cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-446
title: In loving memory of Robert F. Kennedy, God bless, El Sereno, Los Angeles, 1988

description: In loving memory of Robert F. Kennedy, God bless, El Sereno, Los Angeles, 1988, 4645 Huntington Drive (near Monterey Road), El Sereno. Portrait of Robert F. Kennedy, done in memory of the 20th anniversary of his assassination. Aerosol, by Peter Quezada and Mike G. Self-sponsored. -- Dunitz, Street gallery, p. 118, #21; http://muralconservancy.org/murals/loving-memory-robert-f-kennedy-god-bless viewed on Oct. 14, 2012.
DOI: 10.25549/dunitz-c15-457
title: People reading and studying, Cypress Park, Los Angeles, 1976

description: People reading and studying, untitled mural, Cypress Park, Los Angeles, 1976, Salazar Brothers Food products Corporation, exterior, Cypress Avenue and Verdugo, Cypress Park. People reading and studying. Acrylic on concrete, 35' x 17', by Anthony Padilla, assisted by local youth. Sponsored by CMP. -- Dunitz, Street gallery, p. 114, #6.
DOI: 10.25549/dunitz-c15-472
title: Return to the light, Highland Park, Los Angeles, 1994

description: Return to the light, Highland Park, Los Angeles, 1994, Carlota Boulevard and Avenue 41, Highland Park. Depicts two prevalent social ills, senseless killing of young people, and homelessness. The shaman in the center represents a healthy state of wholeness. Cesar Chavez represents vision, being focused. The elderly are symbols of rich experience and wisdom. The spirits of Pancho Villa and Zapata are there to signify strength and courage. The mural's title refers to the role of the spiritual in finding solutions. Acrylic, by Charles Freeman. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, red. 2nd ed., p. 121, #14.
DOI: 10.25549/dunitz-c15-487
title: History of Highland Park, Los Angeles, 1978

description: History of Highland Park, Los Angeles, 1978. Pacific Bell, exterior 2 walls, 1207 North Avenue 56 (at Meridian), Highland Park. Vignettes from the community's past. Acrylic, approximately 15' x 125', by Judith Baca, Sonya Williams, Arnold Ramirez, Joe Bravo. Sponsored by SPARC. -- Dunitz, Street gallery, p. 115, #8.
DOI: 10.25549/salamun-ouc1924302
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-ouc1928024
title: Fauré. Requiem, op. 48 (1887-1890)

description: For SATB chorus and orchestra. Conductor's score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-701
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-706
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-713
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-776
title: Stravinsky. Symphony of psalms, 1948

description: For mixed chorus and orchestra arranged for voice and piano. Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-778
title: Stravinsky. Symphony of psalms, 1948

description: For mixed chorus and orchestra arranged for voice and piano. Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-631
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-635
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-639
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-16
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-17
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-20
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-21
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-23
title: Morricone. The Mission [excerpts], 1985

description: Three excerpts from the score to the film The Mission. For SATB chorus a capella (Ave Maria), for orchestra (Gabriel's oboe), and for SATB chorus with flute (piccolo), oboe, percussion and harpsichord (On Earth as it is in heaven). Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-704
title: El quinto sol (The fifth sun), Venice, 1992

description: El quinto sol (The fifth sun), Venice, 1992. Social and Public Art Resource Center, exterior, 685 Venice Boulevard (between Lincoln and Abbott Kinney boulevards). An allegory about Los Angeles, featuring a woman pregnant with the future. She is surrounded by references to street culture. The mural is also a tribute to the art of fresco with representation of Michelangelo's Creation scene on the ceiling of the Sistine Chapel, and modern works by Mexican masters Diego Rivera and David Alfaro Siqueiros. A second fresco, called City of Angels -- painted by seven students who studied fresco technique with Vigil while he was working on his mural, is located on an adjacent wall. Sponsored by SPARC. -- Dunitz, Street gallery, p. 194, #40.
DOI: 10.25549/dunitz-c15-708
title: What happens to a dream deferred? Venice, 1993-1995

description: What happens to a dream deferred? Venice, 1993-1995. Venice High School, exterior yard, 13000 Venice Boulevard (at Walgrove Avenue). These images integrate the so-called "high art" forms of Cubism and Pop Art with HipHop street art, while addressing the underlying causes of the 1992 post-Rodney King violence in the city. The title comes from a poem by Harlem Renaissance poet Langston Hughes. Acrylic, 2 panels, 15' x 20' (each), by students from 5 high schools under the direction of artist/teachers Joann Carrabbio and Marco Elliott. Sponsored by public and private grants (including SPARC). -- Dunitz, Street gallery, rev. 2nd ed., p. 195, #28.
DOI: 10.25549/dunitz-c15-710
title: What happens to a dream deferred? Venice, 1993-1995

description: What happens to a dream deferred? Venice, 1993-1995. Venice High School, exterior yard, 13000 Venice Boulevard (at Walgrove Avenue). These images integrate the so-called "high art" forms of Cubism and Pop Art with HipHop street art, while addressing the underlying causes of the 1992 post-Rodney King violence in the city. The title comes from a poem by Harlem Renaissance poet Langston Hughes. Acrylic, 2 panels, 15' x 20' (each), by students from 5 high schools under the direction of artist/teachers Joann Carrabbio and Marco Elliott. Sponsored by public and private grants (including SPARC). -- Dunitz, Street gallery, rev. 2nd ed., p. 195, #28.
DOI: 10.25549/dunitz-c15-738
title: Becoming the circle, Venice, 2002

description: Becoming the circle, Venice, 2002. Pioneer French Baking Company, 512 Rose Avenue, Venice. "The mural is in four panels. The first and second panel shows a parade that merges issues reminiscent of an actual community parade that was discontinued at the beginning of World War II. Participants are drawn from present-day members of the neighborhood. Local trees and gardens form the background of the panels. In the second panel an older woman unfurls a quilt amidst segments of Venice's vanishing architectural heritage. A female drummer and a young girl with arms raised to the sun are in the third panel. The final phase once again shows people parading, but more in a collective march for a cause." Acrylic, by Francisco Letelier. Sponsored by SPARC. -- http://www.betsysellsvenice.com/convertedpages/venicemurals.html; http://you-are-here.com/mural/circle.html; http://www.lamurals.org/Newsletters/0602Newsltr/0602B.html#NewMurals0602.
DOI: 10.25549/dunitz-c15-745
title: Farm/ranch mural inside the swim gym at Beverly Hills High School, Beverly Hills, 1938

description: Farm/ranch mural inside the swim gym at Beverly Hills High School, 1938, by Scotti -- Dunitz, Street gallery, rev. 2nd ed., p.173, #4
DOI: 10.25549/salamun-c98-454
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-461
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-468
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-472
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/dunitz-c15-37
title: Olympic series, Los Angeles, 1984

description: Olympic series, 1984, Harbor Fwy. (101) South at 3rd Street on ramp. Three suspended cloth-like forms give the illusion of tapestries on the L.A. landscape. Combining culturally specific and universal elements (ie. heart, trombone, pyramid), each panel attempts to reflect local cultures. By Alonzo Davis. Acrylic on concrete, approximately 20' x 200'. Sponsored by LAOOC. -- Dunitz, Street gallery, p. 45, #62.
DOI: 10.25549/dunitz-c15-623
title: Our history/Toward freedom, Van Nuys, 1993

description: Our history/Toward freedom, Van Nuys, 1993. Valley Cities Jewish Community Center, exterior, 13164 Burbank Boulevard (between Fulton and Coldwater Canyon avenues), Van Nuys. Based on the themes of Exodus (exit), Passover (liberation), and Seder (celebration), the mural is about remembering, especially the ways in which Jewish history intersects with the experience of other groups. Acrylic, by John Pitman Weber. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 151, #65.
DOI: 10.15468/dl.nz5g26
title: Occurrence Download

description: A dataset containing 10 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Gymnapogon japonicus"
 ]
}

 The dataset includes 10 records from 6 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003624-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-638
title: Golf course murals, 1996

description: 23? panels in a golf course, 1996. Murals painted on an exterior wall depicting California history. Location unknown. Artists unknown. Photographed 1996 June.
DOI: 10.25549/dunitz-c15-678
title: Nurturance, Venice, 1978

description: Nurturance, Venice, 1978. Venice Health Center, exterior, 905 Venice Boulevard (just west of Lincoln Boulevard). People of different cultures and ages touching, hugging, and caring for one another. Acrylic on brick, 2 panels, 40' x 10', by Ann Elizabeth Thiermann. Sponsored by Citywide Mural Project. -- Dunitz, Street gallery, rev. 2nd ed., p. 190, #9.
DOI: 10.25549/dunitz-c15-687
title: Brandelli's Brig, Venice, 1973 (restored in 1978 and 1989)

description: Brandelli's Brig, Venice, 1973 (restored in 1978 and 1989). Brandelli's Brig (a local bar), exterior, Abbot Kinney Boulevard at Palms Boulevard. A mural inside a mural inside a mural. Painting of the bar's owner and his wife outside of the bar and the mural which shows the owner and his wife, and on and on. Latex, 16' x 22'. Arthur Mortimer and friends. Sponsored by California Arts Council. -- Dunitz, Street gallery, p. 184, #4. The artist is standing in front of the mural in the first silde. He is wearing a white T-shirt with 7th Street altarpiece" as a logo. The two people in the mural are Babe and Betty Brandelli -- http://laexplored.wordpress.com/, viewed on October 7, 2012.
DOI: 10.25549/dunitz-c15-691
title: The story of Venice, Venice, 1941

description: The story of Venice, Venice, 1941. Venice Post Office, interior, 1601 Main Street (near Windward Avenue). The central focus is Abbot Kinney, the visionary developer who created this beach community with its canals and pier. Oil wax emulsion on canvas, 6 1/2' x 15 5/8', by Edward Biberman. Sponsored by Treasury Section of Painting and Sculpture. -- Dunitz, Street gallery, rev. 2nd ed., p. 189, #3.
DOI: 10.25549/salamun-c98-642
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-648
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-652
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-655
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-672
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/dunitz-c15-53
title: Unity, Los Angeles, 1984

description: Unity, Los Angeles, 1984, Harbor Freeway at Figueroa St. exit (closed). Colorful melange of faces and athletics. by Roderick Sykes. Acrylic, 2 panels. Sponsored by LAOOC. -- Dunitz, Street gallery, p. 40, #53.
DOI: 10.25549/dunitz-c15-55
title: Senzo, Los Angeles, 1980

description: Senzo, Los Angeles, 1980, Japanese Village Plaza, exterior, 327 East 1st Street (near Central Avenue), Little Tokyo. Dedicated to the pioneering spirit of early Japanese immigrants, the mural includes eight historical photographs depicting their struggles, and achievements. Four are images of the World War II internment camps in which Japanese-Americans were placed. The others are pictures of 19th century railroad and agricultural workers, and Little Tokyo in its early days. Photo-sensitized ceramic tile, 24' x 9', by M. Matsukuma. Sponsored by NEA, CETA, CAC. -- Dunitz, Street gallery, p. 38, #43.
DOI: 10.25549/dunitz-c15-80
title: Temporary mural, Downtown Los Angeles, 1994

description: Temporary mural, 1994. South Hewitt Street and Traction Avenue, by Ricardo Mendoza.
DOI: 10.25549/dunitz-c15-88
title: Los Angeles circa 1870, 1910, 1960, and 2000, Los Angeles, 1995-1996

description: Los Angeles circa 1870, 1910, 1960, and 2000, 1995-1996. Metropolitan Transit Authority headquarters building, interior lobby and mezzanine, Gateway Transit Center, Cesar Chavez Avenue at Vignes Street. A grand look at our sprawling metropolis at different stages of its development. The year 1870, depicted in the large central panel was soon after the arrival of the railroad. The final panel (on the mezzanine level) is the artist's concept of the city of the future. 4 panels by James Doolin, assisted by James Feruzzi and Myles Jamieson. -- Dunitz, Street gallery, rev. 2nd ed., p. 60, #113.
DOI: 10.25549/dunitz-c15-91
title: The party at Lan-T'ing, Los Angeles, 1991

description: The party at Lan-T'ing, 1991. Los Angeles Public Library, Chinatown branch, exterior, 850 Yale Street (mural on College St.), Chinatown. Chinese achievements in music, literature, and art are shown in the context of a party of important artists organized by the great Chinese calligrapher and poet, Wang Xi-Zhi, approximately 1700 years ago. A scroll documenting the event that Wang created after the party became an important part of Chinese art history. While there are many replicas throughout China, the original scroll is believed buried in the tomb of an emperor of the Tang dynasty. The artist's use of non-paint materials and his layering of colors are both techniques from traditional lacquer painting. Acrylic, glitter, sequins, eggshells, and pieces of costume jewelry, 17' x 40', by Shiyan Zhang, assisted by Celia Ko, DeQing Wang, Jack Wu II, and Anthony Mendoza. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 54, #83.
DOI: 10.25549/salamun-c98-717
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-718
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-724
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-726
title: Holst. Ode to death, H. 144, op. 38 (1919)

description: For orchestra and SATB chorus. Full score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-691
title: Lauridsen. Mid-Winter songs [excerpt], 1980

description: For SATB chorus. First page of the autograph manuscript. Includes handwritten marginalia by the composer thanking the conductor Paul Salamunovich on the occasion of his recording of the work, 1999 April. 27. Includes an attached note from the composer to the conductor, 1991 April 27.
DOI: 10.25549/dunitz-c15-747
title: Farm/ranch mural inside the swim gym at Beverly Hills High School, Beverly Hills, 1938

description: Farm/ranch mural inside the swim gym at Beverly Hills High School, 1938, by Scotti -- Dunitz, Street gallery, rev. 2nd ed., p.173, #4
DOI: 10.25549/dunitz-c15-752
title: Stratton's Grill, Los Angeles, 1984

description: Stratton's Grill, exterior facade facing parking lot, 1984, by Arthur Mortimer. Acrylic on red brick, 14' x 19' -- Dunitz, Street gallery, p. 175, # 27.
DOI: 10.25549/dunitz-c15-753
title: Stratton's Grill, Los Angeles, 1984

description: Stratton's Grill, exterior facade facing parking lot, 1984, by Arthur Mortimer. Acrylic on red brick, 14' x 19' -- Dunitz, Street gallery, p. 175, # 27.
DOI: 10.25549/dunitz-c15-759
title: Moonscapes I-IV, Culver City, 1979

description: Moonscapes I-IV, 1979, by East Los Streetscapers (Wayne Healy and David Botello) assisted by Paul Botello and Georges Yepes. A cruise through space and time by ancient Mayan astronomers as well as modern-day scientists such as Albert Enstein. Exterior of the Culver City DMV. Sponsored by CAC and the Department of Motor Vehicles. Acrylic, 10' x 500' and 10' x 78' -- Dunitz, Street gallery, rev. 2nd ed., p.178, #23.
DOI: 10.25549/dunitz-c15-783
title: Dial 900 society, Crenshaw High School, Los Angeles, 1992

description: Dial 900 society, 1992, 5010 11th Avenue (at 50th Street), by Ian White with about 10 art students of teacher Susan Curren. Crenshaw High School parking lot. Play on words and satire are used to illustrate some of the contradictions and social ills of our contemporary "900 number society". In one panel the image of a homeless man on a park bench is juxtaposed with the high-priced Park Place square on a Monopoly gameboard. Acrylic, 3 panels, approximately 7.5' x 8' each. Sponsored by Museum of African Art and L.A. Cultural Affairs Department. -- Dunitz, Street gallery, rev. 2nd ed., p. 220, #53.
DOI: 10.25549/salamun-c98-610
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-617
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-619
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-621
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-225
title: Lauridsen. Lux aeterna. O nata lux, 1997

description: For SATB chorus a cappella. Vocal score. Third movement from Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich on the occasion of the premiere.
DOI: 10.25549/salamun-c98-227
title: Lauridsen. Lux aeterna. O nata lux, 1997

description: For SATB chorus a cappella. Vocal score. Third movement from Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich on the occasion of the premiere.
DOI: 10.25549/salamun-c98-998
title: Lauridsen. Lux aeterna. Introitus [excerpt], 1997

description: For SATB chorus a cappella. Page six from the autograph manuscript of the first movement of Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.15468/dl.culzjk
title: Occurrence Download

description: A dataset containing 8 species occurrences available in GBIF matching the query:
{
 "DatasetKey" : [
 "is (Table 1) Proportion of Toxoplasma gondii seropositive arctic foxes (Alopex lagopus) by age group and geographic area"
 ]
}

 The dataset includes 8 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0082158-160910150852091/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.