cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10345817
title: Costume Boots for the Wizard in The Wiz

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c64114-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Costume boots for the Wizard in The Wiz on Broadway, worn by Carl Hall

Designed by: Geoffrey Holder, Trinidadian American, 1930 - 2014  

Created by: Grace Costumes Inc., American, founded 1961  

Worn by: Carl Hall, American, died 1999  

Subject of: Black Fashion Museum, American, 1979 - 2007  

Medium: leather, wood, paint, and metal

Dimensions: H x W x D (left): 10 1/2 × 3 1/2 × 11 in. (26.7 × 8.9 × 27.9 cm), H x W x D (right): 10 1/2 × 3 1/2 × 11 in. (26.7 × 8.9 × 27.9 cm)

Place Used: New York City, Manhattan, New York, United States, North and Central America

Date: ca. 1977

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345818
title: Apothecary vessel for diluted rose honey

description: ID no.: KGZ 5922

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/2708

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345819
title: Apothecary vessel for diluted rose honey

description: ID no.: KGZ 5922

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/2708

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345820
title: Ripples marks (con textura fotorrealística)

description: Ripple marks sobre cuarcitas del Ordovícico en el sector del Paraje Natural de la Cascasda de la Cimbarra (Provincia de Jaén, España).
Centro de Estudios avanzados de Ciencias de la Tierra (Universidad de Jaén; CEACT-UJA; 2016).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345821
title: Ripples marks (con textura fotorrealística)

description: Ripple marks sobre cuarcitas del Ordovícico en el sector del Paraje Natural de la Cascasda de la Cimbarra (Provincia de Jaén, España).
Centro de Estudios avanzados de Ciencias de la Tierra (Universidad de Jaén; CEACT-UJA; 2016).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345822
title: Handheld Bakelite Mirror

description: CAP found this handheld bakelite mirror while excavating near the Emmons Amphitheater in the Brody Complex on MSU's campus. This area was originally the East Lansing city  dump from about 1920 to the late 1940s or early 1950s when MSC expanded into the area.

Bakelite was an early plastic that began production in the first decade of the 20th century, reached its peak in the 1920s and 1930s, but declined throughout the 1950s. This was due to new plastics that allowed more vibrant and a wider range of colors as bakelite allowed for mostly darker tones. However, bakelite was credited with ushering in the "Polymer Age" or the "Age of Plastics".

The whole piece is convexly curved when looking at the mirror. Both the glass and the bakelite have beveled edges as the only physical decorations. A tortoiseshell design is worked into the bakelite itself, a design that's popular even today.

Check out [Mari Isa's blog post for more info!](http://campusarch.msu.edu/?p=5996).

Photogrammetry model made by Jack A. Biggs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345823
title: Handheld Bakelite Mirror

description: CAP found this handheld bakelite mirror while excavating near the Emmons Amphitheater in the Brody Complex on MSU's campus. This area was originally the East Lansing city  dump from about 1920 to the late 1940s or early 1950s when MSC expanded into the area.

Bakelite was an early plastic that began production in the first decade of the 20th century, reached its peak in the 1920s and 1930s, but declined throughout the 1950s. This was due to new plastics that allowed more vibrant and a wider range of colors as bakelite allowed for mostly darker tones. However, bakelite was credited with ushering in the "Polymer Age" or the "Age of Plastics".

The whole piece is convexly curved when looking at the mirror. Both the glass and the bakelite have beveled edges as the only physical decorations. A tortoiseshell design is worked into the bakelite itself, a design that's popular even today.

Check out [Mari Isa's blog post for more info!](http://campusarch.msu.edu/?p=5996).

Photogrammetry model made by Jack A. Biggs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345824
title: Caterpillar Occupation Collection Box

description: In January 1987 workers at the Caterpillar plant in Uddingston tried to save 1,200 jobs through an action that came to symbolise the cruel de-industrialisation of Scotland.

After a promised £62.5 million investment was withdrawn, the workers barricaded themselves inside the factory for 103 days, eventually winning a guarantee of no immediate redundancies. However, despite the efforts of the workers to find a buyer for the plant it was closed in November of that year.

This collecting box was used to raise money to support the Caterpillar workers during the occupation and is currently in the collection administered by [CultureNL Museums  ](http://culturenl.co.uk/summerlee/). You can see their collection online at [culturenlmuseums.co.uk](http://culturenlmuseums.co.uk).

The 3D model was created by the Scottish Maritime Museum as a part of the Scanning The Horizon project, working with collections from Industrial Museums Scotland ([Go Industrial](http://www.goindustrial.co.uk)).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345825
title: Caterpillar Occupation Collection Box

description: In January 1987 workers at the Caterpillar plant in Uddingston tried to save 1,200 jobs through an action that came to symbolise the cruel de-industrialisation of Scotland.

After a promised £62.5 million investment was withdrawn, the workers barricaded themselves inside the factory for 103 days, eventually winning a guarantee of no immediate redundancies. However, despite the efforts of the workers to find a buyer for the plant it was closed in November of that year.

This collecting box was used to raise money to support the Caterpillar workers during the occupation and is currently in the collection administered by [CultureNL Museums  ](http://culturenl.co.uk/summerlee/). You can see their collection online at [culturenlmuseums.co.uk](http://culturenlmuseums.co.uk).

The 3D model was created by the Scottish Maritime Museum as a part of the Scanning The Horizon project, working with collections from Industrial Museums Scotland ([Go Industrial](http://www.goindustrial.co.uk)).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345827
title: Lurgan Farm 2, Perthshire

description: One of a large group of at least 15 panels, at Lurgan, this panel has been carved with 3 cupmarks. For more information, see: rockart.scot
Attribution: ScRAP (c) HES

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345828
title: Lurgan Farm 2, Perthshire

description: One of a large group of at least 15 panels, at Lurgan, this panel has been carved with 3 cupmarks. For more information, see: rockart.scot
Attribution: ScRAP (c) HES

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345829
title: HW_03_Shadow

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345830
title: HW_03_Shadow

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345831
title: Švihov castle - entrance

description: Part of a Švihov castle (western Bohemia) with gate and drainage system.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345832
title: Švihov castle - entrance

description: Part of a Švihov castle (western Bohemia) with gate and drainage system.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345833
title: Cattle Trough Clapham The Polygon

description: A London Metropolitan Drinking Fountain Association cattle trough at the north end of The Polygon, Clapham, London.

283 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345834
title: Cattle Trough Clapham The Polygon

description: A London Metropolitan Drinking Fountain Association cattle trough at the north end of The Polygon, Clapham, London.

283 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345835
title: Cabeza de granito de procedencia descoñecida

description: ►FICHA TÉCNICA:
![] (http://oi67.tinypic.com/ma9bb6.jpg)

•	 Número de Inventario: S/R 1727.

•	Título: *Cabeza de granito de procedencia descoñecida*.

•	Procedencia: Descoñecida.

•	Circunstancias da descoberta: Achádego casual.

•	Tipoloxía: Escultura/Cabeza.

•	Material: Pedra/Granito

•	Época: Castrexa (?)/Galaicorromana

•	Medidas:  27x19x10 cm.

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra.

► DESCRICIÓN:

Cabeza de granito de procedencia descoñecida. Faciana plana sen indicios de representación do cabelo. Resalta só o nariz triangular que sobresae da liña da fronte.Os ollos son dúas incisións horizontais.A boca está conformada por unha incisión horizontal e as orellas están ben definidas.A peza non se sostén por sí mesma, polo que parece que seu emprazamento orixinal requería da colocación dunha base adecuada.Presenta unha fractura no lado dereito, xusto na parte superior de la cabeza. Inédita.

► AUTOR DO MODELO 3D: Eloy Martínez Soto.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345836
title: Cabeza de granito de procedencia descoñecida

description: ►FICHA TÉCNICA:
![] (http://oi67.tinypic.com/ma9bb6.jpg)

•	 Número de Inventario: S/R 1727.

•	Título: *Cabeza de granito de procedencia descoñecida*.

•	Procedencia: Descoñecida.

•	Circunstancias da descoberta: Achádego casual.

•	Tipoloxía: Escultura/Cabeza.

•	Material: Pedra/Granito

•	Época: Castrexa (?)/Galaicorromana

•	Medidas:  27x19x10 cm.

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra.

► DESCRICIÓN:

Cabeza de granito de procedencia descoñecida. Faciana plana sen indicios de representación do cabelo. Resalta só o nariz triangular que sobresae da liña da fronte.Os ollos son dúas incisións horizontais.A boca está conformada por unha incisión horizontal e as orellas están ben definidas.A peza non se sostén por sí mesma, polo que parece que seu emprazamento orixinal requería da colocación dunha base adecuada.Presenta unha fractura no lado dereito, xusto na parte superior de la cabeza. Inédita.

► AUTOR DO MODELO 3D: Eloy Martínez Soto.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345837
title: Chalcopyrite with bornite BIRUG 1988

description: BIRUG 1988 is a specimen of chalcopyrite – a copper and iron sulphate mineral that is one of the major ores of copper. The mineral has a metallic brass colour and often, as is the case here, has an iridescent tarnish due to weathering – in this case producing the secondary copper mineral bornite.

The mineral is so named from the Greek "chalkos" (copper) and "pyrites" (strike fire). Bornite, named after the Austrian mineralogist Ignaz von Born, is also commonly known as peacock ore.

This specimen was found near Tavistock in Devon, UK and was donated to the Lapworth by W. McLean in 1915, forming part of the McLean Collection. Digitisation was carried out by Courtney Szanto, using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345838
title: Chalcopyrite with bornite BIRUG 1988

description: BIRUG 1988 is a specimen of chalcopyrite – a copper and iron sulphate mineral that is one of the major ores of copper. The mineral has a metallic brass colour and often, as is the case here, has an iridescent tarnish due to weathering – in this case producing the secondary copper mineral bornite.

The mineral is so named from the Greek "chalkos" (copper) and "pyrites" (strike fire). Bornite, named after the Austrian mineralogist Ignaz von Born, is also commonly known as peacock ore.

This specimen was found near Tavistock in Devon, UK and was donated to the Lapworth by W. McLean in 1915, forming part of the McLean Collection. Digitisation was carried out by Courtney Szanto, using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345839
title: Trough-shaped dolmen Spunetam - 1

description: The dolmen is located on Mezetsu ridge (Spunetam group), Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus. 
Here is one of the largest caucausian trough-shaped  dolmens. Sepulcher chamber is carved out of large block of stone. Trapezoidal in shape chamber is roofed with a stone slab. This construction imitate plan and elements of the plinth type of stone slabs.
Unique element:
1. portal wall of that construction is the side of false portal with an imitation access hole produced by a protruding knob of stone;
2. carved shelf on three walls of this chamber;
3. reinforcement plate on the dolmen roof;
4. bas-relief on the access hole wall.

Один из самых крупных корытообразных дольменов Кавказа (дольменная культура Кавказа, средняя бронза, Туапсинский район). Относится к редкому ложнопортальному типу с отверстием сбоку. Особенности: на крыше расположено ребро жесткости, на стене  с отверстием  выточен барельеф, в камере сделаны углубления для сооружения полки.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345840
title: Trough-shaped dolmen Spunetam - 1

description: The dolmen is located on Mezetsu ridge (Spunetam group), Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus. 
Here is one of the largest caucausian trough-shaped  dolmens. Sepulcher chamber is carved out of large block of stone. Trapezoidal in shape chamber is roofed with a stone slab. This construction imitate plan and elements of the plinth type of stone slabs.
Unique element:
1. portal wall of that construction is the side of false portal with an imitation access hole produced by a protruding knob of stone;
2. carved shelf on three walls of this chamber;
3. reinforcement plate on the dolmen roof;
4. bas-relief on the access hole wall.

Один из самых крупных корытообразных дольменов Кавказа (дольменная культура Кавказа, средняя бронза, Туапсинский район). Относится к редкому ложнопортальному типу с отверстием сбоку. Особенности: на крыше расположено ребро жесткости, на стене  с отверстием  выточен барельеф, в камере сделаны углубления для сооружения полки.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345844
title: Lichtspiel Kinemathek

description: Photoscan of the Lichtspiel Kinemathek in Bern, Switzerland. More infos: https://lichtspiel.ch/en/  

Made with 1493 pictures from the Fuji X-T30 14mm, Reality Capture, Instant Mesh & Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345843
title: Lichtspiel Kinemathek

description: Photoscan of the Lichtspiel Kinemathek in Bern, Switzerland. More infos: https://lichtspiel.ch/en/  

Made with 1493 pictures from the Fuji X-T30 14mm, Reality Capture, Instant Mesh & Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345845
title: Ballet costume, tutu LOW RES

description: Tanssija/Dancer: Lucia Nifontova ja mahdollisesti / and possibly Hannele Keinänen

Lucia Nifontova (1913–1987) oli kiinnitettynä Suomalaisen Oopperan balettiin (nyk. Suomen kansallisooppera ja -baletti) vuosina 1927–1935 ja 1938–1940. Hän oli ensimmäinen Oopperan baletin tanssija, joka sai prima ballerina assoluta arvon. Nifontova kiersi ahkerasti kiertueilla ympäri Suomea esiintymässä monipuolisella tanssinumeroiden repertuaarilla. Puku on yksi Nifontovan esiintymisasuista, ja se on joko 1930-luvun alusta tai vanhempi.

Puku on mahdollisesti ollut myös tanssija-koreografi Hannele Keinäsen (1929–2004) käytössä.

Korkearesoluutioversio / Hi-Res version: https://skfb.ly/onnMF

3D model by Ninma Oy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345846
title: Ballet costume, tutu LOW RES

description: Tanssija/Dancer: Lucia Nifontova ja mahdollisesti / and possibly Hannele Keinänen

Lucia Nifontova (1913–1987) oli kiinnitettynä Suomalaisen Oopperan balettiin (nyk. Suomen kansallisooppera ja -baletti) vuosina 1927–1935 ja 1938–1940. Hän oli ensimmäinen Oopperan baletin tanssija, joka sai prima ballerina assoluta arvon. Nifontova kiersi ahkerasti kiertueilla ympäri Suomea esiintymässä monipuolisella tanssinumeroiden repertuaarilla. Puku on yksi Nifontovan esiintymisasuista, ja se on joko 1930-luvun alusta tai vanhempi.

Puku on mahdollisesti ollut myös tanssija-koreografi Hannele Keinäsen (1929–2004) käytössä.

Korkearesoluutioversio / Hi-Res version: https://skfb.ly/onnMF

3D model by Ninma Oy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345847
title: Armoured Elephant

description: Quick, before it's deleted!

This is a scan I did of the armored elephant at the Royal Armouries in Leeds when I was there for IMC 2019.

Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345848
title: Armoured Elephant

description: Quick, before it's deleted!

This is a scan I did of the armored elephant at the Royal Armouries in Leeds when I was there for IMC 2019.

Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345849
title: Guayabo - Cloud

description: Montículo central del Monumento Nacional Guayabo, Turrialba, Costa Rica. Escaneado con estación lídar terrestre Leica C10, en el mes de junio del año 2011, por funcionarios del LanammeUCR.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345850
title: Guayabo - Cloud

description: Montículo central del Monumento Nacional Guayabo, Turrialba, Costa Rica. Escaneado con estación lídar terrestre Leica C10, en el mes de junio del año 2011, por funcionarios del LanammeUCR.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345851
title: Chronoscaphe (Time Machine)

description: This 3D model is of a chronoscaphe (i.e., "time machine") that was part of the 1960 Blake and Mortimer comic book "The Time Trap" (Le Piège diabolique) by the Belgian artist Edgar P. Jacobs. Part of this story takes place at the French Castle, La Roche-Guyon. A chronoscaphe based on the one in the comic book was built at the La Roche Chateau for tourists to view. The 3D model was made using  laser scan data captured with a FARO s70; model was made in Reality Capture software with additional processing in Geomagic and Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345852
title: Chronoscaphe (Time Machine)

description: This 3D model is of a chronoscaphe (i.e., "time machine") that was part of the 1960 Blake and Mortimer comic book "The Time Trap" (Le Piège diabolique) by the Belgian artist Edgar P. Jacobs. Part of this story takes place at the French Castle, La Roche-Guyon. A chronoscaphe based on the one in the comic book was built at the La Roche Chateau for tourists to view. The 3D model was made using  laser scan data captured with a FARO s70; model was made in Reality Capture software with additional processing in Geomagic and Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345855
title: 170210 - Знак доссаф

description: Изготовление, бреклов, значков, логотипов, адресников, именных брелков с гос номером машины на заказ в Витебске. Доставка по РБ на всю Беларусь почтой. пишите в лику в ВК vk.com/DomovikX Я могу изготовить СТЛ или сделать 3д печать на 3д принтере в Витебске. Пишите, спрашивайте. Отвечаю по возможности.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345856
title: 170210 - Знак доссаф

description: Изготовление, бреклов, значков, логотипов, адресников, именных брелков с гос номером машины на заказ в Витебске. Доставка по РБ на всю Беларусь почтой. пишите в лику в ВК vk.com/DomovikX Я могу изготовить СТЛ или сделать 3д печать на 3д принтере в Витебске. Пишите, спрашивайте. Отвечаю по возможности.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345857
title: Мозаіка на будівлі реального училища

description: Будівля початку ХХ сторіччя розташована в м.Приморськ, Запорізької області.

3D модель створено з використанням фотограмметрії.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345858
title: Мозаіка на будівлі реального училища

description: Будівля початку ХХ сторіччя розташована в м.Приморськ, Запорізької області.

3D модель створено з використанням фотограмметрії.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345859
title: Gouden Halsringen 4e/ 5e eeuw na Chr.

description: De schat die in 1715 in Velp werd ontdekt is eén van de meest spectaculaire schatvondsten die ooit in ons land is gedaan. De goudschat is in 1945 in kisten door de Russische troepen vanuit Berlijn mee genomen naar Moskou, als een van de goedmakers voor alle enorme schade die de Duitsers in Rusland hadden veroorzaakt. Omdat de schat nog vroeger gekocht is door de Duitsers in Nederland, zal Nederland nooit aanspraak kunnen maken op de voorwerpen.

Deze halsringen zijn nagemodeleerd voor de tentoonstelling: ***Geheimen uit Gelderse bodem: 10.000 jaar archeologische sieraden***. Het origineel is te bezichtigen in het **Poesjkin Museum** in Moskou.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345860
title: Gouden Halsringen 4e/ 5e eeuw na Chr.

description: De schat die in 1715 in Velp werd ontdekt is eén van de meest spectaculaire schatvondsten die ooit in ons land is gedaan. De goudschat is in 1945 in kisten door de Russische troepen vanuit Berlijn mee genomen naar Moskou, als een van de goedmakers voor alle enorme schade die de Duitsers in Rusland hadden veroorzaakt. Omdat de schat nog vroeger gekocht is door de Duitsers in Nederland, zal Nederland nooit aanspraak kunnen maken op de voorwerpen.

Deze halsringen zijn nagemodeleerd voor de tentoonstelling: ***Geheimen uit Gelderse bodem: 10.000 jaar archeologische sieraden***. Het origineel is te bezichtigen in het **Poesjkin Museum** in Moskou.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345861
title: Wooden Object, Kirkjubø - Træ 2

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 113cm x 40cm x 4.5cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345862
title: Wooden Object, Kirkjubø - Træ 2

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 113cm x 40cm x 4.5cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345863
title: 'Lions' Skull

description: Scanned from a near museum quality piece. Some holes in surface were not accurately mapped. but all in all a good scan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345867
title: M1 Garand

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345868
title: M1 Garand

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345873
title: Old Jewel Box

description: Old jewel box from Kazakhstan, Aqmola.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345874
title: Old Jewel Box

description: Old jewel box from Kazakhstan, Aqmola.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345864
title: 'Lions' Skull

description: Scanned from a near museum quality piece. Some holes in surface were not accurately mapped. but all in all a good scan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345866
title: ROI019-017-02

description: Lost Lake Point collected in Cass County, Indiana.

Catalog #: 12-Ca-46-25

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI019-017-02, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab