cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10386326
title: Trees

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style trees used as scenery composition in a fantasy world. With shades of brown and green color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386327
title: Trees

description: João Bargas
PUC minas digital games technology college
Modeling Discipline
Low poly medieval style trees used as scenery composition in a fantasy world. With shades of brown and green color.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386328
title: Rock of Cashel (relieve)

description: Relieve perteneciente al complejo medieval de Rock of Cashel en Irlanda, donde se representa de manera especular dos grifos mitológicos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386329
title: Rock of Cashel (relieve)

description: Relieve perteneciente al complejo medieval de Rock of Cashel en Irlanda, donde se representa de manera especular dos grifos mitológicos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386334
title: Retour de pèche

description: Scène de vie réalisée en béton, grandeur nature, ornant la place de la Mairie du village de Le Bono dans le Morbihan. L'époux montre sa récolte d'huitres à son épouse qui elle-même ramène du poisson et une poule à la maison.
Dans la main droite de l'époux, la rame "reconstituée" de sa barque. Cette rame a été cassée il y a quelque temps et n'était pas présente sur la photogrammétrie d'origine. Mise en place en 2007, cette oeuvre est due à Gildas Flahault

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386335
title: Retour de pèche

description: Scène de vie réalisée en béton, grandeur nature, ornant la place de la Mairie du village de Le Bono dans le Morbihan. L'époux montre sa récolte d'huitres à son épouse qui elle-même ramène du poisson et une poule à la maison.
Dans la main droite de l'époux, la rame "reconstituée" de sa barque. Cette rame a été cassée il y a quelque temps et n'était pas présente sur la photogrammétrie d'origine. Mise en place en 2007, cette oeuvre est due à Gildas Flahault

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386336
title: Dragon turtle

description: Woodcarving small part scanned by Thunk3D Fisher S
Whatsapp: +86 18518781107
Email:daicy@thunk3d.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386337
title: Dragon turtle

description: Woodcarving small part scanned by Thunk3D Fisher S
Whatsapp: +86 18518781107
Email:daicy@thunk3d.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386338
title: artifact 6 - Sharpening Tool - Sanford Museum

description: This is a looted, unprovenienced, artifact donated to the Sanford Museum in Sanford, Florida. This aritfact was captured in 3D using low-cost photogrammetry using Agisoft's Metashape and my personal cellphone camera, the Samsung Galaxy Note 10+. This was the first artifact I preserved using photogrammetry and is apart of a collection of looted artifacts from the Sanford Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386339
title: artifact 6 - Sharpening Tool - Sanford Museum

description: This is a looted, unprovenienced, artifact donated to the Sanford Museum in Sanford, Florida. This aritfact was captured in 3D using low-cost photogrammetry using Agisoft's Metashape and my personal cellphone camera, the Samsung Galaxy Note 10+. This was the first artifact I preserved using photogrammetry and is apart of a collection of looted artifacts from the Sanford Museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386340
title: Pumpkin

description: Happy Halloween

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386341
title: Pumpkin

description: Happy Halloween

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386343
title: Stone Pipe (1965rp25)

description: **Stone effigy pipe**

Location: Peachtree site (31Ce2), Cherokee County, North Carolina.

Period: Mississippian (AD 1400-1600).

Material: stone.

Dimensions: length, 32.1 mm; width, 22.5 mm; height, 45.3 mm.

Notes: Catalog no. 1965rp25.  Original artifact (catalog # 384807) is in the US National Museum of Natural History, Washington.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386342
title: Stone Pipe (1965rp25)

description: **Stone effigy pipe**

Location: Peachtree site (31Ce2), Cherokee County, North Carolina.

Period: Mississippian (AD 1400-1600).

Material: stone.

Dimensions: length, 32.1 mm; width, 22.5 mm; height, 45.3 mm.

Notes: Catalog no. 1965rp25.  Original artifact (catalog # 384807) is in the US National Museum of Natural History, Washington.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386344
title: Petroglyph G13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version. Petroglyph G13 Khatm Al Melaha, Kalba, Sharjah. A bull like animal, but unknown. Carvings extremely difficult to see. 

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.
,=
All processed in Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386345
title: Petroglyph G13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version. Petroglyph G13 Khatm Al Melaha, Kalba, Sharjah. A bull like animal, but unknown. Carvings extremely difficult to see. 

