DOI: 10.58132/kohqgi
title: Drangsong 145: gSang pa[ba] yum sras lnga’i bskul pa bzhugs pa legs+ho ’gro don ’phel/

description: Drangsong 145: gSang pa[ba] yum sras lnga’i bskul pa bzhugs pa legs+ho ’gro don ’phel/ ; sGra lha’i rgyal mo’i bskul pa[ba] bzhugs+ho/ ; Drag po mthu stobs dang ldan pa’i btsan rje rgyal blon ’bang[’bangs] ’khor rtsid med ’grang[grang] ’das mchod pa bzhugs swo hā//The manuscript Drangsong 145 contains a ritual offering to the Bon female protector deities, praying for protection, empowerment, success in worldly affairs, and enlightenment.It is composed of Drangsong 145a = 4 folios and Drangsong 145b = 9 folios. File naming convention within Drangsong_145a.zip archive and Drangsong 145b.zip archive:  Drangsong_145a_001r.jpgDrangsong_145a → collection name and number 001 → page numberr / v → recto / versoDrangsong_145b_001r.jpgDrangsong_145b → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_145a.zip (master scans of the manuscript pages with color checker),• Drangsong_145a.pdf (containing presentation images of the manuscript pages),• Drangsong_145a_001v.png (manuscript page sample),• Drangsong_145a_backlites.zip (backlit samples),• Drangsong_145a_macros.zip (in close-up samples),• Drangsong_145a_XRF_analysis.png (X-ray fluorescence spectrometry).• Drangsong_145b.zip (master scans of the manuscript pages with color checker),• Drangsong_145b.pdf (containing presentation images of the manuscript pages),• Drangsong_145b_001v.png (manuscript page sample),• Drangsong_145b_backlites.zip (backlit samples),• Drangsong_145b_macros.zip (in close-up samples),DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.