cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.12672692
title: Characterizing the Genomic Landscape of Brain Glioma with Circulating Tumor DNA From Tumor In Situ Fluid

description: This data set is for the paper doi: 10.3389/fonc.2021.584988
DOI: 10.5281/zenodo.4642361
title: In silico voltage-sensitive dye imaging reveals the emergent dynamics of cortical populations: figure data

description: Tabular data corresponding to figures 2 through 5 in the 2021 Nature Communcations publication entitled "In silico voltage-sensitive dye imaging reveals the 2 emergent dynamics of cortical populations". Each excel file contains individual data sheets for each figure sub-panel, with all axis and units described in the row/column headings.
DOI: 10.5281/zenodo.4642222
title: Monthly total freeboard and snow depth over Arctic sea ice from AMSR-E&2 and AVHRR measurements (2003-2020)

description: <strong>[Data description]</strong> Monthly total freeboard (Ft) and snow depth (hs) over Arctic sea ice data for January-February-March months of the 2003-2020 period produced by Lee and Shi et al. (2021, manuscript in preparation) are provided. Both variables are derived from satellite passive infrared and microwave measurements: Total freeboard was obtained from AMSR-E&2 measurements and snow depth was estimated from the AMSR and AVHRR measurements. The uploaded file titled "monthly averaged total freeboard and snow depth (JFM 2003-2020).zip" contains two directories: one for total freeboard and the other for snow depth. Naming convention is "variable_yyyymm.bin" and data format is 32-bit floating point array in shape of 304 x 448 (25 km polar stereographic grid). Here we provide an example Python code to read monthly snow depth of January 2003 using numpy.<br> import numpy as np<br> hs = np.fromfile('hs_200301.bin', dtype=np.float32).reshape(448,304) Geocoordinate tools for the 25 km polar stereographic grid are available at NSIDC website (https://nsidc.org/data/polar-stereo/tools_geo_pixel.html)<br> <br> <strong>[Abbreviations]</strong> AMSR: Advanced Microwave Scanning Radiometer<br> AVHRR: Advanced Very High Resolution Radiometer<br> NSIDC: National Snow and Ice Data Center
DOI: 10.17870/bathspa.14186360.v1
title: Fountain 17 - 300 Word Statement

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>. <br>This item contains the 300-word statement.
DOI: 10.17870/bathspa.14186360
title: Fountain 17 - 300 Word Statement

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>. <br>This item contains the 300-word statement.
DOI: 10.17870/bathspa.14186423.v1
title: Fountain 17 - Research Timeline and Research Questions

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.14186423
title: Fountain 17 - Research Timeline and Research Questions

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.14186438.v1
title: Fountain 17 - Exhibition: Fountain 17, Humber St, Gallery, Hull (April 1st - May 14th 2017)

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br><b>This item contains documentation of the initial <i>Fountain 17</i> exhibition at Humber St, Gallery, Hull (April 1st - May 14th 2017), including images of Minott's two works, a catalogue essay, lecture, and documentation of the subsequent exhibition at the Gladstone Pottery Museum. </b><br>Both Minott's works, <i>The Bride Stripped Barr </i>(2016) and <i>The Genuine Bears This Signature (More Sustaining Than Meat)</i> (2016), were shown at the <i>Fountain 17</i> Exhibition at the Humber Street Gallery in Hull supported by Hull UK City of Culture and Arts Council England. The <i>Fountain 17</i> exhibition received over 7,000 visitors.<br><br>An essay included in the exhibition catalogue entitled <i>Marcel Duchamp and Graphic Design</i> (2017) set out to achieve two objectives. The first half of the essay provided an overview of how graphic design has enhanced the understanding and appeal of Duchamp’s work, from the first interpretive works by Richard Hamilton in 1960, to the present day. The second objective was to argue that Duchamp might be regarded as a proto graphic designer himself. The opening programme included a public lecture, <i>Fountain: a delay in porcelain</i> (2017) which sought to challenge the misconception that in 1917 Fountain represented a sudden turning point in the development of avant-garde art, by providing evidence that Duchamp carefully engineered its scandalous reputation over half a century.<br>The <i>Fountain 17</i> exhibition also toured to Clerkenwell Design Week (23rd - 25th May 2017), and Gladstone Pottery Museum (October - November 2017, flyer included here), as part of the Stoke Biennial. <br><b>Images courtesy of the artist. Used with permission. </b><br>Exhibition flyers and catalogue essay included courtesy of the Hull School of Art & Design and the Hull 2017 UK City of Culture. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b> <br>
DOI: 10.17870/bathspa.14186438
title: Fountain 17 - Exhibition: Fountain 17, Humber St, Gallery, Hull (April 1st - May 14th 2017)

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br><b>This item contains documentation of the initial <i>Fountain 17</i> exhibition at Humber St, Gallery, Hull (April 1st - May 14th 2017), including images of Minott's two works, a catalogue essay, lecture, and documentation of the subsequent exhibition at the Gladstone Pottery Museum. </b><br>Both Minott's works, <i>The Bride Stripped Barr </i>(2016) and <i>The Genuine Bears This Signature (More Sustaining Than Meat)</i> (2016), were shown at the <i>Fountain 17</i> Exhibition at the Humber Street Gallery in Hull supported by Hull UK City of Culture and Arts Council England. The <i>Fountain 17</i> exhibition received over 7,000 visitors.<br><br>An essay included in the exhibition catalogue entitled <i>Marcel Duchamp and Graphic Design</i> (2017) set out to achieve two objectives. The first half of the essay provided an overview of how graphic design has enhanced the understanding and appeal of Duchamp’s work, from the first interpretive works by Richard Hamilton in 1960, to the present day. The second objective was to argue that Duchamp might be regarded as a proto graphic designer himself. The opening programme included a public lecture, <i>Fountain: a delay in porcelain</i> (2017) which sought to challenge the misconception that in 1917 Fountain represented a sudden turning point in the development of avant-garde art, by providing evidence that Duchamp carefully engineered its scandalous reputation over half a century.<br>The <i>Fountain 17</i> exhibition also toured to Clerkenwell Design Week (23rd - 25th May 2017), and Gladstone Pottery Museum (October - November 2017, flyer included here), as part of the Stoke Biennial. <br><b>Images courtesy of the artist. Used with permission. </b><br>Exhibition flyers and catalogue essay included courtesy of the Hull School of Art & Design and the Hull 2017 UK City of Culture. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b> <br>
DOI: 10.17870/bathspa.14186471
title: Fountain 17 - BRLSI Lecture & Film

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains evidence of Minott's public lecture at the BRLSI in Bath, UK, and Minott's film, <i>The Oculist’s Dentist</i>.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14186471.v1
title: Fountain 17 - BRLSI Lecture & Film

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains evidence of Minott's public lecture at the BRLSI in Bath, UK, and Minott's film, <i>The Oculist’s Dentist</i>.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14186489.v1
title: Fountain 17 - Reference Works & Foundational Research

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains images of the reference works of Alfred Barr Jr., Marcel Duchamp, and others, that Minott has engaged with in this work, as well as evidence of foundational research undertaken by Minott in the lead up to Fountain 17.
DOI: 10.17870/bathspa.14186489
title: Fountain 17 - Reference Works & Foundational Research

description: Celebrating the centenary of Duchamp's <i>Fountain</i> (1917) and bicentenary of Armitage Shanks (1817), <i>Fountain 17</i> was a touring exhibition of works by artists invited to respond to Duchamp's iconic readymade, debuting at Hull’s Humber Street Gallery in 2017. Minott contributed two artworks, an essay and a lecture to <i>Fountain 17</i>, and projects and texts stemming from Minott’s extensive Duchamp research are also documented, including Minott’s film <i>The Oculist’s Dentist</i>.<br>This item contains images of the reference works of Alfred Barr Jr., Marcel Duchamp, and others, that Minott has engaged with in this work, as well as evidence of foundational research undertaken by Minott in the lead up to Fountain 17.
DOI: 10.6084/m9.figshare.14059202
title: Supplementary Data for Comparative Study on the Use of S Curve-Bar Chart and Ms Project-Pdm Methods in Scheduling and Controlling Building Construction Project

description: Building construction projects have very complex activities, so they require precise and accurate methods of scheduling and control. Using the right method, the project executor can carry out the project according to plan and can be controlled if there is schedule deviations. This study aims to compare the effectiveness of using the Bar Chart-curve-S and Ms. Project-PDM methods on scheduling and controlling building construction projects. The method used by contractors in scheduling and controlling a project is the Bar Chart-S curve and Ms. Project-PDM method.
DOI: 10.5281/zenodo.4643304
title: Raw and analyzed data for manuscript: "Performance of a water-borne stain on beech, spruce, MDF and OSB improved by plasma pre-treatment"

description: Manuscript submitted to IRG51 conference, 2020. <strong>Abstract</strong>: The performance of protective wood coatings, especially under outdoor weathering, depends on many factors, including the interface between coating and substrate. Sufficient interactions are particularly difficult to achieve on several types of wood-based composites, such as oriented strand boards (OSB) and medium-dense fibreboards (MDF). The interface between wood-based substrates and coatings can be modified and optimized by different means, e.g. by sanding or by using appropriate chemical primers. Plasma treatments represent a very interesting technique for surface modification, as they do not require additional reactants or chemicals, and therefore are an environmentally friendly alternative for optimizing the interface. The studies were performed on Norway spruce (<em>Picea</em> <em>abies</em> (L.) Karst.) and common beech (<em>Fagus</em> <em>sylvatica</em> L.) wood, OSB and MDF using a commercial waterborne stain for exterior application and a commercial plasma unit (PlasmaTreat OpenAir®). Artificial accelerated weathering (AAW), water immersion and adhesion strength testing were conducted to test the performances of the surface systems formed by coating and surface, whereas their morphology and appearance was evaluated using confocal laser scanning microscopy (CLSM), gloss, and colour CIELAB system. On coated solid spruce wood, the plasma pre-treatments yielded a slight reduction of the colour change during AAW and remaining gloss after AAW at approx. doubled values as compared to non-treated specimen. The initial bond strength of the coating of approx. 4 MPa was well preserved after AAW on plasma pre-treated samples, but reduced by 13 % on the non-treated specimens. On coated beech wood, the colour change of the stain during AAW increased on plasma pre-treated specimen, whereas gloss, morphology, and bond strength were not influenced by the plasma pre-treatments. On coated MDF specimen, the plasma pre-treatments yielded again a slight reduction of the colour change during AAW and a remaining gloss after AAW at approx. doubled values as compared to non-treated specimen. The weathering led to the formation of valleys and ridges on the surface of the non-treated specimens, but not on the plasma pre-treated ones. Further, the thickness swelling of the non-treated MDF specimen was larger by 12.7 % as compared to the thickness swelling of the plasma pre-treated specimen. The coating’s adhesion strength on MDF was solely defined by the substrate material and did not show any differences due to plasma pre-treatments. On surface finished OSB, the colour change of the stain during AAW was slightly lower on plasma pre-treated specimen, but gloss and morphology were comparable in all cases.
DOI: 10.5281/zenodo.3733832
title: Raw and analyzed data for manuscript: "Performance of a water-borne stain on beech, spruce, MDF and OSB improved by plasma pre-treatment"

description: Manuscript submitted to IRG51 conference, 2020. <strong>Abstract</strong>: The performance of protective wood coatings, especially under outdoor weathering, depends on many factors, including the interface between coating and substrate. Sufficient interactions are particularly difficult to achieve on several types of wood-based composites, such as oriented strand boards (OSB) and medium-dense fibreboards (MDF). The interface between wood-based substrates and coatings can be modified and optimized by different means, e.g. by sanding or by using appropriate chemical primers. Plasma treatments represent a very interesting technique for surface modification, as they do not require additional reactants or chemicals, and therefore are an environmentally friendly alternative for optimizing the interface. The studies were performed on Norway spruce (<em>Picea</em> <em>abies</em> (L.) Karst.) and common beech (<em>Fagus</em> <em>sylvatica</em> L.) wood, OSB and MDF using a commercial waterborne stain for exterior application and a commercial plasma unit (PlasmaTreat OpenAir®). Artificial accelerated weathering (AAW), water immersion and adhesion strength testing were conducted to test the performances of the surface systems formed by coating and surface, whereas their morphology and appearance was evaluated using confocal laser scanning microscopy (CLSM), gloss, and colour CIELAB system. On coated solid spruce wood, the plasma pre-treatments yielded a slight reduction of the colour change during AAW and remaining gloss after AAW at approx. doubled values as compared to non-treated specimen. The initial bond strength of the coating of approx. 4 MPa was well preserved after AAW on plasma pre-treated samples, but reduced by 13 % on the non-treated specimens. On coated beech wood, the colour change of the stain during AAW increased on plasma pre-treated specimen, whereas gloss, morphology, and bond strength were not influenced by the plasma pre-treatments. On coated MDF specimen, the plasma pre-treatments yielded again a slight reduction of the colour change during AAW and a remaining gloss after AAW at approx. doubled values as compared to non-treated specimen. The weathering led to the formation of valleys and ridges on the surface of the non-treated specimens, but not on the plasma pre-treated ones. Further, the thickness swelling of the non-treated MDF specimen was larger by 12.7 % as compared to the thickness swelling of the plasma pre-treated specimen. The coating’s adhesion strength on MDF was solely defined by the substrate material and did not show any differences due to plasma pre-treatments. On surface finished OSB, the colour change of the stain during AAW was slightly lower on plasma pre-treated specimen, but gloss and morphology were comparable in all cases.
DOI: 10.6084/m9.figshare.14331734.v1
title: Sentinel-1B and Sentinel-2A image

description: Sentinel-2A multispectral image
DOI: 10.15468/pxwyes
title: Description of the male of Pterorthochaetes yunnanensis Ballerio, 2014 (Coleoptera Scarabaeoidea: Hybosoridae: Ceratocanthinae)

description: This dataset contains the digitized treatments in Plazi based on the original journal article Jiang, Ri-Xin, Ballerio, Alberto, Liu, Hao-Yi, Wang, Shuo (2021): Description of the male of Pterorthochaetes yunnanensis Ballerio, 2014 (Coleoptera Scarabaeoidea: Hybosoridae: Ceratocanthinae). Zootaxa 4950 (1): 196-200, DOI: https://doi.org/10.11646/zootaxa.4950.1.12
DOI: 10.15454/gyqeuw/fpyutw
title: Holder.stl

description: :unav
DOI: 10.5281/zenodo.4641264
title: InductionCooker1000W Harmonics Emissions

description: The harmonics emissions of an induction single plate cooker were recorded on 1000 W position with a pan fill with 1L cold water.
description: This project 18NRM05 SupraEMI has received funding from the EMPIR programme co-financed by the Participating States and from the European Union's Horizon 2020 research and innovation programme.
DOI: 10.5281/zenodo.4641263
title: InductionCooker1000W Harmonics Emissions

description: The harmonics emissions of an induction single plate cooker were recorded on 1000 W position with a pan fill with 1L cold water.
description: This project 18NRM05 SupraEMI has received funding from the EMPIR programme co-financed by the Participating States and from the European Union's Horizon 2020 research and innovation programme.
DOI: 10.5281/zenodo.4639646
title: ACDC converterTest3

description: One AC/DC converter for EV applications was tested. An electronic load (Chroma 63200A 150V 600A) was used as DC load for testing. During the Test 3, the electronic load was set in a constant resistant mode and at 5 Ω. The output voltage of the AC/DC converter is set to 100 V, the resulting current is 20 A. 8 files are uploaded related to this test. Raw Voltage, Raw Current, Voltage Harmonics, respectivley Current Harmonics. The results of the harmonics emissions are provided as Peak, Average and Quasi peak values. There are 4 data files and, respectivley, their associated 4 info files.
description: This project 18NRM05 SupraEMI has received funding from the EMPIR programme co-financed by the Participating States and from the European Union's Horizon 2020 research and innovation programme.
DOI: 10.5281/zenodo.4639645
title: ACDC converterTest3

description: One AC/DC converter for EV applications was tested. An electronic load (Chroma 63200A 150V 600A) was used as DC load for testing. During the Test 3, the electronic load was set in a constant resistant mode and at 5 Ω. The output voltage of the AC/DC converter is set to 100 V, the resulting current is 20 A. 8 files are uploaded related to this test. Raw Voltage, Raw Current, Voltage Harmonics, respectivley Current Harmonics. The results of the harmonics emissions are provided as Peak, Average and Quasi peak values. There are 4 data files and, respectivley, their associated 4 info files.
description: This project 18NRM05 SupraEMI has received funding from the EMPIR programme co-financed by the Participating States and from the European Union's Horizon 2020 research and innovation programme.