cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10228990
title: Campaigning in S. Iraq, Nineveh relief

description: Panels 17-19, panel 8 and panels 2-6

Panel 17 - 19 dimensions: Gypsum wall panel relief in three parts: depicting campaigning in Southern Iraq. Assyrian soldiers are bringing in heads, prisoners, and captive women for the counting of the spoil by two scribes, obviously differing in race as in language, who are recording on tablet and parchment (?) the booty taken.  Height: 99.06 centimetres Width: 387.99 centimetres

Panel 8: Gypsum wall panel relief: scene carved in four registers; above middle horizontal band, a wooded hill, possibly parkland in Nineveh, with irrigation canals fed from an aqueduct. Height: 208.3 centimetres Width: 129.54 centimetres

Panels 2-6: Gypsum wall panel relief: depicting cattle and Assyrian soldier escorting prisoners through palm grove towards clerks with scroll and writing materials. Height: 96.52 centimetres Width: 154.94 centimetres

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228991
title: Puerta Decumana

description: Puerta Decumana de la ciudad romana de *Barcino*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228992
title: Puerta Decumana

description: Puerta Decumana de la ciudad romana de *Barcino*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228993
title: W to Al

description: Добро пожаловать в Алматы - южную столицу Казахстана. Посмотрите исторические достопримечательности. Посетите горнолыжную базу Шимбулак, высокогорный каток Медеу.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228994
title: W to Al

description: Добро пожаловать в Алматы - южную столицу Казахстана. Посмотрите исторические достопримечательности. Посетите горнолыжную базу Шимбулак, высокогорный каток Медеу.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228995
title: Petroglyph G10, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph G10, Khatm Al Melaha, Kalba, Sharjah. One gazelle and circles. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228996
title: Petroglyph G10, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph G10, Khatm Al Melaha, Kalba, Sharjah. One gazelle and circles. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228997
title: ROI012-069-01

description: Middle Woodland Point collected in Madison County, Indiana.

Catalog #: 12-M-212-4  

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI012-069-01, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228998
title: ROI012-069-01

description: Middle Woodland Point collected in Madison County, Indiana.

Catalog #: 12-M-212-4  

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI012-069-01, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229004
title: Louis Daguerre

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229003
title: Louis Daguerre

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229007
title: Screen of Edo photogrammetry scan

description: Edo-Tokyo Museum
Screen painting that depicts Edo before the Great Fire of Meireki in 1657. In addition to scenes of Edo, events such as the Kawagoe muchi-uchi and hawk-hunging and boar-hunting in the outskirts of Edo that were associated with the third shogun Tokugawa Iemitsu are portrayed. There are several theories as to the dating of the screen.
This orthophoto was generated from the model so the image can be show as the screen is fully extended.
![](https://i.ibb.co/CV7Zq90/biombo-Ortho-projection-3-25.jpg)
here a higher res version of the ortho photo
https://ibb.co/6Rjh2F1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229008
title: Screen of Edo photogrammetry scan

description: Edo-Tokyo Museum
Screen painting that depicts Edo before the Great Fire of Meireki in 1657. In addition to scenes of Edo, events such as the Kawagoe muchi-uchi and hawk-hunging and boar-hunting in the outskirts of Edo that were associated with the third shogun Tokugawa Iemitsu are portrayed. There are several theories as to the dating of the screen.
This orthophoto was generated from the model so the image can be show as the screen is fully extended.
![](https://i.ibb.co/CV7Zq90/biombo-Ortho-projection-3-25.jpg)
here a higher res version of the ortho photo
https://ibb.co/6Rjh2F1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229009
title: Damirgaia

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229011
title: Beveled Rim Bowl from Jebel Aruda

description: Pottery found during excavations at Jebel Aruda

Registration no: JA 5E9 194 10
Provenance: Jebel Aruda, Syria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229010
title: Damirgaia

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229014
title: La bellesa dominant la força, BMVB

description: **CAT** Escultura de Venanci Vallmitjana i Barbany de 1886 feta de terracota com a estudi per elaborar la definitiva en marbre. El mateix artista la va donar a Víctor Balaguer el 1887 i avui, es conserva a la Biblioteca Museu Víctor Balaguer de Vilanova i la Geltrú.

**ES** Escultura de Venanci Vallmitjana y Barbany de 1886 hecha de terracota como estudio para elaborar la definitiva en mármol. El mismo artista se la dio a Víctor Balaguer el 1887 y hoy, se conserva en la Biblioteca Museo Víctor Balaguer de Vilanova y la Geltrú.

