cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.1285/i22840753n8p99
title: “Socialismo è sinonimo di civiltà nuova” - la nostalgia dell’idea (perduta) di socialismo da Kautsky e Schumpeter a Honneth = “Socialism will mean the advent of the civilization" – the nostalgia of the idea (now lost) of socialism froma Kautsky and Schumpeter to Honneth

description: The idea of socialism has always been a keyword in the philosophical and political debate in the 20th Century and, recently, came back very timely. Following "reflexive nostalgia", the article proposes, an analysis of the idea of socialism in the 20th Century, not intended to be exhaustive, but considering some philosophers and intellectuals who (1) have reflected on the possibility of combining socialism with democracy (Kautsky and Schumpeter) and ( 2) who have tried to develop an updating of Socialism to the historical context in which they worked (Hirst and Honneth). The aim is to demonstrate the necessity of Socialism while being aware of a necessary rethinking directed to a new social and civic dimension.
DOI: 10.7487/2017.25.1.1028
title: Tamara Trofimova

description: pci, trav cops, eye cops, dino and dia, monthly means, B1 and B2
DOI: 10.7487/2017.25.1.1029
title: Vilde Melvik

description: pci, trav cops, lg cops, tot dia and tot dino, A6, B5 and B6 monthly means
DOI: 10.1285/i22840753n8p115
title: La nostalgia della politica nella satira in Facebook = The nostalgia of politics through satire in Facebook

description: In the last few years, on the main social network sites have appeared many accounts making satire of the italian politics; this happens while the influence of social networks on the political agenda is growing (Boccia Artieri, 2015; Boni F. and Ricci O., 2015). This paper is about the appearance on Facebook of satirical fanpages recalling the politics in italian First Republic, in other words the years between the end of World War II and the Nineties. This phenomenon is interesting because tells us something about the deep connection between political positioning and personal identities: we have to recall that “the share of voters who identify themselves on a right/left axis has generally grown after 1990” (Biorcio, 2011), but we also suppose that in the current political situation, the one defined as “Third Republic” (Calise, 2006), the political identification for the voters is problematic. If identity is built on memory, both individual and social (Candau, 2002), the recovery of the social memory about a time when the political identification, along with its ethical meaning, above all “regarding the value of equality and in consideration of the political and social clash created by the conflict between labor and capital” (Biorcio, 2011) was without doubt easier, could be critical, mainly because of the involvement of the social network users in their avatars (Comunello, 2010). The nostalgia could be a clear warning expressed by the self-representation of the social network users via the political engagement online (Boccia Artieri e Colombo, 2013).
DOI: 10.1285/i22840753n8p137
title: Retrogaming, giocare con la nostalgia = Retrogaming, playing with nostalgia

description: The cultural practices related to video games - a relatively young communication medium - gained substantial relevance in the media system. They are characterized by a mix of regret and sadness because of the impossibility to go back to places, people and, in this case, interactions, which - although they belong to the sphere of the immaterial - are vividly laid out in memories. Nostalgia emphasizes a strong collective dimension in addition to his individual nature. Starting from the aesthetics of the ruin of Poe and the Romantics (Brancato, 2000), the nostalgia of pop culture fueled, especially in the last decade, an idealization of childhood and adolescent culture of the eighties and nineties of the twentieth century. This article aims to analyze the rise of this phenomenon, trying to understand the social dynamics that - in a market tending to hyperrealism and immersive virtual reality - push the players to remain romantically involved to the originals video games, in paradoxical contrast to the inherent fluidity of the medium.
DOI: 10.1285/i22840753n8p149
title: Back in the Days: dal Nostalgia Film alla Nostalgic Television Series = Back in the Days: from Nostalgia Film to Nostalgic Television Series

description: One of the most effective insights of postmodern theory of narrative was the “nostalgia for the present” defined by Jameson in Postmodernism. The Cultural Logic of Late Capitalism. In the narrative arts there was a trend of works based on “list of stereotypes, of ideas of facts and historical realities”; in the field of cinematographic productions, Jameson called this kind of movie “nostalgia film”, citing American Graffiti and Chinatown as exemplary cases of movies set in another era, as historical films, but that cannot be confused with them because the “nostalgia film” focuses on “imaginary style of real past”. In this trend there were also movies which connect past and present (Body Heat, Blue Velvet, Something Wild), showing “a collective unconscious in the process of trying to identify its own present at the same time that they illuminate the failure of this attempt, which seems to reduce itself to the recombination of various stereotypes of the past”. More than two decades away from these insights we start again to talk about nostalgia as the hallmark of many contemporary narrative works, especially in the field of television series in which some scholars actually find a strong trend towards the nostalgic. Katherina Niemeyer and Daniela Wentz assert this kind of nostalgia consists of: “reconstructing and reimagining the past visually, discursively and historically by portraying and referring to the key political, social, economic and aesthetic elements of former times”. We can find examples of that sort both in American and European series such as Stranger Things, Mad Men, Narcos, Boardwalk Empire, Downton Abbey, Deutschland 83, Aquarius, 1992, The Get-Down and many others.
DOI: 10.1285/i22840753n8p173
title: Donald Draper filosofo della nostalgia = Donald Draper as a Philosopher of Nostalgia

description: Donald Draper as a Philosopher of Nostalgia. In contemporary media studies, the TV series Mad Men has been analyzed as an example of a nostalgic attitude towards a past era. In this paper, I will proceed the other way round. Instead of using the notion of nostalgia in order to analyze Mad Men, I will use Mad Men in order to characterize on the notion of nostalgia. For this purpose, I will focus on Donald Draper’s monologue about nostalgia in the last episode of Mad Men’s first season. I will argue that this scene of Mad Men, through its words, its pictures and its sounds, provides us with an insightful philosophical account of nostalgia, understood as a peculiar mental state involving memory, desire and emotion.
DOI: 10.5517/ccdc.csd.cc1nbs4x
title: CCDC 1529699: Experimental Crystal Structure Determination

description: Related Article: Brian W. Skelton, Wayne M. Best|2017|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.1285/i22840753n8p183
title: La nostalgia come leitmotiv del Bildungsroman tondelliano = Nostalgia as a leitmotif of the tondelliano Bildungsroman

description: Nostalgia as a leitmotif of the tondelliano Bildungsroman.This paper deals with the theme of nostalgia within the literary work of Pier Vittorio Tondelli and, going deep into the smallest details, the many gateway trips and the as many ways back of the variously autobiographical main character. Object of the exegesis is the continuum made up by the two writer’s apical novels, which can be read as a Bildungsroman containing either a strong integration yearning or a final accomplished growth, against the backdrop of relatively peaceful western Eighties. The Bildungsroman is analyzed starting from the sparkling Altri libertini until that novel of love and death, memories, escapes and return trips which is called Camere separate.
DOI: 10.1285/i22840753n8p201
title: Glory Days. Nostalgia identitaria nella poetica di Bruce Springsteen = Glory Days. Identitary nostalgia in Bruce Springsteen’s poetics

description: Glory Days. Identitary nostalgia in Bruce Springsteen’s poetics. Since his early steps as a songwriter, Bruce Springsteen has made the explicit choice to write the narratives of the working class hero, reason why he is often strongly identified with this character, intimately related to the notion of the American dream. In the continuous struggle between a past from which Springsteen’s heroes want to escape, an unsatisfying present and an uncertain future, Springsteen’s concept of nostalgia emerges as an inevitable way to search for one’s own identity. Depending on the historical (and personal) background for each album in his nearly half-century-old career, Springsteen’s characters deal with different kinds of nostalgia, from romantic and restorative to dark and desperate. The pursuit of the American dream itself implies the loss of a stable past in the search for unknown boundaries, as well as several permanent conflicts (hope/disillusion, stability/escape, trust/betrayal, promise/failure), conveying a constant nostalgia which has its roots at the very heart of the American culture and which is a key element not only in the literary aspect of Springsteen’s songwriting, but also in his activity as a composer and a live perfomer.
DOI: 10.1285/i22840753n8p221
title: L’avanguardia ricorda. Il ruolo di Gianni Sassi tra gli anni Sessanta e Ottanta=The avant-garde talks. The role of Gianni Sassi between the Sixties and the Eighties

description: The avant-garde talks. The role of Gianni Sassi between the Sixties and the Eighties. Gianni Sassi is an eclectic intellectual who showed his communicative strenght in an interdisciplinary way, leaving his mark on advertising world, on music, on poetry and art generally with his creative work, going beyond rigid sectionalization of human knowledge. He embodied the innovation and renovation spirit of his time treasuring the neo-avant-garde lesson of Futurism, Fluxus, Dada, Pop Art but reworking them in his own original style, he also revealed a pioneering entrepreneurship in his way to interpret the relationship between art and marketing, like Benjamin did, and in his talent for creating fertile encounter and clash between different opinions, ideas and people too. His very effective images spread cultural proposals which were able to satisfy the alternativism needs of the highly active audience of that time, they were open to different interpretations and they had the power to stimulate cultural awareness by freeing from prejudices and platitudes which cage free thought. Today we miss figures like Gianni Sassi and those artists and intellectuals who expressed, in several ways, their keen desire to create their own work, their own sound, their own future, their own ideas and point of view themselves. In these days of cultural sectionalization, it should be essential to revalue these models and this period characterized by a spontaneous and strong bond between society, politics and culture.
DOI: 10.1285/i22840753n8p247
title: Dal Punk alla Yugonostalgia: spinte e resistenze nel processo di Umbildung della democrazia slovenal=From Punk to Yugonostalgia: driving and resisting forces in the Umbildung process of Slovenian democratization

description: From Punk to Yugonostalgia: driving and resisting forces in the Umbildung process of Slovenian democratization. Slovenia can be considered as a borderland and a culture crossroads. It is necessary to look at its milieu in order to grasp both driving forces and resistances that acted in the Slovene cultural scene, academic and non-academic, from the last Yugoslavian decade to nowadays. It is a reality between the West and the East, decentralized in its inner nature, still divided between ‘yugophilia’ and ‘yugophobia’. To look at Slovenia now, twenty-five years after its independence and twelve years after its inclusion in Europe, means also to deepen such aspects as the underground scene of its Capital. Here it is possible to find unusual implications, as the relationship between the Psychoanalytic School of Ljubljana and the punk subculture; the aesthetical and political action carried on by the retro-avant-gardes; the ‘Titostalgia’ as a touristic attraction but also as a popular expression, beyond the politically correct; finally, the continue proliferation of alternative cultural places and subcultures: these and many others are the less known aspects of a unique and original path which is the Slovenian road to its collective identity formation.
DOI: 10.1285/i22840753n8p261
title: STORICIZZARE “REVOLVER”. Gli albori della cultura pop e il metadiscorso della modernità=HISTORIZE "REVOLVER". The beginnings of pop culture and the metadiscourse of modernity

description: HISTORIZE "REVOLVER". The beginnings of pop culture and the metadiscourse of modernity. Besides its musical innovations, the Beatles’ “Revolver” displays many points of sociological and cultural interest, including peculiar forms of self-education such as Abraham Moles’ “mosaic culture”. Being the foundation stone of so-called ‘pop culture’ in 1966, the album marks the beginning of modernity in popular music, but it also discloses many features of post-modernism. Through “Revolver”, actually, the discourse of modernity reveals all its intrinsic contradictions. Today, when its aural and intercultural features have been fully absorbed by contemporary pop music in a fifty years time, listening to it is an experience far different from its ‘innocent’ auditory intimacy in 1966. Such a difference would demand an investigation of the role of nostalgia in our perception of the past.
DOI: 10.1285/i22840753n8p283
title: Zanardi o dell’esattezza. Omaggio all’arte di Andrea Pazienza in uno stato di estrema nostalgia=Zanardi or about exactness. A tribute to the art of Andrea Pazienza in a mood of extreme nostalgia

description: Zanardi or about exactness. A tribute to the art of Andrea Pazienza in a mood of extreme nostalgia. Andrea Pazienza (1956-1988) was an Italian artist considered one of the most influential cartoonist of his generation and a great innovator of the European comics tradition. Prematurely dead for drug abuse, the artist created a narrative universe populated by young dropouts and animated by their strange and emotional adventures. The essay is especially dedicated to Zanardi, Andrea Pazienza’s most famous character, a sort of materialization of a new “cool” generation feature (the 80’s), following the “hot” political season of the 70’s. Behind the violent stories of Zanardi and his partners, Pazienza reveals an amazing competence to investigate the social world through his multiform graphic style and his extraordinary narrative talent.
DOI: 10.1285/i22840753n8p311
title: Imágenes, trabajo y capitalismo. Sobre Trabajadores saliendo de la fábrica (Harun Farocki, 1995)=Images, labor and capitalism. On Workers Leaving the Factory (Harun Farocki, 1995)

description: Images, labor and capitalism. On Workers Leaving the Factory (Harun Farocki, 1995). In a specific moment of Harun Farocki’s Workers Leaving the Factory (1995), the voiceover duly notices that, since the Lumiére brothers filmed their workers in Lyon in 1896, more and more workers had actually been leaving the factory, to the point where the latter has become an empty space, turning the everyday act of leaving the Factory into a non-image. The film’s discursive stance foregrounds the factory as a hidden aspect within dominant visuality over the last century, configuring the images of workers leaving the factory as an ideological node where capitalism and visual culture collide. In fact, the sort of visual-ideological analysis carried out by Farocki in Workers Leaving the Factory widens critical practice in the field of the political economy of the image, inasmuch as it highlights its value within an exploitation system ranging from advertising to film and other culture industries. This article reflects on Farocki’s proposal with the aim of approaching the images of workers as a socio-historical reality, completely reinstated to the field of ideology and in constant conflict with a visuality focused on individuals and personal relations. From this perspective, the working class becomes invisible as a collective actor, dissolving into differences and life stories that invariably take leaving the factory as a starting point.
DOI: 10.5258/soton/402149
title: Dataset for Method to assess biomechanical coupling at trans-femoral residuum/socket interface

description: Dataset supporting a conference paper.
DOI: 10.7264/d3mw2k
title: Paleosol data from Kenya

description: These data were collected to evaluate the changing vegetation and paleoclimate of Kenya over the past 20 million years, and its relevance for human evolution. Data was collected in several areas of Kenya with Cenozoic deposits well known for fossil mammals, including islands and shores of Lake Victoria, the central and southern Gregory Rift, and the basin of Lake Turkana. data are largely measurements of key characteristics of fossil soils (paleosols) in the field: depth to the carbonate (Bk) horizon, thickness of the carbonate (Bk) horizon and size of the carbonate nodules.
DOI: 10.17632/92hch922fm.1
title: Data for: Oligo-Miocene peatland ecosystems of the Gippsland Basin and modern analogues

description: Data for: Oligo-Miocene peatland ecosystems of the Gippsland Basin and modern analogues
DOI: 10.17632/9g423dv2pc.1
title: Data for: Processing Fluency: An Inevitable Side Effect of Evaluative Conditioning

description: The R script contains all necessary information to analyze the data. It is equipped with a lot of self-explanatory comments.
DOI: 10.17632/c93pyvbvkf.1
title: Data for: Bottlenose dolphins engaging in more social affiliative behaviour judge ambiguous cues more optimistically

description: Cognitive bias tests measure variation in emotional appraisal and are validated methods to evaluate animals’ affective states. However, the link between social behaviours and cognitive bias has not yet been investigated. Bottlenose dolphins are a gregarious species for whom welfare research is increasing in importance, and thus are a good model to test such an association. We adapted a spatial location judgement bias test for eight captive bottlenose dolphins to investigate the link between cognitive bias and social behaviour, where we conducted behavioural observations outside of training sessions and did not experimentally induce an affective state. Subjects showed stable individual differences in cognitive biases across the three test days. Furthermore, dolphins showing more synchronous swimming, a fundamental affiliative behaviour, judged ambiguous cues significantly more optimistically. Our longer-term data showed cognitive bias and synchronous swimming frequency were significantly associated for up to two months preceding the test, but disappeared prior to that, suggesting that here cognitive bias differences were reflected by transitory affective states rather than longer-term traits. We hypothesise that conducting synchronous swimming may induce affective states and/or be induced by them; either way, it has strong potential as an indicator of affective state in this species and beyond.
DOI: 10.17632/n7dkvs8tbn.1
title: Data for: Epoxidation of alkenes by oxo-vanadium (IV) tetradentate Schiff base complex as an efficient catalyst with tert-butyl hydroperoxide

description: cover letter
DOI: 10.17632/tysp5cxcg7.1
title: Data for: Ten years of Measurements and Modeling of soil temperature changes and their effects on permafrost in Northwestern Alaska

description: All temperature measurements in well T96-012 from September 1996 to December 2011. Data presented in this spreadsheet were digitized from temperature-time graphs presented in AMEC, Environmental and Infrastructure (2012) and Water Management Consultants, Inc. (2001) (references below) by Joseph Batir. The exact date of temperature data collection was not completely apparent and digitization may have introduced minor date errors, so instead all temperature measurements are associated with the month data collection occurred. The digitized date of temperature collection is included, but should be used with caution. The second tab includes all temperature data plotted as temperature versus depth plots. Raw data sources: AMEC Environment and Infrastructure. (2012) Long-Term Permafrost and Groundwater Monitoring Program for the Tailing Impoundment Five-Year Permafrost and Groundwater Data Analysis 2007-2011, 479 pp. Water Management Consultants, Inc. (2001) Red Dog Mine Long-Term Permafrost and Groundwater Monitoring Plan for the Tailing Impoundment, 24 pp.
DOI: 10.17632/ykxyyts5nc.1
title: Data for: Functions for the Magnaporthe oryzae Flb3p and Flb4p transcription factors in the regulation of conidiation

description: Microarray-based transcription analysis results and manual annotation of the genes reported by Kim and Lee (2012)
DOI: 10.17632/bz4g49v7xy.1
title: Data for: De novo transcriptome assembly of shrimp Palaemon serratus

description: A local Blastp on the predicted proteins was carried out against NCBI non-redundant protein sequences (nr) database to predict the putative functions of the identified proteins.The Blastp results can be found in Supplementary material 1. The predicted proteins, too, were functionally annotated using a modified version of the Sma3s program. The annotation results and their statistics can be found in Supplementary material 2.
DOI: 10.17632/bz4g49v7xy.2
title: Data for: De novo transcriptome assembly of shrimp Palaemon serratus

description: A local Blastp on the predicted proteins was carried out against NCBI non-redundant protein sequences (nr) database to predict the putative functions of the identified proteins.The Blastp results can be found in Supplementary material 1. The predicted proteins, too, were functionally annotated using a modified version of the Sma3s program. The annotation results and their statistics can be found in Supplementary material 2.
DOI: 10.17632/t7zrrmxksf.1
title: Data for: De novo transcriptome assembly of shrimp Palaemon serratus

description: A local Blastp on the predicted proteins was carried out against NCBI non-redundant protein sequences (nr) database to predict the putative functions of the identified proteins. The Blastp results can be found in Supplementary material 1.The predicted proteins, too, were functionally annotated using a modified version of the Sma3s program. The annotation results and their statistics can be found in Supplementary material 2.
DOI: 10.17632/t7zrrmxksf.2
title: Data for: De novo transcriptome assembly of shrimp Palaemon serratus

description: A local Blastp on the predicted proteins was carried out against NCBI non-redundant protein sequences (nr) database to predict the putative functions of the identified proteins. The Blastp results can be found in Supplementary material 1.The predicted proteins, too, were functionally annotated using a modified version of the Sma3s program. The annotation results and their statistics can be found in Supplementary material 2.
DOI: 10.5517/ccdc.csd.cczw724
title: CCDC 919896: Experimental Crystal Structure Determination

description: Related Article: Tao Yang, Hao Cui, Changhe Zhang, Li Zhang, Cheng-Yong Su|2016|CSD Communication|||
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.