cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.14038958.v1
title: Red Work & Wit of the Stitch - Red Work Exhibition (2014-2015)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br><i>Red Work</i> comprises pictorial textiles inspired by redwork quilts of 1880s America.<br><br>This item contains documentation of the <i>Red Work</i> exhibition at the Waterside Arts Centre in Manchester, from 1 October 2014 - 31 January 2015. <br><b>All photos by Dylan Chubb<br></b><b>Used with permission</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b> <br>
DOI: 10.6084/m9.figshare.14331068
title: Classical and Machine Learning Modeling of Crude Oil Production in Nigeria: Identification of an Eminent Model for Application

description: This is data on Crude oil production in Nigeria<br>
DOI: 10.17870/bathspa.13379147
title: US Editorial Illustrations - 300 Word Statement (updated)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled,</i> highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains the 300 word statement for the project.
DOI: 10.17870/bathspa.13379147.v1
title: US Editorial Illustrations - 300 Word Statement (updated)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled,</i> highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains the 300 word statement for the project.
DOI: 10.17870/bathspa.14113748
title: US Editorial Illustration - Research Timeline & Research Questions

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.17870/bathspa.14113748.v1
title: US Editorial Illustration - Research Timeline & Research Questions

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.17870/bathspa.14113253.v1
title: US Editorial Illustration - Selected USA Editorial Commissions - Publications (2014-2020)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains selected published editorial illustration commissions for publications in the USA and UK. <br><b>Publications in order of appearance. Courtesy of the artist, who has permission for reuse. Links to the original articles below in the references field, where available. </b><br>1. Sight and Sound, October 2016, Vol. 26, Issue 102. Sight and Sound, June 2018, Vol. 28, Issue 63. Southern Poverty Law Center, Teaching Tolerance, Don’t Say Nothing (2016)4. Southern Poverty Law Center, Intelligence Report, Spring 2016, Issue 1605. New Republic, ‘Shock Corridor’ (Ice Detentions), August 2019<br>6. O Magazine, ‘Caste by Isabel Wilkerson’, August 20207. The New Yorker, ‘What is a Woman?’, August 2014<br>8. New Statesman, ‘What Trump Wants Now’, November 2020<br>9. The Exeter Bulletin, ‘The Sixties’, Winter 201810. The Economist, American Prisons: The right choices, June 2015 <br>11. The Wall Street Journal, 201712. The Hollywood Reporter, ‘Hollywood's Stealth Support of the D.C. Gun-Control March’, March 2018<br>13. O Magazine, Caste review, August 2020<br>14. The New Republic, Impact of US Climate Change article, 201815. The New Republic, Mueller Report article, 201816. Rolling Stone, Baltimore Police Corruption article, 2015<br>17. Southern Poverty Law Center, ‘One Year Later: Leaders from “Unite the Right” Fall From Grace’, 2018<br>18. The New Yorker, 2014 artwork design detail<br><b>Publication</b><br>The illustrations have been published in widely circulated magazines and journals, including on the front cover. More recently they have been commissioned for the popular title <i>O. Magazine</i> to illustrate <i>Caste</i> by Isabel Wilkerson (Random House 2020) and in British titles such as the <i>New Statesman</i>.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14113253
title: US Editorial Illustration - Selected USA Editorial Commissions - Publications (2014-2020)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains selected published editorial illustration commissions for publications in the USA and UK. <br><b>Publications in order of appearance. Courtesy of the artist, who has permission for reuse. Links to the original articles below in the references field, where available. </b><br>1. Sight and Sound, October 2016, Vol. 26, Issue 102. Sight and Sound, June 2018, Vol. 28, Issue 63. Southern Poverty Law Center, Teaching Tolerance, Don’t Say Nothing (2016)4. Southern Poverty Law Center, Intelligence Report, Spring 2016, Issue 1605. New Republic, ‘Shock Corridor’ (Ice Detentions), August 2019<br>6. O Magazine, ‘Caste by Isabel Wilkerson’, August 20207. The New Yorker, ‘What is a Woman?’, August 2014<br>8. New Statesman, ‘What Trump Wants Now’, November 2020<br>9. The Exeter Bulletin, ‘The Sixties’, Winter 201810. The Economist, American Prisons: The right choices, June 2015 <br>11. The Wall Street Journal, 201712. The Hollywood Reporter, ‘Hollywood's Stealth Support of the D.C. Gun-Control March’, March 2018<br>13. O Magazine, Caste review, August 2020<br>14. The New Republic, Impact of US Climate Change article, 201815. The New Republic, Mueller Report article, 201816. Rolling Stone, Baltimore Police Corruption article, 2015<br>17. Southern Poverty Law Center, ‘One Year Later: Leaders from “Unite the Right” Fall From Grace’, 2018<br>18. The New Yorker, 2014 artwork design detail<br><b>Publication</b><br>The illustrations have been published in widely circulated magazines and journals, including on the front cover. More recently they have been commissioned for the popular title <i>O. Magazine</i> to illustrate <i>Caste</i> by Isabel Wilkerson (Random House 2020) and in British titles such as the <i>New Statesman</i>.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14113772
title: US Editorial Illustration - Commission Works - Methods & Processes

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br>This item contains documentation of Williamson's methods and processes in creating the digital editorial works.<br><b>Images courtesy and property of Alex Williamson. </b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14113772.v1
title: US Editorial Illustration - Commission Works - Methods & Processes

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br>This item contains documentation of Williamson's methods and processes in creating the digital editorial works.<br><b>Images courtesy and property of Alex Williamson. </b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14113784.v1
title: US Editorial Illustration - Untitled/Re-assembled Exhibition (2019)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains documentation of the <i>‘Untitled/Re-assembled. Intersections of form and content: Studio Process, Collage and the Graphic Archive' </i>exhibition of Williamson's work that took place at the Windgate Gallery, part of the Windgate Centre for Art and Design at the University of Arkansas, Fort Smith, Arkansa, USA. <br>The solo show ran from April 15th - June 14th 2019 and offered a comprehensive view of Williamson's work and practice.<br><b>Photo credits: Bryan Alexis </b><b>and Alex Williamson</b><b>Images used with permission. </b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14113784
title: US Editorial Illustration - Untitled/Re-assembled Exhibition (2019)

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains documentation of the <i>‘Untitled/Re-assembled. Intersections of form and content: Studio Process, Collage and the Graphic Archive' </i>exhibition of Williamson's work that took place at the Windgate Gallery, part of the Windgate Centre for Art and Design at the University of Arkansas, Fort Smith, Arkansa, USA. <br>The solo show ran from April 15th - June 14th 2019 and offered a comprehensive view of Williamson's work and practice.<br><b>Photo credits: Bryan Alexis </b><b>and Alex Williamson</b><b>Images used with permission. </b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14114051.v1
title: US Editorial Illustration - Untitled/Re-assembled Exhibition (2019) - Process Images

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains documentation of Williamson's working process images that were exhibited as a part of the ‘Untitled/Re-assembled. Intersections of form and content: Studio Process, Collage and the Graphic Archive' exhibition of Williamson's work that took place at the Windgate Gallery, part of the Windgate Centre for Art and Design at the University of Arkansas, Fort Smith, Arkansa, USA, in 2019. <br><b>Images courtesy and property of Alex Williamson.</b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14114051
title: US Editorial Illustration - Untitled/Re-assembled Exhibition (2019) - Process Images

description: This collection is a body of illustrations comprising American editorial commissions since 2014, specialising in contemporary socio-political issues, and Williamson’s 2019 solo exhibition, <i>Untitled/Re-assembled</i>, highlighting his collage based methodology. Through reappropriation and assemblage, using digital and analogue print and collage techniques, Williamson explores the intersections between multiple graphic elements.<br><br>This item contains documentation of Williamson's working process images that were exhibited as a part of the ‘Untitled/Re-assembled. Intersections of form and content: Studio Process, Collage and the Graphic Archive' exhibition of Williamson's work that took place at the Windgate Gallery, part of the Windgate Centre for Art and Design at the University of Arkansas, Fort Smith, Arkansa, USA, in 2019. <br><b>Images courtesy and property of Alex Williamson.</b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.21227/7kkc-4g97
title: Forecast Result for January 30

description: This csv file contains the load forecasts result on Jan-30, conducted by Hongqiao Peng.
DOI: 10.6084/m9.figshare.11725929.v2
title: Supplementary Data and Code accompanying: "A semi-empirical model of the aerodynamics of manoeuvring insect flight"

description: This data archive contains MATLAB files in a zipped folder SupplementaryData1.zip as Supplementary Data 1 in support of the paper:<br>Walker, S.M., Taylor, G.K. (2020). A semi-empirical model of the aerodynamics of manoeuvring insect flight. bioRxiv 2020.01.09.900654; https://doi.org/10.1101/2020.01.09.900654<br>To get started immediately, run the script "ExampleCode.m". This loads up the kinematic dataset, and runs the blade element model on each to calculate the aerodynamic forces for: (i) the standard hovering wingbeat as defined in the paper; and (ii) an example free-flight recording. For further details see the README file contained in the zipped folder.
DOI: 10.6084/m9.figshare.14331080
title: giving behavior

description: The Dictator Game (DG). Pre and post measures. The ANOVA and regression analyses.
DOI: 10.6084/m9.figshare.14331080.v2
title: giving behavior

description: The Dictator Game (DG). Pre and post measures. The ANOVA and regression analyses.
DOI: 10.6084/m9.figshare.14331080.v1
title: Boosting attachment security promotes giving behavior in higher attachment anxiety

description: The Dictator Game (DG). Pre and post measures. The ANOVA and regression analyses.
DOI: 10.21421/d2/byzy2f/qvwb0e
title: 58genotypes_0.01MAF.hmp.gz

description: :unav
DOI: 10.21421/d2/byzy2f
title: Genotyping by Sequencing SNP data for Nitrogen Use Efficiency in diverse Sorghum genotypes

description: This dataset includes the research on the evaluation of diverse 60 genotypes including Back-Cross derived Nested Association Mapping (BCNAM), bi-parental mapping populations, and accessions from different countries such as Nigeria, USA, Lesotho, Ethiopia, and Mali for nitrogen use efficiency. DNA was isolated from 4 – 6 leaf stage of 58 Sorghum genotypes (2 genotypes did not germinate) using the modified hexadecyltrimethyl ammonium bromide (CTAB) protocol from 12-day-old seedlings. The genotyping was done following the Genotyping by Sequencing (GBS) approach with the ApeKI restriction enzyme used for complexity reduction. The Single Nucleotide Polymorphisms (SNPs) were called using TASSEL v5.2 GBS pipeline against Sorghum assembly v3. The final data included a total of 89,770 SNPs (obtained from 58 accessions out of 60) with minor allele frequency (MAF) &gt;1% and missing data &lt;50%.
DOI: 10.25721/x6sc-3a28
title: A modifier Comptine
DOI: 10.5281/zenodo.4642468
title: Evolució Epidemiològica de les dades del COVID a Catalunya de forma setmanal

description: (Departament de Salut, 2021) Aquest conjunt de dades estructurades conté la informació sobre l’evolució epidemiològica amb les dades diàries de les principals ciutats catalanes. Les dades es publiquen setmanalment, per tant, l’última actualització data del 22 de març del 2021. Consta de 74 files a la data d’actualització i 13 columnes. A posteriori, es descriurà el contingut d’aquest <em>dataset</em>.(Departament de Salut, 2021) Aquest conjunt de dades estructurades conté la informació sobre l’evolució epidemiològica amb les dades diàries de les principals ciutats catalanes. Les dades es publiquen setmanalment, per tant, l’última actualització data del 22 de març del 2021. Consta de 74 files a la data d’actualització i 13 columnes. A posteriori, es descriurà el contingut d’aquest <em>dataset</em>. Referències Departament de Salut. (2021). <em>Dades COVID.</em> Barcelona.
DOI: 10.5281/zenodo.4642467
title: Evolució Epidemiològica de les dades del COVID a Catalunya de forma setmanal

description: (Departament de Salut, 2021) Aquest conjunt de dades estructurades conté la informació sobre l’evolució epidemiològica amb les dades diàries de les principals ciutats catalanes. Les dades es publiquen setmanalment, per tant, l’última actualització data del 22 de març del 2021. Consta de 74 files a la data d’actualització i 13 columnes. A posteriori, es descriurà el contingut d’aquest <em>dataset</em>.(Departament de Salut, 2021) Aquest conjunt de dades estructurades conté la informació sobre l’evolució epidemiològica amb les dades diàries de les principals ciutats catalanes. Les dades es publiquen setmanalment, per tant, l’última actualització data del 22 de març del 2021. Consta de 74 files a la data d’actualització i 13 columnes. A posteriori, es descriurà el contingut d’aquest <em>dataset</em>. Referències Departament de Salut. (2021). <em>Dades COVID.</em> Barcelona.
DOI: 10.21227/ge61-vr59
title: January-30-Rivera-Sergio

description: Forecast for 30-January-2021
DOI: 10.21227/0ew3-pm58
title: Application of a Neural Network Classifier to Radiofrequency-Based Osteopenia/Osteoporosis Screening

description: There is an unmet need for quick, physically small, and cost-effective office-based techniques that can measure bone properties without the use of ionizing radiation. The present study reports application of a neural network classifier to the processing of previously collected data on very low power radiofrequency propagation through the wrist with the goal to detect osteoporotic/osteopenic conditions. Our approach categorizes the data obtained for two dichotomic groups. Group 1 included 27 osteoporotic/osteopenic subjects with low BMD (DXA T score below - 1) measured within one year. Group 2 included 40 healthy and mostly young subjects without major clinical risk factors such as (family) history of bone fracture. We process the complex radiofrequency spectrum from 30 kHz to 2 GHz. Instead of averaging data for both wrists, we are processing them independently along with the wrist circumference and then combine the results, which greatly increases the sensitivity. Measurements along with data processing require less than 1 min. For the two dichotomic groups identified above, the neural network classifier of the radiofrequency spectrum reports a sensitivity of 83% and a specificity of 94%. These results are obtained without inclusion of any additional clinical risk factors. They justify that the radio transmission data are usable on their own as a predictor of bone density. This approach has the potential for screening patients at risk for fragility fractures in the office, given the ease of implementation, small device size, and low costs associated with both the technique and the equipment.
DOI: 10.6084/m9.figshare.14331185
title: Modeled acoustic transmission loss off central California

description: This data set provides results from modeling of acoustic transmission loss in the ocean off central California, for a large-vessel sound source and a receiver on the continental slope.
DOI: 10.34740/kaggle/dsv/2065639
title: YouTube Trending Video Dataset (updated daily)
DOI: 10.5517/ccdc.csd.cc267qx3
title: CCDC 2033225: Experimental Crystal Structure Determination

description: Related Article: Tarlok S. Lobana, Shikha Indoria, Henna Sood, Daljit S. Arora, Geeta Hundal, Jerry P. Jasinski|2021|Inorg.Chim.Acta|521|120334|doi:10.1016/j.ica.2021.120334
DOI: 10.5281/zenodo.4642546
title: Spectroscopic and Adhesion Data for Pristine and Delipidized Gecko Setae

description: <strong>Spectroscopy Data:</strong> The spectroscopy data was collected by recording the SFG intensity as a function of infrared wavenumber for different interfaces, where the SFG intensity at each wavenumber was normalized by the IR power at the same wavenumber. The dataset collected was plotted as it is and fitted using a Lorentzian equation (fit lines shown in the Figures in the manuscript). <strong>Adhesion Data:</strong> Adhesion data was collected using a bi-axial friction cell, where the shear adhesion force was recorded as a function of time once the gecko setae start sliding on the substrate. The maximum recorded shear force was normalized by the lamellar area (calculated by analyzing pictures using ImageJ) to account for variation in size of lamella. Seven independent measurements were performed for both pristine and delipidized lamellae, which were then averaged to report the mean and standard error values listed in the paper.
description: Both spectroscopy and adhesion data can be used as it to recreate the figures shown in the manuscript.