DOI: 10.5281/zenodo.4955282
title: Anechoic Multi-Channel Recordings of Individual String Quartet Musicians

description: <strong>Dataset containing audio files for edited anechoic multi-channel recordings of individual musicians of the string quartet op76 n1 from Franz Joseph Haydn. *</strong> 1st Movement: Allegro con Spirito (from bar 1 until first beat of bar 88); 2nd Movement: Adagio Sostenuto (from bar 1 until first beat of bar 16); 3rd Movement: Minuet Presto (entire movement without repetitions); 3rd Movement: Trio (entire movement without repetitions); 4th Movement: Finale. Allegro ma non troppo (from bar 94 until first note of bar 138). Detailed report on the recording methods: O. C. Gomes, W. Lachenmayr, J. Thilakan and M. Kob, "Anechoic Multi-Channel Recordings of individual String Quartet musicians," <em>2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA)</em>, 2021, pp. 1-7, doi: 10.1109/I3DA48870.2021.9610912. Abstract: Many and great efforts have been put into creating anechoic recordings of symphony orchestras, opera arias, solo instruments, speech and etc. However, chamber music, a typical music formation is poorly represented in the available anechoic material library. This is especially relevant in the context of small concert halls, where typically the most common form of concert would be of chamber music. With this need for material in mind, short excerpts of each movement of Haydn’s string quartet op. 76 n.1 have been recorded in an anechoic chamber. The recordings have been conducted with individual instruments with an array of 12 studio microphones positioned evenly around the musician. This paper reports on the methods, technical aspects and difficulties faced in producing such recording, as well as the post-processing required to achieve a realistic and usable performance of a string quartet. The finalized audio files will be made freely available for use in academic research. Specification: Audio files recorded at 44.1 kHz/24 Bit. File names: 1000 Hz at 94 dB calibration tone recorded by NTI M2010 microphone. Channel 16.<br> CalibrationTone_1000Hz_94dB.wav Short 6 s recording of silence with musician present.<br> NoiseFloor.wav 1st Movement: Allegro con Spirito (from bar 1 until first beat of bar 88); Mov1_Cello_Haydn_StringQuartet_op76_n1.wav<br> Mov1_Viola_Haydn_StringQuartet_op76_n1.wav<br> Mov1_Violin1_Haydn_StringQuartet_op76_n1.wav<br> Mov1_Violin2_Haydn_StringQuartet_op76_n1.wav 2nd Movement: Adagio Sostenuto (from bar 1 until first beat of bar 16); Mov2_Cello_Haydn_StringQuartet_op76_n1.wav<br> Mov2_Viola_Haydn_StringQuartet_op76_n1.wav<br> Mov2_Violin1_Haydn_StringQuartet_op76_n1.wav<br> Mov2_Violin2_Haydn_StringQuartet_op76_n1.wav 3rd Movement: Minuet Presto (entire movement without repetitions); Mov3_Minuet_Cello_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Minuet_Viola_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Minuet_Violin1_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Minuet_Violin2_Haydn_StringQuartet_op76_n1.wav 3rd Movement: Trio (entire movement without repetitions); Mov3_Trio_Cello_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Trio_Viola_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Trio_Violin1_Haydn_StringQuartet_op76_n1.wav<br> Mov3_Trio_Violin2_Haydn_StringQuartet_op76_n1.wav 4th Movement: Finale. Allegro ma non troppo (from bar 94 until first note of bar 138). Mov4_Cello_Haydn_StringQuartet_op76_n1.wav<br> Mov4_Viola_Haydn_StringQuartet_op76_n1.wav<br> Mov4_Violin1_Haydn_StringQuartet_op76_n1.wav<br> Mov4_Violin2_Haydn_StringQuartet_op76_n1.wav <br> Description of channels in the audio files: Channel number Mic Array Microphone model Cartesian coordinates (x, y, z)<br> 1 Dodecahedron Neumann km-184 61, 0, -79<br> 2 Dodecahedron Neumann km-184 -30, 53, -79<br> 3 Dodecahedron Neumann km-184 -30, -53, -79<br> 4 Dodecahedron Neumann km-184 49, -85, -19<br> 5 Dodecahedron Neumann km-184 98, 0, 19<br> 6 Dodecahedron Neumann km-184 49, 85, -19<br> 7 Dodecahedron Neumann km-184 -49, 85, 19<br> 8 Dodecahedron Neumann km-184 -98, 0, -19<br> 9 Dodecahedron Neumann km-184 -49, -85, 19<br> 10 Dodecahedron Neumann km-184 30, -52, 79<br> 11 Dodecahedron Neumann km-184 30, 52, 79<br> 12 Dodecahedron Neumann km-184 -61, 0, 79<br> 13 Spot mic DPA 4099 -,-,-<br> 14 Stereo A (right) Neumann km-183 140, 0, 80<br> 15 Stereo B (left) Neumann km-183 140, -50, 80<br> 16 Calibration NTI M2010 ~ 98, 0, 19 <br> Coordinates in cm from the acoustic center of the instruments. Recording environment: TH-OWL Anechoic Chamber in Lemgo, Germany<br> Inner dimensions: 4.80 m x 5.80 m x 4.00 m<br> Acoustic conditions: Grid floor with 50 cm acoustic foam wedges.