cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10303393
title: Passage Grave - Øm Jættestue, Denmark

description: **Site** - Øm jættestue (Passage Grave) is situated between Lejre and Øm, around 10 km. south west of Roskilde. It is a megalithic chamber is potentially 5,500 years old and was used up until 700 BC. It has huge rounded blocks making up the roof and was a burial chamber, with artifacts and pottery found inside. The passage leads into a 7m long and 2m high chamber and was excavated in 1831 and again 100 years later when potato farmers dropped stones into a hole at the top and realised it was not an earthen mound - More info: https://www.youtube.com/watch?v=pEMJN9Bmwl4

**Sound** - Put on Headphones! Binaural audio captured outside and inside the grave, spatialized in Sketchfab.

**Method** - Shot with A7rii and Mavic2Pro. 20s exposures inside the cave. Created in RealityCapture by Capturing Reality from 610 images in 02h:02m:56s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303394
title: Passage Grave - Øm Jættestue, Denmark

description: **Site** - Øm jættestue (Passage Grave) is situated between Lejre and Øm, around 10 km. south west of Roskilde. It is a megalithic chamber is potentially 5,500 years old and was used up until 700 BC. It has huge rounded blocks making up the roof and was a burial chamber, with artifacts and pottery found inside. The passage leads into a 7m long and 2m high chamber and was excavated in 1831 and again 100 years later when potato farmers dropped stones into a hole at the top and realised it was not an earthen mound - More info: https://www.youtube.com/watch?v=pEMJN9Bmwl4

**Sound** - Put on Headphones! Binaural audio captured outside and inside the grave, spatialized in Sketchfab.

**Method** - Shot with A7rii and Mavic2Pro. 20s exposures inside the cave. Created in RealityCapture by Capturing Reality from 610 images in 02h:02m:56s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303401
title: Goethe-Büste, 1820 | Pl.O.3423

description: # Rund um Goethe
Unter den zahlreichen Goethe-Bildnissen und Denkmälern erlangte die [Büste von Christian Daniel Rauch](http://objektkatalog.gnm.de/objekt/Pl.O.3423) eine dauerhafte Wertschätzung. Er wählte für seine Goethe-Büste die antike Darstellungsform der Herme, ein Kopfbildnis auf einer rechteckigen, pfeilerartigen Basis. Klassisch antike und idealisierende Merkmale wie das volle und lockige Haar, die stark ausgeprägte Stirn sowie der muskulöse nackte Oberkörper – Goethe war zum Zeitpunkt der Entstehung bereits 70 Jahre alt – werden mit realistischen Darstellungen von Augen, Nase und Mund verbunden. Eine Darstellungsform, die nicht nur beim antikebegeisterten Goethe höchstpersönlich für Wohlgefallen sorgte. So entstanden aufgrund der hohen Nachfrage zahlreiche Repliken von Rauchs Büste, die heute in verschiedenen Museen zu sehen sind, auch im [GNM](http://objektkatalog.gnm.de/objekt/Pl.O.3431).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303402
title: Goethe-Büste, 1820 | Pl.O.3423

description: # Rund um Goethe
Unter den zahlreichen Goethe-Bildnissen und Denkmälern erlangte die [Büste von Christian Daniel Rauch](http://objektkatalog.gnm.de/objekt/Pl.O.3423) eine dauerhafte Wertschätzung. Er wählte für seine Goethe-Büste die antike Darstellungsform der Herme, ein Kopfbildnis auf einer rechteckigen, pfeilerartigen Basis. Klassisch antike und idealisierende Merkmale wie das volle und lockige Haar, die stark ausgeprägte Stirn sowie der muskulöse nackte Oberkörper – Goethe war zum Zeitpunkt der Entstehung bereits 70 Jahre alt – werden mit realistischen Darstellungen von Augen, Nase und Mund verbunden. Eine Darstellungsform, die nicht nur beim antikebegeisterten Goethe höchstpersönlich für Wohlgefallen sorgte. So entstanden aufgrund der hohen Nachfrage zahlreiche Repliken von Rauchs Büste, die heute in verschiedenen Museen zu sehen sind, auch im [GNM](http://objektkatalog.gnm.de/objekt/Pl.O.3431).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303405
title: WPMP Vault Type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6515/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303406
title: WPMP Vault Type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/6515/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303409
title: Turaidas pilskalns (ortofoto)

description: Turaidas pils apkārtnes 3D modelis ar ortofoto pārklājumu. Koordinātas: 57.181985, 24.851039

https://www.latvijas-pilskalni.lv/turaidas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303410
title: Turaidas pilskalns (ortofoto)

description: Turaidas pils apkārtnes 3D modelis ar ortofoto pārklājumu. Koordinātas: 57.181985, 24.851039

https://www.latvijas-pilskalni.lv/turaidas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303417
title: Viking Chair 2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303418
title: Viking Chair 2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303421
title: CE 1180 - PLATO

description: N° de Registro Nacional: 0000297034

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303422
title: CE 1180 - PLATO

description: N° de Registro Nacional: 0000297034

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303424
title: Uwharrie Net Impressed Jar Rim (2238p1266)

description: **Uwharrie Smoothed-Over Net Impressed Jar Rim** 
  
Location: Forbush Creek Site (31Yd1), Yadkin County, North Carolina. 
  
Period: Late Woodland, Uwharrie phase (AD 800-1200). 
  
Material: ceramic. 
  
Dimensions: length, 153 mm; width, 124 mm; thickness, 7.0 mm. 
  
Notes: Catalog no. 2238p1266, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Elise Shuman.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303423
title: Uwharrie Net Impressed Jar Rim (2238p1266)

description: **Uwharrie Smoothed-Over Net Impressed Jar Rim** 
  
Location: Forbush Creek Site (31Yd1), Yadkin County, North Carolina. 
  
Period: Late Woodland, Uwharrie phase (AD 800-1200). 
  
Material: ceramic. 
  
Dimensions: length, 153 mm; width, 124 mm; thickness, 7.0 mm. 
  
Notes: Catalog no. 2238p1266, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Elise Shuman.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303433
title: 加曽利EⅡ式深鉢(佐倉市神門房下遺跡D地点)企7 観察記録3Dモデル(改良)

description: 加曽利EⅡ式深鉢(佐倉市神門房下遺跡D地点)企7 観察記録3Dモデル (改良)
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企7 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303434
title: 加曽利EⅡ式深鉢(佐倉市神門房下遺跡D地点)企7 観察記録3Dモデル(改良)

description: 加曽利EⅡ式深鉢(佐倉市神門房下遺跡D地点)企7 観察記録3Dモデル (改良)
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企7 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303437
title: ROI019-158-01

description: Point Fragment collected in Miami County, Indiana.

Catalog #: 12-Mi-285-25

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI019-158-01, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303438
title: ROI019-158-01

description: Point Fragment collected in Miami County, Indiana.

Catalog #: 12-Mi-285-25

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI019-158-01, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303439
title: Rotherhithe Picture Library Knee 1

description: A ship's knee timber reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303440
title: Rotherhithe Picture Library Knee 1

description: A ship's knee timber reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303443
title: 6e Arrestgebaeude

description: Arrestgebäude der Festung Germersheim in der Pfalz;     
3D Modell aus Drohnenflug;
www.vektorisieren.com Ingenieurbüro Stephen Schneider, 
im Auftrag der Stadt Germersheim

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303444
title: 6e Arrestgebaeude

description: Arrestgebäude der Festung Germersheim in der Pfalz;     
3D Modell aus Drohnenflug;
www.vektorisieren.com Ingenieurbüro Stephen Schneider, 
im Auftrag der Stadt Germersheim

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303446
title: Beveled Rim Bowl from Jebel Aruda

description: Pottery found during excavations at Jebel Aruda

Registration no: JA 5E9 194 3
Provenance: Jebel Aruda, Syria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303445
title: Beveled Rim Bowl from Jebel Aruda

description: Pottery found during excavations at Jebel Aruda

Registration no: JA 5E9 194 3
Provenance: Jebel Aruda, Syria

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303447
title: Helsinki 1952 Olympic Torch

description: The torch of the Helsinki Olympic Games of 1952 was designed by the painter and graphic artist Aukusti Tuhka (1859–1973). The shaft was made of birchwood, the bowl of silver. The length of the torch is 60 cm. The bowl carries a laurel ornament, the Olympic rings and the text: XV OLYMPIA HELSINKI 1952 HELSINGFORS HELSINKI. A separate fire cartridge was placed inside the bowl.

The torches were manufactured by the firm Kultakeskus Oy. The total number of torches was 23: sixteen were made of silver, seven of silver-plated brass. After the Games the torches were donated to persons and companies who had assisted in the organisation of relay. The Helsinki 1952 torches are the rarest of all Olympic torches.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303448
title: Helsinki 1952 Olympic Torch

description: The torch of the Helsinki Olympic Games of 1952 was designed by the painter and graphic artist Aukusti Tuhka (1859–1973). The shaft was made of birchwood, the bowl of silver. The length of the torch is 60 cm. The bowl carries a laurel ornament, the Olympic rings and the text: XV OLYMPIA HELSINKI 1952 HELSINGFORS HELSINKI. A separate fire cartridge was placed inside the bowl.

The torches were manufactured by the firm Kultakeskus Oy. The total number of torches was 23: sixteen were made of silver, seven of silver-plated brass. After the Games the torches were donated to persons and companies who had assisted in the organisation of relay. The Helsinki 1952 torches are the rarest of all Olympic torches.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303450
title: Estatuilla micénica phi

description: Modelo fotogramétrico de una copia de una estatuilla micénica femenina phi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303451
title: Estatuilla micénica phi

description: Modelo fotogramétrico de una copia de una estatuilla micénica femenina phi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303453
title: Turas Station 1 - DG080-013001

description: Stad 1  Tosaítear ar an Turas laismuigh de bhalla na hEaglaise ag an 'Altóir' taobh thiar de theampall Eaglais na
hÉireann. Síltear gurb é atá sa leacht anseo tuama meigiliteach ar féidir dáta roimh 2200 BC a lua leis; dhéantaí feidhm de fosta mar charraig aifrinn i gcaitheamh ré na bpéindlithe (c 1750).

Station 1 The Turas starts at the 'Altar' in the townland of An tSráid and in the field adjacent to the west wall of the Church of Ireland. The pilgrim can get to the station by entering the field from the main road . The altar's stone slab is probably a megalithic tomb pre- 2200 BC; it was also used as a mass-rock during penal times (c.1650-1750).



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303454
title: Turas Station 1 - DG080-013001

description: Stad 1  Tosaítear ar an Turas laismuigh de bhalla na hEaglaise ag an 'Altóir' taobh thiar de theampall Eaglais na
hÉireann. Síltear gurb é atá sa leacht anseo tuama meigiliteach ar féidir dáta roimh 2200 BC a lua leis; dhéantaí feidhm de fosta mar charraig aifrinn i gcaitheamh ré na bpéindlithe (c 1750).

Station 1 The Turas starts at the 'Altar' in the townland of An tSráid and in the field adjacent to the west wall of the Church of Ireland. The pilgrim can get to the station by entering the field from the main road . The altar's stone slab is probably a megalithic tomb pre- 2200 BC; it was also used as a mass-rock during penal times (c.1650-1750).



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303456
title: Imported pottery «B» (SIK4B3)

description: Republic of Bashkortostan, Baimaksky district. Necropolis Sibai-I. Mound 4, elite burial 3. Reconstructed from individual fragments. Early Sarmatian culture. Chronology: Early Iron Age; IV - the middle of the III centuries BC.

Republik Baschkortostan, Bezirk Baimaksky. Nekropole Sibai-I. Hügel 4, Elitebestattung 3. Aus einzelnen Fragmenten rekonstruiert. Frühe sarmatische Kultur. Chronologie: Frühe Eisenzeit; IV - Mitte des III. Jahrhunderts v.

Республика Башкортостан, Баймакский район. Некрополь Сибай-I. Курган 4, элитное захоронение 3. Реконструирован из отдельных фрагментов. Ранняя сарматская культура. Хронология: ранний железный век; IV – середина III вв. до н.э.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303457
title: Imported pottery «B» (SIK4B3)

description: Republic of Bashkortostan, Baimaksky district. Necropolis Sibai-I. Mound 4, elite burial 3. Reconstructed from individual fragments. Early Sarmatian culture. Chronology: Early Iron Age; IV - the middle of the III centuries BC.

Republik Baschkortostan, Bezirk Baimaksky. Nekropole Sibai-I. Hügel 4, Elitebestattung 3. Aus einzelnen Fragmenten rekonstruiert. Frühe sarmatische Kultur. Chronologie: Frühe Eisenzeit; IV - Mitte des III. Jahrhunderts v.

Республика Башкортостан, Баймакский район. Некрополь Сибай-I. Курган 4, элитное захоронение 3. Реконструирован из отдельных фрагментов. Ранняя сарматская культура. Хронология: ранний железный век; IV – середина III вв. до н.э.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303458
title: Acheulean Hand Axe (513a1)

description: **Acheulean hand axe**

Location: Amiens Cagny, France.

Period: Lower Paleolithic (before 300,000 years ago).

Material: flint.

Dimensions: length, 154.2 mm; width, 75.6 mm; thickness, 33.7 mm.

Notes: Catalog no. 513a1.  This specimen is part of a larger collection of artifacts that was acquired in 1929 by James Bell Bullitt during a tour of western Europe and later donated to the University of North Carolina.  Specimen resides in the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Kay Waller.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303459
title: Acheulean Hand Axe (513a1)

description: **Acheulean hand axe**

Location: Amiens Cagny, France.

Period: Lower Paleolithic (before 300,000 years ago).

Material: flint.

Dimensions: length, 154.2 mm; width, 75.6 mm; thickness, 33.7 mm.

Notes: Catalog no. 513a1.  This specimen is part of a larger collection of artifacts that was acquired in 1929 by James Bell Bullitt during a tour of western Europe and later donated to the University of North Carolina.  Specimen resides in the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Kay Waller.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303460
title: New Haven Sharpie

description: This is a 16' Sharpie traditionally found around New Haven in the 1880s.

Sharpies were built so they could sail in shallow marshy areas and be pulled easily up onto a beach.

This is rigged as a Cat-Ketch, though there is a mast step for a Cat rig.

Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303461
title: New Haven Sharpie

description: This is a 16' Sharpie traditionally found around New Haven in the 1880s.

Sharpies were built so they could sail in shallow marshy areas and be pulled easily up onto a beach.

This is rigged as a Cat-Ketch, though there is a mast step for a Cat rig.

Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303462
title: Warclub

description: I love Avatar: the last Airbender so very much and the moment i saw i could make this for my class i was all over it. I used it as a learning experience to know more about how Sokka's was modeled after traditional warclubs. 
Full disclosure: i dont know much about them, but as with everything that i do i always try to show respect to the subject matter and i truly hope that i was able to do that.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303463
title: Warclub

description: I love Avatar: the last Airbender so very much and the moment i saw i could make this for my class i was all over it. I used it as a learning experience to know more about how Sokka's was modeled after traditional warclubs. 
Full disclosure: i dont know much about them, but as with everything that i do i always try to show respect to the subject matter and i truly hope that i was able to do that.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303464
title: First model + smart crop

description: First model reconstructed in Autodesk ReMake with smart crop option

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303465
title: First model + smart crop

description: First model reconstructed in Autodesk ReMake with smart crop option

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303466
title: London Drinking Fountain Wilmington Square

description: Dated 1885

http://www.mdfcta.co.uk/details-f/f128.html

300 photos taken in October 2018 with a Sony Nex 3 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303467
title: London Drinking Fountain Wilmington Square

description: Dated 1885

http://www.mdfcta.co.uk/details-f/f128.html

300 photos taken in October 2018 with a Sony Nex 3 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303472
title: Plaza Dignidad Enero5 - Fuente De Agua

description: Plaza Dignidad Enero5 - Fuente De Agua

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303473
title: Plaza Dignidad Enero5 - Fuente De Agua

description: Plaza Dignidad Enero5 - Fuente De Agua

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303476
title: ROI022-105-02

description: Late Archaic Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-951-26

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-105-02, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303477
title: ROI022-105-02

description: Late Archaic Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-951-26

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-105-02, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303480
title: Château de Quéribus

description: Castèl de Querbús,
Le château est constitué de trois enceintes étagées au sommet et le long de la falaise. Elles assuraient les défenses du château grâce à divers systèmes de défense : des chicanes, de fines archères utilisées par les arbalétriers, des meurtrières canonnières pour les armes à feu plus large et des mâchicoulis. Quatre siècles d'évolutions de l'art défensif y sont représentés.

Plusieurs systèmes de défenses des portes sont présents : assommoirs, bretèches. Des chemins de ronde et des casemates assurent la surveillance des points vulnérables. Quinze à vingt hommes suffisaient pour défendre la forteresse. Elle ne pouvait de toute façon pas assurer la survie de plus de soldats vu la taille de la citerne et de l'ensemble des bâtiments.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303481
title: Château de Quéribus

description: Castèl de Querbús,
Le château est constitué de trois enceintes étagées au sommet et le long de la falaise. Elles assuraient les défenses du château grâce à divers systèmes de défense : des chicanes, de fines archères utilisées par les arbalétriers, des meurtrières canonnières pour les armes à feu plus large et des mâchicoulis. Quatre siècles d'évolutions de l'art défensif y sont représentés.

Plusieurs systèmes de défenses des portes sont présents : assommoirs, bretèches. Des chemins de ronde et des casemates assurent la surveillance des points vulnérables. Quinze à vingt hommes suffisaient pour défendre la forteresse. Elle ne pouvait de toute façon pas assurer la survie de plus de soldats vu la taille de la citerne et de l'ensemble des bâtiments.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303486
title: Tiamarcos inscription

description: "Tiamarcos" 3D model
http://dacians.romaniadevis.ro/blog/42

My 3D asset generated with photogrammetry software 3DF Zephyr v3.702 processing 12 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303487
title: Tiamarcos inscription

description: "Tiamarcos" 3D model
http://dacians.romaniadevis.ro/blog/42

My 3D asset generated with photogrammetry software 3DF Zephyr v3.702 processing 12 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10303490
title: Old Sword

description: Its an old sword. I wanted to make another sword, and so I did.

It didnt take too long, since I didnt bother sculpting more detail into the model. I probably should have, but the runes on display will do for now.

It is kinda lowpoly, since thats the way I roll. No need for unnecessary detail.

If theres one thing I would have changed, it would have been the length of the hilt. But then again, I chould also have lengthened the blade.


You can try decoding the runes, if you dare, muahaha. They hide a terrifying secret. Some would say, they are eldrich in nature.

Source: Objaverse 1.0 / Sketchfab