cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5517/ccdc.csd.cc272yw5
title: CCDC 2058427: Experimental Crystal Structure Determination

description: Related Article: Okan Ucar, Anita M. Grześkiewicz, Christina Banti, Sotiris K. Hadjikakou, Ibrahim I. Ozturk|2021|J.Mol.Struct.|1235|130270|doi:10.1016/j.molstruc.2021.130270
DOI: 10.5517/ccdc.csd.cc2799tp
title: CCDC 2064532: Experimental Crystal Structure Determination

description: Related Article: Jiacheng Ji, Chang Liu, Xuhui He, Guilin Chen, Luping Qin, Chengjian Zheng|2021|Fitoterapia|151|104874|doi:10.1016/j.fitote.2021.104874
DOI: 10.21227/z92q-j790
title: Forecast for January 29

description: Forecast for January 29
DOI: 10.5281/zenodo.4641790
title: SciExpeM - 10.5281/zenodo.4641790

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou , Paul Marshall , Peter Glarborg
DOI: 10.5281/zenodo.4641789
title: SciExpeM - 10.5281/zenodo.4641790

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou , Paul Marshall , Peter Glarborg
DOI: 10.5281/zenodo.4641803
title: SciExpeM - 10.5281/zenodo.4641803

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou , Paul Marshall , Peter Glarborg
DOI: 10.5281/zenodo.4641802
title: SciExpeM - 10.5281/zenodo.4641803

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou , Paul Marshall , Peter Glarborg
DOI: 10.21227/7n2n-ht93
title: January-29-Basu-Sukanta

description: January-29-Basu-Sukanta
DOI: 10.6084/m9.figshare.13241441
title: Corticosteroids and bone health in people with asthma: a systematic review and meta-analysis

description: https://doi.org/10.1016/j.rmed.2021.106374<br>BackgroundUnderstanding the potential deleterious effects of corticosteroids on bone health in people with asthma is important when making treatment decisions. There is a need for clearer evidence to better quantify the risk and effect size.MethodsDatabases were systematically searched to identify studies reporting on bone mineral density (BMD) measurement and risk of osteoporosis or fracture, comparing people with asthma exposed to inhaled (ICS) or oral (OCS) corticosteroids, with nonexposed people with asthma and healthy controls. Data were narratively synthesized, and a series of meta-analyses were performed using the random-effects inverse variance method. ResultsThis review consists of 28 studies (six randomized control trials and 22 observational). There was no effect of ICS on bone loss both at spine and femoral neck in asthma. People with asthma receiving OCS were at greater risk of osteoporosis than nonexposed people with asthma (pooled HR = 1.76; 95%CI: 1.48 to 2.09; ). Similarly, higher ICS exposure was associated with higher risk of osteoporosis (OR=1.63; 95%CI: 1.33 to 1.99) and fracture (pooled OR=1.19; 95%CI: 1.05 to 1.35; ) when comparing people with asthma receiving ICS and not.ConclusionPatients with asthma exposed to OCS or high ICS doses become more susceptible to bone comorbidities. Striking the right balance between efficacy and safety of steroids in asthma is important to improve patients’ quality of life.
DOI: 10.6084/m9.figshare.13241441.v1
title: Corticosteroids and bone health in people with asthma: a systematic review and meta-analysis

description: https://doi.org/10.1016/j.rmed.2021.106374<br>BackgroundUnderstanding the potential deleterious effects of corticosteroids on bone health in people with asthma is important when making treatment decisions. There is a need for clearer evidence to better quantify the risk and effect size.MethodsDatabases were systematically searched to identify studies reporting on bone mineral density (BMD) measurement and risk of osteoporosis or fracture, comparing people with asthma exposed to inhaled (ICS) or oral (OCS) corticosteroids, with nonexposed people with asthma and healthy controls. Data were narratively synthesized, and a series of meta-analyses were performed using the random-effects inverse variance method. ResultsThis review consists of 28 studies (six randomized control trials and 22 observational). There was no effect of ICS on bone loss both at spine and femoral neck in asthma. People with asthma receiving OCS were at greater risk of osteoporosis than nonexposed people with asthma (pooled HR = 1.76; 95%CI: 1.48 to 2.09; ). Similarly, higher ICS exposure was associated with higher risk of osteoporosis (OR=1.63; 95%CI: 1.33 to 1.99) and fracture (pooled OR=1.19; 95%CI: 1.05 to 1.35; ) when comparing people with asthma receiving ICS and not.ConclusionPatients with asthma exposed to OCS or high ICS doses become more susceptible to bone comorbidities. Striking the right balance between efficacy and safety of steroids in asthma is important to improve patients’ quality of life.
DOI: 10.6084/m9.figshare.13482318.v1
title: Impact of COVID-19 on corticosteroids and antibiotics prescribing in England: an interrupted time series analysis

description: http://dx.doi.org/10.1093/pubmed/fdab017<br><br>On March 11, the WHO declared that the novel SARS-CoV-2 virus was at pandemic levels. In the UK, a number of public health measures such as social distancing and lockdown were introduced to minimise viral transmission. We sought to assess whether or not the initial outbreak of COVID-19 was associated with a change in the prescription rates of ICS, prednisolone, and antibiotics in primary care in England.<br>Find the datasets and R scripts used for each medication analysis separately to confirm our results.
DOI: 10.6084/m9.figshare.13482318
title: Impact of COVID-19 on corticosteroids and antibiotics prescribing in England: an interrupted time series analysis

description: http://dx.doi.org/10.1093/pubmed/fdab017<br><br>On March 11, the WHO declared that the novel SARS-CoV-2 virus was at pandemic levels. In the UK, a number of public health measures such as social distancing and lockdown were introduced to minimise viral transmission. We sought to assess whether or not the initial outbreak of COVID-19 was associated with a change in the prescription rates of ICS, prednisolone, and antibiotics in primary care in England.<br>Find the datasets and R scripts used for each medication analysis separately to confirm our results.
DOI: 10.6084/m9.figshare.11590707
title: A retrospective database study of oral corticosteroid and bisphosphonate prescribing patterns in England

description: https://rdcu.be/b1DHx<br><br>ABSTRACT. Exposure to oral corticosteroids (OCS) is associated with an increased risk of osteoporosis and fragility fractures. Guidelines suggest bisphosphonate (BP) therapy as the first-line treatment of glucocorticoid-induced osteoporosis (GIOP). This population study used publicly available data, including prescription annual cost analysis and monthly practice-level data. Our aim was to examine the prescribing of OCS and BP at practice level and investigate reasons for variation using a mixed-effect negative binomial regression analysis. There was a rise in OCS and BP prescriptions of 55% and 1200% from 1998 to 2018, respectively. Of the 6586 included practices, the median (IQR) of OCS and BP prescriptions were 120.8 (84.8–160.4) and 107.7 (73.8–147.4) per 1000 patients, respectively. Asthma and chronic obstructive pulmonary disease (COPD) were significantly associated with OCS use (<i>p</i> p p
DOI: 10.6084/m9.figshare.11590707.v1
title: A retrospective database study of oral corticosteroid and bisphosphonate prescribing patterns in England

description: https://rdcu.be/b1DHx<br><br>ABSTRACT. Exposure to oral corticosteroids (OCS) is associated with an increased risk of osteoporosis and fragility fractures. Guidelines suggest bisphosphonate (BP) therapy as the first-line treatment of glucocorticoid-induced osteoporosis (GIOP). This population study used publicly available data, including prescription annual cost analysis and monthly practice-level data. Our aim was to examine the prescribing of OCS and BP at practice level and investigate reasons for variation using a mixed-effect negative binomial regression analysis. There was a rise in OCS and BP prescriptions of 55% and 1200% from 1998 to 2018, respectively. Of the 6586 included practices, the median (IQR) of OCS and BP prescriptions were 120.8 (84.8–160.4) and 107.7 (73.8–147.4) per 1000 patients, respectively. Asthma and chronic obstructive pulmonary disease (COPD) were significantly associated with OCS use (<i>p</i> p p
DOI: 10.17870/bathspa.12202298
title: Forests and Trees: 300 Word Statement

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a 300 word Statement on <b>Forests and Trees </b>by Mariele Neudecker.
DOI: 10.17870/bathspa.12202298.v1
title: Forests and Trees: 300 Word Statement

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a 300 word Statement on <b>Forests and Trees </b>by Mariele Neudecker.
DOI: 10.17870/bathspa.12202274.v1
title: Forests and Trees: Research Questions & Timeline

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains Research Questions and a Research Timeline for <b>Forest and Trees </b>by<b> </b>Mariele Neudecker.
DOI: 10.17870/bathspa.12202274
title: Forests and Trees: Research Questions & Timeline

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains Research Questions and a Research Timeline for <b>Forest and Trees </b>by<b> </b>Mariele Neudecker.
DOI: 10.17870/bathspa.12155514
title: Forests and Trees: Among The Trees, Hayward Gallery, London, UK, 4th March - 17th May 2020.

description: <b>Forests and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains text detailing the artwork exhibtied, exhibition press release, information on the exhibition catalogue, 4 detailed images of the artwork and images of 4 exhibition views.<br><br>This item documents the inclusion of <b>And Then The World Changed Colour:Breathing Yellow </b>in the exhibition<b> Among The Trees</b> that opened at the Hayward Gallery on 4th March 2020. Curated by Ralph Rugof, Director of the Hayward Gallery, <b>Among The Trees</b> was an exhibition featuring key works of art, by 38 international artists, that explored how trees have shaped human civilisation and their representation in art. For a full list of participating artists in <b>Among The Trees </b>please refer to the press release in this item.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><b><br>Photography:</b> Benjamin Jones, Mark Blower and Hugo McGregor. Images used with permission courtesy of the photographers and Hayward Gallery.<br><br><b>And Then The World Changed Colour: Breathing Yellow </b>has also been exhibited in <b>Sediment</b>,<b> </b>a solo show at Limerick City Gallery of Art, Limerick, Ireland, 2019.<br><br>Neudecker's work <i>Much Was Decided</i> (2000) and '<i>because I could not stop</i>' (2002) by Anya Gallaccio's also appear in these exhibition views, with permission of the artists.<br><br>This is a link to an audio essay written in response to <b>Among the Trees including including reference to 'And Then...Breathing Yellow' </b>by the poet Holly Corfield Carr:https://soundcloud.com/southbankcentre/fly-eye-view-of-among-the-trees-hayward-gallery<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12155514.v1
title: Forests and Trees: Among The Trees, Hayward Gallery, London, UK, 4th March - 17th May 2020.

description: <b>Forests and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains text detailing the artwork exhibtied, exhibition press release, information on the exhibition catalogue, 4 detailed images of the artwork and images of 4 exhibition views.<br><br>This item documents the inclusion of <b>And Then The World Changed Colour:Breathing Yellow </b>in the exhibition<b> Among The Trees</b> that opened at the Hayward Gallery on 4th March 2020. Curated by Ralph Rugof, Director of the Hayward Gallery, <b>Among The Trees</b> was an exhibition featuring key works of art, by 38 international artists, that explored how trees have shaped human civilisation and their representation in art. For a full list of participating artists in <b>Among The Trees </b>please refer to the press release in this item.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><b><br>Photography:</b> Benjamin Jones, Mark Blower and Hugo McGregor. Images used with permission courtesy of the photographers and Hayward Gallery.<br><br><b>And Then The World Changed Colour: Breathing Yellow </b>has also been exhibited in <b>Sediment</b>,<b> </b>a solo show at Limerick City Gallery of Art, Limerick, Ireland, 2019.<br><br>Neudecker's work <i>Much Was Decided</i> (2000) and '<i>because I could not stop</i>' (2002) by Anya Gallaccio's also appear in these exhibition views, with permission of the artists.<br><br>This is a link to an audio essay written in response to <b>Among the Trees including including reference to 'And Then...Breathing Yellow' </b>by the poet Holly Corfield Carr:https://soundcloud.com/southbankcentre/fly-eye-view-of-among-the-trees-hayward-gallery<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12146145
title: Forests and Trees: And Then The World Changed Colour: Breathing Yellow, Dulwich Picture Gallery Commission, London, UK, 13th February - 2nd June 2019.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br>This item contains a document describing the artwork, a commission proposal and an exhibition press release, 5 images of exhibition views, 4 images of the construction of the commission and an external link to a short video of the artist talking about the commission.<br>This item documents the exhibition of <b>And Then the World Changed Colour: Breathing Yellow</b>', a sculptural installation commissioned for the mausoleum at Dulwich Picture Gallery, London and displayed as part of the exhibition, <b>Painting Norway</b> (13 February – 2 June 2019), of work by the Norwegian artist, <b>Harald Sohlberg </b>(1869 - 1935).<br><br>The exhibition was curated by Kathleen Soriano.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><br><b>To view Mariele Neudecker's introductory talk on the commission please click the link: https://www.youtube.com/watch?v=fShcu87sS_4<br></b><b><br>Photography</b>: Benjamin Jones. Images used with permission courtesy of the photographer and Dulwich Picture Gallery.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b> was also exhibited in <b>SEDIMENT</b> (2019), Limerick City Gallery of Art, Limerick, Ireland and in <b>Among the Trees</b>, (2020) curated by Ralph Rugoff, Hayward Gallery, London.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b>
DOI: 10.17870/bathspa.12146145.v1
title: Forests and Trees: And Then The World Changed Colour: Breathing Yellow, Dulwich Picture Gallery Commission, London, UK, 13th February - 2nd June 2019.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br>This item contains a document describing the artwork, a commission proposal and an exhibition press release, 5 images of exhibition views, 4 images of the construction of the commission and an external link to a short video of the artist talking about the commission.<br>This item documents the exhibition of <b>And Then the World Changed Colour: Breathing Yellow</b>', a sculptural installation commissioned for the mausoleum at Dulwich Picture Gallery, London and displayed as part of the exhibition, <b>Painting Norway</b> (13 February – 2 June 2019), of work by the Norwegian artist, <b>Harald Sohlberg </b>(1869 - 1935).<br><br>The exhibition was curated by Kathleen Soriano.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><br><b>To view Mariele Neudecker's introductory talk on the commission please click the link: https://www.youtube.com/watch?v=fShcu87sS_4<br></b><b><br>Photography</b>: Benjamin Jones. Images used with permission courtesy of the photographer and Dulwich Picture Gallery.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b> was also exhibited in <b>SEDIMENT</b> (2019), Limerick City Gallery of Art, Limerick, Ireland and in <b>Among the Trees</b>, (2020) curated by Ralph Rugoff, Hayward Gallery, London.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b>
DOI: 10.17870/bathspa.12161835
title: Forests and Trees: Sediment at the Limerick City Gallery of Art, Limerick, Ireland, 6th September - 17th November 2019.

description: <b>Forests and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains 6 exhibition views, a press release and contextual information on the featured artwork.<br><br>The images and text in this item document the inclusion of <b>And the World Changed Colour:Breathing Yellow </b>in<b> 'Sediment', </b>a solo survey exhibition of Mariele Neudecker's work at Limerick City Gallery of Art in Ireland, (6th September until 17th November 2019). This exhibition touches on themes of the real and the mediated, the landscape tradition in art, environmental change, collective experience and time. <br><br><b>Sediment</b> was curated by Una McCarthy, Director, LCGA, Limerick, Ireland.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019 : 564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><br><b>Photography: </b>Benjamin Jones. Images used with permission courtesy of the photographer and Limerick City Gallery of Art.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b> was also exhibited in <b>Among the Trees</b>, (2020) curated by Ralph Rugoff, Hayward Gallery, London. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12161835.v1
title: Forests and Trees: Sediment at the Limerick City Gallery of Art, Limerick, Ireland, 6th September - 17th November 2019.

description: <b>Forests and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains 6 exhibition views, a press release and contextual information on the featured artwork.<br><br>The images and text in this item document the inclusion of <b>And the World Changed Colour:Breathing Yellow </b>in<b> 'Sediment', </b>a solo survey exhibition of Mariele Neudecker's work at Limerick City Gallery of Art in Ireland, (6th September until 17th November 2019). This exhibition touches on themes of the real and the mediated, the landscape tradition in art, environmental change, collective experience and time. <br><br><b>Sediment</b> was curated by Una McCarthy, Director, LCGA, Limerick, Ireland.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b>2019 : 564mm x 636mm x 45mmmixed media incl. glass, water, resin.<br><br><b>Photography: </b>Benjamin Jones. Images used with permission courtesy of the photographer and Limerick City Gallery of Art.<br><br><b>And Then The World Changed Colour: Breathing Yellow</b> was also exhibited in <b>Among the Trees</b>, (2020) curated by Ralph Rugoff, Hayward Gallery, London. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12206909
title: Forests and Trees: What If We All Just Stopped?, Art Basel, Germany, 2018.

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains 4 images documenting <b>What If We All Stopped?</b> a tank work made for and exhibited at Art Basel 2018. Drawing on the evocation of the sublime in German Romanticism, <b>What If We All Stopped?</b> is a section of forest, made from resin, submerged in a water solution inside a glass vitrine. It was displayed at Art Basel within a darkened chamber lit by a single beam of light aiming to highlight in the viewer a sense of the figure alone in the woods at dusk, at once immersed and detached.<br><br><b>What If We All Just Stopped?</b>, 2018Mixed media including water, acrylic medium,salt, fibre-glass71,8 × 66,1 × 174,6 cm.<br><br><b>What If We All Just Stopped? </b>was also due to be exhibited in November 2020 as part of <b>Diversity United. Contemporary European Art. Moscow. Berlin. Paris.</b>,<b> </b>a touring exhibition of 81 artists from 35 countries set up by<i> </i>The Foundation for Art and Culture, Bonn and the Tretyakov Gallery, Moscow. Due to the Covid-19 pandemic the exhibition was postponed.<br><b><br>Photography</b>: Courtesy of Pedro Cera Gallery, Lisbon, Portugal. Used with permission. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>