cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-806
title: The Phoenix of South-Central, Los Angeles, 1992

description: The Phoenix of South-Central, 1992, 25th Street and Harvard Boulevard, First A.M.E. church, exterior side entrance. On the bottom sides are a black Madonna blessing the forehead of a girl and a saintly man blessing the hear of another child. Above, near the roof, are two angels and a female phoenix. This mural was commissioned shortly after the post-Rodney King verdict violence as a gesture of healing. In acrylic on stucco, approximately 18' x 25' by George Yepes with assistance of local youth. Sponsored by KNBC-TV and L.A. County Board of Supervisors -- Dunitz, Street gallery, rev. 2nd ed., p. 219, #49.
DOI: 10.25549/dunitz-c15-814
title: Black Seeds, Los Angeles 1991

description: Black Seeds, 1991, exterior of MCI Printing, 2301 West Jefferson Boulevard (at 3rd Avenue). The mural's central focus is a tree of life. A close examination reveals that painted into the flesh of both the trunk and branches are writing and struggling human bodies. From each limb sprout the proud faces of important African Americans. In acrylic by David Mosley, Eddie Orr, Norman Maxwell, Michael McKenzie and Marvin Hunt with assistance from students from Holy name of Jesus School, 36th Street Elementary School and Dorsey High School. Sponsored by Social and Public Art Resource Center -- Dunitz, Street gallery, rev. 2nd ed., p. 218, #45.
DOI: 10.25549/dunitz-c15-1320
title: Por que and Roots, Boyle Heights, 1987

description: Por que and Roots, Boyle Heights, 1987. Fairmont [sic] Street and Fickett Street, exterior, Boyle Heights. In the mural on Fairmount (Por Que), the Virgin is overseeing a Latino youth dying from street violence in the arms of two friends as the grim reaper stands at his feet specter-like. In the all-brown Roots on Fickett Street, the trunk of the three is composed of figures and faces representing aspects of Chicano history. Acrylic, by Daniel Martinez. Sponsored by Community Youth Gang Services. -- Dunitz, Street gallery, rev. 2nd ed., p. 306, #51.
DOI: 10.25549/dunitz-c15-1325
title: Corrido de Boyle Heights, Boyle Heights, 1984

description: Corrido de Boyle Heights, Boyle Heights, 1984. Payless Shoes, exterior, 2336 Brooklyn Place at Soto (southwest corner), Boyle Heights. A Corrido is a traditional ballad-style Mexican song. In the current mural, local musician Margarito Gutierrez (descendant of mariachi Vargas de Teclitlan) is playing his virtuoso fiddle while El Piporro plays the accordion. Joe Alaniz (1933-1967) tears himself away from his shrimp and garlic to enjoy the music, and a newly-wed couple dances. This mural is at least the third to occupy this same wall. In about 1974, Frank Romero covered 200 square feet with a whimsical spray can heart. In 1978 the Citywide Mural Project brought together several artists to paint Our People (70' x 16'). Among those involved were John Valadez, Barbara Carrasco, Glenna Boltuch (Avila), Carlos Callejo, Leo Limon, George Yepes, and Rod Sakai. In the early 1980s that mural was destroyed when new earthquake codes required Payless Shoes to add steel H-beams and make other improvements to its unreinforced masonry building. Acrylic on stucco, 17' x 80' (1400 square feet), by East Los Streetscapers (David Botello, Wayne Healy, George Yepes), assisted by Paul Botello, David Morin, and Ismael Cazarez. Sponsored by Payless Shoe Source. -- Dunitz, Street gallery, p. 317, #68.
DOI: 10.25549/dunitz-c15-1348
title: The History of L.A., East Los Angeles, 1980

description: The History of L.A., East Los Angeles, 1980. Argil Building Materials Company, exterior, 4754 Floral Drive (near North Mednick Avenue). Symbols from Chicano history and modern Los Angeles. Acrylic on cinder block, by Carlos Almaraz, assisted by Guillermo Bejarano. -- Dunitz, Street gallery, p. 315, #60; Dunitz, Street Gallery, Revised 2nd edition, p. 304, #41.
DOI: 10.25549/dunitz-c15-1350
title: Nacimiento de un guerrillero (Birth of a warrior), East Los Angeles, 1980

description: Nacimiento de un guerrillero (Birth of a warrior), East Los Angeles, 1980. Shell Gas Station, exterior, Whittier Boulevard at South Eastern Avenue, East Los Angeles. Acrylic on cinder block, 6' x 60', by George Yepes, assisted by Wayne Healy and David Botello. -- Dunitz, Street gallery, rev. 2nd ed., p. 303, #40.
DOI: 10.25549/dunitz-c15-1353
title: Education suite, arte, ciencia y filosofia, Monterey Park, 1981

description: Education suite, arte, ciencia y filosofia, Monterey Park, 1981. Bailey Library, interior stairwell, East Los Angeles College, 1301 Avenida Cesar Chavez, Monterey Park. The left wall is Art, featuring playwright Luis Valdez, actor Edward James Olmos, Picasso, and the cave paintings at Lascaux, France. The middle wall is Science, with primatologist Jane Goodall signing to a chimp, an underwater city of the future, and the eruption of Mt. St. Helens. The right wall is Philosophy. Martin Luther King, Jr. is conversing with Pancho Villa on violent versus non-violent revolutionary strategies. There are portraits of the figures most associated with the great religions: Jesus, Budha, Mohammad. Beatle John Lennon and assasinated president John F. Kennedy are also there, along with imagery from Lewis Carroll's Alice in Wonderland, a classic tale of logic. Acrylic, 24' x 61', by East Los Streetscapers (David Botello, Wayne Healy, George Yepes), assisted by David Morin. Sponsored by Los Angeles Community Colleges. -- Dunitz, Street gallery, rev. 2nd ed., p. 304, #42.
DOI: 10.25549/dunitz-c15-821
title: Surreal interplay, Santa Monica, 1990

description: Surreal interplay, 1990, Beemer's, exterior, 2323 Lincoln Boulevard (at Cedar Street). Surreal interplay between interior and exterior spaces and imagery. An antique chair sits by itself on a cliff overlooking the ocean, a road travels through the inside of a house, cactus and grass grow in a living room. In acrylic, 4 panels, 55' x 11' by David S. Gordon -- Dunitz, Street gallery, rev. 2nd ed., p. 167, #30. According to the Google Street View image, the mural does not exist anymore (as of November 1, 2011).
DOI: 10.25549/dunitz-c15-825
title: Windows on alcoholism, Santa Monica, 1980

description: Windows on alcoholism, Santa Monica, 1980, C.L.A.R.E. Foundation, exterior, 901 Pico Boulevard (at 9th Street). Vignettes showing the unhappiness and destruction caused by alcoholism are portrayed in shades of brown and black on the mural's left and right sides. in the middle, an international family holds hands amidst a brightly colored optimistic landscape. The bottom carries the words, "The Courage to Change the Things We Can". In acrylic on brick, 60' x 16' by Ann Elizabeth Thiermann with assistance of Mike Kijak, Hal Briceland and others. Sponsored by CAC, Unitarian Church of Santa Monica and C.L.A.R.E. Foundation -- Dunitz, Street gallery, p. 150-160, #12 (photo on p. 160). According to a Google Maps Street View image the mural does not exist anymore (as of November 1, 2011).
DOI: 10.25549/dunitz-c15-826
title: Windows on alcoholism, Santa Monica, 1980

description: Windows on alcoholism, Santa Monica, 1980, C.L.A.R.E. Foundation, exterior, 901 Pico Boulevard (at 9th Street). Vignettes showing the unhappiness and destruction caused by alcoholism are portrayed in shades of brown and black on the mural's left and right sides. in the middle, an international family holds hands amidst a brightly colored optimistic landscape. The bottom carries the words, "The Courage to Change the Things We Can". In acrylic on brick, 60' x 16' by Ann Elizabeth Thiermann with assistance of Mike Kijak, Hal Briceland and others. Sponsored by CAC, Unitarian Church of Santa Monica and C.L.A.R.E. Foundation -- Dunitz, Street gallery, p. 150-160, #12 (photo on p. 160). According to a Google Maps Street View image the mural does not exist anymore (as of November 1, 2011).
DOI: 10.25549/dunitz-c15-828
title: Windows on alcoholism, Santa Monica, 1980

