cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/maw-ouc113887561
title: Pierced blackware ear spool

description: Red-brown clay was probably pressed into a circular mold and allowed to become a leather hard disc. The disc has curved concave sides for wearing as an earspool. The disc was pierced with a bilateral radiating design. The pierced ear spool was fired in a reduced carbon friendly environment
DOI: 10.25549/maw-ouc113887470
title: Pierced blackware ear spool

description: Red-brown clay was probably pressed into a circular mold and allowed to become a leather hard disc. The disc has curved concave sides for wearing as an earspool. The disc was pierced with a bilateral radiating design. The pierced ear spool was fired in a reduced carbon friendly environment
DOI: 10.25549/maw-ouc113887510
title: Copper labret

description: Labrets are ornamental plugs that fit into a slit/hole below the lower lip. An expanded flange holds it in place. Labrets are usually made out of stones like obsidian, red chert, green serpentine, or rock crystal. They were made of other materials such as clay and copper.
DOI: 10.25549/maw-ouc113887465
title: Copper labret

description: Labrets are ornamental plugs that fit into a slit/hole below the lower lip. An expanded flange holds it in place. Labrets are usually made out of stones like obsidian, red chert, green serpentine, or rock crystal. They were made of other materials such as clay and copper.
DOI: 10.25549/maw-ouc113891056
title: Four conquistador iron weapons spear blade

description: Iron weapons were introduced and used by the Spanish to subjugate the indigenous population. The iron was cast and forged to form three spear blades and an axe-head. The short spear blade with a diagonally flattened tip has been partially cleaned, removing the original brown surface patina.
DOI: 10.25549/maw-ouc113887060
title: Aztec, Mexica ear plugs : banana form

description: This non-matching pair of plugs represent a different style of body adornment used by the non-elite. They came in different sizes and shapes suitable to the wearer. The banana plug was worn by the Aztec and the Gulf Coast Huastec. It is possible they could be nose ornaments or ear plugs.
DOI: 10.25549/maw-ouc113886893
title: Huastec ear plug : banana form

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113886895
title: Huastec ear plug : banana form

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113886900
title: Aztec ear plugs : disc form

description: Mesoamerica people decorated their bodies in various ways. The elite wore articles made of rare materials like cotton, bird feathers, semi-precious gems, and metals. Common man wore objects made of clay, wood, or perishable common materials. These disce ear plugs were won by non-elites. Their curved sides are slightly concave to facilitate wear. They were held in place by force fitting.
DOI: 10.25549/maw-ouc113888646
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888673
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888649
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888678
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888765
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888676
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888687
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888684
title: Labret : ear ornament

description: To make this object require time, skill and craftsmanship. The black obsidian was core flaked for the basic shape and size. Small pieces of obsidian would be pushed off by pressure flaking. The shape would be refined by wearing away the surface with abrasive rocks and sand.
DOI: 10.25549/maw-ouc113888859
title: Labret : ear ornament

description: To make this object require time, skill and craftsmanship. The black obsidian was core flaked for the basic shape and size. Small pieces of obsidian would be pushed off by pressure flaking. The shape would be refined by wearing away the surface with abrasive rocks and sand.
DOI: 10.25549/maw-ouc113888871
title: West Mexican stamp seals : two

description: Both of these stamp seals are perforated for suspension. They depict abstract faces wearing a triple tipped headdress, large round eyes with three vertical linear elements below them. The images suggest the Rain God, Tlaloc.
DOI: 10.25549/maw-ouc113888692
title: Obsidian disc

description: Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
DOI: 10.25549/maw-ouc113888696
title: Obsidian disc

description: Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
DOI: 10.25549/maw-ouc113889077
title: Obsidian jewelry : earrings

description: Once a thin obsidian blade has been knocked off the core, it can be shaped by pressing off tiny pieces of the volcanic stone. The edges can be dulled by rubbing them with different stones. Holes are drilled for suspension. This pair of earrings was crafted this way.
DOI: 10.25549/maw-ouc113889080
title: Obsidian jewelry : earrings

description: Once a thin obsidian blade has been knocked off the core, it can be shaped by pressing off tiny pieces of the volcanic stone. The edges can be dulled by rubbing them with different stones. Holes are drilled for suspension. This pair of earrings was crafted this way.
DOI: 10.25549/maw-ouc113889093
title: Macehead : transforming images : 2

description: A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
DOI: 10.25549/maw-ouc113887513
title: Copper nose ring

description: The lost wax technique was used to create this copper nose ring. The nose ring was fabricated in beeswax, embedded in a fine clay mold, heated to dry out the clay mold and melt the wax out. Molted metal is poured into the negative space mold to form the copper nose ring. The molten copper cools and solidifies. The hot mold/metal is placed into cool water to break the mold and free the copper nose ring.
DOI: 10.25549/maw-ouc113887473
title: Stone fragment : Mictlantecuhtli : Lord of death

description: The Nahuatl word "tecuhtli" means "Lord" and "mictlan" means "the underworld." Therefore, Mictlantecuhtli means Lord of the Underworld or Death. He rules the realm of the dead with his wife, Mictlancihuatl. Artifact was found with MawM0270.
DOI: 10.25549/maw-ouc113887516
title: Stone fragment : Mictlantecuhtli : Lord of death

description: The Nahuatl word "tecuhtli" means "Lord" and "mictlan" means "the underworld." Therefore, Mictlantecuhtli means Lord of the Underworld or Death. He rules the realm of the dead with his wife, Mictlancihuatl. Artifact was found with MawM0270.
DOI: 10.25549/maw-ouc113887484
title: Penate : seated stylized human figure wearing a mask and a maize headdress

description: The Mixtec sculpture represents a man squatting on the ground with his arms folded on top of his knees. These sculptures called penates are usually small personal amulets. The form of the body remains rectangular and divided into three square areas. They were mass produced for personal use. This large penate is unusual, because he wears a mask and a corn headdress. The Aztec name for this God is Centeotl, the young male corn God.
DOI: 10.25549/maw-ouc113887480
title: Mixtec ear spool or ring

description: The Mixtec culture excelled in the time consuming lapidary and metallurgy arts. The stone-work required chipping, drilling, sawing, abrading, and polishing. The goldsmithing involved melting, forging, burnishing, folding and cutting metal.
DOI: 10.25549/maw-ouc113889604
title: Chupicuaro olla

description: A tall cylindrical neck olla has a funnel mouth and a flared rim. The body has been squared with rounded corners. The body has been painted with an anthropomorphic/geometric design.
DOI: 10.25549/maw-ouc11399dlzv
title: Chupicuaro olla [3D]

description: A tall cylindrical neck olla has a funnel mouth and a flared rim. The body has been squared with rounded corners. The body has been painted with an anthropomorphic/geometric design.
DOI: 10.25549/maw-ouc113889721
title: Chupicuaro tripodal bowl

description: A large ceramic bowl stands on tripodal vented, conical legs. The interior has a four-quadrant herringbone design.
DOI: 10.25549/maw-ouc113985413
title: Colima Tlaloc fang-faced vessel

description: A squat spherical vessel has a spout and a pedestal base added to the body. The body has been appliqued with the characteristics of Tlaloc, the Mesoamerican Rain God. His attributes are concentric goggled eyes, an angular nose, a mustache, and a large toothy fanged mouth
DOI: 10.25549/maw-ouc113985241
title: Colima Tlaloc fang-faced vessel

description: A squat spherical vessel has a spout and a pedestal base added to the body. The body has been appliqued with the characteristics of Tlaloc, the Mesoamerican Rain God. His attributes are concentric goggled eyes, an angular nose, a mustache, and a large toothy fanged mouth
DOI: 10.25549/maw-ouc113889104
title: Obsidian jewelry : crescent-shaped pectorals

description: Obsidian is a hard, black volcanic glass that can be worked with ease. Mesoamericans knocked off thin layers or blades from an obsidian core and further refined or shaped their tools or objects by pressing or pushing off small pieces of the stone. Blades were further flattened or worn away with abrasive grits or sands. Holes were drilled or knocked into the blade. These obsidian crescent pendants (jewelry) have been created using the above process.
DOI: 10.15468/dl.4kv3vg
title: Occurrence Download

description: A dataset containing 71 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Pomacentrus alexanderae"
 ]
}

 The dataset includes 71 records from 8 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001191-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113889106
title: Ceramic necklace : 26 beads : malacates : spindle whorls

description: These wedge shape pendants were created by core flaking and pressure flaking a soft stone. Once the basic wedge shape was produced, it was refined or flattened with abrasive grits or sands. The holes were drilled for suspending the pectoral.
DOI: 10.25549/maw-ouc113889121
title: Six spindle whorls

description: Spindle whorls have two parts: a ceramic disc with a hole for a vertical wooden element (thin stick). Animal or plant fibers are attached to the stick and disc which spins. The fibers are twisted together to form a thread or string for weaving or sewing.
DOI: 10.25549/maw-ouc113889237
title: Six spindle whorls

description: Spindle whorls have two parts: a ceramic disc with a hole for a vertical wooden element (thin stick). Animal or plant fibers are attached to the stick and disc which spins. The fibers are twisted together to form a thread or string for weaving or sewing.
DOI: 10.25549/maw-ouc113889226
title: Anthropomorphic musical rasp

description: Ceramic Nayarit musicians demonstrate how a rasp was held, played, and looked. A grooved rasp was played with a bore, a shell or wooden object that was dragged over the grooves to produce an unusual sound.
DOI: 10.25549/maw-ouc113886958
title: Aztec carved amber resin head

description: Amber, which is fossilized vegetable resin, comes in yellow, reddish-yellow, and brownish-yellow. The resin from evergreen (fir and pine trees) is hard, brittle, transparent/translucent, and amorphous. The source of Mexican amber/Chiapan amber is Mexico, Chiapas, Huitiupan area, Simojovel. The amber head could be from AD 1980. A modern artifact/pendant that was carved, drilled, inlaid, and decorated with colorful hummingbird feathers for tourist trade in San Cristobal, Chiapas, Mexico.
DOI: 10.15468/dl.tm2q4t
title: Occurrence Download

description: A dataset containing 1092 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is Mexico",
 "Geometry POLYGON((-100.61159 25.68054,-101.14569 25.13431,-102.38043 25.43592,-101.58083 25.10749,-100.65724 25.06967,-100.67699 25.21868,-99.93605 24.27178,-99.973 23.9102,-99.63193 23.01812,-99.64271 22.38834,-99.76832 22.38479,-99.62 22.30984,-99.57384 21.92592,-99.73349 22.06602,-99.8918 21.84743,-99.68703 21.54785,-99.84551 21.53626,-99.94351 21.84017,-100.11644 21.79949,-100.07373 22.00753,-100.3742 22.161,-100.0738 22.05654,-100.40291 22.49994,-100.33841 22.49902,-100.2797 22.4446,-100.32444 22.57505,-100.1444 22.359,-100.07589 22.47227,-100.2603 22.89361,-100.39309 22.80751,-100.44093 23.00515,-100.54423 22.26863,-100.73057 22.34542,-100.81481 22.70492,-100.86469 22.553,-100.63477 21.79873,-100.43599 21.70359,-100.43952 21.47771,-100.66782 21.52611,-100.64166 21.38515,-100.33712 21.33197,-100.46132 21.19676,-100.1726 21.26232,-99.90419 21.11813,-100.24058 21.13909,-100.38484 20.89361,-100.06419 20.88954,-99.91082 21.0756,-99.59396 20.74497,-99.37682 21.01401,-99.35708 20.88616,-99.42406 20.7887,-99.24962 20.93465,-99.28818 20.61801,-99.09442 20.635,-99.12025 20.4338,-98.92542 20.40928,-98.77721 20.12997,-98.60298 20.07471,-98.63506 20.36209,-97.97767 19.87601,-97.88482 20.00558,-97.72955 19.8545,-97.40595 19.9745,-97.40798 20.07576,-97.70151 20.06102,-98.11859 20.37861,-98.06249 20.474,-98.47836 20.83687,-98.39527 20.96344,-98.91854 21.02683,-99.15721 21.67166,-99.32088 21.51325,-99.47595 21.65079,-99.29017 22.22143,-99.4824 22.64844,-99.45559 23.17261,-99.44487 23.16876,-99.45378 22.99645,-99.42066 22.94404,-99.31467 23.1479,-99.3734 22.86862,-99.13155 22.93597,-99.05435 23.18213,-99.21494 23.36365,-99.07071 23.57197,-99.2052 23.59402,-99.42387 24.13484,-99.64133 24.03815,-99.5551 24.46465,-99.6983 24.45123,-99.72797 24.84842,-100.20197 25.61649,-100.61159 25.68054))",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "TaxonKey is Echeveria"
 ]
}

 The dataset includes 1092 records from 49 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001192-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113891083
title: Aztec pipe with symbolic bowl

description: Reddish-orange clay has been hand formed into a simple, but elegant bichrome pipe with a press mold design on the bowl. The design composed of feathers and warrior's atlatls create an extraordinary pipe. The s tem has been slipped with red-brown clay, while white traces on the bowl suggest a polychrome surface.
DOI: 10.25549/maw-ouc113887034
title: Aztec tripodal plate : burnished graphite ware

description: The Aztecs required tribute from their subjugated people. In the state of Puebla, the Atlixcans produced a simple, but distinctive ceramic called burnished graphite ware. Pitchers, goblets, and tripodal plates were produced with a white clay. It was slipped with red iron oxide and banded with graphite. The fired result was a simple, but rich-looking red brown vessel with a metallic black band.
DOI: 10.5281/zenodo.18796779
title: Atmospheric Carbon — Vibration Analysis & Systemic Resets (1841–2013)

description: This dataset is part of the Bicameral Solar Engine project, a multi-scalar deterministic framework that maps the relationship between solar harmonic cycles and terrestrial systems including climate, economics, and biological populations. All datasets share a common methodology: raw signals are detrended using an 11-year centered moving average, normalized into Z-scores.  This record contains the atmospheric CO2 vibration analysis (1841–2013)
DOI: 10.5281/zenodo.18796780
title: Atmospheric Carbon — Vibration Analysis & Systemic Resets (1841–2013)

description: This dataset is part of the Bicameral Solar Engine project, a multi-scalar deterministic framework that maps the relationship between solar harmonic cycles and terrestrial systems including climate, economics, and biological populations. All datasets share a common methodology: raw signals are detrended using an 11-year centered moving average, normalized into Z-scores.  This record contains the atmospheric CO2 vibration analysis (1841–2013)
DOI: 10.25549/maw-ouc113887074
title: Aztec skull censer : articulable jaw one death

description: The censer's image combines a skull and a left arm with a predominate index figure. The index figure hand incorporates a rattle. The skull and figure can be read as "One Death". The skull has been painted with twenty-two marigold flowers and thirteen arrows, which all point to death.
DOI: 10.25549/maw-ouc113887073
title: Aztec skull censer : articulable jaw one death

description: The censer's image combines a skull and a left arm with a predominate index figure. The index figure hand incorporates a rattle. The skull and figure can be read as "One Death". The skull has been painted with twenty-two marigold flowers and thirteen arrows, which all point to death.
DOI: 10.25549/whit-ouc11399kd3u
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb2u
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.