cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whittington-ouc11399go83
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fg4x
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1h6
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17413110
title: Raw 119Sn SSNMR Data for Figure S4 (Superposition of 119Sn sub-spectra of ITO-15)

description: This dataset contains the raw 119Sn solid-state NMR spectroscopy data corresponding to Figure S4 of the Supporting Information for the publication “Direct Determination of Carrier Parameters in Indium Tin Oxide Nanocrystals” (https://doi.org/10.1021/acsnano.4c02875).

The figure shows the superposition of 119Sn sub-spectra of ITO-15 recorded at a magnetic field of 19.97 T, using the Hahn Echo pulse sequence. The frequency offset was varied between 500–700 ppm with a recycle delay of 1 ms between consecutive scans.
DOI: 10.5281/zenodo.17413109
title: Raw 119Sn SSNMR Data for Figure S4 (Superposition of 119Sn sub-spectra of ITO-15)

description: This dataset contains the raw 119Sn solid-state NMR spectroscopy data corresponding to Figure S4 of the Supporting Information for the publication “Direct Determination of Carrier Parameters in Indium Tin Oxide Nanocrystals” (https://doi.org/10.1021/acsnano.4c02875).

The figure shows the superposition of 119Sn sub-spectra of ITO-15 recorded at a magnetic field of 19.97 T, using the Hahn Echo pulse sequence. The frequency offset was varied between 500–700 ppm with a recycle delay of 1 ms between consecutive scans.
DOI: 10.25549/whittington-ouc11399go9b
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.hu4rdd
title: Occurrence Download

description: A dataset containing 71511 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Pinus mugo",
 "HasCoordinate is true"
 ]
}

 The dataset includes 71511 records from 314 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019392-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc11399go9p
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399erh9
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fuq6
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go85
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399e7ge
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399faro
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399er9i
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17541160
title: Supplementary Materials for "Prognostic significance of ctDNA mutations in advanced HER2-positive breast cancer treated with targeted therapy: A meta-analysis"

description: Supplementary Table 1. Summary of included studies evaluating the prognostic value of ctDNA mutation status in HER2-targeted therapy for breast cancer.

This table summarizes the key characteristics of the 12 included studies investigating the association between ctDNA mutation status and PFS in patients receiving anti-HER2 therapies. Data include publication year, country, study type, clinical phase, treatment regimens, ctDNA mutation frequency, and HR comparing PFS between MT and WT ctDNA groups.Abbreviations:ctDNA, circulating tumor DNA; PFS, progression-free survival; HR, hazard ratio; CI, confidence interval; WT, wild type; MT, mutant type; RCT, randomized controlled trial; N/A, not available; Y, yes; N, no.*Note: Median PFS values are reported in months. Where available, HRs and 95% confidence intervals were extracted directly from the original publications. All HRs calculated with wild-type as reference; HR>1 indicates worse prognosis in mutation group. Studies varied in anti-HER2 regimens, including monoclonal antibodies, TKIs, and ADCs, as well as combination with chemotherapy or endocrine therapy.

 

Supplementary Fig. 1. Leave-one-out sensitivity analysis for the overall progression-free survival (PFS) meta-analysis.

Supplementary Fig. 2. Funnel plot for publication bias in the overall PFS meta-analysis.

Supplementary Fig. 3. Sensitivity analysis of ERBB2 subgroup.

Supplementary Fig. 4. Funnel plot of ERBB2 subgroup.

Supplementary Fig. 5. Sensitivity analysis of PIK3CA subgroup.

Supplementary Fig. 6. Funnel plot of PIK3CA subgroup.

Supplementary Fig. 7. Sensitivity analysis of the TKI subgroup.

Supplementary Fig. 8. Funnel plot of the TKI subgroup.

Supplementary Fig. 9. Sensitivity analysis of the non-TKI subgroup.

Supplementary Fig. 10. Funnel plot of the non-TKI subgroup.

Supplementary Fig. 11. Sensitivity analysis of the pyrotinib subgroup.

Supplementary Fig. 12. Funnel plot of the pyrotinib subgroup.

Supplementary Fig. 13. Sensitivity analysis of the non-pyrotinib subgroup.

Supplementary Fig. 14. Funnel plot of the non-pyrotinib subgroup.

Supplementary Fig. 15. Sensitivity analysis of monotherapy subgroup.

Supplementary Fig. 16. Funnel plot of monotherapy subgroup.

Supplementary Fig. 17. Sensitivity analysis of combination subgroup.

Supplementary Fig. 18. Funnel plot of combination subgroup.

Supplementary Fig. 19. Sensitivity analysis of capecitabine-based subgroup.

Supplementary Fig. 20. Funnel plot of capecitabine-based subgroup.

Supplementary Fig. 21. Sensitivity analysis of other combination subgroup.

Supplementary Fig. 22. Funnel plot of other combination subgroup.
DOI: 10.25549/whittington-ouc11399f1j2
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17541159
title: Supplementary Materials for "Prognostic significance of ctDNA mutations in advanced HER2-positive breast cancer treated with targeted therapy: A meta-analysis"

description: Supplementary Table 1. Summary of included studies evaluating the prognostic value of ctDNA mutation status in HER2-targeted therapy for breast cancer.

This table summarizes the key characteristics of the 12 included studies investigating the association between ctDNA mutation status and PFS in patients receiving anti-HER2 therapies. Data include publication year, country, study type, clinical phase, treatment regimens, ctDNA mutation frequency, and HR comparing PFS between MT and WT ctDNA groups.Abbreviations:ctDNA, circulating tumor DNA; PFS, progression-free survival; HR, hazard ratio; CI, confidence interval; WT, wild type; MT, mutant type; RCT, randomized controlled trial; N/A, not available; Y, yes; N, no.*Note: Median PFS values are reported in months. Where available, HRs and 95% confidence intervals were extracted directly from the original publications. All HRs calculated with wild-type as reference; HR>1 indicates worse prognosis in mutation group. Studies varied in anti-HER2 regimens, including monoclonal antibodies, TKIs, and ADCs, as well as combination with chemotherapy or endocrine therapy.

 

Supplementary Fig. 1. Leave-one-out sensitivity analysis for the overall progression-free survival (PFS) meta-analysis.

Supplementary Fig. 2. Funnel plot for publication bias in the overall PFS meta-analysis.

Supplementary Fig. 3. Sensitivity analysis of ERBB2 subgroup.

Supplementary Fig. 4. Funnel plot of ERBB2 subgroup.

Supplementary Fig. 5. Sensitivity analysis of PIK3CA subgroup.

Supplementary Fig. 6. Funnel plot of PIK3CA subgroup.

Supplementary Fig. 7. Sensitivity analysis of the TKI subgroup.

Supplementary Fig. 8. Funnel plot of the TKI subgroup.

Supplementary Fig. 9. Sensitivity analysis of the non-TKI subgroup.

Supplementary Fig. 10. Funnel plot of the non-TKI subgroup.

Supplementary Fig. 11. Sensitivity analysis of the pyrotinib subgroup.

Supplementary Fig. 12. Funnel plot of the pyrotinib subgroup.

Supplementary Fig. 13. Sensitivity analysis of the non-pyrotinib subgroup.

Supplementary Fig. 14. Funnel plot of the non-pyrotinib subgroup.

Supplementary Fig. 15. Sensitivity analysis of monotherapy subgroup.

Supplementary Fig. 16. Funnel plot of monotherapy subgroup.

Supplementary Fig. 17. Sensitivity analysis of combination subgroup.

Supplementary Fig. 18. Funnel plot of combination subgroup.

Supplementary Fig. 19. Sensitivity analysis of capecitabine-based subgroup.

Supplementary Fig. 20. Funnel plot of capecitabine-based subgroup.

Supplementary Fig. 21. Sensitivity analysis of other combination subgroup.

Supplementary Fig. 22. Funnel plot of other combination subgroup.