cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/wthm-c116-505
title: Family of Japanese people, photograph, circa 1920s

description: Family of Japanese, circa 1920s. A photo of 5 women, 4 men, 1 teen girl, 2 young boys, 2 young girls and 2 toddler boys. All are standing except one man sitting in the center. The man in the center is in traditional Japanese Dress consisting of the haori, hakama, tabi and zori. To the right of the sitting man are two men in three piece suits and ties. In front of these men are three women in traditional kimono, tabi and zori. In front of the women is one young girl, (in a dress, apron and shoes) and two toddler boys, both in pants, a shirt and apron. To the left of the sitting man is another man in a three piece suit, tie and glasses. In front of him are two women in traditional kimono, tabi and zori. In front of the women is one young girl, in a dress, tights and apron. To the left of this group are two young boys, both in black pants, coats, socks and shoes. Behind them is a teen girl in a dress inspired by the navy. Behind the whole group are trees and a small wooden structure. There is a red stamp on the bottom right corner, which I can not make out. This cabinet card could also go into an album, as there are 2 whole outlines which can be punched as well as tissue to go over the photo. The tissue has mostly been torn off. There are acid burns on the front, as well soiling, water damage on the right and abrasion damage on all but the left edges. There is a large crease on the bottom left corner, only visible on the reverse. This object is in fair condition overall.
DOI: 10.25549/wthm-c116-422
title: Japanese Student Club, Sacramento, circa spring 1940

description: Japanese Student Club, Sacramento, circa Spring 1940. A group of 25 young men, all in suits and ties. The bottom center of the photo reads "Japanese Student Club / 'California Aggies' / Spring 1940." Aggies is a term used for students at UC Davis. The cardboard envelope / frame has a company logo on the bottom right. It reads "Kuroko Studio / 1225 4th St. / Sacramento, CAL." There are water stains on the photo as well as the front and back of the envelope and frame. There is also foxing and soiling on the photo. There is abrasion damage on all edges as well as soiling all over. There are small tears in the front and back flaps, both on the right side. There is also a piece of the envelope / frame missing on the back right. Overall this object is in poor condition.
DOI: 10.25549/wthm-c116-464
title: Group of Japanese people outside of building, photograph, circa 1920s

description: Group of Japanese people outside of building, circa 1920s. A large group of men, women and boys outside a wooden structure. The bottom left of the photo contain the only 11 women in the photo. The rest are men and boys. There are a few men in suits, but most of the men and women are in traditional Japanese dress. Almost all of the young men are wearing military style hats. Behind the group are two large Japanese flags as well as the entrance to the building. The upper right side is missing and the remaining three corners have delaminated. There is also abrasion damage on the corners as well as the left and bottom edges. There is also a crease on the upper left, which is more visible on the reverse. There also appears to have been tissue adhered just above the photo. Overall this object is in good condition.
DOI: 10.6084/m9.figshare.11853336.v1
title: Additional file 1 of Frequent mutation of hypoxia-related genes in persistent pulmonary hypertension of the newborn

description: Additional file 1: Table S1. Clinical information on study participants. Table S2. List of 2023 variants used for case–control analysis in Tibetan population. Table S3. List of 166 gene variants significantly associated with PPHN (P &lt; 0.001) identified in the Tibetan population. Table S4. List of pathways enriched in the 166 variants identified in the Tibetan population. Table S5. List of 237 hypoxia-related genes studied in the Han population. Table S6. List of 413 variants significantly associated with PPHN (P &lt; 0.05) identified in the Han population. Table S7. List of 21 population-specific variants significantly associated with PPHN (P &lt; 0.05).
DOI: 10.25549/wthm-c116-426
title: Japanese Student Club, Sacramento, circa spring 1940

description: Japanese Student Club, Sacramento, circa Spring 1940. A group of 25 young men, all in suits and ties. The bottom center of the photo reads "Japanese Student Club / 'California Aggies' / Spring 1940." Aggies is a term used for students at UC Davis. The cardboard envelope / frame has a company logo on the bottom right. It reads "Kuroko Studio / 1225 4th St. / Sacramento, CAL." There are water stains on the photo as well as the front and back of the envelope and frame. There is also foxing and soiling on the photo. There is abrasion damage on all edges as well as soiling all over. There are small tears in the front and back flaps, both on the right side. There is also a piece of the envelope / frame missing on the back right. Overall this object is in poor condition.
DOI: 10.6084/m9.figshare.11853336
title: Additional file 1 of Frequent mutation of hypoxia-related genes in persistent pulmonary hypertension of the newborn

description: Additional file 1: Table S1. Clinical information on study participants. Table S2. List of 2023 variants used for case–control analysis in Tibetan population. Table S3. List of 166 gene variants significantly associated with PPHN (P &lt; 0.001) identified in the Tibetan population. Table S4. List of pathways enriched in the 166 variants identified in the Tibetan population. Table S5. List of 237 hypoxia-related genes studied in the Han population. Table S6. List of 413 variants significantly associated with PPHN (P &lt; 0.05) identified in the Han population. Table S7. List of 21 population-specific variants significantly associated with PPHN (P &lt; 0.05).
DOI: 10.25549/wthm-c116-502
title: Three young men posing for photo, Oakland, photograph, circa 1910s

description: Three young men posing for photo. Oakland, circa 1910s. Three young men of Japanese ancestry, posing for a photo. Two are sitting with their hands on their thighs. The third is standing in between the two. All three are in three piece suits and have white boutonnieres. The two sitting are in ties and the one standing is in a bow-tie. The painted background and the company logo in the bottom right indicated this was taken is a studio. The company name is Komai V Arai and was located at 319 Sixth St. Oakland, Cal. There is a dent and general soiling of the photo. The backing has soiling on the front as well as abrasion damage along the bottom and right edges, including the corners. The reverse has water spots, foxing, and silverfish damage. There is also soiling in the bottom left and upper right corners. Object is in good condition overall.
DOI: 10.25549/wthm-c116-435
title: A photo of a Japanese family, Los Angeles, circa 1920s

description: A photo of a Japanese family, Los Angeles, circa 1920s. The photo is of a man, woman, 2 girls and a boy at a photo studio. The adults are sitting and the children are standing. At the left is a girl standing with her hands clasped in front of her. She is in traditional Japanese dress of a kimono and tabi socks. To the girls left, sits her mom with her hands folded in her lap. This woman is in a silk dress that falls to mid-calf, mary jane shoes, pearl necklace, large flower pin, glasses and while hat. Standing to the woman's left is another girl, who has a hand in her mothers lap. She is in a patterned dress that falls just above the knee, mary jane shoes and a ribbon on her left shoulder. To the girls left is a man sitting in a chair, with his hands resting on his thighs. He is in pants, a white button down shirt, vest, tie, coat, and shoes. He is wearing glasses and has a pocket square in his coat pocket. Standing to the man's left is a boy with his right hand resting on the arm of his fathers chair. The boy is in pants, a white shirt, tie, buttoned coat, shoes and is holding a flat cap in his left hand. The cardboard frame for this photo indicates that it was taken at T.U. Tsushigawa in Los Angeles. There is writing in Japanese on the back of the envelope / frame. The photo has minimal abrasion damage on the edges and there is adhesive on the back. The cardboard envelope / frame has water damage on the front flap, back, as well as the left and rights sides of the photo backing. There is a partial detachment of the front flap and securing flap. There is also damage from an unknown substance that was on the front flaps and foxing on the back. The internal frame has been detached, and there is abrasion damage on the edges. This photo is in good condition and the frame is in poor condition.
DOI: 10.25549/wthm-c116-434
title: A photo of a Japanese family, Los Angeles, circa 1920s

description: A photo of a Japanese family, Los Angeles, circa 1920s. The photo is of a man, woman, 2 girls and a boy at a photo studio. The adults are sitting and the children are standing. At the left is a girl standing with her hands clasped in front of her. She is in traditional Japanese dress of a kimono and tabi socks. To the girls left, sits her mom with her hands folded in her lap. This woman is in a silk dress that falls to mid-calf, mary jane shoes, pearl necklace, large flower pin, glasses and while hat. Standing to the woman's left is another girl, who has a hand in her mothers lap. She is in a patterned dress that falls just above the knee, mary jane shoes and a ribbon on her left shoulder. To the girls left is a man sitting in a chair, with his hands resting on his thighs. He is in pants, a white button down shirt, vest, tie, coat, and shoes. He is wearing glasses and has a pocket square in his coat pocket. Standing to the man's left is a boy with his right hand resting on the arm of his fathers chair. The boy is in pants, a white shirt, tie, buttoned coat, shoes and is holding a flat cap in his left hand. The cardboard frame for this photo indicates that it was taken at T.U. Tsushigawa in Los Angeles. There is writing in Japanese on the back of the envelope / frame. The photo has minimal abrasion damage on the edges and there is adhesive on the back. The cardboard envelope / frame has water damage on the front flap, back, as well as the left and rights sides of the photo backing. There is a partial detachment of the front flap and securing flap. There is also damage from an unknown substance that was on the front flaps and foxing on the back. The internal frame has been detached, and there is abrasion damage on the edges. This photo is in good condition and the frame is in poor condition.
DOI: 10.6084/m9.figshare.11329208
title: MOESM2 of Multiplex ligation reaction based on probe melting curve analysis: a pragmatic approach for the identification of 30 common Salmonella serovars

description: Additional file 2: Data File. Local and public Salmonella genomes (n = 5868) used for sequence analyses for identification of serovar-specific polymorphisms.
DOI: 10.25549/wthm-c116-503
title: Three young men posing for photo, Oakland, photograph, circa 1910s

description: Three young men posing for photo. Oakland, circa 1910s. Three young men of Japanese ancestry, posing for a photo. Two are sitting with their hands on their thighs. The third is standing in between the two. All three are in three piece suits and have white boutonnieres. The two sitting are in ties and the one standing is in a bow-tie. The painted background and the company logo in the bottom right indicated this was taken is a studio. The company name is Komai V Arai and was located at 319 Sixth St. Oakland, Cal. There is a dent and general soiling of the photo. The backing has soiling on the front as well as abrasion damage along the bottom and right edges, including the corners. The reverse has water spots, foxing, and silverfish damage. There is also soiling in the bottom left and upper right corners. Object is in good condition overall.
DOI: 10.6084/m9.figshare.11329208.v1
title: MOESM2 of Multiplex ligation reaction based on probe melting curve analysis: a pragmatic approach for the identification of 30 common Salmonella serovars

description: Additional file 2: Data File. Local and public Salmonella genomes (n = 5868) used for sequence analyses for identification of serovar-specific polymorphisms.
DOI: 10.25549/wthm-c116-1642
title: "Los Angeles Times cook book no. 2", circa 1905

description: "Los Angeles Times Cook Book No. 2: Old-Time California, Spanish and Mexican Dishes," Times-Mirror Company, Los Angeles, California, USA, circa 1905, 105 pp. The artifact has a white hardcover with the title, name of the publisher, and the price on the front in black ink. At the center of the front is an illustration of a fire within a pot. A title page at the beginning of the inside lists the number and styles of recipes found within including recipes for entrees; salads; bread; desserts; marmalades; eggs; meats; vegetables; seafood; candies; picnics; and miscellaneous. With abrasions; brittleness of the spine; soiling; discoloration; moisture damage; acid burns; stains; small tears; and overall wear, the object is in poor condition.
DOI: 10.25549/wthm-c116-455
title: A Japanese American family near couch, photograph, circa 1920s

description: A Japanese American family near couch, circa 1920s A family of 6 sitting on and standing near a couch. There are two girls standing to the right of the couch. The older girl, in the back, is in a navy inspired dress. The younger girl, in the front, is in a traditional Japanese kimono and tabi socks. To their right is a woman sitting on the couch, also in a kimono and tabi socks. To the woman's right, sitting on the couch is a girl in a dark dress, tights and shoes. To the girls right is a man sitting on the couch in a three piece suit, black bow-tie and black shoes. To the man's right is a boy sitting on the arm of the couch. The boy is in dark pants and a dark fur coat. The window and decorations of the home appear to be painted onto a flat surface indicating that this photo was taken in a photo studio. The bottom left of the photo has raised lettering which reads "NISHIDA." There is light abrasion damage to the bottom edge of the photo. However, the cardboard this is mounted to has a water stain on the top left and delamination of the top and bottom left corners. There also appears to be adhesive and cardboard along the top edge. Lastly, there are several creases on the cardboard backing. This object is in fair condition overall.
DOI: 10.6084/m9.figshare.9756356
title: Additional file 1: of Non-invasive prenatal testing reveals copy number variations related to pregnancy complications

description: Table S2. Enrichment analysis of gene ontology for CNVs in gestational diabetes mellitus. Table S3. Enrichment analysis of gene ontology for CNVs in pregnancy-induced hypertension. Table S4. Enrichment analysis of gene ontology for CNVs in preterm prelabor rupture of membranes. (XLSX 66 kb)
DOI: 10.6084/m9.figshare.9756356.v1
title: Additional file 1: of Non-invasive prenatal testing reveals copy number variations related to pregnancy complications

description: Table S2. Enrichment analysis of gene ontology for CNVs in gestational diabetes mellitus. Table S3. Enrichment analysis of gene ontology for CNVs in pregnancy-induced hypertension. Table S4. Enrichment analysis of gene ontology for CNVs in preterm prelabor rupture of membranes. (XLSX 66 kb)
DOI: 10.25549/wthm-c116-456
title: A Japanese American family near couch, photograph, circa 1920s

description: A Japanese American family near couch, circa 1920s A family of 6 sitting on and standing near a couch. There are two girls standing to the right of the couch. The older girl, in the back, is in a navy inspired dress. The younger girl, in the front, is in a traditional Japanese kimono and tabi socks. To their right is a woman sitting on the couch, also in a kimono and tabi socks. To the woman's right, sitting on the couch is a girl in a dark dress, tights and shoes. To the girls right is a man sitting on the couch in a three piece suit, black bow-tie and black shoes. To the man's right is a boy sitting on the arm of the couch. The boy is in dark pants and a dark fur coat. The window and decorations of the home appear to be painted onto a flat surface indicating that this photo was taken in a photo studio. The bottom left of the photo has raised lettering which reads "NISHIDA." There is light abrasion damage to the bottom edge of the photo. However, the cardboard this is mounted to has a water stain on the top left and delamination of the top and bottom left corners. There also appears to be adhesive and cardboard along the top edge. Lastly, there are several creases on the cardboard backing. This object is in fair condition overall.
DOI: 10.25549/wthm-c116-1740
title: "Los Angeles Times cook book no. 2", circa 1905

description: "Los Angeles Times Cook Book No. 2: Old-Time California, Spanish and Mexican Dishes," Times-Mirror Company, Los Angeles, California, USA, circa 1905, 105 pp. The artifact has a white hardcover with the title, name of the publisher, and the price on the front in black ink. At the center of the front is an illustration of a fire within a pot. A title page at the beginning of the inside lists the number and styles of recipes found within including recipes for entrees; salads; bread; desserts; marmalades; eggs; meats; vegetables; seafood; candies; picnics; and miscellaneous. With abrasions; brittleness of the spine; soiling; discoloration; moisture damage; acid burns; stains; small tears; and overall wear, the object is in poor condition.
DOI: 10.25549/wthm-c116-1738
title: "Los Angeles Times cook book no. 2", circa 1905

description: "Los Angeles Times Cook Book No. 2: Old-Time California, Spanish and Mexican Dishes," Times-Mirror Company, Los Angeles, California, USA, circa 1905, 105 pp. The artifact has a white hardcover with the title, name of the publisher, and the price on the front in black ink. At the center of the front is an illustration of a fire within a pot. A title page at the beginning of the inside lists the number and styles of recipes found within including recipes for entrees; salads; bread; desserts; marmalades; eggs; meats; vegetables; seafood; candies; picnics; and miscellaneous. With abrasions; brittleness of the spine; soiling; discoloration; moisture damage; acid burns; stains; small tears; and overall wear, the object is in poor condition.
DOI: 10.6084/m9.figshare.14998910
title: Additional file 3 of Secondary resistance to anti-EGFR therapy by transcriptional reprogramming in patient-derived colorectal cancer models

description: Additional file 3: Table S2. Growth curves of all chronically cetuximab treated tumors, GSEA snapshots of enrichment results, and summary of gene expression data for each individual xenograft tumor analyzed.
DOI: 10.34740/kaggle/dsv/4772317
title: JOSAA Engineering Schools Seat Allocation (JEE)
DOI: 10.6084/m9.figshare.21780304
title: Statistical Analysis of Structural Paramters_RSOS_Yeo.xlsx from How keratin cortex thickness affects iridescent feather colours

description: The bright, saturated iridescent colours of feathers are commonly produced by single and multi-layers of nanostructured melanin granules (melanosomes), air and keratin matrices, surrounded by an outer keratin cortex of varying thicknesses. The role of the keratin cortex in colour production remains unclear, despite its potential to act as a thin film or absorbing layer. We use electron microscopy, optical simulations and oxygen plasma-mediated experimental cortex removal to show that differences in keratin cortex thickness play a significant role in producing colours. The results indicate that keratin cortex thickness determines the position of the major reflectance peak (hue) from nanostructured melanosomes of common pheasant (<i>Phasianus colchicus</i>) feathers. Specifically, the common pheasant has appropriate keratin cortex thickness to produce blue and green structural colours. This finding identifies a general principle of structural colour production and sheds light on the processes that shaped the evolution of brilliant iridescent colours in the common pheasant.
DOI: 10.6084/m9.figshare.21780304.v1
title: Statistical Analysis of Structural Paramters_RSOS_Yeo.xlsx from How keratin cortex thickness affects iridescent feather colours

description: The bright, saturated iridescent colours of feathers are commonly produced by single and multi-layers of nanostructured melanin granules (melanosomes), air and keratin matrices, surrounded by an outer keratin cortex of varying thicknesses. The role of the keratin cortex in colour production remains unclear, despite its potential to act as a thin film or absorbing layer. We use electron microscopy, optical simulations and oxygen plasma-mediated experimental cortex removal to show that differences in keratin cortex thickness play a significant role in producing colours. The results indicate that keratin cortex thickness determines the position of the major reflectance peak (hue) from nanostructured melanosomes of common pheasant (<i>Phasianus colchicus</i>) feathers. Specifically, the common pheasant has appropriate keratin cortex thickness to produce blue and green structural colours. This finding identifies a general principle of structural colour production and sheds light on the processes that shaped the evolution of brilliant iridescent colours in the common pheasant.
DOI: 10.6084/m9.figshare.21780310
title: RSOS_Lumerical FDTD.zip from How keratin cortex thickness affects iridescent feather colours

description: The bright, saturated iridescent colours of feathers are commonly produced by single and multi-layers of nanostructured melanin granules (melanosomes), air and keratin matrices, surrounded by an outer keratin cortex of varying thicknesses. The role of the keratin cortex in colour production remains unclear, despite its potential to act as a thin film or absorbing layer. We use electron microscopy, optical simulations and oxygen plasma-mediated experimental cortex removal to show that differences in keratin cortex thickness play a significant role in producing colours. The results indicate that keratin cortex thickness determines the position of the major reflectance peak (hue) from nanostructured melanosomes of common pheasant (<i>Phasianus colchicus</i>) feathers. Specifically, the common pheasant has appropriate keratin cortex thickness to produce blue and green structural colours. This finding identifies a general principle of structural colour production and sheds light on the processes that shaped the evolution of brilliant iridescent colours in the common pheasant.
DOI: 10.6084/m9.figshare.21780310.v1
title: RSOS_Lumerical FDTD.zip from How keratin cortex thickness affects iridescent feather colours

description: The bright, saturated iridescent colours of feathers are commonly produced by single and multi-layers of nanostructured melanin granules (melanosomes), air and keratin matrices, surrounded by an outer keratin cortex of varying thicknesses. The role of the keratin cortex in colour production remains unclear, despite its potential to act as a thin film or absorbing layer. We use electron microscopy, optical simulations and oxygen plasma-mediated experimental cortex removal to show that differences in keratin cortex thickness play a significant role in producing colours. The results indicate that keratin cortex thickness determines the position of the major reflectance peak (hue) from nanostructured melanosomes of common pheasant (<i>Phasianus colchicus</i>) feathers. Specifically, the common pheasant has appropriate keratin cortex thickness to produce blue and green structural colours. This finding identifies a general principle of structural colour production and sheds light on the processes that shaped the evolution of brilliant iridescent colours in the common pheasant.