cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10300501
title: Augustus Harris Memorial Fountain

description: Located on the side of Theatre Royal Drury Lane at the corner of Catherine Street and Russell Street, Covent Garden, London.

http://www.arthurlloyd.co.uk/DruryLane/AugustusHarrisMemorial.htm

165 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300502
title: Augustus Harris Memorial Fountain

description: Located on the side of Theatre Royal Drury Lane at the corner of Catherine Street and Russell Street, Covent Garden, London.

http://www.arthurlloyd.co.uk/DruryLane/AugustusHarrisMemorial.htm

165 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300504
title: Sea-Gull 1963 Chronograph Watch (38mm)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300503
title: Sea-Gull 1963 Chronograph Watch (38mm)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300508
title: "Peter" the T. rex, associated find

description: ***Tyrannosaurus rex* "Peter"**

Specimen No. Peter_035; fragment of frill of *Triceratops*

Peter was found in the Lance Formation in South Dakota, USA. He lived some 66 million years ago. 

This bone was found together with Peter. 



3D model by Palaeo3D. www.palaeo3d.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300507
title: "Peter" the T. rex, associated find

description: ***Tyrannosaurus rex* "Peter"**

Specimen No. Peter_035; fragment of frill of *Triceratops*

Peter was found in the Lance Formation in South Dakota, USA. He lived some 66 million years ago. 

This bone was found together with Peter. 



3D model by Palaeo3D. www.palaeo3d.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300512
title: Molvinskaya pillar

description: This small pillar is located in south part of Saint-Petersburg, Russia, near the bridge with the same name.

There are different versions of it's origin: some say it was erected by famous artist Auguste Montferrand as a testing ground for the huge Alexandrovky pillar in the center of the city, other argue this is a remain of creative advertisement board for the factory that was located nearby at tsarists times.

But in the end the sad truth remains the same: that undoubted piece of history remains deserted without any attention or restoration. Corrupt KGIOP prefer to search for responsible persons instead of caring on their responsibilities. At the same time pillar foundation remains being cracked and displaced.
This is not a 3d scan, but a model build using photographs and natural measurement to at least preserve poor thing in digital form.

Done in blender, xnormal and gimp software. Some images from internet used as stone texture overlay, also data from wonderful gimp autumn leaves brushes pack used.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300511
title: Molvinskaya pillar

description: This small pillar is located in south part of Saint-Petersburg, Russia, near the bridge with the same name.

There are different versions of it's origin: some say it was erected by famous artist Auguste Montferrand as a testing ground for the huge Alexandrovky pillar in the center of the city, other argue this is a remain of creative advertisement board for the factory that was located nearby at tsarists times.

But in the end the sad truth remains the same: that undoubted piece of history remains deserted without any attention or restoration. Corrupt KGIOP prefer to search for responsible persons instead of caring on their responsibilities. At the same time pillar foundation remains being cracked and displaced.
This is not a 3d scan, but a model build using photographs and natural measurement to at least preserve poor thing in digital form.

Done in blender, xnormal and gimp software. Some images from internet used as stone texture overlay, also data from wonderful gimp autumn leaves brushes pack used.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300514
title: Matt Wii

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300513
title: Matt Wii

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300515
title: Gravura paleolítica do Cavalo de Ocreza

description: Gravura paleolítica do Cavalo de Ocreza. Localidade Mação, Santarém, Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300516
title: Gravura paleolítica do Cavalo de Ocreza

description: Gravura paleolítica do Cavalo de Ocreza. Localidade Mação, Santarém, Portugal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300519
title: galería con coprolitos de crustáceos

description: **ejemplar: **coprolitos de crustáceos
**descripción:** Coprolitos de crustaceos conservados como óxidos de hierro dentro de la galeria formada por el mismo organismo productor.
**Numero de Registro:** MGUV 3660
**Edad:**	Carniense (Triasico Superior)
**Localidad:** Serra (Valencia)
Estructura de Biodepósito
**Técnica: **fotogrametría
**Procesado: **Photoscan
**Cámara:** Sony DSC HX60V
**Autor:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300520
title: galería con coprolitos de crustáceos

