cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367397
title: Umma-Lagash Cone

description: Late Early Dynastic period clay cone with an inscription by King Enmetena recounting the conflict between his city Lagash and the neighboring city Umma. The account culminates in his victory and a redrawing of the border. It is presumed that this cone stood among other markers to denote the boundaries. The bottom of the cone resembles a net and corresponds to a warning to natives of Umma that foreign invaders would be ensnared in the net of the god Enlil!

Yale Peabody Museum of Natural History, Yale Babylonian Collection, Catalog No. [BC.005474](http://collections.peabody.yale.edu/search/Record/YPM-BC-005474) (Original Catalog No. NBC 2501)

3D featured in the exhibit *Ancient Mesopotamia Speaks* at the Yale Peabody Museum 6 April 2019 – 30 June 2020.

Scanned and processed by Yale Institute for the Preservation of Cultural 
Heritage Digital Imaging Specialist Chelsea Alene Graham using Artec Space Spider and Artec Studio Professional in 2017. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367398
title: Umma-Lagash Cone

description: Late Early Dynastic period clay cone with an inscription by King Enmetena recounting the conflict between his city Lagash and the neighboring city Umma. The account culminates in his victory and a redrawing of the border. It is presumed that this cone stood among other markers to denote the boundaries. The bottom of the cone resembles a net and corresponds to a warning to natives of Umma that foreign invaders would be ensnared in the net of the god Enlil!

Yale Peabody Museum of Natural History, Yale Babylonian Collection, Catalog No. [BC.005474](http://collections.peabody.yale.edu/search/Record/YPM-BC-005474) (Original Catalog No. NBC 2501)

3D featured in the exhibit *Ancient Mesopotamia Speaks* at the Yale Peabody Museum 6 April 2019 – 30 June 2020.

Scanned and processed by Yale Institute for the Preservation of Cultural 
Heritage Digital Imaging Specialist Chelsea Alene Graham using Artec Space Spider and Artec Studio Professional in 2017. Geometry uploaded at 0.3 mm resolution.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367399
title: Grab Kirche Pillnitz Bei Dresden Höhe Ca 200cm

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367400
title: Grab Kirche Pillnitz Bei Dresden Höhe Ca 200cm

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367401
title: Fósil gasterópodo Ampullina

description: * **Ejemplar:** *Ampullina*.
* **Familia:** Gasterópodo.
* **Localidad:** Jumilla-Pinoso.
* **Técnica digitalización:** fotogrametría.
* **Software empleado:** Agisoft Metashape Professional.
* **Parámetros software:** cámara fija con plataforma giratoria.
* **Archivo 3D:**  .obj 9,96Mb, textura 2,23 Mb.
* **Autor digitalización:** Francisca R. Vela
* **Cita ejemplar:** Modelo 3D colección privada de Francisca R. Vela.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367402
title: Fósil gasterópodo Ampullina

description: * **Ejemplar:** *Ampullina*.
* **Familia:** Gasterópodo.
* **Localidad:** Jumilla-Pinoso.
* **Técnica digitalización:** fotogrametría.
* **Software empleado:** Agisoft Metashape Professional.
* **Parámetros software:** cámara fija con plataforma giratoria.
* **Archivo 3D:**  .obj 9,96Mb, textura 2,23 Mb.
* **Autor digitalización:** Francisca R. Vela
* **Cita ejemplar:** Modelo 3D colección privada de Francisca R. Vela.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367405
title: Абух каменнай сякеры / Fragment of the stone axe

description: Фрагмент свідраванай каменнай сякеры. Знойдзены мясцовымі жыхарамі непадалёк ад месца будаўніцтва Астравецкай АЭС. Датуецца прыблізна 4 - пач. 2 тыс. да н.э. / Fragment of the stone axe was found by local people near the nuclear power plant in Astravec, Belarus. Dates about 4 - the beginning of 2 millennium BC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367406
title: Абух каменнай сякеры / Fragment of the stone axe

description: Фрагмент свідраванай каменнай сякеры. Знойдзены мясцовымі жыхарамі непадалёк ад месца будаўніцтва Астравецкай АЭС. Датуецца прыблізна 4 - пач. 2 тыс. да н.э. / Fragment of the stone axe was found by local people near the nuclear power plant in Astravec, Belarus. Dates about 4 - the beginning of 2 millennium BC

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367410
title: Lintel 25 of Yaxchilán Structure 23

description: Lintel 25 of Yaxchilán Structure 23
16°53'57.51"N,  90°57'52.13"W



Carved from limestone, this scene was once the lintel above the central doorway of
Yaxchilán's palace structure (structure 23). It depicts the wife of Shield Jaguar II (Itzamnaaj B'alam II), known as Lady  K'abal Xook,  having a vision of a serpent during a blood letting ceremony. Out of the serpent's mouth, a warrior with a shield and spear faces her.  This lintel is associated with two others (Lintel 24 and 26) from the same palace, which cumulatively appear to tell a narrative of Lady Xook. An inscription on the lintel gives the date October 20, 681 AD, the date of Shield Jaguar II's ascension to the throne. Though the actual creation of the work may have been later, near 725 AD.


*Currently on display at the British Museum.*

Translations from [Harvard Peabody](https://www.peabody.harvard.edu/cmhi/detail.php?num=25&site=Yaxchilan&type=Lintel)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367409
title: Lintel 25 of Yaxchilán Structure 23

description: Lintel 25 of Yaxchilán Structure 23
16°53'57.51"N,  90°57'52.13"W



Carved from limestone, this scene was once the lintel above the central doorway of
Yaxchilán's palace structure (structure 23). It depicts the wife of Shield Jaguar II (Itzamnaaj B'alam II), known as Lady  K'abal Xook,  having a vision of a serpent during a blood letting ceremony. Out of the serpent's mouth, a warrior with a shield and spear faces her.  This lintel is associated with two others (Lintel 24 and 26) from the same palace, which cumulatively appear to tell a narrative of Lady Xook. An inscription on the lintel gives the date October 20, 681 AD, the date of Shield Jaguar II's ascension to the throne. Though the actual creation of the work may have been later, near 725 AD.


*Currently on display at the British Museum.*

Translations from [Harvard Peabody](https://www.peabody.harvard.edu/cmhi/detail.php?num=25&site=Yaxchilan&type=Lintel)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367411
title: KE038-059 - CURRAGHMORE EAST - Ogham Stone

description: [Source Text](http://webgis.archaeology.ie/historicenvironment/?SMRS=KEO38-059) A 'sandstone', 1.17 x 0.71 x 0.38 (converted from Macalister, 1945, 198-9) with a 'small Latin cross pattee on the side of the stone'. He notes that 'the top of the stone appears to be cut off, but without injuring the lettering', which he interprets as: ANM MAGANN MAQI NUADAT. However, McManus (1997, 176, note 48) disagrees with Macalister's reading saying that 'it is highly unlikely that the symbol between the N and the D of the last name should be read as an otherwise unattested epigraphical forfid with the diphthong value ua'. He was also unsure 'as to whether the consonant following the A was D or T, or whether this was the last letter, as there appeared to be at least one vowel score on the top angle'. McManus' (1997, 67) reading is as follows: ANM MAGANN MAQI N?Dad/t.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367412
title: KE038-059 - CURRAGHMORE EAST - Ogham Stone

description: [Source Text](http://webgis.archaeology.ie/historicenvironment/?SMRS=KEO38-059) A 'sandstone', 1.17 x 0.71 x 0.38 (converted from Macalister, 1945, 198-9) with a 'small Latin cross pattee on the side of the stone'. He notes that 'the top of the stone appears to be cut off, but without injuring the lettering', which he interprets as: ANM MAGANN MAQI NUADAT. However, McManus (1997, 176, note 48) disagrees with Macalister's reading saying that 'it is highly unlikely that the symbol between the N and the D of the last name should be read as an otherwise unattested epigraphical forfid with the diphthong value ua'. He was also unsure 'as to whether the consonant following the A was D or T, or whether this was the last letter, as there appeared to be at least one vowel score on the top angle'. McManus' (1997, 67) reading is as follows: ANM MAGANN MAQI N?Dad/t.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367413
title: 縄文後晩期磨製石斧3点(千葉市加曽利貝塚) 観察記録3Dモデル

description: 縄文後晩期磨製石斧3点(千葉市加曽利貝塚) 観察記録3Dモデル
黒色土出土
企画展「特別史跡加曽利貝塚令和元年度発掘調査速報展」大型竪穴住居跡の調査コーナー展示
撮影場所:加曽利貝塚博物館
撮影月日:2020.06.02
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367414
title: 縄文後晩期磨製石斧3点(千葉市加曽利貝塚) 観察記録3Dモデル

description: 縄文後晩期磨製石斧3点(千葉市加曽利貝塚) 観察記録3Dモデル
黒色土出土
企画展「特別史跡加曽利貝塚令和元年度発掘調査速報展」大型竪穴住居跡の調査コーナー展示
撮影場所:加曽利貝塚博物館
撮影月日:2020.06.02
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367415
title: Reconstructed Neolithic Hut. Choirocoitia

description: Choirocoitia is an archaeological site on the island of Cyprus dating from the Neolithic age. It has been listed as a World Heritage Site by UNESCO since 1998. The site is known as one of the most important and best preserved prehistoric sites of the eastern Mediterranean. Much of its importance lies in the evidence of an organised functional society in the form of a collective settlement, with surrounding fortifications for communal protection. The Neolithic aceramic period is represented by this settlement and around 20 other similar settlements spread throughout the island.

See Wikipedia: https://en.wikipedia.org/wiki/Khirokitia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367416
title: Reconstructed Neolithic Hut. Choirocoitia

description: Choirocoitia is an archaeological site on the island of Cyprus dating from the Neolithic age. It has been listed as a World Heritage Site by UNESCO since 1998. The site is known as one of the most important and best preserved prehistoric sites of the eastern Mediterranean. Much of its importance lies in the evidence of an organised functional society in the form of a collective settlement, with surrounding fortifications for communal protection. The Neolithic aceramic period is represented by this settlement and around 20 other similar settlements spread throughout the island.

See Wikipedia: https://en.wikipedia.org/wiki/Khirokitia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367419
title: Hillsboro Corncob Impressed Jar (2464p3843)

description: **Hillsboro Corncob Impressed jar**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 8.9 cm; diameter, 8.8 cm.

Notes: Catalog no. 2464p3843, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367420
title: Hillsboro Corncob Impressed Jar (2464p3843)

description: **Hillsboro Corncob Impressed jar**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 8.9 cm; diameter, 8.8 cm.

Notes: Catalog no. 2464p3843, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367427
title: Planet Of The Daleks Supreme Dalek

description: The Dalek Supreme from the Doctor Who episode "Planet of the Daleks"
Daleks Created by Terry Nation and BBC

Daleks orginally designed by Raymond Cusick

Created in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367428
title: Planet Of The Daleks Supreme Dalek

description: The Dalek Supreme from the Doctor Who episode "Planet of the Daleks"
Daleks Created by Terry Nation and BBC

Daleks orginally designed by Raymond Cusick

Created in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367429
title: diZangPuSa_v2022

description: Chinese Buddhist sculpture, used for indoor worship.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367430
title: diZangPuSa_v2022

description: Chinese Buddhist sculpture, used for indoor worship.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367432
title: ROMAN OIL LAMP - TARRACO

description: Roman oil lamp from the site of Tarraco (Tarragona, Spain), dated in the first half of the 1st century AD. Roman oil lamp with gladiator scene.

**This 3D Model it's a Optimized model (Triangles: 53.9k) from original (Triangles: 870K) RETOPOLOGY / REPAINT**

3D Model Original : https://skfb.ly/6WoxL ( GLOBAL DIGITAL HERITAGE)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367431
title: ROMAN OIL LAMP - TARRACO

description: Roman oil lamp from the site of Tarraco (Tarragona, Spain), dated in the first half of the 1st century AD. Roman oil lamp with gladiator scene.

**This 3D Model it's a Optimized model (Triangles: 53.9k) from original (Triangles: 870K) RETOPOLOGY / REPAINT**

3D Model Original : https://skfb.ly/6WoxL ( GLOBAL DIGITAL HERITAGE)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367433
title: Headstone, Tranent kirkyard, East Lothian

description: Headstone within Tranent Parish Kirk cemetery, East Lothian, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367434
title: Headstone, Tranent kirkyard, East Lothian

description: Headstone within Tranent Parish Kirk cemetery, East Lothian, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367435
title: Inscribed Amphora Handle, Mleiha, Sharjah

description: Amphora handle stamped by the fabricant Antimachos, c. 198 — 146 BCE. Mleiha surface find. Overlaet 2018:19, Figure 13, Catalog No. 10.

348 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367436
title: Inscribed Amphora Handle, Mleiha, Sharjah

description: Amphora handle stamped by the fabricant Antimachos, c. 198 — 146 BCE. Mleiha surface find. Overlaet 2018:19, Figure 13, Catalog No. 10.

348 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367438
title: Colonne funéraire - Cimetière de Riom

description: Colonne funéraire au cimetière de Riom, Puy de Dôme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367439
title: Colonne funéraire - Cimetière de Riom

description: Colonne funéraire au cimetière de Riom, Puy de Dôme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367442
title: Ánfora

description: Model: Ánfora Descripción: Réplica de una ánfora de cerámica griega  ejemplar: 30 cm. de longitud. Técnica digitalización / modelo: fotogrametría, cámara Smartphone Android Software empleado: Meshroom Parámetros software: Parámetros por defecto Archivo 3D: obj 29,8MB, 39 fotografía JPG Autor digitalización: alumnado 1º Bachillerato Artes IES Conselleria (Junio 2021).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367443
title: Ánfora

description: Model: Ánfora Descripción: Réplica de una ánfora de cerámica griega  ejemplar: 30 cm. de longitud. Técnica digitalización / modelo: fotogrametría, cámara Smartphone Android Software empleado: Meshroom Parámetros software: Parámetros por defecto Archivo 3D: obj 29,8MB, 39 fotografía JPG Autor digitalización: alumnado 1º Bachillerato Artes IES Conselleria (Junio 2021).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367444
title: Wooden church door

description: Wooden door

Notre Dame de l'Assomption church

Valloire, french alps (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367445
title: Wooden church door

description: Wooden door

Notre Dame de l'Assomption church

Valloire, french alps (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367448
title: Cairn 4 in Kylmäkorvenkallio, Rauma, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn 4 in Kylmäkorvenkallio, Rauma, Finland. There are total 17 burial cairns and 5 stone tables in the site.

Other models from same site:

* [Cairn 1](https://skfb.ly/o6xDV)
* [Cairn 2](https://skfb.ly/o6xDW)
* [Cairn 3](https://skfb.ly/o6xEn)
* [Cairn 5](https://skfb.ly/o6xEy)
* [Stone table 1](https://skfb.ly/o6xEA)
* [Stone table 2 and 3](https://skfb.ly/o6xEJ)

More info:

* [Location in Google Maps](https://goo.gl/maps/uN7YvHcEmoAnBvgx5)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.684010037)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367449
title: Cairn 4 in Kylmäkorvenkallio, Rauma, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn 4 in Kylmäkorvenkallio, Rauma, Finland. There are total 17 burial cairns and 5 stone tables in the site.

Other models from same site:

* [Cairn 1](https://skfb.ly/o6xDV)
* [Cairn 2](https://skfb.ly/o6xDW)
* [Cairn 3](https://skfb.ly/o6xEn)
* [Cairn 5](https://skfb.ly/o6xEy)
* [Stone table 1](https://skfb.ly/o6xEA)
* [Stone table 2 and 3](https://skfb.ly/o6xEJ)

More info:

* [Location in Google Maps](https://goo.gl/maps/uN7YvHcEmoAnBvgx5)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.684010037)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367450
title: Steel Helmet | Voxel

description: Steel helmet made in voxel style this was made using MagicaVoxel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367451
title: Steel Helmet | Voxel

description: Steel helmet made in voxel style this was made using MagicaVoxel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367457
title: Baroque church - Notre Dame de l'Assomption

description: Baroque church - Notre Dame de l'Assomption

Interior

Valloire, french alps (France)

Typical of the 17th century baroque art in Savoy, this church was consecrated in 1682 by Lord Hercule Berzetti, Maurienne's Bishop.
Restrained from the outside, it is inside that the church reveals its beauty.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367456
title: Baroque church - Notre Dame de l'Assomption

description: Baroque church - Notre Dame de l'Assomption

Interior

Valloire, french alps (France)

Typical of the 17th century baroque art in Savoy, this church was consecrated in 1682 by Lord Hercule Berzetti, Maurienne's Bishop.
Restrained from the outside, it is inside that the church reveals its beauty.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367462
title: Tombstone of unknown cathedral canon (1659)

description: This tombstone (2,06 x 1,16 m) located in the cathedral of Sigüenza (Spain) says:

….L RINDE 
(N)ATURAL DE LA
...(VI)LLA  FRANCA 
……
E(N) (LA) (PR)OVINCIA DE ESTRE
MA(DUR)A CANONIGO Q
FUE DE ESTA STA YGLEA DIO
EN ELLA UNA MEMA PERPA,
I EL REMANENTE DE SU ACIENDA 
PA MISAS PERPAS FALLECIO A
22 DE DICE DE 1659 AÑOS 
REQUIESCAT IN PACE
AMEN    

3D model made in Reality Capture using 537 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367463
title: Tombstone of unknown cathedral canon (1659)

description: This tombstone (2,06 x 1,16 m) located in the cathedral of Sigüenza (Spain) says:

….L RINDE 
(N)ATURAL DE LA
...(VI)LLA  FRANCA 
……
E(N) (LA) (PR)OVINCIA DE ESTRE
MA(DUR)A CANONIGO Q
FUE DE ESTA STA YGLEA DIO
EN ELLA UNA MEMA PERPA,
I EL REMANENTE DE SU ACIENDA 
PA MISAS PERPAS FALLECIO A
22 DE DICE DE 1659 AÑOS 
REQUIESCAT IN PACE
AMEN    

3D model made in Reality Capture using 537 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367464
title: Blasón Alhama de Granada. Carlos I (s.XVI).

description: Escudo de Carlos I ubicado en Alhama de Granada (junto a la parroquia).

Sonido: "Intro de Juego de Tronos".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367465
title: Blasón Alhama de Granada. Carlos I (s.XVI).

description: Escudo de Carlos I ubicado en Alhama de Granada (junto a la parroquia).

Sonido: "Intro de Juego de Tronos".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367466
title: Moai Pa´a Pa´a

description: Figura antropomorfa tallada en madera procedente de Rapa Nui o Isla de Pascua. Este tipo de figuras representan espíritus y fueron posiblemente utilizados en ceremonias religiosas. Es parte de la colección obtenida por el capitán de fragata Ignacio Luis Gana, quien en la corbeta O'Higgins (comandada por José Anacleto Goñi) llegó a la isla en enero de 1870. N° de inventario: 5500.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367467
title: Moai Pa´a Pa´a

description: Figura antropomorfa tallada en madera procedente de Rapa Nui o Isla de Pascua. Este tipo de figuras representan espíritus y fueron posiblemente utilizados en ceremonias religiosas. Es parte de la colección obtenida por el capitán de fragata Ignacio Luis Gana, quien en la corbeta O'Higgins (comandada por José Anacleto Goñi) llegó a la isla en enero de 1870. N° de inventario: 5500.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367469
title: 3D Sederhana : CANDI

description: Terinspirasi dari Keindahan Candi Ratu Boko yang ada di Yogyakarta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367470
title: 3D Sederhana : CANDI

description: Terinspirasi dari Keindahan Candi Ratu Boko yang ada di Yogyakarta

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367471
title: Sword_low

description: Just a simple medieval sword...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367472
title: Sword_low

description: Just a simple medieval sword...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367475
title: Traditional Ukrainian Bread

description: [![](https://blog.sketchfab.com/scripts/assets/weekly.png)](https://sketchfab.com/blogs/community/sketchfab-weekly/?ref=sfb)

...in particular a misterious palianytsia : )

Update 25.04.2022: better topology and textures

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367476
title: Traditional Ukrainian Bread

description: [![](https://blog.sketchfab.com/scripts/assets/weekly.png)](https://sketchfab.com/blogs/community/sketchfab-weekly/?ref=sfb)

...in particular a misterious palianytsia : )

Update 25.04.2022: better topology and textures

Source: Objaverse 1.0 / Sketchfab