cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5517/ccdc.csd.cc25k070
title: CCDC 2012341: Experimental Crystal Structure Determination

description: Related Article: Keiji Ohno, Fuka Narita, Hidehisa Yokobori, Nanami Iiduka, Tomoaki Sugaya, Akira Nagasawa, Takashi Fujihara|2020|Dyes Pigm.|187|109081|doi:10.1016/j.dyepig.2020.109081
DOI: 10.5517/ccdc.csd.cc25vfwc
title: CCDC 2021413: Experimental Crystal Structure Determination

description: Related Article: Li-Yan Wang, Xue Han, Zhan Shi, Yong-Heng Xing, Li-Xian Sun|2021|Polyhedron|195|114966|doi:10.1016/j.poly.2020.114966
DOI: 10.5517/ccdc.csd.cc25vfxd
title: CCDC 2021414: Experimental Crystal Structure Determination

description: Related Article: Li-Yan Wang, Xue Han, Zhan Shi, Yong-Heng Xing, Li-Xian Sun|2021|Polyhedron|195|114966|doi:10.1016/j.poly.2020.114966
DOI: 10.5281/zenodo.4621428
title: Whether Black or White – United in the Fight

description: This data set is related to the published article 'Whether Black or White – United in the Fight!' Connecting the Resistance Against Colonialism, Racism, and Fascism in the European Metropoles, 1926-1936,' <em>Twentieth Century Communism</em>, 18, 2020, pp. 126-149. Article abstract: This article focuses on the ways in which anti-colonialism, anti-racism, and anti-fascism were intertwined within the Third Period, and the extent to which these ideals were already being drawn together in the preceding era of the United Front. Drawing heavily on the articles and imagery of Willi Münzenberg's <em>Arbeiter-Illustrierte-Zeitung </em>(AIZ), the piece demonstrates the ways in which communist anti-fascist campaigning around the world facilitated the development of sophisticated anti-racist arguments which aimed at undermining the ideological basis of fascist movements and colonial rulers alike. It evidences the extent to which communists felt that countering the pseudoscience of race could play an important role in numerous facets of their campaigning. Furthermore, it highlights the attempts by activists and writers to develop a conception of anti-fascism and anti-colonialism as mutually-reinforcing strategies which could be deployed in tandem, and the ways that this ideological interweaving was drawn into campaigns both against the Nazis' use of racial science to justify anti-Semitic policy, and fascist Italy's invasion of Ethiopia based on Social Darwinist precepts.
DOI: 10.5281/zenodo.4621427
title: Whether Black or White – United in the Fight

description: This data set is related to the published article 'Whether Black or White – United in the Fight!' Connecting the Resistance Against Colonialism, Racism, and Fascism in the European Metropoles, 1926-1936,' <em>Twentieth Century Communism</em>, 18, 2020, pp. 126-149. Article abstract: This article focuses on the ways in which anti-colonialism, anti-racism, and anti-fascism were intertwined within the Third Period, and the extent to which these ideals were already being drawn together in the preceding era of the United Front. Drawing heavily on the articles and imagery of Willi Münzenberg's <em>Arbeiter-Illustrierte-Zeitung </em>(AIZ), the piece demonstrates the ways in which communist anti-fascist campaigning around the world facilitated the development of sophisticated anti-racist arguments which aimed at undermining the ideological basis of fascist movements and colonial rulers alike. It evidences the extent to which communists felt that countering the pseudoscience of race could play an important role in numerous facets of their campaigning. Furthermore, it highlights the attempts by activists and writers to develop a conception of anti-fascism and anti-colonialism as mutually-reinforcing strategies which could be deployed in tandem, and the ways that this ideological interweaving was drawn into campaigns both against the Nazis' use of racial science to justify anti-Semitic policy, and fascist Italy's invasion of Ethiopia based on Social Darwinist precepts.
DOI: 10.17870/bathspa.13522616
title: SIX - Chelsea McMullan Interview Script

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains and interview with Chelsea McMullan as contextualising material.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13522616.v1
title: SIX - Chelsea McMullan Interview Script

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains and interview with Chelsea McMullan as contextualising material.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13522610
title: SIX - Photographic Documentation

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains photographic documentation as contextualising material.<br><br><b>Photos courtesy of Chris Lewis-Smith.</b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.13522610.v1
title: SIX - Photographic Documentation

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains photographic documentation as contextualising material.<br><br><b>Photos courtesy of Chris Lewis-Smith.</b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.13522511.v1
title: SIX - Research Essay

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains a research context essay as contextualising material.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13522511
title: SIX - Research Essay

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains a research context essay as contextualising material.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13522457
title: SIX - Research Timeline and Research Questions

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains the Research Questions and Timeline.<br>
DOI: 10.17870/bathspa.13522457.v1
title: SIX - Research Timeline and Research Questions

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains the Research Questions and Timeline.<br>
DOI: 10.17870/bathspa.13379072
title: SIX - 300 Word Statement

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains the 300 Word Statement.<br>
DOI: 10.17870/bathspa.13379072.v1
title: SIX - 300 Word Statement

description: <i>Six</i> is a 5 minute 40 second single-take screendance. It forms part of the research thesis The Dancer and the Looking Glass by Christopher Lewis-Smith in which the author explores the dancer/camera/screen viewer relationship. Filmed in Bristol, England, the film explores this relationship as one in which the camera is an active participant in the choreography. The camera follows the journey of 5 dancers across an urban space and into an art gallery, where they see and react to a large dark sculpture. The camera takes on a human perspective in that it maintains eye level contact with the performers and their surroundings, and moves at the speed of a person, creating the possibility, through the absence of cuts in the edit, of a participant in the action.<br><br>This item contains the 300 Word Statement.<br>
DOI: 10.5281/zenodo.3945340
title: ODP Leg 156, Hole 947A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945339
title: ODP Leg 156, Hole 947A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945342
title: ODP Leg 156, Hole 948A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945341
title: ODP Leg 156, Hole 948A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945344
title: ODP Leg 156, Hole 948C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945343
title: ODP Leg 156, Hole 948C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945346
title: ODP Leg 156, Hole 948D - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945345
title: ODP Leg 156, Hole 948D - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945348
title: ODP Leg 156, Hole 949C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945347
title: ODP Leg 156, Hole 949C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 156: Northern Barbados Ridge
DOI: 10.5281/zenodo.3945350
title: ODP Leg 157, Hole 950A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.5281/zenodo.3945349
title: ODP Leg 157, Hole 950A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.5281/zenodo.3945352
title: ODP Leg 157, Hole 952A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.5281/zenodo.3945351
title: ODP Leg 157, Hole 952A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.5281/zenodo.3945354
title: ODP Leg 157, Hole 953C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.5281/zenodo.3945353
title: ODP Leg 157, Hole 953C - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain
DOI: 10.6084/m9.figshare.14248643
title: Serial section series of Bathymodioluschildressi post-larva (HPF-large)

description: Serial section series of a symbiotic Bathymodiolus childressi post-larva. The mussel was sampled at the Mississippi Canyon 853 (28.123 N; -89.139 E) at 1071 m water depth in 2015. The mussel was fixed with 2.5% glutaraldehyde stored in PHEM-buffer. Sections (1.5 µm section thickness) were stained with toluidine blue.
DOI: 10.6084/m9.figshare.14248643.v1
title: Serial section series of Bathymodioluschildressi post-larva (HPF-large)

description: Serial section series of a symbiotic Bathymodiolus childressi post-larva. The mussel was sampled at the Mississippi Canyon 853 (28.123 N; -89.139 E) at 1071 m water depth in 2015. The mussel was fixed with 2.5% glutaraldehyde stored in PHEM-buffer. Sections (1.5 µm section thickness) were stained with toluidine blue.
DOI: 10.5281/zenodo.3945356
title: ODP Leg 157, Hole 955A - Well Logging Data

description: Logging data are measurements of physical properties of the formation surrounding a borehole, acquired in situ after completion of coring (wireline logging) or during drilling (Logging-While-Drilling, LWD). The range of data (resistivity, gamma radiation, velocity, density, borehole images,…) in any hole depends on the scientific objectives and operational constraints.
description: ODP Leg 157: Gran Canaria and Madeira Abyssal Plain