cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whittington-ouc11399eraw
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fure
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go7f
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399eezq
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc113779251
title: Crowds in Bullocks courtway, Los Angeles, Calif., 1945

description: 4 photographs of crowds between buildings in Bullocks Courtway, Hill Street, Los Angeles, California, USA, 26 May 1945. Client: Coldwell Banker & Company Mr. Mott. Mail airmail - special delivery to Frank N. Rileym, Waldorf Astoria Hotel, New York City, NY. 79¢). Operator: D.W.
DOI: 10.25549/whittington-ouc113779249
title: Publicity for Interstate-ments, El Segundo, Calif., 1945

description: 5 photographs of publicity for Interstate-ments, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 28 May 1945. Client: Interstate Aircraft (Miss Matson) (Deliver to Mitchell and Herb, engravers). Operator: Brown
DOI: 10.25549/whittington-ouc113779302
title: Publicity for Interstate-ments, El Segundo, Calif., 1945

description: 5 photographs of publicity for Interstate-ments, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 28 May 1945. Client: Interstate Aircraft (Miss Matson) (Deliver to Mitchell and Herb, engravers). Operator: Brown
DOI: 10.25549/whittington-ouc113779304
title: Publicity for Interstate-ments, El Segundo, Calif., 1945

description: 5 photographs of publicity for Interstate-ments, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 28 May 1945. Client: Interstate Aircraft (Miss Matson) (Deliver to Mitchell and Herb, engravers). Operator: Brown
DOI: 10.25549/whittington-ouc113779374
title: Mobilgas poster & Mr. Curtiss, Calif., 1945

description: 3 photographs of Mobilgas poster with Mr. Curtiss. Client: Outdoor Adverstising (Mr. Borgden), southern California, USA, 28 May 1945. Operator: Cross. "War power today.. Car power tomorrow. Flying horsepower in Mobilgas, socony-vacuum".
DOI: 10.25549/whittington-ouc11399eeyk
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399go77
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1gs
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fca2
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.cu2hej
title: Occurrence Download

description: A dataset containing 142 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is Slovakia",
 "GadmGid is SVK",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Bufotes viridis",
 "Year 2010-2025"
 ]
}

 The dataset includes 142 records from 3 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019399-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc11399faq4
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc113779431
title: Luncheon, University Club, Los Angeles, Calif., 1945

description: 5 photographs of luncheon at the University Club of Los Angeles, 614 South Hope Street, Los Angeles, California, USA, 16 June 1945. Client: California Fruit Growers Exchange (707 West 5th Street). Operator: Cross.
DOI: 10.25549/whittington-ouc113779432
title: Luncheon, University Club, Los Angeles, Calif., 1945

description: 5 photographs of luncheon at the University Club of Los Angeles, 614 South Hope Street, Los Angeles, California, USA, 16 June 1945. Client: California Fruit Growers Exchange (707 West 5th Street). Operator: Cross.
DOI: 10.25549/whittington-ouc113779437
title: Electric Club luncheon, Biltmore, Los Angeles, Calif., 1945

description: 2 photographs of Electric Club luncheon, Biltmore Hotel, 506 South Grand Avenue, Los Angeles, California, USA, 18 June 1945. Client: Allis-Chalmers (Mr. Engel, 458 South Spring Street). Operator: Cross and Vannice. "Biltmore".
DOI: 10.25549/whittington-ouc113779434
title: Golf tournament ceremony, Oakmont Country Club, Glendale, Calif., 1945

description: 7 photographs of golf tournament ceremony at Oakmont Country Club, 3100 Country Club Drive, Glendale, California, USA, 19 June 1945. Client: Los Angeles Rotay (Frank Payne, care of hearst Davertising Service, 714 West Olympic Boulevard).
DOI: 10.25549/whittington-ouc113779407
title: Men in airplane and tank, before 1945

description: 2 photographic copies (21 June 1945) of men in airplane and tank, before 1945. Client: Ray Matzinger (care of Chrysler Motors, Eastern Avenue at Slauson).
DOI: 10.34894/iuiyop
title: Arts-Based Interventions as Catalysts for Strengthening Human-Nature Connectedness: A Case Study on the Biellese Landscape and its Local Food Practices

description: To reach a transformative change in a local food system, human-nature connectedness including sensory understanding of one’s natural environment and landscape is a crucial element. Hence, the research question guiding our inquiry is as follows: ‘How can human-nature connectedness be strengthened through sensory and arts-based interventions to nurture transformative sustainability change in a local food system?’ To investigate this, main focus of the study design was to create an arts-based intervention. It is defined as “primarily and fundamentally an experience-based process involving and engaging people both rationally and emotionally through either active or passive participation” (Schiuma 2009, 7). Therefore, art acts as a catalyst in order to immerse participants in a social experience as well as to trigger creative capabilities, emotions, imagination, and intuitive thinking that might be out of one’s comfort zone (Barone et al. 2011). The case study of this data set was located in Biella, Piedmont region, Italy. The arts-based intervention consisted of getting to know the local landscape through walks with a forestry guide, followed by a claying workshop with a local artist. The intervention was repeated 4 times. It concluded with 2 focus groups (table talks) at the end of the data-gathering cycle.

This dataset contains the data from a case study conducted in September-October 2023 in Biella, Italy. The nature of data is qualitative.
description: Atlas.ti, 24
description: The dataset is also available in OSF: https://osf.io/xkwq7
DOI: 10.25549/whittington-ouc113779399
title: Dr. C.E. Parsons, Los Angeles, Calif., 1945

description: Photographic portrait of Dr. C.E. Parsons, Los Angeles, California, USA, 11 June 1945. Client: Dr. C.E. Parsons, 610 South Broadway. Operator: Cross.
DOI: 10.25549/whittington-ouc113779475
title: Measuring device, Los Angeles, Calif., 1945

description: 2 photographs of measuring device [swivelling metal disc on a rod], Los Angeles, California, USA, 13 June 1945. Client: Deutsch Company (J. Manderach, 7000 Avalon Boulevard, phone when ready PL 14131, Los Angeles). Operator: Cross.
DOI: 10.25549/whittington-ouc113779485
title: Ediphone installations, before 1945?

description: 8 photographic copies (14 June 1945) of Ediphone installations, before 1945?. Client: The Ediphone Company (George Montgomery, 943 South Broadway).
DOI: 10.25549/whittington-ouc113779512
title: In frozen food lockers, Los Angeles, Calif., 1945

description: 2 photographs in frozen foods lockers, Los Angeles, California, USA, 14 June 1945. Client: Wessells Research (Mrs. Denny). Operator: Cross.
DOI: 10.18150/xff4o3
title: From lipids to lymphocytes: research on the role of lipidomics and immune checkpoints in primary glomerulopathies

description: The research data is related to the project "From lipids to lymphocytes: research on the role of lipidomics and checkpoints in primary glomerulopathies," funded by National Science Centre (Poland) under the MINIATURA 8 call (no. 2024/08/X/NZ5/00659).The dataset contains plasma lipid profile results from patients and control subjects obtained using LC-MS/MS. It includes panels for acylcarnitines, cholesterol esters, di- and triacylglycerols, and glycerophospholipids (including lysophosphatidylcholine and phosphatidylcholine, including ether forms). Each result is accompanied by a quality status (e.g., Valid, ULOQ).The data are organized in a "one sample = one row" format, with fields identifying the sample and group. The dataset is designed for comparative analyses, biomarker discovery, and integration with immunological data in primary glomerulopathies.Method Information: Assays were performed using the AbsoluteIDQ® p400 HR kit (Biocrates Life Sciences AG, Innsbruck, Austria). Signal acquisition and analysis details were standardized for all samples, enabling comparability of results between cohorts.Legend: abbreviations and notation for the lipidomics datasetID – sample identifier; AC – acylcarnitines; CE – cholesterol esters; DG – diacylglycerols; TG – triacylglycerols; LPC – lysophosphatidylcholine; PC – phosphatidylcholine; PC-O – ether-linked PC (plasmalogens); DG-O – ether-linked DG; Hexose – sum of hexoses; notation (x:y) – number of carbon atoms:number of double bonds; _status – QC status column: Valid – reliable (quantitative) result; ULOQ – above upper limit of quantification; n/a – not available;
DOI: 10.25549/whittington-ouc113779480
title: Robert Bragg, PHM 2/c, Los Angeles, Calif., 1945

description: 3 photographic portraits of Robert Bragg, Pharmacist's Mate 2nd class (PHM 2/c), United States Navy, Los Angeles, California, USA, 15 June 1945. Client: Line Food Products (Mrs. Samuelly). Agency: Robert Bragg Pharmacist's Mate 2nd class (8707 4th Avenue, Inglewood). Operator: Cross.
DOI: 10.25549/whittington-ouc113765662
title: 4 men & 2 women, Los Angeles, Calif., 1944

description: 6 photographs of four men and two girls, Los Angeles, California, 30 December 1944. Client: Industrial Indemnity Company (Mr. Adams, 416 West 8th Street). Operator: Brown.
DOI: 10.25549/whittington-ouc113765671
title: Bechtel field before new installation, Ventura, Calif., before 1944

description: 8 copy photographs (30 December 1944) of Bechtel field before new installation, Ventura, California, before 1944. Client: Bechtel (McCone, C.C. Steward).
DOI: 10.25549/whittington-ouc113765678
title: "Lucas, Market Lymans, Balzar Larch Mart, Murphy & Ciro's", Los Angeles, Calif., 1945

description: 6 photographs of "Lucas, Market Lymans, Balzar Larch Mart, Murphy & Ciro's", Los Angeles, California, 4 January 1945. Client: Seagrams (Mr. Brooke, 1709 West 8th Street). Operator: Cross.
DOI: 10.25549/whittington-ouc113765680
title: Mr. Frank, Miss Cooper and Van de Camp Girls, Los Angeles, Calif., 1945

description: 4 photographs of Mr. Frank and Miss Cooper, Los Angeles, California, 5 January 1945. Not "and Van de Camp [sic] Girls". Client: Van de Kamps (Miss Cooper). Operator: Cross.
DOI: 10.25549/whittington-ouc113765693
title: Interstate Aircraft plant interiors, El Segundo, Calif., 1945

description: 6 photographs of Interstate Aircraft plant interiors, 2600 East Imperial Highway, Los Angeles, California, 8 January 1945. "Hydraulic test bench, Wing flap assembly line, Riveting operations, and publicity for Interstate-ments". Client: Interstate Aircraft (Miss Isaacs). Operator: Brown.