cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whittington-ouc11399e8gc
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17541178
title: The San Lorenzo in Miranda church - sources collection and data classification

description: The dataset is related to the historical, archaeological and architectural data related to the church of San Lorenzo in Miranda, in Rome. 

The Dataset compiles documentary resources derived from institutional repositories and geoportals, historical maps and drawings documenting the building through the centuries. 

Additionally, the Dataset structures archaeological and topographical information 

Providing descriptions of topographic units and phases of architectural structures
DOI: 10.25549/whittington-ouc11399fg4h
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fas0
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399e7fo
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399ef1e
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399er7s
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399e8hk
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1jm
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1ic
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc113765142
title: Portraits for Fox Coast Theatre, Los Angeles, Calif., 1945

description: 15 photographic portraits of two men for Fox Coast Theatre, Los Angeles, California, 30 January 1945. Client: Fox Coast Theatre (Mr. Hyskell, 1609 West Washington). Operator: Cross.
DOI: 10.25549/whittington-ouc113765792
title: Portraits for Fox Coast Theatre, Los Angeles, Calif., 1945

description: 15 photographic portraits of two men for Fox Coast Theatre, Los Angeles, California, 30 January 1945. Client: Fox Coast Theatre (Mr. Hyskell, 1609 West Washington). Operator: Cross.
DOI: 10.25549/whittington-ouc113765145
title: Portraits for Fox Coast Theatre, Los Angeles, Calif., 1945

description: 15 photographic portraits of two men for Fox Coast Theatre, Los Angeles, California, 30 January 1945. Client: Fox Coast Theatre (Mr. Hyskell, 1609 West Washington). Operator: Cross.
DOI: 10.25549/whittington-ouc113765146
title: Banquet group awarding pins to employees, Biltmore Hotel, Los Angeles, Calif., 1945

description: 5 photographs of banquet group awarding pins to B.F. Goodrich Company employees, Biltmore Hotel, 506 South Grand Avenue, Los Angeles, California, 1 February 1945. Client: B.F. Goodrich Company (Mr. Zink). Operator: Brown. "Guest, E.R. Pace, February 1 1945, ... Los Angeles, Calif.", "Honor guest..., perfect attendance, Los Angeles Plant, from December 8, 1943 to December 7, 1944...", "53".
DOI: 10.25549/whittington-ouc113765799
title: Banquet group awarding pins to employees, Biltmore Hotel, Los Angeles, Calif., 1945

description: 5 photographs of banquet group awarding pins to B.F. Goodrich Company employees, Biltmore Hotel, 506 South Grand Avenue, Los Angeles, California, 1 February 1945. Client: B.F. Goodrich Company (Mr. Zink). Operator: Brown. "Guest, E.R. Pace, February 1 1945, ... Los Angeles, Calif.", "Honor guest..., perfect attendance, Los Angeles Plant, from December 8, 1943 to December 7, 1944...", "53".
DOI: 10.25549/whittington-ouc113828110
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113828088
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113827952
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113828776
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113828252
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113828561
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113828171
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc113827924
title: Mexico: Bull fight, scenes in Texas, USA, and Mexico City, Mexico, 1949

description: 37 photographs of scenes in Texas, USA, and Mexico, 1949 February 1. Handwriting on the negatives: nos. 1-3, "Acapulco"; no. 16, "Washing clothes, Mexico"; nos. 22-23, "Mexico City," an armless man on the sidewalk working with his feet; nos. 6, 9-10, 13-14, 27, 37, "Taxco"; nos. 12, 15, 18 "Palace [of] Fine Arts"; no. 4, "Morning Ranch, Acapulco"; no. 20, "Cathedral, Mexico City"; nos. 20, 36, "Pecos River, Texas"; no. 5, "Diver - Acapulco"; no. 24, "Mex[ico] City" [Benito Juárez Hemicycle]; nos. 8, 11, 17, "Cuernavaca"; nos. 35 "Guadalupe shrine"; no. 19, "Mexico City" [one of the 4 statues of Pegasus]; and no. 21, "Cathedral, Mexico City." There are also: nos. 28-34, a bull ring.
DOI: 10.25549/whittington-ouc11399hczd
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.