cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10220214
title: Gilded Brooch (NHMW-Prae 35.645)

description: 3D scan of a gilded brooch with Almandine inlays from the Migration Period In the 6th Century.  This brooch from Perchtoldsdorf/Lower Austria is square headed and shows several animal heads on the head plate as well as on the rhombic footplate. It is cast in silver, gilded and decorated with almandine inlays and niello. It was produced in the 6th Century, when Lombard groups inhabited the region.

This brooch is Number 40 of the NHM Top 100 and can be found in the Treasury Cabinet of the NHM Vienna.

**Specimen**:  Migration Period gilded brooch

**Inventory number**: NHMW-Prae 35.645

**Collection**: Natural History Museum Vienna, Prehistory Dept., Historical Archaeology Coll. (contact: Stefan Eichert) 

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en).

Scanned and edited by Irina Huller, Daniel Oberndorfer, Viola Winkler & Anna Haider (NHMW)

Scanner: Artec Space Spider. Infrastructure funded by the FFG.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220221
title: AR007-057-04

description: LeCroy Point collected in Randolph County, Indiana. 

Catalog # 12-R-57-90-C

Uploaded by: Reganne O'Connor 

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. AR007-057-04, 3D Model .ply file. Recovered as part of Archaeological Report # 7, *Archaeological Survey of Randolph County, Indiana from 1968 and 1969*, By Ben Morris, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220231
title: Церковь / Church

description: Модель основана на церкови Иоанна-Предтечи в Сорочьем Логе

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220234
title: Маска трагическая / Tragic Mask

description: Маска трагическая

Древняя Греция, I в. до н. э.

Гипс

Коллекция А.Пальникова

МИПУ ХФ 3022

Музей истории Пермского университета

Tragic Mask 

Ancient Greece, I century B.C.

Gypsum

Collection of A.Palnikov

МИПУ ХФ 3022

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220220
title: AR007-057-04

description: LeCroy Point collected in Randolph County, Indiana. 

Catalog # 12-R-57-90-C

Uploaded by: Reganne O'Connor 

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. AR007-057-04, 3D Model .ply file. Recovered as part of Archaeological Report # 7, *Archaeological Survey of Randolph County, Indiana from 1968 and 1969*, By Ben Morris, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220233
title: Маска трагическая / Tragic Mask

description: Маска трагическая

Древняя Греция, I в. до н. э.

Гипс

Коллекция А.Пальникова

МИПУ ХФ 3022

Музей истории Пермского университета

Tragic Mask 

Ancient Greece, I century B.C.

Gypsum

Collection of A.Palnikov

МИПУ ХФ 3022

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220240
title: Bone Awl, XCB-105-3566

description: Bone Awl, XCB-105-3566. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220222
title: Kuramadisturbed Barraca

description: contem objeto mais mapa uv

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220227
title: Control Oswald

description: **El control de oswald es una herramient aimportantee , con lo que ayuda a nuestro personaje a poder hackear puertos de  termina y alimentar de enrgiar circuitos **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220228
title: Control Oswald

description: **El control de oswald es una herramient aimportantee , con lo que ayuda a nuestro personaje a poder hackear puertos de  termina y alimentar de enrgiar circuitos **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220243
title: Baker

description: Baker

Copper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220250
title: 新潟 糸魚川 大火

description: 170216糸魚川大火




ミリヤム新潟
http://mrym.com

新潟リレーションズTV
https://www.youtube.com/channel/UChJjwI-9vKhcKTKboBcQLEQ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220239
title: Bone Awl, XCB-105-3566

description: Bone Awl, XCB-105-3566. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220249
title: 新潟 糸魚川 大火

description: 170216糸魚川大火




ミリヤム新潟
http://mrym.com

新潟リレーションズTV
https://www.youtube.com/channel/UChJjwI-9vKhcKTKboBcQLEQ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220253
title: Lonac K123

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220254
title: Lonac K123

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220232
title: Церковь / Church

description: Модель основана на церкови Иоанна-Предтечи в Сорочьем Логе

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220255
title: Generallieutnant Roth von Schreckenstein (Photog

description: This is a scan I did to refine my photogrammetry to VR pipeline after reading the 'Using Photogrammetry' tutorial by the awesome Grzegorz Baran https://www.artstation.com/gbaran

For more information visit my website: http://www.augenrender.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220256
title: Generallieutnant Roth von Schreckenstein (Photog

description: This is a scan I did to refine my photogrammetry to VR pipeline after reading the 'Using Photogrammetry' tutorial by the awesome Grzegorz Baran https://www.artstation.com/gbaran

For more information visit my website: http://www.augenrender.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220258
title: Prestongrange Memorial to John Stuart

description: Memorial within Prestongrange Churchyard.

The memorial had an inscription which is now severly deteriorated.  

The inscription used to state - 

**Here lyeth the Remains of John Stuart of Phisgul a Galloway Gentleman and Cap. in Lassel's Regt a man of true bravery who died honourably in defence of his King and country and of Sacred and civil liberty, being barbarously murdered by four Highlaners near the end of the Battle fought in the field of Preston, on the 21st Sept. 1745.**    (See Canmore online digital image SC1164673)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220242
title: Baker

description: Baker

Copper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220261
title: Façade Cathédrale d'Uzès

description: La façade de la Cathédrale Saint Théodorit d'Uzès en 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220262
title: Façade Cathédrale d'Uzès

description: La façade de la Cathédrale Saint Théodorit d'Uzès en 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220257
title: Prestongrange Memorial to John Stuart

description: Memorial within Prestongrange Churchyard.

The memorial had an inscription which is now severly deteriorated.  

The inscription used to state - 

**Here lyeth the Remains of John Stuart of Phisgul a Galloway Gentleman and Cap. in Lassel's Regt a man of true bravery who died honourably in defence of his King and country and of Sacred and civil liberty, being barbarously murdered by four Highlaners near the end of the Battle fought in the field of Preston, on the 21st Sept. 1745.**    (See Canmore online digital image SC1164673)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220263
title: The Appian way in Terracina (Italy)

description: The Appian Way (Latin and Italian: Via Appia) was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy.  Its importance is indicated by its common name, recorded by Statius:
Appia longarum... regina viarum
"the Appian Way the queen of the long roads"
The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220267
title: NPAP portal type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5454/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220271
title: Death Mask of Carl Michael Bellman (1740-1795)

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Death mask in plaster depicting the famous swedish songwriter and musician Carl Micahel Bellman. Made in 1935 from one of several copies of the original death mask. The use of death masks became common in Europe during the latter part of the Middle Ages. They were created from direct castings of the deceased's faces. The masks were usually made of wax or plaster and were often made in several copies that could be displayed in different contexts.
The mask has the inventory number SSM 42005 in the City Museum Collection.

Find the mask in the Digital City Museum (Digitala Stadsmuseet):
http://digitalastadsmuseet.stockholm.se/fotoweb/Grid.fwx?archiveId=5003&search=(IPTC187%20contains(SSM_42005_0)) 

Or read about in Stockholmskällan: https://stockholmskallan.stockholm.se/post/32049

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220264
title: The Appian way in Terracina (Italy)

description: The Appian Way (Latin and Italian: Via Appia) was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy.  Its importance is indicated by its common name, recorded by Statius:
Appia longarum... regina viarum
"the Appian Way the queen of the long roads"
The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220268
title: NPAP portal type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5454/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220270
title: Dedication.

description: The Goddess Athena is seated before a small temple which houses her statue and a table for offerings. It is probably a representation of the earlier temple of Athena Nike, with the cult statue of the Goddess in its interior.  Around 420 BC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220269
title: Dedication.

description: The Goddess Athena is seated before a small temple which houses her statue and a table for offerings. It is probably a representation of the earlier temple of Athena Nike, with the cult statue of the Goddess in its interior.  Around 420 BC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220275
title: 18th Century English Hanger

description: 18th C. English

Oakeshott Collection

Catalogue Number: OC059

An example of a hanger sword with a finely crafted silver hilt. Hangers were shorter swords carried as sidearms during the 18th and 19th Centuries. They were most often composed of a slightly curved blade paired with a fairly simple hilt. The quality of the hilt would vary depending on the owner, ranging from simple utilitarian iron knucklebows, to more decorative guards. This particular example has a hilt of sterling silver, struck with a hallmark indicating it was manufactured in London in 1795.

* Overall Length : 33.5 in | 852mm
* Blade Length from front of guard: 28.0 in | 712mm
* Blade Width (@ Guard): 1.40 in | 35.5mm
* Grip Length : 4.13 in | 105mm
* Guard Width (@ Widest): 3.26 in | 82.7mm
* Center of Mass : 6.10 in | 155mm (from crossguard)
* Weight: 1.49 lbs | 674.0 gr

[Support us on Patreon](https://www.patreon.com/oakeshott)


[Follow us on Facebook](https://www.facebook.com/oakeshottinstitute)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220272
title: Death Mask of Carl Michael Bellman (1740-1795)

description: Scan by [Christer Lindqvist](https://sketchfab.com/Pappac). Retopology by Niclas Ekholm. 

Death mask in plaster depicting the famous swedish songwriter and musician Carl Micahel Bellman. Made in 1935 from one of several copies of the original death mask. The use of death masks became common in Europe during the latter part of the Middle Ages. They were created from direct castings of the deceased's faces. The masks were usually made of wax or plaster and were often made in several copies that could be displayed in different contexts.
The mask has the inventory number SSM 42005 in the City Museum Collection.

Find the mask in the Digital City Museum (Digitala Stadsmuseet):
http://digitalastadsmuseet.stockholm.se/fotoweb/Grid.fwx?archiveId=5003&search=(IPTC187%20contains(SSM_42005_0)) 

Or read about in Stockholmskällan: https://stockholmskallan.stockholm.se/post/32049

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220276
title: 18th Century English Hanger

description: 18th C. English

Oakeshott Collection

Catalogue Number: OC059

An example of a hanger sword with a finely crafted silver hilt. Hangers were shorter swords carried as sidearms during the 18th and 19th Centuries. They were most often composed of a slightly curved blade paired with a fairly simple hilt. The quality of the hilt would vary depending on the owner, ranging from simple utilitarian iron knucklebows, to more decorative guards. This particular example has a hilt of sterling silver, struck with a hallmark indicating it was manufactured in London in 1795.

* Overall Length : 33.5 in | 852mm
* Blade Length from front of guard: 28.0 in | 712mm
* Blade Width (@ Guard): 1.40 in | 35.5mm
* Grip Length : 4.13 in | 105mm
* Guard Width (@ Widest): 3.26 in | 82.7mm
* Center of Mass : 6.10 in | 155mm (from crossguard)
* Weight: 1.49 lbs | 674.0 gr

[Support us on Patreon](https://www.patreon.com/oakeshott)


[Follow us on Facebook](https://www.facebook.com/oakeshottinstitute)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220274
title: Roon Memorial

description: artist: [Harro Magnussen](https://en.wikipedia.org/wiki/Harro_Magnussen)

subject: [Albrecht von Roon](https://en.wikipedia.org/wiki/Albrecht_von_Roon)

foundry: Fa. Martin & Piltzing

source: [Bildhauerei in Berlin](https://bildhauerei-in-berlin.de/bildwerk/roon-denkmal-5023/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220278
title: Botella - RN 13193

description: Material: Cerámica

Cultura/Estilo: No determindo

Datación: Intermedio Tardío (1,000 d.c. - 1,476 d.c.)

Técnicas: Modelado, alto relieve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220283
title: The Devil's Den neolithic burial chamber

description: The Devil's Den or Devil's Den is a dolmen burial chamber on Fyfield Hill near Marlborough, Wiltshire, England. The chamber is part of a neolithic passage grave on Fyfield Down. Two standing stones, a capstone and two fallen stones are all that remain of what was the entrance to a long mound, described in the 1920s as being around 230 ft long. The capstone is believed to weigh 17 tons. The burial chamber was reconstructed in 1921.

Reconstructed using frames from a youtube video in Agisoft Metashape in August 2020 - https://www.youtube.com/watch?v=61h497PvKdI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220284
title: The Devil's Den neolithic burial chamber

description: The Devil's Den or Devil's Den is a dolmen burial chamber on Fyfield Hill near Marlborough, Wiltshire, England. The chamber is part of a neolithic passage grave on Fyfield Down. Two standing stones, a capstone and two fallen stones are all that remain of what was the entrance to a long mound, described in the 1920s as being around 230 ft long. The capstone is believed to weigh 17 tons. The burial chamber was reconstructed in 1921.

Reconstructed using frames from a youtube video in Agisoft Metashape in August 2020 - https://www.youtube.com/watch?v=61h497PvKdI

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220282
title: Cowans Ford Plain Jar (1041p4,p14)

description: **Cowans Ford Plain jar**

Location: Low site (31Id31), Iredell County, North Carolina.

Period: Late Precontact (AD 1400-1600).

Material: ceramic.

Dimensions: height, 20.3 cm; diameter, 22.0 cm.

Notes: Catalog no. 1041p4,p14.  A partially restored rim fragment. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220287
title: Bacchante

description: Marbre datant de 1889. Hauteur 1.70 m. Oeuvre de Jean François Etcheto (Madrid 1853 - Paris 1889). Visible au Musée des Beaux Arts de Pau (Pyrénées Atlantiques - France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220273
title: Roon Memorial

description: artist: [Harro Magnussen](https://en.wikipedia.org/wiki/Harro_Magnussen)

subject: [Albrecht von Roon](https://en.wikipedia.org/wiki/Albrecht_von_Roon)

foundry: Fa. Martin & Piltzing

source: [Bildhauerei in Berlin](https://bildhauerei-in-berlin.de/bildwerk/roon-denkmal-5023/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220291
title: Cuatro Puertas

description: Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220277
title: Botella - RN 13193

description: Material: Cerámica

Cultura/Estilo: No determindo

Datación: Intermedio Tardío (1,000 d.c. - 1,476 d.c.)

Técnicas: Modelado, alto relieve

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220281
title: Cowans Ford Plain Jar (1041p4,p14)

description: **Cowans Ford Plain jar**

Location: Low site (31Id31), Iredell County, North Carolina.

Period: Late Precontact (AD 1400-1600).

Material: ceramic.

Dimensions: height, 20.3 cm; diameter, 22.0 cm.

Notes: Catalog no. 1041p4,p14.  A partially restored rim fragment. North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220298
title: Coin Box

description: A box used to save coins.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220292
title: Cuatro Puertas

description: Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220299
title: 縄文後・晩期土偶(千葉市加曽利貝塚) 観察記録3Dモデル

description: 縄文後・晩期土偶(千葉市加曽利貝塚) 観察記録3Dモデル
黒色土出土
撮影場所:加曽利貝塚博物館 企画展「特別史跡加曽利貝塚令和元年度発掘調査速報展」
撮影月日:2020.06.17 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220300
title: 縄文後・晩期土偶(千葉市加曽利貝塚) 観察記録3Dモデル

description: 縄文後・晩期土偶(千葉市加曽利貝塚) 観察記録3Dモデル
黒色土出土
撮影場所:加曽利貝塚博物館 企画展「特別史跡加曽利貝塚令和元年度発掘調査速報展」
撮影月日:2020.06.17 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220302
title: Ledbeg 7

description: Survey area 791m x 296m, 23.3 hectares, model created 30/03/2017, resolution 2.9 cm/px, camera DJI Inspire X3.

Model produced as part of an unmanned aerial photogrammetric survey of the Ledbeg area of Assynt, in NW Scotland. Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries.

See associated Ledbeg Index model for context.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220296
title: Adonis (A53)

description: Adonis (A53), 1887, Executed by August Saabye after Thorvaldsen's original plaster model 1808, Marble, height: 186 cm. Thorvaldsen Musem (Copenhagen, Denmark). Made with ReMake and ReCap Pro from AutoDesk.

Adonis is the most handsome and sought-after young man in Greek mythology, but his birth was defiled in that he was born as the son of a woman called Myrrha, who had had an incestuous relationship with her father. As a punishment, Myrrha was changed into a tree – the myrrh tree. And when the appointed time had passed, the bark of the tree burst and the infant Adonis came into the world. In a certain sense, Adonis was doomed from the start, and he was indeed only quite young when he was killed by a wild boar during a hunt. We can see the tree on which he is supporting himself and the dead hare as references to his birth and death respectively. 

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220301
title: Ledbeg 7

description: Survey area 791m x 296m, 23.3 hectares, model created 30/03/2017, resolution 2.9 cm/px, camera DJI Inspire X3.

Model produced as part of an unmanned aerial photogrammetric survey of the Ledbeg area of Assynt, in NW Scotland. Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries.

See associated Ledbeg Index model for context.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10220295
title: Adonis (A53)

description: Adonis (A53), 1887, Executed by August Saabye after Thorvaldsen's original plaster model 1808, Marble, height: 186 cm. Thorvaldsen Musem (Copenhagen, Denmark). Made with ReMake and ReCap Pro from AutoDesk.

Adonis is the most handsome and sought-after young man in Greek mythology, but his birth was defiled in that he was born as the son of a woman called Myrrha, who had had an incestuous relationship with her father. As a punishment, Myrrha was changed into a tree – the myrrh tree. And when the appointed time had passed, the bark of the tree burst and the infant Adonis came into the world. In a certain sense, Adonis was doomed from the start, and he was indeed only quite young when he was killed by a wild boar during a hunt. We can see the tree on which he is supporting himself and the dead hare as references to his birth and death respectively. 

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab