cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.25549/whittington-ouc113779248
title: Crowds in Bullocks courtway, Los Angeles, Calif., 1945

description: 4 photographs of crowds between buildings in Bullocks Courtway, Hill Street, Los Angeles, California, USA, 26 May 1945. Client: Coldwell Banker & Company Mr. Mott. Mail airmail - special delivery to Frank N. Rileym, Waldorf Astoria Hotel, New York City, NY. 79¢). Operator: D.W.
DOI: 10.25549/whittington-ouc11399go71
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399e7hg
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17162839
title: Present-day thermal state and surface heat flux of the Moon

description: This repository includes supplementary datasets for Santangelo et al., 2025 (Present-day thermal state and surface heat flux of the Moon).
DOI: 10.25549/whittington-ouc11399e7gc
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.5281/zenodo.17162838
title: Present-day thermal state and surface heat flux of the Moon

description: This repository includes supplementary datasets for Santangelo et al., 2025 (Present-day thermal state and surface heat flux of the Moon).
DOI: 10.25549/whittington-ouc11399funw
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.15468/dl.fbuhxs
title: Occurrence Download

description: A dataset containing 2654 species occurrences available in GBIF matching the query:
{
 "and" : [
 "TaxonKey is one of (Crocodylus niloticus, Pelomedusa subrufa, Pelomedusa galeata, Pelusios castanoides, Pelusios rhodesianus, Pelusios sinuatus, Pelusios subniger, Varanus niloticus, Lycodonomorphus rufulus, Lycodonomorphus laevissimus, Lycodonomorphus obscuriventris, Amplorhinus multimaculatus)",
 "HasCoordinate is true",
 "HasGeospatialIssue is false",
 "BasisOfRecord is one of (Specimen, Observation, Human Observation, Machine Observation, Material sample, Literature Occurrence, Material citation, Occurrence evidence)",
 "OccurrenceStatus is Present",
 {
 "not" : {
 "Issue" : [
 "is one of (Recorded date invalid, Recorded date mismatch, Recorded date unlikely, Modified date invalid)"
 ]
 }
 },
 "Geometry MULTIPOLYGON (((27.1586 -33.5889, 28.2048 -32.9007, 28.5753 -32.6569, 29.4902 -31.7517, 29.7284 -31.5933, 29.7284 -28.9003, 29.7284 -24.1503, 25.0903 -24.1503, 24.9784 -24.369, 24.9333 -24.4571, 23.8962 -24.2467, 22.8065 -24.295, 22.3719 -24.7207, 22.2323 -25.547, 22.0387 -25.7188, 21.7833 -25.7784, 21.5388 -25.7113, 21.3553 -25.5415, 20.7576 -24.3688, 20.5896 -24.1503, 20.529 -24.0715, 20.509 -24.0455, 20.2284 -23.6805, 20.0952 -23.5072, 19.9968 -23.017, 19.7843 -22.5405, 19.1988 -21.8785, 18.5972 -21.5447, 17.8859 -21.3993, 17.1626 -21.4805, 16.5332 -21.7596, 16.1257 -22.0882, 15.8234 -22.4662, 15.606 -22.8993, 15.4784 -23.4046, 15.4933 -24.0715, 15.4945 -24.1257, 15.5034 -24.1503, 16.0509 -25.6631, 15.6372 -28.0032, 16.2782 -28.5786, 16.4358 -28.7202, 16.5654 -28.9003, 16.726 -29.1235, 17.1957 -30.3752, 17.6655 -31.1743, 18.1322 -31.7679, 18.2495 -32.2638, 18.2339 -32.5266, 18.1411 -32.657, 18.1007 -32.7021, 18.0224 -32.6366, 17.8923 -32.6419, 17.754 -32.8255, 17.7723 -32.9007, 17.8156 -33.0786, 18.0371 -33.4611, 18.1771 -33.6503, 18.2971 -33.8124, 18.2181 -34.0492, 18.3197 -34.3408, 18.4452 -34.429, 18.5435 -34.4213, 18.5872 -34.3667, 18.5363 -34.167, 18.7345 -34.1508, 18.7216 -34.3637, 18.7808 -34.4521, 19.0289 -34.4206, 19.0831 -34.4835, 19.2655 -34.5017, 19.2032 -34.6157, 19.2394 -34.6926, 19.375 -34.6963, 19.6091 -34.8524, 19.8251 -34.8396, 19.9798 -34.9064, 20.1081 -34.8731, 20.1517 -34.7847, 20.2284 -34.7667, 20.2855 -34.7533, 20.509 -34.5676, 20.524 -34.555, 20.8859 -34.5419, 20.9606 -34.4398, 21.2995 -34.5131, 21.5296 -34.4338, 21.8696 -34.4439, 22.0323 -34.2835, 22.221 -34.2428, 22.2566 -34.1304, 22.5993 -34.0741, 22.9652 -34.1674, 23.4069 -34.1858, 23.4955 -34.0792, 23.6056 -34.0563, 24.8471 -34.2877, 24.9447 -34.2397, 24.9784 -34.1564, 24.9784 -33.6503, 26.9976 -33.6503, 27.1586 -33.5889)))"
 ]
}

 The dataset includes 2654 records from 21 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019445-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc11399erer
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc113779202
title: Boys clothes, Los Angeles, Calif., 1945

description: Photograph of boys clothes, Los Angeles, California, USA, 23 May 1945. Client: Desmond's Minogue[?]. Operator: Cross.
DOI: 10.25549/whittington-ouc113779240
title: Whittington family? members, Los Angeles, Calif., 1945

description: 7 copy (23 May 1945) photographs of Wayne "Dick" Whittington family? members, 3845 Wisconsin Street, Los Angeles, California, USA, before 23 May 1945. "Kodak prints". Client: Whittington.
DOI: 10.25549/whittington-ouc113779330
title: Soldiers, Birmingham General Hospital, Los Angeles, Calif., 1945

description: 29 photographs of soldiers at Birmingham General Hospital, Vanowen Street and Balboa Boulevard, Los Angeles, California, USA, 23 May 1945. Client: American Red Cross (Miss Betty Meury, Recreation Department, Birmingham Hospital, Van Nuys, California). Operator: Brown.
DOI: 10.25549/whittington-ouc113779332
title: Soldiers, Birmingham General Hospital, Los Angeles, Calif., 1945

description: 29 photographs of soldiers at Birmingham General Hospital, Vanowen Street and Balboa Boulevard, Los Angeles, California, USA, 23 May 1945. Client: American Red Cross (Miss Betty Meury, Recreation Department, Birmingham Hospital, Van Nuys, California). Operator: Brown.
DOI: 10.25549/whittington-ouc113779366
title: Soldiers, Birmingham General Hospital, Los Angeles, Calif., 1945

description: 29 photographs of soldiers at Birmingham General Hospital, Vanowen Street and Balboa Boulevard, Los Angeles, California, USA, 23 May 1945. Client: American Red Cross (Miss Betty Meury, Recreation Department, Birmingham Hospital, Van Nuys, California). Operator: Brown.
DOI: 10.25549/whittington-ouc113779308
title: David Eitzen, Los Angeles, Calif., 1945

description: 11 photographic portraits (5 have 2 copies, 1 of each copy is a "proof") of David Eitzen, 1 June 1945. Client: David Eitzen, 3753 Hempburn. Operator: Cross.
DOI: 10.25549/whittington-ouc113779381
title: David Eitzen, Los Angeles, Calif., 1945

description: 11 photographic portraits (5 have 2 copies, 1 of each copy is a "proof") of David Eitzen, 1 June 1945. Client: David Eitzen, 3753 Hempburn. Operator: Cross.
DOI: 10.15468/dl.2gkep8
title: Occurrence Download

description: A dataset containing 353 species occurrences available in GBIF matching the query:
{
 "TaxonKey" : [
 "is Pseudoneoponera rufipes"
 ]
}

 The dataset includes 353 records from 6 constituent datasets; see https://api.gbif.org/v1/occurrence/download/0019446-251025141854904/datasets/export for details.
 
Data from some individual datasets included in this download may be licensed under less restrictive terms.
DOI: 10.25549/whittington-ouc113779342
title: David Eitzen, Los Angeles, Calif., 1945

description: 11 photographic portraits (5 have 2 copies, 1 of each copy is a "proof") of David Eitzen, 1 June 1945. Client: David Eitzen, 3753 Hempburn. Operator: Cross.
DOI: 10.25549/whittington-ouc113779379
title: Madeline Howe in bathing suit, Los Angeles, Calif., 1945

description: Photograph of Madeline Howe ("self") in bathing suit, Los Angeles, California, USA, 4 June 1945. Client: Madeline Howe (University of Southern California Bookstore). Operator:
DOI: 10.57760/sciencedb.30576
title: Mouse cerebellum .bam files
title: Mouse cerebellum .bam files

description: The original .fast5 file comes from the article “Double and single stranded detection of 5-methylcytosine and 5-hydroxymethylcytosine with nanopore sequencing”. Raw .fast5 files were converted to .pod5 using pod5-file-format with command "pod5 convert fast5 -t $(nproc) $indir/*.fast5 -o $outdir". .Pod5 files were modification called using Dorado v0.8.1 and v0.5.1 with command "dorado basecaller $BASECALLING_MODEL $indir --modified-bases-mode $MODCALLING_MODEL --reference $reffile --device cuda:all --verbose --batchsize 0 --recursive &gt; $outdir", where model file is "dna_r10.4.1_e8.2_400bps_sup@v4.3.0" or "dna_r10.4.1_e8.2_400bps_hac@v4.3.0", followed by sorting ,viewing (samtools view -h -F 4079), and indexing with Samtools. The reference genome used for alignment is the GRCh38 reference genome (GenBank assembly ID GCA_000001405.15).
description: The original .fast5 file comes from the article “Double and single stranded detection of 5-methylcytosine and 5-hydroxymethylcytosine with nanopore sequencing”. Raw .fast5 files were converted to .pod5 using pod5-file-format with command "pod5 convert fast5 -t $(nproc) $indir/*.fast5 -o $outdir". .Pod5 files were modification called using Dorado v0.8.1 and v0.5.1 with command "dorado basecaller $BASECALLING_MODEL $indir --modified-bases-mode $MODCALLING_MODEL --reference $reffile --device cuda:all --verbose --batchsize 0 --recursive &gt; $outdir", where model file is "dna_r10.4.1_e8.2_400bps_sup@v4.3.0" or "dna_r10.4.1_e8.2_400bps_hac@v4.3.0", followed by sorting ,viewing (samtools view -h -F 4079), and indexing with Samtools. The reference genome used for alignment is the GRCh38 reference genome (GenBank assembly ID GCA_000001405.15).
DOI: 10.25549/whittington-ouc113779410
title: St. Vincent's Hospital, Los Angeles, Calif., 1945

description: Photograph of Saint Vincent's Hospital, Los Angeles, California, USA, 6 June 1945. Client: Saint Vincent's Hospital (Attention Sister Fedelis, 3rd and Alvarado) (Deliver to Miss La Bonge at Tidings Magazine (3241 South Figueroa). Operator: Cross.
DOI: 10.25549/whittington-ouc11399fap2
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399fc8q
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399f1is
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399erfv
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.25549/whittington-ouc11399ergv
title: Dick Whittington Photography Collection, 1924-1987

description: The "Dick" Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock's, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp's bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints. Supporters The collection is only partially digitized, but thanks to the generous help of the National Endowment for the Humanities (NEH) and the National Historical Publications and Records Commission (NHPRC), the USC Libraries has digitized 76,645 at-risk negatives in obsolete formats from the 1920s to 1940s.
DOI: 10.57760/sciencedb.31075
title: Momla functional enrichment analysis results
title: Momla functional enrichment analysis results

description: This dataset contains the functional enrichment analysis results supporting the manuscript: "MOMLA: A Multi-omics Integration Framework for Breast Cancer Classification Based on Multi-level Attention Mechanisms".
description: This dataset contains the functional enrichment analysis results supporting the manuscript: "MOMLA: A Multi-omics Integration Framework for Breast Cancer Classification Based on Multi-level Attention Mechanisms".