cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10326934
title: Prisão de gado | Monte Mozinho

description: Prisão de gado decorada com motivos geométricos, a replicar cestaria. Elemento arquitectónico em granito.

Castro de Monte Mozinho
N.º Inventário: MMPNF 2008/4822

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326935
title: Prisão de gado | Monte Mozinho

description: Prisão de gado decorada com motivos geométricos, a replicar cestaria. Elemento arquitectónico em granito.

Castro de Monte Mozinho
N.º Inventário: MMPNF 2008/4822

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326936
title: HALKALI-2 / 19.08.2020

description: HALKALI-2 / 19.08.2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326937
title: HALKALI-2 / 19.08.2020

description: HALKALI-2 / 19.08.2020

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326938
title: Heiligie Dionisius - Gemert, Netherlands

description: HEILIGE LOSBOL
Pastor Camil van Lamoen onthulde op 14 september 2007 in het
plantsoentje aan het Ridderplein het beeld van D'n Heilige Losbol,
patroon van Gemert-kermis. De maker is Ton Mooy uit Amersfoort.
Het beeld stelt de Heilige Dionisius voor, de eerste bisschop van
Parijs (toen nog Lutetia). Hij stierf als martelaar. Hij werd namelijk in
272 onthoofd en zijn reactie destijds is legendarisch geworden.
Dionisius moet zijn hoofd meteen hebben opgeraapt en aan zijn
moordenaars hebben getoond met een verwijt die in het Gímmerts
zou hebben geklonken als: "Kiekt naw 's wa gallie hét gedon.
Vleegels!"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326939
title: Heiligie Dionisius - Gemert, Netherlands

description: HEILIGE LOSBOL
Pastor Camil van Lamoen onthulde op 14 september 2007 in het
plantsoentje aan het Ridderplein het beeld van D'n Heilige Losbol,
patroon van Gemert-kermis. De maker is Ton Mooy uit Amersfoort.
Het beeld stelt de Heilige Dionisius voor, de eerste bisschop van
Parijs (toen nog Lutetia). Hij stierf als martelaar. Hij werd namelijk in
272 onthoofd en zijn reactie destijds is legendarisch geworden.
Dionisius moet zijn hoofd meteen hebben opgeraapt en aan zijn
moordenaars hebben getoond met een verwijt die in het Gímmerts
zou hebben geklonken als: "Kiekt naw 's wa gallie hét gedon.
Vleegels!"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326940
title: Crucea de la Jugureni, jud. Prahova

description: Crucea se află pe un deal lângă localitatea Jugureni. Este prinsă într-un suport de piatră și este aplecată în față. Pe cap are o pasăre cu cruce în cioc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326941
title: Crucea de la Jugureni, jud. Prahova

description: Crucea se află pe un deal lângă localitatea Jugureni. Este prinsă într-un suport de piatră și este aplecată în față. Pe cap are o pasăre cu cruce în cioc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326942
title: [1k] Basalt Column Base Depicting a Sphinx

description: Heavily optimised version of this scan https://skfb.ly/6tQEB from the Pergamon Museum, Berlin for the Mozilla Hubs Challenge: https://blog.sketchfab.com/vr-design-challenge-mozilla-hubs-clubhouse

1000 faces, 1024x1024 colour and normal maps.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326943
title: [1k] Basalt Column Base Depicting a Sphinx

description: Heavily optimised version of this scan https://skfb.ly/6tQEB from the Pergamon Museum, Berlin for the Mozilla Hubs Challenge: https://blog.sketchfab.com/vr-design-challenge-mozilla-hubs-clubhouse

1000 faces, 1024x1024 colour and normal maps.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326944
title: Incan Building

description: Generic Building for an Incan Citystyle as a Civilization VI mod

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326945
title: Incan Building

description: Generic Building for an Incan Citystyle as a Civilization VI mod

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326946
title: Phallic amulet, Tarraco (Tarragona, Spain)

description: Phallic amulet from site of Tarraco (Tarragona, Spain), dated between the 1st and 3rd centuries AD. Bone phallic amullet.

552 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT CM-88_27.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326947
title: Phallic amulet, Tarraco (Tarragona, Spain)

description: Phallic amulet from site of Tarraco (Tarragona, Spain), dated between the 1st and 3rd centuries AD. Bone phallic amullet.

552 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT CM-88_27.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326948
title: Estatua Abstracta Parque Forestal Diciembre19

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326950
title: Estatua Abstracta Parque Forestal Diciembre19

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326952
title: Figure of an animal (possibly a horse)

description: Culture: [Persian ](http://vocab.getty.edu/page/aat/300019933). Material: Leaded bronze. Accession No: MG 012. Current Location: [The Hunt Museum](https://www.huntmuseum.com/). A leaded bronze statue of a rearing horse, previously belived to be a leopard or panther.  The figure is badly damaged with areas missing. The statue is now mounted on a porphyry base. The lower half of the tail and lower portion of the front legs are missing. The front of the muzzle is damaged. The figure appears to be in a low-level rearing position, but the straightened front forearms suggest it was standing on something. The hooves are clearly outlined on the rear legs. The item has been identified as Persian. The Persians were renowned horse breeders and considered the horses value in its functionality. The gift of a horse was seen as a gesture of both favour and practicality. [More](https://tinyurl.com/2tjajva7).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326953
title: Figure of an animal (possibly a horse)

description: Culture: [Persian ](http://vocab.getty.edu/page/aat/300019933). Material: Leaded bronze. Accession No: MG 012. Current Location: [The Hunt Museum](https://www.huntmuseum.com/). A leaded bronze statue of a rearing horse, previously belived to be a leopard or panther.  The figure is badly damaged with areas missing. The statue is now mounted on a porphyry base. The lower half of the tail and lower portion of the front legs are missing. The front of the muzzle is damaged. The figure appears to be in a low-level rearing position, but the straightened front forearms suggest it was standing on something. The hooves are clearly outlined on the rear legs. The item has been identified as Persian. The Persians were renowned horse breeders and considered the horses value in its functionality. The gift of a horse was seen as a gesture of both favour and practicality. [More](https://tinyurl.com/2tjajva7).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326954
title: Vintage 80s Mobile Phone

description: An 80s mobile phone I made for practice.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326955
title: Vintage 80s Mobile Phone

description: An 80s mobile phone I made for practice.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326956
title: Sekhmet Head Fragment

description: Forehead, ears, and modius crown with cobra frieze, of a granodiorite statue of Sekhmet. British Museum object EA90784. 

COL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3764105&partId=1

Draft model by Jennifer Wexler, using 39 photos, with the reverse to be done in the future.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326957
title: Sekhmet Head Fragment

description: Forehead, ears, and modius crown with cobra frieze, of a granodiorite statue of Sekhmet. British Museum object EA90784. 

COL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3764105&partId=1

Draft model by Jennifer Wexler, using 39 photos, with the reverse to be done in the future.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326958
title: Gravesite of Elwyn, Kate and Andrew Weatherwax

description: The grave markers of:

* Elwyn D. Weatherwax (1855 - 1866)
    * assumed to be the one that is fallen, as the markers for Andrew and Kate are marked on their tops as such
* Kate F. Weatherwax (1857 - 1863)
* Andrew L. Weatherwax (1860 - 1868)

Located at Albany Rural Cemetery, Section 21, Lot 49.

The parents, Samuel (1833 - 1882) and Charlotte (1832 - 1901) Weatherwax, are interred at the same site but are not marked.

The deceased children are my fourth cousins, thrice removed.

Photogrammetric model created in Meshroom from 90 photos taken on an LG V35 smartphone with OpenCamera at 1/300s, ISO 50, f/1.6.

Special thanks go to the kind and helpful staff at Albany Rural Cemetery, who were able to pull the interrment records for the lot, enabling me to find these neglected and overgrown markers.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326959
title: Gravesite of Elwyn, Kate and Andrew Weatherwax

description: The grave markers of:

* Elwyn D. Weatherwax (1855 - 1866)
    * assumed to be the one that is fallen, as the markers for Andrew and Kate are marked on their tops as such
* Kate F. Weatherwax (1857 - 1863)
* Andrew L. Weatherwax (1860 - 1868)

Located at Albany Rural Cemetery, Section 21, Lot 49.

The parents, Samuel (1833 - 1882) and Charlotte (1832 - 1901) Weatherwax, are interred at the same site but are not marked.

The deceased children are my fourth cousins, thrice removed.

Photogrammetric model created in Meshroom from 90 photos taken on an LG V35 smartphone with OpenCamera at 1/300s, ISO 50, f/1.6.

Special thanks go to the kind and helpful staff at Albany Rural Cemetery, who were able to pull the interrment records for the lot, enabling me to find these neglected and overgrown markers.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326961
title: Arney Brick - Otters Foot

description: Hundreds of volunteers and school children made traditional slap bricks  in Arney with the help of master brick maker Tony Mugridge. The bricks were made throughout the summer of 2014 and then fired in kilns built in the brick field from the drying bricks. This is an example of one such brick which a otter ran over before it dried. [More Details](http://www.battlesbricksandbridges.org/arney-brick.php)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326960
title: Arney Brick - Otters Foot

description: Hundreds of volunteers and school children made traditional slap bricks  in Arney with the help of master brick maker Tony Mugridge. The bricks were made throughout the summer of 2014 and then fired in kilns built in the brick field from the drying bricks. This is an example of one such brick which a otter ran over before it dried. [More Details](http://www.battlesbricksandbridges.org/arney-brick.php)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326962
title: Tamagochi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326963
title: Tamagochi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326964
title: Al-Thuqaibah - Basin 30

description: Al-Thuqaibah is an Iron Age II settlement spanning 1000 to 600 BCE. It is located south of Dhaid at the southern end of Al Madam oasis in central part of the Sharjah Emirate, United Arab Emirates. Over the last 30 years it has been investigated by archaeological teams from Sharjah, France, and Spain, uncovering mud-brick houses, gardens, and evidence of mud-brick manufacture. In the mud at the bottom of small basins are hundreds of preserved foot prints. GDH completed high-resolution scanning and photogrammetry to document the basins and the preserved features within them. This is basin 30 processed in Reality Capture from 453 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326965
title: Al-Thuqaibah - Basin 30

description: Al-Thuqaibah is an Iron Age II settlement spanning 1000 to 600 BCE. It is located south of Dhaid at the southern end of Al Madam oasis in central part of the Sharjah Emirate, United Arab Emirates. Over the last 30 years it has been investigated by archaeological teams from Sharjah, France, and Spain, uncovering mud-brick houses, gardens, and evidence of mud-brick manufacture. In the mud at the bottom of small basins are hundreds of preserved foot prints. GDH completed high-resolution scanning and photogrammetry to document the basins and the preserved features within them. This is basin 30 processed in Reality Capture from 453 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326966
title: Tabletop clock (1670)

description: In the collections of the National Museum in Kraków, two works by Wolfgang Prenner (active 1637–1677), who came to Kraków from Styria, are particularly important. In 1637, he was entered into the registers of the municipal law and guild, and the following year, he obtained the position of the city's clocksmith. At the request of the Cracovian chapter, he supervised the tower clock in the Wawel Cathedral, and among others, he undertook its major repair twice.
The tabletop clock on display dates back to around 1670.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2435

Inventory number: MNK IV-Zeg-11

Localisation of the physical object:  National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326967
title: Tabletop clock (1670)

description: In the collections of the National Museum in Kraków, two works by Wolfgang Prenner (active 1637–1677), who came to Kraków from Styria, are particularly important. In 1637, he was entered into the registers of the municipal law and guild, and the following year, he obtained the position of the city's clocksmith. At the request of the Cracovian chapter, he supervised the tower clock in the Wawel Cathedral, and among others, he undertook its major repair twice.
The tabletop clock on display dates back to around 1670.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2435

Inventory number: MNK IV-Zeg-11

Localisation of the physical object:  National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326968
title: Mammoth lower 3rd molar (V30), Woodhull, IL

description: Mammoth lower 3rd molar (V30), Woodhull, Illinois. Fryxell Museum, Augustana College, Rock Island, IL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326969
title: Mammoth lower 3rd molar (V30), Woodhull, IL

description: Mammoth lower 3rd molar (V30), Woodhull, Illinois. Fryxell Museum, Augustana College, Rock Island, IL.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326866
title: Roca dels Moros. Pintures rupestres. El Cogul.

description: **CAT** Les pintures rupestres de la Roca dels Moros (el Cogul, les Garrigues), a la vall del riu de Set, constitueixen un dels referents més destacats de l'art rupestre de l'arc mediterrani. L'any 1998 van ser incloses a la llista de Patrimoni Mundial de la UNESCO.

**ES** Las pinturas rupestres de la Roca dels Moros (el Cogul, las Garrigues), en el valle del río Set, constituyen uno de los referentes más destacados del arte rupestre del arco mediterráneo. En el año 1998 fueron  incluidas en la lista de Patrimonio Mundial de la UNESCO.

**EN** The cave paintings at La Roca dels Moros (El Cogul, Les Garrigues) in the Set River valley are among the most notable examples of rock art in the Mediterranean Basin. The rock art at La Roca dels Moros was included as World Heritage by UNESCO in 1998.

Model: Lluís González. DG Patrimoni Cultural. Calc: Albert Rubio i Ramon Viñas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326970
title: Portal of a Church

description: Model of a portal of a church in Lustnau, Tuebingen created with Metashape and Meshmixer - 3D Imaging for Classics and Cultural Heritage Summer School 2021, Institute of Classical Studies, University of London

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326971
title: Portal of a Church

description: Model of a portal of a church in Lustnau, Tuebingen created with Metashape and Meshmixer - 3D Imaging for Classics and Cultural Heritage Summer School 2021, Institute of Classical Studies, University of London

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326872
title: Certificate NY Marine Society

description: For more information about this item visit:
https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326972
title: Figure of seated arhat with a vase

description: ID no.: MNK VI-7853

Museum: The National Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/2488

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326973
title: Figure of seated arhat with a vase

description: ID no.: MNK VI-7853

Museum: The National Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/2488

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326875
title: споменик партизанима бабичког одреда,Доњи Душник

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Gadžin Han" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.



model made by: https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326974
title: Priest Karol Wojtyła's sports shoes

description: ID no.: 96/X

Museum: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków 

http://muzea.malopolska.pl/en/obiekty/-/a/54355/1126764

Object copyright: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków

Digitalisation RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326975
title: Priest Karol Wojtyła's sports shoes

description: ID no.: 96/X

Museum: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków 

http://muzea.malopolska.pl/en/obiekty/-/a/54355/1126764

Object copyright: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków

Digitalisation RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326976
title: Pen Dinas Hillfort, Penparcau, Aberystwyth

description: This is a 3D LiDAR model of Pen Dinas Iron Age Hillfort. The model uses 50 cm resolution LiDAR made available via Natural Resources Wales on an Open Government Licence here http://lle.gov.wales/GridProducts#data=LidarCompositeDataset The LiDAR has been used to create a digital terrain model (DTM) with modern structures (houses, monument) trees and larger shrubs stripped off to reveal the finer detail of the bare earth surface. 

The hillfort is currently the subject of a detailed new investigation combining multiple sources of information and specialists in a collaborative community project. The project was initiated by the Penparcau Community Forum: History and Heritage Group https://www.facebook.com/groups/Penparcauhistory/

The hillfort was first investigated by Professor Daryll Forde in 1933-37 and the report published in Archaeologia Cambrensis in 1963. The hillfort has multiple phases, perhaps beginning circa 300 BC and declining shortly after the Roman invasion of 43 AD.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326977
title: Pen Dinas Hillfort, Penparcau, Aberystwyth

description: This is a 3D LiDAR model of Pen Dinas Iron Age Hillfort. The model uses 50 cm resolution LiDAR made available via Natural Resources Wales on an Open Government Licence here http://lle.gov.wales/GridProducts#data=LidarCompositeDataset The LiDAR has been used to create a digital terrain model (DTM) with modern structures (houses, monument) trees and larger shrubs stripped off to reveal the finer detail of the bare earth surface. 

The hillfort is currently the subject of a detailed new investigation combining multiple sources of information and specialists in a collaborative community project. The project was initiated by the Penparcau Community Forum: History and Heritage Group https://www.facebook.com/groups/Penparcauhistory/

The hillfort was first investigated by Professor Daryll Forde in 1933-37 and the report published in Archaeologia Cambrensis in 1963. The hillfort has multiple phases, perhaps beginning circa 300 BC and declining shortly after the Roman invasion of 43 AD.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326978
title: Abandoned Picnic Table

description: This was found in a state park - Dupont State Park, NC - The center piece is steel, it is a lazy susan style turntable.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326979
title: Abandoned Picnic Table

description: This was found in a state park - Dupont State Park, NC - The center piece is steel, it is a lazy susan style turntable.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326981
title: Foot of a bowl - PG.2805.1255

description: Foot of a bowl. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2805.1255

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133275&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326980
title: Foot of a bowl - PG.2805.1255

description: Foot of a bowl. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2805.1255

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133275&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326982
title: illajos Sanctuary Fountain-Campo de Criptana, SP

description: illajos Sanctuary Fountain (Campo de Criptana, Spain)

Fountain preserved in the Santuario del Santísimo Cristo de Villajos (Campo de Criptana, Spain). It is a beautiful fountain sculpted in stone and richly decorated. At the bottom its possible to read the year of construction "1719" along with the IHS monogram. IHS is a monogram of the name of Jesus Christ, that is, a cristogram. Although this monogram became popular in the Middle Ages, it was also very popular in eighteenth-century in Spain. The central area of the fountain is decorated with a shell. The upper area of the fountain is presided over by a Cross of the Order of Santiago, as this sanctuary is within the domains of this Order.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326983
title: illajos Sanctuary Fountain-Campo de Criptana, SP

description: illajos Sanctuary Fountain (Campo de Criptana, Spain)

Fountain preserved in the Santuario del Santísimo Cristo de Villajos (Campo de Criptana, Spain). It is a beautiful fountain sculpted in stone and richly decorated. At the bottom its possible to read the year of construction "1719" along with the IHS monogram. IHS is a monogram of the name of Jesus Christ, that is, a cristogram. Although this monogram became popular in the Middle Ages, it was also very popular in eighteenth-century in Spain. The central area of the fountain is decorated with a shell. The upper area of the fountain is presided over by a Cross of the Order of Santiago, as this sanctuary is within the domains of this Order.

Source: Objaverse 1.0 / Sketchfab