cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6073/pasta/7d875a915aee226251a48ee8a9d54735
title: Climate Change Impacts on Forest Biodiversity at Harvard Forest since 2011

description: Climate change is rapidly transforming forests over much of the globe in ways that are not anticipated by current science. Large-scale forest diebacks, apparently linked to interactions involving drought, warm winters, and other species, are becoming alarmingly frequent. Models of biodiversity and climate have not provided guidance on if/where/when such responses will occur. Instead models often predict potential numbers of extinctions, but these forecasts not are linked in any mechanistic way to the processes that could cause them. Both modeling and field studies rely on aggregate metrics of species presence/absence or relative abundance at regional scales, but climate affects individuals. Aggregation of individual data to the species level, hides or even qualitatively changes climate effects. By sampling and analysis at the individual scale across continental variation in climate, this study can link the individual scale processes to regional responses. This study will exploit existing research sites and the new NEON platform of sites for synthesis of models and data to determine when and where predicting climate impacts on biodiversity is a plausible goal, understand where surprises are likely to occur, and attribute those predictions back to individual tree health and vulnerability to climate risk factors. The study will provide climate vulnerability forecasts for forest biodiversity that are directly linked to the process scale. Our goal is provide probabilistic forecasts for the joint distribution of forest responses to climate change, including growth, reproduction, and mortality risk. For scientists, US Forest Service researchers, and policy makers predictions will anticipate combined risks of increasing drought and longer growing seasons. Methods developed under this project will be disseminated through training workshops for postdoctoral associates at other universities and resource managers.
DOI: 10.17870/bathspa.13079225
title: Writing, Drawing, Speaking - A Share of a Future, Beijing, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the work 'Que Sera Sera' by Stephen Dutton, exhibited as part of the large scale exhibition <i>A Share of a Future</i>, which took place at the library galleries at China University of Mining and Technology, Beijing, 9 March - 30 April 2019.<br>The work is a digital print, approx 6ft x 4ft. It pictures an image of a small child (the artist's daughter, aged 2). A text overlays the image which reads "What was, What is, What will be, What is 'was', What is 'is', What is 'will be', What was 'was', What was 'is', What was 'will be', What will be 'was', What will be 'is', What will be 'will be'". The text plays on the curiosity of the child's questions, but also on the nature both of language itself and the entire of time. The text ends on the comforting tone of the parent calming the child but saying "what will be will be".<br>Image courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13079225.v1
title: Writing, Drawing, Speaking - A Share of a Future, Beijing, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the work 'Que Sera Sera' by Stephen Dutton, exhibited as part of the large scale exhibition <i>A Share of a Future</i>, which took place at the library galleries at China University of Mining and Technology, Beijing, 9 March - 30 April 2019.<br>The work is a digital print, approx 6ft x 4ft. It pictures an image of a small child (the artist's daughter, aged 2). A text overlays the image which reads "What was, What is, What will be, What is 'was', What is 'is', What is 'will be', What was 'was', What was 'is', What was 'will be', What will be 'was', What will be 'is', What will be 'will be'". The text plays on the curiosity of the child's questions, but also on the nature both of language itself and the entire of time. The text ends on the comforting tone of the parent calming the child but saying "what will be will be".<br>Image courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13079393.v1
title: Writing, Drawing, Speaking - Convocation, Venice Biennale, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the animation 'I WILL NOT' by Dutton, shown at Convocation at the Research Pavilion, Venice, 16 - 18 June 2019. It also contains a still from the animation and a link to the Convocation event programme (for the link see 'References' below).<br>Video and image courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13079393
title: Writing, Drawing, Speaking - Convocation, Venice Biennale, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the animation 'I WILL NOT' by Dutton, shown at Convocation at the Research Pavilion, Venice, 16 - 18 June 2019. It also contains a still from the animation and a link to the Convocation event programme (for the link see 'References' below).<br>Video and image courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13322702
title: Writing, Drawing, Speaking - Museum of Loss and Renewal, Italy, October 2019

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains works made by Dutton during an invited Artist Residency at The Museum of Loss and Renewal, Collemacchia, Italy, 1-20 October 2019.<br>Images courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13322702.v1
title: Writing, Drawing, Speaking - Museum of Loss and Renewal, Italy, October 2019

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains works made by Dutton during an invited Artist Residency at The Museum of Loss and Renewal, Collemacchia, Italy, 1-20 October 2019.<br>Images courtesy of the artist. Used with permission.
DOI: 10.25345/c55515
title: MassIVE MSV000087095 - Human cardiac tissue (Apex, LV, RV), whole and isolated cardiomyocyte, processed by s-trap, with and without high pH fractionation, DDA and DIA
title: Human cardiac tissue (Apex, LV, RV), whole tissue and isolated cardiomyocyte, processed by s-trap, with and without high pH fractionation, DDA of non-fractionated and fractionated and DIA of non-fractionated
DOI: 10.17870/bathspa.13083959
title: Writing, Drawing, Speaking - In Dialogue, Nottingham, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the video work 'The Possible/Impossible' by Dutton, presented at <i>In Dialogue</i>, a three-day symposium exploring Site-Form-Dialogue; Site-Location-Dialogue; and Site-Practice-Dialogue at Nottingham Contemporary, 19 - 21 November 2019.<br>Artwork courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13083959.v1
title: Writing, Drawing, Speaking - In Dialogue, Nottingham, 2019

description: Writing, Drawing, Speaking is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the video work 'The Possible/Impossible' by Dutton, presented at <i>In Dialogue</i>, a three-day symposium exploring Site-Form-Dialogue; Site-Location-Dialogue; and Site-Practice-Dialogue at Nottingham Contemporary, 19 - 21 November 2019.<br>Artwork courtesy of the artist. Used with permission.
DOI: 10.17870/bathspa.13322525.v1
title: Writing, Drawing, Speaking - Centre of Gravity, Bristol, November 2020

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the video work 'The worm and the tail' by Dutton, presented at Sympoiesis at the Centre of Gravity project, Bristol, 3 October - 1 November 2020. The work went on to be included in the 'language based practice project' for the <i>Journal of Artistic Research</i> in November 2020 (see links under 'References' below).<br>Video work courtesy of Dutton. Used with permission.
DOI: 10.17870/bathspa.13322525
title: Writing, Drawing, Speaking - Centre of Gravity, Bristol, November 2020

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the video work 'The worm and the tail' by Dutton, presented at Sympoiesis at the Centre of Gravity project, Bristol, 3 October - 1 November 2020. The work went on to be included in the 'language based practice project' for the <i>Journal of Artistic Research</i> in November 2020 (see links under 'References' below).<br>Video work courtesy of Dutton. Used with permission.
DOI: 10.17870/bathspa.14139803
title: Writing, Drawing, Speaking - Conference Papers (Contextualising Information)

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains copies of the conference papers and presentation slides delivered by Dutton at:1) Text Versus Art conference at The University of Łòdź, 18-20 May 2018.2) Society of Artistic Research Annual Conference, 28-29 April 2016, at the University of the Arts, The Hague, and Leiden University.
DOI: 10.17870/bathspa.14139803.v1
title: Writing, Drawing, Speaking - Conference Papers (Contextualising Information)

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains copies of the conference papers and presentation slides delivered by Dutton at:1) Text Versus Art conference at The University of Łòdź, 18-20 May 2018.2) Society of Artistic Research Annual Conference, 28-29 April 2016, at the University of the Arts, The Hague, and Leiden University.
DOI: 10.17870/bathspa.13079186.v1
title: Writing, Drawing, Speaking - Further Contextualising Information

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the following contextualising information relating to exhibitions and events detailed in the main body of this Collection:<br><b>1)</b> Conference programme for <b><i>Text Versus Art</i></b>, The University of Łòdź, 18-20 May, 2015.<b>2)</b> Event schedule for <b><i>Next to Nothing</i></b>, The University of Newcastle, Australia, 26-27 September, 2015.<b>3)</b> List of participants for <b><i>Next to Nothing</i></b>, The University of Newcastle, Australia, 26-27 September, 2015.<b>4)</b> Formal letter of acceptance for <i><b>Performance Arcade/Performing, Writing</b></i>, Wellington, New Zealand, 10-13 March 2017.<b>5)</b> Event programme for <i><b>Performance Arcade/Performing, Writing</b></i>, Wellington, New Zealand, 10-13 March 2017.<b>6)</b> Book launch publicity for <i><b>No Telos</b> </i>(Beam Editions, 2019). Used with permission.<b>7)</b> Link to <b><i>Soanyway </i></b>(Issue 2, Jan 2019), in which Dutton's work 'Erase the background noise, prepare the ground for the performance' was published. The online magazine can be viewed in full here or via the link under 'References' below.<b>8)</b> Page from the exhibition catalogue for <b><i>A Share of the Future</i></b>, China University of Mining and Technology, Beijing, 9 March - 30 April 2019, featuring Dutton's work. Used with permission.<b>9) </b>Programme outline for <b><i>Convocation</i></b>, Venice Biennale, 16-18 June 2019.<br> <br>
DOI: 10.17870/bathspa.13079186
title: Writing, Drawing, Speaking - Further Contextualising Information

description: <i>Writing, Drawing, Speaking</i> is a constellation of approaches which both examine and perform the relationships between the acts of speaking, writing and drawing.<br>This item contains the following contextualising information relating to exhibitions and events detailed in the main body of this Collection:<br><b>1)</b> Conference programme for <b><i>Text Versus Art</i></b>, The University of Łòdź, 18-20 May, 2015.<b>2)</b> Event schedule for <b><i>Next to Nothing</i></b>, The University of Newcastle, Australia, 26-27 September, 2015.<b>3)</b> List of participants for <b><i>Next to Nothing</i></b>, The University of Newcastle, Australia, 26-27 September, 2015.<b>4)</b> Formal letter of acceptance for <i><b>Performance Arcade/Performing, Writing</b></i>, Wellington, New Zealand, 10-13 March 2017.<b>5)</b> Event programme for <i><b>Performance Arcade/Performing, Writing</b></i>, Wellington, New Zealand, 10-13 March 2017.<b>6)</b> Book launch publicity for <i><b>No Telos</b> </i>(Beam Editions, 2019). Used with permission.<b>7)</b> Link to <b><i>Soanyway </i></b>(Issue 2, Jan 2019), in which Dutton's work 'Erase the background noise, prepare the ground for the performance' was published. The online magazine can be viewed in full here or via the link under 'References' below.<b>8)</b> Page from the exhibition catalogue for <b><i>A Share of the Future</i></b>, China University of Mining and Technology, Beijing, 9 March - 30 April 2019, featuring Dutton's work. Used with permission.<b>9) </b>Programme outline for <b><i>Convocation</i></b>, Venice Biennale, 16-18 June 2019.<br> <br>
DOI: 10.25345/c51f8b
title: MassIVE MSV000087096 - Supplementary raw data files for "A distinct growth physiology enhances bacterial growth under rapid nutrient fluctuation", Nguyen et al.
title: Supplementary raw data files for "A distinct growth physiology enhances bacterial growth under rapid nutrient fluctuation", Nguyen et al. E. coli is grown in media containing various nutrient concentrations and uptake of nutrients is measured. Untargeted metabolomics measurements were performed with a binary LC pump (Agilent Technologies) and a MPS2 Autosampler (Gerstel) coupled to an Agilent 6520 time-of-flight mass spectrometer (Agilent Technologies) operated in negative mode, at 4 Ghz, high resolution, with a m/z (mass/charge) range of 50-1,600. The mobile phase consisted of isopropanol:water (60:40, v/v) with 5 mM ammonium fluoride buffer at pH 9 at a flow rate of 150 ul/min.
DOI: 10.15468/th8kk6
title: Maratus nemo: A new wetland species of peacock spider from South Australia (Araneae, Salticidae, Euophryini)

description: This dataset contains the digitized treatments in Plazi based on the original journal article Schubert, Joseph (2021): Maratus nemo: A new wetland species of peacock spider from South Australia (Araneae, Salticidae, Euophryini). Evolutionary Systematics 5 (1): 71-80, DOI: http://dx.doi.org/10.3897/evolsyst.5.64922, URL: http://dx.doi.org/10.3897/evolsyst.5.64922
DOI: 10.34740/kaggle/dsv/2039547
title: russian-inappropriate-messages
DOI: 10.34740/kaggle/dsv/2039592
title: Russian Sensitive Topics
DOI: 10.15468/nqjpfp
title: Census of the fruit and flower chafers (Coleoptera, Scarabaeidae, Cetoniinae) of the Macau SAR, China

description: This dataset contains the digitized treatments in Plazi based on the original journal article Perissinotto, Renzo, Clennell, Lynette (2021): Census of the fruit and flower chafers (Coleoptera, Scarabaeidae, Cetoniinae) of the Macau SAR, China. ZooKeys 1026: 17-43, DOI: http://dx.doi.org/10.3897/zookeys.1026.60036, URL: http://dx.doi.org/10.3897/zookeys.1026.60036
DOI: 10.15468/xhw8up
title: Revision of the Conwentzia Enderlein, 1905 (Neuroptera, Coniopterygidae) of China, combining morphological and molecular characters

description: This dataset contains the digitized treatments in Plazi based on the original journal article Zhao, Yaru, Li, Ying, Liu, Zhiqi (2021): Revision of the Conwentzia Enderlein, 1905 (Neuroptera, Coniopterygidae) of China, combining morphological and molecular characters. ZooKeys 1026: 1-15, DOI: http://dx.doi.org/10.3897/zookeys.1026.61700, URL: http://dx.doi.org/10.3897/zookeys.1026.61700
DOI: 10.15468/vsp2cs
title: A new species of day gecko (Reptilia, Gekkonidae, Cnemaspis Strauch, 1887) from Sri Lanka with an updated ND 2 gene phylogeny of Sri Lankan and Indian species

description: This dataset contains the digitized treatments in Plazi based on the original journal article Karunarathna, Suranjan, Silva, Anslem De, Gabadage, Dinesh, Botejue, Madhava, Majintha Madawala,, Ukuwela, Kanishka D. B. (2021): A new species of day gecko (Reptilia, Gekkonidae, Cnemaspis Strauch, 1887) from Sri Lanka with an updated ND 2 gene phylogeny of Sri Lankan and Indian species. Zoosystematics and Evolution 97 (1): 191-209, DOI: http://dx.doi.org/10.3897/zse.97.60099, URL: http://dx.doi.org/10.3897/zse.97.60099
DOI: 10.17870/bathspa.12912287.v1
title: The Habits of Artists - 300-Word Statement

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12912287
title: The Habits of Artists - 300-Word Statement

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12912290
title: The Habits of Artists - Research Timeline and Research Questions

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains a Timeline of the research project and a set of Research Questions.
DOI: 10.17870/bathspa.12906767
title: The Habits of Artists - Noticer, Tate Modern, 2014

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists </i>seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains photographic documentation from the event <i>Noticer</i>, commissioned as part of Tate Modern's one-week international Summer School programme, 2014. Participants from a range of disciplines joined artists, curators and teachers to explore the role of 'noticing' as an unplanned, generative, performance-based and participatory structure to give a platform to emergent concepts which harness the event of learning. The item also contains links to further details of the Summer School on the Tate website and the <i>Noticer</i> website (see 'References' below).<br>In the first image a primary school teacher attempts to record the act of learning at the moment of its occurrence on a full scale replica of a revolving university blackboard circa 1970. <br><b>Photographs courtesy of Ana Escobar, Oliver Cowling, and @Tate.</b><b><br></b><b>Used with permission. </b>
DOI: 10.17870/bathspa.12906767.v1
title: The Habits of Artists - Noticer, Tate Modern, 2014

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists </i>seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity.<br>This item contains photographic documentation from the event <i>Noticer</i>, commissioned as part of Tate Modern's one-week international Summer School programme, 2014. Participants from a range of disciplines joined artists, curators and teachers to explore the role of 'noticing' as an unplanned, generative, performance-based and participatory structure to give a platform to emergent concepts which harness the event of learning. The item also contains links to further details of the Summer School on the Tate website and the <i>Noticer</i> website (see 'References' below).<br>In the first image a primary school teacher attempts to record the act of learning at the moment of its occurrence on a full scale replica of a revolving university blackboard circa 1970. <br><b>Photographs courtesy of Ana Escobar, Oliver Cowling, and @Tate.</b><b><br></b><b>Used with permission. </b>
DOI: 10.17870/bathspa.12906776
title: The Habits of Artists - Inventory of Behaviours #1 (pilot), blip blip blip, Leeds, 2017

description: By understanding the patterns and routines in artists’ behaviours as unique features of creative knowledge making, <i>The Habits of Artists</i> seeks to deepen our insight into art learning. Employing a unique platform through which the audience is engaged in public learning as performance, the research asks whether we can find fitting frameworks for communicating the complexities of art practice, in which often subjective and bespoke logics drive creativity. Addison and Kidd employed the participatory methods tested in <i>Noticer</i> to design <i>Inventory of Behaviours</i>. In this series of events participants were invited to adopt more overtly performative roles in the collective endeavour of studying the patterns of behaviours of artists. This item contains a description of the pilot event, along with photographic documentation and a link to further details on the blip blip blip website. For the link see 'References' below. <br><b>Photographs courtesy of Jo Addison, Will Kendrick, and Harry Meadley.</b><b><br></b><b>Used with permission. </b><br>