cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10239980
title: Leiston Abbey Flint Wall

description: Leiston Abbey was a Premonstatensian foundation in Suffolk, England, dissolved in the C16th. As with many such structures, valuable stone cladding was plundered for re-use in the locality. This example at Leiston shows the rubble and flint infill that is typical of this area. It has a pleasing amount of depth to it.

Captured 23-07-2015 3:30pm
 

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239982
title: Pre-Islamic Terracotta Head, Mleiha, Sharjah

description: Pre-Islamic Terracotta Head, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 1st C CE.  Catalog number unk. Processed in Reality Capture from 250 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239981
title: Pre-Islamic Terracotta Head, Mleiha, Sharjah

description: Pre-Islamic Terracotta Head, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 1st C CE.  Catalog number unk. Processed in Reality Capture from 250 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239983
title: Roque de la Abejera 1

description: Yacimiento arqueológico perteneciente a la cultura indígena de Tenerife, Islas Canarias. Se trata de un losa con una inscripción geométrica, parcialmente destruida, que representaba un motivo semicircular radiado. La técnica utilizada es la incisión superficial con algunos trazos de cierta profundidad.
Los estudios arqueoastronomicos llevados a cabo por J. A. Belmonte y C. Esteban parecen indicar que varios de estos radios tienen un significado astronómico (Belmonte, J. A., coordinador et al (2000), Arqueastronomía HIspana, ed. Equipo Sirius S. A., 224 pp.).

https://books.google.es/books?id=ipUdDV9liNoC&pg=SA6-PA36&dq=belmonte+roque+de+la+abejera&hl=es&sa=X&ved=0ahUKEwjNpsP08YnWAhXF7RQKHeLNDewQ6AEIJzAA#v=onepage&q=belmonte%20roque%20de%20la%20abejera&f=false

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239984
title: Roque de la Abejera 1

description: Yacimiento arqueológico perteneciente a la cultura indígena de Tenerife, Islas Canarias. Se trata de un losa con una inscripción geométrica, parcialmente destruida, que representaba un motivo semicircular radiado. La técnica utilizada es la incisión superficial con algunos trazos de cierta profundidad.
Los estudios arqueoastronomicos llevados a cabo por J. A. Belmonte y C. Esteban parecen indicar que varios de estos radios tienen un significado astronómico (Belmonte, J. A., coordinador et al (2000), Arqueastronomía HIspana, ed. Equipo Sirius S. A., 224 pp.).

https://books.google.es/books?id=ipUdDV9liNoC&pg=SA6-PA36&dq=belmonte+roque+de+la+abejera&hl=es&sa=X&ved=0ahUKEwjNpsP08YnWAhXF7RQKHeLNDewQ6AEIJzAA#v=onepage&q=belmonte%20roque%20de%20la%20abejera&f=false

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239985
title: Balcón Limeño, Perú

description: La Ciudad de los reyes se funda en 1535, convirtiéndose en la capital del Virreinato del Perú. Desde entonces se han ido desarrollando diferentes tipologías de vivienda netamente diferenciadas: desde las mansiones señoriales, hasta los populares "callejones",  pasando por las casa de vecindad. Fueron las casas solariegas las que alcanzaron mayor interés arquitectótico y riqueza decorativa. El balcón de "cajón de madera" de origen árabe llega a Lima en el siglo XVI, conviéndose en uno de los elementos más característicos de la casa limeña, perdurando durante siglos en los diferentes estilos artísticos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239986
title: Balcón Limeño, Perú

description: La Ciudad de los reyes se funda en 1535, convirtiéndose en la capital del Virreinato del Perú. Desde entonces se han ido desarrollando diferentes tipologías de vivienda netamente diferenciadas: desde las mansiones señoriales, hasta los populares "callejones",  pasando por las casa de vecindad. Fueron las casas solariegas las que alcanzaron mayor interés arquitectótico y riqueza decorativa. El balcón de "cajón de madera" de origen árabe llega a Lima en el siglo XVI, conviéndose en uno de los elementos más característicos de la casa limeña, perdurando durante siglos en los diferentes estilos artísticos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239987
title: Old Glass Ceilling Lamp

description: Old Lamp often found at the entrances or basements of soviet block apartment buildings

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239988
title: Old Glass Ceilling Lamp

description: Old Lamp often found at the entrances or basements of soviet block apartment buildings

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239989
title: Guerrero Copper Sheet in Bedrock No.3 (2019)

description: Site 2-04-8MO02343: Pieces of crumpled copper sheeting are driven into a hole in the limestone bedrock, as well as fused to the surface of it.  The metal sheeting once covered the lower hull of the ship to prevent shipworm infestation and fouling of the bottom.  Model created June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239991
title: Viking House With Texture

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239990
title: Guerrero Copper Sheet in Bedrock No.3 (2019)

description: Site 2-04-8MO02343: Pieces of crumpled copper sheeting are driven into a hole in the limestone bedrock, as well as fused to the surface of it.  The metal sheeting once covered the lower hull of the ship to prevent shipworm infestation and fouling of the bottom.  Model created June, 2019. Scale = 5 centimeters.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239992
title: Viking House With Texture

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239995
title: B4944 - Prapor 2 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239996
title: B4944 - Prapor 2 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239998
title: Flag of the EU

description: Flag of the European Union

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10239997
title: Flag of the EU

description: Flag of the European Union

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240002
title: Vareste linnamägi (Estonia)

description: Vareste linnamägi 3D model. Coordinates: 57.96629, 27.21254

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240001
title: Vareste linnamägi (Estonia)

description: Vareste linnamägi 3D model. Coordinates: 57.96629, 27.21254

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240004
title: Tanum 262 1 Fig 3 Boat Hfg SHFA

description: Laserscan of one of the images on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240003
title: Tanum 262 1 Fig 3 Boat Hfg SHFA

description: Laserscan of one of the images on this panel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240008
title: KE057-113 KNOCKAGARRANE - Ogham

description: This ogham stone was discovered in the late 1970s by Maurice Foley while working on the foundations of a house (KE057-143----). It is c. 70m north of a souterrain (KE057-112----). It is currently leaning against a pillar in the corner of the garden beside the house. The inscription is fragmentary but appears to read: ...NA?R?... SEGGILLO?N. Nothing can be made out on the left hand angle. The A after the initial N at the top of the stone could be just damage to the stone and 3 of the scores of the following R are damaged. There may be one or two letters missing between R and S. There is a spall at the bottom of the stone which could have taken a final A. The is another spall on the arris at the second L and following it, removing whatever vowel notches were present. There would be space for 3 but 2 would seem more likely.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240007
title: KE057-113 KNOCKAGARRANE - Ogham

description: This ogham stone was discovered in the late 1970s by Maurice Foley while working on the foundations of a house (KE057-143----). It is c. 70m north of a souterrain (KE057-112----). It is currently leaning against a pillar in the corner of the garden beside the house. The inscription is fragmentary but appears to read: ...NA?R?... SEGGILLO?N. Nothing can be made out on the left hand angle. The A after the initial N at the top of the stone could be just damage to the stone and 3 of the scores of the following R are damaged. There may be one or two letters missing between R and S. There is a spall at the bottom of the stone which could have taken a final A. The is another spall on the arris at the second L and following it, removing whatever vowel notches were present. There would be space for 3 but 2 would seem more likely.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240014
title: Passa-Limani

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240013
title: Passa-Limani

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240017
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240018
title: Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph H1, Khatm Al Melaha, Kalba, Sharjah. Single Syrian Wild Ass and a figure to right. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240021
title: Cham-Lindenchamerwald, Bronzebeil

description: Oberständiges Randleistenbeil (Inv.-Nr. 2527-1.1) vom Typ Cressier (Variante B), gefunden 2021 im Lindenchamerwald von Thomas Mosimann, einem ehrenamtlichen Mitarbeiter der Kantonsarchäologie. Diese Beilform gehört in die frühe Mittelbronzezeit bzw. die Zeit um etwa 1500 v. Chr., sie kommt vor allem in Süddeutschland und der Schweiz vor. Es handelt sich bei dem Bronzebeil um einen Einzelfund ohne erkennbaren Befundzusammenhang, etwa ein Grab oder eine Siedlungsgrube.

Länge 22 cm, Breite 6.2 cm, Höhe 2.9 cm, Gewicht 630 g.

Karten-Link zur Fundstelle: [https://s.geo.admin.ch/971f2391e2](https://map.geo.admin.ch/?lang=de&topic=ech&bgLayer=ch.swisstopo.pixelkarte-farbe&layers_visibility=false&crosshair=marker&E=2675326.00&N=1227250.00&zoom=8&layers_opacity=0.8).

Fotografie und 3D-Modellierung: Jochen Reinhard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240022
title: Cham-Lindenchamerwald, Bronzebeil

description: Oberständiges Randleistenbeil (Inv.-Nr. 2527-1.1) vom Typ Cressier (Variante B), gefunden 2021 im Lindenchamerwald von Thomas Mosimann, einem ehrenamtlichen Mitarbeiter der Kantonsarchäologie. Diese Beilform gehört in die frühe Mittelbronzezeit bzw. die Zeit um etwa 1500 v. Chr., sie kommt vor allem in Süddeutschland und der Schweiz vor. Es handelt sich bei dem Bronzebeil um einen Einzelfund ohne erkennbaren Befundzusammenhang, etwa ein Grab oder eine Siedlungsgrube.

Länge 22 cm, Breite 6.2 cm, Höhe 2.9 cm, Gewicht 630 g.

Karten-Link zur Fundstelle: [https://s.geo.admin.ch/971f2391e2](https://map.geo.admin.ch/?lang=de&topic=ech&bgLayer=ch.swisstopo.pixelkarte-farbe&layers_visibility=false&crosshair=marker&E=2675326.00&N=1227250.00&zoom=8&layers_opacity=0.8).

Fotografie und 3D-Modellierung: Jochen Reinhard.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240026
title: 3D Model

description: 3D Model generated by Bentley ContextCapture

Site Location: Saei Park, Tehran, Iran

About the statue (In Persian/Farsi): https://bit.ly/2HoeBU8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240025
title: 3D Model

description: 3D Model generated by Bentley ContextCapture

Site Location: Saei Park, Tehran, Iran

About the statue (In Persian/Farsi): https://bit.ly/2HoeBU8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240027
title: Phoenix Tablet Photogrammetry

description: Part of an initiative to document Chinese heritage artifacts.

Intricately ornamented, this artifact belongs to the family of a war hero. This model was produced together with a set of drawings and photographs before the actual artifact is to be placed permanently onto the ancestral altar. 

The model is produced with the assistance of photogrammetry techniques.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240028
title: Phoenix Tablet Photogrammetry

description: Part of an initiative to document Chinese heritage artifacts.

Intricately ornamented, this artifact belongs to the family of a war hero. This model was produced together with a set of drawings and photographs before the actual artifact is to be placed permanently onto the ancestral altar. 

The model is produced with the assistance of photogrammetry techniques.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240032
title: Block XLVII Parthenon Marbles

description: Marble relief (Block XLVII) from the North frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena. 

Like the southern branch of the procession, the northern branch comprises mounted horsemen, chariots, elders, musicians, pitcher-bearers, tray-bearers and figures leading sacrificial victims.

1816,0610.46.b

29 Photography model, Sony A6000, 2 minute capture. Agisoft Photoscan. Captured in Rodin exhibition at the British Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240031
title: Block XLVII Parthenon Marbles

description: Marble relief (Block XLVII) from the North frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena. 

Like the southern branch of the procession, the northern branch comprises mounted horsemen, chariots, elders, musicians, pitcher-bearers, tray-bearers and figures leading sacrificial victims.

1816,0610.46.b

29 Photography model, Sony A6000, 2 minute capture. Agisoft Photoscan. Captured in Rodin exhibition at the British Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240033
title: Kirkjubømúrurin: G003

description: Gipsformur av bringumynd úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Plaster cast of a bust, from Kirkjubømúrinum (The Saint Magnus Cathedral). In storage at Tjóðsavnið.

Dimension: 44 x 27 x 20 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240034
title: Kirkjubømúrurin: G003

description: Gipsformur av bringumynd úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Plaster cast of a bust, from Kirkjubømúrinum (The Saint Magnus Cathedral). In storage at Tjóðsavnið.

Dimension: 44 x 27 x 20 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240035
title: 77-47-Q414 Barbed Artifact, Hot Springs Village

description: Barbed Bone Artifact, Harpoon Section, part of composite, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q414 Okada excavations HHQ, Level 4-15 Hot Springs 11B. 1600-1300 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240036
title: 77-47-Q414 Barbed Artifact, Hot Springs Village

description: Barbed Bone Artifact, Harpoon Section, part of composite, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q414 Okada excavations HHQ, Level 4-15 Hot Springs 11B. 1600-1300 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240039
title: خانه تاریخی بروجردیها

description: detail - this beautiful house in kashan city 
iran - you can use this model for free in 3ds max software

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240038
title: خانه تاریخی بروجردیها

description: detail - this beautiful house in kashan city 
iran - you can use this model for free in 3ds max software

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240040
title: GUERRERO

description: Modelo obtenido mediante 123D Catch a partir de 70 fotos de una reproducción de una figura de terracota. El modelo forma parte de un ejercicio para el **Curso de Introducción a la Fotogrametría de la Universidad de Burgos**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240041
title: GUERRERO

description: Modelo obtenido mediante 123D Catch a partir de 70 fotos de una reproducción de una figura de terracota. El modelo forma parte de un ejercicio para el **Curso de Introducción a la Fotogrametría de la Universidad de Burgos**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240042
title: Dundee Howff, Gravestone 1428

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240043
title: Dundee Howff, Gravestone 1428

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240044
title: Head of the maenad

description: Head of the maenad called "Apollo Tyszkiewicz", Roman archaic creation from the middle of the 1st century BC, Greece (?), Marble. Musée du Cinquantenaire (Brussels, Belgium). Make with ReMake and ReCap from AutoDesk.

This work, created by Greek studios for a Roman audience fond of archaism, imitates the Greek creations of the 6th century BC.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240045
title: Head of the maenad

description: Head of the maenad called "Apollo Tyszkiewicz", Roman archaic creation from the middle of the 1st century BC, Greece (?), Marble. Musée du Cinquantenaire (Brussels, Belgium). Make with ReMake and ReCap from AutoDesk.

This work, created by Greek studios for a Roman audience fond of archaism, imitates the Greek creations of the 6th century BC.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240046
title: Day 12: STRATCOM monument

description: A monument to the many members of the Strategic Air Command.

Shot on iPhone 12 Pro Max with Scaniverse  

📍 [Ashland, NE](https://scaniver.se/L41.01823,-96.31945)

This is part of my #1scanaday effort to share a daily ('ish) 3D scan. Follow along, or join in by contributing your own scans!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240047
title: Day 12: STRATCOM monument

description: A monument to the many members of the Strategic Air Command.

Shot on iPhone 12 Pro Max with Scaniverse  

📍 [Ashland, NE](https://scaniver.se/L41.01823,-96.31945)

This is part of my #1scanaday effort to share a daily ('ish) 3D scan. Follow along, or join in by contributing your own scans!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240049
title: Clay Pipe (2094a6030)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 37.5 mm; width, 29.1 mm; height, 37.8 mm.

Notes: Catalog no. 2094a6030, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240048
title: Clay Pipe (2094a6030)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 37.5 mm; width, 29.1 mm; height, 37.8 mm.

Notes: Catalog no. 2094a6030, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240051
title: Sarcophagus of Akhenaten

description: Heavily restored granite sarcophagus of Pharaoh Akhenaten at the Egyptian Museum, Cairo, Egypt. 

A scan of his coffin can be found [here](https://skfb.ly/6Hr88)

Created from 304 photographs (Canon EOS Rebel T5i) using Metashape 1.5.5.  Floor of the interior repainted in Blender 2.8 to cover the detritis which had accumumlated. The sarcophagus is located outside the museum in the outdoor museum area.  It was late afternoon and the raking sunlight was very harsh on the top edges of the sarcophagus accounting for the yellow areas around the top.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240050
title: Sarcophagus of Akhenaten

description: Heavily restored granite sarcophagus of Pharaoh Akhenaten at the Egyptian Museum, Cairo, Egypt. 

A scan of his coffin can be found [here](https://skfb.ly/6Hr88)

Created from 304 photographs (Canon EOS Rebel T5i) using Metashape 1.5.5.  Floor of the interior repainted in Blender 2.8 to cover the detritis which had accumumlated. The sarcophagus is located outside the museum in the outdoor museum area.  It was late afternoon and the raking sunlight was very harsh on the top edges of the sarcophagus accounting for the yellow areas around the top.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240053
title: Heavy Artillery Cannon (36 pounder)

description: Much higher quality cannon then my last one. this was created for the purpose of using it in a game that im making with a few friends. not sure what we are gonna call it, but i will be posting more models for the game within the next bit. i know this isnt textured, but that can come at a later date

Source: Objaverse 1.0 / Sketchfab