cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10292279
title: Belgian Gate

description: The Cointet-element, also known as a Belgian Gate or C-element, was a heavy steel fence about three metres wide and two metres high, typically mounted on concrete rollers, used as a mobile anti-tank obstacle during World War II.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292280
title: End Scraper (1010a8)

description: **End scraper (type I)**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Late Paleo-Indian (8500-7900 BC) or Early Archaic (7900-6000 BC).

Material: metavolcanic rock.

Dimensions: length, 42.4 mm; width, 25.9 mm; thickness, 10.4 mm.

Notes: Catalog no. 1010a8, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 64. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292281
title: End Scraper (1010a8)

description: **End scraper (type I)**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Late Paleo-Indian (8500-7900 BC) or Early Archaic (7900-6000 BC).

Material: metavolcanic rock.

Dimensions: length, 42.4 mm; width, 25.9 mm; thickness, 10.4 mm.

Notes: Catalog no. 1010a8, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 64. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292282
title: RK17 A00133 Spoon

description: RK17 A001333 is a spoon found during the archaeological excavation of the Rooswijk in 2017.

In 2017 and 2018, the shipwreck of the Rooswijk, a 300 year old Dutch East India Company (VOC) ship which sank on the treacherous Goodwin Sands in January 1740 off the coast of England, was excavated by an international team of maritime archaeologists. Post-excavation work began straight after each excavation campaign, focusing on ex-situ research, the conservation and analysis of the artefacts and will continue until the end of the project. The #Rooswijk1740 project is funded and led by the Cultural Heritage Agency of the Netherlands (Ministry of Education, Science and Culture), in collaboration with project partner Historic England and UK-contractor MSDS Marine.

Follow #Rooswijk1740 on social media and https://english.cultureelerfgoed.nl/topics/maritime-heritage/shipwrecks/rooswijk1740

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292283
title: RK17 A00133 Spoon

description: RK17 A001333 is a spoon found during the archaeological excavation of the Rooswijk in 2017.

In 2017 and 2018, the shipwreck of the Rooswijk, a 300 year old Dutch East India Company (VOC) ship which sank on the treacherous Goodwin Sands in January 1740 off the coast of England, was excavated by an international team of maritime archaeologists. Post-excavation work began straight after each excavation campaign, focusing on ex-situ research, the conservation and analysis of the artefacts and will continue until the end of the project. The #Rooswijk1740 project is funded and led by the Cultural Heritage Agency of the Netherlands (Ministry of Education, Science and Culture), in collaboration with project partner Historic England and UK-contractor MSDS Marine.

Follow #Rooswijk1740 on social media and https://english.cultureelerfgoed.nl/topics/maritime-heritage/shipwrecks/rooswijk1740

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292284
title: Textiles: Julitta, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Julitta in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.11882.18881

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292285
title: Textiles: Julitta, "The Forest"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Julitta in the play "The Forest" (1871) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.11882.18881

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292286
title: "Unknown 17"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292287
title: "Unknown 17"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292288
title: Rusted Old Lamp

description: This is a rusted lamp that can me made to hand over some lamp post or on a table it have a handle which can be also used to pick up

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292289
title: Rusted Old Lamp

description: This is a rusted lamp that can me made to hand over some lamp post or on a table it have a handle which can be also used to pick up

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292290
title: Palazzo Fortificato Medievale di Entella

description: L'imponente struttura sul margine Sud del pianoro di Entella risale al Medioevo (XI-XIII sec.) ed è disposta su due terrazze. 
L'edificio inferiore si articolava con stanze rettangolari intorno ad un cortile (5). L'edificio superiore era più imponente e attrezzato per la difesa.
L'ingresso a baionetta obbligava gli assedianti a esporre ai difensori il fianco destro, non difeso dallo scudo: dopo la porta una brusca curva a destra smorzava l'impeto dell'assalto (1). 
Nel primo cortile una scala portava al piano superiore (3), mentre nella stanza di fondo una cisterna raccoglieva l'acqua piovana (4).
In un piccolo ambiente a Sud si vedono i resti di un pavimento che poggiava su pilastrini: è un hammam o bagno a vapore (2).
Il palazzo era stato preceduto da un edificio attivo ancora in età romana, messo in luce solo in parte. Ancora più antico l'ambiente scavato lungo lo stradello, di cui rimane solo il muro di fondo (7). 
 
(Presentazione e annotazioni di Alessandro Corretti, SAET, SNS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292291
title: Palazzo Fortificato Medievale di Entella

description: L'imponente struttura sul margine Sud del pianoro di Entella risale al Medioevo (XI-XIII sec.) ed è disposta su due terrazze. 
L'edificio inferiore si articolava con stanze rettangolari intorno ad un cortile (5). L'edificio superiore era più imponente e attrezzato per la difesa.
L'ingresso a baionetta obbligava gli assedianti a esporre ai difensori il fianco destro, non difeso dallo scudo: dopo la porta una brusca curva a destra smorzava l'impeto dell'assalto (1). 
Nel primo cortile una scala portava al piano superiore (3), mentre nella stanza di fondo una cisterna raccoglieva l'acqua piovana (4).
In un piccolo ambiente a Sud si vedono i resti di un pavimento che poggiava su pilastrini: è un hammam o bagno a vapore (2).
Il palazzo era stato preceduto da un edificio attivo ancora in età romana, messo in luce solo in parte. Ancora più antico l'ambiente scavato lungo lo stradello, di cui rimane solo il muro di fondo (7). 
 
(Presentazione e annotazioni di Alessandro Corretti, SAET, SNS)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292292
title: Roman pottery (Samian ware) and mould

description: I made this model after seeing Dani Wootton's excellent '5 Fascinating Finds' video on the Time Team channel https://youtu.be/m-Z1uM9DMRI

This model illustrates Dani's description of how Roman pottery was mass produced using a mould with decorations pressed into the mould surface.  Click on the annotations on the model for more information.

In researching this model I visited the British Museum in London to get a closer look at the 'punches' that were used to create the decorative indentations in the mould surface.  I felt sure the surface of the punch must be curved to follow the contour of the mould but wasn't sure if the curve was more pronounced so that the punch would be rocked back and forwards when being pressed into the clay.  The example I saw at the British Museum (Ancient Rome room - display case 26 - see below) showed a punch with a figure on it and a slight convex curve which I think would have matched the surface of the mould.


![](https://i.imgur.com/eyXWj5F.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292293
title: Roman pottery (Samian ware) and mould

description: I made this model after seeing Dani Wootton's excellent '5 Fascinating Finds' video on the Time Team channel https://youtu.be/m-Z1uM9DMRI

This model illustrates Dani's description of how Roman pottery was mass produced using a mould with decorations pressed into the mould surface.  Click on the annotations on the model for more information.

In researching this model I visited the British Museum in London to get a closer look at the 'punches' that were used to create the decorative indentations in the mould surface.  I felt sure the surface of the punch must be curved to follow the contour of the mould but wasn't sure if the curve was more pronounced so that the punch would be rocked back and forwards when being pressed into the clay.  The example I saw at the British Museum (Ancient Rome room - display case 26 - see below) showed a punch with a figure on it and a slight convex curve which I think would have matched the surface of the mould.


![](https://i.imgur.com/eyXWj5F.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292296
title: Kamen 3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292295
title: Kamen 3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292297
title: Skull Tyrannosaurus Rex - PARIS 190819

description: Skull Tyrannosaurus Rex - Muséum national d'histoire naturelle.

Recovery Proyects
41 JPG Photos Compact Camera 19 / 08 / 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292298
title: Skull Tyrannosaurus Rex - PARIS 190819

description: Skull Tyrannosaurus Rex - Muséum national d'histoire naturelle.

Recovery Proyects
41 JPG Photos Compact Camera 19 / 08 / 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292300
title: Stone church in Karuna, Finland

description: A stone church made from the grey granite of Karuna. Built in 1908-1910 and it is designed by Josef Stenbäck.

Pictures taken With D5300 + 10mm Sigma + Parrot Anafi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292301
title: Stone church in Karuna, Finland

description: A stone church made from the grey granite of Karuna. Built in 1908-1910 and it is designed by Josef Stenbäck.

Pictures taken With D5300 + 10mm Sigma + Parrot Anafi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292302
title: Neolithic clay idol

description: Artec, test, 0.2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292303
title: Neolithic clay idol

description: Artec, test, 0.2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292304
title: Hillsboro Plain Bowl Rim (80p543)

description: **Hillsboro Plain bowl rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 139.4 mm; width, 45.1 mm; thickness, 6.1 mm.

Notes: Catalog no. 80p652 (Vessel CC), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292305
title: Hillsboro Plain Bowl Rim (80p543)

description: **Hillsboro Plain bowl rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 139.4 mm; width, 45.1 mm; thickness, 6.1 mm.

Notes: Catalog no. 80p652 (Vessel CC), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292306
title: Bronze Tetra-Drachma, Mleiha, Sharjah

description: Tetra-Drachma, an imitation of Alexander the Great.  On the obverse showing the head of Heracles wearing the scalp of the Nemean Lion. On the reverse, Zeius seated on a throne with a horse on his right hand and holding a scepter with his left hand. A date palm in front of him 

Pre-Islamic Bronze Coin, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 1st C CE.  Catalog number unk. Processed in Reality Capture from 241 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292307
title: Bronze Tetra-Drachma, Mleiha, Sharjah

description: Tetra-Drachma, an imitation of Alexander the Great.  On the obverse showing the head of Heracles wearing the scalp of the Nemean Lion. On the reverse, Zeius seated on a throne with a horse on his right hand and holding a scepter with his left hand. A date palm in front of him 

Pre-Islamic Bronze Coin, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 1st C CE.  Catalog number unk. Processed in Reality Capture from 241 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292308
title: Bookcase

description: This is an old victorian styled  wooden bookcase that i created for the room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292309
title: Bookcase

description: This is an old victorian styled  wooden bookcase that i created for the room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292311
title: Toro Optimizado

description: toro de guisando. Berraco. El Tiemblo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292312
title: Toro Optimizado

description: toro de guisando. Berraco. El Tiemblo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292315
title: Kville 149 2 Fig 2 SHFA

description: Laserscan of the lower part of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292316
title: Kville 149 2 Fig 2 SHFA

description: Laserscan of the lower part of the panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292317
title: Petroglyph V1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V1, Khatm Al Melaha, Kalba, Sharjah. Left Panel: two Syrian Wild Ass and Human Male, light pecked. Right Panel: same but fully pecked and polished. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292318
title: Petroglyph V1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V1, Khatm Al Melaha, Kalba, Sharjah. Left Panel: two Syrian Wild Ass and Human Male, light pecked. Right Panel: same but fully pecked and polished. Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292319
title: ROI040-071-02

description: Lamoka Point collected in Fayette County, Indiana.

Catalog # 12-F-142-3

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2021. ROI040-071-02, 3D Model .ply file. Recovered as part of Report of Investigations 40, *An Archaeological Survey of Fayette County*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292320
title: ROI040-071-02

description: Lamoka Point collected in Fayette County, Indiana.

Catalog # 12-F-142-3

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2021. ROI040-071-02, 3D Model .ply file. Recovered as part of Report of Investigations 40, *An Archaeological Survey of Fayette County*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292321
title: Guisachen - Cup Marked Standing Stone

description: A small standing stone near the small village of Tomich in Invernesshire, which lies in the old parkland attached to the, now ruined, Guisachen House.  It has several cup marks in the centre towards its base on the NE side.  This appears to be an example of a cup marked boulder which has been deliberately selected an then upended as a standing stone.  The opposite face of the stone is relatively flat and when it lay originally on this side, the cup marking would have been on the topmost point of the boulders in an almost horizontal position - which is the position in which they are usually found in Scotland.

There are four definite cup marks and two further smaller possible ones.

Canmore Ref. 12170    Scotland's Rock Art Project (ScRAP) Ref. 1270

This stone was recorded and modelled for Scotland's Rock Art Project by Nick Parish of the Callander Group.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292322
title: Guisachen - Cup Marked Standing Stone

description: A small standing stone near the small village of Tomich in Invernesshire, which lies in the old parkland attached to the, now ruined, Guisachen House.  It has several cup marks in the centre towards its base on the NE side.  This appears to be an example of a cup marked boulder which has been deliberately selected an then upended as a standing stone.  The opposite face of the stone is relatively flat and when it lay originally on this side, the cup marking would have been on the topmost point of the boulders in an almost horizontal position - which is the position in which they are usually found in Scotland.

There are four definite cup marks and two further smaller possible ones.

Canmore Ref. 12170    Scotland's Rock Art Project (ScRAP) Ref. 1270

This stone was recorded and modelled for Scotland's Rock Art Project by Nick Parish of the Callander Group.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292323
title: Coin of Emperor Alexander I (1814)

description: Денежная единица: копейка. Номинал: 2. Год выпуска: 1814 год. Материал: медь. Гурт: гладкий. Диаметр: 30 мм. Царствование императора Александра Первого/Currency: a penny. Denomination: 2. Year of release: 1814. Material: copper. Edge: smooth. Diameter: 30 mm. The reign of Emperor Alexander I. A random find in the vicinity of Sterlitamak (Russia, Republic of Bashkortostan)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292324
title: Coin of Emperor Alexander I (1814)

description: Денежная единица: копейка. Номинал: 2. Год выпуска: 1814 год. Материал: медь. Гурт: гладкий. Диаметр: 30 мм. Царствование императора Александра Первого/Currency: a penny. Denomination: 2. Year of release: 1814. Material: copper. Edge: smooth. Diameter: 30 mm. The reign of Emperor Alexander I. A random find in the vicinity of Sterlitamak (Russia, Republic of Bashkortostan)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292325
title: Catawba Earthenware Bowl (2554p2756-1)

description: **Catawba earthenware bowl**

Location: Ayers Town (38Yk534), York County, South Carolina.

Period: Historic (1780-1800).

Material: ceramic.

Dimensions: height, 4.5 cm; diameter, 11.5 cm.

Notes: Catalog no. 2554p2756-1.  Vessel 25.  Recovered during excavations at the historic Catawba site of Ayers Town. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292326
title: Catawba Earthenware Bowl (2554p2756-1)

description: **Catawba earthenware bowl**

Location: Ayers Town (38Yk534), York County, South Carolina.

Period: Historic (1780-1800).

Material: ceramic.

Dimensions: height, 4.5 cm; diameter, 11.5 cm.

Notes: Catalog no. 2554p2756-1.  Vessel 25.  Recovered during excavations at the historic Catawba site of Ayers Town. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292329
title: Modelo Tecnoglass

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292330
title: Modelo Tecnoglass

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292331
title: CA-HF65-7

description: Aríbalo Inca recuperado en el distrito de Carmen de La Legua, Callao.

Cultura  Inca (Horizonte Tardío 1476 - 1532 d.C).
Registro y digitalización 3D: Lic. Jesus Bahamonde Schreiber.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292332
title: CA-HF65-7

description: Aríbalo Inca recuperado en el distrito de Carmen de La Legua, Callao.

Cultura  Inca (Horizonte Tardío 1476 - 1532 d.C).
Registro y digitalización 3D: Lic. Jesus Bahamonde Schreiber.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292335
title: Rusting Anchor (Beesands, Devon)

description: A rusting metal stocked iron anchor, located at Beesands in South Devon, 

Data collected in 2019 then Processed using reality Capture. The Model has been annotated with the Diagnositc features that are recorded when recording stocked anchors.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292336
title: Rusting Anchor (Beesands, Devon)

description: A rusting metal stocked iron anchor, located at Beesands in South Devon, 

Data collected in 2019 then Processed using reality Capture. The Model has been annotated with the Diagnositc features that are recorded when recording stocked anchors.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10292337
title: Opait Dionysos R8652

description: text

Source: Objaverse 1.0 / Sketchfab