cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10340628
title: finial -lost city of trellech

description: i finished most of the touching up now, not much else i can do about the white bits if i take them away i'm left with holes so i'll leave them.one thing i'm pleased about is i noticed it had completely mapped the inside, which bentley did not do. well done photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340629
title: finial -lost city of trellech

description: i finished most of the touching up now, not much else i can do about the white bits if i take them away i'm left with holes so i'll leave them.one thing i'm pleased about is i noticed it had completely mapped the inside, which bentley did not do. well done photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10440120
title: trachelus_stipa_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10440121
title: trachelus_stipa_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10340630
title: Archaeological Site 3D for Metateca Project

description: Phogrammetric model of the ancient roman baths from "Aquinum". 
The buildings date from the second half of 1st century BC. 
3D models realized for **Metateca Project**.

https://www.youtube.com/watch?v=2-wgzQlbD6A

For more info http://www.metateca.it/

https://www.academia.edu/37421551/Dallo_scavo_allesperienza_immersiva_Il_progetto_Metateca_nellarea_archeologica_di_Aquinum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340631
title: Archaeological Site 3D for Metateca Project

description: Phogrammetric model of the ancient roman baths from "Aquinum". 
The buildings date from the second half of 1st century BC. 
3D models realized for **Metateca Project**.

https://www.youtube.com/watch?v=2-wgzQlbD6A

For more info http://www.metateca.it/

https://www.academia.edu/37421551/Dallo_scavo_allesperienza_immersiva_Il_progetto_Metateca_nellarea_archeologica_di_Aquinum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340632
title: Hillsboro Check Stamped Jar Rim (80p768)

description: **Hillsboro Check Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 165.0 mm; width, 85.2 mm; thickness, 7.9 mm.

Notes: Catalog no. 80p652 (Vessel OO), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340633
title: Hillsboro Check Stamped Jar Rim (80p768)

description: **Hillsboro Check Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 165.0 mm; width, 85.2 mm; thickness, 7.9 mm.

Notes: Catalog no. 80p652 (Vessel OO), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340634
title: Harmony Shoe Colour

description: Found this thing, photographed each side and wrapped it on a cube in blender 2.90

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340635
title: Harmony Shoe Colour

description: Found this thing, photographed each side and wrapped it on a cube in blender 2.90

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340636
title: Section of a Frieze, 1916

description: A Prairie School style terracotta frieze created by Frank Lloyd Wright student George Grant Elmslie.

I took ten photos of this architectural frieze fragment in Room G300 at the MIA (Minneapolis Institute of Art). I was intrigued by the color and stylized organic relief. I've always enjoyed the Prairie School Style. 

While I enjoyed the frieze, photographing it was a bit tricky. It is displayed above eye level and somewhat tricky to photograph (I still haven't invested in an AF lens for my Sony A5100 yet, so getting clear, sharp photos is tricky in museum settings with my shaky hands). I tried to make the best of the situation by using a tripod at its maximum height with the camera shooting in RAW, manual mode.

After getting home, I imported the photos to Lightroom and adjusted and sharpened them. Unfortunately, I missed the tops of the different elements of the frieze. 

I used the medium setting in Photoscan to create this model. Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340637
title: Section of a Frieze, 1916

description: A Prairie School style terracotta frieze created by Frank Lloyd Wright student George Grant Elmslie.

I took ten photos of this architectural frieze fragment in Room G300 at the MIA (Minneapolis Institute of Art). I was intrigued by the color and stylized organic relief. I've always enjoyed the Prairie School Style. 

While I enjoyed the frieze, photographing it was a bit tricky. It is displayed above eye level and somewhat tricky to photograph (I still haven't invested in an AF lens for my Sony A5100 yet, so getting clear, sharp photos is tricky in museum settings with my shaky hands). I tried to make the best of the situation by using a tripod at its maximum height with the camera shooting in RAW, manual mode.

After getting home, I imported the photos to Lightroom and adjusted and sharpened them. Unfortunately, I missed the tops of the different elements of the frieze. 

