cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10296306
title: Aesculapius

description: The impressive beard and curls make it clear that this is a god. He is holding something - a liver? If so, we are looking at Aesculapius, god of medicine. Romans used to place this type of votive statuette at an altar and pray for healing. The cult spread to Rome from Greece, where the god was called Asklepios.

Bronze, Italy (?), ca. 1st century BC. Inventory number: 35

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296307
title: Aesculapius

description: The impressive beard and curls make it clear that this is a god. He is holding something - a liver? If so, we are looking at Aesculapius, god of medicine. Romans used to place this type of votive statuette at an altar and pray for healing. The cult spread to Rome from Greece, where the god was called Asklepios.

Bronze, Italy (?), ca. 1st century BC. Inventory number: 35

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296309
title: Court Yard - Iphone 12 Pro Max

description: I Phone Pro Max
DJI OSMO 
Telescopic Pole.
LOTS OF TRIAL AND ERROR!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296308
title: Court Yard - Iphone 12 Pro Max

description: I Phone Pro Max
DJI OSMO 
Telescopic Pole.
LOTS OF TRIAL AND ERROR!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296310
title: TARP 2021: SUs 3034-3038

description: SU 3034, SU 3035, SU 3036, SU 3037, SU 3038

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296311
title: TARP 2021: SUs 3034-3038

description: SU 3034, SU 3035, SU 3036, SU 3037, SU 3038

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296313
title: Lahall 1799

description: First attempt at recreating the herring smokehouse on Lahall (Bohuslän, Sweden), based on the 1799 fire insurance's measurements.

Measurements are 1.1876 metres for the height of the stone foundations, and 7.1256m **x** 7.1256m **x** 10.6884m for the rest of the wooden structure.

(Original measurements: 2 alnar/elns for the stone foundations, the rest 12 **x** 12 **x** 18 alnar/elns. 1 aln/eln = 59.38 cm)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296312
title: Lahall 1799

description: First attempt at recreating the herring smokehouse on Lahall (Bohuslän, Sweden), based on the 1799 fire insurance's measurements.

Measurements are 1.1876 metres for the height of the stone foundations, and 7.1256m **x** 7.1256m **x** 10.6884m for the rest of the wooden structure.

(Original measurements: 2 alnar/elns for the stone foundations, the rest 12 **x** 12 **x** 18 alnar/elns. 1 aln/eln = 59.38 cm)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296314
title: Pre-Islamic Silver Coin, Mleiha, Sharjah, UA

description: Pre-Islamic Silver Coin, Mleiha, Sharjah, UAE. in the collection of the Sharjah Archaeology Authority. . Catalog number unk. Processed in Reality Capture from 343 images. GDH ID Silvercoin 2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296315
title: Pre-Islamic Silver Coin, Mleiha, Sharjah, UA

description: Pre-Islamic Silver Coin, Mleiha, Sharjah, UAE. in the collection of the Sharjah Archaeology Authority. . Catalog number unk. Processed in Reality Capture from 343 images. GDH ID Silvercoin 2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296317
title: Hillsboro Simple Stamped Cup (2464p4207)

description: **Hillsboro Simple Stamped cup**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 6.79 cm; diameter, 8.7 cm.

Notes: Catalog no. 2464p4207, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296316
title: Hillsboro Simple Stamped Cup (2464p4207)

description: **Hillsboro Simple Stamped cup**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: height, 6.79 cm; diameter, 8.7 cm.

Notes: Catalog no. 2464p4207, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296318
title: Proto Tierra

description: kinda ugly but im testing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296319
title: Proto Tierra

description: kinda ugly but im testing

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296320
title: "Unknown 19"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296321
title: "Unknown 19"

description: This model is listed as "unknown" for teaching purposes. To see the identified model, go to: https://digital.kenyon.edu/hominin/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296326
title: Prestonkirk 1732 Headstone, East Linton

description: Headstone within East Linton Parish Kirk burial ground, East Lothian, Scotland

Front of headstone has engraved ' Here lyes James Ranken son to George Ranken tenant at Markle Mains who died January 22 1732(?) aged 1 year 8 months'

and on rear 'Here lies Robert Ranken late merchant and portioner of Linton who died October 18 1779 aged 71 years     restored 1883'

3D image from 130 photographs using Huawie Mate 10 Pro mobile phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296327
title: Prestonkirk 1732 Headstone, East Linton

description: Headstone within East Linton Parish Kirk burial ground, East Lothian, Scotland

Front of headstone has engraved ' Here lyes James Ranken son to George Ranken tenant at Markle Mains who died January 22 1732(?) aged 1 year 8 months'

and on rear 'Here lies Robert Ranken late merchant and portioner of Linton who died October 18 1779 aged 71 years     restored 1883'

3D image from 130 photographs using Huawie Mate 10 Pro mobile phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296328
title: Visnu Lokesvara

description: Visnu Lokesvara, Pala-Sena style. Eastern India. 12th century, black shale. Representation of the god Visnu between his two wives. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

In Hindu iconography, Vishnu is usually depicted as having a pale or dark blue complexion and having four arms. He holds a padma (lotus flower) in his lower left hand, Kaumodaki gada (mace) in his lower right hand, Panchajanya shankha (conch) in his upper left hand and the Sudarshana Chakra (discus) in his upper right hand. A traditional depiction is Vishnu reclining on the coils of the serpent Shesha, accompanied by his consort Lakshmi, as he "dreams the universe into reality".

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296329
title: Visnu Lokesvara

description: Visnu Lokesvara, Pala-Sena style. Eastern India. 12th century, black shale. Representation of the god Visnu between his two wives. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

In Hindu iconography, Vishnu is usually depicted as having a pale or dark blue complexion and having four arms. He holds a padma (lotus flower) in his lower left hand, Kaumodaki gada (mace) in his lower right hand, Panchajanya shankha (conch) in his upper left hand and the Sudarshana Chakra (discus) in his upper right hand. A traditional depiction is Vishnu reclining on the coils of the serpent Shesha, accompanied by his consort Lakshmi, as he "dreams the universe into reality".

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296330
title: Figurine head (93.1264)

description: Terracotta head. Very well defined face and hair. Long face with long nose. Hair end protruding. 

https://stanford.pastperfectonline.com/Webobject/00DE1EF9-BD67-48C7-8BF9-526596143470

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296331
title: Figurine head (93.1264)

description: Terracotta head. Very well defined face and hair. Long face with long nose. Hair end protruding. 

https://stanford.pastperfectonline.com/Webobject/00DE1EF9-BD67-48C7-8BF9-526596143470

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296332
title: Drummans - Headstone - LE003-008005 - Rider

description: This headstone was first recorded by Gary Dempsey during  a project with artist Ruth Le Gear [(Water Senses)](https://www.ruthlegear.com/portfolio/water-senses/)  looking at the legend of the Dobhar Chu in Conwall Graveyard Co. Leitrim and its connections to Glenade Lough.  

The stone may be part of a pair that inspired the story of a water beast who murdered a woman by the shores of the lough.  Her husband chaced the beast on horse back, before his horse was killed and he slay the water beast.  A wonderful local folk legend from Leitrim and Donegal.  

Conwall graveyard is part of an old church site between Manorhamilton (Co. Leitrim) and Bundoran Co. Donegal), and is will worth a vist to see these two stones.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296333
title: Drummans - Headstone - LE003-008005 - Rider

description: This headstone was first recorded by Gary Dempsey during  a project with artist Ruth Le Gear [(Water Senses)](https://www.ruthlegear.com/portfolio/water-senses/)  looking at the legend of the Dobhar Chu in Conwall Graveyard Co. Leitrim and its connections to Glenade Lough.  

The stone may be part of a pair that inspired the story of a water beast who murdered a woman by the shores of the lough.  Her husband chaced the beast on horse back, before his horse was killed and he slay the water beast.  A wonderful local folk legend from Leitrim and Donegal.  

Conwall graveyard is part of an old church site between Manorhamilton (Co. Leitrim) and Bundoran Co. Donegal), and is will worth a vist to see these two stones.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296335
title: FIS speedway motorcycle

description: In 1953-1954, two Polish designers, Tadeusz Fedko and Romuald Iżewski, designed an engine on the basis of the British JAP design (a late 1940s model). Fedko and Iżewski were associated with the motorcycle division of the Stal Rzeszów sports club: the motorcycle's name, FIS, is acronym of Fedko-Iżewski-Stal.
For several years, the FIS speedway motorcycle became the main vehicle of the Polish national speedway team and Polish sports clubs with speedway divisions. In 1958, 300 contestants competed in three speedway leagues, 90% of them on FIS motorcycles. The motorcycle was favourably received, but in the opinion of contestants and of the speedway community it needed further improvement.
In the end the production of the FIS was halted in 1959 and the Polish design was replaced with imported motorcycles.

Manufacturer: Wytwórnia Sprzętu Komunikacyjnego in Mielec, Wytwórnia Sprzętu Komunikacyjnego in Rzeszów, 1957.

