cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.7925/drs1.duchas_4522294
title: Fathaigh agus Cailleacha

description: Story collected by Anna Nic Giolla Brighde, a student at Doire Chasáin school (Derrycassan, Co. Donegal) from informant Aodh Mac Giolla Brighde.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Tomás Mac Fhionghaile.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4522295
title: Local Funny Stories

description: Story collected by Bessie Mc Naught, a student at Ráth Mhaoláin (Robertson) school (Rathmullan, Co. Donegal) from informant William Gallagher.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Éamonn Mac Stiopháin.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4778241
title: Candle-Making

description: Story collected by Eileen Scanlon, a student at Cnoc Breac school (Knockbrack, Co. Kerry) (no informant identified).
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Séamus Ó Conchubhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4522296
title: Dóghadh

description: Story collected by Pádraig Ó Cheallachain, a student at Ballylar school (Magheradrumman, Co. Donegal) (no informant identified).
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Aodh A. Mac Congáile.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4778242
title: Potato Crop

description: Story collected by Paddy Leahy, a student at Cnoc Breac school (Knockbrack, Co. Kerry) (no informant identified).
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Séamus Ó Conchubhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4778243
title: Caoine for Simon O' Keane

description: Story collected by a student at Cnoc Breac school (Knockbrack, Co. Kerry) from 2 informants.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Séamus Ó Conchubhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4778244
title: Song Made by Tim Mc Govern of Dromlegach on 1916

description: Story collected by a student at Cnoc Breac school (Knockbrack, Co. Kerry) from informant Tadhg Mc Govern.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Séamus Ó Conchubhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4522297
title: Local Heroes

description: Story collected by Róise Nic Giolla Cheara, a student at Ray (2) school (Ray, Co. Donegal) from informant An tAthair Uí Dhochartaigh.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Seósaimhín Ní Ghallchobhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4522298
title: Leipreacháin agus Maighdeana Mara

description: Story collected by Maire Ní Gallchobhair, a student at Doire Chasáin school (Derrycassan, Co. Donegal) from informant Domhnall Ó Gallchobhair.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Tomás Mac Fhionghaile.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4778245
title: Song Made on Winning the Longford Election 1918

description: Story collected by a student at Cnoc Breac school (Knockbrack, Co. Kerry) from informant Tadhg Mc Govern.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Séamus Ó Conchubhair.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.5281/zenodo.10271682
title: Jenrette Simple Stamped Jar Rim (2393p1814)

description: **Jenrette Simple Stamped jar rim** 
  
Location: Jenrette site (31Or231a), Orange County, North Carolina. 
  
Period: Historic (AD 1650-1680). 
  
Material: ceramic. 
  
Dimensions: length, 223 mm; width, 142 mm; thickness, 5.8 mm. 
  
Notes: Catalog no. 2393p1814, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271683
title: Jenrette Simple Stamped Jar Rim (2393p1814)

description: **Jenrette Simple Stamped jar rim** 
  
Location: Jenrette site (31Or231a), Orange County, North Carolina. 
  
Period: Historic (AD 1650-1680). 
  
Material: ceramic. 
  
Dimensions: length, 223 mm; width, 142 mm; thickness, 5.8 mm. 
  
Notes: Catalog no. 2393p1814, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271684
title: Relief Depiction of Ma'at

description: Ancient Egyptian relief depiction of Ma'at, carved from limestone and painted with still visible pigments. This fragment, dating to the reign of Amenhotep III, was a part of an unknown larger motif.

Yale University Art Gallery, Ancient Art Collection, Catalog No. [1936.45](https://artgallery.yale.edu/collections/objects/34989)

[3D color interpretation](https://skfb.ly/6FX9W) featured in the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271685
title: Relief Depiction of Ma'at

description: Ancient Egyptian relief depiction of Ma'at, carved from limestone and painted with still visible pigments. This fragment, dating to the reign of Amenhotep III, was a part of an unknown larger motif.

