cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10271520
title: KZ Saschenhausen

description: Concentration Camp of Saschenhausen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271521
title: KZ Saschenhausen

description: Concentration Camp of Saschenhausen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271528
title: George Melamphy - Ventry 17

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271529
title: George Melamphy - Ventry 17

description: THE SPIRIT STONES OF GEORGE MELAMPHY


It appears George Mellamphy, carving messages
of hope for those in need who crossed his path. The beach at Ventry
marks the beginning of a Pilgrim Path to the sacred Mount Brandon.
George used little private symbols; the inverted triangle represents the
Holy Spirit; the others are known only to those for whom he prayed.
What an extraordinary gift! 
Hearing of some random "rock art" near Wine Strand, I went to
photograph it, but the artist's hand had a vague familiarity. This was no
2000 B.C rock art but was another carved by George's hand
George Mellamphy died in August 2011. He was a man of many parts,
dedicated to his wife Patricia and their family, art teacher, powerful
tenor, member of the Cork Examiner team, but most importantly, a man
whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271530
title: FREE >> Hawaiian Tiki Photoscan 6"

description: Download a FREE Photo Scanned bookshelf sized hawaiian tiki.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271531
title: FREE >> Hawaiian Tiki Photoscan 6"

description: Download a FREE Photo Scanned bookshelf sized hawaiian tiki.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271533
title: Fossile de nérinée

description: Fossile de nérinée, vallée fossile des Rimets, Rencurel, Vercors, Isère, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271532
title: Fossile de nérinée

description: Fossile de nérinée, vallée fossile des Rimets, Rencurel, Vercors, Isère, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271536
title: Couteau-poignard

description: Couteau poignard à manche en ivoire et garnitures en maillechort forme typique du couteau type Châtellerault en queue de poisson.
Modélisation d'après photographie.

N° d'inv. : 2012.0.56 issu des collections des musées de Châtellerault- CAPC (86 - France). [Voir la fiche dans notre base de données en ligne](http://www.alienor.org/collections-des-musees/fiche-objet-103079).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271537
title: Couteau-poignard

description: Couteau poignard à manche en ivoire et garnitures en maillechort forme typique du couteau type Châtellerault en queue de poisson.
Modélisation d'après photographie.

N° d'inv. : 2012.0.56 issu des collections des musées de Châtellerault- CAPC (86 - France). [Voir la fiche dans notre base de données en ligne](http://www.alienor.org/collections-des-musees/fiche-objet-103079).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271538
title: Type Writer 1900

description: Old type writer, a mechanical device made to speed up writing processes.

The first practical typewriter was completed in September, 1867.  But even though, sometimes you can meet type writers today.

It's presented in low-poly variant, without advanced materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271539
title: Type Writer 1900

description: Old type writer, a mechanical device made to speed up writing processes.

The first practical typewriter was completed in September, 1867.  But even though, sometimes you can meet type writers today.

It's presented in low-poly variant, without advanced materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271540
title: SJ_Hida_Monumente 3D_AFCN

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271541
title: SJ_Hida_Monumente 3D_AFCN

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271542
title: ROI010-154-02

description: Projectile point collected in Huntington County, Indiana.

Catalog #: 12-Hu-637-67

Uploaded by: Sherlyn Contreras

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI010-154-02, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271543
title: ROI010-154-02

description: Projectile point collected in Huntington County, Indiana.

Catalog #: 12-Hu-637-67

Uploaded by: Sherlyn Contreras

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI010-154-02, 3D Model .ply file. Recovered as part of Report of Investigations 10, *An Archaeological Assessment of Huntington Reservoir: Identification, Prediction, Impact*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271545
title: Oldtown Plain Bowl Rim (2388p603,p633,p875)

description: **Oldtown Plain bowl rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 138.1 mm; width, 109.0 mm; thickness, 7.0 mm.

Notes: Catalog nos. 2388p603, p633, p875 (Vessel 7), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Quinn Eury and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271544
title: Oldtown Plain Bowl Rim (2388p603,p633,p875)

description: **Oldtown Plain bowl rim**

Location: William Kluttz site (31Sk6), Stokes County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1710).

Material: ceramic.

Dimensions: length, 138.1 mm; width, 109.0 mm; thickness, 7.0 mm.

Notes: Catalog nos. 2388p603, p633, p875 (Vessel 7), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Quinn Eury and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271547
title: Wagon3 from the Wild West

description: Wagon3 from the Wild West

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271546
title: Wagon3 from the Wild West

description: Wagon3 from the Wild West

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271548
title: Hjartøy, utgravingsfelt, feltkurs

description: Fotogrammetri av utgravingsfelt på Hjartøy.
Feltkurs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271549
title: Hjartøy, utgravingsfelt, feltkurs

description: Fotogrammetri av utgravingsfelt på Hjartøy.
Feltkurs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271552
title: Janela

description: Boarded window, abandoned house.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271553
title: Janela

description: Boarded window, abandoned house.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271558
title: Ceramica din epoca bronzului.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271559
title: Ceramica din epoca bronzului.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271560
title: Example Tomb - King's Chapel

description: After the completion of the second King's Chapel in 1754, work began on the crypt - burial space - beneath the church. Completed in 1760, the crypt contains 21 vaulted tombs, one is modled above, and aprx. 150 individuals. Each tomb holds between 5-15 individuals, and were once accessible via wooden doors and steps within each one. Sealed in 1854, the tombs can only be accesed via a guided tour through the King's Chapel Historic Program. 

The model above depicts thier simplified architecture, steps, and rough W x H.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271561
title: Example Tomb - King's Chapel

description: After the completion of the second King's Chapel in 1754, work began on the crypt - burial space - beneath the church. Completed in 1760, the crypt contains 21 vaulted tombs, one is modled above, and aprx. 150 individuals. Each tomb holds between 5-15 individuals, and were once accessible via wooden doors and steps within each one. Sealed in 1854, the tombs can only be accesed via a guided tour through the King's Chapel Historic Program. 

The model above depicts thier simplified architecture, steps, and rough W x H.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271562
title: Shiva Nataraja (after conservation), c. 1100 CE

description: Bronze Shiva Nataraja (Lord of the Dance), circa 1100 CE, now in the collection of the Minneapolis Institute of Art.


(This scan is from after Shiva's fall 2020 conservation.)


From artsmia.org: 
*'The Hindu god Shiva appears in several incarnations. Here, Shiva appears as Nataraja, or Lord of the Dance. He raises his left foot in a graceful dance pose. In his upper right hand, Nataraja holds a drum, the sound of which manifests creation. The flame that he holds in his upper left hand symbolizes destruction. Together, they symbolize the creation and destruction of the cosmic universe. The posture of the icon's lower left and right palms signifies protection. The foot that rests on the demon's back symbolizes the elimination of ignorance, while the raised left foot signifies salvation. A now missing ring of fire, symbolic of the simultaneous and continuous creation and destruction of the universe, would have encircled the bronze icon.'*


More: 
https://collections.artsmia.org/art/376/shiva-nataraja-india

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271563
title: Shiva Nataraja (after conservation), c. 1100 CE

description: Bronze Shiva Nataraja (Lord of the Dance), circa 1100 CE, now in the collection of the Minneapolis Institute of Art.


(This scan is from after Shiva's fall 2020 conservation.)


From artsmia.org: 
*'The Hindu god Shiva appears in several incarnations. Here, Shiva appears as Nataraja, or Lord of the Dance. He raises his left foot in a graceful dance pose. In his upper right hand, Nataraja holds a drum, the sound of which manifests creation. The flame that he holds in his upper left hand symbolizes destruction. Together, they symbolize the creation and destruction of the cosmic universe. The posture of the icon's lower left and right palms signifies protection. The foot that rests on the demon's back symbolizes the elimination of ignorance, while the raised left foot signifies salvation. A now missing ring of fire, symbolic of the simultaneous and continuous creation and destruction of the universe, would have encircled the bronze icon.'*


More: 
https://collections.artsmia.org/art/376/shiva-nataraja-india

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271564
title: WW1 Battle

description: An 3d battle between low poly british and german soilders during the great war, with bristh troops attacking german line.
Made in 3ds Max.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271565
title: WW1 Battle

description: An 3d battle between low poly british and german soilders during the great war, with bristh troops attacking german line.
Made in 3ds Max.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271566
title: Gyrolithes variabilis

description: **Icnoespecie:** *Gyrolithes variabilis*
**Descripción:** Estructura formadas principalmente por una galería concéntricas con un diametro levemente decreciente hacia el final y  en forma de esìral longitudinal que es lo que denomina al género. Se trata de galerias verticales a la superficie de varios decímetros de profundidad y 15 milímetros de diámetro conservadas con el mismo material que la superficie, una calcarenita amarilla de grano medio. 
**Número de Registro**: 
**Edad:** Plioceno
**Localidad: ** Alicante, España. 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Skolithos
**Técnica digitalización / modelo:** escáner 3D de luz estructurada (Einscan Pro)
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 10 escaneos, calidad media 
Archivo 3D:** Obj 156 Mb , textura JPG 3,3 Mb
**Autor escáner y procesado:** Jose A. Villena
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271567
title: Gyrolithes variabilis

description: **Icnoespecie:** *Gyrolithes variabilis*
**Descripción:** Estructura formadas principalmente por una galería concéntricas con un diametro levemente decreciente hacia el final y  en forma de esìral longitudinal que es lo que denomina al género. Se trata de galerias verticales a la superficie de varios decímetros de profundidad y 15 milímetros de diámetro conservadas con el mismo material que la superficie, una calcarenita amarilla de grano medio. 
**Número de Registro**: 
**Edad:** Plioceno
**Localidad: ** Alicante, España. 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Skolithos
**Técnica digitalización / modelo:** escáner 3D de luz estructurada (Einscan Pro)
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 10 escaneos, calidad media 
Archivo 3D:** Obj 156 Mb , textura JPG 3,3 Mb
**Autor escáner y procesado:** Jose A. Villena
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271576
title: 18th Century French Regence Ormolu Bracket Clock

description: A Régence ormolu-mounted Boulle marquetry bracket clock 
first quarter 18th century. The ormolu is dial fitted with white enamel reserves and blue Roman numerals above an allegorical ormolu plaque.
Veneered with mostly inact panels of Boulle marquetry in brass and red tortoise shell forming a foliate scroll.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271577
title: 18th Century French Regence Ormolu Bracket Clock

description: A Régence ormolu-mounted Boulle marquetry bracket clock 
first quarter 18th century. The ormolu is dial fitted with white enamel reserves and blue Roman numerals above an allegorical ormolu plaque.
Veneered with mostly inact panels of Boulle marquetry in brass and red tortoise shell forming a foliate scroll.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271584
title: Opakowanie od wywołanego negatywu //

description: W Atelier gromadzimy stare aparaty i akcesoria fotograficzne takie jak to opakowanie od wywołanego negatywu.

Rezydując w dawnym atelier fotograficznym marzymy tak jak jego założyciel Witold Czarnecki o powstaniu w Poznaniu interaktywnego muzem fotografii. Podczas warsztatów fotografii analogowej fotografujemy także aparatami z naszej kolekcji

"Oddział fotograficzny
WYK OPTYK DYPL KATOWICE
ul. św Jana 13 TEL 2418 PKO 301204
Najstarsze przedsiębiorstwo na terenie zachodniej Polski"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271585
title: Opakowanie od wywołanego negatywu //

description: W Atelier gromadzimy stare aparaty i akcesoria fotograficzne takie jak to opakowanie od wywołanego negatywu.

Rezydując w dawnym atelier fotograficznym marzymy tak jak jego założyciel Witold Czarnecki o powstaniu w Poznaniu interaktywnego muzem fotografii. Podczas warsztatów fotografii analogowej fotografujemy także aparatami z naszej kolekcji

"Oddział fotograficzny
WYK OPTYK DYPL KATOWICE
ul. św Jana 13 TEL 2418 PKO 301204
Najstarsze przedsiębiorstwo na terenie zachodniej Polski"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271590
title: спомен чесма, Власина - Округлица

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

https://goo.gl/maps/vd24BW9wLuruQt8P9

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271591
title: спомен чесма, Власина - Округлица

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.
The photogrammetric model is made by the architect Aleksandar Nikšić.


https://sketchfab.com/nixic.alexandar

https://goo.gl/maps/vd24BW9wLuruQt8P9

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271596
title: Sculpture showing "St. Anna" from 18th century

description: ID no.: MK/H/873

Museum: Aleksander Kłosiński Museum in Kęty

https://muzea.malopolska.pl/en/objects-list/248

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271597
title: Sculpture showing "St. Anna" from 18th century

description: ID no.: MK/H/873

Museum: Aleksander Kłosiński Museum in Kęty

https://muzea.malopolska.pl/en/objects-list/248

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271598
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1537

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198600&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271599
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1537

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198600&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271600
title: Sitruunanainen

description: 1984:6 "What am I doing and why"; Lemon woman by Blåfield, Paula 1984 Ceramics art practice work. Instructors Henrik Grön and Timo Pajunen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271601
title: Sitruunanainen

description: 1984:6 "What am I doing and why"; Lemon woman by Blåfield, Paula 1984 Ceramics art practice work. Instructors Henrik Grön and Timo Pajunen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271602
title: Hw7 Crossbow

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271603
title: Hw7 Crossbow

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271604
title: St Andrews, St Mary on the Rock (free VR asset)

description: VR-ready, 8k Diffuse+Normal+Occlusion

Photogrammetry model generated from 900 terrestrial photos: [album](https://flic.kr/s/aHsmW1tiFM)

Location: [Google Street View](https://goo.gl/maps/BaYBYUebmUP8Gwej9); [OpenStreetMap](https://osm.org/go/e6gEIO_lv?m=)

St Mary on the Rock, interpretive panel by Historic Environment Scotland:

![](https://live.staticflickr.com/65535/51248697102_0d16e8ddb8_o.jpg)

Canmore site: [webpage](https://canmore.org.uk/site/34358/st-andrews-kirk-hill-st-marys-church)

---

Sparse generated in COLMAP, Dense onwards processed in Agisoft Metashape. For the latter, even at Medium settings, generated a Dense cloud of 150M points (down to 85M after confidence filtering of 2+), then a Mesh of 16M faces, duplicated+decimated down to the size shown here. With Normal and Occlusion baked in to this model from the higher quality mesh.

Capture trajectory, shown in COLMAP:

![](https://live.staticflickr.com/65535/51249698027_b6ae8a2811_o.png)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271605
title: St Andrews, St Mary on the Rock (free VR asset)

description: VR-ready, 8k Diffuse+Normal+Occlusion

Photogrammetry model generated from 900 terrestrial photos: [album](https://flic.kr/s/aHsmW1tiFM)

Location: [Google Street View](https://goo.gl/maps/BaYBYUebmUP8Gwej9); [OpenStreetMap](https://osm.org/go/e6gEIO_lv?m=)

St Mary on the Rock, interpretive panel by Historic Environment Scotland:

![](https://live.staticflickr.com/65535/51248697102_0d16e8ddb8_o.jpg)

Canmore site: [webpage](https://canmore.org.uk/site/34358/st-andrews-kirk-hill-st-marys-church)

---

Sparse generated in COLMAP, Dense onwards processed in Agisoft Metashape. For the latter, even at Medium settings, generated a Dense cloud of 150M points (down to 85M after confidence filtering of 2+), then a Mesh of 16M faces, duplicated+decimated down to the size shown here. With Normal and Occlusion baked in to this model from the higher quality mesh.

Capture trajectory, shown in COLMAP:

![](https://live.staticflickr.com/65535/51249698027_b6ae8a2811_o.png)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271606
title: Small carinated vase with flaring rim

description: Small carinated vase with flaring rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2807.1225

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133941&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271607
title: Small carinated vase with flaring rim

description: Small carinated vase with flaring rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2807.1225

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133941&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271608
title: Blasón Carlos I (S.XVI)

description: Escudo de Carlos I ubicado en Alhama de Granada, al lado de la parroquia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271609
title: Blasón Carlos I (S.XVI)

description: Escudo de Carlos I ubicado en Alhama de Granada, al lado de la parroquia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271610
title: A loong-3

description: A loong-3 from beijing,china
Nine-dragon wall, built in qianlong 21 years (1756 years), wall five meters high, 1.2 meters thick, long and 27 meters, is a colored glaze brick screen wall

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271611
title: A loong-3

description: A loong-3 from beijing,china
Nine-dragon wall, built in qianlong 21 years (1756 years), wall five meters high, 1.2 meters thick, long and 27 meters, is a colored glaze brick screen wall

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271612
title: Interior of Plot 22, Sheffield, UK.

description: Plot 22 is a multipurpose creative space at 22 Exchange Street, Sheffield, UK. This is the right corner of the first space you go into, with art by Trik 9 (the female figure in the middle) and others. (I'd like to credit the others but I don't know their names -- please comment if you know.) There is a bench extending out from the wall underneath the Trik 9 head, but the reconstruction has not captured that.

3D reconstruction using Meshroom and Meshlab, from photos taken in March 2021.

Source: Objaverse 1.0 / Sketchfab