cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10261612
title: Polished Slate Knife XCB-001-134

description: Polished Slate Knife XCB-001-134

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261613
title: Polished Slate Knife XCB-001-134

description: Polished Slate Knife XCB-001-134

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261614
title: Juliaan Dillens

description: Statue to Juliaan Dillens (1849 - 1904), marble and gilded bronze, at Meeûs Square, in Brussels (Belgium). Made with CapturingReality.

Julien Dillens was a Belgian sculptor born in Antwerp, the son of the painter Hendrick Joseph Dillens. Dillens studied under Eugène Simonis at the Académie Royale des Beaux-Arts. In 1877 he received the Prix de Rome for A Gaulish Chief taken Prisoner by the Romans.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261615
title: Juliaan Dillens

description: Statue to Juliaan Dillens (1849 - 1904), marble and gilded bronze, at Meeûs Square, in Brussels (Belgium). Made with CapturingReality.

Julien Dillens was a Belgian sculptor born in Antwerp, the son of the painter Hendrick Joseph Dillens. Dillens studied under Eugène Simonis at the Académie Royale des Beaux-Arts. In 1877 he received the Prix de Rome for A Gaulish Chief taken Prisoner by the Romans.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261616
title: Hl. Antonius

description: Statue of Anthony of Padua from 1720. The baroque figure on a column stands next to the parish church of St. Lawrence in Trausdorf.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261617
title: Hl. Antonius

description: Statue of Anthony of Padua from 1720. The baroque figure on a column stands next to the parish church of St. Lawrence in Trausdorf.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261618
title: Medieval troy town

description: Scanned medieval troy town (maiden's dance) in Nauvo, Finland.

Historians aren't sure how troy towns were used. Some think they were just a way to spend time, others think that it was made to ensure fishing luck. Some think that it had something to do with fertility.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261619
title: Medieval troy town

description: Scanned medieval troy town (maiden's dance) in Nauvo, Finland.

Historians aren't sure how troy towns were used. Some think they were just a way to spend time, others think that it was made to ensure fishing luck. Some think that it had something to do with fertility.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261621
title: Abitato14

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261622
title: Abitato14

description: Makella Summer School - Laboratorio di archeologia e antropologia con scavo simulato e rilievo fotogrammetrico per studenti e studentesse dell'IC Statale Marineo Bolognetta "Mario Francese" organizzato dall'"Associazione Senza Fissa Dimora", in collaborazione con Asterion s.r.l. e la Dottoressa Serena Cesare, professionista e antropologa fisica. I contesti simulavano tre tipologie di occorrenze archeologiche: abitato, deposito votivo e contesto tombale.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261624
title: Drug-jar (albarello) with portrait of a man

description: Material: [Maiolica](http://vocab.getty.edu/page/aat/300021170). Accession no: CG 036 B. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html).

An Italian [albarello](http://vocab.getty.edu/page/aat/300198823) or drug-jar, of waisted cylindrical shape. On the centre-front is a portrait of a man in an oval frame which is surrounded by foliated, scroll work and [sgraffito](http://vocab.getty.edu/page/aat/300053367) in blue, yellow and white. Similar to [CG 036 A](https://www.huntmuseum.com/explore/item/c83cac25-bb92-32da-a388-eb7e3721ccf3/?s%3DCG+036+A&pos=1). These popular portrait pieces emphasize character rather than beauty. [Sicilian](http://www.geonames.org/2523118/sicily.html), possibly Caltagirone.

[More](https://www.huntmuseum.com/explore/item/bd7a6526-48a3-3e64-b6aa-aeb7f2bd74aa/?s%3DCG+036+B&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261623
title: Drug-jar (albarello) with portrait of a man

description: Material: [Maiolica](http://vocab.getty.edu/page/aat/300021170). Accession no: CG 036 B. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html).

An Italian [albarello](http://vocab.getty.edu/page/aat/300198823) or drug-jar, of waisted cylindrical shape. On the centre-front is a portrait of a man in an oval frame which is surrounded by foliated, scroll work and [sgraffito](http://vocab.getty.edu/page/aat/300053367) in blue, yellow and white. Similar to [CG 036 A](https://www.huntmuseum.com/explore/item/c83cac25-bb92-32da-a388-eb7e3721ccf3/?s%3DCG+036+A&pos=1). These popular portrait pieces emphasize character rather than beauty. [Sicilian](http://www.geonames.org/2523118/sicily.html), possibly Caltagirone.

[More](https://www.huntmuseum.com/explore/item/bd7a6526-48a3-3e64-b6aa-aeb7f2bd74aa/?s%3DCG+036+B&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261625
title: Old Stone

description: Poly reduction test from 220 Mo to 5 Mo
The stone is captured using photogrammetry.


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261626
title: Old Stone

description: Poly reduction test from 220 Mo to 5 Mo
The stone is captured using photogrammetry.


Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261627
title: Bath of the Roman villa in Ahrweiler

description: Because of its excellent state of preservation, the Roman villa on the Silberberg in Ahrweiler is one of the most exciting Roman architectural monuments north of the Alps. The ancient walls were buried in a landslide in the 5th century A.D., so that the site survived the centuries like a time capsule. Even the colourful wall paintings with their figural and floral motifs can still be admired in their original form in many places. The visitor can take a look into the kitchen, the bath house and even into the underfloor heating.  The building is extraordinarily complex and consists of a number of phases resulting from almost five hundred years of use. A highly accurate 3D image will help to solve the last mysteries of the site. 
Today the Roman building is protected in a museum and offers a unique insight into the Roman history of the Rhineland. https://www.bad-neuenahr-ahrweiler.de/roemervilla-ahrweiler/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261628
title: Bath of the Roman villa in Ahrweiler

description: Because of its excellent state of preservation, the Roman villa on the Silberberg in Ahrweiler is one of the most exciting Roman architectural monuments north of the Alps. The ancient walls were buried in a landslide in the 5th century A.D., so that the site survived the centuries like a time capsule. Even the colourful wall paintings with their figural and floral motifs can still be admired in their original form in many places. The visitor can take a look into the kitchen, the bath house and even into the underfloor heating.  The building is extraordinarily complex and consists of a number of phases resulting from almost five hundred years of use. A highly accurate 3D image will help to solve the last mysteries of the site. 
Today the Roman building is protected in a museum and offers a unique insight into the Roman history of the Rhineland. https://www.bad-neuenahr-ahrweiler.de/roemervilla-ahrweiler/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261631
title: Lithic Knife From Piqua Site

description: A bifacially worked lithic knife from the Piqua site at George Rogers Clark Park (knife is gray and black chert; color dropped in model). Knife is 7.3 cm long. Recovered from the ground surface during the Summer 2018 Wright State University Archaeological Field School. Thanks to Bryan Beverly for scanning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261632
title: Lithic Knife From Piqua Site

description: A bifacially worked lithic knife from the Piqua site at George Rogers Clark Park (knife is gray and black chert; color dropped in model). Knife is 7.3 cm long. Recovered from the ground surface during the Summer 2018 Wright State University Archaeological Field School. Thanks to Bryan Beverly for scanning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261635
title: Memorial to Heroic Self-Sacrifice

description: The Watts Memorial is a 15 metre long memorial to ordinary people who have given their life in heroic acts. It is located in Postman's Park, King Edward Street, London.

The memorial wall has ceramic memorial tiles mounted on it, each commemorating one person and their act. The memorial is unfinished and there is room for more tiles. 

Date: 1900

Proposed by George Frederic Watts.

https://en.wikipedia.org/wiki/Memorial_to_Heroic_Self-Sacrifice

See the model annotations for some examples of the memorial tiles.

1114 photos taken in November 2020 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261636
title: Memorial to Heroic Self-Sacrifice

description: The Watts Memorial is a 15 metre long memorial to ordinary people who have given their life in heroic acts. It is located in Postman's Park, King Edward Street, London.

The memorial wall has ceramic memorial tiles mounted on it, each commemorating one person and their act. The memorial is unfinished and there is room for more tiles. 

Date: 1900

Proposed by George Frederic Watts.

https://en.wikipedia.org/wiki/Memorial_to_Heroic_Self-Sacrifice

See the model annotations for some examples of the memorial tiles.

1114 photos taken in November 2020 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261640
title: Kuninkaanhauta burial cairn, Eura, Finland

description: Large bronze age (from 1500 BC to 500 BC in Finland) burial cairn Kuninkaanhauta ("kings tomb") in Eura, Finland. It is the largest burial cairn left in Finland. Width is 36 meters, length 30 meters and height 3 - 4 meters. It has never been excavated.

There are some errors in the 3D model processing that resulted holes to appear in the cairn. These are not present in the real site.

More info:

* [Location in Google Maps](https://goo.gl/maps/yF5A7XgmomU3ssHj6)
* [Wikipedia (in english)](https://en.wikipedia.org/wiki/Kuninkaanhauta)
* [Wikipedia (in finnish)](https://fi.wikipedia.org/wiki/Kuninkaanhauta)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.262010026)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261639
title: Kuninkaanhauta burial cairn, Eura, Finland

description: Large bronze age (from 1500 BC to 500 BC in Finland) burial cairn Kuninkaanhauta ("kings tomb") in Eura, Finland. It is the largest burial cairn left in Finland. Width is 36 meters, length 30 meters and height 3 - 4 meters. It has never been excavated.

There are some errors in the 3D model processing that resulted holes to appear in the cairn. These are not present in the real site.

More info:

* [Location in Google Maps](https://goo.gl/maps/yF5A7XgmomU3ssHj6)
* [Wikipedia (in english)](https://en.wikipedia.org/wiki/Kuninkaanhauta)
* [Wikipedia (in finnish)](https://fi.wikipedia.org/wiki/Kuninkaanhauta)
* [Finnish Heritage Agency site info (only in finnish)](https://www.kyppi.fi/to.aspx?id=112.262010026)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261645
title: Hungary

description: [Hungary](https://en.wikipedia.org/wiki/Hungary) is a landlocked country in Central Europe. Spanning 93,030 square kilometres (35,920 sq mi) of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest and Austria to the west. Hungary has a population of nearly 10 million, mostly ethnic Hungarians and a significant Romani minority. Hungarian, the official language, is the world's most widely spoken Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs and Győr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261644
title: Hungary

description: [Hungary](https://en.wikipedia.org/wiki/Hungary) is a landlocked country in Central Europe. Spanning 93,030 square kilometres (35,920 sq mi) of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest and Austria to the west. Hungary has a population of nearly 10 million, mostly ethnic Hungarians and a significant Romani minority. Hungarian, the official language, is the world's most widely spoken Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs and Győr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261647
title: Tanum 147:1 Vitlycke

description: Lasermodel of Tanum 147:1 Vitlycke.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261648
title: Tanum 147:1 Vitlycke

description: Lasermodel of Tanum 147:1 Vitlycke.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261655
title: Boqueirão da Pedra Furada

description: Google Maps https://goo.gl/maps/azBeX4Ehe7NaRUY1A

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261656
title: Boqueirão da Pedra Furada

description: Google Maps https://goo.gl/maps/azBeX4Ehe7NaRUY1A

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261659
title: Kierkegaards signatur

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261658
title: Kierkegaards signatur

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261662
title: ROI022-099-01

description: Riverton Projectile Point collected in Allen County, Indiana.

Catalog # 12-Al-945-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-099-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261663
title: ROI022-099-01

description: Riverton Projectile Point collected in Allen County, Indiana.

Catalog # 12-Al-945-25

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI022-099-01, 3D Model .ply file. Recovered as part of Report of Investigations 22, *The Archaeological Resources of the Maumee River Valley, Allen County, Indiana*, By James Mohow.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261664
title: MODILLONES

description: MODILLONES CON REPRESENTACIÓN ANTROPOMORFA
Dos modillones con representación antropomorfa en un coro muy deteriorado y restaurado de estilo mudéjar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261665
title: MODILLONES

description: MODILLONES CON REPRESENTACIÓN ANTROPOMORFA
Dos modillones con representación antropomorfa en un coro muy deteriorado y restaurado de estilo mudéjar.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261666
title: Wmid-a6c396 - Probable Post Medieval pendant

description: A complete copper alloy zoomorphic (bird like) probable pendant, of uncertain dating but probably Post medieval (AD 1500 to AD 1700).

The probable pendant is curved, and an almost a teardrop shape. The design resembles a bird with beak against breast, the long neck forming a loop. From the body, it tapers down to a sharp point at the base of the tail. A concave eye is present on one side.

It has been recorded as WMID-A6C396 by the Portable Antiquities Scheme. The full record can be viewed here. https://finds.org.uk/database/artefacts/record/id/1052149

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261667
title: Wmid-a6c396 - Probable Post Medieval pendant

description: A complete copper alloy zoomorphic (bird like) probable pendant, of uncertain dating but probably Post medieval (AD 1500 to AD 1700).

The probable pendant is curved, and an almost a teardrop shape. The design resembles a bird with beak against breast, the long neck forming a loop. From the body, it tapers down to a sharp point at the base of the tail. A concave eye is present on one side.

It has been recorded as WMID-A6C396 by the Portable Antiquities Scheme. The full record can be viewed here. https://finds.org.uk/database/artefacts/record/id/1052149

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261668
title: Anglo-Saxon Dragon Carving

description: This oak panel was carved by The Sutton Hoo Ship's Company volunteer, Mike Pratt, in the likeness of the Anglo-Saxon carving that adorned ships of that era. The 3D carving depicts intertwining beasts. 

The burial ship is being reconstructed in The Longshed, Woodbridge, Suffolk, UK and is viewable by the public when work is taking place. 

Please visit the website for further details about the project and how you can get invovled https://saxonship.org 

Laser scanning undertaken by Felix Pedrotti & Jack Pink from the University of Southampton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261669
title: Anglo-Saxon Dragon Carving

description: This oak panel was carved by The Sutton Hoo Ship's Company volunteer, Mike Pratt, in the likeness of the Anglo-Saxon carving that adorned ships of that era. The 3D carving depicts intertwining beasts. 

The burial ship is being reconstructed in The Longshed, Woodbridge, Suffolk, UK and is viewable by the public when work is taking place. 

Please visit the website for further details about the project and how you can get invovled https://saxonship.org 

Laser scanning undertaken by Felix Pedrotti & Jack Pink from the University of Southampton

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261671
title: Hare

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261670
title: Hare

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261672
title: COADS_41-25

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio. Material: Unknown

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_41-25, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261673
title: COADS_41-25

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio. Material: Unknown

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_41-25, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261674
title: Assia

description: **Assia**
Bronze datant de 1937, œuvre de grandeur nature, due au  sculpteur Charles Despiau (1874-1946), faisant partie de la collection des 400 sculptures situées dans le parc du Middelheim Museum à Anvers (Belgique)
Charles Despiau fut considéré de son vivant comme un nouveau Donatello et l'égal d'Aristide Maillol, il est l'un des plus grands sculpteurs de l'entre-deux-guerres.
À partir de 1932, la rencontre avec Assia Granatouroff, modèle professionnel que nombre d'artistes, de Dora Maar à Germaine Krull en passant par Chaïm Soutine, font régulièrement poser, permet à Despiau de sublimer le corps de la femme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261675
title: Assia

description: **Assia**
Bronze datant de 1937, œuvre de grandeur nature, due au  sculpteur Charles Despiau (1874-1946), faisant partie de la collection des 400 sculptures situées dans le parc du Middelheim Museum à Anvers (Belgique)
Charles Despiau fut considéré de son vivant comme un nouveau Donatello et l'égal d'Aristide Maillol, il est l'un des plus grands sculpteurs de l'entre-deux-guerres.
À partir de 1932, la rencontre avec Assia Granatouroff, modèle professionnel que nombre d'artistes, de Dora Maar à Germaine Krull en passant par Chaïm Soutine, font régulièrement poser, permet à Despiau de sublimer le corps de la femme.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10261676
title: ROI036-058-01

description: Brewerton Point collected in Delaware County, Indiana.

Catalog # 12-Dl-539-1

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris, and Kevin C. Nolan, 2021. ROI036-058-01, 3D Model .ply file. Recovered as part of Report of Investigations 36, *Historic and Prehistoric Contexts in the Tipton Till Plain*, By Donald Cree, Randy Gaw, Gerald Waite, Lisa Paylo and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab