cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10338075
title: Uwharrie Net Impressed Jar Rim (2101p44-4)

description: **Uwharrie Brushed-Over Net Impressed Jar Rim** 
  
Location: Uwharrie site (31Mg14), Montgomery County, North Carolina. 
  
Period: Late Woodland, Uwharrie phase (AD 800-1200). 
  
Material: ceramic. 
  
Dimensions: length, 168 mm; width, 149 mm; thickness, 7.8 mm. 
  
Notes: Catalog no. 2101p44-4.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Sebastian Farris and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338078
title: Dēliņkalns

description: Dēliņkalna 3D modelis. Koordinātas: 57.54367, 26.94376

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338077
title: Dēliņkalns

description: Dēliņkalna 3D modelis. Koordinātas: 57.54367, 26.94376

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338079
title: Feldkanone

description: 8-pounder field cannon "Cithoro" from the Kingdom of Sardinia at the Museum of Military History in Vienna. The cannon from 1759 has a length of 152 cm, a caliber of 9.5 cm and was cast by A. Bianco in Turin.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338080
title: Feldkanone

description: 8-pounder field cannon "Cithoro" from the Kingdom of Sardinia at the Museum of Military History in Vienna. The cannon from 1759 has a length of 152 cm, a caliber of 9.5 cm and was cast by A. Bianco in Turin.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338082
title: Статуэтка льва с глазом Уджат / Lion with Wedjat

description: Статуэтка льва с глазом Уджат на спине

Древний Египет, 332-30 гг. до н.э., династия Птолемеев

Бронза

Коллекция А.А. Пальникова

МИПУ ХФ 3219

Музей истории Пермского университета 

В древнеегипетской мифологии лев всегда был связан с солярным культом и властью. В данном случае он обозначает покровительство солнца. Этот лев изображен в греческой манере. 

Lion with Wedjat

Ancient Egypt, 332-30 B.C., Ptolemaic dynasty

Bronze 

Collection of A. Palnikov

МИПУ ХФ 3219

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338081
title: Статуэтка льва с глазом Уджат / Lion with Wedjat

description: Статуэтка льва с глазом Уджат на спине

Древний Египет, 332-30 гг. до н.э., династия Птолемеев

Бронза

Коллекция А.А. Пальникова

МИПУ ХФ 3219

Музей истории Пермского университета 

В древнеегипетской мифологии лев всегда был связан с солярным культом и властью. В данном случае он обозначает покровительство солнца. Этот лев изображен в греческой манере. 

Lion with Wedjat

Ancient Egypt, 332-30 B.C., Ptolemaic dynasty

Bronze 

Collection of A. Palnikov

МИПУ ХФ 3219

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338084
title: Travertine urn, Tumulus of Molinello

description: "Travertine urn from the Tumulus of Molinello, Asciano, Tuscany.  
 
Travertine, four-sided urn, standing on four short legs. Etruscan inscription referring to the name of the dead, associated with the Marcni family. 3rd - 1st c. BCE. Tomb F, Tumulus of Molinello, Asciano. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 144 images. GDH ID No. UrnWall1_102383_Base,  Inventory No. 102383

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338083
title: Travertine urn, Tumulus of Molinello

description: "Travertine urn from the Tumulus of Molinello, Asciano, Tuscany.  
 
Travertine, four-sided urn, standing on four short legs. Etruscan inscription referring to the name of the dead, associated with the Marcni family. 3rd - 1st c. BCE. Tomb F, Tumulus of Molinello, Asciano. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 144 images. GDH ID No. UrnWall1_102383_Base,  Inventory No. 102383

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338086
title: 156628 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156628
Description: cylinder seal
Notes: two crossed rampant lions (?) in center, on either side a rampant antelope, and to left a human figure.
Materials: shell
Time Period: Early Dynastic
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 1189 B
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq 

[https://collections-anthropology.fieldmuseum.org/catalogue/1059277](http://)

