cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10348009
title: COADS_23-18

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio; Material: Delaware

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_23-18, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348010
title: COADS_23-18

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio; Material: Delaware

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_23-18, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348011
title: Nubian Wig

description: A Nubian wig is a form of headdress worn by ancient Egyptians which is thought to imitate the thick hairstyles of the Nubian peoples, who were at various times incorporated into the Egyptian kingdom. The wig partly resembles the modern Afro hairstyle, but is most typically represented as a built-up series of layers of tightly curled plaits. The style was especially popular during the Eighteenth Dynasty, most notably during the reign of Pharaoh Akhenaten. The Nubian wig is most frequently associated with queen Kiya. It was also worn by Nefertiti and by the pharaoh's mother Tiye.

*1 model (medium poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348012
title: Nubian Wig

description: A Nubian wig is a form of headdress worn by ancient Egyptians which is thought to imitate the thick hairstyles of the Nubian peoples, who were at various times incorporated into the Egyptian kingdom. The wig partly resembles the modern Afro hairstyle, but is most typically represented as a built-up series of layers of tightly curled plaits. The style was especially popular during the Eighteenth Dynasty, most notably during the reign of Pharaoh Akhenaten. The Nubian wig is most frequently associated with queen Kiya. It was also worn by Nefertiti and by the pharaoh's mother Tiye.

*1 model (medium poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348013
title: STATUE PEDESTAL LUCIUS MINICIUS - TARRACO

description: Pedestal statue from the site of Tarraco (Tarragona, Spain). The inscription refers to the silver statue that would have stood on the pedestal dedicated to the genius of the Colonia Tarraco by order of the quinquennal duumvir, Lucius Minicius Apronianus, in keeping with the bequest made in his will.

**This 3D Model it's a Optimized model (Triangles: 55.8k) from original (Triangles: 899.6k)**

3D Model Original :https://skfb.ly/6Sow6

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348014
title: STATUE PEDESTAL LUCIUS MINICIUS - TARRACO

description: Pedestal statue from the site of Tarraco (Tarragona, Spain). The inscription refers to the silver statue that would have stood on the pedestal dedicated to the genius of the Colonia Tarraco by order of the quinquennal duumvir, Lucius Minicius Apronianus, in keeping with the bequest made in his will.

**This 3D Model it's a Optimized model (Triangles: 55.8k) from original (Triangles: 899.6k)**

3D Model Original :https://skfb.ly/6Sow6

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348015
title: La Réunion en 3D

description: * Données IGN : Litto3D et Orthophoto HR
* Traitements : Jonhattan Vidal, SRA, DAC Réunion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348016
title: La Réunion en 3D

description: * Données IGN : Litto3D et Orthophoto HR
* Traitements : Jonhattan Vidal, SRA, DAC Réunion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348017
title: Kriegerdenkmal

description: War memorial for the missing and fallen of both world wars in Untermarkersdorf. On a pedestal with the names of the victims, a soldier is depicted holding out his hand to a wounded comrade lying on the ground.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348018
title: Kriegerdenkmal

description: War memorial for the missing and fallen of both world wars in Untermarkersdorf. On a pedestal with the names of the victims, a soldier is depicted holding out his hand to a wounded comrade lying on the ground.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348021
title: ROI022-121-01

description: Slate Celt Groundstone collected in Allen County, Indiana

Catalog #: 12-Al-1147-25

Uploaded by: Carson Wright

Christine Thompson, Garrett Goyette, Mary Swartz, and Kevin C. Nolan, 2021. ROI022-121-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348022
title: ROI022-121-01

description: Slate Celt Groundstone collected in Allen County, Indiana

Catalog #: 12-Al-1147-25

Uploaded by: Carson Wright

Christine Thompson, Garrett Goyette, Mary Swartz, and Kevin C. Nolan, 2021. ROI022-121-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, James Mohow

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348023
title: Objeto 05 - Wari

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348027
title: Barrel

description: a wooden medieval barrel model

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348028
title: Barrel

description: a wooden medieval barrel model

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348024
title: Objeto 05 - Wari

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348029
title: Cannon Dubrovnik FREE

description: Raw photo scan of cannon facing out over the old harbour on the city wall of Dubrovnik

"One of the oldest sectors of Dubrovnik was constructed around a Late Antique castle by the sea, which stretched landwards a bit more than it does today. It was constructed on the site of the Pre-Romanesque cathedral and the Rector's Palace, thus encircling the city's harbour. The harbour was designed and constructed by engineer Paskoje Milicevic in the late 15th century. Notably, the harbour was noticeably painted on the palm of St. Blaise in a triptych painted by the artist Nikola Božidarevic around 1500."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348030
title: Cannon Dubrovnik FREE

description: Raw photo scan of cannon facing out over the old harbour on the city wall of Dubrovnik

"One of the oldest sectors of Dubrovnik was constructed around a Late Antique castle by the sea, which stretched landwards a bit more than it does today. It was constructed on the site of the Pre-Romanesque cathedral and the Rector's Palace, thus encircling the city's harbour. The harbour was designed and constructed by engineer Paskoje Milicevic in the late 15th century. Notably, the harbour was noticeably painted on the palm of St. Blaise in a triptych painted by the artist Nikola Božidarevic around 1500."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348031
title: KE053-033005 Ballintaggart

description: Ballintaggart church (KE053-033001-) (site of) and old burial ground (KE053-033002-) /An Cheallúnach or An Lisín: This circular enclosure crowns the summit of a low, but prominent, hillock between Dingle Harbour and Trabeg. Ten ogham stones have been collected from various locations (not precisely located) in the vicinity of the site and are now arranged in a circle within the enclosure. The inscription on this stone, 0.97m long, clearly reads: AKEVRITTI. (Cuppage 1986, no. 820, no. 3)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348032
title: KE053-033005 Ballintaggart

description: Ballintaggart church (KE053-033001-) (site of) and old burial ground (KE053-033002-) /An Cheallúnach or An Lisín: This circular enclosure crowns the summit of a low, but prominent, hillock between Dingle Harbour and Trabeg. Ten ogham stones have been collected from various locations (not precisely located) in the vicinity of the site and are now arranged in a circle within the enclosure. The inscription on this stone, 0.97m long, clearly reads: AKEVRITTI. (Cuppage 1986, no. 820, no. 3)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348033
title: Fabric Impressed Pot (1965rp22)

description: **Fabric impressed pot (replica)**

Location: Cedar Hill Mound (31Cr3), Carteret County, North Carolina.

Period: Late Woodland (AD 800-1000).

Material: plaster (original specimen is ceramic).

Dimensions: height, 13.2 cm; diameter, 15.5 cm.

Notes: Catalog no. 1965rp22.  Plaster cast (with modern cordage attached through drill holes) of original specimen at Smithsonian Institution, Washington, DC.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348034
title: Fabric Impressed Pot (1965rp22)

description: **Fabric impressed pot (replica)**

Location: Cedar Hill Mound (31Cr3), Carteret County, North Carolina.

Period: Late Woodland (AD 800-1000).

Material: plaster (original specimen is ceramic).

Dimensions: height, 13.2 cm; diameter, 15.5 cm.

Notes: Catalog no. 1965rp22.  Plaster cast (with modern cordage attached through drill holes) of original specimen at Smithsonian Institution, Washington, DC.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348036
title: 1705 gravestone, Haddington, Scotland

description: Gravestone of Hammerman within cemetery of Haddington Parish Church, East Lothain, Scotland

Inscribed RW.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348037
title: Ruines de Chateauneuf Villevieille

description: Ruins of the medieval village of Castelnuovo, 20km from Nice (France)

Created in RealityCapture by Capturing Reality from 254 images in 02h:29m:25s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348038
title: Ruines de Chateauneuf Villevieille

description: Ruins of the medieval village of Castelnuovo, 20km from Nice (France)

Created in RealityCapture by Capturing Reality from 254 images in 02h:29m:25s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348035
title: 1705 gravestone, Haddington, Scotland

description: Gravestone of Hammerman within cemetery of Haddington Parish Church, East Lothain, Scotland

Inscribed RW.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348039
title: Bridge untextured

description: this is my model of a bridge but it is untextured

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348040
title: Bridge untextured

description: this is my model of a bridge but it is untextured

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348041
title: Guerrero Copper Spike with Wood (2019)

description: Copper Spike with Wood at Site 2-04-8MO02343 near Key Largo, Florida as found in June, 2019. This copper spike was encountered in a recess in the bedrock in the northeastern part of the shipwreck site during an informal swim.  Out of fear of never finding it again, this 3D model was made without a scale. (Indeed, it was not relocated.) It is approximately 12 centimeters long. This spike differs from others on the site in that it has a bit of wood attached underneath the head, from the plank it was driven into, an indicator that at least part of the ship decayed here.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348042
title: Guerrero Copper Spike with Wood (2019)

description: Copper Spike with Wood at Site 2-04-8MO02343 near Key Largo, Florida as found in June, 2019. This copper spike was encountered in a recess in the bedrock in the northeastern part of the shipwreck site during an informal swim.  Out of fear of never finding it again, this 3D model was made without a scale. (Indeed, it was not relocated.) It is approximately 12 centimeters long. This spike differs from others on the site in that it has a bit of wood attached underneath the head, from the plank it was driven into, an indicator that at least part of the ship decayed here.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348043
title: Victorian pocket gold watch

description: A beautiful Victorian style gold pocket relog. It has on the plate an engraved illustration of the Gustave Dore and Blanchard Jerrold from their famous book of engravings of London.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348044
title: Victorian pocket gold watch

description: A beautiful Victorian style gold pocket relog. It has on the plate an engraved illustration of the Gustave Dore and Blanchard Jerrold from their famous book of engravings of London.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348045
title: Medieval Lamp

description: No textures.
For free.
Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348046
title: Medieval Lamp

description: No textures.
For free.
Enjoy!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348047
title: The Armoury

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room features the main part of Wilhelmina von Hallwyl's collection of antique arms and armour.

The collection, typical of its period, focuses on arms for hunting and finely decorated pieces.

The weapons are hung according to their various categories, such as firearms, suits of armour and white-arms, and arranged in neat patterns. 

The esthetical experience of the room and its objects was important.

![](https://goo.gl/24GdE6)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348048
title: The Armoury

description: **Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room features the main part of Wilhelmina von Hallwyl's collection of antique arms and armour.

The collection, typical of its period, focuses on arms for hunting and finely decorated pieces.

The weapons are hung according to their various categories, such as firearms, suits of armour and white-arms, and arranged in neat patterns. 

The esthetical experience of the room and its objects was important.

![](https://goo.gl/24GdE6)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348049
title: Ultimate Roof 2: Figure/Field Dilemma

description: Philharmonic Hall Szczecin, Barozzi Veiga, 2014
Ronchamp, Le Corbusier, 1954
MVRDV, Book Mountain, 2012

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348050
title: Ultimate Roof 2: Figure/Field Dilemma

description: Philharmonic Hall Szczecin, Barozzi Veiga, 2014
Ronchamp, Le Corbusier, 1954
MVRDV, Book Mountain, 2012

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348051
title: B9184 - Ștergar inscripționat LI

description: **B9184 Ștergar inscripționat LI** Piesă textilă din bumbac dintr-o singură pânză, țesută în patru ițe, zona decorată țesută în două ițe cu alesătură. Inscripționată la unul dintre capete: "D.O.N. Leon și Floarea Tanase S Bârgăului 1966". A doua jumătate a sec. al XX-lea.

**B9184 Inscribed towel LI** One-piece cotton textile fabric, woven in four threads, decorated area woven in two threads with bundle. Inscribed at one end: "D.O.N. Leon and Floarea Tanase S Bârgăului 1966 ". The second half of the century the twentieth.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348052
title: B9184 - Ștergar inscripționat LI

description: **B9184 Ștergar inscripționat LI** Piesă textilă din bumbac dintr-o singură pânză, țesută în patru ițe, zona decorată țesută în două ițe cu alesătură. Inscripționată la unul dintre capete: "D.O.N. Leon și Floarea Tanase S Bârgăului 1966". A doua jumătate a sec. al XX-lea.

**B9184 Inscribed towel LI** One-piece cotton textile fabric, woven in four threads, decorated area woven in two threads with bundle. Inscribed at one end: "D.O.N. Leon and Floarea Tanase S Bârgăului 1966 ". The second half of the century the twentieth.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348053
title: Juego de Pelota / Ballcourt

description: Juego de pelota del sitio arqueológico, El Chanal, Colima, México. / Ballcourt from the archaeological site El Chanal, Colima, Mexico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348054
title: Juego de Pelota / Ballcourt

description: Juego de pelota del sitio arqueológico, El Chanal, Colima, México. / Ballcourt from the archaeological site El Chanal, Colima, Mexico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348055
title: B9189 - Cruce pictată

description: **B9189 Cruce pictată** Lemn, pictat manual cu pensula și pigmenți multicolori; cu mâner atașat; motive geometrice, linii drepte și șerpuite de diferite culori: roșu, galben, brun, albastru.

**B9189 Painted cross** Wood , hand-painted with brush and multicolored pigments; with handle attached; geometric motifs, straight and serpentine lines of different colors: red, yellow, brown, blue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348056
title: B9189 - Cruce pictată

description: **B9189 Cruce pictată** Lemn, pictat manual cu pensula și pigmenți multicolori; cu mâner atașat; motive geometrice, linii drepte și șerpuite de diferite culori: roșu, galben, brun, albastru.

**B9189 Painted cross** Wood , hand-painted with brush and multicolored pigments; with handle attached; geometric motifs, straight and serpentine lines of different colors: red, yellow, brown, blue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348059
title: Mantle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348060
title: Mantle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348061
title: XPM-098 Stone Labret, Sapsuk River, Alaska

description: Stone Labret. Surface collected from the destroyed area of XPM-098. SR08-1 Surface Collection

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348062
title: XPM-098 Stone Labret, Sapsuk River, Alaska

description: Stone Labret. Surface collected from the destroyed area of XPM-098. SR08-1 Surface Collection

XPM-098 is a multicomponent site on a low terrace along the Sapsuk River, Alaska Peninsula. One of the earliest sites in the region with evidence of salmonprocessing. It has remains similar to the Arctic Small Tool Tradition before 3000 BCE, and technologies clearly related to the Ocean Bay Tradition and Sanak Island between 2600 and 2000 BCE. There is also a small occupation about 200 BCE with similarities with the Adamagan Site. 

 Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap

Maschner, H. et al. 2010. The Archaeology of the Sapsuk River, Alaska. An Occasional Papers Publication. Bureau of Indian Affairs, Alaska Region, Branch of Regional Archaeology, Anchorage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348063
title: Brünlos Wappenstein

description: Brünlos Wappenstein

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348064
title: Brünlos Wappenstein

description: Brünlos Wappenstein

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348066
title: 青面金剛(東京都江戸川区船堀2丁目10番10号)

description: 青面金剛(東京都江戸川区船堀2丁目10番10号)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348065
title: 青面金剛(東京都江戸川区船堀2丁目10番10号)

description: 青面金剛(東京都江戸川区船堀2丁目10番10号)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348067
title: St James' Icklingham, Suffolk

description: Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348068
title: St James' Icklingham, Suffolk

description: Created with Polycam

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348069
title: 10th C BCE Chinese monk

description: A small (36cm) wooden monk sculpture in the collection of the Minneapolis Institute of Art.
From the sculpture's description on artsmia.org:
'Shown in the gesture of discourse or expounding the law (vitarka mudra), this monk has been rendered with particular sensitivity and with a minimum of detail. The statue relates closely in size, style and surface condition to four priest statues remaining in Far Eastern temples. Scholarship now shows that the group, once thought to be Japanese in origin, is actually Chinese and that the ultimate stylistic source for the sculpture is rooted in Tang dynasty sculpture (618-907).'

More information about the object here:
https://collections.artsmia.org/art/1473/figure-of-a-monk-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348070
title: 10th C BCE Chinese monk

description: A small (36cm) wooden monk sculpture in the collection of the Minneapolis Institute of Art.
From the sculpture's description on artsmia.org:
'Shown in the gesture of discourse or expounding the law (vitarka mudra), this monk has been rendered with particular sensitivity and with a minimum of detail. The statue relates closely in size, style and surface condition to four priest statues remaining in Far Eastern temples. Scholarship now shows that the group, once thought to be Japanese in origin, is actually Chinese and that the ultimate stylistic source for the sculpture is rooted in Tang dynasty sculpture (618-907).'

More information about the object here:
https://collections.artsmia.org/art/1473/figure-of-a-monk-china

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348071
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.87

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=194401&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348072
title: Bowl with conical base and receding rim

description: Bowl with conical base and receding rim. Argaric culture. Early-Middle Bronze Age (2300-1600 BC).

Inventory number: PG.2000.87

Find this object in the museum's online catalog [Carmentis](https://www.carmentis.be:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=194401&viewType=detailView)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348074
title: Grinder

description: Hand coffee grinder

Source: Objaverse 1.0 / Sketchfab