cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/hancock-ouc17567109
title: The new frontier, 1949? [excerpts 2A]

description: The new frontier, 1949? Excerpts (color, silent) from the documentary which used footage from the 1949 scientific exploration cruise of the Velero IV in the Gulf of California, and off Catalina Island, and the Port of Los Angeles. Footage includes dredge and winch operation. Benthograph deployment and photography. Scuba and skin diving. Specimens shown include: sea horses, mud skate, prawn, millipede, starfish, unidentified crustacean, snake, crabs (including hermit crabs), sea slug, shrimp, unidentified fish, eel, sea lion, jelly fish (including Medusa jelly fish), giant kelp, and other marine flora. “New frontier insert (1)” – container. “2A” – on tail. 24 frames per second. 924.6 feet.
DOI: 10.25549/hancock-ouc1sto1649384
title: Hancock Films
DOI: 10.25549/hancock-ouc110843506
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843503
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843505
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843508
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843562
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843566
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843568
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843575
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843580
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843584
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843592
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843634
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843635
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843638
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843649
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843764
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843768
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843767
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843770
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843774
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843778
title: Hancock Photographs
DOI: 10.25549/hancock-c82-30375
title: Hancock Films
DOI: 10.25549/hancock-ouc110843761
title: Hancock Photographs
DOI: 10.25549/hancock-c82-26019
title: Hancock Films
DOI: 10.25549/hancock-ouc110843756
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843734
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843738
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843730
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843731
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843732
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843721
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843717
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843715
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843716
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843713
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843710
title: Hancock Photographs
DOI: 10.25549/hancock-ouc1sto1648081
title: Hancock Films
DOI: 10.25549/hancock-ouc110843654
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843652
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843651
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843647
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843642
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843630
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843629
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844891
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843617
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843616
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843614
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843613
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843615
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843609
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843598
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843596
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843593
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843595
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843594
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843912
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843921
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843918
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843591
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843589
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843588
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843586
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843585
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843583
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843581
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843571
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843931
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843932
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843934
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843936
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843937
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843940
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843942
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843943
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843944
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844016
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844012
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843570
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843502
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843504
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843501
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843499
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843494
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843496
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843500
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843498
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110843493
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844043
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17567576
title: The new frontier, 1949? [excerpts 2B]

description: The new frontier, 1949? Excerpts from the documentary which used footage from the 1949 scientific exploration cruise of the Velero IV in the Gulf of California, and off Catalina Island, and the Port of Los Angeles. Footage includes deployment of dredge, specimens in situ and ex situ, underwater scuba divers, recovery of benthograph. Specimens shown include: shrimp, squid, basket star, sea worms, lobster, crab, prawn, anemone, sea horses, coral, fish, seals, Medusa jellyfish, sting rays, giant kelp. People shown include: Captain Allan Hancock. “New frontier insert (2)” – container. “2B” – on leader and tail. 24 frames per second. 924 feet. 70 frames clipped near middle due to extreme shrinkage/curling immediately following new white single-perf. leader approximately 60% into film.
DOI: 10.25549/hancock-ouc17567574
title: Allan Hancock speaks on ship & land, 1931-1941

description: Captain Allan Hancock stands and speaks (silent film) from the deck of a ship (probably the Velero III) and from a parking lot at an industrial site, 1931-1941. “Santa Maria Lexington horse” -- container. 16 frames per second. 22 feet.
DOI: 10.25549/hancock-ouc17567572
title: Velero IV activities, specimens, Hancock Air Field, Hancock Building, etc., 1949-1955

description: Activities on board Velero IV, including deployment and recovery of core sampler, benthograph, and dredge net, and using nets and azimuth compass. Captain Allan Hancock is at the hydraulic arch controls on the aft deck. Also airfield scenes including Hancock with Air Force men, and mechanics changing airplane landing gear tire, probably at Hancock Field, Santa Maria, California. Also underwater views of marine flora. Also collecting specimens from tide pool. Also the exterior of the Allan Hancock Foundation Building, 3616 University Avenue, University of Southern California. Also specimens of starfish, sea urchins, and worms[?]. Also Hancock Foundation publications. All scenes are circa 1949-1955. “Associated LAS [Letters, Arts, and Sciences] master…” – container. 18 frames per second. 103.5 feet.
DOI: 10.25549/hancock-ouc17567570
title: Elephant seals on island beach, ca. 1952

description: Elephant seals bask on island beach, molt, move about, and show aggression, ca. 1952. Included are bulls, cows, and pups. “Associated LAS [Letters, Arts, and Sciences] master…” – container. ”Elephant seals – w.p. [work print]” – note on film. 18 frames per second. 119.7 feet.
DOI: 10.25549/hancock-ouc17567566
title: Orangutang, elephants, San Diego Zoo, Calif., 1930s

description: Zookeepers interact with orangutang and elephants, San Diego Zoo, San Diego, California, USA, 1930s. Captain Allan Hancock shakes hand of orangutang. “Santa Maria…” -- container. 18 frames per second. 78.3 feet.
DOI: 10.25549/hancock-ouc17567564
title: Collecting starfish, sea cucumbers, etc. from shore, 1952?

description: Specimen collecting (sea cucumbers, starfish, whale vertebrae, etc.) on a rocky beach, 1952?. Velero IV is anchored in the distance. Captain Allan Hancock and Fred Ziesenhenne may be among the men shown. “Associated LAS [Letters, Arts, and Sciences] master…” – container. “Shore collection sp[ecimens]” -- leader. 24 frames per second. 169.2 feet.
DOI: 10.25549/hancock-ouc17567158
title: Velero III cruises through Panama Canal, 1939

description: The Velero III travels from the Pacific Ocean to the Caribbean Sea via the Panama Canal, 1939 April. Includes visit of village probably on Gatún Lake, Panama. Present are: Captain Allan Hancock, William Randolf Taylor, et al. “Agfa -- Carribean trip” – container. 16 frames per second. 308 feet.
DOI: 10.25549/hancock-ouc17567153
title: Hollywood views; Refrigerated train cars for produce, Santa Maria, Calif., 1927-1940

description: Views of Hollywood, 1927-1940. How produce is kept fresh while being transported via railway using refrigerated rail cars, 1927-1940. “Santa Maria…” -- container. 16 frames per second. 104.8 feet.
DOI: 10.25549/hancock-ouc17567559
title: Birth of a Seal, Birds of Tropic Seas, Elephant Seals of Guadalupe, 1931-1941 [title/intertitle frames only]

description: Title and intertitle frames for three Allan Hancock Foundation films “Birth of A Seal, “Birds of Tropic Seas” and “Elephant Seals of Guadalupe”, 1931-1941. 24 frames per second. 36.6 feet.
DOI: 10.25549/hancock-ouc17567560
title: Rosemary & Patricia Ann Zeiser ready to christen Velero III, Long Beach, Calif., 1931

description: Captain Allan Hancock’s daughter Rosemary Zeiser née Hancock (holding flowers and her daughter) and Patricia Ann Zeiser (her daughter, holding suspended bottle of champagne) ready the christen the ship moments prior to the launch of the Velero III, Craig Shipbuilding, Long Beach, California, USA, 1931 April 2. 16 frames per second. 4.8 feet.
DOI: 10.25549/hancock-ouc17567151
title: Velero IV crew at winch, 1949-1951

description: Men on Velero IV gathered on deck around winch as a problem is solved, 1949-1951. Two men work on core sampler. The men include Chapman, Captain Allan Hancock, Fred Ziesenhenne, the electrician’s mate, and several others. “Marine geo. [geologist] Chapman WP [work print]” – container. 18 frames per second. 162 feet.
DOI: 10.25549/hancock-ouc17567152
title: Birds of Tropic Seas & Elephant Seals of Guadalupe, 1931-1941 [title/intertitle frames only]

description: Title and intertitle frames for two Allan Hancock Foundation films “Birds of Tropic Seas” and “Elephant Seals of Guadalupe”, 1931-1941. 24 frames per second. 21.6 feet.
DOI: 10.25549/hancock-ouc110844061
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844063
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844064
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844070
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844068
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844069
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844071
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844079
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844081
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844082
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844083
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844087
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844084
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844090
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844094
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17567147
title: Marine treasureland & Island adventures, [1948-1964?] [title/intertitle frames only]

description: Title and intertitle frames for two Allan Hancock Foundation films “Marine Treasureland” and “Island Adventures”, 1948-1964. 24 frames per second. 67.8 feet.
DOI: 10.25549/hancock-ouc17567146
title: Hancock & Palmer relax nearly nude on the beach, 1931-1938

description: Captain Allan Hancock and Velero III ship’s doctor Edwin O. Palmer relax on the beach nearly nude, 1931-1938. 16 frames per second. 27.6 feet.
DOI: 10.25549/hancock-ouc17567144
title: Measurement equipment, H.M.C.S. Cedarwood, Vancouver, Canada, 1950s

description: Operation of marine instruments on board H.M.C.S. Cedarwood, Vancouver, British Columbia, Canada, 1950s. Also a view of Lions Gate Bridge. “Garth Canada outs [outtakes]” – container. “John Garth Canada” – on leader. 18 frames per second. 85.95 feet.
DOI: 10.25549/hancock-ouc17567139
title: To the Land of the Incas, 1939? [title/intertitle frames only]

description: Title and intertitle frames for the Allan Hancock Foundation production “To the Land of the Incas”, 1938-1939. 24 frames per second. 75 feet.
DOI: 10.25549/hancock-ouc110844098
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844100
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844099
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844125
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844129
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844130
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844127
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844131
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844133
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844106
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844101
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844102
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844103
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844105
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844104
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844107
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17567140
title: Allan Hancock Foundation intertitle, 1948-1964

description: Intertitle frames from a film produced by the Allan Hancock Foundation, 1948-1964. 24 frames per second. Two copies: 43.2 feet b&w, 40.8 feet color.
DOI: 10.25549/hancock-ouc17567138
title: The thinnest slice, 1949 [titles & credits only]

description: Introductory titles and credits only (almost 2 minutes) for a medical film entitled “The thinnest slice” written and produced Daniel H. Chapman, directed by George Pratt, at the University of Southern California, 1949. “Titles - The thinnest slice – sound stills – ‘Beer is the name’” – container. “Titles – The thinnest slice – head – R909005B – USC P114 – Neg” – on leader. 24 frames per second. 66 feet. “Tissue is sliced to 1/500,000th of an inch on a microtome by Dr. Daniel Pease in a technique which he and Dr. Richard Baker developed in the USC laboratories. The tissue is put through eleven solutions before mounting. Dr. Richard F. Baker photographs the tissue through an electron microscope. An enlarged photomicrograph shows, for the first time, the gene, the determining factor in heredity.” – Glenn McMurry. “Productions by the Department of Cinema, USC” in Journal of the University Film Producers Association, vol. 11, no. 2 (Winter 1959), p. 19-20. Pratt received an award at the 1951 Edinburgh Film Festival for the full 21-minute film.
DOI: 10.25549/hancock-ouc17567135
title: Diving operations from boats, 1931-1941

description: Diving operations from rowboat and from motor launch with heavy diving helmet, 1931-1941. Halle “Karl” Hallikainen is in some of the scenes manually pumping air through the hose connected to the helmet. “Sea river print” -- container. 16 frames per second. 173.2 feet.
DOI: 10.25549/hancock-ouc17567132
title: Purse nailed to street fools passers-by, Los Angeles, Calif., 1930s

description: Many drivers and passengers get out of their automobiles in traffic and pedestrians walk through traffic to try to pick up a purse intentionally nailed to the street as an April Fool joke, intersection of North La Brea Avenue and Melrose Avenue, Los Angeles, California, USA, 1930s. “NG April Fool joke” – container. 16 frames per second. 116 feet.
DOI: 10.25549/hancock-ouc17567130
title: Benthoscope test, Catalina Island, 1949

description: Benthoscope test dive from crane barge, "Cherry Picker", Emerald Bay, Santa Catalina Island, Channel Islands, California, USA, 1949 October. Among the men on the barge was Maurice Nelles (baseball cap, light blue jacket, white short-sleeve shirt, tan pants), the designer of the benthoscope. Otis Barton (black jacket, tan pants) was in the benthoscope. Filmed from the Velero IV. “In old California” – container. “Deep dive Koda [sic, i.e. Kodak or Kodachrome] orig[inal]” – on leader. 24 frames per second. 151.8 feet. Only partially transferred due to severe shrinkage and curling of original film.
DOI: 10.25549/hancock-ouc17567131
title: Radio appeal soliciting aid for Pusan, Korea, after fire, 1953

description: Broadcast appeal by California governor Goodwin Knight in December 1953 entreating the public to contribute to an emergency aid response in the aftermath of a huge fire in Pusan, Korea, on 1953 November 26-28. Sponsored by the American-Korean Foundation, a “mercy ship” carrying relief supplies under the command of General James A. Van Fleet would leave California in January 1954 bound for Korea. “Relined” – container. “Korea relined” – on leader. 24 frames per second. 41.4 feet.
DOI: 10.25549/hancock-ouc110844120
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17567125
title: Live squid specimen, ca. 1952

description: A live squid specimen with changing skin color; also close-up views of eye, water jet, tentacles, mantle, and fins, ca. 1952. “Associated LAS [Letters, Arts, and Sciences] master…” – container. ”Squid WP [work print]” – note on film. 18 frames per second. 89.1 feet.
DOI: 10.25549/hancock-ouc17567127
title: Lexington (horse) performs, Rosemary Farm, Calif., 1930s

description: Lexington (horse) is put through a series of actions including posing, galloping, turning, stopping, backing up, all while in a walled corral, probably on Rosemary Farm, Santa Maria Valley, California, USA, 1930s. 16 frames per second. 54 feet.
DOI: 10.25549/hancock-ouc17567124
title: Coati with Hancock et al., on ship & and Rosemary Farm, Calif., 1930s

description: Captain Allan Hancock and others play with coati on board ship (possibly Velero III) and possibly at Rosemary Farm, Santa Maria Valley, California, USA, 1930s. 16 frames per second. 46.4 feet.
DOI: 10.25549/hancock-ouc110844256
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844255
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17567122
title: Documentary on snakes [excerpts], 1931-1941

description: Cutouts from a short documentary film on snakes shot near the coast along eastern Pacific, 1931-1941. Two men stalk a rattlesnake. “Cutouts from Snake Picture” – tail note. “Snake neg.” – leader note. 18 frames per second. 38.25 feet.
DOI: 10.25549/hancock-ouc110844137
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17565558
title: Birds in Gonzaga Bay, Mexico, 1949-1955

description: Birds (including pelicans) fly over water, Gonzaga Bay, Baja California, Mexico, 1949-1955. Also Fred Ziesenhenne and John Garth recover and empty net dredge from small boat. “Julian Vogt 3A picture – dupe birds flying (poor)” – container. “Kodachrome dupe. V III birds flying (poor)” – note in container. 18 frames per second. 130.5 feet.
DOI: 10.25549/hancock-ouc17567110
title: Violoncellist plays, Los Angeles, Calif., 1930s

description: Unidentified male violoncellist plays the violoncello (no sound), probably at the University of Southern California, Los Angeles, California, 1930s. “Violinist action” – container. 24 frames per second. 152.4 feet.
DOI: 10.25549/hancock-ouc17565534
title: Hancock Films
DOI: 10.25549/hancock-ouc110844142
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844143
title: Hancock Photographs
DOI: 10.25549/hancock-ouc17565516
title: Class lecture on Edgar Allan Poe, 1948-1955

description: A class lecture on Edgar Allan Poe, by Mr. Center and Mr. Yuan(?), 1948-1955. Unlabelled container. 24 frames per second. 246 feet. On gray metal reel; B-wind; emulsion out; black-and-white; positive; sound - optical - variable density.
DOI: 10.25549/hancock-ouc17565053
title: Hancock Films
DOI: 10.25549/hancock-ouc110844145
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844146
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844149
title: Hancock Photographs
DOI: 10.25549/hancock-ouc110844151
title: Hancock Photographs
DOI: 10.7925/drs1.duchas_4728451
title: Local Cures

description: Story collected by Neilly Knight, a student at Oileán Ciarraí school (Castleisland, Co. Kerry) from informant Mrs Breen.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Tadhg Ó Céin.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_4728460
title: Local Cures

description: Story collected by Neilly Mitchel, a student at Oileán Ciarraí school (Castleisland, Co. Kerry) from informant John Lynch.
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Tadhg Ó Céin.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_5200801
title: Local Happenings

description: Story collected by Mary O' Mara, a student at Cnoc Beithe, An Fhiacail school (Knockbeha, Co. Clare) (no informant identified).
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Pádraig Ó Maolruanaidh.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.
DOI: 10.7925/drs1.duchas_5200802
title: Local Happenings

description: Story collected by Violet Murdock, a student at Cnoc Beithe, An Fhiacail school (Knockbeha, Co. Clare) (no informant identified).
description: Collected as part of the Schools' Folklore scheme, 1937-1938, under the supervision of teacher Pádraig Ó Maolruanaidh.
description: Supported by funding from the Department of Arts, Heritage and the Gaeltacht (Ireland), University College Dublin, and the National Folklore Foundation (Fondúireacht Bhéaloideas Éireann), 2014-2016.