cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10388870
title: Medieval Ceramic, Castilla-La Mancha, Spain

description: Ceramic jug with dry rope decoration from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000158. Processed in Reality Capture from 585 images.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388871
title: Medieval Ceramic, Castilla-La Mancha, Spain

description: Ceramic jug with dry rope decoration from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Middle Ages (Islamic). In the collection of the Ciudad Real Museum.  Catalog number DO000158. Processed in Reality Capture from 585 images.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388872
title: Bed Room

description: My First BedRoom


i took a lot of help hope you like it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388873
title: Bed Room

description: My First BedRoom


i took a lot of help hope you like it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388874
title: Emperor Caligula

description: Caligula, Emperor 37-41 A.D., Reconstruction of the original polychromy, 2003. Tempera on synthetic marble, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388875
title: Emperor Caligula

description: Caligula, Emperor 37-41 A.D., Reconstruction of the original polychromy, 2003. Tempera on synthetic marble, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388876
title: Seredžius I (Palemono Kalnas)

description: Seredžius I (Palemono Kalnas) 3D modelis. Koordinātas: 55.08005, 23.40636

http://www.piliakalniai.lt/piliakalnis.php?piliakalnis_id=119

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388877
title: Seredžius I (Palemono Kalnas)

description: Seredžius I (Palemono Kalnas) 3D modelis. Koordinātas: 55.08005, 23.40636

http://www.piliakalniai.lt/piliakalnis.php?piliakalnis_id=119

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388878
title: Cough Syrup

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388879
title: Cough Syrup

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388880
title: 二室塚古墳

description: 大阪府八尾市
服部川25号墳
高安千塚古墳群
国指定史跡

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388881
title: 二室塚古墳

description: 大阪府八尾市
服部川25号墳
高安千塚古墳群
国指定史跡

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388882
title: Red

description: R......

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388883
title: Red

description: R......

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388885
title: ROI022-172-01

description: Projectile point collected in Allen County, Indiana.

Catalog # 12-Al-1203-25

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, and Kevin C. Nolan, 2022. ROI022-172-01, 3D Model .ply file. Recovered as part of Report of Investigations # 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388884
title: ROI022-172-01

description: Projectile point collected in Allen County, Indiana.

Catalog # 12-Al-1203-25

Uploaded by: Reganne O'Connor

Thompson, Christine, Kelsey Norwalk, and Kevin C. Nolan, 2022. ROI022-172-01, 3D Model .ply file. Recovered as part of Report of Investigations # 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388886
title: Prayer Rock

description: In late 1924, Richard Pettigrew began searching for a sacred boulder to add to his museum. Eventually, this three-ton example was found on a ranch near Evarts, South Dakota. Pettigrew placed the boulder outside his home and museum in 1925, and it has been on exhibit ever since.

Rock art has been recorded in this region since early exploration by whites. Experts do not agree as to exactly when rock art work was created, who used it, or why it was made. Further investigation and examination has found that tribes such as the Sioux, Mandan, and Hidatsa all have a history with the spiritual power of rocks. 

"Prayer rocks," such as this one, are carved with images of people, animals, hoof prints, hands, and feet. The carvings on this boulder are of adult hands and a child's foot. The open hand was sometimes a symbol of peaceful living and open spiritual prayer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388887
title: Prayer Rock

description: In late 1924, Richard Pettigrew began searching for a sacred boulder to add to his museum. Eventually, this three-ton example was found on a ranch near Evarts, South Dakota. Pettigrew placed the boulder outside his home and museum in 1925, and it has been on exhibit ever since.

Rock art has been recorded in this region since early exploration by whites. Experts do not agree as to exactly when rock art work was created, who used it, or why it was made. Further investigation and examination has found that tribes such as the Sioux, Mandan, and Hidatsa all have a history with the spiritual power of rocks. 

"Prayer rocks," such as this one, are carved with images of people, animals, hoof prints, hands, and feet. The carvings on this boulder are of adult hands and a child's foot. The open hand was sometimes a symbol of peaceful living and open spiritual prayer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388890
title: Jug with pulled-back neck

description: Santorini (Thera), circa 1700-1800 BCE. Terracotta.


Given to the Musée du Louvre by Edmond Pottier in 1893 - Inventory number : CA 550.
Musée du Louvre, Paris, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388891
title: Jug with pulled-back neck

description: Santorini (Thera), circa 1700-1800 BCE. Terracotta.


Given to the Musée du Louvre by Edmond Pottier in 1893 - Inventory number : CA 550.
Musée du Louvre, Paris, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388892
title: Trellech 2nd set of trenches

description: second set of trenches , freshly excavated this year from the site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388893
title: Trellech 2nd set of trenches

description: second set of trenches , freshly excavated this year from the site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388894
title: Сopper fibula

description: Сopper fibula - a pin for fastening clothes.
Crafted in a subtle, elegant way.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388895
title: Сopper fibula

description: Сopper fibula - a pin for fastening clothes.
Crafted in a subtle, elegant way.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388898
title: Lei wine vessel, late 4th C BCE

description: Lei wine vessel, late 4th century BCE, now in the collection of the Minneapolis Institute of Art.

From [artsmia.org](www.artsmia.org):

*'This wine vessel is one of the most splendid examples of Eastern Zhou bronze art and technique. It is decorated with a geometric, brocade-like pattern of gold, silver, and copper inlay—actually, extremely stylized depictions of dragons and birds. As religious beliefs changed, ritual bronzes became more secular in use and decoration during the Eastern Zhou period. The fearsome taotie (composite animal) masks and symbolic animal motifs of the Shang and Western Zhou periods were increasingly replaced with abstract surface ornament such as "hook and comma" patterns, granulation or, as in this case, metallic inlay. It was done as much to delight the eye as to inspire religious reverence. The vessel is reportedly from Jincun...(and is) from the royal lineage of the Eastern Zhou.*

More information [here](https://collections.artsmia.org/art/823/lei-wine-vessel-china)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388899
title: Lei wine vessel, late 4th C BCE

description: Lei wine vessel, late 4th century BCE, now in the collection of the Minneapolis Institute of Art.

From [artsmia.org](www.artsmia.org):

*'This wine vessel is one of the most splendid examples of Eastern Zhou bronze art and technique. It is decorated with a geometric, brocade-like pattern of gold, silver, and copper inlay—actually, extremely stylized depictions of dragons and birds. As religious beliefs changed, ritual bronzes became more secular in use and decoration during the Eastern Zhou period. The fearsome taotie (composite animal) masks and symbolic animal motifs of the Shang and Western Zhou periods were increasingly replaced with abstract surface ornament such as "hook and comma" patterns, granulation or, as in this case, metallic inlay. It was done as much to delight the eye as to inspire religious reverence. The vessel is reportedly from Jincun...(and is) from the royal lineage of the Eastern Zhou.*

More information [here](https://collections.artsmia.org/art/823/lei-wine-vessel-china)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388900
title: Ancienne gare de Saint-Benoît

description: Vestiges de la gare de Saint-Benoît.

* Diagnostic archéologique : Frédéric Gerber, Inrap
* Scan 3D : Jonhattan Vidal, DAC de La Réunion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388901
title: Ancienne gare de Saint-Benoît

description: Vestiges de la gare de Saint-Benoît.

* Diagnostic archéologique : Frédéric Gerber, Inrap
* Scan 3D : Jonhattan Vidal, DAC de La Réunion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388902
title: Tomb Of Mehu, Saqqara Egypt

description: Entry corridor, second chamber in the Tomb of Mehu at Saqqara, Egypt

Created from 98 photographs (Canon EOS Rebel T5i, 18MP) using Metashape Professional 1.5.1.  Photographed on March 16, 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388903
title: Tomb Of Mehu, Saqqara Egypt

description: Entry corridor, second chamber in the Tomb of Mehu at Saqqara, Egypt

Created from 98 photographs (Canon EOS Rebel T5i, 18MP) using Metashape Professional 1.5.1.  Photographed on March 16, 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388904
title: Hackness Cross OM-D EM-1 12-40mm Raw

description: Hackness Cross Reduced to 100k triangles
Sharpness and contrast enhanced using Sketchfab Image Settings

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388905
title: Hackness Cross OM-D EM-1 12-40mm Raw

description: Hackness Cross Reduced to 100k triangles
Sharpness and contrast enhanced using Sketchfab Image Settings

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388906
title: Église Saint-Vincent de Paul

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388907
title: Église Saint-Vincent de Paul

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388908
title: Oldtown Punctated Cazuela Bowl (2342p3378)

description: **Oldtown Punctated Cazuela bowl**

Location: Hairston site (31Sk1), Stokes County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 9.6 cm; diameter, 16.7 cm.

Notes: Catalog no. 2342a3378, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388909
title: Oldtown Punctated Cazuela Bowl (2342p3378)

description: **Oldtown Punctated Cazuela bowl**

Location: Hairston site (31Sk1), Stokes County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 9.6 cm; diameter, 16.7 cm.

Notes: Catalog no. 2342a3378, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388910
title: Excavations at St Piran's Oratory 5th March 2014

description: Textured mesh of the excavation at St Piran's Oratory. Created from a set of photos taken for the purpose of recording the pile of concrete prior to removal. Extra photos taken on the day allowed for this photogrammetric model to be created.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388911
title: Excavations at St Piran's Oratory 5th March 2014

description: Textured mesh of the excavation at St Piran's Oratory. Created from a set of photos taken for the purpose of recording the pile of concrete prior to removal. Extra photos taken on the day allowed for this photogrammetric model to be created.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388912
title: 3 Asian Flags

description: Malaysia,China,South Korea

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388913
title: 3 Asian Flags

description: Malaysia,China,South Korea

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388915
title: Colonne antique

description: Thermes du Mont-Dore, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388914
title: Colonne antique

description: Thermes du Mont-Dore, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388916
title: USTC064

description: Es un material de tipo Cerámica, procedente del departamento de Santander en Colombia, del área arqueológica Guane Temprano, se deduce un periodo o cronología estimada de la pieza arqueológica del Siglo VIII-XIII d.C., de un contexto arqueológico Tumba. Referente a su forma es un Recipiente de cuerpo semiglobular, borde invertido, labio plano y soporte anular. La técnica de manufactura es Modelado. Sus dimensiones son Altura (9.1 cm), Ancho (cm), Diámetro (19.3 cm), Largo (cm), Superficie (Pulida), Color (Crema), tiene decoraciones. Colección Arqueológica Guane, Fray Alonso Ortiz Galeano, O.P. Digitalizado a través de la ejecución del proyecto Modelos Tridimensionales, de Realidad Virtual, de Objetos Arqueológicos, del Periodo Histórico Guane Temprano, de la XI convocatoria interna de la Universidad Santo Tomás, por los invesitgadores: Juan José Barrios Arlante, Carlos Ricardo Contreras Pico, de la USTA y Jaime Enrique Meneses Fonseca de la UIS.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388917
title: USTC064

description: Es un material de tipo Cerámica, procedente del departamento de Santander en Colombia, del área arqueológica Guane Temprano, se deduce un periodo o cronología estimada de la pieza arqueológica del Siglo VIII-XIII d.C., de un contexto arqueológico Tumba. Referente a su forma es un Recipiente de cuerpo semiglobular, borde invertido, labio plano y soporte anular. La técnica de manufactura es Modelado. Sus dimensiones son Altura (9.1 cm), Ancho (cm), Diámetro (19.3 cm), Largo (cm), Superficie (Pulida), Color (Crema), tiene decoraciones. Colección Arqueológica Guane, Fray Alonso Ortiz Galeano, O.P. Digitalizado a través de la ejecución del proyecto Modelos Tridimensionales, de Realidad Virtual, de Objetos Arqueológicos, del Periodo Histórico Guane Temprano, de la XI convocatoria interna de la Universidad Santo Tomás, por los invesitgadores: Juan José Barrios Arlante, Carlos Ricardo Contreras Pico, de la USTA y Jaime Enrique Meneses Fonseca de la UIS.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388918
title: Wall Substance Painter test

description: Just me leraning about Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388919
title: Wall Substance Painter test

description: Just me leraning about Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388920
title: Las llamas - Paseo de los Héroes Navales

description: Las llamas es una escultura en bronce de 1.80 m. de alto realizada por Agustín Rivera Eyzaguirre. Fue un regalo de la colonia china peruana. En el 2018, las esculturas del Paseo de los Héroes Navales, entre las que se incluye Las Llamas, fueron declaradas Patrimonio Cultural de la Nación por el Ministerio de Cultura

Scanned with scaniverse + iPhone 12 PRO + LiDAR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388921
title: Las llamas - Paseo de los Héroes Navales

description: Las llamas es una escultura en bronce de 1.80 m. de alto realizada por Agustín Rivera Eyzaguirre. Fue un regalo de la colonia china peruana. En el 2018, las esculturas del Paseo de los Héroes Navales, entre las que se incluye Las Llamas, fueron declaradas Patrimonio Cultural de la Nación por el Ministerio de Cultura

Scanned with scaniverse + iPhone 12 PRO + LiDAR

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388924
title: 栃原岩陰遺跡 縄文時代早期土器(報告書No.106-15)

description: 栃原岩陰遺跡(栃原岩陰部)出土で、縄文時代早期前葉(およそ11,000年程前)の土器の口縁部破片。外面にも内面にも縄文が施され、いわゆる「表裏縄文系土器」と呼ばれる土器群に含まれます。
 小型の土器と思わますが、中段の割れ口には、一段階前に施文された模様(縄文)が、反転して残っています。つまり、土器の形を仕上げてから模様を付けるのではなく、何段階かのステップを経ながら完成に至ったことが分かる資料です。
(報告書No.106-15・[調査報告書はこちらから](https://sitereports.nabunken.go.jp/ja/90081))



**【ご利用にあたっての注意事項】
**

* 文化財は人類共有の財産であるという観点から、本ページにある北相木村考古博物館作製の3Ⅾデータについて、ダウンロード、またそれを元にした複製・頒布・展示等を認めております。ただしご利用の際は、「北相木村考古博物館」のクレジット表記をお願いします。

* 本ページに掲載されているデータを利用したことにより生じた全ての問題については、利用者自身の費用と責任で解決するものとし、どのような事態が発生した場合においても、北相木村考古博物館・北相木村教育委員会はその責任を負いません。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388925
title: 栃原岩陰遺跡 縄文時代早期土器(報告書No.106-15)

description: 栃原岩陰遺跡(栃原岩陰部)出土で、縄文時代早期前葉(およそ11,000年程前)の土器の口縁部破片。外面にも内面にも縄文が施され、いわゆる「表裏縄文系土器」と呼ばれる土器群に含まれます。
 小型の土器と思わますが、中段の割れ口には、一段階前に施文された模様(縄文)が、反転して残っています。つまり、土器の形を仕上げてから模様を付けるのではなく、何段階かのステップを経ながら完成に至ったことが分かる資料です。
(報告書No.106-15・[調査報告書はこちらから](https://sitereports.nabunken.go.jp/ja/90081))



**【ご利用にあたっての注意事項】
**

* 文化財は人類共有の財産であるという観点から、本ページにある北相木村考古博物館作製の3Ⅾデータについて、ダウンロード、またそれを元にした複製・頒布・展示等を認めております。ただしご利用の際は、「北相木村考古博物館」のクレジット表記をお願いします。

* 本ページに掲載されているデータを利用したことにより生じた全ての問題については、利用者自身の費用と責任で解決するものとし、どのような事態が発生した場合においても、北相木村考古博物館・北相木村教育委員会はその責任を負いません。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388927
title: HL-264 Large Fishing Weight

description: Fishing Weight. Hot Springs Village, Port Moller, Alaska CAT# HL-264 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388926
title: HL-264 Large Fishing Weight

description: Fishing Weight. Hot Springs Village, Port Moller, Alaska CAT# HL-264 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388928
title: Roman Capitel from Beja, Portugal

description: This composite capitel is one of many remains of the Roaman settlement *Pax Iulia*  in modern-day Beja, Portugal. The capitel is featured in the Regional Museum of Beja. It consists of two overlapping marble blocks, with the maximum dimensions of 1 m in height, with the length and width 1,7 m and 1,6m, respectively. The capitel shows remarkable plastic expression with great details in its design, in addition to bringing two distinct styles together, the ionic and the Corinthian. Decorative elements include acanthus leaves, stems, rosettes and helices. The capitel probably belonged to an important building, most likely the Triumphal Arch that was situated at east end of the forum. There is also a possibility that it might have belonged to edifices of Curia or the Capitol. This type of capitals can be dated from the end of the 1st century until beginning of the 3rd century AD.

For more information see: Ribeiro, M. A. B. S., 1999. *Capitéis Romanos de Beja*. Câmara Municipal de Beja.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388929
title: Roman Capitel from Beja, Portugal

description: This composite capitel is one of many remains of the Roaman settlement *Pax Iulia*  in modern-day Beja, Portugal. The capitel is featured in the Regional Museum of Beja. It consists of two overlapping marble blocks, with the maximum dimensions of 1 m in height, with the length and width 1,7 m and 1,6m, respectively. The capitel shows remarkable plastic expression with great details in its design, in addition to bringing two distinct styles together, the ionic and the Corinthian. Decorative elements include acanthus leaves, stems, rosettes and helices. The capitel probably belonged to an important building, most likely the Triumphal Arch that was situated at east end of the forum. There is also a possibility that it might have belonged to edifices of Curia or the Capitol. This type of capitals can be dated from the end of the 1st century until beginning of the 3rd century AD.

For more information see: Ribeiro, M. A. B. S., 1999. *Capitéis Romanos de Beja*. Câmara Municipal de Beja.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388930
title: ROI022-303-01

description: Kirk Cornered Notched Point collected in Allen County, Indiana

Catalog #:12-Al-1339-25

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-303-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388931
title: ROI022-303-01

description: Kirk Cornered Notched Point collected in Allen County, Indiana

Catalog #:12-Al-1339-25

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-303-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388932
title: Vertebra w/ embedded point

description: Testing model clarity and texture post-photoscan.
Model is rendered from 207 pictures.
Chunks merged via top and bottom.
Software used: Agisoft Photoscan and Affinity Photo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10388933
title: Vertebra w/ embedded point

description: Testing model clarity and texture post-photoscan.
Model is rendered from 207 pictures.
Chunks merged via top and bottom.
Software used: Agisoft Photoscan and Affinity Photo

Source: Objaverse 1.0 / Sketchfab