cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.14038958
title: Red Work & Wit of the Stitch - Red Work Exhibition (2014-2015)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br><i>Red Work</i> comprises pictorial textiles inspired by redwork quilts of 1880s America.<br><br>This item contains documentation of the <i>Red Work</i> exhibition at the Waterside Arts Centre in Manchester, from 1 October 2014 - 31 January 2015. <br><b>All photos by Dylan Chubb<br></b><b>Used with permission</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b> <br>
DOI: 10.17870/bathspa.14040086
title: Red Work & Wit of the Stitch - Red Work Traveling Exhibition and Symposium (2015, 2016, 2017)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br><br><i>Red Work</i> comprises pictorial textiles inspired by redwork quilts of 1880s America.<br><br>This item documents the <i>Red Work</i> exhibition's further travels to The Williamson Art Gallery, Birkenhead, Wirral (2015), the Burton Art Gallery, Bideford (2016), and the textiles industry trade fair The Knitting and Stitching Show, Alexandra Palace, London (2017) and The Knitting and Stitching Show, Royal Highland Centre, Edinburgh (2017).<br><i>Red Work</i> was also the subject of a Textile Matters symposium hosted by the Bath School of Art and Design in April 2016. Included here is a document detailing the speakers who participated in the symposium. <br><b>Flyer courtesy of Williamson Art Museum & Gallery.</b><b><br></b><b>All photos by Rachael Howard.<br></b><b><br></b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.14040086.v1
title: Red Work & Wit of the Stitch - Red Work Traveling Exhibition and Symposium (2015, 2016, 2017)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br><br><i>Red Work</i> comprises pictorial textiles inspired by redwork quilts of 1880s America.<br><br>This item documents the <i>Red Work</i> exhibition's further travels to The Williamson Art Gallery, Birkenhead, Wirral (2015), the Burton Art Gallery, Bideford (2016), and the textiles industry trade fair The Knitting and Stitching Show, Alexandra Palace, London (2017) and The Knitting and Stitching Show, Royal Highland Centre, Edinburgh (2017).<br><i>Red Work</i> was also the subject of a Textile Matters symposium hosted by the Bath School of Art and Design in April 2016. Included here is a document detailing the speakers who participated in the symposium. <br><b>Flyer courtesy of Williamson Art Museum & Gallery.</b><b><br></b><b>All photos by Rachael Howard.<br></b><b><br></b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.14039048
title: Red Work & Wit of the Stitch - Red Work Methods & Processes

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item contains documentation of methods and processes for Howard's <i>Red Work</i> and <i>Blue Red Work</i> creations. <br><b>Image 3 photo by Steve Aland.</b><b>All other photos by Rachael Howard.</b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14039048.v1
title: Red Work & Wit of the Stitch - Red Work Methods & Processes

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item contains documentation of methods and processes for Howard's <i>Red Work</i> and <i>Blue Red Work</i> creations. <br><b>Image 3 photo by Steve Aland.</b><b>All other photos by Rachael Howard.</b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14039147
title: Red Work & Wit of the Stitch - Wit of the Stitch Exhibition (2016)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item documents the <i>Wit of the Stitch</i> Exhibition that took place at the Ruthin Craft Centre, Wales from 6 July to 25 September 2016.<br><b>The first two images are used with permission of the Ruthin Craft Centre. <br>Photo credit Dewi Tannatt Lloyd.</b><b><br></b><b>Photo credits: Rachael Howard</b><br><b>'Exhibition at Ruthin' (2 and 4)</b><br><b>Photo credits: Dylan Chubb</b><b>'1 Rainbow Joggers jpg' (263.19kb)</b><b><br></b><b>'3 Sunset Joggers jpg' (159.37kb)<br></b><b>'4 Two Joggers'</b><b><br></b><b>'5 Rocky Joggers'</b><b><br></b><b><br></b><b>All other photos courtesy of the artist. </b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.14039147.v1
title: Red Work & Wit of the Stitch - Wit of the Stitch Exhibition (2016)

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item documents the <i>Wit of the Stitch</i> Exhibition that took place at the Ruthin Craft Centre, Wales from 6 July to 25 September 2016.<br><b>The first two images are used with permission of the Ruthin Craft Centre. <br>Photo credit Dewi Tannatt Lloyd.</b><b><br></b><b>Photo credits: Rachael Howard</b><br><b>'Exhibition at Ruthin' (2 and 4)</b><br><b>Photo credits: Dylan Chubb</b><b>'1 Rainbow Joggers jpg' (263.19kb)</b><b><br></b><b>'3 Sunset Joggers jpg' (159.37kb)<br></b><b>'4 Two Joggers'</b><b><br></b><b>'5 Rocky Joggers'</b><b><br></b><b><br></b><b>All other photos courtesy of the artist. </b><b>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.14040014
title: Red Work & Wit of the Stitch - Wit of the Stitch Methods and Processes

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item documents the methods and processes involved in the creation of the works in the <i>Wit of the Stitch</i> exhibition. <br><b>All photos by Rachael Howard. <br>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14040014.v1
title: Red Work & Wit of the Stitch - Wit of the Stitch Methods and Processes

description: This collection brings together an extensive body of new textile works created for two exhibitions, <i>Red Work</i> in 2014 and <i>Wit of The Stitch</i> in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.<br>This item documents the methods and processes involved in the creation of the works in the <i>Wit of the Stitch</i> exhibition. <br><b>All photos by Rachael Howard. <br>Used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.6084/m9.figshare.14308319
title: Baker-Medard_etal_Socialscape_ecology_references.xlsx

description: This dataset includes a set of peer-reviewed papers coded for whether or not they included various social factors within marine spatial planning. A preprint of the paper is available at: https://osf.io/preprints/socarxiv/m2kqa/<br>
DOI: 10.6084/m9.figshare.14308319.v2
title: Baker-Medard_etal_Socialscape_ecology_references.xlsx

description: This dataset includes a set of peer-reviewed papers coded for whether or not they included various social factors within marine spatial planning. A preprint of the paper is available at: https://osf.io/preprints/socarxiv/m2kqa/<br>
DOI: 10.6084/m9.figshare.14308319.v1
title: Baker-Medard_etal_Socialscape_ecology_references.xlsx

description: This dataset includes a set of peer-reviewed papers coded for whether or not they included various social factors within marine spatial planning.<br>
DOI: 10.6084/m9.figshare.14331005
title: California Port Activity Data

description: This dataset lists all recorded vessel entries for select ports along the California coast (US North Pacific) for the months of January through July 2018, 2019, and 2020.
DOI: 10.6084/m9.figshare.14330993
title: GO annotations information in A. venetum

description: GO annotations information in A. venetum
DOI: 10.6084/m9.figshare.14330984.v1
title: Summary of A. venetum genome annotation

description: Summary of A. venetum genome annotation
DOI: 10.6084/m9.figshare.14330990.v1
title: Summary of functional annotation for the predicted genes

description: Summary of functional annotation for the predicted genes
DOI: 10.6084/m9.figshare.14330993.v1
title: GO annotations information in A. venetum

description: GO annotations information in A. venetum
DOI: 10.6084/m9.figshare.14330984
title: Summary of A. venetum genome annotation

description: Summary of A. venetum genome annotation
DOI: 10.6084/m9.figshare.14330981.v1
title: Summary of tandem repeat in A. venetum genome

description: Summary of tandem repeat in A. venetum genome
DOI: 10.6084/m9.figshare.14330987
title: Putative non-coding RNAs and pseudogenes in A. venetum genome assembly

description: Putative non-coding RNAs and pseudogenes in A. venetum genome assembly
DOI: 10.6084/m9.figshare.14330969
title: genome assembly of A. venetum

description: genome assembly of A. venetum
DOI: 10.6084/m9.figshare.14330990
title: Summary of functional annotation for the predicted genes

description: Summary of functional annotation for the predicted genes
DOI: 10.6084/m9.figshare.14330975
title: Transposon element in A. venetum genome

description: Transposon element in A. venetum genome
DOI: 10.6084/m9.figshare.14330981
title: Summary of tandem repeat in A. venetum genome

description: Summary of tandem repeat in A. venetum genome
DOI: 10.6084/m9.figshare.14330975.v1
title: Transposon element in A. venetum genome

description: Transposon element in A. venetum genome
DOI: 10.6084/m9.figshare.14330987.v1
title: Putative non-coding RNAs and pseudogenes in A. venetum genome assembly

description: Putative non-coding RNAs and pseudogenes in A. venetum genome assembly
DOI: 10.17870/bathspa.13247588.v1
title: Formal Legacies - 300 Word Statement

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies. <br><br>This item contains the 300 word statement for the project.
DOI: 10.17870/bathspa.13247588
title: Formal Legacies - 300 Word Statement

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies. <br><br>This item contains the 300 word statement for the project.
DOI: 10.17870/bathspa.14046665.v1
title: Formal Legacies - Research Timeline & Research Questions

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.17870/bathspa.14046665
title: Formal Legacies - Research Timeline & Research Questions

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.17870/bathspa.14054087.v1
title: Formal Legacies - The Shaker Settee (2016) - Reconstruction & Photography - Reconstruction & Photography

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br>This item contains documentation of the reconstruction of a Shaker Spindle Back Settee and photography of the methods behind its construction. <br><b>Photo credit: Andrew Southall. </b><b>Used with permission. </b>
DOI: 10.17870/bathspa.14054087
title: Formal Legacies - The Shaker Settee (2016) - Reconstruction & Photography - Reconstruction & Photography

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br>This item contains documentation of the reconstruction of a Shaker Spindle Back Settee and photography of the methods behind its construction. <br><b>Photo credit: Andrew Southall. </b><b>Used with permission. </b>
DOI: 10.17870/bathspa.14054111
title: Formal Legacies - The Shaker Settee (2016) - American Museum Exhibition, Bath

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br><b>Dissemination:</b>The settee was exhibited in the American Museum, Bath, for 3 months between July and October 2016 it was seen by all visitors, positioned on the standard route through, alongside objects in the permanent collection.<br><br>The display included the photographic representations, the drawing from which it was made and an information panel to provide context. The different elements aimed to illustrate the multiple layers of representation, corresponding to the processes of cultural appropriation of craft from the UK, to North America and its return from America to Europe.<br><br><b>Photo credit: Andrew Southall.</b><b>Website image © American Museum & Gardens</b><br><b>Used with permission of the artist and the museum.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14054111.v1
title: Formal Legacies - The Shaker Settee (2016) - American Museum Exhibition, Bath

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br><b>Dissemination:</b>The settee was exhibited in the American Museum, Bath, for 3 months between July and October 2016 it was seen by all visitors, positioned on the standard route through, alongside objects in the permanent collection.<br><br>The display included the photographic representations, the drawing from which it was made and an information panel to provide context. The different elements aimed to illustrate the multiple layers of representation, corresponding to the processes of cultural appropriation of craft from the UK, to North America and its return from America to Europe.<br><br><b>Photo credit: Andrew Southall.</b><b>Website image © American Museum & Gardens</b><br><b>Used with permission of the artist and the museum.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14054129
title: Formal Legacies - The Occasional Table (2017) - Reconstruction & Photography

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br>This item documents the creation of the Occasional Table (2017) and final work.<br><br><b>Photo credit: Andrew Southall.</b><b>Images used with permission. </b>
DOI: 10.17870/bathspa.14054129.v1
title: Formal Legacies - The Occasional Table (2017) - Reconstruction & Photography

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br><br>This item documents the creation of the Occasional Table (2017) and final work.<br><br><b>Photo credit: Andrew Southall.</b><b>Images used with permission. </b>
DOI: 10.17870/bathspa.14054144
title: Formal Legacies - The Occasional Table (2017) - Discourse, 2018 - 2019

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br>This item contains images related to the discourse conversations, detailed below, as well as brief summaries of the discourse discussion, and unedited audio files of these conversations. <br><br><b>Discourse:</b>Focusing on the cultural influence of the object, discussions were conducted with a range of subjects with particular perspectives. Initially, Paul Hill, a photographer, explored the notion of the vernacular and other traditional craft forms which led to well dressing and the village of Tissington where it originated. A conversation with Jonathan Bastable who writes for Christies magazine, considered the table in the context of contemporaneous art in the UK and America and for Catrin Webster, Professor of Fine Art at the University of Wales the object was a useful example for a course on Contemporary Dialogues. A dialogue with ceramicist Dr Conor Wilson took place at the Holburne Museum, Bath, as part of their Up Late event series. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.14054144.v1
title: Formal Legacies - The Occasional Table (2017) - Discourse, 2018 - 2019

description: <i>Formal Legacies</i> seeks to re-examine the past of Shaker furniture through the digital present, via furniture making and photography, as a proxy lens for examining its own European and American antecedence and its formal legacies.<br>This item contains images related to the discourse conversations, detailed below, as well as brief summaries of the discourse discussion, and unedited audio files of these conversations. <br><br><b>Discourse:</b>Focusing on the cultural influence of the object, discussions were conducted with a range of subjects with particular perspectives. Initially, Paul Hill, a photographer, explored the notion of the vernacular and other traditional craft forms which led to well dressing and the village of Tissington where it originated. A conversation with Jonathan Bastable who writes for Christies magazine, considered the table in the context of contemporaneous art in the UK and America and for Catrin Webster, Professor of Fine Art at the University of Wales the object was a useful example for a course on Contemporary Dialogues. A dialogue with ceramicist Dr Conor Wilson took place at the Holburne Museum, Bath, as part of their Up Late event series. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.6084/m9.figshare.14331014
title: AIS vessel tracking data

description: This data file contains AIS vessel tracking records used in a study of low-frequency ocean noise off the California coast. Data span January through July of 2018 - 2020.
DOI: 10.5281/zenodo.4642237
title: Illumina Sequencing Data for "Design of synthetic human gut microbiome assembly and butyrate production"

description: Illumina Sequencing Data for Clark et al., "Design of synthetic human gut microbiome assembly and butyrate production", Nature Communications, 2021
DOI: 10.21227/awqm-1j28
title: Day-Ahead Forecasting using LSTM with rolling windows

description: The project involves day-ahead forecasting which takes a model fit into historical data and predicts future demand of electricity. Time series forecasting methods are used as the dataset contains an explicit order dependence between observations, i.e. a time dimension which makes the problem difficult to handle but makes the prediction more accurate. Various machine learning and deep learning algorithms were used to accomplish this work. Results obtained by autoregressive integrated moving average(ARIMA), autoregressive moving average with explanatory variable(ARIMAX), seasonal autoregressive moving average(SARIMA), seasonal autoregressive moving average(SARIMAX) and long short term memory(LSTM) recurrent neural networks with rolling windows were compared and the one with least error, i.e. LSTM with rolling windows was used for time series prediction.