cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10345717
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian ceramic container with stamped and painted decoration from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000098. Processed in Reality Capture from 830 images.

Provenience: Santuary

Date: 4th-3rd Centuries BCE

Citation:  "aTempora Talavera de la Reina. Seis mil años de cerámica en Castilla-La Mancha", 2018: 300.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345719
title: The Young Saint John the Baptist

description: "The Young Saint John the Baptist" c. 1610/1630, Carrara Marble by Giovanni Francesco Susini, Florentine, c. 1585 - 1653 On view at the USA National Gallery of Art, Washington D.C.

For more information: https://www.nga.gov/collection/art-object-page.133635.html

Model created with 3DF Zephyr Free and Blender 2.81from Twenty-Two (40) Photos. Captured with a Canon EOS 60D and EF-S 10-22mm 1.35-4.5 USM lense.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345720
title: The Young Saint John the Baptist

description: "The Young Saint John the Baptist" c. 1610/1630, Carrara Marble by Giovanni Francesco Susini, Florentine, c. 1585 - 1653 On view at the USA National Gallery of Art, Washington D.C.

For more information: https://www.nga.gov/collection/art-object-page.133635.html

Model created with 3DF Zephyr Free and Blender 2.81from Twenty-Two (40) Photos. Captured with a Canon EOS 60D and EF-S 10-22mm 1.35-4.5 USM lense.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345721
title: Petroglyph on Stone Sphere

description: National Museum of Costa Rica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345722
title: Petroglyph on Stone Sphere

description: National Museum of Costa Rica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345723
title: Ancient Roman Architecture Scan vol. 8.

description: This stone is once were a part of and ancient roman building. This object were found near Graphisoft Park, Budapest.


www.furaysolutions.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345724
title: Ancient Roman Architecture Scan vol. 8.

description: This stone is once were a part of and ancient roman building. This object were found near Graphisoft Park, Budapest.


www.furaysolutions.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345726
title: Granate Almandino

description: **Ejemplar:**  Granates almandinos
**Localidad:** Los Alpes (Tirol-Austria)
**Descripción:** dos cristales en matriz de hábito dodecaedríco en matriz de micaesquisto
**Dimensión ejemplar:** 62x60x58 cm.
**Sigla museo, colección y entidad:** colección particular Fernando Salvador
**Técnica digitalización / modelo**: fotogrametría Panasonic DMC TZ60
**Software empleado**: Metashape
**Parámetros software:** plataforma giratoria, calida alta
**Archivo 3D:** Obj 40 Mb , textura JPG 7 Mb
**Autor digitalización:** Fernando Salvador
**Cita ejemplar:** modelo 3D colección mineralógica Fernando Salvador

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345725
title: Granate Almandino

description: **Ejemplar:**  Granates almandinos
**Localidad:** Los Alpes (Tirol-Austria)
**Descripción:** dos cristales en matriz de hábito dodecaedríco en matriz de micaesquisto
**Dimensión ejemplar:** 62x60x58 cm.
**Sigla museo, colección y entidad:** colección particular Fernando Salvador
**Técnica digitalización / modelo**: fotogrametría Panasonic DMC TZ60
**Software empleado**: Metashape
**Parámetros software:** plataforma giratoria, calida alta
**Archivo 3D:** Obj 40 Mb , textura JPG 7 Mb
**Autor digitalización:** Fernando Salvador
**Cita ejemplar:** modelo 3D colección mineralógica Fernando Salvador

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345727
title: Exposition Orogénèse du Moucherotte

description: Exposition temporaire sur l'orogénèse du Moucherotte réalisée pour le département de l'isère et l'ENS du Haut Moucherotte, Saint-Nizier du Moucherotte, Isère.
Droits réservés département de l'Isère. 
Textes et conseil scientifique : Pierre Bintz. Conception, graphisme et illustration : Sylvain Fuchs.
(Personnages 3D : lowpoly_people, sketchfab)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345728
title: Exposition Orogénèse du Moucherotte

description: Exposition temporaire sur l'orogénèse du Moucherotte réalisée pour le département de l'isère et l'ENS du Haut Moucherotte, Saint-Nizier du Moucherotte, Isère.
Droits réservés département de l'Isère. 
Textes et conseil scientifique : Pierre Bintz. Conception, graphisme et illustration : Sylvain Fuchs.
(Personnages 3D : lowpoly_people, sketchfab)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345729
title: Radcliffe Camera - 360 Measurements (E,C)

description: Radcliffe Camera, Oxford, UK

"The Radcliffe Camera is a building of Oxford University, England, designed by James Gibbs in neo-classical style and built in 1737–49 to house the Radcliffe Science Library."

360 Measurements - Preview (External, Coloured)

SIAD REF : OX121

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345730
title: Radcliffe Camera - 360 Measurements (E,C)

description: Radcliffe Camera, Oxford, UK

"The Radcliffe Camera is a building of Oxford University, England, designed by James Gibbs in neo-classical style and built in 1737–49 to house the Radcliffe Science Library."

360 Measurements - Preview (External, Coloured)

SIAD REF : OX121

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345732
title: Mammoth upper 3rd molar. Prophetstown, IL.

description: Mammuthus upper 3rd molar, V405. Fryxell Museum, Augustana College, Rock Island, IL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345731
title: Mammoth upper 3rd molar. Prophetstown, IL.

description: Mammuthus upper 3rd molar, V405. Fryxell Museum, Augustana College, Rock Island, IL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345735
title: Heraldic coat of arms of Santos Bullón (2)

description: Heraldic coat of arms of the bishop of Sigüenza D. Francisco Díaz Santos Bullón (1750-1761), who financed the stone paving of the cloister of the cathedral of Sigüenza (Spain). Born in 1687 in the town of Guardo (Palencia), he studied at the University of Salamanca, reached the position of Bishop of Barcelona in 1748 and just two years later, in 1750 he was appointed Bishop of Sigüenza and in 1761 Archbishop of Burgos. He passed away in 1764.

3D model made in Reality Capture using 824 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345736
title: Heraldic coat of arms of Santos Bullón (2)

description: Heraldic coat of arms of the bishop of Sigüenza D. Francisco Díaz Santos Bullón (1750-1761), who financed the stone paving of the cloister of the cathedral of Sigüenza (Spain). Born in 1687 in the town of Guardo (Palencia), he studied at the University of Salamanca, reached the position of Bishop of Barcelona in 1748 and just two years later, in 1750 he was appointed Bishop of Sigüenza and in 1761 Archbishop of Burgos. He passed away in 1764.

3D model made in Reality Capture using 824 images with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345737
title: London Bridge Alcove South

description: One of two stone alcoves of one iteration of London Bridge. Now located in Victoria Park, London.

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345738
title: London Bridge Alcove South

description: One of two stone alcoves of one iteration of London Bridge. Now located in Victoria Park, London.

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345739
title: B9190 Photogrammetry

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345740
title: B9190 Photogrammetry

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345741
title: càntir

description: El càntir d'aram és un recipient per guardar líquids, normalment aigua, fa com 30 o 40 centímetres i el recipient es de color daurat. Sabem que està al museu des de l'any 1932 i està fet d'un material que es diu aram o també es pot fer de coure. Està fabricat a Ripoll on hi havia  diversos tallers de perolers que treballaven l'aram.La farga Palau produïa aram per ser transformat als tallers de la Vila en tot d'estris de cuina i d'ornamentació.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345742
title: càntir

description: El càntir d'aram és un recipient per guardar líquids, normalment aigua, fa com 30 o 40 centímetres i el recipient es de color daurat. Sabem que està al museu des de l'any 1932 i està fet d'un material que es diu aram o també es pot fer de coure. Està fabricat a Ripoll on hi havia  diversos tallers de perolers que treballaven l'aram.La farga Palau produïa aram per ser transformat als tallers de la Vila en tot d'estris de cuina i d'ornamentació.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345743
title: esclop

description: Es un calçat de fusta que el portaven els pagesos. És de color marró,tradicionalment es feien i es fan a mà. Aquest esclops i el banc i les eines que hi ha el Museu són de l'escloper de Camprodon, en Manel Juanola i Mateu, que tenia el taller i la botiga al carrer València 
 "Anar amb un esclop i una espardenya" és una frase feta que vol dir que les coses es fan amb pocs recursos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345744
title: esclop

description: Es un calçat de fusta que el portaven els pagesos. És de color marró,tradicionalment es feien i es fan a mà. Aquest esclops i el banc i les eines que hi ha el Museu són de l'escloper de Camprodon, en Manel Juanola i Mateu, que tenia el taller i la botiga al carrer València 
 "Anar amb un esclop i una espardenya" és una frase feta que vol dir que les coses es fan amb pocs recursos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345745
title: Low Poly Barel - HQ textures

description: Low poly style barell with hq textures.

[Inspired by LMHPOLY](https://www.youtube.com/watch?v=-uYwkBCPpiQ&t=2s)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345746
title: Low Poly Barel - HQ textures

description: Low poly style barell with hq textures.

[Inspired by LMHPOLY](https://www.youtube.com/watch?v=-uYwkBCPpiQ&t=2s)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345747
title: Inscripción romana (fragmento lápida funeraria)

description: Un fragmento de lápida funeraria con inscripción reutilizada y encontrada en un inmueble en la calle Mayor Santa María (Alzira).
Fragment de làpida funerària, amb inscripció reutilitzada. Trobada a un immoble en el carrer MajorSanta Maria (Alzira).
A fragment of a tombstone with a reused inscription. Found in a building in "Calle Mayor Santa María (Alzira).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345748
title: Inscripción romana (fragmento lápida funeraria)

description: Un fragmento de lápida funeraria con inscripción reutilizada y encontrada en un inmueble en la calle Mayor Santa María (Alzira).
Fragment de làpida funerària, amb inscripció reutilitzada. Trobada a un immoble en el carrer MajorSanta Maria (Alzira).
A fragment of a tombstone with a reused inscription. Found in a building in "Calle Mayor Santa María (Alzira).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345749
title: Bronze Statue of Liberty Model

description: This 19th century model was one of a very small number of bronzes that were specially commissioned by Bartholdi from the French foundry Thiebaut Freres in Paris before his death. It has a slight bend in the right arm and is missing the rays.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345750
title: Bronze Statue of Liberty Model

description: This 19th century model was one of a very small number of bronzes that were specially commissioned by Bartholdi from the French foundry Thiebaut Freres in Paris before his death. It has a slight bend in the right arm and is missing the rays.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345751
title: Aldaba puerta - Knocker door

description: Aldaba de una puerta del Pirineo Aragones en la localidad de Echo.

Knocker of a door in the Aragonese Pyrenees in the town of Echo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345752
title: Aldaba puerta - Knocker door

description: Aldaba de una puerta del Pirineo Aragones en la localidad de Echo.

Knocker of a door in the Aragonese Pyrenees in the town of Echo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345753
title: Clifton Park Valve House

description: I fell in love with this mysterious structure the first time I saw it! In the late 19th century, it housed large wheels that helped channel water from the Lake Montebello reservoir to the surrounding city of Baltimore. Today, it is risks getting torn down and [efforts to preserve the building are ongoing](https://www.preservationmaryland.org/valve-house/). 

"The Lake Clifton Valve House, or Gate House, is a massive octagonal stone structure. Large Romanesque archways alternate with Gothic style windows which once contained stained glass. Remnants of the colorful glass patterns may still be seen in the turret, atop an intricate tile roof supported by a complicated system of iron trusses." 

-[Maryland Historical Trust](https://mht.maryland.gov/nr/NRDetail.aspx?NRID=50)

Created in RealityCapture from 618 images taken with a drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345754
title: Clifton Park Valve House

description: I fell in love with this mysterious structure the first time I saw it! In the late 19th century, it housed large wheels that helped channel water from the Lake Montebello reservoir to the surrounding city of Baltimore. Today, it is risks getting torn down and [efforts to preserve the building are ongoing](https://www.preservationmaryland.org/valve-house/). 

"The Lake Clifton Valve House, or Gate House, is a massive octagonal stone structure. Large Romanesque archways alternate with Gothic style windows which once contained stained glass. Remnants of the colorful glass patterns may still be seen in the turret, atop an intricate tile roof supported by a complicated system of iron trusses." 

-[Maryland Historical Trust](https://mht.maryland.gov/nr/NRDetail.aspx?NRID=50)

Created in RealityCapture from 618 images taken with a drone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345755
title: Moses by Michelangelo Head

description: This is my 1st try at reproducing Michelangelo's Moses at a higher resolution via a precise bronze copy @ Augustana College in Sioux Falls, SD. He's very hard to photograph properly so the model looks rough on top and back.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345756
title: Moses by Michelangelo Head

description: This is my 1st try at reproducing Michelangelo's Moses at a higher resolution via a precise bronze copy @ Augustana College in Sioux Falls, SD. He's very hard to photograph properly so the model looks rough on top and back.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345757
title: Day 176: Johannes Gutenberg

description: 253 photos + @PhotoCatch

#1scanaday

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345758
title: Day 176: Johannes Gutenberg

description: 253 photos + @PhotoCatch

#1scanaday

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345759
title: Дверь в доме Мещан Петренко, Краснодар

description: Дореволюционная дверь в доме мещан Петренко по адресу ул. Будённого, 157 в Краснодаре.
Восстановлена фондом Ильи Варламова "Внимание" в 2020 году: https://fondvnimanie.ru/news/721/dom-meschan-petrenko-zavershenie-rabot

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345760
title: Дверь в доме Мещан Петренко, Краснодар

description: Дореволюционная дверь в доме мещан Петренко по адресу ул. Будённого, 157 в Краснодаре.
Восстановлена фондом Ильи Варламова "Внимание" в 2020 году: https://fondvnimanie.ru/news/721/dom-meschan-petrenko-zavershenie-rabot

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345761
title: Rosskeen Pictish Symbol Stone AKA Thief's Stone

description: Still images at https://www.facebook.com/james.mcc.754589/posts/10159246901513776

"Clach a' Mheirlich, or the "Thief's Stone" is a Class I (ie. probably 7th -9th century) symbol stone.

It is a sandstone pillar, 6ft x 1ft 6ins square, bearing on the front a 'step' symbol and on the left side what appears to be traces of a crescent symbol with, below, what could be either a pair of pincers or a 'tuning fork' symbol. Clach a' Mheirlich (ONB 1874).

Ordnance Survey Name Book (ONB) 1874; J R Allen and J Anderson 1903.

Clach a' Mheirlich is as described and illustrated by Allen (1903).

Visited by OS (N K B) 23 March 1966.

Class I symbol stone.A step is carved on the east face,with a crescent above a pair of pincers on the south face

A.Mack 1997 p.118

Pictish Class I symbol stone - seen, badly eroded - little carving was visible.

CFA/MORA Coastal Assessment Survey 1998."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345762
title: Rosskeen Pictish Symbol Stone AKA Thief's Stone

description: Still images at https://www.facebook.com/james.mcc.754589/posts/10159246901513776

"Clach a' Mheirlich, or the "Thief's Stone" is a Class I (ie. probably 7th -9th century) symbol stone.

It is a sandstone pillar, 6ft x 1ft 6ins square, bearing on the front a 'step' symbol and on the left side what appears to be traces of a crescent symbol with, below, what could be either a pair of pincers or a 'tuning fork' symbol. Clach a' Mheirlich (ONB 1874).

Ordnance Survey Name Book (ONB) 1874; J R Allen and J Anderson 1903.

Clach a' Mheirlich is as described and illustrated by Allen (1903).

Visited by OS (N K B) 23 March 1966.

Class I symbol stone.A step is carved on the east face,with a crescent above a pair of pincers on the south face

A.Mack 1997 p.118

Pictish Class I symbol stone - seen, badly eroded - little carving was visible.

CFA/MORA Coastal Assessment Survey 1998."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345763
title: Cavalier turkmène

description: Gros plan sur le cavalier turkmène et son cheval.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345764
title: Cavalier turkmène

description: Gros plan sur le cavalier turkmène et son cheval.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345765
title: Nordwest Portal mit Löwenring am Dom Trier

description: Am nordwestlichen Portal des Trier Doms (Weltkulturerbe) befinden sich an der Flügeltür zwei Löwenköpfe als Ringhalter. Die Löwenringe sind ein für mittelalterliche Kirchentüren typischer Beschlag in Form eines plastischen Löwenkopfes, der einen beweglichen Ring im Maul hält. 
In der mittelalterlichen Tiersymbolik spielt der Löwe eine mehrdeutige Rolle. Er kann sowohl als Christussymbol als auch im Sinne einer Warnung vor ewiger Verdammnis verstanden werden. 
Durchmesser der Ornamentplatte 35 cm, Bronze, gegen 1100 n.Chr.

On the north-western portal of Trier Cathedral (World Heritage Site), there are two lion heads as ring holders on the double door. The lion rings are a fitting typical of medieval church doors in the form of a plastic lion's head holding a movable ring in its mouth. 
In medieval animal symbolism, the lion plays an ambiguous role. It can be understood both as a symbol of Christ and as a warning against eternal damnation. 
Diameter of the ornamental plate 35 cm, bronze, around 1100 AD.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345766
title: Nordwest Portal mit Löwenring am Dom Trier

description: Am nordwestlichen Portal des Trier Doms (Weltkulturerbe) befinden sich an der Flügeltür zwei Löwenköpfe als Ringhalter. Die Löwenringe sind ein für mittelalterliche Kirchentüren typischer Beschlag in Form eines plastischen Löwenkopfes, der einen beweglichen Ring im Maul hält. 
In der mittelalterlichen Tiersymbolik spielt der Löwe eine mehrdeutige Rolle. Er kann sowohl als Christussymbol als auch im Sinne einer Warnung vor ewiger Verdammnis verstanden werden. 
Durchmesser der Ornamentplatte 35 cm, Bronze, gegen 1100 n.Chr.

On the north-western portal of Trier Cathedral (World Heritage Site), there are two lion heads as ring holders on the double door. The lion rings are a fitting typical of medieval church doors in the form of a plastic lion's head holding a movable ring in its mouth. 
In medieval animal symbolism, the lion plays an ambiguous role. It can be understood both as a symbol of Christ and as a warning against eternal damnation. 
Diameter of the ornamental plate 35 cm, bronze, around 1100 AD.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345767
title: St. Peter's Basilica - Golden Holy Door (Front)

description: "The Holy Door or 'Porta Sancta' is only open during a Holy Year (Jubilee), which occur every 25 years (the last one in 2000). On the first day of a holy year, the Pope strikes the brick wall with a silver hammer and opens it to the pilgrims. The message imparted by the Holy Door is that God's mercy reaches out to mankind's frailty. From inside the basilica, you'll notice that the door is walled up." (Citation: http://stpetersbasilica.info/Interior/HolyDoor/HolyDoor.htm )

Photographed with a GoPro Hero4 in a busy setting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345768
title: St. Peter's Basilica - Golden Holy Door (Front)

description: "The Holy Door or 'Porta Sancta' is only open during a Holy Year (Jubilee), which occur every 25 years (the last one in 2000). On the first day of a holy year, the Pope strikes the brick wall with a silver hammer and opens it to the pilgrims. The message imparted by the Holy Door is that God's mercy reaches out to mankind's frailty. From inside the basilica, you'll notice that the door is walled up." (Citation: http://stpetersbasilica.info/Interior/HolyDoor/HolyDoor.htm )

Photographed with a GoPro Hero4 in a busy setting.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345769
title: Silver "kontusz" knob

description: Knob is a decorative button for a nobleman's attire "kontusz".

ID no.: MCh-S/741

Museum: Irena and Mieczysław Mazaraki Museum in Chrzanów 

https://muzea.malopolska.pl/pl/lista-obiektow/2695

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10345770
title: Silver "kontusz" knob

description: Knob is a decorative button for a nobleman's attire "kontusz".

ID no.: MCh-S/741

Museum: Irena and Mieczysław Mazaraki Museum in Chrzanów 

https://muzea.malopolska.pl/pl/lista-obiektow/2695

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab