cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10321896
title: Lamp Post Detail British Museum Remix

description: This is a 3d model designed for the Cultural Heritage Remix Challenge. The original 3d model was uploaded for the user Thomas Flynn, which is highly knowed in the community. The original model is named Lamp Post Detail, British Museum", which i think is very descriptive. The remix is based on the idea of use the original source for create something magic, when i drew the first concepts: a door, a pilar, a crystal was quickly appearing in the paper, so i modeled them in blender, remixing the original textures to colour the new parts and using cycles to recreate the original textures with new illumination. i used the original source as base of the pilar and another part to create the top, the rest of the model (the main post with the metal vines or the art-noveau metal of the door) is original work.

I really enjoyed this challenge.

Original model user profile: https://sketchfab.com/nebulousflynn
Original Model: https://sketchfab.com/models/875a5c6728474471bfadebb27cfb7948

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321899
title: Longforgan memorial

description: This headstone is situated within the Longforgan burial ground, the mesh near the bottom of the model has one or two holes due to the grass at the memorial base.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321900
title: Longforgan memorial

description: This headstone is situated within the Longforgan burial ground, the mesh near the bottom of the model has one or two holes due to the grass at the memorial base.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321901
title: 1-396 Peru Figure

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321902
title: 1-396 Peru Figure

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321903
title: 2910 Front Cropped

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321904
title: 2910 Front Cropped

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321906
title: Brasão Imperio Brasileiro

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321907
title: Brasão Imperio Brasileiro

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321909
title: 旭ふるさと歴史公園_竪穴式住居

description: 撮影機器:iPadPro2020
使用アプリ:WIDAR
種類:フォトグラメトリ(78枚)
感想:大きめな構造物なので、小物を得意とするフォトグラメトリではどうなるか不安だったが、
   割と綺麗めに作成できたと思う。WIDARの処理によっては、RGBが反映されない時があるため、
     モデル完了時に要確認。空白箇所がある時は写真を追加することで修正できる。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321908
title: 旭ふるさと歴史公園_竪穴式住居

description: 撮影機器:iPadPro2020
使用アプリ:WIDAR
種類:フォトグラメトリ(78枚)
感想:大きめな構造物なので、小物を得意とするフォトグラメトリではどうなるか不安だったが、
   割と綺麗めに作成できたと思う。WIDARの処理によっては、RGBが反映されない時があるため、
     モデル完了時に要確認。空白箇所がある時は写真を追加することで修正できる。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321910
title: Knight in Prayer (44.25) - no background

description: This is an almost waist-length carved stone sculpture, said to be a portrait of Le Chevalier Dunois, a companion-in-arms of St Joan of Arc. The knight is shown at prayer, wearing plate armour, but without a helmet. The figure has possibly been cut down from a full-length, probably kneeling figure, and may have been originally part of a tomb. The sculpture probably dates from the 15th century.
The sculpture is fine, and the depiction of the armour is particularly interesting in that it is very accurately portrayed, down to the smallest detail.
The sculpture was purchased by Sir William Burrell from the dealers Acton Surgey in May 1929.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321911
title: Knight in Prayer (44.25) - no background

description: This is an almost waist-length carved stone sculpture, said to be a portrait of Le Chevalier Dunois, a companion-in-arms of St Joan of Arc. The knight is shown at prayer, wearing plate armour, but without a helmet. The figure has possibly been cut down from a full-length, probably kneeling figure, and may have been originally part of a tomb. The sculpture probably dates from the 15th century.
The sculpture is fine, and the depiction of the armour is particularly interesting in that it is very accurately portrayed, down to the smallest detail.
The sculpture was purchased by Sir William Burrell from the dealers Acton Surgey in May 1929.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321912
title: Anvil

description: Made a pretty swell looking anvil, really starting to get the hang of turbosmooth and control loops. I made the tusk bit by stretching a cylinder into a tip, flattening a portion/side, and then messing around with soft selection. More to come!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321913
title: Anvil

description: Made a pretty swell looking anvil, really starting to get the hang of turbosmooth and control loops. I made the tusk bit by stretching a cylinder into a tip, flattening a portion/side, and then messing around with soft selection. More to come!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321914
title: Santa Gertrudes (Montemor-o-Novo)

description: Gertrude was a German Benedictine nun, canonized in 1677 by pope Clement XII. This was a saint of great devotion in the western europe, notable early devotee of the Sacred Heart of Jesus.

This is a statue, made in wood, belonging probably to Convento da Saudação, in Montemor-o-Novo - Portugal. This piece is part of the collection of the museum of São Domingos, also in Montemor-o-Novo.

Photos from Canon 5D Mk IV (35mm lens). Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321915
title: Santa Gertrudes (Montemor-o-Novo)

description: Gertrude was a German Benedictine nun, canonized in 1677 by pope Clement XII. This was a saint of great devotion in the western europe, notable early devotee of the Sacred Heart of Jesus.

This is a statue, made in wood, belonging probably to Convento da Saudação, in Montemor-o-Novo - Portugal. This piece is part of the collection of the museum of São Domingos, also in Montemor-o-Novo.

Photos from Canon 5D Mk IV (35mm lens). Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321916
title: Cueva de los Muñecos

description: Cueva de los Muñecos. Santa Elena. Jaén.

El yacimiento pertenece al núcleo de Despeñaperros muy cerca del yacimiento ibérico del Collado de los Jardines. Se trata de un abrigo orientado al Suroeste de grandes proporciones, 50 metros de ancho, situado al lado de un manantial estacionalmente seco. Existe sólo un cérvido 19 x 8,50 centímetros de color negro pintado en el techo, tendencia naturalista. iaph

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321917
title: Cueva de los Muñecos

description: Cueva de los Muñecos. Santa Elena. Jaén.

El yacimiento pertenece al núcleo de Despeñaperros muy cerca del yacimiento ibérico del Collado de los Jardines. Se trata de un abrigo orientado al Suroeste de grandes proporciones, 50 metros de ancho, situado al lado de un manantial estacionalmente seco. Existe sólo un cérvido 19 x 8,50 centímetros de color negro pintado en el techo, tendencia naturalista. iaph

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321918
title: Stylus 87.59

description: Courtesy Smith College Van Buren Antiquities Collection

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321919
title: Stylus 87.59

description: Courtesy Smith College Van Buren Antiquities Collection

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321920
title: Mammuthus columbi - OCPC

description: This is the mandible of a columbian mammoth found in Orange County, California.  The original fossil is housed at the Cooper Lab, as part of the Orange County Parks paleontology collection.  The fossils were scanned with a blue laser scanner by the Purple Porcupine company.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321921
title: Mammuthus columbi - OCPC

description: This is the mandible of a columbian mammoth found in Orange County, California.  The original fossil is housed at the Cooper Lab, as part of the Orange County Parks paleontology collection.  The fossils were scanned with a blue laser scanner by the Purple Porcupine company.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321922
title: FS0192 Honanki Room 14  West Wall

description: This room is located to the east of the main west alcove rooms at the Honanki Cultural Heritage site.

The foreground on the left side of the model includes portions of the remnants of the south wall of this room. Much of the rock material is the upper portion of the collapsed east Wall.

The room walls were created by the Sinagua Paleo Indian culture circa 1100 AD to 1300 AD. 

The Sinagua are, in part, ancestors of the Hopi Indian culture.

The Honanki Cultural Heritage site is located in the Red Rock District of the Coconino Forest northwest of Sedona Arizona

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites
http://www.sedonaredrocktrails.org/

http://www.fs.usda.gov/recmain/coconino/recreation

Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at
http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321923
title: FS0192 Honanki Room 14  West Wall

description: This room is located to the east of the main west alcove rooms at the Honanki Cultural Heritage site.

The foreground on the left side of the model includes portions of the remnants of the south wall of this room. Much of the rock material is the upper portion of the collapsed east Wall.

The room walls were created by the Sinagua Paleo Indian culture circa 1100 AD to 1300 AD. 

The Sinagua are, in part, ancestors of the Hopi Indian culture.

The Honanki Cultural Heritage site is located in the Red Rock District of the Coconino Forest northwest of Sedona Arizona

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites
http://www.sedonaredrocktrails.org/

http://www.fs.usda.gov/recmain/coconino/recreation

Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at
http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321924
title: Ancient Roman Architecture Scan vol. 10.

description: This stone is once were a part of and ancient roman building. This object were found near Graphisoft Park, Budapest.


www.furaysolutions.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321925
title: Ancient Roman Architecture Scan vol. 10.

description: This stone is once were a part of and ancient roman building. This object were found near Graphisoft Park, Budapest.


www.furaysolutions.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321927
title: Bien 51

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321926
title: Bien 51

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321930
title: ROI031-046-02

description: Riverton Point collected in Hamilton County, Indiana.

