cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10300360
title: The Great Shigir Idol_part 4

description: The Great Shigir Idol discovered in 1890 in the course of a gold mining operation at the Shigirpeat bog is the oldest known monumental wooden sculpture. In 2014 a team of archaeologists andscientists from Russia and Germany have undertaken a comprehensive study of idol. The originalsculpture was 5.3 m high, the height of the surviving part was 3.4 meters. All in all (together withthe images from the lost part) eight personages were represented on the Great Shigir Idol. It was established that the idol was made from a freshly cut treetrunk with the help of polished stone adzes and chisels. The sculpture was initially positioned vertically, probably on a stone foundation, and than it fell into the lake and sank in its shallow part at the time of peatformation, some of which was preserved in the ancient cracks. According to the AMS results together with the other available data the age of the idol was about 9,600–9,000 cal y. a., which corresponded to the beginning of the Mesolithic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300361
title: The Great Shigir Idol_part 4

description: The Great Shigir Idol discovered in 1890 in the course of a gold mining operation at the Shigirpeat bog is the oldest known monumental wooden sculpture. In 2014 a team of archaeologists andscientists from Russia and Germany have undertaken a comprehensive study of idol. The originalsculpture was 5.3 m high, the height of the surviving part was 3.4 meters. All in all (together withthe images from the lost part) eight personages were represented on the Great Shigir Idol. It was established that the idol was made from a freshly cut treetrunk with the help of polished stone adzes and chisels. The sculpture was initially positioned vertically, probably on a stone foundation, and than it fell into the lake and sank in its shallow part at the time of peatformation, some of which was preserved in the ancient cracks. According to the AMS results together with the other available data the age of the idol was about 9,600–9,000 cal y. a., which corresponded to the beginning of the Mesolithic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300364
title: Triple Park Tour Flagstaff To Grand Canyon Loop

description: Triple Park Tour from Flagstaff to Grand Canyon, Cameron, Wupatki National Monument, and Sunset Crater National Monument

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300365
title: Triple Park Tour Flagstaff To Grand Canyon Loop

description: Triple Park Tour from Flagstaff to Grand Canyon, Cameron, Wupatki National Monument, and Sunset Crater National Monument

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300367
title: Búnker Parque del Oeste

description: No conocemos mucho del conjunto de tres búnkeres que se alzan como torres medievales sobre el tranquilo Parque del Oeste (Moncloa, Madrid). Podemos inferir que su construcción acaeció a partir de Enero de 1937 cuando las tropas republicanas redujeron las posiciones franquistas a una pequeña avanzadilla que sería coronada por tres fortines; una visión aterradora sobre un campo de batalla que más se asemejaba a la Primera Guerra Mundial. 

El búnker más oriental es el que aquí se reconstruye. Éste posee dos aspilleras que permitían observar de forma segura las posiciones republicanas (de ahí su prominente altura); se ha sugerido que habría guarnecido una ametralladora. En la parte trasera se encuentra la única puerta de entrada y salida.

Este modelo ha sido realizado con metodología "lowcost". Software fotogramétrico: Meshroom. Software de edición 3D: Blender, Instant Meshes. Tratamiento de imágenes: RawTherapee. Programas del libre acceso.
Cámara: Nikon D3300.
Fotografías: 215

Autor: Pablo Gutiérrez de León

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300366
title: Búnker Parque del Oeste

description: No conocemos mucho del conjunto de tres búnkeres que se alzan como torres medievales sobre el tranquilo Parque del Oeste (Moncloa, Madrid). Podemos inferir que su construcción acaeció a partir de Enero de 1937 cuando las tropas republicanas redujeron las posiciones franquistas a una pequeña avanzadilla que sería coronada por tres fortines; una visión aterradora sobre un campo de batalla que más se asemejaba a la Primera Guerra Mundial. 

El búnker más oriental es el que aquí se reconstruye. Éste posee dos aspilleras que permitían observar de forma segura las posiciones republicanas (de ahí su prominente altura); se ha sugerido que habría guarnecido una ametralladora. En la parte trasera se encuentra la única puerta de entrada y salida.

Este modelo ha sido realizado con metodología "lowcost". Software fotogramétrico: Meshroom. Software de edición 3D: Blender, Instant Meshes. Tratamiento de imágenes: RawTherapee. Programas del libre acceso.
Cámara: Nikon D3300.
Fotografías: 215

Autor: Pablo Gutiérrez de León

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300368
title: Marco da Casa de Bragança - "Penedo das Letras"

description: Levantamento fotogramétrico de um Marco da Casa de Bragança, localizado próximo do lugar do "Penedo das Letras" (entre as freguesias de Sezures e Vale de São Cosme, Vila Nova de Famalicão).

Trata-se de um bloco monolítico de granito, cuja função se relacionava com a demarcação das propriedades pertença da "Sereníssima Casa de Bragança" (datação conjetural: século XV - XVII).

SAIBA MAIS: [**FAMALICÃO ID**](http://famalicaoid.org/inweb/ficha.aspx?ns=215000&id=1153)

**"Casa de Bragança" Landmark - "Penedo das Letras"**

Photogrammetric survey of a landmark, located near the place "Penedo das Letras" (between the parishes of Sezures and Vale de São Cosme, Vila Nova de Famalicão, Portugal).

It is a monolithic granite block, whose function was related to the demarcation of properties (lands), whose dominion was "Sereníssima Casa de Bragança" (conjectural dating : 15th-17th century).

Find More About: [**FAMALICÃO ID**](http://famalicaoid.org/inweb/ficha.aspx?ns=215000&id=1153)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300369
title: Marco da Casa de Bragança - "Penedo das Letras"

description: Levantamento fotogramétrico de um Marco da Casa de Bragança, localizado próximo do lugar do "Penedo das Letras" (entre as freguesias de Sezures e Vale de São Cosme, Vila Nova de Famalicão).

Trata-se de um bloco monolítico de granito, cuja função se relacionava com a demarcação das propriedades pertença da "Sereníssima Casa de Bragança" (datação conjetural: século XV - XVII).

SAIBA MAIS: [**FAMALICÃO ID**](http://famalicaoid.org/inweb/ficha.aspx?ns=215000&id=1153)

**"Casa de Bragança" Landmark - "Penedo das Letras"**

Photogrammetric survey of a landmark, located near the place "Penedo das Letras" (between the parishes of Sezures and Vale de São Cosme, Vila Nova de Famalicão, Portugal).

It is a monolithic granite block, whose function was related to the demarcation of properties (lands), whose dominion was "Sereníssima Casa de Bragança" (conjectural dating : 15th-17th century).

Find More About: [**FAMALICÃO ID**](http://famalicaoid.org/inweb/ficha.aspx?ns=215000&id=1153)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300370
title: Deesa Osun, MUEC

description: **CAT** Osun, escultura de fusta, deessa de l'aigua dolça i els rius, acompanyada d'assistents. Pertany a la cultura yoruba procedent de Nigèria i s'atribueix a Olowe d'Ise. Data entre 1900 i 1925, i es custodia al Museu Etnològic de les Cultures del Món de Barcelona.

**ES** Escultura de madera que representa a Osún, diosa del agua dulce y los ríos, acompañada de asistentes. Pertenece a la cultura ioruba procedente de Nigeria y se atribuye Olowe d'Ise. Data entre 1900 y 1925, y se custodia en el Museo Etnológico de las Culturas del Mundo de Barcelona. 

**EN** A wooden sculpture of Osun, goddess of fresh water and rivers, with attendants. This piece is from the Yoruba culture of Nigeria, and is attributed to Olowe d'Ise. It dates from 1900 to 1925, and is kept at the Ethnological Museum of the Cultures of the World in Barcelona.

Model: Jaime Salguero. Textos: MECM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300371
title: Deesa Osun, MUEC

description: **CAT** Osun, escultura de fusta, deessa de l'aigua dolça i els rius, acompanyada d'assistents. Pertany a la cultura yoruba procedent de Nigèria i s'atribueix a Olowe d'Ise. Data entre 1900 i 1925, i es custodia al Museu Etnològic de les Cultures del Món de Barcelona.

**ES** Escultura de madera que representa a Osún, diosa del agua dulce y los ríos, acompañada de asistentes. Pertenece a la cultura ioruba procedente de Nigeria y se atribuye Olowe d'Ise. Data entre 1900 y 1925, y se custodia en el Museo Etnológico de las Culturas del Mundo de Barcelona. 

**EN** A wooden sculpture of Osun, goddess of fresh water and rivers, with attendants. This piece is from the Yoruba culture of Nigeria, and is attributed to Olowe d'Ise. It dates from 1900 to 1925, and is kept at the Ethnological Museum of the Cultures of the World in Barcelona.

Model: Jaime Salguero. Textos: MECM

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300375
title: T=3 Virus Capsid Model

description: PICORNAVIRIDAE – Designing Model and Visualization Concepts in Virology 

Educational T=3 [and T=pseudo3] Virus Structure Model

The project was developed during my master's studies in integrated design at the University of the Arts Bremen in cooperation with the Laboratory of Virus Research at the University Bremen. This model combines eight different approaches on the morphology of picornaviruses. Each element [capsomer] can be used as an independent structural model, 12 elements assembled resulting in a closed virus shell [capsid]. The composition of different designs within one structure enable the possibility to compare different morphological aspects side by side. This digital and interactive model can be used for classroom teaching, for digital lectures or for self-paced learning formats.

