cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10340572
title: 168 Sint-Jan, engel met torentje

description: * Object: neogotisch beeld
* Materiaal: Udelfanger zandsteen
* Afmeting:
* Datering: 4e kwart 19e eeuw
* Vindplaats: [Sint-Jan, zijbeuk noordzijde](https://goo.gl/maps/AiFvPMArsW7aNp5V7)
* Beschrijving: Engelenbeeld met ivoren tore of toren van David [(Peeters 1985)](https://www.dbnl.org/tekst/peet048sint01_01/peet048sint01_01_0012.php).

[Collectie Bouwsculptuur Sint-Jan](https://skfb.ly/6UAO6)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340574
title: Guardhouse

description: A guardhouse built in 1905 next to Kuusisto castle ruins.

This summer there is a coffeeshop and a VR-space which demonstrates the castle on it's glory days.

Photos taken with A7Riv + 28-200mm Tamron and Parrot Anafi

Processed with Metashape + Blender + Instant meshes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340575
title: Guardhouse

description: A guardhouse built in 1905 next to Kuusisto castle ruins.

This summer there is a coffeeshop and a VR-space which demonstrates the castle on it's glory days.

Photos taken with A7Riv + 28-200mm Tamron and Parrot Anafi

Processed with Metashape + Blender + Instant meshes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340576
title: Alchemical book

description: An old alchemical book and an inkwell with a plume lie on a pulpit.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340577
title: Alchemical book

description: An old alchemical book and an inkwell with a plume lie on a pulpit.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340578
title: The Seminary of St. John Vianney, Tunapuna

description: Founded in 1943 by Most Rev. Finbar Ryan, O.P., then Archbishop of Port-of Spain, as a diocesan seminary to prepare priests to serve in his archdiocese.
Situated on the grounds of the Benedictine Abbey of Mt. St. Benedict in Tunapuna, Trinidad, and administered for almost thirty years by monks of that Abbey, the seminary was adopted in 1970 by the Antilles Episcopal Conference (AEC) and became the Regional Seminary to prepare priests to serve in the various dioceses of that conference. In the AEC General Meeting 2010 in Grenada it was decided that the Regional Seminary should be placed under the full and total jurisdiction of the Archbishop of Port of Spain and thereby reverted to a local diocesan Seminary. 

Text by https://www.facebook.com/TheSeminaryOfStJohnVianneyTheUgandaMartyrs/

Drone footage provided by Stephen3065 roberts
https://www.youtube.com/watch?v=eDIgPuFFDB0&t=7s

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340579
title: The Seminary of St. John Vianney, Tunapuna

description: Founded in 1943 by Most Rev. Finbar Ryan, O.P., then Archbishop of Port-of Spain, as a diocesan seminary to prepare priests to serve in his archdiocese.
Situated on the grounds of the Benedictine Abbey of Mt. St. Benedict in Tunapuna, Trinidad, and administered for almost thirty years by monks of that Abbey, the seminary was adopted in 1970 by the Antilles Episcopal Conference (AEC) and became the Regional Seminary to prepare priests to serve in the various dioceses of that conference. In the AEC General Meeting 2010 in Grenada it was decided that the Regional Seminary should be placed under the full and total jurisdiction of the Archbishop of Port of Spain and thereby reverted to a local diocesan Seminary. 

Text by https://www.facebook.com/TheSeminaryOfStJohnVianneyTheUgandaMartyrs/

Drone footage provided by Stephen3065 roberts
https://www.youtube.com/watch?v=eDIgPuFFDB0&t=7s

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340580
title: Tulul adh-Dhahab, Zarqa Valley - OpenTopoMap

description: Landscape around the lower Zarqa river valley, from the foothills of the West Bank to the Jordan Highlands, including the Jordan Valley, the Ghor al-Urdun. In the center of the map the Tulul adh-Dhahab (https://en.wikipedia.org/wiki/Tulul_adh-Dhahab).

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [SRTM_GL1 OpenTopography](https://opentopography.org/)
* Imagery: [OpenTopoMap](Map data: © OpenStreetMap contributors,  SRTM | Map style: ©  OpenTopoMap ( CC-BY-SA))

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340581
title: Tulul adh-Dhahab, Zarqa Valley - OpenTopoMap

description: Landscape around the lower Zarqa river valley, from the foothills of the West Bank to the Jordan Highlands, including the Jordan Valley, the Ghor al-Urdun. In the center of the map the Tulul adh-Dhahab (https://en.wikipedia.org/wiki/Tulul_adh-Dhahab).

* Generator: [DEM Net Elevation API](https://elevationapi.com)
* Digital Elevation Model: [SRTM_GL1 OpenTopography](https://opentopography.org/)
* Imagery: [OpenTopoMap](Map data: © OpenStreetMap contributors,  SRTM | Map style: ©  OpenTopoMap ( CC-BY-SA))

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340582
title: SB-9 縄文土器 Jyomon Doki

description: 縄文土器

資料番号:SB-9

収蔵館:飛騨みやがわ考古民俗館

2021年11月27日_石棒クラブ3D合宿で作成

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340583
title: SB-9 縄文土器 Jyomon Doki

description: 縄文土器

資料番号:SB-9

収蔵館:飛騨みやがわ考古民俗館

2021年11月27日_石棒クラブ3D合宿で作成

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340586
title: The Portuguese Fireplace, New Forest

description: A cooking oven built by Portuguese foresters working in The New Forest during the First World War.

https://en.wikipedia.org/wiki/Portuguese_Fireplace

Created with Polycam using iPhone 12 Pro Max.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340587
title: The Portuguese Fireplace, New Forest

description: A cooking oven built by Portuguese foresters working in The New Forest during the First World War.

https://en.wikipedia.org/wiki/Portuguese_Fireplace

Created with Polycam using iPhone 12 Pro Max.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340589
title: Tourbillon

description: 2009 - Dimensions 145 x 120 x 100 cm - Sculpture céramique en grès extrudé cuit en mono-cuisson, une seule pièce. Œuvre de Maarten Stuer né en 1965 à Yokohama, installé aujourd'hui dans le Gers (France). Achat par le Département des Landes en 2011, suite à l'exposition ''Poussières" présentée dans l'église d'Arthous en 2009. L'oeuvre est visible à l'entrée de l'abbaye d'Arthous à Hastingues (Landes - France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340588
title: Tourbillon

description: 2009 - Dimensions 145 x 120 x 100 cm - Sculpture céramique en grès extrudé cuit en mono-cuisson, une seule pièce. Œuvre de Maarten Stuer né en 1965 à Yokohama, installé aujourd'hui dans le Gers (France). Achat par le Département des Landes en 2011, suite à l'exposition ''Poussières" présentée dans l'église d'Arthous en 2009. L'oeuvre est visible à l'entrée de l'abbaye d'Arthous à Hastingues (Landes - France)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340590
title: 尖石縄文考古館まつりの道具コーナー 観察記録3Dモデル

description: 尖石縄文考古館まつりの道具コーナー 観察記録3Dモデル
有孔鍔付土器5点、釣手土器3点、注口土器1点
撮影場所:尖石縄文考古館 
撮影月日:2019.09.13
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 38 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340591
title: 尖石縄文考古館まつりの道具コーナー 観察記録3Dモデル

description: 尖石縄文考古館まつりの道具コーナー 観察記録3Dモデル
有孔鍔付土器5点、釣手土器3点、注口土器1点
撮影場所:尖石縄文考古館 
撮影月日:2019.09.13
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 38 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340592
title: Arch

description: Low poly arch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340593
title: Arch

description: Low poly arch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340594
title: 釜石のラグビーボール

description: 📍 [野村商店鵜の郷交流館店, 釜石市, 岩手県](https://scaniver.se/L39.32740,141.88791)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340595
title: 釜石のラグビーボール

description: 📍 [野村商店鵜の郷交流館店, 釜石市, 岩手県](https://scaniver.se/L39.32740,141.88791)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340597
title: Ashdod Yam

description: Ashdod-Yam (lit. "Ashdod on the Sea" in Hebrew) is an archaeological site on the Mediterranean coast of Israel. It is located in the southern part of the modern city of Ashdod, and about 5 kilometres northwest of Tel Ashdod where Ashdod stood in the time of the Philistines. Ashdod on the Sea and (inland) Ashdod were for most of their history two separate entities, connected though by close ties with each other. At different times in history one of the two twin towns would gain the upper hand over the other. There is more on the two towns and their interaction in the Ashdod article.

Most of the area has not been excavated yet and is covered by sand dunes.
https://en.wikipedia.org/wiki/Ashdod-Sea

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340596
title: Ashdod Yam

description: Ashdod-Yam (lit. "Ashdod on the Sea" in Hebrew) is an archaeological site on the Mediterranean coast of Israel. It is located in the southern part of the modern city of Ashdod, and about 5 kilometres northwest of Tel Ashdod where Ashdod stood in the time of the Philistines. Ashdod on the Sea and (inland) Ashdod were for most of their history two separate entities, connected though by close ties with each other. At different times in history one of the two twin towns would gain the upper hand over the other. There is more on the two towns and their interaction in the Ashdod article.

Most of the area has not been excavated yet and is covered by sand dunes.
https://en.wikipedia.org/wiki/Ashdod-Sea

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340598
title: Oyster Shell

description: Everyday life in Pontes, Roman Staines - an oyster shell. Visitors to Roman Britannia were not impressed by the cold wet climate and found the locals uncultured and at times somewhat hostile. What they did appreciate though were the fine, if ugly, hunting dogs and the excellent oysters. This is one of many oyster shells found amongst other Roman finds in Staines. 'Kent ware' pottery found in Staines was typically used for the transport of oysters, suggesting the Kent coast as the source for this oyster shell. Writing of the period describes a dressing of pepper, lovage, egg yolk, vinegar, fish sauce, olive oil and wine. Very tasty.

Note: In the 'FeatureMatching' node of Meshroom it was critical to enable the 'Guided Matching' feature or Meshroom rejects 50% (one side) of the cameras. With this feature enabled there was 100% camera use. Meshlab was used to tidy-up any unwanted background and to decimate the structure.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340599
title: Oyster Shell

description: Everyday life in Pontes, Roman Staines - an oyster shell. Visitors to Roman Britannia were not impressed by the cold wet climate and found the locals uncultured and at times somewhat hostile. What they did appreciate though were the fine, if ugly, hunting dogs and the excellent oysters. This is one of many oyster shells found amongst other Roman finds in Staines. 'Kent ware' pottery found in Staines was typically used for the transport of oysters, suggesting the Kent coast as the source for this oyster shell. Writing of the period describes a dressing of pepper, lovage, egg yolk, vinegar, fish sauce, olive oil and wine. Very tasty.

Note: In the 'FeatureMatching' node of Meshroom it was critical to enable the 'Guided Matching' feature or Meshroom rejects 50% (one side) of the cameras. With this feature enabled there was 100% camera use. Meshlab was used to tidy-up any unwanted background and to decimate the structure.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340600
title: Ídolo Pré-histórico / Prehistoric Idol

description: Este é um ídolo cerâmico pré-histórico que se enquadra num universo vasto de objectos "rituais" do sudoeste da península ibérica. Estes ídolos foram produzidos em diversos materiais como osso, o marfim, a cerâmica ou o calcário. As suas representações são sempre de carácter antropomórfico com um tratamento anatómico diverso, mas sempre com a marcação de incisões na cara, interpretadas comummente como tatuagens faciais.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340601
title: Ídolo Pré-histórico / Prehistoric Idol

description: Este é um ídolo cerâmico pré-histórico que se enquadra num universo vasto de objectos "rituais" do sudoeste da península ibérica. Estes ídolos foram produzidos em diversos materiais como osso, o marfim, a cerâmica ou o calcário. As suas representações são sempre de carácter antropomórfico com um tratamento anatómico diverso, mas sempre com a marcação de incisões na cara, interpretadas comummente como tatuagens faciais.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340602
title: Dunblane Cross Slab

description: Sculptured stone, Dunblane Cathedral, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340603
title: Dunblane Cross Slab

description: Sculptured stone, Dunblane Cathedral, Scotland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340604
title: Polished Slate End Balde XCB-003-178

description: Polished Slate End Blade XCB-003-178

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340605
title: Polished Slate End Balde XCB-003-178

description: Polished Slate End Blade XCB-003-178

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340608
title: Balança

description: Victor Alves

- Curso superior de tecnologia em jogos digitais PUC Minas
- Disciplina de Modelagem
- Balança medieval low poli, usado para composiçao de cenário, em tons de cinza.

- PUC minas digital games technology college
- Modeling Discipline
- low poly medieval balance
- Used for scenery composition, medieval style.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340609
title: Balança

description: Victor Alves

- Curso superior de tecnologia em jogos digitais PUC Minas
- Disciplina de Modelagem
- Balança medieval low poli, usado para composiçao de cenário, em tons de cinza.

- PUC minas digital games technology college
- Modeling Discipline
- low poly medieval balance
- Used for scenery composition, medieval style.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340611
title: Adolph von Menzel

description: This is a cast taken from the death mask of Adolph von Menzel, one of the most famous Berlin painters. The Berlin sculptor Reinhold Begas is the artist.

Part of the sculpture collection at the city museum of Berlin, Germany. The collection consists of 3.000 objects of which a third are portrait busts of famous Berlin artists, scholars, politicians and rulers.

Model: The model is based only on 48 photographs taken from one angle in order to test the platform and RealityCapture. This results in some irregularities..

See the object in our database: https://sammlung-online.stadtmuseum.de/Details/Index/308305

More about Heinrich Zille: https://en.wikipedia.org/wiki/Adolph_Menzel

CC-BY-Attribution: Stadtmuseum Berlin | Oliver Ziebe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340610
title: Adolph von Menzel

description: This is a cast taken from the death mask of Adolph von Menzel, one of the most famous Berlin painters. The Berlin sculptor Reinhold Begas is the artist.

Part of the sculpture collection at the city museum of Berlin, Germany. The collection consists of 3.000 objects of which a third are portrait busts of famous Berlin artists, scholars, politicians and rulers.

Model: The model is based only on 48 photographs taken from one angle in order to test the platform and RealityCapture. This results in some irregularities..

See the object in our database: https://sammlung-online.stadtmuseum.de/Details/Index/308305

More about Heinrich Zille: https://en.wikipedia.org/wiki/Adolph_Menzel

CC-BY-Attribution: Stadtmuseum Berlin | Oliver Ziebe

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340613
title: 耳飾(滑車形)2(君津市三直貝塚) 観察記録3Dモデル

description: 耳飾(滑車形)2(君津市三直貝塚) 観察記録3Dモデル
縄文時代後~晩期 
千葉県教育委員会所蔵 
径4.5㎝、幅1.8㎝
撮影場所:加曽利貝塚博物館 ミニ企画展示「県内縄文遺跡展」-千葉県の縄文時代研究を彩った遺跡たち- 君津市三直貝塚編 
撮影月日:2020.07.30 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.003 processing 78 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340612
title: 耳飾(滑車形)2(君津市三直貝塚) 観察記録3Dモデル

description: 耳飾(滑車形)2(君津市三直貝塚) 観察記録3Dモデル
縄文時代後~晩期 
千葉県教育委員会所蔵 
径4.5㎝、幅1.8㎝
撮影場所:加曽利貝塚博物館 ミニ企画展示「県内縄文遺跡展」-千葉県の縄文時代研究を彩った遺跡たち- 君津市三直貝塚編 
撮影月日:2020.07.30 
ガラス面越し撮影 
3Dモデル写真測量ソフト 3DF Zephyr で生成 v5.003 processing 78 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340614
title: Julio Cesar. Character

description: 3D character, Julius Caesar, Emperor of Rome.

For an animation project.

* Programs used: Maya.

* It can give problems when rigging it *



* Personaje 3D, Julio Cesar, emperador de Roma.

Para un proyecto de animacion.

*Programas usado: Maya.

*Puede dar problemas a la hora de riggearlo*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340615
title: Julio Cesar. Character

description: 3D character, Julius Caesar, Emperor of Rome.

For an animation project.

* Programs used: Maya.

* It can give problems when rigging it *



* Personaje 3D, Julio Cesar, emperador de Roma.

Para un proyecto de animacion.

*Programas usado: Maya.

*Puede dar problemas a la hora de riggearlo*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340618
title: Abbeyknockmoy - Inscription 1

description: This inscription is visible on the The presbytery of the church, also known as the chancel.  It may have been part of a larger inscription or murual similar to that on the north wall.  It is likley this is black script a common font from the medieval period.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340619
title: Abbeyknockmoy - Inscription 1

description: This inscription is visible on the The presbytery of the church, also known as the chancel.  It may have been part of a larger inscription or murual similar to that on the north wall.  It is likley this is black script a common font from the medieval period.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340620
title: Amphitheatre of Butrint

description: A small model of the amphitheatre in one of the most significant Albanian archeology sites, a Unesco World Heritage Site. 

* Rendering Software: Reality Capture
* Images: 409 JPG
* Render setting: High quality
* Processing time: 4h52m
* Camera: Phantom 4 Pro
* Pilot: Hallgeir Fiddan
* Date: May 18th, 2018
* Location: Butrint, Saranda, Albania

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340621
title: Amphitheatre of Butrint

description: A small model of the amphitheatre in one of the most significant Albanian archeology sites, a Unesco World Heritage Site. 

* Rendering Software: Reality Capture
* Images: 409 JPG
* Render setting: High quality
* Processing time: 4h52m
* Camera: Phantom 4 Pro
* Pilot: Hallgeir Fiddan
* Date: May 18th, 2018
* Location: Butrint, Saranda, Albania

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340623
title: Whistle figurine

description: Maya, found Campeche, Mexico.
Late Classic (600-900 CE)
Terracotta and ceramic
Williams College Museum of Art 21.1.3
http://egallery.williams.edu/objects/12202/whistle-figurine

NB: areas not captured due to object fragility are in flat color (bottom of model)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340622
title: Whistle figurine

description: Maya, found Campeche, Mexico.
Late Classic (600-900 CE)
Terracotta and ceramic
Williams College Museum of Art 21.1.3
http://egallery.williams.edu/objects/12202/whistle-figurine

NB: areas not captured due to object fragility are in flat color (bottom of model)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340624
title: Football boot made by Karhu

description: Football boots in the 1940's had normally six studs. In Karhu's boots each stud was usually attached with four nails, but in this pair only three nails were used.

Finnish national team players used this type of boots in the 1930's and 40's.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340625
title: Football boot made by Karhu

description: Football boots in the 1940's had normally six studs. In Karhu's boots each stud was usually attached with four nails, but in this pair only three nails were used.

Finnish national team players used this type of boots in the 1930's and 40's.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340626
title: Etruscan black-figure kyathos

description: "Etruscan black-figure kyathos from the Castello Banfi Collection

Etruscan black-figure kyathos.  With trumpet foot. Orange clay with black paint and white details. Decorated with armed male dancers and palmettes. Attributed to the late silhouette technique of the circle of the Micali Painter. End of 6th c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 211. Bischeri 2022: n. cat. 112.  

Processed in Reality Capture from 297 images. GDH ID  M_211 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10340627
title: Etruscan black-figure kyathos

description: "Etruscan black-figure kyathos from the Castello Banfi Collection

Etruscan black-figure kyathos.  With trumpet foot. Orange clay with black paint and white details. Decorated with armed male dancers and palmettes. Attributed to the late silhouette technique of the circle of the Micali Painter. End of 6th c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 211. Bischeri 2022: n. cat. 112.  

Processed in Reality Capture from 297 images. GDH ID  M_211 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig,  Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)."

Source: Objaverse 1.0 / Sketchfab