cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10283290
title: Open-air museum ''Vēveri'' pt3

description: "VĒVERI" RURAL EXHIBITION OF THE ETHNOGRAPHIC OPEN AIR MUSEUM OF LATVIA IN VECPIEBALGA

The history of "Vēveri" in Vecpiebalga dates as far back as 400 years. It is mentioned for the first time in Swedish accountant documents in 1601 as one household and at the end of the 17th century it was marked on the map.

http://brivdabasmuzejs.lv/en/museum/museum-veveri/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283291
title: Open-air museum ''Vēveri'' pt3

description: "VĒVERI" RURAL EXHIBITION OF THE ETHNOGRAPHIC OPEN AIR MUSEUM OF LATVIA IN VECPIEBALGA

The history of "Vēveri" in Vecpiebalga dates as far back as 400 years. It is mentioned for the first time in Swedish accountant documents in 1601 as one household and at the end of the 17th century it was marked on the map.

http://brivdabasmuzejs.lv/en/museum/museum-veveri/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283292
title: Спомен костурница Сурдуличких мученика

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.

The photogrammetric model is made by the architect Aleksandar Nikšić.https://sketchfab.com/nixic.alexandar

more information:
https://sr.wikipedia.org/wiki/%D0%A1%D0%BF%D0%BE%D0%BC%D0%B5%D0%BD-%D0%BA%D0%BE%D1%81%D1%82%D1%83%D1%80%D0%BD%D0%B8%D1%86%D0%B0_%D1%83_%D0%A1%D1%83%D1%80%D0%B4%D1%83%D0%BB%D0%B8%D1%86%D0%B8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283293
title: Спомен костурница Сурдуличких мученика

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of historian Đorđe Stošić and architect Ivana Cvetković.

The photogrammetric model is made by the architect Aleksandar Nikšić.https://sketchfab.com/nixic.alexandar

more information:
https://sr.wikipedia.org/wiki/%D0%A1%D0%BF%D0%BE%D0%BC%D0%B5%D0%BD-%D0%BA%D0%BE%D1%81%D1%82%D1%83%D1%80%D0%BD%D0%B8%D1%86%D0%B0_%D1%83_%D0%A1%D1%83%D1%80%D0%B4%D1%83%D0%BB%D0%B8%D1%86%D0%B8

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283294
title: Historical Dark Warrior Sword

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283295
title: Historical Dark Warrior Sword

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283296
title: Second Carving of an owl

description: Carving of an owl from the church portal of Fitzroy Presbryterrian Church, constructed in 1874. The owl is widely identified to represent wisdom in most cultures, but in celtic traditions it is a symbol of death.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283297
title: Second Carving of an owl

description: Carving of an owl from the church portal of Fitzroy Presbryterrian Church, constructed in 1874. The owl is widely identified to represent wisdom in most cultures, but in celtic traditions it is a symbol of death.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283298
title: Nuka Cola Vending Machine

description: Fan made Nuka Cola vending machine. First impressions of Quixel Suite 2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283299
title: Nuka Cola Vending Machine

description: Fan made Nuka Cola vending machine. First impressions of Quixel Suite 2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283302
title: Bronze-Age Dagger, Castilla-La Mancha, Spain

description: "Bronze dagger with two cutouts from the  site of  ??, ,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE020077. Processed in Reality Capture from 523 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283303
title: Bronze-Age Dagger, Castilla-La Mancha, Spain

description: "Bronze dagger with two cutouts from the  site of  ??, ,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE020077. Processed in Reality Capture from 523 images.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283308
title: Replicated Hand Axe (1966a1-4)

description: **Acheulean hand axe**

Location: France.

Period: Early-Middle Paleolithic (before 300,000-100,000 years ago).

Material: flint.

Dimensions: length, 173.0 mm; width, 48.7 mm; thickness, 40.5 mm.

Notes: Catalog no. 1966a1 (specimen 4).  This specimen is one of 16 Paleolithic chipped-stone tools replicated about 1929 by French archaeologist Abbe (Henri) Breuil, Institute of Human Paleontology, Paris, France.  It is part of a larger collection of Paleolithic artifacts that was acquired in 1929 by James Bell Bullitt during a tour of western Europe and later donated to the University of North Carolina.  Specimen resides in the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283309
title: Replicated Hand Axe (1966a1-4)

description: **Acheulean hand axe**

Location: France.

Period: Early-Middle Paleolithic (before 300,000-100,000 years ago).

Material: flint.

Dimensions: length, 173.0 mm; width, 48.7 mm; thickness, 40.5 mm.

