cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.18046810
title: Supplementary data to: Spaceborne SAR Reveals Hydrogeological Effects of Ecological Water Replenishment in the MHS Region of Beijing Plain, China

description: This dataset contains the underlying data for the manuscript titled “Spaceborne SAR Reveals Hydrogeological Effects of Ecological Water Replenishment in the MHS Region of Beijing Plain, China”. For more information regarding data structure, please refer to the included Read me file; for detailed calculation methodologies and analysis, please see the final publication.
DOI: 10.25574/29479
title: Chandra X-ray Observatory ObsId 29479

description: X-RAY EMISSION FROM STAR-FORMING DWARF GALAXIES WITH BROAD LINE AGN SIGNATURES
DOI: 10.17632/3r8c79f78f
title: Estrategias de comunicación en TikTok para concientizar sobre la donación de órganos: caso EsSalud 2025 (Datos de investigación)

description: El presente conjunto de datos contiene las transcripciones de entrevistas realizadas en el marco de la investigación “Estrategias de comunicación en TikTok para concientizar sobre la donación de órganos: caso EsSalud 2025”, desarrollada por egresados de la Universidad Tecnológica del Perú, como parte del proceso para optar el título profesional.

Con el fin de garantizar la confidencialidad y el anonimato de los participantes, cada entrevistado ha sido identificado mediante una codificación alfanumérica del P1 al P10, eliminándose cualquier dato personal o información que permita su identificación directa o indirecta.

Las transcripciones corresponden a testimonios cualitativos y se presentan de manera íntegra, respetando los principios éticos de la investigación y con fines exclusivamente académicos.
DOI: 10.17632/3r8c79f78f.1
title: Estrategias de comunicación en TikTok para concientizar sobre la donación de órganos: caso EsSalud 2025 (Datos de investigación)

description: El presente conjunto de datos contiene las transcripciones de entrevistas realizadas en el marco de la investigación “Estrategias de comunicación en TikTok para concientizar sobre la donación de órganos: caso EsSalud 2025”, desarrollada por egresados de la Universidad Tecnológica del Perú, como parte del proceso para optar el título profesional.

Con el fin de garantizar la confidencialidad y el anonimato de los participantes, cada entrevistado ha sido identificado mediante una codificación alfanumérica del P1 al P10, eliminándose cualquier dato personal o información que permita su identificación directa o indirecta.

Las transcripciones corresponden a testimonios cualitativos y se presentan de manera íntegra, respetando los principios éticos de la investigación y con fines exclusivamente académicos.
DOI: 10.15468/dl.nm49y4
title: Occurrence Download

description: A dataset containing 228 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Tylototriton kweichowensis"
 ]
}

 The dataset includes 228 records from 15 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0068501-251120083545085/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.17632/kn4t5tc2w3
title: Zona de comidas

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. You can hear people chatting and eating in marketplace foodcourt. Sound of forks and knifes, plates and vases. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.

A Roland CS-10EM binaural microphone and a Zoom H4N was used for the recording.
DOI: 10.17632/kn4t5tc2w3.1
title: Zona de comidas

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. You can hear people chatting and eating in marketplace foodcourt. Sound of forks and knifes, plates and vases. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.

A Roland CS-10EM binaural microphone and a Zoom H4N was used for the recording.
DOI: 10.17632/j63svw9x2w
title: Pasillo de flores

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. You can hear conversatios and negotiations in the flower market. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.


La grabación contiene una mezcla de paisajes sonoros de dos plazas de mercado tradicionales en Colombia, la Galería Alameda en Cali y la Plaza del Siete de Agosto en Bogotá D.C. Se escuchan conversaciones de negociaciones del pasillo de flores de las plazas. La grabación es parte del resultado de la investigación "La identidad sonora de las plazas de mercado" de la Pontificia Universidad Javeriana de Colombia. El archivo fue grabado y mezclado por Roberto Cuervo Pulido, ; y por Joaquín Eduardo Llorca Franco, profesor asociado del Departamento de Hábitat de la Facultad de Creación y Hábitat de la Pontificia Universidad Javeriana. Sede Cali-Colombia y por Jonathan Reina.
Se enmarca en la investigación-creación como modo de producción artística relacionada con procesos académicos y describe la manera como el material documental obtenido de las grabaciones de campo se usa para la composición de un paisaje sonoro. Mediante una metodología que integra los hallazgos de la investigación con el proceso creativo, se busca expresar la identidad de las plazas en un relato sonoro.
Esta composición busca transformar la experiencia auditiva del oyente, pasando de una escucha pasiva, donde se reconocen los sonidos y referentes familiares, a una escucha activa que invita al discernimiento estético y a una apreciación más profunda de la identidad acústica de las plazas de mercado.
DOI: 10.17632/j63svw9x2w.1
title: Pasillo de flores

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. You can hear conversatios and negotiations in the flower market. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.


La grabación contiene una mezcla de paisajes sonoros de dos plazas de mercado tradicionales en Colombia, la Galería Alameda en Cali y la Plaza del Siete de Agosto en Bogotá D.C. Se escuchan conversaciones de negociaciones del pasillo de flores de las plazas. La grabación es parte del resultado de la investigación "La identidad sonora de las plazas de mercado" de la Pontificia Universidad Javeriana de Colombia. El archivo fue grabado y mezclado por Roberto Cuervo Pulido, ; y por Joaquín Eduardo Llorca Franco, profesor asociado del Departamento de Hábitat de la Facultad de Creación y Hábitat de la Pontificia Universidad Javeriana. Sede Cali-Colombia y por Jonathan Reina.
Se enmarca en la investigación-creación como modo de producción artística relacionada con procesos académicos y describe la manera como el material documental obtenido de las grabaciones de campo se usa para la composición de un paisaje sonoro. Mediante una metodología que integra los hallazgos de la investigación con el proceso creativo, se busca expresar la identidad de las plazas en un relato sonoro.
Esta composición busca transformar la experiencia auditiva del oyente, pasando de una escucha pasiva, donde se reconocen los sonidos y referentes familiares, a una escucha activa que invita al discernimiento estético y a una apreciación más profunda de la identidad acústica de las plazas de mercado.
DOI: 10.17632/bgvtrsrdy6
title: Diversidad de voces

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.

A Roland CS-10EM binaural microphone and a Zoom H4N was used for the recording.

Spanish.
La grabación contiene una mezcla de paisajes sonoros de dos plazas de mercado tradicionales en Colombia, la Galería Alameda en Cali y la Plaza del Siete de Agosto en Bogotá D.C. La grabación es parte del resultado de la investigación "La identidad sonora de las plazas de mercado" de la Pontificia Universidad Javeriana de Colombia. El archivo fue grabado y mezclado por Roberto Cuervo Pulido, profesor asociado del Departamento de Diseño de la Facultad de Arquitectura y Diseño de la Pontificia Universidad Javeriana. Sede Bogotá-Colombia; y por Joaquín Eduardo Llorca Franco, profesor asociado del Departamento de Hábitat de la Facultad de Creación y Hábitat de la Pontificia Universidad Javeriana. Sede Cali-Colombia y por Jonathan Reina.
Se enmarca en la investigación-creación como modo de producción artística relacionada con procesos académicos y describe la manera como el material documental obtenido de las grabaciones de campo se usa para la composición de un paisaje sonoro. Mediante una metodología que integra los hallazgos de la investigación con el proceso creativo, se busca expresar la identidad de las plazas en un relato sonoro.
Esta composición busca transformar la experiencia auditiva del oyente, de una escucha pasiva, donde se reconocen los sonidos y referentes familiares, a una escucha activa que invita al discernimiento estético y a una apreciación profunda de la identidad acústica de las plazas de mercado.

Micrófono Roland CS 10EM y Zoom H4N
DOI: 10.17632/bgvtrsrdy6.1
title: Diversidad de voces

description: The recording contains a mix of soundscapes from two traditional market squares in Colombia: Galería Alameda in Cali and Plaza del Siete de Agosto in Bogotá, D.C. The recording is part of the outcomes of the research project “The Sound Identity of Market Squares” conducted at the Pontificia Universidad Javeriana of Colombia. The file was recorded and mixed by Roberto Cuervo Pulido, Associate Professor in the Department of Design, Faculty of Architecture and Design, Pontificia Universidad Javeriana, Bogotá campus, Colombia; and by Joaquín Eduardo Llorca Franco, Associate Professor in the Department of Habitat, Faculty of Creation and Habitat, Pontificia Universidad Javeriana, Cali campus, Colombia; and by Jonathan Reina.

The work is framed within research-creation as a mode of artistic production linked to academic processes, and it describes how the documentary material obtained from field recordings is used for the composition of a soundscape. Through a methodology that integrates research findings with the creative process, the aim is to express the identity of the market squares through a sonic narrative.

This composition seeks to transform the listener’s auditory experience, moving from a passive mode of listening—where familiar sounds and references are recognized—to an active mode of listening that invites aesthetic discernment and a deeper appreciation of the acoustic identity of market squares.

A Roland CS-10EM binaural microphone and a Zoom H4N was used for the recording.

Spanish.
La grabación contiene una mezcla de paisajes sonoros de dos plazas de mercado tradicionales en Colombia, la Galería Alameda en Cali y la Plaza del Siete de Agosto en Bogotá D.C. La grabación es parte del resultado de la investigación "La identidad sonora de las plazas de mercado" de la Pontificia Universidad Javeriana de Colombia. El archivo fue grabado y mezclado por Roberto Cuervo Pulido, profesor asociado del Departamento de Diseño de la Facultad de Arquitectura y Diseño de la Pontificia Universidad Javeriana. Sede Bogotá-Colombia; y por Joaquín Eduardo Llorca Franco, profesor asociado del Departamento de Hábitat de la Facultad de Creación y Hábitat de la Pontificia Universidad Javeriana. Sede Cali-Colombia y por Jonathan Reina.
Se enmarca en la investigación-creación como modo de producción artística relacionada con procesos académicos y describe la manera como el material documental obtenido de las grabaciones de campo se usa para la composición de un paisaje sonoro. Mediante una metodología que integra los hallazgos de la investigación con el proceso creativo, se busca expresar la identidad de las plazas en un relato sonoro.
Esta composición busca transformar la experiencia auditiva del oyente, de una escucha pasiva, donde se reconocen los sonidos y referentes familiares, a una escucha activa que invita al discernimiento estético y a una apreciación profunda de la identidad acústica de las plazas de mercado.

Micrófono Roland CS 10EM y Zoom H4N
DOI: 10.17632/ztc3x5mtt8
title: QUALITY OVER QUANTITY IN GLOBAL E-COMMERCE: DECODING PERFORMANCE THROUGH EXPLAINABLE MACHINE LEARNING AND STRATEGIC SIMULATIONS

description: This dataset contains the performance and user interaction metrics for the 50 most visited e-commerce platforms globally as of June 2025. It was compiled to support the research article titled "Quality Over Quantity in Global E-Commerce: Decoding Performance Through Explainable Machine Learning and Strategic Simulations".
The data includes nine key performance indicators: Average Visit Duration, Page Visits, Bounce Rate, Performance Coefficient, Speed Index, Unique Visitors, Monthly Visits, Traffic Share, and Month-over-Month (MoM) Traffic Change.
Data Collection Methodology: The raw data was collected from reputable digital analytics tools, including SimilarWeb, GTmetrix, and Google PageSpeed Insights. The dataset allows for the replication of the hybrid methodology involving CRITIC-based weighting, multiple MCDM methods (TOPSIS, VIKOR, etc.), and machine learning predictions using SHAP analysis.
DOI: 10.17632/ztc3x5mtt8.1
title: QUALITY OVER QUANTITY IN GLOBAL E-COMMERCE: DECODING PERFORMANCE THROUGH EXPLAINABLE MACHINE LEARNING AND STRATEGIC SIMULATIONS

description: This dataset contains the performance and user interaction metrics for the 50 most visited e-commerce platforms globally as of June 2025. It was compiled to support the research article titled "Quality Over Quantity in Global E-Commerce: Decoding Performance Through Explainable Machine Learning and Strategic Simulations".
The data includes nine key performance indicators: Average Visit Duration, Page Visits, Bounce Rate, Performance Coefficient, Speed Index, Unique Visitors, Monthly Visits, Traffic Share, and Month-over-Month (MoM) Traffic Change.
Data Collection Methodology: The raw data was collected from reputable digital analytics tools, including SimilarWeb, GTmetrix, and Google PageSpeed Insights. The dataset allows for the replication of the hybrid methodology involving CRITIC-based weighting, multiple MCDM methods (TOPSIS, VIKOR, etc.), and machine learning predictions using SHAP analysis.
DOI: 10.5519/qd.7cx72k5p
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (220 records)
DOI: 10.17632/mcgr7jn493
title: The application of cigarette paper in vitiligo surgery

description: Video showing the application of the melanocyte suspension and placement of the cigarette paper on the dermabraded skin of the vitiligo lesion to hold the suspension in place.
DOI: 10.17632/mcgr7jn493.1
title: The application of cigarette paper in vitiligo surgery

description: Video showing the application of the melanocyte suspension and placement of the cigarette paper on the dermabraded skin of the vitiligo lesion to hold the suspension in place.
DOI: 10.15468/dl.6dfrf3
title: Occurrence Download

description: A dataset containing 181 species occurrences available in GBIF matching the query:
{
 "and" : [
 "DatasetKey is one of (Coleção Zoológica da Universidade Federal de Mato Grosso do Sul - Reptilia (ZUFMS-REP), Museo Argentino de Ciencias Naturales \"Bernardino Rivadavia\" (MACN). Herpetology National Collection (MACNHe), MVZ Herp Collection (Arctos), Museum of Comparative Zoology, Harvard University, Museu Paraense Emílio Goeldi - Lacertilia Collection, University of Michigan Museum of Zoology, Division of Reptiles & Amphibians, Reptile Specimens, NMNH Extant Specimen Records (USNM, US), MCP-Repteis - Coleção de Répteis)",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "TaxonKey is Vanzosaura rubricauda"
 ]
}

 The dataset includes 181 records from 9 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0068503-251120083545085/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.5281/zenodo.17356345
title: Experimental XANES Dataset for CGXAS Model

description: S, Ti and Fe K edge XANES and corresponding CIF file for transfer learning of CGXAS_Uni. The spectra are mainly collected from the published datasets and articles listed in the references.
DOI: 10.5281/zenodo.17356346
title: Experimental XANES Dataset for CGXAS Model

description: S, Ti and Fe K edge XANES and corresponding CIF file for transfer learning of CGXAS_Uni. The spectra are mainly collected from the published datasets and articles listed in the references.