cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-277
title: Earth memories, Los Angeles, 1996

description: Earth memories, Los Angeles, 1996, Belmont High School, exterior, First Street near Glendale Boulevard, Echo Park. Earth memories presents an evolutionary timeline: the formation of the planets, water world, the age of reptiles, dinosaurs, and the death of their era, the formation of mammals, the development of man from the cave artist to Mayan priests, and the present. The design was put together by a group of ten young graffiti writers, a recent art school graduate, and Cockcroft in a week-long marathon. The technique was brush painting with aerosol for finishing and detail--especially in the section of planets, and for eyes, highlights, and accents. Acrylic (brush and aerosol), 580' x 3 to 45', by Eva Cockcroft, Eric Nieman, Jaime "Vyal" Reyes, Edwin Perez, and others. Sponsored by ARTScorpsLA and Hollywood Beautification Team. -- Dunitz, Street gallery, p. 112, #33.
DOI: 10.25549/salamun-c98-629
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.17605/osf.io/pgv37
title: Transcutaneous electrical nerve stimulation enhances locomotor adaptation savings in multiple sclerosis
DOI: 10.25549/salamun-c98-646
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-651
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-656
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-664
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-281
title: Echo Park pool, Los Angeles, 1984

description: Echo Park pool, Los Angeles, untitled mural, 1984. Echo Park pool, exterior front, Colton Street and Glendale Boulevard, Echo Park. A colorful collection of panels -- portraits, landscapes, geometric designs. Acrylic on concrete, 200' x 8', originally painted by Margaret Garcia, Yreina Cervantez, Alfredo Lascano (repainted later by unknown artists). Sponsored by Citywide Mural Project and El Centro del Pueblo. -- Dunitz, Street gallery, rev. 2nd ed., p. 107, #11.
DOI: 10.25549/dunitz-c15-282
title: The watchers, Los Angeles, 1984

description: The watchers, Los Angeles, 1984, Barnsdall Park Junior Arts Center, exterior, 4814 Hollywood Boulevard (near Vermont Avenue), Los Feliz. Fifteen young art students, all life-size, stand looking out at the viewer on an east-facing wall below the Junior Art Gallery. Acrylic, 9' x 20', By Kent Twitchell. Self-sponsored. -- Dunitz, Street gallery, rev. 2nd ed., p. 107, #12.
DOI: 10.15468/dl.habsug
title: Occurrence Download

description: A dataset containing 384 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Sphagnum papillosum",
 "Country is Germany",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "Year is less than 2000"
 ]
}

 The dataset includes 384 records from 16 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003616-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-299
title: The tree of the middle place, Los Angeles, 1992

description: The tree of the middle place, Los Angeles, 1992, Canoe Storage House (at the park), exterior, Echo Park Avenue and Park Avenue, Echo Park. Done in honor of the 500-year anniversary of the meeting of the old and new worlds and cultures. Shown are native plants of the Americas using Aztec and Mayan symbols, Chumash astrological imagery, and a western European representation of the sun and moon. Acrylic, 9' x 60', by Barbara Benish. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 110, #23.
DOI: 10.25549/dunitz-c15-310
title: Echo Park pool, Los Angeles, 1984

description: Echo Park pool, Los Angeles, untitled mural, 1984. Echo Park pool, exterior front, Colton Street and Glendale Boulevard, Echo Park. A colorful collection of panels -- portraits, landscapes, geometric designs. Acrylic on concrete, 200' x 8', originally painted by Margaret Garcia, Yreina Cervantez, Alfredo Lascano (repainted later by unknown artists). Sponsored by Citywide Mural Project and El Centro del Pueblo. -- Dunitz, Street gallery, rev. 2nd ed., p. 107, #11.
DOI: 10.25549/dunitz-c15-313
title: Profile of a Native American, Los Angeles, 1984

description: Profile of a Native American, untitled, Los Angeles, 1984 1901 Echo Park Avenue (mural on Avalon), Echo Park. Profile of a Native American wearing a headdress, plus birds and dancers. Acrylic on cinder blocks, by Stephen Chaffey and Dennis Fitzpatrick. -- Dunitz, Street gallery, p. 103, #12.
DOI: 10.25549/dunitz-c15-315
title: Profiles of skulls and eagles, Los Angeles, 1975

description: Profiles of skulls and eagles, untitled mural, Los Angeles, 1975, 1500 block Riverside Drive (between Birkdale and Cabot Streets), Elysian Valley. Profiles of skulls, pre-Columbians, and eagles. On cinder blocks, by Bill Madrid. -- Dunitz, Street gallery, p. 101, #7.
DOI: 10.25549/dunitz-c15-359
title: Demon skull, 1991

