cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dancestry-c105-168
title: Moondrunk – New Victory Theater – 1/16/99

description: A chamber music and dance theater collaboration with Arnold Schoenberg's Pierrot lunaire as its musical centerpiece. Conceived and created by Da Camera Artistic Director Sarah Rothenberg and staged by acclaimed performance artist/choreographer John Kelly, Moondrunk combines chamber music with dance, a shadow play and other theatrical elements., , This performance was at the New Victory Theater in NYC, NY on January 16, 1999.
DOI: 10.25549/dancestry-c105-118
title: Rashomon Variations

description: Choreographer: Deborah Slater, Location: Laney College, Date: 6/17/1987
DOI: 10.25549/dancestry-c105-470
title: Ze'eva Cohen and Dancers at BCBC: Ode, Preludes, Walkman Variations [one of three movements]

description: Three pieces performed at Brooklyn Center for the Performing Arts by Ze'eva Cohen and Dancers, January 9 and 10, 1988
DOI: 10.25549/dancestry-c105-33
title: Duke Ellington School of the Arts Tap Performance June 26, 1999

description: Tappers with Attitude performance by students from the Duke Ellington School of the Arts. Performance recorded June 26, 1999. Video has some post production work., , Featured performances:, "Overture: Strollin'" (1993) - Yvonne Edwards, "Hoofers on the Corner" (1997) - Noble Potts, "Comfort Zone" (1997) - Jennifer Moore, "Lon's Gone/An Elegy" (1995/1998) - Josh Hilberman, "Mr. Bojangles" (1999) - LeeAnet Noble, "A Cappella Suite" (1997, 1998, 1995) - Lane Alexander, Step Afrika!, Josh Hilberman, "Roots" (1998) - Baakari Wilder, A Capella, "Dance to the Music" (1999) - LeeAnet Noble, "Night and Day" (1996) - Lane Alexander, "Hoofin' with Hendrix" (1999) - Byron Chen, "No Doubt" (1998) - Shauna Barker, "Memphis Stomp" (1995) - Gene Medler, "Solo" (1999) Noble Potts, "C-Jam Blues" (1995) - Barbara Duffy, "Tha Boys" (1999) - Michael Wooden, "All Blues/Tacit/Latin" (1985-1993) - Brenda Bufalino, "Finale"
DOI: 10.25549/dancestry-c105-62
title: Divertisment Pieces

description: A collection of dance pieces. In order of appearance:, "Hands from Imago" - edited version, "Girls Trio from Vaudeville of the Elements" - edited, "Castings" - edited, "Guiganol Trio" - different score, "Novmenon" - speeded-up, "Temple" - edited, Shot Feb. 13 & 14 in Murray's studio before the NBC filming., , Lynn's "Sanctum Solo" & "Sanctum Sextette" recorded 3/21/80, , B&W, sound
DOI: 10.25549/dancestry-c105-49
title: Orpheus - Australian Ballet - 1987

description: A dance work choreographed by Glen Tetley and performed in dress rehearsal by the Australian Ballet company in Melbourne, 1987.
DOI: 10.25549/dancestry-c105-397
title: Cantos - Alwin Nikolais - 1957

description: Alwin Nikolais' "Cantos" performance originally recorded in 1957 at the Henry Street Playhouse., , Original music entitled:, Of Energy, Of a Flower, of Things Wary, of Frivolous Things, Of Night, Of Two Not Together, Of Two Things Flowering
DOI: 10.25549/dancestry-c105-424
title: Ze'eva Cohen and Dancers: Walkman Variations; Ze'eva Cohen and Dancers: Ariadne; Ze'eva Cohen and Dancers: Quartet

description: Riverside Dance Festival, November 1985, , Walkman Variations, Ariadne, Qaurtet
DOI: 10.25549/dancestry-c105-270
title: Cocteau Variations, Aftermath Crash, Aliens, Caught With Knife - Kennedy Center, September 8, 2002
DOI: 10.25549/dancestry-c105-210
title: Elbow Room: Douglas Dunn & Dancers

description: Douglas Dunn & Dancers perform "Elbow Room" at the Joyce Theater, New York, New York, May 26, 1984.
DOI: 10.25549/dancestry-c105-52
title: Solos 1

description: Solos 1, 1. Open Dance from "Deja Vu" (1976) 2:20, 2. First Solo from "Index..." (1973) 3:48, 3. Fourth Solo from "Chimera" (1966) 3:19, 4. Solo from "Junk Dances" (1964) 2:24, 5. Antechamber (1953) 4:33, 6. The Chair from "Deja Vu" (1976) 3:24, 7. Belonging To The Moon (1955) 4:48, Credits 0:15, , Belonging TO
DOI: 10.25549/dancestry-c105-461
title: Offering I & II

description: Performed by the North Carolina Dance Theater in Salem, North Carolina, 10/13/83.
DOI: 10.25549/dancestry-c105-64
title: Millenium Loop | Joyce Theater 10/29/98 | Wide Camera | 2 of 2

description: Millenium Loop | Joyce Theater 10/29/98 | Wide Camera | 2 of 2
DOI: 10.25549/dancestry-c105-260
title: Somebody Scream, Cocteau Variations, Aftermath Crash

description: This tape contains the following three performances:, , "Somebody Scream" performed at Dance Place in Washington, DC, April 14, 2002 with Jonathan "Majestic" Laine, , "Cocteau Variations" performed at the Kennedy Center with Julia Smith, , "Aftermath Crash" with Cynthia McLaughlin, Grisell Suhy, Karen Williamson, Valerie Mascari and music by Alloy Orchestra
DOI: 10.25549/dancestry-c105-204
title: Coquina: Douglas Dunn & Dancers

description: Douglas Dunn & Dancers perform "Coquina" at the Joyce Theatre, New York City, New York. Recording date May 26, 1984.
DOI: 10.25549/dancestry-c105-150
title: What do you make of a life that won't go away
DOI: 10.25549/dancestry-c105-155
title: Ricercare

description: Ricercare (1966). February 17, 2011. 50 Years Stuttgart Ballet.
DOI: 10.25549/dancestry-c105-443
title: I Never Saw Another Butterfly/Sharing of the Water

description: Princeton University Dance Program 12/15/02
DOI: 10.25549/dancestry-c105-262
title: Tappers with Attitude Performance March 12, 1995

description: Tappers with Attitude youth performance recorded March 12, 1995.
DOI: 10.25549/dancestry-c105-430
title: Sarah and Rebecca from 'Mother's of Israel', Rehearsal and Coaching of Style by Margalit Oved (Solo for Ze'eva Cohen)

description: originally from Super 8 Film with no sound, transferred to DVD in the 2000's,
DOI: 10.25549/dancestry-c105-393
title: Deja Vu: A Suite in Five Parts - Murray Louis - November 21, 1982

description: Solo performance of "Deja Vu: A Suite in Five Parts" choreographed and executed by Murray Louis on November 21, 1982 at the Joyce Theatre, New York, New York.
DOI: 10.25549/dancestry-c105-276
title: Floor Pods-Robot - Boris Willis Moves
DOI: 10.25549/dancestry-c105-106
title: PASSING AS…THE MATHEMATICS OF BEING (excerpts)

description: Choreographer: Deborah Slater
DOI: 10.25549/dancestry-c105-421
title: Symbolic Action and Yoga Backbends - 2/14/09

description: A dance work choreographed and performed by Sally Hess on February 14, 2009., , Music:, Artist - Arno, Song - La Vie Est Une Partouze, Album - Live in Brussels
DOI: 10.25549/dancestry-c105-414
title: Reperatory Dance Theater's 'Ariadne'

description: Rose Wagner Performing Arts Center, October 3rd & 4th 2008, Salt Lake City, Utah,
DOI: 10.25549/dancestry-c105-171
title: Two Songs
DOI: 10.25549/dancestry-c105-326
title: Trockadero #3

description: Performance of various works by the Ballets Trockadero de Monte Carlo, including:, Act II of Giselle, staged by Yelena Tchernychova after Perrot and Petipa, Spring Waters, choreography after Assaf Messerer, The Dying Swan, choreography after Michel Fokine, Go For Barocco, choreographed by Peter Anastos, Act II of Swan Lake, staged by Trutti Gasparinetti after Lev Ivanovich Ivanov, Lamentations of Jane Eyre, choreographed by Roy Fialkow after Martha Graham, Pas de Quatre, staged by Trutti Gasparinetti after Anton Dolin, Yes, Virginia, Another Piano Ballet, choreographed by Peter Anastos
DOI: 10.25549/dancestry-c105-345
title: Trockadero

description: Performance of various works by the Ballets Trockadero de Monte Carlo, including:, Pas de Quatre, staged by Trutti Gasparinetti after Anton Dolin, The Dying Swan, choreography after Michel Fokine, Yes, Virginia, Another Piano Ballet, choreographed by Peter Anastos, Les Sylphides, choreographed by Michel Fokine, Raymonda's Wedding, choreography after Marius Petipa, Go For Barocco, choreographed by Peter Anastos
DOI: 10.25549/dancestry-c105-342
title: Trockadero 77-80 #1

description: Compilation tape of performances by the Ballets Trockadero de Monte Carlo between 1977 and 1980. Includes:, Two different performances of Don Quixote, choreography after Marius Petipa and Alexander Gorsky, Le Corsaire, choreography after Vakhtang Chabukiani, Pas de Quatre, staged by Truitti Gasparinetti after Anton Dolin, Raymonda's Wedding, choreography after Marius Petipa
DOI: 10.25549/dancestry-c105-368
title: Country dancing: Nelson NH (2/15/86); Clogging; Tanglefoot; NEFFA (4/86)

description: Tape also include "That's Dancing" and "Susan Jackson, flute recital" that were not digitized
DOI: 10.25549/dancestry-c105-387
title: Square Dance Retrospective (2003) (RPDLW)

description: Ralph Page Weekend, Saturday, January 18, 2003, Durham, New HJampshire, With Tony Parkes & Old New England
DOI: 10.25549/dancestry-c105-363
title: Country dancing: NEFFA 1987; Larry Jennings 60th party (11/13/88)

description: Tape made by Ernie Spence., Tape also includes "Jack & Mil [illegible] (11/88)" that was not digitized., The social gathering/eating part of "Larry Jennings 60th party (11/13/88)" was also not digitized.
DOI: 10.25549/dancestry-c105-434
title: A DTW Founder's Celebration

description: Performed April 5 1997, presented by Dance Theater Workshop and curated by Linda Tarnay., Featuring:, "Negotiations," Ze'eva Cohen with Aleta Hayes, "Abstract Expressionism," Elizabeth Keen (premiere), "Transit," Tina Croll (premiere), "The Secret of the Missing Contact," James Cunningham, "Half Past Kissing Time: A Dance for Jack," Linda Tarnay, "www//alenikoffking.com," Frances Alenikoff and Kenneth King, "Body in Print," Deborah Jowitt
DOI: 10.25549/dancestry-c105-376
title: Dancing Through The Ages (A Retrospective) (2000) (RPDLW)

description: David Millstone with Don Armstrong and Ralph Sweet; Rod Miller, Fiddle/Bob McQuillan, Piano
DOI: 10.25549/dancestry-c105-466
title: 92nd Street Y Presents: Sephardic Songs, Ariadne, Goat Dance, Women and Veils

description: Four choreographic works by Ze'eva Cohen, performed at 92nd Street Y by Ze'eva Cohen and Dancers, 11/6/94
DOI: 10.25549/dancestry-c105-331
title: Fereshta (Angel) - Excerpts and Complete

description: Two performances of Keith Michael's "Fereshta (Angel)" - first an excerpted version performed at Danspace as part of Food For Thought, 2/2/1996; second, a premiere of the full-length version, performed 4/27/1996.
DOI: 10.25549/dancestry-c105-573
title: Goldhuber and Latsky in "I Hate Modern Dance"

description: Performance of Goldhuber and Latsky's "I Hate Modern Dance" at the Joyce Theater, 1/30/2000.
DOI: 10.25549/dancestry-c105-462
title: Danspace Project Presents Sean Curran: Five Points of Articulation

description: Recorded at Danspace Project, St. Mark's Church, NYC, 10/27/95, , Pieces include:, "Previously Titled" (premiere), "Bottom Doubt", "Five Points of Articulation"
DOI: 10.25549/dancestry-c105-569
title: Carcassone, KY - interview with musicians (Sept 1992)

description: Interviews with musicians and country dancers followed by documentation of square dance event in Carcasssonne, Kentucky
DOI: 10.25549/dancestry-c105-750
title: jill sigman/thinkdance: Inside the Choreographic Process

description: This is Inside the Choreographic Process, featuring interviews with Jill Sigman and footage from rehearsals and events at venues in New York and at the Maggie Allesee National Center for Choreography at Florida State University.
DOI: 10.25549/dancestry-c105-37
title: Caught With Knife and other performances by Boris Willis Moves

description: This video contains "Caught With Knife" and other performance by Boris Willis Moves. Additionally, this video contains a dance demonstration conducted by Boris Willis at a school.
DOI: 10.25549/dancestry-c105-181
title: Hitch; Skid – Joyce Theater – 5/24/84

description: Two dance works choreographed by Douglas Dunn and performed by Douglas Dunn & Dancers at the Joyce Theater in NYC, NY on May 24, 1984.
DOI: 10.25549/dancestry-c105-58
title: Lux in Tenebris – Houston Ballet – May 29-30, 1999

description: A dance work choreographed by Glen Tetley and performed by the Houston Ballet on May 29 by Cast B (Barbara Bears, Connor Walsh, Le Yin) and May 30 by Cast A Lauren Anderson, Philip Broomhead, Sean Kelly).
DOI: 10.25549/dancestry-c105-161
title: Sphinx

description: Sphinx (1977). Performed by the Royal Ballet at the Royal Opera House, Covent Garden, 2009., , 2 different camera angles of the same piece - wide & close-up
DOI: 10.25549/dancestry-c105-389
title: Ze'eva Cohen and Dancers: Sephardic Songs; Ze'eva Cohen and Dancers: Rainwood; Ze'eva Cohen and Dancers: Walkman Variations

description: Sephardic Songs (1986) (performed at Joyce Theater, NY, NY, 1987), , Rainwood (1984) (performed at Riverside Dance Festival of the Riverside Church, NY, NY, December 1984) - starts at 18:20, , Walkman Variations (1985) (performed at Riverside Dance Festival of the Riverside Church, NY, NY, November 1985) - starts at 36:26
DOI: 10.25549/dancestry-c105-131
title: Grace Floats, Take This, Beneath the Thin Skin - Bay Area Dance Series

description: Chroregrapher: Deborah Slater., 1989
DOI: 10.25549/dancestry-c105-271
title: Josh Hilberman and Barbara Duffy Lead Tap Class

description: Regular Tappers with Attitude choreographers Barbara Duffy and Josh Hilberman conduct a class at Knock on Wood Studios in 1995.
DOI: 10.25549/dancestry-c105-159
title: Tristan – Paris Opera – 11/13/1974

description: A dance work choreographed by Glen Tetley and performed in dress rehearsal by Rudolph Nureyev and members of the Ballet de l'Opéra de Paris on November 13, 1974. Logo of Opéra de Paris Garnier in upper right corner throughout entire recording.
DOI: 10.25549/dancestry-c105-391
title: The Crystal and the Sphere - Nikolais and Murray Louis Dance - December 1994

description: Nikolais/Louis Foundation for Dance presents Nikolais and Murray Louis Dance in Alwin Nikolais' "The Crystal and the Sphere." Performed at The Sylvia & Danny Kaye Playhouse, New York, New York December 1994.
DOI: 10.6084/m9.figshare.16944181
title: Characterization - bauxite residue

description: Manuscritp published in Mining, Metallurgy & Exploration journal<br>A new step in the Bayer process has been used to recover NaOH and to reduce its content in red mud. After digestion, the residue is separated from the Bayer liquor and goes through press filters, which enables the recovery ofNaOH and decreases the moisture content. It is well known that red mud is one ofthe most important sources ofscandium. For this reason, the goal ofthis workwas to characterize a Brazilian red mud (BRM) for scandium recovery. The sample was collected after the press filter system process. Analysis ofenergy-dispersive X-ray fluorescence (EDXRF), scanning electron microscopy/energy-dispersive X-ray spectrosco- py (SEM/EDS), and X-ray diffraction (XRD) was performed. Microwave digestion using an acid mixture was carried out to determine the concentration ofthe main elements. Fe2O3 represented 40% ofthe BRM, and the Sc concentration was 43 mg/kg. The SiO2 content was 24%,which is the highest value found in the literature, whereas the sodiumconcentration was the lowest. A literature review was carried out to compare results with BRM, as well as the current studies for recovery of scandium by the leaching/ion-exchange process. Scandium recovery using a leaching/ion exchange process may be possible with efficiency higher than 90%. The greatest challenge is the occurrence of silica gel formation during leaching.<br>
DOI: 10.25549/cswa-c34-496
title: Maynard & Ethel Toll interview, 1987

description: Toll, Maynard and Ethel - Audio Oral History Interview - CSWA ❧ Maynard and Ethel Toll - Oral History Interview for the California Social Welfare Archives (CSWA). Interview by Kay Bixby, with Frances Feldman, PhD. Interview Date:8/4/1987. An interview with Maynard and Ehtel Toll as they discuss family and children social welfare organizations and the importance of informed volunteers in the field. ❧ Maynard and Ethell Toll. Interviewed by Kay Bixby, with Frances Lomas Feldman. Date of interview: 8-4-87. Length of interview: 2 hours and 52 minutes. No transcript. 3 casssette tapes, 1 DVD containing interview. ❧ INTERVIEW TOPICS: Discussion of their professional experience as director of family and children social welfare organizations and volunteers in the social work field. ❧ ADDITIONAL MATERIALS: 1. Curriculum Vitae of Maynard Toll. 2. LA Times obituary notice for Ethel Toll.
DOI: 10.6084/m9.figshare.16944181.v2
title: Characterization - bauxite residue

description: Manuscritp published in Mining, Metallurgy & Exploration journal<br>A new step in the Bayer process has been used to recover NaOH and to reduce its content in red mud. After digestion, the residue is separated from the Bayer liquor and goes through press filters, which enables the recovery ofNaOH and decreases the moisture content. It is well known that red mud is one ofthe most important sources ofscandium. For this reason, the goal ofthis workwas to characterize a Brazilian red mud (BRM) for scandium recovery. The sample was collected after the press filter system process. Analysis ofenergy-dispersive X-ray fluorescence (EDXRF), scanning electron microscopy/energy-dispersive X-ray spectrosco- py (SEM/EDS), and X-ray diffraction (XRD) was performed. Microwave digestion using an acid mixture was carried out to determine the concentration ofthe main elements. Fe2O3 represented 40% ofthe BRM, and the Sc concentration was 43 mg/kg. The SiO2 content was 24%,which is the highest value found in the literature, whereas the sodiumconcentration was the lowest. A literature review was carried out to compare results with BRM, as well as the current studies for recovery of scandium by the leaching/ion-exchange process. Scandium recovery using a leaching/ion exchange process may be possible with efficiency higher than 90%. The greatest challenge is the occurrence of silica gel formation during leaching.<br>
DOI: 10.25549/cswa-c34-511
title: 2013 CSWA Awards Reception

description: 2013 CSWA Awards Luncheon. 27th Annual California Social Welfare Archives Awards Reception Luncheon, Galen Center (3400 South Figueroa Street), University of Southern California, Los Angeles, 2013 April 3. Speakers were Esther Gillies, Marleen Wong, Marilyn Flynn, CarolAnn Peterson, Ruth Slaughter, Janlee Wong, James Kelly. ❧ Marleen Wong, clinical professor and associate dean of field education at the USC School of Social Work, was the keynote speaker and was presented the George D. Nickel Award for Outstanding Professional Services by a Social Worker by Dean Marilyn Flynn (40:47). In her presentation "Invisible Wounds: From Columbine to Sandy Hook," (8:56) she emphasized the need for trauma-informed schools -- ones that know how to appropriately and effectively deal with students who have experienced something as horrific as a school shooting to encounters with potentially more subtle effects, such as parental abuse at home or gang activity in a student's neighborhood. ❧ (46:57) Ruth Slaughter, a pioneer in the development of programs and services for victims of domestic violence, won the George D. Nickel Award for Outstanding Contributions to Social Welfare. ❧ (56:03) James Kelly, president of Menlo College and immediate past president of the National Association of Social Workers, received the Frances Lomas Feldman Excellence in Education Award, named after the Archives' late founder who taught social welfare history, policy and administration at the USC School of Social Work for 36 years. Over his decades-long career, Kelly taught social work courses for 20 years and is known as an expert in new educational program development.
DOI: 10.6084/m9.figshare.16944181.v1
title: Chracterization - bauxite residue

description: Manuscritp published in Mining, Metallurgy & Exploration journal<br>A new step in the Bayer process has been used to recover NaOH and to reduce its content in red mud. After digestion, the residue is separated from the Bayer liquor and goes through press filters, which enables the recovery ofNaOH and decreases the moisture content. It is well known that red mud is one ofthe most important sources ofscandium. For this reason, the goal ofthis workwas to characterize a Brazilian red mud (BRM) for scandium recovery. The sample was collected after the press filter system process. Analysis ofenergy-dispersive X-ray fluorescence (EDXRF), scanning electron microscopy/energy-dispersive X-ray spectrosco- py (SEM/EDS), and X-ray diffraction (XRD) was performed. Microwave digestion using an acid mixture was carried out to determine the concentration ofthe main elements. Fe2O3 represented 40% ofthe BRM, and the Sc concentration was 43 mg/kg. The SiO2 content was 24%,which is the highest value found in the literature, whereas the sodiumconcentration was the lowest. A literature review was carried out to compare results with BRM, as well as the current studies for recovery of scandium by the leaching/ion-exchange process. Scandium recovery using a leaching/ion exchange process may be possible with efficiency higher than 90%. The greatest challenge is the occurrence of silica gel formation during leaching.<br>
DOI: 10.25549/chinese-m97
title: Globular (min 2 jar)

description: Globular (min 2 jar); Excavated from Feature 17a, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m121
title: Chamber pot lid fragment

description: Chamber pot lid fragment; Excavated from Feature 21, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m1061
title: Bowl

description: Bowl: 1864-1892 (Godden, p.116); H. Burgess, burslem.; Excavated from Feature 29, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m848
title: Serving bowl

description: Serving bowl: 4 seasons, base mark.; Excavated from AU-1, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m865
title: File

description: File.; Excavated from Surface general, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m500
title: Cup & handle

description: Cup & handle.; Excavated from ESC #10; feature 41A, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m124
title: Globular jar

description: Globular jar: no collar, lid ring around opening; Excavated from Feature 21, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m7
title: Fragments of chamber pot lid, commode, base,

description: Fragments of chamber pot lid, commode, base,: frags of cuspidor also; Excavated from Feature 29, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m1007
title: Furniture ornament[?]

description: Furniture ornament[?].; Excavated from A-135 Level A to old Rd N21/N22 E2, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m40
title: Ink bottle

description: Ink bottle: "P&S Arnold".; Excavated from Surface collection, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m5
title: Small "ginger" jar type

description: Small "ginger" jar type: bluish white glaze, double blue band.; Excavated from Feature 29, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m125
title: Globular jar

description: Globular jar: no collar, lid ring around opening; Excavated from Feature 21, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m92
title: Bottle stopper

description: Bottle stopper: "Maier & sobelaia brewery Los Angeles".; Excavated from Feature 17a, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m1009
title: Ornamental glass bowl

description: Ornamental glass bowl: pressed.; Excavated from A-135 N19/E3 feature 8, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m134
title: Shot glass

description: Shot glass; Excavated from Feature 28 str.A, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m126
title: Globular jar

description: Globular jar: no collar, lid ring around opening; Excavated from Feature 21, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m25
title: Hexagonal jar

description: Hexagonal jar: molded (?), chinese; Excavated from Feature 29, Union Station area, Los Angeles, CA, 1989-1991.
DOI: 10.25549/chinese-m74
title: Bowl

description: Bowl: "wallace.chine" 1931-54 (lehner 1988:498).; Excavated from Feature 16, Union Station area, Los Angeles, CA, 1989-1991.