cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/cassady-c85-1878
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-1880
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.6084/m9.figshare.30543472
title: Advancements and Collaborative Dynamics in the Treatment of Retinoblastoma: A Bibliometric Analysis of Trends and Themes

description: This study aimed to provide a comprehensive bibliometric analysis of retinoblastoma treatment, assessing publication trends, influential research, and leading contributors. The research was conducted using the Web of Science Core Collection, focusing on retinoblastoma treatment from January 1, 1941, to June 13, 2024. Bibliometric analysis were conducted using Microsoft Excel, VOSviewer, CiteSpace, and the Bibliometrics R package. The analysis identified 5,674 documents. The United States led in research output and citation impact, followed by China and Europe. The University of Toronto was the most prolific institution (488 articles). International collaborations accounted for 18.54% of publications. David H. Abramson was the most prolific author (139 articles), followed closely by C.L. Shields (100 articles). Keyword analysis revealed three major thematic clusters: (1) molecular mechanisms and oncogenesis, (2) cell cycle regulation and experimental models, and (3) clinical management and therapeutic strategies. Recent hotspots included intraarterial chemotherapy, melphalan, treatment resistance, risk stratification, and tumor biology. Retinoblastoma research centers on molecular mechanisms, cell cycle regulation, and clinical management. Advances in intraarterial chemotherapy, risk assessment, and molecular insights are improving survival and quality of life. Greater emphasis on real-world, multicenter, and international studies is needed to advance personalized care.
DOI: 10.6084/m9.figshare.30543472.v1
title: Advancements and Collaborative Dynamics in the Treatment of Retinoblastoma: A Bibliometric Analysis of Trends and Themes

description: This study aimed to provide a comprehensive bibliometric analysis of retinoblastoma treatment, assessing publication trends, influential research, and leading contributors. The research was conducted using the Web of Science Core Collection, focusing on retinoblastoma treatment from January 1, 1941, to June 13, 2024. Bibliometric analysis were conducted using Microsoft Excel, VOSviewer, CiteSpace, and the Bibliometrics R package. The analysis identified 5,674 documents. The United States led in research output and citation impact, followed by China and Europe. The University of Toronto was the most prolific institution (488 articles). International collaborations accounted for 18.54% of publications. David H. Abramson was the most prolific author (139 articles), followed closely by C.L. Shields (100 articles). Keyword analysis revealed three major thematic clusters: (1) molecular mechanisms and oncogenesis, (2) cell cycle regulation and experimental models, and (3) clinical management and therapeutic strategies. Recent hotspots included intraarterial chemotherapy, melphalan, treatment resistance, risk stratification, and tumor biology. Retinoblastoma research centers on molecular mechanisms, cell cycle regulation, and clinical management. Advances in intraarterial chemotherapy, risk assessment, and molecular insights are improving survival and quality of life. Greater emphasis on real-world, multicenter, and international studies is needed to advance personalized care.
DOI: 10.25549/cassady-c85-1886
title: Alice's adventures in Wonderland and through the looking-glass, 1933

description: Lewis Carroll. Alice's adventures in Wonderland and through the looking-glass. [Hollywood, California: Paramount Pictures, 1933]. Screenplay by Joseph L. Mankiewicz. Six hundred and forty-two illustrations by William Cameron Menzies. Directed by Norman Z. McLeod, produced by Louis D. Lighton. Film script (mimeographed) by Joseph L. Mankiewicz and William Cameron Menzies of the 1933 Paramount Pictures, inc. production, based upon Alice's adventures in Wonderland by Lewis Carroll; production started Sept. 18 and closed Nov. 7, 1933. Betty Parsons copy, with two leaves containing over 39 signatures of the cast and crew including Charlotte Henry (Alice), W.C. Fields (Humpty Dumpty), Cary Grant (Mock Turtle), Jack Oakie (Tweedle Dum), Norman Z. McLeod (director), and William Cameron Menzies (artist). Illustrated with 642 storyboard drawings by William Cameron Menzies; 642 numbered leaves printed on rectos only, together with an additional 13a leaves of text, and 4 additional leaves. Bound in original stiff wrappers.
DOI: 10.25549/cassady-c85-2787
title: Alice's adventures underground, ca. 1935

description: Glass plate negatives of original manuscript of Alice's adventures underground], ca. 1935. 47 dry-plate glass negatives, each measuring 19.5 x 24.5 cm, used for the 1936 limited, unnumbered private issue of a facsimile copy of Underground. The glass negatives were made by Levin Corbin Handy in Washington, D.C. at the request of Eldridge Johnson following Johnson's purchase at auction of the original handwritten manuscript from Alice's library. This unique set of plates, originally believed lost in Germany during World War II, reappeared at the auction from which the set was purchase for the USC Cassady Collection. The photographer, Handy, was an apprentice of Matthew Brady. Unique and only set of glass negatives of the original handwritten manuscript.
DOI: 10.25549/cassady-c85-2794
title: Alice's adventures underground, ca. 1935

description: Glass plate negatives of original manuscript of Alice's adventures underground], ca. 1935. 47 dry-plate glass negatives, each measuring 19.5 x 24.5 cm, used for the 1936 limited, unnumbered private issue of a facsimile copy of Underground. The glass negatives were made by Levin Corbin Handy in Washington, D.C. at the request of Eldridge Johnson following Johnson's purchase at auction of the original handwritten manuscript from Alice's library. This unique set of plates, originally believed lost in Germany during World War II, reappeared at the auction from which the set was purchase for the USC Cassady Collection. The photographer, Handy, was an apprentice of Matthew Brady. Unique and only set of glass negatives of the original handwritten manuscript.
DOI: 10.25549/cassady-c85-2795
title: Alice's adventures underground, ca. 1935

description: Glass plate negatives of original manuscript of Alice's adventures underground], ca. 1935. 47 dry-plate glass negatives, each measuring 19.5 x 24.5 cm, used for the 1936 limited, unnumbered private issue of a facsimile copy of Underground. The glass negatives were made by Levin Corbin Handy in Washington, D.C. at the request of Eldridge Johnson following Johnson's purchase at auction of the original handwritten manuscript from Alice's library. This unique set of plates, originally believed lost in Germany during World War II, reappeared at the auction from which the set was purchase for the USC Cassady Collection. The photographer, Handy, was an apprentice of Matthew Brady. Unique and only set of glass negatives of the original handwritten manuscript.
DOI: 10.25549/cassady-c85-2796
title: Alice's adventures underground, ca. 1935

description: Glass plate negatives of original manuscript of Alice's adventures underground], ca. 1935. 47 dry-plate glass negatives, each measuring 19.5 x 24.5 cm, used for the 1936 limited, unnumbered private issue of a facsimile copy of Underground. The glass negatives were made by Levin Corbin Handy in Washington, D.C. at the request of Eldridge Johnson following Johnson's purchase at auction of the original handwritten manuscript from Alice's library. This unique set of plates, originally believed lost in Germany during World War II, reappeared at the auction from which the set was purchase for the USC Cassady Collection. The photographer, Handy, was an apprentice of Matthew Brady. Unique and only set of glass negatives of the original handwritten manuscript.
DOI: 10.25549/cassady-c85-2679
title: Alice in Wonderland: coloured lantern slides, 1910-1919

description: "3 square blue boxes, each with 8 glass lantern slides and leaflet with abridged excerpt from 'Alice', 24 slides & 3 leaflets all," -- seller's description. This "set is incomplete as the full set has 4 boxes, each with 8 slides (total 32 slides)" -- seller's description. The slides depict scenes from Lewis Carroll's Alice in Wonderland, accompanied by six pages comprising "an abridged reading from 'Alice's adventures in Wonderland'". "Published by permission of Messrs. Macmillan & Co. Limited, owners of copyright. The slides are reproduced from Sir John Tenniel's drawings by arrangement with the same publishers." -- page [6]. Primus Junior lecture series C. ❧ Contents: part 1. No. 776. Alice in Wonderland; Chapter I. Down the rabbit hole. -- part 2. No. 777. Alice in Wonderland. Chapter II. Mad tea party. -- part 3. No. 778. Alice in Wonderland. Chapter III. Who stole the tarts.
DOI: 10.25549/cassady-c85-2332
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.
DOI: 10.25549/cassady-c85-2337
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.
DOI: 10.5281/zenodo.17204707
title: Local Pluralistic Homophily

description: Local Pluralistic Homophily — Preprocessed Datasets

Authors: Fernando Barraza; Carlos Ramírez-Ovalle; Abel Álvarez; Alejandro FernándezContact: fernandobarraza@javerianacali.edu.coDOI: https://doi.org/10.5281/zenodo.17204707

Overview

This deposit provides preprocessed, analysis-ready inputs used in the paper on Local pluralistic homophily and community boundaries. It standardizes several real-world networks with overlapping communities to a common format compatible with our open-source pipeline.

Included datasets

Core datasets (analyzed in the article)





DBLP — co-authorship; communities = publication venues (conferences/journals).




LiveJournal (LJ) — friendships; communities = user-created interest groups.




YouTube — friendships; communities = subscription-based groups.




StackOverflow (SO) — user interactions; communities = question tags.




Deezer — friendships; communities = music-genre labels.




GitHub — co-participation; communities = repository topics/languages.




Amazon — co-purchase; communities = product-category taxonomy.




Twitch — interaction/affinity; communities = channels or game categories.



Extended datasets (processed but not analyzed in the article)





Orkut — user-defined groups.




PPI (protein–protein interaction), DDI (drug–drug interaction), C. elegans neural connectome.





These extended resources are provided to facilitate replication and follow-up studies; they are not part of the main empirical analyses.


File formats





Edgelist (*_network.txt): space-separated pairs u v; undirected; no self-loops; duplicates removed; 0-based contiguous node IDs as strings.




Communities (*_communities.txt): each line lists node IDs in one community (TAB-separated); overlaps allowed.




Node→communities map (*_node_to_communities.csv): variable-length rows node_id,comm1,comm2,…; empty memberships are rare but permitted.



Reproducibility





Code repository: https://github.com/fernandobarraza/local-pluralistic-homophily(scripts for standardization, scoring, and evaluation; parameters and seeds documented).




Please cite this dataset using the DOI above. If multiple versions exist, the concept DOI resolves to the latest version.



Notes





LFR benchmarks were generated with the official LFR generator by Lancichinetti–Fortunato–Radicchi.




Community sets are built as connected components within each group/label to preserve overlap (components of size ≥ 3).



Changelog (this version)





Added Amazon to core datasets.




Moved GitHub, Deezer, Twitch from extended to core.




Kept Orkut as extended; added PPI, DDI, and C. elegans as extended (processed/not analyzed).




Minor text clean-ups.
DOI: 10.25549/cassady-c85-2341
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.
DOI: 10.25549/cassady-c85-2342
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.
DOI: 10.25549/cassady-c85-2345
title: The hunting of the snark : an agony, in eight fits, 1876

description: With nine illustrations by Henry Holiday. Frontispiece and full-page plates (printed on one side only) have protective guard sheets and are included in pagination. Includes half-title page and table of contents. Three additional leaves bound in front and five in back; one page of advertisements precede additional leaves. Includes one page of ads at the end. Original manuscript illustration by the author bound facing page 54, and autograph letter from Lewis Carroll to Henry Holiday critiquing his designs bound in at end. ❧ Summary: The Hunting of the Snark (An Agony in 8 Fits) is a nonsense poem written by Lewis Carroll in 1874, when he was 42 years old. It describes "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature". The poem borrows occasionally from Carroll's short poem Jabberwocky in Through the Looking-Glass (especially the poem's creatures and portmanteau words), but it is a stand-alone work, first published in 1876 by Macmillan. ❧ Contents: Fit The First: The Landing -- Fit The Second: The Bellman's Speech -- Fit The Third: The Baker's Tale -- Fit The Fourth: The Hunting -- Fit The Fifth: The Beaver's Lesson -- Fit The Sixth: The Barrister's Dream -- Fit The Seventh: The Banker's Fate -- Fit The Eighth: The Vanishing. ❧ Bound in full leather with gold tooling on both boards and spine, with gilt edges and marbled end sheets; original pictorial, white cloth, embossed and stamped in black retained. ❧ USC Special Collections copy is part of the G. Edward Cassady, M.D. and Margaret Elizabeth Cassady, R.N. Lewis Carroll Collection. This copy includes a letter from Charles Dodgson to Henry Holiday with an original drawing of a beaver tipped in.
DOI: 10.25549/cassady-c85-2752
title: Alice's adventures underground, ca. 1935

description: Glass plate negatives of original manuscript of Alice's adventures underground], ca. 1935. 47 dry-plate glass negatives, each measuring 19.5 x 24.5 cm, used for the 1936 limited, unnumbered private issue of a facsimile copy of Underground. The glass negatives were made by Levin Corbin Handy in Washington, D.C. at the request of Eldridge Johnson following Johnson's purchase at auction of the original handwritten manuscript from Alice's library. This unique set of plates, originally believed lost in Germany during World War II, reappeared at the auction from which the set was purchase for the USC Cassady Collection. The photographer, Handy, was an apprentice of Matthew Brady. Unique and only set of glass negatives of the original handwritten manuscript.