cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.25442191.v13
title: Test bigwig

description: Test dataset to understand the data loading procedure on UCSC.
DOI: 10.6084/m9.figshare.25442191
title: Test bigwig

description: Test dataset to understand the data loading procedure on UCSC.
DOI: 10.6084/m9.figshare.25442191.v14
title: Test bigwig

description: Test dataset to understand the data loading procedure on UCSC.
DOI: 10.5281/zenodo.10037564
title: MARCMUS

description: MARCMUS is a project that focuses on the virtually unexplored music manuscripts from the collection of the 15th Count of Redondo, now housed at Biblioteca Nacional de Portugal (BNP, National Library of Portugal). A distinguished member of one of the oldest noble families in Portugal, José Luís Gonzaga de Souza Coutinho Castelo-Branco e Menezes (1797-1863) was the most notable music Maecenas in 19th-century Portugal; he was also a composer and a practising musician, especially proficient in the art of singing. In the Count of Redondo’s homes (the Palaces of Santa Marta, in Lisbon, and the Estate of Bom Jardim, in Belas), the more intimate domestic chamber music and the sumptuous religious feasts, where music was paramount, were common occurrences. The contents of this unique music collection seem to reflect the continuous music practice and the unwavering support of musicians and composers, as it is highly representative of Portuguese music from the mid-18th century until the very end of the 19th century. Despite being a recognised powerful and unique research tool, musicological source criticism, particularly paper and handwriting studies, is a much-neglected discipline in Portugal in the period considered (18th and 19th centuries). The characteristics of the collection of the Count of Redondo make it ideal for a case study of source criticism in Portuguese music. The expected outcomes will lay the foundations for a Music Paper and Handwriting Study Centre, whilst establishing Portuguese source criticism on a par with international standards. The project aims to systematically record and digitally preserve the watermarks and paper-types (the conjunction of the watermark and the number and size of staves drawn by rastra) of the collection’s music manuscripts. It will also record the literary and music handwritings of the copyists and composers involved (preliminary research has shown that the collection possesses a significant number of autographs). The project site will allow free access to the resulting interrelational databases (watermarks, rastrologies, paper-types and handwritings). The watermark and paper-type database will also become available at the Bernstein Project: the Memory of Paper, the largest international project of its kind (in 10 languages) which includes 56 collections and more than 320,000 researchable watermarks from 22 countries.
DOI: 10.5281/zenodo.7896459
title: MARCMUS

description: MARCMUS is a project that focuses on the virtually unexplored music manuscripts from the collection of the 15th Count of Redondo, now housed at Biblioteca Nacional de Portugal (BNP, National Library of Portugal). A distinguished member of one of the oldest noble families in Portugal, José Luís Gonzaga de Souza Coutinho Castelo-Branco e Menezes (1797-1863) was the most notable music Maecenas in 19th-century Portugal; he was also a composer and a practising musician, especially proficient in the art of singing. In the Count of Redondo’s homes (the Palaces of Santa Marta, in Lisbon, and the Estate of Bom Jardim, in Belas), the more intimate domestic chamber music and the sumptuous religious feasts, where music was paramount, were common occurrences. The contents of this unique music collection seem to reflect the continuous music practice and the unwavering support of musicians and composers, as it is highly representative of Portuguese music from the mid-18th century until the very end of the 19th century. Despite being a recognised powerful and unique research tool, musicological source criticism, particularly paper and handwriting studies, is a much-neglected discipline in Portugal in the period considered (18th and 19th centuries). The characteristics of the collection of the Count of Redondo make it ideal for a case study of source criticism in Portuguese music. The expected outcomes will lay the foundations for a Music Paper and Handwriting Study Centre, whilst establishing Portuguese source criticism on a par with international standards. The project aims to systematically record and digitally preserve the watermarks and paper-types (the conjunction of the watermark and the number and size of staves drawn by rastra) of the collection’s music manuscripts. It will also record the literary and music handwritings of the copyists and composers involved (preliminary research has shown that the collection possesses a significant number of autographs). The project site will allow free access to the resulting interrelational databases (watermarks, rastrologies, paper-types and handwritings). The watermark and paper-type database will also become available at the Bernstein Project: the Memory of Paper, the largest international project of its kind (in 10 languages) which includes 56 collections and more than 320,000 researchable watermarks from 22 countries.
DOI: 10.5281/zenodo.7896460
title: MARCMUS

description: MARCMUS is a project that focuses on the virtually unexplored music manuscripts from the collection of the 15th Count of Redondo, now housed at Biblioteca Nacional de Portugal (BNP, National Library of Portugal). A distinguished member of one of the oldest noble families in Portugal, José Luís Gonzaga de Souza Coutinho Castelo-Branco e Menezes (1797-1863) was the most notable music Maecenas in 19th-century Portugal; he was also a composer and a practising musician, especially proficient in the art of singing. In the Count of Redondo’s homes (the Palaces of Santa Marta, in Lisbon, and the Estate of Bom Jardim, in Belas), the more intimate domestic chamber music and the sumptuous religious feasts, where music was paramount, were common occurrences. The contents of this unique music collection seem to reflect the continuous music practice and the unwavering support of musicians and composers, as it is highly representative of Portuguese music from the mid-18th century until the very end of the 19th century. Despite being a recognised powerful and unique research tool, musicological source criticism, particularly paper and handwriting studies, is a much-neglected discipline in Portugal in the period considered (18th and 19th centuries). The characteristics of the collection of the Count of Redondo make it ideal for a case study of source criticism in Portuguese music. The expected outcomes will lay the foundations for a Music Paper and Handwriting Study Centre, whilst establishing Portuguese source criticism on a par with international standards. The project aims to systematically record and digitally preserve the watermarks and paper-types (the conjunction of the watermark and the number and size of staves drawn by rastra) of the collection’s music manuscripts. It will also record the literary and music handwritings of the copyists and composers involved (preliminary research has shown that the collection possesses a significant number of autographs). The project site will allow free access to the resulting interrelational databases (watermarks, rastrologies, paper-types and handwritings). The watermark and paper-type database will also become available at the Bernstein Project: the Memory of Paper, the largest international project of its kind (in 10 languages) which includes 56 collections and more than 320,000 researchable watermarks from 22 countries.
DOI: 10.57745/7udxeo
title: Luminescence-data.tab

description: Luminescence raw data
DOI: 10.57745/zrowfj
title: Luminescence-data.tab

description: :unav
DOI: 10.25345/c5f766j59
title: MassIVE MSV000094379 - BioID proximity labeling of interactome using BirA* tagged IRE1
title: BioID proximity interactomics, using Ire1 alpha and -beta as baits, in stably expressing HEK293 cells
DOI: 10.18112/openneuro.ds004230.v3.0.0
title: First-in-human evaluation of [11C]PS13, a novel PET radioligand, to quantify cyclooxygenase-1 in the brain
DOI: 10.6084/m9.figshare.25457917
title: Data-1.xlsx

description: This study, using data from the World Bank Enterprise Surveys, investigates the borrowing discouragement of innovative and non-innovative SMEs.
DOI: 10.6084/m9.figshare.25457917.v1
title: Data-1.xlsx

description: This study, using data from the World Bank Enterprise Surveys, investigates the borrowing discouragement of innovative and non-innovative SMEs.
DOI: 10.5519/qd.p9lcojvv
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1024 records)
DOI: 10.21430/m3ulm1mkye
title: Humoral correlates of protection against Mycobacterium tuberculosis following intravenous Bacille Calmette-Guerin vaccination in rhesus macaques

description: This study follows a group of NHPs who are given the BCG Danish Strain 1331 and then later Challenged with Mtb Erdman Strain. There are many different timepoints where Blood and BAL is extracted. These tissue samples are then run on multiple systems serology assays: Antibody Dependent Functional Profiling Assays (ADNKA: Antibody Dependent NK Cell Activation, ADNP: Antibody Dependent Neutrophil Phagocytosis), Titer Assays for many different Antigens (IgG1, IgG2, IgG3, IgG4, IgA, IgM) and FC Receptor Binding Assay on different receptors (R2A, R2B, R3A, R3B, C1Q).
DOI: 10.6084/m9.figshare.25433875
title: Low-frequency HARP recordings from Southern California Bight

description: Subset of the common dataset from The 7th International DCLDE [Detection, Classification, Localization, and Density Estimation] Workshop. Data from multiple deployments of high-frequency acoustic recording packages deployed in the Southern California Bight. Contains blue whale (<i>Balaenoptera musculus</i>) A and B calls (annotations not included here).
DOI: 10.6084/m9.figshare.25433875.v1
title: Low-frequency HARP recordings from Southern California Bight

description: Subset of the common dataset from The 7th International DCLDE [Detection, Classification, Localization, and Density Estimation] Workshop. Data from multiple deployments of high-frequency acoustic recording packages deployed in the Southern California Bight. Contains blue whale (<i>Balaenoptera musculus</i>) A and B calls (annotations not included here).
DOI: 10.5281/zenodo.10037481
title: Comparison of 2D and 3D Multichannel Audio Rendering Methods for Hearing Research Applications using Technical and Perceptual Measures - Impulse Responses and Scene Recordings

description: This database contains recordings of impulse responses (IRs.zip) and virtual acoustic scenes (scenes.zip), with different 2D and 3D multichannel loudspeaker rendering methods. This upload contains conplementary data to [1].

The virtual acoustic scenes are a 'concert' of an orchestra with approximately 60 primary sound sources [2] in a reverberant room, a 'speech' scene with a single talker in the same room, and a 'street' scene with static and moving sound sources.

Recordings were performed with a G.R.A.S. 45BB Head and Torso Simulator (Kemar) placed in the center of the loudspeaker array in the lab, with ears at 1.60 m height. Recordings include the left and right ear channel. The simulator was equipped with large anthropometric pinnae of type KB5001. All recordings are provided for each rendering method that was applied in the study [1].

Impulse responses were recorded using sine sweeps [3], sampling frequency was 44100 Hz. The impulse responses were truncated to 1.2 s. The scenes were recorded with a sampling frequency 44100 Hz.

 

Files are named with the following convention:

filetype_scene_renderingmethod_source.[mat/wav]

 

References:

[1] M. Gerken, V. Hohmann, G. Grimm, "Comparison of 2D and 3D Multichannel Audio Rendering Methods for Hearing Research Applications using Technical and Perceptual Measures," Acta Austica 2024, in press.

[2] C. Böhm, D. Ackermann, and S. Weinzierl, "A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93," Journal of the Audio Engineering Society, vol. 68, no. 12, pp. 977–984, Jan. 2021, doi: 10.17743/jaes.2020.0056.

[3] A. Farina, "Simultaneous Measurement of Impulse Response and Distortion with a Swept-Sine Technique," in Audio Engineering Society Convention 108, Feb. 2000. [Online]. Available: http://www.aes.org/e-lib/browse.cfm?elib=10211
DOI: 10.5281/zenodo.10037482
title: Comparison of 2D and 3D Multichannel Audio Rendering Methods for Hearing Research Applications using Technical and Perceptual Measures - Impulse Responses and Scene Recordings

description: This database contains recordings of impulse responses (IRs.zip) and virtual acoustic scenes (scenes.zip), with different 2D and 3D multichannel loudspeaker rendering methods. This upload contains conplementary data to [1].

The virtual acoustic scenes are a 'concert' of an orchestra with approximately 60 primary sound sources [2] in a reverberant room, a 'speech' scene with a single talker in the same room, and a 'street' scene with static and moving sound sources.

Recordings were performed with a G.R.A.S. 45BB Head and Torso Simulator (Kemar) placed in the center of the loudspeaker array in the lab, with ears at 1.60 m height. Recordings include the left and right ear channel. The simulator was equipped with large anthropometric pinnae of type KB5001. All recordings are provided for each rendering method that was applied in the study [1].

Impulse responses were recorded using sine sweeps [3], sampling frequency was 44100 Hz. The impulse responses were truncated to 1.2 s. The scenes were recorded with a sampling frequency 44100 Hz.

 

Files are named with the following convention:

filetype_scene_renderingmethod_source.[mat/wav]

 

References:

[1] M. Gerken, V. Hohmann, G. Grimm, "Comparison of 2D and 3D Multichannel Audio Rendering Methods for Hearing Research Applications using Technical and Perceptual Measures," Acta Austica 2024, in press.

[2] C. Böhm, D. Ackermann, and S. Weinzierl, "A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93," Journal of the Audio Engineering Society, vol. 68, no. 12, pp. 977–984, Jan. 2021, doi: 10.17743/jaes.2020.0056.

[3] A. Farina, "Simultaneous Measurement of Impulse Response and Distortion with a Swept-Sine Technique," in Audio Engineering Society Convention 108, Feb. 2000. [Online]. Available: http://www.aes.org/e-lib/browse.cfm?elib=10211
DOI: 10.5281/zenodo.10696679
title: Dataset to "A method for the reproduction of cello bow kinematics using a robotic arm and motion capture"

description: This dataset is related to the paper "A method for the reproduction of cello bow kinematics using a robotic arm and motion capture".

Contents:

Recordings comparing a human performance and two robot performances (named case A and case B).



Synchronised motion-capture data (time, bow markers, nut marker and bridge marker; Fs = 240 fps - .csv files)

Synchronised audio recordings (sound in front of the instrument; Fs = 44100 Hz - .wav files)

Music score

Read-me file with further details
DOI: 10.5281/zenodo.10696680
title: Dataset to "A method for the reproduction of cello bow kinematics using a robotic arm and motion capture"

description: This dataset is related to the paper "A method for the reproduction of cello bow kinematics using a robotic arm and motion capture".

Contents:

Recordings comparing a human performance and two robot performances (named case A and case B).



Synchronised motion-capture data (time, bow markers, nut marker and bridge marker; Fs = 240 fps - .csv files)

Synchronised audio recordings (sound in front of the instrument; Fs = 44100 Hz - .wav files)

Music score

Read-me file with further details
DOI: 10.5281/zenodo.10854470
title: [IO Islamic 213] مثتویات ناصر على

description: Nâṣir-‘Alî-Mathnawîs

This manuscript is now IO Islamic 1646 in the India Office collections.

[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 213 here with notations and hyperlinks].


1646

Mathnawîs by Nâṣir ‘Alî.

A number of mathnawîs by the same Nâṣir ‘Alî, the first of which, on ff. 1b-52a, is the same religious poem which appears in most copies of Nâṣir ‘Alî’s poetical works (see Rieu, Sprenger, Pertsch, and Bodleian Cat., loc. cit.), and begins:

الهى ذرّۀ درد ( دردى read) بجان ريز

شرر در پنبه زار استخوان ريز

A special copy of this mathnawî is noticed in W. Pertsch, Berlin Cat., p. 697, No. 15.

On ff. 53a-105 a large number of smaller mathnawîs are added, no doubt by the same Nâṣir ‘Alî, the first of which begins:

بنام خداوند ناز آفرين – جگرهاى عاشق گداز آفرين

The others are partly Sâḳînâmas, partly encomiums of the Kalandarî monks, all of mystical import. The mathnawî on Kashmîr, noticed in Rieu ii. p. 700a, is not found among them.

No date.

No. 213, ff. 105, 2 coll., each ll. 17; Nasta’lîḳ; all the headings (invariably in verses and sometimes very long( written in red ink; size, 91/2 in. by 53/8 in.
DOI: 10.5281/zenodo.10854471
title: [IO Islamic 213] مثتویات ناصر على

description: Nâṣir-‘Alî-Mathnawîs

This manuscript is now IO Islamic 1646 in the India Office collections.

[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 213 here with notations and hyperlinks].


1646

Mathnawîs by Nâṣir ‘Alî.

A number of mathnawîs by the same Nâṣir ‘Alî, the first of which, on ff. 1b-52a, is the same religious poem which appears in most copies of Nâṣir ‘Alî’s poetical works (see Rieu, Sprenger, Pertsch, and Bodleian Cat., loc. cit.), and begins:

الهى ذرّۀ درد ( دردى read) بجان ريز

شرر در پنبه زار استخوان ريز

A special copy of this mathnawî is noticed in W. Pertsch, Berlin Cat., p. 697, No. 15.

On ff. 53a-105 a large number of smaller mathnawîs are added, no doubt by the same Nâṣir ‘Alî, the first of which begins:

بنام خداوند ناز آفرين – جگرهاى عاشق گداز آفرين

The others are partly Sâḳînâmas, partly encomiums of the Kalandarî monks, all of mystical import. The mathnawî on Kashmîr, noticed in Rieu ii. p. 700a, is not found among them.

No date.

No. 213, ff. 105, 2 coll., each ll. 17; Nasta’lîḳ; all the headings (invariably in verses and sometimes very long( written in red ink; size, 91/2 in. by 53/8 in.
DOI: 10.18112/openneuro.ds005038.v1.0.3
title: Modality-based Multitasking, practice data
DOI: 10.5281/zenodo.10640479
title: A scoping review of the ethics frameworks describing issues related to the use of extended reality

description: This is the dataset used for the scoping review of D2.1, which required an overview and assessment of relevant ethics frameworks, codes of conduct, guidelines regarding extended reality technologies. The specific objective is to map, review, and assess existing frameworks in terms of relevant foundational principles, ethical issues addressed, proposals to address these ethical issues, and the commonalities/differences identified between the documents.
DOI: 10.5281/zenodo.10640480
title: A scoping review of the ethics frameworks describing issues related to the use of extended reality

description: This is the dataset used for the scoping review of D2.1, which required an overview and assessment of relevant ethics frameworks, codes of conduct, guidelines regarding extended reality technologies. The specific objective is to map, review, and assess existing frameworks in terms of relevant foundational principles, ethical issues addressed, proposals to address these ethical issues, and the commonalities/differences identified between the documents.
DOI: 10.5281/zenodo.10854489
title: A scoping review of the ethics frameworks describing issues related to the use of extended reality

description: This is the dataset used for the scoping review of D2.1, which required an overview and assessment of relevant ethics frameworks, codes of conduct, guidelines regarding extended reality technologies. The specific objective is to map, review, and assess existing frameworks in terms of relevant foundational principles, ethical issues addressed, proposals to address these ethical issues, and the commonalities/differences identified between the documents.
DOI: 10.5517/ccdc.csd.cc2hkbw9
title: CCDC 2310581: Experimental Crystal Structure Determination

description: Related Article: Yusuke Higashi, Kotono Shima, Mikiya Suzuki, Moe Fujishiro, Tsuyoshi Kawai, Tsumoru Morimoto|2024|J.Org.Chem.|89|3962|doi:10.1021/acs.joc.3c02798
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2h0btp
title: CCDC 2294242: Experimental Crystal Structure Determination

description: Related Article: Gang Wu, Sheng-Yi Zhuang, Jiabin Xing, Qihan Lin, Zhan-Ting Li, Dan-Wei Zhang|2024|Org.Lett.|26|2007|doi:10.1021/acs.orglett.4c00033
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2hldl3
title: CCDC 2311595: Experimental Crystal Structure Determination

description: Related Article: Ze-Long Xiao, Zhen-Zhen Xie, Chu-Ping Yuan, Ke-Yi Deng, Kai Chen, Hong-Bin Chen, Hao-Yue Xiang, Hua Yang|2024|Org.Lett.|26|2108|doi:10.1021/acs.orglett.4c00432
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5285/14053a01-9867-3865-e063-6c86abc0560a
title: Microcat-ODO data (Temperature, Salinity, Pressure and Dissolved Oxygen) from mooring RTEB1 of the Eastern Boundary array (Rockall Trough), as part of UK OSNAP (Overturning in the Subpolar North Atlantic Programme) from July 2018 to October 2020.

description: The dataset consists of data (Temperature, Salinity, Pressure and Dissolved Oxygen) collected by moored CTD-DO instruments (microcat-ODO) in the eastern Rockall Trough between July 2018 and October 2020. The moored CTD-DO instruments were situated at various depths on mooring RTEB1 which is the easternmost mooring of the Atlantic-wide OSNAP mooring array. The CTD-DO instruments were deployed on cruise AR30-04 (2018) and recovered on DY120 (2020). The data have been processed and calibrated. Mooring RTEB1 is deployed under UK OSNAP (NE/K010875/1 and NE/K010875/2). The CTD-DO instruments were funded by the European Union's Horizon 2020 Research and Innovation Programme under grant agreement nos. 678760 (ATLAS), 818123 (iAtlantic) and 633211 (AtlantOS).
DOI: 10.5281/zenodo.10854524
title: [IO Islamic 2004] مثتویات ناصر على

description: Nâṣir-‘Alî-Mathnawîs

This manuscript is now IO Islamic 1647 in the India Office collections.

[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 2004 here with notations and hyperlinks].


1647

Another copy of Nâṣir ‘Alî’s religious mathnawî.

Another copy of the first and longest mathnawî of the preceding collection, beginning:

الهى ذرّۀ دردى الخ

No date. Various readings on the margin.

No. 2004, ff. 62, 4 coll., in diagonal lines, the first and third containing five baits each, the second and fourth two baits; Shikasta; size, 6 in. by 5 in.