cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10310213
title: Chinese Amoghasiddhi Buddha, 1403 - 1424 CE

description: Sandalwood, lacquer, and gold Chinese Amoghasiddhi Buddha, 1403 - 1424 CE, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

*'Amoghasiddhi is one of a group of five buddhas that embody five distinct types of wisdom and are thus sometimes called the "Five Wisdom Buddhas." Of the five, who are believed to occupy the four cardinal directions and an immovable central direction, Amoghasiddhi occupies the northern position. He is an embodiment of the "Wisdom of Unrestricted Activity," which enables one to save living beings on the path toward salvation using individualized means. Amoghasiddhi's emblem, the double thunderbolt (vishvavajra), decorates the bottom of this sculpture... X-ray analysis has revealed what appear to be a roll of paper, a small bead or pearl, and a glass vial within a compartment inside this small statue.'* 

More information about the sculpture here:
https://collections.artsmia.org/art/31240/amoghasiddhi-buddha-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310214
title: Medieval jug, XV c.

description: Complete jug from XV c. discovered during archeological work in Olsztyn, Poland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310215
title: Medieval jug, XV c.

description: Complete jug from XV c. discovered during archeological work in Olsztyn, Poland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310216
title: PNRP F.1.28.105.25.g

description: This L rib 3-10 fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310217
title: PNRP F.1.28.105.25.g

description: This L rib 3-10 fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310218
title: Retablo de la Cofradía Marraja (Cartagena)

description: Retablo Barroco localizado en la capilla perteneciente a la Real e Ilustre Cofradía de N. P. Jesús Nazareno (Marrajos) en la iglesia castrense de Santo Domingo de la ciudad de Cartagena.

Este retablo preside la capilla desde su finalización en el año 1731, con bendición y apertura en 1732. De autor desconocido, construido en torno a un camarín central en el que se sitúa la imagen del titular, Nuestro Padre Jesús Nazareno, destaca en él la ausencia de columnas y la presencia de cuatro hornacinas en torno al espacio central, donde se sitúan la Stma. Virgen Dolorosa, Sta. María Magdalena y San Juan Evangelista.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310219
title: Retablo de la Cofradía Marraja (Cartagena)

description: Retablo Barroco localizado en la capilla perteneciente a la Real e Ilustre Cofradía de N. P. Jesús Nazareno (Marrajos) en la iglesia castrense de Santo Domingo de la ciudad de Cartagena.

Este retablo preside la capilla desde su finalización en el año 1731, con bendición y apertura en 1732. De autor desconocido, construido en torno a un camarín central en el que se sitúa la imagen del titular, Nuestro Padre Jesús Nazareno, destaca en él la ausencia de columnas y la presencia de cuatro hornacinas en torno al espacio central, donde se sitúan la Stma. Virgen Dolorosa, Sta. María Magdalena y San Juan Evangelista.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310220
title: Mainz um 800, I1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310221
title: Mainz um 800, I1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310222
title: Barockstatue

description: One of a total of 10 baroque statues in the Kaiser Josef Park in Langenlois. Originally the statues were located in the complex of the castle in Schiltern.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310223
title: Barockstatue

description: One of a total of 10 baroque statues in the Kaiser Josef Park in Langenlois. Originally the statues were located in the complex of the castle in Schiltern.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310224
title: Portada

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310225
title: Portada

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310226
title: Saltworks, Saelices de la Sal, Guadalajara, Sp.

description: The salt works or Salinas, at Saelices de la Sal, Guagalajara, Spain. The first documents relating to the extraction of salt in Saelices de la Sal date back to 1203 CE. These saltworks have been used continuously since that time and have gone through a number of transformations. 

Global Digital Heritage and Baraka Arqueólogos did a drone survey of this important heritage site. 800 photos processed in Reality Capture. Model reduced from 200 million to 5 million polys.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310227
title: Saltworks, Saelices de la Sal, Guadalajara, Sp.

description: The salt works or Salinas, at Saelices de la Sal, Guagalajara, Spain. The first documents relating to the extraction of salt in Saelices de la Sal date back to 1203 CE. These saltworks have been used continuously since that time and have gone through a number of transformations. 

Global Digital Heritage and Baraka Arqueólogos did a drone survey of this important heritage site. 800 photos processed in Reality Capture. Model reduced from 200 million to 5 million polys.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310228
title: Instamuseum for @artesplasticasclan

description: Created with http://www.instamuseum.com

Original photos at https://www.instagram.com/artesplasticasclan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310229
title: Instamuseum for @artesplasticasclan

description: Created with http://www.instamuseum.com

Original photos at https://www.instagram.com/artesplasticasclan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310230
title: Le Semeur

description: Oeuvre en bronze d'environ 3 m de hauteur (socle compris) réalisée par Constantin Meunier (12/04/1831-04/04/1905) et mise en place après sa mort dans le Parc de Mariemont près de la roseraie (Belgique) lors la manisfestation inaugurale du 18 janvier 1914

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310231
title: Le Semeur

description: Oeuvre en bronze d'environ 3 m de hauteur (socle compris) réalisée par Constantin Meunier (12/04/1831-04/04/1905) et mise en place après sa mort dans le Parc de Mariemont près de la roseraie (Belgique) lors la manisfestation inaugurale du 18 janvier 1914

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310232
title: Drinking Fountain Holland Park Avenue

description: A drinking fountain on the north side of Holland Park Avenue, in the wall of Royal Crescent Gardens, London.

http://www.mdfcta.co.uk/details-f/f083.html

Date: 1875

198 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310233
title: Drinking Fountain Holland Park Avenue

description: A drinking fountain on the north side of Holland Park Avenue, in the wall of Royal Crescent Gardens, London.

http://www.mdfcta.co.uk/details-f/f083.html

Date: 1875

198 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310234
title: Cabeza Clava RN 3351

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310235
title: Cabeza Clava RN 3351

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310236
title: Grenier à grains - Obiré, Burkina Faso

description: Les ruines de Loropéni - Burkina Faso, dont les niveaux les plus anciens à ce jour datent du 11e siècle, ont été récemment classées au patrimoine mondial de l'UNESCO. Leur fonction reste encore mal connue. De nombreuses mines d'or ont pourtant été exploitées tout au long du dernier millénaire dans la région. Les ruines se situant sur un axe majeur d'échanges commerciaux, on peut supposer que Loropéni ait joué un rôle majeur dans le commerce de l'or. Le but du projet Lobi-Or-Fort (resp. R. Guillon & L. Simporé) est d'apporter des éléments de réponses par une approche résolument pluridisciplinaire, alliant archéologie, géophysique, anthropologie, géochimie, et modélisation 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310237
title: Grenier à grains - Obiré, Burkina Faso

description: Les ruines de Loropéni - Burkina Faso, dont les niveaux les plus anciens à ce jour datent du 11e siècle, ont été récemment classées au patrimoine mondial de l'UNESCO. Leur fonction reste encore mal connue. De nombreuses mines d'or ont pourtant été exploitées tout au long du dernier millénaire dans la région. Les ruines se situant sur un axe majeur d'échanges commerciaux, on peut supposer que Loropéni ait joué un rôle majeur dans le commerce de l'or. Le but du projet Lobi-Or-Fort (resp. R. Guillon & L. Simporé) est d'apporter des éléments de réponses par une approche résolument pluridisciplinaire, alliant archéologie, géophysique, anthropologie, géochimie, et modélisation 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310238
title: Glenvoidean 17, Bute

description: A cupmarked stone in the Glenvoidean area of north Bute. The stone was discovered and recorded by the Rock Art Bute Team and Scotland's Rock Art Project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310239
title: Glenvoidean 17, Bute

description: A cupmarked stone in the Glenvoidean area of north Bute. The stone was discovered and recorded by the Rock Art Bute Team and Scotland's Rock Art Project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310240
title: LongSword

description: Low poly long sword

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310241
title: LongSword

description: Low poly long sword

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310243
title: ThiefLand 2/8

description: Level Design da fase de testes, o primeiro mapa de jogo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310242
title: ThiefLand 2/8

description: Level Design da fase de testes, o primeiro mapa de jogo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310244
title: Palmer Corner-Notched (690a370-1)

description: **Palmer Corner-Notched spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (8000-7000 BC).

Material: metavolcanic rock.

Dimensions: length, 46.5  mm; width, 17.7 mm; thickness, 6.1 mm.

Notes: Catalog no. 690a370-1, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont*, by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 59. Model by Stephanie Grant and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310245
title: Palmer Corner-Notched (690a370-1)

description: **Palmer Corner-Notched spear point**

Location: Hardaway site (31St4), Stanly County, North Carolina.

Period: Early Archaic (8000-7000 BC).

Material: metavolcanic rock.

Dimensions: length, 46.5  mm; width, 17.7 mm; thickness, 6.1 mm.

Notes: Catalog no. 690a370-1, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont*, by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 59. Model by Stephanie Grant and Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310247
title: Laguna Verde and Licancabur Volcano, Bolivia

description: The salt lakes of Laguna Verde (green lake) and Laguna Blanco are located on the Chilean/Bolivian border and surrounded by the extinct volcanoes of Licancabur, Sairecabur and Juriques. Licancabur was sacred to the Acatamenos people who inhabited the area from 500 AD and the Inca later adopted the sacred mountain into their own mythology and Sun worship practices. The small crater with its internal lake are recorded to have had structures around the summit and burials and buildings have been recorded on the side of the volcano. The shadows of the peaks supposedly coalesce on the solstices and this has been connected with fertility of the earth in local folklore and mythology.

Laguna Verde gets its emerald colour from arsenic and other minerals leaching out and the intensity of colour changes depending on sediment movement and lighting. 

Elevation model from SRTM 30 metre data at Open Topography 
Satellite image overlay dated 4/5/19 from Sentinel 2-B L1C satellite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310246
title: Laguna Verde and Licancabur Volcano, Bolivia

description: The salt lakes of Laguna Verde (green lake) and Laguna Blanco are located on the Chilean/Bolivian border and surrounded by the extinct volcanoes of Licancabur, Sairecabur and Juriques. Licancabur was sacred to the Acatamenos people who inhabited the area from 500 AD and the Inca later adopted the sacred mountain into their own mythology and Sun worship practices. The small crater with its internal lake are recorded to have had structures around the summit and burials and buildings have been recorded on the side of the volcano. The shadows of the peaks supposedly coalesce on the solstices and this has been connected with fertility of the earth in local folklore and mythology.

Laguna Verde gets its emerald colour from arsenic and other minerals leaching out and the intensity of colour changes depending on sediment movement and lighting. 

Elevation model from SRTM 30 metre data at Open Topography 
Satellite image overlay dated 4/5/19 from Sentinel 2-B L1C satellite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310248
title: prasomdej

description: amulet of thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310249
title: prasomdej

description: amulet of thailand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310250
title: Mainz um 800, F9

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310251
title: Mainz um 800, F9

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310252
title: Church door Nottuln photogrammetry scan

description: The side door of a church in Nottun in germany

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310253
title: Church door Nottuln photogrammetry scan

description: The side door of a church in Nottun in germany

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310254
title: Botella - 129851 (Chavín)

description: Botella de labio reforzado externamente, gollete y asa estribo tubulares anchos, cuerpo esférico y base plana. Presenta treinta y ocho (38) aplicaciones en forma de botones con muesca; cinco (05) en el gollete, seis (06) a cada lado del asa, diez (10) en la banda superior del cuerpo y once (11) en la inferior. 

Bicromo: Negro y marrón.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310255
title: Botella - 129851 (Chavín)

description: Botella de labio reforzado externamente, gollete y asa estribo tubulares anchos, cuerpo esférico y base plana. Presenta treinta y ocho (38) aplicaciones en forma de botones con muesca; cinco (05) en el gollete, seis (06) a cada lado del asa, diez (10) en la banda superior del cuerpo y once (11) en la inferior. 

Bicromo: Negro y marrón.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310256
title: Detalhe central teto sala de música.

description: Detalhe central do teto da sala de música do Museu do Doce da Ufpel.
Escaneamento 3D.
GEGRADI - UFPEL

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310257
title: Detalhe central teto sala de música.

description: Detalhe central do teto da sala de música do Museu do Doce da Ufpel.
Escaneamento 3D.
GEGRADI - UFPEL

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310258
title: Bhimbetka Panel

description: India, 2004.
Note the crab to the left of the runner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310259
title: Bhimbetka Panel

description: India, 2004.
Note the crab to the left of the runner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310260
title: Textiles: Glafira, "Wolves and Sheep"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Glafira Alekseevna in the play "Wolves and Sheep" (1875) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

This work was supported by the Russian Historical Society and the History of the Fatherland Foundation under project titled "NashOstrovsky".

DOI: 10.13140/RG.2.2.19956.22408

Please contact us if you require seamless textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310261
title: Textiles: Glafira, "Wolves and Sheep"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Glafira Alekseevna in the play "Wolves and Sheep" (1875) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

This work was supported by the Russian Historical Society and the History of the Fatherland Foundation under project titled "NashOstrovsky".

DOI: 10.13140/RG.2.2.19956.22408

Please contact us if you require seamless textures.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310262
title: Dogs - Swivel

description: "'Dogs' were used to fasten logs to be worked upon." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310263
title: Dogs - Swivel

description: "'Dogs' were used to fasten logs to be worked upon." -[Eric Sloane](https://en.wikipedia.org/wiki/Eric_Sloane), [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1)

Modeled from Eric Sloane's [*Museum of Early American Tools*](https://www.amazon.com/Museum-Early-American-Tools-Americana/dp/0486425606/ref=sr_1_1?crid=1MDB8783EQVPS&dchild=1&keywords=museum+of+early+american+tools&qid=1613590281&s=books&sprefix=museum+of+early%2Cstripbooks%2C170&sr=1-1).

Textured with [CC0 Textures](https://cc0textures.com) assets.

Made with [Blender](https://blender.org).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310265
title: Golden Ephant

description: that went better than expected.

I did the Edit but not the pictures, dont blame me if the belly part is missing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310264
title: Golden Ephant

description: that went better than expected.

I did the Edit but not the pictures, dont blame me if the belly part is missing.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310266
title: Etruscan chariot, Necropolis of Poggione

description: Etruscan chariot 	

Necropolis of Poggione, Castelnuovo Berardenga, Tuscany, Italy	

Etruscan, two-wheeled chariot. Restored. Associated with the burial of a princess. Such charriots were used in wedding ceremonies. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989.	chariot	

Processed in Metashape from 1250 Images and 9 Faro scans.	

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena, Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310267
title: Etruscan chariot, Necropolis of Poggione

description: Etruscan chariot 	

Necropolis of Poggione, Castelnuovo Berardenga, Tuscany, Italy	

Etruscan, two-wheeled chariot. Restored. Associated with the burial of a princess. Such charriots were used in wedding ceremonies. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989.	chariot	

Processed in Metashape from 1250 Images and 9 Faro scans.	

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena, Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310268
title: "Little house"

description: Estudo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310269
title: "Little house"

description: Estudo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310270
title: Jarra

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310271
title: Jarra

description: Source: Objaverse 1.0 / Sketchfab