cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10216799
title: Petroglyph H6, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H6, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx (right), one Nubian Ibex (left). Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216800
title: Petroglyph H6, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H6, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx (right), one Nubian Ibex (left). Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216801
title: Group of stones

description: Found in Valencia river channel, they seem to have been used in ancient or destroyed buildings. Scanned with LiDAR mode

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216802
title: Group of stones

description: Found in Valencia river channel, they seem to have been used in ancient or destroyed buildings. Scanned with LiDAR mode

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216805
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216806
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216807
title: Vidrižu Kaniņu kalns

description: Vidrižu Kaniņu kalna 3D modelis. Koordinātas: 57.35416, 24.65666

https://www.latvijas-pilskalni.lv/vidrizu-kaninu-kalns/
https://www.senvietas.lv/kaninu-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216808
title: Vidrižu Kaniņu kalns

description: Vidrižu Kaniņu kalna 3D modelis. Koordinātas: 57.35416, 24.65666

https://www.latvijas-pilskalni.lv/vidrizu-kaninu-kalns/
https://www.senvietas.lv/kaninu-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216811
title: La Caille

description: Oeuvre en bronze de Georges Grand (1901-1984) exposée dans le parc du Waulx-Halle à Mons (Belgique). La hauteur totale est de moins de 1 mètre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216812
title: La Caille

description: Oeuvre en bronze de Georges Grand (1901-1984) exposée dans le parc du Waulx-Halle à Mons (Belgique). La hauteur totale est de moins de 1 mètre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216813
title: Bronze Age Spearhead

description: Culture: [Bronze Age](http://n2t.net/ark:/99152/p0ff3dtkhrj) Material: Bronze Dims: L 29.6cm Accession No: HCA 336 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) A yetholm [spearhead](http://vocab.getty.edu/page/aat/300037118) with elongated leaf-shape blade with two crescentic perforations (lunate openings) abutting the midrib in the wings. A conical socket runs the length of the blade and contains two opposing circular peg-holes.  Both blade edges have areas missing creating jagged edges which are not sharp. Spearheads with lunate openings are found in hoards across Britain and Ireland dating to the Late Bronze Age. These include the Dowris Hoard which gives its name to the last phase of the Irish Bronze Age - the Dowris Phase (900-600BC).
[More](https://www.huntmuseum.com/explore/item/2ee6786a-4e63-366e-a04a-4731eba82a95/?s%3DHCA+336&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216814
title: Bronze Age Spearhead

description: Culture: [Bronze Age](http://n2t.net/ark:/99152/p0ff3dtkhrj) Material: Bronze Dims: L 29.6cm Accession No: HCA 336 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) A yetholm [spearhead](http://vocab.getty.edu/page/aat/300037118) with elongated leaf-shape blade with two crescentic perforations (lunate openings) abutting the midrib in the wings. A conical socket runs the length of the blade and contains two opposing circular peg-holes.  Both blade edges have areas missing creating jagged edges which are not sharp. Spearheads with lunate openings are found in hoards across Britain and Ireland dating to the Late Bronze Age. These include the Dowris Hoard which gives its name to the last phase of the Irish Bronze Age - the Dowris Phase (900-600BC).
[More](https://www.huntmuseum.com/explore/item/2ee6786a-4e63-366e-a04a-4731eba82a95/?s%3DHCA+336&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216817
title: Medieval/Cyberpunk Castle Tower (Yr1 FMP)

description: The windows where replaced with a different Medieval Window model inside of Unreal Engine because these windows had a issue with the UV map.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216818
title: Medieval/Cyberpunk Castle Tower (Yr1 FMP)

description: The windows where replaced with a different Medieval Window model inside of Unreal Engine because these windows had a issue with the UV map.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216819
title: Broomstick V2

description: A better version of my broomstick model with actual textures and stuff.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216820
title: Broomstick V2

description: A better version of my broomstick model with actual textures and stuff.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216821
title: Small triptych

description: Small triptych from a side altar. The altarpiece was made in North Germany ca. 1520. Preetz Abbey, Holsten. The National Museum of Denmark (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

The main subject is the Annunciation, which, typically for the late Middle Ages, takes place in a well-furnished middle-class home. The reliefs of the wings depict, on the left St. Anna and, below, St. James dressed as a pilgrim. On the right is St. Catherine, and below St. Christopher. The paintings on the outer side depict St. Jerome and St. Erasmus. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216822
title: Small triptych

description: Small triptych from a side altar. The altarpiece was made in North Germany ca. 1520. Preetz Abbey, Holsten. The National Museum of Denmark (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

The main subject is the Annunciation, which, typically for the late Middle Ages, takes place in a well-furnished middle-class home. The reliefs of the wings depict, on the left St. Anna and, below, St. James dressed as a pilgrim. On the right is St. Catherine, and below St. Christopher. The paintings on the outer side depict St. Jerome and St. Erasmus. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216824
title: Cherokee Check-Stamped Pan (2176p10)

description: **Cherokee check-stamped pan**

Location: Qualla Boundary, Swain County, North Carolina.

Period: Historic (1880s).

Material: ceramic.

Dimensions: height, 6.8 cm; diameter, 25.2 cm.

Notes: Catalog no. 2176p10.  Ethnographic specimen. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216823
title: Cherokee Check-Stamped Pan (2176p10)

description: **Cherokee check-stamped pan**

Location: Qualla Boundary, Swain County, North Carolina.

Period: Historic (1880s).

Material: ceramic.

Dimensions: height, 6.8 cm; diameter, 25.2 cm.

Notes: Catalog no. 2176p10.  Ethnographic specimen. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216826
title: Bison, upper molar. Big Bone Lick, KY.

description: Bison upper molar from Big Bone Lick, Kentucky. Pleistocene, UNSM 35409.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216825
title: Bison, upper molar. Big Bone Lick, KY.

description: Bison upper molar from Big Bone Lick, Kentucky. Pleistocene, UNSM 35409.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216827
title: Flemish Woodcarving with Mary Magdalene

description: Woodcarving with gilt remnants.

Depiction of Mary Magdalene praying. Influenced by Italian works. Mary Magdalene is shown here in profile, kneeling beneath an archway, looking towards a cross perched on a rocky hill. A flask of ointment sits by her knees.
23.5 x 16.25 inches

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216828
title: Flemish Woodcarving with Mary Magdalene

description: Woodcarving with gilt remnants.

Depiction of Mary Magdalene praying. Influenced by Italian works. Mary Magdalene is shown here in profile, kneeling beneath an archway, looking towards a cross perched on a rocky hill. A flask of ointment sits by her knees.
23.5 x 16.25 inches

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216830
title: Spouted Ceramic Jar, Muweilah, Sharjah

description: Spouted Ceramic Jar, Muweilah, Sharjah, UAE. Iron Age II. 1000-600 BCE. (Córdoba 2016:77, Figure 68). Catalogue No. SM2014-73.

343 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La Edad del Hierro y sus gentes. Pp. 65-82. In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216829
title: Spouted Ceramic Jar, Muweilah, Sharjah

description: Spouted Ceramic Jar, Muweilah, Sharjah, UAE. Iron Age II. 1000-600 BCE. (Córdoba 2016:77, Figure 68). Catalogue No. SM2014-73.

343 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. La Edad del Hierro y sus gentes. Pp. 65-82. In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216831
title: Stickley serving table

description: Serving table from blueprints by Gustav Stickley publised in The Craftsman magazine (1901-1916). Buy a collection of the original blueprints with descriptions at https://www.amazon.co.uk/Making-Authentic-Craftsman-Furniture-Instructions-ebook/dp/B00ED6LKWO

Gustav Stickley (1858-1942) was a leading light of American Arts and Crafts furniture design and manufacture: https://en.wikipedia.org/wiki/Gustav_Stickley

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216832
title: Stickley serving table

description: Serving table from blueprints by Gustav Stickley publised in The Craftsman magazine (1901-1916). Buy a collection of the original blueprints with descriptions at https://www.amazon.co.uk/Making-Authentic-Craftsman-Furniture-Instructions-ebook/dp/B00ED6LKWO

Gustav Stickley (1858-1942) was a leading light of American Arts and Crafts furniture design and manufacture: https://en.wikipedia.org/wiki/Gustav_Stickley

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216834
title: Yellow Adobe Ruin

description: Cedar Mesa, a unique ruin. The adobe color is distinctly yellow due to the color of the local soils / clays used.  The ruin is in good shape.  Some of the intact roof logs have yucca fiber ties with knots intact.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216835
title: Yellow Adobe Ruin

description: Cedar Mesa, a unique ruin. The adobe color is distinctly yellow due to the color of the local soils / clays used.  The ruin is in good shape.  Some of the intact roof logs have yucca fiber ties with knots intact.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216838
title: Mercado de Baelo Claudia - Cádiz

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216839
title: Mercado de Baelo Claudia - Cádiz

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216840
title: Bridgefoot headstone

description: This monument is situated within the burial ground at Bridgefoot on the outskirts of Dundee, Scotland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216841
title: Bridgefoot headstone

description: This monument is situated within the burial ground at Bridgefoot on the outskirts of Dundee, Scotland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216844
title: 奉華紙塠瓶

description: 汝窯,中國五大名窯

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216845
title: 奉華紙塠瓶

description: 汝窯,中國五大名窯

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216846
title: Photoscanned Rock

description: Photoscanned with an IPhone, processed with Meshroom and textured with Blender 2.8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216847
title: Photoscanned Rock

description: Photoscanned with an IPhone, processed with Meshroom and textured with Blender 2.8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216848
title: Auzon  (France)

description: Chapiteau du porche de Saint-Laurent d'Auzon (Haute-Loire)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216849
title: Auzon  (France)

description: Chapiteau du porche de Saint-Laurent d'Auzon (Haute-Loire)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216850
title: Clay Pipe (2094a1092)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 56.7 mm; width, 32.7 mm; height, 43.6 mm.

Notes: Catalog no. 2094a1092, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216851
title: Clay Pipe (2094a1092)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 56.7 mm; width, 32.7 mm; height, 43.6 mm.

Notes: Catalog no. 2094a1092, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216852
title: Gold Crown

description: Crown_gold_ Rusted
Created for AR filters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216853
title: Gold Crown

description: Crown_gold_ Rusted
Created for AR filters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216854
title: Medieval Gilded Donkey Figurine

description: Culture: [Medieval](http://n2t.net/ark:/99152/p0gjgrsxwzx) Material: bronze (gilded). Dims: H 8cm Accession No: MG 139/025 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). A gilded bronze donkey with a [bridle](http://vocab.getty.edu/page/aat/300248092) of browband, noseband, cheek-strap and throat-strap. A hole in its back suggests a saddle or pannier. The gilding has mostly worn away on the centre back. The four hooves are clearly defined and the long tail hangs straight. The ears sit up straight and the mouth is slightly open. Opposing holes on the mouth suggest a [bit](http://vocab.getty.edu/page/aat/300248085) and reins were attached. Domestic donkeys have origins in Egypt c.4000BC. They were vital to trade route expansion and later the Roman Empire relied on donkeys as pack animals to navigate routes such as the Silk Road from the second-century BC. [More](https://tinyurl.com/4f6djmnx).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216855
title: Medieval Gilded Donkey Figurine

description: Culture: [Medieval](http://n2t.net/ark:/99152/p0gjgrsxwzx) Material: bronze (gilded). Dims: H 8cm Accession No: MG 139/025 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). A gilded bronze donkey with a [bridle](http://vocab.getty.edu/page/aat/300248092) of browband, noseband, cheek-strap and throat-strap. A hole in its back suggests a saddle or pannier. The gilding has mostly worn away on the centre back. The four hooves are clearly defined and the long tail hangs straight. The ears sit up straight and the mouth is slightly open. Opposing holes on the mouth suggest a [bit](http://vocab.getty.edu/page/aat/300248085) and reins were attached. Domestic donkeys have origins in Egypt c.4000BC. They were vital to trade route expansion and later the Roman Empire relied on donkeys as pack animals to navigate routes such as the Silk Road from the second-century BC. [More](https://tinyurl.com/4f6djmnx).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216856
title: Shear House Column

description: Ionic column capital and base from Corinth

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216857
title: Shear House Column

description: Ionic column capital and base from Corinth

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216859
title: Rotherhithe Picture Library Knees 14 & 15

description: Two ship's knee timbers reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216860
title: Rotherhithe Picture Library Knees 14 & 15

description: Two ship's knee timbers reused to hold up ceiling joists in Rotherhithe Picture Library, Sands Films Studios, London.

Scale: A 30cm ruler (red side strip) can be seen on the model.

Photos taken in February 2020 (during recording by Eliott Wragg, TDP) with a Sony a6000 and processed in Reality Capture. Assistance kindly provided by Alan Murphy. 



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216861
title: KAJ14 Sherd 4

description: A krater sherd from Khirbat al-Jariya, Jordan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216862
title: KAJ14 Sherd 4

description: A krater sherd from Khirbat al-Jariya, Jordan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216863
title: #2 Penan Handwoven Rattan Basket (Square Base)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216864
title: #2 Penan Handwoven Rattan Basket (Square Base)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10216865
title: Medieval round shield (dirt, moss, blood stains)

description: Old round wooden shield with dirt, moss and blood stains.

* [**Low poly medieval round shield (optimized)**](https://sketchfab.com/3d-models/low-poly-medieval-round-shield-optimized-532a2fe0c32948f89a49d3e790c65e6d)
* [**Low poly medieval round shield (wood & metal)**](https://sketchfab.com/3d-models/low-poly-medieval-round-shield-wood-metal-c25ead50f21b4d7584b3a60af82a65f0)
* [**Medieval round shield (red & blue paint)**](https://sketchfab.com/3d-models/medieval-round-shield-red-blue-paint-3fba69e80b7b4ef98792a219db262377)

*Blender (2.93), Substance Painter (2020.2.2)*

Source: Objaverse 1.0 / Sketchfab