cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dance-ouc13009287
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc13009300
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc13009361
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc13009381
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-1400
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc110579715
title: Froot alone, 1998-04-02

description: Dan Froot performing various solo pieces, 1998 April 02.
DOI: 10.25549/dance-ouc110579676
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc110579738
title: Shtuck, 2001-12-21

description: Footage of Dan Froot rehearsing "Shtuck," a performance piece he choreographed and performs. The footage includes a stage rehearsal of the piece, 2001 December 21.
DOI: 10.25549/dancestry-c105-1298
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc13008830
title: Donna Sternberg and dancers at Cal state Los Angeles, 1989-04-16

description: Concert performance by Donna Sternberg and Dancers at California State University, Los Angeles on 1989 April 16. Performances include the following: "Love is not a Dirty Word" (1988), the premiere of "Siena's Catherine," a piece based on various paintings of St. Catherine of Siena, a 14th century mystic and visionary who received the stigmata, the premiere of "Parts of a Whole," the premiere of "2Parts 2Gether," and "Pikadon (Flash Boom) (1986). The final piece, Pikadon (Flash Boom), bears the name given by the Japanese of the atomic bomb that was dropped on Hiroshima and Nagasaki in 1945. This work depicts, in vignette form, various scenes that were commonplace during and after the dropping of the bomb.
DOI: 10.25549/dancestry-c105-800
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.
DOI: 10.25549/dancestry-c105-767
title: The New England Folk Festival 1986, Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: Documentation of the New England Folk Festival Association's 1986 festival, including:, Tony Parkes: Elegant Squares and Contras, Mary Lea: Interview, Tod Whittemore: Interview, Jam Session; Documentation of the New England Folk Festival Association's 1986 festival, including:, Tod Whittemore conducting Festival Orchestra, New England Dancing, Interview: Tod Whittemore, Yodel workshop, Tod Whittemore, Family Dance, Barbara Butenhof, Interview: Robin Rogers-Brown, Muddy River Rapper, Commonwealth Vintage Dancers: Tango, Cafeteria (Food etc.), Morris Dancers in Cafeteria; Documentation of the New England Folk Festival Association's 1986 festival, including:, Jitterbugging Couple, Marianne Taylor/Waltz + Pivot Dancing, Morris Processional and Dancing; Documentation of the New England Folk Festival Association's 1986 festival, including:, Morris dancing, Morris interviews, Latvian dancers (?), Irish dancers, Polish sequence, International dancing, Interview/Quilt Craftsperson; Documentation of the New England Folk Festival Association's 1986 festival, including:, Turkish dancer, Clogging, Peter Barnes - Interview, Jamming, Latvian dancing, Marianne Taylor - Interview, Ron Fishman - Interview; Documentation of the New England Folk Festival Association's 1986 festival, including:, Scottish dancers, Marianne Taylor, Dale Thomas - Interview, Ted Sanella - Calling, Spring Burrington - Puppet Concert, Tony Saletan - Interview, Rotenberg Family - Interview, Irish girls
DOI: 10.25549/dancestry-c105-769
title: The New England Folk Festival 1986, Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: Documentation of the New England Folk Festival Association's 1986 festival, including:, Tony Parkes: Elegant Squares and Contras, Mary Lea: Interview, Tod Whittemore: Interview, Jam Session; Documentation of the New England Folk Festival Association's 1986 festival, including:, Tod Whittemore conducting Festival Orchestra, New England Dancing, Interview: Tod Whittemore, Yodel workshop, Tod Whittemore, Family Dance, Barbara Butenhof, Interview: Robin Rogers-Brown, Muddy River Rapper, Commonwealth Vintage Dancers: Tango, Cafeteria (Food etc.), Morris Dancers in Cafeteria; Documentation of the New England Folk Festival Association's 1986 festival, including:, Jitterbugging Couple, Marianne Taylor/Waltz + Pivot Dancing, Morris Processional and Dancing; Documentation of the New England Folk Festival Association's 1986 festival, including:, Morris dancing, Morris interviews, Latvian dancers (?), Irish dancers, Polish sequence, International dancing, Interview/Quilt Craftsperson; Documentation of the New England Folk Festival Association's 1986 festival, including:, Turkish dancer, Clogging, Peter Barnes - Interview, Jamming, Latvian dancing, Marianne Taylor - Interview, Ron Fishman - Interview; Documentation of the New England Folk Festival Association's 1986 festival, including:, Scottish dancers, Marianne Taylor, Dale Thomas - Interview, Ted Sanella - Calling, Spring Burrington - Puppet Concert, Tony Saletan - Interview, Rotenberg Family - Interview, Irish girls
DOI: 10.25549/dancestry-c105-81
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-57
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-249
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.