cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10261840
title: LOW +InfoFIN Virkalakki - Uniform cap

description: Junanlähettäjän virkalakki on kuulunut Emelie "Milly" Tojkanderille (1866-1939), joka oli ensimmäinen nainen asemapäällikön virassa Suomessa. Hän työskenteli Valtionrautateillä eri tehtävissä kaikkiaan 48 vuotta ja yleni harjoittelijasta kirjuriksi ja asemapäälliköksi. Lakki on Valtionrautateiden virkapukukaudelta 1929-1950. Lakin yksityiskohdat, merkit ja värit kertovat kantajansa ammatista ja tehtävästä rautateillä.

Train dispatcher's uniform cap Belonged to Emelie "Milly" Tojkander (1866-1939), the first female stationmaster in Finland. She worked in the Finnish State Railways in different positions during 48 years. Cap is from State Railways' uniform period years 1929-1950. Details, marks and colours of the cap tell about the owner's position and profession in the railways.

The object: Finnish Railway Museum (member of Traffic Museums Association). 3D model: Ninma Oy and Finnish Railway Museum, Finland.

https://rautatiemuseo.finna.fi/Record/musketti_rautatie.M014:4847:

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261843
title: Small tronconic beaker - PG.2806.1237

description: It concerns a type 8 tronconic beaker in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped beakers are associated with funerary contexts and are regularly found together with type 4 egg-shaped pots. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.2806.1237

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198489&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261842
title: Small tronconic beaker - PG.2806.1237

description: It concerns a type 8 tronconic beaker in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped beakers are associated with funerary contexts and are regularly found together with type 4 egg-shaped pots. This type of ceramic is characterized by a dark, polished, metallic surface. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.2806.1237

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198489&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261851
title: Nämforsen, Laxön A6b, Ådals-Liden 193:1

description: Nämforsen, Laxön A7, Ådals Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261850
title: Nämforsen, Laxön A6b, Ådals-Liden 193:1

description: Nämforsen, Laxön A7, Ådals Liden 193:1, Ångermanland.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261852
title: Carranque Mosaic of Oceanus

description: Mosaic of the Titan Oceanus preserved in the Roman villa of Carranque (Toledo, Spain). The residential part of the Roman villa of Carranque preserves one of the best collections of Roman mosaics in Spain. Most of the mosaics have been dated to the 4th century AD. In this case, we see Oceanus represented. In Greek mythology Oceanus was the son of Uranus and Gaia. The Romans commonly depicted him as a muscular man with a long beard and horns (often with crab claws on his head, as in this case). Oceanus appears surrounded by marine flora and fauna. The mosaics of the Roman villa of Carranque are made up of thousands of tesserae, made up of small stones, ceramic fragments and glass of different colors, whose size ranges between 2 millimeters and 4 centimeters.

3D model made using 261 images in Reality Capture with additional processing completed in Geomagic Wrap, Zbrush, Substance Designer, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261853
title: Carranque Mosaic of Oceanus

description: Mosaic of the Titan Oceanus preserved in the Roman villa of Carranque (Toledo, Spain). The residential part of the Roman villa of Carranque preserves one of the best collections of Roman mosaics in Spain. Most of the mosaics have been dated to the 4th century AD. In this case, we see Oceanus represented. In Greek mythology Oceanus was the son of Uranus and Gaia. The Romans commonly depicted him as a muscular man with a long beard and horns (often with crab claws on his head, as in this case). Oceanus appears surrounded by marine flora and fauna. The mosaics of the Roman villa of Carranque are made up of thousands of tesserae, made up of small stones, ceramic fragments and glass of different colors, whose size ranges between 2 millimeters and 4 centimeters.

3D model made using 261 images in Reality Capture with additional processing completed in Geomagic Wrap, Zbrush, Substance Designer, and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261856
title: Tea Cup - Elizabeth

description: This  Japanese floral porcelain  teacup was found in Washington state. This is small and round and can hold about 10 ounces and is covered in floral design around the whole this teacup weighs 5 ounces. A teacup is a similar item from today such as a plastic toy teacup kids play with,sine this tea cup is relatively smaller it could be childhood Vs.adulthood Archaeological themes for a teacup would be identity for example if someone liked teacups and had a special relation teacups  art because it is Pottery cultural technological change because we now have water bottles this also represents health because the pioneers and villagers  drank tea when they were ill and possibly  drank tea for dinner. Fort Vancouver Villagers pioneers and chiefs drink tea.They had a small variety of clays and glasses and stones and paint. 


By: Elizabeth

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261857
title: Tea Cup - Elizabeth

description: This  Japanese floral porcelain  teacup was found in Washington state. This is small and round and can hold about 10 ounces and is covered in floral design around the whole this teacup weighs 5 ounces. A teacup is a similar item from today such as a plastic toy teacup kids play with,sine this tea cup is relatively smaller it could be childhood Vs.adulthood Archaeological themes for a teacup would be identity for example if someone liked teacups and had a special relation teacups  art because it is Pottery cultural technological change because we now have water bottles this also represents health because the pioneers and villagers  drank tea when they were ill and possibly  drank tea for dinner. Fort Vancouver Villagers pioneers and chiefs drink tea.They had a small variety of clays and glasses and stones and paint. 


By: Elizabeth

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261858
title: Botella escultórica de asa estribo

description: Botella escultórica que representa a un individuo que aparece sentado, y a la altura de sus pectorales sujeta por sus extremidades a un mamífero, cuyo cuerpo se dispone alrededor del cuello, entre hombros y espalda. El personaje  lleva casco cónico y también taparrabo. 
El motivo alude a una actitud que corresponde a un gesto ritual mediante el cual los principales (dirigentes regionales) mochaban (mostraban su respeto) ante una nueva autoridad (el Inca).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261859
title: Botella escultórica de asa estribo

description: Botella escultórica que representa a un individuo que aparece sentado, y a la altura de sus pectorales sujeta por sus extremidades a un mamífero, cuyo cuerpo se dispone alrededor del cuello, entre hombros y espalda. El personaje  lleva casco cónico y también taparrabo. 
El motivo alude a una actitud que corresponde a un gesto ritual mediante el cual los principales (dirigentes regionales) mochaban (mostraban su respeto) ante una nueva autoridad (el Inca).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261860
title: Wasserspeier

description: Gargoyle on the neo-Gothic Votiv Church in Vienna.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261861
title: Wasserspeier

description: Gargoyle on the neo-Gothic Votiv Church in Vienna.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261864
title: 庚申塔(鶏足寺)1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261865
title: 庚申塔(鶏足寺)1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261866
title: Shell Snuffbox

description: Material:  Shell and Silver. Accession no: DG 015. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). 

A [snuff-box](http://vocab.getty.edu/page/aat/300196983) made from a shell with silver mounts. [18th Century](http://n2t.net/ark:/99152/p06c6g32vpj).

[More](https://www.huntmuseum.com/explore/item/307024b1-f064-3964-9aae-d3d28d29ad49/?s%3DDG+015&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261867
title: Shell Snuffbox

description: Material:  Shell and Silver. Accession no: DG 015. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). 

A [snuff-box](http://vocab.getty.edu/page/aat/300196983) made from a shell with silver mounts. [18th Century](http://n2t.net/ark:/99152/p06c6g32vpj).

[More](https://www.huntmuseum.com/explore/item/307024b1-f064-3964-9aae-d3d28d29ad49/?s%3DDG+015&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261870
title: Schlepper Warnemünder Bucht

description: Das Schlepperwrack wurde 2009 durch das IOW bei Kartierungsarbeiten gefunden. Seit Bekanntwerden zählt der Fundplatz zu den beliebtesten Tauchzielen in der Warnemünder Bucht. Damit einher ging leider auch ein Plünderungs- und Zerstörungsprozess, der den Verlust der Aussagekraft des Fundzusammenhangs, aber auch die Destabilisierung des Befundes zur Folge hatte. Seit kurzem sind für die Allgemeinheit Funde wie das Werftschild und Geschirr verfügbar. Danach wurde der Schlepper 1929 in Nordholland gebaut und muss zuletzt in den 1940er Jahren durch die Deutsche Kriegsmarine genutzt worden sein. Die digitale Konservierung erfolgte gerade rechtzeitig, von baldigem Zusammenfall muss ausgegangen werden.
www.gfs-rostock.de

Das Modell ist im Rahmen des Projektes "Maritimes Kulturerbe Mecklenburg-Vorpommern - Digitale Konservierung und dreidimensionale Präsentation" entstanden. 
Gefördert durch: Ministerium für Bildung, Wissenschaft und Kultur MV 
Unterstützt durch: Landesamt für Kultur und Denkmalpflege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261871
title: Schlepper Warnemünder Bucht

description: Das Schlepperwrack wurde 2009 durch das IOW bei Kartierungsarbeiten gefunden. Seit Bekanntwerden zählt der Fundplatz zu den beliebtesten Tauchzielen in der Warnemünder Bucht. Damit einher ging leider auch ein Plünderungs- und Zerstörungsprozess, der den Verlust der Aussagekraft des Fundzusammenhangs, aber auch die Destabilisierung des Befundes zur Folge hatte. Seit kurzem sind für die Allgemeinheit Funde wie das Werftschild und Geschirr verfügbar. Danach wurde der Schlepper 1929 in Nordholland gebaut und muss zuletzt in den 1940er Jahren durch die Deutsche Kriegsmarine genutzt worden sein. Die digitale Konservierung erfolgte gerade rechtzeitig, von baldigem Zusammenfall muss ausgegangen werden.
www.gfs-rostock.de

Das Modell ist im Rahmen des Projektes "Maritimes Kulturerbe Mecklenburg-Vorpommern - Digitale Konservierung und dreidimensionale Präsentation" entstanden. 
Gefördert durch: Ministerium für Bildung, Wissenschaft und Kultur MV 
Unterstützt durch: Landesamt für Kultur und Denkmalpflege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261874
title: Powder by L.T. Piver

description: ID no. FZRS/74
 
Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1689

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261875
title: Powder by L.T. Piver

description: ID no. FZRS/74
 
Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/1689

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261877
title: Santas Boots

description: Santas Stiefel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261876
title: Santas Boots

description: Santas Stiefel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261878
title: Wieża wodna WATER TOWER

description: Wieża wodna – wieża ciśnień zlokalizowana w murze klasztoru brygidek przy ul. Dolnej Panny Marii. W górnej kondygnacji wieży znajdował się zbiornik o pojemności 6m3 służący do retencjonowania wody pitnej (2). Woda tłoczona była do niego z rurmusa metalową rurą zasilającą (1), a następnie prowadzona rurą (3) i rozprowadzana grawitacyjnie rurociągiem po obszarze Krakowskiego Przedmieścia i miasta w murach. Wieża istnieje do dnia dzisiejszego.

https://teatrnn.pl/lublin-woda/modele-3-d/

Model wykonano w oparciu o materiały Stanisławy Hoczyk-Siwkowej, Zdzisława Mazurka oraz Dagmary Kociuby.

Realizacja 3D: Robert Miedziocha, Wojciech Miedzicha http://poligonstudio.pl/

Opisy i konsultacje merytoryczne: dr Dagmara Kociuba (UMCS Lublin).

Koordynacja projektu: Piotr Lasota (Ośrodek "Brama Grodzka – Teatr NN")

Projekt dofinansowany przez Muzeum Historii Polski w ramach programu "Patriotyzm Jutra".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261879
title: Wieża wodna WATER TOWER

description: Wieża wodna – wieża ciśnień zlokalizowana w murze klasztoru brygidek przy ul. Dolnej Panny Marii. W górnej kondygnacji wieży znajdował się zbiornik o pojemności 6m3 służący do retencjonowania wody pitnej (2). Woda tłoczona była do niego z rurmusa metalową rurą zasilającą (1), a następnie prowadzona rurą (3) i rozprowadzana grawitacyjnie rurociągiem po obszarze Krakowskiego Przedmieścia i miasta w murach. Wieża istnieje do dnia dzisiejszego.

https://teatrnn.pl/lublin-woda/modele-3-d/

Model wykonano w oparciu o materiały Stanisławy Hoczyk-Siwkowej, Zdzisława Mazurka oraz Dagmary Kociuby.

Realizacja 3D: Robert Miedziocha, Wojciech Miedzicha http://poligonstudio.pl/

Opisy i konsultacje merytoryczne: dr Dagmara Kociuba (UMCS Lublin).

Koordynacja projektu: Piotr Lasota (Ośrodek "Brama Grodzka – Teatr NN")

Projekt dofinansowany przez Muzeum Historii Polski w ramach programu "Patriotyzm Jutra".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261882
title: B9192 - Față de masă

description: **B9192 Față de masă** Față de masă dintr-o bucată de țesătură de bumbac cu motive geometrice stilizate prin linii, flori și motive religioase. Decorul amplasat pe toată suprafața pânzei, în câmpul central fiind plasat în casete de formă pătrată. începutul sec. XX.

**B9192 Tablecloth Tablecloth** made of a piece of cotton fabric with geometric patterns stylized by lines, flowers and religious motifs. The decoration is placed on the entire surface of the canvas, in the central field being placed in square boxes. the beginning of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261883
title: B9192 - Față de masă

description: **B9192 Față de masă** Față de masă dintr-o bucată de țesătură de bumbac cu motive geometrice stilizate prin linii, flori și motive religioase. Decorul amplasat pe toată suprafața pânzei, în câmpul central fiind plasat în casete de formă pătrată. începutul sec. XX.

**B9192 Tablecloth Tablecloth** made of a piece of cotton fabric with geometric patterns stylized by lines, flowers and religious motifs. The decoration is placed on the entire surface of the canvas, in the central field being placed in square boxes. the beginning of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261884
title: 土偶(国宝仮面の女神)(茅野市中ッ原遺跡) 観察記録3Dモデル

description: 土偶(国宝仮面の女神)(茅野市中ッ原遺跡) 観察記録3Dモデル
撮影場所:茅野市尖石縄文考古館
撮影月日:2019.09.13
4面ガラス張りショーケース越しに撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 82 images(Masquerade機能利用)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261885
title: 土偶(国宝仮面の女神)(茅野市中ッ原遺跡) 観察記録3Dモデル

description: 土偶(国宝仮面の女神)(茅野市中ッ原遺跡) 観察記録3Dモデル
撮影場所:茅野市尖石縄文考古館
撮影月日:2019.09.13
4面ガラス張りショーケース越しに撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 82 images(Masquerade機能利用)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261886
title: Pomník padlým - Zahrádka u Ledče nad Sázavou

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261887
title: Pomník padlým - Zahrádka u Ledče nad Sázavou

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261890
title: Hillsboro Simple Stamped Jar Rim (80p746-1)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 150.0 mm; width, 126.1 mm; thickness, 8.7 mm.

Notes: Catalog no. 80p746, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261891
title: Hillsboro Simple Stamped Jar Rim (80p746-1)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 150.0 mm; width, 126.1 mm; thickness, 8.7 mm.

Notes: Catalog no. 80p746, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261892
title: New River Head Metal Cover

description: Close up of a metal cover found on the grounds of New River Head site. 'NR' is likely to be initials used by the New River Company when they occupied the site.

72 photos taken in November 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261893
title: New River Head Metal Cover

description: Close up of a metal cover found on the grounds of New River Head site. 'NR' is likely to be initials used by the New River Company when they occupied the site.

72 photos taken in November 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261894
title: Kiss Amazone

description: Wachsmodell Kiss Amazone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261895
title: Kiss Amazone

description: Wachsmodell Kiss Amazone

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261897
title: 2931 Sfântul Nicolae cu 12 scene

description: **2931 Sfântul Nicolae cu 12 scene**
Datare: a doua jumătate a secolului al XIX-lea
Centru: Laz; Autor: Pavel Zamfir
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței metalice aurii;
rama de esență rășinoasă, profilată și sculptată cu un brâu în formă de torsadă, vopsită.
Dimensiuni: 52,5 cm x 45,7 cm.

** 2931 Saint Nicholas with 12 scenes **
Dating: second half of the 19th century
Center: Laz; Author: Pavel Zamfir
Material / Technique: Contour drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; application of gold foil;
resin-shaped frame, profiled and sculpted with a twisted belt, painted.
Dimensions: 52.5 cm x 45.7 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261896
title: 2931 Sfântul Nicolae cu 12 scene

description: **2931 Sfântul Nicolae cu 12 scene**
Datare: a doua jumătate a secolului al XIX-lea
Centru: Laz; Autor: Pavel Zamfir
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței metalice aurii;
rama de esență rășinoasă, profilată și sculptată cu un brâu în formă de torsadă, vopsită.
Dimensiuni: 52,5 cm x 45,7 cm.

** 2931 Saint Nicholas with 12 scenes **
Dating: second half of the 19th century
Center: Laz; Author: Pavel Zamfir
Material / Technique: Contour drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; application of gold foil;
resin-shaped frame, profiled and sculpted with a twisted belt, painted.
Dimensions: 52.5 cm x 45.7 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261898
title: Caerhun Roman Fort Aerial Parch Marks

description: Caerhun (Roman Canovium) was founded somewhere around 77-78 AD during Agricola's campaigns in North Wales. It lies at a strategic crossing on the west bank of the River Conwy and also controlled the coastal road between the legionary fortresses at Chester (Deva) and Caernarfon (Segontium). The auxiliary unit which occupied the fort is not known, but a tile of the 20th Legion is reported to have been found in 1696. 

The fort was remodelled in the 2nd century AD with a stone-walled face replacing the earlier clay and rubble rampart. The fort was potentially abandoned for a while after 150 AD, but finds of 3rd and 4th century AD  date suggest occupation at this time. The church of St. Mary's in the north east corner of the fort overlies former barrack blocks and is believed to be early Medieval in origin, but the fabric visible today dates to between the 13th and 19th centuries. 

The dry weather has caused the grass to die back over buried wall features which now appear as light brown markings in the grass

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261899
title: Caerhun Roman Fort Aerial Parch Marks

description: Caerhun (Roman Canovium) was founded somewhere around 77-78 AD during Agricola's campaigns in North Wales. It lies at a strategic crossing on the west bank of the River Conwy and also controlled the coastal road between the legionary fortresses at Chester (Deva) and Caernarfon (Segontium). The auxiliary unit which occupied the fort is not known, but a tile of the 20th Legion is reported to have been found in 1696. 

The fort was remodelled in the 2nd century AD with a stone-walled face replacing the earlier clay and rubble rampart. The fort was potentially abandoned for a while after 150 AD, but finds of 3rd and 4th century AD  date suggest occupation at this time. The church of St. Mary's in the north east corner of the fort overlies former barrack blocks and is believed to be early Medieval in origin, but the fabric visible today dates to between the 13th and 19th centuries. 

The dry weather has caused the grass to die back over buried wall features which now appear as light brown markings in the grass

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261901
title: Fragment of dishes of the shepherds L1R2N390

description: Russia, Republic of Bashkortostan, Baymaksky district. Excavations in 2001. Settlement of the Bronze Age Laimberdy-1. Plot №2. Square A8. Layer №2. Late Bronze Age. Chronology: end of XII - IX centuries BC. Sargarin culture.
Россия, Республика Башкортостан, Баймакский район. Раскопки 2001 года. Поселение Лаимберды-1. Раскоп №2. Квадрат А8. Штык №2. Поздний бронзовый век. Хронология: конец XII – IX века до новой эры. Саргаринская культура.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261900
title: Fragment of dishes of the shepherds L1R2N390

description: Russia, Republic of Bashkortostan, Baymaksky district. Excavations in 2001. Settlement of the Bronze Age Laimberdy-1. Plot №2. Square A8. Layer №2. Late Bronze Age. Chronology: end of XII - IX centuries BC. Sargarin culture.
Россия, Республика Башкортостан, Баймакский район. Раскопки 2001 года. Поселение Лаимберды-1. Раскоп №2. Квадрат А8. Штык №2. Поздний бронзовый век. Хронология: конец XII – IX века до новой эры. Саргаринская культура.

Source: Objaverse 1.0 / Sketchfab