cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17605/osf.io/umq2p
title: Profil ekspresji wybranych miRNA: związek z predyspozycją do występowania skoliozy idiopatycznej i jej postaci klinicznej

description: Dataset to the project "Profil ekspresji wybranych miRNA: związek z predyspozycją do występowania skoliozy idiopatycznej i jej postaci klinicznej", English: "Expression profile of selected miRNAs: relationship with susceptibility to the occurrence and clinical form of idiopathic scoliosis", registration number: 2021/05/X/NZ5/01420, National Science Centre (Poland) Narodowe Centrum Nauki, Miniatura 5
DOI: 10.25549/dunitz-c15-303
title: Graffiti mural, Hollywood, 1998

description: Graffiti mural, Hollywood, 1998. Alley in La Brea and Nelrose Avenue, Hollywood. Artist unknown.
DOI: 10.25549/dunitz-c15-1048
title: Gismo RIP, [s.d.]

description: [Gismo RIP], [s.d.]. Los Angeles. Location unknown. Artist unknown. Mural painted on an exterior cinderblock wall. Depicts a busy street with traffic, workers, pedestrians, and others, "GISMO RIP".
DOI: 10.25549/dunitz-c15-1065
title: Exercise, 1993

description: [Exercise], 1993. Long Beach. Location unknown. Artist unknown. 10 panels painted on an exterior wall in a park depicting people exercising: soccer, stationary training equipment, tennis, running, volleyball, baseball, swimming, basketball, croquet. Photographed ca. 1993 September.
DOI: 10.25549/dunitz-c15-1096
title: In the spirit of contribution, Los Angeles, 1990

description: In the spirit of contribution, Los Angeles, 1990, La Salle Avenue between 23rd and 24th Streets. The mural is dedicated to the contributions made by African Americans and Latinos to building the United States. The left side is dominated by images from the black history, including an African playing a traditional horn, music legend Duke Ellington, dancer Bill "Bojangels" Robinson, singer and political activist Paul Robeson, Nation of Islam leader Elijah Muhammad, and opera singer Marian Anderson. On the mural's right, prominent Mexicans, such as revolutionary Emiliano Zapata, artist Frida Kahlo, and peasant leader Benito Juarez are depicted. In Nova Color acrylic, 120' x 6-10' by Bernard Hoyes and local high school students. Sponsored by Reverend Cecil Murray of the First A.M.E. Church -- Dunitz, Street gallery, rev. 2nd ed., p. 215, #37.
DOI: 10.25549/dunitz-c15-1099
title: In the spirit of contribution, Los Angeles, 1990

description: In the spirit of contribution, Los Angeles, 1990, La Salle Avenue between 23rd and 24th Streets. The mural is dedicated to the contributions made by African Americans and Latinos to building the United States. The left side is dominated by images from the black history, including an African playing a traditional horn, music legend Duke Ellington, dancer Bill "Bojangels" Robinson, singer and political activist Paul Robeson, Nation of Islam leader Elijah Muhammad, and opera singer Marian Anderson. On the mural's right, prominent Mexicans, such as revolutionary Emiliano Zapata, artist Frida Kahlo, and peasant leader Benito Juarez are depicted. In Nova Color acrylic, 120' x 6-10' by Bernard Hoyes and local high school students. Sponsored by Reverend Cecil Murray of the First A.M.E. Church -- Dunitz, Street gallery, rev. 2nd ed., p. 215, #37.
DOI: 10.17605/osf.io/3v4sd
title: LC-MS method for the determination of the kynurenine pathway metabolites to support the discovery of serum biomarkers - application to gastrointestinal cancer patients

description: Tryptophan metabolism play a crucial role in tumorigenesis and progression, and its metabolites emerge as potential diagnostic markers for gastric and pancreatic cancers. Dataset contains quantitative data on serum concentration of tryptophan and kynurenine pathway metabolites in healthy controls and patients diagnosed with gastric or pancreatic cancers. Characteristic of serum donors were also provided.
DOI: 10.25549/dunitz-c15-1109
title: Sea mammals underwater, Pacific Palisades, 1983

description: Sea mammals underwater, untitled, Pacific Palisades, 1983. Pacific Palisades High School, exterior front, 15777 Bowdoin Street (at Temescal Canyon Road), Pacific Palisades. Sea mammals underwater. Kat Kozik and David Stauch, artists. -- Dunitz, Street gallery, p. 163, #26.
DOI: 10.17605/osf.io/kh4x3
title: VibrantVS: A High-Resolution Vision Transformer for Forest Canopy Height Estimation

description: This project is a collection of the test dataset for reproducing the analysis from the VibrantVS model manuscript. The test dataset contains paired NAIP, aerial lidar CHM, and VibrantVS CHM inference. All data have been spatially intersected and temporally intersected within one year. Data is generated at 0.5m pixel resolution representing a 500m x 500m footprint (1000 x 1000 pixels). All data is projected in EPSG:6931[WGS 84 / NSIDC EASE-Grid 2.0 North].

Within the S3 bucket containing the data there are a 3 folders 'naip', 'lidar', 'vibrantvs' containing the individual Cloud-Optimized GeoTiffs (COGs) of each sample. For faster access, we have also provided a .zip file of the naip, lidar, and vibrantvs data that contain all the COGs. Additionally, we have provided a `test_data_catalog.gpkg` geopackage that provides the sample unique identifier (tile_id), the correspond s3 URI for each datatype (naip_s3_uri, lidar_s3_uri, vibrantvs_s3_uri), and the corresponding footprint they represent.
DOI: 10.25549/dunitz-c15-1567
title: Venice in snow, Venice, 1970

description: Venice in snow, Venice, 1970. "Venice in the snow, or simply the Ocean Front Painting, was executed in the summer of 1970. The scene depicted is located about 1/2 mile north of the painting and is identical to the view one would see standing at that location on the Venice Boardwalk. However, there is no snow on the ground. It has never snowed in Venice. The work was commissioned by a local art patron whose only words were, 'I'd like you guys to paint a picture in the Venice area. Here's some money to do it.' Unfortunately, 'Venice in snow' became a 'victim of construction' only two years after it was created -- a tacky four unit apartment house built six inches away on the adjoining lot totally obscures the mural." Environmental Communications, unpaged, #16-18; http://www.lamurals.org/MuralistPages/LAFineArts.html.
DOI: 10.25549/dunitz-c15-1568
title: Venice in snow, Venice, 1970

description: Venice in snow, Venice, 1970. "Venice in the snow, or simply the Ocean Front Painting, was executed in the summer of 1970. The scene depicted is located about 1/2 mile north of the painting and is identical to the view one would see standing at that location on the Venice Boardwalk. However, there is no snow on the ground. It has never snowed in Venice. The work was commissioned by a local art patron whose only words were, 'I'd like you guys to paint a picture in the Venice area. Here's some money to do it.' Unfortunately, 'Venice in snow' became a 'victim of construction' only two years after it was created -- a tacky four unit apartment house built six inches away on the adjoining lot totally obscures the mural." Environmental Communications, unpaged, #16-18; http://www.lamurals.org/MuralistPages/LAFineArts.html.
DOI: 10.25549/dunitz-c15-1578
title: Great pig murals of the Farmer John brand, Vernon, 1957-1998

description: Great pig murals of the Farmer John brand, Vernon, 1957-1998. "The great pig mural of the Farmer John brand, Clougherty Meat Packing Company are a totally impressionistic view of 'Hog Heaven,' as seen through the eyes of the late Les Grimes. an Austrian immigrant and former movie sign painter, Grimes worked on the mural 11 years until 1968 when he fell to his death from a scaffold while completing an area of sky in that 'Great Farmland Vista.' Following Grimes death, Barney Clougherty hired Arno Jordon [sic], also an Austrian immigrant, to freshen and continue the never finished murals." -- Environmental Communications, Street paintings of Los Angeles, unpaged, #27-31; http://www.laokay.com/farmerjohn.htm.
DOI: 10.25549/dunitz-c15-1593
title: Aquarius Theater, Hollywood, 1969

description: Aquarius Theater, Hollywood, 1969. "The Aquarius Theater, painted by a group of Dutch and English artists called 'The Fool', housed the Los Angeles production of the Rock and Roll musical 'Hair'. The painting depicts in rainbow psychedelic style, the coming of the Age of Aquarius. Like the Siddhartha mural, the Aquarius rapidly became a Hollywood landmark. Unfortunately, the Aquarius Theater walls were not properly prepared before the painting was executed, i,e,, washed and primed with a good undercoat. Consequently, after a year and a half, the west wall of the painting began to peel severely (slide #41) and was finally painted out completely in late 1971." -- Environmental Communications, Street paintings of Los Angeles, unpaged, #39-42; http://en.wikipedia.org/wiki/The_Fool_(design_collective).
DOI: 10.25549/dunitz-c15-1606
title: Ghost Town, Thousand Oaks, 1972

description: Ghost Town, Thousand Oaks, 1972. "The Squa's last mural, 'Ghost Town', was a futuristic landscape of the San Fernando Valley community of Thousand Oaks where the painting was completed in 1972." -- http://www.lamurals.org/MuralistPages/LAFineArts.html. "The remaining members of the Fine Arts Squad (Terry Schoonhoven and Vic Henderson) completed a commissioned piece for local millionaire and 'Friend of Artists', Edwin Janss, Jr. in his shopping center in Thousand Oaks. The mural shows a full scale glass and marble bankfront with huge windows that reflect a scene of Thousand Oaks in the future. In keeping with the Fine Arts Squad ironic vision, Thousand Oaks lies in ruins -- the Colonel Sanders bucket is riddled with bullets, sheep meander through deserted tract homes, even Edwin Janss is seen wandering through the rubble in a coonskin cap...". -- Environmental Communications, Street paintings of Los Angeles, #55-56.
DOI: 10.15468/dl.yd96pj
title: Occurrence Download

description: A dataset containing 5 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Howella brodiei"
 ]
}

 The dataset includes 5 records from 3 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003660-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-1140
title: Arts for the handicapped project, Long Beach, 1981

description: Arts for the handicapped project, Long Beach, 1981, Long Beach Recreation center, exterior, 2800 Studebaker Road (near Spring Street). The mural shows disabled youth learning to paint. Only a portion of the original mural remains. Some of it was replaced in 1984 by a mural called "Special Olympics". In acrylic by Jane Boyd. Sponsored by Purple Heart Veterans Rehabilitation Services and Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 256, #19.
DOI: 10.25549/dunitz-c15-1141
title: Arts for the handicapped project, Long Beach, 1981

description: Arts for the handicapped project, Long Beach, 1981, Long Beach Recreation center, exterior, 2800 Studebaker Road (near Spring Street). The mural shows disabled youth learning to paint. Only a portion of the original mural remains. Some of it was replaced in 1984 by a mural called "Special Olympics". In acrylic by Jane Boyd. Sponsored by Purple Heart Veterans Rehabilitation Services and Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 256, #19.
DOI: 10.5281/zenodo.18810027
title: THE MAIN ECONOMIC INDICATORS AND TRENDS OF THE ORGANIZATION OF TRANSPORT SERVICES
DOI: 10.25549/dunitz-c15-1150
title: Chains of life, East Los Angeles, 1974

description: Chains of life, East Los Angeles, 1974. Angelus Sawdust Products Corporation, exterior, 1516 Grande Vista Avenue (between Pico Boulevard and South Lorena Street). Three-part head of the mestizo, a symbol representing the Chicano identity as a mixture of Mexican and North American heritages. Acrylic on brick, 91' x 8' (originally), by Charles Felix. -- Dunitz, Street gallery, p. 289, #17.
DOI: 10.25549/dunitz-c15-1161
title: The short life of John Doe (La vida breve de Alfonso Fulano), East Los Angeles, 1975

description: The short life of John Doe (La vida breve de Alfonso Fulano), East Los Angeles, 1975. Centro Maravilla, exterior front, 4716 East Cesar E. Chavez Avenue (at North Arizona Avenue). The story of the community of Maravilla, one of the earliest settlements in East Los Angeles, which was originally home to those fleeing religious persecution in Mexico. The tale is told through the eyes of one anonymous old man, who explains to his young companion how the area has changed over the years. Acrylic on stucco, 60' x 8', by Goez (designed by Robert Arenivar. Executed by Jose-Luis Gonzalez, Juan Gonzalez, and David Botello). -- Dunitz, Street gallery, p. 292, #25.
DOI: 10.5281/zenodo.18810028
title: THE MAIN ECONOMIC INDICATORS AND TRENDS OF THE ORGANIZATION OF TRANSPORT SERVICES
DOI: 10.25549/dunitz-c15-1164
title: Stoddard Automotive, Lincoln Heights, 1975

description: Stoddard Automotive, untitled, Lincoln Heights, 1975. Stoddard Automotive, exterior. 1721 Workman Street (at Richmond Street), Lincoln Heights. On the back wall the theme appears to be man's relationship to our modern technological society. That is in contrast to the simple, natural lifestyle portrayed on the side wall. 2 panels, by Ismael Cazarez. -- Dunitz, Street gallery, p. 292, #27.
DOI: 10.17605/osf.io/8752u
title: HUMAN AND AUTOMATED ASSESSMENTS OF CHILDREN’S PRONUNCIATION

description: A dataset of audio recordings of 26 children from different language backgrounds and with different histories of speech-language pathology needs. Human transcriptions in IPA of all audio recordings from children.
DOI: 10.25549/dunitz-c15-1165
title: Aztec rain god, East Los Angeles, 1973

description: Aztec rain god Tlaloc, untitled, East Los Angeles, 1973. 1372 [South] Grande Vista Avenue at Olympic Boulevard. Depiction of a sculpture of the Aztec rain god Tlaloc. Acrylic on stucco, 32' x 24', by Manuel Gonzalez. -- Dunitz, Street gallery, p. 297, #O [#28. The murals of Estrada Courts].
DOI: 10.25549/dunitz-c15-1167
title: The sun bathers, East Los Angeles, 1973

description: The sun bathers, East Los Angeles, 1973, 3287 East Olympic Boulevard. Bathers with their feet projecting forward a la Mexican master David Alfaro Siqueiros (whose portrait is also in the mural). Acrylic on stucco, 32' x 24', by Goez (Gil Hernandez). -- Dunitz, Street gallery, p. 296, #28-H.
DOI: 10.25549/dunitz-c15-1174
title: Our past, our present, and our future, Boyle Heights, 1966

description: Our past, our present, and our future, Boyle Heights, 1966. Pan-American Bank, exterior, 3626 East First Street (at Townsend Street). Boyle Heights. The story of Mexican America using ancient myths and historical symbolism. This early Eastside mural inspired many local Chicano artists. Glass mosaic, 5 panels, 10' x 4' (each), designed by Jose Reyes Meza. Executed by Byzantine Studios of Cuernevaca, Mexico.-- Dunitz, Street gallery, rev. 2nd ed., p. 285, #2.
DOI: 10.25549/dunitz-c15-1179
title: Quetzalcoatl-Plumed serpent, City Terrace, 1972

description: Quetzalcoatl-Plumed serpent, City Terrace, 1972. "Undoubtedly one of the most powerful wall paintings in East Los Angeles is Willie Herron's 'Feathered Serpent.' He combined existing graffiti with a design that looks at once Mexican and Oriental. Done in 1972, it faces the alley off Miller Avenue just north of City Terrace Drive." -- Environmental Communications, Street paintings of Los Angeles, unpaged, #51; http://www.lamurals.org/MuralFiles/ELA/Quetzalcoatl.html; Dunitz, Street gallery, rev. 2nd ed., p. 286, #8.
DOI: 10.25549/dunitz-c15-1186
title: We know who we are, Long Beach, 1995

description: We know who we are, Long Beach, 1995. Pacific A Line Station (formerly the Blue Line), Pacific Avenue near 5th Street), Downtown Long Beach. The images developed from the artist's sketches and paintings of the local people and their diverse cultural identities. The focus is what they have in common, especially in family and everyday life. The north-facing panels reflect contemporary scenes in the neighborhood, while the south-facing panels show icons representing their cultural histories. Venetian glass mosaic, 12 panels, by June Edmonds. -- Dunitz, Street gallery, rev. 2nd ed., p. 271, #81.
DOI: 10.25549/dunitz-c15-14
title: Study your imagination, Long Beach, 1991

description: Study your imagination, Long Beach, 1991, Kyu's market, exterior, 1096 7th Street (mural on Cerritos Avenue). The mural is densly populated with cartoonish characters. Designed and painted by students at Franklin Middle School -- Dunitz, Street gallery, rev. 2nd ed., p. 262, #42.
DOI: 10.25549/dunitz-c15-16
title: Together we dance, Long Beach, 1991

description: Together we dance, Long Beach, 1991, C.D. Auto Repair and Body Center, exterior, Anaheim Street and Walnut Avenue. Images of African, Cambodian and Mexican Dancers. A Mural Mentor project. In acrylic, 3 panels, 15' x 40' by Elliott Pinkney with assistance from Idris Brown and Fermin "Pete" Santa Cruz. Sponsored by Long Beach Community Development Department and the Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 262, #43. According to the Google maps street view image, the mural does not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-18
title: Together we dance, Long Beach, 1991

description: Together we dance, Long Beach, 1991, C.D. Auto Repair and Body Center, exterior, Anaheim Street and Walnut Avenue. Images of African, Cambodian and Mexican Dancers. A Mural Mentor project. In acrylic, 3 panels, 15' x 40' by Elliott Pinkney with assistance from Idris Brown and Fermin "Pete" Santa Cruz. Sponsored by Long Beach Community Development Department and the Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 262, #43. According to the Google maps street view image, the mural does not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-1023
title: Nature's concert, Long Beach Veterans Administration Hospital, 1990

description: Nature's concert, Long Beach Veterans Administration Hospital, 1990; 5901 East 7th Street (at Bellflower Boulevard), corridor between buildings 122 and 128. A playful, surreal assortment of characters perform on an imaginary backstage set. 8' x 143 1/2' by Steve Shloss, Madoka Takada, Soo Shin, Kamran Assadi, Paul Denny, Andrew Wilson, Jim Woodard, Evan Grekowicz, Arthur Williams and Jen Grey. Sponsored by California State University, Long Beach - VA Joint Institute -- Dunitz, Street gallery, p. 264, #54 C.
DOI: 10.25549/dunitz-c15-1042
title: Storytellers, Long Beach, 1991

description: Storytellers, Long Beach, 1991, NQ Market, exterior, 14th Street and Peterson Avenue. Portraits of three older women -- a Mexican, a Cambodian and an African. Those are the ethnicities of the people living in this neighborhood. Besides each portrait are symbols of their cultures, including native plants, textiles and crafts. A Mural Mentor Project. In acrylic on plywood, 3 panels, approximately 8' x 12 each by Elizabeth Garrison with assistance from Dareth Morm and Michelle Salcedo. Sponsored by Long Beach Community Development Department and the Long Beach Parks and Recreation Department -- Dunitz, Street gallery, rev. 2nd ed., p. 261, #40.
DOI: 10.25549/wpamaps-ouc112059631
title: WPA Land use survey maps for the City of Los Angeles, 1933-1939

description: The Works Progress Administration (WPA) conducted a land use survey from December 18, 1933 to May 8, 1939 for the city of Los Angeles, Department of City Planning. It covered approximately 460 square miles within the boundary of the City of Los Angeles and resulted in this series of 345 hand-colored land use survey maps. They are collected in 10 books (averaging 35 maps per book) each corresponding to a geographic region within the City's boundary. Each original map measures bout 2 ft. x 3.5 ft.The books cover:1) North Los Angeles District;2) Tujunga;3) San Fernando Valley from Canoga Park District to Van Nuys District;4) Van Nuys District to Garvanza District;5) Santa Monica Mountains from Girard to Van Nuys District;6) Hollywood District to Boyle Heights District;7) Topanga Canyon to Hollywood District;8) Downtown Los Angeles and Hyde Park to Watts District;9) Pacific Palisades Area to Mines Field (Municipal Airport);10) Shoestring Addition to San Pedro District.Each book includes:? A title page with key;? legend and list of symbols used;? A composite index page of the entire city (which indicates on a city map which portion is included in a given book);? An index, which indicates on a city section map, the specific coordinates and sheets of maps contained in a given book (book 4 and 7 are missing their indices).The land uses tracked on each map include:? 9 different types of farming (mixed, livestock, field crops, row crops, bush fruits, orchard, nursery, woodland, farming)? Vacant? 16 residential classifications -- these are broadly grouped as: Single family residential Multiple residential (2 to 4 families) Unlimited multiple residential (i.e. hotels, boarding houses, chicken or rabbit ranches, etc.)? Institutional? Commercial (31 classifications: i.e. undertakers, theaters, restaurants, etc.)? Industry, utilities, recreational, agricultural, open uses, problem uses, combined uses, electric railway, steam railway? Manufacturing (30 classifications: i.e. cannery, oil well supply, ice manufacturing, motion picture studio, etc.)? Height of buildings in stories
DOI: 10.25549/wpamaps-ouc112059643
title: WPA Land use survey maps for the City of Los Angeles, 1933-1939

description: The Works Progress Administration (WPA) conducted a land use survey from December 18, 1933 to May 8, 1939 for the city of Los Angeles, Department of City Planning. It covered approximately 460 square miles within the boundary of the City of Los Angeles and resulted in this series of 345 hand-colored land use survey maps. They are collected in 10 books (averaging 35 maps per book) each corresponding to a geographic region within the City's boundary. Each original map measures bout 2 ft. x 3.5 ft.The books cover:1) North Los Angeles District;2) Tujunga;3) San Fernando Valley from Canoga Park District to Van Nuys District;4) Van Nuys District to Garvanza District;5) Santa Monica Mountains from Girard to Van Nuys District;6) Hollywood District to Boyle Heights District;7) Topanga Canyon to Hollywood District;8) Downtown Los Angeles and Hyde Park to Watts District;9) Pacific Palisades Area to Mines Field (Municipal Airport);10) Shoestring Addition to San Pedro District.Each book includes:? A title page with key;? legend and list of symbols used;? A composite index page of the entire city (which indicates on a city map which portion is included in a given book);? An index, which indicates on a city section map, the specific coordinates and sheets of maps contained in a given book (book 4 and 7 are missing their indices).The land uses tracked on each map include:? 9 different types of farming (mixed, livestock, field crops, row crops, bush fruits, orchard, nursery, woodland, farming)? Vacant? 16 residential classifications -- these are broadly grouped as: Single family residential Multiple residential (2 to 4 families) Unlimited multiple residential (i.e. hotels, boarding houses, chicken or rabbit ranches, etc.)? Institutional? Commercial (31 classifications: i.e. undertakers, theaters, restaurants, etc.)? Industry, utilities, recreational, agricultural, open uses, problem uses, combined uses, electric railway, steam railway? Manufacturing (30 classifications: i.e. cannery, oil well supply, ice manufacturing, motion picture studio, etc.)? Height of buildings in stories