cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.6084/m9.figshare.14332958.v1
title: Supplementary Material for: Kidney Biopsy in Type 2 Diabetes: A Multicenter Cross-Sectional Study

description: <b><i>Introduction:</i></b> Kidney biopsies (KBs) are performed in patients with type 2 diabetes (T2D) to diagnose non-diabetic or hypertensive kidney disease (NDHKD) potentially requiring specific management compared to diabetic and or hypertensive nephropathy (absence of NDHKD). Indications for KB are based on the presence of atypical features compared to the typical course of diabetic nephropathy. In this study, we assessed the association of different patterns of atypical features, or KB indications, with NDHKD. <b><i>Methods:</i></b> Native KBs performed in patients with T2D were analyzed. Data were collected from the patients’ records. KB indications were determined according to the presence of different atypical features considered sequentially: (1) presence of any feature suggesting NDHKD which is not among the following ones, (2) recent onset of nephrotic syndrome, (3) low or rapidly declining estimated glomerular filtration rate (eGFR), (4) rapid increase in proteinuria, (5) short duration of diabetes, (6) presence of hematuria, or (7) normal retinal examination. <b><i>Results:</i></b> Among the 463 KBs analyzed, NDHKD was diagnosed in 40% of the total population and 54, 40, 24, and 7% of the KBs performed for indications 1–4 respectively. Conversely, no patient who underwent KB for indications 5–7 displayed NDHKD. Logistic regression analyses identified eGFR<sub>CKD-EPI</sub> &gt;15 mL/min/1.73 m<sup>2</sup>, urinary protein-to-Cr ratio &lt;0.3 g/mmol, hematuria, HbA1c &lt;7%, and diabetes duration &lt;5 years as predictors of NDHKD, independently from the indication group. <b><i>Conclusion:</i></b> NDHKD is frequent in T2D. Despite the association of hematuria with NDHKD, our results suggest that presence of hematuria and absence of DR are insufficient to indicate KB in the absence of concurrent atypical features. Conversely, rapid progression of proteinuria and rapid deterioration of eGFR are major signals of NDHKD.
DOI: 10.5517/ccdc.csd.cc25x3s0
title: CCDC 2023022: Experimental Crystal Structure Determination

description: Related Article: Jorge Leal, Lucia Santos, Diego M. Fernández-Aroca, J. Vicente Cuevas, M. Angeles Martínez, Anna Massaguer, Felix A. Jalón, M. José Ruiz-Hidalgo, Ricardo Sánchez-Prieto, Ana M. Rodríguez, Gregorio Castañeda, Gema Durá, M. Carmen Carrión, Sílvia Barrabés, Blanca R. Manzano|2021|J.Inorg.Biochem.|218|111403|doi:10.1016/j.jinorgbio.2021.111403
DOI: 10.5517/ccdc.csd.cc25x3t1
title: CCDC 2023023: Experimental Crystal Structure Determination

description: Related Article: Jorge Leal, Lucia Santos, Diego M. Fernández-Aroca, J. Vicente Cuevas, M. Angeles Martínez, Anna Massaguer, Felix A. Jalón, M. José Ruiz-Hidalgo, Ricardo Sánchez-Prieto, Ana M. Rodríguez, Gregorio Castañeda, Gema Durá, M. Carmen Carrión, Sílvia Barrabés, Blanca R. Manzano|2021|J.Inorg.Biochem.|218|111403|doi:10.1016/j.jinorgbio.2021.111403
DOI: 10.5517/ccdc.csd.cc25x3v2
title: CCDC 2023024: Experimental Crystal Structure Determination

description: Related Article: Jorge Leal, Lucia Santos, Diego M. Fernández-Aroca, J. Vicente Cuevas, M. Angeles Martínez, Anna Massaguer, Felix A. Jalón, M. José Ruiz-Hidalgo, Ricardo Sánchez-Prieto, Ana M. Rodríguez, Gregorio Castañeda, Gema Durá, M. Carmen Carrión, Sílvia Barrabés, Blanca R. Manzano|2021|J.Inorg.Biochem.|218|111403|doi:10.1016/j.jinorgbio.2021.111403
DOI: 10.5517/ccdc.csd.cc269qlv
title: CCDC 2035137: Experimental Crystal Structure Determination