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.
,=
All processed in Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386346
title: Fuente de la Puerta de la Alcazaba (Málaga)

description: Fuente del S. XVIII situada en la Puerta de la Alcazaba de Málaga

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386347
title: Fuente de la Puerta de la Alcazaba (Málaga)

description: Fuente del S. XVIII situada en la Puerta de la Alcazaba de Málaga

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386348
title: 愛宕山古墳

description: 群馬県前橋市

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386349
title: 愛宕山古墳

description: 群馬県前橋市

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386352
title: Caméra 35 mm Bell and Howell Eyemo

description: Ce contenu fait partie de l'*[Encyclopédie raisonnée des techniques du cinéma](http://encyclo-technes.org/fr)*, publiée par le Partenariat international de recherche sur les techniques et technologies du cinéma TECHNÈS.  
  
This content is part of the *[Encyclopedia of Film Techniques and Technologies](http://encyclo-technes.org/en)*, published by the International Research Partnership on Cinema Technology, TECHNÈS.  
  
___
  
**Institution de conservation/holding institution: **Université Laval  
**Cote/accessing number: **Collection Lemai, L.sc.1068  
**Numérisation et postproduction/digitizing and postproduction: **Bérubé, Patricia; Cloutier, Michael; Deslongchamps, Maxime; Raginel, Joachim  
**Dates de numérisation/digitizing dates: **2017-07-10/2017-07-14  
**Droits/rights: **© TECHNÈS, 2017. Certains droits réservés/some rights reserved.  
**Identifiant/identifier: **[ark:/17444/03079t/2223](http://encyclo-technes.org/fr/base/ark:/17444/03079t/2223)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386353
title: Caméra 35 mm Bell and Howell Eyemo

description: Ce contenu fait partie de l'*[Encyclopédie raisonnée des techniques du cinéma](http://encyclo-technes.org/fr)*, publiée par le Partenariat international de recherche sur les techniques et technologies du cinéma TECHNÈS.  
  
This content is part of the *[Encyclopedia of Film Techniques and Technologies](http://encyclo-technes.org/en)*, published by the International Research Partnership on Cinema Technology, TECHNÈS.  
  
___
  
**Institution de conservation/holding institution: **Université Laval  
**Cote/accessing number: **Collection Lemai, L.sc.1068  
**Numérisation et postproduction/digitizing and postproduction: **Bérubé, Patricia; Cloutier, Michael; Deslongchamps, Maxime; Raginel, Joachim  
**Dates de numérisation/digitizing dates: **2017-07-10/2017-07-14  
**Droits/rights: **© TECHNÈS, 2017. Certains droits réservés/some rights reserved.  
**Identifiant/identifier: **[ark:/17444/03079t/2223](http://encyclo-technes.org/fr/base/ark:/17444/03079t/2223)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386354
title: Lion Chambers

description: Used this basic model of the Lion Chambers in Glasgow for a Unity project about the degradation of once loved buildings. The openings in the walls are where interactive displays were positioned in the Unity project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386355
title: Lion Chambers

description: Used this basic model of the Lion Chambers in Glasgow for a Unity project about the degradation of once loved buildings. The openings in the walls are where interactive displays were positioned in the Unity project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386358
title: Dow047:042  Headstone 3

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386359
title: Dow047:042  Headstone 3

description: Drumgath graveyard is circular,67.5m N-S x 69m E-W & contains numerous headstones & gravemarkers, some dating to C19th. To the N end of the graveyard is a cairn of stones heaped onto a rectangular structure, possibly a church, 7.7m x 5.1m wide. 4 lines of gravemarkers radiate from it, 1 at N, 3 at S. At SE, there is a possible mortuary house - an upstanding structure open at both ends, with a roughstone arch.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386360
title: Roman marble sculpture (female bust), Evora

description: Roman marble sculpture dated in the 2nd century A.D. It represents a female bust with a complex hairstyle. Although the identity of the character is unknown, some researchers believe that it could be the representation of Faustina Maior (wife of Emperor Antonino Pio, 2nd century). In any case, the beauty of the portrait and its quality are irrefutable proof that we are facing a character from high Roman society. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME1711.  

ALARCÃO, Jorge de; Jeannette U. Smit de Nolen - "A Cidade de Balsa" in Cerâmicas e Vidros de Torre de Ares, Balsa. Lisboa: S.E.Cultura - IPM, 1994, p. 3.

BARATA, António Francisco - Catalogo do Museu Archeologico da Cidade de Evora. Lisboa: Imprensa Nacional, 1903, p. 49.

880 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386361
title: Roman marble sculpture (female bust), Evora

description: Roman marble sculpture dated in the 2nd century A.D. It represents a female bust with a complex hairstyle. Although the identity of the character is unknown, some researchers believe that it could be the representation of Faustina Maior (wife of Emperor Antonino Pio, 2nd century). In any case, the beauty of the portrait and its quality are irrefutable proof that we are facing a character from high Roman society. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME1711.  

ALARCÃO, Jorge de; Jeannette U. Smit de Nolen - "A Cidade de Balsa" in Cerâmicas e Vidros de Torre de Ares, Balsa. Lisboa: S.E.Cultura - IPM, 1994, p. 3.

BARATA, António Francisco - Catalogo do Museu Archeologico da Cidade de Evora. Lisboa: Imprensa Nacional, 1903, p. 49.

880 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, modeled, cleaned, simplified, unwrapped, textured, meshed) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386362
title: Seven Suns Stone

description: Dowth, Ireland
From video by Brian James Maguire

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386363
title: Seven Suns Stone

description: Dowth, Ireland
From video by Brian James Maguire

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386366
title: Ambleside Roman Fort (strong-room)

description: During the Roman army's conquest of Northern Britain, towards the end of the 1st century AD, a small timber fort was built at the northern tip of Windermere to house a garrison of 200 men. This early fort was soon abandoned, but the site was reoccupied early in the 2nd century AD.

This second fort was built in stone on a raised platform which is still visible. It was larger to house a cohort of 500 auxiliary infantrymen. The fort remained in use until the 4th century AD, with a large civilian settlement developing on its north and east sides.

The central headquarters building contained a 1.8-metre (6 ft) square cellar accessed by a stone stairway which probably was used as a strong-room for regimental funds.

https://www.english-heritage.org.uk/visit/places/ambleside-roman-fort/history/

This model was created from 127 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386367
title: Ambleside Roman Fort (strong-room)

description: During the Roman army's conquest of Northern Britain, towards the end of the 1st century AD, a small timber fort was built at the northern tip of Windermere to house a garrison of 200 men. This early fort was soon abandoned, but the site was reoccupied early in the 2nd century AD.

This second fort was built in stone on a raised platform which is still visible. It was larger to house a cohort of 500 auxiliary infantrymen. The fort remained in use until the 4th century AD, with a large civilian settlement developing on its north and east sides.

The central headquarters building contained a 1.8-metre (6 ft) square cellar accessed by a stone stairway which probably was used as a strong-room for regimental funds.

https://www.english-heritage.org.uk/visit/places/ambleside-roman-fort/history/

This model was created from 127 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386368
title: Figure au bord de l'eau

description: Joseph RIVIERE

1951

Figure au bord de l'eau pour la Piscine Municipale d'Albi
Statue

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386369
title: Figure au bord de l'eau

description: Joseph RIVIERE

1951

Figure au bord de l'eau pour la Piscine Municipale d'Albi
Statue

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386374
title: Obelisco Tello

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386375
title: Obelisco Tello

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386376
title: Charlton Ship Timber 5

description: A ship's timber on the Thames foreshore at Charlton (near the Anchor & Hope Pub), London. 

http://www.thamesdiscovery.org/riverpedia/charlton-riverpedia

56 photos taken in April 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386377
title: Charlton Ship Timber 5

description: A ship's timber on the Thames foreshore at Charlton (near the Anchor & Hope Pub), London. 

http://www.thamesdiscovery.org/riverpedia/charlton-riverpedia

56 photos taken in April 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386378
title: The Parthenon Frieze. Block S XLVI

description: Marble relief (Block XLVI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena. This block shows three youths, wearing long cloaks, and two cows that are being led for sacrifice. Halters were painted in. The broad, blank hides of the beasts contrast pleasingly with the complex folds of the drapery of the youths who lead them. 

https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?assetId=477808001&objectId=461699&partId=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386379
title: The Parthenon Frieze. Block S XLVI

description: Marble relief (Block XLVI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena. This block shows three youths, wearing long cloaks, and two cows that are being led for sacrifice. Halters were painted in. The broad, blank hides of the beasts contrast pleasingly with the complex folds of the drapery of the youths who lead them. 

https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?assetId=477808001&objectId=461699&partId=1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386381
title: Mainz um 800, F5

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386380
title: Mainz um 800, F5

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386382
title: O'Donnell Site foundations

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386383
title: O'Donnell Site foundations

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386384
title: IKTP_781_C_26_279

description: This mandible was recovered from Tomb 781 (Brunnow and Domeszewski's  notation) in Petra, Jordan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386385
title: IKTP_781_C_26_279

description: This mandible was recovered from Tomb 781 (Brunnow and Domeszewski's  notation) in Petra, Jordan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386386
title: Santa Clara Olive Jar Base Fragment BAH92-1478B

description: The bottom-most portion of an earthenware "Olive Jar" (aka Botija in Spanish) recovered from the wreck of the Spanish galleon *Santa Clara*, sunk in 1564. The cross-mended piece is 20 centimeters at the widest, and averages between 6.0 and 6.5 millimeters thick. Remnants of a pitch coating that once made the jar impermeable can be seen on the interior face. Additionally, concentric lines on the interior face show the jar was wheel-thrown.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386387
title: Santa Clara Olive Jar Base Fragment BAH92-1478B

description: The bottom-most portion of an earthenware "Olive Jar" (aka Botija in Spanish) recovered from the wreck of the Spanish galleon *Santa Clara*, sunk in 1564. The cross-mended piece is 20 centimeters at the widest, and averages between 6.0 and 6.5 millimeters thick. Remnants of a pitch coating that once made the jar impermeable can be seen on the interior face. Additionally, concentric lines on the interior face show the jar was wheel-thrown.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386388
title: CIA Memory Sketch Of The Kalashnikov Rifle

description: A simple and ugly as sin looking model based on an interesting document from the CIA. In the year in 1953 in Leningrad and Novgorod oblasts (administrative division) certain soldiers were spotted by US CIA spies carrying yet unseen weapons, a new gas operated service rifle later to be known to them as the AK47. But as the said agents did not have the time nor the ability to examine the newly spotted weapon systems closely they had to instead rely on their sight and memory of the rifle when reporting about their finding back to the US. https://www.thefirearmblog.com/blog/wp-content/uploads/2018/03/CIA-First-Memory-Sketch-of-the-Kalashnikov-Rifle-2.jpg As the sketch was solely based on memory it looks really nothing at all like what the actual AK47 would have looked like, even the memorized sketch of the supposed cartridge that the AK47 would have fired was nearly completely wrong. More info on the sketch here https://www.thefirearmblog.com/blog/2018/03/13/cia-first-memory-sketch-of-the-kalashnikov-rifle/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386389
title: CIA Memory Sketch Of The Kalashnikov Rifle

description: A simple and ugly as sin looking model based on an interesting document from the CIA. In the year in 1953 in Leningrad and Novgorod oblasts (administrative division) certain soldiers were spotted by US CIA spies carrying yet unseen weapons, a new gas operated service rifle later to be known to them as the AK47. But as the said agents did not have the time nor the ability to examine the newly spotted weapon systems closely they had to instead rely on their sight and memory of the rifle when reporting about their finding back to the US. https://www.thefirearmblog.com/blog/wp-content/uploads/2018/03/CIA-First-Memory-Sketch-of-the-Kalashnikov-Rifle-2.jpg As the sketch was solely based on memory it looks really nothing at all like what the actual AK47 would have looked like, even the memorized sketch of the supposed cartridge that the AK47 would have fired was nearly completely wrong. More info on the sketch here https://www.thefirearmblog.com/blog/2018/03/13/cia-first-memory-sketch-of-the-kalashnikov-rifle/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386390
title: photogrammetry Egyptian head 2

description: Egyptian head photogrammetry model optimized for video games

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386391
title: photogrammetry Egyptian head 2

description: Egyptian head photogrammetry model optimized for video games

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386392
title: Euripides

description: A pentelic marble head of Euripides, 1st or 2nd Century AD.
Dimension(s): height, 0.42, m width, shoulders, 0.29, m

Acquisition: bought in 1966.

Documentation:
Nicholls, Richard V.. 1970-71. Recent Acquisitions by the Fitzwilliam Museum, Cambridge.
Source Title: Archaeological Reports() 70 no.3 fig.3

Richter, G. M. A.. 1967. [Unknown: Archeologia classica 19 (1967)].
Source Title: Archeologia classica : rivista dell'Istituto di archeologia della Università di Roma 19 pl.105  
Object Number: GR.2.1966 (Antiquities)

https://fitz.ms/8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386393
title: Euripides

description: A pentelic marble head of Euripides, 1st or 2nd Century AD.
Dimension(s): height, 0.42, m width, shoulders, 0.29, m

Acquisition: bought in 1966.

Documentation:
Nicholls, Richard V.. 1970-71. Recent Acquisitions by the Fitzwilliam Museum, Cambridge.
Source Title: Archaeological Reports() 70 no.3 fig.3

Richter, G. M. A.. 1967. [Unknown: Archeologia classica 19 (1967)].
Source Title: Archeologia classica : rivista dell'Istituto di archeologia della Università di Roma 19 pl.105  
Object Number: GR.2.1966 (Antiquities)

https://fitz.ms/8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10386394
title: VASIJA

description: Source: Objaverse 1.0 / Sketchfab