cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10236767
title: Petroglyph N14 Khatm Al Melaha, Kalba

description: Natural Version, Petroglyph N14 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236770
title: Frederick Douglass statue

description: In front of Holmes Hall at Morgan State University stands a striking bronze of [**Frederick Douglass**](https://en.wikipedia.org/wiki/Frederick_Douglass) by the artist [**James E. Lewis**](https://www.baltimoresun.com/features/bal-blackhistory-lewis-story.html) (1923-1997). Erected in 1956.

Created using 653 images taken with a DJI Mavic Mini and processed in RealityCapture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236773
title: 11stone-right4 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд 11 верхний 

Порядок: 4
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 11stone-right4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236774
title: 11stone-right4 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд 11 верхний 

Порядок: 4
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 11stone-right4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236775
title: Drumgoon Hill - Old Graveyard - Headstone 233

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236776
title: Drumgoon Hill - Old Graveyard - Headstone 233

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236777
title: Luristan bronze axe

description: Luristan (ancient Iran) bronze axe.
(modeling)
Model  based on images from misc articles:
Mehrdad Malekzadeh, Omid Oudbashi, S. Mohammadamin Emami, Ata Hassanpour, Parviz Davami, In: Iranica Antiqua XLVIII, 2013, pp. 147-174.
&
Moshtagh Khorasani, Manouchehr (2009). Bronze and Iron Weapons from Luristan. Antiguo Oriente: Cuadernos del Centro de Estudios de Historia del Antiguo Oriente, Volumen 7, pp. 185-217.
...
(you can found "Luristan bronze" in wikipedia also)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236778
title: Luristan bronze axe

description: Luristan (ancient Iran) bronze axe.
(modeling)
Model  based on images from misc articles:
Mehrdad Malekzadeh, Omid Oudbashi, S. Mohammadamin Emami, Ata Hassanpour, Parviz Davami, In: Iranica Antiqua XLVIII, 2013, pp. 147-174.
&
Moshtagh Khorasani, Manouchehr (2009). Bronze and Iron Weapons from Luristan. Antiguo Oriente: Cuadernos del Centro de Estudios de Historia del Antiguo Oriente, Volumen 7, pp. 185-217.
...
(you can found "Luristan bronze" in wikipedia also)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236779
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian painted ceramic from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000076. Processed in Reality Capture from 541 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236780
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian painted ceramic from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000076. Processed in Reality Capture from 541 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236781
title: 1780 Pennsylvania Hammer

description: Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236782
title: 1780 Pennsylvania Hammer

description: Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236783
title: СТАЛИН СССР

description: Soviet political, state, military and party leader. From January 21, 1924 to March 5, 1953 - the head of the Soviet state. Marshal of the Soviet Union. Generalissimo of the Soviet Union.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236784
title: СТАЛИН СССР

description: Soviet political, state, military and party leader. From January 21, 1924 to March 5, 1953 - the head of the Soviet state. Marshal of the Soviet Union. Generalissimo of the Soviet Union.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236785
title: Engraved Slate (492a24-3)

description: **Engraved slate**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: slate.

Dimensions: length, 138.8 mm; width, 103.4 mm; thickness, 12.0 mm.

Notes: Catalog no. 492a24 (specimen 3), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 71. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236786
title: Engraved Slate (492a24-3)

description: **Engraved slate**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: slate.

Dimensions: length, 138.8 mm; width, 103.4 mm; thickness, 12.0 mm.

Notes: Catalog no. 492a24 (specimen 3), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 71. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236787
title: Maiolica pharmacy jar

description: Material: [Maiolica](http://vocab.getty.edu/page/aat/300021170). Accession no: HCM 293. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html).

A maiolica jar with a pair of applied, ornate handles in the shape of sea-horses and a short spout. The body of the jar bears the arms of the [Order of St Francis (Franciscans)](https://en.wikipedia.org/wiki/Franciscans) surrounded by fruit and floral decoration. The reverse is decorated with stylized pinecones, a form of the Persian [palmette](http://vocab.getty.edu/page/aat/300009995). The jar may have contained syrup, oil or medicated waters. [Italian](https://www.geonames.org/3175395/italian-republic.html), [16th century AD](http://n2t.net/ark:/99152/p06c6g3x35x).

[More](https://www.huntmuseum.com/explore/item/d23eb97f-6de1-393a-a15c-09ce894fcc96/?s%3DHCM+293&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236788
title: Maiolica pharmacy jar

description: Material: [Maiolica](http://vocab.getty.edu/page/aat/300021170). Accession no: HCM 293. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html).

A maiolica jar with a pair of applied, ornate handles in the shape of sea-horses and a short spout. The body of the jar bears the arms of the [Order of St Francis (Franciscans)](https://en.wikipedia.org/wiki/Franciscans) surrounded by fruit and floral decoration. The reverse is decorated with stylized pinecones, a form of the Persian [palmette](http://vocab.getty.edu/page/aat/300009995). The jar may have contained syrup, oil or medicated waters. [Italian](https://www.geonames.org/3175395/italian-republic.html), [16th century AD](http://n2t.net/ark:/99152/p06c6g3x35x).

[More](https://www.huntmuseum.com/explore/item/d23eb97f-6de1-393a-a15c-09ce894fcc96/?s%3DHCM+293&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236790
title: Stella Polaris

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236789
title: Stella Polaris

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236791
title: Katana

description: A historically-inaccurate recreation of the katana featuring red leather straps and gold accents. All textures (apart from normals and AO) were taken from Ambientcg.com -
https://ambientcg.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236792
title: Katana

description: A historically-inaccurate recreation of the katana featuring red leather straps and gold accents. All textures (apart from normals and AO) were taken from Ambientcg.com -
https://ambientcg.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236794
title: Roman Column

description: Stile Romano - Pompeii
Esplora gli ambienti in Hyria 3d World:
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236793
title: Roman Column

description: Stile Romano - Pompeii
Esplora gli ambienti in Hyria 3d World:
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236795
title: FS0831 Sinagua Multi-Room Complex

description: This model was acquired at a remote site in the Red Rock District of the Coconino Forest near Sedona, Arizona. This model is part of a volunteer effort to document pre-historic and proto-historic sites in the region.

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites
http://www.sedonaredrocktrails.org/

http://www.fs.usda.gov/recmain/coconino/recreation

Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at
http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236796
title: FS0831 Sinagua Multi-Room Complex

description: This model was acquired at a remote site in the Red Rock District of the Coconino Forest near Sedona, Arizona. This model is part of a volunteer effort to document pre-historic and proto-historic sites in the region.

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites
http://www.sedonaredrocktrails.org/

http://www.fs.usda.gov/recmain/coconino/recreation

Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at
http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236797
title: Lead melting crucible

description: The history of this crucible has not yet been properly investigated, but is reputedly linked with the Eureka rebellion of December 3rd, 1854. It was donated to the City of Ballarat by Peter and Jennifer Harrison, in memory of Wolfgang Koerner, who was gifted the crucible from the grand daughter of a man directly involved in the Eureka Stockade.
Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today and [watch](https://www.youtube.com/watch?v=BZ-9YKVX5XI&feature=youtu.be&list=PLjLlvPyK341_pITtZlYnODx1vMftp0x73) a short video about gold mining objects in the collection.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236798
title: Lead melting crucible

description: The history of this crucible has not yet been properly investigated, but is reputedly linked with the Eureka rebellion of December 3rd, 1854. It was donated to the City of Ballarat by Peter and Jennifer Harrison, in memory of Wolfgang Koerner, who was gifted the crucible from the grand daughter of a man directly involved in the Eureka Stockade.
Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today and [watch](https://www.youtube.com/watch?v=BZ-9YKVX5XI&feature=youtu.be&list=PLjLlvPyK341_pITtZlYnODx1vMftp0x73) a short video about gold mining objects in the collection.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236799
title: Conegliano Italian Synagogue - Point Cloud

description: Conegliano Synagogue - Point Cloud
Laser scan: Adam Havkin, scan the City Project

- Larger Pont Cloud -

The synagogue, which is now used by Italian Jews in Jerusalem dates back to the 16th century, where it was originally used by the congregation of Conegliano Veneto, a village located between Padua and Venice. After WW2 and the demise of the community  it was transferred and rebuilt in Jerusalem, where it is now the highlight of the Museum of the Italian Jewish Art.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236800
title: Conegliano Italian Synagogue - Point Cloud

description: Conegliano Synagogue - Point Cloud
Laser scan: Adam Havkin, scan the City Project

- Larger Pont Cloud -

The synagogue, which is now used by Italian Jews in Jerusalem dates back to the 16th century, where it was originally used by the congregation of Conegliano Veneto, a village located between Padua and Venice. After WW2 and the demise of the community  it was transferred and rebuilt in Jerusalem, where it is now the highlight of the Museum of the Italian Jewish Art.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236801
title: Disney Concert Hall/Constructive Detail/02

description: Disney Concert Hall/Constructive Detail/02
Made in Rhino 7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236802
title: Disney Concert Hall/Constructive Detail/02

description: Disney Concert Hall/Constructive Detail/02
Made in Rhino 7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236803
title: 1-388 Inka Plate

description: Inka plate made of terracotta clay. Plates like this come from the Cuzco Inka style of ceramics. These ceramics were made and used in and around the Inka capital of Cuzco. They were utilized by areas conquered by the Inka Empire. Due to their relationship to the empire, these ceramics become prestige ware. Inka vessels were handmade, with no use of molds. Decorations generally consisted of a repetition of a few basic geometric designs, occasionally bringing in natural motifs like animals, flora, and humans. 
 	Most of the ceramic Inka plates can be characterized by a stylized bird head coming from one end, with a pair of bumps coming from the opposite end. Other plates, as shown here, have a circular loop or curved handle where the bird head would be. Some variations have a pair of bumps at both ends or a pair of curved handles at each end.  

Donnan, Christopher B. Ceramics of Ancient Peru: Exhibition of Ancient Peruvian Ceramics in the Fowler Museum of Cultural History. University of Los Angeles, 1992.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236804
title: 1-388 Inka Plate

description: Inka plate made of terracotta clay. Plates like this come from the Cuzco Inka style of ceramics. These ceramics were made and used in and around the Inka capital of Cuzco. They were utilized by areas conquered by the Inka Empire. Due to their relationship to the empire, these ceramics become prestige ware. Inka vessels were handmade, with no use of molds. Decorations generally consisted of a repetition of a few basic geometric designs, occasionally bringing in natural motifs like animals, flora, and humans. 
 	Most of the ceramic Inka plates can be characterized by a stylized bird head coming from one end, with a pair of bumps coming from the opposite end. Other plates, as shown here, have a circular loop or curved handle where the bird head would be. Some variations have a pair of bumps at both ends or a pair of curved handles at each end.  

Donnan, Christopher B. Ceramics of Ancient Peru: Exhibition of Ancient Peruvian Ceramics in the Fowler Museum of Cultural History. University of Los Angeles, 1992.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236805
title: Petroglyph N10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N10 Khatm Al Melaha, Kalba, Sharjah. Two Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236806
title: Petroglyph N10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N10 Khatm Al Melaha, Kalba, Sharjah. Two Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236807
title: Stütze Burg Pfalzgrafenstein - Pointcloud

description: Photogrammetry from a part of the "Burg Pfalzgrafenstein" in Germany.
Build with VisualSFM and meshlab. It was for testing and a use in a VR enviroment. Use it, have fun :-)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236808
title: Stütze Burg Pfalzgrafenstein - Pointcloud

description: Photogrammetry from a part of the "Burg Pfalzgrafenstein" in Germany.
Build with VisualSFM and meshlab. It was for testing and a use in a VR enviroment. Use it, have fun :-)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236809
title: The Great Wave off Kanagawa, Katsushika Hokusai

description: Trying out a 3D tour of a public domain 2D image. 

This scene also includes a reverse-engineered print block for you to **download and 3D print** - I don't have access to a printer so please let me know if it works in the comments!

"The Great Wave off Kanagawa (神奈川沖浪裏? Kanagawa-oki nami ura, "Under a wave off Kanagawa"), also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was published sometime between 1829 and 1833[1] in the late Edo period as the first print in Hokusai's series Thirty-six Views of Mount Fuji. It is Hokusai's most famous work, and one of the most recognizable works of Japanese art in the world." ~ https://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa

Source image: https://commons.wikimedia.org/wiki/File:Tsunami_by_hokusai_19th_century.jpg

Displacement map used for 3D version:![](http://i.imgur.com/xaUiJrQ.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236810
title: The Great Wave off Kanagawa, Katsushika Hokusai

description: Trying out a 3D tour of a public domain 2D image. 

This scene also includes a reverse-engineered print block for you to **download and 3D print** - I don't have access to a printer so please let me know if it works in the comments!

"The Great Wave off Kanagawa (神奈川沖浪裏? Kanagawa-oki nami ura, "Under a wave off Kanagawa"), also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was published sometime between 1829 and 1833[1] in the late Edo period as the first print in Hokusai's series Thirty-six Views of Mount Fuji. It is Hokusai's most famous work, and one of the most recognizable works of Japanese art in the world." ~ https://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa

Source image: https://commons.wikimedia.org/wiki/File:Tsunami_by_hokusai_19th_century.jpg

Displacement map used for 3D version:![](http://i.imgur.com/xaUiJrQ.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236811
title: maNecklace03

description: Double pearl necklace loosely based on 14th century jewelry for tabletop miniatures tests

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10236812
title: maNecklace03

description: Double pearl necklace loosely based on 14th century jewelry for tabletop miniatures tests

Source: Objaverse 1.0 / Sketchfab