cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10228585
title: Escudo de la portada del Santuario de la Caridad

description: "Que en señal del Privilegio y Regalía de el Real Patronato, se haga, coloque y conforme un escudo de armas reales y otro de las de esta villa los que permanezcan el uno sobre la puerta de la Yglesia de Nuestra Señora y otro sobre la de el Hospital y Santa Cassa...". Este mandato del monarca Carlos III es el origen de este escudo colocado en la portada del Santaurio desde 1770, cuando el Hospital de la Caridad se coloca bajo su patronazgo y el rey le otorga unas Ordenanzas de Gobiernol.

Durante la restuaración del edificio entre los años 1893-1993 se modificó el lugar original que tenía para elebarlo y cambiar el aspecto original. 

Ahora, en 2021, vuelve a su sitio tradicional en el momento en que se está efectuando la nueva restauración y rehabilitación de dicho Santuario, con la clara intención de recuperar la intencionalidad de dicho escudo.

Modelo elaborado por Felipe Conde Alcántara dentro de los trabajos de documentación gráfica del control arqueolígico de la Rehabilitación del Santuario.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228586
title: Escudo de la portada del Santuario de la Caridad

description: "Que en señal del Privilegio y Regalía de el Real Patronato, se haga, coloque y conforme un escudo de armas reales y otro de las de esta villa los que permanezcan el uno sobre la puerta de la Yglesia de Nuestra Señora y otro sobre la de el Hospital y Santa Cassa...". Este mandato del monarca Carlos III es el origen de este escudo colocado en la portada del Santaurio desde 1770, cuando el Hospital de la Caridad se coloca bajo su patronazgo y el rey le otorga unas Ordenanzas de Gobiernol.

Durante la restuaración del edificio entre los años 1893-1993 se modificó el lugar original que tenía para elebarlo y cambiar el aspecto original. 

Ahora, en 2021, vuelve a su sitio tradicional en el momento en que se está efectuando la nueva restauración y rehabilitación de dicho Santuario, con la clara intención de recuperar la intencionalidad de dicho escudo.

Modelo elaborado por Felipe Conde Alcántara dentro de los trabajos de documentación gráfica del control arqueolígico de la Rehabilitación del Santuario.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228587
title: Fita de pedra de la Mitja Llegua de Girona

description: La fita, porta l'escut de la ciutat de Girona gravats en les parts anterior i posterior de la pedra. S'hi pot llegir  la inscripció:

"Per la mitja lleuga"

Ubicada a la placeta de l'Intitut Vell.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228588
title: Fita de pedra de la Mitja Llegua de Girona

description: La fita, porta l'escut de la ciutat de Girona gravats en les parts anterior i posterior de la pedra. S'hi pot llegir  la inscripció:

"Per la mitja lleuga"

Ubicada a la placeta de l'Intitut Vell.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228590
title: Rand van een kom

description: Site: Rupelmonde - Kalverstraat 2016
Context: crematiegraf
Vondstnummer: 50
Datering context: vroege ijzertijd

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228589
title: Rand van een kom

description: Site: Rupelmonde - Kalverstraat 2016
Context: crematiegraf
Vondstnummer: 50
Datering context: vroege ijzertijd

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228593
title: Réplica de pieza prehispánica del Ecuador

description: Réplica de pieza prehispánica aquirida en Cuenca (Ecuador) por 7 $

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228592
title: Réplica de pieza prehispánica del Ecuador

description: Réplica de pieza prehispánica aquirida en Cuenca (Ecuador) por 7 $

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228597
title: Snowman

description: 2021年はコロナ禍でさっぽろ雪まつりは中止になりました。
この雪だるまは、中止になった会場に誰かが作ったものです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228598
title: Snowman

description: 2021年はコロナ禍でさっぽろ雪まつりは中止になりました。
この雪だるまは、中止になった会場に誰かが作ったものです。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228599
title: Liikistö church ruins, Ulvila, Finland

description: Liikistö church ruins in Ulvila, Finland from 13th century.

* [Location in Google Maps](https://goo.gl/maps/NuhuLzRoEePuQMgX6)
* [Wikipedia: Ragvalda](https://fi.wikipedia.org/wiki/Ragvalda) (only in finnish)
* [Wikipedia: Liikistö](https://fi.wikipedia.org/wiki/Liikistö) (only in finnish)
* [Finnish Heritage Agency site info](http://www.kyppi.fi/to.aspx?id=112.886010004) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228600
title: Liikistö church ruins, Ulvila, Finland

description: Liikistö church ruins in Ulvila, Finland from 13th century.

* [Location in Google Maps](https://goo.gl/maps/NuhuLzRoEePuQMgX6)
* [Wikipedia: Ragvalda](https://fi.wikipedia.org/wiki/Ragvalda) (only in finnish)
* [Wikipedia: Liikistö](https://fi.wikipedia.org/wiki/Liikistö) (only in finnish)
* [Finnish Heritage Agency site info](http://www.kyppi.fi/to.aspx?id=112.886010004) (only in finnish)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228603
title: Netsuke - fisherman and octopus by Kosen

description: Ivory *Fisherman carrying an octopus over his shoulder* by Kosen, 19th C CE, now in the collection of the Minneapolis Institute of Art.


More information about the object here:

https://collections.artsmia.org/art/30458/fisherman-carrying-an-octopus-over-his-shoulder-kosen

Model built in PhotoScan, and cleaned up in Meshmixer and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228604
title: Netsuke - fisherman and octopus by Kosen

description: Ivory *Fisherman carrying an octopus over his shoulder* by Kosen, 19th C CE, now in the collection of the Minneapolis Institute of Art.


More information about the object here:

https://collections.artsmia.org/art/30458/fisherman-carrying-an-octopus-over-his-shoulder-kosen

Model built in PhotoScan, and cleaned up in Meshmixer and Blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228607
title: MUSEO VIRTUAL DEL TAWANTINSUYU  -  ME0484

description: Registro Nacional N°  : 297171
PIA Tambillo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228608
title: MUSEO VIRTUAL DEL TAWANTINSUYU  -  ME0484

description: Registro Nacional N°  : 297171
PIA Tambillo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228610
title: XCB-003-794 Polished Slate Point Fragment

description: Polished Slate Point Fragment, re-worked.  XCB-003-794 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228609
title: XCB-003-794 Polished Slate Point Fragment

description: Polished Slate Point Fragment, re-worked.  XCB-003-794 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228612
title: Robin Hood Hat

description: A bycocket or bycoket (robin hood hat) is a style of hat that was fashionable for both men and women in Western Europe from the 13th to the 16th century. It has a wide brim that is turned up in the back and pointed in the front like a bird's beak. The hat was originally worn by nobles and royalty, and later by the rising merchant class. It was often decorated with feathers, jewels, or other ornaments. Today, it is commonly associated with the character Robin Hood.

*1 mesh (medium poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228611
title: Robin Hood Hat

description: A bycocket or bycoket (robin hood hat) is a style of hat that was fashionable for both men and women in Western Europe from the 13th to the 16th century. It has a wide brim that is turned up in the back and pointed in the front like a bird's beak. The hat was originally worn by nobles and royalty, and later by the rising merchant class. It was often decorated with feathers, jewels, or other ornaments. Today, it is commonly associated with the character Robin Hood.

*1 mesh (medium poly) with textures and materials.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228616
title: Kilcorban - Madonna - 13th C

description: This medieval religious object consists of a carved oak statue of the Madonna and Child. It dates to the late twelfth or early thirteenth century. It consists of an enthroned Madonna holding the Christ Child on her knees. In this form she is depicted as the Heavenly Queen. The elongated face of the Virgin and of the Child is a feature of this period. The other feature worth noting is that the Christ Child is nearly always depicted as much older than his year in order to show his great knowledge and power.
The statue is carved from oak with a hollow at the back from which the harder core was removed to stop splitting  as the wood shrunk. This piece was originally in the late medieval Lady Chapel attached to Kilcorban Third Order Dominican priory near Tynagh. It is a rare example of the type of statues and imagery that once adorned the medieval abbeys and churches of Co. Galway
(Christy Cunniffe)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228615
title: Kilcorban - Madonna - 13th C

description: This medieval religious object consists of a carved oak statue of the Madonna and Child. It dates to the late twelfth or early thirteenth century. It consists of an enthroned Madonna holding the Christ Child on her knees. In this form she is depicted as the Heavenly Queen. The elongated face of the Virgin and of the Child is a feature of this period. The other feature worth noting is that the Christ Child is nearly always depicted as much older than his year in order to show his great knowledge and power.
The statue is carved from oak with a hollow at the back from which the harder core was removed to stop splitting  as the wood shrunk. This piece was originally in the late medieval Lady Chapel attached to Kilcorban Third Order Dominican priory near Tynagh. It is a rare example of the type of statues and imagery that once adorned the medieval abbeys and churches of Co. Galway
(Christy Cunniffe)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228617
title: Pallitikari - Bollock Dagger

