cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15156/bio/sh024266.07fu
title: SH024266.07FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh024267.07fu
title: SH024267.07FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh024268.07fu
title: SH024268.07FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh024269.07fu
title: SH024269.07FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.5281/zenodo.10229131
title: Reliquary | Byzantine

description: You can find it in Dar as-Saraya museum, Irbid, Jordan.

Worth a visit!

Location: https://goo.gl/maps/y57U7gRVTZpJoD1K9

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229135
title: Ceramic bowl, La Encantada, Castilla-La Mancha

description: "Ceramic bowl from the  site of  La Encantada, Granátula de Calatrava,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000853. Processed in Reality Capture from 466 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229134
title: Ceramic bowl, La Encantada, Castilla-La Mancha

description: "Ceramic bowl from the  site of  La Encantada, Granátula de Calatrava,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000853. Processed in Reality Capture from 466 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229141
title: ROI041-074-02

description: Projectile point fragment (Local chert) collected in Dearborn County, Indiana.

Catalog # 12-D-416-05

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI041-074-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229140
title: ROI041-074-02

description: Projectile point fragment (Local chert) collected in Dearborn County, Indiana.

Catalog # 12-D-416-05

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, and Kevin C. Nolan, 2022. ROI041-074-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229147
title: Ericsson LM private branch telephone exchange

description: Like the Siemens & Halske AG company in Germany, Lars Magnus Ericsson benefited significantly from the negligence of Alexander Graham Bell, the inventor of the telephone, regarding patents. As early as the 1870s, Ericsson established a company to produce and repair LM Ericsson telephone equipment. His factory supplied high quality telephone equipment to the Scandinavian markets at prices below those of the Bell Telephone Company. LM Ericsson six-number private branch exchange was used for handling an internal telephone network, for example at home, or in an office or small company. The exchange was not designed to work with the city network, although it operated in the central battery (CB) system, i.e., from an external power supply instead of its own inductor, as is typical for exchanges with a similar purpose.

Manufacturer: Ericsson LM, ca. 1910

Inv. No.: MIM1097/VIII-36

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229148
title: Ericsson LM private branch telephone exchange

description: Like the Siemens & Halske AG company in Germany, Lars Magnus Ericsson benefited significantly from the negligence of Alexander Graham Bell, the inventor of the telephone, regarding patents. As early as the 1870s, Ericsson established a company to produce and repair LM Ericsson telephone equipment. His factory supplied high quality telephone equipment to the Scandinavian markets at prices below those of the Bell Telephone Company. LM Ericsson six-number private branch exchange was used for handling an internal telephone network, for example at home, or in an office or small company. The exchange was not designed to work with the city network, although it operated in the central battery (CB) system, i.e., from an external power supply instead of its own inductor, as is typical for exchanges with a similar purpose.

Manufacturer: Ericsson LM, ca. 1910

Inv. No.: MIM1097/VIII-36

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229165
title: Eski Saat - Old Clock

description: This is old clock for a games or other things.

Eski saat oyunlar için ideal kullanımdır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229166
title: Eski Saat - Old Clock

description: This is old clock for a games or other things.

Eski saat oyunlar için ideal kullanımdır.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229167
title: Flint Hand Axe

description: A flint hand axe, made by experiential archaeologist Karl Lee at our recent 'Stone age arts and crafts' family event. Karl spent the morning with our young archaeologists club (SPARCS) getting them to try their hand at this ancient skill. In the afternoon he gave demonstrations to visiting families at our stone age arts and crafts event. 

This hand axe would have been used for the butchery of large animals. Archaeology shows them to have been used and reshaped many times and they are hardly ever found where they were manufactured i.e. they were a much valued and used item. 

Karl also made some beautiful flint arrow heads of the type found in the Bronze Age and left us with the thought that ancient people were no less intelligent than us, they just knew how to do things most of us will never learn. Check out Karl's website at https://www.primitive-technology.co.uk/karl-lee/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229168
title: Flint Hand Axe

description: A flint hand axe, made by experiential archaeologist Karl Lee at our recent 'Stone age arts and crafts' family event. Karl spent the morning with our young archaeologists club (SPARCS) getting them to try their hand at this ancient skill. In the afternoon he gave demonstrations to visiting families at our stone age arts and crafts event. 

This hand axe would have been used for the butchery of large animals. Archaeology shows them to have been used and reshaped many times and they are hardly ever found where they were manufactured i.e. they were a much valued and used item. 

Karl also made some beautiful flint arrow heads of the type found in the Bronze Age and left us with the thought that ancient people were no less intelligent than us, they just knew how to do things most of us will never learn. Check out Karl's website at https://www.primitive-technology.co.uk/karl-lee/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229169
title: Schlossbruecke - 4/8

description: one of eight marble statues adorning the sides of the schlossbruecke in the center of berlin.

designed and constructed on comission of King Friedrich I. by Karl Friedrich Schinkel in 1921 replacing a wooden bridge used mainly for the transport of material for the construction of the berlin palace.

the eight statues depict a heros life from early childhood to death and weren't completed until after the death of Schinkel 1841.

during the second world war they were taken down and stored at a safe location. after the war, the bridge, left mostly undamaged was part of the east zone, whilst the statues were stored in the west and not returned until the mid-80's. the city palace was torn down and the bridge redubbed marx-engels-bruecke. this was reverted in 1991 on the first anniversary of the german reunification.

Unter den Linden 1 10117 Berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229170
title: Schlossbruecke - 4/8

description: one of eight marble statues adorning the sides of the schlossbruecke in the center of berlin.

designed and constructed on comission of King Friedrich I. by Karl Friedrich Schinkel in 1921 replacing a wooden bridge used mainly for the transport of material for the construction of the berlin palace.

the eight statues depict a heros life from early childhood to death and weren't completed until after the death of Schinkel 1841.

during the second world war they were taken down and stored at a safe location. after the war, the bridge, left mostly undamaged was part of the east zone, whilst the statues were stored in the west and not returned until the mid-80's. the city palace was torn down and the bridge redubbed marx-engels-bruecke. this was reverted in 1991 on the first anniversary of the german reunification.

Unter den Linden 1 10117 Berlin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229171
title: Lowpoly Axes

description: This is a pack of 8 Textured Lowpoly Axes ready to be used in your games! 
All the axes average out at 400 Polys

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229172
title: Lowpoly Axes

description: This is a pack of 8 Textured Lowpoly Axes ready to be used in your games! 
All the axes average out at 400 Polys

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229173
title: Wooden Marqueterie gameboy

description: I made this piece a few months ago, as part of a "retro" series, here is another one: https://sketchfab.com/models/41ced66d7f75472283474e46c05f61c4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229174
title: Wooden Marqueterie gameboy

description: I made this piece a few months ago, as part of a "retro" series, here is another one: https://sketchfab.com/models/41ced66d7f75472283474e46c05f61c4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229175
title: Medusa

description: La rivière (The River, Der Fluss) by Aristide Maillol (1861-1944), Jardin de Sculptures (Brussels) , Royal Museums of Fine Arts of Belgium, Brussels, Belgium. Made with CapturingReality. Thanks "mprove" for the information.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229176
title: Medusa

description: La rivière (The River, Der Fluss) by Aristide Maillol (1861-1944), Jardin de Sculptures (Brussels) , Royal Museums of Fine Arts of Belgium, Brussels, Belgium. Made with CapturingReality. Thanks "mprove" for the information.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229178
title: Tunel

description: ipad pro + SiteScape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229179
title: Tunel

description: ipad pro + SiteScape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229181
title: Grey Kangaroo Cranium

description: Scanned by Adelia Tan at the University of Queensland 

Sourced from my personal collection :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229180
title: Grey Kangaroo Cranium

description: Scanned by Adelia Tan at the University of Queensland 

Sourced from my personal collection :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229184
title: Low-Poly Gladius Sword

description: In preperation for my Second Year in University, I re-familiarised myself with the work flow for 3D Modelling.
I wanted to create a Roman-esque sword, that looked realistic, but of course recognisable. Thus the blade is slightly thicker than the real-world counterpart.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229185
title: Low-Poly Gladius Sword

description: In preperation for my Second Year in University, I re-familiarised myself with the work flow for 3D Modelling.
I wanted to create a Roman-esque sword, that looked realistic, but of course recognisable. Thus the blade is slightly thicker than the real-world counterpart.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229188
title: Fragment of a vase - PG.2000.1519

description: Fragment of a vase. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1519

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198564&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229189
title: Fragment of a vase - PG.2000.1519

description: Fragment of a vase. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.1519

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=198564&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229192
title: Day 218: XIV century altar - 1scanaday

description: Scanned with Scenario and the iPhone (https://apps.apple.com/us/app/scenario-play-with-reality/id1590029370) - Capture 3D models, build 3D scenes and connect with other creators, all from your phone.

Altar in the old roman church of St Christopher, [La Couvertoirade](https://www.google.com/maps?q=La+Couvertoirade&source=lmns&bih=725&biw=1440&hl=en&sa=X&ved=2ahUKEwjluIOy-_XxAhXEwoUKHY_zBFwQ_AUoAXoECAEQAQ), Larzac, France.

![](https://t4.ftcdn.net/jpg/00/03/57/69/360_F_3576948_Cic4epqW7y5wRgS2FUB4s3SLkyGOYuza.jpg)

This was captured with very low light conditions (inside a roman church...)

Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs ([link](https://sketchfab.com/edemaistre/collections)). Follow me on [Twitter](https://twitter.com/emmanuel_2m)

![](https://www.samm-honfleur.com/gallery/20200607082738(1).jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229191
title: Day 218: XIV century altar - 1scanaday

description: Scanned with Scenario and the iPhone (https://apps.apple.com/us/app/scenario-play-with-reality/id1590029370) - Capture 3D models, build 3D scenes and connect with other creators, all from your phone.

Altar in the old roman church of St Christopher, [La Couvertoirade](https://www.google.com/maps?q=La+Couvertoirade&source=lmns&bih=725&biw=1440&hl=en&sa=X&ved=2ahUKEwjluIOy-_XxAhXEwoUKHY_zBFwQ_AUoAXoECAEQAQ), Larzac, France.

![](https://t4.ftcdn.net/jpg/00/03/57/69/360_F_3576948_Cic4epqW7y5wRgS2FUB4s3SLkyGOYuza.jpg)

This was captured with very low light conditions (inside a roman church...)

Please feel free to follow my collections of daily scans ([link](https://skfb.ly/6YuwK)) as well as my scans in San Francisco, Paris, or in the catacombs ([link](https://sketchfab.com/edemaistre/collections)). Follow me on [Twitter](https://twitter.com/emmanuel_2m)

![](https://www.samm-honfleur.com/gallery/20200607082738(1).jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229193
title: Petroglyph H3 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H3 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic. Impossible to discern. We have little confidence in this drawing. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229194
title: Petroglyph H3 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H3 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic. Impossible to discern. We have little confidence in this drawing. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229199
title: Korsnes museum, Pack from red cross (second war)

description: https://www.museumnord.no/en/our-venues/korsnes-museum/

My 3D model from photos generated with photogrammetry software 3DF Zephyr v6.507 processing 98 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229200
title: Korsnes museum, Pack from red cross (second war)

description: https://www.museumnord.no/en/our-venues/korsnes-museum/

My 3D model from photos generated with photogrammetry software 3DF Zephyr v6.507 processing 98 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229203
title: Engraved Slate (492a24-1)

description: **Engraved slate**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: slate.

Dimensions: length, 65.6 mm; width, 61.8 mm; thickness, 13.2 mm.

Notes: Catalog no. 492a24 (specimen 1), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 71. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229204
title: Engraved Slate (492a24-1)

description: **Engraved slate**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Unknown, likely Late Paleoindian to Middle Archaic  (8500-5000 BC).

Material: slate.

Dimensions: length, 65.6 mm; width, 61.8 mm; thickness, 13.2 mm.

Notes: Catalog no. 492a24 (specimen 1), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 71. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229205
title: Victoria memorial

description: Trial on our p4p for capturing victoria memorial

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10229206
title: Victoria memorial

description: Trial on our p4p for capturing victoria memorial

Source: Objaverse 1.0 / Sketchfab