cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m18251
title: Painting by Hofmann depicting the head of Christ with halo, [s.d.]

description: Photograph of a painting by Hofmann depicting Christ with halo, [s.d.]. Christ is pictured from the shoulders up, facing the viewer. He appears to have a burlap tunic over his torso, which is in turn partially covered by what appears to be linen robes. Emanating from behind the head, short rays of light make a halo. See CHS-8734B for a nearly identical painting without a halo.
DOI: 10.25549/chs-m18887
title: Exterior view of the restored San Diego Alcala Mission, ca.1900

description: Photograph of an exterior view of the restored San Diego Alcala Mission, ca.1900. To the left, a four-story adobe bell tower is visible, tapering upwards with two bells at each level until the summit, where only one is installed. At center, the entrance to the chapel is pictured, also adobe, with two walls funneling in towards the wooden double-doors. Above this, a narrow, barred window is situated. Farther right, an adobe shack without spackle is visible, featuring a wood plank roof. Palm fronds lean into the foreground from out of the frame.
DOI: 10.25549/chs-m18406
title: The painting "The Good Shepherd" by Shields depicting Jesus surrounded by sheep, [s.d.]

description: Photograph of the painting "The Good Shepherd" by Shields, depicting Jesus surrounded by sheep, [s.d.]. Christ stands at the center of the painting dressed in his robes. Under each arm, he holds a lamb while fully grown sheep flock around him to either side. A halo of light emanates from his head, which is crowned with thorns. Forest leaves frame the piece, while tree trunks can be seen in the background.
DOI: 10.25549/chs-m18407
title: The painting "Ruth and Naiomi" by Calderon, ca.1886

description: Photograph of the painting "Ruth and Naiomi" by Calderon, ca.1886. A man and a woman embrace to the left in what appears to be the North American desert, a large cactus visible in the background. The man wears the robes of a Sikh, much like the second person to the right, who appears to be carrying luggage for the woman and whose gender is indeterminate. Desert hills riddled with palm trees fill the background.; Picture file card reads: "r.a. 1833-1898" as well as attributing the following quote to C.C. Pierce,  "This picture of Ruth and Naomi was exhibited at Burlington House in 1886, was purchased the same year for the Walker Art Gallery, Liverpool. It illustrates of course the first book of Ruth. Philip Hermogene Calderon was born at poitiers in 1883, a descendent of Don Pedro Calderon de la Barca. His father came to Kings College as Professor of Spanish Literature so Philip had all the advantages of art training in London and Paris".
DOI: 10.25549/chs-m18405
title: The painting "Master, It is I" by Adolph Schmitz, depicting the Jesus Christ and his followers, [s.d.]

description: Photograph of the painting "Master, It is I" by Adolph Schmitz, depicting the Jesus Christ and his followers, [s.d.]. Christ sits at what is assumedly the table of the Last Supper, his right hand over a loaf of bread. Behind him, dressed in dark robes to contrast his white robes, three of his followers attend him. Directly behind, a man with a salt-and-pepper beard appears to be making an argument to the disciple at the left, who gestures towards himself. To the right, the third disciple clings to Christs side, looking up at him.
DOI: 10.25549/chs-m18281
title: The painting "The Gladiators" by Italian artist Maccari, 1800-1899

description: Photograph of the painting "The Gladiators" by Italian artist Maccari, 1800-1899. Gladiators lie dead or stand in armor, filling the stadium while a man at center in a cloak appears to be accusing someone. The emperor's box can be seen to the right, while the general stands can be seen behind to the left, filled with the white togas of Roman citizens. Many of the spectators appear to be hooded.
DOI: 10.25549/chs-m2046
title: Exterior view of the rustic cottage residence of author Jeanne C. Carr and husband Dr. Ezra C. Carr, Ph.D., ca.1895

description: Photograph of an exterior view of the rustic cottage residence of author Jeanne C. Carr and husband Dr. Ezra C. Carr, Ph.D., ca.1895. This is the first home of the Carrs and was called "Carmelita". It was located on West Colorado Boulevard and Orange Grove Avenue, and was later Carmelita Park. The house is covered in wisteria and mountains are visible in background. The house overlooks a housing tract, and rooftops are visible at right. The house was visited by Helen Hunt Jackson, the author of Ramona.
DOI: 10.25549/chs-m18274
title: The painting "Saint Sebastian" by Reni, [s.d.]

description: Photograph of the painting "Saint Sebastian" by Reni, [s.d.]. The round, cherub-like head of a man is shown, looking up and to the right with wide eyes. Large curls form a corona of hair around the man's head, falling partway down to his bare shoulders, which are also visible towards the bottom of the image.
DOI: 10.25549/chs-m18450
title: "Flight into Egypt" a painting by Anton Van Dyck, depicting a woman cradling a child, [s.d.]

description: Photograph of the painting "Flight into Egypt" by Anton Van Dyck, depicting a woman cradling a child, [s.d.]. The woman is painted in bold strokes at center, the white kercheif on her head in heavy constrast to the background behind her. In her lap, she swaddles an infant child. Behind her to the left, a mule can be seen looking over the activity, just behind a small patch of straw. The background itself is rough and difficult to distinguish.
DOI: 10.25549/chs-m18424
title: The painting "The Home at Nazareth" by Alice Havens depicting a haloed woman and child, [s.d.]

description: Photograph of the painting "The Home at Nazareth" by Alice Havers depicting a haloed woman and child, [s.d.]. A naked, light-haired child lays next to the woman at center, sleeping with his head in her lap. The woman, dressed in a light gown, rests her face against her hand, apparently bored. Vines from potted plants hang down from the window in the background, while a leaf is visible on the rug that covers part of the floor.
DOI: 10.25549/chs-m18275
title: The painting, "Crown of Thorns" by Reni, depicting the head of Christ, [s.d.]

description: Photograph of the painting, "Crown of Thorns" by Reni, depicting the head of Christ,  [s.d.]. The head is framed by an oval while Christ looks upwards and to the left. The crown of thorns is woven thickly against his brow. Some of his long, curly hair hangs down to the collar of his shirt, falling on his bare neck to the left. Shadows envelop him to the right.
DOI: 10.25549/chs-m18277
title: The painting "Daniel in the Den of Lions" by Riviere, [s.d.]

description: Photograph of the painting "Daniel in the Den of Lions" by Riviere, [s.d.]. Daniel stands in the foreground, his back to the viewer, his hands tied behind him. Facing the viewer, a group of seven lions inhabit the dungeon with him, sizing him up. Egyptian heiroglyphs decorate the walls. Bones litter the floor. See CHS-8746 and CHS-48396: they show a similar scene with Daniel by the same artist.
DOI: 10.25549/chs-m18278
title: The painting "Daniel's Answer to the King" by Riviere, [s.d.]

description: Photograph of the painting "Daniel's Answer to the King" by Riviere, [s.d.]. Daniel stands looking out the window of the dungeon to the left, a group of seven lions standing calmly behind him. Bones litter the floor. See CHS-8745: shows a similar scene with Daniel by the artist.
DOI: 10.25549/chs-m18408
title: The painting "When Love Reigns" by Strutt depicting children surrounded by beasts, [s.d.]

description: Photograph of the painting "When Love Reigns" by Strutt depicting children surrounded by beasts, [s.d.]. Three small children pose on what appears to be a desert ridge, surrounded by animals large and small. The young girl of the three stands at center, holding a laurel branch, while the two other children play with snakes at her feet. In the right foreground, a lamb lies with a lion. In the background, cows, lions, leopards, bears and other animals recline peacably in a prospect of flowers. The sky fills the rest of the image.
DOI: 10.25549/chs-m12648
title: Painting of "Old Ironsides" under full sail, [s.d]

description: Photograph of painting of "Old Ironsides" under full sail, [s.d]. At center, the large vessel is seen moving through the choppy ocean waves. A white stripe lines the ship, and sixteen cannons can be seen protruding from the side of the vessel. A wooden border surrounds the upper deck, and several rope ladders can be seen connecting the deck to the mast platforms above. Three masts line along the body of the ship, and each upper portion of the mast supports four square sails. Three additional sails can be seen along the bases of the masts, and four side sails are visible next to the two rightmost masts. A smaller mast is also seen near the bow of the ship titled greatly. Three triangular sails are visible extending from this frontal mast. In the foreground, large choppy waves are seen beating against the ship. A dark, shaded sky fills the background.
DOI: 10.25549/chs-m18409
title: The painting "Suffer Little Children to Come unto Me" by Fritz von Uhde, depicting children coming to Jesus inside a house, [s.d.]

description: Photograph of  the painting "Suffer Little Children to Come unto Me" by Fritz von Uhde, depicting children coming to Jesus inside a house, [s.d.]. Christ sits barefoot in a chair to the right, dressed in robes. His hands are turned palms-up at his sides to welcome the children who group to him, tended by adults who seem as though they are the keepers of an orphanage. A hearth is visible without a fire to the left, while two windows can be seen in the background, sunlight pouring in. Painted 1884.
DOI: 10.25549/chs-m9501
title: Twenty-horse harvester at work in a wheat[?] field in Ventura County

description: Photograph of twenty-horse harvester at work in a wheat(?) field on a farm in Ventura County. About 6 men man the harvester.
DOI: 10.25549/chs-m18411
title: The painting "The Holy Family" by Giacomo Grosso depicting men and women in an ancient carpenter's workshop, [s.d.]

description: Photograph of a the painting "The Holy Family" by Giacomo Grosso depicting men and women in an ancient carpenter's workshop, [s.d.]. A young boy stands at center, apparently gripped with some kind of supernatural force. He raises his hand up to the onlookers who sit in the doorway to the carpentry shop. To his left, a young woman busies herself at the window sill. In the right background, an older, bearded man pauses at his tools on the carpentry bench.
DOI: 10.25549/chs-m18426
title: The painting "Jesus Christas" by Gabriel Max, depicting the head of Christ, [s.d.]

description: Photograph of the painting "Jesus Christas" by Gabriel Max, depicting the head of Christ, [s.d.]. The head of Christ is shown without a body, floating in the center of the image. Dark hair is almost indistinguishable from the crown of thorns, and shadow obscures the deep-set eyes of a sallow face.
DOI: 10.25549/chs-m18233
title: The painting "Madonna and Child" by Bellini, [s.d.]

description: Photograph of the painting "Madonna and Child" by Bellini, [s.d.]. A woman in a nun's habit is shown from the waist up sitting at center, her left hand with its palm facing upwards on the table in front of her. Standing on the table to the left, a male toddler holds an apple. Both have halos. Behind them, a strip of what appears to be cloth features a celestial pattern. In the distance, hills dappled with trees can just barely be seen.
DOI: 10.25549/chs-m18421
title: The drawing "Jesus" by Solomon, depicting a bust of Christ, [s.d.]

description: Photograph of the drawing "Jesus" by Solomon, depicting a bust of Christ, [s.d.]. Christ appears to be drawn in charcoal and inclines his head slightly to the left, a halo around his head made by contrast to the darker background. His robes cover the rest of his body.
DOI: 10.25549/chs-m18422
title: The painting "Jesus Before Pilate" by Solomon, depicting the head of Christ, [s.d.]

description: Photograph of the painting "Jesus Before Pilate" by Solomon, depicting the head of Christ, [s.d.]. Jesus is shown in profile, a small corona of light forming a halo around his head and face. His hair is long and drawn back. His beard is groomed to a point off his chin. His robes are dark, along with the background.
DOI: 10.25549/chs-m18423
title: The drawing "Jesus before Pilate" by Solomon, depicting Jesus' head with shut eyes, [s.d.]

description: Photograph of the drawing "Jesus before Pilate" by Solomon, depicting Jesus' head with shut eyes, [s.d.]. Jesus is pictured with his hair drawn back. He inclines his head down and to the right, his eyes slightly shut. A single button is shown at the top of Jesus' robe. Roman molding is shown just above Christ's head. Drawn ca.1893.
DOI: 10.25549/chs-m18412
title: The drawing "Jesus" by Solomon, depicting the head of Christ along with latin text, ca.1899

description: Photograph of the drawing "Jesus" by Solomon, depicting the head of Christ along with latin text, ca.1899. The head appears to be drawn in charcoal, depicting Christ with lightly colored hair looking off to the left. A halo is visible circumscribed around the head, interlaced with a loop of thorns. The latin text at the bottom is transalatable to "Jesus -- Be thou faithful unto death and I will give thee a Crown of Life".
DOI: 10.25549/chs-m18259
title: The painting "Christ Preachiing by the Lake" by Hofmann, [s.d.]

description: Photograph of the painting "Christ Preachiing by the Lake" by Hofmann, [s.d.]. Christ is shown to the right, standing in a row boat with others. He faces the shore, where a group has settled to listen. A halo is visible above his head. Children play in the water beside him, while in the background, the passengers of a second boat freeze, awestruck. Trees can be seen on a small hill in the left background as well.
DOI: 10.25549/chs-m18425
title: The painting "The Last Supper" by Otto, depicting Christ "without halo", [s.d.]

description: Photograph of the painting "The Last Supper" by Otto, depicting Christ "without halo", [s.d.]. Christ stands at center in front of the dining table. Two of his apostles fall to their knees before him to recieve the wine from his cup. The other ten apostles sit or stand at various places around the table, the apostle to the very leftmost place shrouded in darkness, his face downturned.
DOI: 10.25549/chs-m18433
title: The painting "The Last Supper" by Otto, depicting Christ with halo among his disciples, [s.d.]

description: Photograph of the painting "The Last Supper" by Otto, depicting Christ with halo among his apostles, [s.d.]. Christ stands in front of a long banquet table, two apostles on their knees before him to recieve wine from his cup. To the right, a third is also on their knees a little farther way, with a fourth who strokes his beard standing near him. The remaining eight stand or sit behind the table.
DOI: 10.25549/chs-m18432
title: The painting "The Holy Family" by Knauss depicting Joseph, Mary and the child Christ surrounded by cherubim, [s.d.]

description: Photograph of a the painting "The Holy Family" by Knauss depicting Joseph, Mary and the child Christ surrounded by cherubim, [s.d.]. Mary sits in the center of the painting, holding the naked baby Christ in her lap. Cherubs descend from the left sky, adoring the child. In the right background, Joseph stares at them, his hand on the reigns of his donkey. In the right tophand corner, a crescent moon shines through night time clouds.
DOI: 10.25549/chs-m5530
title: Avalon Bath House on pier on Santa Catalina Island, [s.d.]

description: Photograph of Avalon Bath House on pier on Santa Catalina Island, [s.d.].  In the foreground at left, several people can be seen sitting and standing along a rocky shoreline. Beside the small crowd, two boats can be seen on the shore. In the water at right, several people can be seen swimming. In the background at center, a small pier extends over the water. At the center of the pier, a large building labeled "Bath House" on its roof is visible. Several people can be seen in the building and on the edge of the pier at right. Further in the background at right, several boats can be seen on the water. In the extreme background at center, large rock walls extend from left to right.
DOI: 10.25549/chs-m18431
title: The painting "The Widow's Mite" by Hugo Mitchell, depicting Jesus and the widow at the temple, [s.d.]

description: Photograph of the painting "The Widow's Mite" by Hugo Mitchell, depicting Jesus and the widow at the temple, [s.d.]. Jesus stand to the right with an entourage at the door to the temple where the widow stands with a child on her hip. She drops a single coin into the tithe box. Two rabbis stand in the background. To the left, and elderly woman hunches over her cane, obscuring her face.
DOI: 10.25549/chs-m18430
title: The painting "Ave Maria" by Wapjer depicting nuns crossing water in a boat, [s.d.]

description: Photograph of the painting "Ave Maria" by Wapjer depicting nuns crossing water in a boat, [s.d.]. A long row boat makes its way across still waters at the center of the image. Two nuns stand up at the middle, their hands clasped in prayer over a coronet of flowers on a plank in front of them. In the back, a man sits, watching them. To the front, a young girl rows standing up. A shore town and mountains are fainly visible in the distance.
DOI: 10.25549/chs-m18240
title: The painting "Christ Entering Jerusalem" by Deger, [s.d.]

description: Photograph of the painting "Christ Entering Jerusalem" by Deger, [s.d.]. Christ is pictured at center, riding a donkey down the thoroughfare, led by his followers who are dressed in white robes, each holding a palm frond. In the background, a haloed woman who seems to be the Madonna oversees the scene. Men, women and children in the foreground all fall to their knees and emplore Christ.
DOI: 10.25549/chs-m18447
title: "The Sacred Heart of Mary", a painting by Massard depicting Mary in iconic portrait, [s.d.]

description: Photograph of "The Sacred Heart of Mary", a painting by Massard depicting Mary in iconic portrait, [s.d.]. Mary is pictured in bust surrounded by an oval frame. Her left hand is held in front of her, palm up, seemingly pointing. Her right hand points to her chest, in which a heart, dagger and rosary can be seen radiating, apparently in front of her. A filagree halo surrounds the back of her head.
DOI: 10.25549/chs-m18446
title: "The Sacred Heart of Jesus", a painting by Massard depicting Jesus Christ in iconic portrait, [s.d.]

description: Photograph of "The Sacred Heart of Jesus", a painting by Massard depicting Jesus Christ in iconic portrait, [s.d.]. Christ is pictured in bust, framed by an oval. His hands are held in front of him, his right pointing upward, his left gesturing to the luminescent heart superimposed at the center of his chest. The heart itself is bound in a twist of thorns, while a cross rises from its top. A filagree halo circumscribes Christ's head.
DOI: 10.25549/chs-m18238
title: The fresco painting "The Last Supper" by Leonardo da Vinci, [s.d.]

description: Photograph of the fresco painting "The Last Supper" by Leonardo da Vinci, [s.d.]. Jesus is pictured at center, behind a long banquet table that runs the painting lengthwise. The twelve apostles surround him to either side, also behind the table. In the background, a pastoral scene is visible through the window, framing Christ. Painted 1498.
DOI: 10.25549/chs-m18268
title: The painting "Immaculate Conception" by Murillo, [s.d.]

description: Photograph of the painting "Immaculate Conception" by Murillo, [s.d.]. A woman in a long dressing gown, presumably the Virgin Mary, stands on a cloud held aloft by cherubs. She holds her hands to her chest in rapture as she looks upward at the sky, a halo of light circumscribing her head. Below, the cherubs also attend to her with laurel branches and flowers. The background is neutral.
DOI: 10.25549/chs-m18445
title: "The Lost Sheep", a painting by Alfred M. Soord depicting a haloed mountain shephard trying to rescue one of his flock, [s.d.]

description: Photograph of "The Lost Sheep", a painting by Alfred M. Soord depicting a haloed mountain shephard trying to rescue one of his flock, [s.d.]. The shepherd is shown from the back, clinging to the slope of a mountain with one hand while reaching out with the other. Below him and to the right, a lamb appears to be caught on the mountainside along a narrow ledge. Two birds can be seen in flight in the background, along a mountain ridge. A halo can also be seen around the shepherd's head.
DOI: 10.25549/chs-m18444
title: "The Madonna", a painting by Franz von Defregger depicting the Madonna and child, [s.d.]

description: Photograph of "The Madonna", a painting by Franz von Defregger depicting the Madonna and child, [s.d.]. The Madonna is shown standing in mist at center with a diaphanous shawl draped around her robes. She holds a naked infant on her hip to the right, who looks straight ahead. The child and the shawl shadow half her face. In the background, cherubs dissolve into the mist.
DOI: 10.25549/chs-m10173
title: Half-tone print of Abraham Lincoln with his family including his wife, Mary Todd Lincoln, 1863

description: Photograph of a half-tone print of Abraham Lincoln with his family including his wife, Mary Todd Lincoln, 1863. She is sitting to the left of him. A young man, their oldest son Robert Todd, stands behind them in uniform. Their youngest son, Tad, stands at right. They are sitting in a parlor. Lincoln has a book open on his lap. Los Angeles Times, 1940-02-12.
DOI: 10.25549/chs-m18443
title: The painting "Guardian Angel" by Plockhorst, depicting children being attended by an angel in the wilderness, [s.d.]

description: Photograph of a the painting "Guardian Angel" by Plockhorst, depicting children being attended by an angel in the wilderness, [s.d.]. A young boy and girl play in the forest at the edge of a cliff: the girl collects flowers while the boy reaches out for a butterfly. The boy clasps the girl's wrist, keeping them together. Behind them, a female angel holds her hands out magnanimously, her wings spread.
DOI: 10.25549/chs-m18441
title: The painting "Christ in Gethsemane" by Liska, depicting Christ on his knees in prayer, [s.d.]

description: Photograph of the painting "Christ in Gethsemane" by Liska, depicting Christ on his knees in prayer, [s.d.]. Christ is shown kneeling in the dust, his elbows resting on a ledge of rock in front of him. His forearms fold back from the elbow to rest his clasped hands on his shoulder, just behind his haloed head. Sparse vegetation can be seen in the rest of the rocky terrain.
DOI: 10.25549/chs-m18440
title: The painting "The Annunciation" by Hacker, depicting the virgin Mary backed by an angel, [s.d.]

description: Photograph of the painting "The Annunciation" by Hacker depicting the virgin Mary backed by an angel, [s.d.]. The virgin Mary is pictured standing at center, and appears to be young and still very much a girl. She is draped in diaphanous white cloth from head to ankles, while the face of an angel appears next to her deeply shadowed face. The rest of the angel is only barely apparent, becoming more and more translucent as it extends away from the head. The background itself is ambiguous; mixed with flower and dark, hanging lines, it simultaneously appears to be a garden and a swamp.
DOI: 10.25549/chs-m18439
title: "Life's Burden" a painting by Arthur Burrington depicting an old woman carrying a large bundle of wood on her back, [s.d.]

description: Photograph of "Life's Burden" a painting by Arthur Burrington depicting an old woman carrying a large bundle of wood on her back, [s.d.]. The old woman is shown making her way through a trench which is surrounded to either side by brambles. She has hoisted a large conical basket onto her back, in which she carries wood. In the upper lefthand side of the image, a glowing cross can be seen, placed in the near distance of the woman's apparent path. Birds fly off in the clear sky of the distance, suggesting that the ocean is perhaps nearby.