cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10337881
title: PINAREJOS.Toma de Antequera por infante Fernando

description: **Ubicación: **Atrio. Lateral derecho (lado este) a la puerta de acceso.

**Cronología: **Pertenece al ciclo del primer tercio del siglo XV.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337882
title: The Conversation - Statue - Calgary

description: The Conversation  - Statue of two men with briefcases. 
Calgary, Alberta, Canada

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337883
title: The Conversation - Statue - Calgary

description: The Conversation  - Statue of two men with briefcases. 
Calgary, Alberta, Canada

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337884
title: Spiral ramrod cleaner (RealityCapture)

description: Iron and Brass Spiral Ramrod Cleaning tip. Fort Mose (1738-1763).

To learn more visit:https://fortmose.org/

Model by Emma Dietrich

This model was made with RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337885
title: Spiral ramrod cleaner (RealityCapture)

description: Iron and Brass Spiral Ramrod Cleaning tip. Fort Mose (1738-1763).

To learn more visit:https://fortmose.org/

Model by Emma Dietrich

This model was made with RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337887
title: Central African Republic

description: [The Central African Republic](https://en.wikipedia.org/wiki/Central_African_Republic) is a landlocked country in Central Africa. It is bordered by Chad to the north, Sudan to the northeast, South Sudan to the southeast, the DR Congo to the south, the Republic of the Congo to the southwest, and Cameroon to the west.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337886
title: Central African Republic

description: [The Central African Republic](https://en.wikipedia.org/wiki/Central_African_Republic) is a landlocked country in Central Africa. It is bordered by Chad to the north, Sudan to the northeast, South Sudan to the southeast, the DR Congo to the south, the Republic of the Congo to the southwest, and Cameroon to the west.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337888
title: Pilišķu pilskalns (ortofoto)

description: Pilišķu pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.21645, 26.65231

https://www.latvijas-pilskalni.lv/piliksku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337889
title: Pilišķu pilskalns (ortofoto)

description: Pilišķu pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.21645, 26.65231

https://www.latvijas-pilskalni.lv/piliksku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337890
title: Ashlar with phallus, Tarraco (Tarragona, Spain)

description: Ashlar with a carved phallus from the site of Tarraco (Tarragona, Spain). From the area of the public baths in Sant Miquel Street. Dated between the 1st and 3rd centuries A.D. The presence of a phallus on parts of buildings is related to its use as a symbol of portection and prosperity from the town.

416 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 45233.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337891
title: Ashlar with phallus, Tarraco (Tarragona, Spain)

description: Ashlar with a carved phallus from the site of Tarraco (Tarragona, Spain). From the area of the public baths in Sant Miquel Street. Dated between the 1st and 3rd centuries A.D. The presence of a phallus on parts of buildings is related to its use as a symbol of portection and prosperity from the town.

416 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 45233.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337892
title: Feature A

description: Feature A at 42Sa27020.  A small four room structure near Moab, Utah.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337893
title: Feature A

description: Feature A at 42Sa27020.  A small four room structure near Moab, Utah.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337896
title: Discourse - wooden statue

description: Discourse
Autor: Alex Stalenberg
Staffed: 2004
Material: Wood
Place: Brno dam, Czech Republic

Sculpture symposium - Brno dam
The two figures in the silhouettes connected to the jing-jang sign are the symbol of unity and harmony. Choosing the way of understanding and mutual cooperation among people can lead to a sense of satisfaction and victory. This is what the figures suggest, looking out of the way is the sun above their heads, the emptiness in the opposite direction.

At the top of both characters, birds have nests inside the sculpture.

Photogrammetry from 326 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337897
title: Discourse - wooden statue

description: Discourse
Autor: Alex Stalenberg
Staffed: 2004
Material: Wood
Place: Brno dam, Czech Republic

Sculpture symposium - Brno dam
The two figures in the silhouettes connected to the jing-jang sign are the symbol of unity and harmony. Choosing the way of understanding and mutual cooperation among people can lead to a sense of satisfaction and victory. This is what the figures suggest, looking out of the way is the sun above their heads, the emptiness in the opposite direction.

At the top of both characters, birds have nests inside the sculpture.

Photogrammetry from 326 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337898
title: Lowpoly Windmill - Animated

description: My first animated lowpoly. 

Ready for mobile games - no texture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337899
title: Lowpoly Windmill - Animated

description: My first animated lowpoly. 

Ready for mobile games - no texture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337901
title: Drumgoon Hill - Old Graveyard Headstone 460

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337903
title: Uruguay

description: [Uruguay](https://en.wikipedia.org/wiki/Uruguay) is a country in South America. It shares borders with Argentina to its west and southwest and Brazil to its north and northeast; while bordering the Río de la Plata to the south and the Atlantic Ocean to the southeast. Uruguay covers an area of approximately 176,000 square kilometers (68,000 sq mi) and has a population of an estimated 3.51 million, of whom 2 million live in the metropolitan area of its capital and largest city, Montevideo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337902
title: Uruguay

description: [Uruguay](https://en.wikipedia.org/wiki/Uruguay) is a country in South America. It shares borders with Argentina to its west and southwest and Brazil to its north and northeast; while bordering the Río de la Plata to the south and the Atlantic Ocean to the southeast. Uruguay covers an area of approximately 176,000 square kilometers (68,000 sq mi) and has a population of an estimated 3.51 million, of whom 2 million live in the metropolitan area of its capital and largest city, Montevideo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337906
title: Porcelain figure of a kitten

description: Material: [Porcelain](http://vocab.getty.edu/page/aat/300010663). Accession No: MG 117 B. Current Location: [The Hunt Museum](http://www.huntmuseum.com/), [Limerick](http://www.geonames.org/7778675/limerick-city.html).

A porcelain cat in white with black spots and red fabric tied around the neck. The left paw is raised. Similar to [MG 117 A](http://www.huntmuseum.com/explore/item/43e62130-d57e-321b-a787-3d9ebf448d71/?s%3DMG+117&pos=6) but not made in the same period. Cats are believed to summon good luck and prosperity, and these figures are often placed by the entrance of homes and shops. A raised left paw is thought to beckon customers. [19th century AD](http://n2t.net/ark:/99152/p0g8mw88rdt), [Arita province](http://www.geonames.org/1865103/arita.html). 

[More](http://www.huntmuseum.com/explore/item/66bf6075-eda1-3149-a7ea-3030ea59e836/?s%3DMG+117&pos=5).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337909
title: FR001, Paleoindian, Clovis or fluted points

description: Clovis or Fluted Points

Paleoindian

Catalog #: FR 3/5 P003

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR001, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337910
title: Jarron 02

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337913
title: Angoy, wooden-house

description: Wooden-house in the village of Angoy, Irkutsk. Camera: Nikon D3400

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337912
title: Angoy, wooden-house

description: Wooden-house in the village of Angoy, Irkutsk. Camera: Nikon D3400

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337915
title: Vittorio Emanuele II

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337914
title: Vittorio Emanuele II

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337916
title: Relief in terracotta

description: Relief in terracotta, around 250-150 BC J.-C., tomb of the surroundings of Capua (Campania). Musée du Cinquantenaire (Brussels, Belgium). Made with CapturingReality.

Equestrian combat between a warrior dressed in Greek and Eastern, one of which lies on the ground.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337917
title: Relief in terracotta

description: Relief in terracotta, around 250-150 BC J.-C., tomb of the surroundings of Capua (Campania). Musée du Cinquantenaire (Brussels, Belgium). Made with CapturingReality.

Equestrian combat between a warrior dressed in Greek and Eastern, one of which lies on the ground.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337918
title: Sekibo_03

description: <ダウンロード可>
・私たちは皆様に対して本著作物を、またそれを元にした派生作品を複製・頒布・表示・上演することを認めています。
・その際にはクレジット表記を条件とします。
・クレジットの記載(「飛騨みやがわ考古民俗館・石棒クラブ」)をお忘れなくお願いいたします!
・尚、商用利用も可です。ぜひ活用ください。

<ご利用にあたっての注意事項>
・本ページに掲載されているオープンデータを利用したこと、利用できなかったこと、掲載されている情報に基づいて利用者が下した判断および起こした行動によりどのような結果が発生した場合においても、【飛騨みやがわ考古民俗館及び石棒クラブ】はその責任を負いません。
・利用者の本注意事項違反もしくは利用者による第三者の権利侵害に起因または関連して生じたすべての苦情や請求については、利用者自身の費用と責任で解決するものとし、【飛騨みやがわ考古民俗館及び石棒クラブ】は一切責任を負いません。
*上記内容は、飛騨市のオープンデータの考え方に基づいています
https://www.city.hida.gifu.jp/soshiki/5/opendata.html


飛騨みやがわ考古民俗館・石棒クラブ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337919
title: Sekibo_03

description: <ダウンロード可>
・私たちは皆様に対して本著作物を、またそれを元にした派生作品を複製・頒布・表示・上演することを認めています。
・その際にはクレジット表記を条件とします。
・クレジットの記載(「飛騨みやがわ考古民俗館・石棒クラブ」)をお忘れなくお願いいたします!
・尚、商用利用も可です。ぜひ活用ください。

<ご利用にあたっての注意事項>
・本ページに掲載されているオープンデータを利用したこと、利用できなかったこと、掲載されている情報に基づいて利用者が下した判断および起こした行動によりどのような結果が発生した場合においても、【飛騨みやがわ考古民俗館及び石棒クラブ】はその責任を負いません。
・利用者の本注意事項違反もしくは利用者による第三者の権利侵害に起因または関連して生じたすべての苦情や請求については、利用者自身の費用と責任で解決するものとし、【飛騨みやがわ考古民俗館及び石棒クラブ】は一切責任を負いません。
*上記内容は、飛騨市のオープンデータの考え方に基づいています
https://www.city.hida.gifu.jp/soshiki/5/opendata.html


飛騨みやがわ考古民俗館・石棒クラブ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337920
title: Cuenco Sin Código

description: Modelo realizado por Alexander Bernal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337921
title: Cuenco Sin Código

description: Modelo realizado por Alexander Bernal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337922
title: Seated Buddha, date unknown

description: Gilt bronze Seated Buddha, now in the collection of the Minneapolis Institute of Art.


More information at

https://collections.artsmia.org/art/12487/seated-buddha-siam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337923
title: Seated Buddha, date unknown

description: Gilt bronze Seated Buddha, now in the collection of the Minneapolis Institute of Art.


More information at

https://collections.artsmia.org/art/12487/seated-buddha-siam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337924
title: Popcorn Machine

description: Popcorn Machine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337925
title: Popcorn Machine

description: Popcorn Machine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337926
title: Fachada del Palacio de Nava (La Laguna-Tenerife)

description: Este edificio comenzó a construirse por Tomás Grimón, regidor de Tenerife, en 1585. El cuerpo central de piedra fue ejecutado hacia 1681. Sufrió una última reforma en 1776, por Tomás de Nava-Grimón y Porlier, quinto marqués de Villanueva del Prado, que cubrió la fachada con cantería azul.

Me he visto obligado a simplificar algunos elementos debido a su complejidad técnica o porque el archivo superaba los 50M y era imposible subirlo a Sketchfab.

https://listarojapatrimonio.org/ficha/palacio-de-nava/

https://goo.gl/maps/SoPP9NJ64fx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337927
title: Fachada del Palacio de Nava (La Laguna-Tenerife)

description: Este edificio comenzó a construirse por Tomás Grimón, regidor de Tenerife, en 1585. El cuerpo central de piedra fue ejecutado hacia 1681. Sufrió una última reforma en 1776, por Tomás de Nava-Grimón y Porlier, quinto marqués de Villanueva del Prado, que cubrió la fachada con cantería azul.

Me he visto obligado a simplificar algunos elementos debido a su complejidad técnica o porque el archivo superaba los 50M y era imposible subirlo a Sketchfab.

https://listarojapatrimonio.org/ficha/palacio-de-nava/

https://goo.gl/maps/SoPP9NJ64fx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337928
title: McIntosh Stone

description: ![](http://i.imgur.com/hvn1GjR.jpg)

The McIntosh Stone- a mounting block- is believed to have been owned by [William McIntosh](http://www.georgiaencyclopedia.org/articles/history-archaeology/william-mcintosh-ca-1778-1825), chief of the Lower Creeks during the early-nineteenth-century and was transferred to the University of West Georgia (Carrollton, GA) in 1916.

Legend says the stone was used by Chief McIntosh and his guests to mount their horses, wagons, and buggies; and, any UWG student who touches it before earning their degree will fail to graduate!

The stone was originaly located in Chief McIntosh's Carroll County plantation, Lochau Talofau (Acorn Bluff), which you can still visit today within [McIntosh Reserve Park](http://www.carrollcountyga.com/293/McIntosh-Reserve-Park).

As of August 2017, plans have been set in motion to return the stone to Mcintosh Reserve where it will rest next to Chief McIntosh's grave site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337929
title: McIntosh Stone

description: ![](http://i.imgur.com/hvn1GjR.jpg)

The McIntosh Stone- a mounting block- is believed to have been owned by [William McIntosh](http://www.georgiaencyclopedia.org/articles/history-archaeology/william-mcintosh-ca-1778-1825), chief of the Lower Creeks during the early-nineteenth-century and was transferred to the University of West Georgia (Carrollton, GA) in 1916.

Legend says the stone was used by Chief McIntosh and his guests to mount their horses, wagons, and buggies; and, any UWG student who touches it before earning their degree will fail to graduate!

The stone was originaly located in Chief McIntosh's Carroll County plantation, Lochau Talofau (Acorn Bluff), which you can still visit today within [McIntosh Reserve Park](http://www.carrollcountyga.com/293/McIntosh-Reserve-Park).

As of August 2017, plans have been set in motion to return the stone to Mcintosh Reserve where it will rest next to Chief McIntosh's grave site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337930
title: Capital with Samson - MET

description: [Capital with Samson and an Attendant Fighting a Lion, ca. 1175–1200.](https://www.metmuseum.org/art/collection/search/466335?searchField=All&sortBy=Relevance&ft=palencia&offset=0&rpp=20&pos=4) Provenance: Palencia, Spain. Probably from [Ojeda-Boedo](https://bit.ly/2RnBSti). [3D collection of romanesque art from Palencia here](https://skfb.ly/6xVVO)
The Met Fifth Avenue, NYC.

This capital,[ with another one](https://sketchfab.com/3d-models/capital-with-a-centaur-battling-met-6efecd91566e4c19bd5ef463989a1ee4), depict, in a simple, almost abstract manner, a man and an animal engaged in combat. The capitals must have supported a principal arch, perhaps the entrance to the choir of a church. Here Samson, with long hair, struggles with the lion, assisted by two men, one with a mace, another with a knife.
Due to its position at the exhibition, in between two display cabinets, can't register the lateral sides properly, that is the lack of quality of them.
![](https://bit.ly/2sSr7We)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337931
title: Capital with Samson - MET

description: [Capital with Samson and an Attendant Fighting a Lion, ca. 1175–1200.](https://www.metmuseum.org/art/collection/search/466335?searchField=All&sortBy=Relevance&ft=palencia&offset=0&rpp=20&pos=4) Provenance: Palencia, Spain. Probably from [Ojeda-Boedo](https://bit.ly/2RnBSti). [3D collection of romanesque art from Palencia here](https://skfb.ly/6xVVO)
The Met Fifth Avenue, NYC.

This capital,[ with another one](https://sketchfab.com/3d-models/capital-with-a-centaur-battling-met-6efecd91566e4c19bd5ef463989a1ee4), depict, in a simple, almost abstract manner, a man and an animal engaged in combat. The capitals must have supported a principal arch, perhaps the entrance to the choir of a church. Here Samson, with long hair, struggles with the lion, assisted by two men, one with a mace, another with a knife.
Due to its position at the exhibition, in between two display cabinets, can't register the lateral sides properly, that is the lack of quality of them.
![](https://bit.ly/2sSr7We)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337934
title: kolonna-left2 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд  верхний 

Порядок: 2
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-left2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337935
title: kolonna-left2 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: ряд  верхний 

Порядок: 2
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: kolonna-left2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337936
title: 260-275R675-690 Block at Ground Surface

description: **260-275R675-690 block at ground surface prior to excavation**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 15.00 ft (4.57 m) north-south; width, 15.00 ft (4.57 m) east-west.

Notes:  A 15x15-ft block along Eno River at south edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  This is a model of the ground surface prior to excavation.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337937
title: 260-275R675-690 Block at Ground Surface

description: **260-275R675-690 block at ground surface prior to excavation**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 15.00 ft (4.57 m) north-south; width, 15.00 ft (4.57 m) east-west.

Notes:  A 15x15-ft block along Eno River at south edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  This is a model of the ground surface prior to excavation.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337938
title: Memorial East Saltoun Kirk 1719

description: Memorial agianst wall within East Saltoun Parish Kirk churchyard. East Lothian, Scotland

'Here lyes John Smith farmer (?) ... Greenhead (?) who died March 27th 1719 aged ? and Marion... (?) his spous who died 13th of Feb 1739 .....'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337939
title: Memorial East Saltoun Kirk 1719

description: Memorial agianst wall within East Saltoun Parish Kirk churchyard. East Lothian, Scotland

'Here lyes John Smith farmer (?) ... Greenhead (?) who died March 27th 1719 aged ? and Marion... (?) his spous who died 13th of Feb 1739 .....'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337942
title: Dazu Rock Carvings (Model 5)

description: 25 pictures from smartphone Honor 7. Process with Photoscan.
Wikipedia : The Dazu Rock Carvings[2] (Chinese: 大足石刻; pinyin: Dàzú Shíkè) are a series of Chinese religious sculptures and carvings, dating back as far as the 7th century AD, depicting and influenced by Buddhist, Confucian and Taoist beliefs. Some are in rock-cut cave shrines, in the usual Chinese Buddhist style, but many others are rock reliefs carved into the open rock faces.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337946
title: Prehistoric cup from Debelo Brdo near Sarajevo

description: Small Prehistoric cup from Debelo Brdo near Sarajevo. Excavated in 1894. Bronze or Iron age.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 489 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID PrehistoricPottery10.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337948
title: Puis

description: Chantier INRAP Alizay 2017
Chantier Alizay La Chaussée
Responsable Claire Beurion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337949
title: Puis

description: Chantier INRAP Alizay 2017
Chantier Alizay La Chaussée
Responsable Claire Beurion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337950
title: FUENTE EN CANFRANC

description: FUENTE EN CANFRANC (Huesca)
Esta fuente se encuentra situada junto al puente medieval de Canfranc,
paso obligado de los peregrinos que se dirigen a Santiago que han pasado
de Francia por el puerto de Somport.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337951
title: FUENTE EN CANFRANC

description: FUENTE EN CANFRANC (Huesca)
Esta fuente se encuentra situada junto al puente medieval de Canfranc,
paso obligado de los peregrinos que se dirigen a Santiago que han pasado
de Francia por el puerto de Somport.

Source: Objaverse 1.0 / Sketchfab