cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10417390
title: Sound-Frameworks: Mhaire Riddet (Arup) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419068
title: Sound-Frameworks: Angus Deuchars (Arup) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419256
title: Sound-Frameworks: Elahe Karimnia (UWE Bristol) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.16753752
title: Dataset for "Capturing the beat: Quantification of flagellar kinematics and 3D beat patterns in Pseudobodo sp. using digital holographic microscopy"

description: This repository contains all data supporting the publication "Capturing the beat: Quantification of flagellar kinematics and 3D beat patterns in Pseudobodo sp. using digital holographic microscopy"

Description of each data file:



data S1. Results of three-dimensional flagellar tracking of Pseudobodo sp. during swimming. Processed 3D coordinates of the flagellum are organized into individual worksheets, each corresponding to a single frame of the sequence and labeled by its frame number. Each worksheet contains the following columns: a numerical identifier for each point along the flagellum, its (x,y) coordinates in pixels, its z-coordinate in z-stack slices, and the corresponding (x,y,z) coordinates converted to micrometers (μm).

data S2. Results of three-dimensional flagellar tracking of Pseudobodo sp. during feeding. Processed 3D coordinates of the flagellum are organized into individual worksheets, each corresponding to a single frame of the sequence and labeled by its frame number. Each worksheet contains the following columns: a numerical identifier for each point along the flagellum, its (x,y) coordinates in pixels, its z-coordinate in z-stack slices, and the corresponding (x,y,z) coordinates converted to micrometers (μm).

data S3. Results of the flagellar kinematics analysis, comparing Pseudobodo sp. behavior during swimming and feeding. The data includes mean values and standard deviations for a set of key metrics calculated for each behavior mode. The metrics included in the analysis are: 2D length, 3D length, maximum radial distance, polar angle range, azimuthal angle range, planarity index, tortuosity, and convex hull volume.






 

For access to raw data and holograms, please contact Patryk Nienaltowski or Yves Emery.
DOI: 10.5281/zenodo.10419631
title: Sound-Frameworks: Isa Paludan-Asboe (Sound Art Lab) - Interview

description: This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.15804815
title: Phisico-chemical properties of a sediment core collected in the Rincon del bonete dam reservoir, Uruguay to reconstruct sediment

description: Dataset compiling the various analyses carried out on a sediment core collected from the Rincon del Bonete dam in Uruguay (22-BONETE-03, N°IGSN 10.58052/IEFOU002D).

The files available are : 



 SSF_database_RdB_03_2022 : The excel file with all the reasults divied into 3 sheets :



SSF_data_global_RdB_03_2022 : Results of the analyses carried out on the core per cm.

SSF_database_high_res_RdB_03_2022: Results of the high-resolution analysis on the core.

SSF_database_pesticides_RdB_03_2022: Results of the pesticides analysis on the core.



SSF_metadata_RdB_03_2022: Metadata on the core collected, IGSN numbers, sample names, etc.

SSF_variable_description_RdB_03_2022: Description of the different variables added to the SSF_database_RdB_03_2022 file.


The dataset was created on the basis of templates available at the following address: 10.5281/zenodo.10725788
DOI: 10.5281/zenodo.10419679
title: Sound-Frameworks: Kresten Bjorn Krab-Bjerre (Bang & Olufsen) - Interview

description: This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.10419731
title: Sound-Frameworks: Matilde Best (Regelbau 411) - Interview

description: This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5065/d65x271w
title: HLY-02-03 In Water Radiometric Data. Version 1.0

description: This data set contains data collected during the Summer SBI 2002 cruise aboard the U.S. Coast Guard Cutter (USCGC) Healy (HLY-02-03). Satlantic SPMR/SMSR #005 (profiler w/ surface reference) system measures 13 channels of upwelling radiance and downwelling irradiance simultaneously. Data are recorded at 6 Hz, and the profiler is free fall configuration with a descent target of 1 m/s. 13 channels: 400, 412, 443, 490, 510, 519, 532, 555, 566, 619, 665, 683, and 700. The SPMR/SMSR in-water radiometric data were normally collected after the Conductivity Temperature Depth (CTD) - productivity cast, within 30min. The ship was orientated to the sun during SPMR/SMSR deployment to minimize ship shadow effects. The SPMR/SMSR data were processed with Satlantics ProSoft ver 6.3d. Data products include: Upwelling radiance Lu (uW/cm^2/nm/sr) profiled and surface data, Downwelling irradiance Ed (uW/cm^2/nm) profiled, and Downwelling surface irradiance Es (uW/cm^2/nm) data.
DOI: 10.5281/zenodo.10419113
title: Sound-Frameworks: Rachid Abu-Hassan (Platform 78) - Survey Interview

description: This is a transcription of a survey interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.

Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.

Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.

Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:

1. A sound in practice survey2. A publication on best practice guidelines in this field3. An online tool to guide the integration of sound in the design of the public realm

Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.

Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.

Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK). 

Sound-Frameworks: https://www.soundframeworks.orgTheatrum Mundi: https://www.theatrum-mundi.orgSven Anderson: https://www.svenanderson.net
DOI: 10.5281/zenodo.15878389
title: IRIS npy output - 10k years - Validation, Pre-industrial, +2degC

description: IRIS output in .npy format. 100 x 100y North Atlantic TC files.

Three potential intensity scenarios:

1. Validation (1979-2023)

2. Pre-industrial

3. +2°C
DOI: 10.5281/zenodo.17021242
title: Supporting Data for Ligand Field Tuning of Photoreactivity: Contrasting Low-spin and High-spin Fe(III)-Azido Complexes

description: This repository contains all relevant computational data related to the publication "Ligand Field Tuning of Photoreactivity: Contrasting Low-spin and High-spin Fe(III)-Azido Complexes".

The dataset is split into the raw quantum chemical data and notebooks for analysis, which operate on the enclosed data.
DOI: 10.5281/zenodo.15720553
title: Raw data supporting Methyl Jasmonate Elicitation Improves Antioxidant and Antibacterial Activities in  Portulaca oleracea

description: This dataset contains raw experimental data related to the antioxidant and antibacterial activities of methyl jasmonate-elicited Portulaca oleracea extract. The data include inhibition zone measurements, IC50 values from DPPH and ABTS assays, and LC50 data from the brine shrimp lethality test.
DOI: 10.5281/zenodo.16737285
title: Source data for "Shape evolution of pumice during granular flow"

description: Source data for Figures 1–5 of the manuscript "Shape evolution of pumice during granular flow" (submitted to Communications Earth & Environment). The dataset includes results from controlled tumbling experiments (Fig. 1), morphological parameters of starting material and tumbled clasts — solidity, convexity, form factor, axial ratio, and volume — for Set A (Fig. 2) and Set B (Fig. 3), bivariate trends (form factor vs. axial ratio) for both sets (Fig. 4), and mean values of shape parameters (form factor, solidity, convexity) used in the application of relaxation theory (Fig. 5). These data enable full reproduction of the analyses and figures in the manuscript.