cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/salamun-c98-896
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-478
title: Lauridsen. O magnum mysterium [excerpt], 1994

description: For SATB chorus. First sketch of the opening (mm. 1-13). Includes handwritten marginalia by the composer thanking the conductor Paul Salamunovich on the occasion of the premiere, 1995 December 14.
DOI: 10.25549/salamun-c98-689
title: Lauridsen. Mid-Winter songs [excerpt], 1980

description: For SATB chorus. First page of the autograph manuscript. Includes handwritten marginalia by the composer thanking the conductor Paul Salamunovich on the occasion of his recording of the work, 1999 April. 27. Includes an attached note from the composer to the conductor, 1991 April 27.
DOI: 10.25549/salamun-c98-611
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-613
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich, 1998 April 30.
DOI: 10.25549/salamun-c98-228
title: Lauridsen. Lux aeterna. O nata lux, 1997

description: For SATB chorus a cappella. Vocal score. Third movement from Lux Aeterna. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich on the occasion of the premiere.
DOI: 10.25549/salamun-c98-796
title: Lauridsen. Ave Maria, 1997

description: For SATB chorus a cappella. Autograph vocal score. Includes handwritten note by the composer to the conductor Paul Salamunovich on the occasion of Salamunovich's 75th birthday, 1997 October 7.
DOI: 10.25549/salamun-c98-133
title: Choral Arts Society at the Kennedy Center, 2007

description: Stephen Brookes. "Choral Arts Society at the Kennedy Center" in Washington Post (2007). Regarding works by Morton Lauridsen.
DOI: 10.25549/salamun-ouc1924712
title: Zurbaran's "Still-life with lemons, oranges and a rose", 1994?

description: Morton Lauridsen. "Zurbaran's 'Still-life with lemons, oranges and a rose': An inspiration for the choral setting of 'O magnum mysterium', 1994?
DOI: 10.25549/salamun-ouc1928321
title: Zurbaran's "Still-life with lemons, oranges and a rose", 1994?

description: Morton Lauridsen. "Zurbaran's 'Still-life with lemons, oranges and a rose': An inspiration for the choral setting of 'O magnum mysterium', 1994?
DOI: 10.25549/salamun-c98-49
title: Lauridsen, card, 2002-01, to Salamunovich

description: Morton Lauridsen, greeting card, 2002 New Year, to Paul Salamunovich. "Looking forward to our OMM [O magnum mysterium] on the 15th (but it will not be the same without you on the podium)." -- first line.
DOI: 10.25549/loureiro-ouc11399m80w
title: 4th Marines (Shanghai). Reports on Japanese military operations in Yangzi area, 1938

description: 4th Marines (Shanghai). Reports on Japanese military operations in Yangzi area, 1938
DOI: 10.25549/loureiro-ouc11399m812
title: 4th Marines (Shanghai). Reports, 1937

description: Reports include: 1) Japanese military operations in September 1937, 2) Organization of a Japanese infantry regiment, 3) Member list of the German military mission to China
DOI: 10.25549/loureiro-ouc11399m81g
title: United States Marine Corps (USMC). Report on Japanese assault landing operations, Yangtze Delta campaign, 1937

description: United States Marine Corps (USMC). Report on Japanese assault landing operations, Yangtze Delta campaign, 1937
DOI: 10.25549/loureiro-ouc11399m7je
title: Naval Intelligence. Correspondence between R. E. Ingersoll and C. L. Arnold regarding Japanese activities, 1923

description: Naval Intelligence. Correspondence between R. E. Ingersoll and C. L. Arnold regarding Japanese activities, 1923
DOI: 10.25549/loureiro-ouc11399m7jk
title: United States. War Department. Intelligence report regarding Japanese activities, 1938

description: United States. War Department. Intelligence report regarding Japanese activities, 1938
DOI: 10.25549/salamun-c98-861
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-883
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-885
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-890
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-898
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-566
title: Bass. A feast of carols, 1985

description: For orchestra and SATB chorus. Reduced orchestration score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-567
title: Bass. A feast of carols, 1985

description: For orchestra and SATB chorus. Reduced orchestration score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-586
title: Bass. A feast of carols, 1985

description: For orchestra and SATB chorus. Reduced orchestration score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-594
title: Bass. A feast of carols, 1985

description: For orchestra and SATB chorus. Reduced orchestration score. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-808
title: Conducting baton

description: Conducting baton used by Paul Salamunovich.
DOI: 10.25549/salamun-c98-904
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-910
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-923
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-927
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-929
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-930
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-933
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.57783/j8j4-9298
title: New York HCUP
DOI: 10.25549/salamun-c98-937
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-939
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-965
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-966
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-973
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-974
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-977
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-986
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-996
title: Duruflé. Requiem, op. 9 (1961)

description: Arranged for voices, organ and string quintet (and harp, trumpets and percussion ad libitum) by the composer; original for solo voices, choruses, orchestra and organ. Contains performance annotations by Paul Salumunovich as well as: handwritten dedication by the composer to Salamunovich, 2 newspaper clippings (1971), 2 programs (1974/1975, 2010), and handwritten notes to be ready by Salamunovich at performance.
DOI: 10.25549/salamun-c98-66
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-70
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-71
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-73
title: Duruflé. Messe "cum jubilo", op. 11 (1972)

description: For baritone solo, baritone chorus, orchestra and organ. Contains performance annotations by Paul Salamunovich.
DOI: 10.5281/zenodo.18809614
title: Simulation data for calibration in MOM6

description: Simulation with the calibrated parameterization in Double Gyre: 










prog__0001_031.nc





Simulation with the calibrated parameterization in NeverWorld2:










snapshots_00029005.nc





Initial condition used for calibration in NeverWorld2:










MOM_0.res.nc





Filtered and coarsegrained high-resolution Double Gyre simulation:






R2_FGR3_PCA_variability3.nc





Filtered and coarsegrained high-resolution NeverWorld2 simulation:










800days_v4.nc
DOI: 10.5281/zenodo.18809615
title: Simulation data for calibration in MOM6

description: Simulation with the calibrated parameterization in Double Gyre: 










prog__0001_031.nc





Simulation with the calibrated parameterization in NeverWorld2:










snapshots_00029005.nc





Initial condition used for calibration in NeverWorld2:










MOM_0.res.nc





Filtered and coarsegrained high-resolution Double Gyre simulation:






R2_FGR3_PCA_variability3.nc





Filtered and coarsegrained high-resolution NeverWorld2 simulation:










800days_v4.nc
DOI: 10.25549/salamun-c98-653
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-663
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-666
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-680
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-681
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-683
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-684
title: Szymanowski. Stabat mater, op. 53 (1928)

description: For soprano, alto, and baritone soloists, SATB chorus and orchestra. Full score. Includes performance annotations by Paul Salamunovich.
DOI: 10.25549/salamun-c98-384
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-389
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-398
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/loureiro-ouc11399m7k6
title: Asiatic Fleet. Radio Security Station, Marine Detachment, Peiping, China

description: Asiatic Fleet. Radio Security Station, Marine Detachment, Peiping, China
DOI: 10.25549/loureiro-c12-4595
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-14032
title: Loureiro: China 1930's

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-3609
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m69o
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-c12-3718
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.
DOI: 10.25549/loureiro-ouc11399m692
title: Loureiro: Naval Attaché Reports

description: Pedro Loureiro is an historian who has concentrated much of his research on pre-War Japanese espionage and relations with the United States. In the course of his research, he applied for and gathered a sizable collection (24,000+ pages) of declassified documents from such agencies as the Asiatic Fleet, the 4th Marine Regiment (the "China Marines"), American Naval Attaches in Peiping (Beijing) and Tokyo and the Federal Bureau of Investigation. The collection documents many details of the political, economic, military and social conditions in East Asia during the 1920s and 1930s.