cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10336404
title: Relief of Tlaltecuhtli

description: Tlaltecuhtli is a pre-Columbian Mesoamerican deity, identified from sculpture and iconography dating to the Late Postclassic period of Mesoamerican chronology (ca. 1200–1519), primarily among the Mexica (Aztec) and other Nahuatl-speaking cultures.

Tlaltecuhtli literally means "earth Lord," but most Aztec representations clearly depict this creature as female, and despite the male gender of the name, some sources call Tlaltecuhtli a goddess.

Source: https://en.wikipedia.org/wiki/Tlaltecuhtli

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336405
title: Relief of Tlaltecuhtli

description: Tlaltecuhtli is a pre-Columbian Mesoamerican deity, identified from sculpture and iconography dating to the Late Postclassic period of Mesoamerican chronology (ca. 1200–1519), primarily among the Mexica (Aztec) and other Nahuatl-speaking cultures.

Tlaltecuhtli literally means "earth Lord," but most Aztec representations clearly depict this creature as female, and despite the male gender of the name, some sources call Tlaltecuhtli a goddess.

Source: https://en.wikipedia.org/wiki/Tlaltecuhtli

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336406
title: Stone Buddha in 1745(Japan)

description: # 市指定文化財 夏刈の二十三夜塔(福島県二本松市)  
Period/Century :Edo period,1745  
Cultural property designation : City Designated Tangible Cultural Properties  

On the night of the 23rd day of the lunar calendar, people gather to watch the moon rise, worship it, and eat and drink together. 
To commemorate the event, a stone structure was built with the 23rd and Buddha carved on it.  
Beliefs about the moon have around since the Edo period(1603-1868), and there were stone structures all over the country.  
Many of them were built on the night of the 23rd of the lunar calendar, 
and others were built on the nights of the 13th, 15th, 16th, 17th, 20th, 21st, 22nd, and 26th.   
Currently, that culture does not remain.  
![Image from Gyazo](https://i.gyazo.com/3e827412dd9e7272a22c465f0efef16b.jpg)  
3D digitizing methods : Photogrammetry  
Software : Reality Capture  
Equipment : Nikon D750,NIKKOR 16-35mm f/4G  
Images : 866 photos  
Date : Nov. 2020   
GoogleMap : https://goo.gl/maps/fArZUF1YXdCeBkbFA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336407
title: Stone Buddha in 1745(Japan)

description: # 市指定文化財 夏刈の二十三夜塔(福島県二本松市)  
Period/Century :Edo period,1745  
Cultural property designation : City Designated Tangible Cultural Properties  

On the night of the 23rd day of the lunar calendar, people gather to watch the moon rise, worship it, and eat and drink together. 
To commemorate the event, a stone structure was built with the 23rd and Buddha carved on it.  
Beliefs about the moon have around since the Edo period(1603-1868), and there were stone structures all over the country.  
Many of them were built on the night of the 23rd of the lunar calendar, 
and others were built on the nights of the 13th, 15th, 16th, 17th, 20th, 21st, 22nd, and 26th.   
Currently, that culture does not remain.  
![Image from Gyazo](https://i.gyazo.com/3e827412dd9e7272a22c465f0efef16b.jpg)  
3D digitizing methods : Photogrammetry  
Software : Reality Capture  
Equipment : Nikon D750,NIKKOR 16-35mm f/4G  
Images : 866 photos  
Date : Nov. 2020   
GoogleMap : https://goo.gl/maps/fArZUF1YXdCeBkbFA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336408
title: Dalmatinska utvrda Nutjak

description: Srednjovjekovna utvrda Nutjak iznad Cetine u blizini grada Trilja.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336409
title: Dalmatinska utvrda Nutjak

description: Srednjovjekovna utvrda Nutjak iznad Cetine u blizini grada Trilja.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336412
title: Kalimba

description: An attempt at making an old kalimba from an african tribe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336413
title: Kalimba

description: An attempt at making an old kalimba from an african tribe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336416
title: Funerary mask

description: Funerary mask, new empire, end of the 18th dynasty (circa 1330-1300 BC), provenance unknown, stuccoed and painted wood, textiles, colored glass paste. Made with Capturing Reality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336417
title: Funerary mask

description: Funerary mask, new empire, end of the 18th dynasty (circa 1330-1300 BC), provenance unknown, stuccoed and painted wood, textiles, colored glass paste. Made with Capturing Reality.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336419
title: Box for effervescent bath tablets

description: The presented metal box for effervescent bath tablets was manufactured by the Fabkryka Chemiczno-Farmaceutyczna Dr. A. Wander S.A. (Chemical-Pharmaceutical Factory Dr. A. Wander Inc.), which was located at 80 Mogilska Street in Kraków.
The composition of the effervescent tablets is unspecified; however, it is known that such substances intended for bathing contained potassium carbonate, sulfur, sodium chloride, and often also the root of calamus (Acorus calamus L.), chamomile flower (Matricaria chamomilla L.) and numerous essential oils.

ID no.: KGZ 8754

Time and place of creation: interwar period (after 1918), Kraków, Poland

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/1765

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336423
title: ANFORA MESALIOTA

description: Recreación de una ánfora semejante a la ánfora masaliota o griega de Ampurias. En el Museo de Gerona

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336425
title: Diwali Woes

description: Partly modeled in Zbrush, maya and substance painter, and textred completely in substance painter 2.6.1. I need to brush up my UV texturing skills for a seamless texture, since the UVs are shabbily done in Maya 2018. I aim to upload a enhanced version of this concept with my improved technical skills by the end of october.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336418
title: Box for effervescent bath tablets

description: The presented metal box for effervescent bath tablets was manufactured by the Fabkryka Chemiczno-Farmaceutyczna Dr. A. Wander S.A. (Chemical-Pharmaceutical Factory Dr. A. Wander Inc.), which was located at 80 Mogilska Street in Kraków.
The composition of the effervescent tablets is unspecified; however, it is known that such substances intended for bathing contained potassium carbonate, sulfur, sodium chloride, and often also the root of calamus (Acorus calamus L.), chamomile flower (Matricaria chamomilla L.) and numerous essential oils.

ID no.: KGZ 8754

Time and place of creation: interwar period (after 1918), Kraków, Poland

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/1765

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336422
title: ANFORA MESALIOTA

description: Recreación de una ánfora semejante a la ánfora masaliota o griega de Ampurias. En el Museo de Gerona

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336424
title: Diwali Woes

description: Partly modeled in Zbrush, maya and substance painter, and textred completely in substance painter 2.6.1. I need to brush up my UV texturing skills for a seamless texture, since the UVs are shabbily done in Maya 2018. I aim to upload a enhanced version of this concept with my improved technical skills by the end of october.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336428
title: Maison de l'Amour, Saint Antonin noble val

description: "La maison de l'amour doit son nom à la sculpture du 15e siècle représentant deux têtes finement sculptées au niveau de la clef d'arc. Cette maison, très remaniée, était sans doute un établissement de bains, car on est ici dans un ancien quartier de bains publics."

![](http://www.tourisme-saint-antonin-noble-val.com/fr/decouvrir/circuit-patrimoine/images/maison-amour-avant.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336429
title: Maison de l'Amour, Saint Antonin noble val

description: "La maison de l'amour doit son nom à la sculpture du 15e siècle représentant deux têtes finement sculptées au niveau de la clef d'arc. Cette maison, très remaniée, était sans doute un établissement de bains, car on est ici dans un ancien quartier de bains publics."

![](http://www.tourisme-saint-antonin-noble-val.com/fr/decouvrir/circuit-patrimoine/images/maison-amour-avant.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336430
title: Govan011

description: Govan 11 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog); ECMS 9) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright and against the wall, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This monument is fragmented and was reused. The lower part of the monument was likely lost after 1856, as recorded in the [Sculptured Stones of Scotland](https://archive.org/details/sculpturedstones01stua/page/n363/mode/2up?q=CXXXV).

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336431
title: Govan011

description: Govan 11 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog); ECMS 9) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright and against the wall, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This monument is fragmented and was reused. The lower part of the monument was likely lost after 1856, as recorded in the [Sculptured Stones of Scotland](https://archive.org/details/sculpturedstones01stua/page/n363/mode/2up?q=CXXXV).

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336433
title: ROI038-001-42

description: Rim sherd, pottery collected in Montgomery County, Indiana. 

Catalog # 92.21.13.5.11

Uploaded by: Reganne O'Connor

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI038-001-42, 3D Model .ply file. Recovered as part of Report of Investigations # 38, *Morell-Sheets: An Albee Phase Habitation*, By Beth Kolbe McCord and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336432
title: ROI038-001-42

description: Rim sherd, pottery collected in Montgomery County, Indiana. 

Catalog # 92.21.13.5.11

Uploaded by: Reganne O'Connor

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI038-001-42, 3D Model .ply file. Recovered as part of Report of Investigations # 38, *Morell-Sheets: An Albee Phase Habitation*, By Beth Kolbe McCord and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336434
title: Ganesh - Hand Sculpted Soap

description: A man was sitting under a tree just in front of small local attraction, the *Lakshmi Narasimha Temple* in Karnataka, not far from the Hampi village in India.

He was selling bars of soaps that he has sculpted with different indian deities. I think I paid around 50 rupees (1$ CAD), I didn't bargain on this item.

[Photosphere of the location (not by me)](https://goo.gl/maps/Wo5EZYiz3gm)

Tree coordinates :  15°19'45.1"N 76°27'32.9"E

![Soap](http://www.swadeshaj.com/435/nima-sandal-soap.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336435
title: Ganesh - Hand Sculpted Soap

description: A man was sitting under a tree just in front of small local attraction, the *Lakshmi Narasimha Temple* in Karnataka, not far from the Hampi village in India.

He was selling bars of soaps that he has sculpted with different indian deities. I think I paid around 50 rupees (1$ CAD), I didn't bargain on this item.

[Photosphere of the location (not by me)](https://goo.gl/maps/Wo5EZYiz3gm)

Tree coordinates :  15°19'45.1"N 76°27'32.9"E

![Soap](http://www.swadeshaj.com/435/nima-sandal-soap.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336436
title: XPM-098 Polished slate, red ochre, Sapsuk River

description: Polished slate w/ red ochre. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #15

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336437
title: XPM-098 Polished slate, red ochre, Sapsuk River

description: Polished slate w/ red ochre. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #15

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336438
title: Veckuldīgas pilskalns

description: Veckuldīgas pilskalna 3D modelis. Koordinātas: 56.994036, 21.961402

http://www.latvijas-pilskalni.lv/kuldigas-veckuldigas-pilskalns

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336439
title: Veckuldīgas pilskalns

description: Veckuldīgas pilskalna 3D modelis. Koordinātas: 56.994036, 21.961402

http://www.latvijas-pilskalni.lv/kuldigas-veckuldigas-pilskalns

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336445
title: AR014-002-02

description: Madison Point collected in Gibson County, Indiana. 

Catalog # 12-G-10

Uploaded by: Reganne O'Connor

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. AR014-002-02, 3D Model .ply file. Recovered as part of Archaeological Report # 14, *Ethnohistorical and Archaeological Descriptive Accounts of the War of 1812 Mississinewa Campaign and Aftermath: Project Report*, By Elizabeth J. Glenn, B.K. Swartz Jr., and Russell E. Lewis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336444
title: AR014-002-02

description: Madison Point collected in Gibson County, Indiana. 

Catalog # 12-G-10

Uploaded by: Reganne O'Connor

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. AR014-002-02, 3D Model .ply file. Recovered as part of Archaeological Report # 14, *Ethnohistorical and Archaeological Descriptive Accounts of the War of 1812 Mississinewa Campaign and Aftermath: Project Report*, By Elizabeth J. Glenn, B.K. Swartz Jr., and Russell E. Lewis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336446
title: Vessel E

description: Rim sherd from Vessel E.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336447
title: Vessel E

description: Rim sherd from Vessel E.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336448
title: Stylized War Mace

description: A mace is a blunt weapon, a type of club or virge that uses a heavy head on the end of a handle to deliver powerful strikes. A mace typically consists of a strong, heavy, wooden or metal shaft, often reinforced with metal, featuring a head made of stone, bone, copper, bronze, iron, or steel.  The head of a military mace can be shaped with flanges or knobs to allow greater penetration of plate armour. The length of maces can vary considerably. The maces of foot soldiers were usually quite short (two or three feet, or sixty to ninety centimetres). The maces of cavalrymen were longer and thus better suited for blows delivered from horseback. Two-handed maces could be even larger.
4K Textures

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336449
title: Stylized War Mace

description: A mace is a blunt weapon, a type of club or virge that uses a heavy head on the end of a handle to deliver powerful strikes. A mace typically consists of a strong, heavy, wooden or metal shaft, often reinforced with metal, featuring a head made of stone, bone, copper, bronze, iron, or steel.  The head of a military mace can be shaped with flanges or knobs to allow greater penetration of plate armour. The length of maces can vary considerably. The maces of foot soldiers were usually quite short (two or three feet, or sixty to ninety centimetres). The maces of cavalrymen were longer and thus better suited for blows delivered from horseback. Two-handed maces could be even larger.
4K Textures

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336450
title: 100.KC.11 Aphrodite Townley

description: This is a 3D model of an ancient marble statue in the British Museum, where it is cataloged as the Townley Venus. Excavated in Ostia, Venus / Aphrodite wears a cloth wrapped around her waist and draped over her right arm. Her left arm is raised over her head, almost in a gesture of surprise. Her arms, fingers, and nose show where they have been repaired.

**Bibliography**: [British Museum](https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?assetId=145183001&objectId=460007&partId=1)

#Ancient World 3D
This model posting is part of [Ancient World 3D](https://exhibits.ulib.iupui.edu/aw3d/items/show/14), a project that provides curated 3D open access content forClassical Studies. The [original model was posted by Scan the World](https://mmf.io/o/5100). This entry was composed by Rachel Moore (Dr. Elizabeth Thill, advisor, Cheyenne Eversole, curator).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336451
title: 100.KC.11 Aphrodite Townley

description: This is a 3D model of an ancient marble statue in the British Museum, where it is cataloged as the Townley Venus. Excavated in Ostia, Venus / Aphrodite wears a cloth wrapped around her waist and draped over her right arm. Her left arm is raised over her head, almost in a gesture of surprise. Her arms, fingers, and nose show where they have been repaired.

**Bibliography**: [British Museum](https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?assetId=145183001&objectId=460007&partId=1)

#Ancient World 3D
This model posting is part of [Ancient World 3D](https://exhibits.ulib.iupui.edu/aw3d/items/show/14), a project that provides curated 3D open access content forClassical Studies. The [original model was posted by Scan the World](https://mmf.io/o/5100). This entry was composed by Rachel Moore (Dr. Elizabeth Thill, advisor, Cheyenne Eversole, curator).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336452
title: Bronze bust of August Strindberg

description: Quick and dirty scan with my iPhone SE 2 of a bronze bust of August Strindberg. Located in Paris, near the church Saint Sulpice

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336453
title: Bronze bust of August Strindberg

description: Quick and dirty scan with my iPhone SE 2 of a bronze bust of August Strindberg. Located in Paris, near the church Saint Sulpice

Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336454
title: Kreuzigungsgruppe

description: 3D model of the crucifixion group at the Sierndorf cemetery. The baroque crucifixion group, made of a sandstone block, rises above a tomb in which 18 priests are buried. The monument consists of a reef-like rock, decorated with plants and shells, the Calvary with Christ on the cross as well as Mary Magdalene, the Mother of God and St. John the Evangelist. The crucifixion group dates from the 18th century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336455
title: Kreuzigungsgruppe

description: 3D model of the crucifixion group at the Sierndorf cemetery. The baroque crucifixion group, made of a sandstone block, rises above a tomb in which 18 priests are buried. The monument consists of a reef-like rock, decorated with plants and shells, the Calvary with Christ on the cross as well as Mary Magdalene, the Mother of God and St. John the Evangelist. The crucifixion group dates from the 18th century.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336456
title: Virgin Islands National Park Petroglyphs

description: Island of St. John.

Enhancement derived from model: http://www.rupestrian.com/StJohn_2.jpg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336457
title: Virgin Islands National Park Petroglyphs

description: Island of St. John.

Enhancement derived from model: http://www.rupestrian.com/StJohn_2.jpg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336458
title: Escudilla incaica

description: Escudilla o plato de paredes bajas de estilo incaico local proveniente del cementerio de La Reina. Este lugar fue excavado en 1947 por Grete Mostny. El imperio Inca se extendió entre el sur de Colombia hasta Chile Central. Nuestro actual territorio nacional fue parte de la provincia incaica denominada "Collasuyu".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336459
title: Escudilla incaica

description: Escudilla o plato de paredes bajas de estilo incaico local proveniente del cementerio de La Reina. Este lugar fue excavado en 1947 por Grete Mostny. El imperio Inca se extendió entre el sur de Colombia hasta Chile Central. Nuestro actual territorio nacional fue parte de la provincia incaica denominada "Collasuyu".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336460
title: RN 13397 - Vasija

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336461
title: RN 13397 - Vasija

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336462
title: Lowpoly Smithing Hammer

description: Lowpoly hammer used by blacksmiths. For use as a game prop.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10336463
title: Lowpoly Smithing Hammer

description: Lowpoly hammer used by blacksmiths. For use as a game prop.

Source: Objaverse 1.0 / Sketchfab