cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12489626
title: Public Acts: Brutal and Beautiful: 50 Years in the Life of Preston Bus Station, Harris Museum and Art Gallery, Preston,Lancashire, 21st September - 24th November 2019.

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains a project outline, an exhibition leaflet, a quad screen video, 2 video stills, 3 installation views, 3 images of soundtrack cassette and a score drawing.<br><br>This item documents the inclusion of <b>Conductor 8 Movements,</b> a 3 screen installation, in the exhibition <b>Brutal and Beautiful: 50 Years In the Life of Preston Bus Station </b>to mark<b> </b>the 50th Anniversary<b> </b>of Preston Bus station held at the Harris Museum and Art Gallery, Preston. The 3 screen installation was a film created by Jared Schiller from CCTV footage of a live 60 minute choreographed performance that Harrison staged at Preston Bus Station, involving 32 buses and a team of volunteers on 14th July 2019. The soundtrack to <b>Conductor 8 Movements</b> was created by Preston Field Audio and was produced in cassette form for the launch of the exhibition at the Harris Museum on 21st September 2019.<b>Conductor 8 </b>was commissioned by 'In Certain Places' and the Harris Museum and Art Gallery.<br><br>Film and photography by Jared Schiller. <br>Film and images used with permission courtesy of the photographer.<br><br>Soundtrack by Carl Brown, Preston Field Audio.<br><br>Design & Artwork by ROHTUL XEL<br>Used with permission.<br><br><b>A link to Conductor via bandcamp:</b><b>https://setfootpress.bandcamp.com/track/conductor-recorded-at-preston-bus-station</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12459626
title: Public Acts: Conductor | 8 Movements, Preston Bus Station, Preston, Lancashire, 14th July 2019.

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter our perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains a project outline, images of the event poster and flyers, 5 preliminary drawings, 13 images of the event, 4 score drawings and an 18 minute audio file of the event soundtrack.<br><br>This item documents <b>Conductor 8 Movements</b>, a 60 minute choreographed performance at Preston Bus Station to mark its 50th Anniversary. The event involved the slow sequenced movement of 32 buses and volunteers. A soundtrack was created by Preston Filed Audio combining recordings from the Bus station and electronic loops, composed in response to score drawings by the artist.<br><br><b>Conductor 8</b> was filmed by Jared Schiller and re-presented as part of the exhibition, <b>Brutal and Beautiful: 50 Years in the Life of Preston Bus Station </b>at the Harris Museum and Art Gallery.<br><br><b>Conductor 8 </b>Poster, Flyers and Leaflet were designed by Carl Slater.<br><br>Volunteer Instructions devised by Ben Rutherford.<br><br>Photography by Ashley Hardman, Michael Porter and Ben Rutherford. Images used with permission courtesy of the photographers.<br><br>Soundtrack by Carl Brown, Preston Field Audio.Sound Recording Adam Grutch.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12459626.v1
title: Public Acts: Conductor | 8 Movements, Preston Bus Station, Preston, Lancashire, 14th July 2019.

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter our perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains a project outline, images of the event poster and flyers, 5 preliminary drawings, 13 images of the event, 4 score drawings and an 18 minute audio file of the event soundtrack.<br><br>This item documents <b>Conductor 8 Movements</b>, a 60 minute choreographed performance at Preston Bus Station to mark its 50th Anniversary. The event involved the slow sequenced movement of 32 buses and volunteers. A soundtrack was created by Preston Filed Audio combining recordings from the Bus station and electronic loops, composed in response to score drawings by the artist.<br><br><b>Conductor 8</b> was filmed by Jared Schiller and re-presented as part of the exhibition, <b>Brutal and Beautiful: 50 Years in the Life of Preston Bus Station </b>at the Harris Museum and Art Gallery.<br><br><b>Conductor 8 </b>Poster, Flyers and Leaflet were designed by Carl Slater.<br><br>Volunteer Instructions devised by Ben Rutherford.<br><br>Photography by Ashley Hardman, Michael Porter and Ben Rutherford. Images used with permission courtesy of the photographers.<br><br>Soundtrack by Carl Brown, Preston Field Audio.Sound Recording Adam Grutch.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12497093.v1
title: Public Acts: Tombstone (let's get over this): Acts of Making Festival 2015, Wolverhampton, Gateshead, & Plymouth.

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains a project outline, a festival brochure, 2 developmental drawings,12 images of Tombstone in 3 UK locations and 5 Plymouth College of Art exhibition views.<br><br><b>Tombstone (lets get over this)</b> was commissioned by the Crafts Council for their <b>Acts of Making</b> Touring Festival in 2015. Harrison was 1 of 6 invited contemporary artists whose work approaches the act of making in performative and ephemeral ways. <b>Tombstone (let's get over this) </b>was<b> </b>a<b> </b>collaborative performance work developed and performed at two urban skate parks as well as a public skate event in Bilston town centre. The project invited skateboarders to become makers in the grinding of a specially made stone bench as a form of social sculpture.<br><b>Link to Tombstone video @ Gateshead http://www.keith-harrison.info/works/tombstonevideo.html<br><br></b>The <b>Act of Making</b> Festival was delivered in 3 UK locations:1. 14th-28th February 2015 Bilston Town Centre, Wolverhampton2. 7th-21st March 2015, Dynamix Skate Park, Gateshead.3. 12th-26th September 2015, Prime Skate Park, Plymouth.<br><br>For a list of other participating artists please refer to the Festival Brochure in this item.<br><br>Photography: Dom Moore and Sophie Mutevelian. Images used with permission courtesy of the photographers.<br><b>To access the The Plymouth Principles, please follow this link to the Plymouth Culture website:</b><b>http://plymouthculture.co.uk/wp-content/uploads/2016/09/The-Plymouth-Principles.pdf</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12497093
title: Public Acts: Tombstone (let's get over this): Acts of Making Festival 2015, Wolverhampton, Gateshead, & Plymouth.

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains a project outline, a festival brochure, 2 developmental drawings,12 images of Tombstone in 3 UK locations and 5 Plymouth College of Art exhibition views.<br><br><b>Tombstone (lets get over this)</b> was commissioned by the Crafts Council for their <b>Acts of Making</b> Touring Festival in 2015. Harrison was 1 of 6 invited contemporary artists whose work approaches the act of making in performative and ephemeral ways. <b>Tombstone (let's get over this) </b>was<b> </b>a<b> </b>collaborative performance work developed and performed at two urban skate parks as well as a public skate event in Bilston town centre. The project invited skateboarders to become makers in the grinding of a specially made stone bench as a form of social sculpture.<br><b>Link to Tombstone video @ Gateshead http://www.keith-harrison.info/works/tombstonevideo.html<br><br></b>The <b>Act of Making</b> Festival was delivered in 3 UK locations:1. 14th-28th February 2015 Bilston Town Centre, Wolverhampton2. 7th-21st March 2015, Dynamix Skate Park, Gateshead.3. 12th-26th September 2015, Prime Skate Park, Plymouth.<br><br>For a list of other participating artists please refer to the Festival Brochure in this item.<br><br>Photography: Dom Moore and Sophie Mutevelian. Images used with permission courtesy of the photographers.<br><b>To access the The Plymouth Principles, please follow this link to the Plymouth Culture website:</b><b>http://plymouthculture.co.uk/wp-content/uploads/2016/09/The-Plymouth-Principles.pdf</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.25721/k19m-9068
title: A modifier Goïzeau goïzik
DOI: 10.25721/haax-p152
title: A modifier Atharaze jaureguiau
DOI: 10.25721/ya54-mz35
title: A modifier Atharaze jaureguiau
DOI: 10.25721/9v2d-v023
title: A modifier Atharaze jaureguiau
DOI: 10.15161/oar.it/73612
title: CovidStat project data

description: This record contains the daily updated data of the CovidStat project. CovidStat is a project carried out by the CovidStat Working Group at INFN, whose creation was promoted within the Italian National Institute of Nuclear Physics with the aim of making a statistical analysis of the data provided daily by the Civil Protection on the spread of the pandemic in Italy. CovidStat data can interactively be browsed at https://covid19.infn.it.
description: The software to process this Root TTree is in the related identifier. Be sure to use the right corresponding version, based on the data in which Root TTree was generated.
DOI: 10.25721/04h5-v064
title: A modifier Atharaze jaureguiau
DOI: 10.25721/dsbf-0r49
title: A modifier Adios izar ederra
DOI: 10.17870/bathspa.12497768
title: Public Acts: Research Questions and Timeline

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains Research Questions and a Timeline for <b>Public Acts</b> by Keith Harrison.
DOI: 10.17870/bathspa.12497768.v1
title: Public Acts: Research Questions and Timeline

description: <b>Public Acts</b> brings together 2 projects that through temporary public intervention, seek to alter perceptions of our daily interactions in public spaces, turning the functional and recreational into acts both poetic and performative.<br><br>This item contains Research Questions and a Timeline for <b>Public Acts</b> by Keith Harrison.
DOI: 10.17870/bathspa.12816245.v1
title: The Arctic & Antarctica: 300 Word Statement

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br>This item contains a 300 Word Statement for <b>The</b> <b>Arctic and Antarctica </b>by Mariele Neudecker.
DOI: 10.17870/bathspa.12816245
title: The Arctic & Antarctica: 300 Word Statement

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br>This item contains a 300 Word Statement for <b>The</b> <b>Arctic and Antarctica </b>by Mariele Neudecker.
DOI: 10.17870/bathspa.12816248
title: The Arctic & Antarctica: Research Questions and Research Timeline.

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br>This item contains Research Questions and a Research Timeline for <b>The</b> <b>Arctic and Antarctica</b> by Mariele Neudecker.
DOI: 10.17870/bathspa.12816254
title: The Arctic & Antarctica: ANTARCTOPIA, Antarctica Pavilion, Venice Architecture Biennale, Fundacion Marcello, Italy, 7 June – 23 November, 2014

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br><br>This item contains 6 exhibition views, an image of the Halley Research Station and a contextual outline of <b>Some Things Happen All At Once </b>2016<b> </b>by Neudecker.<br><br>This item documents the exhibition of <b>Some Things Happen All At Once </b><i>as part of</i> <i>Antarctopia</i> at the Antarctic Pavilion at the Venice Architecture Biennale in Italy 2014. The exhibition brought together 13 artists and architects to explore present and future models of living with Antarctica. <b>Some Things Happen All At Once</b><i> </i>was a newly developed tank-piece for Antarctic Pavilion. It<i> </i>is a 3D computer generated scale-model of ‘Halley VI Antarctic Research Station’ and is submerged in a cloudy, re-created Antarctic landscape. This tank work signified a shift of source material from ‘imaginary worlds’ to one that is remote, but physically real.<br><br>The exhibition was curated by Nadim Sammam.<br><br><b>Photography courtesy of the artist. Used with permission.<br><br>Image of The Halley Vl Research Station used with permission courtesy of Hugh Broughton Architects.<br><br>Image 3/8 used with permission courtesy of Luca Rendina and Hugh Broughton.<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12816299
title: The Arctic & Antarctica: Some Things Happen All At Once, Zeppelin Museum, Freidrichschafen, Germany, 29th January - 3rd April 2016

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br><br>This item contains an exhibition press release and 14 exhibition and installation views. <br><br>This item documents Neudecker's key Arctic/Antarctica works exhibited as part of <b>Some Things Happen All At Once</b> her solo survey exhibition at the Zeppelin Museum in Freidrichschafen, Germany in 2016.<br><br>2 of the 3 Arctic works on show were drawn from responses to 2 research trips, in 2012 and then 2015 with Project Pressure to observe receding glaciers around Narsasuaq in Greenland. Firstly<b> After Life 2016, </b>a multi disciplinary installation that was made for this exhibition, with reference to Caspar David Friedrich's painting <i>Sea In Ice, </i>consisting of a model ship trapped in a constructed sea of ice, a vitrine work, a video on 3 wall hung monitors of fragmented ice on water, and 4 3D prints of the Arctic landscape: secondly <b>On The Other Side </b><i>2016, </i>a stainless steel stereoscopic viewer and photograph. The 3rd <b>Arctic/Antarctica</b> work shown was <b>Some Things Happen All At Once </b>2014, a tank work based on the Halley Vl Antarctica Research Station, made for <i>ANTARCTOPIA</i>, an exhibition in the Antarctica Pavilion, at the Venice Architceture Bienale in 2014.<br><br>An In Conversation during the exhibition between the artist and Claudia Emmert discussed the newly commissioned work <b>After Life.<br></b><br>Photography courtesy of the Zeppelin Museum. Used with permission.<br><br>Work Specifications:<br><br><b>After Life</b> 2016<i>Mixed materials, Euro-pallet, corrugated cardboard, video on 3 monitors (duration: 42 min, 22 min, 15:10 min), giclée prints on archive pape</i>r.<br><b><br>On the Other Side</b> 2016<i>Stainless steel and paper,Stereoscopic Viewer & Photograph,</i><i>90cm x 52cm x 30cm.<br></i><b><br>Some Things Happen All At Once </b><i>2014</i><i>50 x 50 x42cm plus plinth</i><br><i>glass, resin, water, GAC 100, salt.<br><br></i><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.12816299.v1
title: The Arctic & Antarctica: Some Things Happen All At Once, Zeppelin Museum, Freidrichschafen, Germany, 29th January - 3rd April 2016

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br><br>This item contains an exhibition press release and 14 exhibition and installation views. <br><br>This item documents Neudecker's key Arctic/Antarctica works exhibited as part of <b>Some Things Happen All At Once</b> her solo survey exhibition at the Zeppelin Museum in Freidrichschafen, Germany in 2016.<br><br>2 of the 3 Arctic works on show were drawn from responses to 2 research trips, in 2012 and then 2015 with Project Pressure to observe receding glaciers around Narsasuaq in Greenland. Firstly<b> After Life 2016, </b>a multi disciplinary installation that was made for this exhibition, with reference to Caspar David Friedrich's painting <i>Sea In Ice, </i>consisting of a model ship trapped in a constructed sea of ice, a vitrine work, a video on 3 wall hung monitors of fragmented ice on water, and 4 3D prints of the Arctic landscape: secondly <b>On The Other Side </b><i>2016, </i>a stainless steel stereoscopic viewer and photograph. The 3rd <b>Arctic/Antarctica</b> work shown was <b>Some Things Happen All At Once </b>2014, a tank work based on the Halley Vl Antarctica Research Station, made for <i>ANTARCTOPIA</i>, an exhibition in the Antarctica Pavilion, at the Venice Architceture Bienale in 2014.<br><br>An In Conversation during the exhibition between the artist and Claudia Emmert discussed the newly commissioned work <b>After Life.<br></b><br>Photography courtesy of the Zeppelin Museum. Used with permission.<br><br>Work Specifications:<br><br><b>After Life</b> 2016<i>Mixed materials, Euro-pallet, corrugated cardboard, video on 3 monitors (duration: 42 min, 22 min, 15:10 min), giclée prints on archive pape</i>r.<br><b><br>On the Other Side</b> 2016<i>Stainless steel and paper,Stereoscopic Viewer & Photograph,</i><i>90cm x 52cm x 30cm.<br></i><b><br>Some Things Happen All At Once </b><i>2014</i><i>50 x 50 x42cm plus plinth</i><br><i>glass, resin, water, GAC 100, salt.<br><br></i><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.12826562
title: The Arctic & Antarctica: Scaling The Sublime, Djanogly Gallery, Nottingham UK, 23rd March - 17th June 2018.

description: Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the Contemporary Sublime.<br><br>This item contains a press release, 2 exhibition posters, and 5 exhibition views and a video of the installation work <i>After Life</i>.<br><br>This item documents the inclusion of <b>After Life</b> (2016) in <i>Scaling The Sublime: Art At The Limits Of Landscape, </i>an<i> </i>exhibition of 7 artists who share concern for the landscape as a platform for shared exploration of wider narratives of scale, time and perceptual relationships to landscape. Stemming from a 2014 mixed media work <i>Between Two Tides</i> and the 2015 research trip to Greenland, <b>After</b><b> Life</b> is a large multi disciplinary installation that references Caspar David Friedrichs 1824 painting <i>Sea of Ice, </i>consisting of<i> </i>a model ship trapped in constructed ice at its centre, a vitrine work, 3 wall hung screens with looped video footage of moving fragmented ice, and 4 3D images of the Arctic landscape.<br><br>As part of the exhibition a panel discussion, <i>Contemporary Art and the Landscape Sublime</i> with participating artists was hosted by co-curator Nicholas Alfey, and a symposium was held, <i>Scaling The Sublime </i>that invited<i> </i>speakers to reflect on why landscape is a compelling subject in contemporary artThe exhibition was curated by art historian Nicholas Alfey and artist Rebecca Partridge.<br><b><br>Photography: Images used with permission courtesy of the Djanogly Gallery.<br></b><b><br>Poster and promotional material used courtesy of Lakeside Arts.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>