cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10295658
title: RO021-042017 - Cashel

description: On the floor of a WNW-ESE valley in an area of rock outcrop. Subcircular grass-covered area (int. dims 35m N-S; 31.7m E-W) defined by the intermittently visible grass-covered foundations of three stone walls (Wth 1.3-2m) placed 2-4m apart, although only two walls can be traced at S (max. ext. dims 54.4m E-W; 50.6m N-S). There is no identifiable original entrance. A small rectangular enclosure or annexe (RO021-042018-) (dims c. 30m N-S; c. 20m E-W) defined by a grass-covered stone spread (Wth c. 1-2m) is attached to the SE, and relict field walls (RO021-042019-) (L c. 100m) attach to the perimeter of the cashel at N, E, S and NW.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295659
title: RO021-042017 - Cashel

description: On the floor of a WNW-ESE valley in an area of rock outcrop. Subcircular grass-covered area (int. dims 35m N-S; 31.7m E-W) defined by the intermittently visible grass-covered foundations of three stone walls (Wth 1.3-2m) placed 2-4m apart, although only two walls can be traced at S (max. ext. dims 54.4m E-W; 50.6m N-S). There is no identifiable original entrance. A small rectangular enclosure or annexe (RO021-042018-) (dims c. 30m N-S; c. 20m E-W) defined by a grass-covered stone spread (Wth c. 1-2m) is attached to the SE, and relict field walls (RO021-042019-) (L c. 100m) attach to the perimeter of the cashel at N, E, S and NW.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295660
title: Gold Ring,  Mleiha, Sharjah, UAE

description: Pre-Islamic Gold Jewellery, Mleiha, Sharjah, UAE. On display in the Mleiha Archaeological Center. 1st-2nd Century CE.  Catalog number ML5. Processed in Reality Capture from 493 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295661
title: Gold Ring,  Mleiha, Sharjah, UAE

description: Pre-Islamic Gold Jewellery, Mleiha, Sharjah, UAE. On display in the Mleiha Archaeological Center. 1st-2nd Century CE.  Catalog number ML5. Processed in Reality Capture from 493 images.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295662
title: COADS_205-69

description: Diagnostic biface collected in Pickaway County, Ohio.
Material: Delaware

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Michael Shott, Sidney Travis, and Kendall Brophy, 2017. COADS_205-69, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295663
title: COADS_205-69

description: Diagnostic biface collected in Pickaway County, Ohio.
Material: Delaware

Uploaded by: Kendall Brophy

Suggested Data Citation: Nolan, Kevin C., Eric Olson, Michael Shott, Sidney Travis, and Kendall Brophy, 2017. COADS_205-69, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295664
title: Infinite LOOP

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295665
title: Infinite LOOP

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295666
title: Wild boar roman bronze sculpture, Evora

description: Small Roman bronze sculpture depicting a wild boar. This piece is dated between the 1st and 2nd centuries AD although its origin is unknown. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME3349.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 130.

PINTO, António José Nunes - Bronzes Figurativos Romanos de Portugal. Lisboa: Fundação calouste Gulbenkian, 2002, p. 228.

438 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295667
title: Wild boar roman bronze sculpture, Evora

description: Small Roman bronze sculpture depicting a wild boar. This piece is dated between the 1st and 2nd centuries AD although its origin is unknown. It is currently preserved in the Frei Manuel do Cenáculo National Museum (Évora, Portugal). Catalog No. ME3349.

PEREIRA, Gabriel - Estudos Eborenses, I, 2ª ed. Évora: Edições Nazareth, 1947, p. 130.

PINTO, António José Nunes - Bronzes Figurativos Romanos de Portugal. Lisboa: Fundação calouste Gulbenkian, 2002, p. 228.

438 photos from Canon 5D Mk IV. Completely processed (aligned, scaled, meshed, cleaned, simplified, unwrapped, textured) in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295668
title: Petroglyph H16 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H16 Khatm Al Melaha, Kalba, Sharjah. Unusual anthropomorphc figure and snake. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295669
title: Petroglyph H16 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H16 Khatm Al Melaha, Kalba, Sharjah. Unusual anthropomorphc figure and snake. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295670
title: Luxor Medinet Habu ColumnsBlueCeiling(360Sphere)

description: https://library.ucsd.edu/dc/object/bb45754977

Collection
CAVEcam Virtual Reality Photography Collection
Photographers
DeFanti, Thomas A.
Saad, Adel
Wickham, Greg
Contributor
Ainsworth, Richard A.
Date Issued
2016
Creation Date
Date captured: 2011-04-30. Date rendered: 2011-05-16. Revision date: 2016-02-01
Cite This Work
DeFanti, Thomas A; Saad, Adel; Wickham, Greg; Ainsworth, Richard A (2016): Luxor - Medinet Habu - Columns - Blue Ceiling. In CAVEcam Virtual Reality Photography Collection. UC San Diego Library Digital Collections. http://doi.org/10.6075/J09884XS

Description
This CAVEcam was shot in the Temple of Ramesses III at Medinet Habu. Of particular interest is the existing colors on the columns and ceilings, and the clear graffiti from 1817 and 1818. The overexposed portions of the image were, of course, due to the bright sunlight, and inspired subsequent taking of multiple exposures to attempt high-dynamic range (HDR) captures of scenes like this.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295671
title: Luxor Medinet Habu ColumnsBlueCeiling(360Sphere)

description: https://library.ucsd.edu/dc/object/bb45754977

Collection
CAVEcam Virtual Reality Photography Collection
Photographers
DeFanti, Thomas A.
Saad, Adel
Wickham, Greg
Contributor
Ainsworth, Richard A.
Date Issued
2016
Creation Date
Date captured: 2011-04-30. Date rendered: 2011-05-16. Revision date: 2016-02-01
Cite This Work
DeFanti, Thomas A; Saad, Adel; Wickham, Greg; Ainsworth, Richard A (2016): Luxor - Medinet Habu - Columns - Blue Ceiling. In CAVEcam Virtual Reality Photography Collection. UC San Diego Library Digital Collections. http://doi.org/10.6075/J09884XS

Description
This CAVEcam was shot in the Temple of Ramesses III at Medinet Habu. Of particular interest is the existing colors on the columns and ceilings, and the clear graffiti from 1817 and 1818. The overexposed portions of the image were, of course, due to the bright sunlight, and inspired subsequent taking of multiple exposures to attempt high-dynamic range (HDR) captures of scenes like this.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295672
title: WW1 Bomb Damage (Cleopatra's Needle, London)

description: Exported with an 8192x8192 texture to capture as much detail as possible (best viewed on a comptuter screen). 


Processed from 398 phots taken with a Nikon D5300 w/ kit lens in Agisoft Photoscan Pro. 


Damage caused during a German bombing raid in World War 1 to the base of one of the Sphinxes that flank Chleopatra's Needle, by the Thames in London. https://en.wikipedia.org/wiki/Cleopatra%27s_Needle,_London




The main focus fo the scan was the shrapnel damage around the porphyritic granite base on which the Sphinx sits. I did attempt to scan the Sphinx as well, but without a way to photograph it from a higher angle, I wasn't able to get a satisfactory scan ( Here's my attempt:  https://skfb.ly/6xJ99 )

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295673
title: WW1 Bomb Damage (Cleopatra's Needle, London)

description: Exported with an 8192x8192 texture to capture as much detail as possible (best viewed on a comptuter screen). 


Processed from 398 phots taken with a Nikon D5300 w/ kit lens in Agisoft Photoscan Pro. 


Damage caused during a German bombing raid in World War 1 to the base of one of the Sphinxes that flank Chleopatra's Needle, by the Thames in London. https://en.wikipedia.org/wiki/Cleopatra%27s_Needle,_London




The main focus fo the scan was the shrapnel damage around the porphyritic granite base on which the Sphinx sits. I did attempt to scan the Sphinx as well, but without a way to photograph it from a higher angle, I wasn't able to get a satisfactory scan ( Here's my attempt:  https://skfb.ly/6xJ99 )

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295674
title: St. Oswalds Church

description: St. Oswalds Church - Kirk Sandall

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295675
title: St. Oswalds Church

description: St. Oswalds Church - Kirk Sandall

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295676
title: Fremont Troll Scan with Photogrammetry

description: Photogrammetry scan of the Fremont Troll in Seattle.

Done as a comparison to current LiDAR scanning methods on the iPad, which can be seen here: https://skfb.ly/6YqwD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295677
title: Fremont Troll Scan with Photogrammetry

description: Photogrammetry scan of the Fremont Troll in Seattle.

Done as a comparison to current LiDAR scanning methods on the iPad, which can be seen here: https://skfb.ly/6YqwD

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295681
title: Floor mosaic

description: Fitzwilliam Museum floor mosaic, found in front of one of the Assyrian reliefs in the Founder's entrance of the museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295682
title: Cement Bonsai Pot

description: "In 1946 when the Japanese community began to return to Watsonville from the internment camps of World War II, not only was it a time to begin to reconstruct their lives, but also, for those who were bonsai enthusiasts, it was a time to rekindle their practice in the ancient art of bonsai.....
New bonsai trees were started from the planting of seed, or from cuttings, or from grafted material taken from all types of plants, such as fruit trees, maple trees, pines, junipers, etc. Flowering plants like azaleas and camellias were very popular for bonsai, as well....
The cement pots were used [from the period after internment] up to the time the Watsonville Bonsai Club was formed in 1968. By that time the financial situation of the Japanese community began to improve immensely and the traditional, but still expensive, bonsai pots were now able to be obtained."
-Don White, 2015

In the collections of the Santa Cruz Museum of Art and History

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295683
title: Cement Bonsai Pot

description: "In 1946 when the Japanese community began to return to Watsonville from the internment camps of World War II, not only was it a time to begin to reconstruct their lives, but also, for those who were bonsai enthusiasts, it was a time to rekindle their practice in the ancient art of bonsai.....
New bonsai trees were started from the planting of seed, or from cuttings, or from grafted material taken from all types of plants, such as fruit trees, maple trees, pines, junipers, etc. Flowering plants like azaleas and camellias were very popular for bonsai, as well....
The cement pots were used [from the period after internment] up to the time the Watsonville Bonsai Club was formed in 1968. By that time the financial situation of the Japanese community began to improve immensely and the traditional, but still expensive, bonsai pots were now able to be obtained."
-Don White, 2015

In the collections of the Santa Cruz Museum of Art and History

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295678
title: EndlessRunnerSet

description: Hello there this is a lil set created for an Endless Runner,
here's a video link to see it in action.
https://www.youtube.com/watch?v=Mb-u0bsCXsA

about the Character, he's Jimucha, a simple boy from  the 12th century who loves sweets so much that running on a Military Border to get them, doesn't scare him that much. His Favourites are the Bunny Shaped Steamed Buns, cause he finds them sweet and funny to eat.

Is he Crazy or Just Hungry?

if u plan to use it feel free to reach out, share your enthusiasm, it's free :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295679
title: EndlessRunnerSet

description: Hello there this is a lil set created for an Endless Runner,
here's a video link to see it in action.
https://www.youtube.com/watch?v=Mb-u0bsCXsA

about the Character, he's Jimucha, a simple boy from  the 12th century who loves sweets so much that running on a Military Border to get them, doesn't scare him that much. His Favourites are the Bunny Shaped Steamed Buns, cause he finds them sweet and funny to eat.

Is he Crazy or Just Hungry?

if u plan to use it feel free to reach out, share your enthusiasm, it's free :)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295680
title: Floor mosaic

description: Fitzwilliam Museum floor mosaic, found in front of one of the Assyrian reliefs in the Founder's entrance of the museum.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295685
title: Low Poly Colt Python

description: In English:
The Colt Phyton, a weapon that went down in history in the year 1955 and is still remembered by many still.

En Español:
La Colt Phyton, un arma que pasó a la historia en el año 1955 y sigue siendo recordado por muchos aun.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295686
title: Low Poly Colt Python

description: In English:
The Colt Phyton, a weapon that went down in history in the year 1955 and is still remembered by many still.

En Español:
La Colt Phyton, un arma que pasó a la historia en el año 1955 y sigue siendo recordado por muchos aun.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295687
title: 1761 Fettercairn gravestone, Aberdeenshire

description: Gravestone within Fettercairn, Aberdeenshire, Scotland.
'Here Lyes John Sim late Gardener in Fettercairn Husband to Isobel Tevotdale who died 3th July 1761 aged 61 years also his son Peter who died in November 1748 of age 18 years This monumnet was erected by John Brand...'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295688
title: 1761 Fettercairn gravestone, Aberdeenshire

description: Gravestone within Fettercairn, Aberdeenshire, Scotland.
'Here Lyes John Sim late Gardener in Fettercairn Husband to Isobel Tevotdale who died 3th July 1761 aged 61 years also his son Peter who died in November 1748 of age 18 years This monumnet was erected by John Brand...'

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295689
title: emo lion

description: lion statue in toronto. i'll look up the official name later

📍 [Toronto, ON](https://scaniver.se/L43.65647,-79.38898)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295690
title: emo lion

description: lion statue in toronto. i'll look up the official name later

📍 [Toronto, ON](https://scaniver.se/L43.65647,-79.38898)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295691
title: Stone arrowhead, El Toril, Castilla-La Mancha

description: "Stone arrowhead from the  site of  El Toril, Villanueva de los Infantes,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000525. Processed in Reality Capture from 239 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295692
title: Stone arrowhead, El Toril, Castilla-La Mancha

description: "Stone arrowhead from the  site of  El Toril, Villanueva de los Infantes,  Castilla-La Mancha, Spain.  Bronze Age. In the collection of the Ciudad Real Museum.  Catalog number CE000525. Processed in Reality Capture from 239 images. 

This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage for the digitization of the Cultural Heritage of Castilla-La Mancha region. We want to publicly thank the collaboration of the Museum of Ciudad Real, especially by its director José Ignacio de la Torre.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295695
title: INDA_Y3_D2_Hseng_Cherry

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295696
title: INDA_Y3_D2_Hseng_Cherry

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295697
title: San Gennaro Catacomb Fresco, Naples (13B)

description: "The arched niche (arcosolium) for 2 burials is located in a hypogeum (a subsurface burial ground of greater size) in the upper level of the Catacombs of San Gennaro (Naples). The niche is currently dated in the 3rd century AD and belongs to the oldest part of that level. The Catacombs itself were used for burials from the 2nd century AD to the middle ages.

Paintings: A red-yellow frame system divides the surface in geometrical motives, in which different objects are placed such as flowers, masks, a sea monster and a hippocamp. The back wall is in a poor conservation status. A man in prayer position is mainly identifiable today."

Processed from 156 photos and 2 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 13b.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295698
title: San Gennaro Catacomb Fresco, Naples (13B)

description: "The arched niche (arcosolium) for 2 burials is located in a hypogeum (a subsurface burial ground of greater size) in the upper level of the Catacombs of San Gennaro (Naples). The niche is currently dated in the 3rd century AD and belongs to the oldest part of that level. The Catacombs itself were used for burials from the 2nd century AD to the middle ages.

Paintings: A red-yellow frame system divides the surface in geometrical motives, in which different objects are placed such as flowers, masks, a sea monster and a hippocamp. The back wall is in a poor conservation status. A man in prayer position is mainly identifiable today."

Processed from 156 photos and 2 laser scans. The result of a joint project of GDH, the Zamani Project,  Università degli Studi di Napoli "L'Orientale", and the Administration of the Catacombe di Napoli. Processed in Reality Capture. The descriptions were provided by Seniorprofessor Dr. Dieter Korol, Westfälische Wilhelms-Universität Münster.  Project # Fresco 13b.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295699
title: Roque Dos Hermanos (La Laguna, Tenerife)

description: En esta montaña se sitúan dos importantes yacimientos de arte rupestre de la cultura indígena de Tenerife. Una estación de cazoletas y canalillos en su base y grabados rupestres en una afloración de tobas púmíticas a media altura.

In this mountain there are two important sites of rock art of the indigenous culture of Tenerife. Basins and channels in its base (https://skfb.ly/6IZtW) and rock carvings in an outcrop of pumitic tuffs at half height.

https://goo.gl/maps/MLtAt9pR9ZG2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295700
title: Roque Dos Hermanos (La Laguna, Tenerife)

description: En esta montaña se sitúan dos importantes yacimientos de arte rupestre de la cultura indígena de Tenerife. Una estación de cazoletas y canalillos en su base y grabados rupestres en una afloración de tobas púmíticas a media altura.

In this mountain there are two important sites of rock art of the indigenous culture of Tenerife. Basins and channels in its base (https://skfb.ly/6IZtW) and rock carvings in an outcrop of pumitic tuffs at half height.

https://goo.gl/maps/MLtAt9pR9ZG2

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295701
title: Dolmen de la Pierre aux Fées

description: Dolmen de la Pierre aux Fées, near Meinier, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295702
title: Dolmen de la Pierre aux Fées

description: Dolmen de la Pierre aux Fées, near Meinier, France

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10295703
title: Kamień Nieszczęścia - Lublin (Misfortune Stone)

description: Lokalizacja: ul. Jezuicka, Lublin
GPS: 51.2471, 22.5679
Lokalizacja - https://goo.gl/maps/GZ2Gc16iVaEaNtCM9 
" (...) Kamień funkcjonował w przerażający sposób w mieście jeszcze w czasach, gdy za różne przewinienia mieszkańców Lublina spotykała kara ścięcia. Ścięcia dokonywał kat (w mieście istniała specjalna instytucja kata), na mocy wyroku sądu. Aby ściąć głowę skazańca, kat brał wielki, ostrzony godzinami topór, robił rozmach i ścinał głowę celując w kark. Osoba, której ścinano głowę, leżała twarzą w dół. Aby ułatwić sobie pracę, skazaniec układał się na pniu dębu ustawionym właśnie na takim kamieniu (…)" - https://projektownia-wakacji.pl/lublin/przeklety-diabelski-kamien/

Source: Objaverse 1.0 / Sketchfab