cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10322909
title: Petroglyph V11 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V11 Khatm Al Melaha, Kalba, Sharjah. Human foot and a wild ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322910
title: Petroglyph KM21-14 Khatm Al Melaha, Sharjah

description: Petroglyph KM21-14 Khatm Al Melaha, Sharjah. Partial Animal Figure. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

3D  model created in Reality Capture using 163 images. Additional processing completed in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322911
title: Petroglyph KM21-14 Khatm Al Melaha, Sharjah

description: Petroglyph KM21-14 Khatm Al Melaha, Sharjah. Partial Animal Figure. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

3D  model created in Reality Capture using 163 images. Additional processing completed in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322912
title: Statuette of Serapis

description: A marble statuette depicting Serapis, 1st Century AD.  Found in Eleusis.   
Height, 0.41, m

Acquisition: bought in 1907 from CA Lembessis

Documentation:
Budde, Ludwig. Nicholls, Richard V.. 1967. Catalogue of the Greek and Roman sculpture in the Fitzwilliam Museum, Cambridge.
no. 55, pl. 18

Object Number: GR.87.1907 (Antiquities)

http://data.fitzmuseum.cam.ac.uk/id/object/68050

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322913
title: Statuette of Serapis

description: A marble statuette depicting Serapis, 1st Century AD.  Found in Eleusis.   
Height, 0.41, m

Acquisition: bought in 1907 from CA Lembessis

Documentation:
Budde, Ludwig. Nicholls, Richard V.. 1967. Catalogue of the Greek and Roman sculpture in the Fitzwilliam Museum, Cambridge.
no. 55, pl. 18

Object Number: GR.87.1907 (Antiquities)

http://data.fitzmuseum.cam.ac.uk/id/object/68050

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322915
title: Stone Bowl (uncataloged)

description: **Soapstone bowl**

Location: Ah 2, Ashe County, North Carolina.

Period: Late Archaic, Savannah River phase (3000-1500 BC).

Material: soapstone.

Dimensions: length, 27.2 cm; width, 18.4 cm; thickness, 12.1 cm.

Notes: Uncataloged, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322914
title: Stone Bowl (uncataloged)

description: **Soapstone bowl**

Location: Ah 2, Ashe County, North Carolina.

Period: Late Archaic, Savannah River phase (3000-1500 BC).

Material: soapstone.

Dimensions: length, 27.2 cm; width, 18.4 cm; thickness, 12.1 cm.

Notes: Uncataloged, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322916
title: Homo neanderthalensis (433rp18)

description: ***Homo neanderthalensis*** 
  
Location: Unknown site. 
  
Age: 60,000 - 40,000 years B.P.? 
  
Material: plaster cast. 

Dimensions: length, 60 mm; width, 22 mm; height, 40 mm.
  
Notes: RLA catalog no. 433rp18 (cast).  Right maxillary fragment.  Cast made between 1930 and 1952 by Mr. F. O. Barlow of the R. F. Damon & Co., London.  From the teaching collection of the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322917
title: Homo neanderthalensis (433rp18)

description: ***Homo neanderthalensis*** 
  
Location: Unknown site. 
  
Age: 60,000 - 40,000 years B.P.? 
  
Material: plaster cast. 

Dimensions: length, 60 mm; width, 22 mm; height, 40 mm.
  
Notes: RLA catalog no. 433rp18 (cast).  Right maxillary fragment.  Cast made between 1930 and 1952 by Mr. F. O. Barlow of the R. F. Damon & Co., London.  From the teaching collection of the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322918
title: Apollo Sheild

description: this is a illiad war at troy l.o.d soldier figure of a fallen ancient greek warrior. i had it scaned and modified to be used as the Greek God Apollo, God of the sun, music, archers, truth, light, medicine, plauges, youth, beauty and oracles. this armored Olympian is ready for battle in a board game hide and seek klask kind of game.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322919
title: Apollo Sheild

description: this is a illiad war at troy l.o.d soldier figure of a fallen ancient greek warrior. i had it scaned and modified to be used as the Greek God Apollo, God of the sun, music, archers, truth, light, medicine, plauges, youth, beauty and oracles. this armored Olympian is ready for battle in a board game hide and seek klask kind of game.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322920
title: Book of Esther, Or 1087

description: The Book of Esther. Unknown origin,15th century.

