cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/dl.d7bjmv
title: Occurrence Download

description: A dataset containing 193938 species occurrences available in GBIF matching the query:
{
 "and" : [
 {
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 }
 ]
 },
 "TaxonKey is one of (Narcissus jacetanus, Grevillea asparagoides, Thymus borzygis, Thymus diazii, Thymus richardii, Thymus ruiz-latorrei, Narcissus tuckeri, Narcissus cyclamineus, Narcissus cordubensis, Ornithoglossum undulatum, Polyosma cunninghamii, Narcissus aedoi, Hedysarum nitidum, Herniaria argaea, Herniaria latifolia, Narcissus gallaecicus, Hedysarum hasanyildirimii, Narcissus supramontanus, Narcissus saltuum, Hakea brownii, Hakea kippistiana, Narcissus oiarbidei, Narcissus vitekii, Stomatium beaufortense, Stomatium grandidens, Narcissus romieuxii, Grevillea adenotricha, Grevillea cagiana, Grevillea callichlaena, Grevillea scabrida, Grevillea stenobotrya, Grevillea striata, Hakea rugosa, Hakea strumosa, Artemisia abrotanum, Catananche arenaria, Grevillea anethifolia, Artemisia chamaemelifolia, Artemisia lercheana, Grevillea lawrenceana, Sarga stipoidea, Erepsia esterhuyseniae, Erepsia promontorii, Thymus camphoratus, Grevillea dimorpha, Grevillea fastigiata, Grevillea iaspicula, Hakea arborescens, Hakea pachyphylla, Grevillea prominens, Hakea bakeriana, Herniaria oranensis, Ficus membranacea, Gastrolobium stenophyllum, Gastrolobium stipulare, Stomatium trifarium, Thymus pulvinatus, Canavalia acuminata, Canavalia bonariensis, Grevillea amplexans, Grevillea cravenii, Grevillea incrassata, Grevillea pteridifolia, Grevillea bipinnatifida, Thymus alpestris, Thymus arundanus, Thymus boissieri, Thymus herba-barona, Narcissus hannibalis, Thymus praecox, Fragaria moschata, Malesherbia paniculata, Olea exasperata, Narcissus sexitanus, Microcorys longiflora, Trymalium monospermum, Grevillea evanescens, Grevillea gariwerdensis, Hakea baxteri, Grevillea diversifolia, Grevillea manglesii, Microcorys wilsoniana, Stenanthemum petraeum, Grevillea aspleniifolia, Grevillea beardiana, Gymnopentzia bifurcata, Fuchsia arborescens, Thymus armuniae, Thymus bornmuelleri, Thymus longicaulis, Thymus sennenii, Thymus welwitschii, Narcissus abilioi, Narcissus buxtonii, Malesherbia tenuifolia, Erepsia brevipetala, Narcissus richardianus, Ficus cordata, Narcissus bellirius, Grevillea haplantha)",
 "Year is greater than or equal to 1950"
 ]
}

 The dataset includes 193938 records from 1084 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0022744-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/ijpc-ouc1sto1847313
title: Image of the journalist in popular culture collection, promotion, and research videos

description: The Image of the Washington Journalist in Movies and Television, 1932-2013, is a video compilation with 126 movie and television clips tracing the history of the Washington journalist in the 20th and 21st centuries. The Image of the Public Relations Practitioner in Movies and Television, 1901-2011, is a video compilation with 326 movie and television clips tracing the history of the public relations practitioner in the 20th and 21st centuries. The Image of the Gay Journalist in Movies and Television, 1929-2009, is a video compilation with 123 movie and television clips tracing the history of the gay journalist in the 20th and 21st centuries. Also included is a special supplement on The Image of the Gay Public Relations Practitioner in Movies and Television. 2009. The Image of the War Correspondent in Movies and Television, 1939-2007, is a video compilation with 166 movie and television clips tracing the image of the war correspondent in films and television from 1931 to 2007. Journalism Ethics Goes to the Movies is a one-hour-and-50 minute video compilation created to supplement the book edited by Howard Good. (Rowman & Littlefield, Lanham, MD, 2008). The Image of the Broadcast Journalist in Movies and Television, 1937-2006, is a video compilation containing 200 movie and television clips tracing image of the broadcast journalist in films and television from 1937 to 2006. Real-Life Journalists in Movies and Television, 1931-2007, is a video compilation containing 79 movie and television clips tracing image of the journalist in films and television from 1939 to 2003 featuring real-life journalists or actors portraying real-life journalists or movies based on the lives of real-life journalists. Sob Sisters: The Image of the Female Journalist, 1929-2007, is a video compilation with more than 136 movie and television clips documenting the history of the female journalist in film and television in the 20th and 21st centuries. Hollywood Looks at the News, 1914-2007, video compilation with 165 movie and television clips documenting the history of journalists in film and television in the 20th and 21st century. IJPC special promotion and research videos include:Journalists in the Media – USC Annenberg Research VideoAll the News that Fit to Stream TCM Mini documentaryFake News and the Image of the Journalist in Popular CultureIJPC Research Presentation, 2022Image of the Journalist in Popular Culture Course PromoAEJMC Panel 2015 – Joe Saltzman Tribute involving IJPC, Documentaries.Annenberg Research Seminar – Joe Saltzman Presentation
DOI: 10.15468/dl.47gq2a
title: Occurrence Download

description: A dataset containing 48 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Pleione forrestii"
 ]
}

 The dataset includes 48 records from 15 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0022751-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/ijpc-ouc113774606
title: Why me?

description: Why Me? a one-hour program on breast cancer in 1974 that resulted in thousands of lives being saved and advocated changes in the treatment of breast cancer in America. The first major television documentary to deal with cancer. “A landmark documentary,” the Los Angeles Times. Winner of the Alfred I. duPont-Columbia University Award for Broadcast Journalism: “Of many worthy programs on subjects of particular interest to women, the most remarkable unquestionably was this gripping hour on breast cancer. Saltzman tread a narrow path between bathos and tragedy, which he survived with signal success thanks to his own and the participants’ impeccable taste and sincerity.”
DOI: 10.25549/ijpc-ouc113774605
title: Why me?

description: Why Me? a one-hour program on breast cancer in 1974 that resulted in thousands of lives being saved and advocated changes in the treatment of breast cancer in America. The first major television documentary to deal with cancer. “A landmark documentary,” the Los Angeles Times. Winner of the Alfred I. duPont-Columbia University Award for Broadcast Journalism: “Of many worthy programs on subjects of particular interest to women, the most remarkable unquestionably was this gripping hour on breast cancer. Saltzman tread a narrow path between bathos and tragedy, which he survived with signal success thanks to his own and the participants’ impeccable taste and sincerity.”
DOI: 10.25549/ijpc-ouc113774603
title: Black on black

description: Black on Black, a 90-minute program with no written narration on what it is like to be an African American in urban America, 1967. The first documentary of its kind to air on television. The documentary is considered one of the seminal television documentaries on African Americans, the only known television record of Black life in America in the 1960s.
DOI: 10.25549/ijpc-ouc113774598
title: Joe Saltzman produced documentaries and historic programming

description: Joe Saltzman wrote and produced several historic documentaries and other materials between 1968 and 1974. Saltzman won more than 50 awards during this six-year period for his documentaries and news programs. The collection includes:Black on Black, a 90‑minute documentary told without a narrator depicting how it feels to be black and live in South‑Central Los Angeles.The Unhappy Hunting Ground, a 90-minute documentary on the Native American in Los Angeles.The Junior High School, a two-hour documentary on the junior high school experience.The Very Personal Death of Elizabeth Schell Holt‑Hartford, a 30‑minute documentary on an 82‑year‑old woman trying to live out her life in dignity.Rape, a 30‑minute documentary on the crime of rape. The first documentary on the subject for television, which resulted in changes in California law.Why Me? a one‑hour documentary on breast cancer narrated by actress Lee Grant.In addition, there are other programs and original materials from 1968 through 1990. Including, When Children Grieve, showing what a child goes through when a parent dies. Various fragments from Entertainment Tonight.
DOI: 10.5281/zenodo.17556506
title: Ipseity Daily Data

description: At what rate do individuals say they are X?

Begining on 2025-07-08, I surveyed a small random sample of American adults on a daily cadence.  They responded to many items of the form: Does <signifier> describe you today?

