cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10339579
title: B9198 - Cruce de lemn pictată - fragment

description: **B9198 Cruce de lemn pictată** Lemn, pictat policrom. Conține scene biblice pictate policrom: Botezul Domnului, respectiv Răstignirea Domnului. Ambele fațete prezintă sipet și elemente decorative în relief. Culori folosite: portocaliu, verde, maro, crem.

**B9198 Wooden paintedcross** Wood, polychrome painted. It contains polychrome painted biblical scenes: The Baptism of the Lord and the Crucifixion of the Lord. Both facets have a sippet and embossed decorative elements. Colors used: orange, green, brown, cream.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339580
title: B9198 - Cruce de lemn pictată - fragment

description: **B9198 Cruce de lemn pictată** Lemn, pictat policrom. Conține scene biblice pictate policrom: Botezul Domnului, respectiv Răstignirea Domnului. Ambele fațete prezintă sipet și elemente decorative în relief. Culori folosite: portocaliu, verde, maro, crem.

**B9198 Wooden paintedcross** Wood, polychrome painted. It contains polychrome painted biblical scenes: The Baptism of the Lord and the Crucifixion of the Lord. Both facets have a sippet and embossed decorative elements. Colors used: orange, green, brown, cream.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339581
title: Stonework Christchurch Priory - Polycam

description: Trying out iphone lidar capture apps, this is Polycam. Compare with [this version](https://skfb.ly/ottyK) made with Scaniverse.

[Location](https://www.google.com/maps/@50.7322748,-1.7748005,2a,41.8y,229.6h,85.72t/data=!3m6!1e1!3m4!1sOAqFpsaAOkbAt3A58Ee1yw!2e0!7i13312!8i6656) | [About the priory](https://www.christchurchpriory.org/fabric-history/brief-history)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339582
title: Stonework Christchurch Priory - Polycam

description: Trying out iphone lidar capture apps, this is Polycam. Compare with [this version](https://skfb.ly/ottyK) made with Scaniverse.

[Location](https://www.google.com/maps/@50.7322748,-1.7748005,2a,41.8y,229.6h,85.72t/data=!3m6!1e1!3m4!1sOAqFpsaAOkbAt3A58Ee1yw!2e0!7i13312!8i6656) | [About the priory](https://www.christchurchpriory.org/fabric-history/brief-history)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339585
title: Etruscan miniature bowl

description: "Etruscan miniature bowl from the Castello Banfi Collection

Miniature bowl. Orange clay. Form commonly attested both in fine and coarse wares. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 169. Bischeri 2022: n. cat. 224.  

Processed in Reality Capture from 388 images. GDH ID  C5_169 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339586
title: Etruscan miniature bowl

description: "Etruscan miniature bowl from the Castello Banfi Collection

Miniature bowl. Orange clay. Form commonly attested both in fine and coarse wares. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 169. Bischeri 2022: n. cat. 224.  

Processed in Reality Capture from 388 images. GDH ID  C5_169 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339587
title: Jesus Christ and the Cross – conservation

description: Jesus Christ and The Cross with some extra wood and ropes support, conservation of heritage protected public art statue sculpture object

The table reads:
"Vater, ich befehle meinen Geist in deine Hände" 
"Father, into your hands I commend my spirit" (Lk 23:46).
Reminder of the german history of this region.

Artist unknown, 19th century @ Varvazov - Czechia, village main square
 • https://goo.gl/maps/JQpxPBnxBJVRxTUV8  Oct 23 2020

Raw Photogrammetry scan - created in RealityCapture by Capturing Reality from 130 images in 00h:40m:11s.
(Nikon D600 + Phantom 4; AMD 3600 + GTX 1060 ~ High Detail before simplified for this contest)


#CultureScanningChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339588
title: Jesus Christ and the Cross – conservation

description: Jesus Christ and The Cross with some extra wood and ropes support, conservation of heritage protected public art statue sculpture object

The table reads:
"Vater, ich befehle meinen Geist in deine Hände" 
"Father, into your hands I commend my spirit" (Lk 23:46).
Reminder of the german history of this region.

Artist unknown, 19th century @ Varvazov - Czechia, village main square
 • https://goo.gl/maps/JQpxPBnxBJVRxTUV8  Oct 23 2020

Raw Photogrammetry scan - created in RealityCapture by Capturing Reality from 130 images in 00h:40m:11s.
(Nikon D600 + Phantom 4; AMD 3600 + GTX 1060 ~ High Detail before simplified for this contest)


#CultureScanningChallenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339591
title: Musician - Cuixá Tribune - MET

description: Relief from the benedictine monastery of Saint-Michel-de-Cuxa, near Perpignan, France, (ca. 1130-1140). [The Cloisters Collection, 1925. MET, New York.](https://www.metmuseum.org/toah/works-of-art/25.120.398-.954/)

Highpoly model, ready for 3D printing. [Don't miss this recent reconstruction of the original tribune where the element belonged.](https://www.youtube.com/watch?v=KKSWnnC4oUM)

![](https://i.ibb.co/pKvsM5D/tribuna-Cuixa.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339592
title: Musician - Cuixá Tribune - MET

description: Relief from the benedictine monastery of Saint-Michel-de-Cuxa, near Perpignan, France, (ca. 1130-1140). [The Cloisters Collection, 1925. MET, New York.](https://www.metmuseum.org/toah/works-of-art/25.120.398-.954/)

Highpoly model, ready for 3D printing. [Don't miss this recent reconstruction of the original tribune where the element belonged.](https://www.youtube.com/watch?v=KKSWnnC4oUM)

![](https://i.ibb.co/pKvsM5D/tribuna-Cuixa.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339593
title: Sniff Tobacco Bottle

description: "***...It is insane when thinking about how much gramms of this snuff tobacco we took on the mine floor."*** - This is a quote of a former Dutch miner. 

As this quote indicates, seeing a miner sniffing some snuff tobacco was a common scene within the mines. Moreover, snuff tobacco was especially handy, since usual cigarettes were striclty forbidden within the mines, due to explosion danger. Therefore, these smoke-free tobacco products, which were sniffed as a pulver from the back of the hand, were quite popular among miners. 

The name of the brand is printed on the bottle: **Pöschl Schmalzer**. 
     What is behind this name? The German brand Pöschl Tabak GmbH was founded in 1902 and is worldwide the largest snuff tobacco company. Its products, bottles and equipments are quite often in German and Dutch mining museums to be found, due to their uniqueness and their historical value.

Last but not least, it has to be mentioned that Schmalzer is a Bavarian speciality which is originally made of brasil tobaccos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339594
title: Sniff Tobacco Bottle

description: "***...It is insane when thinking about how much gramms of this snuff tobacco we took on the mine floor."*** - This is a quote of a former Dutch miner. 

As this quote indicates, seeing a miner sniffing some snuff tobacco was a common scene within the mines. Moreover, snuff tobacco was especially handy, since usual cigarettes were striclty forbidden within the mines, due to explosion danger. Therefore, these smoke-free tobacco products, which were sniffed as a pulver from the back of the hand, were quite popular among miners. 

The name of the brand is printed on the bottle: **Pöschl Schmalzer**. 
     What is behind this name? The German brand Pöschl Tabak GmbH was founded in 1902 and is worldwide the largest snuff tobacco company. Its products, bottles and equipments are quite often in German and Dutch mining museums to be found, due to their uniqueness and their historical value.

Last but not least, it has to be mentioned that Schmalzer is a Bavarian speciality which is originally made of brasil tobaccos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339596
title: St Mary Magdalen Churchyard Stele And Chest Tomb

description: "DEDICATION STELE.  This records the assumption of responsibility for the care of the churchyard by the Vestry of Bermondsey in 1882.
HARRISON FAMILY CHEST TOMB. An Egyptian-styled tomb chest, 1851, in limestone, with badly weathered inscription."
http://stmarysbermondsey.org.uk/the-churchyard-memorials/

Located at the west side of St Mary Magdalen Churchyard, Bermondsey, London.

246 photos taken in September 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339597
title: St Mary Magdalen Churchyard Stele And Chest Tomb

description: "DEDICATION STELE.  This records the assumption of responsibility for the care of the churchyard by the Vestry of Bermondsey in 1882.
HARRISON FAMILY CHEST TOMB. An Egyptian-styled tomb chest, 1851, in limestone, with badly weathered inscription."
http://stmarysbermondsey.org.uk/the-churchyard-memorials/

Located at the west side of St Mary Magdalen Churchyard, Bermondsey, London.

246 photos taken in September 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339598
title: Gravestone Stenton Parish Kirk

description: Gravestone Stenton Parish Kirk, East Lothian, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339599
title: Gravestone Stenton Parish Kirk

description: Gravestone Stenton Parish Kirk, East Lothian, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339600
title: Hood for a Hawk

description: Materials: leather, velvet, feathers. Accession no: HCM 137. Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). A hood for a hawk in leather and red velvet with a plume of feathers on top. It is closed by a cord at the back. It is on a wooden stand. [More](https://www.huntmuseum.com/explore/item/ee89e58d-25be-38bb-9e9e-b82ed3bfd247/?s%3Dhawk&pos=6).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339601
title: Hood for a Hawk

description: Materials: leather, velvet, feathers. Accession no: HCM 137. Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html). A hood for a hawk in leather and red velvet with a plume of feathers on top. It is closed by a cord at the back. It is on a wooden stand. [More](https://www.huntmuseum.com/explore/item/ee89e58d-25be-38bb-9e9e-b82ed3bfd247/?s%3Dhawk&pos=6).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339602
title: Vasija

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339603
title: Vasija

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339604
title: Vasija modelada antropomorfa (femenina)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339605
title: Vasija modelada antropomorfa (femenina)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339606
title: Block test

description: This is a number of tests combined into one. Firstly, not that I recommend doing it, the images are sourced from a 7 minute video taken with an iPhone 6 (30fps, 1920x1080, every 1/6 frame).  As it's been a while since I scanned something it was also time to try my hand with delighting.

Images: 1184
Model: processed in Agisoft Photoscan
Delighting: Photoscan (Multi-colour, Agressive with occlusion map via XNormal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339607
title: Block test

description: This is a number of tests combined into one. Firstly, not that I recommend doing it, the images are sourced from a 7 minute video taken with an iPhone 6 (30fps, 1920x1080, every 1/6 frame).  As it's been a while since I scanned something it was also time to try my hand with delighting.

Images: 1184
Model: processed in Agisoft Photoscan
Delighting: Photoscan (Multi-colour, Agressive with occlusion map via XNormal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339608
title: "PALMOLIVE" perfume bottle

description: ID no.: FZRS/47

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/874

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339609
title: "PALMOLIVE" perfume bottle

description: ID no.: FZRS/47

Museum: Collection of the Sosenko Family Foundation

https://muzea.malopolska.pl/en/objects-list/874

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339610
title: Benvie Model

description: https://canmore.org.uk/site/72530/benvie-church

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339611
title: Benvie Model

description: https://canmore.org.uk/site/72530/benvie-church

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339613
title: Knobby mug

description: ID no.: MAK/NH/77/53: 3

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1577

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339615
title: Knobby mug

description: ID no.: MAK/NH/77/53: 3

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/1577

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339616
title: Old English Street Lamp

description: A victorian style oil burning street lamp

Check out my blog at: https://rhcreations.tumblr.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339617
title: Old English Street Lamp

description: A victorian style oil burning street lamp

Check out my blog at: https://rhcreations.tumblr.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339618
title: Kirkjubømúrurin: L013

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. krossur er høgdur í steinin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. A cross has been cut into the stone.

Dimension: 23 x 37 x 18 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339619
title: Kirkjubømúrurin: L013

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. krossur er høgdur í steinin.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið. A cross has been cut into the stone.

Dimension: 23 x 37 x 18 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339620
title: Unifacial Knife, XPM-098. Sapsuk River, Alaska

description: Unifacial Knife. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #4

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339621
title: Unifacial Knife, XPM-098. Sapsuk River, Alaska

description: Unifacial Knife. Surface collected from the destroyed area of XPM-098. SR08-01 Surface Col #4

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339622
title: Dancing Lady - sculpture by Henryk Burzec

description: A soviet era sculpture in Mielec, made in the 60's by Henryk Burzec.
The model is optimized, however the lighting conditions were not ideal for photogrammetry - the model will be available for free.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339623
title: Dancing Lady - sculpture by Henryk Burzec

description: A soviet era sculpture in Mielec, made in the 60's by Henryk Burzec.
The model is optimized, however the lighting conditions were not ideal for photogrammetry - the model will be available for free.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339625
title: LOW+infoENG Keskimoottori M.T.K - Boat engine

description: Turussa 1930-luvulla valmistettu kolmen hevosvoiman venemoottori. Aurajoen rannassa lähellä Tuomiokirkkoa toiminut Multavierun Telakka ja Konepaja Oy valmisti petrolilla ja polttoöljyllä toimineita moottoreita muun muassa maatalouskäyttöön ja veneisiin. 

A 3-horsepower boat engine made in Turku in the 1930s. Multavierun Telakka ja Konepaja Oy, which operated on the banks of the Aura River near the Cathedral, manufactured, among other things, engines running on kerosene and fuel oil for agricultural use and boats.

The object and 3D model: Forum Marinum (member of Traffic Museums Association, Finland). The photogrammetric 3D model may include touch-ups and modelled additions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339624
title: LOW+infoENG Keskimoottori M.T.K - Boat engine

description: Turussa 1930-luvulla valmistettu kolmen hevosvoiman venemoottori. Aurajoen rannassa lähellä Tuomiokirkkoa toiminut Multavierun Telakka ja Konepaja Oy valmisti petrolilla ja polttoöljyllä toimineita moottoreita muun muassa maatalouskäyttöön ja veneisiin. 

A 3-horsepower boat engine made in Turku in the 1930s. Multavierun Telakka ja Konepaja Oy, which operated on the banks of the Aura River near the Cathedral, manufactured, among other things, engines running on kerosene and fuel oil for agricultural use and boats.

The object and 3D model: Forum Marinum (member of Traffic Museums Association, Finland). The photogrammetric 3D model may include touch-ups and modelled additions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339626
title: Ataraxia, Spiritstaff of the Moon

description: a brand new  magic staff made by yasien trabih the from the  netherlands


just 20 year's old amazing

original here

https://www.tinkercad.com/users/6iHFXS1POSv-yasien-trabih

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339627
title: Ataraxia, Spiritstaff of the Moon

description: a brand new  magic staff made by yasien trabih the from the  netherlands


just 20 year's old amazing

original here

https://www.tinkercad.com/users/6iHFXS1POSv-yasien-trabih

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339628
title: Battle Axe

description: A model battle axe for the UCF 3D modeling class. I used a basic Maya texture for this; feel free to add your own texture for any games you might use this for.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339629
title: Battle Axe

description: A model battle axe for the UCF 3D modeling class. I used a basic Maya texture for this; feel free to add your own texture for any games you might use this for.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339630
title: Crinigan's Stone Cottage

description: Crinigan's Hut Ruin is the only remaining small Ginninderra dwelling. Part of the original orchard is still on site in a relatively undisturbed state. The Ruin represents the housing and living conditions of the settlers who lived along Ginninderra Creek from what is now the border with NSW, to Palmerville and Ginninderra Village.

John Crinigan's family was typical of many early rural settlers. The social significance of this place is important to his descendents, many of whom still live in the area. With descendents, the Canberra Archaeological Society excavated the site and revealed a fuller picture of life in the mid to late 1800s.

John Crinigan was a convict assigned to Palmerville.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339631
title: Crinigan's Stone Cottage

description: Crinigan's Hut Ruin is the only remaining small Ginninderra dwelling. Part of the original orchard is still on site in a relatively undisturbed state. The Ruin represents the housing and living conditions of the settlers who lived along Ginninderra Creek from what is now the border with NSW, to Palmerville and Ginninderra Village.

John Crinigan's family was typical of many early rural settlers. The social significance of this place is important to his descendents, many of whom still live in the area. With descendents, the Canberra Archaeological Society excavated the site and revealed a fuller picture of life in the mid to late 1800s.

John Crinigan was a convict assigned to Palmerville.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339632
title: The Parthenon Frieze. Block S XLVII

description: This fragment of Block XLVII shows the heads of two youths and the horn and crumpled neck of a cow, one of two cows that are shown on this block being led for sacrifice. The broad, blank hides of the beasts contrast pleasingly with the complex folds of the drapery of the youths who lead them.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339633
title: The Parthenon Frieze. Block S XLVII

description: This fragment of Block XLVII shows the heads of two youths and the horn and crumpled neck of a cow, one of two cows that are shown on this block being led for sacrifice. The broad, blank hides of the beasts contrast pleasingly with the complex folds of the drapery of the youths who lead them.

Source: Objaverse 1.0 / Sketchfab