Modelled for the British Library's Hebrew Manuscripts Digitisation Project, funded by The Polonsky Foundation.

Modelling: [Adi Keinan-Schoonbaert](https://sketchfab.com/adiks)

Special thanks to Kristin Phelps.

To view the entire manuscript, visit: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Or_1087

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322921
title: Book of Esther, Or 1087

description: The Book of Esther. Unknown origin,15th century.

Modelled for the British Library's Hebrew Manuscripts Digitisation Project, funded by The Polonsky Foundation.

Modelling: [Adi Keinan-Schoonbaert](https://sketchfab.com/adiks)

Special thanks to Kristin Phelps.

To view the entire manuscript, visit: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Or_1087

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322923
title: Igualada Cemetery: Chapel

description: This is a partial scan of the cemetary in Igualada, which was designed by Enric Miralles and Carme Pinos. Miralles himself died only a few years after the completion of the cemetary and is buried there.

The space captured is a kind of chapel that sits above the necropolis. It is adjacent to the cemetary's crematorium, which is now out of use.

The capture was assembled out of about a thousand photos taken with a Google Pixel 2 XL. The large gap in light levels between the exterior shots and the depths of the interior made this one difficult to capture well.

VR viewing is recommended!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.24100716
title: Unlocking archival censuses for spatial analysis: An historical dataset of the administrative units of Galicia 1857–1910

description: The lack of long-term assessment of the administrative divisions of Galicia, a former part of the Austrian monarchy, has so far been a serious obstacle in the mapping and spatial analyses of archival census data. To fill this gap, we reconstructed the boundaries of 5944 cadastral communes, court districts, and political districts into circles (https://doi.org/10.7910/DVN/PXDP41). Geometric boundaries are accompanied by different names according to census and cartographic sources. We found that a detailed reconstruction of the administrative units for Galicia is critically important for appropriately using census data in spatial analyses. So far, it has been neglected or considered difficult to perform because of the large area of the region, frequent administrative changes, and time-consuming map processing.
DOI: 10.6084/m9.figshare.24100716.v2
title: Unlocking archival censuses for spatial analysis: An historical dataset of the administrative units of Galicia 1857–1910

description: The lack of long-term assessment of the administrative divisions of Galicia, a former part of the Austrian monarchy, has so far been a serious obstacle in the mapping and spatial analyses of archival census data. To fill this gap, we reconstructed the boundaries of 5944 cadastral communes, court districts, and political districts into circles (https://doi.org/10.7910/DVN/PXDP41). Geometric boundaries are accompanied by different names according to census and cartographic sources. We found that a detailed reconstruction of the administrative units for Galicia is critically important for appropriately using census data in spatial analyses. So far, it has been neglected or considered difficult to perform because of the large area of the region, frequent administrative changes, and time-consuming map processing.
DOI: 10.6084/m9.figshare.24518671
title: Modeling systems of sentencing in early inquisition trials: Crime, social connectivity, and punishment in the register of Peter Seila (1241–2)

description: Despite significant research on the techniques of repression employed by medieval inquisitors against religious dissidents, the case-level influences on the penances they meted out are understood only vaguely: the extent to which sentencing “systems” existed is unknown. To overcome this, we apply formal methods – an exploratory analysis supported by crisp-set Qualitative Comparative Analysis, and statistical modeling founded on multiple linear regression – to the large and historically significant register of Peter Seila (1241–2), captured as structured data <i>via</i> a statement-based approach entitled “Computer-Assisted Semantic Text Modelling” (CASTEMO). The results show that Peter systematically weighted different types of crimes and dissident interactions when sentencing; they do not suggest, however, that he was influenced by accomplicity or kinship among the sentenced.
DOI: 10.6084/m9.figshare.24518671.v1
title: Modeling systems of sentencing in early inquisition trials: Crime, social connectivity, and punishment in the register of Peter Seila (1241–2)

description: Despite significant research on the techniques of repression employed by medieval inquisitors against religious dissidents, the case-level influences on the penances they meted out are understood only vaguely: the extent to which sentencing “systems” existed is unknown. To overcome this, we apply formal methods – an exploratory analysis supported by crisp-set Qualitative Comparative Analysis, and statistical modeling founded on multiple linear regression – to the large and historically significant register of Peter Seila (1241–2), captured as structured data <i>via</i> a statement-based approach entitled “Computer-Assisted Semantic Text Modelling” (CASTEMO). The results show that Peter systematically weighted different types of crimes and dissident interactions when sentencing; they do not suggest, however, that he was influenced by accomplicity or kinship among the sentenced.
DOI: 10.5281/zenodo.10322922
title: Igualada Cemetery: Chapel

description: This is a partial scan of the cemetary in Igualada, which was designed by Enric Miralles and Carme Pinos. Miralles himself died only a few years after the completion of the cemetary and is buried there.

The space captured is a kind of chapel that sits above the necropolis. It is adjacent to the cemetary's crematorium, which is now out of use.

The capture was assembled out of about a thousand photos taken with a Google Pixel 2 XL. The large gap in light levels between the exterior shots and the depths of the interior made this one difficult to capture well.

VR viewing is recommended!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322924
title: Cloister Roof at Gloucester Cathedral

description: created with 50 DSLR images and the model has been reduced by 75% to get under the 50Mb limit

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322925
title: Cloister Roof at Gloucester Cathedral

description: created with 50 DSLR images and the model has been reduced by 75% to get under the 50Mb limit

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322926
title: Victrola

description: Vintage gramaphone. Created with Blender 2.91

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322927
title: Victrola

description: Vintage gramaphone. Created with Blender 2.91

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322929
title: Peccary, Mylohyus elmorei. Mandible.

description: Peccary, *Mylohyus elmorei* (ETMNH 8046). Mandible. From the Gray Fossil Site.

Described in: Doughty, E. M., Wallace, S. C., Schubert, B. W., & Lyon, L. M. (2018). First occurrence of the enigmatic peccaries *Mylohyus elmorei* and *Prosthennops serus* from the Appalachians: latest Hemphillian to Early Blancan of Gray Fossil Site, Tennessee. PeerJ, 6, e5926.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322928
title: Peccary, Mylohyus elmorei. Mandible.

description: Peccary, *Mylohyus elmorei* (ETMNH 8046). Mandible. From the Gray Fossil Site.

Described in: Doughty, E. M., Wallace, S. C., Schubert, B. W., & Lyon, L. M. (2018). First occurrence of the enigmatic peccaries *Mylohyus elmorei* and *Prosthennops serus* from the Appalachians: latest Hemphillian to Early Blancan of Gray Fossil Site, Tennessee. PeerJ, 6, e5926.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322932
title: Roman sculpture Rea Silvia (Cartagena, Spain)

description: Roman sculpture of Rea Silvia was found in the excavations of the Roman
theater in Cartagena (Spain), ancient city of Cartago Nova. It is a
sculpture carved in marble of Luni that represents Rea Silvia,
daughter of Aeneas. Rea Silvia is considered the mother of Romulus and
Remus, founders of Rome. This sculpture is dated to the end of the 1st
century BC.

3D model created in Reality Capture software from 45 images. Additional processing was completed in Geomagic Wrap, InstantMeshes, and Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322933
title: Roman sculpture Rea Silvia (Cartagena, Spain)

description: Roman sculpture of Rea Silvia was found in the excavations of the Roman
theater in Cartagena (Spain), ancient city of Cartago Nova. It is a
sculpture carved in marble of Luni that represents Rea Silvia,
daughter of Aeneas. Rea Silvia is considered the mother of Romulus and
Remus, founders of Rome. This sculpture is dated to the end of the 1st
century BC.

3D model created in Reality Capture software from 45 images. Additional processing was completed in Geomagic Wrap, InstantMeshes, and Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322934
title: Menhirs

description: 3 standing stones, painted with magic symbols. 
The symbols are inspired by ancient cultures but come from different horizons such as pre-colombian or arctic cultures but are mainly inspired by proto-european iconography, covering themes like the forces of nature, the place of human beings in the universe and transcendence. 

Each stone comes with a different set of textures, as the objects were designed for animation and I was aiming for high-quality textures, yet they could be easily reworked and put together for videogame use as the topology is very low-poly and clean. The different textures maps could therefore be easily combined using Photoshop or remade using any 3D modeling software. 

Feel free to ask me anything about the model or its design or to ping me for any creation made using it :) 

If you'd like to watch the animation I created this asset for : https://www.youtube.com/watch?v=zY8UrpEB594&ab_channel=JoackimDiMeglio

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322935
title: Menhirs

description: 3 standing stones, painted with magic symbols. 
The symbols are inspired by ancient cultures but come from different horizons such as pre-colombian or arctic cultures but are mainly inspired by proto-european iconography, covering themes like the forces of nature, the place of human beings in the universe and transcendence. 

Each stone comes with a different set of textures, as the objects were designed for animation and I was aiming for high-quality textures, yet they could be easily reworked and put together for videogame use as the topology is very low-poly and clean. The different textures maps could therefore be easily combined using Photoshop or remade using any 3D modeling software. 

Feel free to ask me anything about the model or its design or to ping me for any creation made using it :) 

If you'd like to watch the animation I created this asset for : https://www.youtube.com/watch?v=zY8UrpEB594&ab_channel=JoackimDiMeglio

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322936
title: HL-129 Biface Awl or Graving Tool.

description: Biface Awl or Graving Tool. Hot Springs Village, Port Moller, Alaska CAT# HL-129 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322937
title: HL-129 Biface Awl or Graving Tool.

description: Biface Awl or Graving Tool. Hot Springs Village, Port Moller, Alaska CAT# HL-129 Okada excavations HL02. Hot Springs 2B 500-850 CE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322938
title: Bourrine, St-Jean de Monts (85)

description: [StreetView](https://www.google.fr/maps/place/2+Chemin+des+Grenouill%C3%A8res,+85160+Saint-Jean-de-Monts/@46.7995449,-2.0674671,161m/data=!3m1!1e3!4m5!3m4!1s0x4804fd8582d1272f:0x9bd9ffc5f0c2a4d!8m2!3d46.799544!4d-2.0669199)

La bourrine est une habitation traditionnelle du marais breton vendéen, les murs sont construits avec un mélange de terre, sable, eau et paille couverte d'une toiture de roseaux, elle est un exemple de l'exploitation des ressources locales pour la construction de bâtiments. [Wikipedia](https://fr.wikipedia.org/wiki/Bourrine)

![](http://www.archives.vendee.fr/var/storage/images/media/images/actualite-clefs-pour-la-recherche-140x/cp-actualites-sept.-2014/bourrines-du-marais-vendeen/51918-2-fre-FR/bourrines-du-marais-vendeen.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322939
title: Bourrine, St-Jean de Monts (85)

description: [StreetView](https://www.google.fr/maps/place/2+Chemin+des+Grenouill%C3%A8res,+85160+Saint-Jean-de-Monts/@46.7995449,-2.0674671,161m/data=!3m1!1e3!4m5!3m4!1s0x4804fd8582d1272f:0x9bd9ffc5f0c2a4d!8m2!3d46.799544!4d-2.0669199)

La bourrine est une habitation traditionnelle du marais breton vendéen, les murs sont construits avec un mélange de terre, sable, eau et paille couverte d'une toiture de roseaux, elle est un exemple de l'exploitation des ressources locales pour la construction de bâtiments. [Wikipedia](https://fr.wikipedia.org/wiki/Bourrine)

![](http://www.archives.vendee.fr/var/storage/images/media/images/actualite-clefs-pour-la-recherche-140x/cp-actualites-sept.-2014/bourrines-du-marais-vendeen/51918-2-fre-FR/bourrines-du-marais-vendeen.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322940
title: Rockley Blast Furnace

description: Rockley Blast Furnace, Birdwell, South Yorkshire (UK).

The furnace was built between 1698 and 1704, to make cast iron using locally mined ores and charcoal from the surrounding woodlands.

The original ashlar stonework that formed the outer structure has been progressively robbed, leaving the core of the furnace structure visible.

The furnace is owned by the South Yorkshire Industrial History Society .

The model was created from 351 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322941
title: Rockley Blast Furnace

description: Rockley Blast Furnace, Birdwell, South Yorkshire (UK).

The furnace was built between 1698 and 1704, to make cast iron using locally mined ores and charcoal from the surrounding woodlands.

The original ashlar stonework that formed the outer structure has been progressively robbed, leaving the core of the furnace structure visible.

The furnace is owned by the South Yorkshire Industrial History Society .

The model was created from 351 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322942
title: Buddha Heritage Scanned with Background Blurring

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10322943
title: Buddha Heritage Scanned with Background Blurring

description: Source: Objaverse 1.0 / Sketchfab