description: Windows on alcoholism, Santa Monica, 1980, C.L.A.R.E. Foundation, exterior, 901 Pico Boulevard (at 9th Street). Vignettes showing the unhappiness and destruction caused by alcoholism are portrayed in shades of brown and black on the mural's left and right sides. in the middle, an international family holds hands amidst a brightly colored optimistic landscape. The bottom carries the words, "The Courage to Change the Things We Can". In acrylic on brick, 60' x 16' by Ann Elizabeth Thiermann with assistance of Mike Kijak, Hal Briceland and others. Sponsored by CAC, Unitarian Church of Santa Monica and C.L.A.R.E. Foundation -- Dunitz, Street gallery, p. 150-160, #12 (photo on p. 160). According to a Google Maps Street View image the mural does not exist anymore (as of November 1, 2011).
DOI: 10.25549/dunitz-c15-845
title: Beacon of hope, South Los Angeles, 2002

description: "Beacon of hope," untitled, South Los Angeles, 2002. Rakestraw Memorial Community Center of Wesley United Methodist Church, 5139 South Main Street, Los Angeles. The various educational and recreational activities that take place at this center is depicted. Elliott Pinkney, artist. (Slide sleeve reads: Beacon of hope). -- http://www.lamurals.org/Newsletters/0602Newsltr/EPinkney0602a.html; http://www.lamurals.org/Newsletters/0602Newsltr/0602B.html; http://www.google.com/imgres?q=murals+by+elliott+pinkney&hl=en&sa=X&biw=1536&bih=786&tbm=isch&prmd=imvnsbo&tbnid=4TxvODo8N3-CRM:&imgrefurl=http://www.lamurals.org/Newsletters/0602Newsltr/EPinkney0602a.html&docid=S9VbSrcIcKHWNM&imgurl=http://www.lamurals.org/Newsletters/0602Newsltr/0602JPGs/EPinkney0602D.jpg&w=701&h=360&ei=XEDzT7mOLOXg2AWDmt2yAw&zoom=1&iact=hc&vpx=469&vpy=89&dur=10123&hovh=161&hovw=313&tx=196&ty=89&sig=110828882084837939272&page=1&tbnh=99&tbnw=193&start=0&ndsp=30&ved=1t:429,r:24,s:0,i:150.
DOI: 10.25549/dunitz-c15-852
title: History of California, Huntington Park, 1937

description: History of California, 1937, Huntington Park post office, exterior, Seville Avenue at Zoe Avenue. A pictorial timeline packed with people and images from California's past. Included are Native Americans and friars, pioneers, a train of the 1890s, modern industry, air travel, shipping and constructions. Oil on canvas mounted on fiberboard, 3 walls. By Norman Chamberlain with assistance from Jean Swiggett and Ivan Bartlett. Sponsored by Treasury Relief Art Project -- Dunitz, Street gallery, rev. 2nd ed., p. 229, #3.
DOI: 10.25549/dunitz-c15-860
title: City activities, South Gate, 1941

description: City activities, 1941, South Gate City hall, interior lobby; 8650 California Avenue (near Firestone Boulevard). Vignettes of daily life in suburbia, one focusing on work and school while the other depicts families enjoying leisure time. Oil on canvas, 2 panels by Frank Bowers and Arthur Prunier. Sponsored by Federal Art Project -- Dunitz, Street gallery, rev. 2nd ed., p. 230, #6.
DOI: 10.25549/dunitz-c15-869
title: The Aztec princess, Vernon, 1989

description: The Aztec princess, 1989, Sunlaw Energy Corporation, exterior facing train tracks, Downey Road between Fruitland Avenue and Leonis Boulevard. A portrait of the artist's girlfriend standing on a globe. Her pose is a combination of the Statue of Liberty and the Virgin of Guadalupe. In acrylic by Eloy Torrez. Sponsored by Robert Danziger -- Dunitz, Street gallery, rev. 2nd ed., p. 235, #24. According to the Google Maps street view image, the mural does not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-880
title: Flowers for a lady, Los Angeles, 1990

description: Flowers for a lady, 1990, was on a northwest corner of Venice and Robertson Boulevards. Floral imagery, originally painted for the florist that was located here. As of November of 2011, neither the mural, not the building exist. In house paint and acrylic, 3 walls, 200' x 12' by Nancy Turner and Peter Alvert -- Dunitz, Street gallery, rev. 2nd ed., p. 181, #36.
DOI: 10.25549/dunitz-c15-891
title: Finding the light in a crazy world, Golden Gate Lodge, Los Angeles, 1993

description: Finding the light in a crazy world, 1993, Golden Gate Lodge, exterior, 8831 Venice Boulevard. A whimsical collection of figures, including a baseball player in red tennies, a ballerina, a couple wearing boldly clashing patterns with a TV flying overhead, a woman with a dog wearing a suit and a tie, and two girlfriends with beehive hairdos. Golden Gate Lodge is a residential care facility for mentally ill adults. In acrylic, 10 panels by Susan Rosenwasser with assistance of Victor Abeyta and residents. Sponsored by L.A. Cultural Affairs department -- Dunitz, Street gallery, rev. 2nd ed., p. 184, #48 (photo on p. 171). According to the Google maps street view, the mural does not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-896
title: Palma, West Los Angeles, 2002

description: Palma, West Los Angeles, 2002. Poseidon School, 11811 West Pico Boulevard (mural on Barrington Avenue), West Los Angeles. "The center image is of an educator and represents the teaching and learning that takes place at Poseidon School. The figure is surrounded by historical landscapes related to the Pico Boulevard area, such as Japanese gardens and the California coast. There are also symbols and images of local indigenous cultures. The artist is based in Washington, D.C. G. Byron Peck, artist, assisted by Shayna Cohen, Marmot, A. J. Slaqter, Alex Leslie, Kara Enger, Michael Geazarez, Natalie Prystay. Sponsored by the Social and Public Art Resource Center in conjunction with the Poseidon School and the Pico Beautification Project and made possible through a contract with the Cultural Arts Department, City of Los Angeles." -- http://www.lamurals.org/Newsletters/0602Newsltr/0602B.html; http://www.publicartinla.com/LA_murals/WestSide/palma.html.
DOI: 10.25549/dunitz-c15-897
title: Ricochet, Inglewood, 1990

description: Ricochet, 1990, San Diego Freeway (405 south (near the Manchester Boulevard exit), by Robert Salas. Sponsored by World Cup Soccer -- Dunitz, Street gallery, rev. 2nd ed., p. 200, #6 (photo on p. 201). According to the Google maps street view, the mural does not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-904
title: Hometown traditions, El Segundo, 1996

description: Hometown traditions, El Segundo, 1996, 446 Main Street (at Pine Avenue). Favorite seasonal events, including summer concerts in Library Park, the Halloween Frolic, Santa Claus distributing candy to local children, and Junior Class Archbearers at high school graduation (a tradition since 1935). In acrylic, 5 panels by Don Gray. Sponsored by El Segundo residents Association and Chevron USA -- Dunitz, Street gallery, rev. 2nd ed., p. 201, #11.
DOI: 10.25549/dunitz-c15-913
title: Interior ceilings and walls in William Andrews Clark memorial Library, Los Angeles, 1926

description: Interior ceilings and walls in William Andrews Clark memorial Library, 1926, 2520 Cimarron Street (at West Adams Boulevard). The god Apollo and the Nine Muses adorn the vestibule, meant as a tribune to Clark's love of the humanities. Eleven paintings in the Drawing Room are the scenes from Dryden's "All For Love", Clark's favorite play. The panel on the south wall depicts Shakespeare's "Antony and Cleopatra", from which "All For Love" was adapted. The inset, mostly octagonal ceiling paintings in green, is of Ovid's "Metamorphosis". In oil by Allyn Cox -- Dunitz, Street gallery, rev. 2nd ed., p. 207, #1.
DOI: 10.25549/dunitz-c15-920
title: History of transportation, Inglewood, 1940

description: History of transportation, 1940, Centinela Park, Redondo Boulevard entrance. A parade of life-size figures beginning with the early native Americans and Spanish horsemen to the pre-World War II period of turbo-prop planes. In petrochrome, 241' x 8' by Helen Lundeberg with assistance from Donald Totten. Sponsored by Federal Art Project -- Dunitz, Street gallery, rev. 2nd ed., p. 209, #11 (photo on p. 204).
DOI: 10.25549/dunitz-c15-1300
title: Vision and tradition, South Gate, 1995

description: Vision and tradition, South Gate, 1995. South Gate Park, parking lot, Pinehurst Avenue near Tweedy Boulevard, South Gate. The mural is about honoring the traditions of indigenous peoples, particularly in the Americas. It charts the passage of time throughout the day and the seasons. There is a Guatemalan back-strap weaver. In the North, a Nez Perce bag flows into an Osage blanket, and towards the East, an eagle dancer of the Plains dances on a Navajo rug. The Mayans and Aztecs represent the traditions of the South, and the Chumash depict those of the West. The faces are portraits of the artist's students. Photo on page 227). Acrylic, cylinder, by Jane Boyd. -- Dunitz, Street gallery, rev. 2nd ed., p. 237, #32.
DOI: 10.25549/dunitz-c15-1305
title: South Central Codex and Slauson serenade, Los Angeles, 1995

description: South Central Codex and Slauson serenade, Los Angeles, 1995. Slauson A Line Station (formerly the Blue Line), Long Beach Avenue at 58th Drive, Los Angeles (Florence). Timeline of Los Angeles history on the upper, platform level -- encompasses the first few billion years of cosmic accretion, continental drift and prehistoric life to the arrival of the first human beings, Native American cultures, Spanish explorers and European technology, Mexican ranchos, Manifest Destiny, 19th-century urbanization, population boom, new immigrantd, Central American society, community activists, and the coming 21st century. On the lower, street level, four ceramic and concrete panels depict the lives of everyday people and celebrate values shared by those who live and work in this area: love and family, church and school, the work ethic and community service. Centrally featured in the Community Service panel is the late County Supervisor Kenneth Hahn. Porcelain enamel on metal (92 panels) and handcut glazed ceramic tile (4 pieces), by East Los Streetscapers (Wayne Healy, David Botello, Ricardo Duffy). Sponsored by MTA Metro Art. -- Dunitz, Street gallery, rev. 2nd ed., p. 237, #34.
DOI: 10.15468/dl.mcx7ya
title: Occurrence Download

description: A dataset containing 1277 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Uvariastrum"
 ]
}

 The dataset includes 1277 records from 41 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003668-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.3535/jzm-xel-zny
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/ckk-mee-lte
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/r9f-04h-0pc
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/f2y-p2f-wdz
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/rsk-07t-s6c
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/0h2-3pg-tvf
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/z0z-dc9-9qh
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/jkt-672-hrb
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/pa4-g1q-bv4
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.26030/5172-5e30
title: Impact of spaceflight on gene expression in cultured human mesenchymal stem/stromal cell

description: With technological advancements, human's desire to explore space is growing and more people are staying longer at the international space station (ISS). The impact of microgravity on stem cells (SC) is not fully understood. We explored the impact of microgravity on gene expression profile of cultured mesenchymal stem/stromal cells (MSCs) at the ISS. We also evaluated how the new knowledge gained sheds light on our understanding of human physiology on Earth. Primary cultures of MSCs were expanded at the ISS for 1 or 2 weeks and mRNA was isolated from samples of the cultured cells. Gene expression profiles were determined and compared with samples from real-time ground control cultures. Differential gene expression, gene set enrichment analysis and determination of key genes were performed that revealed for the first time the existence of potential 'master regulators' coordinating a systemic response to microgravity. Cyclin D1 (CCND1), a protein-coding gene that regulates cell cycle progression and CDK kinases, was identified as the most connected regulator at week 1. Further analysis showed the impacted genes from cultured MSCs significantly correlated with known gene pathways associated with cell division, chromosomal segregation and nuclear division, extracellular matrix structure and organization, muscle apoptosis and differentiation. This study exemplifies the utility of space research to advance our understanding of human physiology both on Earth and in space. To investigate the effects of microgravity on MSC growth and understand the differences in gene expression profiles between microgravity and ground control environments, two groups of MSC were sent to the ISS. One group was cultured for one week, while the other was cultured for two weeks, with corresponding control groups processed similarly on Earth. The cells were then preserved and transferred back to the laboratory. Further Gene expression profiles were compared between samples to identify differentially expressed genes.
DOI: 10.3535/abs-v6r-4kb
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/6n3-b0b-6y6
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/zw9-wvj-gvd
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/68c-fpf-vgd
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/cal-bls-4es
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/79q-bw8-q7c
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/ryh-6tw-x5a
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/8hc-e8p-ykc
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/cz2-9d6-9vs
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/rvk-rve-mv5
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/t16-ktj-v3w
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/hzv-kbk-v6f
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.
DOI: 10.3535/ztk-w97-fd8
title: Lepidoptera Linnaeus, 1758

description: Digital Specimen for the physical specimen hosted at Naturalis Biodiversity Center.