cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10317935
title: Palace of Fine Arts photogrammetry  (aerial)

description: Palacio de Bellas Artes , Mexico City
Realizado usando el dataset de Open Heritage/ Cyark de fotos aereas.
El Palacio de Bellas Artes es un recinto cultural ubicado en el Centro Histórico de la Ciudad de México, considerado el más importante en la manifestación de las artes en México y una de las casas de ópera más renombradas del mundo. Éste mismo ha sido escenario y testigo de impactantes acontecimientos tanto artísticos, sociales y políticos del país; su construcción data del final de mandato de Porfirio Díaz, por encargo del presidente mexicano con motivo de la celebración del centenario del inicio de la Independencia de México, más fue inaugurado hasta el 29 de septiembre de 1934 tras el estallido de la Revolución mexicana. Como institución, depende del Instituto Nacional de Bellas Artes (INBA), parte de la Secretaría de Cultura del gobierno federal. En 1987 fue declarado por la Unesco un monumento patrimonio de la humanidad.
DOI for this dataset is 10.26301/vdae-mr89

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317936
title: Palace of Fine Arts photogrammetry  (aerial)

description: Palacio de Bellas Artes , Mexico City
Realizado usando el dataset de Open Heritage/ Cyark de fotos aereas.
El Palacio de Bellas Artes es un recinto cultural ubicado en el Centro Histórico de la Ciudad de México, considerado el más importante en la manifestación de las artes en México y una de las casas de ópera más renombradas del mundo. Éste mismo ha sido escenario y testigo de impactantes acontecimientos tanto artísticos, sociales y políticos del país; su construcción data del final de mandato de Porfirio Díaz, por encargo del presidente mexicano con motivo de la celebración del centenario del inicio de la Independencia de México, más fue inaugurado hasta el 29 de septiembre de 1934 tras el estallido de la Revolución mexicana. Como institución, depende del Instituto Nacional de Bellas Artes (INBA), parte de la Secretaría de Cultura del gobierno federal. En 1987 fue declarado por la Unesco un monumento patrimonio de la humanidad.
DOI for this dataset is 10.26301/vdae-mr89

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317937
title: Petroglyph C10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C10 Khatm Al Melaha, Kalba, Sharjah. Two wild asses, other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317938
title: Petroglyph C10 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C10 Khatm Al Melaha, Kalba, Sharjah. Two wild asses, other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317939
title: Italian Condottiere (Bracceschi)

description: [Medieval 2 Total War - Machiavello mod](http://www.twcenter.net/forums/forumdisplay.php?2240-Machiavello-Total-War-(MachTW)) | Model for an Italian Condottiere for the Bracceschi. The Bracceschi were commanders associated with [Braccio da Montone](https://en.wikipedia.org/wiki/Braccio_da_Montone) and his military school, and many of them, like the Piccinino family, fought over all major conflucts in XV century Italy. 
A "[condottiere](https://en.wikipedia.org/wiki/Condottieri)" acts as general and military commander of a large unit; he is shown with the command baton with which this figure is shown with. The models are based on Paolo Uccello's painting of the [Battle of San Romano](https://en.wikipedia.org/wiki/The_Battle_of_San_Romano), with the characteristic large hats and plumes of the men-at-arms, and a trumpeteer. They are armed with plate armour in Milanese style, as other professional mercenaries of XVth-century Italy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317940
title: Italian Condottiere (Bracceschi)

description: [Medieval 2 Total War - Machiavello mod](http://www.twcenter.net/forums/forumdisplay.php?2240-Machiavello-Total-War-(MachTW)) | Model for an Italian Condottiere for the Bracceschi. The Bracceschi were commanders associated with [Braccio da Montone](https://en.wikipedia.org/wiki/Braccio_da_Montone) and his military school, and many of them, like the Piccinino family, fought over all major conflucts in XV century Italy. 
A "[condottiere](https://en.wikipedia.org/wiki/Condottieri)" acts as general and military commander of a large unit; he is shown with the command baton with which this figure is shown with. The models are based on Paolo Uccello's painting of the [Battle of San Romano](https://en.wikipedia.org/wiki/The_Battle_of_San_Romano), with the characteristic large hats and plumes of the men-at-arms, and a trumpeteer. They are armed with plate armour in Milanese style, as other professional mercenaries of XVth-century Italy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317941
title: Galway Museum - Decorated Stone

description: This 3D Model was recorded in the Galway City Museum as part of Galway3D training.  The stone shows an Uilleann piper and a dog ? on a decorated stone.  One of the many wonderful things on show in the museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317942
title: Galway Museum - Decorated Stone

description: This 3D Model was recorded in the Galway City Museum as part of Galway3D training.  The stone shows an Uilleann piper and a dog ? on a decorated stone.  One of the many wonderful things on show in the museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317943
title: 朝倉神社 狛犬4

description: 高知市朝倉神社

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317944
title: 朝倉神社 狛犬4

description: 高知市朝倉神社

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317945
title: Tengu Mask

description: Quick upload test made with ZBrush/Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317946
title: Tengu Mask

description: Quick upload test made with ZBrush/Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317949
title: Spawn

description: Spawn with a Mainbuilding and some special things. Perfect spawn for any server. -/-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317950
title: Spawn

description: Spawn with a Mainbuilding and some special things. Perfect spawn for any server. -/-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317951
title: Modèle 3D Sabre Briquet

description: Modélisation 3D obtenue par photogrammétrie d'un sabre d'infanterie daté de 1816, sous Napoléon III et produit  par la manufacture de Versailles. L'objet modélisé mesure 72 cm. La poignée de l'arme présente 28 cannelures, un bouton, et un quillon en laiton.
De nombreux poinçons et écritures sont percepetibles sur la surface de la lame et de la poignée, mais souvent difficilement déchiffrables. Ces inscriptions pourraient donner des informations supplémentaires sur le lieu de production, la manufacture et même le mois précis au cours duquel l'objet a été produit.

Le sabre est disposé sur deux cales en liège, permettant la stabilité de l'objet lors de la prise de photographies.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317952
title: Modèle 3D Sabre Briquet

description: Modélisation 3D obtenue par photogrammétrie d'un sabre d'infanterie daté de 1816, sous Napoléon III et produit  par la manufacture de Versailles. L'objet modélisé mesure 72 cm. La poignée de l'arme présente 28 cannelures, un bouton, et un quillon en laiton.
De nombreux poinçons et écritures sont percepetibles sur la surface de la lame et de la poignée, mais souvent difficilement déchiffrables. Ces inscriptions pourraient donner des informations supplémentaires sur le lieu de production, la manufacture et même le mois précis au cours duquel l'objet a été produit.

Le sabre est disposé sur deux cales en liège, permettant la stabilité de l'objet lors de la prise de photographies.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317953
title: Broken

description: ![](https://goo.gl/CMgnLD)


I met a traveller from an antique land

Who said – 'Two vast and trunkless legs of stone

Stand in the desert. Near them, on the sand,

Half-sunk, a shattered visage lies, whose frown,

And wrinkled lip, and sneer of cold command,

Tell that its sculptor well those passions read

Which yet survive (stamped on these lifeless things)

The hand that mocked them, and the heart that fed:

And on the pedestal these words appear:

"My name is Ozymandias, King of Kings:

Look on my Works, ye Mighty, and despair!"

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare

The lone and level sands stretch far away.'




***Ozymandias***, by **Percy Bysshe Shelley ** (1818)



Broken athlete sculpture, site at Beauvais, [episcopal palace, Musée départemental de l'Oise](https://goo.gl/8o9D2J)


Audio by [Vincent Price](https://goo.gl/yGoL6X) and ambient dessert sound

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317954
title: Broken

description: ![](https://goo.gl/CMgnLD)


I met a traveller from an antique land

Who said – 'Two vast and trunkless legs of stone

Stand in the desert. Near them, on the sand,

Half-sunk, a shattered visage lies, whose frown,

And wrinkled lip, and sneer of cold command,

Tell that its sculptor well those passions read

Which yet survive (stamped on these lifeless things)

The hand that mocked them, and the heart that fed:

And on the pedestal these words appear:

"My name is Ozymandias, King of Kings:

Look on my Works, ye Mighty, and despair!"

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare

The lone and level sands stretch far away.'




***Ozymandias***, by **Percy Bysshe Shelley ** (1818)



Broken athlete sculpture, site at Beauvais, [episcopal palace, Musée départemental de l'Oise](https://goo.gl/8o9D2J)


Audio by [Vincent Price](https://goo.gl/yGoL6X) and ambient dessert sound

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317955
title: Wooden Medieval Trough

description: This was a texture test that I decided to leave on. If you can use it for something then great!

It's extremely low poly but it is PBR and hand-painted.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317956
title: Wooden Medieval Trough

description: This was a texture test that I decided to leave on. If you can use it for something then great!

It's extremely low poly but it is PBR and hand-painted.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317959
title: Urna amb tapadora, Museu de l'Empordà

description: **CAT.** Urna bicònica, amb coll alt, cilíndric i sense peu marcat. La part superior del cos és decorada amb incisions acanalades horitzontals. La tapadora és troncocònica. Es podria tractar d'un vaset d'ofrenes.

**ES.**  Urna bicónica, con cuello alto, cilíndrico y sin pie marcado. La parte superior del cuerpo está decorada con incisiones acanaladas horizontales. La tapadera es troncocónica. Se podria tratar de una vasija de ofrendas. 

**EN**. Biconic urn with a high cylindrical neck and no visible foot. The upper part of the container is decorated with horizontal incisions. The lid is in the shape of a truncated cone. This piece may have served as a jar for offerings.

Model: Aleix Barberà Giné i Néstor F. Marqués. Text: Museu de l'Empordà

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317960
title: Urna amb tapadora, Museu de l'Empordà

description: **CAT.** Urna bicònica, amb coll alt, cilíndric i sense peu marcat. La part superior del cos és decorada amb incisions acanalades horitzontals. La tapadora és troncocònica. Es podria tractar d'un vaset d'ofrenes.

**ES.**  Urna bicónica, con cuello alto, cilíndrico y sin pie marcado. La parte superior del cuerpo está decorada con incisiones acanaladas horizontales. La tapadera es troncocónica. Se podria tratar de una vasija de ofrendas. 

**EN**. Biconic urn with a high cylindrical neck and no visible foot. The upper part of the container is decorated with horizontal incisions. The lid is in the shape of a truncated cone. This piece may have served as a jar for offerings.

Model: Aleix Barberà Giné i Néstor F. Marqués. Text: Museu de l'Empordà

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317961
title: The Tavern, Gaspee VR

description: Photogrammetry test for Sabin's Taver Scene.
Captured at Buckman Tavern, Lexington, Massachusetts
Captured by Adam Hersko-RonaTas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317962
title: The Tavern, Gaspee VR

description: Photogrammetry test for Sabin's Taver Scene.
Captured at Buckman Tavern, Lexington, Massachusetts
Captured by Adam Hersko-RonaTas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317963
title: Turas Station 2 - DG080-029001

description: Stad 2  Imíonn an t-oilithreach trí gheata na páirce agus, i ndiaidh dó tiontú ar dheis ar an bhealach mór, siúlann 50 méadar siar. Ar an taobh deas tá croscholún feiceálach suite ar fhreagairt starraiceach charraige i mbaile fearainn anGhainnimh.

Station 2 The pilgrim exits the field and turns right on to the main road, walking 50 metres westwards. On the right is Stad 2, an iconic and prominent cross-slab, in the townland of An tSráid. The station is accessed by a stone stile.



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317964
title: Turas Station 2 - DG080-029001

description: Stad 2  Imíonn an t-oilithreach trí gheata na páirce agus, i ndiaidh dó tiontú ar dheis ar an bhealach mór, siúlann 50 méadar siar. Ar an taobh deas tá croscholún feiceálach suite ar fhreagairt starraiceach charraige i mbaile fearainn anGhainnimh.

Station 2 The pilgrim exits the field and turns right on to the main road, walking 50 metres westwards. On the right is Stad 2, an iconic and prominent cross-slab, in the townland of An tSráid. The station is accessed by a stone stile.



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317965
title: AR010-002-15

description: Projectile Point collected in Union County, Indiana.

Catalog # 12-U-8

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2022. AR010-002-15, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317966
title: AR010-002-15

description: Projectile Point collected in Union County, Indiana.

Catalog # 12-U-8

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2022. AR010-002-15, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317967
title: Fountain (HPoly)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317968
title: Fountain (HPoly)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317970
title: COADS_20-30

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Delaware

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_20-30, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317969
title: COADS_20-30

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio; Material: Delaware

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_20-30, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317973
title: Chapel of Santa Lucia of Stiacciaie

description: Early 15th Century frescos at the Chapel of Santa Lucia of Stiacciaie in Montelaterone, Commune of Arcidosso, Grosseto, Tuscany.

3D model created in Reality Capture using 23 FARO laser scans and 1055 images.  The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317974
title: Chapel of Santa Lucia of Stiacciaie

description: Early 15th Century frescos at the Chapel of Santa Lucia of Stiacciaie in Montelaterone, Commune of Arcidosso, Grosseto, Tuscany.

3D model created in Reality Capture using 23 FARO laser scans and 1055 images.  The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317975
title: Mágica

description: Carnaval de Negros y Blancos 2019
Autor: Jorge Arturo Diaz Obando

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317976
title: Mágica

description: Carnaval de Negros y Blancos 2019
Autor: Jorge Arturo Diaz Obando

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317979
title: Leone stiloforo

description: Leone in marmo conservato al Museo Diocesano di Parma.

*esercitazione1corsomuseivirtuali3darcheolab*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317980
title: Leone stiloforo

description: Leone in marmo conservato al Museo Diocesano di Parma.

*esercitazione1corsomuseivirtuali3darcheolab*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317983
title: Tableta para alucinógenos

description: Tableta de madera para inhalar alucinógenos. Procede de San Pedro de Atacama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317984
title: Tableta para alucinógenos

description: Tableta de madera para inhalar alucinógenos. Procede de San Pedro de Atacama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317985
title: Michelinia

description: Tabulata coral from mid-Tournaisian of the Pechora-Kozhva Uplift (sample 121-8/18).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317986
title: Michelinia

description: Tabulata coral from mid-Tournaisian of the Pechora-Kozhva Uplift (sample 121-8/18).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317991
title: Mazsāliju pilskalns

description: Mazsāliju pilskalna 3D modelis. Koordinātas: 56.879516, 21.926483

https://www.latvijas-pilskalni.lv/mazsaliju-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317992
title: Mazsāliju pilskalns

description: Mazsāliju pilskalna 3D modelis. Koordinātas: 56.879516, 21.926483

https://www.latvijas-pilskalni.lv/mazsaliju-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317995
title: Laminar Blade Core (Experimental)

description: An experimental laminar blade core, recorded from the Centre for the Archaeology of Human Origins (University of Southampton, United Kingdom).

Produced by Dr. Cristian Steven Hoggard using Agisoft Metashape Professional and 84 photographs, taken under the following conditions: Model: Canon EOS 4000D Focal length: 33 mm ISO speed: ISO-400 F-stop: f/29 Exposure time: 0.8 sec

Additional notes: masking performed using a automated script in Photoshop CS6. Label denotes previous use in teaching.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317996
title: Laminar Blade Core (Experimental)

description: An experimental laminar blade core, recorded from the Centre for the Archaeology of Human Origins (University of Southampton, United Kingdom).

Produced by Dr. Cristian Steven Hoggard using Agisoft Metashape Professional and 84 photographs, taken under the following conditions: Model: Canon EOS 4000D Focal length: 33 mm ISO speed: ISO-400 F-stop: f/29 Exposure time: 0.8 sec

Additional notes: masking performed using a automated script in Photoshop CS6. Label denotes previous use in teaching.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317997
title: Entrée du château des Bois Francs

description: 188 shots from Mini2.
Shooting with manual drone pilot in less than 5 minutes, fixed exposition.

2 second photo timer for most pictures, then manual capture avoiding trees around.

Lightroom for adjusting contrast, exposition...

Capturing Reality for process, simplify, clean, texture...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317998
title: Entrée du château des Bois Francs

description: 188 shots from Mini2.
Shooting with manual drone pilot in less than 5 minutes, fixed exposition.

2 second photo timer for most pictures, then manual capture avoiding trees around.

Lightroom for adjusting contrast, exposition...

Capturing Reality for process, simplify, clean, texture...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318000
title: Ball games sculpture

description: Ball games, children playing sculpture, public art sculpture statue object

Sculpture artist: Václav Kyselka (1980s) @ https://goo.gl/maps/rSBaxX9AcTDXTBkc7 Ústí nad Labem CZ, near elementary school •  Nov 22 2019

Photogrammetry scan (24MP, 150+ photos)  • https://pavelmatousek.cz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10317999
title: Ball games sculpture

description: Ball games, children playing sculpture, public art sculpture statue object

Sculpture artist: Václav Kyselka (1980s) @ https://goo.gl/maps/rSBaxX9AcTDXTBkc7 Ústí nad Labem CZ, near elementary school •  Nov 22 2019

Photogrammetry scan (24MP, 150+ photos)  • https://pavelmatousek.cz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10318001
title: ROI022-057-03

description: Point Fragment collected in Allen County, Indiana

Catalog #: 12-Al-901-24B 

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI022-057-03, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab