cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10264695
title: 中小岩の庚申塔市川道石造道標(東京都江戸川区北小岩5丁目32番1号 十念寺)

description: 中小岩の庚申塔市川道石造道標

江戸川区登録有形文化財

北小岩5丁目32番1号 十念寺

![](https://pbs.twimg.com/media/FRRfdCKagAAng5A?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264694
title: 中小岩の庚申塔市川道石造道標(東京都江戸川区北小岩5丁目32番1号 十念寺)

description: 中小岩の庚申塔市川道石造道標

江戸川区登録有形文化財

北小岩5丁目32番1号 十念寺

![](https://pbs.twimg.com/media/FRRfdCKagAAng5A?format=jpg&name=900x900)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264696
title: Medieval - Wagon

description: Medieval - Wagon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264697
title: Medieval - Wagon

description: Medieval - Wagon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264700
title: Spoon and fork - Ramadhan Series

description: Fasting is holding back lust, one of them is holding back hunger

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264701
title: Spoon and fork - Ramadhan Series

description: Fasting is holding back lust, one of them is holding back hunger

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264703
title: ROI022-012-06

description: Raddatz-like Point collected in Allen County, Indiana

Catalog #: 12-Al-390-45

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-012-06, 3D Model .ply file. Recovered as part of Report of Investigations 22,*The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264702
title: ROI022-012-06

description: Raddatz-like Point collected in Allen County, Indiana

Catalog #: 12-Al-390-45

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-012-06, 3D Model .ply file. Recovered as part of Report of Investigations 22,*The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264705
title: 034419_2015_overview_mars_hirise

description: 034419_2015_overview_mars_hirise

Indeed, the sand dune and rocky region interface is what brought us here in the first place ...

more info may be available here:
"Becquerel Crater Dune and Yardang Interactions"
https://www.uahirise.org/dtm/dtm.php?ID=ESP_034419_2015

This signal was analyzed by Organic.

Tools used: gdal, qgis, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264704
title: 034419_2015_overview_mars_hirise

description: 034419_2015_overview_mars_hirise

Indeed, the sand dune and rocky region interface is what brought us here in the first place ...

more info may be available here:
"Becquerel Crater Dune and Yardang Interactions"
https://www.uahirise.org/dtm/dtm.php?ID=ESP_034419_2015

This signal was analyzed by Organic.

Tools used: gdal, qgis, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264706
title: Bulding Old

description: low-poly model building old

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264707
title: Bulding Old

description: low-poly model building old

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264708
title: Full-Grooved  Axe (2101a309)

description: **Full-grooved axe**

Location: Site 31Dv6, Davidson County, North Carolina.

Period: Late Archaic (3000-1000 BC).

Material: coarse-grained igneous rock.

Dimensions: length, 157 mm; width, 93.1 mm; thickness, 50.8 mm.

Notes: Catalog no. 2101a309. North Carolina Archaeological Collection, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264709
title: Full-Grooved  Axe (2101a309)

description: **Full-grooved axe**

Location: Site 31Dv6, Davidson County, North Carolina.

Period: Late Archaic (3000-1000 BC).

Material: coarse-grained igneous rock.

Dimensions: length, 157 mm; width, 93.1 mm; thickness, 50.8 mm.

Notes: Catalog no. 2101a309. North Carolina Archaeological Collection, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264711
title: камень

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264715
title: Roman Sarcophagus

description: Roman child's sarcophagus made from limestone.

Date: 2ndC(late)-3rdC(early)

Found at Southfleet, Kent, England. Located in British Museum.

Photos taken November 2018 with Sony a6000 and processed in Agisoft Photoscan.

https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1363359&partId=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264716
title: 19th dynasty statue

description: Nineteenth Dynasty; New Kingdom

A male figure, squatting, lower part broken away, inscribed for the king's fan bearer, found in Egypt.

Dimension(s): depth, 0.37, m length, 0.565, m width, 0.275, m

https://data.fitzmuseum.cam.ac.uk/id/object/62981

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264717
title: 19th dynasty statue

description: Nineteenth Dynasty; New Kingdom

A male figure, squatting, lower part broken away, inscribed for the king's fan bearer, found in Egypt.

Dimension(s): depth, 0.37, m length, 0.565, m width, 0.275, m

https://data.fitzmuseum.cam.ac.uk/id/object/62981

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264710
title: камень

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264718
title: Timpà. Porta dels Apòstols. Seu Vella de Lleida

description: **CAT** La porta dels Apòstols també es coneguda com la porta del Judici Final en ser aquest el tema que presideix el timpà de la porta amb Crist Jutge i els àngels portadors dels instruments de la Passió.

**ES** La puerta de los Apóstoles también es conocida como la puerta del Juicio Final al ser éste el tema que preside el tímpano de la puerta con Cristo Juez y los ángeles portadores de los instrumentos de la Pasión.

**ENG** The door of the Apostles is also known as the door of the Last Judgment as this is the theme that presides over the tympanum of the door in which Christ the Judge is in the center and around him we can see  the angels carrying the instruments of the Passion.

**+ info** http://www.turoseuvella.cat/ca/el-conjunt-monumental/seu-vella/exterior-i-portalades/porta-dels-apostols
https://ca.wikipedia.org/wiki/La_Seu_Vella_de_Lleida

Presa de dades amb Laserscan model Leica P-40 amb 6 estacionaments (any 2016). Autor: Lluís González, Servei de Patrimoni Arquitectònic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264719
title: Timpà. Porta dels Apòstols. Seu Vella de Lleida

description: **CAT** La porta dels Apòstols també es coneguda com la porta del Judici Final en ser aquest el tema que presideix el timpà de la porta amb Crist Jutge i els àngels portadors dels instruments de la Passió.

**ES** La puerta de los Apóstoles también es conocida como la puerta del Juicio Final al ser éste el tema que preside el tímpano de la puerta con Cristo Juez y los ángeles portadores de los instrumentos de la Pasión.

**ENG** The door of the Apostles is also known as the door of the Last Judgment as this is the theme that presides over the tympanum of the door in which Christ the Judge is in the center and around him we can see  the angels carrying the instruments of the Passion.

**+ info** http://www.turoseuvella.cat/ca/el-conjunt-monumental/seu-vella/exterior-i-portalades/porta-dels-apostols
https://ca.wikipedia.org/wiki/La_Seu_Vella_de_Lleida

Presa de dades amb Laserscan model Leica P-40 amb 6 estacionaments (any 2016). Autor: Lluís González, Servei de Patrimoni Arquitectònic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264714
title: Roman Sarcophagus

description: Roman child's sarcophagus made from limestone.

Date: 2ndC(late)-3rdC(early)

Found at Southfleet, Kent, England. Located in British Museum.

Photos taken November 2018 with Sony a6000 and processed in Agisoft Photoscan.

https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1363359&partId=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264720
title: Ivory Comb with Nudes, Dibba al Hisn, Sharjah

description: Ivory Comb with Nudes, Flowers, Dibba al Hisn, Sharjah. 1st Century CE.

"The comb has teeth on one side only and the majority of these are missing. The central panel is decorated on both sides with incised decoration. On one face a topless female reclines on a bench or bed beside a window, with a male seated behind her. Both are facing right, and another figure stands in front of them. The other face is also beautifully decorated with foliage and lotus flowers."

"The source of the raw ivory may have been India, but the carving and decoration of the combs could have been done anywhere in the Parthian empire."

From Page 224: Sabah A. Jasim. 2006. Trade centres and commercial routes in the Arabian Gulf: Post-Hellenistic discoveries at Dibba, Sharjah, United Arab Emirates. Arabian Archaeology and Epigraphy 2006: 17: 214–237.

Ivory Comb from India, , Sharjah, UAE. On display in the Sharjah Archaeology Authority. Catalog number DIB173. Processed in Reality Capture from 604 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264721
title: Ivory Comb with Nudes, Dibba al Hisn, Sharjah

description: Ivory Comb with Nudes, Flowers, Dibba al Hisn, Sharjah. 1st Century CE.

"The comb has teeth on one side only and the majority of these are missing. The central panel is decorated on both sides with incised decoration. On one face a topless female reclines on a bench or bed beside a window, with a male seated behind her. Both are facing right, and another figure stands in front of them. The other face is also beautifully decorated with foliage and lotus flowers."

"The source of the raw ivory may have been India, but the carving and decoration of the combs could have been done anywhere in the Parthian empire."

From Page 224: Sabah A. Jasim. 2006. Trade centres and commercial routes in the Arabian Gulf: Post-Hellenistic discoveries at Dibba, Sharjah, United Arab Emirates. Arabian Archaeology and Epigraphy 2006: 17: 214–237.

Ivory Comb from India, , Sharjah, UAE. On display in the Sharjah Archaeology Authority. Catalog number DIB173. Processed in Reality Capture from 604 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264722
title: Left Clavicle

description: Human left clavicle from the anthropology department's collections at University of North Carolina at Greensboro, modeled with the permission of Dr. Robert Anemone.

Creator: Cory Henderson, undergraduate Anthropology and Biology student at University of North Carolina at Greensboro.

Hardware: Nikon D90 with Nikkor 18-200 mm f/3.5-5.6 GII Lens

Software: Agisoft PhotoScan Professional and Geomagic Wrap 2014

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264723
title: Left Clavicle

description: Human left clavicle from the anthropology department's collections at University of North Carolina at Greensboro, modeled with the permission of Dr. Robert Anemone.

Creator: Cory Henderson, undergraduate Anthropology and Biology student at University of North Carolina at Greensboro.

Hardware: Nikon D90 with Nikkor 18-200 mm f/3.5-5.6 GII Lens

Software: Agisoft PhotoScan Professional and Geomagic Wrap 2014

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264724
title: 10 - République du Kazakhstan

description: L'homme, debout, porte un chapeau à bord rabattu sur l'extérieur et un manteau long serré à la taille avec un col haut. et des bottes. Il porte un marteau sur l'épaule

La femme traie une chèvre. Elle est accroupie et revêtue d'un fichu. En arrière plan, un dromadaire ou chameau qui est peut-être en relation avec la femme Kirghize du panneau suivant.

Le blason présente les symboles de l'agriculture, les deux gerbes de blé. Le soleil levant est surmonté de l'étoile rouge, la faucille et le marteau figurent en son centre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264725
title: 10 - République du Kazakhstan

description: L'homme, debout, porte un chapeau à bord rabattu sur l'extérieur et un manteau long serré à la taille avec un col haut. et des bottes. Il porte un marteau sur l'épaule

La femme traie une chèvre. Elle est accroupie et revêtue d'un fichu. En arrière plan, un dromadaire ou chameau qui est peut-être en relation avec la femme Kirghize du panneau suivant.

Le blason présente les symboles de l'agriculture, les deux gerbes de blé. Le soleil levant est surmonté de l'étoile rouge, la faucille et le marteau figurent en son centre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264728
title: Transylvania Building Culture (animated)

description: There are however some differences between the morphology of the villages. The residential buildings of the Saxon villages of Transylvania are decidedly rural, and the distribution of domestic space is closely tied to the relationship with agricultural production and crop cycles. Typically, dwellings were situated at the end of each plot, overlooking the street with an entrance delimiting and closing off the property. The elongated internal courtyards, separated by the main door, show a clear "introverted" sequence of spaces, usually divided into five major areas. The first strip of the plot is occupied by the family home or the residential nucleus strictly speaking.

[More info](https://esg.pt/3dpast/platform/transylvania)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264729
title: Transylvania Building Culture (animated)

description: There are however some differences between the morphology of the villages. The residential buildings of the Saxon villages of Transylvania are decidedly rural, and the distribution of domestic space is closely tied to the relationship with agricultural production and crop cycles. Typically, dwellings were situated at the end of each plot, overlooking the street with an entrance delimiting and closing off the property. The elongated internal courtyards, separated by the main door, show a clear "introverted" sequence of spaces, usually divided into five major areas. The first strip of the plot is occupied by the family home or the residential nucleus strictly speaking.

[More info](https://esg.pt/3dpast/platform/transylvania)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264732
title: Pisgah Plain Bowl (2021p626,p830)

description: **Pisgah Plain bowl** 
  
Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina. 
  
Period: Mississippian, Pisgah phase (AD 1000-1400) 
  
Material: ceramic. 
  
Dimensions: diameter, 155 mm; height, 65 mm; thickness, 4.6 mm. 
  
Notes: Catalog no. 2021p626, p830, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264733
title: Pisgah Plain Bowl (2021p626,p830)

description: **Pisgah Plain bowl** 
  
Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina. 
  
Period: Mississippian, Pisgah phase (AD 1000-1400) 
  
Material: ceramic. 
  
Dimensions: diameter, 155 mm; height, 65 mm; thickness, 4.6 mm. 
  
Notes: Catalog no. 2021p626, p830, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264735
title: Old Car Simplified 3d Mesh

description: An old car found in a local forest that we 3D scanned. Feel free to download for free!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264734
title: Old Car Simplified 3d Mesh

description: An old car found in a local forest that we 3D scanned. Feel free to download for free!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264736
title: Lower Wadi al Hilo No 1, Sharjah

description: unknown motifs. Still under investigation. Lower Wadi al Hilo No 1, Sharjah. Located in a lower wadi side valley filled with petroglyphs.

Wadi Helo (Arabic: وادي حلو, literally 'Sweet wadi') is a seasonal watercourse located in the Hajar Mountains of Sharjah, in the United Arab Emirates. There are remains of a massive 19th century village, as well as houses and features dating from the Neolithic to the Islamic Period. The site is important for both the extensive water course, and for the rich copper deposits that were mined for over 8000 years. Numerous petroglyphs are found along the edge of the wadi.


3D model made in Reality Capture software using 270 images. Additional processing completed in Geomagic Wrap, InstantMeshes, Substance Designer, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264737
title: Lower Wadi al Hilo No 1, Sharjah

description: unknown motifs. Still under investigation. Lower Wadi al Hilo No 1, Sharjah. Located in a lower wadi side valley filled with petroglyphs.

Wadi Helo (Arabic: وادي حلو, literally 'Sweet wadi') is a seasonal watercourse located in the Hajar Mountains of Sharjah, in the United Arab Emirates. There are remains of a massive 19th century village, as well as houses and features dating from the Neolithic to the Islamic Period. The site is important for both the extensive water course, and for the rich copper deposits that were mined for over 8000 years. Numerous petroglyphs are found along the edge of the wadi.


3D model made in Reality Capture software using 270 images. Additional processing completed in Geomagic Wrap, InstantMeshes, Substance Designer, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264738
title: Old creepy grave cross

description: Old creepy grave cross scanned in Sloup v Čechách.
[VR3D.cz](http://vr3d.cz/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264739
title: Old creepy grave cross

description: Old creepy grave cross scanned in Sloup v Čechách.
[VR3D.cz](http://vr3d.cz/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264742
title: Tintagel Castle and Dark Age Settlement

description: LiDAR model produced using Environment Agency 1m DSM data and created in QGIS using the QGIS2threejs plugin. Thanks to Mike Gill for python code to convert the QGIS model for viewing on Sketchfab.

Best viewed full screen in HD. The labels can be switched off if desired in the settings options at the bottom of the model sceen

Feel free to share the model on various media, embed it in a webpage using the embed code, or download it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264743
title: Tintagel Castle and Dark Age Settlement

description: LiDAR model produced using Environment Agency 1m DSM data and created in QGIS using the QGIS2threejs plugin. Thanks to Mike Gill for python code to convert the QGIS model for viewing on Sketchfab.

Best viewed full screen in HD. The labels can be switched off if desired in the settings options at the bottom of the model sceen

Feel free to share the model on various media, embed it in a webpage using the embed code, or download it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264746
title: Sternum

description: Human sternum from the anthropology department's collections at University of North Carolina at Greensboro, modeled with the permission of Dr. Robert Anemone.

Creator: Cory Henderson, undergraduate Anthropology and Biology student at University of North Carolina at Greensboro.

Hardware: NextEngine Desktop 3D Scanner, Model 2020i

Software: ScanStudioHD and RapidWorks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264747
title: Sternum

description: Human sternum from the anthropology department's collections at University of North Carolina at Greensboro, modeled with the permission of Dr. Robert Anemone.

Creator: Cory Henderson, undergraduate Anthropology and Biology student at University of North Carolina at Greensboro.

Hardware: NextEngine Desktop 3D Scanner, Model 2020i

Software: ScanStudioHD and RapidWorks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264748
title: Siemens Halske W28 telephone

description: In the second half of the 1920s, Siemens & Halske sought a telephone model that would break away from the existing design style, be easy to operate and maintain, and could be efficiently fabricated. This led to the development of Siemens & Halske's most recognisable telephones: the W28 model. It was successfully offered in a tender for the standard German telephone. From 1928, the W28 became the standard telephone model of the Deutsche Reichspost. In the mid-1930s, the German postal service placed an order for the W28's successor, the W38 model (38 production launch). However, due to the outbreak of the war a year later the new telephone came too late to replace the W28. The flagship Siemens & Halske model of the 1920s and 1930s enjoyed a major export success. 

Manufacturer: Siemens & Halske, after 1928 

Inv. no.: MIM 1825/VIII-68

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA (CC Attribution-NonCommercial-ShareAlike)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264749
title: Siemens Halske W28 telephone

description: In the second half of the 1920s, Siemens & Halske sought a telephone model that would break away from the existing design style, be easy to operate and maintain, and could be efficiently fabricated. This led to the development of Siemens & Halske's most recognisable telephones: the W28 model. It was successfully offered in a tender for the standard German telephone. From 1928, the W28 became the standard telephone model of the Deutsche Reichspost. In the mid-1930s, the German postal service placed an order for the W28's successor, the W38 model (38 production launch). However, due to the outbreak of the war a year later the new telephone came too late to replace the W28. The flagship Siemens & Halske model of the 1920s and 1930s enjoyed a major export success. 

Manufacturer: Siemens & Halske, after 1928 

Inv. no.: MIM 1825/VIII-68

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA (CC Attribution-NonCommercial-ShareAlike)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264750
title: Rodin - The Three Shades

description: A 3D scan of Rodin's "The Three Shades". Scanned at Stanford University, on May 23, using a Lenovo Phab 2 phone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264751
title: Rodin - The Three Shades

description: A 3D scan of Rodin's "The Three Shades". Scanned at Stanford University, on May 23, using a Lenovo Phab 2 phone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264753
title: The royal Lion Hunt of Ashurbanipal

description: he royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264752
title: The royal Lion Hunt of Ashurbanipal

description: he royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab