cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10312206
title: Joachim Orttens  / s XVIII -  C.cartográfica UJI

description: **Joachim Orttens
Accuratissima et nunc novissimè revisa correctaque tabularegnorum, Valentiae et Murciae, Insularum Mayorcae, Minorcae et Ivicae
Amsterdam, c.1715?**


Este mapa del reino de Valencia y las Baleares, es la hoja inferior derecha, de un conjunto de cuatro mapas de la península Ibérica, publicado por Joachim Orttens. Destaca el esplèndidido escudo de armas de la monarquía hispánica, rodeado del collar de la orden del Toison de Oro, puesto encima la repisa que contiene la descripción de las tierras peninsulares.

---

Aquet mapa del regne de València i les Balears, es la fulla inferior dreta, d´un conjunt de cuatre mapes de la península Ibèrica,  publicat per Joachim Orttens. Destaca l ésplèndid escut d´armes de la monarquia hispánica, envoltat del collar  d´orde  del Toison d´Or, posat damunt la cartella que conté la descripció de les terres peninsulars.

[**Zoom Ortofoto**](https://i.imgur.com/5MZxHuh.jpg)
![](https://i.imgur.com/5MZxHuh.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312207
title: Hohenzollern Castle

description: Hohenzollern Castle is the ancestral seat of the imperial House of Hohenzollern. The third of three hilltop castles built on the site, it is located atop Mount Hohenzollern, above and south of Hechingen, on the edge of the Swabian Jura of central Baden-Württemberg, Germany.
The first castle on the mountain was constructed in the early 11th century.

Le château de Hohenzollern est un château situé à environ cinquante kilomètres au sud de Stuttgart, en Allemagne. Il est considéré comme le fief ancestral de la famille royale et impériale des Hohenzollern.
Le château est situé au sommet du mont Hohenzollern à une altitude de 855 mètres, à proximité de Bisingen , au pied du Jura souabe. Il a été construit dans la première partie du xie siècle. [Wikipedia]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312208
title: Hohenzollern Castle

description: Hohenzollern Castle is the ancestral seat of the imperial House of Hohenzollern. The third of three hilltop castles built on the site, it is located atop Mount Hohenzollern, above and south of Hechingen, on the edge of the Swabian Jura of central Baden-Württemberg, Germany.
The first castle on the mountain was constructed in the early 11th century.

Le château de Hohenzollern est un château situé à environ cinquante kilomètres au sud de Stuttgart, en Allemagne. Il est considéré comme le fief ancestral de la famille royale et impériale des Hohenzollern.
Le château est situé au sommet du mont Hohenzollern à une altitude de 855 mètres, à proximité de Bisingen , au pied du Jura souabe. Il a été construit dans la première partie du xie siècle. [Wikipedia]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312209
title: WW1 observation post, Helsinki, Finland

description: First World War observation/firing position (type B) in base XV:1 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Tuomarinkartano, Helsinki, Finland. The base was built in 1915 - 1918. This base contains the only two intact type B observation post in the whole land front.

The whole base contains:

* 40 meters of thrench
* 2 type B firing and observations positions (both intact)
* 2 machine gun positions (1 intact, 1 destroyed)
* 2 shelter rooms (1 intact, 1 destroyed)

More info:

* [Location in Google Maps](https://goo.gl/maps/bTgZidNjDzoG1kGJA)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000013609) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312210
title: WW1 observation post, Helsinki, Finland

description: First World War observation/firing position (type B) in base XV:1 in [Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg) land front defense line in Tuomarinkartano, Helsinki, Finland. The base was built in 1915 - 1918. This base contains the only two intact type B observation post in the whole land front.

The whole base contains:

* 40 meters of thrench
* 2 type B firing and observations positions (both intact)
* 2 machine gun positions (1 intact, 1 destroyed)
* 2 shelter rooms (1 intact, 1 destroyed)

More info:

* [Location in Google Maps](https://goo.gl/maps/bTgZidNjDzoG1kGJA)
* [Wikipedia: Krepost Sveaborg](https://en.wikipedia.org/wiki/Krepost_Sveaborg)
* [John Lagerstedt , Markku Saari: Krepost Sveaborg](http://www.novision.fi/viapori/eavaus.htm)
* [Finnish Heritage Agency site info](https://www.kyppi.fi/to.aspx?id=112.1000013609) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312211
title: San Marino

description: [San Marino](https://en.wikipedia.org/wiki/San_Marino) is a small country (and a European microstate) in Southern Europe enclaved by Italy. Located on the northeastern side of the Apennine Mountains, San Marino covers a land area of just over 61 km2 (24 sq mi), and has a population of 33,562.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312212
title: San Marino

description: [San Marino](https://en.wikipedia.org/wiki/San_Marino) is a small country (and a European microstate) in Southern Europe enclaved by Italy. Located on the northeastern side of the Apennine Mountains, San Marino covers a land area of just over 61 km2 (24 sq mi), and has a population of 33,562.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312213
title: Elena

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312214
title: Elena

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312215
title: Coop - Grocery store

description: A swedish grocery store in 2017. It is closed for the moment so you can't enter it. Pretty low-poly so it should works well in video games.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312216
title: Coop - Grocery store

description: A swedish grocery store in 2017. It is closed for the moment so you can't enter it. Pretty low-poly so it should works well in video games.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312217
title: Sonda4a

description: Pustý Hrad

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312218
title: Sonda4a

description: Pustý Hrad

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312219
title: Chinese Equestrian Figures, Tang Dynasty

description: Accession number: MH 1964.5A-B.J.C
Date Made:  618-906 CE (Tang Dynasty)

View this object on the Collections Database:  http://museums.fivecolleges.edu/detail.php?museum=all&t=objects&type=all&f=&s=mh+1964.5&record=20

Gift of Evelyn Metzger
Photography and photogrammetry by Laura Shea, Digital Collections Coordinator and Museum Photographer, Mount Holyoke College Art Museum, South Hadley, Massachusetts, USA

Copyright info:
Contact the Mount Holyoke College Art Museum
South Hadley, Massachusetts, USA  01075  
413-538-2245
http://www.mtholyoke.edu/artmuseum/

The Mount Holyoke College Art Museum is dedicated to teaching and learning; therefore, we value your feedback and welcome any scholarly observations.  Please feel free to contact us if you would like to learn more about the objects you see here or to request 3D models of other objects in our collections.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312220
title: Chinese Equestrian Figures, Tang Dynasty

description: Accession number: MH 1964.5A-B.J.C
Date Made:  618-906 CE (Tang Dynasty)

View this object on the Collections Database:  http://museums.fivecolleges.edu/detail.php?museum=all&t=objects&type=all&f=&s=mh+1964.5&record=20

Gift of Evelyn Metzger
Photography and photogrammetry by Laura Shea, Digital Collections Coordinator and Museum Photographer, Mount Holyoke College Art Museum, South Hadley, Massachusetts, USA

Copyright info:
Contact the Mount Holyoke College Art Museum
South Hadley, Massachusetts, USA  01075  
413-538-2245
http://www.mtholyoke.edu/artmuseum/

The Mount Holyoke College Art Museum is dedicated to teaching and learning; therefore, we value your feedback and welcome any scholarly observations.  Please feel free to contact us if you would like to learn more about the objects you see here or to request 3D models of other objects in our collections.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312221
title: Old Key

description: Modelling : Blender
Texturing : Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312222
title: Old Key

description: Modelling : Blender
Texturing : Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312223
title: Kotwica z drewnianą poprzeczką

description: **Kotwica z drewnianą poprzeczką**

**Nr inw.:** CMM/BO/335

**Wymiary:** długość 300 cm, długość poprzeczki 310 cm, rozstaw pazurów 182 cm

**Tworzywo:** żelazo, drewno

**Pochodzenie:** dar

**Okres powstania:** początek XIX w. (przypuszczalnie)

**Opis:** Kotwica wydobyta z dna Atlantyku przez załogę pływającego dla "Dalmoru" statku rybackiego "Anthia". Pochodzi najprawdopodobniej z wraka statku drewnianego. Kotwica kuta z jednego elementu, o trzonie lekko zwężającym się ku górze. Pięta kotwicy lekko zaostrzona, ramiona w przekroju poprzecznym owalne. Drewnianą poprzeczkę wzmacniają opaski wykonane z żelaza.

https://kolekcje.nmm.pl/Home/Details/2331-kotwica-z-drewniana-poprzeczka

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312224
title: Kotwica z drewnianą poprzeczką

description: **Kotwica z drewnianą poprzeczką**

**Nr inw.:** CMM/BO/335

**Wymiary:** długość 300 cm, długość poprzeczki 310 cm, rozstaw pazurów 182 cm

**Tworzywo:** żelazo, drewno

**Pochodzenie:** dar

**Okres powstania:** początek XIX w. (przypuszczalnie)

**Opis:** Kotwica wydobyta z dna Atlantyku przez załogę pływającego dla "Dalmoru" statku rybackiego "Anthia". Pochodzi najprawdopodobniej z wraka statku drewnianego. Kotwica kuta z jednego elementu, o trzonie lekko zwężającym się ku górze. Pięta kotwicy lekko zaostrzona, ramiona w przekroju poprzecznym owalne. Drewnianą poprzeczkę wzmacniają opaski wykonane z żelaza.

https://kolekcje.nmm.pl/Home/Details/2331-kotwica-z-drewniana-poprzeczka

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312225
title: Combination padlock

description: **Combination padlock**

A combination padlock, an armoured snuffbox, also called a letter-gate padlock, a trick padlock or an artificial padlock. In order to open it, one has to know the right code, which –  after setting the combination lock – enables one to uncover the keyhole. After this, the padlock can be opened with a key. The padlock was made in 1918, the year of the regaining of independence by Poland. Decorations in the form of national symbols, such as the crowned eagle, are typical of products of the post-WWI era.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/91

Inventory number: M-K/20

Localisation of the physical object: Marcin Mikuła Locksmithing Museum in Świątniki Górne, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" Project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312226
title: Combination padlock

description: **Combination padlock**

A combination padlock, an armoured snuffbox, also called a letter-gate padlock, a trick padlock or an artificial padlock. In order to open it, one has to know the right code, which –  after setting the combination lock – enables one to uncover the keyhole. After this, the padlock can be opened with a key. The padlock was made in 1918, the year of the regaining of independence by Poland. Decorations in the form of national symbols, such as the crowned eagle, are typical of products of the post-WWI era.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/91

Inventory number: M-K/20

Localisation of the physical object: Marcin Mikuła Locksmithing Museum in Świątniki Górne, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" Project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312227
title: Chun Quoit -V3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312228
title: Chun Quoit -V3

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312229
title: Maiolica Arcaica Miranduolo

description: Boccale

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312230
title: Maiolica Arcaica Miranduolo

description: Boccale

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312231
title: NORDIC PAVILION

description: Nordic Pavilion by Sverre Fehn. Venice, 1959.
 'Nordic Pavilion' (as it would only later become known) has come to reflect, consolidate and embody Nordic architectural traditions. Look a little deeper, however, and it becomes clear that Fehn actually sought to invert them entirely. In place of heavy timber beams Fehn chose slender concrete lamellae, pigmented to glow (reflecting, for one common metaphor, sunlight falling on a quilt of snow). Rather than create a closed space to shut the elements out—a typical vernacular in Norway—he completely removed two of the building's four boundary walls. In designing the roof to be essentially open to the skies, Fehn was able to specifically control how the rain would fall into the space. In this sense, it is a building in possession of its surroundings – accepting its direct context while tentatively suggesting another, distant world.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312232
title: NORDIC PAVILION

description: Nordic Pavilion by Sverre Fehn. Venice, 1959.
 'Nordic Pavilion' (as it would only later become known) has come to reflect, consolidate and embody Nordic architectural traditions. Look a little deeper, however, and it becomes clear that Fehn actually sought to invert them entirely. In place of heavy timber beams Fehn chose slender concrete lamellae, pigmented to glow (reflecting, for one common metaphor, sunlight falling on a quilt of snow). Rather than create a closed space to shut the elements out—a typical vernacular in Norway—he completely removed two of the building's four boundary walls. In designing the roof to be essentially open to the skies, Fehn was able to specifically control how the rain would fall into the space. In this sense, it is a building in possession of its surroundings – accepting its direct context while tentatively suggesting another, distant world.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312233
title: Yacimiento Romano de "Los Banales"

description: Uno de los restos descubiertos durante la última campaña de excavación de el yacimiento romano de "Los Banales". Uncastillo, Zaragoza, Aragón, España

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312234
title: Yacimiento Romano de "Los Banales"

description: Uno de los restos descubiertos durante la última campaña de excavación de el yacimiento romano de "Los Banales". Uncastillo, Zaragoza, Aragón, España

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312235
title: Fish Tail Point XCB-105-3060

description: Fish Tail Point. XCB-105-3060. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312236
title: Fish Tail Point XCB-105-3060

description: Fish Tail Point. XCB-105-3060. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312237
title: Old Water well - Dinan

description: 105 shots -  panasonic GF7 - Processed with agisoft Photoscan

Not great but I won't work on it anymore, miss high texture on some parts. So I will just make it available to anyone.

Hope some will find use of it.

Enjoy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312238
title: Old Water well - Dinan

description: 105 shots -  panasonic GF7 - Processed with agisoft Photoscan

Not great but I won't work on it anymore, miss high texture on some parts. So I will just make it available to anyone.

Hope some will find use of it.

Enjoy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312239
title: Pythagoras of Samos

description: Pythagoras of Samos[a] (c. 570 – c. 495 BC)[b] was an ancient Ionian Greek philosopher and the eponymous founder of Pythagoreanism. His political and religious teachings were well known in Magna Graecia and influenced the philosophies of Plato, Aristotle, and, through them, Western philosophy. Knowledge of his life is clouded by legend, but he appears to have been the son of Mnesarchus, a gem-engraver on the island of Samos. Modern scholars disagree regarding Pythagoras's education and influences, but they do agree that, around 530 BC, he travelled to Croton in southern Italy, where he founded a school in which initiates were sworn to secrecy and lived a communal, ascetic lifestyle. This lifestyle entailed a number of dietary prohibitions, traditionally said to have included vegetarianism, although modern scholars doubt that he ever advocated for complete vegetarianism.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312240
title: Pythagoras of Samos

description: Pythagoras of Samos[a] (c. 570 – c. 495 BC)[b] was an ancient Ionian Greek philosopher and the eponymous founder of Pythagoreanism. His political and religious teachings were well known in Magna Graecia and influenced the philosophies of Plato, Aristotle, and, through them, Western philosophy. Knowledge of his life is clouded by legend, but he appears to have been the son of Mnesarchus, a gem-engraver on the island of Samos. Modern scholars disagree regarding Pythagoras's education and influences, but they do agree that, around 530 BC, he travelled to Croton in southern Italy, where he founded a school in which initiates were sworn to secrecy and lived a communal, ascetic lifestyle. This lifestyle entailed a number of dietary prohibitions, traditionally said to have included vegetarianism, although modern scholars doubt that he ever advocated for complete vegetarianism.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312242
title: Rock art in Utbjoa.

description: Rock art of three ships. Located in Utbjoa, Vindafjord - Norway

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312243
title: Geißelung

description: Second station (flagellation) of the Wilfersdorf Stations of the Cross, which follows the five mysteries of the Sorrowful Rosary. The group of figures made of Zogelsdorf sand-lime stone, like the entire Stations of the Cross, was donated by Hartman von Liechtenstein and his wife in 1674.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312244
title: Geißelung

description: Second station (flagellation) of the Wilfersdorf Stations of the Cross, which follows the five mysteries of the Sorrowful Rosary. The group of figures made of Zogelsdorf sand-lime stone, like the entire Stations of the Cross, was donated by Hartman von Liechtenstein and his wife in 1674.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312245
title: Generic Roman Bust

description: Just a generic Roman bust I saw in a garden and scanned one day. 

I used TRNIO to create this scan, you can learn more about the process here: https://www.instructables.com/id/3D-Scanning-and-Printing-Statues-Using-TRNIO-and-M/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312246
title: Generic Roman Bust

description: Just a generic Roman bust I saw in a garden and scanned one day. 

I used TRNIO to create this scan, you can learn more about the process here: https://www.instructables.com/id/3D-Scanning-and-Printing-Statues-Using-TRNIO-and-M/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312248
title: Rearing Horses Statue

description: Rearing Horses Statues Made of Marble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312241
title: Rock art in Utbjoa.

description: Rock art of three ships. Located in Utbjoa, Vindafjord - Norway

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312247
title: Rearing Horses Statue

description: Rearing Horses Statues Made of Marble

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312251
title: Cazuela - Fajalauza-HD (16)

description: Cazuela (9549 165) producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y engrosado al exterior, borde con orientación semivertical y engrosado en ala hacia el interior para el apoyo de una tapadera. Cuerpo recto y una base plana con resalte. Del cuerpo arrancan dos asas horizontales de puente con sección semielíptica. Está decorada en azul con vígulas y foliáceas en sentido vertical. 

* Cronología: 1700-1799
* Museo Arqueológico y Etnográfico de Granada.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10312252
title: Cazuela - Fajalauza-HD (16)

description: Cazuela (9549 165) producida en los talleres de Fajalauza (Granada, España). Ha sido modelada a torno y cocida en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y engrosado al exterior, borde con orientación semivertical y engrosado en ala hacia el interior para el apoyo de una tapadera. Cuerpo recto y una base plana con resalte. Del cuerpo arrancan dos asas horizontales de puente con sección semielíptica. Está decorada en azul con vígulas y foliáceas en sentido vertical. 

* Cronología: 1700-1799
* Museo Arqueológico y Etnográfico de Granada.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab