cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.24341/tethys.208
title: Occurrence of calcareous nannofossils in drill core NÖ-06 – Gneixendorf
title: Vorkommen von kalkigen Nannofossilien in Kernbohrung NÖ-06 – Gneixendorf
title: Supplement to "The Lower - Middle Miocene transition (Karpatian – Badenian) in the Krems Embayment (Central Paratethys, Lower Austria): a multistratigraphic approach and the role of the Diendorf-Boskovice Fault System"
title: Anhang zu "The Lower - Middle Miocene transition (Karpatian – Badenian) in the Krems Embayment (Central Paratethys, Lower Austria): a multistratigraphic approach and the role of the Diendorf-Boskovice Fault System"
title: Table S15_Occurrence of calcareous nannofossils in drill core NÖ-06
title: Tabelle S15_Vorkommen von kalkigen Nannofossilien in Kernbohrung NÖ-06

description: The Krems Embayment represents the westernmost fully marine depositional environments of the Karpatian and Badenian transgressions in the Central Paratethys. Four deep drill cores were investigated to analyse the bio- and lithostratigraphic, and tectonic relations. The investigated core sections cover the Karpatian Laa Formation and the Badenian Grund Formation. This dataset contains the counting data of Neogene calcareous nannofossils from drill core NÖ-06. Despite of this, the amount of reworked specimens from Paleogene and Cretaceous sediments are given.
description: Die Kremser Bucht ist das am weitesten westlich gelegene vollmarine Sedimentationsgebiet der karpatischen und badenischen Transgressionen in der Zentralen Paratethys. Die bio- und lithostratigraphischen sowie tektonischen Beziehungen von vier gekernten Tiefbohrungen wurden untersucht und analysiert. Die untersuchten Kernabschnitte umfassen die Laa-Formation (Karpatium) und die Grund-Formation (Badenium). Dieser Datensatz enthält die Zähldaten der Vorkommen von neogenen kalkigen Nannofossilien in der Kernbohrung NÖ-06. Zusätzlich ist die Anzahl der aus paläogenen und kreidezeitlichen Sedimenten umgelagerten Exemplare angegeben.
description: For investigations on calcareous nannoplankton, smear slides were prepared for 39 samples using standard procedures described by Perch-Nielsen (1985). A sufficient amount of view fields were scanned in order to count a statistically relevant number of calcareous nannofossils for each sample (about 300 specimens if possible). In addition to the Neogene specimens, also the number of reworked specimens from Paleogene and Cretaceous sediments are given. Perch-Nielsen, K. (1985): Mesozoic calcareous nannofossils, in Bolli, H. M., Saunders, J. B. & Perch-Nielsen, K. (eds.): Plankton Stratigraphy: Cambridge, Cambridge University Press, pp. 329-426.
description: The publication of these data is part of the GK 50/25 geological mapping program. The data serve as a base for several scientific papers, geological maps, and explanatory reports dealing with the paleontology, sedimentology, or tectonic development of the area around Krems in Lower Austria.
DOI: 10.6084/m9.figshare.22014674.v1
title: Supplementary Material for: The clinicopathologic spectrum of membranous nephropathy with lupus-like features

description: Introduction: The pathologic features of membranous lupus nephritis (MLN) are occasionally encountered in secondary membranous nephropathy (sMN) without overt clinical evidence of SLE. Moreover, some sMN with lupus-like features (LL-MN) have a clinical presentation more typical of primary membranous nephropathy (pMN). Based on the confounding clinical and pathologic presentation, it is unclear how to categorize and treat these patients. Methods: We performed immunohistochemical staining for recently discovered target antigens associated with MN -NELL-1, THSD7A, and EXT1/2, and compared the clinicopathologic presentation of patients with LL-MN to those with pMN and MLN. Results: From 2015-2020, there were 21 patients with MLN and 99 with MN, of which 59% were diagnosed pMN and 41% sMN. 44% of sMN showed lupus-like features (LL-fx). All LL-MN were negative for PLA2R and NELL1, but 12% were positive for EXT1/2. 50% of LL-MN had an identifiable systemic disease, of which 56% were autoimmune disease (AD) and 44% infection. Compared to pMN, LL-MN had higher incidence of underlying AD (p=0.02). Within pMN, 24% also had LL-fx (LL-pMN), and all but 1 were PLA2R-(78%) or NELL1-positive (15%). Only 5% of pMN had an AD, 66% of which showed LL-fx. Most idiopathic LL-MN were treated and behaved clinically similarly to pMN. There were no differences in outcome in terms of progression towards ESRD or mortality between LL-MN versus pMN and MLN. Conclusion: LL-MN appears to have a significant association with underlying AD and has a subset showing EXT1/2 positivity, whereas most LL-pMN and idiopathic LL-MN likely represent an atypical pathologic presentation of pMN.
DOI: 10.3886/e185981
title: The sleeping giant who left for America: Danish land inequality and emigration during the age of mass migration

description: What is the role of access to land for the decision to emigrate? We consider the case of Denmark between 1868 and 1908, when a large number of people left for America. We exploit the fact that the Danish agrarian reforms between 1784 and 1807 had differential impacts on the class of landless laborers around the country, and use detailed parish-level data – police protocols of emigrants; population censuses and land registers – to show that areas with a more unequal distribution of land witnessed greater emigration. We demonstrate a sizable effect: a one standard deviation increase in the Theil index implies an increase in emigration of 18 percent above the mean.<br><br>
description: Smallest Geographic Unit: Parish
DOI: 10.24341/tethys.209
title: Occurrence of calcareous nannofossils in drill core NÖ-07 – Diendorf
title: Vorkommen von kalkigen Nannofossilien in Kernbohrung NÖ-07 – Diendorf
title: Supplement to "The Lower - Middle Miocene transition (Karpatian – Badenian) in the Krems Embayment (Central Paratethys, Lower Austria): a multistratigraphic approach and the role of the Diendorf-Boskovice Fault System"
title: Anhang zu "The Lower - Middle Miocene transition (Karpatian – Badenian) in the Krems Embayment (Central Paratethys, Lower Austria): a multistratigraphic approach and the role of the Diendorf-Boskovice Fault System"
title: Table S16_Occurrence of calcareous nannofossils in drill core NÖ-07
title: Tabelle S16_Vorkommen von kalkigen Nannofossilien in Kernbohrung NÖ-07

description: The Krems Embayment represents the westernmost fully marine depositional environments of the Karpatian and Badenian transgressions in the Central Paratethys. Four deep drill cores were investigated to analyse the bio- and lithostratigraphic, and tectonic relations. The investigated core sections cover the Karpatian Laa Formation and the Badenian Grund Formation. This dataset contains the counting data of Neogene calcareous nannofossils from drill core NÖ-07. Despite of this, the amount of reworked specimens from Paleogene and Cretaceous sediments are given.
description: Die Kremser Bucht ist das am weitesten westlich gelegene vollmarine Sedimentationsgebiet der karpatischen und badenischen Transgressionen in der Zentralen Paratethys. Die bio- und lithostratigraphischen sowie tektonischen Beziehungen von vier gekernten Tiefbohrungen wurden untersucht und analysiert. Die untersuchten Kernabschnitte umfassen die Laa-Formation (Karpatium) und die Grund-Formation (Badenium). Dieser Datensatz enthält die Zähldaten der Vorkommen von neogenen kalkigen Nannofossilien in der Kernbohrung NÖ-07. Zusätzlich ist die Anzahl der aus paläogenen und kreidezeitlichen Sedimenten umgelagerten Exemplare angegeben.
description: For investigations on calcareous nannoplankton, smear slides were prepared for 45 samples using standard procedures described by Perch-Nielsen (1985). A sufficient amount of view fields were scanned in order to count a statistically relevant number of calcareous nannofossils for each sample (about 300 specimens if possible). In addition to the Neogene specimens, also the number of reworked specimens from Paleogene and Cretaceous sediments are given. Perch-Nielsen, K. (1985): Mesozoic calcareous nannofossils, in Bolli, H. M., Saunders, J. B. & Perch-Nielsen, K. (eds.): Plankton Stratigraphy: Cambridge, Cambridge University Press, pp. 329-426.
description: The publication of these data is part of the GK 50/25 geological mapping program. The data serve as a base for several scientific papers, geological maps, and explanatory reports dealing with the paleontology, sedimentology, or tectonic development of the area around Krems in Lower Austria.
DOI: 10.17870/bathspa.11353580
title: Production Images : The Stick House

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains images from the production of <i>The Stick House</i>, written by Clark with Raucous, October - November 2015. This performance took place in the tunnels under Bristol Temple Meads station. <br><b>Photography by Jack Offord. </b><b>Used with permission. </b>
DOI: 10.17870/bathspa.11353580.v1
title: Production Images : The Stick House

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains images from the production of <i>The Stick House</i>, written by Clark with Raucous, October - November 2015. This performance took place in the tunnels under Bristol Temple Meads station. <br><b>Photography by Jack Offord. </b><b>Used with permission. </b>
DOI: 10.17870/bathspa.11353805
title: Remodelling Theatre Narrative through Digital Technology: 300 word statement

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains the 300 word statement.
DOI: 10.17870/bathspa.11353805.v1
title: Remodelling Theatre Narrative through Digital Technology: 300 word statement

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains the 300 word statement.
DOI: 10.17870/bathspa.11353820
title: Remodelling Theatre Narrative through Digital Technology: Research Timeline & Research Questions

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.11353820.v1
title: Remodelling Theatre Narrative through Digital Technology: Research Timeline & Research Questions

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains the research timeline and research questions.
DOI: 10.17870/bathspa.11353829
title: The Stick House : Script Planning

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains process documentation for script writing of <i>The Stick House. </i>Script written by Sharon Clark.
DOI: 10.17870/bathspa.11353829.v1
title: The Stick House : Script Planning

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains process documentation for script writing of <i>The Stick House. </i>Script written by Sharon Clark.
DOI: 10.17870/bathspa.11353916
title: The Stick House : Process

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains documentation of process in terms of technology and narrative: how decisions were made, schedules, reflections and beat charts.
DOI: 10.17870/bathspa.11353916.v1
title: The Stick House : Process

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains documentation of process in terms of technology and narrative: how decisions were made, schedules, reflections and beat charts.
DOI: 10.17870/bathspa.11353925
title: Ice Road : Animation

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains planning documentation for the use of animation and projection mapping in <i>Ice Road</i>. Filmed animation storyboard by Aardman Animations. Tattoo sequence animation by Quentin Taylor.<br>Used with permission.
DOI: 10.17870/bathspa.11353925.v1
title: Ice Road : Animation

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains planning documentation for the use of animation and projection mapping in <i>Ice Road</i>. Filmed animation storyboard by Aardman Animations. Tattoo sequence animation by Quentin Taylor.<br>Used with permission.
DOI: 10.17870/bathspa.11353931
title: Ice Road : Press Release & Partnerships

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains a press release and documentation of approaches to partners, for <i>Ice Road</i>.
DOI: 10.17870/bathspa.11353931.v1
title: Ice Road : Press Release & Partnerships

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains a press release and documentation of approaches to partners, for <i>Ice Road</i>.
DOI: 10.17870/bathspa.11353937
title: Ice Road: Production Documentation

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains planning documentation for production, including access plans, design plans and scheduling.
DOI: 10.17870/bathspa.11353937.v1
title: Ice Road: Production Documentation

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains planning documentation for production, including access plans, design plans and scheduling.
DOI: 10.17870/bathspa.11353946
title: Ice Road: The Script

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains the final version of the script of <i>Ice Road</i>, written by Sharon Clark in January 2017, dramaturgy by Tanuja Amarasuriya.
DOI: 10.17870/bathspa.11353946.v1
title: Ice Road: The Script

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br><br>This item contains the final version of the script of <i>Ice Road</i>, written by Sharon Clark in January 2017, dramaturgy by Tanuja Amarasuriya.
DOI: 10.17870/bathspa.11353958
title: The Stick House : The script

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains the final version of the script for <i>The Stick House</i> production, written in January 2015 by Sharon Clark, dramaturgy by Tanuja Amarasuriya.
DOI: 10.17870/bathspa.11353958.v1
title: The Stick House : The script

description: <i>Remodelling Theatre Narrative through Digital Technology (2015-2017)</i> spans two large-scale theatre productions – ‘The Stick House’ (2015) and ‘Ice Road’ (2017) – both of which were made through the immersive theatre company, Raucous, founded by Clark. This practice-based research investigates how immersive theatre narratives can harness emerging digital media technologies to deliver a more immediate and emotive experience for a live audience.<br>This item contains the final version of the script for <i>The Stick House</i> production, written in January 2015 by Sharon Clark, dramaturgy by Tanuja Amarasuriya.
DOI: 10.25405/data.ncl.21588042.v2
title: Informing drug discovery: a systematic review of POLG-related disease models

description: Supplementary Table 1. PRISMA checklist <br> Supplementary Figure 1. PRISMA flow diagram <br> Supplementary Table 2. Search strategy <br> Supplementary Table 3. Detailed article inclusion/exclusion criteria <br> Supplementary Table 4. Excluded full text articles <br> Supplementary Table 5. Data extracted from all included articles. <br> Supplementary Table 6A. Assessment of the reporting quality of each article. <br> Supplementary Table 6B. The risk of bias of data for each model system type.
DOI: 10.6084/m9.figshare.22240606
title: VCaP_ATAC_1nM-DHT_rep1

description: VCaP_ATAC_1nM-DHT_rep1
DOI: 10.6084/m9.figshare.22240606.v1
title: VCaP_ATAC_1nM-DHT_rep1

description: VCaP_ATAC_1nM-DHT_rep1
DOI: 10.5281/zenodo.7711628
title: Dataset - Analytic Network Process in economics, finance and management

description: <em>This data set presents the recent use of the Analytic Network Process (ANP) in the decision process in the areas of economics, finance and management. It has 434 ANP studies for a 10-year period (2012-2021) within the Scopus database. They were identified using the keyword “Analytic Network Process” in articles indexed in the following two database categories: "Business, Management and Accounting"; and "Economics, Econometrics and Finance". </em>
description: Contingency variables identified in the surveyed papers: Decision content (Strategic Decisions/ No strategic decisions); Extent of stakeholder involvement (public/private decisions); MCDM methodology approach (Single Method / Multi-Method/ Integrated or Hybrid Methodology).