description: TMK22882:PU023:001

Pallitikarin katkennut puinen kahva ja lyhyt pätkä sen rautaista terää. Nimensä tämä tikarityyppi on saanut kahvan kahdesta pyöreästä ulokkeesta. Tämä tikari löytyi vuonna 2012 Aboa Vetus Ars Novan edustalta Aurajoen itälaiturin arkeologisissa kaivauksissa. Se oli päätynyt vedenalaiseen hapettomaan maakerrokseen, mikä selittää puisen kahvan verrattain hyvän kunnon.

A wooden handle of a bollock dagger with a stump of the iron blade it once had. The name for this type of a dagger comes from the two oval shaped protuberances on the handle. This one was found in 2012 during an excavation set close to the Aboa Vetus Ars Nova museum. The wooden handle has been preserved as the dagger was situated in the riverbed of Aura river.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228618
title: Pallitikari - Bollock Dagger

description: TMK22882:PU023:001

Pallitikarin katkennut puinen kahva ja lyhyt pätkä sen rautaista terää. Nimensä tämä tikarityyppi on saanut kahvan kahdesta pyöreästä ulokkeesta. Tämä tikari löytyi vuonna 2012 Aboa Vetus Ars Novan edustalta Aurajoen itälaiturin arkeologisissa kaivauksissa. Se oli päätynyt vedenalaiseen hapettomaan maakerrokseen, mikä selittää puisen kahvan verrattain hyvän kunnon.

A wooden handle of a bollock dagger with a stump of the iron blade it once had. The name for this type of a dagger comes from the two oval shaped protuberances on the handle. This one was found in 2012 during an excavation set close to the Aboa Vetus Ars Nova museum. The wooden handle has been preserved as the dagger was situated in the riverbed of Aura river.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228622
title: Worn TombStone

description: Photogrammetric model of historic tombstone in Lincoln, Nebraska.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228621
title: Worn TombStone

description: Photogrammetric model of historic tombstone in Lincoln, Nebraska.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228625
title: Laholm 142

description: RAÄ Laholm 142:1, Hällristning på stenblock.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228626
title: Laholm 142

description: RAÄ Laholm 142:1, Hällristning på stenblock.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228630
title: Polished Stone Axe, Escoural Cave, Portugal

description: A polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228634
title: Neolithic Ground and Polished Adze

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Dolerite Dims: L 11cm, W 5.1cm Accession No: HCA 174 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) This  [adze](http://vocab.getty.edu/page/aat/300023553) weighs 219g, has a plano-convex cross section, curved, asymmetrical edges, asymmetrical blade and rounded, almost flat, butt. The blade and faces are ground and the blade is polished and sharp. Pecking is on the face and butt. One face has a groove along the centre of its length. The findspot is [Newcastle](https://www.logainm.ie/en/32657), Ballymahon, [Longford](https://www.geonames.org/2962840/longford.html). Dolerite is predominantly found in the [north-east](https://www.logainm.ie/en/61855?s=Ballyvoy).  [More](https://www.huntmuseum.com/explore/item/af7d893e-fad6-3e2d-8b35-4f676fa5a814/?s%3DHCA+174&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228629
title: Polished Stone Axe, Escoural Cave, Portugal

description: A polished stone axe from the Neolithic Necropolis found on the Escoural Cave. All of these pieces were covered by a calcite layer, and were put next to the burial with a votive meaning.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228636
title: Neolithic Ground Axehead

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Pelite Dims: L 15.8cm, W 6.7cm Accession No: HCA 145 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) This [axe](http://vocab.getty.edu/page/aat/300024664) weighs 478g, has an asymmetrical face, gently curved, asymmetrical edges, asymmetrical blade and rounded butt. The blade, sides, faces and butt are ground but not polished. The sides have remnant flake scars. The edge is blunt, smooth and waterworn. Nodular weathering and exfoliation are evident on both faces. The findspot is [Newcastle](https://www.logainm.ie/en/32657), Ballymahon, [Longford](https://www.geonames.org/2962840/longford.html). Pelite occurs across Ireland.[More](https://tinyurl.com/2p8bt52b).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228633
title: Neolithic Ground and Polished Adze

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Dolerite Dims: L 11cm, W 5.1cm Accession No: HCA 174 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) This  [adze](http://vocab.getty.edu/page/aat/300023553) weighs 219g, has a plano-convex cross section, curved, asymmetrical edges, asymmetrical blade and rounded, almost flat, butt. The blade and faces are ground and the blade is polished and sharp. Pecking is on the face and butt. One face has a groove along the centre of its length. The findspot is [Newcastle](https://www.logainm.ie/en/32657), Ballymahon, [Longford](https://www.geonames.org/2962840/longford.html). Dolerite is predominantly found in the [north-east](https://www.logainm.ie/en/61855?s=Ballyvoy).  [More](https://www.huntmuseum.com/explore/item/af7d893e-fad6-3e2d-8b35-4f676fa5a814/?s%3DHCA+174&pos=1).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228635
title: Neolithic Ground Axehead

description: Culture: [Neolithic](http://n2t.net/ark:/99152/p0kh9dsbz2g) Material: Pelite Dims: L 15.8cm, W 6.7cm Accession No: HCA 145 Current Location: [The Hunt Museum](https://www.huntmuseum.com/) [Limerick](https://www.geonames.org/7778675/limerick-city.html) This [axe](http://vocab.getty.edu/page/aat/300024664) weighs 478g, has an asymmetrical face, gently curved, asymmetrical edges, asymmetrical blade and rounded butt. The blade, sides, faces and butt are ground but not polished. The sides have remnant flake scars. The edge is blunt, smooth and waterworn. Nodular weathering and exfoliation are evident on both faces. The findspot is [Newcastle](https://www.logainm.ie/en/32657), Ballymahon, [Longford](https://www.geonames.org/2962840/longford.html). Pelite occurs across Ireland.[More](https://tinyurl.com/2p8bt52b).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228637
title: Drumgoon Hill - Old Graveyard Headstone 467

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228638
title: Drumgoon Hill - Old Graveyard Headstone 467

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228639
title: Armour from Xanten: 3D reconstruction

description: The 3D model presents a digital reconstruction of solid and riveted rings of archaeological mail armour. To create 3D models of the rings, we used polygonal modelling functions of Blender software. In order to record the relevant measurements of the mail rings, we used a list of parameters. This list includes 11 parameters for a riveted ring and four parameters for a solid ring. The accuracy of the digital replicas of the rings was 0.01 mm. The authors of the reconstructions are

Martijn A. Wijnhoven (VU University Amsterdam) https://vu-nl.academia.edu/MartijnAWijnhoven

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

DOI: https://doi.org/10.13140/RG.2.2.13972.22406

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228640
title: Armour from Xanten: 3D reconstruction

description: The 3D model presents a digital reconstruction of solid and riveted rings of archaeological mail armour. To create 3D models of the rings, we used polygonal modelling functions of Blender software. In order to record the relevant measurements of the mail rings, we used a list of parameters. This list includes 11 parameters for a riveted ring and four parameters for a solid ring. The accuracy of the digital replicas of the rings was 0.01 mm. The authors of the reconstructions are

Martijn A. Wijnhoven (VU University Amsterdam) https://vu-nl.academia.edu/MartijnAWijnhoven

Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina

DOI: https://doi.org/10.13140/RG.2.2.13972.22406

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228641
title: Medieval Arch, the Synagogue, Ciudad Real

description: "Medieval Arch from the  site of  the Synagogue, Ciudad Real,  Castilla-La Mancha, Spain.  Middle Ages . In the collection of the Ciudad Real Museum.  Catalog number CE020563. Processed in Reality Capture from 939 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228642
title: Medieval Arch, the Synagogue, Ciudad Real

description: "Medieval Arch from the  site of  the Synagogue, Ciudad Real,  Castilla-La Mancha, Spain.  Middle Ages . In the collection of the Ciudad Real Museum.  Catalog number CE020563. Processed in Reality Capture from 939 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228645
title: old barn

description: old barn thatched with wooden shingles

[material](https://sketchfab.com/models/85843f26db974da69c102ae0dd2bd08a)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228646
title: old barn

description: old barn thatched with wooden shingles

[material](https://sketchfab.com/models/85843f26db974da69c102ae0dd2bd08a)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10228647
title: Petroglyph G20, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph G20, Khatm Al Melaha, Kalba, Sharjah. Two animals in an unusual style. likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab