cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14268801.v1
title: FLYING TEXTS: PRODUCTION AND TRAJECTORIES OF REPORTS WRITTEN ABOUT THE MIGRATION OF THE MONARCH BUTTERFLY

description: ABSTRACT For the most part, the scientific and research community assesses the texts written by participants in citizen science programs on the criteria of reliability and scientific validity, often invalidating the contextual nature of their writing. Using an ethnographic perspective and guidelines of New Literacy Studies, we analyze the production processes and textual trajectories of reports written by two contributors in a citizen science program that monitors the migration of the monarch butterfly in Mexico. We pay attention to the ways they produce their texts, the material and linguistic resources they use, the way they construct their writings, and their ideas about the production of written documents. We reconstruct the trajectory of each text by following them through their production process, their place in the social activities that the authors participate in when creating them, the way the writers transport and modify their writing from one context to another. Through the categories of ideal texts, bridge texts, and global texts, we show that the normative speech of research and scientific knowledge plays a vital role in their production and trajectory (Gee, 2007) and that consequently impacts how participants write about the migration of the monarch butterfly.
DOI: 10.6084/m9.figshare.14268821.v1
title: COMPUTATIONAL AFFORDANCES, CONTEXT COLLAPSES AND OTHER CHALLENGES TO LINGUISTIC STUDIES

description: ABSTRACT With the increasing incorporation of digital media in 21st century societies, a paradigmatic phenomenon is occurring on the language issue: communicative practices have started being widely mediated by technology. Besides incorporating earlier technologies, such as radio and television, computers have enabled users, who were mere passive recipients, to become information emitters as well. Starting from the principle pointed out by Marshall McLuhan (1964) that the medium controls the scales and actions configured in language, this paper seeks to understand the scalar levels of new technologies contexts and how they reverberate on meditated linguistic practices. Digital media are considered here as their own computational designs, communication channels that, far from being neutral, are previously set by large computational companies and, therefore, present ideologies and already configured forms of interaction, stimulating semiotic and pragmatic dimensions of language, reflecting on aspects of culture and, consequently, on political life.
DOI: 10.6084/m9.figshare.14268780.v1
title: COMMAND WORDS AND EDUCATION: GENRES OF DISCOURSE AND RESISTANCE

description: ABSTRACT This article aims to discuss the notion of discursive genre considering the theoretical writings of Medviédev (2012), Bakhtin (2016) and Volóchinov (2013, 2017) who dealt with the relations between language, history and ideology. The reflection revolves around trying to understand the functioning of genres not only as a formal representation of language, but also as a social materiality, constituted from the tensions between different social forces. For this, we take as an object of analysis the content of Portuguese Language Study Plan for Itinerant Schools (2013) with the focus of analyzing the operation of the genre «words of order», punctuating the fact that discursive genres, in this case, first, as a historical materiality and thus respond, in their formal constitution to the demands of a social movement.
DOI: 10.6084/m9.figshare.14282821
title: LANGUAGE IN TRAVEL IN THE TRANSLATION OF SUSTAINABLE DEVELOPMENT FOR BUSINESSMEN IN BRAZIL AND PORTUGAL: THE CASE OF THE WBCSD

description: ABSTRACT The purpose of this article is to study the language in travel in the translation of sustainable development for businessmen from Brazil and Portugal. The WBCSD, the entity that is the focus of this study, acts in the route of meaning with the publication of guides that aim to guide the discourse of sustainable management in the corporate environment. The survey analyzed the power struggle that occurs in the definition of the concept of sustainable development (SD) and proposed to think tanke metaphor as a way to translate the relationship of business with social and environmental issues. The analysis of the discourses, in the light of the deconstruction of Derrida, allowed to study the political and institutional structures that facilitate and hinder the reception of the discussion of sustainable development. These structures were developed in the “history of Western thought,” either through “philosophical texts”, or “forms and institutions such as government, university, national identity, the concept of gift or the idea of grieving” (WOLFREYS, 2009, p. 51). There is the mourning of presence, the mourning of reason, the mourning of the subject and the mourning of any sovereign authority (DERRIDA, 2013, p. 105). The metaphor of the Sustainable Company, developed in this process of translation, was found to be insufficient to accommodate the different interpretations since the intention is to assimilate and integrate. The think tanke metaphor, on the other hand, recognizes the language in travel that demonstrates the contradictions and ambiguities of the WBCSD’s discourse and welcomes the diverse translations on SD. It assumes a thought of alterity that translates into the deconstruction of the relation between guest (socio-environmental question) and host (company). The host becomes hostage to the vagaries of the guest (climate change, water availability, biodiversity etc), as the “ host becomes the hostage of the guest” (Derrida, 2003, p. 109).
DOI: 10.6084/m9.figshare.14282822
title: IS EVERY STORY A NARRATIVE? EXEMPLUM AND ANECDOTE GENRES IN PORTUGUESE TEXTBOOKS

description: ABSTRACT When reading or listening to or a history or a story, it is natural to associate its textual organization with narrative in Brazilian context. However, if one takes into account certain linguistic characteristics that show the socio-communicative purpose and the genres stages, stories and histories are not always told using narrative. In order to demonstrate these aspects, in this study, we aim to present linguistic characteristics that instantiate other genres of text used to engaging listeners or readers in Portuguese language textbooks. Based on the Sydney School genre approach (MARTIN and ROSE, 2008), we use the principles of Systemic-Functional Linguistics (SFL), focusing on the lexical-grammatical system of transitivity (HALLIDAY and MATTHIESSEN, 2004, 2014) and on the Attitude subsystem of the semantic-discursive system of Appraisal (MARTIN and WHITE, 2005). For the analysis, 21 texts with the potential to instantiate the exemplum and anecdote genres were selected in the Portuguese textbooks Português Linguagens (CEREJA; MAGALHÃES, 2012) and Projeto Teláris - Português (BERTIN; BORGATO; MARCHEZI, 2012), considering their specific sociocommunication purposes, their schematic structure and typical language characteristics of each genre. The analysis of the transitivity components and the attitude occurrences in each text showed 8 instances of exemplum and 13 anecdotes. In the instantiations of both genres, material and relational clauses were identified to introduce characters into the scenario and description phases, which constitute the Orientation stage. The differences lie in the way the problem is answered in the steps: with Reaction in the anecdote and Interpretation in the exemplum. In addition, to fulfill the purpose of each genre, exemplum instantiations present more judgments, while those of anecdote have evaluations of affect.
DOI: 10.17608/k6.auckland.14282282
title: Supplementary data 12. Functional enrichment results of the largest module identified from Ai-PPIN

description: The largest functional module identified from the Ai-PPIN is enriched for diverse biological functions. Mainly, the module consists of proteins involved in cancer suppressor activity (<i>e.g., </i>TP53), signal transduction pathways and various cancer related pathways. The details of the proteins forming the module, GO and KEGG pathways enrichment analysis results are provided here.
DOI: 10.6084/m9.figshare.14282821.v1
title: LANGUAGE IN TRAVEL IN THE TRANSLATION OF SUSTAINABLE DEVELOPMENT FOR BUSINESSMEN IN BRAZIL AND PORTUGAL: THE CASE OF THE WBCSD

description: ABSTRACT The purpose of this article is to study the language in travel in the translation of sustainable development for businessmen from Brazil and Portugal. The WBCSD, the entity that is the focus of this study, acts in the route of meaning with the publication of guides that aim to guide the discourse of sustainable management in the corporate environment. The survey analyzed the power struggle that occurs in the definition of the concept of sustainable development (SD) and proposed to think tanke metaphor as a way to translate the relationship of business with social and environmental issues. The analysis of the discourses, in the light of the deconstruction of Derrida, allowed to study the political and institutional structures that facilitate and hinder the reception of the discussion of sustainable development. These structures were developed in the “history of Western thought,” either through “philosophical texts”, or “forms and institutions such as government, university, national identity, the concept of gift or the idea of grieving” (WOLFREYS, 2009, p. 51). There is the mourning of presence, the mourning of reason, the mourning of the subject and the mourning of any sovereign authority (DERRIDA, 2013, p. 105). The metaphor of the Sustainable Company, developed in this process of translation, was found to be insufficient to accommodate the different interpretations since the intention is to assimilate and integrate. The think tanke metaphor, on the other hand, recognizes the language in travel that demonstrates the contradictions and ambiguities of the WBCSD’s discourse and welcomes the diverse translations on SD. It assumes a thought of alterity that translates into the deconstruction of the relation between guest (socio-environmental question) and host (company). The host becomes hostage to the vagaries of the guest (climate change, water availability, biodiversity etc), as the “ host becomes the hostage of the guest” (Derrida, 2003, p. 109).
DOI: 10.6084/m9.figshare.14282822.v1
title: IS EVERY STORY A NARRATIVE? EXEMPLUM AND ANECDOTE GENRES IN PORTUGUESE TEXTBOOKS

description: ABSTRACT When reading or listening to or a history or a story, it is natural to associate its textual organization with narrative in Brazilian context. However, if one takes into account certain linguistic characteristics that show the socio-communicative purpose and the genres stages, stories and histories are not always told using narrative. In order to demonstrate these aspects, in this study, we aim to present linguistic characteristics that instantiate other genres of text used to engaging listeners or readers in Portuguese language textbooks. Based on the Sydney School genre approach (MARTIN and ROSE, 2008), we use the principles of Systemic-Functional Linguistics (SFL), focusing on the lexical-grammatical system of transitivity (HALLIDAY and MATTHIESSEN, 2004, 2014) and on the Attitude subsystem of the semantic-discursive system of Appraisal (MARTIN and WHITE, 2005). For the analysis, 21 texts with the potential to instantiate the exemplum and anecdote genres were selected in the Portuguese textbooks Português Linguagens (CEREJA; MAGALHÃES, 2012) and Projeto Teláris - Português (BERTIN; BORGATO; MARCHEZI, 2012), considering their specific sociocommunication purposes, their schematic structure and typical language characteristics of each genre. The analysis of the transitivity components and the attitude occurrences in each text showed 8 instances of exemplum and 13 anecdotes. In the instantiations of both genres, material and relational clauses were identified to introduce characters into the scenario and description phases, which constitute the Orientation stage. The differences lie in the way the problem is answered in the steps: with Reaction in the anecdote and Interpretation in the exemplum. In addition, to fulfill the purpose of each genre, exemplum instantiations present more judgments, while those of anecdote have evaluations of affect.
DOI: 10.17608/k6.auckland.14282282.v1
title: Supplementary data 12. Functional enrichment results of the largest module identified from Ai-PPIN

description: The largest functional module identified from the Ai-PPIN is enriched for diverse biological functions. Mainly, the module consists of proteins involved in cancer suppressor activity (<i>e.g., </i>TP53), signal transduction pathways and various cancer related pathways. The details of the proteins forming the module, GO and KEGG pathways enrichment analysis results are provided here.
DOI: 10.6084/m9.figshare.8092715
title: THE SUBORDINATE ROLE OF ROYAL COUNCILOR POLONIUS IN FOUR COMIC BOOK ADAPTATIONS OF SHAKESPEARE'S HAMLET

description: ABSTRACT Any attempt of elaborating a convincing representation of Polonius, the royal councilor in Shakespeare's Hamlet, and at the same time supporting it by means of pictures and speech bubbles must be seen as a tough task, since it combines a summary of the multiple perspectives shared by the critique and the artist's interpretation of the source text, both reworked in static and sequential frames. The study of a character in a play may in itself be a complex activity, since it must take into account a long critical tradition in which the work is frequently ressignified and reinterpreted. Concerning intersemiotic translation to comics, important choices should be made to adapt the play to a limited number of frames and speech bubbles without spoiling either the plot or the previous character representation. This study analyses comics adaptations of Shakespeare's Hamlet elaborated by Grant and Mandrake, Vieceli, East Press and Srbek & Shibao, aiming at comparing a selection of textual and extra-textual information, the extract selection done by the comics artists and the establishment of additions that whether changed, deleted or highlighted some specific aspects of Polonius and his role as a subordinate person.
DOI: 10.6084/m9.figshare.8092715.v1
title: THE SUBORDINATE ROLE OF ROYAL COUNCILOR POLONIUS IN FOUR COMIC BOOK ADAPTATIONS OF SHAKESPEARE'S HAMLET

description: ABSTRACT Any attempt of elaborating a convincing representation of Polonius, the royal councilor in Shakespeare's Hamlet, and at the same time supporting it by means of pictures and speech bubbles must be seen as a tough task, since it combines a summary of the multiple perspectives shared by the critique and the artist's interpretation of the source text, both reworked in static and sequential frames. The study of a character in a play may in itself be a complex activity, since it must take into account a long critical tradition in which the work is frequently ressignified and reinterpreted. Concerning intersemiotic translation to comics, important choices should be made to adapt the play to a limited number of frames and speech bubbles without spoiling either the plot or the previous character representation. This study analyses comics adaptations of Shakespeare's Hamlet elaborated by Grant and Mandrake, Vieceli, East Press and Srbek & Shibao, aiming at comparing a selection of textual and extra-textual information, the extract selection done by the comics artists and the establishment of additions that whether changed, deleted or highlighted some specific aspects of Polonius and his role as a subordinate person.
DOI: 10.6084/m9.figshare.14282827
title: FOLKSONOMIES, HASHTAGS, AND FEMINIST CAMPAIGNS ON THE INTERNET: HOW #MEUAMIGOSECRETO, #BELARECATADAEDOLAR AND #MEUPRIMEIROASSÉDIO LED US TO #ELENÃO

description: ABSTRACT Based on the contemporaneous context of authorship and participation on the internet and the theories about folksonomies, this paper aims to discuss the uses and circulation of four significant hashtags for the Brazilian feminist movement: #meuprimeiroassédio (#myfirstharassment), #meuamigosecreto (#mysecretfriend), #belarecatadaedolar (#restrainedbeautifulhousewife), all of them disseminated in 2015 and 2016, and #elenão (#nothim), in 2018. Through quantitative and qualitative-interpretative analysis based on responses to a questionnaire and on a sample of shared posts on Facebook, Twitter and Instagram, it was possible to understand how a group of women feels about the use of hashtags in feminist campaigns, what are the specific characteristics of each of these hashtags, regarding language of the indexed contents and the virtual environments in which they circulate, and how the experience and the repercussion of the campaigns of 2015 and 2016 were important for the 2018 campaign.
DOI: 10.6084/m9.figshare.14282827.v1
title: FOLKSONOMIES, HASHTAGS, AND FEMINIST CAMPAIGNS ON THE INTERNET: HOW #MEUAMIGOSECRETO, #BELARECATADAEDOLAR AND #MEUPRIMEIROASSÉDIO LED US TO #ELENÃO

description: ABSTRACT Based on the contemporaneous context of authorship and participation on the internet and the theories about folksonomies, this paper aims to discuss the uses and circulation of four significant hashtags for the Brazilian feminist movement: #meuprimeiroassédio (#myfirstharassment), #meuamigosecreto (#mysecretfriend), #belarecatadaedolar (#restrainedbeautifulhousewife), all of them disseminated in 2015 and 2016, and #elenão (#nothim), in 2018. Through quantitative and qualitative-interpretative analysis based on responses to a questionnaire and on a sample of shared posts on Facebook, Twitter and Instagram, it was possible to understand how a group of women feels about the use of hashtags in feminist campaigns, what are the specific characteristics of each of these hashtags, regarding language of the indexed contents and the virtual environments in which they circulate, and how the experience and the repercussion of the campaigns of 2015 and 2016 were important for the 2018 campaign.
DOI: 10.6084/m9.figshare.14282828
title: TRANSLATION AND PARATRANSLATION OF DAVID MITCHELL’S NOVEL CLOUD ATLAS (2004) IN BRAZIL

description: ABSTRACT This research brings some reflections on paratexts related to the English novel Cloud Atlas (2004), by David Mitchell and the process of translating this work, published in Brazil as Atlas de Nuvens (2016). The launch of the translation of this novel was widely publicized by important communication channels, with the special support from specialized literary critics. However, the translated novel is still not very known and read in Brazil, neither it is analyzed in the academic field. Thus, we worked especially with the concept of translation by Frías (2014 and 2015) to see what role the paratexts played in the final edition of that translated work. The conclusions lead us to a rethinking of the translation process, directly influenced by the concept of translation. They also lead us to reflect on the participation of paratexts as an important element of analysis in the process of literary translation.
DOI: 10.6084/m9.figshare.14282828.v1
title: TRANSLATION AND PARATRANSLATION OF DAVID MITCHELL’S NOVEL CLOUD ATLAS (2004) IN BRAZIL

description: ABSTRACT This research brings some reflections on paratexts related to the English novel Cloud Atlas (2004), by David Mitchell and the process of translating this work, published in Brazil as Atlas de Nuvens (2016). The launch of the translation of this novel was widely publicized by important communication channels, with the special support from specialized literary critics. However, the translated novel is still not very known and read in Brazil, neither it is analyzed in the academic field. Thus, we worked especially with the concept of translation by Frías (2014 and 2015) to see what role the paratexts played in the final edition of that translated work. The conclusions lead us to a rethinking of the translation process, directly influenced by the concept of translation. They also lead us to reflect on the participation of paratexts as an important element of analysis in the process of literary translation.
DOI: 10.6084/m9.figshare.14282833
title: TONI MORRISON’S LITERATURE IN BRAZIL: BELOVED AND ITS PARATRANSLATIONS

description: ABSTRACT This article aims to approach the translations of the novel Beloved (1987), by Toni Morrison, in Brazil, focusing on some of their paratexts. It begins with a theoretical reflection on translation that considers it as a process that goes beyond the linguistic transposition between the source text and the target text, since it involves social, historical, cultural, ideological factors, among others. After that, the theory of paratranslation is presented, according to which the paratexts that make up a translated work are important elements to be examined by the researcher, since they contribute to meaning construction. Subsequently, the article provides a brief overview of Toni Morrison and her literary production, highlighting Beloved, and continues with an analysis of the covers and back covers of the different editions of Amada, title of the referred work in Brazil. Finally, it appears that, in general, Beloved’s Brazilian paratranslations reinforce the images of Morrison as an award-winning writer and of the novel in question as a critically acclaimed book.
DOI: 10.6084/m9.figshare.14282834
title: COLOR INTERPRETATION IN AUDIOVISUAL PARATEXTS TRANSLATION - THE RED IN THE SERIES LA CASA DE PAPEL

description: ABSTRACT The interdisciplinarity that exists in Translation Studies allows us to glimpse and consolidate the idea of paratranslation and audiovisual paratext. When knowing that paratexts are essential for translation and interpretation, the relevance of studies of the images presented on screen is addressed here, under the auspices of paratranslation. The predominant red color in Netflix’s La Casa de Papel television series converges with a subjective image that corroborates to the plot´s understanding. Thus, this article aims to present the necessary paths to conform to the study of colors - specifically red - for translating images. The paratranslational methodological confluence helps in the search for information, which ends up explaining the adjectives that describe the sensations of color symbolism, coming and perpetuating in the general understanding of the series that, in a creative and acculturated way, were presented in the studied audiovisual paratexts.
DOI: 10.6084/m9.figshare.14268798
title: ALGORITHMIC POPULISM AND THE DATAFICATION AND GAMIFICATION OF THE PEOPLE BY FLEMISH INTEREST IN BELGIUM

description: ABSTRACT Populism studies tend to understand populism as a purely political phenomenon (MUDDE; KALTWASSER, 2017; MÜLLER, 2016). To categorize someone as a populist or not, is in many cases solely based on an evaluation of discourse, style or even ideology. It is much rarer to see approaches to populism that focus on the relation between politics and media and digital media in particular (welcome exceptions are CESARINO 2019 e SILVA, 2019). Throughout this contribution, I will argue that we cannot understand populism in full without focusing in detail on how populists and others actually construct the populist voice, how they communicate themselves on different platforms as the ‘true representatives of the people’. This inevitably means taking the changing media landscape into account as a key-context that shapes contemporary populism. The hybrid media system, its media logics, affordances and its culture of connectivity need to be considered when trying to make sense of populism and politics in general in the 21st century.