cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25420/britishmuseum.31170160.v1
title: Interview with Sofia Bezvoleva

description: The annotation is based on a video edited on the basis of the materials made during the interview in the house of Mrs. Sofia Bezvoleva. Here, the questions provided in the large questionnaire are answered, and the textile objects kept in the interviewee's house are demonstrated. During the interview, some stages of processing wool - the raw material - are described, some cleaning activities are demonstrated, and some names of elements of the loom and tools adjacent to the raw material processing techniques are explained.
DOI: 10.25420/britishmuseum.31170163
title: Questionnary with Sofia Bezvoleva

description: The questionnaire completed during the interview in the house of Mrs. Sofia Bezvoleva. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170163.v1
title: Questionnary with Sofia Bezvoleva

description: The questionnaire completed during the interview in the house of Mrs. Sofia Bezvoleva. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170166
title: Field record from the interview with Sofia Bezvoleva

description: Field record made during the interview in thehouse of Mrs. Sofia Bezvoleva. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.25420/britishmuseum.31170166.v1
title: Field record from the interview with Sofia Bezvoleva

description: Field record made during the interview in thehouse of Mrs. Sofia Bezvoleva. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.6092/unibo/amsacta/8767
title: ECLIPSE. WP5 Task3. Comparing molecular methods for identification of Leishmania infantum in blood samples. V2

description: The following file contains data about clinical samples of peripheral blood collected from patient from the Metropolitan area of Bologna and standard samples of Leishmania infantum genomic DNA (reference strain JPCM5) tested by three different real-time PCR assays for the diagnosis of visceral leishmaniasis. Data contained in this dataset are both quantitative and qualitative and are contained in a database (file “ECLIPSE_WP5_T3_real-timePCR-LeishmaniaInfantum-BloodSamples_230925_V2.ods”) arranged into three single sheets: one “Clinical_Samples_Dataset” contains qualitative and quantititative data of the study obtained by the analysis of clinical samples, a second “Calibration_experiments_Dataset” that contains data about molecular diagnostic method calibration and raw analysis data of standard samples of Leishmania infantum genomic DNA and the third, “Dataset_column_description” that cointains explanation about the data contained in the other two sheets “Clinical_Samples_Dataset” and “Calibration_experiments_Dataset”. Specifically, this version of the dataset contains the updated version of the database. Moreover, a zip archive that contains in silico BLAST analysis about primers utilized for sample analysis was also added. The data were generated in the framework of the Horizon Europe project ECLIPSE.
DOI: 10.21954/ou.rd.31229539
title: Supplementary materials for the PHD thesis "The work of William Giles (1830-1913): his paintings and photography"

description: <i>This dataset comprises the files contained on a CD-ROM which was attached to the thesis when it was submitted in 2013. It was uploaded to ORDO in 2026 for preservation purposes. The thesis can be accessed via ORO: </i>The work of William Giles (1830-1913): his paintings and photographyContained within the zip file is a catalogue of 571 watercolours, sketches and photographic prints. While the catalogue may no longer be searchable without technical expertise, the images are still available upon download.Thesis abstractWilliam Giles (1830-1913) was an amateur artist and photographer who went to Rome in 1852 to train for the Catholic priesthood, and never left. He became Vice-Rector then Rector of the Venerable English College in Rome, a post he held until his death in 1913. The thesis reconstructs the milieu in which Giles grew up and how it shaped him and his art, with particular reference to his cousin artist Samuel Palmer (1805-1881), who, I suggest, taught Giles. Palmer and another member of the brotherhood of the Ancients, John Giles (Giles' uncle) were influential in instilling in Giles what I call his 'meta-Rome': that is Giles' experience of Rome before he actually arrived there - and an influence on him once he did. The thesis then puts Giles in the context of the tumultuous political climate of threats to the temporal power of the Pope and the Risorgimento through the history of early photography in Rome, and how Giles engaged with both the city and photography as an artist and a priest.<br><br>Giles' artistic routes were informed by the picturesque aesthetic as it had evolved in the later nineteenth century. It is proposed that Giles' work served not only as a 'certificate of presence' in the landscape, reinforcing a sense of ownership that was always problematic, but was also a reflection of his deeply spiritual attachment to the landscape. This is revealed in his art through the 'sacred pastoral', an over-layering of the classical pastoral that had been a characteristic of depictions of the Campagna since its representation in Claude Lorrain's paintings. Finally, the thesis addresses Giles' legacy, including the negative impact of his art on his reputation in the history of the English College over the past one hundred years.<br>
DOI: 10.21954/ou.rd.31229539.v1
title: Supplementary materials for the PHD thesis "The work of William Giles (1830-1913): his paintings and photography"

description: <i>This dataset comprises the files contained on a CD-ROM which was attached to the thesis when it was submitted in 2013. It was uploaded to ORDO in 2026 for preservation purposes. The thesis can be accessed via ORO: </i>The work of William Giles (1830-1913): his paintings and photographyContained within the zip file is a catalogue of 571 watercolours, sketches and photographic prints. While the catalogue may no longer be searchable without technical expertise, the images are still available upon download.Thesis abstractWilliam Giles (1830-1913) was an amateur artist and photographer who went to Rome in 1852 to train for the Catholic priesthood, and never left. He became Vice-Rector then Rector of the Venerable English College in Rome, a post he held until his death in 1913. The thesis reconstructs the milieu in which Giles grew up and how it shaped him and his art, with particular reference to his cousin artist Samuel Palmer (1805-1881), who, I suggest, taught Giles. Palmer and another member of the brotherhood of the Ancients, John Giles (Giles' uncle) were influential in instilling in Giles what I call his 'meta-Rome': that is Giles' experience of Rome before he actually arrived there - and an influence on him once he did. The thesis then puts Giles in the context of the tumultuous political climate of threats to the temporal power of the Pope and the Risorgimento through the history of early photography in Rome, and how Giles engaged with both the city and photography as an artist and a priest.<br><br>Giles' artistic routes were informed by the picturesque aesthetic as it had evolved in the later nineteenth century. It is proposed that Giles' work served not only as a 'certificate of presence' in the landscape, reinforcing a sense of ownership that was always problematic, but was also a reflection of his deeply spiritual attachment to the landscape. This is revealed in his art through the 'sacred pastoral', an over-layering of the classical pastoral that had been a characteristic of depictions of the Campagna since its representation in Claude Lorrain's paintings. Finally, the thesis addresses Giles' legacy, including the negative impact of his art on his reputation in the history of the English College over the past one hundred years.<br>
DOI: 10.25420/britishmuseum.31170241.v1
title: Interview with Varvara Malkova

description: Audio edited based on the materials made during the interview in the house of Mrs. Varvara Malkova. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.
DOI: 10.25420/britishmuseum.31170241
title: Interview with Varvara Malkova

description: Audio edited based on the materials made during the interview in the house of Mrs. Varvara Malkova. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.
DOI: 10.25420/britishmuseum.31170250
title: Interview with Varvara Malkova

description: The annotation is based on a video edited on the basis of the materials made during the interview in the house of Mrs. Varvara Malkova. Here, the questions provided in the large questionnaire are answered, and the textile objects kept in the interviewee's house are demonstrated. During the interview, some stages of processing wool - the raw material - are described, some cleaning activities are demonstrated, and some names of elements of the loom and tools adjacent to the raw material processing techniques are explained.
DOI: 10.25420/britishmuseum.31170250.v1
title: Interview with Varvara Malkova

description: The annotation is based on a video edited on the basis of the materials made during the interview in the house of Mrs. Varvara Malkova. Here, the questions provided in the large questionnaire are answered, and the textile objects kept in the interviewee's house are demonstrated. During the interview, some stages of processing wool - the raw material - are described, some cleaning activities are demonstrated, and some names of elements of the loom and tools adjacent to the raw material processing techniques are explained.
DOI: 10.25420/britishmuseum.31170253
title: Questionnary with Varvara Malkova

description: The questionnaire completed during the interview in the house of Mrs. Varvara Malkova. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170253.v1
title: Questionnary with Varvara Malkova

description: The questionnaire completed during the interview in the house of Mrs. Varvara Malkova. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170259
title: Field record from the interview with Varvara Malkova

description: Field record made during the interview in thehouse of Mrs. Varvara Malkova. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.25420/britishmuseum.31170259.v1
title: Field record from the interview with Varvara Malkova

description: Field record made during the interview in thehouse of Mrs. Varvara Malkova. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.25420/britishmuseum.31170310
title: Interview with Sofia Mincheva

description: Audio edited based on the materials made during the interview in the house of Mrs. Sofia Mincheva. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.
DOI: 10.25420/britishmuseum.31170310.v1
title: Interview with Sofia Mincheva

description: Audio edited based on the materials made during the interview in the house of Mrs. Sofia Mincheva. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.
DOI: 10.25420/britishmuseum.31170322
title: Questionnary with Sofia Mincheva

description: The questionnaire completed during the interview in the house of Mrs. Sofia Mincheva. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170322.v1
title: Questionnary with Sofia Mincheva

description: The questionnaire completed during the interview in the house of Mrs. Sofia Mincheva. Here, the questions provided in the broad questionnaire are answered, which includes general questions about the interviewee, questions about the textile objects kept in the interviewee's house, but also about the person's level of involvement in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, a listing of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking populations, etc.
DOI: 10.25420/britishmuseum.31170328
title: Field record from the interview with Sofia Mincheva

description: Field record made during the interview in thehouse of Mrs. Sofia Mincheva. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.25420/britishmuseum.31170328.v1
title: Field record from the interview with Sofia Mincheva

description: Field record made during the interview in thehouse of Mrs. Sofia Mincheva. Here are made comments, conclusions regarding the answers of the interviewed person to the questions, provided in the broad questionnaire, which provides general questions about the interviewed person, questions about the textile objects kept in the interviewee's house but also about the level of involvement of the person in the weaving process in the past. The questionnaire requires a description of the stages of processing wool - the raw material, an explanation of the cleaning and processing activities, an enumeration of the names of the elements of the loom and of some tools adjacent to the raw material processing techniques. Through a group of questions, an attempt is made to discover the cultural connections regarding traditional weaving with other Bulgarian villages, localities with Romanian-speaking people, etc.
DOI: 10.25420/britishmuseum.31170367
title: Interview with Maria Sitnikova

description: Audio edited based on the materials made during the interview in the house of Mrs. Maria Sitnikova. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.
DOI: 10.25420/britishmuseum.31170367.v1
title: Interview with Maria Sitnikova

description: Audio edited based on the materials made during the interview in the house of Mrs. Maria Sitnikova. Here the questions provided in the large questionnaire are answered, there is a demonstration of textile objects kept in the interviewee's house. During the interview there is a description of some stages of processing wool - the raw material, a demonstration of some cleaning activities, an explanation of some names of elements of the loom and some tools adjacent to the raw material processing techniques.