cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10348526
title: EVOL Concrete Block Smithfield

description: A concrete block spray painted to look like a housing estate by artist EVOL. Located on West Poultry Avenue, Smithfield, London.

Date: 2011

The block (many more than shown in this model) has been here for nearly 8 years and are now very faded. Originally they were used to protect the Crossrail work site. They are now in the area of the development of the new Museum of London. The workers here say they would now be considered illegal as they are not fixed down and have no lifting points. They could weigh as much as a tonne and would be very hard to move. It is not clear who owns the blocks. Possibly the Corporation of London?

http://evoltaste.com/
https://londonist.com/2011/11/street-art-evols-tower-blocks-at-smithfield-market

53 photos taken in July 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348527
title: Eurydike Statue

description: Eurydice was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348528
title: Eurydike Statue

description: Eurydice was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348530
title: Double Cell

description: Residential construction is the fundamental 'basic' component of the urban scene. The elementary cells have an average net span of 6x6m, but there are also some 7-8x4-5m rectangular shape cells.

The basic typology was the house with one or two overlapping cells; the upper space was accessed through an external staircase extended on the front, called the profferlo. The semi-basement level was used as a cellar and for storing firewood. Today, most of the profferli have been demolished or enclosed in the interior of the dwelling unit, through the partial or total demolition of the facade of the building, and the construction of a new external wall.

[Learn More](https://esg.pt/3dpast/platform/pienza/multiple-cells.html)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348529
title: Double Cell

description: Residential construction is the fundamental 'basic' component of the urban scene. The elementary cells have an average net span of 6x6m, but there are also some 7-8x4-5m rectangular shape cells.

The basic typology was the house with one or two overlapping cells; the upper space was accessed through an external staircase extended on the front, called the profferlo. The semi-basement level was used as a cellar and for storing firewood. Today, most of the profferli have been demolished or enclosed in the interior of the dwelling unit, through the partial or total demolition of the facade of the building, and the construction of a new external wall.

[Learn More](https://esg.pt/3dpast/platform/pienza/multiple-cells.html)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348531
title: 竪穴式住居

description: 上高津貝塚ふるさと歴史の広場

📍 [上高津貝塚ふるさと歴史の広場 考古資料館, 土浦市, 茨城県](https://scaniver.se/L36.07722,140.16620)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348532
title: 竪穴式住居

description: 上高津貝塚ふるさと歴史の広場

📍 [上高津貝塚ふるさと歴史の広場 考古資料館, 土浦市, 茨城県](https://scaniver.se/L36.07722,140.16620)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348533
title: Risch-Rotkreuz, Mammut-Wirbel / mammoth vertebra

description: Dornfortsatz eines Brustwirbels aus dem für  Mammuts charakteristischen Fetthöcker im Schulterbereich der Tiere.
*Spinous process of a thoracic vertebra from the fat hump in the shoulder area, which is characteristic for mammoths.*


Übersicht über die vorhandenen Skelettelemente und weitere Informationen unter skfb.ly/TPAW. 
*For an overview of the preserved skeletal elements and further information see skfb.ly/LsnA.*


3D-Modell abgeleitet aus Computertomographie-Daten. CT-Scan durch die Abteilung Radiologie des Zuger Kantonsspitals (Incinur Koyun-Aras und Erdem Koyun).
*3D model derived from computed tomography data. CT scan by the radiology department of the Zuger Kantonsspital (Incinur Koyun-Aras and Erdem Koyun).*



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348534
title: Risch-Rotkreuz, Mammut-Wirbel / mammoth vertebra

description: Dornfortsatz eines Brustwirbels aus dem für  Mammuts charakteristischen Fetthöcker im Schulterbereich der Tiere.
*Spinous process of a thoracic vertebra from the fat hump in the shoulder area, which is characteristic for mammoths.*


Übersicht über die vorhandenen Skelettelemente und weitere Informationen unter skfb.ly/TPAW. 
*For an overview of the preserved skeletal elements and further information see skfb.ly/LsnA.*


3D-Modell abgeleitet aus Computertomographie-Daten. CT-Scan durch die Abteilung Radiologie des Zuger Kantonsspitals (Incinur Koyun-Aras und Erdem Koyun).
*3D model derived from computed tomography data. CT scan by the radiology department of the Zuger Kantonsspital (Incinur Koyun-Aras and Erdem Koyun).*



Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348535
title: Bird Bone Awl XCB-105-4100

description: Bird Bone Awl. XCB-105-4100. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348536
title: Bird Bone Awl XCB-105-4100

description: Bird Bone Awl. XCB-105-4100. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348539
title: My First Empire State Building

description: My **first** 3D model building. I thought big for this one and went with the **Empire State Building** which used to be tallest building in the world at one point.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348540
title: My First Empire State Building

description: My **first** 3D model building. I thought big for this one and went with the **Empire State Building** which used to be tallest building in the world at one point.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348541
title: Le fortin de Pasciola, Vivario, Corse

description: 328 shots from Mavic pro

![](https://upload.wikimedia.org/wikipedia/commons/d/d6/Fort_de_Vivario_.jpg)

Le fortin de Pasciola, ou tour retranchée de Vivariu, a été construit en 1771.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348542
title: Le fortin de Pasciola, Vivario, Corse

description: 328 shots from Mavic pro

![](https://upload.wikimedia.org/wikipedia/commons/d/d6/Fort_de_Vivario_.jpg)

Le fortin de Pasciola, ou tour retranchée de Vivariu, a été construit en 1771.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348543
title: Grazing (Spring) by Jorge Mujica

description: Quote:
"Jorge Mujica explores the fragility of an unbroken
line and the context created within the boundaries
of a positive and negative space. His designs are
rendered through rehearsed drawing exercises ex-
amining a combination of automatic movements
and choreographed mapping of space to animate
flat materials into free standing painting surfaces."

Captured with Trnio Plus using photo import.  Edited in Meshmixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348544
title: Grazing (Spring) by Jorge Mujica

description: Quote:
"Jorge Mujica explores the fragility of an unbroken
line and the context created within the boundaries
of a positive and negative space. His designs are
rendered through rehearsed drawing exercises ex-
amining a combination of automatic movements
and choreographed mapping of space to animate
flat materials into free standing painting surfaces."

Captured with Trnio Plus using photo import.  Edited in Meshmixer.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348547
title: Kirkjubømúrurin: R008

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. 

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 55 x 33 x 22 cm. 

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348548
title: Kirkjubømúrurin: R008

description: Sligin basalt steinur úr Kirkjubømúrinum, partur av steinasavninum hjá Tjóðsavninum. 

*English:* Carved basalt stone from Kirkjubømúrinum (The Saint Magnus Cathedral), in storage at Tjóðsavnið.

Dimension: 55 x 33 x 22 cm. 

Created by Petur Hansen, using Artec space spider scanner and Artec Studio 15.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348549
title: Exterior Iglesia

description: Exterior Iglesia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348550
title: Exterior Iglesia

description: Exterior Iglesia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348553
title: A pawn from the Lewis Chessmen

description: Chess-piece; walrus ivory; pawn; rounded top; flat sides; front and back: bevelled edges.

Height: 55.33 millimetres Width: 27.7 millimetres Depth: 21.41 millimetres

COL: [MCM1312](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=6224)

Made from 136 photographs, Nikon D5100 taken by Florence Dassonville, Lucy Ellis and Daniel Pett.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348554
title: A pawn from the Lewis Chessmen

description: Chess-piece; walrus ivory; pawn; rounded top; flat sides; front and back: bevelled edges.

Height: 55.33 millimetres Width: 27.7 millimetres Depth: 21.41 millimetres

COL: [MCM1312](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=6224)

Made from 136 photographs, Nikon D5100 taken by Florence Dassonville, Lucy Ellis and Daniel Pett.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348555
title: Parthenon marble North XLIV

description: Four riders hold each the reins of their horses in both hands. The heads of the two middle figures (122 and 123) are preserved, whereas those of the figures (121 and 124) at the right and left ends of the block are missing since they coincided with the joins. Figure (122) has a fox-skin cap on his head, wears a double-belted short chiton and boots, whereas figure (123) is clad in a sleeved chiton and felt boots and he has a hair-band.

http://repository.parthenonfrieze.gr/frieze/handle/10442/nxliv

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348556
title: Parthenon marble North XLIV

description: Four riders hold each the reins of their horses in both hands. The heads of the two middle figures (122 and 123) are preserved, whereas those of the figures (121 and 124) at the right and left ends of the block are missing since they coincided with the joins. Figure (122) has a fox-skin cap on his head, wears a double-belted short chiton and boots, whereas figure (123) is clad in a sleeved chiton and felt boots and he has a hair-band.

http://repository.parthenonfrieze.gr/frieze/handle/10442/nxliv

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348557
title: Escudo en Casa Marcelo

description: Escudo heráldico de la familia Plano Puyal, situado en la fachada de Casa Marcelo.

Realizado en el año 2020 por [Miguel Ángel Puyal Artieda](https://www.facebook.com/miguelangelpuyalartieda).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348558
title: Escudo en Casa Marcelo

description: Escudo heráldico de la familia Plano Puyal, situado en la fachada de Casa Marcelo.

Realizado en el año 2020 por [Miguel Ángel Puyal Artieda](https://www.facebook.com/miguelangelpuyalartieda).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348560
title: George Melamphy - Ventry 8

description: THE SPIRIT STONES OF GEORGE MELAMPHY

It appears George Mellamphy, carving messages of hope for those in need who crossed his path. The beach at Ventry marks the beginning of a Pilgrim Path to the sacred Mount Brandon. George used little private symbols; the inverted triangle represents the Holy Spirit; the others are known only to those for whom he prayed. What an extraordinary gift! Hearing of some random "rock art" near Wine Strand, I went to photograph it, but the artist's hand had a vague familiarity. This was no 2000 B.C rock art but was another carved by George's hand George Mellamphy died in August 2011. He was a man of many parts, dedicated to his wife Patricia and their family, art teacher, powerful tenor, member of the Cork Examiner team, but most importantly, a man whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348559
title: George Melamphy - Ventry 8

description: THE SPIRIT STONES OF GEORGE MELAMPHY

It appears George Mellamphy, carving messages of hope for those in need who crossed his path. The beach at Ventry marks the beginning of a Pilgrim Path to the sacred Mount Brandon. George used little private symbols; the inverted triangle represents the Holy Spirit; the others are known only to those for whom he prayed. What an extraordinary gift! Hearing of some random "rock art" near Wine Strand, I went to photograph it, but the artist's hand had a vague familiarity. This was no 2000 B.C rock art but was another carved by George's hand George Mellamphy died in August 2011. He was a man of many parts, dedicated to his wife Patricia and their family, art teacher, powerful tenor, member of the Cork Examiner team, but most importantly, a man whose memory brought a smile to every face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348561
title: Fragment de sarcòfag, BMVB

description: **CAT** Fragment de sarcòfag policromat procedent del jaciment de Luxor . Datació aproximada a  l'Imperi Nou o començament del tercer període intermedi. Donada per Eduard Toda i Güell a la Biblioteca Museu Víctor Balaguer.

**ES** Fragmento de sarcófago policromado procedente del yacimiento de Luxor. Datación aproximada del Imperio Nuevo o comienzo del tercer periodo intermedio. Donada por Eduard Toda la Biblioteca Museo Víctor Balaguer.

**EN** Fragment of a polychromed sarcophagus from the Luxor archaeological site that dates back approximately to the New Kingdom or Third Intermediate Period. Donated by Eduard Toda i Güell to the Víctor Balaguer Library & Museum.

https://www.victorbalaguer.cat/
https://artsandculture.google.com/asset/fragmento-de-sarc%C3%B3fago-con-figuras-mitol%C3%B3gicas-desconocido/DAFQlG4jQZCcTQ?hl=es

Model: Aleix Barberà (fotos) Néstor Marqués (processat). Textos: BMVB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348562
title: Fragment de sarcòfag, BMVB

description: **CAT** Fragment de sarcòfag policromat procedent del jaciment de Luxor . Datació aproximada a  l'Imperi Nou o començament del tercer període intermedi. Donada per Eduard Toda i Güell a la Biblioteca Museu Víctor Balaguer.

**ES** Fragmento de sarcófago policromado procedente del yacimiento de Luxor. Datación aproximada del Imperio Nuevo o comienzo del tercer periodo intermedio. Donada por Eduard Toda la Biblioteca Museo Víctor Balaguer.

**EN** Fragment of a polychromed sarcophagus from the Luxor archaeological site that dates back approximately to the New Kingdom or Third Intermediate Period. Donated by Eduard Toda i Güell to the Víctor Balaguer Library & Museum.

https://www.victorbalaguer.cat/
https://artsandculture.google.com/asset/fragmento-de-sarc%C3%B3fago-con-figuras-mitol%C3%B3gicas-desconocido/DAFQlG4jQZCcTQ?hl=es

Model: Aleix Barberà (fotos) Néstor Marqués (processat). Textos: BMVB

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348563
title: Kulango People Royal Female Ancestral Figure

description: From the Kulango People of Cote D' Ivoire. Carved wood with dark rich brown patina with red and white earth pigments, blue indigo in the form of a royal female figure wearing a pointed carved cap having alternating bands of white kaolin & blue indigo, pronounced face with smooth surface, serene expression, facial scarification, small round ears, ringed neck with white & red pigments, squared shoulders, arms carved away from body ending with hands at waist with fingers pointed inward toward protruding belly button, large pointed & extending breasts, protruding rounded rear end, strong legs & feet standing on top of a heavily carved & detailed throne stool with intricate patterns & adorned with white kaolin and red vegetable pigment, base shows signs of extensive deterioration and age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348564
title: Kulango People Royal Female Ancestral Figure

description: From the Kulango People of Cote D' Ivoire. Carved wood with dark rich brown patina with red and white earth pigments, blue indigo in the form of a royal female figure wearing a pointed carved cap having alternating bands of white kaolin & blue indigo, pronounced face with smooth surface, serene expression, facial scarification, small round ears, ringed neck with white & red pigments, squared shoulders, arms carved away from body ending with hands at waist with fingers pointed inward toward protruding belly button, large pointed & extending breasts, protruding rounded rear end, strong legs & feet standing on top of a heavily carved & detailed throne stool with intricate patterns & adorned with white kaolin and red vegetable pigment, base shows signs of extensive deterioration and age.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348565
title: Chinese Cannon

description: Located in the south east corner of the inner ward at the Tower of London.

From the infomation panel: "This massive fortress gun is believed to have been captured by British forces from the forts guarding Canton during the Second China War in 1856-61. It was brought to Britain as a trophy by HMS Nankin. It was formerly displayed at Upnor Castle, Kent and the Rotunda, Woolwich. Chinese about 1840 "

https://collections.royalarmouries.org/object/rac-object-6176.html

232 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348566
title: Chinese Cannon

description: Located in the south east corner of the inner ward at the Tower of London.

From the infomation panel: "This massive fortress gun is believed to have been captured by British forces from the forts guarding Canton during the Second China War in 1856-61. It was brought to Britain as a trophy by HMS Nankin. It was formerly displayed at Upnor Castle, Kent and the Rotunda, Woolwich. Chinese about 1840 "

https://collections.royalarmouries.org/object/rac-object-6176.html

232 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348571
title: Shrine Gate (Torii)

description: Here is a shrine gate or Torii I created a while back, feel free to use it for anything but please give credit. 
Model was originally created for Unreal Engine using Blender and Substance Painter. 
Textures are 2K 2048 x 2048.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348572
title: Shrine Gate (Torii)

description: Here is a shrine gate or Torii I created a while back, feel free to use it for anything but please give credit. 
Model was originally created for Unreal Engine using Blender and Substance Painter. 
Textures are 2K 2048 x 2048.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348575
title: Mainz um 800, F10

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348576
title: Mainz um 800, F10

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348577
title: Totem

description: Totem in the centre of the [village](https://sketchfab.com/3d-models/nothern-village-f05e0a22c2954c9589b96eb0888445ac) for XYZ daily challenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348578
title: Totem

description: Totem in the centre of the [village](https://sketchfab.com/3d-models/nothern-village-f05e0a22c2954c9589b96eb0888445ac) for XYZ daily challenge

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348581
title: Heraclea Lynkestis, Bitola, Macedonia

description: Roman town located to the south of the modern city of Bitola. The model is produced as part of the project "Tridimensional modeling of five Roman period archaeological sites on the territory of the Republic of North Macedonia", financed by the Ministry of Culture and implemented by Public Research Institution Institute of Old Slavic Culture - Prilep.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348582
title: Heraclea Lynkestis, Bitola, Macedonia

description: Roman town located to the south of the modern city of Bitola. The model is produced as part of the project "Tridimensional modeling of five Roman period archaeological sites on the territory of the Republic of North Macedonia", financed by the Ministry of Culture and implemented by Public Research Institution Institute of Old Slavic Culture - Prilep.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348585
title: Beirut The Egg Cinema

description: The Egg is cinema building in Beirut, Lebanon. Designed by architect Joseph Philippe Karam, Its construction began in 1965 but it was interrupted with the outbreak of the Lebanese Civil War in 1975, the horse-shoe shaped dome that remains today is now a landmark in Beirut.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10348586
title: Beirut The Egg Cinema

description: The Egg is cinema building in Beirut, Lebanon. Designed by architect Joseph Philippe Karam, Its construction began in 1965 but it was interrupted with the outbreak of the Lebanese Civil War in 1975, the horse-shoe shaped dome that remains today is now a landmark in Beirut.

Source: Objaverse 1.0 / Sketchfab