cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10283139
title: Lucerna

description: Apesar de existirem recipientes para a combustão de gorduras desde o período pré-histórico, apenas a partir do século III a.C é que, com os gregos, se começou a fabricar estas Lucernas com moldes bivalves, dando lugar a um fabrico em série.
As lucernas, além da sua função de iluminação em edificios públicos ou privados, poderiam também ser utilizadas em ocasiões solenes e como oferendas funerárias ou votivas, não apresentando então vestigios de utilização.
As lucernas podem ser importantes indicadores cronológicos e também fornecer informações sobre as redes comerciais, uma vez que nestas se pode por vezes identificar uma assinatura do fabricante.

Bibliografia: 
ALARCÃO, Jorge de; BARROCA, Mário (2012): "Dicionário de Arqueologia Portuguesa". Porto, Figueirinhas, pp. 202-203.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283140
title: Lucerna

description: Apesar de existirem recipientes para a combustão de gorduras desde o período pré-histórico, apenas a partir do século III a.C é que, com os gregos, se começou a fabricar estas Lucernas com moldes bivalves, dando lugar a um fabrico em série.
As lucernas, além da sua função de iluminação em edificios públicos ou privados, poderiam também ser utilizadas em ocasiões solenes e como oferendas funerárias ou votivas, não apresentando então vestigios de utilização.
As lucernas podem ser importantes indicadores cronológicos e também fornecer informações sobre as redes comerciais, uma vez que nestas se pode por vezes identificar uma assinatura do fabricante.

Bibliografia: 
ALARCÃO, Jorge de; BARROCA, Mário (2012): "Dicionário de Arqueologia Portuguesa". Porto, Figueirinhas, pp. 202-203.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283141
title: TARP 2019: SU 1030 - SU 1033

description: Photogrammetric capture of stratigraphic units  1030 - 1033

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283142
title: TARP 2019: SU 1030 - SU 1033

description: Photogrammetric capture of stratigraphic units  1030 - 1033

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283143
title: Christusfigur

description: The kneeling figure of Christ is part of the Olivet Group in Gattendorf. It dates from the year 1830.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283144
title: Christusfigur

description: The kneeling figure of Christ is part of the Olivet Group in Gattendorf. It dates from the year 1830.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283145
title: 1stone-center-8 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).

Место расположения: южный фасад собора

Ряд: 1 ряд, верхний

Порядок: 8

Программа разработки: Agisoft Photockan 

Создан в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

Рабочее название файла: 1stone-center-8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283146
title: 1stone-center-8 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).

Место расположения: южный фасад собора

Ряд: 1 ряд, верхний

Порядок: 8

Программа разработки: Agisoft Photockan 

Создан в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

Рабочее название файла: 1stone-center-8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283147
title: COADS_17-5

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio; Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_17-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283148
title: COADS_17-5

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio; Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_17-5, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283149
title: Igreja De Sao Joao Baptista

description: Igreja de planta longitudinal composta por dois volumes: nave de planta rectangular e telhado de duas águas; Cabeceira com Sacristia adossada à parede N., formando corpo rectangular coberto com telhado de duas águas. A fachada principal voltada a O., apresenta portal com arco de volta perfeita, de aduelas altas com chanfro, assente sobre impostas lisas, e encimado por pequeno óculo central. Sobre o portal três consolas marcam o nível de apoio de um pórtico desaparecido. Sobre a empena conserva-se uma cruz de pedra.   Isolada, a N. da sacristia, pequena torre de planta quadrada, com telhado de quatro águas. Porta de lintel horizontal situada na fachada S. a um nível elevado, com acesso externo por escada de pedra de 8 degraus. Ao nível superior uma fresta na fachada N., janelas rústicas com mainel central, nas restantes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283150
title: Igreja De Sao Joao Baptista

description: Igreja de planta longitudinal composta por dois volumes: nave de planta rectangular e telhado de duas águas; Cabeceira com Sacristia adossada à parede N., formando corpo rectangular coberto com telhado de duas águas. A fachada principal voltada a O., apresenta portal com arco de volta perfeita, de aduelas altas com chanfro, assente sobre impostas lisas, e encimado por pequeno óculo central. Sobre o portal três consolas marcam o nível de apoio de um pórtico desaparecido. Sobre a empena conserva-se uma cruz de pedra.   Isolada, a N. da sacristia, pequena torre de planta quadrada, com telhado de quatro águas. Porta de lintel horizontal situada na fachada S. a um nível elevado, com acesso externo por escada de pedra de 8 degraus. Ao nível superior uma fresta na fachada N., janelas rústicas com mainel central, nas restantes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283151
title: Radial Vectors

description: VitraHaus, Herzog & de Meuron, 2011
Simmons Hall, Steven Holl, 2002 
 Wall House, John Hejduk, 1973

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283152
title: Radial Vectors

description: VitraHaus, Herzog & de Meuron, 2011
Simmons Hall, Steven Holl, 2002 
 Wall House, John Hejduk, 1973

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283153
title: YPM ANT.236346

description: Catalog Number: YPM ANT.236346

Description: Ceramic pinch pot. Triangular design with 4 swastikas. Height 1 5/8', diam. 3'. Yuma, Arizona.

Materials: ceramic; paint/dye

Function: containers (pots, etc.)

Culture Group: North American : Southwest : Quechan (Yuma)

Locality: North America; USA; Arizona

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283154
title: YPM ANT.236346

description: Catalog Number: YPM ANT.236346

Description: Ceramic pinch pot. Triangular design with 4 swastikas. Height 1 5/8', diam. 3'. Yuma, Arizona.

Materials: ceramic; paint/dye

Function: containers (pots, etc.)

Culture Group: North American : Southwest : Quechan (Yuma)

Locality: North America; USA; Arizona

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283155
title: Televizor TV EL

description: 3D Creator By Xperia XZ Premium

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283156
title: Televizor TV EL

description: 3D Creator By Xperia XZ Premium

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283157
title: Pisgah Roughly Smoothed Bowl (2241p2172)

description: **Pisgah Roughly Smoothed bowl**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400).

Material: ceramic.

Dimensions: height, 6.2 cm; diameter, 13.8 cm; thickness, 5.4 mm.

Notes: Catalog no. 2241p2086, p2172, p2176, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283158
title: Pisgah Roughly Smoothed Bowl (2241p2172)

description: **Pisgah Roughly Smoothed bowl**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400).

Material: ceramic.

Dimensions: height, 6.2 cm; diameter, 13.8 cm; thickness, 5.4 mm.

Notes: Catalog no. 2241p2086, p2172, p2176, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283160
title: Pierre gravée n°80, Caverne des Lataniers

description: La caverne des Lataniers est un des lieux du massif du volcan le piton de la Fournaise qui garde les traces du passé (période du marronnage au XVIIIe siècle et de la conquête de cet espace entre la fin du XVIIIe et le XXe siècle).

De nombreuses pierres gravées ont été retrouvées sur le site. Elle portent les noms des premiers explorateurs du volcan qui ont voulu laisser une trace de leur passage. Les gravures sont étudiées par des spécialistes pour retracer l'histoire de la fréquentation de la caverne et des modèles 3D sont réalisés à des fins d'analyse et de conservation numérique.

Inscription :

"Baillif Joseph

[...]L LAU

LUDVIC" (inversé)

* Fouille archéologique : sous la direction de Virginie Motte (SRA, DAC Réunion)
* Photogrammétrie : Jonhattan Vidal (SRA, DAC Réunion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283159
title: Pierre gravée n°80, Caverne des Lataniers

description: La caverne des Lataniers est un des lieux du massif du volcan le piton de la Fournaise qui garde les traces du passé (période du marronnage au XVIIIe siècle et de la conquête de cet espace entre la fin du XVIIIe et le XXe siècle).

De nombreuses pierres gravées ont été retrouvées sur le site. Elle portent les noms des premiers explorateurs du volcan qui ont voulu laisser une trace de leur passage. Les gravures sont étudiées par des spécialistes pour retracer l'histoire de la fréquentation de la caverne et des modèles 3D sont réalisés à des fins d'analyse et de conservation numérique.

Inscription :

"Baillif Joseph

[...]L LAU

LUDVIC" (inversé)

* Fouille archéologique : sous la direction de Virginie Motte (SRA, DAC Réunion)
* Photogrammétrie : Jonhattan Vidal (SRA, DAC Réunion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283161
title: 伊豆市修禅寺境内の如意輪観音さん

description: location https://goo.gl/maps/13CG6SDcAwdBdnxMA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283162
title: 伊豆市修禅寺境内の如意輪観音さん

description: location https://goo.gl/maps/13CG6SDcAwdBdnxMA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283167
title: Awangard 55 television receiver

description: The *Awangard 55* TV receiver is a mains-powered superheterodyne with a built-in speaker, equipped with 19 vacuum tubes and a black-and-white CRT. 
It was manufactured by the Nikolai Kozicki Factory - one of the Russia's oldest enterprises in the area of communications and telecommunications technologies. Founded in 1855 in Petersburg as the Siemens&Halske workshop, it was one of the first factories to launch production of telegraph equipment.

