cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15156/bio/sh1615483.08fu
title: SH1615483.08FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh1615484.08fu
title: SH1615484.08FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.25549/one-c4-52416
title: Documents
DOI: 10.15156/bio/sh1615485.08fu
title: SH1615485.08FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh1615486.08fu
title: SH1615486.08FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.5281/zenodo.10317734
title: AR002-028-06

description: Mantanzas Point collected in Delaware County, Indiana. 

Catalog # 12-Dl-5-4

Uploaded by: Reganne O'Connor

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. AR002-028-06, 3D Model .ply file. Recovered as part of Archaeological Report # 2, *Archaeological Investigations of the New Castle Sites, Hn-1, Hn-2, Hn-8, and Hn-12: A 1966 Summer Field School in Henry County, Indiana*, By B.K. Swartz, Jr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317735
title: Ibex Statue Scan - Berlin - Tierpark

description: an ibex statue from the tierpark in berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317736
title: Ibex Statue Scan - Berlin - Tierpark

description: an ibex statue from the tierpark in berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317737
title: Skiddy's Almshouse, Cork City Ireland

description: Visit https://cork.guide for more information about Cork's architecture and history.

Skiddy's Almshouse is the oldest inhabited building in the city of Cork. It was built in 1718 and finished in 1719.
It was the second almshouse built using a bequest from Stephen Skiddy for the city's poor, either Catholic or Church of Ireland. Built on a corner of the medieval Saint Mary's Churchyard, the building was once part of a campus including the Green Coat Hospital and School. The other buildings were demolished in the 1950s. The Almshouse was saved from demolition in the 1960s with restoration completed in 1975. A second restoration was completed in 2005. Skiddy's Almshouse is now n Cork.T restoration of this building in 2005 won the contractor the RIAI EuropaNostraAwardforthework.
The Almshouse is an L-shaped building with a stone arcade enclosed by a ten-foot wall and a large iron gate. As of 2011, it housed 15 people.

Information sourced from Wikipedia:
https://en.wikipedia.org/wiki/Skiddy's_Almshouse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317738
title: Skiddy's Almshouse, Cork City Ireland

description: Visit https://cork.guide for more information about Cork's architecture and history.

Skiddy's Almshouse is the oldest inhabited building in the city of Cork. It was built in 1718 and finished in 1719.
It was the second almshouse built using a bequest from Stephen Skiddy for the city's poor, either Catholic or Church of Ireland. Built on a corner of the medieval Saint Mary's Churchyard, the building was once part of a campus including the Green Coat Hospital and School. The other buildings were demolished in the 1950s. The Almshouse was saved from demolition in the 1960s with restoration completed in 1975. A second restoration was completed in 2005. Skiddy's Almshouse is now n Cork.T restoration of this building in 2005 won the contractor the RIAI EuropaNostraAwardforthework.
The Almshouse is an L-shaped building with a stone arcade enclosed by a ten-foot wall and a large iron gate. As of 2011, it housed 15 people.

Information sourced from Wikipedia:
https://en.wikipedia.org/wiki/Skiddy's_Almshouse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317739
title: Marble grave stele with a family group ca. 360 B

description: Because the framing niche that once surrounded this relief is missing, there are no inscriptions that might identify the deceased. Both the seated man and the veiled woman behind him stare straight ahead, as if the young woman who gazes down at them were invisible. Do they mourn their dead daughter? Does she mourn her dead father, or is she the sole survivor of the group? Despite its ambiguity and solemn sadness, the relief conveys an intense, though restrained, sense of family unity. Carved by a master, this grave stele is one of the most magnificent examples that have survived from the classical period.

From the Metropolitan Museum of Art

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317740
title: Marble grave stele with a family group ca. 360 B

description: Because the framing niche that once surrounded this relief is missing, there are no inscriptions that might identify the deceased. Both the seated man and the veiled woman behind him stare straight ahead, as if the young woman who gazes down at them were invisible. Do they mourn their dead daughter? Does she mourn her dead father, or is she the sole survivor of the group? Despite its ambiguity and solemn sadness, the relief conveys an intense, though restrained, sense of family unity. Carved by a master, this grave stele is one of the most magnificent examples that have survived from the classical period.

From the Metropolitan Museum of Art

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317741
title: St Emilion Cloitre Cordeliers

description: Saint Emillion (France) Les cordeliers

performed with 46 pictures (24Mpix)

More info: //fr.wikipedia.org/wiki/Cloître_des_Cordeliers_(Saint-Émilion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317742
title: St Emilion Cloitre Cordeliers

description: Saint Emillion (France) Les cordeliers

performed with 46 pictures (24Mpix)

More info: //fr.wikipedia.org/wiki/Cloître_des_Cordeliers_(Saint-Émilion)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317743
title: Sculpture from Church of the Multiplication

description: Sculpture from Tabgha Church of the Loaves and Fish.
3D reconstruction was made with 3DF Zephyr Lite, from 27 photos taken with Samsung S8.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317744
title: Sculpture from Church of the Multiplication

description: Sculpture from Tabgha Church of the Loaves and Fish.
3D reconstruction was made with 3DF Zephyr Lite, from 27 photos taken with Samsung S8.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317745
title: Cabinet with images of saints

description: This piece of furniture is an example of the small cabinets that were popular in the 2nd half of the 17th century and in the 1st half of the 18th century. Its typical elements include a small wooden body with a folding door, small drawers, a hiding place, and a metal open-work decoration on the sides, made of engraved iron sheet with a set of stylised plant motifs, figures of people, angels, and animals. On the external and internal sides of the door, there are images of Christian saints: Florian, Peter, and Paul.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/266

Inventory number: MNK-IV-Sp-227

Location of the physical object: National Museum in Kraków, Poland

**Regional Digitalisation Lab, MIK, Virtual Museums of Małopolska project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317746
title: Cabinet with images of saints

description: This piece of furniture is an example of the small cabinets that were popular in the 2nd half of the 17th century and in the 1st half of the 18th century. Its typical elements include a small wooden body with a folding door, small drawers, a hiding place, and a metal open-work decoration on the sides, made of engraved iron sheet with a set of stylised plant motifs, figures of people, angels, and animals. On the external and internal sides of the door, there are images of Christian saints: Florian, Peter, and Paul.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/266

Inventory number: MNK-IV-Sp-227

Location of the physical object: National Museum in Kraków, Poland

**Regional Digitalisation Lab, MIK, Virtual Museums of Małopolska project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317748
title: Dryburgh Abbey gravestone, Scottish Borders

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317747
title: Dryburgh Abbey gravestone, Scottish Borders

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317750
title: 縄文中期「関東地方の土器の特徴を示す土器」 観察記録3Dモデル

description: 縄文中期「関東地方の土器の特徴を示す土器」 観察記録3Dモデル
約5000~4500年前
撮影場所:尖石縄文考古館
撮影月日:2020.03.13
ガラス越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 72 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317749
title: 縄文中期「関東地方の土器の特徴を示す土器」 観察記録3Dモデル

description: 縄文中期「関東地方の土器の特徴を示す土器」 観察記録3Dモデル
約5000~4500年前
撮影場所:尖石縄文考古館
撮影月日:2020.03.13
ガラス越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 72 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317751
title: Pintadeira de pão

description: Esta pintadeira de pão, com 4,02 centímetros, foi encontrada nas escavações arqueológicas efetuadas no Castelo de Montemor-o-Novo, nas traseiras do Convento de Nossa Senhora da Saudação. São peças que surgem habitualmente em contexto de escavação arqueológica no Castelo e com bastante variedade na sua tipologia.

As pintadeiras de pão eram objetos utilizados na idade média em Portugal para marcar o pão, antes da sua cozedura. O pão, nesta época, era cozido em fornos comunitários. A marcação com a pintadeira acontecia provavelmente no ato da sua benzedura, sendo feita uma cruz sobre o pão com a extremidade serrilhada da pintadeira. As pintadeiras existem em várias formas e feitios, eram  presas em pequenos arames ou cordéis levados à cintura ou na mão. Eram consideradas objetos do quotidiano.

n.º INV.: CSAUD 1479

Texto escrito com base nas informações cedidas por Gonçalo Lopes e Pedro Lino.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317752
title: Pintadeira de pão

description: Esta pintadeira de pão, com 4,02 centímetros, foi encontrada nas escavações arqueológicas efetuadas no Castelo de Montemor-o-Novo, nas traseiras do Convento de Nossa Senhora da Saudação. São peças que surgem habitualmente em contexto de escavação arqueológica no Castelo e com bastante variedade na sua tipologia.

As pintadeiras de pão eram objetos utilizados na idade média em Portugal para marcar o pão, antes da sua cozedura. O pão, nesta época, era cozido em fornos comunitários. A marcação com a pintadeira acontecia provavelmente no ato da sua benzedura, sendo feita uma cruz sobre o pão com a extremidade serrilhada da pintadeira. As pintadeiras existem em várias formas e feitios, eram  presas em pequenos arames ou cordéis levados à cintura ou na mão. Eram consideradas objetos do quotidiano.

n.º INV.: CSAUD 1479

Texto escrito com base nas informações cedidas por Gonçalo Lopes e Pedro Lino.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317753
title: Overlook Hotel Stanley Kubrick's The Shining

description: photogrammery of the overlook hotel from the shining made in reality capture. 

Took frames from the films opening where the camera flys by the overlook. Rendered the scene at about 5 fps then took those frames into reality capture and this is the result. It was an interesting experiment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317754
title: Overlook Hotel Stanley Kubrick's The Shining

description: photogrammery of the overlook hotel from the shining made in reality capture. 

Took frames from the films opening where the camera flys by the overlook. Rendered the scene at about 5 fps then took those frames into reality capture and this is the result. It was an interesting experiment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317755
title: Hl. Maximilian

description: Statue of St. Maximilian in front of the burial chapel at the cemetery of Grossharras.

Maximilianus of Celeia, according to a tradition from the 11th/13th century, is said to have given away his great inheritance to the slaves of his estate and made a pilgrimage to Rome. There, Pope Sixtus II sent him back to his homeland in 257 to proclaim his faith. He was an itinerant bishop for 20 years and the first bishop of Lauriacum (Lorch an der Enns). He was beheaded during the persecution of Christians under Emperor Numerian.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317756
title: Hl. Maximilian

description: Statue of St. Maximilian in front of the burial chapel at the cemetery of Grossharras.

Maximilianus of Celeia, according to a tradition from the 11th/13th century, is said to have given away his great inheritance to the slaves of his estate and made a pilgrimage to Rome. There, Pope Sixtus II sent him back to his homeland in 257 to proclaim his faith. He was an itinerant bishop for 20 years and the first bishop of Lauriacum (Lorch an der Enns). He was beheaded during the persecution of Christians under Emperor Numerian.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317757
title: Kaeber' tomb

description: tomb of founder of the Konigsberg botanic garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317758
title: Kaeber' tomb

description: tomb of founder of the Konigsberg botanic garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317759
title: Castillo De Oreja en Aranjuez

description: Alzado en 3D realizado con las fotografias de un Phantom 4 pro, el procesado de la nube de puntos fue realizado en calidad media.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317760
title: Castillo De Oreja en Aranjuez

description: Alzado en 3D realizado con las fotografias de un Phantom 4 pro, el procesado de la nube de puntos fue realizado en calidad media.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317763
title: JC Nichols Fountain - Rider & Bear

description: 3D Mesh of the J.C. Nichols fountain created from Faro Focus 3D laser scans.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317764
title: JC Nichols Fountain - Rider & Bear

description: 3D Mesh of the J.C. Nichols fountain created from Faro Focus 3D laser scans.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317765
title: Ruina de Estatua de Felino. (40% recuperado)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317766
title: Ruina de Estatua de Felino. (40% recuperado)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317767
title: Puzes pilskalns

description: Puzes pilskalna 3D modelis. Koordinātas: 57.319975, 22.003572

http://www.latvijas-pilskalni.lv/puzes-puses-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317768
title: Puzes pilskalns

description: Puzes pilskalna 3D modelis. Koordinātas: 57.319975, 22.003572

http://www.latvijas-pilskalni.lv/puzes-puses-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317769
title: Flamberg / Фламберг

description: Flamberg - a wavy (flame-shaped) blade, which was mounted on two-handed (less often one-handed or one-and-a-half) swords.

Flamberg was used in Europe (especially in Switzerland and Germany) in the 15th-17th centuries. Ceremonial two-handed swords with flamberg blades are still in service with the Swiss Guard of the Vatican.

Фла́мберг — клинок волнистой (пламевидной) формы, который монтировался на двуручные (реже — одноручные или полуторные) мечи.

Фламберг применялся в Европе (в особенности в Швейцарии и Германии) в XV—XVII веках. Церемониальные двуручные мечи с клинками фламберг до настоящего времени состоят на вооружении Швейцарской гвардии Ватикана.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317770
title: Flamberg / Фламберг

description: Flamberg - a wavy (flame-shaped) blade, which was mounted on two-handed (less often one-handed or one-and-a-half) swords.

Flamberg was used in Europe (especially in Switzerland and Germany) in the 15th-17th centuries. Ceremonial two-handed swords with flamberg blades are still in service with the Swiss Guard of the Vatican.

Фла́мберг — клинок волнистой (пламевидной) формы, который монтировался на двуручные (реже — одноручные или полуторные) мечи.

Фламберг применялся в Европе (в особенности в Швейцарии и Германии) в XV—XVII веках. Церемониальные двуручные мечи с клинками фламберг до настоящего времени состоят на вооружении Швейцарской гвардии Ватикана.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317771
title: Drinking Fountain St Anne's Soho

description: Drinking fountain in St Anne's Churchyard on Wardour Street, London. 

Date: 1890

Photos taken in December 2018 with a Sony a6000 and processed in Agisoft Photoscan. It had been raining.

http://www.mdfcta.co.uk/details-f/f118.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317772
title: Drinking Fountain St Anne's Soho

description: Drinking fountain in St Anne's Churchyard on Wardour Street, London. 

Date: 1890

Photos taken in December 2018 with a Sony a6000 and processed in Agisoft Photoscan. It had been raining.

http://www.mdfcta.co.uk/details-f/f118.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317773
title: Modern Flint Bifacial Knife

description: A flint bifacial knife taken from the University of York Paleohub teaching collection, with applied illustration. Photo textured version: https://skfb.ly/6LWJN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317774
title: Modern Flint Bifacial Knife

description: A flint bifacial knife taken from the University of York Paleohub teaching collection, with applied illustration. Photo textured version: https://skfb.ly/6LWJN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317775
title: #6 Penan Handwoven Rattan Basket (Handbag Style)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317776
title: #6 Penan Handwoven Rattan Basket (Handbag Style)

description: Handwoven Penan rattan basket purchased from Kampung Batu Bungan Handicraft Market in Mulu, Sarawak, Malaysia.

Read in about the history and background of the Sarawak's multicultural population,  Kampung Batu Bungan and the Penan people here https://arkitekjfn.blogspot.com/2022/08/history-background-of-most-visited.html

Check out our Penan Baskets Collection here (https://skfb.ly/ovw7s)

#opensourcesarawak #borneo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317779
title: Ruined Tower

description: Dilapidated ruined tower

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317780
title: Ruined Tower

description: Dilapidated ruined tower

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317781
title: Sparkly gold dress

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317782
title: Sparkly gold dress

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317783
title: Petroglyph V20 Khatm Al Melaha, Kalba, Sharjah

description: Natual Painted. Petroglyph V20 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Wild Ass. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture with Substance Painter.

Source: Objaverse 1.0 / Sketchfab