cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10264632
title: Old Column Base v.1 - High and Low poly versions

description: This is a scanned base of an old column created for games, cinema and visualizations.Inside there are 2 versions a high poly that can be used for close shots and low poly for games.

**Mesh:**
High Poly - 80 335 trianles
Low Poly - 788 trianles

**Textures 4k**
Albedo, Normal, Roughtness and Ambient Occlusion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264633
title: Old Column Base v.1 - High and Low poly versions

description: This is a scanned base of an old column created for games, cinema and visualizations.Inside there are 2 versions a high poly that can be used for close shots and low poly for games.

**Mesh:**
High Poly - 80 335 trianles
Low Poly - 788 trianles

**Textures 4k**
Albedo, Normal, Roughtness and Ambient Occlusion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264635
title: melihat ke samping

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264634
title: melihat ke samping

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264636
title: Bute, Witches Croft 2

description: The panel lies in a SW sloping area of rough grazing just NW of the "Witches' Croft" at Glenvoidean, Isle of Bute, and SW of a line of elctricity poles. A small ditch or burn runs adjacent to the panel on its E side. Rock art panel Witches Croft Glenvoidean 1 lies a short distance away to the SE. There are views SW across the West Kyle towards Ardlamont Point and Kames village to the NW.
Photography Patrick O'Sullivan, ScRAP, Bute Museum &NHS and Rock Art Bute team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264637
title: Bute, Witches Croft 2

description: The panel lies in a SW sloping area of rough grazing just NW of the "Witches' Croft" at Glenvoidean, Isle of Bute, and SW of a line of elctricity poles. A small ditch or burn runs adjacent to the panel on its E side. Rock art panel Witches Croft Glenvoidean 1 lies a short distance away to the SE. There are views SW across the West Kyle towards Ardlamont Point and Kames village to the NW.
Photography Patrick O'Sullivan, ScRAP, Bute Museum &NHS and Rock Art Bute team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264638
title: Vas cu mânere aparținând culturii Boian

description: Vas neolitic,cultura Boian, descoperit la Spanțov. Acest tip de vas de dimensiuni mici cu două mânere era cel mai probabil folosit pentru bautul lichidelor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264639
title: Vas cu mânere aparținând culturii Boian

description: Vas neolitic,cultura Boian, descoperit la Spanțov. Acest tip de vas de dimensiuni mici cu două mânere era cel mai probabil folosit pentru bautul lichidelor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264640
title: Man's #3 costume from a historical engraving

description: The 3D model presents a digital look of a historical costume from a Russian lubok print "Domostroj" dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied.

The authors of the 3D model are:
Victor Kuzmichev
https://www.researchgate.net/profile/Viktor-Kuzmichev
Aleksei Moskvin
https://sketchfab.com/alekseimoskvin1
https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina
https://sketchfab.com/mariia89
https://independent.academia.edu/MariiaMoskvina

The authors thank Tatiana Ponomareva and Anastasia Kornilovich for their important contribution to the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264641
title: Man's #3 costume from a historical engraving

description: The 3D model presents a digital look of a historical costume from a Russian lubok print "Domostroj" dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied.

The authors of the 3D model are:
Victor Kuzmichev
https://www.researchgate.net/profile/Viktor-Kuzmichev
Aleksei Moskvin
https://sketchfab.com/alekseimoskvin1
https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina
https://sketchfab.com/mariia89
https://independent.academia.edu/MariiaMoskvina

The authors thank Tatiana Ponomareva and Anastasia Kornilovich for their important contribution to the project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264642
title: Virgen de Monserrat

description: Presidió este lugar una talla de la Virgen de Monserrat, ya que su antiguo propietario, el
Presbitero Duarte Quirós dedicó la casa a las vacaciones anuales de los estudiantes del
colegio convictorio de Monserrat.
Por otra parte el 15 de Marzo de 1878 llegó a Caroya el primer contingente de inmigrantes
provenientes del norte de Italia, principalmente friulanos, atraído por la política estatal, que
buscaba agricultores europeos a quienes se ofrecía tierras de labranza.
Entre diciembre de 1886 y enero de 1887, decenas de colonos instalados en la estancia de
Caroya fallecieron por una epidemia de cólera. Ante el miedo por la propagación de la
enfermedad un sacerdote friulano, el padre José Bonoris, instó a una jornada de plegarias y
rezos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264643
title: Virgen de Monserrat

description: Presidió este lugar una talla de la Virgen de Monserrat, ya que su antiguo propietario, el
Presbitero Duarte Quirós dedicó la casa a las vacaciones anuales de los estudiantes del
colegio convictorio de Monserrat.
Por otra parte el 15 de Marzo de 1878 llegó a Caroya el primer contingente de inmigrantes
provenientes del norte de Italia, principalmente friulanos, atraído por la política estatal, que
buscaba agricultores europeos a quienes se ofrecía tierras de labranza.
Entre diciembre de 1886 y enero de 1887, decenas de colonos instalados en la estancia de
Caroya fallecieron por una epidemia de cólera. Ante el miedo por la propagación de la
enfermedad un sacerdote friulano, el padre José Bonoris, instó a una jornada de plegarias y
rezos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264644
title: Sainte Barbe

description: 1er quart 16e siècle

Musée de Cluny

Low poly version

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264645
title: Sainte Barbe

description: 1er quart 16e siècle

Musée de Cluny

Low poly version

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264646
title: TARP 2019: SU 1024

description: Photogrammetric capture of stratigraphic units 1024

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264647
title: TARP 2019: SU 1024

description: Photogrammetric capture of stratigraphic units 1024

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264649
title: Med. Graffiti, Aldobrandeschi Castle, Arcidosso

description: Medieval graffiti on a stone window sill in a small room on the second floor of the Aldobrandeschi Castle, Arcidosso

Model was created in Reality Capture using 200 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264648
title: Med. Graffiti, Aldobrandeschi Castle, Arcidosso

description: Medieval graffiti on a stone window sill in a small room on the second floor of the Aldobrandeschi Castle, Arcidosso

Model was created in Reality Capture using 200 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264652
title: Pipe Bowl Fragment

description: Kaolin pipe bowl fragment, Seminole Wars.

On display at the Museum of Seminole County History (https://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/)

Model by Emma Dietrich

This Model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264653
title: Pipe Bowl Fragment

description: Kaolin pipe bowl fragment, Seminole Wars.

On display at the Museum of Seminole County History (https://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/)

Model by Emma Dietrich

This Model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264654
title: Can You Dig It? - Virtual Drop-In

description: Galloway Glens Landscape Partnership, Can You Dig It? drop-in day at Castle Douglas, Dumfries & Galloway. Event showcased all the community archaeology activites carried out during 2019.

This model was created with Blender and GIMP from photo's taken during the event and will hopefully give those who couldn't get to the event a chance to look at the display boards, created by Claire Williamson, and see all the cool archaeology which got uncovered last year.

The background is the interior of the Gordon Memorial Hall at St Ninian's in Castle Douglas, where the event was held https://dcdchurches.org.uk/gordon-memorial-hall/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264655
title: Can You Dig It? - Virtual Drop-In

description: Galloway Glens Landscape Partnership, Can You Dig It? drop-in day at Castle Douglas, Dumfries & Galloway. Event showcased all the community archaeology activites carried out during 2019.

This model was created with Blender and GIMP from photo's taken during the event and will hopefully give those who couldn't get to the event a chance to look at the display boards, created by Claire Williamson, and see all the cool archaeology which got uncovered last year.

The background is the interior of the Gordon Memorial Hall at St Ninian's in Castle Douglas, where the event was held https://dcdchurches.org.uk/gordon-memorial-hall/.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264656
title: ROI013-153-04

description: Brewerton Point collected in Miami County, Indiana.

Catalog #: 12-Mi-63-166 

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, Carson Wright, and Kevin C. Nolan, 2021. ROI013-153-04, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, Donald Cochran and Edmond Anuszczyk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264657
title: ROI013-153-04

description: Brewerton Point collected in Miami County, Indiana.

Catalog #: 12-Mi-63-166 

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, Carson Wright, and Kevin C. Nolan, 2021. ROI013-153-04, 3D Model .ply file. Recovered as part of Report of Investigations 13, *An Archaeological Survey of the Upper Wabash River Valley*, Donald Cochran and Edmond Anuszczyk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264659
title: Jasper Bead, SJ13

description: Tubular bead, jasper, indeterminate drill direction, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_229

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264658
title: Jasper Bead, SJ13

description: Tubular bead, jasper, indeterminate drill direction, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_229

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality. 
Interior mesh reconstruction made using Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264663
title: SDG12L2-297-3D

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264662
title: SDG12L2-297-3D

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264664
title: 4stone-center-2 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский)
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 4stone-center-2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264665
title: 4stone-center-2 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский)
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 4stone-center-2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264666
title: cantir

description: Hi havia un terrisser a Ripoll que feia objectes amb fang. El càntir s'utilitzava per anar a buscar l'aigua a la font. Tot i que té inscrit les inicials R.T i l'any 1933, no podem saber de qui era ja que no consta la persona que va fer la donació al museu de Ripoll.
Abans era necessari per tenir aigua a casa anar a les fonts. Molts nens com nosaltres eren els encarregats d'anar a la font. Pel camí deurien passar moltes aventures. Actualment es fa servir com a objecte de decoració.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264667
title: cantir

description: Hi havia un terrisser a Ripoll que feia objectes amb fang. El càntir s'utilitzava per anar a buscar l'aigua a la font. Tot i que té inscrit les inicials R.T i l'any 1933, no podem saber de qui era ja que no consta la persona que va fer la donació al museu de Ripoll.
Abans era necessari per tenir aigua a casa anar a les fonts. Molts nens com nosaltres eren els encarregats d'anar a la font. Pel camí deurien passar moltes aventures. Actualment es fa servir com a objecte de decoració.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264669
title: Flint from Norfolk United Kingdom

description: Flint from Norfolk, which is very dark blue to black in colour.
It is a lovely material, very hard, often used locally as a building material and in the past used as tools. I'm more than happy for the use of this model for free, but I would be very interested to know how it is used and if there are any improvements I can make.
Thanks Chris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264670
title: Flint from Norfolk United Kingdom

description: Flint from Norfolk, which is very dark blue to black in colour.
It is a lovely material, very hard, often used locally as a building material and in the past used as tools. I'm more than happy for the use of this model for free, but I would be very interested to know how it is used and if there are any improvements I can make.
Thanks Chris.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264671
title: Marvel Thor Free

description: Hi Guys Support me FOR THIS TYPE OF WORKFLOW.
GameReady.Fully Rigged And Optimized and 2k textures
                                     
                                        
                       Feel Free To Comment I AM YOUR HELPER

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264672
title: Marvel Thor Free

description: Hi Guys Support me FOR THIS TYPE OF WORKFLOW.
GameReady.Fully Rigged And Optimized and 2k textures
                                     
                                        
                       Feel Free To Comment I AM YOUR HELPER

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264673
title: Ludwig van Beethoven

description: The bronze figure of Ludwig van Beethoven is part of the Beethoven Monument in Vienna. The monument was ceremonially unveiled on May 1, 1880 and is dedicated to the German composer who worked in Vienna. The sculptor Caspar von Zumbusch realized the monument, the figures were cast by Carl Turbain the Elder.

![](https://www.noe-3d.at/SF/beethoven_wien.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264674
title: Ludwig van Beethoven

description: The bronze figure of Ludwig van Beethoven is part of the Beethoven Monument in Vienna. The monument was ceremonially unveiled on May 1, 1880 and is dedicated to the German composer who worked in Vienna. The sculptor Caspar von Zumbusch realized the monument, the figures were cast by Carl Turbain the Elder.

![](https://www.noe-3d.at/SF/beethoven_wien.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264675
title: Princess Elisa

description: Princess Elisa, Maria Anna (Marie Anne) Elisa Bonaparte Baciocchi Levoy, Cannon from WW1. Royal Museum of the Armed Forces and Military History (Brussels, Belgium). Made of 500 pictures with Zephyr3D Lite from 3DFlow.

Maria Anna (Marie Anne) Elisa Bonaparte Baciocchi Levoy (3 January 1777 – 7 August 1820) was an imperial French princess and sister of Napoleon Bonaparte. She was Princess of Lucca and Piombino (1805-1814), Grand Duchess of Tuscany (1809-1814) and Countess of Compignano by appointment of her brother.

She was the fourth surviving child and eldest surviving daughter of Carlo Buonaparte and Letizia Ramolino. A younger sister of Napoleon Bonaparte, she had elder brothers Joseph and Lucien, and younger siblings Louis, Pauline, Caroline and Jerome.

The model was very polished ending up in a very bumpy surface.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264676
title: Princess Elisa

description: Princess Elisa, Maria Anna (Marie Anne) Elisa Bonaparte Baciocchi Levoy, Cannon from WW1. Royal Museum of the Armed Forces and Military History (Brussels, Belgium). Made of 500 pictures with Zephyr3D Lite from 3DFlow.

Maria Anna (Marie Anne) Elisa Bonaparte Baciocchi Levoy (3 January 1777 – 7 August 1820) was an imperial French princess and sister of Napoleon Bonaparte. She was Princess of Lucca and Piombino (1805-1814), Grand Duchess of Tuscany (1809-1814) and Countess of Compignano by appointment of her brother.

She was the fourth surviving child and eldest surviving daughter of Carlo Buonaparte and Letizia Ramolino. A younger sister of Napoleon Bonaparte, she had elder brothers Joseph and Lucien, and younger siblings Louis, Pauline, Caroline and Jerome.

The model was very polished ending up in a very bumpy surface.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264677
title: 4stone-center-1 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 4stone-center-1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264678
title: 4stone-center-1 Saint George Cathedral

description: Каменный рельеф Георгиевского собора (г.Юрьев-Польский).
Создано в Agisoft Photockan в рамках научно-исследовательского проекта кафедры совместно с Юрьев-Польским историко-архитектурным и художественным музеем под руководством Карташова С.А.

Авторы: к.и.н., ассистент Жеребятьев Д.И., магистр Тришин И.Г.
Авторы выражают благодарность директору музея Борисовой С.В.

рабочее название файла: 4stone-center-1

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264681
title: Gravura de Equídeos | Gruta do Escoural

description: Descoberta numa tarde de Abril de 1963, após uma explosão de uma pedreira, a Gruta do Escoural revelou-se um sítio incontornável para a história da arqueologia em Portugal. Aquilo que a Gruta do Escoural representa hoje, transcende o seu valor turístico, e assume-se como uma referência internacional para a arte do Paleolítico enquanto ponto mais ocidental da Europa com este tipo representações artísticas da Pré-História.

A arte rupestre da Gruta do Escoural enquadra-se cronologicamente entre os 20.000 e os 18.000 anos a. C. Para além das gravuras, são ainda conhecidos as pinturas representando várias figuras desde auroques, a equídeos, assim como geométricos.

Esta representação em gravura, representa dois equídeos e é um motivo que se tornou no ex-libris do Escoural.

![](http://i.imgur.com/s8I4ELz.jpg)

Veja o documentário da Gruta do Escoural aqui: https://youtu.be/Fc3HXf7hjVs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264682
title: Gravura de Equídeos | Gruta do Escoural

description: Descoberta numa tarde de Abril de 1963, após uma explosão de uma pedreira, a Gruta do Escoural revelou-se um sítio incontornável para a história da arqueologia em Portugal. Aquilo que a Gruta do Escoural representa hoje, transcende o seu valor turístico, e assume-se como uma referência internacional para a arte do Paleolítico enquanto ponto mais ocidental da Europa com este tipo representações artísticas da Pré-História.

A arte rupestre da Gruta do Escoural enquadra-se cronologicamente entre os 20.000 e os 18.000 anos a. C. Para além das gravuras, são ainda conhecidos as pinturas representando várias figuras desde auroques, a equídeos, assim como geométricos.

Esta representação em gravura, representa dois equídeos e é um motivo que se tornou no ex-libris do Escoural.

![](http://i.imgur.com/s8I4ELz.jpg)

Veja o documentário da Gruta do Escoural aqui: https://youtu.be/Fc3HXf7hjVs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264684
title: Sandfigur

description: 3D Sandfigur fra Sandfestivalen i Aarhus skabt med PhotoModeler Scanner

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264685
title: Sandfigur

description: 3D Sandfigur fra Sandfestivalen i Aarhus skabt med PhotoModeler Scanner

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264686
title: Dunalkas Elka kalns un Kartavkalns

description: Dunalkas Elka kalna un Kartavkalna 3D modelis. Koordinātas: 56.67446, 21.31774

http://www.latvijas-pilskalni.lv/dunalkas-elka-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264687
title: Dunalkas Elka kalns un Kartavkalns

description: Dunalkas Elka kalna un Kartavkalna 3D modelis. Koordinātas: 56.67446, 21.31774

http://www.latvijas-pilskalni.lv/dunalkas-elka-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264688
title: Heat-treated chert arrowhead

description: Heat treated and knapped chert arrowhead. The heating allows poor quality local chert to be more easily knapped and sometimes turns the tan chert red. Angostura-type. Marksville to Baytown Pariod c. 100 BCE - 700 CE.

36mm x 13mm, 1.7g

Found in Tensas Parish, Louisiana, 2021

BP_06

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264689
title: Heat-treated chert arrowhead

description: Heat treated and knapped chert arrowhead. The heating allows poor quality local chert to be more easily knapped and sometimes turns the tan chert red. Angostura-type. Marksville to Baytown Pariod c. 100 BCE - 700 CE.

36mm x 13mm, 1.7g

Found in Tensas Parish, Louisiana, 2021

BP_06

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264692
title: Stone Stile

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10264693
title: Stone Stile

description: Source: Objaverse 1.0 / Sketchfab