cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10297605
title: Pompeii - Public Water Fountain 20

description: This public water fountain was scanned as part of the 2022 Pompeii Water and Sanitation Project field school run by the University of Missouri. The fountain is situated at VI.16.19 and is made of grey peperino slabs. The relief on the spout stone is of aflask with straps. The brass spout and plumbing is modern. More photos can be seen here: https://pompeiiinpictures.com/pompeiiinpictures/Fountains/Fountain%2061619.htm

The model was generated in Agisoft Metashape from 232 photos taken using a Nikon Z5. Photo alignment was run on high, as was model generation - model has been decimated for export, and made manifold for 3D printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297606
title: Pompeii - Public Water Fountain 20

description: This public water fountain was scanned as part of the 2022 Pompeii Water and Sanitation Project field school run by the University of Missouri. The fountain is situated at VI.16.19 and is made of grey peperino slabs. The relief on the spout stone is of aflask with straps. The brass spout and plumbing is modern. More photos can be seen here: https://pompeiiinpictures.com/pompeiiinpictures/Fountains/Fountain%2061619.htm

The model was generated in Agisoft Metashape from 232 photos taken using a Nikon Z5. Photo alignment was run on high, as was model generation - model has been decimated for export, and made manifold for 3D printing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297607
title: 23 Stela of Saisis

description: 23 Stela of Saisis (Dynasty 12) Middle Kingdom. National Museum of Antiquities, Leiden.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297608
title: 23 Stela of Saisis

description: 23 Stela of Saisis (Dynasty 12) Middle Kingdom. National Museum of Antiquities, Leiden.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297609
title: Drinking Fountain Fulham Road

description: A drinking fountain on the north side of Fulham Road in the wall of Pelham Crescent.

Date: 1879

http://www.mdfcta.co.uk/details-f/f038.html

186 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297610
title: Drinking Fountain Fulham Road

description: A drinking fountain on the north side of Fulham Road in the wall of Pelham Crescent.

Date: 1879

http://www.mdfcta.co.uk/details-f/f038.html

186 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297611
title: Carinated vase with flaring rim - PG.2000.1492

description: It concerns a type 5, biconical pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped, carinated vessels are associated with funerary contexts and are regularly found together with type 3 bowls. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.PG.2000.1492

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198535&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297612
title: Carinated vase with flaring rim - PG.2000.1492

description: It concerns a type 5, biconical pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped, carinated vessels are associated with funerary contexts and are regularly found together with type 3 bowls. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.PG.2000.1492

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198535&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297615
title: Wooden Crates

description: simple wooden crates ~1h
made in maya
textured with substance painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297614
title: Wooden Crates

description: simple wooden crates ~1h
made in maya
textured with substance painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297616
title: 50x19964 Neolithic sherd with cord impression

description: Decorated Neolithic sherd form 3.400 BC. Found at the causewayed enclosure at Sarup, Funen, Denmark.
The lines have been stamped with cord-impressions. We se they have used different types af stamps. When looking at the back of the sherd, it is possible to find the cord in positive.
For 3D-presentation: 7 images with a Fujifilm XF10-camera and uploaded with PhotoModelerPremium by Eos Systems Inc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297617
title: 50x19964 Neolithic sherd with cord impression

description: Decorated Neolithic sherd form 3.400 BC. Found at the causewayed enclosure at Sarup, Funen, Denmark.
The lines have been stamped with cord-impressions. We se they have used different types af stamps. When looking at the back of the sherd, it is possible to find the cord in positive.
For 3D-presentation: 7 images with a Fujifilm XF10-camera and uploaded with PhotoModelerPremium by Eos Systems Inc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297618
title: Metacarpo de vaca/buey - VIRTARMED

description: Metacarpo de vaca/buey (Bos taurus). Pertenece a un individuo adulto y presenta patologías asociadas a la edad: en la cara anterior de la epífisis distal posee unas exostosis, probablemente debido a su uso como animal de tiro.

* Cronología: XIX
* Depósito: Universidad de Granada
* Yacimiento: Cuarto Real de Santo Domingo (Granada).

VIRTARMED

Colaboran: [Medialab UGR](https://medialab.ugr.es/), [Departamento de Historia Medieval y CCTTHH](https://hmedieval.ugr.es/), [Departamento de Prehistoria y Arqueología](https://acortar.link/cCsuAS)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op). Descripción: [Moisés Alonso Valladares](https://acortar.link/7jgURo)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297619
title: Metacarpo de vaca/buey - VIRTARMED

description: Metacarpo de vaca/buey (Bos taurus). Pertenece a un individuo adulto y presenta patologías asociadas a la edad: en la cara anterior de la epífisis distal posee unas exostosis, probablemente debido a su uso como animal de tiro.

* Cronología: XIX
* Depósito: Universidad de Granada
* Yacimiento: Cuarto Real de Santo Domingo (Granada).

VIRTARMED

Colaboran: [Medialab UGR](https://medialab.ugr.es/), [Departamento de Historia Medieval y CCTTHH](https://hmedieval.ugr.es/), [Departamento de Prehistoria y Arqueología](https://acortar.link/cCsuAS)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op). Descripción: [Moisés Alonso Valladares](https://acortar.link/7jgURo)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297620
title: Sitting Man - Denkmal Berlin

description: Done with 21 Images. Medium quality dense cloud. Resolution 6k x 4k / 24MP. No post processing with Blender.

---

Part of the [Berlin 3D Virtual Tour](https://r.upo.sh/1caSN5cg). [More details](https://urban-photogrammetry.org/berlin/5c0681f61c9b45a9a0358ac0a2d2dd58).

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297621
title: Sitting Man - Denkmal Berlin

description: Done with 21 Images. Medium quality dense cloud. Resolution 6k x 4k / 24MP. No post processing with Blender.

---

Part of the [Berlin 3D Virtual Tour](https://r.upo.sh/1caSN5cg). [More details](https://urban-photogrammetry.org/berlin/5c0681f61c9b45a9a0358ac0a2d2dd58).

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297622
title: Lausanne Cathedral Gate

description: This is the main gate of the cathedral in Laussane. The cathedral dates back to 1170 but the gate in its current form was completed in 1909. It was designed by Raphael Lugeon. More information about the cathedral and the sceces can be found in the book "Biblical scenes from the grand portal of Lausanne Cathedral" by Jocelyne Muller.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297623
title: Lausanne Cathedral Gate

description: This is the main gate of the cathedral in Laussane. The cathedral dates back to 1170 but the gate in its current form was completed in 1909. It was designed by Raphael Lugeon. More information about the cathedral and the sceces can be found in the book "Biblical scenes from the grand portal of Lausanne Cathedral" by Jocelyne Muller.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297624
title: Olla de cocina (Bullas, Murcia)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297625
title: Olla de cocina (Bullas, Murcia)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297626
title: Friso Monumento Baquedano Enero5 2020

description: Friso Monumento Baquedano
Enero 5 2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297627
title: Friso Monumento Baquedano Enero5 2020

description: Friso Monumento Baquedano
Enero 5 2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297629
title: XFP-067 Bone tool, Sanak Island, Alaska

description: Sea mammal bone tool, Sanak Island, Alaska. CAT# XFP-067-3-2

XFP-067 is a group of 27 depressions and pits in Finneys Cove, Sanak Island. The major portion of the site dates to about 500-200 BCE, with some occupation approximately 1300 BCE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297628
title: XFP-067 Bone tool, Sanak Island, Alaska

description: Sea mammal bone tool, Sanak Island, Alaska. CAT# XFP-067-3-2

XFP-067 is a group of 27 depressions and pits in Finneys Cove, Sanak Island. The major portion of the site dates to about 500-200 BCE, with some occupation approximately 1300 BCE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297630
title: Soviet military aircraft

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297631
title: Soviet military aircraft

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297632
title: Objeto 07 - Nasca

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297633
title: Objeto 07 - Nasca

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297634
title: Harrier T10

description: Converted from the free Alphasim model as an exercise in loading up a model to Sketch fab and fettling it for VR/AR. I think it is full scale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297635
title: Harrier T10

description: Converted from the free Alphasim model as an exercise in loading up a model to Sketch fab and fettling it for VR/AR. I think it is full scale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297636
title: COADS_7-83

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Flint Ridge
Possible Type Determination: Lowe/Baker's Creek

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_7-83, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297637
title: COADS_7-83

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Flint Ridge
Possible Type Determination: Lowe/Baker's Creek

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_7-83, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297638
title: Pole finial, 12th-11th century BCE

description: Ancient Chinese bronze pole finial, 12th-11th century BCE, now in the collection of the Minneapolis Institute of Art. 

From the finial's description on artsmia.org: 

"A combination of four masks appears on this bronze finial, which originally adorned the end of a pole. A forceful taotie (composite animal) mask with downward-facing C-shaped horns appears on one side of the top. This monster's face forms a mask on a human head; it has the broad nose typical of early masks. On the other side, a ram's head, with horns turned down, bites on a head resembling a taotie. This remarkable work demonstrates that men wore zoomorphic masks in ritual ceremony."

More information: 

https://collections.artsmia.org/art/962/pole-finial-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297639
title: Pole finial, 12th-11th century BCE

description: Ancient Chinese bronze pole finial, 12th-11th century BCE, now in the collection of the Minneapolis Institute of Art. 

From the finial's description on artsmia.org: 

"A combination of four masks appears on this bronze finial, which originally adorned the end of a pole. A forceful taotie (composite animal) mask with downward-facing C-shaped horns appears on one side of the top. This monster's face forms a mask on a human head; it has the broad nose typical of early masks. On the other side, a ram's head, with horns turned down, bites on a head resembling a taotie. This remarkable work demonstrates that men wore zoomorphic masks in ritual ceremony."

More information: 

https://collections.artsmia.org/art/962/pole-finial-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297640
title: The Mask of Agamennon

description: The Mask of Agamemnon is an artifact discovered at Mycenae in 1876 by Heinrich Schliemann. It has been lauded as the "Mona Lisa of prehistory".

The artifact is a funeral mask smithed in gold and was found over the face of a body in a burial shaft designated Grave V at the site "Grave Circle A, Mycenae".

Schliemann believed that he had discovered the body of the legendary Greek leader Agamemnon, naming his son after him in 1878, but modern archaeological research suggests that the mask is from 1550–1500 BCE—earlier than the life of Agamemnon, as tradition regards it. The mask is currently displayed in the National Archaeological Museum of Athens.
[Source is wikipedia]

More about Hyria 3d virtual museums: 
http://www.massimogreco.xyz/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297641
title: The Mask of Agamennon

description: The Mask of Agamemnon is an artifact discovered at Mycenae in 1876 by Heinrich Schliemann. It has been lauded as the "Mona Lisa of prehistory".

The artifact is a funeral mask smithed in gold and was found over the face of a body in a burial shaft designated Grave V at the site "Grave Circle A, Mycenae".

Schliemann believed that he had discovered the body of the legendary Greek leader Agamemnon, naming his son after him in 1878, but modern archaeological research suggests that the mask is from 1550–1500 BCE—earlier than the life of Agamemnon, as tradition regards it. The mask is currently displayed in the National Archaeological Museum of Athens.
[Source is wikipedia]

More about Hyria 3d virtual museums: 
http://www.massimogreco.xyz/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297642
title: WIP - Exhibition room

description: **Edit:** [My final challenge entry here!](https://skfb.ly/6ysKL)

A quick WIP for the [Sketchfab's texturing challenge](https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture/) (no textures yet). 

An idea could be to try to display a few interestingly textured lowpoly versions of the statues in a virtual exhibition, revolving around a couple of flat shaded and naive versions of the statues.

The statue remeshing was done from the high resolution scan, separating the hands, head and pubic region with blender and mmgs to keep some details while decimating. 

My first baking tests with complex materials went totally wrong though, so here is a WIP with just a roughness map and roughly baked (32 samples) lights from blender.

Based on "[Doryphoros (The Spear Bearer)](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc)" by [SMK – National Gallery of Denmark](https://sketchfab.com/smkmuseum), licensed under CC Attribution"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297643
title: WIP - Exhibition room

description: **Edit:** [My final challenge entry here!](https://skfb.ly/6ysKL)

A quick WIP for the [Sketchfab's texturing challenge](https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture/) (no textures yet). 

An idea could be to try to display a few interestingly textured lowpoly versions of the statues in a virtual exhibition, revolving around a couple of flat shaded and naive versions of the statues.

The statue remeshing was done from the high resolution scan, separating the hands, head and pubic region with blender and mmgs to keep some details while decimating. 

My first baking tests with complex materials went totally wrong though, so here is a WIP with just a roughness map and roughly baked (32 samples) lights from blender.

Based on "[Doryphoros (The Spear Bearer)](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc)" by [SMK – National Gallery of Denmark](https://sketchfab.com/smkmuseum), licensed under CC Attribution"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297644
title: COADS_129EBP-442

description: Diagnostic biface collected in Liberty Township in Ross County, Ohio.
Material Type: Upper Mercer

Uploaded by: Hannah Banks

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Abby Clark, Hannah Banks, and Michael Shott, 2017. COADS_129EBP-442, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297645
title: COADS_129EBP-442

description: Diagnostic biface collected in Liberty Township in Ross County, Ohio.
Material Type: Upper Mercer

Uploaded by: Hannah Banks

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Abby Clark, Hannah Banks, and Michael Shott, 2017. COADS_129EBP-442, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297646
title: You ready for this...The whole train with engine

description: I know you train buffs like that green engine on the front of that line of cars.  I had to have that explainied to so many times while I took over 400 pics to do this.  I guess it is being retired?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297647
title: You ready for this...The whole train with engine

description: I know you train buffs like that green engine on the front of that line of cars.  I had to have that explainied to so many times while I took over 400 pics to do this.  I guess it is being retired?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297648
title: Wooden Coffin (Free)

description: Simple Old Coffin with cross. Created in Blender and Textured in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297649
title: Wooden Coffin (Free)

description: Simple Old Coffin with cross. Created in Blender and Textured in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297650
title: Amphoriskos - Colour Transfer

description: Final edit in rapid-processing workflow. pt 4 post-processing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297651
title: Amphoriskos - Colour Transfer

description: Final edit in rapid-processing workflow. pt 4 post-processing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297654
title: Edrom Gravestone, Scottish Borders

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297655
title: Edrom Gravestone, Scottish Borders

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297656
title: Unreliabeobject_07

description: Found in Schleswig-Holstein, Germany.

"The development of this identity was probably the
most important motivation for the bourgeoisie to collect
art. It was a way to define themselves as a new
group and to communicate this identity to the outside
world. This self-defining function is in fact probably
the strongest driving force behind every collection." 

Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2). 159.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297657
title: Unreliabeobject_07

description: Found in Schleswig-Holstein, Germany.

"The development of this identity was probably the
most important motivation for the bourgeoisie to collect
art. It was a way to define themselves as a new
group and to communicate this identity to the outside
world. This self-defining function is in fact probably
the strongest driving force behind every collection." 

Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2). 159.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297658
title: Polished stone axe, Escoural Cave, Portugal

description: A polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297659
title: Polished stone axe, Escoural Cave, Portugal

description: A polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297660
title: Dunnottar Castle Fireplace, Earl Marischal 1645

description: 1645 Earl Marischal plaque above fireplace at Dunnottar Castle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297661
title: Dunnottar Castle Fireplace, Earl Marischal 1645

description: 1645 Earl Marischal plaque above fireplace at Dunnottar Castle.

Source: Objaverse 1.0 / Sketchfab