cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10219070
title: Maria-Theresien-Thaler

description: Diameter: 39.5 mm, thickness: 2.5 mm. As far as I know, the coin isn't from 1780 as stated on it, it's a restrike.

Setup: OpenScanner (www.openscan.eu) in a light tent with 3 soft boxes, Sony Alpha 77 II + 100M28 (100mm / f2.8 Macro), 3 chunks with 238 RAW images total processed in Lightroom, Agisoft Metashape Standard, texture edited in Photoshop.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219071
title: Maria-Theresien-Thaler

description: Diameter: 39.5 mm, thickness: 2.5 mm. As far as I know, the coin isn't from 1780 as stated on it, it's a restrike.

Setup: OpenScanner (www.openscan.eu) in a light tent with 3 soft boxes, Sony Alpha 77 II + 100M28 (100mm / f2.8 Macro), 3 chunks with 238 RAW images total processed in Lightroom, Agisoft Metashape Standard, texture edited in Photoshop.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219075
title: Sem Título (Levino Fanzeres, sem data)

description: Pintura óleo sobre aglomerado. Parte do acervo do Museu de Arte do Espírito Santo Dionísio del Santo / SECULT-ES.

Acesse o filtro de realidade aumentada em **instagram.com/nossosacervos**

Modelo realizado como parte do projeto **Nossos Acervos**, financiado com recursos da Lei Aldir Blanc - Inciso 3o, via Secretaria de Estado da Cultura do Espírito Santo.

Licenciamento [CC BY-NC-SA 2.5](https://creativecommons.org/licenses/by-nc-sa/2.5/pt/deed.pt_BR).

**Coordenação e processamento de dados**: Gabriel Menotti. **Produção**: Flora Gurgel.** Fotografia**: Ignez Capovilla. **Assistência de fotografia**: Erika Mariano. **Agradecimentos**: equipe do MAES, Ana Luiza Bringuente, Burura, Ivone Carvalho, Beto Moraes, Paula Nunes, Gabriel Rocha, Nicolas Soares.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219074
title: Sem Título (Levino Fanzeres, sem data)

description: Pintura óleo sobre aglomerado. Parte do acervo do Museu de Arte do Espírito Santo Dionísio del Santo / SECULT-ES.

Acesse o filtro de realidade aumentada em **instagram.com/nossosacervos**

Modelo realizado como parte do projeto **Nossos Acervos**, financiado com recursos da Lei Aldir Blanc - Inciso 3o, via Secretaria de Estado da Cultura do Espírito Santo.

Licenciamento [CC BY-NC-SA 2.5](https://creativecommons.org/licenses/by-nc-sa/2.5/pt/deed.pt_BR).

**Coordenação e processamento de dados**: Gabriel Menotti. **Produção**: Flora Gurgel.** Fotografia**: Ignez Capovilla. **Assistência de fotografia**: Erika Mariano. **Agradecimentos**: equipe do MAES, Ana Luiza Bringuente, Burura, Ivone Carvalho, Beto Moraes, Paula Nunes, Gabriel Rocha, Nicolas Soares.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219077
title: 12th Century Temple House gateway

description: Canmore ID 53274. NT 31737 58650. The gateway with a chamfered decoration on the arch was dated to the 12th or 13th century, with a Hospitaller shield (of likely 15th-century date) overcut on the keystone. The entire structure was removed from Temple Church, Temple, Midlothian, Scotland in the mid-17th century by Stephen Boyd, who occupied Temple House and extended and remodelled the church at this time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219076
title: 12th Century Temple House gateway

description: Canmore ID 53274. NT 31737 58650. The gateway with a chamfered decoration on the arch was dated to the 12th or 13th century, with a Hospitaller shield (of likely 15th-century date) overcut on the keystone. The entire structure was removed from Temple Church, Temple, Midlothian, Scotland in the mid-17th century by Stephen Boyd, who occupied Temple House and extended and remodelled the church at this time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219078
title: Chimere De Strasbourg

description: Chimère, Sculpture, Cathédrale de Strasbourg, capturée par photofly (ancienne version de 123dCatch, 360Recap)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219079
title: Chimere De Strasbourg

description: Chimère, Sculpture, Cathédrale de Strasbourg, capturée par photofly (ancienne version de 123dCatch, 360Recap)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219080
title: Cuenta oculada

description: ID: 0059-1 I
Procedencia: So na Caçana (Alaior, Menorca)
S. III a.C.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219081
title: Cuenta oculada

description: ID: 0059-1 I
Procedencia: So na Caçana (Alaior, Menorca)
S. III a.C.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219083
title: Army Soldier - Neues Museum

description: Scanned using iPhone 7 Plus

4k @ 30 recorded video converted to --> 40 JPGs --> reconstructed using RealityCapture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219085
title: Lion Fountain

description: Just a quick photogrammetry take (only 40 photos) from a fountain in Victoria, Gozo, while on holiday in January.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219082
title: Army Soldier - Neues Museum

description: Scanned using iPhone 7 Plus

4k @ 30 recorded video converted to --> 40 JPGs --> reconstructed using RealityCapture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219084
title: Lion Fountain

description: Just a quick photogrammetry take (only 40 photos) from a fountain in Victoria, Gozo, while on holiday in January.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219086
title: Violoniste

description: Ce violoniste faisait partie du fragement sur la musique du massif du pavillon soviétique de l'Exposition universelle de 1937.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219087
title: Violoniste

description: Ce violoniste faisait partie du fragement sur la musique du massif du pavillon soviétique de l'Exposition universelle de 1937.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219088
title: Snowhouse

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219089
title: Snowhouse

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219090
title: Sculpture from Västra Ed, Sweden

description: Sculpture

http://historiska.se/upptack-historien/object/94084


Kevin Karlsson och Kiriakos Forozidis 3D-teknik Xenter Tumba, 3D-skanning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219091
title: Sculpture from Västra Ed, Sweden

description: Sculpture

http://historiska.se/upptack-historien/object/94084


Kevin Karlsson och Kiriakos Forozidis 3D-teknik Xenter Tumba, 3D-skanning

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219092
title: Brocca #1 - Museum Contrada Priora della Civetta

description: Ancient Pottery - Museum Contrada Priora della Civetta - Siena
Brocca in maiolica arcaica, ritrovamento interno al pozzo di butto nella sala Danilo Nannini, s.m. XIII-XIV secolo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219093
title: Brocca #1 - Museum Contrada Priora della Civetta

description: Ancient Pottery - Museum Contrada Priora della Civetta - Siena
Brocca in maiolica arcaica, ritrovamento interno al pozzo di butto nella sala Danilo Nannini, s.m. XIII-XIV secolo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219097
title: Shell Pin (2020a8862) (CT scan)

description: **Shell pin**

Location: Coweeta Creek site (31Ma34), Macon County, North Carolina.

Period: Mississippian, Qualla phase (AD 1400-1700).

Material: marine shell.

Dimensions: length, 130.8 mm; width, 26.8 mm; thickness, 20.8 mm.

Notes: Catalog no. 2020a8762, specimen 1.  This artifact model was created by Abigail Gancz and is derived from a computerized tomography (CT) scan of the object performed at UNC Hospitals in 2014.  The model's texture is derived from digital photographs of the object taken in 1994 and only approximates the object's actual texture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219096
title: Shell Pin (2020a8862) (CT scan)

description: **Shell pin**

Location: Coweeta Creek site (31Ma34), Macon County, North Carolina.

Period: Mississippian, Qualla phase (AD 1400-1700).

Material: marine shell.

Dimensions: length, 130.8 mm; width, 26.8 mm; thickness, 20.8 mm.

Notes: Catalog no. 2020a8762, specimen 1.  This artifact model was created by Abigail Gancz and is derived from a computerized tomography (CT) scan of the object performed at UNC Hospitals in 2014.  The model's texture is derived from digital photographs of the object taken in 1994 and only approximates the object's actual texture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219102
title: WAR

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219103
title: WAR

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219106
title: Park House Pictish Symbol Stone, Drumoak

description: Park House, Drumoak, Aberdeenshire

Measurements: H 0.71m, W 0.34m

Stone type: granite

Place of discovery: NO c 794 984

Present location: on the Park House estate at NO 7801 9766

Found in the first half of the nineteenth century at the west end of Keith's Moor and taken to the grounds of Park House, where it was set on a stone pedestal carved as an inaccurate replica of the stone it supports.

This is part of an incised symbol stone with a pair of symbols one above the other and a mirror and comb beneath. At the top there is part of what was probably a notched flower symbol (or less likely a notched rectangle with part of another symbol to its right), and below is a crescent and V-rod. The mirror had a double-ball handle, now incomplete, and the comb was a double-sided comb.

Date: seventh century.

Canmore ID 36624

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219107
title: Park House Pictish Symbol Stone, Drumoak

description: Park House, Drumoak, Aberdeenshire

Measurements: H 0.71m, W 0.34m

Stone type: granite

Place of discovery: NO c 794 984

Present location: on the Park House estate at NO 7801 9766

Found in the first half of the nineteenth century at the west end of Keith's Moor and taken to the grounds of Park House, where it was set on a stone pedestal carved as an inaccurate replica of the stone it supports.

This is part of an incised symbol stone with a pair of symbols one above the other and a mirror and comb beneath. At the top there is part of what was probably a notched flower symbol (or less likely a notched rectangle with part of another symbol to its right), and below is a crescent and V-rod. The mirror had a double-ball handle, now incomplete, and the comb was a double-sided comb.

Date: seventh century.

Canmore ID 36624

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219108
title: B 9234 - Manecari

description: **B9234 Mânecări Mătase**, decorate cu motive religioase, floral-geometrizate și fitomorfe. Fac parte din categoria veșmintelor liturgice, purtate de preoți, la încheieturi. Prima jumătata a sec. XX.

**B9234 Silk sleeves,** decorated with religious, floral-geometric and phytomorphic motifs. They belong to the category of liturgical vestments, worn by priests, on the wrists. The first half of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219109
title: B 9234 - Manecari

description: **B9234 Mânecări Mătase**, decorate cu motive religioase, floral-geometrizate și fitomorfe. Fac parte din categoria veșmintelor liturgice, purtate de preoți, la încheieturi. Prima jumătata a sec. XX.

**B9234 Silk sleeves,** decorated with religious, floral-geometric and phytomorphic motifs. They belong to the category of liturgical vestments, worn by priests, on the wrists. The first half of the century XX.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219111
title: Stone steps from Halikko Church, Finland

description: These stone steps are from medieval stone church of Halikko, Finland.

Photos taken with D5300 + 18-200mm Nikkor

Processed with Metashape + Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219110
title: Stone steps from Halikko Church, Finland

description: These stone steps are from medieval stone church of Halikko, Finland.

Photos taken with D5300 + 18-200mm Nikkor

Processed with Metashape + Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219112
title: WPMP window type 5

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/610/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219113
title: WPMP window type 5

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/610/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219116
title: Chouette chouette à moins qu'hibou

description: Sculpture en acacia de 57 cm de hauteur réalisée en 2022 par l'artiste basque Jean Yves Béhotéguy (né à Nantes le 13/05/1978) exerçant à Saint Martin d'Arbéroue (Pyrénées Atlantiques - Frances). Finition gouges et tronçonneuse. ***Quand je tire sur la corde des insomnies? Je suis la dame blanche qui prévient la mort Et vient transcender les mystères de la nuit. Mes yeux découvrent un loir trahi par le décor, Je m'envole ; en chuintant haut vers son triste sort. (Maxime Langevin)***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219117
title: Chouette chouette à moins qu'hibou

description: Sculpture en acacia de 57 cm de hauteur réalisée en 2022 par l'artiste basque Jean Yves Béhotéguy (né à Nantes le 13/05/1978) exerçant à Saint Martin d'Arbéroue (Pyrénées Atlantiques - Frances). Finition gouges et tronçonneuse. ***Quand je tire sur la corde des insomnies? Je suis la dame blanche qui prévient la mort Et vient transcender les mystères de la nuit. Mes yeux découvrent un loir trahi par le décor, Je m'envole ; en chuintant haut vers son triste sort. (Maxime Langevin)***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219121
title: Komainu scans with iPhone12 Pro

description: Komainu scans with iPhone12 Pro

Stone‐carved guardian dogs placed at the gate or in front of a Shinto shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219122
title: Komainu scans with iPhone12 Pro

description: Komainu scans with iPhone12 Pro

Stone‐carved guardian dogs placed at the gate or in front of a Shinto shrine

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219124
title: SF3D - Violence, sexism, exclusion, fear

description: From the Sketchfab San Francisco Meetup that took place on Aug. 8, 2015. This was shot in Clarion Alley with my Canon EOS30D (17 photos).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219123
title: SF3D - Violence, sexism, exclusion, fear

description: From the Sketchfab San Francisco Meetup that took place on Aug. 8, 2015. This was shot in Clarion Alley with my Canon EOS30D (17 photos).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219127
title: Clauscen st - Lush sux

description: Created with Polycam.ai

#lidarscanchallenge 
@phoria.io @phoriatech

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219128
title: Camp de Péran, Plédran (22) France

description: Modélisation du Camp de Péran dans le cadre du projet de thèse de Gérard Matser.

Le Camp de Péran est une fortification daté du Xe siècle. Le site est localisé dans la commune de Plédran, à 9 kilomètres au sud-ouest de Saint Brieuc, dans les Côtes-d'Armor. Le site couronne l'extrémité du plateau de l'Urne et surplombe les vallées de l'Urne et du Gouet.

The Camp de Péran is a 10th century fortification in the village of Plédran, 9 km south-west of Saint Brieuc. The archaeological site, situated on the Urne plateau, dominates the valley of the Urne and the Gouet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219132
title: Ferrari 375 F1

description: Welcome.
This is my new model that represents the ferrari 375 F1 one of the cars in this category of motorsport with more history

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219126
title: Clauscen st - Lush sux

description: Created with Polycam.ai

#lidarscanchallenge 
@phoria.io @phoriatech

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219131
title: Ferrari 375 F1

description: Welcome.
This is my new model that represents the ferrari 375 F1 one of the cars in this category of motorsport with more history

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219133
title: Paavo Nurmi's Spike Shoes

description: Paavo Nurmi used these spike shoes made of leather on his American tour of 1925. The manufacturer is not known. The shoes were in frequent use, as attested by the six worn spikes at the front.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219129
title: Camp de Péran, Plédran (22) France

description: Modélisation du Camp de Péran dans le cadre du projet de thèse de Gérard Matser.

Le Camp de Péran est une fortification daté du Xe siècle. Le site est localisé dans la commune de Plédran, à 9 kilomètres au sud-ouest de Saint Brieuc, dans les Côtes-d'Armor. Le site couronne l'extrémité du plateau de l'Urne et surplombe les vallées de l'Urne et du Gouet.

The Camp de Péran is a 10th century fortification in the village of Plédran, 9 km south-west of Saint Brieuc. The archaeological site, situated on the Urne plateau, dominates the valley of the Urne and the Gouet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219134
title: Paavo Nurmi's Spike Shoes

description: Paavo Nurmi used these spike shoes made of leather on his American tour of 1925. The manufacturer is not known. The shoes were in frequent use, as attested by the six worn spikes at the front.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219138
title: Jia wine vessel, 12th C BCE

description: Bronze jia wine vessel, 12th C BCE, now in the collection of the Minneapolis Institute of Art.


From artsmia.org:

*"The body taotie *(https://en.wikipedia.org/wiki/Taotie)*, on a ground of squared spirals, displays unusual features: horns with alternating T-shaped and straight scores usually associated with flanges, and a hybrid forehead shield with the upper part hooked and the lower half drawn as the round-topped shield."*


More information about it here:

https://collections.artsmia.org/art/1091/jia-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219137
title: Jia wine vessel, 12th C BCE

description: Bronze jia wine vessel, 12th C BCE, now in the collection of the Minneapolis Institute of Art.


From artsmia.org:

*"The body taotie *(https://en.wikipedia.org/wiki/Taotie)*, on a ground of squared spirals, displays unusual features: horns with alternating T-shaped and straight scores usually associated with flanges, and a hybrid forehead shield with the upper part hooked and the lower half drawn as the round-topped shield."*


More information about it here:

https://collections.artsmia.org/art/1091/jia-wine-vessel-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219143
title: Versierde kam

description: * **Inventarisnummer:**	19380
* **Beschrijving:**	Kam; samengestelde kam die bestaat uit een aantal tandplaten die door twee dekplaten (aan weerszijden) bij elkaar gehouden werden. De dekplaten zijn bevestigd met zeven ijzeren nagels en aan de tandplaten vastgezet. De kam is zeer gesleten en veel tanden zijn door langdurig gebruik afgebroken
* **Periode:** Middeleeuwen vroeg B: 525 - 725 nC
* **Voorwerp:** Kam
* **Gaafheid:** Vrijwel compleet
* **Vindplaats:** Oegstgeest Nieuw Rhijngeest Zuid ADC 2009

**Bron:** [archeologie.zuid-holland.nl ](http://www.archeologie.zuid-holland.nl/)

**Scan:** [Moobels.com](http://moobels.com), 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219144
title: Versierde kam

description: * **Inventarisnummer:**	19380
* **Beschrijving:**	Kam; samengestelde kam die bestaat uit een aantal tandplaten die door twee dekplaten (aan weerszijden) bij elkaar gehouden werden. De dekplaten zijn bevestigd met zeven ijzeren nagels en aan de tandplaten vastgezet. De kam is zeer gesleten en veel tanden zijn door langdurig gebruik afgebroken
* **Periode:** Middeleeuwen vroeg B: 525 - 725 nC
* **Voorwerp:** Kam
* **Gaafheid:** Vrijwel compleet
* **Vindplaats:** Oegstgeest Nieuw Rhijngeest Zuid ADC 2009

**Bron:** [archeologie.zuid-holland.nl ](http://www.archeologie.zuid-holland.nl/)

**Scan:** [Moobels.com](http://moobels.com), 2017

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219141
title: Roman oil lamp, Tarraco (Tarragona, Spain)

description: "Roman oil lamp from the site of Tarraco (Tarragona, Spain), dated between the 4th and 5th centuries AD. Lamp decorated with a fantastic animal (triton) cavalcaded by a man.

490 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 45222.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219142
title: Roman oil lamp, Tarraco (Tarragona, Spain)

description: "Roman oil lamp from the site of Tarraco (Tarragona, Spain), dated between the 4th and 5th centuries AD. Lamp decorated with a fantastic animal (triton) cavalcaded by a man.

490 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 45222.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219145
title: Bute Glenvoidean 7

description: This large outcrop in North Bute is in moorland grazed by sheep and is well worn. The cupmarks are only found on the north part of the outcrop. The panel has views over Kames, Kintyre & Arran. Photographed by Patrick O'Sullivan, Bute Museum & NHS, Scottish Rock Art Project (ScRAP)
OS Grid Ref: NR 99736 70762

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219146
title: Bute Glenvoidean 7

description: This large outcrop in North Bute is in moorland grazed by sheep and is well worn. The cupmarks are only found on the north part of the outcrop. The panel has views over Kames, Kintyre & Arran. Photographed by Patrick O'Sullivan, Bute Museum & NHS, Scottish Rock Art Project (ScRAP)
OS Grid Ref: NR 99736 70762

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219148
title: St Mary Matfelon Stones 2

description: Stone pieces from the now demolished St Mary Matfelon in Altab Ali Park, Whitechapel Road, London.

https://en.wikipedia.org/wiki/St_Mary_Matfelon

264 photos taken in October 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219149
title: St Mary Matfelon Stones 2

description: Stone pieces from the now demolished St Mary Matfelon in Altab Ali Park, Whitechapel Road, London.

https://en.wikipedia.org/wiki/St_Mary_Matfelon

264 photos taken in October 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10219153
title: Shipwreck Antelope

description: The Antelope was built as a steamer and converted to a schooner barge in 1888.  It was under tow of the Hiram Sibley enroute to Ashland WI when it sprang a leak and sank off Michigan Island in 320 ft of water.  It was found in 2016 by Jerry Eliason and Ken Merryman.  The model is a Maya digital model and accurate representation of the site.

Source: Objaverse 1.0 / Sketchfab