cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc11399kih7
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb1g
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kiib
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kij9
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.18762236
title: Repository: Liquid Water on Mars Today from Melting of Dusty Ice Within Gullies
DOI: 10.25549/whit-ouc113791737
title: Inaugural ball, Elks Lodge No. 99, Los Angeles, Calif., 1945

description: 16 photographs of inaugural ball, Elks Lodge No. 99, 603 South Park View Street, Los Angeles, California, USA, 22 April 1945. Client: The Elks Club (Jerry Donahue, 607 South Parkview). Operator: Cross & Brown.
DOI: 10.5281/zenodo.18762235
title: Repository: Liquid Water on Mars Today from Melting of Dusty Ice Within Gullies
DOI: 10.25549/whit-ouc113791775
title: Inaugural ball, Elks Lodge No. 99, Los Angeles, Calif., 1945

description: 16 photographs of inaugural ball, Elks Lodge No. 99, 603 South Park View Street, Los Angeles, California, USA, 22 April 1945. Client: The Elks Club (Jerry Donahue, 607 South Parkview). Operator: Cross & Brown.
DOI: 10.25549/whit-ouc113791647
title: Inaugural ball, Elks Lodge No. 99, Los Angeles, Calif., 1945

description: 16 photographs of inaugural ball, Elks Lodge No. 99, 603 South Park View Street, Los Angeles, California, USA, 22 April 1945. Client: The Elks Club (Jerry Donahue, 607 South Parkview). Operator: Cross & Brown.
DOI: 10.25549/whit-ouc113791504
title: Inaugural ball, Elks Lodge No. 99, Los Angeles, Calif., 1945

description: 16 photographs of inaugural ball, Elks Lodge No. 99, 603 South Park View Street, Los Angeles, California, USA, 22 April 1945. Client: The Elks Club (Jerry Donahue, 607 South Parkview). Operator: Cross & Brown.
DOI: 10.25549/whit-ouc113791962
title: Rail car assembly line, Preco, Los Angeles County, Calif., 1945

description: 55 photographs (28 unique, with 27 copies of some) of Preco assembly line building rail cars [most from their negatives, some dated 4 January 1941, 21 January 1941, 24 January 1941, 11 February 1941], California, USA, 24 April 1945. Client: Preco.
DOI: 10.25549/whit-ouc11399kd42
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd82
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb1m
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb4e
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kih3
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113888400
title: Elite male wearing a headdress : portrait

description: Elite males wore elaborate headdresses. They painted their bodies red and black to indicate they were warriors. Teeth were filed and the incisors were notched for dental inlays of jade and pyrite. This portrait is an architectural element or part of a building.
DOI: 10.25549/maw-ouc113888436
title: Elite male wearing a headdress : portrait

description: Elite males wore elaborate headdresses. They painted their bodies red and black to indicate they were warriors. Teeth were filed and the incisors were notched for dental inlays of jade and pyrite. This portrait is an architectural element or part of a building.
DOI: 10.25549/maw-ouc113888402
title: Elite male wearing a headdress : portrait

description: Elite males wore elaborate headdresses. They painted their bodies red and black to indicate they were warriors. Teeth were filed and the incisors were notched for dental inlays of jade and pyrite. This portrait is an architectural element or part of a building.
DOI: 10.25549/maw-ouc113888444
title: Monte Alban figural incensario

description: The seated figure represents a human male or a deity wearing the "Buccal Mask of the Serpent," a beneficient god related to rain. His nudity, flat beaded fringe headdress, and the long bifurcated serpent's tongue date this artifact between AD 100 and AD 200, a period of transition.
DOI: 10.25549/maw-ouc11399cor7
title: Xipe Totec figure

description: A seated figure with folded legs has placed both hands on his knees. He wears a flayed skin of a sacrificial victim over his face. You can see his mouth inside the victim's mouth. The black pigment, that highlights different body paint, is bitumen.
DOI: 10.25549/maw-ouc113888406
title: Standing female figure wearing a headdress and jewelry

description: In a mild or warm climate, there is little need for clothing, just pubic covering. Personal adornment included an animal headdress, ear spools and a pendant necklace. Body paint or chapopote heighten features and decorated the body.
DOI: 10.25549/maw-ouc113888509
title: Standing female figure wearing elaborate headdress

description: The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
DOI: 10.25549/maw-ouc113888446
title: Bufo marinus toad whistle

description: This very unique artifact was cast from a Mesoamerican toad, Bufo marinus. The toad produces a skin toxin which causes hallucinogenic visions and/or death. Archaeological excavations of middens and ceremonial burials of the Olmec culture in Southern Veracruz have yielded large numbers of toad skeletal remains.
DOI: 10.25549/maw-ouc113888449
title: Bufo marinus toad whistle

description: This very unique artifact was cast from a Mesoamerican toad, Bufo marinus. The toad produces a skin toxin which causes hallucinogenic visions and/or death. Archaeological excavations of middens and ceremonial burials of the Olmec culture in Southern Veracruz have yielded large numbers of toad skeletal remains.
DOI: 10.25549/maw-ouc113888517
title: Standing elite figure

description: The artist used buff clay to create this solid standing religious figure. The elite person wears an elaborate zoomorphic saurion headdress, a shoulder cape, and a long shirt. The position of the arms suggests a ceremonial activity such as singing, chanting or dancing. It is possible the figure is a priestess of Quetzalcoatl.
DOI: 10.15468/dl.c8mkwk
title: Occurrence Download

description: A dataset containing 2685973 species occurrences available in GBIF matching the query:
{
 "and" : [
 "BasisOfRecord is Human Observation",
 "Continent is Asia",
 "Country is one of (Chinese Taipei, China, Hong Kong, Macao)",
 "GbifRegion is Asia",
 "Issue is Coordinate rounded",
 "MediaType is Image"
 ]
}

 The dataset includes 2685973 records from 11 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001079-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc113789632
title: Scott receives $50,000 check from Sears for cruiser USS Los Angeles, Los Angeles, Calif., 1943

description: 5 photographs of Mr. Scott receiving check from "Mr. Sears Roebuck" (Charles F. Haymett[?]), Los Angeles, California, USA, 23 July 1943. Client: Campaign for Cruiser Los Angeles. Agency: Harry Bennett (deliver to Mr. Switzer, Room 1007, 629 South Spring Street). Operator: D.W.
DOI: 10.25549/whit-ouc113789699
title: Interstate Aircraft dance, Roosevelt Hotel, Hollywood, Calif., 1943

description: 6 photographs of an Interstate Aircraft Corporation dance at the Roosevelt Hotel, 7000 Hollywood Boulevard, Hollywood, Los Angeles, California, USA, 25 July 1943. Client: Interstate (Mr. Truman, Miss Mitchell). Operator: D.W.
DOI: 10.25549/whit-ouc113789678
title: Interstate Aircraft dance, Roosevelt Hotel, Hollywood, Calif., 1943

description: 6 photographs of an Interstate Aircraft Corporation dance at the Roosevelt Hotel, 7000 Hollywood Boulevard, Hollywood, Los Angeles, California, USA, 25 July 1943. Client: Interstate (Mr. Truman, Miss Mitchell). Operator: D.W.
DOI: 10.25549/whit-ouc11399kdi9
title: 4th War Loan publicity at various banks, Los Angeles, Calif., 1944

description: 5 photographs of 4th War Loan publicity at various banks, Los Angeles, California, USA, 21 January 1944. Client: Security-First National Bank (George Knight). Operator: Vannice.
DOI: 10.25549/whit-ouc11399kdi8
title: 4th War Loan publicity at various banks, Los Angeles, Calif., 1944

description: 5 photographs of 4th War Loan publicity at various banks, Los Angeles, California, USA, 21 January 1944. Client: Security-First National Bank (George Knight). Operator: Vannice.
DOI: 10.25549/whit-ouc113791811
title: Men & Bireley's poster, Young & Rubicam office, Los Angeles, Calif., 1945

description: Photograph of men and Bireley's poster at Young and Rubicam office, Los Angeles, California, USA, 2 April 1945. Client: Outdoor Advertising (Mr. R.A. Stauffer, 412 West 6th Street). Operator: Vannice. "'Gosh! Why didn't I think of it!' Birely's, California orange drink"; "Store interior advertising...."
DOI: 10.25549/whit-ouc113791785
title: Executives, union officials, publicity, Interstate Aircraft, El Segundo, Calif., 1945

description: 6 photographs of executives, union officials, and publicity for Interstatements, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 3 April 1945. Client: Interstate Aircraft (Miss Matson). Operator: Brown.
DOI: 10.25549/whit-ouc113791586
title: Towel holder, Los Angeles, Calif., 1945

description: Photograph of towel holder, Los Angeles, California, USA, 3 April 1945. Not "Soap container". Client: Plastic Tool and Die. Agency: Booker and Cooper. Operator: Cross.
DOI: 10.6084/m9.figshare.31428776
title: Supplemental Figs. S1-S5

description: supplemental figures.
DOI: 10.25549/whit-ouc113791918
title: Lieutenant Schuman, Los Angeles?, Calif., before? 1945

description: Original (before 3 April 1945) and copy (3 April 1945) photographic portrait of Lieutenant Schuman, Los Angeles?, California?, USA. Client: Schuman (care of Zeppen Field)). Operator: Cross.
DOI: 10.6084/m9.figshare.31428776.v1
title: Supplemental Figs. S1-S5

description: supplemental figures.
DOI: 10.25549/whit-ouc113791493
title: Al Jarvis & Mr. Cramer, KFWB, Los Angeles, Calif., 1945

description: Photograph of Al Jarvis, Mr. Cramer, and an unidentified man, at KFWB studio, Los Angeles, California, USA, 4 April 1945. Client: Passion Fruit. Agency: Lisle Sheldon (2463 Canyon Oak Drive, Los Angeles 28). Operator: Cross.
DOI: 10.25549/whit-ouc11399kd3q
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.