description: **ejemplar: **coprolitos de crustáceos
**descripción:** Coprolitos de crustaceos conservados como óxidos de hierro dentro de la galeria formada por el mismo organismo productor.
**Numero de Registro:** MGUV 3660
**Edad:**	Carniense (Triasico Superior)
**Localidad:** Serra (Valencia)
Estructura de Biodepósito
**Técnica: **fotogrametría
**Procesado: **Photoscan
**Cámara:** Sony DSC HX60V
**Autor:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300521
title: Hafted Scraper

description: A hafted end scraper made from a repurposed proximal stemmed biface fragment is a part of the Museum of Seminole County History's collection.
The scraper is part of a collection donated to the museum. 
Click [here](https://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/) to learn more about the museum!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300522
title: Hafted Scraper

description: A hafted end scraper made from a repurposed proximal stemmed biface fragment is a part of the Museum of Seminole County History's collection.
The scraper is part of a collection donated to the museum. 
Click [here](https://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/) to learn more about the museum!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300523
title: Botella - 253923 (Puruchuco)

description: Botella elaborada de mate completo (Lagenaria sp), color marrón rojizo, borde superior del pedúnculo cortado. Base convexa. Superficie brillosa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300524
title: Botella - 253923 (Puruchuco)

description: Botella elaborada de mate completo (Lagenaria sp), color marrón rojizo, borde superior del pedúnculo cortado. Base convexa. Superficie brillosa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300525
title: Agate Biface

description: Possibly a small chopper or wood-working tool; course, ax-shaped biface

Found in Tensas Parish, Louisiana, 2021

BF_17

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300526
title: Agate Biface

description: Possibly a small chopper or wood-working tool; course, ax-shaped biface

Found in Tensas Parish, Louisiana, 2021

BF_17

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300527
title: ROI036-338-01

description: Point Fragments collected in Delaware County, Indiana.

Catalog #: 12-Dl-852-3

Uploaded by: Gwyneth Harris

Christine Thompson, Gwyneth Harris, and Kevin C. Nolan, 2021. ROI036-338-01, 3D Model .ply file. Recovered as part of Report of Investigations 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300528
title: ROI036-338-01

description: Point Fragments collected in Delaware County, Indiana.

Catalog #: 12-Dl-852-3

Uploaded by: Gwyneth Harris

Christine Thompson, Gwyneth Harris, and Kevin C. Nolan, 2021. ROI036-338-01, 3D Model .ply file. Recovered as part of Report of Investigations 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300532
title: Petroglyph J4 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J4 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic and other pooly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300531
title: Petroglyph J4 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J4 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic and other pooly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300535
title: M24 stick grenade

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300536
title: M24 stick grenade

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300537
title: Kirkjubømúrurin: T005

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 19 x 44 x 35 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300538
title: Kirkjubømúrurin: T005

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 19 x 44 x 35 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300539
title: Codes Velna kalns

description: Codes Velna kalna 3D modelis. Koordinātas: 56.516983460, 24.173452714

https://www.senvietas.lv/codes-velna-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300540
title: Codes Velna kalns

description: Codes Velna kalna 3D modelis. Koordinātas: 56.516983460, 24.173452714

https://www.senvietas.lv/codes-velna-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300541
title: Hillsboro Simple Stamped Jar Rim (80p167)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 107.8 mm; width, 82.2 mm; thickness, 7.8 mm.

Notes: Catalog no. 80p167, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300542
title: Hillsboro Simple Stamped Jar Rim (80p167)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 107.8 mm; width, 82.2 mm; thickness, 7.8 mm.

