cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/loureiro-ouc11399m6ae
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-5555
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m68i
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/salamun-c98-74
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-78
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-83
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-88
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-90
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-905
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-909
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-917
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-918
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-921
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-737
title: Conducting baton

description: Conducting baton used by Paul Salamunovich.
DOI: 10.25549/salamun-c98-738
title: Conducting baton

description: Conducting baton used by Paul Salamunovich.
DOI: 10.25549/salamun-c98-481
title: Conducting baton

description: Conducting baton used by Paul Salamunovich.
DOI: 10.25549/salamun-c98-139
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-147
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-168
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-169
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-172
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-191
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-210
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-696
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-711
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-716
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-723
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-729
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-50
title: Lauridsen, card, 2002-01, to Salamunovich

description: Morton Lauridsen, greeting card, 2002 New Year, to Paul Salamunovich. "Looking forward to our OMM [O magnum mysterium] on the 15th (but it will not be the same without you on the podium)." -- first line.
DOI: 10.25549/salamun-c98-51
title: Lauridsen, card, 2002-01, to Salamunovich

description: Morton Lauridsen, greeting card, 2002 New Year, to Paul Salamunovich. "Looking forward to our OMM [O magnum mysterium] on the 15th (but it will not be the same without you on the podium)." -- first line.
DOI: 10.25549/salamun-c98-487
title: Lauridsen, card, 1991-12-15, to Salamunovich

description: Morton Lauridsen, greeting card, 1995 December 15, to Paul Salamunovich. "The attached memento I hope will serve as reminder of your most beautiful performance of O magnum mysterium." -- first line.
DOI: 10.25549/salamun-c98-734
title: Lauridsen, card, 2000-12, to Salamunovich

description: Morton Lauridsen, greeting card, 2000 December, to Paul Salamunovich. "Thank you, Paul, for the most beautiful performance of O magnum ever!" -- first line.
DOI: 10.25549/salamun-c98-131
title: Lauridsen, card, 1998-12-15, to Salamunovich

description: Morton Lauridsen, 2412 Argosy Way, Los Angeles, California, USA, greeting card, 1998 December 15, to Paul Salamunovich, 10828 Valley Spring Lane, North Hollywood, California, USA. "How is it that your O magnum mysterium becomes even more beautiful each time you perform it?" -- first line. With envelope.
DOI: 10.25549/loureiro-ouc11399m69e
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-5410
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m6a0
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m68m
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m68w
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/salamun-c98-215
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-219
title: Bernstein. Chichester psalms, 1965

description: For mixed choir (or male chorus), boy solo and orchestra. Three movements. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-819
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-829
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-831
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-221
title: Lauridsen, letter, 2005-01-25, to Salamunovich

description: Morton Lauridsen, letter, 2005 January 5, to Paul Salamunovich. "Your performance of O magnum was so stunningly beautiful!" -- first line.
DOI: 10.25549/salamun-c98-802
title: Lauridsen, letter, 2005?, to Salamunovich

description: Morton Lauridsen, letter, 2005?, to Paul Salamunovich. "Congratulations, my dear friend, on such a memorable anniversary." -- first line.
DOI: 10.25549/salamun-c98-803
title: Lauridsen, letter, 2005?, to Salamunovich

description: Morton Lauridsen, letter, 2005?, to Paul Salamunovich. "Congratulations, my dear friend, on such a memorable anniversary." -- first line.
DOI: 10.25549/salamun-c98-61
title: Lauridsen, letter, 2010-12-14, to Salamunovich

description: Morton Lauridsen, letter, 2010 December 14, to Paul Salamunovich. "Fine performance of older works by the successors to the Dale Warland Singers." -- first line.
DOI: 10.25549/salamun-c98-1005
title: Pierpont. Jingle bells, 1995

description: For SATB chorus and orchestra. Autograph score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-100
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-102
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-105
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-118
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-122
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/loureiro-c12-5511
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-3969
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-5791
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m6aa
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m6ay
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/salamun-c98-936
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-953
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-968
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-980
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-982
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-835
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-845
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.