cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25420/britishmuseum.23696805.v1
title: Interviewing Auntie Samruay, Auntie Bunseam, Auntie Thaew, Auntie Samood, Auntie Mood and Auntie Suthira

description: Interviewing the weavers who have experienced using the wooden reed.
DOI: 10.25420/britishmuseum.23696700
title: Interviewing Auntie Banchong and Auntie Pitsavat

description: Requesting permission for having images recorded and providing information.
DOI: 10.25420/britishmuseum.23696700.v1
title: Interviewing Auntie Banchong and Auntie Pitsavat

description: Requesting permission for having images recorded and providing information.
DOI: 10.25420/britishmuseum.23696721
title: Interviewing Auntie Banchong and Auntie Pitsavat

description: Interviewing the weavers who have experienced using the wooden reed.
DOI: 10.25420/britishmuseum.23696721.v1
title: Interviewing Auntie Banchong and Auntie Pitsavat

description: Interviewing the weavers who have experienced using the wooden reed.
DOI: 10.25420/britishmuseum.23695719
title: Interviewing Auntie Nae, Auntie Sa-at, Auntie Hmok, Auntie Kamyoy and Auntie Somboon

description: Requesting permission for having images recorded and providing information.
DOI: 10.25420/britishmuseum.23696643
title: Interviewing Auntie Nae, Auntie Sa-at, Auntie Hmok, Auntie Kamyoy and Auntie Somboon

description: Interviewing the weavers who have experienced using the wooden reed.
DOI: 10.25420/britishmuseum.23696643.v1
title: Interviewing Auntie Nae, Auntie Sa-at, Auntie Hmok, Auntie Kamyoy and Auntie Somboon

description: Interviewing the weavers who have experienced using the wooden reed.
DOI: 10.25420/britishmuseum.23695719.v1
title: Interviewing Auntie Nae, Auntie Sa-at, Auntie Hmok, Auntie Kamyoy and Auntie Somboon

description: Requesting permission for having images recorded and providing information.
DOI: 10.25420/britishmuseum.23695317
title: Setting up the loom (1st loom, 2nd warp)

description: The master weaver has pulled all the knots through the heddles and the dents. She then wind the warp around the cloth beam so that only the new warp is in the working area.
DOI: 10.25420/britishmuseum.23695317.v1
title: Setting up the loom (1st loom, 2nd warp)

description: The master weaver has pulled all the knots through the heddles and the dents. She then wind the warp around the cloth beam so that only the new warp is in the working area.
DOI: 10.25420/britishmuseum.23695311
title: Setting up the loom (1st loom, 2nd warp)

description: The master weaver is pulling the new warp through the heddles and the reed while the researcher is arranging the warp at the back of the loom. The old warp is very large so the master weaver must be very careful.
DOI: 10.25420/britishmuseum.23695311.v1
title: Setting up the loom (1st loom, 2nd warp)

description: The master weaver is pulling the new warp through the heddles and the reed while the researcher is arranging the warp at the back of the loom. The old warp is very large so the master weaver must be very careful.
DOI: 10.25420/britishmuseum.23695242
title: Twisting new and old warp together

description: The master weaver is twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695260
title: Setting the loom for weaving (2nd loom)

description: Rolling the warp onto the cloth beam to secure the warp. Then, the master weaver pull the warp tighter while Jariya and the researcher are arranging the warp.
DOI: 10.25420/britishmuseum.23695260.v1
title: Setting the loom for weaving (2nd loom)

description: Rolling the warp onto the cloth beam to secure the warp. Then, the master weaver pull the warp tighter while Jariya and the researcher are arranging the warp.
DOI: 10.25420/britishmuseum.23695242.v1
title: Twisting new and old warp together

description: The master weaver is twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695212
title: Threading the warp (2nd loom)

description: Inserting a warp through the heddle and the reed. This is for a wide-gap reed.
DOI: 10.25420/britishmuseum.23695212.v1
title: Threading the warp (2nd loom)

description: Inserting a warp through the heddle and the reed. This is for a wide-gap reed.
DOI: 10.25420/britishmuseum.23695230
title: Threading the warp (2nd loom)

description: The master weaver is twisting the old and new warp together while the researcher is threading a new warp on another loom.
DOI: 10.25420/britishmuseum.23695230.v1
title: Threading the warp (2nd loom)

description: The master weaver is twisting the old and new warp together while the researcher is threading a new warp on another loom.
DOI: 10.25420/britishmuseum.23695053
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695053.v1
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695185
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695185.v1
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695047
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695047.v1
title: Twisting new and old warp together

description: Twisting the old and new warp together.
DOI: 10.25420/britishmuseum.23695035
title: Twisting new and old warp together

description: Cutting and dipping the ends of the warp with starch (rice and tapioca starch) before twisting the old and new warp ends together.
DOI: 10.25420/britishmuseum.23695035.v1
title: Twisting new and old warp together

description: Cutting and dipping the ends of the warp with starch (rice and tapioca starch) before twisting the old and new warp ends together.
DOI: 10.25420/britishmuseum.23695026.v1
title: Warp winding

description: The master weaver changes the colour of the warp. This is a new warp with a stripe pattern of two colours.
DOI: 10.25420/britishmuseum.23695011
title: Setting the loom for weaving (1st loom)

description: Scrubbing the wooden reed with dried corn cob to smoothen the surface.
DOI: 10.25420/britishmuseum.23695026
title: Warp winding

description: The master weaver changes the colour of the warp. This is a new warp with a stripe pattern of two colours.
DOI: 10.25420/britishmuseum.23695011.v1
title: Setting the loom for weaving (1st loom)

description: Scrubbing the wooden reed with dried corn cob to smoothen the surface.
DOI: 10.25420/britishmuseum.23694999
title: Setting the loom for weaving (1st loom)

description: Rolling the warp onto the cloth beam to secure the warp. Then, the master weaver pull the warp tighter while Jariya and the researcher are arranging the warp.
DOI: 10.25420/britishmuseum.23694999.v1
title: Setting the loom for weaving (1st loom)

description: Rolling the warp onto the cloth beam to secure the warp. Then, the master weaver pull the warp tighter while Jariya and the researcher are arranging the warp.
DOI: 10.25420/britishmuseum.23694960
title: Threading the warp

description: The master weaver explains how to thread the warp through the heddles and the reed. She also explains how to ensure the right ends go through the right dents.
DOI: 10.25420/britishmuseum.23694951
title: Threading the warp

description: The master weaver explains how to thread the warp through the heddles and the reed. She also explains how to ensure the right ends go through the right dents.
DOI: 10.25420/britishmuseum.23694951.v1
title: Threading the warp

description: The master weaver explains how to thread the warp through the heddles and the reed. She also explains how to ensure the right ends go through the right dents.
DOI: 10.25420/britishmuseum.23694960.v1
title: Threading the warp

description: The master weaver explains how to thread the warp through the heddles and the reed. She also explains how to ensure the right ends go through the right dents.
DOI: 10.25420/britishmuseum.23685777
title: Threading the warp

description: Separate the warp into small section. Cut the end of the loop and thred the warp through the heddle eye and the reed. In the first and the last 4 dents thread, thread double warps while the rest single.
DOI: 10.25420/britishmuseum.23685777.v1
title: Threading the warp

description: Separate the warp into small section. Cut the end of the loop and thred the warp through the heddle eye and the reed. In the first and the last 4 dents thread, thread double warps while the rest single.
DOI: 10.25420/britishmuseum.23685768
title: Setting the components in the loom for warp threading

description: Place an heddles between the bamboo poles and the reed and tie the heddles onto the poles.
DOI: 10.25420/britishmuseum.23685768.v1
title: Setting the components in the loom for warp threading

description: Place an heddles between the bamboo poles and the reed and tie the heddles onto the poles.
DOI: 10.25420/britishmuseum.23685753
title: Setting the components in the loom for warp threading

description: Bring the warping and install it on the loom. Put the bamboo poles through the cross at one end of the warp. Untie the cross and the cross will be held by the poles.
DOI: 10.25420/britishmuseum.23685753.v1
title: Setting the components in the loom for warp threading

description: Bring the warping and install it on the loom. Put the bamboo poles through the cross at one end of the warp. Untie the cross and the cross will be held by the poles.
DOI: 10.25420/britishmuseum.23685729
title: Setting the components in the loom for warp threading

description: Tying robes to the reed and cut to length enough for hanging with the loom's frame.
DOI: 10.25420/britishmuseum.23685729.v1
title: Setting the components in the loom for warp threading

description: Tying robes to the reed and cut to length enough for hanging with the loom's frame.
DOI: 10.25420/britishmuseum.23685741
title: Setting the components in the loom for warp threading

description: Tying robes to the reed and hang it with the loom's frame. Place another pair of bamboo poles across the loom.
DOI: 10.25420/britishmuseum.23685741.v1
title: Setting the components in the loom for warp threading

description: Tying robes to the reed and hang it with the loom's frame. Place another pair of bamboo poles across the loom.
DOI: 10.25420/britishmuseum.23685651
title: Making string heddles - the second half

description: The master weaver demonstrates how to loop the thread together on both half of the heddle. She pick a thread between each loop of the heddle, wrap the thread around the plank and tie the thread on the stick twice.
DOI: 10.25420/britishmuseum.23685651.v1
title: Making string heddles - the second half

description: The master weaver demonstrates how to loop the thread together on both half of the heddle. She pick a thread between each loop of the heddle, wrap the thread around the plank and tie the thread on the stick twice.
DOI: 10.25420/britishmuseum.23685639
title: Making string heddles - the second half

description: To make the heddles on both half interloope each other, the master weaver insert a thread into the loop of the heddles on the first half, every single loop. She then start the process of making the heddle on the second half, tying the thread with a bamboo stick, similar to that of the first half.
DOI: 10.25420/britishmuseum.23685639.v1
title: Making string heddles - the second half

description: To make the heddles on both half interloope each other, the master weaver insert a thread into the loop of the heddles on the first half, every single loop. She then start the process of making the heddle on the second half, tying the thread with a bamboo stick, similar to that of the first half.
DOI: 10.25420/britishmuseum.23685453
title: Making string heddles

description: The master weaver demonstrates the first stage of tying string heddles. This is the first half of the heddles.
DOI: 10.25420/britishmuseum.23685453.v1
title: Making string heddles

description: The master weaver demonstrates the first stage of tying string heddles. This is the first half of the heddles.
DOI: 10.25420/britishmuseum.23685423
title: Making string heddles

description: The master weaver using the pen to mark each lhob on the heddle bar. Knot by placing a piece of wood under the bar. Use your left hand to lock the rope and your right hand to tie the rope. Knot the rope around the bamboo 2 times. Then loop the rope around the plank from back to front and knot the rope around the bar again.
DOI: 10.25420/britishmuseum.23685423.v1
title: Making string heddles

description: The master weaver using the pen to mark each lhob on the heddle bar. Knot by placing a piece of wood under the bar. Use your left hand to lock the rope and your right hand to tie the rope. Knot the rope around the bamboo 2 times. Then loop the rope around the plank from back to front and knot the rope around the bar again.
DOI: 10.25420/britishmuseum.23685387
title: Warp winding

description: When a lhob is reached, wrap a yarn of contrasting colours around the warp to mark it. This will make counting easier in the later stage.
DOI: 10.25420/britishmuseum.23685387.v1
title: Warp winding

description: When a lhob is reached, wrap a yarn of contrasting colours around the warp to mark it. This will make counting easier in the later stage.
DOI: 10.25420/britishmuseum.23685381
title: Warp winding - counting lhob

description: The master weaver is counting the warp ends by the lhob using sticks to help marking. Place a stick between 8 yarns, 5 times to get 40 rounds of warp winded. One round of warping of 1 ends makes 2 ends when cut and used. Hence, 40 rounds makes 80 ends. That equals 1 lhob.
DOI: 10.25420/britishmuseum.23685381.v1
title: Warp winding - counting lhob

description: The master weaver is counting the warp ends by the lhob using sticks to help marking. Place a stick between 8 yarns, 5 times to get 40 rounds of warp winded. One round of warping of 1 ends makes 2 ends when cut and used. Hence, 40 rounds makes 80 ends. That equals 1 lhob.
DOI: 10.25420/britishmuseum.23685372
title: Warp winding

description: After the location and direction of winding is set. The warp yarn is wounded around the poles. The winder makes a cross for every two ends on the poles on the winder's side. After crossing all the ends, the warp travels back round the poles and back again. This is done repeatedly until the desired numvber is achieved.
DOI: 10.25420/britishmuseum.23685372.v1
title: Warp winding

description: After the location and direction of winding is set. The warp yarn is wounded around the poles. The winder makes a cross for every two ends on the poles on the winder's side. After crossing all the ends, the warp travels back round the poles and back again. This is done repeatedly until the desired numvber is achieved.
DOI: 10.25420/britishmuseum.23685321
title: Cutting the reed from the wooden base

description: The master weaver is cutting the reed off the wooden based after the reed is finished.
DOI: 10.25420/britishmuseum.23685321.v1
title: Cutting the reed from the wooden base

description: The master weaver is cutting the reed off the wooden based after the reed is finished.
DOI: 10.25420/britishmuseum.23685237
title: Tying the dents

description: The master weaver is tying the dents. The dents on the selvedge sides are slighly larger than the rest.
DOI: 10.25420/britishmuseum.23685237.v1
title: Tying the dents

description: The master weaver is tying the dents. The dents on the selvedge sides are slighly larger than the rest.
DOI: 10.25420/britishmuseum.23685195
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with stingless beeswax. This is the first part of the reed.
DOI: 10.25420/britishmuseum.23685195.v1
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with stingless beeswax. This is the first part of the reed.
DOI: 10.25420/britishmuseum.23685141
title: Using stingless beeswax and knotting the threads

description: The master weaver Jampee is rubbing the thread with stingless beeswax to make it a little sticky and not unravel when tied. She then continues to knotting the ends of the thread together.
DOI: 10.25420/britishmuseum.23685141.v1
title: Using stingless beeswax and knotting the threads

description: The master weaver Jampee is rubbing the thread with stingless beeswax to make it a little sticky and not unravel when tied. She then continues to knotting the ends of the thread together.
DOI: 10.6084/m9.figshare.23723817
title: <strong>Genomic analysis of Meiren yak based on whole genome resequencing</strong>

description: The Meiren yak is an important yak genetic resource in Gansu Province, China. In order to investigate the evolutionary history and population structure of Meiren yak genetic resources and to explore the characteristic genes of Meiren yak, the present study analyzed a total of 93 yaks from eight yak populations based on whole genome resequencing combined with population genomics methods, and proved that the Meiren yak could be a potential resource population in Gansu Province.
DOI: 10.6084/m9.figshare.23723817.v1
title: <strong>Genomic analysis of Meiren yak based on whole genome resequencing</strong>

description: The Meiren yak is an important yak genetic resource in Gansu Province, China. In order to investigate the evolutionary history and population structure of Meiren yak genetic resources and to explore the characteristic genes of Meiren yak, the present study analyzed a total of 93 yaks from eight yak populations based on whole genome resequencing combined with population genomics methods, and proved that the Meiren yak could be a potential resource population in Gansu Province.
DOI: 10.5517/ccx6cgx
title: CCDC 840269: Experimental Crystal Structure Determination

description: Related Article: Wen-Tong Chen,Zhi-Gang Luo,Zhong-Liang Yao|2012|Acta Chim.Slov.|59|949|
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc29964z
title: CCDC 2124000: Experimental Crystal Structure Determination

description: Related Article: Zhen Liu, Wenyu Wang, Yujie Zhao, Zhen Jing, Rong Wan, Huafeng Li, Pengtao Ma, Jingyang Niu, Jingping Wang|2022|Inorg.Chem.|61|15310|doi:10.1021/acs.inorgchem.2c02220
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2g3n9k
title: CCDC 2267628: Experimental Crystal Structure Determination

description: Related Article: Luca Münzfeld, Adrian Hauser, Michael T. Gamer, Peter W. Roesky|2023|Chem.Commun.|59|9070|doi:10.1039/D3CC02717A
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2g3nbl
title: CCDC 2267629: Experimental Crystal Structure Determination

description: Related Article: Luca Münzfeld, Adrian Hauser, Michael T. Gamer, Peter W. Roesky|2023|Chem.Commun.|59|9070|doi:10.1039/D3CC02717A
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2g3ncm
title: CCDC 2267630: Experimental Crystal Structure Determination

description: Related Article: Luca Münzfeld, Adrian Hauser, Michael T. Gamer, Peter W. Roesky|2023|Chem.Commun.|59|9070|doi:10.1039/D3CC02717A
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2g3ndn
title: CCDC 2267631: Experimental Crystal Structure Determination

description: Related Article: Luca Münzfeld, Adrian Hauser, Michael T. Gamer, Peter W. Roesky|2023|Chem.Commun.|59|9070|doi:10.1039/D3CC02717A
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2g3nfp
title: CCDC 2267632: Experimental Crystal Structure Determination

description: Related Article: Luca Münzfeld, Adrian Hauser, Michael T. Gamer, Peter W. Roesky|2023|Chem.Commun.|59|9070|doi:10.1039/D3CC02717A
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.18712/nsd-nsd1829-v3
title: Smoking Habits Survey, 2002

description: During the 1960's the question of influencing people's smoking habits was treated several times in the Norwegian Parliament. Important documents for the justification of a more restrictive policy with respect to the marketing of tobacco products "Påvirkning av røykeadferd", The Norwegian Cancer Society 1967, where the proposal to build an administration that would take care of the work on smoking and health was raised. Report to the Storting nr. 62, 1968-1969, that proposed a ban on cigarette advertising, and Recommandation of the Social Commitee nr. 143, 1969-1970. The National Council on Tobacco and Health was created in 1971, and the same year came "Innstilling til lov om restriktive tiltak ved omsetning av tobakksvarer" (The Tobacco Act), enacted as law nr. 14 og March 9th 1973 and implemented from July 1st 1975.

On behalf of the National Council on Tobacco and Health Statistics Norway has since 1973 conducted smoking habits surveys as an addition to the Labour Force Surveys every 4th quarter. In 1974 and in 1975 the Smoking habits survey was conducted each quarter of the year. The purpose was to obtain information on the status and changes in Norwegian smoking habits, mainly as research  material for the National Council on Tobacco and Health. From 1992 to 2004, questions on smoking habits have largely been asked in connection with Statistics Norway's Omnibus Surveys. The Travel and Holiday Surveys is a continuation of the Omnibus Surveys. The main purpose of these surveys is to identify Norwegians' travel habits, and to ensure the collection of other official statistics. Questions about smoking habits are included in these surveys.

This file contains questions about smoking habits asked in connection with the The Omnibus Survey, November/December 2002.