cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15121/1261929
title: Testing for Controlled Rapid Pressurization

description: Borehole W1 is a NQ core hole drilled at our test site in Socorro. The rock is rhyolite. Borehole W1 which was used to test gas-gas explosive mixtures is 55 feet deep with casing (pinkish in the drawing) set to 35 feet. The model is a representation of the borehole and the holes we cored around the central borehole after the test. The brown colored core holes showed dye when we filled W1 with water and slightly pressurized it. This indicates there was some path between W1 and the colored core hole. The core holes are shown to their TD in the drawing. The green plane is a fracture plane which we believe is the result of the explosions of the gas mixture in W1. Data resource is a 2D .pdf Solid Works Drawing of borehole W1.
DOI: 10.17171/1-2-5009-1
title: Medieval Diagram
title: MAPD0731

description: Planetary Order List: The Plinian diagram for planetary order that appears as a list most commonly takes the form of seven small circles placed close together horizontally. Below each circle, from left to right, a planetary name appears from Saturn to Moon, in Plinian/Ptolemaic order (Saturn - Jupiter - Mars - Sun - Venus - Mercury - Moon). The Earth is not represented. Variations are common in this diagram.
description: Medieval Diagrams
DOI: 10.17171/1-2-619-1
title: Diagram MAPD0619

description: no name and description
description: Medieval Diagrams
DOI: 10.17171/1-2-629-1
title: Diagram MAPD0629

description: Planetary Intervals List: The Plinian list of planetary intervals takes the form of a vertical list of zodiac, planets, and earth, named in Plinian/Ptolemaic order. The Plinian harmonic interval between each pair of planets (including zodiac and Earth at the two extremes of the list) is named in its place between the two respective planets vertically. The planetary harmonic intervals provided in the Plinian excerpt are as follows: Erde - Mond = Ganzton, Mond - Merkur = Halbton, Merkur - Venus = Halbton, Venus - Sonne = Drei Halbtöne, Sonne - Mars = Ganzton, Mars - Jupiter = Halbton, Jupiter - Saturn = Halbton, Saturn - Tierkreis = Drei Halbtöne. Infrequently this list appears horizontally rather than vertically. Only when combined with the rectangular latitude diagram as a horizontal list below the grid, does the intervals list consistently appear with this orientation.
description: Medieval Diagrams
DOI: 10.17171/1-2-632-1
title: Diagram MAPD0632

description: Planetary Order List: The Plinian diagram for planetary order that appears as a list most commonly takes the form of seven small circles placed close together horizontally. Below each circle, from left to right, a planetary name appears from Saturn to Moon, in Plinian/Ptolemaic order (Saturn - Jupiter - Mars - Sun - Venus - Mercury - Moon). The Earth is not represented. Variations are common in this diagram.
description: Medieval Diagrams
DOI: 10.17171/1-2-635-1
title: Diagram MAPD0635

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-640-1
title: Diagram MAPD0640

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-651-1
title: Diagram MAPD0651

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-655-1
title: Diagram MAPD0655

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-657-1
title: Diagram MAPD0657

description: Latitudes Circular: The circular presentation of planetary latitudes occurs against a framework of thirteen concentric circles spaced at equal radial intervals. Each space between two succeeding circles represents one degree of the zodiacal band of twelve degrees in width. The middle, or seventh, circle represents the plane of the ecliptic. Against this framework the path of every planet but one, the Sun, appears as a circle that intersects one or more of the circles of the zodiac. The sun's path, because of the text of Pliny, follows a serpentine line that focuses upon the middle circle and passes above and below it to touch the next circle on either side of the middle circle. With the zodiacal circles numbered from 1 to 13, from the center outwards, the moon touches circle 13 on one side of the diagram and circle 1 on the opposite side; this represents Pliny's assignment of twelve degrees for the lunar latitude. The diagram shows Venus extending beyond circle 13 and cutting inside circle 1 to represent Pliny's two degrees beyond the zodiacal width for this planet's latitude. Mercury has a latitude of eight, from circle 11 to circle 3. Mars has a latitude of four in the middle, from circle 9 to circle 5. Jupiter, with three degrees of latitude in Pliny's text, moves from circle 9 to circle 6. Saturn receives two degrees of latitude ``like the sun'' according to Pliny's text. Nowhere does Pliny specify that Saturn has a serpentine path like that ascribed to the sun, and his phrase ``like the sun'' appears to mean the same two degrees as the sun supposedly crosses in the zodiac; most of the diagrams place Saturn's name outside the solar serpentine path and provide no separate circle for the latitude of Saturn.
description: Medieval Diagrams
DOI: 10.17171/1-2-661-1
title: Diagram MAPD0661

