cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5287/bodleian2oq3.2
title: Everyone Sang

description: Manuscript of poem in pencil, signed 'S. S.'. Published in 'Picture-Show' (1919).
DOI: 10.5287/bodleian2zhf.2
title: The Unicorn

description: Pencil draft of the second version of the verse play entitled 'The Amulet' containing line 14 followed by reordered lines from previous drafts, line 56 and stage directions.  The page is folded in two, and is worn and muddy.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian648v.2
title: The Unicorn (containing lines 41-48)

description: Pencil draft containing lines 41-48 of the first version of the verse poem entitled 'The Amulet'), numbered '5'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian68nm.2
title: 'In Parenthesis' Part 7 page 187

description: Notes written on page 187 by Colin Hughes after conversations with David Jones, that includes an explanation about the line 'But how many men do you suppose could bear away a third of us' which includes when Jones was crawling back wounded, a corporal picked him up and started to carry him away until ordered back into the fight.

Colin Hughes visited David Jones many times to discuss elements of the attacks on Mametz Wood by the Welsh battalions in the period 7th to 12th July 1916 during the Battle of the Somme. David Jones annotated Colin's copy of the book 'In Parenthesis' (1937) during these visits.
DOI: 10.5287/bodleian6dng.2
title: Official Military Record

description: Official comments on Graves health and sick leave (S.L.)
DOI: 10.5287/bodleian6lhn.2
title: Certificate of Death
DOI: 10.5287/bodleian6n4b.2
title: I Stood With the Dead

description: Manuscript in ink with corrections. Published in 'Picture-Show' (1919). Included in a letter to Robert Nichols. Comments on a previous letter from Robert Graves / wishes to change places, to have some quiet to write poetry / comments on a poem of Nichols published in 'The Nation / mentions Robert Graves's work / describes a walk through an orchard / discusses Wilfred Owen's poetry and time spent together at Craiglockhart War Hospital / includes the poem 'I Stood With the Dead'.
DOI: 10.5287/bodleian6rbs.2
title: The Unicorn

description: Pencil draft of the Fragment LXVIII '[Yeah I a soldier, say I have not suffered it all before]' on reverse of a portion of 'The Unicorn'.
DOI: 10.5287/bodleian85hc.2
title: Extract from Probate of Will

description: Probate of will.
DOI: 10.5287/bodleian898w.2
title: The Unicorn

description: Pencil draft of unidentified lines of the first version of the verse play, numbered '4'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian8jb7.2
title: The Unicorn

description: Pencil draft of the second version of the verse play containing containing line 53 followed by reordered lines.  On a page torn from an exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian8pid.2
title: Letter from Headquaters, Eastern Command, Chester to Robert Graves

description: Movement orders for Captain Graves
DOI: 10.5287/bodleian8s4s.2
title: Letter: To Robert Nichols.

description: Comments on a previous letter from Robert Graves / wishes to change places, to have some quiet to write poetry / comments on a poem of Nichols published in 'The Nation / mentions Robert Graves's work / describes a walk through an orchard / discusses Wilfred Owen's poetry and time spent together at Craiglockhart War Hospital / includes the poem 'I Stood With the Dead'.
DOI: 10.5287/bodleian8vm2.2
title: The Unicorn

description: Pencil draft of the second version of the verse play containing line 73 followed by reordered lines, lines 104-105.  On a page torn from exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleiand124.2
title: Medical military record

description: Discussion of fitness after bronchitas and a transfer application
DOI: 10.5287/bodleiand8ak.2
title: Before the Battle

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'The Old Huntsman' (1917).
DOI: 10.5287/bodleiandk2f.2
title: 'In Parenthesis' extract from Part 5

description: Notes written on a page from Part 5 of 'In Parenthesis' by Colin Hughes after conversations with David Jones, identifying David Jones (regimental number 22579) as the soldier named as '79 Jones. 

Colin Hughes visited David Jones many times to discuss elements of the attacks on Mametz Wood by the Welsh battalions in the period 7th to 12th July 1916 during the Battle of the Somme. David Jones annotated Colin's copy of the book 'In Parenthesis' (1937) during these visits.
DOI: 10.5287/bodleiandn6u.2
title: Vision

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Picture-Show' (1919).
DOI: 10.5287/bodleiandwnt.2
title: Letter: To Adjutant 3rd Batallion RWF.

description: Application for transfer to Egypt.  Senior Medical Officer comments are at the bottom.
DOI: 10.5287/bodleianiha.2
title: The Unicorn (containing lines 49-6)

description: Pencil draft of 'The Amulet' containing lines 49-63.  On page torn from exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleianja3x.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing lines 147 followed by reordered lines.  On a page torn from an exercise book, written on the reverse of IR/III/71.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleianjd4l.2
title: The Unicorn (from line 26)

description: Pencil draft of the first version of the verse play entitled 'The Amulet'.  Begins with line 26 and carries on with lines reordered from previous drafts.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleianjf21.2
title: Concert Party (Egyptian Base Camp)

description: Manuscript in ink, signed 'S. S.'. Published in 'Picture-Show' (1919).
DOI: 10.5287/bodleianjy2u.2
title: Official Military Record: Medical Report on a Disabled Officer

description: Report concerns Graves continuing health problems after being wounded. Written at Kinmel Park, Rhyl, Wales.
DOI: 10.5287/bodleianmoo.2
title: List of Edward Thomas' personal effects

description: List of Thomas' personal effects
DOI: 10.5287/bodleianyzd.2
title: The Dug-Out / Butterflies

description: Manuscript of poems in ink with corrections, signed 'S. S.'. 'The Dug-Out' was initially composed at St Venant in July 1918. Both were published in 'Picture-Show' (1919). The 'Dug-Out' was based on how Siegfried Sassoon's fellow officer 'Jowett' looked while he was asleep.
DOI: 10.5287/bodleian231a.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing lines 203-204 and further unused lines.  On the reverse of a page torn from an exercise book, labeled '14'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian2fzh.2
title: Official Military Record: Confirmation of Graves demobilisation

description: From British GHQ, Parkgate, Infirmary Road, Dublin.
DOI: 10.5287/bodleian2pd8.2
title: Dreamers

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleian2rur.2
title: The Unicorn

description: Pencil draft of the second version of the verse play containing line 108 followed by reordered lines, also line 176 followed by reordered lines.  On the reverse of a page torn from an exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian63me.2
title: The Unicorn / Fragment LXVIII

description: Fragment LXVIII: pencil draft on page torn from receipt book numbered 696.  On the same page as a draft of lines relating to l.147 - 153 of 'The Unicorn', rotated 180 degrees.  On the reverse Isaac Rosenberg has written in pencil 'Dear J. A.'
DOI: 10.5287/bodleian6ivv.2
title: Official Military Record

description: Concerns Graves' military leave.  At this time he had returned to London for an operation on his nose.
DOI: 10.5287/bodleian6k99.2
title: Attack

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleian6qvq.2
title: When I'm among a blaze of lights...

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'The Old Huntsman' (1917).
DOI: 10.5287/bodleian6t43.2
title: Official Military Record: Comments on Graves demobilisation
DOI: 10.5287/bodleian84vg.2
title: A Mystic As Soldier

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'The Old Huntsman' (1917).
DOI: 10.5287/bodleian8ag3.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing final stage directions.  On a page torn from an exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian8h9i.2
title: The Dugout

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Picture-Show' (1919).
DOI: 10.5287/bodleian8xvw.2
title: Letter: From Robert Graves

description: Enquiry as to his eligibility for a gratuity after receiving a wound in action. From the Queen Alexandra Hospital, Highgate, London.
DOI: 10.5287/bodleianbd6.2
title: Autumn

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleiandda9.2
title: Letter: From The Officer Commanding,  No.4 Officer Cadet Battalion to The Secretary, War Office, London

description: Letter recommends that Graves is transferred to another Cadet Battalion for health reasons. From From No 4 Officer Cadet Battalion, Alfred Street, Oxford.
DOI: 10.5287/bodleiandls5.2
title: Remorse

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleiandqwg.2
title: The Unicorn

description: Pencil draft of the second version of the verse play containing line 176 followed by reorderd lines, and then further unused lines.  On the reverse of IR/III/74.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleiandt6p.2
title: Letter: From The Officer Commanding,  No.4 Officer Cadet Battalion to The Secretary, War Office, London

description: Letter concerns Graves being sent to Osborne;the OC considers Graves to be 'young and inexperienced'. From No 4 Officer Cadet Battalion, Alfred Street, Oxford.
DOI: 10.5287/bodleianj2al.2
title: Letter: From Lt. Col J.T.I. Bosanquet to Robert Graves

description: Instructions to Graves to report to the War Office.
DOI: 10.5287/bodleianj76z.2
title: Letter: From The Officer Commanding,  No.4 Officer Cadet Battalion to the Secretary, War Office, London

description: Letter reports the convalescence of Graves. From No 4 Officer Cadet Battalion, Alfred Street, Oxford.
DOI: 10.5287/bodleianjbwq.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing a cancelled line followed by lines 182-202.  On a page torn from an exercise book, numbered '13'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleianjjar.2
title: At Carnoy

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'The Old Huntsman' (1917).
DOI: 10.5287/bodleianjuk.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing line 138 followed by reordered lines.  On an incomplete sheet of blue paper which is torn and muddy, and in some places illegible.  The page is numbered '12'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleianjv6a.2
title: Wraiths

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Picture-Show' (1919).
DOI: 10.5287/bodleiankzy.2
title: Letter: To Officer Commanding 3rd Welch Fus.

description: Requests consideration for a pension or further Wound gratuity after GS (Gun Shot) wound.
DOI: 10.5287/bodleianv1u.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing stage directions following line 204 and line 205 followed by reordered lines.  On a sheet of blue incomplete paper, numbered '15'.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian2gdf.2
title: Official Military Record

description: Report of Graves' embarkation from France; also records his reported death from a gunshot wound at the Batle of the Somme.
DOI: 10.5287/bodleian2jy5.2
title: The Rear-Guard

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleian2vdi.2
title: To Any Dead Officer

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'Counter-Attack and Other Poems' (1918).
DOI: 10.5287/bodleian2x7y.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing line 118 followed by reodered lines and lines 147-148.  On a page torn from an exercise book.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian619s.2
title: Pozieres

description: With patriotic illustration, signed 'I. Rosenberg'. Rosenberg submitted the design and the poem for the 40th Division Christmas card in 1917, but it was not chosen. Written beside the poem, not in Rosenberg's hand, is written in pencil 'spelling incorrect', 'Beaucamp' referring to Rosenberg's misspelling of the name (as 'Beachamps') in his accompanying drawing, and 'original poetry'.
DOI: 10.5287/bodleian62op.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing line 1 of 'Tel's Song' and unused lines possibly relating to line 134 and following.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian672w.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing drafts of 'Tel's song'.  On two halves of page taken from an exercise book, the halves making up a complete sheet.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.
DOI: 10.5287/bodleian6ax8.2
title: Blighters

description: Manuscript in ink in Siegfried Sassoon's hand. This is a clean draft without corrections. Included in a collection of manuscript drafts of fifty of Siegfried Sassoon's poems. In a note at the back of the volume dated 20th December 1924 Sassoon writes that the blank pages are the rest of my life'. He adds that I made this manuscript when considering my choice for Selected Poems', 1925'. At a later date he adds that numerous redundant pages were removed when the book was rebound in 1953'. A digitally photographed facsimile of the volume was included in the Imperial War Museum's War Poets' exhibition in London in 2003. This poem was also published in 'The Old Huntsman' (1917).
DOI: 10.5287/bodleian6mg7.2
title: The Unicorn

description: Pencil draft of the second version of the verse play, containing line 175 followed by reordered lines and line 4 of 'Tel's Song'.  On the reverse of IR/III/75 written on a sheet of incomplete blue paper.  Isaac Rosenberg abandoned work on 'The Amulet' in July of 1917, and used many lines of the former verse play for 'The Unicorn'.