cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.12230882.v1
title: The Moon's Trick: A Fire That Never Dies, (6 Embroidery Works), 14th January - 20th February 2016, Cecilla Hilstrom Gallery, Stockholm, Sweden.

description: <b>The Moon's Trick</b> is an exhibition of two new commissions (a sound installation and performance), and a series of 6 embroidery works that explore the dialogue between embroidery, sound and musical performance. Drawing on an archive of post war Korean photographs Young In Hong looks at the unexplored time and space of history by translating it in multiple ways.<br><br>This item contains images of the 6 individual embroidery works, 5 exhibition views at Cecilla Hilstrom Gallery, Stockholm in 2016, 5 exhibition views at the Korean Cultural Centre, London in 2017 and 2 at the Exeter Phoenix in 2018. There is also a document of contextual detail on each of the 6 embroidery works.<br><br>This item documents 6 large scale embroidery works which were exhibited in Young In Hong's solo exhibition <b>A Fire That Never Dies</b> in 2016 at the Cecilla Holstrom Gallery in Stockholm, then again in 2017 and 2018 as one of three key works in <b>The Moon's Trick</b> at the Korean Cultural Centre, London and Exeter Phoenix. <b>A Fire That Never Dies </b>introduced a series of works that deal with the image of fire, light and lanterns associated with collective rituals, folk beliefs and political demonstrations in London and Seoul.<br><br>The 6 embroidery works featured in <b>A Fire That Never Dies</b> became crucial works in developing the course of the research which culminated in <b>The Moons Trick </b>where they formed 1 of the 3 key works in the exhibition.<br><br><b>Photography: Jean-Baptiste Beranger, Luke Andrew Walker, Kii Studios & Photography, Kim Minseung. Used with permission by photographers and Exeter Phoenix, Cecilia Hillstrom Gallery and the Korean Cultural Centre.<br><br>Catalogue and poster included with permission courtesy of the Cecilia Hillstrom Gallery.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.11424864.v1
title: Material Soundsystems: Bloom, God’s House Tower, Southampton, November 2019 - January 2020.

description: <b>Material Soundsystems</b> explores the possibilities of forging symbiotic and dynamic connections between the seemingly opposite properties of sound and matter. This research is bought together in 3 new projects, <b>Mute</b>, <b>Ecstatic Material</b> and <b>Bloom</b> where live performative experiments are conducted to test how sound animates materials and materials create sound. <br><br>This item contains a project outline, an exhibition invite and publication, a 7 minute film by Jared Schiller documenting the installation, 2 preparatory drawings, 9 views of the installation and testing of Bloom, 5 of the opening performance, 2 views of the In Conversation, 2 of the rooftop performance and a GHT exhibition programme.<br><br>Commissioned by God’s House Tower, Southampton, for their 2019 - 2020 exhibition programme, <b>Bloom</b> was a site-specific installation inspired by the sights and sounds of passing container ships viewed from the roof of God’s House Tower, Southampton. Its title, methodology and choice of materials was informed by the 17th century painting <i>Night Blooming Cereus </i>by Philip Reinagle and Abraham Pether. On 12th December 2019 an In Conversation took place with <i>aspace</i> Arts Director Daniel Crow followed by a rooftop performance where Harrison attempted to ignite elements of his installation under the light of the moon.<br><br><b>Photography: Dana Donatau. Images used with permission courtesy of the photographer and God's House Tower.<br><br>Bloom Exhibition Publication designed by Charlie Newhouse November 2019. Used with permission. </b><br><br><b>Other promotional material included courtesy of God's House Tower and Southhampton City Council.</b><br><br><b>Film by Jared Schiller. Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.25919/hgd4-ja51
title: Parkes pulsar observations with undefined project IDs for 2020OCTS_03

description: Parkes pulsar observations with undefined project IDs for 2020OCTS. This collection contains data from the ToO project PX068.
DOI: 10.17870/bathspa.13296413.v1
title: Let Us Dance: 300 Word Statement

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a 300 word Statement on <b>Let Us Dance</b> by Young In Hong.<br><br><br>
DOI: 10.17870/bathspa.13296413
title: Let Us Dance: 300 Word Statement

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a 300 word Statement on <b>Let Us Dance</b> by Young In Hong.<br><br><br>
DOI: 10.17870/bathspa.13296431.v1
title: Let Us Dance: Research Questions

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br>This item contains Research Questions for<b> Let Us Dance</b> by Young In Hong.<br><br><br>
DOI: 10.17870/bathspa.13296431
title: Let Us Dance: Research Questions

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br>This item contains Research Questions for<b> Let Us Dance</b> by Young In Hong.<br><br><br>
DOI: 10.17870/bathspa.14306921.v1
title: Let Us Dance: Research Timeline

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a Research Timeline for <b>Let Us Dance</b> by Young In Hong.<br><br>Also included are archival images used as part of the research process by Young In Hong.
DOI: 10.17870/bathspa.14306921
title: Let Us Dance: Research Timeline

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a Research Timeline for <b>Let Us Dance</b> by Young In Hong.<br><br>Also included are archival images used as part of the research process by Young In Hong.
DOI: 10.17870/bathspa.13296467
title: Let Us Dance: 'Still I Rise', Arnolfini, Bristol, UK, 15th September - 15th December 2019 (Every Sunday).

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014,<b> Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a press release, a video of one of the performances and a collection of archival images from the 2008 demonstration in Seoul, South Korea.<br><br>This item documents the UK premiere of <b>Let Us Dance </b>as part of <i>Still I Rise</i> at the Arnolfini, a 3 month programme of 70 international artists, exploring different approaches to resistance from a gendered perspective. Performed every Sunday for 3 months by a different group of female volunteer dancers, <b>Let Us Dance</b> was re contextualised in Bristol by the dancers' collective, interpretive responses to their own experience in the current societal climate.<br><br><b>Let Us Dance</b> was first performed in PLATEAU, Seoul in 2014. In 2016, <b>Let Us Dance</b> was revived by a different group of participants in Paris as part of South Korea Guest of Honour Rituals programme at Art Paris Art Fair 2016. This is the project’s UK premiere.<br><br>Press release courtesy of the Arnolfini, Bristol.<br><br>Supported by Trinity Centre, Bristol.<br><br><b>Videography by Young In Hong. Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13296467.v1
title: Let Us Dance: 'Still I Rise', Arnolfini, Bristol, UK, 15th September - 15th December 2019 (Every Sunday).

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love </b>inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014,<b> Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a press release, a video of one of the performances and a collection of archival images from the 2008 demonstration in Seoul, South Korea.<br><br>This item documents the UK premiere of <b>Let Us Dance </b>as part of <i>Still I Rise</i> at the Arnolfini, a 3 month programme of 70 international artists, exploring different approaches to resistance from a gendered perspective. Performed every Sunday for 3 months by a different group of female volunteer dancers, <b>Let Us Dance</b> was re contextualised in Bristol by the dancers' collective, interpretive responses to their own experience in the current societal climate.<br><br><b>Let Us Dance</b> was first performed in PLATEAU, Seoul in 2014. In 2016, <b>Let Us Dance</b> was revived by a different group of participants in Paris as part of South Korea Guest of Honour Rituals programme at Art Paris Art Fair 2016. This is the project’s UK premiere.<br><br>Press release courtesy of the Arnolfini, Bristol.<br><br>Supported by Trinity Centre, Bristol.<br><br><b>Videography by Young In Hong. Used with permission. </b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13296458
title: Let Us Dance: Art Paris 2016, Grand Palais, Paris, 31st March, 1st & 2nd April 2016.

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a press release, an open call leaflet, a performance soundtrack, 4 rehearsal videos, 14 performance images and a performance programmeThis item documents <b>Let Us Dance</b> at Art Paris in 2016, where it formed part of <i>Rituals</i>, a performance programme specifically put together to explore the relationship between artistic practice and ritual in Korea. Collaborating with young female street dancers recruited by open call from <i>Le Cent Quatre,</i> Paris, Hong encouraged the dancers to interpret and respond in their own way to the landmark anti Korean government protests against US beef imports, organised by teenage girls in 2008. The flash mob performance by the girls at the Paris Art Fair, became an expression of defiance against recent terrorist attacks in France, frustration at the lack of opportunity and agency at the same time as a dynamic assertion of identity.<br><br>Curator: Sang-A Chun<br>Co-ordinators: Ines Hwahaeng Lee, Yeny Moon and Margaria Aguilar.<br><br><b>Let Us Dance</b> was first introduced in PLATEAU, Seoul in 2014, and is revived by a different group of participants for each of the 3 performances in Paris.<br><br>Created In collaboration with Charlie Boogie, Janice Bieleu, Kenza Amara, Scarnik & Sarahi Guaman.<br><b><br>Let Us Dance</b> was kindly supported by NAVER.<br><br><b>Photography by Suhwan Park.</b><b>Photographs used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13296458.v1
title: Let Us Dance: Art Paris 2016, Grand Palais, Paris, 31st March, 1st & 2nd April 2016.

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance</b> explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains a press release, an open call leaflet, a performance soundtrack, 4 rehearsal videos, 14 performance images and a performance programmeThis item documents <b>Let Us Dance</b> at Art Paris in 2016, where it formed part of <i>Rituals</i>, a performance programme specifically put together to explore the relationship between artistic practice and ritual in Korea. Collaborating with young female street dancers recruited by open call from <i>Le Cent Quatre,</i> Paris, Hong encouraged the dancers to interpret and respond in their own way to the landmark anti Korean government protests against US beef imports, organised by teenage girls in 2008. The flash mob performance by the girls at the Paris Art Fair, became an expression of defiance against recent terrorist attacks in France, frustration at the lack of opportunity and agency at the same time as a dynamic assertion of identity.<br><br>Curator: Sang-A Chun<br>Co-ordinators: Ines Hwahaeng Lee, Yeny Moon and Margaria Aguilar.<br><br><b>Let Us Dance</b> was first introduced in PLATEAU, Seoul in 2014, and is revived by a different group of participants for each of the 3 performances in Paris.<br><br>Created In collaboration with Charlie Boogie, Janice Bieleu, Kenza Amara, Scarnik & Sarahi Guaman.<br><b><br>Let Us Dance</b> was kindly supported by NAVER.<br><br><b>Photography by Suhwan Park.</b><b>Photographs used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13296452
title: Let Us Dance: Spectrum Spectrum, Plateau Museum, Seoul, South Korea, July 24th - October 12th 2014.

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance </b>explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains an exhibition invitation (courtesy of Spectrum Spectrum and Plateau), 10 performance images, and 2 pdfs of contextual information on the works. <br>This item documents<b> </b><b>Let Us Dance </b>and <b>Burning Love</b> which were both commissioned and exhibited for <i>Spectrum,Spectrum</i>, at PLATEAU Museum, Seoul in 2014, showcasing diverse contemporary Korean art.<b> Let Us Dance </b>was a flash mob performance staged each Saturday of the 2 month exhibition by a different group of volunteer teenage street dancers, who entered the gallery space, danced to a soundtrack of their own choice from their mobile phones and then left. Developed in parallel with <b>Let us Dance, </b><b>Burning Love </b>(2014) is a large embroidery work based on a magnified archival image of the teenager’s 2008 candlelit demonstration.<br><br>Part of the group exhibition at Samsung Plateau Museum (running until 2016), showcased 14 artists celebrating 10 years' achievement of the museum on contemporary art in Korea.<br><br>Curated by Soyeon Ahn, Director of Plateau.<br><br><b>Burning Love</b> 2014 (280x370cm), has also been shown at 2 solo exhibitions, <i>Fire that Never Dies</i> at the Cecilla Hillstrom Gallery, Stockholm in 2015, and <i>The Moon’s Trick at the </i>KCCUK and Exeter Phoenix, Exeter in in 2017as well as a group exhibition, <i>Go On Being So </i>at the Newlyn gallery, Newlyn 2020.<br><b><br>Photography by Young In Hong. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.13296452.v1
title: Let Us Dance: Spectrum Spectrum, Plateau Museum, Seoul, South Korea, July 24th - October 12th 2014.

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance </b>explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br><br>This item contains an exhibition invitation (courtesy of Spectrum Spectrum and Plateau), 10 performance images, and 2 pdfs of contextual information on the works. <br>This item documents<b> </b><b>Let Us Dance </b>and <b>Burning Love</b> which were both commissioned and exhibited for <i>Spectrum,Spectrum</i>, at PLATEAU Museum, Seoul in 2014, showcasing diverse contemporary Korean art.<b> Let Us Dance </b>was a flash mob performance staged each Saturday of the 2 month exhibition by a different group of volunteer teenage street dancers, who entered the gallery space, danced to a soundtrack of their own choice from their mobile phones and then left. Developed in parallel with <b>Let us Dance, </b><b>Burning Love </b>(2014) is a large embroidery work based on a magnified archival image of the teenager’s 2008 candlelit demonstration.<br><br>Part of the group exhibition at Samsung Plateau Museum (running until 2016), showcased 14 artists celebrating 10 years' achievement of the museum on contemporary art in Korea.<br><br>Curated by Soyeon Ahn, Director of Plateau.<br><br><b>Burning Love</b> 2014 (280x370cm), has also been shown at 2 solo exhibitions, <i>Fire that Never Dies</i> at the Cecilla Hillstrom Gallery, Stockholm in 2015, and <i>The Moon’s Trick at the </i>KCCUK and Exeter Phoenix, Exeter in in 2017as well as a group exhibition, <i>Go On Being So </i>at the Newlyn gallery, Newlyn 2020.<br><b><br>Photography by Young In Hong. Used with permission.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.14307497
title: Let Us Dance: Seoul & Paris Rehearsal Videos

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance </b>explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br>This item contains 2 videos of rehearsals in Seoul, Korea in preparation for the performance at the Plateau Museum in 2014, and 4 rehearsal videos for the event at Art Paris 2016, Grand Palais, Paris. <br>Videos by Young In Hong.
DOI: 10.17870/bathspa.14307497.v1
title: Let Us Dance: Seoul & Paris Rehearsal Videos

description: This collection includes a collaborative flash mob performance, <b>Let Us Dance</b>, and a large scale embroidery work, <b>Burning Love</b> inspired by the landmark 2008 candlelit demonstrations in Seoul involving the mass participation of teenage girls. Commissioned for the PLATEAU Museum, Seoul in 2014, <b>Let Us Dance </b>explores the potential of unregulated collective engagement and history as an ongoing act of participation and socio political and cultural challenge in the present.<br>This item contains 2 videos of rehearsals in Seoul, Korea in preparation for the performance at the Plateau Museum in 2014, and 4 rehearsal videos for the event at Art Paris 2016, Grand Palais, Paris. <br>Videos by Young In Hong.
DOI: 10.25345/c5280w
title: MassIVE MSV000087119 - Comparative analysis of cyanobacteria species reveals a novel guanidine-degrading enzyme that controls genomic stability of ethylene-producing strains
title: Comparative proteomics was conducted for Synechocystis sp. PCC 6803 wild type and engineered ethylene-producing JU547 strains. An novel guanidine-degradation enzyme was identified and characterized to play important roles in genome stability.