cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.13060625.v1
title: Victorians Decoded - Victorians Decoded Exhibition Photos

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br><br>This item contains documentation of the exhibition <i>Victorians Decoded: Art and Telegraphy</i>, Guildhall Art Gallery, City of London, 20 September 2016 - 22 January 2017.<br>Images are used courtesy of the Victorians Decoded Project Team.<br>Used with permission of Guildhall Art Gallery. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13060631
title: Victorians Decoded - Scrambled Messages Research Workshops

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br><br>This item contains details of three Scrambled Messages Research Workshops, on the themes of coding, the body, and time.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13060631.v1
title: Victorians Decoded - Scrambled Messages Research Workshops

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br><br>This item contains details of three Scrambled Messages Research Workshops, on the themes of coding, the body, and time.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347482
title: Victorians Decoded - British Association for Victorian Studies Conference, September 2014

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the Scrambled Messages panel proposal for the British Association for Victorian Studies Conference, 4-6 September 2014, including Newland's abstract for the paper 'Writing a Wonderstuff: Gutta-percha and the telegraph'.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347509
title: Victorians Decoded - Failure: a complete non-event - Scrambled Messages Research Workshop, July 2015

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the programme for the Scrambled Messages research workshop <i>Failure: a complete non-event</i>. Hosted by the Institute of Making, the workshop was held to mark the mark the 150th anniversary of the failure of the 1865 trans-Atlantic cable and explored ideas around making and failure.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347509.v1
title: Victorians Decoded - Failure: a complete non-event - Scrambled Messages Research Workshop, July 2015

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the programme for the Scrambled Messages research workshop <i>Failure: a complete non-event</i>. Hosted by the Institute of Making, the workshop was held to mark the mark the 150th anniversary of the failure of the 1865 trans-Atlantic cable and explored ideas around making and failure.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347638
title: Victorians Decoded - Scrambled Messages in Wonderland, St Anne's College Oxford, April 2016

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br><br>This item contains a copy of the paper 'Monstrous Proportions: Mapping and Manipulation' and accompanying slides delivered by Newland at a meeting with Scrambled Messages research partners Citizen Science project in Oxford. Newland's paper looked at telegraphic ideas of stretching and scale and demonstrated how our ideas of telegraphy are influenced by 19th century mapping processes and also the way in which telegraphy influenced those very mapping processesthemselves.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347638.v1
title: Victorians Decoded - Scrambled Messages in Wonderland, St Anne's College Oxford, April 2016

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br><br>This item contains a copy of the paper 'Monstrous Proportions: Mapping and Manipulation' and accompanying slides delivered by Newland at a meeting with Scrambled Messages research partners Citizen Science project in Oxford. Newland's paper looked at telegraphic ideas of stretching and scale and demonstrated how our ideas of telegraphy are influenced by 19th century mapping processes and also the way in which telegraphy influenced those very mapping processesthemselves.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347488
title: Victorians Decoded - Frazzled and Dazzled, Scrambled Messages Symposium, April 2016

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains presentation abstracts for the Scrambled Messages Symposium <i>Frazzled and Dazzled</i>, held at King's College London and The Courtauld Institute of Art, Friday 29 April 2016.<br>The Symposium brought together scholars from literature, art history, media studies and archaeology to focus on the flow of data and scrambling of information as historical sites take on new functions, imagery reaches new audiences and social and natural appearances are understood to be liable to blur and deceive.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347488.v1
title: Victorians Decoded - Frazzled and Dazzled, Scrambled Messages Symposium, April 2016

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains presentation abstracts for the Scrambled Messages Symposium <i>Frazzled and Dazzled</i>, held at King's College London and The Courtauld Institute of Art, Friday 29 April 2016.<br>The Symposium brought together scholars from literature, art history, media studies and archaeology to focus on the flow of data and scrambling of information as historical sites take on new functions, imagery reaches new audiences and social and natural appearances are understood to be liable to blur and deceive.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347500
title: Victorians Decoded - Coding and Representation Conference, January 2017

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the programme and speaker abstracts for the <i>Coding and Representation </i>conference, 20-21 January 2017, Guildhall Art Gallery and The Courtauld Institute of Art, London.<br>The conference emerged from the 2013-2017 research project, 'Scrambled Messages: the Telegraphic Imaginary 1857-1900' and coincided with the <i>Victorians Decoded</i> exhibition at Guildhall Art Gallery, 20 September 2016 - 22 January 2017.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347500.v1
title: Victorians Decoded - Coding and Representation Conference, January 2017

