cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10286349
title: Uma-Maheshvara, 10th - 11th C CE

description: Sandstone Uma-Maheshvara, 10th - 11th C CE, now in the collection of the Minneapolis Institute of Art.


From the sculpture's description on artsmia.org:

*'The gods Shiva and Pārvatī appear in South Asian sculpture in several iconographic forms and incarnations. In this form, Shiva appears as Maheshvara, or the Great God, and Pārvatī as Uma, the daughter of Himavan, the King of Mountains. In her incarnation as Uma, the goddess performed many meritorious deeds in order to marry Shiva. Together, Uma and Maheshvara represent an ideal married couple with arms draped around each other. Their two sons, Ganesha and Skanda, stand beneath them on either side. Shiva's bull vehicle, Nandi, sits obediently at their feet. Shiva holds his trident in his upper right hand, and his other two hands likely would have held a lotus and pot. Pārvatī holds a moonlike mirror in her left hand, which illuminates the two divine beings in their celestial beauty.'*


More:
https://collections.artsmia.org/art/5369/uma-maheshvara-india

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286352
title: Bowl on foot - PG.2000.101

description: It concerns a type 7 bowl on foot in the typology of the Siret brothers of the El Argar culture, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and were probably reserved for females. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.2000.101

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=389097&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286353
title: Bowl on foot - PG.2000.101

description: It concerns a type 7 bowl on foot in the typology of the Siret brothers of the El Argar culture, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and were probably reserved for females. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.2000.101

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=389097&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286354
title: Tomb with Inscription. National Museum, Sarajevo

description: Tomb Cover with Inscription. on display at the National Museum of Bosnia and Herzegovina, Sarajevo

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 674 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID LastInscription.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286355
title: Tomb with Inscription. National Museum, Sarajevo

description: Tomb Cover with Inscription. on display at the National Museum of Bosnia and Herzegovina, Sarajevo

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 674 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID LastInscription.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286356
title: Monumento sepulcral de San Jorge (ss. I-II d.C.)

description: Basamento moldurado y trasera de un gran _monumentum sepulchrale_ probablemente rematado con pulvinos y con inscripción dedicatoria hoy perdida. De época alto-imperial romana, es el ejemplar mejor conservado de una tipología bien atestiguada en las Cinco Villas. Excavado en la década de 1980, puede verse _in situ_ al Este del término de Biota, cerca de Farasdués. Seguramente serviría como sepulcro de incineración a un enclave rural contiguo tipo _uilla_ o _uicus_.

Base with moulding and back panel of a large funerary monument. It was probably topped with _puluini_ and it is likely to have read a dedication, today lost, in the inner side. Datable to the early imperial period, it is the best known example of this kind of funerary monument, well attested in the region of the Cinco Villas. It was found in the 1980s and can be seen, _in situ_, at the eastern edge of the town of Biota, near Farasdués. It might have contained cremated ashes from a nearby _uilla_ or _uicus_.

Dimensiones (cm): 531 x 356 x (154)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286357
title: Monumento sepulcral de San Jorge (ss. I-II d.C.)

description: Basamento moldurado y trasera de un gran _monumentum sepulchrale_ probablemente rematado con pulvinos y con inscripción dedicatoria hoy perdida. De época alto-imperial romana, es el ejemplar mejor conservado de una tipología bien atestiguada en las Cinco Villas. Excavado en la década de 1980, puede verse _in situ_ al Este del término de Biota, cerca de Farasdués. Seguramente serviría como sepulcro de incineración a un enclave rural contiguo tipo _uilla_ o _uicus_.

Base with moulding and back panel of a large funerary monument. It was probably topped with _puluini_ and it is likely to have read a dedication, today lost, in the inner side. Datable to the early imperial period, it is the best known example of this kind of funerary monument, well attested in the region of the Cinco Villas. It was found in the 1980s and can be seen, _in situ_, at the eastern edge of the town of Biota, near Farasdués. It might have contained cremated ashes from a nearby _uilla_ or _uicus_.

Dimensiones (cm): 531 x 356 x (154)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286360
title: Sjøsamisk spisse

description: Denne nybygde spissa stod ved "Kokelv sjøsamisk museum". Båten er bygget ved "Mearrasiida", som også har lagt den ut for lokal bruk, for alle som ønsker det.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286361
title: Sjøsamisk spisse

description: Denne nybygde spissa stod ved "Kokelv sjøsamisk museum". Båten er bygget ved "Mearrasiida", som også har lagt den ut for lokal bruk, for alle som ønsker det.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286363
title: COADS_8-20

description: Diagnostic biface collected in Paxton Township, Ross County, Ohio.
Material: Unknown

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_8-20, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286362
title: COADS_8-20

description: Diagnostic biface collected in Paxton Township, Ross County, Ohio.
Material: Unknown

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_8-20, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286364
title: Capitel Sector 24 Oxirrinco

description: Capitel de la Basílica de la Necrópolis de Oxirrinco. Realizado para el Proyecto Oxirrinco. Mas info en www.oxirrinc.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286365
title: Capitel Sector 24 Oxirrinco

description: Capitel de la Basílica de la Necrópolis de Oxirrinco. Realizado para el Proyecto Oxirrinco. Mas info en www.oxirrinc.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286371
title: A wooden cultural ornament made by MIT students

description: This is a wooden cultural ornament made by MIT students in the Integrated Design & Management graduate program. Each symbol is representative of the students who made it. Can you deduce their cultural orgins? 

Created with Polycam
Sketchfab: https://skfb.ly/ovx8X

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286370
title: A wooden cultural ornament made by MIT students

description: This is a wooden cultural ornament made by MIT students in the Integrated Design & Management graduate program. Each symbol is representative of the students who made it. Can you deduce their cultural orgins? 

Created with Polycam
Sketchfab: https://skfb.ly/ovx8X

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286372
title: Escudo de armas de Don Antonio de Trejo (Murcia)

description: Escudo de armas de don Antonio de Trejo, obispo de Cartagena (1618-1635).
Procedente del palacio de la calle Eulogio Soriano.
Mármol blanco.
Estilo manierista
Primera mitad del siglo XVIII

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286373
title: Escudo de armas de Don Antonio de Trejo (Murcia)

description: Escudo de armas de don Antonio de Trejo, obispo de Cartagena (1618-1635).
Procedente del palacio de la calle Eulogio Soriano.
Mármol blanco.
Estilo manierista
Primera mitad del siglo XVIII

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286376
title: 1719 gravestone Polwarth Kirk, Borders, Scotland

description: Gravestone in Polwarth Kirk graveyard, Borders, Scotland.  The stone is inscribed RS in top front corners and date 1719 is visible on rear. Canmore Id : 58498
72 photographs using Canon 7D and 10-18mm EF-S  lens at 18mm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286377
title: 1719 gravestone Polwarth Kirk, Borders, Scotland

description: Gravestone in Polwarth Kirk graveyard, Borders, Scotland.  The stone is inscribed RS in top front corners and date 1719 is visible on rear. Canmore Id : 58498
72 photographs using Canon 7D and 10-18mm EF-S  lens at 18mm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286378
title: Blade (20268)

description: A flint blade. Percussion flaked. Tan color. Not retouched.

https://stanford.pastperfectonline.com/webobject/FD3E237A-6486-46A4-B30B-786461282800

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286379
title: Blade (20268)

description: A flint blade. Percussion flaked. Tan color. Not retouched.

https://stanford.pastperfectonline.com/webobject/FD3E237A-6486-46A4-B30B-786461282800

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286380
title: River god Rems in Schlossgarten, Stuttgart

description: Stone sculpture of River god Rems by Domenico Ferretti is presently located in Schlossgarten, Stuttgart. Dated 1748-1753

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286381
title: River god Rems in Schlossgarten, Stuttgart

description: Stone sculpture of River god Rems by Domenico Ferretti is presently located in Schlossgarten, Stuttgart. Dated 1748-1753

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286382
title: Амфора с рукой

description: Модель сделана студенткой НИУ ВШЭ Марией Левченко

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286383
title: Амфора с рукой

description: Модель сделана студенткой НИУ ВШЭ Марией Левченко

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286385
title: Farol de Aceite/Oil lantern

description: Farol de aceite antiguo/Old oil lantern

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286386
title: Farol de Aceite/Oil lantern

description: Farol de aceite antiguo/Old oil lantern

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286387
title: CE 1256 OBJ

description: N° de Registro Nacional: 0000296842

DATOS DE IDENTIFICACION 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío

 (1,476 d.c.  – 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286388
title: CE 1256 OBJ

description: N° de Registro Nacional: 0000296842

DATOS DE IDENTIFICACION 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío

 (1,476 d.c.  – 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286391
title: ROI022-012-20

description: Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-390-24D

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-012-20, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286392
title: ROI022-012-20

description: Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-390-24D

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-012-20, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286393
title: Sarcófago Saíta nº 12 tumba 14 - Oxirrinco

description: Realizado para el Proyecto Oxirrinco. Mas info en www.oxirrinc.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286394
title: Sarcófago Saíta nº 12 tumba 14 - Oxirrinco

description: Realizado para el Proyecto Oxirrinco. Mas info en www.oxirrinc.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286395
title: Brown dress with bustle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286396
title: Brown dress with bustle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286397
title: Bankside Foreshore Brick Pipe

description: The remains of a brick pipe on the foreshore at Bankside, between The Founder's Arms and Blackfriars Railway Bridge, London.

There used to be a hydraulic power station above this part of the river wall so the pipe is possibly related.

393 photos taken in September 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286398
title: Bankside Foreshore Brick Pipe

description: The remains of a brick pipe on the foreshore at Bankside, between The Founder's Arms and Blackfriars Railway Bridge, London.

There used to be a hydraulic power station above this part of the river wall so the pipe is possibly related.

393 photos taken in September 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286403
title: Theatre Hallway, Chateau de la Roche-Guyon

description: In the past,  this hallway served as an entrance to the Château de La Roche-Guyon. In the 18th Century, it also served as an entrance to the theatre. This was the hall where guests would wait before entering the theatre for performances. As such, there is a considerable amount of graffiti. The underground theater was constructed in 1768 by the Duchess of Enville. The theater could host 40-50 guests for performances. 

Château de La Roche-Guyon was built in the 12th century, controlling a river crossing of the Seine. In the mid-13th century, a fortified manor house (the château-bas) was added below. The domain of La Roche-Guyon came to the La Rochefoucauld family in 1669. The Château retained its medieval aspect of a fortress, with its moat and towers and cramped, dark living apartments. The Château was largely extended in the 18th century.

This model was created in RealityCapture from 1509 images and 9 laser scans, with additonal processing in Geomagic Wrap 2017, Instant Meshes, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286404
title: Theatre Hallway, Chateau de la Roche-Guyon

description: In the past,  this hallway served as an entrance to the Château de La Roche-Guyon. In the 18th Century, it also served as an entrance to the theatre. This was the hall where guests would wait before entering the theatre for performances. As such, there is a considerable amount of graffiti. The underground theater was constructed in 1768 by the Duchess of Enville. The theater could host 40-50 guests for performances. 

Château de La Roche-Guyon was built in the 12th century, controlling a river crossing of the Seine. In the mid-13th century, a fortified manor house (the château-bas) was added below. The domain of La Roche-Guyon came to the La Rochefoucauld family in 1669. The Château retained its medieval aspect of a fortress, with its moat and towers and cramped, dark living apartments. The Château was largely extended in the 18th century.

This model was created in RealityCapture from 1509 images and 9 laser scans, with additonal processing in Geomagic Wrap 2017, Instant Meshes, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286405
title: The Philippines

description: [The Philippines](https://en.wikipedia.org/wiki/Philippines) is an archipelagic country in Southeast Asia. It is situated in the western Pacific Ocean, and consists of about 7,640 islands, that are broadly categorized under three main geographical divisions from north to south: Luzon, Visayas, and Mindanao. The Philippines is bounded by the South China Sea to the west, the Philippine Sea to the east, and the Celebes Sea to the southwest, and shares maritime borders with Taiwan to the north, Japan to the northeast, Palau to the east and southeast, Indonesia to the south, Malaysia and Brunei to the southwest, Vietnam to the west, and China to the northwest. The Philippines covers an area of 300,000 km2 (120,000 sq mi) and, as of 2020, had a population of around 109 million people. The Philippines is a multinational state, with diverse ethnicities and cultures throughout its islands. Manila is the nation's capital, while the largest city is Quezon City, both lying within the urban area of Metro Manila.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286406
title: The Philippines

description: [The Philippines](https://en.wikipedia.org/wiki/Philippines) is an archipelagic country in Southeast Asia. It is situated in the western Pacific Ocean, and consists of about 7,640 islands, that are broadly categorized under three main geographical divisions from north to south: Luzon, Visayas, and Mindanao. The Philippines is bounded by the South China Sea to the west, the Philippine Sea to the east, and the Celebes Sea to the southwest, and shares maritime borders with Taiwan to the north, Japan to the northeast, Palau to the east and southeast, Indonesia to the south, Malaysia and Brunei to the southwest, Vietnam to the west, and China to the northwest. The Philippines covers an area of 300,000 km2 (120,000 sq mi) and, as of 2020, had a population of around 109 million people. The Philippines is a multinational state, with diverse ethnicities and cultures throughout its islands. Manila is the nation's capital, while the largest city is Quezon City, both lying within the urban area of Metro Manila.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286407
title: Kreuz

description: Representation of Jesus nailed to the cross from the 18th century in Oggau am Neudiedler See. At his feet kneeling Mary Magdalene. The cross is located next to the Rosalia Chapel on a hill south of the village.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286408
title: Kreuz

description: Representation of Jesus nailed to the cross from the 18th century in Oggau am Neudiedler See. At his feet kneeling Mary Magdalene. The cross is located next to the Rosalia Chapel on a hill south of the village.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286410
title: Killin_cemetery_1

description: Gravestone of Patrick McVain, Killin old cemetery. model for ACFA

Part of inscription reads

REMEMBER·MAN·AS 
THOU·GOES·BY·AS 
THOU ART·NOW·SO
ONCE WAS I·AS·I·AM 
NOW·SO·MOST·THOU
BE REMEMBER MAN 
THAT THOU MOST·DIE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286411
title: Killin_cemetery_1

description: Gravestone of Patrick McVain, Killin old cemetery. model for ACFA

Part of inscription reads

REMEMBER·MAN·AS 
THOU·GOES·BY·AS 
THOU ART·NOW·SO
ONCE WAS I·AS·I·AM 
NOW·SO·MOST·THOU
BE REMEMBER MAN 
THAT THOU MOST·DIE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286412
title: Rock-cut Tomb - Algarve, Portugal

description: One of the two rock cut tombs in the Necropole da Pedreirinha, near Vale Fuzeros, Algarve, Portugal.  This is an adult tomb, about 1.9m in length (the second tomb is for a child and is shorter).  

The tomb is supposedly of Visigoth age - C5-6th.  There is a rebate around the top perimeter of the hole into which a monolithic lid would have slotted.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286413
title: Rock-cut Tomb - Algarve, Portugal

description: One of the two rock cut tombs in the Necropole da Pedreirinha, near Vale Fuzeros, Algarve, Portugal.  This is an adult tomb, about 1.9m in length (the second tomb is for a child and is shorter).  

The tomb is supposedly of Visigoth age - C5-6th.  There is a rebate around the top perimeter of the hole into which a monolithic lid would have slotted.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286414
title: Relieve de Asclepios

description: Es un relieve de yeso, originalmente de marmol, perteneciente al **periodo clásico (s. IV a.C).** Este relieve fue donado a la Facultad de Filosofía y Letras en el marco de la exposición **"Mitos y dioses griegos"** por el gobierno griego en 1994.
El relieve, que se encuentra actuamente en El Pireo, muestra una escena de incubatio en el Santuario de Asclepio. Esto consistía en que el enfermo debia pasar un noche en el santuario, a la espera de que el Dios (Asclepios, dios de la sanación griego) le devolviese la salud por medio de el sueño sagrado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286415
title: Relieve de Asclepios

description: Es un relieve de yeso, originalmente de marmol, perteneciente al **periodo clásico (s. IV a.C).** Este relieve fue donado a la Facultad de Filosofía y Letras en el marco de la exposición **"Mitos y dioses griegos"** por el gobierno griego en 1994.
El relieve, que se encuentra actuamente en El Pireo, muestra una escena de incubatio en el Santuario de Asclepio. Esto consistía en que el enfermo debia pasar un noche en el santuario, a la espera de que el Dios (Asclepios, dios de la sanación griego) le devolviese la salud por medio de el sueño sagrado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286416
title: Graveyard at St Micheal's cemetery

description: Graveyard at St Micheal's cemetery, Pensacola, Florida, USA. Alfred Peterson, Born in Sweden, May 29, 1877, Died June 7, 1916. Made with ReMake and Recap Pro from Autodesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286417
title: Graveyard at St Micheal's cemetery

description: Graveyard at St Micheal's cemetery, Pensacola, Florida, USA. Alfred Peterson, Born in Sweden, May 29, 1877, Died June 7, 1916. Made with ReMake and Recap Pro from Autodesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286420
title: Simple Сhest

description: A simple little chest made in one day.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286421
title: Simple Сhest

description: A simple little chest made in one day.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10286423
title: NCMA Aurelius (PhotoScan)

description: Portrait of the Emperor Marcus Aurelius, North Carolina Museum of Art

iPhone 6, PhotoScan

http://ncartmuseum.org/art/detail/portrait_of_the_emperor_marcus_aurelius

See also: https://sketchfab.com/models/2b22a61fb2da4cdba3eddf09d5eaf84a

Source: Objaverse 1.0 / Sketchfab