cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-2047
title: Becoming the circle, Venice, 2002

description: Becoming the circle, Venice, 2002. Pioneer French Baking Company, 512 Rose Avenue, Venice. "The mural is in four panels. The first and second panel shows a parade that merges issues reminiscent of an actual community parade that was discontinued at the beginning of World War II. Participants are drawn from present-day members of the neighborhood. Local trees and gardens form the background of the panels. In the second panel an older woman unfurls a quilt amidst segments of Venice's vanishing architectural heritage. A female drummer and a young girl with arms raised to the sun are in the third panel. The final phase once again shows people parading, but more in a collective march for a cause." Acrylic, by Francisco Letelier. Sponsored by SPARC. -- http://www.betsysellsvenice.com/convertedpages/venicemurals.html; http://you-are-here.com/mural/circle.html; http://www.lamurals.org/Newsletters/0602Newsltr/0602B.html#NewMurals0602.
DOI: 10.25549/dunitz-c15-1977
title: Respect what you see, Boyle Heights, 1979

description: Respect what you see, Boyle Heights, 1979. Brooklyn Hardware, exterior, 3734 Avenida Cesar Chavez (at Gage Avenue), Boyle Heights. "Dedicated to a greater sensitivity, understanding and compassion of law enforcement representatives towards La Raza throughout Aztlan. 40' x 15', by Bill Butler, assisted by Pedro Pelayo and Arnold Ramirez. -- Dunitz, Street gallery, p. 303, #36.
DOI: 10.25549/independent-c69-822
title: Sherrell, memo, 1991-05-03, to Gotlieb, et al.

description: John B. Sherrell (Latham & Watkins), 633 West Fifth Street, Los Angeles, California, USA, memorandum, 1991 May 3, to Lawrence B. Gotlieb, Raymond C. Fisher, John W. Spiegel, and Abby Ullman. PART OF A SERIES: Included in the series are research materials collected by the staff of First Interstate Bancorp during their broad analysis of municipal police departments' structure and function. The series consists primarily of excerpts from books, reports, academic journals, case studies, and other published sources regarding the proper role of police in society. Also included are inventories of other sources relevant to staff's investigation, correspondence and memoranda, speech transcripts, and excerpts from the Congressional Record regarding the implementation of a 10-year fixed term for the FBI Director.
DOI: 10.25549/dunitz-c15-1733
title: Early California, Compton, Los Angeles, 1936

description: Early California, 1936, Willowbrook Avenue at Compton Boulevard, Compton Post Office, interior. The history of early California, particularly the Los Angeles area. Portraits of Portola and Father Junipero Serra, and a scene showing the de Anza expedition. Four panels, by James Redmond with assistance from Donald Torren. Sponsored by Treasury Section of Painting and Sculpture -- Dunitz, Street gallery, rev. 2nd ed., p. 229, #1 (photo on p. 226).
DOI: 10.25549/dunitz-c15-1954
title: Typical activities of a beach and harbor city, Long Beach, 1938

description: Typical activities of a beach and harbor city, Long Beach, 1938. Long Beach Plaza parking structure, exterior, Third Street and Locust Avenue, Downtown Long Beach. When this mosaic was created for the Long Beach Municipal Auditorium, it was reportedly the largest cut-tile mosaic picture in the country and the single biggest achievement of the Federal Art Project. King supervised the actual execution, which involved the collaborative work of 40 artists. Changing the geometric shapes of tile for each pattern in a design was an innovation of Wright's, and is recognizable in his other southern California New Deal mosaics. In 1979 a major community effort saved the mural from destruction when the municipal auditorium was demolished to make way for a new convention center complex. in 1982 it was mounted at its present location and declared a City Historical Landmark by the Long Beach City Council. Glazed semi-glossed tile mosaic, approximately 38' x 22'. Original design by Henry Allen Nord, redesigned by Stanton MacDonald Wright and Albert Henry King. Sponsored by Federal Art project. -- Dunitz, Street gallery, rev. 2nd ed., p. 251, #3.
DOI: 10.25549/dunitz-c15-2023
title: Alma Reaves Woods Watts branch library, Watts, 1995-1996

description: Alma Reaves Woods Watts branch library, Watts, 1995-1996. Untitled. Alma Reaves Branch Public Library, exterior, 10205 Compton Avenue (at 102nd Street), Watts. Cross-cultural view of Watts as a city. An historically layered visual record of the cultures who have lived in Watts at various times, including Italians, Japanese, Jews, African Americans and Latinos. Acrylic, 130' x 9', by Richard Wyatt. -- Dunitz, Street gallery, rev. 2nd ed., p. 238, #37.
DOI: 10.25549/dunitz-c15-1750
title: History of printing, Doheny Memorial Library, USC, Los Angeles, 1932

description: History of printing, Doheny Memorial Library Treasure Room, interior. University of Southern California, Los Angeles, 1932. A history of the printed word is depicted in wall panels that encompass the room's entire perimeter. Friezes, 9 panels by Samuel Armstrong -- Dunitz, Street gallery, rev. 2nd ed., p. 207, #4.
DOI: 10.25549/dunitz-c15-1825
title: Community of music, Long Beach, 1989

description: Community of music, Long Beach, 1989, George Washington Middle School, exterior, 15th Street and Cedar Avenue. The universality of music is portrayed by showing how important to different cultures music is today and has been throughout history. Done as part of the Mural Mentor Project. In Nova Color acrylic, approximately 920 square feet by Ben Valenzuela with assistance from Brittany Powers, Opie Ortiz, Glen Sablaza and Art Valenzuela. Sponsored by the Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 258, #30 (photo on p. 259).
DOI: 10.25549/dunitz-c15-1832
title: All that you can be, Los Angeles, 1990

description: All that you can be, Los Angeles, 1990, Legal Aid Foundation, exterior facing alley, 8601 South Broadway (at Manchester). The mural shows a father cradling a newborn baby. Around him are eight hands holding symbols of the possible future careers awaiting the child. In acrylic by Elliot Pinkney with assistance of Mario Ortiz, Joaquin Galicia, San Juana Prieto, and Darnell Robertson. Sponsored by Social and Public Art Resource Center -- Dunitz, Street gallery, p. 213, #48. According to the Google maps street view image, the mural does not exist anymore (as of December 2011).
DOI: 10.25549/dunitz-c15-1886
title: Mexico-Tenochitlan--The wall that talks, Highland Park, Los Angeles, 1996

description: Mexico-Tenochitlan--The wall that talks, Highland Park, Los Angeles, 1996. Arroyo Furniture, 6037 North Figueroa Street (at Avenue 61), Highland Park. A blending of Aztec, Mayan, Native American, African and other cultural iconography represents indigenous cultures in unity with each other. Quetzlcoatl, the ancient Mexican's mystical feathered serpent god, winds his way through the painting. The mural emphasizes the political significance of cultural self-definition for the Chicano. Acrylic, 12' x 75' (approximately), by Andy Ledesma, John Zender Estrada, Rafael Corona, Jaime Ochoa, Dominic Ochoa, Isabel Martinez, Oscar de Leon, Mario Mancia, Jesse Silva, Anthony Ortega, and Jerry Ortega. -- Dunitz, Street gallery, rev. 2nd ed., p. 122, #18.
DOI: 10.25549/dunitz-c15-2017
title: MacArthur Park tunnels, Westlake, 1984-1993

description: MacArthur Park tunnels, Westlake, 1984-1993. Under Wilshire Boulevard (between South Park View Street  and South Alvarado Street). Some of these tunnels are fenced off now, although you can peer in and see part of the work. Aerosol, by Robert Williams, Skill, John "Zender" Estrada, Hector "Hex" Rios, and others. Aerosol. Self-sponsored. -- Dunitz, Street gallery, rev. 2nd ed., p. 80, #54.
DOI: 10.25549/dunitz-c15-1913
title: Restaurant Los Arcos, North Hollywood, 1990

description: Restaurant Los Arcos, untitled mural, North Hollywood, 1990. Restaurant Los Arcos, exterior, 7227 Vineland Avenue (near Sherman Way), North Hollywood. Farm scene and the Virgin of Guadalupe. Oil on stucco, by Juan Hector Ponce. -- Dunitz, Street gallery, rev. 2nd ed., p. 146, #44.
DOI: 10.25549/dunitz-c15-1924
title: The story of Venice, Venice, 1941

description: The story of Venice, Venice, 1941. Venice Post Office, interior, 1601 Main Street (near Windward Avenue). The central focus is Abbot Kinney, the visionary developer who created this beach community with its canals and pier. Oil wax emulsion on canvas, 6 1/2' x 15 5/8', by Edward Biberman. Sponsored by Treasury Section of Painting and Sculpture. -- Dunitz, Street gallery, rev. 2nd ed., p. 189, #3.
DOI: 10.25549/dunitz-c15-1951
title: The jazz men, Long Beach, 1994

description: The jazz men, Long Beach, 1994. Third Street between Pine and Pacific avenues, Downtown Long Beach. Re-painting of an image of jazz musicians originally done in 1991 for The Storefront Project, a group of ten temporary murals commissioned by the local Public Corporation for the Arts and the Redevelopment Agency, beautify downtown Long Beach. Most are gone now. Acrylic, by Joseph Giri. -- Dunitz, Street gallery, rev. 2nd ed., p. 268, #72.
DOI: 10.25549/dunitz-c15-1742
title: Flowers for a lady, Los Angeles, 1990

description: Flowers for a lady, 1990, was on a northwest corner of Venice and Robertson Boulevards. Floral imagery, originally painted for the florist that was located here. As of November of 2011, neither the mural, not the building exist. In house paint and acrylic, 3 walls, 200' x 12' by Nancy Turner and Peter Alvert -- Dunitz, Street gallery, rev. 2nd ed., p. 181, #36.
DOI: 10.25549/dunitz-c15-1788
title: Chabelita Tacos, Los Angeles, 1985-1990

description: Chabelita Tacos, untitled mural, 1985-1990, Chabelita Tacos, exterior and interior, Western Avenue at 20th Street. Burgers, tacos, and people eating cover every inch of the walls. Oil, by Juan Hector Ponce.-- Dunitz, Street gallery, rev. 2nd ed., p. 76, #35.
DOI: 10.25549/dunitz-c15-1799
title: La Vida Loca, Los Angeles, 1992

description: La Vida Loca, Los Angeles, 1992, 6th Street and Bonnie Brae Street. Portraits of young Latinos and gang imagery. Air brush, 2 panels, by Carlos "Wiro" Ruiz. Sponsored by 18th Street Gang. -- Dunitz, Street gallery, rev. 2nd ed., p. 79, #52.
DOI: 10.25549/dunitz-c15-1985
title: Roberto Delgado's mural on the exterior of Aliso-Pico Apartments, Los Angeles, 1989

description: Roberto Delgado's mural on the exterior of Aliso-Pico Apartments, Gless Street near 4th Street, Los Angeles, 1989. Facing the playground, the semi-abstract design combines Aztec symbolism and photo-imagery. A significant lower portion has been painted out because of graffiti. Acrylic, 15' x 15' (originally), by Roberto Delgado, assisted by Tomas Cisneros, Alex Luevano, Orlando Martinez, Mario Mijarez. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 308, #59.
DOI: 10.25549/vit-m3764
title: Andrew J. Viterbi, "Shannon Theory and Turbo Decoding," May 18, 1998.
DOI: 10.25549/vit-m3765
title: Notes.
DOI: 10.25549/vit-m3766
title: Email, Dave Forney to Deborah Casher, June 1, 1998
DOI: 10.25549/vit-m3767
title: Email, Andrew J. Viterbi to Deborah Casher, June 1, 1998
DOI: 10.25549/vit-m3768
title: Email, Emre Telatar to Andrew J. Viterbi, May 19, 1998
DOI: 10.25549/dunitz-c15-1705
title: 7th Street altarpiece, Los Angeles, 1983-1984

description: 7th Street altarpiece, 1983-1984, Harbor Fwy. (110) at 7th Street underpass. Murals of Lita Albuquerque, north side, 18' x 96',  and Jim Morphesis, south side, 17' x 94',  facing each other, with hands open by Kent Twitchell. Sponsored by Times-Mirror. Acrylic, emulsion paint, 2 panels-- Dunitz, Street gallery, rev. 2nd ed., p.55, #43. Destroyed then moved to 101 Freeway under Grand overpass, extant but barely visible under heavy tagging. http://en.wikipedia.org/wiki/Kent_Twitchell viewed on October 5, 2012.
DOI: 10.25549/dunitz-c15-1917
title: Aztec pride, Van Nuys, 1992

description: Aztec pride, Van Nuys, 1992. 14958 Delano Street (at Lemona Avenue), Van Nuys. Aztec calendar and warrior, Quetzalcoatl (feathered serpent god), and the Aztec god of war. Acrylic, by Yoouth under the direction of Jose de ala Cruz. -- Dunitz, Street gallery, rev. 2nd ed., p. 148, #51.
DOI: 10.25549/dunitz-c15-2098
title: Liberal arts, manual arts, fine arts, 1991

description: [Liberal arts, manual arts, fine arts], 1991. Location unknown. Artist unknown. Exterior painted three bas-relief panels above the entry to an auditorium. Depicts classical figures engaged in the three arts. Photographed ca. 2000 January.
DOI: 10.25549/vit-m3775
title: Email, Emre Telatar to Andrew J. Viterbi, October 16, 1997
DOI: 10.25549/dunitz-c15-1843
title: Half asleep, Santa Monica, 1997

description: Half asleep, Santa Monica, 1997, the Bistro of Santa Monica, exterior rear, 23101 Santa Monica Boulevard (at 23rd Street). Among the subliminal images emerging from the cracks within a painting of a broken wall are the pack of wolves, a cat, an eagle with a snake in its claws, a deer and a horse. In acrylic latex on brick by Dave Talbot -- Dunitz, Street gallery, rev. 2nd ed., p. 168, #35 (photo on p. 169).
DOI: 10.25549/dunitz-c15-1874
title: North-Central Animal Care and Control Center, Cypress Park, Los Angeles, 1988

description: North-Central Animal Care and Control Center, untitled, Cypress Park, Los Angeles, 1988. North-Central Animal Care and Control Center, exterior, 3201 Lacy Street (near Avenue 26), Cypress Park. Done to resemble a billboard featuring domesticated animals. Latex acrylic, 2 panels, 7' x 20' and 11' x 26', designed by Victor Henderson. Painted by Victor Henderson and Elizabeth Garrison. Sponsored by City of Los Angeles. -- Dunitz, Street gallery, p. 118, #23.
DOI: 10.25549/dunitz-c15-1932
title: The short life of John Doe (La vida breve de Alfonso Fulano), East Los Angeles, 1975

description: The short life of John Doe (La vida breve de Alfonso Fulano), East Los Angeles, 1975. Centro Maravilla, exterior front, 4716 East Cesar E. Chavez Avenue (at North Arizona Avenue). The story of the community of Maravilla, one of the earliest settlements in East Los Angeles, which was originally home to those fleeing religious persecution in Mexico. The tale is told through the eyes of one anonymous old man, who explains to his young companion how the area has changed over the years. Acrylic on stucco, 60' x 8', by Goez (designed by Robert Arenivar. Executed by Jose-Luis Gonzalez, Juan Gonzalez, and David Botello). -- Dunitz, Street gallery, p. 292, #25.
DOI: 10.25549/dunitz-c15-2056
title: Claremont community mural, Claremont, 2000

description: Claremont community mural, Claremont, 2000. "Painted between two buildings in the Village of Claremont, CA, next to the Claremont Colleges, Claremont. It depicts architecture from some of the buildings on the College campuses as a backdrop for the history of the community." Acrylic, 17' x 72', by Art Mortimer. Commissioned by Claremont Community Foundation. -- http://www.artmortimer.com/Pages/murals.html viewed on October 8, 2012; http://attractions.uptake.com/museums/california/claremont/claremont_village_mural_34148076.htm viewed on October 8, 2012; http://www.artmortimer.com/murals.htm; http://www.artmortimer.com/Pages/Claremont.html viewed on October 8, 2012.
DOI: 10.25549/dunitz-c15-1896
title: Aztlan, San Fernando, 1980

description: Aztlan, San Fernando, 1980. Las Palmas Park, exterior fence, 505 Huntington Street (at Hollister Street), San Fernando. Thirteen segments of a wall along the rear perimeter of the park are painted with traditional images from the Mayan and Aztec cultures. They tell allegorical stories of creation and destiny. The poetry, expressed in both English and Spanish,  was written by Juan Pueblo. Cinder block, directed by Juan Pueblo, painted by about 30 local youth. Sponsored by the City of San Fernando. -- Dunitz, Street gallery, p. 138, 20.#
DOI: 10.25549/dunitz-c15-2029
title: Great pig murals of the Farmer John brand, Vernon, 1957-1998

description: Great pig murals of the Farmer John brand, Vernon, 1957-1998. "The great pig mural of the Farmer John brand, Clougherty Meat Packing Company are a totally impressionistic view of 'Hog Heaven,' as seen through the eyes of the late Les Grimes. an Austrian immigrant and former movie sign painter, Grimes worked on the mural 11 years until 1968 when he fell to his death from a scaffold while completing an area of sky in that 'Great Farmland Vista.' Following Grimes death, Barney Clougherty hired Arno Jordon [sic], also an Austrian immigrant, to freshen and continue the never finished murals." -- Environmental Communications, Street paintings of Los Angeles, unpaged, #27-31; http://www.laokay.com/farmerjohn.htm.
DOI: 10.25549/dunitz-c15-2034
title: Ghost Town, Thousand Oaks, 1972

description: Ghost Town, Thousand Oaks, 1972. "The Squa's last mural, 'Ghost Town', was a futuristic landscape of the San Fernando Valley community of Thousand Oaks where the painting was completed in 1972." -- http://www.lamurals.org/MuralistPages/LAFineArts.html. "The remaining members of the Fine Arts Squad (Terry Schoonhoven and Vic Henderson) completed a commissioned piece for local millionaire and 'Friend of Artists', Edwin Janss, Jr. in his shopping center in Thousand Oaks. The mural shows a full scale glass and marble bankfront with huge windows that reflect a scene of Thousand Oaks in the future. In keeping with the Fine Arts Squad ironic vision, Thousand Oaks lies in ruins -- the Colonel Sanders bucket is riddled with bullets, sheep meander through deserted tract homes, even Edwin Janss is seen wandering through the rubble in a  coonskin cap...". -- Environmental Communications, Street paintings of Los Angeles, #55-56.
DOI: 10.25549/dunitz-c15-1953
title: Deep sea magic, Long Beach, 1939

description: Deep sea magic, Long Beach, 1939. Will Rogers Middle School main entrance, interior, Appian Way and 3rd Street, Long Beach. A detailed, pastel underwater scene full of weird creatures. Oil on canvas, 2 panels, 6' x 19' (each), by Olinka Hrdy. Sponsored by Federal Art Project. -- Dunitz, Street gallery, rev. 2nd ed., p. 253, #6.
DOI: 10.25549/dunitz-c15-2003
title: The three gospels, Lincoln Heights, 1994

description: The three gospels, Lincoln Heights, 1994. North Broadway between Eastlake Avenue and Gates Street, Lincoln Heights. Divided into three distinct views of religious significance. The middle scene depicts Jesus Christ falling as he carried the cross. The scene also shows the grief of the Virgin Mary. Acrylic, 11' x 50', by Isabel Mora, Jerry Rodriguez, Andy Ledesma. Sponsored by Beresford-Valenzuela. -- Dunitz, Street gallery, rev. 2nd ed., p.317, #94.
DOI: 10.25549/dunitz-c15-1714
title: To protect and serve, Los Angeles, 1996

description: To protect and serve, 1990, 11th Avenue and Jefferson Boulevard, by Noni Olabisi. The left side of the mural focuses on racist and institutional violence toward African Americans with images of the Ku Klux Klan and Bobby Seale bound and gagged as he was during the Chicago Seven trial of the late 1960s. Above him is Judge Julius Hoffmann, who presided in that case. Panther leaders Huey Newton and Angela Davis are also portrayed. The right side of the mural emphasizes the Panther's social projects, such as the free breakfast program. Sponsored by SPARC and private donations. Acrylic, 40' x 12' -- Dunitz, Street gallery, rev. 2nd ed., p. 223, #70.
DOI: 10.25549/dunitz-c15-1960
title: Mail transportation, San Pedro, 1938

description: Mail transportation, San Pedro, 1938. San Pedro Post Office, interior, 839 South Beacon (between 8th and 9th streets), San Pedro. Delivery of the mail in several different settings. Restored during the 1970s by Jose-Luis Gonzalez of Goez Studio. Artist is Fletcher Martin. -- Dunitz, Street gallery, p. 239, #6.
DOI: 10.25549/dunitz-c15-2004
title: The White Memorial project, Boyle Heights, 1994

description: The White Memorial project, Boyle Heights, 1994. White Memorial Medical Center, interior lobby, 1720  Cesar Chavez Avenue (between Boyle Avenue and State Street), Boyle Heights. 2 panels, by Richard Wyatt. -- Dunitz, Street gallery, rev. 2nd ed., p. 318, #95.
DOI: 10.25549/dunitz-c15-1827
title: Por los derechos plenos (For the rights of the people), Long Beach, 1989

description: Por los derechos plenos (For the rights of the people), Long Beach, 1989; 1300 Warren Avenue (at Anaheim Street). By Mario Aguirre Uriarte, Federico Vasquez Ramos and Nora Mukaihata. Sponsored by Long Beach Department of Parks and Recreation -- Dunitz, Street gallery, rev. 2nd ed., p. 259, #33. According to Google maps street view image, the mural dies not exist anymore (as of November 2011).
DOI: 10.25549/dunitz-c15-2063
title: L.A. Town, Los Angeles, [s.d.].

description: L.A. Town, untitled, Los Angeles, [s.d.]. "Two women with big dark glasses are standing in the middle of the phrase 'L.A. Town'. The mural does not exist anymore."
DOI: 10.25549/dunitz-c15-2018
title: Animate, West Hollywood, 1992

description: Animate, West Hollywood, 1992, Name That Toon Gallery, exterior front, 8483 Melrose Avenue (at La Cienega Boulevard), West Hollywood. A diverse assortment of cartoon characters, including Popeye and Gumby. Acrylic, 15' X 80', by Stephen Shloss. -- Dunitz, Street gallery, p. 97, #52.
DOI: 10.25549/dunitz-c15-1741
title: The chain undone, Los Angeles, 1992

description: The chain undone, 1992, Florence Gardner Pictures and Framing, exterior, 10534 West Pico Boulevard (between Patricia and Prosser Avenues). The mural's theme is the imminent destruction of more wetlands. The mural is divided into three sections. In the large central portion is a vibrantly colored marsh full of birds. Encroaching from the sides are threatening black-and-white images of industrial development, pollution and the destruction of civilization by war. In acrylic, 16' x 79' by Eva Cockcroft with assistance from Agustin Gonzales, Otono Lujan and Bill Agee. Sponsored by Social and Public Art Resource Center -- Dunitz, Street gallery, rev. 2nd ed., p. 183, #43 (photo on p. 182).
DOI: 10.25549/dunitz-c15-1759
title: To protect and to serve, Los Angeles, 1977

description: To protect and to serve, 1977, Central facilities police building, exterior, 251 East 6th Street (between Wall Street and Maple Avenue). Urban landscape. By Ben Meyer. Mosaic tile, 13' x 97'. -- Dunitz, Street gallery, p. 37, #39.
DOI: 10.25549/dunitz-c15-1877
title: People reading and studying, Cypress Park, Los Angeles, 1976

description: People reading and studying, untitled mural, Cypress Park, Los Angeles, 1976, Salazar Brothers Food products Corporation, exterior, Cypress Avenue and Verdugo, Cypress Park. People reading and studying. Acrylic on concrete, 35' x 17', by Anthony Padilla, assisted by local youth. Sponsored by CMP. -- Dunitz, Street gallery, p. 114, #6.
DOI: 10.25549/dunitz-c15-1921
title: Changes, Venice, 1984

description: Changes, Venice, 1984. 20 Yawl Street (near Pacific Avenue and Via Marina), rear alley garage door. An elderly woman pulling a cart of groceries is the central image in this commentary on Venice's continuing transformation as a community. Ahead of her, three young women in the modest swimming attire of an earlier era -- perhaps figments of her memory -- pose and wave in her direction. Behind her a roller skater approaches, not appearing to notice that they are about to collide. On the ground is a newspaper fragment announcing the eviction of local seniors from their homes. 8' x 12', by Thomas Suriya. Sponsored by owner.  -- Dunitz, Street gallery, rev. 2nd ed., p. 191, #12.