description: "[Demon skull with prominent teeth and tongue]". With text "Id like to ded. this 2, God, HEX, OMG, TCB, UTI, CBS, WC, K2S, STN, USC, NTS, AM7, TBC, TWS, SIN, and 2 all those I fogot, Id like God bless and keep bombin! Peace. Stay tooned!" [sic]. Artist and location unknown. Photographed ca. 1991 December.
DOI: 10.25549/dunitz-c15-378
title: Window, one, blue man, disc jockey, 2000

description: "[Window, one, blue man, disc jockey]", 2000. By West Lost Artist Crew. Spray painted on a brick wall. 712 North La Brea Avenue. Photographed ca. 2000 September.
DOI: 10.25549/dunitz-c15-389
title: The muralists, Los Angeles, 1989

description: The muralists, Los Angeles, 1989, 6542 Hollywood Boulevard (mural on Hudson -- southwest corner), Hollywood. A mural inside a mural. Sir Laurence Olivier, Vivien Leigh, James Cagney, and Lauren Bacall as subjects of a mural being painted by comedians Laurel and Hardy. Acrylic on concrete, 15' x 40', by Richard Wyatt, assisted by Richard Wyatt, Sr., and youth from S.Y.E.T.P.: Rafik Burmayan, Chris Castillo, Albert Garcia, Axel Garcia, Vinicio Gomez, Luis Moratayo, Don Russell, Jimmy Silva, and Donovan Thomas. Sponsored by Hollywood Economic Revitalization Effort. -- Dunitz, Street gallery, p. 90, #25.
DOI: 10.25549/dunitz-c15-411
title: You are the star, Los Angeles, 1983

description: You are the star, Los Angeles, 1983, Wilcox at Hollywood Boulevard, exterior southeast corner, Hollywood. The chairs are turned, so to speak, in this mural where dozens of film legends sit in a darkened movie theater and look out at us. Errol Flynn is there dressed as Robin Hood. Superman, Woody Allen, Richard Pryor, Woody Woodpecker, Laurel and Hardy, teenagers Judy Garland and Mickey Rooney are all part of the crowd. Bogie and Bacall sit together, sharing the front row with Marilyn, Chaplin, a very young Shirley Temple perched on the lap of W.C. Fields (who reportedly hated children), James Dean, and Elizabeth "Cleopatra" Taylor with Richard "Marc Antony" Burton. By Thomas Suriya. Sponsored by CMP and HERE. -- Dunitz, Street gallery, p. 86, #12.
DOI: 10.25549/salamun-ouc1924167
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.15468/dl.g4pbus
title: Occurrence Download

description: A dataset containing 808 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is India",
 "DatasetKey is The Himalayan Uplands Plant database (HUP Version 1)",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Saussurea"
 ]
}

 The dataset includes 808 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003617-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/salamun-ouc1926509
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924107
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926522
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926528
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-699
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-703
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-722
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-730
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-731
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.15468/dl.p9ba7d
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Aulotrachichthys latus"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003618-260226173443078/datasets/export for details.
DOI: 10.17605/osf.io/tyjb4
title: Forest thinning across a forest-meadow ecotone increases light heterogeneity and understory plant diversity

description: Ecotones, the transitional zones between distinct habitats, are vital for ecosystem functioning. Traditional management practices frequently create abrupt boundaries, leading to stressful conditions for organisms. To address this challenge, a novel land management technique called ‘edge feathering’, which involves gradual thinning of the canopy, has been introduced. This study, conducted at Holden Arboretum in Kirtland, Ohio, investigated the effects of edge feathering on light availability and understory plant diversity in edge feathered and control treatments. Three transects per treatment with 6 plots each were established in a gradient from the forest interior toward the meadow. We calculated the coefficient of variation in light availability as light heterogeneity, and plant diversity indices at the plot level. Edge feathering increased light heterogeneity by more than 2.5 fold (p=0.0001957), species richness by twofold (p less than 0.0001), and both Shannon’s and Simpson’s diversity indices by approximately 1.5-fold (p less than 0.05) compared to the control. These findings demonstrate that higher light heterogeneity is strongly associated with greater understory plant diversity. These effects were observed within just 3.5 years of implementation, underscoring the rapid and measurable benefits of edge feathering.
DOI: 10.25549/dunitz-c15-455
title: People reading and studying, Cypress Park, Los Angeles, 1976

description: People reading and studying, untitled mural, Cypress Park, Los Angeles, 1976, Salazar Brothers Food products Corporation, exterior, Cypress Avenue and Verdugo, Cypress Park. People reading and studying. Acrylic on concrete, 35' x 17', by Anthony Padilla, assisted by local youth. Sponsored by CMP. -- Dunitz, Street gallery, p. 114, #6.
DOI: 10.25549/dunitz-c15-471
title: Return to the light, Highland Park, Los Angeles, 1994

description: Return to the light, Highland Park, Los Angeles, 1994, Carlota Boulevard and Avenue 41, Highland Park. Depicts two prevalent social ills, senseless killing of young people, and homelessness. The shaman in the center represents a healthy state of wholeness. Cesar Chavez represents vision, being focused. The elderly are symbols of rich experience and wisdom. The spirits of Pancho Villa and Zapata are there to signify strength and courage. The mural's title refers to the role of the spiritual in finding solutions. Acrylic, by Charles Freeman. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, red. 2nd ed., p. 121, #14.
DOI: 10.25549/dunitz-c15-473
title: A drive-through art gallery, Highland Park, Los Angeles, 1993-1998

description: A drive-through art gallery, untitled mural, Highland Park, Los Angeles, 1993-present. Avenues 57 and 58 parking lots, just south of Figueroa Street, Highland Park. A drive-through art gallery. Aerosol, by John Zender Estrada, Frank Romero, and others.-- Dunitz, Street gallery, rev. 2nd ed., p. 121, #13.
DOI: 10.25549/dunitz-c15-492
title: Return of the Maya, Cypress Park, Los Angeles, 1979

description: Return of the Maya, Cypress Park, Los Angeles, 1979, 3400 block of North Figueroa Street (near Amabel Street), Cypress Park. "Dedicated to the 5th cycle of mankind and the 2nd coming of Quetzalcoatl which comes August 9, 1990." Bandit dogs and portraits of local youth. Acrylic on concrete, originally 200' x 18' (smaller now as some has been replaced--see #30 and #33), by John Valadez, Carlos Almaraz, and local youth. Sponsored by CMP. -- Dunitz, Street gallery, p. 115, #9.
DOI: 10.25549/dunitz-c15-499
title: King Foods Market, Monterey Hills, Los Angeles, 1984

description: King Foods Market, untitled mural, Monterey Hills, Los Angeles, 1984. King Foods Market, exterior retaining wall, Via Marisol and Monterey Road, Monterey Hills. Images based on the local Herman neighborhood as it once was. Social-realist style. (Unfinished). Acrylic on cinder blocks, by Luis Becerra. -- Dunitz, Street gallery, p. 116, #13.
DOI: 10.25549/dunitz-c15-504
title: A drive-through art gallery, Highland Park, Los Angeles, 1993-1998

description: A drive-through art gallery, untitled mural, Highland Park, Los Angeles, 1993-present. Avenues 57 and 58 parking lots, just south of Figueroa Street, Highland Park. A drive-through art gallery. Aerosol, by John Zender Estrada, Frank Romero, and others.-- Dunitz, Street gallery, rev. 2nd ed., p. 121, #13.
DOI: 10.25549/dunitz-c15-538
title: Flintridge Sacred Heart Academy, La Canada Flintridge, 1929

description: Flintridge Sacred Heart Academy, untitled mural, La Canada Flintridge, 1929. Flintridge Sacred Heart Academy, Administration building, interior lobby, 440 Saint Katherine Drive (near Inverness), La Canada-Flintridge. One panel is of seven Plains Indian men on horseback. The other is a procession of diversely attired people walking along a figurative timeline from an old California mission toward the Los Angeles City Hall (just completed in 1928, the previous year). This property was originally built as a hotel. However, the 1929 stock market crash led to its demise after only two years in operation. Two years later Dominican nuns bought it and turned it into a Catholic girls' high school. 2 panels, approximately 8' x 14' (each), by George Fisher and Desmond Rushton. Sponsored by Flintridge Biltmore Hotel. -- Dunitz, Street gallery, p. 125, #1.
DOI: 10.5281/zenodo.18758986
title: River Camera Image Dataset and Weights for Water Segmentation Model at Four UK Rivers

description: This dataset contains flood monitoring camera images collected from four gauging stations in the United Kingdom: Tewkesbury, DiglisLock, Strensham, and Evesham.

The dataset is used to support water body segmentation tasks based on a personalized one-shot segmentation approach (PerSAM with KMeans prompt selection).

Each site includes:- Images/water/: Raw camera images (.jpg) captured at regular intervals- Annotations/water/: Ground-truth binary water body masks (.png),   where water pixels are labeled as 128- neg_Annotations/refine_mask/: Refined background region masks (.png),   where background pixels are labeled as 128, used for negative prompt extraction

The dataset covers a range of flood conditions and water level variations, enabling evaluation of segmentation robustness across diverse environmental settings.In addition to the image dataset, this record includes pre-trained model weights for a 5-fold cross-validation UNet-ResNet50 segmentation model trained on each of the four sites. The weights are provided as 20 checkpoint files (5 folds × 4 sites), named in the format {Site}_fold{N}_best.pt. These weights correspond to the best-performing checkpoint (lowest validation loss) for each fold and can be used to reproduce the segmentation results reported in the associated paper.

Training framework: RIWA Segmentation (Wagner et al.), available at https://gitlab.com/fra-wa/pytorch_segmentationAssociated code repository: https://github.com/hupi11/flood-water-segmentation
DOI: 10.5281/zenodo.18758987
title: River Camera Image Dataset and Weights for Water Segmentation Model at Four UK Rivers

description: This dataset contains flood monitoring camera images collected from four gauging stations in the United Kingdom: Tewkesbury, DiglisLock, Strensham, and Evesham.

The dataset is used to support water body segmentation tasks based on a personalized one-shot segmentation approach (PerSAM with KMeans prompt selection).

Each site includes:- Images/water/: Raw camera images (.jpg) captured at regular intervals- Annotations/water/: Ground-truth binary water body masks (.png),   where water pixels are labeled as 128- neg_Annotations/refine_mask/: Refined background region masks (.png),   where background pixels are labeled as 128, used for negative prompt extraction

The dataset covers a range of flood conditions and water level variations, enabling evaluation of segmentation robustness across diverse environmental settings.In addition to the image dataset, this record includes pre-trained model weights for a 5-fold cross-validation UNet-ResNet50 segmentation model trained on each of the four sites. The weights are provided as 20 checkpoint files (5 folds × 4 sites), named in the format {Site}_fold{N}_best.pt. These weights correspond to the best-performing checkpoint (lowest validation loss) for each fold and can be used to reproduce the segmentation results reported in the associated paper.

Training framework: RIWA Segmentation (Wagner et al.), available at https://gitlab.com/fra-wa/pytorch_segmentationAssociated code repository: https://github.com/hupi11/flood-water-segmentation
DOI: 10.25549/dunitz-c15-543
title: The great wall of Los Angeles, Los Angeles, 1976-1983

description: The great wall of Los Angeles, Los Angeles, 1976-1983. Tujunga Wash drainage canal, Coldwater Canyon Avenue (between Burbank Boulevard and Oxnard Street), Van Nuys/North Hollywood border. A. 1976. Supervising artists: Judith Baca, Charles Brown, Isabel Castro, Donna Deitch, Judithe Hernandez, Ulysses Jenkins, Luis Lopez, Kristina Lucas, Olga Muniz, Bernardo Muniz, Arnold Ramirez, Christina Schlesinger, Gary Tokumoto, Linda Eber. Plus 59 "mural makers." 9 panels: 20,000 B.C., pre-historical California; 1000 A.D., Early California; 1522, Spanish arrival; 1822, Mexican rule; 1848, Bandaide; 1868, Sojourners; 1880, Frontier California; 1890, Los Angeles mountains to the shore; 1900, Immigrant California. Co-sponsored by CMP, SPARC, and Project Heavy-San Fernando Valley. B. 1978. Supervising artists: Diane Ferrari, Leo Jauregui, Andrew Manning, Bea Plessner. Plus 34 "mural makers." Four panels: William Hart; Tomas Alva Edison; Charlie Chaplin, World War I doughboys. Sponsored by SPARC, Judith Baca, director. C. 1980. Artist supervisors: Carlos Calleja, Yreina Cervantez, Jan Cook, Fernando Jauregui, Jr., Alfredo Lascano, Jane Van Loon, Nancy Perez, Bea Plessner, Julie Ruelas, Rodney Saksi. Seven panels: Japanese internment, Dustbowl refugees; 350,000 Mexican Americans deported; Unsigned Indian Treaties; Strikes; Crash and depression; Illusion of prosperity. Sponsored by SPARC, Judith Baca, artistic director. D. 1981. Artist supervisors: Jan Cook, Teresa Chacon, Karen Guyot, Alfredo Lascano, Pat Millar, Bea Plessner, Julie Ruelas. Plus 32 "mural makers." 9 panels: Jewish refugees; Luisa Moreno: Zoot Suit riots L.A. 1943; David Gonzalez Pacoima CA.; Dr. Charles Drew; World War II; California aqueduct; Jewish Americans; 442nd Japanese Americans. Sponsored by SPARC, Judith Baca, artistic director. E. 1983. Artist supervisors: Eric Alcarez, Eva Cockroft, Mary-Linn Hughes, Patssi Valdez, Matthew Wuerker. Plus 30 "mural makers." 11 panels: Olympic champions breaking barriers 1948-1964; Asians gain citizenship and prosperity; Indian assimilation; Jewish arts and sciences; The origins of gay rights; Forebearers of civil rights; The birth of Rock and Roll; Division of the barrios and Chavez Ravine; The red scare of McCarthyism; Development of suburbia; Farewellt to Rosie the riveter. Sponsored by SPARC, Judith Baca, artistic director. -- Dunitz, Street gallery, p. 140, #26.