cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.1443573.v1
title: PACE Label Study

description: The included dataset contains three Excel files generated by Survey Sampling International (SSI) for our study. Collectively, the files contain all of the raw data from our studies. The "Map" file contains descriptors of the labels used in the "Final_Excel" file.
DOI: 10.6084/m9.figshare.1444025.v9
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickAAS2015
DOI: 10.6084/m9.figshare.1444025.v10
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1444025.v11
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1444025.v12
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441385
title: Bank data

description: Data bank of anemia
DOI: 10.6084/m9.figshare.1442470
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1441381
title: Mass spec analysis of E14tg2a_4 microvesicles

description: A mass spectrometry analysis of E14tg2a.4 embryonic stem cell microvesicles.
DOI: 10.6084/m9.figshare.1441385.v1
title: Bank data

description: Data bank of anemia
DOI: 10.6084/m9.figshare.1441367
title: Gaussian Job Archive for C20H20Cl2O6

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1444025.v13
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441367.v1
title: Gaussian Job Archive for C20H20Cl2O6

description: Archive of work produced using the resources of the Imperial College High Performance Computing Service.
DOI: 10.6084/m9.figshare.1441381.v1
title: Mass spec analysis of E14tg2a_4 microvesicles

description: A mass spectrometry analysis of E14tg2a.4 embryonic stem cell microvesicles.
DOI: 10.6084/m9.figshare.1442470.v1
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1441364
title: Kultura Współczesna 2/2013 - Sztuka współpracy / Contemporary Culture 2/2013 - The Art of Cooperation

description: Tytułowa kategoria „sztuki współpracy” wydaje się dobrze oddawać tendencje obserwowane w praktykach artystycznych przełomu XX i XXI wieku, ujmowanych na różne sposoby przez Miwon Kwon, Rosalyn Deutsche, Granta Kestera, Nicolasa Bourriauda czy Claire Bishop w ramy tak zwanego „zwrotu społecznego”, który miałby być konsekwentnie wynikającą z przemian sztuki dwudziestowiecznej, a jednak nową i specyficzną formą operowania sztuki w przestrzeni publicznej. Autorzy zgromadzonych w niniejszym tomie tekstów podejmują się zarówno uzasadnienia, jak i krytycznego namysłu nad stosowaniem owej kategorii w aktualnej refleksji naukowej i debatach związanych ze sztuką, ale także z praktykami badawczymi, edukacyjnymi czy z popularnymi praktykami kulturowymi. Podejmują problem, który wybrzmiewa również w inaugurujących ten tom wypowiedziach wpływowego teoretyka collaborative art, Granta Kestera: na ile współpraca w praktyce artystycznej jest jej trwałym i od dawna obecnym elementem, a na ile stanowi „nowy paradygmat” w sztuce? Celem, jaki stawiają sobie autorki i autorzy zamieszczonych w tym numerze „Kultury Współczesnej” artykułów, jest również wypracowanie krytycznego namysłu nad „rodzinnie podobnymi” pojęciami, które trwalej niż tytułowe zagadnienie zadomowiły się w anglosaskiej teorii sztuki, takimi jak sztuka partycypacyjna, community-based art czy sztuka relacyjna
DOI: 10.6084/m9.figshare.1444025.v14
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441364.v1
title: Kultura Współczesna 2/2013 - Sztuka współpracy / Contemporary Culture 2/2013 - The Art of Cooperation

description: Tytułowa kategoria „sztuki współpracy” wydaje się dobrze oddawać tendencje obserwowane w praktykach artystycznych przełomu XX i XXI wieku, ujmowanych na różne sposoby przez Miwon Kwon, Rosalyn Deutsche, Granta Kestera, Nicolasa Bourriauda czy Claire Bishop w ramy tak zwanego „zwrotu społecznego”, który miałby być konsekwentnie wynikającą z przemian sztuki dwudziestowiecznej, a jednak nową i specyficzną formą operowania sztuki w przestrzeni publicznej. Autorzy zgromadzonych w niniejszym tomie tekstów podejmują się zarówno uzasadnienia, jak i krytycznego namysłu nad stosowaniem owej kategorii w aktualnej refleksji naukowej i debatach związanych ze sztuką, ale także z praktykami badawczymi, edukacyjnymi czy z popularnymi praktykami kulturowymi. Podejmują problem, który wybrzmiewa również w inaugurujących ten tom wypowiedziach wpływowego teoretyka collaborative art, Granta Kestera: na ile współpraca w praktyce artystycznej jest jej trwałym i od dawna obecnym elementem, a na ile stanowi „nowy paradygmat” w sztuce? Celem, jaki stawiają sobie autorki i autorzy zamieszczonych w tym numerze „Kultury Współczesnej” artykułów, jest również wypracowanie krytycznego namysłu nad „rodzinnie podobnymi” pojęciami, które trwalej niż tytułowe zagadnienie zadomowiły się w anglosaskiej teorii sztuki, takimi jak sztuka partycypacyjna, community-based art czy sztuka relacyjna
DOI: 10.6084/m9.figshare.1442470.v2
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1444025.v15
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441361
title: Ontologie polityczne sztuki. Lenin, estetyka relacyjna i produkcja biopolityczna / Political Ontologies of Art. Lenin, Relational Aesthetics and Biopolitical Production

description: <strong>POLITICAL ONTOLOGIES OF ART. LENIN, RELATIONAL AESTHETICS</strong> <strong>AND BIOPOLITICAL PRODUCTION</strong><br>The entanglement of art in capitalism makes the artistic production particularly interesting from the perspective of the Marxist analysis. On the one hand, art is a place where you can really see the mechanisms that constitute the logic of the entire system. On the other hand, it can become a field of a possible resistance. To understand today’s discussions about the relationship between the contemporary art and politics, the author proposes to look at the ontological-political presumption of this dispute. One of the theses of this article states, that political results (if any) may be obtained by means of art only through art theorisation in context of changes in the contemporary capitalism. A good example of the theory remaining close to the changes that make the work performed by us based on the production of knowledge and affects is the Nicolas Bourriaud’s relational aesthetics. The transitions in art diagnosed by Bourriaud, which have been taking place since the 1990s, referred to as relational art prove, that political art does not have to be based on direct and controversial interventions, but on a different shaping of our political imagination. Hence, not only is the contemporary art understood in such a way a place of constantly increasing (unfortunately) exploitation, it also holds within a potential for performative production of new political ideas and egalitarian subjectivity.
DOI: 10.6084/m9.figshare.1441363
title: „Co” wizualnego w sztuce partycypacji? Polityka patrzenia jako praktyka aktywnego uczestnictwa / “WHAT” VISUAL IN PARTICIPATORY ART

description: <strong>“WHAT” VISUAL IN PARTICIPATORY ART</strong><br>The polemics of Claire Bishop and Nicolas Bourriaud loomed the need to determine the role of visual art within the art of cooperation. The role of retaining the visual for artistic practices of participation has been repeated in many gestures of viewer emancipation discourse as well as subversive, visual practices on the grounds of American film avant-garde. The problems of neutralizing dichotomies, activeness - passiveness, looking – acting, interior – exterior have been incorporated in concepts of pedagogical emancipation of creator and recipient by Jacques Ranciere. The text shows the possibilities of unreeling it by performative concept of sign, and the visual as “the third element” of communication through art.
DOI: 10.6084/m9.figshare.1441362
title: Między nienawiścią do demokracji a współpracą. Sztuka partycypacyjna, romantyzm i władza / In-between hatred to democracy and cooperation. Participatory art, romanticism and power

description: IN-BETWEEN HATRED TO DEMOCRACY AND COOPERATION. PARTICIPATORY ART, ROMANTICISM AND POWER <br>In my article I see about the Jacquesa Rancière’s and Claire Bishop’s criticism of participatory art. I discuss tensions between democracy and community based on examples of practices by Roman Dziadkiewicz, Paweł Althamer and Artur Żmijewski I point out obscure results of participatory<br>activities – new forms of community, radical empowerment of democracy and developing new forms of contestation of capitalist trade market. In the end I state that limiting analyses of the works only to their didactic, sadistic and manipulative qualities is a crucial shortcoming of their criticism.
DOI: 10.6084/m9.figshare.1441363.v1
title: „Co” wizualnego w sztuce partycypacji? Polityka patrzenia jako praktyka aktywnego uczestnictwa / “WHAT” VISUAL IN PARTICIPATORY ART

description: <strong>“WHAT” VISUAL IN PARTICIPATORY ART</strong><br>The polemics of Claire Bishop and Nicolas Bourriaud loomed the need to determine the role of visual art within the art of cooperation. The role of retaining the visual for artistic practices of participation has been repeated in many gestures of viewer emancipation discourse as well as subversive, visual practices on the grounds of American film avant-garde. The problems of neutralizing dichotomies, activeness - passiveness, looking – acting, interior – exterior have been incorporated in concepts of pedagogical emancipation of creator and recipient by Jacques Ranciere. The text shows the possibilities of unreeling it by performative concept of sign, and the visual as “the third element” of communication through art.
DOI: 10.6084/m9.figshare.1444025.v16
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441361.v1
title: Ontologie polityczne sztuki. Lenin, estetyka relacyjna i produkcja biopolityczna / Political Ontologies of Art. Lenin, Relational Aesthetics and Biopolitical Production

description: <strong>POLITICAL ONTOLOGIES OF ART. LENIN, RELATIONAL AESTHETICS</strong> <strong>AND BIOPOLITICAL PRODUCTION</strong><br>The entanglement of art in capitalism makes the artistic production particularly interesting from the perspective of the Marxist analysis. On the one hand, art is a place where you can really see the mechanisms that constitute the logic of the entire system. On the other hand, it can become a field of a possible resistance. To understand today’s discussions about the relationship between the contemporary art and politics, the author proposes to look at the ontological-political presumption of this dispute. One of the theses of this article states, that political results (if any) may be obtained by means of art only through art theorisation in context of changes in the contemporary capitalism. A good example of the theory remaining close to the changes that make the work performed by us based on the production of knowledge and affects is the Nicolas Bourriaud’s relational aesthetics. The transitions in art diagnosed by Bourriaud, which have been taking place since the 1990s, referred to as relational art prove, that political art does not have to be based on direct and controversial interventions, but on a different shaping of our political imagination. Hence, not only is the contemporary art understood in such a way a place of constantly increasing (unfortunately) exploitation, it also holds within a potential for performative production of new political ideas and egalitarian subjectivity.
DOI: 10.6084/m9.figshare.1441360
title: Sztuka (przechwytu) współpracy, czyli artystyczna fabryka społeczna. O związkach estetyki relacyjnej i kapitalizmu kognitywnego / Jan Sowa, Art of (intercepting) cooperation or social-artistic factory. About the connection between relational aesthetics and cognitive capitalism

description: ART OF (INTERCEPTING) COOPERATION OR SOCIAL-ARTISTIC FACTORY. ABOUT THE CONNECTION BETWEEN RELATIONAL AESTHETICS AND COGNITIVE CAPITALISM The text is an analysis of relations between art of cooperation and modern world of post-fordist, cognitive capitalism. The author implies a long lasting tradition of interest in cooperation and trust in social sciences, which are most fully expressed in XX–century concept of social capital. In this context the art of cooperation appears to be an expression of socio-cultural tendencies and phenomena transcending beyond the field of art. According to the author projects realized within the frame of relational aesthetics and according to the participatory model not only express the way modern, cognitive capitalism functions but also manifold inclusive mechanisms of value appropriation and biopolitical exploitation.
DOI: 10.6084/m9.figshare.1441362.v1
title: Między nienawiścią do demokracji a współpracą. Sztuka partycypacyjna, romantyzm i władza / In-between hatred to democracy and cooperation. Participatory art, romanticism and power

description: IN-BETWEEN HATRED TO DEMOCRACY AND COOPERATION. PARTICIPATORY ART, ROMANTICISM AND POWER <br>In my article I see about the Jacquesa Rancière’s and Claire Bishop’s criticism of participatory art. I discuss tensions between democracy and community based on examples of practices by Roman Dziadkiewicz, Paweł Althamer and Artur Żmijewski I point out obscure results of participatory<br>activities – new forms of community, radical empowerment of democracy and developing new forms of contestation of capitalist trade market. In the end I state that limiting analyses of the works only to their didactic, sadistic and manipulative qualities is a crucial shortcoming of their criticism.
DOI: 10.6084/m9.figshare.1442470.v3
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1444025.v18
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441358
title: Do autonomii przez współpracę? Z Grantem H. Kesterem na temat jego koncepcji sztuki dialogicznej i kolaboratywnej rozmawiają Agata Skórzyńska i Piotr Juskowiak / Towards Autonomy through Cooperation. Agata Skórzyńska i Piotr Juskowiak talk to Grant H. Kester about his concept of dialogue and collaborative art

description: An interview with Grant H. Kester.
DOI: 10.6084/m9.figshare.1441360.v1
title: Sztuka (przechwytu) współpracy, czyli artystyczna fabryka społeczna. O związkach estetyki relacyjnej i kapitalizmu kognitywnego / Jan Sowa, Art of (intercepting) cooperation or social-artistic factory. About the connection between relational aesthetics and cognitive capitalism

description: ART OF (INTERCEPTING) COOPERATION OR SOCIAL-ARTISTIC FACTORY. ABOUT THE CONNECTION BETWEEN RELATIONAL AESTHETICS AND COGNITIVE CAPITALISM The text is an analysis of relations between art of cooperation and modern world of post-fordist, cognitive capitalism. The author implies a long lasting tradition of interest in cooperation and trust in social sciences, which are most fully expressed in XX–century concept of social capital. In this context the art of cooperation appears to be an expression of socio-cultural tendencies and phenomena transcending beyond the field of art. According to the author projects realized within the frame of relational aesthetics and according to the participatory model not only express the way modern, cognitive capitalism functions but also manifold inclusive mechanisms of value appropriation and biopolitical exploitation.
DOI: 10.6084/m9.figshare.1444025.v17
title: AAS_supplementary_data

description: This repository contains sample data and source code to reproduce the data figures in the submitted manuscript for the Archaeological and Anthropological Sciences: "Food processing and pottery use in the Early Bronze Age, Central part of the Korean Peninsula". This report is currently under review for publication. Active development of this repository is occuring at https://github.com/benmarwick/kwakmarwickaas2015
DOI: 10.6084/m9.figshare.1441357
title: Wprowadzenie – trudna sztuka współpracy / Introduction. Hard art of cooperation

description: <strong>INTRODUCTION. HARD ART OF COOPERATION</strong><br>The category of the art of cooperation brings out tendencies observed in artistic practices at the turn of XX and XXI century, referred to as “the social turn”. In this sense all the texts in this volume contribute to the introduction and validation of the “art of cooperation” category for the purpose of Polish scientific reflection and debates on modern art. Are we dealing with a new paradigm of thinking about public art; that is the question that accompanies the texts. The goal set by the authors for the volume is also to work out a critical answer to “familiar” concepts set in Anglo-Saxon art theory like participatory art, community-based art or relational art. Even though cooperation is their distinctive feature they differ in terms of level, form of engagement as well as distribution and results among the actors of the artistic process.
DOI: 10.6084/m9.figshare.1441355
title: Czy warto „zaczynać od kultury”? Chrześcijańskie inspiracje myśli Roberta Schumana na temat integracji w Europie / Is worth it to „start from culture”? Christian’s inspirations of Robert Schuman thought about European integration

description: Is worth it to „start from culture”? Christian’s inspirations of Robert Schuman thought about European integration
DOI: 10.6084/m9.figshare.1441356
title: Animacja lektury. W poszukiwaniu zagubionego czytelnika

description: Lecture animation. In searching for a lost leader
DOI: 10.6084/m9.figshare.1441358.v1
title: Do autonomii przez współpracę? Z Grantem H. Kesterem na temat jego koncepcji sztuki dialogicznej i kolaboratywnej rozmawiają Agata Skórzyńska i Piotr Juskowiak / Towards Autonomy through Cooperation. Agata Skórzyńska i Piotr Juskowiak talk to Grant H. Kester about his concept of dialogue and collaborative art

description: An interview with Grant H. Kester.
DOI: 10.6084/m9.figshare.1441356.v1
title: Animacja lektury. W poszukiwaniu zagubionego czytelnika

description: Lecture animation. In searching for a lost leader
DOI: 10.6084/m9.figshare.1441357.v1
title: Wprowadzenie – trudna sztuka współpracy / Introduction. Hard art of cooperation

description: <strong>INTRODUCTION. HARD ART OF COOPERATION</strong><br>The category of the art of cooperation brings out tendencies observed in artistic practices at the turn of XX and XXI century, referred to as “the social turn”. In this sense all the texts in this volume contribute to the introduction and validation of the “art of cooperation” category for the purpose of Polish scientific reflection and debates on modern art. Are we dealing with a new paradigm of thinking about public art; that is the question that accompanies the texts. The goal set by the authors for the volume is also to work out a critical answer to “familiar” concepts set in Anglo-Saxon art theory like participatory art, community-based art or relational art. Even though cooperation is their distinctive feature they differ in terms of level, form of engagement as well as distribution and results among the actors of the artistic process.
DOI: 10.6084/m9.figshare.1441355.v1
title: Czy warto „zaczynać od kultury”? Chrześcijańskie inspiracje myśli Roberta Schumana na temat integracji w Europie / Is worth it to „start from culture”? Christian’s inspirations of Robert Schuman thought about European integration

description: Is worth it to „start from culture”? Christian’s inspirations of Robert Schuman thought about European integration
DOI: 10.6084/m9.figshare.1442470.v4
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1442470.v6
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations
DOI: 10.6084/m9.figshare.1441326
title: Brain regions associated to a kinesthetic illusion evoked by watching a video of one's own moving hand

description: All fMRI raw data of the 14 participants in the Illusion experiment by Fuminari et al, PlosOne 2015
DOI: 10.6084/m9.figshare.1442470.v5
title: High resolution hydrology

description: Gridded rainfall rates derived from NEXRAD using simple Z-R relations