cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10305157
title: Compotera Doble Bahía II f11

description: Son dos platos con base de tipo pedestal unidos por dos asas macizas horizontales. Interior de los platos y base es ahumada, pulida y decorada con pintura iridiscente rosada. 
Diseños en líneas rectas verticales agrupadas de a tres en las bases; y de líneas curvas y puntos idénticos en ambos platos.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305158
title: Govan 16

description: Govan 16 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n30/mode/2up); ECMS 14) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright and against the wall, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This stone has been damaged; there are no records for what the lower part of the monument may have looked like.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305159
title: Govan 16

description: Govan 16 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog/page/n30/mode/2up); ECMS 14) is one of 31 early medieval recumbent cross-slabs originally recorded at Govan Old in 1899. This is currently displayed upright and against the wall, but these monuments would have originally laid flat in the churchyard, likely marking the grave of a significant early medieval individual. This stone has been damaged; there are no records for what the lower part of the monument may have looked like.

This 3D model was created as part of Dr Megan Kasten's PhD, available here: http://theses.gla.ac.uk/74266/. The 3D model was created with SfM photogrammetry, using Agisoft Metashape, and edited with Zbrush. While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal](https://tghts.enthuse.com/profile).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305160
title: Каменный крест на городище Воронич

description: Один из каменных объектов, перенесенных на территорию церкви Святого Георгия, городище Воронич.
http://wikimapia.org/37354674/ru/Каменные-кресты

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305161
title: Каменный крест на городище Воронич

description: Один из каменных объектов, перенесенных на территорию церкви Святого Георгия, городище Воронич.
http://wikimapia.org/37354674/ru/Каменные-кресты

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305164
title: Nicolaus Copernicus Monument

description: Processing 1281 images in 7h

https://youtu.be/oDbP5c-IXEY

The Nicolaus Copernicus Monument in Kraków, Poland was designed by sculptor Cyprian Godebski in 1899 and completed in 1900. It has become a landmark of the city, as it commemorates one of the most famous alumni of the Jagiellonian University of Kraków.

Nicolaus Copernicus (1473-1543) was a Renaissance scientist and scholar. His heliocentric model of the universe was revolutionary and contributed greatly to the emergence and development of modern science. He was an astronomer, mathematician, translator, physician, economist, and had a doctorate in canon law. A true polymath, or "Renaissance man", whose life and work has become a part of cultural heritage of the world.

The 3D model features the monument of Copernicus wearing a purple bowtie. It was put on it as a part of an artistic happening organized by the University's students to promote upcoming Juvenalia, a yearly student festival celebrating youth culture, freedom of expression and creativity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305165
title: Nicolaus Copernicus Monument

description: Processing 1281 images in 7h

https://youtu.be/oDbP5c-IXEY

The Nicolaus Copernicus Monument in Kraków, Poland was designed by sculptor Cyprian Godebski in 1899 and completed in 1900. It has become a landmark of the city, as it commemorates one of the most famous alumni of the Jagiellonian University of Kraków.

Nicolaus Copernicus (1473-1543) was a Renaissance scientist and scholar. His heliocentric model of the universe was revolutionary and contributed greatly to the emergence and development of modern science. He was an astronomer, mathematician, translator, physician, economist, and had a doctorate in canon law. A true polymath, or "Renaissance man", whose life and work has become a part of cultural heritage of the world.

The 3D model features the monument of Copernicus wearing a purple bowtie. It was put on it as a part of an artistic happening organized by the University's students to promote upcoming Juvenalia, a yearly student festival celebrating youth culture, freedom of expression and creativity.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305168
title: Oldtown Plain Bowl (2366a72)

description: **Oldtown Plain bowl**

Location: Madison site (31Rk6), Rockingham County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1690)

Material: ceramic.

Dimensions: height, 4.5 cm; diameter, 15.0 cm.

Notes: Catalog no. 2366a72, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305169
title: Oldtown Plain Bowl (2366a72)

description: **Oldtown Plain bowl**

Location: Madison site (31Rk6), Rockingham County, North Carolina.

Period: Historic, Saratown phase (AD 1670-1690)

Material: ceramic.

Dimensions: height, 4.5 cm; diameter, 15.0 cm.

Notes: Catalog no. 2366a72, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305170
title: Detail Capture Test 2

description: Like the previous detail test I wanted to identify the limitation that Polycam could have to field work. I wasn't able to access the top down view in the the previous attempt therefore this Sculpture presented an opportunity to capture the entire subject area without Impediment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305171
title: Detail Capture Test 2

description: Like the previous detail test I wanted to identify the limitation that Polycam could have to field work. I wasn't able to access the top down view in the the previous attempt therefore this Sculpture presented an opportunity to capture the entire subject area without Impediment.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305172
title: Frances Canyon

description: Frances Canyon Ruin is one of the largest known and one of the best preserved of the Navajo pueblitos. Tree-ring dates indicate that construction began in AD 1710 and additions and renovations continued there until 1745. The complex consists of an estimated 40 rooms and includes a three-story tower that overlooks the canyon, storage bins, and hooded Spanish-style fireplaces. Supports for weaving looms were also found. Some of the roofs remain intact.

