cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whit-ouc113792030
title: Buffums Christmas catalog products, Los Angeles, Calif., 1945-09-20

description: 16 photographs of Buffums Christmas catalog products, Los Angeles, California, USA, 20 September 1945. Client: Buffums. Agency: Evers Whyte (Link Hanna). Operator: Cross.
DOI: 10.25549/whit-ouc113792156
title: Buffums Christmas catalog products, Los Angeles, Calif., 1945-09-20

description: 16 photographs of Buffums Christmas catalog products, Los Angeles, California, USA, 20 September 1945. Client: Buffums. Agency: Evers Whyte (Link Hanna). Operator: Cross.
DOI: 10.25549/whit-ouc113792162
title: Building interior construction, Los Angeles, Calif., 1945-09-21

description: 3 photographs of building interior construction, Los Angeles, California, 21 September 1945. Client: Quaintance Company (Miss Menich, 634 South Olive). Operator: Cross.
DOI: 10.25549/whit-ouc113791951
title: Copies for lantern slide lecture [unid. executive], before? 1945

description: 9 copy (21 September 1945) photographs for lantern slide lecture on an unidentified executive, before 21 September 1945. Client: Los Angeles Rotary. Operator: [blank].
DOI: 10.25549/whit-ouc113792102
title: Copies for lantern slide lecture [unid. executive], before? 1945

description: 9 copy (21 September 1945) photographs for lantern slide lecture on an unidentified executive, before 21 September 1945. Client: Los Angeles Rotary. Operator: [blank].
DOI: 10.25549/whit-ouc113792046
title: Interstatements various employees publicity, Interstate Aircraft, El Segundo, Calif., 1945-09-24

description: 6 photographs of various employees for Interstatements publicity, Interstate Aircraft, 2600 East Imperial Highway, El Segundo, California, USA, 24 September 1945. Client: Interstate Aircraft (Miss Matson). Agency: Attention R.B. Powell. Operator: Vannice.
DOI: 10.5281/zenodo.18796744
title: SCIENTIFIC AND PRODUCTION CENTERS: ESSENCE, STRUCTURE, AND INSTITUTIONAL MECHANISMS
DOI: 10.5281/zenodo.18796743
title: SCIENTIFIC AND PRODUCTION CENTERS: ESSENCE, STRUCTURE, AND INSTITUTIONAL MECHANISMS
DOI: 10.25549/whit-ouc11399kb52
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kigv
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113890733
title: Standing female figure

description: This solid Chupicuaro female figure has a hole in the center of her head. She probably was worn as a pendant to insure fertility.
DOI: 10.25549/maw-ouc113890734
title: Standing female figure

description: This solid Chupicuaro female figure has a hole in the center of her head. She probably was worn as a pendant to insure fertility.
DOI: 10.25549/maw-ouc113889615
title: Standing female figure with hands on chest

description: Chupicuaro solid figures are classified by their jewelry style (choker) and eye type; slant eyed, button eyed, diamond eyed, and point eyed.
DOI: 10.25549/maw-ouc113889620
title: Small standing female figure carrying a figure

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889573
title: Small standing female figure carrying a figure

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/whit-ouc113792095
title: Dr. Baird & group at banquet, Los Angeles, Calif., 1945-09-25

description: 2 photographs of Dr. Baird and group at banquet, Los Angeles, California, USA, 25 September 1945. Client: Immannuel Presbyterian Church (care of William Partee, Wilshire at Berendo). Agency: Deliver to Glen. W. Moore (Los Angeles Presbytery, 311 South Spring Street). Operator: D.W.
DOI: 10.25549/whit-ouc113791953
title: Industrial Indemnity personnel, Los Angeles, Calif., 1945-09-25

description: 4 photographs of Industrial Indemnity personnel, Los Angeles, California, USA, 25 September 1945. Client: Industrial Indemnity Company (Miss Hibbs, 416 West 8th Street). Operator: Vannice.
DOI: 10.25549/whit-ouc113792146
title: Industrial Indemnity personnel, Los Angeles, Calif., 1945-09-25

description: 4 photographs of Industrial Indemnity personnel, Los Angeles, California, USA, 25 September 1945. Client: Industrial Indemnity Company (Miss Hibbs, 416 West 8th Street). Operator: Vannice.
DOI: 10.25549/whit-ouc11399kb2g
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.bzffgt
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Tristramella sacra"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001183-260226173443078/datasets/export for details.
DOI: 10.25549/whit-ouc11399kijr
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kb6a
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kijf
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.6tg5zs
title: Occurrence Download

description: A dataset containing 20 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Platyplectrurus madurensis",
 "Year 2001-2026"
 ]
}

 The dataset includes 20 records from 3 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001182-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whit-ouc11399kigd
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kii1
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kauy
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/maw-ouc113889662
title: Standing female figure with arms straight out

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889665
title: Standing female figure with arms straight out

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889580
title: Standing male : holding a spherical object

description: A small male figure holds a large spherical object to his face. The object could represent a fruit or a ball of masa, and the male would be eating. In an alternate view, the object is a rubber ball and the male, a ball player.
DOI: 10.25549/maw-ouc113889667
title: Small seated figure wearing a headdress

description: Chupicuaro figurines are handmade using tan clay and colored with red and white pigments. The small seated female figure wears a flattened cone shape hat usually seen on the hollow female figure.
DOI: 10.25549/maw-ouc113889614
title: Small seated figure wearing a headdress

description: Chupicuaro figurines are handmade using tan clay and colored with red and white pigments. The small seated female figure wears a flattened cone shape hat usually seen on the hollow female figure.
DOI: 10.25549/maw-ouc113888358
title: Monte Alban figural incensario

description: The seated figure represents a human male or a deity wearing the "Buccal Mask of the Serpent," a beneficient god related to rain. His nudity, flat beaded fringe headdress, and the long bifurcated serpent's tongue date this artifact between AD 100 and AD 200, a period of transition.
DOI: 10.25549/maw-ouc113888445
title: Maya shell pectoral

description: A triangular section from the interior of a lightning whelk shell has been incised with a kneeling male figure. He holds a knife in his left hand and a large shell in his right. Maya shell pectoral / pendant.
DOI: 10.25549/maw-ouc113888399
title: Female standing watcher figure

description: Part of Student Study Ceramic grouping. A swale standing female figure with arms straight out. No description given.
DOI: 10.25549/maw-ouc113888441
title: Standing female figure wearing a headdress and jewelry

description: In a mild or warm climate, there is little need for clothing, just pubic covering. Personal adornment included an animal headdress, ear spools and a pendant necklace. Body paint or chapopote heighten features and decorated the body.
DOI: 10.25549/maw-ouc113888460
title: Standing female figure wearing a headdress and jewelry

description: In a mild or warm climate, there is little need for clothing, just pubic covering. Personal adornment included an animal headdress, ear spools and a pendant necklace. Body paint or chapopote heighten features and decorated the body.
DOI: 10.25549/whit-ouc11399kb44
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399neeh
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.