cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10357446
title: Custom hubs Bot Samurai

description: Its for school, you can use it if you want. 
Made as an custom avatar for a class im in.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357447
title: Custom hubs Bot Samurai

description: Its for school, you can use it if you want. 
Made as an custom avatar for a class im in.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357449
title: Raised Tomb - Rookwood Cemetery  Sydney.

description: Raised Tomb of  Stephen Foley , died 1883, aged 50 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, Sect. M2 sect 13 LEW Plot 832. One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
34 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357448
title: Raised Tomb - Rookwood Cemetery  Sydney.

description: Raised Tomb of  Stephen Foley , died 1883, aged 50 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Catholic Cemetery, Sect. M2 sect 13 LEW Plot 832. One of the 'Lewisham Stones' relocated from St Thomas catholic burial ground Lewisham between 1926 and 1935

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
34 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357458
title: Capella de Sant Jordi. Palau de la Generalitat

description: **CAT** La capella de Sant Jordi es troba a la planta noble del Palau de la Generalitat. Va ser construïda entre 1432 i 1434, segons projecte de Marc Sanfont, però ha patit posteriors intervencions que han modificat la seva forma i la seva ubicació dins del Palau.

**ES** La capilla de Sant Jordi se encuentra en la planta noble del Palacio de la Generalitat. Fue construida entre 1432 y 1434, según proyecto de Marc Sanfont, pero ha padecido posteriores intervenciones que han modificado su forma y su ubicación dentro del Palacio.

**EN** The chapel of Saint George is on the main floor of the Palau de la Generalitat. It was built from 1432 to 1434 according to a design by Marc Safont, but since then it has undergone modifications that have changed both its shape and its location in the building.

Model: Lluís González. Textos: [Luz Gámiz](https://www.linkedin.com/in/luzgamiz/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357459
title: Capella de Sant Jordi. Palau de la Generalitat

description: **CAT** La capella de Sant Jordi es troba a la planta noble del Palau de la Generalitat. Va ser construïda entre 1432 i 1434, segons projecte de Marc Sanfont, però ha patit posteriors intervencions que han modificat la seva forma i la seva ubicació dins del Palau.

**ES** La capilla de Sant Jordi se encuentra en la planta noble del Palacio de la Generalitat. Fue construida entre 1432 y 1434, según proyecto de Marc Sanfont, pero ha padecido posteriores intervenciones que han modificado su forma y su ubicación dentro del Palacio.

**EN** The chapel of Saint George is on the main floor of the Palau de la Generalitat. It was built from 1432 to 1434 according to a design by Marc Safont, but since then it has undergone modifications that have changed both its shape and its location in the building.

Model: Lluís González. Textos: [Luz Gámiz](https://www.linkedin.com/in/luzgamiz/)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357460
title: Saint Laurent Church  -RAWscan

description: The Saint Laurent Church is a religious building of Roman Catholic neo-Romanesque style built on the town of Blain in the department of Loire-Atlantique.

photogrammetry from youtube video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357461
title: Saint Laurent Church  -RAWscan

description: The Saint Laurent Church is a religious building of Roman Catholic neo-Romanesque style built on the town of Blain in the department of Loire-Atlantique.

photogrammetry from youtube video

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357462
title: Apothecary vessel for the five-root syrup

description: ID no.: KGZ 5941

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/967

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357463
title: Apothecary vessel for the five-root syrup

description: ID no.: KGZ 5941

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/967

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357464
title: Petroglyph N7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N7 Khatm Al Melaha, Kalba, Sharjah. One large Ibex, two smaller goats or Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357465
title: Petroglyph N7 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N7 Khatm Al Melaha, Kalba, Sharjah. One large Ibex, two smaller goats or Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357466
title: Kilconnell Tomb

description: Medieval Tomb Kilconnell

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357467
title: Kilconnell Tomb

description: Medieval Tomb Kilconnell

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357468
title: Pee Dee Complicated Stamped Jar (70p1166)

description: **Pee Dee Complicated Stamped jar**

Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina.

Period: Mississippian (AD 1150-1400).

Material: ceramic.

Dimensions: height, 7.8 cm; diameter, 10.7 cm.

Notes: Catalog no. 70p1166.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357469
title: Pee Dee Complicated Stamped Jar (70p1166)

description: **Pee Dee Complicated Stamped jar**

Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina.

Period: Mississippian (AD 1150-1400).

Material: ceramic.

Dimensions: height, 7.8 cm; diameter, 10.7 cm.

Notes: Catalog no. 70p1166.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357470
title: Dzirkaļu pilskalns

description: Dzirkaļu pilskalna 3D modelis. Koordinātas: 56.52443, 26.03434

https://www.latvijas-pilskalni.lv/dzirkalu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357471
title: Dzirkaļu pilskalns

description: Dzirkaļu pilskalna 3D modelis. Koordinātas: 56.52443, 26.03434

https://www.latvijas-pilskalni.lv/dzirkalu-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357473
title: Stone Hatchet

description: You will be able to use it in **KAGO** soon...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357472
title: Stone Hatchet

description: You will be able to use it in **KAGO** soon...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357474
title: Morrow Mountain I Stemmed (301a19)

description: **Morrow Mountain I Stemmed spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Archaic (5000-4000 BC).

Material: metavolcanic rock.

Dimensions: length, 47.8  mm; width, 24.9 mm; thickness, 6.4 mm.

Notes: Catalog no. 301a19, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 33. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357475
title: Morrow Mountain I Stemmed (301a19)

description: **Morrow Mountain I Stemmed spear point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Archaic (5000-4000 BC).

Material: metavolcanic rock.

Dimensions: length, 47.8  mm; width, 24.9 mm; thickness, 6.4 mm.

Notes: Catalog no. 301a19, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 33. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357476
title: Obelisk Fountain [Nivelles, Belgium]

description: Custom low-poly asset made with Blender and Gimp for the Cities: Skylines video game. Available on the Steam Workshop here: https://steamcommunity.com/sharedfiles/filedetails/?id=1950277958

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357477
title: Obelisk Fountain [Nivelles, Belgium]

description: Custom low-poly asset made with Blender and Gimp for the Cities: Skylines video game. Available on the Steam Workshop here: https://steamcommunity.com/sharedfiles/filedetails/?id=1950277958

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357478
title: Torii - Traditional Japanese Gate

description: Japanese Gate/ portal.
Symbolically marks the transition from the mundane to the sacred.

If any other format is needed feel free to contact me!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357479
title: Torii - Traditional Japanese Gate

description: Japanese Gate/ portal.
Symbolically marks the transition from the mundane to the sacred.

If any other format is needed feel free to contact me!

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357480
title: i gotta have a good meal...

description: stuffing your face as usual garmfield

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357481
title: i gotta have a good meal...

description: stuffing your face as usual garmfield

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357482
title: Retrat de la difunta Elisa Masriera, ME

description: **CAT** Aquesta pintura a l'oli és un retrat funerari que Francesc Masriera va fer de la seva germana Elisa. L'obra, que data de 1883, va ser donada per Lluís Masriera, nebot de tots dos, el 1947, al Museu de l'Empordà, que és on es custodia i es pot visitar actualment.

**ES** Esta pintura al óleo es un retrato funerario que Francesc Masriera hizo de su hermana Elisa. La obra, que data de 1883, fue donada por Lluís Masriera, sobrino de ambos, en 1947, al Museo del Empordà, que es donde se custodia y se puede visitar actualmente.

**EN** This oil painting is a funerary portrait that Francesc Masriera painted of his sister, Elisa. This piece dates to 1883, and in 1947 Lluís Masriera—the nephew of both the painter and the protagonist—donated it to the Museum of the Empordà where it is now on display. 

Model: Aleix Barberà Giné. Text: Luz Gamiz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357483
title: Retrat de la difunta Elisa Masriera, ME

description: **CAT** Aquesta pintura a l'oli és un retrat funerari que Francesc Masriera va fer de la seva germana Elisa. L'obra, que data de 1883, va ser donada per Lluís Masriera, nebot de tots dos, el 1947, al Museu de l'Empordà, que és on es custodia i es pot visitar actualment.

**ES** Esta pintura al óleo es un retrato funerario que Francesc Masriera hizo de su hermana Elisa. La obra, que data de 1883, fue donada por Lluís Masriera, sobrino de ambos, en 1947, al Museo del Empordà, que es donde se custodia y se puede visitar actualmente.

**EN** This oil painting is a funerary portrait that Francesc Masriera painted of his sister, Elisa. This piece dates to 1883, and in 1947 Lluís Masriera—the nephew of both the painter and the protagonist—donated it to the Museum of the Empordà where it is now on display. 

Model: Aleix Barberà Giné. Text: Luz Gamiz

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357485
title: Graffiti Tunnel - University of Sydney

description: Created with Polycam.ai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357484
title: Graffiti Tunnel - University of Sydney

description: Created with Polycam.ai

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357486
title: Petroglyph C13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C13 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357487
title: Petroglyph C13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with Paint, Petroglyph C13 Khatm Al Melaha, Kalba, Sharjah. One Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357489
title: Geschützmodell, um 1600 | W2831

description: Vermutlich diente das Modell als hochwertiges Sammlerstück in einer fürstlichen Kunstkammer. Ziel war es, die gesamte Welt (den Makrokosmos) in einer wohlgeordneten Sammlung (dem Mikrokosmos) abzubilden. Auch Meisterleistungen der Ingenieurskunst gehörten dazu.
Im Musée de l'Armée (Paris) existiert ein fast identisches Stück. Früher wurde das dortige Exemplar für ein Spielzeug des Prinzen Louis XVII (1785-95) gehalten. Erst kürzlich fand man heraus, dass das falsch war. Wahrscheinlich wurde es schon um 1600 von Michel Mann in Nürnberg oder Augsburg hergestellt. Das könnte auch für das hier gezeigte Geschützmodell gelten. Wie die beiden Exemplare zueinander stehen, ist allerdings noch nicht geklärt.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357488
title: Geschützmodell, um 1600 | W2831

description: Vermutlich diente das Modell als hochwertiges Sammlerstück in einer fürstlichen Kunstkammer. Ziel war es, die gesamte Welt (den Makrokosmos) in einer wohlgeordneten Sammlung (dem Mikrokosmos) abzubilden. Auch Meisterleistungen der Ingenieurskunst gehörten dazu.
Im Musée de l'Armée (Paris) existiert ein fast identisches Stück. Früher wurde das dortige Exemplar für ein Spielzeug des Prinzen Louis XVII (1785-95) gehalten. Erst kürzlich fand man heraus, dass das falsch war. Wahrscheinlich wurde es schon um 1600 von Michel Mann in Nürnberg oder Augsburg hergestellt. Das könnte auch für das hier gezeigte Geschützmodell gelten. Wie die beiden Exemplare zueinander stehen, ist allerdings noch nicht geklärt.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357490
title: Dagger (12805A)

description: Dagger inserted into the base of a scepter (12805). Long, thin, multi-notched iron blade. Handle is covered with [monitor lizard] skin.

https://stanford.pastperfectonline.com/Webobject/0AE6B119-550A-449A-9BC1-125148635710

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357491
title: Dagger (12805A)

description: Dagger inserted into the base of a scepter (12805). Long, thin, multi-notched iron blade. Handle is covered with [monitor lizard] skin.

https://stanford.pastperfectonline.com/Webobject/0AE6B119-550A-449A-9BC1-125148635710

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357492
title: Childhood or spring

description: Childhood or spring, 1836, Bertel Thorvaldsen (1770-1844), Part of the relief line, inv A638 to A641 and original models A642 to A645, which produces life's ages and seasons, Marble. 69 cm diameter, inventory number: A638. Thorvaldsen Museum (Copenhagen, Denmark). Made with Memento beta (now ReMake) from AutoDesk.

For more update, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357493
title: Childhood or spring

description: Childhood or spring, 1836, Bertel Thorvaldsen (1770-1844), Part of the relief line, inv A638 to A641 and original models A642 to A645, which produces life's ages and seasons, Marble. 69 cm diameter, inventory number: A638. Thorvaldsen Museum (Copenhagen, Denmark). Made with Memento beta (now ReMake) from AutoDesk.

For more update, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357495
title: Merlin- Window-8

description: Merlin or Doughiske Castle has a series of exquisitely decorated medieval windows. The carvings depict foliage and knotwork, with one windows showing a figure hanging from a round arched window. This has been identified as Ireland's smallest Sheela-na-Gig. The carvings largely function as decoration and may have been designed by the masons who carved them with little input from the castle owner. They may form a protective function on the building

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357496
title: Merlin- Window-8

description: Merlin or Doughiske Castle has a series of exquisitely decorated medieval windows. The carvings depict foliage and knotwork, with one windows showing a figure hanging from a round arched window. This has been identified as Ireland's smallest Sheela-na-Gig. The carvings largely function as decoration and may have been designed by the masons who carved them with little input from the castle owner. They may form a protective function on the building

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357499
title: ROI012-051-02

description: Jack's Reef Point collected in Delaware County, Indiana.

Catalog #: 12-Dl-189-2

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI012-051-02, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357500
title: ROI012-051-02

description: Jack's Reef Point collected in Delaware County, Indiana.

Catalog #: 12-Dl-189-2

Uploaded by: Carson Wright

Christine Thompson, Carson Wright, and Kevin C. Nolan, 2021. ROI012-051-02, 3D Model .ply file. Recovered as part of Report of Investigations 12, *The Archaeological Resources of the Upper White River Drainage with Emphasis on the Woodland Period*, P. Ranel Stephenson, Donald Cochran, Lorna Gentry Laymon, and Diana Conover

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357504
title: Ceramica epoca bronzului.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357503
title: Ceramica epoca bronzului.

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357505
title: Vihula Linnamägi (Estonia)

description: Vihula Linnamägi 3D model. Coordinates: 59.55204, 26.13093

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357506
title: Vihula Linnamägi (Estonia)

description: Vihula Linnamägi 3D model. Coordinates: 59.55204, 26.13093

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10357507
title: Zabiyah - Sketchfab Minecraft Mystery Contest

description: Hello everyone! Today I present to you my entry for the **Sketchfab Minecraft Mystery** contest.

Plot: Who killed princess Zabiyah? Find out with the annotations.

[Planet Minecraft link](http://www.planetminecraft.com/project/princess-zabiyah/)

[Map download](http://www.mediafire.com/file/8g1da5gam014vdu/Zabiyah-Denzarou-Contest-entry.zip)

Context: The scene takes place in a context of political & economic tensions in the ancient middle east. The main inspiration for this fictive world comes from the "Orientalism" art current. It witnessed the fascination in the Occidental world for the Arabic countries' culture through paintings and novels during the XIXth Century.
Today I salute the masters of the Orientalism and present a more fantasy twisted interpretation of the theme.

I hope you enjoyed this, feel free to leave a feedback and share with your friends.

**Marceau Nakayama / Udvio from Blockworks**

Source: Objaverse 1.0 / Sketchfab