cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10367063
title: Club, Whale Rib, XCB-105-4136

description: Club, Whale Rib, XCB-105-4136. 400 BCE-100 CE. 

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE. 

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367064
title: Club, Whale Rib, XCB-105-4136

description: Club, Whale Rib, XCB-105-4136. 400 BCE-100 CE. 

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE. 

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367065
title: Aribalo de cerámica Estilo Inca

description: Horizonte Tardío (1,476 d.C. -1532 d.C.) Repatriado de Estados Unidos, el año 2021.
Devolución voluntaria Theodore Clattenburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367066
title: Aribalo de cerámica Estilo Inca

description: Horizonte Tardío (1,476 d.C. -1532 d.C.) Repatriado de Estados Unidos, el año 2021.
Devolución voluntaria Theodore Clattenburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367067
title: Orlando-r

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367068
title: Orlando-r

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367069
title: Inscripciones romanas de la Basílica de Valencia

description: En 1662, durante los  trabajos de construcción de la Basílica de la Virgen de los Desamparados (Valencia, España), aparecieron una serie de aras y pedestales con inscripciones latinas que enseguida se pusieron en relación con la ubicación del foro de la antigua ciudad romana de Valentia, cuyos restos pueden hoy visitarse en el cercano Centro Arqueológico de l'Almoina.  Estos podios epigráficos fueron reutilizados en la obra y desde entonces se exponen integrados en el zócalo de la fachada principal del edificio. Su degradación y algunos episodios de vandalismo han merecido al fin una reciente intervención de limpieza y consolidación.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367070
title: Inscripciones romanas de la Basílica de Valencia

description: En 1662, durante los  trabajos de construcción de la Basílica de la Virgen de los Desamparados (Valencia, España), aparecieron una serie de aras y pedestales con inscripciones latinas que enseguida se pusieron en relación con la ubicación del foro de la antigua ciudad romana de Valentia, cuyos restos pueden hoy visitarse en el cercano Centro Arqueológico de l'Almoina.  Estos podios epigráficos fueron reutilizados en la obra y desde entonces se exponen integrados en el zócalo de la fachada principal del edificio. Su degradación y algunos episodios de vandalismo han merecido al fin una reciente intervención de limpieza y consolidación.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367073
title: Kastra Martis

description: This half-destroyed sixteen-foot tower rises in the center of the city, from where it seems to have been watching over the village since Roman times. It is part of the ancient fortress Castra Martis and keeps the secrets of time and the people who lived there for more than 1700 years. It also gave the city the name of Kula. If the stones from which the fortress was built could speak, they would tell about the Romans, the Avars, the Huns, the Bulgarians and the Turks.
As early as the 1st century, the Romans, ruled by Justinian I, began to build their Danube border to defend themselves from the raids of the Slavs. The fortress that has risen proudly in this place was called Castra Martis or translated from Latin, The Towers of Mars. Thus, the Romans in plain text told the enemy that the towers of this key fortress were guarded by the very god of war - Mars.
Its main role was to be the guardian of the Vrashka Chuka Pass, as there was an important Roman road between Belgrade and Vidin.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367074
title: Kastra Martis

description: This half-destroyed sixteen-foot tower rises in the center of the city, from where it seems to have been watching over the village since Roman times. It is part of the ancient fortress Castra Martis and keeps the secrets of time and the people who lived there for more than 1700 years. It also gave the city the name of Kula. If the stones from which the fortress was built could speak, they would tell about the Romans, the Avars, the Huns, the Bulgarians and the Turks.
As early as the 1st century, the Romans, ruled by Justinian I, began to build their Danube border to defend themselves from the raids of the Slavs. The fortress that has risen proudly in this place was called Castra Martis or translated from Latin, The Towers of Mars. Thus, the Romans in plain text told the enemy that the towers of this key fortress were guarded by the very god of war - Mars.
Its main role was to be the guardian of the Vrashka Chuka Pass, as there was an important Roman road between Belgrade and Vidin.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367075
title: Head from an image of Vishnu, Early 9th CE

description: Head from an image of Vishnu, Early 9th CE, now in the collection of the Minneapolis Institute of Art.

From the object's description on [artsmia.org](www.artsmia.org):

*This powerfully carved head reflects the concept of the God-King (Deva-Raja), a system of statecraft that originated in India but was taken to new heights during the Khmer Empire (802–1437 CE). Despite being consecrated under the protection of the Hindu deity Shiva, the Khmer identified most closely with Vishnu, preserver of universal order...In a fragment such as this, which is missing bodily attributes such as multiple arms, it is difficult to distinguish between divine human and god. In keeping with the period's style, crisply detailed hair frames a face of steely perfection, with a detached yet eternal smile and an inner benevolence radiating from faintly chiseled eyes.*

More information [here](https://collections.artsmia.org/art/1752/head-from-an-image-of-vishnu-or-a-deified-king-khmer)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367076
title: Head from an image of Vishnu, Early 9th CE

description: Head from an image of Vishnu, Early 9th CE, now in the collection of the Minneapolis Institute of Art.

From the object's description on [artsmia.org](www.artsmia.org):

*This powerfully carved head reflects the concept of the God-King (Deva-Raja), a system of statecraft that originated in India but was taken to new heights during the Khmer Empire (802–1437 CE). Despite being consecrated under the protection of the Hindu deity Shiva, the Khmer identified most closely with Vishnu, preserver of universal order...In a fragment such as this, which is missing bodily attributes such as multiple arms, it is difficult to distinguish between divine human and god. In keeping with the period's style, crisply detailed hair frames a face of steely perfection, with a detached yet eternal smile and an inner benevolence radiating from faintly chiseled eyes.*

More information [here](https://collections.artsmia.org/art/1752/head-from-an-image-of-vishnu-or-a-deified-king-khmer)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367077
title: Le Mineur

description: Statue du mineur à Carmaux (Tarn) France,  dédié aux victimes du travail

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367078
title: Le Mineur

description: Statue du mineur à Carmaux (Tarn) France,  dédié aux victimes du travail

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367081
title: Wooden Explorer Sculpture

description: Photogrammetry wooden explorer sculpture captured in Dawyck Botanic Gardens.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367082
title: Wooden Explorer Sculpture

description: Photogrammetry wooden explorer sculpture captured in Dawyck Botanic Gardens.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367083
title: Brown Dog Fountain Replacement

description: A replacement monument for the Brown Dog Drinking Fountain in Battersea Park, London.

"...1906. The sufferings of
Brown Dog at the hands of vivisectors
generated much protest and mass
demonstrations. It represented the revulsion
of the people of London to vivisection and
animal experimentation."

http://www.mdfcta.co.uk/details-f/f238.html

235 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367084
title: Brown Dog Fountain Replacement

description: A replacement monument for the Brown Dog Drinking Fountain in Battersea Park, London.

"...1906. The sufferings of
Brown Dog at the hands of vivisectors
generated much protest and mass
demonstrations. It represented the revulsion
of the people of London to vivisection and
animal experimentation."

http://www.mdfcta.co.uk/details-f/f238.html

235 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367085
title: Puerta (1) Monasterio Santa Catalina, Tenerife.

description: Puerta perteneciente al Monasterio de Santa Clara de Siena (siglo XVII) situado en la Plaza del Adelantado en La Laguna, Tenerife. Estas puertas están realizadas en madera tallada, y enmarcadas por arcos realizados en cantería. Al igual que el convento su tipología sigue el esquema de la arquitectura de la época.

This door belongs to the Monastery of Santa Clara de Siena (XVII century) located in the Plaza del Adelantado in La Laguna, Tenerife. This door is made of carved wood, and framed by arches made of stonework.

https://goo.gl/maps/5rBsLpkUTmC2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367086
title: Puerta (1) Monasterio Santa Catalina, Tenerife.

description: Puerta perteneciente al Monasterio de Santa Clara de Siena (siglo XVII) situado en la Plaza del Adelantado en La Laguna, Tenerife. Estas puertas están realizadas en madera tallada, y enmarcadas por arcos realizados en cantería. Al igual que el convento su tipología sigue el esquema de la arquitectura de la época.

This door belongs to the Monastery of Santa Clara de Siena (XVII century) located in the Plaza del Adelantado in La Laguna, Tenerife. This door is made of carved wood, and framed by arches made of stonework.

https://goo.gl/maps/5rBsLpkUTmC2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367087
title: Pocket Watch

description: A time circle. A circle boy, now you will never be early nor late ever again... only on time

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367088
title: Pocket Watch

description: A time circle. A circle boy, now you will never be early nor late ever again... only on time

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367089
title: Rendas pilskalns

description: Rendas pilskalna 3D modelis. Koordinātas: 57.070955, 22.299717

https://www.latvijas-pilskalni.lv/rendas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367090
title: Rendas pilskalns

description: Rendas pilskalna 3D modelis. Koordinātas: 57.070955, 22.299717

https://www.latvijas-pilskalni.lv/rendas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367091
title: Автор Михеев Никита, 11 лет

description: Памятник: в память о всех, кто работал в «Красной зоне».
Меня зовут Никита Михеев, мне 11 лет. Я решил, что символом малой Родины, это новый памятник всем, кто работал в «Красной зоне» и боролся с COVID-19. Поскольку это довольно важный момент в моей жизни и в жизни, людей, которые сейчас живут в это время.
Поставят его в парке Интернационалистов, а называется: в память о всех, кто работал в «Красной зоне».

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367092
title: Автор Михеев Никита, 11 лет

description: Памятник: в память о всех, кто работал в «Красной зоне».
Меня зовут Никита Михеев, мне 11 лет. Я решил, что символом малой Родины, это новый памятник всем, кто работал в «Красной зоне» и боролся с COVID-19. Поскольку это довольно важный момент в моей жизни и в жизни, людей, которые сейчас живут в это время.
Поставят его в парке Интернационалистов, а называется: в память о всех, кто работал в «Красной зоне».

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367094
title: Jan Matejko's oval palette

description: ID no.: MNK-IX-3861

 Museum: The National Museum in Kraków 

https://muzea.malopolska.pl/en/objects-list/181

Object copyright: The National Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367095
title: Jan Matejko's oval palette

description: ID no.: MNK-IX-3861

 Museum: The National Museum in Kraków 

https://muzea.malopolska.pl/en/objects-list/181

Object copyright: The National Museum in Kraków

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367099
title: ROI012-033-01

description: Projectile point collected in Delaware County, Indiana.

Catalog#: 12-Dl-171-20

Uploaded by: Sherlyn Contreras

Thompson, Christine, Gwyn Harris, Jarod	Heuer, and Kevin C. Nolan, 2021. ROI012-033-01, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, with sections by Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367098
title: ROI012-033-01

description: Projectile point collected in Delaware County, Indiana.

Catalog#: 12-Dl-171-20

Uploaded by: Sherlyn Contreras

Thompson, Christine, Gwyn Harris, Jarod	Heuer, and Kevin C. Nolan, 2021. ROI012-033-01, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, with sections by Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367102
title: Ornithoptera Cassandra

description: Made from [an illustrated plate](https://www.flickr.com/photos/61021753@N02/7704037638/) from _[Icones ornithopterorum : a monograph of the Papilionine tribe Troides of Hubner, or Ornithoptera [bird-wing butterflies] of Boisduval](https://www.biodiversitylibrary.org/bibliography/60897#/summary)_ by Robert H. F. Rippon from [Smithsonian Libraries](https://library.si.edu) via the [https://www.biodiversitylibrary.org/](https://www.biodiversitylibrary.org/)

Modelled and animated in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367103
title: Ornithoptera Cassandra

description: Made from [an illustrated plate](https://www.flickr.com/photos/61021753@N02/7704037638/) from _[Icones ornithopterorum : a monograph of the Papilionine tribe Troides of Hubner, or Ornithoptera [bird-wing butterflies] of Boisduval](https://www.biodiversitylibrary.org/bibliography/60897#/summary)_ by Robert H. F. Rippon from [Smithsonian Libraries](https://library.si.edu) via the [https://www.biodiversitylibrary.org/](https://www.biodiversitylibrary.org/)

Modelled and animated in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367104
title: Stone cylindrical seal, circa 1700 BCE

description: Stone cylindrical seal created in Amlash (Iran),  circa 1700 BCE

3D model created in collaboration with the Witmer Lab

Ohio University Libraries Mahn Center for Archives and Special Collections Ohio University

Pages from the Past: A Collection of Original Leaves from Rare Books and Manuscripts (catalog record) This set was compiled by The Foliophiles, Inc., a now-defunct New York association of rare book dealers also known as the Society of Foliophiles Many American universities purchased these portfolios as teaching tools in order to illustrate the evolution of manuscript and letterpress printing traditions Pages from the Past contains examples of both manuscript and printed leaves https://media.library.ohio.edu/digital/collection/p15808coll19/search/searchterm/Pages%20from%20the%20past/field/collec/mode/exact/conn/and/order/creati/ad/asc

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367105
title: Stone cylindrical seal, circa 1700 BCE

description: Stone cylindrical seal created in Amlash (Iran),  circa 1700 BCE

3D model created in collaboration with the Witmer Lab

Ohio University Libraries Mahn Center for Archives and Special Collections Ohio University

Pages from the Past: A Collection of Original Leaves from Rare Books and Manuscripts (catalog record) This set was compiled by The Foliophiles, Inc., a now-defunct New York association of rare book dealers also known as the Society of Foliophiles Many American universities purchased these portfolios as teaching tools in order to illustrate the evolution of manuscript and letterpress printing traditions Pages from the Past contains examples of both manuscript and printed leaves https://media.library.ohio.edu/digital/collection/p15808coll19/search/searchterm/Pages%20from%20the%20past/field/collec/mode/exact/conn/and/order/creati/ad/asc

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367106
title: Mask

description: Collection and item number: Donald and Olive Kessler Collection, #69
Origin: Liberia, West Africa, c. 1961
Size: 9"H x 5 1/2"W x 2 1/4"D
Media: Wood and pigment

This item was 3D scanned using a [Creaform Go Scan 50.](https://onlineresourcesinc.com/products/academia-50/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367107
title: Mask

description: Collection and item number: Donald and Olive Kessler Collection, #69
Origin: Liberia, West Africa, c. 1961
Size: 9"H x 5 1/2"W x 2 1/4"D
Media: Wood and pigment

This item was 3D scanned using a [Creaform Go Scan 50.](https://onlineresourcesinc.com/products/academia-50/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367109
title: Wmid-c4c63b - Medieval buckle strap plate

description: An incomplete copper alloy strap plate or strap end of the Medieval period, dating from c. AD 1200 - c. AD 1500.

Around 50% of the plate is present, consisting an incomplete folded sheet of copper alloy metal. Neither top or bottom plate are complete, the only original edge is the fold. There is no pin slot, nor has it been recessed for the buckle frame. One attachment rivet hole is present, just below the folded edge. It has an internal diameter of 1.3 mm. No decoration is present on either surface.

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1071100

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367110
title: Wmid-c4c63b - Medieval buckle strap plate

description: An incomplete copper alloy strap plate or strap end of the Medieval period, dating from c. AD 1200 - c. AD 1500.

Around 50% of the plate is present, consisting an incomplete folded sheet of copper alloy metal. Neither top or bottom plate are complete, the only original edge is the fold. There is no pin slot, nor has it been recessed for the buckle frame. One attachment rivet hole is present, just below the folded edge. It has an internal diameter of 1.3 mm. No decoration is present on either surface.

For more information, please visit the online database record available at: https://finds.org.uk/database/artefacts/record/id/1071100

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367111
title: Khirbat al-Jariya, Area B (Before Excavation)

description: This model shows Area B at Khirbat al-Jariya, before excavation. Thousands of years of collapse and windblown sediment have left only a sizable pile of stones and sediment. However, excavation in this area would eventually reveal a large, 7.5x7.5 m structure, where elites at the site would have controlled the production of copper at the site and dined from fineware ceramics.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367112
title: Khirbat al-Jariya, Area B (Before Excavation)

description: This model shows Area B at Khirbat al-Jariya, before excavation. Thousands of years of collapse and windblown sediment have left only a sizable pile of stones and sediment. However, excavation in this area would eventually reveal a large, 7.5x7.5 m structure, where elites at the site would have controlled the production of copper at the site and dined from fineware ceramics.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367113
title: INSCRIPCIÓN DEL CLAUSTRO DE RODA. SALA CAPITULAR

description: INSCRIPCIÓN DE MIRO EN EL CLAUSTRO. Esta inscripción nos informa de la muerte, el 28 de Junio (IIII K(a)L(endas) IVLII), de un canónigo llamado MIRO. Así, todos los años en esa fecha, los canónigos de la Catedral rezarán por el alma del Canónigo Miro, mientras deambulan por el claustro. Escrito con letra mayúscula gótica sobre un marco inciso. Ubicación: Inscripción cuarta de la segunda arcada en la Sala Capitular del Claustro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367114
title: INSCRIPCIÓN DEL CLAUSTRO DE RODA. SALA CAPITULAR

description: INSCRIPCIÓN DE MIRO EN EL CLAUSTRO. Esta inscripción nos informa de la muerte, el 28 de Junio (IIII K(a)L(endas) IVLII), de un canónigo llamado MIRO. Así, todos los años en esa fecha, los canónigos de la Catedral rezarán por el alma del Canónigo Miro, mientras deambulan por el claustro. Escrito con letra mayúscula gótica sobre un marco inciso. Ubicación: Inscripción cuarta de la segunda arcada en la Sala Capitular del Claustro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367115
title: Plate Piece Artifact

description: I 3D scanned this

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367116
title: Plate Piece Artifact

description: I 3D scanned this

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367119
title: Kakarviešu pilskalns

description: Kakarviešu pilskalna 3D modelis. Koordinātas: 56.636868, 27.156239

https://www.latvijas-pilskalni.lv/kakarviesu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367120
title: Kakarviešu pilskalns

description: Kakarviešu pilskalna 3D modelis. Koordinātas: 56.636868, 27.156239

https://www.latvijas-pilskalni.lv/kakarviesu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10367121
title: Crinoid

description: Species: unknown

Collected from the Kaibab Limestone in Grand Canyon National Park.

This fossil is in the collections at Grand Canyon National Park, Arizona. Learn about paleontology in the National Park Service: https://www.nps.gov/subjects/fossils/index.htm

Learn more about Grand Canyon National Park's Centennial: https://www.nps.gov/grca/getinvolved/centennial.htm

Source: Objaverse 1.0 / Sketchfab