cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10233851
title: NMI Carolan harp (National Museum of Ireland)

description: 17th-18th century Irish harp said to have belonged to Turlough Carolan (1670-1738)

National Museum of Ireland NMI DF:1945-122

Laser-scanned by Elaina Sugrue (AccuScan3d)
video of scanning process at https://www.youtube.com/watch?v=bgWVTD6qa_s

The interior surface of the soundbox was also scanned, but some surfaces were not visible to the scanner outside the harp, and so the rendering algorithms have filled in these gaps with bulbous surfaces.
The model supplied was 700MB, this is a shrunken low-res version for upload to Sketchfab.
Any questions please let me know. 

Since it is just a digital reproduction of a public-domain publicly owned artefact, the scan data should also be public domain. But I couldn't work out how to mark the model as cc0 / Public Domain so it has to be marked as cc-by (attribution). You don't need to attribute it to me - please give attribution and credit to the National Museum of Ireland, who own the original object and gave permission for the laser-scan to be made.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233853
title: An Ode to Film

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233838
title: greece island

description: islas cicladas mar egeo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233850
title: NMI Carolan harp (National Museum of Ireland)

description: 17th-18th century Irish harp said to have belonged to Turlough Carolan (1670-1738)

National Museum of Ireland NMI DF:1945-122

Laser-scanned by Elaina Sugrue (AccuScan3d)
video of scanning process at https://www.youtube.com/watch?v=bgWVTD6qa_s

The interior surface of the soundbox was also scanned, but some surfaces were not visible to the scanner outside the harp, and so the rendering algorithms have filled in these gaps with bulbous surfaces.
The model supplied was 700MB, this is a shrunken low-res version for upload to Sketchfab.
Any questions please let me know. 

Since it is just a digital reproduction of a public-domain publicly owned artefact, the scan data should also be public domain. But I couldn't work out how to mark the model as cc0 / Public Domain so it has to be marked as cc-by (attribution). You don't need to attribute it to me - please give attribution and credit to the National Museum of Ireland, who own the original object and gave permission for the laser-scan to be made.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233852
title: An Ode to Film

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233855
title: Bowl on foot - PG.2000.1499

description: Bowl on foot. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1499

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198543&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233856
title: Bowl on foot - PG.2000.1499

description: Bowl on foot. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1499

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198543&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233864
title: Waterloo Bridge Baluster

description: A stone baluster from a previous Waterloo Bridge. Presented by Mr & Mrs Lionel Barnett in 1945. Now located in Antrim Grove Playground, Belsize Park, London.

Dimensions:
Width/depth of square top: 12" (30.5cm).
Height of square top: 2.5" (6.35cm).
Total height of baluster: 32.5" (82.5cm) approx.
(Thanks to Travis Nelson for measuring) 

Mentioned in this Londonist article and video:
https://londonist.com/london/old-waterloo-bridge
https://www.youtube.com/watch?v=y64gdNPlVwk

136 photos taken in July 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233863
title: Waterloo Bridge Baluster

description: A stone baluster from a previous Waterloo Bridge. Presented by Mr & Mrs Lionel Barnett in 1945. Now located in Antrim Grove Playground, Belsize Park, London.

Dimensions:
Width/depth of square top: 12" (30.5cm).
Height of square top: 2.5" (6.35cm).
Total height of baluster: 32.5" (82.5cm) approx.
(Thanks to Travis Nelson for measuring) 

Mentioned in this Londonist article and video:
https://londonist.com/london/old-waterloo-bridge
https://www.youtube.com/watch?v=y64gdNPlVwk

136 photos taken in July 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233868
title: Plato 1020. Reconstrucción

description: Reconstrucción virtual del plato de influencia fenicia 1020. El original procede de la necrópolis orientalizante del Cerro de los Vientos (Baeza, Jaén, España). Está realizado a torno, con un diámetro de 22 cm, presenta una cocción oxidante,  con una  pasta color naranja y desgrasantes finos. Conserva restos de engobe rojo en la parte superior del borde y alterna bandas y líneas rojas y negras concéntricas en el interior. Las líneas rojas fueron elaboradas con hematites y las necgras con óxido de manganeso. Forma parte de los materiales documentados en la E28, que pudo haber tenido una  función ritual de comensalidad, asociada al ámbito funerario. Cronología: VIII-VII a.C.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233870
title: TARP 2019: SU 1076 - SU 1078

description: Photogrammetric capture of stratigraphic units 1076 - 1078

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233869
title: TARP 2019: SU 1076 - SU 1078

description: Photogrammetric capture of stratigraphic units 1076 - 1078

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233840
title: Buddha - Structure-from-Motion

description: Sparse reconstruction result after the Structure-from-Motion step in Meshroom default photogrammetry pipeline. The green points represent the reconstructed cameras.

**Details**

 - Meshroom 2019.1.0
 - Input: 220 images
 - Camera: Sony A7S II

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233861
title: Petróglifo de Penedín 1

description: ![](http://oi68.tinypic.com/711mwz.jpg)

►UBICACIÓN: 

Situado no lugar de Penedín, Reibón, parroquia de Meira (Moaña) Consulta a súa ubicación exacta [aquí](https://www.google.es/maps/place/42%C2%B017'48.8%22N+8%C2%B043'02.0%22W/@42.296891,-8.7177772,140m/data=!3m2!1e3!4b1!4m5!3m4!1s0x0:0x0!8m2!3d42.29689!4d-8.71723). 


► DESCRICIÓN

O petróglifo ubícase nun outeiro conformado por afloramentos de granito, tal e como indica a toponimia, dentro dunha dorsal de acusada pendente cara o W. O gravado está na parte alta do outeiro. Trátase dun batolito granítico de gran tamaño (case tres metros de longo) e o motivo está nun rebaixe ao NE do afloramento.
No petróglifo está representada a figura dun posible cérvido de pequeno tamaño (uns 30 cm.) Os sucos teñen 2,5 cm de ancho.
No petróglifo, moi desgastado, denótanse tamén a presencia de 5 picazos aillados ademáis de dous posibles círculos concéntricos xusto enriba do zoomorfo, na actualidade apenas visibles.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233865
title: AR010-006-02

description: McWhinney Point collected in Union County, Indiana.

Catalog # 12-U-12

Uploaded by: Collin Minnick

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-006-02, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233866
title: AR010-006-02

description: McWhinney Point collected in Union County, Indiana.

Catalog # 12-U-12

Uploaded by: Collin Minnick

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-006-02, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233845
title: Torre Badúm - Escudo│ Peñíscola │ Spain

description: ###**Torre Badúm / Escudo**
------
**Cronología:**   
 
Original             1554

Reconstrucción: 2014

"Se trata de un panel compuesto por cuatro piezas de piedra arenisca, perfectamente encajadas entre sí. Su labra denota una espléndida ejecución. Según Arturo Zaragozá se representa en él un losange cuatribarrado coronado (el escudo del reino) protegido por un águila imperial bicéfala y coronada. La inscripción recuerda la reconstrucción de la torre vigía en 1554, siendo virrey de Valencia el Duque de Maqueda. La leyenda del cartucho inferior, **SIEMBRA ALARMA Y PROTÉGEME**, hace
alusión a la misión de vigilancia a la que estaba destinada la torre
La disposición del panel empotrado en la pared de mampostería denota que fue incorporado tras la construcción de la torre"

[**Biblioteca DGPA**](https://cutt.ly/rrxYMJr)

[**Wikipedia**](https://goo.gl/qkW2tb)

[**Geolocalización**](https://goo.gl/KtTR9K)

Date:16.h 11/11/2015
** AD&D 4D **│ Robert Muñoz
![Imgur](http://i.imgur.com/qzZ4Sbx.jpg?1)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233862
title: Petróglifo de Penedín 1

description: ![](http://oi68.tinypic.com/711mwz.jpg)

►UBICACIÓN: 

Situado no lugar de Penedín, Reibón, parroquia de Meira (Moaña) Consulta a súa ubicación exacta [aquí](https://www.google.es/maps/place/42%C2%B017'48.8%22N+8%C2%B043'02.0%22W/@42.296891,-8.7177772,140m/data=!3m2!1e3!4b1!4m5!3m4!1s0x0:0x0!8m2!3d42.29689!4d-8.71723). 


► DESCRICIÓN

O petróglifo ubícase nun outeiro conformado por afloramentos de granito, tal e como indica a toponimia, dentro dunha dorsal de acusada pendente cara o W. O gravado está na parte alta do outeiro. Trátase dun batolito granítico de gran tamaño (case tres metros de longo) e o motivo está nun rebaixe ao NE do afloramento.
No petróglifo está representada a figura dun posible cérvido de pequeno tamaño (uns 30 cm.) Os sucos teñen 2,5 cm de ancho.
No petróglifo, moi desgastado, denótanse tamén a presencia de 5 picazos aillados ademáis de dous posibles círculos concéntricos xusto enriba do zoomorfo, na actualidade apenas visibles.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233867
title: Plato 1020. Reconstrucción

description: Reconstrucción virtual del plato de influencia fenicia 1020. El original procede de la necrópolis orientalizante del Cerro de los Vientos (Baeza, Jaén, España). Está realizado a torno, con un diámetro de 22 cm, presenta una cocción oxidante,  con una  pasta color naranja y desgrasantes finos. Conserva restos de engobe rojo en la parte superior del borde y alterna bandas y líneas rojas y negras concéntricas en el interior. Las líneas rojas fueron elaboradas con hematites y las necgras con óxido de manganeso. Forma parte de los materiales documentados en la E28, que pudo haber tenido una  función ritual de comensalidad, asociada al ámbito funerario. Cronología: VIII-VII a.C.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233874
title: Clay Pipe (2342a1631)

description: **Clay smoking pipe**

Location: Hairston site (31Sk1), Stokes County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 143.2 mm; width, 22.1 mm; height, 42.9 mm.

Notes: Catalog no. 2342a1631, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233871
title: Ehrengrab Wilhelm Kienzl

description: Grave of honour of Austrian composer Wilhelm Kienzl (1857-1941) at the Vienna Central Cemetery.

Wilhelm Kienzl travelled throughout Europe after his doctorate as a pianist and conductor. In 1883 he became director of the Deutsche Oper in Amsterdam, in 1886 he took over the direction of the Styrian Music Society. In 1894 he wrote his third and most famous opera Der Evangelimann. In 1920 he composed the melody to a poem written by Dr. Karl Renner, "Deutschösterreich, du herrliches Land", which was considered the unofficial national anthem of the First Austrian Republic until 1929. Along with Engelbert Humperdinck and Siegfried Wagner, the composers of fairy-tale operas, Wilhelm Kienzl is the most important opera creator of the romantic Wagner succession.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233872
title: Ehrengrab Wilhelm Kienzl

description: Grave of honour of Austrian composer Wilhelm Kienzl (1857-1941) at the Vienna Central Cemetery.

Wilhelm Kienzl travelled throughout Europe after his doctorate as a pianist and conductor. In 1883 he became director of the Deutsche Oper in Amsterdam, in 1886 he took over the direction of the Styrian Music Society. In 1894 he wrote his third and most famous opera Der Evangelimann. In 1920 he composed the melody to a poem written by Dr. Karl Renner, "Deutschösterreich, du herrliches Land", which was considered the unofficial national anthem of the First Austrian Republic until 1929. Along with Engelbert Humperdinck and Siegfried Wagner, the composers of fairy-tale operas, Wilhelm Kienzl is the most important opera creator of the romantic Wagner succession.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233877
title: Lurgan Farm 5 - Cup & Ring Marked Rock

description: Lurgan Farm 5 is a fragmented outcrop amongst an extensive series of rock art panels which are hidden deep within a tree plantation near Aberfeldy.
There are many & varied markings over this series over panels. In particular :
- 3 crudely carved cup and ring marks, one with two rings the other with one. Their component cups and rings are notably asymmetric.
- About 14 individual cup marks of 4- 6 cm diam. scattered and in small grouping around the panels
- 2 oval depressions (about 10 x 6 cm axes)
- 2 larger circular depressions, adjacent to one of the cup & ring marks.  Each depression has a carved gutter leading downslope from it.
- The bottom right hand panel (SW) is covered in about 60 microcups (<1 cm) , grading into peck marks.  There appears to be some rough regularity in the spacing and alignment of the marks including 2 possible rosette arrangements around a couple of the slightly larger of the cup marks
- The panel above this has further peck marks including 7 which show a clear curving alignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233873
title: Clay Pipe (2342a1631)

description: **Clay smoking pipe**

Location: Hairston site (31Sk1), Stokes County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 143.2 mm; width, 22.1 mm; height, 42.9 mm.

Notes: Catalog no. 2342a1631, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233876
title: Bute Lenihuline North

description: The stone lies at the south end of North Lenihuline wood, Isle of Bute.  NW 7 metres from a fence to the south, in birch woodland. A new track lies further south of the new fence line.
Immediately beside the stone there is a pile of smaller stones, to the west.
The stone lies 25 metres west of a recently moved quartz boulder beside a gatepost and opening in the fence.
Views to Ardlamont Point through trees to SW.
Photography Patrick O'Sullivan, ScRAP team and Bute Museum&NHS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233878
title: Lurgan Farm 5 - Cup & Ring Marked Rock

description: Lurgan Farm 5 is a fragmented outcrop amongst an extensive series of rock art panels which are hidden deep within a tree plantation near Aberfeldy.
There are many & varied markings over this series over panels. In particular :
- 3 crudely carved cup and ring marks, one with two rings the other with one. Their component cups and rings are notably asymmetric.
- About 14 individual cup marks of 4- 6 cm diam. scattered and in small grouping around the panels
- 2 oval depressions (about 10 x 6 cm axes)
- 2 larger circular depressions, adjacent to one of the cup & ring marks.  Each depression has a carved gutter leading downslope from it.
- The bottom right hand panel (SW) is covered in about 60 microcups (<1 cm) , grading into peck marks.  There appears to be some rough regularity in the spacing and alignment of the marks including 2 possible rosette arrangements around a couple of the slightly larger of the cup marks
- The panel above this has further peck marks including 7 which show a clear curving alignment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233880
title: Neo-Normcore, Webcam 1

description: 3D Material Ball by OmegaRidley is licensed under CC Attribution

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233882
title: Bloco de Riolito (Bloco 5)

description: Sítio Rio Ipanema - Bloco de riolito com marcas de lascamento (negativos de percussão bipolar)

Programa de Gestão do Patrimônio Arqueológico - A LASCA Arqueologia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233884
title: Maison Gaubert, Villefranche de Rouergue (12)

description: "Construite après un incendie qui ravagea la place Notre-Dame en 1497, cette demeure adopte le vocabulaire architectural de la fin du Moyen-Age." 
[Monumentum](https://monumentum.fr/maison-e-siecle-pa00094223.html)
![](https://p.monumentum.fr/galerie/maxi/00297/297057-fenetre-premier-etage-porte-tour-maison-gaubert-villefranche-de-rouergue-aveyron-.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233881
title: Bloco de Riolito (Bloco 5)

description: Sítio Rio Ipanema - Bloco de riolito com marcas de lascamento (negativos de percussão bipolar)

Programa de Gestão do Patrimônio Arqueológico - A LASCA Arqueologia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233883
title: Maison Gaubert, Villefranche de Rouergue (12)

description: "Construite après un incendie qui ravagea la place Notre-Dame en 1497, cette demeure adopte le vocabulaire architectural de la fin du Moyen-Age." 
[Monumentum](https://monumentum.fr/maison-e-siecle-pa00094223.html)
![](https://p.monumentum.fr/galerie/maxi/00297/297057-fenetre-premier-etage-porte-tour-maison-gaubert-villefranche-de-rouergue-aveyron-.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233885
title: Victorian Lamp

description: A Victorian student Lamp, a one off design modelled in Blender and textured using Gimp and Blenders texture paint tool.  

These lamps were oil fuelled and used before homes had electricity on tap. Used from the early 1800's, some original lamps have now been converted and fitted with bulbs but still hold their beauty and most are now decrative pieces within home.

I've  struggled with detail mainly because of the (free) software that I use but have learnt a few tricks when texturing and map making and tried not to make the model look to pixilated when adding detail from a bump map. These truly are a piece of art work within their selves and hats off to those who made and still make these, I hope I've done those who make them justice by modelling one.

I aplogise for the vert count but had fun modelling this and agian learnt some more tricks along the way, 6 months in and enjoying it. Feel free to alter model and or texture, I hope you enjoy the model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233886
title: Victorian Lamp

description: A Victorian student Lamp, a one off design modelled in Blender and textured using Gimp and Blenders texture paint tool.  

These lamps were oil fuelled and used before homes had electricity on tap. Used from the early 1800's, some original lamps have now been converted and fitted with bulbs but still hold their beauty and most are now decrative pieces within home.

I've  struggled with detail mainly because of the (free) software that I use but have learnt a few tricks when texturing and map making and tried not to make the model look to pixilated when adding detail from a bump map. These truly are a piece of art work within their selves and hats off to those who made and still make these, I hope I've done those who make them justice by modelling one.

I aplogise for the vert count but had fun modelling this and agian learnt some more tricks along the way, 6 months in and enjoying it. Feel free to alter model and or texture, I hope you enjoy the model.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233888
title: Christopher Polhem mechanical wooden modelTM1358

description: Christopher Polhem mechanical wooden model from the early 1700s
This virtual artifact can be found in real life at the 
[Swedish National Museum of Science and Technology in Stockholm](https://sketchfab.com/Tekniskamuseet)
Created in RealityCapture by Fredrik Olsson from 349 images in 01h:35m:28s. Please note: No post processing have been done, holes may occur in mesh
Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233894
title: Sego Kucing

description: tradisional javanesse food.
rice warp with banana leaf and news paper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233895
title: Rare Material, Sanak Island, Alaska XFP-054-1859

description: Flake, Rare Material, Sanak Island, Alaska XFP-054-1859

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233875
title: Bute Lenihuline North

description: The stone lies at the south end of North Lenihuline wood, Isle of Bute.  NW 7 metres from a fence to the south, in birch woodland. A new track lies further south of the new fence line.
Immediately beside the stone there is a pile of smaller stones, to the west.
The stone lies 25 metres west of a recently moved quartz boulder beside a gatepost and opening in the fence.
Views to Ardlamont Point through trees to SW.
Photography Patrick O'Sullivan, ScRAP team and Bute Museum&NHS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233887
title: Christopher Polhem mechanical wooden modelTM1358

description: Christopher Polhem mechanical wooden model from the early 1700s
This virtual artifact can be found in real life at the 
[Swedish National Museum of Science and Technology in Stockholm](https://sketchfab.com/Tekniskamuseet)
Created in RealityCapture by Fredrik Olsson from 349 images in 01h:35m:28s. Please note: No post processing have been done, holes may occur in mesh
Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233898
title: Holding Hands - 700 - 3D Printable

description: Plaster Artwork of elderly woman's hands supplied by University of Texas Pan America.  Scanned with HandySCAN 700 and cleaned to 3D Printable with VxModel.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10233879
title: Neo-Normcore, Webcam 1

description: 3D Material Ball by OmegaRidley is licensed under CC Attribution

Source: Objaverse 1.0 / Sketchfab