cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/anatomy-m2501
title: Illustration of the left glenohumeral joint, superolateral view, showing the relationship between bone structure and the biceps brachii tendon (long head) during a lateral dislocation

description: Includes labels: Coracoid process, Genoid fossa [sic], Lateral dislocation, Head of humerus
DOI: 10.25549/anatomy-m2505
title: Illustration of the left glenohumeral joint, superior view, showing the relationship between the head of the humerus, biceps brachii tendon, and glenoid cavity during external rotation

description: Includes labels: Tendon - long head of biceps m., Coracoid process, Superior glenoid labrum, External rotation.
DOI: 10.25549/anatomy-m559
title: Illustration of surgical exposure of right hip joint, lateral aspect; blue oval indicating locus of iliopectineal bursa; iliotibial tract incised and retracted
DOI: 10.25549/anatomy-m493
title: Illustration of posterior view of left elbow, opened to show articulation of radial head with capitulum of humerus; forceps grasping ulnar nerve
DOI: 10.25549/anatomy-m857
title: Natural color photograph of dissection of the right arm and shoulder, posterior view, emphasizing the triceps m.
DOI: 10.25549/anatomy-m421
title: Illustration of right elbow, posterior view, with both anconeus m. and supinator m. cut and reflected; radial head is "ghosted in"
DOI: 10.25549/anatomy-m593
title: Illustration of right popliteal region (posterior of knee joint) dissected to show medial and lateral gastrocnemius muscles, tibial nerve bifurcation giving rise to sural nerve and common fibular (peroneal) nerve, tibial artery, small saphenous vein
DOI: 10.25549/anatomy-m369
title: Illustration of dissected lateral malleolar region, left ankle, with inferior extensor retinaculum bared, along with anterior tibial artery, and both fibularis brevis and extensor digitorum longus retracted
DOI: 10.25549/anatomy-m347
title: Illustration of cross-section of upper right arm, showing major muscles, arteries, veins and nerves

description: Includes labels: triceps m., radial n., lat. head, medial head, long head, brachial a. ulnar n., median n., brachialis, musculocut n., and biceps m.
DOI: 10.25549/anatomy-m423
title: Illustration of right elbow, posterior view, with distal humerus, proximal radius & ulna ghosted in, and ulnar nerve, artery & vein exposed at medial epicondyle
DOI: 10.25549/anatomy-m613
title: Illustration of semi-flexed left knee, medial aspect, showing long/great saphenous vein and infrapatellar branch of saphenous nerve in relation to sartorius m. insertion; dashed white line indicates location of incision for gaining access to interior of knee joint
DOI: 10.25549/anatomy-m485
title: Illustration of left elbow region, posterior view, showing ulnar artery and nerve, with humerus, radius and ulna ghosted in, and black line (indicating surgical incision) in relation to triceps tendon
DOI: 10.25549/anatomy-m652
title: Illustration of left gluteal region, anterior pelvic wall and thigh, lateral aspect
DOI: 10.25549/dancestry-c105-55
title: Strender; Amores; La Ronde – Norwegian National Ballet

description: A series of dances choreographed by Glen Tetley and performed by the Norwegian National Ballet.
DOI: 10.25549/dancestry-c105-63
title: Revelation and Fall - 1986 at the AFAS Circustheater in The Hague, South Holland

description: A dance work choreographed by Glen Tetley and performed by the Nederlands Dans Theatre company at the AFAS Circustheater in The Hague, Netherlands as part of the Holland Festival, 1986.
DOI: 10.25549/dancestry-c105-65
title: Tagore - National Ballet of Canada - April 26-27, 1989

description: A dance work choreographed by Glen Tetley and performed by the National Ballet of Canada at the O'Keefe Centre in Toronto, Ontario, Canada on April 27, 1989. The first 40 minutes is a run-through rehearsal of the piece in the studio on April 26, 1989.
DOI: 10.25549/dancestry-c105-167
title: Embrace Tiger and Return to Mountain; Ricercare; Mythical Hunters - Yugoslav Festival, 1969

description: A series of dance works choreographed by Glen Tetley and performed by members of the Glen Tetley Company featuring interviews with Glen Tetley and members of the cast. Filmed at Fort Revelin Terrace, Dubrovnik, Yugoslavia for the Dubrovnik Summer Festival, July 28, 1969, and telecast on National Educational Television, September 28, 1969.,
DOI: 10.25549/dancestry-c105-128
title: Forgiveness and Other True Fiction

description: 1999, Choreographer: Deborah Slater
DOI: 10.25549/dancestry-c105-124
title: The third annual San Francisco Butoh Festival: German arts and influence on Butoh dance: symposium, Program

description: Presented by D-Net (Dance Network) and Dancers' Group; co-sponsored by the Asian Museum and Goethe Institute. Symposium held at Asian Art Museum in San Francisco on August 18, 1997. Guest speakers include Sondra Fraleigh, Akira Kasai, Yumiko Yoshikawa, and Delta Ra'i; moderated by Yukihiro Goto. Contains film excerpts of Mary Wigman's Witch Dance and films from the Tatsumi Hijikata Memorial Archives.
DOI: 10.25549/dancestry-c105-110
title: San Francisco Butoh Festival, August 8, 1999: Butoh Bash Performances & Video-Cafe, Program

description: Performed at the ODC Theater in San Francisco on August 8, 1999. Performances called "Eye of the underbelly", "Resting Place", "Outside", and (1) unnamed dance
DOI: 10.25549/dancestry-c105-108
title: Global Butoh: San Francisco Butoh Festival, August 16, 1998, Program

description: Symposium: Global Butoh. Held at the Trustees Auditorium, Asian Art Museum in San Francisco on August 16, 1998. Co-sponsored by the Asian Art Museum; moderated by Rita Felciano; keynote speaker Gustavo Collini Sartor; panel discussion with guests of the festival; video excerpts.
DOI: 10.25549/dancestry-c105-119
title: San Francisco Butoh Festival 1999, Program

description: Performances from the San Francisco Butoh Festival on Saturday August 7, 1999. Performance by Koichi Tamano and Harupin-Ha Butoh Company features Koichi Tamano, Hiroko Tamano, Molly Barrons, John Michael Doyle, and Rebekah Griffin as dancers, as well as Jimmy Nakagawa on Taiko drum. Performance by Anzu Furukawa, called "The Crocodile Time," features Anzu Furukawa as dancer, Jirald Kimming on violin solo, and music from the opera "La Traviata".
DOI: 10.25549/dancestry-c105-134
title: Global Butoh: San Francisco Butoh Festival, August 24, 1998, Program

description: Butoh dance performance by Diego Pinon at Theater Yugen Noh Space in San Francisco, California on August 24, 1998. [Note: Contains male frontal nudity.]
DOI: 10.25549/dancestry-c105-100
title: San Francisco Butoh Festival, August 8, 1999: Butoh Bash Performances & Video-cafe, Program

description: Performed at the ODC Theater in San Francisco on August 8, 1999. Performances called "Black angels", "Mother's milk", "So long", and "Why-2-day".
DOI: 10.25549/dancestry-c105-127
title: Global Butoh: San Francisco Butoh Festival, August 16, 1998, Program

description: Performance of Kokoro (sometimes misspelled as Kokora) Dance at Yerba Buena Center for the Arts Gardens in San Francisco on August 16, 1998. Performance followed by panel discussion with the performance's three dancers., Kokoro Dance is a Vancouver-based post-butoh company, formed in 1986 by Barbara Bourget and Jay Hirabayashi. It takes its name from the Japanese word Kokoro- meaning heart, soul, and spirit. Kokoro Dance creates deeply evocative and provocative performances. Inspired by Butoh, but with a background in western modern dance training Kokoro fuses the aesthetic of East and West.
DOI: 10.25549/dancestry-c105-125
title: Global Butoh: San Francisco Butoh Festival, August 15, 1998, Program

description: Workshop presented by Kokoro (sometimes misspelled as Kokora) Dance on August 15, 1998 at Ocean Beach in San Francisco. Workshop performance directed by and featuring members of Kokoro Dance., Kokoro Dance is a Vancouver-based post-butoh company, formed in 1986 by Barbara Bourget and Jay Hirabayashi. It takes its name from the Japanese word Kokoro- meaning heart, soul, and spirit. Kokoro Dance creates deeply evocative and provocative performances. Inspired by Butoh, but with a background in western modern dance training Kokoro fuses the aesthetic of East and West.
DOI: 10.25549/dancestry-c105-99
title: Global Butoh: San Francisco Butoh Festival, August 16, 1998, Program

description: Performance by Kokoro (sometimes misspelled as Kokora) Dance at Asian Art Museum in San Francisco on August 16, 1998., Kokoro Dance is a Vancouver-based post-butoh company, formed in 1986 by Barbara Bourget and Jay Hirabayashi. It takes its name from the Japanese word Kokoro- meaning heart, soul, and spirit. Kokoro Dance creates deeply evocative and provocative performances. Inspired by Butoh, but with a background in western modern dance training Kokoro fuses the aesthetic of East and West.
DOI: 10.25549/dancestry-c105-259
title: National Tap Dance Day Interviews - Knock on Wood Tap Studio

description: Dance Day interviews with five luminaries of tap dancing., , First interview includes Harold 'Stumpy' Cromer of Stump and Stumpy, Yvonne Edwards, and LaVaughn Robinson. They share their personal stories and have conversations about tap history and technique as they lived it. The second interview includes Yvonne Edwards, Deborah Mitchell, and Germaine Ingraham. They discuss the history and state of women, including black women, in dance but tap especially.
DOI: 10.25549/dancestry-c105-279
title: Suite Feet - Tappers with Attitude & Step Aside Tap Co. - May 5, 2002

description: Tappers with Attitude and Step Aside Tap Co. present "'Suite' Feet" recorded at Dance Place on May 5, 2002.
DOI: 10.25549/dancestry-c105-163
title: Arena

description: Arena. 4 performances by the Norwegian National Ballet., , 1 - November 3, 2006, 2 - November 4, 2006, 3 - November 20, 2006, 4 - November 22, 2006 Oversikt
DOI: 10.25549/dancestry-c105-273
title: Tappers with Attitude - 1994
DOI: 10.25549/dancestry-c105-42
title: Tappers with Attitude and Step Aside Tap Company - Dance Place
DOI: 10.25549/dancestry-c105-46
title: Tappers with Attitude and Step Aside Tap Company - Hartke Theater,  May 28, 2005

description: This is a May 28, 2005 performance by Tappers With Attitude and the Step Aside Tap Company at the Hartke Theater at the Catholic University of America.
DOI: 10.25549/dancestry-c105-30
title: Lucky Thirteen! - Tappers with Attitude -  June 5, 2004

description: Tappers with Attitude and Step Aside Tap Company performance "Lucky Thirteen!" with Myrna Sislen. Recorded June 5, 2004 at Ina and Jack Kay Theater, Clarice Smith Performing Arts Center., , Featured Performances:, "Taproots: The Rhythms of South Africa (2004), Lesole Maine, "Strollin" (1993), Yvonne Edwards, "Ding Dong" (2003), Jeannie Hill, "Far and Awry" (2003), Darren Wilson, "Lon's Gone" (1995), Josh Hilberman, "Dance to the Drummer's Beat" (2003), Holly English, Justin Lewis, Michael Love, Lena Solow, "Handel" (1996), Barbara Bingley, "Tonight" (2004), Lane Alexander, "Cute" (2004), Dianne Walker, "Respect" (2004), Jana Kersner, Tamara Henry, "In the Full Moonlight" (2003), Yvonne Edwards, Jason Holley, Treyvon Jackson, "Out of a Rut & Into a Groove" (2004), Glenn Leslie, "Where to Run" (2002), Germaine Ingram, "C Jam Blues" (1995), Barbara Duffy, "Summertime" (2004), Yvonne Edwards, "Our Turn on the Dance Floor" (2004), The Men of Tappers with Attitude, "Got to Get There" (2000), Barbara Duffy, "Cookin'" (1995), Baakari Wilder, "Night & Day" (1997), Lane Alexander, "Memphis Stomp" (1997), Gene Medler, "Slipped Disk" (2004), Heather Cornell, "Ekova Rhythms" (2001), Yvonne Edwards, "Fiesta" (2004), Van 'The Man' Porter, "Eddie's Bounce" (1994), Yvonne Edwards, "Knock on Wood" (2003), Yvonne Edwards
DOI: 10.25549/chs-m1346
title: Exterior view of an A&P Market (The Great Atlantic and Pacific Tea Company), showing men dressed in tuxedoes, [s.d.]

description: Photograph of an exterior view of an A&P Market (The Great Atlantic and Pacific Tea Company), showing men dressed in tuxedoes, [s.d.]. At center, the market building is shown with produce out on racks. Three men stand at either side of the entrance, dressed in tuxedoes, while in front three palm trees line the sidewalk. To the right, an attached building reads "Charcoal Broiler".
DOI: 10.25549/chs-m1337
title: Exterior view of Ralphs Market and parking lot on opening day at Crenshaw Boulevard and Rodeo Road, April 25th, 1942

description: Photograph of the exterior view of Ralphs Market and parking lot on opening day at Crenshaw Boulevard and Rodeo Road, April 25th 1942. This warehouse-sized, light-colored, art deco building at center has two large "Ralph's" signs in the front of the building, right of center. The parking lot extends from the front of the building along the left side, and is full of at least forty-two vehicles. Ten of which line the side of the building, another seventeen are in the front, and four more are in the foreground next to a man in a suit and hat, carrying a paper grocery bag walking with a woman.
DOI: 10.25549/chs-m1383
title: View of Perino's Restaurant and the surrounding shops on Wilshire Boulevard in Los Angeles, 1940

description: Photograph of a view of Perino's Restaurant and the surrounding shops on Wilshire Boulevard in Los Angeles, 1940. Perino's can be seen on the first floor of a large building at right. The building is two stories high and has a rounded corner at left. Two chimneys can be seen protruding from the shingled roof. In the background at left, a tall tower can be seen. A streetlight can be seen at center, and several automobiles can be seen parked along the side of the road.; Legible signs include, from left to right: "Elizabeth Arden", "3933", "The Bachelors", "3911", "Perino's Restaurant", "and "Allen Rucff Architect".
DOI: 10.25549/chs-m1431
title: Exterior view of the Trinity Auditorium across from Pershing Square, ca.1910-1919

description: Photograph of an exterior view of the Trinity Auditorium across from Pershing Square, ca.1910-1919. At center, extending on a slant into the left distance, a nine-story Italianate building can be seen, three arches delineating its entrance. A sign stands on the sidewalk in front, featuring a man's face, while two automobiles can be seen farther right, parked on the street. The street in the foreground appears shiny, as though wet.
DOI: 10.25549/chs-m1318
title: View of a decorative table lamp, [s.d.]

description: Photograph of a view of a decorative table lamp, [s.d.]. The brass lamp can be seen at center. It has a light-colored shade that is decorated with ruffles around its edges. A coiled electric cord can be seen attaced to the base of the extensively polished lamp at right.
DOI: 10.25549/chs-m1310
title: Interior view of a machine shop, [s.d.]

description: Photograph of an interior view of a machine shop, [s.d.]. Various wheels, pulleys, and conveyor belts can be seen throughout in the room. What appears to be some sort of engine can be seen in the right foreground, while two men wearing suits can be seen from behind looking at a piece of paper towards the right. The ceiling is composed of wooden planks, and slopes upward towards the top left. Gift: Dostaler, 4/12/1979.
DOI: 10.25549/chs-m1326
title: Interior view of a humble kitchen in Beverly Hills, [s.d.]

description: Photograph of an interior view of a humble kitchen in Beverly Hills, [s.d.]. The kitchen sink can be seen at left with cabinets underneath. Some of the cabinet doors are missing or half-open. A window can be seen above the sink at left, through which a utility pole can be seen. A pot can be seen on a top shelf in the corner to the right of the window. No kitchen items can be seen except for the pot, and the kitchen appears to be somewhat dirty.
DOI: 10.25549/chs-m1347
title: Exterior view of the T.D. Mott Building, home of the Los Angeles Chamber of Commerce, [s.d.]

description: Photograph of an exterior view of the T.D. Mott Building, home of the Los Angeles Chamber of Commerce, [s.d.]. At center, at two-story brick building is shown, overcome by signs hanging from its awnings that read "Wreden Packing and Provision Co.". In front, two automobiles are parked, one of which reads "Edendale Bakery". Farther in, a second sign reads "Sam Seelig Co. Store No. 18".; In 1893 the Southern California Fruit Exchange was founded in the building. An earlier record reads: "Sunkist Adventure, Part I, History, photo h. The Los Angeles Chamber of Commerce building, birthplace of the Sunkist cooperative marketing concept. Growers meeting here in the summer of 1893 founded Southern California Fruit Exchange".
DOI: 10.25549/chs-m1315
title: Interior view of the liquor section of the A & P Market in South Pasadena, [s.d.]

description: Photograph of an interior view of the liquor section of the A & P Market in South Pasadena, [s.d.]. A long wooden counter runs from the foreground at left to the background at right, and many bottles of liquor can be seen on the counter. Behind the counter, a large set of shelves holds more alcohol, and a painting of a smiling woman can be seen on the wall at center.; Legible signs include, from left: "Santa Anita Gin 1/5 ga. 68", "Always Fresh-N-Krisp", "Sierra Sweet Wines 45", and "Apple Pie 19", as well as many prices.
DOI: 10.25549/chs-m1313
title: Interior view of the grill and dining room at the Griffith Park Golf Clubhouse, [s.d.]

description: Photograph of an interior view of the grill and dining room at the Griffith Park Golf Clubhouse, [s.d.]. Tables and chairs set for one, two, or three can be seen in the foreground. Napkins and salt and pepper shakers can be seen on the center of each table. A bar and barstools can be seen at center and at left beyond the tables. A woman and two men can be seen behind the bar, one man is visible standing at left, and one man is visible seated on a stool at right. Two archway separate the bar area from the tables and chairs in the foreground. Donated by Paul Pejza, 3/1978.
DOI: 10.25549/chs-m1304
title: Interior view of the main lounge of the main lounge of the Golf Clubhouse in Griffith Park, [s.d.]

description: Photograph of an interior view of the main lounge of the Golf Clubhouse in Griffith Park, [s.d.]. Two lamps and a bowl can be seen on top of a desk at the center of the room. Couches and comfortable chairs are interspersed around the room, while a fireplace is visible at right. A beamed ceiling is visible, while an arch in the left background leads to another room. Donated by Paul Prejza, 3/1978.
DOI: 10.25549/chs-m1366
title: Sunset Café and a market on a street corner in Los Angeles, ca.1930-1949

description: Photograph of the Sunset Café and a market on a street corner in Los Angeles, ca.1930-1949. The café is on the corner of a building at center. Several signs advertise a range of food, and a man in a cook's uniform is standing in the doorway at left. An awning protrudes out over the doorway. The marked to attached to the café at left. In the foreground, a man is pushing a large machine, possibly a sidewalk cleaner. The man is wearing dark pants, a light shirt, and a hat, as well as gloves. Several automobiles can be seen parked along the curb at right.; Legible signs include, from left: "Market Wine Beer Milk", "Liquor", "Popsicle", "Delit Baker", "Adhor Milk", "Meat and Eat Albert's", "Sandwiches & Delicatessen", "Sunset Café", "Hamburger", "Liverwurst", "Bologna", "Fried Egg", "Home Made Soup", "Cheese", "Salami", "Hot Dog", "Corned Beef & eggs", "Pastrami & Eggs", "Salami & Eggs", "35", "Bologna & Eggs", "Tongue & Eggs", "Lamb Chops", "Wine by glass or bottle", "Drink Cherikeeta It's made from Sparkletts", "Delicatessen Sandwiches", "Double Cola", "Chili Soups Lunches Short Orders Soft Drinks Orders to take out", and "Drink Sparkeeta Root Beer".
DOI: 10.25549/chs-m1376
title: Exterior view of the original Brown Derby Restaurant, located at Wilshire Boulevard and Alexandria Street, showing yellow umbrellas on its terrace, [s.d.]

description: Photograph of an exterior view of the original Brown Derby Restaurant, located at Wilshire Boulevard and Alexandria Street, showing yellow umbrellas on its terrace, [s.d.]. The Brown Derby restaurant, a single-story building with a domed roof, shaped like a derby hat, sits at center. Its main entrance can be seen to the left of center. A sign above its door reads "The Brown Derby", while a hat-shaped sign sits atop a structure above the roof, also reading "The Brown Derby". A row of yellow umbrellas line the restaurant's terrace, to the right of the entrance. A few pedestrians stand along the sidewalk to the left of the restaurant, while the edge of a brick high-rise building can be seen on the right side of the image.
DOI: 10.25549/chs-m1309
title: Interior view of the Los Angeles (later Pacific Coast) Stock Exchange on Spring Street in Los Angeles, [s.d.]

description: Photograph of an interior view of the Los Angeles (later Pacific Coast) Stock Exchange on Spring Street in Los Angeles, [s.d.]. There are four large wooden desks in the corners of the room and many people are standing behind them dealing with paperwork. In the center of the room, a large group of people is standing around talking. On a catwalk on the left side of the room, four men keep track of stock prices on a large chalkboard. A leather couch can be seen in the foreground at left. The Exchange is between 6th Street and 7th Street.
DOI: 10.25549/chs-m1338
title: Interior view of Imperial Super Market showing a woman with a grocery basket shopping, Vermont Avenue and 6th Street, May 10, 1941

description: Photograph of an interior view of Imperial Super Market showing a woman with a grocery basket shopping  Vermont Avenue and 6th Street, May 10, 1941. A dark-haired woman in a light-colored jacket and hat is pushing a wicker basket that is sitting on top of what appears to be a metal stand on wheels down aisle B. She is reaching for a beverage. To the left of her is aisle "C" stocked with dog food. Behind her the aisles that are visible show canned goods and breads.  In the distance there are signs for Van de Kamp's Bakers and Ice cream.
DOI: 10.25549/chs-m1339
title: Interior view of a supermarket in Los Angeles, 1942

description: Photograph of an interior view of a supermarket in Los Angeles, 1942. A large stack of cans can be seen in the foreground at center, while several rows of shelves stacked high with goods are visible in the background. Light is provided by lamps hanging from the ceiling. At center, a large neon sign advertises Ben-Hur Coffee, while similar signs denote different sections of the store. Rectangular windows can be seen high on the wall in the distance at left.
DOI: 10.25549/chs-m1336
title: Exterior view of the Mandarin Market, otherwise called Motor Inn Market, a drive-in market on the northeast corner of LaMirada and Vine Street, [s.d.]

description: Photograph of an exterior view of the Mandarin Market, otherwise called Motor Inn Market, a drive-in market on the northeast corner of LaMirada and Vine Street, [s.d.]. It was built in 1928 or 1929. A long, one-story building with sloped, Mandarin-style roofs can be seen at center. At least three automobiles can be seen parked in front of the buildings, while a small, one-room building can be seen separate from and in front of the main building. A man can be seen walking at left, while a paved road runs from the right foreground to the left. Another road intersects the first at center and runs to the right. Street lamps can be seen on the corners. Mountains are visible in the left background. A sign can be seen above the building at center reading, "Mandarin Market".