cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10323158
title: JC-79-88 Machado de pedra polida / Stone Axe

description: Instrumento de pedra polida, em anfibolito. Apresenta um gume cortante numa das extremidades. Na extremidade oposta, fragmentada neste exemplar, seria ligado a um cabo feito de materiais perecíveis (madeira/ osso), o que permitia a sua manipulação como machado. Este objeto faz parte do espólio recolhido por José Coelho nas suas escavações, de 1911, em Mamaltar de Vale de Fachas.

ÉPOCA/PERIOD Neolítico/Neolithic

PROVENIÊNCIA/SOURCE [Mamaltar de Vale da Fachas](http://u.osmfr.org/m/543623/#20/40.67940/-7.85040)  (Travassós de Cima, Rio de Loba, Viseu) 

ACERVO/COLLECTION  Coleção Arqueológica José Coelho, JC-79-88

MEDIDAS/MEASUREMENTS (mm) 110 (length), 59 (width), 27 (thickness)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323159
title: Cypriot Statue with Inscription

description: Limestone male figurine ([GR.239.1888](https://data.fitzmuseum.cam.ac.uk/id/object/66385)) with mantle and inscription found in Amargetti Cyprus, dating from 300 B.C. — 201 B.C. The statue is schematically-carved with an important dedicatory inscription engraved at the back referring to a dedication on behalf of [...] to Opaon Melanthios, a god of the shepherds. This god is often identified with the god Pan, who had a sanctuary at Amargetti in the Paphos District of Cyprus, where this statue was found.

This 3D model was made as part of the [#CEEF3D project](http://creative-economy.fitzmuseum.cam.ac.uk/) at the Fitzwilliam Museum, in connection to [Being an Islander: Art and Identity of the large Mediterranean Islands](http://www.fitzmuseum.cam.ac.uk/being-islander-art-and-identity-large-mediterranean-islands).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323160
title: Cypriot Statue with Inscription

description: Limestone male figurine ([GR.239.1888](https://data.fitzmuseum.cam.ac.uk/id/object/66385)) with mantle and inscription found in Amargetti Cyprus, dating from 300 B.C. — 201 B.C. The statue is schematically-carved with an important dedicatory inscription engraved at the back referring to a dedication on behalf of [...] to Opaon Melanthios, a god of the shepherds. This god is often identified with the god Pan, who had a sanctuary at Amargetti in the Paphos District of Cyprus, where this statue was found.

This 3D model was made as part of the [#CEEF3D project](http://creative-economy.fitzmuseum.cam.ac.uk/) at the Fitzwilliam Museum, in connection to [Being an Islander: Art and Identity of the large Mediterranean Islands](http://www.fitzmuseum.cam.ac.uk/being-islander-art-and-identity-large-mediterranean-islands).

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323161
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of John Graham, died 1886, aged 71 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Anglican  Section. Zone B Section EE Grave 1027

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
21 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323162
title: Carved headstone - Rookwood Cemetery  Sydney.

description: Carved sandstone headstone of John Graham, died 1886, aged 71 years

Grave located in Rookwood Cemetery, Sydney NSW Australia.

Old Anglican  Section. Zone B Section EE Grave 1027

Acquisition Details:

Camera: Panasonic Lumix DMC FZ200
21 Images.

Processed using 3DFlow Zephyr Lite Version 5.007

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323164
title: Tibetan Altar

description: Tibetan Altar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323165
title: Fossilized Fish 3D Scan

description: Fossilized fish 3D scanned with Artec Space Spider 3D scanner. Scanned in color and processed using Artec Studio software. Time to scan: less than 2 minutes. Time to process to texturized OBJ: less than 20 minutes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323166
title: Fossilized Fish 3D Scan

description: Fossilized fish 3D scanned with Artec Space Spider 3D scanner. Scanned in color and processed using Artec Studio software. Time to scan: less than 2 minutes. Time to process to texturized OBJ: less than 20 minutes.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323167
title: Cap de la Gegantessa, Museu de la Garrotxa

description: **CAT** Escultura realitzada entre el 1888 i 1889 a partir d'un model de l'escultor Celestí Devesa. L'escultura es va fer al taller de l'empresa l'Art Cristià sota la direcció de l'artista Josep Berga i Boix. La peça es pot veure al Museu dels Sants d'Olot.

**ES** Escultura realizada entre 1888 y 1889 a partir de un modelo del escultor Celestí Devesa. La escultura se hizo en el taller de la empresa el Arte Cristiano bajo la dirección del artista Josep Berga y Boix. La pieza se puede ver en el Museu dels Sants d'Olot.

**EN** Sculpture completed between 1888 and 1889, based on a maquette by sculptor Celestí Devesa. The sculpture was completed in the workshop of the Arte Cristiano company under the direction of artist Josep Berga i Boix. The piece can be seen at the Museu dels Sants in Olot.

Número de registre: MCGO 1132. [Adreça web >](https://museus.olot.cat/coleccio/cap-de-la-gegantessa-d-olot)

Fotografies: Aleix  Barberà. Processat: Néstor Marqués. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323168
title: Cap de la Gegantessa, Museu de la Garrotxa

description: **CAT** Escultura realitzada entre el 1888 i 1889 a partir d'un model de l'escultor Celestí Devesa. L'escultura es va fer al taller de l'empresa l'Art Cristià sota la direcció de l'artista Josep Berga i Boix. La peça es pot veure al Museu dels Sants d'Olot.

**ES** Escultura realizada entre 1888 y 1889 a partir de un modelo del escultor Celestí Devesa. La escultura se hizo en el taller de la empresa el Arte Cristiano bajo la dirección del artista Josep Berga y Boix. La pieza se puede ver en el Museu dels Sants d'Olot.

**EN** Sculpture completed between 1888 and 1889, based on a maquette by sculptor Celestí Devesa. The sculpture was completed in the workshop of the Arte Cristiano company under the direction of artist Josep Berga i Boix. The piece can be seen at the Museu dels Sants in Olot.

Número de registre: MCGO 1132. [Adreça web >](https://museus.olot.cat/coleccio/cap-de-la-gegantessa-d-olot)

Fotografies: Aleix  Barberà. Processat: Néstor Marqués. Text: Àlex Rebollo.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323163
title: Tibetan Altar

description: Tibetan Altar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323169
title: Trumpet

description: This is a trumpet i modelled in Maya 2016 and then textured in Substance Painter 2. The modelling process took around 2 hours, the unwrapping took another 1 hour and then finally the texturing took around 3 hours with breaks. 
I have given the trumpet an old and vintage theme to it because it's more original.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323170
title: Trumpet

description: This is a trumpet i modelled in Maya 2016 and then textured in Substance Painter 2. The modelling process took around 2 hours, the unwrapping took another 1 hour and then finally the texturing took around 3 hours with breaks. 
I have given the trumpet an old and vintage theme to it because it's more original.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323173
title: Momia Nº 8 HD

description: Modelo 3D a partir de levantamiento fotogramétrico de la momia indígena de Gran Canaria Nº 8 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

Corresponde a un hombre de 25-30 años de edad, con múltiples fracturas óseas por una caída desde gran altura que le causó la muerte. La datación lo sitúa entre los siglos V y VI cal. d.C.
La mortaja destaca por la abundancia de pieles, reflejo probable de su relevancia social.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323174
title: Momia Nº 8 HD

description: Modelo 3D a partir de levantamiento fotogramétrico de la momia indígena de Gran Canaria Nº 8 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

Corresponde a un hombre de 25-30 años de edad, con múltiples fracturas óseas por una caída desde gran altura que le causó la muerte. La datación lo sitúa entre los siglos V y VI cal. d.C.
La mortaja destaca por la abundancia de pieles, reflejo probable de su relevancia social.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323176
title: Krajputaš Tihomira Jovičića

description: Tombstone of a Serbian soldier who died in II Balkan War in 1913, from village of Grab (the municipality of Lucani), Serbia. Krajputaš iz 1913, vojnika Tihomira Jovičića iz Graba (opština Lučani).Fotografije su sa Vikimedije, autorke Branke Vučićević Vučković, snimljene avgusta 2018. Za izradu 3D modela, fotografije su izmenjene ispravljanjem perspective da bi se dobili frontalni snimci svih strana sem prednje.
http://www.ultrahome.in.rs/nadgrobni/jovicic.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323177
title: Krajputaš Tihomira Jovičića

description: Tombstone of a Serbian soldier who died in II Balkan War in 1913, from village of Grab (the municipality of Lucani), Serbia. Krajputaš iz 1913, vojnika Tihomira Jovičića iz Graba (opština Lučani).Fotografije su sa Vikimedije, autorke Branke Vučićević Vučković, snimljene avgusta 2018. Za izradu 3D modela, fotografije su izmenjene ispravljanjem perspective da bi se dobili frontalni snimci svih strana sem prednje.
http://www.ultrahome.in.rs/nadgrobni/jovicic.html

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323178
title: Csécsei ásatás

description: Az épületalaprajz, a rézlelet és az edénydepot mellett a két borjú csontváza is izgalmas jelenség, ugyanis Nógrád megye területéről eddig nem kerültek elő ilyenek az egyébként késő rézkorra jellemző véres állatáldozati típusú jelenségek. S talán nem valami képzelet szüleménye, hogy a területen most is egy szarvasmarha telep található. Genius loci – a hely szelleme, mondanák erre a római korban.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323179
title: Csécsei ásatás

description: Az épületalaprajz, a rézlelet és az edénydepot mellett a két borjú csontváza is izgalmas jelenség, ugyanis Nógrád megye területéről eddig nem kerültek elő ilyenek az egyébként késő rézkorra jellemző véres állatáldozati típusú jelenségek. S talán nem valami képzelet szüleménye, hogy a területen most is egy szarvasmarha telep található. Genius loci – a hely szelleme, mondanák erre a római korban.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323180
title: UW RM IP39

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323181
title: UW RM IP39

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323182
title: Facade arrière église Buhl, Haut-Rhin

description: Facade arrière de l'église de Buhl, Haut-Rhin, Alsace, France.
Réalisé en photogrammétrie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323183
title: Facade arrière église Buhl, Haut-Rhin

description: Facade arrière de l'église de Buhl, Haut-Rhin, Alsace, France.
Réalisé en photogrammétrie.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323186
title: Large Barrel-Shaped Shell Beads (2350a1710)

description: **Large Barrel-Shaped Shell Beads (n=16)** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: marine shell. 
  
Dimensions: length, 18.5 cm; width, 14.7 cm (background size). 
  
Notes: Catalog no. 2350a1710 (n=16).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323187
title: Large Barrel-Shaped Shell Beads (2350a1710)

description: **Large Barrel-Shaped Shell Beads (n=16)** 
  
Location: Town Creek site (31Mg2-3), Montgomery County, North Carolina. 
  
Period: Mississippian, Pee Dee phase (AD 1150-1400). 
  
Material: marine shell. 
  
Dimensions: length, 18.5 cm; width, 14.7 cm (background size). 
  
Notes: Catalog no. 2350a1710 (n=16).  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323188
title: COADS_46-27

description: Diagnostic biface collected in Ross County, Ohio.
Material Type: Delaware

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Abby Clark, and Michael Shott, 2017. COADS_46-27, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323189
title: COADS_46-27

description: Diagnostic biface collected in Ross County, Ohio.
Material Type: Delaware

Uploaded by: Sidney Travis

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Kelli Wathen, Sidney Travis, Abby Clark, and Michael Shott, 2017. COADS_46-27, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323192
title: Vizcaína Dagger

description: custom type of a Vizcaína Dagger.

The original type of dagger was used by soldiers and men of arms in Spain in the XVII century, and whose peculiarity was that it was used in the left hand, was a perfect complement to the sword that the soldier carried in his right hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323193
title: Vizcaína Dagger

description: custom type of a Vizcaína Dagger.

The original type of dagger was used by soldiers and men of arms in Spain in the XVII century, and whose peculiarity was that it was used in the left hand, was a perfect complement to the sword that the soldier carried in his right hand.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323194
title: CB-35 telephone (FSW)

description: The CB-35 is a landline telephone, with pulse dialling using a rotary dial. It was manufactured by the PZT (Państwowe Zakłady Tele- i Radiotechniczne) from 1935 until the first years after World War II. It was the first Polish telephone with a Bakelite handset and a centrally located cradle button activated by picking up the receiver. Its design is typical of the telephones of the 1930s.
What was exceptional about the CB-35 telephone was the place and time of its production. The dial bears a circle enclosed in a triangle of three lightning bolts - the symbol of the Państwowe Zakłady Tele- i Radiotechniczne. The letters inscribed in the circle, however, are not PZT but FSW, which resulted from reorganisation of the factory by the occupying German authorities. Państwowe Zakłady Tele- i Radiotechniczne was divided into the Fernmeldetechnische Staatswerk Warschau

Manufacturer: Fernmeldetechnische Staatswerk Warschau, Warsaw 1940-1944

MIM1350/VIII-49

Model prepared on the basis of photogrammetric measurements

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323195
title: CB-35 telephone (FSW)

description: The CB-35 is a landline telephone, with pulse dialling using a rotary dial. It was manufactured by the PZT (Państwowe Zakłady Tele- i Radiotechniczne) from 1935 until the first years after World War II. It was the first Polish telephone with a Bakelite handset and a centrally located cradle button activated by picking up the receiver. Its design is typical of the telephones of the 1930s.
What was exceptional about the CB-35 telephone was the place and time of its production. The dial bears a circle enclosed in a triangle of three lightning bolts - the symbol of the Państwowe Zakłady Tele- i Radiotechniczne. The letters inscribed in the circle, however, are not PZT but FSW, which resulted from reorganisation of the factory by the occupying German authorities. Państwowe Zakłady Tele- i Radiotechniczne was divided into the Fernmeldetechnische Staatswerk Warschau

Manufacturer: Fernmeldetechnische Staatswerk Warschau, Warsaw 1940-1944

MIM1350/VIII-49

Model prepared on the basis of photogrammetric measurements

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323196
title: The God Vishnu

description: The God Vishnu, Preserver of the Universe, circa 1100, India, The National museum of Denmark (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

The stone sculpture next to the showcase shows Vishnu resting on top of Sesha the snake. With serenity he awaits the recreation of the world which is temporarily destroyed. The sculpture is from South India, c. 1100. Exhibited in the showcase is among other things Vishnu´s mount Garuda, half man, half eagle. The small figures in the bottom show some of the incarnations he took on in order to restore justice on earth.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323197
title: The God Vishnu

description: The God Vishnu, Preserver of the Universe, circa 1100, India, The National museum of Denmark (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

The stone sculpture next to the showcase shows Vishnu resting on top of Sesha the snake. With serenity he awaits the recreation of the world which is temporarily destroyed. The sculpture is from South India, c. 1100. Exhibited in the showcase is among other things Vishnu´s mount Garuda, half man, half eagle. The small figures in the bottom show some of the incarnations he took on in order to restore justice on earth.

For more updates, please follow @GeoffreyMarchal on Twitter.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323198
title: биста Ратка Павловића - Ћићка, Стрезимировци

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of architect Ivana Cvetković and historian Đorđe Stošić.
The photogrammetric model is made by the architect Aleksandar Nikšić.



model made by: https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323199
title: биста Ратка Павловића - Ћићка, Стрезимировци

description: The photogrammetric model was created for the needs of *The Conservation Study of War Memorials in the Municipality of Surdulica* done by the Institute for the Cultural Heritage Preservation Niš, under the leadership of architect Ivana Cvetković and historian Đorđe Stošić.
The photogrammetric model is made by the architect Aleksandar Nikšić.



model made by: https://sketchfab.com/nixic.alexandar

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323200
title: The Great Shigir Idol_part 3

description: The Great Shigir Idol discovered in 1890 in the course of a gold mining operation at the Shigirpeat bog is the oldest known monumental wooden sculpture. In 2014 a team of archaeologists andscientists from Russia and Germany have undertaken a comprehensive study of idol. The originalsculpture was 5.3 m high, the height of the surviving part was 3.4 meters. All in all (together withthe images from the lost part) eight personages were represented on the Great Shigir Idol. It was established that the idol was made from a freshly cut treetrunk with the help of polished stone adzes and chisels. The sculpture was initially positioned vertically, probably on a stone foundation, and than it fell into the lake and sank in its shallow part at the time of peatformation, some of which was preserved in the ancient cracks. According to the AMS results together with the other available data the age of the idol was about 9,600–9,000 cal y. a., which corresponded to the beginning of the Mesolithic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323201
title: The Great Shigir Idol_part 3

description: The Great Shigir Idol discovered in 1890 in the course of a gold mining operation at the Shigirpeat bog is the oldest known monumental wooden sculpture. In 2014 a team of archaeologists andscientists from Russia and Germany have undertaken a comprehensive study of idol. The originalsculpture was 5.3 m high, the height of the surviving part was 3.4 meters. All in all (together withthe images from the lost part) eight personages were represented on the Great Shigir Idol. It was established that the idol was made from a freshly cut treetrunk with the help of polished stone adzes and chisels. The sculpture was initially positioned vertically, probably on a stone foundation, and than it fell into the lake and sank in its shallow part at the time of peatformation, some of which was preserved in the ancient cracks. According to the AMS results together with the other available data the age of the idol was about 9,600–9,000 cal y. a., which corresponded to the beginning of the Mesolithic.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323204
title: Takajalkaansa nuoleva hirvi

description: Plaster sculpture by Jussi Mäntynen in 1942.

Jussi Mäntysen  kipsiveistos: "Takajalkaansa nuoleva hirvi" vuodelta 1942.


Sculpture was photographed and processed in Reality Capture, instant meshes and blender by students from Turku Vocational Institute. 
4391  Jussi Mäntynen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323205
title: Takajalkaansa nuoleva hirvi

description: Plaster sculpture by Jussi Mäntynen in 1942.

Jussi Mäntysen  kipsiveistos: "Takajalkaansa nuoleva hirvi" vuodelta 1942.


Sculpture was photographed and processed in Reality Capture, instant meshes and blender by students from Turku Vocational Institute. 
4391  Jussi Mäntynen

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323206
title: Tool4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323207
title: Tool4

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323208
title: Part of Trajan's Column in Bucharest (01)

description: **Copy of Trajan's Column (Rome) in MNIR - Bucharest**

*National Museum of Romanian History*

The history, archaeology and iconography of the monument

Updates on website… [dacians.romaniadevis.ro](http://dacians.romaniadevis.ro/blog/10)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323209
title: Part of Trajan's Column in Bucharest (01)

description: **Copy of Trajan's Column (Rome) in MNIR - Bucharest**

*National Museum of Romanian History*

The history, archaeology and iconography of the monument

Updates on website… [dacians.romaniadevis.ro](http://dacians.romaniadevis.ro/blog/10)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10323210
title: Honduran Statue (Mayan Statue)

description: This is a quick 3D scan I did using Polycam!! Please like and follow! This is a statue from Honduras!

Source: Objaverse 1.0 / Sketchfab