cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10377392
title: LP_Ancient_Chinese_Tomb

description: Made with max, textured with s.painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377393
title: LP_Ancient_Chinese_Tomb

description: Made with max, textured with s.painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377394
title: 顔の付いた土版(松本市エリ穴遺跡)レプリカ 観察記録3Dモデル

description: 顔の付いた土版(松本市エリ穴遺跡)レプリカ 観察記録3Dモデル
縄文時代晩期、松本市立考古博物館蔵(複製)
撮影場所:長野県立歴史館
撮影月日:2020.02.14
ガラス面越し撮影
寸法:約14.9㎝×約7.8㎝×約1.2㎝(3Dモデルから簡易計測)
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 64 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377395
title: 顔の付いた土版(松本市エリ穴遺跡)レプリカ 観察記録3Dモデル

description: 顔の付いた土版(松本市エリ穴遺跡)レプリカ 観察記録3Dモデル
縄文時代晩期、松本市立考古博物館蔵(複製)
撮影場所:長野県立歴史館
撮影月日:2020.02.14
ガラス面越し撮影
寸法:約14.9㎝×約7.8㎝×約1.2㎝(3Dモデルから簡易計測)
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 64 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377398
title: A mould for the cheese known as "oscypek"

description: A wooden, two-piece, symmetrical mould for a spindle-shaped piece of rennet cheese – oscypek. It was probably made in 1922 by Jan Stoch from Podhale. It was still used in the 1970s. in a hut in Krywanie (a hill with the height of 809 m above sea level located in Orawa, through which the border between Poland and Slovakia passes). Then it was absorbed by the ethnographic collection of Magdalena and Stanisław Zapaśnik. In 2013, along with a collection of other cheese moulds, it was transferred to the ethnographic collections of the Tatra Museum in Zakopane. It represents a type of closed mould, a rarity in the collections of the Zakopane institution.

ID no.:E/10898/a,b/MT

Time of creation: 1922  (?)

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1986

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377399
title: A mould for the cheese known as "oscypek"

description: A wooden, two-piece, symmetrical mould for a spindle-shaped piece of rennet cheese – oscypek. It was probably made in 1922 by Jan Stoch from Podhale. It was still used in the 1970s. in a hut in Krywanie (a hill with the height of 809 m above sea level located in Orawa, through which the border between Poland and Slovakia passes). Then it was absorbed by the ethnographic collection of Magdalena and Stanisław Zapaśnik. In 2013, along with a collection of other cheese moulds, it was transferred to the ethnographic collections of the Tatra Museum in Zakopane. It represents a type of closed mould, a rarity in the collections of the Zakopane institution.

ID no.:E/10898/a,b/MT

Time of creation: 1922  (?)

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1986

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377400
title: Idol, Sculpture, Herdade do Vidigal, Portugal

description: Provenance and description: This is an idol from the archaeological site of Herdade do Vidigal (a prehistoric habitat). This is a prehistoric ceramic idol that fits into a vast universe of "ritual" objects from the southwest of the Iberian peninsula. These idols were produced in various materials such as bone, ivory, pottery or limestone. His representations are always of an anthropomorphic character with a diverse anatomical treatment, but always with the marking of incisions in the face, commonly interpreted as facial tattoos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377401
title: Idol, Sculpture, Herdade do Vidigal, Portugal

description: Provenance and description: This is an idol from the archaeological site of Herdade do Vidigal (a prehistoric habitat). This is a prehistoric ceramic idol that fits into a vast universe of "ritual" objects from the southwest of the Iberian peninsula. These idols were produced in various materials such as bone, ivory, pottery or limestone. His representations are always of an anthropomorphic character with a diverse anatomical treatment, but always with the marking of incisions in the face, commonly interpreted as facial tattoos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377404
title: Drogobugh

description: Drogobug low poly

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377405
title: Drogobugh

description: Drogobug low poly

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377406
title: LOW Postitorvi - Post horn

description: Postitorvea soitettiin yleensä ratsain liikkuvan postiljoonin tai postivaunujen saapumisen tai lähtemisen merkiksi. Postitorven merkitys käyttöesineenä väheni 1800-luvulla, mutta postin symbolina torvi säilyy edelleen. Torvi on annettu lahjaksi kapteeni Carl Korsmanille 1800-luvun lopulla. Korsmanin omistama höyrylaiva "Express" aloitti postinkuljetuksen talvisin Hangon ja Tukholman välillä 1870-luvulla.

A post horn was used to signal the arrival or departure of a mounted postman or mail coach. The use of the post horn declined during the 19th century but it is still a symbol of the post. This horn is a gift from the Finnish postal administration to captain Carl Korsman and dates from the late 19th century.

The object (PM-ES-250) and 3D model: Finnish Postal Museum (member of Traffic Museums). The photogrammetric 3D model may include touch-ups and modelled additions.

https://www.finna.fi/Record/postimuseo.45fccfb1-7d15-4245-a46e-1befcab71c97

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377407
title: LOW Postitorvi - Post horn

description: Postitorvea soitettiin yleensä ratsain liikkuvan postiljoonin tai postivaunujen saapumisen tai lähtemisen merkiksi. Postitorven merkitys käyttöesineenä väheni 1800-luvulla, mutta postin symbolina torvi säilyy edelleen. Torvi on annettu lahjaksi kapteeni Carl Korsmanille 1800-luvun lopulla. Korsmanin omistama höyrylaiva "Express" aloitti postinkuljetuksen talvisin Hangon ja Tukholman välillä 1870-luvulla.

A post horn was used to signal the arrival or departure of a mounted postman or mail coach. The use of the post horn declined during the 19th century but it is still a symbol of the post. This horn is a gift from the Finnish postal administration to captain Carl Korsman and dates from the late 19th century.

The object (PM-ES-250) and 3D model: Finnish Postal Museum (member of Traffic Museums). The photogrammetric 3D model may include touch-ups and modelled additions.

https://www.finna.fi/Record/postimuseo.45fccfb1-7d15-4245-a46e-1befcab71c97

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377408
title: Firefighter Helmet

description: This helmet was issued to Brian T. Killilea of engine 20 in February of 1986 when he was a recruit and used until a new one was issued in 1992.

Firefighter Helmet, is apart of the Indianapolis Fire Fighters Museum collection.

This item was 3D scanned using a Creaform Go Scan 20.

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377409
title: Firefighter Helmet

description: This helmet was issued to Brian T. Killilea of engine 20 in February of 1986 when he was a recruit and used until a new one was issued in 1992.

Firefighter Helmet, is apart of the Indianapolis Fire Fighters Museum collection.

This item was 3D scanned using a Creaform Go Scan 20.

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377410
title: Stone arrowhead, El Toril, Castilla-La Mancha

description: "Stone arrowhead from the  site of  El Toril, Villanueva de los Infantes,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000536. Processed in Reality Capture from 374 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377411
title: Stone arrowhead, El Toril, Castilla-La Mancha

description: "Stone arrowhead from the  site of  El Toril, Villanueva de los Infantes,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000536. Processed in Reality Capture from 374 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377414
title: Wayside shrine "Pensive Christ"

description: ID no.: 34532/mek

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/357

Object copyright: The Seweryn Udziela Ethnographic Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377415
title: Wayside shrine "Pensive Christ"

description: ID no.: 34532/mek

Museum: The Seweryn Udziela Ethnographic Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/357

Object copyright: The Seweryn Udziela Ethnographic Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377418
title: SCHS 2019.029.099.18

description: Unhafted biface collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Upper Mercer Chert
Length: 47.11 mm
Width:  27.74 mm
Thickness: 11.6 mm
Weight: 13.64 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.099.18, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377419
title: SCHS 2019.029.099.18

description: Unhafted biface collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Upper Mercer Chert
Length: 47.11 mm
Width:  27.74 mm
Thickness: 11.6 mm
Weight: 13.64 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.099.18, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377422
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of Mary Powell , died 1877, aged 54 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Plot 44 One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
19 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377423
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of Mary Powell , died 1877, aged 54 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Plot 44 One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
19 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377424
title: Ballot box

description: The ballot box was used to vote during the election of the rector of the Jagiellonian University.
The creator of the box, Józef Korwin Brzostowski, was a sculptor associated with Kraków. He prepared a detailed description of the altar made by Veit Stoss in St. Mary's church, taking into account the state of its preservation. He also carried out a number of conservation works in the sacral buildings of Kraków, including the Wawel cathedral. He made sculptures, furniture and church furnishings.

Creator: Józef Korwin Brzostowski (1826–1900)
1890, Kraków

Jagiellonian University Museum Collegium Maius

Inventory number: 173; 5258/IV

https://muzea.malopolska.pl/en/objects-list/2844

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377425
title: Ballot box

description: The ballot box was used to vote during the election of the rector of the Jagiellonian University.
The creator of the box, Józef Korwin Brzostowski, was a sculptor associated with Kraków. He prepared a detailed description of the altar made by Veit Stoss in St. Mary's church, taking into account the state of its preservation. He also carried out a number of conservation works in the sacral buildings of Kraków, including the Wawel cathedral. He made sculptures, furniture and church furnishings.

Creator: Józef Korwin Brzostowski (1826–1900)
1890, Kraków

Jagiellonian University Museum Collegium Maius

Inventory number: 173; 5258/IV

https://muzea.malopolska.pl/en/objects-list/2844

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377426
title: Puinen ihmisenpääveistos

description: Puinen ihmisenpääveistos on löydetty rannan kaivaustöiden aikana vuonna 1897 Pohjankurusta, nykyisen Raaseporin kunnan alueelta. Esineen valmistus on ajoitettu neoliittiselle kivikaudelle noin 4000–2000 vuotta eaa. Kaivaustöiden piiri-insinööri lahjoitti esineen Suomen muinaismuistoyhdistykselle. Esine on kapea ja litteä, sen korkeus on 24,5 cm, leveys 9,5 cm ja syvyys 5,6 cm. Ihmisenpääveistos on katkennut olkapäiden alta. Esineessä näkyvät poikkiviivat ovat syntyneen ensimmäisen konservoinnin yhteydessä.

Puinen ihmisenpääveistos on nähtävillä Kansallismuseon esihistorian näyttelyssä. 

Malli on tehty 3D-skannaamalla.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377427
title: Puinen ihmisenpääveistos

description: Puinen ihmisenpääveistos on löydetty rannan kaivaustöiden aikana vuonna 1897 Pohjankurusta, nykyisen Raaseporin kunnan alueelta. Esineen valmistus on ajoitettu neoliittiselle kivikaudelle noin 4000–2000 vuotta eaa. Kaivaustöiden piiri-insinööri lahjoitti esineen Suomen muinaismuistoyhdistykselle. Esine on kapea ja litteä, sen korkeus on 24,5 cm, leveys 9,5 cm ja syvyys 5,6 cm. Ihmisenpääveistos on katkennut olkapäiden alta. Esineessä näkyvät poikkiviivat ovat syntyneen ensimmäisen konservoinnin yhteydessä.

Puinen ihmisenpääveistos on nähtävillä Kansallismuseon esihistorian näyttelyssä. 

Malli on tehty 3D-skannaamalla.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377428
title: Vicking Shield

description: 2019-2020

I loved doing that shield last year, and I'm pretty proud of it.

It can be used as a vicking shield i think, it's one of my first assets, so enjoy it.

It's a school project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377429
title: Vicking Shield

description: 2019-2020

I loved doing that shield last year, and I'm pretty proud of it.

It can be used as a vicking shield i think, it's one of my first assets, so enjoy it.

It's a school project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377432
title: 加曽利貝塚博物館復元竪穴住居の被災状況 観察記録3Dモデル

description: 加曽利貝塚博物館復元竪穴住居の被災状況 観察記録3Dモデル
撮影場所:加曽利貝塚博物館
撮影月日:2019.12.12
2019年9月以降の2つの台風や豪雨による被災状況
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 79 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377433
title: 加曽利貝塚博物館復元竪穴住居の被災状況 観察記録3Dモデル

description: 加曽利貝塚博物館復元竪穴住居の被災状況 観察記録3Dモデル
撮影場所:加曽利貝塚博物館
撮影月日:2019.12.12
2019年9月以降の2つの台風や豪雨による被災状況
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 79 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377436
title: Cup marked stone

description: Located in Turku, Finland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377437
title: Cup marked stone

description: Located in Turku, Finland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377438
title: ROI019-076-01

description: Point Fragment collected in Miami County, Indiana.

Catalog #: 12-Mi-243-24

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, Gwyn Harris, and Kevin C. Nolan, 2021. ROI019-076-01, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377439
title: ROI019-076-01

description: Point Fragment collected in Miami County, Indiana.

Catalog #: 12-Mi-243-24

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, Gwyn Harris, and Kevin C. Nolan, 2021. ROI019-076-01, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377443
title: Crichton Mains Cup Marked Stone

description: ScRAP1522 Cup marked stone. Crichton Mains.
The stone was found 20 years ago and the finder drilled and cut the central hole to make the stone a garden sculpture.

126 photographs using Canon 7D and 10-18mm lens

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377442
title: Crichton Mains Cup Marked Stone

description: ScRAP1522 Cup marked stone. Crichton Mains.
The stone was found 20 years ago and the finder drilled and cut the central hole to make the stone a garden sculpture.

126 photographs using Canon 7D and 10-18mm lens

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377445
title: Bead №54

description: Russia, Republic of Bashkortostan, Khaibullinsky district. Excavations 2016. Necropolis of Ivanovka-1. Barrow №11. Burial №2. Skeleton №3. (Bead №6 of 13 instances). Dimensions: length - 7 mm, diameter - 6 mm, hole diameter - 2 mm. Paste. Iron Age. Chronology: second half of the 4th century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377446
title: Bead №54

description: Russia, Republic of Bashkortostan, Khaibullinsky district. Excavations 2016. Necropolis of Ivanovka-1. Barrow №11. Burial №2. Skeleton №3. (Bead №6 of 13 instances). Dimensions: length - 7 mm, diameter - 6 mm, hole diameter - 2 mm. Paste. Iron Age. Chronology: second half of the 4th century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377447
title: Chemical Factory

description: Part of chemical factory in Brno (Dornych street 47). Founded by K. Ch. Hochstetter and G. Schickardt. Furnace for melting waterglass.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377448
title: Chemical Factory

description: Part of chemical factory in Brno (Dornych street 47). Founded by K. Ch. Hochstetter and G. Schickardt. Furnace for melting waterglass.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377452
title: Surrey Quays Yard Office

description: Located on the corner of Rope Street and Sweden Gate, Rotherhithe, London.

From the plaque on the front:
"YARD OFFICE. This little building is one of the few which survive from the days of the Surrey Commercial Dock Co. It was erected in 1902 when the Greenland Dock was doubled in length. Nobody is sure what it was used for."

Date: 1902

246 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377453
title: Surrey Quays Yard Office

description: Located on the corner of Rope Street and Sweden Gate, Rotherhithe, London.

From the plaque on the front:
"YARD OFFICE. This little building is one of the few which survive from the days of the Surrey Commercial Dock Co. It was erected in 1902 when the Greenland Dock was doubled in length. Nobody is sure what it was used for."

Date: 1902

246 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377455
title: RECREACIÓN DE UN TAJADOR O FUENTE

description: RECREACIÓN DE UN TAJADOR O FUENTE
Esta fuente o tajador se encuentra en el museo de Teruel. Es cerámica al torno esmaltada.
Fondo del tajador: Representaciones antropomorfas; Motivos heráldicos; Figura de caballero con escudo barrado, sobre caballo cubierto con faldones barrados.
Utilizado para trinchar, en la mesa, en general alimentos solidos.
Modelado en Blender sobre una fotografía de Jorge Escudero.
Información: Museo de Teruel.  http://ceres.mcu.es/ y http://museo.deteruel.es/museoprovincial/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377456
title: RECREACIÓN DE UN TAJADOR O FUENTE

description: RECREACIÓN DE UN TAJADOR O FUENTE
Esta fuente o tajador se encuentra en el museo de Teruel. Es cerámica al torno esmaltada.
Fondo del tajador: Representaciones antropomorfas; Motivos heráldicos; Figura de caballero con escudo barrado, sobre caballo cubierto con faldones barrados.
Utilizado para trinchar, en la mesa, en general alimentos solidos.
Modelado en Blender sobre una fotografía de Jorge Escudero.
Información: Museo de Teruel.  http://ceres.mcu.es/ y http://museo.deteruel.es/museoprovincial/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377457
title: Saran, Lac de la Médecinerie, Plaque à encoche

description: Plaque à encoche faite à partir d'une tegula en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/plaque-a-encoche-1848-9-1-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377458
title: Saran, Lac de la Médecinerie, Plaque à encoche

description: Plaque à encoche faite à partir d'une tegula en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/plaque-a-encoche-1848-9-1-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10377459
title: Luise Gräfin von Voß

description: **Bust of Luise Countess von Voß (1780-1865)**

Depicted is Luise Countess von Voß (1780-1865), daughter of Caroline Friederike von Berg, née von Haeseler, since 1800 wife of the Oberhofmeister August Ernst Count von Voß. She maintained a political salon in the decade after 1807, where some of the Prussian reformers frequented.

Collection: Part of the sculpture collection at the city museum of Berlin, Germany. The collection consists of 3.000 objects of which a third are portrait busts of famous Berlin artists, scholars, politicians and rulers.

Model: The model is based only on 48 photographs taken from one angle in order to test the platform and RealityCapture. This results in some irregularities at the top of the head.

See the object in our database: https://sammlung-online.stadtmuseum.de/Details/Index/309961

**CC-BY-Attribution: Stadtmuseum Berlin | Oliver Ziebe**

Source: Objaverse 1.0 / Sketchfab