The *Awangard* model was developed by the Leningrad Research Institute No. 380. Two models of the television set were manufactured: Awangard TL-1 and Awangard 55. The latter differs from the former in its housing, as the top cover, under which the speaker and control knobs were placed, was eliminated. 


Manufacturer: Kozicki Factory in Leningrad, USSR, 1955-1957 

Inv. no.: MIM 1506/VI-210

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283168
title: Awangard 55 television receiver

description: The *Awangard 55* TV receiver is a mains-powered superheterodyne with a built-in speaker, equipped with 19 vacuum tubes and a black-and-white CRT. 
It was manufactured by the Nikolai Kozicki Factory - one of the Russia's oldest enterprises in the area of communications and telecommunications technologies. Founded in 1855 in Petersburg as the Siemens&Halske workshop, it was one of the first factories to launch production of telegraph equipment.

The *Awangard* model was developed by the Leningrad Research Institute No. 380. Two models of the television set were manufactured: Awangard TL-1 and Awangard 55. The latter differs from the former in its housing, as the top cover, under which the speaker and control knobs were placed, was eliminated. 


Manufacturer: Kozicki Factory in Leningrad, USSR, 1955-1957 

Inv. no.: MIM 1506/VI-210

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283169
title: Mexican death mask

description: Still working out how the edges become so empty, or inaccurate with flaws.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283170
title: Mexican death mask

description: Still working out how the edges become so empty, or inaccurate with flaws.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283171
title: Column Hall Free 3D model

description: 3D extrapolated manually (not photo scan), of the Hall Of Columns (Sala delle Colonne) a 500's Hall part of the Building Castello del Valentino at Turin Italy. Keyshot, Rhino File in Latest version 5 and 6, and Blender PRESET(only inserted and Scaled). The 3D model respect the real dimensions of the Hall, it miss only the decorations under the wall columns and the busts. PS in keyshot it use a common HDRI, but you can find the two views textures used in rhino placed on the same levels, but obviosly in this case hide, and a Default HDRI in Enviroment, rotated and placed.
Rhino and keyshot available for free on my Cgtrader https://linktr.ee/ScDes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283172
title: Column Hall Free 3D model

description: 3D extrapolated manually (not photo scan), of the Hall Of Columns (Sala delle Colonne) a 500's Hall part of the Building Castello del Valentino at Turin Italy. Keyshot, Rhino File in Latest version 5 and 6, and Blender PRESET(only inserted and Scaled). The 3D model respect the real dimensions of the Hall, it miss only the decorations under the wall columns and the busts. PS in keyshot it use a common HDRI, but you can find the two views textures used in rhino placed on the same levels, but obviosly in this case hide, and a Default HDRI in Enviroment, rotated and placed.
Rhino and keyshot available for free on my Cgtrader https://linktr.ee/ScDes

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283173
title: Rockingham Spittoon Rim Sherd (Photo Catch)

description: Late 19th-century refined white earthenware rim sherd decorated with Rockingham pattern. This sherd originally came from a spittoon, which can be seen by the sharp angle of the small broken fragment on the interior portion of the rim (which marks the start of the downward-sloping ceramic top of the vessel). Recovered from a gold-mining town in the American West.

This scan was done using the program Photo Catch and is the first such scan we have created and edited with the program.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283174
title: Rockingham Spittoon Rim Sherd (Photo Catch)

description: Late 19th-century refined white earthenware rim sherd decorated with Rockingham pattern. This sherd originally came from a spittoon, which can be seen by the sharp angle of the small broken fragment on the interior portion of the rim (which marks the start of the downward-sloping ceramic top of the vessel). Recovered from a gold-mining town in the American West.

This scan was done using the program Photo Catch and is the first such scan we have created and edited with the program.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283175
title: Fragmento5

description: Fragmento de una olla que sirvió de ejemplo en el curso

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283176
title: Fragmento5

description: Fragmento de una olla que sirvió de ejemplo en el curso

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283180
title: Stickley desk chair

description: Blueprint from Gustav Stickley published in The Craftsman magazine in early 1900s. Buy a collection of the original blueprints with descriptions at https://www.amazon.co.uk/Making-Authentic-Craftsman-Furniture-Instructions-ebook/dp/B00ED6LKWO

Gustav Stickley (1858-1942) was a leading light of American Arts and Crafts furniture design and manufacture: https://en.wikipedia.org/wiki/Gustav_Stickley

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283179
title: Stickley desk chair

description: Blueprint from Gustav Stickley published in The Craftsman magazine in early 1900s. Buy a collection of the original blueprints with descriptions at https://www.amazon.co.uk/Making-Authentic-Craftsman-Furniture-Instructions-ebook/dp/B00ED6LKWO

Gustav Stickley (1858-1942) was a leading light of American Arts and Crafts furniture design and manufacture: https://en.wikipedia.org/wiki/Gustav_Stickley

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283181
title: Guillotine

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style guillotine used as scenery composition in a fantasy world. With shades of brown and gray color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283182
title: Guillotine

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style guillotine used as scenery composition in a fantasy world. With shades of brown and gray color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283183
title: Fonte Luminosa

description: A Fonte Monumental na Alameda Dom Afonso Henriques, conhecida por Fonte Luminosa situa-se em Lisboa.
https://pt.wikipedia.org/wiki/Fonte_Luminosa_(Lisboa)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283184
title: Fonte Luminosa

description: A Fonte Monumental na Alameda Dom Afonso Henriques, conhecida por Fonte Luminosa situa-se em Lisboa.
https://pt.wikipedia.org/wiki/Fonte_Luminosa_(Lisboa)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283187
title: xocolatera

description: La xocolatera és una peça de llauna , és un recipient cilíndric amb el coll alt i un tap . La tapa té un forat per on passa el pal que permet remenar  la xocolata sense destapar la xocolatera i evitar que es refredi.
Sabem que la xocolata es va popularitzar a finals del segle XIX. La xocolata calenta és servia a les festes i als malalts per guarir la debilitat,insomni...La Nit de Nadal era típic a pagès menjar xocolata desfeta, i es menjava en plats com si fos sopa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283188
title: xocolatera

description: La xocolatera és una peça de llauna , és un recipient cilíndric amb el coll alt i un tap . La tapa té un forat per on passa el pal que permet remenar  la xocolata sense destapar la xocolatera i evitar que es refredi.
Sabem que la xocolata es va popularitzar a finals del segle XIX. La xocolata calenta és servia a les festes i als malalts per guarir la debilitat,insomni...La Nit de Nadal era típic a pagès menjar xocolata desfeta, i es menjava en plats com si fos sopa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283189
title: Paris Panthéon Mascaron n°3

description: Column Head found near to the Panthéon in Paris, shoot with my phone, low poly model of 4k triangles with 4K textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283190
title: Paris Panthéon Mascaron n°3

description: Column Head found near to the Panthéon in Paris, shoot with my phone, low poly model of 4k triangles with 4K textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283193
title: Milites Christi - Sword

description: Free time often means 3D training. Here's the latest result of me getting bored.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283194
title: Milites Christi - Sword

description: Free time often means 3D training. Here's the latest result of me getting bored.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283195
title: Newspaper Box

description: This Scan is part of the Urban Relics Project. Documenting the disapearing street landmarks of New York City.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283196
title: Newspaper Box

description: This Scan is part of the Urban Relics Project. Documenting the disapearing street landmarks of New York City.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283197
title: Used Military Compass

description: Here's a military compass(Work in progress) that i made in 3Ds max and textured Substance Painter

Time : 4 Hours

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283198
title: Used Military Compass

description: Here's a military compass(Work in progress) that i made in 3Ds max and textured Substance Painter

Time : 4 Hours

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283199
title: Pleistocene Horse Tooth

description: Tooth from an extinct Pleistocene horse. This artifact is housed in the Rollins College Archaeology Lab and is a part of the Grant Groves collection. 

Model made by Kiersten Sudlow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283200
title: Pleistocene Horse Tooth

description: Tooth from an extinct Pleistocene horse. This artifact is housed in the Rollins College Archaeology Lab and is a part of the Grant Groves collection. 

Model made by Kiersten Sudlow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283201
title: ROI036-506-01

description: Madison Point collected in Delaware County, Indiana. 

Catalog # 12-Dl-310-1

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI036-506-01, 3D Model .ply file. Recovered as part of Report of Investigations # 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, By Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283202
title: ROI036-506-01

description: Madison Point collected in Delaware County, Indiana. 

Catalog # 12-Dl-310-1

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI036-506-01, 3D Model .ply file. Recovered as part of Report of Investigations # 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, By Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283204
title: Aix En Provence

description: Model 3D d'une statue de l'allée Rufinus à Aix En Provence. Prise de photo réalisé par un huawei P20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283203
title: Aix En Provence

description: Model 3D d'une statue de l'allée Rufinus à Aix En Provence. Prise de photo réalisé par un huawei P20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283207
title: Trebolle

description: Created in RealityCapture by Gaute Gunleiksrud from 291 images in 00h:38m:09s.

Source: Objaverse 1.0 / Sketchfab