cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/chs-m4808
title: Exterior view of a cabin used by the Sunset Club, ca.1915

description: Photograph of an exterior view of a cabin used by the Sunset Club, ca.1915. The cabin is at center and is a wooden building with a covered porch at right. The building is two stories, and the base of its walls is made of stone. There are several very tall pine trees around the cabin, which is situated on the side of a hill. Two men are standing on the porch at right, looking out over the valley below. A sign posted on the side of the house reads "Gene's Boozeteria". There are several more illegible signs posted on the cabin and on the surrounding trees.
DOI: 10.25549/chs-m14898
title: View of the front of Mission Carmel (San Carlos Borromeo de Carmelo), ca.1900

description: Photograph of the front of Mission Carmel (San Carlos Borromeo de Carmelo), ca.1900. The domed bell tower on the left side of the entrance has a cross on top. The ruin of a stone wall is visible at left and right. A wooden picket fence is at right.
DOI: 10.25549/chs-m4801
title: Sunset Club members holding signs on "The Day of the Signs", ca.1905

description: Photograph of Sunset Club members holding signs on "The Day of the Signs", ca.1905. There are fourteen signs being held by an equivalent number of men. All of the signs are lightly-colored with simple black text printed on them. All of the men are wearing suits and hats, and all are looking towards the camera. The signs read, from left to right: "Wiggins C.O.C. Brewery Drinks on Draught", "Sunset Club Cafeteria", "Arizona Lodging House No Questions Answered", "Lost Key to Room 17", "The Hague B.O.E. Headquarters", "The Zoo Admission Free", "Universal War Exchange Memberships Solicited", "Gene's Boozeteria", "Jitney Office Paul Shoup", "Flint Ridge Motion Picture Rights Reserved", Painted Desert", "International Peace Commissioner Gone to the Front", "Keep off the Clouds", and "Padded Cells for War Agitators".
DOI: 10.25549/chs-m19296
title: Portrait of Thomas Hughs, an oil producer who was President of the Central Avenue Planing Mill and was involved in real estate, [s.d.]

description: Photographic portrait of Thomas Hughs, an oil producer who was President of the Central Avenue Planing Mill and was involved in real estate, [s.d.]. Mr. Hughes can be seen from his upper torso to his head and is looking straight ahead with his shoulders turned to the left. He is wearing a dark suit, dark tie, dark vest, and white shirt. He has short dark hair that is parted at right. His youthful face bears a worried expression.
DOI: 10.25549/chs-m9658
title: "Laughing" kitten, ca.1900

description: Photograph of a laughing kitten, ca.1900. The kitten sits on the right facing the foreground and has striped fur. The head is tilted back slightly, the eyes are closed, and the mouth is wide open as if the kitten were laughing. A shining metal bowl sits to the left of the kitten.
DOI: 10.25549/chs-m19721
title: Exterior view of Mission San Miguel from the north, ca.1910

description: Photograph of an exterior view of Mission San Miguel from the north, ca.1910. The church building is in the foreground at right. It is a tall rectangular building with a terracotta tile roof. There is a simple rectangular doorway at left, and above this is a rectangular window. There is a small cross on the roof. To the left of this building is a wooden bell tower. The bell rests on a platform held up by wooden scaffolding. A long colonnade with archways is visible behind the bell tower.
DOI: 10.25549/chs-m19722
title: Indian villages on the ancient Indian ranchero at Mission San Miguel, ca.1880

description: Photograph of Indian villages on the ancient Indian ranchero at Mission San Miguel, ca.1880. The ruins of a long adobe wall in the foreground at left obscure much of the village from view. The village is behind the wall, and consists mainly of small buildings. One of them has a painted sign that reads "Kleeno". A line of utility poles runs parallel to the adobe ruins through the town, and a line of hills runs the same direction behind the village. There is a single tall pole in the foreground at right.
DOI: 10.25549/chs-m13594
title: Portrait of Dona Perfecta Encinales and her family outdoors, San Antonio Indians, [s.d.]

description: Photographic portrait of Dona Perfecta Encinales and her family outdoors, San Antonio Indians, [s.d.]. Eight people are pictured full length, including two men and six women. At left is a man dressed as a cowboy and holding his hat in his hand. To the right are two tall women in light-colored dresses and matching hats. An old woman, presumably Dona Perfecta, is at center and is wearing a checkered dress and leaning on a cane. To her right, a woman is cowering behind a tall bearded man. At right, two more women in light dresses and hats are seen. Picture file card reads "Dona Perfecta Encinales and her sons came and worked during the reconstruction".
DOI: 10.25549/chs-m19723
title: Lithograph of the remarkable paintings on the ceiling at Mission Santa Clara, ca.1900

description: Photograph of a lithograph of the remarkable paintings on the ceiling at Mission Santa Clara, ca.1900. The paintings depict a large circular emblem surrounded by a host of winged angels and robed clergymen. At center, an angel is holding a banner that reads "Santa Santa Senora". The far wall of the room is visible along the bottom edge of the image, and it is ornately carved and decorated with arch shapes and a figure of a woman, possibly Santa Clara.
DOI: 10.25549/chs-m7850
title: Exterior view of the Rafael Peralta Adobe, 1936

description: Photograph of an exterior view of the Rafael Peralta Adobe, 1936. The small adobe building is at center and is in a state of disrepair. The adobe bricks have been stripped of their spackle and have been eroded by the weather. A dead tree stands at left. Another building is visible in the background at left, and there are trees in the background at right. Two men are standing in front of the building. Photoprint reads: "This house is the only standing adobe on Rancho Santiago de Santa Ana built, occupied, and owned by the original grantee families before the break-up of the huge rancho in 1868. It was built in 1850 by Rafael Peralta, son of the original co-grantee D. Juan Pablo Peralta. In the picture are (left to right) Geraro and Rosendo Peralta, both sons of D. Rafael and born in the early 1850's. The house had an upper story and two more rooms in the foreground where the ruined wall and mound are seen." -- Alfonso Yorba.
DOI: 10.25549/chs-m7859
title: Exterior view of Bernardo Yorba's large adobe in a state of disrepair, ca.1913

description: Photograph an exterior view of Bernardo Yorba's large adobe, ca.1913. The building is a long rectangular structure with two stories. It has a gently sloped roof covered in thin wooden shingles and the walls are made of exposed adobe bricks. There are two wood framed doorways and a wood framed window visible behind a line of leafless trees. On the second story, two large holes are cut into the adobe. There is a smooth street in the lower right corner.
DOI: 10.25549/chs-m7861
title: Exterior view of the Bernardo Yorba adobe jacketed in clapboard, ca.1880

description: Photograph of an exterior view of the Bernardo Yorba adobe jacketed in clapboard, ca.1880. The adobe is at center and is a long rectangular building with two stories. It has a gently sloping roof covered in thin wooden shingles. A covered porch wraps around the house at left and is also covered in wooden shingles. The side of the house is covered in wood planks, and several tall rectangular windows are visible. Tall grass is growing in front of the house, and a tree is at right. There is a run-down fence in the foreground.
DOI: 10.25549/chs-m14899
title: Looking at the Grand Canyon, Bright Angel Amphitheatre, on the Bright Angel Trail from the Bright Angel Hotel, ca.1900-1930

description: Photograph looking at the Grand Canyon, Bright Angel Amphitheatre, on the Bright Angel Trail from the Bright Angel Hotel, ca.1900-1930. A couple of trees at left.
DOI: 10.25549/chs-m19724
title: Entrance to the wine cellar in the rear of the cloister at Mission San Fernando Rey De Espana, ca.1900

description: Photograph of the entrance to the wine cellar in the rear of the cloister at Mission San Fernando Rey De Espana, ca.1900. A large arch-shaped opening in an adobe wall reveals a small adobe room. The spackle on the outside of the opening is weathered but mostly intact, while the spackle on the inside of the room is almost completely missing. The ceiling in the room is held up by wooden beams that are visible at the top of the image.
DOI: 10.25549/chs-m21297
title: Garden and fountain at the Mission San Fernando, ca.1900

description: Photograph of garden and fountain at the Mission San Fernando, ca.1900. A fountain with two tiers stands in the center of a flower shaped pool of water made of brick. What appears to be gravel surround the fountain to form a smooth walkway. Flowers are visible in the foreground while a latticed walkway can be seen at left. Trees are visible in the background while the archways of a building can be seen peaking through the branches.
DOI: 10.25549/chs-m19725
title: Steps leading from the kitchen in the rear of the cloister at Mission San Fernando, ca.1900

description: Photograph of the steps leading from the kitchen in the rear of the cloister at Mission San Fernando, ca.1900. The stairway touches the ground at left and goes upward away from the camera. When it reaches the wall, it turns perpendicular to itself until it reaches the second floor where it turns back towards the camera. The stairway is made of adobe bricks and has a banister made of sturdy wood beams. The ceiling in the room is wooden, and five long thick beams provide support. The adobe bricks of the walls are missing spackle in many places. There is an opening at right under the stairway.
DOI: 10.25549/chs-m19726
title: View of the classroom above the chapel at Mission San Fernando, ca.1900

description: Photograph of a view of the classroom above the chapel at Mission San Fernando, ca.1900. The classroom is a large rectangular room with adobe floors and walls. The walls are covered in white spackle while the floors are bare. Two large wooden beams divide the room and support the pointed wooden ceiling. The walls are decorated with small religious pictures, and there are two large rectangular windows at left.
DOI: 10.25549/chs-m19727
title: Classroom above the chapel at Mission San Fernando at the east end of the cloister, ca.1900

description: Photograph of the classroom above the chapel at Mission San Fernando at the east end of the cloister, ca.1900. The room has a bare adobe floor and adobe walls covered in white spackle. Two large wooden beams divide the room and provide support for the peaked wooden ceiling. There is a doorway at right with an open wooden door, and an alcove with a small wooden door at left. There is a window near the ground at right. The walls are decorated with small religious paintings.
DOI: 10.25549/chs-m21264
title: Window in cloister at Mission San Fernando, 1896

description: Photograph of a window in a cloister at Mission San Fernando, ca.1896. A somewhat arched opening in a concrete room leads to a small window set into the wall. Beneath the window sits a large wooden chest, while a portion of what appears to be a set of drawers stands at left. This closure is "now opened as a door which had been closed up."
DOI: 10.25549/chs-m19728
title: Barred window under the south corridor of the cloister at Mission San Fernando, ca.1900

description: Photograph of a barred window under the south corridor of the cloister at Mission San Fernando, ca.1900. The arched window is at center and is set into a thick adobe wall. Much of the spackle is missing from the adobe bricks, especially directly under the window. A large rectangular grille covers the window. It is made of metal and decorated with small curled flourishes.
DOI: 10.25549/chs-m21263
title: Palm decoration inside of door in cloister room, Mission San Fernando, [s.d.]

description: Photograph of a palm decoration inside the door in cloister room, at Mission San Fernando, [s.d.]. A crudely-sketched palm design sits in the middle of what appears to be a cracked and painted doorway.
DOI: 10.25549/chs-m21261
title: Mission San Fernando fire place in cloister room, [s.d.]

description: Photograph of a Mission San Fernando fire place in a cloister room, [s.d.].  A jug, mug, and candlestick sit atop a stone fireplace built into a wall with chipped paint. At left, a small square window can be seen, containing a rounded container and other objects. Below this, a dark-colored vat sits on a barren stone floor, while a thin rake leans against the fireplace.
DOI: 10.25549/chs-m14900
title: Bright Angel in the Grand Canyon, looking west from the Bright Angel Hotel, showing Rowe's point, Battleship, and Anvil rock, ca.1900-1930

description: Photograph of Bright Angel in the Grand Canyon, looking west from the Bright Angel Hotel, showing Rowe's point, Battleship, and Anvil rock (all rock formations), ca.1900-1930.
DOI: 10.25549/chs-m98
title: Panoramic view of the Broadway and 3rd Street area looking east from Crocker Mansion on Bunker Hill, ca.1894

description: Photograph of panoramic view of the Broadway and 3rd Street area looking east from Crocker Mansion on Bunker Hill, ca.1894. In the extreme foreground at center, the rectangular roof of a building surrounded by a metallic trim can be seen. Large trees surround the building. In the background at center, a wide street filled with carriages can be seen. Several large buildings sit on either side of the road. In the extreme background, clusters of buildings can be seen. Visible in the image are the Bradbury Building and old City Hall as well as numerous other buildings including the First Congregational Church which can be seen in the foreground, at left (built in 1883); Stimson Block (1893-1963) at north-east corner of Spring and 3rd Streets; Ramona Block (1886-1912) at south-west corner of Spring and 3rd Streets (its south end and turret are visible to the right of the Bradbury Building); the Saint Vibiana Cathedral can be seen in the close background at left, behind the City Hall. Legible signs include: "225, 229, Los Angeles Furniture Co., furniture, carpets, draperies, bedding, etc.; Ville de Paris, dry goods, 223 S. Broadway, Potomac block", "Woodbury Business College", "Furnished"..., "Admir[...] cigar", "A.H. Neidig real estate", ..."sewer pipe"..., ..."andall & C"..., "Z[...] crockery and glassware", ..."Williams pharmacy"..., "Standard shoe store", "Broadway bank", ..."stable". See also CHS-2858.
DOI: 10.25549/chs-m19664
title: Exterior view of people in front of Treasury house, opposite Plaza at Sonoma, [s.d.]

description: Photograph of men posed outside the Treasury house, Sonoma, [s.d.]. A two story building with a sloped shingled roof and small tower on top is visible with a few dozen men standing in front on the dirt road. The men all wear suits and caps, except for a boy wearing overalls and one man wearing a long white apron. A horse-drawn carriage is visible at left with four people sitting inside, while an empty carriage is visible at right. A man at center is visible standing on top of a bench, while there are five males standing on a long balcony on the second story. Windows are visible on both stories, and paint is beginning to peel away on the walls. A sign reading, "French Restaurant. Saloon" hangs from the second story, while "Fresh Bread Every Morning", "Yerba", and "This House and Lot For Sale" are painted on the first-story walls at right. Photoprint reads: "Opposite Plaza at Sonoma". Picture file card reads: "Trescony house, opposite plaze. Townspeople(?) gathered in front of house; complex also includes French restaurant and Saloon".
DOI: 10.25549/chs-m8321
title: Exterior view of Ambrose Roger's adobe home in San Juan Bautista, showing a man on the porch, ca.1900

description: Photograph of an exterior view of Ambrose Roger's adobe home in San Juan Bautista, showing a man on the porch, ca.1900. The two-story Ranch-style home is pictured at center, a length of disparate picket fence enclosing the left side of the porch and entrance. In the front door, a man in a jacket and hat can be seen next to a sign that reads "Tailors. Cleaning, repairing and pressing. Ladies [...]. Outer [...] Dye any [...]". The exterior of the home appears to be in disrepair. What appears to be a sidewalk and tilled earrth stand in the foreground.
DOI: 10.25549/chs-m19661
title: Exterior view of the Blue Wing Hotel, a leading hotel in the pioneer days in Sonoma, [s.d.]

description: Photograph of an exterior view of the Blue Wing Hotel, a leading hotel in the pioneer days in Sonoma, [s.d.]. The hotel is a long, two-story rectangular building with a covered porch and a covered balcony running the length of its facade. Several wooden doors are visible on the first story, and windows can be seen on the second. A dirt road runs in front of the building, and the edge of another building can be seen at left.
DOI: 10.25549/chs-m19729
title: Inner garden at Mission San Juan Bautista, ca.1900

description: Photograph of the inner garden at Mission San Juan Bautista, ca.1900. The garden is bordered at the back and left by the adobe walls of the mission buildings. These buildings have terracotta tile roofs and white spackle covers the walls. In the foreground is the garden, and it is full of a wide variety of plants and ivy-covered trees. There is a narrow dirt walkway at right and a wooden ladder leaning against a building at left.
DOI: 10.25549/chs-m13922
title: Painting by Murillo depicting Saint Anthony de Padua, [s.d.]

description: Photograph of a painting by Murillo depicting Saint Anthony de Padua, [s.d.]. Saint Anthony is pictured kneeling at right and facing to the left. He is dressed in the robes of a monk and is holding a baby. Seven more babies are visible at left, two on the ground by Anthony's knees and four in the sky at left. One of the children is holding a flower in the air with both hands.
DOI: 10.25549/chs-m8008
title: Etching of a Fourth of July celebration in Yerba Buena, 1836

description: Photograph of an etching of a Fourth of July celebration in Yerba Buena, 1836. At left, multiple people are depicted sitting at a long table underneath a canopy. The American flag can be seen flying above the canopy, while two tents are depicted to the right. A one-story building can be seen to the right of the tents with American and California flags flying above it. In the foreground, two children are depicted running to the left, while a few groups of men and women can be seen congregating nearby. Two of the people are waving. Mountains are depicted in the background. Photoprint reads: "Also the completion of the first home in San Francisco built by Jacob P. Leese".
DOI: 10.25549/chs-m19730
title: View of the Altar of the Miraculous at Mission Santa Clara, ca.1900

description: Photograph of the Altar of the Miraculous at Mission Santa Clara, ca.1900. A crucifix adorns the altar and  is hung under an archway. Several plants and candle sticks are also on the altar. A sign above Jesus' head reads "INRI", and another sign at the base of the altar reads "IHS" (Jesus Savior of Man). The crucifix at the altar is carried yearly in a procession on Good Friday by the Indians to "Pueblo San Jose".
DOI: 10.25549/chs-m13629
title: Painted portrait based on a daguerreotype of John C. Fremont by Brady, Washington D.C., ca.1850

description: Photograph of a painted portrait based on a daguerreotype of John C. Fremont by Brady, Washington D.C., ca.1850. General Fremont is pictured from his upper torso to his head and is turned slightly to the right. He is wearing a dark jacket, dark tie, and white shirt. He has curly medium length hair that is parted at center. He has a short beard and mustache as well. The portrait is signed "Yours truly, J. C. Fremont".
DOI: 10.25549/chs-m19731
title: Portrait of General Mariano Guadalupe Vallejo, [s.d.]

description: Photographic portrait of General Mariano Guadalupe Vallejo, [s.d.]. The general is pictured from his upper torso to his head and is looking to the left with his shoulders facing straight ahead. He is wearing a civilian-style jacket and tie. He has very wide, thick sideburns, and has short, dark, wavy hair. "Vallejo was commander at the Presidio of San Francisco in 1833. Between two and three hundred white inhabitants lived there, including soldiers, women, and children"--N.W. Davis.
DOI: 10.25549/chs-m6762
title: Exterior view of the Pio Pico mansion at El Ranchito, showing two women, Whittier, ca.1907

description: Photograph of two women outside the Pio Pico mansion at El Ranchito, Rancho Paso de Bartolo in Whittier, ca.1907. The rundown mansion is at left and is a long, two-story adobe building. Several rectangular wood-framed doorways and windows are visible on the adobe walls. Much of the spackle is missing from the adobe. The two women are visible in the distance at center. One is standing and wearing a white dress, while the other is kneeling and is wearing a black dress. There are two skinny trees in front of the house at right. Picture file card reads "Westvale, north end".
DOI: 10.25549/chs-m14901
title: Looking west from Bright Angel Hotel at the Grand Canyon, ca.1900-1930

description: Photograph looking west from Bright Angel Hotel (not visible) at the Grand Canyon. A scraggly tree is visible on the rim.
DOI: 10.25549/chs-m19732
title: Portrait of John Rowland and his wife, Alberta at the La Puente Ranch, ca.1856

description: Photographic portrait of John Rowland and his wife, Alberta at the La Puente Ranch, ca.1856. Mr. Rowland is at left and is wearing a dark suit with a dark bowtie. He is holding a hat at left. He has wavy hair that sticks off his head in all directions. His wife is at right and is wearing a floral print dress. She has short dark hair parted in the center and is holding a young child in a dark gray dress.
DOI: 10.25549/chs-m10188
title: Engraved portrait of John Rowland, owner of La Puente Ranch, ca.1900

description: Photograph of an engraved portrait of John Rowland, owner of La Puente Ranch, ca.1900. Mr. Rowland is shown from his torso to his head and is turned very slightly to the left. He is wearing a dark suit and vest, a dark bowtie and a white shirt. He has medium length-dark hair that is parted at right and curls near his ears. His heavy-set round face is clean-shaven.
DOI: 10.25549/chs-m13797
title: Portrait of Charlotte Gray Rowland, second wife of John Rowland, owner of La Puente Ranch, ca.1900

description: Photographic portrait of Charlotte Gray Rowland, second wife of John Rowland, owner of La Puente Ranch, ca.1900. Mrs. Rowland is pictured from her upper torso to her head and is looking to the right. She is wearing a dark dress with a dark lace collar. She has short, dark, wavy hair that is parted at center. She has a very rugged face with a stern expression.
DOI: 10.25549/chs-m19733
title: Portrait of Marcos Alaniz, son of Soledad de Cuera, Don Maximo Alaniz, 1781(?)

description: Photographic portrait of Marcos Alaniz, son of Soledad de Cuera, Don Maximo Alaniz , 1781(?). Mr. Alaniz is shown from his waist to his head and is looking slightly to the left. He is wearing a baggy dark jacket, dark vest, dark bow tie, and white shirt. He has a dark bandana around his head. He has a broad nose and dark hair that sticks out wildly from under his bandana. Alaniz was also the great grandfather of Anna Begue de Packman.
DOI: 10.25549/chs-m13844
title: Drawn portrait depicting Augustine Zamorano in San Diego, [s.d.]

description: Photograph of a drawn portrait depicting Augustine Zamorano in San Diego, [s.d.]. Mr. Zamorano is shown seated on a rock and turned to the right. He is holding a rifle at left. He is wearing a gray military uniform with a haversack over his shoulder. He has a black cap on his head. He has dark hair and thick dark sideburns.