cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18463
title: The painting "Moonlight" by Louis Souzette, depicting marshland, [s.d.]

description: Photograph of the painting "Moonlight" by Louis Souzette, depicting marshland, [s.d.]. A tall, wispy tree stands to the left just out of the marsh, a cluster of other trees to its immediate left. In the center, mud, lilypads and other vegetation are illuminataed by the light radiating through the clouds above. No moon is visible. What may be a tower of some kind is visible across the swamp along the horizon.
DOI: 10.25549/chs-m18464
title: The painting "Waterfalls by Moonlight" by A. Reiger, [s.d.]

description: Photograph of the painting "Waterfalls by Moonlight" by A. Reiger, [s.d.]. A small cascade of waterfalls flowing over rocks can be seen running down the center of the image while thick, forest vegetation lines the rocks to either side, illuminated by the moon which can be seen at the center of the sky above. Farther down, a bird can be seen hovering over the precipice of the cascade, in the area just before detail is lost to the mist of the water.
DOI: 10.25549/chs-m18465
title: The painting "Setting Sun" by Julien Dupre, depicting a pastoral landscape, [s.d.]

description: Photograph of "Setting Sun" a painting by Julien Dupre depicting a pastoral landscape, [s.d.]. At the center of the image, a shepherd leads his sheep down an overgrown road, although the painting style renders them in little detail. To their left, two full, tall trees cast shadow over the ground below them where glints of light hint at possible puddles. More trees can be seen along the horizon to the right, where the sky is at its lightest. Darker clouds can be seen farther to the left, behind the cluster of trees.
DOI: 10.25549/chs-m18466
title: Two panoramic landscape paintings by DeTreville, [s.d.]

description: Photograph of two panoramic landscape paintings by DeTreville, [s.d.]. At the top, the first image shows a hill in the foreground, sloping down from the right to a small valley at left. A tree surrounded with shrubs can be seen just at its summit, casting shadow over much of the ground in front of it. Harder-edged mountains can also be seen in the right distance, while a small hill leads across the horizon to the two smaller hills at left that make the other edge of the valley.; The lower image shows a similar valley with its furrow leading down the center toward the viewer. It also has a tree surrounded by shrubs, but this tree is positioned on the hill to the left, while other tall shrubbery can be seen on the hills to the right, casting deep shadows. Behind these shrubs, a long sliver of lightly-colored hill edges along the horizon, coming close to the edge of thick clouds. A collection of rounded rocks are visible in the furrow of the valley farther back.
DOI: 10.25549/chs-m18467
title: The painting "Morning on the Loring" by A. Gosselin, depicting a lakeside forest scene, [s.d.]

description: Photograph of the painting "Morning on the Loring" by A. Gosselin, depicting a lakeside forest scene, [s.d.]. A forest path is shown opening out of the trees in the left foreground, with a lake visible to the right, stretching off to the distant trees which line the horizon. The branches of a small, bare tree juts outward towards the lake.
DOI: 10.25549/chs-m18462
title: The painting "The August Moon" by Cecil Lawson, depicting swampland, [s.d.]

description: Photograph of "The August Moon" a painting by Cecil Lawson depicting swampland, [s.d.]. Trees frame the image to either side, their trunks evident in the extreme foreground. The rightmost tree bends slightly to the left, while the tree at the left forks into two trunks. Leftover stumps and logs from a fallen tree are visible on the slop just behind these two trees, which leads to the drained marsh below. Cattle are visible grazing here, with more trees interspersed among them. Dense foliage fills the rest of the image to the horizon. The back of the photoprint reads "The golden moon rising over the English landscape before the day light has quite disappeared. Fir trees -- cattle then [?] Sussex Downs -- in distance".; Picture file card reads "The aim of the painter has been to produce the effect of the golden moon rising over and English landscape before the daylight has quite disappeared".
DOI: 10.25549/chs-m20017
title: Painting depicting a Team of Oxen, by Rosa Bonheur, ca.1900

description: Photograph of a painting depicting a Team of Oxen, by Rosa Bonheur, ca.1900. Two oxen stand at center with a wooden beam holding them to the wagon and also to each other. The wooden wagon sits on the left with large wheels and thin posts on the sides. A structure can be seen in the background with trees on either side.
DOI: 10.25549/chs-m9666
title: Painting depicting a "milk maid", by Stanton, ca.1880

