cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10340902
title: Roman Statue of the Aphrodite of Knidos

description: Photogrammetric reconstruction from the Art Institute of Chicago
"This sculpture replicates the most famous Greek sculpture of a goddess, the Aphrodite of Knidos.  Carved by the sculpture Praxiteles in the fourth Century B.C. from fine marble, the original sculpture, which is no longer extant, enjoyed great reknown as the first devotional statue of a female goddess in the nude.  After causing an immediate sensation when it was installed in a sacred precint on the island of Knidos, it inspired many re-creations over the succeding centuries.  This particular copy was placed outdoors; the badly marred surface is the result of prolonged exposure to the elements" 1981.11(?)

[Wikipedia](https://en.wikipedia.org/wiki/Aphrodite_of_Knidos)

[Art Institute of Chicago](https://www.artic.edu/artworks/61600/statue-of-the-aphrodite-of-knidos?q=knidos)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340903
title: Roman Statue of the Aphrodite of Knidos

description: Photogrammetric reconstruction from the Art Institute of Chicago
"This sculpture replicates the most famous Greek sculpture of a goddess, the Aphrodite of Knidos.  Carved by the sculpture Praxiteles in the fourth Century B.C. from fine marble, the original sculpture, which is no longer extant, enjoyed great reknown as the first devotional statue of a female goddess in the nude.  After causing an immediate sensation when it was installed in a sacred precint on the island of Knidos, it inspired many re-creations over the succeding centuries.  This particular copy was placed outdoors; the badly marred surface is the result of prolonged exposure to the elements" 1981.11(?)

[Wikipedia](https://en.wikipedia.org/wiki/Aphrodite_of_Knidos)

[Art Institute of Chicago](https://www.artic.edu/artworks/61600/statue-of-the-aphrodite-of-knidos?q=knidos)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340904
title: 地震動の檫痕

description: 天然記念物[地震動の擦痕]の展示棟で、ガラス越しに正面からだけで3d scanしてみました。
展示されている魚雷の左側表面に、1930年の北伊豆地震の地震動でP波とS波によってつけられた擦り傷が見られます。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340905
title: 地震動の檫痕

description: 天然記念物[地震動の擦痕]の展示棟で、ガラス越しに正面からだけで3d scanしてみました。
展示されている魚雷の左側表面に、1930年の北伊豆地震の地震動でP波とS波によってつけられた擦り傷が見られます。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340906
title: Spinosaur tooth

description: Spinosaur tooth (65.000.000 year old) scanned with Pixelio 3D multiscanner & 123D Catch
Lenght - 60mm
Now on Kickstarter:
https://www.kickstarter.com/projects/1886998349/pixelio-3d-multiscanner

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340907
title: Spinosaur tooth

description: Spinosaur tooth (65.000.000 year old) scanned with Pixelio 3D multiscanner & 123D Catch
Lenght - 60mm
Now on Kickstarter:
https://www.kickstarter.com/projects/1886998349/pixelio-3d-multiscanner

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340908
title: Petroglyph V26 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V26 Khatm Al Melaha, Kalba, Sharjah. Two Syrian wild ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Panter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340909
title: Petroglyph V26 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V26 Khatm Al Melaha, Kalba, Sharjah. Two Syrian wild ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Panter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340910
title: ROI036-450-02

description: Madison Point collected in Delaware County, Indiana.

Catalog # 12-Dl-973-5

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI036-450-02, 3D Model .ply file. Recovered as part of Report of Investigations 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, By Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340911
title: ROI036-450-02

description: Madison Point collected in Delaware County, Indiana.

Catalog # 12-Dl-973-5

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI036-450-02, 3D Model .ply file. Recovered as part of Report of Investigations 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, By Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340912
title: Abandoned Train Station

description: Waiting for the next train since 1957.....thankfully was recently restorated.
Terrestial & Aerial Photogrammetry. Nikon 5300 18-55 kit lens, and DJI MIni 2. 
Reconstructed from 400 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340913
title: Abandoned Train Station

description: Waiting for the next train since 1957.....thankfully was recently restorated.
Terrestial & Aerial Photogrammetry. Nikon 5300 18-55 kit lens, and DJI MIni 2. 
Reconstructed from 400 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340914
title: ROI041-089-01

description: Unknown heat treated point fragment collected in Dearborn County, Indiana.

Catalog # 12-D-433-01

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-089-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340915
title: ROI041-089-01

description: Unknown heat treated point fragment collected in Dearborn County, Indiana.

Catalog # 12-D-433-01

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-089-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340916
title: San Pedro. Portalada románica de Ripoll

description: Detalle de la portalada roánica de Santa María de Ripoll (s. XII). El relieve representa a San Pedro, con la característica llave.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340917
title: San Pedro. Portalada románica de Ripoll

description: Detalle de la portalada roánica de Santa María de Ripoll (s. XII). El relieve representa a San Pedro, con la característica llave.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340918
title: Old Head

description: Quick scan done at a museum in Berlin, thought I had enough of the top but got a hole so guess not!

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340919
title: Old Head

description: Quick scan done at a museum in Berlin, thought I had enough of the top but got a hole so guess not!

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340920
title: Athenry Seal

description: The original mace and seal of the town are both made from brass and set on wooden handles. They are considered by most authorities to date to the 14th century. The seal would have been used for important documents and letters. There are 2 heads on spikes above the town wall/gate depicted on the seal. Town walls/gates are commonly depicted on other seals from Ireland, England and the Continent, and are thought to symbolise civic pride and the rights and freedoms of the townspeople. The decapitated heads, however, are very unusual, perhaps even unique to Athenry. Tradition states that the heads are those of the two leaders of the Irish force that attacked the town in 1316, Felim O'Connor and Tadgh O' Kelly. [More Info](https://www.athenryheritagecentre.com/index.php/athenry-history/the-athenry-mace-and-seal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340921
title: Athenry Seal

description: The original mace and seal of the town are both made from brass and set on wooden handles. They are considered by most authorities to date to the 14th century. The seal would have been used for important documents and letters. There are 2 heads on spikes above the town wall/gate depicted on the seal. Town walls/gates are commonly depicted on other seals from Ireland, England and the Continent, and are thought to symbolise civic pride and the rights and freedoms of the townspeople. The decapitated heads, however, are very unusual, perhaps even unique to Athenry. Tradition states that the heads are those of the two leaders of the Irish force that attacked the town in 1316, Felim O'Connor and Tadgh O' Kelly. [More Info](https://www.athenryheritagecentre.com/index.php/athenry-history/the-athenry-mace-and-seal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340922
title: Hafted Knife. XCB-105-1972

description: Hafted Knife. XCB-105-1972. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340923
title: Hafted Knife. XCB-105-1972

description: Hafted Knife. XCB-105-1972. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340926
title: 1800's Carpenter's Adze

description: "The Adze made surfaces smooth" -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340927
title: 1800's Carpenter's Adze

description: "The Adze made surfaces smooth" -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340929
title: Dēliņkalna pilskalns

description: Dēliņkalna pilskalna 3D modelis. Koordinātas: 56.52542, 23.19506

https://www.latvijas-pilskalni.lv/delinkalns-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340928
title: Dēliņkalna pilskalns

description: Dēliņkalna pilskalna 3D modelis. Koordinātas: 56.52542, 23.19506

https://www.latvijas-pilskalni.lv/delinkalns-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340930
title: Brice Prairie Trailed, Tremaine

description: Type: Brice Prairie Trailed

Shoulder Description: Closely spaced, vertical tool trails all around the vessel (Boszhardt 1994: 231).

Lip Decoration: Continusous tool notching always located on interior lip. Notches may be oriented either perpendicular or obllque to the left or right (228).

Culture: Oneota, La Crosse Locality

Period: Late Prehistoric Period, Transitional Pammel Creek-Valley View Phase, A.D. 1400-1500, A.D. 1450-1675.

Site: Tremaine, 47LC95

Provenience: Feature 309

Artifact ID: 2016.1880

Curated at: Mississippi Valley Archaeology Center, University of Wisconsin-La Crosse, La Crosse, Wisconsin.

Citation: Boszhardt, Robert F. 

1994 Oneota Group Continuity at La Crosse: The Brice Prairie, Pammel Creek, and Valley View Phases. The Wisconsin Archaeologist 75(3-4): 173-236.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340931
title: Brice Prairie Trailed, Tremaine

description: Type: Brice Prairie Trailed

Shoulder Description: Closely spaced, vertical tool trails all around the vessel (Boszhardt 1994: 231).

Lip Decoration: Continusous tool notching always located on interior lip. Notches may be oriented either perpendicular or obllque to the left or right (228).

Culture: Oneota, La Crosse Locality

Period: Late Prehistoric Period, Transitional Pammel Creek-Valley View Phase, A.D. 1400-1500, A.D. 1450-1675.

Site: Tremaine, 47LC95

Provenience: Feature 309

Artifact ID: 2016.1880

Curated at: Mississippi Valley Archaeology Center, University of Wisconsin-La Crosse, La Crosse, Wisconsin.

Citation: Boszhardt, Robert F. 

1994 Oneota Group Continuity at La Crosse: The Brice Prairie, Pammel Creek, and Valley View Phases. The Wisconsin Archaeologist 75(3-4): 173-236.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340933
title: Hardaway-Dalton (690a409)

description: **Hardaway-Dalton spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Late Paleoindian (8500-7900 BC).

Material: metavolcanic rock.

Dimensions: length, 52.0  mm; width, 30.8 mm; thickness, 6.6 mm.

Notes: Catalog no. 690a409, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont*, by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 57. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340932
title: Hardaway-Dalton (690a409)

description: **Hardaway-Dalton spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Late Paleoindian (8500-7900 BC).

Material: metavolcanic rock.

Dimensions: length, 52.0  mm; width, 30.8 mm; thickness, 6.6 mm.

Notes: Catalog no. 690a409, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont*, by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 57. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340935
title: 3D Columns Collection of 6 models

description: Originally created with Blender 3.

This model was designed for use as a real-time asset in a video-game or simulation or rendering.

This model contains separate objects. (like Base, Shaft, Capital)
File Formats:
- blend
- OBJ
- FBX (Multi Format)

Please like it. It give me motivation to continue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340934
title: 3D Columns Collection of 6 models

description: Originally created with Blender 3.

This model was designed for use as a real-time asset in a video-game or simulation or rendering.

This model contains separate objects. (like Base, Shaft, Capital)
File Formats:
- blend
- OBJ
- FBX (Multi Format)

Please like it. It give me motivation to continue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340937
title: AR010-043-26

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR010-043-26, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340936
title: AR010-043-26

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR010-043-26, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340938
title: Vas borcan

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340939
title: Vas borcan

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340942
title: unreliableobject_14

description: Found in the Western Cape Region, South Africa.

"Collecting appeals to the need people feel to
create a world of their own, which they can control,
and it provides an opportunity for the construction
and communication of an identity." 


Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2): 160.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340943
title: unreliableobject_14

description: Found in the Western Cape Region, South Africa.

"Collecting appeals to the need people feel to
create a world of their own, which they can control,
and it provides an opportunity for the construction
and communication of an identity." 


Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2): 160.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340944
title: Aviator 3D

description: lo-rez STL of Gutzon Borglum's Aviator statue at the University of Virginia - mesh was produced directly from the raw source point cloud data in FARO Scene and edited in Geomagic to yield a watertight mesh
(Public Access version)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340945
title: Aviator 3D

description: lo-rez STL of Gutzon Borglum's Aviator statue at the University of Virginia - mesh was produced directly from the raw source point cloud data in FARO Scene and edited in Geomagic to yield a watertight mesh
(Public Access version)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340946
title: USMC M7 Bayonet

description: A knife I made by myself this time with little to none references, it looks really nice now but I actually ran into some problems while making it, but with persistence and lots of coffee I finally finished her.
Modeled in 3DS Max, textured and rendered in Substance Painter. +- 30 hours of work from starting to rendering.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340947
title: USMC M7 Bayonet

description: A knife I made by myself this time with little to none references, it looks really nice now but I actually ran into some problems while making it, but with persistence and lots of coffee I finally finished her.
Modeled in 3DS Max, textured and rendered in Substance Painter. +- 30 hours of work from starting to rendering.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340948
title: Wooden Horse | Blade Runner 2049

description: A nice simple model of K's wooden horse from Blade Runner 2049. Not supposed to be super accurate, but makes a decent prop to put in the background of a scene.

More 3D Models coming up over the next few months. Check out my Twitter @cburg_ and Instagram @cburj for more updates!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340949
title: Wooden Horse | Blade Runner 2049

description: A nice simple model of K's wooden horse from Blade Runner 2049. Not supposed to be super accurate, but makes a decent prop to put in the background of a scene.

More 3D Models coming up over the next few months. Check out my Twitter @cburg_ and Instagram @cburj for more updates!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340950
title: Str 14 South Entrance

description: South entrance of Structure 14 at the Ness of Brodgar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340951
title: Str 14 South Entrance

description: South entrance of Structure 14 at the Ness of Brodgar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340952
title: Cántaro - 182634 (Puruchuco)

description: Material: Cerámica

Cultura/Estilo: Ichma

Datación: Horizonte Medio (600 d.c. - 1,000 .d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340953
title: Cántaro - 182634 (Puruchuco)

description: Material: Cerámica

Cultura/Estilo: Ichma

Datación: Horizonte Medio (600 d.c. - 1,000 .d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340954
title: Brick

description: A crumbling brick

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340955
title: Brick

description: A crumbling brick

Source: Objaverse 1.0 / Sketchfab