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-665-1
title: Diagram MAPD0665

description: Latitudes Rectangular: The rectangular presentation of latitudes occurs against a grid created by the intersections of 13 equally spaced horizontal lines with 31 equally spaced vertical lines -- a grid of 12 x 30 small squares. While this is the most common framework for the latitudes in this form, the grid may be drawn with different numbers of lines, e.g., 12 x 20. The 13 horizontal lines, which provide 12 intervals vertically, are the critical element in the layout. As in the circular diagram each planet oscillates between two extreme limits, but here the limits are upper and lower horizontals, rather than the inner and outer circles of the circular form. In the rectangular grid, the path of each planet has a regular wavelike pattern as it oscillates between its latitudinal limits. The names of the seven planets appear vertically on the left side of the grid, In accord with Pliny's text, the sun follows a serpentine path in the two middle intervals, or degrees. Saturn is rarely given an independent line of travel, and its name appears next to the Sun's name. The Moon passes from the bottom line to the top line, covering the full band of the zodiac. Venus has an interval from a small distance above the grid to a small distance below the grid, representing Pliny's assignment of two extra degrees, beyond the zodiacal band, to this planet's latitude. Mercury begins its line, according to Pliny's description, five spaces above the central horizontal line and descends to the line that is three spaces below the central horizontal line. Mars begins two spaces below the central and moves as high as the second line above the central horizontal. Jupiter begins three spaces below the central and travels only as high as the central horizontal. The prescribed numbers of degrees of latitude in the Plinian excerpt are often not well represented by the diagrams. While a few diagrams provide a separate line for the latitude of Saturn, the large majority do not. The overall impression of most rectangular latitude diagrams is that of six wavelike lines progressing from left to right across the grid framework.
description: Medieval Diagrams
DOI: 10.17171/1-2-669-1
title: Diagram MAPD0669

description: Apsides: A diagram for planetary absides is the only planetary diagram explicitly mentioned in the Plinian astronomical excerpts. The diagram is only partly described in the excerpt. This mention of a diagram is a medieval addition, which does not appear at all in the original text of Pliny's Natural History. The Plinian diagram for planetary absides has two forms, one with a normal, or natural, order of the zodiacal signs and one with an artificial, or rearranged, order of the zodiacal signs. The diagrams for both have the same graphical form. This form, or framework, provides an outer circular band with twelve equally spaced radial lines dividing both the outer band and the contained space into twelve equal parts. A small circle appears at the center of the diagram. In the normal-order diagram for absides, the names of the twelve signs are placed in their natural sequence in counter-clockwise direction in the twelve sections of the outer band. It is of no consequence where Aries 0° is placed in this diagram, and different diagrams may place it differently. The small central circle will be labeled Moon or sometimes Earth. When it is labeled Moon, the center of the diagram usually has the label for Earth. When the central circle is labeled Earth, there is a separate, concentric circle enclosing it for the Moon.For each of the six planets other than the Moon, there is an eccentric circle in the space between the lunar circle and the zodiacal band. Each eccentric circle has a label naming its planet. Each circle is drawn so that its apogee, or point of maximum distance from the central earth, falls within the angular section below the zodiacal sign assigned to the planet. The absides, or eccentric circles, show the locations in the zodiac according to Pliny for the farthest distances of the planets from the earth; at the apogee a planet will appear to be traveling slowest during its full orbit. The near points, or perigees, which are points of swiftest apparent travel are diametrically opposed to the far points. In the diagram for absides the name of the planet does not always appear under the zodiacal sign for its apogee. It is always necessary to ascertain where the geometrical apogee for each circle is located. Pliny lists the zodiacal signs for apogees; he does not name the signs for perigees. His list assigns the planets to the signs as follows: Saturn in Scorpius, Jupiter in Virgo, Mars in Leo, Sun in Gemini, Venus in Sagittarius, Mercury in Capricorn. The excerpt assigns no absis to the Moon. Because of a medieval emendation in some MSS of the full text of Pliny's Natural History, assigning an absis to the Moon in Taurus, some absidal diagrams show such an arrangement for the Moon, but this is neither standard nor frequent.
description: Medieval Diagrams
DOI: 10.17171/1-2-674-1
title: Diagram MAPD0674

description: Latitudes Circular: The circular presentation of planetary latitudes occurs against a framework of thirteen concentric circles spaced at equal radial intervals. Each space between two succeeding circles represents one degree of the zodiacal band of twelve degrees in width. The middle, or seventh, circle represents the plane of the ecliptic. Against this framework the path of every planet but one, the Sun, appears as a circle that intersects one or more of the circles of the zodiac. The sun's path, because of the text of Pliny, follows a serpentine line that focuses upon the middle circle and passes above and below it to touch the next circle on either side of the middle circle. With the zodiacal circles numbered from 1 to 13, from the center outwards, the moon touches circle 13 on one side of the diagram and circle 1 on the opposite side; this represents Pliny's assignment of twelve degrees for the lunar latitude. The diagram shows Venus extending beyond circle 13 and cutting inside circle 1 to represent Pliny's two degrees beyond the zodiacal width for this planet's latitude. Mercury has a latitude of eight, from circle 11 to circle 3. Mars has a latitude of four in the middle, from circle 9 to circle 5. Jupiter, with three degrees of latitude in Pliny's text, moves from circle 9 to circle 6. Saturn receives two degrees of latitude ``like the sun'' according to Pliny's text. Nowhere does Pliny specify that Saturn has a serpentine path like that ascribed to the sun, and his phrase ``like the sun'' appears to mean the same two degrees as the sun supposedly crosses in the zodiac; most of the diagrams place Saturn's name outside the solar serpentine path and provide no separate circle for the latitude of Saturn.
description: Medieval Diagrams