cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc11399kiir
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nedl
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kaug
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113888465
title: Standing female figure wearing a headdress and jewelry

description: In a mild or warm climate, there is little need for clothing, just pubic covering. Personal adornment included an animal headdress, ear spools and a pendant necklace. Body paint or chapopote heighten features and decorated the body.
DOI: 10.25549/maw-ouc113888442
title: Standing female figure wearing elaborate headdress

description: The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
DOI: 10.25549/maw-ouc113888408
title: Bufo marinus toad whistle

description: This very unique artifact was cast from a Mesoamerican toad, Bufo marinus. The toad produces a skin toxin which causes hallucinogenic visions and/or death. Archaeological excavations of middens and ceremonial burials of the Olmec culture in Southern Veracruz have yielded large numbers of toad skeletal remains.
DOI: 10.25549/maw-ouc113888513
title: Standing elite figure

description: The artist used buff clay to create this solid standing religious figure. The elite person wears an elaborate zoomorphic saurion headdress, a shoulder cape, and a long shirt. The position of the arms suggests a ceremonial activity such as singing, chanting or dancing. It is possible the figure is a priestess of Quetzalcoatl.
DOI: 10.25549/maw-ouc113888452
title: Standing elite figure

description: The artist used buff clay to create this solid standing religious figure. The elite person wears an elaborate zoomorphic saurion headdress, a shoulder cape, and a long shirt. The position of the arms suggests a ceremonial activity such as singing, chanting or dancing. It is possible the figure is a priestess of Quetzalcoatl.
DOI: 10.25549/whit-ouc11399kauu
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd7i
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb4y
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb3s
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kij5
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113888560
title: Standing priest with hands out

description: The figure stands with his arms stretched out. He could be a priest or a dancer, but his clothing indicates another profession. He wears an elaborate headdress, his arms are covered above and below the elbow, his waist has a thick wide belt and his knees are padded. What is his profession?
DOI: 10.25549/maw-ouc113888520
title: Tripodal plate with a flat bottom and flaring side

description: The tripodal plate is in good condition. The inside of the legs rattle and each leg have rectangular openings on the side there is also some white pigment in circular form on the base of the legs. The plate is made of ceramic and buff clay with cream slip decorated with red, red- brown, and black pigments. There is a noticeable crack on the outside rim of the plate. The overall pigment of the plate is fading.
DOI: 10.25549/maw-ouc113888522
title: Tripodal plate with a flat bottom and flaring side

description: The tripodal plate is in good condition. The inside of the legs rattle and each leg have rectangular openings on the side there is also some white pigment in circular form on the base of the legs. The plate is made of ceramic and buff clay with cream slip decorated with red, red- brown, and black pigments. There is a noticeable crack on the outside rim of the plate. The overall pigment of the plate is fading.
DOI: 10.15468/dl.xp9kmm
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Tristramella simonis"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001184-260226173443078/datasets/export for details.
DOI: 10.25549/maw-ouc113888316
title: Huastec zoomorphic vessel : bat

description: A stylized bat has been superimposed on a double-bodied figural vessel. Lug handles, pierced ears, and a snout have been appliqued. The surface has been painted with geometric designs in chocolate-brown and red-brown slip on a cream ground.
DOI: 10.5281/zenodo.18796841
title: RISKS AND EFFICIENCY OF INVESTMENT PROCESSES: THEORY, METHODOLOGY AND PRACTICAL ASPECTS
DOI: 10.5281/zenodo.18796842
title: RISKS AND EFFICIENCY OF INVESTMENT PROCESSES: THEORY, METHODOLOGY AND PRACTICAL ASPECTS
DOI: 10.25549/maw-ouc113888321
title: Huastec zoomorphic vessel : bat

description: A stylized bat has been superimposed on a double-bodied figural vessel. Lug handles, pierced ears, and a snout have been appliqued. The surface has been painted with geometric designs in chocolate-brown and red-brown slip on a cream ground.
DOI: 10.25549/maw-ouc113888322
title: Xipe totec ceramic mask

description: Xipe Totec, the agriculture God of Spring time and regeneration, represented the dualistic concept, "out of death comes life." After a year of pleasure, a young man climbed the steps of a pyramid to have his heart cut out and his skin flayed. A young priest wore the skin for a month and later symbolically tore the dead skin off to reveal his youth.
DOI: 10.25549/maw-ouc113888372
title: Xipe totec ceramic mask

description: Xipe Totec, the agriculture God of Spring time and regeneration, represented the dualistic concept, "out of death comes life." After a year of pleasure, a young man climbed the steps of a pyramid to have his heart cut out and his skin flayed. A young priest wore the skin for a month and later symbolically tore the dead skin off to reveal his youth.
DOI: 10.25549/maw-ouc113888376
title: Wheel toy or ritual object : jaguar lying prone

description: The object is in good condition. There are wooden sticks holding the wheels in place. The mouth has an opening with a red pigment in the center of the mouth. The eyes have black pigment. The object is made of buff clay with black and red pigment. There is a large hole in the under stomach of the figure.
DOI: 10.25549/maw-ouc113888377
title: Wheel toy or ritual object : jaguar lying prone

description: The object is in good condition. There are wooden sticks holding the wheels in place. The mouth has an opening with a red pigment in the center of the mouth. The eyes have black pigment. The object is made of buff clay with black and red pigment. There is a large hole in the under stomach of the figure.
DOI: 10.25549/maw-ouc113888337
title: Huastec zoomorphic vessel : bat

description: The Huasteca, a northern branch of the Maya, lived in the Panuco River area in Northern Veracruz. They produced a distinctive creamware enhanced with dark red-brown iron oxide. The zoomorphic olla takes the form of a mammal, possibly a bat. Around his neck, he wears a pendant that represents a sliced conch shell.
DOI: 10.25549/maw-ouc113887380
title: Large smoking pipe : bulbous bowl

description: The large ceramic smoking pipe was used to smoke a variety of tobacco. The tobacco contained a higher concentration of nicotine and other substances. There is a possibility that the tobacco was combined with other drugs to give a hallucinogenic experience.
DOI: 10.25549/maw-ouc113887370
title: Earspool : bobbin style

description: Green obsidian is formed only in one place in Mesoamerica. It was controlled by Teotihuacanos and the Aztecas. However, the Tarascan culture in Michoacan excelled in producing very thin, transparent earspools in the bobbin style.
DOI: 10.25549/maw-ouc113887371
title: Earspool : bobbin style

description: Green obsidian is formed only in one place in Mesoamerica. It was controlled by Teotihuacanos and the Aztecas. However, the Tarascan culture in Michoacan excelled in producing very thin, transparent earspools in the bobbin style.
DOI: 10.25549/maw-ouc113887374
title: Tweezers : spherical pinchers

description: Tweezers were very common in the Central South American Andes, but not in Mesoamerica. The elite Tarascans wore tweezers as a pendant. They probably were more than an object to remove facial hair. The tweezers were more like badge of office or status.
DOI: 10.25549/maw-ouc113887252
title: Large smoking pipe: flared rim : reptilian scales

description: It is obvious that the craftperson was influenced by the length of the pipe. Rather than making a simple pipe, they decided to decorate it with scales to give the pipe a reptilian feel.
DOI: 10.25549/whit-ouc11399kiht
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb3i
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.sh5zc2
title: Occurrence Download

description: A dataset containing 156 species occurrences available in GBIF matching the query:
{
 "and" : [
 "GadmGid is CHN.29_1",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Carpodacus trifasciatus"
 ]
}

 The dataset includes 156 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001185-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.