cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10262328
title: 8826 Nașterea Domnului

description: **8826 Nașterea Domnului**
Datare: a doua jumătate a secolului al XIX-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; lipirea pe alocuri a hârtiei
argintate folosite drept fundal; rama de esență rășinoasă, profilată și vopsită.
Dimensiuni: 44 cm x 38,2 cm.

** 8826 The Nativity **
Dating: second half of the 19th century
Center: Lancrăm
Material / Technique: Ink drawn on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; gluing the paper in places
silverware used as a background; resinous, profiled and painted frame.
Dimensions: 44 cm x 38.2 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262339
title: Aurelius (PhotoScan)

description: Portrait bust of Marcus Aurelius, Art Institute, Chicago Roman c. A.D. 170-80 Marble
24 photos, Canon EOS 70D, PhotoScan http://www.flickr.com/photos/ryanfb/sets/72157639515175486/

ReCap 360 model of same photos: https://sketchfab.com/models/9f7cb9cd988444f695d8512f73926ad4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262340
title: Aurelius (PhotoScan)

description: Portrait bust of Marcus Aurelius, Art Institute, Chicago Roman c. A.D. 170-80 Marble
24 photos, Canon EOS 70D, PhotoScan http://www.flickr.com/photos/ryanfb/sets/72157639515175486/

ReCap 360 model of same photos: https://sketchfab.com/models/9f7cb9cd988444f695d8512f73926ad4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262343
title: Крест на городище Савкина Горка

description: Один из каменных крестов, перенесенных С.С. Гейченко из окрестностей на городище Савкино в XX веке

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262344
title: Крест на городище Савкина Горка

description: Один из каменных крестов, перенесенных С.С. Гейченко из окрестностей на городище Савкино в XX веке

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262349
title: Escultura Luis Carlos Familia 2

description: Escultura del artista Guatemalteco Luis Carlos  
Descripcion: Familia 2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262350
title: Escultura Luis Carlos Familia 2

description: Escultura del artista Guatemalteco Luis Carlos  
Descripcion: Familia 2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262351
title: White cup and saucer

description: White cup and saucer by Henri Fantin-Latour.

Date: 1864  

Dimension(s): height, 19.4, cm width, 28.9, cm

Acquisition: given; 1920; Thompson, Henry Francis Herbert, Sir, Bart

Provenance:
Mrs. Edwin Edwards; bequeathed to the donor by Mrs. Edwards, 1907

Inscription(s):
signature; upper right; Fantin
; upper right; 6 (presumably the first number of a date, the second of which has been cut off, but was probably a 4)
; verso, on the outer covering paper; MS label; White cup and saucer / Fantin-Latour / Herbert Thompson / 9 Kensington Park Gardens
; verso, on the inner covering paper; MS label; Still life / white cup & saucer / Property of / Mrs. Edwin Edwards / 26 Golden Square (in the same handwriting as the above MS label, presumably that of Mrs. Edwin Edwards)

Object Number: 1016(Paintings, Drawings and Prints)
http://data.fitzmuseum.cam.ac.uk/id/object/2658

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262352
title: White cup and saucer

description: White cup and saucer by Henri Fantin-Latour.

Date: 1864  

Dimension(s): height, 19.4, cm width, 28.9, cm

Acquisition: given; 1920; Thompson, Henry Francis Herbert, Sir, Bart

Provenance:
Mrs. Edwin Edwards; bequeathed to the donor by Mrs. Edwards, 1907

Inscription(s):
signature; upper right; Fantin
; upper right; 6 (presumably the first number of a date, the second of which has been cut off, but was probably a 4)
; verso, on the outer covering paper; MS label; White cup and saucer / Fantin-Latour / Herbert Thompson / 9 Kensington Park Gardens
; verso, on the inner covering paper; MS label; Still life / white cup & saucer / Property of / Mrs. Edwin Edwards / 26 Golden Square (in the same handwriting as the above MS label, presumably that of Mrs. Edwin Edwards)

Object Number: 1016(Paintings, Drawings and Prints)
http://data.fitzmuseum.cam.ac.uk/id/object/2658

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262361
title: Complesso Ecclesiastico di Miranduolo

description: Complesso ecclesiastico del sito di Miranduolo. In quest'area sorgevano le chiese in legno (forse quella datata al VII secolo, quella di VIII e quella di IX), e dal X secolo la struttura ecclesiastica in pietra. Intorno lo scavo ha permesso di individuare il cimitero in uso dal IX all'XI secolo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262362
title: Complesso Ecclesiastico di Miranduolo

description: Complesso ecclesiastico del sito di Miranduolo. In quest'area sorgevano le chiese in legno (forse quella datata al VII secolo, quella di VIII e quella di IX), e dal X secolo la struttura ecclesiastica in pietra. Intorno lo scavo ha permesso di individuare il cimitero in uso dal IX all'XI secolo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262365
title: Ivanka Boteva (Hristo Botev's mother) Statue

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262366
title: Ivanka Boteva (Hristo Botev's mother) Statue

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262369
title: El Dolmen de Ca l'Arenes

description: El Dolmen de Ca l'Arenes, descubierto en 1997 y restaurado en 2006 y 2007, es un sepulcro megalítico de aproximadamente 5000 años de antigüedad, situado en el Parque del Montnegre y el Corredor, en el municipio de Dosrius de la provincia de Barcelona
El dólmen conserva la cámara con su enlosado. La cubierta prácticamente en su totalidad, y parte del pasillo de entrada. También se conserva la losa de entrada, así como el túmulo lateral cercado por un crómlech.
Modelo extraido de fotogramas de este vídeo junto con diversas fotos.
https://www.youtube.com/watch?v=5kiSseVKYII
Ubicación
https://goo.gl/maps/X75K4WDzRXX79Wev9

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262370
title: El Dolmen de Ca l'Arenes

description: El Dolmen de Ca l'Arenes, descubierto en 1997 y restaurado en 2006 y 2007, es un sepulcro megalítico de aproximadamente 5000 años de antigüedad, situado en el Parque del Montnegre y el Corredor, en el municipio de Dosrius de la provincia de Barcelona
El dólmen conserva la cámara con su enlosado. La cubierta prácticamente en su totalidad, y parte del pasillo de entrada. También se conserva la losa de entrada, así como el túmulo lateral cercado por un crómlech.
Modelo extraido de fotogramas de este vídeo junto con diversas fotos.
https://www.youtube.com/watch?v=5kiSseVKYII
Ubicación
https://goo.gl/maps/X75K4WDzRXX79Wev9

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262371
title: Mechanically articulated doll – a man

description: Mechanically articulated doll – a man sitting on an imperial guardian lion

The National Museum in Kraków

Inventory number: MNK VI-8321/2/a-b

Time of creation: 18th century (epoque Quing, 1644–1911)

Place of creation: China

https://muzea.malopolska.pl/en/objects-list/2483

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262372
title: Mechanically articulated doll – a man

description: Mechanically articulated doll – a man sitting on an imperial guardian lion

The National Museum in Kraków

Inventory number: MNK VI-8321/2/a-b

Time of creation: 18th century (epoque Quing, 1644–1911)

Place of creation: China

https://muzea.malopolska.pl/en/objects-list/2483

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262373
title: Stradivari Violin

description: Violin based on the "Messiah" Stradivari violin. For a school project.

The mp3 was freely obtained from http://bestclassicaltunes.com/TuneDetails.aspx?TuneCode=VivaldiFourSeasonsSpringM1.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262374
title: Stradivari Violin

description: Violin based on the "Messiah" Stradivari violin. For a school project.

The mp3 was freely obtained from http://bestclassicaltunes.com/TuneDetails.aspx?TuneCode=VivaldiFourSeasonsSpringM1.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262377
title: St. Stanislaus (St. Martin of Tours?)

description: Sculpture before conservation works: https://sketchfab.com/3d-models/sculpture-st-stanislaus-8dcd995af3cd4a4bb4dbc547e08ef907

For many years it was thought that the sculpture depicts St. Stanislaus with the resurrected Komes Piotr kneeling at his feet. However, the figure of the komes is usually depicted half-naked, covered only with a shroud, whereas in this case the figure is fully dressed. Moreover, his shin is protected by a board intended to facilitate kneeling: the motif often appeared in late-Gothic depictions of beggars. Therefore, in the catalogue of the exhibition, Wokół Wita Stwosza (Around Veit Stoss), the sculpture was interpreted as the representation of St. Martin of Tours, who – due to his protective attitude towards beggars – was depicted in the company of a beggar.

Irena and Mieczysław Mazaraki Museum in Chrzanów

https://muzea.malopolska.pl/pl/lista-obiektow/184

Inventory number:
MCh-S/620

15th/16th century

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262378
title: St. Stanislaus (St. Martin of Tours?)

description: Sculpture before conservation works: https://sketchfab.com/3d-models/sculpture-st-stanislaus-8dcd995af3cd4a4bb4dbc547e08ef907

For many years it was thought that the sculpture depicts St. Stanislaus with the resurrected Komes Piotr kneeling at his feet. However, the figure of the komes is usually depicted half-naked, covered only with a shroud, whereas in this case the figure is fully dressed. Moreover, his shin is protected by a board intended to facilitate kneeling: the motif often appeared in late-Gothic depictions of beggars. Therefore, in the catalogue of the exhibition, Wokół Wita Stwosza (Around Veit Stoss), the sculpture was interpreted as the representation of St. Martin of Tours, who – due to his protective attitude towards beggars – was depicted in the company of a beggar.

Irena and Mieczysław Mazaraki Museum in Chrzanów

https://muzea.malopolska.pl/pl/lista-obiektow/184

Inventory number:
MCh-S/620

15th/16th century

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262380
title: Club (12804)

description: Wooden club - carved along its length. Handle has woven leather covering. A smudge of paint is on its top. 

https://stanford.pastperfectonline.com/webobject/AF2FB26D-5CA6-4162-8EF5-112916519510

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262379
title: Club (12804)

description: Wooden club - carved along its length. Handle has woven leather covering. A smudge of paint is on its top. 

https://stanford.pastperfectonline.com/webobject/AF2FB26D-5CA6-4162-8EF5-112916519510

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262382
title: Carved Door Ornament

description: Carved Door Ornament

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262383
title: Carved Door Ornament

description: Carved Door Ornament

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262386
title: Jánošík

description: čo som sa po internete nachódil


(CC BY-SA 3.0) https://creativecommons.org/licenses/by-sa/3.0/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262387
title: Jánošík

description: čo som sa po internete nachódil


(CC BY-SA 3.0) https://creativecommons.org/licenses/by-sa/3.0/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262390
title: Bit-pot2 - photogrammetry

description: This model Made using photogrammetry for Digital Lab of Humanity Institute of Siberian Federal University

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262391
title: Bit-pot2 - photogrammetry

description: This model Made using photogrammetry for Digital Lab of Humanity Institute of Siberian Federal University

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262392
title: 6_6 - Szomolya - Vénhegy - B7a - VI

description: Szomolya község határában a Kaptár-völgy fölött, a Vén-hegy délnyugati oldalában lévő hatalmas kúpokkal, sziklaormokkal tagolt riolittufa vonulat 8 egymástól jól elkülöníthető kaptárkőt foglal magába (B.7.a).
A VI. sziklakibúvás tulajdonképpen az elbányászott III. vonulat folytatása, de attól bányaterek választják el és közelebb is esik az V. vonulathoz, ezért kapta a VI. sorszámot. A sziklacsúcson mindössze egy fülke látható.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262393
title: 6_6 - Szomolya - Vénhegy - B7a - VI

description: Szomolya község határában a Kaptár-völgy fölött, a Vén-hegy délnyugati oldalában lévő hatalmas kúpokkal, sziklaormokkal tagolt riolittufa vonulat 8 egymástól jól elkülöníthető kaptárkőt foglal magába (B.7.a).
A VI. sziklakibúvás tulajdonképpen az elbányászott III. vonulat folytatása, de attól bányaterek választják el és közelebb is esik az V. vonulathoz, ezért kapta a VI. sorszámot. A sziklacsúcson mindössze egy fülke látható.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262394
title: Clay Dipper (2241a327)

description: **Clay dipper**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 65.8 mm; width, 42.5 mm; height, 22.1 mm.

Notes: Catalog no. 2241a327, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262395
title: Clay Dipper (2241a327)

description: **Clay dipper**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 65.8 mm; width, 42.5 mm; height, 22.1 mm.

Notes: Catalog no. 2241a327, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262400
title: Stylish Hammer

description: Low Poly stylish Hammer 
A low-poly hammer UV mapped and textured.
Designed for videogames. 
Created with blender 3D . 
The texture come in jpg format 1024x1024 size.

Formats avaible - obj,blender file 
A low poly hammer made in blender that you could use with unity or unreal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262401
title: Stylish Hammer

description: Low Poly stylish Hammer 
A low-poly hammer UV mapped and textured.
Designed for videogames. 
Created with blender 3D . 
The texture come in jpg format 1024x1024 size.

Formats avaible - obj,blender file 
A low poly hammer made in blender that you could use with unity or unreal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262404
title: 敬渝碑@松茂町春日神社

description: 1854年安政南海地震の様子が漢詩で刻まれている。
建立:1856年(安政3年)
板野郡松茂町の国道11号沿いの春日神社境内に、敬渝碑はある。
「敬渝」とは、「変をおろそかにしない」という意味がある。
石板には安政南海地震(1854年12月24日)の様子が漢詩で刻まれている。
「山は鳴り大地が揺れ、寺社や人家が多く倒れ、水が噴き出し(液状化現象)、火災も発生、津波により田や桑畑は海のようになった。恐ろしくあの世に陥るくらいの惨状である。さらに、厳しい寒さが骨身に沁み、寝具、食糧も無くて飢えていた。地震の翌日には、人々は疲れ果て、流言を流す者もいたが、被災者のために炊き出しを施す人もいた。余震は翌年になっても続いた。」などと刻まれている。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262405
title: 敬渝碑@松茂町春日神社

description: 1854年安政南海地震の様子が漢詩で刻まれている。
建立:1856年(安政3年)
板野郡松茂町の国道11号沿いの春日神社境内に、敬渝碑はある。
「敬渝」とは、「変をおろそかにしない」という意味がある。
石板には安政南海地震(1854年12月24日)の様子が漢詩で刻まれている。
「山は鳴り大地が揺れ、寺社や人家が多く倒れ、水が噴き出し(液状化現象)、火災も発生、津波により田や桑畑は海のようになった。恐ろしくあの世に陥るくらいの惨状である。さらに、厳しい寒さが骨身に沁み、寝具、食糧も無くて飢えていた。地震の翌日には、人々は疲れ果て、流言を流す者もいたが、被災者のために炊き出しを施す人もいた。余震は翌年になっても続いた。」などと刻まれている。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262407
title: LEKYTHOS - AIDONE / SICILY / ITALY

description: Restored Lekythos vessel with freeze of Heracles

This 3D Model it's a Optimized model (Triangles: 54.4k) from original (Triangles: 870.9k)

3D Model Original : https://skfb.ly/6SuFB  ( GLOBAL DIGITAL HERITAGE )

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262406
title: LEKYTHOS - AIDONE / SICILY / ITALY

description: Restored Lekythos vessel with freeze of Heracles

This 3D Model it's a Optimized model (Triangles: 54.4k) from original (Triangles: 870.9k)

3D Model Original : https://skfb.ly/6SuFB  ( GLOBAL DIGITAL HERITAGE )

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262408
title: Joanna Baillie Monument

description: Joanna Baillie Monument, Bothwell Parish Church, Bothwell, Scotland. This amazing, intricately detailed terracotta monument stands on the grounds of Bothwell Parish Church, in the outskirts of Glasgow, Scotland. All for sides decorated with framed mosaic panels, on the west side with portriture of the poetess herself.

Unfortunatelly the over 120 years old monument is slowly failing, many of the terracotta and mosaic pieces are now displaced and urgent attention and care is required to prevent it from collapsing completely.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262409
title: Joanna Baillie Monument

description: Joanna Baillie Monument, Bothwell Parish Church, Bothwell, Scotland. This amazing, intricately detailed terracotta monument stands on the grounds of Bothwell Parish Church, in the outskirts of Glasgow, Scotland. All for sides decorated with framed mosaic panels, on the west side with portriture of the poetess herself.

Unfortunatelly the over 120 years old monument is slowly failing, many of the terracotta and mosaic pieces are now displaced and urgent attention and care is required to prevent it from collapsing completely.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262410
title: The Bronze Horseman

description: The Bronze Horseman is an equestrian statue of Peter the Great in the Senate Square in Saint Petersburg, Russia. Commissioned by Catherine the Great, it was created by the French sculptor Étienne Maurice Falconet. The name comes from an 1833 poem of the same name by Aleksander Pushkin, which is widely considered one of the most significant works of Russian literature. The statue is now one of the symbols of Saint Petersburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262411
title: The Bronze Horseman

description: The Bronze Horseman is an equestrian statue of Peter the Great in the Senate Square in Saint Petersburg, Russia. Commissioned by Catherine the Great, it was created by the French sculptor Étienne Maurice Falconet. The name comes from an 1833 poem of the same name by Aleksander Pushkin, which is widely considered one of the most significant works of Russian literature. The statue is now one of the symbols of Saint Petersburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262416
title: Equinodermo Clypeaster sp.

description: **Ejemplar:* Clypeaster* sp.
**Edad:** 11,6-7,2 Tortoniense (Mioceno Superior)
**Localidad:** Murcia (España)
**Descripción:** ejemplar completo sin alteraciones tafonómicas evidentes. Morfología pentagonal con cara oral plana y aboral acampanada conservado en calcita. 
**Dimensión ejemplar:** 14 cm. longitud máxima
**Sigla museo, colección y entidad:** MGUV 11368 , colección equinodermos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 76 Mb , textura JPG 2 Mb
**Autor digitalización:** Jose A. Villena
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262417
title: Equinodermo Clypeaster sp.

description: **Ejemplar:* Clypeaster* sp.
**Edad:** 11,6-7,2 Tortoniense (Mioceno Superior)
**Localidad:** Murcia (España)
**Descripción:** ejemplar completo sin alteraciones tafonómicas evidentes. Morfología pentagonal con cara oral plana y aboral acampanada conservado en calcita. 
**Dimensión ejemplar:** 14 cm. longitud máxima
**Sigla museo, colección y entidad:** MGUV 11368 , colección equinodermos 3D, Museo de la Universidad de Valencia de Historia Natural
**Técnica digitalización / modelo:** escaneado superficial, escáner 3D Einscan Pro
**Software empleado:** einscan Pro v3.1.0.2
**Parámetros software:** modo fijo con plataforma giratoria, 8 escaneos, calidad media 
**Archivo 3D: ** Obj 76 Mb , textura JPG 2 Mb
**Autor digitalización:** Jose A. Villena
**Cita ejemplar:** modelo 3D Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262421
title: Escoural Rock Art Painting number 10

description: Discovered on an April afternoon in 1963, after an explosion of a quarry, the Escoural Cave proved to be an unavoidable site for the history of archeology in Portugal. What the cavel represents today transcends its tourist value, and assumes itself as an international reference for Paleolithic art as the westernmost point of Europe with such artistic representations of Prehistory. The cave art of the Escoural Cave fits in chronologically between 20,000 and 18,000 years a. C. In addition to the engravings, paintings depicting various figures from aurochs to equines as well as geometrical are also known. This is the 3D model of the rock art painting number 10, an equine representation, showing the head and belly of the animal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262420
title: Escoural Rock Art Painting number 10

description: Discovered on an April afternoon in 1963, after an explosion of a quarry, the Escoural Cave proved to be an unavoidable site for the history of archeology in Portugal. What the cavel represents today transcends its tourist value, and assumes itself as an international reference for Paleolithic art as the westernmost point of Europe with such artistic representations of Prehistory. The cave art of the Escoural Cave fits in chronologically between 20,000 and 18,000 years a. C. In addition to the engravings, paintings depicting various figures from aurochs to equines as well as geometrical are also known. This is the 3D model of the rock art painting number 10, an equine representation, showing the head and belly of the animal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262424
title: Parthenon marble Block XLI South Frieze

description: Marble relief (Block XLI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
The block shows two cows that are being led for sacrifice by four youths, wearing long himation cloaks. The broad, blank hide of the beasts contrasts pleasingly with the complex folds of the drapery of the youths who lead them.
For more information on the pedestrian-procession see South frieze Block XXXVI. The explosion of the Parthenon in 1687 damaged the South frieze the most.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262425
title: Parthenon marble Block XLI South Frieze

description: Marble relief (Block XLI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
The block shows two cows that are being led for sacrifice by four youths, wearing long himation cloaks. The broad, blank hide of the beasts contrasts pleasingly with the complex folds of the drapery of the youths who lead them.
For more information on the pedestrian-procession see South frieze Block XXXVI. The explosion of the Parthenon in 1687 damaged the South frieze the most.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262426
title: Historic Grave of Sailor

description: Harry Osmon, 1913, buried at Cape Fish Company (today-Cape Canaveral Air Force Station) in 1913.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10262427
title: Historic Grave of Sailor

description: Harry Osmon, 1913, buried at Cape Fish Company (today-Cape Canaveral Air Force Station) in 1913.

Source: Objaverse 1.0 / Sketchfab