cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5517/ccdc.csd.cc26fs7p
title: CCDC 2039032: Experimental Crystal Structure Determination

description: Related Article: Elishua D. Litle, Lewis C. Wilkins, François P. Gabbaï|2021|Chemical Science|12|3929|doi:10.1039/D0SC05777K
DOI: 10.5517/ccdc.csd.cc26fs8q
title: CCDC 2039033: Experimental Crystal Structure Determination

description: Related Article: Elishua D. Litle, Lewis C. Wilkins, François P. Gabbaï|2021|Chemical Science|12|3929|doi:10.1039/D0SC05777K
DOI: 10.5517/ccdc.csd.cc26ln5n
title: CCDC 2043711: Experimental Crystal Structure Determination

description: Related Article: Ce Qing Foo, Abdul Sadeer, Yongxin Li, Sumod A. Pullarkat, Pak-Hing Leung|2021|Organometallics|40|682|doi:10.1021/acs.organomet.0c00783
DOI: 10.25919/9231-3410
title: Parkes observations for project P1061 semester 2020OCTS_21

description: Fast Radio Bursts (FRBs) have extremely high brightness temperature, owing to their short-duration and prominent flux from the distant universe. The studies on emission mechanism of FRBs have met bottleneck for a long time unless a complete spectrum is measured. We propose to observe a new repeating FRB source, FRB 180301, using the Parkes ultra-wide-bandwidth receiver (UWL). This source was initially found by Parkes multibeam receivers and confirmed repetition by the FAST telescope. The source is still active until Jun 2020 from FAST follow-ups. It’s an ideal opportunity to capture comprehensive spectral information using the Parkes UWL. We demonstrate that the beam coverage is feasible and 30-hr observations are required for at least one detection.
DOI: 10.6084/m9.figshare.14312456
title: نهایی.sav

description: ADASDF SDFSDFG DFGFDHGDFH
DOI: 10.6084/m9.figshare.14312456.v1
title: نهایی.sav

description: ADASDF SDFSDFG DFGFDHGDFH
DOI: 10.5281/zenodo.4008396
title: Data and Figures used in "Fast Quasi‐Geostrophic Magneto‐Coriolis Modes in the Earth's Core"

description: Data, plotting routines and analysis routines to reproduce all results from the article Fast Quasi‐Geostrophic Magneto‐Coriolis Modes in the Earth's Core. The package uses the freely available code Mire.jl. <strong>Prerequisites</strong> Installed python3 with matplotlib ≥v2.1 and cartopy. A working Julia ≥v1.6. <strong>Run</strong> In the project folder run <pre><code>julia --project=.</code></pre> <br> Then, from within the Julia REPL run <pre><code>]instantiate</code></pre> at first time, to install all dependencies. After that, to compute all plots run <pre><code>using FastMCM allfigs() #or allfigs(true) to use LaTeX fonts</code></pre> If loading FastMCM fails, due to a missing cartopy in the python version. Run (within Julia)<br> <pre><code>ENV["PYTHON"] = "python" #this should point to the python version that has cartopy installed ]build PyCall</code></pre> <br> To calculate data, run <pre><code>using FastMCM N=9 calc1dtm() calcLHSRHS(N) calcesol(N) postprocess(N) </code></pre> <br> for a given N. Note, for large N (e.g. 35) this may take a lot of memory and a long time (~13h). If there are any issues, please don't hesitate to get in touch.
DOI: 10.5281/zenodo.4008395
title: Data and Figures used in "Fast Quasi‐Geostrophic Magneto‐Coriolis Modes in the Earth's Core"

description: Data, plotting routines and analysis routines to reproduce all results from the article Fast Quasi‐Geostrophic Magneto‐Coriolis Modes in the Earth's Core. The package uses the freely available code Mire.jl. <strong>Prerequisites</strong> Installed python3 with matplotlib ≥v2.1 and cartopy. A working Julia ≥v1.6. <strong>Run</strong> In the project folder run <pre><code>julia --project=.</code></pre> <br> Then, from within the Julia REPL run <pre><code>]instantiate</code></pre> at first time, to install all dependencies. After that, to compute all plots run <pre><code>using FastMCM allfigs() #or allfigs(true) to use LaTeX fonts</code></pre> If loading FastMCM fails, due to a missing cartopy in the python version. Run (within Julia)<br> <pre><code>ENV["PYTHON"] = "python" #this should point to the python version that has cartopy installed ]build PyCall</code></pre> <br> To calculate data, run <pre><code>using FastMCM N=9 calc1dtm() calcLHSRHS(N) calcesol(N) postprocess(N) </code></pre> <br> for a given N. Note, for large N (e.g. 35) this may take a lot of memory and a long time (~13h). If there are any issues, please don't hesitate to get in touch.
DOI: 10.17870/bathspa.12727988
title: Curious about Care - 300-Word Statement

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12727988.v1
title: Curious about Care - 300-Word Statement

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains a 300-word statement about the research project.
DOI: 10.17870/bathspa.12727997
title: Curious about Care - Research Timeline and Research Questions

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains a timeline of the research project and a set of research questions.
DOI: 10.17870/bathspa.12727997.v1
title: Curious about Care - Research Timeline and Research Questions

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains a timeline of the research project and a set of research questions.
DOI: 10.17870/bathspa.12727769
title: Curious about Care - Test Run, Modern Art Oxford, 2014

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Inflate System (Automated)</i> designed and installed for the exhibition <i>Test Run</i> at Museum of Modern Art Oxford, 2 May - 8 June, 2014.<br><br><b>Images courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.12727769.v1
title: Curious about Care - Test Run, Modern Art Oxford, 2014

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Inflate System (Automated)</i> designed and installed for the exhibition <i>Test Run</i> at Museum of Modern Art Oxford, 2 May - 8 June, 2014.<br><br><b>Images courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.12727757
title: Curious about Care - Painting in Time I, Leeds, 2015

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overfill</i> designed and installed for the exhibition <i>Painting in Time I</i> at the Tetley Gallery, Leeds, 3 April - 5 July, 2015. The exhibition was co-curated by Sarah Kate Wilson and The Tetley.<br><br><b>Images courtesy of Julien Lister and Mat Dale. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727757.v1
title: Curious about Care - Painting in Time I, Leeds, 2015

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overfill</i> designed and installed for the exhibition <i>Painting in Time I</i> at the Tetley Gallery, Leeds, 3 April - 5 July, 2015. The exhibition was co-curated by Sarah Kate Wilson and The Tetley.<br><br><b>Images courtesy of Julien Lister and Mat Dale. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727715.v1
title: Curious about Care - Ingredients, Method, Serving Suggestion, APT Gallery, London, 2016

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overspill I</i> designed and installed for the exhibition <i>Ingredients, Method, Serving Suggestion</i> at APT Gallery, London, August 2016.<br><br><b>Image used courtesy of Aleana Turner. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727715
title: Curious about Care - Ingredients, Method, Serving Suggestion, APT Gallery, London, 2016

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overspill I</i> designed and installed for the exhibition <i>Ingredients, Method, Serving Suggestion</i> at APT Gallery, London, August 2016.<br><br><b>Image used courtesy of Aleana Turner. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727694
title: Curious about Care - Painting in Time II, Chicago, 2016

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overfill (Version III)</i> designed and installed for the exhibition <i>Painting in Time II</i> for the Sullivan Galleries, School of Art Institute Chicago, 30 August - 3 Dec, 2016. <br><br><b>Images used courtesy of Tony Favarula. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727694.v1
title: Curious about Care - Painting in Time II, Chicago, 2016

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overfill (Version III)</i> designed and installed for the exhibition <i>Painting in Time II</i> for the Sullivan Galleries, School of Art Institute Chicago, 30 August - 3 Dec, 2016. <br><br><b>Images used courtesy of Tony Favarula. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12801281.v1
title: Curious about Care - D-Coincidence, Taiwan, 2016

description: Curious about Care is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of painting machines designed and installed for the exhibition <i>D-Coincidence</i> at Yo Chang Art Museum, Taiwan, November 2016, as part of the Greater Taipei Biennial of Contemporary Arts 2016. <br><b>Images used courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.12801281
title: Curious about Care - D-Coincidence, Taiwan, 2016

description: Curious about Care is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of painting machines designed and installed for the exhibition <i>D-Coincidence</i> at Yo Chang Art Museum, Taiwan, November 2016, as part of the Greater Taipei Biennial of Contemporary Arts 2016. <br><b>Images used courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.12727799
title: Curious about Care - Painting Amongst Other Things, Canberra, AUS, 2018

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overspill II, </i>commissioned for the exhibition <i>Painting Amongst Other Things </i>at Drill Hall, Canberra, Australia, 10 August - 7 October, 2018.<br><br><b>Images used courtesy of David Paterson. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12727799.v1
title: Curious about Care - Painting Amongst Other Things, Canberra, AUS, 2018

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains documentation of the work <i>Overspill II, </i>commissioned for the exhibition <i>Painting Amongst Other Things </i>at Drill Hall, Canberra, Australia, 10 August - 7 October, 2018.<br><br><b>Images used courtesy of David Paterson. Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.14134835
title: Curious about Care - Talks and Presentations (Contextualising Information)

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains contextualising information about talks given by Kidd, including a copy of the talk and presentation slides delivered by Kidd at the <i>Painting in Time </i>Symposium, Leeds, July 2015, which took place alongside the <i>Painting in Time</i> exhibition at the Tetley Gallery. <br>It also contains the script and presentation slides for Kidd's talks at Manchester School of Art and Glasgow School of Art in February 2018. <br><b>Documents courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.14134835.v1
title: Curious about Care - Talks and Presentations (Contextualising Information)

description: <i>Curious about Care</i> is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.<br>This item contains contextualising information about talks given by Kidd, including a copy of the talk and presentation slides delivered by Kidd at the <i>Painting in Time </i>Symposium, Leeds, July 2015, which took place alongside the <i>Painting in Time</i> exhibition at the Tetley Gallery. <br>It also contains the script and presentation slides for Kidd's talks at Manchester School of Art and Glasgow School of Art in February 2018. <br><b>Documents courtesy of Natasha Kidd. Used with permission.</b>
DOI: 10.17870/bathspa.13026728
title: Curious about Care - Contextualising Information

description: Curious about Care is a series of painting machines reliant on the attention of others for their activation. By making public the role of care in the machine’s maintenance and upkeep this research seeks to understand if actively engaging the hand of others in the manufacture of a painting, in real time and with an audience, alters engagement and broadens access to the complex debates inherent in the works.This item contains the following contextualising information:1. Online publicity for <i><b>Test Run</b></i> at Museum of Modern Art Oxford, 2 May - 8 June, 2014. View via this link .2. A video introduction to the exhibition <i><b>Test Run</b></i> at Museum of Modern Art Oxford, 2 May - 8 June, 2014. Available online here.3. Machine drawings for work shown at <i><b>Test Run</b></i>. Courtesy of Natasha Kidd. Used with permission.4. An exhibition flyer and press release for <i><b>Test Run</b></i> at Museum of Modern Art Oxford, 2 May - 8 June, 2014. Courtesy of Modern Art Oxford. Used with permission.5. Online press for <i>I<b>ngredients, Method, Serving Suggestion</b></i> at APT Gallery, London, August 2016. View via this link.6. Machine drawings and production images for <i><b>Painting in Time II</b></i> for the Sullivan Galleries, School of Art Institute Chicago, 30 August - 3 Dec, 2016. Images courtesy of Natasha Kidd. Used with permission.7. Machine drawings and production images for <i><b>D-Coincidence</b></i> at Yo Chang Art Museum, Taiwan, November 2016, part of the Greater Taipei Biennial of Contemporary Arts 2016. Images courtesy of Natasha Kidd. Used with permission.8. A link to the Yo-Chang Art Museum web pages for the <b>Greater Taipei Biennial of Contemporary Arts</b> 2016. View via this link.9. Artist notes and an exhibition flyer for <i><b>Painting Amongst Other Things</b> </i>at Drill Hall, Canberra, Australia, 10 August - 7 October, 2018. Courtesy of Anthony Oates. Design by Small Tasks. Used with permission.10. Online publicity for <i><b>Painting Amongst Other Things</b> </i>at Drill Hall, Canberra, Australia, 10 August - 7 October, 2018. View via this link.The above links can also be accessed below under 'References'.<b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.25919/ayc6-wm38
title: Parkes observations for project P1050 semester 2020OCTS_15

description: This is a request for observing time for the timing campaign of new pulsar discoveries and follow-up of expected new potential pulsars from the re-processing of the low-latitude Galactic plane section of the HTRU survey (P630). We have now completed the first pass re-processing of the 62 % of the survey with GPU based coherent acceleration search and template bank search pipelines, and have discovered 51 previously unknown pulsars. Interesting science can usually only be derived from a new pulsar after confirmation and a follow-up timing campaign is carried out. One year of initial timing is the minimum timespan required to fully characterise any newly-discovered pulsars, essential for deriving pulsar parameters such as the characteristic age, magnetic field strength, spin-down rate, as well as to detect any unexpected behaviour of the pulsar which might result from emission instabilities. This timing project is necessary for following up on any interesting pulsar systems discovered from the HTRU Galactic plane survey. Since all of the pulsars on the observing list here have been confirmed in the current 2020APRS semester, the follow-up timing will produce completely new and exciting results. In addition, this timing project will enable a large-scale examination of the Galactic plane pulsar population, exploring the true boundaries of pulsar parameter space in the galactic plane.