cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10353990
title: Igreja de Nossa Senhora da Azinheira

description: " é uma das mais originais igrejas tardo-românicas da zona de Chaves e uma das que reflecte como, em torno da antiga cidade de Acquae Flaviae, se gerou um foco de arquitectura relativamente homogéneo na viragem para o século XIII. As primeiras referências documentais à igreja datam de 1235, facto que atesta a sua segura existência por essa altura. O projecto então delineado adaptou-se construtivamente às escassas condições financeiras da empreitada: templo de nave única curta e capela-mor quadrangular, coberta por tecto de madeira. A parcela mais interessante, e a que revela já alguma abertura a modelos proto-góticos (ainda que utilize o esquema de volta perfeita) localiza-se no portal principal, cujas duas arquivoltas são profusamente ornamentadas por capitéis de decoração vegetalista e zoo-antropomórfica." http://www.monumentos.gov.pt/Site/APP_PagesUser/SIPA.aspx?id=5780

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353991
title: Igreja de Nossa Senhora da Azinheira

description: " é uma das mais originais igrejas tardo-românicas da zona de Chaves e uma das que reflecte como, em torno da antiga cidade de Acquae Flaviae, se gerou um foco de arquitectura relativamente homogéneo na viragem para o século XIII. As primeiras referências documentais à igreja datam de 1235, facto que atesta a sua segura existência por essa altura. O projecto então delineado adaptou-se construtivamente às escassas condições financeiras da empreitada: templo de nave única curta e capela-mor quadrangular, coberta por tecto de madeira. A parcela mais interessante, e a que revela já alguma abertura a modelos proto-góticos (ainda que utilize o esquema de volta perfeita) localiza-se no portal principal, cujas duas arquivoltas são profusamente ornamentadas por capitéis de decoração vegetalista e zoo-antropomórfica." http://www.monumentos.gov.pt/Site/APP_PagesUser/SIPA.aspx?id=5780

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353992
title: Modern Knight's Tankard

description: Tankard created with modern materials.

Textures are 2048x2048, created with Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353993
title: Modern Knight's Tankard

description: Tankard created with modern materials.

Textures are 2048x2048, created with Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353995
title: St Pauls Church iPhone Scan Test Facade

description: The original parish church of Clapham was St Mary's Church which dated from the 12th century. St Mary's was renamed Trinity Church after the Reformation. It was taken down under an act of Parliament in 1774 and a new Holy Trinity Church was built on Clapham Common in 1775. The north aisle of the former church was left standing for the performance of burials.

St Paul's Church was built at the beginning of the 19th century on the site of the former St Mary's/Holy Trinity Church. The building was completed in 1815 as a chapel of ease to Holy Trinity, Clapham. It was assigned a separate Ecclesiastical District in 1861. The churchyard was closed for burials in 1854. Among those buried in the churchyard were Roundhead soldiers killed in the English Civil War. The churchyard has largely been cleared of gravestones but the Revd TC Dale made a record in the 1920s of all gravestones and monumental inscriptions existing at the time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353994
title: St Pauls Church iPhone Scan Test Facade

description: The original parish church of Clapham was St Mary's Church which dated from the 12th century. St Mary's was renamed Trinity Church after the Reformation. It was taken down under an act of Parliament in 1774 and a new Holy Trinity Church was built on Clapham Common in 1775. The north aisle of the former church was left standing for the performance of burials.

St Paul's Church was built at the beginning of the 19th century on the site of the former St Mary's/Holy Trinity Church. The building was completed in 1815 as a chapel of ease to Holy Trinity, Clapham. It was assigned a separate Ecclesiastical District in 1861. The churchyard was closed for burials in 1854. Among those buried in the churchyard were Roundhead soldiers killed in the English Civil War. The churchyard has largely been cleared of gravestones but the Revd TC Dale made a record in the 1920s of all gravestones and monumental inscriptions existing at the time.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353996
title: Situs WarungBoto Jogjakarta

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353997
title: Situs WarungBoto Jogjakarta

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353998
title: Wmid-9d211c - Neo-Classical Figurine

description: An incomplete copper alloy figurine of a naked male of Post Medieval to Modern Dating (AD 1800 to AD 1900).

The figurine is bare headed, with short slightly curly hair. He is stood on his left leg, with right leg raised. Genitals are visible at the groin area. The figurine is naked apart from a fabric cloth or drapery wrapped around right arm, and goes up and behind his back, emerging below his left arm. A thin diagonal sash is present, running from his right shoulder to the left hand side above his waist. His right arm is incomplete. The left arm is held out at waist level, and would have originally held a thin rod or spear. This is now missing.

For more information, please visit the online database page available at: https://finds.org.uk/database/artefacts/record/id/1069355

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10353999
title: Wmid-9d211c - Neo-Classical Figurine

description: An incomplete copper alloy figurine of a naked male of Post Medieval to Modern Dating (AD 1800 to AD 1900).

The figurine is bare headed, with short slightly curly hair. He is stood on his left leg, with right leg raised. Genitals are visible at the groin area. The figurine is naked apart from a fabric cloth or drapery wrapped around right arm, and goes up and behind his back, emerging below his left arm. A thin diagonal sash is present, running from his right shoulder to the left hand side above his waist. His right arm is incomplete. The left arm is held out at waist level, and would have originally held a thin rod or spear. This is now missing.

For more information, please visit the online database page available at: https://finds.org.uk/database/artefacts/record/id/1069355

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354002
title: Ushabti figures

description: ID no.: MAK/AS/2208, MAK/AS/2209

Museum: Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/582

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354003
title: Ushabti figures

description: ID no.: MAK/AS/2208, MAK/AS/2209

Museum: Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/582

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354004
title: TARP 2021: SU 3046

description: SU 3046

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354005
title: TARP 2021: SU 3046

description: SU 3046

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354007
title: Opisthographic inscription, Tarraco, Tarragona

description: Opisthographic inscription from the site of Tarraco (Tarragona, Spain). Fragment of a plaque with an inscription on both sides. The first refers to a statue dedicated by the town of Tarraco to Pompey in 71 BC. In 49 BC, when Julius Caesar called a meeting of the provincial assembly in Tarraco, this statue was removed and the plaque was turned round and carved with a new dedication to P. Mucius Scaevola, Juliu Caesar´s deputy. From the area of the Tarraco Colonial Forum.

329 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 5135.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354006
title: Opisthographic inscription, Tarraco, Tarragona

description: Opisthographic inscription from the site of Tarraco (Tarragona, Spain). Fragment of a plaque with an inscription on both sides. The first refers to a statue dedicated by the town of Tarraco to Pompey in 71 BC. In 49 BC, when Julius Caesar called a meeting of the provincial assembly in Tarraco, this statue was removed and the plaque was turned round and carved with a new dedication to P. Mucius Scaevola, Juliu Caesar´s deputy. From the area of the Tarraco Colonial Forum.

329 photos completely processed in Reality Capture. The project was done with the support of the National Archaeological Museum of Tarragona and the Agència Catalana del Patrimoni Cultural. Catalog No. MNAT 5135.

Museu Nacional Arqueològic de Tarragona (2019): Tarraco: Exposición de síntesis. Generalitat de Catalunya Publicacions.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354010
title: Wallpaper Rock Petroglyphs, Utah

description: I was given the wonderful opportunity to tour 6 National Parks in the U.S. earlier this year. Our third stop was Canyonlands national park - a beautiful place! It also happens to host a number of well-preserved petroglyphs... This is a 3D scan of a site called "Wallpaper Rock." Unfortunately, I was paying a lot more attention to the rock than to my photos... I captured a lot of rail that ended up in the model texture.

This 3D scan was generated with photogrammetry software 3DF Zephyr v6.507 processing 21 images captured on a Moto g Power phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354011
title: Wallpaper Rock Petroglyphs, Utah

description: I was given the wonderful opportunity to tour 6 National Parks in the U.S. earlier this year. Our third stop was Canyonlands national park - a beautiful place! It also happens to host a number of well-preserved petroglyphs... This is a 3D scan of a site called "Wallpaper Rock." Unfortunately, I was paying a lot more attention to the rock than to my photos... I captured a lot of rail that ended up in the model texture.

This 3D scan was generated with photogrammetry software 3DF Zephyr v6.507 processing 21 images captured on a Moto g Power phone.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354012
title: Tunnelmynning NO

description: Tunnelmynning i Helsingborg. Under Rosenträdgården.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354013
title: Tunnelmynning NO

description: Tunnelmynning i Helsingborg. Under Rosenträdgården.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354019
title: Tomáš Garrigue Masaryk (Low Poly)

description: So my friend asked me about 3d historical person... maybe i can create Tomáš Garrigue Masaryk.
And yep it's him. ![render](https://pbs.twimg.com/media/E95KzWXXsAccXnn?format=jpg&name=medium)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354018
title: Tomáš Garrigue Masaryk (Low Poly)

description: So my friend asked me about 3d historical person... maybe i can create Tomáš Garrigue Masaryk.
And yep it's him. ![render](https://pbs.twimg.com/media/E95KzWXXsAccXnn?format=jpg&name=medium)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354022
title: Ollantaytambo Archaeological Site

description: Ollantaytambo is a village in the Sacred Valley of Urubamba, Peru, set on the Urubamba River amid snow-capped mountains. It's known for the archaelogical ruins, a massive Inca fortress with large stone terraces on a hillside. Major sites within the complex include the Sun Temple and the Princess Bath's fountain. (Source: Google)

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [AW3D30 OpenTopography](https://opentopography.org/)
* Imagery: [MapBox Satellite](https://www.mapbox.com)

References:
J. Takaku, T. Tadono, K. Tsutsui : Generation of High Resolution Global DSM from ALOS PRISM, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, pp.243-248, Vol. XL-4, ISPRS TC IV Symposium, Suzhou, China, 2014. 
T.Tadono, H.Ishida, F.Oda, S.Naito, K.Minakawa, H.Iwamoto : Precise Global DEM Generation By ALOS PRISM, ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences, pp.71 - 76, Vol.II - 4, 2014.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354023
title: Ollantaytambo Archaeological Site

description: Ollantaytambo is a village in the Sacred Valley of Urubamba, Peru, set on the Urubamba River amid snow-capped mountains. It's known for the archaelogical ruins, a massive Inca fortress with large stone terraces on a hillside. Major sites within the complex include the Sun Temple and the Princess Bath's fountain. (Source: Google)

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [AW3D30 OpenTopography](https://opentopography.org/)
* Imagery: [MapBox Satellite](https://www.mapbox.com)

References:
J. Takaku, T. Tadono, K. Tsutsui : Generation of High Resolution Global DSM from ALOS PRISM, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, pp.243-248, Vol. XL-4, ISPRS TC IV Symposium, Suzhou, China, 2014. 
T.Tadono, H.Ishida, F.Oda, S.Naito, K.Minakawa, H.Iwamoto : Precise Global DEM Generation By ALOS PRISM, ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences, pp.71 - 76, Vol.II - 4, 2014.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354024
title: Bust of Lucien Dubuc

description: Bust of Lucien Dubuc by Don Begg - Edmonton Alberta, Canada

[Learn more](https://www.edmontonpublicart.ca/#!/details/245)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354025
title: Bust of Lucien Dubuc

description: Bust of Lucien Dubuc by Don Begg - Edmonton Alberta, Canada

[Learn more](https://www.edmontonpublicart.ca/#!/details/245)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354026
title: Castelseprio - Lapide Longobarda

description: Castelseprio-Torba

Il castrum Seprium inserito nel sistema fortificato d'altura di età tardo-romana, e riutilizzato dai Longobardi, venne distrutto dai Visconti nel tardo Duecento. 
Si conservano il circuito murario, il tessuto abitativo e il complesso cultuale di San Giovanni Evangelista, completamente ristrutturato dai Longobardi nel VII secolo.
Esempio significativo di architettura militare è la Torre di Torba, utilizzata nella tarda età longobarda come monastero femminile. 
La Chiesa di Santa Maria foris portas, ubicata fuori dalle mura nel luogo in cui si sviluppò il borgo altomedievale, venne eretta come edificio aristocratico privato con annessa area cimiteriale. Essa conserva uno dei più alti cicli pittorici alto medioevali dedicati alla storia dell'infanzia di Cristo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354027
title: Castelseprio - Lapide Longobarda

description: Castelseprio-Torba

Il castrum Seprium inserito nel sistema fortificato d'altura di età tardo-romana, e riutilizzato dai Longobardi, venne distrutto dai Visconti nel tardo Duecento. 
Si conservano il circuito murario, il tessuto abitativo e il complesso cultuale di San Giovanni Evangelista, completamente ristrutturato dai Longobardi nel VII secolo.
Esempio significativo di architettura militare è la Torre di Torba, utilizzata nella tarda età longobarda come monastero femminile. 
La Chiesa di Santa Maria foris portas, ubicata fuori dalle mura nel luogo in cui si sviluppò il borgo altomedievale, venne eretta come edificio aristocratico privato con annessa area cimiteriale. Essa conserva uno dei più alti cicli pittorici alto medioevali dedicati alla storia dell'infanzia di Cristo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354029
title: Mini Low-Poly City

description: Blog - https://sebastianmillanordonez.blogspot.com/2020/04/mini-low-poly-city.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354028
title: Mini Low-Poly City

description: Blog - https://sebastianmillanordonez.blogspot.com/2020/04/mini-low-poly-city.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354030
title: Kniende Jüngling Brunnen - George Minne

description: **Von der Einzelplastik zum Ensemble**

Der »Kniende Jüngling« ist George Minnes berühmteste Skulptur. Dabei fungierte das Motiv, welches in vielen Ausführungen und Materialien existiert, nicht nur als Grabmahl oder dekorative Einzelplastik, sondern auch als Brunnenfigur. Für seinen wichtigsten Auftraggeber, den Sammler und Kunstmäzen Karl Ernst Osthaus, entwarf er einen Brunnen mit fünf dieser knienden Knaben. Der Brunnen wurde speziell für den Eingangsbereich in Osthaus' neuem Museum in Hagen in Marmor realisiert, dessen Innenausstattung von dem belgischen Architekten Henry van de Velde ausgeführt worden war. Seit 1929 befindet sich der Jünglingsbrunnen im Museum Folkwang in Essen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354031
title: Kniende Jüngling Brunnen - George Minne

description: **Von der Einzelplastik zum Ensemble**

Der »Kniende Jüngling« ist George Minnes berühmteste Skulptur. Dabei fungierte das Motiv, welches in vielen Ausführungen und Materialien existiert, nicht nur als Grabmahl oder dekorative Einzelplastik, sondern auch als Brunnenfigur. Für seinen wichtigsten Auftraggeber, den Sammler und Kunstmäzen Karl Ernst Osthaus, entwarf er einen Brunnen mit fünf dieser knienden Knaben. Der Brunnen wurde speziell für den Eingangsbereich in Osthaus' neuem Museum in Hagen in Marmor realisiert, dessen Innenausstattung von dem belgischen Architekten Henry van de Velde ausgeführt worden war. Seit 1929 befindet sich der Jünglingsbrunnen im Museum Folkwang in Essen.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354033
title: Corinthian Helmet

description: A design inspired by the classical Corinthian helmet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354032
title: Corinthian Helmet

description: A design inspired by the classical Corinthian helmet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354034
title: Uwharrie Cordmarked Jar Base (2238p1291)

description: **Uwharrie Cordmarked Jar Base** 
  
Location: Forbush Creek Site (31Yd1), Yadkin County, North Carolina. 
  
Period: Late Woodland, Uwharrie phase (AD 800-1200). 
  
Material: ceramic. 
  
Dimensions: length, 236 mm; width, 212 mm; height, 131 mm. 
  
Notes: Catalog no. 2238p1291, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Sebastian Farris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354035
title: Uwharrie Cordmarked Jar Base (2238p1291)

description: **Uwharrie Cordmarked Jar Base** 
  
Location: Forbush Creek Site (31Yd1), Yadkin County, North Carolina. 
  
Period: Late Woodland, Uwharrie phase (AD 800-1200). 
  
Material: ceramic. 
  
Dimensions: length, 236 mm; width, 212 mm; height, 131 mm. 
  
Notes: Catalog no. 2238p1291, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Sebastian Farris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354038
title: Leeuwenbergh kniefibula V9458

description: Dit type fibula is lange tijd gezien als puur militair, als opvolger van de draadfibula. Daar zijn ook nog steeds argumenten voor: ook in Nederland ligt het zwaartepunt van de verspreiding langs de limes, of aan militairen gelieerde vindplaatsen als Ockenburgh en Scheveningseweg in Den Haag. Niettemin zijn er ook andere vindplaatsen, zoals in de Betuwe. 
Datering: A.D. 120 - 200
This type of fibula is associated with a militairy context. In the Netherlands the spread is along the limes. Though they are also found in other places, like the Betuwe. 
Date: A.D. 120-200

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354039
title: Leeuwenbergh kniefibula V9458

description: Dit type fibula is lange tijd gezien als puur militair, als opvolger van de draadfibula. Daar zijn ook nog steeds argumenten voor: ook in Nederland ligt het zwaartepunt van de verspreiding langs de limes, of aan militairen gelieerde vindplaatsen als Ockenburgh en Scheveningseweg in Den Haag. Niettemin zijn er ook andere vindplaatsen, zoals in de Betuwe. 
Datering: A.D. 120 - 200
This type of fibula is associated with a militairy context. In the Netherlands the spread is along the limes. Though they are also found in other places, like the Betuwe. 
Date: A.D. 120-200

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354040
title: Bronzeage soapstone axe mold. S7090

description: Hva: Støpeform for øks av kleberstein. 
Funnet: Tjesseim, Sandnes - Rogaland.
Tidsperiode: Bronsealder

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354041
title: Bronzeage soapstone axe mold. S7090

description: Hva: Støpeform for øks av kleberstein. 
Funnet: Tjesseim, Sandnes - Rogaland.
Tidsperiode: Bronsealder

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354042
title: Tree Nail: EOA: to be generated

description: Tree nail from the wreck of the Earl Of Abergavenny.

ID: EOA: to be generated.

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: to be measured

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Wooden dowels or tree nails were used to join parts of the ship's outer planking to the frames and ribs of the main hull. They were used alongside copper nails often in a ratio of two to one. 
During construction it appears that the holes for the nails were drilled blind, as many missed the frames they were intended to secure the planking to. 

For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354043
title: Tree Nail: EOA: to be generated

description: Tree nail from the wreck of the Earl Of Abergavenny.

ID: EOA: to be generated.

Collection: Earl of Abergavenny

Classification: Ship's structure/function

Measurements: to be measured

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Wooden dowels or tree nails were used to join parts of the ship's outer planking to the frames and ribs of the main hull. They were used alongside copper nails often in a ratio of two to one. 
During construction it appears that the holes for the nails were drilled blind, as many missed the frames they were intended to secure the planking to. 

For more information about Portland Museum's Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354044
title: Door Detail

description: A scan of a detail of a door- Royal Palace, Sweden.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10354045
title: Door Detail

description: A scan of a detail of a door- Royal Palace, Sweden.

Source: Objaverse 1.0 / Sketchfab