cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10230468
title: "Peter" the T. rex, caudal vertebra

description: ***Tyrannosaurus rex* "Peter"**

Specimen No. Peter_022; caudal vertebra #5, neural arch

Peter was found in the Lance Formation in South Dakota, USA. He lived some 66 million years ago. 





3D model by Palaeo3D. www.palaeo3d.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230481
title: Giant Beaver (Castoroides) cranium. UWZP 20000.

description: Giant Beaver (Castoroides ohioensis) cranium from Dane Co., WI. UWZP 20000. Scanned in June 2022.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230488
title: Old World Map

description: Old map Iceland - Viking - Sea Monsters

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230480
title: Giant Beaver (Castoroides) cranium. UWZP 20000.

description: Giant Beaver (Castoroides ohioensis) cranium from Dane Co., WI. UWZP 20000. Scanned in June 2022.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230493
title: 1st Century Israelite House

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230485
title: Caspar Herman Storms salong - Ladegården

description: Caspar Herman Storms salong

Oslo ladegård er en staselig lystgård fra 1700-tallet. Huset ble bygget på kjellermurene etter borgermester Christen Mules gård, der kong James VI av Skottland og prinsesse Anna ble gift i 1589. 

Det var Christiania-fruen Karen Toller som bygget huset i 1720-årene. Hennes barnebarn Caspar Herman Storm ga Ladegårdens hovedbygning sin form som gården har beholdt helt opp til vår tid. Han eide hele området fra Alna gård (ved Østre Aker kirke) og ut til strandlinja ved Bjørvika, og fra Tøyen og Vaterlands bro, helt til Alnaelvas bredd. På Caspar Herman Storms tid var hagen på sitt største, med pryd- og nytteplanter, flere uthus og veksthus.

Denne salongen er den flotteste i Ladegården, med gulldekorerte veggtapeter fra Caspars tid. Derfor er rommet oppkalt etter han.



Created in RealityCapture by Gaute Gunleiksrud from 1102 images in 08h:39m:00s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230495
title: Paminklas žuvusiems už Lietuvos Nepriklausomybę

description: "Birutės" paminklas pastatytas 1931 m., nugriautas ir užkastas 1946 m., originalūs fragmentai atkasti 1988 m., atkurtas 1990 m., restauruotas 2006–2007 m.; autorius – skulptorius Robertas Antinis vyresnysis (1898-1981), atkurto paminklo autorius Robertas Antinis jaunesnysis (g. 1946), dailininkai – Vygintas Ivoška, Algirdas Povilaitis.

Su Leica RTC360 lazeriniu skeneriu nuskenuotas paminklas. Iš gauto taškų debesies sukurtas realus 3D modelis. www.siaurinis.lt

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230496
title: Wax seal of the imperial District Starost

description: ID no. 427/96 "Wax seal of the imperial and royal (C.K.) District Starost (head of district)"

 Museum: City Museum in Wadowice
 
https://muzea.malopolska.pl/en/objects-list/335
 
Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230494
title: Paminklas žuvusiems už Lietuvos Nepriklausomybę

description: "Birutės" paminklas pastatytas 1931 m., nugriautas ir užkastas 1946 m., originalūs fragmentai atkasti 1988 m., atkurtas 1990 m., restauruotas 2006–2007 m.; autorius – skulptorius Robertas Antinis vyresnysis (1898-1981), atkurto paminklo autorius Robertas Antinis jaunesnysis (g. 1946), dailininkai – Vygintas Ivoška, Algirdas Povilaitis.