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the programme and speaker abstracts for the <i>Coding and Representation </i>conference, 20-21 January 2017, Guildhall Art Gallery and The Courtauld Institute of Art, London.<br>The conference emerged from the 2013-2017 research project, 'Scrambled Messages: the Telegraphic Imaginary 1857-1900' and coincided with the <i>Victorians Decoded</i> exhibition at Guildhall Art Gallery, 20 September 2016 - 22 January 2017.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.48370/ofd/nnxl22/balrra
title: HMW_Centaurea_jacea_L_H_4188.jpg

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DOI: 10.48370/ofd/nnxl22
title: Chaber łąkowy (Centaurea jacea L.), 4188

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DOI: 10.48370/ofd/vmvomk/iiwyca
title: HMW_Centaurea_jacea_L_H_9245.jpg

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DOI: 10.48370/ofd/vmvomk
title: Chaber łąkowy (Centaurea jacea L.), 9245

description: Herbarium
DOI: 10.17870/bathspa.13347740.v1
title: Victorians Decoded - Exhibition Methods and Processes

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains information about the planning processes involved in the curation of the <i>Victorians Decoded: Art and Telegraphy</i> exhibition, Guildhall Art Gallery, London, 20 September 2016 - 22 January 2017. Documents include: exhibition proposal, room additions and loan objects, timeline design and texts, exhibition case layouts and annotations, sponsorship brochure.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347740
title: Victorians Decoded - Exhibition Methods and Processes

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains information about the planning processes involved in the curation of the <i>Victorians Decoded: Art and Telegraphy</i> exhibition, Guildhall Art Gallery, London, 20 September 2016 - 22 January 2017. Documents include: exhibition proposal, room additions and loan objects, timeline design and texts, exhibition case layouts and annotations, sponsorship brochure.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13347482.v1
title: Victorians Decoded - British Association for Victorian Studies Conference, September 2014

description: <i>Victorians Decoded: Art and Telegraphy</i> celebrated the 150th anniversary of the first successful communications cable laid across the Atlantic Ocean, connecting Europe with America. A collaboration between Guildhall Art Gallery, King's College London, The Courtauld Institute of Art and the Institute of Making at University College London, the exhibition used iconic Victorian paintings and early telegraphic objects to explore how cable telegraphy transformed people's understanding of time, space and speed of communication.<br>This item contains the Scrambled Messages panel proposal for the British Association for Victorian Studies Conference, 4-6 September 2014, including Newland's abstract for the paper 'Writing a Wonderstuff: Gutta-percha and the telegraph'.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.48370/ofd/phocdx/yqdfnm
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DOI: 10.48370/ofd/phocdx
title: Chaber łąkowy (Centaurea jacea L.), 9243

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DOI: 10.48370/ofd/mn46ik/dolokj
title: HMW_Centaurea_jacea_L_H_9209.jpg

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DOI: 10.48370/ofd/mn46ik
title: Chaber łąkowy (Centaurea jacea L.), 9209

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DOI: 10.48370/ofd/rfwm1b/ozmauw
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DOI: 10.48370/ofd/rfwm1b
title: Chaber łąkowy (Centaurea jacea L.), 9201

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DOI: 10.48370/ofd/xjzhaz/n7hap3
title: HMW_Centaurea_jacea_L_H_8695.jpg

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DOI: 10.48370/ofd/xjzhaz
title: Chaber łąkowy (Centaurea jacea L.), 8695

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DOI: 10.48370/ofd/7cjzew/xteq70
title: HMW_Centaurea_jacea_L_H_8607.jpg

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DOI: 10.48370/ofd/7cjzew
title: Chaber łąkowy (Centaurea jacea L.), 8607

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DOI: 10.48370/ofd/83hxra/lkzile
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DOI: 10.48370/ofd/83hxra
title: Chaber łąkowy (Centaurea jacea L.), 6792

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DOI: 10.48370/ofd/nkgjay/tkwlen
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DOI: 10.48370/ofd/nkgjay
title: Chaber łąkowy (Centaurea jacea L.), 962

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DOI: 10.48370/ofd/gbecwc/16gtcn
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DOI: 10.48370/ofd/gbecwc
title: Chaber łąkowy (Centaurea jacea L.), 224

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DOI: 10.48370/ofd/gai3qr/lwn2xi
title: HMW_Centaurea_jacea_L_H_8332.jpg

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DOI: 10.48370/ofd/gai3qr
title: Chaber łąkowy (Centaurea jacea L.), 8332

description: Herbarium
DOI: 10.20351/29gd19970610
title: TOROS-III Cruise, RV García del Cid

description: TOROS-III Cruise (29GD19970610) carried out on the Research Vessel García del Cid in 1997
DOI: 10.48370/ofd/qfeeqf/0hycxf
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DOI: 10.48370/ofd/qfeeqf
title: Chaber łąkowy (Centaurea jacea L.), 7492

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DOI: 10.48370/ofd/ampwad/6y73bq
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DOI: 10.48370/ofd/ampwad
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DOI: 10.48370/ofd/igmmv3/6bmfu9
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DOI: 10.48370/ofd/igmmv3
title: Chaber łąkowy (Centaurea jacea L.), 6715

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DOI: 10.48370/ofd/wtzd6p
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DOI: 10.48370/ofd/8ogqgp/xzmrqd
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DOI: 10.48370/ofd/8ogqgp
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DOI: 10.48370/ofd/bb3igd/xhqfkw
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DOI: 10.48370/ofd/bb3igd
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DOI: 10.48370/ofd/f7isn4/xaucni
title: HMW_Centaurea_jacea_L_H_3991.jpg

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DOI: 10.48370/ofd/f7isn4
title: Chaber łąkowy (Centaurea jacea L.), 3991

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DOI: 10.48370/ofd/wugoxo/6kpplq
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DOI: 10.48370/ofd/wugoxo
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DOI: 10.48370/ofd/qudinc
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DOI: 10.5281/zenodo.4596423
title: Saamelaiskielten lainaperäiset indefiniittipronominit ja pronomineissa esiintyvät elementit

description: Liite artikkeliin: Juutinen, M., & Mettovaara, J. (2021). Saamelaiskielten indefiniittipronominien jäljillä. Teoksessa Hämäläinen, M., Partanen, N., & Alnajjar, K. (toim.) Multilingual Facilitation
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DOI: 10.48370/ofd/lmmcsk
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DOI: 10.48370/ofd/ns5lpm
title: Chaber łąkowy (Centaurea jacea L.), 1913

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DOI: 10.48370/ofd/b6mua2/ju4sfz
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DOI: 10.48370/ofd/b6mua2
title: Chaber łąkowy (Centaurea jacea L.), 8724

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DOI: 10.20351/29gd19970707
title: FANS-3 Cruise, RV García del Cid

description: FANS-3 Cruise (29GD19970707) carried out on the Research Vessel García del Cid in 1997
DOI: 10.5257/oecd/env/2020
title: Environment Statistics (2020 Edition)

description: The OECD Environmental Statistics database provide a unique collection of policy-relevant environmental statistics.
DOI: 10.48370/ofd/tgdmmi/9da0sz
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DOI: 10.48370/ofd/tgdmmi
title: Chaber miękkowłosy (Centaurea mollis Waldst. Kit.), 7760

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DOI: 10.48370/ofd/df4vo8/oqhnnz
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DOI: 10.48370/ofd/df4vo8
title: Chaber miękkowłosy (Centaurea mollis Waldst. Kit.), 5264

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DOI: 10.20351/29gd19970630
title: CNL-0597 Cruise, RV García del Cid

description: CNL-0597 Cruise (29GD19970630) carried out on the Research Vessel García del Cid in 1997
DOI: 10.48370/ofd/cxbhnd/0vdk6l
title: HMW_Centaurea_mollis_Waldst_&_Kit_H_5265.jpg

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DOI: 10.48370/ofd/cxbhnd
title: Chaber miękkowłosy (Centaurea mollis Waldst. Kit.), 5265

description: Herbarium
DOI: 10.48370/ofd/wpao4y/3xcpzm
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DOI: 10.48370/ofd/wpao4y
title: Chaber miękkowłosy (Centaurea mollis Waldst. Kit.), 739

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DOI: 10.6084/m9.figshare.14198876
title: Comprehensive analysis of the safety of three new drug classes

description: Comprehensive analysis of the safety of 3 new drug classes<br>