cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10339243
title: Spiro Mississippian Sun Gorget, c. 1200-1350 CE

description: Spiro Mississippian Sun Gorget, c. 1200-1350 CE, now in the collection of the Minneapolis Institute of Art.


From [artsmia.org](www.artsmia.org) (the description refers to two gorgets in Mia's collection):

"…The sun is the chief divinity, represented in this realm by fire... Each (gorget) has significant supernatural power, power that was extended to the individual wearing their symbol. Whether they indicated rank, membership in a special society, warrior status or something else is unknown, but the context in which they have been found, the expensive material and the high quality of the carvings confirm their role as prestige objects."


[More info here](https://collections.artsmia.org/art/4242/gorget-spiro-mississippian)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339244
title: Spiro Mississippian Sun Gorget, c. 1200-1350 CE

description: Spiro Mississippian Sun Gorget, c. 1200-1350 CE, now in the collection of the Minneapolis Institute of Art.


From [artsmia.org](www.artsmia.org) (the description refers to two gorgets in Mia's collection):

"…The sun is the chief divinity, represented in this realm by fire... Each (gorget) has significant supernatural power, power that was extended to the individual wearing their symbol. Whether they indicated rank, membership in a special society, warrior status or something else is unknown, but the context in which they have been found, the expensive material and the high quality of the carvings confirm their role as prestige objects."


[More info here](https://collections.artsmia.org/art/4242/gorget-spiro-mississippian)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339245
title: Granger Headstone

description: Created with Polycam on July 6 2021

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339246
title: Granger Headstone

description: Created with Polycam on July 6 2021

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339249
title: Bronze Age Arrowhead, Castilla-La Mancha, Spain

description: Palmela-type bronze arrowhead from the  site of  ??, ,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE020084. Processed in Reality Capture from 586 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339250
title: Bronze Age Arrowhead, Castilla-La Mancha, Spain

description: Palmela-type bronze arrowhead from the  site of  ??, ,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE020084. Processed in Reality Capture from 586 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339251
title: Ancient Sandstone Sculpture

description: Created in **Blender**, Exported as **FBX** with **Diffuse** & **Normal Map**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339252
title: Ancient Sandstone Sculpture

description: Created in **Blender**, Exported as **FBX** with **Diffuse** & **Normal Map**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339254
title: 1970.4:5

description: Hortling, Airi (Helovuo), 1943. "kivitavara (K2) and potters wheel".
Ceramics  practice work. Part of poftfolio called "A teapots shape and mass/form". Instructor Kyllikki Salmenhaara
Electric oven 1200 degrees C, Glazing KV4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339253
title: 1970.4:5

description: Hortling, Airi (Helovuo), 1943. "kivitavara (K2) and potters wheel".
Ceramics  practice work. Part of poftfolio called "A teapots shape and mass/form". Instructor Kyllikki Salmenhaara
Electric oven 1200 degrees C, Glazing KV4.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339256
title: Jarro tipo Valdivia.

description: Jarro tipo Valdivia (aprox. 1500-1600 d.C.).  Donado por Tomás Guevara.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339255
title: Jarro tipo Valdivia.

description: Jarro tipo Valdivia (aprox. 1500-1600 d.C.).  Donado por Tomás Guevara.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339257
title: Graniittipoika II - Granite Boy II

description: FI: Wäinö Aaltonen: Graniittipoika II, 1920-23, musta graniitti, korkeus 128 cm. 
Graniittipoika II on kauniin sileäpintaiseksi veistetty pienen pojan hahmo pyyhe lantiolle kiepautettuna.  Lapsi katselee nöyrän surumielisenä alas jalkoihinsa. Taiteilijan perheessä teos tunnettiin lempinimellä Mahapoika, mikä viittasi hahmon pyöreään lapsenvatsaan. Veistos-aihe oli osa toteutumatonta suihkukaivosuunnitelmaa. Teoksesta tunnetaan erilaisia versioita. 

EN: Wäinö Aaltonen: Granite Boy II, 1920 – 23, black granite, height 4'2.4''/128cm.
Granite Boy II is a beautifully smoothed sculpture of a boy with a towel wrapped around his waist. The child looks down at his feet with humble melancholy. This sculpture was known by the nickname Stomach Boy within Aaltonen's family. The theme of the sculpture was a part of an unrealized fountain design. There are various versions of this sculpture.


Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339258
title: Graniittipoika II - Granite Boy II

description: FI: Wäinö Aaltonen: Graniittipoika II, 1920-23, musta graniitti, korkeus 128 cm. 
Graniittipoika II on kauniin sileäpintaiseksi veistetty pienen pojan hahmo pyyhe lantiolle kiepautettuna.  Lapsi katselee nöyrän surumielisenä alas jalkoihinsa. Taiteilijan perheessä teos tunnettiin lempinimellä Mahapoika, mikä viittasi hahmon pyöreään lapsenvatsaan. Veistos-aihe oli osa toteutumatonta suihkukaivosuunnitelmaa. Teoksesta tunnetaan erilaisia versioita. 

EN: Wäinö Aaltonen: Granite Boy II, 1920 – 23, black granite, height 4'2.4''/128cm.
Granite Boy II is a beautifully smoothed sculpture of a boy with a towel wrapped around his waist. The child looks down at his feet with humble melancholy. This sculpture was known by the nickname Stomach Boy within Aaltonen's family. The theme of the sculpture was a part of an unrealized fountain design. There are various versions of this sculpture.


Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339259
title: Tanum 12 1 Fig 2 Hfg

description: Laserscan of one of the human figures on this large panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339260
title: Tanum 12 1 Fig 2 Hfg

description: Laserscan of one of the human figures on this large panel at Aspeberget

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339265
title: Gravestone Group 1 - St Machan's Church

description: Group of Gravestones within the Old St Machan's Church at Clachan of Campsie, Stirlingshire, Scotland. The Graveyard and ruined church date back to the 17th century though there is said to have been a church there since the early 13th century. Created in RealityCapture by Capturing Reality from 53 images in 00h:17m:56s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339266
title: Gravestone Group 1 - St Machan's Church

description: Group of Gravestones within the Old St Machan's Church at Clachan of Campsie, Stirlingshire, Scotland. The Graveyard and ruined church date back to the 17th century though there is said to have been a church there since the early 13th century. Created in RealityCapture by Capturing Reality from 53 images in 00h:17m:56s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339270
title: XCB-003-647 Biface Fragment, Rare Material

description: Biface Fragment, Rare Material XCB-003-657. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339269
title: XCB-003-647 Biface Fragment, Rare Material

description: Biface Fragment, Rare Material XCB-003-657. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339272
title: Mining Figurine

description: This mining figurine was made of plaster and mass-produced by a company in Essen that created mining souvenirs for Germany and the Netherlands. 

The figurine is a cast made of plaster of a mineworker using a drill.  The object between his legs is a gasoline lamp, used for lighting and to measure mining gas. The miner is wearing a helmet with a frontal torch. There are no specific details regarding when this figurine was created, but the Dutch Mijnmuseum estimates it around 1980, which is after the Dutch mines closed. 

This mining figurine is part of the collection of the Dutch Mijnmuseum in Heerlen. Visit the website for more information on the rest of the collection. 
Created by Esther Aminata Kamara, January 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339271
title: Mining Figurine

description: This mining figurine was made of plaster and mass-produced by a company in Essen that created mining souvenirs for Germany and the Netherlands. 

The figurine is a cast made of plaster of a mineworker using a drill.  The object between his legs is a gasoline lamp, used for lighting and to measure mining gas. The miner is wearing a helmet with a frontal torch. There are no specific details regarding when this figurine was created, but the Dutch Mijnmuseum estimates it around 1980, which is after the Dutch mines closed. 

This mining figurine is part of the collection of the Dutch Mijnmuseum in Heerlen. Visit the website for more information on the rest of the collection. 
Created by Esther Aminata Kamara, January 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339274
title: Homo Heidelbergensis

description: **Homo Heidelbergensis**

* 4096x4096 Pixel **PNG** Texture.
* **PBR**:BaseColor, Ambient Oclusion, Metalness, Roughness and Normalmap.
* **Retopology and UV**:Blender.
* **Texturing**:SubstancePainter.
* **Source 3D Model Website**:[](http://)threedscans.com/lincoln/homo_heidelbergensis_model/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339273
title: Homo Heidelbergensis

description: **Homo Heidelbergensis**

* 4096x4096 Pixel **PNG** Texture.
* **PBR**:BaseColor, Ambient Oclusion, Metalness, Roughness and Normalmap.
* **Retopology and UV**:Blender.
* **Texturing**:SubstancePainter.
* **Source 3D Model Website**:[](http://)threedscans.com/lincoln/homo_heidelbergensis_model/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339275
title: Medieval war

description: Medieval City on war siege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339276
title: Medieval war

description: Medieval City on war siege

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339277
title: COADS_240-2

description: This is a diagnostic biface collected in Ross County, Ohio
Material Type: Upper Mercer

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Sidney Travis, and Michael Shott, 2017. COADS_240-2, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339278
title: COADS_240-2

description: This is a diagnostic biface collected in Ross County, Ohio
Material Type: Upper Mercer

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, Sidney Travis, and Michael Shott, 2017. COADS_240-2, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339279
title: 下御霊神社 狛犬 Guardian dog of Shimogoryo Shrine

description: 京都 寺町通りの下御霊神社の入口にある狛犬をScaniverseでスキャンしました。

This is one of gurdian dogs at the entrance of Shimogoryo Shrine in Kyoto. 
Scanned by Scaniverse #1scanaday

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339280
title: 下御霊神社 狛犬 Guardian dog of Shimogoryo Shrine

description: 京都 寺町通りの下御霊神社の入口にある狛犬をScaniverseでスキャンしました。

This is one of gurdian dogs at the entrance of Shimogoryo Shrine in Kyoto. 
Scanned by Scaniverse #1scanaday

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339283
title: Orkest Mheer

description: Beeldje van het Orkest in Mheer. Staat naast de Kerk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339284
title: Orkest Mheer

description: Beeldje van het Orkest in Mheer. Staat naast de Kerk

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339285
title: Iron Axe (2351a564)

description: **Iron axe**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic (AD 1700).

Material: iron.

Dimensions: length, 144.5 mm; width, 71.7 mm; thickness, 35.6 mm.

Notes: Catalog no. 2351a564, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339286
title: Iron Axe (2351a564)

description: **Iron axe**

Location: Fredricks site (31Or231), Orange County, North Carolina.

Period: Historic (AD 1700).

Material: iron.

Dimensions: length, 144.5 mm; width, 71.7 mm; thickness, 35.6 mm.

Notes: Catalog no. 2351a564, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339287
title: Models

description: Photogrametric scan of drawings on the rocks of a cave in France. I found those drawings fascinating as a kid and as far as I know there has not been much archaeological research done on it. 

It is a system of dots and lines, grouped in arrays... 

The site was closed for some time and now is open again. So maybe by sharing it, it will trigger some interest and maybe some of you can extract a meaning in these drawings.

The cave is located in France near a town called Culoz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339288
title: Models

description: Photogrametric scan of drawings on the rocks of a cave in France. I found those drawings fascinating as a kid and as far as I know there has not been much archaeological research done on it. 

It is a system of dots and lines, grouped in arrays... 

The site was closed for some time and now is open again. So maybe by sharing it, it will trigger some interest and maybe some of you can extract a meaning in these drawings.

The cave is located in France near a town called Culoz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339289
title: Hillsboro Punctated Bowl Fragment (2464p4333)

description: **Hillsboro Punctated bowl fragment**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 90.6 mm; width, 56.6 mm; thickness, 12.8 mm.

Notes: Catalog no. 2464p4333, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339290
title: Hillsboro Punctated Bowl Fragment (2464p4333)

description: **Hillsboro Punctated bowl fragment**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Material: ceramic.

Dimensions: length, 90.6 mm; width, 56.6 mm; thickness, 12.8 mm.

Notes: Catalog no. 2464p4333, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339291
title: "Balafon", a musical instrument

description: ID no.: MOK – M.O./A/20(a-c)

Museum: African Museum in Olkusz

https://muzea.malopolska.pl/en/objects-list/1908

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339292
title: "Balafon", a musical instrument

description: ID no.: MOK – M.O./A/20(a-c)

Museum: African Museum in Olkusz

https://muzea.malopolska.pl/en/objects-list/1908

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339293
title: Historic house

description: entrance of historic house in kashan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339294
title: Historic house

description: entrance of historic house in kashan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339297
title: Mechanical alphabet, TM1973

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology.

[TM1973](https://digitaltmuseum.se/021026351739/mekaniskt-alfabet-modell?i=34&aq=owner%3A%22S-TEK%22+text%3A%22polhem%22"tm1973") (TEKS0021161)

Created by Fredrik Olsson in Reality Capture from 356 images.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339298
title: Mechanical alphabet, TM1973

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology.

[TM1973](https://digitaltmuseum.se/021026351739/mekaniskt-alfabet-modell?i=34&aq=owner%3A%22S-TEK%22+text%3A%22polhem%22"tm1973") (TEKS0021161)

Created by Fredrik Olsson in Reality Capture from 356 images.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339299
title: Sutra repository at the Zhihuasi

description: Showing only a portion of the sutra repository (*jingzang* 經藏) in the Library Hall of the Zhihuasi (Monastery of Salvific Wisdom, dated 1444) in Beijing. The repository is a receptacle of the entire Buddhist canon known as the Tripitaka. This is a rare example where Tibetan-Esoteric iconography (the six animals/human-animal hybrids as the Six Manifestations) entered the design. These figures are arranged along the top and side columns of the octagonal-based bookcase, forming a mandorla. Each of the 360 drawers has a seated miniature Sakyamuni Buddha outside, forming the "Thousand Buddha" motif.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339300
title: Sutra repository at the Zhihuasi

description: Showing only a portion of the sutra repository (*jingzang* 經藏) in the Library Hall of the Zhihuasi (Monastery of Salvific Wisdom, dated 1444) in Beijing. The repository is a receptacle of the entire Buddhist canon known as the Tripitaka. This is a rare example where Tibetan-Esoteric iconography (the six animals/human-animal hybrids as the Six Manifestations) entered the design. These figures are arranged along the top and side columns of the octagonal-based bookcase, forming a mandorla. Each of the 360 drawers has a seated miniature Sakyamuni Buddha outside, forming the "Thousand Buddha" motif.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339301
title: Well

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339302
title: Well

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339303
title: Nyc

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339304
title: Nyc

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339305
title: Rochers Sculptés de Rothéneuf

description: Les Rochers Sculptés de Rothéneuf, sont des oeuvres sculptés dans la pierre d'une falaise de bord de mer, situé en Bretagne. Réalisés de fin 1894 à 1907, par l'abbé Adolphe Julien Fouéré, dit l'abbé Fouré (1839-1910).

The Sculpted Rocks of Rothéneuf are artworks sculpted in the stone of a cliff on the sea side, located in Brittany. Realized from 1894 à 1907, by the abbe Adolphe Julien Fouéré, known as l'abbé Fouré (1839-1910).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339306
title: Rochers Sculptés de Rothéneuf

description: Les Rochers Sculptés de Rothéneuf, sont des oeuvres sculptés dans la pierre d'une falaise de bord de mer, situé en Bretagne. Réalisés de fin 1894 à 1907, par l'abbé Adolphe Julien Fouéré, dit l'abbé Fouré (1839-1910).

The Sculpted Rocks of Rothéneuf are artworks sculpted in the stone of a cliff on the sea side, located in Brittany. Realized from 1894 à 1907, by the abbe Adolphe Julien Fouéré, known as l'abbé Fouré (1839-1910).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339309
title: Przemyśl

description: 3D model. Coordinates: 49.7797, 22.7653

http://atlasgrodzisk.pl/?view=details&location=1297

Source: Objaverse 1.0 / Sketchfab