Yale University Art Gallery, Ancient Art Collection, Catalog No. [1936.45](https://artgallery.yale.edu/collections/objects/34989)

[3D color interpretation](https://skfb.ly/6FX9W) featured in the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271686
title: LOW+info Pula-ajan rengas - Emergency tyre

description: Toinen maailmasota haittasi ulkomaankauppaa. Tämä rengas on esimerkki kauppasuhteiden katkeamisen vaikutuksista tieliikenteeseen. Autojen tuonti katkesi ja liikennöinnistä tehtiin luvanvaraista polttoaineen säästämiseksi. Bensiinin sijasta polttoaineena käytettiin puukaasua. Autoja nopeammin loppuun kuluivat varaosat ja varsinkin renkaat. Pula jatkui vielä pitkään sodan jälkeen. Rengas on valmistettu pulttaamalla kahden rikkoutuneen renkaan ehjät osat toisiinsa.

WW2 made foreign trade difficult. This tyre is an example of how cutting of trade affected road traffic. Import of cars ended and civilian traffic was regulated to save fuel. Instead of gasoline, wood gas was used as substitute. Spare parts and tyres were worn out before the cars, and shortage lasted long after the war. This tyre was made by fastening the good parts of two tyres together with iron bolts.

The object: Mobilia, Finland (member of Traffic Museums Association). 3D model: Mobilia and Jorma Kontio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271687
title: LOW+info Pula-ajan rengas - Emergency tyre

description: Toinen maailmasota haittasi ulkomaankauppaa. Tämä rengas on esimerkki kauppasuhteiden katkeamisen vaikutuksista tieliikenteeseen. Autojen tuonti katkesi ja liikennöinnistä tehtiin luvanvaraista polttoaineen säästämiseksi. Bensiinin sijasta polttoaineena käytettiin puukaasua. Autoja nopeammin loppuun kuluivat varaosat ja varsinkin renkaat. Pula jatkui vielä pitkään sodan jälkeen. Rengas on valmistettu pulttaamalla kahden rikkoutuneen renkaan ehjät osat toisiinsa.

WW2 made foreign trade difficult. This tyre is an example of how cutting of trade affected road traffic. Import of cars ended and civilian traffic was regulated to save fuel. Instead of gasoline, wood gas was used as substitute. Spare parts and tyres were worn out before the cars, and shortage lasted long after the war. This tyre was made by fastening the good parts of two tyres together with iron bolts.

The object: Mobilia, Finland (member of Traffic Museums Association). 3D model: Mobilia and Jorma Kontio.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271688
title: White marble bodhisattva, 6th C CE

description: Late 6th Century white marble bodhisattva, now in the collection of the Minneapolis Instiute of Arts.

More information about the sculpture here:
https://collections.artsmia.org/art/646/bodhisattva-one-of-a-pair-china

Scanned with a few hundred 20-megapixel photos, built in Photoscan.

Scanned for our friends at The Propeller Group ( the-propeller-group.com ) in support of their show Reincarnations:
https://new.artsmia.org/exhibition/new-pictures-the-propeller-group-reincarnations/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271689
title: White marble bodhisattva, 6th C CE

description: Late 6th Century white marble bodhisattva, now in the collection of the Minneapolis Instiute of Arts.

More information about the sculpture here:
https://collections.artsmia.org/art/646/bodhisattva-one-of-a-pair-china

Scanned with a few hundred 20-megapixel photos, built in Photoscan.

Scanned for our friends at The Propeller Group ( the-propeller-group.com ) in support of their show Reincarnations:
https://new.artsmia.org/exhibition/new-pictures-the-propeller-group-reincarnations/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271690
title: Droomgoon Hill Old Graveyard - Headstone 122

description: Droomgoon Hill Old Graveyard - Headstone 122

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271691
title: Droomgoon Hill Old Graveyard - Headstone 122

description: Droomgoon Hill Old Graveyard - Headstone 122

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271692
title: St Marks Crucifixion Mosaic (Venice, Italy)

description: "When thinking about Saint Mark's Basilica, the first images that come to the minds of many people are those of the mosaics and their golden backgrounds.
More than 8000 square metres of mosaic cover the walls, vaults and cupolas of the Basilica.
Essentially Byzantine in its architecture, the Basilica finds in the mosaics its natural integrating element. The mosaic decorations were developed through some 8 centuries of the Basilica's history ... In the Basilica's mosaics can be found the most significant evidence of Venice's history, the ambitions, faith, languages and trends characterizing the evolution of its art. From its Greek-Byzantine origins to the local artistic expressions and the skills to represent and interpret other outside influences, up to the modern, quite difficult art of preservation and restoration of these precious and complicated works." (Citation: http://www.basilicasanmarco.it/basilica/mosaici/?lang=en ) 

Photographed using a GoPro Hero4 in a clear and overcast setting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271693
title: St Marks Crucifixion Mosaic (Venice, Italy)

description: "When thinking about Saint Mark's Basilica, the first images that come to the minds of many people are those of the mosaics and their golden backgrounds.
More than 8000 square metres of mosaic cover the walls, vaults and cupolas of the Basilica.
Essentially Byzantine in its architecture, the Basilica finds in the mosaics its natural integrating element. The mosaic decorations were developed through some 8 centuries of the Basilica's history ... In the Basilica's mosaics can be found the most significant evidence of Venice's history, the ambitions, faith, languages and trends characterizing the evolution of its art. From its Greek-Byzantine origins to the local artistic expressions and the skills to represent and interpret other outside influences, up to the modern, quite difficult art of preservation and restoration of these precious and complicated works." (Citation: http://www.basilicasanmarco.it/basilica/mosaici/?lang=en ) 

Photographed using a GoPro Hero4 in a clear and overcast setting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271694
title: XPM-098 Bifacial End Blade, Sapsuk River, Alaska

description: Bifacial End Blade. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #8

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271695
title: XPM-098 Bifacial End Blade, Sapsuk River, Alaska

description: Bifacial End Blade. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #8

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271696
title: Rathduff I ogham stone

description: One of two ogham stones discovered in the graveyard and site of the medieval parish church of Ballinvoher, in the townland of Rathduff, near Annascaul, Co. Kerry. 3d model created using photogrammetry (22 images) and processed with Agisoft PhotoScan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271697
title: Rathduff I ogham stone

description: One of two ogham stones discovered in the graveyard and site of the medieval parish church of Ballinvoher, in the townland of Rathduff, near Annascaul, Co. Kerry. 3d model created using photogrammetry (22 images) and processed with Agisoft PhotoScan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271698
title: Mother with child - Matka z dzieckiem

description: Rzeźba matka z dzieckiem, autor nieznany.
Poznań, Cytadela.

Sculpture of mother with child, unknown author.
Poznań, Citadel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271699
title: Mother with child - Matka z dzieckiem

description: Rzeźba matka z dzieckiem, autor nieznany.
Poznań, Cytadela.

Sculpture of mother with child, unknown author.
Poznań, Citadel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271701
title: Myddelton Passage Brick Graffiti

description: Carved/inscribed graffiti on a brick wall on the south side of Myddelton Passage, Islington, London. This section is just opposite the middle of the eastern of the two housing blocks.

The numbers and letters were carved by police officers in the 19th Century while patrolling this once dark and narrow passage.

Great article by Look Up London:
https://lookup.london/clerkenwells-mystery-wall-carvings/

275 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271700
title: Myddelton Passage Brick Graffiti

description: Carved/inscribed graffiti on a brick wall on the south side of Myddelton Passage, Islington, London. This section is just opposite the middle of the eastern of the two housing blocks.

The numbers and letters were carved by police officers in the 19th Century while patrolling this once dark and narrow passage.

Great article by Look Up London:
https://lookup.london/clerkenwells-mystery-wall-carvings/

275 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271702
title: West Angle Bay

description: Folded and faulted limestones of Carboniferous age. This coastal outcrop in western Pembrokeshire exposes meso-scale fold-thrust structures that vary significantly along strike. Fold patterns tend to change quite rapidly here: try and trace individual fold hinges from the water's edge and see how they change geometry. 

Processed in *Agisoft Photoscan*  with 523 aerial images, taken with a DJI Phantom 3. Images, processing and text by Adam Cawood.

[www.e-rock.org](http://www.e-rock.co.uk)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271703
title: West Angle Bay

description: Folded and faulted limestones of Carboniferous age. This coastal outcrop in western Pembrokeshire exposes meso-scale fold-thrust structures that vary significantly along strike. Fold patterns tend to change quite rapidly here: try and trace individual fold hinges from the water's edge and see how they change geometry. 

Processed in *Agisoft Photoscan*  with 523 aerial images, taken with a DJI Phantom 3. Images, processing and text by Adam Cawood.

[www.e-rock.org](http://www.e-rock.co.uk)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271704
title: Chetro Ketl Pueblo Petroglyphs Chaco Canyon, NM

description: The are faded, nearly gone, and somewhat abstract.  The thunderbird (or is that a scarlet mackaw?), sun, alignments, and the people are notable.


Created in RealityCapture by Capturing Reality from 107 images in 00h:20m:28s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271705
title: Chetro Ketl Pueblo Petroglyphs Chaco Canyon, NM

description: The are faded, nearly gone, and somewhat abstract.  The thunderbird (or is that a scarlet mackaw?), sun, alignments, and the people are notable.


Created in RealityCapture by Capturing Reality from 107 images in 00h:20m:28s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271707
title: "cherubini" San Pietro - Vaticano

description: "cherubini" San Pietro - Vaticano

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271708
title: "cherubini" San Pietro - Vaticano

description: "cherubini" San Pietro - Vaticano

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271710
title: Western axe

description: Western axe, based on kyrstin warren's concepts. https://www.artstation.com/artwork/aOLqk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271711
title: Western axe

description: Western axe, based on kyrstin warren's concepts. https://www.artstation.com/artwork/aOLqk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271712
title: Loch Kinord 9th Century Cross Slab

description: Canmore ID  33981 NO 4400 9978 Loch Kinord, Dinnet, Deeside, Scotland. Class III Pictish Stone.

In the mid nineteenth century this pink granite stone, H 1.91m, W 0.94m, D 0.31m, stood 'on an eminence' on the north bank of Loch Kinord, but later that century it was taken to the grounds of Aboyne Castle and set up in a 'small oak plantation' (NO 5250 9898). In 1959 it was returned to approximately its original site beside Loch Kinord.

Roughly kite-shaped, this eigth or ninth century slab is carved in relief on one broad face with an elaborate ringed cross, which occupies most of the available space. The cross is outlined by a roll moulding, which extends into a spiral at each corner of the arm terminals and into a semi-spiral at the base of the shaft. The circular arm-pits are closed by arcs of a ring. The entire cross is filled with continuous interlace, which in the side arms conveys an impression of triquetra knots and in the upper arm forms four ring knots.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271713
title: Loch Kinord 9th Century Cross Slab

description: Canmore ID  33981 NO 4400 9978 Loch Kinord, Dinnet, Deeside, Scotland. Class III Pictish Stone.

In the mid nineteenth century this pink granite stone, H 1.91m, W 0.94m, D 0.31m, stood 'on an eminence' on the north bank of Loch Kinord, but later that century it was taken to the grounds of Aboyne Castle and set up in a 'small oak plantation' (NO 5250 9898). In 1959 it was returned to approximately its original site beside Loch Kinord.

Roughly kite-shaped, this eigth or ninth century slab is carved in relief on one broad face with an elaborate ringed cross, which occupies most of the available space. The cross is outlined by a roll moulding, which extends into a spiral at each corner of the arm terminals and into a semi-spiral at the base of the shaft. The circular arm-pits are closed by arcs of a ring. The entire cross is filled with continuous interlace, which in the side arms conveys an impression of triquetra knots and in the upper arm forms four ring knots.

Source: Objaverse 1.0 / Sketchfab