cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-544
title: The great wall of Los Angeles, Los Angeles, 1976-1983

description: The great wall of Los Angeles, Los Angeles, 1976-1983. Tujunga Wash drainage canal, Coldwater Canyon Avenue (between Burbank Boulevard and Oxnard Street), Van Nuys/North Hollywood border. A. 1976. Supervising artists: Judith Baca, Charles Brown, Isabel Castro, Donna Deitch, Judithe Hernandez, Ulysses Jenkins, Luis Lopez, Kristina Lucas, Olga Muniz, Bernardo Muniz, Arnold Ramirez, Christina Schlesinger, Gary Tokumoto, Linda Eber. Plus 59 "mural makers." 9 panels: 20,000 B.C., pre-historical California; 1000 A.D., Early California; 1522, Spanish arrival; 1822, Mexican rule; 1848, Bandaide; 1868, Sojourners; 1880, Frontier California; 1890, Los Angeles mountains to the shore; 1900, Immigrant California. Co-sponsored by CMP, SPARC, and Project Heavy-San Fernando Valley. B. 1978. Supervising artists: Diane Ferrari, Leo Jauregui, Andrew Manning, Bea Plessner. Plus 34 "mural makers." Four panels: William Hart; Tomas Alva Edison; Charlie Chaplin, World War I doughboys. Sponsored by SPARC, Judith Baca, director. C. 1980. Artist supervisors: Carlos Calleja, Yreina Cervantez, Jan Cook, Fernando Jauregui, Jr., Alfredo Lascano, Jane Van Loon, Nancy Perez, Bea Plessner, Julie Ruelas, Rodney Saksi. Seven panels: Japanese internment, Dustbowl refugees; 350,000 Mexican Americans deported; Unsigned Indian Treaties; Strikes; Crash and depression; Illusion of prosperity. Sponsored by SPARC, Judith Baca, artistic director. D. 1981. Artist supervisors: Jan Cook, Teresa Chacon, Karen Guyot, Alfredo Lascano, Pat Millar, Bea Plessner, Julie Ruelas. Plus 32 "mural makers." 9 panels: Jewish refugees; Luisa Moreno: Zoot Suit riots L.A. 1943; David Gonzalez Pacoima CA.; Dr. Charles Drew; World War II; California aqueduct; Jewish Americans; 442nd Japanese Americans. Sponsored by SPARC, Judith Baca, artistic director. E. 1983. Artist supervisors: Eric Alcarez, Eva Cockroft, Mary-Linn Hughes, Patssi Valdez, Matthew Wuerker. Plus 30 "mural makers." 11 panels: Olympic champions breaking barriers 1948-1964; Asians gain citizenship and prosperity; Indian assimilation; Jewish arts and sciences; The origins of gay rights; Forebearers of civil rights; The birth of Rock and Roll; Division of the barrios and Chavez Ravine; The red scare of McCarthyism; Development of suburbia; Farewellt to Rosie the riveter. Sponsored by SPARC, Judith Baca, artistic director. -- Dunitz, Street gallery, p. 140, #26.
DOI: 10.25549/dunitz-c15-550
title: Sister cities, Canoga Park, Los Angeles, 1980 (restored 1992)

description: Sister cities, Canoga Park, Los Angeles, 1980 (restored 1992). 7123 Remmet Avenue (near Sherman Way), Canoga Park. The theme of international harmony is illustrated by the sister-city conection between Canoga Park and the historic Mexican city of Taxco. Members of the artist's family appear in a group portrait in the center of the wall. The assistant was a student at Canoga Park High School. Liquitex acrylic on masonry, 40' x 15', by Alfredo Diaz Flores, assisted by Felix Manchaca. Sponsored by Canoga Park Chamber of Commerce. -- Dunitz, Street gallery, p. 138, #21.
DOI: 10.25549/salamun-c98-670
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-671
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-673
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-675
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-676
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.17605/osf.io/ztd3g
title: Responses to pre-course and post-course surveys

description: These datasets contain responses to the pre-course and post-course surveys for the 'América Latina se Transforma a Ciencia Abierta' training organized by MetaDocencia. The course is a Latin American Spanish contextualization of NASA's 'Open Science 101'. The survey was self-administered, voluntary, and all questions were optional. Participants were asked to sign an informed consent, and only data from those who authorized its use in a de-identified format are shared here. The dataset is intended to help characterize participants’ profiles, prior knowledge, and perceived barriers to implementing open science.
DOI: 10.25549/salamun-ouc1926506
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1924095
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926504
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926531
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926518
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-677
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-678
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-371
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-374
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-377
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-477
title: Lauridsen. O magnum mysterium [excerpt], 1994

description: For SATB chorus. First sketch of the opening (mm. 1-13). Includes handwritten marginalia by the composer thanking the conductor Paul Salamunovich on the occasion of the premiere, 1995 December 14.
DOI: 10.25549/salamun-c98-999
title: Lauridsen. Lux aeterna. Introitus [excerpt], 1997

description: For SATB chorus a cappella. Page six from the autograph manuscript of the first movement of Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.17605/osf.io/fj45b
title: Socioecological drivers of mutualistic and antagonistic plant-insect interactions in suburban landscapes

description: This study examined the socioeconomic and ecological drivers of interactions among the plant *Gelsemium sempervirens* and its insect pollinators, nectar robbers, folivores and herbivores in suburban master-planned communities. Included here are all data files associated with the project and R scripts associated with data analysis.

Associated publication: Fitch G, Adler LS, Irwin RE, Warren PS. 2024. Socioecological drivers of mutualistic and antagonistic plant-insect interactions and interaction outcomes in suburban landscapes. PLoS ONE 19:11 (e0312143).
DOI: 10.25549/salamun-c98-790
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Autograph vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich on the occasion of Salamunovich's 75th birthday, 1997 October 7.
DOI: 10.25549/salamun-c98-793
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Autograph vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich on the occasion of Salamunovich's 75th birthday, 1997 October 7.
DOI: 10.25549/salamun-c98-53
title: Lauridsen. Lux aeterna. A nata lux [excerpt], 1997

description: For SATB chorus a cappella. Two-page autograph sketch of the third movement of Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich on the occasion of the premiere.
DOI: 10.25549/salamun-c98-130
title: Lauridsen, card, 1998-12-15, to Salamunovich

description: Morton Lauridsen, 2412 Argosy Way, Los Angeles, California, USA, greeting card, 1998 December 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "How is it that your O magnum mysterium becomes even more beautiful each time you perform it?" -- first line. With envelope.
DOI: 10.25549/salamun-c98-7
title: Lauridsen, letter, 2002-03-16, to Salamunovich

description: Morton Lauridsen, Los Angeles, California, USA, letter, 2002 March 16, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "Such a stunningly beautiful performance of the Lux aeterna last night!" -- first line. With envelope.
DOI: 10.25549/salamun-c98-8
title: Lauridsen, letter, 2002-03-16, to Salamunovich

description: Morton Lauridsen, Los Angeles, California, USA, letter, 2002 March 16, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "Such a stunningly beautiful performance of the Lux aeterna last night!" -- first line. With envelope.
DOI: 10.25549/salamun-c98-2
title: Lauridsen, letter, 2002-10-15, to Salamunovich

description: Morton Lauridsen, Indianapolis, Indiana, USA, letter, 2002 October 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "My ears are still rining with the sounds of your stunningly beautiful performance of the Lux aeterna on Sunday." -- first line. With envelope.
DOI: 10.25549/salamun-c98-3
title: Lauridsen, letter, 2002-10-15, to Salamunovich

description: Morton Lauridsen, Indianapolis, Indiana, USA, letter, 2002 October 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "My ears are still rining with the sounds of your stunningly beautiful performance of the Lux aeterna on Sunday." -- first line. With envelope.
DOI: 10.25549/salamun-c98-55
title: Lauridsen. Lux aeterna. A nata lux [excerpt], 1997

description: For SATB chorus a cappella. Two-page autograph sketch of the third movement of Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich on the occasion of the premiere.
DOI: 10.25549/salamun-ouc1924704
title: Podium time: A conversation with Morten Lauridsen, 2002 Sum.

description: Margaret Winchell Miller. "Podium time: A conversation with Morten Lauridsen" in Chorus America (2002 Summer): pp. 27-28).
DOI: 10.25549/salamun-ouc1928320
title: Podium time: A conversation with Morten Lauridsen, 2002 Sum.

description: Margaret Winchell Miller. "Podium time: A conversation with Morten Lauridsen" in Chorus America (2002 Summer): pp. 27-28).
DOI: 10.25549/salamun-ouc1924703
title: Podium time: A conversation with Morten Lauridsen, 2002 Sum.

description: Margaret Winchell Miller. "Podium time: A conversation with Morten Lauridsen" in Chorus America (2002 Summer): pp. 27-28).
DOI: 10.25549/salamun-ouc1924710
title: Zurbaran's "Still-life with lemons, oranges and a rose", 1994?

description: Morton Lauridsen. "Zurbaran's 'Still-life with lemons, oranges and a rose': An inspiration for the choral setting of 'O magnum mysterium', 1994?
DOI: 10.13140/rg.2.2.14828.22405
title: Dados de testagem: corpus e metadados
DOI: 10.17605/osf.io/28ax7
title: Documentation of transposition of aspiration in dialectal Balochi

description: PhD at University of Oslo 2021-2025
DOI: 10.25549/dunitz-c15-422
title: Family and eagle, 2000

description: "[Family and eagle", 2000. Family group with a multiethnic and multicultural group near an ocean, an eagle flies above. Unknown artist. Unidentified location. Mural painted on an interior wall. Photographed ca. 2000 December.
DOI: 10.25549/dunitz-c15-426
title: Office abstract with heads, 2000

description: "[Office abstract with heads]", 2000. Painting on an interior office wall with bright colorful abstract shapes conveying mountains, waves, the sun and other patterns, also four heads. Artist unknown. Location unknown. Photographed ca. 2000 December.
DOI: 10.25549/dunitz-c15-432
title: North-Central Animal Care and Control Center, Cypress Park, Los Angeles, 1988

description: North-Central Animal Care and Control Center, untitled, Cypress Park, Los Angeles, 1988. North-Central Animal Care and Control Center, exterior, 3201 Lacy Street (near Avenue 26), Cypress Park. Done to resemble a billboard featuring domesticated animals. Latex acrylic, 2 panels, 7' x 20' and 11' x 26', designed by Victor Henderson. Painted by Victor Henderson and Elizabeth Garrison. Sponsored by City of Los Angeles. -- Dunitz, Street gallery, p. 118, #23.
DOI: 10.25549/dunitz-c15-438
title: A little bit of art never hurt anybody, but a little bit of graffiti hurts a lot of people, Highland Park, Los Angeles, 1990

description: A little bit of art never hurt anybody, but a little bit of graffiti hurts a lot of people, untitled mural, Highland Park, Los Angeles, 1990, 3400 block of North Figueroa Street (between Amabel Street and Cypress Avenue), Highland Park. Several images connected with the message, "A little bit of art never hurt anybody, but a little bit of graffiti hurts a lot of people." Aerosol, by Peter Quezada and local youth. Sponsored by Neighborhood for Peace. -- Dunitz, Street gallery, p. 121, #33.
DOI: 10.25549/dunitz-c15-448
title: In loving memory of Robert F. Kennedy, God bless, El Sereno, Los Angeles, 1988

description: In loving memory of Robert F. Kennedy, God bless, El Sereno, Los Angeles, 1988, 4645 Huntington Drive (near Monterey Road), El Sereno. Portrait of Robert F. Kennedy, done in memory of the 20th anniversary of his assassination. Aerosol, by Peter Quezada and Mike G. Self-sponsored. -- Dunitz, Street gallery, p. 118, #21; http://muralconservancy.org/murals/loving-memory-robert-f-kennedy-god-bless viewed on Oct. 14, 2012.
DOI: 10.15468/dl.k3874s
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Centroberyx spinosus"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003619-260226173443078/datasets/export for details.
DOI: 10.25549/salamun-c98-378
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-387
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.17605/osf.io/p3axw
title: Data, analysis code, and supplemental materials for "What drives antisemitic hostility in the 21st century? A comparative case study of Germany, Sweden, and Russia (1990–2020)"
DOI: 10.25549/salamun-c98-390
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-405
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-406
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-805
title: Lauridsen, letter, 2005?, to Salamunovich

description: Morton Lauridsen, letter, 2005?, to Paul Salamunovich. "Congratulations, my dear friend, on such a memorable anniversary." -- first line.
DOI: 10.25549/salamun-c98-811
title: Lauridsen, letter, 2007-05-29, to Salamunovich

description: Morton Lauridsen, letter, 2007 May 29, to Paul Salamunovich. "Thought you would enjoy this write-up in the Washington Post of the Lux aeterna performance at the Kennedy Center." -- first line.
DOI: 10.25549/salamun-c98-1008
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.17605/osf.io/5x7wv
title: Tall Building Cluster in Urban Canopy

description: Wind tunnel measurements of flow and turbulence in the wake of tall building clusters with different surrounding roughness in the EnFlo tunnel
DOI: 10.25549/salamun-c98-1016
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.5281/zenodo.18809824
title: FULL-TERM AND PRETERM INFANTS WITH PNEUMONIA: A CLINICAL COMPARISON

description: This study provides a clinical comparison of pneumonia in full-term and preterm infants. Pneumonia remains one of the leading causes of neonatal morbidity and mortality worldwide. The clinical presentation, progression, and outcomes of pneumonia differ significantly between full-term and preterm infants due to differences in immune system maturity and organ development. Full-term infants generally exhibit acute and recognizable symptoms such as cough, fever, and respiratory distress, while preterm infants often present with subtle or atypical signs, including apnea, feeding difficulties, or lethargy. Diagnostic challenges are more pronounced in preterm infants, requiring careful evaluation through clinical assessment, laboratory tests, and imaging studies. Management strategies, including antibiotic therapy, oxygen support, and intensive care, must be tailored according to gestational age and disease severity. Preventive measures, such as maternal vaccination, breastfeeding, and proper neonatal monitoring, are crucial for reducing the incidence and improving outcomes.
DOI: 10.25549/salamun-c98-1026
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.5281/zenodo.18809823
title: FULL-TERM AND PRETERM INFANTS WITH PNEUMONIA: A CLINICAL COMPARISON

description: This study provides a clinical comparison of pneumonia in full-term and preterm infants. Pneumonia remains one of the leading causes of neonatal morbidity and mortality worldwide. The clinical presentation, progression, and outcomes of pneumonia differ significantly between full-term and preterm infants due to differences in immune system maturity and organ development. Full-term infants generally exhibit acute and recognizable symptoms such as cough, fever, and respiratory distress, while preterm infants often present with subtle or atypical signs, including apnea, feeding difficulties, or lethargy. Diagnostic challenges are more pronounced in preterm infants, requiring careful evaluation through clinical assessment, laboratory tests, and imaging studies. Management strategies, including antibiotic therapy, oxygen support, and intensive care, must be tailored according to gestational age and disease severity. Preventive measures, such as maternal vaccination, breastfeeding, and proper neonatal monitoring, are crucial for reducing the incidence and improving outcomes.
DOI: 10.25549/dunitz-c15-337
title: Spraypaint mural at Studio 9, Hollywood, 1997

description: Spraypaint mural at Studio 9, untitled, Hollywood, 1997. Studio 9, rear, Gower Street and Santa Monica Boulevard, Hollywood. Aerosol, by ManOne, SacredOne, Vyal, Swank, Kofie, Axis. -- Dunitz, Street gallery, rev. 2nd ed., p. 100, #51.
DOI: 10.25549/dunitz-c15-339
title: Spraypaint mural at Studio 9, Hollywood, 1997

description: Spraypaint mural at Studio 9, untitled, Hollywood, 1997. Studio 9, rear, Gower Street and Santa Monica Boulevard, Hollywood. Aerosol, by ManOne, SacredOne, Vyal, Swank, Kofie, Axis. -- Dunitz, Street gallery, rev. 2nd ed., p. 100, #51.
DOI: 10.25549/dunitz-c15-342
title: Spraypaint mural at Studio 9, Hollywood, 1997

description: Spraypaint mural at Studio 9, untitled, Hollywood, 1997. Studio 9, rear, Gower Street and Santa Monica Boulevard, Hollywood. Aerosol, by ManOne, SacredOne, Vyal, Swank, Kofie, Axis. -- Dunitz, Street gallery, rev. 2nd ed., p. 100, #51.
DOI: 10.25549/dunitz-c15-355
title: Yonada, West Hollywood, 1991

description: Yonada, West Hollywood, 1991, 7653 Melrose Avenue (at Stanley, northwest corner, West Hollywood. The store's name is framed by a fantasy complete with castle, dragons and a voluptuous knife-wielding woman. Aerosol, by CBS, WCA, and others. -- Dunitz, Street gallery, p. 94, #42.
DOI: 10.25549/dunitz-c15-375
title: Young Moguls, Inc., Los Angeles, ca. 1991

description: Young Moguls, Inc., untitled mural, Los Angeles, ca. 1991. Young Moguls, Inc., exterior front, 1650 Hudson Avenue (between Hollywood Boulevard and Selma Avenue), Hollywood. Black and white image of a man with his foot on a huge car gas pedal. By Tashia Hales and Rhonda Burns-Berkowitz. -- Dunitz, Street gallery, p. 95, #44.
DOI: 10.25549/salamun-ouc1926513
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.17605/osf.io/84ygk
title: 18SFRN33960373

description: Data from project 2 of the vascular SFRN at Vanderbilt University Medical Center
DOI: 10.25549/salamun-ouc1926672
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1926532
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.17605/osf.io/cgvwe
title: Prepositional Verbs and the Individual-/Stage-Level distinction - SUPPLEMENTARY FILE 2

description: This database file is associated to our article:

Acedo-Matellán, Víctor & Isabel Oltra-Massuet. 2024. Prepositional Verbs and the Individual-/Stage-Level distinction Glossa: A journal of general linguistics 9(1). doi: https://doi.org/10.16995/glossa.9976

We list here the tests applied to each of the verbs in the list of the Appendix (https://doi.org/10.16995/glossa.9976.s1), the results of which are summarized in Table 3, also within the Appendix.
DOI: 10.25549/salamun-ouc1926514
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.