cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12206909.v1
title: Forests and Trees: What If We All Just Stopped?, Art Basel, Germany, 2018.

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains 4 images documenting <b>What If We All Stopped?</b> a tank work made for and exhibited at Art Basel 2018. Drawing on the evocation of the sublime in German Romanticism, <b>What If We All Stopped?</b> is a section of forest, made from resin, submerged in a water solution inside a glass vitrine. It was displayed at Art Basel within a darkened chamber lit by a single beam of light aiming to highlight in the viewer a sense of the figure alone in the woods at dusk, at once immersed and detached.<br><br><b>What If We All Just Stopped?</b>, 2018Mixed media including water, acrylic medium,salt, fibre-glass71,8 × 66,1 × 174,6 cm.<br><br><b>What If We All Just Stopped? </b>was also due to be exhibited in November 2020 as part of <b>Diversity United. Contemporary European Art. Moscow. Berlin. Paris.</b>,<b> </b>a touring exhibition of 81 artists from 35 countries set up by<i> </i>The Foundation for Art and Culture, Bonn and the Tretyakov Gallery, Moscow. Due to the Covid-19 pandemic the exhibition was postponed.<br><b><br>Photography</b>: Courtesy of Pedro Cera Gallery, Lisbon, Portugal. Used with permission. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12199622
title: Forests and Trees: Echo Chamber, Pedro Cera Gallery, Lisbon, Portugal, 12th April - 19th May 2018.

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains an exhibition press release, 5 exhibition views and a contextual document showing images of the artists other works in the exhibition.<br><br>This item documents <b>The Touch of Earthly Years, </b>a tank<b> </b>work made specifically for Neudecker's solo exhibition, <b>Echo Chamber, </b>at the Pedro Cera gallery in Lisbon in 2018. The exhibition was a comprehensive survey of Neudecker's work touching on themes of the Contemporary Sublime, the real and the mediated, environmental change and the Romantic landscape tradition in art. <b>The Touch of Earthly Years</b> is a three dimensional section of dense forest that sits inside a glass tank, submerged in atmospheric water solution which aims to create an experience both immersive and detached.<br><br><b>The Touch of Earthly Years</b> 2018Mixed media including water, acrylic medium,fibre-glass, salt.159,2 × 57 × 63 cm<br><br><b>Photography</b>: Courtesy of Pedro Cera Gallery. Used with permission. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12199622.v1
title: Forests and Trees: Echo Chamber, Pedro Cera Gallery, Lisbon, Portugal, 12th April - 19th May 2018.

description: <b>Forests </b><b>and </b><b>Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains an exhibition press release, 5 exhibition views and a contextual document showing images of the artists other works in the exhibition.<br><br>This item documents <b>The Touch of Earthly Years, </b>a tank<b> </b>work made specifically for Neudecker's solo exhibition, <b>Echo Chamber, </b>at the Pedro Cera gallery in Lisbon in 2018. The exhibition was a comprehensive survey of Neudecker's work touching on themes of the Contemporary Sublime, the real and the mediated, environmental change and the Romantic landscape tradition in art. <b>The Touch of Earthly Years</b> is a three dimensional section of dense forest that sits inside a glass tank, submerged in atmospheric water solution which aims to create an experience both immersive and detached.<br><br><b>The Touch of Earthly Years</b> 2018Mixed media including water, acrylic medium,fibre-glass, salt.159,2 × 57 × 63 cm<br><br><b>Photography</b>: Courtesy of Pedro Cera Gallery. Used with permission. <br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12046545
title: Forests and Trees: Hanging Gardens: Parallel Lives, 2017 New Cancer Centre, Guys Hospital, London, UK.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a project proposal, an outline of conceptual aims, an extract of the audio visual installation,13 images of the making and installing of the work , and a short description of the finished piece.<br><br>This item documents the making and installation of<b> Hanging Gardens:Parallel Lives </b>an audio visual work commissioned for the 3 main passenger lifts at the New Cancer Centre at Guys Hospital, London. Shot in the Ecuadorian Rainforest, at the Tiputini Biodiversity Station the installation features vertical tracking footage rising above the 35m forest canopy and back down to the forest floor. Linking the urban jungle with the rainforest, the installation aims to create an engaging, therapeutic space for patients as well as raising awareness of rainforest destruction.<br><br><b>Cinematography</b>: Laurie Lax & John Taylor.<b>Sound:</b> Jan Meinema, Bath Spa University. Manus Pitt, BBC Natural History Unit, Bristol.<b>Post Production & Editing: </b>Andy Moss.<b>Photography:</b> Laurie Lax , John Taylor and Mariele Neudecker. Images used courtesy of the photographers.<br><br><b>All materials used with permission. <br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12046545.v1
title: Forests and Trees: Hanging Gardens: Parallel Lives, 2017 New Cancer Centre, Guys Hospital, London, UK.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a project proposal, an outline of conceptual aims, an extract of the audio visual installation,13 images of the making and installing of the work , and a short description of the finished piece.<br><br>This item documents the making and installation of<b> Hanging Gardens:Parallel Lives </b>an audio visual work commissioned for the 3 main passenger lifts at the New Cancer Centre at Guys Hospital, London. Shot in the Ecuadorian Rainforest, at the Tiputini Biodiversity Station the installation features vertical tracking footage rising above the 35m forest canopy and back down to the forest floor. Linking the urban jungle with the rainforest, the installation aims to create an engaging, therapeutic space for patients as well as raising awareness of rainforest destruction.<br><br><b>Cinematography</b>: Laurie Lax & John Taylor.<b>Sound:</b> Jan Meinema, Bath Spa University. Manus Pitt, BBC Natural History Unit, Bristol.<b>Post Production & Editing: </b>Andy Moss.<b>Photography:</b> Laurie Lax , John Taylor and Mariele Neudecker. Images used courtesy of the photographers.<br><br><b>All materials used with permission. <br><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12103785
title: Forests and Trees: Figure of 8, Art Basel Miami, USA December 2015.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a 1:00 min audio extract of the 16 minutes looped <b>Figure of 8 </b>soundscape, 5 images of the soundscape installation & 2 documents describing and providing contextual information & links on the sound installation.<br><br>This item documents <b>Figure of 8 </b>a surround sound work that aims to create a sound experience of a night in the rainforest. Recorded at the various heights, stated in the title, from the Tiputini Biodiversity Station in Ecuador the soundscape formed part of Film Basel, Miami in 2015.<br><br><b>To listen to the full 16 mins soundscape please click on the link</b>:<b> https://soundcloud.com/david-gryn/mariele-neudecker-figure-of-8-rainforest-ecuador-for-51-surround-2015</b><b><br>Photography</b> by Mariele Neudecker.<br><b>Sound Recording</b> by Laurie Lax, Bristol University, and John Taylor, Bath Spa University.<br><b>Sound Editor</b>: Jan Meinema, Sound Engineer at Bath Spa University and Manus Pitt, BBC Natural History Unit, Bristol.<br><b>Used with permission. <br></b><b><br>Figure of 8</b> was also featured in the following exhibitions:<b>Some Things Happen All At Once </b>2016, Zeppelin Museum, Friedrichshafen, Germany, and <b>Echo Chamber </b>2018 at Pedro Cera Gallery, Lisbon, Portugal.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12103785.v1
title: Forests and Trees: Figure of 8, Art Basel Miami, USA December 2015.

description: <b>Forest and Trees </b>focuses on research into landscape as metaphor for the human condition, the Contemporary Sublime, human psychology, atmospheric conditions and subjects surrounding climate change.<br><br>This item contains a 1:00 min audio extract of the 16 minutes looped <b>Figure of 8 </b>soundscape, 5 images of the soundscape installation & 2 documents describing and providing contextual information & links on the sound installation.<br><br>This item documents <b>Figure of 8 </b>a surround sound work that aims to create a sound experience of a night in the rainforest. Recorded at the various heights, stated in the title, from the Tiputini Biodiversity Station in Ecuador the soundscape formed part of Film Basel, Miami in 2015.<br><br><b>To listen to the full 16 mins soundscape please click on the link</b>:<b> https://soundcloud.com/david-gryn/mariele-neudecker-figure-of-8-rainforest-ecuador-for-51-surround-2015</b><b><br>Photography</b> by Mariele Neudecker.<br><b>Sound Recording</b> by Laurie Lax, Bristol University, and John Taylor, Bath Spa University.<br><b>Sound Editor</b>: Jan Meinema, Sound Engineer at Bath Spa University and Manus Pitt, BBC Natural History Unit, Bristol.<br><b>Used with permission. <br></b><b><br>Figure of 8</b> was also featured in the following exhibitions:<b>Some Things Happen All At Once </b>2016, Zeppelin Museum, Friedrichshafen, Germany, and <b>Echo Chamber </b>2018 at Pedro Cera Gallery, Lisbon, Portugal.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.5281/zenodo.4641835
title: Comparativa de l'evolució de les dades històriques diàries del ranking de les 100 criptomonedes amb més capitalització de mercat acumulat.

description: Amb la finalitat de poder realitzar una comparativa temporal de les diferents criptomonedes amb més capitalització de mercat acumulat, s’han recollit les dades diàries i s’ha creat un fitxer per dia amb tota la informació. Els fitxers corresponen a dos dies diferents i les dades venen determinades per les següents: <strong>Coin</strong>: Nom identificador de la criptomònada <strong>Open</strong>: Preu d’obertura de mercat de la criptomoneda, expressat en dòlars nord-americans ($) <strong>High</strong>: Valor més alt del dia de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Low</strong>: Valor més baix del dia per de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Close</strong>: Valor de tancament de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Volum</strong>: Correspon al volum negociat en un dia de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Market Cap</strong>: Correspon a la capitalització de mercat de la criptomoneda, expressat en dòlars nord-americans ($)
DOI: 10.5281/zenodo.4641834
title: Comparativa de l'evolució de les dades històriques diàries del ranking de les 100 criptomonedes amb més capitalització de mercat acumulat.

description: Amb la finalitat de poder realitzar una comparativa temporal de les diferents criptomonedes amb més capitalització de mercat acumulat, s’han recollit les dades diàries i s’ha creat un fitxer per dia amb tota la informació. Els fitxers corresponen a dos dies diferents i les dades venen determinades per les següents: <strong>Coin</strong>: Nom identificador de la criptomònada <strong>Open</strong>: Preu d’obertura de mercat de la criptomoneda, expressat en dòlars nord-americans ($) <strong>High</strong>: Valor més alt del dia de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Low</strong>: Valor més baix del dia per de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Close</strong>: Valor de tancament de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Volum</strong>: Correspon al volum negociat en un dia de la criptomoneda, expressat en dòlars nord-americans ($) <strong>Market Cap</strong>: Correspon a la capitalització de mercat de la criptomoneda, expressat en dòlars nord-americans ($)
DOI: 10.5281/zenodo.4641833
title: Critical slowing down in circuit quantum electrodynamics

description: The file include all the dataset used in the manuscript "Critical slowing down in circuit quantum electrodynamics" published in Science Advances
DOI: 10.6084/m9.figshare.14330084
title: COVID 19- STAI-BECK datas.xlsx

description: These are datas about the manuscript named "Evaluating the Anxiety and Depression Status of Prostate Cancer Patients whose Operations were Postponed due to the COVID-19 Pandemic" reviewed in the international journal of clinical practice.
DOI: 10.6084/m9.figshare.14330084.v1
title: COVID 19- STAI-BECK datas.xlsx

description: These are datas about the manuscript named "Evaluating the Anxiety and Depression Status of Prostate Cancer Patients whose Operations were Postponed due to the COVID-19 Pandemic" reviewed in the international journal of clinical practice.
DOI: 10.5281/zenodo.4612420
title: SModelS database v2.0.0, without fastlim results

description: This is the pickled SModelS database v2.0.0, without fastlim results. This is the database that gets used when specifying "official" for the database path, in SModelS 2.0.0. More explicitly, it corresponds to the "https://smodels.github.io/database/official200" path. The text version of this (binary) database can be accessed on github, the version including fastlim results is here.
DOI: 10.5281/zenodo.4612419
title: SModelS database v2.0.0, without fastlim results

description: This is the pickled SModelS database v2.0.0, without fastlim results. This is the database that gets used when specifying "official" for the database path, in SModelS 2.0.0. More explicitly, it corresponds to the "https://smodels.github.io/database/official200" path. The text version of this (binary) database can be accessed on github, the version including fastlim results is here.
DOI: 10.5281/zenodo.4612678
title: SModelS database v2.0.0, with fastlim results

description: This is the pickled SModelS database v2.0.0, with fastlim results.<br> This is the database that gets used when specifying "official_fastlim" for the database path, in SModelS 2.0.0. More explicitly, it corresponds to the "https://smodels.github.io/database/official200_fastlim" path. The text version of this (binary) database -- without the fastlim results -- can be accessed on github, the version without fastlim results is here. If you use this database, please make sure to cite also the original fastlim publication: arXiv:1402.0492, EPJC74 (2014) 11.
DOI: 10.5281/zenodo.4612677
title: SModelS database v2.0.0, with fastlim results

description: This is the pickled SModelS database v2.0.0, with fastlim results.<br> This is the database that gets used when specifying "official_fastlim" for the database path, in SModelS 2.0.0. More explicitly, it corresponds to the "https://smodels.github.io/database/official200_fastlim" path. The text version of this (binary) database -- without the fastlim results -- can be accessed on github, the version without fastlim results is here. If you use this database, please make sure to cite also the original fastlim publication: arXiv:1402.0492, EPJC74 (2014) 11.
DOI: 10.17870/bathspa.12292853.v1
title: Deep Sea: 300 Word Statement.

description: The works developed for <b>Deep Sea</b> resulted from Mariele Neudecker's collaboration with scientists and explore the hidden, often contradictory, aspects of the deep ocean. Focusing on the theme of the sublime in a contemporary context Neudecker questions our perceptions of, relationship to and impact on this invisible world. <br>This item contains a 300 word statement on the <b>Deep Sea </b>Collection.
DOI: 10.17870/bathspa.12292853
title: Deep Sea: 300 Word Statement.

description: The works developed for <b>Deep Sea</b> resulted from Mariele Neudecker's collaboration with scientists and explore the hidden, often contradictory, aspects of the deep ocean. Focusing on the theme of the sublime in a contemporary context Neudecker questions our perceptions of, relationship to and impact on this invisible world. <br>This item contains a 300 word statement on the <b>Deep Sea </b>Collection.
DOI: 10.17870/bathspa.12366173
title: Deep Sea: Research Questions & Timeline

description: The works developed for <b>Deep Sea</b> resulted from Mariele Neudecker's collaboration with scientists and explore the hidden, often contradictory, aspects of the deep ocean. Focusing on the theme of the sublime in a contemporary context Neudecker questions our perceptions of, relationship to and impact on this invisible world.<br>This item contains Research Questions and a Timeline for <b>Deep Sea </b>by Mariele Neudecker.<br><i><br></i><br>
DOI: 10.17870/bathspa.12292862
title: Deep Sea: Offshore, Artists Explore The Sea, Hull Maritime Museum and Ferens Gallery, Hull, 1st April - 28th August 2017.

description: The works developed for <b>Deep Sea</b> resulted from Mariele Neudecker's collaboration with marine scientists and explore the hidden, often contradictory, aspects of the deep ocean. Focusing on the theme of the sublime in a contemporary context Neudecker questions our perceptions of, relationship to and impact on this invisible world.<br><br>This item contains a project outline, an exhibition guide, 2 mp4 composite films of the 12 screen installation,18 exhibition views, and a composite image of video stills.<br><br>There is also Vimeo link to the full length video <b>One More Time</b> below.<br><br>Organised by <i>Invisible Dust</i>, <b>Offshore: Artists Explore the Sea</b> was an exhibition held at Hull Maritime Museum and Ferens Gallery as part of Hull City of Culture 2017. The exhibition featured existing and 10 specially commissioned works by invited contemporary artists, that explore the impact on the sea of climate change, and look at the contrasting ways the oceans have shaped our culture, economy and imagination.<br><br><b>Offshore </b>was curated by Gemma Lloyd and Lara Goodband and produced by <i>Invisible Dust</i> in partnership with Hull Culture and Leisure and Hull City Council.<br><br>For a full list of participating artists please see the exhibition guide in this item.<br><br><b>To view the entire film, please click the below Vimeo link to One More Time (2017):</b><b>https://vimeo.com/257343766<br></b><b><br>Photography</b>: David Chalmers. Images used with permission courtesy of the photographer and the Hull Maritime Museum and Ferens Gallery, Hull.<br><br>Exhibition guide used with permission courtesy of <i>Invisible Dust</i> and Hull Maritime Museum.<br><br><b>One More Time</b> was also shown in <i>Ocean Imaginaries</i>, RMIT Gallery, Melbourne in 2017, <i>Sediment</i> at the Limerick city of Art Gallery, <i>Unity In Diversity </i>at Tblisi History Museum, Georgia and The Vestibules , Bristol in 2018.<br><br><b>The Improbable Always Happens Sometimes</b> <b>(Sediment) </b>&<b> (Descent) </b>was also shown as part of Neudecker's solo exhibition, <i>Sediment</i> at the Limerick City of Art Gallery in 2018.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12292862.v1
title: Deep Sea: Offshore, Artists Explore The Sea, Hull Maritime Museum and Ferens Gallery, Hull, 1st April - 28th August 2017.

description: The works developed for <b>Deep Sea</b> resulted from Mariele Neudecker's collaboration with marine scientists and explore the hidden, often contradictory, aspects of the deep ocean. Focusing on the theme of the sublime in a contemporary context Neudecker questions our perceptions of, relationship to and impact on this invisible world.<br><br>This item contains a project outline, an exhibition guide, 2 mp4 composite films of the 12 screen installation,18 exhibition views, and a composite image of video stills.<br><br>There is also Vimeo link to the full length video <b>One More Time</b> below.<br><br>Organised by <i>Invisible Dust</i>, <b>Offshore: Artists Explore the Sea</b> was an exhibition held at Hull Maritime Museum and Ferens Gallery as part of Hull City of Culture 2017. The exhibition featured existing and 10 specially commissioned works by invited contemporary artists, that explore the impact on the sea of climate change, and look at the contrasting ways the oceans have shaped our culture, economy and imagination.<br><br><b>Offshore </b>was curated by Gemma Lloyd and Lara Goodband and produced by <i>Invisible Dust</i> in partnership with Hull Culture and Leisure and Hull City Council.<br><br>For a full list of participating artists please see the exhibition guide in this item.<br><br><b>To view the entire film, please click the below Vimeo link to One More Time (2017):</b><b>https://vimeo.com/257343766<br></b><b><br>Photography</b>: David Chalmers. Images used with permission courtesy of the photographer and the Hull Maritime Museum and Ferens Gallery, Hull.<br><br>Exhibition guide used with permission courtesy of <i>Invisible Dust</i> and Hull Maritime Museum.<br><br><b>One More Time</b> was also shown in <i>Ocean Imaginaries</i>, RMIT Gallery, Melbourne in 2017, <i>Sediment</i> at the Limerick city of Art Gallery, <i>Unity In Diversity </i>at Tblisi History Museum, Georgia and The Vestibules , Bristol in 2018.<br><br><b>The Improbable Always Happens Sometimes</b> <b>(Sediment) </b>&<b> (Descent) </b>was also shown as part of Neudecker's solo exhibition, <i>Sediment</i> at the Limerick City of Art Gallery in 2018.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>