cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.13089248.v1
title: Rethinking Waste - Compound 13 Lab, 2018 - present

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br>Compound 13 Lab is a permanent space for experimental design and learning. Through a programme of workshops, design classes, and an artist residency programme Compound 13 Lab uses the materials and resources of Mumbai's recycling industry as the starting point for learning and teaching about ecological design and living solutions. The Lab offers access to design and media tools, audiovisual technologies, 3D design, and digital fabrication to disadvantaged, marginalised citizens who, because of their socio-economic status, do not normally have access to these resources. This item contains photographic documentation of classes and workshops held at the Compound 13 Lab and a brief description of the project. It also contains a link to the Compound 13 Lab project website (see 'References' below). <b>Images courtesy of Ben Parry. Used with permission and consent.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089248
title: Rethinking Waste - Compound 13 Lab, 2018 - present

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br>Compound 13 Lab is a permanent space for experimental design and learning. Through a programme of workshops, design classes, and an artist residency programme Compound 13 Lab uses the materials and resources of Mumbai's recycling industry as the starting point for learning and teaching about ecological design and living solutions. The Lab offers access to design and media tools, audiovisual technologies, 3D design, and digital fabrication to disadvantaged, marginalised citizens who, because of their socio-economic status, do not normally have access to these resources. This item contains photographic documentation of classes and workshops held at the Compound 13 Lab and a brief description of the project. It also contains a link to the Compound 13 Lab project website (see 'References' below). <b>Images courtesy of Ben Parry. Used with permission and consent.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13130054
title: Rethinking Waste - Compound 13 Lab Artist Residency Programme, 2018 - 2020

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.The Artist Residency Programme activates the Lab as an experimental making and design space and provides a learning exchange mechanism to address issues of waste, work, education, survival, and sustainability in Dharavi. From 2018-2020, five artists were commissioned to undertake work in Dharavi, alongside their own contribution to the programme: Aqui Thami, Ian Dawson, Akhila Krishnan, Sharmila Samant, Mrugen Rathod, Ben Parry and Graham Jeffery.This item contains photographic documentation of residencies by Aqui Thami and Ian Dawson, as well as a brief description of the Artist Residency Programme. It also contains links to documentation of the two residencies and to the Artist Residency Programme pages of the Compound 13 Lab website:Use this link to view details of Aqui Thami's residency.Use this link to view details of Ian Dawson's residency.Use this link for further details of the Artist Residency Programme.These links are also available below under 'References'.<b>Images courtesy of Aqui Thami and Ben Parry. Used with permission and consent.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13130054.v1
title: Rethinking Waste - Compound 13 Lab Artist Residency Programme, 2018 - 2020

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.The Artist Residency Programme activates the Lab as an experimental making and design space and provides a learning exchange mechanism to address issues of waste, work, education, survival, and sustainability in Dharavi. From 2018-2020, five artists were commissioned to undertake work in Dharavi, alongside their own contribution to the programme: Aqui Thami, Ian Dawson, Akhila Krishnan, Sharmila Samant, Mrugen Rathod, Ben Parry and Graham Jeffery.This item contains photographic documentation of residencies by Aqui Thami and Ian Dawson, as well as a brief description of the Artist Residency Programme. It also contains links to documentation of the two residencies and to the Artist Residency Programme pages of the Compound 13 Lab website:Use this link to view details of Aqui Thami's residency.Use this link to view details of Ian Dawson's residency.Use this link for further details of the Artist Residency Programme.These links are also available below under 'References'.<b>Images courtesy of Aqui Thami and Ben Parry. Used with permission and consent.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13130078
title: Rethinking Waste - Artist Residency Programme - Plastic Mahal, April 2020 - December 2020

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<i>The Palace of Plastic </i>(<i>Plastic Mahal</i>) is a temporary public sculpture and political performance in the mode of a processional ritual that occurs in various sites across the city of Mumbai. The house is built from the city’s waste, which aggregates in the informal recycling centre in Dharavi’s 13th Compound. The <i>Plastic Mahal</i> project was selected for The New School/University of Melbourne's <i>Project Anywhere.</i>This item contains photographs of the sculpture <i>Plastic Mahal</i>, a composite maquette for the project by Ian Dawson, and photographs of the recycling industry in Dharavi. It also contains a description of the project and a link to the <b> Project Anywhere website </b> (see also 'References' below).<b>Images courtesy of Ben Parry, Lia Mazzari and Ian Dawson. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i> </i>
DOI: 10.17870/bathspa.13130078.v1
title: Rethinking Waste - Artist Residency Programme - Plastic Mahal, April 2020 - December 2020

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<i>The Palace of Plastic </i>(<i>Plastic Mahal</i>) is a temporary public sculpture and political performance in the mode of a processional ritual that occurs in various sites across the city of Mumbai. The house is built from the city’s waste, which aggregates in the informal recycling centre in Dharavi’s 13th Compound. The <i>Plastic Mahal</i> project was selected for The New School/University of Melbourne's <i>Project Anywhere.</i>This item contains photographs of the sculpture <i>Plastic Mahal</i>, a composite maquette for the project by Ian Dawson, and photographs of the recycling industry in Dharavi. It also contains a description of the project and a link to the <b> Project Anywhere website </b> (see also 'References' below).<b>Images courtesy of Ben Parry, Lia Mazzari and Ian Dawson. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i> </i>
DOI: 10.17870/bathspa.13130165.v1
title: Rethinking Waste - Artist Residency Programme - Sonic Urbanism, 2018

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br> Working with a group of young people from ACORN, composer Graham Jeffery and artist Ben Parry spent some days gathering and harvesting sounds from the industrial spaces of the 13th Compound. Collaborating with Balaji Devendra and Vishnu Nair of Old Brotherz, a hip hop collective that has developed from ACORN’s music-led activities with young people, Graham Jeffery then built these into a series of compositions which formed the basis of the soundtrack for the film <i>Materials of Hope</i>. This item contains a photograph of the making of the soundtrack and a brief description of the <i>Sonic Urbanism</i> project. <b>Image courtesy of Ben Parry. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13130165
title: Rethinking Waste - Artist Residency Programme - Sonic Urbanism, 2018

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br> Working with a group of young people from ACORN, composer Graham Jeffery and artist Ben Parry spent some days gathering and harvesting sounds from the industrial spaces of the 13th Compound. Collaborating with Balaji Devendra and Vishnu Nair of Old Brotherz, a hip hop collective that has developed from ACORN’s music-led activities with young people, Graham Jeffery then built these into a series of compositions which formed the basis of the soundtrack for the film <i>Materials of Hope</i>. This item contains a photograph of the making of the soundtrack and a brief description of the <i>Sonic Urbanism</i> project. <b>Image courtesy of Ben Parry. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13089251.v1
title: Rethinking Waste - Materials of Hope Film, 2018

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br> <i>Materials of Hope </i>(2018) is a short 18-minute documentary produced collaboratively between a team of UK-based researchers and members of ACORN India. It tells the story of the journeys that waste materials make through the informal recycling industry in Dharavi, Mumbai. It was produced as part of a follow-on project for impact and engagement, Resources of Hope, funded by the AHRC through the Global Challenges Research Fund. This item contains the <i>Materials of Hope </i>(2018) film, along with stills from the film and a brief description of the film project. It also contains a link to the film hosted on Vimeo (see 'References' below). <b>Film and film stills courtesy of Ben Parry, Graham Jeffery, Acorn members, and rappers from Dharavi Rocks. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i></i>
DOI: 10.17870/bathspa.13089251
title: Rethinking Waste - Materials of Hope Film, 2018

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<br> <i>Materials of Hope </i>(2018) is a short 18-minute documentary produced collaboratively between a team of UK-based researchers and members of ACORN India. It tells the story of the journeys that waste materials make through the informal recycling industry in Dharavi, Mumbai. It was produced as part of a follow-on project for impact and engagement, Resources of Hope, funded by the AHRC through the Global Challenges Research Fund. This item contains the <i>Materials of Hope </i>(2018) film, along with stills from the film and a brief description of the film project. It also contains a link to the film hosted on Vimeo (see 'References' below). <b>Film and film stills courtesy of Ben Parry, Graham Jeffery, Acorn members, and rappers from Dharavi Rocks. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i></i>
DOI: 10.17870/bathspa.13089257.v1
title: Rethinking Waste - Materials of Hope - MediaWall Exhibition, Bath Spa University, 26 November - 17 December, 2018.

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.Dr Ben Parry produced a different version of the film <i>Materials of Hope </i>(2018)<i>,</i> in the form of a triptych, for MediaWall, Bath Spa University, 26 November - 17 December, 2018.This item contains photographs of the Media Wall exhibition. <b>Images courtesy of Ben Parry. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089257
title: Rethinking Waste - Materials of Hope - MediaWall Exhibition, Bath Spa University, 26 November - 17 December, 2018.

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.Dr Ben Parry produced a different version of the film <i>Materials of Hope </i>(2018)<i>,</i> in the form of a triptych, for MediaWall, Bath Spa University, 26 November - 17 December, 2018.This item contains photographs of the Media Wall exhibition. <b>Images courtesy of Ben Parry. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13135748
title: Rethinking Waste - Materials of Hope - Meetings: Central & Western Jutland Video & Performance Festival, Denmark, 2019 (Contextualising Information)

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<i>Materials of Hope</i> (2018) was exhibited as a video installation at Feldsted Kog Harbor, Feldstedvej, Denmark as part of Meetings: Central & Western Jutland Video & Performance Festival, 30 August - 8 September, 2019. The festival showcased contemporary art in untraditional places and locations around Nissum Fjord.This item contains photographs of the video installation, pages from the Meetings festival catalogue, and the festival flyer. It also contains a link to the ET4U Foundation website (see also 'References' below). <br><br><b>Images of the video installation at Feldsted Kog Harbor, festival catalogue, and flyer courtesy of Klavs Weiss. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.13135748.v1
title: Rethinking Waste - Materials of Hope - Meetings: Central & Western Jutland Video & Performance Festival, Denmark, 2019 (Contextualising Information)

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.<i>Materials of Hope</i> (2018) was exhibited as a video installation at Feldsted Kog Harbor, Feldstedvej, Denmark as part of Meetings: Central & Western Jutland Video & Performance Festival, 30 August - 8 September, 2019. The festival showcased contemporary art in untraditional places and locations around Nissum Fjord.This item contains photographs of the video installation, pages from the Meetings festival catalogue, and the festival flyer. It also contains a link to the ET4U Foundation website (see also 'References' below). <br><br><b>Images of the video installation at Feldsted Kog Harbor, festival catalogue, and flyer courtesy of Klavs Weiss. Used with permission.</b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>