cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10350952
title: 大隈重信銅造

description: **大隈重信銅造 the bronze statue of Shigenobu Okuma**

早稲田大学の前身である東京専門学校の創立者。早稲田大学初代総長。1838-1922。

早稲田大学の創立50周年を記念して1932年に造立。
鋳造・彫塑は朝倉文夫。

新宿区指定有形文化財(彫刻)。

on Googlemap https://goo.gl/maps/LDSjpq1f29vvSZf49

フィギュア https://www.waseda-shop.com/pdetail611/




3D digitizing methods : Photogrammetry

Software / ソフト : Agisoft Metashape Professional

Equipment / 機材 : Canon EOS 6DM2 + Canon 70-300mm

Images / 処理枚数 : 36 photos

Date / 撮影年月 : Sep 2020.

Address / 住所 : Shinjuku-ku, Tokyo, Japan.

Align / カメラアライン:Highest / 最高

Dense Cloud / 高密度クラウド:High / 高

Mesh / メッシュ:High / 高

photo, 3D edit:Tsuyoshi Chiba / 千葉 毅

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350953
title: 大隈重信銅造

description: **大隈重信銅造 the bronze statue of Shigenobu Okuma**

早稲田大学の前身である東京専門学校の創立者。早稲田大学初代総長。1838-1922。

早稲田大学の創立50周年を記念して1932年に造立。
鋳造・彫塑は朝倉文夫。

新宿区指定有形文化財(彫刻)。

on Googlemap https://goo.gl/maps/LDSjpq1f29vvSZf49

フィギュア https://www.waseda-shop.com/pdetail611/




3D digitizing methods : Photogrammetry

Software / ソフト : Agisoft Metashape Professional

Equipment / 機材 : Canon EOS 6DM2 + Canon 70-300mm

Images / 処理枚数 : 36 photos

Date / 撮影年月 : Sep 2020.

Address / 住所 : Shinjuku-ku, Tokyo, Japan.

Align / カメラアライン:Highest / 最高

Dense Cloud / 高密度クラウド:High / 高

Mesh / メッシュ:High / 高

photo, 3D edit:Tsuyoshi Chiba / 千葉 毅

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350956
title: medieval diorama

description: A medieval diorama scene for my college assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350957
title: medieval diorama

description: A medieval diorama scene for my college assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350960
title: Laetoli footprints

description: These footprints were made about 3.6 million years ago by a bipedal hominid, likely Australopithecus afarensis. They are the earliest direct evidence of homonid bipedalism, though it is likely Ardipithicus was walking upright two million years earlier.

Disclaimer: This file is not made directly from scan data. I used available topographic imagery to create a rough approximation, and cleaned up the result to make an idealized artistic representation of the footprints. There is no scientific value to the file, and it is not a replica but an interpretation and close approximation to the original.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350961
title: Laetoli footprints

description: These footprints were made about 3.6 million years ago by a bipedal hominid, likely Australopithecus afarensis. They are the earliest direct evidence of homonid bipedalism, though it is likely Ardipithicus was walking upright two million years earlier.

Disclaimer: This file is not made directly from scan data. I used available topographic imagery to create a rough approximation, and cleaned up the result to make an idealized artistic representation of the footprints. There is no scientific value to the file, and it is not a replica but an interpretation and close approximation to the original.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350962
title: Woodhall Headstone - Hamilton Cemetery

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350963
title: Woodhall Headstone - Hamilton Cemetery

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350966
title: Nämforsen, Lillforshällan G4, Ådals-Liden 193:1.

description: Nämforsen, Lillforshällan G4, Ådals-Liden 193:1, Ångermanland. Sfm.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350967
title: Nämforsen, Lillforshällan G4, Ådals-Liden 193:1.

description: Nämforsen, Lillforshällan G4, Ådals-Liden 193:1, Ångermanland. Sfm.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350974
title: D8 - Anloo

description: http://www.hunebeddeninfo.nl/anloo

Hunebedden in Nederland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350975
title: D8 - Anloo

description: http://www.hunebeddeninfo.nl/anloo

Hunebedden in Nederland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350984
title: Wooden Spoon

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350985
title: Wooden Spoon

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350988
title: Japanese Style Buildings

description: This was made for my College FMP but never got round to finishing it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350989
title: Japanese Style Buildings

description: This was made for my College FMP but never got round to finishing it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350990
title: Dama de l'ermini, Museu Frederic Marès

description: **CAT** "Dama de l'ermini", alt relleu de marbre que procedeix del Palau de Miquel Mai i dels Pinós, marquesos de Barberà, a Barcelona. Es creu que ve d'Itàlia, però se'n desconeix l'autoria. Data del segon quart del s. XVI i es custodia al Museu Frederic Marès.

**ES** "Dama del armiño", altorrelieve de mármol que procede del Palacio de Miquel Mai y de los Pinós, marqueses de Barberà, en Barcelona. Se cree que viene de Italia pero se desconoce su autoría. Data del segundo cuarto del s. XVI y se custodia en el Museo Frederic Marès.

**EN**. "Lady with an ermine", a marble high relief from the palace of Miquel Mai and the House of Pinós, marquises of Barberà, in Barcelona. Although it is believed to have come from Italy, its author is unknown. It dates to the end of the 16th century and is kept at the Museu Frederic Marès.

[Veure fitxa >](https://cataleg.museumares.bcn.cat/fitxa/seccio_escultura/H307820/?resultsetnav=60e54442ee6c5)

Model: Jaime Salguero - Néstor Marqués. Text: Luz Gamiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350991
title: Dama de l'ermini, Museu Frederic Marès

description: **CAT** "Dama de l'ermini", alt relleu de marbre que procedeix del Palau de Miquel Mai i dels Pinós, marquesos de Barberà, a Barcelona. Es creu que ve d'Itàlia, però se'n desconeix l'autoria. Data del segon quart del s. XVI i es custodia al Museu Frederic Marès.

**ES** "Dama del armiño", altorrelieve de mármol que procede del Palacio de Miquel Mai y de los Pinós, marqueses de Barberà, en Barcelona. Se cree que viene de Italia pero se desconoce su autoría. Data del segundo cuarto del s. XVI y se custodia en el Museo Frederic Marès.

**EN**. "Lady with an ermine", a marble high relief from the palace of Miquel Mai and the House of Pinós, marquises of Barberà, in Barcelona. Although it is believed to have come from Italy, its author is unknown. It dates to the end of the 16th century and is kept at the Museu Frederic Marès.

[Veure fitxa >](https://cataleg.museumares.bcn.cat/fitxa/seccio_escultura/H307820/?resultsetnav=60e54442ee6c5)

Model: Jaime Salguero - Néstor Marqués. Text: Luz Gamiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350992
title: Cotorra argentina (Myiopsitta monachus)

description: **Ejemplar**:  *Myiopsitta monachus* 
**Nombre común**: Cotorra argentina  
**Descripción**: Verde con remeras azuladas, frente, cara, pecho y patas grisáceos y ojos marrones. Pico corto y fuerte anaranjado.  Se alimentan de granos, frutos e insectos. Prefiere árboles y estructuras artificiales. Muy sociable, forma ruidosas bandadas en colonias en parques, jardines y arboledas.  Originaria de Sudamérica. Distribuida en península, Baleares y Canarias. Ocasiona problemas económicos y ecológicos. Vector de propagación de patógenos. Introducida al escapar individuos cautivos. 
**Sigla museo, colección y entidad**: MUVHNZJ0049, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas)
**Técnica digitalización / modelo**:  escaneado superficial 3D Einscan Pro 
**Software empleado**: einscan v3.1.0.2, manual con plataforma giratoria, calidad media. 
**Autor digitalización**: Natalia Conejero-Ortega. 
**Cita ejemplar**: Colección 3D de especies exóticas invasoras en España Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350993
title: Cotorra argentina (Myiopsitta monachus)

description: **Ejemplar**:  *Myiopsitta monachus* 
**Nombre común**: Cotorra argentina  
**Descripción**: Verde con remeras azuladas, frente, cara, pecho y patas grisáceos y ojos marrones. Pico corto y fuerte anaranjado.  Se alimentan de granos, frutos e insectos. Prefiere árboles y estructuras artificiales. Muy sociable, forma ruidosas bandadas en colonias en parques, jardines y arboledas.  Originaria de Sudamérica. Distribuida en península, Baleares y Canarias. Ocasiona problemas económicos y ecológicos. Vector de propagación de patógenos. Introducida al escapar individuos cautivos. 
**Sigla museo, colección y entidad**: MUVHNZJ0049, Colección CCNN Padre Ignacio Sala S.J. (Jesuitas)
**Técnica digitalización / modelo**:  escaneado superficial 3D Einscan Pro 
**Software empleado**: einscan v3.1.0.2, manual con plataforma giratoria, calidad media. 
**Autor digitalización**: Natalia Conejero-Ortega. 
**Cita ejemplar**: Colección 3D de especies exóticas invasoras en España Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350994
title: Skep - Straw Beehive - Rothe House

description: Skeps, which are baskets placed open-end-down, have been used for about 2000 years. Initially they were made from wicker plastered with mud and dung but from the Middle Ages they were made of straw. In northern and western Europe, skeps were made of coils of grass or straw. In its simplest form, there is a single entrance at the bottom of the skep. Again, there is no internal structure provided for the bees and the colony must produce its own honeycomb, which is attached to the inside of the skep.

Skeps have two disadvantages: beekeepers cannot inspect the comb for diseases and pests, and honey removal is not easy- often resulting in the destruction of the entire colony. To get the honey beekeepers either drove the bees out of the skep or, by the use of a bottom extension called an eke or a top extension called a cap, sought to create comb with just honey in it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350995
title: Skep - Straw Beehive - Rothe House

description: Skeps, which are baskets placed open-end-down, have been used for about 2000 years. Initially they were made from wicker plastered with mud and dung but from the Middle Ages they were made of straw. In northern and western Europe, skeps were made of coils of grass or straw. In its simplest form, there is a single entrance at the bottom of the skep. Again, there is no internal structure provided for the bees and the colony must produce its own honeycomb, which is attached to the inside of the skep.

Skeps have two disadvantages: beekeepers cannot inspect the comb for diseases and pests, and honey removal is not easy- often resulting in the destruction of the entire colony. To get the honey beekeepers either drove the bees out of the skep or, by the use of a bottom extension called an eke or a top extension called a cap, sought to create comb with just honey in it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350998
title: Kaplavas pilskalns

description: Kaplavas pilskalna 3D modelis. Koordinātas: 55.84951, 26.98471

https://www.latvijas-pilskalni.lv/kaplavas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10350999
title: Kaplavas pilskalns

description: Kaplavas pilskalna 3D modelis. Koordinātas: 55.84951, 26.98471

https://www.latvijas-pilskalni.lv/kaplavas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351000
title: 3D-model van een sterfput in het vlak

description: 3D-model van een laat-middeleeuwse sterfput te Kortrijk, Groeningeabdi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351001
title: 3D-model van een sterfput in het vlak

description: 3D-model van een laat-middeleeuwse sterfput te Kortrijk, Groeningeabdi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351002
title: Arte arquitectónico Moche (200 a.C. – 600 d.C.)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351003
title: Arte arquitectónico Moche (200 a.C. – 600 d.C.)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351004
title: NCMA Sculptures with Polycam

description: Testing out Polycam at the NC Museum of Art. Two statues are Torso in the guise of Jupiter and Aphrodite.

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351005
title: NCMA Sculptures with Polycam

description: Testing out Polycam at the NC Museum of Art. Two statues are Torso in the guise of Jupiter and Aphrodite.

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351008
title: Cauldron

description: Inventory number:
MT-E/3524
1940s, Bulgaria

District Museum in Tarnów

https://muzea.malopolska.pl/en/objects-list/1457

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351009
title: Cauldron

description: Inventory number:
MT-E/3524
1940s, Bulgaria

District Museum in Tarnów

https://muzea.malopolska.pl/en/objects-list/1457

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351010
title: Maça

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351011
title: Maça

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351013
title: Jacques - Art contemporain

description: Art contemporain

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351012
title: Jacques - Art contemporain

description: Art contemporain

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351015
title: Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah. One poorly defined animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351014
title: Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C7 Khatm Al Melaha, Kalba, Sharjah. One poorly defined animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351018
title: Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Will Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351019
title: Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Will Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351020
title: ACHONRY - Sculptured Stone

description: A loose fragment located in the graveyard at Achonry.  This carving is inverted and resued as a possible gravemarker.  The carving was first noticed by Martin Timoney and may be a fragment from an earlier romanesque church which predated the 15th C Cathedral.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351021
title: ACHONRY - Sculptured Stone

description: A loose fragment located in the graveyard at Achonry.  This carving is inverted and resued as a possible gravemarker.  The carving was first noticed by Martin Timoney and may be a fragment from an earlier romanesque church which predated the 15th C Cathedral.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351022
title: Charlieu - West Portal

description: Abbaye de Saint-Fortuné de Charlieu, west portal, ca. 1100. 
[Nord portals in 3D here.](https://sketchfab.com/3d-models/charlieu-portail-nord-459eb6a5780e457893d2d11bd2afb60d/properties)

[Clunypedia](http://www.clunypedia.com/)/[Map](https://clunypedia.com/map)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351023
title: Charlieu - West Portal

description: Abbaye de Saint-Fortuné de Charlieu, west portal, ca. 1100. 
[Nord portals in 3D here.](https://sketchfab.com/3d-models/charlieu-portail-nord-459eb6a5780e457893d2d11bd2afb60d/properties)

[Clunypedia](http://www.clunypedia.com/)/[Map](https://clunypedia.com/map)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351024
title: Abandoned Casita

description: Roofless farm house on the Roman archeological site of Castula, Jaen, Spain

Lidar model taken with an iPhone 13 ProMax using Scaniverse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351025
title: Abandoned Casita

description: Roofless farm house on the Roman archeological site of Castula, Jaen, Spain

Lidar model taken with an iPhone 13 ProMax using Scaniverse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351026
title: ROI022-012-07

description: Lamoka Point collected in Allen County, Indiana

Catalog #: 12-Al-390-43

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-012-07, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351027
title: ROI022-012-07

description: Lamoka Point collected in Allen County, Indiana

Catalog #: 12-Al-390-43

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-012-07, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351030
title: Modelo 3D Penedo dos Lobos (Manzaneda, Ourense)

description: Acampamento Militar Romano

http://romanarmy.eu/pt/2018/08/28/s-cantabro-astures-o-campamento-romano-de-penedo-dos-lobos-revela-a-presenza-militar-romana-mais-antiga-documentada-en-galicia/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351031
title: Modelo 3D Penedo dos Lobos (Manzaneda, Ourense)

description: Acampamento Militar Romano

http://romanarmy.eu/pt/2018/08/28/s-cantabro-astures-o-campamento-romano-de-penedo-dos-lobos-revela-a-presenza-militar-romana-mais-antiga-documentada-en-galicia/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351032
title: Седло, нач. XX в.

description: Седло, Кавказ, начало XX в.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351033
title: Седло, нач. XX в.

description: Седло, Кавказ, начало XX в.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351037
title: Combs Wood stables

description: The remains of a stables for the horses and ponies associated with the mine workings at Combs Wood. Horses and/or ponies would have pulled the wagons of iron ore though the mines and possibly along the tramways to the main railway line. The stone sets within the floor show former layout and process flow; postholes illustrate the size of the stalls; drainage shows the extent of the stables and hygienic regimes; and, different surfaces illustrate pedestrian and animal zones. The quality of the floor indicates how valuable these animals were for the mine workings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351036
title: Combs Wood stables

description: The remains of a stables for the horses and ponies associated with the mine workings at Combs Wood. Horses and/or ponies would have pulled the wagons of iron ore though the mines and possibly along the tramways to the main railway line. The stone sets within the floor show former layout and process flow; postholes illustrate the size of the stalls; drainage shows the extent of the stables and hygienic regimes; and, different surfaces illustrate pedestrian and animal zones. The quality of the floor indicates how valuable these animals were for the mine workings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10351040
title: Antinous statue fragment, Els Munts, Tarragona

description: "Fragment from the statue of Antinous from the site of Els Munts (Tarragona, Spain). Depiction of the young Bithynian. A slave and favourite of Hadrian, who the emperor deified following his tragic death by drowning in the Nile in 122 AD. His presence in the Villa of Els Munts would denote the loyalty of the villa´s owner to emperor.

245 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT45406_4. A fragment of sculpture MNAT45406. 

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions."

Source: Objaverse 1.0 / Sketchfab