cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10285511
title: H1998.29 Waistcoat, Thomas Chapman

description: Western Australian Musuem, History Collection.
WAISTCOAT, THOMAS CHAPMAN.
Waistcoat with collar. Buttons at front with five brass buttons and buttonholes. (Raised floral, leafy decoration on buttons). Buttons fixed with brass ring looped through shaft. Two welt pockets on lower right and left hand sides. Front and collar of wool/or silk fabric with regular pattern of blue, red and black spot-like colours on mustard/yellow background. Lined with plain cotton; back of same lined cotton with adjustable waist tab. Shoulder seam dropped well to back. All hand sewn, possibly by Thomas George Chapman according to family history.

Made using Shining 3D EinScan Pro+ scanner and software. 

http://museum.wa.gov.au/online-collections/content/H1998.29

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285513
title: Trier 1945 Model of destruction

description: A digital twin of the city model of the destruction in Trier by the bombing raids of December 1944.
The original model shows the inner city area and is located in the Stadtmuseum Simeonstift Trier and was built from wood in 2001 on a scale of 1:125 by Joachim Woditsch.

Ein digitaler Zwilling des Stadtmodells der Zerstörungen in Trier durch die Bombenangriffe vom Dezember 1944.
Das Originalmodell zeigt den Innenstadtbereich und steht im Stadtmuseum Simeonstift Trier und wurde 2001 im Maßstab 1:125 von Joachim Woditsch aus Holz gebaut.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285514
title: Trier 1945 Model of destruction

description: A digital twin of the city model of the destruction in Trier by the bombing raids of December 1944.
The original model shows the inner city area and is located in the Stadtmuseum Simeonstift Trier and was built from wood in 2001 on a scale of 1:125 by Joachim Woditsch.

Ein digitaler Zwilling des Stadtmodells der Zerstörungen in Trier durch die Bombenangriffe vom Dezember 1944.
Das Originalmodell zeigt den Innenstadtbereich und steht im Stadtmuseum Simeonstift Trier und wurde 2001 im Maßstab 1:125 von Joachim Woditsch aus Holz gebaut.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285517
title: llinda 15

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285518
title: llinda 15

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285519
title: Aysana Inca del norte de Chile

description: Vasija con un asa horizontal del tipo "aysana" incaico. Procede del desierto de Atacama y fue donado por  la Sra. Cristina P. de Paredes. Su decoración frontal es una banda de triángulos bicolores opuestos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285520
title: Aysana Inca del norte de Chile

description: Vasija con un asa horizontal del tipo "aysana" incaico. Procede del desierto de Atacama y fue donado por  la Sra. Cristina P. de Paredes. Su decoración frontal es una banda de triángulos bicolores opuestos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285523
title: 01. Cabildo - 3D Printing

description: Model for 3D Printing made for an AR App.

3ds Max & Zbrush

https://www.artstation.com/juanmilanese

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285524
title: 01. Cabildo - 3D Printing

description: Model for 3D Printing made for an AR App.

3ds Max & Zbrush

https://www.artstation.com/juanmilanese

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285527
title: Drum Bongo 3D Scan Clean Low Poly

description: Drum Bongo 3D Scanned and cleaned up with Blender. 
-Low Poly
-Optimized
-4k Texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285528
title: Drum Bongo 3D Scan Clean Low Poly

description: Drum Bongo 3D Scanned and cleaned up with Blender. 
-Low Poly
-Optimized
-4k Texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285531
title: Cartoonish Treasure Chest

description: i really really really hate myself

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285532
title: Cartoonish Treasure Chest

description: i really really really hate myself

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285534
title: ROI005-094-03

description: Brewerton Point collected in Wabash County, Indiana.

Catalog # 12-Wb-132-8

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI005-094-03, 3D Model .ply file. Recovered as part of Report of Investigations # 5, *Final Report on the 1980-81 Mississinewa Reservoir Survey*, By William Wepler.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285533
title: ROI005-094-03

description: Brewerton Point collected in Wabash County, Indiana.

Catalog # 12-Wb-132-8

Uploaded by: Reganne O'Connor

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI005-094-03, 3D Model .ply file. Recovered as part of Report of Investigations # 5, *Final Report on the 1980-81 Mississinewa Reservoir Survey*, By William Wepler.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285535
title: Spherical astrolabe

description: The presented item is a wooden model of a spherical astrolabe used by Nicolaus Copernicus to observe the sky. The instrument was made based on the description provided in De revolutionibus orbium coelestium. It consists of six concentric wooden rings fitted with angle scales. These types of astrolabes were used to determine the ecliptic coordinates of the planets and the moon and to determine the local time. A total of 65 records of observations made by Copernicus using this type of astrolabe were preserved (53 in Warmia, 9 in Italy and 3 in Kraków). All were set to the local Kraków meridian.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2784

Inventory number: 2744/V

Localisation of the physical object: Jagiellonian University Museum, Collegium Maius

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285536
title: Spherical astrolabe

description: The presented item is a wooden model of a spherical astrolabe used by Nicolaus Copernicus to observe the sky. The instrument was made based on the description provided in De revolutionibus orbium coelestium. It consists of six concentric wooden rings fitted with angle scales. These types of astrolabes were used to determine the ecliptic coordinates of the planets and the moon and to determine the local time. A total of 65 records of observations made by Copernicus using this type of astrolabe were preserved (53 in Warmia, 9 in Italy and 3 in Kraków). All were set to the local Kraków meridian.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2784

Inventory number: 2744/V

Localisation of the physical object: Jagiellonian University Museum, Collegium Maius

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285537
title: 1 Ribera Xúquer, Comunitat Valenciana, España

description: Mapa de localización realizado para contextualizar geograficamente el enclave del Monasterío de la Murta y su torre dels Coloms.
Proyecto realizado por **AD&D 4D** con la colaboración y patrocinio de la **Comunitat Valenciana** y la **Mancomunitat de la Ribera Alta**.

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [SRTM_GL3 OpenTopography](https://opentopography.org/)
* Imagery: [MapBox Satellite Street](https://www.mapbox.com)
* Data: [OpenStreetMap](http://www.openstreetmap.org)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285538
title: 1 Ribera Xúquer, Comunitat Valenciana, España

description: Mapa de localización realizado para contextualizar geograficamente el enclave del Monasterío de la Murta y su torre dels Coloms.
Proyecto realizado por **AD&D 4D** con la colaboración y patrocinio de la **Comunitat Valenciana** y la **Mancomunitat de la Ribera Alta**.

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [SRTM_GL3 OpenTopography](https://opentopography.org/)
* Imagery: [MapBox Satellite Street](https://www.mapbox.com)
* Data: [OpenStreetMap](http://www.openstreetmap.org)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285539
title: Alibates Petroglyph - Anthropomorph

description: An human-llike petroglyph and a number of cupules fro Alibates National Monument.

[An enhanced version is here.](https://skfb.ly/6XSMS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285540
title: Alibates Petroglyph - Anthropomorph

description: An human-llike petroglyph and a number of cupules fro Alibates National Monument.

[An enhanced version is here.](https://skfb.ly/6XSMS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285542
title: Piano

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.22785533.v1
title: RRM_models_Yijianfang-Yingshan formations_Shunbei_Tarim_China

description: Supplementary materials of the RRM paper
DOI: 10.5281/zenodo.10285541
title: Piano

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285547
title: Cántaro - 170172 (puruchuco)

description: Material: Cerámica

Cultura/Estilo: Huaura

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285548
title: Cántaro - 170172 (puruchuco)

description: Material: Cerámica

Cultura/Estilo: Huaura

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285549
title: Patrick Dunphy Tombstone at Roselawn Cemetary

description: 3D scan of a large headstone at the Roselawn Cemetary in Pueblo CO.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285550
title: Patrick Dunphy Tombstone at Roselawn Cemetary

description: 3D scan of a large headstone at the Roselawn Cemetary in Pueblo CO.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285553
title: Maiken

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285554
title: Maiken

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285555
title: Wooden Object, Kirkjubø - Træ 1

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 84.5cm x 32.7cm x 20.7cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285556
title: Wooden Object, Kirkjubø - Træ 1

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 84.5cm x 32.7cm x 20.7cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285564
title: Bute, Scarrell 4

description: Cup and ring marked stone recorded and modelled for ScRAP by the Rock Art Bute Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285565
title: Bute, Scarrell 4

description: Cup and ring marked stone recorded and modelled for ScRAP by the Rock Art Bute Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285568
title: PLACA CONMEMORATIVA DE MATEO PUMACAHUA (RECON.)

description: Mateo Pumacahua (1740-1815) fue uno de los próceres más importantes cuya participación fue vital en el proceso de independencia del Perú. En 1933, con motivo de la renovación de la Plaza San Martin, ubicada en el Centro Histórico de Lima, se crearon diversas placas con los llamados Héroes De La Patria, entre ellos, Pumacahua, de acuerdo a los nombres de los arcos homónimos que circulan alrededor de la plaza. La placa conmemorativa fue creada por el escultor Luis F. Agurto Olaya y se encuentra en la columna que cruza el jirón Ocoña y el jirón de la Unión, hecha con bronce. En la placa bajo el busto se inscribe: "Homenaje de la Municipalidad de Lima al Precursor de la Independencia Cacique de Chincheros Brigadier Mateo G. Pumacahua. L. Agurto. Lima, 1933".

Reconstrucciòn de visiòn original de 1933.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285569
title: PLACA CONMEMORATIVA DE MATEO PUMACAHUA (RECON.)

description: Mateo Pumacahua (1740-1815) fue uno de los próceres más importantes cuya participación fue vital en el proceso de independencia del Perú. En 1933, con motivo de la renovación de la Plaza San Martin, ubicada en el Centro Histórico de Lima, se crearon diversas placas con los llamados Héroes De La Patria, entre ellos, Pumacahua, de acuerdo a los nombres de los arcos homónimos que circulan alrededor de la plaza. La placa conmemorativa fue creada por el escultor Luis F. Agurto Olaya y se encuentra en la columna que cruza el jirón Ocoña y el jirón de la Unión, hecha con bronce. En la placa bajo el busto se inscribe: "Homenaje de la Municipalidad de Lima al Precursor de la Independencia Cacique de Chincheros Brigadier Mateo G. Pumacahua. L. Agurto. Lima, 1933".

Reconstrucciòn de visiòn original de 1933.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285570
title: Plaster Arch Molding

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285571
title: Plaster Arch Molding

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285572
title: Punctated Bowl Sherd (1) 2000-2500 Yo

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285573
title: Punctated Bowl Sherd (1) 2000-2500 Yo

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285582
title: Marble02

description: https://publicdomaintextures.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285581
title: Marble02

description: https://publicdomaintextures.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285585
title: no model

description: 1326

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285586
title: no model

description: 1326

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285587
title: XCB-003-670 End Blade Tip

description: End Blade Tip.  XCB-003-670. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285588
title: XCB-003-670 End Blade Tip

description: End Blade Tip.  XCB-003-670. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285589
title: Wappen Schlüterfigur Deutsch Russisch

description: Zitadelle Berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285590
title: Wappen Schlüterfigur Deutsch Russisch

description: Zitadelle Berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285597
title: 77-47-T230 Biface Fragment. Hot Springs Village

description: Biface Fragment. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T230 Okada excavations HHT, Level 5C. Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285596
title: 77-47-T230 Biface Fragment. Hot Springs Village

description: Biface Fragment. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T230 Okada excavations HHT, Level 5C. Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285603
title: Loschwitz (Körnerdenkmal),

description: Loschwitz (Körnerdenkmal), Stadt Dresden, Sachsen

                Wandfries am Körnerweg mit Darstellung von Szenen aus den Befreiungskriegen der Lützower Jäger. Rechts und links des Reliefs befindet sich je eine Standsteintafel mit Inschriften. Das Denkmal wurde 2005 restauriert und befindet sich bereits wieder in einem sehr schlechten Zustand und ist beschmiert.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285602
title: Loschwitz (Körnerdenkmal),

description: Loschwitz (Körnerdenkmal), Stadt Dresden, Sachsen

                Wandfries am Körnerweg mit Darstellung von Szenen aus den Befreiungskriegen der Lützower Jäger. Rechts und links des Reliefs befindet sich je eine Standsteintafel mit Inschriften. Das Denkmal wurde 2005 restauriert und befindet sich bereits wieder in einem sehr schlechten Zustand und ist beschmiert.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285604
title: Gregorian reflecting telescope (1700s)

description: Full name: **Astronomical telescope with a Gregorian mirror system**

This type of telescope was first described in 1663 by James Gregory (1638-1675), a Scottish mathematician and astronomer, professor at the University of Edinburgh and St. Andrews University in Scotland. Inventor of the first reflecting telescope. He proposed a method of determining an astronomical unit based on observations of the transit of Venus in front of the disc of the Sun. 

This particular telescope was engineered by Jesse Ramsden (1735–1800), optician, maker of scientific instruments, mainly astronomical and navigational ones, Fellow of the Royal Society in London.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2778

Inventory number: 4044; 42/V

Localisation of the physical object: Jagiellonian University Museum Collegium Maius, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285605
title: Gregorian reflecting telescope (1700s)

description: Full name: **Astronomical telescope with a Gregorian mirror system**

This type of telescope was first described in 1663 by James Gregory (1638-1675), a Scottish mathematician and astronomer, professor at the University of Edinburgh and St. Andrews University in Scotland. Inventor of the first reflecting telescope. He proposed a method of determining an astronomical unit based on observations of the transit of Venus in front of the disc of the Sun. 

This particular telescope was engineered by Jesse Ramsden (1735–1800), optician, maker of scientific instruments, mainly astronomical and navigational ones, Fellow of the Royal Society in London.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2778

Inventory number: 4044; 42/V

Localisation of the physical object: Jagiellonian University Museum Collegium Maius, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285606
title: Petroglyph V27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V27 Khatm Al Melaha, Kalba, Sharjah. Poorly defined symbol. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10285607
title: Petroglyph V27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V27 Khatm Al Melaha, Kalba, Sharjah. Poorly defined symbol. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab