cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10291762
title: BB I163v14 C24

description: Undecorated rim sherd from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio. The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104).

Note: model not exported for printing.

Uploaded by Nora Hillard

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291761
title: BB I163v14 C24

description: Undecorated rim sherd from the Brown's Bottom (33RO1104) hamlet in Ross County, Ohio. The site is a sedentary habitation site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. (http://ohioarchaeology.org/component/content/article/45-resources/research/articles-and-abstracts-2009/285-the-2006-archaeological-investigations-at-browns-bottom-1-33r01104).

Note: model not exported for printing.

Uploaded by Nora Hillard

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291763
title: Czech Hedgehog Anti-tank Barrier

description: A Czech hedgehog that was used in warfare as a anti-tank or anti-vehicle defense. Untextured but ready for use/texturing. Most commonly known from D-day landings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291764
title: Czech Hedgehog Anti-tank Barrier

description: A Czech hedgehog that was used in warfare as a anti-tank or anti-vehicle defense. Untextured but ready for use/texturing. Most commonly known from D-day landings.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291771
title: Brass "kontusz" knob

description: Knob is a decorative button for a nobleman's attire "kontusz".

ID no.: MCh-S/599

Museum: Irena and Mieczysław Mazaraki Museum in Chrzanów 

https://muzea.malopolska.pl/pl/lista-obiektow/2694

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291772
title: Brass "kontusz" knob

description: Knob is a decorative button for a nobleman's attire "kontusz".

ID no.: MCh-S/599

Museum: Irena and Mieczysław Mazaraki Museum in Chrzanów 

https://muzea.malopolska.pl/pl/lista-obiektow/2694

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291773
title: Belt from Vimose: 3D reconstruction

description: The 3D model presents a digital reconstruction of solid and riveted rings of archaeological mail armour. To create 3D models of the rings, we used polygonal modelling functions of Blender software. In order to record the relevant measurements of the mail rings, we used a list of parameters. This list includes 11 parameters for a riveted ring and four parameters for a solid ring. The accuracy of the digital replicas of the rings was 0.01 mm. The authors of the reconstructions are 

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) 
https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

and Martijn A. Wijnhoven (VU University Amsterdam) 
https://vu-nl.academia.edu/MartijnAWijnhoven 

DOI: https://doi.org/10.13140/RG.2.2.20683.11041

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291774
title: Belt from Vimose: 3D reconstruction

description: The 3D model presents a digital reconstruction of solid and riveted rings of archaeological mail armour. To create 3D models of the rings, we used polygonal modelling functions of Blender software. In order to record the relevant measurements of the mail rings, we used a list of parameters. This list includes 11 parameters for a riveted ring and four parameters for a solid ring. The accuracy of the digital replicas of the rings was 0.01 mm. The authors of the reconstructions are 

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) 
https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

and Martijn A. Wijnhoven (VU University Amsterdam) 
https://vu-nl.academia.edu/MartijnAWijnhoven 

DOI: https://doi.org/10.13140/RG.2.2.20683.11041

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291777
title: Sandstone Bead, SJ13

description: Tubular bead, sandstone, unidrectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_303

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.
Interior mesh reconstructed with Geomagic Wrap

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291778
title: Sandstone Bead, SJ13

description: Tubular bead, sandstone, unidrectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_303

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.
Interior mesh reconstructed with Geomagic Wrap

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291780
title: Black-Figure Neck Amphora, c. 540 BCE

description: Black-Figure Neck Amphora, c. 540 BCE, attributed to the Painter of Vatican 359, now in the collection of the Minneapolis Institute of Art.


From the amphora's description on [artsmia.org](www.artsmia.org):

*'This massive amphora, used for carrying wine or oil, recalls the works of the great Exekias. The figures, although lacking the refinement found in those he painted, exhibit this master's distinctive style, which others in his workshop copied.*

*The front shows a quadriga, or four-horse chariot, at rest. Standing inside are Poseidon, holding a trident, and his wife, Amphitrite. An unidentified goddess, perhaps Athena, and Hermes, who holds a caduceus, or symbolic staff, stand beside the chariot. The scene may depict the gods and goddesses preparing to depart for an Olympian council or for the wedding of Peleus and Thetis.'*


More information [here](https://collections.artsmia.org/art/1322/black-figure-neck-amphora-attributed-to-the-painter-of-vatican-359)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291779
title: Black-Figure Neck Amphora, c. 540 BCE

description: Black-Figure Neck Amphora, c. 540 BCE, attributed to the Painter of Vatican 359, now in the collection of the Minneapolis Institute of Art.


From the amphora's description on [artsmia.org](www.artsmia.org):

*'This massive amphora, used for carrying wine or oil, recalls the works of the great Exekias. The figures, although lacking the refinement found in those he painted, exhibit this master's distinctive style, which others in his workshop copied.*

*The front shows a quadriga, or four-horse chariot, at rest. Standing inside are Poseidon, holding a trident, and his wife, Amphitrite. An unidentified goddess, perhaps Athena, and Hermes, who holds a caduceus, or symbolic staff, stand beside the chariot. The scene may depict the gods and goddesses preparing to depart for an Olympian council or for the wedding of Peleus and Thetis.'*


More information [here](https://collections.artsmia.org/art/1322/black-figure-neck-amphora-attributed-to-the-painter-of-vatican-359)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291781
title: Pilum

description: Arme romaine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291782
title: Pilum

description: Arme romaine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291784
title: Telstra Pit Cover: Aussie Telco

description: Took 111 iphone 7 photos processed with Visual SfM made normal and displacement

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291783
title: Telstra Pit Cover: Aussie Telco

description: Took 111 iphone 7 photos processed with Visual SfM made normal and displacement

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291785
title: LR I247 C228

description: Undecorated rim sherd with brushing on the interior from the Lady's Run (33RO1105) hamlet in Ross County, Ohio. The site is a settlement site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. http://ohioarchaeology.org/resources/45-resources/research/articles-and-abstracts-2009/293-the-2007-2008-archaeological-investigations-at-ladys-run-33r01105

Note: model not exported for printing.

Uploaded by: Nora Hillard

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291786
title: LR I247 C228

description: Undecorated rim sherd with brushing on the interior from the Lady's Run (33RO1105) hamlet in Ross County, Ohio. The site is a settlement site dating to the Middle Woodland Period (Hopewell) excavated by Drs. Paul J. Pacheco, Jarrod Burks, and Dee Anne Wymer. http://ohioarchaeology.org/resources/45-resources/research/articles-and-abstracts-2009/293-the-2007-2008-archaeological-investigations-at-ladys-run-33r01105

Note: model not exported for printing.

Uploaded by: Nora Hillard

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291787
title: COADS_138-1

description: This is a blade core collected in Paxton Township, Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_138-1, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291788
title: COADS_138-1

description: This is a blade core collected in Paxton Township, Ross County, Ohio.
Material Type: Flint Ridge

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_138-1, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291790
title: Pisgah Rimsherd (2094p1094-6)

description: **Pisgah Complicated Stamped rimsherd**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 80.4 mm; width, 37.2 mm; thickness, 15.5 mm.

Notes: Catalog no. 2094p1094 (specimen 6),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIX. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291791
title: Pisgah Rimsherd (2094p1094-6)

description: **Pisgah Complicated Stamped rimsherd**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 80.4 mm; width, 37.2 mm; thickness, 15.5 mm.

Notes: Catalog no. 2094p1094 (specimen 6),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIX. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291792
title: HYPERION ARMMOR CONCEPT ART

description: Concept art of armor HYPERION. If you like it, I'll finish it.Sorry for the quality of the model. I'm just learning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291793
title: HYPERION ARMMOR CONCEPT ART

description: Concept art of armor HYPERION. If you like it, I'll finish it.Sorry for the quality of the model. I'm just learning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291796
title: Assyrian relief, Nimrud

description: An Assyrian relief from the reign of Ashurnasirpal II (883 B.C. — 859 B.C.) This relief deplcts king (Ashur-nasirpal II), about to pour a libation, royal inscription carved into relief.

Find Spot: Palace of Ashurnasirpal II Kalhu (Tell Nimrud) Iraq

Material: limestone

Dimension(s):length, 2.275, m width, 1.83, m

Acquisition: unknown; 1927; Marlay Additions

Object Number: ANE.45.1927 (Antiquities) https://data.fitzmuseum.cam.ac.uk/id/object/86839

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291797
title: Assyrian relief, Nimrud

description: An Assyrian relief from the reign of Ashurnasirpal II (883 B.C. — 859 B.C.) This relief deplcts king (Ashur-nasirpal II), about to pour a libation, royal inscription carved into relief.

Find Spot: Palace of Ashurnasirpal II Kalhu (Tell Nimrud) Iraq

Material: limestone

Dimension(s):length, 2.275, m width, 1.83, m

Acquisition: unknown; 1927; Marlay Additions

Object Number: ANE.45.1927 (Antiquities) https://data.fitzmuseum.cam.ac.uk/id/object/86839

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291798
title: ROI022-051-21

description: Point Fragments collected in Allen County, Indiana

Catalog #: 12-Al-894-39

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-051-21, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291799
title: ROI022-051-21

description: Point Fragments collected in Allen County, Indiana

Catalog #: 12-Al-894-39

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-051-21, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291800
title: Pisgah Complicated Stamped Jar (2164p19)

description: **Pisgah Complicated Stamped jar**

Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400).

Material: ceramic.

Dimensions: height, 19.6 cm; diameter, 23.0 cm.

Notes: Catalog no. 2164p19, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate X. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291801
title: Pisgah Complicated Stamped Jar (2164p19)

description: **Pisgah Complicated Stamped jar**

Location: Garden Creek Mound No. 1 (31Hw1), Haywood County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400).

Material: ceramic.

Dimensions: height, 19.6 cm; diameter, 23.0 cm.

Notes: Catalog no. 2164p19, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate X. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291802
title: The Stables

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

When the couple wanted to build their own house on No 4 Hamngatan it was natural to include stables in the design. The architect [Isak Gustaf Clason](https://goo.gl/8Yo7MD) drew an interior that followed the standard of the day and the equipment was bought from Bolinder's mechanical factory. The horses were sold in 1908 but Wilhelmina von Hallwyl decided to keep the interior "to save an image of the stables in its original state, to a certain degree".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291803
title: The Stables

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

When the couple wanted to build their own house on No 4 Hamngatan it was natural to include stables in the design. The architect [Isak Gustaf Clason](https://goo.gl/8Yo7MD) drew an interior that followed the standard of the day and the equipment was bought from Bolinder's mechanical factory. The horses were sold in 1908 but Wilhelmina von Hallwyl decided to keep the interior "to save an image of the stables in its original state, to a certain degree".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291804
title: Romanesque Fragment 2 - Kilmeen

description: A series of romanesque fragments have been discovered in Kilmeen graveyard. The site has the base of round tower, and late medieval church. The fragments demonstrate that a decorated romanesque building was also located at the site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291805
title: Romanesque Fragment 2 - Kilmeen

description: A series of romanesque fragments have been discovered in Kilmeen graveyard. The site has the base of round tower, and late medieval church. The fragments demonstrate that a decorated romanesque building was also located at the site.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.24606866
title: Patterns of Polydrug Use Classes Among a Subset of Latino Male Seasonal Workers in South Florida: A Latent Class Analysis

description: Little is known about polydrug use among Latino seasonal farmworkers. This cross-sectional study with male Latino seasonal workers (LSWs) living in South Florida categorized distinct classes of drug use and then characterized each drug use typology by demographic, structural, and psychological factors. One hundred and twenty-five male LSWs were recruited during community events using convenience sampling between July 2019-March 2020. Latent class analysis was conducted by leveraging measures of self-reported use of nine drugs in the past year (sedatives, cannabis, stimulants, heroin, opioids, cocaine, PCP, hallucinogens, and inhalants). Correlates of latent class membership were examined using 3-step categorical latent variable logistic regression. Analyses were performed using Mplus version 8 and SAS 9.4. Four drug use classes were identified, male LSWs who exhibited: 1) use of illegal opioids only (<i>n</i> = 32); 2) concurrent cannabis and cocaine use (<i>n</i> = 75); 3) concurrent sedative and cannabis use (<i>n</i> = 13); and 4) high concurrent drug use (<i>n</i> = 5). About 84.7% of the sample reported use of at least one drug in the past 12 months. LSWs who identified as White and were married or in a stable relationship were likely to only use illegal opioids. LSWs with less than high school education and self-reported good to excellent health were more likely to use cannabis and cocaine. Men with moderate to severe anxiety and self-reported bad health were classified as engaging in sedative and cannabis co-use. Survivors of physical abuse were more commonly classified as people using high concurrent substances relative to non-abused men among the four classes. This pilot study suggests the presence of heterogeneity in polydrug use classes among LSWs in South Florida.
DOI: 10.6084/m9.figshare.24606866.v2
title: Patterns of Polydrug Use Classes Among a Subset of Latino Male Seasonal Workers in South Florida: A Latent Class Analysis

description: Little is known about polydrug use among Latino seasonal farmworkers. This cross-sectional study with male Latino seasonal workers (LSWs) living in South Florida categorized distinct classes of drug use and then characterized each drug use typology by demographic, structural, and psychological factors. One hundred and twenty-five male LSWs were recruited during community events using convenience sampling between July 2019-March 2020. Latent class analysis was conducted by leveraging measures of self-reported use of nine drugs in the past year (sedatives, cannabis, stimulants, heroin, opioids, cocaine, PCP, hallucinogens, and inhalants). Correlates of latent class membership were examined using 3-step categorical latent variable logistic regression. Analyses were performed using Mplus version 8 and SAS 9.4. Four drug use classes were identified, male LSWs who exhibited: 1) use of illegal opioids only (<i>n</i> = 32); 2) concurrent cannabis and cocaine use (<i>n</i> = 75); 3) concurrent sedative and cannabis use (<i>n</i> = 13); and 4) high concurrent drug use (<i>n</i> = 5). About 84.7% of the sample reported use of at least one drug in the past 12 months. LSWs who identified as White and were married or in a stable relationship were likely to only use illegal opioids. LSWs with less than high school education and self-reported good to excellent health were more likely to use cannabis and cocaine. Men with moderate to severe anxiety and self-reported bad health were classified as engaging in sedative and cannabis co-use. Survivors of physical abuse were more commonly classified as people using high concurrent substances relative to non-abused men among the four classes. This pilot study suggests the presence of heterogeneity in polydrug use classes among LSWs in South Florida.
DOI: 10.5281/zenodo.10291806
title: Wall Section from St Andrews Cathedral

description: This section of wall I find interesting due to the multiple arches it contains. The wall itself I estimate to be around 60-70 feet long with a height of roughly 7 feet in places,by holding the camera up at arms length I was still unable to properly capture any images of the top of the wall. The pillar on the right hand side is well above head height so no images were captured of its top section giving the unusual shape, I had no desire to start clambering over the stonework to photograph it. The rear of the wall has some modern brickwork against it with benches inserted so decided not to photograph this area.
There are some small holes in the top of some of the arches.
Images captured with a 9 MP Fujifilm A920.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10291807
title: Wall Section from St Andrews Cathedral

description: This section of wall I find interesting due to the multiple arches it contains. The wall itself I estimate to be around 60-70 feet long with a height of roughly 7 feet in places,by holding the camera up at arms length I was still unable to properly capture any images of the top of the wall. The pillar on the right hand side is well above head height so no images were captured of its top section giving the unusual shape, I had no desire to start clambering over the stonework to photograph it. The rear of the wall has some modern brickwork against it with benches inserted so decided not to photograph this area.
There are some small holes in the top of some of the arches.
Images captured with a 9 MP Fujifilm A920.

Source: Objaverse 1.0 / Sketchfab