cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18317
title: The painting "Madonna Regina", by Fra Angelica, [s.d.]

description: Photograph of Fra Angelica's painting "Madonna Regina", [s.d.]. The Madonna Regina is pictured full length and is holding a baby at right. Both have halos around their heads. The woman is wearing a long dark robe and the baby is wearing similar clothes. They are standing in an archway decorated by stars inlaid in circles.
DOI: 10.25549/chs-m18306
title: The painting "The Miracle of San Diego" by Murillo (Bartolomeo Esteban), [s.d.]

description: Photograph of the painting "The Miracle of Saint Diego or The Angel's Kitchen" by Murillo, [s.d.]. Two angels are represented at center with their wings spread, while a praying monk levitates to their left, a scrap of paper beneath him. Farther left, another monk and two men who appear to be Spanish noblemen are shown awestruck as they enter through the door. In the right background, other angels and cherubs are shown doing kitchenwork, much to the amazement of yet another monk.; Picture file card reads: "The painting represents the story of a monk who was the cook in his convent kitchen. One day he became so absorbed in his devotions that he forgot his cooking, and the angels came and did it for him".
DOI: 10.25549/chs-m18308
title: The painting "Saint John in the Wilderness", possibly by Murillo, [s.d.]

description: Photograph of a painting entitled "St. John in the Wilderness", possibly by Murillo, [s.d.]. Saint John is shown at center from his torso to his head and he is looking up to the sky with his body turned slightly to the left and his hand over his heart. He is holding a long pole with ribbons on the end at right. He is wearing a dark sleeveless shirt and has a dark beard and mustache. His dark hair reaches to his shoulders. The back of the photo print reads "Gainsborough's Merillo".
DOI: 10.25549/chs-m18302
title: The painting "Saint Anthony of Padua" by Murillo, [s.d.]

description: Photograph of Murillo's painting "St. Anthony de Padua", [s.d.]. St. Anthony is seen kneeling and facing to the left with his arms outstretched in front of an open book at center. He is wearing the robes of a friar. There is a naked cherub standing on the book, and several other cherubs are flying around in the clouds above.
DOI: 10.25549/chs-m18309
title: Painting of Saint Anthony of Padua by Murillo, [s.d.]

description: Photograph of a painted portrait of St. Anthony of Padua by Bartolome Esteban Murillo, [s.d.]. The saint is at right and is turned to the left. He is wearing the hooded robe of a monk, as well as a dark headpiece. He is holding an open book in front of him, and sitting on the book is a naked child partially wrapped in a cloth. The child is reaching towards Anthony, who is also holding flowers. Murillo lived from 1617-1682.
DOI: 10.25549/chs-m21349
title: Painting of King San Luis by El Greco, Florence, Italy, [s.d.]

description: Photograph of a painting of King San Luis by El Greco, in Florence, Italy, [s.d.]. A man in amour wears a crown upon his head, and holds a scepter in each hand. At right, a young man with a frilly high-collared shirt tends to him. The base of what appears to be a column can be seen behind them, at right.
DOI: 10.25549/chs-m18318
title: Painting by Exarvdi depicting Santa Clara repelling the Saracens, British Museum, [s.d.]

description: Photograph of a painting by Exavdi depicting Santa Clara repelling the Saracens, British Museum, [s.d.]. Santa Clara is at left with her nuns, all of whom are dressed in dark robes and hoods. The saint is holding the Sacred Vessel with the Most Blessed Sacrament in front of her. Two of the attacking Saracens are at right, cowering in the presence of the religious artifact. One of these men has a long pike, and another is crouching behind his shield. The city of Assisi is visible in the background, including stone walls and towers. There are people falling from arched windows, and at the top of the image, a small group of cherubs and angels is visible.
DOI: 10.25549/chs-m13931
title: The painting "Joseph with Infant Jesus", by Murillo, ca.1900

description: Photograph of Bartolome Esteban Murillo's painting "Joseph with Infant Jesus", ca.1900. Joseph is at left and is turned to the right while looking down. He is wearing a dark robe and is holding a scepter at left. He has dark hair and a dark beard. On his lap at right is the baby Jesus, partially wrapped in a cloth. His eyes are closed and his head is leaning on Joseph's arm.
DOI: 10.25549/chs-m21274
title: Drawing of St. Ferdinand by Murillo, [s.d.]

description: Photograph of a drawing of St. Ferdinand by Murillo, [s.d.]. The bearded saint, dressed in an embellished cape and rich garments, kneels on a pillow, facing the right, where a crown and scepter sit on another pillow. Overhead, two naked cherubs set in a cloudy backdrop hold back a large curtain, each looking down at the man.
DOI: 10.25549/chs-m14885
title: The Grand Canyon from part way down Bright Angel Trail looking north, ca.1900-1930

description: Photograph of the Grand Canyon from part way down Bright Angel Trail looking north, ca.1900-1930. A few pine trees are visible at bottom foreground.
DOI: 10.25549/chs-m21265
title: Drawing of Saint Bonaventura (Buenaventura?) by Raphael, [s.d.]

description: Photograph of a drawing of Saint Bonaventura (Buenaventura?) by Raphael, [s.d.]. A man wearing a heavy cloak stands in the center while holding a book in his hands and facing the left. The man wears a large round hat that is affixed to him with a strap that runs over his chin. A tassel can be seen running down the front of his cloak. Back of photoprint reads "Ventura Mission".
DOI: 10.25549/chs-m18303
title: The painting "The Prayer of Saint Bonaventura", by Francisco Zurbaran, ca.1598-1662

description: Photograph of Francisco Zurbaran's painting "The Prayer of St. Bonaventura", Dresden Staatsgalerie, ca.1598-1662. St. Bonaventure is seen on his knees at center, looking up to an angel at left. The saint is wearing a light colored robe and his hands are held in front of him in prayer. The angel is leaning down towards Bonaventure from the upper left and has large feathered wings. In the background at right is a huddled group of church officials, and there is a large metal jug on a plate in front of St. Bonaventure.
DOI: 10.25549/chs-m18304
title: Painted portrait of Saint Agnes reading a book with a lamb in front of her, [s.d.]

description: Photograph of a painted portrait of Saint Agnes reading a book with a lamb in front of her, [s.d.]. The saint, also known as Santa Inez, is at center and is turned slightly to the right. She is holding an open book in her hand at right and is looking down at it. She is wearing a light-colored dress with a matching cape draped over her shoulders. She has long brown hair, and a halo encircles her head. There is a lamb in the foreground in front of her, and a large stone building in the background at right.
DOI: 10.25549/chs-m18311
title: Painted portrait by Alonso Cano depicting Saint Agnes, [s.d.]

description: Photograph of a painted portrait by Alonso Cano depicting Saint Agnes, [s.d.]. The saint, also known as Santa Inez, is shown at center from her torso to her head and her body is turned to the right while her head looks over her shoulder to the left. She is wearing a long dark dress with a metal necklace. Her brown hair is tied up on her head and a ribbon is streaming out from behind her head. She is holding a palm frond in her hand at right, and her other hand is resting on her chest. There is a lamb laying down in the foreground at right. The back of the photo print reads "Kaiser Frederick Museum, Berlin".
DOI: 10.25549/chs-m18315
title: Painted portrait of St. Elizabeth, for whom the Asistencia Santa Ysabel is named, [s.d.]

description: Photograph of a painted portrait of St. Elizabeth, for whom the Asistencia Santa Ysabel is named, [s.d.]. The saint is shown full length and is turned slightly to the right while looking up. She is holding a basket of flowers at right, and her other hand is held near her chest at left. She is wearing a long dress with a light-colored nun's hood and a crown. A halo encircles her head, and she is standing on a cloud.
DOI: 10.25549/chs-m18313
title: The painting "Immaculate Conception" by Murillo, Prado, [s.d.]

description: Photograph of a painting by Bartolome Esteban Murillo depicting the Immaculate Conception, Prado, Madrid, [s.d.]. The Virgin Mary is pictured at center from head to foot and is turned slightly to the right with her hands held in a prayer position. She is wearing a long white dress and a cloak and her long dark hair is resting on and behind her shoulders. She is standing on a cloud, and all around her are small cherubs.
DOI: 10.25549/chs-m18312
title: Photograph of a painting by Melozzo da Forli depicting Maria Verkundigung, [s.d.]

description: Photograph of a painting by Melozzo da Forli depicting Maria Verkundigung, [s.d.]. She is shown full length at center and is turned slightly to the right while looking down with her hands crossed on her chest. She is wearing a dark hooded robe and a black shirt with a white collar. There is a tall Romanesque column at left, and an empty wall in the background at right. Picture file card reads "1438-1494".
DOI: 10.25549/chs-m18316
title: Painting depicting Saint Carlos Borromeo, [s.d.]

description: Photograph of a painting of St. Carlos Borromeo, [s.d.]. The saint is pictured from head to foot and is wearing a long dark robe over a lighter-colored robe. He is turned slightly to the right and is holding an unidentified object in his hands at right. He has thinning hair, and large halo encircles his head. He appears to be standing on a cloud.
DOI: 10.25549/chs-m18305
title: Painting depicting Santa Clara, the Seraphic Mother, at Mission Santa Clara, [s.d.]

description: Photograph of a painting depicting Santa Clara, the Seraphic Mother, at Mission Santa Clara, [s.d.]. The saint is pictured full length and is turned to the right while looking down. She is holding a lighted model of a church or castle in her hands at right. She is dressed in a long, light-colored gown and a dark hood. She has a cloak wrapped around her and appears to be standing on a cloud.
DOI: 10.25549/chs-m18314
title: Painting by Rafaello Santi depicting Saint Catharine, Catalina, [s.d.]

description: Photograph of a painted portrait by by Rafaello Santi depicting Saint Catharine, Catalina, [s.d.]. The saint is shown from her waist to her head and her body is turned forward with her head looking over her shoulder to the left. She is wearing a light-colored dress with dark sleeves and her hand is near her chest at left. Her long dark hair is over her shoulder at left. She is seated in front of a lake, and many trees, bushes and grasses are visible around the water. Back of photoprint reads "Original: London National Gallery".
DOI: 10.25549/chs-m14886
title: The Grand Canyon from O'Neils Point, looking east on the Bright Angel Trail, 1900-1930

description: Photograph of the Grand Canyon from O'Neils Point, looking east on the Bright Angel Trail, 1900-1930.
DOI: 10.25549/chs-m18301
title: Painting(?) of the holy cross, after which Mission Santa Cruz was named, [s.d.]

description: Photograph of a painting(?) of the holy cross, after which Mission Santa Cruz was named, [s.d.]. The cross consists of three equal-length arms, one each pointed to the top, left, and right, and a longer arm anchored by an elaborately decorated base at the bottom. The place where the four arms intersect is decorated with a circle and several small shafts reaching out diagonally. The base of the cross consists of a large rectangle flanked by two winged angels holding long spears that cross at center. Each of the shorter arms has three small pegs sticking out.
DOI: 10.25549/chs-m18891
title: Portrait of G. H. Meek, brother of Stephen H. Meek, a hunter and trapper of 1833, [s.d.]

description: Photographic portrait of G. H. Meek, brother of Stephen H. Meek, a hunter and trapper of 1833, [s.d.]. Meek is seated in a wooden chair at right and is turned to the left. His legs are crossed and both of his hands rest in his lap. He is wearing dark pants, a long-sleeved shirt, white socks, leather shoes, and a dark, broad-brimmed hat. He has a long gray beard. A book is hung from the back of the chair. At left is a cast iron pot hung from a wooden pole, and a tea kettle is on the ground nearby. Bushes and trees can be seen in the background.
DOI: 10.25549/chs-m19396
title: Portrait of General Mariano Guadalupe Vallejo, October 2, 1929

description: Photographic portrait of General Mariano Guadalupe Vallejo, October 2, 1929. The general is pictured from his upper torso to his head and is turned slightly to the right. He is wearing a gray jacket with a black collar, light-colored shirt, and a dark bowtie. His heavy face is framed by thick sideburns that reach to his mouth and his dark hair is parted at right. Picture file card reads "Photo from an old daguerrotype".
DOI: 10.25549/chs-m13596
title: Portrait of Louise Vallejo Emparan, Sonoma, October 2, 1929

description: Photographic portrait of Louise Vallejo Emparan, Sonoma, October 2, 1929. She is shown from her waist to her head and can be seen looking straight ahead. She is holding a guitar in her hands, and one hand is gripping the neck at right. She is wearing a light-colored dress with a dark floral print headdress that reaches down past her shoulders. She is old and slightly heavyset and her mouth is formed into a smile. She is Vallejo's daughter.
DOI: 10.25549/chs-m22263
title: Portrait of Joaquin Miller, [s.d.]

description: Photograph of a portrait of Joaquin Miller, [s.d.]. An elderly man with a long white beard and moustache sits atop a pile of fur on the grass, wearing a western jacket over a floral vest, with matching gloves and a rifle in his right hand. He wears a hat atop his head, and squints as her looks into the camera. At his feet, the name "Joaquin M" is inscribed. This photo was used in his book, "Life Among The Modocs."
DOI: 10.25549/chs-m19397
title: Painted portrait of Francis Sepulveda, grantee of the San Vicente and Santa Monica Ranchos, [s.d.]

description: Photograph of a painted portrait of Francis Sepulveda, grantee of the San Vicente and Santa Monica Ranchos, [s.d.]. Sepulveda is shown from his torso to his head and is turned very slightly to the left. He is holding his hands together near his stomach. He is wearing a dark suit, light shirt, and dark bowtie. His dark hair is combed neatly and close to his head. He appears to be young. He settled in Los Angeles in 1815 and was granted his ranchos in 1839.
DOI: 10.25549/chs-m19398
title: Portrait of Pio Pico at ninety years of age, 1891

description: Photographic portrait of Pio Pico at ninety years of age, 1891. He can be seen from his upper torso to his head. He can be seen looking slightly to the left. He has a thick white beard and mustache, and his white hair is thinning. He has a large nose and large ears, and his eyebrows are thick. He is visible wearing a dark jacket over a dark shirt. Pico was born in 1801 and died in 1894.
DOI: 10.25549/chs-m19399
title: Portrait of ninety year-old Pio Pico, the last Mexican governor of California, 1891

description: Photographic portrait of ninety year-old Pio Pico, the last Mexican governor of California, 1891. He is pictured from his knees to his head and is standing with his arm resting on the back of a chair at left. His other hand is on an ivory cane at right. He is wearing a dark suit with a dark vest decorated with diamond buttons. He has a thick white beard and mustache, and his white hair is thinning. His light skin blends in with his facial hair. Picture file card reads "Pierce seems to have acquired the negative or print from Thomas Temple, son of Walter Temple".
DOI: 10.25549/chs-m19400
title: Portrait of Don Pio Pico and his wife, [s.d.]

description: Photograph of a portrait of Don Pio Pico and his wife, [s.d.]. Both are visible from the chest up. Pio Pico is at right and is turned to the left. He is wearing a dark suit, dark vest, and light shirt. He has a thick white beard and mustache, and his white hair is combed back on his head. His wife is at left and is looking slightly to the right. She is wearing a dark dress with a darker head piece. She has a simple necklace and her dark hair is braided on top of her head.
DOI: 10.25549/chs-m2785
title: Costumes of ladies' dress, 1870-1875

description: Photograph of costumes of ladies' dress, 1870-1875. The image is a composite consisting of two smaller images, each with one woman shown. Two very serious models are pictured wearing hoop-skirted gowns of the post-Civil War period. The woman at left is wearing a ribboned bonnet, while the other has an elaborate hat to match the patterned silk of her gown. A long cape falls from the shoulders of the first, while a shawl lies nearby the second. The woman in the image at left holds a chair with her right hand, while the woman at right holds onto a covered table. The solid, dark-colored dress of the first woman is heavily contrasted with the patterned dress of the second woman.
DOI: 10.25549/chs-m14887
title: The Bright Angel Hotel on the rim of the Grand Canyon, 1900-1930

description: Photograph of the Bright Angel Hotel on the rim of the Grand Canyon, 1900-1930. A man on horseback is approaching the hotel from the right. Another man is standing nearby behind a wooden post and rail fence beside two dogs. The mostly two-story wooden hotel is surrounded on this visible side by the fence and a covered porch fronts on the canyon.
DOI: 10.25549/chs-m13936
title: Painting of "Santa Margarita" by Rafael, [s.d.]

description: Photograph of a painting of "Santa Margarita" by Rafael, [s.d.]. A woman with light hair in a dress steps on the wings of a fallen demon, whose face lies upside-down beside her, at left, with its gaping mouth open. At right, the serpentine part of the demon's body can be seen. The saint holds a feather in her right hand, and part of her garment in her left, while the background is set in an arborous area.
DOI: 10.25549/chs-m13833
title: Mounted Spokane Indians, ca.1900

description: Photograph of mounted Spokane Indians, ca.1900. Four Indians and a baby are shown riding four horses. The Indian at left is facing to the right and has the baby attached to the saddle in front of his(?) leg. The other horses are facing towards the camera. All of the horses are dark except for the second one from the left, which is gray. There is a tree in the background at center and a utility pole at left.
DOI: 10.25549/chs-m19401
title: Exterior view of the inner court at Mission San Antonio, ca.1889

description: Photograph of an exterior view of the inner court at Mission San Antonio, ca.1889. A series of five rectangular free-standing adobe columns is at center and backs into an adobe wall in the background. The wall forms one side of a long building that runs across the entire image. Its roof is made of terracotta tiles. There are more terra cotta ties on top of a low wall in the foreground at right. At left is a small hill covered with low bushes and small trees. There are more trees in the courtyard at right.
DOI: 10.25549/chs-m19402
title: Exterior view of the façade of Mission San Luis Rey, ca.1885

description: Photograph of an exterior view of the façade of Mission San Luis Rey, ca.1885. The main façade of the mission is at center and consists of a tall wall with a single arched doorway in the middle. Above the doorway is a large circular window, and there is a tall bell tower at right. Behind the façade at right is a terracotta roofed building. A low adobe wall extends at right, and at left is a line of open adobe archways. The entire exterior is covered in white spackle that has worn away in some places. There is low grass in front of the mission.
DOI: 10.25549/chs-m19403
title: Portrait of Rt. Reverend Thaddeus Amat, C.M., D.D., second bishop of Monterey, [s.d.]

description: Photographic portrait of Rt. Reverend Thaddeus Amat, C.M., D.D., second bishop of Monterey, [s.d.]. The bishop is seated and shown from his knees to his head. He can be seen looking straight ahead and one hand rests on a table at left while the other is in his lap. He is visible wearing a short cape over a white shirt and black robe. He has a necklace with a large cross around his neck. He has short hair parted at right, and on the table there is a bible next to what appears to be a lamp.
DOI: 10.25549/chs-m21361
title: View of Mission Santa Barbara before a second story was added, ca.1897

description: Photograph of a halftone print of a view of Mission Santa Barbara before a second story was added, ca.1897. A walkway lined with columns sits at right, with two layers of roofing atop it. Next to it, at left, a larger structure appears, topped with a small cross on its roof. In the foreground, a small path runs through a small garden.
DOI: 10.25549/chs-m19404
title: Stone sundial at Mission Santa Barbara, [s.d.]

description: Photograph of the stone sundial at Mission Santa Barbara, [s.d.]. The sundial is square and has roman numerals along both sides and the bottom. Along the left side, the numerals read V, VI, VII, VIII. Along the bottom, they are IX, X, XI, XII, I, II, III, and along the right they are VII, VI, V, IV. There is an inscription in Latin along the top side. The gnomon sticks out diagonally down and has a support about three-quarters of the way down its length. The gnomon and its shadow form an A shape. There is ivy growing around the sundial.
DOI: 10.25549/chs-m19406
title: Portrait of Brigadier General Daniel H. (L.H.?) Rucker, [s.d.]

description: Photographic portrait of Brigadier General Daniel H. (L.H.?) Rucker, [s.d.]. The general is seated at center and is shown from his knees to his head. He is turned slightly to the right and his hands are resting on the hilt of a sword between his legs. He is in full dress uniform, including dark jacket and pants, epaulets, sash, gold sleeve braid and a handful of medals. He has a crescent-shaped hat with a feather running along the top. A single star on each sleeve shows his rank. He has a thick mustache.
DOI: 10.25549/chs-m9688
title: View of Woodward's Gardens in San Francisco, ca.1870

description: Photograph of a view of Woodward's Gardens in San Francisco, ca.1870. There is a lake at center, and in the middle of its calm water is a small stone island with a gazebo. A wooden footbridge connects the island to the shore at right. There are two buildings in the background: at right is a long greenhouse with a massive façade with an arched doorway and a conical roof. At left is a large square house with two stories and three chimneys. The land around the lake is covered with short, neatly cut grass.
DOI: 10.25549/chs-m14888
title: Bright Angel Hotel from a distance on the rim of the Grand Canyon, 1900-1930

description: Photograph of the Bright Angel Hotel from a distance on the rim of the Grand Canyon, 1900-1930. The mostly two-story wooden hotel is surrounded on this visible side by a wooden post and rail fence and a covered porch fronts on the canyon. A few other buildings, including a large tent, are nearby.
DOI: 10.25549/chs-m8398
title: Portrait Ygnacio Alvarado on horseback at the San Bernardino Mission Assistencia, ca.1880

description: Photographic portrait Ygnacio Alvarado on horseback at the San Bernardino Mission Assistencia, ca.1880. The man is seated on a large gray horse that is facing to the left. Alvarado is wearing a musketeer-type costume with a short cape, tall boots, a plumed hat and a rapier. He has a white beard and mustache. In the background, there is an vine-covered tree, and further in the distance is a wooden building.