cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m8725
title: Lithograph by George Baker depicting San Diego and its bay, ca.1878

description: Photograph of a lithograph by George Baker of San Diego and its bay, ca.1878. In the right corner, a steam locomotive pulls a train down a track that winds its way through the city and towards the water. In the foreground, several wagons are parked, and the mules used to pull them have be turned out to graze and run around; a few men mounted on horseback keep watch over these animals. The city itself is composed of residential-looking buildings, although the spire of a church is visible. There is a long pier jutting out into the water, and several ships are floating on the bay; plumes of smoke reveal that many of these ships might be steam-powered.
DOI: 10.25549/chs-m8156
title: Exterior view of an Indian bath house in Palm Springs, ca.1920

description: Photograph of the exterior of an Indian bath house in Palm Springs, ca.1920. There are signs on both sides of the bath house; they are not identical, but both read "Time Limit 20 Min do not use soap". The palm tree encircled-house itself is plaster-covered with wood paneling towards the top and there are steps leading to a door below ground level on the right side of the building, while on the left there is a wall that is leaning at an angle. In front of the bath house are several large palm trees, growing close together in such a way that it appears that there are two trees with multiple trunks.
DOI: 10.25549/chs-m8088
title: View of Palm Canyon near Palm Springs, showing mountains, ca.1898

description: Photograph copied from Carl Eytel of Palm Canyon near Palm Springs, ca.1898. The canyon is, as its name suggests, full of palm trees, with a variety of other, shorter trees mixed in. The canyon is flanked by two rocky hills, both of which have sparse vegetation; the one on the right is almost solid rock at the top. There is a ridge running between the two peaks, with what appear to be more palm trees along the crest. There is a mountain behind the hill on the right.
DOI: 10.25549/chs-m8160
title: View of the ruins of the Butterfield Stage Station and Hotel, about 4 miles south of Palm Springs, ca.1915

description: Photograph of the dilapidated ruins of the Butterfield Stage Station and Hotel, about 4 miles south of Palm Springs, ca.1915. The ruins are on the "Smoke Tree Ranch" (Lunde Tree Ranch owned by Phil Boyd (?)). The brick wall of the right side of the building is still standing, although a large section is missing from the middle of it and the bricks are very worn. A wall on the left side, which has some sort of covering over the bricks, perhaps plaster, bears a large mural of a sun with a zigzag line above it. The building rests on a stone foundation and there is a ridge behind it.
DOI: 10.25549/chs-m8159
title: Exterior view of the ruins of the Butterfield Stage Station and Hotel on the "Smoke Tree Ranch", ca.1915

description: Photograph of the exterior of the dilapidated ruins of the Butterfield Stage Station and Hotel on the "Smoke Tree Ranch", ca.1915. There are three sections of brick wall standing, as well as a stone foundation, and these together form the only visible part of the ruins, which are part of an early colony. The wall on the right extends around a corner and has a large chunk of bricks missing from what was the back wall. The middle section of wall is generally rectangular in shape, and so is the small section of wall at the left of the picture. In the foreground there are several tumbleweeds, while a mountain range is visible in the background.
DOI: 10.25549/chs-m8158
title: Exterior of a Palm Springs adobe, showing two Indians in front, ca.1934

description: Photograph of the exterior of an adobe with two Palm Springs Indians in front, ca.1934. The hut is made from adobe bricks with a crude roof made of wood and thatch. The wooden door is being held open by an Indian boy wearing overalls and a long-sleeved shirt. His left hand is in his pocket and he is barefoot, just like the woman standing at the right side of the photograph. She is wearing a light-colored dress and is considerably taller than the boy. Around the woman, there are trees and plants, and hidden within these is a wooden frame leaning against a box.
DOI: 10.25549/chs-m8161
title: View of Main Street looking south in Palm Springs, showing early automobile, ca.1915

description: Photograph of Main Street, looking south in Palm Springs, ca.1915. There is a convertible car on the right side of the unpaved but well trodden street. Standing near this car is a man in driving clothes holding a small box. There is another person walking on the left side of the street, which is lined with buildings and trees. A sign on one of these buildings reads "[...]Bunkers Garage" and there is a car parked in front of it. There are several more people and cars further in the background, where there are many more buildings as well.
DOI: 10.25549/chs-m12200
title: Sierra Madre Mountain forested slope, ca.1900

description: Photograph of a forested slope of the Sierra Madre Mountains, Mount Lowe, California, ca.1900. Scrub oak predominates.
DOI: 10.25549/chs-m8155
title: Exterior view of an Indian-owned bath house in Palm Springs, ca.1934

description: Photograph of the exterior of an Indian-owned bath house in Palm Springs, ca.1934. There is a pond in the foreground that reflects the image of the small palm tree next to it, as well as the long grass that covers the ground in front of the bath house. The structure resembles a residence, with a bench on a covered porch supported by wooden posts. There is a cupola on the roof. Behind the main building is another taller building with a brick chimney. Around the buildings are many palm trees, including a group of four to the right of the bath house.
DOI: 10.25549/chs-m8157
title: View of the pond and area around an Indian-owned bath house in Palm Springs, ca.1934

description: Photograph of the area around an Indian-owned bath house in Palm Springs, ca.1934. There is an old two door coupe parked prominently at the center of the picture, to the right of a two-rail wooden fence. Behind it are six large palm trees. The bath house buildings can be seen at the right of the picture, and include a tall, narrow structure behind a lattice and a shorter, wider building with extremely large windows. The entire scene, except for the buildings, is reflected in the foreground in a pool of water that is surrounded by reeds.
DOI: 10.25549/chs-m8154
title: Exterior view of the front of the original Palm Springs Hotel, ca.1901

description: Photograph of the front of the original Palm Springs Hotel, which was owned by Dr. Welwood Murray, ca.1901. Tall bushes obscure much of the hotel's covered porch, which has a rocking chair on it. At the right side of the picture, a wall of the hotel can be seen, covered mostly by wooden paneling and with a large window in the middle of it. The roof is shingled and has tall, thin pole sticking out of it. There are three short plants with many long, slender, curving leaves on the ground in front of the hotel.
DOI: 10.25549/chs-m3484
title: Exterior view of an adobe house at the Twenty-nine Palms oasis, 1920

description: Photograph of the exterior of an adobe house at the Twenty-nine Palms oasis, used for shelter by early cattlemen and settlers, 1920. The small residence is made of bare adobe bricks, with a light colored door on the left side and a dark colored door on the front side. There is an adobe chimney next to the light door, and in front of it is a set of wooden shelves, while at the left side of the picture is a canvas tent. Behind the house is an assortment of oak and palm trees that stretch above the top edge of the photograph.
DOI: 10.25549/chs-m7932
title: Overland travelers arriving in Palm Springs in a horse-drawn wagon, ca.1880 (1898?)

description: Photograph of overland travelers arriving in Palm Springs in a wagon, ca.1880 (1898?). At the foot of a mountain range, there is a four-wheeled wagon hitched to a team of four dark, skinny horses; behind the wagon are two men wearing broad brimmed cowboy hats while mounted on horses. The frame of the wagon's cover can be seen arching over its five occupants, but the canvas cover is not in place. The wagon contains a man, two boys, a woman and a girl, as well as what appear to be mattresses and other living necessities. Behind the parked wagon is a line of tall bushes. See CHS-936 which shows the same scene with a caption.
DOI: 10.25549/chs-m12644
title: Replica of the battleship "Old Ironsides" in the Los Angeles Harbor, ca.1926

description: Photograph of a replica of the battleship "Old Ironsides" in the Los Angeles Harbor, ca.1926. The large, three-masted battleship -- constructed by Paramount Studios for the motion pictured "Old Ironsides" and shown at Santa Catalina Island -- is shown just left of center, angling its way to the right, drawn by a wire attached to its bow. A single man can be seen on the port deck. In the background, a more modern battleship can be seen, possibly an aircraft carrier.
DOI: 10.25549/chs-m12646
title: Replica of the battleship "Old Ironsides", made for the Paramount motion picture of the same name, ca.1926

description: Photograph of a replica of the battleship "Old Ironsides", made for the Paramount motion picture of the same name, ca.1926. The long sailing vessel is pictured on a body of water at center, the turrets for its cannons fully visible in the side of the hull. Three masts grace the deck of the ship, trailing complex networks of cables downward, but have their sails stowed. The background which fills the rest of the image is misty and indistinct.
DOI: 10.25549/chs-m13792
title: Portrait of Fecundo Reyes holding a horse-blanket, standing to the side of a shanty barn, [s.d]

description: Photographic portrait of Fecundo Reyes holding a horse-blanket, standing to the side of a shanty barn, [s.d]. Fecundo, the son of Clara Cota and Antonio Reyes, can be seen from the knees up standing at center. He holds a long swaddle of material which may be either a horse-blanket or cured animal skin. He wears a lightly-colored button-down shirt over which a dark vest is pulled. He tilts his head slightly to the right, the brim of his hat tipped-up enough to expose his round, bearded face. He appears to be in late middle-life, possibly his late fifties or early sixties. Behind him, an unhitched horse-drawn carriage can be seen to the left, while farther back and to the right, a woman of similar age to Fecundo can be seen in a prairie dress. Behind her, the broad side of the ramshackle barn can be seen. Fecundo was also the grandson of Juan Francisco Reyes, the first grantee of the San Fernando Valley.
DOI: 10.25549/chs-m12197
title: Forest on Mount Lowe, near Altadena, California, ca.1900

description: Photograph of forest on Mount Lowe, near Altadena, California, ca.1900. Scrub oaks and beach trees predominate.
DOI: 10.25549/chs-m18972
title: Portrait of Francis Mellus and his wife Adelaide Johnson, with retouching, [s.d.]

description: Photographic portrait of Francis Mellus and his wife Adelaide Johnson, with retouching, [s.d.]. Ms. Johnson is seated to  the left with her left hand placed in her lap among the folds of her striped dress. She wears dangling earrings and has her dark hair pulled back. Her husband sits to the right of her with his left hand positioned on his left thigh. He wears a three-piece suit with a ribbon-style tie and stiff collar. His hair is parted at left, and he is clean-shaven save for muttonchops that may or may not extend below his jaw. Both Mellus and Johnson appear to be young, perhaps in their early thirties. Their faces and clothes have been retouched by paint.
DOI: 10.25549/chs-m18973
title: View of Pershing Square (formerly 6th Street park) looking southeast from Normal School (the present site of the Biltmore Hotel) showing St. Paul’s Cathedral and First Methodist Episcopal Church, ca.1883

description: Photograph of a birdseye view of Pershing Square (formerly 6th Street park) looking southeast from Normal School (the present site of the Biltmore Hotel) showing St. Paul’s Cathedral and First Methodist Episcopal Church, ca.1883. The First Methodist Episcopal Church located at north-east corner of Hill and 6th Streets is visible just right of center in the foreground, shown from the rear. Beyond this, paved pathways and rows of trees can be seen in the rectangular bounds of the park just beyond a small ranch-style rooftop and a narrow road. Farther back, the St. Paul's Cathedral can be seen on Olive Street, between 5th and 6th Streets, as well as a three-story brick building that appears to be the Saint Vincent College to the right. More open terrain fills the rest of the distance, interspersed with homesteads.
DOI: 10.25549/chs-m18974
title: View of F Street looking west from Eighth Street in San Diego, ca.1895

description: Photograph of a view of F Street looking west from Eighth Street in San Diego, ca.1895. The wide, unpaved F Street runs down the center of the image into the distance, furrowed with carriage-tracks. At its center, a set of streetcar rails can be seen, while two- to four-story commercial buildings flank the road, just in of wooden sidewalks. In the distance to the left, a building with a spire can be seen, although it does not seem to be a church. Hitching posts can be seen spaced at regular intervals along the sidewalk.; Legible signs from left to right read "Furnished Rooms", "Locksmith, Parasols and Trunk Repair", "[D]rugs", and "Plumbing".
DOI: 10.25549/chs-m18437
title: Detail of a painting by Monkascy depicting Christ's crucifixion, [s.d.]

description: Photograph of detail of a painting by Monkascy depicting Christ's crucifixion, [s.d.]. There are three men being crucified in the painting, all of them bearded and shirtless, clothed only in a cloth around their waists. Jesus is at the center of the picture, and three women are kneeling at the base of his cross, crying, while a man looks on. Behind the woman on the left is a turbaned man holding a hatchet and a ladder, and behind him is a large crowd. In the right foreground is a soldier in a chest plate holding a spear, while in the left foreground is a surprised man wearing a turban and looking up at Christ. Compares to: CHS-9635.
DOI: 10.25549/chs-m18449
title: "Christ before the Jews" a painting by Titian, depicting the tortured Christ descending Roman steps towards a crowd, [s.d.]

description: Photograph of "Christ before the Jews" a painting by Titian, depicting the tortured Christ descending Roman steps towards a crowd, [s.d.]. Christ is seen walking out of a stone building, a cloth around his waist. He is being escorted by an armored Roman soldier, while another Roman, to the right of Jesus, is gesturing towards him as if he is being shown off. At the bottom of the stairs, a large crowd is gathered, and is composed of people ranging from mounted soldiers, to a bald fat man in a robe, to a mother with her young child. Above the crowd can be seen the upraised hands of many of the observers, as well as the head of an ax, the end of a spear, and a flag being vigorously waved. The back of the photoprint reads "Ecee Homo -- behold in man".
DOI: 10.25549/chs-m18436
title: Detail of a painting by Monkascy, depicting Christ's crucifixion, [s.d.]

description: Photograph of detail of a painting by Monkascy, depicting Christ's crucifixion, [s.d.]. There are three men being crucified in the painting, all of them bearded and shirtless, clothed only in a cloth around their waists. Jesus is at the right of the picture, and three women are kneeling at the base of his cross, crying, while a man looks on. Behind the woman on the left is a turbaned man holding a hatchet and a ladder, and behind him is a large crowd. In the right foreground is a soldier in a chest plate and holding a spear, while in the center foreground is a surprised man wearing a turban and looking up at Christ. At the left of the painting are several mounted men, including soldiers, as well as two bearded, turbaned men conversing as they walk away from the crucifixion. Compares to CHS-9633 which shows a cropped version of the image.
DOI: 10.25549/chs-m18435
title: Painting by Monkascy depicting Christ's procession before Pilate, [s.d.]

description: Photograph of the painting "Christ Before Pilate" by Michael Monkascy, [s.d.]. Jesus stands at the center of the painting in a light colored robe, staring at Pontius Pilate (also Pilot), the Roman prefect of Judea, who is sitting on his elevated throne, also dressed in a light robe. Behind Jesus, a large crowd has gathered, mostly of men with turbans, and this crowd is being held back by a Roman soldier with a spear. In the bottom right corner of the picture are two old, beared men, possibly Pilates' advisors.
DOI: 10.25549/chs-m18260
title: Painting entitled "Jesus Taken Captive" by Heinrich Hofmann, [s.d.]

description: Photograph of a painting entitled "Jesus Taken Captive" by Heinrich Hofmann, [s.d.]. Jesus is seen at the center of the painting, complete with a halo around his bearded face. His hands are bound, and he is being led by a man with a stange skull cap who is carrying a lantern. Guarding Jesus are many Roman soldiers, armed with spears, shields, and war hammers. Behind the soldiers is a worried woman who is gazing at Jesus, while in the foreground, there is a sad looking man leaning on a fence for support as the procession passes by.
DOI: 10.25549/chs-m3512
title: View looking south on the Southern Pacific Long Wharf, or Mile Long Pier, in Pacific Palisades, with the fisherman's village in the foreground, ca.1912

description: Photograph of a view looking south on the Southern Pacific Long Wharf, or Mile Long Pier, in Pacific Palisades, with the fisherman's village in the foreground, ca.1912. The palisades that give the city its name loom over the village on the left side of the picture, covered sparsely with bushes. The village is composed of a row of simple, dark houses. Under and around a shelter near the water, a group of fishermen can be seen relaxing. The pier was started in 1892 and completed in 1894 and was the longest wharf in the world at 4700 feet.
DOI: 10.25549/chs-m18978
title: Painting by Carl Borg depicting the arrival party of Jedediah Smith at the San Gabriel Mission, [s.d.]

description: Photograph of a painting by Carl Borg depicting the arrival party of Jedediah Smith at the San Gabriel Mission, [s.d.]. Two pioneers dressed in racoon-skin caps and tassled leathers stand to the right of center, while a monk dressed in a Franciscan habit stands to the left to greet them, manipulating with his hands what appears to be a rosary. In the extreme right foreground, a Native American can be seen crouched near an animal harness, his back turned away from the viewer. In the background, other onlookers crowd the entrance to the mission's chapel. The image was photographed from Westways Magazine.
DOI: 10.25549/chs-m12199
title: Sierra Madre Mountain forest, ca.1900

description: Photograph of Sierra Madre Mountain scrub forest, near Altadena, California, ca.1900.
DOI: 10.6084/m9.figshare.19168259
title: Supplementary Material for: Association of Elevated Body Mass Index with Functional Outcome and Mortality following Acute Ischemic Stroke: The Obesity Paradox Revisited

description: <b><i>Background:</i></b> Previous literature has identified a survival advantage in acute ischemic stroke (AIS) patients with elevated body mass indices (BMIs), a phenomenon termed the “obesity paradox.” <b><i>Objective:</i></b> The aim of this study was to evaluate the independent association between obesity and clinical outcomes following AIS. <b><i>Methods:</i></b> Weighted discharge data from the National Inpatient Sample were queried to identify AIS patients from 2015 to 2018. Multivariable logistic regression and Cox proportional hazards modeling were performed to evaluate associations between obesity (BMI ≥ 30) and clinical endpoints following adjustment for acute stroke severity and comorbidity burden. <b><i>Results:</i></b> Among 1,687,805 AIS patients, 216,775 (12.8%) were obese. Compared to nonobese individuals, these patients were younger (64 vs. 72 mean years), had lower baseline NIHSS scores (6.9 vs. 7.9 mean score), and a higher comorbidity burden. Multivariable analysis demonstrated independent associations between obesity and lower likelihood of mortality (adjusted odds ratio [aOR] 0.76, 95% confidence interval [CI]: 0.71, 0.82, <i>p</i> &lt; 0.001; hazard ratio 0.84, 95% CI: 0.73, 0.97, <i>p</i> = 0.015), intracranial hemorrhage (aOR 0.87, 95% CI: 0.82, 0.93, <i>p</i> &lt; 0.001), and routine discharge to home (aOR 0.97, 95% CI: 0.95, 0.99; <i>p</i> = 0.015). Mortality rates between obese and nonobese patients were significantly lower across stroke severity thresholds, but this difference was attenuated among high severity (NIHSS &gt; 20) strokes (21.6% vs. 23.2%, <i>p</i> = 0.358). Further stratification of the cohort into BMI categories demonstrated a “U-shaped” association with mortality (underweight aOR 1.58, 95% CI: 1.39, 1.79; <i>p</i> &lt; 0.001, overweight aOR 0.64, 95% CI: 0.42, 0.99; <i>p</i> = 0.046, obese aOR 0.77, 95% CI: 0.71, 0.83; <i>p</i> &lt; 0.001, severely obese aOR 1.18, 95% CI: 0.74, 1.87; <i>p</i> = 0.485). Sub-cohort assessment of thrombectomy-treated patients demonstrated an independent association of obesity (BMI 30–40) with lower mortality (aOR 0.79, 95% CI: 0.65, 0.96; <i>p</i> = 0.015), but not with routine discharge. <b><i>Conclusion:</i></b> This cross-sectional analysis demonstrates a lower likelihood of discharge to home as well as in-hospital mortality in obese patients following AIS, suggestive of a protective effect of obesity against mortality but not against all poststroke neurological deficits in the short term which would necessitate placement in acute rehabilitation and long-term care facilities.
DOI: 10.25549/chs-m18979
title: View of Eighth Street in Riverside looking west, ca.1905

description: Photograph of a view of Eighth Street in Riverside looking west, ca.1905. The wide unpaved road bisects the image, moving off vertically toward the edge of a mountain visible in the distance. Flanking it to either side are horse-drawn carriages parked along the sidewalk to the left, and bicycles to the right, respectively. Two-story commercial buildings frame the street just off the sidewalks to either side, the spired roofs of two Victorian-style buildings visible on either side just at the corners of the block. Signs that read "Shoe Store" and "Automobiles" can be seen on canopies overhanging the show windows of stores in the right foreground.
DOI: 10.25549/chs-m18942
title: Birdseye view looking west on Eighth Street in Riverside, with Mt. Rubidoux in the distance, ca.1907

description: Photograph of a birdseye view looking west on Eighth Street in Riverside, with Mt. Rubidoux in the distance, ca.1907. There are several horse-drawn vehicles in the street.  While there is very little vegetation in the foreground of the picture, save a handful of young palm trees, towards thebackground and Mt. Roubidoux, there are many trees. Several signs can be seen along the building- and utility-lined street, including, on the right side of the street, "Covey Wagon Works. General Blacksmithing", "Carriage Painting Trimming", and on the left side, "Moore's Lunches", "Davenport Bros. Plumbing",  Tinning Estimates Furnished. Tel Black[...]61", "Stone Bros. Granite & Marble Works", "Home Oil Co[...] Youn[...] Love[...] LS & Gasoline".
DOI: 10.25549/chs-m8028
title: Close-up view of the Zanja Madre, the main irrigation ditch in Riverside, 1903

description: Photograph of a close-up of the Zanja Madre, the main irrigation ditch in Riverside, 1903. The still water of the ditch -- which might be the lower canal through White Park -- is framed by banks covered with foliage that ranges from tall trees to flowering bushes. The ditch is crossed by a wooden footbridge. In the back right corner of the picture, there is a house, the front of which is mostly obscured by a large, wide tree. The water reflects the plants that surround it. An earlier record reads "made the City of Riverside".