cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10353562
title: Vasija Indígena MEMAB - Version 2

description: Vasija Indigena Precolombina de la colección del Museo Etnografico Miguel Angel Builes, de la cuidad de Medellin, Colombia. Escaneado con la tecnica de fotogrametria por ProyectoSCAN, segunda version de procesado de imagenes con nuevas tecnicas (nueva pipeline, optimizacion de mesh, retopologia, mejora de calidad de imagen y color mediante pipeline nueva, bake de texturas en blender y photoshop, ajustes de compresion de mesh y textura, ajustes de valores en sketchfab). Se deja registro que la version 1 se mantendra publicada con fines de comparacion. 

https://www.memab.org

Canal Vimeo de ProyectoSCAN
https://vimeo.com/user136866490

Pre-Columbian Indigenous Vessel from the collection of the Miguel Angel Builes Ethnographic Museum, in the city of Medellin, Colombia. Scanning with the photogrammetry technique by ProyectoSCAN, (new pipeline), It is recorded that version 1 will remain published for comparison purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353561
title: Vasija Indígena MEMAB - Version 2

description: Vasija Indigena Precolombina de la colección del Museo Etnografico Miguel Angel Builes, de la cuidad de Medellin, Colombia. Escaneado con la tecnica de fotogrametria por ProyectoSCAN, segunda version de procesado de imagenes con nuevas tecnicas (nueva pipeline, optimizacion de mesh, retopologia, mejora de calidad de imagen y color mediante pipeline nueva, bake de texturas en blender y photoshop, ajustes de compresion de mesh y textura, ajustes de valores en sketchfab). Se deja registro que la version 1 se mantendra publicada con fines de comparacion. 

https://www.memab.org

Canal Vimeo de ProyectoSCAN
https://vimeo.com/user136866490

Pre-Columbian Indigenous Vessel from the collection of the Miguel Angel Builes Ethnographic Museum, in the city of Medellin, Colombia. Scanning with the photogrammetry technique by ProyectoSCAN, (new pipeline), It is recorded that version 1 will remain published for comparison purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353565
title: Drzwiczki żeliwne ażurowe kominkowe pieca kratka

description: żeliwne, ażurowe drzwiczki z kominka / secesyjnego pieca, pochodzące prawdopodobnie z jednej z kamienic z zespołu mieszkaniowego z pocz. XX wieku Johow-Gelände w Poznaniu https://pl.m.wikipedia.org/wiki/Johow-Gel%C3%A4nde_w_Poznaniu Odnalezione w kontenerze z gruzem

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353566
title: Drzwiczki żeliwne ażurowe kominkowe pieca kratka

description: żeliwne, ażurowe drzwiczki z kominka / secesyjnego pieca, pochodzące prawdopodobnie z jednej z kamienic z zespołu mieszkaniowego z pocz. XX wieku Johow-Gelände w Poznaniu https://pl.m.wikipedia.org/wiki/Johow-Gel%C3%A4nde_w_Poznaniu Odnalezione w kontenerze z gruzem

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353568
title: First Day Loi Krathong

description: this is a krathong for loi krathong festival.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353567
title: First Day Loi Krathong

description: this is a krathong for loi krathong festival.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353570
title: Hafted Knife. XCB-105-1541

description: Hafted Knife. XCB-105-1541. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353571
title: Hafted Knife. XCB-105-1541

description: Hafted Knife. XCB-105-1541. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353572
title: Curs Work Draft

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353573
title: Curs Work Draft

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353574
title: Château des ducs de Bretagne - Nantes (France)

description: # **Une tour et son développé.**

![](https://example3972.files.wordpress.com/2020/06/developpe.jpg)

Meshlab

Pour un relevé pierre à pierre

________________________________

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353575
title: Château des ducs de Bretagne - Nantes (France)

description: # **Une tour et son développé.**

![](https://example3972.files.wordpress.com/2020/06/developpe.jpg)

Meshlab

Pour un relevé pierre à pierre

________________________________

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353580
title: Nāves sala

description: Nāves salas 3D modelis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353581
title: Nāves sala

description: Nāves salas 3D modelis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353584
title: Wooden Pulley Wheel: EOA:2022.91.2

description: Wooden pulley wheel from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.91.2

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: Diameter 112mm Depth 24mm

Date made: circa late 18th century

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Much like the other pulley blocks that have been recovered, it appears that there is very little in the way of standardisation for these wheels. Seventy nine have been recovered so far, all different sizes which suggests that they were all made as individual units. 

For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353585
title: Wooden Pulley Wheel: EOA:2022.91.2

description: Wooden pulley wheel from the wreck of the Earl Of Abergavenny.

ID:EOA:2022.91.2

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: Diameter 112mm Depth 24mm

Date made: circa late 18th century

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Much like the other pulley blocks that have been recovered, it appears that there is very little in the way of standardisation for these wheels. Seventy nine have been recovered so far, all different sizes which suggests that they were all made as individual units. 

For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353586
title: MK2 Grenade model

description: This model is unwarped, feel free to do something with it :) 

Program: 3Dsmax

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353587
title: MK2 Grenade model

description: This model is unwarped, feel free to do something with it :) 

Program: 3Dsmax

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353590
title: Confert - Zodaic Captial

description: Deatils Dr. Christy Cunniffe - Unusual loaf-shaped limestone block bearing a carved image of a crab possibly representing cancer one of the 12 signs of the Zodiac from Clonfert. This seemed to have originally functioned as a base block. The circular socket likely supported a column of some sort. Stylistically it appears to be of Transitional date (early 13th century). It measures c. 30cm in diameter and about 20cm in height. In it's original condition it had eight of the crab-like carvings around its circumference. It was chopped and changed over time and has a slot to hold a gate hanger cut into it. The later reworking caused considerable damage but it is still possible to see all of the claws thus proving that there were eight individual motifs in all. If this is one of 12 of a full zodiac table then there are 11 yet to be discovered. Regardless it is quiet an unusual piece of ornament. I would be very interested in hearing yoou comments. Has anyone encountered a similar carving.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353591
title: Confert - Zodaic Captial

description: Deatils Dr. Christy Cunniffe - Unusual loaf-shaped limestone block bearing a carved image of a crab possibly representing cancer one of the 12 signs of the Zodiac from Clonfert. This seemed to have originally functioned as a base block. The circular socket likely supported a column of some sort. Stylistically it appears to be of Transitional date (early 13th century). It measures c. 30cm in diameter and about 20cm in height. In it's original condition it had eight of the crab-like carvings around its circumference. It was chopped and changed over time and has a slot to hold a gate hanger cut into it. The later reworking caused considerable damage but it is still possible to see all of the claws thus proving that there were eight individual motifs in all. If this is one of 12 of a full zodiac table then there are 11 yet to be discovered. Regardless it is quiet an unusual piece of ornament. I would be very interested in hearing yoou comments. Has anyone encountered a similar carving.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353593
title: Cántaro con Gollete Colonial

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353592
title: Cántaro con Gollete Colonial

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353594
title: CAP DE NOIA - Enric Casanovas Roy

description: CAT: Bust d'Enric Casanovas Roy (1882 - 1948) fet el 1929 amb terra cuita. Dimensions: 37,5 cm x 20,5 cm x 25 cm.

ESP: Busto de Enric Casanovas Roy (1882 - 1948) hecho en 1929 con terracota. Dimensiones: 37,5 cm x 20,5 cm x 25 cm. 

ENG: Bust by Enric Casanovas Roy (1882 - 1948) made in 1929 with terracotta. Dimensions: 37,5 cm x 20,5 cm x 25 cm. 

FRA: Buste d'Enric Casanovas Roy (1882 - 1948) réalisé en 1929 avec de la terre cuite. Dimensions: 37,5 cm x 20,5 cm x 25 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353595
title: CAP DE NOIA - Enric Casanovas Roy

description: CAT: Bust d'Enric Casanovas Roy (1882 - 1948) fet el 1929 amb terra cuita. Dimensions: 37,5 cm x 20,5 cm x 25 cm.

ESP: Busto de Enric Casanovas Roy (1882 - 1948) hecho en 1929 con terracota. Dimensiones: 37,5 cm x 20,5 cm x 25 cm. 

ENG: Bust by Enric Casanovas Roy (1882 - 1948) made in 1929 with terracotta. Dimensions: 37,5 cm x 20,5 cm x 25 cm. 

FRA: Buste d'Enric Casanovas Roy (1882 - 1948) réalisé en 1929 avec de la terre cuite. Dimensions: 37,5 cm x 20,5 cm x 25 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353596
title: ROI022-295-01

description: Unclassified Point collected in Allen County, Indiana

Catalog #:12-Al-1330-25

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-295-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353597
title: ROI022-295-01

description: Unclassified Point collected in Allen County, Indiana

Catalog #:12-Al-1330-25

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-295-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353601
title: 1917.25 Landscape

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Landscape*, 1644–1911. China, Qing dynasty (1644-1911). Soapstone; overall: 15.3 x 22.3 x 9.6 cm (6 x 8 3/4 x 3 3/4 in.). The Cleveland Museum of Art, Worcester R. Warner Collection 1917.25

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1917.25

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353602
title: 1917.25 Landscape

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Landscape*, 1644–1911. China, Qing dynasty (1644-1911). Soapstone; overall: 15.3 x 22.3 x 9.6 cm (6 x 8 3/4 x 3 3/4 in.). The Cleveland Museum of Art, Worcester R. Warner Collection 1917.25

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1917.25

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353603
title: Perete pivniță, Castelul Teleki (4)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353604
title: Perete pivniță, Castelul Teleki (4)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353607
title: 拝田16号墳

description: 京都府亀岡市

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353608
title: 拝田16号墳

description: 京都府亀岡市

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353609
title: Cannon Gun 2/90

description: Located at Royal Arsenal Riverside, Woolwich, London.

Date: 1859

From the attached description: "Gun 2/91. On the base ring this gun shows the maker's name F.M. Eardley-Wilmot. On the first reinforce a cypher of Queen Victoria with the words DIEU ET MON DROIT. This translates as GOD AND MY RIGHTS and was a motto of the British Monarch referring to their divine right to govern. On the first reinforce ring the weight 13-2-1 (Tons - Hundredweights - Quarters) and on the second reinforce the 4940. On the chase a cypher with the words UNG JE SERVIARY which translates as ONLY ONE WILL I SERVE. On the right hand trunnion T21-DCCCXXXIV , on the left hand trunnion the date 1859.  Loaned and installed by Berkeley Homes and from the collection of the Royal Artillery Museum."

115 photos taken in November 2019 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353610
title: Cannon Gun 2/90

description: Located at Royal Arsenal Riverside, Woolwich, London.

Date: 1859

From the attached description: "Gun 2/91. On the base ring this gun shows the maker's name F.M. Eardley-Wilmot. On the first reinforce a cypher of Queen Victoria with the words DIEU ET MON DROIT. This translates as GOD AND MY RIGHTS and was a motto of the British Monarch referring to their divine right to govern. On the first reinforce ring the weight 13-2-1 (Tons - Hundredweights - Quarters) and on the second reinforce the 4940. On the chase a cypher with the words UNG JE SERVIARY which translates as ONLY ONE WILL I SERVE. On the right hand trunnion T21-DCCCXXXIV , on the left hand trunnion the date 1859.  Loaned and installed by Berkeley Homes and from the collection of the Royal Artillery Museum."

115 photos taken in November 2019 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353611
title: Stahlmühle

description: Diese Stahlmühle wurde nach 1880 von der Friemann & Wolf GmbH gefertigt und kam 1929 in das Bergbau-Museum nach Bochum. Es handelt sich um einen Nachbau der Spedding'schen "steel mill" aus den 1770er-Jahren. Das Exemplar ist aufgrund der verwendeten Materialien nicht funktionsfähig. Obwohl für eine sicherere Beleuchtung unter Tage entwickelt, waren solche Apparaturen Auslöser mehrerer Schlagwetterexplosionen.

This spill mill was manufactured after 1880 by Friemann & Wolf GmbH and was given to the mining museum in Bochum in 1929. It is a replica of Spedding's "steel mill" from the 1770s. However, the specimen is not functional due to the materials used. Although developed for safer lighting, such lamps caused several firedamp explosions.



More Information: https://www.bergbau-sammlungen.de/de/aktuelles/fund-des-monats-funkengarben-fuer-mehr-sicherheit-die-stahlmuehlen-im-deutschen-bergbau

montan.dok 030014075000

Created by Jessica Hornung using Artec Space Spider as well as Artec Studio 15

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353612
title: Stahlmühle

description: Diese Stahlmühle wurde nach 1880 von der Friemann & Wolf GmbH gefertigt und kam 1929 in das Bergbau-Museum nach Bochum. Es handelt sich um einen Nachbau der Spedding'schen "steel mill" aus den 1770er-Jahren. Das Exemplar ist aufgrund der verwendeten Materialien nicht funktionsfähig. Obwohl für eine sicherere Beleuchtung unter Tage entwickelt, waren solche Apparaturen Auslöser mehrerer Schlagwetterexplosionen.

This spill mill was manufactured after 1880 by Friemann & Wolf GmbH and was given to the mining museum in Bochum in 1929. It is a replica of Spedding's "steel mill" from the 1770s. However, the specimen is not functional due to the materials used. Although developed for safer lighting, such lamps caused several firedamp explosions.



More Information: https://www.bergbau-sammlungen.de/de/aktuelles/fund-des-monats-funkengarben-fuer-mehr-sicherheit-die-stahlmuehlen-im-deutschen-bergbau

montan.dok 030014075000

Created by Jessica Hornung using Artec Space Spider as well as Artec Studio 15

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353613
title: ROI022-051-09

description: Amos Point collected in Allen County, Indiana

Catalog #: 12-Al-894-26

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-051-09, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353614
title: ROI022-051-09

description: Amos Point collected in Allen County, Indiana

Catalog #: 12-Al-894-26

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-051-09, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353615
title: Trebuchet DRAFT [CW] [FANART Ghost Of Tsushima]

description: I'm curently working on my course work in XYZ. 
I'm a bit late with my submission btw))

My friends told me that modeling pistol (Skippy from Cyberpunk2077) is toooooooo boring so here i am modeling Trebuchet.

As my main ref i've used one from Ghost of Tsushima, however, i changed several details because i've considered them to by either weird or to complicated to do
Link to the original - https://www.artstation.com/artwork/aY0JX0

Hope u like it, i'm going to make more detailed, add some dustruction and imperfections, texture it and make it with less poly so it could be used in games.
Tell me if u observe smth strange and i should change it.

Thanks!!!

**BTW. I modeled it it Blender and if u r interested inspecting the way model is done contact me, i can send u blend file with all modificators not applied**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353616
title: Trebuchet DRAFT [CW] [FANART Ghost Of Tsushima]

description: I'm curently working on my course work in XYZ. 
I'm a bit late with my submission btw))

My friends told me that modeling pistol (Skippy from Cyberpunk2077) is toooooooo boring so here i am modeling Trebuchet.

As my main ref i've used one from Ghost of Tsushima, however, i changed several details because i've considered them to by either weird or to complicated to do
Link to the original - https://www.artstation.com/artwork/aY0JX0

Hope u like it, i'm going to make more detailed, add some dustruction and imperfections, texture it and make it with less poly so it could be used in games.
Tell me if u observe smth strange and i should change it.

Thanks!!!

**BTW. I modeled it it Blender and if u r interested inspecting the way model is done contact me, i can send u blend file with all modificators not applied**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353617
title: Trillebår

description: Trillebår, av  Håvard Kongsrud,  basert på danske hjulfunn fra middelalderen og illuminasjoner i MS.  Bodleian 264 The Romance of Alexander 1338-44 Folio 133v; MS British Library Additional 42130, the Luttrell Psalter ca. 1322 , fol. 186 v. 

https://www.akg-images.com/archive/-2UMDHURNQUZG.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353618
title: Trillebår

description: Trillebår, av  Håvard Kongsrud,  basert på danske hjulfunn fra middelalderen og illuminasjoner i MS.  Bodleian 264 The Romance of Alexander 1338-44 Folio 133v; MS British Library Additional 42130, the Luttrell Psalter ca. 1322 , fol. 186 v. 

https://www.akg-images.com/archive/-2UMDHURNQUZG.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353619
title: Glimmingehus källaren och köket (modell 3 av 12)

description: #Du befinner dig här:
![kök](https://pub.raa.se/nedladdning/sketchfab/bilder/lokaliseringssymboler/kallare.jpg?dl=0&raw=1)

Det här är borgens hjärta! Här bakades bröd och lagades mat och härifrån utgick värmesystemet. Kanske var det också här gårdsfolket fick inta sina måltider. Vi föreställer oss rum upplysta av sprakande eldar, med matvaror och husgeråd staplade på hyllor och hängandes ner från taket. Under medeltiden ansågs rätt kost främja hälsan, vilket var viktigt i en tid som saknade modern sjukvård. Humoralpatologi var en populär lära om hur man genom balanserad kost skulle hålla kroppens fyra vätskor (blod, gula gallan, svarta gallan och slem) i balans. Matvaror delades i antingen kylande eller värmande, torra eller fuktiga, precis som kroppens fyra vätskor. Detta resulterade i spännande smakkombinationer när alla ingredienser skulle balanseras med varandra, eller vad sägs om t.ex. en fiskpaj med russin, fikon, äpplen och päron? 

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab