cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10283678
title: Greek-Italic transport amphora, Molinello

description: "Greek-Italic transport amphora  from the Tumulus of Molinello, Asciano, Tuscany.  
 
Greek-Italic transport amphora. Hellenistic period. Tomb F, Tumulus of Molinello, Asciano. Unpublished. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 346 images. GDH ID No. C17_10,  Inventory No. 102534

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283679
title: Greek-Italic transport amphora, Molinello

description: "Greek-Italic transport amphora  from the Tumulus of Molinello, Asciano, Tuscany.  
 
Greek-Italic transport amphora. Hellenistic period. Tomb F, Tumulus of Molinello, Asciano. Unpublished. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 346 images. GDH ID No. C17_10,  Inventory No. 102534

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283681
title: Vache N° 1

description: Oeuvre grandeur nature en résine colorée, due à Charlotte Carsin et Philippe Sidot, tous deux artistes plasticiens de l' "Atelier Phil et Cha" à Rennes en Ille et Vilaine (France)
Cette sculpture est le 1ère des deux vaches placées sur le rond-point de Quéven dans la Morbihan (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283680
title: Vache N° 1

description: Oeuvre grandeur nature en résine colorée, due à Charlotte Carsin et Philippe Sidot, tous deux artistes plasticiens de l' "Atelier Phil et Cha" à Rennes en Ille et Vilaine (France)
Cette sculpture est le 1ère des deux vaches placées sur le rond-point de Quéven dans la Morbihan (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283683
title: Athena's Sword

description: Sword Created using Maya 2020, inspired by the game 'Troy: Total War'.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283682
title: Athena's Sword

description: Sword Created using Maya 2020, inspired by the game 'Troy: Total War'.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283685
title: test(sword)

description: don't actually take this model, this is just a test, I want to see if I can publish the model to a website

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283686
title: test(sword)

description: don't actually take this model, this is just a test, I want to see if I can publish the model to a website

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283691
title: L2 S067

description: Complete cranium

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283692
title: L2 S067

description: Complete cranium

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283693
title: Ceramic sculpture of Chalchiutlicue

description: [1923.06.0010](https://collections.smvk.se/carlotta-vkm/web/object/101135), gudabild (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue)
Gudabild av lergods. Chalchiuitlicue, vattengudinnan, med den typiska, på båda sidor med knappar (musselskalsskivor el. dyl.) försedda huvudbindeln. I dansställning med blommor i de höjda händerna. På samma sätt framställes även Chicomecouatl och Xochiquetzal.
Orig. nummer IV Ca 3065.

![](https://collections.smvk.se/carlotta-vkm/web/image/zoom/1146425/1923.06.0010.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283694
title: Ceramic sculpture of Chalchiutlicue

description: [1923.06.0010](https://collections.smvk.se/carlotta-vkm/web/object/101135), gudabild (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue)
Gudabild av lergods. Chalchiuitlicue, vattengudinnan, med den typiska, på båda sidor med knappar (musselskalsskivor el. dyl.) försedda huvudbindeln. I dansställning med blommor i de höjda händerna. På samma sätt framställes även Chicomecouatl och Xochiquetzal.
Orig. nummer IV Ca 3065.

![](https://collections.smvk.se/carlotta-vkm/web/image/zoom/1146425/1923.06.0010.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283695
title: Savannah River Stemmed (312a537)

description: **Savannah River Stemmed spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Late Archaic (3000-1000 BC).

Material: metavolcanic rock.

Dimensions: length, 89.5  mm; width, 35.1 mm; thickness, 8.6 mm.

Notes: Catalog no. 312a537, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 38. Model by Abigail Gancz and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283696
title: Savannah River Stemmed (312a537)

description: **Savannah River Stemmed spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Late Archaic (3000-1000 BC).

Material: metavolcanic rock.

Dimensions: length, 89.5  mm; width, 35.1 mm; thickness, 8.6 mm.

Notes: Catalog no. 312a537, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 38. Model by Abigail Gancz and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283698
title: Pinturas Rupestres Mas de Aspra (Benabarre)

description: Pinturas rupestres situadas en un pequeño abrigo en el entorno del Mas de Aspra (Spain, Huesca, Ribagorza, Benabarre), de posible edad del Hierro.

Existe un único panel pintado, donde se identifican tres figuras antropomorfas de entre ocho y diez centímetros de alto, pintadas con pintura negra. El estado de conservación es muy malo, a pesar de su desconocimiento. Además, han sido ralladas con objetos punzantes y garabateadas con carboncillo.

Más información: http://ribagorzanyomil.blogspot.com/2011/08/pinturas-del-mas-de-aspra.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283697
title: Pinturas Rupestres Mas de Aspra (Benabarre)

description: Pinturas rupestres situadas en un pequeño abrigo en el entorno del Mas de Aspra (Spain, Huesca, Ribagorza, Benabarre), de posible edad del Hierro.

Existe un único panel pintado, donde se identifican tres figuras antropomorfas de entre ocho y diez centímetros de alto, pintadas con pintura negra. El estado de conservación es muy malo, a pesar de su desconocimiento. Además, han sido ralladas con objetos punzantes y garabateadas con carboncillo.

Más información: http://ribagorzanyomil.blogspot.com/2011/08/pinturas-del-mas-de-aspra.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283699
title: Naquada Culture Copper Adze

description: Adze is one of the most typical Egyptian tools. Used for woodwork, stone 
cutting, masonry and even helped farmers in everyday agricultural 
activities. During Naqada period such objects were very often found in 
graves in a toolkit sets together with axe and chisel.


3D model was made as a part of the project financed under the National 
Science Center of Poland grant UMO-2014/15/N/HS3/01144 "The comparative 
analyses of Early Bronze Age Egyptian and Southern Levantine copper 
tools including the influences from the Arabian Peninsula and 
Mesopotamia region".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283700
title: Naquada Culture Copper Adze

description: Adze is one of the most typical Egyptian tools. Used for woodwork, stone 
cutting, masonry and even helped farmers in everyday agricultural 
activities. During Naqada period such objects were very often found in 
graves in a toolkit sets together with axe and chisel.


3D model was made as a part of the project financed under the National 
Science Center of Poland grant UMO-2014/15/N/HS3/01144 "The comparative 
analyses of Early Bronze Age Egyptian and Southern Levantine copper 
tools including the influences from the Arabian Peninsula and 
Mesopotamia region".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283701
title: Fence

description: Hello everyone, today I made a model of a fence based on one I saw on the way home, I hope it will be useful for you, greetings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283702
title: Fence

description: Hello everyone, today I made a model of a fence based on one I saw on the way home, I hope it will be useful for you, greetings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283703
title: Azurit

description: Azurit

Azurite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283704
title: Azurit

description: Azurit

Azurite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283705
title: Objn3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283706
title: Objn3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283708
title: Bombardier S Stock London Underground

description: London Underground - Bombardier S Train - Metropolitan Line

This has taken ages to do, I hope it is worthy of your likes. 

Updated to include rigged doors

**** NOT PRESENTED AS GAME READY ****

![](https://db3pap002files.storage.live.com/y4mXQXYVZ9wq5p6dgDA70EYLDoVq-NHdB6CbQYtHsMVoxBtOngR_hXYEuIPAs8WpZ_oBa0wT84BdfydaH6W0jtoS99x2Sv_V_eIaAVGlunxwrmruZq1z22CAH_rmHLDXF_kB6dh7YYuJaSVflwiYkJ-vUHnTS0LsJFG6Kk1P_qkDDhwGlL0A7x5CrACt4sP19MF?width=3840&height=2160&cropmode=none)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283707
title: Bombardier S Stock London Underground

description: London Underground - Bombardier S Train - Metropolitan Line

This has taken ages to do, I hope it is worthy of your likes. 

Updated to include rigged doors

**** NOT PRESENTED AS GAME READY ****

![](https://db3pap002files.storage.live.com/y4mXQXYVZ9wq5p6dgDA70EYLDoVq-NHdB6CbQYtHsMVoxBtOngR_hXYEuIPAs8WpZ_oBa0wT84BdfydaH6W0jtoS99x2Sv_V_eIaAVGlunxwrmruZq1z22CAH_rmHLDXF_kB6dh7YYuJaSVflwiYkJ-vUHnTS0LsJFG6Kk1P_qkDDhwGlL0A7x5CrACt4sP19MF?width=3840&height=2160&cropmode=none)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283711
title: Pannmask, frontlet

description: [1904.19.0040](http://kulturarvsdata.se/SMVK-EM/objekt/html/1068137) Detta är en så kallad "frontlet" en pannmask, som bärs av hövdingar på nordvästkusten, från sydöstra Alaska hos tlingit i norr ner till Washington state i söder och de nordligaste indiangrupperna i denna delstat. Olika grupper har sina föreställningar om var dessa pannmasker först började användas, men troligen var det i det norra området.
Pannmasken är oftast tillverkad i ett hårt träslag, och är oftast snidad för att representera ett familjesläktvapen eller en mytologisk gestalt. De används i danser där dansaren ofta har en korpskallra och är klädd i en filt och förkläde. Pannmaskerna hade ofta tyg runt en huvudring bakom den, och den var ibland dekorerad upptill med sjölejonmorrhår som står upp, och nedtill med hängande hermelinskinn. I kransen av sjölejonmorrhår upptill förvaras ofta örndun, som sprider sig runt när dansaren dansar. Dunet ska dels rena dels välkomna gäster på potlatchfester.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283712
title: Pannmask, frontlet

description: [1904.19.0040](http://kulturarvsdata.se/SMVK-EM/objekt/html/1068137) Detta är en så kallad "frontlet" en pannmask, som bärs av hövdingar på nordvästkusten, från sydöstra Alaska hos tlingit i norr ner till Washington state i söder och de nordligaste indiangrupperna i denna delstat. Olika grupper har sina föreställningar om var dessa pannmasker först började användas, men troligen var det i det norra området.
Pannmasken är oftast tillverkad i ett hårt träslag, och är oftast snidad för att representera ett familjesläktvapen eller en mytologisk gestalt. De används i danser där dansaren ofta har en korpskallra och är klädd i en filt och förkläde. Pannmaskerna hade ofta tyg runt en huvudring bakom den, och den var ibland dekorerad upptill med sjölejonmorrhår som står upp, och nedtill med hängande hermelinskinn. I kransen av sjölejonmorrhår upptill förvaras ofta örndun, som sprider sig runt när dansaren dansar. Dunet ska dels rena dels välkomna gäster på potlatchfester.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283713
title: Biface

description: Recolhido na região de Grândola por Vítor Miranda. Capturado e processado no Autodesk ReMake por Artur Coelho. Dimensões do objeto (para impressão 3D à escala real), em mm: x - 38 y - 70, z - 97.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283714
title: Biface

description: Recolhido na região de Grândola por Vítor Miranda. Capturado e processado no Autodesk ReMake por Artur Coelho. Dimensões do objeto (para impressão 3D à escala real), em mm: x - 38 y - 70, z - 97.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283715
title: Pan de Muerto

description: Una pieza de Pan de Muerto, se consume en Noviembre por el festejo del Día de los Muertos #FoodChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283716
title: Pan de Muerto

description: Una pieza de Pan de Muerto, se consume en Noviembre por el festejo del Día de los Muertos #FoodChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283717
title: Tonbridge Castle, KENT - Sony A6000

description: This was a model created with a Sony A6000. The lighting was too bright on one side and need a better flash for the tunnel part. Really like the way the external view of the archway is displayed. As always, learnt loads on this simple project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283718
title: Tonbridge Castle, KENT - Sony A6000

description: This was a model created with a Sony A6000. The lighting was too bright on one side and need a better flash for the tunnel part. Really like the way the external view of the archway is displayed. As always, learnt loads on this simple project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283719
title: Polished Slate XCB-001-572

description: Polished Slate XCB-001-572

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283720
title: Polished Slate XCB-001-572

description: Polished Slate XCB-001-572

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283721
title: FR012, Early Archaic, dovetails/St Charles point

description: Dovetails or St. Charles Points

Early Archaic

Catalog #: P093

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR012, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283722
title: FR012, Early Archaic, dovetails/St Charles point

description: Dovetails or St. Charles Points

Early Archaic

Catalog #: P093

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR012, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283723
title: Tláloc

description: Sculpture of Tláloc, Mexica god of rain.

Museo Nacional de Antropologia, Mexico

photographed by Kyle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283724
title: Tláloc

description: Sculpture of Tláloc, Mexica god of rain.

Museo Nacional de Antropologia, Mexico

photographed by Kyle

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283725
title: Chalcedony with cassiterite BIRUG 24

description: BIRUG 24 is predominantly a specimen of chalcedony – a microcrystalline variety of silicon dioxide (quartz being the most usual and recognisable silicon dioxide form), but also contains cassiterite (tin oxide) – the primary ore of tin.

Scientifically speaking, "chalcedony" describes sub- and microscopic "fibrous" quartz crystals, but more generally it can include all microcrystalline varieties of quartz including jasper, agate, carnelian and onyx. It usually displays a botryoidal crystal form (grape-like).

The name comes from the town of "Chalcedon" mentioned by Agricola (1546) (now called "Kadıköy" – a district in Istanbul).

Cassiterite is named after the "Cassiterides" meaning 'islands off the west coast of Europe' in pre-Roman times. It is debated as to where this means exactly, current possibilities include Ireland and Great Britain, or even mainland Spain.

This specimen was donated to the Museum in 1915 by W. McLean and was digitised by Courtney Szanto, using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283726
title: Chalcedony with cassiterite BIRUG 24

description: BIRUG 24 is predominantly a specimen of chalcedony – a microcrystalline variety of silicon dioxide (quartz being the most usual and recognisable silicon dioxide form), but also contains cassiterite (tin oxide) – the primary ore of tin.

Scientifically speaking, "chalcedony" describes sub- and microscopic "fibrous" quartz crystals, but more generally it can include all microcrystalline varieties of quartz including jasper, agate, carnelian and onyx. It usually displays a botryoidal crystal form (grape-like).

The name comes from the town of "Chalcedon" mentioned by Agricola (1546) (now called "Kadıköy" – a district in Istanbul).

Cassiterite is named after the "Cassiterides" meaning 'islands off the west coast of Europe' in pre-Roman times. It is debated as to where this means exactly, current possibilities include Ireland and Great Britain, or even mainland Spain.

This specimen was donated to the Museum in 1915 by W. McLean and was digitised by Courtney Szanto, using an Artec Spider 3D scanner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283727
title: Doklam 3D Terrain Model - Topographic

description: This is a 3D model of the Doklam Plateau region on the borders of India/China/Bhutan. It shows a number of strategic and tactical points. 
This model is designed to acompany an [associated report](https://pageflow.aspi.org.au/mappingdoklam) on the region. Please check that out too.
There is also a version of this model with satellite imagery draped over the terrain available [here](https://skfb.ly/o78y8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283728
title: Doklam 3D Terrain Model - Topographic

description: This is a 3D model of the Doklam Plateau region on the borders of India/China/Bhutan. It shows a number of strategic and tactical points. 
This model is designed to acompany an [associated report](https://pageflow.aspi.org.au/mappingdoklam) on the region. Please check that out too.
There is also a version of this model with satellite imagery draped over the terrain available [here](https://skfb.ly/o78y8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283731
title: Patologías de edificio Esquina Brown y Pichincha

description: Edificio de Valor Patrimonial. Rosario. Santa FE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283732
title: Patologías de edificio Esquina Brown y Pichincha

description: Edificio de Valor Patrimonial. Rosario. Santa FE

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283736
title: JACENA DE UN CORO MUDEJAR

description: JACENA DE UN CORO MUDEJAR
Jacena correspondiente a la parte posterior de un coro, que ha sido restaurado pero que se encontraba en un estado de abandono total.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283735
title: JACENA DE UN CORO MUDEJAR

description: JACENA DE UN CORO MUDEJAR
Jacena correspondiente a la parte posterior de un coro, que ha sido restaurado pero que se encontraba en un estado de abandono total.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283741
title: Polystictus versicolor var. speciosa L.

description: *Polystictus versicolor var. speciosa* L.  	 (SGO 101826) (B006)
	Trametes versicolor (L.) Lloyd

Phyllum: Basidiomycota     Clase: Agaricomycetes     Orden: Hymenochaetales    Familia: Hymenochaetaceae
Ejemplar recolectado por Marcial Espinosa en la isla Robinson Crusoe (Más a Tierra) en febrero de 1936. Sin N° colector. Sin datos geográficos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283740
title: Polystictus versicolor var. speciosa L.

description: *Polystictus versicolor var. speciosa* L.  	 (SGO 101826) (B006)
	Trametes versicolor (L.) Lloyd

Phyllum: Basidiomycota     Clase: Agaricomycetes     Orden: Hymenochaetales    Familia: Hymenochaetaceae
Ejemplar recolectado por Marcial Espinosa en la isla Robinson Crusoe (Más a Tierra) en febrero de 1936. Sin N° colector. Sin datos geográficos

Source: Objaverse 1.0 / Sketchfab