cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10386785
title: Lighthouse

description: A lighthouse model for an rts. Texture made in aseprite by mouse. UVing this was kinda painful haha

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386781
title: Sant Pere.  Portalada del monestir de Ripoll

description: Sant Pere amb les claus i un volum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386783
title: Crucifix

description: Crucifix with gold texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386784
title: Lighthouse

description: A lighthouse model for an rts. Texture made in aseprite by mouse. UVing this was kinda painful haha

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386787
title: Ölberg-Relief (Rint) 1865 Pfarrkirche Lasberg

description: **INHALT**
Die Ölbergszene ist mehrfach genannt (Mt 26,36–56 EU; Mk 14,32–52 EU und Lk 22,39–53 EU). Die Gruppe besteht in der Regel aus einer Jesusfigur und Figuren der schlafenden Jünger Petrus, Johannes und Jakobus sowie des Engels, der Jesus in seiner Angst stärkt (Lukas 22, 43) und zugleich den Kelch hält, der bildliche Gegenstand seines Gebets ist.

**Geschichte**
Außen an der Pfarrkirche Lasberg spendete 1864 Franziska Schwarz den Bau einer Nische und ein großes Ölbergrelief. Geplant wurde es von dem aus Böhmen stammenden Johann Rint, geschnitzt hat es sein Sohn Josef Rint. Dieser hatte schon zwischen 1852 und 1855 zusammen mit seinem Sohn den Kefermarkter Altar im Auftrag von Adalbert Stifter restauriert. Der Schwager von Franziska, Gastwirt Peter Winkler transportierte das Bild unentgeltlich von Linz nach Lasberg. Auch Michael Prandstätter spendete Material und Geld für den Ölberg. Er wurde am 16. August 1864 eingeweiht.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386790
title: Team IUPUI - T-Shirt - Black

description: To celebrate IUPUI's 50th anniversary, we're 3D scanning some of the apparel the University has released throughout the years.

This shirt was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386791
title: Team IUPUI - T-Shirt - Black

description: To celebrate IUPUI's 50th anniversary, we're 3D scanning some of the apparel the University has released throughout the years.

This shirt was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386793
title: Camilla (1903) Shipwreck

description: http://museum.wa.gov.au/maritime-archaeology-db/wrecks/id-964 and http://www.shipwreckswa.com/camilla1834-1903/

Recorded during the MAAWA 3D Photogrammetry Course.

1136 images on thr 13th of August 2021. Camera: Sony RX100IV with Fantasea UWL-400Q Wide Angle Wet Lens. Processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386795
title: Човен / Boat

description: Човен быў падняты са дна р. Нёман ля в. Мікалаева Іўеўскага раёна Гродзенскай вобласці сумеснай экспедыцыяй Інстытута гісторыі НАН Беларусі і дайвінг-клуба "Марскі пегас" увосень 2018 г. Паводле дэндрахраналогіі датуецца 1500-1510 гг. Мадэль зроблена ўлетку 2019 г.  На сённяшні дзень човен захоўваецца ў экспазіцыі музея старажытнабеларускай культуры Інстытута мастацтвазнаўства этнаграфіі і фальклору імя К. Крапівы НАН Беларусі. / This boat was raised from the bottom of the Nioman river. It dates 1500-1510.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386786
title: Ölberg-Relief (Rint) 1865 Pfarrkirche Lasberg

description: **INHALT**
Die Ölbergszene ist mehrfach genannt (Mt 26,36–56 EU; Mk 14,32–52 EU und Lk 22,39–53 EU). Die Gruppe besteht in der Regel aus einer Jesusfigur und Figuren der schlafenden Jünger Petrus, Johannes und Jakobus sowie des Engels, der Jesus in seiner Angst stärkt (Lukas 22, 43) und zugleich den Kelch hält, der bildliche Gegenstand seines Gebets ist.

**Geschichte**
Außen an der Pfarrkirche Lasberg spendete 1864 Franziska Schwarz den Bau einer Nische und ein großes Ölbergrelief. Geplant wurde es von dem aus Böhmen stammenden Johann Rint, geschnitzt hat es sein Sohn Josef Rint. Dieser hatte schon zwischen 1852 und 1855 zusammen mit seinem Sohn den Kefermarkter Altar im Auftrag von Adalbert Stifter restauriert. Der Schwager von Franziska, Gastwirt Peter Winkler transportierte das Bild unentgeltlich von Linz nach Lasberg. Auch Michael Prandstätter spendete Material und Geld für den Ölberg. Er wurde am 16. August 1864 eingeweiht.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386788
title: ROI018-082-03

description: Paleoindian Unfluted Point collected in Jay County, Indiana.

