cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10282892
title: St Catherine's Well-Leixlip,Co.Dublin, Ireland

description: St. Catherines Wells
Not much is known of the history of the wells but Weston St. John Joyce in The Neighbourhood of Dublin (1912) wrote:"The wells of St. Catherines are situated along a lane known as the Black Avenue, which forms the county boundary. These wells are protected by stone canopies. The larger well was provided with a wooden door and adorned with a head of modern appearance. It was used for drinking purposes. While the smaller well has for generations enjoyed a reputation for a cure for sore eyes, it is said that neither well has ever been known to run dry."
As a regular visitor to the Black Avenue in the late 50s/early 60s, (While visiting Granny in The Mill Lane in Leixlip, us children got sent for walks up there while the grown-ups talked!), I don't recall the wooden door still being present, and I think that the lady's head was broken, but there was a metal cup attached to the wall by a chain, and from this the passer-by could sate his thirst.
Upload in Low Resolution:500kFaces,Original 1000k

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282893
title: Sennacherib's Prism

description: Hexagonal clay prism, foundation record lists campaigns of Sennacherib until the start of his final war against Babylon, and includes a description of the tribute received from Hezekiah, King of Judah in 732 B.C.E.

In the year 740 B.C.E., Assyria conquered Samaria, the capital of the northern kingdom of Israel, and took its people into exile. Eight years later, Assyria invaded Judah. (2 Kings 18:13) The Assyrian King Sennacherib demanded of Judean King Hezekiah a tribute of 30 talents of gold and 300 talents of silver. The Bible record states that this tribute was paid. Even so, Sennacherib insisted that the capital of Judah, Jerusalem, also surrender unconditionally to him.—2 Kings 18:9-17, 28-31.

At Nineveh archaeologists have found an account of the same events in the annals of Sennacherib.

Read more....
https://wol.jw.org/en/wol/d/r1/lp-e/102010450#h=10:0-11:492

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282894
title: Sennacherib's Prism

description: Hexagonal clay prism, foundation record lists campaigns of Sennacherib until the start of his final war against Babylon, and includes a description of the tribute received from Hezekiah, King of Judah in 732 B.C.E.

In the year 740 B.C.E., Assyria conquered Samaria, the capital of the northern kingdom of Israel, and took its people into exile. Eight years later, Assyria invaded Judah. (2 Kings 18:13) The Assyrian King Sennacherib demanded of Judean King Hezekiah a tribute of 30 talents of gold and 300 talents of silver. The Bible record states that this tribute was paid. Even so, Sennacherib insisted that the capital of Judah, Jerusalem, also surrender unconditionally to him.—2 Kings 18:9-17, 28-31.

At Nineveh archaeologists have found an account of the same events in the annals of Sennacherib.

Read more....
https://wol.jw.org/en/wol/d/r1/lp-e/102010450#h=10:0-11:492

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282895
title: Whiteworks Mining Ruins Dartmoor

description: An aerial survey of the mining ruins at Whiteworks near Princetown, Dartmoor.

https://en.wikipedia.org/wiki/Whiteworks

Photos taken June 2014 with a gopro and processed in Agisoft Metashape (in 2019).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282896
title: Whiteworks Mining Ruins Dartmoor

description: An aerial survey of the mining ruins at Whiteworks near Princetown, Dartmoor.

https://en.wikipedia.org/wiki/Whiteworks

Photos taken June 2014 with a gopro and processed in Agisoft Metashape (in 2019).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282897
title: Polychrome Relief Depiction of Ma'at

description: 3D color interpretation of [Relief Depiction of Ma'at ](https://skfb.ly/6FWDZ)

Yale University Art Gallery, Ancient Art Collection, Catalog No. [1936.45](https://artgallery.yale.edu/collections/objects/34989)

Prepared for the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Color interpretation carried out based on technical analysis and comparanda in Blender by Graham and Garcés in collaboration with Yale undergraduate student and exhibit co-curator Daphne Martin. Geometry uploaded at 500k polygons.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282898
title: Polychrome Relief Depiction of Ma'at

description: 3D color interpretation of [Relief Depiction of Ma'at ](https://skfb.ly/6FWDZ)

Yale University Art Gallery, Ancient Art Collection, Catalog No. [1936.45](https://artgallery.yale.edu/collections/objects/34989)

Prepared for the installation *Seeing Blue in the Ancient World* in the exhibit *Sights and Sounds of Ancient Ritual* at the Yale University Art Gallery 9 November 2018 - 3 March 2019. 

Scanned and processed by Yale Institute for the Preservation of Cultural Heritage Digital Imaging Specialist Chelsea Alene Graham and Yale University Art Gallery Conservation Assistant III Andrés Garcés using Artec Space Spider and Artec Studio Professional in 2018. Color interpretation carried out based on technical analysis and comparanda in Blender by Graham and Garcés in collaboration with Yale undergraduate student and exhibit co-curator Daphne Martin. Geometry uploaded at 500k polygons.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282899
title: Ohlone Acorn Flour Grinding Stone

description: A photoscanned old grinding stone used to grind acorns into flour. Located at an old Ohlone native american settlement. Alviso Adobe Park, Pleasanton CA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282900
title: Ohlone Acorn Flour Grinding Stone

description: A photoscanned old grinding stone used to grind acorns into flour. Located at an old Ohlone native american settlement. Alviso Adobe Park, Pleasanton CA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282903
title: Зеленовское городище. Предволжье РТ.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282904
title: Зеленовское городище. Предволжье РТ.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282905
title: Agentina - Ischigualastia Dinosaur

description: From Wikipedia, the free encyclopedia

'Ischigualastia was a dicynodont (a group of synapsids) that lived during the Carnian age of the Late Triassic Period. From the Ischigualasto Formation of Argentina, it was a member of the family Stahleckeriidae.
An enormous dicynodont, with a short, high skull, and lacking tusks.[2] It is regarded as larger than its later, more famous relative Placerias, which was up to 3.5 meters (11 feet) long and weighed one to two tonnes (1.1 to 2.2 short tons)'


Model created with Agisoft Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282906
title: Agentina - Ischigualastia Dinosaur

description: From Wikipedia, the free encyclopedia

'Ischigualastia was a dicynodont (a group of synapsids) that lived during the Carnian age of the Late Triassic Period. From the Ischigualasto Formation of Argentina, it was a member of the family Stahleckeriidae.
An enormous dicynodont, with a short, high skull, and lacking tusks.[2] It is regarded as larger than its later, more famous relative Placerias, which was up to 3.5 meters (11 feet) long and weighed one to two tonnes (1.1 to 2.2 short tons)'


Model created with Agisoft Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282909
title: Unknown greek

description: An Unknown Greek, bust, Roman copy of a Greek 4th-3rd century B.C. original, Marble, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282910
title: Unknown greek

description: An Unknown Greek, bust, Roman copy of a Greek 4th-3rd century B.C. original, Marble, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282914
title: Jokey

description: Creators:

* **Hữu Sáng**,
* **Ngô Đăng Chắc**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282913
title: Jokey

description: Creators:

* **Hữu Sáng**,
* **Ngô Đăng Chắc**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282915
title: Interior St. Sophia church photogrammetry scan

description: Church of St. Sophia, Ohrid Made using the Open Heritage interior dataset https://openheritage3d.org/project.php?id=p14w-cd36 made by Cyark

Exterior 3D model https://skfb.ly/6JLYo

DOI 10.26301/p14w-cd36 https://doi.org/10.26301/p14w-cd36

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282916
title: Interior St. Sophia church photogrammetry scan

description: Church of St. Sophia, Ohrid Made using the Open Heritage interior dataset https://openheritage3d.org/project.php?id=p14w-cd36 made by Cyark

Exterior 3D model https://skfb.ly/6JLYo

DOI 10.26301/p14w-cd36 https://doi.org/10.26301/p14w-cd36

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282919
title: Katana Sword سيف الكاتانا

description: **Katana Sword | سيف الكاتانا**
You can use it in all your projects without rightsa
يمكنك استخدامه في كل مشاريعك بدون حقوق
instagram : Alienshtain

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282920
title: Katana Sword سيف الكاتانا

description: **Katana Sword | سيف الكاتانا**
You can use it in all your projects without rightsa
يمكنك استخدامه في كل مشاريعك بدون حقوق
instagram : Alienshtain

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282921
title: Plaster Cast copy of a Tympanum (1852-1854)

description: **Victoria and Albert museum**
Painted plaster cast by an unknown caster of a stone tympanum from the Prior's doorway of Ely Cathedral, Cambridge. Cast around 1852-4.
Scanned with iPad pro lidar scanner
Item information from V&A collection:
https://collections.vam.ac.uk/item/O128095/copy-of-a-unknown/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282922
title: Plaster Cast copy of a Tympanum (1852-1854)

description: **Victoria and Albert museum**
Painted plaster cast by an unknown caster of a stone tympanum from the Prior's doorway of Ely Cathedral, Cambridge. Cast around 1852-4.
Scanned with iPad pro lidar scanner
Item information from V&A collection:
https://collections.vam.ac.uk/item/O128095/copy-of-a-unknown/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282923
title: XCB-003-783 Obsidian Biface Fragment.

description: Obsidian Biface Fragment.  XCB-003-783

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282924
title: XCB-003-783 Obsidian Biface Fragment.

description: Obsidian Biface Fragment.  XCB-003-783

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282925
title: Sæbø /  Thurmuth sword

description: The Sæbø sword (also known as the Thurmuth sword) is an early 9th-century Viking sword, found in a barrow at Sæbø, Vikøyri, in Norway's Sogn region in 1825. It is now held at the Bergen Museum in Bergen, Norway.

My reference
https://en.wikipedia.org/wiki/S%C3%A6b%C3%B8_sword
//
Scabbard is faced with linen, as shown in Frankish sources

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282926
title: Sæbø /  Thurmuth sword

description: The Sæbø sword (also known as the Thurmuth sword) is an early 9th-century Viking sword, found in a barrow at Sæbø, Vikøyri, in Norway's Sogn region in 1825. It is now held at the Bergen Museum in Bergen, Norway.

My reference
https://en.wikipedia.org/wiki/S%C3%A6b%C3%B8_sword
//
Scabbard is faced with linen, as shown in Frankish sources

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282929
title: Course Work Shield

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282930
title: Course Work Shield

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282932
title: Kings Seal (part one)

description: Kings Seal (part one)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282931
title: Kings Seal (part one)

description: Kings Seal (part one)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282935
title: Gladiator

description: Gladiator

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282936
title: Gladiator

description: Gladiator

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282938
title: Egyptian, Basalt Head

description: Culture: [Egyptian](http://n2t.net/ark:/99152/p03wskdgq4n) Material: Basalt Accession No: TB 003 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick ](https://www.geonames.org/7778675/limerick-city.html) Portrait like [sculpture](http://vocab.getty.edu/page/aat/300047203) of a lower half of a basalt head. The top, back and ears are missing. The left eye survives as the lower frame. The features are soft and rounded with a large round tipped nose and closed lips. Below the location of the left ear is a protruding sub-square lobe which may be the remains of hair or headdress. The base of the head is broken so it's difficult to assess whether this may once have been part of a larger figurative statue. It has been assigned a date in the [Middle Kingdom](http://n2t.net/ark:/99152/p03wskdgq4n), in particular, the 11th or 12th dynasties when [Thebes](https://www.geonames.org/347342/thebes.html) was the reigning capital. [More](https://tinyurl.com/2p85s2xf).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282939
title: Egyptian, Basalt Head

description: Culture: [Egyptian](http://n2t.net/ark:/99152/p03wskdgq4n) Material: Basalt Accession No: TB 003 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick ](https://www.geonames.org/7778675/limerick-city.html) Portrait like [sculpture](http://vocab.getty.edu/page/aat/300047203) of a lower half of a basalt head. The top, back and ears are missing. The left eye survives as the lower frame. The features are soft and rounded with a large round tipped nose and closed lips. Below the location of the left ear is a protruding sub-square lobe which may be the remains of hair or headdress. The base of the head is broken so it's difficult to assess whether this may once have been part of a larger figurative statue. It has been assigned a date in the [Middle Kingdom](http://n2t.net/ark:/99152/p03wskdgq4n), in particular, the 11th or 12th dynasties when [Thebes](https://www.geonames.org/347342/thebes.html) was the reigning capital. [More](https://tinyurl.com/2p85s2xf).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282942
title: Cross-inscribed slab

description: This cross-inscribed slab was captured for demo during class on 02/02/2013 and processed using Autodesk 123DCatch. The book was employed to support the slab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282943
title: Cross-inscribed slab

description: This cross-inscribed slab was captured for demo during class on 02/02/2013 and processed using Autodesk 123DCatch. The book was employed to support the slab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282945
title: Doklam 3D Terrain Model - Satellite.

description: This is a 3D model of the Doklam Plateau region on the borders of India/China/Bhutan. It shows a number of strategic and tactical points. 
This model is designed to acompany an [associated report](https://pageflow.aspi.org.au/mappingdoklam) on the region. Please check that out too. 
There is also a version of this model with satellite imagery draped over the terrain available [here](https://sketchfab.com/3d-models/doklam-3d-terrain-model-topographic-43b05288772c4eab967ae5f544b28252).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282944
title: Doklam 3D Terrain Model - Satellite.

description: This is a 3D model of the Doklam Plateau region on the borders of India/China/Bhutan. It shows a number of strategic and tactical points. 
This model is designed to acompany an [associated report](https://pageflow.aspi.org.au/mappingdoklam) on the region. Please check that out too. 
There is also a version of this model with satellite imagery draped over the terrain available [here](https://sketchfab.com/3d-models/doklam-3d-terrain-model-topographic-43b05288772c4eab967ae5f544b28252).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282947
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.41.1.235

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133697&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282948
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.41.1.235

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133697&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282949
title: Day 225: WW2 Warhead launcher

description: 3D scan of a WW2 warhead launcher. Spotted in Bicentennial Memorial Park, New Castle, Delaware. 

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282950
title: Day 225: WW2 Warhead launcher

description: 3D scan of a WW2 warhead launcher. Spotted in Bicentennial Memorial Park, New Castle, Delaware. 

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282951
title: Painted house - Zalipie in southern Poland

description: Zalipie, a village in southern Poland, is most famous for its folk art. Local artists have been covering houses in traditional floral motifs, a custom with roots back in the 18th century, when housekeepers would lighten sooty interiors of their huts by covering them with limewash. Through the 19th century the practice evolved into a habit of decorating cottages - both on the inside and on the outside - with colorful painted ornaments. The tradition has been kept up in the 20th century by dedicated artists like Felicja Curyłowa (1904-1974) and - thanks to her and her followers - to this day we can admire unique local art, and house painting contests are still held to support this live tradition. The 3D model was created based on one of the oldest, finest examples of a Zalipie painted house.

Workflow Video: https://youtu.be/HIyd0rxIFBk

RealityCapture:1270 photos 
MusicInfo: Horses to Water - Topher Mohr and Alex Elena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282952
title: Painted house - Zalipie in southern Poland

description: Zalipie, a village in southern Poland, is most famous for its folk art. Local artists have been covering houses in traditional floral motifs, a custom with roots back in the 18th century, when housekeepers would lighten sooty interiors of their huts by covering them with limewash. Through the 19th century the practice evolved into a habit of decorating cottages - both on the inside and on the outside - with colorful painted ornaments. The tradition has been kept up in the 20th century by dedicated artists like Felicja Curyłowa (1904-1974) and - thanks to her and her followers - to this day we can admire unique local art, and house painting contests are still held to support this live tradition. The 3D model was created based on one of the oldest, finest examples of a Zalipie painted house.

Workflow Video: https://youtu.be/HIyd0rxIFBk

RealityCapture:1270 photos 
MusicInfo: Horses to Water - Topher Mohr and Alex Elena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282953
title: Von Bullow Mansion - Free 3D Printing (2/4)

description: The Von Bulow Mansion 3D model is a reconstruction of a mansion that existed in the early 20th Century at the Avenida Paulista in São Paulo, Brazil.

More information about the project on [ArtStation](https://www.artstation.com/artwork/xJyBkm).

------------------

This is the **Part 02/04** for this project, **Second Floor**. You can access all the parts in the [project's Sketchfab collection](https://sketchfab.com/BizSD/collections/von-bulow-mansion-3d-print) or through the list below:

* [Assembled Preview](https://skfb.ly/6Z7RI)
* [Part 01 - First Floor](https://skfb.ly/6Z7RR)
* [Part 03 - Roof](https://skfb.ly/6Z7S9)
* [Part 04 - Tower](https://skfb.ly/6Z7SD)

------------------

**Special credits:**

- High-Poly model made by [David Hoffmann](https://www.behance.net/davihoff) 
- Historical research made by [Marcus Uchoa](https://www.janeladahistoria.com/)
- 3D Printing only made possible by the [FabLab Livre SP](http://www.fablablivresp.prefeitura.sp.gov.br/unidades/centro-cultural-sao-paulo) ,

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10282954
title: Von Bullow Mansion - Free 3D Printing (2/4)

description: The Von Bulow Mansion 3D model is a reconstruction of a mansion that existed in the early 20th Century at the Avenida Paulista in São Paulo, Brazil.

More information about the project on [ArtStation](https://www.artstation.com/artwork/xJyBkm).

------------------

This is the **Part 02/04** for this project, **Second Floor**. You can access all the parts in the [project's Sketchfab collection](https://sketchfab.com/BizSD/collections/von-bulow-mansion-3d-print) or through the list below:

* [Assembled Preview](https://skfb.ly/6Z7RI)
* [Part 01 - First Floor](https://skfb.ly/6Z7RR)
* [Part 03 - Roof](https://skfb.ly/6Z7S9)
* [Part 04 - Tower](https://skfb.ly/6Z7SD)

------------------

**Special credits:**

- High-Poly model made by [David Hoffmann](https://www.behance.net/davihoff) 
- Historical research made by [Marcus Uchoa](https://www.janeladahistoria.com/)
- 3D Printing only made possible by the [FabLab Livre SP](http://www.fablablivresp.prefeitura.sp.gov.br/unidades/centro-cultural-sao-paulo) ,

Source: Objaverse 1.0 / Sketchfab