cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/dl.4zzznr
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Sio nordenskjoldii"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001220-260226173443078/datasets/export for details.
DOI: 10.25549/maw-ouc113887175
title: Maya jade and jadeite

description: There are five different shapes of Maya stone beads. Four Jabed beads, 15 spherical, 7 large hole and 14 small hole, 3 large barrels, 10 small barrels, 11 discs & 2 other shapes. The range in size from 0.25 inches to 1.0 inches.
DOI: 10.25549/maw-ouc113887318
title: Maya jade and jadeite

description: There are five different shapes of Maya stone beads. Four Jabed beads, 15 spherical, 7 large hole and 14 small hole, 3 large barrels, 10 small barrels, 11 discs & 2 other shapes. The range in size from 0.25 inches to 1.0 inches.
DOI: 10.25549/maw-ouc113887129
title: Standing elderly pregnant female

description: The elite female figure wears a puffy jaguar skin headdress with three blue quetzal feathers, a pair of earspools and a necklace. Her old and worn body as well as her jaguar paws support a very pregnant abdomen. Fertility scepters of this goddess called "Lady Rainbow" were given to women as a good maternity omen.
DOI: 10.25549/maw-ouc113887803
title: Vessel in the form of a dog, Esquintla

description: The Maya domesticated their dogs for household pets and hunting animals. They were raised for food, a heat source (hot water bottle) and sacrificial animal. The god Quetzalcoatl or Feathered Serpent's twin brother was called Xolotl. He was believed to help guide souls through Xibalba or the underworld. The esquintla wears an Aztec heart amulet around his neck.
DOI: 10.25549/maw-ouc113887800
title: A pair of Maya plumbate vessels : deity Head : B

description: Two similar plumbate ollas were formed from a bulb bottom, a flaring high neck collar rim, and fanged deity applique. The fang deities represent concepts of one or uniqueness and duality or opposition.
DOI: 10.25549/maw-ouc113887925
title: A pair of Maya plumbate vessels : deity Head : A

description: Two similar plumbate ollas were formed from a bulb bottom, a flaring high neck collar rim, and fanged deity applique. the fang deities represent concepts of one or uniqueness and duality or opposition. Paired with MawM0130.
DOI: 10.25549/maw-ouc113887872
title: Maya avian head poison bottle

description: A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
DOI: 10.25549/maw-ouc113887808
title: Pair of ear flares : quadripartite design

description: The Olmec and the Maya wore jade or jadeite beads, necklaces, and ear spools. The Maya elite placed a jade bead in the mouths of their dead as a sign of rebirth. The quadrapartite design represents the four cardinal directions and the hole the fifth direction or the Axis Mundi.
DOI: 10.25549/whit-ouc11399neid
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kih5
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd7c
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb10
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd4i
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113886716
title: Corrugated olla with fire marks

description: Casas Grandes pottery produced beautiful uncoiled polychrome vessels, redware and blackware pots, and a variety of natural textured bisqueware. Depending on the time period, there were six to ten different styles of textured clay. This vessel called corrugated ware resembles a basket. A simple but executed with great care.
DOI: 10.5281/zenodo.18792026
title: EndoX Data Anonymous Submission to MICCAI 2026

description: EndoX Data Anonymous Submission to MICCAI 2026
DOI: 10.5281/zenodo.18792025
title: EndoX Data Anonymous Submission to MICCAI 2026

description: EndoX Data Anonymous Submission to MICCAI 2026
DOI: 10.25549/maw-ouc113886698
title: Ramos blackware bowl and olla

description: The two vessels were found together: the olla was inside the bowl. Both vessels were made with coils of clay that were worked together. When the clay was leather hard, a smooth stone was used to create the lustrous surface. The burnished vessels were fired in a rich carbon reduced environment.
DOI: 10.25549/maw-ouc113886718
title: Ramos blackware bowl and olla

description: The two vessels were found together: the olla was inside the bowl. Both vessels were made with coils of clay that were worked together. When the clay was leather hard, a smooth stone was used to create the lustrous surface. The burnished vessels were fired in a rich carbon reduced environment.
DOI: 10.25549/maw-ouc113891125
title: Heurrigos polychrome quail effigy

description: A seed jar has been appliqued with the head of a quail and a tail. Black geometrics decorate the seed jar's surface. Mauve pigment accents geometric triangles.
DOI: 10.25549/maw-ouc113891020
title: Ramos polychrome olla : QB design in central diamond

description: Duality has been expressed in the repetition of mirror images: the two reverse 'P' shapes; the two step forms; and the two panel design.
DOI: 10.25549/maw-ouc1sto1875731
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875423
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875901
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc11399dlz0
title: Small seated enthroned figure

description: Human figurines have been handmade at Teotihuacán since 150 BC. Around AD 250, the Teotihuacanos began mass-producing figures using molds. The figurines are not found in burials or temple complexes. The thousands that have been found in residential middens and fills suggest they were important in daily household rituals at the 2000 apartment complexes.
DOI: 10.25549/maw-ouc1sto1875735
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889439
title: Double-lobed polychromed offering bowl

description: The double-chambered offering bowl has the same basic design inside the bowls. In one chamber, there is a double-headed serpent. The other bowl has a pattern of diamonds that form a coiled abstract diamond-back serpent. The bottom of the bowls has been painted with parallel lines across the bowls.
DOI: 10.25549/maw-ouc11399dlnf
title: Double-lobed polychromed offering bowl [3D]

description: The double-chambered offering bowl has the same basic design inside the bowls. In one chamber, there is a double-headed serpent. The other bowl has a pattern of diamonds that form a coiled abstract diamond-back serpent. The bottom of the bowls has been painted with parallel lines across the bowls.
DOI: 10.15468/dl.ec9pfz
title: Occurrence Download

description: A dataset containing 26347 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is 84cee304-27b4-4ad0-9068-16b666e5b1b5",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 26347 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001223-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113889438
title: Seated male holding a tube and a bowl

description: A seated male wears a headdress with two peyote buttons. He holds a tube and a bowl, which could be used for drinking, inhaling, or making music or sounds.
DOI: 10.25549/maw-ouc113889525
title: Seated male blowing into a resonance drum or drinking pulque or inhaling a substance

description: He might be a musician sending noises or sounds down a tube into a resonance bowl to make music, or he could be using a straw to suck up pulque. His chin strap headdress is unusual, because there is a crested animal on each side.
DOI: 10.25549/maw-ouc113889446
title: Seated male figure with arms across his knees : button headdress

description: A male sits with a female, husband and wife. The concept of duality is expressed in opposites; male-female; young-old; day-night; sunrise-sunset; sun-moon; and life-death. The concept of duality is found throughout our world and the Mesoamerican world.
DOI: 10.25549/maw-ouc113887190
title: Maya spondylus shell ornaments : pendants

description: A Maya pendant and a scorpian pendant. Both pendants are circular.
DOI: 10.25549/maw-ouc113887143
title: Maya spondylus shell ornaments : circular pendants

description: Two circular pendants.
DOI: 10.5281/zenodo.18797027
title: Numerical Insights into Shear-Slip Behavior of Shear Bands Governed by Particle Friction
DOI: 10.25549/maw-ouc113887779
title: Maya plumbate olla : rattle

description: This unusual plumbate cacao vessel is divided into three quadrants. Each quadrant contains an elaborate design of semi-abstract faces and zoomorphic (supernatural entities) on the vessel's neckband and wide shoulder band. Between each quadrant, the Maya "kin" crosses hold a ceramic sphere to create a rattling sound.
DOI: 10.5281/zenodo.18797026
title: Numerical Insights into Shear-Slip Behavior of Shear Bands Governed by Particle Friction
DOI: 10.25549/maw-ouc113887792
title: Maya plumbate choc vessel

description: The elite of Mesoamerica were always looking for new and better elite vessels to serve their guests cacao. A new type of ceramic, plumbate ware, appealed to their sensabilities for its varigated, shiny, metallic surface. This phytomorhpic cacao vessel depicts the maya rain god Chac.
DOI: 10.25549/maw-ouc113887871
title: Maya avian head poison bottle

description: A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
DOI: 10.25549/whit-ouc11399nei7
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd4y
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc1sto1875714
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875131
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875299
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875200
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875871
title: Teotihuacan incensario : stage type : hourglass form

description: Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
DOI: 10.15468/dl.38e9vu
title: Occurrence Download

description: A dataset containing 525 species occurrences available in GBIF matching the query:
{
 "and" : [
 "BasisOfRecord is Specimen",
 "Country is China",
 "TaxonKey is Veronica polita"
 ]
}

 The dataset includes 525 records from 23 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001224-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875906
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875095
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1905016
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889714
title: Maya seated female figure : elite

description: Along the Pacific slope of Guatemala in the Escuintla municipality, the Mayan Tiquisate culture developed. The Maya used orangeware to create hollow female sculptures. These elite seated females wear an elaborate multi-row hairdo, square ear ornaments, a necklace, as well as upper and lower arm bands. Each of the females have two hands placed on their knees and their fingers stretch to the ground as if the Goddess blesses the ground's fertility.