cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367477
title: Baratte - Début du 20ième siècle

description: Une baratte est utilisée pour faire du beurre en agitant la crème extraite du lait de vache. Le « modèle à batte » (illustré ici) était populaire, en particulier chez les colons nord américains. Dans cette baratte, la batte (tige munie d'une pièce en forme de x à son extrémité) est déplacée dans un mouvement vertical de va et vient pour transformer la crème en beurre. Celle qu'on voit sur la photo est faite de bois. Le baril est en céramique recouverte de glaçure d'un gris rosé. Remarque : Ce modèle est conçu pour être visualisé dans un environnement virtuel au moyen d'un logiciel. Vous pouvez tenter de l'imprimer. Toutefois, nous ne pouvons garantir la qualité. Pour imprimer votre propre baratte, visitez le site ingeniumcanada.org/fr/education/artefacts-beurre-3D

Vous trouverez nos conditions d'utilisation [ici](https://ingeniumcanada.org/ingenium/doc/content/cstmc/CSTMC%20terms%20of%20use%203D%20FR.pdf).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367478
title: Baratte - Début du 20ième siècle

description: Une baratte est utilisée pour faire du beurre en agitant la crème extraite du lait de vache. Le « modèle à batte » (illustré ici) était populaire, en particulier chez les colons nord américains. Dans cette baratte, la batte (tige munie d'une pièce en forme de x à son extrémité) est déplacée dans un mouvement vertical de va et vient pour transformer la crème en beurre. Celle qu'on voit sur la photo est faite de bois. Le baril est en céramique recouverte de glaçure d'un gris rosé. Remarque : Ce modèle est conçu pour être visualisé dans un environnement virtuel au moyen d'un logiciel. Vous pouvez tenter de l'imprimer. Toutefois, nous ne pouvons garantir la qualité. Pour imprimer votre propre baratte, visitez le site ingeniumcanada.org/fr/education/artefacts-beurre-3D

Vous trouverez nos conditions d'utilisation [ici](https://ingeniumcanada.org/ingenium/doc/content/cstmc/CSTMC%20terms%20of%20use%203D%20FR.pdf).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367479
title: Wrijfschaal

description: Romeinen maakten in de keuken veel gebruik van wrijfschalen (mortaria): aardewerken kommen met in de bodem harde steentjes. Hierop werden kruiden fijngewreven. De pulp werd vervolgens vermengd met vloeistoffen, om zo een pap of saus te maken. Daarom hebben de wrijfschalen altijd een schenktuit. 
Mortaria zijn typisch Romeins, maar we vinden ze ook in Leiden bij archeologische opgravingen. Dit toont aan dat de inheemse bevolking na de komst van de Romeinen, hun keukencultuur (in ieder geval voor een deel) heeft overgenomen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367480
title: Wrijfschaal

description: Romeinen maakten in de keuken veel gebruik van wrijfschalen (mortaria): aardewerken kommen met in de bodem harde steentjes. Hierop werden kruiden fijngewreven. De pulp werd vervolgens vermengd met vloeistoffen, om zo een pap of saus te maken. Daarom hebben de wrijfschalen altijd een schenktuit. 
Mortaria zijn typisch Romeins, maar we vinden ze ook in Leiden bij archeologische opgravingen. Dit toont aan dat de inheemse bevolking na de komst van de Romeinen, hun keukencultuur (in ieder geval voor een deel) heeft overgenomen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367483
title: St Thomas Becket ampulla

description: This ampulla (vessel) was probably sold to a pilgrim visiting the shrine of St Thomas Becket at Canterbury Cathedral. It held water believed to contain the diluted blood that the saint shed at his martyrdom. Each side shows a scene pertaining to the saint; his martyrdom at the hands of four of King Henry II's knights, another close-up of his martyrdom, two bishops flanking a crowned and sceptred king, and Becket enthroned, wearing episcopal garb and raising his hand in a sign of blessing. Fleur de lys decorate the slanted panels either side of the vessel's neck, which is geometrically patterned, and equal armed crosses ornament the angles of the gabled ends of the object. Two suspensory loops either side of the neck would have allowed the owner to suspend it from a cord and wear it as a sign of their special relationship with the saint. 

H: 54 mm
W: 41 mm
D: 22mm
http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=764016&partId=1&searchText=2001,0702.3&page=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367484
title: St Thomas Becket ampulla

description: This ampulla (vessel) was probably sold to a pilgrim visiting the shrine of St Thomas Becket at Canterbury Cathedral. It held water believed to contain the diluted blood that the saint shed at his martyrdom. Each side shows a scene pertaining to the saint; his martyrdom at the hands of four of King Henry II's knights, another close-up of his martyrdom, two bishops flanking a crowned and sceptred king, and Becket enthroned, wearing episcopal garb and raising his hand in a sign of blessing. Fleur de lys decorate the slanted panels either side of the vessel's neck, which is geometrically patterned, and equal armed crosses ornament the angles of the gabled ends of the object. Two suspensory loops either side of the neck would have allowed the owner to suspend it from a cord and wear it as a sign of their special relationship with the saint. 

H: 54 mm
W: 41 mm
D: 22mm
http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=764016&partId=1&searchText=2001,0702.3&page=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367486
title: Wandrelief

description: Wandrelief aus dem Palast des Tiglathpileser III.ID: MKGHamburg 1966.130Title: Fragment of a Relief from the Palace of Tiglathpileser III. (two
honorables) Object type: relief Origin: Nimrud (Iraq) Date/Period: c. 750-725 BCMaterial: limestoneMeasurements: 77 cm (heights); 57 cm (width)Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv.1966.130 Eigentum der Stiftung für die Hamburger Kunstsammlungen St. 246
MKGHamburg: [dc00126293](https://sammlungonline.mkg-hamburg.de/de/object/Wandrelief-aus-dem-Palast-des-Tiglathpileser-III./1966.130/dc00126293)

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367487
title: Wandrelief

description: Wandrelief aus dem Palast des Tiglathpileser III.ID: MKGHamburg 1966.130Title: Fragment of a Relief from the Palace of Tiglathpileser III. (two
honorables) Object type: relief Origin: Nimrud (Iraq) Date/Period: c. 750-725 BCMaterial: limestoneMeasurements: 77 cm (heights); 57 cm (width)Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv.1966.130 Eigentum der Stiftung für die Hamburger Kunstsammlungen St. 246
MKGHamburg: [dc00126293](https://sammlungonline.mkg-hamburg.de/de/object/Wandrelief-aus-dem-Palast-des-Tiglathpileser-III./1966.130/dc00126293)

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367488
title: Cērtenes pilskalns un apkārtne

description: Cērtenes pilskalna un apkārtnes 3D modelis. Koordinātas: 57.40999, 25.90053

https://www.latvijas-pilskalni.lv/certenes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367489
title: Cērtenes pilskalns un apkārtne

description: Cērtenes pilskalna un apkārtnes 3D modelis. Koordinātas: 57.40999, 25.90053

https://www.latvijas-pilskalni.lv/certenes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367490
title: Liguria, Italy.

description: https://ru.wikipedia.org/wiki/%D0%9B%D0%B8%D0%B3%D1%83%D1%80%D0%B8%D1%8F
https://goo.gl/maps/PQ1XiN3Sqcz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367491
title: Liguria, Italy.

description: https://ru.wikipedia.org/wiki/%D0%9B%D0%B8%D0%B3%D1%83%D1%80%D0%B8%D1%8F
https://goo.gl/maps/PQ1XiN3Sqcz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367494
title: VILJALAIVA

description: © Topi Sellman  05/2021 (ajoitus 1745)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367495
title: VILJALAIVA

description: © Topi Sellman  05/2021 (ajoitus 1745)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367497
title: Apothecary vessel for liquorice syrup

description: The white vessel is covered with cobalt-tinted decorations in the style characteristic of Ligurian manufactories. On a wide ribbon on the belly there is an inscription: Sir(upus)∙De Liquirit (ia), i.e. liquorice syrup. It is also called Syrupus Glycyrrhizae. Liquorice syrup was used to treat cough, pneumonia and other respiratory inflammations

ID no.: KGZ 5939

Time of creation: 17th/18th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/968

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367496
title: Apothecary vessel for liquorice syrup

description: The white vessel is covered with cobalt-tinted decorations in the style characteristic of Ligurian manufactories. On a wide ribbon on the belly there is an inscription: Sir(upus)∙De Liquirit (ia), i.e. liquorice syrup. It is also called Syrupus Glycyrrhizae. Liquorice syrup was used to treat cough, pneumonia and other respiratory inflammations

ID no.: KGZ 5939

Time of creation: 17th/18th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/968

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367498
title: Mammoth Tooth

description: A retopologized scanned model from 3000 million polygons to 500.000. I also have a 150.000 poly model if someone is interested in downloading just drop me a msg. 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367499
title: Mammoth Tooth

description: A retopologized scanned model from 3000 million polygons to 500.000. I also have a 150.000 poly model if someone is interested in downloading just drop me a msg. 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367500
title: Olla

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367501
title: Olla

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367502
title: Maria Bray Anchor

description: This 19th century anchor was discovered by the US Coast Guard in Mayport, Florida. The anchor has been documented and is now a part of a living reef system off Jacksonville Beach, Florida, the John Leone Reef maintained by Think It! Sink It! Reef It!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367503
title: Maria Bray Anchor

description: This 19th century anchor was discovered by the US Coast Guard in Mayport, Florida. The anchor has been documented and is now a part of a living reef system off Jacksonville Beach, Florida, the John Leone Reef maintained by Think It! Sink It! Reef It!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367505
title: Stone Fish Tank

description: Stone Fish Tank in the tempel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367504
title: Stone Fish Tank

description: Stone Fish Tank in the tempel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367506
title: Mosaic Room 31. Villa Romana del Casale, Sicily

description: Mosaic Room 31. Diaeta of Orpheus

Villa Romana del Casale in Piazza Armerina, Sicily is home of 3500 m of the most important Roman mosaics in the world. This is an Imperial villa dating to 350 CE. It is a UNESCO World Heritage site. 

These models are the result of combined FARO scans and photogrammetry datasets returned to GDH in C4D format. The models were each exported out of C4D, cleaned in Meshlab, retopologized in ZBrush, UV unwraped in Blender, and textured and normal-map baked in Blender or Substance Designer.

The original project was a joint effort between the U. of Catania and CVAST at USF. Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data were transferred to GDH for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, H. Maschner, PI.

Details: Salvatore Ciurca (1997)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367507
title: Mosaic Room 31. Villa Romana del Casale, Sicily

description: Mosaic Room 31. Diaeta of Orpheus

Villa Romana del Casale in Piazza Armerina, Sicily is home of 3500 m of the most important Roman mosaics in the world. This is an Imperial villa dating to 350 CE. It is a UNESCO World Heritage site. 

These models are the result of combined FARO scans and photogrammetry datasets returned to GDH in C4D format. The models were each exported out of C4D, cleaned in Meshlab, retopologized in ZBrush, UV unwraped in Blender, and textured and normal-map baked in Blender or Substance Designer.

The original project was a joint effort between the U. of Catania and CVAST at USF. Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data were transferred to GDH for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, H. Maschner, PI.

Details: Salvatore Ciurca (1997)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367510
title: Burg Ramstein

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367511
title: Burg Ramstein

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367512
title: Wmid-d7a28e - Incomplete Bronze Age spearhead

description: An incomplete copper alloy, tip from a spearhead, probably of Middle Bronze Age period, dating from c. BC 1500 to c. BC 1100.

The object is broadly triangular in plan and broadly lozenge shaped in cross section. The object has a rounded point at the top, which seems to have sustained some damage. From the point the sides of the object taper out, ensuring the object is wider at the base. There is a central raised ridge running vertically down the middle of the spear head, this appears on both sides. There is an old horizontal break at the base of the object, probably indicating the spear was broken in antiquity. The tops of side loops are present on either side. There is damage to both edges of the blade. The socket survives to a depth of 19.1 mm. 

For more information, please visit the online database record available at:
https://finds.org.uk/database/artefacts/record/id/1072838

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367513
title: Wmid-d7a28e - Incomplete Bronze Age spearhead

description: An incomplete copper alloy, tip from a spearhead, probably of Middle Bronze Age period, dating from c. BC 1500 to c. BC 1100.

The object is broadly triangular in plan and broadly lozenge shaped in cross section. The object has a rounded point at the top, which seems to have sustained some damage. From the point the sides of the object taper out, ensuring the object is wider at the base. There is a central raised ridge running vertically down the middle of the spear head, this appears on both sides. There is an old horizontal break at the base of the object, probably indicating the spear was broken in antiquity. The tops of side loops are present on either side. There is damage to both edges of the blade. The socket survives to a depth of 19.1 mm. 

For more information, please visit the online database record available at:
https://finds.org.uk/database/artefacts/record/id/1072838

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367515
title: Hohlbuckelring

description: **Titel/Title**: Hohlbuckelring

**Objektbezeichnung/Description**: Ring (Schmuck)

**Inventarnummer/Accession Number**: C 2075

**Datierung/Date**: Eisenzeit; Latène-Zeit; Mittellatène-Zeit; Lt C (250-150 v. Chr.)

**Orte/Locations**: Muggensturm (Fundort/Herkunft)

**Material/Material**: Bronze

**Technik/Manufacturing technique**: gegossen; geschmiedet

**Maße/Size**:
      
   Höhe:	                2,7 cm
     
   Durchmesser:	    14,6 cm
   
   Durchmesser:  	13,2 cm
   	


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367514
title: Hohlbuckelring

description: **Titel/Title**: Hohlbuckelring

**Objektbezeichnung/Description**: Ring (Schmuck)

**Inventarnummer/Accession Number**: C 2075

**Datierung/Date**: Eisenzeit; Latène-Zeit; Mittellatène-Zeit; Lt C (250-150 v. Chr.)

**Orte/Locations**: Muggensturm (Fundort/Herkunft)

**Material/Material**: Bronze

**Technik/Manufacturing technique**: gegossen; geschmiedet

**Maße/Size**:
      
   Höhe:	                2,7 cm
     
   Durchmesser:	    14,6 cm
   
   Durchmesser:  	13,2 cm
   	


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367516
title: 發霉的月餅

description: A moldy mooncake

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367517
title: 發霉的月餅

description: A moldy mooncake

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367518
title: Boglösa 141, Rickeby, Ö-del, Uppland - copy

description: Rickeby, Boglösa 141, Uppland. Ö-del. Fotogrammetri 3D-model av Opus Heritas, Catarina Bertilsson. Stockholm universitet, Digitala bilder för forskning och publik.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367519
title: Boglösa 141, Rickeby, Ö-del, Uppland - copy

description: Rickeby, Boglösa 141, Uppland. Ö-del. Fotogrammetri 3D-model av Opus Heritas, Catarina Bertilsson. Stockholm universitet, Digitala bilder för forskning och publik.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367520
title: Putten

description: Two playing putti at the railing in front of Greillenstein Castle. The standing putto is depicted as Pan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367521
title: Putten

description: Two playing putti at the railing in front of Greillenstein Castle. The standing putto is depicted as Pan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367525
title: Bennington Marble

description: A Bennington marble shooter recovered during the 2019 excavation at the Caulkers' Houses in Fell's Point, Baltimore, Maryland. Bennington marbles are a type of glazed clay marble manufactured in in Germany from about 1850 to 1890.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367524
title: Bennington Marble

description: A Bennington marble shooter recovered during the 2019 excavation at the Caulkers' Houses in Fell's Point, Baltimore, Maryland. Bennington marbles are a type of glazed clay marble manufactured in in Germany from about 1850 to 1890.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367526
title: Bilingual inscription Tomb FA-5, Mleiha, Sharjah

description: Bilingual South-Arabian / Aramaic funerary inscription discovered inside the burial chamber of tomb FA-5, Mleiha, Sharjah, UAE.  (Overlaet 2018:14 Figure 9, Catalog No. 1). Central panel in south Arabian script, text along the rim in Aramaic. Text reads "Memorial and tomb of Amud son of Gurr son of Ali, inspector of the king of Oman, which built over him his son Amud son of Amud son if Gurr, inspector of the king of Oman." Dated to either 222/221 or 215/214 BCE. First record evidence of an Oman Kingdom (Overlaet 2018:13).

Model of the cast of the original before restoration. 358 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367527
title: Bilingual inscription Tomb FA-5, Mleiha, Sharjah

description: Bilingual South-Arabian / Aramaic funerary inscription discovered inside the burial chamber of tomb FA-5, Mleiha, Sharjah, UAE.  (Overlaet 2018:14 Figure 9, Catalog No. 1). Central panel in south Arabian script, text along the rim in Aramaic. Text reads "Memorial and tomb of Amud son of Gurr son of Ali, inspector of the king of Oman, which built over him his son Amud son of Amud son if Gurr, inspector of the king of Oman." Dated to either 222/221 or 215/214 BCE. First record evidence of an Oman Kingdom (Overlaet 2018:13).

Model of the cast of the original before restoration. 358 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367528
title: French Revolution | GUILLOTINE

description: In France, *Joseph Ignace Guillotin* reinvented the guillotine in 1789. The French people subjected their monarchs to the death machine (*Louis XVI and Marie Antoinette* died decapitated) and that is how the Republic began in France. 

* First: With audiovisual references I made drawings on paper. Then I worked with **3Ds Max** to make the 3D model.
Both the guillotine, the coffin and the rest of the details.

* Second: I passed the *FBX file* to Substance Painter. Textured with the help of **Photoshop**.

--------

En Francia, *Guillotin* reinventó en 1789 la guillotina. El pueblo francés sometió a sus monarcas a la máquina de muerte (*Luis XVI y María Antonieta* murieron decapitados) y así fue como empezó la República en Francia.

* Primero: Con referencias audiovisuales hice dibujos en papel. Luego trabajé con **3Ds Max** para hacer el modelo 3D.
Tanto la guillotina, el ataúd y el resto de los detalles.

* Segundo: Pasé el archivo *FBX* a **Substance Painter**. Texturizé con ayuda de Photoshop.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367529
title: French Revolution | GUILLOTINE

description: In France, *Joseph Ignace Guillotin* reinvented the guillotine in 1789. The French people subjected their monarchs to the death machine (*Louis XVI and Marie Antoinette* died decapitated) and that is how the Republic began in France. 

* First: With audiovisual references I made drawings on paper. Then I worked with **3Ds Max** to make the 3D model.
Both the guillotine, the coffin and the rest of the details.

* Second: I passed the *FBX file* to Substance Painter. Textured with the help of **Photoshop**.

--------

En Francia, *Guillotin* reinventó en 1789 la guillotina. El pueblo francés sometió a sus monarcas a la máquina de muerte (*Luis XVI y María Antonieta* murieron decapitados) y así fue como empezó la República en Francia.

* Primero: Con referencias audiovisuales hice dibujos en papel. Luego trabajé con **3Ds Max** para hacer el modelo 3D.
Tanto la guillotina, el ataúd y el resto de los detalles.

* Segundo: Pasé el archivo *FBX* a **Substance Painter**. Texturizé con ayuda de Photoshop.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367530
title: Davallament. Sant Joan de les Abadesses

description: Anna Armengol

Davallament. Monestir de sant Joan de les Abadesses

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367531
title: Davallament. Sant Joan de les Abadesses

description: Anna Armengol

Davallament. Monestir de sant Joan de les Abadesses

Source: Objaverse 1.0 / Sketchfab