cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dance-ouc11256729
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dance-ouc110579690
title: Blow molding, 1996-05-12

description: "Blow Molding" is a piece choreographed, staged, and performed by Dan Froot. This performance of "Blow Molding" took place on 1996 May 12. Contains nudity.
DOI: 10.25549/dancestry-c105-785
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.
DOI: 10.25549/dancestry-c105-771
title: The New England Folk Festival 1986, Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: Documentation of the New England Folk Festival Association's 1986 festival, including:, Tony Parkes: Elegant Squares and Contras, Mary Lea: Interview, Tod Whittemore: Interview, Jam Session; Documentation of the New England Folk Festival Association's 1986 festival, including:, Tod Whittemore conducting Festival Orchestra, New England Dancing, Interview: Tod Whittemore, Yodel workshop, Tod Whittemore, Family Dance, Barbara Butenhof, Interview: Robin Rogers-Brown, Muddy River Rapper, Commonwealth Vintage Dancers: Tango, Cafeteria (Food etc.), Morris Dancers in Cafeteria; Documentation of the New England Folk Festival Association's 1986 festival, including:, Jitterbugging Couple, Marianne Taylor/Waltz + Pivot Dancing, Morris Processional and Dancing; Documentation of the New England Folk Festival Association's 1986 festival, including:, Morris dancing, Morris interviews, Latvian dancers (?), Irish dancers, Polish sequence, International dancing, Interview/Quilt Craftsperson; Documentation of the New England Folk Festival Association's 1986 festival, including:, Turkish dancer, Clogging, Peter Barnes - Interview, Jamming, Latvian dancing, Marianne Taylor - Interview, Ron Fishman - Interview; Documentation of the New England Folk Festival Association's 1986 festival, including:, Scottish dancers, Marianne Taylor, Dale Thomas - Interview, Ted Sanella - Calling, Spring Burrington - Puppet Concert, Tony Saletan - Interview, Rotenberg Family - Interview, Irish girls
DOI: 10.25549/dancestry-c105-74
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-140
title: American Tap Dance Orchestra – 10/5/90 – Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: A dance performance choreographed and performed by members of the American Tap Dance Foundation (formerly the American Tap Dance Orchestra) on October 5, 1990. (Part 1 is a piece created by Susannah Appelbaum and Karmen Jelincich, titled Hold Your Screws).
DOI: 10.25549/dancestry-c105-218
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-240
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-205
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-226
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-231
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-1350
title: FLAG (homage to Jasper Johns) – Queens Museum – 8/8/08

description: A site-specific dance video installation and multimedia stage work that combines contemporary dance with visual art, prosaic architecture, and technology, produced and choreographed by Andrea Haenggi and performed by members of AMDat at the Queens Museum in NYC, NY on August 8, 2008., , Following description pulled from a youtube clip of an excerpt of the performance: During Haenggi's choreographic residency with her company AMDaT this summer at the Queens Museum, she explored the difference between a dance and a piece of visual art. She questioned: What is the value they have in the world: the kinetic live-performance a one time experience in relation of a pictorial image that can be bought and sold. The residency concluded with a performance on August 8th as part of QMA"s Passport Fridays event series. During the choreographed live-performance Haenggi directed dancers Oceane McCord, Candice Schnurr and Uta Takemura as they changed from being dancers to becoming art tools. Haenggi used the dancers' body shapes as templates for the creation of an art work -- attaching dollar bills to an empty canvas to create a post-modern version of the American Flag., The choreographic residency was presented by the Queens Museum of Art and Topaz Arts, Inc.
DOI: 10.25549/dancestry-c105-190
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-244
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-253
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-789
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.
DOI: 10.25549/dancestry-c105-786
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.