cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/maw-ouc113886788
title: Standing female figure

description: Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
DOI: 10.25549/maw-ouc113890803
title: Seated figure with rectangular head and fire marks

description: The figure has been minimalized by abstraction and simplification of the details. The white pigment on the clay suggests the figure was painted with a white material and probably painted with earthen pigments. The black clay areas on the clay marks the spot where the flames from the fire touched the clay.
DOI: 10.25549/maw-ouc113890808
title: Seated figure with rectangular head and fire marks

description: The figure has been minimalized by abstraction and simplification of the details. The white pigment on the clay suggests the figure was painted with a white material and probably painted with earthen pigments. The black clay areas on the clay marks the spot where the flames from the fire touched the clay.
DOI: 10.25549/maw-ouc113891012
title: Seated figure with rectangular head and fire marks

description: The figure has been minimalized by abstraction and simplification of the details. The white pigment on the clay suggests the figure was painted with a white material and probably painted with earthen pigments. The black clay areas on the clay marks the spot where the flames from the fire touched the clay.
DOI: 10.25549/maw-ouc113890804
title: Seated figure with rectangular head and fire marks

description: The figure has been minimalized by abstraction and simplification of the details. The white pigment on the clay suggests the figure was painted with a white material and probably painted with earthen pigments. The black clay areas on the clay marks the spot where the flames from the fire touched the clay.
DOI: 10.25549/usctheses-ouc11283757
title: Quality time
DOI: 10.25549/usctheses-ouc11285626
title: Are teenagers insane?: One girl's struggle between puberty and pathology
DOI: 10.34740/kaggle/dsv/14782637
title: CIC-EncryptedTraffic-2026
DOI: 10.25549/usctheses-ouc11303332
title: A journey in fragments
DOI: 10.25549/usctheses-ouc11300174
title: Monsoons: A novel
DOI: 10.25549/usctheses-ouc11301287
title: Homecoming: Collected excerpts and essays
DOI: 10.25549/usctheses-ouc11302813
title: A collection of short stories
DOI: 10.25549/usctheses-ouc11271324
title: A proposal for-the production, marketing and distribtuion of a theatrical motion picture "The Raagpur Trust"
DOI: 10.25549/usctheses-ouc113120785
title: Development of a DNA methyl-seq method to unravel the epigenetic landscape of the T cell receptor repertoire
DOI: 10.25549/usctheses-ouc11399m8gd
title: Unifying organizational culture in mergers and acquisitions: a Burke-Litwin framework analysis of the U.S. rubber mixing industry
DOI: 10.25549/usctheses-ouc11399nc95
title: Voices from the third space: examining the experiences of professional staff in higher education
DOI: 10.25549/maw-ouc113890802
title: Seated figure with rectangular head and fire marks

description: The figure has been minimalized by abstraction and simplification of the details. The white pigment on the clay suggests the figure was painted with a white material and probably painted with earthen pigments. The black clay areas on the clay marks the spot where the flames from the fire touched the clay.
DOI: 10.25549/maw-ouc113890805
title: Flared bowl with a basal lip

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113890806
title: Flared bowl with a basal lip

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113891015
title: Flared bowl with a basal lip

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113886859
title: Drinking vessel goblet : Aztec style

description: This group of ten well formed ceramic vessels date to the Post Classic Period. They were created with brown clay, dried, burnished, and incised. The incised designs vary from none to good to incised poor craftsmanship. The shiny surface is produced by burnishing, while the black surface is created in a smoking firing.
DOI: 10.25549/maw-ouc113888621
title: Crouching deity figure : skull face

description: A squatting male figure hold his hands behind himself with his figure perpendicular to his body. He wears a skull cap with a bird on each side. On the front the two birds form an owl image. the human face has no nose or lips only teeth.
DOI: 10.25549/maw-ouc113888637
title: Ceramic earspools : 6

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888659
title: Ceramic earspools : 4