The site was first excavated by Earl Morris, who also excavated Aztec Ruins in 1915. Among other artifacts, he recovered a fragment of a seventeenth-century wheel lock rifle from "Site 6." Rock art, forked-pole hogans, sweat lodges and basins used for grinding corn surround the pueblito. In 1970 Frances Canyon Ruin was included on the National Register of Historic Places.

For more information visit: https://www.blm.gov/visit/defensive-sites-of-dinetah

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305173
title: Frances Canyon

description: Frances Canyon Ruin is one of the largest known and one of the best preserved of the Navajo pueblitos. Tree-ring dates indicate that construction began in AD 1710 and additions and renovations continued there until 1745. The complex consists of an estimated 40 rooms and includes a three-story tower that overlooks the canyon, storage bins, and hooded Spanish-style fireplaces. Supports for weaving looms were also found. Some of the roofs remain intact.

The site was first excavated by Earl Morris, who also excavated Aztec Ruins in 1915. Among other artifacts, he recovered a fragment of a seventeenth-century wheel lock rifle from "Site 6." Rock art, forked-pole hogans, sweat lodges and basins used for grinding corn surround the pueblito. In 1970 Frances Canyon Ruin was included on the National Register of Historic Places.

For more information visit: https://www.blm.gov/visit/defensive-sites-of-dinetah

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305174
title: Cattle Trough Clapham The Pavement

description: A London Metropolitan Drinking Fountain Association cattle trough on the middle of the junction of The Pavement and Clapham Common South Side, London.

398 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305175
title: Cattle Trough Clapham The Pavement

description: A London Metropolitan Drinking Fountain Association cattle trough on the middle of the junction of The Pavement and Clapham Common South Side, London.

398 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305176
title: Moosrock highpoly

description: A Rock with Moos on it. Photos taken at the Arnkiel-park near Flensburg. Photogrametry tool was Meshroom, and for further clean up and export Blender. Texture edit was made with Gimp.
Link to the Arnkiel-Park Internetsite in German- https://www.arnkiel-park.de/
Link to more Information in English - https://www.megalithic.co.uk/article.php?sid=17624
or - https://www.megalithic.co.uk/article.php?sid=17623

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305177
title: Moosrock highpoly

description: A Rock with Moos on it. Photos taken at the Arnkiel-park near Flensburg. Photogrametry tool was Meshroom, and for further clean up and export Blender. Texture edit was made with Gimp.
Link to the Arnkiel-Park Internetsite in German- https://www.arnkiel-park.de/
Link to more Information in English - https://www.megalithic.co.uk/article.php?sid=17624
or - https://www.megalithic.co.uk/article.php?sid=17623

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305179
title: Rut. Sculpture. Pl. de la Virreina. Barcelona.

description: Sculpted by Josep Maria Camps i Arnau in 1949, you can find in the Plaça de la Virreina, in the Gràcia neighbourhood in Barcelona. Beautiful bronze figure. Made with www.trnio.com.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305178
title: Rut. Sculpture. Pl. de la Virreina. Barcelona.

description: Sculpted by Josep Maria Camps i Arnau in 1949, you can find in the Plaça de la Virreina, in the Gràcia neighbourhood in Barcelona. Beautiful bronze figure. Made with www.trnio.com.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305180
title: Vase caremé en argile

description: Vase caremé à col long de datation inconnue issu de pillage archéologique au Mali et saisi en 2004. 
Dimensions 
H = 34cm 
DO = 3,2cm 
EC = 0,5cm 
DMP = 17cm

Collection Direction Nationale du Patrimoine Culturel du Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305181
title: Vase caremé en argile

description: Vase caremé à col long de datation inconnue issu de pillage archéologique au Mali et saisi en 2004. 
Dimensions 
H = 34cm 
DO = 3,2cm 
EC = 0,5cm 
DMP = 17cm

Collection Direction Nationale du Patrimoine Culturel du Mali

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305183
title: Arenicolites isp.

description: **Icnoespecie:** *Arenicolites* isp.
**Descripción:**Estructuras formadas por galerías concéntricas en forma de U. Se trata de galerias verticales a la superficie de varios centímetros de profundidad y 4 milímetros de diámetro con dos orificios característicos en superficie . Las estructuras se presentan en grupos arbitrariamente en toda la superficie
**Número de Registro**: MGUV 36396 
**Edad:** Jurásico Superior 
**Localidad: **Titaguas (Valencia, España) 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Zoophycos 
**Técnica:** fotogrametría 
**Procesado:** Photoscan 
**Cámara: **Sony DSC HX60V  
**Autor fotogrametría y procesado:** Jose Luis Herraiz  
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural
**Donación:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305182
title: Arenicolites isp.

description: **Icnoespecie:** *Arenicolites* isp.
**Descripción:**Estructuras formadas por galerías concéntricas en forma de U. Se trata de galerias verticales a la superficie de varios centímetros de profundidad y 4 milímetros de diámetro con dos orificios característicos en superficie . Las estructuras se presentan en grupos arbitrariamente en toda la superficie
**Número de Registro**: MGUV 36396 
**Edad:** Jurásico Superior 
**Localidad: **Titaguas (Valencia, España) 
**Clasificación etológica:** Dominchnia 
**Icnofacies:** Zoophycos 
**Técnica:** fotogrametría 
**Procesado:** Photoscan 
**Cámara: **Sony DSC HX60V  
**Autor fotogrametría y procesado:** Jose Luis Herraiz  
**Colección:** Colección icnofósiles del Museo de la Universitat de València de Historia Natural
**Donación:** Jose A. Villena

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305184
title: Romanesque Capitals, Saúca (Guadalajara, Spain)

description: Romanesque capitals from the Iglesia de Nuestra Señora de la Asuncion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305185
title: Romanesque Capitals, Saúca (Guadalajara, Spain)

description: Romanesque capitals from the Iglesia de Nuestra Señora de la Asuncion

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305186
title: Warmia. Braniewo. Wieża bramna zamku

description: Warmia. Braniewo. Wieża bramna zamku kapituły warmińskiej. Zamek w Braniewie zbudowano pod koniec XIII wieku w czasach biskupa Henryka I Fleminga (1279–1300). Ocalała jedynie wieża bramna z kaplicą na piętrze.

Digitalizacja zabytkowej architektury na terenie Warmii, w projekcie swietawarmia.pl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305187
title: Warmia. Braniewo. Wieża bramna zamku

description: Warmia. Braniewo. Wieża bramna zamku kapituły warmińskiej. Zamek w Braniewie zbudowano pod koniec XIII wieku w czasach biskupa Henryka I Fleminga (1279–1300). Ocalała jedynie wieża bramna z kaplicą na piętrze.

Digitalizacja zabytkowej architektury na terenie Warmii, w projekcie swietawarmia.pl

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305190
title: JARRA

description: Modelado de una jarra
Modelado de una jarra siguiendo la imagen de una antigua vasija romana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305191
title: JARRA

description: Modelado de una jarra
Modelado de una jarra siguiendo la imagen de una antigua vasija romana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305192
title: Tiger carving at the Bonnet House Gardens

description: Saw this life-size wooden tiger carving at the Bonnet House and Gardens in Fort Lauderdale, Florida http://www.bonnethouse.org

Created with Polycam with photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305193
title: Tiger carving at the Bonnet House Gardens

description: Saw this life-size wooden tiger carving at the Bonnet House and Gardens in Fort Lauderdale, Florida http://www.bonnethouse.org

Created with Polycam with photogrammetry

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305195
title: Bază de statuie cu inscripție pentru Liber Pater

description: Deo Libero / Patri Titus / Flavius / Valentianus / b(ene)f(iciarius) co(n)s(ularis).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305194
title: Bază de statuie cu inscripție pentru Liber Pater

description: Deo Libero / Patri Titus / Flavius / Valentianus / b(ene)f(iciarius) co(n)s(ularis).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305198
title: Basalt statue of a priest

description: The prophet of Horus at Hierakonpolis. Harpakhepesh, son of Paheter and Wawa. He wears a serated shawl, which is typical of this period. 

Dates to around 100 BC - 30 BC and found in Hierakonpolis. Purchased through the University Purchase Grant.

Object E.4.1970 https://data.fitzmuseum.cam.ac.uk/id/object/63001

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305199
title: Fyvie Kirk Gravestone, Aberdeenshire

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305197
title: Basalt statue of a priest

description: The prophet of Horus at Hierakonpolis. Harpakhepesh, son of Paheter and Wawa. He wears a serated shawl, which is typical of this period. 

Dates to around 100 BC - 30 BC and found in Hierakonpolis. Purchased through the University Purchase Grant.

Object E.4.1970 https://data.fitzmuseum.cam.ac.uk/id/object/63001

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305200
title: Fyvie Kirk Gravestone, Aberdeenshire

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305203
title: Esther Scroll, Add MS 11831

description: Esther scroll (Megilat Ester) in an ivory case. Unknown origin, 17th century. 

Modelled for the British Library's Hebrew Manuscript Digitisation Project, funded by The Polonsky Foundation.

Modelling: [Adi Keinan-Schoonbaert](https://sketchfab.com/adiks)

Special thanks to Kristin Phelps, Thomas Flynn and Ilana Tahan.

* Model is an edited approximation of the actual object

For the entire scroll, visit: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_11831

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305204
title: Esther Scroll, Add MS 11831

description: Esther scroll (Megilat Ester) in an ivory case. Unknown origin, 17th century. 

Modelled for the British Library's Hebrew Manuscript Digitisation Project, funded by The Polonsky Foundation.

Modelling: [Adi Keinan-Schoonbaert](https://sketchfab.com/adiks)

Special thanks to Kristin Phelps, Thomas Flynn and Ilana Tahan.

* Model is an edited approximation of the actual object

For the entire scroll, visit: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_11831

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305205
title: Lightning Coin

description: I made this for fun. use it as you like.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305206
title: Lightning Coin

description: I made this for fun. use it as you like.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305207
title: Talatí de Dalt - Menorca

description: Modelo desarrollado para el Proyecto Modular https://web.ua.es/modular

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305208
title: Talatí de Dalt - Menorca

description: Modelo desarrollado para el Proyecto Modular https://web.ua.es/modular

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305211
title: Hermes test model v2

description: Model created for Digitization course of the Digitial Humanities MSc programme of AUEB.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305212
title: Hermes test model v2

description: Model created for Digitization course of the Digitial Humanities MSc programme of AUEB.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305213
title: BNW20 F215 Dog Burial

description: Roman Dog Burial with a Ceramic Vessel From Whittlsey, Peterbrough.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305214
title: BNW20 F215 Dog Burial

description: Roman Dog Burial with a Ceramic Vessel From Whittlsey, Peterbrough.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305217
title: WPMP portal type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5616/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305218
title: WPMP portal type 1

description: Realized within the project of the sourced-based reconstruction of the New Synagogue in Wroclaw/Breslau (Poland). Link to the 3D model documentation: http://www.vfu-oppler.hs-mainz.de/en/wisski/navigate/5616/view. Supported by »The German Federal Government Commissioner for Culture and the Media « (02/2018-11/2019) and »The Foundation for Polish-German Cooperation« (05/2018). Magnified by https://architekturinstitut.hs-mainz.de/. Published under CC-BY-NC-SA 4.0.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305219
title: Cruz de Berenguela - Cvto. de San Francisco

description: Cruz hecha de alabastro traído desde Bolivia, en 1672. Se colocaba en las afueras de la fachada de la iglesia y pertenecía a un conjunto de 27 ejemplares. Actualmente se exhiben 5 en el Museo Convento San Francisco de Asís en Lima, Perú

Agradecimientos al Museo y Convento San Francisco de Lima y al profesor Cayetano Villavicencio, curador del Museo.

Cross made from alabaster brought from Bolivia in 1672. It was placed outside the church and was part of a collection of 27 crosses. Now it is showed in the Museum-Convent of San Francisco de Asís in Lima, Peru.

Thanks deeply to the San Francisco de Lima Museum and Convent and to Professor Cayetano Villavicencio, museum's curator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305220
title: Cruz de Berenguela - Cvto. de San Francisco

description: Cruz hecha de alabastro traído desde Bolivia, en 1672. Se colocaba en las afueras de la fachada de la iglesia y pertenecía a un conjunto de 27 ejemplares. Actualmente se exhiben 5 en el Museo Convento San Francisco de Asís en Lima, Perú

Agradecimientos al Museo y Convento San Francisco de Lima y al profesor Cayetano Villavicencio, curador del Museo.

Cross made from alabaster brought from Bolivia in 1672. It was placed outside the church and was part of a collection of 27 crosses. Now it is showed in the Museum-Convent of San Francisco de Asís in Lima, Peru.

Thanks deeply to the San Francisco de Lima Museum and Convent and to Professor Cayetano Villavicencio, museum's curator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305221
title: ROI007-362-03

description: Point Fragments collected in Huntington County, Indiana.

Catalog #: 12-Hu-397-2

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI007-362-03, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305222
title: ROI007-362-03

description: Point Fragments collected in Huntington County, Indiana.

Catalog #: 12-Hu-397-2

Uploaded by: Carson Wright

Christine Thompson, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI007-362-03, 3D Model .ply file. Recovered as part of Report of Investigations 7, *An Archaeological Survey of the Salamonie Reservoir*, William Wepler and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10305223
title: A stone sculpture – "The Little Ox of Wawel"

description: ID no.: ZKWawel 6042

Museum: Wawel Royal Castle – State Art Collection

http://muzea.malopolska.pl/en/obiekty/-/a/4869610/4877782

Digitalisation: RDW MIC, 2014

Source: Objaverse 1.0 / Sketchfab