cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10227512
title: Sourire

description: Sculpture en pierre calcaire, de 32 cm de hauteur, réalisée par Françoise Pouvreau au sein de l'Association Basque Topaketak à Arbonne (Pyrénées Atlantiques - France). Exposée à "La Benoiterie" d'Arbonne du 29 au 31 juillet 2022

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227515
title: Càntir

description: Cántir museu de L'Hospitalet

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227516
title: Càntir

description: Cántir museu de L'Hospitalet

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227517
title: Textiles: Anfusa, "Wolves and Sheep"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Anfusa Tikhonovna in the play "Wolves and Sheep" (1875) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.16600.78080

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227518
title: Textiles: Anfusa, "Wolves and Sheep"

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Anfusa Tikhonovna in the play "Wolves and Sheep" (1875) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.16600.78080

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227519
title: ROI041-096-02

description: Point fragment collected in Dearborn County, Indiana.

Catalog # 12-D-440-9

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI041-096-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227520
title: ROI041-096-02

description: Point fragment collected in Dearborn County, Indiana.

Catalog # 12-D-440-9

Uploaded by: Collin Minnick

Thompson, Christine, Kelsey Norwalk, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI041-096-02, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227521
title: Mummy label

description: ID: MKGHamburg 1934.2.a 
Object type: Mummy label 
Origin: Egypt 
Date/Period: 1.–3. cent AD 
Material: Wood 
Measurements: 8.4 cm (height); 21.7 (width); 1.0 cm (depth) 
Language: Greek 
Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1934.2.a 

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227522
title: Mummy label

description: ID: MKGHamburg 1934.2.a 
Object type: Mummy label 
Origin: Egypt 
Date/Period: 1.–3. cent AD 
Material: Wood 
Measurements: 8.4 cm (height); 21.7 (width); 1.0 cm (depth) 
Language: Greek 
Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1934.2.a 

The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227523
title: Sun Hat Model

description: This was my first photogrammetry attempt using VSFM, PMVS/CMVS and MeshLab. I used 65 photos taken with manual settings on a Rebel T2i. I followed the following tutorial: http://wedidstuff.heavyimage.com/index.php/2013/07/12/open-source-photogrammetry-workflow/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227524
title: Sun Hat Model

description: This was my first photogrammetry attempt using VSFM, PMVS/CMVS and MeshLab. I used 65 photos taken with manual settings on a Rebel T2i. I followed the following tutorial: http://wedidstuff.heavyimage.com/index.php/2013/07/12/open-source-photogrammetry-workflow/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227525
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of FLorence Hartley, died 1897, aged 20 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Anglican Zone B Section CCC Grave 2138

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
15 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227526
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of FLorence Hartley, died 1897, aged 20 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Anglican Zone B Section CCC Grave 2138

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
15 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227527
title: Spooky Tomb Scene

description: A tomb scene made in Maya 2016. Trying to use normal maps. It went pretty well. Gonna try and incoporate more normal maps in the future. Textured in Gimp. Gotta keep practicing normal maps though.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227528
title: Spooky Tomb Scene

description: A tomb scene made in Maya 2016. Trying to use normal maps. It went pretty well. Gonna try and incoporate more normal maps in the future. Textured in Gimp. Gotta keep practicing normal maps though.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227529
title: African Masks

description: 3D scan of a set of two wooden decorative masks from Africa.

Captured using Artec Eva.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227530
title: African Masks

description: 3D scan of a set of two wooden decorative masks from Africa.

Captured using Artec Eva.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227531
title: Pillar (Pristine)

description: Fairly quickly made prop model. Practice piece for making props with destruction models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227532
title: Pillar (Pristine)

description: Fairly quickly made prop model. Practice piece for making props with destruction models.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227533
title: Teatralnaya Dom 1

description: Театральная дом 1. 
Большой в июле прекрасен. 
И не только в июле)

Architecture, Cultural Heritage & History
Architecture, Cultural Heritage & History
Architecture, Cultural Heritage & History

XXXIXXX
3130

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227534
title: Teatralnaya Dom 1

description: Театральная дом 1. 
Большой в июле прекрасен. 
И не только в июле)

Architecture, Cultural Heritage & History
Architecture, Cultural Heritage & History
Architecture, Cultural Heritage & History

XXXIXXX
3130

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227535
title: Fountain Of Carvalhal

description: Fountain Of Carvalhal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227536
title: Fountain Of Carvalhal

description: Fountain Of Carvalhal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227543
title: 12th C CE Water-Moon Guanyin - point cloud

description: Twelfth-century Water-Moon Guanyin, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

"This form of the bodhisattva presides over his own paradise, Potolaka, which is described in scripture as a rugged seaside cave from which Avalokiteshvara could admire the reflection of the moon in the water. Appropriately, he appears meditative and relaxed and is seated informally in the "royal-ease" posture. Ornately dressed, with silk robes, fluttering sashes, jewelry, and an elaborate hairstyle, he also wears a headpiece that features an image of Amitābha, the buddha to whom Avalokiteshvara attends. Believers might look to a sculpture like this as a guide for their own journeys toward enlightenment."

The sculpture on Mia's website:

https://collections.artsmia.org/art/32122/seated-guanyin-china

The mesh version of the object is here:
https://skfb.ly/68PAA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227544
title: 12th C CE Water-Moon Guanyin - point cloud

description: Twelfth-century Water-Moon Guanyin, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

"This form of the bodhisattva presides over his own paradise, Potolaka, which is described in scripture as a rugged seaside cave from which Avalokiteshvara could admire the reflection of the moon in the water. Appropriately, he appears meditative and relaxed and is seated informally in the "royal-ease" posture. Ornately dressed, with silk robes, fluttering sashes, jewelry, and an elaborate hairstyle, he also wears a headpiece that features an image of Amitābha, the buddha to whom Avalokiteshvara attends. Believers might look to a sculpture like this as a guide for their own journeys toward enlightenment."

The sculpture on Mia's website:

https://collections.artsmia.org/art/32122/seated-guanyin-china

The mesh version of the object is here:
https://skfb.ly/68PAA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227545
title: Geometric model Central Surface of a Paraboloid

description: * This white plaster model has a rectangular base. The surface rising from the base begins as an ellipse and rises to a central peak. No curves are drawn on. It shows the locus of centers of principal curvature of an elliptic paraboloid (that is to say, the envelope or caustic of reflected rays). A tag on the base of the model reads: Centralfläche des Paraboloids. (/) Verl. v. L. Brill. 1. Ser. Nr. IIa.
* Эта модель была разработана в 1877 г. Л. Шлейермахером под руководством Людвига Брилля в высшей технической школе в Мюнхене и опубликована как часть первой серии, выпущенной Бриллем. Он показывает геометрическое место центров главной кривизны эллиптического параболоида (т.е. огибающую или каустику отраженных лучей).
* *(метка 22)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227546
title: Geometric model Central Surface of a Paraboloid

description: * This white plaster model has a rectangular base. The surface rising from the base begins as an ellipse and rises to a central peak. No curves are drawn on. It shows the locus of centers of principal curvature of an elliptic paraboloid (that is to say, the envelope or caustic of reflected rays). A tag on the base of the model reads: Centralfläche des Paraboloids. (/) Verl. v. L. Brill. 1. Ser. Nr. IIa.
* Эта модель была разработана в 1877 г. Л. Шлейермахером под руководством Людвига Брилля в высшей технической школе в Мюнхене и опубликована как часть первой серии, выпущенной Бриллем. Он показывает геометрическое место центров главной кривизны эллиптического параболоида (т.е. огибающую или каустику отраженных лучей).
* *(метка 22)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227548
title: Askos

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 70-31

Description: Medium coarse ware askos with a globular body and neck set at an angle. Worn and flaking surface with traces of a brown burnished slip.

Data Capture Method: Photogrammetry

Processing Software: RealityCapture

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227547
title: Askos

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 70-31

Description: Medium coarse ware askos with a globular body and neck set at an angle. Worn and flaking surface with traces of a brown burnished slip.

Data Capture Method: Photogrammetry

Processing Software: RealityCapture

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227552
title: Christian Krohg

description: Quite happy with result finally, monument is 6m big, selfiestick helps a lot to get access everywhere.

GoPro3+, 400 photos, 50% resized.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227551
title: Christian Krohg

description: Quite happy with result finally, monument is 6m big, selfiestick helps a lot to get access everywhere.

GoPro3+, 400 photos, 50% resized.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227553
title: Ornamental urn planter

description: Huge cast-iron planters like this one can be spotted throughout small parks in the Bolton Hill neighborhood of Baltimore. They most likely date back to the early 1900s.

Scanned with an Artec Leo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227554
title: Ornamental urn planter

description: Huge cast-iron planters like this one can be spotted throughout small parks in the Bolton Hill neighborhood of Baltimore. They most likely date back to the early 1900s.

Scanned with an Artec Leo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227555
title: Dobeles pilsdrupas (ortofoto)

description: Dobeles pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.621704, 23.273361 (precizētas, balstoties uz Andra Tomašūna sniegto informāciju par atradumiem izrakumos. Pilskalns varētu būt bijis uz pussalas, kas atrodas blakus pilsdrupām)

https://www.latvijas-pilskalni.lv/dobeles-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227556
title: Dobeles pilsdrupas (ortofoto)

description: Dobeles pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.621704, 23.273361 (precizētas, balstoties uz Andra Tomašūna sniegto informāciju par atradumiem izrakumos. Pilskalns varētu būt bijis uz pussalas, kas atrodas blakus pilsdrupām)

https://www.latvijas-pilskalni.lv/dobeles-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227558
title: Orbiter Space Shuttle OV-103 Discovery

description: *Many thanks to the support generously provided by Meredith Siegfried Madden and Dr. Peter Madden.  Without you this wouldn't be possible.*

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c636ce-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Orbiter, Space Shuttle, OV-103, Discovery

Manufacturer: Rockwell International Corporation  

Materials: Airframe: aluminum alloys, titanium, Surface: silica tiles, reinforced carbon carbon RCC nose cap and wing leading edges, Interior: many materials (aluminum, fabric, beta cloth, velcro, etc.)

Dimensions: Overall: 24.314m x 17.768m x 38.03m, 73176.5kg (78 ft. x 57 ft. x 122 ft., 161325lb.)
    
EDAN-URL: edanmdm:nasm_A20120325000

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227559
title: Orbiter Space Shuttle OV-103 Discovery

description: *Many thanks to the support generously provided by Meredith Siegfried Madden and Dr. Peter Madden.  Without you this wouldn't be possible.*

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c636ce-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian's [Terms of Use](https://www.si.edu/Termsofuse) page.

Orbiter, Space Shuttle, OV-103, Discovery

Manufacturer: Rockwell International Corporation  

Materials: Airframe: aluminum alloys, titanium, Surface: silica tiles, reinforced carbon carbon RCC nose cap and wing leading edges, Interior: many materials (aluminum, fabric, beta cloth, velcro, etc.)

Dimensions: Overall: 24.314m x 17.768m x 38.03m, 73176.5kg (78 ft. x 57 ft. x 122 ft., 161325lb.)
    
EDAN-URL: edanmdm:nasm_A20120325000

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227561
title: Metal Object, St Mawes Harbour, Cornwall

description: An iron object affixed onto the rocks at St Mawes, Cornwall. Perhaps once part of a ship. Created in Metashape with 37 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227560
title: Metal Object, St Mawes Harbour, Cornwall

description: An iron object affixed onto the rocks at St Mawes, Cornwall. Perhaps once part of a ship. Created in Metashape with 37 photos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227563
title: Buddha - Draft Meshing from SfM

description: This model is the result of draft meshing directly from Structure-from-Motion output. It has been cleaned up in Meshlab (bounding box cut-out) and retextured in Meshroom.

**Details**

- Meshroom 2019.1.0
 - Input: 220 images
 - Camera: Sony A7S II

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227562
title: Buddha - Draft Meshing from SfM

description: This model is the result of draft meshing directly from Structure-from-Motion output. It has been cleaned up in Meshlab (bounding box cut-out) and retextured in Meshroom.

**Details**

- Meshroom 2019.1.0
 - Input: 220 images
 - Camera: Sony A7S II

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227564
title: Curtiss N-9H Floatplane - Stormworks

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227565
title: Curtiss N-9H Floatplane - Stormworks

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227566
title: Exvoto femenino ibero (s. V-I a.C)

description: Réplica en 3D de un exvoto femenino ibero. Según la página oficial del Museo Arqueológico Nacional: 
"Estas figurillas de bronce, realizadas entre el siglo V y el I a.C., con elocuentes posturas rituales representan a mujeres de la cultura ibérica. Son exvotos que los iberos fueron depositando a lo largo del tiempo en los santuarios como ofrenda a sus dioses. Las mujeres representadas son damas de la aristocracia, y gracias a estos exvotos sabemos cómo vestían. Por lo general, llevaban una túnica ceñida por un cinturón y se envolvían en largos mantos o velos. Algunas portaban altos y variados tocados y otros elementos de adorno de gran vistosidad, sobre todo piezas de joyería, solo accesibles a las clases pudientes (http://www.man.es/man/exposicion/recorridos-tematicos/museo-femenino/10-exvotos.html). La magia y las creencias resguardadas tras estas piezas aún se puede apreciar al observarlas o incluso al replicarlas virtualmente.
Escaneado: DAVID SLS-3. Postprocesado: Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227567
title: Exvoto femenino ibero (s. V-I a.C)

description: Réplica en 3D de un exvoto femenino ibero. Según la página oficial del Museo Arqueológico Nacional: 
"Estas figurillas de bronce, realizadas entre el siglo V y el I a.C., con elocuentes posturas rituales representan a mujeres de la cultura ibérica. Son exvotos que los iberos fueron depositando a lo largo del tiempo en los santuarios como ofrenda a sus dioses. Las mujeres representadas son damas de la aristocracia, y gracias a estos exvotos sabemos cómo vestían. Por lo general, llevaban una túnica ceñida por un cinturón y se envolvían en largos mantos o velos. Algunas portaban altos y variados tocados y otros elementos de adorno de gran vistosidad, sobre todo piezas de joyería, solo accesibles a las clases pudientes (http://www.man.es/man/exposicion/recorridos-tematicos/museo-femenino/10-exvotos.html). La magia y las creencias resguardadas tras estas piezas aún se puede apreciar al observarlas o incluso al replicarlas virtualmente.
Escaneado: DAVID SLS-3. Postprocesado: Meshlab.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10227568
title: Caño - Fajalauza-HD (72)

description: Caño o arcaduz producido en los talleres de Fajalauza. Ha sido modelado a torno y cocido en una atmósfera oxidante. Pieza relacionada con la producción cerámica. Tiene una froma cilíndrica y cerrada, parte de un labio redondeado y borde con orientación vertical que termina en resalte que marca un cambio con un cuerpo vertical. Se utiliza para armar la sepación de los distintos niveles del horno y para facilitar el tránsito del aire caliente en su interior.

* Cronología: Siglo XX.
* Depósito: Talleres de la Fundación Cerámica Fajalauza Cecilio Morales.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab