cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10349809
title: Govan 4

description: Govan 4 ([Stirling Maxwell's numbering](https://archive.org/details/sculpturedstone00maxwgoog); ECMS Govan 3; Lang 4) is one of Govan's five hogbacks. While it was likely originally carved in the 10th century AD, it is one of two hogbacks that were recut at a later date to resemble a single beast (like [Govan 3](https://skfb.ly/6XVFw)). Like Govan 2, the underside of this hogback has not been carved out, but the difference in its display in the museum has allowed for Govan 4's underside to be partially captured (the edges and white areas are not 'real' parts of the surface; holes in the 3D data have been filled using Zbrush).

This model was created as part of Dr Megan Kasten's PhD, made available here: http://theses.gla.ac.uk/74266/. Created with Agisoft Metashape, edited in Zbrush. While the download of this 3D model is free, if you are able, please consider supporting the Govan Stones by donating to the [Govan Stones Appeal.](https://tghts.enthuse.com/profile)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349810
title: Patra 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349811
title: Patra 1

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349812
title: Queen Mab

description: In fairy folklore, Queen Mab was the tiny fairy who visited people when they were asleep, fulfilling their wishes via their dreams. Perhaps the owners of this little yacht were fulfilling a dream of their own when they commissioned a half scale, 6-metre yacht!

Queen Mab's unusual size has made it an object of interest, with historians suggesting that it was a prototype of the 6-metre yachts which became famous as racing vessels in the 20th century.

The presence of a wheatsheaf carving on the bow also led some to believe that it might have been built by renowned yacht builders William Fife & Son, but modern sources disagree. The real identity of the builder is a mystery, but Mab's unusual toy-like size continues to fascinate and intrigue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349813
title: Queen Mab

description: In fairy folklore, Queen Mab was the tiny fairy who visited people when they were asleep, fulfilling their wishes via their dreams. Perhaps the owners of this little yacht were fulfilling a dream of their own when they commissioned a half scale, 6-metre yacht!

Queen Mab's unusual size has made it an object of interest, with historians suggesting that it was a prototype of the 6-metre yachts which became famous as racing vessels in the 20th century.

The presence of a wheatsheaf carving on the bow also led some to believe that it might have been built by renowned yacht builders William Fife & Son, but modern sources disagree. The real identity of the builder is a mystery, but Mab's unusual toy-like size continues to fascinate and intrigue.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349816
title: Lincoln Memorial Sketch Model

description: American sculptor Daniel Chester French was chosen to create the statue that would be the centerpiece of the new Lincoln Memorial in Washington, DC. After consultations with Henry Bacon, the architect and his longtime personal friend, French decided to have the president seated.

The first tentative model for the statue was this fast sketch model. Fine details weren't important at this early stage. The sketch model was intended to be a general idea of the possible final statue.

This first draft model is interesting as it was eventually mirrored into the final design. The projecting left leg and foot were moved back under the seat while the opposite foot and leg were extended. The clenched and relaxed hands were switched as well. The chair was eventually turned into a smooth monolithic throne. The massive marble statue today unmistakably reflects this first early design.

The sketch model can be seen today in the studio at Chesterwood. It sits on the edge of the six-foot model that dominates the room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349817
title: Lincoln Memorial Sketch Model

description: American sculptor Daniel Chester French was chosen to create the statue that would be the centerpiece of the new Lincoln Memorial in Washington, DC. After consultations with Henry Bacon, the architect and his longtime personal friend, French decided to have the president seated.

The first tentative model for the statue was this fast sketch model. Fine details weren't important at this early stage. The sketch model was intended to be a general idea of the possible final statue.

This first draft model is interesting as it was eventually mirrored into the final design. The projecting left leg and foot were moved back under the seat while the opposite foot and leg were extended. The clenched and relaxed hands were switched as well. The chair was eventually turned into a smooth monolithic throne. The massive marble statue today unmistakably reflects this first early design.

The sketch model can be seen today in the studio at Chesterwood. It sits on the edge of the six-foot model that dominates the room.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349819
title: Pterosauro - Cosmocaixa

description: Reconstrucción de pterosaurio procedente de Brasil cuyo nombre científico es Anhanguera Piscator. Se encuentra expuesta en las rampas del itinerario de visitas de Cosmocaixa, Barcelona. Con varias piezas originales.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349818
title: Pterosauro - Cosmocaixa

description: Reconstrucción de pterosaurio procedente de Brasil cuyo nombre científico es Anhanguera Piscator. Se encuentra expuesta en las rampas del itinerario de visitas de Cosmocaixa, Barcelona. Con varias piezas originales.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349820
title: Biface Fragment XCB-003-403

description: Biface Fragment  XCB-003-403

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349821
title: Biface Fragment XCB-003-403

description: Biface Fragment  XCB-003-403

XCB-003, or IZM-003, is a site tested by A.P. McCartney in 1971. It is the type-site for the Izembek Phase. A small village with a unique whalebone house and many artifacts similar to those in the Bristol Bay region. It dates approximately 1200-1350 CE.

The Alaska Peninsula artifacts are presented as a result of the research conducted under grants NSF 9630072, NSF 9814086, NSF 9996372, NSF 9996415, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing and publication completed at Global Digital Heritage.

1. McCartney, A.P. 1974 Prehistoric Cultural Integration along the Alaska Peninsula. APUA 16(1):59-84. 2. Maschner: doi: 10.1353/arc.2011.0007 Arctic Anthro. January 1, 2004 vol. 41 no. 2 98-111.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349822
title: pyramids microenvironment

description: The pyramids are a miniature environment that was created using a 3D blender in a period of less than an hour. I have more options. If you like the model, you can support me with a like and a comment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349823
title: pyramids microenvironment

description: The pyramids are a miniature environment that was created using a 3D blender in a period of less than an hour. I have more options. If you like the model, you can support me with a like and a comment

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349826
title: 二龙戏珠 two dragons are playing with a pearl

description: **二龙戏珠 two dragons are playing with a pearl**

阴沉木雕 Wood Carving

中国工艺美术大师2005年作品 现收藏于中国衡阳南岳梁丰助工艺美术馆

Two dragons playing beads, also known as double dragons playing beads, is an idiom and one of the traditional Chinese auspicious patterns.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349827
title: 二龙戏珠 two dragons are playing with a pearl

description: **二龙戏珠 two dragons are playing with a pearl**

阴沉木雕 Wood Carving

中国工艺美术大师2005年作品 现收藏于中国衡阳南岳梁丰助工艺美术馆

Two dragons playing beads, also known as double dragons playing beads, is an idiom and one of the traditional Chinese auspicious patterns.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349829
title: Sermītes pilskalns (ortofoto)

description: Sermītes pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.749709, 21.765686

https://www.latvijas-pilskalni.lv/sermites-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349828
title: Sermītes pilskalns (ortofoto)

description: Sermītes pilskalna 3D modelis ar ortofoto pārklājumu. Koordinātas: 56.749709, 21.765686

https://www.latvijas-pilskalni.lv/sermites-pilskalns/

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349832
title: Surface of Revolution

description: * The plaster model shows the surface of revolution of a semi-cubical parabola. Curves drawn on the surface are asymptotic curves, that is to say curves where the curvature is 0.
* На гипсовой модели изображена поверхность вращения полукубической параболы. Кривые, проведенные на поверхности, являются асимптотическими кривыми, т. е. кривыми, у которых кривизна равна 0.
* *(метка 23)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349833
title: Surface of Revolution

description: * The plaster model shows the surface of revolution of a semi-cubical parabola. Curves drawn on the surface are asymptotic curves, that is to say curves where the curvature is 0.
* На гипсовой модели изображена поверхность вращения полукубической параболы. Кривые, проведенные на поверхности, являются асимптотическими кривыми, т. е. кривыми, у которых кривизна равна 0.
* *(метка 23)*

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349834
title: Hl. Nepomuk

description: Statue of John of Nepomuk from the first half of the 18th century in front of the parish church of St. Peter and Paul in Vienna. St. Nepomuk holds a crucifix in his arms. He stands on clouds with two putti and two angel heads at his feet. On the pedestal a relief of the martyrdom of St. John Nepomuk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349835
title: Hl. Nepomuk

description: Statue of John of Nepomuk from the first half of the 18th century in front of the parish church of St. Peter and Paul in Vienna. St. Nepomuk holds a crucifix in his arms. He stands on clouds with two putti and two angel heads at his feet. On the pedestal a relief of the martyrdom of St. John Nepomuk.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349836
title: PV Fountain

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349837
title: PV Fountain

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349840
title: NMB&H, Iron Age tool - spindle whorl

description: "Iron Age  Ceramic spindle whorl, decorated with concentric circles. Diameter 4.8 cm.  From the site of  Donja Dolina near Bosanska Gradiška (northern Bosnia) - settlement and cemetery. 7th-4th c. BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 321 images. GDH ID No. 24388 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349841
title: NMB&H, Iron Age tool - spindle whorl

description: "Iron Age  Ceramic spindle whorl, decorated with concentric circles. Diameter 4.8 cm.  From the site of  Donja Dolina near Bosanska Gradiška (northern Bosnia) - settlement and cemetery. 7th-4th c. BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 321 images. GDH ID No. 24388 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349845
title: Mariensäule

description: Baroque Marian column in the southeast corner of the Allentsteig parish church. On the pedestal the inscription "**Mary, comforter of the afflicted, pray for us**". The column is crowned by a Pietá (Mary with the body of Jesus Christ taken down from the cross). The Marian column dates from 1702.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349844
title: Mariensäule

description: Baroque Marian column in the southeast corner of the Allentsteig parish church. On the pedestal the inscription "**Mary, comforter of the afflicted, pray for us**". The column is crowned by a Pietá (Mary with the body of Jesus Christ taken down from the cross). The Marian column dates from 1702.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349846
title: Barril

description: Em completo estado de ruína em meados do século XX, o mosteiro de Santo António de Lisboa em Montemor-o-Novo escondia nas suas abóbadas, antes da sua reconstrução arquitectónica, uma colecção de olaria ímpar no panorama nacional do século XVI. Pela sua especificidade e quantidade, esta colecção do Museu de Arqueologia de Montemor-o-Novo é um exemplo único para a compreensão do seu contexto histórico, não só pela representatividade das peças enquanto objectos utilitários mas também pela sua reutilização enquanto elemento de construção arquitectónica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349847
title: Barril

description: Em completo estado de ruína em meados do século XX, o mosteiro de Santo António de Lisboa em Montemor-o-Novo escondia nas suas abóbadas, antes da sua reconstrução arquitectónica, uma colecção de olaria ímpar no panorama nacional do século XVI. Pela sua especificidade e quantidade, esta colecção do Museu de Arqueologia de Montemor-o-Novo é um exemplo único para a compreensão do seu contexto histórico, não só pela representatividade das peças enquanto objectos utilitários mas também pela sua reutilização enquanto elemento de construção arquitectónica.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349848
title: Terracotta- Warrior

description: Sample model made by Jye in his year 7 class

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349849
title: Terracotta- Warrior

description: Sample model made by Jye in his year 7 class

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349852
title: Plato - Fajalauza-HD (54)

description: Plato (GR.CRSD.05.1006.31) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde exvasado con el cuerpo de perfil troncocónico abierto y base plana rehundida. Presenta una decoración interna y central de manganeso con un motivo floral y una cenefa de cadenas en el borde.

* Cronología: Siglos XVII-XVIII.
* Depósito: Dpto. de Historia  Medieval y CCTTHH de la Universidad de Granada. 
* Yacimiento: Cuarto Real de Santo Domingo, Granada, excavaciones arqeuológicas del año 2005.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349853
title: Plato - Fajalauza-HD (54)

description: Plato (GR.CRSD.05.1006.31) producido en los talleres de Fajalauza (Granada, España). Ha sido modelado a torno y cocido en una atmósfera oxidante. Tiene una forma abierta, parte de un labio redondeado y borde exvasado con el cuerpo de perfil troncocónico abierto y base plana rehundida. Presenta una decoración interna y central de manganeso con un motivo floral y una cenefa de cadenas en el borde.

* Cronología: Siglos XVII-XVIII.
* Depósito: Dpto. de Historia  Medieval y CCTTHH de la Universidad de Granada. 
* Yacimiento: Cuarto Real de Santo Domingo, Granada, excavaciones arqeuológicas del año 2005.

[FAJALAUZA-Hd](https://acortar.link/bNsUsm)

Colaboran: [PRINMA](http://blogs.ugr.es/prinma/), [UGR](http://www.ugr.es), [Fundación Fajalauza](https://acortar.link/shJ8ps) , [Museo Arqueológico y Etnológico de Granada](https://acortar.link/DF0cOC), [Patronato de la Alhambra y Generalife](https://acortar.link/FcstHW)

Fotografías y modelo: [Francisco Lara Piñera](https://acortar.link/Bam3Op)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349856
title: Tanum 818:1

description: Model of Tanum 818:1 Finntorp. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349857
title: Tanum 818:1

description: Model of Tanum 818:1 Finntorp. Laser scan.
Documentationproject Länsstyrelsen Västra Götaland

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349858
title: Östra Eneby 1 Svinnhällen Svärd

description: Laserscan of two swords on this panel at Himmelstalund

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349859
title: Östra Eneby 1 Svinnhällen Svärd

description: Laserscan of two swords on this panel at Himmelstalund

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349860
title: Mythical Beast - Artec 3D Scan

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349861
title: Mythical Beast - Artec 3D Scan

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349862
title: Medieval Stećak from the Site of Stuparski krš

description: Medieval Stećak. Stećci are Medival tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH No. 6. 2021.

394 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349863
title: Medieval Stećak from the Site of Stuparski krš

description: Medieval Stećak. Stećci are Medival tombstones and are part of the World Heritage of Bosnia and Herzegovina. Data were collected as part of a joint research project between GDH and the Association for the Digitization and Informatisation of Cultural Heritage (DIGI.BA) in Sarajevo, and in collaboration with Dr. Edin Bujak, Archaeologist, Univerzitet u Sarajevu. GDH No. 6. 2021.

394 Images processed and modeled in Reality Capture.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349864
title: antique vase

description: made in ZBRUSH


textured in Substance Painter



rendered in Light Tracer render


![](https://i.pinimg.com/564x/f0/06/e9/f006e914b7f200a5b5e23d0cadc097c5.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349865
title: antique vase

description: made in ZBRUSH


textured in Substance Painter



rendered in Light Tracer render


![](https://i.pinimg.com/564x/f0/06/e9/f006e914b7f200a5b5e23d0cadc097c5.jpg)

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349866
title: Protective post with female figure

description: Protective post with female figure, Flores, Indonesia, wood. Musée du Cinquantenaire (Brussels, Belgium). Made with Capturing Reality.

The sculpture was part of a couple, man and woman, called ana deo, representing ancestors who were placed, as guardians, on the right and left of the door of houses.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349867
title: Protective post with female figure

description: Protective post with female figure, Flores, Indonesia, wood. Musée du Cinquantenaire (Brussels, Belgium). Made with Capturing Reality.

The sculpture was part of a couple, man and woman, called ana deo, representing ancestors who were placed, as guardians, on the right and left of the door of houses.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349868
title: Randolph Stemmed (301a11)

description: **Randolph Stemmed arrow point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 29.6 mm; width, 21.3 mm; thickness, 8.7 mm.

Notes: Catalog no. 301a11, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 43. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349869
title: Randolph Stemmed (301a11)

description: **Randolph Stemmed arrow point**

Location: Doerschuk site (31Mg22), Montgomery County, North Carolina.

Period: Middle Woodland (500 BC - AD 500).

Material: metavolcanic rock.

Dimensions: length, 29.6 mm; width, 21.3 mm; thickness, 8.7 mm.

Notes: Catalog no. 301a11, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Illustrated in *The Formative Cultures of the Carolina Piedmont,* by Joffre L. Coe, Transactions of the American Philosophical Society vol. 54, pt. 5, 1964, Figure 43. Model by Steve Davis.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349870
title: Vikingatida smycke / Viking age buckle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349871
title: Vikingatida smycke / Viking age buckle

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349874
title: Slipware Pipkin, probably 17th century

description: Slipware Pipkin, probably 17th century from Bideford Devon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349875
title: Slipware Pipkin, probably 17th century

description: Slipware Pipkin, probably 17th century from Bideford Devon

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10349879
title: 1 billion rubles (1924).

description: 1 billion rubles (1924). Monetary unit: ruble. Denomination: 1 billion. Year of issue: 1924. Banknote of the Transcaucasian Soviet Federative Socialist Republic of the period of hyperinflation. Issued in 1924. Withdrawn from circulation in the same year in connection with the termination of the issue of a separate Transcaucasian currency and the transition to the all-Union - the ruble of the USSR. Material: paper.

1 миллиард рублей (1924). Денежная единица: рубль. Номинал: 1 миллиард. Год выпуска: 1924 год. Банкнота Закавказской Советской Федеративной Социалистической Республики периода гиперинфляции. Выпущена в обращение в 1924 году. Изъята из обращения в том же году в связи с прекращением выпуска отдельной закавказской валюты и переходом на общесоюзную — рубль СССР. Материал: бумага.

Source: Objaverse 1.0 / Sketchfab