cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10299678
title: Togaed statue from Tarraco (Tarragona, Spain)

description: Togaed statue from the site of Tarraco (Tarragona, Spain), dated in the mid-1st century AD. Marble statue representing a young prince wearing a toga praetexta and the bulla aurea on his chest. It is probably Brittanicus or Nero, both designated succesors of Claudius. It would have formed part of the gallery of effigies of the Julian-Claudian family in the scaenae frons of the Tarraco Theatre.

1545 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 7585.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299679
title: Togaed statue from Tarraco (Tarragona, Spain)

description: Togaed statue from the site of Tarraco (Tarragona, Spain), dated in the mid-1st century AD. Marble statue representing a young prince wearing a toga praetexta and the bulla aurea on his chest. It is probably Brittanicus or Nero, both designated succesors of Claudius. It would have formed part of the gallery of effigies of the Julian-Claudian family in the scaenae frons of the Tarraco Theatre.

1545 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 7585.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299685
title: Pallet Town WIP

description: Low poly 3d pallet town made in blender 

will be hand painted later

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299684
title: Pallet Town WIP

description: Low poly 3d pallet town made in blender 

will be hand painted later

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299686
title: Barong Bowl

description: A small handcarved Indonesian wooden bowl.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299687
title: Barong Bowl

description: A small handcarved Indonesian wooden bowl.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299688
title: Natica adducta

description: Figured by Huddleston (1892, p. 257, pl. 20, fig. 3) as Natica adducta Phillips.
Blea Wyke, North Yorkshire.
Colour laser scan.
Faro laser arm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299689
title: Natica adducta

description: Figured by Huddleston (1892, p. 257, pl. 20, fig. 3) as Natica adducta Phillips.
Blea Wyke, North Yorkshire.
Colour laser scan.
Faro laser arm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299690
title: lee enfield rifle (untextured old model)

description: not the best model, so free

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299691
title: lee enfield rifle (untextured old model)

description: not the best model, so free

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299692
title: Digitally Carved Pumpkin

description: This is based on a 3D scan of a mini-pumpkin (https://skfb.ly/WqBn)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299693
title: Digitally Carved Pumpkin

description: This is based on a 3D scan of a mini-pumpkin (https://skfb.ly/WqBn)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299694
title: kolonna-right Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд верхний 

Порядок:
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-right

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299695
title: kolonna-right Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд верхний 

Порядок:
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-right

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299697
title: Hillsboro Simple Stamped Jar Rim (2464p4207-2)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 180.0 mm; width, 151.6 mm; thickness, 7.1 mm.

Notes: Catalog no. 2464p4207 (specimen 2), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Jordyn Gray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299698
title: Hillsboro Simple Stamped Jar Rim (2464p4207-2)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 180.0 mm; width, 151.6 mm; thickness, 7.1 mm.

Notes: Catalog no. 2464p4207 (specimen 2), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Jordyn Gray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299700
title: Architectural 3D model

description: Architectural 3D model requested by the customer for the purpose of restoring the façade.

Created in RealityCapture by Capturing Reality from 101 images in 1:09:51.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299699
title: Architectural 3D model

description: Architectural 3D model requested by the customer for the purpose of restoring the façade.

Created in RealityCapture by Capturing Reality from 101 images in 1:09:51.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299703
title: Motorola MicroTAC International 5200

description: The Motorola MicroTAC family of telephones debuted in 1989 as the successor to the much larger models of the DynaTAC series. MicroTAC telephones were compact and unique in their folding design – the microphone was installed inside a hinged flap, which covered the keypad when folded. The device also had a retractable antenna, which made it even more convenient. 
Early models in the MicroTAC family worked with first-generation analog cellular networks. The International 5200 model presented here was designed for second-generation digital networks (GSM).

Manufacturer: Motorola, USA/Germany, 1994

Inv. No.: MIM1797/VIII–59

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299704
title: Motorola MicroTAC International 5200

description: The Motorola MicroTAC family of telephones debuted in 1989 as the successor to the much larger models of the DynaTAC series. MicroTAC telephones were compact and unique in their folding design – the microphone was installed inside a hinged flap, which covered the keypad when folded. The device also had a retractable antenna, which made it even more convenient. 
Early models in the MicroTAC family worked with first-generation analog cellular networks. The International 5200 model presented here was designed for second-generation digital networks (GSM).

Manufacturer: Motorola, USA/Germany, 1994

Inv. No.: MIM1797/VIII–59

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299706
title: Uženu pilskalns

description: Uženu pilskalna 3D modelis. Koordinātas: 56.767657, 25.133624

https://www.latvijas-pilskalni.lv/uzenu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299707
title: Uženu pilskalns

description: Uženu pilskalna 3D modelis. Koordinātas: 56.767657, 25.133624

https://www.latvijas-pilskalni.lv/uzenu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299708
title: The Three Graces

description: The Three Graces, Antonio Canova (?), 1813-14, Ny Carlsberg Glyptotek. Made with Memento Beta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299709
title: The Three Graces

description: The Three Graces, Antonio Canova (?), 1813-14, Ny Carlsberg Glyptotek. Made with Memento Beta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299710
title: 77-47-Q313 Ivory Figurine, Hot Springs Village

description: Small Ivory Figurine, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q313 Okada excavations HHQ, Level 4-3 Hot Springs 1C. 1300-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299711
title: 77-47-Q313 Ivory Figurine, Hot Springs Village

description: Small Ivory Figurine, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q313 Okada excavations HHQ, Level 4-3 Hot Springs 1C. 1300-1000 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299715
title: Challaborough Pillbox Base

description: The probable base/platform of a World War 2 pillbox on the cliffs at Challaborough Beach, Devon, England. Located just south east of the lifeguard station.

This platform is mentioned in this listing for a different pillbox: https://archaeologydataservice.ac.uk/archives/view/dob/ai_full_r.cfm?refno=6597

312 photos taken in August 2021 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299714
title: Challaborough Pillbox Base

description: The probable base/platform of a World War 2 pillbox on the cliffs at Challaborough Beach, Devon, England. Located just south east of the lifeguard station.

This platform is mentioned in this listing for a different pillbox: https://archaeologydataservice.ac.uk/archives/view/dob/ai_full_r.cfm?refno=6597

312 photos taken in August 2021 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299717
title: Arkebuza

description: Arkebuza (Latin Arquebusum, German Hakenbüchse). Holy Roman Empire, 17th century Wheel arch lock (Radschloss). The Arkebuza is filled through a tube. The key is triggered like a clockwork mechanism, opens a shelf, adds gunpowder on the lock dial with sharp grooves, and lowers a knob with a fixed piece of pyrite or flint. The triggered spring screwed the caster into its grooves and sparked its sparks from pyrite or flint. The sparks ignited the gunpowder on the shelf and the fire passed into the pipe. The wooden garden is adorned with carved ivory plates, mostly plant ornaments. The plates feature baton scenes and fantastic figures.

Trakų istorijos muziejaus Medininkų pilis

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299716
title: Arkebuza

description: Arkebuza (Latin Arquebusum, German Hakenbüchse). Holy Roman Empire, 17th century Wheel arch lock (Radschloss). The Arkebuza is filled through a tube. The key is triggered like a clockwork mechanism, opens a shelf, adds gunpowder on the lock dial with sharp grooves, and lowers a knob with a fixed piece of pyrite or flint. The triggered spring screwed the caster into its grooves and sparked its sparks from pyrite or flint. The sparks ignited the gunpowder on the shelf and the fire passed into the pipe. The wooden garden is adorned with carved ivory plates, mostly plant ornaments. The plates feature baton scenes and fantastic figures.

Trakų istorijos muziejaus Medininkų pilis

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299718
title: Column

description: A simple column, made with Maya and substance painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299719
title: Column

description: A simple column, made with Maya and substance painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299720
title: GDR Surveillance Post - DDR Museum

description: # Watching over Paradise
The Ministory for State Security (MfS)- known as the Stasi- could draw upon vast resources and powers. At the point of its dissolution in 1989, it maintained 91,000 professional officers and 189,000 Unofficial Collaborators or spies. The MfS functioned as a domestic security service, a public prosecution service and an intelligence agency all rolled into one. It was not bound by considerations of postal, banking, or telecommunications secrecy, the demands of medical confidentiality or any form of private sphere. Enjoying almost unlimited legal powers and not subject to any form of administrative or judicial oversight, it conceived of itself as the shield and sword of the Party to which it reported directly. This devastating array of powers was augmented through co-operation with other state agencies such as the police, the SED, and the various mass organizations. - DDR Museum description

Captured with an iPhone and processed with Reality Capture in Oct 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299721
title: GDR Surveillance Post - DDR Museum

description: # Watching over Paradise
The Ministory for State Security (MfS)- known as the Stasi- could draw upon vast resources and powers. At the point of its dissolution in 1989, it maintained 91,000 professional officers and 189,000 Unofficial Collaborators or spies. The MfS functioned as a domestic security service, a public prosecution service and an intelligence agency all rolled into one. It was not bound by considerations of postal, banking, or telecommunications secrecy, the demands of medical confidentiality or any form of private sphere. Enjoying almost unlimited legal powers and not subject to any form of administrative or judicial oversight, it conceived of itself as the shield and sword of the Party to which it reported directly. This devastating array of powers was augmented through co-operation with other state agencies such as the police, the SED, and the various mass organizations. - DDR Museum description

Captured with an iPhone and processed with Reality Capture in Oct 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299722
title: Ristikallio school stairs in Littoinen, Finland

description: Photos taken with A7Riv + 20mm Sony FE

Processed with Metashape + Blender + Instant meshes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299723
title: Ristikallio school stairs in Littoinen, Finland

description: Photos taken with A7Riv + 20mm Sony FE

Processed with Metashape + Blender + Instant meshes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299726
title: Stećak - medieval Bosnian tombstone at Kopošići

description: Gabled roof stećak at the site of Kopošići near Ilijaš, central Bosnia. Typical for central and some parts of eastern Bosnia. End of XIV and beginning of XV century.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo. Description provided by Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. Model was created from 290 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project # Koposici Stecak 6.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299727
title: Stećak - medieval Bosnian tombstone at Kopošići

description: Gabled roof stećak at the site of Kopošići near Ilijaš, central Bosnia. Typical for central and some parts of eastern Bosnia. End of XIV and beginning of XV century.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo. Description provided by Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. Model was created from 290 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project # Koposici Stecak 6.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299728
title: African Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299729
title: African Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299730
title: Laas Geel Point Cloud

description: > Laas Geel (Somali: Laas Geel), also spelled Laas Gaal, are cave formations on the rural outskirts of Hargeisa, Somaliland (situated in the Woqooyi Galbeed region of the self-declared but internationally unrecognised Republic of Somaliland). They contain some of the earliest known cave paintings in the Horn of Africa. Laas Geel's rock art is estimated to date to somewhere between 9,000 and 3,000 years BC.
https://en.wikipedia.org/wiki/Laas_Geel

Original data captured by CyArk, made available via the Open Heritage project:
https://openheritage3d.org/project.php?id=v7a2-me37

Reduced from original 128 million point .e57 file to 1 million point .ply using [Nubigon](https://nubigon.com).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299731
title: Laas Geel Point Cloud

description: > Laas Geel (Somali: Laas Geel), also spelled Laas Gaal, are cave formations on the rural outskirts of Hargeisa, Somaliland (situated in the Woqooyi Galbeed region of the self-declared but internationally unrecognised Republic of Somaliland). They contain some of the earliest known cave paintings in the Horn of Africa. Laas Geel's rock art is estimated to date to somewhere between 9,000 and 3,000 years BC.
https://en.wikipedia.org/wiki/Laas_Geel

Original data captured by CyArk, made available via the Open Heritage project:
https://openheritage3d.org/project.php?id=v7a2-me37

Reduced from original 128 million point .e57 file to 1 million point .ply using [Nubigon](https://nubigon.com).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299733
title: Inscrição votiva a Munis, Castelo Celorico Beira

description: Inscrição votiva a Munis – Castelo de Celorico da Beira

"...Trata-se de duas inscrições romanas que o atestam e que nos revelam inclusivamente o nome de duas divindades as quais foram objecto da particular devoção destas gentes há cerca de 2000 anos, constituindo assim as mais antigas divindades que se conhecem em Celorico da Beira. Uma encontra o seu nome gravado num penedo que importa proteger devidamente junto ao próprio castelo de Celorico. A leitura dessa inscrição rupestre revela-o: Munis ou Munidis. Embora a erosão do tempo dificulte bastante a leitura desta epigrafe do século I d.C., mesmo assim parece poder ler-se que um indígena, filho de um tal Malgueiro, terá consagrado e registado nesse penedo os seus votos a uma divindade chamada Munis…" 
"Assim sendo, o monte pedregoso onde na Idade Media se ergueu o castelo de Celorico da Beira, foi um milénio antes lugar de preces e libações."
*Celorico da Beira através da História, Pedro C. Carvalho*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299732
title: Inscrição votiva a Munis, Castelo Celorico Beira

description: Inscrição votiva a Munis – Castelo de Celorico da Beira

"...Trata-se de duas inscrições romanas que o atestam e que nos revelam inclusivamente o nome de duas divindades as quais foram objecto da particular devoção destas gentes há cerca de 2000 anos, constituindo assim as mais antigas divindades que se conhecem em Celorico da Beira. Uma encontra o seu nome gravado num penedo que importa proteger devidamente junto ao próprio castelo de Celorico. A leitura dessa inscrição rupestre revela-o: Munis ou Munidis. Embora a erosão do tempo dificulte bastante a leitura desta epigrafe do século I d.C., mesmo assim parece poder ler-se que um indígena, filho de um tal Malgueiro, terá consagrado e registado nesse penedo os seus votos a uma divindade chamada Munis…" 
"Assim sendo, o monte pedregoso onde na Idade Media se ergueu o castelo de Celorico da Beira, foi um milénio antes lugar de preces e libações."
*Celorico da Beira através da História, Pedro C. Carvalho*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299734
title: Vaso corintio

description: Título: Vaso corintio.
Descripción: Réplica de vaso corintio del siglo VI a.C. Mide 11.5 cm de diámetro por 14.5 cm de altura.
Cultura: griega.
Datación: n/a.
Método: Fotogrametría, iluminación con paneles LED y polarización cruzada para reducir los brillos de la superficie.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299735
title: Vaso corintio

description: Título: Vaso corintio.
Descripción: Réplica de vaso corintio del siglo VI a.C. Mide 11.5 cm de diámetro por 14.5 cm de altura.
Cultura: griega.
Datación: n/a.
Método: Fotogrametría, iluminación con paneles LED y polarización cruzada para reducir los brillos de la superficie.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299736
title: Model

description: prueba 3d escultura

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299737
title: Model

description: prueba 3d escultura

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299742
title: Architectural Salvage from a Shrine Temple

description: At Zandbroz Variety, a gift store in downtown Sioux Falls, I saw this interesting molded block. I set it in a spot without harsh lighting and took 58 photos with my iPhone 6 Plus to create this model.

I think it is a fascinating reminder of past organizations and the wonderful ornamental decoration their buildings had.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10299743
title: Architectural Salvage from a Shrine Temple

description: At Zandbroz Variety, a gift store in downtown Sioux Falls, I saw this interesting molded block. I set it in a spot without harsh lighting and took 58 photos with my iPhone 6 Plus to create this model.

I think it is a fascinating reminder of past organizations and the wonderful ornamental decoration their buildings had.

Source: Objaverse 1.0 / Sketchfab