cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6073/pasta/29179c6ea64bc59f78c60bd3c3d4d646
title: Jornada Basin LTER Cross-scale Interactions Study (CSIS) Block 15 meteorological station: 30-minute soil volumetric water content data: 2013 - ongoing

description: 30-minute Soil Moisture data at 10 cm at CSIS Block-15. Collection of soil volumetric water content data at Jornada LTER Cross-scale Interactions Study (CSIS) blocks, New Mexico, supports the environmental monitoring objectives of the Jornada LTER monitoring program that look at plant-soil water dynamics. Soil volumetric water content is measured at 10 cm depth at 3 locations at each of the 4 plots per block. The locations in each plot are under bare soil, under perennial grass, and under shrub. Volumetric water content, bulk electrical conductivity, soil temperature, and bulk dielectric permittivity are recorded every 30 minutes at an automated meteorological station installed at Jornada LTER CSIS Block-15 site. This is an ONGOING dataset.
DOI: 10.6084/m9.figshare.19967185
title: De uma "cientificidade difusa": o coronel e as práticas colecionistas do Museu Sertório na São Paulo em fins do século XIX

description: ABSTRACT: This article intends to examine the collecting practices of the private collection known as Museu Sertório, which became Museu Paulista's first main collection. For that, a brief biography of Colonel Joaquim Sertório, the owner of the Museum, will be presented, as well as aspects of the collections' organization, in order to reflect on Sertório's supposed dilettantism in scientific fields, since the museum was associated with an educational project of the period. A parallel between Museu Sertório and the Ashmolean Museum of Art and Archaelogy, of Oxford University, will also be made, in order to better understand its insertion in nineteenth-century São Paulo.
DOI: 10.6084/m9.figshare.19967185.v1
title: De uma "cientificidade difusa": o coronel e as práticas colecionistas do Museu Sertório na São Paulo em fins do século XIX

description: ABSTRACT: This article intends to examine the collecting practices of the private collection known as Museu Sertório, which became Museu Paulista's first main collection. For that, a brief biography of Colonel Joaquim Sertório, the owner of the Museum, will be presented, as well as aspects of the collections' organization, in order to reflect on Sertório's supposed dilettantism in scientific fields, since the museum was associated with an educational project of the period. A parallel between Museu Sertório and the Ashmolean Museum of Art and Archaelogy, of Oxford University, will also be made, in order to better understand its insertion in nineteenth-century São Paulo.
DOI: 10.6084/m9.figshare.19967191
title: PCH: a preservação do patrimônio cultural e natural como política regional e urbana

description: ABSTRACT TThis paper analyzes the roots of the Historical Cities Program (PCH), its creation in 1973, and deactivation in early 1980s. The program was rooted in the insertion of IPHAN in international cooperation network, the ideas of its articulator, Arch. Renato Soeiro, and military government objectives, which included the Northeast development through cultural tourism. The presence of northeastern and northerners people in ministries and higher ranks of the military government has contributed to its creation. After 36 years, Recife replace the leadership of Rio de Janeiro on heritage policy, strengthening local groups and setting off a struggle for control within IPHAN. Without support from the Secretariat of Planning and General Coordination of the Presidency of the Republic, the PCH started to be dismounted by the government of General João Figueiredo in 1979, after a new cultural policy to create a popular base for the "gradual and controlled opening policy." Alongside this ideological shift, the regionalist dispute between groups of Recife and Rio de Janeiro was intensified and the PCH progressively dismounted.
DOI: 10.6084/m9.figshare.19967191.v1
title: PCH: a preservação do patrimônio cultural e natural como política regional e urbana

description: ABSTRACT TThis paper analyzes the roots of the Historical Cities Program (PCH), its creation in 1973, and deactivation in early 1980s. The program was rooted in the insertion of IPHAN in international cooperation network, the ideas of its articulator, Arch. Renato Soeiro, and military government objectives, which included the Northeast development through cultural tourism. The presence of northeastern and northerners people in ministries and higher ranks of the military government has contributed to its creation. After 36 years, Recife replace the leadership of Rio de Janeiro on heritage policy, strengthening local groups and setting off a struggle for control within IPHAN. Without support from the Secretariat of Planning and General Coordination of the Presidency of the Republic, the PCH started to be dismounted by the government of General João Figueiredo in 1979, after a new cultural policy to create a popular base for the "gradual and controlled opening policy." Alongside this ideological shift, the regionalist dispute between groups of Recife and Rio de Janeiro was intensified and the PCH progressively dismounted.
DOI: 10.6073/pasta/8f83e3740cd32e908faa5ba77a92fe65
title: Jornada Basin LTER Cross-scale Interactions Study (CSIS) Block 15 meteorological station: Daily average soil volumetric water content data: 2013 - ongoing

description: Daily Average of 30-minute Soil Volumetric Water Content data at 10 cm at CSIS Block-15. Collection of soil water content data at Jornada LTER Cross-scale Interactions Study (CSIS) blocks, New Mexico, supports the environmental monitoring objectives of the Jornada LTER monitoring program that look at plant-soil water dynamics. Soil volumetric water content is measured every 30 minutes at 10 cm depth at 3 locations at each of the 4 plots per block and averaged for the daily value. The locations in each plot are under bare soil, under perennial grass, and under shrub. Volumetric water content, bulk electrical conductivity, soil temperature, and bulk dielectric permittivity are recorded at an automated meteorological station installed at Jornada LTER CSIS Block-15 site. This is an ONGOING dataset.
DOI: 10.6084/m9.figshare.19967192
title: Exhibiting copies: learning from a North-American show in São Paulo, 1947

description: In 1947, the Municipal Library of São Paulo hosted the exhibition Artistic Photography, prepared by the Museum of Modern Art of New York with Andreas Feininger as the technical adviser. It was an educational show with photographic reproductions printed on panels and accompanied by texts, with images made by photographers such as Erich Salomon, Ansel Adams, and Henri Cartier-Bresson, amongst others. Originally entitled Creative Photography, it was conceived as a multiple exhibition, one that could be purchased and displayed simultaneously in several locations. The present article aims to analyze the show Artistic Photography and seeks to contextualize it in the midst of the profound cultural transformations of the aftermath of World War II. The American cultural activities held in Brazil in the period, the negotiations for the creation of the first museums of modern art in the country and the use of photographic reproduction techniques in art will be considered in this context.
DOI: 10.6084/m9.figshare.19967192.v1
title: Exhibiting copies: learning from a North-American show in São Paulo, 1947

description: In 1947, the Municipal Library of São Paulo hosted the exhibition Artistic Photography, prepared by the Museum of Modern Art of New York with Andreas Feininger as the technical adviser. It was an educational show with photographic reproductions printed on panels and accompanied by texts, with images made by photographers such as Erich Salomon, Ansel Adams, and Henri Cartier-Bresson, amongst others. Originally entitled Creative Photography, it was conceived as a multiple exhibition, one that could be purchased and displayed simultaneously in several locations. The present article aims to analyze the show Artistic Photography and seeks to contextualize it in the midst of the profound cultural transformations of the aftermath of World War II. The American cultural activities held in Brazil in the period, the negotiations for the creation of the first museums of modern art in the country and the use of photographic reproduction techniques in art will be considered in this context.
DOI: 10.6084/m9.figshare.19967197
title: Além do "silêncio de um oceano". Ideias de Brasil nas representações de um crítico e de artistas e arquitetos italianos depois da Segunda Guerra Mundial

description: ABSTRACT This article reflects on the images of Brazil formulated in a selection of letters, articles, photographs, drawings, paintings and exhibitions from the period between 1947 and 1963 by the architects Lina Bo Bardi and Giancarlo Palanti, the artists Roberto Sambonet and Bramante Buffoni, and by the art critic Pietro Maria Bardi - all of them Italians who immigrated to Brazil after the Second World War. The new country is seen as the land where it seems possible to fulfill the modern art and modern architecture promises, but also where such perspectives are undergoing a process of decay and transformation. On the basis of these examples, this article aims to identify a stance towards the local reality that led their search for a character in artistic production.
DOI: 10.6084/m9.figshare.19967197.v1
title: Além do "silêncio de um oceano". Ideias de Brasil nas representações de um crítico e de artistas e arquitetos italianos depois da Segunda Guerra Mundial

description: ABSTRACT This article reflects on the images of Brazil formulated in a selection of letters, articles, photographs, drawings, paintings and exhibitions from the period between 1947 and 1963 by the architects Lina Bo Bardi and Giancarlo Palanti, the artists Roberto Sambonet and Bramante Buffoni, and by the art critic Pietro Maria Bardi - all of them Italians who immigrated to Brazil after the Second World War. The new country is seen as the land where it seems possible to fulfill the modern art and modern architecture promises, but also where such perspectives are undergoing a process of decay and transformation. On the basis of these examples, this article aims to identify a stance towards the local reality that led their search for a character in artistic production.
DOI: 10.6084/m9.figshare.19967198
title: Migração makonde, produção de esculturas e mercado de arte no Tanganyika: a questão do estilo Shetani (1950-60)

description: ABSTRACT This article focuses on part of my PhD research that focused on makonde art production in dialogue with the political history of Mozambique between 1950 and 1974. The research of a interdisciplinary nature involved diverse sources such as the documentation produced in the colonial period as well as a bibliography accessed in different collections of Lisbon and in the Library of the Ethnological Museum of Berlin, besides oral reports collected in Mozambique between 2012 and 2014. These oral sources were produced, especially, in interviews and conversations with sculptors, who call their respective pieces as makonde art. This paper discusses the context of production of a specific sculpture style known as shetani, which was created in the neighboring Tanganyika (now Tanzania), in the late 1950s, by Samaki Likonkoa, artist makonde of Mozambique. I analyze this production in the context of the international migratory experience of the makonde from Mozambique to Tanganyika, motivated by the search for better conditions of work and life. The case of the production of this type of sculpture illustrates here the circulation of people, objects and knowledge between the south and the north of the Rovuma river in the Portuguese colonial context of the 1950s and 1960s.
DOI: 10.6084/m9.figshare.19967198.v1
title: Migração makonde, produção de esculturas e mercado de arte no Tanganyika: a questão do estilo Shetani (1950-60)

description: ABSTRACT This article focuses on part of my PhD research that focused on makonde art production in dialogue with the political history of Mozambique between 1950 and 1974. The research of a interdisciplinary nature involved diverse sources such as the documentation produced in the colonial period as well as a bibliography accessed in different collections of Lisbon and in the Library of the Ethnological Museum of Berlin, besides oral reports collected in Mozambique between 2012 and 2014. These oral sources were produced, especially, in interviews and conversations with sculptors, who call their respective pieces as makonde art. This paper discusses the context of production of a specific sculpture style known as shetani, which was created in the neighboring Tanganyika (now Tanzania), in the late 1950s, by Samaki Likonkoa, artist makonde of Mozambique. I analyze this production in the context of the international migratory experience of the makonde from Mozambique to Tanganyika, motivated by the search for better conditions of work and life. The case of the production of this type of sculpture illustrates here the circulation of people, objects and knowledge between the south and the north of the Rovuma river in the Portuguese colonial context of the 1950s and 1960s.
DOI: 10.48577/jpl.firsh0
title: History, Applications, and Breakthroughsin Electric Propulsion

description: No abstract available.
DOI: 10.6084/m9.figshare.19967203
title: Views on African art in Brazil: lightings in the track of the hidden’s authorship of the Afro-Brazilian objects in museums

description: ABSTRACT In examining objects preserved in collections related of ancients Candomble’s Terreiros, Marianno Carneiro da Cunha finded out and profiled a Nago-Yoruba aesthetic tradition created in Brazil that have been considered as one of the first form of Afro-Brazilian Art, or a continuation of African Art in Brazil. We expanded the schollar’s established sampling rooted in this tradition in gathering a new corpus presented in this article, in trying to set potentialities of the stylistic analysis that he used and introduced in Brazil as a methodological procedure employed in the study of material culture of African origin. The obtained data reveal that these objects, far beyond from what they originally represent, can constitute merely an emblematic visual repertoire of the hybrid approaches adopted in the Brazilian academic production on the Black in the country, just as on African cultures, if these objects are not retaked under of self-expressions of materiality.
DOI: 10.6084/m9.figshare.19967203.v1
title: Views on African art in Brazil: lightings in the track of the hidden’s authorship of the Afro-Brazilian objects in museums

description: ABSTRACT In examining objects preserved in collections related of ancients Candomble’s Terreiros, Marianno Carneiro da Cunha finded out and profiled a Nago-Yoruba aesthetic tradition created in Brazil that have been considered as one of the first form of Afro-Brazilian Art, or a continuation of African Art in Brazil. We expanded the schollar’s established sampling rooted in this tradition in gathering a new corpus presented in this article, in trying to set potentialities of the stylistic analysis that he used and introduced in Brazil as a methodological procedure employed in the study of material culture of African origin. The obtained data reveal that these objects, far beyond from what they originally represent, can constitute merely an emblematic visual repertoire of the hybrid approaches adopted in the Brazilian academic production on the Black in the country, just as on African cultures, if these objects are not retaked under of self-expressions of materiality.
DOI: 10.6084/m9.figshare.19967207
title: Searching for Water: American Windmills in the Gardens of Fortaleza

description: ABSTRACT This article analyzes the relationship between environmental specificities and the cultivation of public gardens in the late nineteenth and early twentieth century in the city of Fortaleza, in the northeast region of Brazil. First, it examines the planted tree species and the creation of ponds in public gardens relative to hydric aspects and sun abundance in the city. Second, the essay describes the introduction of American windmills, known as cata-ventos in Brazil, by documenting their origin, their utility for pumping underground water stored in iron tanks, the use of this system for garden irrigation, as well as their disappearance. The paper uses iconographic and written documentary sources, such as newspapers, albums, magazines, photos, postcards, as well as chronicler’s reports and memoirs, and specialized literature on American windmills. Thus, it offers new references for garden historiography in Brazil concerning the existence of utilitarian artifacts for maintaining public gardens.
DOI: 10.6084/m9.figshare.19967207.v1
title: Searching for Water: American Windmills in the Gardens of Fortaleza

description: ABSTRACT This article analyzes the relationship between environmental specificities and the cultivation of public gardens in the late nineteenth and early twentieth century in the city of Fortaleza, in the northeast region of Brazil. First, it examines the planted tree species and the creation of ponds in public gardens relative to hydric aspects and sun abundance in the city. Second, the essay describes the introduction of American windmills, known as cata-ventos in Brazil, by documenting their origin, their utility for pumping underground water stored in iron tanks, the use of this system for garden irrigation, as well as their disappearance. The paper uses iconographic and written documentary sources, such as newspapers, albums, magazines, photos, postcards, as well as chronicler’s reports and memoirs, and specialized literature on American windmills. Thus, it offers new references for garden historiography in Brazil concerning the existence of utilitarian artifacts for maintaining public gardens.
DOI: 10.6084/m9.figshare.9986330
title: Museums, things and people: three case studies to reflect on the bonds between materiality and social life

description: ABSTRACT The article aims to argue about the relevance of the studies on the bonds established between people and objects in contemporary social life. Towards that end, it is based on theoretical references related in different measures to the field of material culture, such as Daniel Miller, Colin Campbell, Grant McCraken, Mary Douglas and Baron Isherwood, Igor Kopytoff and Tania Andrade Lima6. As an effect of a thematic approach, museums will be considered as privileged places for observing such bonds. In this sense, the article brings as examples the Sherlock Holmes Museum (London, England), the DDR Museum (Berlin, Germany) and the Harley-Davidson Museum (Milwaukee, USA). It is about emphasizing the importance of researches on the relations between people and objects, which is favored in this proposal through fictional narratives, narratives of historical periods and trajectories drawn in lifestyles and belongings.
DOI: 10.6084/m9.figshare.9986330.v1
title: Museums, things and people: three case studies to reflect on the bonds between materiality and social life

description: ABSTRACT The article aims to argue about the relevance of the studies on the bonds established between people and objects in contemporary social life. Towards that end, it is based on theoretical references related in different measures to the field of material culture, such as Daniel Miller, Colin Campbell, Grant McCraken, Mary Douglas and Baron Isherwood, Igor Kopytoff and Tania Andrade Lima6. As an effect of a thematic approach, museums will be considered as privileged places for observing such bonds. In this sense, the article brings as examples the Sherlock Holmes Museum (London, England), the DDR Museum (Berlin, Germany) and the Harley-Davidson Museum (Milwaukee, USA). It is about emphasizing the importance of researches on the relations between people and objects, which is favored in this proposal through fictional narratives, narratives of historical periods and trajectories drawn in lifestyles and belongings.
DOI: 10.6084/m9.figshare.19967212
title: The genesis of legal protection beyond the monument in Brazil: José Wanderley de Araújo Pinho's project and his dialogues with foreign legislation.

description: ABSTRACT The present article aims to evaluate the contribution of the congressman José Wanderley de Araújo Pinho to the legal protection of the Brazilian heritage through the analysis of his legislation's proposal n° 230 from 1930. It builds on other researches that seek to reflect on the background of the constitution of Sphan (The National Historical and Artistic Heritage Service) and to deconstruct historical narratives that place the figure of Mário de Andrade at the center of the founding myth of the institution. We establish relations between Pinho's proposal and the Decree-Law n° 25 from 1937, that creats Sphan, and most importantly, we try to identify how the congressman used foreign legislations as reference to his proposal such as the Spanish and Italian's legislations.
DOI: 10.6084/m9.figshare.19967212.v1
title: The genesis of legal protection beyond the monument in Brazil: José Wanderley de Araújo Pinho's project and his dialogues with foreign legislation.

description: ABSTRACT The present article aims to evaluate the contribution of the congressman José Wanderley de Araújo Pinho to the legal protection of the Brazilian heritage through the analysis of his legislation's proposal n° 230 from 1930. It builds on other researches that seek to reflect on the background of the constitution of Sphan (The National Historical and Artistic Heritage Service) and to deconstruct historical narratives that place the figure of Mário de Andrade at the center of the founding myth of the institution. We establish relations between Pinho's proposal and the Decree-Law n° 25 from 1937, that creats Sphan, and most importantly, we try to identify how the congressman used foreign legislations as reference to his proposal such as the Spanish and Italian's legislations.
DOI: 10.6073/pasta/436369ef8a1ff85e7153a129a66d3224
title: Jornada Basin LTER Cross-scale Interactions Study (CSIS) Block 15 meteorological station: Daily summary data: 2013 - ongoing

description: This data package contains hourly air temperature, relative humidity, wind speed, wind direction, and precipitation summary data from Jornada Basin LTER Cross Scale Interactions Study (CSIS) Block-15 met station. Air temperature, relative humidity, wind speed, wind direction, and precipitation are measured and calculated at an automated meteorological station connected to a 900 MHz spread spectrum wireless network. Wind speed is measured at 37cm, 75 cm, 150 cm, and 300 cm, wind direction at approximately 3m, and air temperature and relative humidity at approximate 2.5m. Measurements are aggregated at intervals of 5, 30, 60 minutes and daily, with precipitation additionally provided with 1 second aggregation during precipitation events. The met station variables measured include air temperature, precipitation, relative humidity, wind direction, wind speed. Precipitation is not measured at Block 1 and Block 12 because of proximity to Block 2 and Block 13, respectively . This is an ONGOING dataset.
DOI: 10.6084/m9.figshare.11351114
title: Cinderellas, ballerinas and the long life of gallantries

description: ABSTRACT The article discusses the formation of feminine identity associated with body exposure. The sexualization of this issue has left a long lasting matrix behind - the aristocratic French etiquette of the 18th century. One of the social conservation strategies of this scenographic repertoire may be found in the production of sculptures that represented aristocratic scenes, which became known as fêtes galantes. These objects are associated with a network of representations as wide as the classical ballet, films and animations present in adults’ and children’s imagery.