cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10271326
title: Matrioshka

description: Las matrioshkas generalmente están hechas de madera, siendo la madera de tilo la más usada debido a su ligereza y fina textura. Los árboles que se destinan para realizar matrioshkas son cortados por el mes de abril que es cuando tienen más savia. Luego de ser cortada en bloques y procesados por al menos dos años, un maestro maderero realiza la elección de las piezas de que se servirá para la creación de las muñecas. Todas las muñecas incluidas en una matrioshka deben ser construidas a partir del mismo bloque de madera, pues la expansión y contracción de la madera —así como la humedad— son características únicas que varían de bloque a bloque.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271332
title: Blood dagger for skyrim mod

description: simple dagger thats it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271333
title: Blood dagger for skyrim mod

description: simple dagger thats it

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271342
title: Petroglyph H22, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H22, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271343
title: Petroglyph H22, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H22, Khatm Al Melaha, Kalba, Sharjah. One Arabian Oryx. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271344
title: ROI022-312-01

description: Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-1349-24

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-312-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271345
title: ROI022-312-01

description: Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-1349-24

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-312-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271346
title: Govan 24

description: Govan 24 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n42/mode/2up); ECMS 6) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. These monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. The inscription across the top, 'Belliy houstons', was added sometime between the 17th-19th centuries when the stone was reused. [Tim Clarkson has suggested it was reused by someone in the Rowan family](https://earlymedievalgovan.wordpress.com/2014/08/28/the-bellahouston-stone/).

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271347
title: Govan 24

description: Govan 24 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n42/mode/2up); ECMS 6) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. These monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. The inscription across the top, 'Belliy houstons', was added sometime between the 17th-19th centuries when the stone was reused. [Tim Clarkson has suggested it was reused by someone in the Rowan family](https://earlymedievalgovan.wordpress.com/2014/08/28/the-bellahouston-stone/).

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.18112/openneuro.ds004666.v1.0.3
title: EDDEN
DOI: 10.5281/zenodo.10271356
title: Cupid Revives Psyche - Low Poly

description: A very low poly version of Geoffrey Marchal's [Cupid Revives Psyche](https://sketchfab.com/models/b856632b62da42ab8468d1169ece5b2c)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271357
title: Cupid Revives Psyche - Low Poly

description: A very low poly version of Geoffrey Marchal's [Cupid Revives Psyche](https://sketchfab.com/models/b856632b62da42ab8468d1169ece5b2c)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271365
title: Sakura. Urn concept

description: Eddie Mauro ™. Eco friendly urn concept. Product design. 2013. Design Boom contest.

More info here: https://www.behance.net/gallery/36131261/Sakura-Urn-concept

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271362
title: Sakura. Urn concept

description: Eddie Mauro ™. Eco friendly urn concept. Product design. 2013. Design Boom contest.

More info here: https://www.behance.net/gallery/36131261/Sakura-Urn-concept

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271370
title: Tanum 18C

description: Laserscan of the lower part of this large panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271371
title: Tanum 18C

description: Laserscan of the lower part of this large panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271380
title: St Paul's Statue Of Queen Anne

description: A statue of Queen Anne (who was monarch when new St Pauls was completed in 1710) located outside the west entrance to St Paul's Cathedral, London.

Around the statue are four figures, Britannia and the three others representing North America, France and Ireland.

Date: 1886 (copy of the original damaged and weathered statue from 1712).

https://en.wikipedia.org/wiki/Statue_of_Queen_Anne,_St_Paul%27s_Churchyard

390 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271381
title: St Paul's Statue Of Queen Anne

description: A statue of Queen Anne (who was monarch when new St Pauls was completed in 1710) located outside the west entrance to St Paul's Cathedral, London.

Around the statue are four figures, Britannia and the three others representing North America, France and Ireland.

Date: 1886 (copy of the original damaged and weathered statue from 1712).

https://en.wikipedia.org/wiki/Statue_of_Queen_Anne,_St_Paul%27s_Churchyard

390 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271386
title: sanxingdui-1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271387
title: sanxingdui-1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271388
title: Japanese Tatami Room

description: Low poly orthographic depiction of a tradiational Japanese tatami room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271389
title: Japanese Tatami Room

description: Low poly orthographic depiction of a tradiational Japanese tatami room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271390
title: Viking "Tea" Party - Mugs

description: Compulsory 2 Intro to 3D fall 2018

Part of the Viking "Tea" Party

Made in Maya
Textured in Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271391
title: Viking "Tea" Party - Mugs

description: Compulsory 2 Intro to 3D fall 2018

Part of the Viking "Tea" Party

Made in Maya
Textured in Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271401
title: Radial Meets Linear Field

description: Four Sport Scenarios, Giancarlo Mazzanti, 2010
Kimbell Art Museum, Louis Kahn, 1972
National Assembly Building of Bangladesh, Louis Kahn, 1982

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271400
title: Radial Meets Linear Field

description: Four Sport Scenarios, Giancarlo Mazzanti, 2010
Kimbell Art Museum, Louis Kahn, 1972
National Assembly Building of Bangladesh, Louis Kahn, 1982

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271415
title: Highgate Hill Boundary Stones

description: A pair of parish boundary stones on the north side of Dartmouth Park Hill at the junction with Highgate Hill, London.

This was originally one stone but was broken in two and set separately. The large piece also has an Ordnance Survey benchmark on it.

Inscribed: "St PP 1794"

https://historicengland.org.uk/listing/the-list/list-entry/1378939

146 photos taken in August 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271416
title: Highgate Hill Boundary Stones

description: A pair of parish boundary stones on the north side of Dartmouth Park Hill at the junction with Highgate Hill, London.

This was originally one stone but was broken in two and set separately. The large piece also has an Ordnance Survey benchmark on it.

Inscribed: "St PP 1794"

https://historicengland.org.uk/listing/the-list/list-entry/1378939

146 photos taken in August 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271423
title: Kerosene lamp from the house of Szymon Kluger

description: Full name: **Kerosene lamp from the house of Szymon Kluger in Oświęcim**

A mid-twentieth-century kerosene lamp from the collection of objects found in the house of Szymon Kluger (1925–2000), the last Jewish resident of Oświęcim. 

Szymon was one of the Jewish residents of Oświęcim who survived the Holocaust and eventually returned to their hometown. Surprisingly, he did so in the 1960s, when the last remaining Jews were on the point of leaving the town in the face of mounting antisemitism and a growing sense of isolation. They decided to leave Poland for good, joining their families, primarily in the United States and in Israel.  

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2881 

Inventory number: MZ-291-O

Localisation of the physical object: Auschwitz Jewish Center, Oświęcim, Poland 

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271424
title: Kerosene lamp from the house of Szymon Kluger

description: Full name: **Kerosene lamp from the house of Szymon Kluger in Oświęcim**

A mid-twentieth-century kerosene lamp from the collection of objects found in the house of Szymon Kluger (1925–2000), the last Jewish resident of Oświęcim. 

Szymon was one of the Jewish residents of Oświęcim who survived the Holocaust and eventually returned to their hometown. Surprisingly, he did so in the 1960s, when the last remaining Jews were on the point of leaving the town in the face of mounting antisemitism and a growing sense of isolation. They decided to leave Poland for good, joining their families, primarily in the United States and in Israel.  

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2881 

Inventory number: MZ-291-O

Localisation of the physical object: Auschwitz Jewish Center, Oświęcim, Poland 

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271441
title: Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271440
title: Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph V16 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271453
title: Columna puerta de Bellas Artes

description: Columna de la puerta principal de la Escuela de Bella Artes de Lima

Created with Polycam (photo mode)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271452
title: Columna puerta de Bellas Artes

description: Columna de la puerta principal de la Escuela de Bella Artes de Lima

Created with Polycam (photo mode)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271461
title: Platform with a Celtic Knot

description: This is a platform I am using in my puzzle/platformer demo *Eye of Enigma*. I have eight other texture variations of this platform and I will likely upload them as seperate models. The original Maya file I was working in got corrupted so thats why they're not in one file

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271460
title: Platform with a Celtic Knot

description: This is a platform I am using in my puzzle/platformer demo *Eye of Enigma*. I have eight other texture variations of this platform and I will likely upload them as seperate models. The original Maya file I was working in got corrupted so thats why they're not in one file

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271471
title: Homo erectus Skull

description: 300,000 to 600,000 YA. The Homo erectus skull Peking Man is also known as Pithecanthropus pekinensis (Sinanthropus). The gray coloration indicates areas that were sculpted based on the original fragments. This scan was made as a collaborative effort between The Ohio State University [Department of Anthropology](https://anthropology.osu.edu/), the [Office of Distance Education and eLearning](https://odee.osu.edu/), and the [Department of Art](https://art.osu.edu/).

Captured with a Canon EOS camera array and processed/edited in Agisoft Photoscan.

This scan was produced in 2017 the 3D scanning lab, created and run by Andrew Frueh, in the Department of Art at The Ohio State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271470
title: Homo erectus Skull

description: 300,000 to 600,000 YA. The Homo erectus skull Peking Man is also known as Pithecanthropus pekinensis (Sinanthropus). The gray coloration indicates areas that were sculpted based on the original fragments. This scan was made as a collaborative effort between The Ohio State University [Department of Anthropology](https://anthropology.osu.edu/), the [Office of Distance Education and eLearning](https://odee.osu.edu/), and the [Department of Art](https://art.osu.edu/).

Captured with a Canon EOS camera array and processed/edited in Agisoft Photoscan.

This scan was produced in 2017 the 3D scanning lab, created and run by Andrew Frueh, in the Department of Art at The Ohio State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271476
title: Medico

description: Pulceira

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271477
title: Medico

description: Pulceira

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271484
title: 神壇(沙梨頭石級)

description: 境唯心造,此語澳門人最能善執,大加發揮。且看逐步高升的沙梨頭石級,坊眾都説寓意澳門蒸蒸日上。的確,登階攬勝,內港河套兜水,氣聚山頂鳳巢;北麓永福古社,東面坊名永安,皆吉祥討喜。往西金波粼粼,萬家暖雲。拾級望遠,長河沃流,景豐物阜,坐享昇平。但世事總是物極必反,誰知佳景圍繞的登高之路,自身基砥竟是嶙峋禿石,百物無生。而甚具歷史意義的蓮花座?土地公?失色無字壇在眾聖園的宏偉構築中卻瑟縮一隅,毫不起眼。

口罩鴨舌帽,急雨洗香爐,目下不是新年嗎?炮仗絕響,舊歲已除,只賸漂白水刺鼻氣味。毋須供香問神,已知流年不利。子鼠莫非就是歲月神偷,偷走澳門的璀燦,帶來冠狀肺炎。但撫躬自問,神壇形貌尋常,是我們待之不週!祂本可重新刻鑿整飾,堂而煌之,來一番歷史新篇,來一番開光重振!這裏曾是吒吒一時的古道啊!直通沙梨頭炮台的三重防禦平台,擁有震海火炮,被視之為海防金湯,成名於大炮台、東望洋炮台之先,更曾問鼎首任總督的駐地。可惜與內地齟齬,令炮台拆建。事實上築牆自鎖始終不及常態融和。到頭來不入史冊,形銷於凡間;妄顧地理,自恃槍堅砲利,到頭來未嘗一戰,即被荒棄折卸,又豈可怨瑜亮、歎宿命?無文字碑讓神壇蒙羞,寂對風雨,也讓我一時卻步,歷史的迂迴莫非就是悲歌一闕!

時不與我,雨淚風蕭,但回首卻又未見來者,衣褲既濕,止步亦難吹乾!倒不如放手躺下,任他風雨斜橫,唾臉自乾。神壇上的菩薩啊,人世太難了!莫非真的要像祢那尊塑像般粉身碎骨?沙梨頭石級葡譯為紙階級。過去一年拋開個人的生活,行腳般朝聖和查考,細思都如履蟬翼。寶地蓮花,年華盛放,行住坐臥,日日如是。不過想深一層,太陽底下,新事不也來自舊事?舊事才是新事之本原,反而更加值得珍惜呀!一念及此,精神也為之豁然,禁不住輕歌漫步,踏足宜舊宜新的階梯,瀟瀟灑麗,上上落落,行行停停,側目遠眺,務求看清楚這個新的小舊城!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271485
title: 神壇(沙梨頭石級)

description: 境唯心造,此語澳門人最能善執,大加發揮。且看逐步高升的沙梨頭石級,坊眾都説寓意澳門蒸蒸日上。的確,登階攬勝,內港河套兜水,氣聚山頂鳳巢;北麓永福古社,東面坊名永安,皆吉祥討喜。往西金波粼粼,萬家暖雲。拾級望遠,長河沃流,景豐物阜,坐享昇平。但世事總是物極必反,誰知佳景圍繞的登高之路,自身基砥竟是嶙峋禿石,百物無生。而甚具歷史意義的蓮花座?土地公?失色無字壇在眾聖園的宏偉構築中卻瑟縮一隅,毫不起眼。

口罩鴨舌帽,急雨洗香爐,目下不是新年嗎?炮仗絕響,舊歲已除,只賸漂白水刺鼻氣味。毋須供香問神,已知流年不利。子鼠莫非就是歲月神偷,偷走澳門的璀燦,帶來冠狀肺炎。但撫躬自問,神壇形貌尋常,是我們待之不週!祂本可重新刻鑿整飾,堂而煌之,來一番歷史新篇,來一番開光重振!這裏曾是吒吒一時的古道啊!直通沙梨頭炮台的三重防禦平台,擁有震海火炮,被視之為海防金湯,成名於大炮台、東望洋炮台之先,更曾問鼎首任總督的駐地。可惜與內地齟齬,令炮台拆建。事實上築牆自鎖始終不及常態融和。到頭來不入史冊,形銷於凡間;妄顧地理,自恃槍堅砲利,到頭來未嘗一戰,即被荒棄折卸,又豈可怨瑜亮、歎宿命?無文字碑讓神壇蒙羞,寂對風雨,也讓我一時卻步,歷史的迂迴莫非就是悲歌一闕!

時不與我,雨淚風蕭,但回首卻又未見來者,衣褲既濕,止步亦難吹乾!倒不如放手躺下,任他風雨斜橫,唾臉自乾。神壇上的菩薩啊,人世太難了!莫非真的要像祢那尊塑像般粉身碎骨?沙梨頭石級葡譯為紙階級。過去一年拋開個人的生活,行腳般朝聖和查考,細思都如履蟬翼。寶地蓮花,年華盛放,行住坐臥,日日如是。不過想深一層,太陽底下,新事不也來自舊事?舊事才是新事之本原,反而更加值得珍惜呀!一念及此,精神也為之豁然,禁不住輕歌漫步,踏足宜舊宜新的階梯,瀟瀟灑麗,上上落落,行行停停,側目遠眺,務求看清楚這個新的小舊城!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271490
title: Leren Bakje

description: * **Inventarisnummer:**	9119
* **Beschrijving:** Leren bak
* **Periode:** 1600-1700
* **Voorwerp:** Bak/nap
* **Gaafheid:**	Vrijwel compleet
* **Vindplaats:** Noordwijk Kerkstraat B&G 2008

**Bron:** [archeologie.zuid-holland.nl ](http://www.archeologie.zuid-holland.nl/)

**Scan:** [Moobels.com](http://moobels.com), 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271491
title: Leren Bakje

description: * **Inventarisnummer:**	9119
* **Beschrijving:** Leren bak
* **Periode:** 1600-1700
* **Voorwerp:** Bak/nap
* **Gaafheid:**	Vrijwel compleet
* **Vindplaats:** Noordwijk Kerkstraat B&G 2008

**Bron:** [archeologie.zuid-holland.nl ](http://www.archeologie.zuid-holland.nl/)

**Scan:** [Moobels.com](http://moobels.com), 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271500
title: Guernica modele 3d Geoffroy/Baptiste

description: devoir 3°5 art plast Jean Sturm
plan en 3d du tableau de picasso "Guernica3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271501
title: Guernica modele 3d Geoffroy/Baptiste

description: devoir 3°5 art plast Jean Sturm
plan en 3d du tableau de picasso "Guernica3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271507
title: Petroglyph V6 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V6 Khatm Al Melaha, Kalba, Sharjah. Adult male and juvinile Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271506
title: Petroglyph V6 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V6 Khatm Al Melaha, Kalba, Sharjah. Adult male and juvinile Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271510
title: Mainz um 800, I8

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10271511
title: Mainz um 800, I8

description: Source: Objaverse 1.0 / Sketchfab