Catalog #: 12-Ja-180-25

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-082-03, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386789
title: ROI018-082-03

description: Paleoindian Unfluted Point collected in Jay County, Indiana.

Catalog #: 12-Ja-180-25

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-082-03, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386792
title: Camilla (1903) Shipwreck

description: http://museum.wa.gov.au/maritime-archaeology-db/wrecks/id-964 and http://www.shipwreckswa.com/camilla1834-1903/

Recorded during the MAAWA 3D Photogrammetry Course.

1136 images on thr 13th of August 2021. Camera: Sony RX100IV with Fantasea UWL-400Q Wide Angle Wet Lens. Processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386796
title: Model For A Press Mould

description: This is a wooden model aimed for the preparation of a sand mould. The sand mould would then be used to cast a cast-iron mould in two parts. The cast-iron mould will then be used to press a glass candle-holder with the shape of the interior cavity seen in this 3D-model. 
The height of the model is 130 mm while the height of the final glass product will be 95 mm. The final glass product will be able to host a candle 30 mm in diameter. The original can be seen at [Bergdala Glastekniska Museum](https://bergdala-glastekniska-museum.se/). 

Detta är en gjutmodell av trä från Alvesta Mekan och Modell kring vilken formas en sandform. Sandformen används för att gjuta en tvådelad järnform. Järnformen används som form vid pressning av en ljushållare av glas. Ljushållarens yttre form motsvarar hålet i trämodellen. 
Hela gjutmodellens höjd är 130 mm medan ljushållarens höjd blir 95 mm. Ljuset kan ha en diamter av 30 mm. Originalet finns att se på [Bergdala Glastekniska Museum](https://bergdala-glastekniska-museum.se/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386797
title: Model For A Press Mould

description: This is a wooden model aimed for the preparation of a sand mould. The sand mould would then be used to cast a cast-iron mould in two parts. The cast-iron mould will then be used to press a glass candle-holder with the shape of the interior cavity seen in this 3D-model. 
The height of the model is 130 mm while the height of the final glass product will be 95 mm. The final glass product will be able to host a candle 30 mm in diameter. The original can be seen at [Bergdala Glastekniska Museum](https://bergdala-glastekniska-museum.se/). 

Detta är en gjutmodell av trä från Alvesta Mekan och Modell kring vilken formas en sandform. Sandformen används för att gjuta en tvådelad järnform. Järnformen används som form vid pressning av en ljushållare av glas. Ljushållarens yttre form motsvarar hålet i trämodellen. 
Hela gjutmodellens höjd är 130 mm medan ljushållarens höjd blir 95 mm. Ljuset kan ha en diamter av 30 mm. Originalet finns att se på [Bergdala Glastekniska Museum](https://bergdala-glastekniska-museum.se/).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386799
title: GLOBAL YUSTE CHOIR

description: Monasterio de Yuste, Logroño, Spain
In the choir of the church, at the foot of the building, there is one of the most important pieces of the building, the ashlar. The authorship of the work carried out in the first third of the sixteenth century is unknown, although the stylistic differences between the lower and upper part of it suggest that the gestation of the work goes back to the late fifteenth century, within a few Gothic postulates. Composed of 61 sites, 31 highs and 30 lows, in addition to a bench of three seats, its iconography is dominated by the fauna, both real and fantastic, full of symbology of vices and virtues. For their negative qualities appear the dog, the deer or the peacock, allegories, among others, of gluttony, dirt and pride, respectively
Scenes of criticism of the vices and social customs of meanings well known at the time, also appear in various places, for example, friars who criticize the custom of drinking, or mythological themes, such as the works of Hercules.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386801
title: COADS_75-18

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio.
Material: Delaware

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_75-18, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386802
title: Calatrava La Vieja (Ciudad Real, Spain)

description: Calatrava La Vieja is a Medieval fortress located in Carrión de Calatrava (Castilla-La Mancha,  Spain). The site was occupied as early as the 8th Century A.D. and through the early 15th Century by both Christians and Muslims at different periods. Calatrava La Vieja  was the home to the first military order of the region: the Order of Calatrava. The model was made using 2,442 images captured with a DJI drone; images were processed in Reality Capture software with additional processing in Geomagic and Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386805
title: Buddha - 100K Vertices Decimation

description: Learn how to use open source Meshroom in this step by step tutorial on the Sketchfab Blog:
https://sketchfab.com/blogs/community/tutorial-meshroom-for-beginners

Low-poly version of the [default pipeline result](https://skfb.ly/6HNN9). The original model has been simplified using an automatic decimation process within Meshroom, to limit the number of vertices to a maximum of 100K.

It has been cleaned up in Meshlab (bounding box cut-out) and retextured in Meshroom.

**Details**

 - Meshroom 2019.1.0
 - Input: 220 images
 - Camera: Sony A7S II

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386807
title: 米子城

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386794
title: Човен / Boat

description: Човен быў падняты са дна р. Нёман ля в. Мікалаева Іўеўскага раёна Гродзенскай вобласці сумеснай экспедыцыяй Інстытута гісторыі НАН Беларусі і дайвінг-клуба "Марскі пегас" увосень 2018 г. Паводле дэндрахраналогіі датуецца 1500-1510 гг. Мадэль зроблена ўлетку 2019 г.  На сённяшні дзень човен захоўваецца ў экспазіцыі музея старажытнабеларускай культуры Інстытута мастацтвазнаўства этнаграфіі і фальклору імя К. Крапівы НАН Беларусі. / This boat was raised from the bottom of the Nioman river. It dates 1500-1510.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386798
title: GLOBAL YUSTE CHOIR

description: Monasterio de Yuste, Logroño, Spain
In the choir of the church, at the foot of the building, there is one of the most important pieces of the building, the ashlar. The authorship of the work carried out in the first third of the sixteenth century is unknown, although the stylistic differences between the lower and upper part of it suggest that the gestation of the work goes back to the late fifteenth century, within a few Gothic postulates. Composed of 61 sites, 31 highs and 30 lows, in addition to a bench of three seats, its iconography is dominated by the fauna, both real and fantastic, full of symbology of vices and virtues. For their negative qualities appear the dog, the deer or the peacock, allegories, among others, of gluttony, dirt and pride, respectively
Scenes of criticism of the vices and social customs of meanings well known at the time, also appear in various places, for example, friars who criticize the custom of drinking, or mythological themes, such as the works of Hercules.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386804
title: Buddha - 100K Vertices Decimation

description: Learn how to use open source Meshroom in this step by step tutorial on the Sketchfab Blog:
https://sketchfab.com/blogs/community/tutorial-meshroom-for-beginners

Low-poly version of the [default pipeline result](https://skfb.ly/6HNN9). The original model has been simplified using an automatic decimation process within Meshroom, to limit the number of vertices to a maximum of 100K.

It has been cleaned up in Meshlab (bounding box cut-out) and retextured in Meshroom.

**Details**

 - Meshroom 2019.1.0
 - Input: 220 images
 - Camera: Sony A7S II

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386806
title: 米子城

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386808
title: 08_60_24_M

description: Metodología: Restitución fotogramétrica
Instrumental:Canon t3, lente 18-55, distancia focal 55mm procesamiento Agisoft Metashape. Post edición y Anotaciones en plataforma SketchFab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386809
title: 08_60_24_M

description: Metodología: Restitución fotogramétrica
Instrumental:Canon t3, lente 18-55, distancia focal 55mm procesamiento Agisoft Metashape. Post edición y Anotaciones en plataforma SketchFab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386811
title: Tarlair Open Air Swimming Pool

description: Tarlair Open Air Swimming Pool, Macduff. Opened in the 1930's

Photogrammetry model created using Reality Capture.  300 images captured with a DJI mini 2 drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386812
title: Clonenagh - No 1

description: Text - Con Manning 'Cross-Slas From Clonenagh Co. Laois'

A slab with decoration on both faces. It has one original edge with a double line border along each face. Face A - Two crosses within circles and part of a third, individual spirals, a pelta, some lines and a motif, left in relief which looks like shears Face B - Greek Cross, part of cross at top, series of spirals at bottom of the face.
![Funded by ](https://www.heritagecouncil.ie/content/files/HERITAGECOUNCILlogo.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386813
title: Clonenagh - No 1

description: Text - Con Manning 'Cross-Slas From Clonenagh Co. Laois'

A slab with decoration on both faces. It has one original edge with a double line border along each face. Face A - Two crosses within circles and part of a third, individual spirals, a pelta, some lines and a motif, left in relief which looks like shears Face B - Greek Cross, part of cross at top, series of spirals at bottom of the face.
![Funded by ](https://www.heritagecouncil.ie/content/files/HERITAGECOUNCILlogo.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386815
title: Oculus Pavilion, Toronto

description: The Oculus Pavilion sits next to Humber River Trail in Toronto's west end. The Oculus was designed by architect Alan Crossley and Laurence Cazaly in 1959 in the mid-century modern style. It has fallen into disrepair in recent decades, but is presently undergoing restoration and revitalization.

[Read more about it here.](http://spacing.ca/toronto/2016/07/22/toronto-humber-park-pavilion/)

The model is a little rough around the edges, but I might be able to clean it some in Blender.

# Model Details:

* **Camera**: Olympus OM-D E-M10

* **Photo Count**: 371

* **Software**: Agisoft Metashape

# Controls: 

* **Rotate**: left click and drag

* **Zoom**: scroll wheel, **or** hold CTRL, left click and drag 

* **Pan**: right click and drag

* **Rotate light source**: hold ALT, left click and drag

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386800
title: COADS_75-18

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio.
Material: Delaware

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_75-18, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386803
title: Calatrava La Vieja (Ciudad Real, Spain)

description: Calatrava La Vieja is a Medieval fortress located in Carrión de Calatrava (Castilla-La Mancha,  Spain). The site was occupied as early as the 8th Century A.D. and through the early 15th Century by both Christians and Muslims at different periods. Calatrava La Vieja  was the home to the first military order of the region: the Order of Calatrava. The model was made using 2,442 images captured with a DJI drone; images were processed in Reality Capture software with additional processing in Geomagic and Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386810
title: Tarlair Open Air Swimming Pool

description: Tarlair Open Air Swimming Pool, Macduff. Opened in the 1930's

Photogrammetry model created using Reality Capture.  300 images captured with a DJI mini 2 drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386814
title: Oculus Pavilion, Toronto

description: The Oculus Pavilion sits next to Humber River Trail in Toronto's west end. The Oculus was designed by architect Alan Crossley and Laurence Cazaly in 1959 in the mid-century modern style. It has fallen into disrepair in recent decades, but is presently undergoing restoration and revitalization.

[Read more about it here.](http://spacing.ca/toronto/2016/07/22/toronto-humber-park-pavilion/)

The model is a little rough around the edges, but I might be able to clean it some in Blender.

# Model Details:

* **Camera**: Olympus OM-D E-M10

* **Photo Count**: 371

* **Software**: Agisoft Metashape

# Controls: 

* **Rotate**: left click and drag

* **Zoom**: scroll wheel, **or** hold CTRL, left click and drag 

* **Pan**: right click and drag

* **Rotate light source**: hold ALT, left click and drag

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386817
title: Govan 15

description: Govan 15 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n30/mode/2up); ECMS 34) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This monument is fragmented, but there are no records for what the lower part would have looked like. This stone was reused sometime between the 17th-19th centuries, at which point the initials 'A.R.I.R.' were added.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386819
title: Sphinx

description: 3d scan for a small kids game (sphinx)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386820
title: Kirk Serrated Projectile Point (2101a404-2)

description: **Kirk Serrated spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (7000-6000 BC).

Material: metavolcanic rock.

Dimensions: length, 62.6 mm; width, 30.1 mm; thickness, 8.7 mm.

Notes: Catalog no. 2101a404 (specimen 2), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386821
title: Kirk Serrated Projectile Point (2101a404-2)

description: **Kirk Serrated spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (7000-6000 BC).

Material: metavolcanic rock.

Dimensions: length, 62.6 mm; width, 30.1 mm; thickness, 8.7 mm.

Notes: Catalog no. 2101a404 (specimen 2), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386829
title: COADS_126CW-526

description: This is a diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Delaware

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson and Michael Shott, 2017. COADS_126CW-526, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386833
title: Statue-San Giorgio-Morbio Inf.

description: Statue and stair. Outside of the church of San Giorgio, Morbio Inferiore (Tessin - Switzerland). The site was build for the first time in the XIV Century, and modified in the XVI, XVII, XVII Centuries.
Photogrammetry exercise, with a little of retopology (principally for mesh size optimization) and modelling (gate - fence).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386816
title: Govan 15

description: Govan 15 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n30/mode/2up); ECMS 34) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This monument is fragmented, but there are no records for what the lower part would have looked like. This stone was reused sometime between the 17th-19th centuries, at which point the initials 'A.R.I.R.' were added.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386818
title: Sphinx

description: 3d scan for a small kids game (sphinx)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386823
title: wall light

description: this wall light was textured and modelled to have a late 1800s to early 1900s feel it is. it has rust slowly growing on the model to show its been out in the rain a lot and is also dirty to show its not really cleaned very often or taken care of.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386824
title: wall light

description: this wall light was textured and modelled to have a late 1800s to early 1900s feel it is. it has rust slowly growing on the model to show its been out in the rain a lot and is also dirty to show its not really cleaned very often or taken care of.

Source: Objaverse 1.0 / Sketchfab