cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15156/bio/sh1390556.10fu
title: SH1390556.10FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh1390557.10fu
title: SH1390557.10FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh1390558.10fu
title: SH1390558.10FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.15156/bio/sh1390563.10fu
title: SH1390563.10FU

description: UNITE provides a unified way for delimiting, identifying, communicating, and working with DNA-based Species Hypotheses (SH). All fungal ITS sequences in the international nucleotide sequence databases are clustered to approximately the species level by applying a set of dynamic distance values (<0.5 - 3.0%). All species hypotheses are given a unique, stable name in the form of a DOI, and their taxonomic and ecological annotations are verified through distributed, web-based third-party annotation efforts. SHs are connected to a taxon name and its classification as far as possible (phylum, class, order, etc.) by taking into account identifications for all sequences in the SH. An automatically or manually designated sequence is chosen to represent each such SH. These sequences are released (https://unite.ut.ee/repository.php) for use by the scientific community in, for example, local sequence similarity searches and next-generation sequencing analysis pipelines. The system and the data are updated automatically as the number of public fungal ITS sequences grows.
DOI: 10.25549/dancestry-c105-142
title: American Tap Dance Orchestra – 10/5/90 – Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: A dance performance choreographed and performed by members of the American Tap Dance Foundation (formerly the American Tap Dance Orchestra) on October 5, 1990. (Part 1 is a piece created by Susannah Appelbaum and Karmen Jelincich, titled Hold Your Screws).
DOI: 10.25549/dancestry-c105-144
title: American Tap Dance Orchestra – 10/5/90 – Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

description: A dance performance choreographed and performed by members of the American Tap Dance Foundation (formerly the American Tap Dance Orchestra) on October 5, 1990. (Part 1 is a piece created by Susannah Appelbaum and Karmen Jelincich, titled Hold Your Screws).
DOI: 10.25549/dancestry-c105-1357
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-201
title: Uzbekistan Folklore Ensemble - July 28, 1990 Part 1; Part 2; Part 3; Part 4; Part 5; Part 6; Part 7

description: The Uzbekistan Folklore Ensemble performance in Meany Hall at the University of Washington, July 28, 1990.
DOI: 10.25549/dancestry-c105-212
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-563
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-604
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-794
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.
DOI: 10.25549/dancestry-c105-29
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-217
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-778
title: Imago Acts I, II, III, 7/26/93

description: Performance of Acts I, II, III of Alwin Nikolais' work "Imago: The City Curious" at the Joyce Theater, 7/26/93, with an introduction by Murray Louis.
DOI: 10.25549/dancestry-c105-795
title: NEFFA 1986 17

description: Documentation of the New England Folk Festival Association's 1986 festival, including performances by the students of the Hansen Keohane School of Irish Dance and the Royal Scottish Country Dance Society.
DOI: 10.25549/dancestry-c105-39
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-44
title: Dance Heritage Video Archive

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.
DOI: 10.25549/dancestry-c105-197
title: Uzbekistan Folklore Ensemble - July 28, 1990 Part 1; Part 2; Part 3; Part 4; Part 5; Part 6; Part 7

description: The Uzbekistan Folklore Ensemble performance in Meany Hall at the University of Washington, July 28, 1990.
DOI: 10.25549/dancestry-c105-200
title: Uzbekistan Folklore Ensemble - July 28, 1990 Part 1; Part 2; Part 3; Part 4; Part 5; Part 6; Part 7

description: The Uzbekistan Folklore Ensemble performance in Meany Hall at the University of Washington, July 28, 1990.
DOI: 10.25549/dancestry-c105-1232
title: Donna Uchizono "Three for All" at Performance Space 122, 15 Dec 1991

description: With generous support from The Andrew W. Mellon Foundation (https://mellon.org/), the USC Libraries (https://libraries.usc.edu) and the USC Glorya Kaufman School of Dance (https://kaufman.usc.edu) created the Dance History Video Archive (DHVA) collection. The collection preserves culturally significant recordings that document global and U.S. dance traditions, creative work by outstanding choreographers and performers, and performances that helped to advance the art form.The DHVA collection continues the work begun by the Dance Heritage Coalition’s Dance Preservation and Digitization Project to address the challenges faced by dance artists, choreographers, performers, and companies in preserving a record of their work and helping to share it as broadly as possible with global and U.S. audiences and scholars.Over a 15-year period, the Dance Heritage Coalition assembled more than 1,200 important dance performances digitized at hubs in New York, San Francisco, and Washington, D.C. Thanks to generous support from The Andrew W. Mellon Foundation, those recordings were migrated to their new permanent home in the USC Digital Library during the summer of 2018.The USC Libraries will make the DHVA collection available as broadly as reasonably possible within contractual and legal limits for educational research, study, and teaching.The collection includes video recordings with certain rights restrictions that require limited access. To inquire about gaining access to these materials, contact (dhva@usc.edu) dance preservation and digital projects librarian Javier Garibay.In the coming years, the USC Libraries and the USC Glorya Kaufman School of Dance will continue to build and enhance the features of this culturally significant digital collection documenting the artistry and diversity of human movement traditions.