cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10419776
title: Sound-Frameworks: Andrea Cetrulo (Theatrum Mundi) - Interview

description: This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5065/d6ff3qgj
title: HLY-02-01 High Performance Liquid Chromatography (HPLC) Pigment Data. Version 1.0

description: This data set contains data collected during the Spring SBI 2002 cruise aboard the U.S. Coast Guard Cutter (USCGC) Healy (HLY-02-01). Samples were collected at 6 depths throughout the water column in parallel with productivity samples, which is 100-80, 50, 30, 15, 5, and 1% of the surface irradiance. Samples were filtered in low light and temperature conditions onto 25mm GF/F filters (nominal pore size 0.7um), and placed immediately in the -80oC freezer. They were then shipped to San Diego in dry ice. Analysis of samples was performed by J. R. Perl and C. C. Trees at the Center for Hydro-Optics and Remote Sensing, San Diego State University. The High Performance Liquid Chromatography (HPLC) method used was that proposed by Wright et al. (1991).
DOI: 10.5281/zenodo.10413088
title: Sound-Frameworks: Helle Baker (Struer Kommune) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419221
title: Sound-Frameworks: Stephane Llorca (JML Water Features) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.15470205
title: Body size data for carabid beetles

description: The data contains body size measurement for carabid communities sampled in three french departments.
DOI: 10.5281/zenodo.15728249
title: Supplementary material for manuscript "Plasma-Targeted Proteomic and Lipidomic Biomarkers Identify MASLD, MASH, and Hepatitis C Virus Infection"
DOI: 10.5281/zenodo.15213283
title: Practical Perspectives on Fairness in Technology-Aided Personnel Selection: Complete Thematic Analysis Code Hierarchy

description: Complete code hierarchy resulting from the thematic analysis carried out as part of the publication "Practical Perspectives on Fairness in Technology-Aided Personnel Selection" submitted to CSCW'25
DOI: 10.5065/d69p2zrt
title: SBI: HX260 CTD Data. Version 1.0

description: This is calibrated Conductivity, Temperature, Depth (CTD) downcast data from the Alpha Helix Cruise, mooring recovery and redeployment cruise June 2002. Data were post calibrated and adjusted to bottle samples by Seth Danielson of the University of Alaska Fairbanks (UAF). These data were collected with a Seabird 911 Plus CTD sampling at 24 frames/second with 2 conductivity and 2 temperature sensors. Salinity offset was determined by applying pre- and post-season factory calibration values, interpolated linearly over the course of the season on a monthly basis.
DOI: 10.5281/zenodo.15691291
title: Radiocarbon and bulk isotope composition of subglacial methane and carbon dioxide emitted at the western margin of the Greenland ice sheet

description: 2. Discription of the data Data collection related to the manuscript/paper "Radiocarbon and bulk isotope composition of subglacial methane and carbon dioxide emitted at the westernmargin of the Greenland ice sheet".

Sheet 1:  Concentrations of CH₄ and CO₂, δ¹³C(CH₄), δD(CH₄), δ¹³C(CO₂), and the Bernard ratio for air and dissolved samples collected on June 2022.

Sheet 2:   Concentrations of CH₄ and CO₂, δ¹³C(CH₄), δD(CH₄), and the Bernard ratio for air and dissolved samples collected on May to June 2023. 

Sheet 3: Concentrations of CH₄ and CO₂, δ¹³C(CH₄), δD(CH₄), and the Bernard ratio for air and dissolved samples collected on Auguts  2023. 

Sheet 4: Concentrations of CH₄ and CO₂, δ¹³C(CH₄) and δD(CH₄) for air and dissolved samples collected on September 2023. 

Sheet 5: Radiocarbon data for CH₄ and CO₂ for air and dissolved samples collected on June  2022.

Sheet 6: Electrical conductivity; concentrations of dissolved organic and inorganic carbon; major cations (sodium, magnesium, potassium, and calcium); and the δ¹³C value of dissolved inorganic carbon (DIC) for subglacial and supraglacial water samples collected in June 2022.

3.  Site description

The primary study site is located at an elevation of 450 m above sea level at a lateral subglacial meltwater outlet on the southern flank at the terminus of the Isunnguata Sermia Glacier at the western margin of the GrIS (67°09’16.40’’N 50°04’08.48’’W). In addition samples were collected from a subglacial outlet of the Russel glacier (RG), located at 67◦05′22′′N altitude and 50◦14′18′′W longitude and  from nearby lakes (drinking water lake (DWL) (67°07’45.7”N 50°09’52.8”W), radar lake (RL) (66°59’11.5”N 50°55’19.1”W)) and pond (pond (P) (67°09’04.5”N and 50°04’08.3”W)).
DOI: 10.5281/zenodo.15845290
title: PENDAKI citizen science data

description: These are the citizen science data collected between September 2019 and December 2024 in 7 estates belonging to Austindo Nusantara Jaya. 

To protect the identity of the observers we have removed references to observers' names. We have also removed references to exact location of species occurrence to avoid revealing sensitive information about species presence to wildlife traders and collectors.
DOI: 10.5281/zenodo.14504968
title: CENH3 phylogeny analysis
DOI: 10.5281/zenodo.15720695
title: Raw data supporting Methyl Jasmonate Elicitation Improves Antioxidant and Antibacterial Activities in  Portulaca oleracea

description: This dataset contains raw experimental data related to the antioxidant and antibacterial activities of methyl jasmonate-elicited Portulaca oleracea extract. The data include inhibition zone measurements, IC50 values from DPPH and ABTS assays, and LC50 data from the brine shrimp lethality test.
DOI: 10.5281/zenodo.10978945
title: Raw R data; effect of plastic material on plants
DOI: 10.5281/zenodo.15025584
title: Datasets and scripts for manuscript "Inequalities in park access and associated health outcomes"

description: Datasets and scripts for manuscript "Inequalities in park access and associated health outcomes"
DOI: 10.5281/zenodo.16498564
title: Particle-in-cell simulations of magnetized crossbeam energy transfer

description: This data set is for 2D-3V particle-in-cell (PIC) simulations of magnetized crossbeam energy transfer (MagCBET). The data set is post processed PIC data. The PIC data is produced using the EPOCH code. The post processing is performed using the data analysis code https://gitlab.com/seanYuanSHI/magnetized-cross-beam-energy-transfer. 

The data set is for three plasma conditions. The folder /n3.5T800 is for carbon plasma at density ne=3.5e20 cc and Te=800 eV. The folder /n3T400 and /n3T1200 are for hydrogen plasma at density ne=3e20 cc and Te=400 eV and 1200 eV, respectively. More details regarding the PIC setup can be found in */input.deck, in respective folders.  

In folder and files named with "zz", the pump and seed lasers initially have parallel linear polarizations, and for "zy", the pump and seed lasers have initially perpendicular linear polarizations.



When eigenmodes are distinguished, files named like "gain_real_B<B>_zz.txt" are CBET gain curves at magnetic field strength B=<B>T. Files named like "transfer_real_zz.txt" are integrated gain curves over detuning. Files named like "transfer_real_zz_dL0.9.txt" are gain at wavelength detuning 0.9 angstrom.

When eigenmodes are not distinguished, gains are extracted from total wave energy, which is obtained by integrating the Fourier power spectrum. Files named like "gain_B<B>_zz.txt" are gain curves, files named like "transfer_zz.txt" are integrated gain, and files named like "transfer_zz_dL0.9.txt" is gain at 0.9 angstrom detuning.
DOI: 10.5281/zenodo.10417343
title: Sound-Frameworks: Montserrat Castro (Arup) and Dima Zogheib (Arup) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419184
title: Sound-Frameworks: Hani Salih (Quality of Life Foundation) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.13141762
title: WDC

description: WDC
DOI: 10.5281/zenodo.10419795
title: Sound-Frameworks: John Bingham-Hall (Theatrum Mundi) - Interview

description: This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.15468/dl.pvdjsh
title: Occurrence Download

description: A dataset containing 2597 species occurrences available in GBIF matching the query:
{
 "DatasetKey" : [
 "is Base de datos de la flora de la Reserva de la Biosfera Chamela-Cuixmala, Jalisco, México"
 ]
}

 The dataset includes 2597 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0034888-250920141307145/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.