cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10264528
title: Egg-shaped vase with flaring rim - PG.41.1.871

description: Egg-shaped vase with flaring rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.41.1.871

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198507&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264531
title: São Tiago Church | Montemor-o-Novo's Castle

description: It had already been referenced before 1302 as one of the four existing Parish Churches in the intramural village of Montemor-o-Novo. It was open to worship until the second half of the 19th century. In this church we can find an interesting set of mural paintings, executed during the 17th and 18th centuries. With its still very well preserved decoration of an "Orchestra of Musician Angels", the ceiling of the main chapel is especially noteworthy.

It was restored to be used as the Interpretative Center of the Castle in 2007. This scan was executed in April 2019, when the church was soon to be restored for the second time and to get a new exhibition. The Interpretation Center of the Castle of Montemor-o-Novo reopened on March 7th 2020.

Processed in RealityCapture, this model was made using 683 drone images, 1900 terrestrial images, and 96 FAROFocus3D laser scan positions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264532
title: São Tiago Church | Montemor-o-Novo's Castle

description: It had already been referenced before 1302 as one of the four existing Parish Churches in the intramural village of Montemor-o-Novo. It was open to worship until the second half of the 19th century. In this church we can find an interesting set of mural paintings, executed during the 17th and 18th centuries. With its still very well preserved decoration of an "Orchestra of Musician Angels", the ceiling of the main chapel is especially noteworthy.

It was restored to be used as the Interpretative Center of the Castle in 2007. This scan was executed in April 2019, when the church was soon to be restored for the second time and to get a new exhibition. The Interpretation Center of the Castle of Montemor-o-Novo reopened on March 7th 2020.

Processed in RealityCapture, this model was made using 683 drone images, 1900 terrestrial images, and 96 FAROFocus3D laser scan positions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264533
title: Soberanes Canyon Trail, Ca - Lookout bench

description: This is the legendary lookout bench on the way up through the coastal trail side of the Soberanes Canyon Trail.
The trail is a 5.4 mile heavily trafficked loop trail located near Carmel-by-the-Sea, California that features a waterfall and is rated as difficult. The trail is primarily used for hiking, running, and nature trips and is accessible year-round.
[https://www.alltrails.com/trail/us/california/soberanes-canyon-trail](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264534
title: Soberanes Canyon Trail, Ca - Lookout bench

description: This is the legendary lookout bench on the way up through the coastal trail side of the Soberanes Canyon Trail.
The trail is a 5.4 mile heavily trafficked loop trail located near Carmel-by-the-Sea, California that features a waterfall and is rated as difficult. The trail is primarily used for hiking, running, and nature trips and is accessible year-round.
[https://www.alltrails.com/trail/us/california/soberanes-canyon-trail](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264545
title: Composite dolmen Spunetam-2 (full complex)

description: The dolmen is located on Mezetsu range (Spunetam group of monuments), Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus.

The stone tomb is placed on the stone cairn with remains of retaining wall.  Sepulcher chamber is built with almost wild stone blocks. That is one of the most rare constructions for this culture. Facade wall is absent now.

Дольмен расположен на хребете Мезецу, Туапсинский район.
Относится к типу составных сооружений. 
Особенности: дольмен выполнен преимущественно из необработанных блоков, что является редкостью, курган, вероятно, был укреплен крепидой, фасад сейчас отсутсвует.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264546
title: Composite dolmen Spunetam-2 (full complex)

description: The dolmen is located on Mezetsu range (Spunetam group of monuments), Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus.

The stone tomb is placed on the stone cairn with remains of retaining wall.  Sepulcher chamber is built with almost wild stone blocks. That is one of the most rare constructions for this culture. Facade wall is absent now.

Дольмен расположен на хребете Мезецу, Туапсинский район.
Относится к типу составных сооружений. 
Особенности: дольмен выполнен преимущественно из необработанных блоков, что является редкостью, курган, вероятно, был укреплен крепидой, фасад сейчас отсутсвует.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264557
title: Medieval Epitaph With Wipedout Inscription

description: https://mapy.cz/s/jenetumahe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264558
title: Medieval Epitaph With Wipedout Inscription

description: https://mapy.cz/s/jenetumahe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264559
title: Statue of a constructor manager

description: Statue of a constructor manager, 1400 BCE, shale (?). Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

For more Updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264560
title: Statue of a constructor manager

description: Statue of a constructor manager, 1400 BCE, shale (?). Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

For more Updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264561
title: SWAAG hut circle door sill and porched entrance

description: The Hagg, Swaledale. A section of Platform #1, originaly identified in 2012 and then re-examined in 2017, this east-facing porched entrance holds a stone rebated door sill into an 8m diameter hut circle with a stone flagged floor and central hearth.

The model focuses on the door sill, essentially with east to the top of the frame (ie, looking out of the remains of the hut circle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264562
title: SWAAG hut circle door sill and porched entrance

description: The Hagg, Swaledale. A section of Platform #1, originaly identified in 2012 and then re-examined in 2017, this east-facing porched entrance holds a stone rebated door sill into an 8m diameter hut circle with a stone flagged floor and central hearth.

The model focuses on the door sill, essentially with east to the top of the frame (ie, looking out of the remains of the hut circle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264563
title: Vaso corintio

description: Título: Vaso corintio.
Descripción: Réplica de vaso corintio del siglo VI a.C.
Cultura: griega.
Datación: n/a.
Método: Fotogrametría, iluminación con paneles LED y polarización cruzada para reducir los brillos de la superficie.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264564
title: Vaso corintio

description: Título: Vaso corintio.
Descripción: Réplica de vaso corintio del siglo VI a.C.
Cultura: griega.
Datación: n/a.
Método: Fotogrametría, iluminación con paneles LED y polarización cruzada para reducir los brillos de la superficie.
Cámara: Nikon D7000 con objetivo Tokina 100 mm macro.
Software: Agisoft Photoscan Standard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264566
title: Druim Mor DS26

description: Two cup marks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264565
title: Druim Mor DS26

description: Two cup marks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264567
title: Digital Kids: Imagine, Build and Reveal, #8

description: Entry from V&A REVEAL Festival workshop - Digital Kids: Imagine, Build and Reveal - Saturday 1 - Sunday 2 July, 2017.

Participants reimagined the Museum in Minecraft.

Assets created by @BlockWorks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264568
title: Digital Kids: Imagine, Build and Reveal, #8

description: Entry from V&A REVEAL Festival workshop - Digital Kids: Imagine, Build and Reveal - Saturday 1 - Sunday 2 July, 2017.

Participants reimagined the Museum in Minecraft.

Assets created by @BlockWorks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264571
title: Dolphin Statue

description: Hand carved "Dolphin Statue" made of "Afyon Violet Marble"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264572
title: Dolphin Statue

description: Hand carved "Dolphin Statue" made of "Afyon Violet Marble"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264573
title: Louis XIV, Le Bernin

description: Gian Lorenzo Bernini, dit Le Bernin (1598-1680), fut invité en France par Louis XIV en 1665. Chargé de l'accompagner et de lui servir de traducteur, Paul Fréart de Chantelou consigna dans son journal les moindres faits et gestes du grand artiste romain. Arrivé à Paris le 2 juin 1665, Le Bernin rencontra le roi à Saint-Germain-en-Laye deux jours plus tard. Formulée par le roi lui-même le 20 juin, la commande du buste fut acceptée, non sans réticences, par le vieil artiste. La méthode de travail adoptée par le Bernin traduisait sa conception de l'image royale, où la ressemblance physique est au service du concetto qui détermine le sens de l'œuvre, souveraine expression de la grandeur, de la fierté, de l'héroïsme et de la majesté. Au regard du travail d'un Varin, concentré sur la ressemblance, Chantelou faisait valoir que " l'importance était d'y mêler la noblesse et la grandeur ".

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264574
title: Louis XIV, Le Bernin

description: Gian Lorenzo Bernini, dit Le Bernin (1598-1680), fut invité en France par Louis XIV en 1665. Chargé de l'accompagner et de lui servir de traducteur, Paul Fréart de Chantelou consigna dans son journal les moindres faits et gestes du grand artiste romain. Arrivé à Paris le 2 juin 1665, Le Bernin rencontra le roi à Saint-Germain-en-Laye deux jours plus tard. Formulée par le roi lui-même le 20 juin, la commande du buste fut acceptée, non sans réticences, par le vieil artiste. La méthode de travail adoptée par le Bernin traduisait sa conception de l'image royale, où la ressemblance physique est au service du concetto qui détermine le sens de l'œuvre, souveraine expression de la grandeur, de la fierté, de l'héroïsme et de la majesté. Au regard du travail d'un Varin, concentré sur la ressemblance, Chantelou faisait valoir que " l'importance était d'y mêler la noblesse et la grandeur ".

Crédits : *Château de Versailles en collaboration avec [Google Arts & Culture](https://https://artsandculture.google.com/?hl=fr)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264575
title: Pizza

description: Pizza original model

All done in Blender and Gimp

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264576
title: Pizza

description: Pizza original model

All done in Blender and Gimp

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264579
title: 中山法華経寺 大田稲荷大明神の狐様(1)

description: 中山法華経寺 大田稲荷大明神の狐様(1)

![](https://pbs.twimg.com/media/FNKc96-aAAgoiVd?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264580
title: 中山法華経寺 大田稲荷大明神の狐様(1)

description: 中山法華経寺 大田稲荷大明神の狐様(1)

![](https://pbs.twimg.com/media/FNKc96-aAAgoiVd?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264584
title: Terracotta Warrior

description: 22cm  replica of Terracotta Warrior of Xizn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264585
title: Terracotta Warrior

description: 22cm  replica of Terracotta Warrior of Xizn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264586
title: Niobid Climbing on a Rock (State Model)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264587
title: Niobid Climbing on a Rock (State Model)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264588
title: Army of the South of Russia (1919).

description: Monetary unit: ruble. Denomination: 1000. Year of issue: 1919. Material: paper. Caption: "Ticket of the State Treasury of the High Command of the Armed Forces in the South of Russia. Head of the Finance Department: M. Bernatsky. The banknote was issued by the unification of the anti-Bolshevik troops of the South of Russia in 1919-1920, during the Civil War. Commander-in-Chief and Deputy Supreme Ruler of Russia, Admiral Kolchak - Lieutenant General Anton Ivanovich Denikin.

Банкнота армии Юга России (1919). Денежная единица: рубль. Номинал: 1000. Год выпуска: 1919 год. Материал: бумага. Надпись: «Билет Государственного Казначейства Главного командования Вооруженными силами на Юге России. Начальник Управления финансами: М. Бернацкий». Банкнота выпущена объединением антибольшевистских войск Юга России в 1919—1920 годах, в ходе Гражданской войны. Главнокомандующий и заместитель Верховного Правителя России адмирала Колчака – генерал-лейтенант Антон Иванович Деникин.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264589
title: Army of the South of Russia (1919).

description: Monetary unit: ruble. Denomination: 1000. Year of issue: 1919. Material: paper. Caption: "Ticket of the State Treasury of the High Command of the Armed Forces in the South of Russia. Head of the Finance Department: M. Bernatsky. The banknote was issued by the unification of the anti-Bolshevik troops of the South of Russia in 1919-1920, during the Civil War. Commander-in-Chief and Deputy Supreme Ruler of Russia, Admiral Kolchak - Lieutenant General Anton Ivanovich Denikin.

Банкнота армии Юга России (1919). Денежная единица: рубль. Номинал: 1000. Год выпуска: 1919 год. Материал: бумага. Надпись: «Билет Государственного Казначейства Главного командования Вооруженными силами на Юге России. Начальник Управления финансами: М. Бернацкий». Банкнота выпущена объединением антибольшевистских войск Юга России в 1919—1920 годах, в ходе Гражданской войны. Главнокомандующий и заместитель Верховного Правителя России адмирала Колчака – генерал-лейтенант Антон Иванович Деникин.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10426590
title: Data and codes for: Inactivation of face selective neurons alters eye movements when free viewing faces
DOI: 10.5281/zenodo.10426591
title: Data and codes for: Inactivation of face selective neurons alters eye movements when free viewing faces
DOI: 10.5281/zenodo.10264590
title: CE 3406 - PLATO

description: N° de Registro Nacional: 0000297561

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264591
title: CE 3406 - PLATO

description: N° de Registro Nacional: 0000297561

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264592
title: Column head

description: Model by Daniel Pett, made from 150 images taken with a Sony A6000, processed in Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264593
title: Column head

description: Model by Daniel Pett, made from 150 images taken with a Sony A6000, processed in Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264594
title: Gunshot wound to a human skull

description: GSW on historical specimen - possibly musket trauma. Model extracted from clinical CT data. Shows entrance and exit wounds.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264595
title: Gunshot wound to a human skull

description: GSW on historical specimen - possibly musket trauma. Model extracted from clinical CT data. Shows entrance and exit wounds.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264596
title: World War II coin (1941).

description: World War II coin (1941). Monetary unit: penny. Denomination: 20. Year of issue: 1941. Material: cupronickel. Edge: ribbed. Diameter: 21.8mm. Thickness: 1.4 mm. Weight: 3.6 grams.

Монета периода Великой Отечественной войны. Денежная единица: копейка. Номинал: 20. Год выпуска: 1941 год. Материал: мельхиор. Гурт: рубчатый. Диаметр: 21,8 мм. Толщина: 1,4 мм. Вес: 3,6 гр.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264597
title: World War II coin (1941).

description: World War II coin (1941). Monetary unit: penny. Denomination: 20. Year of issue: 1941. Material: cupronickel. Edge: ribbed. Diameter: 21.8mm. Thickness: 1.4 mm. Weight: 3.6 grams.

Монета периода Великой Отечественной войны. Денежная единица: копейка. Номинал: 20. Год выпуска: 1941 год. Материал: мельхиор. Гурт: рубчатый. Диаметр: 21,8 мм. Толщина: 1,4 мм. Вес: 3,6 гр.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264602
title: 'Lucky' the cat

description: Dubbed 'Lucky' the cat, this decidedly unlucky creature was buried under the foundation stone of Her Majesty's Theatre in Lydiard Street, Ballarat, in 1874. This was to satisfy a superstition that burying a dead cat under the foundations would bring good luck for the construction of the building. Lucky was rediscovered when extensions to the original building took place in the 1990s, and was then conserved in a box to stick around a while longer on display.

Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today and find out more about [Her Majesty's Theatre](https://vhd.heritagecouncil.vic.gov.au/places/67).

Model developed by

![](http://digitalheritageaustralia.com/images/purplelogo.jpg) 

[Digital Heritage Australia ](http://digitalheritageaustralia.com)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264603
title: 'Lucky' the cat

description: Dubbed 'Lucky' the cat, this decidedly unlucky creature was buried under the foundation stone of Her Majesty's Theatre in Lydiard Street, Ballarat, in 1874. This was to satisfy a superstition that burying a dead cat under the foundations would bring good luck for the construction of the building. Lucky was rediscovered when extensions to the original building took place in the 1990s, and was then conserved in a box to stick around a while longer on display.

Discover the [Ballarat Town Hall collection](http://www.hulballarat.org.au/cb_pages/rediscovering_town_hall_vaults.php) today and find out more about [Her Majesty's Theatre](https://vhd.heritagecouncil.vic.gov.au/places/67).

Model developed by

![](http://digitalheritageaustralia.com/images/purplelogo.jpg) 

[Digital Heritage Australia ](http://digitalheritageaustralia.com)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264604
title: 百度石(東京都新宿区筑土八幡町2丁目1番 筑土八幡神社)

description: 百度石(東京都新宿区筑土八幡町2丁目1番 筑土八幡神社)

![](https://pbs.twimg.com/media/FaMpTOvaAAEVV0_?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264605
title: 百度石(東京都新宿区筑土八幡町2丁目1番 筑土八幡神社)

description: 百度石(東京都新宿区筑土八幡町2丁目1番 筑土八幡神社)

![](https://pbs.twimg.com/media/FaMpTOvaAAEVV0_?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264608
title: Kaiser Pinnace Davitt

description: Point cloud model of the Kaiser Pinnance Davitt located in the debris field of the wreck of the SMS Kaiser, Scapa Flow, Orkney.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264609
title: Kaiser Pinnace Davitt

description: Point cloud model of the Kaiser Pinnance Davitt located in the debris field of the wreck of the SMS Kaiser, Scapa Flow, Orkney.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264616
title: Amphibian Dvinosaurus primus skull

description: A cast of the amphibian *Dvinosaurus primus* Amalitzky, 1921 skull.
The cast belongs to the collection of the Saint Petersburg State University.
A 3D scan was performed by [Grigoriev Dmitry](https://www.facebook.com/dmitry.grigoriev.946/) using a structure light based 3D scanner [RangeVision Spectrum](http://rangevision.com/en/products/spectrum/).

The cast of fossil skull (holotype) made in Paleontological laboratory in Warsaw (Poland) under the guidance of Vladimir Amalitzky in 1908-1914. It is currently held and exhibited at the [Paleontological museum](http://spbu.ru/universitet/ekspozicii-i-kollekcii-spbgu/paleontologicheskiy-muzey) of Saint Petersburg State University. In 2020 the paint surface of this cast was restored by Ekaterina Ageeva under the guidance of prof. Vladimir S. Torbik (chair of restavration of SPbU) and [Vadim Glinsky](https://www.facebook.com/vadim.glinskiy.5) (Paleontological museum of SPbU).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264617
title: Amphibian Dvinosaurus primus skull

description: A cast of the amphibian *Dvinosaurus primus* Amalitzky, 1921 skull.
The cast belongs to the collection of the Saint Petersburg State University.
A 3D scan was performed by [Grigoriev Dmitry](https://www.facebook.com/dmitry.grigoriev.946/) using a structure light based 3D scanner [RangeVision Spectrum](http://rangevision.com/en/products/spectrum/).

The cast of fossil skull (holotype) made in Paleontological laboratory in Warsaw (Poland) under the guidance of Vladimir Amalitzky in 1908-1914. It is currently held and exhibited at the [Paleontological museum](http://spbu.ru/universitet/ekspozicii-i-kollekcii-spbgu/paleontologicheskiy-muzey) of Saint Petersburg State University. In 2020 the paint surface of this cast was restored by Ekaterina Ageeva under the guidance of prof. Vladimir S. Torbik (chair of restavration of SPbU) and [Vadim Glinsky](https://www.facebook.com/vadim.glinskiy.5) (Paleontological museum of SPbU).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264622
title: Hollyknowe Pinched Sherd

description: Found in Tensas Parish, LA. 2022

LF_03

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264623
title: Hollyknowe Pinched Sherd

description: Found in Tensas Parish, LA. 2022

LF_03

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264628
title: unreliableobject_30

description: Found in Western Cape, South Africa.

"A collection can in fact be regarded as an adaptable extension of the self
and a confirmation of the collector's own existence. 10
The collector's motto is accumulo ergo sum — I collect,
therefore I am. This is an extremely private motive,
but, nonetheless, one that was an essential factor in
the creation of several public museums." 

Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2): 160.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264629
title: unreliableobject_30

description: Found in Western Cape, South Africa.

"A collection can in fact be regarded as an adaptable extension of the self
and a confirmation of the collector's own existence. 10
The collector's motto is accumulo ergo sum — I collect,
therefore I am. This is an extremely private motive,
but, nonetheless, one that was an essential factor in
the creation of several public museums." 

Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2): 160.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264631
title: Round Tower (LowPoly)

description: https://readymag.com/u14309216/920689/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264630
title: Round Tower (LowPoly)

description: https://readymag.com/u14309216/920689/

Source: Objaverse 1.0 / Sketchfab