cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc113790743
title: Mr. Bonner & unidentified man, Los Angeles, Calif., 1944

description: 2 photographic portraits of Mr. Bonner, etc., Los Angeles, California, USA, 19 February 1944. Client: Ryder and Ingram (Mr. Ryder, 337 17th Street, Oakland). Operator: Cross.
DOI: 10.15468/dl.j969sx
title: Occurrence Download

description: A dataset containing 493 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Thamnaconus modestus"
 ]
}

 The dataset includes 493 records from 24 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001140-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc113791105
title: Four Freedoms show, Bullocks, Los Angeles, Calif., 1944-02-19

description: 17 photographs of Four Freedoms show, Bullocks department store, 634-670 South Hill Street, Los Angeles, California, USA, 19 February 1944. Client: Bullocks (Miss Livesay, Mr. Schapper). Operator: Andy.
DOI: 10.25549/whit-ouc113791252
title: Four Freedoms show, Bullocks, Los Angeles, Calif., 1944-02-19

description: 17 photographs of Four Freedoms show, Bullocks department store, 634-670 South Hill Street, Los Angeles, California, USA, 19 February 1944. Client: Bullocks (Miss Livesay, Mr. Schapper). Operator: Andy.
DOI: 10.25549/whit-ouc113791345
title: Four Freedoms show, Bullocks, Los Angeles, Calif., 1944-02-19

description: 17 photographs of Four Freedoms show, Bullocks department store, 634-670 South Hill Street, Los Angeles, California, USA, 19 February 1944. Client: Bullocks (Miss Livesay, Mr. Schapper). Operator: Andy.
DOI: 10.25549/whit-ouc113791278
title: Four Freedoms show, Bullocks, Los Angeles, Calif., 1944-02-19

description: 17 photographs of Four Freedoms show, Bullocks department store, 634-670 South Hill Street, Los Angeles, California, USA, 19 February 1944. Client: Bullocks (Miss Livesay, Mr. Schapper). Operator: Andy.
DOI: 10.25549/whit-ouc11399kb2o
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kijl
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kiiz
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd4o
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kauo
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb26
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kiij
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kav0
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb3g
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc1sto1875400
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/whit-ouc113792088
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792236
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792055
title: Golf tournament, so. Calif., 1945-10-16

description: 23 photographs of golf tournament, southern California, USA, 16 October 1945. Client: Rotary Club. Operator: [blank].
DOI: 10.25549/whit-ouc113792038
title: Diamond? Brooch, 1945-10-18

description: Photograph of diamond? Brooch, Los Angeles, California, USA, 18 October 1945. Subject: Model in dress [sic]. Client: Better Maid Dress. Agency: The Mayers Company (L. Lewin). Operator: Cross.
DOI: 10.25549/whit-ouc113792024
title: Intersection of Seco & Rosemont & wrecked car, Pasadena, Calif., 1945-10-18

description: 4 photographs of the intersection of Seco Street and Rosemont Avenue and wrecked car, Pasadena, California, USA, 18 October 1945. Client: J.N. Kunkle (695 Lakewood Place, Pasadena 5) (deliver to Mrs. J.N. Kunkle (room 833, 356 South Spring Street). Operator: Vannice.
DOI: 10.25549/whit-ouc113792239
title: Groundbreaking for new building, Crenshaw & Santa Barbara, Los Angeles, Calif., 1945-10-22

description: 4 photographs of groundbreaking for new building, Crenshaw Boulevard and Santa Barbara Boulevard (later renamed to Exposition Boulevard), Los Angeles, California, USA, 22 October 1945. Client: Broadway Department Store (Mr. E.M. Stuart). Operator: Vannice.
DOI: 10.25549/whit-ouc113792026
title: Damaged truck at 2251 E 97th St. also intersection of 97th & Alameda, Los Angeles, Calif., 1945-10-23

description: 8 photographs of damaged truck at 2251 East 97th Street also intersection of East 97th Street and South Alameda Street, Florence-Graham, Los Angeles, California, USA, 23 October 1945. Client: Industrial Indemnity Company (Mr. Roy, 416 West 8th Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113792235
title: Damaged truck at 2251 E 97th St. also intersection of 97th & Alameda, Los Angeles, Calif., 1945-10-23

description: 8 photographs of damaged truck at 2251 East 97th Street also intersection of East 97th Street and South Alameda Street, Florence-Graham, Los Angeles, California, USA, 23 October 1945. Client: Industrial Indemnity Company (Mr. Roy, 416 West 8th Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113791947
title: Robert Service & Don Blanding at Robinson's, Los Angeles, Calif., 1945-10-23

description: 4 photographs of Robert Service and Don Blanding at J.W. Robinson's Department Store, Los Angeles, California, USA, 23 October 1945. Client: Jesse Carmack (1422 San Vicente, Santa Monica). Agency: J.W. Robnson (Mr. Erickson, Books). Operator: Cross. "Tuesday, October 23, 2 P.M., Robert Service and Don Blanding will be here and will authograph their books".
DOI: 10.25549/whit-ouc113792225
title: Robert Service & Don Blanding at Robinson's, Los Angeles, Calif., 1945-10-23

description: 4 photographs of Robert Service and Don Blanding at J.W. Robinson's Department Store, Los Angeles, California, USA, 23 October 1945. Client: Jesse Carmack (1422 San Vicente, Santa Monica). Agency: J.W. Robnson (Mr. Erickson, Books). Operator: Cross. "Tuesday, October 23, 2 P.M., Robert Service and Don Blanding will be here and will authograph their books".
DOI: 10.25549/maw-ouc113889451
title: Seated mother and child

description: A major concept in Mesoamerica is duality or opposition. These figures represent a child beginning to develop and a mature female beginning to decline. The two together represent life and death evolving.
DOI: 10.25549/maw-ouc113889534
title: Seated female with legs to the side : holding a bowl of food

description: An elaborately dressed and painted female sits with her legs to her side indicating her special status. The bowl, held in her left hand, represents one of her functions. The right hand held out is very typical, but the meaning remains obscure.
DOI: 10.25549/maw-ouc113889539
title: Seated male : mourner with arms on his knees

description: A male figure, wearing an unusual crested headdress, sits in the classic Mesoamerican position. His facial expression suggests a mourner or a person under the influence of a drug.
DOI: 10.25549/maw-ouc113889499
title: Smaller standing female figure : daughter

description: A pair of solid figures represent a mother and an adolescent daughter. The two figures are basically alike, except for size, color, and detail. The daughter's body is dark brown. She wears a crisscross chest band that places an "X" on her shoulder, chest, waist and back. No geometric marks are on her body. Type-D figure.
DOI: 10.25549/maw-ouc113889560
title: Smaller standing female figure : daughter

description: A pair of solid figures represent a mother and an adolescent daughter. The two figures are basically alike, except for size, color, and detail. The daughter's body is dark brown. She wears a crisscross chest band that places an "X" on her shoulder, chest, waist and back. No geometric marks are on her body. Type-D figure.
DOI: 10.25549/whit-ouc113792131
title: Groundbreaking for new building, Crenshaw & Santa Barbara, Los Angeles, Calif., 1945-10-22

description: 4 photographs of groundbreaking for new building, Crenshaw Boulevard and Santa Barbara Boulevard (later renamed to Exposition Boulevard), Los Angeles, California, USA, 22 October 1945. Client: Broadway Department Store (Mr. E.M. Stuart). Operator: Vannice.
DOI: 10.25549/whit-ouc113792215
title: Damaged truck at 2251 E 97th St. also intersection of 97th & Alameda, Los Angeles, Calif., 1945-10-23

description: 8 photographs of damaged truck at 2251 East 97th Street also intersection of East 97th Street and South Alameda Street, Florence-Graham, Los Angeles, California, USA, 23 October 1945. Client: Industrial Indemnity Company (Mr. Roy, 416 West 8th Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113792230
title: Damaged truck at 2251 E 97th St. also intersection of 97th & Alameda, Los Angeles, Calif., 1945-10-23

description: 8 photographs of damaged truck at 2251 East 97th Street also intersection of East 97th Street and South Alameda Street, Florence-Graham, Los Angeles, California, USA, 23 October 1945. Client: Industrial Indemnity Company (Mr. Roy, 416 West 8th Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113792310
title: Damaged truck at 2251 E 97th St. also intersection of 97th & Alameda, Los Angeles, Calif., 1945-10-23

description: 8 photographs of damaged truck at 2251 East 97th Street also intersection of East 97th Street and South Alameda Street, Florence-Graham, Los Angeles, California, USA, 23 October 1945. Client: Industrial Indemnity Company (Mr. Roy, 416 West 8th Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113792182
title: Robert Service & Don Blanding at Robinson's, Los Angeles, Calif., 1945-10-23

description: 4 photographs of Robert Service and Don Blanding at J.W. Robinson's Department Store, Los Angeles, California, USA, 23 October 1945. Client: Jesse Carmack (1422 San Vicente, Santa Monica). Agency: J.W. Robnson (Mr. Erickson, Books). Operator: Cross. "Tuesday, October 23, 2 P.M., Robert Service and Don Blanding will be here and will authograph their books".
DOI: 10.25549/maw-ouc113887343
title: Large smoking pipe : bulbous bowl

description: The large ceramic smoking pipe was used to smoke a variety of tobacco. The tobacco contained a higher concentration of nicotine and other substances. There is a possibility that the tobacco was combined with other drugs to give a hallucinogenic experience.
DOI: 10.25549/maw-ouc113887241
title: Purepecha hatchet : sling blade

description: The Purepechas or Tarascans are one of the few Mesoamerican cultures to work or forge metal. Copper ore was smelted to form tools and weapons. This bronze sling blade, called an asymmetrical hoe or a Taregue, was used to clear brush or as a digging stick.
DOI: 10.25549/maw-ouc113887235
title: Earspool : bobbin style

description: Green obsidian is formed only in one place in Mesoamerica. It was controlled by Teotihuacanos and the Aztecas. However, the Tarascan culture in Michoacan excelled in producing very thin, transparent earspools in the bobbin style.
DOI: 10.25549/maw-ouc113887373
title: Copper tweezers, crescent pinchers, spirals

description: The Tarascans embellished their crescent shaped tweezers with hammered spirals. They were worn as emblems of status or authority.
DOI: 10.25549/maw-ouc113887376
title: Copper tweezers, crescent pinchers, spirals

description: The Tarascans embellished their crescent shaped tweezers with hammered spirals. They were worn as emblems of status or authority.