**EN** Terracotta sculpture from 1886 by Venanci Vallmitjana i Barbany, made as a maquette for a final marble piece. Vallmitjana gave it to Víctor Balaguer in 1887, and it is now kept at the Víctor Balaguer Library & Museum in Vilanova i la Geltrú.

Número de registre: BMVB-2618. [Adreça web >](https://victorbalaguer.cat/)

Model: NovaScan. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229017
title: Oldcamera

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229018
title: Oldcamera

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229012
title: Beveled Rim Bowl from Jebel Aruda

description: Pottery found during excavations at Jebel Aruda

Registration no: JA 5E9 194 10
Provenance: Jebel Aruda, Syria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229019
title: Sheepskin cap

description: Sheepskin cap, the so-called "baranica" is a headgear made of two types of natural leather: white sheep fur on the inside and black fleece caracula on the outside.

Inventory number:
MT-E/3109
District Museum in Tarnów 
ca. 1990, Braszów (Rom. Brașov) Romania

https://muzea.malopolska.pl/en/objects-list/1359

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229020
title: Sheepskin cap

description: Sheepskin cap, the so-called "baranica" is a headgear made of two types of natural leather: white sheep fur on the inside and black fleece caracula on the outside.

Inventory number:
MT-E/3109
District Museum in Tarnów 
ca. 1990, Braszów (Rom. Brașov) Romania

https://muzea.malopolska.pl/en/objects-list/1359

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229013
title: La bellesa dominant la força, BMVB

description: **CAT** Escultura de Venanci Vallmitjana i Barbany de 1886 feta de terracota com a estudi per elaborar la definitiva en marbre. El mateix artista la va donar a Víctor Balaguer el 1887 i avui, es conserva a la Biblioteca Museu Víctor Balaguer de Vilanova i la Geltrú.

**ES** Escultura de Venanci Vallmitjana y Barbany de 1886 hecha de terracota como estudio para elaborar la definitiva en mármol. El mismo artista se la dio a Víctor Balaguer el 1887 y hoy, se conserva en la Biblioteca Museo Víctor Balaguer de Vilanova y la Geltrú.

**EN** Terracotta sculpture from 1886 by Venanci Vallmitjana i Barbany, made as a maquette for a final marble piece. Vallmitjana gave it to Víctor Balaguer in 1887, and it is now kept at the Víctor Balaguer Library & Museum in Vilanova i la Geltrú.

Número de registre: BMVB-2618. [Adreça web >](https://victorbalaguer.cat/)

Model: NovaScan. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229023
title: Deserted Settlement at Polmaddy

description: The settlement at Polmaddy is located in Dumfries & Galloway, just off the A713 to the south of Carsphairn. It was first recorded in 1505AD and is one of the best known examples of a post medieval Scottish 'ferm toun'. The settlement was abandoned in the early 19th century during the age of improvement when new agricultural techniques and systems forced the tenants at Polmaddy to seek work in the larger towns of Scotland.

For more information on Polmaddy check out these links from Canmore and The Can You Dig It Facebook page:

https://canmore.org.uk/site/search/result?NUMLINK=63815&view=map 

https://www.facebook.com/notes/can-you-dig-it/polmaddy-deserted-settlement-the-auchendrain-that-never-was/657345841350721/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229022
title: Deserted Settlement at Polmaddy

description: The settlement at Polmaddy is located in Dumfries & Galloway, just off the A713 to the south of Carsphairn. It was first recorded in 1505AD and is one of the best known examples of a post medieval Scottish 'ferm toun'. The settlement was abandoned in the early 19th century during the age of improvement when new agricultural techniques and systems forced the tenants at Polmaddy to seek work in the larger towns of Scotland.

For more information on Polmaddy check out these links from Canmore and The Can You Dig It Facebook page:

https://canmore.org.uk/site/search/result?NUMLINK=63815&view=map 

https://www.facebook.com/notes/can-you-dig-it/polmaddy-deserted-settlement-the-auchendrain-that-never-was/657345841350721/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229025
title: dierbegraving 32 wp418, sp3.

description: Tijdens het onderzoek aan de Rotterdamsebaan werden meerdere dierbegravingen aangetroffen; een fenomeen dat we vaak tegenkomen. Meestal gaat het daarbij om paardengraven, want op het eten van paardenvlees rust al sinds de Romeinse tijd een taboe. Een van de paardengraven week af van de andere doordat de afmetingen van de kuil veel groter waren dan gebruikelijk. Waar de paarden meestal in een kuil gepropt worden, had men hier de moeite genomen om het graf zo ruim te maken dat het hoofd en de benen min of meer gestrekt konden liggen. Daarnaast is het heel bijzonder dat de hoefijzers nog aanwezig waren.
Wat was dit voor een paard? En hoe oud is het? Op basis van de hoefijzers zou je kunnen concluderen dat het paard middeleeuws is, maar ook de Romeinen gebruikten al schoeisel voor hun paarden. Was dit paard, dat uitzonderlijk groot is, een strijdros en is dat de reden dat het met zoveel zorg is begraven? De komende maanden hopen we op deze vragen antwoorden te vinden.

dierbegraving 32 wp418, sp3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229024
title: dierbegraving 32 wp418, sp3.

description: Tijdens het onderzoek aan de Rotterdamsebaan werden meerdere dierbegravingen aangetroffen; een fenomeen dat we vaak tegenkomen. Meestal gaat het daarbij om paardengraven, want op het eten van paardenvlees rust al sinds de Romeinse tijd een taboe. Een van de paardengraven week af van de andere doordat de afmetingen van de kuil veel groter waren dan gebruikelijk. Waar de paarden meestal in een kuil gepropt worden, had men hier de moeite genomen om het graf zo ruim te maken dat het hoofd en de benen min of meer gestrekt konden liggen. Daarnaast is het heel bijzonder dat de hoefijzers nog aanwezig waren.
Wat was dit voor een paard? En hoe oud is het? Op basis van de hoefijzers zou je kunnen concluderen dat het paard middeleeuws is, maar ook de Romeinen gebruikten al schoeisel voor hun paarden. Was dit paard, dat uitzonderlijk groot is, een strijdros en is dat de reden dat het met zoveel zorg is begraven? De komende maanden hopen we op deze vragen antwoorden te vinden.

dierbegraving 32 wp418, sp3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229030
title: Høvd við kongakrúnu úr Kirkjubømúrinum

description: Basalt formsteinur úr Múrinum. Fyrr niðurdottin og álímaður afturi í 1990'unum.  Niðurdottin aftur  á sumri 2022. Nú á goymslu á Tjóðsavninum. Sigst ímynda kong Ólav hin heilaga. 

English: Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 17.5 x 8.2 x 6.4 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 16.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229031
title: Høvd við kongakrúnu úr Kirkjubømúrinum

description: Basalt formsteinur úr Múrinum. Fyrr niðurdottin og álímaður afturi í 1990'unum.  Niðurdottin aftur  á sumri 2022. Nú á goymslu á Tjóðsavninum. Sigst ímynda kong Ólav hin heilaga. 

English: Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 17.5 x 8.2 x 6.4 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 16.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229032
title: Guerrero Green Glass Fragments (2019)

description: Two fragments of green glass as they were found underwater in 2019 on the shipwreck site 2-04/8MO02343, thought to be that of the 1827 pirate slave ship *Guerrero*. These pieces match other glass fragments found  on the site in earlier surveys. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229033
title: Guerrero Green Glass Fragments (2019)

description: Two fragments of green glass as they were found underwater in 2019 on the shipwreck site 2-04/8MO02343, thought to be that of the 1827 pirate slave ship *Guerrero*. These pieces match other glass fragments found  on the site in earlier surveys. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229034
title: Bow harp

description: Bow harp

ID no.: 73105/mek


The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/370

Object copyright: The Seweryn Udziela Ethnographic Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229035
title: Bow harp

description: Bow harp

ID no.: 73105/mek


The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/370

Object copyright: The Seweryn Udziela Ethnographic Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229036
title: Quran 3D Free

description: Salam Aleikum. You can use my Quran model your projects with free.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229037
title: Quran 3D Free

description: Salam Aleikum. You can use my Quran model your projects with free.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229040
title: Large home/apartment in Superior WI.

description: My 3D reconstruction generated with photogrammetry software 3DF Zephyr v5.002 processing 415 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229041
title: Large home/apartment in Superior WI.

description: My 3D reconstruction generated with photogrammetry software 3DF Zephyr v5.002 processing 415 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229043
title: Ledbeg 12

description: Model produced as part of an unmanned aerial photogrammetric survey of the Ledbeg area of Assynt, in NW Scotland. Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries.

See associated Ledbeg Index model for context.

Survey area 754m x 330m, 24.5 hectares, model created 19/02/2017, resolution 2 cm/px, camera DJI Mavic Pro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229042
title: Ledbeg 12

description: Model produced as part of an unmanned aerial photogrammetric survey of the Ledbeg area of Assynt, in NW Scotland. Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries.

See associated Ledbeg Index model for context.

Survey area 754m x 330m, 24.5 hectares, model created 19/02/2017, resolution 2 cm/px, camera DJI Mavic Pro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229044
title: Hradisko Jánovce

description: Zdroj dát: NLC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229045
title: Hradisko Jánovce

description: Zdroj dát: NLC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229046
title: Angel Statue, Allegheny Cemetery, PGH, PA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229047
title: Angel Statue, Allegheny Cemetery, PGH, PA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229048
title: Stone work - St. Mary's Abbey York

description: Stone work from the ruins of St, Mary's Abbey is used to border lawns in the Museum Gardens, York, UK. This cornice piece was captured there.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229049
title: Stone work - St. Mary's Abbey York

description: Stone work from the ruins of St, Mary's Abbey is used to border lawns in the Museum Gardens, York, UK. This cornice piece was captured there.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229053
title: Barrel

description: This is a model a Berrel. This model is only available for Blender users.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229052
title: Barrel

description: This is a model a Berrel. This model is only available for Blender users.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229054
title: Engraved Pebble

description: **Engraved pebble**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: polished river pebble (argillite).

Dimensions: length, 56.7 mm; width, 46.0 mm; thickness, 11.4 mm.

Notes: Uncataloged specimen donated by Herbert M. Doerschuk, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis..

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229055
title: Engraved Pebble

description: **Engraved pebble**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: polished river pebble (argillite).

Dimensions: length, 56.7 mm; width, 46.0 mm; thickness, 11.4 mm.

Notes: Uncataloged specimen donated by Herbert M. Doerschuk, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis..

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229057
title: Leponogi Goban Boletus calopus

description: **Leponogi goban** (*Boletus calopus*)

Gliva je pogosta v iglastih in listnatih gozdovih, predvsem v hribovitem svetu. Je neužitna in ima tudi prekuhana grenak okus. Zbirka modelov gob H. Arnoldija, hrani Prirodoslovni muzej Slovenije.


**Bitter Beech Bolete** (*Boletus calopu*s)

The fungus is common in coniferous and deciduous forests, especially in hilly areas. It is not edible and has a bitter taste, which does not disappear even when cooked. H. Arnoldi's fungi model collection, housed in the Slovenian Museum of Natural History.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229058
title: Leponogi Goban Boletus calopus

description: **Leponogi goban** (*Boletus calopus*)

Gliva je pogosta v iglastih in listnatih gozdovih, predvsem v hribovitem svetu. Je neužitna in ima tudi prekuhana grenak okus. Zbirka modelov gob H. Arnoldija, hrani Prirodoslovni muzej Slovenije.


**Bitter Beech Bolete** (*Boletus calopu*s)

The fungus is common in coniferous and deciduous forests, especially in hilly areas. It is not edible and has a bitter taste, which does not disappear even when cooked. H. Arnoldi's fungi model collection, housed in the Slovenian Museum of Natural History.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229062
title: Garamut (Slit-drum)

description: Photogrammetry of a Garamut from Vanuatu - Melanesia
MUSICAL INSTRUMENTS MUSEUM of Brussels

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229061
title: Garamut (Slit-drum)

description: Photogrammetry of a Garamut from Vanuatu - Melanesia
MUSICAL INSTRUMENTS MUSEUM of Brussels

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229065
title: unreliableobject_22

description: "But not all images remain without shared consequences. Some images ... are collective acts, not simple trophies or private trinkets. There are surfaces that transform the depth of things around them."

Didi-Hubermann, G. 2017. BARK.  Cambridge, Massachusetts: The MIT Press. 117.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229066
title: unreliableobject_22

description: "But not all images remain without shared consequences. Some images ... are collective acts, not simple trophies or private trinkets. There are surfaces that transform the depth of things around them."

Didi-Hubermann, G. 2017. BARK.  Cambridge, Massachusetts: The MIT Press. 117.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229072
title: MA103-022 Ballybeg

description: Both the ogham stone located close to the Mayo/Roscommon border which follows a roughly NE−SW zig-zag path through the landscape. Upright pillar-like block of stone (H 2.2m),  ogham inscription scored across the SE angle. The tapering of the stone is more pronounced along the E−W axis, and is more marked above a slight natural kink or shoulder, which occurs c. 0.65m below the top of the stone. Although the stone stands more or less vertical, the kink/shoulder is biased to S, and produces the impression of a gentle tilt in that direction.  Lichen grows on the stone surface in parts, but the inscription is largely lichen-free. It was read by Macalister (1945, 8-9, no.6) as: QASIGN[I] MAQ[I]. An account of the stone in 1900

Source: Objaverse 1.0 / Sketchfab