cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10347578
title: Lead-glazed Coarse Earthenware

description: Coarse Earthenware, Lead glazed, molded rim, ca. 1490-1900 (2021-0793 FS164)  excavated by City of St. Augustine archaeologists.

To learn more about the City of St. Augustine Archaeology Program, visit: https://www.citystaug.com/Archaeology

This model was created using RealityCapture software by Capturing Reality.

Model by Emma Dietrich

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347580
title: Fairlawn.  Test Run

description: FairLawn Museum Superior WI. -  Test Run.
My 3D asset generated with photogrammetry software 3DF Zephyr v5.001 processing 495 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347581
title: Fairlawn.  Test Run

description: FairLawn Museum Superior WI. -  Test Run.
My 3D asset generated with photogrammetry software 3DF Zephyr v5.001 processing 495 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347582
title: Kreisgraben

description: Kreisgrabenanlagen (circular ditched enclosures)  from the Middle Neolithic period in Puch. The complex consists of a double circular ditch with three parallel ditches, a palisade ditch with a diameter of 48 metres and a depth of about 1 metre, and two pointed ditches with diameters of about 60 metres and 80 metres respectively, widths of 3.5-4.5 metres and depths of 3.5-4.5 metres. The palisade with a length of about 150 metres encloses an area of about 1750 m², the total area of the enclosure about 5500 m². Earth removal and modern farming have led to the destruction of the original terrain. Today, part of the site is planted with clover and is made visible by a variety of vegetation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347583
title: Kreisgraben

description: Kreisgrabenanlagen (circular ditched enclosures)  from the Middle Neolithic period in Puch. The complex consists of a double circular ditch with three parallel ditches, a palisade ditch with a diameter of 48 metres and a depth of about 1 metre, and two pointed ditches with diameters of about 60 metres and 80 metres respectively, widths of 3.5-4.5 metres and depths of 3.5-4.5 metres. The palisade with a length of about 150 metres encloses an area of about 1750 m², the total area of the enclosure about 5500 m². Earth removal and modern farming have led to the destruction of the original terrain. Today, part of the site is planted with clover and is made visible by a variety of vegetation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347586
title: Petroglyph N21 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N21 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347587
title: Petroglyph N21 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version with paint, Petroglyph N21 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Wild Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and Substance Painter

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347588
title: Sikorsky S5-A

description: Untextured reconnaissance seaplane that I built for an assignment in March of 2022. It was hard to find good reference images, so I had to take a few liberties in my design of it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347589
title: Sikorsky S5-A

description: Untextured reconnaissance seaplane that I built for an assignment in March of 2022. It was hard to find good reference images, so I had to take a few liberties in my design of it.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347590
title: Tazón, cerámica granadina - Fajalauza-HD (99)

description: Tazón (137) producido en la Fábrica de Cerámica San Isidro (Granada, España). Modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde con orientación exvasada que continúa en un cuerpo semiglobular. La base es plana y ha sido peraltada. Presenta una cubierta esmaltada y blanca sobre la que se desarrolla una decoración en azul con  motivos geométricos y vegetales. 

* Cronología: 1970 aprox.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347591
title: Tazón, cerámica granadina - Fajalauza-HD (99)

description: Tazón (137) producido en la Fábrica de Cerámica San Isidro (Granada, España). Modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde con orientación exvasada que continúa en un cuerpo semiglobular. La base es plana y ha sido peraltada. Presenta una cubierta esmaltada y blanca sobre la que se desarrolla una decoración en azul con  motivos geométricos y vegetales. 

* Cronología: 1970 aprox.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347592
title: Mechanical alphabet, TM1972

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology. 

[TM1972](https://digitaltmuseum.se/021026544925/mekaniskt-alfabet-modell?i=25&aq=owner%3A%22S-TEK%22+text%3A%22polhem%22"tm1972") (TEKS0021150)

Created by Fredrik Olsson in Reality Capture from 230 images.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347593
title: Mechanical alphabet, TM1972

description: Christopher Polhem (1661-1751) created the so-called mechanical alphabet in the years just before 1700. The wooden models illustrated the fundamentals of physics and mechanics and were intended to serve as an educational tool in teachings at the Laboratorium mechanicum established in 1697. After his death, the collection continued to serve as a didactic instrument and became part of the Swedish Royal Model Chamber. In 1925, the collection of 31 models was deposited at the newly established National Museum of Science and Technology. 

[TM1972](https://digitaltmuseum.se/021026544925/mekaniskt-alfabet-modell?i=25&aq=owner%3A%22S-TEK%22+text%3A%22polhem%22"tm1972") (TEKS0021150)

Created by Fredrik Olsson in Reality Capture from 230 images.

Read more about [Polhem]( https://en.wikipedia.org/wiki/Christopher_Polhem"polhem") on Wikipedia.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347594
title: Interior - Wooden Crate  [Minecraft]

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347595
title: Interior - Wooden Crate  [Minecraft]

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347596
title: Vaso - RN 13238

description: Material: Cerámica

Cultura/Estilo: No determinado

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347597
title: Vaso - RN 13238

description: Material: Cerámica

Cultura/Estilo: No determinado

Datación: Horizonte Medio (600 d.c. - 1,000 d.c.)

Técnicas: Modelado, pintura positiva

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347598
title: Calcolithic Loom weight, Escoural Cave

description: Piece from the settlement located above the Escoural Cave, belonging to the collection of the Museu Nacional de Arqueologia, and integrated into the collection of the Convent Museum of São Domingos.

This is a quadrangular ceramic loom weight. It shows perforation in both tops. It is made from a compact paste with fine grain non-plastic elements.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347599
title: Calcolithic Loom weight, Escoural Cave

description: Piece from the settlement located above the Escoural Cave, belonging to the collection of the Museu Nacional de Arqueologia, and integrated into the collection of the Convent Museum of São Domingos.

This is a quadrangular ceramic loom weight. It shows perforation in both tops. It is made from a compact paste with fine grain non-plastic elements.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347601
title: Hyde Park Boundary Stones 9

description: Three parish boundary stones set into the ground at the southern end of the Italian Gardens, Hyde Park, London.

Stone 1 reads: "S G H S". This is for St George Hanover Square.
Stone 2 reads: "9A P.P 1866". This is for Paddington Parish.
Stone 3 reads: "NO 8 M B P 1900". This is for Marylebone Parish.

96 photos taken in August 2021 with a Sony a7R III and processed in Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347602
title: Hyde Park Boundary Stones 9

description: Three parish boundary stones set into the ground at the southern end of the Italian Gardens, Hyde Park, London.

Stone 1 reads: "S G H S". This is for St George Hanover Square.
Stone 2 reads: "9A P.P 1866". This is for Paddington Parish.
Stone 3 reads: "NO 8 M B P 1900". This is for Marylebone Parish.

96 photos taken in August 2021 with a Sony a7R III and processed in Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347604
title: 1921.631 Water Ewer for Rituals (Kundika)

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

Water Ewer for Rituals (Kundika) with Incised Parrot Design, 1100s. Korea, Goryeo period (918-1392). Stoneware with celadon glaze, incised and carved decoration; overall: 35.3 cm (13 7/8 in.). The Cleveland Museum of Art, Gift of John L. Severance 1921.631

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1921.631

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347605
title: Sténos by David Posth-Kohler

description: Photogrammetry of the model of Stenos, a monumental sculpture by David Post-Kohler, realised for the Lyon Biennal 2019. 'From these colossi, made up of monumental hands, escape faces that evoke as many ancient masks gathering and climbing these surreal Babel towers. The hands stretch out, become entangled, threaten and support each other, embodying in a poetic and enigmatic form a symbolic civilization '

Photogrammétrie de la maquette de Sténos, une oeuvre monumentale de David Posth-Kohler, réalisée dans le cadre de la Biennale de Lyon 2019. 'De ces colosses composés de mains monumentales s'échappent des visages qui évoquent autant de masques antiques s'agglutinant et escaladant ces tours de Babel surréalistes. Les mains se tendent, s'enchevêtrent, se menacent et se soutiennent, incarnant sous une forme poétique et énigmatique une civilisation symbolique'

Sculpture : David Posth-Kohler / 3DScan : Studio Holospasm / Texte : Matthieu Leliévre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347606
title: Sténos by David Posth-Kohler

description: Photogrammetry of the model of Stenos, a monumental sculpture by David Post-Kohler, realised for the Lyon Biennal 2019. 'From these colossi, made up of monumental hands, escape faces that evoke as many ancient masks gathering and climbing these surreal Babel towers. The hands stretch out, become entangled, threaten and support each other, embodying in a poetic and enigmatic form a symbolic civilization '

Photogrammétrie de la maquette de Sténos, une oeuvre monumentale de David Posth-Kohler, réalisée dans le cadre de la Biennale de Lyon 2019. 'De ces colosses composés de mains monumentales s'échappent des visages qui évoquent autant de masques antiques s'agglutinant et escaladant ces tours de Babel surréalistes. Les mains se tendent, s'enchevêtrent, se menacent et se soutiennent, incarnant sous une forme poétique et énigmatique une civilisation symbolique'

Sculpture : David Posth-Kohler / 3DScan : Studio Holospasm / Texte : Matthieu Leliévre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347603
title: 1921.631 Water Ewer for Rituals (Kundika)

description: You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art's Open Access initiative: http://www.clevelandart.org/open-access-faqs

Water Ewer for Rituals (Kundika) with Incised Parrot Design, 1100s. Korea, Goryeo period (918-1392). Stoneware with celadon glaze, incised and carved decoration; overall: 35.3 cm (13 7/8 in.). The Cleveland Museum of Art, Gift of John L. Severance 1921.631

Learn more on The Cleveland Museum of Art's Collection Online: https://www.clevelandart.org/art/1921.631

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347607
title: T16MAIN

description: PRIMARY

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347608
title: T16MAIN

description: PRIMARY

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347609
title: Textiles: Belotelova, "What you go for..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Domna  Belotelova in the play "What you go for, you will find" (1861) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.13559.91049

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347610
title: Textiles: Belotelova, "What you go for..."

description: The 3D model presents a digital reconstruction of historical textile materials for a theatrical costume for Domna  Belotelova in the play "What you go for, you will find" (1861) by A.N. Ostrovsky. The authors used 2D scanning to capture the look of the surfaces, post processed the images in PixPlant, generated texture maps in Photoshop and put those on the 3D models in SubstancePainter.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University) for providing data required for digitization of textiles. The actual costume that can be seen in the photo was made by faculty members and students of Ivanovo State Polytechnic University.

Please contact us if you require seamless textures.

The cloth 3D model by atomov is available at Turbosquid.

DOI: 10.13140/RG.2.2.13559.91049

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347613
title: 750 Jahre - Denkmal

description: On the occasion of the first mention of Platt in 1227, this monument was erected in 1977. At the top is an angel with a golden shield on which various animals can be seen. This is a reference to the agriculture and livestock farming that has shaped the town for centuries. The monument was designed by Johann Fortner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347614
title: 750 Jahre - Denkmal

description: On the occasion of the first mention of Platt in 1227, this monument was erected in 1977. At the top is an angel with a golden shield on which various animals can be seen. This is a reference to the agriculture and livestock farming that has shaped the town for centuries. The monument was designed by Johann Fortner.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347615
title: Row Boat

description: A fancy row Boat

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347616
title: Row Boat

description: A fancy row Boat

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347617
title: monument Adipura in low poly

description: a monument in my city. Jayapura city

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347618
title: monument Adipura in low poly

description: a monument in my city. Jayapura city

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347619
title: Fish Tail Point Tip XCB-105-1887

description: Fish Tail Point Tip. XCB-105-1887. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347620
title: Fish Tail Point Tip XCB-105-1887

description: Fish Tail Point Tip. XCB-105-1887. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347621
title: ROI040-090-01

description: KIrk Cornered Notched Point collected in Fayette County, Indiana.

Catalog # 12-F-165-8

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris , Collin Minnick, and Kevin C. Nolan, 2020. ROI040-090-01, 3D Model .ply file. Recovered as part of Report of Investigations 40, *An Archaeological Survey of Fayette County*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347622
title: ROI040-090-01

description: KIrk Cornered Notched Point collected in Fayette County, Indiana.

Catalog # 12-F-165-8

Uploaded by: Collin Minnick

Thompson, Christine, Gwyn Harris , Collin Minnick, and Kevin C. Nolan, 2020. ROI040-090-01, 3D Model .ply file. Recovered as part of Report of Investigations 40, *An Archaeological Survey of Fayette County*, By Michael Angst.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347625
title: Temporal - Morelia - 1

description: Modelo de temporal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347626
title: Temporal - Morelia - 1

description: Modelo de temporal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347627
title: 004 Speerspitze / Spearhead

description: # **Fundort / Site**
Bergkamen-Oberaden, Kreis Unna (Germany)

# **Fundumstände / Circumstances of discovery**
Fluss / River

1930er-Jahre / 1930s

# **Objekt / Object**
Knochen (Elch?) / Bone (Moose?)

Länge / Length: 25,3 cm

Breite / Width: max. 1,6 cm

Höhe / Height: max. 0,9 cm

# **Datierung / Dating**
11.000 v. Chr. (14C / Radiocarbon)

Spätpaläolithikum / Upper Paleolithic

Federmessergruppen / Federmesser groups

# **Fundverbleib / Repository**
Gustav-Lübcke-Museum, Hamm

# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10347628
title: 004 Speerspitze / Spearhead

description: # **Fundort / Site**
Bergkamen-Oberaden, Kreis Unna (Germany)

# **Fundumstände / Circumstances of discovery**
Fluss / River

1930er-Jahre / 1930s

# **Objekt / Object**
Knochen (Elch?) / Bone (Moose?)

Länge / Length: 25,3 cm

Breite / Width: max. 1,6 cm

Höhe / Height: max. 0,9 cm

# **Datierung / Dating**
11.000 v. Chr. (14C / Radiocarbon)

Spätpaläolithikum / Upper Paleolithic

Federmessergruppen / Federmesser groups

# **Fundverbleib / Repository**
Gustav-Lübcke-Museum, Hamm

# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab