cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10227452
title: Bust - Buste Funéraire De L Affranchi - Cap Re

description: Funeral bust of the freedman C. Aurunceius Princeps, Circa 40-50, Rome (tomb of the Aurunceu near Porta Tiburtina, 1880), Marble. Musée du Cinquantenaire (Brussels, Belgium). Made with CapturingReality.

This portrait of a former slave (Princeps) who has become a Roman citizen mimics the verist tendency typical of patrician portraits. The work adorned his tomb (columbarium). A columbarium is a building in which the urns of members of the same family or of the same professional association (which forms a collegium funeraticium) are kept in niches in the walls, evoking a dovecote, hence the name. Inscription: C (aio) Aurunceio C (ai) (and) M (arci) l (iberto) Principi / conliberti and conlibertae honoris caussa (sic) merenti (for Caius Aurunceius Princeps, freed from Caius and Marcus Aurunceius, [this portrait was raised by] his freedman and freedwoman, as a tribute because he deserved it).

Formore updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227454
title: Statue of Liberty

description: A copy of a 19th century bronze model of the Statue of Liberty.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227455
title: Statue of Liberty

description: A copy of a 19th century bronze model of the Statue of Liberty.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227456
title: Spatulate Axe (1965rp16)

description: **Spud (replica)**

Location: W. Davenport Jones Mound (31Cw3), Caldwell County, North Carolina.

Period: Late Precontact (AD 1400-1600).

Material: unidentified metamorphic rock.

Dimensions: length, 151.9 mm; width, 121.6 mm; height, 16.5 mm.

Notes: Catalog no. 1965rp16.  Original artifact (catalog # 83100) is in the US National Museum of Natural History, Washington.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227457
title: Spatulate Axe (1965rp16)

description: **Spud (replica)**

Location: W. Davenport Jones Mound (31Cw3), Caldwell County, North Carolina.

Period: Late Precontact (AD 1400-1600).

Material: unidentified metamorphic rock.

Dimensions: length, 151.9 mm; width, 121.6 mm; height, 16.5 mm.

Notes: Catalog no. 1965rp16.  Original artifact (catalog # 83100) is in the US National Museum of Natural History, Washington.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227458
title: Red-figure lekythos. Camarina, Sicily

description: "Red-figure lekythos with quadriga.  From the  site of  Camarina, Ragusa,  Sicily, Italy.  Classical Age.   5th century BC. In the collection of the Museo Archeologico Ibleo di Ragusa.  Processed in Reality Capture from 536 images. GDH ID and Catalog No. 6342 

We want to publicly acknowledge the collaboration of the "Soprintendenza per i Beni Culturali ed Ambientali di Ragusa" and the "Parco Archeologico di Kamarina e Cava d'Ispica". Our most sincere thanks to General CC, retired, Renato Scuzzarello, the archaeologist Dr. Saverio Scerra, the architect Giorgio Battaglia, the restorer Stefania Patti Occhipinti and the archaeologists Veronica Falcone and Alessandra D'Izzia, the custodians of Parco Archeologico Marco Giardina, Giovanna Brugaletta e Rosario Licitra

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227459
title: Red-figure lekythos. Camarina, Sicily

description: "Red-figure lekythos with quadriga.  From the  site of  Camarina, Ragusa,  Sicily, Italy.  Classical Age.   5th century BC. In the collection of the Museo Archeologico Ibleo di Ragusa.  Processed in Reality Capture from 536 images. GDH ID and Catalog No. 6342 

We want to publicly acknowledge the collaboration of the "Soprintendenza per i Beni Culturali ed Ambientali di Ragusa" and the "Parco Archeologico di Kamarina e Cava d'Ispica". Our most sincere thanks to General CC, retired, Renato Scuzzarello, the archaeologist Dr. Saverio Scerra, the architect Giorgio Battaglia, the restorer Stefania Patti Occhipinti and the archaeologists Veronica Falcone and Alessandra D'Izzia, the custodians of Parco Archeologico Marco Giardina, Giovanna Brugaletta e Rosario Licitra

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227460
title: Southeast Tablero, South Ballcourt, El Tajin

description: Mexico

https://en.wikipedia.org/wiki/El_Taj%C3%ADn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227461
title: Southeast Tablero, South Ballcourt, El Tajin

description: Mexico

https://en.wikipedia.org/wiki/El_Taj%C3%ADn

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227462
title: EM.P.026 (Elpídio Malaquias, 1992)

description: Inscrição: *O gAViAO.PENAXO*.

Pintura esmalte sintético sobre aglomerado. Parte do acervo do Museu de Arte do Espírito Santo Dionísio del Santo / SECULT-ES.

Acesse o filtro de realidade aumentada em **instagram.com/nossosacervos**

Modelo realizado como parte do projeto **Nossos Acervos**, financiado com recursos da Lei Aldir Blanc - Inciso 3o, via Secretaria de Estado da Cultura do Espírito Santo.

Licenciamento [CC BY-NC-SA 2.5](https://creativecommons.org/licenses/by-nc-sa/2.5/pt/deed.pt_BR).

**Coordenação e processamento de dados**: Gabriel Menotti. **Produção**: Flora Gurgel.** Fotografia**: Ignez Capovilla. **Assistência de fotografia**: Erika Mariano. **Agradecimentos**: equipe do MAES, Ana Luiza Bringuente, Burura, Ivone Carvalho, Beto Moraes, Paula Nunes, Gabriel Rocha, Nicolas Soares.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227463
title: EM.P.026 (Elpídio Malaquias, 1992)

description: Inscrição: *O gAViAO.PENAXO*.

Pintura esmalte sintético sobre aglomerado. Parte do acervo do Museu de Arte do Espírito Santo Dionísio del Santo / SECULT-ES.

Acesse o filtro de realidade aumentada em **instagram.com/nossosacervos**

Modelo realizado como parte do projeto **Nossos Acervos**, financiado com recursos da Lei Aldir Blanc - Inciso 3o, via Secretaria de Estado da Cultura do Espírito Santo.

Licenciamento [CC BY-NC-SA 2.5](https://creativecommons.org/licenses/by-nc-sa/2.5/pt/deed.pt_BR).

**Coordenação e processamento de dados**: Gabriel Menotti. **Produção**: Flora Gurgel.** Fotografia**: Ignez Capovilla. **Assistência de fotografia**: Erika Mariano. **Agradecimentos**: equipe do MAES, Ana Luiza Bringuente, Burura, Ivone Carvalho, Beto Moraes, Paula Nunes, Gabriel Rocha, Nicolas Soares.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227466
title: Czcionka drewniana z literą N

description: Pojedyncza czcionka drewniana, pismo drewniane typu blok. Wielka litera N alfabetu łacińskiego, na odwrocie ślady wycinania hebrajskiej litery tet טּ. Czcionka pochodzi z wyposażenia Izby Tradycji Drukarstwa Lubelskiego i pochodzi z którejś z lubelskich przedwojennych drukarni. W Izbie Drukarstwa znajduje się 7 czcionek drewnianych w których na odwrocie są wycięte ręcznie litery hebrajskie. Najprawdopodobniej litery hebrajskie zostały wycięte w drukarni na potrzeby jakiegoś zamówienia. Oryginalna wielkość obiektu 4,5x10,8x2,3 cm

Realizacja 3D: Wojciech Miedziocha http://poligonstudio.pl/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227467
title: Czcionka drewniana z literą N

description: Pojedyncza czcionka drewniana, pismo drewniane typu blok. Wielka litera N alfabetu łacińskiego, na odwrocie ślady wycinania hebrajskiej litery tet טּ. Czcionka pochodzi z wyposażenia Izby Tradycji Drukarstwa Lubelskiego i pochodzi z którejś z lubelskich przedwojennych drukarni. W Izbie Drukarstwa znajduje się 7 czcionek drewnianych w których na odwrocie są wycięte ręcznie litery hebrajskie. Najprawdopodobniej litery hebrajskie zostały wycięte w drukarni na potrzeby jakiegoś zamówienia. Oryginalna wielkość obiektu 4,5x10,8x2,3 cm

Realizacja 3D: Wojciech Miedziocha http://poligonstudio.pl/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227470
title: A Song of Ice and Fire Books (Game of Thrones)

description: A Song of Ice and Fire is a series of epic fantasy novels by the American novelist and screenwriter George R. R. Martin. He began the first volume of the series, A Game of Thrones, in 1991, and it was published in 1996.

I have a Patreon Join now! :https://www.patreon.com/user?u=14434838

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227471
title: A Song of Ice and Fire Books (Game of Thrones)

description: A Song of Ice and Fire is a series of epic fantasy novels by the American novelist and screenwriter George R. R. Martin. He began the first volume of the series, A Game of Thrones, in 1991, and it was published in 1996.

I have a Patreon Join now! :https://www.patreon.com/user?u=14434838

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227474
title: 156648 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156648
Description: seal
Notes: Four rampant animals; two crossed lions attacking an antelope on each side, at right a man clasping a weapon and a stick assists; at break two short horizontal lines in middle register, below a trifoliate object.
Materials: shell
Time Period: Early Dynastic
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 2567 A, 88262
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq, Excavations at Kish, Iraq

https://collections-anthropology.fieldmuseum.org/catalogue/1366103

Photography: JP Brown 
Image generation: Sam
Metashape Pro: Sam
Meshlab 2016.12: Sam
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227475
title: 156648 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156648
Description: seal
Notes: Four rampant animals; two crossed lions attacking an antelope on each side, at right a man clasping a weapon and a stick assists; at break two short horizontal lines in middle register, below a trifoliate object.
Materials: shell
Time Period: Early Dynastic
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 2567 A, 88262
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq, Excavations at Kish, Iraq

https://collections-anthropology.fieldmuseum.org/catalogue/1366103

Photography: JP Brown 
Image generation: Sam
Metashape Pro: Sam
Meshlab 2016.12: Sam
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227476
title: Scholtenberg

description: 3D model. Coordinates: 53.60666, 19.55132

http://grodziska-warmia-mazury.pl/grodziska/wielka_zulawa/index.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227477
title: Scholtenberg

description: 3D model. Coordinates: 53.60666, 19.55132

http://grodziska-warmia-mazury.pl/grodziska/wielka_zulawa/index.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227478
title: Burette à huile conique

description: Burette à huile conique, utilisée par les mineurs pour le graissage des machines.

Numérisation par photogrammétrie à partir de 96 photos (Canon Eos 5D mark iii) | Logiciels utilisés : Metashape, 3Dsmax, ZBrush, Substance Painter, Substance Designer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227479
title: Burette à huile conique

description: Burette à huile conique, utilisée par les mineurs pour le graissage des machines.

Numérisation par photogrammétrie à partir de 96 photos (Canon Eos 5D mark iii) | Logiciels utilisés : Metashape, 3Dsmax, ZBrush, Substance Painter, Substance Designer

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227480
title: Figurina Nasca (200 a.C. – 650 d.C.)

description: 1.	Escultura de cerámica que representa a un personaje femenino sentado. 
2.	La zona pélvica de su cuerpo se encuentra cubierta por una serie de tatuajes con figuras antropozoomorfas. 
3.	Los tatuajes fueron muy importantes como parte de la indumentaria diaria de los antiguos peruanos. Se realizaban con pintura temporal o con pigmento permanente.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227481
title: Figurina Nasca (200 a.C. – 650 d.C.)

description: 1.	Escultura de cerámica que representa a un personaje femenino sentado. 
2.	La zona pélvica de su cuerpo se encuentra cubierta por una serie de tatuajes con figuras antropozoomorfas. 
3.	Los tatuajes fueron muy importantes como parte de la indumentaria diaria de los antiguos peruanos. Se realizaban con pintura temporal o con pigmento permanente.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227486
title: Cloghcor Portal Tomb rock art

description: Cloghcor Portal Tomb rock art

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227487
title: Cloghcor Portal Tomb rock art

description: Cloghcor Portal Tomb rock art

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227488
title: Casa Hacienda Punchauca

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227489
title: Casa Hacienda Punchauca

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227490
title: Ian Hamilton Finlay - Sol Revertit

description: slate sundial 1985, this 3D scan 2014

Scanned at: deCordova Sculpture Garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227491
title: Ian Hamilton Finlay - Sol Revertit

description: slate sundial 1985, this 3D scan 2014

Scanned at: deCordova Sculpture Garden

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227492
title: Petroglyph H8, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H8, Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227493
title: Petroglyph H8, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H8, Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227494
title: Soldiers And Sailors Confederate Monument plinth

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227495
title: Soldiers And Sailors Confederate Monument plinth

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227497
title: Pelagornis chilensis. Tarsometatarso izquierdo

description: *Pelagornis chilensis* Mayr y Rubilar-Rogers, 2010. Especie de ave perteneciente a una familia extinta que caracterizaba, entre otras cosas, por su gran tamaño y por poseer proyecciones óseas cónicas, en los maxilares y ramas mandibulares, a manera de dientes. Imagen del tarsometatarso izquierdo.

[Colección digital MNHN sobre el Pelagornis chilensis](https://www.mnhn.gob.cl/colecciones/pelagornis-chilensis-el-ave-prehistorica-mas-grande-del-mundo)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227496
title: Pelagornis chilensis. Tarsometatarso izquierdo

description: *Pelagornis chilensis* Mayr y Rubilar-Rogers, 2010. Especie de ave perteneciente a una familia extinta que caracterizaba, entre otras cosas, por su gran tamaño y por poseer proyecciones óseas cónicas, en los maxilares y ramas mandibulares, a manera de dientes. Imagen del tarsometatarso izquierdo.

[Colección digital MNHN sobre el Pelagornis chilensis](https://www.mnhn.gob.cl/colecciones/pelagornis-chilensis-el-ave-prehistorica-mas-grande-del-mundo)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227498
title: Buddha Shakyamuni, 8th C CE

description: Limestone Buddha Head, 8th C CE, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

*"This image of Buddha Shakyamuni conforms closely to the classic style evolved by the early Dvaravati sculptors. The face is square, mouth wide, nose flat and hair curls large. Although the Dvaravati artists borrowed ideas from the idealized sculpture of India, this head demonstrates that facial characteristics of the indigenous population was soon incorporated into their religious art.'*


More information here:

https://collections.artsmia.org/art/887/buddha-head-cambodia-or-thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227499
title: Buddha Shakyamuni, 8th C CE

description: Limestone Buddha Head, 8th C CE, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

*"This image of Buddha Shakyamuni conforms closely to the classic style evolved by the early Dvaravati sculptors. The face is square, mouth wide, nose flat and hair curls large. Although the Dvaravati artists borrowed ideas from the idealized sculpture of India, this head demonstrates that facial characteristics of the indigenous population was soon incorporated into their religious art.'*


More information here:

https://collections.artsmia.org/art/887/buddha-head-cambodia-or-thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227502
title: Thamesmead Tump 39

description: Tump 39, Thamesmead - formerly part of the Royal Arsenal site, the Tump housed Naval heavy munitions. Tump built 1897, this area of the Arsenal ceased operations in the 1960's. Text by Peter Barry.

This model shows the tump with its surrounding embankment. There is a higher resolution model of just the interior area here: https://skfb.ly/osWuA

3182 photos taken in February 2022 with a Sony a7R III and processed in Agisoft Metashape.
Assistance by Peter Barry.
Access and extra information kindly supplied by Chris W (https://www.youtube.com/c/ChrisW8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227503
title: Thamesmead Tump 39

description: Tump 39, Thamesmead - formerly part of the Royal Arsenal site, the Tump housed Naval heavy munitions. Tump built 1897, this area of the Arsenal ceased operations in the 1960's. Text by Peter Barry.

This model shows the tump with its surrounding embankment. There is a higher resolution model of just the interior area here: https://skfb.ly/osWuA

3182 photos taken in February 2022 with a Sony a7R III and processed in Agisoft Metashape.
Assistance by Peter Barry.
Access and extra information kindly supplied by Chris W (https://www.youtube.com/c/ChrisW8).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227506
title: Moldova

description: [Moldova](https://en.wikipedia.org/wiki/Moldova) is a landlocked country in Eastern Europe. It is bordered by Romania to the west and Ukraine to the north, east, and south. Additionally, the unrecognised state of Transnistria lies across the Dniester on the country's eastern border with Ukraine. The capital and largest city is Chișinău.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227507
title: Moldova

description: [Moldova](https://en.wikipedia.org/wiki/Moldova) is a landlocked country in Eastern Europe. It is bordered by Romania to the west and Ukraine to the north, east, and south. Additionally, the unrecognised state of Transnistria lies across the Dniester on the country's eastern border with Ukraine. The capital and largest city is Chișinău.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227508
title: Cairn 14 in Sammallahdenmäki, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn number 14 in Sammallahdenmäki, Rauma, Finland. There are total 36 tombs in the site. Sammallahdenmäki is [UNESCO World Heritage Site](https://whc.unesco.org/en/list/579).

Other models from same site:

* [Cairn 5 and 5A](https://skfb.ly/o6voK)
* [Cairn 6, Huilun pitkä raunio ("long ruin of Huilu")](https://skfb.ly/o6v6U)
* [Cairn 7](https://skfb.ly/o6vou)
* [Cairn 10](https://skfb.ly/o6vpo)
* [Cairn 11](https://skfb.ly/o6vov)
* [Cairn 12](https://skfb.ly/o6voy)
* [Cairn 20](https://skfb.ly/o6v6G)
* [Cairn 21, Kinkonlaattia ("Church Floor") ](https://skfb.ly/o6v66)
* [Cairn 22 and 23](https://skfb.ly/o6voF)
* [Cairn 25 and 26](https://skfb.ly/o6v6y)
* [Cairn 29 and 30](https://skfb.ly/o6voY)

More info:

* [Official Sammallahdenmäki website](https://www.sammallahdenmaki.fi/en/)
* [Location in Google Maps](https://goo.gl/maps/jYyDirFcNPnKonPt8)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.406010010)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227509
title: Cairn 14 in Sammallahdenmäki, Finland

description: Bronze age (from 1500 BC to 500 BC in Finland) burial cairn number 14 in Sammallahdenmäki, Rauma, Finland. There are total 36 tombs in the site. Sammallahdenmäki is [UNESCO World Heritage Site](https://whc.unesco.org/en/list/579).

Other models from same site:

* [Cairn 5 and 5A](https://skfb.ly/o6voK)
* [Cairn 6, Huilun pitkä raunio ("long ruin of Huilu")](https://skfb.ly/o6v6U)
* [Cairn 7](https://skfb.ly/o6vou)
* [Cairn 10](https://skfb.ly/o6vpo)
* [Cairn 11](https://skfb.ly/o6vov)
* [Cairn 12](https://skfb.ly/o6voy)
* [Cairn 20](https://skfb.ly/o6v6G)
* [Cairn 21, Kinkonlaattia ("Church Floor") ](https://skfb.ly/o6v66)
* [Cairn 22 and 23](https://skfb.ly/o6voF)
* [Cairn 25 and 26](https://skfb.ly/o6v6y)
* [Cairn 29 and 30](https://skfb.ly/o6voY)

More info:

* [Official Sammallahdenmäki website](https://www.sammallahdenmaki.fi/en/)
* [Location in Google Maps](https://goo.gl/maps/jYyDirFcNPnKonPt8)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.406010010)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227510
title: Medieval Bridge

description: * Been a while since my last upload, anyway here is a medieval bridge. Perfect for various projects within and outside the medieval era.
* **Formats: OBJ**             
* Imagined, designed, and commissioned by MOJackal
* Collection link: https://skfb.ly/6ONr8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227511
title: Medieval Bridge

description: * Been a while since my last upload, anyway here is a medieval bridge. Perfect for various projects within and outside the medieval era.
* **Formats: OBJ**             
* Imagined, designed, and commissioned by MOJackal
* Collection link: https://skfb.ly/6ONr8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227513
title: Sourire

description: Sculpture en pierre calcaire, de 32 cm de hauteur, réalisée par Françoise Pouvreau au sein de l'Association Basque Topaketak à Arbonne (Pyrénées Atlantiques - France). Exposée à "La Benoiterie" d'Arbonne du 29 au 31 juillet 2022

Source: Objaverse 1.0 / Sketchfab