cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc11399nehb
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd6k
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113888550
title: Musician : seated male holding rattles : whistle

description: A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
DOI: 10.25549/maw-ouc113888548
title: Standing ritual figures : joined figures

description: Two elite males struggle with each other. They hold each other's hair or headdress, which indicates defeat. One male holds a spherical objective in his hand and is about to hit the other male. They could be engaged in storytelling, a fight, a sacrifice, or a curing ceremony.
DOI: 10.25549/maw-ouc113888500
title: Seated mother holding a child

description: A mother sits with her legs straight out. She holds her child very securely with one arm wrapped around him. She holds the child with great protection and at the same time she presents the child.
DOI: 10.25549/maw-ouc113888506
title: Ritual activity : whistle : joined figures

description: A seated elite couple engages in a ritual ceremony. The large male holds on to the female's headdress. She holds on to that arm and touches his cheek with her hand. He holds out a spherical object about to hit her. The meaning is unknown: a sacrifice or a curing ceremony.
DOI: 10.25549/maw-ouc113889353
title: Single shell armband

description: Elaborate twisted hairdo: knotted on top. Female? Concentrations of broken figurines (flat) in household context or debris rather than public buildings or temples suggest a personal or family context. The figurines called "gingerbread" flats, were manufactured by pressing wet clay into clay molds. They were removed for drying, firing, and painting. Fingerprints on the back.
DOI: 10.15468/dl.kv4kgs
title: Occurrence Download

description: A dataset containing 6 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Pycnochromis ovatiformis"
 ]
}

 The dataset includes 6 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001201-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875101
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875799
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875655
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875659
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875703
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889130
title: Standing female figure holding a child

description: A standing female holds an infant to her chest. The mother wears a wide-brimmed headdress, earplugs, a necklace, and a long skirt. The infant clutches the mother's breast.
DOI: 10.25549/maw-ouc113889356
title: Seated male holding a tube and a bowl

description: A seated male wears a headdress with two peyote buttons. He holds a tube and a bowl, which could be used for drinking, inhaling, or making music or sounds.
DOI: 10.25549/maw-ouc113889382
title: Ceramic ear spools : 4

description: 15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
DOI: 10.25549/maw-ouc113889379
title: Ceramic ear spools : 4

description: 15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
DOI: 10.25549/maw-ouc113889412
title: Ceramic ear spools : 4

description: 15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
DOI: 10.15468/dl.vruhnb
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Crocodylia",
 "OccurrenceStatus is Present",
 "Geometry MULTIPOLYGON (((26.2863 -33.8487, 26.2948 -33.843, 26.2877 -33.829, 26.2757 -33.8276, 26.2557 -33.8357, 26.2654 -33.8433, 26.2777 -33.8395, 26.2863 -33.8487)), ((26.2353 -33.6667, 26.2172 -33.7015, 26.1775 -33.689, 26.0814 -33.6798, 26.0674 -33.7048, 26.0733 -33.7114, 26.1876 -33.731, 26.2847 -33.7661, 26.3224 -33.7724, 26.3798 -33.7644, 26.4676 -33.7775, 26.5348 -33.755, 26.5276 -33.7453, 26.4014 -33.7529, 26.3724 -33.7471, 26.4263 -33.7409, 26.4653 -33.7485, 26.4662 -33.7034, 26.44 -33.6941, 26.3895 -33.7022, 26.3471 -33.684, 26.33 -33.6851, 26.3285 -33.6645, 26.2925 -33.6743, 26.2691 -33.7178, 26.2271 -33.7046, 26.2557 -33.6855, 26.2733 -33.6583, 26.2954 -33.6488, 26.2925 -33.6401, 26.231 -33.635, 26.206 -33.643, 26.2065 -33.6513, 26.2353 -33.6667)), ((26.0233 -33.71, 26.0335 -33.6882, 25.9199 -33.6816, 25.8656 -33.695, 25.8488 -33.7161, 25.8611 -33.7256, 26.0233 -33.71)), ((26.6196 -33.7226, 26.6644 -33.6995, 26.6672 -33.6876, 26.6548 -33.6841, 26.6093 -33.7078, 26.6196 -33.7226)), ((26.0415 -33.6663, 26.0604 -33.6507, 26.0414 -33.6293, 26.0115 -33.6382, 26.0205 -33.6558, 26.0415 -33.6663)))",
 "HasCoordinate is true",
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 "BasisOfRecord is one of (Specimen, Observation, Human Observation, Machine Observation, Material sample, Literature Occurrence, Material citation, Occurrence evidence)",
 {
 "not" : {
 "Issue" : [
 "is one of (Recorded date invalid, Recorded date mismatch, Recorded date unlikely, Modified date invalid)"
 ]
 }
 }
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001202-260226173443078/datasets/export for details.
DOI: 10.25549/maw-ouc113887127
title: Macehead (scepter head) or jar top with seated elite and three canines (coyotes)

description: This ceremonial object could be the top of a jar, a staff, a scepter or a macehead. On the top of the form, there is a seated elite figure holding his hand out. The slanted side is decorated with three canines, possibly dogs or coyotes. The style of the object is called Copador, which was made in El Salvador or Honduras.
DOI: 10.25549/maw-ouc113887135
title: Maya jade and jadeite

description: There are five different shapes of Maya stone beads. Four Jabed beads, 15 spherical, 7 large hole and 14 small hole, 3 large barrels, 10 small barrels, 11 discs & 2 other shapes. The range in size from 0.25 inches to 1.0 inches.
DOI: 10.25549/maw-ouc113887130
title: Standing elderly pregnant female

description: The elite female figure wears a puffy jaguar skin headdress with three blue quetzal feathers, a pair of earspools and a necklace. Her old and worn body as well as her jaguar paws support a very pregnant abdomen. Fertility scepters of this goddess called "Lady Rainbow" were given to women as a good maternity omen.
DOI: 10.25549/maw-ouc113887128
title: Standing elderly pregnant female

description: The elite female figure wears a puffy jaguar skin headdress with three blue quetzal feathers, a pair of earspools and a necklace. Her old and worn body as well as her jaguar paws support a very pregnant abdomen. Fertility scepters of this goddess called "Lady Rainbow" were given to women as a good maternity omen.
DOI: 10.25549/maw-ouc113887133
title: Standing elderly pregnant female

description: The elite female figure wears a puffy jaguar skin headdress with three blue quetzal feathers, a pair of earspools and a necklace. Her old and worn body as well as her jaguar paws support a very pregnant abdomen. Fertility scepters of this goddess called "Lady Rainbow" were given to women as a good maternity omen.
DOI: 10.5281/zenodo.18796942
title: ENHANCING MEDIA COMPETENCE OF PRE-SERVICE PRIMARY SCHOOL TEACHERS THROUGH THE COURSE "MEDIA LITERACY AND INFORMATION CULTURE": A COMPETENCY-BASED APPROACH
DOI: 10.5281/zenodo.18796941
title: ENHANCING MEDIA COMPETENCE OF PRE-SERVICE PRIMARY SCHOOL TEACHERS THROUGH THE COURSE "MEDIA LITERACY AND INFORMATION CULTURE": A COMPETENCY-BASED APPROACH
DOI: 10.25549/whit-ouc11399kd3k
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399nee3
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc1sto1875202
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875140
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875856
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113985494
title: Archaic Colima figure with multiple babies

description: A seated adult with a conical head holds two large children on their lap, while a large child sleeps on their back. Seven additional small babies cling to the arms and body.
DOI: 10.25549/maw-ouc113985534
title: Tlaloc incensario : Janus form

description: The incensario contains several images: two seated anthropomorphic phallic figures, a descending serpent, and several transforming zoomorphic faces. The transforming aspect of the headdress suggests a shamanic quality to the incense burner.
DOI: 10.25549/maw-ouc113985533
title: Tlaloc incensario : Janus form

description: The incensario contains several images: two seated anthropomorphic phallic figures, a descending serpent, and several transforming zoomorphic faces. The transforming aspect of the headdress suggests a shamanic quality to the incense burner.
DOI: 10.25549/maw-ouc113985499
title: Tlaloc incensario : Janus form

description: The incensario contains several images: two seated anthropomorphic phallic figures, a descending serpent, and several transforming zoomorphic faces. The transforming aspect of the headdress suggests a shamanic quality to the incense burner.
DOI: 10.25549/maw-ouc113985530
title: Xochipala shell bracelet

description: A large carved shell section in the form of a spiral bracelet, with an upper flared cuff. The elaborate incised decoration depicts a standing anthropomorphic figure with outstretched arms wearing a large bird headdress.
DOI: 10.25549/maw-ouc113889396
title: Ceramic ear spools : 7

description: 15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
DOI: 10.25549/maw-ouc113889395
title: Seated male figure with a throwing stick

description: A seated male with his hands on his knees holds a throwing stick. Throwing sticks can be used as a weapon or for hunting.
DOI: 10.25549/maw-ouc113889411
title: Ceramic rattle earspools

description: A pair of hollow corseted earspools, pierced on both sides, perform as rattles. Blackware ceramic appears to be more often from Jalisco, Mexico.
DOI: 10.25549/maw-ouc113889410
title: Ceramic rattle earspools

description: A pair of hollow corseted earspools, pierced on both sides, perform as rattles. Blackware ceramic appears to be more often from Jalisco, Mexico.
DOI: 10.25549/maw-ouc113889393
title: Seated female figure holding a bowl

description: The female figure sits with her legs to the side. She holds a bowl in her hands a symbol of her domestic duties.
DOI: 10.25549/maw-ouc1sto1875306
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875264
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.15468/dl.9d26d3
title: Occurrence Download

description: A dataset containing 595 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is one of (, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Aegilops tauschii, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Triticum tauschii, , , , , , , , , , , , , , , , , , , Aegilops strangulata, Patropyrum tauschii, , , , , , , Triticum aegilops, , , , , )",
 "BasisOfRecord is one of (Specimen, Human Observation, Observation, Living Specimen, Machine Observation, Literature Occurrence)",
 "Geometry POLYGON((-180 -90,180 -90,180 90,-180 90,-180 -90))",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 595 records from 41 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001203-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875298
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.15468/dl.8jtujn
title: Occurrence Download

description: A dataset containing 41 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Plectorhinchus lineatus"
 ]
}

 The dataset includes 41 records from 18 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001204-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875224
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875273
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113887310
title: Copper shaft maces : 1

description: The Mixtec and the Aztec excelled in metalwork. Archaeologists believe metalsmithing moved from South America to Central America and into West Mexico. The Mixtec and the Tarascan favored copper, while the Aztec went for the gold. Needless to say, the conquistadores love gold and that is why there are few examples of this extrordinary craftsmanship.
DOI: 10.25549/maw-ouc113887203
title: Copper shaft maces : 2

description: The Mixtec and the Aztec excelled in metalwork. Archaeologists believe metalsmithing moved from South America to Central America and into West Mexico. The Mixtec and the Tarascan favored copper, while the Aztec went for the gold. Needless to say, the conquistadores love gold and that is why there are few examples of this extraordinary craftsmanship.
DOI: 10.25549/maw-ouc113887315
title: Copper shaft maces : 2

description: The Mixtec and the Aztec excelled in metalwork. Archaeologists believe metalsmithing moved from South America to Central America and into West Mexico. The Mixtec and the Tarascan favored copper, while the Aztec went for the gold. Needless to say, the conquistadores love gold and that is why there are few examples of this extraordinary craftsmanship.
DOI: 10.25549/maw-ouc113887319
title: Owl Maskette

description: This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
DOI: 10.25549/maw-ouc113887331
title: Eagle effigy vessel : avian form

description: The harpy eagle is the largest bird predator in Mexico and Central America. With power and speed, it is able to fly through the junble canopy and catch a monkey. The Mixtec admired the skills of the harpy eagle and used the eagly as part of their iconography. On this harpy eagle vessel, there are rows of feathers and between some of the rows there are flint blade knives tipped with red blood.
DOI: 10.15468/dl.nffspj
title: Occurrence Download

description: A dataset containing 68 species occurrences available in GBIF matching the query:
{
 "and" : [
 "GadmGid is CHN.29_1",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "OccurrenceStatus is Present",
 "TaxonKey is Carpodacus thura"
 ]
}

 The dataset includes 68 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001205-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.