Notes: Catalog no. 1966a1 (specimen 4).  This specimen is one of 16 Paleolithic chipped-stone tools replicated about 1929 by French archaeologist Abbe (Henri) Breuil, Institute of Human Paleontology, Paris, France.  It is part of a larger collection of Paleolithic artifacts that was acquired in 1929 by James Bell Bullitt during a tour of western Europe and later donated to the University of North Carolina.  Specimen resides in the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283311
title: Pillbox Woolwich

description: A World War 2 pillbox on the south bank of the Thames North of Woolwich. Some reports mark this as a minewatcher's post.

Photos taken in November 2019 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283312
title: Pillbox Woolwich

description: A World War 2 pillbox on the south bank of the Thames North of Woolwich. Some reports mark this as a minewatcher's post.

Photos taken in November 2019 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283315
title: Seita

description: FI: Wäinö Aaltonen: Seita, 1961, kullattu puu, korkeus 58 cm. 
Seita-veistos kuuluu Aaltosen myöhäistuotannon helmiin. Sen nimi viittaa saamelaiskulttuuriin ja pyhiin luontokohteisiin. Teos tunnetaan myös nimellä Kasvot.

EN: Wäinö Aaltonen: Seita, 1961, gilded wood, height 1'11"/58cm.
Seita is one of the greatest pieces of Aaltonen's late production. The name Seita is a reference to Sámi culture and sacred natural sites. The sculpture is also known as "The Face"

Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283316
title: Seita

description: FI: Wäinö Aaltonen: Seita, 1961, kullattu puu, korkeus 58 cm. 
Seita-veistos kuuluu Aaltosen myöhäistuotannon helmiin. Sen nimi viittaa saamelaiskulttuuriin ja pyhiin luontokohteisiin. Teos tunnetaan myös nimellä Kasvot.

EN: Wäinö Aaltonen: Seita, 1961, gilded wood, height 1'11"/58cm.
Seita is one of the greatest pieces of Aaltonen's late production. The name Seita is a reference to Sámi culture and sacred natural sites. The sculpture is also known as "The Face"

Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283317
title: Plinth dolmen Rybalko-2

description: The dolmen is located under Ribalko cliffs, river valley Pshenaho, Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus.

Three well preserved dolmens subgroup constructed of tuffsandstone slabs  is submerged in the long stone cairn. Full megalithic complex consists of 7 tombs. Each tomb is  the most typical kind of constructions for that culture.

Дольмен расположен в верховьях долины реки Пшенахо, Туапсинский район.
Относится к плиточному типу.  

Модель создана при поддержке кафедры общей и прикладной геофизики в университете "Дубна".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283318
title: Plinth dolmen Rybalko-2

description: The dolmen is located under Ribalko cliffs, river valley Pshenaho, Tuapse region, Caucasus, Russia, Middle Bronze Age (4000-2000 BC), Dolmen Culture of Caucasus.

Three well preserved dolmens subgroup constructed of tuffsandstone slabs  is submerged in the long stone cairn. Full megalithic complex consists of 7 tombs. Each tomb is  the most typical kind of constructions for that culture.

Дольмен расположен в верховьях долины реки Пшенахо, Туапсинский район.
Относится к плиточному типу.  

Модель создана при поддержке кафедры общей и прикладной геофизики в университете "Дубна".

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283319
title: LMA3402.04 Cuneiform Tablet

description: * People/Culture: Sumaria (Ur III) 
* 61 images (jpeg, 300dpi, sRGB)
* Nikon D7200 
* ISO: 400 
* Aperture: F7.1 
* Shutter: 1/50 sec 
* Photoscan settings 
				Alignment: highest, pair selection disabled 
				Dense cloud: ultra-high, depth-filtering disabled 
				Mesh: surface arbitrary, dense cloud source, high face count, Interpolation enabled 
				Texture: Generic mapping, mosaic blending, size 4096 x 1, hole filling enabled 
* Date Created: 3/1/17 
* By: dlb

Translation:

1005 sar removing of weed
At the rate of 15 sar;
wages for this purpose [amount to] 67 man-days

1500 sar removing of weed
at the rate of 20 sar;
wages for this purpose [amount to] 75 man-days

304 sar spade work
at the rate of 2 sar;
wages for this purpose [amount to] 152 man-days

210 sar spade work
at the rate of 3 sar;
wages for this purpose [amount to] 70 man days

Field "clean mound"

Forman [is] Lu-Shara
Under the authority of Lugal-Khegal

In the 6th year of the king Shu-sin

[NOTE: A "sar" is an area of 35 square meters]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283320
title: LMA3402.04 Cuneiform Tablet

description: * People/Culture: Sumaria (Ur III) 
* 61 images (jpeg, 300dpi, sRGB)
* Nikon D7200 
* ISO: 400 
* Aperture: F7.1 
* Shutter: 1/50 sec 
* Photoscan settings 
				Alignment: highest, pair selection disabled 
				Dense cloud: ultra-high, depth-filtering disabled 
				Mesh: surface arbitrary, dense cloud source, high face count, Interpolation enabled 
				Texture: Generic mapping, mosaic blending, size 4096 x 1, hole filling enabled 
* Date Created: 3/1/17 
* By: dlb

Translation:

1005 sar removing of weed
At the rate of 15 sar;
wages for this purpose [amount to] 67 man-days

1500 sar removing of weed
at the rate of 20 sar;
wages for this purpose [amount to] 75 man-days

304 sar spade work
at the rate of 2 sar;
wages for this purpose [amount to] 152 man-days

210 sar spade work
at the rate of 3 sar;
wages for this purpose [amount to] 70 man days

Field "clean mound"

Forman [is] Lu-Shara
Under the authority of Lugal-Khegal

In the 6th year of the king Shu-sin

[NOTE: A "sar" is an area of 35 square meters]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283321
title: Venus de Zăuan (jud. Sălaj)

description: "Venusˮ de Zăuan reprezintă una dintre cele mai frumoase piese neolitice de pe teritoriul județului Sălaj și se află în colecția Muzeului Județean de Istorie și Artă Zalău. Statueta a fost descoperită în anul 1976 de către Eva Láko în așezarea Starčevo-Criș de la Zăuan-Dâmbul Cimitirului (5500-5300 BC). Asemenea statuete, datate în paleolitic sau neolitic, redau simbolic elementele fertilității și înfățișează într-o manieră artistică incipientă, feminitatea.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283322
title: Venus de Zăuan (jud. Sălaj)

description: "Venusˮ de Zăuan reprezintă una dintre cele mai frumoase piese neolitice de pe teritoriul județului Sălaj și se află în colecția Muzeului Județean de Istorie și Artă Zalău. Statueta a fost descoperită în anul 1976 de către Eva Láko în așezarea Starčevo-Criș de la Zăuan-Dâmbul Cimitirului (5500-5300 BC). Asemenea statuete, datate în paleolitic sau neolitic, redau simbolic elementele fertilității și înfățișează într-o manieră artistică incipientă, feminitatea.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283323
title: McCorkle Drain Excavation

description: **McCorkle Drain excavation**

Location: McCorkle Place Drain Site, University of North Carolina Campus, Orange County, North Carolina.

Period: Historic (19th Century).

Dimensions: 1.4 meter by 2.2 meter excavation (approximate) .

Notes: Portion of an early 19th-century stone drain excavated in 2006 by the UNC Research Laboratories of Archaeology.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283324
title: McCorkle Drain Excavation

description: **McCorkle Drain excavation**

Location: McCorkle Place Drain Site, University of North Carolina Campus, Orange County, North Carolina.

Period: Historic (19th Century).

Dimensions: 1.4 meter by 2.2 meter excavation (approximate) .

Notes: Portion of an early 19th-century stone drain excavated in 2006 by the UNC Research Laboratories of Archaeology.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283325
title: PNRP F.1.128.125.1.k View 1

description: This L clavicle fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283326
title: PNRP F.1.128.125.1.k View 1

description: This L clavicle fragment was excavated from a 2nd century B.C. - 1st century A.D. tomb (F.1) from the North Ridge cemetery area in Petra, Jordan. 3D modeling and photography of this element was conducted under the permanent loan agreement No. 12/5/2288 between the Department of Antiquities of Jordan and East Carolina University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283328
title: Abney Park Memorial Urn

description: A small stone urn standing alone next to the path a few metres south of the chapel in Abney Park, Stoke Newington, London. It is not clear if this is from a nearby monument or placed here from elsewhere.

124 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283329
title: Abney Park Memorial Urn

description: A small stone urn standing alone next to the path a few metres south of the chapel in Abney Park, Stoke Newington, London. It is not clear if this is from a nearby monument or placed here from elsewhere.

124 photos taken in July 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283330
title: 庚申塔(浅間神社)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283331
title: 庚申塔(浅間神社)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283332
title: Herramienta Agrícola - 253929 (Puruchuco)

description: Material: Orgánico

Datación: Intermedio Tardío (1,000 d.c. - 1476 d.c.)

Técnicas: Cortado, desbastado, tallado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283333
title: Herramienta Agrícola - 253929 (Puruchuco)

description: Material: Orgánico

Datación: Intermedio Tardío (1,000 d.c. - 1476 d.c.)

Técnicas: Cortado, desbastado, tallado

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283334
title: ROI018-047-01

description: Brewerton Point collected in Jay County, Indiana.

Catalog #: 12-Ja-151-25 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-047-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283335
title: ROI018-047-01

description: Brewerton Point collected in Jay County, Indiana.

Catalog #: 12-Ja-151-25 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-047-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283336
title: Polonez ambulance/van, prototype

description: The Polonez ambulance/van is a light delivery vehicle based on the design and components of the FSO Polonez passenger car. Developed between 1985 and 1990 by the Zakład Samochodów Dostawczych in Nysa, the vehicle was intended to be mainly used for sanitary transportation. Over time it was to replace the outdated Nysa 522. 

The prototype had a mixed structure: the body front was monocoque, the cargo space was based on a frame. The roof of both parts of the vehicle had a flexible connection with a stress and vibration damper – a solution that was patented.
Despite the favourable results of the prototype testing it was never launched into mass production.

Manufacturer: Zakład Samochodów Dostawczych in Nysa, 1988

Inv. No.: MIM1184/II-116

Model prepared on the basis of photogrammetric and ToF measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283337
title: Polonez ambulance/van, prototype

description: The Polonez ambulance/van is a light delivery vehicle based on the design and components of the FSO Polonez passenger car. Developed between 1985 and 1990 by the Zakład Samochodów Dostawczych in Nysa, the vehicle was intended to be mainly used for sanitary transportation. Over time it was to replace the outdated Nysa 522. 

The prototype had a mixed structure: the body front was monocoque, the cargo space was based on a frame. The roof of both parts of the vehicle had a flexible connection with a stress and vibration damper – a solution that was patented.
Despite the favourable results of the prototype testing it was never launched into mass production.

Manufacturer: Zakład Samochodów Dostawczych in Nysa, 1988

Inv. No.: MIM1184/II-116

Model prepared on the basis of photogrammetric and ToF measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283338
title: Pferde

description: Two larger-than-life horses from 1957 by Hubert Wilfan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283339
title: Pferde

description: Two larger-than-life horses from 1957 by Hubert Wilfan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283342
title: Katan Game ready

description: Katana texture and everything for free use as you wher you wish

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283343
title: Katan Game ready

description: Katana texture and everything for free use as you wher you wish

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283345
title: Modelo 3D de mueble de taracea

description: Mueble de taracea realizado artesanalmente por Luis Alonso con diseño de musealización ficticio.

Modelo de 3D obtenido mediante fotogrametría y edición en Blender.

Ejercicio realizado para el curso de Introducción a la Fotogrametría Digital y su Uso en Patrimonio XIII de la Universidad de Burgos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283346
title: Modelo 3D de mueble de taracea

description: Mueble de taracea realizado artesanalmente por Luis Alonso con diseño de musealización ficticio.

Modelo de 3D obtenido mediante fotogrametría y edición en Blender.

Ejercicio realizado para el curso de Introducción a la Fotogrametría Digital y su Uso en Patrimonio XIII de la Universidad de Burgos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283350
title: Pisgah Rimsherd (2094p135)

description: **Pisgah Check Stamped rimsherd**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 63.0 mm; width, 52.6 mm; thickness, 14.6 mm.

Notes: Catalog no. 2094p135,  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIX. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283349
title: Pisgah Rimsherd (2094p135)

description: **Pisgah Check Stamped rimsherd**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 63.0 mm; width, 52.6 mm; thickness, 14.6 mm.

Notes: Catalog no. 2094p135,  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIX. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10283352
title: Teatro Degollado, Apollo and The Nine Muses

description: Teatro Degollado is a neoclassical Mexican theater known for its diverse performances and artistic design. It is located in the central plaza of Guadalajara, Jalisco, Mexico on Belen Street between Hidalgo Avenue and Morelos Avenue. Many performances (from cultural Mexican dances to international operas) take place in this building. Meant to be a monument of Guadalajara's culture, the theater was inaugurated in September 1866; breathing life to the city through its innovative artistic beauty.

With fewer renovations than the interior, the exterior of the building still retains its artistic beauty. Between 1953 and 1959 Montenegro painted the mosaic of Apollo and the nine muses on the pediment of the theater. The portico supporting the pediment consists of 16 Corinthian columns. When Ignacio Diaz was in charge of the renovation of the theater, he ordered the engraving of the phrase "May we never hear a hint of discord" along Montenegro's mosaic on the main entrance.

Source: Objaverse 1.0 / Sketchfab