cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10378552
title: YPM ANT.235171

description: Nazca Bird Portrait from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.235171

Description: 1 Nazca bird portrait (quail) with spout and bridge handle to head; geometrically painted in dark red, orange, dark brown and white. Height 5 1/2', length 7'. South coast, Peru.

Materials: Ceramic

Function: Containers

Culture Group: Latin American : Central Andes : Nasca

Locality: South America; Peru

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

237 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378555
title: Old wine bottle

description: Old wine bottle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378556
title: Old wine bottle

description: Old wine bottle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378557
title: Chess Board

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378558
title: Chess Board

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378559
title: Spießer Low Poly Final

description: Bachelor of Arts - Project: Der wildgewordene Spießer Heartield

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378560
title: Spießer Low Poly Final

description: Bachelor of Arts - Project: Der wildgewordene Spießer Heartield

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378561
title: LEKYTHOS ÀTIC DE FIGURES ROGES

description: CAT: Lècit (*Lekythos*) àtic de figures roges, d'autor desconegut i amb una cronologia d'entre el segle VI a.C i III a.C. Objecte per contenir oli perfumat o com a vas funerari. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

ESP: Lécito (*Lekythos*) ático de figures roges, de autor desconocido y con una cronología de entre siglo VI a.C y III a.C. Objeto para contener aceite perfumado o como vaso funerario. Dimensiones: 24,5 cm x 6,9 cm x 12 cm.  

ENG: Lecithus (*Lekythos*) attic of red figures, of unknown author and with a chronology between the 6th and 3rd century BC. Object to contain perfumed oil or as a funerary vessel. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

FRA: Lecithus (*Lekythos*) attique de figures rouges, d'auteur inconnu et avec une chronologie entre le 6ème siècle et le 3ème avant JC. Objet pour contenir de l'huile parfumée ou comme vase funéraire. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378562
title: LEKYTHOS ÀTIC DE FIGURES ROGES

description: CAT: Lècit (*Lekythos*) àtic de figures roges, d'autor desconegut i amb una cronologia d'entre el segle VI a.C i III a.C. Objecte per contenir oli perfumat o com a vas funerari. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

ESP: Lécito (*Lekythos*) ático de figures roges, de autor desconocido y con una cronología de entre siglo VI a.C y III a.C. Objeto para contener aceite perfumado o como vaso funerario. Dimensiones: 24,5 cm x 6,9 cm x 12 cm.  

ENG: Lecithus (*Lekythos*) attic of red figures, of unknown author and with a chronology between the 6th and 3rd century BC. Object to contain perfumed oil or as a funerary vessel. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

FRA: Lecithus (*Lekythos*) attique de figures rouges, d'auteur inconnu et avec une chronologie entre le 6ème siècle et le 3ème avant JC. Objet pour contenir de l'huile parfumée ou comme vase funéraire. Dimensions: 24,5 cm x 6,9 cm x 12 cm. 

Model creat per: [Surcast. Tecnologia aplicada al patrimoni](http://www.surcast.com/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378563
title: Woman's blouse of parachute nylon

description: ID no.: 50350/MEK

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1408

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378564
title: Woman's blouse of parachute nylon

description: ID no.: 50350/MEK

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1408

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378566
title: niñas sin miedo

description: Niñas sin Miedo es una Fundación Legalmente constituida desde el 2016, que tiene como misión prevenir violencia sexual en niñas y adolescentes. YO APOYO A LAS NIÑAS.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378565
title: niñas sin miedo

description: Niñas sin Miedo es una Fundación Legalmente constituida desde el 2016, que tiene como misión prevenir violencia sexual en niñas y adolescentes. YO APOYO A LAS NIÑAS.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378567
title: S041 Graffiti Bench

description: **Clean photogrammetry assets from bimage **

*Model optimization Process* 

- - photoscanning from 20 to 200 pictures depending on object complexity 
- - 3d meshing and texturing with meshroom or reality capture 
- - model cleaning with blender 
- - quad remeshing with instant mesh 
- - texture baking with blender (diffuse + normal + roughness + AO + displacement) 
- - exporting FBX, OBJ, DAE. 

**This are optimized assets**; each 3d blender file is from 5 to 20 Mo including the 2 or 4K jpg textures.  

www.bimage.co

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378568
title: S041 Graffiti Bench

description: **Clean photogrammetry assets from bimage **

*Model optimization Process* 

- - photoscanning from 20 to 200 pictures depending on object complexity 
- - 3d meshing and texturing with meshroom or reality capture 
- - model cleaning with blender 
- - quad remeshing with instant mesh 
- - texture baking with blender (diffuse + normal + roughness + AO + displacement) 
- - exporting FBX, OBJ, DAE. 

**This are optimized assets**; each 3d blender file is from 5 to 20 Mo including the 2 or 4K jpg textures.  

www.bimage.co

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378570
title: "Saigo Takamori" Takamura Koun

description: Takamura Koun(1852~1934)

"Saigo Takamori"1898. 

Meiji-era sculptor Takamura Koun (1852-1934), considered the father of Japanese modern sculpture, studied wood carving under Takamura Toun, a sculptor of Buddhist images. Influenced by the realism of Western carving Koun contributed to modernize traditional Japanese wood carving. He produced the wooden models for the bronze statues of Saigo Takamori (1898), which stands in Tokyo's Ueno Park, and of Kusunoki Masashige (1900), which adorns the Imperial Plaza.

address:https://goo.gl/maps/8Jh7N3x94S4A4LM26




---

"Japanese sculpture" series

3D scan of Japanese art.

"Japanese sculpture"→https://skfb.ly/oosM9

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378569
title: "Saigo Takamori" Takamura Koun

description: Takamura Koun(1852~1934)

"Saigo Takamori"1898. 

Meiji-era sculptor Takamura Koun (1852-1934), considered the father of Japanese modern sculpture, studied wood carving under Takamura Toun, a sculptor of Buddhist images. Influenced by the realism of Western carving Koun contributed to modernize traditional Japanese wood carving. He produced the wooden models for the bronze statues of Saigo Takamori (1898), which stands in Tokyo's Ueno Park, and of Kusunoki Masashige (1900), which adorns the Imperial Plaza.

address:https://goo.gl/maps/8Jh7N3x94S4A4LM26




---

"Japanese sculpture" series

3D scan of Japanese art.

"Japanese sculpture"→https://skfb.ly/oosM9

---

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378572
title: Voltaire

description: Model of a monument for Voltaire. This is one of the models created which led to the famous marble monument. The monument is located at the Eremitage in St. Petersburg, a copper copy is at the Comedie Francaise (Foyer) in Paris, a plaster copy is at the County Museum of Art in Los Angeles.

Part of the sculpture collection at the city museum of Berlin, Germany. The collection consists of 3.000 objects of which a third are portrait busts of famous Berlin artists, scholars, politicians and rulers.

Model: The model is based only on 48 photographs taken from one angle in order to test the platform and RealityCapture. This results in some irregularities..

See the object in our database: https://sammlung-online.stadtmuseum.de/Details/Index/420970

More about Voltaire: https://en.wikipedia.org/wiki/Voltaire

CC-BY-Attribution: Stadtmuseum Berlin | Oliver Ziebe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378571
title: Voltaire

description: Model of a monument for Voltaire. This is one of the models created which led to the famous marble monument. The monument is located at the Eremitage in St. Petersburg, a copper copy is at the Comedie Francaise (Foyer) in Paris, a plaster copy is at the County Museum of Art in Los Angeles.

Part of the sculpture collection at the city museum of Berlin, Germany. The collection consists of 3.000 objects of which a third are portrait busts of famous Berlin artists, scholars, politicians and rulers.

Model: The model is based only on 48 photographs taken from one angle in order to test the platform and RealityCapture. This results in some irregularities..

See the object in our database: https://sammlung-online.stadtmuseum.de/Details/Index/420970

More about Voltaire: https://en.wikipedia.org/wiki/Voltaire

CC-BY-Attribution: Stadtmuseum Berlin | Oliver Ziebe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378574
title: Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah. Three wild asses and a probable anthropomorph. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378573
title: Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah. Three wild asses and a probable anthropomorph. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378576
title: Race Horse wood carving file OBJ  for CNC

description: Race Horse Collection

The Thoroughbred horse has variations. One has a more fragile physique, the other is more powerful. Total 8 horses.
 We perform the whole range of works, but mainly specialize in three-CNC sculpture.
                   
Second renders in Zbrush with custom material and standart materail
Horses bas relief 3D print model
*********************************
File Formats:
Bas relief Horses is a digital high polygon 3D model (STL, ZTL, JDP and OBJ formats).

This 3d model is prepared to physical production by 3d printing, CNC machining, also for making a mold for casting in gypsum, plastic, metal, chocolate etc. Also it can be used for interiour design and vizualizations wood carving file stl OBJ  for CNC.

The original size of digital bas relief is : 1780x690x30 and can be easily scaled. 3d model can be scaled up or down.

Feel free to contact me if you have any questions about the model. Enjoy!
I hope you enjoy and will be very useful in your work
Thank you!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378580
title: Drusku pilskalns

description: Drusku pilskalna 3D modelis. Koordinātas: 57.59028, 26.92623

http://www.latvijas-pilskalni.lv/drusku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378575
title: Race Horse wood carving file OBJ  for CNC

description: Race Horse Collection

The Thoroughbred horse has variations. One has a more fragile physique, the other is more powerful. Total 8 horses.
 We perform the whole range of works, but mainly specialize in three-CNC sculpture.
                   
Second renders in Zbrush with custom material and standart materail
Horses bas relief 3D print model
*********************************
File Formats:
Bas relief Horses is a digital high polygon 3D model (STL, ZTL, JDP and OBJ formats).

This 3d model is prepared to physical production by 3d printing, CNC machining, also for making a mold for casting in gypsum, plastic, metal, chocolate etc. Also it can be used for interiour design and vizualizations wood carving file stl OBJ  for CNC.

The original size of digital bas relief is : 1780x690x30 and can be easily scaled. 3d model can be scaled up or down.

Feel free to contact me if you have any questions about the model. Enjoy!
I hope you enjoy and will be very useful in your work
Thank you!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378579
title: Drusku pilskalns

description: Drusku pilskalna 3D modelis. Koordinātas: 57.59028, 26.92623

http://www.latvijas-pilskalni.lv/drusku-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378582
title: Cast Iron Rust Virgin Mary

description: Cast Iron Rust Virgin Mary photoscanned
19,514 faces

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378581
title: Cast Iron Rust Virgin Mary

description: Cast Iron Rust Virgin Mary photoscanned
19,514 faces

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378583
title: 後期旧石器最終末~縄文草創期最初頭尖頭器9点(南箕輪村神子柴遺跡) 観察記録3Dモデル

description: 後期旧石器最終末~縄文草創期最初頭尖頭器9点(南箕輪村神子柴遺跡) 観察記録3Dモデル
9点全て尖頭器、国重要文化財
左から14番玉髄製、15番玉髄製、16番玉髄製、17番凝灰質頁岩製、18番下呂石製、19番黒曜石製(和田峠産)、20番黒曜石製(和田峠産)、21番下呂石製、22番黒曜石製(和田峠産)
撮影場所:伊那市創造館
撮影月日:2019.09.12
ガラスケース越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 13 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378584
title: 後期旧石器最終末~縄文草創期最初頭尖頭器9点(南箕輪村神子柴遺跡) 観察記録3Dモデル

description: 後期旧石器最終末~縄文草創期最初頭尖頭器9点(南箕輪村神子柴遺跡) 観察記録3Dモデル
9点全て尖頭器、国重要文化財
左から14番玉髄製、15番玉髄製、16番玉髄製、17番凝灰質頁岩製、18番下呂石製、19番黒曜石製(和田峠産)、20番黒曜石製(和田峠産)、21番下呂石製、22番黒曜石製(和田峠産)
撮影場所:伊那市創造館
撮影月日:2019.09.12
ガラスケース越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 13 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378587
title: Grab Forstner von Billau

description: Family grave of the Barons Forstner von Billau at Vienna Central Cemetery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378588
title: Grab Forstner von Billau

description: Family grave of the Barons Forstner von Billau at Vienna Central Cemetery.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378589
title: Capital - Madinat al-Zahra' - MET

description: Marble, ca. 960. Spanish, Andalusia. Madinat al-Zahra', near Cordoba. 

[The Cloisters Collection, 1925 (25.120.308)](shorturl.at/bsFSY), MET New York.

'Abd al-Rahman III, the self-proclaimed caliph of the Islamic lands of southern Spain, commissioned a great palace-city in 936 (324 A.H. by the Islamic calendar). Called Madinat al-Zahra' ("shining city" in arabic), UNESCO World Heritage Site, it was located near his capital at Cordoba and included residences, reception halls, mosque, marquets, gardens, etc. The extraordinary carving of this capital has transformed the solid marble surface into something lacy and intricate. 
Madinat al-Zahra' was destroyed by Berbers from North Africa in 1010. Sculpture from the site was reused in medieval churches and secular buildings in Spain and France.

Reception hall of Abd ar-Rahman III at Madinat al-Zahra':
![](https://upload.wikimedia.org/wikipedia/commons/e/eb/Salon_Rico_1.jpg)

Can't register the back side due to its position near the wall.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378590
title: Capital - Madinat al-Zahra' - MET

description: Marble, ca. 960. Spanish, Andalusia. Madinat al-Zahra', near Cordoba. 

[The Cloisters Collection, 1925 (25.120.308)](shorturl.at/bsFSY), MET New York.

'Abd al-Rahman III, the self-proclaimed caliph of the Islamic lands of southern Spain, commissioned a great palace-city in 936 (324 A.H. by the Islamic calendar). Called Madinat al-Zahra' ("shining city" in arabic), UNESCO World Heritage Site, it was located near his capital at Cordoba and included residences, reception halls, mosque, marquets, gardens, etc. The extraordinary carving of this capital has transformed the solid marble surface into something lacy and intricate. 
Madinat al-Zahra' was destroyed by Berbers from North Africa in 1010. Sculpture from the site was reused in medieval churches and secular buildings in Spain and France.

Reception hall of Abd ar-Rahman III at Madinat al-Zahra':
![](https://upload.wikimedia.org/wikipedia/commons/e/eb/Salon_Rico_1.jpg)

Can't register the back side due to its position near the wall.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378593
title: Frondeur, 1849

description: Armand le Véel (1821-1905)
Bronze patiné brun, pendant de* la Frondeuse*
Musée Thomas Henry, Cherbourg-en-Cotentin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378594
title: Frondeur, 1849

description: Armand le Véel (1821-1905)
Bronze patiné brun, pendant de* la Frondeuse*
Musée Thomas Henry, Cherbourg-en-Cotentin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378595
title: Portal Torii

description: Portal Torii

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378596
title: Portal Torii

description: Portal Torii

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378598
title: Fredricks Check Stamped Jar (2351p2240)

description: **Fredricks Check Stamped Jar**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic, Fredricks phase (AD 1680-1710).

Material: ceramic.

Dimensions: height, 18.0 cm; diameter, 16.5 cm.

Notes: Catalog no. 2351p6119.  Vessel 7.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378597
title: Fredricks Check Stamped Jar (2351p2240)

description: **Fredricks Check Stamped Jar**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic, Fredricks phase (AD 1680-1710).

Material: ceramic.

Dimensions: height, 18.0 cm; diameter, 16.5 cm.

Notes: Catalog no. 2351p6119.  Vessel 7.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378599
title: 두꺼비고인돌

description: 고창 2-2433

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378600
title: 두꺼비고인돌

description: 고창 2-2433

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378601
title: AR015-001-14

description: Projectile Point collected in Wayne County, Indiana.

Catalog # 12-Wy-165-32

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinneyand Kevin C. Nolan, 2021, AR015-001-14 3D Model .ply file. Recovered as part of Archaeological Report 15, *Archaeological Investigations of the Wohl Site, Wy-165, and Big Blue Lake Fieldwork: A 1978 Summer Field School in Wayne County, Indian.*, By B.K. Swartz, Jr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378602
title: AR015-001-14

description: Projectile Point collected in Wayne County, Indiana.

Catalog # 12-Wy-165-32

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinneyand Kevin C. Nolan, 2021, AR015-001-14 3D Model .ply file. Recovered as part of Archaeological Report 15, *Archaeological Investigations of the Wohl Site, Wy-165, and Big Blue Lake Fieldwork: A 1978 Summer Field School in Wayne County, Indian.*, By B.K. Swartz, Jr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378605
title: CARA POSTERIOR DE UNA JÁCENA DE UN ALFARJE

description: CARAS POSTERIOR Y BAJA DE LA JÁCENA DEL ALFARJE DE UN CORO.
•	Encontramos en la parte posterior de la jácena más externa de este alfarje, una inscripción en latín del versículo del Evangelio de San Mateo, cuya traducción nos dice: "Es más fácil que un camello pase por el ojo de una aguja // que un rico entre en el reino de los cielos"
•	En la cara inferior destacan unas pinturas, muy deterioradas, de jarrones con pintura al huevo sobre base de yeso. Entre los colores destacan principalmente el negro, rojo, azul ocre y blanco.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378606
title: CARA POSTERIOR DE UNA JÁCENA DE UN ALFARJE

description: CARAS POSTERIOR Y BAJA DE LA JÁCENA DEL ALFARJE DE UN CORO.
•	Encontramos en la parte posterior de la jácena más externa de este alfarje, una inscripción en latín del versículo del Evangelio de San Mateo, cuya traducción nos dice: "Es más fácil que un camello pase por el ojo de una aguja // que un rico entre en el reino de los cielos"
•	En la cara inferior destacan unas pinturas, muy deterioradas, de jarrones con pintura al huevo sobre base de yeso. Entre los colores destacan principalmente el negro, rojo, azul ocre y blanco.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378608
title: Lantern in the form of a temple

description: ID no.: MAK/AS/1262

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1543

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378607
title: Lantern in the form of a temple

description: ID no.: MAK/AS/1262

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1543

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378609
title: Pērkoņkalns

description: Pērkoņkalna 3D modelis. Koordinātas: 56.41315, 22.29156

https://www.senvietas.lv/perkonkalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378610
title: Pērkoņkalns

description: Pērkoņkalna 3D modelis. Koordinātas: 56.41315, 22.29156

https://www.senvietas.lv/perkonkalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378611
title: Crátera Columna Etrusca

description: Objeto perteneciente a la Biblioteca Helénica y Romana del Instituto de Estudios Clásicos de Londres, legado por Victor Ehrenberg.

Fechado a principios del siglo III a. C.

Altura de 235 cm.

©Alicia Walsh and the Institute of Classical Studies

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10378612
title: Crátera Columna Etrusca

description: Objeto perteneciente a la Biblioteca Helénica y Romana del Instituto de Estudios Clásicos de Londres, legado por Victor Ehrenberg.

Fechado a principios del siglo III a. C.

Altura de 235 cm.

©Alicia Walsh and the Institute of Classical Studies

Source: Objaverse 1.0 / Sketchfab