cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/maw-ouc113887387
title: Tarascan burnished redware pipe

description: The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
DOI: 10.25549/maw-ouc113887348
title: Tarascan burnished redware pipe

description: The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
DOI: 10.25549/maw-ouc113887242
title: Three obsidian winged labrets : C

description: Obsidian, a volcanic glass-like stone cleaves concavely. Working obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.25549/whit-ouc11399kiiv
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd6a
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb5w
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kigb
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399negr
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113887346
title: Three Obsidian Winged Labrets, A

description: Obsidian is a volcanic glass-like stone cleaves concavely. Working with obsidian requires great skill. The process involves core flaking, pressure flaking, drilling, abrading as well as polishing. It is very labor intesive. Two of the labrets have been inlaid with a white material.
DOI: 10.15468/dl.9a2zny
title: Occurrence Download

description: A dataset containing 5 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Pomacentrus nigromarginatus"
 ]
}

 The dataset includes 5 records from 4 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001144-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113887353
title: Tzintzuntzan teapot with stirrup handle

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887355
title: Tripodal pillow rattle bowl

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887402
title: Tripodal pillow rattle bowl

description: This unique serving vessel, in the form of a teapot or ewer, features a funnel opening, a stirrup handle, and a curved spout. The center of the vessel has a depressed top with a protruding button. The artist used a resist slip process to create the white slip design on red slip ground.
DOI: 10.25549/maw-ouc113887463
title: Piercing tool or perforator

description: Mesoamerican people pierced their noses, low lips, and ear lobes for decorative purposes. Tongues and penises were pierced for ritual bloodletting or self-sacrifice. Both of these areas heal rapidly.
DOI: 10.25549/whit-ouc11399kd84
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399neeb
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399negj
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nehd
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd3w
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113889561
title: Face mold

description: An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
DOI: 10.25549/maw-ouc113889547
title: Face mold

description: An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
DOI: 10.25549/maw-ouc113889500
title: Botadero incised vase

description: A two-tone bichrome vase has an elaborate fineline incised decoration. The white band area features two Quetzalcoatl or feather serpents. The lower red-brown area contains incised spirals and geometric decorations.
DOI: 10.25549/maw-ouc113889613
title: Botadero incised vase

description: A two-tone bichrome vase has an elaborate fineline incised decoration. The white band area features two Quetzalcoatl or feather serpents. The lower red-brown area contains incised spirals and geometric decorations.
DOI: 10.25549/maw-ouc113889577
title: Botadero incised vase

description: A two-tone bichrome vase has an elaborate fineline incised decoration. The white band area features two Quetzalcoatl or feather serpents. The lower red-brown area contains incised spirals and geometric decorations.
DOI: 10.25549/maw-ouc113887405
title: Pierced blackware ear spool

description: Red-brown clay was probably pressed into a circular mold and allowed to become a leather hard disc. The disc has curved concave sides for wearing as an earspool. The disc was pierced with a bilateral radiating design. The pierced ear spool was fired in a reduced carbon friendly environment
DOI: 10.25549/maw-ouc113887460
title: Mixtec labret : gray-black obsidian : gold cap type

description: The Mixtec craftsmen were known to be exceptional artisans. The black obsidian and gold labret reflects that fact. The obsidian was core flaked, pressure flaked, drilled, and abraded. Gold foil was formed around the finished labret. All of these procedures required great skill, patience, and care and unbelivable amount of time.
DOI: 10.25549/maw-ouc113887509
title: Mixtec labret : gray-black obsidian : gold cap type

description: The Mixtec craftsmen were known to be exceptional artisans. The black obsidian and gold labret reflects that fact. The obsidian was core flaked, pressure flaked, drilled, and abraded. Gold foil was formed around the finished labret. All of these procedures required great skill, patience, and care and unbelivable amount of time.
DOI: 10.25549/maw-ouc113887462
title: Mixtec labret : gray-black obsidian : gold cap type

description: The Mixtec craftsmen were known to be exceptional artisans. The black obsidian and gold labret reflects that fact. The obsidian was core flaked, pressure flaked, drilled, and abraded. Gold foil was formed around the finished labret. All of these procedures required great skill, patience, and care and unbelivable amount of time.
DOI: 10.25549/maw-ouc113887559
title: Copper labret

description: Labrets are ornamental plugs that fit into a slit/hole below the lower lip. An expanded flange holds it in place. Labrets are usually made out of stones like obsidian, red chert, green serpentine, or rock crystal. They were made of other materials such as clay and copper.
DOI: 10.15468/dl.wb7f2q
title: Occurrence Download

description: A dataset containing 125790 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "TaxonKey is Galium palustre",
 "Year is less than or equal to 2000",
 "Year is greater than or equal to 1970",
 {
 "or" : [
 {
 "not" : {
 "EstablishmentMeans" : [
 "is one of (MANAGED, INTRODUCED)"
 ]
 }
 },
 "EstablishmentMeans is null"
 ]
 },
 {
 "or" : [
 "CoordinateUncertaintyInMeters is less than 1000",
 "CoordinateUncertaintyInMeters is null"
 ]
 }
 ]
}

 The dataset includes 125790 records from 279 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001123-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc113792211
title: Halloween Party, US Spring & Bumper, Vernon, Calif., 1945-10-27

description: 5 photographs of a Halloween Party, at U.S. Spring and Bumper, 4951 Alcoa Avenue, Vernon, California, USA, 27 October 1945. Client: U.S. Spring and Bumper (Mr. Baker) (4951 Alcoa, Vernon). Operator: Cross.
DOI: 10.25549/whit-ouc113792035
title: Zamboanga City, Philippines, before 1945-10-28

description: 4 photographs of Zamboanga City, Philippines, before 28 October 1945. Subject: "Ed[ward Whittington]'s neg[ative]s from Zamboanga". Client: Whittington. Operator: [blank].
DOI: 10.25549/whit-ouc113792229
title: Paul Bragg & Judy Canova in radio studio, 1945-10-29

description: Photograph of Paul Bragg and Judy Canova in radio studio, Los Angeles, California, USA, 29 October 1945. Client: Live Food Products (Mrs. Samuelly). Operator: [blank]. "Positively no smoking in studios…", "NBC".
DOI: 10.25549/whit-ouc113792155
title: Intersection of Kent & Alvarado, Los Angeles, Calif., 1945-11-01

description: 4 photographs of the intersection of Kent Street and Alvarado Street, Los Angeles, California, 1 November 1945. Client: A. Paul Indemnity Insurance Company (Mr. LaVelle) (629 South Spring Street, Los Angeles). Operator: Brusser.
DOI: 10.25549/whit-ouc113792198
title: Reception for President Rios of Costa Rica, Los Angeles, Calif., 1945-10-31

description: 4 photographs of reception for President Juan Antonio Rios of Chile, Los Angeles, California, USA, 31 October 1945. Subject: Client: Consul of Costa Rica (354 South Spring). Operator: Cross.
DOI: 10.25549/whit-ouc113792134
title: Bekins ad drawings, So. Calif., before 1945-11-03

description: 20 copy (3 November 1945) photographs of Bekins Van and Storage advertising drawings, Southern California, USA, before 3 November 1945. Client: Bekins Van and Storage (Mr. Shel Graham, 1000 North Highland). Operator: [blank].
DOI: 10.25549/whit-ouc113792202
title: Bekins ad drawings, So. Calif., before 1945-11-03

description: 20 copy (3 November 1945) photographs of Bekins Van and Storage advertising drawings, Southern California, USA, before 3 November 1945. Client: Bekins Van and Storage (Mr. Shel Graham, 1000 North Highland). Operator: [blank].