cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc113791806
title: Fire damage at W.W. Brown's, Los Angeles, Calif., 1945

description: 12 photographs of fire damage at W.W. Brown's, 800 East Florence Avenue, Los Angeles, California, USA, 18 April 1945. Client: W.K. Young (810 South Spring Street). Operator: Brown.
DOI: 10.25549/whit-ouc113791787
title: Fire damage at W.W. Brown's, Los Angeles, Calif., 1945

description: 12 photographs of fire damage at W.W. Brown's, 800 East Florence Avenue, Los Angeles, California, USA, 18 April 1945. Client: W.K. Young (810 South Spring Street). Operator: Brown.
DOI: 10.25549/whit-ouc113791585
title: Cycle weld, Chrysler, Los Angeles county, Calif., 1945

description: 3 photographs of cycle weld, Chrysler Motors, Los Angeles County, California, USA, 19 April 1945. Client: Chrysler Motors of California (Mr. Matzinger). Operator: Brown.
DOI: 10.25549/whit-ouc113791602
title: Cycle weld, Chrysler, Los Angeles county, Calif., 1945

description: 3 photographs of cycle weld, Chrysler Motors, Los Angeles County, California, USA, 19 April 1945. Client: Chrysler Motors of California (Mr. Matzinger). Operator: Brown.
DOI: 10.25549/whit-ouc113791453
title: Popcorn machine, Los Angeles, Calif., 1945

description: Photograph of popcorn machine, Los Angeles, California, USA, 20 April 1945. Client: Viking Sales Company (Mr. Johnson, 1481 West Washington). Operator: Brown. "16X015".
DOI: 10.25549/whit-ouc11399kd4e
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd34
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kav2
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kijd
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb1a
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.34740/kaggle/dsv/14977145
title: crypto_data
DOI: 10.25549/whit-ouc113792220
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792020
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792105
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792107
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.5281/zenodo.18796431
title: THE CONCEPT OF INNOVATION AND ITS IMPORTANCE IN MANAGING IT IN JOINT-STOCK COMPANIES
DOI: 10.25549/whit-ouc113792270
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.5281/zenodo.18796430
title: THE CONCEPT OF INNOVATION AND ITS IMPORTANCE IN MANAGING IT IN JOINT-STOCK COMPANIES
DOI: 10.25549/whit-ouc113791657
title: Rail cars with produce etc, Calif., before? 1945

description: 7 photographs, rail cars with produce, etc., (photographs printed in Los Angeles, California, USA, 21 April 1945). Client: Preco.
DOI: 10.15468/dl.3mdwpk
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Oplegnathus robinsoni"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001112-260226173443078/datasets/export for details.
DOI: 10.25549/whit-ouc113791665
title: Rail cars with produce etc, Calif., before? 1945

description: 7 photographs, rail cars with produce, etc., (photographs printed in Los Angeles, California, USA, 21 April 1945). Client: Preco.
DOI: 10.25549/whit-ouc113791607
title: Launching party for Coast Guard cutter "Winona", San Pedro, Calif., 1945

description: 5 photographs of launching party for Coast Guard cutter, U.S.S. Winona (ship), San Pedro, California, USA, 22 April 1945. Client: Western Pipe and Steel Company of California, San Pedro Shipbuilding Division (Box 1621, San Pedro, California). Operator: Vannice. "Left is Mrs. Helen L. Jones, who swung the campagne bottle. She is also senior women's officer of the Volunteer Port Security Forces of the Coast Guard Reserve and the wife of Comdr. Jonah Jones Jr. He is an assistant to Capt. W.F. Towle, 11th Naval District Coast Guard commander, center, who is admiring the orchid of Nada Jean Jones, daughter of the Joneses and maid of honor." -- Press-Telegram (23 April 1945: p. 9. "Coast Guard Cutter Winona was launched Sunday at the Western Pipe and Steel company's yards with Mrs. Jonah Jones, Jr. sponsor. Shown here at the launching ceremonies are, left to right, Montague Ward, manager of the ship company, Mrs. Jones, Capt. W.F. Towle, Miss Nada Jean Jones, maid of honor, and Comdr. Jonah Jones Jr." -- Independent (24 April 1945): p. 10.
DOI: 10.25549/whit-ouc113791753
title: Launching party for Coast Guard cutter "Winona", San Pedro, Calif., 1945

description: 5 photographs of launching party for Coast Guard cutter, U.S.S. Winona (ship), San Pedro, California, USA, 22 April 1945. Client: Western Pipe and Steel Company of California, San Pedro Shipbuilding Division (Box 1621, San Pedro, California). Operator: Vannice. "Left is Mrs. Helen L. Jones, who swung the campagne bottle. She is also senior women's officer of the Volunteer Port Security Forces of the Coast Guard Reserve and the wife of Comdr. Jonah Jones Jr. He is an assistant to Capt. W.F. Towle, 11th Naval District Coast Guard commander, center, who is admiring the orchid of Nada Jean Jones, daughter of the Joneses and maid of honor." -- Press-Telegram (23 April 1945: p. 9. "Coast Guard Cutter Winona was launched Sunday at the Western Pipe and Steel company's yards with Mrs. Jonah Jones, Jr. sponsor. Shown here at the launching ceremonies are, left to right, Montague Ward, manager of the ship company, Mrs. Jones, Capt. W.F. Towle, Miss Nada Jean Jones, maid of honor, and Comdr. Jonah Jones Jr." -- Independent (24 April 1945): p. 10.
DOI: 10.25549/whit-ouc113791861
title: Launching party for Coast Guard cutter "Winona", San Pedro, Calif., 1945

description: 5 photographs of launching party for Coast Guard cutter, U.S.S. Winona (ship), San Pedro, California, USA, 22 April 1945. Client: Western Pipe and Steel Company of California, San Pedro Shipbuilding Division (Box 1621, San Pedro, California). Operator: Vannice. "Left is Mrs. Helen L. Jones, who swung the campagne bottle. She is also senior women's officer of the Volunteer Port Security Forces of the Coast Guard Reserve and the wife of Comdr. Jonah Jones Jr. He is an assistant to Capt. W.F. Towle, 11th Naval District Coast Guard commander, center, who is admiring the orchid of Nada Jean Jones, daughter of the Joneses and maid of honor." -- Press-Telegram (23 April 1945: p. 9. "Coast Guard Cutter Winona was launched Sunday at the Western Pipe and Steel company's yards with Mrs. Jonah Jones, Jr. sponsor. Shown here at the launching ceremonies are, left to right, Montague Ward, manager of the ship company, Mrs. Jones, Capt. W.F. Towle, Miss Nada Jean Jones, maid of honor, and Comdr. Jonah Jones Jr." -- Independent (24 April 1945): p. 10.
DOI: 10.25549/whit-ouc113792217
title: Portraits of Lt. Marlow & Mr. Swantt, Los Angeles, Calif., 1945-10-18

description: 2 photographic portraits of Lt. Marlow and Mr. Swantt, Los Angeles, California, USA, 18 October 1945. Client: Pepperdine (1121 West 29th) (Tegner). Operator: Cross.
DOI: 10.25549/whit-ouc113792268
title: Intersection of Seco & Rosemont & wrecked car, Pasadena, Calif., 1945-10-18

description: 4 photographs of the intersection of Seco Street and Rosemont Avenue and wrecked car, Pasadena, California, USA, 18 October 1945. Client: J.N. Kunkle (695 Lakewood Place, Pasadena 5) (deliver to Mrs. J.N. Kunkle (room 833, 356 South Spring Street). Operator: Vannice.
DOI: 10.25549/whit-ouc113792249
title: Intersection of Seco & Rosemont & wrecked car, Pasadena, Calif., 1945-10-18

description: 4 photographs of the intersection of Seco Street and Rosemont Avenue and wrecked car, Pasadena, California, USA, 18 October 1945. Client: J.N. Kunkle (695 Lakewood Place, Pasadena 5) (deliver to Mrs. J.N. Kunkle (room 833, 356 South Spring Street). Operator: Vannice.
DOI: 10.25549/whit-ouc113792152
title: Copies for 2x2 lantern slide lecture [school lighting], before? 1945

description: 6 copy (22 October 1945) photographs for 2x2 lantern slide lecture, before? 1945. Client: Kistner Curtis & Wright (Architects Building) (Mr. Sampson). Agency: Charles D. Gibson (care of Hotel Gibson, Cincinnati, Ohio). Operator: [blank].
DOI: 10.25549/whit-ouc113791946
title: Copies for 2x2 lantern slide lecture [school lighting], before? 1945

description: 6 copy (22 October 1945) photographs for 2x2 lantern slide lecture, before? 1945. Client: Kistner Curtis & Wright (Architects Building) (Mr. Sampson). Agency: Charles D. Gibson (care of Hotel Gibson, Cincinnati, Ohio). Operator: [blank].
DOI: 10.25549/whit-ouc11399kig1
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd5a
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.af3jbk
title: Occurrence Download

description: A dataset containing 167 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is Mexico",
 "TaxonKey is Petromyzontiformes"
 ]
}

 The dataset includes 167 records from 24 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001114-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc11399kihh
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb5s
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.spvuwb
title: Occurrence Download

description: A dataset containing 64289 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Corbicula fluminea"
 ]
}

 The dataset includes 64289 records from 390 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001089-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc11399kd74
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.