cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10312696
title: Mechanical alphabet, TM1360 (CT)

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology. 

[TM1360](https://digitaltmuseum.se/021026544809/mekaniskt-alfabet-modell?aq=owner%3A%22S-TEK%22&i=30"tm1360")  (TEKS0014705)

CT-Scan. Created by Kristofer Jansson, Interspectral.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312697
title: Mechanical alphabet, TM1360 (CT)

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology. 

[TM1360](https://digitaltmuseum.se/021026544809/mekaniskt-alfabet-modell?aq=owner%3A%22S-TEK%22&i=30"tm1360")  (TEKS0014705)

CT-Scan. Created by Kristofer Jansson, Interspectral.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312699
title: Bamboo torch - Ramadhan Series

description: bamboo torches in the past were often used when walking at night or "takbir keliling" because there was no electricity

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312698
title: Bamboo torch - Ramadhan Series

description: bamboo torches in the past were often used when walking at night or "takbir keliling" because there was no electricity

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312700
title: Crocifisso e Basamento

description: Glazed terracotta artworks by Andrea della Robbia in 1490, now displayed at the Pieve delle Sante Flora e Lucilla, Santa Fiora, Grosseto. Crucified Christ insert in an arch above a basement realized in tiles with majolica in different colours and patterns. Under the cross there is the skull of Adam in a niche made out of fake stones. Citation: B. Santi e C. Prezzolini, 1993, "Le Robbiane di Radicofani e Santa Fiora.

This project is a collaboration between Global Digital Heritage and a team of medieval archaeologists from the University of Florence coordinated by Professor Michele Nucciotti. We thank Don Gino Governi, parish priest of Santa Fiora, for making this project a success.

3D model made using FARO Focus3D laser scan data and photogrammetry. Processing completed in Reality Capture with additional processing done in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312701
title: Crocifisso e Basamento

description: Glazed terracotta artworks by Andrea della Robbia in 1490, now displayed at the Pieve delle Sante Flora e Lucilla, Santa Fiora, Grosseto. Crucified Christ insert in an arch above a basement realized in tiles with majolica in different colours and patterns. Under the cross there is the skull of Adam in a niche made out of fake stones. Citation: B. Santi e C. Prezzolini, 1993, "Le Robbiane di Radicofani e Santa Fiora.

This project is a collaboration between Global Digital Heritage and a team of medieval archaeologists from the University of Florence coordinated by Professor Michele Nucciotti. We thank Don Gino Governi, parish priest of Santa Fiora, for making this project a success.

3D model made using FARO Focus3D laser scan data and photogrammetry. Processing completed in Reality Capture with additional processing done in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312702
title: JULIUS CAESAR - 3D PRINTABLE

description: Estatua de Julio César por Nicolas Coustou, el Museo del Louvre, París, Francia

Statue of Julius Caesar by Nicolas Coustou, Louvre Museum, Paris, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312703
title: JULIUS CAESAR - 3D PRINTABLE

description: Estatua de Julio César por Nicolas Coustou, el Museo del Louvre, París, Francia

Statue of Julius Caesar by Nicolas Coustou, Louvre Museum, Paris, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312704
title: DH Augustus Model

description: 3d model of head of Augustus for DH

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312705
title: DH Augustus Model

description: 3d model of head of Augustus for DH

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312706
title: Louvre: L'Enfant à l'oie (VisualSFM)

description: http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=900
Louvre Ma 40

Canon EOS 70D, VisualSFM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312707
title: Louvre: L'Enfant à l'oie (VisualSFM)

description: http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=900
Louvre Ma 40

Canon EOS 70D, VisualSFM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312708
title: Frontal de altar S.XIV

description: Frontal de altar del siglo XIV.

Pieza del Museo Arqueológico de Burgos, fijada a la pared e iluminada con focos fijos.

30 fotografías tomadas en 2 anillos a distinta altura. Procesado con Photoscan (trial version) y postprocesado con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312709
title: Frontal de altar S.XIV

description: Frontal de altar del siglo XIV.

Pieza del Museo Arqueológico de Burgos, fijada a la pared e iluminada con focos fijos.

30 fotografías tomadas en 2 anillos a distinta altura. Procesado con Photoscan (trial version) y postprocesado con Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312710
title: Petróglifo da Laxiña dos Cervos

description: ►FICHA TÉCNICA:
![] (http://oi64.tinypic.com/sq1g5k.jpg)

•	 Número de Inventario: 15629.

•	Título: *Petróglifo da Laxiña dos Cervos*.

•	Procedencia: Laxiña dos Cervos, Camiño de Rozas Vellas, Fentáns, San Xurxo de Sacos (Cotobade).

•	Circunstancias da descuberta: Achado casual.

•	Tipoloxía: Petróglifo/Fragmento.

•	Material: Pedra/Granito.

•	Dimensións: 150x60x60 cm.

•	Época: Calcolítico (III-II milenio a.C).

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra.

![](http://oi65.tinypic.com/fbiy3k.jpg)

► DESCRICIÓN:

Fragmento de rocha de granito con escena de caza. Coñecido tamén co nome de *Pedriña dos Cervos*, foi atopado no ano 2001 en Fentáns (Cotobade). O gravado foi reutilizado nun camiño rural. 

Actualmente este petróglifo está exposto na Sala de Arqueoloxía do Museo de Pontevedra (Edificio Sarmiento).

► AUTOR DO MODELO 3D:  [Eloy Martínez Soto](https://sketchfab.com/eloymarso).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312711
title: Petróglifo da Laxiña dos Cervos

description: ►FICHA TÉCNICA:
![] (http://oi64.tinypic.com/sq1g5k.jpg)

•	 Número de Inventario: 15629.

•	Título: *Petróglifo da Laxiña dos Cervos*.

•	Procedencia: Laxiña dos Cervos, Camiño de Rozas Vellas, Fentáns, San Xurxo de Sacos (Cotobade).

•	Circunstancias da descuberta: Achado casual.

•	Tipoloxía: Petróglifo/Fragmento.

•	Material: Pedra/Granito.

•	Dimensións: 150x60x60 cm.

•	Época: Calcolítico (III-II milenio a.C).

•	Coleccións: Fondos Arqueolóxicos do Museo de Pontevedra.

![](http://oi65.tinypic.com/fbiy3k.jpg)

► DESCRICIÓN:

Fragmento de rocha de granito con escena de caza. Coñecido tamén co nome de *Pedriña dos Cervos*, foi atopado no ano 2001 en Fentáns (Cotobade). O gravado foi reutilizado nun camiño rural. 

Actualmente este petróglifo está exposto na Sala de Arqueoloxía do Museo de Pontevedra (Edificio Sarmiento).

► AUTOR DO MODELO 3D:  [Eloy Martínez Soto](https://sketchfab.com/eloymarso).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312712
title: The royal Lion Hunt of Ashurbanipal

description: The royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art".  They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312713
title: The royal Lion Hunt of Ashurbanipal

description: The royal Lion Hunt of Ashurbanipal is depicted on a set of gypsum reliefs from the North Palace of Nineveh. They are widely regarded as "the supreme masterpieces of Assyrian art".  They show a formalized ritual "hunt" by King Ashurbanipal (reigned 668 – c. 631/627 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312714
title: Girl Face

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312715
title: Girl Face

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312716
title: Japanese Stone Lantern

description: The Lantern wa smade in Blender. The base is kinda adjustable.

The 3D preview does not have the full texturing of the Lantern because I used nodes to do most of the texture (Cracks are from an image)
How it looks in blender: http://imgur.com/a/OlkqHhG

I am leaving like this to make the texture more procedural. (And I don't know how to make the node based texturing show up)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312717
title: Japanese Stone Lantern

description: The Lantern wa smade in Blender. The base is kinda adjustable.

The 3D preview does not have the full texturing of the Lantern because I used nodes to do most of the texture (Cracks are from an image)
How it looks in blender: http://imgur.com/a/OlkqHhG

I am leaving like this to make the texture more procedural. (And I don't know how to make the node based texturing show up)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312719
title: Norwegian Statue

description: Seen outside of the Norwegian Laft Hus.

📍 [Red Deer, AB](https://scaniver.se/L52.26364,-113.80582)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312718
title: Norwegian Statue

description: Seen outside of the Norwegian Laft Hus.

📍 [Red Deer, AB](https://scaniver.se/L52.26364,-113.80582)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312720
title: San Gennaro Catacomb Fresco, Naples (24)

description: The arched niche (arcosolium) for 2 burials is located in a burial chamber of the upper level of the catacombs. The tomb is decorated with mosaics, which are in a bad state of preservation. Most parts are preserved only in counterparts. The back wall, surrounded by fragments of a Latin inscription, depicts a medallion with the bust of a woman, flanked by candleholders. The reveal shows a tendril of acanthus, framed by a red band with dark gems. The mosaics are currently dated in the 5th-6th century AD. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. 

Processed from 234 photos and 1 laser scans. The result of a joint project of GDH, 
the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 24

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312721
title: San Gennaro Catacomb Fresco, Naples (24)

description: The arched niche (arcosolium) for 2 burials is located in a burial chamber of the upper level of the catacombs. The tomb is decorated with mosaics, which are in a bad state of preservation. Most parts are preserved only in counterparts. The back wall, surrounded by fragments of a Latin inscription, depicts a medallion with the bust of a woman, flanked by candleholders. The reveal shows a tendril of acanthus, framed by a red band with dark gems. The mosaics are currently dated in the 5th-6th century AD. The catacombs itself were used for burials from the 2nd century AD to the Middle Ages. 

Processed from 234 photos and 1 laser scans. The result of a joint project of GDH, 
the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 24

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312722
title: Gravestone with scroll detailing

description: Located at South Stoneham Cemetery, Southampton, UK.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312723
title: Gravestone with scroll detailing

description: Located at South Stoneham Cemetery, Southampton, UK.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312724
title: Habitación 47 de la villa de los Villaricos

description: Info: www.um.es/cepoat/villaricos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312725
title: Habitación 47 de la villa de los Villaricos

description: Info: www.um.es/cepoat/villaricos

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312726
title: Jordan

description: [Jordan](https://en.wikipedia.org/wiki/Jordan) is a country in Western Asia. It is situated at the crossroads of Asia, Africa and Europe, within the Levant region, on the East Bank of the Jordan River. Jordan is bordered by Saudi Arabia to the south and east, Iraq to the northeast, Syria to the north, and Israel, West Bank of Palestine, and the Dead Sea to the west. In the southwest, it has a 26 km (16 mi) coastline on the Gulf of Aqaba in the Red Sea. The Gulf of Aqaba separates Jordan from Egypt. Amman is Jordan's capital and largest city, as well as its economic, political, and cultural centre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312727
title: Jordan

description: [Jordan](https://en.wikipedia.org/wiki/Jordan) is a country in Western Asia. It is situated at the crossroads of Asia, Africa and Europe, within the Levant region, on the East Bank of the Jordan River. Jordan is bordered by Saudi Arabia to the south and east, Iraq to the northeast, Syria to the north, and Israel, West Bank of Palestine, and the Dead Sea to the west. In the southwest, it has a 26 km (16 mi) coastline on the Gulf of Aqaba in the Red Sea. The Gulf of Aqaba separates Jordan from Egypt. Amman is Jordan's capital and largest city, as well as its economic, political, and cultural centre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312730
title: Albania

description: [Albania](https://en.wikipedia.org/wiki/Albania) is a country in Southeastern Europe. It is located on the Adriatic and Ionian Sea within the Mediterranean Sea and shares land borders with Montenegro to the northwest, Kosovo to the northeast, North Macedonia to the east and Greece to the south. Tirana is its capital and largest city, followed by Durrës, Vlorë and Shkodër.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312731
title: Albania

description: [Albania](https://en.wikipedia.org/wiki/Albania) is a country in Southeastern Europe. It is located on the Adriatic and Ionian Sea within the Mediterranean Sea and shares land borders with Montenegro to the northwest, Kosovo to the northeast, North Macedonia to the east and Greece to the south. Tirana is its capital and largest city, followed by Durrës, Vlorë and Shkodër.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312734
title: Le Rhône et la Saone, Lyon

description: Allégorie des deux cours d'eau de Lyon. 

![](http://numelyo.bm-lyon.fr/f_eserv/BML:BML_01ICO00101508a7da712102/Source0.jpg)

Au pied de la façade sud de la Chambre de commerce et d'industrie de Lyon (palais de la Bourse), une statue allégorique représente le Rhône et la Saône s'unissant et joignant leur bras pour pointer vers l'avenir. Le sculpteur lyonnais André Vermare élabora en 1905 ce bas-relief dans un marbre blanc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312735
title: Le Rhône et la Saone, Lyon

description: Allégorie des deux cours d'eau de Lyon. 

![](http://numelyo.bm-lyon.fr/f_eserv/BML:BML_01ICO00101508a7da712102/Source0.jpg)

Au pied de la façade sud de la Chambre de commerce et d'industrie de Lyon (palais de la Bourse), une statue allégorique représente le Rhône et la Saône s'unissant et joignant leur bras pour pointer vers l'avenir. Le sculpteur lyonnais André Vermare élabora en 1905 ce bas-relief dans un marbre blanc.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312737
title: Szmaragd 901 OT 1791 television set

description: The Szmaragd 901 OT 1791 black-and-white television set is one of the development variants of TV models of the same name. The Szmaragd 901 allows the reception of 10 television channels (even though only one channel was available in Poland up until 1970). Numerous modifications and corrections were introduced to the original model, which improved the operation of the device. 
The modernised Szmaragd model 901 was equipped with a 12-channel switch and a 17-inch CRT. Contrast and brightness adjustment using a remote control was also introduced. In terms of the electrical system, it is a superheterodyne with 17 vacuum tubes, powered with alternating current from the mains and with a built-in magnetoelectric speaker. The design uses a cathode-ray tube with a deflection angle of 90°, which allowed the device to have shallower housing than the previous model. 

Manufacturer: Warszawskie Zakłady Telewizyjne, 1962

Inv. No.:MIM 39/VI-15

Model prepared on the basis of photogrammetric measurements
Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312736
title: Szmaragd 901 OT 1791 television set

description: The Szmaragd 901 OT 1791 black-and-white television set is one of the development variants of TV models of the same name. The Szmaragd 901 allows the reception of 10 television channels (even though only one channel was available in Poland up until 1970). Numerous modifications and corrections were introduced to the original model, which improved the operation of the device. 
The modernised Szmaragd model 901 was equipped with a 12-channel switch and a 17-inch CRT. Contrast and brightness adjustment using a remote control was also introduced. In terms of the electrical system, it is a superheterodyne with 17 vacuum tubes, powered with alternating current from the mains and with a built-in magnetoelectric speaker. The design uses a cathode-ray tube with a deflection angle of 90°, which allowed the device to have shallower housing than the previous model. 

Manufacturer: Warszawskie Zakłady Telewizyjne, 1962

Inv. No.:MIM 39/VI-15

Model prepared on the basis of photogrammetric measurements
Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312738
title: Nord du transept de l'église d'Aubazine

description: Corrèze

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312739
title: Nord du transept de l'église d'Aubazine

description: Corrèze

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312740
title: Madera 7

description: pieza tallada en madera del museo carnaval pasto

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312741
title: Madera 7

description: pieza tallada en madera del museo carnaval pasto

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312742
title: Virgen - Cristo en majestad

description: Elementos que decoran la espadaña de la iglesia de [Arenillas de San Pelayo](https://sketchfab.com/iliedom/collections/arenillas-de-san-pelayo).
![](https://imgfz.com/i/RCsbh6X.png)

[+info - Enciclopedia del Románico - Palencia. Santa María la Real.](https://www.romanicodigital.com/sites/default/files/pdfs/files/palencia_ARENILLAS_DE_SAN_PELAYO.pdf)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312743
title: Virgen - Cristo en majestad

description: Elementos que decoran la espadaña de la iglesia de [Arenillas de San Pelayo](https://sketchfab.com/iliedom/collections/arenillas-de-san-pelayo).
![](https://imgfz.com/i/RCsbh6X.png)

[+info - Enciclopedia del Románico - Palencia. Santa María la Real.](https://www.romanicodigital.com/sites/default/files/pdfs/files/palencia_ARENILLAS_DE_SAN_PELAYO.pdf)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312744
title: Castiglione d'Orcia - Mobile LiDAR 13

description: Fragment of the Digital Survey of Castiglione d'Orcia for Syracuse University School of Architecture in Florence.

— for more info visit www.borgo-digitale.com —

— All materials captured with an iPADPro and www.3dscannerapp.com —

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312745
title: Castiglione d'Orcia - Mobile LiDAR 13

description: Fragment of the Digital Survey of Castiglione d'Orcia for Syracuse University School of Architecture in Florence.

— for more info visit www.borgo-digitale.com —

— All materials captured with an iPADPro and www.3dscannerapp.com —

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312748
title: MINA RUDOLF

description: TURDA SALTMINE // RUDOLF & TEREZIA ROOMS
3D scanned during EASA DAY 017 - UNDERGROUND WORKSHOP
in TURDA SALTMINE / ROMANIA

Tutors: Ciprian Făcăeru & Alex Dohotaru with the help of EASA Romania team.

THANK YOU for making this event possible: 
Salina Turda Durgău - pagină oficială/
Augmented Space Agency / Creative VR / Dan Clinci / Alice Florean / Ananie Hrișcau / Tudor Bodea / Cristiana Moisanu / Ioana Tudor / Oana Dascaloiu / Isabella Măldăianu / Liviu Ispas / Karina Picus / Anca Dumitrescu / Liana Gheorghiță / Gicu Ciobanu / Cucu Iulia Catalina / Madalina Bebereche / Bogdan Șerban / Bogdan Mihai Marinescu / Cornel Para

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312749
title: MINA RUDOLF

description: TURDA SALTMINE // RUDOLF & TEREZIA ROOMS
3D scanned during EASA DAY 017 - UNDERGROUND WORKSHOP
in TURDA SALTMINE / ROMANIA

Tutors: Ciprian Făcăeru & Alex Dohotaru with the help of EASA Romania team.

THANK YOU for making this event possible: 
Salina Turda Durgău - pagină oficială/
Augmented Space Agency / Creative VR / Dan Clinci / Alice Florean / Ananie Hrișcau / Tudor Bodea / Cristiana Moisanu / Ioana Tudor / Oana Dascaloiu / Isabella Măldăianu / Liviu Ispas / Karina Picus / Anca Dumitrescu / Liana Gheorghiță / Gicu Ciobanu / Cucu Iulia Catalina / Madalina Bebereche / Bogdan Șerban / Bogdan Mihai Marinescu / Cornel Para

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312750
title: Pickaquoy Stone, nr Kirkwall, Orkney

description: In 1864 James Farrer donated this decorated stone to the National Museum of Antiquities of Scotland, Edinburgh (now National Museums Scotland).  It was excavated by Farrer from a site at Pickaquoy on the outskirts of Kirkwall, Orkney.  Comparatively little is known about the site on which it was found, but George Petrie visited the site of Farrer's excavation some years later and described 'a barrow containing two built cists of graves, or a Pict's House [an antiquarian name for a chambered tomb]'.  Another decorated stone from the excavation has been lost.   

This stone may have been a lintel in a chambered tomb and the decoration on this stone is comparable to examples found at Pierowall and Eday Manse.  

This stone is on display at National Museums Scotland, Edinburgh.  It was photographed under museum lighting conditions.

Source: Objaverse 1.0 / Sketchfab