cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10323392
title: Abadia de Sta. María de Benevívere - Escudo

description: Escudo de los Sarmiento, titulares del monasterio hasta el s. XIV, descendientes del fundador, Diego Martínez de Villamayor, noble castellano del siglo XII perteneciente a la casa de los condes de Bureba y con gran peso en la corte. Fue consejero de Alfonso VII, Sancho III y Alfonso VIII, así como tesorero de este último. Enviudó y decidió retirarse, fundando esta abadía de Benevívere en 1169.
Se trata de uno de los dos escudos de armas, el izquierdo, que flanquean la portada, hoy exenta, trasladada desde su ubicación original como una de las entradas al edificio abacial. Las armas de los Sarmiento, trece roeles de oro (bezantes) en campo de gules, pueden verse también en la capilla del cementerio de Carrión de los Condes, donde se usó material de la abadía para su construcción, de la misma forma que para su ayuntamiento y el hospital municipal, hoy residencia de ancianos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323393
title: Antonio Lopez Garcia - Night

description: Bronze 2008, this 3D scan 2014

Scanned at: Museum of Fine Arts, Boston

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323394
title: Antonio Lopez Garcia - Night

description: Bronze 2008, this 3D scan 2014

Scanned at: Museum of Fine Arts, Boston

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323395
title: Sārumkalns

description: Sārumkalna 3D modelis. Koordinātas: 57.28741, 25.37264

https://www.latvijas-pilskalni.lv/saruma-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323397
title: ROI022-051-22

description: Genesee Point collected in Allen County, Indiana

Catalog #: 12-Al-894-48

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-051-22, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323399
title: Egyptian Faced Vases

description: lowpoly Version

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323400
title: Egyptian Faced Vases

description: lowpoly Version

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323401
title: Machacador (Transversaly Broken Bone Tool)

description: Ejemplar MS-RS-8, instrumento confeccionado en una epífisis proximal de tibia de guanaco. Perteneciente a la colección recuperada en el sitio arqueológico Margen Sur, Tierra del Fuego, Argentina.
Escaneado con Smart 3D Range Vision.

Escaneado por B. Colasurdo y V. Bartoli.

Querés saber más: [LINK](http://bit.ly/poster7ms)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323396
title: Sārumkalns

description: Sārumkalna 3D modelis. Koordinātas: 57.28741, 25.37264

https://www.latvijas-pilskalni.lv/saruma-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323398
title: ROI022-051-22

description: Genesee Point collected in Allen County, Indiana

Catalog #: 12-Al-894-48

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-051-22, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323402
title: Machacador (Transversaly Broken Bone Tool)

description: Ejemplar MS-RS-8, instrumento confeccionado en una epífisis proximal de tibia de guanaco. Perteneciente a la colección recuperada en el sitio arqueológico Margen Sur, Tierra del Fuego, Argentina.
Escaneado con Smart 3D Range Vision.

Escaneado por B. Colasurdo y V. Bartoli.

Querés saber más: [LINK](http://bit.ly/poster7ms)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323403
title: Сосуд №6

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2001 года. Некрополь Лаимберды-1. Курган №2. Захоронение №30. Сосуд №1. Бронзовый век. Хронология: конец XVII – XVI века до н.э. Алакульская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323404
title: Сосуд №6

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2001 года. Некрополь Лаимберды-1. Курган №2. Захоронение №30. Сосуд №1. Бронзовый век. Хронология: конец XVII – XVI века до н.э. Алакульская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323405
title: Old Ruined Temple

description: A temple resembling ancient times, completely made of stones.
Modelled on Blender and painted on Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323406
title: Old Ruined Temple

description: A temple resembling ancient times, completely made of stones.
Modelled on Blender and painted on Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323407
title: MIRANT LA MAR - Anton Casamor Espona

description: CAT: Escultura d'Anton Casamor Espona (1907 - 1979), de data indeterminada i feta a partir de marbre blanc sobre una base de granit. Dimensions: 95 cm x 120 cm x 50 cm.

ESP: Escultura de Anton Casamor Espona (1907 - 1979), de fecha indeterminada y hecha a partir de mármol blanco sobre una base de granito. Dimensiones: 95 cm x 120 cm x 50 cm. 

ENG: Sculpture by Anton Casamor Espona (1907 - 1979), of indetermined date and made with white marble on a granite base. Dimensions: 95 cm x 120 cm x 50 cm. 

FRA: Sculpture d'Anton Casamor Espona (1907 - 1979), de date indéterminée et réalisée en marbre blanc sur un socle de granit. Dimensions: 95 cm x 120 cm x 50 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323408
title: MIRANT LA MAR - Anton Casamor Espona

description: CAT: Escultura d'Anton Casamor Espona (1907 - 1979), de data indeterminada i feta a partir de marbre blanc sobre una base de granit. Dimensions: 95 cm x 120 cm x 50 cm.

ESP: Escultura de Anton Casamor Espona (1907 - 1979), de fecha indeterminada y hecha a partir de mármol blanco sobre una base de granito. Dimensiones: 95 cm x 120 cm x 50 cm. 

ENG: Sculpture by Anton Casamor Espona (1907 - 1979), of indetermined date and made with white marble on a granite base. Dimensions: 95 cm x 120 cm x 50 cm. 

FRA: Sculpture d'Anton Casamor Espona (1907 - 1979), de date indéterminée et réalisée en marbre blanc sur un socle de granit. Dimensions: 95 cm x 120 cm x 50 cm.

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323411
title: Raspador

description: Raspador de rocha ígnea. Recolhido em Póvoa de Santo Adrião por Vítor Miranda, processamento 3D por Artur Coelho. Dimensões para impressão 3D: x=134, y=25, z=97 (dimensões em milímetros).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323412
title: Raspador

description: Raspador de rocha ígnea. Recolhido em Póvoa de Santo Adrião por Vítor Miranda, processamento 3D por Artur Coelho. Dimensões para impressão 3D: x=134, y=25, z=97 (dimensões em milímetros).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323413
title: ROI041-107-01

description: Point fragment made from local heat treated chert collected in Dearborn County, Indiana.

Catalog # 12-D-451-01

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-107-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323414
title: ROI041-107-01

description: Point fragment made from local heat treated chert collected in Dearborn County, Indiana.

Catalog # 12-D-451-01

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-107-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323419
title: Vase from the park of Schönbrunn Palace

description: This vase is in a part of the park which was designed by Hetzendorf von Hohenberg from 1771 to 1780. This vase probably originated from him and probably consists of sandstone that has been painted white so that the material appears to be of higher quality and is protected against the weather.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323420
title: Vase from the park of Schönbrunn Palace

description: This vase is in a part of the park which was designed by Hetzendorf von Hohenberg from 1771 to 1780. This vase probably originated from him and probably consists of sandstone that has been painted white so that the material appears to be of higher quality and is protected against the weather.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323421
title: Molae de ladrillo del Torcularium de villaricos

description: Molino rotatorio cilindrico
Info: http://aespa.revistas.csic.es/index.php/aespa/article/view/532/528

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323422
title: Molae de ladrillo del Torcularium de villaricos

description: Molino rotatorio cilindrico
Info: http://aespa.revistas.csic.es/index.php/aespa/article/view/532/528

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323423
title: Sutherland Chair

description: A small wooden chair made by a local house carpenter from bogwood. The sides are made from two pieces of wood forming a natural right angle and the back and seat are connected by wooden spars. These chairs were deliberately designed to be close to the ground so that the sitter would be below the thick peat smoke. Dated early 19th century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323424
title: Sutherland Chair

description: A small wooden chair made by a local house carpenter from bogwood. The sides are made from two pieces of wood forming a natural right angle and the back and seat are connected by wooden spars. These chairs were deliberately designed to be close to the ground so that the sitter would be below the thick peat smoke. Dated early 19th century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323425
title: Money of the Ufa Public Meeting (1918).

description: Banknote of the Public meeting (club) of the city of Ufa. Monetary unit: ruble. Denomination: 3. Year of issue: June 1, 1918. Material: paper. Published after the liberation of Ufa from the Bolsheviks by the Czechoslovak Corps.

Деньги Уфимского Общественного собрания (1918). Денежная марка Общественного собрания (клуба) города Уфы. Денежная единица: рубль. Номинал: 3. Год выпуска: 1 июня 1918 года. Материал: бумага. Напечатано после освобождения Уфы от большевиков чехо-словацким корпусом.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323426
title: Money of the Ufa Public Meeting (1918).

description: Banknote of the Public meeting (club) of the city of Ufa. Monetary unit: ruble. Denomination: 3. Year of issue: June 1, 1918. Material: paper. Published after the liberation of Ufa from the Bolsheviks by the Czechoslovak Corps.

Деньги Уфимского Общественного собрания (1918). Денежная марка Общественного собрания (клуба) города Уфы. Денежная единица: рубль. Номинал: 3. Год выпуска: 1 июня 1918 года. Материал: бумага. Напечатано после освобождения Уфы от большевиков чехо-словацким корпусом.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323428
title: DStretch- Petroglyph V7 Khatm Al Melaha, Sharjah

description: DStretch and Painter Version. Petroglyph V7 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex with Anthropomorphs. probably other images no longer visible. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Processed in Reality Capture, modified in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323427
title: DStretch- Petroglyph V7 Khatm Al Melaha, Sharjah

description: DStretch and Painter Version. Petroglyph V7 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex with Anthropomorphs. probably other images no longer visible. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Processed in Reality Capture, modified in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323429
title: Headrest

description: Headrest

New Kingdom

Wood

Possibly from Illahun

Harvard Semitic Museum 1902.17.7


The inscription on column of headrest, starts with "the good god" then a break over what was a cartouche, and ends with "given life." The cartouche has enough space and traces of inscription to accommodate three or four signs. The last sign appears to be a neb basket, with a seated deity over it (Amenhotep III? Ramses IV?). There is also a (secondarily carved?) sa sign carved on one side of the base, the word for "son" or the god Geb. wear pattern on the cartouche suggests it was grabbed frequently around the post of the headrest, the object may have been used in life and then deposited in a burial.

References: Flinders Petrie, Objects of Daily Use (London, 1927), p. 35 no. 32 and pl. XXXII no. 32. Also Lexikon der Ägyptologie III, 690, and illustration p. 687, no. 9 from Gurob.

*Scanned by Andréa Martinez with the Artec Spider 3D Scanner*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323430
title: Headrest

description: Headrest

New Kingdom

Wood

Possibly from Illahun

Harvard Semitic Museum 1902.17.7


The inscription on column of headrest, starts with "the good god" then a break over what was a cartouche, and ends with "given life." The cartouche has enough space and traces of inscription to accommodate three or four signs. The last sign appears to be a neb basket, with a seated deity over it (Amenhotep III? Ramses IV?). There is also a (secondarily carved?) sa sign carved on one side of the base, the word for "son" or the god Geb. wear pattern on the cartouche suggests it was grabbed frequently around the post of the headrest, the object may have been used in life and then deposited in a burial.

References: Flinders Petrie, Objects of Daily Use (London, 1927), p. 35 no. 32 and pl. XXXII no. 32. Also Lexikon der Ägyptologie III, 690, and illustration p. 687, no. 9 from Gurob.

*Scanned by Andréa Martinez with the Artec Spider 3D Scanner*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323431
title: Sarcophagus of Khufudjedef

description: Red granite sarcophagus of Khufudjedef from Giza (Central Field, Mastaba IV = G III-S).  This dates to the 4th Dynasty. Currently in the Egyptian Museum, Cairo (JE 53149).

Created from 106 photographs (Canon EOS Rebel T7i) using Metashape 1.6.1.  Lid has been repositioned on the sarcophagus (from how it is displayed in the museum) using Blender 2.8.

Photographed in October 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323432
title: Sarcophagus of Khufudjedef

description: Red granite sarcophagus of Khufudjedef from Giza (Central Field, Mastaba IV = G III-S).  This dates to the 4th Dynasty. Currently in the Egyptian Museum, Cairo (JE 53149).

Created from 106 photographs (Canon EOS Rebel T7i) using Metashape 1.6.1.  Lid has been repositioned on the sarcophagus (from how it is displayed in the museum) using Blender 2.8.

Photographed in October 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323436
title: Petroglyph KM21-21 Khatm Al Melaha, Sharjah

description: Petroglyph KM21-21 Khatm Al Melaha, Sharjah. Indeterminate or perhaps anthropomorphic motif. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

3D model made in Reality Capture using 153 images. Additional processing completed in Geomagic Wrap, InstantMeshes, Blender, and Substance Designer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323435
title: Petroglyph KM21-21 Khatm Al Melaha, Sharjah

description: Petroglyph KM21-21 Khatm Al Melaha, Sharjah. Indeterminate or perhaps anthropomorphic motif. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

3D model made in Reality Capture using 153 images. Additional processing completed in Geomagic Wrap, InstantMeshes, Blender, and Substance Designer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323437
title: B9231 - Omofor

description: **B9231 Omofor** Piesă textilă decupată la un capăt; făcea parte din ansamblul veșmintelor preoțești. Confecționată din pânză de in, cu fir de mătase, elemente de pasmanterie pe margini; franjuri cu fir metalic la un capăt.

**B9231 Homophor** A textile piece cut at one end; it was part of the whole of priestly vestments. Made of linen, silk thread, trimmings on the edges; wire fringes at one end.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323438
title: B9231 - Omofor

description: **B9231 Omofor** Piesă textilă decupată la un capăt; făcea parte din ansamblul veșmintelor preoțești. Confecționată din pânză de in, cu fir de mătase, elemente de pasmanterie pe margini; franjuri cu fir metalic la un capăt.

**B9231 Homophor** A textile piece cut at one end; it was part of the whole of priestly vestments. Made of linen, silk thread, trimmings on the edges; wire fringes at one end.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323439
title: Petroglyph V28 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V28 Khatm Al Melaha, Kalba, Sharjah. One Wild Ass and one other animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323440
title: Petroglyph V28 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V28 Khatm Al Melaha, Kalba, Sharjah. One Wild Ass and one other animal. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323442
title: Monument à Paul Bert

description: « Monument à Paul Bert »
Ce monument en bronze, dû à Emile Peynot (1850-1932) fondu par Jaboeuf et Bezout (Paris) , a été inauguré en 1889. Il est situé du le Pont Paul Bert à Auxerre. Sa hauteur, socle compris est d'environ 5 mètres
Paul Bert, né le 19 octobre 1833 à Auxerre et mort le 11 novembre 1886 à Hanoï, est un médecin, physiologiste et homme politique français.
Élu député radical dès 1872, il est ministre de l'Instruction publique et des cultes de 1881 à 1882. Anticlérical et partisan de la laïcité, il est l'un des fondateurs de l'« école gratuite, laïque et obligatoire ». Soutien de la politique de colonisation, il publie plusieurs manuels scolaires jugés rétrospectivement comme étant racialistes. En janvier 1886, il est nommé résident supérieur de l'Annam-Tonkin, en Indochine, où il meurt quelques mois plus tard, emporté par le choléra

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323441
title: Monument à Paul Bert

description: « Monument à Paul Bert »
Ce monument en bronze, dû à Emile Peynot (1850-1932) fondu par Jaboeuf et Bezout (Paris) , a été inauguré en 1889. Il est situé du le Pont Paul Bert à Auxerre. Sa hauteur, socle compris est d'environ 5 mètres
Paul Bert, né le 19 octobre 1833 à Auxerre et mort le 11 novembre 1886 à Hanoï, est un médecin, physiologiste et homme politique français.
Élu député radical dès 1872, il est ministre de l'Instruction publique et des cultes de 1881 à 1882. Anticlérical et partisan de la laïcité, il est l'un des fondateurs de l'« école gratuite, laïque et obligatoire ». Soutien de la politique de colonisation, il publie plusieurs manuels scolaires jugés rétrospectivement comme étant racialistes. En janvier 1886, il est nommé résident supérieur de l'Annam-Tonkin, en Indochine, où il meurt quelques mois plus tard, emporté par le choléra

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323443
title: Singer Pavilion

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323444
title: Singer Pavilion

description: Source: Objaverse 1.0 / Sketchfab