cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14315679
title: Numerical experiments from Stress minimization for lattice structures. Part I: Micro-structure design

description: Stress minimization for lattice structures. Part I_ Micro-structure designReviewed (2).zip
DOI: 10.5519/qd.c3cdiujh
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1640 records)
DOI: 10.5281/zenodo.4638607
title: data set related to articole Cyclocreatine treatment ameliorates the cognitive, autistic and epileptic phenotype in a mouse model of Creatine Transporter Deficiency

description: This record contains raw data related to article Cyclocreatine treatment ameliorates the cognitive, autistic and epileptic phenotype in a mouse model of Creatine Transporter Deficiency
DOI: 10.5281/zenodo.4638606
title: data set related to articole Cyclocreatine treatment ameliorates the cognitive, autistic and epileptic phenotype in a mouse model of Creatine Transporter Deficiency

description: This record contains raw data related to article Cyclocreatine treatment ameliorates the cognitive, autistic and epileptic phenotype in a mouse model of Creatine Transporter Deficiency
DOI: 10.5519/qd.j8jsegrx
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (2418 records)
DOI: 10.25345/c57z23
title: MassIVE MSV000087102 - Mavel_Bitar_Autism_Urinary_JPBA_2017_ESI_Pos
title: J Pharm Biomed Anal. 2018 Apr 15;152:57-65. doi: 10.1016/j.jpba.2018.01.007. Identification of metabolic pathway disturbances using multimodal metabolomics in autistic disorders in a Middle Eastern population
DOI: 10.17870/bathspa.12493394.v1
title: Demonstrations - 300-Word Statement

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12493394
title: Demonstrations - 300-Word Statement

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12493397
title: Demonstrations - Research Timeline + Research Questions

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains a Research Timeline for the project and a set of Research Questions.
DOI: 10.17870/bathspa.12493397.v1
title: Demonstrations - Research Timeline + Research Questions

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains a Research Timeline for the project and a set of Research Questions.
DOI: 10.17870/bathspa.14191667
title: Demonstrations - Online Videos

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.<br>This item contains thirteen video demonstrations which were first presented online on a Youtube channel called <i>Demonstrations</i>. <br>1. <b>How to outline through elastic and red tape</b> – Demonstration 1 (2016)2. <b>How to saw wooden posts and become foot-vacuumed</b> – Demonstration 2 (2016)3. <b>How to eat and be seen through a pretzel</b> – Demonstration 3 (2016)4. <b>How to picture skies, faces and ceilings</b> – Demonstration 4 (2016)5. <b>How to wrap and show one’s arms</b> – Demonstration 5 (2017)6. <b>How to spill coffee and step over grounds</b> – Demonstration 6 (2018)7. <b>How to bag one’s air</b> – Demonstration 7 (2017)8. <b>How to make sufficient supplies</b> – Demonstration 8 (2020)9. <b>How to rub coins and fingers through papers</b> – Demonstration 9 (2018)10.<b> How to measure things with sticks and stones</b> – Demonstration 10 (2018)11. <b>How to bore</b> – Demonstration 11 (2019)12. <b>How to stretch</b> – Demonstration 12 (2019)13. <b>How to evacuate</b> – Demonstration 13 (2019)<br>The videos can also be viewed on Luzar's Youtube channel via this link.<br>Videos used courtesy of Robert Luzar. Used with permission.
DOI: 10.17870/bathspa.14191667.v1
title: Demonstrations - Online Videos

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.<br>This item contains thirteen video demonstrations which were first presented online on a Youtube channel called <i>Demonstrations</i>. <br>1. <b>How to outline through elastic and red tape</b> – Demonstration 1 (2016)2. <b>How to saw wooden posts and become foot-vacuumed</b> – Demonstration 2 (2016)3. <b>How to eat and be seen through a pretzel</b> – Demonstration 3 (2016)4. <b>How to picture skies, faces and ceilings</b> – Demonstration 4 (2016)5. <b>How to wrap and show one’s arms</b> – Demonstration 5 (2017)6. <b>How to spill coffee and step over grounds</b> – Demonstration 6 (2018)7. <b>How to bag one’s air</b> – Demonstration 7 (2017)8. <b>How to make sufficient supplies</b> – Demonstration 8 (2020)9. <b>How to rub coins and fingers through papers</b> – Demonstration 9 (2018)10.<b> How to measure things with sticks and stones</b> – Demonstration 10 (2018)11. <b>How to bore</b> – Demonstration 11 (2019)12. <b>How to stretch</b> – Demonstration 12 (2019)13. <b>How to evacuate</b> – Demonstration 13 (2019)<br>The videos can also be viewed on Luzar's Youtube channel via this link.<br>Videos used courtesy of Robert Luzar. Used with permission.
DOI: 10.17870/bathspa.14191859.v1
title: Demonstrations - Live Performances

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.<br>This item contains 11 recordings of live performances of the original 13 Demonstrations. <br>1. <b>Demonstration 1</b>, performed live at University of Wolverhampton, UK, on 18 March 20182. <b>Demonstration 2</b>, performed live at 44AD, Bath, UK, on 6 September 20173. <b>Demonstration 5</b>, performed live at Squash & Stretch event by LAPER, at Modern Art Oxford, UK, on 21 November 2018. The event was curated by Dr Veronica Cordova de la Rosa and supported by Oxford Brookes University. 4. <b>Demonstration 5</b>, performed live at the exhibition Live, at Walcot Chapel/Fringe Arts Bath, UK, 2 June 20185. <b>Demonstration 7</b>, performed live at the festival LAPER, Squash & Stretch, Oxford, UK, 8 May 2018. The event was curated by Dr Veronica Cordova de la Rosa and supported by Oxford Brookes University. 6. <b>Demonstration 7</b>, performed live at the exhibition Restless Linings, Acts / Re-Acts 5, Wimbledon Space, UK, 1 March 2018.7. <b>Demonstration 7</b>, performed at the exhibition Restless Linings, Kosar Contemporary, UK, 20 November 20198. <b>Demonstration 9</b>, performed live the festival Zhuangzi & The Butterfly, Tel Aviv University and Confucius Institute, Israel, 14 May 20189. <b>Demonstration 12</b>, performed live at Roja Art Lab, Latvia, 1 July 201910.<b> Demonstration 12</b>, performed at the exhibition Restless Linings, Kosar Contemporary, UK, 12 November 201911. <b>Demonstration 13</b>, performed live at Roja Art Lab, Latvia, 1 July 2019<br>The videos can also be viewed on Luzar's Youtube channel via this link.<br>Videos courtesy of Robert Luzar and Dean Kelland. Used with permission.
DOI: 10.17870/bathspa.14191859
title: Demonstrations - Live Performances

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.<br>This item contains 11 recordings of live performances of the original 13 Demonstrations. <br>1. <b>Demonstration 1</b>, performed live at University of Wolverhampton, UK, on 18 March 20182. <b>Demonstration 2</b>, performed live at 44AD, Bath, UK, on 6 September 20173. <b>Demonstration 5</b>, performed live at Squash & Stretch event by LAPER, at Modern Art Oxford, UK, on 21 November 2018. The event was curated by Dr Veronica Cordova de la Rosa and supported by Oxford Brookes University. 4. <b>Demonstration 5</b>, performed live at the exhibition Live, at Walcot Chapel/Fringe Arts Bath, UK, 2 June 20185. <b>Demonstration 7</b>, performed live at the festival LAPER, Squash & Stretch, Oxford, UK, 8 May 2018. The event was curated by Dr Veronica Cordova de la Rosa and supported by Oxford Brookes University. 6. <b>Demonstration 7</b>, performed live at the exhibition Restless Linings, Acts / Re-Acts 5, Wimbledon Space, UK, 1 March 2018.7. <b>Demonstration 7</b>, performed at the exhibition Restless Linings, Kosar Contemporary, UK, 20 November 20198. <b>Demonstration 9</b>, performed live the festival Zhuangzi & The Butterfly, Tel Aviv University and Confucius Institute, Israel, 14 May 20189. <b>Demonstration 12</b>, performed live at Roja Art Lab, Latvia, 1 July 201910.<b> Demonstration 12</b>, performed at the exhibition Restless Linings, Kosar Contemporary, UK, 12 November 201911. <b>Demonstration 13</b>, performed live at Roja Art Lab, Latvia, 1 July 2019<br>The videos can also be viewed on Luzar's Youtube channel via this link.<br>Videos courtesy of Robert Luzar and Dean Kelland. Used with permission.
DOI: 10.17870/bathspa.14305619
title: Demonstrations - Live Performance on Latvian National Television, June 2019

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains documentation of a live performance of Demonstration 12, performed by Robert Luzar on Latvian National Television, Latvia, 29 June 2019.The video can also be viewed on Luzar's Youtube channel via this link.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.14305619.v1
title: Demonstrations - Live Performance on Latvian National Television, June 2019

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains documentation of a live performance of Demonstration 12, performed by Robert Luzar on Latvian National Television, Latvia, 29 June 2019.The video can also be viewed on Luzar's Youtube channel via this link.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12493370
title: Demonstrations - Photographic Documentation of Live Performances

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains photographic documentation of Demonstrations performed at:<b><i>Open Scores Lab</i></b>, Bath Spa University, Bath, UK (January 2017)<b><i>Elastic</i></b>, Oxford, UK (June 2017)<b>44AD</b>, Bath, UK (September 2017)<b>Wolverhampton University</b>, UK (March 2018)<b><i>Restless Linings </i></b><b>and <i>Acts / Re-Acts 5</i></b><i>, </i>Wimbledon Space, UK (March 2018)<b><i>Squash & Stretch</i></b>, Oxford Brookes University (May 2018)<b><i>Zhuangzi & The Butterfly</i></b>, Tel Aviv University and The Confucius Institute, Israel (May 2018)<b><i>Live</i></b>, Walcot Chapel, Bath, UK (June 2018)<b>Modern Art Oxford</b>, UK (November 2018)<b>Latvian National Television</b>, Latvia (July 2019)<b>Roja Art Lab</b>, Latvia (July 2019)<b><i>Restless Linings</i></b>, Kosar Contemporary, Bristol, UK (November 2019)Images courtesy of Robert Luzar, Stuart Allsopp, Samantha Davies, Dean Kelland, Martin de Taranço, and Ronit Porat. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.12493370.v1
title: Demonstrations - Photographic Documentation of Live Performances

description: <i>Demonstrations</i> is a set of works that combines thirteen online videos, specifically on YouTube, with video documentation of twelve live-art performances that ‘un-work’ the original thirteen online videos. The demonstrations research different kinds of ‘trace’ through combined methods that use body (subjective, communal), DIY performance, scores, video documentation, participation and event; they invoke audiences to do (or try) incomplete works that, inherently, seem un-working, mundane, politically ambiguous, and thus ‘inoperative’.This item contains photographic documentation of Demonstrations performed at:<b><i>Open Scores Lab</i></b>, Bath Spa University, Bath, UK (January 2017)<b><i>Elastic</i></b>, Oxford, UK (June 2017)<b>44AD</b>, Bath, UK (September 2017)<b>Wolverhampton University</b>, UK (March 2018)<b><i>Restless Linings </i></b><b>and <i>Acts / Re-Acts 5</i></b><i>, </i>Wimbledon Space, UK (March 2018)<b><i>Squash & Stretch</i></b>, Oxford Brookes University (May 2018)<b><i>Zhuangzi & The Butterfly</i></b>, Tel Aviv University and The Confucius Institute, Israel (May 2018)<b><i>Live</i></b>, Walcot Chapel, Bath, UK (June 2018)<b>Modern Art Oxford</b>, UK (November 2018)<b>Latvian National Television</b>, Latvia (July 2019)<b>Roja Art Lab</b>, Latvia (July 2019)<b><i>Restless Linings</i></b>, Kosar Contemporary, Bristol, UK (November 2019)Images courtesy of Robert Luzar, Stuart Allsopp, Samantha Davies, Dean Kelland, Martin de Taranço, and Ronit Porat. Used with permission.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.21227/0504-1b07
title: Day-Ahead Forecasting using LSTM with rolling windows

description: The project involves day-ahead forecasting which takes a model fit into historical data and predicts future demand of electricity. Time series forecasting methods are used as the dataset contains an explicit order dependence between observations, i.e. a time dimension which makes the problem difficult to handle but makes the prediction more accurate. Various machine learning and deep learning algorithms were used to accomplish this work. Results obtained by autoregressive integrated moving average(ARIMA), autoregressive moving average with explanatory variable(ARIMAX), seasonal autoregressive moving average(SARIMA), seasonal autoregressive moving average(SARIMAX) and long short term memory(LSTM) recurrent neural networks with rolling windows were compared and the one with least error, i.e. LSTM with rolling windows was used for time series prediction.
DOI: 10.6084/m9.figshare.14247314
title: Human_Subjects_CSV_descriptions.zip

description: Describes the acoustic composition of each recorded cocktail party scenario at channel level.<br><br>For details, please see the publication with the title: "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users"
DOI: 10.5281/zenodo.4638641
title: data set related to article Preservation of Visual Cortex Plasticity in Retinitis Pigmentosa Neuroscience

description: This record contains raw data related to article Preservation of Visual Cortex Plasticity in Retinitis Pigmentosa Neuroscience
DOI: 10.5281/zenodo.4638640
title: data set related to article Preservation of Visual Cortex Plasticity in Retinitis Pigmentosa Neuroscience

description: This record contains raw data related to article Preservation of Visual Cortex Plasticity in Retinitis Pigmentosa Neuroscience
DOI: 10.6084/m9.figshare.14315634.v1
title: Data file: children (2-5 years) from Children are important too: juvenile playgroups and maternal childcare in a foraging population, the Agta

description: Data file for childrens analysis
DOI: 10.6084/m9.figshare.14308342
title: Human_Subjects_Audio_ID_01.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308483
title: Human_Subjects_Audio_ID_02.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308486
title: Human_Subjects_Audio_ID_03.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308486.v1
title: Human_Subjects_Audio_ID_03.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308507
title: Human_Subjects_Audio_ID_04.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308507.v1
title: Human_Subjects_Audio_ID_04.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308513
title: Human_Subjects_Audio_ID_05.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".<br>
DOI: 10.6084/m9.figshare.14308513.v1
title: Human_Subjects_Audio_ID_05.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".<br>
DOI: 10.6084/m9.figshare.14308606.v1
title: Human_Subjects_Audio_ID_06.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308606
title: Human_Subjects_Audio_ID_06.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".
DOI: 10.6084/m9.figshare.14308620.v1
title: Human_Subjects_Audio_ID_07.zip

description: All recordings and source files for the measurements with this subject. For details, please see the "Methods" section of the publication "Multichannel acoustic source and image dataset for the cocktail party effect in hearing aid and implant users".