cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10339634
title: Terracotta head, Campo Muri, Siena

description: Terracotta votive female head. 2nd c. BCE. Etruscan-Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Citation: Tabolli & Salvi 2022.

GDH ID No CM06_US627_n51_Model_8

This model was created in Reality Capture using 396 photographs, captured with a SONY camera ILCE-7M3, 40 mm lens, ISO-400, f/11. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339635
title: Terracotta head, Campo Muri, Siena

description: Terracotta votive female head. 2nd c. BCE. Etruscan-Roman thermal sanctuary of Campo Muri. Votive deposit of Buca delle Fate. Rapolano Terme (Siena). 
Citation: Tabolli & Salvi 2022.

GDH ID No CM06_US627_n51_Model_8

This model was created in Reality Capture using 396 photographs, captured with a SONY camera ILCE-7M3, 40 mm lens, ISO-400, f/11. 

This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339638
title: Medieval Stećak from the Site of Stuparski krš

description: Medieval Stećak. Stećci are Medieval tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH No. 2. 2021.

441 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339639
title: Medieval Stećak from the Site of Stuparski krš

description: Medieval Stećak. Stećci are Medieval tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH No. 2. 2021.

441 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339640
title: JC Nichols Fountain - Female Rider

description: 3D Mesh of the J.C. Nichols fountain created from Faro Focus 3D laser scans.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339641
title: JC Nichols Fountain - Female Rider

description: 3D Mesh of the J.C. Nichols fountain created from Faro Focus 3D laser scans.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339642
title: # Wysadzenie bramy kolejowej

description: 1 września 1939 roku, godzina 4.48. Kanonada dział okrętu szkolnego
"Schleswig-Holstein" budzi sierżanta Najsarka. Zawiadowca obserwuje
przez okna łunę i ślady pocisków smugowych. Po siedmiu minutach
potężny wybuch wstrząsa całym budynkiem stacyjnym. Podmuch
wypycha okna i przewraca meble. To wysadzona w powietrze przez
saperów brama kolejowa i fragment muru. Rozpoczyna się atak trzech
plutonów niemieckiej kompanii szturmowej.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339643
title: # Wysadzenie bramy kolejowej

description: 1 września 1939 roku, godzina 4.48. Kanonada dział okrętu szkolnego
"Schleswig-Holstein" budzi sierżanta Najsarka. Zawiadowca obserwuje
przez okna łunę i ślady pocisków smugowych. Po siedmiu minutach
potężny wybuch wstrząsa całym budynkiem stacyjnym. Podmuch
wypycha okna i przewraca meble. To wysadzona w powietrze przez
saperów brama kolejowa i fragment muru. Rozpoczyna się atak trzech
plutonów niemieckiej kompanii szturmowej.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339644
title: 100 Taschenlampe / Flashlight

description: # **Fundort / Site**
Borgentreich-Bühne, Kreis Höxter (Germany)


# **Fundumstände / Circumstances of discovery**
Einzelfund / Single find

7. Juli 2015


# **Objekt / Object**
Kunststoff, Gummi, Eisen / Plastic, rubber, iron

Höhe / Hight: 17,6 cm

Breite / Width: 7,8 cm

Durchmesser / Diameter: 4,2 cm


# **Datierung / Dating**
Mitte 1950er-Jahre bis Ende 1960er-Jahre / Middle of 1950s until end of 1960s

Moderne / Modern Age


# **Import**
Herstellungsort / Place of production: Wauseon, Ohio (USA)

Herstellungszeit / Time of production: Mitte 1950er-Jahre bis Ende 1960er-Jahre / Middle of 1950s until end of 1960s


# **Fundverbleib / Repository**
Zentrales Fundarchiv der LWL-Archäologie für Westfalen, Münster


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339645
title: 100 Taschenlampe / Flashlight

description: # **Fundort / Site**
Borgentreich-Bühne, Kreis Höxter (Germany)


# **Fundumstände / Circumstances of discovery**
Einzelfund / Single find

7. Juli 2015


# **Objekt / Object**
Kunststoff, Gummi, Eisen / Plastic, rubber, iron

Höhe / Hight: 17,6 cm

Breite / Width: 7,8 cm

Durchmesser / Diameter: 4,2 cm


# **Datierung / Dating**
Mitte 1950er-Jahre bis Ende 1960er-Jahre / Middle of 1950s until end of 1960s

Moderne / Modern Age


# **Import**
Herstellungsort / Place of production: Wauseon, Ohio (USA)

Herstellungszeit / Time of production: Mitte 1950er-Jahre bis Ende 1960er-Jahre / Middle of 1950s until end of 1960s


# **Fundverbleib / Repository**
Zentrales Fundarchiv der LWL-Archäologie für Westfalen, Münster


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339646
title: Candy Cane

description: Fast and easy Candy Cane made out of cylinders in white, green and red colours. 


Made in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339647
title: Candy Cane

description: Fast and easy Candy Cane made out of cylinders in white, green and red colours. 


Made in Blender

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339648
title: Hirsch

description: Deer sculpture by Alexander Wahl from 1962.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339649
title: Hirsch

description: Deer sculpture by Alexander Wahl from 1962.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339652
title: Clay Pipe (2310a6814)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Early Woodland, Swannanoa phase (1000-500 BC)

Material: ceramic.

Dimensions: length, 89.2 mm; width, 29.9 mm; height, 27.8 mm.

Notes: Catalog no. 2310a6814 (bowl interior is incompletely cleaned),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339653
title: Clay Pipe (2310a6814)

description: **Clay smoking pipe**

Location: Warren Wilson site (31Bn29), Buncombe County, North Carolina.

Period: Early Woodland, Swannanoa phase (1000-500 BC)

Material: ceramic.

Dimensions: length, 89.2 mm; width, 29.9 mm; height, 27.8 mm.

Notes: Catalog no. 2310a6814 (bowl interior is incompletely cleaned),  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339654
title: 帽巖跡碑@金磯

description: 1910(明治四十三)年建立。
当地に「烏帽子(えぼし)岩」があったことを後世に残すために建てられた碑。碑文には、1854年安政元年11月5日の地震により烏帽子岩が壊れた、と文頭に記されている。烏帽子の形をした岩は、高さ約7.3m、上部の周囲は約13.0m、その下はくびれて根本部が広がり、周囲は約32.7mと刻まれている。
2016年の徳島県教育委員会の調査において、情報が寄せられ、安政南海地震について記された碑であることが確認された。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339655
title: 帽巖跡碑@金磯

description: 1910(明治四十三)年建立。
当地に「烏帽子(えぼし)岩」があったことを後世に残すために建てられた碑。碑文には、1854年安政元年11月5日の地震により烏帽子岩が壊れた、と文頭に記されている。烏帽子の形をした岩は、高さ約7.3m、上部の周囲は約13.0m、その下はくびれて根本部が広がり、周囲は約32.7mと刻まれている。
2016年の徳島県教育委員会の調査において、情報が寄せられ、安政南海地震について記された碑であることが確認された。

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339657
title: Agorregi beran ate handi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339658
title: Agorregi beran ate handi

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339661
title: Jarra Medieval

description: Jara medieval modelada en 3D Coat y texturizada en Substance

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339662
title: Jarra Medieval

description: Jara medieval modelada en 3D Coat y texturizada en Substance

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339663
title: Włocławek reliquary

description: The Włocławek reliquary (also known as the Kruszwica reliquary) was created in the 2nd quarter of the 12th century, supposedly in Swabia. It is linked to the Zwiefalten workshop. According to an erroneous 19th-century scientific hypothesis, it was to have come from the Kruszwica cathedral. Until the mid-19th century the exhibit was kept in the cathedral treasury in Włocławek. The cathedral chapter donated the reliquary to Kazimierz Stronczyński, who passed it on to a well-known collector, Józef Rusiecki. The exhibit entered the collection of the National Museum in Kraków in 1909 as a donation from Stanisław Ursyn-Rusiecki, son of Józef.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/127

Inventory number: MNK IV-Z-1954/1

Localisation of the physical object: National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339664
title: Włocławek reliquary

description: The Włocławek reliquary (also known as the Kruszwica reliquary) was created in the 2nd quarter of the 12th century, supposedly in Swabia. It is linked to the Zwiefalten workshop. According to an erroneous 19th-century scientific hypothesis, it was to have come from the Kruszwica cathedral. Until the mid-19th century the exhibit was kept in the cathedral treasury in Włocławek. The cathedral chapter donated the reliquary to Kazimierz Stronczyński, who passed it on to a well-known collector, Józef Rusiecki. The exhibit entered the collection of the National Museum in Kraków in 1909 as a donation from Stanisław Ursyn-Rusiecki, son of Józef.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/127

Inventory number: MNK IV-Z-1954/1

Localisation of the physical object: National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339665
title: 295-300R670-675 Block, Excavated

description: **295-300R670-675 block at top-of-subsoil surface**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 5.00 ft (1.52 m) north-south; width, 5.00 ft (1.52 m) east-west.

Notes:  A 5x5-ft unit at the south edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  Postholes in this unit have not been excavated.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339666
title: 295-300R670-675 Block, Excavated

description: **295-300R670-675 block at top-of-subsoil surface**

Location: Wall site (31Or11), Orange County, North Carolina.

Period: Late Woodland (AD 1500-1600).

Dimensions: length, 5.00 ft (1.52 m) north-south; width, 5.00 ft (1.52 m) east-west.

Notes:  A 5x5-ft unit at the south edge of the Wall site, excavated by the Research Laboratories of Archaeology, University of North Carolina at Chapel Hill, in 2016.  Postholes in this unit have not been excavated.  Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339668
title: Strathcona School Entrance

description: The Strathcona School was opened September 4, 1895 as the Sophia Street School. It was rebuilt in 1984-1985 using some of the original architectural features, including this entrance. It is now the Strathcona Jr. Public School.

Captured on May 21, 2021 at https://w3w.co/behaving.activism.harps

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339669
title: Strathcona School Entrance

description: The Strathcona School was opened September 4, 1895 as the Sophia Street School. It was rebuilt in 1984-1985 using some of the original architectural features, including this entrance. It is now the Strathcona Jr. Public School.

Captured on May 21, 2021 at https://w3w.co/behaving.activism.harps

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339670
title: SCP-1155 Containment Area

description: Published on Dec 20, 2014. SCP-1155 manifests as a work of street art/graffiti depicting the form of a humanoid creature with sinewy forelimbs, claw-like hands and the head and feathers of an owl. The depicted pose is variable, but tends towards a predatory stance, with eyes that appear to track the viewer.

SCP Wiki Link-
http://www.scp-wiki.net/scp-1155

Art Work Creater
https://aminoapps.com/c/scp-foundation/page/blog/scp-1155-predatory-street-art/EEW2_QaUPuxP2LE0lQlNGRJn4apQ0XEBJx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339671
title: SCP-1155 Containment Area

description: Published on Dec 20, 2014. SCP-1155 manifests as a work of street art/graffiti depicting the form of a humanoid creature with sinewy forelimbs, claw-like hands and the head and feathers of an owl. The depicted pose is variable, but tends towards a predatory stance, with eyes that appear to track the viewer.

SCP Wiki Link-
http://www.scp-wiki.net/scp-1155

Art Work Creater
https://aminoapps.com/c/scp-foundation/page/blog/scp-1155-predatory-street-art/EEW2_QaUPuxP2LE0lQlNGRJn4apQ0XEBJx

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339672
title: Coatlicue

description: Was able to capture this amazing sculpture on display during the Dia De Los Muertos festival at Hollywood Forever Cemetery.

I was unable to find the artist information. If anyone was there and knows the artist, please let us know in the comments!

Created with Polycam

EDIT: This is Coatlicue

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339673
title: Coatlicue

description: Was able to capture this amazing sculpture on display during the Dia De Los Muertos festival at Hollywood Forever Cemetery.

I was unable to find the artist information. If anyone was there and knows the artist, please let us know in the comments!

Created with Polycam

EDIT: This is Coatlicue

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339674
title: HORIA FLĂMÂNDU - PORTRET

description: Sculptura de piatra masurand aprox 42cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339675
title: HORIA FLĂMÂNDU - PORTRET

description: Sculptura de piatra masurand aprox 42cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339676
title: House of Amphitrite

description: Bulla Regia Subterranean House of Amphritite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339677
title: House of Amphitrite

description: Bulla Regia Subterranean House of Amphritite

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339678
title: Lost Data, NBC Man

description: Bronze Moses at Augustana University by jerryfisher is licensed under CC Attribution

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339679
title: Lost Data, NBC Man

description: Bronze Moses at Augustana University by jerryfisher is licensed under CC Attribution

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339680
title: Bomberos

description: Logo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339681
title: Bomberos

description: Logo

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339682
title: Marble03

description: https://publicdomaintextures.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339683
title: Marble03

description: https://publicdomaintextures.com/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339686
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian ceramic container with stamped and painted decoration from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000097. Processed in Reality Capture from 846 images.

Provenience: Iberian neighborhood, sector IV-E

Date: 4th-3rd Centuries BCE

Citation:  "aTempora Talavera de la Reina. Seis mil años de cerámica en Castilla-La Mancha", 2018: 303.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339687
title: Iberian Ceramic, Castilla-La Mancha, Spain

description: Iberian ceramic container with stamped and painted decoration from the  site of  Alarcos, Ciudad Real,  Castilla-La Mancha, Spain.  Iron Age. In the collection of the Ciudad Real Museum.  Catalog number DO000097. Processed in Reality Capture from 846 images.

Provenience: Iberian neighborhood, sector IV-E

Date: 4th-3rd Centuries BCE

Citation:  "aTempora Talavera de la Reina. Seis mil años de cerámica en Castilla-La Mancha", 2018: 303.

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339690
title: Prayer niche (mihrab)

description: "Turquoise, brown and dark manganese faience mosaic was common in monumental Seljuq prayer niches. This impressive niche with Qur'anic inscriptions and arabesque and geometric patterns, once belonged to the Bey Hakim Mosque in Konya, Turkey. It was assembled from fragments and restored parts." ~ http://www.discoverislamicart.org/database_item.php?id=object;ISL;de;Mus01;19;en&cp

Name of Object:
Prayer niche (mihrab)

Location:
Berlin, Germany

Holding Museum:
Museum of Islamic Art at the Pergamon Museum

Date of Object:
About Hegira 669 / AD 1270

Museum Inventory Number:
I. 7193

Material(s) / Technique(s):
Glazed ceramic, faience mosaic.

Dimensions:
Height 395 cm, width 280 cm

Period / Dynasty
Seljuqs of Rum (Anatolian Seljuq)

Provenance:
Bey Hakim Mosque, Konya, Turkey.

![](https://i.imgur.com/Uq7BfcQ.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339691
title: Prayer niche (mihrab)

description: "Turquoise, brown and dark manganese faience mosaic was common in monumental Seljuq prayer niches. This impressive niche with Qur'anic inscriptions and arabesque and geometric patterns, once belonged to the Bey Hakim Mosque in Konya, Turkey. It was assembled from fragments and restored parts." ~ http://www.discoverislamicart.org/database_item.php?id=object;ISL;de;Mus01;19;en&cp

Name of Object:
Prayer niche (mihrab)

Location:
Berlin, Germany

Holding Museum:
Museum of Islamic Art at the Pergamon Museum

Date of Object:
About Hegira 669 / AD 1270

Museum Inventory Number:
I. 7193

Material(s) / Technique(s):
Glazed ceramic, faience mosaic.

Dimensions:
Height 395 cm, width 280 cm

Period / Dynasty
Seljuqs of Rum (Anatolian Seljuq)

Provenance:
Bey Hakim Mosque, Konya, Turkey.

![](https://i.imgur.com/Uq7BfcQ.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339692
title: Wild boar roman bronze sculpture - Optimized

description: Small Roman bronze sculpture depicting a wild boar. This piece is dated between the 1st and 2nd centuries AD although its origin is unknown. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME3349.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 130.

PINTO, António José Nunes - Bronzes Figurativos Romanos de Portugal. Lisboa: Fundação calouste Gulbenkian, 2002, p. 228.

438 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339693
title: Wild boar roman bronze sculpture - Optimized

description: Small Roman bronze sculpture depicting a wild boar. This piece is dated between the 1st and 2nd centuries AD although its origin is unknown. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME3349.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 130.

PINTO, António José Nunes - Bronzes Figurativos Romanos de Portugal. Lisboa: Fundação calouste Gulbenkian, 2002, p. 228.

438 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339697
title: Small Wooden Boat

description: A small boat sitting on wooden supports located in No.3 Slip at Chatham Historic Dockyard, Kent.

346 photos taken in November 2021 with a Sony a7r III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339696
title: Small Wooden Boat

description: A small boat sitting on wooden supports located in No.3 Slip at Chatham Historic Dockyard, Kent.

346 photos taken in November 2021 with a Sony a7r III and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339698
title: Belur Chennakeshawa Temple - Vigraha 3D

description: Beluru Chennakeshawa 
3D Extracted from https://www.youtube.com/watch?v=hqfK9q31IIs&t=1s

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339699
title: Belur Chennakeshawa Temple - Vigraha 3D

description: Beluru Chennakeshawa 
3D Extracted from https://www.youtube.com/watch?v=hqfK9q31IIs&t=1s

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339700
title: Reconstructed Olive Jar

description: Unprovienced Olive Jar, Middle Style, Coarse earthenware, Spain, 1560-1800

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339701
title: Reconstructed Olive Jar

description: Unprovienced Olive Jar, Middle Style, Coarse earthenware, Spain, 1560-1800

Model by Emma Dietrich

This model was made using RealityCapture software by Capturing Reality.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10339702
title: 100th model : Goshingyu - Japan Heritage

description: Traditional representation of a cow, powerfully linked to Sugawara no Michizane, japanese poet and politician from the 9th century (Heian Period of Japan). If you want to learn more about this character, I found an interesting japanese blog that wrote [about him](http://kansai-odyssey.com/sugawara-no-michizane-japans-famous-scholar/) .

At the Michizane funerals, the cow pulled the coffin of Michizane. Possessed by his spirit, the cow then layed down during the procession, at the place where he wanted his soul to rest.

Created in reality capture. 

- LOD0 IS 50K tris and 8k textures diffuse/normal/metalness/roughness
- LOD1 is 5k tris and 4k textures diffuse/normal
- LOD2 is 998 tris and 2k textures diffuse/normal

[link to my 50+ collection of sculptures scans](https://sketchfab.com/Dystopia/collections/my-statuomania-photogrammetry)

4K render of LOD2 (left) and LOD1 (right) :

![](https://i.imgur.com/pEmCmQr.jpeg)

Source: Objaverse 1.0 / Sketchfab