Photography: JP Brown 
Image generation: JP Brown 
Metashape Pro: JP Brown 
Meshlab 2016.12: JP Brown 
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338085
title: 156628 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156628
Description: cylinder seal
Notes: two crossed rampant lions (?) in center, on either side a rampant antelope, and to left a human figure.
Materials: shell
Time Period: Early Dynastic
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 1189 B
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq 

[https://collections-anthropology.fieldmuseum.org/catalogue/1059277](http://)

Photography: JP Brown 
Image generation: JP Brown 
Metashape Pro: JP Brown 
Meshlab 2016.12: JP Brown 
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338090
title: Goffering Iron

description: Goffering iron - stand only, for ironing head and neck gear. Added to Timespan's collection in 1987.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338089
title: Goffering Iron

description: Goffering iron - stand only, for ironing head and neck gear. Added to Timespan's collection in 1987.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338092
title: Clevee Hill Hillfort

description: Cleeve Camp hillfort above Cheltenham. Gloucestershire 
More about it here
http://www.megalithic.co.uk/article.php?sid=4693

Model has 1.5 vertical exaggeration.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338091
title: Clevee Hill Hillfort

description: Cleeve Camp hillfort above Cheltenham. Gloucestershire 
More about it here
http://www.megalithic.co.uk/article.php?sid=4693

Model has 1.5 vertical exaggeration.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338094
title: Tanum 12 A B, Aspeberget

description: Tanum 12, A och B, Aspeberget, Bohuslän

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338093
title: Tanum 12 A B, Aspeberget

description: Tanum 12, A och B, Aspeberget, Bohuslän

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338096
title: Friday the 13th Vitamin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338095
title: Friday the 13th Vitamin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338098
title: Terracotta Warrior

description: Fantastic character, inspired by the story of the first emperor of China of the Qin Dynasty who built an army of terracotta figures.
![](http://)
![](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338097
title: Terracotta Warrior

description: Fantastic character, inspired by the story of the first emperor of China of the Qin Dynasty who built an army of terracotta figures.
![](http://)
![](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338100
title: Hidria Getty 86.AE.113 (Versão 2)

description: O seguinte modelo 3D foi produzido com base no artefato Getty 86.AE.113 -localizado em The J. Paul Getty Museum - por Vander Gabriel Camargo, estudante de História da UFRGS e integrante do CTA (Centro de Tecnologia Acadêmica) com o grupo "Ergane: Arqueologia Digital para o Ensino", em outubro de 2020.

Modelagem do objeto para fins didáticos, uso em salas de aula.

Dados do objeto original: - Proveniência: Atenas, Ática, Grécia; Artístas: Pintor do Círculo de Lydos; Técnica: Figuras Negras; Datação: ca. 550 a.C.; Dimenções: 38.9 × 30.2 cm; Localização atual: EUA, California, Malibu, Getty Museum: 86.AE.113; Beazley Archive Pottery Database: 79 (https://www.beazley.ox.ac.uk/XDB/ASP/recordDetails.asp?id={217714DE-42A7-40A2-878A-A21F4EA27BD8}&noResults=1284&recordCount=3&databaseID={12FC52A7-0E32-4A81-9FFA-C8C6CF430677}&search=%20{AND}%2079).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338099
title: Hidria Getty 86.AE.113 (Versão 2)

description: O seguinte modelo 3D foi produzido com base no artefato Getty 86.AE.113 -localizado em The J. Paul Getty Museum - por Vander Gabriel Camargo, estudante de História da UFRGS e integrante do CTA (Centro de Tecnologia Acadêmica) com o grupo "Ergane: Arqueologia Digital para o Ensino", em outubro de 2020.

Modelagem do objeto para fins didáticos, uso em salas de aula.

Dados do objeto original: - Proveniência: Atenas, Ática, Grécia; Artístas: Pintor do Círculo de Lydos; Técnica: Figuras Negras; Datação: ca. 550 a.C.; Dimenções: 38.9 × 30.2 cm; Localização atual: EUA, California, Malibu, Getty Museum: 86.AE.113; Beazley Archive Pottery Database: 79 (https://www.beazley.ox.ac.uk/XDB/ASP/recordDetails.asp?id={217714DE-42A7-40A2-878A-A21F4EA27BD8}&noResults=1284&recordCount=3&databaseID={12FC52A7-0E32-4A81-9FFA-C8C6CF430677}&search=%20{AND}%2079).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338102
title: Nämforsen, Brådön C1, Ådals-Liden 193:1

description: Nämforsen, Brådön, Hallström_C1, Ådals-Liden 193:1, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338101
title: Nämforsen, Brådön C1, Ådals-Liden 193:1

description: Nämforsen, Brådön, Hallström_C1, Ådals-Liden 193:1, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338104
title: Leal Lion Color

description: Photo to 3D model of Leal Lion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338103
title: Leal Lion Color

description: Photo to 3D model of Leal Lion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338105
title: Textiles: Agrafena, "It's a Family Affair..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Agrafena Bolshova in the play "It's a Family Affair-We'll Settle It Ourselves" (1850) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.23311.66725

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338106
title: Textiles: Agrafena, "It's a Family Affair..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Agrafena Bolshova in the play "It's a Family Affair-We'll Settle It Ourselves" (1850) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.23311.66725

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338112
title: Château Teutonique de Malbork, Pologne

description: Patrimoine UNESCO : Ce monastère fortifié de l'ordre Teutonique datant du XIIIe siècle a été largement agrandi et embelli après 1309, quand le siège du grand maître de l'ordre a été transféré de Venise à Malbork. Exemple suprême du château médiéval en brique, il s'est ensuite délabré mais a été méticuleusement restauré au XIXe siècle et au début du XXe . C'est là qu'ont été élaborées nombre de techniques de conservation qui sont maintenant de règle. Après de graves dégâts subis lors de la Seconde Guerre mondiale, le château a été de nouveau restauré à partir de la documentation détaillée préparée par les précédents spécialistes de sa conservation.
 [Source](http://whc.unesco.org/fr/list/847/)
 ![](http://whc.unesco.org/uploads/thumbs/site_0847_0031-500-355-20151105151922.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338111
title: Château Teutonique de Malbork, Pologne

description: Patrimoine UNESCO : Ce monastère fortifié de l'ordre Teutonique datant du XIIIe siècle a été largement agrandi et embelli après 1309, quand le siège du grand maître de l'ordre a été transféré de Venise à Malbork. Exemple suprême du château médiéval en brique, il s'est ensuite délabré mais a été méticuleusement restauré au XIXe siècle et au début du XXe . C'est là qu'ont été élaborées nombre de techniques de conservation qui sont maintenant de règle. Après de graves dégâts subis lors de la Seconde Guerre mondiale, le château a été de nouveau restauré à partir de la documentation détaillée préparée par les précédents spécialistes de sa conservation.
 [Source](http://whc.unesco.org/fr/list/847/)
 ![](http://whc.unesco.org/uploads/thumbs/site_0847_0031-500-355-20151105151922.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338114
title: Forgery of a Roman Funeral Pedestal, Evora

description: Forgery of a Roman funeral pedestal of Quinto Cecílio Volusiano, made in the 16th century by André de Resende. It is carved in marble. On its main face it retains the following inscription: "CILIO . Q . F . / VOLVS ... AEF .../ COH I C R SEX / PROVOC VICTORI / DON DONATO AB / IMPER ... II HAST / PVR III VEXIL ... / ... CIVI IMVR / HII OBSIIT ... NIB .../ HIS IN REP . S FVNC / EBORENS CIVI OPT / ... MERITA EIVS IN / MUNIC MARMOR / BASI AENE D. D.". It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME1841.

FARINHA, Bento José de Souza - Colleçam das Antiguidades de Evora. Lisboa: Off. Filippe da Silva e Azev., 1785, pp. 77-79.

ENCARNAÇÃO, José d' - "Da invenção de inscrições romanas pelo humanista André de Resende", in BIBLOS, vol.LXVII: 1991, pp. 199, 211-213.

736 photos from Canon 5D Mk IV (35mm lens). Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured,) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338113
title: Forgery of a Roman Funeral Pedestal, Evora

description: Forgery of a Roman funeral pedestal of Quinto Cecílio Volusiano, made in the 16th century by André de Resende. It is carved in marble. On its main face it retains the following inscription: "CILIO . Q . F . / VOLVS ... AEF .../ COH I C R SEX / PROVOC VICTORI / DON DONATO AB / IMPER ... II HAST / PVR III VEXIL ... / ... CIVI IMVR / HII OBSIIT ... NIB .../ HIS IN REP . S FVNC / EBORENS CIVI OPT / ... MERITA EIVS IN / MUNIC MARMOR / BASI AENE D. D.". It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME1841.

FARINHA, Bento José de Souza - Colleçam das Antiguidades de Evora. Lisboa: Off. Filippe da Silva e Azev., 1785, pp. 77-79.

ENCARNAÇÃO, José d' - "Da invenção de inscrições romanas pelo humanista André de Resende", in BIBLOS, vol.LXVII: 1991, pp. 199, 211-213.

736 photos from Canon 5D Mk IV (35mm lens). Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured,) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338116
title: Statue, Mleiha, Sharjah, UAE. 1st - 3rd cent. CE

description: Statue, 1st - 3nd cent. CE. Mleiha 8, "the palace" entrance and courtyard. H. 14.8 cm. Overlaet 2018:21, Figure 15. Catalogue No. 15; Mery and Mouton 2018:53).

558 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Sophie Mery and Michel Mouton. 2018. French archaeological expedition in the United Arab Emirates. Annual Sharjah Archaeology, Issue 13, Pp. 44-54.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338115
title: Statue, Mleiha, Sharjah, UAE. 1st - 3rd cent. CE

description: Statue, 1st - 3nd cent. CE. Mleiha 8, "the palace" entrance and courtyard. H. 14.8 cm. Overlaet 2018:21, Figure 15. Catalogue No. 15; Mery and Mouton 2018:53).

558 photos. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

B. Overlaet 2018. Mleiha, An Arab Kingdom on the Caravan Trails (Brussels 30.10-30.12.2018). Sharjah: Sharjah Archaeology Authority.

Sophie Mery and Michel Mouton. 2018. French archaeological expedition in the United Arab Emirates. Annual Sharjah Archaeology, Issue 13, Pp. 44-54.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338118
title: Ceratites sp. 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338117
title: Ceratites sp. 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338120
title: Candle

description: a flickering candle light.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338119
title: Candle

description: a flickering candle light.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338122
title: Pared

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338121
title: Pared

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338123
title: Ul Kłodowy / Hive, Łowicz, Polska/Poland

description: ![](https://tinyurl.com/mwdkbxt)

**PL:** XIX wieczny ul kłodowy stojący, zwany też stojakiem, znajdujący się w Muzeum w Łowiczu. 
Słowo "ul" wywodzi się z czasów prasłowiańskich i oznacza wydrążenie. W polskich pasiekach ule kłodowe przeważały od średniowiecza, zastępując starsze barcie. Podobieństwo techniki i wyglądu jest tak duże, że często ule nazywano zamiennie  kłodami  lub barciami jeszcze w latach 50-tych XX wieku.

-----

**Eng:** XIXth century vertical log hive from Museum in Łowicz.
Word "ul" has it origins in the pre-Slavic age and means "to carve". In polish apiaries log hives were most popular since Medieval times when they replaced hives carved in trees.
------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338124
title: Ul Kłodowy / Hive, Łowicz, Polska/Poland

description: ![](https://tinyurl.com/mwdkbxt)

**PL:** XIX wieczny ul kłodowy stojący, zwany też stojakiem, znajdujący się w Muzeum w Łowiczu. 
Słowo "ul" wywodzi się z czasów prasłowiańskich i oznacza wydrążenie. W polskich pasiekach ule kłodowe przeważały od średniowiecza, zastępując starsze barcie. Podobieństwo techniki i wyglądu jest tak duże, że często ule nazywano zamiennie  kłodami  lub barciami jeszcze w latach 50-tych XX wieku.

-----

**Eng:** XIXth century vertical log hive from Museum in Łowicz.
Word "ul" has it origins in the pre-Slavic age and means "to carve". In polish apiaries log hives were most popular since Medieval times when they replaced hives carved in trees.
------

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338126
title: Big Indian Rock Petroglyphs 3 (front center)

description: This is a partial LiDAR scan of Big Indian Rock (front center of the 40'x60' boulder) located in Safe Harbor, PA. The scan was performed by an iPhone 13.

Did you know that one of Pennsylvania's most significant archaeological sites is in Lancaster County? Hidden in plain sight in the middle of the Susquehanna River, a half-mile below Safe Harbor dam, is the millennium-old petroglyphs of Little Indian Rock and Big Indian Rock. 

These boulders represent one of the two largest remaining concentrations of rock art in the northeast United States (the other site being the Machias Bay Petroglyphs along the northeast coast of Maine).

*Read more about the Big Indian Rock here*: https://wp.me/PazrDx-5vW

*Additional scans of the petroglyphs at Safe Harbor*:

Little Indian Rock: https://skfb.ly/ow9Fz

Big Indian Rock 1 (middle left): https://skfb.ly/owuFQ

Big Indian Rock 2 (middle right): https://skfb.ly/ow9Fx

Big Indian Rock 3 (front center): https://skfb.ly/ow9FB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338125
title: Big Indian Rock Petroglyphs 3 (front center)

description: This is a partial LiDAR scan of Big Indian Rock (front center of the 40'x60' boulder) located in Safe Harbor, PA. The scan was performed by an iPhone 13.

Did you know that one of Pennsylvania's most significant archaeological sites is in Lancaster County? Hidden in plain sight in the middle of the Susquehanna River, a half-mile below Safe Harbor dam, is the millennium-old petroglyphs of Little Indian Rock and Big Indian Rock. 

These boulders represent one of the two largest remaining concentrations of rock art in the northeast United States (the other site being the Machias Bay Petroglyphs along the northeast coast of Maine).

*Read more about the Big Indian Rock here*: https://wp.me/PazrDx-5vW

*Additional scans of the petroglyphs at Safe Harbor*:

Little Indian Rock: https://skfb.ly/ow9Fz

Big Indian Rock 1 (middle left): https://skfb.ly/owuFQ

Big Indian Rock 2 (middle right): https://skfb.ly/ow9Fx

Big Indian Rock 3 (front center): https://skfb.ly/ow9FB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338128
title: Veit D, norðan fyri Kirkjuna á Sandi

description: Trench D in the 2018 excavation in the vilaage og Sandur, Faroe Iskands

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338127
title: Veit D, norðan fyri Kirkjuna á Sandi

description: Trench D in the 2018 excavation in the vilaage og Sandur, Faroe Iskands

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10338130
title: Virus Capsomer Model [quaternary structure]

description: PICORNAVIRIDAE – Designing Model and Visualization Concepts in Virology 

Educational T=3 [and T=pseudo3] Virus Structure Model [assembly unit 08/08]

Schematic interpretation of virus protein tertiary structures – showing the main primary structures [ β-jelly-roll and α-helices].  Arranged according to the wedge-shape structure [1]. Based on early schematic protein diagrams [Richardson: 1977] and protein ribbon diagrams [Richardson: 1985].

Source: Objaverse 1.0 / Sketchfab