cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.3629665
title: Dataset for 'Rotational dependence of turbulent transport coefficients in global convective dynamo simulations of solar-like stars'

description: For moderate and slow rotation, magnetic activity of solar-like stars is observed to strongly depend on rotation, while for rapid rotation, only a very weak or no dependency is detected. These observations do not yet have a solid explanation in terms of dynamo theory. To work towards such an explanation, we numerically investigated the rotational dependency of dynamo drivers in solar-like stars, that is, stars that have a convective envelope of similar thickness as in the Sun. We ran semi-global convection simulations of stars with rotation rates from 0 to 30 times the solar value, corresponding to Coriolis numbers, Co, of 0 to 110. We measured the turbulent transport coefficients describing the magnetic field evolution with the help of the test-field method, and compared with the dynamo effect arising from the differential rotation, self-consistently generated in the models. The trace of the <strong>\(\alpha\)</strong> tensor increases for moderate rotation rates with Co<sup>0.5</sup> and levels off for rapid rotation. This behavior is in agreement with the kinetic \(\alpha\) based on the kinetic helicity, if one takes into account the decrease of the convective scale with increasing rotation. The <strong>\(\alpha\)</strong> tensor becomes highly anisotropic for Co &gt; 1, \(\alpha_{rr}\) dominates for moderate rotation (1&lt;Co&lt;10), and \(\alpha_{\phi\phi}\) for rapid rotation (Co &gt; 10). The effective meridional flow, taking into account the turbulent pumping effects, is markedly different from the actual meridional circulation profile. Hence, the turbulent pumping effect is dominating the meridional transport of the magnetic field. Taking all dynamo effects into account, we find three distinct regimes. For slow rotation, the \(\alpha\) and Rädler effects are dominating in presence of anti-solar differential rotation. For moderate rotation, \(\alpha\) and \(\Omega\) effects are dominant, indicative of \(\alpha\Omega\) or \(\alpha^2\Omega\) dynamos in operation, producing equatorward-migrating dynamo waves with the qualitatively solar-like rotation profile. For rapid rotation, an \(\alpha^2\) mechanism, with an influence from the Rädler effect, appears to be the most probable driver of the dynamo. Our study reveals the presence of a large variety of dynamo effects beyond the classical \(\alpha\Omega\) mechanism, which need to be investigated further to fully understand the dynamos of solar-like stars. The highly anisotropic <strong>\(\alpha\)</strong> tensor might be the primary reason for the change of axisymmetric to non-axisymmetric dynamo solutions in the moderate rotation regime. For the full article see https://arxiv.org/abs/1910.06776
description: The turbulent transport coefficients are stored as ascii files for each run separately in a tar file. Descriptions, units and structure of the runs and data files are header* and Info* files.
DOI: 10.7910/dvn/xro2pi/5tseza
title: Adults_Data_22236.tab

description: :unav
DOI: 10.7910/dvn/xro2pi/pcwle4
title: Children_22236.tab

description: :unav
DOI: 10.7910/dvn/xro2pi/z7dfvi
title: Combined_22236.ods

description: :unav
DOI: 10.5519/qd.e533s9ve
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1 records)
DOI: 10.5284/1059280
title: Land off Mill Lane, Chinnor, Oxfordshire. Archaeological Excavation (OASIS ID: oxfordar1-354726)

description: Oxford Archaeology was commissioned by A2 Dominion to undertake a trench evaluation on the site of a proposed 78-unit housing development, on land to the north of Mill Lane, Chinnor, Oxfordshire. Historically the site lay within the open fields of Chinnor Manor, in the immediate hinterland of the medieval and postmedieval village. Mill Lane follows the line of the Icknield Way, a long-distance routeway of ancient origin. There was considered to be potential for prehistoric, Roman and Anglo-Saxon burials in proximity to the road. Seven trenches were excavated across the 3.5ha site, which represents a 1% sample of the area. Provision was made for a further seven trenches, in the event that the first phase trenches revealed significant archaeology, but no such remains were found. The trenches were placed evenly across the site to test the results of a previous geophysical survey, which had not detected any archaeological features. The absence of archaeological remains in the trenches generally confirms the conclusions of the geophysical survey, indicating that the site has low potential for discoveries during the development.
DOI: 10.6084/m9.figshare.11835804.v11
title: Simulated spectrum peak wave period (3-hourly, 150a) from FIO-ESM v2.0 1pctCO2 experiment r1i1p1f1

description: Simulated spectrum peak wave period (3-hourly, 150a) from FIO-ESM v2.0 1pctCO2 experiment (CO2 prescribed to increase at 1% per year) r1i1p1f1, which is branch from Jan 1, 301 of piControl experiment. The grid, named gx1v6, is the displaced pole (the North Pole displaced to the Greenland) grid with 1.1 degree in longitude and 0.27-0.54 degree in latitude.
DOI: 10.5286/isis.e.rb2000034-2
title: Structure-property relationships in new oxide ion conductor Ba3NbWO8.5

description: Oxide ion conductors have been a focus of intense research due to their application as electrolytes in solid oxide fuel cells. The currently used materials (yttria-stabilised zirconia) require 800-1000°C to operate efficiently. New oxide materials are sought as electrolytes with high conductivity between 450 and 600°C. Ba3NbWO8.5 has high oxide ion conductivity in this range. It was first described as a new hybrid of the 9R perovskite and the palmierite structure. We have grown high-quality crystals and have shown that the true structure is more complex, with extensive disorder in both the cation and anion sublattices. Lab single crystal XRD was not sufficient to characterise fully the oxide ion sublattice, and neutron diffraction is necessary to provide this understanding, essential for determining the structure-property relationships in this exciting new family of solid electrolytes.
DOI: 10.5286/isis.e.rb1910621-3
title: H/D isotope effect on enamtiomers: the case of Alanine

description: In the current description of any molecular system based on the Schrodinger equation with a Hamiltonian accounting only for the electromagnetic forces, the structural properties of enantiomers should be perfectly mirror symmetric. A recent study on D-Alanine claims to have revealed dissimilarities in the structural properties of D-alanine compared with L-alanine. The fact that such a study was conducted only on the deuterated specie of one enantiomer without takinginto account the possibility of D/H exchange, give space to questions regarding the revealed dissimilarities. This proposal aims at investigating the H/D isotope effect on both enantiomers of alanine, using neutron diffraction (both powder and single-crystal) and in-situ Raman spectroscopy.
DOI: 10.7488/7122b750-38ce-460c-9f78-87c114d483b5
title: journeyMan

description: Martin Parker is the composer of journeyMan, a collection of three compositions for mobile phone and ambulant listener. The journeyMan system uses sensors on contemporary smartphones to propel the piece forwards turning the listener into an active performer of the piece. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: journeyMan is suite of compositions that explore contemporary smartphones as devices for the performance of computer-based music. As such it spans the disciplines of composition, live electronic music and adaptive systems and involves the crafts of creative coding, app development and explores new forms and formats of musical listening and performance. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.5281/zenodo.3664980
title: MiRoR1 - P2 - Key stakeholders' perspectives and experiences with defining, identifying and displaying gaps in health research: a qualitative study protocol

description: Supporting data items for protocol on key stakeholders’ perspectives and experiences with defining, identifying and displaying gaps in health research: a qualitative study protocol
DOI: 10.5281/zenodo.3664981
title: MiRoR1 - P2 - Key stakeholders' perspectives and experiences with defining, identifying and displaying gaps in health research: a qualitative study protocol

description: Supporting data items for protocol on key stakeholders’ perspectives and experiences with defining, identifying and displaying gaps in health research: a qualitative study protocol
DOI: 10.7488/236b628e-8da0-4650-b6eb-1ddb720cd8b6
title: Rocking Horse Winner

description: Rocking Horse Winner is a 60 minute, one act chamber opera, adapted, with permission from the D.H.Lawrence Estate, from the short story The Rocking Horse Winner by D. H. Lawrence. The opera was conceived and composed by Gareth Williams, and the libretto was written by Anna Chatterton. The work was co-commissioned by Scottish Opera and Tapestry Opera, and premiered by Tapestry Opera in Toronto in 2016. The work has also been produced at Saratoga Opera Festival in New York 2018, and is scheduled to be re-staged in Toronto, in 2020. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: A modern adaptation of the D.H. Lawrence short story, Rocking Horse Winner explores the relationship between Paul, a young man with developmental challenges, and his emotionally distant mother. Paul becomes dangerously obsessed with solving the "bad luck" of his family in order to win the love of his mother. His obsession creates a strange magic that both connects him to luck and makes him vulnerable to powerful voices only he can hear. In our new age of entitlement Rocking Horse Winner is an intimate, psychologically insightful look at love, "luck", and greed. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.7488/c36a5578-b64a-438f-a9b3-1aa274948b15
title: The Rime of the Ancient Mariner

description: Dee Isaacs composed this site-specific opera written for large ensemble, SATB choir, and children’s chorus, in a production involving multi-staged performance and video projection. This dataset consists of the video of the performance and the score. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: The Rime of the Ancient Mariner is a site-specific opera written for large ensemble, SATB choir, and children’s chorus, in a production involving multi-staged performance and video projection. It is in 3 acts, taking place both outdoors and indoors, and was performed between the University of Edinburgh’s Old College Quad, and the Playfair Library. It was made as a collaborative project with the writer Gerda Stevenson, theatre director John Bett, and film-maker Ian Dodds. The project was conceived and produced as part of the Music in the Community programme at the University of Edinburgh, in collaboration with the teachers and pupils of Leith Walk Primary School, a long-term partner in the programme, and two professional musicians from West Africa, Gibril Camara and Aboubacar Sylla. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.7488/fb85836a-1333-4f37-97a7-3b696bed0acc
title: 306 trilogy

description: The 306 is a trilogy of music-theatre works, co-created by composer Gareth Williams and writer Oliver Emanuel, that explore the stories of the 306 British soldiers who were shot for cowardice during World War 1. All three works were commissioned and produced by the National Theatre of Scotland and 14- 18 Now. Each part of the trilogy was presented in consecutive years from 2016 to 2018. This dataset contains the life full show of Dawn, photographs and the full score. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: A music theatre trilogy about the 306 men shot for cowardice in WW1. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.7488/08a9646b-296e-4c9d-9638-2cfa6a16954d
title: mNAP

description: Installation and 12 minute composition by Michael Edwards. Experiencing this sound installation involves stepping into a custom-built soundproofed box (the mNAP) and listening to the twelve-minute piece I made on stereo headphones. Simple feedback on the piece can made by the participants via a custom iPad interface I programmed using MaxMSP and the Mira app. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: mNAP is a collaborative sound installation that draws attention to the problem of noise pollution in Indian cities. The project was developed during two visits to India both funded by the AHRC. The first iteration of the project was presented in Ahmedabad as part of the UnBox festival in 2014 and a subsequent version delivered in December 2015 funded by an AHRC UnBox Future Cities LABS follow on award. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.7488/1b4647f5-db9b-4554-927d-d29ac7c3f3fb
title: Hyperboles

description: Hyperboles is series of flexible, musician-tweaked algorithmic pieces written for solo and computer between 2014 and 2016. This dataset contains performance videos, images and sound clips of these pieces. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: Hyperboles is series of flexible, musician-tweaked algorithmic pieces written for solo and computer between 2014 and 2016. There is no permanently fixed score as such; rather, a score is generated by the underlying software via configuration of the parameter space presented by a separate software interface.
DOI: 10.7488/5caa8e71-2f1d-43f9-8ca7-46414fdf686c
title: Breath Cycle

description: Breath Cycle is a community opera and singing project informed by and performed by people with cystic fibrosis (CF). The project was conceived of and led by Gareth Williams, during his time as Composer in Residence at Scottish Opera from 2011 to 2014, as part of his practice to find new participants and collaborators in the creation and performance of new opera. The project was developed and delivered at Gartnavel Hospital in Glasgow. Breath Cycle set out to measure the impact of singing on the lung function of people with CF, and to create music for people with CF to sing together. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: Composer Gareth Williams and librettist David James Brock created Breath Cycle songs, duets and ensemble pieces – a concept community opera project for people with cystic fibrosis, inspired by conversations they had with participants during the project and bespoke for each voice they encountered. Together with Scottish Opera and Gartnavel General Hospital's respiratory unit, the project explored the effect of learning classical singing techniques and breath control on the respiratory health of Breath Cycle participants. Due to a high risk of infection, people with cystic fibrosis can't physically spend time together. With this in mind, most of this project was developed and presented online. Breath Cycle considered how participants can interact safely with each other, used the internet as a place to meet, learn and build a community. Voices were recorded individually and put together through video and sound editing. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.5281/zenodo.3664926
title: MiRoR1 - P1 - A scoping review describes methods used to identify, prioritize and display gaps in health research

description: Data extraction, data set and protocol of a scoping review on describes methods used to identify, prioritize and display gaps in health research
DOI: 10.5281/zenodo.3664927
title: MiRoR1 - P1 - A scoping review describes methods used to identify, prioritize and display gaps in health research

description: Data extraction, data set and protocol of a scoping review on describes methods used to identify, prioritize and display gaps in health research
DOI: 10.7488/5644679b-329b-4d48-bcf1-9336ff893810
title: Scripts

description: Scripts is a suite of four concert pieces that can work as a collection of short compositions in their own right or be divided up and played amongst other pieces in programmes of extreme and physically taxing music to give moments of rest for the players and change for the audience. This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault.
description: Scripts is a composition at the intersection of co-composition, live electronic music and adaptive systems. It involves the crafts of creative coding, improvisation and live sound engineering. The piece has been performed twice by the Quasar Saxophone quartet in Church of the Gesù, Montreal, January 2017 and again in Greyfriar’s Kirk, Edinburgh, March 2017. The work exists as a series of partially open scores and a sophisticated live electronics performance tool that responds very directly to sound input from the players. The system can be controlled remotely from a tablet or webpage and mixed from within the audience with no interruption to the flow of the concert. ## Access ## This dataset is held in the Edinburgh DataVault, directly accessible only to authorised University of Edinburgh users. External users may request access to a copy of the data by contacting the Principal Investigator, Contact Person or Data Manager named on this page or email CAHSS REF: cahss.ref@ed.ac.uk. University of Edinburgh users who wish to have direct access should consult the information about retrieving data from the DataVault at: http://www.ed.ac.uk/is/research-support/datavault .
DOI: 10.5525/gla.researchdata.966
title: Peste des petits ruminants seroprevalence in northern Tanzania across sheep, goats and cattle

description: Herzog, C., de Glanville, W., Willett, B., Kibona, T., Cattadori, I., Kapur, V., Hudson, P.J., Buza J., Cleaveland S., Bjørnstad, O. (2019). Pastoral production is associated with increased peste des petits ruminants seroprevalence in northern Tanzania across sheep, goats and cattle. Epidemiology and Infection, 147, E242. doi:10.1017/S0950268819001262; 2. Herzog, C.M.; de Glanville, W.A.; Willett, B.J.; Cattadori, I.M.; Kapur, V.; Hudson, P.J.; Buza, J.; Swai, E.S.; Cleaveland, S.; Bjørnstad, O.N. Identifying Age Cohorts Responsible for Peste Des Petits Ruminants Virus Transmission among Sheep, Goats, and Cattle in Northern Tanzania. Viruses 2020, 12, 186.