Su Leica RTC360 lazeriniu skeneriu nuskenuotas paminklas. Iš gauto taškų debesies sukurtas realus 3D modelis. www.siaurinis.lt

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230497
title: Wax seal of the imperial District Starost

description: ID no. 427/96 "Wax seal of the imperial and royal (C.K.) District Starost (head of district)"

 Museum: City Museum in Wadowice
 
https://muzea.malopolska.pl/en/objects-list/335
 
Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230505
title: Petroglyph C12 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph C12 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230503
title: NPTP top

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5667/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230504
title: Petroglyph C12 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph C12 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230502
title: NPTP top

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5667/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230506
title: japan environment assets

description: these are a collection of assest in japanese theme containing shrines tori gates, and variety of diffrent models in said theme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230508
title: Alcove with mirror and tray

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230492
title: 1st Century Israelite House

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230507
title: japan environment assets

description: these are a collection of assest in japanese theme containing shrines tori gates, and variety of diffrent models in said theme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230511
title: Objeto 02 - Chimu

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230509
title: Alcove with mirror and tray

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230510
title: Objeto 02 - Chimu

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230512
title: Sarcophage_Romain

description: Selon les recherches effectuées par Beaudoin Caron, le sarcophage, fabriqué en marbre, date du milieu du IIe siècle de notre ère. Il est orné de bas-reliefs qui révèlent une partie de son origine et de son histoire. Ainsi, un des deux longs côtés est décoré de scènes païennes, tandis que l'autre montre des figures chrétiennes. Sur le côté « païen », on peut observer une procession de divinités marines mineures, qui symbolisent le voyage de l'âme vers l'au-delà. Ces sculptures datent de l'époque à laquelle le sarcophage a été réalisé. Le côté « chrétien » a été sculpté au Moyen Âge, probablement au XIVe siècle. On y retrouve des saints chrétiens, une madone, le Christ et un ange, ainsi que les armoiries des Caprona, une puissante famille pisane de l'époque. Enfin, sur les côtés plus étroits du sarcophage, on peut voir deux croix de Malte.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230516
title: Old US mailbox

description: USA old mailbox. 
Renders https://www.artstation.com/artwork/3qxxqD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230517
title: Old US mailbox

description: USA old mailbox. 
Renders https://www.artstation.com/artwork/3qxxqD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230519
title: Asymmetric Knife. XCB-105-2630

description: Asymmetric Knife. XCB-105-2630. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230518
title: Asymmetric Knife. XCB-105-2630

description: Asymmetric Knife. XCB-105-2630. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230520
title: Tools of the Sawing scans with iPhone12 Pro

description: Sawing was the most serious form of capital punishment, and was applied only to the murder of the master.
They were exposed for two days and then crucified after one day of torture.

[Meiji University Museum](https://www.meiji.ac.jp/cip/english/institute/facilities/museum.html)
1-1 Kanda-Surugadai, Chiyoda-ku, Tokyo

![](https://pbs.twimg.com/media/E5BDXonVoAAdg1n?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230521
title: Tools of the Sawing scans with iPhone12 Pro

description: Sawing was the most serious form of capital punishment, and was applied only to the murder of the master.
They were exposed for two days and then crucified after one day of torture.

[Meiji University Museum](https://www.meiji.ac.jp/cip/english/institute/facilities/museum.html)
1-1 Kanda-Surugadai, Chiyoda-ku, Tokyo

![](https://pbs.twimg.com/media/E5BDXonVoAAdg1n?format=jpg&name=large)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230525
title: Cráneo Huacaloma

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230535
title: Orléans, fouille Lycée Saint-Euverte, cave ST30

description: Modèle issu d'un relevé photogrammétrique. Cave antique ST30 de la fouille du Lycée Saint-Euverte en 2017. © Pôle d'archéologie 2019
Réalisation par photogrammétrie au moyen du logiciel Agisoft Photoscan, à partir de 24 clichés pris avec un Pentax K-S2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230534
title: Orléans, fouille Lycée Saint-Euverte, cave ST30

description: Modèle issu d'un relevé photogrammétrique. Cave antique ST30 de la fouille du Lycée Saint-Euverte en 2017. © Pôle d'archéologie 2019
Réalisation par photogrammétrie au moyen du logiciel Agisoft Photoscan, à partir de 24 clichés pris avec un Pentax K-S2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230513
title: Sarcophage_Romain

description: Selon les recherches effectuées par Beaudoin Caron, le sarcophage, fabriqué en marbre, date du milieu du IIe siècle de notre ère. Il est orné de bas-reliefs qui révèlent une partie de son origine et de son histoire. Ainsi, un des deux longs côtés est décoré de scènes païennes, tandis que l'autre montre des figures chrétiennes. Sur le côté « païen », on peut observer une procession de divinités marines mineures, qui symbolisent le voyage de l'âme vers l'au-delà. Ces sculptures datent de l'époque à laquelle le sarcophage a été réalisé. Le côté « chrétien » a été sculpté au Moyen Âge, probablement au XIVe siècle. On y retrouve des saints chrétiens, une madone, le Christ et un ange, ainsi que les armoiries des Caprona, une puissante famille pisane de l'époque. Enfin, sur les côtés plus étroits du sarcophage, on peut voir deux croix de Malte.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230524
title: Cráneo Huacaloma

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230527
title: Inscrição de Afonso III das Astúrias

description: Modelo optimizado do levantamento fotogramétrico da inscrição de Afonso III das Astúrias. Este modelo foi feito no quadro do trabalho final do curso de "Optmização e pós-processamento de modelos fotogramétricos" da Koré usado, para esse efeito, fotografias capturadas e disponibilizadas pelo tutores.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230531
title: Little Prince - Metal_01 - Ancient Rome Bust

description: Profecional - Ancient Rome Bust - Little Prince. Material: Metal. Create from 3D scanning bust. Real world scale (cm) and are centered at origin. Object Dimensions:  X 40.4cm / Y 46cm / Z 61.5cm. Polygons: 1891. Low polygonal High Quality mesh. Hand made retopology. Only quads polygons. Hand made Unwrapped UVs - Non-overlapping. Materials are PBR (Physically-Based Rendering). High resolution Texture 4K - 4096x4096.

Download other models for different game/render engine, ready for use - herosstudio.eu

- BSDF Princeple Pixar shader
	- Clarisse iFX
	- Cycles-EEVEE - Blender, Cinema 4D
	- Renderman - Blender, Maya, Houdini, Katana
- Corona - 3D Studio Max, Cinema 4D
- MODO
- PBR Metal Rough
	- Arnold - 3D Studio Max, Maya, Cinema 4D,Houdini, Katana
	- Octane - 3D Studio Max, Maya, Blender, Cinema 4D, Houdini, LightWave, MODO, NUKE, SketchUp
	- Redshift - 3D Studio Max, Maya, C4D, Houdini, Katana
	- iClone
- Unity
- Unreal
- Vray - 3D Studio Max, Maya, Blender, Cinema 4D, MODO, NUKE, Katana, SketchUp, Unreal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230538
title: Rockwall

description: Southern Utah or Northern Arizona West of Cortez Colorado on 160...Created in RealityCapture by Capturing Reality from 271 images in 00h:47m:21s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230539
title: Rockwall

description: Southern Utah or Northern Arizona West of Cortez Colorado on 160...Created in RealityCapture by Capturing Reality from 271 images in 00h:47m:21s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230526
title: Inscrição de Afonso III das Astúrias

description: Modelo optimizado do levantamento fotogramétrico da inscrição de Afonso III das Astúrias. Este modelo foi feito no quadro do trabalho final do curso de "Optmização e pós-processamento de modelos fotogramétricos" da Koré usado, para esse efeito, fotografias capturadas e disponibilizadas pelo tutores.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230529
title: The Serving Room

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In The Serving Room the [footmen](https://goo.gl/9r5oY3) polished silver and put the last touches to the dishes before they were served.

The Serving Room is connected to the basement floor kitchen via the back stairs, a lift and a dumbwaiter. There were separate stairs and passages for the servants so that the work could run smoothly and at the same time not be visible in the grand rooms.

The threshold between this room and the dining room marked an invisible border between the family's domain and the servants' areas; a border that should not be crossed casually. The servants' work spaces should be respected. This also applied to the owner of the house.

