cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whittington-ouc11399go69
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1he
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fas8
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc113778791
title: Newspaper tying machine, Los Angeles, Calif., 1945

description: Photograph of newspaper tying machine, Los Angeles, California, 9 March 1945. Client. E.L. Soister Company (Mr. Soister, 950 South Grand). Operator: Cross. "Meeting Wednesday 4:30 P.M."; "…avoid complaints -- give good service"; "Keep subscribers' smiles alive with the best of service in '45"; "Los Angeles Examiner..., Patton 'whirlwind' at Rhine, ...uss 29 mi. from Berlin..."
DOI: 10.25549/whittington-ouc113778865
title: Party at Royal Palms, Los Angeles, Calif., 1945

description: 5 photographs at party at Royal Palms Hotel, South Westlake Avenue at West 3rd Street, Los Angeles, California, 10 March 1945. Client: Grayson Heat Control (Tom Pender, 3000 East Imperial Highway, Lynwood). Operator: Cross.
DOI: 10.25549/whittington-ouc113778863
title: Safety award at Heywood Wakefield Co., Los Angeles, Calif., 1945

description: 2 photographs of safety award at Heywood Wakefield Furniture Company, 937 South Alameda Street, Los Angeles, California, 13 March 1945. Client: Liberty Mutual Insurance Company (Mr. Hickock, 714 South Hill Street). Operator: Brown. "Certificate of merit awarded t Heywood-Wakefield Co., Los Angeles, California, for conspicuous achievement in accident prevention represented by the operation of their plant from Oct. 2nd, 1943 to Feb. 2nd, 1945, 200,000 more[?] homes without a lost time accident. Liberty Mutual Insurance Company. Date Feb. 13, 1945 by M.A. Seymour, vice president".
DOI: 10.15468/dl.vxwpa3
title: Occurrence Download

description: A dataset containing 723177 species occurrences available in GBIF matching the query:
{
 "and" : [
 "OccurrenceStatus is Present",
 "TaxonKey is one of (Turdoides nipalensis, Montifringilla nivalis, Porphyrio poliocephalus, Grus virgo, Ocyceros gingalensis, Elaphrornis palliseri, Tephrodornis affinis, Loriculus beryllinus, Galloperdix bicalcarata, Myophonus blighi, Zosterops ceylonensis, Cyornis hainanus, Cecropis hyperythra, Zoothera imbricata, Gallus lafayettii, Copsychus malabaricus leggei, Dicrurus lophorinus, Pomatorhinus melanurus, Urocissa ornata, Treron pompadora, Gracula ptilogenys, Columba torringtoniae, Sturnornis albofrontatus, Porphyrio alleni, Bulweria bulwerii, Psittacula calthrapae, Gygis candida, Daption capense, Glaucidium castanotum, Centropus chlororhynchos, Thalassarche chrysostoma, Argya cinereifrons)"
 ]
}

 The dataset includes 723177 records from 531 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019401-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc113778911
title: Safety award at Heywood Wakefield Co., Los Angeles, Calif., 1945

description: 2 photographs of safety award at Heywood Wakefield Furniture Company, 937 South Alameda Street, Los Angeles, California, 13 March 1945. Client: Liberty Mutual Insurance Company (Mr. Hickock, 714 South Hill Street). Operator: Brown. "Certificate of merit awarded t Heywood-Wakefield Co., Los Angeles, California, for conspicuous achievement in accident prevention represented by the operation of their plant from Oct. 2nd, 1943 to Feb. 2nd, 1945, 200,000 more[?] homes without a lost time accident. Liberty Mutual Insurance Company. Date Feb. 13, 1945 by M.A. Seymour, vice president".
DOI: 10.25549/whittington-ouc113778913
title: Safety award & birthday party, Heywood Wakefield Co., Los Angeles, Calif., 1945

description: 2 photographs of safety award and birthday party, Heywood Wakefield Furniture Company, 937 South Alameda Street, Los Angeles, California, 13 March 1945. Client: Heywood-Wakefield Furniture Company (Mr. Knight, 937 South Alameda Street). Operator: Brown. "Happy birthday to Johnny".
DOI: 10.25549/whittington-ouc11399go93
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fcbe
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go8f
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fuoy
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399erg3
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.17028/rd.lboro.30551096
title: Supplementary files for "Growing seeds of sustainability through arts-based educational interventions"

description: Supplementary files for article "Growing seeds of sustainability through arts-based educational interventions"<br><br>Addressing the climate and ecological crises requires transdisciplinary, inclusive approaches that integrate creativity, education and community engagement. Arts-based educational research (ABER) serves as a bridge between scientific knowledge and public understanding, fostering connections that drive action. This paper explores the role of ABER in sustainability advocacy through four case studies: Zine-making for youth environmental activism, photovoice for visual storytelling, speculative futurings with children, and intergenerational storytelling for climate adaptation. We explore the application of ABER across six key lenses, namely, art as relationships, research process, data analysis, output, ethics, and hope. These illustrate ABER’s potential to reshape sustainability discourse beyond representation into active engagement and advocacy. Through participatory and place-based methodologies, ABER cultivates critical reflection, empowers communities and mobilizes action for climate justice. Our findings highlight the capacity of ABER to democratize knowledge, foster intergenerational dialogue, and challenge traditional power dynamics in sustainability decision-making. Our chapter calls for the wider adoption of ABER in sustainability education, and advocates for deeper integration of creative methodologies to cultivate transformative learning and social impact, growing seeds of sustainability across diverse communities and generations.<br><br>© Bloomsbury Publishing, All rights reserved.
DOI: 10.17028/rd.lboro.30551096.v1
title: Supplementary files for "Growing seeds of sustainability through arts-based educational interventions"

description: Supplementary files for article "Growing seeds of sustainability through arts-based educational interventions"<br><br>Addressing the climate and ecological crises requires transdisciplinary, inclusive approaches that integrate creativity, education and community engagement. Arts-based educational research (ABER) serves as a bridge between scientific knowledge and public understanding, fostering connections that drive action. This paper explores the role of ABER in sustainability advocacy through four case studies: Zine-making for youth environmental activism, photovoice for visual storytelling, speculative futurings with children, and intergenerational storytelling for climate adaptation. We explore the application of ABER across six key lenses, namely, art as relationships, research process, data analysis, output, ethics, and hope. These illustrate ABER’s potential to reshape sustainability discourse beyond representation into active engagement and advocacy. Through participatory and place-based methodologies, ABER cultivates critical reflection, empowers communities and mobilizes action for climate justice. Our findings highlight the capacity of ABER to democratize knowledge, foster intergenerational dialogue, and challenge traditional power dynamics in sustainability decision-making. Our chapter calls for the wider adoption of ABER in sustainability education, and advocates for deeper integration of creative methodologies to cultivate transformative learning and social impact, growing seeds of sustainability across diverse communities and generations.<br><br>© Bloomsbury Publishing, All rights reserved.
DOI: 10.25549/whittington-ouc11399go6h
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399er80
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fc9o
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fc72
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.