cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10385332
title: Izembek Point Modified to Drill XCB-003-142

description: Izembek Point Modified to Drill XCB-003-142

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE. Likley an Adamagan Phase 400BCE-100CE level as well.

The Western Alaska Peninsula artifacts are a result of the research with grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, PI. These artifacts were scanned with a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385333
title: Izembek Point Modified to Drill XCB-003-142

description: Izembek Point Modified to Drill XCB-003-142

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE. Likley an Adamagan Phase 400BCE-100CE level as well.

The Western Alaska Peninsula artifacts are a result of the research with grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, PI. These artifacts were scanned with a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385334
title: Ganesha statue

description: This is probably my most precious travel souvenir; it's a Balinese statue we brought back form Indonesia. It did not survive the plane check-in very well and suffered a bit of damage. If you look at the scan data carefully, you can see cracks here and there. The fingers and a tusk also broke during the trip home. Every time I see this statue, I'm transported back to the streets of Ubub.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385335
title: Ganesha statue

description: This is probably my most precious travel souvenir; it's a Balinese statue we brought back form Indonesia. It did not survive the plane check-in very well and suffered a bit of damage. If you look at the scan data carefully, you can see cracks here and there. The fingers and a tusk also broke during the trip home. Every time I see this statue, I'm transported back to the streets of Ubub.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385336
title: Distal biface fragment, SJ13_130

description: Fragment of the distal end of a biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_130

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385337
title: Distal biface fragment, SJ13_130

description: Fragment of the distal end of a biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_130

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385338
title: ROI022-381-18

description: Snyder's Point collected in Allen County, Indiana

Catalog #: 12-Al-896-34

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-381-18, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385339
title: ROI022-381-18

description: Snyder's Point collected in Allen County, Indiana

Catalog #: 12-Al-896-34

Uploaded by: Carson Wright

Christine Thompson, Kiera Mcwhinney, and Kevin C. Nolan, 2021. ROI022-381-18, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385340
title: Pafta

description: Pafta formată din două bucăți în formă piriformă, cu decor filigranat cu 14 bumbi și două coroane în relief, cârlig și inel de prindere, probabil fabricată din argint.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385341
title: Pafta

description: Pafta formată din două bucăți în formă piriformă, cu decor filigranat cu 14 bumbi și două coroane în relief, cârlig și inel de prindere, probabil fabricată din argint.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385342
title: Greek Memorial, TSC, Dhaka

description: Greeks were the last among European merchants to come to Bangladesh. They came to Bangladesh around the 18th century. They constructed a memorial in Dhaka. It was constructed for the memory of the Greek merchants who died while in Dhaka. The Greek memorial was built around AD 1900, and appears like an ancient Greek temple; it is a small yellow structure on land owned by the Greek Community, which flourished in Dhaka in the 19th century. It is inside the Teachers and Students Training Centre (TSC) of the University of Dhaka and stands alone on the main Shahbagh Avenue and faces Ramna Race Course. To its southern side is the Atomic Research Centre and to its north a Student's Centre. It is considered to be the only such structure extant outside Greece.

> This is a part of the Project Earth Initiative.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385343
title: Greek Memorial, TSC, Dhaka

description: Greeks were the last among European merchants to come to Bangladesh. They came to Bangladesh around the 18th century. They constructed a memorial in Dhaka. It was constructed for the memory of the Greek merchants who died while in Dhaka. The Greek memorial was built around AD 1900, and appears like an ancient Greek temple; it is a small yellow structure on land owned by the Greek Community, which flourished in Dhaka in the 19th century. It is inside the Teachers and Students Training Centre (TSC) of the University of Dhaka and stands alone on the main Shahbagh Avenue and faces Ramna Race Course. To its southern side is the Atomic Research Centre and to its north a Student's Centre. It is considered to be the only such structure extant outside Greece.

> This is a part of the Project Earth Initiative.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385344
title: Lion

description: Lion on St. Nicholas Church Galway


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385345
title: Lion

description: Lion on St. Nicholas Church Galway


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385347
title: Abric II de La Sarga (Alcoi, Alacant)

description: El Arte Macroesquemático es una manifestación artística
exclusiva de las tierras alicantinas limitadas por el mar y las
sierras de Aitana, Benicadell y Mariola. Se caracteriza por el
empleo de la pintura de color rojo oscuro y los motivos de gran
tamaño y de grueso trazado. En La Sarga se distribuye por
los tres abrigos, destacando por su visibilidad los situados en
el centro del Abric II, en especial el "brujo" y unos complejos
serpentiformes, a modo de meandros. 

*Modelo 3D realizado a partir de fotografías realizadas en el año 2013 por el autor.

+info: http://www.alcoi.org/es/areas/cultura/museo/colecciones/coleccion_0003.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385346
title: Abric II de La Sarga (Alcoi, Alacant)

description: El Arte Macroesquemático es una manifestación artística
exclusiva de las tierras alicantinas limitadas por el mar y las
sierras de Aitana, Benicadell y Mariola. Se caracteriza por el
empleo de la pintura de color rojo oscuro y los motivos de gran
tamaño y de grueso trazado. En La Sarga se distribuye por
los tres abrigos, destacando por su visibilidad los situados en
el centro del Abric II, en especial el "brujo" y unos complejos
serpentiformes, a modo de meandros. 

*Modelo 3D realizado a partir de fotografías realizadas en el año 2013 por el autor.

+info: http://www.alcoi.org/es/areas/cultura/museo/colecciones/coleccion_0003.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385350
title: Molino San Vincenzo US 2100/S5/2018

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385351
title: Molino San Vincenzo US 2100/S5/2018

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385354
title: Drinking Fountain Highgate Hill

description: A drinking fountain on the south side of Highgate Hill, just north of the junction with Dartmouth Park Hill, London.

160 photos taken in August 2022 with a Sony a7R III and processed in Reality Capture.
The tap was running and the basin was full of water so model is a bit lower quality in that area.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385355
title: Drinking Fountain Highgate Hill

description: A drinking fountain on the south side of Highgate Hill, just north of the junction with Dartmouth Park Hill, London.

160 photos taken in August 2022 with a Sony a7R III and processed in Reality Capture.
The tap was running and the basin was full of water so model is a bit lower quality in that area.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385356
title: Medzes pilskalns

description: Medzes pilskalna 3D modelis. Koordinātas: 56.65333, 21.13059

https://www.latvijas-pilskalni.lv/medzes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385357
title: Medzes pilskalns

description: Medzes pilskalna 3D modelis. Koordinātas: 56.65333, 21.13059

https://www.latvijas-pilskalni.lv/medzes-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385362
title: B9198 - Cruce de lemn pictată - restaurata

description: **B9198 Cruce de lemn pictată** Lemn, pictat policrom. Conține scene biblice pictate policrom: Botezul Domnului, respectiv Răstignirea Domnului. Ambele fațete prezintă sipet și elemente decorative în relief. Culori folosite: portocaliu, verde, maro, crem.

**B9198 Wooden cross** painted Wood, polychrome painted. It contains polychrome painted biblical scenes: The Baptism of the Lord and the Crucifixion of the Lord. Both facets have a sippet and embossed decorative elements. Colors used: orange, green, brown, cream.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385363
title: B9198 - Cruce de lemn pictată - restaurata

description: **B9198 Cruce de lemn pictată** Lemn, pictat policrom. Conține scene biblice pictate policrom: Botezul Domnului, respectiv Răstignirea Domnului. Ambele fațete prezintă sipet și elemente decorative în relief. Culori folosite: portocaliu, verde, maro, crem.

**B9198 Wooden cross** painted Wood, polychrome painted. It contains polychrome painted biblical scenes: The Baptism of the Lord and the Crucifixion of the Lord. Both facets have a sippet and embossed decorative elements. Colors used: orange, green, brown, cream.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385364
title: Petroglyph Panel, Yavapi Co

description: Arizona.
Probably representing a bear, with fangs added later.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385365
title: Petroglyph Panel, Yavapi Co

description: Arizona.
Probably representing a bear, with fangs added later.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385368
title: Petroglyph Enhancement

description: This is an example of a new technique that I've been working on that exaggerates the 3D details of prehistoric petroglyphs that are very faint or nearly invisible. The technique still needs work but is getting better.  The rock art presented here are from New Mexico and carved into basalt.

![](http://gdurl.com/p6E4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385369
title: Petroglyph Enhancement

description: This is an example of a new technique that I've been working on that exaggerates the 3D details of prehistoric petroglyphs that are very faint or nearly invisible. The technique still needs work but is getting better.  The rock art presented here are from New Mexico and carved into basalt.

![](http://gdurl.com/p6E4)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385372
title: 富士塚(東京都江戸川区船堀6丁目7番23号 日枝神社)

description: 船堀の富士塚
It is Fujizuka built by a mountain climbing course in 1892. Mountaineering courses are said to have been abolished in the Meiji era.
The area is large compared to the height, and the bowl-shaped embankment gives an impression different from other Fujizuka. There are two stone monuments, and the whole mountain is covered with stones.

Hie Shrine

6-7-23 Funabori, Edogawa-ku, Tokyo

![](https://pbs.twimg.com/media/E5DZUzjXwAE5VAb?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385373
title: 富士塚(東京都江戸川区船堀6丁目7番23号 日枝神社)

description: 船堀の富士塚
It is Fujizuka built by a mountain climbing course in 1892. Mountaineering courses are said to have been abolished in the Meiji era.
The area is large compared to the height, and the bowl-shaped embankment gives an impression different from other Fujizuka. There are two stone monuments, and the whole mountain is covered with stones.

Hie Shrine

6-7-23 Funabori, Edogawa-ku, Tokyo

![](https://pbs.twimg.com/media/E5DZUzjXwAE5VAb?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385374
title: Pavilion III garden iconic capital

description: Iconic capital in the garden of Pavilion III, Academical Village, University of Virginia; produced from photogrammetry processing with Reality Capture;

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385375
title: Pavilion III garden iconic capital

description: Iconic capital in the garden of Pavilion III, Academical Village, University of Virginia; produced from photogrammetry processing with Reality Capture;

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385377
title: Inveravon No.1 Pictish Symbol Stone

description: A Pictish Symbol Stone which was attached to the south wall of Inveravon Parish Church and is now safely located inside to prevent frost damage. Measuring 1.5m x 0.9m, the stone bears three symbols, an eagle, a mirror case, and a mirror and comb. The stone is blue slate, and was not dressed prior to carving, making it a Class I type. Few Pictish stones can be dated; this type probably dates from between the sixth and eighth centuries AD.

The eagle is the largest carving on this stone, dominating the mirror and comb to its right. Above these, there is a further carving; a mirror case, elaborately decorated. Depictions of a mirror and comb are usually accompanied another pair of larger symbols, as is the case here. RCAHMS

Canmore 16011

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385376
title: Inveravon No.1 Pictish Symbol Stone

description: A Pictish Symbol Stone which was attached to the south wall of Inveravon Parish Church and is now safely located inside to prevent frost damage. Measuring 1.5m x 0.9m, the stone bears three symbols, an eagle, a mirror case, and a mirror and comb. The stone is blue slate, and was not dressed prior to carving, making it a Class I type. Few Pictish stones can be dated; this type probably dates from between the sixth and eighth centuries AD.

The eagle is the largest carving on this stone, dominating the mirror and comb to its right. Above these, there is a further carving; a mirror case, elaborately decorated. Depictions of a mirror and comb are usually accompanied another pair of larger symbols, as is the case here. RCAHMS

Canmore 16011

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385380
title: Bradfordville, FL Civil War Monument

description: The American Civil War monument dedicated to Robert E. Lee. Located north of Bradfordville, FL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385381
title: Bradfordville, FL Civil War Monument

description: The American Civil War monument dedicated to Robert E. Lee. Located north of Bradfordville, FL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385383
title: CE 1224 - PLATO

description: N° de Registro Nacional: 0000296941

DATOS DE IDENTIFICACION 

BIEN CULTURAL: Plato 

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío
 (1,476 d.c.  – 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385382
title: CE 1224 - PLATO

description: N° de Registro Nacional: 0000296941

DATOS DE IDENTIFICACION 

BIEN CULTURAL: Plato 

MATERIAL: Cerámica

CULTURA / ESTILO: Inca

CRONOLOGIA: Horizonte Tardío
 (1,476 d.c.  – 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385385
title: Spittoon

description: This item was 3D scanned using a Creaform Go Scan 50.

For more information about this object, feel free to visit: https://www.visitindy.com/indianapolis-firefighters-museum-historical-society

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385384
title: Spittoon

description: This item was 3D scanned using a Creaform Go Scan 50.

For more information about this object, feel free to visit: https://www.visitindy.com/indianapolis-firefighters-museum-historical-society

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385386
title: COADS_27+-67

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Wyandotte

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_189-67, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385387
title: COADS_27+-67

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Wyandotte

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_189-67, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385389
title: Tambor ceremonial de machi (Kultrúng).

description: Tambor ceremonial de machi (Kultrúng).
Madera, cuero y crin. 
Mapuche
Temuco, Región de la Araucanía, Chile. Adquirido en 1957.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385390
title: Tambor ceremonial de machi (Kultrúng).

description: Tambor ceremonial de machi (Kultrúng).
Madera, cuero y crin. 
Mapuche
Temuco, Región de la Araucanía, Chile. Adquirido en 1957.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385393
title: XPM-098. Large biface, Sapsuk River, Alaska

description: XPM-098. Large biface from the surface of the airstrip. Catalog #538. SR08-01Surface Col #1

Sapsuk River, Nelson Lagoon area, Alaska Peninsula, Alaska. Several salmon fishing sites. Early period dating 3200-2100 BCE, and a later occupation 100 BCE to 500 CE. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385394
title: XPM-098. Large biface, Sapsuk River, Alaska

description: XPM-098. Large biface from the surface of the airstrip. Catalog #538. SR08-01Surface Col #1

Sapsuk River, Nelson Lagoon area, Alaska Peninsula, Alaska. Several salmon fishing sites. Early period dating 3200-2100 BCE, and a later occupation 100 BCE to 500 CE. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385395
title: Holwick Deserted Medieval Settlement (South)

description: Holwick Medieval Settlement Main site is located only 2-3 hundred metres from a scheduled area containing 6 shielings. Archaeology is plentiful in the vacinity too.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385396
title: Holwick Deserted Medieval Settlement (South)

description: Holwick Medieval Settlement Main site is located only 2-3 hundred metres from a scheduled area containing 6 shielings. Archaeology is plentiful in the vacinity too.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385397
title: FR039, Middle Woodland, biconcave gorget preform

description: Biconcave Gorget Preform

Early Woodland

Catalog #: FR 4/2 P614

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR039, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385398
title: FR039, Middle Woodland, biconcave gorget preform

description: Biconcave Gorget Preform

Early Woodland

Catalog #: FR 4/2 P614

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR039, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385401
title: Broken pipe

description: Broken clay pipe called "Štiavnička".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385402
title: Broken pipe

description: Broken clay pipe called "Štiavnička".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385405
title: Calle en Cusco

description: Caminando por Cuzco existen hermosas fachadas que son importante inmortalizar en 3D. 
Walking around Cuzco there are beautiful facades that are important to immortalize in 3D. 

Created with Polycam  (photo mode)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385406
title: Calle en Cusco

description: Caminando por Cuzco existen hermosas fachadas que son importante inmortalizar en 3D. 
Walking around Cuzco there are beautiful facades that are important to immortalize in 3D. 

Created with Polycam  (photo mode)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385409
title: Ancient figurine, manufactured by humans

description: Прадавній зразок портативного мистецтва. Форму скульптурці надано ручною обробкою. Датування та інтерпретація навизначені. Максимальна довжина — 18 см.

Ancient portable rock art figurine. Evidentially manufactured by human beings. Chronological attribution and meaning are not clear. Maximum length — 18 cm.

Source: Objaverse 1.0 / Sketchfab