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113888647
title: Ceramic earspools : 2

description: There are twenty-eight ceramic ear spools. Fourteen are black ware, six orange ware, five tan ware, one incised, one polychrome, one cone-shaped. Riker Mount has six orange ware. Riker Box has twenty-two ear spools, four different styles.17 napkin ring, 6 Horer color, 2 cone shape, 1 tube shape. 1 solid, 3 pierced, 1 incised, 1 painted polychrome.
DOI: 10.25549/maw-ouc113889073
title: Obsidian jewelry : earrings

description: Once a thin obsidian blade has been knocked off the core, it can be shaped by pressing off tiny pieces of the volcanic stone. The edges can be dulled by rubbing them with different stones. Holes are drilled for suspension. This pair of earrings was crafted this way.
DOI: 10.25549/maw-ouc113889076
title: Obsidian jewelry : earrings

description: Once a thin obsidian blade has been knocked off the core, it can be shaped by pressing off tiny pieces of the volcanic stone. The edges can be dulled by rubbing them with different stones. Holes are drilled for suspension. This pair of earrings was crafted this way.
DOI: 10.25549/maw-ouc113889081
title: Obsidian jewelry : earrings

description: Once a thin obsidian blade has been knocked off the core, it can be shaped by pressing off tiny pieces of the volcanic stone. The edges can be dulled by rubbing them with different stones. Holes are drilled for suspension. This pair of earrings was crafted this way.
DOI: 10.25549/maw-ouc113888876
title: Colima anthropomorphic, zoomorphic figure

description: The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
DOI: 10.25549/maw-ouc113888874
title: Colima anthropomorphic, zoomorphic figure

description: The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
DOI: 10.25549/maw-ouc113889100
title: Macehead : transforming images : 2

description: A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
DOI: 10.25549/usctheses-ouc11399n8mi
title: Motivational barriers to the implementation of DEI plans in institutions of higher education
DOI: 10.25549/usctheses-ouc11399n8lf
title: Smoke and mirrors: the illusion of equity in sustainability policy: groundwater governance case from California
DOI: 10.25549/usctheses-ouc113263445
title: Effects of chemical exposures on juvenile testes, focusing on macrophages and spermatogonia functions
DOI: 10.25549/usctheses-ouc113262024
title: Sex dependent cardiac lymphatic vessel development in zebrafish heart
DOI: 10.25549/usctheses-ouc11258292
title: Tolerance to thermal, osmotic, and copper stress in the intertidal copepod Tigriopus californicus
DOI: 10.25549/maw-ouc113886911
title: Drinking vessel goblet : Aztec style

description: This group of ten well formed ceramic vessels date to the Post Classic Period. They were created with brown clay, dried, burnished, and incised. The incised designs vary from none to good to incised poor craftsmanship. The shiny surface is produced by burnishing, while the black surface is created in a smoking firing.
DOI: 10.25549/maw-ouc113886791
title: Drinking vessel goblet : Aztec style

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113886790
title: Drinking vessel goblet : Aztec style

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113886789
title: Drinking vessel goblet : Aztec style

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113886797
title: Drinking vessel goblet : Aztec style

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.15468/dl.d3kqpq
title: Occurrence Download

description: A dataset containing 112 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Epinephelus bleekeri"
 ]
}

 The dataset includes 112 records from 12 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001253-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113889086
title: Mahogany obsidian pectoral

description: This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
DOI: 10.25549/maw-ouc113888878
title: Macehead : transforming images : 4

description: A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
DOI: 10.25549/maw-ouc113889103
title: Obsidian jewelry : crescent-shaped pectorals

description: Obsidian is a hard, black volcanic glass that can be worked with ease. Mesoamericans knocked off thin layers or blades from an obsidian core and further refined or shaped their tools or objects by pressing or pushing off small pieces of the stone. Blades were further flattened or worn away with abrasive grits or sands. Holes were drilled or knocked into the blade. These obsidian crescent pendants (jewelry) have been created using the above process.
DOI: 10.25549/maw-ouc113889089
title: Stone jewelry : wedge shaped pectoral

description: These wedge-shaped pendants were created by core flaking and pressure flaking a soft stone. Once the basic wedge shape was produced, it was refined or flattened with abrasive grits or sands. The holes were drilled for suspending the pectoral.
DOI: 10.7910/dvn/on8cp8
title: Indian Census Data Collection, 1901–2026: Digitised Subnational Population and Administrative Datasets

description: &lt;p&gt;This collection assembles digitised datasets from the Census of India covering the period from 1901 to 2026. It includes longitudinal population time series, primary census abstract tables at the state and district levels, and a contemporary subdistrict-level administrative directory linked to historical census data.&lt;/p&gt;

&lt;p&gt;The datasets span multiple census rounds and administrative scales and have been independently digitised, cleaned, and documented. Detailed information on sources, methods, and authorship is provided in the dataset-level codebooks accompanying each component.&lt;/p&gt;

&lt;p&gt;The following individuals were involved in the curation of data for this collection (listed alphabetically by last name): Ishan Deodhar; Alisha Jose; Shivakumar Jolad; Mehr Kalra; Sai Madhuri Khandrika; Nadanlal Mishra; Vidyali Reddy; Anumeha Saxena; Eshaa Setty; Madhav Singh; Nandhini Somasundaram; and Abhishek Waghmare. Please refer to the metadata and individual codebooks to learn more about individual contributions and how to cite each enclosed dataset. &lt;/p&gt;
description: Microsoft Excel
description: Visual Studio Code
DOI: 10.25549/maw-ouc113889107
title: Ceramic necklace : 26 beads : malacates : spindle whorls

description: These wedge shape pendants were created by core flaking and pressure flaking a soft stone. Once the basic wedge shape was produced, it was refined or flattened with abrasive grits or sands. The holes were drilled for suspending the pectoral.
DOI: 10.25549/maw-ouc113889249
title: Ceramic necklace : 26 beads : malacates : spindle whorls

description: These wedge shape pendants were created by core flaking and pressure flaking a soft stone. Once the basic wedge shape was produced, it was refined or flattened with abrasive grits or sands. The holes were drilled for suspending the pectoral.
DOI: 10.25549/maw-ouc113889220
title: Six spindle whorls

description: Spindle whorls have two parts: a ceramic disc with a hole for a vertical wooden element (thin stick). Animal or plant fibers are attached to the stick and disc which spins. The fibers are twisted together to form a thread or string for weaving or sewing.
DOI: 10.25549/maw-ouc113889238
title: Six spindle whorls

description: Spindle whorls have two parts: a ceramic disc with a hole for a vertical wooden element (thin stick). Animal or plant fibers are attached to the stick and disc which spins. The fibers are twisted together to form a thread or string for weaving or sewing.
DOI: 10.25549/maw-ouc113889239
title: Standing Figure Wearing a Skirt or a Kilt

description: Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
DOI: 10.25549/maw-ouc113889246
title: Standing Figure Wearing a Skirt or a Kilt

description: Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
DOI: 10.25549/maw-ouc113890403
title: Standing male figure : ballplayer

description: A male Chupicuaro figure wears a headdress, a wrapped left arm, and a left knee pad. He wears the basic equipment needed to play the Mesoamerican ballgame with a rubber ball.
DOI: 10.25549/maw-ouc113890615
title: Seated female figure with hands on chest

description: Chupicuaro solid figures are classified according to eye type. This figure would be considered a slant-eyed type.
DOI: 10.25549/maw-ouc113890490
title: Seated female figure with hands on chest

description: Chupicuaro solid figures are classified according to eye type. This figure would be considered a slant-eyed type.
DOI: 10.25549/maw-ouc113890713
title: Standing male figure holding a staff

description: An elite male figure wearing a headdress, earspools, a necklace as well as a belt. He holds a staff or a cane or maybe a spear.
DOI: 10.25549/maw-ouc113890491
title: Seated male figure with strapped headdress

description: A seated male figure with crossed arms wears a headdress with a chin strap. This type of headdress suggests he is a ballplayer. The arm guard, waist protector and knee pad usually worn are absent
DOI: 10.25549/maw-ouc113887341
title: Copper tweezers, crescent pinchers, spirals

description: The Tarascans embellished their crescent shaped tweezers with hammered spirals. They were worn as emblems of status or authority.
DOI: 10.25549/maw-ouc113887342
title: Tweezers : spherical pinchers

description: Tweezers were very common in the Central South American Andes, but not in Mesoamerica. The elite Tarascans wore tweezers as a pendant. They probably were more than an object to remove facial hair. The tweezers were more like badge of office or status.
DOI: 10.25549/maw-ouc113887248
title: Large smoking pipe: flared rim : reptilian scales

description: It is obvious that the craftperson was influenced by the length of the pipe. Rather than making a simple pipe, they decided to decorate it with scales to give the pipe a reptilian feel.
DOI: 10.25549/maw-ouc113887351
title: Large smoking pipe: flared rim : reptilian scales

description: It is obvious that the craftperson was influenced by the length of the pipe. Rather than making a simple pipe, they decided to decorate it with scales to give the pipe a reptilian feel.
DOI: 10.15468/dl.k3u727
title: Occurrence Download

description: A dataset containing 1259 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Chloropsis cochinchinensis"
 ]
}

 The dataset includes 1259 records from 73 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001254-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113887347
title: Tarascan burnished redware pipe

description: The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
DOI: 10.25549/usctheses-ouc11399nc9d
title: Inclusive therapeutic role-playing games: a practice for managing trauma in multiply marginalized people
DOI: 10.15468/dl.supz9f
title: Occurrence Download

description: A dataset containing 1692 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Geometry POLYGON ((16.608627485197662 48.388409718860316, 16.716191876575838 48.38192124466343, 16.72586554020421 48.45408965379054, 16.618148371169454 48.460588873995256, 16.608627485197662 48.388409718860316))"
 ]
}

 The dataset includes 1692 records from 32 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001255-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/usctheses-ouc113122792
title: On being everything to everyone: administrative assistants and intimacy in higher education organizations
DOI: 10.25549/usctheses-ouc113120630
title: Genetic variants of arabitol, xylitol, and arabitol:xylitol ratio and their potential impact on cardiovascular risk
DOI: 10.25549/usctheses-ouc113169939
title: Sight/cite/site: racial violence, Chinese Angelenos, and LA’s Lost Chinatown 1850-1938
DOI: 10.25549/usctheses-ouc11399n8lb
title: What are the underlying factors that motivate organizations to cCollaborate across sectors?
DOI: 10.25549/maw-ouc113887067
title: Aztec body stamp : undulating serpent

description: A brownware stamp features a plumed undulating rattlesnake. Post Classic Aztec myth speaks of his forceful breath which caused the newly created sun to move. His name is Ehecatl-Quetzalcoatl, the plumed serpent of wind, rain, and agricultural fertility.
DOI: 10.25549/maw-ouc113887065
title: Aztec body stamp : undulating serpent

description: A brownware stamp features a plumed undulating rattlesnake. Post Classic Aztec myth speaks of his forceful breath which caused the newly created sun to move. His name is Ehecatl-Quetzalcoatl, the plumed serpent of wind, rain, and agricultural fertility.
DOI: 10.25549/maw-ouc113887069
title: Aztec head from a mold-made figure

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887070
title: Aztec head from a mold-made figure

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113887061
title: Aztec head from a mold-made figure

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. the figurine called "ginger bread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.25549/maw-ouc113889248
title: Standing male figure wearing a turban headdress

description: Another way to modify a person's body alters the surface of their skin. Body painting, tattooing and scarification changes the body's skin temporarily or permanently. Mesoamerican skin when cut forms a swollen scar. This cutting is done with a design in mind. Juat after the skin is cut, a mineral was rubbed into the wound to enhance the scar. This male figure with shoulder scarification is a good example.