cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10327108
title: Frutero - Fajalauza-HD (44)

description: Frutero (CE12100 277) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde con orientación horizontal. El cuerpo es semiesférico y la base plana peraltada por un repié muy desarrollado. Está decorado con un motivo central de ave, orlada por un rameado de flores y capullos. El borde presenta una cenefa de hojas enlazadas. 

* Cronología: 1900-1950.
* Depósito: Museo Arqueológico y Etnológico de Granada.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327110
title: Cashel Wall Monument

description: Figure believed to be part of wall monument from Cashel l This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6073/pasta/51fb854e151dc00ffcba786080a43dbe
title: Marine Debris Opportunistically Collected around Palmer Station, 2022-2023

description: Observations of marine debris in Antarctica have been increasing; however, impacts, distributions, sources, and transport pathways of debris remain poorly understood. These data include the date, location, and a brief description of marine debris found on the islands and in the waters around Palmer Station Antarctica during the 2022-2023 field season. These debris were found during routine seabird surveys on the islands around Palmer Station and during transits to islands on small boats. Debris were recorded when observed but the absence of debris were not recorded.
DOI: 10.5281/zenodo.10327109
title: Cashel Wall Monument

description: Figure believed to be part of wall monument from Cashel l This project is funded through the Irish Walled Towns Network programme in conjunction with Tipperary County Council'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327111
title: Platter

description: ID no.: M.O./ W109

Museum of Władysław Wołkowski's Oeuvre in Olkusz

https://muzea.malopolska.pl/en/objects-list/1991

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327112
title: Platter

description: ID no.: M.O./ W109

Museum of Władysław Wołkowski's Oeuvre in Olkusz

https://muzea.malopolska.pl/en/objects-list/1991

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327113
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of  Vincent Rogers , died 1892, aged 11 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Row 6  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
16 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327114
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of  Vincent Rogers , died 1892, aged 11 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, M2 sect 13 LEW Row 6  One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
16 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327115
title: Staffordshire Slip-Glazed Redware

description: Staffordshire slip-glazed Redware. Red/orange paste, combed slip decoration, molded rim. Late 1600s-1700s 

This 3D model was created using RealityCapture software by Capturing Reality

Model by Emma Dietrich

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327116
title: Staffordshire Slip-Glazed Redware

description: Staffordshire slip-glazed Redware. Red/orange paste, combed slip decoration, molded rim. Late 1600s-1700s 

This 3D model was created using RealityCapture software by Capturing Reality

Model by Emma Dietrich

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327117
title: Scraping or Chopping Tool.  XCB-001-463

description: Flaked and Polished Scraping or Chopping Tool.  XCB-001-463
XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327118
title: Scraping or Chopping Tool.  XCB-001-463

description: Flaked and Polished Scraping or Chopping Tool.  XCB-001-463
XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327119
title: Termino Campanil nº 12 de Vitoria-Gasteiz

description: Modelo de un término delimitador en Vitoria-Gasteiz, para el curso de Introducción de Fotogrametría para el Patrimonio impartido por Koré Formación en febrero y marzo de 2022.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327120
title: Termino Campanil nº 12 de Vitoria-Gasteiz

description: Modelo de un término delimitador en Vitoria-Gasteiz, para el curso de Introducción de Fotogrametría para el Patrimonio impartido por Koré Formación en febrero y marzo de 2022.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327121
title: DRAFT: Citadelle de Sisteron (France)

description: DRAFT: MEDIUM Quality 

The fort has some great technical features dating from the various periods of fortification. Built in an almost impossible location, the Guérite du Diable (the Devil's watchtower), dating from the 14th and 17th centuries, overlooks the Durance. Legend has it that the mason who built it sold his soul to the devil for help, hence the name. The foundations of the medieval chapel and its terrace with their 12m high supporting arches are also impressive. They are somewhat reminiscent to the foundations of the Mont St Michel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327122
title: DRAFT: Citadelle de Sisteron (France)

description: DRAFT: MEDIUM Quality 

The fort has some great technical features dating from the various periods of fortification. Built in an almost impossible location, the Guérite du Diable (the Devil's watchtower), dating from the 14th and 17th centuries, overlooks the Durance. Legend has it that the mason who built it sold his soul to the devil for help, hence the name. The foundations of the medieval chapel and its terrace with their 12m high supporting arches are also impressive. They are somewhat reminiscent to the foundations of the Mont St Michel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327123
title: Spartan Bronze helmet

description: Photogrammetry - 59 images on iphone 6s and PhotoScanPro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327124
title: Spartan Bronze helmet

description: Photogrammetry - 59 images on iphone 6s and PhotoScanPro

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327125
title: CPMP pendentive

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/592/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327126
title: CPMP pendentive

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/592/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327127
title: ROI013-057-02

description: Kirk Cornered Notched Point collected in Wabash County, Indiana.

Catalog # 12-Wb-332-7

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI013-057-02, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327128
title: ROI013-057-02

description: Kirk Cornered Notched Point collected in Wabash County, Indiana.

Catalog # 12-Wb-332-7

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI013-057-02, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, By Donald Cochran and Edmond Anuszczyk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327129
title: Lurgan Farm 8 Lower, Perthshire

description: The panel forms the lower (western) part of a larger carved surface (Lurgan Farm 8) which is situated on a large schist outcrop. This part of the panel features several cupmarks, a rosette, two cups with rings and radial grooves, and two motifs comprised of two cups connected by a raidal groove and surrounded by a groove.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327130
title: Lurgan Farm 8 Lower, Perthshire

description: The panel forms the lower (western) part of a larger carved surface (Lurgan Farm 8) which is situated on a large schist outcrop. This part of the panel features several cupmarks, a rosette, two cups with rings and radial grooves, and two motifs comprised of two cups connected by a raidal groove and surrounded by a groove.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327132
title: Polished and Flaked Knife XCB-001-329

description: Polished and Flaked Knife XCB-001-329

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327131
title: Polished and Flaked Knife XCB-001-329

description: Polished and Flaked Knife XCB-001-329

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327134
title: Dolium In situ

description: Deze dolium, afgedekt door een volledige maalsteen, werd gevonden tijdens een opgraving in Vrasene (Beveren, Oost-Vlaanderen). De dolium zat volledig in een gang van een dassenburcht. Het is niet duidelijk of de dassenburcht reeds in de Romeinse tijd aanwezig was of dat de dolium later ondergraven werd, waardoor hij er in viel en brak.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327133
title: Dolium In situ

description: Deze dolium, afgedekt door een volledige maalsteen, werd gevonden tijdens een opgraving in Vrasene (Beveren, Oost-Vlaanderen). De dolium zat volledig in een gang van een dassenburcht. Het is niet duidelijk of de dassenburcht reeds in de Romeinse tijd aanwezig was of dat de dolium later ondergraven werd, waardoor hij er in viel en brak.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327135
title: Itsukushima Shrine

description: Itsukushima Shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327136
title: Itsukushima Shrine

description: Itsukushima Shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327138
title: Escudo da Coruña

description: Antigo escudo da cidade da Coruña, agora situado na muralla da cidade Alta, ó sur do Xardín de S. Carlos. É unha das poucas representacións da Torre de Hércules antes da súa restauración no século XVIII.
Antique coat of arms of La Coruña, now placed in the upper town walls, in the south part of S. Carlos Garden. One of the rare representations of Hercules Tower roman lighthouse, before its restoration in the XVIII century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327137
title: Escudo da Coruña

description: Antigo escudo da cidade da Coruña, agora situado na muralla da cidade Alta, ó sur do Xardín de S. Carlos. É unha das poucas representacións da Torre de Hércules antes da súa restauración no século XVIII.
Antique coat of arms of La Coruña, now placed in the upper town walls, in the south part of S. Carlos Garden. One of the rare representations of Hercules Tower roman lighthouse, before its restoration in the XVIII century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327140
title: Tarea3 - Pieza segunda

description: Pieza de prueba para el curso de Escaneado y Fotogrametría.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327139
title: Tarea3 - Pieza segunda

description: Pieza de prueba para el curso de Escaneado y Fotogrametría.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327141
title: Bronze strigil, Poggio Pinci, Asciano

description: Bronze strigil. Handle decorated with five rosette stamps. End of 4th - first half of 3rd c. BCE. Tomb II.448, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 172. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 385 images. GDH ID No. case 01_448 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank the staff from Palazzo Corboli Museum for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327142
title: Bronze strigil, Poggio Pinci, Asciano

description: Bronze strigil. Handle decorated with five rosette stamps. End of 4th - first half of 3rd c. BCE. Tomb II.448, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 172. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 385 images. GDH ID No. case 01_448 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank the staff from Palazzo Corboli Museum for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327143
title: Historic Smoking Pipe

description: This clay pipe was discovered by the Michigan Sate University Campus Archaeology field crew while conducting excavations along the banks of the Red Cedar River during the summer of 2018.

The pipe is made of a high-fired clay with the letters/initials 'M' and 'T' embossed on the bowl on either side of the pipe stem.  This indicates that the letters were pressed into the clay while it was still wet before it was fired in an oven.  Clay pipes were the most popular during the 17th century, but then faced a decline.  Popularity rose again during the 19th century and fell again during the 1930s due to the increasing use of cigarettes.  This pipe likely dates to the mid-19th to early 20th century.  Other clay pipes with more intricate decoration have been uncovered in previous CAP excavations.

This model was created by CAP Fellow Jack A. Biggs using photogrammetry and Agisoft PhotoScan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327144
title: Historic Smoking Pipe

description: This clay pipe was discovered by the Michigan Sate University Campus Archaeology field crew while conducting excavations along the banks of the Red Cedar River during the summer of 2018.

The pipe is made of a high-fired clay with the letters/initials 'M' and 'T' embossed on the bowl on either side of the pipe stem.  This indicates that the letters were pressed into the clay while it was still wet before it was fired in an oven.  Clay pipes were the most popular during the 17th century, but then faced a decline.  Popularity rose again during the 19th century and fell again during the 1930s due to the increasing use of cigarettes.  This pipe likely dates to the mid-19th to early 20th century.  Other clay pipes with more intricate decoration have been uncovered in previous CAP excavations.

This model was created by CAP Fellow Jack A. Biggs using photogrammetry and Agisoft PhotoScan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327145
title: Petroglyph H29, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H29, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx and one other animal. likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327146
title: Petroglyph H29, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H29, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx and one other animal. likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327147
title: Meshmixer. SCANN. Clau de volta

description: La Seu de Manresa

Clau de volta de l'Espai Oliba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327148
title: Meshmixer. SCANN. Clau de volta

description: La Seu de Manresa

Clau de volta de l'Espai Oliba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10327149
title: Drinkfles

description: This 3D model represents an iron water bottle - one of many essentials used every day by miners of Limburg while working in mines. During the typical workday, miners were spending about 8 or more hours working underground, in a hot and dark surrounding. That includes 30 minutes of their lunch break. Half an hour was too short to go back to the surface. Thus, it was necessary to take food and water downstairs. Miners' water bottles were made of durable materials, such as iron or aluminium, which were more resistant to potential damages and severe underground conditions. Moreover, they were usually equipped with a chain that allowed to attach the bottle to the belt.

This particular type of bottles was popular between the 19th and 20th century.

Size: 10" x 5" x 4"

Location: [Nederlands Mijnmuseum](http://www.nederlandsmijnmuseum.nl), Heerlen. 
______________________________

3D method: Structure from motion.
Camera: Canon EOS 250D, EF50mm f/1.8 STM (50mm).
Software: MetashapePro.

Created by: Frydrych, Ksenia

Source: Objaverse 1.0 / Sketchfab