title: ÐÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð»Ð¾Ð³Ð¸Ð¸ Ð² ÑÑÐµÑÐµ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Specific issues in modern and contemporary art terms translation
Creators: name: ÐÐ»ÐµÑÑÑÐ¸Ð½Ð°, ÐÐ»ÑÐ³Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð¿ÐµÑÐµÐ²Ð¾Ð´ ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð²
ÑÐµÑÐ¼Ð¸Ð½Ñ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°
ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð»Ð¾Ð³Ð¸Ñ
translation of terms
term formation
contemporary art terms
modern art terms
terminology

description: Ð¢ÐµÐ¼Ð° Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ: Â«ÐÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð»Ð¾Ð³Ð¸Ð¸ Ð² ÑÑÐµÑÐµ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°Â». 
ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð° Ð¸ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð·Ð°ÐºÐ¾Ð½Ð¾Ð¼ÐµÑÐ½Ð¾ÑÑÐµÐ¹ Ð² Ð²ÑÐ±Ð¾ÑÐµ ÑÐ¿Ð¾ÑÐ¾Ð±Ð° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 
1. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ðµ Ð¿Ð¾Ð½ÑÑÐ¸Ñ Â«ÑÐµÑÐ¼Ð¸Ð½Â» Ð¸ Ð¾Ð±Ð¾Ð·Ð½Ð°ÑÐ¸ÑÑ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ 
ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¸ ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð². 
2. ÐÑÑÐ²Ð¸ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¾Ð±ÑÐ°Ð·Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² Ð² Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð¼ Ð¸ ÑÑÑÑÐºÐ¾Ð¼. 
3. ÐÐ±Ð¾Ð·Ð½Ð°ÑÐ¸ÑÑ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² Ð¸ Ð²ÑÑÐ²Ð¸ÑÑ ÑÑÐ°ÑÐ¸ÑÑÐ¸ÐºÑ 
Ð¸Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð² ÑÑÐµÑÐµ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°. 
4. ÐÑÑÐ²Ð¸ÑÑ ÑÐµÑÐ¼Ð¸Ð½Ñ Ð² Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½Ð¾Ð¹ Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐµ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐµÐ¼Ð°ÑÐ¸ÐºÐ¸ Ð¸ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÑÐ¸ÑÐ¾Ð²Ð°ÑÑ Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ð½ÑÐ¹ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð», Ð²ÑÑÐ²Ð¸ÑÑ Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ð¸ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÑÐ¸ÑÐ¾Ð²Ð°ÑÑ Ð¿Ð¾ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. 
5. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÑÑ ÑÐ»ÑÑÐ°Ð¸ Ð¼Ð½Ð¾Ð³Ð¾Ð·Ð½Ð°ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð²Ð°ÑÐ¸Ð°Ð½ÑÐ½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² 
Ð² Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÑÐµÐ¼ÑÑ ÑÐµÐºÑÑÐ°Ñ Ð¸ Ð²ÑÑÐ²Ð¸ÑÑ Ð·Ð°ÐºÐ¾Ð½Ð¾Ð¼ÐµÑÐ½Ð¾ÑÑÐ¸ Ð² Ð²ÑÐ±Ð¾ÑÐµ ÑÐ¿Ð¾ÑÐ¾Ð±Ð° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° 
ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² Ð² ÑÑÐµÑÐµ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°. 
6. ÐÑÐµÐ´Ð»Ð¾Ð¶Ð¸ÑÑ ÑÑÑÐ°ÑÐµÐ³Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð½ÐµÐ¾Ð»Ð¾Ð³Ð¸Ð·Ð¼Ð¾Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°. 
ÐÐ°Ð½Ð½Ð¾Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»Ð¾ÑÑ Ð½Ð° Ð±Ð°Ð·Ðµ ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² Ð¸Ð· Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½ÑÑ ÑÐµÐºÑÑÐ¾Ð² ÑÐµÐ¼Ð°ÑÐ¸ÐºÐ¸ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð° Ð¸ Ð¸Ñ Ð¾ÑÐ¸ÑÐ¸Ð°Ð»ÑÐ½ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°Ñ Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ 
ÑÐ·ÑÐº. ÐÑÐ»Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ ÑÐ¿Ð¾ÑÐ¾Ð± Ð¾Ð±ÑÐ°Ð·Ð¾Ð²Ð°Ð½Ð¸Ñ ÐºÐ°Ð¶Ð´Ð¾Ð³Ð¾ ÑÐµÑÐ¼Ð¸Ð½Ð°, ÑÐ¿Ð¾ÑÐ¾Ð± Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°, 
Ð¿ÑÐ¸Ð½Ð°Ð´Ð»ÐµÐ¶Ð½Ð¾ÑÑÑ Ðº Ð¸Ð½Ð¾Ð¹ Ð¾Ð±Ð»Ð°ÑÑÐ¸ Ð·Ð½Ð°Ð½Ð¸Ð¹, Ð¸ÑÑÐ¾Ð´Ð½ÑÐ¹ ÑÐ·ÑÐº, Ð³ÑÑÐ¿Ð¿Ð° Ð·Ð½Ð°ÑÐµÐ½Ð¸Ð¹, Ð½Ð°Ð»Ð¸ÑÐ¸Ðµ ÑÐ¸Ð½Ð¾Ð½Ð¸Ð¼Ð¸ÑÐ½Ð¾Ð³Ð¾ ÑÐµÑÐ¼Ð¸Ð½Ð°, Ð²Ð°ÑÐ¸Ð°Ð½ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸Ð»Ð¸ Ð¼Ð½Ð¾Ð³Ð¾Ð·Ð½Ð°ÑÐ½Ð¾ÑÑÐ¸ ÑÐµÑÐ¼Ð¸Ð½Ð°. ÐÑÐ» Ð¿ÑÐ¾Ð²ÐµÐ´ÑÐ½ ÑÑÐ°ÑÐ¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿Ð¾Ð»ÑÑÐµÐ½Ð½ÑÑ Ð´Ð°Ð½Ð½ÑÑ. 
Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð±ÑÐ»Ð¸ Ð²ÑÑÐ²Ð»ÐµÐ½Ñ Ð·Ð°ÐºÐ¾Ð½Ð¾Ð¼ÐµÑÐ½Ð¾ÑÑÐ¸, Ð¿Ð¾ ÐºÐ¾ÑÐ¾ÑÑÐ¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ¸ 
ÑÐ°ÑÐµ Ð²ÑÐµÐ³Ð¾ Ð²ÑÐ±Ð¸ÑÐ°ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð± Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð´Ð»Ñ ÑÐµÑÐ¼Ð¸Ð½Ð¾Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°. 
ÐÑÐ»Ð° Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð° Ð¸ Ð¿ÑÐ¾ÑÐµÑÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð° ÑÑÑÐ°ÑÐµÐ³Ð¸Ñ-Ð°Ð»Ð¾Ð³Ð¸ÑÐ¸ÑÐ¼ Ð´Ð»Ñ Ð²ÑÐ±Ð¾ÑÐ° ÑÐ¿Ð¾ÑÐ¾Ð±Ð° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐµÑÐ¼Ð¸Ð½Ð° ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ ÑÐ·ÑÐº, Ð¾ÑÐ½Ð¾Ð²Ð°Ð½Ð½Ð°Ñ Ð½Ð° Ð²ÑÑÐ²Ð»ÐµÐ½Ð½ÑÑ Ð·Ð°ÐºÐ¾Ð½Ð¾Ð¼ÐµÑÐ½Ð¾ÑÑÑÑ.
description: The subject of the graduate qualification work is âSpecific issues in modern 
and contemporary art terms translationâ. 
The given work is devoted to studying modern and contemporary art terms 
translation and patterns of choosing a translation technique. The research set the following goals: 
1. Definition of âtermâ and studying linguistic term classifications. 
2. Studying ways of term formation in English and Russian. 
3. Studying general term translation techniques and usage statistics of these 
techniques within modern and contemporary art term translation. 
4. Detection and classification of modern and contemporary art terms in English texts, detection of translated terms in the congruous texts in Russian and classification by translation techniques used. 
5. Studying cases of term polysemy and term translation variability in the texts 
and detection of patterns of choosing a translation technique. 
6. Development of a guideline for choosing a translation technique. 
 The given work is based on the terms detected in texts devoted to modern and 
contemporary art and their official translations in Russian. The terms were classified by ways of term formation, translation techniques, origin, meaning, polysemy, 
translation variability and synonymy. A statistical analysis of the data was conducted. 
 The study resulted in clarified patterns of choosing a translation technique for 
translating modern and contemporary art terms and a guideline for choosing a 
translation technique, based on these patterns.