cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/gmha-c9-963
title: Program for Don't Bother Me, I Can't Cope, Happy Medium Theater, [s.d.]

description: Don't Bother Me, I Can't Cope program, [s.d.], 42 pages. "Happy Medium Theater; Stagebill; Don't Bother Me, I Can't Cope" with image -- [cover].
DOI: 10.25549/ijpc-ouc113774596
title: Joe Saltzman produced documentaries and historic programming

description: Joe Saltzman wrote and produced several historic documentaries and other materials between 1968 and 1974. Saltzman won more than 50 awards during this six-year period for his documentaries and news programs. The collection includes:Black on Black, a 90‑minute documentary told without a narrator depicting how it feels to be black and live in South‑Central Los Angeles.The Unhappy Hunting Ground, a 90-minute documentary on the Native American in Los Angeles.The Junior High School, a two-hour documentary on the junior high school experience.The Very Personal Death of Elizabeth Schell Holt‑Hartford, a 30‑minute documentary on an 82‑year‑old woman trying to live out her life in dignity.Rape, a 30‑minute documentary on the crime of rape. The first documentary on the subject for television, which resulted in changes in California law.Why Me? a one‑hour documentary on breast cancer narrated by actress Lee Grant.In addition, there are other programs and original materials from 1968 through 1990. Including, When Children Grieve, showing what a child goes through when a parent dies. Various fragments from Entertainment Tonight.
DOI: 10.25549/ijpc-ouc113774590
title: 22. Publishers and media barons

description: 22. Publishers and media barons (Spring 2023 Lecture 22 Wednesday)
DOI: 10.25549/ijpc-ouc113774579
title: 19. Fake news - Anonymous journalists - Columnists I

description: 19. Fake news - Anonymous journalists - Columnists I (Spring 2023 Lecture 19 Monday)
DOI: 10.25549/ijpc-ouc113768109
title: Journalism ethics goes to the movies

description: IJPC Journalism Ethics Goes to the Movies companion videos follow the book of the same name by Howard Good (Rowman & Littlefield, Lanham, MD, 2008) chapter by chapter. The book’s 12 chapters explore issues that should concern anyone who aspires to a career in journalism, works in journalism or relies on journalism for daily information. The contributors do their exploring at the movies where sportswriters, war correspondents, investigative reporters, crime reporters, spin-doctors, TV anchors and harried city editors jostle for attention.
DOI: 10.25549/ijpc-ouc113766207
title: Journalism ethics goes to the movies

description: IJPC Journalism Ethics Goes to the Movies companion videos follow the book of the same name by Howard Good (Rowman & Littlefield, Lanham, MD, 2008) chapter by chapter. The book’s 12 chapters explore issues that should concern anyone who aspires to a career in journalism, works in journalism or relies on journalism for daily information. The contributors do their exploring at the movies where sportswriters, war correspondents, investigative reporters, crime reporters, spin-doctors, TV anchors and harried city editors jostle for attention.
DOI: 10.25549/ijpc-ouc113766200
title: Ethics - Wag the dog

description: Chapter 3 - Political Manipulation of the Media
DOI: 10.25549/ijpc-ouc113766193
title: Journalism 201 - Culture of Journalism: past, present and future

description: The Image of the Journalist in Popular Culture video collection contains videos and Journalism 201 class materials in the following collections. Image of the journalist in popular culture collection, promotion, and research videosHeroes and scoundrels journalist in popular culture project video collectionImage of the journalist in popular culture silent film collectionJoe Saltzman produced documentaries and historic programmingJournalism 201 - Culture of Journalism: past, present and futureJournalism ethics goes to the movies The material comes from The Image of the Journalist in Popular Culture (IJPC) project in the Norman Lear Center at USC Annenberg. The mission of the IJPC is to investigate and analyze through research and publication the conflicting images of journalists in film, television, radio, fiction, commercials, cartoons, comic books, music, art, video games and other aspects of popular culture demonstrating their impact on the public’s perception of newsgatherers. It was founded in 2000 by Joe Saltzman, professor of journalism at the USC Annenberg School for Communication. Today, the IJPC Web site (ijpc.org) and the IJPC Database are considered the definitive worldwide sources for this subject and are used on a daily basis by scholars, students and professionals who want to do more research in this area.
DOI: 10.25549/ijpc-ouc113766174
title: 13. Gender - Female reporters III

description: 13. Gender - Female reporters III (Spring 2023 Lecture 13 Monday)
DOI: 10.25549/ijpc-ouc113766169
title: 12. Female reporters II - History

description: 12. Female reporters II - History (Spring 2023 Lecture 12 Wednesday)
DOI: 10.25549/ijpc-ouc113766168
title: 11. Outsiders - New journalism - Alcohol - Family - Gender

