cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.21781909
title: Allelic and haplotypic polymorphisms and paternal genetic analysis of Chinese Shaanxi Han population utilizing a multiplex Y-STR set

description: The analysis of Y chromosomal genetic markers is of great significance in human genetic fields related to male individuals. The Han nationality is the most populous ethnic group. It is critical to investigate the Y-chromosome short tandem repeat (Y-STR) genetic informativeness of Han nationalities in different Chinese regions in order to gain a comprehensive understanding of their paternal genetic relationships and origin. To assess the allelic and haplotypic polymorphisms of the novel AGCU Y SUPP STR amplification system containing seven Y-STRs in the maximal dataset of the Y-STR Haplotype Reference Database (YHRD) and 17 newly included Y-STRs, and explore the genetic relationships among the Shaanxi Han population and 12 reference populations from China. A total sample of 220 Han male subjects were obtained from the Shaanxi Province, China, and genotyped by the novel AGCU Y SUPP STR amplification system. Multiplex population genetic analyses derived from the same 16 Y-STR loci were carried out among the Shaanxi Han population and 12 reference populations from China. The gene diversities (GD) ranged from the maximum value of 0.9609 (DYS385a,b) to the minimum value of 0.5441 (DYS531). Besides, 217 distinct haplotypes were detected wholly in 220 individuals, of which 214 (98.62%) were exclusive. The entire haplotype diversity (HD) and discrimination capacity (DC) were 0.9999 and 0.9864, respectively, while the haplotype match probability (HMP) was 0.0045. Among the reference populations, the obtained results of population genetic analyses revealed that the Shaanxi Han population had the largest genetic distance with the Guangxi Yao group, but the smallest genetic distance with the Hunan Tujia group. These Y-STR loci in the AGCU Y SUPP STR amplification system were of high genetic polymorphisms and the amplification system could be used as a prospective complementary tool for forensic application and paternal genetics in the Shaanxi Han population.
DOI: 10.25549/selfhelp-ouc16955678
title: Utopia--For the Birds, 2019

description: Black and white print of birds circling around the sun. Artist Statement (Poli Marichal): Artist's interpretation of the 9 of spades poker card as nine birds flying free in a swirling world that, ultimately, leads to the light. The symbology of number nine involves completion, enlightenment and wisdom. Nine is the number of gestation and the last of the cardinal numbers. It is also the number for heaven. Printed by the artist at the Centro Para El Grabado Y Las Artes Del Libro, Carnegie Library Building, Old San Juan, Puerto Rico.
DOI: 10.25549/selfhelp-ouc16955676
title: Greed, 2019

description: Serigraph interpreting jack of spades playing card with a figure wearing a hat that reads, "GREED," overlooking fires, gathered masses, and people crossing the ocean on crowded boats. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Marianne Sadowski): Linocut (3 colors) yellow, grey, sepia.
DOI: 10.25549/selfhelp-ouc16955675
title: Royal Flush, 2019

description: Serigraph of back of 8 of hearts playing card with text that reads: "I'm cold & scared. It's too much. I'm melting." Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Sandra Low): Be careful of what you wish for-- In this version of Utopia, the card has a dialogue with an unseen player who has won Paradise, but has to confront the consequences go playing strip poker with God. The number 8 is considered lucky in Chinese culture, as it is similar to the word "faat" or fortune. The Chinese character and idealized mountain landscape are pictured in the side panels. The center image features a female angel warrior - sewer - gardener slurping an hourglass smoothie.
DOI: 10.25549/selfhelp-ouc16955663
title: Self Help: Special Project - Futbol: The Beautiful Game
DOI: 10.25549/selfhelp-ouc16955616
title: Dystopian Rex, 2019

description: Artist Statement (Poli Marichal): The edition was printed at the Centro Para El Grabado Y Las Artes Del Libro, in San Juan, Puerto Rico for the SHG project Utopia/Dystopia, curated by Miyo Stevens-Gandara. The print depicts the king of diamonds, envisioned as the Dystopian Rex, a two-faced monarch of a chaotic world consumed by war, waste, and destruction. Poli Marichal used a PVC plate to carve the print. The carmine sections were colored by hand on the plate before printing the image. It was printed using a Takach press.
DOI: 10.25549/selfhelp-ouc16955615
title: Dystopian Ten of Spades, 2019

