cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10337817
title: Point cloud Santa Maria de Vilagrassa Polychrome

description: Nube de puntos de policromía virtual
Santa Maria de Vilagrassa (Catalonia) - 13th century It is of Romanesque origin. The cover of the second half of 13th c., School of Lleida. In the medieval church remains the only Romanesque portal. This building already existed in the Visigothic period, was later refurbished and mixing with different styles. The square bell tower is the transition from Romanesque to Gothic, offers a particular perspective to their manifest inclination. Ever have called the Leaning Tower of Urgell." The year 1976 was declared a Cultural Asset of National Interest (BCIN) integrated into the artistic whole."


2020: Santa Maria de Vilagrassa - Photogrammetry - Terrestrial , Data Derivatives . Collected by Calidos . Distributed by Open Heritage 3D. https://doi.org/10.26301/37v3-j883

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337820
title: Wine Cellar House

description: It represents the horizontal extension of the cellar by the addition of the kitchen and the subdivision of the sleeping area. In all the observed cases, the kitchen and the rooms corresponded to transversal separated compartments. These spaces were created by detachable wooden partitions, segregating the new functions from the areas of wine and liquor processing. This development represents a significant importance of the wine production for the family income, and therefore a bigger investment in the size and quality of the construction. In most of the cases the building also accommodates the tank and press mechanism, which implies bigger dimensions.

[Learn More](http://esg.pt/3dpast/platform)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337821
title: Wine Cellar House

description: It represents the horizontal extension of the cellar by the addition of the kitchen and the subdivision of the sleeping area. In all the observed cases, the kitchen and the rooms corresponded to transversal separated compartments. These spaces were created by detachable wooden partitions, segregating the new functions from the areas of wine and liquor processing. This development represents a significant importance of the wine production for the family income, and therefore a bigger investment in the size and quality of the construction. In most of the cases the building also accommodates the tank and press mechanism, which implies bigger dimensions.

[Learn More](http://esg.pt/3dpast/platform)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337822
title: Shell Scoop or Cup. XCB-001-260

description: Shell Scoop or Cup. XCB-001-260

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337823
title: Shell Scoop or Cup. XCB-001-260

description: Shell Scoop or Cup. XCB-001-260

XCB-001, or IZM-001, is one of three sites tested by A.P. McCartney in 1971, and has become the type-site for the Cape Glazenap Phase. It is a massive village of nucleus-satellite corporate households dated approximately 1000-1200 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

**1.** McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. **2.** Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337824
title: Block XXV & Block XXVI

description: Left: Marble relief (Block XXV) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
Block XXV represents a chariot team. 

Right: Marble relief (Block XXVI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
This block shows a chariot team, a marshal, a foot soldier and, barely visible, standing in the chariot is the long robed charioteer. 

Shot from ground level 46 images, Sony A6000 RAW. Could not reach top or sides, so a few holes. Low res version. Data on Google Drive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337825
title: Block XXV & Block XXVI

description: Left: Marble relief (Block XXV) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
Block XXV represents a chariot team. 

Right: Marble relief (Block XXVI) from the South frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
This block shows a chariot team, a marshal, a foot soldier and, barely visible, standing in the chariot is the long robed charioteer. 

Shot from ground level 46 images, Sony A6000 RAW. Could not reach top or sides, so a few holes. Low res version. Data on Google Drive.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337826
title: Facade Rue de Flandre Brussels

description: The house is located on a historic  main street leading to the city center. The house dates back to the 14th century. The facade was reworked (petrified) in the first half of the 17th century.
 
 
 In Situ  
 ![](https://i.imgur.com/4JNhjoD.jpg)

 About 1920s 
 
![](https://i.imgur.com/NShskXE.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337827
title: Facade Rue de Flandre Brussels

description: The house is located on a historic  main street leading to the city center. The house dates back to the 14th century. The facade was reworked (petrified) in the first half of the 17th century.
 
 
 In Situ  
 ![](https://i.imgur.com/4JNhjoD.jpg)

 About 1920s 
 
![](https://i.imgur.com/NShskXE.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337830
title: WIP- Flaregun

description: A high poly flaregun model I made in under two hours.
I need feedback.
I will start to texture and sulpt before i realease the finished version.

TechnoCraft

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337834
title: SCO-FF-LEUCH- St- Athernase (free VR asset)

description: mesh: 115k

textures (PNGs, 8k): Diffuse (de-lit), Normal, AO

---
(description forthcoming:)

**Daniel Muirhead, Retrospective 2013-2020**

---
Subject: St Athernase Church

Location: Leuchars, Fife, Scotland

Date of capture: 2019-11-09

Camera: Canon EOS 100D (18-55mm lens)

Photo count: 320

Flickr album: 

Original capture purpose: photogrammetry

---
This photogrammetry reconstruction:

* SfM: COLMAP
* MVS: Metashape
* Meshing: Metashape
* Texturing: Metashape
* Additional processing: Metashape (confidence filtering, manual crop; decimation, smoothing; de-lighting, baking of Normal and AO from high to low)

Model was scaled to real-world dimensions for experiencing in Sketchfab VR, with reference to: guesswork

---
Notes:

---
External links:

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337835
title: SCO-FF-LEUCH- St- Athernase (free VR asset)

description: mesh: 115k

textures (PNGs, 8k): Diffuse (de-lit), Normal, AO

---
(description forthcoming:)

**Daniel Muirhead, Retrospective 2013-2020**

---
Subject: St Athernase Church

Location: Leuchars, Fife, Scotland

Date of capture: 2019-11-09

Camera: Canon EOS 100D (18-55mm lens)

Photo count: 320

Flickr album: 

Original capture purpose: photogrammetry

---
This photogrammetry reconstruction:

* SfM: COLMAP
* MVS: Metashape
* Meshing: Metashape
* Texturing: Metashape
* Additional processing: Metashape (confidence filtering, manual crop; decimation, smoothing; de-lighting, baking of Normal and AO from high to low)

Model was scaled to real-world dimensions for experiencing in Sketchfab VR, with reference to: guesswork

---
Notes:

---
External links:

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337836
title: Old brick water tank - abandoned farm - Portugal

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337837
title: Old brick water tank - abandoned farm - Portugal

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337838
title: AR010-001-01

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-7

Uploaded by: Collin Minnick

Thompson, Christine, James Mechling-Smith, Mary Swartz, and Kevin C. Nolan, 2021. AR010-001-01, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337839
title: AR010-001-01

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-7

Uploaded by: Collin Minnick

Thompson, Christine, James Mechling-Smith, Mary Swartz, and Kevin C. Nolan, 2021. AR010-001-01, 3D Model .ply file. Recovered as part of Archaeological Report 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337840
title: World War II Heavy Anti-aircraft gunsite

description: World War II Heavy Anti-aircraft (HAA) gunsite near Bolton-upon-Dearne (South Yorkshire, UK), known as Station H17. The site was probably connected with the defence of Sheffield, which lies approximately 16km to the south west. 

The monument survives as a series of standing, buried and earthwork remains. The HAA gun emplacements and command post are constructed out of concrete and breeze block and broadly follow standard designs.

https://historicengland.org.uk/listing/the-list/list-entry/1019872

The model was created from 185 drone aerial photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337841
title: World War II Heavy Anti-aircraft gunsite

description: World War II Heavy Anti-aircraft (HAA) gunsite near Bolton-upon-Dearne (South Yorkshire, UK), known as Station H17. The site was probably connected with the defence of Sheffield, which lies approximately 16km to the south west. 

The monument survives as a series of standing, buried and earthwork remains. The HAA gun emplacements and command post are constructed out of concrete and breeze block and broadly follow standard designs.

https://historicengland.org.uk/listing/the-list/list-entry/1019872

The model was created from 185 drone aerial photographs.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337844
title: Ávila, Solana de Ávila - Hueco 02

description: Colección de huecos de la arquitectura tradicional vernácula de Ávila (s. XIX), Solana de Ávila en Castilla y León, España. Granito en sillería del recercado del hueco y en mampostería de la fábrica. Traditional architecture, granite ashlar and masonry.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337845
title: Ávila, Solana de Ávila - Hueco 02

description: Colección de huecos de la arquitectura tradicional vernácula de Ávila (s. XIX), Solana de Ávila en Castilla y León, España. Granito en sillería del recercado del hueco y en mampostería de la fábrica. Traditional architecture, granite ashlar and masonry.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337847
title: Oppidum de Dessobriga

description: Modelo digital de terreno del yacimiento de Dessobriga realizado con datos topográficos obtenidos a partir de datos LiDAR y fotografías de F. Didierjean de 2014, así como propias de 2017, 2018 y 2019.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337848
title: Petroglyph H9, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H9, Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or Earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337850
title: Niño en botella

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337851
title: Niño en botella

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337852
title: Konikowo

description: 3D model. Coordinates: 54.28085, 22.2974

http://grodziskajacwiezy.pl/en/listing/hillfort-in-konikowo/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337853
title: Konikowo

description: 3D model. Coordinates: 54.28085, 22.2974

http://grodziskajacwiezy.pl/en/listing/hillfort-in-konikowo/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337857
title: Concrete Plate Wall

description: # This is a 3D Scan of  Concrete Plates



* Highpoly
* Real World Scaling and Alignmend
* VR Ready
* Texture 4K 8-Bit PNG

# -- Included --

**Datatype**

* OBJ

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337858
title: SCHS 2019.029.049

description: Notched Point dating to the Middle Archaic Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Upper Mercer Chert (Heated)
Length: 50.59 mm
Width: 30.42 mm
Thickness: 7.59 mm
Weight: 10.79


Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.049, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337859
title: SCHS 2019.029.049

description: Notched Point dating to the Middle Archaic Period collected in the Burley Collection donated to the Switzerland County Historical Society. 
Material: Upper Mercer Chert (Heated)
Length: 50.59 mm
Width: 30.42 mm
Thickness: 7.59 mm
Weight: 10.79


Uploaded by: Jarod Heuer

Citation: 
Kiera McWhinney, Jarod Heuer, Erin Powers, Brooke Kertai, Callie Jessee, and Kevin C. Nolan, 2021. 2019.029.049, 3D Model .ply file. Digital Documentation of the Burley Collection, Project 20SP003, Applied Anthropology Laboratories, College of Sciences and Humanities, Ball State University, Muncie, Indiana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337860
title: Augsburger Dom, Römische Mauer - Teil I

description: 11. September 260 n. Chr. 
Die geweihte Inschrift überliefert 
den Sieg des raetischen Statthalters und seiner Soldaten 
über die Germanen des Stammes der Semnonen bzw. 
Juthungen am 25.April 260. Im Jahr zuvor 
überrannten diese Elbgermanen den Limes und drangen 
plündernd weit nach Italien ein. Auf ihrem Rückweg wurden 
sie bei Augsburg in einer zweitägigen Schlacht besiegt und 
vernichtet, dabei wurden viele tausend Kriegsgefangene 
befreit. Der siegreiche Statthalter Marcus Simplicinius Genialis, 
noch vom rechtmäßigen Kaiser Gallienus eingesetzt, erkannte 
den im Sommer 260 in Köln zum Gegenkaiser ausgerufenen 
Offizier Postumus an, weshalb sein Name, der des siegreichen 
Heeres sowie der des Postumus und dessen Mitkonsuls 
Honoratianus aus der Inschrift später wieder getilgt wurden. 
- Die beiden seitlichen Religfs zeigen links den Kriegsgott 
Mars in Rüstung und rechts die Siegesgöttin Victoria über 
einen gefesselten Barbaren triumphierend.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337861
title: Augsburger Dom, Römische Mauer - Teil I

description: 11. September 260 n. Chr. 
Die geweihte Inschrift überliefert 
den Sieg des raetischen Statthalters und seiner Soldaten 
über die Germanen des Stammes der Semnonen bzw. 
Juthungen am 25.April 260. Im Jahr zuvor 
überrannten diese Elbgermanen den Limes und drangen 
plündernd weit nach Italien ein. Auf ihrem Rückweg wurden 
sie bei Augsburg in einer zweitägigen Schlacht besiegt und 
vernichtet, dabei wurden viele tausend Kriegsgefangene 
befreit. Der siegreiche Statthalter Marcus Simplicinius Genialis, 
noch vom rechtmäßigen Kaiser Gallienus eingesetzt, erkannte 
den im Sommer 260 in Köln zum Gegenkaiser ausgerufenen 
Offizier Postumus an, weshalb sein Name, der des siegreichen 
Heeres sowie der des Postumus und dessen Mitkonsuls 
Honoratianus aus der Inschrift später wieder getilgt wurden. 
- Die beiden seitlichen Religfs zeigen links den Kriegsgott 
Mars in Rüstung und rechts die Siegesgöttin Victoria über 
einen gefesselten Barbaren triumphierend.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337862
title: DOTA2

description: follow (ติดตาม)

Fanpage : @ibaacreation (ไอบ้า ครีเอชั่น)

https://www.facebook.com/ibaacreation/

Youtube : Ibaa Creation

https://youtu.be/wb28udEwJ7U

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337863
title: DOTA2

description: follow (ติดตาม)

Fanpage : @ibaacreation (ไอบ้า ครีเอชั่น)

https://www.facebook.com/ibaacreation/

Youtube : Ibaa Creation

https://youtu.be/wb28udEwJ7U

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337866
title: Colomba della pace

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337867
title: Colomba della pace

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337869
title: Mosaïques Art Déco, Castres

description: Mosaïques situées à l'entrée de l'ancienne pisicne villegoudou de Castres. Elles datent de 1937 et se font face. L'architecte castrais est Georges Benne.

![](http://abcnatation.com/xyz/castres!81!midi-pyrenees!natation/docspe/phoautre/Villegoudou.jpg)


![](http://images.delcampe.com/img_large/auction/000/186/816/844_001.jpg)

50 photographies

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337868
title: Mosaïques Art Déco, Castres

description: Mosaïques situées à l'entrée de l'ancienne pisicne villegoudou de Castres. Elles datent de 1937 et se font face. L'architecte castrais est Georges Benne.

![](http://abcnatation.com/xyz/castres!81!midi-pyrenees!natation/docspe/phoautre/Villegoudou.jpg)


![](http://images.delcampe.com/img_large/auction/000/186/816/844_001.jpg)

50 photographies

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10440064
title: pionus_tumultuosus_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10440065
title: pionus_tumultuosus_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10337870
title: Pisgah Rimsherd (2157p5-2)

description: **Pisgah Complicated Stamped rimsherd**

Location: Sawnooke Mound (31Sw3), Swain County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 64.5 mm; width, 35.0 mm; thickness, 15.2 mm.

Notes: Catalog no. 2157p5 (specimen 2),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIV. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337871
title: Pisgah Rimsherd (2157p5-2)

description: **Pisgah Complicated Stamped rimsherd**

Location: Sawnooke Mound (31Sw3), Swain County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 64.5 mm; width, 35.0 mm; thickness, 15.2 mm.

Notes: Catalog no. 2157p5 (specimen 2),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Pisgah Culture and Its Place in the Prehistory of the Southern Appalachians*, by Roy S. Dickens, Jr., Ph.D. dissertation, University of North Carolina, Chapel Hill, 1970, Plate XIV. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337873
title: Schenuit Rubber Co. factory

description: The Frank G. Schenuit Rubber Co. factory was located at 1750-60 Union Avenue in Baltimore. Built in the 1840s as a cotton mill, from 1925 to the late 60s, the building was used to manufacture tires. Sadly, it is currently being demolished with plans for a self-storage facility to be built in its place. I will miss seeing the iconic smokestack during my commute to work each day!

Created using 917 images taken with a DJI Mavic Mini and processed in RealityCapture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337872
title: Schenuit Rubber Co. factory

description: The Frank G. Schenuit Rubber Co. factory was located at 1750-60 Union Avenue in Baltimore. Built in the 1840s as a cotton mill, from 1925 to the late 60s, the building was used to manufacture tires. Sadly, it is currently being demolished with plans for a self-storage facility to be built in its place. I will miss seeing the iconic smokestack during my commute to work each day!

Created using 917 images taken with a DJI Mavic Mini and processed in RealityCapture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337874
title: Chouette

description: Atelier Gorel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337875
title: Chouette

description: Atelier Gorel

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337876
title: Statues at the right end in Alcobaça Monastery

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337877
title: Statues at the right end in Alcobaça Monastery

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337878
title: Voûtes de l'église de Saint-Just de Luzac

description: Essai sur la modélisation 3D d'une voûte en croisée d'ogives. Le prochain test sera de faire une coupe d'une église.

![](http://patrimoine-de-france.com/images/upload/635f7c8366d783570cc8eb83821dec57.jpg)

Modélisation 3D A. Laurent

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337879
title: Voûtes de l'église de Saint-Just de Luzac

description: Essai sur la modélisation 3D d'une voûte en croisée d'ogives. Le prochain test sera de faire une coupe d'une église.

![](http://patrimoine-de-france.com/images/upload/635f7c8366d783570cc8eb83821dec57.jpg)

Modélisation 3D A. Laurent

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10337880
title: PINAREJOS.Toma de Antequera por infante Fernando

description: **Ubicación: **Atrio. Lateral derecho (lado este) a la puerta de acceso.

**Cronología: **Pertenece al ciclo del primer tercio del siglo XV.

Source: Objaverse 1.0 / Sketchfab