cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/dunitz-c15-562
title: The great wall of Los Angeles, Los Angeles, 1976-1983

description: The great wall of Los Angeles, Los Angeles, 1976-1983. Tujunga Wash drainage canal, Coldwater Canyon Avenue (between Burbank Boulevard and Oxnard Street), Van Nuys/North Hollywood border. A. 1976. Supervising artists: Judith Baca, Charles Brown, Isabel Castro, Donna Deitch, Judithe Hernandez, Ulysses Jenkins, Luis Lopez, Kristina Lucas, Olga Muniz, Bernardo Muniz, Arnold Ramirez, Christina Schlesinger, Gary Tokumoto, Linda Eber. Plus 59 "mural makers." 9 panels: 20,000 B.C., pre-historical California; 1000 A.D., Early California; 1522, Spanish arrival; 1822, Mexican rule; 1848, Bandaide; 1868, Sojourners; 1880, Frontier California; 1890, Los Angeles mountains to the shore; 1900, Immigrant California. Co-sponsored by CMP, SPARC, and Project Heavy-San Fernando Valley. B. 1978. Supervising artists: Diane Ferrari, Leo Jauregui, Andrew Manning, Bea Plessner. Plus 34 "mural makers." Four panels: William Hart; Tomas Alva Edison; Charlie Chaplin, World War I doughboys. Sponsored by SPARC, Judith Baca, director. C. 1980. Artist supervisors: Carlos Calleja, Yreina Cervantez, Jan Cook, Fernando Jauregui, Jr., Alfredo Lascano, Jane Van Loon, Nancy Perez, Bea Plessner, Julie Ruelas, Rodney Saksi. Seven panels: Japanese internment, Dustbowl refugees; 350,000 Mexican Americans deported; Unsigned Indian Treaties; Strikes; Crash and depression; Illusion of prosperity. Sponsored by SPARC, Judith Baca, artistic director. D. 1981. Artist supervisors: Jan Cook, Teresa Chacon, Karen Guyot, Alfredo Lascano, Pat Millar, Bea Plessner, Julie Ruelas. Plus 32 "mural makers." 9 panels: Jewish refugees; Luisa Moreno: Zoot Suit riots L.A. 1943; David Gonzalez Pacoima CA.; Dr. Charles Drew; World War II; California aqueduct; Jewish Americans; 442nd Japanese Americans. Sponsored by SPARC, Judith Baca, artistic director. E. 1983. Artist supervisors: Eric Alcarez, Eva Cockroft, Mary-Linn Hughes, Patssi Valdez, Matthew Wuerker. Plus 30 "mural makers." 11 panels: Olympic champions breaking barriers 1948-1964; Asians gain citizenship and prosperity; Indian assimilation; Jewish arts and sciences; The origins of gay rights; Forebearers of civil rights; The birth of Rock and Roll; Division of the barrios and Chavez Ravine; The red scare of McCarthyism; Development of suburbia; Farewellt to Rosie the riveter. Sponsored by SPARC, Judith Baca, artistic director. -- Dunitz, Street gallery, p. 140, #26.
DOI: 10.25549/dunitz-c15-563
title: The great wall of Los Angeles, Los Angeles, 1976-1983

description: The great wall of Los Angeles, Los Angeles, 1976-1983. Tujunga Wash drainage canal, Coldwater Canyon Avenue (between Burbank Boulevard and Oxnard Street), Van Nuys/North Hollywood border. A. 1976. Supervising artists: Judith Baca, Charles Brown, Isabel Castro, Donna Deitch, Judithe Hernandez, Ulysses Jenkins, Luis Lopez, Kristina Lucas, Olga Muniz, Bernardo Muniz, Arnold Ramirez, Christina Schlesinger, Gary Tokumoto, Linda Eber. Plus 59 "mural makers." 9 panels: 20,000 B.C., pre-historical California; 1000 A.D., Early California; 1522, Spanish arrival; 1822, Mexican rule; 1848, Bandaide; 1868, Sojourners; 1880, Frontier California; 1890, Los Angeles mountains to the shore; 1900, Immigrant California. Co-sponsored by CMP, SPARC, and Project Heavy-San Fernando Valley. B. 1978. Supervising artists: Diane Ferrari, Leo Jauregui, Andrew Manning, Bea Plessner. Plus 34 "mural makers." Four panels: William Hart; Tomas Alva Edison; Charlie Chaplin, World War I doughboys. Sponsored by SPARC, Judith Baca, director. C. 1980. Artist supervisors: Carlos Calleja, Yreina Cervantez, Jan Cook, Fernando Jauregui, Jr., Alfredo Lascano, Jane Van Loon, Nancy Perez, Bea Plessner, Julie Ruelas, Rodney Saksi. Seven panels: Japanese internment, Dustbowl refugees; 350,000 Mexican Americans deported; Unsigned Indian Treaties; Strikes; Crash and depression; Illusion of prosperity. Sponsored by SPARC, Judith Baca, artistic director. D. 1981. Artist supervisors: Jan Cook, Teresa Chacon, Karen Guyot, Alfredo Lascano, Pat Millar, Bea Plessner, Julie Ruelas. Plus 32 "mural makers." 9 panels: Jewish refugees; Luisa Moreno: Zoot Suit riots L.A. 1943; David Gonzalez Pacoima CA.; Dr. Charles Drew; World War II; California aqueduct; Jewish Americans; 442nd Japanese Americans. Sponsored by SPARC, Judith Baca, artistic director. E. 1983. Artist supervisors: Eric Alcarez, Eva Cockroft, Mary-Linn Hughes, Patssi Valdez, Matthew Wuerker. Plus 30 "mural makers." 11 panels: Olympic champions breaking barriers 1948-1964; Asians gain citizenship and prosperity; Indian assimilation; Jewish arts and sciences; The origins of gay rights; Forebearers of civil rights; The birth of Rock and Roll; Division of the barrios and Chavez Ravine; The red scare of McCarthyism; Development of suburbia; Farewellt to Rosie the riveter. Sponsored by SPARC, Judith Baca, artistic director. -- Dunitz, Street gallery, p. 140, #26.
DOI: 10.25549/dunitz-c15-393
title: Hollywood jazz, 1945-1972, Hollywood, 1990

description: Hollywood jazz, 1945-1972, Los Angeles, 1990, Capitol Records, exterior, 1750 North Vine Street, Hollywood. From left to right: Chet Baker, Gerry Mulligan, Charlie (Bird) Parker, Tito Puente, Miles Davis, Ella Fitzgerald, Nat King Cole, Shelly Manne, Dizzy Gillespie, Billie Holiday, and Duke Ellington. Acrylic on concrete, 26' x 88', by Richard Wyatt. Sponsored by LA Jazz Society and LACAD. -- Dunitz, Street gallery, p. 90, #27. It was restored in 2013 with funding from Capital Records. "Wyatt set about restoring the mural in November 2012" after the mural faded to the point that "he could see the original outline marks that he painted to guide him"; "for the restoration, it has been re-created from photos of the original, this time fired onto 12-inch-square ceramic tiles for longer life: 2,288 of them, to be precise" according to Wyatt -- "Hollywood Jazz" mural lives on more brightly" , Los Angeles Times, February 18, 2013 at http://www.latimes.com/entertainment/arts/culture/la-et-cm-hollywood-jazz-mural-20130219,0,1467048.story
DOI: 10.25549/dunitz-c15-404
title: Home Savings of America, Hollywood, 1970

description: Home Savings of America, untitled, Los Angeles, 1970. Interior and exterior of Home Savings of America, now Chase building, Sunset Boulevard and Vine Street (northeast corner), Hollywood. Of the close to 40 Home Savings that Sheets designed, this was one of his personal favorites. It sits on the site where the first full-length Hollywood film was made. Outside, at the building's front and rear, are portraits of major movie stars in vertical mosaic strips alternating with hundreds of famous Hollywood names carved in gold. A stained glass window inside, designed by Susan Hertel, shows film strips of classic movie chase scenes. A painted Sheets' mural, also inside, shows the shooting of the first Hollywood feature. Designed by Millard Sheets and Susan Hertel. Executed by Denis O'Connor. -- Dunitz, Street gallery, p. 84, #4.
DOI: 10.25549/dunitz-c15-406
title: Education, Los Angeles, 1934

description: Education, Los Angeles, 1934, Hollywood High School, interior library, 1521 North Highland Avenue (at Sunset Boulevard), Hollywood. Tribute to the influence of the entertainment industry with images of the Hollywood Bowl, the making of a movie, and the high kicks of a chorus line. Oil in canvas, 42' x 16', by Haldane Douglas. Sponsored by PWAP/FERA. -- Dunitz, Street gallery, p. 83, #3.
DOI: 10.25549/dunitz-c15-409
title: You are the star, Los Angeles, 1983

description: You are the star, Los Angeles, 1983, Wilcox at Hollywood Boulevard, exterior southeast corner, Hollywood. The chairs are turned, so to speak, in this mural where dozens of film legends sit in a darkened movie theater and look out at us. Errol Flynn is there dressed as Robin Hood. Superman, Woody Allen, Richard Pryor, Woody Woodpecker, Laurel and Hardy, teenagers Judy Garland and Mickey Rooney are all part of the crowd. Bogie and Bacall sit together, sharing the front row with Marilyn, Chaplin, a very young Shirley Temple perched on the lap of W.C. Fields (who reportedly hated children), James Dean, and Elizabeth "Cleopatra" Taylor with Richard "Marc Antony" Burton. By Thomas Suriya. Sponsored by CMP and HERE. -- Dunitz, Street gallery, p. 86, #12.
DOI: 10.25549/dunitz-c15-423
title: Family and eagle, 2000

description: "[Family and eagle", 2000. Family group with a multiethnic and multicultural group near an ocean, an eagle flies above. Unknown artist. Unidentified location. Mural painted on an interior wall. Photographed ca. 2000 December.
DOI: 10.25549/dunitz-c15-930
title: Learning, Los Angeles, 1978

description: Learning, 1978, Sheenway School and Culture Center, exterior, 10101-25 South Broadway (mural on 101 Street). The varied education activities offered at this innovative alternative school for about 75 4-to-18-year-olds are depicted in this mural. By Charles Freeman. Sponsored by the school -- Dunitz, Street gallery, rev. 2nd ed., p. 211, #19.
DOI: 10.25549/dunitz-c15-934
title: The history of Mexico and mankind, Los Angeles, 1975

description: The history of Mexico and mankind, Los Angeles, 1975. California Museum of Science and Industry, exterior south wall, Exposition Park. Ceramic on concrete, by Raul Esparza. -- Dunitz, Street gallery, p. 205, #16.
DOI: 10.25549/dunitz-c15-937
title: Sharing ourselves, South Los Angeles, 2000

description: Sharing ourselves, South Los Angeles, 2000. Los Angeles Public Library, Junipero Sierra branch, 4607 South Main Street, South Los Angeles. Each panel represents a different ethnic group and includes images of people reading or making art. Photo silkscreen, 4 panels, 4' x 4' (each), by Jacqueline Alexander. -- http://www.lamurals.org/Newsletters/0401Newsltr/0401B.html.
DOI: 10.25549/dunitz-c15-939
title: Why the sun and moon live in the sky? South Los Angeles, 1999

description: "Why the sun and moon live in the sky?, South Los Angeles, 1999. Algin Sutton Recreation Center, pool house, 8880 South Hoover Street (at Manchester Avenue), South Los Angeles. The mural is based on an ancient West African story explaining the presence of the sun and the moon in the sky. Venetian glass mosaic, by June Edmonds." (Slide sleeve shows year as 2001). -- http://www.lamurals.org/Newsletters/1200Newsltr/1200B.html.
DOI: 10.25549/dunitz-c15-956
title: Another magical sunset at Santa Monica Beach, Santa Monica, 1987

description: Another magical sunset at Santa Monica Beach, 1987, parking structure #3, interior driveway entrance, 1320 4th Street (between Arizona Street and Santa Monica Boulevard). A fantasy beach scene, including dogs dressed like people. By Gilbert Lujan, 7 3/4' x 46 1/2'. Sponsored by City of Santa Monica Percent for Art Program.
DOI: 10.25549/dunitz-c15-616
title: Restaurant Los Arcos, North Hollywood, 1990

description: Restaurant Los Arcos, untitled mural, North Hollywood, 1990. Restaurant Los Arcos, exterior, 7227 Vineland Avenue (near Sherman Way), North Hollywood. Farm scene and the Virgin of Guadalupe. Oil on stucco, by Juan Hector Ponce. -- Dunitz, Street gallery, rev. 2nd ed., p. 146, #44.
DOI: 10.25549/dunitz-c15-622
title: Choose your own future, Van Nuys, 1995

description: Choose your own future, Van Nuys, 1995, 7533, Van Nuys Boulevard (at Saticoy Street), Van Nuys. Aerosol, by Hector Rios with youth.-- Dunitz, Street gallery, rev. 2nd ed., p. 154, #78.
DOI: 10.25549/dunitz-c15-624
title: Our history/Toward freedom, Van Nuys, 1993

description: Our history/Toward freedom, Van Nuys, 1993. Valley Cities Jewish Community Center, exterior, 13164 Burbank Boulevard (between Fulton and Coldwater Canyon avenues), Van Nuys. Based on the themes of Exodus (exit), Passover (liberation), and Seder (celebration), the mural is about remembering, especially the ways in which Jewish history intersects with the experience of other groups. Acrylic, by John Pitman Weber. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 151, #65.
DOI: 10.25549/dunitz-c15-637
title: Golf course murals, 1996

description: 23? panels in a golf course, 1996. Murals painted on an exterior wall depicting California history. Location unknown. Artists unknown. Photographed 1996 June.
DOI: 10.25549/dunitz-c15-643
title: A religious memorial and three classic trucks, San Fernando, ca. 1995

description: A religious memorial and three classic trucks, untitled mural, San Fernando, ca. 1995. Vacant lot, Laurel Canyon Boulevard at Fox Street, San Fernando. Five different pieces with different themes. There's a religious memorial, a gloomy scene of a castle, a forest landscape with an Olmec head and a Mayan pyramid, some wildstyle writing, and three classic trucks. Aerosol, hundreds of feet long, by USC, Dru. -- Dunitz, Street gallery, rev. 2nd ed., p. 154, #79.
DOI: 10.15468/dl.x2q3bs
title: Occurrence Download

description: A dataset containing 4429 species occurrences available in GBIF matching the query:
{
 "and" : [
 "Country is Peru",
 "OccurrenceStatus is Present",
 "TaxonKey is Mikania"
 ]
}

 The dataset includes 4429 records from 79 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003644-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-278
title: Earth memories, Los Angeles, 1996

description: Earth memories, Los Angeles, 1996, Belmont High School, exterior, First Street near Glendale Boulevard, Echo Park. Earth memories presents an evolutionary timeline: the formation of the planets, water world, the age of reptiles, dinosaurs, and the death of their era, the formation of mammals, the development of man from the cave artist to Mayan priests, and the present. The design was put together by a group of ten young graffiti writers, a recent art school graduate, and Cockcroft in a week-long marathon. The technique was brush painting with aerosol for finishing and detail--especially in the section of planets, and for eyes, highlights, and accents. Acrylic (brush and aerosol), 580' x 3 to 45', by Eva Cockcroft, Eric Nieman, Jaime "Vyal" Reyes, Edwin Perez, and others. Sponsored by ARTScorpsLA and Hollywood Beautification Team. -- Dunitz, Street gallery, p. 112, #33.
DOI: 10.25549/dunitz-c15-284
title: Education, key to the future, Los Angeles, 1986

description: Education, key to the future, Los Angeles, 1986, Betty Plasencia Elementary School, exterior courtyard, Temple Street (between Douglas and East Edgeware), Echo Park. Ancient Mexican god observing two contemporary Latino students reading. There are two other exterior murals at the school. One, done by Mary Suarez in 1977 under the auspices of the Citywide Mural Project, depicts silhouettes of children holding hands. Another mural inside the kindergarten playground shows toys and baloons. By Carlos Calleja with rival gang members on SYETP. Sponsored by CDP. -- Dunitz, Street gallery, p. 105, #19.
DOI: 10.25549/dunitz-c15-286
title: Choose, Los Angeles, 1989

description: Choose, Los Angeles, 1989, Temple Street at Rosemont Avenue, Echo Park. the these is the daily struggle faced by today's youth and the difficult choices they must make. The left panel shows the positive, nurturing choice of family and education. The right panel -- of people grieving over a dead body -- illustrates the result of choosing the anti-social lifestyle of gangs, substance abuse, truancy, etc. Acrylic on brick, approximately 6-12' x 50'. Concept by SIPA youth. Design by Faustino Caigoy and Orlando Castillo. Painted with assistance from SIPA youth. -- Dunitz, Street gallery, p. 106, #22.
DOI: 10.25549/dunitz-c15-287
title: Choose, Los Angeles, 1989

description: Choose, Los Angeles, 1989, Temple Street at Rosemont Avenue, Echo Park. the these is the daily struggle faced by today's youth and the difficult choices they must make. The left panel shows the positive, nurturing choice of family and education. The right panel -- of people grieving over a dead body -- illustrates the result of choosing the anti-social lifestyle of gangs, substance abuse, truancy, etc. Acrylic on brick, approximately 6-12' x 50'. Concept by SIPA youth. Design by Faustino Caigoy and Orlando Castillo. Painted with assistance from SIPA youth. -- Dunitz, Street gallery, p. 106, #22.
DOI: 10.17605/osf.io/w4e27
title: Political Behaviors and Democratic Support in Taiwan

description: A survey with experimental design for studies of Taiwanese citizens' political behaviors. Data collected by the PollcracyLab at National Chengchi University.
DOI: 10.25549/dunitz-c15-293
title: Seeds of illusion, Los Angeles, 1990

description: Seeds of illusion, Los Angeles, 1990, 1448 North Alvarado Street (at Glendale Boulevard), Echo Park. TV sets thrashing in turbulent waters, meant to indicate the tense dynamic between nature and technology. On a side panel, a poor woman searches among the TVs for a sign of hope. Acrylic, 9' x 27' (each of three panels), by Guillermo Bert. Sponsored by SPARC. -- Dunitz, Street gallery, p. 106, #25.
DOI: 10.25549/dunitz-c15-300
title: The tree of the middle place, Los Angeles, 1992

description: The tree of the middle place, Los Angeles, 1992, Canoe Storage House (at the park), exterior, Echo Park Avenue and Park Avenue, Echo Park. Done in honor of the 500-year anniversary of the meeting of the old and new worlds and cultures. Shown are native plants of the Americas using Aztec and Mayan symbols, Chumash astrological imagery, and a western European representation of the sun and moon. Acrylic, 9' x 60', by Barbara Benish. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 110, #23.
DOI: 10.25549/dunitz-c15-302
title: Brooklyn house, West Hollywood, 1998

description: Brooklyn house, West Hollywood, 1998. Brooklyn house, exterior, Spaulding Avenue at Melrose Avenue, West Hollywood. Aerosol, by UTI, Carlos "Asylum" Ortiz, Jaime Reyes "Vyal' with COI. -- Dunitz, Street gallery, rev. 2nd ed., p. 101, #53.
DOI: 10.25549/dunitz-c15-306
title: El Chavo Restaurant, Los Angeles, early 1970s

description: El Chavo Restaurant, untitled mural, Los Angeles, early 1970s. El Chavo Restaurant, exterior and interior, 4441 Sunset Boulevard (near Hillhurst Avenue), Silver Lake. Portrait of a Maya faces the parking lot. Over the rear entrance are a Mexican man and woman riding a rearing horse. There is another, newer mural inside. Acrylic, 3 panels, artist unknown. -- Dunitz, Street gallery, rev. 2nd ed., p. 105, #2.
DOI: 10.15468/dl.nwgsjx
title: Occurrence Download

description: A dataset containing 80005 species occurrences available in GBIF matching the query:
{
 "and" : [
 "OccurrenceStatus is Present",
 "TaxonKey is Alligator"
 ]
}

 The dataset includes 80005 records from 175 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0003621-260226173443078/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/dunitz-c15-314
title: Profile of a Native American, Los Angeles, 1984

description: Profile of a Native American, untitled, Los Angeles, 1984 1901 Echo Park Avenue (mural on Avalon), Echo Park. Profile of a Native American wearing a headdress, plus birds and dancers. Acrylic on cinder blocks, by Stephen Chaffey and Dennis Fitzpatrick. -- Dunitz, Street gallery, p. 103, #12.
DOI: 10.25549/dunitz-c15-318
title: Spraypaint mural at Studio 9, Hollywood, 1997

description: Spraypaint mural at Studio 9, untitled, Hollywood, 1997. Studio 9, rear, Gower Street and Santa Monica Boulevard, Hollywood. Aerosol, by ManOne, SacredOne, Vyal, Swank, Kofie, Axis. -- Dunitz, Street gallery, rev. 2nd ed., p. 100, #51.
DOI: 10.25549/salamun-c98-427
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.25549/salamun-c98-428
title: Wagner. The Christmas story, 1963

description: For mixed chorus and orchestra (orchestration version by Dale Jergenson). Score. Includes handwritten marginalia by the composer to the conductor Paul Salamunovich.
DOI: 10.6084/m9.figshare.28531850
title: Decreases in priming effect vary with labile carbon type under long-termnitrogen addition in a boreal forest

description: The priming effect induced by labile carbon inputs can influence soil organic carbon (SOC) decomposition, whichcan be regulated by nitrogen (N) availability. However, how long-term N addition affects the priming effect isstill unclear. Here, we address this issue by combining results from an experiment and a data synthesis. For theexperiment, soils were collected from a 12-year <i>in-situ </i>N addition in a boreal forest, and 13C-labeled glucose,glycine or oxalic acid were added as a rate of 2.5% of SOC. Further, we conducted a global data synthesis with188 observations from 50 studies from forests to compare priming in response to transient incubation addition<i>versus </i>continuous field N addition. The positive priming effect caused by glycine was highest among the three Ctypes especially in the control treatment, <i>i.e.</i>, a significant interaction between N addition and C type. Thesevariations could be attributed to differences in microbial substrate metabolic pathways. N addition significantlysuppressed the priming effect, consistent with trends observed in the global data synthesis. However, the extentof N inhibition from field studies was marginally lower than that from incubation studies, suggesting that the Ninhibition on priming may be to some extent overestimated. Overall, our results emphasize that the inhibition oflong-term N addition on priming may depend on labile C type. More studies with soils from long-term N additionin the field are urgently needed for accurately assessing SOC decomposition via the priming effect in the contextof chronic N deposition in boreal forests.
DOI: 10.6084/m9.figshare.28531850.v2
title: Decreases in priming effect vary with labile carbon type under long-termnitrogen addition in a boreal forest

description: The priming effect induced by labile carbon inputs can influence soil organic carbon (SOC) decomposition, whichcan be regulated by nitrogen (N) availability. However, how long-term N addition affects the priming effect isstill unclear. Here, we address this issue by combining results from an experiment and a data synthesis. For theexperiment, soils were collected from a 12-year <i>in-situ </i>N addition in a boreal forest, and 13C-labeled glucose,glycine or oxalic acid were added as a rate of 2.5% of SOC. Further, we conducted a global data synthesis with188 observations from 50 studies from forests to compare priming in response to transient incubation addition<i>versus </i>continuous field N addition. The positive priming effect caused by glycine was highest among the three Ctypes especially in the control treatment, <i>i.e.</i>, a significant interaction between N addition and C type. Thesevariations could be attributed to differences in microbial substrate metabolic pathways. N addition significantlysuppressed the priming effect, consistent with trends observed in the global data synthesis. However, the extentof N inhibition from field studies was marginally lower than that from incubation studies, suggesting that the Ninhibition on priming may be to some extent overestimated. Overall, our results emphasize that the inhibition oflong-term N addition on priming may depend on labile C type. More studies with soils from long-term N additionin the field are urgently needed for accurately assessing SOC decomposition via the priming effect in the contextof chronic N deposition in boreal forests.
DOI: 10.6084/m9.figshare.28531850.v1
title: 实验数据和元data

description: 土壤引发效应引起的不稳定碳输入会影响土壤有机碳 （SOC） 分解，在大多数情况下，其中受氮 （N） 有效性的调节。然而，长期 N 添加s 引发效应仍不清楚因为目前的理解主要来自短期实验室孵化 N 添加的研究，尤其是在北方森林中。在这里，土壤中收集 12 年的原位氮添加13个 C 标记的葡萄糖、甘氨酸和草酸（SOC 的 2.5%）。