DOI: 10.5281/zenodo.4544561
title: Semantic FM Synth Dataset

description: A dataset of interconnected FM synthesiser patches with comparative semantic tags, as well as rich metadata. This data was collected as part of a perceptual study on the semantic associations of FM synthesis [1] Participants created FM synthesiser patches using a three operator architecture in response to semantic prompts. They also rated the magnitude of the difference between the created patch and the starting patch in terms of 27 semantic descriptors. <strong>Dataset contents</strong> Audio files are presented in two folders: <code>audio_long</code> contains 4 second renderings of the synth patches with a 3-second gate followed by 1-second of release. <code>audio_short</code> contains 1.25 second renderings of the synth patches with a 1-second gate followed by 0.25-seconds of release. Audio is all presented in 16-bit 44.1kHz PCM WAV files. File names correspond to the <code>synth_id</code> field from <code>metadata.all.csv</code> and <code>metadata.analysis.csv</code>. <pre><code>audio_long/ - 00c4b7cf43ca323183879f32e0d500d0.wav - 018bcee372474b8758dab4811651c055.wav - ... audio_short/ - 00c4b7cf43ca323183879f32e0d500d0.wav - 018bcee372474b8758dab4811651c055.wav - ... metadata.all.csv metadata.analysis.csv README.md </code></pre> <code>metadata.all.csv</code> provides metadata for _all_ audio files collected during the study, as well as the 9 reference synth patches used to "seed" the procedure. <code>metadata.analysis.csv</code> provides metadata for only the synthesiser patches analysed in the study, and is provided for the purposes of reproducibility. Participants were included in the analysis only if they met language and age criteria. <strong>Metadata Format</strong> The following metadata is provided (presented in the order of headings in the provided CSV files): <code>synth_id</code> — Unique identifier of synthesiser patch <code>reference_synth_id</code> — Unique identifier of reference synthesiser patch (from which participants started the synthesis process) <code>participant_id</code> — Unique identifier of participant <code>prompt</code> — The semantic prompt given to the participant (e.g. tweak these parameters to make this sound <em>rougher</em>) <code>prompt_descriptor</code> — The root word of the semantic prompt given to the participant <code>prompt_direction</code> — The "direction" (positive or negative) of the prompt <code>delta_*</code> — The amount by which the relevant synthesiser parameter was changed from the starting reference position <code>param_*</code> — The final value of the relevant synthesiser parameter <code>ref_*</code> — The starting reference value of the relevant synthesiser parameter <code>bright</code> to <code>plucky</code> — A comparative semantic rating (on a scale of -10.0 to 10.0) between the starting reference patch and the final created patch <code>note</code> — The MIDI note at which both the reference and created patch were played <code>semantic_factor_*</code> — The patch's score along each of the 5 semantic factors (see [1] for more info) <code>msi_*</code> — The participant's response to Goldsmiths Musical Sophistication Index subscales (see [2] for more info) <code>age</code> — The participant's age <code>country_childhood</code> — The country in which the participant spent the formative years of their childhood <code>country_residence</code> — The country in which the participant resided at the time of participation <code>stft_mag_centroid_median</code> to <code>zero_crossing_rate</code> — A large number of acoustic features extracted on each sound <code>acoustic_component_*</code> — The patch's score along each of 4 principal components extracted from the acoustic features <code>delta_acoustic_component_*</code> — The difference between this patch's score and the reference patch's score on each of the principal components <strong>References</strong> [1] B. Hayes and C. Saitis, ‘There’s more to timbre than musical instruments: semantic dimensions of FM sounds’, presented at the Timbre, Thessaloniki, Greece (Online), 2020, Advance online publication. [2] D. Müllensiefen, B. Gingras, J. Musil, and L. Stewart, ‘The Musicality of Non-Musicians: An Index for Assessing Musical Sophistication in the General Population’, PLOS ONE, vol. 9, no. 2, p. e89642, Feb. 2014, doi: 10.1371/journal.pone.0089642.