cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.13641101.v1
title: High Throughput Virtual Screening and Validation of a SARS-CoV-2 Main Protease Non-Covalent Inhibitor

description: Publication forthcoming<br>For Scientific and Technical Information Only For All InformationUnless otherwise indicated, this information has been authored by an employee or employees of UChicago Argonne, LLC., operator of Argonne National Laboratory, with the U.S. Department of Energy. The U.S. Government has rights to use, reproduce, and distribute this information. The public may copy and use this information without charge, provided that this Notice and any statement of authorship are reproduced on all copies.While every effort has been made to produce valid data, by using this data, User acknowledges that neither the Government nor operating contractors of the above national laboratories makes any warranty, express or implied, of either the accuracy or completeness of this information or assumes any liability or responsibility for the use of this information. Additionally, this information is provided solely for research purposes and is not provided for purposes of offering medical advice. Accordingly, the U.S. Government and operating contractors of the above national laboratories are not to be liable to any user for any loss or damage, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, even if foreseeable, arising under or in connection with use of or reliance on the content displayed in this report.<br><br><b> </b>
DOI: 10.5281/zenodo.4632399
title: Source data for the manuscript Edible meta-atoms

description: This repository contains all the data associated with the paper "Edible Meta-atoms", by Souto, Zhang, Aragòn, Velikov and Coulais. It contains raw experimental and numerical data, processing codes and processed data.
DOI: 10.5281/zenodo.4632398
title: Source data for the manuscript Edible meta-atoms

description: This repository contains all the data associated with the paper "Edible Meta-atoms", by Souto, Zhang, Aragòn, Velikov and Coulais. It contains raw experimental and numerical data, processing codes and processed data.
DOI: 10.17870/bathspa.13214480
title: CERN: 300 Word Statement

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at <b>CERN</b> since 2015 to research the means by which new scientific knowledge is constructed and interpreted, and how that shapes our understanding of nature and matter.<br><br>This item contains a 300 Word Statement for <b>CERN</b> by Mariele Neudecker.
DOI: 10.17870/bathspa.13214480.v1
title: CERN: 300 Word Statement

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at <b>CERN</b> since 2015 to research the means by which new scientific knowledge is constructed and interpreted, and how that shapes our understanding of nature and matter.<br><br>This item contains a 300 Word Statement for <b>CERN</b> by Mariele Neudecker.
DOI: 10.17870/bathspa.13214486
title: CERN: Research Questions and Timeline

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at <b>CERN </b>since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains Research Questions and a Timeline for <b>CERN</b> by Mariele Neudecker.<br>
DOI: 10.17870/bathspa.13214501.v1
title: CERN: 'I Cant Remember When It Started', Instagram / Galerie Barbara Thumm, Berlin, April 2020

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains a project outline, 3 stills and a video of the Instagram work, and 2 images of the virtual viewing space.<br><br>This item documents the virtual exhibition of <b>I Cant Remember When It Started </b>2020 at Galerie Barbara Thumm in Berlin, and on Instagram in April 2020. While in the process of producing her commissioned physical work <i>Everything Happens Once</i>, the catastrophic impact of the Coronavirus Pandemic forced much of the globe into lockdown, including the cancellation of any physical exhibitions. Neudecker responded by creating<b> I Can't Remember When it Started,</b> a digital work inspired by her research and extensive tracking footage of the visible, material paraphernalia of the CLOUD experiment she had produced for the physical work, <i>Everything Happens Once </i>2020.<br><br><b>Images courtesy of the artist and Barbara Thumm Gallery.<br>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.13214501
title: CERN: 'I Cant Remember When It Started', Instagram / Galerie Barbara Thumm, Berlin, April 2020

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains a project outline, 3 stills and a video of the Instagram work, and 2 images of the virtual viewing space.<br><br>This item documents the virtual exhibition of <b>I Cant Remember When It Started </b>2020 at Galerie Barbara Thumm in Berlin, and on Instagram in April 2020. While in the process of producing her commissioned physical work <i>Everything Happens Once</i>, the catastrophic impact of the Coronavirus Pandemic forced much of the globe into lockdown, including the cancellation of any physical exhibitions. Neudecker responded by creating<b> I Can't Remember When it Started,</b> a digital work inspired by her research and extensive tracking footage of the visible, material paraphernalia of the CLOUD experiment she had produced for the physical work, <i>Everything Happens Once </i>2020.<br><br><b>Images courtesy of the artist and Barbara Thumm Gallery.<br>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.13214522
title: CERN: Unusual But Natural Strategy 1 & 2, Centre Of Gravity, Soapworks, Bristol, UK, 3rd October - 1st November 2020.

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains 4 images of exhibited works and an image of Soapworks.<br><br>This item documents the inclusion of <b>Unusual But Natural Strategy l & 2 2020,</b> as part of <b>Centre Of Gravity,</b> a new collaborative project Neudecker helped to realise, bringing together the region’s contemporary arts communities in a month-long exhibition at Soapworks in Bristol. Neudecker's 2 light box works, <b>Unusual But Natural Strategy 1 & 2</b>, emerged from a series of digital stills taken within the CLOUD (Cosmics Leaving Outdoor Droplets) scientific experiment, which investigates the atmospheric impact of cosmic rays.<br><br>As part of the <b>Centre of Gravity</b> programme of events in October 2020, Neudecker also organised and chaired 2 online panel discussions<b>:</b><b>Science and Art :</b><b>https://www.centreofgravity.uk/scienceandartsymposium </b><b>and Arctic/Antarctica:<br></b><b>https://www.centreofgravity.uk/arcticsymposium</b><b><br><br>Photography: Benjamin Jones. Images used with permission, courtesy of the photographer and the artist.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13214522.v1
title: CERN: Unusual But Natural Strategy 1 & 2, Centre Of Gravity, Soapworks, Bristol, UK, 3rd October - 1st November 2020.

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains 4 images of exhibited works and an image of Soapworks.<br><br>This item documents the inclusion of <b>Unusual But Natural Strategy l & 2 2020,</b> as part of <b>Centre Of Gravity,</b> a new collaborative project Neudecker helped to realise, bringing together the region’s contemporary arts communities in a month-long exhibition at Soapworks in Bristol. Neudecker's 2 light box works, <b>Unusual But Natural Strategy 1 & 2</b>, emerged from a series of digital stills taken within the CLOUD (Cosmics Leaving Outdoor Droplets) scientific experiment, which investigates the atmospheric impact of cosmic rays.<br><br>As part of the <b>Centre of Gravity</b> programme of events in October 2020, Neudecker also organised and chaired 2 online panel discussions<b>:</b><b>Science and Art :</b><b>https://www.centreofgravity.uk/scienceandartsymposium </b><b>and Arctic/Antarctica:<br></b><b>https://www.centreofgravity.uk/arcticsymposium</b><b><br><br>Photography: Benjamin Jones. Images used with permission, courtesy of the photographer and the artist.<br></b><b><br>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13214495
title: CERN: Everything Happens Once, Broken Symmetries, Kumu Museum, Tallinn, Estonia, 30th October 2020 - 20th February 2021.

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at <b>CERN</b> since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains an exhibition programme, a contextual outline of <b>Everything Happens Once</b> and <i>Quantum/Broken Symmetries, </i>3 exhibition views and 3 extracts of tracking footage used in the work.<br>This item documents <b>Everything Happens Once</b> 2020 and its inclusion in<i> Quantum/Broken Symmetries</i>, at Kumu Museum in Tallinn, Estonia, a touring exhibition of works produced by 11 international artists resulting from their Arts and Science residencies at CERN.<b> Everything Happens Once,</b> 2020 is a digital video work, consisting of 2 programmed monitors, that move back and forth across two 7 meter long tracks, displaying tracking footage which Neudecker had shot within the CLOUD experiment at CERN. <i>Quantum /Broken Symmetries </i>was curated by Monica Bello, Head of Arts at CERN.<br><b><br>Everything Happens Once</b> was scheduled to be exhibited at 2 museums on the <i>Quantum/Broken Symmetries</i> tour, including Kumu, but due to the 2020 Covid-19 pandemic, <i>Quantum</i>, at Le Lieu Unique in Nantes has been cancelled.The exhibition was co-produced by ScANNER, composed of CERN, FACT, CCCB , iMAL, and Le Lieu Unique, Nantes.<br><br><b>Photography: </b>Aleksander Meresaar. Images used with permission courtesy of the photographer and the Kumu Museum.<br><br>Exhibition pamphlet used courtesy of the Kumu Museum.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13299137.v1
title: CERN: Alice: Curiouser and Curiouser', Victoria and Albert Museum, London, 27th March - 31st December 2021.

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains a 1 minute excerpt of the film and soundtrack of <b>The Eye, </b>a transcript of the soundtrack, an exhibition press release and catalogue, and 17 further images of working and filming in and around the A.L.I.C.E detector.<br><br>This item documents the inclusion of <b>The Eye</b> <b>[A.L.I.C.E. | A Large Ion Collider Experiment | v1]</b> 2020, commissioned<b> </b>as part of the <b>Alice: Curiouser and Curiouser </b>exhibition at the V & A, London.<b> The Eye </b>2020 is a 3 minute digital work on a single static monitor of tracking shots made in the A.L.I.C.E detector at CERN’s Large Hadron Collider. The soundtrack to <b>The Eye </b>consists of extracts of sounds and interviews Neudecker has conducted and recorded with physicists at CERN since 2015.<br><br>As <b>The Eye</b> (2020) is currently being exhibited at the V & A , the full 3 minute version with sound cannot be shown here. A 1 min excerpt with a separate audio soundtrack and transcript is presented instead, with permission of the V&A.<br><br>Curated by Kate Bailey, <b>Alice: Curiouser and Curiouser</b> is an immersive exhibition exploring the books origins, adaptations, influences and reinventions. It was due to open in June 2020 but because of the Coronavirus Pandemic it has been rescheduled to open on March 27th 2021.<br><b><br>Photography</b>: Benjamin Jones, Simone Einfalt. Images used with permission courtesy of the photographers, the artist and CERN.<br><br>Audio Interview excerpt used with permission courtesy of CERN physicist Professor Alan Litke.<br>With many thanks to: Despina Hatzifotiadou (A.L.I.C.E. Detector, CERN Physicist), Monica Bello (Director: Arts at CERN), Alan Litke (Professor of Physics, University of California, Santa Cruz).<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.17870/bathspa.13299137
title: CERN: Alice: Curiouser and Curiouser', Victoria and Albert Museum, London, 27th March - 31st December 2021.

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains a 1 minute excerpt of the film and soundtrack of <b>The Eye, </b>a transcript of the soundtrack, an exhibition press release and catalogue, and 17 further images of working and filming in and around the A.L.I.C.E detector.<br><br>This item documents the inclusion of <b>The Eye</b> <b>[A.L.I.C.E. | A Large Ion Collider Experiment | v1]</b> 2020, commissioned<b> </b>as part of the <b>Alice: Curiouser and Curiouser </b>exhibition at the V & A, London.<b> The Eye </b>2020 is a 3 minute digital work on a single static monitor of tracking shots made in the A.L.I.C.E detector at CERN’s Large Hadron Collider. The soundtrack to <b>The Eye </b>consists of extracts of sounds and interviews Neudecker has conducted and recorded with physicists at CERN since 2015.<br><br>As <b>The Eye</b> (2020) is currently being exhibited at the V & A , the full 3 minute version with sound cannot be shown here. A 1 min excerpt with a separate audio soundtrack and transcript is presented instead, with permission of the V&A.<br><br>Curated by Kate Bailey, <b>Alice: Curiouser and Curiouser</b> is an immersive exhibition exploring the books origins, adaptations, influences and reinventions. It was due to open in June 2020 but because of the Coronavirus Pandemic it has been rescheduled to open on March 27th 2021.<br><b><br>Photography</b>: Benjamin Jones, Simone Einfalt. Images used with permission courtesy of the photographers, the artist and CERN.<br><br>Audio Interview excerpt used with permission courtesy of CERN physicist Professor Alan Litke.<br>With many thanks to: Despina Hatzifotiadou (A.L.I.C.E. Detector, CERN Physicist), Monica Bello (Director: Arts at CERN), Alan Litke (Professor of Physics, University of California, Santa Cruz).<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law</b>.
DOI: 10.6084/m9.figshare.14330255
title: 6_HaplotypeDiversity

description: Haplotype Diversity Data
DOI: 10.5281/zenodo.4641881
title: SciExpeM - 10.5281/zenodo.4641881

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou, Paul Marshall , Peter Glarborg
DOI: 10.5281/zenodo.4641880
title: SciExpeM - 10.5281/zenodo.4641881

description: Ammonia oxidation at high pressure and intermediate temperatures Yu Song , Hamid Hashemi , Jakob Munkholt Christensen , Chun Zou, Paul Marshall , Peter Glarborg
DOI: 10.17870/bathspa.13214486.v1
title: CERN: Research Questions and Timeline

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at <b>CERN </b>since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains Research Questions and a Timeline for <b>CERN</b> by Mariele Neudecker.<br>
DOI: 10.17870/bathspa.13214555
title: CERN: Residency, Process and Methods

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains 7 images of CERN, tracking shot footage,13 images of studio process, an audio file with clips of 4 interviews with CERN scientists, research footage inside a cloud chamber, and a video test of <b>Everything Happens Once </b>2020<b>.</b><b><br></b>Research with the Cabot Institute and Bristol University Physics Department into gravity, the influence of the sun and moon on tidal cycles, as well as data storage and macro imaging led directly to Neudecker's CERN residency in 2015. This item contains documentation of her research during her ongoing CERN residency, as well as processes and methodologies used and developed at CERN and in the studio that have resulted in the creation of 4 key works.<br><br>Neudecker's interviews with 4 particle physicists which fed into her ongoing research and methodology: the process of taking extensive still and moving images, particularly the use of tracking shots in various locations around CERN including the filming of cosmic dust particles inside one of the cloud chamber: and finally documentation of studio processes undertaken when making and testing <b>Everything Happens Once</b> (2020).<br><br>Audio Interviews with CERN physicists Jasper Kirkby, Reyes Alemany Fernandez, Alan M Litke, and Michael Doser. Used with their kind permission.<br><br>Photography by Benjamin Jones. Images used with permission courtesy of the artist, CERN and the photographer.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b>
DOI: 10.17870/bathspa.13214555.v1
title: CERN: Residency, Process and Methods

description: Addressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.<br><br>This item contains 7 images of CERN, tracking shot footage,13 images of studio process, an audio file with clips of 4 interviews with CERN scientists, research footage inside a cloud chamber, and a video test of <b>Everything Happens Once </b>2020<b>.</b><b><br></b>Research with the Cabot Institute and Bristol University Physics Department into gravity, the influence of the sun and moon on tidal cycles, as well as data storage and macro imaging led directly to Neudecker's CERN residency in 2015. This item contains documentation of her research during her ongoing CERN residency, as well as processes and methodologies used and developed at CERN and in the studio that have resulted in the creation of 4 key works.<br><br>Neudecker's interviews with 4 particle physicists which fed into her ongoing research and methodology: the process of taking extensive still and moving images, particularly the use of tracking shots in various locations around CERN including the filming of cosmic dust particles inside one of the cloud chamber: and finally documentation of studio processes undertaken when making and testing <b>Everything Happens Once</b> (2020).<br><br>Audio Interviews with CERN physicists Jasper Kirkby, Reyes Alemany Fernandez, Alan M Litke, and Michael Doser. Used with their kind permission.<br><br>Photography by Benjamin Jones. Images used with permission courtesy of the artist, CERN and the photographer.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.<br></b>
DOI: 10.25345/c59r5s
title: MassIVE MSV000087117 - Unknown precursors in forest soil Dissolved Organic Matter by direct-injection ESI tandem MS
title: This dataset consists of fragmentation data obtained from a representative forest soil DOM sample. The sample was originally taken in November 2005 in a German conifer forest ("Wetzstein") and freeze-dried for storage. In 2018, the sample was reconstituted in bi-distilled water and extracted by SPE (PPL Bond Elut) at an extraction efficiency of 87%. This dataset contains dat for four selected precursor mixtures (isolated at 1 Da window) at m/z 241, 301, 361 and 417. This spans the usual ion abundance range of MS1 fingerprints of terrestrial DOM. Each precursor mixture was measured non-fragmented ("CID0") and at collision energies (CID, N2) of 15, 20 and 25 in reduced profile mode. Each MS/MS spectrum was obtained by averaging 150 scans. For more details, see the connected manuscript.
DOI: 10.5281/zenodo.4641673
title: PLAsTiCC v2 IDEAL z02

description: PLAsTiCC v2 sims (20210326) with IDEAL (infinite S/N, 0.5 day sampling) flag set at z=0.02
DOI: 10.5281/zenodo.4641672
title: PLAsTiCC v2 IDEAL z02

description: PLAsTiCC v2 sims (20210326) with IDEAL (infinite S/N, 0.5 day sampling) flag set at z=0.02
DOI: 10.25721/q0ge-s021
title: Information sur la technique de jeu de la flûte xirula
DOI: 10.17870/bathspa.13013840.v1
title: Plastic Vanitas and Amani Vanitas: 300 Word Statement

description: Emerging from residencies at the Museum of Design in Plastics and Amani, an abandoned post colonial science research centre in Tanzania, the Vanitas works question what constitutes an archive and how responses to it might forge new connections, shedding light on our anthropological heritage, sustainability and our relationship to the environment.<br>This item contains a 300 word statement on <b>Plastic</b> <b>Vanitas and Amani Vanitas </b>by Mariele Neudecker.