cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/selfhelp-ouc16953555
title: Self Help: Special Project - Futbol: The Beautiful Game
DOI: 10.6084/m9.figshare.20208382
title: Additional file 1 of Evaluation of sparing the pronator quadratus for volar plating of distal radius fractures: a retrospective clinical study

description: Additional file 1.
DOI: 10.25549/selfhelp-ouc16953554
title: Hilos Ancestrales, 2013

description: Representation of the regalia worn by Aztec dancers. Feathers, "vesturario" made with the "reportage" technique. Artist Statement (Eva Sandoval): The image consists of a danzante Azteca in full regalia, holding his mandolin (an instrument used by concheros, during ceremony). Feathers play an integral part of a danzante's regalia, as they represent the rays of the sun, reaching up to the creator. A homage to the contemporary vesturario makers, keeping our culture alive.
DOI: 10.6084/m9.figshare.14443008
title: Additional file 6 of A SNP of HD-ZIP I transcription factor leads to distortion of trichome morphology in cucumber (Cucumis sativus L.)

description: Additional file 6 Table S1 List of primers used in this study.
DOI: 10.25549/selfhelp-ouc16953552
title: Toile de East LA, 2013

description: Artist Statement (Leslie-Gutierrez Saiz): The print is a Quinceañera scene. It contains an image of a girl in a dress, a church (Lourdes, East LA), an image of a quinceañera court in their dresses and tuxedos, standing in front of a Hummer limousine. Also shown are the guests at the event, dancing views, dancing young guest. There is a piñata and a lady showing off the birthday cake she's made for the event, as well as the happy mariachis.
DOI: 10.25549/selfhelp-ouc16953549
title: Through the Crossing Lines, 2013

description: Silkscreen with blue and red layered textile pattern background. Artist Statement (Yu-Cotton Well): What cold I have seen between Passion and Serenity? What have we done so wrong? I was watching an indecisive purple sky on your back Which I thought I could never reach… One day, you let me drop a flask and red ocean spread… When you were wandering inside of me, I was crouching in a blue cave and watching us… Please hold my hold and don't ever let me go there… What did the sky tell us? Was it truth? Dream? Or mistake? All we wanted was the sky that's never made up its mind.
DOI: 10.6084/m9.figshare.14443017.v1
title: Additional file 9 of A SNP of HD-ZIP I transcription factor leads to distortion of trichome morphology in cucumber (Cucumis sativus L.)

description: Additional file 9 Table S4 List of genes that are consistently differentially expressed in 06–2 vs mict-L130F.
DOI: 10.6084/m9.figshare.7103600.v1
title: Additional file 4: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: Exon Locations of Chicken LncRNAs. The genomic locations of the exons of all chicken lncRNAs. (GTF 7220 kb)
DOI: 10.6084/m9.figshare.7103609
title: Additional file 5: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: Exon Locations of Cattle LncRNAs. The genomic locations of the exons of all cattle lncRNAs. (GTF 4359 kb)
DOI: 10.6084/m9.figshare.7103609.v1
title: Additional file 5: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: Exon Locations of Cattle LncRNAs. The genomic locations of the exons of all cattle lncRNAs. (GTF 4359 kb)
DOI: 10.25549/selfhelp-ouc16953548
title: Rouge d'Andrinople, 2013

description: Silkscreen, back and red floral. Artist Statement (Mavis Leahy): My lifelong passion with antique textiles has influenced much of my art. I chose a circa mid. 1800's red and black print fabric to showcase a vintage mannequin. I selected this material not only for the visual impact-but also for its historical significance. The introduction of a colorfast red dye was a huge boon to the textile industry. (Turkeyred is a color that is widely used to dye cotton in the 18th and 19th century. It was made using the root of the rubia plant, through a long and laborious process. It was originated in India or Turkey, and was brought to Europe in the 1740's. In France it was known as a rouge d'Andrinople.) I purposely included the imperfections of the original fabric in the print, hoping to convey beauty is often flawed. Textiles are a significant art form throughout cultural history worldwide -- and will continue to be for future generations.
DOI: 10.25549/selfhelp-ouc16953538
title: Raga/Saga, 2013

description: A silkscreen print with a clay colored background holding a central coiled basket shape. Bronze swimmers float across the surface. Artist Statement (Carol Shaw-Sutton): I see textiles as a recording decide for both cultural and intimate history. This print titled Raga/Saga references our often simultaneous cyclical and linear experience of time.
DOI: 10.25549/selfhelp-ouc16953511
title: Nautilus, 2013

description: Serigraph of stylized, crochet-like figure depicting a red nautilus on a black and yellow background. Printed at Self Help Graphics as part of Atelier LV - Communication Threads & Entwined Recollection, 2012.
DOI: 10.25549/selfhelp-ouc16953509
title: Bolsa de Mercado, 2012

description: Artist Statement (Victoria Delgadillo): Bolsa de Mercado, a serigraph silkscreen encourages the viewer to recycle. Since the 1990s there has been a trend in America to down-size consumption, wastefulness, and space gluttony. As the world faces the ecological upsets of dying species, extreme pollution, and increased blight, conscientious activists are calling for cultural changes to improve world-eco. Growing up in dual cultures, recycling has always been practiced in my family. This Mexican recycling shopping bag used in Bolsa de Mercado, has always been an icon in my atwork. It represents the conscientiousness of working class people.
DOI: 10.6084/m9.figshare.14442975
title: Additional file 2 of Bioinformatic analysis identifies potential biomarkers and therapeutic targets of septic-shock-associated acute kidney injury

description: Additional file 2. Differentially expressed genes involved in septic shock samples within 0.5 hours.
DOI: 10.6084/m9.figshare.14442981.v1
title: Additional file 4 of Bioinformatic analysis identifies potential biomarkers and therapeutic targets of septic-shock-associated acute kidney injury

description: Additional file 4. Differentially expressed genes involved in septic shock samples within 48 hours.
DOI: 10.25549/selfhelp-ouc16953510
title: Balam Huipil Remix, 2013

description: Artist Statement (Dalila Paola Mendez): Balam Huipil Remix is made in the style of a "huipil", a traditional Mayan blouse, that uses modern and ancient symbols and visually weaves a new story. The 1st band of symbols from the top are the Hunab Ku, Om, and the Lotus which are ancient symbols of balance, light and dark, rebirth, and higher consciousness. The 2nd band of symbols is the Nazar which gives protection from evil eye or protection from harm. The 3rd band of symbols beginning from the left is global warming/destruction of water/climate change, the automatic gun is war and killing of people communities of color/violence/war, the corrn and tomatoes with a syringe is GMO food that is harming our food supply/plants/seeds, the tree stumps depicts deforestation across the planet, machine gun-violence, drones represents the destruction/killing/the collateral damage/wars/death of innocent children/women. The 4th band of symbols is Oil drilling and its' destruction of our oceans and damaging affects on the earth, the Glaciers depicts the destruction of water/global warming/climate change, the Nike sign symbolizes our consumerism that creates child labor/sweatshop labor/poverty/displacement of people, McDonalds is the eating of processed food/unhealthy food that contributes to poor health/diabetes/heart attacks/cancer, the electronics/wifi depicts the disconnection to people/distractions/being present, Tanks symbolize the displacement of indigenous tribes/poor communities/destruction of culture/genocide/occupations/imperialism. The 5th band is the Nazar flanking this destruction, to protect humans from the violence that we are subjected to on a daily basis and our complacency of this destruction. The 6th band are words in arabic and farsi, the first symbol is Love in Arabic and the second symbol is Peace in Farsi which repeats from the mouth of Balam or jaguar (warrior spirit). To change things we need more love and peace towards all individuals and the earth. The 7th band is a bike symbolizing exercise/alternative transportation/slowing down, the book is about disconnecting from technology, the butterflies symbolizes metamorphosis of change/we need to transform. The 8th band is the repition of the Hunab ku, Om, and Lotus, the connection spiritually to ourselves/others/nature, the boom boxes symbolizes the universal language of music and the drum beat of our ancestors. The 9th band is the connection to nature/our planet/the 4 directions/cosmology and higher consciousness. I weave a new narrative, an art Huipil, to heal, to transform the violence into peace, connection and honoring of our spirits.
DOI: 10.6084/m9.figshare.14442975.v1
title: Additional file 2 of Bioinformatic analysis identifies potential biomarkers and therapeutic targets of septic-shock-associated acute kidney injury

description: Additional file 2. Differentially expressed genes involved in septic shock samples within 0.5 hours.
DOI: 10.6084/m9.figshare.14442981
title: Additional file 4 of Bioinformatic analysis identifies potential biomarkers and therapeutic targets of septic-shock-associated acute kidney injury

description: Additional file 4. Differentially expressed genes involved in septic shock samples within 48 hours.
DOI: 10.6084/m9.figshare.7627922
title: Additional file 10: of Comparative genomics revealed the gene evolution and functional divergence of magnesium transporter families in Saccharum

description: The non-synonymous (Ka) and synonymous (Ks) substitution ratios of each MGTs from 10 representative plants. (XLSX 804 kb)
DOI: 10.6084/m9.figshare.14442978.v1
title: Additional file 3 of Bioinformatic analysis identifies potential biomarkers and therapeutic targets of septic-shock-associated acute kidney injury

description: Additional file 3. Differentially expressed genes involved in septic shock samples within 24 hours.
DOI: 10.25549/selfhelp-ouc16953260
title: Cordones, 2012

description: Serigraph of close up photo realistic image of multicolored shoelaces. Printed at Self Help Graphics as part of Atelier LIV - Sueños Libres: West Coast Soñazos, 2012.
DOI: 10.25549/selfhelp-ouc16952897
title: Self Help: Special Project - Futbol: The Beautiful Game
DOI: 10.25549/selfhelp-ouc16952896
title: Self Help: Special Project - Futbol: The Beautiful Game
DOI: 10.25549/selfhelp-ouc16952864
title: Filth Saints Manifesto Balloons: All Clouds Are, 2012

description: Serigraph of 4 color print of a rabbit with an open chest revealing disorganized inward. The rabbit has a extra finger or cigarette in each upraised hand. Image was made photographically, originally starting as a paper bas-relief that was photographed and manipulated on the computer. The print has a lavender border with the title "Filth Saints, Manifestos, Balloons Recordings" on the top and on the bottom "1989-1996". There's also a title embedded in the image itself that reads "All Clouds Are" which came from a dream the rabbit had one night that woke her up thinking that the quote was a profound utterance that might unlock some puzzle. Artist Statement (Arturo Ernesto Romo): The work is the cover art for the only recording produced by the fictional (?) publication cooperative Filth Saints Manifestos Balloons. Ericka Llanera started the cooperative after spending 7 years living in an aluminum geodesic mushroom in the Sonoran desert. A collaborative effort, the cooperative's magazine, also titled Filth Saints Manifestos Balloons, covered a diverse range of topics within the field of entheogenic physics, urban design, and prophecy. It was also designed as an echo of the revolutionary events of 1968, a kind of delayed echo and elaboration of some of the policies put forth by student revolutionaries those years ago. In March 1996, two months before her house was raided by the Los Angeles County Sheriff and FBI, Llanera pressed a small number of LPs, the content of which came from her library of reel to reel and cassette tape documentation of meetings held in her home in El Sereno. Dr. Eufencio Rojas, Jose Lopez Fell, Sturnina Gardea, and Oscar Zeta-Acosta (?) were among those in attendance. The tapes were ultimately destroyed during the raid of her house. The cover was designed after a dream Llanera had in which she dissected her own rabbit body trying to locate an organ called the "triple burner" which she was directed to apply a paste a mustard seed to. She woke up with the phrase, "All Clouds Are" in her thoughts, repeating like a mantra, like music.
DOI: 10.25549/selfhelp-ouc16952863
title: Chromosomos, 2012

description: Serigraph of desktop computer against a green background with figures standing in a row against a fence. Fictional text at bottom reads "TRANSLALIS PANOCHUTOPIA WHY WORLD". Artist Statement (Raquel Gutierrez): Inspired by Kraftwerk's Computerworld and the Internet, making us consume out identities and gender outlaws everywhere.
DOI: 10.25549/selfhelp-ouc16952612
title: L.A. River Path, 2015

description: Condensed image of the LA River bike path with bicycles and birds in the foreground, a bridge and a water tower in the background, horse in between. Printed at Self Help Graphics as part of Special Project - Printmaking Survey of the Los Angeles River, 2015. Artist Statement (Alex Fridrich): My print began with taking photos of the Los Angeles River over the course of several bike rides from Long Beach. My intention was to document everything that surprised me on my first trips along the river to downtown. I had never expected the urban ranches, horses, or wild grapevines. The empty podiums, convenient bike stands, and sculpted concrete intrigued my sense of design and history. Condensing my photos into a single landscape, I invented a panoramic version of these experiences. The collages became drawings which I etched into a copper plate as line work and aquatint. The resulting print describes my encounters as a single scene emphasizing the extreme human development of this natural tributary. With all of the progress taking place in and around this particular waterway I expect changes to occur soon. I am curious to see what happens and to continue documenting my experiences on the Los Angeles River.
DOI: 10.25549/selfhelp-ouc16952613
title: Zinatlahuet (Mano de Obra), 2012

description: Serigraph of palm of hand with symbols and palm markings against a yellow background. Atelier Statement: This project gathered 10 artists who live/lived the experience of being a day laborer in America to take part in a special printmaking atelier. The subject of each of the limited edition fine art serigraphs explore the artist's dreams of opportunity, met with the realities of oppression, abuse, and physical pain.
DOI: 10.25549/selfhelp-ouc16952609
title: Rutas Peligrosas, 2012

description: This print was created at Self Help Graphics & Art as part of the Atelier LIII - The Jornalero Papers in 2012. Artist Statement: The theme of the screen printing is that of day laborers, as we all know day laborers look for work on the corners, Home depot, work centers, etc. They (the day laborers) do not have a contract or benefits, they show up almost every day because they do not have documents, this is their daily life. But in the Serigraph I wanted to express the dangers they have to face before arriving safely in the U.S.A. The Central Americans come on a train they call "La Bestia" for them it is more difficult to travel through Mexico due to the corruption and violence unleashed by the mafias and the Mexican police, they kidnap them, they demand money from their relatives, and often kill them. That is why I wanted to express dramatically visually with skulls, scorpions, and blood. The enormous risks that almost always young people of both sexes face in seeking a better life. Atelier Statement: This project gathered 10 artists who live/lived the experience of being a day laborer in America to take part in a special printmaking atelier. The subject of each of the limited edition fine art serigraphs explore the artist's dreams of opportunity, met with the realities of oppression, abuse, and physical pain.
DOI: 10.25549/selfhelp-ouc16952192
title: Dia con Dia, 2012

description: Portrait of a day laborer with text in background of print that reads "Dia con Dia". Atelier Statement: This project gathered 10 artists who live/lived the experience of being a day laborer in America to take part in a special printmaking atelier. The subject of each of the limited edition fine art serigraphs explore the artist's dreams of opportunity, met with the realities of oppression, abuse, and physical pain.
DOI: 10.6084/m9.figshare.14443712
title: Millennial resolution late Miocene northern China precipitation record spanning astronomical analogue interval to the future

description: Frequency-dependent
magnetic susceptibility/hard isothermal remanent magnetization, Frequency-dependent magnetica susceptibility/hard isothermal remanent magnetuzation, quantitative summer mean precipitation and paleomagnetic data from the Huaitoutala section.<br>
DOI: 10.25549/selfhelp-ouc16952191
title: The River of Los Angeles with its Plants and Animals, 2015

description: Horizontal landscape with a view of the L.A. River, downtown L.A., various birds, waterfowl, ground animals, and insects. Artist Statement (Usen Gandara): My work explores themes of isolation, destruction, loss, and the complex nature of beauty. My current series of linoleum block prints attempts to form a visual concordance with the history of printmaking through the idea of spiritual transcendance and life beyond death that touches on different periods in printmaking and my own life. The endeavor of printmaking itself is an attempt to outlive oneself through the production and dissemination of copies in an edition.
DOI: 10.25549/selfhelp-ouc16952188
title: Las Reglas de la Gente, 2012

description: Serigraph of three figures leaned against a brick wall. Atelier Statement: This project gathered 10 artists who live/lived the experience of being a day laborer in America to take part in a special printmaking atelier. The subject of each of the limited edition fine art serigraphs explore the artist's dreams of opportunity, met with the realities of oppression, abuse, and physical pain.
DOI: 10.25549/selfhelp-ouc16952187
title: Jornaleros en la Lucha, 2012

description: Artist Statement (Jose Barrera): The print was inspired by the current challenges jornaleros face. The police, the minuteman, the racist, the banker, the corrupt boss, and the racist laws such as SB 1070. I chose the Police because Jornalers who do not have the change to go to a day laborer center are often found at corners or in front of hardware stores. The police comes see this as nuisance, and starts harassing day laborers to leave those places. Many of the tacts the police use are tickets and go as far as arresting day laborers. this a constant fight that jornaleros face and bravely stand up and question the police. The minuteman, to the jornaleros represents the people that do not understand the reason why the jornaleros are in looking for jobs in the streets in the first place. Many of these people are misinformed and the jornaleros as scape goats for the current situation of the country. They blame the jornaleros for the economy, the lack of jobs, even some diseases. The Jornaleros tries to avoid confrontation with these people, but if necessary they will come out and dight to inform people of the community about their struggles. The racist or Tea Party believes that the jornaleros are trying to take back the land, and they feel that the only way they coexist is by send all immigrants back to Mexico. We have jornaleros what are form all over the world, these workers are not taking over no one's land. The only reason jornaleros are in this country is to work and be able to help their families. The banker has become a symbol of of greed in our country, and while many people do admit that the banks are responsible for the current economic crisis. There are people that believe that jornaleros should be held responsible for the economy. The banker has also manage to affect the jornaleros; people who use to provide good and clothing to the jornaleros were forced to stop due to lack of funds. The corrupt boss. Jornaleros often find themselves working hard and for long days, hoping to earn a fair salary for their work. Unfortunately many of these workers find themselves not earning a penny for their work and threaten to be sent back if they say anything to the police. Up to date, the number of jornaleros who had had their wages stolen keeps increasing and unfortunately the government has done little or nothing to solve this problem. SB 1070, this law was famous by the state of Arizona as an effort to get rid of the immigrant population. Many jornaleros were forced to leave the state, many where their children had grown up. This law allowed people to come postal towards jornaleros. Fortunately, the people rose up and fought back to make sure this law was eradicated. Lastly, the image has two figures in the bottom; these images represent the jornalero and the jernalera. Jornaler@s wake up every day despite the conditions, the weather, and the odds. They wake up to provide for their family.
DOI: 10.25549/selfhelp-ouc16952860
title: Inevitable, 2012

description: Faces of two figures against a collaged background of red, blue, yellow and green with text that reads "Experience Castration Squad". Printed at Self Help Graphics as part of Atelier LIV - Sueños Libres: West Coast Soñazos, 2012.
DOI: 10.25549/selfhelp-ouc16952895
title: Teen Age Fair, 1966, 2012

description: Serigraph of mid-60s rock musicians with sunset background, mock album cover, original screen print. Artist Statement (John Everett Miner): Mock album cover for Teen Age Fair, 1966. Intended to be a fake promotional record where one never existed for the actual Teen Age Fair of 1966.
DOI: 10.25549/selfhelp-ouc16952898
title: Teardrops and Gumdrops, 2012

description: The print uses the colors black, lavender, yellow, dark blue, and turquoise. The print is of tear drops and gum drops falling down. The background has various names and phrases written on it such as "The Teen Queen," "Joan Baez," and "Charlie Parker.", along with text that reads "Teardrops & Gumdrops". Printed at Self Help Graphics as part of Atelier LIV - Sueños Libres: West Coast Soñazos, 2012.
DOI: 10.25549/selfhelp-ouc16953262
title: Big Gulp at Glendale Narrows, 2015

description: Print of found objects in various hues of blue and violet. Collagraph plate was made with trash in the L.A. River. Printed at Self Help Graphics as part of Special Project - Printmaking Survey of the Los Angeles River, 2015. Artist Statement (Kimiko Miyoshi): Earlier this year, I participated in Annual Spring L.A. River Clean-ups, organized by LOLAR. Big Gulp at Glendale Narrows is a viscosity collagraph made with trash I gathered at the clean up. I am drawn to trivial and forgotten objects. I am attracted to serendipitous events and phenomena that are too absurd to be taken seriously or perhaps too ordinary to be noticed. Some recent focuses of my work are to transform insignificant objects into something visually striking and to invoke a renewed curiosity in the viewer. Things disappearing are beautiful to me. My choice of subject matter is related to my own existential perception as forgotten objects become ciphers for a state of being akin to mine. My passion toward printmaking stems from a similar kinship I have toward this discipline that is seemingly outdated. However, I am hopeful about the power of the repeatable medium as well as the beautiful mark-making capacities.