DOI: 10.58132/8onvhh
title: Drangsong 035: Go go ba dang mdos la dbang bskur pa bsgrub[sgurb] gshen lha bkod pa bzhugs s+ho/; zhi ba a gsal gyi gzhung…; thar rabs rgyas ’debs bzhugs s+ho/

description: Drangsong 035: Go go ba dang mdos la dbang bskur pa bsgrub[sgurb] gshen lha bkod pa bzhugs s+ho/; zhi ba a gsal gyi gzhung…; thar rabs rgyas ’debs bzhugs s+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 035 contains pray for the arrival of the five Buddhas, the Buddhas of the three times, and the Buddhas of the three directions, to bless the mdos offerings, and visualize the practitioner as the meditational deity; the main text of the prayer for the masters who practiced the Dzogchen teaching and peaceful deity system in the past; the vampires that people of various identities become after death are metaphors for the five negative emotions of pride, jealousy, hatred, ignorance, and greed; pray for freedom from the harm of various vampires, also pray for the spirit to get rid of the five negative emotions.It is composed of 4 folios. File naming convention within Drangsong_035.zip archive: Drangsong_035_001r.jpgDrangsong_035 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_035.zip (master scans of the manuscript pages with color checker),• Drangsong_035.pdf (containing presentation images of the manuscript pages),• Drangsong_035_001r.png (manuscript page sample),• Drangsong_035_backlites.zip (backlit samples),• Drangsong_035_fibres.zip (microscopic images),• Drangsong_035_macros.zip (in close-up samples),• Drangsong_035_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.