description: Related Article: Lingchen He, Ebrahim-Alkhalil M. A. Ahmed, Hongxin Liu, Xingen Hu, Hong-ping Xiao, Juan Li, Jun Jiang|2021|J.Org.Chem.|86|4825|doi:10.1021/acs.joc.0c02854
DOI: 10.5281/zenodo.4307629
title: *High &gt; rising in Ngwi: Supplementary materials

description: Abstract: Previous research has proposed a direct path from consonantal effects on F0 to the development of a rising tone value. However, findings from tone change studies in Asian languages suggest an additional pathway: a high tone (i.e., with a tonal target in the upper pitch range) may evolve into a rising tone, without consonantal conditioning. This study examines tone change pathways to rising in the Ngwi (Loloish) languages. Among the 11 Ngwi language clusters examined, a new rising tone value has unambiguously developed from an historically high tone in 9 of them. In several clusters, prevocalic consonants conditioned a tone split, but in other clusters, consonantal conditioning does not appear to have played a role. The findings suggest that a high tonal target is itself a condition favorable to the development of a rising tone value, as reaching a high tonal target in connected speech frequently entails a rising contour. Key words: rising tone, tone change, Ngwi, dialect laboratory, pathways to sound change Supplementary materials for the manuscript "The phonetic tone change *high &gt; rising: Evidence from the Ngwi dialect laboratory": Supplementary data files: Appendix 1: Ngwi lects, data sources, and data locations Appendix 2: Ngwi comparative wordlist Appendix 3: Ngwi comparative tone box Data files for producing the figures: Figures 1, 8, 15: Fig1_... files Figure 3: Fig3_...files Figures 7, 10, 12, 13: Fig1_Ngwi Villages and Fig1_Yunnan_Border Figure 6, 11: Fig6_...files Figure 9: Fig9_...files Figure 14: Fig14_...files Rising tones R script: R script for producing the figures
DOI: 10.5523/bris.3ha2mram1zes42od6loavw9r97
title: Augustine Heard & Co. Networks and Travels

description: Two databases designed for use with graphing software. 'Heard's Hong Kong Networks - 1830-1880' provides a database of the social and commercial networks formed during the Heard Brothers' tenures in Hong Kong. 'Heard Geolocation Database - 1839-1893' lists the chronology and geography of the Heard brothers' travels during the titled period.
DOI: 10.6084/m9.figshare.14332976
title: Supplementary Material for: One-Year Anatomical and Functional Outcomes of the Argus II Implantation in Korean Patients with Late-Stage Retinitis Pigmentosa: A Prospective Case Series Study

description: <b><i>Purpose:</i></b> To report the anatomical and functional outcomes of Argus II retinal prosthesis implantation in Korean patients. <b><i>Methods:</i></b> We included 5 consecutive patients with end-stage retinitis pigmentosa (RP) who underwent Argus II retinal prosthesis implantation and were followed for at least 12 months. The transcorneal electrical evoked response was utilized for patient selection. We used intraoperative optical coherence tomography (OCT) for optimal placement of the array and provided specialized vision rehabilitation training. A morphological evaluation using SD-OCT and a functional evaluation using computer-based visual function tests, a letter-reading ability test, and the Functional Low-Vision Observer Rated Assessment (FLORA) were conducted. <b><i>Results:</i></b> Postoperatively, the array was completely apposed to the retinal surface in all eyes, except for one eye which had a preexisting macular concavity. Fibrosis-like tissues of ≥50-μm thickness developed at the interface in 2 eyes. All of the patients showed improvement in computer-based visual function tests and could read ETDRS letters at a distance of 50 cm. Three patients could read Korean words. FLORA was improved in all patients, mainly in tasks of visual mobility, daily activities, and social interactions. <b><i>Conclusions:</i></b> Along with good anatomical outcomes and specialized rehabilitation practices, recipients of the Argus II implant showed profound improvements in functional vision and mobility.
DOI: 10.17870/bathspa.13281131.v1
title: Record Player Orchestra: 300 Word Statement

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains a 300 Word Statement on the <b>Record Player Orchestra</b> by Roger Clarke.
DOI: 10.17870/bathspa.13281131
title: Record Player Orchestra: 300 Word Statement

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains a 300 Word Statement on the <b>Record Player Orchestra</b> by Roger Clarke.
DOI: 10.17870/bathspa.13281143
title: Record Player Orchestra: Research Questions and Timeline

description: The <b>Record Player Orchestra </b>is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player turntable and a bespoke vinyl record.<br><br>This item contains Research Questions and a Timeline for the <b>Record Player Orchestra</b> by Roger Clarke.
DOI: 10.17870/bathspa.13281143.v1
title: Record Player Orchestra: Research Questions and Timeline

description: The <b>Record Player Orchestra </b>is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player turntable and a bespoke vinyl record.<br><br>This item contains Research Questions and a Timeline for the <b>Record Player Orchestra</b> by Roger Clarke.
DOI: 10.17870/bathspa.13281155
title: Record Player Orchestra: Project Introduction & Development

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains a project introduction by Roger Clarke, 3 images of the <b>RPO </b>Vinyl, a video of Abbey Road Mastering, 2 audio files of clips and track lists from side A & B of the <b>RPO</b> Vinyl, 2 full track listings, a poster, and information and guidance for participants.<br><br>This item introduces the <b>RPO</b> project, outlining its aims and the key raw materials for the project, which include record Players, turntables and a 25 track bespoke vinyl record mastered at Abbey Road Studios and pressed at the Vinyl Factory. On Side A of the record are 18 single tone frequencies and Side B includes 2 minutes silence, sounds of the record players arm lift and a stylus on vinyl.<br><br>Developed in response to an open call, <b>RPO</b> invited multiple participants to consider the record player as an instrument. With no prescribed outcome and all ideas explored, the aim was to create collaborative compositions through a non hierarchical process of improvisation, listening and response. Physical engagement with the record player being key, the project sought to reframe our relationship and activate new narratives of this iconic object through experimental encounter. <br><br><b>Full length version of the Record Player Orchestra Vinyl Record, Side A & B, can be accessed via the following link: </b><b>https://soundcloud.com/therecordplayerorchestra<br><br></b><b>Photography by Roger Clarke.</b><b><br></b>
DOI: 10.17870/bathspa.13281155.v1
title: Record Player Orchestra: Project Introduction & Development

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains a project introduction by Roger Clarke, 3 images of the <b>RPO </b>Vinyl, a video of Abbey Road Mastering, 2 audio files of clips and track lists from side A & B of the <b>RPO</b> Vinyl, 2 full track listings, a poster, and information and guidance for participants.<br><br>This item introduces the <b>RPO</b> project, outlining its aims and the key raw materials for the project, which include record Players, turntables and a 25 track bespoke vinyl record mastered at Abbey Road Studios and pressed at the Vinyl Factory. On Side A of the record are 18 single tone frequencies and Side B includes 2 minutes silence, sounds of the record players arm lift and a stylus on vinyl.<br><br>Developed in response to an open call, <b>RPO</b> invited multiple participants to consider the record player as an instrument. With no prescribed outcome and all ideas explored, the aim was to create collaborative compositions through a non hierarchical process of improvisation, listening and response. Physical engagement with the record player being key, the project sought to reframe our relationship and activate new narratives of this iconic object through experimental encounter. <br><br><b>Full length version of the Record Player Orchestra Vinyl Record, Side A & B, can be accessed via the following link: </b><b>https://soundcloud.com/therecordplayerorchestra<br><br></b><b>Photography by Roger Clarke.</b><b><br></b>
DOI: 10.17870/bathspa.13281191.v1
title: Record Player Orchestra & Sellotape Cinema, A3 Project Space & Vivid Projects, Birmingham, 26th April, 28th June & 4th July 2014.

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains 15 images of workshops 1 and 2, 2 audio files of improvised compositions, I video and 8 images of the Vivid Projects <b>RPO</b> installation and performance.<br><br>This item documents a collaboration, between <b>RPO</b> and <b>Sellotape Cinema</b>, an artists' organisation that make films with sellotape. Initiated and curated by Trevor Pitt at A3 Project Space in Birmingham in 2014, the 3 event project consisted of 2 experimental workshops and an interactive performance and recording. The <b>RPO </b>and <b>Sellotape Cinema</b> explored non hierarchical patterns of composition and performance, by developing a process of improvised responses to signals from various physical objects. This included coloured plastic spheres that lit up via a control panel, an overhead projector and laminating roller which could be drawn on, and a mobile 3D model of the planets signalling to different particpants when to play as a planet moved into another zone. This repurposing of material opened up new forms of expanded engagement with the record player and vinyl, enabling further exploration as to how visual cues could be used to develop new compositions. The project culminated in a 3rd event at Vivid projects on the 4th July, with an installation and performance of the collaborative improvisations.<br><br><b>Film of Installation at Vivid Projects can be accessed via the following link: </b>https://vimeo.com/100252581<b><br><br>Projection mapping by Neil Bunce.<br>Photography by Roger Clarke.</b>
DOI: 10.17870/bathspa.13281191
title: Record Player Orchestra & Sellotape Cinema, A3 Project Space & Vivid Projects, Birmingham, 26th April, 28th June & 4th July 2014.

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains 15 images of workshops 1 and 2, 2 audio files of improvised compositions, I video and 8 images of the Vivid Projects <b>RPO</b> installation and performance.<br><br>This item documents a collaboration, between <b>RPO</b> and <b>Sellotape Cinema</b>, an artists' organisation that make films with sellotape. Initiated and curated by Trevor Pitt at A3 Project Space in Birmingham in 2014, the 3 event project consisted of 2 experimental workshops and an interactive performance and recording. The <b>RPO </b>and <b>Sellotape Cinema</b> explored non hierarchical patterns of composition and performance, by developing a process of improvised responses to signals from various physical objects. This included coloured plastic spheres that lit up via a control panel, an overhead projector and laminating roller which could be drawn on, and a mobile 3D model of the planets signalling to different particpants when to play as a planet moved into another zone. This repurposing of material opened up new forms of expanded engagement with the record player and vinyl, enabling further exploration as to how visual cues could be used to develop new compositions. The project culminated in a 3rd event at Vivid projects on the 4th July, with an installation and performance of the collaborative improvisations.<br><br><b>Film of Installation at Vivid Projects can be accessed via the following link: </b>https://vimeo.com/100252581<b><br><br>Projection mapping by Neil Bunce.<br>Photography by Roger Clarke.</b>
DOI: 10.17870/bathspa.13281200.v1
title: Record Player Orchestra: London Analogue Festival, Oxo Tower Wharf, London, 12th - 14th September 2014.

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains 2 photos and 2 videos of the<b> RPO </b>installation, 1 video of 16mm film and soundtrack, a festival poster and 6 audio files of RPO improvisations.<br><br>This item documents the installation of <b>RPO</b> at the London Analogue Festival in 2014 over a 3 day period. The element of accidental encounter was significant during the festival as the number of participants varied as crowds or individuals came across and interacted with the record players and vinyl by chance. The individual improvisations included a composition, <i>Silent Track Girl</i>, developed using the 2 minutes of silence track on side B of the vinyl. Other individuals interacted wth several different players at once to develop new compositions which were then scored in the form of a diagram or written text to be performed again. The catalyst for group improvisations was in the form of a theme, film, physical device or through listen and response, and the resulting compositions include <i>Disco Biscuit Bellringing</i> and <i>Accidental Disharmonic Circling. </i>Through a further chance encounter Clarke also improvised a live soundtrack solo for an artist's 16mm film, R.O.B.E.S.P.I.E.R.R.E being screened at the festival, remaining out of view to minimise notions of authorship.<br><br>9 <b>Record Player Orchestra i</b>mprovisations were created and recorded during the London Analogue Festival.<br><br><b>Photography by Roger Clarke.</b>
DOI: 10.17870/bathspa.13281200
title: Record Player Orchestra: London Analogue Festival, Oxo Tower Wharf, London, 12th - 14th September 2014.

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains 2 photos and 2 videos of the<b> RPO </b>installation, 1 video of 16mm film and soundtrack, a festival poster and 6 audio files of RPO improvisations.<br><br>This item documents the installation of <b>RPO</b> at the London Analogue Festival in 2014 over a 3 day period. The element of accidental encounter was significant during the festival as the number of participants varied as crowds or individuals came across and interacted with the record players and vinyl by chance. The individual improvisations included a composition, <i>Silent Track Girl</i>, developed using the 2 minutes of silence track on side B of the vinyl. Other individuals interacted wth several different players at once to develop new compositions which were then scored in the form of a diagram or written text to be performed again. The catalyst for group improvisations was in the form of a theme, film, physical device or through listen and response, and the resulting compositions include <i>Disco Biscuit Bellringing</i> and <i>Accidental Disharmonic Circling. </i>Through a further chance encounter Clarke also improvised a live soundtrack solo for an artist's 16mm film, R.O.B.E.S.P.I.E.R.R.E being screened at the festival, remaining out of view to minimise notions of authorship.<br><br>9 <b>Record Player Orchestra i</b>mprovisations were created and recorded during the London Analogue Festival.<br><br><b>Photography by Roger Clarke.</b>
DOI: 10.17870/bathspa.13281209.v1
title: Record Player Orchestra:Instituto Departamental de Bellas Artes, Cali, Colombia, 3rd March 2016.

description: The <b>Record Player Orchestra</b> is an interactive and performative installation exploring the possibilities of collaborative and symbiotic manipulation of sound through physical engagement with a record player, turntable and a bespoke vinyl record.<br><br>This item contains 3 images and 3 videos of the RPO installation and workshop and a Los Andes Lecture poster.<br><br>This item documents the<b> Record Player Orchestra </b>workshop in Columbia at the Instituto Departamental de Bellas Artes, Cali that Clarke was invited to host in 2016. The usual starting point for the <b>RPO</b> sessions was that of non expertise, so the workshop with young Columbian Music students altered the initial process of physical engagement and experimentation. The youth of the participants meant they weren't familiar with the analogue record player, so had no frame of reference for this iconic object, and had also assumed that a student professor dynamic was in operation so were reluctant to interrupt or interact with sounds in case it was deemed wrong. The language barrier also hindered communication and flow of responses, so Clarke, in what became a pivotal moment in the project, stopped all sounds and simply demonstrated how the record player worked, So the mechanism and function of this unfamiliar object became the means of engagement for the students and as a result they were able to explore, experiment and combine sounds without guidance in a very organic way to produce improvised compositions (see Soundcloud links below). From this point all future iterations of the <b>RPO</b> involved minimal initial explanation in order to facilitate wider experimentation and autonomous discovery.<br><br>During his visit to Columbia Clarke was also invited to give a lecture on the <b>Record Player Orchestra</b> at Los Andes University in Bogota.<br><br><b>Photography by Roger Clarke.</b><br><br><b>Soundcloud Links of Improvised Compositions:</b><b><b>1. </b>ARtERIAS no.2 by Paula, Vanesa, Andrea, Daniela, Sebastian and Daniela (2) </b><b>2. Sin Titulo By German Gorane (1)</b><b>3. Sin Titulo By Andrea Buluyuera (1)</b><br><b>4. '13.12' By Paula Solarte (1) http://soundcloud.com/recordplayerorchestra/1312-by-paula-solarte</b><b><b><b> </b></b></b>