cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10354046
title: Escudilla - Fajalauza-HD (52)

description: Escudilla (GR.CRSD.05.2006.47) producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, labio apuntado y borde con orientación envasada con cuerpo de forma troncocónica abierta con una arista. La base está retorneada y rehundida, creándose un pequeño repié. Está emaltada en blanco en el interior y su base presenta un pequeño agujero.

* Cronología: Siglos XVI-XVII.
* Depósito: Dpto. de Historia Medieval y CCTTHH de la Universidad de Granada. 
* Yacimiento: Cuarto Real de Santo Domingo, Granada, excavaciones arqueológicas del año 2006.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354047
title: Escudilla - Fajalauza-HD (52)

description: Escudilla (GR.CRSD.05.2006.47) producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, labio apuntado y borde con orientación envasada con cuerpo de forma troncocónica abierta con una arista. La base está retorneada y rehundida, creándose un pequeño repié. Está emaltada en blanco en el interior y su base presenta un pequeño agujero.

* Cronología: Siglos XVI-XVII.
* Depósito: Dpto. de Historia Medieval y CCTTHH de la Universidad de Granada. 
* Yacimiento: Cuarto Real de Santo Domingo, Granada, excavaciones arqueológicas del año 2006.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354050
title: WPMP buttress type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/627/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354051
title: WPMP buttress type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/627/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354052
title: Baptismal Angel (A110)

description: Baptismal Angel (A110) , 1823, Bertel Thorvaldsen (1770 - 1844), plaster, height: 1.80m. Thorvaldsen Museum (Copenhagen, Denmark). Made with ReMake and ReCap pro from AutoDesk.

For more updates, please consider to follow me on Twitter @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354053
title: Baptismal Angel (A110)

description: Baptismal Angel (A110) , 1823, Bertel Thorvaldsen (1770 - 1844), plaster, height: 1.80m. Thorvaldsen Museum (Copenhagen, Denmark). Made with ReMake and ReCap pro from AutoDesk.

For more updates, please consider to follow me on Twitter @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354054
title: Starling

description: The Krystyna and Włodzimierz Tomek Natural Science Museum in Ciężkowice

https://muzea.malopolska.pl/en/objects-list/2251

Inventory number:
MP 314

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354055
title: Starling

description: The Krystyna and Włodzimierz Tomek Natural Science Museum in Ciężkowice

https://muzea.malopolska.pl/en/objects-list/2251

Inventory number:
MP 314

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354057
title: Stone Lamp

description: 3D model of a stone lamp made from an oval pebble, with shallow concave oil bowl and wick holder. The wick was traditionally made from the waxy pith from reed stalks and oil was derived from animal fat. It is thought to have been found in the Strath of Kildonan. Dated 500BC-500AD. Physical object held at the Timespan Museum. Part of the Iron Age Kildonan reconstruction.

A collaborative project between Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews and Timespan Museum. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Jacquie Aitken. 

Digitisation funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354056
title: Stone Lamp

description: 3D model of a stone lamp made from an oval pebble, with shallow concave oil bowl and wick holder. The wick was traditionally made from the waxy pith from reed stalks and oil was derived from animal fat. It is thought to have been found in the Strath of Kildonan. Dated 500BC-500AD. Physical object held at the Timespan Museum. Part of the Iron Age Kildonan reconstruction.

A collaborative project between Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews and Timespan Museum. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Jacquie Aitken. 

Digitisation funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354058
title: Wmid-d4d348 - Post Medieval hook

description: A complete copper alloy hook of probable Post Medieval dating (AD 1600 to AD 1800).

The hook has a flat cross section. It has a circular suspension loop at the top, which extends into the hook. The hook curves back on itself at 180 degree angle. It terminates with a sharp point.

For more information, please visit the online database record available at:
https://finds.org.uk/database/artefacts/record/id/1072781

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354059
title: Wmid-d4d348 - Post Medieval hook

description: A complete copper alloy hook of probable Post Medieval dating (AD 1600 to AD 1800).

The hook has a flat cross section. It has a circular suspension loop at the top, which extends into the hook. The hook curves back on itself at 180 degree angle. It terminates with a sharp point.

For more information, please visit the online database record available at:
https://finds.org.uk/database/artefacts/record/id/1072781

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354062
title: Drumgoon Hill - Old Graveyard Headstone 582

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354063
title: Drumgoon Hill - Old Graveyard Headstone 582

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354067
title: Earrings, Seleucid Empire, 305 - 224 BCE

description: The art of the Parthian capitals is almost entirely lost. Overall, Parthian art resists a straightforward definition, as it employs styles and motifs from both Hellenistic and earlier Near Eastern traditions.

Free to use.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354066
title: Earrings, Seleucid Empire, 305 - 224 BCE

description: The art of the Parthian capitals is almost entirely lost. Overall, Parthian art resists a straightforward definition, as it employs styles and motifs from both Hellenistic and earlier Near Eastern traditions.

Free to use.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354071
title: Remains of Mescid wall

description: Remains of Mescid wall in Blagaj Fort (Stjepan grad, Bosnia And Herzegovina)
Agisoft PhotoScan + 3DS max
Photo: https://www.facebook.com/photo.php?fbid=833356500057052&set=pb.100001481301292.-2207520000.1420846124.&type=3&theater

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354072
title: Remains of Mescid wall

description: Remains of Mescid wall in Blagaj Fort (Stjepan grad, Bosnia And Herzegovina)
Agisoft PhotoScan + 3DS max
Photo: https://www.facebook.com/photo.php?fbid=833356500057052&set=pb.100001481301292.-2207520000.1420846124.&type=3&theater

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354074
title: Indo Parthian Coin, Mleiha, Sharjah, UAE

description: Pre-Islamic indo-parthian  coin, Mleiha, Sharjah, UAE.  Vologases IV. Circa AD 147-191. Silver  tetradrachm (16 g). Minted at Seleukeia on the Tigris River. Dated Dios SE 495 (AD 184). Diademed bust left, wearing long beard, earring, and tiara decorated with "hooks"; B to right. Vologases seated right on throne, Tyche standing left before him, presenting diadem.

On display in the Sharjah Archaeology Authority. 2nd C CE.  Catalog number unk. Processed in Reality Capture from 245 images. (SilverCoin9)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354073
title: Indo Parthian Coin, Mleiha, Sharjah, UAE

description: Pre-Islamic indo-parthian  coin, Mleiha, Sharjah, UAE.  Vologases IV. Circa AD 147-191. Silver  tetradrachm (16 g). Minted at Seleukeia on the Tigris River. Dated Dios SE 495 (AD 184). Diademed bust left, wearing long beard, earring, and tiara decorated with "hooks"; B to right. Vologases seated right on throne, Tyche standing left before him, presenting diadem.

On display in the Sharjah Archaeology Authority. 2nd C CE.  Catalog number unk. Processed in Reality Capture from 245 images. (SilverCoin9)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354076
title: Mainz um 800, J6

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354075
title: Mainz um 800, J6

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354080
title: Dún Ailinne E4689.154 Glass Bead

description: Dún Ailinne is **located on private land** south of Kilcullen in Co. Kildare. The first excavations (1968-1975) focused on the hill summit and established that there was activity from the Neolithic (5000BC) onwards. The evidence recovered indicated that the site would have served as a major prehistoric center during Irish prehistory, particularly during the Iron Age, and acted as a place where communities came together to enact ritual and ceremony.

Since 2016, new investigations have recovered several features and artifacts including this glass bead in 2019. Its form and decoration indicate that it is a Frankish import from the mid-6th to 7th century CE. More information on the bead can be found in the [Archaeology Ireland Summer 2020 issue](shorturl.at/dkouU). The bead is currently stored in the National Museum of Ireland.

**This model was created using reference photos in Blender by K. Wyatt, head of the [3D Scanning Lab at the University of Oklahoma Libraries]((https://sketchfab.com/libedge))**.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354079
title: Dún Ailinne E4689.154 Glass Bead

description: Dún Ailinne is **located on private land** south of Kilcullen in Co. Kildare. The first excavations (1968-1975) focused on the hill summit and established that there was activity from the Neolithic (5000BC) onwards. The evidence recovered indicated that the site would have served as a major prehistoric center during Irish prehistory, particularly during the Iron Age, and acted as a place where communities came together to enact ritual and ceremony.

Since 2016, new investigations have recovered several features and artifacts including this glass bead in 2019. Its form and decoration indicate that it is a Frankish import from the mid-6th to 7th century CE. More information on the bead can be found in the [Archaeology Ireland Summer 2020 issue](shorturl.at/dkouU). The bead is currently stored in the National Museum of Ireland.

**This model was created using reference photos in Blender by K. Wyatt, head of the [3D Scanning Lab at the University of Oklahoma Libraries]((https://sketchfab.com/libedge))**.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354083
title: The belt-like object from Vimose (2)

description: The 3D model presents a hypothetical digital reconstruction of the belt-like object from Vimose (2nd century AD, Nationalmuseet, inv. no. 24223). The original artefact consists of a copper alloy hinge that pivots around an iron pin with a copper alloy ring. Two fragments of mail fabric are attached to the left and right sides of the hinge (for further details see «Wijnhoven, M.A. (2022) A Roman Iron Age assemblage of mail armour from the weapon deposit of Vimose, Journal of Roman Military Equipment Studies, № 21»). The reconstruction is based upon the measurements of the actual artefact.

The authors of the reconstruction are

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

Martijn A. Wijnhoven (VU University Amsterdam) https://vu-nl.academia.edu/MartijnAWijnhoven

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354084
title: The belt-like object from Vimose (2)

description: The 3D model presents a hypothetical digital reconstruction of the belt-like object from Vimose (2nd century AD, Nationalmuseet, inv. no. 24223). The original artefact consists of a copper alloy hinge that pivots around an iron pin with a copper alloy ring. Two fragments of mail fabric are attached to the left and right sides of the hinge (for further details see «Wijnhoven, M.A. (2022) A Roman Iron Age assemblage of mail armour from the weapon deposit of Vimose, Journal of Roman Military Equipment Studies, № 21»). The reconstruction is based upon the measurements of the actual artefact.

The authors of the reconstruction are

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

Martijn A. Wijnhoven (VU University Amsterdam) https://vu-nl.academia.edu/MartijnAWijnhoven

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354085
title: La Sfinge de "La Passeggiata" di Terni

description: La sfinge si trova nei giardini pubblici della "Passeggiata" di Terni. Faceva parte della Fontana che si trovava davanti alla Chiesa di San Giovanni Decollato, chiesa seicentesca con grande cupola e bella facciata. Sia la chiesa che la fontana vennero demolite sul finire del del XIX secolo per la precarietà delle loro condizioni. Così le sfingi che ne facevano parte, vennero inserite nei giardini pubblici della Passeggiata.
Fino ai primi anni del 2000, la sfinge era adibita a fontanella pubblica.

The sphinx is located in the public gardens of the "Passeggiata" of Terni. It was part of the fountain that was located in front of the Church of San Giovanni Decollato, a seventeenth-century church with a large dome and a beautiful facade. Both the church and the fountain were demolished at the end of the 19th century due to the precariousness of their conditions. Thus the sphinxes that were part of it were inserted in the public gardens of the Promenade.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354086
title: La Sfinge de "La Passeggiata" di Terni

description: La sfinge si trova nei giardini pubblici della "Passeggiata" di Terni. Faceva parte della Fontana che si trovava davanti alla Chiesa di San Giovanni Decollato, chiesa seicentesca con grande cupola e bella facciata. Sia la chiesa che la fontana vennero demolite sul finire del del XIX secolo per la precarietà delle loro condizioni. Così le sfingi che ne facevano parte, vennero inserite nei giardini pubblici della Passeggiata.
Fino ai primi anni del 2000, la sfinge era adibita a fontanella pubblica.

The sphinx is located in the public gardens of the "Passeggiata" of Terni. It was part of the fountain that was located in front of the Church of San Giovanni Decollato, a seventeenth-century church with a large dome and a beautiful facade. Both the church and the fountain were demolished at the end of the 19th century due to the precariousness of their conditions. Thus the sphinxes that were part of it were inserted in the public gardens of the Promenade.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354087
title: Egyptian Pillar Green Marble

description: A highly polished pillar made of green marble. For use in any temple, palace type scene.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354088
title: Egyptian Pillar Green Marble

description: A highly polished pillar made of green marble. For use in any temple, palace type scene.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354090
title: Llave - VIRTARMED

description: Llave de hierro completa hallada en el Castil de los Judíos (Molina de Aragón, Guadalajara), donde se documentan al menos cinco artefactos de esta misma tipología. Asociada a un contexto doméstico, se relacionan con los elementos de carpintería y cerradura. 

* Serie funcional: llave.
* Grupo funcional/uso: carpintería (elementos de cerradura).
* Cronología: siglos XIV-XV.
* Dimensiones: altura 6,2 cm; anchura sup. 3,2 cm; x anchura inf. 1,9 cm; grosor 0,9 cm.
* Depositario: [Museo de Guadalajara](https://acortar.link/i7K8GB)

VIRTARMED

 Colaboran: [Medialab UGR](https://medialab.ugr.es/), [Departamento de Historia Medieval y CCTTHH](https://hmedieval.ugr.es/), [Departamento de Prehistoria y Arqueología](https://acortar.link/cCsuAS)

Fotografías y modelo: [Yaiza Hernández Casas](https://acortar.link/r3rkih)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354089
title: Llave - VIRTARMED

description: Llave de hierro completa hallada en el Castil de los Judíos (Molina de Aragón, Guadalajara), donde se documentan al menos cinco artefactos de esta misma tipología. Asociada a un contexto doméstico, se relacionan con los elementos de carpintería y cerradura. 

* Serie funcional: llave.
* Grupo funcional/uso: carpintería (elementos de cerradura).
* Cronología: siglos XIV-XV.
* Dimensiones: altura 6,2 cm; anchura sup. 3,2 cm; x anchura inf. 1,9 cm; grosor 0,9 cm.
* Depositario: [Museo de Guadalajara](https://acortar.link/i7K8GB)

VIRTARMED

 Colaboran: [Medialab UGR](https://medialab.ugr.es/), [Departamento de Historia Medieval y CCTTHH](https://hmedieval.ugr.es/), [Departamento de Prehistoria y Arqueología](https://acortar.link/cCsuAS)

Fotografías y modelo: [Yaiza Hernández Casas](https://acortar.link/r3rkih)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354093
title: Medieval Islamic Ceramic, Castilla-La Mancha

description: Ceramic jar glazed in golden reflection. Arabic legend in Kufic. from the  site of  Calatrava la Vieja, Carrión de Calatrava,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000228. Processed in Reality Capture from 636 images.

Almohad (1195-1212)

Citation:  aTempora Talavera de la Reina. Seis mil años de cerámica en Castilla-La Mancha', 2018: 415"

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354094
title: Medieval Islamic Ceramic, Castilla-La Mancha

description: Ceramic jar glazed in golden reflection. Arabic legend in Kufic. from the  site of  Calatrava la Vieja, Carrión de Calatrava,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000228. Processed in Reality Capture from 636 images.

Almohad (1195-1212)

Citation:  aTempora Talavera de la Reina. Seis mil años de cerámica en Castilla-La Mancha', 2018: 415"

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354095
title: XCB-003-847 Stemmed End Blade

description: Stemmed End Blade, Reworked. Biface XCB-003-847.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354096
title: XCB-003-847 Stemmed End Blade

description: Stemmed End Blade, Reworked. Biface XCB-003-847.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab