cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10240892
title: Bird Bone Awl, XCB-105-54945

description: Bird Bone Awl, XCB-105-54945. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240891
title: Bird Bone Awl, XCB-105-54945

description: Bird Bone Awl, XCB-105-54945. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240893
title: споменик НОБ, Јошаница

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Aleksinac and Sokobanja" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.

model made by: https://sketchfab.com/nixic.alexandar

43.727093, 21.772811

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240896
title: Tyrannosaurus rex Tooth

description: **Ejemplar: ** Réplica de diente completo de Tyrannosaurus rex
**Edad:** Maastrichtiense (Cretácico) 66 Ma
**Localidad:** Formación Hell Creek, Dakota del Sur (Estados Unidos)
**Descripción:** Réplica de escayola de un diente fósil de Tyrannosaurus rex. La pieza muestra algunas fracturas y cierto grado de deformación por compresión . 
**Dimensión ejemplar:** 30 cm
Sigla museo, colección y entidad: 
**Técnica digitalización / modelo:** escaneado superficial, escáner 3d Einscan Pro
**Software empleado: **Einscan Pro v3.1.0.2
**Parámetros software: **modo   , plataforma giratoria, número de escaneos, calidad, 
Archivo 3D: Obj,    Mb, 
**Autor digitalización: **José Antonio Villena Gómez.
**Cita ejemplar: **modelo 3D colección dinosaurios  Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240895
title: Tyrannosaurus rex Tooth

description: **Ejemplar: ** Réplica de diente completo de Tyrannosaurus rex
**Edad:** Maastrichtiense (Cretácico) 66 Ma
**Localidad:** Formación Hell Creek, Dakota del Sur (Estados Unidos)
**Descripción:** Réplica de escayola de un diente fósil de Tyrannosaurus rex. La pieza muestra algunas fracturas y cierto grado de deformación por compresión . 
**Dimensión ejemplar:** 30 cm
Sigla museo, colección y entidad: 
**Técnica digitalización / modelo:** escaneado superficial, escáner 3d Einscan Pro
**Software empleado: **Einscan Pro v3.1.0.2
**Parámetros software: **modo   , plataforma giratoria, número de escaneos, calidad, 
Archivo 3D: Obj,    Mb, 
**Autor digitalización: **José Antonio Villena Gómez.
**Cita ejemplar: **modelo 3D colección dinosaurios  Museo Universitat de València de Historia Natural

Source: Objaverse 1.0 / Sketchfab
DOI: 10.6084/m9.figshare.24720411
title: RMechDB_profiles.tar.gz

description: rmechdb profiles
DOI: 10.6084/m9.figshare.24720411.v1
title: RMechDB_profiles.tar.gz

description: rmechdb profiles
DOI: 10.5281/zenodo.10240897
title: Howden Hill boulder

description: Nice big boulder proud above the ground with what seems like eight cup-marks, of different sizes, on its top surface. But is it (I hear you ask) a true example of prehistoric rock art? The depressions have clearly been subject to much erosion and weathering by rain, wind and frost, possibly over a great number of years. All traces of their human origins (such as peck marks) would of course have disappeared and there are no rings around any of the cups or other additions that would prove a human was involved in at least their initial formation. There are, however, good examples of prehistoric cup-marked boulders in the vicinity, arguably better preserved under turf. Bronze Age cairns are nearby. The alternative view of their formation is one of geology and weathering. Fluting and basins are often seen on exposed sandstone, particularly on upturned boulders and standing stones. What is the effect of weathering on known rock art: over-deepening and enlargement of existing hollows, or a smoothing of the surface?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240898
title: Howden Hill boulder

description: Nice big boulder proud above the ground with what seems like eight cup-marks, of different sizes, on its top surface. But is it (I hear you ask) a true example of prehistoric rock art? The depressions have clearly been subject to much erosion and weathering by rain, wind and frost, possibly over a great number of years. All traces of their human origins (such as peck marks) would of course have disappeared and there are no rings around any of the cups or other additions that would prove a human was involved in at least their initial formation. There are, however, good examples of prehistoric cup-marked boulders in the vicinity, arguably better preserved under turf. Bronze Age cairns are nearby. The alternative view of their formation is one of geology and weathering. Fluting and basins are often seen on exposed sandstone, particularly on upturned boulders and standing stones. What is the effect of weathering on known rock art: over-deepening and enlargement of existing hollows, or a smoothing of the surface?

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240900
title: Barona kapi pie Lielbērzes

description: Barona kapu 3D modelis. Koordinātas: 56.643323, 23.234573

Informācija saņemta no A.Tomašūna 2020.g. novembrī. Pēc profila līdzinās pilskalnam.

Juris Urtāns veica apsekošanu un neatklāja pilskalna apdzīvotības pazīmes. Paugurā ir pamesta jaunāko laiku kapsēta un kādas 19.gs. būves, iespējams kapličas drupas.

**Profils:**

![](https://opendata.latvijas-pilskalni.lv/Senvietu_3D_modeli/Latvija/Kurzeme/Barona_kapi_pie_Lielberzes/PlanlaufTerrain/Profils1.jpg)

![](https://opendata.latvijas-pilskalni.lv/Senvietu_3D_modeli/Latvija/Kurzeme/Barona_kapi_pie_Lielberzes/PlanlaufTerrain/Profils2.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240899
title: Barona kapi pie Lielbērzes

description: Barona kapu 3D modelis. Koordinātas: 56.643323, 23.234573

Informācija saņemta no A.Tomašūna 2020.g. novembrī. Pēc profila līdzinās pilskalnam.

Juris Urtāns veica apsekošanu un neatklāja pilskalna apdzīvotības pazīmes. Paugurā ir pamesta jaunāko laiku kapsēta un kādas 19.gs. būves, iespējams kapličas drupas.

**Profils:**

![](https://opendata.latvijas-pilskalni.lv/Senvietu_3D_modeli/Latvija/Kurzeme/Barona_kapi_pie_Lielberzes/PlanlaufTerrain/Profils1.jpg)

![](https://opendata.latvijas-pilskalni.lv/Senvietu_3D_modeli/Latvija/Kurzeme/Barona_kapi_pie_Lielberzes/PlanlaufTerrain/Profils2.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240902
title: Santuario heroico de El Pajarillo (Huelma, Jaén)

description: Cabeza de grifo perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España).

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. ( 2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240901
title: Santuario heroico de El Pajarillo (Huelma, Jaén)

description: Cabeza de grifo perteneciente al santuario heroico de El Pajarillo, Huelma (Jaén, España).

El santuario, contextualizado en la primera mitad del S.IV a.n.e., está situado en la cabecera del río Jandulilla, justo donde varios arroyos llegados de Sierra Mágina confluyen creando dicho rio. El monumento se encontraba en un punto de paso obligatorio entre las hoyas de Granada y el Alto Guadalquivir, funcionando como delimitador del territorio.

Modelo 3D: Ana Martínez Carrillo (Proyecto Europeana. Universidad de Jaén).
Mapeado y musealización virtual: Libertad Serrano Lara (Ayuntamiento de Huelma).

MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. (1998): El Santuario Heroico de "el Pajarillo" (Huelma). Diputación de Jaén. Consejería de Cultura de la Junta de Andalucía. Universidad de Jaén.
MOLINOS, M. CHAPA, T. RUIZ, A. PEREIRA, J. ( 2015): "El santuario de El Pajarillo, Huelma", en A. Ruiz y M. Molinos (eds.): Jaén, tierra ibera 40 años de investigación y transferencia. Universidad de Jaén.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240903
title: Medņu Jāņa kalns

description: Medņu Jāņa kalna 3D modelis. Koordinātas: 57.35693, 26.83511.

https://www.senvietas.lv/mednu-jana-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240904
title: Medņu Jāņa kalns

description: Medņu Jāņa kalna 3D modelis. Koordinātas: 57.35693, 26.83511.

https://www.senvietas.lv/mednu-jana-kalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240894
title: споменик НОБ, Јошаница

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Aleksinac and Sokobanja" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.

model made by: https://sketchfab.com/nixic.alexandar

43.727093, 21.772811

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240905
title: AR010-043-69

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-043-69, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240906
title: AR010-043-69

description: Projectile point collected in Union County, Indiana.

Catalog # 12-U-68

Uploaded by: Reganne O'Connor

Thompson, Christine, Reggie Mables, Mary Swartz, and Kevin C. Nolan, 2021. AR010-043-69, 3D Model .ply file. Recovered as part of Archaeological Report # 10, *Archaeological Survey of Union County, Indiana: Thesis Topic Submitted to the Graduate Council*, By Stephan C. Koleszar, B.K. Swartz, Jr. (ed.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240907
title: Masque de Ganesh

description: Masque artisanal en bois, origine Tibet, XXème

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240908
title: Masque de Ganesh

description: Masque artisanal en bois, origine Tibet, XXème

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240910
title: MUSEO VIRTUAL DEL TAWANTINSUYU  - CE1592

description: PIRURO 
Registro Nacional N°  : 296863 

DESCRIPCIÓN MORFOLÓGICA Y DECORATIVA: 
Piruro de forma circular de contorno irregular, con un orificio central, elaborado en base a un fragmento de cerámica reutilizado. Presenta un diseño decorativo fitomorfo que corresponde al objeto original.

CRONOLOGIA
Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240909
title: MUSEO VIRTUAL DEL TAWANTINSUYU  - CE1592

description: PIRURO 
Registro Nacional N°  : 296863 

DESCRIPCIÓN MORFOLÓGICA Y DECORATIVA: 
Piruro de forma circular de contorno irregular, con un orificio central, elaborado en base a un fragmento de cerámica reutilizado. Presenta un diseño decorativo fitomorfo que corresponde al objeto original.

CRONOLOGIA
Horizonte Tardío (1,476 d.c. - 1,532 d.c.)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240911
title: Tottieska malmgården, Faro Pointcloud, Decimated

description: Tottieska malmgården in Skansen, Stockholm. Built in 1770.
https://sv.wikipedia.org/wiki/Tottieska_malmg%C3%A5rden
A film about the restoration:
https://www.youtube.com/watch?v=BCk1Irxw414

This scan is part of the work to compare different scanner types and brands for different tasks on behalf of Digisam. Digisam coordinates the digitization of 22 heritage institutions. 
www.digisam.se

Report can be found here: http://hagaeus.se/kunskapsbank/


Decimated from 259 770 177 points to 4 833 345 points.
Five scanpositions at different resolutions with an average scan time of 7 minutes each.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240912
title: Tottieska malmgården, Faro Pointcloud, Decimated

description: Tottieska malmgården in Skansen, Stockholm. Built in 1770.
https://sv.wikipedia.org/wiki/Tottieska_malmg%C3%A5rden
A film about the restoration:
https://www.youtube.com/watch?v=BCk1Irxw414

This scan is part of the work to compare different scanner types and brands for different tasks on behalf of Digisam. Digisam coordinates the digitization of 22 heritage institutions. 
www.digisam.se

Report can be found here: http://hagaeus.se/kunskapsbank/


Decimated from 259 770 177 points to 4 833 345 points.
Five scanpositions at different resolutions with an average scan time of 7 minutes each.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240914
title: Plato - 204013 (Chavín)

description: Plato, cuerpo de paredes divergentes, labio biselado al exterior, base plana, fondo convexo. En la cara exterior presenta diseños geométricos acanalados. 

Bicromo: Rojo, crema oscuro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240913
title: Plato - 204013 (Chavín)

description: Plato, cuerpo de paredes divergentes, labio biselado al exterior, base plana, fondo convexo. En la cara exterior presenta diseños geométricos acanalados. 

Bicromo: Rojo, crema oscuro.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240917
title: St Mary's Churchyard Cross

description: This mutilated lantern cross in St Mary's churchyard, Penzance, depicts the Crucifixion on the west face, Virgin and Child on the east. Reputedly from a medieval chapel which once stood in the Barbican, the stone was moved to St Mary's churchyard in 1850. It even has a poem...

Some wonder what I am, or say

I'm but a block of stone;

'Tis true, I am, ah well a day!

Unheeded and unknown;

From Ludgvan's rock hewn long ago

When saints were Cornwall's glory,

But can you in this borough show

A stone with such a story?

G.B. Millett

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240918
title: St Mary's Churchyard Cross

description: This mutilated lantern cross in St Mary's churchyard, Penzance, depicts the Crucifixion on the west face, Virgin and Child on the east. Reputedly from a medieval chapel which once stood in the Barbican, the stone was moved to St Mary's churchyard in 1850. It even has a poem...

Some wonder what I am, or say

I'm but a block of stone;

'Tis true, I am, ah well a day!

Unheeded and unknown;

From Ludgvan's rock hewn long ago

When saints were Cornwall's glory,

But can you in this borough show

A stone with such a story?

G.B. Millett

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240922
title: COADS_88-35

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Upper Mercer

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter,  Abby Clark, and Michael Shott, 2017. COADS_88-35, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240921
title: COADS_88-35

description: Diagnostic biface collected in Liberty Township, Ross County, Ohio.
Material: Upper Mercer

Uploaded by: Gabi Ritter

 Nolan, Kevin C., Eric Olson, Kelli Wathen, Gabi Ritter,  Abby Clark, and Michael Shott, 2017. COADS_88-35, 3D Model .ply file.Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240924
title: Church

description: I created it to a 3d project study, fell free to use, but put me in the credits :D

Based in the Church São Francisco De Paula, Mg, Brazil.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240925
title: Church

description: I created it to a 3d project study, fell free to use, but put me in the credits :D

Based in the Church São Francisco De Paula, Mg, Brazil.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240927
title: XCB-003-705 End Blade Base

description: End Blade Base.  XCB-003-705. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240926
title: XCB-003-705 End Blade Base

description: End Blade Base.  XCB-003-705. 

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240929
title: Hope Town, The Bahamas

description: The precedent study of Hope Town Civic center includes St.James Methodist Church, Wyannie Malone Museum, and Damianos Sotheby's International Realty buildings. The dimensions and details are not 100% accurate as the modeling was done by inspecting site images.

In collaboration with Daniel Morgan Levy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240928
title: Hope Town, The Bahamas

description: The precedent study of Hope Town Civic center includes St.James Methodist Church, Wyannie Malone Museum, and Damianos Sotheby's International Realty buildings. The dimensions and details are not 100% accurate as the modeling was done by inspecting site images.

In collaboration with Daniel Morgan Levy.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240930
title: BCA Broadway

description: Part of the Map the Moment project documenting the Black Lives Matter movement

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240931
title: BCA Broadway

description: Part of the Map the Moment project documenting the Black Lives Matter movement

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240932
title: Scherbe einer Reliefschüssel: Hirsche

description: **Titel/Title**: Scherbe einer Reliefschüssel: Hirsche

**Objektbezeichnung/Description**: Terra sigillata / Scherbe

**Inventarnummer/Accession Number**:  C 813 

**Datierung/Date**: 2.-3. Jh., Römische Kaiserzeit (31/27 v. Chr.-395), provinzialrömisch

**Orte/Locations**: Riegel am Kaiserstuhl, römische Siedlung (Fundort/Herkunft), Römisches Reich / Provinzen (Herstellungsort), Helvetum (Fundort/Herkunft)

**Material/Material**: Keramik

**Technik/Manufacturing technique**: getöpfert, formgepresst, engobiert, gebrannt

**Maße/Size**:
      
   Höhe:	6 cm
   
   Breite:	8.2 cm
   
   Tiefe:	  2.1 cm


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240933
title: Scherbe einer Reliefschüssel: Hirsche

description: **Titel/Title**: Scherbe einer Reliefschüssel: Hirsche

**Objektbezeichnung/Description**: Terra sigillata / Scherbe

**Inventarnummer/Accession Number**:  C 813 

**Datierung/Date**: 2.-3. Jh., Römische Kaiserzeit (31/27 v. Chr.-395), provinzialrömisch

**Orte/Locations**: Riegel am Kaiserstuhl, römische Siedlung (Fundort/Herkunft), Römisches Reich / Provinzen (Herstellungsort), Helvetum (Fundort/Herkunft)

**Material/Material**: Keramik

**Technik/Manufacturing technique**: getöpfert, formgepresst, engobiert, gebrannt

**Maße/Size**:
      
   Höhe:	6 cm
   
   Breite:	8.2 cm
   
   Tiefe:	  2.1 cm


**Die 3D-Digitalisierungsstation wurde mit Mitteln der Klaus Tschira Stiftung finanziert.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240935
title: Le Cerf Miracle

description: "Le Cerf Miracle" est une oeuvre en résine et sable réalisée en 2010 par le sculpteur Barna Gacsi. Il est situé sur le port de Fréjus (France) et sa hauteur, jusqu'à l'extrémité des bois, est de 2.70 m

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240934
title: Le Cerf Miracle

description: "Le Cerf Miracle" est une oeuvre en résine et sable réalisée en 2010 par le sculpteur Barna Gacsi. Il est situé sur le port de Fréjus (France) et sa hauteur, jusqu'à l'extrémité des bois, est de 2.70 m

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10240936
title: Modern Flint Bifacial Knife

description: A flint bifacial knife taken from the University of York Paleohub teaching collection. Illustrated version: https://skfb.ly/6MoFQ

Source: Objaverse 1.0 / Sketchfab