cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10238743
title: Helmet with Grotesque Visor

description: This helmet, with its rather special appearance, is one of the few preserved objects that we know was owned by the Swedish king [Gustav Vasa](https://en.wikipedia.org/wiki/Gustav_I_of_Sweden). 

It was made in Germany in 1540, probably in Augsburg or Nuremberg, which were home to some of the most skilled armour makers of the time. The visor, the part that covers the face, did not originally belong to the helmet, but it is thought to be of the same period.

A helmet of this type was made not for battle but for celebratory occasions. In the 16th century, full suits of steel armour were the height of fashion. For parades and other royal festivities, the social elite would dress up in specially-made sets of costume armour with a close helmet. During these celebrations it became popular, in the early 16th century, to wear close helmets with grotesque visors in the form of animal or human faces, like this one, to enhance the festive atmosphere and heighten the sense of theatricality. 


Scan by Erik Lernestål

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238744
title: Helmet with Grotesque Visor

description: This helmet, with its rather special appearance, is one of the few preserved objects that we know was owned by the Swedish king [Gustav Vasa](https://en.wikipedia.org/wiki/Gustav_I_of_Sweden). 

It was made in Germany in 1540, probably in Augsburg or Nuremberg, which were home to some of the most skilled armour makers of the time. The visor, the part that covers the face, did not originally belong to the helmet, but it is thought to be of the same period.

A helmet of this type was made not for battle but for celebratory occasions. In the 16th century, full suits of steel armour were the height of fashion. For parades and other royal festivities, the social elite would dress up in specially-made sets of costume armour with a close helmet. During these celebrations it became popular, in the early 16th century, to wear close helmets with grotesque visors in the form of animal or human faces, like this one, to enhance the festive atmosphere and heighten the sense of theatricality. 


Scan by Erik Lernestål

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238745
title: Adze Handle, Half of Composite XCB-105-4039

description: Adze Handle, Half of Composite . XCB-105-4039. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238746
title: Adze Handle, Half of Composite XCB-105-4039

description: Adze Handle, Half of Composite . XCB-105-4039. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238747
title: Paplakas pilskalns

description: Paplakas pilskalna 3D modelis. Koordinātas: 56.43833, 21.47666

https://www.latvijas-pilskalni.lv/paplakas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238748
title: Paplakas pilskalns

description: Paplakas pilskalna 3D modelis. Koordinātas: 56.43833, 21.47666

https://www.latvijas-pilskalni.lv/paplakas-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238750
title: Perkussionsbündelrevolver, Mitte 19. Jh. | W1747

description: Dieser Revolver hat nur einen Abzug, aber sechs Läufe für Kugeln. Mit jedem Schuss dreht sich das Bündel und ein neuer Lauf kommt zum Abzug. Ungefähr zur Entstehungszeit dieses Revolvers patentierte der Amerikaner Samuel Colt eine neue Art von Revolver, die noch bis heute verwendet wird. Der "Colt" hat üblicherweise eine Trommel für sechs Kugeln, aber nur einen Lauf. Während die Kugeltrommel des Colts zur Befüllung herausnehmbar ist, musste dieser Perkussionsbündelrevolver wie ein Vorderlader vom Lauf her befüllt werden – möglicherweise ein Grund, weshalb sich diese Technik nicht durchgesetzt hat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238749
title: Perkussionsbündelrevolver, Mitte 19. Jh. | W1747

description: Dieser Revolver hat nur einen Abzug, aber sechs Läufe für Kugeln. Mit jedem Schuss dreht sich das Bündel und ein neuer Lauf kommt zum Abzug. Ungefähr zur Entstehungszeit dieses Revolvers patentierte der Amerikaner Samuel Colt eine neue Art von Revolver, die noch bis heute verwendet wird. Der "Colt" hat üblicherweise eine Trommel für sechs Kugeln, aber nur einen Lauf. Während die Kugeltrommel des Colts zur Befüllung herausnehmbar ist, musste dieser Perkussionsbündelrevolver wie ein Vorderlader vom Lauf her befüllt werden – möglicherweise ein Grund, weshalb sich diese Technik nicht durchgesetzt hat.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238754
title: Eglise St-Hilaire, Melle (79)

description: Outre ses vestiges des fortifications médiévales, Melle possède trois églises romanes intéressantes. Leur construction est concentrée entre la fin du xie siècle et le milieu du xiie siècle, ce qui offre en un seul lieu un condensé de l'évolution architecturale de cette époque. On appelle cet ensemble la triade romane de Melle. 
L'édifice est classé au titre des monuments historiques le 18 avril 19141. L'église Saint-Hilaire est aussi classée au patrimoine mondial de l'UNESCO depuis 1998, en tant qu'étape des Chemins de Compostelle en France. 
[Wikipedia](https://fr.wikipedia.org/wiki/%C3%89glise_Saint-Hilaire_de_Melle) 
[Alienor.org](http://www.alienor.org/collections-des-musees/fiche-objet-65339-porte-laterale-de-st-hilaire-de-melle) 
![](https://upload.wikimedia.org/wikipedia/commons/thumb/7/71/%C3%89glise_Saint-Hilaire_de_Melle_03_%28chevet%29.jpg/1024px-%C3%89glise_Saint-Hilaire_de_Melle_03_%28chevet%29.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238753
title: Eglise St-Hilaire, Melle (79)

description: Outre ses vestiges des fortifications médiévales, Melle possède trois églises romanes intéressantes. Leur construction est concentrée entre la fin du xie siècle et le milieu du xiie siècle, ce qui offre en un seul lieu un condensé de l'évolution architecturale de cette époque. On appelle cet ensemble la triade romane de Melle. 
L'édifice est classé au titre des monuments historiques le 18 avril 19141. L'église Saint-Hilaire est aussi classée au patrimoine mondial de l'UNESCO depuis 1998, en tant qu'étape des Chemins de Compostelle en France. 
[Wikipedia](https://fr.wikipedia.org/wiki/%C3%89glise_Saint-Hilaire_de_Melle) 
[Alienor.org](http://www.alienor.org/collections-des-musees/fiche-objet-65339-porte-laterale-de-st-hilaire-de-melle) 
![](https://upload.wikimedia.org/wikipedia/commons/thumb/7/71/%C3%89glise_Saint-Hilaire_de_Melle_03_%28chevet%29.jpg/1024px-%C3%89glise_Saint-Hilaire_de_Melle_03_%28chevet%29.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238756
title: BAPTISMAL FONT - CATHEDRAL LAS PALMAS

description: El responsable de su ejecución fue Alejandro Hernández, «maestro de arquitectura», pero se incluyen referencias también a «un cojo pedrero» que las «formó» con
mármol de Jinámar, lo que nos lleva a pensar que, como era habitual en la época, hubo un responsable y director del proyecto y un pedrero que llevó a cabo el trabajo directo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238755
title: BAPTISMAL FONT - CATHEDRAL LAS PALMAS

description: El responsable de su ejecución fue Alejandro Hernández, «maestro de arquitectura», pero se incluyen referencias también a «un cojo pedrero» que las «formó» con
mármol de Jinámar, lo que nos lleva a pensar que, como era habitual en la época, hubo un responsable y director del proyecto y un pedrero que llevó a cabo el trabajo directo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238758
title: Petit Vase en céramique

description: Petit vase ovalaire à bord eversé de datation inconnue issu de pillage archéologique au Mali et saisien 2004. 
Dimensions 
H = 9,8cm 
DO = 4,3cm 
E = 0,5cm
DMP = 7,5cm

Collection Direction Nationale du Patrimoine Culturel du Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238757
title: Petit Vase en céramique

description: Petit vase ovalaire à bord eversé de datation inconnue issu de pillage archéologique au Mali et saisien 2004. 
Dimensions 
H = 9,8cm 
DO = 4,3cm 
E = 0,5cm
DMP = 7,5cm

Collection Direction Nationale du Patrimoine Culturel du Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238760
title: Bellver castle

description: *Bellver Castle is a Gothic-style castle on a hill 3 km to the west of the center of Palma on the Island of Majorca, Balearic Islands, Spain. It was built in the 14th century for King James II of Majorca, and is one of the few circular castles in Europe. First serving as the residence of the Kings of Majorca, and afterward long used as a military prison throughout the 18th to mid-20th century, * https://en.wikipedia.org/wiki/Bellver_Castle

Experimental, reconstructed from various 4K drone footage only

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238759
title: Bellver castle

description: *Bellver Castle is a Gothic-style castle on a hill 3 km to the west of the center of Palma on the Island of Majorca, Balearic Islands, Spain. It was built in the 14th century for King James II of Majorca, and is one of the few circular castles in Europe. First serving as the residence of the Kings of Majorca, and afterward long used as a military prison throughout the 18th to mid-20th century, * https://en.wikipedia.org/wiki/Bellver_Castle

Experimental, reconstructed from various 4K drone footage only

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238762
title: SCHS 2019.029.161.09

description: ---- dating to the ---- Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material:---(Heated)
Length: - mm
Width:  - mm
Thickness: - mm
Weight: - g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.161.09, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238761
title: SCHS 2019.029.161.09

description: ---- dating to the ---- Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material:---(Heated)
Length: - mm
Width:  - mm
Thickness: - mm
Weight: - g

Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.161.09, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238764
title: Wyoming Jade

description: Taken at the Natural History Museum in LA using the Trnio app.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238763
title: Wyoming Jade

description: Taken at the Natural History Museum in LA using the Trnio app.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238768
title: Einbaum Schweriner See Teil 1

description: Der Einbaum im Schweriner See wurde 1973 entdeckt und aufgenommen. Bei den anschließenden Untersuchungen wurden 11,6 m Länge und spitzzulaufende Enden, Bug und Heck, dokumentiert.  Plankengänge waren nicht feststellbar, der mit Steinen beladene Einbaum wurde vermutlich aus einem Stamm gearbeitet. Eine C-14-Datierung von 1978 ergab ein Alter von mehr als 2100 Jahren, das traditionelle Wasserfahrzeug fuhr also in der vorrömischen Eisenzeit. Ob der Einbaum in den 70er Jahren absichtlich oder ausversehen verschleppt wurde ist nicht bekannt, jedenfalls zerbrach das Bodendenkmal dabei in zwei Teile.

Das Modell ist im Rahmen des Projektes "Maritimes Kulturerbe Mecklneburg-Vorpommerns - Digitale Konservierung und dreidimensionale Präsentation" entstanden. Gefördert durch: Ministerium für Bildung, Wissenschaft und Kultur MV; Unterstützt durch: Landesamt für Kultur und Denkmalpflege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238767
title: Einbaum Schweriner See Teil 1

description: Der Einbaum im Schweriner See wurde 1973 entdeckt und aufgenommen. Bei den anschließenden Untersuchungen wurden 11,6 m Länge und spitzzulaufende Enden, Bug und Heck, dokumentiert.  Plankengänge waren nicht feststellbar, der mit Steinen beladene Einbaum wurde vermutlich aus einem Stamm gearbeitet. Eine C-14-Datierung von 1978 ergab ein Alter von mehr als 2100 Jahren, das traditionelle Wasserfahrzeug fuhr also in der vorrömischen Eisenzeit. Ob der Einbaum in den 70er Jahren absichtlich oder ausversehen verschleppt wurde ist nicht bekannt, jedenfalls zerbrach das Bodendenkmal dabei in zwei Teile.

Das Modell ist im Rahmen des Projektes "Maritimes Kulturerbe Mecklneburg-Vorpommerns - Digitale Konservierung und dreidimensionale Präsentation" entstanden. Gefördert durch: Ministerium für Bildung, Wissenschaft und Kultur MV; Unterstützt durch: Landesamt für Kultur und Denkmalpflege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238769
title: Speaker

description: This item was 3D scanned using a Creaform Go Scan 20.

For more information about this object, feel free to visit: https://www.visitindy.com/indianapolis-firefighters-museum-historical-society

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238770
title: Speaker

description: This item was 3D scanned using a Creaform Go Scan 20.

For more information about this object, feel free to visit: https://www.visitindy.com/indianapolis-firefighters-museum-historical-society

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238772
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian painted ceramic from the  site of  Cerro de las Cabezas, Valdepeñas,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number CC4. Processed in Reality Capture from 539 images.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238771
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian painted ceramic from the  site of  Cerro de las Cabezas, Valdepeñas,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number CC4. Processed in Reality Capture from 539 images.

Citation:

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238773
title: Socorro, New Mexico

description: Perhaps 1300-1400 CE.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238774
title: Socorro, New Mexico

description: Perhaps 1300-1400 CE.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238775
title: Palmer Corner-Notched (690a388)

description: **Palmer Corner-Notched spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (8000-7000 BC).

Material: metavolcanic rock.

Dimensions: length, 40.5  mm; width, 26.2 mm; thickness, 6.6 mm.

Notes: Catalog no. 690a388, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 59. Model by Stephanie Grant and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238776
title: Palmer Corner-Notched (690a388)

description: **Palmer Corner-Notched spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (8000-7000 BC).

Material: metavolcanic rock.

Dimensions: length, 40.5  mm; width, 26.2 mm; thickness, 6.6 mm.

Notes: Catalog no. 690a388, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 59. Model by Stephanie Grant and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238779
title: NMB&H, Iron Age tool - spindle whorl

description: "Iron Age Ceramic spindle whorl, decorated with geometrical motifs. Diameter 5.2 cm. From the site of  Donja Dolina near Bosanska Gradiška (northern Bosnia) - settlement and cemetery. 7th-4th c. BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 352 images. GDH ID No. 21847 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238778
title: NMB&H, Iron Age tool - spindle whorl

description: "Iron Age Ceramic spindle whorl, decorated with geometrical motifs. Diameter 5.2 cm. From the site of  Donja Dolina near Bosanska Gradiška (northern Bosnia) - settlement and cemetery. 7th-4th c. BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 352 images. GDH ID No. 21847 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238780
title: Bete People Ceremonial Dance Mask

description: This carved wood face mask that originated in the Ivory Coast has a dark brown patina with white kaolin highlights. A small carved beard has a woven rope and raffia beard attached to it, and fabric behind it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238781
title: Bete People Ceremonial Dance Mask

description: This carved wood face mask that originated in the Ivory Coast has a dark brown patina with white kaolin highlights. A small carved beard has a woven rope and raffia beard attached to it, and fabric behind it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238782
title: Puerta Norte Iglesia de San Juan - Arévalo

description: La iglesia de San Juan Bautista, llamada también San Juan de los Reyes, tiene ábside mudéjar, apenas visible desde la plaza, cuerpo de una sola nave cubierto con bóvedas barrocas en el siglo XVIII y una torre de tres cuerpos. Es una iglesia románica del siglo XII-XIII. Es una de las once parroquias documentadas en 1250. Por encontrarse adosada a la muralla, esta iglesia ha sido objeto de diferentes interpretaciones. Parece cierto que fue la muralla la que se adaptó a la primitiva fábrica de la iglesia, quedando convertida su torre mudéjar en cubo de muralla por el que pasaba el camino de ronda. En su base se ubica una capilla barroca y sobre ésta, una estancia abovedada, estructura de la propia torre. La parte superior está rematada con una galería con bolas escurialenses y balaustrada del XVI y chapitel octogonal de pizarra, barroco. En su cabeza aún se aprecian arcadas dobles, restos del ábside mudéjar de la primitiva fábrica contigua al palacio con claras referencias de haber estado unida al mismo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238783
title: Puerta Norte Iglesia de San Juan - Arévalo

description: La iglesia de San Juan Bautista, llamada también San Juan de los Reyes, tiene ábside mudéjar, apenas visible desde la plaza, cuerpo de una sola nave cubierto con bóvedas barrocas en el siglo XVIII y una torre de tres cuerpos. Es una iglesia románica del siglo XII-XIII. Es una de las once parroquias documentadas en 1250. Por encontrarse adosada a la muralla, esta iglesia ha sido objeto de diferentes interpretaciones. Parece cierto que fue la muralla la que se adaptó a la primitiva fábrica de la iglesia, quedando convertida su torre mudéjar en cubo de muralla por el que pasaba el camino de ronda. En su base se ubica una capilla barroca y sobre ésta, una estancia abovedada, estructura de la propia torre. La parte superior está rematada con una galería con bolas escurialenses y balaustrada del XVI y chapitel octogonal de pizarra, barroco. En su cabeza aún se aprecian arcadas dobles, restos del ábside mudéjar de la primitiva fábrica contigua al palacio con claras referencias de haber estado unida al mismo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238785
title: Rat on persimmon netsuke by Nobuyuki

description: Rat on persimmon netsuke by Nobuyuki, late 19th C CE, now in the collection of the Minneapolis Institute of Art.

[More information at artsmia.org](https://collections.artsmia.org/art/37577/rat-on-persimmon-nobuyuki)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238784
title: Rat on persimmon netsuke by Nobuyuki

description: Rat on persimmon netsuke by Nobuyuki, late 19th C CE, now in the collection of the Minneapolis Institute of Art.

[More information at artsmia.org](https://collections.artsmia.org/art/37577/rat-on-persimmon-nobuyuki)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238786
title: Teddie Nome

description: Corresponding Maps:
Normal
Speculate
diffuse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238787
title: Teddie Nome

description: Corresponding Maps:
Normal
Speculate
diffuse

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10238788
title: Zeița de la Sultana

description: Vasul antropomorf, "Zeița de la Sultana" a fost descoperită în așezarea eneolitică de la Sultana "Malu Roșu", județul Călărași în anul 1965. Aceasta a fost datată în perioada 4400-3950 a. Chr. și aparține culturii Gumelnița. Piesa se găsește în colecția Muzeului Național de Istorie a României. Piesa care a fost digitizată 3D reprezintă o copie a statuetei.
Modelul a fost realizat prin metroda fotogrametriei folosind 76 de fotografii.

Source: Objaverse 1.0 / Sketchfab