cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10385760
title: Petroglyph G22, Khatm al Melaha, Sharjah

description: Natural Version, Petroglyph G22 Khatm Al Melaha, Kalba, Sharjah. Several poorly defined anilmals and designs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385761
title: Ammonites and Ichthyosaur bones.

description: This fantastic fossiliferous slab containing Harpoceras ammonites, Ichthyosaur bones and teeth was found in the Lower Jurassic exposures of the Yorkshire coast.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385762
title: Ammonites and Ichthyosaur bones.

description: This fantastic fossiliferous slab containing Harpoceras ammonites, Ichthyosaur bones and teeth was found in the Lower Jurassic exposures of the Yorkshire coast.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385763
title: Coffin

description: First coffin. Should be a darker brown with some metalic trim. Not all that good.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385764
title: Coffin

description: First coffin. Should be a darker brown with some metalic trim. Not all that good.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385765
title: Remembrance Day Leamington spa 2021

description: Please visit my link tree to see all my social media links https://linktr.ee/alexharvey

RiVR is a production studio specialising in photorealistic VR training and scanning of real world environments. www.rivr.uk to view all our products

thanks and hope you like the photogrammetry models .

photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385766
title: Remembrance Day Leamington spa 2021

description: Please visit my link tree to see all my social media links https://linktr.ee/alexharvey

RiVR is a production studio specialising in photorealistic VR training and scanning of real world environments. www.rivr.uk to view all our products

thanks and hope you like the photogrammetry models .

photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385767
title: XFP-132 Obsidian Knife, Sanak Island, Alaska

description: Bifacial knife, obsidian, Sanak Island, Alaska. CAT# XFP-132-4

XFP-132 is a lithic scatter in the south side of the dunes, on the south side of Sanak Island, Alaska.  There are no other features at this location, which is typical of an eroding dune system. The artifacts are similar to those found in sites dating 400 BCE to 500 CE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385768
title: XFP-132 Obsidian Knife, Sanak Island, Alaska

description: Bifacial knife, obsidian, Sanak Island, Alaska. CAT# XFP-132-4

XFP-132 is a lithic scatter in the south side of the dunes, on the south side of Sanak Island, Alaska.  There are no other features at this location, which is typical of an eroding dune system. The artifacts are similar to those found in sites dating 400 BCE to 500 CE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385769
title: ORIA (BR) - Torre dello Sperone del Castello

description: All'estremità Nord si trova la torre "Dello Sperone", simile alla prua di una nave, dalla quale è possibile ammirare uno stupendo paesaggio. Questa particolare forma del castello gli è valso l'appellativo di "Vascello natante nell'aria". Il Castello ha la forma di un triangolo isoscele con base a sud e vertice a nord e presenta tre torri nel muro meridionale lungo 88 metri: "Quadrata", "Del cavaliere", "Del Salto". Il muro orientale, con merli e due porte, è lungo 107 metri. Nella parte occidentale, che misura circa 110 metri, ci sono i fabbricati e l'antico ingresso un tempo munito anche di ponte levatoio. [Dal sito del Comune di Oria]
Visit it in 3d in Hyria 3d World (www.activeworlds,com) :
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385770
title: ORIA (BR) - Torre dello Sperone del Castello

description: All'estremità Nord si trova la torre "Dello Sperone", simile alla prua di una nave, dalla quale è possibile ammirare uno stupendo paesaggio. Questa particolare forma del castello gli è valso l'appellativo di "Vascello natante nell'aria". Il Castello ha la forma di un triangolo isoscele con base a sud e vertice a nord e presenta tre torri nel muro meridionale lungo 88 metri: "Quadrata", "Del cavaliere", "Del Salto". Il muro orientale, con merli e due porte, è lungo 107 metri. Nella parte occidentale, che misura circa 110 metri, ci sono i fabbricati e l'antico ingresso un tempo munito anche di ponte levatoio. [Dal sito del Comune di Oria]
Visit it in 3d in Hyria 3d World (www.activeworlds,com) :
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385772
title: Remains of the chapter-house ceiling

description: Remains of boards of the former chapter house ceiling.
The ceiling boards are covered with template decoration with a motif of regular geometric rosettes inscribed in circles and primitive ornaments in forms similar to tracery. The paintings were created on whitewash with distemper, using black (currently greyed) paint on a red background.
The decoration of the medieval chapter house also included figurative scenes and a ceiling frieze, probably in the form of a double belt of six-leaf rosettes in circles.
The ceiling boards and a painted frieze under the ceiling were discovered in 1971 during maintenance works. They were found after removing rubble from spandrels. Two fragments of the frieze are preserved on the opposite walls of the room, above the vault. They are currently inaccessible to visitors.

before 1477, Tyniec

Museum of the Benedictine Abbey in Tyniec

Inventory number:
DR/3/2012

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385771
title: Remains of the chapter-house ceiling

description: Remains of boards of the former chapter house ceiling.
The ceiling boards are covered with template decoration with a motif of regular geometric rosettes inscribed in circles and primitive ornaments in forms similar to tracery. The paintings were created on whitewash with distemper, using black (currently greyed) paint on a red background.
The decoration of the medieval chapter house also included figurative scenes and a ceiling frieze, probably in the form of a double belt of six-leaf rosettes in circles.
The ceiling boards and a painted frieze under the ceiling were discovered in 1971 during maintenance works. They were found after removing rubble from spandrels. Two fragments of the frieze are preserved on the opposite walls of the room, above the vault. They are currently inaccessible to visitors.

before 1477, Tyniec

Museum of the Benedictine Abbey in Tyniec

Inventory number:
DR/3/2012

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385773
title: Ruins of the Holy Trinity Church, Rauma, Finland

description: Ruins of the Holy Trinity Church, Rauma, western Finland. The church was built at 1495-1505. It burned down in the fire of Rauma at 1640 and abandoned. There were previously a wooden church in the same place that was built in the early 15th century. The remaining sacristy was built for the wooden church.

The church remains are a part of wooden city centre of [old Rauma](https://en.wikipedia.org/wiki/Old_Rauma) that is a UNESCO World Heritage Site.

More information:

* [Location (Google Maps)](https://goo.gl/maps/eQ2cJ6UNA5VMVuoY7)
* [Wikipedia (only in finnish)](https://fi.wikipedia.org/wiki/Pyh%C3%A4n_Kolminaisuuden_kirkko_(Rauma))
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.1000014882)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385774
title: Ruins of the Holy Trinity Church, Rauma, Finland

description: Ruins of the Holy Trinity Church, Rauma, western Finland. The church was built at 1495-1505. It burned down in the fire of Rauma at 1640 and abandoned. There were previously a wooden church in the same place that was built in the early 15th century. The remaining sacristy was built for the wooden church.

The church remains are a part of wooden city centre of [old Rauma](https://en.wikipedia.org/wiki/Old_Rauma) that is a UNESCO World Heritage Site.

More information:

* [Location (Google Maps)](https://goo.gl/maps/eQ2cJ6UNA5VMVuoY7)
* [Wikipedia (only in finnish)](https://fi.wikipedia.org/wiki/Pyh%C3%A4n_Kolminaisuuden_kirkko_(Rauma))
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.1000014882)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385777
title: 初・ノーマルマップ : 庚申塔(熊野神社(川崎市高津区明津))

description: メッシュ数を966,211面から10,000面まで削減し、xnormalでノーマルマップを作成し、アップロードした。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385778
title: 初・ノーマルマップ : 庚申塔(熊野神社(川崎市高津区明津))

description: メッシュ数を966,211面から10,000面まで削減し、xnormalでノーマルマップを作成し、アップロードした。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385779
title: Ouse and Derwent Project 2018 - Trench 2

description: The "Big Trench" at North Duffield was located over part of the interior of our huge Iron Age enclosure. It revealed a mass of intercutting features, both prehistoric ring-ditches and some later, probably Romano-British, rectilinear features.

The [Ouse and Derwent Project](https://www.facebook.com/IAOuseandDerwent/) is a three year community project examining the Iron Age landscape in the Vale of York. It is funded by a grant from the Heritage Lottery Fund.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385780
title: Ouse and Derwent Project 2018 - Trench 2

description: The "Big Trench" at North Duffield was located over part of the interior of our huge Iron Age enclosure. It revealed a mass of intercutting features, both prehistoric ring-ditches and some later, probably Romano-British, rectilinear features.

The [Ouse and Derwent Project](https://www.facebook.com/IAOuseandDerwent/) is a three year community project examining the Iron Age landscape in the Vale of York. It is funded by a grant from the Heritage Lottery Fund.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385781
title: George Melamphy - Ventry 14

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385782
title: George Melamphy - Ventry 14

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385783
title: Ceramic Dipper (2354a483)

description: **Ceramic dipper**

Location: Leatherwood Creek site (RLA-Vir 196; 44Hr1), Henry County, Virginia.

Period: Late Woodland, Dan River phase (AD 1250-1450).

Material: ceramic.

Dimensions: length, 121.5 mm; width, 50.5 mm; thickness, 27.6 mm.

Notes: Catalog no. 2354a483, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385784
title: Ceramic Dipper (2354a483)

description: **Ceramic dipper**

Location: Leatherwood Creek site (RLA-Vir 196; 44Hr1), Henry County, Virginia.

Period: Late Woodland, Dan River phase (AD 1250-1450).

Material: ceramic.

Dimensions: length, 121.5 mm; width, 50.5 mm; thickness, 27.6 mm.

Notes: Catalog no. 2354a483, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385785
title: XCB-003-620 Izembek Point

description: Izembek Point XCB-003-620. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385786
title: XCB-003-620 Izembek Point

description: Izembek Point XCB-003-620. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385788
title: Ceramic jar. Mleiha, Sharjah, UAE. Bronze Age

description: Small ceramic jar from Mleiha, Sharjah, UAE. Early Bronze Age. 2300 BCE. (Córdoba 2016:54, Figure 22). SM-2004

385 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. Horizontes de la Edad del Bronce (3000-1300 a. C.). Pp. 37-64. In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385787
title: Ceramic jar. Mleiha, Sharjah, UAE. Bronze Age

description: Small ceramic jar from Mleiha, Sharjah, UAE. Early Bronze Age. 2300 BCE. (Córdoba 2016:54, Figure 22). SM-2004

385 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

J. Mª Córdoba 2016. Horizontes de la Edad del Bronce (3000-1300 a. C.). Pp. 37-64. In EN LOS CONFINES DE ORIENTE PRÓXIMO: El hallazgo moderno del país de Magán. Museo Arqueológico Nacional Catálogo de la Exposición Temporal Celebrada entre el 18 de abril y el 29 de mayo de 2016. Comisario: J. Mª Córdoba Zoilo. Comisarias adjuntas: C. del Cerro Linares, Mª C. Pérez Díe, E. Pons Mellado.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385789
title: Altar

description: C15231

This Altar piece is inscribed "...CASSIANUS/POSVIT..." ("... Cassianus…set up…). So it is very likely that is the family name of the person who set up the altar. It may originally have been at the base of a carved figure. It is made of limestone, which is a soft stone, and as a result this material has become worn away after burial.

Scanned by Thomas Flynn on behalf of Sketchfab for the Cuming Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385790
title: Altar

description: C15231

This Altar piece is inscribed "...CASSIANUS/POSVIT..." ("... Cassianus…set up…). So it is very likely that is the family name of the person who set up the altar. It may originally have been at the base of a carved figure. It is made of limestone, which is a soft stone, and as a result this material has become worn away after burial.

Scanned by Thomas Flynn on behalf of Sketchfab for the Cuming Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385791
title: Ullevi Gas Dilln 207 8 6 Notexture

description: Ullevi, Gåsinge-Dillnäs 207:6, 8, Södermanland. Hällristning med skeppsfigurer, cirkelfigurer, forsulor och skålgropar. Sörmlands museum och Opus-Heritas. 3D_SFM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385792
title: Ullevi Gas Dilln 207 8 6 Notexture

description: Ullevi, Gåsinge-Dillnäs 207:6, 8, Södermanland. Hällristning med skeppsfigurer, cirkelfigurer, forsulor och skålgropar. Sörmlands museum och Opus-Heritas. 3D_SFM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385793
title: SARDES YÜKSEK ÇÖZÜNÜRLÜK (2.5 M MESH )

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385794
title: SARDES YÜKSEK ÇÖZÜNÜRLÜK (2.5 M MESH )

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385795
title: Building Optimize Game-Ready

description: More coming Soon
Stay tuned...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385796
title: Building Optimize Game-Ready

description: More coming Soon
Stay tuned...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385797
title: Cup-marked stone, Zermatt-Hubelwäng, Switzerland

description: Cup-marked stone in the Matter valley near Zermatt, Switzerland (for a map see http://goo.gl/LbrI1i). Recorded in April 2016. The flat quartzite slab ist situated next to the hiking trail from Herbrigg to Zmutt at around 2000 m ASL with a panoramic view including the Matterhorn.

Measuring ca. 4.8 x 3 m, the stone shows prehistoric cup marks and symbolic petroglyphs as well as modern initials and the date 1762. See https://skfb.ly/68RqY for a Matcap rendering which brings out the petroglyphs a lot better than the textured model.

For further details (in German) see http://www.ssdi.ch/Inventar/VS/3920.01.pdf and J. Reinhard, Was in den Rucksack passt… In: Chr. Rinne et al. (ed.), Vom Bodenfund zum Buch - Archäologie durch die Zeiten. Festschrift für Andreas Heege. Historische Archäologie Sonderband 1 (Bonn 2017), 503-520. URL: http://www.histarch.uni-kiel.de/sonderband01.htm. Supplemental material including a high resolution model can be accessed via https://doi.org/10.5281/zenodo.3373712.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385798
title: Cup-marked stone, Zermatt-Hubelwäng, Switzerland

description: Cup-marked stone in the Matter valley near Zermatt, Switzerland (for a map see http://goo.gl/LbrI1i). Recorded in April 2016. The flat quartzite slab ist situated next to the hiking trail from Herbrigg to Zmutt at around 2000 m ASL with a panoramic view including the Matterhorn.

Measuring ca. 4.8 x 3 m, the stone shows prehistoric cup marks and symbolic petroglyphs as well as modern initials and the date 1762. See https://skfb.ly/68RqY for a Matcap rendering which brings out the petroglyphs a lot better than the textured model.

For further details (in German) see http://www.ssdi.ch/Inventar/VS/3920.01.pdf and J. Reinhard, Was in den Rucksack passt… In: Chr. Rinne et al. (ed.), Vom Bodenfund zum Buch - Archäologie durch die Zeiten. Festschrift für Andreas Heege. Historische Archäologie Sonderband 1 (Bonn 2017), 503-520. URL: http://www.histarch.uni-kiel.de/sonderband01.htm. Supplemental material including a high resolution model can be accessed via https://doi.org/10.5281/zenodo.3373712.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385799
title: Fossil Whale Excavation site MPC 685

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:016ceecb-49ea-43e8-b629-c5a2f4ded297)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Fossil Whale MPC 685

Collector (physical): Museo Paleontologico de Caldera, Chile

Site Name: Cerro Ballena

Object Type: Fossil 

Place: Atacama Region, Chile

Topic: Paleobiology

Taxonomy: Vertebrata, Mammalia, Eutheria, Cetacea, Mysticeti

Data Source: Smithsonian Institution, Digitization Program Office

Source: Objaverse 1.0 / Sketchfab