description: 11. Outsiders - New journalism - Alcohol - Family - Gender (Spring 2023 Lecture 11 Monday)
DOI: 10.25549/ijpc-ouc113766165
title: 14. Sleeping with sources - Sexual harassment

description: 14. Sleeping with sources - Sexual harassment (Spring 2023 Lecture 14 Wednesday)
DOI: 10.25549/ijpc-ouc113765440
title: 8. Investigative reporters I

description: 8. Investigative reporters I (Spring 2023 Lecture 8 Monday)
DOI: 10.25549/ijpc-ouc113765430
title: Journalism 201 - Culture of Journalism: past, present and future

description: The Image of the Journalist in Popular Culture video collection contains videos and Journalism 201 class materials in the following collections. Image of the journalist in popular culture collection, promotion, and research videosHeroes and scoundrels journalist in popular culture project video collectionImage of the journalist in popular culture silent film collectionJoe Saltzman produced documentaries and historic programmingJournalism 201 - Culture of Journalism: past, present and futureJournalism ethics goes to the movies The material comes from The Image of the Journalist in Popular Culture (IJPC) project in the Norman Lear Center at USC Annenberg. The mission of the IJPC is to investigate and analyze through research and publication the conflicting images of journalists in film, television, radio, fiction, commercials, cartoons, comic books, music, art, video games and other aspects of popular culture demonstrating their impact on the public’s perception of newsgatherers. It was founded in 2000 by Joe Saltzman, professor of journalism at the USC Annenberg School for Communication. Today, the IJPC Web site (ijpc.org) and the IJPC Database are considered the definitive worldwide sources for this subject and are used on a daily basis by scholars, students and professionals who want to do more research in this area.
DOI: 10.25549/ijpc-ouc113765297
title: Heroes and Scoundrels supplementary videos

description: Heroes and Scoundrels supplementary videos
DOI: 10.25549/ijpc-ouc113765284
title: Heroes and Scoundrels supplementary videos

description: Heroes and Scoundrels supplementary videos
DOI: 10.25549/ijpc-ouc113765292
title: Heroes and Scoundrels supplementary videos

description: Heroes and Scoundrels supplementary videos
DOI: 10.25549/ijpc-ouc113765290
title: Heroes and Scoundrels supplementary videos

description: Heroes and Scoundrels supplementary videos
DOI: 10.25549/ijpc-ouc113765282
title: Heroes and scoundrels journalist in popular culture project video collection

description: Heroes and Scoundrels journalist in popular culture video collection companion videos follow the outline of the book and are divided by the same chapters using excerpts from more than 340 movies, television, and radio programs, Broadway plays and video games.
DOI: 10.25549/ijpc-ouc113765270
title: Heroes and scoundrels journalist in popular culture project video collection

description: Heroes and Scoundrels journalist in popular culture video collection companion videos follow the outline of the book and are divided by the same chapters using excerpts from more than 340 movies, television, and radio programs, Broadway plays and video games.
DOI: 10.25549/ijpc-ouc113765268
title: Conclusion: The Future

description: Finally, in our conclusion we examine how popular culture has looked at the future of journalism, which itself has been hotly debated by journalism scholars. Speculative fiction points toward a press that perseveres regard­less of what else may occur—useful to keep in mind as the press confronts the many challenges of today and the years to come. That is one more reason why we believe that studying the image of the journalist in popular culture is important work. Pop culture’s stories illustrate our expectations and our apprehensions regarding the press and its relationship to democracy. The task for scholars is to listen carefully to what those stories say, help decipher them for others, and remember why they matter.
DOI: 10.25549/gmha-c9-1151
title: Painter's Receipt, Victory Baptist Church, [s.d.]

description: "Victor [sic] Baptist Church; 48 + McKinley; Painter Walter Price; 877 E. 47th St., 2326603; I, Walter Price, painted the exterior wood on parking lot of the church ground for the sum of $1500.00 dollar to be paid upon completion of job, Walter Price. Total labor, $1500" -- p. [1].
DOI: 10.25549/gmha-c9-1166
title: Universal Bible Institute Catalog, 1976

description: Universal Bible Institute catalog of classes, 1976. "Universal Bible Institute Catalog, 1976" with cross image -- [front]. Inside includes a table of contents, introduction, statement of purpose, history, administrative information, list and description of courses offered, information on grading, curriculum, credits and finances, questions with answers, and an application for enrollment -- p. [2-15].
DOI: 10.25549/ijpc-ouc113766203
title: Ethics - Absence of malice

description: Chapter 4 - What Is Good Work?
DOI: 10.25549/ijpc-ouc113766198
title: Journalism ethics goes to the movies

description: IJPC Journalism Ethics Goes to the Movies companion videos follow the book of the same name by Howard Good (Rowman & Littlefield, Lanham, MD, 2008) chapter by chapter. The book’s 12 chapters explore issues that should concern anyone who aspires to a career in journalism, works in journalism or relies on journalism for daily information. The contributors do their exploring at the movies where sportswriters, war correspondents, investigative reporters, crime reporters, spin-doctors, TV anchors and harried city editors jostle for attention.
DOI: 10.25549/ijpc-ouc113766195
title: Ethics - Mr. Deeds

description: Chapter 5 - Deception and Undercover Journalism
DOI: 10.25549/ijpc-ouc113766188
title: 17. Native American - Asian - Indian

description: 17. Native American - Asian - Indian (Spring 2023 Lecture 17 Monday)
DOI: 10.25549/ijpc-ouc113765438
title: 6. Good/bad journalists - Celebrity journalists

description: 6. Good/bad journalists - Celebrity journalists (Spring 2023 Lecture 6 Monday)
DOI: 10.25549/gmha-c9-1070
title: City of Los Angeles Nursing Home Guidebook, [s.d.]

description: "'Nursing Home Guidebook'; City of Los Angeles" with City of Los Angeles seal -- [cover]. Inside includes questions with answers and a yes or no questionnaire -- p. [2-11].
DOI: 10.25549/ijpc-ouc113764913
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.15468/dl.jhhjdg
title: Occurrence Download

description: A dataset containing 2 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Continent is Asia",
 "Country is China",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "TaxonKey is Bos gaurus"
 ]
}

 The dataset includes 2 records from 1 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0022755-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/ijpc-ouc113764854
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.25549/ijpc-ouc113764848
title: Chapter 4: Power

description: Power is the focus of chapter 4. Critics have pointed to the circumstances under which the press may violate the trust of the powerless and also how it can serve as an instrument of those who do hold political or economic power. Many popular culture works graphically depict the damage that the press can inflict on individuals, even if they might finally show journalists trying to do the right thing in the end. The negative effects of state control or censorship of the press are often dramatized, with the implication being that privately owned and commercially subsidized news media are right and just. However, pop culture also shows that corporate pressures stemming from private control can themselves lead to censorship or coercion.
DOI: 10.25549/ijpc-ouc113764847
title: Chapter 4: Power

description: Power is the focus of chapter 4. Critics have pointed to the circumstances under which the press may violate the trust of the powerless and also how it can serve as an instrument of those who do hold political or economic power. Many popular culture works graphically depict the damage that the press can inflict on individuals, even if they might finally show journalists trying to do the right thing in the end. The negative effects of state control or censorship of the press are often dramatized, with the implication being that privately owned and commercially subsidized news media are right and just. However, pop culture also shows that corporate pressures stemming from private control can themselves lead to censorship or coercion.
DOI: 10.25549/ijpc-ouc113764833
title: Chapter 3: Difference

description: Chapter 3 looks at difference. Journalists have been criticized for seeing themselves as being different from everyone else—as somehow standing above and beyond the rest of the citizenry. At the same time, the struggles of journalists who are not male, white, or heterosexual have been well docu­mented, as have the difficulties of the mainstream press in covering gender, race, and sexual orientation. In the nineteenth century and through most of the twentieth century, journalism was one of the relatively few professions in which a single, divorced, or widowed woman could find work and mar­ried women could earn enough money to take care of themselves and their families. Still, in pop culture, journalism has been portrayed as a particularly difficult career choice for women, who are caught between culture’s “gen­dered” expectations of them as being caring and nurturing and the gendered expectations of journalists as being tough and independent—that is, stereo­typically masculine. The difficulties of ethnic minority and LGBT (lesbian, gay, bisexual, transgender) journalists also have been depicted, with some of the most interesting portrayals having been produced by minority and/ or gay or lesbian authors or directors.
DOI: 10.25549/ijpc-ouc113765289
title: Heroes and Scoundrels supplementary videos

description: Heroes and Scoundrels supplementary videos
DOI: 10.25549/ijpc-ouc113765273
title: Heroes and scoundrels journalist in popular culture project video collection

description: Heroes and Scoundrels journalist in popular culture video collection companion videos follow the outline of the book and are divided by the same chapters using excerpts from more than 340 movies, television, and radio programs, Broadway plays and video games.
DOI: 10.25549/ijpc-ouc113765266
title: Conclusion: The Future

description: Finally, in our conclusion we examine how popular culture has looked at the future of journalism, which itself has been hotly debated by journalism scholars. Speculative fiction points toward a press that perseveres regard­less of what else may occur—useful to keep in mind as the press confronts the many challenges of today and the years to come. That is one more reason why we believe that studying the image of the journalist in popular culture is important work. Pop culture’s stories illustrate our expectations and our apprehensions regarding the press and its relationship to democracy. The task for scholars is to listen carefully to what those stories say, help decipher them for others, and remember why they matter.
DOI: 10.25549/ijpc-ouc113764856
title: Chapter 5: Image

description: If this whole book ponders journalism’s popular image, chapter 5 looks at image more specifically by focusing on the depiction of photojournalists and television journalists. Critiques of the press often warn of the dangers of manufactured image and spin, as with political events that are orchestrated for the camera. Still, others have pointed to the power of visual images to evoke empathy and emotion and appeal to the imagination, whereas many professionals and educators argue that photojournalism and TV journalism at their best serve journalism’s self-proclaimed devotion to truth and social responsibility. Popular culture dramatizes both perspectives on those jour­nalistic professions: they can either help present a picture of the world as it really is, or they can promote lies and fluff over reality and substance.
DOI: 10.25549/ijpc-ouc113764849
title: Chapter 4: Power

description: Power is the focus of chapter 4. Critics have pointed to the circumstances under which the press may violate the trust of the powerless and also how it can serve as an instrument of those who do hold political or economic power. Many popular culture works graphically depict the damage that the press can inflict on individuals, even if they might finally show journalists trying to do the right thing in the end. The negative effects of state control or censorship of the press are often dramatized, with the implication being that privately owned and commercially subsidized news media are right and just. However, pop culture also shows that corporate pressures stemming from private control can themselves lead to censorship or coercion.
DOI: 10.25549/ijpc-ouc113764810
title: Chapter 1: History

description: The first field, history, is the focus of chapter 1. Some historians have argued that journalism history too often has served only to celebrate the press rather than providing critical insight into its problems. Pop culture regu­larly depicts journalism’s history through simple, linear, dramatic tales that use the past to speak to the present and that adopt partisan viewpoints on historical issues. It both mythologizes and demythologizes the press, at once celebrating and parodying well-known figures and happenings in journalism’s past. Fictional tales also can offer valuable historical evidence in their own right.
DOI: 10.5281/zenodo.13317929
title: Sidewall and grain shape effect data

description: MATLAB code and .MAT files to plot figures of paper entitled "Addressing bedload flux variability due to grain shape effects and experimental channel geometry"
DOI: 10.5281/zenodo.17556370
title: Sidewall and grain shape effect data

description: MATLAB code and .MAT files to plot figures of paper entitled "Addressing bedload flux variability due to grain shape effects and experimental channel geometry"
DOI: 10.25549/ijpc-ouc113764752
title: Image of the Journalist in popular culture special promotion and research videos

description: Image of the Journalist in popular culture special promotion and research videos
DOI: 10.25549/ijpc-ouc113764737
title: Image of the journalist in popular culture collection, promotion, and research videos

description: The Image of the Washington Journalist in Movies and Television, 1932-2013, is a video compilation with 126 movie and television clips tracing the history of the Washington journalist in the 20th and 21st centuries. The Image of the Public Relations Practitioner in Movies and Television, 1901-2011, is a video compilation with 326 movie and television clips tracing the history of the public relations practitioner in the 20th and 21st centuries. The Image of the Gay Journalist in Movies and Television, 1929-2009, is a video compilation with 123 movie and television clips tracing the history of the gay journalist in the 20th and 21st centuries. Also included is a special supplement on The Image of the Gay Public Relations Practitioner in Movies and Television. 2009. The Image of the War Correspondent in Movies and Television, 1939-2007, is a video compilation with 166 movie and television clips tracing the image of the war correspondent in films and television from 1931 to 2007. Journalism Ethics Goes to the Movies is a one-hour-and-50 minute video compilation created to supplement the book edited by Howard Good. (Rowman & Littlefield, Lanham, MD, 2008). The Image of the Broadcast Journalist in Movies and Television, 1937-2006, is a video compilation containing 200 movie and television clips tracing image of the broadcast journalist in films and television from 1937 to 2006. Real-Life Journalists in Movies and Television, 1931-2007, is a video compilation containing 79 movie and television clips tracing image of the journalist in films and television from 1939 to 2003 featuring real-life journalists or actors portraying real-life journalists or movies based on the lives of real-life journalists. Sob Sisters: The Image of the Female Journalist, 1929-2007, is a video compilation with more than 136 movie and television clips documenting the history of the female journalist in film and television in the 20th and 21st centuries. Hollywood Looks at the News, 1914-2007, video compilation with 165 movie and television clips documenting the history of journalists in film and television in the 20th and 21st century. IJPC special promotion and research videos include:Journalists in the Media – USC Annenberg Research VideoAll the News that Fit to Stream TCM Mini documentaryFake News and the Image of the Journalist in Popular CultureIJPC Research Presentation, 2022Image of the Journalist in Popular Culture Course PromoAEJMC Panel 2015 – Joe Saltzman Tribute involving IJPC, Documentaries.Annenberg Research Seminar – Joe Saltzman Presentation