Catalog # 12-H-524-20

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI031-046-02, 3D Model .ply file. Recovered as part of Report of Investigations 31, *An Archaeological Database Enhancement Project: A Survey of Hamilton and Marion Counties, Indiana*, By Donald Cree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321931
title: ROI031-046-02

description: Riverton Point collected in Hamilton County, Indiana.

Catalog # 12-H-524-20

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI031-046-02, 3D Model .ply file. Recovered as part of Report of Investigations 31, *An Archaeological Database Enhancement Project: A Survey of Hamilton and Marion Counties, Indiana*, By Donald Cree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321932
title: Goodwill Vase

description: This vase was scanned with the Artec Eva. I used HD mode and upped the default HD settings. Came out pretty nice.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321933
title: Goodwill Vase

description: This vase was scanned with the Artec Eva. I used HD mode and upped the default HD settings. Came out pretty nice.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321934
title: Swivel Gun Shot

description: Small iron shot for Swivel Gun from Prospect Bluff Historic Sites, 1814-1816

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321935
title: Swivel Gun Shot

description: Small iron shot for Swivel Gun from Prospect Bluff Historic Sites, 1814-1816

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321936
title: Cart.

description: Just a regular cart.

Feel free to download and use it!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321937
title: Cart.

description: Just a regular cart.

Feel free to download and use it!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321938
title: 320-330R640-650 Block With Postholes Outlined

description: **320-330R640-650 block at top-of-subsoil surface with postholes outlined**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 10.00 ft (3.05 m) north-south; width, 10.00 ft (3.05 m) east-west.

Notes:  A 10x10-ft block at the east edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  Postholes in this block are outlined but not excavated.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321939
title: 320-330R640-650 Block With Postholes Outlined

description: **320-330R640-650 block at top-of-subsoil surface with postholes outlined**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 10.00 ft (3.05 m) north-south; width, 10.00 ft (3.05 m) east-west.

Notes:  A 10x10-ft block at the east edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  Postholes in this block are outlined but not excavated.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321940
title: Rongo stone closeup

description: Maori sacred stone at Cornwall Park, Auckland, New Zealand.
My 3D model generated with photogrammetry software 3DF Zephyr v4.009 processing 9 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321941
title: Rongo stone closeup

description: Maori sacred stone at Cornwall Park, Auckland, New Zealand.
My 3D model generated with photogrammetry software 3DF Zephyr v4.009 processing 9 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321944
title: Lidded incense burner (xianglu)

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:ce850625-2cf1-4c6f-9086-0d5845d9a664)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Lidded incense burner (xianglu) with geometric decoration and narrative scenes

Medium: Bronze with gold, silver, turquoise, and carnelian inlay

Dimensions: H x W: 17.9 x 10 cm (7 1/16 x 3 15/16 in)

Origin: Henan or Hebei province, China

Date: ca. 2nd century BCE

Period: Early Western Han dynasty

Credit Line: Purchase — Charles Lang Freer Endowment

Accession Number: F1947.15a-b

Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery

EDAN-URL: edanmdm:fsg_F1947.15a-b

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321945
title: Lidded incense burner (xianglu)

description: Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:ce850625-2cf1-4c6f-9086-0d5845d9a664)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Lidded incense burner (xianglu) with geometric decoration and narrative scenes

Medium: Bronze with gold, silver, turquoise, and carnelian inlay

Dimensions: H x W: 17.9 x 10 cm (7 1/16 x 3 15/16 in)

Origin: Henan or Hebei province, China

Date: ca. 2nd century BCE

Period: Early Western Han dynasty

Credit Line: Purchase — Charles Lang Freer Endowment

Accession Number: F1947.15a-b

Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery

EDAN-URL: edanmdm:fsg_F1947.15a-b

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321947
title: Tanum 15:1 Aspeberget

description: Lasermodel of Tanum 15:1 at Aspeberget.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321948
title: Tanum 15:1 Aspeberget

description: Lasermodel of Tanum 15:1 at Aspeberget.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321949
title: Baños romanos de Fortuna

description: El yacimiento en el que se encuentra el Balneario Romano de Fortuna se definió por primera vez en 1984 gracias al trabajo realizado por Gonzalo Matilla para contextualizar arqueológicamente la Cueva Negra de Fortuna. Pese a que en mismo lugar habían existido unos baños modernos que funcionaron hasta el primer tercio del siglo XIX, el paraje era conocido como "Los Baños Moros" ya desde finales del XIX.
Hasta el momento se ha excavado en dos zonas, Una correspondiente a una hospedería o edificio de servicios al que están asociados dos grandes aljibes de planta ovalada y otra en la que se encuentra tanto el edificio balneario romano, como los baños de época islámica, del siglo XV y del siglo XVII al IX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321950
title: Baños romanos de Fortuna

description: El yacimiento en el que se encuentra el Balneario Romano de Fortuna se definió por primera vez en 1984 gracias al trabajo realizado por Gonzalo Matilla para contextualizar arqueológicamente la Cueva Negra de Fortuna. Pese a que en mismo lugar habían existido unos baños modernos que funcionaron hasta el primer tercio del siglo XIX, el paraje era conocido como "Los Baños Moros" ya desde finales del XIX.
Hasta el momento se ha excavado en dos zonas, Una correspondiente a una hospedería o edificio de servicios al que están asociados dos grandes aljibes de planta ovalada y otra en la que se encuentra tanto el edificio balneario romano, como los baños de época islámica, del siglo XV y del siglo XVII al IX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321953
title: Otto L.A. Meves Grave Marker

description: Located in the Masonic section of Evergreen Cemetery, this tomb "stone" is actually made of wood, as you can see at the top of the marker, where the paint has chipped off. Otto Meves was born in 1827 and died in 1889.
I have been unable to find much information on Mr. Meves, save for an account of a lawsuit against his wife (here: https://books.google.com/books?id=fbmZAAAAIAAJ&pg=PA1063&lpg=PA1063&dq=otto+meves+santa+cruz&source=bl&ots=5RRWU7cyrb&sig=Tm0SQC8U8KCgUdqDB9qYT63UjXA&hl=en&sa=X&ei=6JtFVaetOIStogSLtYHoAw&ved=0CDEQ6AEwAw#v=onepage&q=otto%20meves%20santa%20cruz&f=false)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321954
title: Otto L.A. Meves Grave Marker

description: Located in the Masonic section of Evergreen Cemetery, this tomb "stone" is actually made of wood, as you can see at the top of the marker, where the paint has chipped off. Otto Meves was born in 1827 and died in 1889.
I have been unable to find much information on Mr. Meves, save for an account of a lawsuit against his wife (here: https://books.google.com/books?id=fbmZAAAAIAAJ&pg=PA1063&lpg=PA1063&dq=otto+meves+santa+cruz&source=bl&ots=5RRWU7cyrb&sig=Tm0SQC8U8KCgUdqDB9qYT63UjXA&hl=en&sa=X&ei=6JtFVaetOIStogSLtYHoAw&ved=0CDEQ6AEwAw#v=onepage&q=otto%20meves%20santa%20cruz&f=false)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321955
title: Decanter

description: Ceramic. Iron Age II. HMANE 1976.4.7

*Scanned by Lauren Wyman with the Artec Leo 3D Scanner*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321956
title: Decanter

description: Ceramic. Iron Age II. HMANE 1976.4.7

*Scanned by Lauren Wyman with the Artec Leo 3D Scanner*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321957
title: Lekythos

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 61-705 / EN10578

Description: Lekythos

Data Capture Method: Photogrammetry

Processing Software: Reality Capture

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321958
title: Lekythos

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 61-705 / EN10578

Description: Lekythos

Data Capture Method: Photogrammetry

Processing Software: Reality Capture

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10321960
title: Escoural Rock Art Painting number 9

description: Discovered on an April afternoon in 1963, after an explosion of a quarry, the Escoural Cave proved to be an unavoidable site for the history of archeology in Portugal. What the cavel represents today transcends its tourist value, and assumes itself as an international reference for Paleolithic art as the westernmost point of Europe with such artistic representations of Prehistory. The cave art of the Escoural Cave fits in chronologically between 20,000 and 18,000 years a. C. In addition to the engravings, paintings depicting various figures from aurochs to equines as well as geometrical are also known. This is the 3D model of the rock art painting panel number 9, featuring three convergent strokes at the top, possibly representing a hut.

Source: Objaverse 1.0 / Sketchfab