cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/impa-m9
title: View of forest village, Madagascar, ca. 1865-1885

description: One of four views from album page entitled " Forest Villages"; John Parrett served as a printer for the London Missionary Society in Madagascar from 1862 to 1885, first at the capital Tananarive [now Antananarivo] then, following a period of furlough in England from 1873 to 1875, at Amparibe. Parrett sailed to Madagascar in 1862 as part of a large missionary party comprising Dr and Mrs Andrew Davidson , Mr and Mrs Robert Toy, schoolmaster Charles Thomas Stagg and Mrs Stagg, Reverend John Duffus and Reverend William Edward Cousins. The party was sent to aid Reverend William Ellis who had pioneered the re-introduction of missionaries to Madagascar in 1862 on the accession of King Radama II to the throne, following the death of Queen Ranavalona I in 1861.
DOI: 10.25549/impa-m906
title: View of group outside teacher's house, Kabadi district, Papua New Guinea, ca. 1890

description: "House of Timateo, Teacher in the Kabadi Diatrict. " [also spelt Timoteo]. Timateo with fellow South Sea teacher, Sii.; Many of the teachers and evangelists used in the Papuan field by the LMS were Christians converted by LMS missionary work in the South Sea islands. W.G. Lawes had previously served as a missionary in Niue. A large number of these South Sea teachers died as a result of illness contracted in their new location. --- One of 113 albumen prints from an album by W. G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906.  Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m904
title: View of group outside mission house, Kerepunu, Papua New Guinea, ca. 1890

description: "Mission House, Kerupunu. Rev. A Pearse, Mrs. Lawes, Mrs. Pearse". Group on verandah of mission house.; Albert Pearse served in Papua New Guinea from 1887 to 1907, after having served in the Soutrh Seas from 1870. --- Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906.  Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m905
title: View of group outside church, Lealea, Papua New Guinea, ca. 1890

description: "Native Church, Lealea, and Native Teacher." Group standing outside church hut on shore. Indigenous teacher stands in foreground.; One of 113 albumen prints from an album by W. G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m901
title: Portrait of wedding party, Papua New Guinea, ca. 1890

description: "Wedding Party at Port Moresby". Group of indigenous Christians including bride and groom.; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m900
title: Portrait of LMS New Guinea Committee, Papua New Guinea, 1889-1890

description: "New Guinea Committee, 1889-90. A Pearse, A.E. Hunt, E.B. Savage, H.M.Dauncey, F.W.Walker, W.G. Lawes, J. Chalmers."; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m903
title: View of missionary's house, Port Moresby, Papua New Guinea, ca. 1890

description: "Mr. F. Lawes' House, Port Moresby." Exterior view with young men standing outside.; One of 113 albumen prints mounted in ana album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m908
title: View of girls carrying water pots in village, Kabadi district, Papua New Guinea, ca. 1890

description: "View at Matapaila, Kabadi District".; One of 113 albumen prints from an album by W. G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m916
title: Group portrait of female members of mission,  Kalaigolo, Papua New Guinea, ca.1908-1910

description: "Missionary's wife, Teacher's wife and girls, Kalaigolo." Group portrait of Mary Schlencker with her daughter Lucy and wife of South Sea teacher with women and girls.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m892
title: Portrait of missionary workers and their wives, Papua New Guinea, ca. 1885

description: "Mrs Lawes, Mr. and Mrs. Smithurst, Capt. Runsie, (of the Ellengowan) and C.H. Lawes." Group portrait of missionary workers and their families in garden.; Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906.  Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m885
title: Decorated canoe prows, Papua New Guinea, ca. 1890

description: "East End Canoe Prows".; Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906.  Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m914
title: Group portrait of villagers, Boku, Papua New Guinea, ca. 1908-1910

description: "A Boku Village". Group of standing and seated villagers in clearing in front of houses.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m917
title: H.P. Schlencker and wife on horses,  Kalaigolo, Papua New Guinea, ca. 1908-1910

description: "Missionary and wife - off inland." Henry Percy Schlencker and Mary Schlencker on horseback at start of a journey into the inland territories of eastern Papua New Guinea to carry out missionary work.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m921
title: Still life of orchids, Papua New Guinea, ca. 1908-1910

description: "Inland Orchid". Still life of orchid against patterned background.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m919
title: Group outside students' house, Boku, Papua New Guinea, ca. 1908-1910

description: "Students' House - Boku". Group including Mary and Lucy Schlencker with teachers' wives, men and women on verandah and outside house in village.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m915
title: Mission house, Kalaigolo, Papua New Guinea, ca. 1908-1910

description: "Kalaigolo house." Distant view of mission house with Mary Schlencker and household members on verandah.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m896
title: Profile portrait of indigenous woman, Papua New Guinea, ca. 1890

description: "Port Moresby Girl." Profile portrait of woman.; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m888
title: Still life of clubs, Papua New Guinea, ca. 1890

description: "Clubs"; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m882
title: Still life of mask, Papua New Guinea, ca. 1890

description: "Mask, from the Torres Straits"; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m895
title: Portrait of man, Port Moresby, Papua New Guinea, ca. 1890

description: "Port Moresby Boy". Portrait of man. Cartes-de-visite style print.; One of 113 albumen prints mounted in an album by W.G. Lawes. Formerly the first resident missionary on the South Sea island of Niue, Lawes transferred to Papua New Guinea in 1874 until his retirement in 1906. Lawes was a pioneer missionary photographer, and the first permanent non-indigenous resident of Papua New Guinea. He created the first photographic images of the islands and its peoples as well as images of missionary work, which were distributed commercially through Henry King of Sydney. Lawes' knowledge of, and role in, Papuan life was also of paramount importance to other photographers, particularly those of colonial government and expeditionary parties, such as the Australia-based professional photographer J. W. Lindt, who acknowledged the decisive role that Lawes played in facilitating his visit to Papua New Guinea and the photographic work he was able to carry out.
DOI: 10.25549/impa-m932
title: Portrait of South Sea teacher and wife with mission children,  Kalaigolo, Papua New Guinea, ca. 1908-1910

description: "S.S. Teacher, wife and Mission children - Kalaigolo". Portrait of teacher and wife surrounded by students.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m928
title: Group portrait of mission boys, Boku, Papua New Guinea, ca. 1908-1910

description: "Mission boys - Boku". Group portrait of four boys in uniform sarongs outside.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m924
title: Still life of Hoya plant, Papua New Guinea, ca. 1908-1910

description: "Hoya". Close-up still life of plant.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m927
title: Group standing in bush clearing, Boku, Papua New Guinea, ca. 1908-1910

description: "Bush scene near Boku house.". Mary Schlencker with her two children and another Western woman and group of indigenous men and women. Photograph taken from a distance.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.
DOI: 10.25549/impa-m929
title: Group portrait of school students and teachers, Kalaigolo, Papua New Guinea, ca. 1908-1910

description: "School Treat - Kalaigolo". Large group portrait of missionary, teachers and students.; One of 27 prints mounted on 14 loose album pages by H.P. Schlencker. Schlencker served the L.M.S. in Papua New Guinea from 1895 to 1926, initially at Isuleilei until 1900 when he began work inland. He married Mary in 1905 and continued his work in the Boku and Kalaigolo areas until 1910. Schlencker employed the "settlement" principle of taking children, and sometime adults, away from their villages and families to live with the Christian community at the missionary's house as a method of converting the population, and ensuring they continued to lead a Christian life following their conversion.