cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18394
title: The painting "Love and Life" by Watt, depicting one angel assisting another, [s.d.]

description: Photograph of the painting "Love and Life" by Watt, depicting one angel assisting another, [s.d.]. At center, an awkward and nude young woman with tiny, disproportionate wings stoops to the right, as though blind. Immediately in the background, a darkly shadowed male angel with fully develped wings takes her hands and helps her up the rocks beneath their feet. The background is neutral.
DOI: 10.25549/chs-m18393
title: The painting "Love and Death" by Watt, depicting a young cupid assaulted by a robed figure, [s.d.]

description: Photograph of the painting "Love and Death" by Watt, depicting a young cupid assaulted by a robed figure, [s.d.]. The tall, imposing figure stands in a lightly-colored robe with its back to the viewer at left, its right arm outstretched over the cowering cupid. The cupid itself can be seen farther in the background and to the right, farther up on the marble steps beneath the two. He raises his right arm up in defense, while unfurling his full wingspan. Flowers and vines creep in from the outskirts.
DOI: 10.25549/chs-m18349
title: Painting "Days of Creation", two panels depicting effeminate angels holding globes, [s.d.]

description: Photograph of  the painting "Days of Creation", two panels depicting effeminate angels holding globes, [s.d.]. The leftmost panel shows three angels holding a globe which contains trees. In the second, a group of four angels hold a new globe which displays the cosmos. The angels are barefoot and seem to stand on material similar to that displayed in their respective globes.
DOI: 10.25549/chs-m18895
title: Hollywood High School graduating class, ca.1912

description: Photograph of the Hollywood High School graduating class, ca.1912. Six rows of young men and women are arranged out on the front lawn of Hollywood High School, which is visible in the background behind palm foliage. The first three rows appear to be seated, the frontmost row seeming to have the most boys out of all the rows. Both boys and girls are dressed formally, the boys wearing suit jackets and the girls wearing dresses or blouses and long skirts.
DOI: 10.25549/chs-m18962
title: Hollywood Club Banquet at Al Levy's Cafe, 1908

description: Photograph of the Hollywood Club Banquet at Al Levy's Cafe, 1908. Sixy-eight men dressed in tuxedos pose along twho long banquet tables, five of them standing along the wall in back underneath the chandelier. In the center foreground, an older gentleman with thinning hair and a well-trimmed white beard sits slanted from the table and appears to be holding a cigarette butt in his left hand. The rest of the members appear to be in their thirties or forties. Each place at the table is set with a dinner plate and silverware, a water glass and a wine glass and a salad plate over which a decoratively folded napkin has been placed.
DOI: 10.25549/chs-m14716
title: Paiute Indian acorn cache or granary in Yosemite Valley, Yosemite National Park, ca.1901

description: Photograph of Paiute Indian acorn cache or granary in Yosemite Valley, Yosemite National Park, ca.1901. Cabin in background. Rough wood rail fence in foreground. Mountains in distance.
DOI: 10.25549/chs-m13561
title: Portrait of painter Paul de Longpre, ca.1908

description: Photographic portrait of painter Paul de Longpre, ca.1908. De Longpre is pictured in bust wearing a tweed jacket the buttons up to his stiffened collar. He also wears a corduroy porkpie hat. The man himself has a smooth face and dons a thick yet wispy white moustache which matches the two tufts of downy hair visible peeking out from under the cap above each ear. Photoprint reads: "The flower artist".
DOI: 10.25549/chs-m3276
title: View of a house on the corner of Hollywood Boulevard and El Cerrito Place, possibly the Grass residence, [s.d.]

description: Photograph of a view of a house on the corner of Hollywood Boulevard and El Cerrito Place, possibly the Grass residence, [s.d.]. The two-story house is shown from the west, decorated with American flags. Three steps lead from the sidewalk up to the home's walkway which leads to the porch at left. A brick chimney can be seen rising from the top of the house's first story through the roof of the second at right. Small palms line the sidewalk in the foreground. Hills can be seen in the background to either side of the house. In the far left background, a small wooden shed can also be seen.
DOI: 10.25549/chs-m10500
title: Car decorated with flowers created for the La Fiesta Parade, Los Angeles, ca.1908

description: Photograph of a flower-decorated car and passengers created for the La Fiesta Parade, Los Angeles, ca.1908. The car, which faces left, has its entire chassis covered in flowers along with the spokes of its wheels. A young man in a dark suit and hat mans to the right of the front seat, while a young woman in white wears a garland and holds a pennant reading "1908". Three more similarly-dressed young women sit in the back seat beneath two parasols. The rear of another car is visible in the right background. The road below is unpaved and muddy.; Picture file card lists the passengers as the following: Harold Stern and Lililan Grass in the front seat, and Eulalie Grass (left) and Ellsie Stern (middle) in the back seat. The fourth girl appears to have gone unmentioned.
DOI: 10.25549/chs-m18827
title: Portrait of Frank and Lizzie Trapp and family, ca.1905

description: Photographic portrait of Frank and Lizzie Trapp and family, ca.1905. Three rows of family members are pictured: two young boys and girls are pictured in the first row, with one young girl sitting on the lap of an elder gentleman in the second row who is dressed in a suit. Farther center in the second row, a woman who appears to be in her early thirties sits in a dress, a slightly younger looking woman to her right. In the backmost row, four men stand, all but one of whom don moustaches.They are also wearing suits. A palm tree appears painted on the wall in the background.; Picture file card reads: "Mr. and Mrs. Trapp crossed the plains in 1847 and came to Los Angeles in the early (18)50's" and "Photo--Sunbeam, 2369 Main Street".
DOI: 10.25549/chs-m13767
title: Painted (drawn?) portrait of Vincente de la Osa, Senior of Encino Rancho, [s.d.]

description: Photograph of a painted (drawn?) portrait of Vincente de la Osa, Senior of Encino Rancho, [s.d.]. Mr. de la Osa is shown in bust, a stout man wearing a tuxedo. His bow-tie is fastened close to his chin, pulling the edges of his stiffened collar up around his jowls. His hair is trim, extending down his cheeks in mutton-chops. Otherwise he is clean-shaven and appears to be a relatively young man in the pictured, despite his girth.
DOI: 10.25549/chs-m13740
title: Portrait of Newell Matthews, Pasadena, ca.1879

description: Photographic portrait of Newell Matthews (Mathews?), ca.1879. Mr. Matthews is pictured in bust. The top of his head is bald, and a long, grisly beard and mustache grow from his chin and jowls. He wears a three-piece suit, his watch chain visibly affixed to the second button in his vest. His eyes are large and expressive, and seem gentle. He appears to be in his early to mid-fifties. Picture file card reads: "Matthews came to Pasadena in 1877 and taught in the public schools until 1879".
DOI: 10.25549/chs-m18905
title: Portrait of a group of Franciscan monks at the Mission Santa Barbara, ca.1880(?)

description: Photographic portrait of a group of Franciscan monks at the Mission Santa Barbara, ca.1880(?). Two rows of monks dressed in their habits are shown posing in the arbour of the mission. The front row of monks is seated and the monks are identified left to right as Brothers Godfry, Anthony Gallagher, Hugolin, Ivo and Peter Haberlin. The men standing in the back are similarly identified as Father O'Keefe, Brother Leo, Father Killian, Father Rayner, Brother Faustin, and Brother Aloyfius. What appears to be a patch of ivy surrounds their feet to the left, while the terracotta tiles of the mission and an extended trellis can be seen in the background. Picture file card reads "Franciscan fathers of the 1880's(?) 1889(?)".
DOI: 10.25549/chs-m18906
title: Exterior view of Mission San Miguel Arcangel's asistencia in disrepair, ca.1900

description: Photograph of an exterior view of the asistencia of the Mission San Miguel Arcangel in disrepair, ca.1900. The long, one-story adobe building is shown extending away from the foreground from left to right. Several of the wooden support beams that hold up the overhang of the terracotta-tiled roof are leaning, while the spackle on the exterior walls has been worn away in many areas giving the building a speckled finish. Wooden doors and a barred window are spaced evenly down the front of the building. Rubble and other debris from the patio litter the grass in front of the building. The picture file card locates the building "At Templeton near Paso Robles, on the J.H. Blackburn Ranch".; An asistencia is defined as an outlying mission station which contained a chapel but no resident priest. However, other priest would often visit in order to say mass and conduct other services. It was often planned that asistencias were to later become full missions in their own right.
DOI: 10.25549/chs-m9901
title: Exterior view of a Santa Barbara presidio on De la Guerra Street, ca.1870

description: Photograph of an exterior view of a Santa Barbara presidio on De la Guerra Street, ca.1870. A long, split-level adobe is pictured extending away from the foreground from right to left. To the right, a small patio is shown beneath an overhang of terracotta-tiled roof, which is supported by two columns made of adobe brick. The door to the building can be seen just inside the overhang. Farther left, a second section of the building is shown, a single window in its side. Still farther left, the third section of the building rises slightly higher than the other two, a second roof featuring what appears to be either a chimney or a bell tower. This third portion has no spackle, showing its brickwork. A fourth section, apparently separate can be seen in the left background. The ground in front of the buildings seems dry, covered in sedgegrass.
DOI: 10.25549/chs-m14117
title: The Little Church in Yosemite Valley, Yosemite National Park, 1901

description: Photograph of the Little Church in Yosemite Valley, Yosemite National Park, 1901. The mountains tower behind it. It is nestled among tall fir trees.
DOI: 10.25549/chs-m18907
title: Map showing the arrangement of the Mission Santa Barbara in 1840, ca.1920

description: Photograph of a map showing the arrangement of the Mission Santa Barbara in 1840, ca.1920. An architectural line drawing of the general outlay of the mission is pictured, showing major roads and the location of twenty-one features of the mission. Picture file card lists the map as coming from the book "Early Days of Santa Barbara" by Walter A. Hawley, published in 1920.; The roads shown are: Mission Road, Los Olvios Street, Garden Street, Padre Street, Laguna Street, and New Mission Street. The features listed and shown are: Thrashing Floor, Weavery, Granary, Inner Court, Settling Tank, Upper Reservoir, House for Manufacturing Pottery, Cow Shed, Vats for Tanning, Home of Major-domo, Tannery, Soldiers' Quarters, Fountain, Basin for Washing Clothes, Part of Foundation of Second Church, Gardener's House, Indian Recreation Ground, Kilns, and Aqueduct.
DOI: 10.25549/chs-m18908
title: Exterior view of the Mission San Miguel Arcangel, ca.1884

description: Photograph of an exterior view of the Mission San Miguel Arcangel, ca.1884. In the left foreground, a colonnade supports the roof's overhang over  what is likely the monk's quarters. Farther left, an extension of this long, one-story adobe building has lost much of its spackle, showing its adobe brickwork. In the distance to the right, the long, two-story building of the mission chapel is shown, much of its spackle eroded away. Farther left, a bell hangs from its support frame which extends from the ground between the chapel and an adobe shack pictured at the far right. Sedgegrass fills the foreground.
DOI: 10.25549/chs-m18909
title: Exterior view of an asistencia of the Mission San Miguel Arcangel shown from a distance, ca.1931

description: Photograph of an exterior view of an asistencia of the Mission San Miguel Arcangel shown from a distance, ca.1931. Rows of small trees comprise an orchard in the foreground, while the buildings of the mission can be seen in the background in front of a mountain ridge. At center, a long, two-story adobe that appears to be a mission chapel can be seen, while farther right, a long, one-story adobe stands perpendicular to the chapel. This building is pictured behind a system of collapsed adobe walls whose roofs have been removed. A small rancher-style home is also visible in the left distance behind a utility pole.
DOI: 10.25549/chs-m13998
title: Painting depicting an exterior view of the Great Pyramid of Cholula, Mexico, [s.d.]

description: Photograph of painting depicting an exterior view of the Great Pyramid of Cholula, Mexico, [s.d.]. Much of the pyramid in the distance is covered by moss and grass making it appear as though it is a hill, at the top of which the castle-like structure of the central monument is visible. In the center foreground, a courtyard is pictured surrounded by a stone wall at the center of which another temple or monument can be seen behind various trees. In the extreme foreground, a wooden frame stands in what appears to be tilled rows of farmland. Picture file card identifies the pyramid as having been built by the Toltecs in the 6th century.
DOI: 10.25549/chs-m10175
title: Birdseye view (painting?) of workers on the Patterson Ranch in Ventura County, ca.1900

description: Photograph of a birdseye view (painting?) of workers on the Patterson Ranch in Ventura County, ca.1900. In the foreground, two men and a young boy are pictured driving a horse-drawn cart out of a garden of some kind which is enclosed by a post-and-rail fence. To the left, the gate to the fence is open, beyond which a man in a suit and hat is visible looking at one of the fence posts. Beyond this, a large assortment of men with hitched and un-hitched horses can be seen in the dirt space between the three two-story barns on the left and the two smaller, one-story wooden buildings to the left. In the far background, a two-story house can be seen partially obscured by willow trees.
DOI: 10.25549/chs-m18910
title: Painting depicting the Mission Santa Clara de Asis, ca.1900

description: Photograph of a painting depicting the Mission Santa Clara de Asis, ca.1900. The two-story chapel of the mission is pictured slightly to the right in the background, its entrance surrounded by a wrought-iron fence. The belltower extends from the left side of the chapel, just beyond which the one-story adobe of the monk's quarters can be seen, the roof's overhang supported by a colonnade. In the foreground, a group of men and women are pictured being pulled in an ox-drawn cart which a man standing to the right attends. In the left foreground, a tall cross can be seen planted in the ground.
DOI: 10.25549/chs-m6823
title: Exterior view of the Soberanes Rancho buildings, site of the first college in Caliifornia, ca.1880

description: Photograph of an exterior view of the Soberanes Rancho buildings, site of the first college in California, ca.1880. A post-and-rail fence runs along the left side of the image, enclosing a small collection of pigs and chickens. A little farther back, a tree on the opposite side of the fence has begun to stress the fence, and its foliage partially obscures one of the two-story houses pictured in the photo. The house stands with its narrow side to the viewer, its lower window visible from beneath the tree. Farther back and to the right, a similarly designed building stands perpendicular to it, displaying five small windows on the second story, and three on the lower story. Interspersed with the windows on the lower story, a door and a larger window are positioned. The earth in the foreground appears dusty and fallow.; Picture file card reads "College started by Father Patrick Short of the Picpus fathers in 1831 and was called 'the seminario de San Jose'. Photo was presented to A.D. Spearman by Mr. Nate a Soberanes, descendant of Hartnell who married into the Soberanes family. Photo of 1880 by J.T. Pollock, 64 South River Street, San Jose". An earlier version of the record reads "'First College in California.  On Rancho Alisal near San Jose.'  The date 1834 is listed.  U.C. Berkeley??".
DOI: 10.25549/chs-m13558
title: Painted portrait of Captain Don Jose de la Guerra y Noriega, ca.1900

description: Photograph of a painted portrait of Captain Don Jose de la Guerra y Noriega, ca.1900. Captain la Guerra is pictured in bust, his body turned slightly to the right. He is pictured wearing what appears to be a woolen overcoat and a vest along with a white dress shirt and what appears to be a ribbon-style bow tie. In addition to this, he wears a dark stocking cap on his head. His front locks appear dark, while the hair escaping from either side of the cap appears to be white. He is clean shaven, with moderately fleshy jowls. His eyes are large and appear skeptical, below which, his lower lip is situated thick and staunch.
DOI: 10.25549/chs-m13559
title: Portrait of Dona Anita de la Guerra Thompson, [s.d.]

description: Photographic portrait of Dona Anita de la Guerra Thompson, [s.d.]. Ms. Thompson is shown in bust with her portrait in an elaborately decorated picture frame which circumscribes an oval around her image. Her shoulders are slightly turned to the left. She looks to the right with her long hair pulled up into an elaborate braided bun over which a dark shawl drapes. Her dress matches this piece of linen, contrasted only by the patch of white blouse that extends from her neck to her bust. A small brooch can be seen at the collar.
DOI: 10.25549/chs-m14717
title: Yosemite Valley from Artist (Inspiration?) Point, Yosemite National Park, ca.1850-1930

description: Photograph of Yosemite Valley from Artist (Inspiration?) Point, Yosemite National Park, ca.1850-1930.
DOI: 10.25549/chs-m635
title: Retouched photo of Main Street looking North from Fifth Street, 1905

description: Photograph of a retouched photo of Main Street looking North from Fifth Street, 1905. Two cable cars can be seen moving along the left side of the unpaved street between the gauntlet of two- to five-story commercial buildings, along with horse-drawn carriages which can be seen farther back. To the right, a woman in a lightly-colored dress whose face has been retouched with paint, makes her way across the road to the buildings at the left. To the right, four men in suits -- two of which have retouched faces -- stand on the sidewalk by a lamp post in front of the other stretch of buildings. A web of streetcar cables hangs across the street between them.; Legible signs from left to right include: "Arcade Depot, 112", "[...] Bros. [Furnit]ure", "Serve Day A 20 cents", "B. Lebrandt, Contractor", "Ice Cream Sodas", "The [...]burto [...] Box", and "Restaurant".
DOI: 10.25549/chs-m2551
title: Birdseye view of Los Angeles looking down North Broadway from Fort Moore Hill, ca.1895

description: Photograph of a birdseye view of Los Angeles looking down North Broadway from Fort Moore Hill, ca.1895. The wide, unpaved Broadway can be seen at the far left, stretching towards the mountains on the horizon. To the right, clusters of small, one- to two-story farm-style homes can be seen along the connecting street, the lightly-colored, three-story building of the Medical College visible at the end of the street to the right. Beyond this, more houses can be seen trailing off into the woods at the foothills. A smaller cluster of trees is also visible in the righthand side of the foremost housing block. The sky is filled with both grey and white clouds.
DOI: 10.25549/chs-m2707
title: View of Los Angeles looking north on Broadway through the treetops, 1895

description: Photograph of a view of Los Angeles looking north on Broadway through the treetops, 1895. The Women's Christian Temperance Union (WCTU) two-story, Victorian-style building with gingerbread siding is pictured at center, visible through the treetops (North-West corner of Broadway and Temple Street) , while at the right, the roof of the Hotel Aberdeen can also be seen (north of Temple Street, on the east side of Broadway). Soft hills can be seen on the horizon in the background, while tree foliage frames the image at the extreme foreground.
DOI: 10.25549/chs-m18914
title: Surveyor's restoration map of the Mission San Juan Capistrano, ca.1900

description: Photograph of a surveyor's restoration map of the Mission San Juan Capistrano, ca.1900. At the top center of the image, line walls have been drawn to represent a square enclosure made of buildings inside which a patio, garden and fountain are indicated. The El Camino Real Road is shown in from the top left and down to the bottom right, demarcating a cemetary outside the right wall of the enclosure. Beneath this, an area marked "Stone Church" is visible.; The map contains a legend with the letters A through X indicating : A) Stone Church; B) Serra's Church; C) Kitchen; D) Refectory; E) Padre's house; F) Wine cellar; G)Storage; H) Carpenteria; I) Weavery; [map skips 'J']; K) Soap factory; L) Smithy; M) Olive Press; N) Winery; O) Guest room; P) Major Domo; Q) Guard House; R) Parlor; S) Chamber; T) Pantry; U) Candle Shop; V) Hat Shop; W) Soldier's Bell; X)Sacristy.
DOI: 10.25549/chs-m7951
title: Architectural plan drawing of the Mission San Gabriel Arcangel, ca.1900

description: Photograph of an architectural plan drawing of the Mission San Gabriel Arcangel, ca.1900. The mission is shown from above, its main building a long rectangle with what has been marked in the key as stone walls, listed as the Nave. Inside the perimeter, the pulpit is identified to the left, while a door that has been walled-up with adobe is pictured to the right, along with the steps to the choir. Above, an open area with rough shapes that seem to indicate bushes is labeled 'Cemetery'. The bapistry, sacristy and modern chapel are all shown as well.
DOI: 10.25549/chs-m7943
title: Rexford Newcomb's rendition of Mission San Gabriel Arcángel's original campanile, or "bell tower", 1916

description: Photograph of Rexford Newcomb's rendition of Mission San Gabriel Arcángel's original campanile, or "bell tower", 1916. The two-story main chapel of the Mission San Gabriel and its connected bell towers are shown in three-quarters profile at center, the heads and shoulders of two monks visible along the bottom edge of the image. At the left side of the chapel, a patio can be seen extending out of the upper level, with a barred railing. To the right, the three-story main structure of the bell tower is visible with three open bell chambers on the top two levels. At center, a arched wooden door stands on the ground level, while a small, barred window can be seen directly over it.; "On December 8, 1812 (the "Feast Day of the Immaculate Conception of the Blessed Virgin") a series of massive earthquakes shook Southern California. The 1812 Wrightwood Earthquake caused the three-bell campanario, located adjacent to the chapel's east façade, to collapse. A larger, six-bell structure was subsequently constructed at the far end of the capilla. While no pictorial record exists to document what the original structure looked like, architectural historian Rexford Newcomb deduced the design and published a depiction in his 1916 work The Franciscan Mission Architecture of Alta California" -- Wikipedia (http://en.wikipedia.org/wiki/Mission_San_Gabriel_Arcángel).