cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10289513
title: Pre-Columbian Shell Cup, Seminole County, FL

description: This  shell cup was made from a large lightning whelk and is still partially embedded in concreted shell midden. It dates to the preceramic Late Archaic period (ca. 5700-4600 BP) and was recovered from Panther Tracks, a pre-Columbian indigenous site in Seminole County, Florida. The artifact is currently curated at the Rollins College Archaeology Lab.

Model by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289514
title: Mesolithic Spear

description: Here's the spear for my Final Project piece I am currently creating. Please, go ahead and use this in your own pieces but please credit me for the model.

It would be great if you guys could give me project a like on Facebook. Here's the link if you're interested in checking it out! Thanks! 
https://www.facebook.com/Winters-Call-1104658106407939/?ref=bookmarks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289515
title: Mesolithic Spear

description: Here's the spear for my Final Project piece I am currently creating. Please, go ahead and use this in your own pieces but please credit me for the model.

It would be great if you guys could give me project a like on Facebook. Here's the link if you're interested in checking it out! Thanks! 
https://www.facebook.com/Winters-Call-1104658106407939/?ref=bookmarks

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289516
title: Bute Kerryfearn 1

description: Panel is to the west of Kerryfearn cottage, Isle of Bute, on bedrock. Four other panels have been located on the same strech of what was a raised beach.
Photography Patrick O'Sullivan, ScRAP and Bute Museum&NHS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289517
title: Bute Kerryfearn 1

description: Panel is to the west of Kerryfearn cottage, Isle of Bute, on bedrock. Four other panels have been located on the same strech of what was a raised beach.
Photography Patrick O'Sullivan, ScRAP and Bute Museum&NHS

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289520
title: Petroglyph G12 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version. Petroglyph G12 Khatm Al Melaha, Kalba, Sharjah. Unknown animal, difficult to document. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289521
title: Petroglyph G12 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version. Petroglyph G12 Khatm Al Melaha, Kalba, Sharjah. Unknown animal, difficult to document. Likely Neolithic 5th-4th Millennium BCE [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

All processed in Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289523
title: Petroglyph J10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J10 Khatm Al Melaha, Kalba, Sharjah. One wild ass and other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289522
title: Petroglyph J10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J10 Khatm Al Melaha, Kalba, Sharjah. One wild ass and other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289526
title: Poet's Pathway Commemorative Plaque Draft

description: The plaque marks the start of a commemorative path called "The Poet's Pathway" at Brittania Beach in Ottawa, Ontario and honours the first confederate poets in the region. A poem by Emily Pauline Johnson, An Indigenous confederation time poet, is displayed on the plaque.
For more about what the plaque commemorates, visit: http://poetspathway.ca/a_britannia.htm 
located at: 45⁰21'54"N 75⁰ 48'18"W.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289527
title: Poet's Pathway Commemorative Plaque Draft

description: The plaque marks the start of a commemorative path called "The Poet's Pathway" at Brittania Beach in Ottawa, Ontario and honours the first confederate poets in the region. A poem by Emily Pauline Johnson, An Indigenous confederation time poet, is displayed on the plaque.
For more about what the plaque commemorates, visit: http://poetspathway.ca/a_britannia.htm 
located at: 45⁰21'54"N 75⁰ 48'18"W.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289529
title: POLYCAMAI / Central Station Statues

description: Location: Behind Sydney Central Station.

The result is low resolution here because I just walk while scanning from the front path. It does give accurate information of the position of the environment. 

I might take a better scan next time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289528
title: POLYCAMAI / Central Station Statues

description: Location: Behind Sydney Central Station.

The result is low resolution here because I just walk while scanning from the front path. It does give accurate information of the position of the environment. 

I might take a better scan next time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289530
title: Textiles: Bulanov, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Alexey Bulanov in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.33692.56967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289531
title: Textiles: Bulanov, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Alexey Bulanov in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.33692.56967

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289532
title: ROI022-012-09

description: Projectile Point collected in Allen County, Indiana.

Catalog # 12-Al-390-46

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI022-012-09, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289533
title: ROI022-012-09

description: Projectile Point collected in Allen County, Indiana.

Catalog # 12-Al-390-46

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Kelsey Norwalk, and Kevin C. Nolan, 2021. ROI022-012-09, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289534
title: Olive lamp with column No. 2

description: ID no.: MAK/AS/1947

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1540

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289535
title: Olive lamp with column No. 2

description: ID no.: MAK/AS/1947

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1540

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289536
title: Haida Totem Pole, circa1860-70 [section]

description: From the Cambridge Museum of Archaeology and Anthropology.

'figure of a beaver holding a chewing stick and with a cross hatched tail. The beaver symbolises creativity, artistry and determination'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289537
title: Haida Totem Pole, circa1860-70 [section]

description: From the Cambridge Museum of Archaeology and Anthropology.

'figure of a beaver holding a chewing stick and with a cross hatched tail. The beaver symbolises creativity, artistry and determination'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289538
title: XCB-003-924 Polished Slate End Blade

description: Polished Slate End Blade  XCB-003-924.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289539
title: XCB-003-924 Polished Slate End Blade

description: Polished Slate End Blade  XCB-003-924.

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289540
title: Cuneiform Cone

description: This is from the Rollins College Archives and is currently housed at the Olin Library Archives.

Model made by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289541
title: Cuneiform Cone

description: This is from the Rollins College Archives and is currently housed at the Olin Library Archives.

Model made by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289544
title: Earthenware Glazed Pot

description: Culture: Unknown,English ( Possibly ). | Material: [Ceramic; Pottery; Earthenware.](https://www.getty.edu/vow/AATFullDisplay?find=Earthenware&logic=AND&note=&english=N&prev_page=1&subjectid=300140803) | Accession No: [CG 078 ](https://www.huntmuseum.com/explore/item/472ec09d-c028-33bb-be2c-4497d2e89529/?s%3DCG+078+&pos=1). | Current Location:[ The Hunt Museum Limerick](https://www.huntmuseum.com). | Dimensions (cm): H 16.5 x W 26 x D 18,Depth.

Description:
A glazed pot with two handles and a twisted strap which is not part of the original piece. 

Date Made: 15th century AD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289545
title: Earthenware Glazed Pot

description: Culture: Unknown,English ( Possibly ). | Material: [Ceramic; Pottery; Earthenware.](https://www.getty.edu/vow/AATFullDisplay?find=Earthenware&logic=AND&note=&english=N&prev_page=1&subjectid=300140803) | Accession No: [CG 078 ](https://www.huntmuseum.com/explore/item/472ec09d-c028-33bb-be2c-4497d2e89529/?s%3DCG+078+&pos=1). | Current Location:[ The Hunt Museum Limerick](https://www.huntmuseum.com). | Dimensions (cm): H 16.5 x W 26 x D 18,Depth.

Description:
A glazed pot with two handles and a twisted strap which is not part of the original piece. 

Date Made: 15th century AD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289546
title: D34 - Valthe West

description: http://hunebeddeninfo.nl/d34valthe-west

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289547
title: D34 - Valthe West

description: http://hunebeddeninfo.nl/d34valthe-west

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289548
title: Kärla Lihulinn (Estonia)

description: Kärla Lihulinn 3D model with ortophoto. Coordinates: 58.39983, 22.25193

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289549
title: Kärla Lihulinn (Estonia)

description: Kärla Lihulinn 3D model with ortophoto. Coordinates: 58.39983, 22.25193

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289550
title: Stone lion at Frederiksborg Castle

description: 📍 [55.93475, 12.30086](https://scaniver.se/L55.93475,12.30086)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289551
title: Stone lion at Frederiksborg Castle

description: 📍 [55.93475, 12.30086](https://scaniver.se/L55.93475,12.30086)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289552
title: Teatro Municipal Iquique - Bajo Escenario Este

description: Registro control de cambios sobre área de monitoreo preintervenida, sector Bajo Escenario, sección Este.

El área presenta calicata de mecánica de suelos (2016) con constatación de bed rock o roca madre a 15 cm de profundidad del sustrato arenoso que le recubre.

El área presenta a escasa profundidad de un sustrato arenoso con conchuela, asociado a un relleno para nivelación de radieres. Bajo este en secciones inmediato, y en otras a no más de 15 cm se constata la roca madre, propia de un fondo marino emergido, común a las localidades costeras, con secciones cubiertas de conchuela y concreciones arenosas. Esta se presenta en toda el área de emplazamiento.

El presente levantamiento sistemático fue realizado para facilitar mayor conocimiento y registro de archivo del área para el Consejo de Monumentos Nacionales. OTR Tarapacá, respecto de trabajos de restuaración del Teatro Municipal de Iquique.

Responsable:
Luis Alejandro Pérez Reyes
Arqueólogo. Mg. Paleontología
Candidato PhD
Universidad de Bonn, Alemania

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289553
title: Teatro Municipal Iquique - Bajo Escenario Este

description: Registro control de cambios sobre área de monitoreo preintervenida, sector Bajo Escenario, sección Este.

El área presenta calicata de mecánica de suelos (2016) con constatación de bed rock o roca madre a 15 cm de profundidad del sustrato arenoso que le recubre.

El área presenta a escasa profundidad de un sustrato arenoso con conchuela, asociado a un relleno para nivelación de radieres. Bajo este en secciones inmediato, y en otras a no más de 15 cm se constata la roca madre, propia de un fondo marino emergido, común a las localidades costeras, con secciones cubiertas de conchuela y concreciones arenosas. Esta se presenta en toda el área de emplazamiento.

El presente levantamiento sistemático fue realizado para facilitar mayor conocimiento y registro de archivo del área para el Consejo de Monumentos Nacionales. OTR Tarapacá, respecto de trabajos de restuaración del Teatro Municipal de Iquique.

Responsable:
Luis Alejandro Pérez Reyes
Arqueólogo. Mg. Paleontología
Candidato PhD
Universidad de Bonn, Alemania

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289554
title: Cathedral of the Holy Nativity in Pryluky

description: Собор Святого Різдва у м. Прилуки.
 
 Based on smarthphone photogrammetry shooting by a nonqualified personell. Reconstucted, cleaned and texturised.
 Part of 360° virtual tour over reconstruction of  Pryluky Fortress 1750-1850.
 http://temp.denfilm.com.ua/pryluky/
 
 DenFilm media studio

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289555
title: Cathedral of the Holy Nativity in Pryluky

description: Собор Святого Різдва у м. Прилуки.
 
 Based on smarthphone photogrammetry shooting by a nonqualified personell. Reconstucted, cleaned and texturised.
 Part of 360° virtual tour over reconstruction of  Pryluky Fortress 1750-1850.
 http://temp.denfilm.com.ua/pryluky/
 
 DenFilm media studio

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289556
title: West Horton 2c (Feb 2007)

description: Small area of outcrop within a mature privately owned plantation, near West Horton in Northumberland.

This stone is recorded on the Beckensall Archive (BA) as 'West Horton 2c', where it's described as:

'Small rock with a cup and arc and two cups.' 

NADRAP added the record to ERA in 2008, noting:

'Dome-shaped rock in plantation with deep cup with penannular and short groove and two separate cups. This rock is more weathered than nearby West Horton 2a and 2b.' 

ERA Record: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=61

This fairly noisy model just shows the upper carved surface and is created from a single stereo pair captured by Kevin Malloy (NADRAP Team 1) in February 2007. The imagery forms part of the full NADRAP archive deposited with Historic England and Northumberland County Council.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289557
title: West Horton 2c (Feb 2007)

description: Small area of outcrop within a mature privately owned plantation, near West Horton in Northumberland.

This stone is recorded on the Beckensall Archive (BA) as 'West Horton 2c', where it's described as:

'Small rock with a cup and arc and two cups.' 

NADRAP added the record to ERA in 2008, noting:

'Dome-shaped rock in plantation with deep cup with penannular and short groove and two separate cups. This rock is more weathered than nearby West Horton 2a and 2b.' 

ERA Record: https://archaeologydataservice.ac.uk/era/section/panel/overview.jsf?eraId=61

This fairly noisy model just shows the upper carved surface and is created from a single stereo pair captured by Kevin Malloy (NADRAP Team 1) in February 2007. The imagery forms part of the full NADRAP archive deposited with Historic England and Northumberland County Council.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289558
title: Tarihi Kız Meslek Lisesi Girişi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289559
title: Tarihi Kız Meslek Lisesi Girişi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289561
title: Latifiye Cami 2019

description: Latifiye cami 2019 da anlatılmak istense;1371'de Artuklu sultanlarından Melik Salih ve Melik Muzaffer zamanında görev almış Abdüllatif bin Abdullah tarafından, minaresi Mısır Valisi Muhammed Ziya  Tayyar Paşa tarafından inşa ettirilmiştir gibi cümleler ile anlatabilirdik.M.Ç.S 1002019 ise sonsuz evrende tahayyülenebilecek elimizdeki tek görüntüsüne ulaştık

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289560
title: Latifiye Cami 2019

description: Latifiye cami 2019 da anlatılmak istense;1371'de Artuklu sultanlarından Melik Salih ve Melik Muzaffer zamanında görev almış Abdüllatif bin Abdullah tarafından, minaresi Mısır Valisi Muhammed Ziya  Tayyar Paşa tarafından inşa ettirilmiştir gibi cümleler ile anlatabilirdik.M.Ç.S 1002019 ise sonsuz evrende tahayyülenebilecek elimizdeki tek görüntüsüne ulaştık

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289567
title: Bowl with conical base and flaring rim

description: It concerns a type 1 bowl in the typology of the El Argar culture by the Siret brothers, excavated in the southeast of Spain. These hand shaped recipients with conical base are associated with funerary contexts. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.021

Find this object in the museum's online catalog [Carmentis]( https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133364&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab