cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc11399neg7
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb4a
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nehf
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb42
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kiif
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/rbm-ouc12015162
title: Cérémonies et coutumes religieuses de tous les peuples du monde, représentées par des figures dessinées…

description: Full title: Cérémonies et coutumes religieuses de tous les peuples du monde, représentées par des figures dessinées de la main de Bernard Picart : avec une explication historique, & quelques dissertations curieuses. Description: Title vignettes (part engraved), head and tail pieces. Vol. [5]-[6]: Cérémonies et coutumes religieuses des peuples idolâtres. Binder's title: Cérémonies religieuses, v. 1-8; volumes misnumbered on spine.; Contents: t. 1. Cérémonies des juifs and des chrétiens catholiques (1723) -- t. 2. Des catholiques (cont.) (1723) -- t. 3. Cérémonies des grecs and des protestans (1733) -- t. 4. Les anglicans, les quaqers, les anabaptistes, &. (1736) -- t. [5] Cérémonies religieuses des peuples des Indes occidentales. Des Indiens orientaux (1723) -- t. [6] Cérémonies religieuses des peuples de la Chine & du Japan. Des Perses. Des Africains (1728) -- t. [7] Superstitions anciennes et modernes (1733) -- t. [8] Superstitions (cont.) (1736). Incomplete.
DOI: 10.25549/rbm-ouc12015135
title: Cérémonies et coutumes religieuses de tous les peuples du monde, représentées par des figures dessinées…

description: Full title: Cérémonies et coutumes religieuses de tous les peuples du monde, représentées par des figures dessinées de la main de Bernard Picart : avec une explication historique, & quelques dissertations curieuses. Description: Title vignettes (part engraved), head and tail pieces. Vol. [5]-[6]: Cérémonies et coutumes religieuses des peuples idolâtres. Binder's title: Cérémonies religieuses, v. 1-8; volumes misnumbered on spine.; Contents: t. 1. Cérémonies des juifs and des chrétiens catholiques (1723) -- t. 2. Des catholiques (cont.) (1723) -- t. 3. Cérémonies des grecs and des protestans (1733) -- t. 4. Les anglicans, les quaqers, les anabaptistes, &. (1736) -- t. [5] Cérémonies religieuses des peuples des Indes occidentales. Des Indiens orientaux (1723) -- t. [6] Cérémonies religieuses des peuples de la Chine & du Japan. Des Perses. Des Africains (1728) -- t. [7] Superstitions anciennes et modernes (1733) -- t. [8] Superstitions (cont.) (1736). Incomplete.
DOI: 10.25549/rbm-ouc12009363
title: Egypt: descriptive, historical, and picturesque

description: Translated from the original German by Clara Bell, with an introduction and notes by S. Birch. Note: only two pages have been digitized.
DOI: 10.25549/rbm-c58-31439
title: Architectural drawings of an apartment building on Amberwood Drive, South Pasadena, Calif., 1954

description: Three architectural drawings (color) of an apartment building on Amberwood Drive, South Pasadena, Calif., by Edward H. Fickett, architect, for M.H. Baker, 1 June 1954. Includes elevations and floorplans.
DOI: 10.25549/rbm-c58-31438
title: Architectural drawings of an apartment building on Amberwood Drive, South Pasadena, Calif., 1954

description: Three architectural drawings (color) of an apartment building on Amberwood Drive, South Pasadena, Calif., by Edward H. Fickett, architect, for M.H. Baker, 1 June 1954. Includes elevations and floorplans.
DOI: 10.15468/dl.efsjbh
title: Occurrence Download

description: A dataset containing 28076 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Trogon personatus",
 "Year is greater than or equal to 2000",
 "Year is less than or equal to 2026",
 "Country is Colombia",
 "HasCoordinate is true"
 ]
}

 The dataset includes 28076 records from 105 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0000946-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/rbm-ouc12015988
title: Historiae naturalis de quadrupetibus [sic] : [de avibus; de piscibus et cetis; de exanguibus aquaticis; de insectis ... de serpentibus et draconibus] libri

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc113760262
title: Cosmographia. Latin. 1552

description: Full title: Cosmographiae uniuersalis Lib. VI. in quibus iuxta certioris fidei scriptorum traditionem describuntur, Omniu[m] habitabilis orbis partiu[m] situs, propriaeq[ue] dotes. : Regionum topographicae effigies. Terrae ingenia, quibus fit ut tam differentes & uarias specie res, & animatas & inanimatas, ferat. Animalium peregrinorum naturae & picturae. Nobiliorum ciuitatum icones & decriptiones. Regnorum initia, incrementa & translationes. Omnium gentium mores, leges, religio, res getae, mutationes: Item regum & principum genealogiae. Description: Imprint from colophon. Errata precedes colophon. Includes index. Printed marginalia. Title within historiated border. Portrait of author on t.p. verso Printer's mark (Heitz: Basel, 76) on verso of last leaf. Some woodcuts signed with the monograms of R.M. Deutsch, Martin Hoffmann, Kaspar Hofreuter, Urs Graf and others; a few dated, 1547-1549. "De novis insulis, quomodo, quando & per quem illae inuentae sint," p. 1099-1113 [i.e. 1123-1137]. Bound in contemporary vellum; title stamped in black on paper spine label.
DOI: 10.25549/rbm-ouc12012726
title: Photographs of Isaiah Goddard Hacker

description: Photographs of Isaiah Goddard Hacker, soldier in the American Civil War, 1864.
DOI: 10.25549/rbm-c58-494
title: Sacre de S.M. L'Empereur Napoléon…, plate 12. Grand officier de la couronne

description: Engraved illustration of and accompanying text related to the costume for Louis-Philippe Ségure, Grand Maitre des Cérémonies at the coronation of Napoleon I, December 2, 1804.; Plate 12 in the book "Livre du sacre de l'empereur Napoléon" by Masson, Frédéric, published in Paris by Goupil & cie, and Manzi, Joyant & cie, 1908. Figure drawn by Isabey and engraved by Urbain Massard.
DOI: 10.25549/rbm-ouc11966896
title: RBM: Fine Arts

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc1611551
title: The North American Indian, vol. 20

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc1611505
title: The North American Indian, vol. 20

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc1611517
title: The North American Indian, vol. 20

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc1611518
title: The North American Indian, vol. 20

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.25549/rbm-ouc1611536
title: The North American Indian, vol. 20

description: Materials from USC Special Collections including rare books, manuscripts, prints and posters.
DOI: 10.15468/dl.fnrpxj
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Nemipterus bipunctatus"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0000947-260226173443078/datasets/export for details.
DOI: 10.25549/whit-ouc11399nehr
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nedt
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb1w
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kiih
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nei1
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc113789751
title: Bond selling, Zebra Room, The Town House, Los Angeles, Calif., 1943

description: 7 photographs of Bond selling in Zebra Room, The Town House, 2959-2973 Wilshire Boulevard, Los Angeles, California, USA, 18 June 1943. Client: The Town House (Bourne).
DOI: 10.15468/dl.4dx3ec
title: Occurrence Download

description: A dataset containing 1816 species occurrences available in GBIF matching the query:
{
 "and" : [
 "BasisOfRecord is Human Observation",
 "Country is Mexico",
 "Geometry POLYGON((-94.58138 16.32008,-92.24807 14.38227,-91.56021 15.35993,-90.21148 16.11287,-91.27698 18.07228,-94.1363 18.0851,-94.58138 16.32008))",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Setophaga americana",
 "Year 2010-2026"
 ]
}

 The dataset includes 1816 records from 5 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0000948-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc113789503
title: Bond selling, Zebra Room, The Town House, Los Angeles, Calif., 1943

description: 7 photographs of Bond selling in Zebra Room, The Town House, 2959-2973 Wilshire Boulevard, Los Angeles, California, USA, 18 June 1943. Client: The Town House (Bourne).
DOI: 10.25549/whit-ouc113789676
title: Regional Traffic Conference group, Los Angeles, Calif., 1943

description: 2 photographs of Regional Traffic Conference group, Los Angeles, California, USA, 19 June 1943. Client: American Airlines Incorporated (Jack Adams, 510 West 6th Street). Operator: Joe. "Los Angeles air map".
DOI: 10.25549/whit-ouc113789758
title: Launching party for destroyer escort DE740 "Waterman", San Pedro, Calif., 1943

description: 4 photographs of launching party for U.S. Navy destroyer escort DE740, U.S.S. Waterman (ship), San Pedro, California, USA, 20 June 1943. Client: Western Pipe and Steel Company of California, San Pedro Shipbilding Division (attention Mr. Mason E. Franklin, Box 1621, San Pedro, California). Operator: Vannice. "The trim craft was named in honor of the late Navy hero, Aviation Machinist's Mate (first class) Andrew Kenneth Waterman. His widow, Mrs. June Marie Waterman of San Diego, christened the boat. Her sister, Mrs. May Bivens, was the matron of honor." -- Los Angeles Times (21 June 1943): p. 6. Also present is Captain Floyd E. Tusler (assistant supervisor of shipbuilding).
DOI: 10.25549/whit-ouc113790021
title: Virginia Whittington, Los Angeles, Calif., 1943

description: 3 photographs of Virginia Whittington, 3845 Wisconsin Street, Los Angeles, California, USA, 20 June 1943. Client: Whittington.