description: Serigraph of 10 of spades playing card depicting large structures in an industrial setting. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Christian Salcedo Ward): These prints are an accumulation of outings into the artist's local landscape with the notion of dystopia/utopia in mind. Research in the form of photographs was collected during these outings and later composed into imagery meant to be reproduced through the relief printmaking medium.
DOI: 10.25549/selfhelp-ouc16955620
title: Dystopia Falls, 2019

description: King of clubs card, top transparent black, bottom black, blind embossing over entire print. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. ❧ Artist Statement (Rosalie Lopez): The king is de-throned in the top, (mustached, sworded) of the print to show the fall of a dystopian rule.
DOI: 10.25549/selfhelp-ouc16955609
title: Dystopia (10 Early Signs of Facism), 2019

description: Woodcut print of 10 of diamonds playing card with text that reads:1. No Common Good 2. Only One Nation 3. No Human Rights 4. Hoard the Wealth 5. Militarize Security 6. All Ageist, Sexist, Racist 7. Don't Count Votes 8. Join Church & State 9. Ban Labor Unions 10. No Arts Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Kay Brown): "10 Early Signs of Fascism" 10 of diamonds in deck of cards for SHG portfolio. 1 of set of 2. Woodcut with stencil of diamond in black, mask of eyes in black. Red background with white lettering.
DOI: 10.25549/selfhelp-ouc16955612
title: Dystopia Print, 2019

description: Serigraph of cat with blue abstract rectangle, depicting the 7 of diamonds playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019
DOI: 10.25549/selfhelp-ouc16955610
title: Dystopia (Mendez), 2019

description: Serigraph depicting Donald Trump's hair with text that reads: "Lies hate corruption alternative facts white supremacy mysogynist fear." Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955322
title: Dystopia, 2019

description: Serigraph of Rocky Rivera nursing her baby in one arm and raising a middle finger with the other in a red house. The top left corner depicts the 7 of hearts playing card imprint. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Phung Huynh): The red screen print is of Rocky Rivera, a Bay Area Filipinix-American rap artist who confronts patriarchy, misogyny, and colonialism. The blue screen print which represents utopia, pictures Rocky Rivera and Bamba Depistola and their family. Home is where the heart is. Home is utopia. Dystopia is wreckage created by the current administration that disrupts familial utopia and peace with its anti-immigrant and hateful policies.
DOI: 10.25549/selfhelp-ouc16955321
title: Untitled (Dystopia, 5 of Spades), 2019

description: Serigraph of 5 of spades playing card featuring large Olmec head with text that says "decolonize" and "abolish ice". Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955319
title: Utopia (10 Early Signs of Democracy), 2019

description: Woodcut print of ace of diamonds playing card with text that reads: 1. Acts for Common Good 2. Rejects Nationalism 3.Supports Human Rights 4. Redistributes Wealth 5. Demilitarizes Security 6. No Age-, Sex-, Or Race-ism 7. One Person = One Vote 8. Separates Church & State 9. Includes Labor & Unions 10. Supports the Arts Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Kay Brown): "10 Early Signs of Democracy" Ace of diamonds in deck of cards for SHG portfolio. 2nd set of 2. Woodcut with red tissue chinecollé, cutout linocut collage, black of white background.
DOI: 10.25549/selfhelp-ouc16955320
title: Dystopia (Acevedo), 2019

description: A black and white linocut print of two figures wrapped and leaning on each other shoulders with a snake rested at the top of their heads. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955316
title: Dystopia, 2019

description: Serigraph print depicting forest in Sequoia National Park bordered by symbols of guns, crosses, barbed wire, pollution, and drugs. Top left and bottom right depict King of Spades playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955312
title: Dystopian Borders, 2019

description: Artist Statement (Alvaro Marquez): Answering this portfolio's call to envision a dystopian vision, this silk-screen print is made using woodcut mark making to represent the colonial and imperial borders that have been imposed in the Americas. The color palette is intended to communicate a sense of urgency, as they speak to the ecological devastation facing the continents- a problem rooted in Western "modernity" and extractive economies that date back to the moment of colonization.
DOI: 10.25549/selfhelp-ouc16955201
title: Survive, 2012

description: Serigraph of woman at show, cholas behind her in the sky. Artist Statement (Shizu Saldamando): This is a print of a fictional album cover depicting a young woman at a skacore show at the old SHG. The title "Survive" is a testament to the women of different subcultures who have had to carve out their place and voice in a larger patriarchal culture. This is also an homage to subcultures in general but it punks, cholas, or whoever had created their own scene or community regardless of mainstream bs.)
DOI: 10.25549/selfhelp-ouc16955160
title: Complice, 2019

description: Serigraph depicting queen of spades playing card. Mirrored image of Malinche with floral, mushroom, and sage background. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Andi Xoch): La Malinche
DOI: 10.25549/selfhelp-ouc16955163
title: Brotar, 2019

description: Serigraph depicting 6 of diamonds playing card, featuring red background with imagery of various healing, medicinal plants. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Andi Xoch): Healing plants.
DOI: 10.6084/m9.figshare.17064129.v1
title: Fairness-Oriented Learning for Optimal Individualized Treatment Rules

description: There has recently been a surge on the methodological development for optimal individualized treatment rule (ITR) estimation. The standard methods in the literature are designed to maximize the potential average performance (assuming larger outcomes are desirable). A notable drawback of the standard approach, due to heterogeneity in treatment response, is that the estimated optimal ITR may be suboptimal or even detrimental to certain disadvantaged subpopulations. Motivated by the importance of incorporating an appropriate fairness constraint in optimal decision making (e.g., assign treatment with protection to those with shorter survival time, or assign a job training program with protection to those with lower wages), we propose a new framework that aims to estimate an optimal ITR to maximize the average value with the guarantee that its tail performance exceeds a prespecified threshold. The optimal fairness-oriented ITR corresponds to a solution of a nonconvex optimization problem. To handle the computational challenge, we develop a new efficient first-order algorithm. We establish theoretical guarantees for the proposed estimator. Furthermore, we extend the proposed method to dynamic optimal ITRs. The advantages of the proposed approach over existing methods are demonstrated via extensive numerical studies and real data analysis.
DOI: 10.25549/selfhelp-ouc16955159
title: Bolsa Chica Evening, 2019

description: Serigraph of 3 of hearts playing card depicting Bolsa Chica Wetlands in the evening after the sun has set. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Alex Fridrich-Ward): In these screen prints, layers of gradients depict two perspectives of the same landscape: the bolsa chica wetlands. The colors convey emotional content while the cog stone and artillery mount motifs reference alternating histories of this significant area.
DOI: 10.6084/m9.figshare.7103456
title: Additional file 18: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: GO terms associate with tissue-specific lncRNAs in cattle. This file contains tables from the DAVID analysis tool for each of the eight tissues, showing GO terms enriched by genes associated with tissue-specific lncRNAs in cattle. GO terms outside a significance cutoff of p-value &lt;â 0.01 are shaded in red. See AdditionalÂ fileÂ 17 for column descriptions. (XLSX 171 kb)
DOI: 10.25549/selfhelp-ouc16955161
title: Calavera Copter 2019 - Dystopia

description: Serigraph print imitating mate paper with calavera (skeleton) helicopters. Top left and bottom right corners depict 4 of Hearts symbol on a playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.6084/m9.figshare.7103456.v1
title: Additional file 18: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: GO terms associate with tissue-specific lncRNAs in cattle. This file contains tables from the DAVID analysis tool for each of the eight tissues, showing GO terms enriched by genes associated with tissue-specific lncRNAs in cattle. GO terms outside a significance cutoff of p-value &lt;â 0.01 are shaded in red. See AdditionalÂ fileÂ 17 for column descriptions. (XLSX 171 kb)
DOI: 10.25549/selfhelp-ouc16954906
title: Bolsa Chica Afternoon, 2019

description: Serigraph of ace of spades playing card interpreted as the Bolsa Chica Wetlands during sunset. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Alex Fridrich-Ward): In these screen prints, layers of gradients depict two perspectives of the same landscape: the bolsa chica wetlands. The colors convey emotional content while the cog stone and artillery mount motifs reference alternating histories of this significant area.
DOI: 10.25549/selfhelp-ouc16954904
title: Untitled (Before), 2019

description: Serigraph interpreting 6 of spades playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Wayne Perry): Based on tourism post cards of LA. Image of idealized city of the past with rolling hills and orange groves against an idealized image of a modern city complete with sprawling homeless encampments.
DOI: 10.25549/selfhelp-ouc16954903
title: Arcoiris & Buttterfly 2019 Utopia

description: Serigraph print imitating watercolor of rainbow, land, and butterfly on mate paper. Top left and bottom right corners depict 2 of Hearts symbols on a playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16954892
title: April 6, 2018, 2019

description: Serigraph print of child's hand reaching toward mother, separated from each other by border patrol agents. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (J.Leigh Garcia): Although families have been separated at the border since mid-October of 2017, it wasn't until April 6, 2018 that General Jeff Sessions announced the Zero Tolerance Policy directing "federal prosecutors to criminally prosecute all adult migrants entering the country illegally." Because children cannot be held in a detention facility with their parents, the number of children separated from parents skyrocketed to an estimated 2,000 children from April 19 to May 31. In June of 2018, a federal judge, Dana Sabraw, issues an injunction against the separations, and ordered the government to put the thousands of affected families back together. However, government data released in March of 2019 shows at least 245 family separations since the policy was halted in June 2018.
DOI: 10.6084/m9.figshare.7103468.v1
title: Additional file 19: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: GO terms associate with tissue-specific lncRNAs in pigs. This file contains tables from the DAVID analysis tool for each of the eight tissues, showing GO terms enriched by genes associated with tissue-specific lncRNAs in pigs. GO terms outside a significance cutoff of p-value &lt;â 0.01 are shaded in red. See AdditionalÂ fileÂ 17 for column descriptions. (XLSX 144 kb)
DOI: 10.25549/selfhelp-ouc16954865
title: Five Hearts, 2019

description: Serigraph print of child holding heart-shaped balloon in the center of 5 of hearts playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Ada Pullini Brown): The five of hearts card - depicts a young child holding a balloon. The background texture is scanned from a doily made by the artist's mother.
DOI: 10.25549/selfhelp-ouc16954863
title: April 5, 2018, 2019

description: Serigraph print of child's hand reaching toward mother, who carries a backpack and jug of water. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (J. Leigh Garcia): Although families have been separated at the border since mid-October of 2017, it wasn't until April 6, 2018 that General Jeff Sessions announced the Zero Tolerance Policy directing "federal prosecutors to criminally prosecute all adult migrants entering the country illegally." Because children cannot be held in a detention facility with their parents, the number of children separated from parents skyrocketed to an estimated 2,000 children from April 19 to May 31. In June of 2018, a federal judge, Dana Sabraw, issues an injunction against the separations, and ordered the government to put the thousands of affected families back together. However, government data released in March of 2019 shows at least 245 family separations since the policy was halted in June 2018.
DOI: 10.25549/selfhelp-ouc16954864
title: Untitled (7 of Spades - Dystopia), 2019

description: Print of seven crows against a textured yellow background in the style of 7 of spades playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Usen Gandara): Arrange 7 crows with 7 coffin nails on a wall, light 7 candles, incant the words... Begins the recipe for a hex. A black mandala for a dystopian world. A curse on who or what remains a mystery. This print was made with a hand painted woodcut for the color background and a detailed linocut on top.
DOI: 10.25549/selfhelp-ouc16954859
title: Untitled (After), 2019

description: Serigraph interpreting 3 of spades playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Wayne Perry): Based on tourism post cards of LA. Image of idealized city of the past with rolling hills and orange groves against an idealized image of a modern city complete with sprawling homeless encampments.
DOI: 10.25549/selfhelp-ouc16954475
title: The Northern Triangle, 2019

description: At the lower center a photo of a little girl inside a cardboard box surrounded by hanging rosaries acting like a wall of sorts . Behind the entire print text printed. At the center upper left and lower right, there are maps of the US and of Central America delineated. On the upper left a circular stamp that reads El Salvador, Guatemala and Honduras, with a milagro hanging through a tread. To the upper right in black, an image of a child's hand separating from a parents hand. Artist Statement (Sandra Fernandez): I am an ecuadorian-american artist born in Queens New York, who grew up in Quito-Ecuador. My art is the record of my personal experience as an immigrant, mother, and Latina. I understand all art to be a personal aesthetic mediation. Mine includes a prolonged engagement with pain and deracination but also with pleasure, self- fulfillment and community engagement. Like most humans I have experienced trauma, loss, and loneliness as well as the intense love of community and family. My art has sought to capture these feelings throughout my life using various techniques and materials. I have produced prints, artist’s books, containers, large paper and metal sculptures, assemblages and installations. I am the proud creator of lasting, robust public art sculptures as well as of ephemeral, and delicate ones. I thrive in the aesthetic delicacy of stitching, sewing, basketry, and weaving as the media that brings together printmaking, photography, wood, metal, and a host of other textures. ❧ In the last few years my work has concentrated around topics of migration and social justice. Being an immigrant myself, I have experienced first hand the hurdles of uprooting, moving to a new geographical area, adapting to new codes and starting anew. In addition, my concern for social justice is ingrained in my upbringing. I grew up in a household of old school Socialists, and my thirst for equality and support for the less advantaged was shaped into my life early on. Having lived for many years in Texas before moving back to the east coast, allowed me to learn first hand about south of the border migration to the United States. I was constantly exposed to both the living experience and the rhetoric about “illegal migration.” I often came across the undocumented: on the streets; in stores; in entire neighborhoods in Austin, where Spanish was the only language spoken or understood. As I have traveled throughout the country to many major cities, I have realized that populations of this kind exist everywhere. These encounters have influenced my latest work, which explores the phenomenological aesthetics of the undocumented. Concurrently, the latest occurrences in politics in the United States and the world have made me come back to express more in my work issues of violence and power.
DOI: 10.6084/m9.figshare.7103483.v1
title: Additional file 1: of Genome-wide identification of tissue-specific long non-coding RNA in three farm animal species

description: Sequences of Chicken LncRNAs. A fasta file containing all the lncRNA sequences from chickens. (FA 34950 kb)
DOI: 10.25549/selfhelp-ouc16954473
title: Year of the Straw, 2019

description: Serigraph of a baby lying on a bed of straws amongst a blue, ocean-like background.
DOI: 10.25549/selfhelp-ouc16954472
title: 5D, 2019

description: Serigraph of silver chain link fence pattern. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16954467
title: Barbz '85, 2018

description: Artist Statement (Jesus Barraza): Portrait of Barbara Carrasco. Photo by Harry Gamboa Jr.
DOI: 10.25549/selfhelp-ouc16954463
title: La Liebra Liberada, 2018

description: Serigraph of blue rabbit emerging from a colorful woven basket.
DOI: 10.25549/selfhelp-ouc16954462
title: Arbor Cognitionis, 2018

description: Serigraph of Euro-American figure adorned with a variety of garments, holding a block of ice, shown disrupting the established life of the indigenous peoples of the New World. Tree and ship shown in the background with scene flanked by a curtain.
DOI: 10.25549/selfhelp-ouc16954461
title: La Esperanza / Hope, 2016

description: Serigraph of a portrait of a woman's face wearing a crown of flowers. Her face is wrapped and tied. Printed at Self Help Graphics as part of Special Project - 43: From Ayotzinapa to Ferguson, 2016.