cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10312486
title: Bergstokk, Norðri í Gerði, Koltur

description: Í millum Uttar í Stovu og Innar í Búð, stóðu, í eitt tíðarbil uml. 1919, húsini hjá Bergstokk. Húsini vórðu síðan flutt á Tinghúsvegin í Havn.
Eisini eru, her á staðnum, leivdirnar av gomlu stovu Innar í Búð.

*Ruins, archaeologically investigated in 2015, in the settlement Norði í Gerði, on the Island of Koltur, Faroe Islands*

Model by Helgi D. Michelsen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312487
title: Bergstokk, Norðri í Gerði, Koltur

description: Í millum Uttar í Stovu og Innar í Búð, stóðu, í eitt tíðarbil uml. 1919, húsini hjá Bergstokk. Húsini vórðu síðan flutt á Tinghúsvegin í Havn.
Eisini eru, her á staðnum, leivdirnar av gomlu stovu Innar í Búð.

*Ruins, archaeologically investigated in 2015, in the settlement Norði í Gerði, on the Island of Koltur, Faroe Islands*

Model by Helgi D. Michelsen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312488
title: Amphora; Roman IV Century A.D.

description: aka Medium cylindrical (Keay XXV, 1-3),
Roman amphora found at Mediterranean and continental Europe.

Dimenssions: approximately: 110cm height, 25 cm wide.

Period: second half of the IV to the first half of the V Century A.D. 

Used to preserve fish.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312489
title: Amphora; Roman IV Century A.D.

description: aka Medium cylindrical (Keay XXV, 1-3),
Roman amphora found at Mediterranean and continental Europe.

Dimenssions: approximately: 110cm height, 25 cm wide.

Period: second half of the IV to the first half of the V Century A.D. 

Used to preserve fish.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312490
title: Cămașă femeiască de Giurtelecu- Șimleului

description: Denumire populară: **spăcel cu gură**
Motive decorative: motiv floral realizat pe părțile vizibile ale piesei: guler, piept, umeri, mâneci și pumnari cu bumbac roșu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312491
title: Cămașă femeiască de Giurtelecu- Șimleului

description: Denumire populară: **spăcel cu gură**
Motive decorative: motiv floral realizat pe părțile vizibile ale piesei: guler, piept, umeri, mâneci și pumnari cu bumbac roșu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312492
title: Sundial, Zegar słoneczny, Zamość, Poland

description: **PL:** Zegar słoneczny umiejscowiony przy kościele katedralnym Św. Tomasza Apostoła

---------

**Eng:** Sundial situated by the southern wall of Saint Thomas Apostle Cathedral in Zamosc.

---------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312493
title: Sundial, Zegar słoneczny, Zamość, Poland

description: **PL:** Zegar słoneczny umiejscowiony przy kościele katedralnym Św. Tomasza Apostoła

---------

**Eng:** Sundial situated by the southern wall of Saint Thomas Apostle Cathedral in Zamosc.

---------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312494
title: The hero Heracles

description: The hero Heracles, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento.
The Greek hero Heracles is recognised by the lion skin and the club. At a feast, Heracles was overcome by madness and killed a guest. As a punishment he was sent to Queen Omphale in Turkey, where he was obliged to dress in women´s clothes and carry out women´s work like spinning and weaving. Meanwhile, Omphale wore Heracle´s lion skin. A little girl is portrayed in the role and might have been placed in a sanctuary or on a tomb where she was protected by Heracle´s strength.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312495
title: The hero Heracles

description: The hero Heracles, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento.
The Greek hero Heracles is recognised by the lion skin and the club. At a feast, Heracles was overcome by madness and killed a guest. As a punishment he was sent to Queen Omphale in Turkey, where he was obliged to dress in women´s clothes and carry out women´s work like spinning and weaving. Meanwhile, Omphale wore Heracle´s lion skin. A little girl is portrayed in the role and might have been placed in a sanctuary or on a tomb where she was protected by Heracle´s strength.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312496
title: Low-poly Old American brick building with shop.

description: Common type of brick buidling in Amercia with storefront on the first floor.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312497
title: Low-poly Old American brick building with shop.

description: Common type of brick buidling in Amercia with storefront on the first floor.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312498
title: 77-47-Q55 End Blade Base, Hot Springs Village

description: End Blade Base, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q55. Okada excavations HHQ, Level 1-4 House A. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312499
title: 77-47-Q55 End Blade Base, Hot Springs Village

description: End Blade Base, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q55. Okada excavations HHQ, Level 1-4 House A. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312500
title: Hammer

description: Celtic/viking hammer model for a 3D modelling assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312501
title: Hammer

description: Celtic/viking hammer model for a 3D modelling assignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312502
title: Scan the Surrounding - Castle Stone Wall

description: I scanned the wall from the pictures from the weekend's walk.
Processed in Meshroom using total 17 photos from my Redmi 8 + GCam
It is not 100% tilable but you can find Artstation link here
https://www.artstation.com/artwork/3d0Eo2
Use as you like. If you find it useful and use somewhere nice.
Tag me or send me the link. I will love to see how you used it.
Have fun and keep supporting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312503
title: Scan the Surrounding - Castle Stone Wall

description: I scanned the wall from the pictures from the weekend's walk.
Processed in Meshroom using total 17 photos from my Redmi 8 + GCam
It is not 100% tilable but you can find Artstation link here
https://www.artstation.com/artwork/3d0Eo2
Use as you like. If you find it useful and use somewhere nice.
Tag me or send me the link. I will love to see how you used it.
Have fun and keep supporting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312504
title: Replica: Reserve head of Nefer

description: Replica of Reserve head of Nefer, from Giza, tomb G 2110

Old Kingdom, Dyn. 4, reigns of Khufu to Khafra, 2551–2494 B.C.

Scanned from a plaster cast

Original in the Museum of Fine Arts, Boston, MFA 06.1886

https://www.mfa.org/collections/object/reserve-head-of-nofer-134891

Photography and photogrammetry by Zhejiang University.

This model should be used for non-commercial, study purposes only.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312505
title: Replica: Reserve head of Nefer

description: Replica of Reserve head of Nefer, from Giza, tomb G 2110

Old Kingdom, Dyn. 4, reigns of Khufu to Khafra, 2551–2494 B.C.

Scanned from a plaster cast

Original in the Museum of Fine Arts, Boston, MFA 06.1886

https://www.mfa.org/collections/object/reserve-head-of-nofer-134891

Photography and photogrammetry by Zhejiang University.

This model should be used for non-commercial, study purposes only.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312506
title: Polished stone axe, Escoural Cave, Portugal

description: A broken polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312507
title: Polished stone axe, Escoural Cave, Portugal

description: A broken polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312509
title: Greenland Dock Winch

description: An old cast iron winch at Swedish Quay, Greenland Dock, Rotherhithe, London.

Date: unknown.

275 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312511
title: Oslo Domkirke 1798

description: Grunnsteinen for bygging av Oslo domkirke ble lagt i 1694. Gjennom hele 1700-tallet og deler av 1800-tallet var kirken kjent under navnet Vår Frelsers kirke. Kirken ble bygget og innredet i barokk stil, men fikk ved ombyggingen i 1849 et nygotisk preg. Denne modellen viser Domkirken som den så ut på skiftet mellom 1700 og 1800-tallet. Modellen er basert på samtidige illustrasjoner og skriftlige kilder. Modellen er laget av Anders Hereng Hansen, med historisk research gjort av Henrik Izzet Thommesen.

Her kan du utforske branntaksten fra 1797 som beskriver Oslo domkirke: [Branntakstprosjektet](http://toll.lokalhistorie.no/customs/fireInsurance/property.jsp?id=12098)

Les om arbeidet med modellen: [Oslo domkirke - kjent bygg, ukjent fasade](https://forskning.no/blogg/ragnhild-hutchisons-blogg/domkirken-i-christiania-kjent-bygg-ukjent-fasade)


The foundation for the building of the Oslo Cathedral was laid in 1694. This model represents the cathedral as it stood at the turn of the 18th to the 19th- century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312508
title: Greenland Dock Winch

description: An old cast iron winch at Swedish Quay, Greenland Dock, Rotherhithe, London.

Date: unknown.

275 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312510
title: Oslo Domkirke 1798

description: Grunnsteinen for bygging av Oslo domkirke ble lagt i 1694. Gjennom hele 1700-tallet og deler av 1800-tallet var kirken kjent under navnet Vår Frelsers kirke. Kirken ble bygget og innredet i barokk stil, men fikk ved ombyggingen i 1849 et nygotisk preg. Denne modellen viser Domkirken som den så ut på skiftet mellom 1700 og 1800-tallet. Modellen er basert på samtidige illustrasjoner og skriftlige kilder. Modellen er laget av Anders Hereng Hansen, med historisk research gjort av Henrik Izzet Thommesen.

Her kan du utforske branntaksten fra 1797 som beskriver Oslo domkirke: [Branntakstprosjektet](http://toll.lokalhistorie.no/customs/fireInsurance/property.jsp?id=12098)

Les om arbeidet med modellen: [Oslo domkirke - kjent bygg, ukjent fasade](https://forskning.no/blogg/ragnhild-hutchisons-blogg/domkirken-i-christiania-kjent-bygg-ukjent-fasade)


The foundation for the building of the Oslo Cathedral was laid in 1694. This model represents the cathedral as it stood at the turn of the 18th to the 19th- century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312512
title: Cerro del Oro, Granada, Spain

description: Drone Photogrammetry of Cerro del Oro in Granada. This mine has been mined by both the Romans and the Arabs, being one of the most prolific gold mines of the peninsula. 

It was opened again during the XIX by a French businessman, although it was closed soon after due to the disinterest of said person. 

Several studies have been done on the reopening of the mine, but they have all determined that the biggest ores are found beneath the Alhambra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312513
title: Cerro del Oro, Granada, Spain

description: Drone Photogrammetry of Cerro del Oro in Granada. This mine has been mined by both the Romans and the Arabs, being one of the most prolific gold mines of the peninsula. 

It was opened again during the XIX by a French businessman, although it was closed soon after due to the disinterest of said person. 

Several studies have been done on the reopening of the mine, but they have all determined that the biggest ores are found beneath the Alhambra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312514
title: Flowerdew Hundred Fragmented Pot

description: Flowerdew Hundred Collection, University of Virginia Library; Fragmented Pot; 3D laser scanned on 2020-02-20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312515
title: Flowerdew Hundred Fragmented Pot

description: Flowerdew Hundred Collection, University of Virginia Library; Fragmented Pot; 3D laser scanned on 2020-02-20

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312517
title: Botella Chimú

description: En las faldas del gran cerro de Túcume se había formado una laguna. En ella los pobladores, dijeron ver a un pez muy grande que llegaba volando. Era una Raya, hermosa y de muchos colores, que venía del mar a zambullirse en las aguas de la laguna. 
Muchos quisieron verla pero La Raya era muy huidiza y escapaba volando cuando la gente se acercaba. 
Al tiempo, comenzaron a construir casas en los alrededores de la laguna. Eran hechas de quincha y barro. Poco a poco las aguas comenzaron a secarse, hasta que desaparecieron. Y junto con ellas, La Raya, que voló quizás hacia el mar y nunca más fue vista. 
En su recuerdo, el Cerro y el caserío allí formado, tomaron su nombre y hoy se les conoce como Cerro La Raya y Caserío la La Raya. (Susana Acosta Cajusol).

(Icono de cámara) Botella Chimú de cuerpo escultórico representando a una raya. En su asa se observa la aplicación de un mono.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312516
title: Botella Chimú

description: En las faldas del gran cerro de Túcume se había formado una laguna. En ella los pobladores, dijeron ver a un pez muy grande que llegaba volando. Era una Raya, hermosa y de muchos colores, que venía del mar a zambullirse en las aguas de la laguna. 
Muchos quisieron verla pero La Raya era muy huidiza y escapaba volando cuando la gente se acercaba. 
Al tiempo, comenzaron a construir casas en los alrededores de la laguna. Eran hechas de quincha y barro. Poco a poco las aguas comenzaron a secarse, hasta que desaparecieron. Y junto con ellas, La Raya, que voló quizás hacia el mar y nunca más fue vista. 
En su recuerdo, el Cerro y el caserío allí formado, tomaron su nombre y hoy se les conoce como Cerro La Raya y Caserío la La Raya. (Susana Acosta Cajusol).

(Icono de cámara) Botella Chimú de cuerpo escultórico representando a una raya. En su asa se observa la aplicación de un mono.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312519
title: Tanum 1738 1

description: Laserscanning of this panel at Kalleby

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312518
title: Tanum 1738 1

description: Laserscanning of this panel at Kalleby

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312521
title: Clog

description: This clog was brought by the wrestler Väinö Ikonen as a souvenir from the Amsterdam Olympic Games of 1928. Ikonen was a reserve member of the Finnish wrestling team in 1928; he had won bronze in Paris 1924. Faded autographs of Olympic athletes can be seen on the clog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312520
title: Clog

description: This clog was brought by the wrestler Väinö Ikonen as a souvenir from the Amsterdam Olympic Games of 1928. Ikonen was a reserve member of the Finnish wrestling team in 1928; he had won bronze in Paris 1924. Faded autographs of Olympic athletes can be seen on the clog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312522
title: Petroglyph V29 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V29 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass and one human male. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312523
title: Petroglyph V29 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V29 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass and one human male. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312524
title: Alero tipo 2

description: Modelado 3D realizado en Blender representando una decoración de alero típica en edificios históricos, este modelo ha sido referenciado de uno de los aleros presentes en la Iglesia de San Pedro Apóstol en Alagón, Zaragoza.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312525
title: Alero tipo 2

description: Modelado 3D realizado en Blender representando una decoración de alero típica en edificios históricos, este modelo ha sido referenciado de uno de los aleros presentes en la Iglesia de San Pedro Apóstol en Alagón, Zaragoza.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312526
title: 167 Sint-Jan, engel met zwaard

description: * Object: neogotisch beeld
* Materiaal: Udelfanger zandsteen
* Afmeting:
* Datering: 4e kwart 19e eeuw
* Vindplaats: [Sint-Jan, zijbeuk noordzijde](https://goo.gl/maps/AiFvPMArsW7aNp5V7)
* Beschrijving: Engelenbeeld met zwaard [(Peeters 1985)](https://www.dbnl.org/tekst/peet048sint01_01/peet048sint01_01_0012.php).

[Collectie Bouwsculptuur Sint-Jan](https://skfb.ly/6UAO6)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312527
title: 167 Sint-Jan, engel met zwaard

description: * Object: neogotisch beeld
* Materiaal: Udelfanger zandsteen
* Afmeting:
* Datering: 4e kwart 19e eeuw
* Vindplaats: [Sint-Jan, zijbeuk noordzijde](https://goo.gl/maps/AiFvPMArsW7aNp5V7)
* Beschrijving: Engelenbeeld met zwaard [(Peeters 1985)](https://www.dbnl.org/tekst/peet048sint01_01/peet048sint01_01_0012.php).

[Collectie Bouwsculptuur Sint-Jan](https://skfb.ly/6UAO6)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312528
title: Gallery POP/OFF/ART "Blackwead" SERGEY GETA

description: Gallery POP/OFF/ART
Exebition  "Blackwead" SERGEY GETA
preview version
Architecture, Cultural heritage & history
www.popoffart.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312529
title: Gallery POP/OFF/ART "Blackwead" SERGEY GETA

description: Gallery POP/OFF/ART
Exebition  "Blackwead" SERGEY GETA
preview version
Architecture, Cultural heritage & history
www.popoffart.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312530
title: 19th C Islamic Pottery 2, Mleiha, Sharjah, UAE

description: No. 2 of 17 examples of 19th Century Islamic ceramics under study at the Sharjah Archaeology Authority, in Sharjah, UAE. This specimen is from the site of Mleiha. GDH was given the opportunity to scan and present these fine examples.

518 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312531
title: 19th C Islamic Pottery 2, Mleiha, Sharjah, UAE

description: No. 2 of 17 examples of 19th Century Islamic ceramics under study at the Sharjah Archaeology Authority, in Sharjah, UAE. This specimen is from the site of Mleiha. GDH was given the opportunity to scan and present these fine examples.

518 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10439468
title: IJROCHILIKNING BADIIY XUSUSIYATLARI USTIDA ISHLASH
DOI: 10.5281/zenodo.10439469
title: IJROCHILIKNING BADIIY XUSUSIYATLARI USTIDA ISHLASH
DOI: 10.5281/zenodo.10312533
title: Church

description: From a DJI mini 2 2k video extracted

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312532
title: Church

description: From a DJI mini 2 2k video extracted

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312534
title: Souvenir Du Moulin Du Roc

description: Statuette d'environ 1.20 m de hauteur en fonte peinte située au niveau de la terrasse ombragée de l'hôtel-restaurant " Le Moulin du Roc" à Champagnac de Belair en bordure de la Dronne (Périgord Vert-France). Petit souvenir d'un merveilleux séjour en septembre 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312535
title: Souvenir Du Moulin Du Roc

description: Statuette d'environ 1.20 m de hauteur en fonte peinte située au niveau de la terrasse ombragée de l'hôtel-restaurant " Le Moulin du Roc" à Champagnac de Belair en bordure de la Dronne (Périgord Vert-France). Petit souvenir d'un merveilleux séjour en septembre 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312536
title: Day 22 Ghost #3DInktober2019

description: 3D model for #3DInktober2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312537
title: Day 22 Ghost #3DInktober2019

description: 3D model for #3DInktober2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312538
title: Australopithecus boisei (2501.1rp46)

description: ***Australopithecus boisei*** 
  
Location: Ileret, East Turkana, Kenya. 
  
Age: 1.5 million years ago. 
  
Material: epoxy resin cast. 

Dimensions: length, 152 mm; width, 91 mm; height, 108 mm.
  
Notes: RLA catalog no. 2501.1rp46 (cast).  Fossil specimen no. KNMER 732.  Partial cranium discovered in 1970 by M. Mutua with the Koobi Fora Research Project under Richard Leakey.  Possibly female.  Also classified as *Paranthropus crassidens*.  Cast manufacturer not known.  From the teaching collection of the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Joy Mersmann.

Source: Objaverse 1.0 / Sketchfab