cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14319747
title: South of the Cultural Corridor: housing and heritage in the central area of Rio de Janeiro, 1980s

description: ABSTRACT This paper discusses the history of heritage-making in downtown Rio de Janeiro, and the relations between culture, social subjects and housing in the context of the late 1970s and 1980s Cultural Corridor project. Based on an understanding that local appropriations and social subjects were one of the key conceptual elements of cultural heritage during this period, we question how the subject was articulated, studied and put into practice in downtown Rio de Janeiro during those years. The central role of the arguments for culture and of the cultural uses of the city in the downtown revitalization project are discussed, as are the contradictions posed by the absence of a housing discourse in such plans. We look mainly at the Cultural Corridor project and the study titled “Living spaces south of the Cultural Corridor,” linking them to actions by other cultural heritage actors in the region. We examine how the much discussed and coveted relation between housing and heritage - one of the pillars of heritage thinking from the 1960s onwards - took shape within the context of heritage practices in downtown Rio de Janeiro.
DOI: 10.6084/m9.figshare.14319747.v1
title: South of the Cultural Corridor: housing and heritage in the central area of Rio de Janeiro, 1980s

description: ABSTRACT This paper discusses the history of heritage-making in downtown Rio de Janeiro, and the relations between culture, social subjects and housing in the context of the late 1970s and 1980s Cultural Corridor project. Based on an understanding that local appropriations and social subjects were one of the key conceptual elements of cultural heritage during this period, we question how the subject was articulated, studied and put into practice in downtown Rio de Janeiro during those years. The central role of the arguments for culture and of the cultural uses of the city in the downtown revitalization project are discussed, as are the contradictions posed by the absence of a housing discourse in such plans. We look mainly at the Cultural Corridor project and the study titled “Living spaces south of the Cultural Corridor,” linking them to actions by other cultural heritage actors in the region. We examine how the much discussed and coveted relation between housing and heritage - one of the pillars of heritage thinking from the 1960s onwards - took shape within the context of heritage practices in downtown Rio de Janeiro.
DOI: 10.6084/m9.figshare.14319750
title: Nature in the preservation of São Paulo’s cultural heritage: the contribution of Aziz Nacib Ab’Saber

description: ABSTRACT One of the most significant examples of advances in public policy for cultural heritage in the 1980s was the widespread acceptance of the notion that nature should be part of its scope. Caves, mountains, hills, rivers, forests, islands, urban parks and other natural assets were added to the list of heritage sites of the State of São Paulo. This experience, which began 50 years ago, continues to be marked by some major difficulties in understanding the object itself and its relationship with cultural values. In that sense, this paper aims to present and debate the key elements of this institutional practice, highlighting the role and contributions of geographer Aziz Nacib Ab’Saber towards solidifying the work of the cultural preservation agency of the State of São Paulo. At first, the path to this discussion involves an understanding of the origins and legal frameworks for protecting of this object, with a special spotlight on the legacy of the 1980s, the strengthening and expansion of the protection of nature as cultural heritage, starting with the development of conceptual principles. At the end, it aims to describe the current scenario and the problematics of the topic in light of current public policy.
DOI: 10.6084/m9.figshare.14319750.v1
title: Nature in the preservation of São Paulo’s cultural heritage: the contribution of Aziz Nacib Ab’Saber

description: ABSTRACT One of the most significant examples of advances in public policy for cultural heritage in the 1980s was the widespread acceptance of the notion that nature should be part of its scope. Caves, mountains, hills, rivers, forests, islands, urban parks and other natural assets were added to the list of heritage sites of the State of São Paulo. This experience, which began 50 years ago, continues to be marked by some major difficulties in understanding the object itself and its relationship with cultural values. In that sense, this paper aims to present and debate the key elements of this institutional practice, highlighting the role and contributions of geographer Aziz Nacib Ab’Saber towards solidifying the work of the cultural preservation agency of the State of São Paulo. At first, the path to this discussion involves an understanding of the origins and legal frameworks for protecting of this object, with a special spotlight on the legacy of the 1980s, the strengthening and expansion of the protection of nature as cultural heritage, starting with the development of conceptual principles. At the end, it aims to describe the current scenario and the problematics of the topic in light of current public policy.
DOI: 10.6084/m9.figshare.14319753.v1
title: Waldisa Rússio: museology and politics in 1980

description: ABSTRACT This article proposes to use São Paulo museologist Waldisa Rússio’s life trajectory to verify which topics mobilized Brazilian agents the most in the museological context during the 1980s. In this regard, it uses some of the institutions of that time, prioritizing those whose actions showed some kind of national repercussion. Therefore, it should be noted with which symbolic capitals Waldisa entered the field in pursuance of progressively reaching the condition of authority to be heard and considered. The article highlights how the regulatory process of museum studies was impacted by different positions, especially about which knowledge basis would empower such labor. Further about the production of this knowledge, the theoretical elaboration in museology is thought of as a step that affects the development of the area. Waldisa Rússio’s guiding role stands out then by combining the conceptual and political dimensions of museums. In the process the article makes the case for Rússio’s experience accumulated in the 1980s and her interlocution with São Paulo heritage. Bound up with this are the contexts she engaged with to elaborate public policies in museology. Despite the debate regarding the political magnitude of preservation in the 1980s, on account of the country’s own redemocratization process, museology was shown to have practically missed such discussion.
DOI: 10.6084/m9.figshare.14319753
title: Waldisa Rússio: museology and politics in 1980

description: ABSTRACT This article proposes to use São Paulo museologist Waldisa Rússio’s life trajectory to verify which topics mobilized Brazilian agents the most in the museological context during the 1980s. In this regard, it uses some of the institutions of that time, prioritizing those whose actions showed some kind of national repercussion. Therefore, it should be noted with which symbolic capitals Waldisa entered the field in pursuance of progressively reaching the condition of authority to be heard and considered. The article highlights how the regulatory process of museum studies was impacted by different positions, especially about which knowledge basis would empower such labor. Further about the production of this knowledge, the theoretical elaboration in museology is thought of as a step that affects the development of the area. Waldisa Rússio’s guiding role stands out then by combining the conceptual and political dimensions of museums. In the process the article makes the case for Rússio’s experience accumulated in the 1980s and her interlocution with São Paulo heritage. Bound up with this are the contexts she engaged with to elaborate public policies in museology. Despite the debate regarding the political magnitude of preservation in the 1980s, on account of the country’s own redemocratization process, museology was shown to have practically missed such discussion.
DOI: 10.5281/zenodo.4639681
title: SciExpeM - 10.5281/zenodo.4639681

description: "Shock tube and kinetic study of C2H6/H2/O2/Ar mixtures at elevated pressures" Lun Pan, Yingjia Zhang, Jiaxiang Zhang, Zemin Tian, Zuohua Huang
DOI: 10.5281/zenodo.4639680
title: SciExpeM - 10.5281/zenodo.4639681

description: "Shock tube and kinetic study of C2H6/H2/O2/Ar mixtures at elevated pressures" Lun Pan, Yingjia Zhang, Jiaxiang Zhang, Zemin Tian, Zuohua Huang
DOI: 10.6084/m9.figshare.14319755
title: Design, photography and social inclusion in the Brazilian heritage

description: ABSTRACT This paper presents new perspectives around the Brazilian cultural heritage, especially in its passage between the 1970s and 1980s. In this case, photography assumes a decisive role in the organization of new meanings, contributing to other discourses to be organized institutionally. In this case, two aspects are taken into consideration: Firstly, addressing changes in the scope of design, acknowledging that the work of Aloísio Magalhães was essential for a new agenda to arrive from the Instituto do Patrimônio Histórico e Artístico Nacional. Centering reflections on the activities of the Centro Nacional de Referência Cultural, a second important issue concerns the acknowledgement of the implemented policy, with the evident role of photography in the formulation of new agendas and speeches. In the end, this article shows a moment of change related to domains that do not directly concern the cultural heritage in this period.
DOI: 10.6084/m9.figshare.14319755.v1
title: Design, photography and social inclusion in the Brazilian heritage

description: ABSTRACT This paper presents new perspectives around the Brazilian cultural heritage, especially in its passage between the 1970s and 1980s. In this case, photography assumes a decisive role in the organization of new meanings, contributing to other discourses to be organized institutionally. In this case, two aspects are taken into consideration: Firstly, addressing changes in the scope of design, acknowledging that the work of Aloísio Magalhães was essential for a new agenda to arrive from the Instituto do Patrimônio Histórico e Artístico Nacional. Centering reflections on the activities of the Centro Nacional de Referência Cultural, a second important issue concerns the acknowledgement of the implemented policy, with the evident role of photography in the formulation of new agendas and speeches. In the end, this article shows a moment of change related to domains that do not directly concern the cultural heritage in this period.
DOI: 10.6084/m9.figshare.14319756
title: Iphan and Fundação Catarinense de Cultura: policies for immigrant cultural heritage in 1980s Santa Catarina

description: ABSTRACT This paper discusses heritage cultural preservation policies of European immigrants in 1980s Santa Catarina. We analyze the actions of Instituto do Patrimônio Histórico e Artístico Nacional (Iphan) and Fundação Catarinense de Cultura (FCC) that result in the formation of the National Immigration Routes project. By verifying the actions taken to safeguard cultural heritage, this project defined the role of immigrant heritage and determined how its preservation in Brazil and Santa Catarina should be carried out. This paper also describes how immigrants and their heritage started being valued in the context of the governmental preservation policy so as to develop a perspective of cultural heritage in Santa Catarina essentially based on ethnic issues.
DOI: 10.6084/m9.figshare.14319756.v1
title: Iphan and Fundação Catarinense de Cultura: policies for immigrant cultural heritage in 1980s Santa Catarina

description: ABSTRACT This paper discusses heritage cultural preservation policies of European immigrants in 1980s Santa Catarina. We analyze the actions of Instituto do Patrimônio Histórico e Artístico Nacional (Iphan) and Fundação Catarinense de Cultura (FCC) that result in the formation of the National Immigration Routes project. By verifying the actions taken to safeguard cultural heritage, this project defined the role of immigrant heritage and determined how its preservation in Brazil and Santa Catarina should be carried out. This paper also describes how immigrants and their heritage started being valued in the context of the governmental preservation policy so as to develop a perspective of cultural heritage in Santa Catarina essentially based on ethnic issues.
DOI: 10.6084/m9.figshare.14319759
title: Paradoxes of Brazilian “national identity” in the architectural speeches of Lucio Costa and Sylvio de Vasconcellos

description: ABSTRACT In the debate about the period and the architectural style that represented the national identity in the historiography of Brazilian architecture, in the first decades of the twentieth century, different agents took place in the consolidation of the architectural heritage idea. Important characters in cultural preservation policies, such as Rodrigo Melo Franco de Andrade and Mário de Andrade, integrated the public space emphasizing their positions of organic intellectuals in cultural policies. Given this fact, this article focuses on the consolidation in the social imaginary of eighteenth-century architecture as an effective representation of national architecture, consolidating itself as a style/period with the largest number of buildings listed until 1970. Understanding the different subjects involved in this process, this article focuses on the effective political action of Lucio Costa and Sylvio Vasconcellos on the defense of colonial heritage, based on texts and interventions in the overturned cities throughout Brazil, shaping and consolidating their strategies around an ideology of heritage and nation. In addition, we seek to understand the direct relationship established by both agents between the “elected” national heritage architecture and the precepts of the new architectural practice linked to the Modern Movement, to which they were adherents. Justifying the new from the primitive, in a perfect relationship where everything can be explained and fitted, the eclectic architecture was treated as a copy of styles, exacerbation of ornaments and link to foreignism, in opposition at the claimed nation project. We should always review concepts and guidelines, dealing more truthfully and fairly with our eclectic heritage, and consequently with our architectural historiography.
DOI: 10.6084/m9.figshare.14319759.v1
title: Paradoxes of Brazilian “national identity” in the architectural speeches of Lucio Costa and Sylvio de Vasconcellos

description: ABSTRACT In the debate about the period and the architectural style that represented the national identity in the historiography of Brazilian architecture, in the first decades of the twentieth century, different agents took place in the consolidation of the architectural heritage idea. Important characters in cultural preservation policies, such as Rodrigo Melo Franco de Andrade and Mário de Andrade, integrated the public space emphasizing their positions of organic intellectuals in cultural policies. Given this fact, this article focuses on the consolidation in the social imaginary of eighteenth-century architecture as an effective representation of national architecture, consolidating itself as a style/period with the largest number of buildings listed until 1970. Understanding the different subjects involved in this process, this article focuses on the effective political action of Lucio Costa and Sylvio Vasconcellos on the defense of colonial heritage, based on texts and interventions in the overturned cities throughout Brazil, shaping and consolidating their strategies around an ideology of heritage and nation. In addition, we seek to understand the direct relationship established by both agents between the “elected” national heritage architecture and the precepts of the new architectural practice linked to the Modern Movement, to which they were adherents. Justifying the new from the primitive, in a perfect relationship where everything can be explained and fitted, the eclectic architecture was treated as a copy of styles, exacerbation of ornaments and link to foreignism, in opposition at the claimed nation project. We should always review concepts and guidelines, dealing more truthfully and fairly with our eclectic heritage, and consequently with our architectural historiography.
DOI: 10.6084/m9.figshare.14319762
title: From the frontispieces’ eloquence: political discourse on the Dutch presence in Pernambuco

description: ABSTRACT The main point of this paper is to discuss the relations established between the frontispieces and the intentionality of the books in which they were printed, in the works Nova Lusitânia (1675) of Francisco de Brito Freyre, and Rerum per Octennium in Brasilia (1647) of Gaspar Van Baerle. We aproach these frontispieces counting with the identification of the attributes, characters and spaces represented by the gravers of such images, as their textual contents. Taking as a starting point the imagery aspects presented on the cover pages of the mentioned books, we seek to trace the patters of intentions of the books and their respective engravings as political discourses. In this way, not only the images but also the works themselves are connected. It discusses how Gaspar Van Baerle access the symbols at his disposal to praise the deeds of the Count of Nassau at Pernambuco; otherwise, Francisco de Brito Freyre operates with classical references and build a heroic narrative of his own experience against the Dutch domain in Portuguese America.
DOI: 10.6084/m9.figshare.14319762.v1
title: From the frontispieces’ eloquence: political discourse on the Dutch presence in Pernambuco

description: ABSTRACT The main point of this paper is to discuss the relations established between the frontispieces and the intentionality of the books in which they were printed, in the works Nova Lusitânia (1675) of Francisco de Brito Freyre, and Rerum per Octennium in Brasilia (1647) of Gaspar Van Baerle. We aproach these frontispieces counting with the identification of the attributes, characters and spaces represented by the gravers of such images, as their textual contents. Taking as a starting point the imagery aspects presented on the cover pages of the mentioned books, we seek to trace the patters of intentions of the books and their respective engravings as political discourses. In this way, not only the images but also the works themselves are connected. It discusses how Gaspar Van Baerle access the symbols at his disposal to praise the deeds of the Count of Nassau at Pernambuco; otherwise, Francisco de Brito Freyre operates with classical references and build a heroic narrative of his own experience against the Dutch domain in Portuguese America.
DOI: 10.6084/m9.figshare.14319764
title: Gilberto Freyre and Amaury de Medeiros: tensions between cult of tradition and sanitary messianism (Recife, 1923-1926)

description: ABSTRACT The aim of this article is to analyze the affinities and antagonisms between the journalist and sociologist Gilberto Freyre (1900-1987) and the physician and sanitarist Amaury de Medeiros (1893-1928). It studies their protagonism in the creation of the Centro Regionalista do Nordeste (april 1924), in the Semana das Árvores (november 1924) and in the Primeiro Congresso Regionalista do Nordeste (february 1926). The article discusses the convergence between these two men in the defense of regional identity and colonial revival style and their divergences about the mocambos and the qualities of the city and residential architecture inherited from the past. It discusses the debate between Amaury, in charge of a wide sanitary intervention in Pernambuco, and Freyre, committed to fight the emphasis on hygiene at that moment.
DOI: 10.6084/m9.figshare.14319764.v1
title: Gilberto Freyre and Amaury de Medeiros: tensions between cult of tradition and sanitary messianism (Recife, 1923-1926)

description: ABSTRACT The aim of this article is to analyze the affinities and antagonisms between the journalist and sociologist Gilberto Freyre (1900-1987) and the physician and sanitarist Amaury de Medeiros (1893-1928). It studies their protagonism in the creation of the Centro Regionalista do Nordeste (april 1924), in the Semana das Árvores (november 1924) and in the Primeiro Congresso Regionalista do Nordeste (february 1926). The article discusses the convergence between these two men in the defense of regional identity and colonial revival style and their divergences about the mocambos and the qualities of the city and residential architecture inherited from the past. It discusses the debate between Amaury, in charge of a wide sanitary intervention in Pernambuco, and Freyre, committed to fight the emphasis on hygiene at that moment.
DOI: 10.6084/m9.figshare.14319765
title: The become of the factory: Industrial Heritage at strife in the East Zone of São Paulo

description: ABSTRACT The processes of economic reconversion that took place in the world metropolises since the last decade of the last century have been frequently analyzed with reference to the field of economic science, whose emphasis is on the consequences of deindustrialization, giving less enhancement to the destinies of the built environment in the urban space during industrial activity. In São Paulo there has been a growing process of industrial deconcentration since the beginning of this millennium, in which the East Zone has suffered its greatest impact. Since there are significant areas involved, a dispute arose over the requalification of this industrial heritage, opposing on one side real estate business and on the other, not always associated, residents and the city council, mainly represented by the preservation departments. From this installed conflict arises the possibility of proposing an analysis of the process of economic conversion from the perspective guided by the field of knowledge of cultural heritage. Considering the international guidelines for the preservation of cultural heritage, including the required social role of museums, and the multidimensional character of experiences that have become paradigmatic for the safeguarding of industrial heritage, it is evident that the act of putting under governmental trust and / or simple maintenance of factory buildings are not enough actions to fulfill the social function of heritage, including from the perspective of work itself as a living culture and identity-forming process. Based on the analysis of the new functions given to old factories in the East Zone of São Paulo, the text seeks to ponder over the intended use of factory buildings.