cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10282369
title: Etruscan jug with trefoil mouth

description: "Etruscan jug with trefoil mouth from the Castello Banfi Collection

Jug with trefoil mouth. Pinkish orange clay. Corresponds to a type found in Volterra and attested in Ostia. 1st – 2nd c. CE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 193. Bischeri 2022: n. cat. 195.  

Processed in Reality Capture from 330 images. GDH ID  C4_jug 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282370
title: Etruscan jug with trefoil mouth

description: "Etruscan jug with trefoil mouth from the Castello Banfi Collection

Jug with trefoil mouth. Pinkish orange clay. Corresponds to a type found in Volterra and attested in Ostia. 1st – 2nd c. CE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 193. Bischeri 2022: n. cat. 195.  

Processed in Reality Capture from 330 images. GDH ID  C4_jug 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282374
title: Pyramid, bordsprydnad av fajans. Ca 1740

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Pyramid, bordsprydnad av fajans glaserad
med vit tennglasyr och dekorerad med frukter och blommor i starkeldsfärgerna blått och gult. Skulpterade musselskal på var sida, voluter i hörnen och längst upp en knopp. Tillverkad på Rörstrand mellan 1740 och 1749.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282373
title: Pyramid, bordsprydnad av fajans. Ca 1740

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Pyramid, bordsprydnad av fajans glaserad
med vit tennglasyr och dekorerad med frukter och blommor i starkeldsfärgerna blått och gult. Skulpterade musselskal på var sida, voluter i hörnen och längst upp en knopp. Tillverkad på Rörstrand mellan 1740 och 1749.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282377
title: Cuneiform

description: MKG: 1913.117 
Date: 2037 BC - 2029 BC 
H (in cm): 1,4; B (in cm): 11,0; T (in cm): 2,2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282378
title: Cuneiform

description: MKG: 1913.117 
Date: 2037 BC - 2029 BC 
H (in cm): 1,4; B (in cm): 11,0; T (in cm): 2,2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282383
title: Ceramic Paint Palette: EOA:2022.20.1

description: Earthenware paint palette from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.20.1

Collection: Earl of Abergavenny

Classification: East India Company Personnel/Trade

Measurements: Length 105mm Width 65 mm

Date made: 1803 - 1805

Display: not on display

Manufacturer/Creator: W. Hudson, London

Credit: Portland Museum Trust

One of several incomplete palettes recovered, these would have been transported to the families of serving East India Company officials or sold as trade. 
This example was manufactured by W. Hudson of 61 Newgate Street, London. Hudson was a watercolourist and painter of miniatures.

https://www.npg.org.uk/research/programmes/directory-of-suppliers/k

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282384
title: Ceramic Paint Palette: EOA:2022.20.1

description: Earthenware paint palette from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.20.1

Collection: Earl of Abergavenny

Classification: East India Company Personnel/Trade

Measurements: Length 105mm Width 65 mm

Date made: 1803 - 1805

Display: not on display

Manufacturer/Creator: W. Hudson, London

Credit: Portland Museum Trust

One of several incomplete palettes recovered, these would have been transported to the families of serving East India Company officials or sold as trade. 
This example was manufactured by W. Hudson of 61 Newgate Street, London. Hudson was a watercolourist and painter of miniatures.

https://www.npg.org.uk/research/programmes/directory-of-suppliers/k

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282389
title: Zun wine vessel, 12-11th century BCE

description: Ancient Chinese bronze wine vessel, 12th-11th century BCE, now in the collection of the Minneapolis Institute of Art. 

More information about the object here: 
https://collections.artsmia.org/art/1158/zun-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282390
title: Zun wine vessel, 12-11th century BCE

description: Ancient Chinese bronze wine vessel, 12th-11th century BCE, now in the collection of the Minneapolis Institute of Art. 

More information about the object here: 
https://collections.artsmia.org/art/1158/zun-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282392
title: East Fort at Fili, Sharjah, UAE

description: Fili Fort East, Sharjah, UAE. A small fort constructed for the protection of the local village. Probably build in the late 18th century, and then used exensively in the 19th and early 20th centuries. Excavations revealed trade ceramics from across the peninsula, and long distance trade items such as ceramics from China. 1953 Photos from a Phantom 4 Pro V2, processed in reality capture.

Fili Forts in al-Madam plain, Emirate of Sharjah, The United Arab Emirates by Tatsuo Sasaki, Hanae Sasaki & Eisa Yousif. Japan Society for Hellenistic-Islam Archaeological Studies vol. 24:83-116.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282391
title: East Fort at Fili, Sharjah, UAE

description: Fili Fort East, Sharjah, UAE. A small fort constructed for the protection of the local village. Probably build in the late 18th century, and then used exensively in the 19th and early 20th centuries. Excavations revealed trade ceramics from across the peninsula, and long distance trade items such as ceramics from China. 1953 Photos from a Phantom 4 Pro V2, processed in reality capture.

Fili Forts in al-Madam plain, Emirate of Sharjah, The United Arab Emirates by Tatsuo Sasaki, Hanae Sasaki & Eisa Yousif. Japan Society for Hellenistic-Islam Archaeological Studies vol. 24:83-116.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282393
title: Ancient Tool

description: Sculpted prehistorical stone used as a weapon or a tool. Inspired by actual cores, this model is purely invented.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282394
title: Ancient Tool

description: Sculpted prehistorical stone used as a weapon or a tool. Inspired by actual cores, this model is purely invented.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282397
title: World War II House 1 - Low Poly

description: World War II House 1 - Low Poly
First house I've done, I'll be building more :)
--------------------------------------------------------------------
Primera casa que he hecho, estaré construyendo más
--------------------------------------------------------------------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282396
title: World War II House 1 - Low Poly

description: World War II House 1 - Low Poly
First house I've done, I'll be building more :)
--------------------------------------------------------------------
Primera casa que he hecho, estaré construyendo más
--------------------------------------------------------------------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282398
title: Sépulture 18 - Musée archéologie Saint-Laurent

description: Sépulture 18 - Musée archéologie Saint-Laurent - Grenoble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282399
title: Sépulture 18 - Musée archéologie Saint-Laurent

description: Sépulture 18 - Musée archéologie Saint-Laurent - Grenoble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282400
title: Gerhard von Scharnhorst Memorial

description: artist: [Christian Daniel Rauch](https://en.wikipedia.org/wiki/Christian_Daniel_Rauch)

source: [Bildhauerei in Berlin](https://bildhauerei-in-berlin.de/bildwerk/denkmal-gerhard-von-scharnhorst-9500/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282401
title: Gerhard von Scharnhorst Memorial

description: artist: [Christian Daniel Rauch](https://en.wikipedia.org/wiki/Christian_Daniel_Rauch)

source: [Bildhauerei in Berlin](https://bildhauerei-in-berlin.de/bildwerk/denkmal-gerhard-von-scharnhorst-9500/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282406
title: Sharp force trauma to a human skull

description: SFT or hacking on historical specimen. Model extracted from clinical CT data. Shows clear associated fracturing of the inner and outer table of the vault.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282407
title: Sharp force trauma to a human skull

description: SFT or hacking on historical specimen. Model extracted from clinical CT data. Shows clear associated fracturing of the inner and outer table of the vault.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282408
title: Shield

description: A typical shield.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282409
title: Shield

description: A typical shield.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282410
title: Mill.

description: Last summer I went to the "round the world" in the Belgorod region in search of the surviving mills. I found neither more nor less, but as many as four. The most varied construct, safety and principle of operation. When preparing subsequent reports for the blog, it turned out that I still missed two Belgorod mills. And now imagine the situation: I am driving in a car across the Belgorod region in early May to the places of terrible heroic battles from Prokhorovka to Yakovlevka, and then suddenly there is a windmill on the right side! Pure coincidence! But on the other hand, what a pleasant one, given my passion for such kind of structures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282411
title: Mill.

description: Last summer I went to the "round the world" in the Belgorod region in search of the surviving mills. I found neither more nor less, but as many as four. The most varied construct, safety and principle of operation. When preparing subsequent reports for the blog, it turned out that I still missed two Belgorod mills. And now imagine the situation: I am driving in a car across the Belgorod region in early May to the places of terrible heroic battles from Prokhorovka to Yakovlevka, and then suddenly there is a windmill on the right side! Pure coincidence! But on the other hand, what a pleasant one, given my passion for such kind of structures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282412
title: Centaur, Rome, 210-180 B.C.

description: Centaur, sculpture of pergamenien group from hellenistic period (about 210-180 B.C.), Rome (?). 3D scan made at Musee du Cinquantenaire, (Brussels, Belgium) with Memento Beta.

The centaur hold a stick on the right hand, may be use to stun the wild boar he had on his left shoulder. This statue was a part of a group of 4 centaurs (2 male centaur, 2 female centaur). The sculpture has been found in the Poppee´s villa at Oplontis (Torr Annuziata). This decorative sculpture was a part of a fountain: The water pour from the mouth of the wild boar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282413
title: Centaur, Rome, 210-180 B.C.

description: Centaur, sculpture of pergamenien group from hellenistic period (about 210-180 B.C.), Rome (?). 3D scan made at Musee du Cinquantenaire, (Brussels, Belgium) with Memento Beta.

The centaur hold a stick on the right hand, may be use to stun the wild boar he had on his left shoulder. This statue was a part of a group of 4 centaurs (2 male centaur, 2 female centaur). The sculpture has been found in the Poppee´s villa at Oplontis (Torr Annuziata). This decorative sculpture was a part of a fountain: The water pour from the mouth of the wild boar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282416
title: Momia Nº 8

description: Modelo 3D a partir de levantamiento fotogramétrico de la momia indígena de Gran Canaria Nº 8 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

Corresponde a un hombre de 25-30 años de edad, con múltiples fracturas óseas por una caída desde gran altura que le causó la muerte. La datación lo sitúa entre los siglos V y VI cal. d.C.
La mortaja destaca por la abundancia de pieles, reflejo probable de su relevancia social.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282417
title: Momia Nº 8

description: Modelo 3D a partir de levantamiento fotogramétrico de la momia indígena de Gran Canaria Nº 8 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

Corresponde a un hombre de 25-30 años de edad, con múltiples fracturas óseas por una caída desde gran altura que le causó la muerte. La datación lo sitúa entre los siglos V y VI cal. d.C.
La mortaja destaca por la abundancia de pieles, reflejo probable de su relevancia social.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282418
title: Swordlight

description: sword.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282419
title: Swordlight

description: sword.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282420
title: Nämforsen, Notön C6-7, Ådals-Liden 193.

description: Nämforsen, Notön, Hallström_C6-7, Ådals-Liden 193. Ångermanland. For more information see www.namforsen.com and/or www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282421
title: Nämforsen, Notön C6-7, Ådals-Liden 193.

description: Nämforsen, Notön, Hallström_C6-7, Ådals-Liden 193. Ångermanland. For more information see www.namforsen.com and/or www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282424
title: Figure of a Mourning Siren

description: Hellenistic figure of a mourning siren thought to represent a fragment of a larger funerary architectural element. This figure, measuring 7.3 x 7.1 x 4.9 cm, was carved from limestone and painted in color, the pigments of which are still traceable via various forms of technical analysis.

Yale University Art Gallery, Ancient Art Collection, Catalog No. [2001.28.11](https://artgallery.yale.edu/collections/objects/77886)

[Preliminary 3D color interpretation](https://skfb.ly/6FXu7) featured in the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282425
title: Figure of a Mourning Siren

description: Hellenistic figure of a mourning siren thought to represent a fragment of a larger funerary architectural element. This figure, measuring 7.3 x 7.1 x 4.9 cm, was carved from limestone and painted in color, the pigments of which are still traceable via various forms of technical analysis.

Yale University Art Gallery, Ancient Art Collection, Catalog No. [2001.28.11](https://artgallery.yale.edu/collections/objects/77886)

[Preliminary 3D color interpretation](https://skfb.ly/6FXu7) featured in the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282426
title: Baule People Double Face Ceremonial Dance Mask

description: This mask comes from the Baule people of Cote D'Ivoire. Carved wood with encrusted dark brown black and red patina in the form of two faces side by side, one being black (right) and the other red (left) with fine facial details & scarification, pair of horns atop each face, edged with zigzag motif of the Goli Society and 2 handle-like projections at base, pair of eye openings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282427
title: Baule People Double Face Ceremonial Dance Mask

description: This mask comes from the Baule people of Cote D'Ivoire. Carved wood with encrusted dark brown black and red patina in the form of two faces side by side, one being black (right) and the other red (left) with fine facial details & scarification, pair of horns atop each face, edged with zigzag motif of the Goli Society and 2 handle-like projections at base, pair of eye openings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282431
title: Mermaid2

description: Mermaid on St. Nicholas' Church Galway CIty


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282430
title: Mermaid2

description: Mermaid on St. Nicholas' Church Galway CIty


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282435
title: Gasterópodo Glauconia pizcuetana

description: **Ejemplar:** *Glauconia pizcuetanas* 
**Edad:** 113-100,5 Ma. Aptiense (Cretácico Inferior)
**Localidad:** Morella (Castellón)
**Descripción:** ejemplar casi completo con concha preservada en calcita
**Dimensión ejemplar:** 11 cm. diámetro máximo
**Sigla museo, colección y entidad:** MGUV , colección bivalvos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 193 Mb , textura JPG 897 Kb
**Autor digitalización:** Jose A. V. G.
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282434
title: Gasterópodo Glauconia pizcuetana

description: **Ejemplar:** *Glauconia pizcuetanas* 
**Edad:** 113-100,5 Ma. Aptiense (Cretácico Inferior)
**Localidad:** Morella (Castellón)
**Descripción:** ejemplar casi completo con concha preservada en calcita
**Dimensión ejemplar:** 11 cm. diámetro máximo
**Sigla museo, colección y entidad:** MGUV , colección bivalvos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 193 Mb , textura JPG 897 Kb
**Autor digitalización:** Jose A. V. G.
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282437
title: Souvenir Parthenon

description: Small Object
3DF Zephyr v6.503 processing 23 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282436
title: Souvenir Parthenon

description: Small Object
3DF Zephyr v6.503 processing 23 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282439
title: Украшение конской упряжи №11

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2010 года. Некрополь Переволочан-2. Курган №4. Бляха - украшение конской узды. Железный век. Хронология: вторая половина V в. до н.э. - рубеж V – IV век до н.э. Савроматская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282440
title: Украшение конской упряжи №11

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2010 года. Некрополь Переволочан-2. Курган №4. Бляха - украшение конской узды. Железный век. Хронология: вторая половина V в. до н.э. - рубеж V – IV век до н.э. Савроматская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282443
title: Arqueta de Buira, Museu de Lleida

description: **CAT** Arqueta de fusta policromada que s'inscriu en la tradició dels cofrets amatoris que els nuvis regalaven a les futures esposes i que, segurament, fou reaprofitada per a contenir relíquies o altres objectes sagrats.

**ES** Arqueta de madera policromada que se inscribe en la tradición de los cofres amatorios que los novios regalaban a las futuras esposas y que, seguramente, fue reaprovechada para contener reliquias u otros objetos sagrados.

**EN** Casket made of polychromed wood. Originally one of the traditional caskets that men would give their future wives, it was probably reused as a container for relics or other sacred objects.

Número de registre: MLDC 40. [Adreça web >](https://museudelleida.cat)

Model: Aleix Barberà. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282444
title: Arqueta de Buira, Museu de Lleida

description: **CAT** Arqueta de fusta policromada que s'inscriu en la tradició dels cofrets amatoris que els nuvis regalaven a les futures esposes i que, segurament, fou reaprofitada per a contenir relíquies o altres objectes sagrats.

**ES** Arqueta de madera policromada que se inscribe en la tradición de los cofres amatorios que los novios regalaban a las futuras esposas y que, seguramente, fue reaprovechada para contener reliquias u otros objetos sagrados.

**EN** Casket made of polychromed wood. Originally one of the traditional caskets that men would give their future wives, it was probably reused as a container for relics or other sacred objects.

Número de registre: MLDC 40. [Adreça web >](https://museudelleida.cat)

Model: Aleix Barberà. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab