cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10226709
title: Eglise Saint Geniès, Benque (31)

description: ![](https://upload.wikimedia.org/wikipedia/commons/thumb/8/86/BenqueDessous.JPG/800px-BenqueDessous.JPG)

Près de Bagnières de Luchon, de nombreuses églises romanes ( XIIe siècle) ont du réemploi de stèles romaines (Cippe) et des peintures datant du XVIe siècle. D'autres modèles 3D sont à suivre.

![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Benqu%C3%A9-Dessous_%C3%A9glise_choeur.jpg/800px-Benqu%C3%A9-Dessous_%C3%A9glise_choeur.jpg)

Near Bagnières de Luchon, many Romanesque churches (XIIth century) have re-use of Roman steles (Cippe) and paintings dating from the sixteenth century. Other 3D models are to follow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226710
title: Eglise Saint Geniès, Benque (31)

description: ![](https://upload.wikimedia.org/wikipedia/commons/thumb/8/86/BenqueDessous.JPG/800px-BenqueDessous.JPG)

Près de Bagnières de Luchon, de nombreuses églises romanes ( XIIe siècle) ont du réemploi de stèles romaines (Cippe) et des peintures datant du XVIe siècle. D'autres modèles 3D sont à suivre.

![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Benqu%C3%A9-Dessous_%C3%A9glise_choeur.jpg/800px-Benqu%C3%A9-Dessous_%C3%A9glise_choeur.jpg)

Near Bagnières de Luchon, many Romanesque churches (XIIth century) have re-use of Roman steles (Cippe) and paintings dating from the sixteenth century. Other 3D models are to follow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226711
title: Rebeca Matte Unidos en la Gloria y en la Muerte

description: Reconstrucción 3D de la escultura Unidos en la Gloria y en la Muerte de la artista Rebeca Matte, ubicada en el frontis del Museo de Bellas Artes de Santiago de Chile.
La base de la reconstrucción son aproximadamente 20 fotografías, probablemente la realizemos nuevamente con más imágenes con el fin de aumentar la detección de la malla 3D y el nivel de detalle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226712
title: Rebeca Matte Unidos en la Gloria y en la Muerte

description: Reconstrucción 3D de la escultura Unidos en la Gloria y en la Muerte de la artista Rebeca Matte, ubicada en el frontis del Museo de Bellas Artes de Santiago de Chile.
La base de la reconstrucción son aproximadamente 20 fotografías, probablemente la realizemos nuevamente con más imágenes con el fin de aumentar la detección de la malla 3D y el nivel de detalle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226714
title: Drinking Fountain Marylebone Lane

description: A drinking fountain at the south end of Marylebone Lane near Oxford Street, London.

Date: 1937

http://www.mdfcta.co.uk/details-f/f111.html

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226715
title: Door handle with lion head Cathedral Trier

description: Door handle with lion's head on the High Cathedral Church of St. Peter in Trier, the oldest Episcopal church in Germany and the mother church of the Diocese of Trier. 

Türgriff mit Löwenkopf an der Hohen Domkirche St. Peter zu Trier, die älteste Bischofskirche Deutschlands und die Mutterkirche des Bistums Trier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226716
title: Door handle with lion head Cathedral Trier

description: Door handle with lion's head on the High Cathedral Church of St. Peter in Trier, the oldest Episcopal church in Germany and the mother church of the Diocese of Trier. 

Türgriff mit Löwenkopf an der Hohen Domkirche St. Peter zu Trier, die älteste Bischofskirche Deutschlands und die Mutterkirche des Bistums Trier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226717
title: Ciblas Kapu Kalns

description: Ciblas Kapu kalna 3D modelis. Koordinātas: 56.54222,27.88666

https://www.latvijas-pilskalni.lv/ciblas-kapu-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226718
title: Ciblas Kapu Kalns

description: Ciblas Kapu kalna 3D modelis. Koordinātas: 56.54222,27.88666

https://www.latvijas-pilskalni.lv/ciblas-kapu-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226719
title: Deep bowl with receding rim and buttons

description: Deep bowl with receding rim and buttons. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2807.190

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=132818&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226720
title: Deep bowl with receding rim and buttons

description: Deep bowl with receding rim and buttons. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2807.190

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=132818&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226721
title: Vintage Animal Hide Shield

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226722
title: Vintage Animal Hide Shield

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226723
title: Trozzella Jonica.

description: Trozzella Jonica, a Messapian pottery is a type of Messapian ceramic, produced between the 7th century BC until the 3rd century BC on the Italian region of southern Apulia. The "Trozzella" pottery was made by the Messapii an ancient people inhabiting the heel of Italy since around 1000 BC who migrated from Crete or Illyria. I made this using rhino 3d with seample solutions to have low polygons. The thing was designed to be visited in activeworlds browser, where I created various virtual museums where visitors can actually enter and observe the specially scaled objects for this particular 3d environment. For this reason, it is not possible to include multilingual resolution-based models because it would mortify accessibility. So each model, even made with laser scan techniques, needs to be optimized by reducing the number of polygons extremely.
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226724
title: Trozzella Jonica.

description: Trozzella Jonica, a Messapian pottery is a type of Messapian ceramic, produced between the 7th century BC until the 3rd century BC on the Italian region of southern Apulia. The "Trozzella" pottery was made by the Messapii an ancient people inhabiting the heel of Italy since around 1000 BC who migrated from Crete or Illyria. I made this using rhino 3d with seample solutions to have low polygons. The thing was designed to be visited in activeworlds browser, where I created various virtual museums where visitors can actually enter and observe the specially scaled objects for this particular 3d environment. For this reason, it is not possible to include multilingual resolution-based models because it would mortify accessibility. So each model, even made with laser scan techniques, needs to be optimized by reducing the number of polygons extremely.
http://www.massimogreco.xyz/3d/index.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226727
title: Wooden Object, Kirkjubø - Træ 4

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 157cm x 16.7cm x 10.7cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226728
title: Wooden Object, Kirkjubø - Træ 4

description: Høgdur trælutur úr Kirkjubø.

*Carved wooden object from Kirkjubø, Faroe Islands.*

Created by Petur Hansen, using Artec Space Spider scanner and Artec Studio 16.

Dimensions: 157cm x 16.7cm x 10.7cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226729
title: Barrel Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226730
title: Barrel Model

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226731
title: AR010-008-03

description: Projectile Point collected in Union County, Indiana.

Catalog # 12-U-14

Uploaded by: Collin Minnick

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-008-03, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226732
title: AR010-008-03

description: Projectile Point collected in Union County, Indiana.

Catalog # 12-U-14

Uploaded by: Collin Minnick

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-008-03, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226733
title: Goblet

description: This is the easy level for my second project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226734
title: Goblet

description: This is the easy level for my second project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226735
title: Uniformă Militară Austro-Ungară

description: Veston de plutonier adjutant al armatei Austro-Ungare din Primul Război Mondial. A aparținut unui soldat pe nume Nicolae Furniga care, înainte de declanșarea războiului a trecut munții și a luptat de partea României. În anul 1919 s-a stabilit în Giurgiu.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226736
title: Uniformă Militară Austro-Ungară

description: Veston de plutonier adjutant al armatei Austro-Ungare din Primul Război Mondial. A aparținut unui soldat pe nume Nicolae Furniga care, înainte de declanșarea războiului a trecut munții și a luptat de partea României. În anul 1919 s-a stabilit în Giurgiu.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226737
title: Olifant-reliquary

description: Olifant-reliquary, Olifant imported from Sicily and ramanied by a Mosan workshop around 1160-1180. Ivory, repoussé, openwork, chased and gilded cast copper. Provenance: treasury of the Saint Servatius Church in Maastricht. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 180 pictures with ReCap pro from AutoDesk. 

In the 11th and 12th centuries, Sicilian ivory carving workshops had specialized in the production of olifants, that is to say, as the name suggests, hunting horns carved from elephant tusks. . After his arrival in the Mosan region, this olifant, perceived as a curiosity or considered as an object that had belonged to a saint, was transformed into a reliquary. It was then embellished with a gold decoration representing busts of apostles, pophetes and virtues.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226738
title: Olifant-reliquary

description: Olifant-reliquary, Olifant imported from Sicily and ramanied by a Mosan workshop around 1160-1180. Ivory, repoussé, openwork, chased and gilded cast copper. Provenance: treasury of the Saint Servatius Church in Maastricht. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 180 pictures with ReCap pro from AutoDesk. 

In the 11th and 12th centuries, Sicilian ivory carving workshops had specialized in the production of olifants, that is to say, as the name suggests, hunting horns carved from elephant tusks. . After his arrival in the Mosan region, this olifant, perceived as a curiosity or considered as an object that had belonged to a saint, was transformed into a reliquary. It was then embellished with a gold decoration representing busts of apostles, pophetes and virtues.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226739
title: Catacombs of San Gennaro Duck Fresco

description: The arched niche (arcosolium) for 2 graves (plus some later tombs above them; today destroyed) is located on the left side of a burial chamber near the end of the main corridor in the lower level of the catacomb. The paintings may date from the 4th century A.D., but are destroyed to a certain extent. The ceiling shows a geometric pattern, the fields of which are filled with reddish blooms and cruciform or round objects. A hanging garland is preserved on both side walls. While on the right one below it you recognize (perhaps) only the foot and parts of a standing bird, on the left wall you see clearly a chubby bird, mostly identified as duck.

3D model was made in RealityCapture software using 183 images and 2 laser scan positions. Additional processing was completed in Geomagic Wrap, InstantMeshes, and Blender.

The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226740
title: Catacombs of San Gennaro Duck Fresco

description: The arched niche (arcosolium) for 2 graves (plus some later tombs above them; today destroyed) is located on the left side of a burial chamber near the end of the main corridor in the lower level of the catacomb. The paintings may date from the 4th century A.D., but are destroyed to a certain extent. The ceiling shows a geometric pattern, the fields of which are filled with reddish blooms and cruciform or round objects. A hanging garland is preserved on both side walls. While on the right one below it you recognize (perhaps) only the foot and parts of a standing bird, on the left wall you see clearly a chubby bird, mostly identified as duck.

3D model was made in RealityCapture software using 183 images and 2 laser scan positions. Additional processing was completed in Geomagic Wrap, InstantMeshes, and Blender.

The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226744
title: Banchory Cemetery Gravestone

description: Gravestone of Alexander Strachan, his wife Christina Ingram, and son James in Banchory Graveyard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226743
title: Banchory Cemetery Gravestone

description: Gravestone of Alexander Strachan, his wife Christina Ingram, and son James in Banchory Graveyard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226745
title: 8. Sector 1000. Walls partial model (2016)

description: [Scientific Project](http://www.icac.cat/recerca/projectes-de-recerca/projecte/20942/)

[Archaeological report 2016](https://www.researchgate.net/publication/311705780_Archaeological_report_-2016-_of_excavation_in_the_visigothic_settlement_of_Valencia_la_Vella_Riba-roja_del_Turia_Valencian_Country_Spain?_iepl%5BviewId%5D=XzB9abVr2fOR1kpvvnyc8cX4&_iepl%5Bcontexts%5D%5B0%5D=projectUpdatesLog&_iepl%5BtargetEntityId%5D=PB%3A311705780&_iepl%5BinteractionType%5D=publicationTitle)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226746
title: 8. Sector 1000. Walls partial model (2016)

description: [Scientific Project](http://www.icac.cat/recerca/projectes-de-recerca/projecte/20942/)

[Archaeological report 2016](https://www.researchgate.net/publication/311705780_Archaeological_report_-2016-_of_excavation_in_the_visigothic_settlement_of_Valencia_la_Vella_Riba-roja_del_Turia_Valencian_Country_Spain?_iepl%5BviewId%5D=XzB9abVr2fOR1kpvvnyc8cX4&_iepl%5Bcontexts%5D%5B0%5D=projectUpdatesLog&_iepl%5BtargetEntityId%5D=PB%3A311705780&_iepl%5BinteractionType%5D=publicationTitle)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226747
title: Medieval Door, Aldobrandeschi Castle. Arcidosso

description: Medieval door frame with text on lintel, located on the second floor  of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. Medieval door frame with text on lintel, located on the second floor  of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. The door gives access and is probably contemporary to the 'new palace' built at the castle in the early 17th c. [source: N. Nanni, 1998]

The latin inscription commemorates Martino Fortunio acting for Ferdinando de Medici, and is referred to the realization of the jail's staircase in 1595
FERDINANDI MAGNI GRATIA FORTUNIO MARTINO PRAETORE AEDES SCALAE CARCERES; ADMDXCV


Model was created in Reality Capture using 188 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226748
title: Medieval Door, Aldobrandeschi Castle. Arcidosso

description: Medieval door frame with text on lintel, located on the second floor  of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. Medieval door frame with text on lintel, located on the second floor  of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. The door gives access and is probably contemporary to the 'new palace' built at the castle in the early 17th c. [source: N. Nanni, 1998]

The latin inscription commemorates Martino Fortunio acting for Ferdinando de Medici, and is referred to the realization of the jail's staircase in 1595
FERDINANDI MAGNI GRATIA FORTUNIO MARTINO PRAETORE AEDES SCALAE CARCERES; ADMDXCV


Model was created in Reality Capture using 188 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226749
title: CincoPisos Edzna

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226750
title: CincoPisos Edzna

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226752
title: Drinking Fountain Holy Trinity Brompton

description: A drinking fountain in the north west corner of the gardens (churchyard) of Holy Trinity Brompton, London.

Date: 1955

http://www.mdfcta.co.uk/details-f/f357.html

107 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.
Really tricky to photograph the back properly because it is in a bush by a fence.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226751
title: Drinking Fountain Holy Trinity Brompton

description: A drinking fountain in the north west corner of the gardens (churchyard) of Holy Trinity Brompton, London.

Date: 1955

http://www.mdfcta.co.uk/details-f/f357.html

107 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.
Really tricky to photograph the back properly because it is in a bush by a fence.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226755
title: Butter Churn

description: Part of Comann Eachdraidh Uibhist a Tuath (Historical Society of North Uist) heritage collection.

# North Uist Historical Society

Known as CEUT, this dynamic local history society was formed in October 1987 and has gradually built up a collection of objects, photographs and sound archives that reflect the social history of North Uist. Currently there is a committee of 12 that meet monthly at Taigh Chearsabhagh that are supported by a wider membership of over 300 people. CEUT are responsible for planning the heritage related exhibitions and events at Taigh Chearsabhagh including the annual main exhibition in the Museum and several temporary displays in Gallery 2 which is shared on rotation with the arts programme.

http://www.taigh-chearsabhagh.org/heritage/ceut-north-uist-historical-societ/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226756
title: Butter Churn

description: Part of Comann Eachdraidh Uibhist a Tuath (Historical Society of North Uist) heritage collection.

# North Uist Historical Society

Known as CEUT, this dynamic local history society was formed in October 1987 and has gradually built up a collection of objects, photographs and sound archives that reflect the social history of North Uist. Currently there is a committee of 12 that meet monthly at Taigh Chearsabhagh that are supported by a wider membership of over 300 people. CEUT are responsible for planning the heritage related exhibitions and events at Taigh Chearsabhagh including the annual main exhibition in the Museum and several temporary displays in Gallery 2 which is shared on rotation with the arts programme.

http://www.taigh-chearsabhagh.org/heritage/ceut-north-uist-historical-societ/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226758
title: Pictish stone (cast), Meigle Museum, Angus

description: This model shows the cast of the base of a Pictish stone which was originally carved with cup and ring markings. A number of these motifs have now been lost as they are set into the concrete base used to support the slab. However, this cast shows what they once looked like. For the full slab see: https://sketchfab.com/3d-models/pictish-slab-later-re-use-meigle-museum-angus-3146a4c2c4704158877071dfad0d4bf8
For more information, see: https://canmore.org.uk/site/30838/meigle
And see: https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=C639207A-3A8C-4F4F-980C282E00102B6B

Accreditation: ScRAP ©HES.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226757
title: Pictish stone (cast), Meigle Museum, Angus

description: This model shows the cast of the base of a Pictish stone which was originally carved with cup and ring markings. A number of these motifs have now been lost as they are set into the concrete base used to support the slab. However, this cast shows what they once looked like. For the full slab see: https://sketchfab.com/3d-models/pictish-slab-later-re-use-meigle-museum-angus-3146a4c2c4704158877071dfad0d4bf8
For more information, see: https://canmore.org.uk/site/30838/meigle
And see: https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=C639207A-3A8C-4F4F-980C282E00102B6B

Accreditation: ScRAP ©HES.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226759
title: 156609 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156609
Description: seal
Notes: long-horned antelope (3) in file to left.
Materials: stone; serpentine
Time Period: Jemdet Nasr
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 3036, 88265, 85646
City/Town: Jemdet Nasr
Collector/Source: Excavations at Kish, Iraq 

[https://collections-anthropology.fieldmuseum.org/catalogue/1366084](http://)

Photography: JP Brown 
Image generation: JP Brown
Metashape Pro: Sam
Meshlab 2016.12: Sam 
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10226760
title: 156609 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156609
Description: seal
Notes: long-horned antelope (3) in file to left.
Materials: stone; serpentine
Time Period: Jemdet Nasr
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 3036, 88265, 85646
City/Town: Jemdet Nasr
Collector/Source: Excavations at Kish, Iraq 

[https://collections-anthropology.fieldmuseum.org/catalogue/1366084](http://)

Photography: JP Brown 
Image generation: JP Brown
Metashape Pro: Sam
Meshlab 2016.12: Sam 
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab