cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10289078
title: XFP-141 Scraper, Elma Is. Sanak Group, Alaska

description: Scraper or chisel blade, woodworking. Andasitic basalt. XFP-141, Elma Island in the Sanak Archipelago. XFP-141-35. 340-540 CE.

XFP-141 is a site with seven large house depressions. There are multiple components. Mos tof ht esite is dated either to 1000-1160 CE or 340-540 CE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289075
title: Civil War Scene

description: This is a modle of a civil rifle in a room with multiple recruitment posters and a issue of the Harpers Weekly, which was a popular news paper during the time.This is my first time using Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289076
title: Civil War Scene

description: This is a modle of a civil rifle in a room with multiple recruitment posters and a issue of the Harpers Weekly, which was a popular news paper during the time.This is my first time using Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289079
title: Carinated vase with flaring rim - PG.2000.1462

description: Carinated vase with flaring rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1462

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198519&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289080
title: Carinated vase with flaring rim - PG.2000.1462

description: Carinated vase with flaring rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1462

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198519&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289083
title: カード見本 2

description: **カード見本 2**  
3DF Zephyr v5.019でアップロード

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289084
title: カード見本 2

description: **カード見本 2**  
3DF Zephyr v5.019でアップロード

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289087
title: Schloss

description: Konigsberg Schloss (1255)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289088
title: Schloss

description: Konigsberg Schloss (1255)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289098
title: Bubbies Valentines Day Bone Find

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289089
title: Textiles: Krasavina, "What you go for..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Akulina Krasavina in the play "What you go for, you will find" (1861) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.26981.68321

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289092
title: Ukrainian  Tombstone 01

description: XVIII century tombstone form odessa Cossack cemetery. Ukarine

СВЯТОГО ДУХА
АМИНЬ
ЗДЕСЬ ШПОЧИ
ВАЕТЪ ТЕЛО
РАБЫ БОЖИЙ 
МАРИИ ЖЕНЫ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289093
title: Flyers from 1940s

description: Flyers designed by İhap Hulusi, a well-known Turkish graphic designer from 1940's Turkey. They advertise products and services of recently established companies of a young country.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289094
title: Flyers from 1940s

description: Flyers designed by İhap Hulusi, a well-known Turkish graphic designer from 1940's Turkey. They advertise products and services of recently established companies of a young country.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289095
title: Lesser grey shrike

description: https://muzea.malopolska.pl/en/objects-list/2393

The Krystyna and Włodzimierz Tomek Natural Science Museum in Ciężkowice

Inventory number: MP 346

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289099
title: Door Lock Full

description: This lock is original surface mount hardware to Rennold's Manor in Essex County, Va, ca 1790-1800 (renamed Poverty Ridge in early 20th century). 

Original door frames fitted to Carpenter locks still in place.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289100
title: Door Lock Full

description: This lock is original surface mount hardware to Rennold's Manor in Essex County, Va, ca 1790-1800 (renamed Poverty Ridge in early 20th century). 

Original door frames fitted to Carpenter locks still in place.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289104
title: L'arbre de vie

description: Oeuvre en chêne brûlé peint de 130 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 2 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***En bas, la mort. Le corps en décomposition plonge par de multiples racines dans la terre profonde et là, s'opère l'éternel mystère de la germination ininterrompue. Du corps inanimé jaillissent de nouveaux corps qui s'enlacent et s'épanouissent en adolescents porteurs de symboles enfermés dans des cercles magiques. Eternel renouvellement, éternel retour, mystère des forces cosmiques en perpétuel travail. Dans l'hiver semblant immobile, luttent les forces obscures qui, lentement émergent en un nouveau printemps***.  Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289090
title: Textiles: Krasavina, "What you go for..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Akulina Krasavina in the play "What you go for, you will find" (1861) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.26981.68321

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289091
title: Ukrainian  Tombstone 01

description: XVIII century tombstone form odessa Cossack cemetery. Ukarine

СВЯТОГО ДУХА
АМИНЬ
ЗДЕСЬ ШПОЧИ
ВАЕТЪ ТЕЛО
РАБЫ БОЖИЙ 
МАРИИ ЖЕНЫ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289096
title: Lesser grey shrike

description: https://muzea.malopolska.pl/en/objects-list/2393

The Krystyna and Włodzimierz Tomek Natural Science Museum in Ciężkowice

Inventory number: MP 346

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289097
title: Bubbies Valentines Day Bone Find

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289102
title: Nämforsen, Laxön A9a, Ådals-Liden, Ångermanland

description: Nämforsen, Laxön, Hallström_A9a, Ådals-Liden 193, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289103
title: L'arbre de vie

description: Oeuvre en chêne brûlé peint de 130 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le N° 2 fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***En bas, la mort. Le corps en décomposition plonge par de multiples racines dans la terre profonde et là, s'opère l'éternel mystère de la germination ininterrompue. Du corps inanimé jaillissent de nouveaux corps qui s'enlacent et s'épanouissent en adolescents porteurs de symboles enfermés dans des cercles magiques. Eternel renouvellement, éternel retour, mystère des forces cosmiques en perpétuel travail. Dans l'hiver semblant immobile, luttent les forces obscures qui, lentement émergent en un nouveau printemps***.  Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de "l'Espace Culturel Assantza"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289105
title: Fuente - Fajalauza-HD (69)

description: Fuente producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde exvasado con el cuerpo con un perfil troncocónico abierto y base plana rehundida. Está esmaltada en blanco, tanto en el interior como en el exterior. Borde decorado con una cenefa en azul. Su parte interna está cubierta de cemento, fruto de su uso en el taller.

* Cronología: Siglo XXI.
* Depósito: Talleres de la Fundación Cerámica Fajalauza Cecilio Morales.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289106
title: Fuente - Fajalauza-HD (69)

description: Fuente producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde exvasado con el cuerpo con un perfil troncocónico abierto y base plana rehundida. Está esmaltada en blanco, tanto en el interior como en el exterior. Borde decorado con una cenefa en azul. Su parte interna está cubierta de cemento, fruto de su uso en el taller.

* Cronología: Siglo XXI.
* Depósito: Talleres de la Fundación Cerámica Fajalauza Cecilio Morales.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289107
title: Sculptural fountain La Manola (2)

description: "La Manola" is the colloquial name for a sculptural fountain made of cast iron, approximately 3.20 meters high, located in the central area of the Parterre gardens, in the vicinity of the church of Santa María in the town of Daimiel (Ciudad Real, Spain). This composition was manufactured in the Mac Naughtan Bros foundry in the city of Glasgow based in Valencia, being installed in Daimiel in 1891. The sculpture sits on a cylindrical base on which rests a shaft decorated with three angels that support a wide open-profile cup.

At the bottom it is possible to read the following:

REINANDO ALFONSO XIII SIENDO ALCALDE DE ESTA CIUDAD D. JOAQUIN FERNANDEZ SE INAUGURO ESTA FUENTE Y PARTERRE, PROYECTADO Y DIRIGIDO POR D. FRANCISCO SERRA 28 MAYO 1891 (Reigning Alfonso XIII, being mayor of this city D. Joaquin Fernandez, this fountain and garden was inaugurated, projected and directed by D. Francisco Serra May 28, 1891).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289108
title: Sculptural fountain La Manola (2)

description: "La Manola" is the colloquial name for a sculptural fountain made of cast iron, approximately 3.20 meters high, located in the central area of the Parterre gardens, in the vicinity of the church of Santa María in the town of Daimiel (Ciudad Real, Spain). This composition was manufactured in the Mac Naughtan Bros foundry in the city of Glasgow based in Valencia, being installed in Daimiel in 1891. The sculpture sits on a cylindrical base on which rests a shaft decorated with three angels that support a wide open-profile cup.

At the bottom it is possible to read the following:

REINANDO ALFONSO XIII SIENDO ALCALDE DE ESTA CIUDAD D. JOAQUIN FERNANDEZ SE INAUGURO ESTA FUENTE Y PARTERRE, PROYECTADO Y DIRIGIDO POR D. FRANCISCO SERRA 28 MAYO 1891 (Reigning Alfonso XIII, being mayor of this city D. Joaquin Fernandez, this fountain and garden was inaugurated, projected and directed by D. Francisco Serra May 28, 1891).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289110
title: Ulaca's Sanctuary

description: Complementing a previously uploaded model of the altar itself, I've posted this complete 3D model of the Ulaca's sanctuary. Located not far away from the oppidum's entrance, the sanctuary was one of the most important places in the settlement, and beyond. As is suggested by the researchers (Ruiz-Zapatero et al. 2020), there must be a pre-existing supra-local ritual significance, closely related with the mountain, wich was later materialized in the rock sanctuary. 
The sanctuary is a complex formed by the altar and an adjacent square-shape area carved in the natural bed-rock. We are able to distinguish, at least, two entrances flanking the altar and a bench. Most probably, the place main function was to gather the inhabitants, but also restrict the entrance.

For more information about urbanism in Iron Age Iberia here you have an open access paper:

Ruiz-Zapatero, G. Álvarez-Sanchís, J. Rodriguez-Hernández, J. (2020). Urbanism in Iron Age Iberia. Two Worlds in contact. *Journal of Urban Arcaheology*: 123-150.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289113
title: Anglo-saxon cruciform brooch item_1993-1454

description: A find from an Anglo-Saxon site in bridlington East Yorkshire. 

Scanned using a 0.5mm structured light scanned with manual digital editing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289101
title: Nämforsen, Laxön A9a, Ådals-Liden, Ångermanland

description: Nämforsen, Laxön, Hallström_A9a, Ådals-Liden 193, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289111
title: Ulaca's Sanctuary

description: Complementing a previously uploaded model of the altar itself, I've posted this complete 3D model of the Ulaca's sanctuary. Located not far away from the oppidum's entrance, the sanctuary was one of the most important places in the settlement, and beyond. As is suggested by the researchers (Ruiz-Zapatero et al. 2020), there must be a pre-existing supra-local ritual significance, closely related with the mountain, wich was later materialized in the rock sanctuary. 
The sanctuary is a complex formed by the altar and an adjacent square-shape area carved in the natural bed-rock. We are able to distinguish, at least, two entrances flanking the altar and a bench. Most probably, the place main function was to gather the inhabitants, but also restrict the entrance.

For more information about urbanism in Iron Age Iberia here you have an open access paper:

Ruiz-Zapatero, G. Álvarez-Sanchís, J. Rodriguez-Hernández, J. (2020). Urbanism in Iron Age Iberia. Two Worlds in contact. *Journal of Urban Arcaheology*: 123-150.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289114
title: Anglo-saxon cruciform brooch item_1993-1454

description: A find from an Anglo-Saxon site in bridlington East Yorkshire. 

Scanned using a 0.5mm structured light scanned with manual digital editing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289115
title: Hawaiian Fruitcake Tin

description: A tin that used to contain fruitcake from Hawaii, now in the collections of the Santa Cruz Museum of Art and History.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289116
title: Hawaiian Fruitcake Tin

description: A tin that used to contain fruitcake from Hawaii, now in the collections of the Santa Cruz Museum of Art and History.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289118
title: Dragon Gate Knocker

description: Get the Trnio app at www.trnio.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289119
title: Ungurmuižas mājiņa

description: Ungurmuižas mājiņa

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289123
title: Cămașă femeiască de Bobota

description: Denumire populară: **spăcel cu platcă**
Motive decorative: motiv floral realizat pe părțile vizibile ale piesei: platcă, mâneci și pumnari cu bumbac colorat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289124
title: Cămașă femeiască de Bobota

description: Denumire populară: **spăcel cu platcă**
Motive decorative: motiv floral realizat pe părțile vizibile ale piesei: platcă, mâneci și pumnari cu bumbac colorat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289117
title: Dragon Gate Knocker

description: Get the Trnio app at www.trnio.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289120
title: Ungurmuižas mājiņa

description: Ungurmuižas mājiņa

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289121
title: Buddha Standing

description: Buddha standing, Gupta style, Mathura, North India, 6th century BC, red sandstone. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with Remake and ReCap pro from AutoDesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289122
title: Buddha Standing

description: Buddha standing, Gupta style, Mathura, North India, 6th century BC, red sandstone. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with Remake and ReCap pro from AutoDesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289125
title: Bethnal Green Tube Vent

description: A London Underground ventilation shaft disguised as a shelter in the north east corner of Bethanl Green Gardens, London.

602 photos taken in April 2021 with a Sony a6000 and processed in Reality Capture.
Roof reconstructed using Microsoft Bing aerial photos as reference.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289126
title: Bethnal Green Tube Vent

description: A London Underground ventilation shaft disguised as a shelter in the north east corner of Bethanl Green Gardens, London.

602 photos taken in April 2021 with a Sony a6000 and processed in Reality Capture.
Roof reconstructed using Microsoft Bing aerial photos as reference.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289129
title: Txaraman iturria

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289130
title: Txaraman iturria

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289134
title: Etruscan loom weight, Tumulus of Molinello

description: "Etruscan loom weight from the Tumulus of Molinello, Asciano, Tuscany.  
 
Loom weight for tablet weaving, in bucchero, with stamps on either end. Part of group of 8 loomweights. Orientalizing period, late 7th - early 6th c. BCE. Tomb E, Tumulus of Molinello, Asciano. Unpublished. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 265 images. GDH ID No. Case26_8B,  Inventory No. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289133
title: Etruscan loom weight, Tumulus of Molinello

description: "Etruscan loom weight from the Tumulus of Molinello, Asciano, Tuscany.  
 
Loom weight for tablet weaving, in bucchero, with stamps on either end. Part of group of 8 loomweights. Orientalizing period, late 7th - early 6th c. BCE. Tomb E, Tumulus of Molinello, Asciano. Unpublished. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.
 
Processed in Reality Capture from 265 images. GDH ID No. Case26_8B,  Inventory No. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289137
title: FR007, Paleoindian, Hi-Lo point

description: Hi-Lo Point

Paleoindian

Catalog #: FR 3/10 P010

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR007, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289138
title: FR007, Paleoindian, Hi-Lo point

description: Hi-Lo Point

Paleoindian

Catalog #: FR 3/10 P010

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR007, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289139
title: Bracelet

description: District Museum in Tarnów
Inventory number:
MT-E/3693

https://muzea.malopolska.pl/en/objects-list/1290

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289140
title: Bracelet

description: District Museum in Tarnów
Inventory number:
MT-E/3693

https://muzea.malopolska.pl/en/objects-list/1290

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289145
title: Neolithic House Links of Noltland

description: Neolithic House Links of Noltland

Source: Objaverse 1.0 / Sketchfab