cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17870/bathspa.14135246
title: The River Shannon Project - Research & Development Images

description: <i>The River </i>is a one woman play which researches through testimonial performance and storytelling how people engage with the landscape, physicality and presence of the River Shannon as it flows through the city of Limerick.<i> The River Shannon Project</i> documents this creative practice research carried out by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University in partnership with Elemental Arts & Culture Festival, Limerick and Limerick City of Culture 2014.<br>This item contains two series of slides of images taken by Dr Helena Enright as part of her research into the River Shannon in preparation for creating <i>The River</i>. The first is entitled "Portrait of a River" which details a variety of images that were part of Dr Enright's research and development process. The second, "Boat trip with St Mary’s Maritime Group", shows images of the river taken by Dr Enright on the title journey. <br><i>All images courtesy of Helena Enright, except where noted. All images used with permission. </i>
DOI: 10.17870/bathspa.14135135
title: Coding the Contemplative Collective - Research Timeline & Research Questions

description: Coding the Contemplative Collective investigates how aesthetic objectives related to contemplative practice might be embedded within the space of a mobile platform and how these objectives are shaped when authors from distinct domains (technology, business, and the arts) collaborate on a single artistic project.<br><br><b>This item contains the Research Timeline & Research Questions for this collection.</b>
DOI: 10.17870/bathspa.13737046
title: Dramaturgies of Hauntology - Dwelling (2019) - Covid-related delays (2020-2021)

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br>This item contains text documentation of the delays to further performances of <i>Dwelling</i>, originally scheduled for Autumn 2020, now rescheduled for 2021.
DOI: 10.17870/bathspa.13736905
title: Dramaturgies of Hauntology - Dwelling (2019) - Methods and processes

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br>This item contains further documentation of methods and processes, relating to <i>Dwelling.</i> Text by Mary Steadman.
DOI: 10.17870/bathspa.13736896
title: Original Artist Identity in Song - When the Bloom Has Left the Rose - Music Video & Audio

description: <b>The material referenced in this item is located externally on the YouTube platform, and can be viewed in full by accessing via the provided link.</b><br><br>When the Bloom Has Left the Rose<br>Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity.<br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><br><b>This item contains a music video (hosted externally on the YouTube platform) for the song "When the Bloom Has Left the Rose" and an audio file of the song, which is contextualising information for this project.</b><b><br></b><b>Audio & Video files courtesy of Davey Ray Moor, Brendan Young and Catherine McQuade.</b><b><br></b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>
DOI: 10.17870/bathspa.13736446
title: Dramaturgies of Hauntology - The Strange Geometry of Time (2018) - Methods and Processes

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br>This item contains further documentation of methods and processes for <i>The Strange Geometry of Time. </i>Text by Mary Steadman.
DOI: 10.17870/bathspa.13397138
title: Coding the Contemplative Collective - Infínity - Journal of Media Practice Presentation Slides - 2017

description: Coding the Contemplative Collective investigates how aesthetic objectives related to contemplative practice might be embedded within the space of a mobile platform and how these objectives are shaped when authors from distinct domains (technology, business, and the arts) collaborate on a single artistic project. <br><br>The collection consists of the projects <i>$ echo </i>& <i>Infínity</i>, and the collaborative context for each project shaped the final artworks through managing the multiple perspectives on what constituted a suitable level and type of interactivity for a contemplative space.<br><br><b>This item contains slides from a presentation about the app from the Journal of Media Practice and Meccsa Practice Network Annual Symposium at Bath Spa</b> <b>University on 08.06.17. </b>
DOI: 10.17870/bathspa.13340789
title: Coding the Contemplative Collective - $ echo - Screenshots of Pure Data Patch & Finished Work

description: Coding the Contemplative Collective investigates how aesthetic objectives related to contemplative practice might be embedded within the space of a mobile platform and how these objectives are shaped when authors from distinct domains (technology, business, and the arts) collaborate on a single artistic project. <br><br>The collection consists of the projects <i>$ echo </i>& <i>Infínity</i>, and the collaborative context for each project shaped the final artworks through managing the multiple perspectives on what constituted a suitable level and type of interactivity for a contemplative space. <br><br><b>This item contains a screenshot of the Pure Data patch used for the sound design of the project, and screenshots of the finished project.</b>
DOI: 10.17870/bathspa.12939791
title: Tarrare - Tarrare Outline Schedule 2015-2017

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Outline of the Schedule for production.<br>Created by Sita Calvert-Ennals and Laura Purcell-Gates. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12939773
title: Tarrare - Storyboard Map

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains an example of the storyboard map as contextualising material.<br>Created by Sita Calvert-Ennals, Tobi Poster-Su, and Hattie Naylor.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.12939752
title: Tarrare - Production Photography

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains photographic documentation of the performance as contextualising material.<br><b>Photo Credit : Fluxx Films</b><b>Used with permission.</b><b>Courtesy of Wattle & Daub.<br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12936779
title: Tarrare - Photographic Documentation of Initial Story Mapping Sessions

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains photographic documentation of the initial story mapping sessions taken with Tobi Poster-Su and Tom Poster as contextualising material.<br><b>Photo Credits: Tobi Poster-Su</b><b>Images used with permission. </b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>
DOI: 10.17870/bathspa.12936743
title: Tarrare - Production Flyer

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the performance flyer as contextualising material.<br><b>Flyer design by Guy J. Sanders https://www.guyjsanders.com/<br><br></b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12936737
title: Tarrare - Promotors Pack

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience.<i> ‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Performance Production Pack as contextualising material.<br><br><b>Photography Credit: Fluxx Films</b><b>Promoter's pack courtesy of Wattle & Daub productions. </b><b>Used with permission.</b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br>
DOI: 10.17870/bathspa.12925559
title: On the Inside - Project Information Sheets for Participants and Prison Staff

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the Project Information Sheets given to participants and prison staff, provided as contextualising information.<br><br>Courtesy of Geese Theatre. Used with permission. <br><br>
DOI: 10.17870/bathspa.12925514
title: On the Inside - Abstract - IOHA Biannual Conference in Singapore - (Forthcoming Presentation)

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the accepted abstract for the paper that was to be presented by Dr Helena Enright at the IOHA Biannual Conference in Singapore 2020, included as contextualising information. The conference was cancelled due to the Covid-19 pandemic, and is due to be rescheduled for a future date to be determined. <br><br>
DOI: 10.17870/bathspa.12925508
title: On the Inside - 'Reflecting history: Geese, On The Inside' from the Prisoner Health Project Publication’ University of Warwick Conference Booklet

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains an excerpt from the ‘Prisoner Health Project Publication’ document, created for the University of Warwick Conference, which provides further context for <i>On the Inside</i>. The excerpted section, titled 'Reflecting history:Geese, On The Inside', contains a dialogue with Helena Enright about her work on the project. <br>The full conference publication can be found via the University of Warwick website, at the following link:https://warwick.ac.uk/fac/arts/history/chm/research/current/prisoners/20459k_-_uow_prisoner_health_project_conference_publication.pdf<br><b>Courtesy of the University of Warwick. </b><b>Used with permission. </b>
DOI: 10.17870/bathspa.12894710
title: Tarrare - Research Timeline and Questions

description: <i>Tarrare</i> is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. <i>‘The Depraved Appetite of Tarrare the Freak’ </i>became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England.<br><br>This item contains the Research Questions and Timeline.<br><br>
DOI: 10.17870/bathspa.12894704
title: Tarrare - 300 Word Statement

description: <i>Tarrare </i>is a creative practice based research project initiated by Director and Senior Lecturer Sita Calvert-Ennals, exploring the true story of 18th-century French medical anomaly, Tarrare. The work investigated the adaptation of Stanislavski’s naturalistic approach to acting, as a methodology to develop puppet theatre into an engaged visceral experience for an audience. T<i>he Depraved Appetite of Tarrare the Freak</i> became the final output of the research, and toured the UK in 2015, and 2017 and was funded by the Wellcome Trust and Arts Council England. <br><br>This item contains the 300 Word Statement. <br>
DOI: 10.17870/bathspa.12834371
title: Dramaturgies of Hauntology - The Strange Geometry of Time (2018) - Performance Images

description: <i>Dramaturgies of Hauntology</i> encompasses two performances, <i>The Strange Geometry of Time</i> (2018) and <i>Dwelling</i> (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.<br><br><b>This item contains a collection of images of the production<i>, </i>performed by Mary Steadman and Leeza Jessie, with live Vocals/Sound Helen Roberts. Lighting by Bryan Wallbridge. Photographs credited to Stephan Beese and used with permission. </b><br>The performance took place in the University Theatre, Bath Spa University, November 2018.<br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12367478
title: On the Inside- Holloway Prison Historical Photography for Research Process

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains historical photography used as part of the research process. <b><br></b><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>
DOI: 10.17870/bathspa.12367469
title: On the Inside - Research Timeline & Research Questions

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the Research Timeline and Research Questions.
DOI: 10.17870/bathspa.12367463
title: On the Inside - Playing the Game - Main Performance Output (2019)

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains a video recording of the full <i>Playing the Game</i> performance at Bedlam Festival, Birmingham Repertory Theatre, which took place on the 10th and 11th October 2019.<br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br><br>Directors:Andy Watson & Helena Enright<br>Cast:Liz BrownCasey FoxRuth MilneLaurence Saunders<br>Sound design:Daniel Pearce<br>
DOI: 10.17870/bathspa.12367433
title: On the Inside - 300 Word Statement

description: <i>On the Inside</i> is a research project created by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University, in partnership with Geese Theatre Company, Birmingham and the University of Warwick. This research project explores how a ‘theatre of testimony’ performance methodology can respond creatively to the contemporary experiences of mothers in prison in the UK and the archive, culminating in a theatre performance output entitled <i>Playing the Game</i>.<br><br>This item contains the 300 Word Statement.<br><br>
DOI: 10.17870/bathspa.12367391
title: The River Shannon Project - 300 Word Statement

description: <i>The River </i>is a one woman play which researches through testimonial performance and storytelling how people engage with the landscape, physicality and presence of the River Shannon as it flows through the city of Limerick.<i> The River Shannon Project</i> documents this creative practice research carried out by Dr Helena Enright, Senior Lecturer in Drama, at Bath Spa University in partnership with Elemental Arts & Culture Festival, Limerick and Limerick City of Culture 2014.<br><br>This item contains the 300 word statement.<br><br><br>
DOI: 10.17870/bathspa.12349439
title: Original Artist Identity in Song - CousteauX Album

description: Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><br><b>This item contains audio files from the Album "CousteauX" which is the research output for this project.</b><br><b>Audio files & Image courtesy of Davey Ray Moor.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>