![](https://i.imgur.com/N7N03Is.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230536
title: D48 - Schoonoord

description: http://hunebeddeninfo.nl/d49-schoonoord

Hunebedden in Nederland

De grootste steen van Drenthe (geen hunebed).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230537
title: D48 - Schoonoord

description: http://hunebeddeninfo.nl/d49-schoonoord

Hunebedden in Nederland

De grootste steen van Drenthe (geen hunebed).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230543
title: Tonfigur einer Sphinx

description: **Titel/Title**: Tonfigur einer Sphinx

**Objektbezeichnung/Description**: Statuette

**Inventarnummer/Accession Number**: B 2130

**Datierung/Date**: Mitte 5. Jh. v. Chr.

**Orte/Locations**: Tarent (Herstellungsort)

**Material/Material**: Terrakotta

**Technik/Manufacturing technique**: Matrize (Umformen), gebrannt

**Maße/Size**:
      
   Länge:	7.5 cm
   
   Breite:	 6 cm
   
   Dicke:	 1.5 cm


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230528
title: The Serving Room

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In The Serving Room the [footmen](https://goo.gl/9r5oY3) polished silver and put the last touches to the dishes before they were served.

The Serving Room is connected to the basement floor kitchen via the back stairs, a lift and a dumbwaiter. There were separate stairs and passages for the servants so that the work could run smoothly and at the same time not be visible in the grand rooms.

The threshold between this room and the dining room marked an invisible border between the family's domain and the servants' areas; a border that should not be crossed casually. The servants' work spaces should be respected. This also applied to the owner of the house.

![](https://i.imgur.com/N7N03Is.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230530
title: Little Prince - Metal_01 - Ancient Rome Bust

description: Profecional - Ancient Rome Bust - Little Prince. Material: Metal. Create from 3D scanning bust. Real world scale (cm) and are centered at origin. Object Dimensions:  X 40.4cm / Y 46cm / Z 61.5cm. Polygons: 1891. Low polygonal High Quality mesh. Hand made retopology. Only quads polygons. Hand made Unwrapped UVs - Non-overlapping. Materials are PBR (Physically-Based Rendering). High resolution Texture 4K - 4096x4096.

Download other models for different game/render engine, ready for use - herosstudio.eu

- BSDF Princeple Pixar shader
	- Clarisse iFX
	- Cycles-EEVEE - Blender, Cinema 4D
	- Renderman - Blender, Maya, Houdini, Katana
- Corona - 3D Studio Max, Cinema 4D
- MODO
- PBR Metal Rough
	- Arnold - 3D Studio Max, Maya, Cinema 4D,Houdini, Katana
	- Octane - 3D Studio Max, Maya, Blender, Cinema 4D, Houdini, LightWave, MODO, NUKE, SketchUp
	- Redshift - 3D Studio Max, Maya, C4D, Houdini, Katana
	- iClone
- Unity
- Unreal
- Vray - 3D Studio Max, Maya, Blender, Cinema 4D, MODO, NUKE, Katana, SketchUp, Unreal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230542
title: Tonfigur einer Sphinx

description: **Titel/Title**: Tonfigur einer Sphinx

**Objektbezeichnung/Description**: Statuette

**Inventarnummer/Accession Number**: B 2130

**Datierung/Date**: Mitte 5. Jh. v. Chr.

**Orte/Locations**: Tarent (Herstellungsort)

**Material/Material**: Terrakotta

**Technik/Manufacturing technique**: Matrize (Umformen), gebrannt

**Maße/Size**:
      
   Länge:	7.5 cm
   
   Breite:	 6 cm
   
   Dicke:	 1.5 cm


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230544
title: Petroglyph J12 Khatm Al Melaha, Kalba, Sharjah

description: DStetch Version, Petroglyph J12 Khatm Al Melaha, Kalba, Sharjah. Wild Ass and sun symbol. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10230545
title: Petroglyph J12 Khatm Al Melaha, Kalba, Sharjah

description: DStetch Version, Petroglyph J12 Khatm Al Melaha, Kalba, Sharjah. Wild Ass and sun symbol. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab