cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10340852
title: Vessel with an openwork lid

description: Vessel with an openwork lid for potpourri compositions

ID no.: FZRS/17

https://muzea.malopolska.pl/en/objects-list/910

Digitalisation RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340853
title: Vessel with an openwork lid

description: Vessel with an openwork lid for potpourri compositions

ID no.: FZRS/17

https://muzea.malopolska.pl/en/objects-list/910

Digitalisation RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340856
title: Zvārdes mērķpoligons

description: Zvārdes mērķpoligona 3D modelis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340857
title: Zvārdes mērķpoligons

description: Zvārdes mērķpoligona 3D modelis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340858
title: The Cathedral of the Immaculate Conception

description: The first Catholic Church in Port of Spain was built in 1781 by the Spanish governor Martin de Salverria on the site that is now known as Tamarind Square.The English governor Sir Ralph Woodford decided to build a church better suited to the growing and predominantly Catholic population. Plans were drawn by the governor's secretary, Phillip Renagle, and the foundation stone was laid on 24 March 1816. The new church was located west of the existing church at the eastern end of what was MARINE Square, one Independence Square.The building was laid out in the shape of a Latin cross and built of blue metal from the Laventille quarries, with iron framework from England for the doors and windows. 

Text provided by Olga J. Mavrogordato

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340859
title: The Cathedral of the Immaculate Conception

description: The first Catholic Church in Port of Spain was built in 1781 by the Spanish governor Martin de Salverria on the site that is now known as Tamarind Square.The English governor Sir Ralph Woodford decided to build a church better suited to the growing and predominantly Catholic population. Plans were drawn by the governor's secretary, Phillip Renagle, and the foundation stone was laid on 24 March 1816. The new church was located west of the existing church at the eastern end of what was MARINE Square, one Independence Square.The building was laid out in the shape of a Latin cross and built of blue metal from the Laventille quarries, with iron framework from England for the doors and windows. 

Text provided by Olga J. Mavrogordato

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340860
title: Net Mending Needle

description: 3D model of a tool used for making and repairing nets. Early examples were made of wood or bone which was later replaced by plastic. Dated early-mid 20th century. Physical object held at the Timespan Museum. Part of the Helmsdale Fishing Village reconstruction.

A collaborative project between Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews and Timespan Museum. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Jacquie Aitken. 

Digitisation funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340861
title: Net Mending Needle

description: 3D model of a tool used for making and repairing nets. Early examples were made of wood or bone which was later replaced by plastic. Dated early-mid 20th century. Physical object held at the Timespan Museum. Part of the Helmsdale Fishing Village reconstruction.

A collaborative project between Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews and Timespan Museum. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Jacquie Aitken. 

Digitisation funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340862
title: Komainu scans with iPhone12 Pro (scaniverse)

description: Komainu scans with iPhone12 Pro (scaniverse)

Stone‐carved guardian dogs placed at the gate or in front of a Shinto shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340863
title: Komainu scans with iPhone12 Pro (scaniverse)

description: Komainu scans with iPhone12 Pro (scaniverse)

Stone‐carved guardian dogs placed at the gate or in front of a Shinto shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340864
title: Panels 31-2, South West Palace, Nineveh

description: Gypsum wall panel relief: carved, showing horses and grooms leaving Sennacherib's palace. The left horse is suddenly drawn back by a soldier, who is turning his head back; the second horse is being led by another soldier at its head; hindquarters of a third horse on the right.

Excavated/Findspot: South West Palace, Room L1 (North) Panels 31-2

Height: 160 centimetres Width: 115 centimetres

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340865
title: Panels 31-2, South West Palace, Nineveh

description: Gypsum wall panel relief: carved, showing horses and grooms leaving Sennacherib's palace. The left horse is suddenly drawn back by a soldier, who is turning his head back; the second horse is being led by another soldier at its head; hindquarters of a third horse on the right.

Excavated/Findspot: South West Palace, Room L1 (North) Panels 31-2

Height: 160 centimetres Width: 115 centimetres

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340866
title: Foreign coins

description: A mixture of foreign coins I've been to so far. I've been to a lot of countries, mostly Australia. I was in Nepal when 311 happened, followed my friend to an area where there was a civil war, which you don't usually see as a tourist. We drove around on uneven roads, and there seemed to be no women at all. Everest was right in front of me, and then I was suddenly told that Japan was sinking and that it looked like it was being hit by a tsunami. I was so surprised that I tried to call Japan, but it was unreachable. The person who showed me around was anti-nuclear even before 311, and as soon as he got the call, he said, "Nuclear power plants are dangerous. I'll never forget what he said. I was supposed to be there for about 10 days, climbing mountains and such, but I decided to leave right away. It took me two days to get to Haneda. The head office of the company I was working for at the time was in Miyagi, I had heard that Miyagi was the worst affected area, so I went straight to the company from the airport.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340867
title: Foreign coins

description: A mixture of foreign coins I've been to so far. I've been to a lot of countries, mostly Australia. I was in Nepal when 311 happened, followed my friend to an area where there was a civil war, which you don't usually see as a tourist. We drove around on uneven roads, and there seemed to be no women at all. Everest was right in front of me, and then I was suddenly told that Japan was sinking and that it looked like it was being hit by a tsunami. I was so surprised that I tried to call Japan, but it was unreachable. The person who showed me around was anti-nuclear even before 311, and as soon as he got the call, he said, "Nuclear power plants are dangerous. I'll never forget what he said. I was supposed to be there for about 10 days, climbing mountains and such, but I decided to leave right away. It took me two days to get to Haneda. The head office of the company I was working for at the time was in Miyagi, I had heard that Miyagi was the worst affected area, so I went straight to the company from the airport.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340868
title: Tesson du site de Nimrud

description: Reconstitution en modèle 3D d'un tesson appartenant au département de l'UFR03 d'Histoire de l'Art et d'Archéologie de l'Université de Paris 1 Panthéon-Sorbonne (NIM 003). Il présente des traces de façonnage au tour : ondulations, stries fines et tensions obliques. Datation inconnue.

Auteur : Frédéric BRUNG
Date : 01/02/2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340869
title: Tesson du site de Nimrud

description: Reconstitution en modèle 3D d'un tesson appartenant au département de l'UFR03 d'Histoire de l'Art et d'Archéologie de l'Université de Paris 1 Panthéon-Sorbonne (NIM 003). Il présente des traces de façonnage au tour : ondulations, stries fines et tensions obliques. Datation inconnue.

Auteur : Frédéric BRUNG
Date : 01/02/2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340870
title: Bueiro do Córrego Tapuan

description: A área normalmente associada à pedreira do Km 13 começa no córrego Tapuan, um afluente do rio Pintadinho, que também teve de ser transposto para a construçao da variante São João. Para tal, foi necessário realizar uma obra muito interessante e única na ferrovia. Um aterro de aproximadamente 20m de altura teve que ser construído para preencher o vale do córrego Tapuan, para conter as pedras britadas do aterro, um muro de arrimo foi necessário e para a passagem das águas do córrego uma longa galeria de bueiro atravessa a base do aterro.

Neste modelo vemos um recorte desta estrutura, a boca de saída do bueiro.

Para ter uma vista aérea sobre o aterro e do ambiente ao redor [veja esta e outras foto esferas](https://goo.gl/maps/AVEnKaSeVgJiQBt5A).

Este modelo é parte do projeto Pedreira do Km13 - Uma Experiência com Fotogrametria, selecionado pelo Prêmio Elisabete Anderle de Apoio à Cultura – Edição 2021, executado com recursos do Governo do Estado de Santa Catarina, por meio da Fundação Catarinense da Cultura.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340871
title: Bueiro do Córrego Tapuan

description: A área normalmente associada à pedreira do Km 13 começa no córrego Tapuan, um afluente do rio Pintadinho, que também teve de ser transposto para a construçao da variante São João. Para tal, foi necessário realizar uma obra muito interessante e única na ferrovia. Um aterro de aproximadamente 20m de altura teve que ser construído para preencher o vale do córrego Tapuan, para conter as pedras britadas do aterro, um muro de arrimo foi necessário e para a passagem das águas do córrego uma longa galeria de bueiro atravessa a base do aterro.

Neste modelo vemos um recorte desta estrutura, a boca de saída do bueiro.

Para ter uma vista aérea sobre o aterro e do ambiente ao redor [veja esta e outras foto esferas](https://goo.gl/maps/AVEnKaSeVgJiQBt5A).

Este modelo é parte do projeto Pedreira do Km13 - Uma Experiência com Fotogrametria, selecionado pelo Prêmio Elisabete Anderle de Apoio à Cultura – Edição 2021, executado com recursos do Governo do Estado de Santa Catarina, por meio da Fundação Catarinense da Cultura.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340872
title: Close Helmet

description: Late medieval close helmet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340873
title: Close Helmet

description: Late medieval close helmet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340874
title: Farnos' costume from a traditional engraving

description: The 3D model presents a digital look of a historical costume from a Russian lubok print "Farnos i Pigasia" dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020, http://xn--80ablhhepdp1a2ae9h.xn--p1ai/). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the 3D model are 

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

and

Victor Kuzmichev https://independent.academia.edu/VictorKuzmichev

(Ivanovo State Polytechnic University)

See more at https://www.youtube.com/watch?v=PD39yeQZs-I

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340875
title: Farnos' costume from a traditional engraving

description: The 3D model presents a digital look of a historical costume from a Russian lubok print "Farnos i Pigasia" dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020, http://xn--80ablhhepdp1a2ae9h.xn--p1ai/). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the 3D model are 

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

and

Victor Kuzmichev https://independent.academia.edu/VictorKuzmichev

(Ivanovo State Polytechnic University)

See more at https://www.youtube.com/watch?v=PD39yeQZs-I

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340880
title: Old oil lamp #lowpolyadventure

description: My second entry for the #lowpolyadventure challenge.
This prop is a fundamental part of a great adventure.
Without light what adventure would it be?  :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340881
title: Old oil lamp #lowpolyadventure

description: My second entry for the #lowpolyadventure challenge.
This prop is a fundamental part of a great adventure.
Without light what adventure would it be?  :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340882
title: 地蔵菩薩像の庚申塔(東京都江戸川区東小岩2丁目24番2号 善養寺(小岩不動尊))

description: 地蔵菩薩像の庚申塔(東京都江戸川区東小岩2丁目24番2号 善養寺(小岩不動尊))

元禄15年(1702年)建立

![](https://pbs.twimg.com/media/FVsBMyMakAE6fIG?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340883
title: 地蔵菩薩像の庚申塔(東京都江戸川区東小岩2丁目24番2号 善養寺(小岩不動尊))

description: 地蔵菩薩像の庚申塔(東京都江戸川区東小岩2丁目24番2号 善養寺(小岩不動尊))

元禄15年(1702年)建立

![](https://pbs.twimg.com/media/FVsBMyMakAE6fIG?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340884
title: Chapelle Sainte-Anne

description: Chapelle du XIXème situé à 1750m d'altitude dans le vallon du Parpaillon sur la commune de La Condamine Châtelard (04) avec sa petite fontaine qui coule quasi toute l'année.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340885
title: Chapelle Sainte-Anne

description: Chapelle du XIXème situé à 1750m d'altitude dans le vallon du Parpaillon sur la commune de La Condamine Châtelard (04) avec sa petite fontaine qui coule quasi toute l'année.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340886
title: Archway

description: This is my Archway i created and textured

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340887
title: Archway

description: This is my Archway i created and textured

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340890
title: Colosseum Inception (Piazza del Colosseo)

description: İtalya'nın başkenti Roma'da bulunan Flavianus Amfitiyatro olarak da bilinen Kolezyum bir arenadır.
Usta bir komutan olan Vespasianus tarafından MS 72 yılında yapımına başlandı ve MS 80 yılında Titus döneminde tamamlandı. Daha sonraki değişiklikler Domitian hükümdarlığı zamanında yapılmıştır.
İmparatorlar burada Roma halkını eğlendirmek için ve biraz da kendi eğlenceleri için gladyatör dövüşleri düzenlerdi. Bunlardan başka pek çok halk gösterileri, taklit deniz savaşları, hayvan avcılığı, infazlar, meşhur savaşların yeniden canlandırılması, klasik mitolojiye dayanan dramalar olurdu. Kolezyum daha sonra barınma yeri, iş dükkânları, dini kışlalar, istiham, taş ocağı, Hristiyan türbesi olarak çeşitli amaçlarla kullanıldı. Asıl adı Arena iken, sonradan, girişteki heykelin adını aldı. 7 Temmuz 2007 tarihinde, Dünyanın Yeni Yedi Harikası'ndan biri seçildi.

www.havadanharita.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340891
title: Colosseum Inception (Piazza del Colosseo)

description: İtalya'nın başkenti Roma'da bulunan Flavianus Amfitiyatro olarak da bilinen Kolezyum bir arenadır.
Usta bir komutan olan Vespasianus tarafından MS 72 yılında yapımına başlandı ve MS 80 yılında Titus döneminde tamamlandı. Daha sonraki değişiklikler Domitian hükümdarlığı zamanında yapılmıştır.
İmparatorlar burada Roma halkını eğlendirmek için ve biraz da kendi eğlenceleri için gladyatör dövüşleri düzenlerdi. Bunlardan başka pek çok halk gösterileri, taklit deniz savaşları, hayvan avcılığı, infazlar, meşhur savaşların yeniden canlandırılması, klasik mitolojiye dayanan dramalar olurdu. Kolezyum daha sonra barınma yeri, iş dükkânları, dini kışlalar, istiham, taş ocağı, Hristiyan türbesi olarak çeşitli amaçlarla kullanıldı. Asıl adı Arena iken, sonradan, girişteki heykelin adını aldı. 7 Temmuz 2007 tarihinde, Dünyanın Yeni Yedi Harikası'ndan biri seçildi.

www.havadanharita.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340892
title: Medieval Stećak from the Site of Presjeka

description: Medieval Stećak. Stećci are Medival tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH-DIGI.BA No. S1. Spring 2021.

764 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340893
title: Medieval Stećak from the Site of Presjeka

description: Medieval Stećak. Stećci are Medival tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH-DIGI.BA No. S1. Spring 2021.

764 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340894
title: Estela galaicorromana de Ouzande (A Estrada)

description: ►FICHA TÉCNICA:
![] (http://oi68.tinypic.com/295th7r.jpg)

•	 Número de Inventario: 2009.

•	Título: *Estela galaicorromana de Ouzande (A Estrada)*.

•	Contexto de campo: San Lourenzo de Ouzande, A Estrada (Pontevedra)

•	Circunstancias da descuberta: Achado casual.

•	Tipoloxía: Estela.

•	Material: Pedra/Granito.

•	Época: Galaicorromana.

•	Medidas: 187x53x15 cm.

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra/ Epigrafía.

![](http://oi65.tinypic.com/2w3955g.jpg)

► DESCRICIÓN:

Estela antropomorfa de granito. Arriba, dous círculos concéntricos con rostro humano no centro. Debaixo, nun espazo rectangular, un arco con raios esquemáticos, probablemente un sol. Atópase algo danada cara á metade á dereita e á esquerda, pero isto non afecta ao texto, que se conserva completo. Lados irregulares, desbastados pero non lisos; por detrás, alisada  (Baños Rodríguez, 1994: 223).Modelo completo [aquí](https://skfb.ly/M66L)

► AUTOR DO MODELO 3D:  [Eloy Martínez Soto](https://sketchfab.com/eloymarso).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340895
title: Estela galaicorromana de Ouzande (A Estrada)

description: ►FICHA TÉCNICA:
![] (http://oi68.tinypic.com/295th7r.jpg)

•	 Número de Inventario: 2009.

•	Título: *Estela galaicorromana de Ouzande (A Estrada)*.

•	Contexto de campo: San Lourenzo de Ouzande, A Estrada (Pontevedra)

•	Circunstancias da descuberta: Achado casual.

•	Tipoloxía: Estela.

•	Material: Pedra/Granito.

•	Época: Galaicorromana.

•	Medidas: 187x53x15 cm.

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra/ Epigrafía.

![](http://oi65.tinypic.com/2w3955g.jpg)

► DESCRICIÓN:

Estela antropomorfa de granito. Arriba, dous círculos concéntricos con rostro humano no centro. Debaixo, nun espazo rectangular, un arco con raios esquemáticos, probablemente un sol. Atópase algo danada cara á metade á dereita e á esquerda, pero isto non afecta ao texto, que se conserva completo. Lados irregulares, desbastados pero non lisos; por detrás, alisada  (Baños Rodríguez, 1994: 223).Modelo completo [aquí](https://skfb.ly/M66L)

► AUTOR DO MODELO 3D:  [Eloy Martínez Soto](https://sketchfab.com/eloymarso).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340896
title: Mount Sinai in Arabia - Jabal Maqla al-Lawz

description: Some historians and researchers place the real Mount Sinai in Arabia instead of the traditional site in the Sinai Peninsula.  

This mountain in Arabia is mistakenly often called Jabal al-Lawz (Mountain of Almonds), but the mountain typically identified is actually Jabal Maqla, which is in the al-Lawz range in the Tabuk region of modern Saudi Arabia. 

A Sinai in Northwest Arabia has long been proposed by biblical historians, archaeologists, and Egyptologists for well over a century.  The annotations provided here show what are believed to be key places identified by researchers and amateur archaeologists.  

Dispite scholarly research and documentary work in pictures, film, and GIS collection, no detailed archaeological excavation has taken place in this location—due greatly in part to the political situations in that region.

If this is indeed the biblical location of the real Mount Sinai in Exodus, it is one of great cultural heritage and history.  -Nate Loper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340897
title: Mount Sinai in Arabia - Jabal Maqla al-Lawz

description: Some historians and researchers place the real Mount Sinai in Arabia instead of the traditional site in the Sinai Peninsula.  

This mountain in Arabia is mistakenly often called Jabal al-Lawz (Mountain of Almonds), but the mountain typically identified is actually Jabal Maqla, which is in the al-Lawz range in the Tabuk region of modern Saudi Arabia. 

A Sinai in Northwest Arabia has long been proposed by biblical historians, archaeologists, and Egyptologists for well over a century.  The annotations provided here show what are believed to be key places identified by researchers and amateur archaeologists.  

Dispite scholarly research and documentary work in pictures, film, and GIS collection, no detailed archaeological excavation has taken place in this location—due greatly in part to the political situations in that region.

If this is indeed the biblical location of the real Mount Sinai in Exodus, it is one of great cultural heritage and history.  -Nate Loper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340898
title: Female Deity

description: Stone sculpture of a female deity from the British Museum
[Info to come]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340899
title: Female Deity

description: Stone sculpture of a female deity from the British Museum
[Info to come]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340900
title: Medieval castle.

description: Professional Practice outsource document.

This is 1 out of 3 models created for my professional practice assignment. As requested by my given brief the model was created in 3DS MAX and textured using PBR materials in Substance Painter. The castle was created with a RTS game in mind where you can build and set these throughout the stage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340901
title: Medieval castle.

description: Professional Practice outsource document.

This is 1 out of 3 models created for my professional practice assignment. As requested by my given brief the model was created in 3DS MAX and textured using PBR materials in Substance Painter. The castle was created with a RTS game in mind where you can build and set these throughout the stage.

Source: Objaverse 1.0 / Sketchfab