cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10310429
title: Greek Silver Tetradrachm of Tenedos

description: Greek Silver Tetradrachm of Tenedos (Mysia, Islands off Troas), a Wonderful Janiform Head of Zeus and Hera
https://el.wikipedia.org/wiki/%CE%91%CF%81%CF%87%CE%B5%CE%AF%CE%BF:Greek_Silver_Tetradrachm_of_Tenedos_(Mysia,_Islands_off_Troas),_a_Wonderful_Janiform_Head_of_Zeus_and_Hera.jpg

Mysia Islands off Troas, Tenedos. Circa 100-70 BC. Tetradrachm (Silver, 16.27 g 12). Janiform head composed of a laureate and bearded head of Zeus to left and a diademed head of Hera to right. Double axe below left, monogram of PA and bunch of grapes; below right, caps of the Dioscouri; all within laurel wreath.  Very rare. A splendid coin of excellent style, struck in high relief.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310430
title: Greek Silver Tetradrachm of Tenedos

description: Greek Silver Tetradrachm of Tenedos (Mysia, Islands off Troas), a Wonderful Janiform Head of Zeus and Hera
https://el.wikipedia.org/wiki/%CE%91%CF%81%CF%87%CE%B5%CE%AF%CE%BF:Greek_Silver_Tetradrachm_of_Tenedos_(Mysia,_Islands_off_Troas),_a_Wonderful_Janiform_Head_of_Zeus_and_Hera.jpg

Mysia Islands off Troas, Tenedos. Circa 100-70 BC. Tetradrachm (Silver, 16.27 g 12). Janiform head composed of a laureate and bearded head of Zeus to left and a diademed head of Hera to right. Double axe below left, monogram of PA and bunch of grapes; below right, caps of the Dioscouri; all within laurel wreath.  Very rare. A splendid coin of excellent style, struck in high relief.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310431
title: FK C 48 typewriter

description: This item is the F.K. model C 48 double-register typewriter with a type bar mechanism, designed for office work. The number in the name specifies the length of the platen in centimetres. The platen is placed on a moving carriage. From 1928 the FK typewriters were assembled from imported parts, and from 1932 they were manufactured in Warsaw using patent-protected solutions that included several enhancements contributing to the quality of device operation. Mechanisms damping the carriage travel were implemented in the design of the FK typewriters, the pressure of paper against the platen was added, row change was made easier, a tabulator as well as springs adjusting the pressure of type bars were added, and the platen rotation mechanism, as well as that for setting the line spacing, were improved.

Manufacturer: Państwowe Wytwórnie Uzbrojenia, Wytwórnia nr 1 – Fabryka Karabinów, Warsaw, ca. 1932

Inv. No.: MIM916/VII-104

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310432
title: FK C 48 typewriter

description: This item is the F.K. model C 48 double-register typewriter with a type bar mechanism, designed for office work. The number in the name specifies the length of the platen in centimetres. The platen is placed on a moving carriage. From 1928 the FK typewriters were assembled from imported parts, and from 1932 they were manufactured in Warsaw using patent-protected solutions that included several enhancements contributing to the quality of device operation. Mechanisms damping the carriage travel were implemented in the design of the FK typewriters, the pressure of paper against the platen was added, row change was made easier, a tabulator as well as springs adjusting the pressure of type bars were added, and the platen rotation mechanism, as well as that for setting the line spacing, were improved.

Manufacturer: Państwowe Wytwórnie Uzbrojenia, Wytwórnia nr 1 – Fabryka Karabinów, Warsaw, ca. 1932

Inv. No.: MIM916/VII-104

Model prepared on the basis of photogrammetric measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310434
title: The Fall of Simon Magus

description: The Fall of Simon Magus by Gislebertus, 12th century from Autun Cathedral, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310433
title: The Fall of Simon Magus

description: The Fall of Simon Magus by Gislebertus, 12th century from Autun Cathedral, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310435
title: 3377 Maica Domnului Împărătiță cu Proorocii

description: **3377 Maica Domnului Împărătiță cu Proorocii**
Datare: sfârșitul secolului al XVIII-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței metalice aurii;
rama de esență rășinoasă, profilată și vopsită.
Dimensiuni: 52,6 cm x 46,6 cm.

**3377 Mother of God Empress with the Prophets**
Dated: late 18th century
Center: Lancrăm
Material / Technique: Outline drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; application of gold foil;
resinous, profiled and painted frame.
Dimensions: 52.6 cm x 46.6 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310436
title: 3377 Maica Domnului Împărătiță cu Proorocii

description: **3377 Maica Domnului Împărătiță cu Proorocii**
Datare: sfârșitul secolului al XVIII-lea
Centru: Lancrăm
Material / Tehnică: Contur trasat cu cerneală pe spatele glajei (sticlă subțire, neregulată, executată
manual) cu penița, după un izvod; pictarea suprafețelor cu tempera; aplicarea foiței metalice aurii;
rama de esență rășinoasă, profilată și vopsită.
Dimensiuni: 52,6 cm x 46,6 cm.

**3377 Mother of God Empress with the Prophets**
Dated: late 18th century
Center: Lancrăm
Material / Technique: Outline drawn in ink on the back of the glaze (thin, irregular glass, executed
manual) with the pen, after an izvod; painting surfaces with tempera; application of gold foil;
resinous, profiled and painted frame.
Dimensions: 52.6 cm x 46.6 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310437
title: pot #01

description: Today I was at my parents home and I saw this old pot. I really liked the worn look on it so I had to scan it c:

My mom told me that my grandmother once painted this pot blue. Well.. after decades it now looks like this ^^

Hopefully you can use it in some cool way :3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310438
title: pot #01

description: Today I was at my parents home and I saw this old pot. I really liked the worn look on it so I had to scan it c:

My mom told me that my grandmother once painted this pot blue. Well.. after decades it now looks like this ^^

Hopefully you can use it in some cool way :3

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310439
title: Torre Antella, Ribera Alta, Valencia

description: Preservación digital del proyecto: [![DOI](https://zenodo.org/badge/DOI/10.5281/zenodo.4279638.svg)](https://doi.org/10.5281/zenodo.4279638)

Proyecto realizado por **AD&D 4D** con la colaboración y patrocinio de la **Comunitat Valenciana** y la **Mancomunitat de la Ribera Alta**.

La Torre de Antella es una construcción almohade del siglo XII. Su finalidad era la protección a la población de las incursiones cristianas a la alquería rural, que se refugiaban en ella en caso de peligro, y salvaguardaban el ganado en un recinto adosado a la torre denominado albacar. Además, las torres de l Ribera Alta se comunicaban con señales de humo entre ellas formando así un cordón defensivo.  Con la conquista cristiana La torre quedó integrada en el palacio señorial. A lo largo de los siglos la torre árabe ha sido  y es un símbolo para la población, marcando su identidad y paisaje, tal y como se refleja en el escudo de Antella.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310440
title: Torre Antella, Ribera Alta, Valencia

description: Preservación digital del proyecto: [![DOI](https://zenodo.org/badge/DOI/10.5281/zenodo.4279638.svg)](https://doi.org/10.5281/zenodo.4279638)

Proyecto realizado por **AD&D 4D** con la colaboración y patrocinio de la **Comunitat Valenciana** y la **Mancomunitat de la Ribera Alta**.

La Torre de Antella es una construcción almohade del siglo XII. Su finalidad era la protección a la población de las incursiones cristianas a la alquería rural, que se refugiaban en ella en caso de peligro, y salvaguardaban el ganado en un recinto adosado a la torre denominado albacar. Además, las torres de l Ribera Alta se comunicaban con señales de humo entre ellas formando así un cordón defensivo.  Con la conquista cristiana La torre quedó integrada en el palacio señorial. A lo largo de los siglos la torre árabe ha sido  y es un símbolo para la población, marcando su identidad y paisaje, tal y como se refleja en el escudo de Antella.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310441
title: Endicott Street Privy Inkwell

description: This mid-19th century "umbrella" style glass inkwell was recovered archaeologically from a privy behind Endicott Street in the North End of Boston. Now a popular tourist destination, this part of the North End was once part of the red light district! The excavated privy was associated with a brothel that once stood at this location, and artifacts like these give insight to the daily lives of those who resided in "houses of ill fame". Inkwells are often considered an indicator of literacy when found archaeologically, and in this case may provide a valuable counter-narrative to assumptions about those who lived and worked in these brothels.Scanned by Brian Schools.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310442
title: Endicott Street Privy Inkwell

description: This mid-19th century "umbrella" style glass inkwell was recovered archaeologically from a privy behind Endicott Street in the North End of Boston. Now a popular tourist destination, this part of the North End was once part of the red light district! The excavated privy was associated with a brothel that once stood at this location, and artifacts like these give insight to the daily lives of those who resided in "houses of ill fame". Inkwells are often considered an indicator of literacy when found archaeologically, and in this case may provide a valuable counter-narrative to assumptions about those who lived and worked in these brothels.Scanned by Brian Schools.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310443
title: Le Rêveur (Folon)

description: Statue en acier d'environ 2 m de hauteur placée dans l'Allée des Pensées du Château de Jehay (Province de Liège en Belgique). Oeuvre de Jean Michel Folon (1934-2005) faisant partie d'une série de sculptures mises en place entre 1996 et 2005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310444
title: Le Rêveur (Folon)

description: Statue en acier d'environ 2 m de hauteur placée dans l'Allée des Pensées du Château de Jehay (Province de Liège en Belgique). Oeuvre de Jean Michel Folon (1934-2005) faisant partie d'une série de sculptures mises en place entre 1996 et 2005

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310445
title: Mädara linnamägi (Estonia)

description: Mädara linnamägi 3D model. Coordinates: 58.66879, 25.20422

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310446
title: Mädara linnamägi (Estonia)

description: Mädara linnamägi 3D model. Coordinates: 58.66879, 25.20422

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310447
title: Prisoner of War wooden toy gun

description: Wooden toy gun made during the Second World War by an Italian Prisoner of War in East Yorkshire, UK.

The toy was made as a gift from scrap wood and metal, and measures 165mm x 115mm.

The model was created from 48 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310448
title: Prisoner of War wooden toy gun

description: Wooden toy gun made during the Second World War by an Italian Prisoner of War in East Yorkshire, UK.

The toy was made as a gift from scrap wood and metal, and measures 165mm x 115mm.

The model was created from 48 photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310449
title: Cántaro - 170094 (Puruchuco)

description: Material: Cerámica

Cultura: Ichma

Datación: Intermedio: Tardío (1,000 d.c. - 1,476 .d.c.)

Técnicas: Pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310450
title: Cántaro - 170094 (Puruchuco)

description: Material: Cerámica

Cultura: Ichma

Datación: Intermedio: Tardío (1,000 d.c. - 1,476 .d.c.)

Técnicas: Pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310451
title: Caraway Plain Bowl Rim (2101p190)

description: **Caraway Plain Bowl Rim** 
  
Location: Site 31St2, Stanly County, North Carolina. 
  
Period: Late Woodland, Caraway phase (AD 1550-1700?). 
  
Material: ceramic. 
  
Dimensions: length, 109 mm; width, 94 mm; thickness, 7.4 mm. 
  
Notes: Catalog no. 2101p190.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Elise Shuman.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310452
title: Caraway Plain Bowl Rim (2101p190)

description: **Caraway Plain Bowl Rim** 
  
Location: Site 31St2, Stanly County, North Carolina. 
  
Period: Late Woodland, Caraway phase (AD 1550-1700?). 
  
Material: ceramic. 
  
Dimensions: length, 109 mm; width, 94 mm; thickness, 7.4 mm. 
  
Notes: Catalog no. 2101p190.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis and Elise Shuman.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310454
title: Popeye Arcade Machine Voxel Art (Ethan Terpstra)

description: Voxel Art Popeye Arcade machine created by Ethan Terpstra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310453
title: Popeye Arcade Machine Voxel Art (Ethan Terpstra)

description: Voxel Art Popeye Arcade machine created by Ethan Terpstra.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310455
title: Pottery Lid EOA:2022.47.2

description: Pottery lid from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.47.2

Collection: Earl of Abergavenny

Classification: Crew/Passengers

Measurements: Diametre 76mm Height 43mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Identified as Canton porcelain this small lid comes possibly from a one person tea pot, pudding cup or milk jug.
Canton porcelain is so called as it originated from Guangzhou, China. At the time of the Earl of Abergavenny's voyage, Guangzhou was the sole Chinese port for legally exporting goods to Europe and familiar to the ship from her previous trips.
It is possible that this lid belonged to one of the thirty two Chinese crew on board, seventeen of whom perished in the sinking.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310456
title: Pottery Lid EOA:2022.47.2

description: Pottery lid from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.47.2

Collection: Earl of Abergavenny

Classification: Crew/Passengers

Measurements: Diametre 76mm Height 43mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Identified as Canton porcelain this small lid comes possibly from a one person tea pot, pudding cup or milk jug.
Canton porcelain is so called as it originated from Guangzhou, China. At the time of the Earl of Abergavenny's voyage, Guangzhou was the sole Chinese port for legally exporting goods to Europe and familiar to the ship from her previous trips.
It is possible that this lid belonged to one of the thirty two Chinese crew on board, seventeen of whom perished in the sinking.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310459
title: Roman hair needle from Debelo Brdo near Sarajevo

description: Roman bronze hair needle from Debelo Brdo near Sarajevo. Excavated in 1895.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 455 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID RomanBronze1.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310458
title: Roman hair needle from Debelo Brdo near Sarajevo

description: Roman bronze hair needle from Debelo Brdo near Sarajevo. Excavated in 1895.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with The Sarajevo Museum. Scanned artifacts were on display. Model was created from 455 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID RomanBronze1.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310460
title: Castle Slovenská Lupča

description: Pictures created with with DJI Mavic Mini drone and processed using Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310461
title: Castle Slovenská Lupča

description: Pictures created with with DJI Mavic Mini drone and processed using Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310462
title: Dairen (Dalian) Shrine Medal

description: In commemoration of the return of the statue of the deity to the main shrine. 

Dairen Shrine in Dalian (former Manchuria, but is now located in Shimonoseki, Yamaguchi Prefecture, Japan). 

Eighth year of Showa(1933) May 8. 

54,4 mm in diameter, 130 gram. 

Was able to identify using this scan! 

Made with 3DF Zephyr - 840 photos with CPL filter for model and 196 photos without filter for textures. Camera: Canon M10 with macro lense EF-M 28mm f/3.5 Macro IS STM.

Normal map also made with Zephyr.

Roughness and metalness maps had to be manually made in Blender as converting them accurately from textures was impossible - light areas could represent both rough or glossy areas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310463
title: Dairen (Dalian) Shrine Medal

description: In commemoration of the return of the statue of the deity to the main shrine. 

Dairen Shrine in Dalian (former Manchuria, but is now located in Shimonoseki, Yamaguchi Prefecture, Japan). 

Eighth year of Showa(1933) May 8. 

54,4 mm in diameter, 130 gram. 

Was able to identify using this scan! 

Made with 3DF Zephyr - 840 photos with CPL filter for model and 196 photos without filter for textures. Camera: Canon M10 with macro lense EF-M 28mm f/3.5 Macro IS STM.

Normal map also made with Zephyr.

Roughness and metalness maps had to be manually made in Blender as converting them accurately from textures was impossible - light areas could represent both rough or glossy areas.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310464
title: Hercules Fights the Forces of Evil

description: This ensemble is set halfway up the slope of the Schönbrunn Palace Park. Originally, water should have sprung up here as a representation of the overwhelming strength of the victorious positive (Hercules), which then flows down the slope via cascades and washes away the negative, namely Carthage, the ruins of which are set up at the foot of the slope. However, there was a lack of water and money to complete this installation.

The group of statues shows Hercules fighting the three-headed Cerberus as well as the embodiment of envy and other vices (an old woman, a dog and a snake with a dog's head). It was purchased by Johann Ferdinand Hetzendorf von Hohenberg and erected in 1771.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310465
title: Hercules Fights the Forces of Evil

description: This ensemble is set halfway up the slope of the Schönbrunn Palace Park. Originally, water should have sprung up here as a representation of the overwhelming strength of the victorious positive (Hercules), which then flows down the slope via cascades and washes away the negative, namely Carthage, the ruins of which are set up at the foot of the slope. However, there was a lack of water and money to complete this installation.

The group of statues shows Hercules fighting the three-headed Cerberus as well as the embodiment of envy and other vices (an old woman, a dog and a snake with a dog's head). It was purchased by Johann Ferdinand Hetzendorf von Hohenberg and erected in 1771.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310466
title: Rueca de madera

description: Rueca grande tallada en el extremo superior con rostro humano y remata en dos puntos en forma de "y". La parte inferior termina en punta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310467
title: Rueca de madera

description: Rueca grande tallada en el extremo superior con rostro humano y remata en dos puntos en forma de "y". La parte inferior termina en punta.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310468
title: Court Cell Raw Point Cloud

description: The raw pointcloud from an AR worldmap scan of one of the felons' cells at York Castle Museum.  Scanned using ARKit.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310469
title: Court Cell Raw Point Cloud

description: The raw pointcloud from an AR worldmap scan of one of the felons' cells at York Castle Museum.  Scanned using ARKit.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310471
title: Remains of the Roman forum of Terracina

description: The Emilian Forum

The Roman forum of Terracina (Italy) is without doubt a particular monument as it keeps still today not only the ancient limestone paving as well as the original function of civil and religious centre of the town. Its name comes from Aulus Aemilius, the local magistrate who, between the end of the 1st century B.C. and the beginning of the 1st century A.D., ordered to pave the square and to engrave his own name on the stone blocks. This 3D model represents a portion of the Roman forum that is currently located under the cathedral of Terracina

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310470
title: Remains of the Roman forum of Terracina

description: The Emilian Forum

The Roman forum of Terracina (Italy) is without doubt a particular monument as it keeps still today not only the ancient limestone paving as well as the original function of civil and religious centre of the town. Its name comes from Aulus Aemilius, the local magistrate who, between the end of the 1st century B.C. and the beginning of the 1st century A.D., ordered to pave the square and to engrave his own name on the stone blocks. This 3D model represents a portion of the Roman forum that is currently located under the cathedral of Terracina

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10310472
title: Remate de Portada renacentista

description: La pieza pertenece a la Portada renacentista (1519-1521) de la Iglesia de Biar. Se trata de la escena de la Coronación de la Virgen por Dios Padre, Dios Hijo y Dios Espíritu Santo. Actualmente se encuentra en el interior del templo.

RICHART PARRA, M. T. (2019): "Portada renaixentista de la façana de l'església parroquial de Nostra Senyora de l'Assumpció de Biar", en BORJA i SANZ, J. (coord.), Descobreix Art en Valor, Col·lectiva 22, Instituto Alicantino de Cultura Juan Gil-Albert, págs. 193-215, Alicante.

Source: Objaverse 1.0 / Sketchfab