cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10343384
title: Per Adrian, Igor Mitoraj (1999)

description: Bronze face sculpture "Per Adrian" by Igor Mitoraj
DSLR scan of 21 shots process with Reality Capture.

**free download but do not forget to credit me if you use it publicly.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343385
title: Per Adrian, Igor Mitoraj (1999)

description: Bronze face sculpture "Per Adrian" by Igor Mitoraj
DSLR scan of 21 shots process with Reality Capture.

**free download but do not forget to credit me if you use it publicly.**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343387
title: Stone Shaft Abrader

description: Stone Shaft Abrader at the Hutchings Museum Institute. Shaft Arbraders were used for sanding and smoothing arrow shafts, similar to modern sand paper.

169 images, Canon EOS 80D, 35mm, F/16, ISO 100, Agisoft Metashape, Windows 10.

Low Poly

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343386
title: Stone Shaft Abrader

description: Stone Shaft Abrader at the Hutchings Museum Institute. Shaft Arbraders were used for sanding and smoothing arrow shafts, similar to modern sand paper.

169 images, Canon EOS 80D, 35mm, F/16, ISO 100, Agisoft Metashape, Windows 10.

Low Poly

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343388
title: Movistar Arena

description: Coliseum model with an event

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343389
title: Movistar Arena

description: Coliseum model with an event

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343391
title: Excavation at Waldling (2021-08-16)

description: Here an unedited 3D model of the condition of Trench 2 dated Aug. 16, 2021 is shown, which was made during the Waldling 2021's teaching excavation. The model shows the final state of the trench of that day. It was captured simply by an Apple iPad Pro using LIDAR within less then 10 min (including processing time) – in the end with some minor modifications during post-processing the overall model will be certainly very acceptable. 
This method provides the ability to gather 3D data very fast and to produce quite accurate results with just using a smart device.

For a more advanced model, refer to the [Aug. 18., 2021's scan of the trench](https://sketchfab.com/3d-models/walding-2021-08-18-54e85b63401e4f12908802ba76265bb1).

Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343390
title: Excavation at Waldling (2021-08-16)

description: Here an unedited 3D model of the condition of Trench 2 dated Aug. 16, 2021 is shown, which was made during the Waldling 2021's teaching excavation. The model shows the final state of the trench of that day. It was captured simply by an Apple iPad Pro using LIDAR within less then 10 min (including processing time) – in the end with some minor modifications during post-processing the overall model will be certainly very acceptable. 
This method provides the ability to gather 3D data very fast and to produce quite accurate results with just using a smart device.

For a more advanced model, refer to the [Aug. 18., 2021's scan of the trench](https://sketchfab.com/3d-models/walding-2021-08-18-54e85b63401e4f12908802ba76265bb1).

Uploaded with 3dScannerApp.com

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343392
title: Kuyahtanar iron smelting furnace - Part 3

description: **Kuyahtanar iron smelting site**

**Box-shape iron smelting furnace**

**390-430 AD**

**Excavated furnace, slag-pit and underground channel**

[**Part 1 - The above-ground part**](https://sketchfab.com/3d-models/kuyahtanar-iron-smelting-furnace-part-1-d180ef74daef41cf82474bc8f2f16baa)

[**Part 2 - The underground part**](https://sketchfab.com/3d-models/kuyahtanar-iron-smelting-furnace-part-2-df920cbb8e9246ed91f6f74675c8a40c)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343393
title: Kuyahtanar iron smelting furnace - Part 3

description: **Kuyahtanar iron smelting site**

**Box-shape iron smelting furnace**

**390-430 AD**

**Excavated furnace, slag-pit and underground channel**

[**Part 1 - The above-ground part**](https://sketchfab.com/3d-models/kuyahtanar-iron-smelting-furnace-part-1-d180ef74daef41cf82474bc8f2f16baa)

[**Part 2 - The underground part**](https://sketchfab.com/3d-models/kuyahtanar-iron-smelting-furnace-part-2-df920cbb8e9246ed91f6f74675c8a40c)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343394
title: Abrigo Del Castillo / Antropomorfo / Villafames

description: ###**Abrigo del Castillo**

Arte Rupestre Levantino / Antropomorfo / Abrigo del Castillo / Villafames / Castellón / España / UE

------------------------------------------


[**Geolocalización**](https://goo.gl/T86v9z)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343395
title: Abrigo Del Castillo / Antropomorfo / Villafames

description: ###**Abrigo del Castillo**

Arte Rupestre Levantino / Antropomorfo / Abrigo del Castillo / Villafames / Castellón / España / UE

------------------------------------------


[**Geolocalización**](https://goo.gl/T86v9z)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343396
title: Wagon Axle

description: A cast iron wagon axle, manufactured in St. Louis, from a site in the American West

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343397
title: Wagon Axle

description: A cast iron wagon axle, manufactured in St. Louis, from a site in the American West

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343398
title: Bateria Durañona

description: La batería de Durañona, denominada I–51, estaba dotada de cuatro cañones antiaéreos "Vickers" de 105/43,5. Esta batería perteneció al Regimiento Mixto de Artillería no 9–Grupo de Artillería de Costa del Cantábrico, que se constituyó en el año 1943.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343399
title: Bateria Durañona

description: La batería de Durañona, denominada I–51, estaba dotada de cuatro cañones antiaéreos "Vickers" de 105/43,5. Esta batería perteneció al Regimiento Mixto de Artillería no 9–Grupo de Artillería de Costa del Cantábrico, que se constituyó en el año 1943.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343400
title: Ceramic figure

description: Ceramic figure in the Bonn Collection of the Americas at the University of Bonn (Inv. Nr. GB145)

* Object: Sitting ceramic figure, right hand brought to the mouth, beads on the shoulders, hole in the back, slightly damaged.
* Place of origin: Mexico
* Acquisition: 2006 as a permanent loan from Stadtmuseum Grevenbroich
* Collection: Grevenbroich
* Hardware: Nikon D7500, Nikon 40 mm macro
* Software: RealityCapture, Substance Designer, Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343401
title: Ceramic figure

description: Ceramic figure in the Bonn Collection of the Americas at the University of Bonn (Inv. Nr. GB145)

* Object: Sitting ceramic figure, right hand brought to the mouth, beads on the shoulders, hole in the back, slightly damaged.
* Place of origin: Mexico
* Acquisition: 2006 as a permanent loan from Stadtmuseum Grevenbroich
* Collection: Grevenbroich
* Hardware: Nikon D7500, Nikon 40 mm macro
* Software: RealityCapture, Substance Designer, Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343402
title: Harrison Wedgwood

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343403
title: Harrison Wedgwood

description: For more information about this item visit: https://bhpsite.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343405
title: UWS Superior

description: University of Wisconsin Superior.  
My 3D reconstruction generated with photogrammetry software 3DF Zephyr v5.003 processing 375 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343404
title: UWS Superior

description: University of Wisconsin Superior.  
My 3D reconstruction generated with photogrammetry software 3DF Zephyr v5.003 processing 375 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343407
title: FS0404 Palatki Grotto Panels 1 & 9

description: Palatki Grotto rock art panels 1 & 9.

This is in the main area of the Palatki Grotto alcove. The pictographs and petroglyphs in this area are attributed to the Archaic, Sinagua, Yavapai, Western Apache, Hopi, and Navajo cultures. There is also abundant modern and historic graffiti in this area. 

The Palatki Heritage Site is located in the Red Rock District of the Coconino forest.

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites

http://www.sedonaredrocktrails.org/
 
http://www.fs.usda.gov/recmain/coconino/recreation
 
Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at

http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343406
title: FS0404 Palatki Grotto Panels 1 & 9

description: Palatki Grotto rock art panels 1 & 9.

This is in the main area of the Palatki Grotto alcove. The pictographs and petroglyphs in this area are attributed to the Archaic, Sinagua, Yavapai, Western Apache, Hopi, and Navajo cultures. There is also abundant modern and historic graffiti in this area. 

The Palatki Heritage Site is located in the Red Rock District of the Coconino forest.

Additional information about the Red Rock District of the Coconino Forest can be found at the following web sites

http://www.sedonaredrocktrails.org/
 
http://www.fs.usda.gov/recmain/coconino/recreation
 
Information about volunteer opportunities in the Coconino Forest including the creation of the 3D models and other projects can be found at

http://www.friendsoftheforestsedona.org/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343409
title: Glass bead with faces

description: ID no.: ALE-2/W/110

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/2140

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343408
title: Glass bead with faces

description: ID no.: ALE-2/W/110

Archaeological Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/2140

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343411
title: Adega - Castelo de Montemor-o-Novo

description: As estruturas relacionadas com a adega situam-se logo à entrada do Castelo junto à Porta da Vila. No século XIV e muito provavelmente nos séculos seguintes, grande parte das terras à volta do Castelo, estavam cultivadas com vinhas. Estas terras deveriam pertencer a pequenos proprietários que, em alguns casos, habitariam no interior da cerca, sendo aí que se localizariam as adegas de produção de vinho. 

Estas adegas eram sobretudo de produção familiar  e possuímos alguns documentos que nos revelam a existência destas estruturas. Normalmente, as adegas localizar-se-iam no piso inferior da habitação, sendo o piso superior ocupado pelos compartimentos habitacionais. 

De facto, é isto que se verifica na adega escavada. Embora os pisos superiores tenham abatido, foi identificada uma estrutura de escadas que daria acesso ao primeiro piso da habitação dos proprietários. (Texto: Manuela Pereira)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343410
title: Adega - Castelo de Montemor-o-Novo

description: As estruturas relacionadas com a adega situam-se logo à entrada do Castelo junto à Porta da Vila. No século XIV e muito provavelmente nos séculos seguintes, grande parte das terras à volta do Castelo, estavam cultivadas com vinhas. Estas terras deveriam pertencer a pequenos proprietários que, em alguns casos, habitariam no interior da cerca, sendo aí que se localizariam as adegas de produção de vinho. 

Estas adegas eram sobretudo de produção familiar  e possuímos alguns documentos que nos revelam a existência destas estruturas. Normalmente, as adegas localizar-se-iam no piso inferior da habitação, sendo o piso superior ocupado pelos compartimentos habitacionais. 

De facto, é isto que se verifica na adega escavada. Embora os pisos superiores tenham abatido, foi identificada uma estrutura de escadas que daria acesso ao primeiro piso da habitação dos proprietários. (Texto: Manuela Pereira)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343412
title: Ormaņkalns

description: Ormaņkalna 3D modelis. Koordinātas: 56.25442, 25.54015

https://www.latvijas-pilskalni.lv/ormankalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343413
title: Ormaņkalns

description: Ormaņkalna 3D modelis. Koordinātas: 56.25442, 25.54015

https://www.latvijas-pilskalni.lv/ormankalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343414
title: темељи цркве, село Јелашница

description: The photogrammetric model was created for the needs of *The Conservation Study of architectural heritage in the Municipality of Surdulica*  done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić.

Photogrammetric model is made by the architect Aleksandar Nikšić; https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343415
title: темељи цркве, село Јелашница

description: The photogrammetric model was created for the needs of *The Conservation Study of architectural heritage in the Municipality of Surdulica*  done by the Institute for the Cultural Heritage Preservation Niš under the leadership of architect Ivana Cvetković and historian Đorđe Stošić.

Photogrammetric model is made by the architect Aleksandar Nikšić; https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343416
title: Envy - Závist 5K 2 Ktex

description: Statue Envy by Matyáš Bernard Braun (UNESCO site Kuks) spray painted in VR by Natália Peterková https://www.instagram.com/peterkovaa/ and further optimized by Vojtěch Leischner www.trackmeifyoucan.com. Find out more at www.tricktheear.eu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343417
title: Envy - Závist 5K 2 Ktex

description: Statue Envy by Matyáš Bernard Braun (UNESCO site Kuks) spray painted in VR by Natália Peterková https://www.instagram.com/peterkovaa/ and further optimized by Vojtěch Leischner www.trackmeifyoucan.com. Find out more at www.tricktheear.eu

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343418
title: Pic del Montgrí, MAC Girona

description: **CAT** Pic del Montgrí, còdol de pedra tallat, que prové del jaciment del Cau del Duc (Torroella de Montgrí, Baix Empordà, Girona). La seva cronologia actual és del plistocè mitjà, molt probablement a l'entorn de 300.000 a 120.000 anys aC. Es custodia al MAC Girona.

**ES** Pico del Montgrí, canto de piedra tallado, que proviene del yacimiento del Cau del Duc (Torroella de Montgrí, Baix Empordà, Girona). Su cronología actual es del pleistoceno medio, muy probablemente en el entorno de 300.000 a 120.000 años aC. Se custodia en el MAC Girona.

**EN** Montgrí chopping tool made of chipped stone and found at the Cau del Duc archaeological site (Torroella de Montgrí, Baix Empordà). It dates to the late Pleistocene, probably from 300,000 to 120,000 BC. It is kept at MAC Girona.

http://www.macgirona.cat/

Model: Blanca Pascual i Albert Sierra. Textos: MAC Girona i Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343419
title: Pic del Montgrí, MAC Girona

description: **CAT** Pic del Montgrí, còdol de pedra tallat, que prové del jaciment del Cau del Duc (Torroella de Montgrí, Baix Empordà, Girona). La seva cronologia actual és del plistocè mitjà, molt probablement a l'entorn de 300.000 a 120.000 anys aC. Es custodia al MAC Girona.

**ES** Pico del Montgrí, canto de piedra tallado, que proviene del yacimiento del Cau del Duc (Torroella de Montgrí, Baix Empordà, Girona). Su cronología actual es del pleistoceno medio, muy probablemente en el entorno de 300.000 a 120.000 años aC. Se custodia en el MAC Girona.

**EN** Montgrí chopping tool made of chipped stone and found at the Cau del Duc archaeological site (Torroella de Montgrí, Baix Empordà). It dates to the late Pleistocene, probably from 300,000 to 120,000 BC. It is kept at MAC Girona.

http://www.macgirona.cat/

Model: Blanca Pascual i Albert Sierra. Textos: MAC Girona i Luz Gámiz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343420
title: Ancient Rome

description: Some of the monuments of ancient Rome.

Credits: the layout of the roads and buildings was traced from Rome and Environs: An Archaeological Guide  by Filippo Coarelli. All errors and inaccuracies are my own.

Nota bene: The outlines of the hills are approximations, and the relative size of many buildings has been exaggerated to enhance their visibility.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343421
title: Ancient Rome

description: Some of the monuments of ancient Rome.

Credits: the layout of the roads and buildings was traced from Rome and Environs: An Archaeological Guide  by Filippo Coarelli. All errors and inaccuracies are my own.

Nota bene: The outlines of the hills are approximations, and the relative size of many buildings has been exaggerated to enhance their visibility.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343422
title: Handel reverse painted glass lamp shade

description: Anyone need a lamp shade?

20th Century. Signed J Bailey, Handel, and numbered 737.
Shade Diameter 17 1/2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343423
title: Handel reverse painted glass lamp shade

description: Anyone need a lamp shade?

20th Century. Signed J Bailey, Handel, and numbered 737.
Shade Diameter 17 1/2.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343427
title: "Dancing Satyr"

description: "Dancing Satyr", the so-called "Satyr with castanets"

ID no.: Rz 11

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2274

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343426
title: "Dancing Satyr"

description: "Dancing Satyr", the so-called "Satyr with castanets"

ID no.: Rz 11

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2274

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343429
title: Petroglyph H7, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H7, Khatm Al Melaha, Kalba, Sharjah. One snake. Likely Neolithic or Earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343428
title: Petroglyph H7, Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H7, Khatm Al Melaha, Kalba, Sharjah. One snake. Likely Neolithic or Earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343430
title: Oenochoé du Peintre de Dodwell

description: Oenochoé à fond plat du corinthien moyen, datée vers 600-580 av. J.-C.. Production corinthienne.
Conservée à l'Institut d'Art et d'Archéologie de Paris, 3 rue Michelet, au 3e étage, sous le numéro d'inventaire E 113.

H.14,5 ; H totale. 19 ; D. 15



Logiciel : Agisoft Metashape

Réalisé par des étudiants en M2 Archéologie de l'Université Paris 1 Panthéon-Sorbonne (Catalanotti C., Kmetic E., Trichot L., Fourtet A.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343431
title: Oenochoé du Peintre de Dodwell

description: Oenochoé à fond plat du corinthien moyen, datée vers 600-580 av. J.-C.. Production corinthienne.
Conservée à l'Institut d'Art et d'Archéologie de Paris, 3 rue Michelet, au 3e étage, sous le numéro d'inventaire E 113.

H.14,5 ; H totale. 19 ; D. 15



Logiciel : Agisoft Metashape

Réalisé par des étudiants en M2 Archéologie de l'Université Paris 1 Panthéon-Sorbonne (Catalanotti C., Kmetic E., Trichot L., Fourtet A.).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343432
title: Venus of Lespugue-HD version-3D printing

description: **3D scanned model of a mold from the original using an Artec Spider scanner.**

It was discovered in 1922 in the Rideaux cave of Lespugue (Haute-Garonne) in the foothills of the Pyrenees by René de Saint-Périer (1877-1950).

Approximately 6 inches (150 mm) tall, it is carved from tusk ivory, and was damaged during excavation.

To know more, please check the Wikipedia page [here](https://en.wikipedia.org/wiki/Venus_of_Lespugue)

To get the low polys optimized version : https://skfb.ly/6FNoU

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343433
title: Venus of Lespugue-HD version-3D printing

description: **3D scanned model of a mold from the original using an Artec Spider scanner.**

It was discovered in 1922 in the Rideaux cave of Lespugue (Haute-Garonne) in the foothills of the Pyrenees by René de Saint-Périer (1877-1950).

Approximately 6 inches (150 mm) tall, it is carved from tusk ivory, and was damaged during excavation.

To know more, please check the Wikipedia page [here](https://en.wikipedia.org/wiki/Venus_of_Lespugue)

To get the low polys optimized version : https://skfb.ly/6FNoU

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343434
title: Mossi Copper Ring

description: Mossi Copper Ring is part of Manchester University's Ethnographic Art Collection.

This item was 3D scanned using a Creaform Go Scan 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343435
title: Mossi Copper Ring

description: Mossi Copper Ring is part of Manchester University's Ethnographic Art Collection.

This item was 3D scanned using a Creaform Go Scan 3D.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343436
title: Graveyard at St Micheal's cemetery

description: Graveyard at St Micheal's cemetery, Pensacola, Florida, USA. Capt. Jos P. Fish, born in Noank (Connecticut) the March 1 1857 and died May 2, 1919. Made with ReMake and ReCap Pro from Autodesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10343437
title: Graveyard at St Micheal's cemetery

description: Graveyard at St Micheal's cemetery, Pensacola, Florida, USA. Capt. Jos P. Fish, born in Noank (Connecticut) the March 1 1857 and died May 2, 1919. Made with ReMake and ReCap Pro from Autodesk.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab