cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10269699
title: 8822 Încoronarea Fecioarei

description: **8822 Încoronarea Fecioarei**
Datare: prima jumătate a secolului al XIX-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire neregulată, executată
manual) cu pensula, după un izvod; pictarea suprafețelor cu tempera; fond de foiță argintie lipită pe
alocuri; rama de esență rășinoasă, profilată și băițuită.
Dimensiuni: 47,3 cm x 41,5 cm.

** 8822 Coronation of the Virgin **
Dating: first half of the 19th century
Center: Lancrăm
Material / Technique: Ink drawn on the back of the glaze (irregular thin glass, executed
manual) with the brush, after an izvod; painting surfaces with tempera; silver foil glued on
in some places; resinous, profiled and stained resin frame.
Dimensions: 47.3 cm x 41.5 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269700
title: 8822 Încoronarea Fecioarei

description: **8822 Încoronarea Fecioarei**
Datare: prima jumătate a secolului al XIX-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire neregulată, executată
manual) cu pensula, după un izvod; pictarea suprafețelor cu tempera; fond de foiță argintie lipită pe
alocuri; rama de esență rășinoasă, profilată și băițuită.
Dimensiuni: 47,3 cm x 41,5 cm.

** 8822 Coronation of the Virgin **
Dating: first half of the 19th century
Center: Lancrăm
Material / Technique: Ink drawn on the back of the glaze (irregular thin glass, executed
manual) with the brush, after an izvod; painting surfaces with tempera; silver foil glued on
in some places; resinous, profiled and stained resin frame.
Dimensions: 47.3 cm x 41.5 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269702
title: Wmid-6771ac - Unidentified artefact

description: A complete copper alloy artefact of uncertain function but probably of Post Medieval dating.

The artefact is circular, with a square perforation at the centre. A small upright groove is present on the edge, probably for alignment purposes. No decoration is present on either face. The square perforation measures 12.3 mm by 12.6 mm.

For more information, please visit the online database record available at: 
https://finds.org.uk/database/artefacts/record/id/1073467

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269701
title: Wmid-6771ac - Unidentified artefact

description: A complete copper alloy artefact of uncertain function but probably of Post Medieval dating.

The artefact is circular, with a square perforation at the centre. A small upright groove is present on the edge, probably for alignment purposes. No decoration is present on either face. The square perforation measures 12.3 mm by 12.6 mm.

For more information, please visit the online database record available at: 
https://finds.org.uk/database/artefacts/record/id/1073467

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269703
title: Stagecoach

description: Old west era Stagecoach.

Low poly prop model. 
- Model format .fbx
- 3 materials (frame, interior, exterior)
- metalness/roughness PBR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269704
title: Stagecoach

description: Old west era Stagecoach.

Low poly prop model. 
- Model format .fbx
- 3 materials (frame, interior, exterior)
- metalness/roughness PBR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269708
title: Pilveru pilskalns

description: Pilveru pilskalna 3D modelis. Koordinātas: 56.491408099, 24.647485030

* https://www.latvijas-pilskalni.lv/pilveru-pilskalns/
* https://www.senvietas.lv/barbeles-pilveru-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269709
title: Pilveru pilskalns

description: Pilveru pilskalna 3D modelis. Koordinātas: 56.491408099, 24.647485030

* https://www.latvijas-pilskalni.lv/pilveru-pilskalns/
* https://www.senvietas.lv/barbeles-pilveru-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269710
title: Commodore C64C computer set

description: The Commodore C64 is one of the most popular designs in the history of computers, produced from 1982 until 1994. 
Its manufacturer – Commodore Business Machines – established in 1954 in Toronto (then moved to NY), was founded by Jack Tramiel (b. Trzmiel) – a Polish emigrant of Jewish descent, Holocaust survivor. 
In line with the standards of the 1980s, the computer was integrated with the keyboard and placed in the same housing. A TV set could be used as the monitor, and the basic medium for data was a special version of a cassette tape recorder. It was also possible to purchase an additional disk drive.
The C64 stood out from the competition with its advanced sound capabilities thanks to the integrated circuit – SID. This option was wide-used by the authors of computer games and musicians. Nowadays, the C64 is used on the demo scene (a programming and computer subculture) for creating works that are styled on the 1980s.

Commodore, USA/Hong Kong, 1984

Inv. No. MIM1649/VII-139

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269711
title: Commodore C64C computer set

description: The Commodore C64 is one of the most popular designs in the history of computers, produced from 1982 until 1994. 
Its manufacturer – Commodore Business Machines – established in 1954 in Toronto (then moved to NY), was founded by Jack Tramiel (b. Trzmiel) – a Polish emigrant of Jewish descent, Holocaust survivor. 
In line with the standards of the 1980s, the computer was integrated with the keyboard and placed in the same housing. A TV set could be used as the monitor, and the basic medium for data was a special version of a cassette tape recorder. It was also possible to purchase an additional disk drive.
The C64 stood out from the competition with its advanced sound capabilities thanks to the integrated circuit – SID. This option was wide-used by the authors of computer games and musicians. Nowadays, the C64 is used on the demo scene (a programming and computer subculture) for creating works that are styled on the 1980s.

Commodore, USA/Hong Kong, 1984

Inv. No. MIM1649/VII-139

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269713
title: Saint-Péravy-la-Colombe, Antéfixe

description: Tuile antéfixe en terre cuite de Saint-Péravy-la-Colombe (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/tuite-antefixe-4748)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269714
title: Mbapete

description: Sculpture monumentale en pierre calcaire de Crazannes, d'environ 3.20 m de hauteur, exécutée par Ibou Niang.
***La lutte sénégalaise (njom en sérère, làmb en wolof ou ausi Mbapete) est un sport traditionnel très populaire au Sénégal, tout particulièrement dans les régions du Sine-Saloum (chez les Sérères) et de la Casamance (chez les Diolas). On le pratique aussi en Gambie. Sport de contact, la lutte sénégalaise intègre aussi la boxe, d'où l'appellation de « lutte avec frappe ». Le lutteur peut à la fois donner des coups et recourir au corps à corps pour terrasser son adversaire. En sus de sa dimension sportive, elle intègre une dimension culturelle et folklorique (bakk), qui met en œuvre au travers d'animations la tradition culturelle sénégalaise. ension sportive, elle intègre une dimension culturelle et folklorique (bakk), qui met en œuvre au travers d'animations la tradition culturelle sénégalaise.  (Wikipedia)***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269715
title: Mbapete

description: Sculpture monumentale en pierre calcaire de Crazannes, d'environ 3.20 m de hauteur, exécutée par Ibou Niang.
***La lutte sénégalaise (njom en sérère, làmb en wolof ou ausi Mbapete) est un sport traditionnel très populaire au Sénégal, tout particulièrement dans les régions du Sine-Saloum (chez les Sérères) et de la Casamance (chez les Diolas). On le pratique aussi en Gambie. Sport de contact, la lutte sénégalaise intègre aussi la boxe, d'où l'appellation de « lutte avec frappe ». Le lutteur peut à la fois donner des coups et recourir au corps à corps pour terrasser son adversaire. En sus de sa dimension sportive, elle intègre une dimension culturelle et folklorique (bakk), qui met en œuvre au travers d'animations la tradition culturelle sénégalaise. ension sportive, elle intègre une dimension culturelle et folklorique (bakk), qui met en œuvre au travers d'animations la tradition culturelle sénégalaise.  (Wikipedia)***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269712
title: Saint-Péravy-la-Colombe, Antéfixe

description: Tuile antéfixe en terre cuite de Saint-Péravy-la-Colombe (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/tuite-antefixe-4748)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269718
title: Marksville Plainware with Spout Portion

description: Tan Marksville plainware rim with a portion of a pouring spout. Marksville Period, c. 100 BCE - 400 CE

66mm x 57mm x 5mm, 38g

Found in Tensas Parish, Louisiana, 2021

MPQ_12

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269719
title: Marksville Plainware with Spout Portion

description: Tan Marksville plainware rim with a portion of a pouring spout. Marksville Period, c. 100 BCE - 400 CE

66mm x 57mm x 5mm, 38g

Found in Tensas Parish, Louisiana, 2021

MPQ_12

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269720
title: Petroglyph C1, Khatm Al Melaha, Kalba, Sharjah

description: Natual Version Painted. Petroglyph C1, Khatm Al Melaha, Kalba, Sharjah. Human foot motif, which is common thoroughout the region. Date unknown. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century. 

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture and Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269721
title: Petroglyph C1, Khatm Al Melaha, Kalba, Sharjah

description: Natual Version Painted. Petroglyph C1, Khatm Al Melaha, Kalba, Sharjah. Human foot motif, which is common thoroughout the region. Date unknown. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century. 

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture and Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269724
title: Klinefelter Monument

description: Monument listing the Klinefelter family members laid to rest in Klinefelter Cemetery (https://skfb.ly/67Awo). The cemetery marks the final resting place for some of the first settlers to inhabit what is now the City of Green, Ohio. Burials date from the nineteenth to early twentieth centuries.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269725
title: Klinefelter Monument

description: Monument listing the Klinefelter family members laid to rest in Klinefelter Cemetery (https://skfb.ly/67Awo). The cemetery marks the final resting place for some of the first settlers to inhabit what is now the City of Green, Ohio. Burials date from the nineteenth to early twentieth centuries.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269726
title: Ukrainian  Tombstone 02

description: tumbstone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269727
title: Ukrainian  Tombstone 02

description: tumbstone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269729
title: Perfume bottle with a landscape

description: ID no.: FZRS/65

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1690

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269728
title: Perfume bottle with a landscape

description: ID no.: FZRS/65

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1690

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269731
title: Rose effeuillée

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269732
title: Rose effeuillée

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269733
title: 中和紡織

description: 中和紡織,台北市南京西路370號,相關介紹:http://www.1314itaiwan.com/guide/44.html

攝於2020/03/21,模型尺寸為約略值。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269734
title: 中和紡織

description: 中和紡織,台北市南京西路370號,相關介紹:http://www.1314itaiwan.com/guide/44.html

攝於2020/03/21,模型尺寸為約略值。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269735
title: Ganesha from Ukhimath Temple (VCU_3D_5751)

description: This sculpture of Ganesha is one of two localted to the right of the entrance to the Panch Kedar shrine at the  Ukhimath Temple, in Uttarakhand, India. The sculpture was  resting on the shrine wall so its back could not be fully scanned. It was 3D scanned with permission using a Structure scanner attached to an iPad Mini 4 in May 2017.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269736
title: Ganesha from Ukhimath Temple (VCU_3D_5751)

description: This sculpture of Ganesha is one of two localted to the right of the entrance to the Panch Kedar shrine at the  Ukhimath Temple, in Uttarakhand, India. The sculpture was  resting on the shrine wall so its back could not be fully scanned. It was 3D scanned with permission using a Structure scanner attached to an iPad Mini 4 in May 2017.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269738
title: Lleida, la Seu Vella, portail 1

description: Lleida, Cathédrale de la Seu Vella (Lérida) 
Portail ouest, tradition romane, ou roman tardif.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269737
title: Lleida, la Seu Vella, portail 1

description: Lleida, Cathédrale de la Seu Vella (Lérida) 
Portail ouest, tradition romane, ou roman tardif.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269739
title: Moon kiosk - Bruxelles

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269740
title: Moon kiosk - Bruxelles

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269741
title: Cameo glass III

description: 3D model/remix I created from a 2D image from The Metropolitan Museum of Art (The Met). Instead of a relief, often used in Cameo, I generated an Intaglio design. I took this a step further by superimposing the imagery on both sides of the fragment.

[*Glass cameo bowl fragment*](https://www.metmuseum.org/art/collection/search/249603?pos=3&rpp=20&pg=1&gallerynos=166&rndkey=20180304&ft=*) via The Met is licensed under CC0 1.0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269742
title: Cameo glass III

description: 3D model/remix I created from a 2D image from The Metropolitan Museum of Art (The Met). Instead of a relief, often used in Cameo, I generated an Intaglio design. I took this a step further by superimposing the imagery on both sides of the fragment.

[*Glass cameo bowl fragment*](https://www.metmuseum.org/art/collection/search/249603?pos=3&rpp=20&pg=1&gallerynos=166&rndkey=20180304&ft=*) via The Met is licensed under CC0 1.0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269743
title: Sculpture anthropomorphe

description: Issu de pillage archéologique au Mali. Originaire de Djénné.

Collection Musée National Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269744
title: Sculpture anthropomorphe

description: Issu de pillage archéologique au Mali. Originaire de Djénné.

Collection Musée National Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269745
title: Barroco Andino (Arequipa, Perú)

description: Casona del siglo XVII, reconocida como uno de los más antiguos monumentos de la arquitectura arequipeña del periodo barroco.
Su fachada de una planta ostenta una portada de notable talla en sillar en la que se aprecian dos ángeles sosteniendo una corona sobre un escudo, compuesto a su vez por un castillo, un ave, un puma y dos llaves cruzadas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269746
title: Barroco Andino (Arequipa, Perú)

description: Casona del siglo XVII, reconocida como uno de los más antiguos monumentos de la arquitectura arequipeña del periodo barroco.
Su fachada de una planta ostenta una portada de notable talla en sillar en la que se aprecian dos ángeles sosteniendo una corona sobre un escudo, compuesto a su vez por un castillo, un ave, un puma y dos llaves cruzadas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269747
title: Pressure Plate(Tigris)

description: A simple pressure plate with inspiration from Greek artworks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269748
title: Pressure Plate(Tigris)

description: A simple pressure plate with inspiration from Greek artworks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269749
title: Cave in WW1 base, Kivikko, Helsinki, Finland

description: 60 m² cave in First World War base IV:10 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Kivikko, Helsinki, Finland. The base was built in 1915 - 1918.


More info:

* [Location in Google Maps](https://goo.gl/maps/kyTuARSeYvCGYxSu9)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000011245) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269750
title: Cave in WW1 base, Kivikko, Helsinki, Finland

description: 60 m² cave in First World War base IV:10 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Kivikko, Helsinki, Finland. The base was built in 1915 - 1918.


More info:

* [Location in Google Maps](https://goo.gl/maps/kyTuARSeYvCGYxSu9)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000011245) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269751
title: Warszawa, Praga, Centuries of destruction stairs

description: My 3D reconstruction generated with photogrammetry software 3DF Zephyr v6.010 processing 124 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269752
title: Warszawa, Praga, Centuries of destruction stairs

description: My 3D reconstruction generated with photogrammetry software 3DF Zephyr v6.010 processing 124 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269753
title: ROI022-026-12

description: Madison Point collected in Allen County, Indiana.

Catalog # 12-Al-505-172

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-026-10, 3D Model .ply file. Recovered as part of Report of Investigations 22, The Archaeological Resources of the Maumee River Valley, Allen County, Indiana, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269754
title: ROI022-026-12

description: Madison Point collected in Allen County, Indiana.

Catalog # 12-Al-505-172

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-026-10, 3D Model .ply file. Recovered as part of Report of Investigations 22, The Archaeological Resources of the Maumee River Valley, Allen County, Indiana, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269755
title: Nasca fish vessel, c. 100 BCE - 600 CE

description: Ceramic Nasca fish vessel, c. 100 BCE - 600 CE, now in the collection of the Minneapolis Institute of Art.

From the object's description of artsmia.org:

*"Nazca artists are known for their bold, colorful designs. Although they were acute observers of the world around them and depicted many plants and animals in their work, they seemed concerned less with naturalism than with capturing the spirit and liveliness of their subject matter. This fish is highly stylized, with scales suggested by brush strokes, and gills through sweeping lines. It is rounded and fat, attesting to flush times and an abundance of food. Fish were a key component of the Nazca diet and were often shown in their art."*

More information about the object here:

https://collections.artsmia.org/art/696/vessel-in-the-form-of-a-fish-nasca

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269756
title: Nasca fish vessel, c. 100 BCE - 600 CE

description: Ceramic Nasca fish vessel, c. 100 BCE - 600 CE, now in the collection of the Minneapolis Institute of Art.

From the object's description of artsmia.org:

*"Nazca artists are known for their bold, colorful designs. Although they were acute observers of the world around them and depicted many plants and animals in their work, they seemed concerned less with naturalism than with capturing the spirit and liveliness of their subject matter. This fish is highly stylized, with scales suggested by brush strokes, and gills through sweeping lines. It is rounded and fat, attesting to flush times and an abundance of food. Fish were a key component of the Nazca diet and were often shown in their art."*

More information about the object here:

https://collections.artsmia.org/art/696/vessel-in-the-form-of-a-fish-nasca

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10269757
title: Bone Knife Handle

description: 3D model of a carved bone knife handle with copper nails. The blade is missing. Physical object held at the National Museum of Iceland nr: 2005-36-0882. Found 22/7/2005 by RGG https://sarpur.is/Adfang.aspx?AdfangID=1423608

Part of the Skriðuklaustur Monastery 1550 reconstruction.

Digitisation by Open Virtual Worlds, a research team within the School of Computer Science, University of St Andrews, in cooperation with the Gunnar Gunnarsson Institute at Skriðuklaustur and the National Museum of Iceland. 3D digitisation was done by Catherine Cassidy and Iain Oliver with archaeological assistance provided by Skúli Gunnarsson.

Funded by the EU Northern Periphery and Arctic Programme 2014-2020 through the "Connected Culture and Natural Heritage in a Northern Environment" (CINE) project.

Source: Objaverse 1.0 / Sketchfab