cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10365239
title: PHARAOHS BUST QUEEN NEFERTARIS EGYPT

description: PHARAOHS BUST FROM THE QUEEN NEFERTARIS EGYPT EXHIBIT 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365238
title: PHARAOHS BUST QUEEN NEFERTARIS EGYPT

description: PHARAOHS BUST FROM THE QUEEN NEFERTARIS EGYPT EXHIBIT 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365240
title: Altar Romà

description: Altar Romà del Teatre romà del Museu Nacional Arqueològic de Tarragona

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365241
title: Altar Romà

description: Altar Romà del Teatre romà del Museu Nacional Arqueològic de Tarragona

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365242
title: 156644 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156644 
Description: seal
Notes: Three registers undivided.Upper: sun god on a throne in his boat faces an adorant with hands raised. A figure sits in the prow, and another sitting in the stern holds a steering oar. Middle: A large bird spread-eagle, and a small running animal. Lower: Two couchant antelopes facing each other. Various globes in field. (Notches on ends from suspension.)
Materials: stone; basalt
Time Period: Early Dynastic I
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 2453, 88265, 88484
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq

[https://collections-anthropology.fieldmuseum.org/catalogue/1366099](http://)

Photography: JP Brown 
Image generation: JP Brown
Metashape Pro: JP Brown
Meshlab 2016.12: JP Brown
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365243
title: 156644 cylinder seal

description: **Photogrammetric model with virtual impression of carved surface**
Catalog Number: 156644 
Description: seal
Notes: Three registers undivided.Upper: sun god on a throne in his boat faces an adorant with hands raised. A figure sits in the prow, and another sitting in the stern holds a steering oar. Middle: A large bird spread-eagle, and a small running animal. Lower: Two couchant antelopes facing each other. Various globes in field. (Notches on ends from suspension.)
Materials: stone; basalt
Time Period: Early Dynastic I
Accession Number: [1497] Excavations at Kish, Iraq (Expedition)
Accession Year: 1924
Other Numbers: 2453, 88265, 88484
City/Town: Kish
Collector/Source: Excavations at Kish, Iraq

[https://collections-anthropology.fieldmuseum.org/catalogue/1366099](http://)

Photography: JP Brown 
Image generation: JP Brown
Metashape Pro: JP Brown
Meshlab 2016.12: JP Brown
ZBrush: JP Brown

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365244
title: Carr Hill deturfing (area II)

description: A 2.5D model of one of our deturfing areas at Carr Hill due E of the 'Cocidius' warrior carving. Made from 32 photos. Green fuzzy thing at the top was a very prickly gorse bush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365245
title: Carr Hill deturfing (area II)

description: A 2.5D model of one of our deturfing areas at Carr Hill due E of the 'Cocidius' warrior carving. Made from 32 photos. Green fuzzy thing at the top was a very prickly gorse bush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365246
title: Frescos. Santa Fiora, Tuscany

description: Frescos along the top of a wall of the administration building in Santa Fiora, Grosseto, Tuscany. The main subject is a rich allegory of the four seasons, represented by 4 main characters depicted at the center of each wall; a cycle of frescoes commissioned by the earl and duke Alessandro Sforza to Cavalier D'Arpino (a prominent artist of the papal court in Rome) around 1612. The baroque paintings cover a previous Renaissance decoration dating to the second half of 16th c. and commissioned probably by the duke Mario I and one of the family Cardinals (Guido Ascanio Sforza or Alessandro Sforza). The earlier cycle is partly visible below the Baroque paintings. [source: C. Benocci, 2016; with corrections by M. Nucciotti] 

Model was created in Reality Capture using 261 photographs. The Mt. Amiata Project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365247
title: Frescos. Santa Fiora, Tuscany

description: Frescos along the top of a wall of the administration building in Santa Fiora, Grosseto, Tuscany. The main subject is a rich allegory of the four seasons, represented by 4 main characters depicted at the center of each wall; a cycle of frescoes commissioned by the earl and duke Alessandro Sforza to Cavalier D'Arpino (a prominent artist of the papal court in Rome) around 1612. The baroque paintings cover a previous Renaissance decoration dating to the second half of 16th c. and commissioned probably by the duke Mario I and one of the family Cardinals (Guido Ascanio Sforza or Alessandro Sforza). The earlier cycle is partly visible below the Baroque paintings. [source: C. Benocci, 2016; with corrections by M. Nucciotti] 

Model was created in Reality Capture using 261 photographs. The Mt. Amiata Project.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365248
title: Nämforsen, Laxön D14D15, Ådals-Liden 193:1

description: Nämforsen, Laxön, Hallström_D14D15, Ådals-Liden 193:1, Ångermanland. SfM.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365249
title: Nämforsen, Laxön D14D15, Ådals-Liden 193:1

description: Nämforsen, Laxön, Hallström_D14D15, Ådals-Liden 193:1, Ångermanland. SfM.  For more information see www.namforsen.com and www.shfa.se

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365250
title: Furk_UAsset

description: HMKW-GDIM UAsset

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365251
title: Furk_UAsset

description: HMKW-GDIM UAsset

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365252
title: Epitaph

description: Epitaph in the churchyard of the parish church of St. Nicholas and St. Gall in Neusiedl am See. The epitaph bears the inscription: THIS WAY HERE ALL MUST GO

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365253
title: Epitaph

description: Epitaph in the churchyard of the parish church of St. Nicholas and St. Gall in Neusiedl am See. The epitaph bears the inscription: THIS WAY HERE ALL MUST GO

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365256
title: Busieniec

description: 3D model. Coordinates: 50.955, 23.7208

http://atlasgrodzisk.pl/?view=details&location=552

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365257
title: Busieniec

description: 3D model. Coordinates: 50.955, 23.7208

http://atlasgrodzisk.pl/?view=details&location=552

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365259
title: Atari 2600 - Leatherface

description: Atari - The Texas Chainsaw Massacre Atari 2600 - Leatherface and Girls

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365258
title: Atari 2600 - Leatherface

description: Atari - The Texas Chainsaw Massacre Atari 2600 - Leatherface and Girls

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365262
title: 02, A _Statue 1 (structure from motion)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365263
title: 02, A _Statue 1 (structure from motion)

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365264
title: Fuente de El Cuervo de Sevilla

description: Fuente de la escuela taller de El Cuervo de Sevilla

Fuente realizada dentro de los trabajos de formación de la antigua escuela (1985-1989) taller dirigida por Donald Grey en El Cuervo de Sevilla. 

Documentada con Fotogrametría por Francisco Javier Luengo Gutiérrez. 
Fotogrametría realizada con PhotoScan y Recreación 3D con Blender 3.0

Para saber más: 
https://ateneoarbonaida.com/fuente-de-la-escuela-taller-de-el-cuervo-de-sevilla/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365265
title: Fuente de El Cuervo de Sevilla

description: Fuente de la escuela taller de El Cuervo de Sevilla

Fuente realizada dentro de los trabajos de formación de la antigua escuela (1985-1989) taller dirigida por Donald Grey en El Cuervo de Sevilla. 

Documentada con Fotogrametría por Francisco Javier Luengo Gutiérrez. 
Fotogrametría realizada con PhotoScan y Recreación 3D con Blender 3.0

Para saber más: 
https://ateneoarbonaida.com/fuente-de-la-escuela-taller-de-el-cuervo-de-sevilla/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365266
title: Cast of a atzekian sacrificial bowl

description: Cast of a sacrificial bowl in the Bonn Collection of the Americas at the University of Bonn (Inv. Nr.5496)

* Object: Moss green replica of an atzek sacrificial bowl, round and slightly funnel-shaped, upper rim divided into 18 single segments, entire surface decorated in relief .
* Place of origin: Mexico (original)
* Culture: Atzekian 
* Acquisition: Replica was made in 1981 by the Staatliche Museen Berlin Preußischer Kulturbesitz and then bought by the Seminar für Völkerkunde Bonn, original has been in the possession of the Berlin museums since 1844
*  Hardware: Nikon D750, Nikon 60 mm macro
* Software: RealityCapture, Substance Designer, Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365267
title: Cast of a atzekian sacrificial bowl

description: Cast of a sacrificial bowl in the Bonn Collection of the Americas at the University of Bonn (Inv. Nr.5496)

* Object: Moss green replica of an atzek sacrificial bowl, round and slightly funnel-shaped, upper rim divided into 18 single segments, entire surface decorated in relief .
* Place of origin: Mexico (original)
* Culture: Atzekian 
* Acquisition: Replica was made in 1981 by the Staatliche Museen Berlin Preußischer Kulturbesitz and then bought by the Seminar für Völkerkunde Bonn, original has been in the possession of the Berlin museums since 1844
*  Hardware: Nikon D750, Nikon 60 mm macro
* Software: RealityCapture, Substance Designer, Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365269
title: Cross Shaft, Fyvie Kirk, Aberdeenshire

description: Cross shaft on wall at Fyvie Krk where it is displayed alongside four other Pictish Symbol stones.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365268
title: Cross Shaft, Fyvie Kirk, Aberdeenshire

description: Cross shaft on wall at Fyvie Krk where it is displayed alongside four other Pictish Symbol stones.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365270
title: Mausoleo de John Moore

description: No centro do Xardín de San Carlos atópase o mausoleo que garda os restos do xeneral  Sir John Moore durante case dous séculos. Foi en 1834 cando o gobernador militar de A Coruña, Francisco de Mazarredo, decidiu honrar a memoria do militar británico proxectando un xardín en cuxo centro se levantaría a citada tumba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365271
title: Mausoleo de John Moore

description: No centro do Xardín de San Carlos atópase o mausoleo que garda os restos do xeneral  Sir John Moore durante case dous séculos. Foi en 1834 cando o gobernador militar de A Coruña, Francisco de Mazarredo, decidiu honrar a memoria do militar británico proxectando un xardín en cuxo centro se levantaría a citada tumba.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365272
title: Danish Ground & Chipped Neolithic Axe

description: Neolithic Danish ground & chipped stone axe.  Unprovinienced. Part of the Michigan State University Department of Anthropology archaeology teaching collections.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365273
title: Danish Ground & Chipped Neolithic Axe

description: Neolithic Danish ground & chipped stone axe.  Unprovinienced. Part of the Michigan State University Department of Anthropology archaeology teaching collections.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365278
title: Tanum 98:1

description: Lasermodel of Tanum 98 at Finntorp. The carved area is approx. 1,1 x 0,4 m.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365279
title: Tanum 98:1

description: Lasermodel of Tanum 98 at Finntorp. The carved area is approx. 1,1 x 0,4 m.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365280
title: 79 - Al Barri اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْبَرُّ	AL-BARR	The Source of All Goodness

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365281
title: 79 - Al Barri اَلاسْمَاءُ الْحُسناى

description: اَلاسْمَاءُ الْحُسناى

الْبَرُّ	AL-BARR	The Source of All Goodness

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365282
title: Astrolabe - medieval - reconstruction

description: An astrolabe is an astronomical instrument enabling the user to identify stars and planets and their positions as well as being an aid to navigation.

I have based this model on an instrument in the collection of the British Museum (1909,0617.1) dating back to 1326  - click this link for more information https://www.britishmuseum.org/collection/object/H_1909-0617-1

To learn more about the use of these instruments click this link https://en.wikipedia.org/wiki/Astrolabe

I have used images for reference that are copyright of the Trustees of the British Museum and they are for non commerial use only - so I have made this model 'non-commercial use'

I made the model in Zbrush and created a set of alphas in Procreate on the ipad closely following the markings on the original instrument.  I used these in Substance Painter to create the etched details.  This model is not really for 3d printing - the markings will not appear on the print.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365283
title: Astrolabe - medieval - reconstruction

description: An astrolabe is an astronomical instrument enabling the user to identify stars and planets and their positions as well as being an aid to navigation.

I have based this model on an instrument in the collection of the British Museum (1909,0617.1) dating back to 1326  - click this link for more information https://www.britishmuseum.org/collection/object/H_1909-0617-1

To learn more about the use of these instruments click this link https://en.wikipedia.org/wiki/Astrolabe

I have used images for reference that are copyright of the Trustees of the British Museum and they are for non commerial use only - so I have made this model 'non-commercial use'

I made the model in Zbrush and created a set of alphas in Procreate on the ipad closely following the markings on the original instrument.  I used these in Substance Painter to create the etched details.  This model is not really for 3d printing - the markings will not appear on the print.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365284
title: Peralta Stones Treasure Map

description: These are two of the original Peralta Stones found in 1947 and said to form a secret map showing the location of the Lost Dutchman gold mine. They are currently on display at the Arizona Museum of Natural History. The are mounted behind glass so I could only image one side.
Each stone measures 14"w x 8.5"t x 2"d
If I get enough interest I may go back and ask to photograph all sides.
Let me know.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365285
title: Peralta Stones Treasure Map

description: These are two of the original Peralta Stones found in 1947 and said to form a secret map showing the location of the Lost Dutchman gold mine. They are currently on display at the Arizona Museum of Natural History. The are mounted behind glass so I could only image one side.
Each stone measures 14"w x 8.5"t x 2"d
If I get enough interest I may go back and ask to photograph all sides.
Let me know.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365286
title: Reworked Newnan Point, SJ13_60

description: Reworked Newnan style biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_60

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365287
title: Reworked Newnan Point, SJ13_60

description: Reworked Newnan style biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_60

Model by Emily Jane Murray

This model was made using RealityCapture software by Capturing Reality

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365288
title: 127 Mes (knife as on Jeroen Bosch' painting)

description: * Object: mes
* Materiaal: 
* Afmeting:
* Datering: 1500-1550
* Vindplaats: 
* Exemplaar nr: 
* Inventaris nr:
* Beschrijving: 

This knife in our collection is made by the same knifemaker (Anthonius Jonkers),as the one, who made the knife depicted in the famous Jeroen Bosch painting (The Garden of Earthly Delights, right triptych)

https://www.bd.nl/default/opmerkelijke-vondst-rond-het-mes-van-jeroen-bosch~adbc8e9c/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365289
title: 127 Mes (knife as on Jeroen Bosch' painting)

description: * Object: mes
* Materiaal: 
* Afmeting:
* Datering: 1500-1550
* Vindplaats: 
* Exemplaar nr: 
* Inventaris nr:
* Beschrijving: 

This knife in our collection is made by the same knifemaker (Anthonius Jonkers),as the one, who made the knife depicted in the famous Jeroen Bosch painting (The Garden of Earthly Delights, right triptych)

https://www.bd.nl/default/opmerkelijke-vondst-rond-het-mes-van-jeroen-bosch~adbc8e9c/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365292
title: A 19th Dynasty statue

description: Nineteenth Dynasty; New Kingdom

A male figure, squatting, lower part broken away, inscribed for the king's fan bearer, found in Egypt.

Dimension(s): depth, 0.37, m length, 0.565, m width, 0.275, m

https://data.fitzmuseum.cam.ac.uk/id/object/62981

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365293
title: A 19th Dynasty statue

description: Nineteenth Dynasty; New Kingdom

A male figure, squatting, lower part broken away, inscribed for the king's fan bearer, found in Egypt.

Dimension(s): depth, 0.37, m length, 0.565, m width, 0.275, m

https://data.fitzmuseum.cam.ac.uk/id/object/62981

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365296
title: ruinas de huanchaca

description: ruinas de huancha - antofagasta, chile

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365297
title: ruinas de huanchaca

description: ruinas de huancha - antofagasta, chile

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365298
title: CPDP roof type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/4767/view?wisski_bundle=b0c45007d4aaa61f5961be4fb6902a6b. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365299
title: CPDP roof type 2

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/4767/view?wisski_bundle=b0c45007d4aaa61f5961be4fb6902a6b. 
Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018).
Magnified by https://architekturinstitut.hs-mainz.de/.
Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365301
title: Unguentarium, Poggio Pinci

description: Unguentarium from the Necropolis of Poggio Pinci, Asciano, Tuscany, Italy

Unguentarium. Light brown/gray clay and brownish paint on the neck. Augustan and Giulio-Claudian periods - end of the 1st c. CE. Tomb II.455, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 79. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 323 images. GDH ID No. C3_455 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365303
title: Unguentarium, Poggio Pinci

description: Unguentarium from the Necropolis of Poggio Pinci, Asciano, Tuscany, Italy

Unguentarium. Light brown/gray clay and brownish paint on the neck. Augustan and Giulio-Claudian periods - end of the 1st c. CE. Tomb II.455, Necropolis of Poggio Pinci, Asciano. Mangani 1983, n. cat. II, 79. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano.  

Processed in Reality Capture from 323 images. GDH ID No. C3_455 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank Elisa, Benedetta and all the staff from Palazzo Corboli for making the collection accessible and our work easier.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365304
title: Albarello for the Apostles' ointment

description: The presented majolica vessel comes from the collection of Mateusz Bronisław Grabowski (1904–1976). It is an albarello, i.e. a ceramic apothecary vessel incurved in the middle. On the belly of the jug, there is a large medallion with a figure of a holy monk in a grey habit.
On the ribbon at the bottom of the vessel is an inscription: VNGV(ENTUM) APOSTVLOR(UM), (correctly: Unguentum Apostolorum), i.e. Apostles' ointment. It was a valued preparation used in the treatment of ulcers and slow-healing wounds[1]. This mixture was introduced in the 11th century by the Persian doctor Avicenna.

ID no.: KGZ 5934

Time of creation: 2nd half of 16th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/969

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365305
title: Albarello for the Apostles' ointment

description: The presented majolica vessel comes from the collection of Mateusz Bronisław Grabowski (1904–1976). It is an albarello, i.e. a ceramic apothecary vessel incurved in the middle. On the belly of the jug, there is a large medallion with a figure of a holy monk in a grey habit.
On the ribbon at the bottom of the vessel is an inscription: VNGV(ENTUM) APOSTVLOR(UM), (correctly: Unguentum Apostolorum), i.e. Apostles' ointment. It was a valued preparation used in the treatment of ulcers and slow-healing wounds[1]. This mixture was introduced in the 11th century by the Persian doctor Avicenna.

ID no.: KGZ 5934

Time of creation: 2nd half of 16th century

Museum: The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków

https://muzea.malopolska.pl/en/objects-list/969

Digitalisation: RDW MIC, Virtual Małopolska project

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365306
title: Newnan Point, SJ13_79

description: Newnan style biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_79

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365307
title: Newnan Point, SJ13_79

description: Newnan style biface, North Florida, Archaic (6200-5200 ya)

Part of the Coontie Island Collection, SJ13_79

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10365308
title: Impressive tree roots

description: Get the Trnio app at www.trnio.com

Source: Objaverse 1.0 / Sketchfab