cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10315697
title: Estela de edícula / Stele in shape of aedicule

description: Estela de edícula

Museo Nacional de Arte Romano, Mérida (España)

La difunta es la joven Lutatia Lupata que aparece tocando el laúd o pandurium.

Área de "Los Columbarios".

Siglo II d. C.

---------------------------------------------------------------------------------------------------------------------------------

Stele in shape of aedicule

National Museum of Roman Art, Mérida (Spain)

The deceased is the young Lutatia Lupata who is shown playing the lute or pandurium.

Area of "Los Columbarios".

2nd C. AD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315698
title: Gwrych Castle - I'm a Celebrity 2020 Location

description: Reconstructed from frames from a youtube video in Agisoft Metashape in August 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315699
title: Gwrych Castle - I'm a Celebrity 2020 Location

description: Reconstructed from frames from a youtube video in Agisoft Metashape in August 2020.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315702
title: Destructed Building

description: 3D scan of destructed building near the unfinished hospital.
https://ibb.co/jRRG5CR **(Photo)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315703
title: Destructed Building

description: 3D scan of destructed building near the unfinished hospital.
https://ibb.co/jRRG5CR **(Photo)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315704
title: Arménian Khatchkar - RealityScan

description: Arménian Khatchkar at Saint Livier in Metz scanned with iphone 13 pro (103 pictures) + RealityScan (under beta).

It is a decorated "cross stone", specific to the Armenian culture. It is placed on the wall of the ruined church of Saint Livier in Metz in memory of the genocide of this people in 1915.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315705
title: Arménian Khatchkar - RealityScan

description: Arménian Khatchkar at Saint Livier in Metz scanned with iphone 13 pro (103 pictures) + RealityScan (under beta).

It is a decorated "cross stone", specific to the Armenian culture. It is placed on the wall of the ruined church of Saint Livier in Metz in memory of the genocide of this people in 1915.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315706
title: Chiesa campestre di San Pietro in Vincoli

description: Situata nel comune di Settimo San Pietro (CA) e denominata anche di 'Santu Perdu'. Si tratta di una chiesa edificata dai monaci Vittorini di Marsiglia nel tredicesimo secolo in forme romaniche, che cadde in rovina nel sedicesimo secolo, per esser poi ricostruita in forme gotiche. Presenta un impianto ad una sola navata, completato da alcune cappelle laterali costruite nel seicento, ed a breve distanza venne aggiunto, nel 1627, il campanile a canna quadrata. 




fonte: http://www.lamiasardegna.it/settimo.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315707
title: Chiesa campestre di San Pietro in Vincoli

description: Situata nel comune di Settimo San Pietro (CA) e denominata anche di 'Santu Perdu'. Si tratta di una chiesa edificata dai monaci Vittorini di Marsiglia nel tredicesimo secolo in forme romaniche, che cadde in rovina nel sedicesimo secolo, per esser poi ricostruita in forme gotiche. Presenta un impianto ad una sola navata, completato da alcune cappelle laterali costruite nel seicento, ed a breve distanza venne aggiunto, nel 1627, il campanile a canna quadrata. 




fonte: http://www.lamiasardegna.it/settimo.htm

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315708
title: Historical Elektronic Levels Box (retopology)

description: This is a rare artifact that has seen an old measuring instrument box.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315709
title: Historical Elektronic Levels Box (retopology)

description: This is a rare artifact that has seen an old measuring instrument box.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315710
title: Old West Wagon

description: My first model created from scratch on Autodesk Maya for a college project using reference images!

I've made the textures using Gimp and free images from the web.

All wrinkled and dusty to follow the western vibe ;)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315711
title: Old West Wagon

description: My first model created from scratch on Autodesk Maya for a college project using reference images!

I've made the textures using Gimp and free images from the web.

All wrinkled and dusty to follow the western vibe ;)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315712
title: Drumgoon Hill - Old Graveyard Headstone 461

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315713
title: Drumgoon Hill - Old Graveyard Headstone 461

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315714
title: Small indigenous amphora, Camarina

description: "Small indigenous amphora.  From the  site of  Camarina, Ragusa,  Sicily, Italy.  Classical Age.   6th century BC. In the collection of the Museo Archeologico Ibleo di Ragusa.  Processed in Reality Capture from 500 images. GDH ID and Catalog No. 4501 

Citation:  

We want to publicly acknowledge the collaboration of the ""Soprintendenza per i Beni Culturali ed Ambientali di Ragusa"" and the ""Parco Archeologico di Kamarina e Cava d'Ispica"". Our most sincere thanks to General CC, retired, Renato Scuzzarello, the archaeologist Dr. Saverio Scerra, the architect Giorgio Battaglia, the restorer Stefania Patti Occhipinti and the archaeologists Veronica Falcone and Alessandra D'Izzia, the custodians of Parco Archeologico Marco Giardina, Giovanna Brugaletta e Rosario Licitra"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315715
title: Small indigenous amphora, Camarina

description: "Small indigenous amphora.  From the  site of  Camarina, Ragusa,  Sicily, Italy.  Classical Age.   6th century BC. In the collection of the Museo Archeologico Ibleo di Ragusa.  Processed in Reality Capture from 500 images. GDH ID and Catalog No. 4501 

Citation:  

We want to publicly acknowledge the collaboration of the ""Soprintendenza per i Beni Culturali ed Ambientali di Ragusa"" and the ""Parco Archeologico di Kamarina e Cava d'Ispica"". Our most sincere thanks to General CC, retired, Renato Scuzzarello, the archaeologist Dr. Saverio Scerra, the architect Giorgio Battaglia, the restorer Stefania Patti Occhipinti and the archaeologists Veronica Falcone and Alessandra D'Izzia, the custodians of Parco Archeologico Marco Giardina, Giovanna Brugaletta e Rosario Licitra"

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315716
title: XFP-054-31 Sanak Point, Sanak Island, Alaska

description: Sanak Point, Sanak Island, Alaska. CAT# XFP-054-31

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315717
title: XFP-054-31 Sanak Point, Sanak Island, Alaska

description: Sanak Point, Sanak Island, Alaska. CAT# XFP-054-31

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315718
title: Curved Form

description: Oil on canvas

25 x 20 cm

2018

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315719
title: Curved Form

description: Oil on canvas

25 x 20 cm

2018

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315722
title: Medieval Houses Pack

description: Pack with five low poly medieval houses
Colour Map texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315723
title: Medieval Houses Pack

description: Pack with five low poly medieval houses
Colour Map texture

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315724
title: Prieston 2, near Tealing, Angus

description: One of a group of three panels near Prieston Hill to the north-west of Tealing. For more informaiton, see: https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=0CB0D087-D597-4E07-9FB5B3EF1900EE7C

Accreditation: ScRAP ©HES.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315725
title: Prieston 2, near Tealing, Angus

description: One of a group of three panels near Prieston Hill to the north-west of Tealing. For more informaiton, see: https://www.rockart.scot/rock-art-database/?scrapToolsaction=datatools:panel&id=0CB0D087-D597-4E07-9FB5B3EF1900EE7C

Accreditation: ScRAP ©HES.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315728
title: Drinking Fountain Berkeley Square

description: A drinking fountain in Berkeley Square, London.

Date: 1881

Photos taken January 2019 with a Sony a6000 and processed in Agisoft Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315729
title: Drinking Fountain Berkeley Square

description: A drinking fountain in Berkeley Square, London.

Date: 1881

Photos taken January 2019 with a Sony a6000 and processed in Agisoft Photoscan.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315733
title: Knight

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315732
title: Knight

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315735
title: AR002-051-01

description: McWhinney Point collected in Delaware County, Indiana. 

Catalog # 12-Dl-31

Uploaded by: Reganne O'Connor 

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR002-051-01, 3D Model .ply file. Recovered as part of Archaeological Report #2, *Archaeological Investigations of the New Castle Sites, Hn-1, Hn-2, Hn-8, and Hn-12: A 1966 Summer Field School in Henry County, Indiana*, By B.K. Swartz, Jr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315734
title: AR002-051-01

description: McWhinney Point collected in Delaware County, Indiana. 

Catalog # 12-Dl-31

Uploaded by: Reganne O'Connor 

Thompson, Christine, Kiera McWhinney, and Kevin C. Nolan, 2021. AR002-051-01, 3D Model .ply file. Recovered as part of Archaeological Report #2, *Archaeological Investigations of the New Castle Sites, Hn-1, Hn-2, Hn-8, and Hn-12: A 1966 Summer Field School in Henry County, Indiana*, By B.K. Swartz, Jr.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315737
title: Edmund Earl of Lancaster Tomb Detail

description: Detail from the tomb of Edmund 'Crouchback' Earl of Lancaster (1245-1296) in Westminster Abbey, London.

https://www.westminster-abbey.org/abbey-commemorations/royals/edmund-earl-of-lancaster-and-aveline-de-forz
https://en.wikipedia.org/wiki/Edmund_Crouchback

51 photos taken in June 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315736
title: Edmund Earl of Lancaster Tomb Detail

description: Detail from the tomb of Edmund 'Crouchback' Earl of Lancaster (1245-1296) in Westminster Abbey, London.

https://www.westminster-abbey.org/abbey-commemorations/royals/edmund-earl-of-lancaster-and-aveline-de-forz
https://en.wikipedia.org/wiki/Edmund_Crouchback

51 photos taken in June 2021 with a Sony a6000 and processed in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315738
title: Mid 19th century Swedish "Vindragarkniv" Knife

description: Mid 19th century Universal tool/Knife. Used by the Stockholm beer/wine transport dockers/guild.

Shot me be, using a Canon 700d, Darktable and Agisoft. Retopology by Niclas Ekholm. Thank you Stockholms Stadsmuseum for providing interesting objects. Check out https://sketchfab.com/Stadsmuseet

A so called "stock knife" (or "stockkniv" in swedish). It once belonged to a "vindragare", which literally means "a puller of wine". The stock knife was their universal tool and used for everything from breaking up barrels to scrape paint and labels from bottles. The "wine pullers" were a category of transport workers who once had the exclusive right to transport liquid goods in Stockholm. Their duties included transport of not only wine and spirits, but also other forms of liquids such as oil, mineral water and kerosene. The real blow was the state alcohol monopoly that was introduced in 1917, which meant that private wine imports almost completely ceased. They lasted until 1930 when they finally dissolved.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315739
title: Mid 19th century Swedish "Vindragarkniv" Knife

description: Mid 19th century Universal tool/Knife. Used by the Stockholm beer/wine transport dockers/guild.

Shot me be, using a Canon 700d, Darktable and Agisoft. Retopology by Niclas Ekholm. Thank you Stockholms Stadsmuseum for providing interesting objects. Check out https://sketchfab.com/Stadsmuseet

A so called "stock knife" (or "stockkniv" in swedish). It once belonged to a "vindragare", which literally means "a puller of wine". The stock knife was their universal tool and used for everything from breaking up barrels to scrape paint and labels from bottles. The "wine pullers" were a category of transport workers who once had the exclusive right to transport liquid goods in Stockholm. Their duties included transport of not only wine and spirits, but also other forms of liquids such as oil, mineral water and kerosene. The real blow was the state alcohol monopoly that was introduced in 1917, which meant that private wine imports almost completely ceased. They lasted until 1930 when they finally dissolved.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315740
title: Jewish Synagogue of Cordoba

description: A rough 3D scan of the Jewish synagogue in the medieval city of Cordoba, Spain.

Made with Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315741
title: Jewish Synagogue of Cordoba

description: A rough 3D scan of the Jewish synagogue in the medieval city of Cordoba, Spain.

Made with Agisoft Photoscan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315744
title: Chesspiece

description: Chesspiece made of the tooth of a walrus

http://historiska.se/upptack-historien/object/42302

Photogrammetry / Fotogrammetri

Xenter 3D-tekniker Midori Åstrand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315745
title: Chesspiece

description: Chesspiece made of the tooth of a walrus

http://historiska.se/upptack-historien/object/42302

Photogrammetry / Fotogrammetri

Xenter 3D-tekniker Midori Åstrand

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315746
title: Bas relief - Blason du cardinal Cibo

description: Bas relief présent derrière l'orgue de l'Abbatiale St Ouen, au revers de la façade occidentale - Rouen - France
Le Cardinal Cibo  était petit-fils de Laurent de Médicis et petit-fils du pape Innocent VIII, il a été abbé de Saint-Ouen et c'est sous son abbatiat que la nef de l'église abbatiale a été terminée

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315747
title: Bas relief - Blason du cardinal Cibo

description: Bas relief présent derrière l'orgue de l'Abbatiale St Ouen, au revers de la façade occidentale - Rouen - France
Le Cardinal Cibo  était petit-fils de Laurent de Médicis et petit-fils du pape Innocent VIII, il a été abbé de Saint-Ouen et c'est sous son abbatiat que la nef de l'église abbatiale a été terminée

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315750
title: Tiled Corner

description: Tiled corner located in Marques de Pombal Palace
Shot 36 images. 6th entry for #3dflowcup18 contest - PT

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315751
title: Tiled Corner

description: Tiled corner located in Marques de Pombal Palace
Shot 36 images. 6th entry for #3dflowcup18 contest - PT

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315756
title: Banco 2/ Bench 2

description: Banco com espaldar, revestido por paineis de azulejos pintados. Os painéis apresentam padrões de flores entrelaçadas e são rematados por barra com decoração geométrica. Este elemento de mobliário urbano foi integrado no Jardim de Santo António no anos 30 do século XX. O desenho é de autoria do Capitão Almeida Moreira.

Bench covered with painted tile panels. The panels feature intertwined flower patterns within a linear bar with geometric decoration. This urban furniture element was integrated into Jardim de Santo António in the 30s of the 20th century. The design is by Capitão Almeida Moreira.
 
ÉPOCA/PERIOD Contemporâneo/Contemporary

PROVENIÊNCIA/SOURCE [Jardim de Santo António](http://u.osmfr.org/m/755947#20/40.66046/-7.90787) (Viseu)

ACERVO/COLLECTION Azulejos de Viseu

MEDIDAS/MEASUREMENTS (mm)  (height),  (aperture diameter)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315757
title: Banco 2/ Bench 2

description: Banco com espaldar, revestido por paineis de azulejos pintados. Os painéis apresentam padrões de flores entrelaçadas e são rematados por barra com decoração geométrica. Este elemento de mobliário urbano foi integrado no Jardim de Santo António no anos 30 do século XX. O desenho é de autoria do Capitão Almeida Moreira.

Bench covered with painted tile panels. The panels feature intertwined flower patterns within a linear bar with geometric decoration. This urban furniture element was integrated into Jardim de Santo António in the 30s of the 20th century. The design is by Capitão Almeida Moreira.
 
ÉPOCA/PERIOD Contemporâneo/Contemporary

PROVENIÊNCIA/SOURCE [Jardim de Santo António](http://u.osmfr.org/m/755947#20/40.66046/-7.90787) (Viseu)

ACERVO/COLLECTION Azulejos de Viseu

MEDIDAS/MEASUREMENTS (mm)  (height),  (aperture diameter)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315762
title: Statue Saint Quirin

description: Statue of Saint Quirin in Brech
Photogrammetry of 300 photos.

Turn your photos into 3D objects.
Find me on Fiverr
https://fr.fiverr.com/share/rQad57

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315763
title: Statue Saint Quirin

description: Statue of Saint Quirin in Brech
Photogrammetry of 300 photos.

Turn your photos into 3D objects.
Find me on Fiverr
https://fr.fiverr.com/share/rQad57

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315768
title: Belem et Grue Titan

description: Par Fanny Peneau et Marie-Hélène Rots

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315769
title: Belem et Grue Titan

description: Par Fanny Peneau et Marie-Hélène Rots

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315770
title: Goddess Isis, c. 664 BCE - 30 CE

description: Ancient Egyptian bronze statue of the Goddess Isis, 664 BCE - 30 CE, now in the collection of the Minneapolis Institute of Art. 

From the object's description on artsmia.org:

*Isis is the sacred mother figure of ancient Egypt, known as the Mother Goddess, with a dramatic backstory: to conceive her son, she resurrected her murdered husband. In this statuette, Isis holds Harpocrates—the child Horus—to her breast, a position that represents the mother figure as the nurturer and protector of humankind.*


More information: 

https://collections.artsmia.org/art/85/goddess-isis-ancient-egyptian

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315771
title: Goddess Isis, c. 664 BCE - 30 CE

description: Ancient Egyptian bronze statue of the Goddess Isis, 664 BCE - 30 CE, now in the collection of the Minneapolis Institute of Art. 

From the object's description on artsmia.org:

*Isis is the sacred mother figure of ancient Egypt, known as the Mother Goddess, with a dramatic backstory: to conceive her son, she resurrected her murdered husband. In this statuette, Isis holds Harpocrates—the child Horus—to her breast, a position that represents the mother figure as the nurturer and protector of humankind.*


More information: 

https://collections.artsmia.org/art/85/goddess-isis-ancient-egyptian

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315772
title: Mossy concrete block

description: A photogrammetry model of a concrete block covered in moss. It was captured in Blizna in Poland, where III Reich created a field testing facility for V1 and V2 rockets. The concrete blocks that I found were supposedly part of assembly complex foundation (one of many buildings).

Anyway - not much of it left apart from some mossy concrete.
Model created from 140 photos, original had 4,5 million polygons, but took it down to 118k and 17k. This version is the 17k with 4k textures, available for free :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315773
title: Mossy concrete block

description: A photogrammetry model of a concrete block covered in moss. It was captured in Blizna in Poland, where III Reich created a field testing facility for V1 and V2 rockets. The concrete blocks that I found were supposedly part of assembly complex foundation (one of many buildings).

Anyway - not much of it left apart from some mossy concrete.
Model created from 140 photos, original had 4,5 million polygons, but took it down to 118k and 17k. This version is the 17k with 4k textures, available for free :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315774
title: Stećak, Stepen near Gacko, Bosnia

description: Stećak in form of high sarcophagus. From Stepen near Gacko,  Bosnia and Herzegovina. Curated in the National Museum in Sarajevo.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 1694 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NMB Stecak 25.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315775
title: Stećak, Stepen near Gacko, Bosnia

description: Stećak in form of high sarcophagus. From Stepen near Gacko,  Bosnia and Herzegovina. Curated in the National Museum in Sarajevo.

Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, in full collaboration with the National Museum of Bosnia and Herzegovina, Sarajevo. Model was created from 1694 images from a Canon 5D mk IV. All data were processed in Reality Capture. Project ID NMB Stecak 25.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10315776
title: 縄文土器 上20 観察記録3Dモデル

description: 縄文土器 上20 観察記録3Dモデル
撮影場所:飯田市上郷考古博物館 
撮影月日:2019.09.25 
整理番号:上20
3Dモデル写真測量ソフト 3DF Zephyr で生成 v4.523 processing 27 images

Source: Objaverse 1.0 / Sketchfab