cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10382308
title: Nämforsen Laxön D3 Ådals-Liden 193 Ångermland

description: Nämforsen, Laxön, Hallström D3, Ådals-Liden 193, Ångermanland. For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382311
title: EMPEROR MARCUS AURELIUS - TARRACO

description: Portrait of the emperor Marcus Aurelius from the site of Tarraco (Tarragona, Spain), dated in the mid-2nd century AD. Official portrait of the young emperor Marcus Aurelius aged 23, a model that was used until he ascended the throne (161 AD). Found during the excavation of the so-called ''Cartanya well'' in the Tarraco Colonial Forum sector. Made in Luni-Carrara marble.

**This 3D Model it's a Optimized model (Triangles: 56.2k) from original (Triangles: 462.2k)**

3D Model Original : https://skfb.ly/6R9WM (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382312
title: EMPEROR MARCUS AURELIUS - TARRACO

description: Portrait of the emperor Marcus Aurelius from the site of Tarraco (Tarragona, Spain), dated in the mid-2nd century AD. Official portrait of the young emperor Marcus Aurelius aged 23, a model that was used until he ascended the throne (161 AD). Found during the excavation of the so-called ''Cartanya well'' in the Tarraco Colonial Forum sector. Made in Luni-Carrara marble.

**This 3D Model it's a Optimized model (Triangles: 56.2k) from original (Triangles: 462.2k)**

3D Model Original : https://skfb.ly/6R9WM (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382313
title: Drinking Fountain Clissold Park

description: A drinking fountain in Clissold Park, London.

Date: 1890

http://www.mdfcta.co.uk/details-f/f205.html

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382314
title: Drinking Fountain Clissold Park

description: A drinking fountain in Clissold Park, London.

Date: 1890

http://www.mdfcta.co.uk/details-f/f205.html

Photos taken in February 2019 with a Sony a6000 and processed in Agisoft Metashape.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382315
title: Ejercicio: optimización de modelo fotogramétrico

description: En el Curso Avanzado, aprendemos a simplificar y racionalizar los modelos obtenidos por fotogrametría. En este ejemplo, el modelo original (a la izquierda) ha sido sometido a los siguientes tratamientos:

-  Retopología mediante Instant Meshes.

-   Retoque y regularización de bordes exteriores.

-  Texture Bake de color, mapa de normales y ambient occlusion.

-  Cerrado de fallos en Blender: parcheado con modificador Boolean y Texture Paint.

El resultado: el modelo original, de 890K caras, ocupa 177 MB de memoria (más 9.3 MB de la textura). El modelo LowPoly (a la derecha) tiene sólo 8K caras y ocupa 10MB (más 12.5MB de las tres texturas combinadas). Además de su manejabilidad y de las posibilidades de usarlo para recreaciones, funcionará perfectamente en entornos de Realidad Virtual y Aumentada.

El objeto escaneado es un sarcófago romano que puede verse en el Alcázar de los Reyes Cristianos de Córdoba.

El modelo está disponible para descarga gratuita.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382316
title: Ejercicio: optimización de modelo fotogramétrico

description: En el Curso Avanzado, aprendemos a simplificar y racionalizar los modelos obtenidos por fotogrametría. En este ejemplo, el modelo original (a la izquierda) ha sido sometido a los siguientes tratamientos:

-  Retopología mediante Instant Meshes.

-   Retoque y regularización de bordes exteriores.

-  Texture Bake de color, mapa de normales y ambient occlusion.

-  Cerrado de fallos en Blender: parcheado con modificador Boolean y Texture Paint.

El resultado: el modelo original, de 890K caras, ocupa 177 MB de memoria (más 9.3 MB de la textura). El modelo LowPoly (a la derecha) tiene sólo 8K caras y ocupa 10MB (más 12.5MB de las tres texturas combinadas). Además de su manejabilidad y de las posibilidades de usarlo para recreaciones, funcionará perfectamente en entornos de Realidad Virtual y Aumentada.

El objeto escaneado es un sarcófago romano que puede verse en el Alcázar de los Reyes Cristianos de Córdoba.

El modelo está disponible para descarga gratuita.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382317
title: Vanha kuljetuslaatikko / Old transport crate

description: Lapuan patruunatehtaan ammuslaatikko. Laatikko on valmistettu puusta ja siinä on säilytetty sekä kuljetettu tehtaassa valmistettuja ammuksia. Laatikko on ollut käytössä arviolta vuosina 1930-1976. Samanmalliset laatikot ovat olleet tavallinen näky Lapuan patruunatehtaan alueella ja tehtaalta lähtevissä kuljetuksissa.

Lapua cartridge factory ammunition box. This wooden box was used for storage and transit of finished ammunition produced in the cartridge factory. By estimate, the box was in actual use around 1930-1976. 

Lapuan patruunatehtaan museon kokoelmat / Lapua cartridge factory museum collections
Scanned with Shining3D Einscan PRO 2X. 3D model may include touch-ups, additions or edits

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382318
title: Vanha kuljetuslaatikko / Old transport crate

description: Lapuan patruunatehtaan ammuslaatikko. Laatikko on valmistettu puusta ja siinä on säilytetty sekä kuljetettu tehtaassa valmistettuja ammuksia. Laatikko on ollut käytössä arviolta vuosina 1930-1976. Samanmalliset laatikot ovat olleet tavallinen näky Lapuan patruunatehtaan alueella ja tehtaalta lähtevissä kuljetuksissa.

Lapua cartridge factory ammunition box. This wooden box was used for storage and transit of finished ammunition produced in the cartridge factory. By estimate, the box was in actual use around 1930-1976. 

Lapuan patruunatehtaan museon kokoelmat / Lapua cartridge factory museum collections
Scanned with Shining3D Einscan PRO 2X. 3D model may include touch-ups, additions or edits

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382321
title: Deadeye: EOA:2022.19

description: EOA:2022.19 is a deadeye from the wreck of the Earl of Abergavenny. 

-	ID: EOA:2022.19

-	Collection: Earl of Abergavenny

-	Classification: Ship's structure/function

-	Measurements: Diameter 180mm Depth 90mm

-	Date made: as yet unknown

-	Display: not on display

-	Manufacturer/Creator: as yet unknown

-	Credit: Portland Museum Trust

You can find out more about a deadeye and how it functioned as part of the ship's rigging, here: https://www.youtube.com/watch?v=m1oll6oitVg

More information about the Diving into the Digital Archives of the Earl of Abergavenny project can be found here: portlandmuseum.co.uk/news/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382322
title: Deadeye: EOA:2022.19

description: EOA:2022.19 is a deadeye from the wreck of the Earl of Abergavenny. 

-	ID: EOA:2022.19

-	Collection: Earl of Abergavenny

-	Classification: Ship's structure/function

-	Measurements: Diameter 180mm Depth 90mm

-	Date made: as yet unknown

-	Display: not on display

-	Manufacturer/Creator: as yet unknown

-	Credit: Portland Museum Trust

You can find out more about a deadeye and how it functioned as part of the ship's rigging, here: https://www.youtube.com/watch?v=m1oll6oitVg

More information about the Diving into the Digital Archives of the Earl of Abergavenny project can be found here: portlandmuseum.co.uk/news/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382325
title: Jewelry Accessaries

description: Jewelry Accessaries Scanned by Thunk3D Jewelry Scanner                                            
Contact me for more information.
Whatsapp/phone/wechat: +86 18518781107                                                            
Email:daicy@thunk3d.com                                                                                     
Facebook:www.facebook.com/qinqin.li.77                                                                          
Linkedin: https://www.linkedin.com/in/daicy-li-399b82119/                                                                                    
Titter: https://twitter.com/DaicyLi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382326
title: Jewelry Accessaries

description: Jewelry Accessaries Scanned by Thunk3D Jewelry Scanner                                            
Contact me for more information.
Whatsapp/phone/wechat: +86 18518781107                                                            
Email:daicy@thunk3d.com                                                                                     
Facebook:www.facebook.com/qinqin.li.77                                                                          
Linkedin: https://www.linkedin.com/in/daicy-li-399b82119/                                                                                    
Titter: https://twitter.com/DaicyLi

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382327
title: Reliquary triptych of the Holy Cross

description: Reliquary triptych of the Holy Cross. Mosan workshop, circa 1220-1230, wood soul, chiseled silver, repousse and gilded, mixed enamels, filigree, cabochons, niello, brown varnishes, dummy relic (plaster). abbey of Saint-Jean-Baptiste and Saint-Maur de Florennes. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

Under the influence of the Crusades, the cult of the Cross will intensify in the Meuse region in the middle of the 12th century. The precious relics, brought back from the East, are then often preserved and presented to the faithful in triptychs: a type of reliquary with shutters of Byzantine origin. The holy relic was once kept in the double travserse cross, in the heart of the reliquary.

For more updates, please consider to follow me Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382328
title: Reliquary triptych of the Holy Cross

description: Reliquary triptych of the Holy Cross. Mosan workshop, circa 1220-1230, wood soul, chiseled silver, repousse and gilded, mixed enamels, filigree, cabochons, niello, brown varnishes, dummy relic (plaster). abbey of Saint-Jean-Baptiste and Saint-Maur de Florennes. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

Under the influence of the Crusades, the cult of the Cross will intensify in the Meuse region in the middle of the 12th century. The precious relics, brought back from the East, are then often preserved and presented to the faithful in triptychs: a type of reliquary with shutters of Byzantine origin. The holy relic was once kept in the double travserse cross, in the heart of the reliquary.

For more updates, please consider to follow me Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382330
title: St. Peter's Basilica - Monument to Gregory XIII

description: "Made by the Milanese sculptor Camillo Rusconi between 1715 and 1723, this monument represents the pope giving his blessing, on top of an urn bearing a relief showing the promulgation of the Gregorian calendar in 1582, when October 4th was followed by October 15th." (Citation: http://stpetersbasilica.info/Monuments/GregoryXIII/GregoryXIII.htm ) 


Photographed using a GoPro Hero4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382329
title: St. Peter's Basilica - Monument to Gregory XIII

description: "Made by the Milanese sculptor Camillo Rusconi between 1715 and 1723, this monument represents the pope giving his blessing, on top of an urn bearing a relief showing the promulgation of the Gregorian calendar in 1582, when October 4th was followed by October 15th." (Citation: http://stpetersbasilica.info/Monuments/GregoryXIII/GregoryXIII.htm ) 


Photographed using a GoPro Hero4

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382332
title: Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah. Strange Design, might be natural from rock breakage. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382333
title: Bollard Mitchell Street

description: A bollard and parish marker (for St Lukes) on the corner of Mitchell Street and Helmet Row, Islington, London.

150 photos taken in June 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382334
title: Bollard Mitchell Street

description: A bollard and parish marker (for St Lukes) on the corner of Mitchell Street and Helmet Row, Islington, London.

150 photos taken in June 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382335
title: XFP-143 Biface Frag., Elma Is, Sanak Group, AK

description: Biface Fragment, Andesitic basalt. XFP-143, Elma Island in the Sanak Archipelago. XFP-143-27. 

XFP-143 is a site with five large house depressions. There are multiple components dating 1940-1835 BCE, 350-40 BCE, and 1410-1650 CE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382336
title: XFP-143 Biface Frag., Elma Is, Sanak Group, AK

description: Biface Fragment, Andesitic basalt. XFP-143, Elma Island in the Sanak Archipelago. XFP-143-27. 

XFP-143 is a site with five large house depressions. There are multiple components dating 1940-1835 BCE, 350-40 BCE, and 1410-1650 CE.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 4-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of the research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382331
title: Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph J27 Khatm Al Melaha, Kalba, Sharjah. Strange Design, might be natural from rock breakage. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382337
title: Flag of the USA

description: Flaf of the United States of America

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382338
title: Flag of the USA

description: Flaf of the United States of America

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382339
title: ROI046-013-01

description: Early Archaic Point Fragments collected in Rush County, Indiana.

Catalog # 12-Ru-241-2

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2021. ROI046-013-01, 3D Model .ply file. Recovered as part of Report of Investigations 46, *Rush County, Indiana, Predicting the Potential for Surface and Subsurface Archaeological Sites*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382340
title: ROI046-013-01

description: Early Archaic Point Fragments collected in Rush County, Indiana.

Catalog # 12-Ru-241-2

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, Reganne O'Connor, and Kevin C. Nolan, 2021. ROI046-013-01, 3D Model .ply file. Recovered as part of Report of Investigations 46, *Rush County, Indiana, Predicting the Potential for Surface and Subsurface Archaeological Sites*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382341
title: Hardaway-Dalton

description: This stone projectile point is known as a Hardaway-Dalton, and it was found by Darius Vojdani at a multi-component quarry site (31WA2292) in western Wake County, NC. It dates to the late Paleoindian period (c. 8700-8000 BC). This artifact is made from quartz and measures 4.1 cm long, 2.2 cm wide, and 0.6 cm thick. This point has been re-sharpened many times and may have been left at the quarry when its owner collected stone to make new tools. This model was constructed by Mary Beth Fitts with 197 photos using the Agisoft Metashape software. (Credit: NCDNCR/OSA)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382342
title: Hardaway-Dalton

description: This stone projectile point is known as a Hardaway-Dalton, and it was found by Darius Vojdani at a multi-component quarry site (31WA2292) in western Wake County, NC. It dates to the late Paleoindian period (c. 8700-8000 BC). This artifact is made from quartz and measures 4.1 cm long, 2.2 cm wide, and 0.6 cm thick. This point has been re-sharpened many times and may have been left at the quarry when its owner collected stone to make new tools. This model was constructed by Mary Beth Fitts with 197 photos using the Agisoft Metashape software. (Credit: NCDNCR/OSA)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382344
title: Cord Marked Jar (2378p577,p619)

description: **Cord marked jar**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic (AD 1700).

Material: ceramic.

Dimensions: height, 9.2 cm; diameter, 26.2 cm; thickness, 6.7 mm.

Notes: Catalog nos. 2378p577, p619 (Vessel 28), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382343
title: Cord Marked Jar (2378p577,p619)

description: **Cord marked jar**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic (AD 1700).

Material: ceramic.

Dimensions: height, 9.2 cm; diameter, 26.2 cm; thickness, 6.7 mm.

Notes: Catalog nos. 2378p577, p619 (Vessel 28), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill.  Model by Aidan Paul.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382345
title: Azulejo, cerámica granadina - Fajalauza-HD (74)

description: Olambrilla (Inv. 235) producido en los talleres de Fajalauza (Granada, España). Ha sido modelada a molde y cocida en una atmósfera oxidante. Se trata de un azulejo de pequeñas dimensione o una olambrilla de forma cuadrangular. Sobre la decoración esmaltada blanca se desarrollan motivos geométricos y florales sobre cubierta en azul.

* Cronología: XVI.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382346
title: Azulejo, cerámica granadina - Fajalauza-HD (74)

description: Olambrilla (Inv. 235) producido en los talleres de Fajalauza (Granada, España). Ha sido modelada a molde y cocida en una atmósfera oxidante. Se trata de un azulejo de pequeñas dimensione o una olambrilla de forma cuadrangular. Sobre la decoración esmaltada blanca se desarrollan motivos geométricos y florales sobre cubierta en azul.

* Cronología: XVI.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382347
title: Sarcophagus

description: 461 photographs in variable light, Sony A6000. I need a more powerful computer to render this properly. So this is classified as a *draft model* for now.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382348
title: Sarcophagus

description: 461 photographs in variable light, Sony A6000. I need a more powerful computer to render this properly. So this is classified as a *draft model* for now.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382349
title: sauce box

description: sauce boxs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382350
title: sauce box

description: sauce boxs

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10382351
title: YPM ANT.207473

description: Anthropomorphic Effigy Jar from the Yale Peabody Museum of Natural History Anthropology Collection.

Catalog Number: YPM ANT.207473

Description: Pottery anthropomorphic effigy jar representing the rain god (Tlaloc). Unpainted buff pottery; features appliques; lug handles form ears. Height 5 3/4', max.diam. 5 1/2'. Extensively repaired and restored (pair appraised by A. Emmerich at $400)

Materials: Ceramic

Function: Art; Containers

Culture Group: Latin American : Mesoamerica : Teotihuacan

Locality: North America; Mexico; Morelos State

Unit of measurement = millimeters

3D Reconstruction performed using Reality Capture version 1.2.

236 images captured by the Computer Operated Photogrammetric Imaging System (COPIS), a project to design and prototype a modular, multi-view imaging system for museum collections. http://copis3d.org/

This work has been made possible in part by support from the National Endowment for the Humanities: Exploring the Human Endeavor (award no. HAA-266508-19).

Source: Objaverse 1.0 / Sketchfab