cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10310272
title: Confederate Officer Slouch Hat (Toon)

description: The headgear of the typical Confederate Infantryman was the slouch hat, or the military Kepi. The slouch hat was the preferred choice of many soldiers, including officers. The hat was normally a floppy, wide brimmed, woolen body head-cover, meant to protect the individual from the sun, and inclement weather. It was normally a civilian hat, of brown, gray, or black wool. This simple hat saw widespread use throughout the Confederate Armies, and even with U.S. Army personnel. Occasionally, the hat was adorned with insignia of the wearer's preference, and may have been pinned up for the drill in the use of the regular weapon of the time, the Rifled-musket.

*1 model (low poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310273
title: Confederate Officer Slouch Hat (Toon)

description: The headgear of the typical Confederate Infantryman was the slouch hat, or the military Kepi. The slouch hat was the preferred choice of many soldiers, including officers. The hat was normally a floppy, wide brimmed, woolen body head-cover, meant to protect the individual from the sun, and inclement weather. It was normally a civilian hat, of brown, gray, or black wool. This simple hat saw widespread use throughout the Confederate Armies, and even with U.S. Army personnel. Occasionally, the hat was adorned with insignia of the wearer's preference, and may have been pinned up for the drill in the use of the regular weapon of the time, the Rifled-musket.

*1 model (low poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310274
title: St. Menas's flask

description: MID no.: MAK/AS/2795

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1545

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310275
title: St. Menas's flask

description: MID no.: MAK/AS/2795

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1545

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310276
title: Christusfigur

description: Christ statue of the forest devotion by Angelo Bortolotti in the 2nd district of Vienna.

After the opening of the Prater in 1766, people settled on the edge of the Prater. In 1862 an elementary school was opened. The principal attached an image of the Virgin Mary to a large tree in 1863 because the nearest church was far away. Franz Plankenbüchler was an innkeeper and ran a restaurant at Freudenauer Dammhafen. Franz, a deeply religious man, often crossed himself before the image of the Virgin Mary during his walks. In 1911, he decided to erect a statue of the Virgin Mary in a good spot nearby. This was the beginning of today's place of pilgrimage, which also includes a church (Maria Grün) since 1924.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310277
title: Christusfigur

description: Christ statue of the forest devotion by Angelo Bortolotti in the 2nd district of Vienna.

After the opening of the Prater in 1766, people settled on the edge of the Prater. In 1862 an elementary school was opened. The principal attached an image of the Virgin Mary to a large tree in 1863 because the nearest church was far away. Franz Plankenbüchler was an innkeeper and ran a restaurant at Freudenauer Dammhafen. Franz, a deeply religious man, often crossed himself before the image of the Virgin Mary during his walks. In 1911, he decided to erect a statue of the Virgin Mary in a good spot nearby. This was the beginning of today's place of pilgrimage, which also includes a church (Maria Grün) since 1924.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310280
title: Damaged Pillar..

description: Old damaged Pillar created in Blender..

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310281
title: Damaged Pillar..

description: Old damaged Pillar created in Blender..

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310284
title: End Blade Tip. XCB-105-1981

description: End Blade Tip. XCB-105-1981. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310285
title: End Blade Tip. XCB-105-1981

description: End Blade Tip. XCB-105-1981. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310287
title: Templars Axe

description: Hello everyone! I was drawing thing to model, some drawings I didn't like but, decided that this axe he would be cool, so, did. :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310286
title: Templars Axe

description: Hello everyone! I was drawing thing to model, some drawings I didn't like but, decided that this axe he would be cool, so, did. :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310288
title: 236239 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 236239.nosub[1] 
Description: cylinder seal
Notes: 
Materials: stone; limestone 
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq

[https://collections-anthropology.fieldmuseum.org/catalogue/1143465](http://)

Photography: JP Brown, JD 
Image generation: JP Brown
Metashape Pro: JD
Meshlab 2016.12: JD
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310289
title: 236239 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 236239.nosub[1] 
Description: cylinder seal
Notes: 
Materials: stone; limestone 
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq

[https://collections-anthropology.fieldmuseum.org/catalogue/1143465](http://)

Photography: JP Brown, JD 
Image generation: JP Brown
Metashape Pro: JD
Meshlab 2016.12: JD
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310290
title: Messer

description: A simple, low poly Lange Messer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310291
title: Messer

description: A simple, low poly Lange Messer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310292
title: Cántaro Chancay

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310293
title: Cántaro Chancay

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310294
title: War memorial

description: War memorial located in the city Sopron/Hungary.

![](https://www.noe-3d.at/SF/sopron_kd.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310295
title: War memorial

description: War memorial located in the city Sopron/Hungary.

![](https://www.noe-3d.at/SF/sopron_kd.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310296
title: Mask of Agamemnon

description: The Mask of Agamemnon is an artifact discovered at Mycenae in 1876 by Heinrich Schliemann.

At the National Archaeological Museum, Athens

https://en.wikipedia.org/wiki/Mask_of_Agamemnon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310297
title: Mask of Agamemnon

description: The Mask of Agamemnon is an artifact discovered at Mycenae in 1876 by Heinrich Schliemann.

At the National Archaeological Museum, Athens

https://en.wikipedia.org/wiki/Mask_of_Agamemnon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310298
title: Sculpture of Gwarek

description: Sculpture of old silver mine worker - 'Gwarek', as seen on Krakowska Street, Tarnowskie Gory, Poland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310299
title: Sculpture of Gwarek

description: Sculpture of old silver mine worker - 'Gwarek', as seen on Krakowska Street, Tarnowskie Gory, Poland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310300
title: center1-1 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).

Место расположения: южный фасад собора

Ряд: 1 ряд, верхний

Порядок: 1

Программа разработки: Agisoft Photockan 

Создан в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

Рабочее название файла: center1-1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310301
title: center1-1 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).

Место расположения: южный фасад собора

Ряд: 1 ряд, верхний

Порядок: 1

Программа разработки: Agisoft Photockan 

Создан в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистрант Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

Рабочее название файла: center1-1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310302
title: Fremont Troll LiDAR Scan with 3DScannerApp

description: LiDAR scan of the Fremont Troll in Seattle.

Done as a comparison to photogrammetry, which can be seen here: https://skfb.ly/6YqwK

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310303
title: Fremont Troll LiDAR Scan with 3DScannerApp

description: LiDAR scan of the Fremont Troll in Seattle.

Done as a comparison to photogrammetry, which can be seen here: https://skfb.ly/6YqwK

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310304
title: Rodeo de Cadenas, Panel 1

description: Alero con representaciones rupestres del sitio Rodeo de Cadenas (panel 1), municipio de San Francisco del Monte de Oro. Zona noroeste de la Sierra Central de San Luis. Relevado por Víctor Martínez (CONICET-UNICEN), elaborado por Catriel Greco (CONICET-UNSL).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310305
title: Rodeo de Cadenas, Panel 1

description: Alero con representaciones rupestres del sitio Rodeo de Cadenas (panel 1), municipio de San Francisco del Monte de Oro. Zona noroeste de la Sierra Central de San Luis. Relevado por Víctor Martínez (CONICET-UNICEN), elaborado por Catriel Greco (CONICET-UNSL).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310308
title: Dubai Culture

description: 3d model Dubai Culture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310309
title: Dubai Culture

description: 3d model Dubai Culture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310310
title: Doryphoros #StatuesTexturingChallenge

description: My entry to the Sketchfab [Statues Texturing Challenge](https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture/), in partnership with [@SMKmuseum](https://sketchfab.com/smkmuseum) and my first time using [Substance Painter](https://www.allegorithmic.com/products/substance-painter)!

Find out more and enter yourself:
https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture

The challenge asks artists to re-texture a piece of classical sculpture with ideas of gender representation in mind - my entry simply makes the solid, stone statue of Doryphoros a bit more plush and opulent ✨

Model based on "[Doryphoros (The Spear Bearer)](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc)" by [SMK – National Gallery of Denmark](https://sketchfab.com/smkmuseum), licensed under CC Attribution"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310311
title: Doryphoros #StatuesTexturingChallenge

description: My entry to the Sketchfab [Statues Texturing Challenge](https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture/), in partnership with [@SMKmuseum](https://sketchfab.com/smkmuseum) and my first time using [Substance Painter](https://www.allegorithmic.com/products/substance-painter)!

Find out more and enter yourself:
https://blog.sketchfab.com/sketchfab-texturing-challenge-classical-sculpture

The challenge asks artists to re-texture a piece of classical sculpture with ideas of gender representation in mind - my entry simply makes the solid, stone statue of Doryphoros a bit more plush and opulent ✨

Model based on "[Doryphoros (The Spear Bearer)](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc)" by [SMK – National Gallery of Denmark](https://sketchfab.com/smkmuseum), licensed under CC Attribution"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10362625
title: Holograma Gastón Soublette Full Scene

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10362624
title: Holograma Gastón Soublette Full Scene

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310315
title: Бусина №99

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2007 года. Некрополь Переволочан-1. Курган №12. Захоронение №1. Скелет №2. Украшение левого запястья руки девушки. Размеры: длина - 19 мм, диаметр - 18 мм, диаметр отверстия – 4 мм. Паста. Железный век. Хронология: IV век до нашей эры. Ранняя сарматская культура. Russia, Republic of Bashkortostan, Khaibullinsky District. Excavations in 2007. Necropolis Perevolochan-1. Kurgan №12. Burial №1. Skeleton №2. Decoration of the left wrist of the girl's hand. Dimensions: length - 19 mm, diameter - 18 mm, hole diameter - 4 mm. Paste. Iron Age. Chronology: IV century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310314
title: Бусина №99

description: Россия, Республика Башкортостан, Хайбуллинский район. Раскопки 2007 года. Некрополь Переволочан-1. Курган №12. Захоронение №1. Скелет №2. Украшение левого запястья руки девушки. Размеры: длина - 19 мм, диаметр - 18 мм, диаметр отверстия – 4 мм. Паста. Железный век. Хронология: IV век до нашей эры. Ранняя сарматская культура. Russia, Republic of Bashkortostan, Khaibullinsky District. Excavations in 2007. Necropolis Perevolochan-1. Kurgan №12. Burial №1. Skeleton №2. Decoration of the left wrist of the girl's hand. Dimensions: length - 19 mm, diameter - 18 mm, hole diameter - 4 mm. Paste. Iron Age. Chronology: IV century BC. Early Sarmatian culture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310316
title: Palau Moja. Saló del Vigatà.

description: **CAT** Situat a la cantonada de la Rambla amb el carrer de Portaferrissa, trobem el Palau Moja. Aquesta sala correspon al gran saló, comunment anomenada "Saló del Vigatà", ja que al seu interior es troben les pintures fetes per Francesc Pla, *el Vigatà*. Més informació als comentaris.

**ESP** Situado en la esquina de la Rambla con la calle de Portaferrissa, se encuentra el Palau Moja. Esta sala corresponde al gran salón, comunmente llamado "Salón del Vigatà", ya que en su interior encontramos las pinturas hechas por Francesc Pla, *el Vigatà*. Más información en los comentarios.

**ENG**  The Moja Palace is located on the corner of La Rambla and Portaferrissa Street. This room corresponds to the great hall, commonly called "Saló del Vigatà", since inside we find the paintings made by Francesc Pla, *el Vigatà*. For further information, see the comment section below.

3D de laserscan Leica. Lluís González de la D. G. de Patrimoni Cultural.

Visita Virtual a: https://my.matterport.com/show/?m=trs2eCHy5mu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310317
title: Palau Moja. Saló del Vigatà.

description: **CAT** Situat a la cantonada de la Rambla amb el carrer de Portaferrissa, trobem el Palau Moja. Aquesta sala correspon al gran saló, comunment anomenada "Saló del Vigatà", ja que al seu interior es troben les pintures fetes per Francesc Pla, *el Vigatà*. Més informació als comentaris.

**ESP** Situado en la esquina de la Rambla con la calle de Portaferrissa, se encuentra el Palau Moja. Esta sala corresponde al gran salón, comunmente llamado "Salón del Vigatà", ya que en su interior encontramos las pinturas hechas por Francesc Pla, *el Vigatà*. Más información en los comentarios.

**ENG**  The Moja Palace is located on the corner of La Rambla and Portaferrissa Street. This room corresponds to the great hall, commonly called "Saló del Vigatà", since inside we find the paintings made by Francesc Pla, *el Vigatà*. For further information, see the comment section below.

3D de laserscan Leica. Lluís González de la D. G. de Patrimoni Cultural.

Visita Virtual a: https://my.matterport.com/show/?m=trs2eCHy5mu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310318
title: Froe

description: "To split shingles, laths, staves, and clapboards, a knife-type wedge called a froe or frow… was struck with a short maul known as a froe-club." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310319
title: Froe

description: "To split shingles, laths, staves, and clapboards, a knife-type wedge called a froe or frow… was struck with a short maul known as a froe-club." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310320
title: Lamp, Roman

description: Mould-made pottery lamp with a rounded-tipped nozzle with shoulder-volutes, a rounded shoulder decorated with impressed ovules, and an inward-sloping moulded rim. At the rear is a broken ring-handle. Between the nozzle volutes is an air-hole. The discus is decorated with two gladiators, a samnite and a hoplomachus, fighting. Below them is the inscription "ACVVIVS.V HERMEROSS." GIVING their names, Acuvius and Hermeros. In the centre of the slightly raised base is a foot-print with traces of relief letters. Covered with a finger-marked orange-brown slip.

Museum number: 1856,1226.472

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

See: https://www.britishmuseum.org/collection/object/G_1856-1226-472

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310321
title: Lamp, Roman

description: Mould-made pottery lamp with a rounded-tipped nozzle with shoulder-volutes, a rounded shoulder decorated with impressed ovules, and an inward-sloping moulded rim. At the rear is a broken ring-handle. Between the nozzle volutes is an air-hole. The discus is decorated with two gladiators, a samnite and a hoplomachus, fighting. Below them is the inscription "ACVVIVS.V HERMEROSS." GIVING their names, Acuvius and Hermeros. In the centre of the slightly raised base is a foot-print with traces of relief letters. Covered with a finger-marked orange-brown slip.

Museum number: 1856,1226.472

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

See: https://www.britishmuseum.org/collection/object/G_1856-1226-472

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310322
title: Low Poly Sword

description: A Low Poly Sword I made in my free time at college using Maya 2022 as a revamp of my original sword using what I have learned so far.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310323
title: Low Poly Sword

description: A Low Poly Sword I made in my free time at college using Maya 2022 as a revamp of my original sword using what I have learned so far.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310324
title: Ubbergens aardewerk / Ubbergen pottery

description: Ubbergens aardewerk ongeveer 700 (na Chr)

Ubbergen pottery about 700 (AD)

https://www.awnregionijmegen.nl/thuiswerkproject-ubbergen/

Zie ook: https://www.awnregionijmegen.nl/merovingisch-grafveld-te-gendt/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310325
title: Ubbergens aardewerk / Ubbergen pottery

description: Ubbergens aardewerk ongeveer 700 (na Chr)

Ubbergen pottery about 700 (AD)

https://www.awnregionijmegen.nl/thuiswerkproject-ubbergen/

Zie ook: https://www.awnregionijmegen.nl/merovingisch-grafveld-te-gendt/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310326
title: Ammonite (Macrocephalites sp)

description: **Ejemplar:** Macrocephalites (Macrocephalites) gracilis 
**Edad:** 166-163´5 M.a., Capa de oolitos ferruginosos de Arroyofrío, Calloviense (Jurásico Medio)
**Localidad:** Siete Aguas (Valencia)  
**Tafonomía:** Molde interno reelaborado de calcarenita tipo packstone bioclástico, con costras ferruginosas en superficie. El flanco izquierdo presenta una faceta de abrasión elipsoidal relacionada con corrientes direccionales no oscilatorias en condiciones de profundidad de escasos centímetros de espesor. Evidencias de abrasión que han afectado a las costillas. El ejemplar con fractura transversal con desplazamiento que ha sido recristalizada por calcita.
**Colección y entidad:** , colección cefalópodos  V. Javier García
**Técnica digitalización / modelo:** fotogrametría con Metashape, Pentax K-1 Mark II
**Parámetros software:** nube densa, malla y textura calidad máxima
**Archivo 3D**:** Obj 23.7 Mb , textura JPG 2.5 Mb
**Autor fotografías:** V.Javier García 
**Procesado fotogramétrico:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab