cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10356938
title: Fort Warangal, India - Test Bake

description: Fort Warangal, India - Test Bake from Point Cloud only -- #visualart #unesco #digitalheritage

[[ no textures were sampled post dense reconstruction phase  ]]
[[ all point cloud wrangling, mesh texturing and baking done with Houdini and Gamedev Tools (soon to be known as SideFX Labs) ]]
[[ more testing of a semi-automated baking workflow consisting only of Houdini and friends ;P ]]

google maps location:  https://goo.gl/maps/1mpgTpstm2UEobS4A
link to wikipedia sources:  https://en.wikipedia.org/wiki/Warangal_Fort
special thanks to the original signal producer:  Anuj Dhar, published on YouTube on 2019.01.14 at this location:  https://www.youtube.com/watch?v=cYhT8qFlptk

This signal was analyzed by Organic.
Additional data may be found here:
https://www.instagram.com/p/B1UfflvHX_Q/
and here:
https://skfb.ly/6MJED
and maybe here too:
https://www.youtube.com/watch?v=TzSg8sqbq7w

Tools used: youtube-dl, ffmpeg, python, colmap, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356939
title: Fort Warangal, India - Test Bake

description: Fort Warangal, India - Test Bake from Point Cloud only -- #visualart #unesco #digitalheritage

[[ no textures were sampled post dense reconstruction phase  ]]
[[ all point cloud wrangling, mesh texturing and baking done with Houdini and Gamedev Tools (soon to be known as SideFX Labs) ]]
[[ more testing of a semi-automated baking workflow consisting only of Houdini and friends ;P ]]

google maps location:  https://goo.gl/maps/1mpgTpstm2UEobS4A
link to wikipedia sources:  https://en.wikipedia.org/wiki/Warangal_Fort
special thanks to the original signal producer:  Anuj Dhar, published on YouTube on 2019.01.14 at this location:  https://www.youtube.com/watch?v=cYhT8qFlptk

This signal was analyzed by Organic.
Additional data may be found here:
https://www.instagram.com/p/B1UfflvHX_Q/
and here:
https://skfb.ly/6MJED
and maybe here too:
https://www.youtube.com/watch?v=TzSg8sqbq7w

Tools used: youtube-dl, ffmpeg, python, colmap, houdini

https://www.instagram.com/organiccomputer/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356942
title: Remake of my American Diner 3D scene

description: Remaking of my old scene i made a month ago after getting some helpful feedback, Models created in Maya while textures were entirely made within Substance painter 3d

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356943
title: Remake of my American Diner 3D scene

description: Remaking of my old scene i made a month ago after getting some helpful feedback, Models created in Maya while textures were entirely made within Substance painter 3d

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356944
title: Chert Drill

description: A chert drill fragment recovered from a precontact site in Tennessee. The drill was likely originally a projectile point that was retouched as a drill. This artifact is part of a collection curated at the Natural History Society of Maryland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356945
title: Chert Drill

description: A chert drill fragment recovered from a precontact site in Tennessee. The drill was likely originally a projectile point that was retouched as a drill. This artifact is part of a collection curated at the Natural History Society of Maryland.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356947
title: Ferme du Rouvray

description: 1150 shots from Mini2.
Process with Reality Capture.


Cette ferme, sans doute un ancien château fort transformé au cours du 17e siècle, a été très remaniée depuis. De tous les bâtiments qui la composent, seule la porte fortifiée a gardé son caractère. Elle présente un bâtiment carré dont l'accès se fait par un pont à arches en pierre qui a sans doute remplacé un pont levis. Elle donne accès à la cour par un grand porche à arc surbaissé en briques, s'élevant sur la hauteur du rez-de-chaussée et du premier étage, donnant lui-même accès à un autre passage en plein cintre qui mène à la cour. Aux angles sont encore visibles les encorbellements d'anciennes échauguettes.
https://monumentum.fr/ferme-rouvray-pa00097144.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356946
title: Ferme du Rouvray

description: 1150 shots from Mini2.
Process with Reality Capture.


Cette ferme, sans doute un ancien château fort transformé au cours du 17e siècle, a été très remaniée depuis. De tous les bâtiments qui la composent, seule la porte fortifiée a gardé son caractère. Elle présente un bâtiment carré dont l'accès se fait par un pont à arches en pierre qui a sans doute remplacé un pont levis. Elle donne accès à la cour par un grand porche à arc surbaissé en briques, s'élevant sur la hauteur du rez-de-chaussée et du premier étage, donnant lui-même accès à un autre passage en plein cintre qui mène à la cour. Aux angles sont encore visibles les encorbellements d'anciennes échauguettes.
https://monumentum.fr/ferme-rouvray-pa00097144.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356952
title: Mayan Lintal (~ AD 725)

description: Scanned at the British Museum

Plaque Reads:

"On the second lintel from Structure 23 at Yaxchilan, the sacrificial offering of blood conjures up a visionary manifestation of Yat-Balam, founding ancestor of the dynasty of Yaxchilan. In the guise of a warrior grasping a spear and shield, this ancestral spirit emerges from the gaping front jaws of a huge double-headed serpent rearing above Lady Xoc. She gazes upward at the apparition she has brought forth. In her left hand she bears a blood-letting bowl containing instruments of sacrifice, a sting-ray spine and an obsidian lancet."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356953
title: Mayan Lintal (~ AD 725)

description: Scanned at the British Museum

Plaque Reads:

"On the second lintel from Structure 23 at Yaxchilan, the sacrificial offering of blood conjures up a visionary manifestation of Yat-Balam, founding ancestor of the dynasty of Yaxchilan. In the guise of a warrior grasping a spear and shield, this ancestral spirit emerges from the gaping front jaws of a huge double-headed serpent rearing above Lady Xoc. She gazes upward at the apparition she has brought forth. In her left hand she bears a blood-letting bowl containing instruments of sacrifice, a sting-ray spine and an obsidian lancet."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356956
title: Половецкое каменное изваяние

description: Оренбургская область, Кваркенский район. Находка 1992 г. Половецкое каменное изваяние. Средневековье.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356957
title: Половецкое каменное изваяние

description: Оренбургская область, Кваркенский район. Находка 1992 г. Половецкое каменное изваяние. Средневековье.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356961
title: games location

description: Games environment (Orda)

[](https://www.artstation.com/artwork/YaXQbw)

by Madara

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356960
title: games location

description: Games environment (Orda)

[](https://www.artstation.com/artwork/YaXQbw)

by Madara

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356964
title: Hardings Down hillforts, nr Llangenith, Gower

description: a set of three hillforts near small beach village of Llangenith, Gower.Wales. filmed with a POI video using a DJI Mavic drone,click on the numbered annotations for details of the hillforts. if you like this sort of history join out facebook page for more of similar found here https://www.facebook.com/groups/1419169481438389/    . mavic settings were 1080p(60fps) auto white balance, Auto exposure. the POI was about 400 to 500 metres diameter and took about 5 minutes to complete. the jpegs were then extracted at about every 1.25 seconds to give about 250 images. the images were then processed by bentley context capture software.see simples.i appreciate the difference in colours, the sun was dipping in and out of cloud, when i can control that i'll give you a better model, please dont hold your breath waiting for such.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356965
title: Hardings Down hillforts, nr Llangenith, Gower

description: a set of three hillforts near small beach village of Llangenith, Gower.Wales. filmed with a POI video using a DJI Mavic drone,click on the numbered annotations for details of the hillforts. if you like this sort of history join out facebook page for more of similar found here https://www.facebook.com/groups/1419169481438389/    . mavic settings were 1080p(60fps) auto white balance, Auto exposure. the POI was about 400 to 500 metres diameter and took about 5 minutes to complete. the jpegs were then extracted at about every 1.25 seconds to give about 250 images. the images were then processed by bentley context capture software.see simples.i appreciate the difference in colours, the sun was dipping in and out of cloud, when i can control that i'll give you a better model, please dont hold your breath waiting for such.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356966
title: Cabane de la Vieille Selle

description: Cabane de la vieille Selle (1921m) située au coeur du Parc national des Ecrins. En direction du Lac Reyna. 
56 photos - Lumix G80.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356967
title: Cabane de la Vieille Selle

description: Cabane de la vieille Selle (1921m) située au coeur du Parc national des Ecrins. En direction du Lac Reyna. 
56 photos - Lumix G80.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356968
title: "Molon labe" statue of Leonidas and 300 Spartans

description: "Molon Labe" means "come and take it" and was something Leonidas the Great told enemy prior to battle of hot gates. 

Scanned this at Thermopylae in central Greece

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356969
title: "Molon labe" statue of Leonidas and 300 Spartans

description: "Molon Labe" means "come and take it" and was something Leonidas the Great told enemy prior to battle of hot gates. 

Scanned this at Thermopylae in central Greece

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356970
title: Saran, Lac de la Médecinerie, Brique

description: Brique en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/brique-1305-1311-6-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356971
title: Saran, Lac de la Médecinerie, Brique

description: Brique en terre cuite issue de la fouille de l'atelier de potier du Lac de la Médecinerie à Saran (Loiret, France). Pour en savoir plus sur cet objet, visitez le site internet du [Pôle d'Archéologie](https://archeologie.orleans-metropole.fr/brique-1305-1311-6-1)


Réalisé avec un EinScan-SP (Shining 3D). © Pôle d'Archéologie de la ville d'Orléans

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356974
title: Petroglyph G21, Khatm Al Melaha, Kalba, Sharjah

description: Natural  Version with Paint, Petroglyph G21, Khatm Al Melaha, Kalba, Sharjah. Two Oryx and two other animals. likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356975
title: Petroglyph G21, Khatm Al Melaha, Kalba, Sharjah

description: Natural  Version with Paint, Petroglyph G21, Khatm Al Melaha, Kalba, Sharjah. Two Oryx and two other animals. likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356978
title: mesh_Model_8

description: Iglesia Nuestra Señora de Lourdes, 1908, San Juan Puerto Rico.
Antonin Nechodoma
http://humanidades.uprrp.edu/ahpr/?page_id=621
Digitalización por Carlos I Silva, 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356979
title: mesh_Model_8

description: Iglesia Nuestra Señora de Lourdes, 1908, San Juan Puerto Rico.
Antonin Nechodoma
http://humanidades.uprrp.edu/ahpr/?page_id=621
Digitalización por Carlos I Silva, 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356982
title: Biface (20113)

description: A flint biface. Percussion flaked. Tan to grey brown color.

https://stanford.pastperfectonline.com/webobject/E77249F1-C463-4E38-A03F-844099990115

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356983
title: Biface (20113)

description: A flint biface. Percussion flaked. Tan to grey brown color.

https://stanford.pastperfectonline.com/webobject/E77249F1-C463-4E38-A03F-844099990115

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356986
title: Bubalus Bubalis Pelvis L

description: Adult female Bubalus bubalis skeleton in measurable .pdf available for free at:
http://www.iaepan.poznan.pl/iaepan01/index.php/pl/digital-collection

Digital Reference Archaeozoological Collection, 
Institute of Archaeology end Ethnology, Polish Academy of Sciences

3D models made using the photo-scanning technique with Agisoft Metashape software

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356987
title: Bubalus Bubalis Pelvis L

description: Adult female Bubalus bubalis skeleton in measurable .pdf available for free at:
http://www.iaepan.poznan.pl/iaepan01/index.php/pl/digital-collection

Digital Reference Archaeozoological Collection, 
Institute of Archaeology end Ethnology, Polish Academy of Sciences

3D models made using the photo-scanning technique with Agisoft Metashape software

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356990
title: Hillsboro Simple Stamped Jar Rim (2464p4784-3)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 128.4 mm; width, 111.4 mm; thickness, 8.6 mm.

Notes: Catalog no. 2464p4784 (specimen 3), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356991
title: Hillsboro Simple Stamped Jar Rim (2464p4784-3)

description: **Hillsboro Simple Stamped jar rim**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 128.4 mm; width, 111.4 mm; thickness, 8.6 mm.

Notes: Catalog no. 2464p4784 (specimen 3), North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356992
title: Ромоданское городище II. Закамье РТ

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356993
title: Ромоданское городище II. Закамье РТ

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356994
title: Galvanometer

description: The galvanometer was designed to measure weak direct currents. The measuring element was a movable magnetic needle suspended on a quartz thread between two fixed coils. In order to protect the measuring system against the Earth's magnetic field, armor in the form of a soft iron sphere was used.

1907, Germany

Jagiellonian University Museum Collegium Maius

Inventory number: 4360; 360/V

https://muzea.malopolska.pl/en/objects-list/2772

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356995
title: Galvanometer

description: The galvanometer was designed to measure weak direct currents. The measuring element was a movable magnetic needle suspended on a quartz thread between two fixed coils. In order to protect the measuring system against the Earth's magnetic field, armor in the form of a soft iron sphere was used.

1907, Germany

Jagiellonian University Museum Collegium Maius

Inventory number: 4360; 360/V

https://muzea.malopolska.pl/en/objects-list/2772

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356996
title: Cypraecassis rufa (Linnaeus, 1758)

description: Concha de Cypraecassis rufa (Linnaeus, 1758). Ejemplar del Área de Zoología de Invertebrados del MNHN.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356997
title: Cypraecassis rufa (Linnaeus, 1758)

description: Concha de Cypraecassis rufa (Linnaeus, 1758). Ejemplar del Área de Zoología de Invertebrados del MNHN.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356999
title: 1 Euro Coin

description: One Euro Coin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10356998
title: 1 Euro Coin

description: One Euro Coin

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357002
title: San Gennaro Catacomb Fresco, Napoli (27)

description: The arched niche (arcosolium) for at least 2 burials is located in a corridor in the upper level of the Catacombs of San Gennaro (Naples). The Catacombs itself were used for burials from the 2nd century AD to the middle ages. The paintings are in a poor conservation status: A red frame system divides the surface in geometrical motives, in which different objects are placed such as dolphins, vessels, and in the center of the arc a bust (?), and on the back wall a horse. 

Processed from 255 photos. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357003
title: San Gennaro Catacomb Fresco, Napoli (27)

description: The arched niche (arcosolium) for at least 2 burials is located in a corridor in the upper level of the Catacombs of San Gennaro (Naples). The Catacombs itself were used for burials from the 2nd century AD to the middle ages. The paintings are in a poor conservation status: A red frame system divides the surface in geometrical motives, in which different objects are placed such as dolphins, vessels, and in the center of the arc a bust (?), and on the back wall a horse. 

Processed from 255 photos. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357004
title: Monumento al Cofrade - ZARAGOZA

description: Autor:  Manuel Arcón
Año:     4 de abril de 2009
Localización:  Plaza del Justicia
Materiales:  Bronce (figuras)  Arenisca (pedestal)

La obra se ubica en la Plaza del Justicia a la derecha de la Fuente de la Samaritana, sita en el mismo lugar. Las dos figuras que la componen representan a un padre y a su hijo que se dirigen a la Iglesia de San Cayetano para participar en una procesión. Ambos van ataviados con túnica y tambor sin que se aprecie distintivo singular de ninguna de las 24  cofradías. La escultura-monumento pretende rendir un homenaje a los 15.000 cofrades de Zaragoza y ser un recuerdo permanente de la Semana Santa de la ciudad.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357005
title: Monumento al Cofrade - ZARAGOZA

description: Autor:  Manuel Arcón
Año:     4 de abril de 2009
Localización:  Plaza del Justicia
Materiales:  Bronce (figuras)  Arenisca (pedestal)

La obra se ubica en la Plaza del Justicia a la derecha de la Fuente de la Samaritana, sita en el mismo lugar. Las dos figuras que la componen representan a un padre y a su hijo que se dirigen a la Iglesia de San Cayetano para participar en una procesión. Ambos van ataviados con túnica y tambor sin que se aprecie distintivo singular de ninguna de las 24  cofradías. La escultura-monumento pretende rendir un homenaje a los 15.000 cofrades de Zaragoza y ser un recuerdo permanente de la Semana Santa de la ciudad.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357006
title: Figura femenina incaica

description: Esta figura ritual es similar a la depositada como ofrenda para el niño del cerro El Plomo, pero es de mayor tamaño y complejidad. Su parte superior es de aleación de oro y la inferior de aleación de plata. Sus ojos son de *spondylus*, un molusco de color naranjo muy preciado para los Incas. Proviene del Perú. Si bien no se conoce con claridad el contexto exacto de procedencia de esta figura, es muy posible que haya sido despositada como ofrenda en una "huaca" o lugar sagrado como símbolo religioso imperial.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357007
title: Figura femenina incaica

description: Esta figura ritual es similar a la depositada como ofrenda para el niño del cerro El Plomo, pero es de mayor tamaño y complejidad. Su parte superior es de aleación de oro y la inferior de aleación de plata. Sus ojos son de *spondylus*, un molusco de color naranjo muy preciado para los Incas. Proviene del Perú. Si bien no se conoce con claridad el contexto exacto de procedencia de esta figura, es muy posible que haya sido despositada como ofrenda en una "huaca" o lugar sagrado como símbolo religioso imperial.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357009
title: Jason

description: Statue of the Greek heroic figure Jason in the park of Schönbrunn Palace. In Greek mythology, Jason was the son of Aison. He is best known as the leader of the Argonauts, who traveled to the Caucasus in search of the Golden Fleece. Jason holds the conquered ram's skin in his hands, at his feet the conquered dragon. The sculpture was created under the direction of Johann Wilhelm Beyer around the year 1777 and is made of Sterzinger marble.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357010
title: Jason

description: Statue of the Greek heroic figure Jason in the park of Schönbrunn Palace. In Greek mythology, Jason was the son of Aison. He is best known as the leader of the Argonauts, who traveled to the Caucasus in search of the Golden Fleece. Jason holds the conquered ram's skin in his hands, at his feet the conquered dragon. The sculpture was created under the direction of Johann Wilhelm Beyer around the year 1777 and is made of Sterzinger marble.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357013
title: Tête Capitole Rome

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357014
title: Tête Capitole Rome

description: Source: Objaverse 1.0 / Sketchfab