cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10330785
title: CV034-046002 Cross Slab

description: Cross Slab -

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330786
title: CV034-046002 Cross Slab

description: Cross Slab -

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330787
title: Mahavira

description: Mahavira, Jnn, Gujarat, India, 1470, Jasper, represents the 24th tirthankara or spiritual master of Jainism. Museum of Cinquentenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

Jainism, traditionally known as Jain Dharma, is an ancient Indian religion. Jainism followers are called "Jains", a word derived from the Sanskrit word jina and connoting the path of victory in crossing over life's stream of rebirths through an ethical and spiritual life. Jains trace their history through a succession of twenty-four victorious saviors and teachers known as Tirthankaras, with the first being Rishabhanatha, who is believed to have lived millions of years ago, and twenty-fourth being the Mahavira around 500 BCE. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330788
title: Mahavira

description: Mahavira, Jnn, Gujarat, India, 1470, Jasper, represents the 24th tirthankara or spiritual master of Jainism. Museum of Cinquentenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

Jainism, traditionally known as Jain Dharma, is an ancient Indian religion. Jainism followers are called "Jains", a word derived from the Sanskrit word jina and connoting the path of victory in crossing over life's stream of rebirths through an ethical and spiritual life. Jains trace their history through a succession of twenty-four victorious saviors and teachers known as Tirthankaras, with the first being Rishabhanatha, who is believed to have lived millions of years ago, and twenty-fourth being the Mahavira around 500 BCE. 

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330790
title: Vas ceramic

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330789
title: Vas ceramic

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330791
title: Sword katana style inspired

description: Katan style sword.

Made with Blender 2.78

normal and color maps

Game ready asset

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330792
title: Sword katana style inspired

description: Katan style sword.

Made with Blender 2.78

normal and color maps

Game ready asset

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330793
title: Minoan seal MUSINT II

description: Texture: 151 Mpixels

Minoan seal from Phaistos (Crete) (inv. 85080), Archeological Museum of Florence.

One of many models created for the virtual museum MUSINT II.  The real object is 13 mm wide.

Please, see the other models in the official project site: http://www.aegean-museum.it/musint2/it/florence/sealsfi.inc.php

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330794
title: Minoan seal MUSINT II

description: Texture: 151 Mpixels

Minoan seal from Phaistos (Crete) (inv. 85080), Archeological Museum of Florence.

One of many models created for the virtual museum MUSINT II.  The real object is 13 mm wide.

Please, see the other models in the official project site: http://www.aegean-museum.it/musint2/it/florence/sealsfi.inc.php

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330795
title: ROI041-008-01

description: Table Rock Point collected in Dearborn County, Indiana.

Catalog # 12-D-145-9

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-008-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330796
title: ROI041-008-01

description: Table Rock Point collected in Dearborn County, Indiana.

Catalog # 12-D-145-9

Uploaded by: Collin Minnick

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. ROI041-008-01, 3D Model .ply file. Recovered as part of Report of Investigations 41, *An Archaeological Survey of Dearborn County, Indiana*, By Cindy Parish and Beth Kolbe McCord.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330797
title: SESTERCIO DE CLAUDIUS - TARRACO

description: Sesterce of Claudius (41-54 AD) from the site of Tarraco (Tarragona, Spain). From the mint of Roma. Obverse: Legend NERO.CLAVDIVS.DRVSVS.GERMANICVS.IMP with a dot milling Framing a left-facong head. Reverse: Legend: TI.CLAVDIVS.CAESAR.AVG.P.M.TR.P.IMP S.C. with a dot milling framing a seated stue of Claudius in a curul chair, had facing left, holding a branch.

**This 3D Model it's a Optimized (Triangles: 55.2k) model from original (Triangles: 899.9k)**

3D Model Original : https://skfb.ly/6RRFN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330798
title: SESTERCIO DE CLAUDIUS - TARRACO

description: Sesterce of Claudius (41-54 AD) from the site of Tarraco (Tarragona, Spain). From the mint of Roma. Obverse: Legend NERO.CLAVDIVS.DRVSVS.GERMANICVS.IMP with a dot milling Framing a left-facong head. Reverse: Legend: TI.CLAVDIVS.CAESAR.AVG.P.M.TR.P.IMP S.C. with a dot milling framing a seated stue of Claudius in a curul chair, had facing left, holding a branch.

**This 3D Model it's a Optimized (Triangles: 55.2k) model from original (Triangles: 899.9k)**

3D Model Original : https://skfb.ly/6RRFN

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330799
title: Nysa N59-F cargo van

description: The vehicle presented is a light cargo van manufactured in 1959-64 in which Warszawa M20 mechanical components and equipment items were used extensively. 
The early Nysa models were built on the initiative of the Zakład Budowy Nadwozi Samochodowych in Nysa, which meant that the first units were produced using basic production technologies and hand tools. Due to the lack of appropriate premises, components were painted outdoors, dependent on the weather conditions. Up to 450 hours of labour were needed to produce a single van.
The N59 model was the first to be offered on foreign markets. The vans were particularly popular in Hungary. In general, 1350 vans in three versions were built in 1959, 200 of which were sold abroad.

Manufacturer: Zakład Budowy Nadwozi Samochodowych in Nysa, 1961.

Inv. No.: MIM1747/II-154

Model prepared on the basis of photogrammetric and ToF measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330800
title: Nysa N59-F cargo van

description: The vehicle presented is a light cargo van manufactured in 1959-64 in which Warszawa M20 mechanical components and equipment items were used extensively. 
The early Nysa models were built on the initiative of the Zakład Budowy Nadwozi Samochodowych in Nysa, which meant that the first units were produced using basic production technologies and hand tools. Due to the lack of appropriate premises, components were painted outdoors, dependent on the weather conditions. Up to 450 hours of labour were needed to produce a single van.
The N59 model was the first to be offered on foreign markets. The vans were particularly popular in Hungary. In general, 1350 vans in three versions were built in 1959, 200 of which were sold abroad.

Manufacturer: Zakład Budowy Nadwozi Samochodowych in Nysa, 1961.

Inv. No.: MIM1747/II-154

Model prepared on the basis of photogrammetric and ToF measurements

Licence: CC BY-NC-SA

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330801
title: HALKALI-2 / 20.04.2021

description: HALKALI-2 / 20.04.2021

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330802
title: HALKALI-2 / 20.04.2021

description: HALKALI-2 / 20.04.2021

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330803
title: Female Statuette

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 57-718
	
Description: Pottery (Figurine)

Data Capture Method: 3D Laser Scanning

Processing Software: Geomagic

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330804
title: Female Statuette

description: Location: Museo Archeologico di Aidone, Aidone, Sicily, Italy

Catalogue Number: 57-718
	
Description: Pottery (Figurine)

Data Capture Method: 3D Laser Scanning

Processing Software: Geomagic

Citation: The data for this project were originally collected as a joint effort between the University of Catania and CVAST at the University of South Florida (USF), with the collaboration of the Fondazione Bruno Kessler (FBK). Dr. Mariarita Sgarlata and Dr. Herbert Maschner, Principal Investigators. We gratefully acknowledge the participation of the administrators of the Villa Romana del Casale and the Museo Archeologico di Aidone. The data have been transferred to Global Digital Heritage (GDH) for processing and analysis. Funding for this project, both at USF and at GDH, has been provided by the Hitz Foundation, Herbert Maschner, Principal Investigator.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330805
title: Tranent Kirk gravestone, Scotland

description: Gravestone within Tranent Parish Kirkyard, East Lothian, Scotland

Gravestone for -

David Mather, Quaichmaker and Margaret Brown who died 1687 .  The quaichmakers tools are represented by compasses, knife, scraper and axe.  The turn of the knife edge suggests the hollowing of the vessel on the turning lathe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330806
title: Tranent Kirk gravestone, Scotland

description: Gravestone within Tranent Parish Kirkyard, East Lothian, Scotland

Gravestone for -

David Mather, Quaichmaker and Margaret Brown who died 1687 .  The quaichmakers tools are represented by compasses, knife, scraper and axe.  The turn of the knife edge suggests the hollowing of the vessel on the turning lathe.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330807
title: Cuenco, cerámica granadina - Fajalauza-HD (29)

description: Cuenco (263) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde con orientación vertical que continúa en un cuerpo semiglobular y base plana peraltada. Está decorado en azul sobre fondo blanco con una orla muy sencilla en el borde y el motivo floral de la azucena en el centro. Se encuentra restaurada. 

* Cronología: XVII.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330808
title: Cuenco, cerámica granadina - Fajalauza-HD (29)

description: Cuenco (263) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde con orientación vertical que continúa en un cuerpo semiglobular y base plana peraltada. Está decorado en azul sobre fondo blanco con una orla muy sencilla en el borde y el motivo floral de la azucena en el centro. Se encuentra restaurada. 

* Cronología: XVII.
* Depósito: [Patrimonio UGR](https://patrimonio.ugr.es/), Colección de cerámica Agustín Morales-Alguacil Fábricas San Isidro.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps), [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW), [Patrimonio UGR](https://patrimonio.ugr.es/).

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330810
title: Tombstone from Humsko, Foča, Bosnia

description: Tombstone stećak in form of pillar. Decorated with motiffs of human figures and geometric motiffs. Probably this tombstone belonged to the head of the Bosnian church.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 754 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NMB Stecak 13.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330809
title: Tombstone from Humsko, Foča, Bosnia

description: Tombstone stećak in form of pillar. Decorated with motiffs of human figures and geometric motiffs. Probably this tombstone belonged to the head of the Bosnian church.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 754 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NMB Stecak 13.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330811
title: 常陸太田市 正宗寺宝篋印塔

description: 📍 [佐々宗淳ノ墓, 常陸太田市, 茨城県](https://scaniver.se/L36.56106,140.51533)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330812
title: 常陸太田市 正宗寺宝篋印塔

description: 📍 [佐々宗淳ノ墓, 常陸太田市, 茨城県](https://scaniver.se/L36.56106,140.51533)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330813
title: Wooden Sculpture

description: [1948.12.0156](http://collections.smvk.se/carlotta-vkm/web/object/21254)
sculpture, figurine
Rio Cayapas, Esmeraldas, Ecuador, Caypas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330814
title: Wooden Sculpture

description: [1948.12.0156](http://collections.smvk.se/carlotta-vkm/web/object/21254)
sculpture, figurine
Rio Cayapas, Esmeraldas, Ecuador, Caypas

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330815
title: Le Père éternel bénissant entouré d'anges

description: Fragment de décor d'une chapelle du Saint-Sépulcre : Le Père éternel benissant entouré d'anges (Pierre calcaire, traces de polychromie) - vers 1475, Chaumont, France. Scuplture exposée dans la galerie du temps, Louvre-Lens.

Numérisation par photogrammétrie à partir de 246 photos | Logiciels utilisés : RealityCapture, ZBrush, Substance Painter, Substance Designer, Photoshop

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330816
title: Le Père éternel bénissant entouré d'anges

description: Fragment de décor d'une chapelle du Saint-Sépulcre : Le Père éternel benissant entouré d'anges (Pierre calcaire, traces de polychromie) - vers 1475, Chaumont, France. Scuplture exposée dans la galerie du temps, Louvre-Lens.

Numérisation par photogrammétrie à partir de 246 photos | Logiciels utilisés : RealityCapture, ZBrush, Substance Painter, Substance Designer, Photoshop

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10439970
title: linurgus_olivaceus_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10439971
title: linurgus_olivaceus_decontaminated_FSCR.fasta.gz

description: .
DOI: 10.5281/zenodo.10330817
title: Petroglyph J13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J13 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic figures, sun symbol, wavy lines. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330818
title: Petroglyph J13 Khatm Al Melaha, Kalba, Sharjah

description: Natural Version, Petroglyph J13 Khatm Al Melaha, Kalba, Sharjah. Anthropomorphic figures, sun symbol, wavy lines. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330819
title: ROI018-080-03

description: Madison Point collected in Jay County, Indiana.

Catalog # 12-Ja-254-30

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-080-03, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330820
title: ROI018-080-03

description: Madison Point collected in Jay County, Indiana.

Catalog # 12-Ja-254-30

Uploaded by: Collin Minnick

Thompson, Christine, Skai Mendez, Reganne O'Connor, and Kevin C. Nolan, 2022. ROI018-080-03, 3D Model .ply file. Recovered as part of Report of Investigations 18, *An Archaeological Survey of Jay County, Indiana*, By Mary Lou James and Donald Cochran.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330821
title: Mid-century Urban Apartment Building

description: Printable 3D apartment building, following the form of mid-century urban developments.

**Ribboning** helps the street-viewer understand the building through human metrics. "That balcony reaches my waist; I can know the number of floors by counting the clear number of balconies".

**Chromatic Contrast** helps separate levels. Shadows from the ribboned balconies create shadows that slice the building's verticality into more-understandable scales.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330822
title: Mid-century Urban Apartment Building

description: Printable 3D apartment building, following the form of mid-century urban developments.

**Ribboning** helps the street-viewer understand the building through human metrics. "That balcony reaches my waist; I can know the number of floors by counting the clear number of balconies".

**Chromatic Contrast** helps separate levels. Shadows from the ribboned balconies create shadows that slice the building's verticality into more-understandable scales.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330823
title: Avaris, Tell el-Daba, Ancient Egyptian Hyksos

description: Tell el-Daba is thought by archaeologists and Egyptologists such as Manfred Bietak to be the site of Avaris, the capital city of the so-called Hyksos of Ancient Egypt's 2nd Intermediate Period from around 1670–1550 BC.

Once thought to be an invading military force that swept into Egypt and subjugated the land based on the account of Manetho—archaeological, cultural, and genetic studies now show they were a group of Semitic settlers that arrived from Canaan in the Levant and settled in the Nile Delta.

With the aid of modern archaeology and academic work, new theories now hold the Hyksos of Egypt's 15th Dynasties grew plentiful in the Nile Delta, eventually becoming the dominant power in Lower Egypt after the waning of the 12th dynasty.

For over a century, biblical historians and archaeologists like Sir Flinders Petrie have proposed the Hyksos to be the Hebrew people arriving in Egypt under the auspice of Joseph.  The 1st century historian Josephus also makes this claim directly.  -Nate Loper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330824
title: Avaris, Tell el-Daba, Ancient Egyptian Hyksos

description: Tell el-Daba is thought by archaeologists and Egyptologists such as Manfred Bietak to be the site of Avaris, the capital city of the so-called Hyksos of Ancient Egypt's 2nd Intermediate Period from around 1670–1550 BC.

Once thought to be an invading military force that swept into Egypt and subjugated the land based on the account of Manetho—archaeological, cultural, and genetic studies now show they were a group of Semitic settlers that arrived from Canaan in the Levant and settled in the Nile Delta.

With the aid of modern archaeology and academic work, new theories now hold the Hyksos of Egypt's 15th Dynasties grew plentiful in the Nile Delta, eventually becoming the dominant power in Lower Egypt after the waning of the 12th dynasty.

For over a century, biblical historians and archaeologists like Sir Flinders Petrie have proposed the Hyksos to be the Hebrew people arriving in Egypt under the auspice of Joseph.  The 1st century historian Josephus also makes this claim directly.  -Nate Loper

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330825
title: Bobcat Effigy Pipe (1969a5)

description: **Bobcat effigy platform pipe (replica)**

Location: Tremper mound, Scioto County, Ohio.

Period: Middle Woodland (Hopewell) (100 BC - AD 500).

Material: pipestone.

Dimensions: length, 84.8 mm; width, 35.7 mm; height, 52.5 mm.

Notes: Catalog no. 1969a5.  Original artifact was recovered by William C. Mills in 1915 and is in the Ohio Historical Center in Columbus, Ohio.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330826
title: Bobcat Effigy Pipe (1969a5)

description: **Bobcat effigy platform pipe (replica)**

Location: Tremper mound, Scioto County, Ohio.

Period: Middle Woodland (Hopewell) (100 BC - AD 500).

Material: pipestone.

Dimensions: length, 84.8 mm; width, 35.7 mm; height, 52.5 mm.

Notes: Catalog no. 1969a5.  Original artifact was recovered by William C. Mills in 1915 and is in the Ohio Historical Center in Columbus, Ohio.  Modeled replica is from the North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330829
title: Bell

description: Bronze bell

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10330830
title: Bell

description: Bronze bell

Source: Objaverse 1.0 / Sketchfab