cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12987734
title: New Expressions 3:Heavy Rock|Plymouth Sound 2015: Process and Methods

description: A contemporary response to the historic collections held at the Plymouth City Museum and Art Gallery, <b>Heavy Rock|Plymouth Sound</b> focused on the unceasing hidden construction process of the concrete Breakwater in Plymouth Sound. This public project extends Harrison's ongoing research into transforming matter through sound and making hidden processes public.<br><br>This item contains 31 images documenting the methods and processes of the project, including developmental drawings.<br><br>This item documents the many stages of development undertaken throughout <b>Heavy Rock|Plymouth Sound</b>- including developmental drawings, the breakwater maintenance, experiments with sound installation and sea to shore recordings, Harrison's intervention within the block's casting and curing process and the role of Brian and Lee, the dockyard workers who make the wavebreakers. The final images show the filming of the<b> Heavy Rock</b> Wavebreaker in position on Plymouth Breakwater. Due to unexpected delays Harrison's Wavebreaker was dropped without notice so was not documented.<br><br><b>To view a film directed by Tim Knights and produced by Jared Schiller documenting Harrison's approach to the project, please click the following link: https://www.jaredschiller.co.uk/blog/2016/10/8/keith-harrison-heavy-rock</b><br><br><b>Photography courtesy of the artist. Used with permission.</b> <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12987734.v1
title: New Expressions 3:Heavy Rock|Plymouth Sound 2015: Process and Methods

description: A contemporary response to the historic collections held at the Plymouth City Museum and Art Gallery, <b>Heavy Rock|Plymouth Sound</b> focused on the unceasing hidden construction process of the concrete Breakwater in Plymouth Sound. This public project extends Harrison's ongoing research into transforming matter through sound and making hidden processes public.<br><br>This item contains 31 images documenting the methods and processes of the project, including developmental drawings.<br><br>This item documents the many stages of development undertaken throughout <b>Heavy Rock|Plymouth Sound</b>- including developmental drawings, the breakwater maintenance, experiments with sound installation and sea to shore recordings, Harrison's intervention within the block's casting and curing process and the role of Brian and Lee, the dockyard workers who make the wavebreakers. The final images show the filming of the<b> Heavy Rock</b> Wavebreaker in position on Plymouth Breakwater. Due to unexpected delays Harrison's Wavebreaker was dropped without notice so was not documented.<br><br><b>To view a film directed by Tim Knights and produced by Jared Schiller documenting Harrison's approach to the project, please click the following link: https://www.jaredschiller.co.uk/blog/2016/10/8/keith-harrison-heavy-rock</b><br><br><b>Photography courtesy of the artist. Used with permission.</b> <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12264299.v1
title: Erdkunde - 300-word Statement

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains the 300-word Statement for the project.
DOI: 10.17870/bathspa.12264299
title: Erdkunde - 300-word Statement

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains the 300-word Statement for the project.
DOI: 10.17870/bathspa.12264311
title: Erdkunde - Research Timeline and Research Questions

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains the Research Timeline and Research Questions for the project.
DOI: 10.17870/bathspa.12264311.v1
title: Erdkunde - Research Timeline and Research Questions

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains the Research Timeline and Research Questions for the project.
DOI: 10.17870/bathspa.12264296
title: Erdkunde - Video

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br><b>2015 / 16’04” / HD video / Single channel<br><br></b>This item contains an extract from the video, which was first exhibited at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016.<br><br><b>Copyright: John Wood and Paul Harrison; used with permission.</b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12264296.v1
title: Erdkunde - Video

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br><b>2015 / 16’04” / HD video / Single channel<br><br></b>This item contains an extract from the video, which was first exhibited at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016.<br><br><b>Copyright: John Wood and Paul Harrison; used with permission.</b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12264251.v1
title: Erdkunde - Video - Stills

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains stills from the video which was exhibited at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016.<br><br><b>Copyright: John Wood and Paul Harrison; used with permission.</b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.12264251
title: Erdkunde - Video - Stills

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains stills from the video which was exhibited at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016.<br><br><b>Copyright: John Wood and Paul Harrison; used with permission.</b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.21227/66gb-g773
title: Decomposition-Residuals Neural Networks: Hybrid system identification applied to electricity forecasting

description: COVID-19 causes issues in energy demand profile forecasting. Day-ahead energy forecasting systems struggle to provide accurate demand predictions. Decomposition-Residuals Deep Neural Networks (DR-DNN) is a two-layer hybrid architecture with: a decomposition and a nonlinear layer. Based on statistical tests, the decomposition layer applies robust signal decomposition and low-order system identification of input data streams into: trend, seasonal and residuals signals. Utilizing calendar information, temporal signals are added: sinusoidal day/night cycles, weekend/weekday, etc. The nonlinear layer can learn unknown nonlinear patterns using typical DNN models like Recurrent Neural Networks (RNN) and Convolutional Neural Networks (CNN). DR-DNN outperformed baseline, linear, and plain DNN models on next-day electricity forecasts within the COVID-19 era (September 2020-January 2021).
DOI: 10.17870/bathspa.12327662
title: Erdkunde - Bristol Exhibition (2015-2016)

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains information relating to the exhibition of the video at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016. Used with permission of Bristol Museum and Art Gallery.<br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.12327662.v1
title: Erdkunde - Bristol Exhibition (2015-2016)

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains information relating to the exhibition of the video at Bristol Museum and Art Gallery, 19 September 2015 —3 January 2016. Used with permission of Bristol Museum and Art Gallery.<br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.12554474.v1
title: Erdkunde - Tokyo Exhibition (2015-2016)

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains information relating to the exhibition of the video at ICC (Intercommunication Centre), Tokyo, Japan, 21st November 2015 - 21st February 2016. <i>Erdkunde</i> was one of twenty pieces shown in the solo show <i>Some Things Are Hard to Explain</i>.<br><br><b>Used with permission of the NTT InterCommunication Center (ICC) in Tokyo, Japan. Not to be used without permission. </b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12554474
title: Erdkunde - Tokyo Exhibition (2015-2016)

description: <i>Erdkunde</i> is a video work inspired by the geology collections at Bristol Museum and Art Gallery. The work draws upon the history of geological maps, walkers and individual geologists whose histories are tied up with the collection at the museum.<br><br>This item contains information relating to the exhibition of the video at ICC (Intercommunication Centre), Tokyo, Japan, 21st November 2015 - 21st February 2016. <i>Erdkunde</i> was one of twenty pieces shown in the solo show <i>Some Things Are Hard to Explain</i>.<br><br><b>Used with permission of the NTT InterCommunication Center (ICC) in Tokyo, Japan. Not to be used without permission. </b><br><br><b>This work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.48320/5c0d59aa-bce4-46fd-b473-b62e66b83783
title: Navalny's digital dissenters: An online survey of a Russian Opposition movement
DOI: 10.21227/sh7t-7189
title: Load forecasting with mixture of experts

description: Submission 26 Jan
DOI: 10.5281/zenodo.4642323
title: Supplementary Data for "Policy Analysis of Using Smartphones as Learning Media at Senior High Schools in Medan City"

description: This data contains of: 1. Form Students' Perceptions of the Policy on Using Smartphones in Learning in Schools 2. Response of Students' Perceptions of the Policy on Using Smartphones in Learning in Schools 3. Reporting Checklist for Qualitative Research
DOI: 10.5281/zenodo.4642322
title: Supplementary Data for "Policy Analysis of Using Smartphones as Learning Media at Senior High Schools in Medan City"

description: This data contains of: 1. Form Students' Perceptions of the Policy on Using Smartphones in Learning in Schools 2. Response of Students' Perceptions of the Policy on Using Smartphones in Learning in Schools 3. Reporting Checklist for Qualitative Research
DOI: 10.17870/bathspa.13372967.v1
title: Zassho-Cascadia - 300-Word Statement

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13372967
title: Zassho-Cascadia - 300-Word Statement

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration.This item contains a 300-word statement about the research project.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13372970.v1
title: Zassho-Cascadia - Timeline and Research Questions

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains a timeline of the research project and a set of research questions. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13372970
title: Zassho-Cascadia - Timeline and Research Questions

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains a timeline of the research project and a set of research questions. <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13372973.v1
title: Zassho-Cascadia - Book Maquette & Essays

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains a maquette of the monograph <i>Zassho-Cascadia</i> by Stephen Vaughan, along with draft versions of two essays for the book by Eugenie Shinkle and Harold Tobin.<i> Zassho-Cascadia</i> will be published in 2021 by Loose Joints Publishing. The original 2020 publication date has been delayed by the Covid-19 pandemic. This monograph is the culmination of a decade-long enquiry that uses photography to consider the relationship between volatile seismic geology and the human-cultural landscape. Documents courtesy of Stephen Vaughan and Eugenie Shinkle. Used with permission.<b>Vaughan, S. (2021), <i>Zassho-Cascadia</i>, Loose Joints Publishing, ISBN9781912719303.</b> <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13372973
title: Zassho-Cascadia - Book Maquette & Essays

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains a maquette of the monograph <i>Zassho-Cascadia</i> by Stephen Vaughan, along with draft versions of two essays for the book by Eugenie Shinkle and Harold Tobin.<i> Zassho-Cascadia</i> will be published in 2021 by Loose Joints Publishing. The original 2020 publication date has been delayed by the Covid-19 pandemic. This monograph is the culmination of a decade-long enquiry that uses photography to consider the relationship between volatile seismic geology and the human-cultural landscape. Documents courtesy of Stephen Vaughan and Eugenie Shinkle. Used with permission.<b>Vaughan, S. (2021), <i>Zassho-Cascadia</i>, Loose Joints Publishing, ISBN9781912719303.</b> <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13387133
title: Zassho-Cascadia - Conference Presentations

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains contextualising information about conference presentations given by Vaughan:1. A copy of the public lecture 'Seismic histories and rupture probabilities: photographic perspectives on Japanese earthquakes' given by Vaughan at<b> <i>Exploring Environmental Photography</i></b>, 1-3 October 2014, at the Institute of Art History, Bern University. Lecture text courtesy of Stephen Vaughan. Used with permission.2. A copy of the conference program for <b><i>Exploring Environmental Photography</i></b>, 1-3 October 2014, at the Institute of Art History, Bern University. Programme courtesy of the conference organisers, Sonja Fessel and Ulrike Heine. Used with permission.3. A link to the GALA online overview of <b><i>Curating the Future</i>, GALA Network Annual Meeting</b>, Centro Studi e Archivio della Comunicazione (CSAC), University of Parma, 5-7 July 2017, at which Vaughan gave a paper entitled 'Curating seismic histories through photographic practice: shared histories of mega-thrust earthquakes in Japan and NW America'. The online overview is available to view using this link.4. Call for papers for <i><b>Marine Transgressions </b></i>7-8 June 2018, at the Create Centre, Bristol, at which Vaughan gave a paper entitled '<i>Catfish Sleeps </i>and <i>Tohoku</i>: Seismic Histories and Rupture Probabilities in Japan and NW America'. The call for papers is available via this link.5. The <i><b>Marine Transgressions</b></i> conference programme. Available via this link.The above links are also available below under 'References'. <b>Material in this item is under copyright and will not to be used or shared without the express written permission of Stephen Vaughan. Use of this repository acknowledges cooperation with its policies and copyright law.<br></b>
DOI: 10.17870/bathspa.13387133.v1
title: Zassho-Cascadia - Conference Presentations

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration. This item contains contextualising information about conference presentations given by Vaughan:1. A copy of the public lecture 'Seismic histories and rupture probabilities: photographic perspectives on Japanese earthquakes' given by Vaughan at<b> <i>Exploring Environmental Photography</i></b>, 1-3 October 2014, at the Institute of Art History, Bern University. Lecture text courtesy of Stephen Vaughan. Used with permission.2. A copy of the conference program for <b><i>Exploring Environmental Photography</i></b>, 1-3 October 2014, at the Institute of Art History, Bern University. Programme courtesy of the conference organisers, Sonja Fessel and Ulrike Heine. Used with permission.3. A link to the GALA online overview of <b><i>Curating the Future</i>, GALA Network Annual Meeting</b>, Centro Studi e Archivio della Comunicazione (CSAC), University of Parma, 5-7 July 2017, at which Vaughan gave a paper entitled 'Curating seismic histories through photographic practice: shared histories of mega-thrust earthquakes in Japan and NW America'. The online overview is available to view using this link.4. Call for papers for <i><b>Marine Transgressions </b></i>7-8 June 2018, at the Create Centre, Bristol, at which Vaughan gave a paper entitled '<i>Catfish Sleeps </i>and <i>Tohoku</i>: Seismic Histories and Rupture Probabilities in Japan and NW America'. The call for papers is available via this link.5. The <i><b>Marine Transgressions</b></i> conference programme. Available via this link.The above links are also available below under 'References'. <b>Material in this item is under copyright and will not to be used or shared without the express written permission of Stephen Vaughan. Use of this repository acknowledges cooperation with its policies and copyright law.<br></b>
DOI: 10.17870/bathspa.14312264
title: Zassho-Cascadia - Statement of Publication Delay due to COVID-19

description: <i>Zassho-Cascadia</i> is the culmination of a long-term research enquiry that uses photography to consider seismic histories and rupture probabilities in the tectonic subduction zones of Japan and the Pacific Northwest. It presents the experience, memory and anticipation of catastrophic earthquakes and tsunami in the context of deep time and scientific exploration.This item contains a 100-word statement detailing the reasons for the delayed publication of <i>Zassho-Cascadia</i>.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>