I used the medium setting in Photoscan to create this model. Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340638
title: Egyptian Predynastic painted pottery jar

description: Enjoy ;)

![](https://i.imgur.com/kuk1hc6.png/)

![](https://i.imgur.com/qTXX9Bo.png)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340639
title: Egyptian Predynastic painted pottery jar

description: Enjoy ;)

![](https://i.imgur.com/kuk1hc6.png/)

![](https://i.imgur.com/qTXX9Bo.png)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340641
title: Дом купца Варгина / House of the merchant Vargin

description: Ленинградская область, город Гатчина, улица Соборная, дом 1. Двухэтажный каменный дом, построенный на месте более старинного здания гатчинским старожилом, купцом 3-й гильдии Поликарпом Прокофьевичем Варгиным по проекту А.М. Байкова в 1828 и перестроенный в 1839, открывает правую часть панорамы Соборной улицы. В этом здании, как и в предшествующем ему, купцом  Поликарпом Варгиным  был открыт трактир «на западный манер» , так называемый «герберг».

Leningrad region, Gatchina, Sobornaya street, house 1. A two-storey stone house built on the site of an older building by a Gatchina old-timer, merchant of the 3rd guild, Polykarp Prokofievich Vargin, designed by A.M. Baykov in 1828 and rebuilt in 1839, opens the right side of the panorama of Cathedral Street. In this building, as in the one that preceded it, the merchant Polycarp Vargin opened a tavern "in the Western style", the so-called "gerberg".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.24915045
title: Urban living can rescue Darwin’s finches from the lethal effects of invasive vampire flies

description: Galapagos 2019 Field Data for manuscript "Urban living can rescue Darwin’s finches from the lethal effects of invasive vampire flies" published in Global Change Biology.
DOI: 10.6084/m9.figshare.24915045.v1
title: Urban living can rescue Darwin’s finches from the lethal effects of invasive vampire flies

description: Galapagos 2019 Field Data for manuscript "Urban living can rescue Darwin’s finches from the lethal effects of invasive vampire flies" published in Global Change Biology.
DOI: 10.5281/zenodo.10340640
title: Дом купца Варгина / House of the merchant Vargin

description: Ленинградская область, город Гатчина, улица Соборная, дом 1. Двухэтажный каменный дом, построенный на месте более старинного здания гатчинским старожилом, купцом 3-й гильдии Поликарпом Прокофьевичем Варгиным по проекту А.М. Байкова в 1828 и перестроенный в 1839, открывает правую часть панорамы Соборной улицы. В этом здании, как и в предшествующем ему, купцом  Поликарпом Варгиным  был открыт трактир «на западный манер» , так называемый «герберг».

Leningrad region, Gatchina, Sobornaya street, house 1. A two-storey stone house built on the site of an older building by a Gatchina old-timer, merchant of the 3rd guild, Polykarp Prokofievich Vargin, designed by A.M. Baykov in 1828 and rebuilt in 1839, opens the right side of the panorama of Cathedral Street. In this building, as in the one that preceded it, the merchant Polycarp Vargin opened a tavern "in the Western style", the so-called "gerberg".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340642
title: Portratkopf aus Palmyra

description: Der heute halbierte Porträtkopf eines Kindes aus porösem Kalkstein ist ein typisches Beispiel der römischen Kunst aus der Stadt Palmyra: Das Porträt weist keine individuellen Züge auf und ist stark plastisch ausgearbeitet. Da die meisten römischen Porträts aus Palmyra als Reliefschmuck auf Platten zum Verschließen von Gräbern dienten, ist dies auch für diesen Kopf anzunehmen. Reste einer flachen Platte hinter dem linken Ohr bestätigen diese Annahme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340643
title: Portratkopf aus Palmyra

description: Der heute halbierte Porträtkopf eines Kindes aus porösem Kalkstein ist ein typisches Beispiel der römischen Kunst aus der Stadt Palmyra: Das Porträt weist keine individuellen Züge auf und ist stark plastisch ausgearbeitet. Da die meisten römischen Porträts aus Palmyra als Reliefschmuck auf Platten zum Verschließen von Gräbern dienten, ist dies auch für diesen Kopf anzunehmen. Reste einer flachen Platte hinter dem linken Ohr bestätigen diese Annahme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340648
title: Steinvase

description: Stone vase by Johann Baptist Hagenauer in the garden of Schönbrunn Palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340649
title: Steinvase

description: Stone vase by Johann Baptist Hagenauer in the garden of Schönbrunn Palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340650
title: Druso el Menor 3DPRINT - MUSEO DE ZARAGOZA

description: Modelo 3DPRINT

Retrato de Druso el Menor, figurado a los veinte años, encontrado en el solar de la calle Gavín y Sepulcro 16-24 de Zaragoza. Cronologia : año 4 d.C. aprox.

Druso el Menor fue hijo de Tiberio y de Vipsania Agripina. Es evidente el parecido con su padre y su abuela Livia. Confeccionado en dos partes, se conserva la anterior. Rostro redondeado, vuelto hacia la derecha y ojos profundos y grandes, frente abombada, ligeramente huidiza y nariz prominente y aquilina.El cabello presenta esquematismo y rigidez en el flequillo. Perteneció a una escultura mayor, formando parte de una galería imperial de retratos en el foro de Caesaraugusta. Druso falleció, asesinado por su esposa Livilla en el año 23 d.C. a los 38 años de edad. En el año 4 d.C, declaró Augusto heredero a Tiberio, su padre, siendo este el momento de la erección de la estatua en el foro caesaraugustano.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340651
title: Druso el Menor 3DPRINT - MUSEO DE ZARAGOZA

description: Modelo 3DPRINT

Retrato de Druso el Menor, figurado a los veinte años, encontrado en el solar de la calle Gavín y Sepulcro 16-24 de Zaragoza. Cronologia : año 4 d.C. aprox.

Druso el Menor fue hijo de Tiberio y de Vipsania Agripina. Es evidente el parecido con su padre y su abuela Livia. Confeccionado en dos partes, se conserva la anterior. Rostro redondeado, vuelto hacia la derecha y ojos profundos y grandes, frente abombada, ligeramente huidiza y nariz prominente y aquilina.El cabello presenta esquematismo y rigidez en el flequillo. Perteneció a una escultura mayor, formando parte de una galería imperial de retratos en el foro de Caesaraugusta. Druso falleció, asesinado por su esposa Livilla en el año 23 d.C. a los 38 años de edad. En el año 4 d.C, declaró Augusto heredero a Tiberio, su padre, siendo este el momento de la erección de la estatua en el foro caesaraugustano.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340652
title: Carrick-on- Suir - Window Ormond

description: Window from Ormond Castle - This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340653
title: Carrick-on- Suir - Window Ormond

description: Window from Ormond Castle - This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340654
title: Holy Rosary Duluth MN

description: My 3D model from photos generated with photogrammetry software 3DF Zephyr v4.530 processing 462 images

Low Poly

Captured in 4k movie mode.
Photos auto selected in 3df Zephyr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340655
title: Holy Rosary Duluth MN

description: My 3D model from photos generated with photogrammetry software 3DF Zephyr v4.530 processing 462 images

Low Poly

Captured in 4k movie mode.
Photos auto selected in 3df Zephyr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340656
title: 1-7504 Zapotec Urn

description: Often found in Oaxaca, Mexico, Zapotec Urns are ceramic funerary vessels with either anthropomorphic or zoomorphic effigies attched. These vessels are found in mortuary contexts like tombs. Ceramics made in the Oaxaca Valley are often identified by their grey coloring and are commonly referred to  as greyware. Oftentimes, Oaxacan greyware is accompanied with the application of red pigment made of cinnabar or hematite. 

This particular vessel showcases a human figure with a glyph on the headpiece. 

http://www.famsi.org/research/zapotec/index.html

Foundation for the Advancement of Mesoamerican Studies, INC. famsi.org

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340657
title: 1-7504 Zapotec Urn

description: Often found in Oaxaca, Mexico, Zapotec Urns are ceramic funerary vessels with either anthropomorphic or zoomorphic effigies attched. These vessels are found in mortuary contexts like tombs. Ceramics made in the Oaxaca Valley are often identified by their grey coloring and are commonly referred to  as greyware. Oftentimes, Oaxacan greyware is accompanied with the application of red pigment made of cinnabar or hematite. 

This particular vessel showcases a human figure with a glyph on the headpiece. 

http://www.famsi.org/research/zapotec/index.html

Foundation for the Advancement of Mesoamerican Studies, INC. famsi.org

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340658
title: Caroline Harrison Picture

description: For more information about this item visit:
https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340659
title: Caroline Harrison Picture

description: For more information about this item visit:
https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340660
title: Brandenburg Katharinenkirche 3

description: This gravestone is located inside the late gotic kathedral of st Katharin in brandenburg/Havel (Germany). 

The 25 pictures for this model were taken in 2012 with an 10 MP Camera on a short visit. After 9 years i just found the files on an old backup disc and processed them in Metashape.

If you take into account how noisy the images are it is pretty impressive how good the result turned out.

For more informations about what I do visit: [**blog.praehist3d.de**](http://blog.praehist3d.de)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340661
title: Brandenburg Katharinenkirche 3

description: This gravestone is located inside the late gotic kathedral of st Katharin in brandenburg/Havel (Germany). 

The 25 pictures for this model were taken in 2012 with an 10 MP Camera on a short visit. After 9 years i just found the files on an old backup disc and processed them in Metashape.

If you take into account how noisy the images are it is pretty impressive how good the result turned out.

For more informations about what I do visit: [**blog.praehist3d.de**](http://blog.praehist3d.de)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340662
title: Toolse linnamägi (Estonia)

description: Toolse linnamägi 3D model. Coordinates: 59.52147, 26.46769

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340663
title: Toolse linnamägi (Estonia)

description: Toolse linnamägi 3D model. Coordinates: 59.52147, 26.46769

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340664
title: 中峠5次2住型深鉢(柏市大松遺跡) 観察記録3Dモデル

description: 中峠5次2住型深鉢(柏市大松遺跡) 観察記録3Dモデル
撮影場所:加曽利貝塚博物館令和2年度企画展「あれもEこれもE -加曽利E式土器 北西部地域編-」 
撮影月日:2021.01.06 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.016 processing 54 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340665
title: 中峠5次2住型深鉢(柏市大松遺跡) 観察記録3Dモデル

description: 中峠5次2住型深鉢(柏市大松遺跡) 観察記録3Dモデル
撮影場所:加曽利貝塚博物館令和2年度企画展「あれもEこれもE -加曽利E式土器 北西部地域編-」 
撮影月日:2021.01.06 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.016 processing 54 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340666
title: Trepanado Paracas

description: Museo de Antropología e Historia del Perú
Cráneo Paracas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340667
title: Trepanado Paracas

description: Museo de Antropología e Historia del Perú
Cráneo Paracas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340670
title: Piccadilly Circus, London, UK

description: Piccadilly Circus, London, England

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340671
title: Piccadilly Circus, London, UK

description: Piccadilly Circus, London, England

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340672
title: Cromlech of the Almendres

description: The Cromlech of the Almendres  is a megalithic complex (commonly known as the Almendres Cromlech), located 4.5 road km WSW of the village of Nossa Senhora de Guadalupe, in the civil parish of Nossa Senhora da Tourega e Nossa Senhora de Guadalupe, municipality of Évora, in the Portuguese Alentejo. The largest existing group of structured menhirs in the Iberian Peninsula (and one of the largest in Europe), this archaeological site consists of several megalithic structures: cromlechs and menhir stones, that belong to the so-called "megalithic universe of Évora", with clear parallels to other cromlechs in Évora District, such as Portela Mogos and the Vale Maria do Meio Cromlech.
https://en.wikipedia.org/wiki/Almendres_Cromlech

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340673
title: Cromlech of the Almendres

description: The Cromlech of the Almendres  is a megalithic complex (commonly known as the Almendres Cromlech), located 4.5 road km WSW of the village of Nossa Senhora de Guadalupe, in the civil parish of Nossa Senhora da Tourega e Nossa Senhora de Guadalupe, municipality of Évora, in the Portuguese Alentejo. The largest existing group of structured menhirs in the Iberian Peninsula (and one of the largest in Europe), this archaeological site consists of several megalithic structures: cromlechs and menhir stones, that belong to the so-called "megalithic universe of Évora", with clear parallels to other cromlechs in Évora District, such as Portela Mogos and the Vale Maria do Meio Cromlech.
https://en.wikipedia.org/wiki/Almendres_Cromlech

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340676
title: Country House - Decimus Burton

description: In the quest for ever more challenging projects I am delighted to present this model of a beutiful coutry house designed by Decimus Burton.

https://en.wikipedia.org/wiki/Decimus_Burton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340677
title: Country House - Decimus Burton

description: In the quest for ever more challenging projects I am delighted to present this model of a beutiful coutry house designed by Decimus Burton.

https://en.wikipedia.org/wiki/Decimus_Burton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340678
title: Trakista Kalmar 2019

description: Träkista/Kasusn/Rustbädd. Fundament för en plattform där det kan ha stått en kanon.
https://arkeologerna.com/uppdrag/borgholm-och-kalmar-slotten-vid-kalmarsund/

Plattformen har stått på en liten halvö söder om Kalmar slotts vallgrav.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340679
title: Trakista Kalmar 2019

description: Träkista/Kasusn/Rustbädd. Fundament för en plattform där det kan ha stått en kanon.
https://arkeologerna.com/uppdrag/borgholm-och-kalmar-slotten-vid-kalmarsund/

Plattformen har stått på en liten halvö söder om Kalmar slotts vallgrav.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340680
title: 渋谷「金王八幡宮」金王丸御影堂の狛犬(1)

description: 渋谷金王丸御影堂の狛犬(1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340681
title: 渋谷「金王八幡宮」金王丸御影堂の狛犬(1)

description: 渋谷金王丸御影堂の狛犬(1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340682
title: Point Cloud-Medieval Hermitage of Oreto-Zuqueca

description: This point cloud of the medieval Hermitage of Nuestra Señora de Oreto-Zuqueca in Granátula
de Calatrava (Ciudad Real, Spain) was collected using three FARO Focus3D scanners in 2017. The roof has been purposefully removed from the point cloud. The hermitage sits on one of the most important
archaeological sites in Castilla-La Mancha region with occupations in
Iberian, Roman, Visigothic and Islamic times. This settlement
controlled the passage over the Jabalón River for centuries. The
current hermitage was built in the 13th century, some years after the
victory of the Christian troops in the battle of Las Navas de Tolosa
in 1212. It was built with complete safety on the remains of a
previous church. For its construction, a large number of stones from
the site that extends under its feet were reused. Among these stones,
the reuse of decorated pieces from the Visigothic period that can be
seen today on its walls is especially significant.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340683
title: Point Cloud-Medieval Hermitage of Oreto-Zuqueca

description: This point cloud of the medieval Hermitage of Nuestra Señora de Oreto-Zuqueca in Granátula
de Calatrava (Ciudad Real, Spain) was collected using three FARO Focus3D scanners in 2017. The roof has been purposefully removed from the point cloud. The hermitage sits on one of the most important
archaeological sites in Castilla-La Mancha region with occupations in
Iberian, Roman, Visigothic and Islamic times. This settlement
controlled the passage over the Jabalón River for centuries. The
current hermitage was built in the 13th century, some years after the
victory of the Christian troops in the battle of Las Navas de Tolosa
in 1212. It was built with complete safety on the remains of a
previous church. For its construction, a large number of stones from
the site that extends under its feet were reused. Among these stones,
the reuse of decorated pieces from the Visigothic period that can be
seen today on its walls is especially significant.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340684
title: 伊豆の国市下畑の伊豆型道祖神 by scanniverse

description: 伊豆の国市・下畑の伊豆型道祖神

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340685
title: 伊豆の国市下畑の伊豆型道祖神 by scanniverse

description: 伊豆の国市・下畑の伊豆型道祖神

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340686
title: COADS_78-1

description: Diagnostic Biface collected in Liberty Township, Ross County, Ohio.
Material: Upper Mercer

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_78-1, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab