cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.4231/d3d795b1q
title: TEMPERATURE - Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Beam Bridges

description: &lt;p&gt;Guidelines for conducting heat straightening repair have been developed by FHWA and many DOTS. The guidelines establish limits for: (a) the maximum damage that can be repaired, (b) the maximum restraining force, and %(c%) the maximum heating temperature to prevent the side effects of heat straightening repair process. However the heat straightening guidelines are violated in the field due to time and economic issues. These violations include, but are not limited to: (a) under heating below 1200&deg;F, (b) over heating above 1200&deg;F, %(c%) over straining above restraining force limit (0.5 M,,p,,) and (d) multiple heat straightening of the same beam more than two times. Currently, there is a lack of knowledge of the effects of these imperfections in the heat straightening repair process on the condition and serviceability of the damaged-repaired beams. This knowledge is needed to develop more realistic guidelines for evaluating and replacing bridge members subjected to damage followed by imperfect heat straightening repair. The overall goal of this research is to develop recommendations and guidelines for evaluating steel beam bridges in Indiana subjected to damage followed by heat straightening repair with imperfections (overstraining, overheating, or multiple heat straightening).&lt;/p&gt;
description: Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Bridges
DOI: 10.4231/d3w66984s
title: N-1 Span Damage - Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Beam Bridges

description: &lt;p&gt;Guidelines for conducting heat straightening repair have been developed by FHWA and many DOTS. The guidelines establish limits for: (a) the maximum damage that can be repaired, (b) the maximum restraining force, and %(c%) the maximum heating temperature to prevent the side effects of heat straightening repair process. However the heat straightening guidelines are violated in the field due to time and economic issues. These violations include, but are not limited to: (a) under heating below 1200&deg;F, (b) over heating above 1200&deg;F, %(c%) over straining above restraining force limit (0.5 Mp) and (d) multiple heat straightening of the same beam more than two times. Currently, there is a lack of knowledge of the effects of these imperfections in the heat straightening repair process on the condition and serviceability of the damaged-repaired beams. This knowledge is needed to develop more realistic guidelines for evaluating and replacing bridge members subjected to damage followed by imperfect heat straightening repair. The overall goal of this research is to develop recommendations and guidelines for evaluating steel beam bridges in Indiana subjected to damage followed by heat straightening repair with imperfections (overstraining, overheating, or multiple heat straightening).&lt;/p&gt;
description: Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Bridges
DOI: 10.4231/d30z70w9f
title: FORCE SYSTEM 3 - Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Beam Bridges

description: &lt;p&gt;Guidelines for conducting heat straightening repair have been developed by FHWA and many DOTS. The guidelines establish limits for: (a) the maximum damage that can be repaired, (b) the maximum restraining force, and %(c%) the maximum heating temperature to prevent the side effects of heat straightening repair process. However the heat straightening guidelines are violated in the field due to time and economic issues. These violations include, but are not limited to: (a) under heating below 1200&deg;F, (b) over heating above 1200&deg;F, %(c%) over straining above restraining force limit (0.5 M,,p,,) and (d) multiple heat straightening of the same beam more than two times. Currently, there is a lack of knowledge of the effects of these imperfections in the heat straightening repair process on the condition and serviceability of the damaged-repaired beams. This knowledge is needed to develop more realistic guidelines for evaluating and replacing bridge members subjected to damage followed by imperfect heat straightening repair. The overall goal of this research is to develop recommendations and guidelines for evaluating steel beam bridges in Indiana subjected to damage followed by heat straightening repair with imperfections (overstraining, overheating, or multiple heat straightening).&lt;/p&gt;
description: Supplementary Materials for the Report: Effects of Realistic Heat Straightening Repair on the Properties and Serviceability of Damaged Steel Bridges
DOI: 10.4231/d3dz03214
title: Predicted regulatory signals in the human HOXA locus: supplemental material for the report: Discovering sequences with potential regulatory characteristics

description: &lt;p&gt;[[Link(http://genome.ucsc.edu/cgi-bin/hgTracks?org=human&amp;position=chr7&amp;hgt.customText=https://purr.purdue.edu/publications/1418/serve?v=1 Open in genome browser)]]&lt;/p&gt;

&lt;p&gt;In the human genome, regulatory signals are dispersed in DNA sequences and segments that control gene expression. We have developed a computational model to localize the position of potential regulatory signals in human genomic DNA. In this publication, we offer a bed file displaying the position of potential regulatory signals in the human HOXA locus and hits with statistically significant sequence elements in coding sequences (CDSs) of human genes. When displayed in full-format in the human genome browser at UCSC (built hg17), the position of predicted regulatory signals appears in blue and red. Shown in green is the position of hits with statistically significant sequence elements obtained from CDSs. Examples and details can be obtained from the original publication: [[Link(http://genome.ucsc.edu/cgi-bin/hgTracks?org=human&amp;position=chr7&amp;hgt.customText=https://purr.purdue.edu/publications/1418/serve?v=1 Open the HOXA locus genome tract)]] in the UCSC genome browser.&lt;/p&gt;
description: Supplementary materials for the paper: Discovering sequences with potential regulatory characteristics. Bina M, Wyss P, Lazarus SA, Shah SR, Ren W, Szpankowski W, Crawford GE, Park SP, Song XC. Genomics. 2009 Apr;93(4):314-22
DOI: 10.4231/d3h41jm64
title: An Interview with Antonietta De Lillo: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Antonietta De Lillo, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Antonietta De Lillo, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.4231/d3mw28f0k
title: An Interview with Costanza Quatriglio: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Costanza Quatriglio, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Costanza Quatriglio, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.4231/d3rn3074q
title: An Interview with Francesca Pirani: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Francesca Pirani, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Francesca Pirani, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.4231/d3154dp2k
title: An Interview with Marina Spada: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Marina Spada, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Marina Spada, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.4231/d3wd3q18g
title: An Interview with Paola Sangiovanni: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Paola Sangiovanni, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Paola Sangiovanni, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.15468/dl.9msxb9
title: Occurrence Download

description: A dataset containing 2152 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is one of (Callista chione, Callista coccinea, Chione vulgaris, Cytherea chione, Macrocallista chione, Meretrix chione, Meretrix chione brevior, Meretrix chione elongata, Meretrix chione major, Pectunculus glaber, Venus chione)",
 "HasCoordinate is true",
 "BasisOfRecord is one of (Observation, Machine Observation, Human Observation, Occurrence evidence)",
 "OccurrenceStatus is Present",
 "Year is greater than or equal to 1950"
 ]
}

 The dataset includes 2152 records from 58 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0059268-251120083545085/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.4231/d3db7vq16
title: Workspace

description: &lt;p&gt;Workspace&lt;/p&gt;
description: Workspace
DOI: 10.4231/d3f47gt6n
title: An Interview with Alina Marazzi: Supplementary Content to Reframing Italy: New Trends in Italian Women's Filmmaking

description: &lt;p&gt;This video interview with Alina Marazzi, a leading female Italian film director, accompanies the 2013 book &#39;&#39;Reframing Italy: New Trends in Italian Women&#39;s Filmmaking, by Bernardette Luciano and Susanna Scarparo, and is published in the series Purdue Studies in Romance Literatures by Purdue University Press. In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy&#39;&#39; fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers&rsquo; challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women&rsquo;s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women&rsquo;s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.&lt;/p&gt;
description: This video interview with Alina Marazzi, a leading female Italian film director, accompanies the 2013 book Reframing Italy: New Trends in Italian Women's Filmmaking, by Bernardette Luciano and Susanna Scarparo.
DOI: 10.4231/d31834278
title: Figure X: Insolubility of AarCH6-C357Y

description: &lt;p&gt;Vinegar production requires acetic acid bacteria that produce, tolerate, and conserve high levels of acetic acid. When ethanol is depleted, aerobic acetate &ldquo;overoxidation&rdquo; to carbon dioxide ensues. The resulting diauxic growth pattern has two logarithmic growth phases, the first associated with ethanol oxidation and the second associated with acetate overoxidation. The vinegar factory isolate &#39;&#39;Acetobacter aceti&#39;&#39; strain 1023 has a long intermediate stationary phase that persists at elevated acetic acid levels. Strain 1023 conserves acetic acid despite possessing a complete set of citric acid cycle (CAC) enzymes, including succinyl-!CoA:acetate !CoA-transferase (SCACT), the product of the acetic acid resistance (&#39;&#39;aar) gene aarC&#39;&#39;. In this study, cell growth and acid production were correlated with the functional expression of aar genes using RT-PCR, Western blotting, and enzyme activity assays. Citrate synthase (!AarA) and SCACT (!AarC) were abundant in &#39;&#39;A. aceti&#39;&#39; strain 1023 during both log phases, suggesting the transition to acetate overoxidation was not a simple consequence of CAC enzyme induction. A mutagenized derivative of strain 1023 lacking functional !AarC readily oxidized ethanol but was unable to overoxidize acetate, indicating that the CAC is required for acetate overoxidation but not ethanol oxidation. The primary role of the &#39;&#39;aar&#39;&#39; genes in the metabolically streamlined industrial strain &#39;&#39;A. aceti &#39;&#39;1023 appears to be to harvest energy via acetate overoxidation in otherwise depleted medium.&lt;/p&gt;
description: Supplementary to Mullins E.A. and Kappock T.J. (2013) "Functional analysis of the acetic acid resistance (aar) gene cluster in Acetobacter aceti strain 1023." Acetic Acid Bacteria 2: e3. (DOI: 10.4081/aab.2013.s1.e3).