cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.15468/dl.x6qyx9
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "HasGeospatialIssue is false",
 "HasCoordinate is true",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "BasisOfRecord" : [
 "is one of (Fossil, Living Specimen)"
 ]
 }
 },
 "DistanceFromCentroidInMeters is greater than or equal to 2000",
 "Geometry POLYGON ((105.610544 14.999999, 179.999961 14.999999, 179.999961 65.08290100000001, 105.610544 65.08290100000001, 105.610544 14.999999))",
 "TaxonKey is Melamphaes microps"
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001213-260226173443078/datasets/export for details.
DOI: 10.25549/maw-ouc113887327
title: Shallow plate with tripodal feet : Muan bird of death image in center

description: The tondo of this shallow polychrome plate contains the image of the Muan bird, the bird of death from the Popol Vuh. This screech owl served Xibalba "Lords of Death" as their messenger. Two zoomorphic saurians, representing the Earth Monster in Xibalba, appear on the black shoulder of this plate.
DOI: 10.15468/dl.q68kn7
title: Occurrence Download

description: A dataset containing 2233 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Veniliornis affinis",
 "Year is greater than or equal to 2000",
 "Year is less than or equal to 2026",
 "Country is Colombia",
 "HasCoordinate is true"
 ]
}

 The dataset includes 2233 records from 14 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001214-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875115
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875270
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875694
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875393
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1876096
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875702
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875651
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875724
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875874
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875797
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889427
title: Headdress element: ceramic earspool

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113889515
title: Mother holding a child

description: Both the mother and the child have deformed craniums from binding the head at birth. They both wear similar body paint and the same jewelry. The child is a miniature version of the adult and probably female.
DOI: 10.15468/dl.2xhydn
title: Occurrence Download

description: A dataset containing 0 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Crocodylia",
 "OccurrenceStatus is Present",
 "Geometry MULTIPOLYGON (((18.0036 -33.098, 18.0091 -33.1244, 18.0248 -33.1303, 18.0204 -33.1474, 18.0473 -33.1583, 18.0612 -33.1801, 18.0846 -33.1925, 18.0873 -33.2049, 18.1113 -33.209, 18.1264 -33.1968, 18.1286 -33.1784, 18.101 -33.1746, 18.1044 -33.1642, 18.0965 -33.1598, 18.0935 -33.1394, 18.065 -33.1261, 18.0353 -33.0991, 18.0439 -33.0584, 17.9927 -33.0689, 18.0067 -33.0848, 17.999 -33.0915, 18.0036 -33.098)), ((24.46 -32.2793, 24.4966 -32.3094, 24.5292 -32.301, 24.5452 -32.2815, 24.5248 -32.2571, 24.5352 -32.2342, 24.5508 -32.2242, 24.54 -32.2381, 24.5639 -32.2549, 24.5565 -32.2646, 24.5613 -32.2835, 24.5758 -32.2912, 24.5773 -32.3082, 24.5694 -32.318, 24.5745 -32.3269, 24.6335 -32.3292, 24.6662 -32.3385, 24.6929 -32.3263, 24.6898 -32.2902, 24.6722 -32.2764, 24.6644 -32.2809, 24.6568 -32.2515, 24.5919 -32.2417, 24.5735 -32.2011, 24.5563 -32.1889, 24.5466 -32.2004, 24.5286 -32.1751, 24.5107 -32.1668, 24.4812 -32.1677, 24.4898 -32.1873, 24.4853 -32.1906, 24.4642 -32.1735, 24.468 -32.1999, 24.4509 -32.1951, 24.4243 -32.2034, 24.4063 -32.2255, 24.4172 -32.2537, 24.4448 -32.2763, 24.46 -32.2793)), ((17.931 -33.0418, 17.917 -33.0438, 17.9181 -33.0591, 17.9351 -33.058, 17.931 -33.0418)), ((25.6975 -33.6245, 25.7006 -33.6329, 25.7082 -33.627, 25.7311 -33.6316, 25.7345 -33.66, 25.774 -33.6952, 25.7909 -33.6997, 25.7927 -33.7154, 25.8296 -33.6985, 25.8408 -33.7193, 25.7727 -33.7451, 25.7187 -33.7758, 25.6953 -33.8012, 25.6985 -33.8321, 25.7253 -33.8323, 25.7362 -33.845, 25.7975 -33.845, 25.801 -33.8798, 26.5346 -33.8765, 26.5308 -33.7492, 26.4666 -33.7679, 26.3805 -33.7546, 26.3195 -33.7619, 26.1867 -33.7209, 26.0689 -33.7014, 25.9526 -33.7039, 25.8616 -33.715, 25.8343 -33.6862, 25.803 -33.702, 25.797 -33.6904, 25.7796 -33.6854, 25.7432 -33.6539, 25.7358 -33.6221, 25.7071 -33.6152, 25.6975 -33.6245)), ((24.2305 -29.245, 24.238 -29.2565, 24.2968 -29.2135, 24.3142 -29.2326, 24.3295 -29.2178, 24.373 -29.2206, 24.3779 -29.2094, 24.3593 -29.1952, 24.3877 -29.1898, 24.4092 -29.1437, 24.4315 -29.1389, 24.4228 -29.1171, 24.4966 -29.0785, 24.5121 -29.0516, 24.5066 -29.0451, 24.5178 -29.0325, 24.5167 -29.0151, 24.4922 -28.9935, 24.4748 -28.9946, 24.4349 -29.0424, 24.3974 -29.0703, 24.3903 -28.9976, 24.3836 -28.9934, 24.3265 -29.0388, 24.3558 -29.0913, 24.3162 -29.1251, 24.2827 -29.0916, 24.2364 -29.0805, 24.2242 -29.1128, 24.2181 -29.1954, 24.2305 -29.245)))",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "BasisOfRecord is one of (Specimen, Observation, Human Observation, Machine Observation, Material sample, Literature Occurrence, Material citation, Occurrence evidence)",
 {
 "not" : {
 "Issue" : [
 "is one of (Recorded date invalid, Recorded date mismatch, Recorded date unlikely, Modified date invalid)"
 ]
 }
 }
 ]
}

 The dataset includes 0 records from 0 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001215-260226173443078/datasets/export for details.
DOI: 10.25549/maw-ouc113889430
title: Warrior holding a shield and a spear

description: An alert warrior looks to the left. He may be acting as a guardian of the tomb and protecting the deceased. The majority of the warrior figures look left to ward off evil suggests there is a deeper meaning.
DOI: 10.25549/maw-ouc113889521
title: Seated male figure with elaborate headdress

description: A very common pose, a seated male draws up his legs, so his crossed arms can rest on his knees. The male wears an elaborate headdress with three crests. The light cream triangle over his nose separates the two dark brown triangles over his eyes. Shaft Tomb culture; Chinesco style type-C figure.
DOI: 10.25549/maw-ouc113889437
title: Seated male figure with elaborate headdress

description: A very common pose, a seated male draws up his legs, so his crossed arms can rest on his knees. The male wears an elaborate headdress with three crests. The light cream triangle over his nose separates the two dark brown triangles over his eyes. Shaft Tomb culture; Chinesco style type-C figure.
DOI: 10.5281/zenodo.18797010
title: TEACHING PRONUNCIATION AND ACCENT AWARENESS OF SECOND-YEAR STUDENTS
DOI: 10.15468/dl.ahchze
title: Occurrence Download

description: A dataset containing 1156291 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is China",
 "GadmGid is CHN.26_1",
 "OccurrenceStatus is Present"
 ]
}

 The dataset includes 1156291 records from 909 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001145-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc1sto1875809
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.5281/zenodo.18797009
title: TEACHING PRONUNCIATION AND ACCENT AWARENESS OF SECOND-YEAR STUDENTS
DOI: 10.25549/maw-ouc113891094
title: Hooded smoker effigy

description: An unusual hooded vessel decorated in the red and black ramos polychromic style. An ordinary vessel that depicts a smoker. Vessels depicting smokers are adult kneeling/sitting males with elaborate body decoration. The hole on each side suggests a handle vessel.
DOI: 10.25549/maw-ouc113891093
title: Hooded smoker effigy

description: An unusual hooded vessel decorated in the red and black ramos polychromic style. An ordinary vessel that depicts a smoker. Vessels depicting smokers are adult kneeling/sitting males with elaborate body decoration. The hole on each side suggests a handle vessel.
DOI: 10.25549/maw-ouc113886679
title: Casas Grandes badger effigy

description: This effigy is in poor condition. Broken and poorly reconstructed, suffer from a flaking slip and a poor paint application. The red and black decorative slip do not touch and the black slip suggests the vassal was made in the Villa Ahumada area of northern Chihuahua.
DOI: 10.25549/maw-ouc113886584
title: Casas Grandes Miniature Seated Male

description: Seated effigies, female or male, are usually the large hooded form. Miniatures are a rarity. This seated male, with his folded arms resting on his knees, has the image of Quetzalcoatl painted on his side and back, a Mesoamerican influence.
DOI: 10.25549/maw-ouc113891086
title: Small Ramos Polychrome Square Bowl: Four Angled Sides

description: The sides of this bowl have been flattened to produced a four sided bowl. Different designs have been painted inside and out with black or red pigments to emphasize the duality concept.
DOI: 10.25549/maw-ouc113891114
title: Babicora polychrome bowl

description: Decorating this Babicora polychrome vessel are four continuous abstract triangular elements. The bands alternate black, red, black, and red. The red and black elements do not touch.
DOI: 10.25549/maw-ouc113886591
title: Small Ramos Polychrome Circular Bowl: Two Spiral Designs

description: The circular bowl has been divided into four basic triangles. One quadrant represents the step design, a symbol for mountains and the other quadrant a spiral design, the symbol for water. The design repeats itself.
DOI: 10.25549/maw-ouc113891090
title: Small ramos polychrome circular bowl : triangular net design : macaw head

description: A circular bowl with four triangles incorporate a net design as well as an abstract macaw head. The design executed with a red-brown pigment on the inside of the bowl repeats to complete the design, a basic concept of Casas Grandes ceramics.
DOI: 10.15468/dl.x6g7ur
title: Occurrence Download

description: A dataset containing 591 species occurrences available in GBIF matching the query:
{
 "and" : [
 "PublishingOrg is f6faa566-47f0-41c9-8056-5d715cae7c23",
 "HasCoordinate is true",
 "HasGeospatialIssue is false"
 ]
}

 The dataset includes 591 records from 2 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001218-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113886659
title: Ramos black and tan mini bowl

description: A small offering bowl has been decorated with a black serpentine design that suggests a double headed serpent. The black residue on the bichrome slip might be copal.
DOI: 10.25549/maw-ouc1sto1875853
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875720
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875854
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875811
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc1sto1875845
title: MAW Collection

description: Artifacts from South America, Mesoamerica, Central America, Southwest America, and Midwest America.
DOI: 10.25549/maw-ouc113891111
title: Corralitos polychrome incised double olla

description: Two identical ollas are united by a bridge handle and a lower flow tube. Each olla contains a black geometric meandering shoulder design and a textured restricted neck design. It is possible for materials (liquids) to move back and forth through the lower flow tube.
DOI: 10.5281/zenodo.18796969
title: US GDP — Wave Dynamics & the Ratchet Effect (1841-2013)

description: This dataset is part of the Bicameral Solar Engine project, a multi-scalar deterministic framework that maps the relationship between solar harmonic cycles and terrestrial systems including climate, economics, and biological populations. All datasets share a common methodology: raw signals are detrended using an 11-year centered moving average, normalized into Z-scores. This record contains the US Real GDP wave dynamics and Ratchet Effect analysis (1841–2013).
DOI: 10.25549/maw-ouc113891119
title: Corralitos polychrome incised double olla

description: Two identical ollas are united by a bridge handle and a lower flow tube. Each olla contains a black geometric meandering shoulder design and a textured restricted neck design. It is possible for materials (liquids) to move back and forth through the lower flow tube.
DOI: 10.5281/zenodo.18796970
title: US GDP — Wave Dynamics & the Ratchet Effect (1841-2013)

description: This dataset is part of the Bicameral Solar Engine project, a multi-scalar deterministic framework that maps the relationship between solar harmonic cycles and terrestrial systems including climate, economics, and biological populations. All datasets share a common methodology: raw signals are detrended using an 11-year centered moving average, normalized into Z-scores. This record contains the US Real GDP wave dynamics and Ratchet Effect analysis (1841–2013).
DOI: 10.25549/maw-ouc113886705
title: Ramos black & tan seed jar

description: The seed jar has been painted with a black claw design. Since the vessel has a black design on a cream slip ground, it is considered a bichrome.
DOI: 10.25549/maw-ouc113886691
title: Ramos black & tan seed jar

description: The seed jar has been painted with a black claw design. Since the vessel has a black design on a cream slip ground, it is considered a bichrome.
DOI: 10.25549/maw-ouc113886694
title: Ramos black & tan seed jar

description: The seed jar has been painted with a black claw design. Since the vessel has a black design on a cream slip ground, it is considered a bichrome.
DOI: 10.25549/whit-ouc11399kb60
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kd58
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kijj
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399neij
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whit-ouc11399kigp
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.2ed3b3
title: Occurrence Download

description: A dataset containing 13174 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is Veniliornis kirkii",
 "Year is greater than or equal to 2000",
 "Year is less than or equal to 2026",
 "Country is Colombia",
 "HasCoordinate is true"
 ]
}

 The dataset includes 13174 records from 102 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0001221-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/maw-ouc113887125
title: Macehead (scepter head) or jar top with seated elite and three canines (coyotes)

description: This ceremonial object could be the top of a jar, a staff, a scepter or a macehead. On the top of the form, there is a seated elite figure holding his hand out. The slanted side is decorated with three canines, possibly dogs or coyotes. The style of the object is called Copador, which was made in El Salvador or Honduras.
DOI: 10.25549/maw-ouc113887138
title: Maya jade and jadeite

description: There are five different shapes of Maya stone beads. Four Jabed beads, 15 spherical, 7 large hole and 14 small hole, 3 large barrels, 10 small barrels, 11 discs & 2 other shapes. The range in size from 0.25 inches to 1.0 inches.