cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10273810
title: ROI022-106-01

description: Lamoka Point collected in Allen County, Indiana

Catalog #: 12-Al-1132-26 

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-106-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273815
title: Terra- Cotta Warriors

description: Terra- Cotta Warriors scanning by Fisher W handheld 3d scanner 

https://www.facebook.com/profile.php?id=100027655718480

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273816
title: Terra- Cotta Warriors

description: Terra- Cotta Warriors scanning by Fisher W handheld 3d scanner 

https://www.facebook.com/profile.php?id=100027655718480

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273821
title: 97 - Al Waarits اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْوَارِثُ	AL-WAARITH	The Inheritor, The Heir

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273822
title: 97 - Al Waarits اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْوَارِثُ	AL-WAARITH	The Inheritor, The Heir

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273829
title: Ermita de Sant Roc Ternils, Carcaixent, València

description: **Preservación digital** [![DOI](https://zenodo.org/badge/DOI/10.5281/zenodo.5775903.svg)](https://doi.org/10.5281/zenodo.5775903)

Ermita construïda durant el segle XIII arran de la conquesta cristiana. Primera església cristiana instal·lada en l'horta de Carcaixent. Després del despoblament i el trasllat de la parròquia a Carcaixent en 1573, l'església quedà reduïda a l'ermita actual.


Ermita construida durante el siglo XIII a raíz de la conquista cristiana. Primera iglesia cristiana instalada en la huerta de Carcaixent. Después de la despoblación y el traslado de la parroquia a Carcaixent en 1573, la iglesia quedó reducida a la ermita actual.


Hermitage built during the 13th century following the Christian conquest. First Christian church installed in the orchard of Carcaixent. After the depopulation and relocation of the parish to Carcaixent in 1573, the church was reduced to the hermitage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273830
title: Ermita de Sant Roc Ternils, Carcaixent, València

description: **Preservación digital** [![DOI](https://zenodo.org/badge/DOI/10.5281/zenodo.5775903.svg)](https://doi.org/10.5281/zenodo.5775903)

Ermita construïda durant el segle XIII arran de la conquesta cristiana. Primera església cristiana instal·lada en l'horta de Carcaixent. Després del despoblament i el trasllat de la parròquia a Carcaixent en 1573, l'església quedà reduïda a l'ermita actual.


Ermita construida durante el siglo XIII a raíz de la conquista cristiana. Primera iglesia cristiana instalada en la huerta de Carcaixent. Después de la despoblación y el traslado de la parroquia a Carcaixent en 1573, la iglesia quedó reducida a la ermita actual.


Hermitage built during the 13th century following the Christian conquest. First Christian church installed in the orchard of Carcaixent. After the depopulation and relocation of the parish to Carcaixent in 1573, the church was reduced to the hermitage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273839
title: 加曽利EⅢ式深鉢(成田市長田雉子ヶ原遺跡)企25 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(成田市長田雉子ヶ原遺跡)企25 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企25 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 39 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273840
title: 加曽利EⅢ式深鉢(成田市長田雉子ヶ原遺跡)企25 観察記録3Dモデル

description: 加曽利EⅢ式深鉢(成田市長田雉子ヶ原遺跡)企25 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企25 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 39 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273849
title: Lucerna cerámica medieval

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273850
title: Lucerna cerámica medieval

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273855
title: Lion

description: Palace of Darius the first, circa 510 BCE, Iran.
Musée du Louvre, Paris, France

Inv Id. Sb3299

3D scanned using Agisoft Photoscan


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273856
title: Lion

description: Palace of Darius the first, circa 510 BCE, Iran.
Musée du Louvre, Paris, France

Inv Id. Sb3299

3D scanned using Agisoft Photoscan


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273865
title: 7stone-right-3 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: 7 ряд, верхний 

Порядок: 3
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 7stone-right-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273866
title: 7stone-right-3 Saint George Cathedral

description: (Историческое описание рельефа) 

Каменный рельеф Георгиевского собора (г.Юрьев-Польский). 

Место расположения: южный фасад собора 

Ряд: 7 ряд, верхний 

Порядок: 3
Программа разработки: Agisoft Photoscan 

Создан в рамках научно-исследовательского проекта кафедры Исторической информатики МГУ им. М.В. Ломоносова совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А. 

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г. 
Авторы выражают благодарность директору музея Борисовой С.В. 

Рабочее название файла: 7stone-right-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273867
title: Plat palisséen

description: Ce plat bordé de mascarons représente probablement Daniel dans la fosse aux lions. Il s'inspire des céramiques Renaissance de Bernard Palissy (1510-1590), qui établit un atelier à Saintes (1539-1566). Son travail est notamment caractérisé par l'emploi d'une terre blanche à forte teneur en kaolin, un décor en relief, des glaçures dans les tons verts, bruns, jaunes, bleus.

Ce plat en faïence à décor mouluré d'une trentaine de centimètres de large provient certainement d'un atelier saintongeais. C'est une vaisselle d'apparat, d'époque Renaissance, destinée à être exposée dans des meubles de type dressoir ou vaisselier. 

N° d'inv. 1992.10.1B issu des collections des musées de Saintes (16 - France). [Voir la fiche dans notre base de données en ligne](http://www.alienor.org/collections-des-musees/fiche-objet-87710).

Numérisation 3D : scanner Spider - Artec3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273868
title: Plat palisséen

description: Ce plat bordé de mascarons représente probablement Daniel dans la fosse aux lions. Il s'inspire des céramiques Renaissance de Bernard Palissy (1510-1590), qui établit un atelier à Saintes (1539-1566). Son travail est notamment caractérisé par l'emploi d'une terre blanche à forte teneur en kaolin, un décor en relief, des glaçures dans les tons verts, bruns, jaunes, bleus.

Ce plat en faïence à décor mouluré d'une trentaine de centimètres de large provient certainement d'un atelier saintongeais. C'est une vaisselle d'apparat, d'époque Renaissance, destinée à être exposée dans des meubles de type dressoir ou vaisselier. 

N° d'inv. 1992.10.1B issu des collections des musées de Saintes (16 - France). [Voir la fiche dans notre base de données en ligne](http://www.alienor.org/collections-des-musees/fiche-objet-87710).

Numérisation 3D : scanner Spider - Artec3D

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273869
title: Inbunden notsamling

description: En inbunden notsamling för piano forte. Modellen skapad i Agisoft Metashape Pro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273870
title: Inbunden notsamling

description: En inbunden notsamling för piano forte. Modellen skapad i Agisoft Metashape Pro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273871
title: Urne

description: Finishing of a gravestone in the shape of an urn at the Döblinger cemetery in the 19th district of Vienna. The urn is entwined by a snake.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273872
title: Urne

description: Finishing of a gravestone in the shape of an urn at the Döblinger cemetery in the 19th district of Vienna. The urn is entwined by a snake.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273873
title: Sarcophagus with Ariadne

description: Sarcophagus with Ariadne sleeping, 280 A.D., marble, Rome, Ny Carlsberg glyptotek (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

For more update, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273874
title: Sarcophagus with Ariadne

description: Sarcophagus with Ariadne sleeping, 280 A.D., marble, Rome, Ny Carlsberg glyptotek (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

For more update, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273875
title: Gravestone of Harvard President Charles W. Eliot

description: Mt. Auburn Cemetery, Cambridge Massachusetts

December 31, 2020

Uploaded with 3dScannerApp.com using an iPhone 12 Pro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273876
title: Gravestone of Harvard President Charles W. Eliot

description: Mt. Auburn Cemetery, Cambridge Massachusetts

December 31, 2020

Uploaded with 3dScannerApp.com using an iPhone 12 Pro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273877
title: Guerrero Copper Sheet in Bedrock No.2 (2019)

description: Site 2-04-8MO02343: Pieces of crumpled copper sheet driven into holes in the limestone bedrock, as well as fused to the surface of it. This metal sheeting once covered the lower hull of the ship to prevent shipworm infestation and fouling of the bottom. Model created June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273878
title: Guerrero Copper Sheet in Bedrock No.2 (2019)

description: Site 2-04-8MO02343: Pieces of crumpled copper sheet driven into holes in the limestone bedrock, as well as fused to the surface of it. This metal sheeting once covered the lower hull of the ship to prevent shipworm infestation and fouling of the bottom. Model created June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273880
title: Tomba di Ciro II il Grande a Pasargade (Iran)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273881
title: Tomba di Ciro II il Grande a Pasargade (Iran)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273882
title: Symphony - statue, sculpture

description: A statue created in then-soviet era People's Republic of Poland.
The statue was situated in a park behind a public library in Mielec.
Original author is Janina Barcicka.
Sculpture was created in 1979.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273883
title: Symphony - statue, sculpture

description: A statue created in then-soviet era People's Republic of Poland.
The statue was situated in a park behind a public library in Mielec.
Original author is Janina Barcicka.
Sculpture was created in 1979.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273884
title: Swahili Staff

description: Top section of a 19th or 20th-century Swahili staff, now in the collection of the Minneapolis Institute of Art. 

More information about the object here:

https://collections.artsmia.org/art/12117/staff-swahili



A point cloud version of the object is here:
https://skfb.ly/6qE9t

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273885
title: Swahili Staff

description: Top section of a 19th or 20th-century Swahili staff, now in the collection of the Minneapolis Institute of Art. 

More information about the object here:

https://collections.artsmia.org/art/12117/staff-swahili



A point cloud version of the object is here:
https://skfb.ly/6qE9t

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273886
title: Scar-H

description: Scar-H, also called K17 is an Assoult Rifle with is designed in US-America.

(Verts.27.692/Faces.12.994/Trias.26.330).

Thanks for downloading and looking at my 3D models i upload.
Also visit my acoount on Blendswap, where i upload much other models.
www.Blendswap.com/User/BlenderGE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273887
title: Scar-H

description: Scar-H, also called K17 is an Assoult Rifle with is designed in US-America.

(Verts.27.692/Faces.12.994/Trias.26.330).

Thanks for downloading and looking at my 3D models i upload.
Also visit my acoount on Blendswap, where i upload much other models.
www.Blendswap.com/User/BlenderGE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273888
title: Steam Powered Wagon

description: A steam powered western wagon. Likely put together by an engineer and the western era.

No textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273889
title: Steam Powered Wagon

description: A steam powered western wagon. Likely put together by an engineer and the western era.

No textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273890
title: Milk River (Wooden Horse Sculpture)

description: Milk River Deborah Butterfield 2019, painted bronze, 87" high Gift of Samuel G. Rose  Deborah Butterfield assembled pieces of driftwood to create Milk River, then cast each piece in bronze, reassembled the metal pieces, and painted them. The sculpture is named for a river in Montana, where she works. Butterfield's horses are unusual in that they are mares, not stallions as is more common in art. She says she wants to make "big beautiful mares that are as strong and imposing as stallions but capable of creation and nourishing life. It is a very personal statement." The horse is among the most ancient and persistent images in art, familiar even in the caves at Lascaux. Within this long tradition, Butterfield's mares occupy a special place; they are not work horses, nor transport, nor war horses. Her horses are thrilling and noble reminders of our once-close intimacy with nature. Located in the Presidential Grove at The Reach at the Kennedy Center in Washington, D.C.

Created with Polycam.ai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273891
title: Milk River (Wooden Horse Sculpture)

description: Milk River Deborah Butterfield 2019, painted bronze, 87" high Gift of Samuel G. Rose  Deborah Butterfield assembled pieces of driftwood to create Milk River, then cast each piece in bronze, reassembled the metal pieces, and painted them. The sculpture is named for a river in Montana, where she works. Butterfield's horses are unusual in that they are mares, not stallions as is more common in art. She says she wants to make "big beautiful mares that are as strong and imposing as stallions but capable of creation and nourishing life. It is a very personal statement." The horse is among the most ancient and persistent images in art, familiar even in the caves at Lascaux. Within this long tradition, Butterfield's mares occupy a special place; they are not work horses, nor transport, nor war horses. Her horses are thrilling and noble reminders of our once-close intimacy with nature. Located in the Presidential Grove at The Reach at the Kennedy Center in Washington, D.C.

Created with Polycam.ai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273892
title: Parthenon Marble Block I South Frieze

description: Marble relief, fragment (Block I) of the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
The southern branch of the procession follows a similar pattern to the northern. While the North frieze has sixty horsemen carved over nineteen blocks, the South frieze, however, features the same number carved over twenty-four blocks. Ten groups of six in the South cavalcade, defined by dress, probably represent the division of the Athenian cavalry itself into ten tribal units. The horsemen of the south frieze are less well preserved than those of the north, and the composition is less varied. The explosion of the Parthenon in 1687 damaged the South frieze the most.
This block shows a horseman, wearing a chlamys, a tunic, knee-length boots and a type of animal skin cap with ear- and neck-flaps (alopekis). A fragment preserving figure 4 was presented to the British Museum by C.R. Cockerell in 1830.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273893
title: Parthenon Marble Block I South Frieze

description: Marble relief, fragment (Block I) of the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
The southern branch of the procession follows a similar pattern to the northern. While the North frieze has sixty horsemen carved over nineteen blocks, the South frieze, however, features the same number carved over twenty-four blocks. Ten groups of six in the South cavalcade, defined by dress, probably represent the division of the Athenian cavalry itself into ten tribal units. The horsemen of the south frieze are less well preserved than those of the north, and the composition is less varied. The explosion of the Parthenon in 1687 damaged the South frieze the most.
This block shows a horseman, wearing a chlamys, a tunic, knee-length boots and a type of animal skin cap with ear- and neck-flaps (alopekis). A fragment preserving figure 4 was presented to the British Museum by C.R. Cockerell in 1830.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273894
title: Cană dacică

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273895
title: Cană dacică

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273898
title: Atascadero Rotunda Building

description: This is My Second Oblique model captured with a DJI MAVIC  2 Professional and DJI Smartcontroller. I actually had 90 more data captures to upload but decided to run with the lesser amount. This came out pretty nice!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273899
title: Atascadero Rotunda Building

description: This is My Second Oblique model captured with a DJI MAVIC  2 Professional and DJI Smartcontroller. I actually had 90 more data captures to upload but decided to run with the lesser amount. This came out pretty nice!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273905
title: Yadkin Large Triangular (312a420)

description: **Yadkin Large Triangular spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 44.8 mm; width, 31.1 mm; thickness, 7.8 mm.

Notes: Catalog no. 312a420, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 42. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273906
title: Yadkin Large Triangular (312a420)

description: **Yadkin Large Triangular spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 44.8 mm; width, 31.1 mm; thickness, 7.8 mm.

Notes: Catalog no. 312a420, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 42. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273915
title: Mercy Hot Springs

description: This building is old , but the fancy ends are new.  This hot spring was occupied by native Americas, Spanish, and now Anglos off Rout 5 in Central CA.


Created in RealityCapturefrom 57 images in 00h:12m:00s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273916
title: Mercy Hot Springs

description: This building is old , but the fancy ends are new.  This hot spring was occupied by native Americas, Spanish, and now Anglos off Rout 5 in Central CA.


Created in RealityCapturefrom 57 images in 00h:12m:00s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273921
title: Bárðarbunga eruption - 2014/2015

description: Earthquakes linked to the 2014/2015 eruption of Bárðarbunga in Iceland. 

* Long story: see [Wikipedia](https://en.wikipedia.org/wiki/2014%E2%80%932015_eruption_of_B%C3%A1r%C3%B0arbunga)
* Long story short: tectonic plates diverge, magma rises, volcanoes erupt :)

Data Range:

* Lat/Lon: 63°N - 67°N / 25°W - 12°W
* Depth: 0 to 15km
* Magnitude: 4 (blue) to 5.6 (red)
* Time: 2014-08-16 to 2015-02-19 : 1s ~= 2 weeks 

Sources:

* Topography and bathymetry: [Etopo1 Global Relief Model](https://www.ngdc.noaa.gov/mgg/global/global.html)
* Earthquakes: [ANSS Comprehensive Earthquake Catalog](https://earthquake.usgs.gov/data/comcat/)
* Geological map: [Islandskort.is](https://islandskort.is/en/map/show/607)

Created with python and blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273922
title: Bárðarbunga eruption - 2014/2015

description: Earthquakes linked to the 2014/2015 eruption of Bárðarbunga in Iceland. 

* Long story: see [Wikipedia](https://en.wikipedia.org/wiki/2014%E2%80%932015_eruption_of_B%C3%A1r%C3%B0arbunga)
* Long story short: tectonic plates diverge, magma rises, volcanoes erupt :)

Data Range:

* Lat/Lon: 63°N - 67°N / 25°W - 12°W
* Depth: 0 to 15km
* Magnitude: 4 (blue) to 5.6 (red)
* Time: 2014-08-16 to 2015-02-19 : 1s ~= 2 weeks 

Sources:

* Topography and bathymetry: [Etopo1 Global Relief Model](https://www.ngdc.noaa.gov/mgg/global/global.html)
* Earthquakes: [ANSS Comprehensive Earthquake Catalog](https://earthquake.usgs.gov/data/comcat/)
* Geological map: [Islandskort.is](https://islandskort.is/en/map/show/607)

Created with python and blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273925
title: Calendario Azteca

description: Calendario Azteca version star wars

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273926
title: Calendario Azteca

description: Calendario Azteca version star wars

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10273927
title: Tea Bowl with Crucifix Design, 18th-19th century

description: Tea Bowl with Crucifix design. Japan. ca. 18th-19th century. Oblong shapes: 7.6cm x 9.5cm x 12.7 (3" x 3.75" x 5" [length x width x height]). 

Tea utensils possibly used as Baptismal bowls by "Kakure Kirishitan  隠れキリシタン" ("Hidden Christians") who were compelled to hide their community during the persecution of Christianity by Japan beginning in the 17th century.

Physical object housed at the Ricci Institute at Boston College (https://www.bc.edu/bc-web/centers/Ricci-Institute.html)

Description by Mark Stephen Mir.

3D Scan by: 2022 Summer Internship Team.

Source: Objaverse 1.0 / Sketchfab