[Assembly unit 02/08]
Common schematic representation for visualizing "wedge-shaped" asymmetric units. These are formed by virus protein subunits, five asymmetric units [structural units] combined form a capsomere.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300376
title: T=3 Virus Capsid Model

description: PICORNAVIRIDAE – Designing Model and Visualization Concepts in Virology 

Educational T=3 [and T=pseudo3] Virus Structure Model

The project was developed during my master's studies in integrated design at the University of the Arts Bremen in cooperation with the Laboratory of Virus Research at the University Bremen. This model combines eight different approaches on the morphology of picornaviruses. Each element [capsomer] can be used as an independent structural model, 12 elements assembled resulting in a closed virus shell [capsid]. The composition of different designs within one structure enable the possibility to compare different morphological aspects side by side. This digital and interactive model can be used for classroom teaching, for digital lectures or for self-paced learning formats.

[Assembly unit 02/08]
Common schematic representation for visualizing "wedge-shaped" asymmetric units. These are formed by virus protein subunits, five asymmetric units [structural units] combined form a capsomere.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300377
title: Rossville Projectile Point

description: A quartzite Rossvile projectile point recovered from the precontact period component of the Eutaw Farm Site. The projectile point was recovered during the 2018 archaeological investigation of the site. The Rossville point is placed variously in the Early and Middle Woodland periods with radiocarbon dates ranging from 2680 to 1310 BP (approximately 825 BC-675 AD). 

The Herring Run Archaeology Project has given permission for the model to be downloadable for non-commercial educational purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300378
title: Rossville Projectile Point

description: A quartzite Rossvile projectile point recovered from the precontact period component of the Eutaw Farm Site. The projectile point was recovered during the 2018 archaeological investigation of the site. The Rossville point is placed variously in the Early and Middle Woodland periods with radiocarbon dates ranging from 2680 to 1310 BP (approximately 825 BC-675 AD). 

The Herring Run Archaeology Project has given permission for the model to be downloadable for non-commercial educational purposes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300379
title: Basilique de Vézelay - France - Juin 2020

description: Heurtoir de porte

Wikipédia:
La basilique Sainte-Marie-Madeleine de Vézelay est une ex abbatiale française du xiie siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté. Haut lieu de la chrétienté au Moyen Âge, Vézelay est un lieu de pèlerinage important sur le chemin de Saint-Jacques-de-Compostelle.

https://fr.wikipedia.org/wiki/Basilique_Sainte-Marie-Madeleine_de_V%C3%A9zelay

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300380
title: Basilique de Vézelay - France - Juin 2020

description: Heurtoir de porte

Wikipédia:
La basilique Sainte-Marie-Madeleine de Vézelay est une ex abbatiale française du xiie siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté. Haut lieu de la chrétienté au Moyen Âge, Vézelay est un lieu de pèlerinage important sur le chemin de Saint-Jacques-de-Compostelle.

https://fr.wikipedia.org/wiki/Basilique_Sainte-Marie-Madeleine_de_V%C3%A9zelay

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300385
title: споменик НОБ, Радевац

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Aleksinac and Sokobanja" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.

model made by: https://sketchfab.com/nixic.alexandar


43.482796, 21.582691

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300386
title: споменик НОБ, Радевац

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Aleksinac and Sokobanja" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.

model made by: https://sketchfab.com/nixic.alexandar


43.482796, 21.582691

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300387
title: GA104-148009- Carved Head

description: [Source](https://maps.archaeology.ie/historicenvironment/?SMRS=GA104-148009-) In Killogilleen graveyard. The stone stands c. 7.5m WSW of the church  and is described by Chapple (2005)  'It is carved from a single block of limestone, measuring 0.29m wide, by 0.23m thick. At the front it protrudes 0.30m above the present ground surface, falling off to 0.42m at the back, where the ground surface is lower, beneath the recumbent slab. Although the stone is roughly square in section, the upper surface is in the form of a half cylinder, giving the front and back elevations of the figure a rounded, almost 'barrel-vaulted' appearance. As no distinct chisel marks etc. appear on this curved upper surface of the head, it is impossible to state whether a naturally shaped stone was chosen for the purpose, or whether the rounded surface was artificially wrought. Nonetheless, the sides of the stone appear to have been roughly dressed, though the visible portion of the back seems to be a naturally flat, un-worked surface.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300388
title: GA104-148009- Carved Head

description: [Source](https://maps.archaeology.ie/historicenvironment/?SMRS=GA104-148009-) In Killogilleen graveyard. The stone stands c. 7.5m WSW of the church  and is described by Chapple (2005)  'It is carved from a single block of limestone, measuring 0.29m wide, by 0.23m thick. At the front it protrudes 0.30m above the present ground surface, falling off to 0.42m at the back, where the ground surface is lower, beneath the recumbent slab. Although the stone is roughly square in section, the upper surface is in the form of a half cylinder, giving the front and back elevations of the figure a rounded, almost 'barrel-vaulted' appearance. As no distinct chisel marks etc. appear on this curved upper surface of the head, it is impossible to state whether a naturally shaped stone was chosen for the purpose, or whether the rounded surface was artificially wrought. Nonetheless, the sides of the stone appear to have been roughly dressed, though the visible portion of the back seems to be a naturally flat, un-worked surface.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300391
title: Aztecan Farming Terrace

description: This is a small diorama based on the farming terraces

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300392
title: Aztecan Farming Terrace

description: This is a small diorama based on the farming terraces

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300395
title: walking SCISSORs

description: walking scissors, looking for someone to cut with

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300396
title: walking SCISSORs

description: walking scissors, looking for someone to cut with

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300397
title: Bien02

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300398
title: Bien02

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300399
title: INSCRIPCIÓN EN EL CLAUSTRO EN

description: Inscripción en un arco del claustro románico de la Catedral de Roda de Isábena.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300400
title: INSCRIPCIÓN EN EL CLAUSTRO EN

description: Inscripción en un arco del claustro románico de la Catedral de Roda de Isábena.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300401
title: Exhibitionist Figure, Abbeydorney, KE021-053007-

description: Located south of the south-eastern angle of Abbeydorney church (KE021-053001-) is the 19th century burial vault of the King family which has been built with architectural fragments from the Cistercian abbey. Above the entrance to the vault there is a male figure within a sunken roundel with crudely carved head, large flat nose, rounded eyes and large protruding ears with the right hand pulling the right earlobe and the left hand down by the left hand side with clenched fist at the buttocks area. The legs are in profile and are slightly apart as if the figure is swinging. The clenched fist on the left hand side may be holding or drawing something across the waist of the figure but this is unclear, it could be that this figure is holding his penis with his clenched fist but this is uncertain. For more information on the figure, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=KE021-053007-  For information on the church, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=KE021-053001-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300402
title: Exhibitionist Figure, Abbeydorney, KE021-053007-

description: Located south of the south-eastern angle of Abbeydorney church (KE021-053001-) is the 19th century burial vault of the King family which has been built with architectural fragments from the Cistercian abbey. Above the entrance to the vault there is a male figure within a sunken roundel with crudely carved head, large flat nose, rounded eyes and large protruding ears with the right hand pulling the right earlobe and the left hand down by the left hand side with clenched fist at the buttocks area. The legs are in profile and are slightly apart as if the figure is swinging. The clenched fist on the left hand side may be holding or drawing something across the waist of the figure but this is unclear, it could be that this figure is holding his penis with his clenched fist but this is uncertain. For more information on the figure, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=KE021-053007-  For information on the church, visit: https://maps.archaeology.ie/HistoricEnvironment/?SMRS=KE021-053001-

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300403
title: 77-47-Q470 Pumice Artifact

description: Pumice Artifact, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q470 Okada excavations HHQ, Level 5. Hot Springs 1A. 2000-1600 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300404
title: 77-47-Q470 Pumice Artifact

description: Pumice Artifact, Hot Springs Village, Port Moller, Alaska CAT# 77-47-Q470 Okada excavations HHQ, Level 5. Hot Springs 1A. 2000-1600 BCE

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300405
title: Glass bead hollow 2

description: Hollow verison of [Glass bead - Glaspärla](https://sketchfab.com/3d-models/glass-bead-glasparla-fcd1007ce78e46d3974d6c9e70a288b5) by [Ålands museum in The Aland islands, Finland
](https://sketchfab.com/alandsmuseum)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300406
title: Glass bead hollow 2

description: Hollow verison of [Glass bead - Glaspärla](https://sketchfab.com/3d-models/glass-bead-glasparla-fcd1007ce78e46d3974d6c9e70a288b5) by [Ålands museum in The Aland islands, Finland
](https://sketchfab.com/alandsmuseum)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300408
title: Wall

description: A model made during a photogrammetry workshop in Kathmandu.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300409
title: Wall

description: A model made during a photogrammetry workshop in Kathmandu.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300410
title: Constable Ezio Faraone Statue - Edmonton

description: Constable Ezio Faraone Statue - Edmonton, Alberta, Canada

-  Find out more [here](https://www.edmontonpolice.ca/AboutEPS/HistoryOfTheEPS/InMemoriam)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10300411
title: Constable Ezio Faraone Statue - Edmonton

description: Constable Ezio Faraone Statue - Edmonton, Alberta, Canada

-  Find out more [here](https://www.edmontonpolice.ca/AboutEPS/HistoryOfTheEPS/InMemoriam)

Source: Objaverse 1.0 / Sketchfab