cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10358857
title: Carisbrooke Castle LiDAR, Isle of Wight

description: The earliest fortification on this site was a Saxon burh (fortified settlement) from c. 1000 which consisted of a rectangular earthen banked enclosure with a later stone facing.  This was modified into a Motte & Bailey castle c. 1100-1135 under Henry I. 

In the 13th century Countess Isabella de Fortibus modified the stone castle defences into the form we see today adding a  great hall with a chamber and chapel at either end and courtyard buildings. 

Elizabeth I appointed George Carey as Captain of the island in 1583. He modified the courtyard buildings again and added a new range to the great hall. Due to the potential for Spanish invasion Carey converted the outer defences into a modern artillery fort between 1587 and 1602 with the addition of 5 angular bastions and other smaller alterations. 

During the Civil War the castle was in the hands of Parliament and became a prison for Royalists including King Charles I 1647-8.

LiDAR data from Environment Agency Geomatics 

Model created with Planlauf TERRAIN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358856
title: Carisbrooke Castle LiDAR, Isle of Wight

description: The earliest fortification on this site was a Saxon burh (fortified settlement) from c. 1000 which consisted of a rectangular earthen banked enclosure with a later stone facing.  This was modified into a Motte & Bailey castle c. 1100-1135 under Henry I. 

In the 13th century Countess Isabella de Fortibus modified the stone castle defences into the form we see today adding a  great hall with a chamber and chapel at either end and courtyard buildings. 

Elizabeth I appointed George Carey as Captain of the island in 1583. He modified the courtyard buildings again and added a new range to the great hall. Due to the potential for Spanish invasion Carey converted the outer defences into a modern artillery fort between 1587 and 1602 with the addition of 5 angular bastions and other smaller alterations. 

During the Civil War the castle was in the hands of Parliament and became a prison for Royalists including King Charles I 1647-8.

LiDAR data from Environment Agency Geomatics 

Model created with Planlauf TERRAIN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358860
title: Garage table old 2

description: An old garage table used for crafting things on it. Made of metal, rusty on edges and has marks of paintjobs performed on top of it. Down section has an old oil leakage mark, probably left by a damaged oil can. A drawer has some soviet union alcohol labels pasted on.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358859
title: Garage table old 2

description: An old garage table used for crafting things on it. Made of metal, rusty on edges and has marks of paintjobs performed on top of it. Down section has an old oil leakage mark, probably left by a damaged oil can. A drawer has some soviet union alcohol labels pasted on.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358863
title: Stèle à Aristide Maillol

description: Stèle à Aristide Maillol, né le 8 décembre 1861 à Banyuls-sur-Mer, décédé le 27 septembre 19441 à Banyuls-Sur Mer.  Il fut l'un des sculpteurs les plus célèbres de son temps. Son œuvre représente une véritable révolution artistique, anticipant l'abstraction. La stèle, d'environ 1.70m de hauteur, est située en front de mer, avenue Pierre Fabre à Banyuls-Sur-Mer (Pyrénées Orientales - France). Elle préside à une exposition de quelques des oeuvres de l'artiste, à découvrir en se promenant tout le long du front de mer. Photogrammétrie réalisée à partir de photos faites avec un portable Galaxy de Samsung

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358864
title: Stèle à Aristide Maillol

description: Stèle à Aristide Maillol, né le 8 décembre 1861 à Banyuls-sur-Mer, décédé le 27 septembre 19441 à Banyuls-Sur Mer.  Il fut l'un des sculpteurs les plus célèbres de son temps. Son œuvre représente une véritable révolution artistique, anticipant l'abstraction. La stèle, d'environ 1.70m de hauteur, est située en front de mer, avenue Pierre Fabre à Banyuls-Sur-Mer (Pyrénées Orientales - France). Elle préside à une exposition de quelques des oeuvres de l'artiste, à découvrir en se promenant tout le long du front de mer. Photogrammétrie réalisée à partir de photos faites avec un portable Galaxy de Samsung

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358865
title: Distributor belts horse bridle №6

description: Russia, Republic of Bashkortostan, Khaibullin district. Excavations in 2009. Single-mound Yakovlevka-2. Burial №2. Distributor belts horse bridle wheel with eight spokes. Bronze. Casting. Early iron age. Chronology: IV century BC early Sarmatian culture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358866
title: Distributor belts horse bridle №6

description: Russia, Republic of Bashkortostan, Khaibullin district. Excavations in 2009. Single-mound Yakovlevka-2. Burial №2. Distributor belts horse bridle wheel with eight spokes. Bronze. Casting. Early iron age. Chronology: IV century BC early Sarmatian culture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358867
title: Puente Mantible Logroño. Estado en 2021.

description: Ojo dela margen derecha del puente Mantible en Logroño, La Rioja. Situación tras su colapso en 2021. 

Información detallada del proceso de creación y modelos de alta resolución en: https://addi.ehu.es/handle/10810/53516

Así era antes de colapsar: https://skfb.ly/o9YvN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358868
title: Puente Mantible Logroño. Estado en 2021.

description: Ojo dela margen derecha del puente Mantible en Logroño, La Rioja. Situación tras su colapso en 2021. 

Información detallada del proceso de creación y modelos de alta resolución en: https://addi.ehu.es/handle/10810/53516

Así era antes de colapsar: https://skfb.ly/o9YvN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358870
title: Блок советской многоэтижки

description: ПОрылся на диске, а там кучка старых работ, которые тусуються без дела на диске, мб кому-то нужно будет)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358869
title: Блок советской многоэтижки

description: ПОрылся на диске, а там кучка старых работ, которые тусуються без дела на диске, мб кому-то нужно будет)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358872
title: Retaule de Santa Maria la Blanca

description: Monestir de sant Joan de les Abadesses
La imatge gòtica de la Mare de Déu, coneguda amb el nom de Santa Maria la Blanca, presideix el retaule; a banda i banda, dos cossos despleguen el cicle narratiu de la infantesa de Jesús format per dotze relleus que representen l'anunciació, la visitació de la Verge a santa Elisabet, el naixement de Jesús a Betlem, l'anunci del naixement de Jesús als pastors, l'adoració dels Reis Mags, l'avís en somnis a Josep de marxar a Egipte, Herodes ordenant la mort dels innocents, la matança dels innocents, la presentació de Jesús al temple, la fugida de la Sagrada Família a Egipte.
A la peanya de la Verge s'hi observa l'escut d'armes del comitent de l'obra, el sagristà Ramon de Palol.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358871
title: Retaule de Santa Maria la Blanca

description: Monestir de sant Joan de les Abadesses
La imatge gòtica de la Mare de Déu, coneguda amb el nom de Santa Maria la Blanca, presideix el retaule; a banda i banda, dos cossos despleguen el cicle narratiu de la infantesa de Jesús format per dotze relleus que representen l'anunciació, la visitació de la Verge a santa Elisabet, el naixement de Jesús a Betlem, l'anunci del naixement de Jesús als pastors, l'adoració dels Reis Mags, l'avís en somnis a Josep de marxar a Egipte, Herodes ordenant la mort dels innocents, la matança dels innocents, la presentació de Jesús al temple, la fugida de la Sagrada Família a Egipte.
A la peanya de la Verge s'hi observa l'escut d'armes del comitent de l'obra, el sagristà Ramon de Palol.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358875
title: Östra Eneby 23 1 Ekenberg Procession

description: Laserscan of a part of the panel at Ekenberg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358876
title: Östra Eneby 23 1 Ekenberg Procession

description: Laserscan of a part of the panel at Ekenberg

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358877
title: The Parade Shield of King Erik XIV of Sweden

description: The [shield](https://goo.gl/mur2Uz) is part of a [suit of armour](https://goo.gl/HiWXTM) that was delivered to the [King](https://goo.gl/9fGJux) in 1562. The whole set was problably made in [Arboga](https://goo.gl/SgXxA1) and then sent to [Antwerp](https://goo.gl/nQdMm8) where it was decorated by the goldsmith Eliseus Libaerts, following drawings by the French artist [Etienne Delaune](https://goo.gl/QqLbuv). To create the relief decor the steel has been [chased](https://goo.gl/FzoAbd), [embossed](https://goo.gl/i8gDzz), [etched](https://goo.gl/mKJri6) and [gilded](https://goo.gl/XSUdps). The motif is inspired by tales from antiquity and depicts [amazons](https://goo.gl/nqvY1j) fighting male warriors. It is probably a battle scene from the [Trojan war](https://goo.gl/LXsTkq). According to the myth the amazons supported [King Priam of Troy](https://goo.gl/QBjvTe) in the war but also lost their queen [Penthesileia](https://goo.gl/YvCSFg) when she was killed by [Achilles](https://goo.gl/TVPqit).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358878
title: The Parade Shield of King Erik XIV of Sweden

description: The [shield](https://goo.gl/mur2Uz) is part of a [suit of armour](https://goo.gl/HiWXTM) that was delivered to the [King](https://goo.gl/9fGJux) in 1562. The whole set was problably made in [Arboga](https://goo.gl/SgXxA1) and then sent to [Antwerp](https://goo.gl/nQdMm8) where it was decorated by the goldsmith Eliseus Libaerts, following drawings by the French artist [Etienne Delaune](https://goo.gl/QqLbuv). To create the relief decor the steel has been [chased](https://goo.gl/FzoAbd), [embossed](https://goo.gl/i8gDzz), [etched](https://goo.gl/mKJri6) and [gilded](https://goo.gl/XSUdps). The motif is inspired by tales from antiquity and depicts [amazons](https://goo.gl/nqvY1j) fighting male warriors. It is probably a battle scene from the [Trojan war](https://goo.gl/LXsTkq). According to the myth the amazons supported [King Priam of Troy](https://goo.gl/QBjvTe) in the war but also lost their queen [Penthesileia](https://goo.gl/YvCSFg) when she was killed by [Achilles](https://goo.gl/TVPqit).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358881
title: Khnopff House

description: Khnopff House (1900), made by Gerhard Stocker (Vienne), wood. Royal Museum of Fine Art of Belgium. Made of 500 pictures with Zephyr3D Lite 3DFlow.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358882
title: Khnopff House

description: Khnopff House (1900), made by Gerhard Stocker (Vienne), wood. Royal Museum of Fine Art of Belgium. Made of 500 pictures with Zephyr3D Lite 3DFlow.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358883
title: Portada Exterior Sur

description: Portada exterior sur de la Lonja de Valencia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358884
title: Portada Exterior Sur

description: Portada exterior sur de la Lonja de Valencia

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358888
title: Baptismal_font

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358887
title: Baptismal_font

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358889
title: Lapida RN 3362

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358890
title: Lapida RN 3362

description: Material: Litico

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358891
title: Hopeakolikko, silver coin RKHY01RR:243

description: M. Volteiuksen lyöttämä hopeadenaari. Kolikon etupuolella kuvattuna viinin, hedelmällisyyden ja vapauden jumala Liber. Takapuolella kahden käärmeen vetämissä vaunuissa Ceres, maanviljelyn hedelmällisyyden ja äitiyden jumalatar. Alla osa Volteiuksen tunnuksesta "M. VOLTEI. M.F". Rooman valtakunta, noin 78 eaa.

Silver denarius from the time of the moneyer M. Volteius. Obverse side: Liber, the God of wine, fertility and freedom. Reverse side: Ceres, the Goddess of agriculture, fertility and motherhood, in a chariot drawn by two snakes. Underneath a part of Volteius full inscription "M. VOLTEI. M.F". Ancient Rome, circa 78 BCE.

3D-digitoitu osana Kotona kulttuurissa -tutkimushanketta 2020-2021, käyttäen digitaalista fotogrammetriaa. 3D-digitointia on yksinkertaistettu katselukokemuksen sujuvoittamiseksi. 

3D digitized as part of the Making Home Abroad research project 2020-2021, using digital photogrammetry. The 3D digitization is simplified to ensure a smooth online visualization.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358892
title: Hopeakolikko, silver coin RKHY01RR:243

description: M. Volteiuksen lyöttämä hopeadenaari. Kolikon etupuolella kuvattuna viinin, hedelmällisyyden ja vapauden jumala Liber. Takapuolella kahden käärmeen vetämissä vaunuissa Ceres, maanviljelyn hedelmällisyyden ja äitiyden jumalatar. Alla osa Volteiuksen tunnuksesta "M. VOLTEI. M.F". Rooman valtakunta, noin 78 eaa.

Silver denarius from the time of the moneyer M. Volteius. Obverse side: Liber, the God of wine, fertility and freedom. Reverse side: Ceres, the Goddess of agriculture, fertility and motherhood, in a chariot drawn by two snakes. Underneath a part of Volteius full inscription "M. VOLTEI. M.F". Ancient Rome, circa 78 BCE.

3D-digitoitu osana Kotona kulttuurissa -tutkimushanketta 2020-2021, käyttäen digitaalista fotogrammetriaa. 3D-digitointia on yksinkertaistettu katselukokemuksen sujuvoittamiseksi. 

3D digitized as part of the Making Home Abroad research project 2020-2021, using digital photogrammetry. The 3D digitization is simplified to ensure a smooth online visualization.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358893
title: Magnus Eriksson

description: Hólavallagarður Cemetery, Reykjavik
Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358894
title: Magnus Eriksson

description: Hólavallagarður Cemetery, Reykjavik
Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358895
title: ROMAN OIL LAMP ACTOR MASK - TARRACO

description: Roman oil lamp from the site of Tarraco (Tarragona, Spain). Roman oil lamp with a representation of an actor´s bust with a mask

**This 3D Model it's a Optimized model (Triangles: 50.8k) from original (Triangles: 818.1k)**

3D Model Original : https://skfb.ly/6QWVo (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358896
title: ROMAN OIL LAMP ACTOR MASK - TARRACO

description: Roman oil lamp from the site of Tarraco (Tarragona, Spain). Roman oil lamp with a representation of an actor´s bust with a mask

**This 3D Model it's a Optimized model (Triangles: 50.8k) from original (Triangles: 818.1k)**

3D Model Original : https://skfb.ly/6QWVo (Global Digital Heritage)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358897
title: St Bartholomew The Great Cairn

description: A small pile of stones next to St Bartholomew The Great, Smithfield, London.

These stones look like they have been found in the vicinity and cemented together to preserve them. They are located in the area that would have been the cloister of the abbey before it was demolished.

145 photos taken in February 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358898
title: St Bartholomew The Great Cairn

description: A small pile of stones next to St Bartholomew The Great, Smithfield, London.

These stones look like they have been found in the vicinity and cemented together to preserve them. They are located in the area that would have been the cloister of the abbey before it was demolished.

145 photos taken in February 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358899
title: Tube gramophone

description: ID no.:  UMGN/9998/6

https://muzea.malopolska.pl/en/objects-list/642

Museum: The Museum of Niepołomice — the Niepołomice Royal Castle 

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358900
title: Tube gramophone

description: ID no.:  UMGN/9998/6

https://muzea.malopolska.pl/en/objects-list/642

Museum: The Museum of Niepołomice — the Niepołomice Royal Castle 

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358901
title: Gegraveerd glas Spui, V96.1

description: Het was gebruikelijk om in gezelschap een heildronk uit te brengen op de stadhouder waarbij in dit geval speciale glazen werden gebruikt. Daarbij werd in dit geval geroepen: 'Vive La Branche d'Orange'. Vertaald : leve de tak van de Oranjes. De tak verwijst naar Maurits, zoon van de vermoorde Willem van Oranje. Ook de oranjeappels (sinaasappels) zijn afgebeeld. Deze glazen zijn gegraveerd door een Oranjegezind persoon in het begin van de 17de-eeuw die op de stam van een van de glazen een mannen- en vrouwenkopje heeft gegraveerd, een unicum. Afmetingen: 5,8 cm hoog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358902
title: Gegraveerd glas Spui, V96.1

description: Het was gebruikelijk om in gezelschap een heildronk uit te brengen op de stadhouder waarbij in dit geval speciale glazen werden gebruikt. Daarbij werd in dit geval geroepen: 'Vive La Branche d'Orange'. Vertaald : leve de tak van de Oranjes. De tak verwijst naar Maurits, zoon van de vermoorde Willem van Oranje. Ook de oranjeappels (sinaasappels) zijn afgebeeld. Deze glazen zijn gegraveerd door een Oranjegezind persoon in het begin van de 17de-eeuw die op de stam van een van de glazen een mannen- en vrouwenkopje heeft gegraveerd, een unicum. Afmetingen: 5,8 cm hoog.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358903
title: Wooden Table

description: Medieval Wooden Table.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358904
title: Wooden Table

description: Medieval Wooden Table.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358905
title: Moria Pillars Destroyed

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358906
title: Moria Pillars Destroyed

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358907
title: Commemorative inkwell

description: he inkwell is made of purple blown glass, coloured with the use of nickel oxide or manganese oxide. It has the shape of a short cuboid with a square base and bevelled corners. The neck of the vessel is short, round and enclosed by an annular fitting of thin gold sheet with an engraved inscription, reading: "May 3, 1791, Count Stanisław Nałęcz Małachowski".

On the interior walls of the case, two brass plates with engraved inscriptions were attached, which read: "The Constitution of the Third of May | was signed | using the ink from this inkwell" and "It belonged to Marshal | Małachowski, and later to his nephew Onufry | It was taken over by the Tarnowski family | after his and his wife's, née Tarnowska, death".

Time and place of creation: late 18th century, Poland

Jagiellonian University Museum Collegium Maius

Inventory number: 6292; 4215/IV

https://muzea.malopolska.pl/en/objects-list/2842

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358908
title: Commemorative inkwell

description: he inkwell is made of purple blown glass, coloured with the use of nickel oxide or manganese oxide. It has the shape of a short cuboid with a square base and bevelled corners. The neck of the vessel is short, round and enclosed by an annular fitting of thin gold sheet with an engraved inscription, reading: "May 3, 1791, Count Stanisław Nałęcz Małachowski".

On the interior walls of the case, two brass plates with engraved inscriptions were attached, which read: "The Constitution of the Third of May | was signed | using the ink from this inkwell" and "It belonged to Marshal | Małachowski, and later to his nephew Onufry | It was taken over by the Tarnowski family | after his and his wife's, née Tarnowska, death".

Time and place of creation: late 18th century, Poland

Jagiellonian University Museum Collegium Maius

Inventory number: 6292; 4215/IV

https://muzea.malopolska.pl/en/objects-list/2842

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358909
title: Bone Toothbrush (CUDAP_6_20_Part A)

description: Bone toothbrush (Part A). Handle (Part B) can be found here:https://sketchfab.com/3d-models/bone-toothbrush-cudap-6-20-part-b-0cdbe7dd538d431189315859dcacb6c5. Recovered in SCHEP investigations at Granger House (https://sketchfab.com/CUDAP/collections/schep-granger-house). Town of Castleton, Rutland County, Vermont. Scanned at Castleton University with an Artec Space Spider 3D scanner. Fully textured model. Suggested citation:TBA. Additional data: TBA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358910
title: Bone Toothbrush (CUDAP_6_20_Part A)

description: Bone toothbrush (Part A). Handle (Part B) can be found here:https://sketchfab.com/3d-models/bone-toothbrush-cudap-6-20-part-b-0cdbe7dd538d431189315859dcacb6c5. Recovered in SCHEP investigations at Granger House (https://sketchfab.com/CUDAP/collections/schep-granger-house). Town of Castleton, Rutland County, Vermont. Scanned at Castleton University with an Artec Space Spider 3D scanner. Fully textured model. Suggested citation:TBA. Additional data: TBA.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358911
title: Decimated Lunge Man

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358912
title: Decimated Lunge Man

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358913
title: FR002, Paleoindian, Clovis or fluted points

description: Clovis or Fluted Points

Paleoindian

Catalog #: FR 3/6 FRHS-P001

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR002, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358914
title: FR002, Paleoindian, Clovis or fluted points

description: Clovis or Fluted Points

Paleoindian

Catalog #: FR 3/6 FRHS-P001

Uploaded by Carson Wright

Suggested Data Citation: Thompson, Christine, Erin Powers, Carson Wright, and Kevin C. Nolan, 2021. FRHS_FR002, 3D Model .ply file.  Digital Exhibit of Fort Recovery Historical Society's Precontact Collection, Fort Recovery Historical Society and Applied Anthropology Laboratories, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10358918
title: Wilder Mann - Geyrischer Wald (Zwönitz/ Geyer)

description: Wilder Mann ist eigentlich seit 1600 die Bezeichnung für ein Flurstück im Geyrischen Wald. Die Bezeichnung stammt aus dem Bergbau und galt für Fundorte, die wegen großen Wassereinbruchs oder anderer Naturhindernisse nicht weiter abgebaut werden konnten. Die erste Figur des Wilden Mann entstand etwa 1850. Waldarbeiter versahen einen Baumstamm mit einem groben Mannskopf, der sich etwa 30 Jahre hielt. Danach wurde die Gestalt vom Schnitz- und Grippenverein in Geyer immer wieder erneuert. Heute steht bereits die 7. Figur an dieser Stelle und ist ca 2,50m hoch. Jährlich am Pfingstsonntag zieht der bärtige Alte Hunderte Spaziergänger an. Die Gestaltung und Wartung des Wilden Mannes obliegt den Mitgliedern des Schnitzerheims in Geyer."

https://www.haus-feig.de/wilder-mann/

Source: Objaverse 1.0 / Sketchfab