cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.19967263
title: The role of rural neighborhoods in the consolidation of Bragança Paulista territory

description: ABSTRACT This study seeks to discuss the formation of rural neighborhoods in the municipality of Bragança Paulista, state of São Paulo, Brazil, using, as one of the main explanatory elements for the advance of the territorial occupation of the parish/village, changes in the local economy. We have tried to reconstruct the process of territorial occupation of Bragança by following the distribution of sesmarias, the number of dwellings, the number of inhabitants, the geographical location and the development of the rural neighborhoods that formed there. The methodology adopted in this study is part of a set of studies on the urbanization process in Brazil that adopt the method of reading the landscape and material culture and seek to analyze the dynamics and logic of rooting the population in the territory. The analysis focused on the formation of rural neighborhoods in Bragança and its decisive influence on the consolidation process of the locality; with that, it was possible to perceive its role in the strengthening of a supply network of the capital city, São Paulo, and the state of Minas Gerais in the 18th and 19th centuries and the process of formation of the regional urban micro-network. We use cartographic documentation and diverse primary documentation, especially census documentation, with emphasis on nominative lists, handwritten documents, in principle annual, which contain the nominal list of inhabitants of different municipalities in the captaincy/province of São Paulo, where they are described by fires (household/productive units) some characteristics related to the residents, such as marital status, age, among others.
DOI: 10.6084/m9.figshare.19967263.v1
title: The role of rural neighborhoods in the consolidation of Bragança Paulista territory

description: ABSTRACT This study seeks to discuss the formation of rural neighborhoods in the municipality of Bragança Paulista, state of São Paulo, Brazil, using, as one of the main explanatory elements for the advance of the territorial occupation of the parish/village, changes in the local economy. We have tried to reconstruct the process of territorial occupation of Bragança by following the distribution of sesmarias, the number of dwellings, the number of inhabitants, the geographical location and the development of the rural neighborhoods that formed there. The methodology adopted in this study is part of a set of studies on the urbanization process in Brazil that adopt the method of reading the landscape and material culture and seek to analyze the dynamics and logic of rooting the population in the territory. The analysis focused on the formation of rural neighborhoods in Bragança and its decisive influence on the consolidation process of the locality; with that, it was possible to perceive its role in the strengthening of a supply network of the capital city, São Paulo, and the state of Minas Gerais in the 18th and 19th centuries and the process of formation of the regional urban micro-network. We use cartographic documentation and diverse primary documentation, especially census documentation, with emphasis on nominative lists, handwritten documents, in principle annual, which contain the nominal list of inhabitants of different municipalities in the captaincy/province of São Paulo, where they are described by fires (household/productive units) some characteristics related to the residents, such as marital status, age, among others.
DOI: 10.6084/m9.figshare.19967266
title: Iron lace: a donation for the Brazilian civilizing memory

description: ABSTRACT This is a historical and historiographical study based on a museum object and its catalogue card (object description and information about it). The necklace - a Berlin Iron exemplar, a fashionable European product in the first half of the 19th century - and its museum catalogue card, which attributes its construction to the Royal Iron Factory São João do Ipanema, from São Paulo, and supposedly a gift dedicated to the Empress Teresa Cristina, are indications for hypotheses and reflection on the donation made as a confirmation of the Brazilian civilizing memory. Throughout the search for references for proposing a biography of the object, uncertainties emerged and other possibilities were identified for the piece, which reiterate the huge potential of the material culture as a historical document.
DOI: 10.6084/m9.figshare.19967266.v1
title: Iron lace: a donation for the Brazilian civilizing memory

description: ABSTRACT This is a historical and historiographical study based on a museum object and its catalogue card (object description and information about it). The necklace - a Berlin Iron exemplar, a fashionable European product in the first half of the 19th century - and its museum catalogue card, which attributes its construction to the Royal Iron Factory São João do Ipanema, from São Paulo, and supposedly a gift dedicated to the Empress Teresa Cristina, are indications for hypotheses and reflection on the donation made as a confirmation of the Brazilian civilizing memory. Throughout the search for references for proposing a biography of the object, uncertainties emerged and other possibilities were identified for the piece, which reiterate the huge potential of the material culture as a historical document.
DOI: 10.6084/m9.figshare.19967300
title: From color to urban image: Contemporary paradigms in the colors of Brazilian cultural heritage

description: ABSTRACT The second half of the 20th century was marked by the revision and critique to the modern movement ideology and by new approaches to culture and history, whose reverberations extended to cultural goods. With that, the notion of cultural heritage expands and incorporates material and immaterial typologies, producing a commodity and an object of consumption. In this context, the colors of architectural surfaces reflect the preservation practices and general principles guiding the interventions. This article emphasizes the narratives of urban images and identifies the recurrence of certain paradigms - which express the value of novelty within a chromatic trend, such as the use of yellow in historicist architecture and the cultural tourism - on the basis of chromatic interventions conducted in Brazilian historic buildings. The theoretical framework consists of the reflections of Jean Baudrillard, Guy Debord, and Pierre Jeudy; the critical restoration of Cesare Brandi; and the cultural interpretation of Flávio Carsalade. Results indicate that, although the consolidated theory recommends a case-by-case analysis, in practice, design decisions are not supported by current trends in restoration theory, besides revealing that the issue of chromatic interventions in cultural heritage has not been overcome and should be discussed in its historical, theoretical, and phenomenological complexity.
DOI: 10.6084/m9.figshare.19967300.v1
title: From color to urban image: Contemporary paradigms in the colors of Brazilian cultural heritage

description: ABSTRACT The second half of the 20th century was marked by the revision and critique to the modern movement ideology and by new approaches to culture and history, whose reverberations extended to cultural goods. With that, the notion of cultural heritage expands and incorporates material and immaterial typologies, producing a commodity and an object of consumption. In this context, the colors of architectural surfaces reflect the preservation practices and general principles guiding the interventions. This article emphasizes the narratives of urban images and identifies the recurrence of certain paradigms - which express the value of novelty within a chromatic trend, such as the use of yellow in historicist architecture and the cultural tourism - on the basis of chromatic interventions conducted in Brazilian historic buildings. The theoretical framework consists of the reflections of Jean Baudrillard, Guy Debord, and Pierre Jeudy; the critical restoration of Cesare Brandi; and the cultural interpretation of Flávio Carsalade. Results indicate that, although the consolidated theory recommends a case-by-case analysis, in practice, design decisions are not supported by current trends in restoration theory, besides revealing that the issue of chromatic interventions in cultural heritage has not been overcome and should be discussed in its historical, theoretical, and phenomenological complexity.
DOI: 10.6084/m9.figshare.19967332
title: Textual typology of Roquette-Pinto at the Museu Nacional

description: ABSTRACT The article analyzes, through the study of the textual types used within the speech genre inventory and similar texts, the textual typology found in the Inventory of the Ethnology and Ethnography Sector of the Museu Nacional / UFRJ, during the reorganization carried out by Edgard Roquette-Pinto, at the beginning of the 20th century. The perspective between the Rondon Commission Collection and other texts by Roquette-Pinto is the corpus for understanding the modification of anthropology as a science in Brazil. When analyzing cataloging as a speech genre, changes in the descriptions of indigenous objects in collections and in ethnographic texts are examined. Using examples, the characteristics of the two simultaneous discourses conveyed by the texts are analyzed: that of science and that of the civilization of the indians. The first was descriptive and the second, narrative. These speeches could be intertwined according to the organization and its function in the texts. In the research it was also observed that the material culture of the indigenous people was not examined from the point of view of social relations of it’s producer, rather stages of civilizational evolution according to the scientific theories of that time.
DOI: 10.6084/m9.figshare.19967332.v1
title: Textual typology of Roquette-Pinto at the Museu Nacional

description: ABSTRACT The article analyzes, through the study of the textual types used within the speech genre inventory and similar texts, the textual typology found in the Inventory of the Ethnology and Ethnography Sector of the Museu Nacional / UFRJ, during the reorganization carried out by Edgard Roquette-Pinto, at the beginning of the 20th century. The perspective between the Rondon Commission Collection and other texts by Roquette-Pinto is the corpus for understanding the modification of anthropology as a science in Brazil. When analyzing cataloging as a speech genre, changes in the descriptions of indigenous objects in collections and in ethnographic texts are examined. Using examples, the characteristics of the two simultaneous discourses conveyed by the texts are analyzed: that of science and that of the civilization of the indians. The first was descriptive and the second, narrative. These speeches could be intertwined according to the organization and its function in the texts. In the research it was also observed that the material culture of the indigenous people was not examined from the point of view of social relations of it’s producer, rather stages of civilizational evolution according to the scientific theories of that time.
DOI: 10.6084/m9.figshare.19967420
title: Early Modern Printed Artefacts: Form and materiality of hand-press works housed at the rare book collection of the University of Brasília’s Central Library

description: ABSTRACT In this article, I argue that early modern printed artifacts reflect cultural patterns, whilst being a result of the limits imposed by economic decisions and technique. By articulating two investigative scales, I highlight the analytical gain that the study of the materiality of early modern printed artefacts and their collective graphic production and editing processes, as well as of the modes of textual organization and visual information recorded on paper over time provide to historical research. On the one hand, the article introduces readers to the general aspects of production of printed material in the period. On the other hand, since hand press’ printed artefacts often exhibit specific configurations and marks originated at different periods of time, the article examines the graphic and material features of paradigmatic examples printed in the European continent, in the 16th and 17th centuries. Most of the analysed materials are housed at the rare book collection of the University of Brasília’s Central Library.
DOI: 10.6084/m9.figshare.19967420.v1
title: Early Modern Printed Artefacts: Form and materiality of hand-press works housed at the rare book collection of the University of Brasília’s Central Library

description: ABSTRACT In this article, I argue that early modern printed artifacts reflect cultural patterns, whilst being a result of the limits imposed by economic decisions and technique. By articulating two investigative scales, I highlight the analytical gain that the study of the materiality of early modern printed artefacts and their collective graphic production and editing processes, as well as of the modes of textual organization and visual information recorded on paper over time provide to historical research. On the one hand, the article introduces readers to the general aspects of production of printed material in the period. On the other hand, since hand press’ printed artefacts often exhibit specific configurations and marks originated at different periods of time, the article examines the graphic and material features of paradigmatic examples printed in the European continent, in the 16th and 17th centuries. Most of the analysed materials are housed at the rare book collection of the University of Brasília’s Central Library.
DOI: 10.34943/38fafbf4-e754-47de-98aa-fe0b06c87722
title: Strait of Georgia Oceanographic Radar System Deployed 2016-03-23

description: The Strait of Georgia CODAR Array was deployed on 2016-03-23 at Strait of Georgia. Strait of Georgia is located between Vancouver Island and the mainland of British Columbia. There are many narrow channels and islands in this region. Located at the south end are the Gulf Islands and San Juan Islands. The Discovery Islands and Discovery Passage are located at the north end. This device is a Oceanographic Radar System. Oceanographic radars measure the ocean surface currents and waves in near real-time, by timing reflected radio waves, and contribute to an accurate prediction of severe weather conditions. It was deployed on a fixed platform. Data from this deployment were archived and made available through Ocean Networks Canada's Oceans 3.0 digital infrastructure, with quality assurance and derived data products following established practices.
DOI: 10.6084/m9.figshare.19967431
title: The painting of Father Bourel: paths of a painting

description: ABSTRACT This is a study on painting Fr. Filipe Bourel’s Death (A Morte do Padre Filipe Bourel), an anonymous oil painting that alludes to an organized Jesuit mission among the Paiacu nation natives at the end of the 17th century, belonging to the “18th Century Portuguese School”. Possibly the painting was part of a great liturgical and devotional commission to ornament the churches erected during the Jesuit missionary expansion by the Northern Captaincies. It refers to the Baroque tradition and follows the model of representation of Saint Francis Xavier’s death on the beaches of Goa. By applying the biographical method in the image analysis, the text shows the transit of this painting from its probable origin in a confessional workshop, its ornamental and devotional role in a peripheral church of the Portuguese empire, and from there to the circuits of collectors and art auctions until their forms reception in contemporary culture.
DOI: 10.6084/m9.figshare.19967431.v1
title: The painting of Father Bourel: paths of a painting

description: ABSTRACT This is a study on painting Fr. Filipe Bourel’s Death (A Morte do Padre Filipe Bourel), an anonymous oil painting that alludes to an organized Jesuit mission among the Paiacu nation natives at the end of the 17th century, belonging to the “18th Century Portuguese School”. Possibly the painting was part of a great liturgical and devotional commission to ornament the churches erected during the Jesuit missionary expansion by the Northern Captaincies. It refers to the Baroque tradition and follows the model of representation of Saint Francis Xavier’s death on the beaches of Goa. By applying the biographical method in the image analysis, the text shows the transit of this painting from its probable origin in a confessional workshop, its ornamental and devotional role in a peripheral church of the Portuguese empire, and from there to the circuits of collectors and art auctions until their forms reception in contemporary culture.
DOI: 10.6084/m9.figshare.19967434
title: Post-mortem chronicle: the life and work of Primitivo Moacyr through the memory of Afonso D’Escragnolle Taunay

description: ABSTRACT This paper aims to reflect on the funeral chronicle of Afonso D’Escragnolle Taunay on Primitivo Moacyr, published in October 1942 in Jornal do Commercio. From the conditions and hypothesis inspired by the reading, this work problematizes the text as an historical object, representing a product, a “place of memory,” and a printed object restricted to Brazilian material culture. Thus, it corroborates to the understanding of the writing-memory association, dialoguing with the context in which it circulated and was read, acting as a speech of truth and being able to modify, historically, the references about the past. The chronicle helps understanding the social network, the values instilled in the context, and what was known and thought about the protagonist. Such writing sheds light on Moacyr’s place as an intellectual in the history of education in Brazil.
DOI: 10.6084/m9.figshare.19967434.v1
title: Post-mortem chronicle: the life and work of Primitivo Moacyr through the memory of Afonso D’Escragnolle Taunay

description: ABSTRACT This paper aims to reflect on the funeral chronicle of Afonso D’Escragnolle Taunay on Primitivo Moacyr, published in October 1942 in Jornal do Commercio. From the conditions and hypothesis inspired by the reading, this work problematizes the text as an historical object, representing a product, a “place of memory,” and a printed object restricted to Brazilian material culture. Thus, it corroborates to the understanding of the writing-memory association, dialoguing with the context in which it circulated and was read, acting as a speech of truth and being able to modify, historically, the references about the past. The chronicle helps understanding the social network, the values instilled in the context, and what was known and thought about the protagonist. Such writing sheds light on Moacyr’s place as an intellectual in the history of education in Brazil.
DOI: 10.6084/m9.figshare.19967435.v1
title: “Susanna and the Elders” in question: a biblical episode, its representations and relations with the government of justice in the Ancien Régime (16 th -17 th centuries)

description: ABSTRACT Based on the biblical episode known as “Susanna and the Elders”, contained in the book of Daniel, this article proposes a set of questions to discuss the reasons why this history was so represented by painters, especially between the mid-16th and the following century, in several regions of Europe. The axiological argument is that this episode establishes close relations with the exercise of the king’s justice, exactly at a time when European monarchies sought not only to give centrality to the government of justice, but also to instrumentalize art as a potential technology for its solutions for legality and conservation. In conclusion, the article reaches the idea that the episode was manipulated, in the moralizing sphere, to discipline social behaviors, especially of women; while, in the legal sphere, to undermine the legitimacy of applying summary or private justice, strengthening the primacy of a king’s justice.
DOI: 10.6084/m9.figshare.19967435
title: “Susanna and the Elders” in question: a biblical episode, its representations and relations with the government of justice in the Ancien Régime (16 th -17 th centuries)

description: ABSTRACT Based on the biblical episode known as “Susanna and the Elders”, contained in the book of Daniel, this article proposes a set of questions to discuss the reasons why this history was so represented by painters, especially between the mid-16th and the following century, in several regions of Europe. The axiological argument is that this episode establishes close relations with the exercise of the king’s justice, exactly at a time when European monarchies sought not only to give centrality to the government of justice, but also to instrumentalize art as a potential technology for its solutions for legality and conservation. In conclusion, the article reaches the idea that the episode was manipulated, in the moralizing sphere, to discipline social behaviors, especially of women; while, in the legal sphere, to undermine the legitimacy of applying summary or private justice, strengthening the primacy of a king’s justice.
DOI: 10.6084/m9.figshare.19967437
title: Cannons from Ipanema: technology, industry, logistics, and politics in 1840

description: ABSTRACT Unpublished documents from 1840 describe the fabrication of three cannons - a technical fact to be remembered due to its uniqueness, the technical challenges and the detailed descriptions provided by major João Bloem, the director of the Fábrica de Ferro de Ipanema, and the difficulties after the 1842 Liberal Revolt. The expansion of the sugar industry in São Paulo is concurrent with the investments in cast iron machines and components used to grind sugarcane for hundreds of sugar mills from Sorocaba to the South of Minas Gerais, made during Feijó Regency. The iron cannons were the only ones made in Brazil; they were cast, milled, and submitted to firing tests with gunpowder charges three times higher than the regularly used. Although iron foundries spread to many Brazilian cities, they all used imported cast iron, for until the end of the 19th century Ipanema was the only place where the raw material, cast iron, was produced from iron ore. The casting of cannons demonstrates the presence of sophisticated metallurgical and technical competence, related to the investments of the Regency period and the intention to regain the original objective of producing military supplies in that plant. This experience and the developed competences led the director to propose a subsidiary in Juquiá, near the port of Iguape, which was not accepted by the Navy ministry. In presenting the history of these cannons, this paper discusses some of the situations that hindered the dream of bringing the first industrial revolution to Brazil.