cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10325937
title: skål, kärl, kruka, bowl

description: [1930.09.0102](http://collections.smvk.se/carlotta-em/web/object/1199966)
skål, kärl, kruka
USA : Nordamerika, Arizona
Insidan har vit botten med ornament i sepia och rött. (generalkatalogen) 

Prehist. Polychrome bowl. Klagetoh Ruin. Polacca Polychrome. 1800s. "Zuni style". 1850-1910. Schoolchild work? Enligt Kelley Hays-Gilpin forskarbesök februari 2009.
Insidan har vit botten med ornament i sepia och rött. Diam. 19 cm. Höjd 6 cm.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325941
title: Rogale

description: 3D model. Coordinates: 53.85075, 22.16274

http://grodziskajacwiezy.pl/en/listing/hillfort-in-rogale/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325938
title: Каменный крест на городище Воронич

description: Один из каменных объектов, перенесенных на территорию церкви Святого Георгия, городище Воронич.
http://wikimapia.org/37354674/ru/Каменные-кресты

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325939
title: Каменный крест на городище Воронич

description: Один из каменных объектов, перенесенных на территорию церкви Святого Георгия, городище Воронич.
http://wikimapia.org/37354674/ru/Каменные-кресты

[Археологический Клуб](http://vk.com/archeoclub)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325940
title: Rogale

description: 3D model. Coordinates: 53.85075, 22.16274

http://grodziskajacwiezy.pl/en/listing/hillfort-in-rogale/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325942
title: Monument Funerar

description: Monument Funerar epigrafic descoperit in anul 1868 in cimitirul roman de la POROLISSVM, mai exact pe dealul Ursoieș.
Textul de pe monument în limba latină este următorul:
𝐷(𝑖𝑠) 𝑀(𝑎𝑛𝑖𝑏𝑢𝑠)
𝑉𝑖𝑐𝑡𝑜𝑟𝑖𝑎𝑒
𝐴𝑓𝑟(𝑎)𝑒 𝑣𝑖𝑥(𝑖𝑡)
𝑎𝑛(𝑛𝑖𝑠) 𝑋𝑋 𝑃(𝑢𝑏𝑙𝑖𝑢𝑠) 𝐴𝑒(𝑙𝑖𝑢𝑠 ?) 𝐺-
5   𝑢𝑙𝑎 𝑝𝑎𝑡𝑟𝑜-
𝑛𝑢𝑠 𝑙𝑖𝑏𝑒𝑟(𝑡𝑎𝑒)
𝑙𝑖𝑏𝑒𝑟𝑡(𝑎)𝑒 𝑏(𝑒𝑛𝑒)
𝑚(𝑒𝑟𝑒𝑛𝑡𝑖).

Traducere: 𝒁𝒆𝒊𝒍𝒐𝒓 𝒔𝒖𝒃𝒑𝒂̆𝒎𝒂̂𝒏𝒕𝒆𝒏𝒊 𝒂𝒊 𝑽𝒊𝒄𝒕𝒐𝒓𝒊𝒆𝒊 𝑨𝒇𝒓𝒂 𝒄𝒂𝒓𝒆 𝒂 𝒕𝒓𝒂̆𝒊𝒕 20 𝒅𝒆 𝒂𝒏𝒊. 𝑷𝒖𝒃𝒍𝒊𝒖𝒔 𝑨𝒆𝒍𝒊𝒖𝒔 𝑮𝒖𝒍𝒂, 𝒑𝒂𝒕𝒓𝒐𝒏𝒖𝒍 𝒆𝒊, (𝒂 𝒓𝒊𝒅𝒊𝒄𝒂𝒕 𝒂𝒄𝒆𝒔𝒕 𝒎𝒐𝒏𝒖𝒎𝒆𝒏𝒕) 𝒔𝒄𝒍𝒂𝒗𝒆𝒊 𝒔𝒂𝒍𝒆 𝒆𝒍𝒊𝒃𝒆𝒓𝒂𝒕𝒆, 𝒄𝒂𝒓𝒆 𝒂 𝒃𝒊𝒏𝒆𝒎𝒆𝒓𝒊𝒕𝒂𝒕.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325945
title: Katana Practice (free download)

description: Simple import from Blender.
You can check full work here - https://www.artstation.com/artwork/WEGN2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325947
title: Treasure Chest

description: An old treasure chest, filled with rusty coins.

Modelled in Maya, and textured in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325951
title: спомен чесма, село Сопотница

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Gadžin Han" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.



model made by: https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325943
title: Monument Funerar

description: Monument Funerar epigrafic descoperit in anul 1868 in cimitirul roman de la POROLISSVM, mai exact pe dealul Ursoieș.
Textul de pe monument în limba latină este următorul:
𝐷(𝑖𝑠) 𝑀(𝑎𝑛𝑖𝑏𝑢𝑠)
𝑉𝑖𝑐𝑡𝑜𝑟𝑖𝑎𝑒
𝐴𝑓𝑟(𝑎)𝑒 𝑣𝑖𝑥(𝑖𝑡)
𝑎𝑛(𝑛𝑖𝑠) 𝑋𝑋 𝑃(𝑢𝑏𝑙𝑖𝑢𝑠) 𝐴𝑒(𝑙𝑖𝑢𝑠 ?) 𝐺-
5   𝑢𝑙𝑎 𝑝𝑎𝑡𝑟𝑜-
𝑛𝑢𝑠 𝑙𝑖𝑏𝑒𝑟(𝑡𝑎𝑒)
𝑙𝑖𝑏𝑒𝑟𝑡(𝑎)𝑒 𝑏(𝑒𝑛𝑒)
𝑚(𝑒𝑟𝑒𝑛𝑡𝑖).

Traducere: 𝒁𝒆𝒊𝒍𝒐𝒓 𝒔𝒖𝒃𝒑𝒂̆𝒎𝒂̂𝒏𝒕𝒆𝒏𝒊 𝒂𝒊 𝑽𝒊𝒄𝒕𝒐𝒓𝒊𝒆𝒊 𝑨𝒇𝒓𝒂 𝒄𝒂𝒓𝒆 𝒂 𝒕𝒓𝒂̆𝒊𝒕 20 𝒅𝒆 𝒂𝒏𝒊. 𝑷𝒖𝒃𝒍𝒊𝒖𝒔 𝑨𝒆𝒍𝒊𝒖𝒔 𝑮𝒖𝒍𝒂, 𝒑𝒂𝒕𝒓𝒐𝒏𝒖𝒍 𝒆𝒊, (𝒂 𝒓𝒊𝒅𝒊𝒄𝒂𝒕 𝒂𝒄𝒆𝒔𝒕 𝒎𝒐𝒏𝒖𝒎𝒆𝒏𝒕) 𝒔𝒄𝒍𝒂𝒗𝒆𝒊 𝒔𝒂𝒍𝒆 𝒆𝒍𝒊𝒃𝒆𝒓𝒂𝒕𝒆, 𝒄𝒂𝒓𝒆 𝒂 𝒃𝒊𝒏𝒆𝒎𝒆𝒓𝒊𝒕𝒂𝒕.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325944
title: Katana Practice (free download)

description: Simple import from Blender.
You can check full work here - https://www.artstation.com/artwork/WEGN2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325946
title: Treasure Chest

description: An old treasure chest, filled with rusty coins.

Modelled in Maya, and textured in Substance Painter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325948
title: ROI018-275-01

description: Point Fragment collected in Jay County, Indiana.

Catalog #: 12-Ja-350-24 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-275-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325949
title: ROI018-275-01

description: Point Fragment collected in Jay County, Indiana.

Catalog #: 12-Ja-350-24 

Uploaded by: Carson Wright

Christine Thompson, Reggie Mables, and Kevin C. Nolan, 2021. ROI018-275-01, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, Mary Lou James and Donald Cochran

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325950
title: спомен чесма, село Сопотница

description: The photogrammetric model was created for the needs of the "study of the protection of war memorials in the municipality of Gadžin Han" of the Institute for the Protection of Cultural Monuments from Nis under the leadership of historian Đorđe Stošić.



model made by: https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325954
title: Fontana Dei Cavalli Marini

description: Sul lato sinistro del Piazzale dei Partigiani, acccanto alla stazione Ostiense.
La fontana è stata realizzata negli anni venti del XX secolo .
Sul dossale in muratura che la compone sono presenti due cavalli marini alati rivolti con il muso verso l'esterno e le code intrecciate in corrispondenza della metà della fontana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325955
title: Fontana Dei Cavalli Marini

description: Sul lato sinistro del Piazzale dei Partigiani, acccanto alla stazione Ostiense.
La fontana è stata realizzata negli anni venti del XX secolo .
Sul dossale in muratura che la compone sono presenti due cavalli marini alati rivolti con il muso verso l'esterno e le code intrecciate in corrispondenza della metà della fontana.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325957
title: Crucifixion, c.1180

description: Limestone Crucifixion, c.1180, in the collection of the Minneapolis Institute of Art.

From the gallery label: "This large-scale work embodies the characteristics of Romanesque sculpture in the Medieval period, with its massive and heavy stylized bodies, calligraphic depiction of hair, and linear, energetic approach to rendering the folds of the fabric.

"...It is not known where (this) relief comes from, but it resembles the sculpture of Northern Spain, particularly works in churches on the still-active pilgrimage route leading to Santiago de Compostela."

More information about the object here:
http://collections.artsmia.org/art/123223/crucifixion-spain

Made with about 60 80-megapixel photos, built in PhotoScan.

This is a low-res version of the object; contact permissions@artsmia.org for a higher-resolution file.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325958
title: Cherry Blossom Island

description: A low poly scene with a small henge below a mountain, close to the mountain summit is a singular cherry blossom tree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325956
title: Crucifixion, c.1180

description: Limestone Crucifixion, c.1180, in the collection of the Minneapolis Institute of Art.

From the gallery label: "This large-scale work embodies the characteristics of Romanesque sculpture in the Medieval period, with its massive and heavy stylized bodies, calligraphic depiction of hair, and linear, energetic approach to rendering the folds of the fabric.

"...It is not known where (this) relief comes from, but it resembles the sculpture of Northern Spain, particularly works in churches on the still-active pilgrimage route leading to Santiago de Compostela."

More information about the object here:
http://collections.artsmia.org/art/123223/crucifixion-spain

Made with about 60 80-megapixel photos, built in PhotoScan.

This is a low-res version of the object; contact permissions@artsmia.org for a higher-resolution file.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325959
title: Cherry Blossom Island

description: A low poly scene with a small henge below a mountain, close to the mountain summit is a singular cherry blossom tree.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325960
title: Estructura 3 Impacto Arq. Calle Jujuy, Córdoba

description: Estructura 3 del Impacto Arqueológico de la Calle Jujuy en la Ciudad de Córdoba, Pozo asociado a funciones sanitarias, que fue rellenado con distintas capas de sedimento tras su inhabilitacion. Constituido por ladrillos de tamaño actual (30×15×5 cm), unidos con mortero de cemento. La estructura se diferencia de las halladas en el mismo lote por sus dimensiones, siendo el diámetro mínimo de 180 cm y el máximo de 255 cm, mientras que su extensión en profundidad alcanza los 300 cm. En cuanto a su tipologia constructiva, los ladrillos se disponen horizontalmente, superpuestos y, algunos se hallan en fragmentos para el modelado de la forma circular, alcanzando así los 300cm de profundidad preestablecidos para el pozo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325961
title: Estructura 3 Impacto Arq. Calle Jujuy, Córdoba

description: Estructura 3 del Impacto Arqueológico de la Calle Jujuy en la Ciudad de Córdoba, Pozo asociado a funciones sanitarias, que fue rellenado con distintas capas de sedimento tras su inhabilitacion. Constituido por ladrillos de tamaño actual (30×15×5 cm), unidos con mortero de cemento. La estructura se diferencia de las halladas en el mismo lote por sus dimensiones, siendo el diámetro mínimo de 180 cm y el máximo de 255 cm, mientras que su extensión en profundidad alcanza los 300 cm. En cuanto a su tipologia constructiva, los ladrillos se disponen horizontalmente, superpuestos y, algunos se hallan en fragmentos para el modelado de la forma circular, alcanzando así los 300cm de profundidad preestablecidos para el pozo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325962
title: X Commandments

description: Decalogue, 10 Commandments in Hibru on marble slab.  

X Commandments summary:

1. You shall have no other gods before Me.

2. You shall not make idols.

3. You shall not take the name of the LORD your God in vain.

4. Remember the Sabbath day, to keep it holy.

5. Honor your father and your mother.

6. You shall not murder.

7. You shall not commit adultery.

8. You shall not steal.

9. You shall not bear false witness against your neighbor.

X. You shall not covet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325963
title: X Commandments

description: Decalogue, 10 Commandments in Hibru on marble slab.  

X Commandments summary:

1. You shall have no other gods before Me.

2. You shall not make idols.

3. You shall not take the name of the LORD your God in vain.

4. Remember the Sabbath day, to keep it holy.

5. Honor your father and your mother.

6. You shall not murder.

7. You shall not commit adultery.

8. You shall not steal.

9. You shall not bear false witness against your neighbor.

X. You shall not covet.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325965
title: 加曽利EⅣ式瓢箪型注口土器及び蓋(佐倉市六崎貴舟台遺跡第10次)企8 観察記録3Dモデル

description: 加曽利EⅣ式瓢箪型注口土器及び蓋(佐倉市六崎貴舟台遺跡第10次)企8 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企8 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325966
title: T-34 Plastic Model (Raw Scan)

description: A model of a WWII russian tank, built, painted, detailed, and scanned by yours truly. (Yes, I build historical plastic models in my spare time.)

Made as a test to see what the limits of scanning with my lightbox setup are

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325971
title: Bodowyr Burial Chamber

description: Bodowyr Burial Chamber

[https://coflein.gov.uk/en/site/93830](https://coflein.gov.uk/en/site/93830)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325964
title: 加曽利EⅣ式瓢箪型注口土器及び蓋(佐倉市六崎貴舟台遺跡第10次)企8 観察記録3Dモデル

description: 加曽利EⅣ式瓢箪型注口土器及び蓋(佐倉市六崎貴舟台遺跡第10次)企8 観察記録3Dモデル
撮影場所:加曽利貝塚博物館 企画展「あれもE これもE ―加曽利E式土器(印旛地域編)―」 
撮影月日:2019.11.19 
整理番号:企8 
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 46 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325967
title: T-34 Plastic Model (Raw Scan)

description: A model of a WWII russian tank, built, painted, detailed, and scanned by yours truly. (Yes, I build historical plastic models in my spare time.)

Made as a test to see what the limits of scanning with my lightbox setup are

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325968
title: Tumba de Ruben Dario - León - Nicaragua

description: Scan 3D de la tumba del poeta Ruben Dario ubicada en la catedral de León, Nicaragua

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325969
title: Tumba de Ruben Dario - León - Nicaragua

description: Scan 3D de la tumba del poeta Ruben Dario ubicada en la catedral de León, Nicaragua

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325970
title: Bodowyr Burial Chamber

description: Bodowyr Burial Chamber

[https://coflein.gov.uk/en/site/93830](https://coflein.gov.uk/en/site/93830)

*AHRC (UK) AH/L007916/1*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325983
title: My first church

description: This is just a beginner model to try out blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325974
title: Bas Relief in Chapelles #2, La Roche-Guyon

description: One of several bas relief panels that decorate the chapelles in the Château de La Roche-Guyon, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325975
title: Bas Relief in Chapelles #2, La Roche-Guyon

description: One of several bas relief panels that decorate the chapelles in the Château de La Roche-Guyon, France.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325977
title: Medieval Axe

description: This is my third modeling in 3D max, I hope you enjoy this medieval Axe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325978
title: St Helen's Church, Hogback 01

description: ![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/01_StHelens_Hogback1_03.jpg)

![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/01_StHelens_Hogback1_01.jpg)

AOC recorded this stone on behalf of Historic Environment Scotland as part of work at the site of St Helen's Church, Cockburnspath, in spring 2021, following a report of possible damage at the site.
The stone is mostly complete at just under 1.5m in length. The carvings are weathered and worn, difficult to make out. One side bears depictions of two animals separated by a tree. The other side has three rows of tegulae, a decorative pattern resembling scales or tiles. The stone probably dates to the 11th century AD.
More info: Lang, J., 1975. Hogback monuments in Scotland. PSAS 105, pp. 206-235.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325979
title: St Helen's Church, Hogback 01

description: ![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/01_StHelens_Hogback1_03.jpg)

![](http://aoc-demo.aocarchaeology.com/images/OldCambus_StHelens/01_StHelens_Hogback1_01.jpg)

AOC recorded this stone on behalf of Historic Environment Scotland as part of work at the site of St Helen's Church, Cockburnspath, in spring 2021, following a report of possible damage at the site.
The stone is mostly complete at just under 1.5m in length. The carvings are weathered and worn, difficult to make out. One side bears depictions of two animals separated by a tree. The other side has three rows of tegulae, a decorative pattern resembling scales or tiles. The stone probably dates to the 11th century AD.
More info: Lang, J., 1975. Hogback monuments in Scotland. PSAS 105, pp. 206-235.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325980
title: 縄文晩期顔面付き注口土器(小諸市石神遺跡)外土偶多数 観察記録3Dモデル

description: 縄文晩期顔面付き注口土器(小諸市石神遺跡)外土偶多数 観察記録3Dモデル
左上 縄文晩期顔面付き注口土器(小諸市石神遺跡)
注ぎ口は欠けているが、今の土瓶である。酒などを注ぐのに使われた。顔が描かれているのは珍しい。
右上 縄文後期後葉板状土偶(松本市女鳥羽川遺跡)
松本市立考古博物館蔵(複製)
左中 縄文晩期「顔のついた土版」(松本市エリ穴遺跡)
松本市立考古博物館蔵(複製)
左下 縄文晩期末葉土偶(岡谷市中島A遺跡)
中下 縄文後期土偶(長野市村東山手遺跡)
右下 縄文後期土偶(中野市栗林遺跡)
撮影場所:長野県立歴史館
撮影月日:2020年2月14日
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 64 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325981
title: 縄文晩期顔面付き注口土器(小諸市石神遺跡)外土偶多数 観察記録3Dモデル

description: 縄文晩期顔面付き注口土器(小諸市石神遺跡)外土偶多数 観察記録3Dモデル
左上 縄文晩期顔面付き注口土器(小諸市石神遺跡)
注ぎ口は欠けているが、今の土瓶である。酒などを注ぐのに使われた。顔が描かれているのは珍しい。
右上 縄文後期後葉板状土偶(松本市女鳥羽川遺跡)
松本市立考古博物館蔵(複製)
左中 縄文晩期「顔のついた土版」(松本市エリ穴遺跡)
松本市立考古博物館蔵(複製)
左下 縄文晩期末葉土偶(岡谷市中島A遺跡)
中下 縄文後期土偶(長野市村東山手遺跡)
右下 縄文後期土偶(中野市栗林遺跡)
撮影場所:長野県立歴史館
撮影月日:2020年2月14日
ガラス面越し撮影
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.530 processing 64 images

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325982
title: My first church

description: This is just a beginner model to try out blender.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325984
title: Mainz um 800, J11

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325985
title: Mainz um 800, J11

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325986
title: Face Stone

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325991
title: Fish Tail Point XCB-105-1951

description: Fish Tail Point. XCB-105-1951. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325976
title: Medieval Axe

description: This is my third modeling in 3D max, I hope you enjoy this medieval Axe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325989
title: Hero Design 001

description: This will be my new model for my clients, They haven't give a name or anything yet but this model will be used by some mobile games later in this year

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325990
title: Fish Tail Point XCB-105-1951

description: Fish Tail Point. XCB-105-1951. 400 BCE-100 CE

XCB-105 Adamagan (Aleut for place of walrus hunters) is at the head of Morzhovoi Bay, western Alaska Peninsula. It is a massive village with multiple occupations. When it was occupied 400 BCE-100 CE, it was the largest village in the Arctic with an estimated 1000 people. It also has limited occupations dated 2200-1700 BCE, 1000-600 BCE, and 900-1100 CE.

The Western Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325994
title: Golden Shrine of Queen Tiye, Tomb KV55

description: Two panels of the gilded funerary shine of Queen Tiye found in the Valley of the Kings, Egypt.  These panels were discovered by Edward Aryton in 1907 in a small highly disturbed tomb known as KV55. Currently in the Egyptian Museum, Cairo.

This tomb is controversal because of the mixed nature of the artifacts found inscribed with the names of different individuals from the late 18th dynasty.  The remains of a single individual were recovered in the tomb lying in a [royal coffin](https://skfb.ly/6Hr88),  the face and names of which were defaced.  The body has been interpretated as being that of the pharaoh Akhenaten.  

Information on the the tomb can be found [here](https://en.wikipedia.org/wiki/KV55). The complete shire would have most likely been similar in appearance to the 2nd and 3rd in the image below.
![](https://upload.wikimedia.org/wikipedia/commons/0/08/Tutanchamun_Schrein_1_-_4%2C_Sarkophag.jpg)

Created from 94 photographs (Canon EOS Rebel T7i) using Metashape 1.5.5.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10325995
title: Golden Shrine of Queen Tiye, Tomb KV55

description: Two panels of the gilded funerary shine of Queen Tiye found in the Valley of the Kings, Egypt.  These panels were discovered by Edward Aryton in 1907 in a small highly disturbed tomb known as KV55. Currently in the Egyptian Museum, Cairo.

This tomb is controversal because of the mixed nature of the artifacts found inscribed with the names of different individuals from the late 18th dynasty.  The remains of a single individual were recovered in the tomb lying in a [royal coffin](https://skfb.ly/6Hr88),  the face and names of which were defaced.  The body has been interpretated as being that of the pharaoh Akhenaten.  

Information on the the tomb can be found [here](https://en.wikipedia.org/wiki/KV55). The complete shire would have most likely been similar in appearance to the 2nd and 3rd in the image below.
![](https://upload.wikimedia.org/wikipedia/commons/0/08/Tutanchamun_Schrein_1_-_4%2C_Sarkophag.jpg)

Created from 94 photographs (Canon EOS Rebel T7i) using Metashape 1.5.5.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326000
title: Glimmingehus Vildmannen 12(12)

description: Denna stenskulptur föreställer en vildman, kallad Jätten, idag placerad i Glimmingehus övre förstuga. Ursprunglig placering är osäker men på 1700-talet stod den vid entrén. Figuren har en central betydelse för Glimmingehus rika sägenskatt. Sedan antiken har myten om vildmannen varit populär, så också på medeltiden. Han utgör en symbol för naturmänniskan som levde i harmoni med naturen i motsats till dåtidens civiliserade människor för vilka han också fyllde en samhällskritisk roll. Vildmannens symbolik var dubbelbottnad, han var inte bara en symbol för det idylliska utan också för det vilda och primitiva. Glimmmingehus vildman ger ett städat intryck och haren, en vanlig symbol för ohämmad sexualitet men också för gudfruktighet, hålls i ett stadigt grepp. Klubban som han håller i sin andra hand är ett vanligt attribut, här i formen av ett träd med uppryckta rötter.

För [bildrättigheter](https://www.raa.se/g3dmr).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10326003
title: Roman Fort at Carrawburgh

description: Very basic model of the fort at Carrawburgh on Hadrian's Wall. Needs work especially with landscape modelling and redoing buildings.

Source: Objaverse 1.0 / Sketchfab