Notes: Catalog no. 80p167, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300543
title: Cerámica Lamas

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300544
title: Cerámica Lamas

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300545
title: Cămașă

description: 7. Cămașă femeiască de Tusa (spăcel vechi, amplu ornamentat, cu decor bogat, cu mânecă strânsă deasupra cotului, apoi largă, fără bumbi)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300546
title: Cămașă

description: 7. Cămașă femeiască de Tusa (spăcel vechi, amplu ornamentat, cu decor bogat, cu mânecă strânsă deasupra cotului, apoi largă, fără bumbi)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300547
title: Tarnhelm

description: Tarnhelm is a magic helmet in Richard Wagner's Der Ring des Nibelungen (written 1848–1874). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in Das Rheingold. It also allows one to change one's form.

https://en.wikipedia.org/wiki/Tarnhelm

Sculpted for https://cgboost.com/sculptjanuary2021/, decimated.

see more of my work on my website and instagram:

https://www.tomjohnsonart.co.uk/

https://www.instagram.com/tomjohnsonart/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300548
title: Tarnhelm

description: Tarnhelm is a magic helmet in Richard Wagner's Der Ring des Nibelungen (written 1848–1874). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in Das Rheingold. It also allows one to change one's form.

https://en.wikipedia.org/wiki/Tarnhelm

Sculpted for https://cgboost.com/sculptjanuary2021/, decimated.

see more of my work on my website and instagram:

https://www.tomjohnsonart.co.uk/

https://www.instagram.com/tomjohnsonart/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300550
title: YPM ANT.135941

description: Catalog Number: YPM ANT.135941

Description: Spindle Whorl

Materials: ceramic

Function: Textiles weaving equipment

Culture Group: Latin American; Mesoamerica; Aztec

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300549
title: YPM ANT.135941

description: Catalog Number: YPM ANT.135941

Description: Spindle Whorl

Materials: ceramic

Function: Textiles weaving equipment

Culture Group: Latin American; Mesoamerica; Aztec

Culture Period: Post-Classic

Locality: North America; Mexico; Mexico State; Texcoco

*This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300551
title: John Jarvie Historical Ranch (3D Topo)

description: A quick 3D map of the area around the [John Jarvie Ranch Historical Ranch](https://www.blm.gov/learn/interpretive-centers/john-jarvie-historic-ranch) in northeastern Utah. 

The topographic map was downloaded from [USGS TopoView](https://ngmdb.usgs.gov/topoview/), and the elevation data is clipped from 1/3 arc-second DEM data availalbe for download from [The National Map](https://viewer.nationalmap.gov/basic/). The geospatial data was edited with QGIS and combined into a finished model with Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300552
title: John Jarvie Historical Ranch (3D Topo)

description: A quick 3D map of the area around the [John Jarvie Ranch Historical Ranch](https://www.blm.gov/learn/interpretive-centers/john-jarvie-historic-ranch) in northeastern Utah. 

The topographic map was downloaded from [USGS TopoView](https://ngmdb.usgs.gov/topoview/), and the elevation data is clipped from 1/3 arc-second DEM data availalbe for download from [The National Map](https://viewer.nationalmap.gov/basic/). The geospatial data was edited with QGIS and combined into a finished model with Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300554
title: COADS_272-1

description: Core collected in Ross County, Ohio.
Material: Flint Ridge

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_272-1, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300553
title: COADS_272-1

description: Core collected in Ross County, Ohio.
Material: Flint Ridge

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter, Abby Clark, and Michael Shott, 2017. COADS_272-1, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300555
title: Black Houses

description: Remains of railway workers' cottages at Rosedale East. So named because they were painted with creosote for weather-proofing. Recently consolidated and repointed so some lime leaching, which will fade in time. 
[https://landofiron.vercel.app/map](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300556
title: Black Houses

description: Remains of railway workers' cottages at Rosedale East. So named because they were painted with creosote for weather-proofing. Recently consolidated and repointed so some lime leaching, which will fade in time. 
[https://landofiron.vercel.app/map](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300557
title: Japanese Spirit Gate by Rayaa

description: Traditional Spirit gate.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300558
title: Japanese Spirit Gate by Rayaa

description: Traditional Spirit gate.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300560
title: Minerva Head from the Roman Baths at Bath

description: Half the head of Minerva from the Roman Baths at Bath. Was likely part of the cult statue at the Temple to Sulis Minerva. 

Will be working to make it whole at a later date.

Information about the head of Minerva: https://www.romanbaths.co.uk/key-objects-collection

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300559
title: Minerva Head from the Roman Baths at Bath

description: Half the head of Minerva from the Roman Baths at Bath. Was likely part of the cult statue at the Temple to Sulis Minerva. 

Will be working to make it whole at a later date.

Information about the head of Minerva: https://www.romanbaths.co.uk/key-objects-collection

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300562
title: Dolphin 1

description: Test with both sides inflated.

I used Adobe Photoshop 2021 and Meshmixer to convert the flat 2D public domain image into a 3D model.

[Glass pendant in the form of a dolphin](https://www.metmuseum.org/art/collection/search/249692?searchField=All&sortBy=Relevance&deptids=13&ao=on&showOnly=openAccess&ft=pendant+in+the+form+of&offset=0&rpp=80&pos=11) via The Metropolitan Museum of Art is licensed under CC0 1.0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300561
title: Dolphin 1

description: Test with both sides inflated.

I used Adobe Photoshop 2021 and Meshmixer to convert the flat 2D public domain image into a 3D model.

[Glass pendant in the form of a dolphin](https://www.metmuseum.org/art/collection/search/249692?searchField=All&sortBy=Relevance&deptids=13&ao=on&showOnly=openAccess&ft=pendant+in+the+form+of&offset=0&rpp=80&pos=11) via The Metropolitan Museum of Art is licensed under CC0 1.0

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300563
title: Ama Lur

description: Oeuvre en chêne brûlé peint de 78 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le **N° 1** fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***Ama lur signifie Terre mère. Dans les termes du ballet de Stravinsky, elle est « l'adoration de la terre ». Son visage carré est dur. Comme Chronos elle dévore ses enfants ; humains, animaux, végétaux, elle avale tout, elle est la mort. Cependant la rondeur douce de son ventre dit aussi fécondité, germination ; vie sans cesse renouvelée. Elle se nourrit de la mort. Elle est Mort et Vie à la fois. Sur son nombril, sur ses seins fleurit la marguerite ouverte, symbole de féminité pour le sculpteur. *** Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de ***"l'Espace Culturel Assantza"***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300564
title: Ama Lur

description: Oeuvre en chêne brûlé peint de 78 cm de hauteur réalisée par Jesus Echevarria (01/01/1916 à Barambio-Espagne- 06/02/2009 à Cambo Les Bains (Pyrénées Atlantiques - France). La sculpture portant le **N° 1** fait partie d'un ensemble de 10 tableaux illustrant le ballet d'Igor Fiodorovitch Stravinsky (17/06/1882 Oranienbaum (Russie) - 06/04/1971 New-York (USA)). ***Ama lur signifie Terre mère. Dans les termes du ballet de Stravinsky, elle est « l'adoration de la terre ». Son visage carré est dur. Comme Chronos elle dévore ses enfants ; humains, animaux, végétaux, elle avale tout, elle est la mort. Cependant la rondeur douce de son ventre dit aussi fécondité, germination ; vie sans cesse renouvelée. Elle se nourrit de la mort. Elle est Mort et Vie à la fois. Sur son nombril, sur ses seins fleurit la marguerite ouverte, symbole de féminité pour le sculpteur. *** Sculpture faisant partie des collections de la mairie de Cambo Les Bains, exposée en 2022 au sein de ***"l'Espace Culturel Assantza"***

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300567
title: HW_Painting

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300568
title: HW_Painting

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300569
title: Konarı Köyü

description: Karabük Safranbolu Konarı Köyü'nün havadan çekimlerinden oluşturulan 3 Boyutlu modeli

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300570
title: Konarı Köyü

description: Karabük Safranbolu Konarı Köyü'nün havadan çekimlerinden oluşturulan 3 Boyutlu modeli

Source: Objaverse 1.0 / Sketchfab