cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10318134
title: B-29 Over Exposed Fuselage

description: This is a photogrammetry scan of the remains of the fuselage from the crash site of Over Exposed, a Boeing RB-29A Superfortress. It was used as a photographic plane and took photos of some of the nuclear tests at Bikini Atoll. Sadly none of the crew members survived the crash.

More info on the history can be found here: https://en.wikipedia.org/wiki/Bleaklow_Bomber

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318135
title: B-29 Over Exposed Fuselage

description: This is a photogrammetry scan of the remains of the fuselage from the crash site of Over Exposed, a Boeing RB-29A Superfortress. It was used as a photographic plane and took photos of some of the nuclear tests at Bikini Atoll. Sadly none of the crew members survived the crash.

More info on the history can be found here: https://en.wikipedia.org/wiki/Bleaklow_Bomber

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318136
title: Platos gemelos de estilo Inca

description: Material: Cerámica

Cultura/Estilo: Inca

Datación: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318137
title: Platos gemelos de estilo Inca

description: Material: Cerámica

Cultura/Estilo: Inca

Datación: Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318138
title: Stone Pipe (2101a243)

description: **Stone pipe**

Location: Lowder's Ferry site (31St7), Stanly County, North Carolina.

Period: Late Woodland, Uwharrie phase (AD 800-1200).

Material: chlorite schist.

Dimensions: length, 70.3 mm; width, 29 mm; height, 64.1 mm.

Notes: Catalog no. 2101a243.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318141
title: Bible - New World Translation

description: New World Translation of the Holy Scriptures
published by [Jehovah's Witnesses](http://jw.org)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318139
title: Stone Pipe (2101a243)

description: **Stone pipe**

Location: Lowder's Ferry site (31St7), Stanly County, North Carolina.

Period: Late Woodland, Uwharrie phase (AD 800-1200).

Material: chlorite schist.

Dimensions: length, 70.3 mm; width, 29 mm; height, 64.1 mm.

Notes: Catalog no. 2101a243.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318140
title: Bible - New World Translation

description: New World Translation of the Holy Scriptures
published by [Jehovah's Witnesses](http://jw.org)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318145
title: DHDownunder_Model

description: Description here ??

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318144
title: DHDownunder_Model

description: Description here ??

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318146
title: Sextant Low Poly

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318147
title: Sextant Low Poly

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318148
title: Drinking Fountain British Museum Entrance Right

description: Drinking fountain located by right side of main entrance to British Museum.

Erected 1860.

http://www.mdfcta.co.uk/details-f/f226.html

83 photos taken in Nevember 2018 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318149
title: Drinking Fountain British Museum Entrance Right

description: Drinking fountain located by right side of main entrance to British Museum.

Erected 1860.

http://www.mdfcta.co.uk/details-f/f226.html

83 photos taken in Nevember 2018 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318150
title: Islamic Lamp Fragment, Calatrava la Vieja

description: "Piquera" lamp fragment from Calatrava la Vieja, Castilla-La Mancha, Spain. Taifa period (11th century). This artifact was found in the 2018 excavations in the south-east sector of the medina, next to the western wall of the alcázar. This kind of lamps ("qandil" or "misbah" in arabic),inheriting of the roman lamps ("lucernas"), were handle lamps that operated by burning vegetable oils, mainly used for domestic illumination. These elements were part of the trousseau of the medieval islamic houses, and in addition to their functional value had an outstanding symbolic value, as it represented the triumph of light over darkness and the faith of the believer. Catalog No. CV 18 26 998. Proceswed and modeled in Reality Capture from 148 photos.

Retuerce Velasco, M. (1998): La cerámica andalusí de la Meseta. Madrid.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318151
title: Islamic Lamp Fragment, Calatrava la Vieja

description: "Piquera" lamp fragment from Calatrava la Vieja, Castilla-La Mancha, Spain. Taifa period (11th century). This artifact was found in the 2018 excavations in the south-east sector of the medina, next to the western wall of the alcázar. This kind of lamps ("qandil" or "misbah" in arabic),inheriting of the roman lamps ("lucernas"), were handle lamps that operated by burning vegetable oils, mainly used for domestic illumination. These elements were part of the trousseau of the medieval islamic houses, and in addition to their functional value had an outstanding symbolic value, as it represented the triumph of light over darkness and the faith of the believer. Catalog No. CV 18 26 998. Proceswed and modeled in Reality Capture from 148 photos.

Retuerce Velasco, M. (1998): La cerámica andalusí de la Meseta. Madrid.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318152
title: Dandy

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318153
title: Dandy

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318154
title: Syrian Temple of Baalshamin

description: Syrian temple of Baalshamin, once located in the Palmyra region.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318155
title: Syrian Temple of Baalshamin

description: Syrian temple of Baalshamin, once located in the Palmyra region.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318156
title: Turas Station 10 - DG080-014001

description: Stad 10 Siúlann an t-oilithreach soir ó dheas go dtí an bealach mór, áit a dtíontaíonn sé ar chlé agus imíonn leis go ceann 400 méadar. Tá carnán beag le feiceáil aige ina sheasamh ar thaobh an bhealaigh sula dtagann sé fhad leis an bhóithrín i mbaile fearainn Dhroim Rua. 'Baile na nDeamhan' a thugtar ar an bhaile fearainn seo fosta de bhrí go bhfuil iomrá air mar an áit a ndeachaigh le Colm Cille na deamhna a dhíbirt isteach san fharraige thiar nuair a chaith sé a chloigin leo. Tá lagan san áit seo ar a dtugtar Lag an Chloig.

 Station 10 The pilgrim walks to the main road, walking left 400 metres, a small cairn lies, on the left, at the side of the road at the lane in the townland of Droim Rua. This townland was also known as Baile na nDeamhan and is reputed to be the place where Colm Cille finally drove the demons into the ocean by throwing his bell after them. 
 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318157
title: Turas Station 10 - DG080-014001

description: Stad 10 Siúlann an t-oilithreach soir ó dheas go dtí an bealach mór, áit a dtíontaíonn sé ar chlé agus imíonn leis go ceann 400 méadar. Tá carnán beag le feiceáil aige ina sheasamh ar thaobh an bhealaigh sula dtagann sé fhad leis an bhóithrín i mbaile fearainn Dhroim Rua. 'Baile na nDeamhan' a thugtar ar an bhaile fearainn seo fosta de bhrí go bhfuil iomrá air mar an áit a ndeachaigh le Colm Cille na deamhna a dhíbirt isteach san fharraige thiar nuair a chaith sé a chloigin leo. Tá lagan san áit seo ar a dtugtar Lag an Chloig.

 Station 10 The pilgrim walks to the main road, walking left 400 metres, a small cairn lies, on the left, at the side of the road at the lane in the townland of Droim Rua. This townland was also known as Baile na nDeamhan and is reputed to be the place where Colm Cille finally drove the demons into the ocean by throwing his bell after them. 
 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318158
title: Solomons Temple

description: for testing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318159
title: Solomons Temple

description: for testing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318160
title: Aríbalo inca procedente de Pachacamac

description: Material: Cerámica

Cultura/Estilo: Inca

Datación: Horizaonte Tardío (1,476 d.c. - 1,532 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318161
title: Aríbalo inca procedente de Pachacamac

description: Material: Cerámica

Cultura/Estilo: Inca

Datación: Horizaonte Tardío (1,476 d.c. - 1,532 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318162
title: DStr. San Gennaro Catacomb  Fresco, Napoli (19a)

description: DStretch Ver.

The arched niche (arcosolium) for 4 burials is located in a hypogeum (a subsurface ground of greater size) in the upper level of the catacombs. The niche is currently dated in the 3rd century AD. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. Paintings: A red-green frame system divides the surface in geometrical motives, in which different objects are placed such as birds, flowers, vessels (some with fruits), festoons and  – bottom right –  a ram with a thyrsus (a rod which is the attribute of Dionysus and his companions). A recess on the left side was the place for a lamp.   GDH ID Fresco 19a.

Processed from 339 photos and 3 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster. Project # Fresco 19a.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318163
title: DStr. San Gennaro Catacomb  Fresco, Napoli (19a)

description: DStretch Ver.

The arched niche (arcosolium) for 4 burials is located in a hypogeum (a subsurface ground of greater size) in the upper level of the catacombs. The niche is currently dated in the 3rd century AD. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. Paintings: A red-green frame system divides the surface in geometrical motives, in which different objects are placed such as birds, flowers, vessels (some with fruits), festoons and  – bottom right –  a ram with a thyrsus (a rod which is the attribute of Dionysus and his companions). A recess on the left side was the place for a lamp.   GDH ID Fresco 19a.

Processed from 339 photos and 3 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster. Project # Fresco 19a.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318164
title: Realistic Barrel 01 (8k)

description: This is a realistic wine based barrel model, this realistic model was inspired by the 17th century. 

You can contact us via: granddogstudiohelp@gmail.com

** Please do not forget to credit us for using this model.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318165
title: Realistic Barrel 01 (8k)

description: This is a realistic wine based barrel model, this realistic model was inspired by the 17th century. 

You can contact us via: granddogstudiohelp@gmail.com

** Please do not forget to credit us for using this model.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318166
title: Kirk 5946 (LS-20)

description: Surface collection (Allendale County, SC).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318167
title: Kirk 5946 (LS-20)

description: Surface collection (Allendale County, SC).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318170
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Ceramic Iberian cinerary urn from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000079.2. Processed in Reality Capture from 636 images.

Provenience: Sector IV-E. Necropolis I (Grave 3)

Date: 7th and 6th centuries BCE

Citation:  "Alarcos en Época Ibérica: poblamiento, economía y sociedad", 2014: 75-78.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318171
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Ceramic Iberian cinerary urn from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000079.2. Processed in Reality Capture from 636 images.

Provenience: Sector IV-E. Necropolis I (Grave 3)

Date: 7th and 6th centuries BCE

Citation:  "Alarcos en Época Ibérica: poblamiento, economía y sociedad", 2014: 75-78.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318173
title: Sant Joan de Boí. Vall de Boí

description: **CAT** L'església de Sant Joan de Boí, com la majoria d'esglésies romàniques, en origen, tenia estructura de planta basilical, tres naus amb tres absis orientats cap a l'est i coberta de fusteria. Es troba a ponent de la vila de Boí. És Patrimoni Mundial de la UNESCO des de l'any 2000.

**ES** La iglesia de Sant Joan de Boí, como la mayoría de iglesias románicas, en origen, tenía estructura de planta basilical, tres naves con tres ábsides orientados hacia el este y cubierta de carpintería.  Se encuentra a poniente del pueblo de Boí. Es Patrimonio Mundial de la UNESCO desde el año 2000.

**EN** Like most Romanesque churches, Sant Joan de Boí has a basilica plan with three naves, three eastward-facing apses and a wooden roof. It is found to the west of the town of Boí. It is a World Heritage Site since 2000.

https://www.centreromanic.com/

Model: Burzon-Comenge. Textos: Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318172
title: Sant Joan de Boí. Vall de Boí

description: **CAT** L'església de Sant Joan de Boí, com la majoria d'esglésies romàniques, en origen, tenia estructura de planta basilical, tres naus amb tres absis orientats cap a l'est i coberta de fusteria. Es troba a ponent de la vila de Boí. És Patrimoni Mundial de la UNESCO des de l'any 2000.

**ES** La iglesia de Sant Joan de Boí, como la mayoría de iglesias románicas, en origen, tenía estructura de planta basilical, tres naves con tres ábsides orientados hacia el este y cubierta de carpintería.  Se encuentra a poniente del pueblo de Boí. Es Patrimonio Mundial de la UNESCO desde el año 2000.

**EN** Like most Romanesque churches, Sant Joan de Boí has a basilica plan with three naves, three eastward-facing apses and a wooden roof. It is found to the west of the town of Boí. It is a World Heritage Site since 2000.

https://www.centreromanic.com/

Model: Burzon-Comenge. Textos: Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318174
title: MONTE OLIMPO

description: monte olimpo basico feito no blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318175
title: MONTE OLIMPO

description: monte olimpo basico feito no blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318176
title: ROI007-265-01

description: Saint Albans Point collected in Wabash County, Indiana.

Catalog # 12-Wb-151-1

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI007-265-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, By William Wepler and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318177
title: ROI007-265-01

description: Saint Albans Point collected in Wabash County, Indiana.

Catalog # 12-Wb-151-1

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI007-265-01, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, By William Wepler and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318178
title: La Reine Victoria - Érigé Par les Peuple

description: # Statue of Queen Victoria

Erected by the people of Jersey to celebrate the Golden Jubilee of Queen Victoria, this statue was originally situated at the Weighbridge. It was moved in 1976 to it's current location by the Grand Hotel.

The Statue was sculpted by G. WALLET and cast in Paris 1889  by Thiébaut Frères Fondeurs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318179
title: La Reine Victoria - Érigé Par les Peuple

description: # Statue of Queen Victoria

Erected by the people of Jersey to celebrate the Golden Jubilee of Queen Victoria, this statue was originally situated at the Weighbridge. It was moved in 1976 to it's current location by the Grand Hotel.

The Statue was sculpted by G. WALLET and cast in Paris 1889  by Thiébaut Frères Fondeurs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318180
title: Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah. Three wild asses and a probable anthropomorph. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318181
title: Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph J25 Khatm Al Melaha, Kalba, Sharjah. Three wild asses and a probable anthropomorph. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318184
title: Elastolin scene knights

description: Die erste eingestellte Szene. Weitere folgen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318185
title: Elastolin scene knights

description: Die erste eingestellte Szene. Weitere folgen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318186
title: Olla Monócroma Chimú

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318187
title: Olla Monócroma Chimú

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318188
title: huntingCamp

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318189
title: huntingCamp

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318190
title: Hillsboro Simple Stamped Jar (80p645,p902)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 130.9 mm; width, 108.7 mm; thickness, 6.4 mm.

Notes: Catalog no. 80p645, p902 (Vessel L), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318191
title: Hillsboro Simple Stamped Jar (80p645,p902)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 130.9 mm; width, 108.7 mm; thickness, 6.4 mm.

Notes: Catalog no. 80p645, p902 (Vessel L), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318194
title: Stone sculpture of a lion

description: Photo scan of stone sculpture of a lion in stone. If there are difficulties in importing or other problems, write!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318195
title: Stone sculpture of a lion

description: Photo scan of stone sculpture of a lion in stone. If there are difficulties in importing or other problems, write!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318196
title: 'Ape & Child' Gargoyle. Lynch's Castle Galway.

description: 15thC panel coat of arms King Henry VII (1457–1509) & 'Ape rescuing child' gargoyle. 3D modeled for building restoration project.  Generated using high resolution DSLR photography, Structure from Motion (SfM) software & 3D laser scanning survey cFMMLTD2014

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318197
title: 'Ape & Child' Gargoyle. Lynch's Castle Galway.

description: 15thC panel coat of arms King Henry VII (1457–1509) & 'Ape rescuing child' gargoyle. 3D modeled for building restoration project.  Generated using high resolution DSLR photography, Structure from Motion (SfM) software & 3D laser scanning survey cFMMLTD2014

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318198
title: Prison of the death (modular asset project)

description: project that i got from my school to make modular asset and i made an old prisoner, where there is a witch that tried to summon a demon. i make all of the asset and the concept.
-i make the concept
-modeling
-uv
-texturing (substance)
-lighting
-render

Collaboration Audio with: Emil Ribeiro

Source: Objaverse 1.0 / Sketchfab