cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10348667
title: 1stone-center-3 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский)
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 1stone-center-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348668
title: 1stone-center-3 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский)
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 1stone-center-3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348669
title: Pee Dee Plain Bowl (1040p1322-2)

description: **Pee Dee Plain Bowl** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: ceramic. 
  
Dimensions: height, 13.6 cm; diameter, 30 cm. 
  
Notes: Catalog no. 1040a1322-2.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348670
title: Pee Dee Plain Bowl (1040p1322-2)

description: **Pee Dee Plain Bowl** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: ceramic. 
  
Dimensions: height, 13.6 cm; diameter, 30 cm. 
  
Notes: Catalog no. 1040a1322-2.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348675
title: Cabeza Clava RN 3346

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348676
title: Cabeza Clava RN 3346

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348677
title: Càntir de terrissa o obra negra

description: Recipient de terrissa negra, més ample de dalt que de baix, amb una nansa situada a la part superior central i dos brocs de diferent gruix, el gran, anomenat "tòt", que serveix per introduir-hi el líquid i l'altre, el més petit, anomenat "galet", per beure. Se'l considera un atuell portàtil, per anar d'un lloc a l'altre, més que un recipient que formi part de la vaixella de taula.

El broc per veure es troba inutilitzat i fracturat, com una part de la vora del broc pel qual s'introdueixen els líquids. Tot i això, es conserva a la part superior de la nansa la inscripció L.BONADONA QUART del taller ceramista on es va fabricar.

La terrissa o obra negra de Quart és una categoria ceràmica que té el seu inici durant la Baixa Edat Mitjana, segle XIV i XV.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348678
title: Càntir de terrissa o obra negra

description: Recipient de terrissa negra, més ample de dalt que de baix, amb una nansa situada a la part superior central i dos brocs de diferent gruix, el gran, anomenat "tòt", que serveix per introduir-hi el líquid i l'altre, el més petit, anomenat "galet", per beure. Se'l considera un atuell portàtil, per anar d'un lloc a l'altre, més que un recipient que formi part de la vaixella de taula.

El broc per veure es troba inutilitzat i fracturat, com una part de la vora del broc pel qual s'introdueixen els líquids. Tot i això, es conserva a la part superior de la nansa la inscripció L.BONADONA QUART del taller ceramista on es va fabricar.

La terrissa o obra negra de Quart és una categoria ceràmica que té el seu inici durant la Baixa Edat Mitjana, segle XIV i XV.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348679
title: Bas-Relief H Chenonceau

description: detail d'une sculpture du H de Henri II au chateau de Chenonceau, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348680
title: Bas-Relief H Chenonceau

description: detail d'une sculpture du H de Henri II au chateau de Chenonceau, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348681
title: Gold mining pick

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348682
title: Gold mining pick

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348683
title: Arietites (Ammonite) BIRUG 39142

description: BIRUG 39142 is a halved ammonite specimen, probably belonging to the genus *Arietites*. The interior chambers of the phragmocone (shell) can be seen in this specimen, delimited by septa and infilled with quartz.

This specimen is from Lyme Regis in Dorset, UK and dates from the Lower Jurassic. Scanning was performed using an Artec Spider 3D scanner by Courtney Szanto.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348684
title: Arietites (Ammonite) BIRUG 39142

description: BIRUG 39142 is a halved ammonite specimen, probably belonging to the genus *Arietites*. The interior chambers of the phragmocone (shell) can be seen in this specimen, delimited by septa and infilled with quartz.

This specimen is from Lyme Regis in Dorset, UK and dates from the Lower Jurassic. Scanning was performed using an Artec Spider 3D scanner by Courtney Szanto.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348685
title: Paris

description: Statue of Paris in the park of Schönbrunn Palace. The son of the Trojan king Priam is depicted as a shepherd with his dog. In his right hand he holds the apple of discord. Paris triggered the Trojan War by kidnapping Helen. The sculpture by Veit Königer dates from around 1775.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348686
title: Paris

description: Statue of Paris in the park of Schönbrunn Palace. The son of the Trojan king Priam is depicted as a shepherd with his dog. In his right hand he holds the apple of discord. Paris triggered the Trojan War by kidnapping Helen. The sculpture by Veit Königer dates from around 1775.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348687
title: 1641 Graveslab, Riddell Aisle, Lilliesleaf

description: Canmore ID 101364. A slab containing an incised panel with a shield in its lower part, flanked by the initials A R and I S. The shield is parted per pale and charged on the dexter side only for Riddel, the sinister side being uncarved. An inscription in the upper part of the panel runs NON DIV SED BE/NE VIXIT / QVI HAC (sic) IACET AN/DREAS RIDDEL DE /HAINING FILIVS / ANDREAE RIDDEL / DE EODEM OBIIT A (sic) / 8 APRILIS AN(NO) DOM(INI) / 1641 AETATIS SVAE 35 ("Not long but well did he live who lies here. Andrew Riddel of Haining, son of Andrew Riddel of that Ilk, died on the 8th of April in the year of Our Lord 1641, aged 35"); while a second one beneath the panel reads HIC PARTICEPS PRI/MAE RESVRRECTIO/NIS EXPECTAT SE/CVNDAM IN VITAM / AETERNAM ("Here a partaker of the first resurrection awaits the second, to eternal life").

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348688
title: 1641 Graveslab, Riddell Aisle, Lilliesleaf

description: Canmore ID 101364. A slab containing an incised panel with a shield in its lower part, flanked by the initials A R and I S. The shield is parted per pale and charged on the dexter side only for Riddel, the sinister side being uncarved. An inscription in the upper part of the panel runs NON DIV SED BE/NE VIXIT / QVI HAC (sic) IACET AN/DREAS RIDDEL DE /HAINING FILIVS / ANDREAE RIDDEL / DE EODEM OBIIT A (sic) / 8 APRILIS AN(NO) DOM(INI) / 1641 AETATIS SVAE 35 ("Not long but well did he live who lies here. Andrew Riddel of Haining, son of Andrew Riddel of that Ilk, died on the 8th of April in the year of Our Lord 1641, aged 35"); while a second one beneath the panel reads HIC PARTICEPS PRI/MAE RESVRRECTIO/NIS EXPECTAT SE/CVNDAM IN VITAM / AETERNAM ("Here a partaker of the first resurrection awaits the second, to eternal life").

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348689
title: Apollo 11 Command Module Interior

description: Smithsonian source data on the Interior of the Command Module can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c63e8a-4ebc-11ea-b77f-2e728ce88125)
and the Exterior of the Command Module can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c6457e-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Manufacturer: North American Rockwell  

Materials: Primary Materials: Aluminum alloy, Stainless steel, Titanium

Dimensions: Overall: 8'11" ×12'10", 9130lb. (271.8×391.2cm, 4141.3kg), Other: 1'10" (55.9cm), Support(at base width): 12'10" (391.2cm) Overall capsule on stand height: 10'9", Support(Stand): 2035.7kg (4488lb.)
    
Credit Line: Transferred from the National Aeronautics and Space Administration

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348690
title: Apollo 11 Command Module Interior

description: Smithsonian source data on the Interior of the Command Module can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c63e8a-4ebc-11ea-b77f-2e728ce88125)
and the Exterior of the Command Module can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c6457e-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Manufacturer: North American Rockwell  

Materials: Primary Materials: Aluminum alloy, Stainless steel, Titanium

Dimensions: Overall: 8'11" ×12'10", 9130lb. (271.8×391.2cm, 4141.3kg), Other: 1'10" (55.9cm), Support(at base width): 12'10" (391.2cm) Overall capsule on stand height: 10'9", Support(Stand): 2035.7kg (4488lb.)
    
Credit Line: Transferred from the National Aeronautics and Space Administration

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348693
title: Adoración dos Reis Magos

description: Escena do baldaquino de Arcos de Furcos (Cuntis, Pontevedra, Galicia). Escaneado con iPad Pro e subido con 3dScannerApp.com.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348694
title: Adoración dos Reis Magos

description: Escena do baldaquino de Arcos de Furcos (Cuntis, Pontevedra, Galicia). Escaneado con iPad Pro e subido con 3dScannerApp.com.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348695
title: XFP-141 Adze Blade, Elma Is., Sanak Group, AK

description: Adze blade, woodworking. Andasitic basalt. XFP-141, Elma Island in the Sanak Archipelago. XFP-141-14. 340-540 CE. 

XFP-141 is a site with seven large house depressions. There are multiple components. Mos tof ht esite is dated either to 1000-1160 CE or 340-540 CE. 

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348696
title: XFP-141 Adze Blade, Elma Is., Sanak Group, AK

description: Adze blade, woodworking. Andasitic basalt. XFP-141, Elma Island in the Sanak Archipelago. XFP-141-14. 340-540 CE. 

XFP-141 is a site with seven large house depressions. There are multiple components. Mos tof ht esite is dated either to 1000-1160 CE or 340-540 CE. 

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348701
title: Lyne 6

description: Model produced as part of an unmanned aerial photogrammetric survey of the Lyne area of Assynt, in NW Scotland.  Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries. 

Includes Creag Mac A Ghille Chlais cairn, 'period unassigned', see https://canmore.org.uk/site/4625/creag-mac-a-ghille-chlais :

http://her.highland.gov.uk/SingleResult.aspx?uid=MHG13049

Survey area 558m x 498m, 27.7 hectares, model created 03/04/2017, resolution 3.7 cm/px, camera DJI Inspire X3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348702
title: Lyne 6

description: Model produced as part of an unmanned aerial photogrammetric survey of the Lyne area of Assynt, in NW Scotland.  Central Assynt contains the remains of at least 46 Neolithic and Bronze Age cairns and there is potential for further discoveries. 

Includes Creag Mac A Ghille Chlais cairn, 'period unassigned', see https://canmore.org.uk/site/4625/creag-mac-a-ghille-chlais :

http://her.highland.gov.uk/SingleResult.aspx?uid=MHG13049

Survey area 558m x 498m, 27.7 hectares, model created 03/04/2017, resolution 3.7 cm/px, camera DJI Inspire X3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348703
title: Comparison of mummy mask scans.

description: This combined model shows two scans of the same object side by side. The left one is done with an Artec Spider, the right using photogrammetry (Sony A6000). The mask is highly reflective and delicate. 

One can instantly see the differences in mesh structure that has been created. The Artec has pulled out more detail and produced a much smoother finish, but struggled with the underneath. The right model only worked with photomasking and medium settings on Photoscan Pro. Higher settings failed to produce a usable model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348704
title: Comparison of mummy mask scans.

description: This combined model shows two scans of the same object side by side. The left one is done with an Artec Spider, the right using photogrammetry (Sony A6000). The mask is highly reflective and delicate. 

One can instantly see the differences in mesh structure that has been created. The Artec has pulled out more detail and produced a much smoother finish, but struggled with the underneath. The right model only worked with photomasking and medium settings on Photoscan Pro. Higher settings failed to produce a usable model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348705
title: Saint Mary sculpture at the cemetery in Lublin

description: Saint Mary sculpture at the cemetery in Lublin city (Lipowa street)
Mesh made in Meshroom 2021.1.0. 
Cleaning and fixes: Blender 2.93
Photo: Canon 60D 
Lens 50 mm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348706
title: Saint Mary sculpture at the cemetery in Lublin

description: Saint Mary sculpture at the cemetery in Lublin city (Lipowa street)
Mesh made in Meshroom 2021.1.0. 
Cleaning and fixes: Blender 2.93
Photo: Canon 60D 
Lens 50 mm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348709
title: St Helen's Church, Hogback 02

description: ![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/02_StHelens_Hogback2_03.jpg)

![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/02_StHelens_Hogback2_01.jpg)

AOC recorded this hogback stone on behalf of Historic Environment Scotland as part of work at the site of St Helen's Church, Cockburnspath, in spring 2021, following a report of possible damage to another hogback stone at the site.
This example is very weathered and worn, and represents only a fragment from one end of the original stone. An animal is discernible on one side. Lang describes a "quadruped with a foreleg raised and the tail over the back". The other side bears tegulae, a pattern representing tiles or scales. The stone probably dates to the 11th century AD.
More info: Lang, J., 1975. Hogback monuments in Scotland. PSAS 105, pp. 206-235.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348710
title: St Helen's Church, Hogback 02

description: ![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/02_StHelens_Hogback2_03.jpg)

![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/02_StHelens_Hogback2_01.jpg)

AOC recorded this hogback stone on behalf of Historic Environment Scotland as part of work at the site of St Helen's Church, Cockburnspath, in spring 2021, following a report of possible damage to another hogback stone at the site.
This example is very weathered and worn, and represents only a fragment from one end of the original stone. An animal is discernible on one side. Lang describes a "quadruped with a foreleg raised and the tail over the back". The other side bears tegulae, a pattern representing tiles or scales. The stone probably dates to the 11th century AD.
More info: Lang, J., 1975. Hogback monuments in Scotland. PSAS 105, pp. 206-235.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348712
title: Monument to Vladimir Visotskiy (ensamble)

description: Monument to the famous russian singer Vladimir Visotsky. Located in the Downdown of Vladivostok, Russia.

Skulptor: A. I. Melnik Architect: P. S. Chegodaev

Build on private donation from the city mayor I. S. Pushkarev. He is now emprisoned by Russian goverment for political reasons.

In this model you can see the whole ensamble, the monument closeup is availble here https://skfb.ly/6T7Xq.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348711
title: Monument to Vladimir Visotskiy (ensamble)

description: Monument to the famous russian singer Vladimir Visotsky. Located in the Downdown of Vladivostok, Russia.

Skulptor: A. I. Melnik Architect: P. S. Chegodaev

Build on private donation from the city mayor I. S. Pushkarev. He is now emprisoned by Russian goverment for political reasons.

In this model you can see the whole ensamble, the monument closeup is availble here https://skfb.ly/6T7Xq.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348713
title: Drumgoon Hill - Old Graveyard Headstone  DGH324

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348714
title: Drumgoon Hill - Old Graveyard Headstone  DGH324

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348715
title: Roman Coin

description: Roman Coin modeled in Mudbox using map displacement.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348716
title: Roman Coin

description: Roman Coin modeled in Mudbox using map displacement.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348717
title: Bethel Digital Lockdown: A Clay Pot by Meraiah

description: This is a 3D image of a clay planting pot. My family has a small garden on our patio. So throughout the summer I spent time taking care of the plants and buying gardening supplies.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348718
title: Bethel Digital Lockdown: A Clay Pot by Meraiah

description: This is a 3D image of a clay planting pot. My family has a small garden on our patio. So throughout the summer I spent time taking care of the plants and buying gardening supplies.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348719
title: アリソガイ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)372図5裏面 観察記録3Dモデル

description: アリソガイ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)372図5裏面 観察記録3Dモデル 
縄文中期、L、殻長108.4㎜、殻高91.3㎜ 
撮影場所:千葉県教育庁森宮分室 
撮影月日:2020.09.18 
許可:千葉県教育委員会許可による撮影・掲載 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.008 processing 30 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348720
title: アリソガイ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)372図5裏面 観察記録3Dモデル

description: アリソガイ製ヘラ状貝製品(磨貝)(千葉市有吉北貝塚)372図5裏面 観察記録3Dモデル 
縄文中期、L、殻長108.4㎜、殻高91.3㎜ 
撮影場所:千葉県教育庁森宮分室 
撮影月日:2020.09.18 
許可:千葉県教育委員会許可による撮影・掲載 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.008 processing 30 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348721
title: 土偶(宮川村教育委員会1998『宮ノ前遺跡』第54図9)

description: **石棒クラブの3D合宿2022(2022年7月30・31日)で講師・野口淳先生製作**

<掲載書籍>https://sitereports.nabunken.go.jp/12615

<ダウンロード可> ・私たちは皆様に対して本著作物を、またそれを元にした派生作品を複製・頒布・表示・上演することを認めています。・その際にはクレジット表記を条件とします。・クレジットの記載(「飛騨みやがわ考古民俗館・石棒クラブ」)をお忘れなくお願いいたします! ・尚、商用利用も可です。ぜひ活用ください。

<ご利用にあたっての注意事項> ・本ページに掲載されているオープンデータを利用したこと、利用できなかったこと、掲載されている情報に基づいて利用者が下した判断および起こした行動によりどのような結果が発生した場合においても、【飛騨みやがわ考古民俗館及び石棒クラブ】はその責任を負いません。・利用者の本注意事項違反もしくは利用者による第三者の権利侵害に起因または関連して生じたすべての苦情や請求については、利用者自身の費用と責任で解決するものとし、【飛騨みやがわ考古民俗館及び石棒クラブ】は一切責任を負いません。*上記内容は、飛騨市のオープンデータの考え方に基づいています https://www.city.hida.gifu.jp/soshiki/5/opendata.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348722
title: 土偶(宮川村教育委員会1998『宮ノ前遺跡』第54図9)

description: **石棒クラブの3D合宿2022(2022年7月30・31日)で講師・野口淳先生製作**

<掲載書籍>https://sitereports.nabunken.go.jp/12615

<ダウンロード可> ・私たちは皆様に対して本著作物を、またそれを元にした派生作品を複製・頒布・表示・上演することを認めています。・その際にはクレジット表記を条件とします。・クレジットの記載(「飛騨みやがわ考古民俗館・石棒クラブ」)をお忘れなくお願いいたします! ・尚、商用利用も可です。ぜひ活用ください。

<ご利用にあたっての注意事項> ・本ページに掲載されているオープンデータを利用したこと、利用できなかったこと、掲載されている情報に基づいて利用者が下した判断および起こした行動によりどのような結果が発生した場合においても、【飛騨みやがわ考古民俗館及び石棒クラブ】はその責任を負いません。・利用者の本注意事項違反もしくは利用者による第三者の権利侵害に起因または関連して生じたすべての苦情や請求については、利用者自身の費用と責任で解決するものとし、【飛騨みやがわ考古民俗館及び石棒クラブ】は一切責任を負いません。*上記内容は、飛騨市のオープンデータの考え方に基づいています https://www.city.hida.gifu.jp/soshiki/5/opendata.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348723
title: Altarpiece of Saint John and Saint Catherine

description: The Altarpiece of Saint John and Saint Catherine is a work of art from the first half of the 15th century whose author could be the Master of Sigüenza or Juan of Seville. It is currently divided between the Prado Museum and the Cathedral of Sigüenza. The 3D model shows us the part of the altarpiece that is preserved in the cathedral. This altarpiece was financed by the La Cerda family, but at the end of the 15th century it became the property of the Arce family. The exact date on which it was dismembered in parts being unknown.

3D model made in Reality Capture using 684 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab