cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.11400570
title: Material Soundsystems: Ecstatic Material 2, Tour Documentation (Venue 4), Caustic Coastal, Manchester, 11th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a project outline, 15 event images and a promotional video.<br><br>This item documents <b>Ecstatic Material </b>at <i>Caustic Coastal</i>, Manchester on 11th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment.<br><br><b>Ecstatic Material</b> was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material</b> poster. Promotional material courtesy of Outlands. <br><br>The performances at 3 other tour venues have also been documented in the <b>Ecstatic Materia</b>l item: <i>Karst</i> in Plymouth, South London Gallery & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Dean Brierley. Images used with permission courtesy of the photographer and Caustic Coastal.</b><b><br></b><b>Video used courtesy of Outlands and Caustic Coastal. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright la</b>w.
DOI: 10.17870/bathspa.11400654
title: Material Soundsystems: Ecstatic Material 3, Tour Documentation (Venue 8), South London Gallery, 14th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains an event programme, 15 event images and a limited edition poster by the artist.<br><br>This item documents <b>Ecstatic Material </b>at the South London Gallery, London on 14th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Material</b> was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material</b> poster. Posted and event programme included courtesy of South London Gallery. <br><br>The performance at 3 other tour venues have also been documented in the <b>Ecstatic Material</b> item: <i>Karst</i>, Plymouth, <i>Caustic Coastal</i>, Manchester & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Brian Whar. Images used with permission courtesy of the photographer and the South London Gallery.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.11400654.v1
title: Material Soundsystems: Ecstatic Material 3, Tour Documentation (Venue 8), South London Gallery, 14th February 2019.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains an event programme, 15 event images and a limited edition poster by the artist.<br><br>This item documents <b>Ecstatic Material </b>at the South London Gallery, London on 14th February 2019. Commissioned by Outlands, <b>Ecstatic Material</b> is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison, which was toured to 9 separate venues in the UK and then to Bergen Norway in 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Material</b> was curated by Jennifer Lucy Allen and Al Cameron.<br><br>For a full list of venues please refer to the <b>Ecstatic Material</b> poster. Posted and event programme included courtesy of South London Gallery. <br><br>The performance at 3 other tour venues have also been documented in the <b>Ecstatic Material</b> item: <i>Karst</i>, Plymouth, <i>Caustic Coastal</i>, Manchester & the Borealis Festival, Bergen, Norway.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><br><b>Photography: Brian Whar. Images used with permission courtesy of the photographer and the South London Gallery.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12264761
title: Material Soundsystems: Ecstatic Material 4, Borealis Festival, Bergen, Norway 6th & 7th March 2020.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains 8 performance views, 2 pages from the Borealis Festival Programme, 1 limited edition poster by the artist, and a promotional video.<br><br>This item documents the staging of <b>Ecstatic Material</b> at the Borealis Festival, a festival of experimental music in Bergen, Norway. Commissioned by Outlands, <b>Ecstatic Material </b>is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison. After its 9 venues in 9 days tour in the UK in February 2019, the artists were invited to give 3 performances of <b>Ecstatic Material </b>at Lydgalleriet, a non commercial Bergen based gallery for sound based practice, as part of the Borealis Festival, Bergen, Norway on 6th & 7th March 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Materia</b>l was curated by Jennifer Lucy Allen and Al Cameron.Documentation of other 2019 <b>Ecstatic Material</b> performances is contained in 3 other venues items: South London Gallery, <i>Caustic Coasta</i>l, Manchester & <i>Karst</i>, Plymouth.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><b><br>Photography: Johanne Karlsrud & Thor Brødreskift/ Borealis. Images used with permission courtesy of the photographers and Lydgalleriet.<br></b><b><br>Video included courtesy of Outlands. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12264761.v1
title: Material Soundsystems: Ecstatic Material 4, Borealis Festival, Bergen, Norway 6th & 7th March 2020.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains 8 performance views, 2 pages from the Borealis Festival Programme, 1 limited edition poster by the artist, and a promotional video.<br><br>This item documents the staging of <b>Ecstatic Material</b> at the Borealis Festival, a festival of experimental music in Bergen, Norway. Commissioned by Outlands, <b>Ecstatic Material </b>is a collaborative performance between musician and producer Beatrice Dillon and artist Keith Harrison. After its 9 venues in 9 days tour in the UK in February 2019, the artists were invited to give 3 performances of <b>Ecstatic Material </b>at Lydgalleriet, a non commercial Bergen based gallery for sound based practice, as part of the Borealis Festival, Bergen, Norway on 6th & 7th March 2020. The performance takes the form of a live experiment with sound and substance using modular systems of malleable materials and multi channelled audio equipment. <b>Ecstatic Materia</b>l was curated by Jennifer Lucy Allen and Al Cameron.Documentation of other 2019 <b>Ecstatic Material</b> performances is contained in 3 other venues items: South London Gallery, <i>Caustic Coasta</i>l, Manchester & <i>Karst</i>, Plymouth.<br><br>Outlands is a new national experimental touring network promoting interdisciplinary art and music.<br><b><br>Photography: Johanne Karlsrud & Thor Brødreskift/ Borealis. Images used with permission courtesy of the photographers and Lydgalleriet.<br></b><b><br>Video included courtesy of Outlands. <br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12370541.v1
title: Material Soundsystems: Ecstatic Material 5, Process and Development.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a document outlining the artist's working process, 2 short films, 1 animated gif, and 20 images of drawings and working methods.<br><br>This item documents the processes involved in the development of <b>Ecstatic Material</b>. These include initial static drawings from 2015, early plastic bubble experiments, schematic drawings, designs and experiments with pump systems; material tests with composed sound in the studio in 2018 and final testing of backdrop and soundsystem arrangements at Karst before the first <b>Ecstatic Materia</b>l performance in February 2019.<br><br><b>Photography: Dom Moore, Keith Harrison. Images used with permission courtesy of the photographer and the artist.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12370541
title: Material Soundsystems: Ecstatic Material 5, Process and Development.

description: <b>Material Soundsystems </b>explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute,</b> <b>Ecstatic Material and Bloom </b>where live performative experiments are conducted to test how sound animates materials and materials create sound.<br><br>This item contains a document outlining the artist's working process, 2 short films, 1 animated gif, and 20 images of drawings and working methods.<br><br>This item documents the processes involved in the development of <b>Ecstatic Material</b>. These include initial static drawings from 2015, early plastic bubble experiments, schematic drawings, designs and experiments with pump systems; material tests with composed sound in the studio in 2018 and final testing of backdrop and soundsystem arrangements at Karst before the first <b>Ecstatic Materia</b>l performance in February 2019.<br><br><b>Photography: Dom Moore, Keith Harrison. Images used with permission courtesy of the photographer and the artist.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.11424864
title: Material Soundsystems: Bloom, God’s House Tower, Southampton, November 2019 - January 2020.

description: <b>Material Soundsystems</b> explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute</b>, <b>Ecstatic Material</b> and <b>Bloom</b> where live performative experiments are conducted to test how sound animates materials and materials create sound. <br><br>This item contains a project outline, an exhibition invite and publication, a 7 minute film by Jared Schiller documenting the installation, 2 preparatory drawings, 9 views of the installation and testing of Bloom, 5 of the opening performance, 2 views of the In Conversation, 2 of the rooftop performance and a GHT exhibition programme.<br><br>Commissioned by God’s House Tower, Southampton, for their 2019 - 2020 exhibition programme, <b>Bloom</b> was a site-specific installation inspired by the sights and sounds of passing container ships viewed from the roof of God’s House Tower, Southampton. Its title, methodology and choice of materials was informed by the 17th century painting <i>Night Blooming Cereus </i>by Philip Reinagle and Abraham Pether. On 12th December 2019 an In Conversation took place with <i>aspace</i> Arts Director Daniel Crow followed by a rooftop performance where Harrison attempted to ignite elements of his installation under the light of the moon.<br><br><b>Photography: Dana Donatau. Images used with permission courtesy of the photographer and God's House Tower.<br><br>Bloom Exhibition Publication designed by Charlie Newhouse November 2019. Used with permission. </b><br><br><b>Other promotional material included courtesy of God's House Tower and Southhampton City Council.</b><br><br><b>Film by Jared Schiller. Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.3886/e136201v1
title: Ladies first? A field study of discrimination in coffee shops

description: The data and do-file including in these folder replicate results in Caitlin Myers et al. 2010. "Ladies first? A field study of discrimination in coffee shops." Applied Economics 42(14): 1761-1769.
DOI: 10.6084/m9.figshare.14331077
title: Sitobion-Bacillus-dataset

description: Data set with results of application of bacteria spores on aphid using artificial diet and sprayed plants. Laboratory experiments.
DOI: 10.6084/m9.figshare.14331077.v1
title: Sitobion-Bacillus-dataset

description: Data set with results of application of bacteria spores on aphid using artificial diet and sprayed plants. Laboratory experiments.
DOI: 10.6084/m9.figshare.3761562.v1819
title: Online Labour Index: Measuring the Online Gig Economy for Policy and Research

description: Data repository for the data underlying the Online Labour Index. See http://ilabour.oii.ox.ac.uk online-labour-index/ for details.
DOI: 10.17870/bathspa.12688697
title: In Her Dream: 300 Word Statement

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.This item contains a 300 word statement on <b>In Her Dream</b> by Young In Hong.<br>
DOI: 10.17870/bathspa.12688697.v1
title: In Her Dream: 300 Word Statement

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.This item contains a 300 word statement on <b>In Her Dream</b> by Young In Hong.<br>
DOI: 10.17870/bathspa.12688751.v1
title: In Her Dream: Research Questions

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br>This item contains Research Questions for <b>In Her Dream</b> by Young In Hong.
DOI: 10.17870/bathspa.12688751
title: In Her Dream: Research Questions

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br>This item contains Research Questions for <b>In Her Dream</b> by Young In Hong.
DOI: 10.17870/bathspa.14304206
title: In Her Dream: Research Timeline

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br>This item contains a Research Timeline for <b>In Her Dream</b> by Young In Hong.
DOI: 10.17870/bathspa.14304206.v1
title: In Her Dream: Research Timeline

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br>This item contains a Research Timeline for <b>In Her Dream</b> by Young In Hong.
DOI: 10.17870/bathspa.12721607
title: In Her Dream: Performance, 7pm, 9th,12th February 2015, ICA Theatre, London.

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br><br>This item contains a performance outline, a <i>fig-2</i> programme leaflet, 10 images of the performance, a 4.15' video extract, an ICA stage plan, a collaged artwork for publicity by the artist, a diary extract used in the performance and an invitation to the launch of the <i>fig-2 </i>programme.<br><br>This item documents the performance of <b>In Her Dream</b> at the ICA theatre on the 9th and 12th February in 2015. Developed in collaboration with musicians, choreographers and dancers<b> In Her Dream</b> stemmed from Young In Hong's extensive research into the historical exploitation and abuse of low paid women. Using poses from archival imagery to develop the choreography, and bringing together the dual influence of both western and eastern musical traditions, Young In Hong aimed to create an operatic performance of heightened gesture and movement to explore gender inequality in repressive societies.<br><br><b>An interview and Q & A with the artist and <i>fig-2 </i>curator Fatos Ustek took place after the performance of In Her Dream.</b><b>Link here:</b>https://www.mixcloud.com/fig2london/650-qa-with-young-in-hong-and-fatoÅ -Ã¼stek/<b><br><br>Photography by Silvain Deleu. Used with permission.</b><b>Courtesy of the artist and f<i>ig-2</i>.</b><b>Film by Smithson Images.</b><b>Director William Smith.</b><b>Cameramen Ben Williams, Johnny Adair.<br></b><b>Film used with permission. <br><br>P</b><b>erformers:</b>Zosia Jagodzinska - Cello, Jeung-Hyun Choi - Korean Drum & Vocal. Sarah Louise Kristiansen - Choreography. Eleanor Sikorski, Choreography - Dance & Vocal. Anuschka Socher - Dance. Aimee Bevan - Dance.Ughetta Pratesi - Dance<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12721607.v1
title: In Her Dream: Performance, 7pm, 9th,12th February 2015, ICA Theatre, London.

description: <b>In Her Dream</b> is a solo project commissioned by f<i>ig-2</i>, consisting of a live performance, an installation and video at the ICA theatre and Studios in February 2015. It was a multidisciplinary and intercultural performance, inspired by the true story of a woman who murdered her abuser, forcing riots and legal reform on domestic violence in Korea.<br><br>This item contains a performance outline, a <i>fig-2</i> programme leaflet, 10 images of the performance, a 4.15' video extract, an ICA stage plan, a collaged artwork for publicity by the artist, a diary extract used in the performance and an invitation to the launch of the <i>fig-2 </i>programme.<br><br>This item documents the performance of <b>In Her Dream</b> at the ICA theatre on the 9th and 12th February in 2015. Developed in collaboration with musicians, choreographers and dancers<b> In Her Dream</b> stemmed from Young In Hong's extensive research into the historical exploitation and abuse of low paid women. Using poses from archival imagery to develop the choreography, and bringing together the dual influence of both western and eastern musical traditions, Young In Hong aimed to create an operatic performance of heightened gesture and movement to explore gender inequality in repressive societies.<br><br><b>An interview and Q & A with the artist and <i>fig-2 </i>curator Fatos Ustek took place after the performance of In Her Dream.</b><b>Link here:</b>https://www.mixcloud.com/fig2london/650-qa-with-young-in-hong-and-fatoÅ -Ã¼stek/<b><br><br>Photography by Silvain Deleu. Used with permission.</b><b>Courtesy of the artist and f<i>ig-2</i>.</b><b>Film by Smithson Images.</b><b>Director William Smith.</b><b>Cameramen Ben Williams, Johnny Adair.<br></b><b>Film used with permission. <br><br>P</b><b>erformers:</b>Zosia Jagodzinska - Cello, Jeung-Hyun Choi - Korean Drum & Vocal. Sarah Louise Kristiansen - Choreography. Eleanor Sikorski, Choreography - Dance & Vocal. Anuschka Socher - Dance. Aimee Bevan - Dance.Ughetta Pratesi - Dance<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>