cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5258/ecrystals/1385
title: N-(4-tert-butylphenyl)acetamide
DOI: 10.5258/ecrystals/1386
title: N-(4-fluorophenyl)acetamide
DOI: 10.5258/ecrystals/1387
title: N-(4-chlorophenyl)acetamide
DOI: 10.5258/ecrystals/1388
title: N-(4-iodophenyl)acetamide
DOI: 10.5258/ecrystals/1389
title: N-(4-methylphenyl)acetamide
DOI: 10.5258/ecrystals/1390
title: 4-acetamidobenzoic acid
DOI: 10.5258/ecrystals/1391
title: N-(4-aminophenyl)acetamide
DOI: 10.5258/ecrystals/1392
title: N-(4-methoxyphenyl)acetamide
DOI: 10.5258/ecrystals/1393
title: 4-acetamidophenyl acetate
DOI: 10.5258/ecrystals/1394
title: N-(4-ethoxyphenyl)acetamide
DOI: 10.5258/ecrystals/1395
title: Methyl 4-acetamidobenzoate
DOI: 10.5258/ecrystals/1396
title: Ethyl 4-acetamidobenzoate
DOI: 10.5258/ecrystals/1397
title: N-(4-isopropylphenyl)acetamide
DOI: 10.5258/ecrystals/1398
title: N-(4-ethylphenyl)acetamide
DOI: 10.5258/ecrystals/1399
title: N-(4-acetylphenyl)acetamide
DOI: 10.5258/ecrystals/1400
title: N-[4-(trifluoromethoxy)phenyl]acetamide
DOI: 10.5258/ecrystals/1401
title: N-(4-cyanophenyl)acetamide
DOI: 10.5258/ecrystals/1402
title: N-(4-butoxyphenyl)acetamide
DOI: 10.5258/ecrystals/1505
title: Bromo Oxindole (2010src0792)
DOI: 10.6073/pasta/a4d2550abeb0247d73fd752e1ec512b0
title: Flux measurements from the SRS-6 Tower, Shark River Slough, Everglades National Park (FCE), South Florida from October 2006 to Present
DOI: 10.6073/pasta/6943f02d4d6f9fca1b9b5532c48e8936
title: Zooplankton density for all samples collected from Toolik Lake and lakes near the Toolik Field Station, Arctic LTER 2003 - 2010.
DOI: 10.5287/bodleian2fi5.2
title: The Prophet

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in black in and blue pencil. The poem was published in 'Masks of Time' (1925) and in 'Undertones of War' (1928). The poem was completed sometime after the war, but was begun sometime in 1917.
DOI: 10.5287/bodleian8x76.2
title: A Recognition

description: Manuscript draft of poem in red and black ink in Edmund Blunden's hand. Correction in ink and pencil. The poem was published in 'Masks of Time' (1925) and 'Undertones of War' (1928).
DOI: 10.5287/bodleianddob.2
title: The Prophet

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in black in and blue pencil. The poem was published in 'Masks of Time' (1925) and in 'Undertones of War' (1928). The poem was completed sometime after the war, but was begun sometime in 1917.
DOI: 10.5287/bodleiandt2c.2
title: The Prophet

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in black in and blue pencil. The poem was published in 'Masks of Time' (1925) and in 'Undertones of War' (1928). The poem was completed sometime after the war, but was begun sometime in 1917.
DOI: 10.5287/bodleianj72n.2
title: Items At Our First Concert Party

description: These pages show a list of popular songs in Edmund Blunden's hand as well as verses composed on the occasion of a battalion concert for the 11th Royal Sussex.
DOI: 10.5287/bodleiankim.2
title: Prince's Delicates

description: Manuscript draft of an unpublished poem in ink in Edmund Blunden's hand. This is a clean draft without any corrections.
DOI: 10.5287/bodleian2bwu.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink with pencil notations in an unknown hand. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleian61m3.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink with pencil notations in an unknown hand. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleian6i78.2
title: Resting Near Saint Omer

description: Manuscript draft in ink of an unpublished poem in Edmund Blunden's hand. This is a clean draft of the poem without corrections.
DOI: 10.5287/bodleian831k.2
title: Items At Our First Concert Party

description: These pages show a list of popular songs in Edmund Blunden's hand as well as verses composed on the occasion of a battalion concert for the 11th Royal Sussex.
DOI: 10.5287/bodleian8rud.2
title: The Sentry's Mistake

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in black ink. The poem was published in 'Masks of Time' (1925) and 'Undertones of War' (1928).
DOI: 10.5287/bodleiandagt.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink with pencil notations in an unknown hand. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleianj2oi.2
title: A Recognition

description: Manuscript draft of poem in red and black ink in Edmund Blunden's hand. Correction in ink and pencil. The poem was published in 'Masks of Time' (1925) and 'Undertones of War' (1928).
DOI: 10.5287/bodleianjmgg.2
title: Their Very Memory

description: Manuscript in pencil in Edmund Blunden's hand. Corrections in pencil. Written to the memory of the 11th Royal Sussex as a whole. Published in 'Undertones of War' (1928).
DOI: 10.5287/bodleianqw4.2
title: The Sentry's Mistake

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in black ink. The poem was published in 'Masks of Time' (1925) and 'Undertones of War' (1928).
DOI: 10.5287/bodleian21ko.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (2)

description: Page 214 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page describes going into No Man's Land, harrassed by the German shells, and Blunden has made a retrospective addition and changed the punctuation of a sentence. The alteration is ink in Edmund's hand. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian3ez.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (4)

description: Page 216 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page describes the afternoon coming, and Edmund visiting the company headquarters. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian699d.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (7)

description: Page 219 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page describes the resumption of shelling, and a near miss. Blunden has added that 'the Aid Post and signallers' dugout were shattered'. The alteration is ink in Edmund's hand. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleiandbpv.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (1)

description: Page 213 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page describes the beginning of the British attack, and Blunden has changed 'the British guns began' to 'the British guns spoke'. The alteration is ink in Blunden's hand. This particular volume is a 6th impression copy from 1929, with an inscription by Edmund saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleianjee4.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (6)

description: Page 218 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page carries on describing a conversation with the Hampshire colonel, and enduring the night. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleianjppt.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (3)

description: Page 215 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page carries on describing Blunden's experience of the first day of the attack. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleianre1r.2
title: Trench Raid near Hooge

description: Manuscript in pen in Edmund Blunden's hand. Corrections in ink. Published in 'Poetica', Vol. 1, No.3, April 1925 and 'Undertones of War' (1928). The raid was witnessed by Edmund and J. C. W. Clarke when they were stationed near Potijze in 1917.
DOI: 10.5287/bodleianrkl.2
title: Two Voices

description: Manuscript draft in red and black ink in Edmund Blunden's hand. Corrections in black ink. Published in 'Weekly Westminster', 2 August 1924; 'Masks of Time' (1925); and 'Undertones of War' (1928). Refers to a conversation with Capt. Wallace at Hinges near Lacoutre.
DOI: 10.5287/bodleian2iqm.2
title: Items At Our First Concert Party

description: These pages show a list of popular songs in Edmund Blunden's hand as well as verses composed on the occasion of a battalion concert for the 11th Royal Sussex.
DOI: 10.5287/bodleian66jc.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (10)

description: Page 215 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. On this page the shells carry on, Edmund receives a brief run-down of the attack's mistakes from the Brigade-Major, and reacts to returning to Poperinghe. He also adds a line of description, and corrects the spelling of a proper name. The alterations are ink in Blunden's hand. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian826e.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (9)

description: Page 221 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page carries on by describing the experience of finally being relieved, with, as Blunden adds, 'all in billets by 3.30 am' . The alteration is ink in Blunden's hand. He also describes the weariness and the men's lack of a reaction to the shells, and the deadening effects of the past days. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian8m9j.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (5)

description: Page 217 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page carries on describing Blunden's experience of the first day of the attack, going into the evening when tempers flare, a visit from Arnold Viddler, present at the 'Feast of Five' and Blunden's friend from Christ's Hospital, and relieving the 14th Hampshires on the line, which Blunden has added, 'was justly termed the Black Line'. He has also corrected a proper name. The alterations are ink in Blunden's hand. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian8nv1.2
title: Third Ypres

description: Page 290 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand.
DOI: 10.5287/bodleiandf5s.2
title: Third Ypres

description: Page 288 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand.
DOI: 10.5287/bodleianj55b.2
title: Third Ypres

description: Page 289 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand.
DOI: 10.5287/bodleianxqx.2
title: Undertones of War: Chapter XXI: The Crash of Pillars (8)

description: Page 220 from 'The Crash of the Pillars' section of 'Undertones of War'. This section of the memoir describes Edmund Blunden's experience of Passchendaele, beginning with his battalion going 'over the top' on Tuesday 31 July 1917. This page carries on describing the continuation of the attack, casualties, and a direct hit that killed 30 of the 13th Hampshires at their headquarters. This particular volume is a 6th impression copy from 1929, with an inscription by Blunden saying that this copy 'is corrected for a new edition'.
DOI: 10.5287/bodleian2a3a.2
title: Their Very Memory

description: Page 305 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand. For this poem Edmund has altered single words and punctuation.
DOI: 10.5287/bodleian6gh2.2
title: The Veteran

description: Page 59 showing the poem 'The Veteran' in 'The Waggoner' (1920). Pencil corrections in Edmund Blunden's hand. Edmund dedicated to poem to G. H. Harrison, colonel of the 11th Royal Sussex, and a long-time friend.
DOI: 10.5287/bodleian6vv6.2
title: Third Ypres

description: Page 291 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand.
DOI: 10.5287/bodleian8zhr.2
title: Vlam. Chateau

description: Manuscript draft in blue ink in Edmund Blunden's hand. Numerous corrections in ink. Writing at the top in phonetic Japanese. In 'Undertones of War' (1928), the title of the poem becomes 'Vlamertinghe: Passing the Chateau, July, 1917'. The opening line is from Keat's 'Ode on a Grecian Urn'.
DOI: 10.5287/bodleiandjbg.2
title: Flanders Now

description: Page 316 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand. For this poem Edmund has altered a single word.
DOI: 10.5287/bodleiandvl3.2
title: La Quinque Rue

description: Page 300 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand. This poem has an entire line added, as well as another crossed out and replaced.
DOI: 10.5287/bodleianj3l7.2
title: The Cook Speaks Again

description: Manuscript in ink of an unpublished poem in Edmund Blunden's hand. Corrections in ink.
DOI: 10.5287/bodleianjrbq.2
title: Undertones of War

description: A title page to 'Undertones of War'. A formal Japanese character drawn in red is in the centre of the title page. This is 'Blunden' written phonetically in Japanese, using katakana (syllabary used for foreign words) - bu-ra-n-de-n. It's made by a seal (inkan or hanko) - still used instead of signatures in Japan.

At the bottom is written the years 1924, 1925 and 1926. In red and black ink. 'The Undertones of War' has been changed to 'Undertones of War'. In the corner is a note in Edmund Blunden's hand 'Qu: will this title do, or do we look for another?'
DOI: 10.5287/bodleiano3u.2
title: Third Ypres

description: Page 292 from a 6th impression of 'Undertones of War' (1928) from 1929, with an inscription by Edmund Blunden saying that this copy 'is corrected for a new edition'. The alterations in pen are in his hand.
DOI: 10.5287/bodleian28h1.2
title: Sheepbells

description: Manuscript in ink in Edmund Blunden's hand. Corrections in pencil. Edmund suggests that the poem was probably written at Richebourg, and was formely known as 'An Evensong'. Published in 'Coterie', No 3, December 1919 and 'The Waggoner', August 1920.
DOI: 10.5287/bodleian2d4y.2
title: Scots

description: War poems by Ivor Gurney, published in 'Severn and Somme' (1917). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.5287/bodleian2tf9.2
title: Old Martinmas Eve; The Target

description: War poems by Ivor Gurney, published in 'War's Embers' (1919). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.5287/bodleian6ftw.2
title: Old Martinmas Eve; The Target

description: War poems by Ivor Gurney, published in 'War's Embers' (1919). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.5287/bodleian8kn8.2
title: The Cook Speaks Again

description: Manuscript in ink of an unpublished poem in Edmund Blunden's hand. Corrections in ink.
DOI: 10.5287/bodleiand98n.2
title: Time and the Soldier; Turmet-Hoeing; From the Window

description: War poems by Ivor Gurney, published in 'War's Embers' (1919). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.5287/bodleianj48p.2
title: Time and the Soldier; Turmet-Hoeing; From the Window

description: War poems by Ivor Gurney, published in 'War's Embers' (1919). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.5287/bodleianpfi.2
title: The Veteran

description: Pages 60 and 61 showing the poem 'The Veteran' in 'The Waggoner' (1920). Pencil corrections in Edmund Blunden's hand. Edmund dedicated to poem to G. H. Harrison, colonel of the 11th Royal Sussex, and a long-time friend.
DOI: 10.5287/bodleianr24h.2
title: Scots

description: War poems by Ivor Gurney, published in 'Severn and Somme' (1917). Written on the back of stationary of The Oxford English Club, of which Edmund Blunden was president when he was at Merton College, Oxford.
DOI: 10.6073/pasta/8026870c7a15f6969aa507ea8397a8bd
title: Water flow velocity data, Shark River Slough (SRS) near Frog City, south of US 41, Everglades National Park (FCE) from October 2006 to Present
DOI: 10.5287/bodleian2l4o.2
title: Rebuke To An Ex-Soldier

description: Manuscript in ink of an unpublished poem in Edmund Blunden's hand. Numerous corrections in ink.
DOI: 10.5287/bodleian2t3m.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleian54l.2
title: Rebuke To An Ex-Soldier

description: Manuscript in ink of an unpublished poem in Edmund Blunden's hand. Numerous corrections in ink.
DOI: 10.5287/bodleian6olc.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleian8yme.2
title: Day Dies on the Marshes / Summer in the Trenches

description: Manuscript in ink of unpublished poems in Edmund Blunden's hand. This is a clean draft without corrections.
DOI: 10.5287/bodleiand9bs.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleiandc8v.2
title: Zero

description: Manuscript in red and black ink in Edmund Blunden's hand. Published in 'Masks of Time' (1925) and 'Undertones of War' (1928). 'Zero' is F. W. Worley's expression, and appears again in 'Come On, My Lucky Lads'. Describes the first moments of the attack on Hamel, 3 September 1916.
DOI: 10.5287/bodleianhf.2
title: The Welcome

description: Manuscript in red and black ink in Edmund Blunden's hand. Corrections in ink and pencil. Published in 'Masks of Time' (1925) and 'Undertones of War' (1928). Makes reference to events that took place in the smaller battle of Menin Road at the end of September 1917.
DOI: 10.5287/bodleianj4bb.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleianp3x.2
title: Third Ypres

description: Manuscript in ink in Edmund Blunden's hand. Corrections in ink. Published in 'The Shepherd', (1922) and 'Undertones of War' (1928). Various drafts of the poem survive. The subject of the poem is the attack at Passchendaele on 31 July 1917 and the proceeding days.
DOI: 10.5287/bodleian21vy.2
title: Zero

description: Manuscript in red and black ink in Edmund Blunden's hand. Published in 'Masks of Time' (1925) and 'Undertones of War' (1928). 'Zero' is F. W. Worley's expression, and appears again in 'Come On, My Lucky Lads'. Describes the first moments of the attack on Hamel, 3 September 1916.
DOI: 10.5287/bodleian6gnd.2
title: After Rain

description: This manuscript is untitled but entitled 'After Rain' in Edward Thomas Collected Poems
DOI: 10.5287/bodleian8znj.2
title: Inside page

description: Shelfmark added by the National Lirary of Wales.
DOI: 10.5287/bodleiand6fz.2
title: The Death Glen (Ancre Valley)

description: Manuscript in ink in Edmund Blunden's hand. This is a clean draft without corrections.
DOI: 10.5287/bodleiandg5n.2
title: After Rain

description: This manuscript is untitled but entitled 'After Rain' in Edward Thomas Collected Poems
DOI: 10.5287/bodleianjhf4.2
title: 1918 Comes In

description: Manuscript of an unpublished poem written in ink in Edmund Blunden's hand. On the envelope containing the poem Edmund writes, 'Remains of poem written in the Ypres Salient, during the last moments of 1917 and the first of 1918. E. B.'
DOI: 10.5287/bodleianjw8t.2
title: Summer in the Trenches / NAPU

description: Manuscript in ink of unpublished poems in Edmund Blunden's hand. This is a clean draft without corrections.
DOI: 10.5287/bodleianrv5.2
title: After Rain

description: This manuscript is untitled but entitled 'After Rain' in Edward Thomas Collected Poems
DOI: 10.5287/bodleian2qka.2
title: The Death Glen (Ancre Valley)

description: Manuscript in ink in Edmund Blunden's hand. This is a clean draft without corrections.