri, Asciano

description: Travertine rectangular base for metal votive offering. 3rd – 1st c. BCE. Etruscan- Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Citation: Tabolli & Salvi 2022.

GDH ID No Case5_226146B_Model_7.  

This model was created in Reality Capture using 271 photographs, captured with a SONY camera ILCE-7M3, 70mm lens, ISO-320, f/20. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305524
title: Escultura Antropomorfa ("Cuchimilco")

description: Escultura antropomorfa ("Cuchimilco") de pie con los brazos extendidos
Cultura Chancay Intermedio Tardío (1000 d.C. – 1470 d.C.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305525
title: Escultura Antropomorfa ("Cuchimilco")

description: Escultura antropomorfa ("Cuchimilco") de pie con los brazos extendidos
Cultura Chancay Intermedio Tardío (1000 d.C. – 1470 d.C.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305526
title: Louis XIV par Jean Warin

description: En remerciement pour les nombreuses commandes que lui passa le roi, le sculpteur, graveur de monnaie et médailleur Jean Warin (1607-1672) légua à sa mort la statue en pied du souverain qu'il avait exécutée en marbre vers 1665-1670. L'oeuvre fut placée jusqu'en 1687 dans la niche du salon de Vénus, date à laquelle elle fut remplacée par le Cincinnatus, acquis de la collection Savelli à Rome en 1685 et considéré comme l'une des plus belles statues antiques des collections royales (Paris, musée du Louvre). Le sculpteur d'origine wallonne représenta le roi, âgé d'environ trente ans, en empereur romain, vêtu d'un corselet et d'un manteau lui couvrant les épaules. L'iconographie se veut martiale : le bâton de commandement sur lequel le roi s'appuie est posé sur le dos d'une cuirasse, tandis que la main gauche du monarque repose sur son casque surmontant un bouclier.

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305527
title: Louis XIV par Jean Warin

description: En remerciement pour les nombreuses commandes que lui passa le roi, le sculpteur, graveur de monnaie et médailleur Jean Warin (1607-1672) légua à sa mort la statue en pied du souverain qu'il avait exécutée en marbre vers 1665-1670. L'oeuvre fut placée jusqu'en 1687 dans la niche du salon de Vénus, date à laquelle elle fut remplacée par le Cincinnatus, acquis de la collection Savelli à Rome en 1685 et considéré comme l'une des plus belles statues antiques des collections royales (Paris, musée du Louvre). Le sculpteur d'origine wallonne représenta le roi, âgé d'environ trente ans, en empereur romain, vêtu d'un corselet et d'un manteau lui couvrant les épaules. L'iconographie se veut martiale : le bâton de commandement sur lequel le roi s'appuie est posé sur le dos d'une cuirasse, tandis que la main gauche du monarque repose sur son casque surmontant un bouclier.

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305528
title: Egg-shaped pot with small opening & flaring rim

description: It concerns a type 4, egg-shaped pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and are regularly found together with type 8 beakers. This type of ceramic is characterized by a dark, polished, metallic surface. This vessel is empty, but the associated file (PG) mentions 31 bone fragments and 2 teeth. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.212

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=132811&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305529
title: Egg-shaped pot with small opening & flaring rim

description: It concerns a type 4, egg-shaped pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and are regularly found together with type 8 beakers. This type of ceramic is characterized by a dark, polished, metallic surface. This vessel is empty, but the associated file (PG) mentions 31 bone fragments and 2 teeth. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.212

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=132811&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab