cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10385475
title: Blasón Carlos I. Siglo XVI

description: Este escudo realizado en piedra que representa a un águila sujetándolo, se encuentra en un estado muy deteriorado de conservación. Este Blasón integra el Águila Imperial y Collar de la Orden del Toisón de Oro, representación de Carlos I de España también conocido como Emperador Carlos V del Imperio Romano Germánico (1540-1558).
Se encuentra entre la Parroquia de La Encarnación de Alhama de Granada y la Antigua Cárcel de Alhama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385476
title: Blasón Carlos I. Siglo XVI

description: Este escudo realizado en piedra que representa a un águila sujetándolo, se encuentra en un estado muy deteriorado de conservación. Este Blasón integra el Águila Imperial y Collar de la Orden del Toisón de Oro, representación de Carlos I de España también conocido como Emperador Carlos V del Imperio Romano Germánico (1540-1558).
Se encuentra entre la Parroquia de La Encarnación de Alhama de Granada y la Antigua Cárcel de Alhama.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385477
title: Torre d'en Galmés

description: Modelo desarrollado para el Proyecto Modular https://web.ua.es/modular

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385478
title: Torre d'en Galmés

description: Modelo desarrollado para el Proyecto Modular https://web.ua.es/modular

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385479
title: Wayside Cross 2 Polycam

description: Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385480
title: Wayside Cross 2 Polycam

description: Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385483
title: U-85 Type VIIB Uboat

description: U-85 is significant to maritime history and historic archaeology as it was the first German U-boat sunk by United States Naval forces off the American East Coast during WWII's Battle of the Atlantic. U-85 was sunk on April 13, 1942, by the destroyer USS Roper. All 46 members of the crew were killed, the site is considered a war grave, and protected by the Sunken Military Craft Act.

U-85 is a very rare Type VIIB U-boat, one of only 24 built, and was the only Type VIIB U-boat lost off the U.S. East Coast during the war. This site has been officially listed on the National Register of Historic Places. U-85 now rests in approximately 100-110 feet of water about 14 miles east of Oregon Inlet. Between 2008 and 2015, Monitor NMS and partners have created multiple representations of the site including photomosaics and photogrammetry images. In addition to photographically produced data, high resolution multibeam surveys have been conducted of the site.

Credit: John McCord/UNC-Coastal Studies Institute

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385484
title: U-85 Type VIIB Uboat

description: U-85 is significant to maritime history and historic archaeology as it was the first German U-boat sunk by United States Naval forces off the American East Coast during WWII's Battle of the Atlantic. U-85 was sunk on April 13, 1942, by the destroyer USS Roper. All 46 members of the crew were killed, the site is considered a war grave, and protected by the Sunken Military Craft Act.

U-85 is a very rare Type VIIB U-boat, one of only 24 built, and was the only Type VIIB U-boat lost off the U.S. East Coast during the war. This site has been officially listed on the National Register of Historic Places. U-85 now rests in approximately 100-110 feet of water about 14 miles east of Oregon Inlet. Between 2008 and 2015, Monitor NMS and partners have created multiple representations of the site including photomosaics and photogrammetry images. In addition to photographically produced data, high resolution multibeam surveys have been conducted of the site.

Credit: John McCord/UNC-Coastal Studies Institute

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385485
title: The Last Supper Photogrammetry test

description: A test with Agisoft Photoscan trial on a beewax sculpture of The Last Supper. The scanned model was remeshed with ZBrush and diffuse/normal maps were baked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385486
title: The Last Supper Photogrammetry test

description: A test with Agisoft Photoscan trial on a beewax sculpture of The Last Supper. The scanned model was remeshed with ZBrush and diffuse/normal maps were baked.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385488
title: 27 Stela of Irethoreru

description: Stela of Irethoreru (Dynasty 26) Third Intermediate Period. Archeological Museum of Bologna.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385487
title: 27 Stela of Irethoreru

description: Stela of Irethoreru (Dynasty 26) Third Intermediate Period. Archeological Museum of Bologna.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385489
title: Armband4 Zilverschat

description: Bij het proefsleuvenonderzoek werd in een geverfde beker een zilverschat gevonden. In de pot zaten 107 zilveren munten, zes zilveren armbanden, een grote verzilverde fibula en de restanten van een ketting. Deze schat is ergens in het laatste kwart van de tweede eeuw in de grond gestopt. Deze vondst wordt vooralsnog niet geïnterpreteerd als rituele depositie maar wordt meer gezien als een daad van wanhoop. 

During archaeological research a pot was found with 107 silver coins, 6 silver bracelets, a large fibula and remains of glass beads from a necklace. Dating: end second age AD. This find is interpreted not as a ritual deposition but as an act if despair.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385490
title: Armband4 Zilverschat

description: Bij het proefsleuvenonderzoek werd in een geverfde beker een zilverschat gevonden. In de pot zaten 107 zilveren munten, zes zilveren armbanden, een grote verzilverde fibula en de restanten van een ketting. Deze schat is ergens in het laatste kwart van de tweede eeuw in de grond gestopt. Deze vondst wordt vooralsnog niet geïnterpreteerd als rituele depositie maar wordt meer gezien als een daad van wanhoop. 

During archaeological research a pot was found with 107 silver coins, 6 silver bracelets, a large fibula and remains of glass beads from a necklace. Dating: end second age AD. This find is interpreted not as a ritual deposition but as an act if despair.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385491
title: Case

description: Case, is apart of the Indianapolis Motor Speedway Museum collection.

For more information visit: https://indyracingmuseum.org/

This object was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385492
title: Case

description: Case, is apart of the Indianapolis Motor Speedway Museum collection.

For more information visit: https://indyracingmuseum.org/

This object was 3D scanned using a Creaform Go Scan 50.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385493
title: Rei Melcior, Museu de la Garrotxa

description: **CAT** Figura de pessebre obra de Ramon Amadeu d'entre el 1800 i el 1821, feta amb fang i que representa a Melcior, un dels tres Reis d'Orient. Arriba al Museu de la Garrotxa com a donació del fons Renart l'any 1995.

**ES** Figura de belén, obra de Ramon Amadeu de entre 1800 y 1821, hecha de barro y que representa a Melchor, uno de los tres Reyes Magos. Llegó al Museo de la Garrotxa como donación del fondo Renart en 1995.

**EN** Figure from a nativity scene created by Ramon Amadeu between 1800 and 1821. Made of clay, it represents Melchior, one of the three biblical Magi. It was donated by the Renart collection the Museu de la Garrotxa in 1995.

Número de registre: MCGO 12000-281. [Adreça web >](https://museus.olot.cat/)

Fotografies: Aleix  Barberà. Processat: Néstor Marqués. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385494
title: Rei Melcior, Museu de la Garrotxa

description: **CAT** Figura de pessebre obra de Ramon Amadeu d'entre el 1800 i el 1821, feta amb fang i que representa a Melcior, un dels tres Reis d'Orient. Arriba al Museu de la Garrotxa com a donació del fons Renart l'any 1995.

**ES** Figura de belén, obra de Ramon Amadeu de entre 1800 y 1821, hecha de barro y que representa a Melchor, uno de los tres Reyes Magos. Llegó al Museo de la Garrotxa como donación del fondo Renart en 1995.

**EN** Figure from a nativity scene created by Ramon Amadeu between 1800 and 1821. Made of clay, it represents Melchior, one of the three biblical Magi. It was donated by the Renart collection the Museu de la Garrotxa in 1995.

Número de registre: MCGO 12000-281. [Adreça web >](https://museus.olot.cat/)

Fotografies: Aleix  Barberà. Processat: Néstor Marqués. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385496
title: Small Earthenware Pot: EOA:2022.111.18

description: Small earthenware pot from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.111.18

Collection: Earl of Abergavenny

Classification: Trade

Measurements: Diametre 75mm Height 105mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Small earthenware jar. Possibly on board as part of the ships cargo.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385495
title: Small Earthenware Pot: EOA:2022.111.18

description: Small earthenware pot from the wreck of the Earl Of Abergavenny.

ID: EOA:2022.111.18

Collection: Earl of Abergavenny

Classification: Trade

Measurements: Diametre 75mm Height 105mm

Date made: as yet unknown

Display: not on display

Manufacturer/Creator: as yet unknown

Credit: Portland Museum Trust

Small earthenware jar. Possibly on board as part of the ships cargo.

For more information about the Diving into the Digital Archives of the Earl of Abergavenny project click [here](https://portlandmuseum.co.uk/earl-of-abergavenny/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385497
title: Petroglyph KM21-18 Khatm Al Melaha, Sharjah.

description: Petroglyph KM21-18 Khatm Al Melaha, Sharjah. Unusual circle. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.


3D model created in Reality Capture using 124 images. Additional processing completed in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385498
title: Petroglyph KM21-18 Khatm Al Melaha, Sharjah.

description: Petroglyph KM21-18 Khatm Al Melaha, Sharjah. Unusual circle. Carvings still under investigation.

Probably Neolithic or earlier. These are common motifs in southern Arabia, Oman, and the UAE. Many similar motifs are found in "Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)."

After initial documentation in 2019, the site was revisited in 2021, with many new discoveries, and the additional documentation of some of the more important petroglyphs.

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.


3D model created in Reality Capture using 124 images. Additional processing completed in InstantMeshes and Geomagic Wrap.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385501
title: Petroglyph V18 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V18 Khatm Al Melaha, Kalba, Sharjah. One wild ass, one goat or Ibex, other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385502
title: Petroglyph V18 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph V18 Khatm Al Melaha, Kalba, Sharjah. One wild ass, one goat or Ibex, other poorly defined glyphs. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385503
title: Water Fountain, St James' Park, London, England

description: Water Fountain in St James Park, London UK. Three sided water fountain, still operational, in St James off Park, just off Horse Guards Parade.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385504
title: Water Fountain, St James' Park, London, England

description: Water Fountain in St James Park, London UK. Three sided water fountain, still operational, in St James off Park, just off Horse Guards Parade.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385505
title: Mandible of a Cave Bear

description: This is a 3D model of a fragmented cave bear mandible

The original object was found in a cave in southwestern Germany.

Dating: Pleistocene

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385506
title: Mandible of a Cave Bear

description: This is a 3D model of a fragmented cave bear mandible

The original object was found in a cave in southwestern Germany.

Dating: Pleistocene

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385507
title: Memorial Jan Pospíšil

description: Memorial Jan Pospíšil in Brno. A good reference or gameobject to a computer game. 

Photogrammetry from 187 photos.

Link to Google Street View:
[https://goo.gl/maps/QYUFepbo78n](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385508
title: Memorial Jan Pospíšil

description: Memorial Jan Pospíšil in Brno. A good reference or gameobject to a computer game. 

Photogrammetry from 187 photos.

Link to Google Street View:
[https://goo.gl/maps/QYUFepbo78n](http://)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385510
title: Moche Vessel from Max Uhle Collections

description: The Moche Skeletal Potato Bottle from the pre-Inca Moche civilization (ca. 250–850 CE)
possesses a bizarre appearance that arrests the attention of the foreign observer. The widened eyes and rounded configurations that form the iris are echoed on the upward-cut nose and in the suggestion of a pointed tongue that peaks from its gaping toothed mouth. These circular shapes form an inverted triangle, opposing the triangle formation of the nose and repeatedly occur on the top, sides and back of the head. The copiously decorated surface is painted in fine-line style characteristic of Moche ceramics, and the careful arrangement of designs presents a bilateral symmetry. The most intriguing pattern independent of its expressionistic features is a geometric border that wraps around the curvature of the forehead. The bottom boarder of the bottle, might represent a sequence of larvae transitioning into flying insects depicted on the skeletal head.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385509
title: Moche Vessel from Max Uhle Collections

description: The Moche Skeletal Potato Bottle from the pre-Inca Moche civilization (ca. 250–850 CE)
possesses a bizarre appearance that arrests the attention of the foreign observer. The widened eyes and rounded configurations that form the iris are echoed on the upward-cut nose and in the suggestion of a pointed tongue that peaks from its gaping toothed mouth. These circular shapes form an inverted triangle, opposing the triangle formation of the nose and repeatedly occur on the top, sides and back of the head. The copiously decorated surface is painted in fine-line style characteristic of Moche ceramics, and the careful arrangement of designs presents a bilateral symmetry. The most intriguing pattern independent of its expressionistic features is a geometric border that wraps around the curvature of the forehead. The bottom boarder of the bottle, might represent a sequence of larvae transitioning into flying insects depicted on the skeletal head.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385511
title: Deposito Votivo02

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385512
title: Deposito Votivo02

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385513
title: Round Shield - Game Model

description: This model was first built in high poly mesh (sculpt), then made retopology and painting.

*100% made in Blender*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385514
title: Round Shield - Game Model

description: This model was first built in high poly mesh (sculpt), then made retopology and painting.

*100% made in Blender*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385515
title: Nichijou - Shrine

description: Material de estudo - projeto feito na escola Zion 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385516
title: Nichijou - Shrine

description: Material de estudo - projeto feito na escola Zion 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385517
title: Petroglyph V15 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V15 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385518
title: Petroglyph V15 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph V15 Khatm Al Melaha, Kalba, Sharjah. Nubian Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10385520
title: A sword hilt from Vimose (cat. no. A762.13)

description: The 3D model presents a digital reconstruction of a sword hilt found in Vimose, Denmark.

Date: 2nd –3rd century AD.

Description: Top rivet: bronze and/or silver; height c. 24 mm; diameter c. 38 mm. Pommel: ivory; width c. 60-62 mm; height c. 48 mm. Handle: wood or bone core covered in silver sheet; width c. 26 mm (and 30 mm including the rings); height c. 84 mm. Cross guard: ivory; width c. 62 mm; height c. 40 mm.

Literature: Miks, C. (2007) Studien zur römischen Schwertbewaffnung in der Kaiserzeit. Verlag Marie Leidorf GmbH, Rahden, 754, pl. 174

The authors of the reconstruction are 

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design)
https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) 
https://independent.academia.edu/MariiaMoskvina

Martijn A. Wijnhoven (VU University Amsterdam)
https://vu-nl.academia.edu/MartijnAWijnhoven

Source: Objaverse 1.0 / Sketchfab