cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10311014
title: O Semeador

description: The statue "O Semeador" (The Sower) designed by the Portuguese artist Franscisco Franco in 1919 and cast in Bronze in 1923 depicts the figure a sower. The statue was cast and exposed in Paris where Franco lived at the time and later trasfered to Funchal, birthplace of the artist.

Artist: Fanscisco Franco; Year: 1923; Materal: Pe. Gonçalves da Câmara, st., Funchal - Madeira Island - Portugal;

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311015
title: Kappmmesser М-1937/II (German gravity knife)

description: When operating the first model of the knife, its essential drawback was revealed - the non-separable design practically did not allow to clean the knife after contamination in the field.
This flaw was removed in the next model - "M-1937 / II" (Type II FKm), which was produced from 1941 year to the end of the war. In addition to the above companies, knives were also manufactured at the enterprises of other companies, including the company "E. A. Heibig".
The main difference of the second model is the ability to quickly disassemble the knife into its components for cleaning it or replacing the damaged blade with a new one. Moreover, to perform these operations, no special tools were required.
![M-1937/II](http://i.imgur.com/18jV3HI.png)

* [Additional screenshots](http://www.artstation.com/artwork/q9gwVP)
* [First type of knife (M-1937/I)](http://skfb.ly/opFtw)
* [English experimental knife](http://skfb.ly/opHt6)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311016
title: Kappmmesser М-1937/II (German gravity knife)

description: When operating the first model of the knife, its essential drawback was revealed - the non-separable design practically did not allow to clean the knife after contamination in the field.
This flaw was removed in the next model - "M-1937 / II" (Type II FKm), which was produced from 1941 year to the end of the war. In addition to the above companies, knives were also manufactured at the enterprises of other companies, including the company "E. A. Heibig".
The main difference of the second model is the ability to quickly disassemble the knife into its components for cleaning it or replacing the damaged blade with a new one. Moreover, to perform these operations, no special tools were required.
![M-1937/II](http://i.imgur.com/18jV3HI.png)

* [Additional screenshots](http://www.artstation.com/artwork/q9gwVP)
* [First type of knife (M-1937/I)](http://skfb.ly/opFtw)
* [English experimental knife](http://skfb.ly/opHt6)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311017
title: 77-47-T85 Stemmed End Blade, Hot Springs Village

description: Stemmed End Blade. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T85 Okada excavations HHT, Level 5A, Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311018
title: 77-47-T85 Stemmed End Blade, Hot Springs Village

description: Stemmed End Blade. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T85 Okada excavations HHT, Level 5A, Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311019
title: Chapiteau du portail de la basilique Saint-Denis

description: La basilique Saint-Denis est une église de style gothique située au centre de la ville de Saint-Denis, en Seine-Saint-Denis, à 5 kilomètres au nord de Paris. Fondée en tant qu'abbatiale, elle a le statut de cathédrale du diocèse de Saint-Denis depuis 1966.

L'ancienne abbaye royale de Saint-Denis est associée à l'histoire du monde des Francs. L'église abbatiale a été dénommée « basilique » dès l'époque mérovingienne (comme beaucoup d'autres églises). Elle s'élève sur l'emplacement d'un cimetière gallo-romain, lieu de sépulture de saint Denis martyrisé vers 250. Le transept de l'église abbatiale, d'une ampleur exceptionnelle, était destiné à accueillir les tombeaux royaux. Elle est ainsi la nécropole des rois de France depuis les Robertiens et Capétiens directs, même si plusieurs rois mérovingiens puis carolingiens avaient choisi avant eux d'y reposer.

![](https://upload.wikimedia.org/wikipedia/commons/thumb/1/13/Saint-Denis_tympan.jpg/1280px-Saint-Denis_tympan.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311020
title: Chapiteau du portail de la basilique Saint-Denis

description: La basilique Saint-Denis est une église de style gothique située au centre de la ville de Saint-Denis, en Seine-Saint-Denis, à 5 kilomètres au nord de Paris. Fondée en tant qu'abbatiale, elle a le statut de cathédrale du diocèse de Saint-Denis depuis 1966.

L'ancienne abbaye royale de Saint-Denis est associée à l'histoire du monde des Francs. L'église abbatiale a été dénommée « basilique » dès l'époque mérovingienne (comme beaucoup d'autres églises). Elle s'élève sur l'emplacement d'un cimetière gallo-romain, lieu de sépulture de saint Denis martyrisé vers 250. Le transept de l'église abbatiale, d'une ampleur exceptionnelle, était destiné à accueillir les tombeaux royaux. Elle est ainsi la nécropole des rois de France depuis les Robertiens et Capétiens directs, même si plusieurs rois mérovingiens puis carolingiens avaient choisi avant eux d'y reposer.

![](https://upload.wikimedia.org/wikipedia/commons/thumb/1/13/Saint-Denis_tympan.jpg/1280px-Saint-Denis_tympan.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311021
title: Medal Cheka (ВЧК ГПУ)

description: This is an award given to a VChK member for the honourable service during 5 years this organization existed in Russian SFSR. These are super rare and most of these are museum collectibles now

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311022
title: Medal Cheka (ВЧК ГПУ)

description: This is an award given to a VChK member for the honourable service during 5 years this organization existed in Russian SFSR. These are super rare and most of these are museum collectibles now

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311024
title: Yatesfield dig 2022 - cup-marked stone 2

description: Cup-marked stone found during excavation of supposed Iron Age/Romano-British round-house in 2021 and in second season dig on same site in August 2022 at Yatesfield, Northumberland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311023
title: Yatesfield dig 2022 - cup-marked stone 2

description: Cup-marked stone found during excavation of supposed Iron Age/Romano-British round-house in 2021 and in second season dig on same site in August 2022 at Yatesfield, Northumberland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311027
title: WW2 Japanese Midget Submarine

description: Used in the attack on Pearl Harbor. It currently resides in the National Museum of the Pacific War in Fredericksburg, Texas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311028
title: WW2 Japanese Midget Submarine

description: Used in the attack on Pearl Harbor. It currently resides in the National Museum of the Pacific War in Fredericksburg, Texas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311029
title: Nämforsen Notön G5 Ådals-Liden 193 Ång Notexture

description: N'mforsen, Notön, Hallström G5, Ådals-Liden 193, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311030
title: Nämforsen Notön G5 Ådals-Liden 193 Ång Notexture

description: N'mforsen, Notön, Hallström G5, Ådals-Liden 193, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311031
title: Ulaca's Iron Age Shrine

description: Ulaca, Amblés valley (Avila Spain), is an Iron Age oppidum with an extension of 70 ha and 3 km wall. It's one of the largest fortified settlement in the Iberian Penninsula having its heyday between the III B.C and 50 A.D The most prominent monuments within the oppidum are the sauna and "the sacrifice altar". A rectangular shape rock, 16x8 m, with a double stair and a system of intercommunicated concavities. The function of this structure has been deduced from latin inscriptions of the Panoias Altar (Vila Real, Portugal) wich testify the sacrifice of animals. The altar is aligned with the surroundig picks like Risco del Sol, coinciding the slope of the exterior stairs with the winter solstice.

Pérez Gutiérrez, M. 2009. Astronomía y Geometría en la Vettonia. Complutum 20(2): 141-164.
Álvarez-Sanchis, J. Marín, C. Falquina, A. Ruiz-Zapatero, G. 2008. El oppidum vettón de Ulaca (Solosancho, Ávila) y su necrópolis. En Arqueología Vettona en la Meseta Ociidental en la Edad del Hierro. Zona Arqueológica 12: 338-361

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311032
title: Ulaca's Iron Age Shrine

description: Ulaca, Amblés valley (Avila Spain), is an Iron Age oppidum with an extension of 70 ha and 3 km wall. It's one of the largest fortified settlement in the Iberian Penninsula having its heyday between the III B.C and 50 A.D The most prominent monuments within the oppidum are the sauna and "the sacrifice altar". A rectangular shape rock, 16x8 m, with a double stair and a system of intercommunicated concavities. The function of this structure has been deduced from latin inscriptions of the Panoias Altar (Vila Real, Portugal) wich testify the sacrifice of animals. The altar is aligned with the surroundig picks like Risco del Sol, coinciding the slope of the exterior stairs with the winter solstice.

Pérez Gutiérrez, M. 2009. Astronomía y Geometría en la Vettonia. Complutum 20(2): 141-164.
Álvarez-Sanchis, J. Marín, C. Falquina, A. Ruiz-Zapatero, G. 2008. El oppidum vettón de Ulaca (Solosancho, Ávila) y su necrópolis. En Arqueología Vettona en la Meseta Ociidental en la Edad del Hierro. Zona Arqueológica 12: 338-361

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311033
title: ROMAN PAVEMENT OPUS SIGNINUM - TARRACO

description: Roman pavement of opus signinum and white marble. 1st century B.C. - 1st century A.D. Pavement with the welcome inscription AVE SALVE inscribed with white marble tiles. It must have been part of the threshold of the door of some domus (house) of Tarraco.

**This 3D Model it's a Optimized model (Triangles: 28.5k) from original (Triangles: 998.1k)**

3D Model Original : https://skfb.ly/6StqO  (GLOBAL DIGITAL HERITAGE)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311034
title: ROMAN PAVEMENT OPUS SIGNINUM - TARRACO

description: Roman pavement of opus signinum and white marble. 1st century B.C. - 1st century A.D. Pavement with the welcome inscription AVE SALVE inscribed with white marble tiles. It must have been part of the threshold of the door of some domus (house) of Tarraco.

**This 3D Model it's a Optimized model (Triangles: 28.5k) from original (Triangles: 998.1k)**

3D Model Original : https://skfb.ly/6StqO  (GLOBAL DIGITAL HERITAGE)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311036
title: Petroglyph N16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph N16 Khatm Al Melaha, Kalba, Sharjah. One gazelle and one anthropomorphic figure. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311037
title: Shield

description: Simple metal shield with wooden middle part and scratched painting over it. I did this for my webgl experiments with couple of JS frameworks.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311035
title: Petroglyph N16 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph N16 Khatm Al Melaha, Kalba, Sharjah. One gazelle and one anthropomorphic figure. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311038
title: Shield

description: Simple metal shield with wooden middle part and scratched painting over it. I did this for my webgl experiments with couple of JS frameworks.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311039
title: Surface, Group 6, La Sufricaya

description: Surface collection near looters' trenches

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311040
title: Surface, Group 6, La Sufricaya

description: Surface collection near looters' trenches

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311042
title: Vintage Tricycle ( LOW-POLY)

description: vintage tricycle "Ветерок" of the 1960s produced in the USSR.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311041
title: Vintage Tricycle ( LOW-POLY)

description: vintage tricycle "Ветерок" of the 1960s produced in the USSR.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311043
title: ROI046-079-01

description: Lost Lake Point collected in Rush County, Indiana.

Catalog # 12-Ru-307-5

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Mary Swartz, and Kevin C. Nolan, 2020. ROI046-079-01, 3D Model .ply file. Recovered as part of Report of Investigations 46, *Rush County, Indiana, Predicting the Potential for Surface and Subsurface Archaeological Sites*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311044
title: ROI046-079-01

description: Lost Lake Point collected in Rush County, Indiana.

Catalog # 12-Ru-307-5

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, Mary Swartz, and Kevin C. Nolan, 2020. ROI046-079-01, 3D Model .ply file. Recovered as part of Report of Investigations 46, *Rush County, Indiana, Predicting the Potential for Surface and Subsurface Archaeological Sites*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311045
title: FR101, Middle Woodland, Gibson Point

description: Gibson Point

Middle Woodland

Catalog #: P630

Uploaded by Gwyneth Harris

Suggested Data Citation: Thompson, Christine, Erin Powers, Gwyneth Harris, and Kevin C. Nolan, 2021. FRHS_FR101, 3D Model .ply file. Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311046
title: FR101, Middle Woodland, Gibson Point

description: Gibson Point

Middle Woodland

Catalog #: P630

Uploaded by Gwyneth Harris

Suggested Data Citation: Thompson, Christine, Erin Powers, Gwyneth Harris, and Kevin C. Nolan, 2021. FRHS_FR101, 3D Model .ply file. Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311047
title: Artificial Trophy

description: Statement necklace "ARTIFICIAL TROPHY".  Necklace is made out of plastic-graphite alloy, gold-plated (18k), iron, silver (925). ***Original texture in this scan is not included.***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311048
title: Artificial Trophy

description: Statement necklace "ARTIFICIAL TROPHY".  Necklace is made out of plastic-graphite alloy, gold-plated (18k), iron, silver (925). ***Original texture in this scan is not included.***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311049
title: Apollo 11 Lunar Extravehicular Gloves

description: The gloves had a protective outer shell of metal Chromel-R fabrie with thermal insulation. The blue silicone rubber fingertips provided sensitivity. The inner glove has a rubber pressure layer with a built-in restraint system. The gloves attached to the spacesuits in the same way as gloves used inside the spacecraft.  Neil Armstrong is one of those who wore this glove. See the links below for more information.
https://airandspace.si.edu/collection-objects/glove-right-a7-l-extravehicular-apollo-11-armstrong-flown/nasm_A19730040003
https://airandspace.si.edu/stories/editorial/neil-armstrongs-apollo-11-extravehicular-gloves-and-visor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311050
title: Apollo 11 Lunar Extravehicular Gloves

description: The gloves had a protective outer shell of metal Chromel-R fabrie with thermal insulation. The blue silicone rubber fingertips provided sensitivity. The inner glove has a rubber pressure layer with a built-in restraint system. The gloves attached to the spacesuits in the same way as gloves used inside the spacecraft.  Neil Armstrong is one of those who wore this glove. See the links below for more information.
https://airandspace.si.edu/collection-objects/glove-right-a7-l-extravehicular-apollo-11-armstrong-flown/nasm_A19730040003
https://airandspace.si.edu/stories/editorial/neil-armstrongs-apollo-11-extravehicular-gloves-and-visor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311051
title: Mainz um 800, H2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311052
title: Mainz um 800, H2

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311053
title: Trukšānu pilskalni

description: Trukšānu pilskalnu 3D modelis. Koordinātas: 56.54166, 27.85805 un 56.54222, 27.85444

* https://www.latvijas-pilskalni.lv/truksanu-pilskalns-1/
* https://www.latvijas-pilskalni.lv/truksanu-pilskalns-2/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311054
title: Trukšānu pilskalni

description: Trukšānu pilskalnu 3D modelis. Koordinātas: 56.54166, 27.85805 un 56.54222, 27.85444

* https://www.latvijas-pilskalni.lv/truksanu-pilskalns-1/
* https://www.latvijas-pilskalni.lv/truksanu-pilskalns-2/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311055
title: Low Poly Coin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311056
title: Low Poly Coin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311057
title: Burgundy, la Tour de Bassy.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311058
title: Burgundy, la Tour de Bassy.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311059
title: Manasija (Resava) Monastery

description: Manasija (Serbian pronunciation: [manǎsija]), also known as Resava ([rɛ̌saʋa]) (Serbian Cyrillic: Манасија, Ресава), is a Serbian Orthodox monastery near Despotovac, Serbia, founded by Despot Stefan Lazarević between 1406[1] and 1418. The church is dedicated to the Holy Trinity.  Manasija complex was declared Monument of Culture of Exceptional Importance in 1979, and it is protected by Republic of Serbia, and monastery have entered a UNESCO Tentative List Process in 2010.

I created the model with Agisoft Photoscan trial using a drone video. Fixes of the geometry and texture map were done in ZBrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311060
title: Manasija (Resava) Monastery

description: Manasija (Serbian pronunciation: [manǎsija]), also known as Resava ([rɛ̌saʋa]) (Serbian Cyrillic: Манасија, Ресава), is a Serbian Orthodox monastery near Despotovac, Serbia, founded by Despot Stefan Lazarević between 1406[1] and 1418. The church is dedicated to the Holy Trinity.  Manasija complex was declared Monument of Culture of Exceptional Importance in 1979, and it is protected by Republic of Serbia, and monastery have entered a UNESCO Tentative List Process in 2010.

I created the model with Agisoft Photoscan trial using a drone video. Fixes of the geometry and texture map were done in ZBrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10311062
title: Museo Virtual - Producción de Sal

description: Se presenta una serie de contextos arqueológicos relacionados a la producción de sal en la época prehispánica en el pacifico de Nicaragua. Estos datos corresponde a los estudios que se realizaron en el año 2016 en el área de Brito del departamento de Rivas, siendo parte de los estudios de pre construcción del gran canal Interoceánico de Nicaragua. El informe oficial de las intervenciones arqueológicas se halla en la pagina de HKND, en este museo virtual se presenta una generalidad de los hallazgos mas relevantes. se presentan cuatro salas de exposición de las cuales se halla información del proyecto y de los tres sondeos donde se hallaron hornos de secado y áreas de combustión para la salmuera.
 
Se han incorporado otros objetos a las escenas para ambientar las salas de exposición, los cuadros de pinturas corresponde a la autoría de Koshiro Kawabata, quien permitió que se incorporaran a las escenas.

Otros objetos incorporados se obtuvieron mediante su descarga en la plataforma de sketchfab (cam, exting,agua)

Source: Objaverse 1.0 / Sketchfab