cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10377797
title: Flaked Chopper XCB-001-258

description: Flaked Chopper XCB-001-258

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377798
title: Flaked Chopper XCB-001-258

description: Flaked Chopper XCB-001-258

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377807
title: Blackdown Rings Iron Age Hill Fort

description: The remains of an Iron Age hill fort in Devon, UK.

https://historicengland.org.uk/listing/the-list/list-entry/1016258

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377808
title: Blackdown Rings Iron Age Hill Fort

description: The remains of an Iron Age hill fort in Devon, UK.

https://historicengland.org.uk/listing/the-list/list-entry/1016258

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377817
title: Pan Gallego (Galician Bread)

description: **3D capture method**: Photogrammetry

**Equipment used**: Camera: Sony Alpha 7RII; 3D reconstruction software: Agisoft Metashape

**Asset information**: Pan gallego (Galician bread) 

**About this job**: Welcome to the planet Pan Gallego in the constellation Culinary Way. Jokes aside, Galician bread is a key element in Galician gastronomy. It is characterized by its exquisite combination of spongy crumb with a hard and crunchy crust. Its production requires the use of sourdough together with a large amount of water and yeast. It also requires a long fermentation of at least three to three hours, followed by baking in a stone hearth oven.

![](https://external-content.duckduckgo.com/iu/?u=https%3A%2F%2F2.bp.blogspot.com%2F-ndG_0EG7wGo%2FW3fp5HkjM5I%2FAAAAAAAAQeg%2FFOx-kcb9TeAAMxJIyvaj8sQ-72KpX9M_QCEwYBhgL%2Fs640%2FIMG_2342%252B%252528Copiar%252529.jpg&f=1&nofb=1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377818
title: Pan Gallego (Galician Bread)

description: **3D capture method**: Photogrammetry

**Equipment used**: Camera: Sony Alpha 7RII; 3D reconstruction software: Agisoft Metashape

**Asset information**: Pan gallego (Galician bread) 

**About this job**: Welcome to the planet Pan Gallego in the constellation Culinary Way. Jokes aside, Galician bread is a key element in Galician gastronomy. It is characterized by its exquisite combination of spongy crumb with a hard and crunchy crust. Its production requires the use of sourdough together with a large amount of water and yeast. It also requires a long fermentation of at least three to three hours, followed by baking in a stone hearth oven.

![](https://external-content.duckduckgo.com/iu/?u=https%3A%2F%2F2.bp.blogspot.com%2F-ndG_0EG7wGo%2FW3fp5HkjM5I%2FAAAAAAAAQeg%2FFOx-kcb9TeAAMxJIyvaj8sQ-72KpX9M_QCEwYBhgL%2Fs640%2FIMG_2342%252B%252528Copiar%252529.jpg&f=1&nofb=1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377829
title: INDIA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377830
title: INDIA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377835
title: USSR Mailbox

description: This is the model of USSR Mailbox in my custom style.
Including FBX format.
With Base Color, Normal, Roughness, Metallic, Height for base material.
Textures maps 2048x2048.
Textire maps are seamless.
Tris 4555.
Verts 2496.
Create in Blender, baking in Marmoset Toolbag,texturing in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377836
title: USSR Mailbox

description: This is the model of USSR Mailbox in my custom style.
Including FBX format.
With Base Color, Normal, Roughness, Metallic, Height for base material.
Textures maps 2048x2048.
Textire maps are seamless.
Tris 4555.
Verts 2496.
Create in Blender, baking in Marmoset Toolbag,texturing in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377843
title: Quillback Saber

description: c. Early 19th Century British Saber

Oakeshott Collection

Catalogue Number:OC 047

The sword is noted for its unique hilt with a Celtic inspired motif on the guard and unique "pipe-backed" bladed with large false edge fin. The blade was almost certainly a response to the dislike of the 1796 Heavy Cavalry sword that was issued as the model sword to the troops. This particular sword is marked with the seller Prosser's information in the ricasso. The known examples of the sword also show this mark, so it is sometimes referred to as the Prosser 1818/1819 model. However, models of the sword  have appeared as early as 1811.

