cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10288993
title: 101.ID.11 Arringatore Florence

description: This is a 3D model of an ancient bronze statue in the National Archaeology Museum, Florence. The hollow-cast Etruscan bronze statue depicts a man with his right arm outstretched. Found in Lake Trasimeno in 1566, this statue likely depicts a magistrate. The inscription along the bottom of his toga appears to translate to, "To (or from) Auli Meteli, the son of Vel and Vesi, Tenine (?) set up this statue as a votive offering to Sans, by deliberation of the people."

**Bibliography:** [_Khan Academy_](https://www.khanacademy.org/humanities/ancient-art-civilizations/etruscan/a/larringatore)

# Ancient World 3D
This model posting is part of Ancient World 3D, a project that provides curated 3D open access content for Classical Studies. Each model has an etched catalog# and [3D Printable frame](https://skfb.ly/6RnTn) for building a library. The [original model was posted by Scan the World](https://mmf.io/o/21430). This entry was composed by Joshua Mefford (Dr. Elizabeth Thill, advisor).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288994
title: 101.ID.11 Arringatore Florence

description: This is a 3D model of an ancient bronze statue in the National Archaeology Museum, Florence. The hollow-cast Etruscan bronze statue depicts a man with his right arm outstretched. Found in Lake Trasimeno in 1566, this statue likely depicts a magistrate. The inscription along the bottom of his toga appears to translate to, "To (or from) Auli Meteli, the son of Vel and Vesi, Tenine (?) set up this statue as a votive offering to Sans, by deliberation of the people."

**Bibliography:** [_Khan Academy_](https://www.khanacademy.org/humanities/ancient-art-civilizations/etruscan/a/larringatore)

# Ancient World 3D
This model posting is part of Ancient World 3D, a project that provides curated 3D open access content for Classical Studies. Each model has an etched catalog# and [3D Printable frame](https://skfb.ly/6RnTn) for building a library. The [original model was posted by Scan the World](https://mmf.io/o/21430). This entry was composed by Joshua Mefford (Dr. Elizabeth Thill, advisor).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289004
title: Grave Monument for a Little Girl

description: At Mt. Pleasant Cemetery is this beautiful grave monument for 9 year old Mary Braley, who died in 1905. It is especially touching as the monument shows things that relate to a child, such as the small straw hat, the little boots with socks coming out and a symbol of life cut short with the tree stump and the ivy growing in memory around it. I admire how her parents celebrated her memory with this beautiful memorial to her. As I photographed the monument, my assumption that it was some type of a stone cast became wrong as I could see the tool marks in protected spots. This was all hand carved. Wow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288981
title: Rozovi Pavioln

description: Это модель розового павильёна в городе России Санк-Петербург.This is a model of a pink pavilion in the Russian city of St. Petersburg.**Не забудьте наложить текстуры!!! **Don't forget to apply textures!!!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288991
title: ROI019-113-05

description: Matanzas Point collected in Wabash County, Indiana.

Catalog #: 12-Wb-419-29

Uploaded by: Carson Wright

Christine Thompson, Gwyn Harris, and Kevin C. Nolan, 2021. ROI019-113-05, 3D Model .ply file. Recovered as part of Report of Investigations 19, *Paleo-Indian and Early Archaic in the Upper Wabash Drainage*, Jeffrey Holstein and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288997
title: Over Glenny 12, Port of Menteith

description: Located within a field of rough grazing, a top a small knoll, this outcrop has two different areas of carving. The upper panel to the north is square in shape (1.6 x 1.6 m) and decorated across the flat upper surface which gently slopes to the SW. It has been carved with numerous motifs including cup and ring (where the cup is slight raised on a boss inside the ring), a double arc with adjacent cupmark, and cupmarks. Some have been weathered substantially, where others have only just been uncovered as part of this research project. 
The lower panel is much longer and oval in shape at around 3.4 by 1.8 m in size. It has been decorated with a range of motifs, primarily rings with no central cups, a small, rough arc, and two cup and rings one of which has a short tail. Again, the majority of these motifs have been heavily weathered and are only really visible in direct, low sunlight.
For more information see: 
https://canmore.org.uk/site/87394/over-glenny

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288998
title: Over Glenny 12, Port of Menteith

description: Located within a field of rough grazing, a top a small knoll, this outcrop has two different areas of carving. The upper panel to the north is square in shape (1.6 x 1.6 m) and decorated across the flat upper surface which gently slopes to the SW. It has been carved with numerous motifs including cup and ring (where the cup is slight raised on a boss inside the ring), a double arc with adjacent cupmark, and cupmarks. Some have been weathered substantially, where others have only just been uncovered as part of this research project. 
The lower panel is much longer and oval in shape at around 3.4 by 1.8 m in size. It has been decorated with a range of motifs, primarily rings with no central cups, a small, rough arc, and two cup and rings one of which has a short tail. Again, the majority of these motifs have been heavily weathered and are only really visible in direct, low sunlight.
For more information see: 
https://canmore.org.uk/site/87394/over-glenny

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289000
title: Stele of a banquet scene

description: Votive stele, 4th century BC. AD, Marble. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 315 pictures with RealityCapture.

This relief combines two motifs: a banquet scene and a devotional scene. In the center, a bearded man is lying on a banquet bed, holding in his left hand a rhyton, a drinking vessel of Persian origin. On her bed, a seated woman pushes a section of her coat away from her face, a gesture that designates her as his wife. On the right, a butler fills a jug with wine by drawing from a crater, completing the banquet scene. To the left is a separate group, 'made up of a couple, the man before the woman, and their two children.
The hero or god, whose exact identity cannot be established without registration, appears as an eternal banqueter accompanied by his wife. The family who erected the monument is represented paying homage to it. 

For more updates, please consider to follow me on Twittert at @GeoffreyMarchal (https://twitter.com/GeoffreyMarchal).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289001
title: Nicaragua

description: [Nicaragua](https://en.wikipedia.org/wiki/Nicaragua) is the largest country in the Central American isthmus, bordered by Honduras to the northwest, the Caribbean to the east, Costa Rica to the south, and the Pacific Ocean to the southwest. Managua is the country's capital and largest city and is also the third-largest city in Central America, behind Tegucigalpa and Guatemala City. The multi-ethnic population of six million includes people of indigenous, European, African, and Asian heritage. The main language is Spanish. Indigenous tribes on the Mosquito Coast speak their own languages and English.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289003
title: Grave Monument for a Little Girl

description: At Mt. Pleasant Cemetery is this beautiful grave monument for 9 year old Mary Braley, who died in 1905. It is especially touching as the monument shows things that relate to a child, such as the small straw hat, the little boots with socks coming out and a symbol of life cut short with the tree stump and the ivy growing in memory around it. I admire how her parents celebrated her memory with this beautiful memorial to her. As I photographed the monument, my assumption that it was some type of a stone cast became wrong as I could see the tool marks in protected spots. This was all hand carved. Wow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289006
title: Rocca Calascio - RAWscan

description: Rocca Calascio is a mountaintop fortress or rocca in the Province of L'Aquila in Abruzzo, Italy.
Built of stone and masonry exclusively for military purposes and intended only to accommodate troops and never as residence for nobles, the fortress overlooks the Plain of Navelli at one of the highest points in the ancient Barony of Carapelle.
Santa Maria della Pietà and Rocca Calascio.
Construction of the fortress started in the tenth century as a single watchtower. A walled courtyard with four cylindrical towers at the corners around a taller inner tower was added in the thirteenth century. The lower half of the fortress is built with distinctively larger stones than its upper half. It is believed that this feature was to make its base impenetrable to invaders. The fortress was never tested in battle. However, it was badly damaged in November 1461 by an earthquake with an estimated magnitude of 7 to 8 on the Richter Scale.
wikipedia

coordinates: 42.328889, 13.688944

photogrammetry from  video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288999
title: Stele of a banquet scene

description: Votive stele, 4th century BC. AD, Marble. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 315 pictures with RealityCapture.

This relief combines two motifs: a banquet scene and a devotional scene. In the center, a bearded man is lying on a banquet bed, holding in his left hand a rhyton, a drinking vessel of Persian origin. On her bed, a seated woman pushes a section of her coat away from her face, a gesture that designates her as his wife. On the right, a butler fills a jug with wine by drawing from a crater, completing the banquet scene. To the left is a separate group, 'made up of a couple, the man before the woman, and their two children.
The hero or god, whose exact identity cannot be established without registration, appears as an eternal banqueter accompanied by his wife. The family who erected the monument is represented paying homage to it. 

For more updates, please consider to follow me on Twittert at @GeoffreyMarchal (https://twitter.com/GeoffreyMarchal).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289002
title: Nicaragua

description: [Nicaragua](https://en.wikipedia.org/wiki/Nicaragua) is the largest country in the Central American isthmus, bordered by Honduras to the northwest, the Caribbean to the east, Costa Rica to the south, and the Pacific Ocean to the southwest. Managua is the country's capital and largest city and is also the third-largest city in Central America, behind Tegucigalpa and Guatemala City. The multi-ethnic population of six million includes people of indigenous, European, African, and Asian heritage. The main language is Spanish. Indigenous tribes on the Mosquito Coast speak their own languages and English.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289005
title: Rocca Calascio - RAWscan

description: Rocca Calascio is a mountaintop fortress or rocca in the Province of L'Aquila in Abruzzo, Italy.
Built of stone and masonry exclusively for military purposes and intended only to accommodate troops and never as residence for nobles, the fortress overlooks the Plain of Navelli at one of the highest points in the ancient Barony of Carapelle.
Santa Maria della Pietà and Rocca Calascio.
Construction of the fortress started in the tenth century as a single watchtower. A walled courtyard with four cylindrical towers at the corners around a taller inner tower was added in the thirteenth century. The lower half of the fortress is built with distinctively larger stones than its upper half. It is believed that this feature was to make its base impenetrable to invaders. The fortress was never tested in battle. However, it was badly damaged in November 1461 by an earthquake with an estimated magnitude of 7 to 8 on the Richter Scale.
wikipedia

coordinates: 42.328889, 13.688944

photogrammetry from  video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289007
title: Armband3 Zilverschat

description: Bij het proefsleuvenonderzoek werd in een geverfde beker een zilverschat gevonden. In de pot zaten 107 zilveren munten, zes zilveren armbanden, een grote verzilverde fibula en de restanten van een ketting. Deze schat is ergens in het laatste kwart van de tweede eeuw in de grond gestopt. Deze vondst wordt vooralsnog niet geïnterpreteerd als rituele depositie maar wordt meer gezien als een daad van wanhoop. 

During archaeological research a pot was found with 107 silver coins, 6 silver bracelets, a large fibula and remains of glass beads from a necklace. Dating: end second age AD. This find is interpreted not as a ritual deposition but as an act if despair.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289008
title: Armband3 Zilverschat

description: Bij het proefsleuvenonderzoek werd in een geverfde beker een zilverschat gevonden. In de pot zaten 107 zilveren munten, zes zilveren armbanden, een grote verzilverde fibula en de restanten van een ketting. Deze schat is ergens in het laatste kwart van de tweede eeuw in de grond gestopt. Deze vondst wordt vooralsnog niet geïnterpreteerd als rituele depositie maar wordt meer gezien als een daad van wanhoop. 

During archaeological research a pot was found with 107 silver coins, 6 silver bracelets, a large fibula and remains of glass beads from a necklace. Dating: end second age AD. This find is interpreted not as a ritual deposition but as an act if despair.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289009
title: Coin of the father of the first Russian emperor.

description: Coin of the father of the first Russian emperor. Monetary unit: efimok. Denomination: 1. Year of issue: 1655. Material: silver. Obverse: St. George the Victorious fights a dragon. The badge of Tsar Alexei Mikhailovich is stamped on the German coin: "FRANKFURT AM MAIN 1 Thaler 1634".Tsar of all Russia Alexei Mikhailovich is the father of the creator of the Russian Empire, Peter I the Great.

Монета отца первого русского императора. Денежная единица: ефимок. Номинал: 1. Год выпуска: 1655 год. Материал: серебро. Аверс: Георгий Победоносец сражается с драконом. Знак царя Алексей Михайловича штампован на монете Германии: «FRANKFURT AM MAIN 1 Thaler 1634».

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289010
title: Coin of the father of the first Russian emperor.

description: Coin of the father of the first Russian emperor. Monetary unit: efimok. Denomination: 1. Year of issue: 1655. Material: silver. Obverse: St. George the Victorious fights a dragon. The badge of Tsar Alexei Mikhailovich is stamped on the German coin: "FRANKFURT AM MAIN 1 Thaler 1634".Tsar of all Russia Alexei Mikhailovich is the father of the creator of the Russian Empire, Peter I the Great.

Монета отца первого русского императора. Денежная единица: ефимок. Номинал: 1. Год выпуска: 1655 год. Материал: серебро. Аверс: Георгий Победоносец сражается с драконом. Знак царя Алексей Михайловича штампован на монете Германии: «FRANKFURT AM MAIN 1 Thaler 1634».

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289011
title: Torrowangea rosei

description: **Icnoespecie:** *Torrowangea rosei* 
**Descripción:** Estructura de galerías subhorizontales sinusoides finas que se cruzan y/o ramifican.  . Galerias entre 1´5 y 2 milímetros de ancho y 0´5 mm de alto. Se atribuyen a organismos vermiformes.
**Número(**: MGUV 2253
**Edad:** Cámbámbrico)
**Localidad: ** Badajoz, España. 
**Clasificación etológica:** Pasichnia 
**Icnofacies:** Nereites
**Técnica digitalización / modelo:** escáner 3D de luz estructurada (Einscan Pro)
**Software empleado:** einscan Pro v3.1.
**Parámetros software:** modo fijo con plataforma giratoria, 10 escaneos, calidad media 
Archivo 3D:** Obj 126 Mb , textura JPG 2,4 Mb
**Autor escáner y procesado:** Jose A. Villena
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural
**Donación:**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289012
title: Torrowangea rosei

description: **Icnoespecie:** *Torrowangea rosei* 
**Descripción:** Estructura de galerías subhorizontales sinusoides finas que se cruzan y/o ramifican.  . Galerias entre 1´5 y 2 milímetros de ancho y 0´5 mm de alto. Se atribuyen a organismos vermiformes.
**Número(**: MGUV 2253
**Edad:** Cámbámbrico)
**Localidad: ** Badajoz, España. 
**Clasificación etológica:** Pasichnia 
**Icnofacies:** Nereites
**Técnica digitalización / modelo:** escáner 3D de luz estructurada (Einscan Pro)
**Software empleado:** einscan Pro v3.1.
**Parámetros software:** modo fijo con plataforma giratoria, 10 escaneos, calidad media 
Archivo 3D:** Obj 126 Mb , textura JPG 2,4 Mb
**Autor escáner y procesado:** Jose A. Villena
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural
**Donación:**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289013
title: COADS_204-7

description: Diagnostic biface collected in Pickaway County, Ohio.
Material: Upper Mercer

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Michael Shott, Sidney Travis, and Kendall Brophy, 2017. COADS_204-7, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289014
title: COADS_204-7

description: Diagnostic biface collected in Pickaway County, Ohio.
Material: Upper Mercer

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Michael Shott, Sidney Travis, and Kendall Brophy, 2017. COADS_204-7, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289032
title: House

description: Village house

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289018
title: Gorodišče

description: Gorodiščes 3D modelis. Koordinātas: 55.8975, 27.53222

https://www.latvijas-pilskalni.lv/gorodisce/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289019
title: Gorodišče

description: Gorodiščes 3D modelis. Koordinātas: 55.8975, 27.53222

https://www.latvijas-pilskalni.lv/gorodisce/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289020
title: 49 - Al Baa'ist اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْبَاعِثُ	AL-BA'ITH	The Infuser of New Life

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289021
title: 49 - Al Baa'ist اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْبَاعِثُ	AL-BA'ITH	The Infuser of New Life

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289023
title: High Carr 03 (April 2012)

description: Prehistoric carved outcrop, found on private farmland NW of Riddlesden, Keighley, West Yorkshire.

This exposure is one of six carved close to each other and is referenced IAG35 in Boughey & Vickerman's 2003 publication 'Prehistoric Rock Art of the West Riding'. The CSI: Rombalds Moor project referenced the section 'High Carr 03' on ERA in 2013. Both archives describe cups and possible grooves.

Historic England listing: https://historicengland.org.uk/listing/the-list/list-entry/1011733

ERA Record: https://archaeologydataservice.ac.uk/era/section/panel/details.jsf?eraId=2254

This decimated model was created from 11 stereo pairs captured by Richard Stroud (CSI team) in April 2012. The imagery forms part of the HLF funded CSI: Rombalds Moor / Watershed Landscape Project archive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289024
title: High Carr 03 (April 2012)

description: Prehistoric carved outcrop, found on private farmland NW of Riddlesden, Keighley, West Yorkshire.

This exposure is one of six carved close to each other and is referenced IAG35 in Boughey & Vickerman's 2003 publication 'Prehistoric Rock Art of the West Riding'. The CSI: Rombalds Moor project referenced the section 'High Carr 03' on ERA in 2013. Both archives describe cups and possible grooves.

Historic England listing: https://historicengland.org.uk/listing/the-list/list-entry/1011733

ERA Record: https://archaeologydataservice.ac.uk/era/section/panel/details.jsf?eraId=2254

This decimated model was created from 11 stereo pairs captured by Richard Stroud (CSI team) in April 2012. The imagery forms part of the HLF funded CSI: Rombalds Moor / Watershed Landscape Project archive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289025
title: Rivock 24b (March 2012)

description: A probable prehistoric carved rock found on open access moorland in the Rivock area of Rombalds Moor, West Yorkshire. 

This carving was first notified to the CSI: Rombalds Moor project by local rock art researcher Paul Bowers. The CSI team recorded the stone 'Rivock 24b' on ERA in 2013, describing: 

'Irregular, low lying, domed, coarse-grained sandstone, earthfast boulder measuring 1.08m x 0.63m x 0.14m high, mostly under moss and vegetation cover. To E of panel, two cup-like depressions 13cm apart (centre to centre), each approx 3.5cm diameter.'

One of the cups appears countersunk in a larger, shallower depression. A third cup may also be present lower on the stone, forming the narrow point of a triangle. However, it's difficult to be certain about the origin of this depression. 

This decimated model was created from 2 stereo pairs captured by Dave Spencer and Peter Butler (CSI Team) in March 2012. The imagery forms part of the HLF funded CSI: Rombalds Moor / Watershed Landscape Project archive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10289027
title: Medieval Crossbow

description: This is a model of a crossbow used in Europe in medieval times. I am currently using it for a school project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6085/aa/srsxxx_015mtbd014r00_20060420.50.3
title: PISCO: Physical Oceanography: moored temperature data: Santa Rosa Island, California, USA (SRS)

description: This metadata record describes moored seawater temperature data collected at Santa Rosa Island, California, USA, by PISCO. Measurements were collected using StowAway Tidbit Temperature Loggers (Onset Computer Corp. TBIC32+4+27) beginning 2006-04-20. The instrument depth was 014 meters, in an overall water depth of 015 meters (both relative to Mean Sea Level, MSL). The sampling interval was 2.0 minutes.
DOI: 10.6085/aa/srsxxx_015mtbd014r00_20060420.50.4
title: PISCO: Physical Oceanography: moored temperature data: Santa Rosa Island, California, USA (SRS)

description: This metadata record describes moored seawater temperature data collected at Santa Rosa Island, California, USA, by PISCO. Measurements were collected using StowAway Tidbit Temperature Loggers (Onset Computer Corp. TBIC32+4+27) beginning 2006-04-20. The instrument depth was 014 meters, in an overall water depth of 015 meters (both relative to Mean Sea Level, MSL). The sampling interval was 2.0 minutes.
DOI: 10.6085/aa/srsxxx_015mtbd014r00_20060420.50.5
title: PISCO: Physical Oceanography: moored temperature data: Santa Rosa Island, California, USA (SRS)

description: This metadata record describes moored seawater temperature data collected at Santa Rosa Island, California, USA, by PISCO. Measurements were collected using StowAway Tidbit Temperature Loggers (Onset Computer Corp. TBIC32+4+27) beginning 2006-04-20. The instrument depth was 014 meters, in an overall water depth of 015 meters (both relative to Mean Sea Level, MSL). The sampling interval was 2.0 minutes.