The file ipseity-daily-aggregated.csv in this repository contains the aggregated results through 2025-07-28.  The columns are as follows:



signifier - a word, phrase or emoji

yes_count - the number of respondents who answered yes (aggregated all-time).

no_count - the number of respondents who answered no (aggregated all-time).

prevalence_per_10k - an estimate of the prevalence per 10,000.  If we were to survey 10,000 American adults, how many would we expect to respond yes to this signifier?  The number is calculated as yes_count / (yes_count + no_count) * 10,000.

earliest_obs_date - this date represents the first time this particular signifier was ever displayed to a respondent.  Signifiers are chosen with stochasticity from a long list; new signifiers are sometimes added, old signifiers are sometimes deleted, and a signifier may be moved higher or lower in priority for sampling.

latest_obs_date - the date closest to the present date on which signifier was most recently presented to a respondent.


Version created on 2025-11-08 — cumulative data.
DOI: 10.25549/ijpc-ouc113774597
title: Joe Saltzman produced documentaries and historic programming

description: Joe Saltzman wrote and produced several historic documentaries and other materials between 1968 and 1974. Saltzman won more than 50 awards during this six-year period for his documentaries and news programs. The collection includes:Black on Black, a 90‑minute documentary told without a narrator depicting how it feels to be black and live in South‑Central Los Angeles.The Unhappy Hunting Ground, a 90-minute documentary on the Native American in Los Angeles.The Junior High School, a two-hour documentary on the junior high school experience.The Very Personal Death of Elizabeth Schell Holt‑Hartford, a 30‑minute documentary on an 82‑year‑old woman trying to live out her life in dignity.Rape, a 30‑minute documentary on the crime of rape. The first documentary on the subject for television, which resulted in changes in California law.Why Me? a one‑hour documentary on breast cancer narrated by actress Lee Grant.In addition, there are other programs and original materials from 1968 through 1990. Including, When Children Grieve, showing what a child goes through when a parent dies. Various fragments from Entertainment Tonight.
DOI: 10.25549/ijpc-ouc1sto1847284
title: Image of the journalist in popular culture silent film collection

description: The Image of the Journalist in Popular Culture video collection contains videos and Journalism 201 class materials in the following collections. Image of the journalist in popular culture collection, promotion, and research videosHeroes and scoundrels journalist in popular culture project video collectionImage of the journalist in popular culture silent film collectionJoe Saltzman produced documentaries and historic programmingJournalism 201 - Culture of Journalism: past, present and futureJournalism ethics goes to the movies The material comes from The Image of the Journalist in Popular Culture (IJPC) project in the Norman Lear Center at USC Annenberg. The mission of the IJPC is to investigate and analyze through research and publication the conflicting images of journalists in film, television, radio, fiction, commercials, cartoons, comic books, music, art, video games and other aspects of popular culture demonstrating their impact on the public’s perception of newsgatherers. It was founded in 2000 by Joe Saltzman, professor of journalism at the USC Annenberg School for Communication. Today, the IJPC Web site (ijpc.org) and the IJPC Database are considered the definitive worldwide sources for this subject and are used on a daily basis by scholars, students and professionals who want to do more research in this area.
DOI: 10.25549/ijpc-ouc113774671
title: 28. Future

description: 28. Future (Spring 2023 Lecture 28 Wednesday)
DOI: 10.25549/ijpc-ouc113774665
title: 26. Television journalists II - Women in sports

description: 26. Television journalists II - Women in sports (Spring 2023 Lecture 26 Wednesday)
DOI: 10.25549/ijpc-ouc113766202
title: Ethics - Absence of malice

description: Chapter 4 - What Is Good Work?
DOI: 10.25549/ijpc-ouc113766201
title: Ethics - Wag the dog

description: Chapter 3 - Political Manipulation of the Media
DOI: 10.25549/gmha-c9-1385
title: Souvenir program, Nationwide Gospel train, 1952

description: Souvenir program, Nationwide Gospel train, 1952. [Cover page]: "Souvenir program, Nationwide Gospel Train, 1952". Drawing a train tearing through the cover. [Page 2]: Photograph of Mahalia Jackson. [Page 3]: "The Gospel Train, a gospel and spiritual extravaganza in concert. Starring the inimitable Mahalia Jackson". List of featured singers. [Page 3]: Photograph of Mahalia Jackson. [Page 4]: Short autobiography of Mahalia Jackson. [Page 5]: Photograph and short description of Clara Ward. [Page 6]: Photograph of The Clara Ward Specials. [Page 7 and 8]: "Congratulations to the nationwide Gospel Train". This two page spread includes several photographs of gospel singers and groups. [Page 9]: Photograph and short description of the Selah Jubilee Singers. [Page 10]: Photograph of Reverend Abner Duncans. [Page 11, 12 and 13]: "The Gospel Train salutes hymns of today". Verses to "I want to live like Jesus" and "Lord have mercy", "Bye and bye", "Pass me not", "On the cross he died for me", "There's sunshine in my soul". [Page 14]: A short poem by Shirley Graham. [Back cover page]: "Gospel singing queen of the nation, the great Mahalia Jackson in a stirring religious concert program". A photograph of Mahalia Jackson on the back cover.
DOI: 10.25549/gmha-c9-1378
title: Souvenir program, Nationwide Gospel train, 1952

description: Souvenir program, Nationwide Gospel train, 1952. [Cover page]: "Souvenir program, Nationwide Gospel Train, 1952". Drawing a train tearing through the cover. [Page 2]: Photograph of Mahalia Jackson. [Page 3]: "The Gospel Train, a gospel and spiritual extravaganza in concert. Starring the inimitable Mahalia Jackson". List of featured singers. [Page 3]: Photograph of Mahalia Jackson. [Page 4]: Short autobiography of Mahalia Jackson. [Page 5]: Photograph and short description of Clara Ward. [Page 6]: Photograph of The Clara Ward Specials. [Page 7 and 8]: "Congratulations to the nationwide Gospel Train". This two page spread includes several photographs of gospel singers and groups. [Page 9]: Photograph and short description of the Selah Jubilee Singers. [Page 10]: Photograph of Reverend Abner Duncans. [Page 11, 12 and 13]: "The Gospel Train salutes hymns of today". Verses to "I want to live like Jesus" and "Lord have mercy", "Bye and bye", "Pass me not", "On the cross he died for me", "There's sunshine in my soul". [Page 14]: A short poem by Shirley Graham. [Back cover page]: "Gospel singing queen of the nation, the great Mahalia Jackson in a stirring religious concert program". A photograph of Mahalia Jackson on the back cover.
DOI: 10.25549/gmha-c9-1383
title: Souvenir program, Nationwide Gospel train, 1952

description: Souvenir program, Nationwide Gospel train, 1952. [Cover page]: "Souvenir program, Nationwide Gospel Train, 1952". Drawing a train tearing through the cover. [Page 2]: Photograph of Mahalia Jackson. [Page 3]: "The Gospel Train, a gospel and spiritual extravaganza in concert. Starring the inimitable Mahalia Jackson". List of featured singers. [Page 3]: Photograph of Mahalia Jackson. [Page 4]: Short autobiography of Mahalia Jackson. [Page 5]: Photograph and short description of Clara Ward. [Page 6]: Photograph of The Clara Ward Specials. [Page 7 and 8]: "Congratulations to the nationwide Gospel Train". This two page spread includes several photographs of gospel singers and groups. [Page 9]: Photograph and short description of the Selah Jubilee Singers. [Page 10]: Photograph of Reverend Abner Duncans. [Page 11, 12 and 13]: "The Gospel Train salutes hymns of today". Verses to "I want to live like Jesus" and "Lord have mercy", "Bye and bye", "Pass me not", "On the cross he died for me", "There's sunshine in my soul". [Page 14]: A short poem by Shirley Graham. [Back cover page]: "Gospel singing queen of the nation, the great Mahalia Jackson in a stirring religious concert program". A photograph of Mahalia Jackson on the back cover.
DOI: 10.25549/ijpc-ouc1sto1847307
title: Heroes and scoundrels journalist in popular culture project video collection

description: Heroes and Scoundrels journalist in popular culture video collection companion videos follow the outline of the book and are divided by the same chapters using excerpts from more than 340 movies, television, and radio programs, Broadway plays and video games.
DOI: 10.25549/ijpc-ouc113787988
title: Image of the Journalist in Silent Film Part Two 1920-1929 Part B

description: Part B: Celebrity Journalists, Newsboys, the Newspaper in Silent Films, Newsreels, 1920-1929, a 4:30:30 compilation with excerpts from 71 movies. https://www.ijpc.org/ijpc_templates/page/114103/
DOI: 10.25549/ijpc-ouc113787975
title: Image of the Journalist in Silent Film Part Two 1920-1929 Part A

description: Part A: The Image of the Journalist in Silent Film, 1920-1929, a 11:45:00 compilation with excerpts from 79 movies. https://www.ijpc.org/ijpc_templates/page/114103/
DOI: 10.25549/ijpc-ouc113787973
title: Image of the Journalist in Silent Film Part Two 1920-1929 Part A

description: Part A: The Image of the Journalist in Silent Film, 1920-1929, a 11:45:00 compilation with excerpts from 79 movies. https://www.ijpc.org/ijpc_templates/page/114103/
DOI: 10.25549/ijpc-ouc113787972
title: Image of the Journalist in Silent Film Part Two 1920-1929 Part A

description: Part A: The Image of the Journalist in Silent Film, 1920-1929, a 11:45:00 compilation with excerpts from 79 movies. https://www.ijpc.org/ijpc_templates/page/114103/
DOI: 10.25549/ijpc-ouc113764914
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.25549/ijpc-ouc113764855
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.25549/ijpc-ouc113764844
title: Chapter 4: Power

description: Power is the focus of chapter 4. Critics have pointed to the circumstances under which the press may violate the trust of the powerless and also how it can serve as an instrument of those who do hold political or economic power. Many popular culture works graphically depict the damage that the press can inflict on individuals, even if they might finally show journalists trying to do the right thing in the end. The negative effects of state control or censorship of the press are often dramatized, with the implication being that privately owned and commercially subsidized news media are right and just. However, pop culture also shows that corporate pressures stemming from private control can themselves lead to censorship or coercion.
DOI: 10.25549/ijpc-ouc113764842
title: Chapter 4: Power

description: Power is the focus of chapter 4. Critics have pointed to the circumstances under which the press may violate the trust of the powerless and also how it can serve as an instrument of those who do hold political or economic power. Many popular culture works graphically depict the damage that the press can inflict on individuals, even if they might finally show journalists trying to do the right thing in the end. The negative effects of state control or censorship of the press are often dramatized, with the implication being that privately owned and commercially subsidized news media are right and just. However, pop culture also shows that corporate pressures stemming from private control can themselves lead to censorship or coercion.
DOI: 10.25549/ijpc-ouc113764826
title: Chapter 2: Professionalism

description: Professionalism is the subject of chapter 2. Apart from questioning whether journalists are true professionals (or even should be professionals), scholars have been particularly interested in the role of “objectivity” in journalism and in the practice and philosophy behind journalism ethics. In popular culture, so-called objective reporting is shown to be deeply problematic and is often implicitly equated to a lack of passion and commitment. Still, profes­sional values do have a place as ethical dilemmas are brought to dramatic life and journalists who violate the public trust suffer the consequences of their misdeeds.
DOI: 10.25549/gmha-c9-956
title: Program for Don't Bother Me, I Can't Cope, Happy Medium Theater, [s.d.]

description: Don't Bother Me, I Can't Cope program, [s.d.], 42 pages. "Happy Medium Theater; Stagebill; Don't Bother Me, I Can't Cope" with image -- [cover].
DOI: 10.25549/gmha-c9-964
title: Program for Don't Bother Me, I Can't Cope, Happy Medium Theater, [s.d.]

description: Don't Bother Me, I Can't Cope program, [s.d.], 42 pages. "Happy Medium Theater; Stagebill; Don't Bother Me, I Can't Cope" with image -- [cover].
DOI: 10.25549/gmha-c9-957
title: Program for Don't Bother Me, I Can't Cope, Happy Medium Theater, [s.d.]

description: Don't Bother Me, I Can't Cope program, [s.d.], 42 pages. "Happy Medium Theater; Stagebill; Don't Bother Me, I Can't Cope" with image -- [cover].