cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.5281/zenodo.10288226
title: Mamohkamatowin by Jerry Whitehead

description: # Mamohkamatowin 

Mamohkamatowin (Helping Each Other) by Jerry Whitehead at the Indigenous Art Park

This scan is one of the two pieces. See the other one [here](https://skfb.ly/o7CyC).

[[Youtube](https://www.youtube.com/watch?v=0_FLaw0mWqc&ab_channel=EdmontonArtsCouncil)]. [[Wikipmedia](https://commons.wikimedia.org/wiki/File:Mamohkamatowin_(Helping_Each_Other)_by_Jerry_Whitehead_at_the_Indigenous_Art_Park_%E1%90%84%E1%93%83%E1%90%A4_(%C3%8EN%C3%8EW)_River_Lot_11%E2%88%9E_04.jpg)]

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288227
title: NMB&H, Bronze Age Axe

description: "Late Bronze Age Partially preserved hollow bronze socketed axe (celt). Lenght 8.7 cm. From the site of  Šumatac near Cazin (western Bosnia) - hoard. 12th c, BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 480 images. GDH ID No. 540 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288228
title: NMB&H, Bronze Age Axe

description: "Late Bronze Age Partially preserved hollow bronze socketed axe (celt). Lenght 8.7 cm. From the site of  Šumatac near Cazin (western Bosnia) - hoard. 12th c, BCE. Artifact in the National Museum of Bosnia and Herzegovina. Processed in Reality Capture from 480 images. GDH ID No. 540 

This project is a collaboration between Global Digital Heritage and the National Museum of Bosnia and Herzegovina in Sarajevo."

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288231
title: Townhead 5, Dumfries and Galloway

description: Cup and ring marked panel recorded as Townhead 11 by van Hoek and Townhead 9 by Naddir et al. Recorded and modelled for ScRAP by the Kirkcudbright Rock Art Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288232
title: Townhead 5, Dumfries and Galloway

description: Cup and ring marked panel recorded as Townhead 11 by van Hoek and Townhead 9 by Naddir et al. Recorded and modelled for ScRAP by the Kirkcudbright Rock Art Team

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288233
title: Book

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288234
title: Book

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288235
title: COADS_31-3

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio. Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_31-3, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288236
title: COADS_31-3

description: Diagnostic biface collected in Jefferson Township, Ross County, Ohio. Material: Upper Mercer

Uploaded by: Abby Clark

Suggested Data Citation: Nolan, Kevin C., Andrew Weiland, Kelli Wathen, Abby Clark, and Michael Shott, 2017. COADS_31-3, 3D Model .ply file. Central Ohio Archaeological Digitization Survey, Department of Anthropology, University of Akron and Applied Anthropology Laboratories, Department of Anthropology, Ball State University.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288238
title: Dan River Net Impressed Jar (2355p92)

description: **Dan River Net Impressed jar**

Location: Box Plant Site (44Hr2), Henry County, Virginia.

Period: Late Woodland, Dan River phase (AD 1300-1400).

Material: ceramic.

Dimensions: height, 18.8 cm; diameter, 24.8 cm.

Notes: Catalog no. 2355p92.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288239
title: Dan River Net Impressed Jar (2355p92)

description: **Dan River Net Impressed jar**

Location: Box Plant Site (44Hr2), Henry County, Virginia.

Period: Late Woodland, Dan River phase (AD 1300-1400).

Material: ceramic.

Dimensions: height, 18.8 cm; diameter, 24.8 cm.

Notes: Catalog no. 2355p92.  North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Abigail Gancz.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288243
title: Humbie Parish Kirk gravestone, Scotland

description: Gravestone within Humbie Parish Kirk graveyard, East Lothian, Scotland 

3D model on a frosty day

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288244
title: Humbie Parish Kirk gravestone, Scotland

description: Gravestone within Humbie Parish Kirk graveyard, East Lothian, Scotland 

3D model on a frosty day

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288246
title: York Minster Cathedral

description: The full version of the York Minster model. Anything away from the cathedral came out a little bit messy but not too bad based on a 1 min youtube video doing 1 loop around :)

See the trimmed cathederal only model here - https://sketchfab.com/3d-models/york-minster-cathederal-only-cc80db5047124ee29b526c5416981f6a

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288245
title: York Minster Cathedral

description: The full version of the York Minster model. Anything away from the cathedral came out a little bit messy but not too bad based on a 1 min youtube video doing 1 loop around :)

See the trimmed cathederal only model here - https://sketchfab.com/3d-models/york-minster-cathederal-only-cc80db5047124ee29b526c5416981f6a

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288247
title: Flying Thunder God Kunai

description: Quite proud to present to you my first properly finished model. It took me around 8 hours to do the modeling, UVs and the texturing.

Reference image was made by: https://www.deviantart.com/iennidesign

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288248
title: Flying Thunder God Kunai

description: Quite proud to present to you my first properly finished model. It took me around 8 hours to do the modeling, UVs and the texturing.

Reference image was made by: https://www.deviantart.com/iennidesign

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288251
title: Momia Nº 5 HD

description: Momia indígena de Gran Canaria Nº 5 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

El modelo corresponde a una momia de mujer mayor de 50 años, datada entre el 670-675 d.C. Fue recuperada en una cueva funeraria colectiva de Acusa (Artenara) en la década de 1930. Más información sobre esta momia en **[pieza del mes de El Museo Canario](http://www.elmuseocanario.com/images/documentospdf/piezadelmes/2017/piezaenero2017.pdf)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288252
title: Momia Nº 5 HD

description: Momia indígena de Gran Canaria Nº 5 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

El modelo corresponde a una momia de mujer mayor de 50 años, datada entre el 670-675 d.C. Fue recuperada en una cueva funeraria colectiva de Acusa (Artenara) en la década de 1930. Más información sobre esta momia en **[pieza del mes de El Museo Canario](http://www.elmuseocanario.com/images/documentospdf/piezadelmes/2017/piezaenero2017.pdf)**

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288255
title: unreliableobject_19

description: Found in Hamburg, Germany.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288256
title: unreliableobject_19

description: Found in Hamburg, Germany.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288257
title: Soutes à munition allemandes

description: Chantier INRAP Bretteville sur Odon 10 juillet 2020 Responsable d'opération Benoit Labbey

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288258
title: Soutes à munition allemandes

description: Chantier INRAP Bretteville sur Odon 10 juillet 2020 Responsable d'opération Benoit Labbey

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288259
title: Loutrophore, Urn Greek

description: Loutrophore, the exhibition of the dead around 500-480 BCE. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

Loutrophorus was used to transport water used in rites of purification prior to weddings or funerals. In the case of a funeral rite, the women of the house cleanse the body before coating it with scented oil and dressing it to place it on a funeral bed. Identical vases were also used to mark graves or offerings.

For more updates, please consider follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288260
title: Loutrophore, Urn Greek

description: Loutrophore, the exhibition of the dead around 500-480 BCE. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

Loutrophorus was used to transport water used in rites of purification prior to weddings or funerals. In the case of a funeral rite, the women of the house cleanse the body before coating it with scented oil and dressing it to place it on a funeral bed. Identical vases were also used to mark graves or offerings.

For more updates, please consider follow me on Twitter at @GeoffreyMarchal.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288264
title: 075 Elfenbeinanhänger / Ivory pendant

description: # **Fundort / Site**
Paderborn, Kreis Paderborn (Germany)


# **Fundumstände / Circumstances of discovery**
Wüstung Balhorn / Abandoned village Balhorn

September 1998


# **Objekt / Object**
Walrosselfenbein / Walrus ivory

Höhe / Height: 3,9 cm

Breite / Width: 2,4 cm

Dicke / Thickness: 0,5 cm


# **Datierung / Dating**
900–1000

Hochmittelalter / High Middle Ages

Karolinger, Ottonen / Caronlingians, Ottonians


# **Fundverbleib / Repository**
LWL-Museum in der Kaiserpfalz, Paderborn


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288263
title: 075 Elfenbeinanhänger / Ivory pendant

description: # **Fundort / Site**
Paderborn, Kreis Paderborn (Germany)


# **Fundumstände / Circumstances of discovery**
Wüstung Balhorn / Abandoned village Balhorn

September 1998


# **Objekt / Object**
Walrosselfenbein / Walrus ivory

Höhe / Height: 3,9 cm

Breite / Width: 2,4 cm

Dicke / Thickness: 0,5 cm


# **Datierung / Dating**
900–1000

Hochmittelalter / High Middle Ages

Karolinger, Ottonen / Caronlingians, Ottonians


# **Fundverbleib / Repository**
LWL-Museum in der Kaiserpfalz, Paderborn


# **3-D-Modell / 3D model**
Fotokamera / Photo camera: Nikon D850

Modellberechnung / Model processing: Reality Capture

Modell / Model: LWL-Archäologie für Westfalen/Florian Westphal

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288265
title: ENTIERRO EN LAS ENTRADAS DE LA MONTAÑA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288266
title: ENTIERRO EN LAS ENTRADAS DE LA MONTAÑA

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288269
title: Petroglyph H2 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H2 Khatm Al Melaha, Kalba, Sharjah. Two Wild Ass and a horned animal, maybe Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288270
title: Petroglyph H2 Khatm Al Melaha, Kalba, Sharjah

description: DStretch Version, Petroglyph H2 Khatm Al Melaha, Kalba, Sharjah. Two Wild Ass and a horned animal, maybe Ibex. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)].

Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques.

Reality Capture and DStretch

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288271
title: Pisgah Plain Rimsherd (2164p2)

description: **Pisgah Plain rimsherd**

Location: Haywood County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 62.5 mm; width, 36.3 mm; height, 49.4 mm.

Notes: Catalog no. 2164p2, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288272
title: Pisgah Plain Rimsherd (2164p2)

description: **Pisgah Plain rimsherd**

Location: Haywood County, North Carolina.

Period: Mississippian, Pisgah phase (AD 1000-1400)

Material: ceramic.

Dimensions: length, 62.5 mm; width, 36.3 mm; height, 49.4 mm.

Notes: Catalog no. 2164p2, North Carolina Archaeological Collection, Research Laboratories of Archaeology, University of North Carolina at Chapel Hill. Model by Chris LaMack.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288273
title: Lyrträdet

description: Under 1930-talet spenderade Axel Wallenberg flera somrar i Halmstad. Han donerade skulpturen till Halmstads kommun eftersom det var en plats som betytt mycket för honom. Verket är en stiliserad lyra, utförd i brons. Det är ett stränginstrument som finns avbildad i konsten redan hos sumererna, ca 3000 f.Kr. Wallenberg var elev, nära vän och samarbetspartner till Carl Milles, som har gjort "Europa och tjuren" på Stora torg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288274
title: Lyrträdet

description: Under 1930-talet spenderade Axel Wallenberg flera somrar i Halmstad. Han donerade skulpturen till Halmstads kommun eftersom det var en plats som betytt mycket för honom. Verket är en stiliserad lyra, utförd i brons. Det är ett stränginstrument som finns avbildad i konsten redan hos sumererna, ca 3000 f.Kr. Wallenberg var elev, nära vän och samarbetspartner till Carl Milles, som har gjort "Europa och tjuren" på Stora torg.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288275
title: Al Jassasiya Petroglyphs

description: Located in the north-east of Qatar, Al Jassasiya comprises a total of 874 carvings.

Discovered around 1957, the rocky desertscape has distinct carvings stretching across an area 700 meters wide. The Al Jassasiya rock carvings feature various shapes, including boats, rosettes, fish, ostriches and cup marks. 

This photogrammetric model was created using 38 photos taken with a Nikon D610. The model has been processed using Reality Capture and edited on Zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288276
title: Al Jassasiya Petroglyphs

description: Located in the north-east of Qatar, Al Jassasiya comprises a total of 874 carvings.

Discovered around 1957, the rocky desertscape has distinct carvings stretching across an area 700 meters wide. The Al Jassasiya rock carvings feature various shapes, including boats, rosettes, fish, ostriches and cup marks. 

This photogrammetric model was created using 38 photos taken with a Nikon D610. The model has been processed using Reality Capture and edited on Zbrush.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288277
title: SKID CI S Pailin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288278
title: SKID CI S Pailin

description: Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288279
title: XFP-054 Sanak Point, Sanak Island, Alaska.

description: Sanak Point, Sanak Island, Alaska. CAT# XFP-054-64-4 (#13?)

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288280
title: XFP-054 Sanak Point, Sanak Island, Alaska.

description: Sanak Point, Sanak Island, Alaska. CAT# XFP-054-64-4 (#13?)

XFP-054 is an early village in a dune area on the south side of Sanak Island, Alaska. The dune is deflating, leaving behind dozens of well-preserved houses and site features. It clearly demonstrates the village organization of this time period between 2200 and 1600 BCE. This is the time of the early occupation of Hot Springs Village on the Alaska Peninsula.

These artifacts were scanned with either a Faro Edge Arm or a Minolta Vivid 9i. Processed in Geomagic or Polyworks. 2-8 photos were used for texture in Geomagic Wrap. The Sanak Island artifacts are presented as a result of research conducted under grants NSF 0326584, NSF 0508101, NSF 1139266, NSF 1321411. H. Maschner, Principal Investigator. Original digitizing work done at the IVL at Id. St. Univ. Subsequent processing completed at Global Digital Heritage. Fieldwork and analysis done with the permission and collaboration of the Pauloff Harbor Tribe and the Sanak Corporation.

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288281
title: Forzbachl Quelle - Thalheim

description: "Die Quelle des "Forzbachls" ist ein beliebtes Ausflugsziel für Jung und Alt.
Im Frühjahr 1932 wurde die Quelle des "Forzbachls" von Herrn Weißbach, einem Thalheimer Bürger, in mühseliger Arbeit eingefasst. Die Ortsgruppe des Kulturbundes der DDR gestaltete das Gelände 1976 neu.

Zum traditionellen "Osterwasser-Holen" ist dieses Quellwasser bereits seit den 1930er Jahren begehrt. Der Brauch besagt einerseits, dass derjenige, der sich an einem Ostertag noch vor Sonnenaufgang mit dem Wasser der Quelle wäscht, mit ewiger Schönheit beglückt wird. Andererseits bringe das Trinken eines Kaffees mit Osterwasser Glück für das ganze Jahr. Bis hin zur Quelle darf allerdings kein Wort gesprochen werden. Eine Wasseranalyse bescheinigt dem "Forzwasser" zwar keine offizielle Trinkwasserqualität, aber eine Wanderung mit Rast an der beliebten Stelle im Wald zwischen Thalheim und Jahnsdorf lohnt sich zu jeder Jahreszeit.

Dank der vielen fleißigen Helfer konnte die Forzbachl Quelle bis heute erhalten werden."

Website Thalheim

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288282
title: Forzbachl Quelle - Thalheim

description: "Die Quelle des "Forzbachls" ist ein beliebtes Ausflugsziel für Jung und Alt.
Im Frühjahr 1932 wurde die Quelle des "Forzbachls" von Herrn Weißbach, einem Thalheimer Bürger, in mühseliger Arbeit eingefasst. Die Ortsgruppe des Kulturbundes der DDR gestaltete das Gelände 1976 neu.

Zum traditionellen "Osterwasser-Holen" ist dieses Quellwasser bereits seit den 1930er Jahren begehrt. Der Brauch besagt einerseits, dass derjenige, der sich an einem Ostertag noch vor Sonnenaufgang mit dem Wasser der Quelle wäscht, mit ewiger Schönheit beglückt wird. Andererseits bringe das Trinken eines Kaffees mit Osterwasser Glück für das ganze Jahr. Bis hin zur Quelle darf allerdings kein Wort gesprochen werden. Eine Wasseranalyse bescheinigt dem "Forzwasser" zwar keine offizielle Trinkwasserqualität, aber eine Wanderung mit Rast an der beliebten Stelle im Wald zwischen Thalheim und Jahnsdorf lohnt sich zu jeder Jahreszeit.

Dank der vielen fleißigen Helfer konnte die Forzbachl Quelle bis heute erhalten werden."

Website Thalheim

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288283
title: Ptolemy of Mauretania (PhotoScan)

description: http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=2762

Louvre Ma 1887

Canon EOS 70D, Agisoft PhotoScan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288284
title: Ptolemy of Mauretania (PhotoScan)

description: http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=2762

Louvre Ma 1887

Canon EOS 70D, Agisoft PhotoScan

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288286
title: Gravestone on Augsburg Westfriedhof graveyard

description: Familiengrabstein auf dem Augsburger Westfriedhof mit wunderschöner Engelsstatue. Namen nachträglich anonymisiert.
Erst beim Verarbeiten der Daten haben wir entdeckt, dass zu Füßen der Statue eine tote Maus liegt :P Bereinigtes Modell folgt in Kürze...

Family tombstone on Augsburg Westfriedhof graveyard with a beautiful angel statue. Names anonymized.
After processing the model we discovered the corpse of a mouse lying to the angel´s feet. Scary :P
Cleaned version of the model coming soon...

Source: Objaverse 1.0 / Sketchfab
DOI: 10.5281/zenodo.10288285
title: Gravestone on Augsburg Westfriedhof graveyard

description: Familiengrabstein auf dem Augsburger Westfriedhof mit wunderschöner Engelsstatue. Namen nachträglich anonymisiert.
Erst beim Verarbeiten der Daten haben wir entdeckt, dass zu Füßen der Statue eine tote Maus liegt :P Bereinigtes Modell folgt in Kürze...

Family tombstone on Augsburg Westfriedhof graveyard with a beautiful angel statue. Names anonymized.
After processing the model we discovered the corpse of a mouse lying to the angel´s feet. Scary :P
Cleaned version of the model coming soon...

Source: Objaverse 1.0 / Sketchfab