cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10240292
title: Castelnaud-la-Chapelle

description: Un premier château est construit au XIIe siècle avant d'être détruit durant la croisade des albigeois menée par les armées de Simon de Monfort. 
Après le traité de Paris en 1259, Castelnaud reconnaît la suzeraineté du duc d'Aquitaine, Henri III d'Angleterre. Un nouveau château est alors rebâti au cours du XIIIe siècle. En 1368, Magne de Castelnaud épouse le seigneur Nompard de Caumont. Les Caumont deviennent alors les seigneurs de Castelnaud et de Berbiguières. 
Prenant le parti des Anglais pendant la guerre de Cent Ans, il est définitivement pris en 1442 par les armées du roi de France, Charles VII. À la suite du conflit, la famille de Caumont récupère le château et en reste propriétaire jusqu'à la Révolution. 
Sans cesse adaptés au progrès de l'artillerie, les travaux d'aménagement se poursuivent jusqu'au début du XVIIe siècle.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240294
title: Blank Model For Game And Watch

description: I am making this for the retro electronics competition. 
this is midway through the process

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240293
title: Blank Model For Game And Watch

description: I am making this for the retro electronics competition. 
this is midway through the process

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240295
title: 98 - Ar Rosyiid اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

اَلاسْمَاءُ الْحُسناى

الرَّشِيدُ	AR-RASHEED	The Guide, Infallible Teacher

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240296
title: 98 - Ar Rosyiid اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

اَلاسْمَاءُ الْحُسناى

الرَّشِيدُ	AR-RASHEED	The Guide, Infallible Teacher

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240299
title: Brent Bridge Hotel Sunhouses

description: The ruined remains of two riverside sunhouses on the Dollis Brook (just north of the bridge of Brent Street) in Hendon, London.

They were once part of the Brent Bridge Hotel which no longer exists.

1301 photos taken in January 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240300
title: Brent Bridge Hotel Sunhouses

description: The ruined remains of two riverside sunhouses on the Dollis Brook (just north of the bridge of Brent Street) in Hendon, London.

They were once part of the Brent Bridge Hotel which no longer exists.

1301 photos taken in January 2022 with a Sony a7R III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240302
title: St Botolph's Without Aldersgate Boundary Marker

description: A small boundary marker plaque attached to the base of a pillar outside the rear of 1 St Martin's-le-Grand on King Edward Street, London.

70 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240301
title: St Botolph's Without Aldersgate Boundary Marker

description: A small boundary marker plaque attached to the base of a pillar outside the rear of 1 St Martin's-le-Grand on King Edward Street, London.

70 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240303
title: Pan and a Satyr

description: Pan and a Satyr  (A352), Thorvaldsen museum (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

Relief in marble, after the original model from 1831. Pan is half-human and half-animal and so can be recognised by his goat legs, horns, and beard. He is the god of shepherds, and here is teaching a small satyr how to play a pan flute.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240304
title: Pan and a Satyr

description: Pan and a Satyr  (A352), Thorvaldsen museum (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

Relief in marble, after the original model from 1831. Pan is half-human and half-animal and so can be recognised by his goat legs, horns, and beard. He is the god of shepherds, and here is teaching a small satyr how to play a pan flute.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240305
title: LSS3 LSS4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240306
title: LSS3 LSS4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240307
title: Dolerite

description: # SHCMS:G.20520.001

**Dolerite**

Piece of course-grained intrusive Dolerite from a Tertiary age dyke structure at Grinshill quarry in Shropshire. This specimen has been cut and sectioned to produce microscope thin sections.

Age: approx 52 million years.

Length 7.8cm Width 6.8cm Depth 3.9cm.

Imaged using a canon 5DS R and Stackshot 3x with turntable to provide 70  images which were then processed using agisoft photoscan at high levels.

If you like this model or any others we produce we'd love to hear from you and how you've used them.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240308
title: Dolerite

description: # SHCMS:G.20520.001

**Dolerite**

Piece of course-grained intrusive Dolerite from a Tertiary age dyke structure at Grinshill quarry in Shropshire. This specimen has been cut and sectioned to produce microscope thin sections.

Age: approx 52 million years.

Length 7.8cm Width 6.8cm Depth 3.9cm.

Imaged using a canon 5DS R and Stackshot 3x with turntable to provide 70  images which were then processed using agisoft photoscan at high levels.

If you like this model or any others we produce we'd love to hear from you and how you've used them.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240310
title: Externsteine relief

description: Oldest monumental rock relief north of the Alps depicting the Descent from the Cross scene. The high medieval relief is located at the Externsteine sandstone formation in the Teutoburg Forest and was carved into the NE side of the rock face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240309
title: Externsteine relief

description: Oldest monumental rock relief north of the Alps depicting the Descent from the Cross scene. The high medieval relief is located at the Externsteine sandstone formation in the Teutoburg Forest and was carved into the NE side of the rock face.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240313
title: Pair of bells

description: Inventory number:
MT-E/3506/1-2
1990s, Bulgaria
District Museum in Tarnów

https://muzea.malopolska.pl/en/objects-list/1450

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240314
title: Pair of bells

description: Inventory number:
MT-E/3506/1-2
1990s, Bulgaria
District Museum in Tarnów

https://muzea.malopolska.pl/en/objects-list/1450

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240316
title: DAY 25 | MORELOS GARDEN_LOW POLY

description: Morelos Garden | Low Poly

It is distinguished by the bronze statue popularly known as "the little horse", erected in honor of the hero of Independence José María Morelos y Pavón, the "Servant of the Nation". In its rectangular esplanade covered with quarry and surrounded by landscaped spaces, the equestrian monument stands out on a pedestal adorned with allegories representing freedom and the country, and two reliefs alluding to the battle of Cuautla and the Constitution of Apatzingán. The statue was made by the Italian sculptor José Inghillieri, inaugurated in 1913. 

**HIGH RESOLUTION:**
![]()

Created in RealityCapture by Capturing Reality from 425 images in 00h:55m:50s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240315
title: DAY 25 | MORELOS GARDEN_LOW POLY

description: Morelos Garden | Low Poly

It is distinguished by the bronze statue popularly known as "the little horse", erected in honor of the hero of Independence José María Morelos y Pavón, the "Servant of the Nation". In its rectangular esplanade covered with quarry and surrounded by landscaped spaces, the equestrian monument stands out on a pedestal adorned with allegories representing freedom and the country, and two reliefs alluding to the battle of Cuautla and the Constitution of Apatzingán. The statue was made by the Italian sculptor José Inghillieri, inaugurated in 1913. 

**HIGH RESOLUTION:**
![]()

Created in RealityCapture by Capturing Reality from 425 images in 00h:55m:50s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240319
title: Stone Shield, Aldobrandeschi Castle. Arcidosso

description: Commemorative Shield above the stairs on the inside of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. Commemorative marble Shield above the stairs on the inside of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. The shield is coupled with a dedicatory inscription in a 16th-17th frame positioned below the coat of arms.

Model was created in Reality Capture using 104 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240320
title: Stone Shield, Aldobrandeschi Castle. Arcidosso

description: Commemorative Shield above the stairs on the inside of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. Commemorative marble Shield above the stairs on the inside of the Aldobrandeschi Castle, Arcidosso, Grosseto, Tuscany. The shield is coupled with a dedicatory inscription in a 16th-17th frame positioned below the coat of arms.

Model was created in Reality Capture using 104 photographs. The Mt. Amiata Project is an ongoing GDH collaboration involving faculty and students at the University of Florence and the University of Siena. We could not have done this project without the considerable support of the Municipality of Arcidosso.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240321
title: rc modelomschechtfab

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240322
title: rc modelomschechtfab

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240324
title: Weihrelief (Aphrodite und Eros am Altar)

description: ID: MKGHamburg 1986.60 
Title: Votive stele for Aphrodite 
Object type: votive stelai, relief 
Origin: Corinthian (?); Perachora (?) 
Date/Period: c. 375-350 BC 
Material: marble 
Measurements: 137,5cm (heights); 28.3 cm (width) 
Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1986.60 
MKGHamburg: [dc00126829](https://sammlungonline.mkg-hamburg.de/de/object/Weihrelief-Aphrodite-und-Eros-am-Altar/1986.60/dc00126829?s=1986.60&h=0)

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240323
title: Weihrelief (Aphrodite und Eros am Altar)

description: ID: MKGHamburg 1986.60 
Title: Votive stele for Aphrodite 
Object type: votive stelai, relief 
Origin: Corinthian (?); Perachora (?) 
Date/Period: c. 375-350 BC 
Material: marble 
Measurements: 137,5cm (heights); 28.3 cm (width) 
Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1986.60 
MKGHamburg: [dc00126829](https://sammlungonline.mkg-hamburg.de/de/object/Weihrelief-Aphrodite-und-Eros-am-Altar/1986.60/dc00126829?s=1986.60&h=0)

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240325
title: Roman Plate, Cucufate, Portugal

description: Plate from roman villa of S. Cucufate, Alentejo, Portugal. Roman Empire (1st century AD to 5th century AD). Roman common-ware pottery used to consume food. Small dish with slightly arched wall. This specimen presents 2.7 cm in height  and 14 cm in diameter. Currently it is showcased in the permanent exhibition of the museum of S. Cucufate (Vila de Frades, Vidigueira). Catalog No. CUC. 80 2153. Processed and modeled in Reality Capture from 498 photos. 

VAZ PINTO, I., (1999): A Cerâmica Comum de S. Cucufate, Partes I-III, Parte IV, Tese de Doutoramento na área de Pré-História e Arqueologia a apresentar ao Departamento de História da Universidade Lusíada, Lisboa. 

VAZ PINTO, I., (2003): A cerâmica comum das villae romanas de São Cucufate (Beja), Lisboa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240326
title: Roman Plate, Cucufate, Portugal

description: Plate from roman villa of S. Cucufate, Alentejo, Portugal. Roman Empire (1st century AD to 5th century AD). Roman common-ware pottery used to consume food. Small dish with slightly arched wall. This specimen presents 2.7 cm in height  and 14 cm in diameter. Currently it is showcased in the permanent exhibition of the museum of S. Cucufate (Vila de Frades, Vidigueira). Catalog No. CUC. 80 2153. Processed and modeled in Reality Capture from 498 photos. 

VAZ PINTO, I., (1999): A Cerâmica Comum de S. Cucufate, Partes I-III, Parte IV, Tese de Doutoramento na área de Pré-História e Arqueologia a apresentar ao Departamento de História da Universidade Lusíada, Lisboa. 

VAZ PINTO, I., (2003): A cerâmica comum das villae romanas de São Cucufate (Beja), Lisboa.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.13096061
title: "Taxonomic, phylogenetic and functional diversity of forest understorey plants in European forest edges"

description: Data used for the article "Taxonomic, phylogenetic and functional diversity of forest understorey plants in European forest edges"
DOI: 10.6084/m9.figshare.13096061.v3
title: "Taxonomic, phylogenetic and functional diversity of forest understorey plants in European forest edges"

description: Data used for the article "Taxonomic, phylogenetic and functional diversity of forest understorey plants in European forest edges"
DOI: 10.5281/zenodo.10240327
title: SARGON II KHORSABAD STATUES BRITISH MUSEUM 2020

description: Carved gypsum sculpture of protective spirit facing left: a winged bull from a gateway in the citadel wall at Khorsabad, with panels showing a winged divine figure about to anoint with a 'cone' and magical fluid from a bucket. It is one of a pair, which were intended to keep evil from entering.

Neo-Assyrian / 710BC-705BC
Height: 403.86 centimetres
Width: 198.12 centimetres
Length: 486 centimetres

Curator's comments

A pair with 1850,1228.4. Part B belongs behind part A; part B changed from 118809B in 1968 after move from Assyrian. As at present arranged the panels are wrongly placed; they should be behind the bulls, facing the tail, not at the side, facing the bull's front. See Gadd, 'Stones of Assyria', p. 110, as to the original position.

**3D Model Update and Optimized  11 / 05 / 2020**
**Fixed : Holes / New Box / Lights and Optimized **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240328
title: SARGON II KHORSABAD STATUES BRITISH MUSEUM 2020

description: Carved gypsum sculpture of protective spirit facing left: a winged bull from a gateway in the citadel wall at Khorsabad, with panels showing a winged divine figure about to anoint with a 'cone' and magical fluid from a bucket. It is one of a pair, which were intended to keep evil from entering.

Neo-Assyrian / 710BC-705BC
Height: 403.86 centimetres
Width: 198.12 centimetres
Length: 486 centimetres

Curator's comments

A pair with 1850,1228.4. Part B belongs behind part A; part B changed from 118809B in 1968 after move from Assyrian. As at present arranged the panels are wrongly placed; they should be behind the bulls, facing the tail, not at the side, facing the bull's front. See Gadd, 'Stones of Assyria', p. 110, as to the original position.

**3D Model Update and Optimized  11 / 05 / 2020**
**Fixed : Holes / New Box / Lights and Optimized **

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240330
title: AD-DAYR (Petra) Crowdsourced photogrammetry scan

description: El Monasterio o Al-Dayr es uno de los monumentos más grandes de la ciudad de Petra, mide 47 metros de ancho por 48.3 de alto. Fue construido con Khazna (El Tesoro de Petra) como modelo pero en este caso los bajo relieves fueron sustituidos por espacios para albergar esculturas. Tiene un pórtico columnado que se extiende por todo el frontal de la fachada. 
http://www.pasaporteblog.com/monasterio-ad-dayr-ciudad-de-petra/#

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240331
title: AD-DAYR (Petra) Crowdsourced photogrammetry scan

description: El Monasterio o Al-Dayr es uno de los monumentos más grandes de la ciudad de Petra, mide 47 metros de ancho por 48.3 de alto. Fue construido con Khazna (El Tesoro de Petra) como modelo pero en este caso los bajo relieves fueron sustituidos por espacios para albergar esculturas. Tiene un pórtico columnado que se extiende por todo el frontal de la fachada. 
http://www.pasaporteblog.com/monasterio-ad-dayr-ciudad-de-petra/#

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240333
title: Croatia Krka Chapel

description: Small chapel in Krka national park in Croatia. Capture with IPad 190 images. Optimized

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240332
title: Croatia Krka Chapel

description: Small chapel in Krka national park in Croatia. Capture with IPad 190 images. Optimized

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240334
title: COADS_126-78

description: This is a diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Unknown

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_126-78, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240335
title: COADS_126-78

description: This is a diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material Type: Unknown

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_126-78, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240336
title: Athenian red-figure neck amphora

description: This red-figured vessel was made in Athens c. 480- 470 BC. On one side you can see the hero Theseus performing one of his twelve labours & about to kill the Attic villain, Procrustes, who attacked travellers. Procrustes' gruesome method was to force strangers to lie down on a bed and then he would either hammer his victims to lengthen them or chop their extremities to make them fit the bed. 

The drama of his own punishment is heightened in this somewhat hasty drawing by the fact that the deed is not quite done. The axe-wielding Theseus has wounded Procrustes who struggles to protect himself with an inoffensive-looking hammer. Theseus was also a king, credited with creation a union of Attic communities under the leadership of Athens.
The other side of the amphora shows the amorous advance of the dawn deity, Eos, upon the handsome youth, Tithonos, who she later arranged to have immortalised. However, having forgotten to seek eternal youth for him, she eventually shut the chattering old man up in a bed-chamber

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240337
title: Athenian red-figure neck amphora

description: This red-figured vessel was made in Athens c. 480- 470 BC. On one side you can see the hero Theseus performing one of his twelve labours & about to kill the Attic villain, Procrustes, who attacked travellers. Procrustes' gruesome method was to force strangers to lie down on a bed and then he would either hammer his victims to lengthen them or chop their extremities to make them fit the bed. 

The drama of his own punishment is heightened in this somewhat hasty drawing by the fact that the deed is not quite done. The axe-wielding Theseus has wounded Procrustes who struggles to protect himself with an inoffensive-looking hammer. Theseus was also a king, credited with creation a union of Attic communities under the leadership of Athens.
The other side of the amphora shows the amorous advance of the dawn deity, Eos, upon the handsome youth, Tithonos, who she later arranged to have immortalised. However, having forgotten to seek eternal youth for him, she eventually shut the chattering old man up in a bed-chamber

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240339
title: Shell Dipper Fragment (1948a43)

description: **Conch shell dipper fragment**

Location: Sellers site (31Cy42), Clay County, North Carolina.

Period: Mississippian, Qualla phase (AD 1400-1600).

Material: marine shell.

Dimensions: length, 124.9 mm; width, 67.0 mm; thickness, 8.4 mm.

Notes: Catalog no. 1948a43.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240338
title: Shell Dipper Fragment (1948a43)

description: **Conch shell dipper fragment**

Location: Sellers site (31Cy42), Clay County, North Carolina.

Period: Mississippian, Qualla phase (AD 1400-1600).

Material: marine shell.

Dimensions: length, 124.9 mm; width, 67.0 mm; thickness, 8.4 mm.

Notes: Catalog no. 1948a43.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240341
title: Kamen 7

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240340
title: Kamen 7

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240342
title: Египетский саркофаг

description: Египетский саркофаг. Мумия жреца Хор-Ха. Он умер во 2 тысячелетии до н.э.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240343
title: Египетский саркофаг

description: Египетский саркофаг. Мумия жреца Хор-Ха. Он умер во 2 тысячелетии до н.э.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240344
title: Ras Baalbek

description: Ras Baalbek village in the northern Beqaa Valley in Lebanon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240345
title: Ras Baalbek

description: Ras Baalbek village in the northern Beqaa Valley in Lebanon

Source: Objaverse 1.0 / Sketchfab