Inv.No.: MIM1880/II-162

Model prepared on the basis of photogrammetric and ToF measurements

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296334
title: FIS speedway motorcycle

description: In 1953-1954, two Polish designers, Tadeusz Fedko and Romuald Iżewski, designed an engine on the basis of the British JAP design (a late 1940s model). Fedko and Iżewski were associated with the motorcycle division of the Stal Rzeszów sports club: the motorcycle's name, FIS, is acronym of Fedko-Iżewski-Stal.
For several years, the FIS speedway motorcycle became the main vehicle of the Polish national speedway team and Polish sports clubs with speedway divisions. In 1958, 300 contestants competed in three speedway leagues, 90% of them on FIS motorcycles. The motorcycle was favourably received, but in the opinion of contestants and of the speedway community it needed further improvement.
In the end the production of the FIS was halted in 1959 and the Polish design was replaced with imported motorcycles.

Manufacturer: Wytwórnia Sprzętu Komunikacyjnego in Mielec, Wytwórnia Sprzętu Komunikacyjnego in Rzeszów, 1957.

Inv.No.: MIM1880/II-162

Model prepared on the basis of photogrammetric and ToF measurements

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296336
title: Church heart

description: Church heart, spain, 18th century, polychrome wood. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

For more updates, please follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296337
title: Church heart

description: Church heart, spain, 18th century, polychrome wood. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

For more updates, please follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296338
title: Deposito Votivo10

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296339
title: Deposito Votivo10

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296340
title: Stone Wall Nr.6

description: Stone Wall with plants, moss and some lichen, 60 photos processed with Photoscan. It is a small part of Stone Wall Nr.5

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296341
title: Stone Wall Nr.6

description: Stone Wall with plants, moss and some lichen, 60 photos processed with Photoscan. It is a small part of Stone Wall Nr.5

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296342
title: Fantasterei - baroXmedia 22 | Gartenpavillon

description: baroXmedia 22 - Inetrnationale Barocktage Stift Melk & Bildende Kunst

Fantasterei
Ich, Du, Er, Sie, Es, Wir, Ihr, Sie sind Barock. Die Zeitalter treten uns zumeist in Form von gebauter Welt entgegen. Erinnert ruht das Wesen verschiedener Epochen in Gebäuden, Fassaden und Abbildern, kann von uns gelesen und somit in einen historischen Zusammenhang gebracht werden.
Ich, meiner, mir, mich finde mich in dieser Welt aus Versatzstücken der Vergangenheit wieder, wandle als lebendiges Wesen durch meine Gegenwart und erkenne mich selbst und die Gestalt der menschlichen Gesellschaft in den Spiegelungen der Vergangenheit.
Was ist es anderes als ein Blick zurück, den wir in Mitten einer barocken Architektur, in Mitten der barocken Stifts-Architektur von Melk erblicken dürfen? Ist dieser Blick zurück aber nicht gegengleich ein Blick nach vorne, ein Blick in einen zukünftigen Möglichkeitsraum? 
...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296343
title: Fantasterei - baroXmedia 22 | Gartenpavillon

description: baroXmedia 22 - Inetrnationale Barocktage Stift Melk & Bildende Kunst

Fantasterei
Ich, Du, Er, Sie, Es, Wir, Ihr, Sie sind Barock. Die Zeitalter treten uns zumeist in Form von gebauter Welt entgegen. Erinnert ruht das Wesen verschiedener Epochen in Gebäuden, Fassaden und Abbildern, kann von uns gelesen und somit in einen historischen Zusammenhang gebracht werden.
Ich, meiner, mir, mich finde mich in dieser Welt aus Versatzstücken der Vergangenheit wieder, wandle als lebendiges Wesen durch meine Gegenwart und erkenne mich selbst und die Gestalt der menschlichen Gesellschaft in den Spiegelungen der Vergangenheit.
Was ist es anderes als ein Blick zurück, den wir in Mitten einer barocken Architektur, in Mitten der barocken Stifts-Architektur von Melk erblicken dürfen? Ist dieser Blick zurück aber nicht gegengleich ein Blick nach vorne, ein Blick in einen zukünftigen Möglichkeitsraum? 
...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296344
title: SCHS 2019.029.011

description: St. Charles Point dating to the Early Archaic, 8000-6000 BC Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Prehistoric Stone, Wyandotte Chert (Heated)
Length: 49.51 mm
Width:  25.37 mm
Thickness: 9.84 mm
Weight: 10.94 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.011, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296345
title: SCHS 2019.029.011

description: St. Charles Point dating to the Early Archaic, 8000-6000 BC Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Prehistoric Stone, Wyandotte Chert (Heated)
Length: 49.51 mm
Width:  25.37 mm
Thickness: 9.84 mm
Weight: 10.94 g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.011, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296346
title: Lower half of Gudea statue (presumed)

description: Lower half of stone seated figure presumed to be that of Gudea, king of Lagash; carved and polished. Excavated/Findspot: Seleucia ad Tigrim, 5 miles south-west of Seleucia. This is placed directly opposite this piece in the gallery: https://sketchfab.com/models/cff8d23f75644d6f804d4aa8e852c2f9

Made from 98 photographs by [Daniel Pett](https://sketchfab.com/danielpett) (OnePlus3 mobile phone), processed in Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296347
title: Lower half of Gudea statue (presumed)

description: Lower half of stone seated figure presumed to be that of Gudea, king of Lagash; carved and polished. Excavated/Findspot: Seleucia ad Tigrim, 5 miles south-west of Seleucia. This is placed directly opposite this piece in the gallery: https://sketchfab.com/models/cff8d23f75644d6f804d4aa8e852c2f9

Made from 98 photographs by [Daniel Pett](https://sketchfab.com/danielpett) (OnePlus3 mobile phone), processed in Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296348
title: Žaunerānu pilskalns (ortofoto)

description: Žaunerānu pilskalna 3D virsmas modelis ar ortofoto pārklājumu. Koordinātas: 56.055574, 27.221519

https://www.latvijas-pilskalni.lv/zauneranu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296349
title: Žaunerānu pilskalns (ortofoto)

description: Žaunerānu pilskalna 3D virsmas modelis ar ortofoto pārklājumu. Koordinātas: 56.055574, 27.221519

https://www.latvijas-pilskalni.lv/zauneranu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296350
title: ЦРНА ТРАВА - Црнотравцима 1912-1918. године

description: Споменик изгинулим ратницима Црнотравцима у ратовима 1912-1918. године налази се у центру Црне Траве. На врху пирамиде од белог мермера је орао, а под њим крст испод кога је уписано: "Ратницима за ослоођење и уједињење 1912-1918". Недостаје лук са попрсјем краља Петра у рељефу. На све четри стране доњег дела пирамиде урезана су  имена 172-ици  Црнотраваца палих у ратовима 1912-1918.
Скицу за споменик израдио је архитекта Зоран Васиљевић, а ручне радове и украсе вајар Милан Танкосић. Споменик је излиферовала Прва српска каменорезачка радња Матеја Петровића из Београда. Освећење споменика извршено је 27. јула 1927. године.
Бугарски фашисти су оштетили споменик за време Другог светског рата.

Monument to the warriors who died in the wars of 1912-1918. is located in the center of Crna Trava. At the top of the pyramid of white marble is an eagle, and below it a cross below which is inscribed: "To the warriors for liberation and unification 1912-1918".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296351
title: ЦРНА ТРАВА - Црнотравцима 1912-1918. године

description: Споменик изгинулим ратницима Црнотравцима у ратовима 1912-1918. године налази се у центру Црне Траве. На врху пирамиде од белог мермера је орао, а под њим крст испод кога је уписано: "Ратницима за ослоођење и уједињење 1912-1918". Недостаје лук са попрсјем краља Петра у рељефу. На све четри стране доњег дела пирамиде урезана су  имена 172-ици  Црнотраваца палих у ратовима 1912-1918.
Скицу за споменик израдио је архитекта Зоран Васиљевић, а ручне радове и украсе вајар Милан Танкосић. Споменик је излиферовала Прва српска каменорезачка радња Матеја Петровића из Београда. Освећење споменика извршено је 27. јула 1927. године.
Бугарски фашисти су оштетили споменик за време Другог светског рата.

Monument to the warriors who died in the wars of 1912-1918. is located in the center of Crna Trava. At the top of the pyramid of white marble is an eagle, and below it a cross below which is inscribed: "To the warriors for liberation and unification 1912-1918".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296352
title: Dschungel Ruine

description: Mesh by EA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296353
title: Dschungel Ruine

description: Mesh by EA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296354
title: Nāzupu pilskalns

description: Nāzupu pilskalna 3D modelis. Koordinātas: 57.32658,26.84123

https://www.latvijas-pilskalni.lv/nazupu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296355
title: Nāzupu pilskalns

description: Nāzupu pilskalna 3D modelis. Koordinātas: 57.32658,26.84123

https://www.latvijas-pilskalni.lv/nazupu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296358
title: A Thief's Treasure

description: Hello! A thief's Treasure designed with Blender version 3.1.2, Textured in Substance Painter version 7.4.3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296357
title: A Thief's Treasure

description: Hello! A thief's Treasure designed with Blender version 3.1.2, Textured in Substance Painter version 7.4.3.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296359
title: Cottage

description: Low poly cottage made afer watching Grant Abbitt tutorial all credit to him for this one

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296360
title: Cottage

description: Low poly cottage made afer watching Grant Abbitt tutorial all credit to him for this one

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296361
title: Rython4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296362
title: Rython4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296364
title: Botella - RN 13665

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296363
title: Botella - RN 13665

description: Material: Cerámica

Cultura/Estilo: Epigonal

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10296365
title: CE 1428 - CÁNTARO

description: N° de Registro Nacional: 0000303421

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Cántaro 

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab