cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10306351
title: Copy of box to Lidded box, tepetlacalli

description: [1939.32.0001](https://collections.smvk.se/carlotta-em/web/object/1770465), kista, gipsavgjutning
Inventar: "Askkista. Gipsavgjutning från [original i Museum fuer Völkerkunde, Hamburg (Hackmacks samling)](https://markk-hamburg.de/en/objekte/lidded-box-decorated-with-reliefs-tepetlacalli/). Ursprung okänt, troligen Mexicodalen. Originalet är hugget ur grågrön sten och lock, som sluter till omkring lådans upphöjda inre kant. Formen är rektangulär med platt lock och botten. Alla större ytor äro försedda med reliefer. På lådans framsida bilden av en sittande figur med en hieroglyf som Seler tyder såsom tecken för 'den döde krigarens själ' (Seler Abb. 18). Motstående långsidas figur tyder Seler såsom Tepeyollotli, hålernas eller grottornas gud. Kortsidorna och bottens inre uppta datumtecken, som torde symbolisera nordens och sydens regioner. 

![](https://collections.smvk.se/carlotta-em/web/image/zoom/3722708/1939.32.0001.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306352
title: Copy of box to Lidded box, tepetlacalli

description: [1939.32.0001](https://collections.smvk.se/carlotta-em/web/object/1770465), kista, gipsavgjutning
Inventar: "Askkista. Gipsavgjutning från [original i Museum fuer Völkerkunde, Hamburg (Hackmacks samling)](https://markk-hamburg.de/en/objekte/lidded-box-decorated-with-reliefs-tepetlacalli/). Ursprung okänt, troligen Mexicodalen. Originalet är hugget ur grågrön sten och lock, som sluter till omkring lådans upphöjda inre kant. Formen är rektangulär med platt lock och botten. Alla större ytor äro försedda med reliefer. På lådans framsida bilden av en sittande figur med en hieroglyf som Seler tyder såsom tecken för 'den döde krigarens själ' (Seler Abb. 18). Motstående långsidas figur tyder Seler såsom Tepeyollotli, hålernas eller grottornas gud. Kortsidorna och bottens inre uppta datumtecken, som torde symbolisera nordens och sydens regioner. 

![](https://collections.smvk.se/carlotta-em/web/image/zoom/3722708/1939.32.0001.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306353
title: Барельєф: "Володимир Святославич"

description: Робота скульптора Володимира Давидовича Нікітенко, 1923 – 2018р., м.Приморськ

Сканування робіт виконано ГО "Приморськ 24/7" спільно з ГО "Спілка краєзнавців Приморська" за сприяння Приморського краєзнавчого музею, в рамках виконання проєкту "Смарт-підтримка молодіжного центру Портал". Фінансування відбувається завдяки Програмі ООН із відновлення та розбудови миру, що фінансується за підтримки Європейського Союзу та урядів Данії, Швейцарії та Швеції.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306354
title: Барельєф: "Володимир Святославич"

description: Робота скульптора Володимира Давидовича Нікітенко, 1923 – 2018р., м.Приморськ

Сканування робіт виконано ГО "Приморськ 24/7" спільно з ГО "Спілка краєзнавців Приморська" за сприяння Приморського краєзнавчого музею, в рамках виконання проєкту "Смарт-підтримка молодіжного центру Портал". Фінансування відбувається завдяки Програмі ООН із відновлення та розбудови миру, що фінансується за підтримки Європейського Союзу та урядів Данії, Швейцарії та Швеції.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306355
title: Klosterruin / Ruin of medieval monestary

description: Klosterruin på Tautra. Created by Dag-Øyvind Solem in RealityCapture  from 895 images in 04h:14m:31s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306356
title: Klosterruin / Ruin of medieval monestary

description: Klosterruin på Tautra. Created by Dag-Øyvind Solem in RealityCapture  from 895 images in 04h:14m:31s.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306358
title: WW2 German Gewehr 43

description: This was my first 3D gun model of the Gewehr 43, used by the germans in WW2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306357
title: WW2 German Gewehr 43

description: This was my first 3D gun model of the Gewehr 43, used by the germans in WW2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306359
title: RK17 A00689 Rijder

description: RK17 A00689 is a Rijder coin with a hole in it, found during the archaeological excavation of the Rooswijk in 2017.

In 2017 and 2018, the shipwreck of the Rooswijk, a 300 year old Dutch East India Company (VOC) ship which sank on the treacherous Goodwin Sands in January 1740 off the coast of England, was excavated by an international team of maritime archaeologists. Post-excavation work began straight after each excavation campaign, focusing on ex-situ research, the conservation and analysis of the artefacts and will continue until the end of the project. The #Rooswijk1740 project is funded and led by the Cultural Heritage Agency of the Netherlands (Ministry of Education, Science and Culture), in collaboration with project partner Historic England and UK-contractor MSDS Marine.

Follow #Rooswijk1740 on social media and https://english.cultureelerfgoed.nl/topics/maritime-heritage/shipwrecks/rooswijk1740

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306360
title: RK17 A00689 Rijder

description: RK17 A00689 is a Rijder coin with a hole in it, found during the archaeological excavation of the Rooswijk in 2017.

In 2017 and 2018, the shipwreck of the Rooswijk, a 300 year old Dutch East India Company (VOC) ship which sank on the treacherous Goodwin Sands in January 1740 off the coast of England, was excavated by an international team of maritime archaeologists. Post-excavation work began straight after each excavation campaign, focusing on ex-situ research, the conservation and analysis of the artefacts and will continue until the end of the project. The #Rooswijk1740 project is funded and led by the Cultural Heritage Agency of the Netherlands (Ministry of Education, Science and Culture), in collaboration with project partner Historic England and UK-contractor MSDS Marine.

Follow #Rooswijk1740 on social media and https://english.cultureelerfgoed.nl/topics/maritime-heritage/shipwrecks/rooswijk1740

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306363
title: Milton X1, Dumfries and Galloway

description: Cup and ring marked rock recorded for ScRAP by the Kirkcudbright Rock Art Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306364
title: Milton X1, Dumfries and Galloway

description: Cup and ring marked rock recorded for ScRAP by the Kirkcudbright Rock Art Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306365
title: Javelin

description: created in 3Ds Max

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306366
title: Javelin

description: created in 3Ds Max

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306369
title: Canette (Allegory of Continents)

description: Canette (Allegory of Continents), Nuremberg, circa 1600, after a model by Caspar Enderlein (1560 - 1633), tin. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

The tin potters of Nuremberg will, following François Briot and Caspar Enderlein, launch the production of ceremonial and essentially decorative tableware. They are often dishes and plates commemorative, decorated with the equestrian portrait of the Germanic emperors or illustrated religious themes. They were offered at important events in public and private life.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306370
title: Canette (Allegory of Continents)

description: Canette (Allegory of Continents), Nuremberg, circa 1600, after a model by Caspar Enderlein (1560 - 1633), tin. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

The tin potters of Nuremberg will, following François Briot and Caspar Enderlein, launch the production of ceremonial and essentially decorative tableware. They are often dishes and plates commemorative, decorated with the equestrian portrait of the Germanic emperors or illustrated religious themes. They were offered at important events in public and private life.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306373
title: Scout Slingshot from secret neighbor

description: Scout Slingshot from secret neighbor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306374
title: Scout Slingshot from secret neighbor

description: Scout Slingshot from secret neighbor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306376
title: Funerary Monument of a Husband and Wife

description: 2 CE, Carrara marble, Roman

"This type of funerary monument, a framed grave relief, was most common during the era of the Roman Republic (509-27 BC). The realistic treatment of the eyes, the woman's hairstyle, with her long braids wound around her head, and the man's short beard indicate that this is a later example from the Hadrianic (AD 117-138) or Antonine (AD 138-192) period."

Photographed at Walters Art Museum in Baltimore, MD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306375
title: Funerary Monument of a Husband and Wife

description: 2 CE, Carrara marble, Roman

"This type of funerary monument, a framed grave relief, was most common during the era of the Roman Republic (509-27 BC). The realistic treatment of the eyes, the woman's hairstyle, with her long braids wound around her head, and the man's short beard indicate that this is a later example from the Hadrianic (AD 117-138) or Antonine (AD 138-192) period."

Photographed at Walters Art Museum in Baltimore, MD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306377
title: Neolithic House Links of Noltland

description: Remains of Neolithic house, Links of Noltland, Westray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306378
title: Neolithic House Links of Noltland

description: Remains of Neolithic house, Links of Noltland, Westray.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306379
title: Tanssijatar - Female Dancer

description: FI: Wäinö Aaltonen: Tanssijatar, 1928, pronssi, korkeus 110.00 cm. 
Tanssijatar kuuluu Aaltosen modernistiseen kauteen ja on yksi sen kubistishenkisistä pääteoksista.

EN: Wäinö Aaltonen: Female Dancer, 1928, bronze, height 3'7.3"/110cm.
The Female Dancer is one of the cubist themed magnum opuses of Aaltonen's modernist period.

Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306380
title: Tanssijatar - Female Dancer

description: FI: Wäinö Aaltonen: Tanssijatar, 1928, pronssi, korkeus 110.00 cm. 
Tanssijatar kuuluu Aaltosen modernistiseen kauteen ja on yksi sen kubistishenkisistä pääteoksista.

EN: Wäinö Aaltonen: Female Dancer, 1928, bronze, height 3'7.3"/110cm.
The Female Dancer is one of the cubist themed magnum opuses of Aaltonen's modernist period.

Scan: Artec Leo

Photogrammetry and textures: Reality Capture

Model and texture cleaning: Blender

Roughness maps etc: Materialize

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306381
title: Barbeiro

description: Lol poly simples

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306382
title: Barbeiro

description: Lol poly simples

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306387
title: 77-47-T209 Seal Rib Tool. Hot Springs Village

description: Modified Seal Rib. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T209 Okada excavations HHT, Level 5B. Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306388
title: 77-47-T209 Seal Rib Tool. Hot Springs Village

description: Modified Seal Rib. Hot Springs Village, Port Moller, Alaska CAT# 77-47-T209 Okada excavations HHT, Level 5B. Hot Springs 1B. 1600-1300 BCE.

The Hot Springs site is a massive village on the shore of Port Moller, on the Alaska Peninsula side of the southern Bering Sea. It was excavated by several different teams over the last 100 years. The main occupations are from 2000 BCE-1000 BCE, and from 100 CE to 800 CE.

The Hot Springs artifacts are presented as a result of the research conducted under grants NSF 0137756, NSF 1204020, NSF 1139266, and NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306389
title: Kyra's latest painting and her palette

description: kyravbrandt.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306390
title: Kyra's latest painting and her palette

description: kyravbrandt.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306396
title: Klabauču pilskalns

description: Klabauču pilskalna 3D modelis. Koordinātas: 56.01111, 27.64999

https://www.latvijas-pilskalni.lv/klabaucu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306395
title: Klabauču pilskalns

description: Klabauču pilskalna 3D modelis. Koordinātas: 56.01111, 27.64999

https://www.latvijas-pilskalni.lv/klabaucu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306400
title: Secret Neighbor - Blue Detective

description: Blue Wear Cloth Detective from Secret neighbor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306399
title: Secret Neighbor - Blue Detective

description: Blue Wear Cloth Detective from Secret neighbor

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306403
title: Pre-hispanic statue

description: Pre-hispanic statue, Musée du Quai Branly (Paris)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306404
title: Pre-hispanic statue

description: Pre-hispanic statue, Musée du Quai Branly (Paris)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306405
title: Amamoor Rail Shed Simplified 3d Mesh

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306406
title: Amamoor Rail Shed Simplified 3d Mesh

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306407
title: NMB&H, Eneolithic tool - axe

description: Eneolithic Copper single-edged axe with cylindrical shaft hole. Lenght 16.6 cm. From the site of  Griča near Mrkonjić Grad (western Bosnia) - hoard. First half of the 3rd millenium BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 185 images. GDH ID No. 25912 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306408
title: NMB&H, Eneolithic tool - axe

description: Eneolithic Copper single-edged axe with cylindrical shaft hole. Lenght 16.6 cm. From the site of  Griča near Mrkonjić Grad (western Bosnia) - hoard. First half of the 3rd millenium BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 185 images. GDH ID No. 25912 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306410
title: 茅野市棚畑遺跡「吹上パターン」出土土器群1 観察記録3Dモデル

description: 茅野市棚畑遺跡「吹上パターン」出土土器群1 観察記録3Dモデル
棚畑遺跡第119号住居址「吹上パターン」出土土器群
縄文中期前半
撮影場所:尖石縄文考古館
撮影月日:2019.09.13
ガラス張りショーケース越しに撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 34 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306409
title: 茅野市棚畑遺跡「吹上パターン」出土土器群1 観察記録3Dモデル

description: 茅野市棚畑遺跡「吹上パターン」出土土器群1 観察記録3Dモデル
棚畑遺跡第119号住居址「吹上パターン」出土土器群
縄文中期前半
撮影場所:尖石縄文考古館
撮影月日:2019.09.13
ガラス張りショーケース越しに撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 34 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306411
title: Petroglyph H26, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H26, Khatm Al Melaha, Kalba, Sharjah. Two animals, other figures difficult to distinguish. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306412
title: Petroglyph H26, Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph H26, Khatm Al Melaha, Kalba, Sharjah. Two animals, other figures difficult to distinguish. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306413
title: Balneário Camboriú - rua 700

description: My 3D asset generated with photogrammetry software.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306414
title: Balneário Camboriú - rua 700

description: My 3D asset generated with photogrammetry software.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306417
title: Brick building - Butcher shop

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306418
title: Brick building - Butcher shop

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306421
title: Superfine Face Powder

description: Walker setting powder to prevent oil build-up.

This item was 3D scanned using a Creaform Go Scan 20.

To learn more about this piece visit: http://www.thewalkertheatre.org/

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306422
title: Superfine Face Powder

description: Walker setting powder to prevent oil build-up.

This item was 3D scanned using a Creaform Go Scan 20.

To learn more about this piece visit: http://www.thewalkertheatre.org/

For more information about the 3D Digitization Program at IUPUI visit: https://www.ulib.iupui.edu/digitalscholarship/3ddig

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306423
title: Petroglyph J6 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph J6 Khatm Al Melaha, Kalba, Sharjah. Wild Ass, Ibex, Snakes, Tahr, humans, symbols. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306424
title: Petroglyph J6 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph J6 Khatm Al Melaha, Kalba, Sharjah. Wild Ass, Ibex, Snakes, Tahr, humans, symbols. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306426
title: Phaser 2266

description: The type-2 phaser consisted of a pistol-shaped base which contained additional power cells and controls. The small type 1 phaser snapped into the top of the unit. 

The type 2 phaser was normally carried on an equipment belt. It was not usually issued on diplomatic or sensitive missions. The pistol grip and simple controls made it an effective weapon that could be adjusted and fired on short notice. 

I'm doing this for a class. Figured I'd go the extra mile with a bit of lore or whatever.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10306425
title: Phaser 2266

description: The type-2 phaser consisted of a pistol-shaped base which contained additional power cells and controls. The small type 1 phaser snapped into the top of the unit. 

The type 2 phaser was normally carried on an equipment belt. It was not usually issued on diplomatic or sensitive missions. The pistol grip and simple controls made it an effective weapon that could be adjusted and fired on short notice. 

I'm doing this for a class. Figured I'd go the extra mile with a bit of lore or whatever.

Source: Objaverse 1.0 / Sketchfab