cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10289453
title: 7/153 ⌀253 мм

description: [ЧУДЕСНЫЙ УЛОВ](https://sites.google.com/view/hermetage-archive/выставки/чудесный-улов)

Сюжет живописных работ - "чудесный улов 153-х рыб" из 21-й главы евангелия от Иоанна. Живопись на сферах и её виртуальные панорамы, подобно пространству между причиной и следствием, символизируют серединное центростремительное осмысление простой истории, донёсшей сквозь тысячелетия точную специализированную информацию о структуре аналитического фундамента древней культурной традиции.

ГЕРМЕТАЖ АРХИВ - художественный проект, собрание и мемориальный комплекс результатов исследований в области криптоанализа формальных текстов природы, наблюдаемых в дискретной математике. [www.hermetage.ru](https://sites.google.com/view/hermetage-archive/фронтис?authuser=0)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289452
title: 7/153 ⌀253 мм

description: [ЧУДЕСНЫЙ УЛОВ](https://sites.google.com/view/hermetage-archive/выставки/чудесный-улов)

Сюжет живописных работ - "чудесный улов 153-х рыб" из 21-й главы евангелия от Иоанна. Живопись на сферах и её виртуальные панорамы, подобно пространству между причиной и следствием, символизируют серединное центростремительное осмысление простой истории, донёсшей сквозь тысячелетия точную специализированную информацию о структуре аналитического фундамента древней культурной традиции.

ГЕРМЕТАЖ АРХИВ - художественный проект, собрание и мемориальный комплекс результатов исследований в области криптоанализа формальных текстов природы, наблюдаемых в дискретной математике. [www.hermetage.ru](https://sites.google.com/view/hermetage-archive/фронтис?authuser=0)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289454
title: Лекиф / Lekythos

description: Лекиф

Древняя Греция, VI-V вв. до н. э.

Глина, лак

Коллекция  А.Пальникова

МИПУ ХФ 2919

Музей истории Пермского университета

Lekythos

Ancient Greece, VI-V centuries B.C.

Clay, varnish

Collection of A.Palnikov

МИПУ ХФ 2919

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289455
title: Лекиф / Lekythos

description: Лекиф

Древняя Греция, VI-V вв. до н. э.

Глина, лак

Коллекция  А.Пальникова

МИПУ ХФ 2919

Музей истории Пермского университета

Lekythos

Ancient Greece, VI-V centuries B.C.

Clay, varnish

Collection of A.Palnikov

МИПУ ХФ 2919

Perm University History Museum

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289456
title: Masque Africain HD

description: Les masques revêtent une très grande importance dans les cérémonies d'Afrique, notamment à l'occasion des cérémonies funéraires.

Le mot désigne aussi bien l'objet que la personne qui le porte à l'occasion de ces cérémonies.

Le masque est un objet en bois sculpté. Il y a un danseur, un costume, « un esprit » ou un « génie » qui l'habite. Il est un « être sacré », instrument d'harmonie sociale. Dans la société traditionnelle, le masque est à la fois une institution religieuse, politique et sociale. Il est médiateur entre Dieu, les ancêtres et les hommes. Il intervient dans les décisions politiques, accompagne les semailles et les récoltes, punit les coupables, assure la pérennité du savoir, accueille l'enfant à sa naissance, lui permet de devenir adulte, l'amène au monde de la sagesse et l'accompagne dans sa vie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289457
title: Masque Africain HD

description: Les masques revêtent une très grande importance dans les cérémonies d'Afrique, notamment à l'occasion des cérémonies funéraires.

Le mot désigne aussi bien l'objet que la personne qui le porte à l'occasion de ces cérémonies.

Le masque est un objet en bois sculpté. Il y a un danseur, un costume, « un esprit » ou un « génie » qui l'habite. Il est un « être sacré », instrument d'harmonie sociale. Dans la société traditionnelle, le masque est à la fois une institution religieuse, politique et sociale. Il est médiateur entre Dieu, les ancêtres et les hommes. Il intervient dans les décisions politiques, accompagne les semailles et les récoltes, punit les coupables, assure la pérennité du savoir, accueille l'enfant à sa naissance, lui permet de devenir adulte, l'amène au monde de la sagesse et l'accompagne dans sa vie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289458
title: Font Stone- Lost city of Trellech project

description: this is the second Font stone from the lost city of Trellech excavation it fits with the previous font stone model. here is the projects website if you'd like more details and to participate  http://www.lostcityoftrellech.org/  and their facebook page  https://www.facebook.com/lostcityoftrellech/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289459
title: Font Stone- Lost city of Trellech project

description: this is the second Font stone from the lost city of Trellech excavation it fits with the previous font stone model. here is the projects website if you'd like more details and to participate  http://www.lostcityoftrellech.org/  and their facebook page  https://www.facebook.com/lostcityoftrellech/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289460
title: Holwick  F5, F6, F7 and F15

description: Medieval Settlement at Holwick in Teesdale, just a few metres away from a scheduled area that has 6 shielings. [Holwick Features F5, F6 and F7]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289461
title: Holwick  F5, F6, F7 and F15

description: Medieval Settlement at Holwick in Teesdale, just a few metres away from a scheduled area that has 6 shielings. [Holwick Features F5, F6 and F7]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289462
title: 장안문(6.25전쟁 문화유산)

description: 6.25전쟁 문화유산 VR콘텐츠 3D Model

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289463
title: 장안문(6.25전쟁 문화유산)

description: 6.25전쟁 문화유산 VR콘텐츠 3D Model

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289464
title: 庚申塔(熊野神社(川崎市高津区明津))

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289465
title: 庚申塔(熊野神社(川崎市高津区明津))

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289466
title: XCB-003-755 End Blade

description: End Blade XCB-003-755. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289467
title: XCB-003-755 End Blade

description: End Blade XCB-003-755. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289468
title: Medieval Sword

description: Medieval two handed sword that I created with intention of adding it to my bannerlord mod

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289469
title: Medieval Sword

description: Medieval two handed sword that I created with intention of adding it to my bannerlord mod

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289470
title: Relieve na Plazuela das Bárbaras, Coruña

description: Baixorrelevo no arco da entrada ó convento das Clarisas, na cidade vella da Coruña.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289471
title: Relieve na Plazuela das Bárbaras, Coruña

description: Baixorrelevo no arco da entrada ó convento das Clarisas, na cidade vella da Coruña.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289473
title: Ceramic sculpture of Xochiquetzal

description: [1923.06.0008]https://collections.smvk.se/carlotta-vkm/web/object/101133), gudabild.
Gudabild av lergods. Xochiquetzal, blommornas och fruktbarhetens gudinna (egentligen nymånens gudinna) med huvudbindel av blad eller fjädrar samt två upprätt stående fjäderknippen som huvudprydnad. Poncholiknande klädsel (quechquemitl) som användes av de atlantiska kustfolken.
Orig. nummer IV Ca 3491.

![](https://collections.smvk.se/carlotta-vkm/web/image/zoom/1146417/1923.06.0008.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289472
title: Ceramic sculpture of Xochiquetzal

description: [1923.06.0008]https://collections.smvk.se/carlotta-vkm/web/object/101133), gudabild.
Gudabild av lergods. Xochiquetzal, blommornas och fruktbarhetens gudinna (egentligen nymånens gudinna) med huvudbindel av blad eller fjädrar samt två upprätt stående fjäderknippen som huvudprydnad. Poncholiknande klädsel (quechquemitl) som användes av de atlantiska kustfolken.
Orig. nummer IV Ca 3491.

![](https://collections.smvk.se/carlotta-vkm/web/image/zoom/1146417/1923.06.0008.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289474
title: Tukuma pilskalns

description: Tukuma pilskalna 3D modelis. Koordinātas: 56.96861, 23.12957

https://www.latvijas-pilskalni.lv/tukuma-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289475
title: Tukuma pilskalns

description: Tukuma pilskalna 3D modelis. Koordinātas: 56.96861, 23.12957

https://www.latvijas-pilskalni.lv/tukuma-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289476
title: Wooden apothecary vessel for orpiment

description: The presented wooden apothecary vessel with a cylindrical shape is covered with oil paint. The front features an oval shield with an inscription: Auri Pigment.(um) P.(ulvis), meaning pulverised orpiment, that is, according to modern nomenclature, arsenic trisulfide.
In ancient times, orpiment was used as an agent for the treatment of skin cancers and other serious skin conditions. It was also believed that it exhibited disinfecting and astringent effects and that it accelerated healing of various serious wounds – it was used for treating fistulas and ulcerative wounds. Later, it was also used for preparing poisonous and magic potions, and above all, as a strong pigment.

ID no.: KGZ 3863

Time of creation: 18th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/866

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289477
title: Wooden apothecary vessel for orpiment

description: The presented wooden apothecary vessel with a cylindrical shape is covered with oil paint. The front features an oval shield with an inscription: Auri Pigment.(um) P.(ulvis), meaning pulverised orpiment, that is, according to modern nomenclature, arsenic trisulfide.
In ancient times, orpiment was used as an agent for the treatment of skin cancers and other serious skin conditions. It was also believed that it exhibited disinfecting and astringent effects and that it accelerated healing of various serious wounds – it was used for treating fistulas and ulcerative wounds. Later, it was also used for preparing poisonous and magic potions, and above all, as a strong pigment.

ID no.: KGZ 3863

Time of creation: 18th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/866

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289478
title: CE 1421 - PLATO

description: N° de Registro Nacional: 0000303424

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato  

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289479
title: CE 1421 - PLATO

description: N° de Registro Nacional: 0000303424

DATOS DE IDENTIFICACIÓN 

BIEN CULTURAL: Plato  

MATERIAL: Cerámica

CULTURA / ESTILO: Inca  

CRONOLOGIA: Horizonte Tardío 
(1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289481
title: Greek Statue of a Slave

description: Greek Slave became the most famous sculpture of the nineteenth century and propelled the artist, Hiram Powers (1805-73), to international stardom. The work was so provocatively lifelike that certain exhibition venues in the United States required that men and women view the sculpture separately. Powers justified the sculpture's full nudity by claiming his work depicted historic events: a Greek woman, captured by Ottoman forces during the War of Independence, had been stripped and chained for sale at a slave market in Constantinople. American viewers in the 1840s and '50s, many of whom had never before seen a sculpture of a nude woman, felt licensed to admire the Greek Slave because she was "clothed all over with sentiment."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289482
title: Greek Statue of a Slave

description: Greek Slave became the most famous sculpture of the nineteenth century and propelled the artist, Hiram Powers (1805-73), to international stardom. The work was so provocatively lifelike that certain exhibition venues in the United States required that men and women view the sculpture separately. Powers justified the sculpture's full nudity by claiming his work depicted historic events: a Greek woman, captured by Ottoman forces during the War of Independence, had been stripped and chained for sale at a slave market in Constantinople. American viewers in the 1840s and '50s, many of whom had never before seen a sculpture of a nude woman, felt licensed to admire the Greek Slave because she was "clothed all over with sentiment."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289483
title: Andesite

description: SHCMS:G.20528.001

Andesite.

Piece of vesicular andesite from the Lawley, Shropshire. This specimen has been cut to produce microscope thin sections.

Age: approx 570 million years.

Length 5.6cm Width 4.4cm Depth 4.3cm.

Imaged using a canon 5DS R and Stackshot 3x with turntable to provide 70  images which were then processed using agisoft photoscan at high levels.

If you like this model or any others we produce we'd love to hear from you and how you've used them.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289484
title: Andesite

description: SHCMS:G.20528.001

Andesite.

Piece of vesicular andesite from the Lawley, Shropshire. This specimen has been cut to produce microscope thin sections.

Age: approx 570 million years.

Length 5.6cm Width 4.4cm Depth 4.3cm.

Imaged using a canon 5DS R and Stackshot 3x with turntable to provide 70  images which were then processed using agisoft photoscan at high levels.

If you like this model or any others we produce we'd love to hear from you and how you've used them.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289485
title: Historic Blue Glazed Pottery, Mleiha, Sharjah

description: Historic Blue Glazed Pottery imported from Iran 19th century, Mleiha, Sharjah, UAE

Historic Blue Glazed Pottery imported from Iran 19th century, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 19th C.  Catalog number unk. Processed in Reality Capture from 371 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289486
title: Historic Blue Glazed Pottery, Mleiha, Sharjah

description: Historic Blue Glazed Pottery imported from Iran 19th century, Mleiha, Sharjah, UAE

Historic Blue Glazed Pottery imported from Iran 19th century, Mleiha, Sharjah, UAE. On display in the Sharjah Archaeology Authority. 19th C.  Catalog number unk. Processed in Reality Capture from 371 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289487
title: Macheta bisericii Nicolae Vladica, Bucuresti

description: Machetă proiect Dimensiunea spațiului public – stud. arh Georgescu Alice & Marcu Diana, coord. arh. Stanciu Florian

Scanare si postprocesare - arh. Andreea Iosif

https://e-zeppelin.ro/nostos-o-expozitie-de-arhitectura-despre-scoala-si-patrimoniu/

Macheta:
![5.jpg](http://e-zeppelin.ro/wp-content/uploads/2018/11/5.jpg)

Biserica in sine arata astfel:
![Bis.+Nicolae+Vladica+-+interbelic.jpg](http://3.bp.blogspot.com/-VeE2jxAllAQ/TwmsggAkUvI/AAAAAAAAAcs/2UiU7-Albxs/s1600/Bis.+Nicolae+Vladica+-+interbelic.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289488
title: Macheta bisericii Nicolae Vladica, Bucuresti

description: Machetă proiect Dimensiunea spațiului public – stud. arh Georgescu Alice & Marcu Diana, coord. arh. Stanciu Florian

Scanare si postprocesare - arh. Andreea Iosif

https://e-zeppelin.ro/nostos-o-expozitie-de-arhitectura-despre-scoala-si-patrimoniu/

Macheta:
![5.jpg](http://e-zeppelin.ro/wp-content/uploads/2018/11/5.jpg)

Biserica in sine arata astfel:
![Bis.+Nicolae+Vladica+-+interbelic.jpg](http://3.bp.blogspot.com/-VeE2jxAllAQ/TwmsggAkUvI/AAAAAAAAAcs/2UiU7-Albxs/s1600/Bis.+Nicolae+Vladica+-+interbelic.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289490
title: dwebcamp

description: aerial drone footage converted into a 3D scan from dwebcamp 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289489
title: dwebcamp

description: aerial drone footage converted into a 3D scan from dwebcamp 2019

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289492
title: BALLYNAKILL - Headstone

description: A headstone from BALLYNAKILL graveyard CO. Galway

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289493
title: BALLYNAKILL - Headstone

description: A headstone from BALLYNAKILL graveyard CO. Galway

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289495
title: Dharmachakra - Wheel of Buddhist Dharma

description: The Dharmachakra represents the Buddhist Dharma(Buddhism). Suitable for 3D work related to Buddhism.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289494
title: Dharmachakra - Wheel of Buddhist Dharma

description: The Dharmachakra represents the Buddhist Dharma(Buddhism). Suitable for 3D work related to Buddhism.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289496
title: Stemmed Point Base XCB-003-445

description: Stemmed Point Base  XCB-003-445

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289497
title: Stemmed Point Base XCB-003-445

description: Stemmed Point Base  XCB-003-445

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289498
title: Geological museum

description: Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289499
title: Geological museum

description: Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289500
title: Hacha

description: Hacha lowpoly realizada en Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289501
title: Hacha

description: Hacha lowpoly realizada en Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289504
title: Geison-Mausoleum at Halicarnassus

description: This is a part of the Mausoleum at Halicarnassus, located in Bodrum Turkey(37.037757, 27.424480). It was located under the roof and over the pillars. The length is about 60cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289505
title: Geison-Mausoleum at Halicarnassus

description: This is a part of the Mausoleum at Halicarnassus, located in Bodrum Turkey(37.037757, 27.424480). It was located under the roof and over the pillars. The length is about 60cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289506
title: 16 - Al Wahhaab اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْوَهَّابُ	AL-WAHHAAB	The Supreme Bestower

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289507
title: 16 - Al Wahhaab اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْوَهَّابُ	AL-WAHHAAB	The Supreme Bestower

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289510
title: Piltiņu pilskalns

description: Piltiņu pilskalns 3D modelis. Koordinātas: 57.480018, 26.010444

https://www.latvijas-pilskalni.lv/piltinu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289511
title: Piltiņu pilskalns

description: Piltiņu pilskalns 3D modelis. Koordinātas: 57.480018, 26.010444

https://www.latvijas-pilskalni.lv/piltinu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289512
title: Pre-Columbian Shell Cup, Seminole County, FL

description: This  shell cup was made from a large lightning whelk and is still partially embedded in concreted shell midden. It dates to the preceramic Late Archaic period (ca. 5700-4600 BP) and was recovered from Panther Tracks, a pre-Columbian indigenous site in Seminole County, Florida. The artifact is currently curated at the Rollins College Archaeology Lab.

Model by Ellie Minette.

Source: Objaverse 1.0 / Sketchfab