cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.13286435
title: An Inadequate Painted History of Mexico - Research Timeline and Research Questions

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>This item contains the Research Timeline and Questions for this project.
DOI: 10.17870/bathspa.13286435.v1
title: An Inadequate Painted History of Mexico - Research Timeline and Research Questions

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>This item contains the Research Timeline and Questions for this project.
DOI: 10.6084/m9.figshare.14325376
title: Buckling of cracked cones subjected to axial compression

description: Abstract The influence of crack geometry on the buckling load of axially compressed mild steel cones was presented in this paper. The following geometrical parameter was used: bottom radius-to-top radius ratio, r2/r1=2.0; top radius-to-thickness ratio, r1/t=25; axial length-to-bottom radius ratio, L/r2=2.24; nominal shell thickness, t=1mm; cone angle, β=12.6°. The local buckling phenomenon was investigated through a series of numerical computations (50 ≤ r1/t ≤ 2000). Numerical results show that crack geometry (i.e., length and orientation) influences the buckling strength of the cones differently. For instance, as the crack length increases, the loading capacity of cones drops; cones with a circumferential crack (0°) display the most severe drop. As the crack orientation increases (from 0° to 90°) the buckling strength of the cracked cones with crack length greater than 1 increases. Whereas, for cracked cones with crack length less than 1, increasing the crack orientation has little or no effect on the buckling strength. Hence, it can be said that crack orientation has a secondary effect on the buckling of cracked conical shells.
DOI: 10.17870/bathspa.13286453
title: An Inadequate Painted History of Mexico - Paintings

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>This item contains images of the paintings in the series.<br><br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photos: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings in the series:</b><br>Wall, 2017 Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico II, 2017 Acrylic on canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br> An Inadequate Painted History of Mexico III, 2018 Oil, acrylic and book pages on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico V, 2018 Oil on canvas100 x 92 cm (39 3/8 x 36 1/4 in.)<br> An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br> An Inadequate Painted History of Mexico X, 2020 Oil on canvas150 x 186 cm (59 1/8 x 73 1/4 in.)<br>An Inadequate Painted History of Mexico XI, 2020 Oil on canvas31.5 x 31.5 cm (12 3/8 x 12 3/8 in.)<br> An Inadequate Painted History of Mexico XII, 2020 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> Precaucion 2020 Oil on Canvas 45 x 61 cm (17 3/4 x 24 1/8 in.)<br> 1968, 2020Oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>1994, 2020Oil on canvas124.5 x 101 cm (49 1/8 x 39 3/4 in.)<br>All Images: Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br><br><br>
DOI: 10.17870/bathspa.13286453.v1
title: An Inadequate Painted History of Mexico - Paintings

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>This item contains images of the paintings in the series.<br><br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photos: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings in the series:</b><br>Wall, 2017 Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico II, 2017 Acrylic on canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br> An Inadequate Painted History of Mexico III, 2018 Oil, acrylic and book pages on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico V, 2018 Oil on canvas100 x 92 cm (39 3/8 x 36 1/4 in.)<br> An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br> An Inadequate Painted History of Mexico X, 2020 Oil on canvas150 x 186 cm (59 1/8 x 73 1/4 in.)<br>An Inadequate Painted History of Mexico XI, 2020 Oil on canvas31.5 x 31.5 cm (12 3/8 x 12 3/8 in.)<br> An Inadequate Painted History of Mexico XII, 2020 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> Precaucion 2020 Oil on Canvas 45 x 61 cm (17 3/4 x 24 1/8 in.)<br> 1968, 2020Oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>1994, 2020Oil on canvas124.5 x 101 cm (49 1/8 x 39 3/4 in.)<br>All Images: Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br><br><br>
DOI: 10.6084/m9.figshare.14325378
title: Distortional-Global Buckling Interaction Relevance in Cold-Formed Steel Lipped Channel Columns

description: Abstract Buckling mode interaction in cold-formed steel (CFS) members must be considered for the structural design, which may lead to a significant reduction of the structural strength, usually recognized as erosion of the limit load. So far, the distortional-global (DG) buckling interaction is not covered by codes, e.g. Brazilian code NBR 14762:2010. The present investigation is aimed at the DG interaction of CFS lipped channel (LC) columns, which is the most usual section. The methodology evolves a parametric analysis, over a single LC column under DG buckling interaction. First, a study of initial geometric imperfection (IGI) sensibility is performed, with the purpose of understanding the influence of the IGI on the column’s behavior. Moreover, the parametric analysis is extended to a set of yielding stress and column lengths, to understand the ultimate load under different types of DG buckling interaction natures. Conclusions on this research have been shown that the actual global buckling equation from the Direct Strength Method is already suitable to cover the DG buckling interaction for the case of lipped channel columns.
DOI: 10.17870/bathspa.13325609.v1
title: An Inadequate Painted History of Mexico - CaSa Exhibition

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>The original opening date for the solo show at CaSa (Centro de las Artes de San Agustín), San Agustín Etla, Oaxaca was November 2020. The exhibition was postponed due to Covid-19, and will now be open 5th June 2021 – 11th September 2021.<br>This item contains images of the paintings chosen to appear in the CaSa exhibition.<br>Please note that some paintings appear in both the MUNAL and the CaSa exhibitions.<br><br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photos: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings in the exhibition</b>:<br>Wall, 2017Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico III, 2018 Oil, acrylic and book pages on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br> An Inadequate Painted History of Mexico XII, 2020 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> Precaucion 2020 Oil on Canvas 45 x 61 cm (17 3/4 x 24 1/8 in.)<br>All Images:Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br><br>
DOI: 10.17870/bathspa.13325609
title: An Inadequate Painted History of Mexico - CaSa Exhibition

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>The original opening date for the solo show at CaSa (Centro de las Artes de San Agustín), San Agustín Etla, Oaxaca was November 2020. The exhibition was postponed due to Covid-19, and will now be open 5th June 2021 – 11th September 2021.<br>This item contains images of the paintings chosen to appear in the CaSa exhibition.<br>Please note that some paintings appear in both the MUNAL and the CaSa exhibitions.<br><br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photos: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings in the exhibition</b>:<br>Wall, 2017Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico III, 2018 Oil, acrylic and book pages on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br> An Inadequate Painted History of Mexico XII, 2020 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> Precaucion 2020 Oil on Canvas 45 x 61 cm (17 3/4 x 24 1/8 in.)<br>All Images:Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br><br>
DOI: 10.6084/m9.figshare.14325379.v1
title: Hydro-elastic analysis of standing submerged structures under seismic excitations with SPH-FEM approach

description: Abstract In this paper, a fully coupled fluid structure interaction (FSI) method is used to investigate the hydro-elastic response of a fully submerged standing structure under seismic excitations. Two different domains (solid and fluid) are modelled by mesh based and meshless methods, respectively. Solid domain is modeled by finite element method (FEM) and fluid domain is modeled by smoothed particle hydrodynamics (SPH). Coupling between FEM and SPH is implemented via contact mechanics, and this method differs from others in the way of coupling mechanism. Invading SPH particles are solved together with finite elements by using contact mechanics, then, a fully coupled method is achieved. In the scope of this research, different seismic excitations are applied to a rectangular tank. Half of the tank is filled with water and a submerged rubber plate is attached to its mid bottom. Thus, two-dimensional motion of rubber plate and water is investigated experimentally and simulated numerically.
DOI: 10.17870/bathspa.13325621
title: An Inadequate Painted History of Mexico - MUNAL Exhibition

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>The original opening date for the solo show at MUNAL, (Museo Nacional de Arte) Mexico City was June 2020. The exhibition was postponed due to Covid-19 and will now open from 23<sup>rd</sup> September 2021 – 30<sup>th</sup> January 2022.<br>This item contains images of the paintings chosen to appear in the MUNAL exhibition, drawings of murals that will be drawn on the walls at MUNAL and a list of paintings from the MUNAL collection that will be shown alongside Dalwood's paintings.<br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photo: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings by Dexter Dalwood in the exhibition</b>:(Please note that some paintings appear in both the MUNAL and the CaSa exhibitions.)<br>Wall, 2017 Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br>All Images:Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.17870/bathspa.13325621.v1
title: An Inadequate Painted History of Mexico - MUNAL Exhibition

description: The series of paintings by Dexter Dalwood that form <i>An Inadequate Painted History of Mexico</i> arose from a residency in Mexico in 2017, and discussions with the local community and secondary school students Oaxaca state. The paintings have been constructed in order to raise questions in the viewer’s mind: What is the history that is being depicted? Who does this history belong to? Is it possible for an artist that is not from one culture to make images that are specifically about another culture?<br>The original opening date for the solo show at MUNAL, (Museo Nacional de Arte) Mexico City was June 2020. The exhibition was postponed due to Covid-19 and will now open from 23<sup>rd</sup> September 2021 – 30<sup>th</sup> January 2022.<br>This item contains images of the paintings chosen to appear in the MUNAL exhibition, drawings of murals that will be drawn on the walls at MUNAL and a list of paintings from the MUNAL collection that will be shown alongside Dalwood's paintings.<br><b>Courtesy of the artist and Simon Lee Gallery</b><b>Photo: Ben Westoby</b><b>Used with permission. </b><br><b>List of paintings by Dexter Dalwood in the exhibition</b>:(Please note that some paintings appear in both the MUNAL and the CaSa exhibitions.)<br>Wall, 2017 Oil on Canvas130 x 97 cm (51 1/8 x 38 1/4 in.)<br>An Inadequate Painted History of Mexico I, 2017Oil and acrylic on canvas, 150 x 186 (59 x 73 1/2 in.)<br>An Inadequate Painted History of Mexico IV, 2018 Book pages, acrylic and oil on canvas150 x 202 cm (59 1/8 x 79 1/2 in.)<br>An Inadequate Painted History of Mexico VI, 2018 Oil on canvas30 x 24 cm (11 3/4 x 9 1/2 in.)<br> 00:43, 2018Oil and chalk on canvas124 x 101 cm (48 7/8 x 39 3/4 in.)<br> An Inadequate Painted History of Mexico VII, 2018 Oil and acrylic on canvas150 x 186 cm (59 x 73 1/2 in.)<br> An Inadequate Painted History of Mexico VIII, 2019 Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in.)<br> An Inadequate Painted History of Mexico IX, 2020 Oil on canvas230 x 350 cm (94 1/8 x 137 3/4 in.)<br>All Images:Courtesy of the artist and Simon Lee GalleryPhoto: Ben WestobyUsed with permission.<br><b>This work</b><b> is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>
DOI: 10.6084/m9.figshare.14325379
title: Hydro-elastic analysis of standing submerged structures under seismic excitations with SPH-FEM approach

description: Abstract In this paper, a fully coupled fluid structure interaction (FSI) method is used to investigate the hydro-elastic response of a fully submerged standing structure under seismic excitations. Two different domains (solid and fluid) are modelled by mesh based and meshless methods, respectively. Solid domain is modeled by finite element method (FEM) and fluid domain is modeled by smoothed particle hydrodynamics (SPH). Coupling between FEM and SPH is implemented via contact mechanics, and this method differs from others in the way of coupling mechanism. Invading SPH particles are solved together with finite elements by using contact mechanics, then, a fully coupled method is achieved. In the scope of this research, different seismic excitations are applied to a rectangular tank. Half of the tank is filled with water and a submerged rubber plate is attached to its mid bottom. Thus, two-dimensional motion of rubber plate and water is investigated experimentally and simulated numerically.
DOI: 10.6084/m9.figshare.14325381
title: A conceptual study of a self-centering semi-rigid connection with energy dissipation for wooden frames

description: Abstract A proposal of a semi-rigid self-centering connection for the seismic protection of wooden structures is studied. An analytical model for the characterization of the response of the connection is developed. Quasi-static tests of a wooden column with the proposed connection allowed to validate the model and calibrate its parameters, obtaining errors smaller than 6% between analytical prediction and experimental results. The self-centering capacity and the effectiveness of the connection to limit the loads transmitted to the connected elements were evidenced. Damped free vibration tests evidenced the capacity of the connection to reduce structural vibrations. It was verified that the resistance and dissipation capacity of the connection can be modified by two design parameters that can be adjusted at the assembly. The proposed connection has desirable characteristics for its use in the protection of structural wooden frames, is versatile, and its design is simple, with explicit physical parameters.
DOI: 10.6084/m9.figshare.14325381.v1
title: A conceptual study of a self-centering semi-rigid connection with energy dissipation for wooden frames

description: Abstract A proposal of a semi-rigid self-centering connection for the seismic protection of wooden structures is studied. An analytical model for the characterization of the response of the connection is developed. Quasi-static tests of a wooden column with the proposed connection allowed to validate the model and calibrate its parameters, obtaining errors smaller than 6% between analytical prediction and experimental results. The self-centering capacity and the effectiveness of the connection to limit the loads transmitted to the connected elements were evidenced. Damped free vibration tests evidenced the capacity of the connection to reduce structural vibrations. It was verified that the resistance and dissipation capacity of the connection can be modified by two design parameters that can be adjusted at the assembly. The proposed connection has desirable characteristics for its use in the protection of structural wooden frames, is versatile, and its design is simple, with explicit physical parameters.