cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10297252
title: Matterport + drone scan merged

description: An architect asked me to make to points cloud of the same building, one of the inside and another for the outside. 
For the inside part I used a Matteport scanner because it is fast and reliable, plus it offers you a really good virtual tour.

For the outside, I used a mavic Pro 2 drone + custom made scale bars for the precesion. Metashape for the calculs. 

I merged the two points clouds using Cloud Compare. 
What you see here is the merging, but it as been subsampled at nearly 90% of it's original level of details for uploading purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297253
title: Fletcher Benton - Donut with 3 Balls

description: Cor-ten steel 2002, this 3D scan 2014

Scanned at: deCordova Sculpture Garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297254
title: Fletcher Benton - Donut with 3 Balls

description: Cor-ten steel 2002, this 3D scan 2014

Scanned at: deCordova Sculpture Garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297255
title: Hadımköy Askeri Hastane / 03.05.2020

description: Hadımköy Askeri Hastane / 03.05.2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297256
title: Hadımköy Askeri Hastane / 03.05.2020

description: Hadımköy Askeri Hastane / 03.05.2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297257
title: German MP-18 (ww1)

description: [ Info ]

I did not do the modelling for this item. I've updated the UV's and Textured it.

If you want to check out my work:

✚ Youtube: https://tinyurl.com/SubscribeToJanovich

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297258
title: German MP-18 (ww1)

description: [ Info ]

I did not do the modelling for this item. I've updated the UV's and Textured it.

If you want to check out my work:

✚ Youtube: https://tinyurl.com/SubscribeToJanovich

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297259
title: Ormond Castle, Avoch

description: Following a site survey in March 2016 carried out  by members of Avoch Community Archaeology (ACA) and the North of Scotland Archaeological Society (NOSAS), this 3d model of Ormond Hill has been produced. Many hitherto unknown features were recorded, adding to our knowledge of the site, which is far more complex than Beaton's plan of 1885 might suggest. Further investigation/excavation is planned.

https://canmore.org.uk/site/13572/ormond-castle

(Special thanks to Alan Thompson of NOSAS for permitting the use of his photographs in creating the model.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297260
title: Ormond Castle, Avoch

description: Following a site survey in March 2016 carried out  by members of Avoch Community Archaeology (ACA) and the North of Scotland Archaeological Society (NOSAS), this 3d model of Ormond Hill has been produced. Many hitherto unknown features were recorded, adding to our knowledge of the site, which is far more complex than Beaton's plan of 1885 might suggest. Further investigation/excavation is planned.

https://canmore.org.uk/site/13572/ormond-castle

(Special thanks to Alan Thompson of NOSAS for permitting the use of his photographs in creating the model.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297263
title: Conciliation Cross

description: Conciliation Cross of Chlumec chruch (CZ), with a sword engraving in the stone

*In medieval times, they were sometimes handmade by the murderer as a symbol of conciliation with the family of his victim. Conciliation crosses were also put where many accidents, disasters or epidemics had happened. These memorial crosses are mostly in central and western Europe. * https://en.wikipedia.org/wiki/Conciliation_cross

Detailed info http://smircikrize.euweb.cz/CR/Usti_nad_Labem/Chlumec.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297264
title: Conciliation Cross

description: Conciliation Cross of Chlumec chruch (CZ), with a sword engraving in the stone

*In medieval times, they were sometimes handmade by the murderer as a symbol of conciliation with the family of his victim. Conciliation crosses were also put where many accidents, disasters or epidemics had happened. These memorial crosses are mostly in central and western Europe. * https://en.wikipedia.org/wiki/Conciliation_cross

Detailed info http://smircikrize.euweb.cz/CR/Usti_nad_Labem/Chlumec.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297265
title: Chess Board

description: vintage chess board

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297266
title: Chess Board

description: vintage chess board

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297267
title: Karpinmäki 2 burial cairn, Salo, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn in Karpinmäki 2, Salo, Finland.

More info:

* [Location in Google Maps](https://goo.gl/maps/Nv9PUcK1JVVhjZJx8)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.586010073)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297268
title: Karpinmäki 2 burial cairn, Salo, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn in Karpinmäki 2, Salo, Finland.

More info:

* [Location in Google Maps](https://goo.gl/maps/Nv9PUcK1JVVhjZJx8)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.586010073)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297269
title: Le triomphe de l'élue

description: Oeuvre en chêne brûlé peint de 136 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 8 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***La vierge choisie est portée triomphalement vers la pierre du sacrifice par un cortège d'adolescents. Ils brandissent des boutons de rose et se distinguent ainsi des jeunes filles qui portent la marguerite ouverte, dans la partie inférieure de l'œuvre (à noter la répétition du triangle dans les vides formés par les bras levés)***. Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297270
title: Le triomphe de l'élue

description: Oeuvre en chêne brûlé peint de 136 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 8 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***La vierge choisie est portée triomphalement vers la pierre du sacrifice par un cortège d'adolescents. Ils brandissent des boutons de rose et se distinguent ainsi des jeunes filles qui portent la marguerite ouverte, dans la partie inférieure de l'œuvre (à noter la répétition du triangle dans les vides formés par les bras levés)***. Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297271
title: ハマグリ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)374図10表面 観察記録3Dモデル

description: ハマグリ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)374図10表面 観察記録3Dモデル
縄文中期、L、殻長111.2㎜、殻高88.5㎜ 
撮影場所:千葉県教育庁森宮分室 
撮影月日:2020.09.18 
許可:千葉県教育委員会許可による撮影・掲載 
ハイパス調整画像、高精細モデル
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.008 processing 23 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297272
title: ハマグリ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)374図10表面 観察記録3Dモデル

description: ハマグリ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)374図10表面 観察記録3Dモデル
縄文中期、L、殻長111.2㎜、殻高88.5㎜ 
撮影場所:千葉県教育庁森宮分室 
撮影月日:2020.09.18 
許可:千葉県教育委員会許可による撮影・掲載 
ハイパス調整画像、高精細モデル
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.008 processing 23 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297275
title: Peter Ganine Classic Queen

description: Peter Ganine Classic Queen
One of the most famous and iconic props from Star Trek is the three dimensional chess set, and the most generally associated
were the Ganine "Classic Style" chess pieces. 

Peter Ganine (October 11, 1900 – August 11, 1974) was a Russian-American sculptor best known for his work in ceramics and his chess sets. When Ganine gave human faces to chess pieces, he introduced "first major change of design for chess sets in more than a century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297276
title: Peter Ganine Classic Queen

description: Peter Ganine Classic Queen
One of the most famous and iconic props from Star Trek is the three dimensional chess set, and the most generally associated
were the Ganine "Classic Style" chess pieces. 

Peter Ganine (October 11, 1900 – August 11, 1974) was a Russian-American sculptor best known for his work in ceramics and his chess sets. When Ganine gave human faces to chess pieces, he introduced "first major change of design for chess sets in more than a century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297277
title: Callanish 10  Stone 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297278
title: Callanish 10  Stone 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297279
title: Bronze Gilded Buddha Statue

description: Ultra-high resolution 3D scanned model. We have the source model of 100 million triangles, if you have a demand, please contact us.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297280
title: Bronze Gilded Buddha Statue

description: Ultra-high resolution 3D scanned model. We have the source model of 100 million triangles, if you have a demand, please contact us.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297281
title: XFP-056 Burnishing tool, Sanak Island, Alaska.

description: Bone burnishing tool, Sanak Island, Alaska. CAT# XFP-056-3-1

XFP-056 is a group of large house depressions on the south shore of Pauloff Harbor, Sanak Island, Alaska. Multiple radiocarbon dates place it from 300 CE to 800 CE, although the upper most levels may date to the 13th century.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297282
title: XFP-056 Burnishing tool, Sanak Island, Alaska.

description: Bone burnishing tool, Sanak Island, Alaska. CAT# XFP-056-3-1

XFP-056 is a group of large house depressions on the south shore of Pauloff Harbor, Sanak Island, Alaska. Multiple radiocarbon dates place it from 300 CE to 800 CE, although the upper most levels may date to the 13th century.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in ZBrush. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297283
title: Pharaoh

description: I made this out of SuperSculpey on a rainy day, about 15 years ago. I turned it into a 3D model, also on a rainy day. Enjoy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297284
title: Pharaoh

description: I made this out of SuperSculpey on a rainy day, about 15 years ago. I turned it into a 3D model, also on a rainy day. Enjoy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297285
title: KUBAH KONTEMPLASI

description: Salah satu elemen ruang dalam ruang kontemplasi di Museum Bhinneka Tunggal Ika

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297286
title: KUBAH KONTEMPLASI

description: Salah satu elemen ruang dalam ruang kontemplasi di Museum Bhinneka Tunggal Ika

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297287
title: Flint Scraper (Kentucky, USA)

description: Flint scraper with borer/awl from my parents yard outside Louisville, Kentucky. It was found out of context during lawn work on their property. Likely Woodland culture or later.

Model take with NextEngine 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297288
title: Flint Scraper (Kentucky, USA)

description: Flint scraper with borer/awl from my parents yard outside Louisville, Kentucky. It was found out of context during lawn work on their property. Likely Woodland culture or later.

Model take with NextEngine 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297289
title: Ayasofya Camii / Hagia Sophia

description: EN: Hagia Sophia officially the Hagia Sophia Holy Grand Mosque is a Late Antique place of worship in Istanbul. Built in 537 as the patriarchal cathedral of the imperial capital of Constantinople, it was the largest Christian church of the eastern Roman Empire (the Byzantine Empire) and the Eastern Orthodox Church, except during the Latin Empire from 1204 to 1261, when it became the city's Roman Catholic cathedral. In 1453, after the Fall of Constantinople to the Ottoman Empire, it was converted into a mosque. In 1935 the secular Turkish Republic established it as a museum. In 2020, it re-opened as a mosque.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297290
title: Ayasofya Camii / Hagia Sophia

description: EN: Hagia Sophia officially the Hagia Sophia Holy Grand Mosque is a Late Antique place of worship in Istanbul. Built in 537 as the patriarchal cathedral of the imperial capital of Constantinople, it was the largest Christian church of the eastern Roman Empire (the Byzantine Empire) and the Eastern Orthodox Church, except during the Latin Empire from 1204 to 1261, when it became the city's Roman Catholic cathedral. In 1453, after the Fall of Constantinople to the Ottoman Empire, it was converted into a mosque. In 1935 the secular Turkish Republic established it as a museum. In 2020, it re-opened as a mosque.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297291
title: Vessel with Frog Motif, 1st C BCE - 1st C CE

description: Thai Vessel with Frog Motif, 1st century BCE - 1st century CE, now in the collection of the Minneapolis Institute of Art.


More information at

https://collections.artsmia.org/art/99897/vessel-with-frog-motif-thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297292
title: Vessel with Frog Motif, 1st C BCE - 1st C CE

description: Thai Vessel with Frog Motif, 1st century BCE - 1st century CE, now in the collection of the Minneapolis Institute of Art.


More information at

https://collections.artsmia.org/art/99897/vessel-with-frog-motif-thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297293
title: NMI Fitzgerald-Kildare Harp

description: A (probably) late 17 century harp with the initials R.F.G. an the coat of arms of a second son of the FitzGeralds of Kildare family on the front of the forepillar.

The harp is in the collection of the National Museum of Ireland - NMI. http://museum.ie  The museum number of the item is 1946.47

See my website for more about me, why I comissioned the scans and the efforts to make a working copy of the instrument:
http://harfiarka.pl/en/

3D mesh of the Fitzgerald-Kildare harp
comissioned by Barbara Karlik
harp scanned on 24.10.2017 by Elaina Surgue
data processed by 3Dprinting Ireland, Elaina Surgue and Ciarán McCormack
 Scale of model 1:1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297294
title: NMI Fitzgerald-Kildare Harp

description: A (probably) late 17 century harp with the initials R.F.G. an the coat of arms of a second son of the FitzGeralds of Kildare family on the front of the forepillar.

The harp is in the collection of the National Museum of Ireland - NMI. http://museum.ie  The museum number of the item is 1946.47

See my website for more about me, why I comissioned the scans and the efforts to make a working copy of the instrument:
http://harfiarka.pl/en/

3D mesh of the Fitzgerald-Kildare harp
comissioned by Barbara Karlik
harp scanned on 24.10.2017 by Elaina Surgue
data processed by 3Dprinting Ireland, Elaina Surgue and Ciarán McCormack
 Scale of model 1:1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297297
title: Townhead 1, Dumfries and Galloway

description: Lovely cup and ring marked panel at Townhead. Recorded by Morris and van Hoek as Townhead 1A and Naddir et al as Townhead 11. Recorded in detail by ScRAP and the Kirkcudbright Rock Art Team.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297298
title: Townhead 1, Dumfries and Galloway

description: Lovely cup and ring marked panel at Townhead. Recorded by Morris and van Hoek as Townhead 1A and Naddir et al as Townhead 11. Recorded in detail by ScRAP and the Kirkcudbright Rock Art Team.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297301
title: Dryburn Limekiln (small)

description: test model of photogrammetry from Dryburn Lime Kiln

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297302
title: Dryburn Limekiln (small)

description: test model of photogrammetry from Dryburn Lime Kiln

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297303
title: Olmec Big Head (2)

description: Museo de Antropologia de Xalapa, Mexico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297304
title: Olmec Big Head (2)

description: Museo de Antropologia de Xalapa, Mexico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297305
title: A sword blade from Vimose (cat. no. A762.7)

description: The 3D model presents a digital reconstruction of a sword blade found in Vimose, Denmark.

Date: 2nd –3rd century AD.

Description: Complete sword, including tang. Total length of sword, tang and rivet head: c. 926 mm. Visible length of blade (part is covered by cross guard): c. 734 mm. Blade width: c. 42 mm. Length of tang: c. 192 mm. The cross-section of the blade is facetted rhombus-shaped. The sword still preserves its lower cross guard.

Literature: Miks, C. (2007) Studien zur römischen Schwertbewaffnung in der Kaiserzeit. Verlag Marie Leidorf GmbH, Rahden, 753, pl. 63, 168

The authors of the reconstruction are 

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design)
https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) 
https://independent.academia.edu/MariiaMoskvina

Martijn A. Wijnhoven (VU University Amsterdam)
https://vu-nl.academia.edu/MartijnAWijnhoven

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297306
title: A sword blade from Vimose (cat. no. A762.7)

description: The 3D model presents a digital reconstruction of a sword blade found in Vimose, Denmark.

Date: 2nd –3rd century AD.

Description: Complete sword, including tang. Total length of sword, tang and rivet head: c. 926 mm. Visible length of blade (part is covered by cross guard): c. 734 mm. Blade width: c. 42 mm. Length of tang: c. 192 mm. The cross-section of the blade is facetted rhombus-shaped. The sword still preserves its lower cross guard.

Literature: Miks, C. (2007) Studien zur römischen Schwertbewaffnung in der Kaiserzeit. Verlag Marie Leidorf GmbH, Rahden, 753, pl. 63, 168

The authors of the reconstruction are 

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design)
https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) 
https://independent.academia.edu/MariiaMoskvina

Martijn A. Wijnhoven (VU University Amsterdam)
https://vu-nl.academia.edu/MartijnAWijnhoven

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297307
title: Panels from Tiglath-pileser III's palace, Nimrud

description: Gypsum wall panel relief: shows a city captured, its inhabitants and animals being driven away. The city is surrounded by a double wall fortified with turrets and battlements. The walls are crenellated but have no openings. Three square gateways with double doors lead into the city, within which a date-palm grows. This indicates that this scene is laid in Babylonia. On a low platform in front of the walls, apparently made by the Assyrians for the attack, stand two battering rams (of that to the left only traces visible). They are not in action because the city is already taken. A scribe writes to an officer's dictation as women and children are driving away in bullock-carts with eight-spoked wheels.

Created from 79 photographs taken on a Sony A6000 during crowded opening time. Processed in Agisoft Photoscan. This scan is not perfect as the subject is in low light.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297308
title: Panels from Tiglath-pileser III's palace, Nimrud

description: Gypsum wall panel relief: shows a city captured, its inhabitants and animals being driven away. The city is surrounded by a double wall fortified with turrets and battlements. The walls are crenellated but have no openings. Three square gateways with double doors lead into the city, within which a date-palm grows. This indicates that this scene is laid in Babylonia. On a low platform in front of the walls, apparently made by the Assyrians for the attack, stand two battering rams (of that to the left only traces visible). They are not in action because the city is already taken. A scribe writes to an officer's dictation as women and children are driving away in bullock-carts with eight-spoked wheels.

Created from 79 photographs taken on a Sony A6000 during crowded opening time. Processed in Agisoft Photoscan. This scan is not perfect as the subject is in low light.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297309
title: Balimeanach BC1 - cup mark - probably natural

description: A reported cup mark on a schistose outcrop, at NN 63710 22757,on balance appears to be natural. ScRAP ID 875.  There are also three other very similar depressions immediately adjacent to it (not previously mentioned as cup marks), which also look natural.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297310
title: Balimeanach BC1 - cup mark - probably natural

description: A reported cup mark on a schistose outcrop, at NN 63710 22757,on balance appears to be natural. ScRAP ID 875.  There are also three other very similar depressions immediately adjacent to it (not previously mentioned as cup marks), which also look natural.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10297312
title: Wmid-42fe18 - Incomplete skirted terret ring

description: An incomplete harness fitting: skirted terret type of Roman (AD mid-1st century and mid-2nd century) dating.

Less than 50% of the terret ring is present, with most of the ring missing and part of the skirt being incomplete. The upper loop is incomplete with a flat cross section. The base of the loop expands and in width and sits on an integral skirt. The skirt on such terret rings are normally lozenge shape in plan with the two terminal corners being upturned, and the side corners are downturned, neither of these terminal corners are present. The edges of the break are patinated. The underside of the skirt is hollow but protruding from each terminal there is a rectangular loop which is oval in section.

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1059824

Source: Objaverse 1.0 / Sketchfab