cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14261471
title: FOB microscopy - HeLa wildtype

description: Fluorescence, optical diffraction tomography and Brillouin microscopy data of HeLa wildtype cells.<br>
DOI: 10.17870/bathspa.14258936
title: Performance / Exile / Heritage - "Dancing Exiled Identities" Presentation & "Beyond Forgetting: Recreating Histories" Embodying Arts Research Presentation

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains a PDF of the presentation 'Dancing Exiled Identities' and a PDF of the presentation 'Beyond Forgetting: Recreating Histories'.</b><b><br></b><b>Dancing Exiled Identities Presentation:</b>Slides of presentation by T. Kampe on the work of exiled Jewish dancer/pedagogue Tile Roessler; Dance and Somatic Practices Conference, Coventry University. (07/07/2019)<br><br><b>Beyond Forgetting: Recreating Histories Presentation:</b><br>Slides of a research presentation on exile dance and cultural trauma by T. Kampe; Taiwan National University of the Arts (TNUA), Taipei. (07/11/2019)<b><br>Photographs courtesy of Thomas Kampe, Bodenweiser and McTavish Archives, Barbara Cuckson, Shona-Dunlop McTavish, Gaby Aldor and Israel Dance Library. <br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b>
DOI: 10.17870/bathspa.14258531
title: Releasing the Archive - Practices of Freedom: the Feldenkrais Method and Creativity - Journal Editorial

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b><br>This item contains a Journal Editorial by the researcher</b>.<br><b>(First published in the) ​Feldenkrais Research Journal, volume 6​</b><b>; 2018-2019</b>.<br><br>Please cite using only the original source:Kampe, T (2019) 'Practices of freedom – the Feldenkrais Method and creativity.' <i>Feldenkrais Research Journal</i>, 6. ISSN 1817-4000<br>https://feldenkraisresearchjournal.org/index.php/journal/article/view/28 <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.25387/g3.14187080
title: Supplemental Material for Lamb et al., 2021

description: This file contains legends for the supplemental figures uploaded<br>
DOI: 10.26180/14178560
title: Figure 1 data

description: Figure 1 data<br>
DOI: 10.17870/bathspa.14170664
title: Dramaturgies of Hauntology - 300 Word Statement

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations. <br>This item contains the 300-word statement for the overall research.
DOI: 10.17870/bathspa.14038916
title: Releasing the Archive - Installation: Displaced/Displayed: Re-enacting dances of migration

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><br><b>This item contains documentation of the screen based installation 'Displaced/Displayed: re-enacting dances of migration' which forms part of the output for this collection.<br><br></b>The installation was premiered as an 8 meter high installation over 30 screens on the Media Wall of Bath Spa University on the 15th of March 2017.<br><br>This work is part of the exhibition Alles Tanzt – Kosmos Wener Tanzmoderne, Theatermuseum Wien (2019/2020, Vienna.<br><br>This work has been presented at 'The Artist as Researcher' symposium at University of Bedfordshire on 6-7 June 2018; the symposium 'Beyond Forgetting 1938-2018' at Coburg University, Germany, 27-28 July 2018, and at the 'Jews and Jewishness in the Dance World Conference' at the State University of Arizona, 13-15 October 2018.<br>Artistic direction & research: Thomas Kampe<br>Editorial direction Manuela Jara<br>Choreographic research and direction: Carol Brown<br>Sound artist Russell Scoones<br>Video Artist: Meek Zuiderwyk<br>Video Assistant: Freddie Errazo<br>Dancers of The New Zealand Dance Company: Carl Tolentino, Lucy Linch, Chris Ofanoa , Katie Rudd.<br><br><b>Photographs courtesy of Thomas Kampe (dancers Carl Tolentino, Lucy Lynch, Chris Ofanoa and Katie Rudd)</b><br><br><b>Used with permission.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.6084/m9.figshare.13790260
title: Sample Data MFC Paper

description: 3 x 5-min runs under three different states of consciousness, either awake, sleep deprived (e.g., presence of NREM), and anesthesia (Ketamine/Xylazine).
DOI: 10.6084/m9.figshare.13788871
title: Sample Data MFC Paper 2

description: 3 x 5-min runs under three different states of consciousness, either awake, sleep deprived (e.g., presence of NREM), and anesthesia (Ketamine/Xylazine).
DOI: 10.6084/m9.figshare.13350614
title: ERA5 10m V velocity

description: ERA5 10m V wind velocity every 3 days 1992-2019
DOI: 10.6084/m9.figshare.13350605
title: ERA5 10m U velocity

description: ERA5 10m U wind velocity every 3 days 1992-2019
DOI: 10.6084/m9.figshare.13350602
title: ECCOv2 upper 200m V velocity

description: ECCOv2 V velocity averaged over upper 200m every 3 days 1992-2019
DOI: 10.6084/m9.figshare.13350596
title: ECCOv2 upper 200m U velocity

description: ECCOv2 U ocean velocity averaged over upper 200m every 3 days 1992-2019
DOI: 10.6084/m9.figshare.13350593
title: ECCOv2 SST

description: ECCOv2 SST every 3 days 1992-2019
DOI: 10.6084/m9.figshare.13350560
title: ECCOv2 sea ice concentration

description: ECCOv2 sea ice concentration every 3 days 1992-2019
DOI: 10.17870/bathspa.12973331
title: Performance / Exile / Heritage - One Lost Stone - Sample Images, Outline Documentation & Workshop Documentation

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains sample images and documentation providing an overview of the structure of the "One Lost Stone" project and documentation of a workshop run as part of the "One Lost Stone" project.</b><br><br>Workshop: 22/09/2019 with lay-people and professional actors, run by T.Kampeat Queen Mary University, London<br><b>Photographs of the workshop courtesy of Thomas Kampe.</b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12973322
title: Performance / Exile / Heritage - One Lost Stone - Video & Collage Examples

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains example Videos & Collages from the "One Lost Stone" Website.<br><br></b>Videos and photographs by T.Kampe, sound by R.Kozokaro.<b><br></b><br><b>Videos and Collages courtesy of Thomas Kampe, with permission from Ronen Kozokaro and the featured actors.</b><b><br></b><b>Used with permission.<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12973058
title: Performance / Exile / Heritage - Symposium: Theatre, Youth, Trauma and Europe in Crisis

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains a flyer for the Symposium "Theatre, Youth, Trauma and Europe in Crisis" which is contextualising information for this collection</b>.<br><br>Symposium on performance activism & cultural trauma, coordinated by T.Kampe and Laura Purcell-Gates in association with ‘David Glass Ensemble’( DGE). Launch of the ‘AB Project’ of DGE on reluctant history of neo-Nazi murders in Norway. Bath Spa University - 25/06/2016<br><br><b>Used with permission.</b><br><br> <b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12924536
title: Performance / Exile / Heritage - "Whispering Secrets" - Journal Article

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><b>This item contains a Journal Article which is contextualising information for this collection.</b><br> <b>Kampe, T. (2016) 'Whispering secrets', Journal of Dance & Somatic Practices, 8 (2), pp. 165-177. <br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b> <br>
DOI: 10.17870/bathspa.12924494
title: Performance / Exile / Heritage - Research Timeline & Research Questions

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains the Research Questions & Research Timeline for the project.</b><br>
DOI: 10.17870/bathspa.12924488
title: Performance / Exile / Heritage - 300-Word Statement

description: ‘Performance / Exile / Heritage’, undertaken in collaboration with Pascal Theatre Company (PTC) (London) and Coburg University (Germany), aims to respond to hidden and reluctant histories of persecution and exile through visual and performative means. It examines historical entanglements at a time when contemporary migration and refuge increasingly put western colonial histories into question, and seeks new affective/embodied modes of remembrance and re-discovery. The output ONE LOST STONE (2020) exemplifies the probing of affective/ embodied and choreo-visual practices in response to the histories of marginalised Jewish communities and heritage in the UK.<br><br><b>This item contains the 300-Word Statement for the project.</b>
DOI: 10.17870/bathspa.12311159
title: Releasing the Archive - Installation: 'Releasing Her Archive' Dance for Screen - Video and Images

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><br><b>This item contains documentation of the Video Installation/Film 'Releasing Her Archive' which forms one of the outputs for this project. <br><br></b>Artistic Direction: Carol Brown<br>Movement Direction and Research: Thomas Kampe<br>Editorial Direction: Owa Barua<br>Videography: Meek Zuiderwyk<br>Sound: Russell Scoones<br>Video Assistant: Freddie Errazo<br>Performers: Katie Rudd, Lucy Lynch, Chris Ofanoa, Karl Tolentino, Maryam B. Nesami.<br><br>This film is part of exhibition Alles Tanzt – Kosmos Wener Tanzmoderne, Theatermuseum Wien (2019/2020), Vienna. It has also been screened as part of exhibition SUR SUR, Museo de Arte Contemporaneo (MAC), Santiago de Chile, Chile, opening on 16/11/2017. It was presented at Lightmovies Screendance Festival, Limerick in 2018, and at Auckland Live Digital Stage in January 2019.<b><br><br>Photographs courtesy of Carol Brown (dancers Katie Rudd and Maryam Nesami)</b><br><br><b>Video courtesy of Carol Brown, Owa Barua and Meek Zuiderwyk<br><br>Used with permission.<br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.17870/bathspa.12311138
title: Releasing the Archive - Performance: 'Lost & Found [Dances of Exile]' - Video of Performance & Documentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains video documentation of the Performance 'Lost & Found', which is one component of the Research Output for this project. Also included are Images of the Performance Plan/Process.</b><br><br>Event Location: Q-Theatre, Auckland, New Zealand<br>Site - responsive immersive dance performance<br>Movement direction and research: Carol Brown and Thomas Kampe<br>Sound Design: Russell Scoones<br>Costume Design: Kasia Pol<br>Lighting design: Jo Kilgour<br>Dramaturg: Fiona GrahamVideographer Zuiderwyk, Meek Dancers: Campbell, Kasina; Nesami, Maryam; Kokiri, Chrissy; Rudd, Katie; Tolentino, Carl; Ji, Xin<br><b><br>Video, Images & Floor Plan courtesy of Carol Brown, Russell Scoones and Kasia Pol.</b><b><br></b><b>Used with permission.</b><b><br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.12287870
title: Releasing the Archive - Research Process Documentation - Images & Videos - Auckland 2015/16 and Berlin 2016

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains Research Process Documentation from workshops in Auckland in 2015 & 2016 & Berlin in 2016.<br><br>Photographs courtesy of Thomas Kampe.</b><b>Used with permission.</b><b><br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.17870/bathspa.12287021
title: Releasing the Archive - Contextualising Information - Book Chapter & Powerpoint Presentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies. <br><br><b>This item contains contextualising information for the project in the form of a Book Chapter ('Tanz als Überlebenskunst') & Powerpoint Presentation ('(re)membering: Revitalising Marginalised Dance Practices').</b><b><br></b><b>Kampe, T (2019) 'Tanz als Überlebenskunst: Die Choreografin Hilde Holger und ihr Einfluss auf die britische Tanzkultur.' In: Amort, A, ed. Alles tanzt: Kosmos Wiener Tanzmoderne. Hatje Cantz, Vienna, pp. 289-297. ISBN 9783775745673<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12287006
title: Releasing the Archive - Historical Resource Images

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b>This item contains historical resource images illustrating the broader historical context within which the research was undertaken.<br><br>Photographs courtesy of Margaret Michaelis and Studio D'Ora. <br><br>Dancers: Gertrud Bodenweiser, Hilary Napier, Lisl Rinaldini, Hilde Holger and Shona Dunlop McTavish. <br><br>Photographs of posters courtesy of Thomas Kampe. <br><br>Images of Hilde Holger courtesy of Thomas and Gerhard Kampe, with permission from Theatermuseum Wien and Hilde Holger Archives (Legacy Project).</b><b><br></b><b>All material used with permission.<br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.17870/bathspa.12286988
title: Releasing the Archive - Installation: 'I Travel With You' - Interactive Mobile Phone Dance - Installation & Exhibition Documentation

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies. <br><br><b>This item contains images from the 'I Travel With You' installation and the text provocation which accompanies the piece which is one component of the Research Output for this project.</b><b><br></b>'I Travel with you' (2016-2019), is a participatory micro- screen dance installation & score for mobile phone, tracing and constructing diasporic dance practice; dancers in Kampala (Uganda), Sydney ( AUS), and Kuching (Malaysia) recorded and uploaded short choreographic responses on a mobile device which travelled across four continents.<br>Part of the project 'Good Bags, Bad Bags - in 225 days around the world', curated by German artist Reinhardt Wanzke and part of the exhibition ‘Sammlung als Erzählung’ Weltkulturen Museum Frankfurt a.M. (16.05.2019)<br><br><b>Photographs courtesy of Reinhardt Wanzke. <br><br></b><b>Used with permission.</b><b><br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. <br></b>
DOI: 10.17870/bathspa.12286979
title: Releasing the Archive - Research Timeline & Research Questions

description: The practice-led project <i>‘Releasing the Archive’</i>, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS),<b> </b>aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.<br><b><br>This item contains the Research Questions & Research Timeline for the project. </b>