cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10356012
title: Tympan de l'abbatiale Sainte-Foy, Conques (12)

description: "L'abbatiale Sainte-Foy de Conques est une église abbatiale située à Conques, dans le département de l'Aveyron. Considérée comme un chef-d'œuvre de l'art roman du sud de la France, elle reste surtout célèbre pour son tympan et son trésor comprenant des pièces d'art uniques de l'époque carolingienne, dont la statue-reliquaire de sainte Foy."
[Sur wikipedia ...](https://fr.wikipedia.org/wiki/Abbatiale_Sainte-Foy_de_Conques) ou pour aller [plus loin dans l'étude avec l'INHA.](https://portail3d-conques.inha.fr/#Accueil)
 ![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Tympan_Sainte-Foy_de_Conques.jpg/1920px-Tympan_Sainte-Foy_de_Conques.jpg) 
![](https://upload.wikimedia.org/wikipedia/commons/thumb/5/57/Panoramic_sunset_in_Conques_02.jpg/849px-Panoramic_sunset_in_Conques_02.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356013
title: Fontaine Saint-Michel

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356014
title: Fontaine Saint-Michel

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356015
title: Barite Ore (BaSO4)

description: Barite Ore (BaSO4), Density 4.5, The largest block (18 tonnes) mined from the Berlaimont mine (Fleurus).

Donation of Mr Counet (Barium Minerals) on the occasion of the 10th Dies Natalis of the Lovaniensis Scientificus Ordo, erected on November 13, 1994.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356016
title: Barite Ore (BaSO4)

description: Barite Ore (BaSO4), Density 4.5, The largest block (18 tonnes) mined from the Berlaimont mine (Fleurus).

Donation of Mr Counet (Barium Minerals) on the occasion of the 10th Dies Natalis of the Lovaniensis Scientificus Ordo, erected on November 13, 1994.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356018
title: Dry Stand Pipe #4

description: US, CA 2021

photogrammetry, xcode + iphone 12 mini

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356017
title: Dry Stand Pipe #4

description: US, CA 2021

photogrammetry, xcode + iphone 12 mini

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356021
title: Tables of Ten Commandments (Chinese)

description: Tables of Ten Commandments (Simplified Chinese)

十诫
一、除耶和华之外,不可信仰别的神
二、禁止拜偶像
三、不可妄称耶和华的名
四、遵守安息日
五、孝敬父母
六、不可杀人
七、不可奸淫
八、不可偷盗
九、不可作假见证
十、不可贪婪

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356022
title: Tables of Ten Commandments (Chinese)

description: Tables of Ten Commandments (Simplified Chinese)

十诫
一、除耶和华之外,不可信仰别的神
二、禁止拜偶像
三、不可妄称耶和华的名
四、遵守安息日
五、孝敬父母
六、不可杀人
七、不可奸淫
八、不可偷盗
九、不可作假见证
十、不可贪婪

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356023
title: Masque Africain Senegal

description: Les masques revêtent une très grande importance dans les cérémonies d'Afrique, notamment à l'occasion des cérémonies funéraires.

Le mot désigne aussi bien l'objet que la personne qui le porte à l'occasion de ces cérémonies.

Le masque est un objet en bois sculpté. Il y a un danseur, un costume, « un esprit » ou un « génie » qui l'habite. Il est un « être sacré », instrument d'harmonie sociale. Dans la société traditionnelle, le masque est à la fois une institution religieuse, politique et sociale. Il est médiateur entre Dieu, les ancêtres et les hommes. Il intervient dans les décisions politiques, accompagne les semailles et les récoltes, punit les coupables, assure la pérennité du savoir, accueille l'enfant à sa naissance, lui permet de devenir adulte, l'amène au monde de la sagesse et l'accompagne dans sa vie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356024
title: Masque Africain Senegal

description: Les masques revêtent une très grande importance dans les cérémonies d'Afrique, notamment à l'occasion des cérémonies funéraires.

Le mot désigne aussi bien l'objet que la personne qui le porte à l'occasion de ces cérémonies.

Le masque est un objet en bois sculpté. Il y a un danseur, un costume, « un esprit » ou un « génie » qui l'habite. Il est un « être sacré », instrument d'harmonie sociale. Dans la société traditionnelle, le masque est à la fois une institution religieuse, politique et sociale. Il est médiateur entre Dieu, les ancêtres et les hommes. Il intervient dans les décisions politiques, accompagne les semailles et les récoltes, punit les coupables, assure la pérennité du savoir, accueille l'enfant à sa naissance, lui permet de devenir adulte, l'amène au monde de la sagesse et l'accompagne dans sa vie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356026
title: Gabbro Bead, SJ13

description: Bead, gabbro, bidirectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_299

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356027
title: Gabbro Bead, SJ13

description: Bead, gabbro, bidirectional drill direction, string ware, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_299

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356028
title: My New Hand

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356029
title: My New Hand

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356030
title: St Llolans Cell, Broughton, Scotland

description: Against the SE angle of the Old Parish Church of Broughton are the remains of a barrel-vaulted structure, perhaps a post-Reformation burial aisle, which was rebuilt in 1926-7 as a chapel in the belief that it represented the cell of St Llolan, the 7th century bishop to whom the church is traditionally dedicated. This aisle measures internally 8'6" E-W x 14' N-S x c 8' high. There is a modern arched opening to the church on the W. The entrance to the "cell", situated in the N wall, is 2'7" wide. Beneath a window on the S there has been a gravestone inserted for preservation. It is dated 1617, and bears a shield with an inscription: Repair (e)d . . . 1725, which no doubt commemorates repair of a family burial place, very possibly the "cell" itself.  However, Matcap shows that the inscription likely reads 'Repaired by Richard;Andre:Willliam:James:David: Tweedie's 1725'
Canmore 49876

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356031
title: St Llolans Cell, Broughton, Scotland

description: Against the SE angle of the Old Parish Church of Broughton are the remains of a barrel-vaulted structure, perhaps a post-Reformation burial aisle, which was rebuilt in 1926-7 as a chapel in the belief that it represented the cell of St Llolan, the 7th century bishop to whom the church is traditionally dedicated. This aisle measures internally 8'6" E-W x 14' N-S x c 8' high. There is a modern arched opening to the church on the W. The entrance to the "cell", situated in the N wall, is 2'7" wide. Beneath a window on the S there has been a gravestone inserted for preservation. It is dated 1617, and bears a shield with an inscription: Repair (e)d . . . 1725, which no doubt commemorates repair of a family burial place, very possibly the "cell" itself.  However, Matcap shows that the inscription likely reads 'Repaired by Richard;Andre:Willliam:James:David: Tweedie's 1725'
Canmore 49876

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356034
title: Simple Wooden Chest

description: A simple pirate wooden chest created using Max and Substance Painter.
This model was built in 40 mins, so it's not a example of my work.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356035
title: Simple Wooden Chest

description: A simple pirate wooden chest created using Max and Substance Painter.
This model was built in 40 mins, so it's not a example of my work.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356038
title: Remarkable Ganesha

description: The Ganesha carved on a Coconut was 3D Scanned at **Addere Creations**.

3D Scan Process: **Photogrammetry**

Number of Photos used: 34

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356039
title: Remarkable Ganesha

description: The Ganesha carved on a Coconut was 3D Scanned at **Addere Creations**.

3D Scan Process: **Photogrammetry**

Number of Photos used: 34

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356040
title: Turas Station 8 - DG080-012002

description: Stad 8  Siúlann an t-oilithreach soir ó Gharrai an Turais fríd an Abar Dubh. Ní mór a bheith cúramach anseo mar bíonn an talamh an-bhog. Tá carraig i bhfoirm bád ler feiceáil ar thaobh na láimhe deise. Tig tú fhad leis an bhealach mór agus Cloch an Aonaigh. Seo carnán íseal ar a bhfuil cros-cholún treoshuite siar ó thuaidh. Tá sé maisithe go hórnáideach le poll gearrtha fríd an lár. Amharcann an toilithreach fríd an poll ó dheas agus séanann sé an domhan,  an ainfheola agus an diabhal.

Station 8 The pilgrim can see a large boat-shaped rock on the left while continuing to walk eastwards, crossing over
a marshy area called An Abar Dubh. The ground here tends to be soft and water-logged, particularly early in the
season. The pilgrim should proceed with caution for 1km towards Stad 8. Cloch an Aonaigh (The Assembly Stone) is
a prominent station with a cairn and cross-pillar with a hole.



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356041
title: Turas Station 8 - DG080-012002

description: Stad 8  Siúlann an t-oilithreach soir ó Gharrai an Turais fríd an Abar Dubh. Ní mór a bheith cúramach anseo mar bíonn an talamh an-bhog. Tá carraig i bhfoirm bád ler feiceáil ar thaobh na láimhe deise. Tig tú fhad leis an bhealach mór agus Cloch an Aonaigh. Seo carnán íseal ar a bhfuil cros-cholún treoshuite siar ó thuaidh. Tá sé maisithe go hórnáideach le poll gearrtha fríd an lár. Amharcann an toilithreach fríd an poll ó dheas agus séanann sé an domhan,  an ainfheola agus an diabhal.

Station 8 The pilgrim can see a large boat-shaped rock on the left while continuing to walk eastwards, crossing over
a marshy area called An Abar Dubh. The ground here tends to be soft and water-logged, particularly early in the
season. The pilgrim should proceed with caution for 1km towards Stad 8. Cloch an Aonaigh (The Assembly Stone) is
a prominent station with a cairn and cross-pillar with a hole.



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356044
title: NPAP plinth type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5263/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356043
title: NPAP plinth type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5263/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356045
title: KC Sanctuary Final

description: KC Inner Sanctuary Test

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356046
title: KC Sanctuary Final

description: KC Inner Sanctuary Test

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356049
title: Jarro zoomorfo mapuche

description: Jarro zoomorfo.
Cerámica  mapuche.
Temuco, Región de la Araucanía, Chile. Adquirido en 1957.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356050
title: Jarro zoomorfo mapuche

description: Jarro zoomorfo.
Cerámica  mapuche.
Temuco, Región de la Araucanía, Chile. Adquirido en 1957.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356051
title: Momia Nº 5

description: Momia indígena de Gran Canaria Nº 5 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

El modelo corresponde a una momia de mujer mayor de 50 años, datada entre el 670-675 d.C. Fue recuperada en una cueva funeraria colectiva de Acusa (Artenara) en la década de 1930. Más información sobre esta momia en **[pieza del mes de El Museo Canario](http://www.elmuseocanario.com/images/documentospdf/piezadelmes/2017/piezaenero2017.pdf)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356052
title: Momia Nº 5

description: Momia indígena de Gran Canaria Nº 5 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

El modelo corresponde a una momia de mujer mayor de 50 años, datada entre el 670-675 d.C. Fue recuperada en una cueva funeraria colectiva de Acusa (Artenara) en la década de 1930. Más información sobre esta momia en **[pieza del mes de El Museo Canario](http://www.elmuseocanario.com/images/documentospdf/piezadelmes/2017/piezaenero2017.pdf)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356055
title: Honduran Statue 2 (Mayan Statue)

description: This is a quick 3D scan I did using Polycam!! Please like and follow! This is a statue from Honduras! Feel Free to use my models for anything!! Just let me know if you do!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356056
title: Honduran Statue 2 (Mayan Statue)

description: This is a quick 3D scan I did using Polycam!! Please like and follow! This is a statue from Honduras! Feel Free to use my models for anything!! Just let me know if you do!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356057
title: Kantharos dacic

description: Kantharosul era vasul de inspirație grecească, bitronconic, destinat servirii berii sau vinului. Era modelat la roata olarului, din pastă fină, ornamentat frecvent cu motive lustruite. Mai era prevăzut, pentru eleganță și funcționalitate, cu două torți.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356058
title: Kantharos dacic

description: Kantharosul era vasul de inspirație grecească, bitronconic, destinat servirii berii sau vinului. Era modelat la roata olarului, din pastă fină, ornamentat frecvent cu motive lustruite. Mai era prevăzut, pentru eleganță și funcționalitate, cu două torți.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356061
title: 1939 Flying Standard "Eight" - Stormworks

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356062
title: 1939 Flying Standard "Eight" - Stormworks

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356065
title: Homer Laughlin Gold Floral Plate

description: This plate was found in the 2015 excavations of the Admin/Gunson site. The large amount of artifacts found is likely associated with refuse from renovations to Prof. Thomas Gunson's nearby house in the 1920s. 

A partial maker's mark on the base shows it was produced by the Homer Laughlin China Co., one of the largest ceramic producers, best known for creating the popular "Fiestaware" design. The maker's mark and the gold floral (violets?) motif indicate the design is "The Angelus", made from ca. 1905-1916. The plate's size implies it is a bread and butter plate.

This aligns with archival data that Gunson was a popular professor who hosted fancy dinner parties for students and alumni. This highly decorative bread and butter plate would have likely been used for such occasions, rather than for everyday use. The presence of this plate in the rubble suggests it was likely broken and discarded, or possibly out of vogue at the time of the renovations!

Model made by Jack A. Biggs with the Artec Space Spider.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356066
title: Homer Laughlin Gold Floral Plate

description: This plate was found in the 2015 excavations of the Admin/Gunson site. The large amount of artifacts found is likely associated with refuse from renovations to Prof. Thomas Gunson's nearby house in the 1920s. 

A partial maker's mark on the base shows it was produced by the Homer Laughlin China Co., one of the largest ceramic producers, best known for creating the popular "Fiestaware" design. The maker's mark and the gold floral (violets?) motif indicate the design is "The Angelus", made from ca. 1905-1916. The plate's size implies it is a bread and butter plate.

This aligns with archival data that Gunson was a popular professor who hosted fancy dinner parties for students and alumni. This highly decorative bread and butter plate would have likely been used for such occasions, rather than for everyday use. The presence of this plate in the rubble suggests it was likely broken and discarded, or possibly out of vogue at the time of the renovations!

Model made by Jack A. Biggs with the Artec Space Spider.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356067
title: Tanum 182:2 Finntorp

description: Model of Tanum 182:2 Finntorp. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356068
title: Tanum 182:2 Finntorp

description: Model of Tanum 182:2 Finntorp. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356071
title: Church

description: RealityCapture  669 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356072
title: Church

description: RealityCapture  669 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.18112/openneuro.ds004666.v1.0.4
title: EDDEN
DOI: 10.5281/zenodo.10356073
title: Cornisa RN 3376

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356074
title: Cornisa RN 3376

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356075
title: Skeletal sheep foot

description: Surface scan of the skeletal hindfoot of a sheep from the D'Arcy Thompson Zoology Museum at the University of Dundee.

DUNUC 2063 - Hindfoot of Sheep - Ovis sp. Height = 30cm approx.

In his celebrated book  On Growth and Form, D'Arcy Thompson shows the mathematical relationships between the feet of an Ox, Sheep and Giraffe - "if we reduce the figures to an identical standard of length... the breadth ... will be approximately two-thirds that of the ox in the case of the sheep and one-third that of the ox in the case of the giraffe."

Scanned with an Artec Space Spider surface scanner. The resulting file is exported as an obj. and imported into Zbrush. The texture is captured during the scanning process and converted to Polypaint in Zbrush.

We'd love to hear from you if you download or print our models, especially if you use them in education and outreach.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356076
title: Skeletal sheep foot

description: Surface scan of the skeletal hindfoot of a sheep from the D'Arcy Thompson Zoology Museum at the University of Dundee.

DUNUC 2063 - Hindfoot of Sheep - Ovis sp. Height = 30cm approx.

In his celebrated book  On Growth and Form, D'Arcy Thompson shows the mathematical relationships between the feet of an Ox, Sheep and Giraffe - "if we reduce the figures to an identical standard of length... the breadth ... will be approximately two-thirds that of the ox in the case of the sheep and one-third that of the ox in the case of the giraffe."

Scanned with an Artec Space Spider surface scanner. The resulting file is exported as an obj. and imported into Zbrush. The texture is captured during the scanning process and converted to Polypaint in Zbrush.

We'd love to hear from you if you download or print our models, especially if you use them in education and outreach.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356078
title: Teacup

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356077
title: Teacup

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356085
title: NPMP arch type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5279/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356086
title: NPMP arch type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5279/view. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356087
title: Blue Oak Acorns

description: Northern California native blue oaks don't replant themselves very well.  If we don't plant them they may soon be impossible to start.  We could loose these trees soon if we don't replant.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356088
title: Blue Oak Acorns

description: Northern California native blue oaks don't replant themselves very well.  If we don't plant them they may soon be impossible to start.  We could loose these trees soon if we don't replant.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356089
title: Kirkjubømúrurin: P045

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 21 x 41 x 19 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356090
title: Kirkjubømúrurin: P045

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum.

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 21 x 41 x 19 cm.

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356091
title: Tanum 255 1 Fig 2 SHFA

description: Laserscan of a part of the panel at Fossum

Source: Objaverse 1.0 / Sketchfab