cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.14312264.v1
title: Zassho-Cascadia - Statement of Publication Delay due to COVID-19

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration.This item contains a 100-word statement detailing the reasons for the delayed publication of <i>Zassho-Cascadia</i>.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.25646/8221
title: Tagesdaten-CSV aus dem DIVI-Intensivregister

description: Die Tagesdaten-CSV entspricht einem Auszug der Daten des DIVI-Intensivregisters. Die Datei enthält eine Aggregation der aktuellsten Meldungen pro Landkreis. Es werden die aktuell gemeldeten Anzahlen der COVID-19 Intensivfälle sowie die gemeldeten intensivmedizinischen Behandlungskapazitäten angezeigt. Die Tagesdaten-CSV liefert dabei ausschließlich einen Blick auf die Daten gemäß dem Stand des betrachteten Tages. Die Daten sind im situationsbedingten Kontext aufbereitet, damit sind verschiedene Tagesdaten-CSVs u.U. nicht direkt miteinander vergleichbar. Die aktuellsten Meldungen werden im gewählten Betrachtungszeitfenster über alle Meldebereiche und Standorte aufsummiert. Weitere Informationen sind zu finden unter https://www.intensivregister.de/#/faq
DOI: 10.17870/bathspa.13013537
title: Kourion: Earthquake House - 300-Word Statement

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b>
DOI: 10.17870/bathspa.13013537.v1
title: Kourion: Earthquake House - 300-Word Statement

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b>
DOI: 10.17870/bathspa.13013681
title: Kourion: Earthquake House - Research Timeline and Research Questions

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of Ar[t]chaeology: Intersections of Photography and Archaeology, led by the International Association of Photography and Theory, European University, Cyprus. This item contains a timeline of the research project and a set of research questions. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13013681.v1
title: Kourion: Earthquake House - Research Timeline and Research Questions

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of Ar[t]chaeology: Intersections of Photography and Archaeology, led by the International Association of Photography and Theory, European University, Cyprus. This item contains a timeline of the research project and a set of research questions. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019546
title: Kourion: Earthquake House - Photographs, August 2018 (Main Output)

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains photographic work made at the Kourion Archaeological site, the Episkopi Museum, and at the sites of the Digital Seismological Network in Cyprus in August 2018. Photographs from this series were included in Vaughan's Artist's Maquette <i>Kourion: Earthquake House </i>and exhibited as part of the exhibition <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019.<br><br><b>Photographs courtesy of Stephen Vaughan. Used with permission</b>.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019546.v1
title: Kourion: Earthquake House - Photographs, August 2018 (Main Output)

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains photographic work made at the Kourion Archaeological site, the Episkopi Museum, and at the sites of the Digital Seismological Network in Cyprus in August 2018. Photographs from this series were included in Vaughan's Artist's Maquette <i>Kourion: Earthquake House </i>and exhibited as part of the exhibition <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019.<br><br><b>Photographs courtesy of Stephen Vaughan. Used with permission</b>.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019603
title: Kourion: Earthquake House - Artist's Maquette, 2018 (Main Output)

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains documentation of the book <i>Kourion: Earthquake House</i>, an artist's maquette that was shown as part of the <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>exhibition at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019.<br><br><b>Photographs courtesy of Stephen Vaughan. Maquette copyright Stephen Vaughan. Used with permission.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13013711
title: Kourion: Earthquake House - Helike-Maeander Photographs, 2014

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains photographs from the series <i>Helike-Maeander </i>(2014). The photographs were made at sites in Greece and western Turkey where ancient temple architecture corresponds with seismic faults and historical earthquakes.<br><br><b>Photographs from this series were published in <i>The Ar[t]chaeology Project: </i><i>Volumes 1 & 2 – Intersections of Photography and Archaeology </i>(Nicosia, Cyprus: IAPT Press, 2018).<br><br>Photographs courtesy of Stephen Vaughan. Used with permission.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i></i><i></i>
DOI: 10.17870/bathspa.13013711.v1
title: Kourion: Earthquake House - Helike-Maeander Photographs, 2014

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains photographs from the series <i>Helike-Maeander </i>(2014). The photographs were made at sites in Greece and western Turkey where ancient temple architecture corresponds with seismic faults and historical earthquakes.<br><br><b>Photographs from this series were published in <i>The Ar[t]chaeology Project: </i><i>Volumes 1 & 2 – Intersections of Photography and Archaeology </i>(Nicosia, Cyprus: IAPT Press, 2018).<br><br>Photographs courtesy of Stephen Vaughan. Used with permission.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><i></i><i></i>
DOI: 10.17870/bathspa.13019459
title: Kourion: Earthquake House - Ar[t]chaeology Publication, 2018

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains documentation of the publication <i>The Ar[t]chaeology Project: </i><i>Volumes 1 & 2 – Intersections of Photography and Archaeology </i>(Nicosia, Cyprus: IAPT Press, 2018) ISBN 978-9925-7512-0-4. It also contains a link to the <i>Ar[t]chaeology</i> project website (see 'References' below).<br><br><b>Photographs used courtesy of Stephen Vaughan and with the express permission of the International Association of Photography and Theory (IAPT). </b><br><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019459.v1
title: Kourion: Earthquake House - Ar[t]chaeology Publication, 2018

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains documentation of the publication <i>The Ar[t]chaeology Project: </i><i>Volumes 1 & 2 – Intersections of Photography and Archaeology </i>(Nicosia, Cyprus: IAPT Press, 2018) ISBN 978-9925-7512-0-4. It also contains a link to the <i>Ar[t]chaeology</i> project website (see 'References' below).<br><br><b>Photographs used courtesy of Stephen Vaughan and with the express permission of the International Association of Photography and Theory (IAPT). </b><br><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13013762.v1
title: Kourion: Earthquake House - Ar[t]chaeology Exhibition, Nicosia Municipal Art Centre, Cyprus, 2018 - 2019

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains photographs of Vaughan's installation at the exhibition <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019. The exhibition included work by Stephen Vaughan, Victoria Ahrens, Nicolas Lambouris, Efi Savvides, and Sara Sallam, among others, and was curated by Elena Stylianou, Artemis Eleftheriadou, and Yiannis Toumazis. This item also includes a link to the <i>Ar[t]chaeology</i> project website (see 'References' below).<br><br><b>Photographs courtesy of Stephen Vaughan. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13013762
title: Kourion: Earthquake House - Ar[t]chaeology Exhibition, Nicosia Municipal Art Centre, Cyprus, 2018 - 2019

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains photographs of Vaughan's installation at the exhibition <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019. The exhibition included work by Stephen Vaughan, Victoria Ahrens, Nicolas Lambouris, Efi Savvides, and Sara Sallam, among others, and was curated by Elena Stylianou, Artemis Eleftheriadou, and Yiannis Toumazis. This item also includes a link to the <i>Ar[t]chaeology</i> project website (see 'References' below).<br><br><b>Photographs courtesy of Stephen Vaughan. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019645.v1
title: Kourion: Earthquake House - Ar[t]chaeology Project Aims, Participating Artists, and Schedule

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains information about the project aims, facilitators, participating artists, and the schedule of discussion groups and topics.<br><b>Artist Schedule courtesy of IAPT. Used with permission. Design by Hake Studios.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13019645
title: Kourion: Earthquake House - Ar[t]chaeology Project Aims, Participating Artists, and Schedule

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.<br><br>This item contains information about the project aims, facilitators, participating artists, and the schedule of discussion groups and topics.<br><b>Artist Schedule courtesy of IAPT. Used with permission. Design by Hake Studios.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.6084/m9.figshare.14330492
title: High-resolution records of anthropogenic activity, geohazards and natural environmental changes during the past 4000 years from the Reservoir of Sun-Moon Lake, central Taiwan

description: The data cited in the paper of "High-resolution records of anthropogenic activity, geohazards and natural environmental changes during the past 4000 years from the Reservoir of Sun-Moon Lake, central Taiwan" was published in "Science of the Anthropocene". From Sun-Moon Lake of cores Sun 2-1 and SM 16 4-3 include in three files.
DOI: 10.17870/bathspa.13019603.v1
title: Kourion: Earthquake House - Artist's Maquette, 2018 (Main Output)

description: <i>Kourion: Earthquake House</i> uses photography to consider the relationship between ancient seismic disaster and contemporary archaeological discovery; the found body as museum artefact; and the place of finding as a repository of knowledge. The project was developed as part of <i>Ar[t]chaeology: Intersections of Photography and Archaeology</i>, led by the International Association of Photography and Theory, European University, Cyprus.This item contains documentation of the book <i>Kourion: Earthquake House</i>, an artist's maquette that was shown as part of the <i>Ar[t]chaeology: Intersections of Photography and Archaeology </i>exhibition at Nicosia Municipal Art Centre, 19 October 2018 – 12 January 2019.<br><br><b>Photographs courtesy of Stephen Vaughan. Maquette copyright Stephen Vaughan. Used with permission.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.5281/zenodo.4642378
title: MA results

description: Bdelloids MA experiment
DOI: 10.5281/zenodo.4642377
title: MA results

description: Bdelloids MA experiment
DOI: 10.17870/bathspa.13089242
title: Rethinking Waste - 300-Word Statement

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089242.v1
title: Rethinking Waste - 300-Word Statement

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089245
title: Rethinking Waste - Research Timeline and Research Questions

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.This item contains a timeline of the research project and a set of research questions.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13089245.v1
title: Rethinking Waste - Research Timeline and Research Questions

description: The <i>Rethinking Waste</i> project, funded by the UK’s Global Challenges Research Fund, confronts the question of waste and disposability through the introduction of an experimental design and learning space, Compound 13 Lab. At the Lab, young people are placed at the centre of their own learning, to co-design and develop a bespoke ‘living curriculum’ that responds to their issues, addresses their needs and aids their future goals. The implementation of the Lab is intended to create a space of enquiry where these local knowledges and practices can be communicated within and beyond Dharavi, through a process of increasingly self-organised making and learning.This item contains a timeline of the research project and a set of research questions.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>