cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10325657
title: Vache N° 2

description: Oeuvre grandeur nature en résine colorée, due à Charlotte Carsin et Philippe Sidot, tous deux artistes plasticiens de l' "Atelier Phil et Cha" à Rennes en Ille et Vilaine (France) Cette sculpture est la seconde des deux vaches placées sur le rond-point de Quéven dans la Morbihan (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325658
title: Vache N° 2

description: Oeuvre grandeur nature en résine colorée, due à Charlotte Carsin et Philippe Sidot, tous deux artistes plasticiens de l' "Atelier Phil et Cha" à Rennes en Ille et Vilaine (France) Cette sculpture est la seconde des deux vaches placées sur le rond-point de Quéven dans la Morbihan (France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325659
title: Vaso Kero, Arica

description: Vaso tipo Kero del periodo Intermedio Tardío. Este tipo de forma cerámica procede de la época Tiwanaku y continúa hasta las épocas Inca y colonial hispana, con diversas decoraciones. Fue excavado por la arqueóloga Grete Mostny en 1942 en playa La Lisera. N° de inventario: 14380

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325660
title: Vaso Kero, Arica

description: Vaso tipo Kero del periodo Intermedio Tardío. Este tipo de forma cerámica procede de la época Tiwanaku y continúa hasta las épocas Inca y colonial hispana, con diversas decoraciones. Fue excavado por la arqueóloga Grete Mostny en 1942 en playa La Lisera. N° de inventario: 14380

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325661
title: Fridrihovas pilskalns

description: Fridrihovas pilskalna 3D modelis. Koordinātas: 56.06423, 27.86786

https://www.latvijas-pilskalni.lv/fridrihovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325662
title: Fridrihovas pilskalns

description: Fridrihovas pilskalna 3D modelis. Koordinātas: 56.06423, 27.86786

https://www.latvijas-pilskalni.lv/fridrihovas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325663
title: Victimes des Révolutions (high res)

description: I also uploaded this 3D scan in lower resolution, but with the surroundings : https://sketchfab.com/models/2a16d71b1df74ff5a3297b5c6203d478

Created by Paul Moreau-Vauthier, this work of art was created in 1909, supposedly using stones from the Communards' Wall (more information : https://en.wikipedia.org/wiki/Communards%27_Wall ) where 147 fighters of the Paris Commune were shot and buried in 1871.
It seems, though, that the idea this monument has anything to do with the Paris Commune is disputed http://en.rfi.fr/visiting-france/20110106-truth-buried-paris-cemetery-sculpture-mistook-famous-wall ). It is located outside the Père Lachaise cemetery.

Don't hesitate to use the inspection tools : using a Matcap shader will reveal interesting details.

3D scanned using Agisoft Photoscan using about 325 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325664
title: Victimes des Révolutions (high res)

description: I also uploaded this 3D scan in lower resolution, but with the surroundings : https://sketchfab.com/models/2a16d71b1df74ff5a3297b5c6203d478

Created by Paul Moreau-Vauthier, this work of art was created in 1909, supposedly using stones from the Communards' Wall (more information : https://en.wikipedia.org/wiki/Communards%27_Wall ) where 147 fighters of the Paris Commune were shot and buried in 1871.
It seems, though, that the idea this monument has anything to do with the Paris Commune is disputed http://en.rfi.fr/visiting-france/20110106-truth-buried-paris-cemetery-sculpture-mistook-famous-wall ). It is located outside the Père Lachaise cemetery.

Don't hesitate to use the inspection tools : using a Matcap shader will reveal interesting details.

3D scanned using Agisoft Photoscan using about 325 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325670
title: COADS_91-96

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
  Material: Upper Mercer

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_91-96, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325667
title: 996_FT_20180317 Notre Dame du Haut

description: In the commune of Ronchamp, slightly south of east of Paris, sits one of Le Corbusier's most unusual projects of his career, Notre Dame du Ronchamp, or more commonly referred to as Ronchamp.  In 1950, Le Corbusier was commissioned to design a new Catholic church to replace the previous church that had been destroyed during World War II.


The site of Ronchamp has long been a religious site of pilgrimage that was deeply rooted in Catholic tradition, but after World War II the church wanted a pure space void of extravagant detail and ornate religious figures unlike its predecessors.  Ronchamp is deceptively modern such that it does not appear as a part of Corbusier's aesthetic or even that of the International Style; rather it sits in the site as a sculptural object.  The inability to categorize Ronchamp has made it one of the most important religious buildings of the 20th Century, as well as Corbusier's career.

in ArchDaily

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325668
title: 996_FT_20180317 Notre Dame du Haut

description: In the commune of Ronchamp, slightly south of east of Paris, sits one of Le Corbusier's most unusual projects of his career, Notre Dame du Ronchamp, or more commonly referred to as Ronchamp.  In 1950, Le Corbusier was commissioned to design a new Catholic church to replace the previous church that had been destroyed during World War II.


The site of Ronchamp has long been a religious site of pilgrimage that was deeply rooted in Catholic tradition, but after World War II the church wanted a pure space void of extravagant detail and ornate religious figures unlike its predecessors.  Ronchamp is deceptively modern such that it does not appear as a part of Corbusier's aesthetic or even that of the International Style; rather it sits in the site as a sculptural object.  The inability to categorize Ronchamp has made it one of the most important religious buildings of the 20th Century, as well as Corbusier's career.

in ArchDaily

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325669
title: COADS_91-96

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
  Material: Upper Mercer

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_91-96, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325672
title: Станция Обозерская, Архангельская область

description: Деревянное здание железнодорожной станции в Архангельской области. Здание имеет характерную для севера России архитектуру, особенно яркий ее признак - форма крыши.

Местоположение:
https://yandex.ru/maps/-/CCUEAHh5SA

Снято в июле 2018

**Obozerskaya railway station, Akrhangelsk oblast, Russia.**

Wooden railway station building in the Arkhangelsk region. The building has a typical architecture for the North of Russia, its most striking feature is the shape of the roof.

Location:
https://goo.gl/maps/CVZPzoA34C1HmPi3A

Captured in July 2018

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325671
title: Станция Обозерская, Архангельская область

description: Деревянное здание железнодорожной станции в Архангельской области. Здание имеет характерную для севера России архитектуру, особенно яркий ее признак - форма крыши.

Местоположение:
https://yandex.ru/maps/-/CCUEAHh5SA

Снято в июле 2018

**Obozerskaya railway station, Akrhangelsk oblast, Russia.**

Wooden railway station building in the Arkhangelsk region. The building has a typical architecture for the North of Russia, its most striking feature is the shape of the roof.

Location:
https://goo.gl/maps/CVZPzoA34C1HmPi3A

Captured in July 2018

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325673
title: Exterior Rock Art Panel, Escoural Cave, Portugal

description: On the fortified settlement of the Chalcolithic, above the Escoural cave, exists an outdoor rock art sanctuary. When, at the end of the Neolithic, the Cave was closed, its space began to be inhabited by communities of the Chalcolithic (2,000 BC), building a fortified settlement, as well as a megalithic dome of false dome, situated at a distance of about 600 meters, characterized by circular chamber, corridor and lobby for access to its interior.

This is one of the panels of the rock art sanctuary.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325674
title: Exterior Rock Art Panel, Escoural Cave, Portugal

description: On the fortified settlement of the Chalcolithic, above the Escoural cave, exists an outdoor rock art sanctuary. When, at the end of the Neolithic, the Cave was closed, its space began to be inhabited by communities of the Chalcolithic (2,000 BC), building a fortified settlement, as well as a megalithic dome of false dome, situated at a distance of about 600 meters, characterized by circular chamber, corridor and lobby for access to its interior.

This is one of the panels of the rock art sanctuary.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325676
title: Гнёздово, БД-1 (северный), частокол

description: Раскопки пойменной части центрального селища, 2016 г. Раскоп БД-1 (северный), частокольная конструкция.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325681
title: Fragment of panel 4, room E, Nineveh

description: A fragment of gypsum wall panel relief from room E, North Palace at Nineveh. This shows the head and shoulders of female musician and part of a tree. Height: 43.2 centimetres Width: 26 centimetres

This dates to 645 BC - 635 BC.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325675
title: Гнёздово, БД-1 (северный), частокол

description: Раскопки пойменной части центрального селища, 2016 г. Раскоп БД-1 (северный), частокольная конструкция.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325682
title: Fragment of panel 4, room E, Nineveh

description: A fragment of gypsum wall panel relief from room E, North Palace at Nineveh. This shows the head and shoulders of female musician and part of a tree. Height: 43.2 centimetres Width: 26 centimetres

This dates to 645 BC - 635 BC.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325683
title: Old Cemetery Stone 7

description: Cemetery stones from 1600-1700-1800

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325684
title: Old Cemetery Stone 7

description: Cemetery stones from 1600-1700-1800

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325685
title: Egg-shaped pot with small opening & flaring rim

description: It concerns a type 4, egg-shaped pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and are regularly found together with type 8 beakers. This type of ceramic is characterized by a dark, polished, metallic surface. In this case the vessel had a round belly, globular upper side and a somewhat biconical profile. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.233

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=134183&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325686
title: Egg-shaped pot with small opening & flaring rim

description: It concerns a type 4, egg-shaped pot in the typology of the El Argar culture of the Siret brothers, excavated in the southeast of Spain. These hand shaped vessels are associated with funerary contexts and are regularly found together with type 8 beakers. This type of ceramic is characterized by a dark, polished, metallic surface. In this case the vessel had a round belly, globular upper side and a somewhat biconical profile. (Argaric culture, 2300 BC - 1600 BC). Inv n.: PG.41.1.233

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=134183&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325688
title: 伊豆の国市下白岩の道祖神さんたち

description: location https://goo.gl/maps/pQeGcKehauBun8Cp7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325687
title: 伊豆の国市下白岩の道祖神さんたち

description: location https://goo.gl/maps/pQeGcKehauBun8Cp7

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325690
title: 17 May 1876 / Botev's Detachment (Monument)

description: - Located in Kozloduy, Bulgaria
- Sculpted by Stefan Peychev in 1939 
- The monument commemorates the heroic sacrifice of [Hristo Botev](https://en.wikipedia.org/wiki/Hristo_Botev) and his military detachment in the battles for Bulgaria's independancy from the Ottoman Empire in the end of the 19th century. 

The model has been reconstructed in RealityCapture through 145 images taken with Nikon D3500 DSLR and a DJI Mini 2 drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325691
title: Ship Cannon

description: no UV
renk yok
ek olarak 2 balta içerir

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325689
title: 17 May 1876 / Botev's Detachment (Monument)

description: - Located in Kozloduy, Bulgaria
- Sculpted by Stefan Peychev in 1939 
- The monument commemorates the heroic sacrifice of [Hristo Botev](https://en.wikipedia.org/wiki/Hristo_Botev) and his military detachment in the battles for Bulgaria's independancy from the Ottoman Empire in the end of the 19th century. 

The model has been reconstructed in RealityCapture through 145 images taken with Nikon D3500 DSLR and a DJI Mini 2 drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325692
title: Ship Cannon

description: no UV
renk yok
ek olarak 2 balta içerir

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325693
title: Portada renacentista Casa Angulo S.XVI Burgos

description: Portada renacentista de la Casa de Íñigo Angulo de Burgos, diseñada por el arquitecto Juan de Vallejo en el S.XVI. Actualmente, alberga la sede del Museo de Burgos junto con el palacio adyacente de la Casa de Miranda.

180 fotos tomadas con Canon SX30 sobre pértiga, procesado con Agisoft Photoscan (trial version) y postprocesado con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325694
title: Portada renacentista Casa Angulo S.XVI Burgos

description: Portada renacentista de la Casa de Íñigo Angulo de Burgos, diseñada por el arquitecto Juan de Vallejo en el S.XVI. Actualmente, alberga la sede del Museo de Burgos junto con el palacio adyacente de la Casa de Miranda.

180 fotos tomadas con Canon SX30 sobre pértiga, procesado con Agisoft Photoscan (trial version) y postprocesado con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325696
title: ROI018-139-01

description: Meadow Wood Point collected in Jay County, Indiana.

Catalog # 12-Ja-369-25

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-139-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325698
title: Pre-Colombian Pottery Vase

description: Photos taken with an iPhone 12 Pro, and imported into Trnio.  

Mesh trimmed using MeshMixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325695
title: ROI018-139-01

description: Meadow Wood Point collected in Jay County, Indiana.

Catalog # 12-Ja-369-25

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-139-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325697
title: Pre-Colombian Pottery Vase

description: Photos taken with an iPhone 12 Pro, and imported into Trnio.  

Mesh trimmed using MeshMixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325700
title: Street dentist's cap

description: This cap belonged to a street "dentist" or tooth puller. It is made of brown velvet and felt, and decorated with approximately 88 decayed human teeth, once belonging to his patients. The teeth have been drilled and attached with twine. Wearing a cap like this was supposed to imply the "magician" aspect of the dentists work. As teeth pulling was painful and risky and done without anaesthetic, people needed to have some faith in the "dentist", even if it was only the evidence, worn on the cap, that he had successfully plied his trade.

You can see more images and information about this object on [our website](http://heritage.southwark.gov.uk/objects/18384/cap?ctx=e3aa8d3b-85ff-49ce-8efc-204771adee21&idx=19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325703
title: Tower Remains in Latali village, Svaneti

description: Dilapidated tower ruins in Latali village, Svaneti region of Georgia

Shot on DJI Mavic Air 2, processed in Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325704
title: Tower Remains in Latali village, Svaneti

description: Dilapidated tower ruins in Latali village, Svaneti region of Georgia

Shot on DJI Mavic Air 2, processed in Agisoft Metashape

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325699
title: Street dentist's cap

description: This cap belonged to a street "dentist" or tooth puller. It is made of brown velvet and felt, and decorated with approximately 88 decayed human teeth, once belonging to his patients. The teeth have been drilled and attached with twine. Wearing a cap like this was supposed to imply the "magician" aspect of the dentists work. As teeth pulling was painful and risky and done without anaesthetic, people needed to have some faith in the "dentist", even if it was only the evidence, worn on the cap, that he had successfully plied his trade.

You can see more images and information about this object on [our website](http://heritage.southwark.gov.uk/objects/18384/cap?ctx=e3aa8d3b-85ff-49ce-8efc-204771adee21&idx=19).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325701
title: Glass Rim Fragment EOA:2022.54

description: Glass rim fragment from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.54

Collection: Earl of Abergavenny

Classification: Trade/Crew/Passengers

Measurements: Diametre 95mm Height 34mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Possibly from a jar, this is one of a large number of broken fragments of glass rims to be recovered. It may have been destined as trade in India or China, or it could have belonged to one of the passengers

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325702
title: Glass Rim Fragment EOA:2022.54

description: Glass rim fragment from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.54

Collection: Earl of Abergavenny

Classification: Trade/Crew/Passengers

Measurements: Diametre 95mm Height 34mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Possibly from a jar, this is one of a large number of broken fragments of glass rims to be recovered. It may have been destined as trade in India or China, or it could have belonged to one of the passengers

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325705
title: Keystone, Montemore-o-Nov, Portugal

description: Keystone, in granite, made in the manuelino style. It is a large piece that features on its "face" a decoration with the "Cross of Christ" star-clad and surrounded by a rope. On the side, we can still observe from where the arches started.

Description of the archaeological site: This piece comes from the Chapel of São Jorge, in the Church of Santa Maria do Bispo, founded at the beginning of the 14th century. This was the main and largest church of Montemor-o-Novo. Between 1529 and 1534 it was completely rebuilt in the Manuelino style (portuguese late gothic), leaving behind very few vestiges of the medieval building. In 1843, with the transfer of the parish to the village outside the walls, it was abandoned and quickly fell into ruin.  From this church today only remains part of the facade with its Manuelino portal and the walls at the opposite end of the building.

This archaeological piece is part of the collection of the Archaeological Museum of Montemor-o-Novo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325706
title: Keystone, Montemore-o-Nov, Portugal

description: Keystone, in granite, made in the manuelino style. It is a large piece that features on its "face" a decoration with the "Cross of Christ" star-clad and surrounded by a rope. On the side, we can still observe from where the arches started.

Description of the archaeological site: This piece comes from the Chapel of São Jorge, in the Church of Santa Maria do Bispo, founded at the beginning of the 14th century. This was the main and largest church of Montemor-o-Novo. Between 1529 and 1534 it was completely rebuilt in the Manuelino style (portuguese late gothic), leaving behind very few vestiges of the medieval building. In 1843, with the transfer of the parish to the village outside the walls, it was abandoned and quickly fell into ruin.  From this church today only remains part of the facade with its Manuelino portal and the walls at the opposite end of the building.

This archaeological piece is part of the collection of the Archaeological Museum of Montemor-o-Novo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325707
title: Altar de Júpiter - Teatro de Cartagena

description: Júpiter (en latín: Iuppiter), también llamado Jove (Iovis), es el principal dios de la mitología romana, padre de dioses y de hombres (pater deorum et hominum). Su equivalente griego es Zeus (en griego antiguo Ζεύς Zéus). Sus atributos son el águila, el rayo, y el cetro.

Realizado con movil Xiaomi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325708
title: Altar de Júpiter - Teatro de Cartagena

description: Júpiter (en latín: Iuppiter), también llamado Jove (Iovis), es el principal dios de la mitología romana, padre de dioses y de hombres (pater deorum et hominum). Su equivalente griego es Zeus (en griego antiguo Ζεύς Zéus). Sus atributos son el águila, el rayo, y el cetro.

Realizado con movil Xiaomi.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325709
title: Östra Eneby 23 1 Ekenberg Svärd 3

description: Laserscan of one of the sword figures on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325710
title: Östra Eneby 23 1 Ekenberg Svärd 3

description: Laserscan of one of the sword figures on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325714
title: CIK_K0611

description: Dé de piedestal pre-angkorien portant les inscriptions K611_1 et K611_ 2
Dépôt du musée de Kompong Thom, Kompong Thom, Cambodge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325713
title: CIK_K0611

description: Dé de piedestal pre-angkorien portant les inscriptions K611_1 et K611_ 2
Dépôt du musée de Kompong Thom, Kompong Thom, Cambodge

Source: Objaverse 1.0 / Sketchfab