* Overall Length : 39.71 in | 1008.7 mm
* Blade Length from front of guard: 34.67 in | 880.7 mm
* Blade Width (@ Guard): 1.42 in | 36.0 mm
* Grip Length : 4.91 in | 124.6 mm
* Center of Mass (from Guard) : 6.89 in | 174.9 mm


[Support us on Patreon](https://www.patreon.com/oakeshott)


[Follow us on Facebook](https://www.facebook.com/oakeshottinstitute)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377844
title: Quillback Saber

description: c. Early 19th Century British Saber

Oakeshott Collection

Catalogue Number:OC 047

The sword is noted for its unique hilt with a Celtic inspired motif on the guard and unique "pipe-backed" bladed with large false edge fin. The blade was almost certainly a response to the dislike of the 1796 Heavy Cavalry sword that was issued as the model sword to the troops. This particular sword is marked with the seller Prosser's information in the ricasso. The known examples of the sword also show this mark, so it is sometimes referred to as the Prosser 1818/1819 model. However, models of the sword  have appeared as early as 1811.

* Overall Length : 39.71 in | 1008.7 mm
* Blade Length from front of guard: 34.67 in | 880.7 mm
* Blade Width (@ Guard): 1.42 in | 36.0 mm
* Grip Length : 4.91 in | 124.6 mm
* Center of Mass (from Guard) : 6.89 in | 174.9 mm


[Support us on Patreon](https://www.patreon.com/oakeshott)


[Follow us on Facebook](https://www.facebook.com/oakeshottinstitute)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377847
title: Bronze 'Ding' food vessel, 5th C BCE

description: Chinese bronze 'Ding' food vessel, 5th C BCE, now in the collection of the Minneapolis Institute of Art.

More information about the object here:
https://collections.artsmia.org/art/1138/ding-food-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377848
title: Bronze 'Ding' food vessel, 5th C BCE

description: Chinese bronze 'Ding' food vessel, 5th C BCE, now in the collection of the Minneapolis Institute of Art.

More information about the object here:
https://collections.artsmia.org/art/1138/ding-food-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377849
title: Radnadel vom Typ Holste Schema F

description: **Titel/Title**: Radnadel vom Typ Holste Schema F

**Objektbezeichnung/Description**: Gewandnadel

**Inventarnummer/Accession Number**: C 3766

**Datierung/Date**: Bz C (1500-1300 v. Chr.), Hügelgräberbronzezeit, Bronzezeit

**Orte/Locations**: Stettfeld (Ubstadt-Weiher), Bronzezeitliches Inventar (Fundort/Herkunft)

**Material/Material**: Bronze

**Technik/Manufacturing technique**: geschmiedet, gegossen

**Maße/Size**:
      
   Breite: 4,3 cm	
   
   Länge: 19,6 cm (Gesamt)	
   
   Höhe: 0,5 cm	
   
   
**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377850
title: Radnadel vom Typ Holste Schema F

description: **Titel/Title**: Radnadel vom Typ Holste Schema F

**Objektbezeichnung/Description**: Gewandnadel

**Inventarnummer/Accession Number**: C 3766

**Datierung/Date**: Bz C (1500-1300 v. Chr.), Hügelgräberbronzezeit, Bronzezeit

**Orte/Locations**: Stettfeld (Ubstadt-Weiher), Bronzezeitliches Inventar (Fundort/Herkunft)

**Material/Material**: Bronze

**Technik/Manufacturing technique**: geschmiedet, gegossen

**Maße/Size**:
      
   Breite: 4,3 cm	
   
   Länge: 19,6 cm (Gesamt)	
   
   Höhe: 0,5 cm	
   
   
**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377851
title: XCB-105-4104 Ivory Labret, Adamagan, Alaska

description: Ivory Labret, Adamagan, Western Alaska Peninsula, Alaska CAT#XCB-105-4104
Adamagan Phase 400-100 BCE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, on the lands of the Izembek National Wildlife Refuge. It is a massive village with multiple occupations. When it was occupied 400-100 BCE, it was the largest village in the arctic with an estimated 1000 people. 

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377852
title: XCB-105-4104 Ivory Labret, Adamagan, Alaska

description: Ivory Labret, Adamagan, Western Alaska Peninsula, Alaska CAT#XCB-105-4104
Adamagan Phase 400-100 BCE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, on the lands of the Izembek National Wildlife Refuge. It is a massive village with multiple occupations. When it was occupied 400-100 BCE, it was the largest village in the arctic with an estimated 1000 people. 

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377853
title: Artec Eva HD Mode vs. SD Mode (Part 3)

description: This 3D scan was captured with the Artec Eva in Artec Studio 16 3D scanning software to showcase the recent software upgrades with HD Mode that have doubled the resolution of these scanners.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377854
title: Artec Eva HD Mode vs. SD Mode (Part 3)

description: This 3D scan was captured with the Artec Eva in Artec Studio 16 3D scanning software to showcase the recent software upgrades with HD Mode that have doubled the resolution of these scanners.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377855
title: Bakiatoys

description: Created for 3D interactive experience on Bakia 's website will release soon.
facebook.com/bakiatoys

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377856
title: Bakiatoys

description: Created for 3D interactive experience on Bakia 's website will release soon.
facebook.com/bakiatoys

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377857
title: Faberge Egg

description: Faberge Egg free to download

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377858
title: Faberge Egg

description: Faberge Egg free to download

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377861
title: Petroglyph C14 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph C14 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377862
title: Petroglyph C14 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph C14 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377863
title: Tesla Statue Experiment

description: Forgot I even took this in Niagara. What I was most impressed with with this version of scaniverse is that the model of the statute what I could see of it was one piece instead of losing registration and breaking up

📍 [Niagara Falls, ON, Canada](https://scaniver.se/L43.08160,-79.07842)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377864
title: Tesla Statue Experiment

description: Forgot I even took this in Niagara. What I was most impressed with with this version of scaniverse is that the model of the statute what I could see of it was one piece instead of losing registration and breaking up

📍 [Niagara Falls, ON, Canada](https://scaniver.se/L43.08160,-79.07842)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377865
title: COADS_129-121

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Upper Mercer
Uploaded by: Gabi Ritter

Nolan, Kevin C., Eric Olson, Kelli Wathem, Sidney Travis, Gabi Ritter, and Michael Shott, 2017. COADS_129-121, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377866
title: COADS_129-121

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Upper Mercer
Uploaded by: Gabi Ritter

Nolan, Kevin C., Eric Olson, Kelli Wathem, Sidney Travis, Gabi Ritter, and Michael Shott, 2017. COADS_129-121, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377869
title: Scutum

description: A roman scutum based in the model found at Dura Europos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377870
title: Scutum

description: A roman scutum based in the model found at Dura Europos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377871
title: Großer Janus II - Fritz Koenig

description: ---

Part of the [Berlin 3D Virtual Tour](https://r.upo.sh/Tz8l2o5m). [More details](https://urban-photogrammetry.org/berlin/bb3207ff1bba4465bb331bd38054ffe5).

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377872
title: Großer Janus II - Fritz Koenig

description: ---

Part of the [Berlin 3D Virtual Tour](https://r.upo.sh/Tz8l2o5m). [More details](https://urban-photogrammetry.org/berlin/bb3207ff1bba4465bb331bd38054ffe5).

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377875
title: Tin Man

description: This 12ft tall Tin Man statue was made using scrap material by Dixie Sheet Metal in Falls Church VA.  The statue was created by an employee in 1962 and pulled on wheels in the city's Memorial Day Parade for many years.  It is now permenantely fixed in front of the shop to point customer's to the front door and serve as a local city landmark.

More info on the statue: https://fcnp.com/2018/07/26/falls-churchs-12-foot-tin-man-mr-dixie-turns-56-years-old/

Model was made with a Nikon D3000, Reality Capture, and MeshMixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377876
title: Tin Man

description: This 12ft tall Tin Man statue was made using scrap material by Dixie Sheet Metal in Falls Church VA.  The statue was created by an employee in 1962 and pulled on wheels in the city's Memorial Day Parade for many years.  It is now permenantely fixed in front of the shop to point customer's to the front door and serve as a local city landmark.

More info on the statue: https://fcnp.com/2018/07/26/falls-churchs-12-foot-tin-man-mr-dixie-turns-56-years-old/

Model was made with a Nikon D3000, Reality Capture, and MeshMixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377877
title: Bridge

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style bridge used as scenery composition in a fantasy world. With shades of brown and gray color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377878
title: Bridge

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style bridge used as scenery composition in a fantasy world. With shades of brown and gray color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377884
title: HIGH Virkahattu – Bicorne hat

description: Venäjän vallan aikana Suomen suuriruhtinaskunnassa siviilivirkamiehillä oli käytössä sotilaspuvun tyyppinen virkapuku. Virkapuvulla osoitettiin paikka virkamiesten arvojärjestyksessä. Postinhoitajan vuoden 1854 mallin virkapukuun kuului kaksikolkkahattu. Hattua on käyttänyt postinhoitaja Frithiof Öhberg vuosina 1885–1903 työssään Viaporissa, Kristiinankaupungissa, Tammisaaressa ja Porvoossa.

When Finland was part of the Russian empire as a Grand Duchy, the civil servants had uniforms reminiscent of the Russian military uniform. The uniform showed the position of the official in the ranking system. The 1854 model of postmaster's uniform included a bicorne hat. This hat was used by postmaster Frithiof Öhberg from 1885 to 1903.

The object (PM-ES-466) and 3D model: Finnish Postal Museum (member of Traffic Museums Association). The photogrammetric 3D model may include touch-ups and modelled additions.

https://www.finna.fi/Record/postimuseo.deaeceed-7aca-44c6-a378-4dee236bfbbd

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377883
title: HIGH Virkahattu – Bicorne hat

description: Venäjän vallan aikana Suomen suuriruhtinaskunnassa siviilivirkamiehillä oli käytössä sotilaspuvun tyyppinen virkapuku. Virkapuvulla osoitettiin paikka virkamiesten arvojärjestyksessä. Postinhoitajan vuoden 1854 mallin virkapukuun kuului kaksikolkkahattu. Hattua on käyttänyt postinhoitaja Frithiof Öhberg vuosina 1885–1903 työssään Viaporissa, Kristiinankaupungissa, Tammisaaressa ja Porvoossa.

When Finland was part of the Russian empire as a Grand Duchy, the civil servants had uniforms reminiscent of the Russian military uniform. The uniform showed the position of the official in the ranking system. The 1854 model of postmaster's uniform included a bicorne hat. This hat was used by postmaster Frithiof Öhberg from 1885 to 1903.

The object (PM-ES-466) and 3D model: Finnish Postal Museum (member of Traffic Museums Association). The photogrammetric 3D model may include touch-ups and modelled additions.

https://www.finna.fi/Record/postimuseo.deaeceed-7aca-44c6-a378-4dee236bfbbd

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377889
title: Барельєф: "Миха́йло Груше́вський"

description: Робота скульптора Володимира Давидовича Нікітенко, 1923 – 2018р., м.Приморськ

Сканування робіт виконано ГО "Приморськ 24/7" спільно з ГО "Спілка краєзнавців Приморська" за сприяння Приморського краєзнавчого музею, в рамках виконання проєкту "Смарт-підтримка молодіжного центру Портал". Фінансування відбувається завдяки Програмі ООН із відновлення та розбудови миру, що фінансується за підтримки Європейського Союзу та урядів Данії, Швейцарії та Швеції.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377890
title: Барельєф: "Миха́йло Груше́вський"

description: Робота скульптора Володимира Давидовича Нікітенко, 1923 – 2018р., м.Приморськ

Сканування робіт виконано ГО "Приморськ 24/7" спільно з ГО "Спілка краєзнавців Приморська" за сприяння Приморського краєзнавчого музею, в рамках виконання проєкту "Смарт-підтримка молодіжного центру Портал". Фінансування відбувається завдяки Програмі ООН із відновлення та розбудови миру, що фінансується за підтримки Європейського Союзу та урядів Данії, Швейцарії та Швеції.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377891
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of William Millar, died 1885, aged *unknown* years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Wesleyan Section. Section 1C

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
19 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377892
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of William Millar, died 1885, aged *unknown* years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Wesleyan Section. Section 1C

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
19 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377894
title: место стрељања,  гробље, село Житковац

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Aleksinac and Sokobanja" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.

model made by: https://sketchfab.com/nixic.alexandar

43.506337, 21.698902

Source: Objaverse 1.0 / Sketchfab