cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/hancock-c82-25017
title: Hancock concert hour, 1947-10-23

description: Hancock concert hour, University of Southern California, Los Angeles, California, 1947 October 23, broadcast on KUSC. Hancock Ensemble (Lisa Minghetti, violin; et al.); William Strobridge, commentator.CONTENTS: Pastorale (keyboard) (arranged for instrumental ensemble) / Domenico Scarlatti -- Capriccio (keyboard) (arranged for instrumental ensemble) / Domenico Scarlatti -- Allegro, Andante, Minuet, and Allegro, from Serenade, C minor, K. 388/384a (2 oboes, 2 clarinets, 2 bassoons, 2 horns) (arranged for instrumental ensemble) / Wolfgang Amadeus Mozart -- Dance of the blessed spirits [Ballets], Act 2, scene 2, nos. 29 and 30 from Orfeo ed Euridice, Wq. 30 (opera) (arranged for instrumental ensemble) / Christoph Willibald Gluck -- Ballet suite, from El amor brujo [Love the magician] (orchestra) (arranged for instrumental ensemble) / Manuel de Falla -- Marionettes, op. 38 (piano) (arranged for instrumental ensemble) / Edward MacDowell -- Hungarian dance, from 21 Hungarian dances [Ungarische Tänze], WoO 1 (piano 4-hands) (arranged for instrumental ensemble) / Johannes Brahms -- Allegro non assai, D minor, no. 2 from 21 Hungarian dances [Ungarische Tänze], WoO 1 (piano 4-hands) (arranged for instrumental ensemble) / Johannes Brahms -- Prelude and fugue, D minor, BWV 554, no. 2 from 8 short preludes and fugues [8 kleine Präludien und Fugen] (organ) (arranged for instrumental ensemble) / Johann Sebastian Bach -- Exaltation, no. 1 from Fantastic dances, op. 22 [Exaltación, no. 1 from Danzas fantásticas, op. 22] (arranged for instrumental ensemble) / Joaquín Turina -- closing theme music ("Variation 18" from Rhapsodie sur un thème de Paganini) (arranged for instrumental ensemble) / Sergei Rachmaninoff [Сергей Рахманинов]).
DOI: 10.25549/hancock-c82-24944
title: Hancock concert hour, 1948-09-29

description: Hancock concert hour, presented by the Trojan Lyceum, Hancock Auditorium, Allan Hancock Foundation Building, University of Southern California, Los Angeles, California, 1948 September 29, 8:30 p.m., broadcast on KUSC. Hancock Ensemble (Mildred Seymour Gilliland, piano; Lisa Minghetti, violin; Catherine Jackson, harp); William E. Strobridge, conductor; George-Ellen Ferguson, soprano. CONTENTS: Concerto grosso, B minor, HWV 330 (orchestra) (arranged for instrumental ensemble by William Strobridge) / George Frideric Handel -- "L'amerò, sarò constante", aria 10 from act 2, scene 6, from Il rè pastore, K. 208 (opera) (arranged for soprano and instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Divertimento, D major, K. 334 / 320b (2 horns and strings) (arranged for violin with instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Air, from Achilles (arranged for instrumental ensemble by William Strobridge) / Donne -- Three miniatures, op. 4 (piano and strings) (arranged for piano with instrumental ensemble by William Strobridge) / Riccardo Pick-Mangiagalli -- Welch air and variations [Welch air Ar Hyd y Nos (All through the night) with variations], no. 19 from Welsh melodies (harp) (arranged for harp with instrumental ensemble by William Strobridge) / John Thomas -- Waltz, from Roméo et Juliet (opera) (Jules Barbier, text; Michel Carré, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Charles Gounod -- Oh! while I sleep [Oh! quand je dors], S. 282 (voice and piano) (Victor Hugo, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Franz Liszt -- Le polichinelle [O polichinelo] [The punch], no. 7 from A prole do bebê [The offspring of baby] no.1, W140 (piano) (arranged for instrumental ensemble by William Strobridge) / Heitor Villa-Lobos. Includes program and script. See also "Noted soloists to make debut with Ensemble" <em>Daily trojan</em> 40/13 (1948 September 29): 1. https://doi.org/10.25549/uschist-dt-m66039.
DOI: 10.25582/data.2020-04.1981802/2167788
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25582/data.2020-04.1976987/2167789
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24822
title: Brazilian music, 1946-02-06

description: Brazilian music, Wilshire Ebell Theatre, 4401 West 8th Street, Los Angeles, California, 1946 February 6, presented by the Music Guild. Hancock Foundation. Rehearsal. José Vieira Brandão (1911-2002), piano; Hancock Foundation String Quartet; University of Southern California Madrigal Singers; Max T. Krone, conductor. CONTENTS: PIANO WORKS: Plantio do caboclo [Native planting song], Impressões seresteiras [Minstrel impressions], and Dança do índio branco [Dance of the white indian], nos. 1, 2, and 4 from Ciclo brazileiro [Brazilian cycle], W374 (piano) / Heitor Villa-Lobos -- A maré encheu [The tide came in] and A roseira [The rosebush], nos. 2 and 3 from Guia prático [Practical guide], album 1, W277 (piano) / Heitor Villa-Lobos -- O sim [The yes], no. 5 from Guia prático [Practical guide], album 4, W280 (piano) / Heitor Villa-Lobos -- O carangueijo [The crab], no. 3 from Guia prático [Practical guide], album 6, W282 (piano) / Heitor Villa-Lobos -- Clair de lune, no. 3 from Suite bergamasque (piano) (partial) / Claude Debussy -- CHORAL WORKS: Bazzum (male chorus) (arranged for mixed chorus) / Heitor Villa-Lobos -- Jaquibão (chorus) / Heitor Villa-Lobos -- Súe [Your] (soloists, mixed chorus) / Heitor Villa-Lobos -- Nésta rua [On my street] and On our plantation, from Three Brazilian folk songs (chorus) / José Vieira Brandão (arranger) -- The strings of the guitar (mixed chorus, piano) / Heitor Villa-Lobos -- Xangô (song) / Heitor Villa-Lobos -- CHAMBER WORKS: 1st and 2nd movements from Choro carioca (woodwind quartet) / José Vieira Brandão -- String quartet no. 6 (2 violins, viola, violoncello / Heitor Villa-Lobos (announced but not present on extant disks). See also "Brandao to be guest maestro" <em>Daily trojan</em> 37/64 (1946 February 5): 1. https://doi.org/10.25549/uschist-dt-m62833. See also "Melodies of Villa-Lobos to be featured at Ebell" <em>Los Angeles Times</em> (1946 February 3): 27. See also "Music Guild presents Brazilian music" [advertisement] <em>Los Angeles Times</em> (1946 February 3): 24.
DOI: 10.25582/data.2020-04.1973308/2167790
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24681
title: American Contemporary Music Festival, 1948-05-07

description: University of Southern California Symphony Orchestra concert, Fifth program of the First Festival of Contemporary Arts including the American Contemporary Music Festival, Bovard Auditorium, University Avenue [later 3551 Trousdale Parkway], University of Southern California, Los Angeles, California, 1948 May 7, 8:30 pm. Broadcast on KUSC, the Southern California Network. University of Southern California Symphony; Ingolf Dahl, conductor; Frank Desby, oboe; William D. Vennard, baritone. CONTENTS: Symphonic variations in two movements (orchestra) / Gilbert Grau -- Arietta and rondo (oboe and string orchestra) / Richard Donovan -- Music for orchestra and baritone voice, op. 60 (Rainer Maria Rilke, text) / Ernst Toch -- Symphony no. 3 (orchestra) / Charles Ives -- Erie Canal (orchestra) / Gail Kubik. Announced in "Dahl will lead SC Orchestra in Grau work" <em>Daily Trojan</em> (1948 May 7): p. 1. see https://doi.org/10.25549/uschist-dt-m64267. Announced in "Final Festival events slated" <em>Los Angeles Times</em> (1948 May 2): p. III:7.
DOI: 10.25582/data.2020-04.1975305/2167791
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24818
title: Hancock Ensemble, 1948-01-19

description: Hancock ensemble, Hancock Auditorium, Allan Hancock Foundation Building, University of Southern California, Los Angeles, California, 1948 January 19, 8:30 p.m., broadcast on KUSC. Hancock Ensemble; William E. Strobridge, conductor; Stephen De'Ak, violoncello; George-Ellen Ferguson, soprano; Sterling D. Smith, flute; William E. Strobridge, commentator.CONTENTS: Excerpt from Il rè pastore (opera) (arranged for soprano and instrumental ensemble) / Wolfgang Amadeus Mozart -- Gavotte (violoncello and piano) (arranged for soprano and instrumental ensemble) / David Popper -- Serenade in C minor (arranged for instrumental ensemble) / Wolfgang Amadeus Mozart -- Prelude in D (piano) (arranged for instrumental ensemble) / Sergei Rachmaninoff [Сергей Рахманинов] -- En route, no. 12 from Nouvelles études artistiques [New artistic studies], op. 107 (arranged for instrumental ensemble) / Benjamin Godard -- intermission "News of the world" -- Il dolce suono [The sweet sound], from act 3, scene 1 of Lucia di Lammermoor (opera) (arranged for soprano and instrumental ensemble) / Gaetano Donizetti -- Silent noon, no. 2 from The house of life (voice and piano) (Dante Gabriel Rossetti, text) (arranged for soprano and instrumental ensemble) / Ralph Vaughan Williams -- unidentified composition / Heitor Villa-Lobos -- Kaleidoscope suite, op. 19a (orchestra) (arranged for instrumental ensemble) / Miklós Rózsa -- other unidentified works.
DOI: 10.25582/data.2020-04.1976434/2167792
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24845
title: Brazilian music, 1946-02-06

description: Brazilian music, Wilshire Ebell Theatre, 4401 West 8th Street, Los Angeles, California, 1946 February 6, presented by the Music Guild. Hancock Foundation. Rehearsal. José Vieira Brandão (1911-2002), piano; Hancock Foundation String Quartet; University of Southern California Madrigal Singers; Max T. Krone, conductor. CONTENTS: PIANO WORKS: Plantio do caboclo [Native planting song], Impressões seresteiras [Minstrel impressions], and Dança do índio branco [Dance of the white indian], nos. 1, 2, and 4 from Ciclo brazileiro [Brazilian cycle], W374 (piano) / Heitor Villa-Lobos -- A maré encheu [The tide came in] and A roseira [The rosebush], nos. 2 and 3 from Guia prático [Practical guide], album 1, W277 (piano) / Heitor Villa-Lobos -- O sim [The yes], no. 5 from Guia prático [Practical guide], album 4, W280 (piano) / Heitor Villa-Lobos -- O carangueijo [The crab], no. 3 from Guia prático [Practical guide], album 6, W282 (piano) / Heitor Villa-Lobos -- Clair de lune, no. 3 from Suite bergamasque (piano) (partial) / Claude Debussy -- CHORAL WORKS: Bazzum (male chorus) (arranged for mixed chorus) / Heitor Villa-Lobos -- Jaquibão (chorus) / Heitor Villa-Lobos -- Súe [Your] (soloists, mixed chorus) / Heitor Villa-Lobos -- Nésta rua [On my street] and On our plantation, from Three Brazilian folk songs (chorus) / José Vieira Brandão (arranger) -- The strings of the guitar (mixed chorus, piano) / Heitor Villa-Lobos -- Xangô (song) / Heitor Villa-Lobos -- CHAMBER WORKS: 1st and 2nd movements from Choro carioca (woodwind quartet) / José Vieira Brandão -- String quartet no. 6 (2 violins, viola, violoncello / Heitor Villa-Lobos (announced but not present on extant disks). See also "Brandao to be guest maestro" <em>Daily trojan</em> 37/64 (1946 February 5): 1. https://doi.org/10.25549/uschist-dt-m62833. See also "Melodies of Villa-Lobos to be featured at Ebell" <em>Los Angeles Times</em> (1946 February 3): 27. See also "Music Guild presents Brazilian music" [advertisement] <em>Los Angeles Times</em> (1946 February 3): 24.
DOI: 10.25549/hancock-c82-24950
title: Hancock concert hour, 1948-09-29

description: Hancock concert hour, presented by the Trojan Lyceum, Hancock Auditorium, Allan Hancock Foundation Building, University of Southern California, Los Angeles, California, 1948 September 29, 8:30 p.m., broadcast on KUSC. Hancock Ensemble (Mildred Seymour Gilliland, piano; Lisa Minghetti, violin; Catherine Jackson, harp); William E. Strobridge, conductor; George-Ellen Ferguson, soprano. CONTENTS: Concerto grosso, B minor, HWV 330 (orchestra) (arranged for instrumental ensemble by William Strobridge) / George Frideric Handel -- "L'amerò, sarò constante", aria 10 from act 2, scene 6, from Il rè pastore, K. 208 (opera) (arranged for soprano and instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Divertimento, D major, K. 334 / 320b (2 horns and strings) (arranged for violin with instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Air, from Achilles (arranged for instrumental ensemble by William Strobridge) / Donne -- Three miniatures, op. 4 (piano and strings) (arranged for piano with instrumental ensemble by William Strobridge) / Riccardo Pick-Mangiagalli -- Welch air and variations [Welch air Ar Hyd y Nos (All through the night) with variations], no. 19 from Welsh melodies (harp) (arranged for harp with instrumental ensemble by William Strobridge) / John Thomas -- Waltz, from Roméo et Juliet (opera) (Jules Barbier, text; Michel Carré, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Charles Gounod -- Oh! while I sleep [Oh! quand je dors], S. 282 (voice and piano) (Victor Hugo, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Franz Liszt -- Le polichinelle [O polichinelo] [The punch], no. 7 from A prole do bebê [The offspring of baby] no.1, W140 (piano) (arranged for instrumental ensemble by William Strobridge) / Heitor Villa-Lobos. Includes program and script. See also "Noted soloists to make debut with Ensemble" <em>Daily trojan</em> 40/13 (1948 September 29): 1. https://doi.org/10.25549/uschist-dt-m66039.
DOI: 10.25582/data.2020-04.1976721/2167793
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24840
title: Brazilian music, 1946-02-06

description: Brazilian music, Wilshire Ebell Theatre, 4401 West 8th Street, Los Angeles, California, 1946 February 6, presented by the Music Guild. Hancock Foundation. Rehearsal. José Vieira Brandão (1911-2002), piano; Hancock Foundation String Quartet; University of Southern California Madrigal Singers; Max T. Krone, conductor. CONTENTS: PIANO WORKS: Plantio do caboclo [Native planting song], Impressões seresteiras [Minstrel impressions], and Dança do índio branco [Dance of the white indian], nos. 1, 2, and 4 from Ciclo brazileiro [Brazilian cycle], W374 (piano) / Heitor Villa-Lobos -- A maré encheu [The tide came in] and A roseira [The rosebush], nos. 2 and 3 from Guia prático [Practical guide], album 1, W277 (piano) / Heitor Villa-Lobos -- O sim [The yes], no. 5 from Guia prático [Practical guide], album 4, W280 (piano) / Heitor Villa-Lobos -- O carangueijo [The crab], no. 3 from Guia prático [Practical guide], album 6, W282 (piano) / Heitor Villa-Lobos -- Clair de lune, no. 3 from Suite bergamasque (piano) (partial) / Claude Debussy -- CHORAL WORKS: Bazzum (male chorus) (arranged for mixed chorus) / Heitor Villa-Lobos -- Jaquibão (chorus) / Heitor Villa-Lobos -- Súe [Your] (soloists, mixed chorus) / Heitor Villa-Lobos -- Nésta rua [On my street] and On our plantation, from Three Brazilian folk songs (chorus) / José Vieira Brandão (arranger) -- The strings of the guitar (mixed chorus, piano) / Heitor Villa-Lobos -- Xangô (song) / Heitor Villa-Lobos -- CHAMBER WORKS: 1st and 2nd movements from Choro carioca (woodwind quartet) / José Vieira Brandão -- String quartet no. 6 (2 violins, viola, violoncello / Heitor Villa-Lobos (announced but not present on extant disks). See also "Brandao to be guest maestro" <em>Daily trojan</em> 37/64 (1946 February 5): 1. https://doi.org/10.25549/uschist-dt-m62833. See also "Melodies of Villa-Lobos to be featured at Ebell" <em>Los Angeles Times</em> (1946 February 3): 27. See also "Music Guild presents Brazilian music" [advertisement] <em>Los Angeles Times</em> (1946 February 3): 24.
DOI: 10.25582/data.2020-04.1976875/2167794
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24897
title: Theme and variations, 1943-06-18

description: Theme and variations, University of Southern California, Los Angeles, California, 1943 June 18, broadcast on KHJ, Mutual Don Lee Broadcasting System. Rehearsal. Hancock Ensemble. Loren Powell, conductor; William Strobridge commentator.CONTENTS: Prelude and fugue, E-flat major, "St. Anne", BWV 552 (organ) (arranged for instrumental ensemble) / Johann Sebastian Bach -- Chorale "Jesu, joy of man's desiring" [Jesus bleibet meine Freude], no. 10 from Herz und Mund un Tat und Leben, BWV 147 (soloists (SATB), mixed chorus, orchestra) (arranged for instrumental ensemble) / Johann Sebastian Bach -- Fugue [Fuga], "little", G minor, BWV 578 (organ) (arranged for instrumental ensemble) / Johann Sebastian Bach -- Here yet a while, 78th movement from Saint Matthew passion, BWV 244 [Wir setzen uns mit Tränen nieder, 78th movement from Matthäuspassion] (soloists (SSATB), double chorus, double orchestra) (arranged for strings) / Johann Sebastian Bach -- closing theme music (St. Anthony chorale (arranged for instrumental ensemble)).
DOI: 10.25582/data.2020-05.1985283/2167795
title: Data for EMSL Project 51287 from May 2020
DOI: 10.25549/hancock-c82-24921
title: Hancock Ensemble, 1947-10-02

description: Hancock Ensemble, University of Southern California, Los Angeles, California, 1947 October 2. Broadcast on KUSC. Hancock Ensemble; William Strobridge, commentator; Catherine Jackson.CONTENTS: Bourrée (arranged for instrumental ensemble) / Domenico Scarlatti -- A movement from Octet, F major, D. 803 (arranged for instrumental ensemble) / Franz Schubert -- The fountain, op. 24 [Am Springbrunnen] (harp) (arranged for instrumental ensemble) (Catherine Jackson, harp) / Albert Heinrich Zabel -- Caprice Boheme, op. 2 (violin and piano) (arranged for instrumental ensemble) / Charles Vaclav Rychlik -- "A giddy girl" and Little white donkey [Le petit âne blanc], nos. 4 and 2 from Histoires (piano) (arranged for instrumental ensemble) / Jacques Ibert -- Gracia, 3rd movement from Danses Andalouses (piano) (arranged for instrumental ensemble) / Manuel Infante -- Damon and his flute [As at sunset I was straying], no. 5 from 6 idyls after Goethe, op. 28 (piano) (arranged for instrumental ensemble) / Edward MacDowell -- Alma brasileira [Soul of Brazil] (Chôros no. 5), W207 (piano) (arranged for instrumental ensemble) / Heitor Villa-Lobos -- A sign and offering [2 petites pièces brèves et faciles (1. Soupir; 2. Offrance)] (piano) (arranged for instrumental ensemble) (Catherine Jackson, harp) / Marcel Tournier -- Allemande, Courante, Gavotte und Musette, 1st, 2nd, and 4th movements from Suite in five movements, op. 1 (piano) (arranged for instrumental ensemble) / Eugen d'Albert.
DOI: 10.25582/data.2020-04.1981110/2167796
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-25282
title: Catalina trip, 1929 Fall

description: A notebook containing photographs taken during a trip to Catalina Island aboard the University of Southern California research vessel Anton Dohrn in Fall 1929 (29? November 1929?). "Chemistry laboratory note book. University of Southern California. Los Angeles. Subject: Catalina trip. Semester: Fall Nov. 29. Year: 1929" -- cover.
DOI: 10.25582/data.2020-04.1976752/2167797
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-25041
title: Tonight in Los Angeles, 1947-05-31

description: Tonight in Los Angeles, 1947 May 31, 6:45-7:00 p.m., KUSC, broadcast. Valerie Webster, speaker; Lee Charles, speaker; Marilyn M. Miller, script. Discussing Webster's disheveled appearance due to remodelling her room, an alligator farm next to an ostrich farm in northeast Los Angeles, alligators, Billie the alligator actor, the pianist Frederic Marvin at the Wilshire-Ebell Theatre (performing music by Soler, Haydn, Chopin, Schumann, Debussy, and Prokofiev), and the Santa Monica Pier.
DOI: 10.25582/data.2020-04.1973162/2167798
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24433
title: Hancock Ensemble, 1937-11-13

description: Hancock Ensemble, broadcast by KHJ, Mutual Don Lee Broadcasting Sysem, Associated Cinema Studios, Hollywood, Los Angeles, California, 1937 November 13, 7:00 p.m. - 7:30 p.m. Recorded in the Music Shop Hollywood, 6634 Hollywood Boulevard, Los Angeles, California. Hancock Ensemble (George Allan Hancock, violoncello; John Shrader Garth, piano; Martin Ruderman A., flute; Catherine Jackson Donaldson, harp; et al.); Isla Lora Detter, soprano; Hugh Brundage, announcer.CONTENTS: En bateau, no. 1 from Petit suite (arranged for instrumental ensemble) / Claude Debussy -- Sous bois, op. 6 (instrumental ensemble) / Victor Henri Staub -- Romances, op. 26, no. 7. "To the children" [Романсы, оп. 26. К детям] (soprano, instrumental ensemble) / Sergei Rachmaninoff [Сергей Рахманинов] -- Clair de lune, no. 3 from Suite bergamasque (arranged for instrumental ensemble) / Claude Debussy -- [unidentified work] (flute, harp) -- Rococo minuet, no. 5 from 6 Piano pices, "Spring", op. 47 [6 Pianosarja "Vår", op. 47] (arranged for instrumental ensemble) / Selim Palmgren -- "Après un rêve" from Songs, op. 7 (arranged for violoncello and piano) / Gabriel Fauré -- The little betrothed (1935) (soprano, instrumental ensemble) / Elinor Remick Warren -- Coronado tango (instrumental ensemble) / Ellis Levy -- Bourree, in G major, from Violoncello suite no. 3, BWV 1009 (arranged for instrumental ensemble) / Johann Sebastian Bach.Announced in Los Angeles Times (1937 November 13): p. I:8.
DOI: 10.25582/data.2020-04.1973294/2167799
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24355
title: Brodetsky Ensemble, 1944-01-23

description: Brodetsky Ensemble records Ernst Toch String quartet no. 9, op. 26, C major, Los Angeles, 1944 January 23. Julian Brodetsky, conductor. After a concert at Wilshire-Ebell Theater, 4401 West 8th Street, Los Angeles, California, 1944 January 22, 8:15 p.m. The concert also included Handel Concerto grosso in D minor and Franck Piano quintet in F minor. Announced in Los Angeles Times (1944 January 16), p. III:6. Announced in Los Angeles Times (1944 January 22), p. II:6. Reviewed by Isabel Morse Jones "Playing by Ensemble distinguished" Los Angeles Times (1944 January 24), p. I:8.CONTENTS: String quartet no. 9, op. 26, C major / Ernst Toch.
DOI: 10.25582/data.2020-04.1980952/2167800
title: Data for EMSL Project 51287 from April 2020
DOI: 10.25549/hancock-c82-24954
title: Hancock concert hour, 1948-09-29

description: Hancock concert hour, presented by the Trojan Lyceum, Hancock Auditorium, Allan Hancock Foundation Building, University of Southern California, Los Angeles, California, 1948 September 29, 8:30 p.m., broadcast on KUSC. Hancock Ensemble (Mildred Seymour Gilliland, piano; Lisa Minghetti, violin; Catherine Jackson, harp); William E. Strobridge, conductor; George-Ellen Ferguson, soprano. CONTENTS: Concerto grosso, B minor, HWV 330 (orchestra) (arranged for instrumental ensemble by William Strobridge) / George Frideric Handel -- "L'amerò, sarò constante", aria 10 from act 2, scene 6, from Il rè pastore, K. 208 (opera) (arranged for soprano and instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Divertimento, D major, K. 334 / 320b (2 horns and strings) (arranged for violin with instrumental ensemble by William Strobridge) / Wolfgang Amadeus Mozart -- Air, from Achilles (arranged for instrumental ensemble by William Strobridge) / Donne -- Three miniatures, op. 4 (piano and strings) (arranged for piano with instrumental ensemble by William Strobridge) / Riccardo Pick-Mangiagalli -- Welch air and variations [Welch air Ar Hyd y Nos (All through the night) with variations], no. 19 from Welsh melodies (harp) (arranged for harp with instrumental ensemble by William Strobridge) / John Thomas -- Waltz, from Roméo et Juliet (opera) (Jules Barbier, text; Michel Carré, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Charles Gounod -- Oh! while I sleep [Oh! quand je dors], S. 282 (voice and piano) (Victor Hugo, text) (arranged for soprano with instrumental ensemble by William Strobridge) / Franz Liszt -- Le polichinelle [O polichinelo] [The punch], no. 7 from A prole do bebê [The offspring of baby] no.1, W140 (piano) (arranged for instrumental ensemble by William Strobridge) / Heitor Villa-Lobos. Includes program and script. See also "Noted soloists to make debut with Ensemble" <em>Daily trojan</em> 40/13 (1948 September 29): 1. https://doi.org/10.25549/uschist-dt-m66039.