cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18356
title: The painting "French Beauty" by Asti, depicting a young woman against a dark background, [s.d.]

description: Photograph of the painting "French Beauty" by Asti, depicting a young woman against a dark background, [s.d.]. The young woman is shown in bust, looking forward towards the viewer. Her skin is fair, and is shown down to her bustline, which is generously revealed, her body apparently wrapped in a blanket of some kind. Her hair is up and off her neck, blending into the dark background.
DOI: 10.25549/chs-m18355
title: The painting "Profile of a Girl" by Asti, depicting a woman in bust, [s.d.]

description: Photograph of the painting "Profile of a Girl" by Asti, depicting a woman in bust, [s.d.]. The woman is pictued from the chest up, looking off to the right in profile. Much of her pale shoulders are bared by the neckline of her dark dress, which appears to have some type of linen frill at the bust. Her hair is dark and unstyled and hangs down to the crook of her neck. The background is also dark and paints no specific scene.
DOI: 10.25549/chs-m18354
title: The painting "Solitude" by Asti, depicting a nude young girl with flaxen hair, [s.d.]

description: Photograph of the painting "Solitude" by Asti, depicting a nude young girl with flaxen hair, [s.d.]. The young girl is shown from the hips up, seated with what appears to be a swath of brocade across her lap. She faces left, her head slightly tilted downward towards her knee. Her fair hair hangs to either side of her face, blending like smoke into the neutral background.
DOI: 10.25549/chs-m18350
title: The painting "Vanity" by Asti, depicting a bare-breasted young woman in profile, [s.d.]

description: Photograph of the painting "Vanity" by Asti, depicting a bare-breasted young woman in profile, [s.d.]. The young woman's head is turned, seemingly far enough away from the viewer to suggest her active disinterest. Her long, flowing hair is copiously highlighted from above, while her body, which is turned toward the viewer, is nearly naked, wrapped only loosely by diaphanous cloth. The background is neutral.
DOI: 10.25549/chs-m18353
title: The painting "Girlhood" by Asti, depicting a young woman bare from the shoulders up, [s.d.]

description: Photograph of the painting "Girlhood" by Asti, depicting a young woman bare from the shoulders up, [s.d.]. A young girl is shown in bust, facing the viewer. Her eyes are large, perhaps diproportionately so, framed to either side by her fair hair which is highlighted from above. Below, her bustline is wrapped in a combination of a lightly-colored silk-like material and something much darker and less translucent. What appears to be a small sprig of flowers can be seen near the artist's signature at the bottom right. The background is dark and static.
DOI: 10.25549/chs-m3751
title: Exterior view of the B'nai B'rith Temple on Hope Street and Ninth Street in Los Angeles, ca.1902

description: Photograph of an exterior view of the B'nai B'rith Temple on Hope Street and Ninth Street in Los Angeles, ca.1902. The tall, three-story temple is shown at center, minarets topping the vented towers to either side of the three doors of its entrance. In front, lumber is visible in piles. The roads in the foreground are dirt. On the corner of the sidewalk, a tall pole terminates in a lookout cradle, or crow's nest.
DOI: 10.25549/chs-m18352
title: The painting "Miss Modesty" by Asti, depicting a society woman in decorative clothing, [s.d.]

description: Photograph of the painting "Miss Modesty" by Asti, depicting a society woman in decorative clothing, [s.d.]. The woman, shown is bust, wears her hair up in a decorative bun. Her face is shown in three-quarters profile, looking to the right away from the viewer. Below, a deep neckline is shown traced by the top of a dark dress, which is decorated with a lightly-colored frill to the right. The background is dark and neutral.
DOI: 10.48370/ofd/vkalza
title: Coniophora arida (Fr.) P.Karst., 2310

description: Fungarium Macromycetes
DOI: 10.25549/chs-m18351
title: The painting "Coquette" by Asti, depicting a middle-aged woman in bust, [s.d.]

description: Photograph of the painting "Coquette" by Asti, depicting a middle-aged woman in bust, [s.d.]. The woman is shown from the chest up, in profile, her bust wrapped in what appears to be a velvet robe. Her curly, fair hair is pulled up and fixed into place with what appears to be a sprig of holly or something similar. She looks off to the left, showing her profile. The background is dark and neutral.
DOI: 10.25549/chs-m18358
title: The painting "Old Songs" by Poetzellberger, depicting a young girl at a piano, [s.d.]

description: Photograph of the painting "Old Songs" by Poetzellberger, depicting a young girl at a piano, [s.d.]. The young girl is shown to the left, sitting at the piano's bench, pouring over piano scores. Her hair is cut short, and a two cords of diaphanous material cross her breast over top of her dress. She looks down to read the music in her lap while holding a second score at the piano with her other hand, next to which a vase of plants can be seen.
DOI: 10.25549/chs-m13746
title: The painting "Song Without Words" by Poetzelberger, [s.d.]

description: Photograph of the painting "Song Without Words" by Poetzelberger, [s.d.]. Two youths, Jakob Mendelssohn and his sister, Fanny, are shown seated at a harpsichord, dressed in Victorian-era clothing. At center, the young man plays the keys while a young woman sits to his right on the bench, leaning her head on his shoulder. A clock is visible behind her on the paneled walls that surround them. Beneath the harpsichord, a thin rug bunches in spots.; Mendelssohn and his sister Fanny by R. Poetzelberger. The picture of Mendelssohn and his sister Fanny, characteristic of the understanding and affection that existed between the two, calls to mind happy hours they spent together creating melodies and playing the works of others. Everything that fortune could bestow was showered upon Felix Mendelssohn. He was the elder son of a rich and highly cultured family in Hamburg and grandson of one of the greatest philosophers of the time, Moses Mendelssohn. His father's house was a rendezvous for the leading figures of the day. A composer at eight, a world figure at seventeen, the best beloved musician in Europe at twenty-five, his was a happy lot. At the height of his career he married Cecile Jeanrenaud, the pretty seventeen-year-old daughter of a minister. In 1843 he opened a college of music at Leipzig. At this time Jenny Lind was captivating all Europe with her singing, and he introduced her to the critical audiences at Leipzig. Following this he made a tour of England with her. Mendelssohn wove the loveliness around him into his music. Always a tireless worker, he left several hundred compositions, including songs both for the voice and "without words," oratorios, chorals, piano, and orchestral music. His beautiful overture to the "Midsummer Night's Dream" was written when the composer was only seventeen.
DOI: 10.25549/chs-m18384
title: The painting "Darby and Joan" by Sadler, depicting an elderly man and a woman dining, [s.d.]

description: Photograph of the painting "Darby and Joan" by Saddler, depicting an elderly man and a woman dining, [s.d.]. A highly detailed dining room is shown, a man and a woman sitting across from one another at a long table. The man sits in front of what appears to be a cooked pheasant or other game hen, holding his glass in toast. To the right, the woman appears uninterested. Two portraits are visible on the walls behind them, depicting a young man and a young woman respectively. Are these the diners in their youth? Below, a detailed rug can be seen. Also, a cabinet with fine plates and a dressing screen can be seen behind the man and woman to the left and right, respectively.
DOI: 10.25549/chs-m18359
title: The painting "Playfellows" by Sir Samuel Fildes, depicting a young girl tickling a puppy, [s.d.]

description: Photograph of the painting "Playfellows" by Sir Samuel Fildes, depicting a young girl tickling a puppy, [s.d.]. The girl is pictured at center in a peasant blouse and long, striped shirt, shown from the knees up. She holds a small dog (possibly a border collie) on its back and scratches at its stomach. She also hold a basket of flowers, which appear to be taken from the meadow shown behind her.
DOI: 10.25549/chs-m18293
title: The painting "The Widower" by Sir Samuel Fildes, depicting a working man at home with his children, [s.d.]

description: Photograph of the painting "The Widower" by Sir Samuel Fildes, depicting a working man at home with his children, [s.d.]. The brawny, calloused widower sits in a chair to the right, kissing the hand of one of his sleeping children while his young daughter stands behind the dinner table and holds her dress to her mouth in apparent anxiety. On the floor to the left, three younger children eat and play near a watching puppy. The surrounding house appears to be very much a shack.
DOI: 10.25549/chs-m18294
title: The painting "Women and Children First' by T. Howard Michael, depicting an alarmed woman holding a child, [s.d.]

description: Photograph of the painting "Women and Children First' by T. Howard Michael, depicting an alarmed woman holding a child, [s.d.]. The image, which is tiled slightly askew to the left, shows a woman in her nightgown holding a child in her arms. Her stare outward towards the viewer appears to be imporing. The light in the painting also appears to be coming from the viewers direction, illuminating the scene like a spotlight. The background is indistinct, but appears to be a bunk area of some kind. Picture file card credits the painting to "F. Howard Nisehall" but the signature at the bottom right of the image reads "Michael".
DOI: 10.25549/chs-m11413
title: "The Cheat" by Hon. John Collier, a painting depicting four people playing cards, ca.1900

description: Photograph of "The Cheat" by Hon. John Collier, a painting depicting four people playing cards, ca.1900. A woman is depicted standing by a table with a game of cards on top of it, while smugly looking down towards a second woman to the right. The second woman is visible sitting down towards the right while holding up a hand of cards and frowning. Both women can be seen wearing ball gowns. Sitting next to them, on the same table, two men wearing tuxedos are also looking at the second woman with what seems to be disappointed expressions on their faces. A wall with paintings, a framed mirror, a flower jar, a chest and a pilar fill in the backdrop.
DOI: 10.25549/chs-m18455
title: The painting "Reverie" by Frank Dicksee depicting a man in his study envisioning a ghost, [s.d.]

description: Photograph of the painting "Reverie" by Frank Dicksee depicting a man in his study envisioning a ghost, [s.d.]. A bearded man is pictured at right, dressed in a tuxedo and reclining in an armchair. He holds his hand to his forehead and looks to the left, where a translucent apparition of a woman can be seen with her hands to her temples. Behind this specter, a young woman in a long, lightly colored dress can be seen playing the piano, apparently unaware of the ghost.
DOI: 10.25549/chs-m933
title: First Presbyterian Church, Figueroa Street and Twentieth Street, ca.1900-1905

description: Photograph of the exterior of the First Presbyterian Church, Figueroa Street and Twentieth Street, ca.1900-1905. A horse-drawn carriage is parked on the street beside the stone church. A utility pole is on the corner of the intersection. A large tree is growing from the grassy area between the sidewalk and the street at left.
DOI: 10.25549/chs-m18453
title: The painting "The Bachelor's Dinner" by Brock, depicting men at dinner in what appears to be Victorian dress, [s.d.]

description: Photograph of "The Bachelor's Dinner" a painting by Brock depicting men at dinner in what appears to be Victorian dress, [s.d.]. The most central of the three men sits along the side of the table in the middle of the image, apparently holding the coversation's focus. Farther in and to the left, the youngest of the three men smokes a pipe, while the man who appears to be the eldest sits behind the table, packing his own pipe. Farther right, a maid appears either to be setting or clearing the table. Picture file card credits the painting to "Brack".
DOI: 10.25549/chs-m18296
title: The painting "His Only Pair" by Sauza Pinto, depicting a grandmother mending a young boy's trousers, [s.d.]

description: Photograph of the painting "His Only Pair" by Sauza Pinto, depicting a grandmother mending a young boy's trousers, [s.d.]. The young boy stands to the right in his underwear, stretching himself against the hearth in embarassment and hiding his face. To the left, an elderly woman with a kerchief wrapped around her head sits in a chair and takes to mending the boy's trousers. Kindling for the fire can be seen at her feet farther left, while various bric-a-brac can be seen over the hearth, such as kettles and candlesticks. To the right, an umbrella and a stray shoe can be seen, in the vicinity of a childish line drawing of a man with a pipe.
DOI: 10.25549/chs-m18333
title: The painting "An Evening Song" by Breaute, depicting a young woman reading a folio in a study, [s.d.]

description: Photograph of the painting "An Evening Song" by Breaute, depicting a young woman reading a folio in a study, [s.d.]. The woman is pictured at the back of the room, dressed in a lightly-colored gown, holding the folio in her hands. In the right foreground, a desk is shown with stationary on it, and a chair can also be seen draped in some type of stiff cloth. To the left, a second chair can be seen, on which a lute rests. Behind this, a colum can be seen with a statue of a dancer on top.
DOI: 10.25549/chs-m18357
title: The painting "Song Without Words", depicting a young woman playing a zither, [s.d]

description: Photograph of the painting "Song Without Words", depicting a young woman playing a zither, [s.d]. The young girl rests on cushions at center and looks down to the zither in her lap. Her dress is long and flowing, with short sleeves and a square neckline, below which a ribbon sash wraps around the waist. To the left, a few roses can be seen resting on the cushions with her.
DOI: 10.25549/chs-m18383
title: The painting "For Fifty Years" by Sadler, depicting an elderly man offering his arm to an elderly woman, [s.d.]

description: Photograph of the painting "For Fifty Years" by Sadler, depicting an elderly man offering his arm to an elderly woman, [s.d.]. The woman sits slightly to the right of center, looking towards the viewer. The man stands to the right of her, and presents his crooked arm to help her from her seat, which she takes. In the background, a second man can be seen through the parlour doorway, waiting at a supper table. The rest of the scene is rendered in intense detail, down to the brocade patterns on a second chair to the left, and the room's reflection in a mirror, also at left.
DOI: 10.25549/chs-m18292
title: The painting "The Orphans" by Adan, depicting two young children being dropped-off at an orphanage, [s.d.]

description: Photograph of the painting "The Orphans" by Adan, depicting two young children being dropped-off at an orphanage, [s.d.]. A wheelbarrow sits to the left along a dirt road, while a man in wooden clogs ushers two toddlers towards the open gate of the orphanage, at which a nun can be seen. In the background, snow-capped mountains are visible behind a cluster of pine trees held within the adobe walls of the orphanage.
DOI: 10.25549/chs-m18456
title: The painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]

description: Photograph of the painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]. A man in a work vest is shown moving away from the viewer down a path with a scythe and a rake slung over his shoulder. To the right, a small pond is visible just beyond a large tree. Gentle hills can be seen to the left, while the beginnings of a town can be seen at the end of the road in the distance at center, along with what appears to be a bridge.
DOI: 10.25549/chs-m18267
title: The painting "Planting Potatoes" by Millet, depicting a man and a woman gardening, [s.d.]

description: Photograph of the painting "Planting Potatoes" by Millet, depicting a man and a woman gardening, [s.d.]. The man is shown at left, bend over with the hoe as he tries to make furrows for the woman, who is pictured at right, to drop potatoes into. In the background, a donkey can be seen beneath a tree behind a bassinet which holds a baby. The rest of the background is flatland moving out into the distance. Millet's painting inspired "The Man with a Hoe", (a poem?) by Edwin Markham.
DOI: 10.25549/chs-m939
title: Citrus groves and snow-capped mountains, Southern California

description: Photograph of orange groves (in foreground, close-up of one fruit-laden tree at left) and snowcapped mountains (in the background), Southern California.
DOI: 10.25549/chs-m18266
title: The painting "The Angelus" by Millet, depicting a man and a woman at prayer on the farm, [s.d.]

description: Photograph of the painting "The Angelus" by Millet, depicting a man and a woman at prayer on the farm, [s.d.]. The man stands to the left, with his head bowed and his hat in his hands, while the woman folds her hands in prayer to the right. Behind her, the wheelbarrow or plow can be seen in the morning mist, and to his right, the pitchfork can be seen plunged into the ground. Flatlands fill the rest of the background.; Picture file card reads: "In 1849, Millet went to Barbizon where he painted his series of great pictures, 'The Gleaners' is one of the greatest. It is almost as religious as 'The Angelus' while as a picture it is actually stronger".
DOI: 10.25549/chs-m18265
title: The painting "The Gleaners" by Millet, depicting women scavenging in the fields, [s.d.]

description: Photograph of the painting "The Gleaners" by Millet, depicting women scavenging in the fields, [s.d.]. Three women are pictured in the foreground, the two to the left stooping in unison to collect chaff from the ground. Farther right, a third stands half-bent, seemingly assessing the other two. In the background, great bales of hay have been piled and are being moved by horse-drawn cart. Along the horizon line, other workers can be seen to the left, while a man on horseback can be seen just on the edge of town at right.
DOI: 10.25549/chs-m18264
title: The painting "The Shepherd" by Millet, depicting a man tending his flock, [s.d.]

description: Photograph of the painting "The Shepherd" by Millet, depicting a man tending his flock, [s.d.]. The man, shrouded by heavy shadows, stands at center pointing his staff or cane out of his cloak and towards the ground. In the background, a flock of sheep is visible, the sheep standing close together and merging with the grasslands in the distance.
DOI: 10.25549/chs-m18458
title: Landscape painting depicting "An opening in the Forest of Fontainbleau", by Rosseau, [s.d.]

description: Photograph of a landscape painting depicting "An Opening in the Forest of Fontainbleau", by Rosseau, [s.d.]. Cattle can be seen watering at a pond at center, beneath a toppling tree while the sun either rises or sets along the left horizon. The scene is framed by a ring of dark foliage and tree trunks in the foreground.
DOI: 10.25549/chs-m18235
title: The painting "Atour du Lac" by Corot, depicting a woman and child at the lakeside, [s.d.]

description: Photograph of the painting "Atour du Lac" by Corot, depicting a woman and child at the lakeside, [s.d.]. The woman and child are seen from a distance, lounging in the grass to the right by the lake, framed to the left and right by tall trees. In the background, a chateau can be seen foggily across the lake, which casts its reflection in the water.
DOI: 10.25549/chs-m18237
title: The painting "Souvenir d'Arleux" by Corot, depicting women dancing in the wilderness, [s.d.]

description: Photograph of the painting "Souvenir d'Arleux" by Corot, depicting women dancing in the wilderness, [s.d.]. Three women are seen from a distance at center, holding hands and dancing in a circle. To the left of them, nearly-bare trees seem to be blowing in the wind. In the right background, others can be seen tending to indiscriminant tasks by what appears to be a lake shore. Leaves from the trees appear to be blowing in the breeze as well.
DOI: 10.25549/chs-m18234
title: The painting "By The River" by Corot, depicting women and children caught in the river wind, 1796-1875

description: Photograph of the painting "By The River" by Corot, depicting women and children caught in the river wind, 1796-1875. A woman is shown from a distance to the left, leaning up against a bending tree, while a second woman sits on the ground with a child farther left. Tree leaves and flower blossoms from the meadow fill the air, while the wind bends yet another tree to the right. The lake, visible in the background, seems still and calm, however.
DOI: 10.25549/chs-m18236
title: The painting "Dance of the Nymphs" by Corot, depicting women dancing in the woods, [s.d.]

description: Photograph of the painting "Dance of the Nymphs" by Corot, depicting women dancing in the woods, [s.d.]. The women are seen from a distance in several groups; in the left foreground, a circle of four of the women wearing short-sleeved summer dresses dances around a naked fifth woman, who sits on the ground, apparently disoriented. Farther back and a little right, three women can be seen in similar dresses which appear to expose a single breast. The rightmost of these women holds a staff in the air. In the shadows at the far left, figures that appear to be male may or may not be satyrs while to the far right foreground, two final women can be seen, one leading the other from the shadows by the hand. It also appears as though flowers and leaves are blowing in the wind.
DOI: 10.25549/chs-m18460
title: The painting "The Avenue" by Mundert Hobberna, depicting a country road, [s.d.]

description: Photograph of "The Avenue" a painting by Mundert Hobberna, depicting a country road, [s.d.]. Tall, thin, palm-like trees line either side of a narrow dirt road, down which a man with a cart can be seen coming towards the viewer. This road forks off to the right, where its offshoot terminates at what appears to be a two-story barn, in front of which two men can be seen talking. In the right foreground, on the other side of the offshoot, a crop of tall plants can be seen growing. Water lines the main road to the left, possibly a harbor. In its distance, the spire of a castle or church can be seen on a group of rocks that juts into the water. The back of the photoprint reads "(in France)" next to the painting's title.
DOI: 10.25549/chs-m18461
title: The painting "Waning Day" by Stanton, depicting a country road draped in fog, [s.d.]

description: Photograph of the painting "Waning Day" by Stanton, depicting a country road draped in fog, [s.d.]. The painting appears to depict an area much like the English moors. A figure in a cloak and a cloaked child can be seen walking down the dirt road which cuts from left to right in the foreground towards the viewer. Next to the road, farther in the background, a long patch of heather fills the scene, harboring a flock of geese, which stand just outside a two-story thatch cottage. Two other cottages can be seen in the left distance shrouded in mist. To the far left, bog water shows the reflections of the two walkers.
DOI: 10.25549/chs-m5596
title: View of Avalon Harbor, Santa Catalina Island, ca.1900

description: Photograph of a panoramic view of Avalon Harbor, Santa Catalina Island, from the south, showing Sugar Loaf and the wireless telegraph station. A steamer is docked a the pier. Numerous other small boats are in the harbor. The mountains to the north of Avalon are visible.