description: Photograph of a painting depicting a "milk maid", by Stanton, ca.1880. The maid with lightly-colored hair stands next to a short wooden fence on the right with an apron around her waste and he sleeves rolled up to her elbows. On the other side of the fence is a small body of water where the cattle are standing. A calf stays on the grassy bank on the right while trees drape over the water in the background.
DOI: 10.25549/chs-m9625
title: Painting depicting a "Flock of Sheep", by Anton Mauve, ca.1900

description: Photograph of a painting depicting a "Flock of Sheep", by Anton Mauve, ca.1900. The lightly-colored sheep face the foreground with the field to the right and the wooden fence to the left. Two people stand behind them at the corner of the fence. A long stretch of houses, each with several windows, can be seen behind them on the left with trees spread out in their yards.
DOI: 10.25549/chs-m5593
title: Panoramic view of Avalon Harbor from the north, showing boats in the harbor, Santa Catalina Island, ca.1900

description: Photograph of a panoramic view of Avalon Harbor from the north, showing boats in the harbor, Santa Catalina Island, ca.1900. In the extreme foreground at center, large amounts of vegetation can be seen along the hillside. In the background at the base of the mountains, the large harbor is visible. Several boats dot the harbor, and a large steamboat can be seen docked along the pier at center. To the far right, the city of Avalon is visible. In the extreme background, large mountains can be seen.
DOI: 10.25549/chs-m18382
title: The painting "In the Valley of the Shadow of Death" by Riviere, depicting a knight on a horse tumbling toward a prostrate woman, [s.d.]

description: Photograph of the painting "In the Valley of the Shadow of Death" by Riviere, depicting a knight on a horse tumbling toward a prostrate woman, [s.d.]. At center, the woman in the foreground is seated on the ground, leaning back on her left arm as though she's fallen while she raises a flower in front of her with her free hand. She appears to be within the brick confines of a formal garden, while just in front of her outstretched arm, a young knight leans back carelessly on his diving horse, his sword at his side. To his left, a coyote or wolf has an arrow in its side and it snarls at the jackrabbit which pursues it. Farther back, a host of beasts makes its way down the mountain. In the righthand side of the sky, two angels appear to be fallilng from the heavens.
DOI: 10.25549/chs-m19019
title: "Voices of the Night", a painting depicting lions separated by a river, by Briton Riviere, R.A., ca.1920

description: Photograph of "Voices of the Night", a painting depicting lions separated by a river, by Briton Riviere, R.A., ca.1920. A lion can be seen in the foreground on the left extending the raised head over what appears to be a river while another lion stands defensively at center on the opposite bank. Both banks are rocky, but the further back on the far bank, trees and tall grass can be seen as well as several other lions on the right.
DOI: 10.25549/chs-m1504
title: Several boats at anchor in a moonlight study of sky and sea, ca.1890-1910

description: Photograph of several boats at anchor in a moonlight study of sky and sea, ca.1890-1910. At center, at least seven small sailboats can be clearly seen sitting within a small harbor. Each sailboat possesses a single mast at the center of the boat with several wires connecting the mast to various parts of the boat. No sails are visible on any of the boats. In the background, the walled harbor is seen on the left and right. A small opening is visible near the center connecting to the ocean. In the extreme background, mountain ranges can be seen rising against the cloudy sky. Only a bit of sunlight reflects off the water in the image; most of the image is shrouded in darkness.
DOI: 10.25549/chs-m18876
title: Painting "Moonlight on Pacific" by Gustave Magnussen, 1900-1950

description: Photograph of the painting "Moonlight on Pacific" by Gustave Magnussen, 1900-1950. Waves are visible at center moving towards shore in the foreground. Smooth rocks are depicted in the right foreground, while cliffs can be seen in the left background. The moon is depicted in the sky at center partially obscured by a cloud.
DOI: 10.25549/chs-m18288
title: The painting "The Fighting Téméraire" by Joseph M.W. Turner, depicting a warship pulled by a tugboat, [s.d.]

description: Photograph of the painting "The Fighting Téméraire" by Joseph M.W. Turner, depicting a warship pulled by a tugboat, [s.d.]. The great naval warship is shown, its bow to the viewer just left of center, all its sails rolled up to the masts. In front of it, a small ship with a long smokestack billows a thick cloud of exhaust, possibly a tugboat. Just behind this, a flash of light illuminates both the warship and the tugboat, as well as a much smaller sailing vessel to the right of the Téméraire. In the distance to the right, the moon can be seen shining through a thick collection of clouds which hover over a ship yard and the edge of a city.; Picture file card reads "Exhibited at the Royal Academy in 1839, the year before Turner and a party of friends passed a steam tug towing a superannuated battleship and one young man said 'There's a fine subject for you'. So Turner produced this image of the Téméraire being tugged into harbor to be dismantled. This was one of Nelson's ships (Trafalgar) and was sold out of service a few days before Turner painted her, and everything of value had been removed. The following lines appeared under the title of the painting in the Royal Academy -- 1839: 'The flag which braved the battle and the breeze no longer owns her'".
DOI: 10.25549/chs-m18377
title: The painting "Moonlight" by Hardens, depicting waves crashing against the shore, [s.d.]

description: Photograph of the painting "Moonlight" by Hardens, depicting waves crashing against the shore, [s.d.]. At the far right, the crest of the wave breaks into violent surf against a large rock wedge in the sand, while farther left the spray is much thinner, crashing on a smaller rock. Still farther left, the crest has not yet broken, and remains contiguous with the rest of the water. Behind this, another wave can be seen crashing farther out, with the rippling ocean stretching the rest of the way out back toward the horizon. The moon appears to be behind a patch of clouds, radiating outward from them at center.
DOI: 10.25549/chs-m18376
title: The painting "Moonlit Sea" by Hoover, depicting waves crashing into shallow water, [s.d.]

description: Photograph of the painting "Moonlit Sea" by Hoover, depicting waves crashing into shallow water, [s.d.]. Above the ocean at the bottom, the moon shines through a rift in the dark clouds at center, which fill the top of the image. Below, a rippling ocean can be seen, while a wave curls its crest over into what appear to be shallow waters one third up from the bottom of the painting.
DOI: 10.25549/chs-m18246
title: The painting "Greek Girls Playing Ball" by Sir Frederick Leighton, [s.d.]

description: Photograph of the painting "Greek Girls Playing Ball" by Sir Frederick Leighton, [s.d.]. Two women in billowing greek dress stand on what appears to be a tall marble pedastal with the open inlet and a bank of land visible in the background. The girl in the foreground to the right appears to be finishing the follow-through of her throw, while in the girl to the left leans back to catch the ball, which remains in mid-air. Fruits and cloth appear to be on the ground at their feet.
DOI: 10.25549/chs-m18245
title: The painting "A Reading from Homer" by Lawrence Tadema, after 1836

description: Photograph of the painting "A Reading from Homer" by Lawrence Tadema, after 1836. A man who is presumably Homer is shown to the right, seated with a scroll unfurled in his lap. Wearing his laurel crown, he recites to the group of listeners that lounges before him to the left: a girl holding a tambourine along the curved marble bench, a young man who holds her hand and a lute at his side, another youth dressed in animal furs laying on his stomach, and a fourth youth with bandaged feet lingering in the left background. According to the picture file card, this group is supposed to represent young Phaon and his friends in B.C. 805.; Tadema was born in West Friesland, Holland in 1836 and showed talent for drawing at five years of age. At 16 he began art study at the Royal Academy at Antwerp, Belgium. At 24 he entered the studio of a famous Belgium painter who the picture file card does not name. Later, he won the gold medal in Paris in 1864 and 1867 (assumedly in painting). The picture file card credits him as having found his love of "color, finish and detail" from his "Dutch ancestors and early teachers".
DOI: 10.25549/chs-m14712
title: Cemetery and distant view of the Mission Santa Ysabel, San Diego, ca.1902

description: Photograph of cemetery and distant view of the Mission Santa Ysabe, San Diego, ca.1902. The cemetery is surrounded by a picket fence in a state of disrepair. A large wooden cross marks one grave near the center of the image. Many other smaller crosses mark other graves. The mission building itself (toward the left) is made entirely of thatched sticks and branches. A cross stands in front of it.
DOI: 10.25549/chs-m18244
title: The painting "Atlanta's Race" by Poynter, [s.d.]

description: Photograph of the painting "Atlanta's Race" by Poynter, [s.d.]. The painting depicts the mythical race between Atlanta and Melanion. In the right foreground, Atlanta stoops to pick up a golden apple thrown at her feet by Melanion, shown farther left, who still retains one apple in his hand and can be seen looking back at his opponent. In the background, various greek spectators line either side of a causeway that ends at a tall pillar in the background.; The myth entails Melanion's plot to win a resistant Atlanta's hand in marriage. Gifted with the three golden apples from Aphrodite, Melanion is said to have challenged Atlanta to a race he could not win under normal terms as a wager for marriage. Each time, as Atlanta gained on him, Melanion dropped an apple which Atlanta consistently stopped to retrieve. This lost her the race and wed her to Melanion.; E.J. Poynter, one of the last Victorian classical painters, was born in Paris in 1836. He continued to paint classical themes until his death in 1919, long after classical paintings had gone out of vogue.
DOI: 10.25549/chs-m18284
title: The painting "Chariot Race in the Circus Maximus" by Alexander Wagner, [s.d.]

description: Photograph of the painting "Chariot Race in the Circus Maximus" by Alexander Wagner, [s.d.]. The painting depicts a group of charioteers urging their horse-drawn chariots around the bend in Rome's Circus Maximus. A chariot led by white horses holds the front position, pictured at center, while many of the horses behind him are darkly colored. To the left, the emperor appears to have his seat on a cleared pedestal topped by a throne. Other spectators can also be seen hanging in from the stands at the right.
DOI: 10.25549/chs-m18243
title: The painting "Sappho and Alcaeus" by Sir Lawrence Alma-Tadema, [s.d.]

description: Photograph of the painting "Sappho and Alcaeus" by Sir Lawrence Alma-Tadema, [s.d.]. A man plays a lute at the right, facing a collection of five women who sit in the ampitheater to the left. In the foremost position, one of the young women rests her head on what appears to be a writing desk, staring intently at the musician. Water can be seen in the background beyond a thicket of tree branches.
DOI: 10.25549/chs-m18282
title: The painting "Appicus Claudius Caecus", [s.d.]

description: Photograph of the painting "Appicus Claudius Caecus", [s.d.]. A large group of Roman men dressed in lightly-colored togas are pictured in a procession into what appears to be the Roman forum. At their helm, an elderly man is helped along into the hall. To the left, a man in darker robes stands by his chair, men at tables visible behind him. Above them, images of charioteers and soldiers on horseback  decorate the a strip along the wall. The painting is quite possibly a fresco, as a paneled door cuts into the scene to the left, and a chair can be seen beneath the bottom edge to the right. Above the painting, an inscription i Italian reads "Quello che e' e Sara e' Stato in Altro Te[...]".
DOI: 10.25549/chs-m18283
title: The fresco "Cicero's Oration" by Cesare Maccari, [s.d.]

description: Photograph of the fresco "Cicero's Oration" by Cesare Maccari, [s.d.]. Cicero is pictured to the left, standing in the center of the Roman senate, denouncing his political opponent Catiline. To the right and in the background, a hoarde of Roman senators ponder the speech, while to the far right, a lone senator sits off from the others. A door can be seen embedded in the fresco to the right, while a chair is visible just underneath the bottom edge to the left. Above the fresco an inscription in Italian reads "A Fortuna Li Fece Mai Essere Insolenti".
DOI: 10.25549/chs-m18285
title: The painting "The Rug Seller in the Pomperion" by Eduoardo Forti, [s.d.]

description: Photograph of the painting "The Rug Seller in the Pomperion" by Eduoardo Forti, [s.d.]. A man is shown kneeling at center, displaying the rug in front of him with his hands and staring up a Roman gentlewoman and her maid who are positioned to the right. To the left, behind the man, a small girl carries a second rug in past a divan in the parlor. In the background, a lavish garden can be seen surrounded by colonnade.
DOI: 10.25549/chs-m18280
title: The painting "Nero Singing" by Batte, [s.d.]

description: Photograph of the painting "Nero Singing" by Batte, [s.d.]. The young emperor of Rome is shown on a pedestal to the left, waving his hand in front of him while his entourage waits in apparent boredom: Two heralds have let their trumpets lean against the wall farther in the foreground while they chat like the Roman gentlement to their left. To the right, below the pedestal, a throng of Roman spectators appears rapt with attention.
DOI: 10.25549/chs-m18241
title: The sculpture "Winged Victory of Samothrace", [s.d.]

description: Photograph of the sculpture "Winged Victory of Samothrace", [s.d.]. An armless woman in a Roman toga is depicted, her apparently featureless head thrown back, following the curve of her arched spine. An blunt, uplifted wing extends from her left shoulder. Her feet are not discernable underneath her gown, which merges into the pedestal.
DOI: 10.25549/chs-m11355
title: Big jew fish caught off Santa Catalina Island, ca.1910-1930

description: Photograph of 3 men posing with 438-pound jew fish caught off Santa Catalina Island. Another fish lays on the ground beside it. The shop behind the hanging fish (hanging by a cord from its mouth) has photographs of other caught fish in the window. The sign above the shop reads "Jim Gardner's [...]head[...]s. [...] fish [...] specialty. [...]est [...] only".
DOI: 10.25549/chs-m18893
title: The painting "Education of Greek Youth", depicting various aspects of ancient Greek culture, [s.d.]

description: Photograph of the painting "Education of Greek Youth", depicting various aspects of ancient Greek culture, [s.d.]. Two identical panoramic strips contain a scene which includes from left to right: Greek wrestlers locked in competition and two spectators, a discus thrower, two more spectators dressed in darkly-colored robes, a naked young man laying on his stomach with his hand on his brow, and a collection of pensive young men gathered around an elderly gentleman who sits with a writing tablet, his attention focused on the second elderly gentleman to the far right who appears to be orating.
DOI: 10.25549/chs-m18323
title: The painting "Primroses" by Edward Bisson, depicting a young woman dancing in a translucent dress, [s.d.]

description: Photograph of the painting "Primroses" by Edward Bisson, depicting a young woman dancing in a translucent dress, [s.d.]. The woman is shown at center, her dress hanging down around her bare breasts, a flower pendant hanging between them as a clasp. She holds her right arm raised above her head, dropping rose blossoms from it down her side, which is outlined by her long, dark hair. She holds the other arm out to her side, gently lifting the remainder of the dress' diaphanous material into a graceful arc. Her feet are bare. Her head is loosely wrapped in a hat of material similar to the dress.
DOI: 10.25549/chs-m11956
title: Agassiz Column, balanced rock, on short trail to Glacier Point, Yosemite National Park, 1901

description: Photograph of Agassiz Column, balanced rock, on short trail to Glacier Point, Yosemite National Park, 1901.
DOI: 10.25549/chs-m18894
title: Portrait painting depicting "Lady Hamilton" by George Romney, [s.d.]

description: Photograph of a portrait painting depicting "Lady Hamilton" by George Romney, [s.d.]. A young woman is pictured sitting in a chair, dressed in what appears to be colonial American attire. A small length of ribbon ties her neckline, while a large-brimmed hat tops her head. She clutches a book to her lap and looks upward while she leans her elbow on what appears to be the railing of a ledge of some kind.
DOI: 10.25549/chs-m18263
title: The painting "Joan of Arc Listening to Voices" by Jules Bastien-Lepage, 1880

description: Photograph of the painting "Joan of Arc Listening to Voices" by Jules Bastien-Lepage, 1880. Joan is pictured at the right in a peasant's outfit, staring wide-eyed out of the frame. In the background behind her, the forest and what appears to be a weaving spindle conspire to create the translucent image of a knight.; Picture file card reads "Bought by Aldin Weir for Erwin Davis of New York, who put it in the Boston Museum".
DOI: 10.25549/chs-m18335
title: The painting "Oriental Dancing Girl" by Nathaldi Siehel, depicting a western woman dressed in Japanese robes, [s.d.]

description: Photograph of the painting "Oriental Dancing Girl" by Nathaldi Siehel, depicting a western woman dressed in Japanese robes, [s.d.]. The woman stands at center, her legs bound closely together by the tight skirt of the Japanese robe, a sash tied at the waist. Farther up, a sliver of her bust is bare, along with her arms, which she raises above her head, bending the left one behind her neck so that her hand is obscured. Bangles can be seen on her right wrist, while hoop earrings are evident hanging from her ears. Her hair is dark and curly and blends with the background. Her eye makeup is heavy. Below her, a patterned rug is just barely evident.