cometadata/datacite-titles-descriptions-related-identifiers huggingface dataset:
DOI: 10.17633/rd.brunel.23545038.v1
title: <strong>CSV Data Dump for 31 Day Model Run </strong>

description: The target company's hydraulic modelling package uses Innovyze InfoworksTM. This product enables third party integration through API’s and Ruby scripts when the ICM Exchange service is enabled. As a result, the research looked at opportunities to exploit scripting in order to run the chosen optimisation strategy. The first approach initially investigated the use of a CS-script tool that would export the results tables directly from the Innovyze InfoworksTM environment into CSV format workbooks. From here the data could then be inspected, with the application of mathematical tooling to optimise the pump start parameters before returning these back into the model and rerunning. Note, the computational resource the research obtained to deploy the modelling and analysis tools comprised the following specification. Hardware <br> Dell Poweredge R720 <br> Intel Xeon Processor E5-2600 v2 <br> 2x Processor Sockets <br> 32GB Memory random access memory (RAM) – 1866MT/s <br> Virtual Machine <br> <br> Hosted on VMWare Hypervisor v6.0. <br> Windows Server 2012R2. <br> Microsoft Excel 64bit. <br> 16 virtual-central-processing-units (V-CPU’s). <br> Full provision of 32GB RAM – 1866MT/s. <br> were highlighted in the first round of data exports as, even with a dedicated Issues<br> server offering 16-V-CPUs, and the specification as shown above, the Excel frontend environment was unable to process the very large data matrices being generated. There were regular failings of the Excel executable which led to an overall inability to inspect the data let alone run calculations on the matrices. When considering the five- second sample over 31 days this resulted in matrices in the order of [44x535682] per model run, with the calculations in (14-19) needing to be applied on a per cell basis.
DOI: 10.6084/m9.figshare.23676936.v2
title: CNE sequences - Mollusca

description: Conserved noncoding sequences identified from 14 mollusc genomes using the software CNEfinder.
DOI: 10.34658/rdb.zbxagp
title: The Effect of Sample’s Dimension and Cutting Technology on Magnetization and Specific Iron Losses of FeSi Laminations

description: Data linked to the article published in Energies, https://doi.org/10.3390/en15062086
DOI: 10.5519/qd.ec6x000q
title: Query on the Natural History Museum Data Portal (data.nhm.ac.uk) (1904 records)
DOI: 10.17633/rd.brunel.14709522.v1
title: How do lipids influence risk of violence, self-harm and suicidality in people with psychosis? A systematic review

description: <strong>The data sources: for “How do lipids influence risk of violence, self-harm and suicidality in people with psychosis? A systematic review”</strong>
DOI: 10.17633/rd.brunel.14709522
title: How do lipids influence risk of violence, self-harm and suicidality in people with psychosis? A systematic review

description: <strong>The data sources: for “How do lipids influence risk of violence, self-harm and suicidality in people with psychosis? A systematic review”</strong>
DOI: 10.34658/rdb.sjbyvn
title: The Influence of Cutting Technology on Magnetic Properties of Non-Oriented Electrical Steel—Review State of the Art

description: Data linked to the article published in Energies, DOI: https://doi.org/10.3390/en16114299
DOI: 10.11588/data/a4kgyj
title: Multi Profile Curvature Analysis (MPCA) algorithm for gully detection using TanDEM X Digital elevation model.

description: Characterization of micro-terrain features has been explored to detect convex and concave features in the terrain. The analysis of first and second derivatives of a function fitted to the terrain is a frequently used resource to describe terrain characteristics and to undertake GIS-based analysis for use in erosion models. Infinitesimal calculus is applied in this approach for the detection of gullies, based on their morphology and profile curvature, under the assumption that a gully represents a Relative Minimum (RM) with convex form. The algorithm is based on the analysis of the different profiles presented in a square kernel (with odd number of pixels), which is iterated over the full image (Digital Elevation Model). Four axes are drawn on this kernel (one vertical, one horizontal and two oblique) representing a row vector, a column vector and the two diagonal vectors of the kernel, respectively. Once these vectors are identified, a second-degree function is adjusted to each. According to the resultant functions, the first and second derivatives are calculated. A condition is stated to define a favorable case of gully candidate for each profile if four or three functions (profiles) present an RM (first derivative equal to zero and second derivative positive). Then a gully is assumed to exist within the kernel. For fewer than three local minima in a kernel, it is assumed that there is no gully in this window. The results are generated in .txt format, where the coordinates of the centroids of the original pixels from the TanDEM-X DEM are provided, along with the number of RMs found for the corresponding Kernel, of which they are the center.
DOI: 10.18154/rwth-2023-05453
title: Seamless Integration of Analysis and Design: Automatic CAD Reconstruction of Post-Analysis Geometries - Data

description: CAD data reconstruction from analysis tools is a critical step in modern industrial design. Seamless integration of CAD and CAE is achieved by reusing the initial CAD data. This novel approach retains the initial notion of design features and allows for the recovery of CAD data using spline composition based on a single global deformation spline.This publication contains the examples of reconstructed CAD data presented in the journal article 'Seamless Integration of Analysis and Design: Automatic CAD Reconstruction of Post-Analysis Geometries' published in Advances in Computational Science and Engineering.
DOI: 10.18154/rwth-2023-05668
title: Supplementary Material for the Article: Examining the Interrelation Behavior of Distance Metrics for HRTF Evaluation - a Case Study; 1st

description: Aachen (2023). doi:10.18154/RWTH-2023-05668
description: This repository contains measured and spectrally reconstructed Head-Related Transfer Functions (HRTFs) of 20 adults, which served as a basis for the analyses performed in "Examining the Interrelation Behavior of Distance Metrics for HRTF Evaluation: a Case Study", Acta Acustica, 2023. It furthermore contains the results of direct cross-comparison of the magnitude spectra within and between the different datasets. The errors are described using seven metrics, quantifying the monaural differences present.
description: Published by Aachen
DOI: 10.17633/rd.brunel.23669310
title: Positive schizotypy and motor impulsivity correlate with response aberrations in ventral attention network during inhibitory control

description: This folder contains SPSS data files and experimental stimuli supporting the findings of the bahvioural and fMRI studies reported in the paper " Positive schizotypy and motor impulsivity correlate with response aberrations in ventral attention network during inhibitory control" to be published in the journal Cortex.
DOI: 10.5281/zenodo.8144164
title: Deep Learning for Detecting Verticilium Fungus in Olive Trees Using YOLO in UAV Imagery Dataset

description: Dataset used in the paper entitled "Deep Learning for Detecting Verticillium Fungus in Olive Trees: Using YOLO in UAV Imagery". Contains UAV RGB images of three olive fields located in Greece.
description: Part of this work was funded within the Operational Program "Central Macedonia", European Structural and Investment Funds 2014-2020, in the context of "Olive plant protection through thermal imaging – OPTIMA" project under grant agreement KMP6-0282067.
DOI: 10.5281/zenodo.8144163
title: Deep Learning for Detecting Verticilium Fungus in Olive Trees Using YOLO in UAV Imagery Dataset

description: Dataset used in the paper entitled "Deep Learning for Detecting Verticillium Fungus in Olive Trees: Using YOLO in UAV Imagery". Contains UAV RGB images of three olive fields located in Greece.
description: Part of this work was funded within the Operational Program "Central Macedonia", European Structural and Investment Funds 2014-2020, in the context of "Olive plant protection through thermal imaging – OPTIMA" project under grant agreement KMP6-0282067.
DOI: 10.25420/britishmuseum.23677917
title: Coating the wood

description: Apply a second coat of wood and leave it to dry.
DOI: 10.25420/britishmuseum.23677917.v1
title: Coating the wood

description: Apply a second coat of wood and leave it to dry.
DOI: 10.25420/britishmuseum.23677905
title: Coating the wood

description: Coat the wood with urethane mixed with a thinner in a ratio of 4:1. Stir well and apply on the wood to gloss the surface and prevent insect.
DOI: 10.25420/britishmuseum.23677893
title: Assembing the reed and the frame

description: Assembling the parts of the wooden reed and the frame and fit them together.
DOI: 10.25420/britishmuseum.23677905.v1
title: Coating the wood

description: Coat the wood with urethane mixed with a thinner in a ratio of 4:1. Stir well and apply on the wood to gloss the surface and prevent insect.
DOI: 10.25420/britishmuseum.23677893.v1
title: Assembing the reed and the frame

description: Assembling the parts of the wooden reed and the frame and fit them together.
DOI: 10.25420/britishmuseum.23677911
title: Coating the wood

description: After applying the first coat and waiting for leave it to dry, rub the wood with a rough sandpaper gently.
DOI: 10.25420/britishmuseum.23677911.v1
title: Coating the wood

description: After applying the first coat and waiting for leave it to dry, rub the wood with a rough sandpaper gently.
DOI: 10.25420/britishmuseum.23677719
title: Tying the dents for a wide-gap reed

description: To make large gap, the master weaver is using thick threads and tie two rounds each time.
DOI: 10.25420/britishmuseum.23677719.v1
title: Tying the dents for a wide-gap reed

description: To make large gap, the master weaver is using thick threads and tie two rounds each time.
DOI: 10.25420/britishmuseum.23677725
title: Tying the dents for a wide-gap reed

description: To make large gap, the master weaver is using thick threads and tie two rounds each time.
DOI: 10.25420/britishmuseum.23677713
title: Carving the dent

description: This dent is thicker than usual because it will be used for a reed of low density and for thick warp threads.
DOI: 10.25420/britishmuseum.23677713.v1
title: Carving the dent

description: This dent is thicker than usual because it will be used for a reed of low density and for thick warp threads.
DOI: 10.25420/britishmuseum.23677725.v1
title: Tying the dents for a wide-gap reed

description: To make large gap, the master weaver is using thick threads and tie two rounds each time.
DOI: 10.25420/britishmuseum.23677695
title: Choosing and cutting bamboo

description: The master weaver and the carpenter are cutting bamboo . The larger ones are for the dents while the smaller ones are for the mold.
DOI: 10.25420/britishmuseum.23677695.v1
title: Choosing and cutting bamboo

description: The master weaver and the carpenter are cutting bamboo . The larger ones are for the dents while the smaller ones are for the mold.
DOI: 10.25420/britishmuseum.23677662
title: Reeds that are already made, before framing

description: The reed s are compared to inspect the quality. They are glued on the inner frame for securing the dents.
DOI: 10.25420/britishmuseum.23677662.v1
title: Reeds that are already made, before framing

description: The reed s are compared to inspect the quality. They are glued on the inner frame for securing the dents.
DOI: 10.25420/britishmuseum.23677593
title: Tying the dents

description: The first and the last four dents are thicker that the others in the reed . These dents are for the selvedge and they need to be strong.
DOI: 10.25420/britishmuseum.23677593.v1
title: Tying the dents

description: The first and the last four dents are thicker that the others in the reed . These dents are for the selvedge and they need to be strong.
DOI: 10.25420/britishmuseum.23677512
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with beeswax. This is the first part of the reed .
DOI: 10.25420/britishmuseum.23677512.v1
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with beeswax. This is the first part of the reed .
DOI: 10.25420/britishmuseum.23677503
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with beeswax. This is the first part of the reed .
DOI: 10.25420/britishmuseum.23677503.v1
title: Tying the side of the reed

description: Tying the side of the reed with threads that is rubbed with beeswax. This is the first part of the reed .
DOI: 10.25420/britishmuseum.23677488.v1
title: Tying the top rod

description: The master weaver is tying thread to secure the bamboo rod at the top to keep the width of the reed as desired.
DOI: 10.25420/britishmuseum.23677479
title: Placing the inner mold

description: The master weaver and the researcher are securing the inner frame and the inner mold.
DOI: 10.25420/britishmuseum.23677479.v1
title: Placing the inner mold

description: The master weaver and the researcher are securing the inner frame and the inner mold.
DOI: 10.25420/britishmuseum.23677488
title: Tying the top rod

description: The master weaver is tying thread to secure the bamboo rod at the top to keep the width of the reed as desired.
DOI: 10.25420/britishmuseum.23677473
title: Installing the inner frame for another reed

description: The master weaver and the researcher are installing the inner frame of another reed . It's of higher density, 11 lhob.
DOI: 10.25420/britishmuseum.23677473.v1
title: Installing the inner frame for another reed

description: The master weaver and the researcher are installing the inner frame of another reed . It's of higher density, 11 lhob.
DOI: 10.25420/britishmuseum.23677452
title: Cutting the excess of the inner frame

description: The master weaver is cutting the excess of the inner frame using a handsaw. Then glue to secure the dents.
DOI: 10.25420/britishmuseum.23677452.v1
title: Cutting the excess of the inner frame

description: The master weaver is cutting the excess of the inner frame using a handsaw. Then glue to secure the dents.
DOI: 10.25420/britishmuseum.23677434
title: Cutting the reed from the wooden base

description: Cutting the reed off the wooden based after the reed is finished.
DOI: 10.25420/britishmuseum.23677434.v1
title: Cutting the reed from the wooden base

description: Cutting the reed off the wooden based after the reed is finished.
DOI: 10.25420/britishmuseum.23677419
title: Tying the side of the reed

description: The master weaver is tying the side of the reed with threads that are rubbed with beeswax.
DOI: 10.25420/britishmuseum.23677419.v1
title: Tying the side of the reed

description: The master weaver is tying the side of the reed with threads that are rubbed with beeswax.
DOI: 10.25420/britishmuseum.23677383
title: Placing thick dents into the end of the reed

description: The master weaver Jumpee Tamasiri is placing relatively thicker bamboo strips on the end of the reed . This is to add strength and durability.
DOI: 10.25420/britishmuseum.23677389
title: Applying glue on the reed

description: The master weaver glues long the edges of the reed to secure the dents. In the past, stingless beeswax was used.
DOI: 10.25420/britishmuseum.23677389.v1
title: Applying glue on the reed

description: The master weaver glues long the edges of the reed to secure the dents. In the past, stingless beeswax was used.
DOI: 10.25420/britishmuseum.23677365
title: Lao Khrang textiles

description: The master weaver is explaining traditional motifs, identified as Uthai Thani's identity, according to the Provincial Authorities designation.
DOI: 10.25420/britishmuseum.23677383.v1
title: Placing thick dents into the end of the reed

description: The master weaver Jumpee Tamasiri is placing relatively thicker bamboo strips on the end of the reed . This is to add strength and durability.
DOI: 10.25420/britishmuseum.23677365.v1
title: Lao Khrang textiles

description: The master weaver is explaining traditional motifs, identified as Uthai Thani's identity, according to the Provincial Authorities designation.
DOI: 10.25420/britishmuseum.23677248.v1
title: Interviewing Auntie Nae and Auntie Sa-at

description: Interview Auntie Noey and Auntie Sa-at, 1st time. 14th March 2020.
DOI: 10.25420/britishmuseum.23676195
title: Interviewing Auntie Nae and Auntie Sa-at

description: Interview Auntie Noey and Auntie Sa-at, 1st time. 14th March 2020.
DOI: 10.25420/britishmuseum.23676195.v1
title: Interviewing Auntie Nae and Auntie Sa-at

description: Interview Auntie Noey and Auntie Sa-at, 1st time. 14th March 2020.
DOI: 10.25420/britishmuseum.23677248
title: Interviewing Auntie Nae and Auntie Sa-at

description: Interview Auntie Noey and Auntie Sa-at, 1st time. 14th March 2020.
DOI: 10.25420/britishmuseum.23676162
title: Auntie Nae and Auntie Sa-at wearing Lao Khrang textiles

description: Auntie Noey and Auntie Sa-at explains the natural dying methods for each colour. Green is made by mordanting yellow yarn with rust. Red and pink from lac. Brown is made by mordanting green with rust again. Light brown is dyed with paduak hardwood for the warp and weft.
DOI: 10.25420/britishmuseum.23676162.v1
title: Auntie Nae and Auntie Sa-at wearing Lao Khrang textiles

description: Auntie Noey and Auntie Sa-at explains the natural dying methods for each colour. Green is made by mordanting yellow yarn with rust. Red and pink from lac. Brown is made by mordanting green with rust again. Light brown is dyed with paduak hardwood for the warp and weft.
DOI: 10.25420/britishmuseum.23676180
title: weaving technique and terms

description: The master weaver and the reseacher interview Auntie Noey and Auntie Sa-at about Lao Khrang textiles, different terminologies in different regions in the countries.
DOI: 10.25420/britishmuseum.23676180.v1
title: weaving technique and terms

description: The master weaver and the reseacher interview Auntie Noey and Auntie Sa-at about Lao Khrang textiles, different terminologies in different regions in the countries.
DOI: 10.25420/britishmuseum.23676114
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: The master weaver and the researcher meet with Auntie Noey and Auntie Sa-at to talk about an interview for a TV Program.
DOI: 10.25420/britishmuseum.23676126
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: The master weave and the researcher meet Auntie Noey and Auntie Sa-at to interview about using wooden reed in the past.
DOI: 10.25420/britishmuseum.23676126.v1
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: The master weave and the researcher meet Auntie Noey and Auntie Sa-at to interview about using wooden reed in the past.
DOI: 10.25420/britishmuseum.23676138
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: Auntie Noey and Auntie Sa-at talk about using wooden reed in the past.
DOI: 10.25420/britishmuseum.23676138.v1
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: Auntie Noey and Auntie Sa-at talk about using wooden reed in the past.
DOI: 10.25420/britishmuseum.23676114.v1
title: Interviewing Auntie Jampee Auntie Nae and Auntie Sa-at

description: The master weaver and the researcher meet with Auntie Noey and Auntie Sa-at to talk about an interview for a TV Program.
DOI: 10.25420/britishmuseum.23676102
title: Gluing

description: Apply hot glue to the already tied dents (onto the threads) to secure them.
DOI: 10.25420/britishmuseum.23676102.v1
title: Gluing

description: Apply hot glue to the already tied dents (onto the threads) to secure them.
DOI: 10.25420/britishmuseum.23676051
title: Counting lhob

description: Counting lhob by inserting the thread into the reed . This makesweaving process easier, namely making warp and placing the motifs on the textiles. One lhob equals 40 dents. The master weaver counts the reed s for four dents at a time. Counting 10 times means 40 dents.
DOI: 10.25420/britishmuseum.23676051.v1
title: Counting lhob

description: Counting lhob by inserting the thread into the reed . This makesweaving process easier, namely making warp and placing the motifs on the textiles. One lhob equals 40 dents. The master weaver counts the reed s for four dents at a time. Counting 10 times means 40 dents.
DOI: 10.25420/britishmuseum.23675943
title: Tying the dents

description: The master weaver places the dents in between the gaps of the inner frame. She then ties them with the strings and pull them tight. After that, she moves the inner mold on top of the dent and softly hammer it down. The researcher is shaping the wood at the same time.
DOI: 10.25420/britishmuseum.23675943.v1
title: Tying the dents

description: The master weaver places the dents in between the gaps of the inner frame. She then ties them with the strings and pull them tight. After that, she moves the inner mold on top of the dent and softly hammer it down. The researcher is shaping the wood at the same time.
DOI: 10.25420/britishmuseum.23675934
title: Placing dents into the reed

description: The master weaver Jumpee Tamasiri is placing bamboo strips into the upright bamboo sticks and tie cords to secure and create space between each one.
DOI: 10.25420/britishmuseum.23675934.v1
title: Placing dents into the reed

description: The master weaver Jumpee Tamasiri is placing bamboo strips into the upright bamboo sticks and tie cords to secure and create space between each one.
DOI: 10.25420/britishmuseum.23675898
title: Shaping the dents

description: The dents must be smooth and of equal size. The length of each dent must be slighly longer than the width of the reed .
DOI: 10.25420/britishmuseum.23675898.v1
title: Shaping the dents

description: The dents must be smooth and of equal size. The length of each dent must be slighly longer than the width of the reed .
DOI: 10.25420/britishmuseum.23667309
title: Assembing the reed

description: Adjusting the level to make it square.
DOI: 10.25420/britishmuseum.23667309.v1
title: Assembing the reed

description: Adjusting the level to make it square.
DOI: 10.25420/britishmuseum.23667288
title: Cutting bamboo for the side of the reed

description: Cutting bamboo to make a groove using a chainsaw.
DOI: 10.25420/britishmuseum.23667288.v1
title: Cutting bamboo for the side of the reed

description: Cutting bamboo to make a groove using a chainsaw.
DOI: 10.25420/britishmuseum.23667240
title: Placing a bamboo rod on the inner frame

description: Placing a bamboo rod (one with fixed holes) onto the inner frame to ensure the distance between is even.
DOI: 10.25420/britishmuseum.23667240.v1
title: Placing a bamboo rod on the inner frame

description: Placing a bamboo rod (one with fixed holes) onto the inner frame to ensure the distance between is even.
DOI: 10.25420/britishmuseum.23667246
title: Placing a bamboo rod on the inner frame

description: Placing a bamboo rod (one with fixed holes) onto the inner frame to ensure the distance between is even. There are two of such rods for making the reed .
DOI: 10.25420/britishmuseum.23667246.v1
title: Placing a bamboo rod on the inner frame

description: Placing a bamboo rod (one with fixed holes) onto the inner frame to ensure the distance between is even. There are two of such rods for making the reed .
DOI: 10.25420/britishmuseum.23667186
title: 1st interview, master Jampee Tamasiri

description: The researcher interview master Jampee for the first time, 16th of February 2020.
DOI: 10.25420/britishmuseum.23667186.v1
title: 1st interview, master Jampee Tamasiri

description: The researcher interview master Jampee for the first time, 16th of February 2020.