cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10344159
title: Stadium sign

description: My entree for "My street 3D scan contest".

Stadium sign not so far from my home. Design looks like old sovied style circa 1930th. Most likely was renovated but at least spirit of the old design is still there.

St. Petersburg. Tambovskaya street.

Due to low evening eluminatoin scanned mesh was too noisy so I had to do some quick retopology work.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344160
title: Drinking Fountain Chalk Farm

description: A drinking fountain at the junction of Regents Park Road and Haverstock Hill, Chalk Farm, London.

Date: 1882

http://www.mdfcta.co.uk/details-f/f059.html

167 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344161
title: Drinking Fountain Chalk Farm

description: A drinking fountain at the junction of Regents Park Road and Haverstock Hill, Chalk Farm, London.

Date: 1882

http://www.mdfcta.co.uk/details-f/f059.html

167 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344162
title: Old Wooden Door - Photoscanned

description: One of the photoscans I took on my trip to Zagreb, I found this old cellar door interesting so I scanned it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344163
title: Old Wooden Door - Photoscanned

description: One of the photoscans I took on my trip to Zagreb, I found this old cellar door interesting so I scanned it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344164
title: Bàscara

description: Stone houses, little squares and narrow alleys in the Bàscara village, near Figueres in Catalonia. Surprisignly good results with Display.land app. Lots of deformed pieces both in the mesh and in the texture but the app has been capable of recording all the squares and alleys correctly around the church.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344165
title: Bàscara

description: Stone houses, little squares and narrow alleys in the Bàscara village, near Figueres in Catalonia. Surprisignly good results with Display.land app. Lots of deformed pieces both in the mesh and in the texture but the app has been capable of recording all the squares and alleys correctly around the church.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344167
title: GR.5b.1928

description: DESCRIPTIVE DATA
----------------
object type: warrior
title:	statuette

OWNERSHIP
---------
instutition: The Fitzwilliam Museum
department: Antiquities

STABLE URL
----------
url:	https://data.fitzmuseum.cam.ac.uk/id/object/68987

CATEGORIES
------
category: figure

DATING
------
creation date:	600 - 301
creation date earliest:	600
creation date latest:	301
culture:	archaic
culture:	Classical


DIMENSIONS
----------
dimension: Height
units: m
value: 0.044

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344168
title: GR.5b.1928

description: DESCRIPTIVE DATA
----------------
object type: warrior
title:	statuette

OWNERSHIP
---------
instutition: The Fitzwilliam Museum
department: Antiquities

STABLE URL
----------
url:	https://data.fitzmuseum.cam.ac.uk/id/object/68987

CATEGORIES
------
category: figure

DATING
------
creation date:	600 - 301
creation date earliest:	600
creation date latest:	301
culture:	archaic
culture:	Classical


DIMENSIONS
----------
dimension: Height
units: m
value: 0.044

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344169
title: Persian Graffiti, Dwarfie Stane, Hoy, Orkney

description: This is a high resolution model of graffiti on one of the external faces of the Dwarfie Stane tomb, Hoy, Orkney.   The panel is dominated by a large inscription by William Henry Mounsey, which include his name written backwards in Latin 'YESNVOM SVMLEILVC', the date 'A.D. 1850' and an inscription in Persian.  The inscription translates as 'I have sat two nights and so learnt patience'.  To the right of this is another inscription in Persian, possibly the same quote, that has been largely removed by pecking.  The latter shows up well in matcap mode, as does a wide range of more subtle engravings.  

A complete 3d model of the tomb can be seen here: https://skfb.ly/IIYS  

Form more information on the Dwarfie Stane visit: https://canmore.org.uk/site/1597/hoy-dwarfie-stane

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344170
title: Persian Graffiti, Dwarfie Stane, Hoy, Orkney

description: This is a high resolution model of graffiti on one of the external faces of the Dwarfie Stane tomb, Hoy, Orkney.   The panel is dominated by a large inscription by William Henry Mounsey, which include his name written backwards in Latin 'YESNVOM SVMLEILVC', the date 'A.D. 1850' and an inscription in Persian.  The inscription translates as 'I have sat two nights and so learnt patience'.  To the right of this is another inscription in Persian, possibly the same quote, that has been largely removed by pecking.  The latter shows up well in matcap mode, as does a wide range of more subtle engravings.  

A complete 3d model of the tomb can be seen here: https://skfb.ly/IIYS  

Form more information on the Dwarfie Stane visit: https://canmore.org.uk/site/1597/hoy-dwarfie-stane

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344171
title: Medieval Tombstone,  Montemor-o-Novo

description: Circular shaped medieval tombstone in marble with the engraving of a six petals rosette. Although it is pretty worn off, suggesting it was reutilized as a pavement stone. This piece is actually in deposit at the Museum of the Convento de S. Domingos, in Montemor-o-Novo.

Provenance: This piece comes from the Castle of Montemor-o-Novo, probably from the archaeological deposit of the Church of Santiago, which existed there until the 1980s. In the medieval village inside the fortified walls there were four parish churches, and cemetaries were built around each one. During the Middle Ages it was customary to mark the graves with tombstones, which were nothing more than slabs of stone placed standing straight, on which were engraved religious symbols and on which sometimes was indicated the profession of the deceased. This set of stelae comes safely from the ancient medieval cemeteries inside the castle, although it is not possible to determine to which church (s) it was associated.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344172
title: Medieval Tombstone,  Montemor-o-Novo

description: Circular shaped medieval tombstone in marble with the engraving of a six petals rosette. Although it is pretty worn off, suggesting it was reutilized as a pavement stone. This piece is actually in deposit at the Museum of the Convento de S. Domingos, in Montemor-o-Novo.

Provenance: This piece comes from the Castle of Montemor-o-Novo, probably from the archaeological deposit of the Church of Santiago, which existed there until the 1980s. In the medieval village inside the fortified walls there were four parish churches, and cemetaries were built around each one. During the Middle Ages it was customary to mark the graves with tombstones, which were nothing more than slabs of stone placed standing straight, on which were engraved religious symbols and on which sometimes was indicated the profession of the deceased. This set of stelae comes safely from the ancient medieval cemeteries inside the castle, although it is not possible to determine to which church (s) it was associated.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344174
title: P. maxima footprints from N16 quadrate

description: **Description:**
**Location**: Site 1 of Ipolytarnóc locality, Hungary
**Position**: N16 quadrate of site 1
**Age**: Lower Miocene
**Material**: A trackway includes (from the bottom up) right manus (N16/1), right pes (N16/2), pes (N16/3) and right manus (N16/4)
**Reference**: Gábor Botfalvai, János Magyar, Veronika Watah, Imre Szarvas & Péter
Szolyák (2022): Large-sized pentadactyl carnivore footprints from the early Miocene fossil track site
at Ipolytarnóc (Hungary): 3D data presentation and ichnotaxonomical revision, Historical Biology,
DOI: 10.1080/08912963.2022.2109967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344173
title: P. maxima footprints from N16 quadrate

description: **Description:**
**Location**: Site 1 of Ipolytarnóc locality, Hungary
**Position**: N16 quadrate of site 1
**Age**: Lower Miocene
**Material**: A trackway includes (from the bottom up) right manus (N16/1), right pes (N16/2), pes (N16/3) and right manus (N16/4)
**Reference**: Gábor Botfalvai, János Magyar, Veronika Watah, Imre Szarvas & Péter
Szolyák (2022): Large-sized pentadactyl carnivore footprints from the early Miocene fossil track site
at Ipolytarnóc (Hungary): 3D data presentation and ichnotaxonomical revision, Historical Biology,
DOI: 10.1080/08912963.2022.2109967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344176
title: The Brookfield Place

description: The Brookfield Place, also known as the World Financial Center, is a building complex that consists of 4 skyscrapers thar were built in the 1980s as part of the World Trade Center expansion plan. They were built upon the remains of the Hudson Terminal and Radio Row that were demolished in the late 1960s to make way for the twin towers and the complex.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344175
title: The Brookfield Place

description: The Brookfield Place, also known as the World Financial Center, is a building complex that consists of 4 skyscrapers thar were built in the 1980s as part of the World Trade Center expansion plan. They were built upon the remains of the Hudson Terminal and Radio Row that were demolished in the late 1960s to make way for the twin towers and the complex.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344177
title: kolonna-3-right Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд верхний 

Порядок:
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-3-right

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344178
title: kolonna-3-right Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд верхний 

Порядок:
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-3-right

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344179
title: Gabriel archangel pointcloud

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344180
title: Gabriel archangel pointcloud

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344181
title: Pico asturiense

description: Título: Pico asturiense.
Descripción:El Asturiense es una cultura del Epipaleolítico (fase inicial del Mesolítico) cuyo útil más característico es el pico asturiense, tallado sobre un canto aplanado, con base globular y extremo en punta roma. Esta pieza mide 10.5 cm de longitud.
Cultura: Epipaleolítico.
Datación:10000-8000 a.C.
Método: Escáner de luz estructurada.
Escáner: Go!Scan 20 procesado con VXModel.
Notas: Depósito en estudio por Lucia Ruano y Nicolás Alonso. Recogido en superficie por Javier Naves en la Playa de Bañugues (Asturias, España).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344182
title: Pico asturiense

description: Título: Pico asturiense.
Descripción:El Asturiense es una cultura del Epipaleolítico (fase inicial del Mesolítico) cuyo útil más característico es el pico asturiense, tallado sobre un canto aplanado, con base globular y extremo en punta roma. Esta pieza mide 10.5 cm de longitud.
Cultura: Epipaleolítico.
Datación:10000-8000 a.C.
Método: Escáner de luz estructurada.
Escáner: Go!Scan 20 procesado con VXModel.
Notas: Depósito en estudio por Lucia Ruano y Nicolás Alonso. Recogido en superficie por Javier Naves en la Playa de Bañugues (Asturias, España).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344185
title: Turas Station 13 - DG080-014002-

description: Stad 13  Leanann an t-oilithreach leis siar an bealach mór go ceann 800 méadar. Stáisiún feiceálach go maith i ngabhal an bhealaigh atá i Stáisiún 13. Macasamhail an chroscholúin a bhí anseo ó thosach atá le feiceáil ann anois mar tá an croscholún sin ar taispeáint i Músaem Tuaithe Ghleann Cholm Cille.

Station 13  The pilgrim continues on the main road for 800 metres; Stad 13 is a prominent station in An Gaineamh at the T junction. The cross-pillar is a copy of the original which is on display in the Folk Village.

 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344186
title: Turas Station 13 - DG080-014002-

description: Stad 13  Leanann an t-oilithreach leis siar an bealach mór go ceann 800 méadar. Stáisiún feiceálach go maith i ngabhal an bhealaigh atá i Stáisiún 13. Macasamhail an chroscholúin a bhí anseo ó thosach atá le feiceáil ann anois mar tá an croscholún sin ar taispeáint i Músaem Tuaithe Ghleann Cholm Cille.

Station 13  The pilgrim continues on the main road for 800 metres; Stad 13 is a prominent station in An Gaineamh at the T junction. The cross-pillar is a copy of the original which is on display in the Folk Village.

 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344187
title: Porte de tabernacle 1983.4266

description: Porte de tabernacle (1830 c.) attribuée à Thomas Baillairgé (1791-1859), bois et métal, 4,20 x 25,10 cm, Musée POP, Collection Robert-Lionel-Séguin

C'est à partir de 1815 que Thomas Baillairgé amorça sa carrière d'architecte et de sculpteur, à Saint-Joachim, près de Québec, où  il entreprit les travaux de décoration intérieure de l'église de ce village.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344188
title: Porte de tabernacle 1983.4266

description: Porte de tabernacle (1830 c.) attribuée à Thomas Baillairgé (1791-1859), bois et métal, 4,20 x 25,10 cm, Musée POP, Collection Robert-Lionel-Séguin

C'est à partir de 1815 que Thomas Baillairgé amorça sa carrière d'architecte et de sculpteur, à Saint-Joachim, près de Québec, où  il entreprit les travaux de décoration intérieure de l'église de ce village.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344189
title: Church demo - EMAV Ltd

description: 5 min flight of this church and a bit of work behind the scenes produces this 3D model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344190
title: Church demo - EMAV Ltd

description: 5 min flight of this church and a bit of work behind the scenes produces this 3D model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344191
title: MASCARON EDZNÁ

description: Parte del  relieve que aparece en el Templo de los Mascarones de la ciudad maya de Edzná y que conforma una de estas singulares composiciones artísticas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344192
title: MASCARON EDZNÁ

description: Parte del  relieve que aparece en el Templo de los Mascarones de la ciudad maya de Edzná y que conforma una de estas singulares composiciones artísticas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344193
title: 双葉町後迫B遺跡(うしろさくびー)遺跡 平安時代の鍛冶炉跡

description: 双葉町後迫B遺跡(うしろさくびー)遺跡 平安時代の鍛冶炉跡(swk01)です。
緩やかな斜面に平坦な作業場を設け、鍛冶炉を造っています。赤く焼けているのが鍛冶炉です。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344194
title: 双葉町後迫B遺跡(うしろさくびー)遺跡 平安時代の鍛冶炉跡

description: 双葉町後迫B遺跡(うしろさくびー)遺跡 平安時代の鍛冶炉跡(swk01)です。
緩やかな斜面に平坦な作業場を設け、鍛冶炉を造っています。赤く焼けているのが鍛冶炉です。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344197
title: ROI010-100-02

description: Lamoka Point collected in Huntington County, Indiana.

Catalog #: 12-Hu-581-5

Uploaded by: Carson Wright

Christine Thompson, James Mechling-Smith, Mary Swartz, and Kevin C. Nolan, 2021. ROI010-100-02, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344198
title: ROI010-100-02

description: Lamoka Point collected in Huntington County, Indiana.

Catalog #: 12-Hu-581-5

Uploaded by: Carson Wright

Christine Thompson, James Mechling-Smith, Mary Swartz, and Kevin C. Nolan, 2021. ROI010-100-02, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344199
title: Arco De Cozagón

description: Se encuentra en la localidad guadalajareña de Brihuega, en la comunidad autónoma de Castilla-La Mancha. La puerta, que formaba parte de las murallas de la localidad, fue antaño una de las principales entradas a Brihuega.

Construida en piedra de sillería y ubicada en el sur del casco urbano, en palabras de Antonio Pareja Serrada de comienzos del siglo xx, «en el recinto murado, es notabilísima la puerta llamada de Cozagón, cuya esbelta ojiva se sostiene gallarda sobre su  parte del conjunto histórico de Brihuega, que en la actualidad cuenta con el estatus de bien de interés cultural.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344200
title: Arco De Cozagón

description: Se encuentra en la localidad guadalajareña de Brihuega, en la comunidad autónoma de Castilla-La Mancha. La puerta, que formaba parte de las murallas de la localidad, fue antaño una de las principales entradas a Brihuega.

Construida en piedra de sillería y ubicada en el sur del casco urbano, en palabras de Antonio Pareja Serrada de comienzos del siglo xx, «en el recinto murado, es notabilísima la puerta llamada de Cozagón, cuya esbelta ojiva se sostiene gallarda sobre su  parte del conjunto histórico de Brihuega, que en la actualidad cuenta con el estatus de bien de interés cultural.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344201
title: Unidentified Agriculture Vehicle

description: This is one of several cool vehicles laying around in my neighborhood. I have fotoscanned it with my DLSR (Canon 70D with 20mm lens), then used Reality Capture, Instant Meshes and Blender to create it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344202
title: Unidentified Agriculture Vehicle

description: This is one of several cool vehicles laying around in my neighborhood. I have fotoscanned it with my DLSR (Canon 70D with 20mm lens), then used Reality Capture, Instant Meshes and Blender to create it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344203
title: Day 190: Chimera

description: 3D scan of a chimera sitting on a turtle. Spotted in front of Pulitzer Fountain in NYC. (130 Images, Photo Mode)

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344204
title: Day 190: Chimera

description: 3D scan of a chimera sitting on a turtle. Spotted in front of Pulitzer Fountain in NYC. (130 Images, Photo Mode)

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344205
title: YPM ANT.131815

description: Catalog Number: YPM ANT.131815

Description: Spindle Whorl

Materials: ceramic

Function: Textiles Weaving Equipment

Culture Group: Latin American : Mesoamerica

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Calixtlahuaca

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344206
title: YPM ANT.131815

description: Catalog Number: YPM ANT.131815

Description: Spindle Whorl

Materials: ceramic

Function: Textiles Weaving Equipment

Culture Group: Latin American : Mesoamerica

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Calixtlahuaca

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344207
title: Mauser C96 "Broomhandle"

description: A simple model of a really interesting design from over 100 years ago.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344208
title: Mauser C96 "Broomhandle"

description: A simple model of a really interesting design from over 100 years ago.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344210
title: Grinder

description: Grinder, Found before 1536. Has been wrongly attributed to Michelangelo.  Greek, 2nd century BC. Roman copy. Plaster made from original, Florence, Galleria degli Uffizi. The Royal Cast Collection (Copenhagen, Denmark). Made with Memento beta (now ReCap photo) from AutoDesk.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344209
title: Grinder

description: Grinder, Found before 1536. Has been wrongly attributed to Michelangelo.  Greek, 2nd century BC. Roman copy. Plaster made from original, Florence, Galleria degli Uffizi. The Royal Cast Collection (Copenhagen, Denmark). Made with Memento beta (now ReCap photo) from AutoDesk.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344212
title: Deep bowl with receding rim and two buttons

description: It concerns a type 3 bowl in the typology of the El Argar culture by the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels with two small buttons under the rim, come from funerary contexts, where they are often found together with type 5 pots. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.136

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133865&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344211
title: Deep bowl with receding rim and two buttons

description: It concerns a type 3 bowl in the typology of the El Argar culture by the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels with two small buttons under the rim, come from funerary contexts, where they are often found together with type 5 pots. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.136

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133865&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344213
title: ME005-094002 - Tomb  effigial

description: This monument, consisting of a tomb chest and wall plaque, is dedicated to the memory of Walter and Elizabeth Cruise. It occupies a niche in the south wall of the chancel in the ruined medieval church at Cruicetown.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344214
title: ME005-094002 - Tomb  effigial

description: This monument, consisting of a tomb chest and wall plaque, is dedicated to the memory of Walter and Elizabeth Cruise. It occupies a niche in the south wall of the chancel in the ruined medieval church at Cruicetown.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10344215
title: Shurf 1

description: Excavations of the island Monastery on the lake Niespish, Belarus.

Source: Objaverse 1.0 / Sketchfab