cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.21256902
title: Additional file 1 of Oxidative stress genes in patients with esophageal squamous cell carcinoma: construction of a novel prognostic signature and characterization of tumor microenvironment infiltration

description: Additional file 1: Table S1. The specific risk score and risk level group for each patient with ESCC.
DOI: 10.6084/m9.figshare.21256902.v1
title: Additional file 1 of Oxidative stress genes in patients with esophageal squamous cell carcinoma: construction of a novel prognostic signature and characterization of tumor microenvironment infiltration

description: Additional file 1: Table S1. The specific risk score and risk level group for each patient with ESCC.
DOI: 10.5517/ccdc.csd.cc25bknr
title: CCDC 2006154: Experimental Crystal Structure Determination

description: Related Article: Banglin Chen, Zhangjing Zhang, Shengchang Xiang|2023|U.S.Patents|||
description: Related Article: Yang Chen, Yisi Yang, Yi Wang, Qizhao Xiong, Jiangfeng Yang, Shengchang Xiang, Libo Li, Jinping Li, Zhangjing Zhang, Banglin Chen|2022|J.Am.Chem.Soc.|144|17033|doi:10.1021/jacs.2c06585
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.5517/ccdc.csd.cc2536q7
title: CCDC 1999088: Experimental Crystal Structure Determination

description: Related Article: Banglin Chen, Zhangjing Zhang, Shengchang Xiang|2023|U.S.Patents|||
description: Related Article: Yisi Yang, Libo Li, Rui-Biao Lin, Yingxiang Ye, Zizhu Yao, Ling Yang, Fahui Xiang, Shimin Chen, Zhangjing Zhang, Shengchang Xiang, Banglin Chen |2021|Nature Chemistry|13|933|doi:10.1038/s41557-021-00740-z
description: An entry from the Cambridge Structural Database, the world’s repository for small molecule crystal structures. The entry contains experimental data from a crystal diffraction study. The deposited dataset for this entry is freely available from the CCDC and typically includes 3D coordinates, cell parameters, space group, experimental conditions and quality measures.
DOI: 10.6084/m9.figshare.7102895
title: Blepharospasm with elevated anti-acetylcholine receptor antibody titer

description: ABSTRACT Objective: To determine whether serum levels of anti-acetylcholine receptor antibody (anti-AChR-Abs) are related to clinical parameters of blepharospasm (BSP). Methods: Eighty-three adults with BSP, 60 outpatients with hemifacial spasm (HFS) and 58 controls were recruited. Personal history, demographic factors, response to botulinum toxin type A (BoNT-A) and other neurological conditions were recorded. Anti-AChR-Abs levels were quantified using an enzyme-linked immunosorbent assay. Results: The anti-AChR Abs levels were 0.237 ± 0.022 optical density units in the BSP group, which was significantly different from the HFS group (0.160 ± 0.064) and control group (0.126 ± 0.038). The anti-AChR Abs level was correlated with age and the duration of response to the BoNT-A injection. Conclusion: Patients with BSP had an elevated anti-AChR Abs titer, which suggests that dysimmunity plays a role in the onset of BSP. An increased anti-AChR Abs titer may be a predictor for poor response to BoNT-A in BSP.
DOI: 10.6084/m9.figshare.11821317
title: Geochronology and petrogenesis of the Late Silurian Shitoukengde mafic–ultramafic intrusion, NW China: Implications for the tectonic setting and magmatic Ni-Cu mineralization in the East Kunlun Orogenic Belt

description: The Shitoukengde mafic–ultramafic intrusion, located in the East Kunlun Orogenic Belt, is spatially and temporally associated with the Xiarihamu Ni-Cu sulphide deposit, the second-largest Ni deposit in China. This intrusion comprises mainly lherzolite, harzburgite, olivine websterite, and gabbroic rocks. The Shitoukengde mafic–ultramafic rocks are enriched in light rare earth elements (REE) relative to heavy REE and show pronounced negative Nb–Ta anomalies. Magmatic zircon crystals of the studied samples have high δ<sup>18</sup>O values (6.5 to 8.0‰) with a weighted mean value of 7.3‰ that is higher than the typical mantle value (~5.3‰). They are characterized by high ε<sub>Hf</sub>(t) values (–2.0 to 9.2) and variable ε<sub>Nd</sub>(t) values (–4.46 to 2.83). Olivine grains from the ultramafic rocks have high forsterite (Fo) values of 79.3–86.8 and variable Ni contents of 746–3347 ppm. Our calculations indicate that parental magma of the Shitoukengde intrusion had a high-Mg basaltic composition with 10.9 wt% MgO and 9.8 wt% FeO<sup>T</sup>. Fractional crystallization and significant crustal contamination triggered S saturation and sulphide enrichment in the magma. Zircon LA-ICPMS and SIMS U–Pb analyses reveal the consistent Silurian ages of 420–424 Ma for the gabbronorite and Ol websterite, which is coeval with the Xiarihamu Ni-Cu deposit. Based on these data and the regional tectonic setting, we suggest that the Shitoukengde mafic-ultramafic rocks formed in the post-collisional, extensional environment. The cessation of subduction may have resulted in break-off of the dense subducted slab, and triggered ascent of the hot convective asthenospheric mantle. The mantle wedge was modified by the subduction-related fluids and these enriched mantle components were incorporated into the ascending asthenospheric melts at relatively shallow depths, generating the high-Mg basaltic magmas that formed the compositionally variable mafic-ultramafic rocks (e.g., Shitoukengde and Xiarihamu intrusions) in the Eastern Kunlun Orogenic belt.
DOI: 10.25549/selfhelp-ouc1sto1798283
title: Self Help: Atelier LIII - The Jornalero Papers
DOI: 10.6084/m9.figshare.7102895.v1
title: Blepharospasm with elevated anti-acetylcholine receptor antibody titer

description: ABSTRACT Objective: To determine whether serum levels of anti-acetylcholine receptor antibody (anti-AChR-Abs) are related to clinical parameters of blepharospasm (BSP). Methods: Eighty-three adults with BSP, 60 outpatients with hemifacial spasm (HFS) and 58 controls were recruited. Personal history, demographic factors, response to botulinum toxin type A (BoNT-A) and other neurological conditions were recorded. Anti-AChR-Abs levels were quantified using an enzyme-linked immunosorbent assay. Results: The anti-AChR Abs levels were 0.237 ± 0.022 optical density units in the BSP group, which was significantly different from the HFS group (0.160 ± 0.064) and control group (0.126 ± 0.038). The anti-AChR Abs level was correlated with age and the duration of response to the BoNT-A injection. Conclusion: Patients with BSP had an elevated anti-AChR Abs titer, which suggests that dysimmunity plays a role in the onset of BSP. An increased anti-AChR Abs titer may be a predictor for poor response to BoNT-A in BSP.
DOI: 10.25549/selfhelp-ouc1sto1798263
title: Self Help: Atelier LIV - Sueños Libres: West Coast Soñazos
DOI: 10.25549/selfhelp-ouc1sto1798251
title: Self Help: Atelier LV - Communication Threads & Entwined Recollections
DOI: 10.25549/selfhelp-ouc1sto1797988
title: Self Help: Special Project - Futbol: The Beautiful Game
DOI: 10.25549/selfhelp-ouc1sto1797957
title: Self Help: Special Project - Printmaking Survey of the Los Angeles River
DOI: 10.25549/selfhelp-ouc1sto1797954
title: Self Help: Special Project - 43: From Ayotzinapa to Ferguson
DOI: 10.25549/selfhelp-ouc1sto1797944
title: Self Help: Special Project - Print Summit Portfolio
DOI: 10.25549/selfhelp-ouc1sto1797927
title: Self Help: Atelier LVI - Queerida
DOI: 10.25549/selfhelp-ouc1sto1797858
title: Self Help: Atelier LVII - Census
DOI: 10.25549/selfhelp-ouc1sto879643
title: Self Help: Utopia/Dystopia
DOI: 10.5522/04/25219226
title: Dataset for Clock and Carrier Synchronized Multi-Band Wireless Communications Enabled by Frequency Comb Dissemination in Radio Access Networks

description: The uploaded file is the dataset for our manuscript named: "Clock and Carrier Synchronized Multi-Band Wireless Communications Enabled by Frequency Comb Dissemination in Radio Access Networks", which is currently under review.<br>The data is generated through rigorous optical data transmission and optical component characterization experiment. The experimental set-up was built and tested in 2023. MATLAB is used to further process the captured data. The data uploaded is used to plot figures in the submitted manusciprt.
DOI: 10.25549/selfhelp-ouc16956077
title: Utopia's Growth, 2019

description: Serigraph of geometric interpretation of 8 of diamonds playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Rosalie Lopez): Utopia's Growth is visualized through the growth of the diamonds in the 8 of diamonds card. More diamonds come up, layer to appear sprouting or raising up.
DOI: 10.25549/selfhelp-ouc16956075
title: Utopian Six of Hearts, 2019

description: Serigraph of 6 of hearts playing card depicting desert landscape. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Christian Salcedo Ward): These prints are an accumulation of outings into the artist's local landscape with the notion of dystopia/utopia in mind. Research in the form of photographs was collected during these outings and later composed into imagery meant to be reproduced through the relief printmaking medium.
DOI: 10.25549/selfhelp-ouc16956072
title: Utopia Print, 2019

description: Serigraph of an abstract collage of graffiti fonts and floral backgrounds, depicting the 2 of spades playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019
DOI: 10.25549/selfhelp-ouc16956074
title: Spiritual dimensions, 2019

description: Serigraph of a four-of-diamonds playing card depicting a crescent moon, a cross containing a T, and a succulent blossom, all in a diamond. "Spiritual dimensions" -- written below diamond symbol. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16956069
title: Valet Dystopique, 2019

description: Serigraph print with shattered geometric shapes. Overall image and symbols in top left and bottom right corner depicting an abstract Jack of Diamond playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Kelvin Lopez): Jack of diamonds card. Dystopian theme. A representation of the card with a sudden sense of falling apart and shattering. Providing an illusion that the whole image was a diamond once but now the facets are interrupted by the dystopian not in. Valet Dystopique is the literal French translation of "Dystopian Jack"
DOI: 10.25549/selfhelp-ouc16956067
title: Utopia, 2019

description: Serigraph print depicting forest in Sequoia National Park bordered by imagery of flowers, bees, and birds. Top left and bottom right depict 8 of Clubs playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16956063
title: Untitled (Utopia, Jack of Spades), 2019

description: Serigraph of jack of spades featuring mirrored Olmec heads wearing flannels with text that says "nunca colonizado" in the center. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16956061
title: Utopian Free Movement, 2019

description: Artist Statement (Alvaro Marquez): Utopian vision of a map of the Americas with no borders-- inverted in orientation as a nod to Joaquin Torres Garcia's "Inverted America" illustration.
DOI: 10.25549/selfhelp-ouc16956060
title: Utopia "Up North," 2019

description: Woodcut print of black bear standing before a riverbed, foregrounding a forest. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Leslie Dolin): Utopia "Up North" reflects the delicate balance of the natural world and its dependence on clean water. The imagery in this print symbolizes the eco system of Northern Michigan, a place that is very dear to my heart. When contemplating the concept of Utopia, I kept coming back to the shores of Lake Huron and the many summers that I have spent there.
DOI: 10.25549/selfhelp-ouc16955708
title: Utopia, 2019

description: Serigraph printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019Artist Statement (Phung Huynh): The red screen print is of Rocky Rivera, a Bay Area Filipinix-American rap artist who confronts patriarchy, misogyny, and colonialism. The blue screen print which represents utopia, pictures Rocky Rivera and Bamba Depistola and their family. Home is where the heart is. Home is utopia. Dystopia is wreckage created by the current administration that disrupts familial utopia and peace with its anti-immigrant and hateful policies.
DOI: 10.25549/selfhelp-ouc16955707
title: Utopia (Acevedo), 2019

description: Black and white linocut print of woman gazing at the viewer with halo/light surrounding her. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955704
title: Trèfle Utopique, 2019

description: Serigraph of abstract shapes, colors, and textures interpreting 2 of clubs playing cards. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955698
title: Untitled (Dystopia), 2019

description: Serigraph interpretation of three of hearts playing card with green, mask-like face imprinted with figures such as a face, soldier's helmet with text that reads "war" and a price tag, hanging body with lightbulb as head, and text that reads "rent me." Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955702
title: Untitled (Utopia), 2019

description: Serigraph interpretation of ace of spades playing card with red, mask-like face in center adorned with koi fish and text that reads: "Die to...the past". Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955696
title: Untitled (King of Hearts - Utopia), 2019

description: Mixed media print of Quetzalcoatl defeating king of heards (playing card figure), surrounded by Italian Cypress trees with banners that read: "¡Nuestra Cultura Vive y Reina!" and "¡El Amor lo Conquista Todo!" Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Usen Gandara): As a response to those who would try to erase our history, take our dignity, I present Untitled (King of Hearts - Utopia) as an act of reverse colonialism and Chicano Futurism inspired by the murals of East L.A. and Boyle Heights I grew up with. This is the story of a king usurped by the ancient Mayan deity Quetzalcoatl, the feathered serpent who brings a song of love and celebration of culture via lyrics in Spanish. With love for all, aligned with nature not against it, we will survive and thrive. The golden epitaph marks the demise of the king, reading in Latin and flanked by the rulers of the Aztec underworld Mictlantecuhtli and Mictlancihuatl "Behold the King of Hearts is dead". This print was made with a hand painted woodcut for the color background and a detailed linocut on top. Each paper tablet was made as an offering to the sun using recycled material, primarily junk mail mixed with Bougainvillea (native to South America, celebrating new life) and Italian Cypress (associated with mourning, death and the underworld) detritus. The Italian cypress trees in the image stand as the entryway into a dream of utopia.
DOI: 10.25549/selfhelp-ouc16955692
title: Our Time Was Being Wasted (Dystopia), 2019

description: Serigraph print of childrens' drawings of artist and street scene. Top left and bottom right corners depict 5 of clubs playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Luis-Genaro Garcia): The Dystopian version of the Los Angeles Teacher Strike is shown through a student made drawing that was created during the strike. This was organic evidence of how students that attended school really felt during the strike. This drawing, a message that four students clearly state, "Our time was being wasted," shows the frustration of students because they had nothing to do and therefore drew upon their learning to express their frustration despite them being in school. Through this statement I also want to recognize my own privledige in taking this image that students created to make this serigraph. For that reason, I identify each student as the creators of this image and its included content. A picture of myself, their teacher, and the features that they use to identify me, glasses, a scruffy beard, and a receding hair line; all acts of love to capture my essence. Additionally, images of palm trees, classic cars, and streets, which I often reference in class as part of their communal and cultural identity. The background that is shown as an elementary level writing paper also references the lack of resources in our classrooms to show how students often use inadequate materials to complete, create, and reflect their conditions. Details that districts or educator don't often pay attention to when it comes to students and their trajectories.
DOI: 10.25549/selfhelp-ouc16955694
title: Silentium non Custodiat, 2019

description: Serigraph print of queen of clubs with hand covering her mouth. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Ada Pullini Brown): The Queen of Clubs with a hand covering her mouth, text - Silentium non Custodiat - translation: silence will not protect you.
DOI: 10.6084/m9.figshare.9723257
title: Additional file 2: of WTAP facilitates progression of hepatocellular carcinoma via m6A-HuR-dependent epigenetic silencing of ETS1

description: Table S2. Antibodies used in this work. (XLSX 9 kb)
DOI: 10.25549/selfhelp-ouc16955690
title: Huaraches, 2019

description: Serigraph of huaraches surrounded by cross-stitch flowers. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Rogelio Guiterrez): These prints deal with the struggles and sacrifices one has to endure in order to reach a Utopian place. My inspiration for this work is the story of my immigrant parents from Jalisco, Mexico, that left family and friends behind in order to achieve the "American dream." The flowers represented are a collaboration with my mother who cross stitched pillowcases, table cloths, and numerous other goods in order to help her family during her upbringing in Mexico. She continued this practice up until her early 40s.
DOI: 10.6084/m9.figshare.9723257.v1
title: Additional file 2: of WTAP facilitates progression of hepatocellular carcinoma via m6A-HuR-dependent epigenetic silencing of ETS1

description: Table S2. Antibodies used in this work. (XLSX 9 kb)
DOI: 10.6084/m9.figshare.9723260
title: Additional file 3: of WTAP facilitates progression of hepatocellular carcinoma via m6A-HuR-dependent epigenetic silencing of ETS1

description: Table S3. Target sequences of siRNAs or shRNAs used in this work. (XLSX 8 kb)
DOI: 10.6084/m9.figshare.9723260.v1
title: Additional file 3: of WTAP facilitates progression of hepatocellular carcinoma via m6A-HuR-dependent epigenetic silencing of ETS1

description: Table S3. Target sequences of siRNAs or shRNAs used in this work. (XLSX 8 kb)
DOI: 10.25549/selfhelp-ouc16955689
title: Critical Pedagogy (Utopia), 2019

description: Serigraph print of teachers in red on the picket line holding signs. The top left and bottom right corners depict the 10 of diamonds playing card. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Luis-Genaro Garcia): This visual displays a Utopian real-to-life example of how Education can collectively empower students, parents, and educators to take power into their own hands. Referencing the 2019 L.A. Teacher strike, this is what I believe is an empowering education. This is an example of what our educational system is capable of if it were to focus on understanding how our socioeconomic structure can affect communities negatively and positively. If our educational system focused on engaging students in their communities and developing their social consciousness for social transformation, they would reflect what Paulo Freire identified as a Critical Pedagogy; the process of identifying a problem that affects communities and taking collective action (students and educators) against the conditions that oppress students and their communities. This image was inspired by a photograph I took during the teacher strike. A collective of students, parents, and educators from Nava College Prep Academy were on their way back from one of the demonstrations when they stopped on the 1st street bridge to admire the landscape of the L.A. River. It was there that I captured what I believed was the collaborative engagement of what communal learning is. That is, learning that is taking place outside of the classroom, is relevant to the lives of students, and most importantly, being used to create change in their communities.
DOI: 10.25549/selfhelp-ouc16955688
title: Flores y Barras, 2019

description: Serigraph of floral pattern alternating with black bars. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Rogelio Guiterrez): These prints deal with the struggles and sacrifices one has to endure in order to reach a Utopian place. My inspiration for this work is the story of my immigrant parents from Jalisco, Mexico, that left family and friends behind in order to achieve the "American dream." The flowers represented are a collaboration with my mother who cross stitched pillowcases, table cloths, and numerous other goods in order to help her family during her upbringing in Mexico. She continued this practice up until her early 40s.
DOI: 10.25549/selfhelp-ouc16955685
title: Libertad y Derechos Humanos Para Todos, 2019

description: Serigraph interpreting 9 of diamonds playing card. A figure stands in the center holding a flag in one hand that reads "Libertad y Derechos Humanos Para Todos" and the other hand balanced on a tree with birds flying around. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Marianne Sadowski): Color Linocut (3 colors) red, light green, dark green/black
DOI: 10.25549/selfhelp-ouc16955681
title: Follow the Lady, 2019

description: Serigraph of back of 4 of clubs playing card with text that reads: "But he cheated!/It's raining shit./These zombies keep grabbing my crotch." Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Sandra Low): The back of a 4 of clubs playing card has a dialogue with an unseen player who has lost a game of 3-card monty. The stakes are high - it brings about the Apocalypse, which includes a shitting butt- cloud-angel that looks like a certain President, mountain top mining, KKK-hooded roaches, clergy bullet roaches, and crotch-grabbing zombies. The number 4 is considered unlucky in Chinese culture, as it sounds like the word 'death'.
DOI: 10.25549/selfhelp-ouc16955682
title: QD, 2019

description: Serigraph of gold chain link fence pattern with warped, bent areas. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019.
DOI: 10.25549/selfhelp-ouc16955679
title: Dystopia "Line 5," 2019

description: Woodcut print depicting oil pipelins polluting water, with an animal skill floating in a black spade in the center. Printed at Self Help Graphics as part of "Utopia/Dystopia" series, 2019. Artist Statement (Leslie Dolin): Dystopia "Line 5" represents the Enbridge Line 5 oil pipelines that run from Canada through the Straights of Mackinaw. These aging pipelines built in 1953 carry 22.7 million gallons of oil and natural gas per day through one of the most sensitive ecosystems in the world.