cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
title: Regimes of atomic diffraction: Raman versus Bragg diffraction in retroreflective geometries
Creators: name: Hartmann, Sabrina
name: Jenewein, Jens
name: Giese, Enno
name: Abend, Sven
name: Roura, Albert
name: Rasel, Ernst M.
name: Schleich, Wolfgang P.
Publisher: name: American Physical Society (APS)
Year: 2024

description: We provide a comprehensive study of atomic Raman and Bragg diffraction when coupling to a pair of counterpropagating light gratings (double diffraction) or to a single one (single diffraction) and discuss the transition from one case to the other in a retroreflective geometry as the Doppler detuning changes. In contrast to single diffraction, double Raman loses its advantage of high diffraction efficiency for short pulses and has to be performed in a Bragg-type regime. Moreover, the structure of double diffraction leads to further limitations for broad momentum distributions on the efficiency of mirror pulses, making the use of (ultra)cold ensembles essential for high diffraction efficiency.
A comparison of Grand fir and Douglas-fir growth performance in the Elk River Tree Farm
Creators: name: Klinka, Karel
name: Bernardy, Paul
name: Chourmouzis, Christine
Publisher: name: Forest Sciences Department, University of British Columbia
Year: 2008

description: The superior growth of Grand fir (Abies grandis) compared to Douglas-fir (Pseudostuga menziesii) on suitable coastal sites has previously been recognized on the basis of qualitative observations with little empirical evidence. For example, D.E. McMullan (1977, pers. comm.) reported 18% higher volume for a grand fir tree of the same height and age as a 108-year old Douglas-fir plus tree (No. 622) This study was undertaken by Bernardy (1988) to examine possible differences in the growth of grand fir and Douglas-fir growing in a mixed 40-year-old plantation of unknown origin. Trends in height, diameter and annual volume increment between the two species over time were examined. Expected growth performance (i.e. volume and form) of each species was inferred from trends identified at time of sampling.
WORK MOTIVATION AMONG TEACHERS
Creators: name: Pratik Upadhyaya
Publisher: name: figshare
Year: 2013
Subjects: Education

description: Education plays a central role in any society in changing the lives of people the world over. In this regard, teachers play a critical role in nurturing the minds and hearts of the youth. Thus, the teacher is the key factor, his characteristics, qualifications, attitude towards the profession, competency, professional skills, capacity for leadership and motivation to work affect the quality of education. A teacher can play his role efficiently only when he is motivated for teaching and is satisfied with his job. Teacher's motivation for teaching is influenced by various factors like salary, working conditions, treatment of teachers, professional development opportunities, supportive supervision, teacher stress, pupil behaviour, relationship with peer group, attitude towards teaching, interest in teaching, gender, age, work experience, work load etc. Studies on teacher motivation had revealed that there exists positive relationship between work motivation and teachers' work performance, organizational commitment, leadership behaviour of principals, job satisfaction, organization commitment and negative relationship with teacher's work responsibility. Thus, in order to increase the motivation of teachers it is essential that dignity of teacher should be improved by improving their working condition, salary, providing adequate resources etc. Without having intrinsic motivation, lack of success is inevitable. If there are not any factors motivating teachers, the productivity will decrease dramatically.
INFLUENCE OF EMOTIONAL INTELLIGENCE ON ADJUSTMENT IN THE COLLEGE OF POLYTECHNIC STUDENT IN YAVATMAL DISTRICT
Creators: name: Gadam, Ajay M.
Publisher: name: figshare
Year: 2013
Subjects: Education

description: Emotional intelligence is psychological part of human cognation and its impact on the various phenomenal activities for the various students and its demographic variable in college level. Presently try to found that the emotional intelligence for the student of polytechnic college in various branch and his gender influence on their adjustment in the respect of high, moderate and low adjustment. second part of the study adjustment of polytechnic student influence on their emotional intelligence with various demographic variable in the respect of high, moderate and low emotional intelligence in the student of polytechnic college in yavatmal district in maharashtra.
Trembling aspen site index in relation to site quality in northern British Columbia
Creators: name: Klinka, Karel
name: Chen, Han Y. H.
name: Chourmouzis, Christine
Publisher: name: Forest Sciences Department, University of British Columbia
Year: 2008

description: Accurate and reliable predictions of site index (height of dominant trees at a reference age, usually 50 years at breast-height) for timber crop species is essential for silvicultural site-specific decision making. Site index can be predicted from site quality once the relationship between site index and site quality has been quantified. Site quality is defined as the sum of all environmental factors affecting the biotic community, such as the factors directly influencing the growth of vascular plants (light, heat, soil moisture, soil nutrients, and soil aeration). Since these factors vary greatly in time, indirect estimates of site quality have widely been used as predictors for site index in various multiple regression models. Trembling aspen (Populus tremuloides Michx.) is the most widely distributed broadleaf species in British Columbia, especially in the Boreal White and Black Spruce (BWBS) biogeoclimatic zone. Growing this species for sustainable timber production requires a good understanding of its productivity attributes and accurate predictions of its growth. This extension note presents (1) relationships between trembling aspen site index and some indirect measures of site quality, and (2) site index prediction models using the indirect measures of site quality as predictors.
Erik Kessels: Hyperimages zwischen kuratorischen und künstlerischen Strategien
Creators: name: Dunker, Bettina
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: So wie Felix Thürlemann den Begriff des Hyperimages konturiert, als sinnstiftende temporäre Zusammenstellung autonomer Bilder, bezieht er sich vor allem auf nicht-künstlerische Anwendungen durch Kunsthistoriker/innen, Sammler/innen und Kurator/innen. Tatsächlich haben Künstler/innen wie Wolfgang Tillmans, Bernd und Hilla Becher oder Peter Piller längst das künstlerische Potential von Bildzusammenstellung in Ausstellungen oder Katalogen erkannt und für ihre künstlerische Praxis fruchtbar gemacht. Erik Kessels ist zum einen als Sammler und Kurator von Amateur-Fotografie, zum anderen als Gründer einer niederländischen Werbeagentur tätig. In den letzten Jahren war Kessels mit verschiedenen kuratorisch-künstlerischen Arbeiten wie 24 hrs in photos oder My feet vermehrt auf Fotofestivals und in Ausstellungsräumen vertreten. Seine Projekte werden in diesem Umfeld einerseits als künstlerische Arbeiten rezipiert, andererseits wird Kessels häufig als Foto-Kurator und Kreativer, nicht aber als Künstler bezeichnet. Diese zwiespältige Haltung hängt direkt mit Kessels’ Strategie zusammen, gefundene, gesammelte und dem Internet entnommene Fotos neu zu arrangieren – also Hyperimages herzustellen. Im Folgenden möchte ich diesen besonderen Status des Hyperimage als Form der Bildzusammenstellung untersuchen, die einerseits Kurator/innen und Sammler/innen zur Bildung bestimmter Bedeutungen offensteht, andererseits aber auch dezidiert künstlerisch genutzt wird. Darüber hinaus gehe ich der Frage nach, ob diese unscharfe Position zwischen Gestaltung, Didaktik und Kunst als essentieller Bestandteil des Hyperimages gelten sollte und vielleicht gerade die besondere Chance des Konzepts darstellt.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
title: 01_1462
Creators: name: Wesley Baldwin, John
name: Baldwin, John W.
Publisher: name: NAKALA - https://nakala.fr (Huma-Num - CNRS)
publisherIdentifier: https://ror.org/04ces3204
publisherIdentifierScheme: ROR
Year: 2018
Subjects: subject: Laboratoire de Médiévistique Occidentale de Paris
subject: LaMOP

description: L'ensemble de ces notes ont été crée par John Baldwin lors d'une de ses premières périodes de résidence à Paris. Ces documents comprennent tous les magistri qu’il avait pu rencontrer dans ses sources. Aux XIIème et XIIIème siècles, les universités n'existant pas encore, le titre de magister s'il évoque certainement une compétence n'est pas rattaché de façon systématique au passage par les écoles. De surcroît, les magistris sont le plus souvent désignés par leur seul prénom. La lecture de ces données est donc difficile et suppose un long travail pour tenter d'identifier un individu auquel on pourrait rattacher plusieurs mentions. John Baldwin avait donc renoncé à utiliser ces données pour donner un prolongement à sa magnifique étude sur les gradués d'université et leur emploi par les Capétiens et les Plantagenêts. Néanmoins, il a conservé ces données et elles sont potentiellement très utile dans le cadre de Studium, comme le sont toutes les mentions dans les volumes des Fasti Ecclesiae Gallicanae de chanoines portant ce titre de magister sans autres précisions. L'ampleur des dépouillements rend ces données très utiles et nous devons une grande reconnaissance à John Baldwin pour avoir pris la peine de faire photocopier ses fiches et de nous les avoir transmises amicalement.
Les données ainsi que les images des fiches sont accessibles sur le site Internet à l'adresse suivante : http://studium-baldwin.lamop.fr/.
Les transcriptions des fiches ont été effectuées par des étudiants de Paris 1 Panthéon - Sorbonne mais elles n'ont pas été corrigées par la suite.
description: Relation: https://lamop.hypotheses.org/
'SOCIAL MEDIA: A VIRTUAL GLOBAL COMMUNITY HALL’
Creators: name: Kumar, Naveen
Publisher: name: figshare
Year: 2013
Subjects: Art

description: 'Choupal' in villages is a powerful source of entertainment and information. It is a wonderful gift of Indian culture. Today, in the era of digital technology, discussion, debate, constant flow of information, new ocean of knowledge and every common man has got a powerful medium to express his ideas and opinions which is known as Social Media. Social Media is such a digital platform which, through technical medium, providing important opportunity to people for knowledge-creation, participation and sharing knowledge and this social media is playing a role of such a 'Virtual Global Community Hall' whose boundaries are unlimited. The access of The Virtual Digital Hall is not limited to a particular region rather to every human being who in a way or other using internet. Global village is now converting into a Virtual Global Community Hall, a community hall where people may not be present physically but connected to every sphere of the world with the help of 'Key Board' and 'Computer Monitor'. In seconds, information can be transmitted from one corner of the world to other and we can make the world aware of our ideas. Mean to say that we can share our ideas without any hesitation, discuss the issues with people, can discuss socio-state problems for solution on Virtual Global Community Hall. Social Media began to connect friends; today it has connected the whole in a friendly manner. Social Media has opened the doors to the world for social change and is accessible to every corner of the world. Social Media has opened the door for the social change and Social Media has emerged as a powerful medium of social change worldwide.
Exhibiting Exhibiting
Creators: name: Buurman, Nanne
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Since the so-called ‘curatorial turn’ in the 1990s, curators are discussed as new paradigmatic authors in the art field. Discussions about curatorial authorship first gained momentum in the late 1960s, when curating was no longer merely regarded as a museological backstage profession but increasingly also meant organizing exhibitions and conceiving of other art events on a freelance basis. The topos of the curator as a meta-artist was popularized by Daniel Buren in his critique of Harald Szeemann’s auctorial stance at documenta 5, in which he complained that individual artworks were reduced to the status of mere dots of color in a curatorial Gesamtkunstwerk. It has since been used time and again by critics who felt that curators were willfully misusing exhibitions as their own works of art, thereby illegitimately interfering with artists’ intentions. As a practice that implies selecting and commissioning artworks to put them in relation with one another and with the surrounding material and social contexts, curating, however, always necessarily implies creating complex multidimensional constellations - even if this meta-mediality is repressed in the ‘White Cube’ (Brian O’Doherty). My contribution considers documenta 12 (2007) as a critical intervention into the ways in which authorship is generally constructed as an individual agency. Resembling the move from ‘Work to Frame’ (Craig Owens) that has been performed by various waves of artistic institutional critique, artistic director Roger M. Buergel and chief curator Ruth Noack produced a show which shifted the focus away from artists and curators as sole authors and instead exhibited the exhibition as a medium in which different agencies contribute to decentered processes of meaning-making. To demonstrate how documenta 12 called attention to the ways in which exhibitions shape perception and produce narratives, this text provides a close reading of the exhibition’s design, architecture, labeling, publications and public programming. It discusses how by radically breaking with the convention of the White Cube, documenta 12 (re)appropriated a variety of methodologies and strategies that have formerly been used by artists such as Daniel Buren, Dan Graham, Gerwald Rockenschaub, and Louise Lawler in their exposure of the ‘powers of display’ (Mary Anne Staniszewski). As an exhibition of the exhibition, documenta 12 has to be considered in terms that go beyond the notion of the ‘hyperimage’ in so far as it took into account not only the intentional combination of images by collectors, art historians and artists that Felix Thürlemann adresses in his book but also provided meta-medial reflections of exhibitions as complex infrastructural constellations and social spaces. Thus, documenta 12 called into question the very notion of individual authorship that is a focal point of Thürlemann’s discussion of the hyperimage.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
title: Atom-Chip Fountain Gravimeter
Creators: name: Abend, S.
name: Gebbe, M.
name: Gersemann, M.
name: Ahlers, H.
name: Müntinga, H.
name: Giese, E.
name: Gaaloul, N.
name: Schubert, Ch.
name: Lämmerzahl, C.
name: Ertmer, W.
name: Schleich, W. P.
name: Rasel, E. M.
Publisher: name: American Physical Society (APS)
Year: 2024

description: We demonstrate a quantum gravimeter by combining the advantages of an atom chip for the generation, delta-kick collimation, and coherent manipulation of freely falling Bose-Einstein condensates (BECs) with an innovative launch mechanism based on Bloch oscillations and double Bragg diffraction. Our high-contrast BEC interferometer realizes tens of milliseconds of free fall in a volume as little as a one centimeter cube and paves the way for measurements with sub-μGal accuracies in miniaturized, robust devices.
A KINEMATICAL COMPARISON OF TENNIS SERVICE IN VOLLEY BALL BETWEEN INTERUNIVERSITY AND INTERCOLLEGIATE MALE VOLLEYBALL PLAYERS
Creators: name: Khan, Asim
name: IKRAM HUSSAIN
name: ARIF MOHAMMAD
Publisher: name: figshare
Year: 2013
Subjects: Education

description: The purpose of this study was to compare tennis service in volleyball between male interuniversity and intercollegiate players. Twelve (6 Intervarsity and 6 Intercollegiate level) volleyball players were selected as the subjects for the study. The mean age, height and body mass of intervarsity players were 23 years (± 2.28 years), 177.77 cm (± 5.43 cm) and 64.67 kg (± 5.95 kg), respectively, whereas intercollegiate players were 21.33 years (± 1.71 years), 166.5 cm (± 3.30 cm) and 63.17 kg (± 4.93 kg), respectively. All subjects were right-handed volleyball players. The players were allowed to have warm-up and trials. Each subject was asked to do the tennis service. Three services were recorded from one side of the body with a high speed camcorder (Canon Legria HF S10) operating at 1/2000 Hz with a frame rate of 60 frames per second. Data were collected from the movement onset until the ball crosses the net. The camcorder was placed on a tripod at the height of 5 feet on the right angle of the subjects at a distance of 10 meters away to the side-line. Recorded data were digitized with the help of Silicon Coach Pro-7 motion analysis software. The selected biomechanical variables were: the ball height, shoulder joint angle, elbow joint angle, wrist joint angle and ball velocity. The t test was used for statistical analysis of the data by using SPSS-18 version software. The results revealed insignificant differences between intervarsity and intercollegiate level male volleyball players in their shoulder, elbow and wrist angle, ball height, ball velocity and hand velocity.
Virtualität und Ökonomie
Creators: name: Fuchsgruber, Lukas
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind, aber auch zu den künstlerischen Tendenzen, denen sie formal zugehörig sind. Die Projekte loten die künstlerischen, technischen und ökonomischen Grenzen ihres Bezugssystems aus. Ein neu konstruierter Bruch zwischen ökonomischer und künstlerischer Welt lässt sich hier konstatieren, denn die virtuelle Welt wird zu einer besonders zugespitzten Instanz der Kunstwelt. Virtualität wird dabei zum Möglichkeitsraum, in dem wiederum ökonomische Zusammenhänge künstlerisch thematisiert werden können. Bezogen auf Virtualität verhandelt dieser Text nicht nur die Künstlichkeit des gestalteten Raums, sondern auch die spezifische Zeitstruktur.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Buch als Hypertext: Zur medialen Prägung von Bildkonstellationen
Creators: name: Felsing, Ulrike
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Der Beitrag untersucht das Verhältnis von Bildgefügen und medialem Kontext am Beispiel des Ausstellungskatalogs und Künstlerbuchs Constantin. Er fragt nach theoretischen Möglichkeiten, Bildgefüge in Bezug zu ihrem spezifischen medialen Zusammenhang zu beschreiben. Auf welche Weisen werden Bezüge zwischen Bildern hergestellt und inwiefern prägt das buchmediale Bezugssystem diese Bildgefüge? Im Anschluss an Nelson Goodmans Symboltheorie werden unterschiedliche Bezugnahmepraktiken erläutert. Goodmans Begriff der Bezugnahme ist so weit gefasst, dass sich über ihn sowohl die Interaktion zwischen den Bildern als auch das Verhältnis von Bildgefüge und Buchmedium bestimmen lässt. So etwa über den Begriff der ‚Anspielung‘, der ‚Variation‘ und über ‚Multiple und komplexe Bezugnahmen‘. Über die Exemplifikation buchspezifischer Merkmale nehmen die Bilder Bezug auf den medialen Kontext. Constantin präsentiert die gleichnamige Installation von Olaf Nicolai, die er für den Kunstraum Dornbirn, Österreich entwickelt hat und die dort von August bis November 2006 gezeigt wurde. Das Zentrum des Katalogs bildet ein ganzseitiges, gerahmtes Installationsfoto, das die Installation, eine Leichtwindanlage in der Montagehalle zeigt. Um dieses Foto in der Mitte des Katalogs spannt sich ein Kräftefeld, das aus drei untereinander korrespondierenden Teilkomplexen – ‚Figur – geometrisch‘, ‚Constantin‘ und ‚In space‘ – montiert wurde. Diese Konstellation eröffnet die unterschiedlichsten Interpretationsmöglichkeiten, denn sie ist, wie Felix Thürlemann unter dem Begriff Hyperimage erläutert, „aus autonomen Einzelwerken zusammengesetzt“. Wie entstehen dennoch Bezüge innerhalb der Bildgefüge und welche Rolle spielt dabei das Buchmedium? Schafft es nicht gerade Festigkeit, Abgeschlossenheit und Begrenztheit und damit einen Gegenpol zum offenen Interpretationsraum? Druck, Bindung und Seitenfolge fixieren und stabilisieren die Auswahl der Themenaspekte, ihre spezifische Anordnungslogik und die damit getroffenen bildlichen Aussagen. Dieser Finalisierung arbeiten die multiplen und komplexen intertextuellen Bezugnahmen in Constantin jedoch konsequent entgegen. Die Bezüge erzeugen Offenheit und Mehrdeutigkeit, sie halten die bildlichen Aussagen in der Schwebe. Die kontinuierlichen Bedeutungsverschiebungen werden dabei von unterschiedlichen Darstellungsmodalitäten (technischen Zeichnungen, Filmstills und Fotografien) unterstützt.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Testing site index-site factor relationships for predicting lodgepole pine and interior spruce productivity in central British Columbia
Creators: name: Klinka, Karel
name: Kayahara, Gordon J.
name: Chourmouzis, Christine
Publisher: name: Forest Sciences Department, University of British Columbia
Year: 2008

description: Knowledge of the potential productivity of a tree species becomes especially important when timber production is the primary management objective. However, direct determination of potential productivity is often not possible. For example, in situations where the site is unstocked, stocked with trees unsuitable for productivity measurement, or stocked with species other than the one of interest. In these cases, an indirect estimate using known characteristics of the site itself is required. Such estimates were made using regression to model site index with indirect measures of site quality for lodgepole pine (Pinus contorta) and interior spruce (Picea engelmannii × P. glauca) in the Sub-Boreal Spruce (SBS) zone of central BC. We tested the utility of these productivity relationship models for predicting the site index of lodgepole pine and interior spruce (Kayahara et al. accepted for publication).
title: Quantum Nonlocal Aberration Cancellation
Creators: name: Black, A. Nicholas
name: Giese, Enno
name: Braverman, Boris
name: Zollo, Nicholas
name: Barnett, Stephen M.
name: Boyd, Robert W.
Publisher: name: American Physical Society
Year: 2024

description: Phase distortions, or aberrations, can negatively influence the performance of an optical imaging system. Through the use of position-momentum entangled photons, we nonlocally correct for aberrations in one photon’s optical path by intentionally introducing the complementary aberrations in the optical path of the other photon. In particular, we demonstrate the simultaneous nonlocal cancellation of aberrations that are of both even and odd order in the photons’ transverse degrees of freedom. We also demonstrate a potential application of this technique by nonlocally canceling the effect of defocus in a quantum imaging experiment and thereby recover the original spatial resolution.
Ecoinformática aplicada a la conservación: simulación de efectos del cambio global sobre la distribución de la flora de Andalucía
Creators: name: Benito, Blas M.
Publisher: name: figshare
Year: 2013
Subjects: subject: Environmental Science
subject: Botany
subject: Ecology
subject: FOS: Biological sciences

description: En esta Tesis exploro una metodología de análisis y pronóstico, los Modelos de Distribución de Especies (MDE), que son herramientas diseñadas para calcular la distribución geográfica potencial de las especies a partir de registros de presencia y variables ambientales (topografía, clima, usos del suelo, etc.). Los MDE tienen como soporte conceptual las teorías sobre distribución de organismos y como soporte funcional las tecnologías de la información. En el trabajo que
presento trato de utilizar y extender las posibilidades de los MDE para ofrecer respuestas a problemas de conservación en la flora de Andalucía.
Album und sein Digitalisat – Fragen zum Begriff des Hyperimage
Creators: name: Rössel, Julia
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Bei der Idee des ‚hyperimage‘ als sinngenerierendem Bildgefüge aus autonomen Bildern wird mit einem Bildbegriff umgegangen, der Medialitäten und deren Charakteristika kaum in den Fokus nimmt, wohingegen die rezeptionsästhetischen Momente besonders hervorgehoben werden. Allerdings ist es das Zusammenspiel vom Medium des sogenannten ‚hyperimage‘ und der Rezeptionsweise des Betrachters, welche von Felix Thürlemann beschrieben wird, das überhaupt erst zu der Wahrnehmung einer epistemischen Bildkombination bzw. eines pluralen Bildes führen kann. Bei der Sichtung von Thürlemanns Fallbeispielen fällt auf, dass er sich auf Bildkonstellationen oder deren Darstellungen konzentriert, die ein ausstellender, ein zeigender Charakter eint. Wie verhält es sich jedoch mit „unsichtbaren“ Bildersammlungen? Jegliche museale Präsentation ist lediglich eine Auswahl aus Bilderkonvoluten, die in Depots gelagert verborgen bleiben. Am Beispiel graphischer Sammlungen untersuche ich im Rahmen meiner Promotion, inwieweit bereits diese Depotsituation, die Ordnung und Sortierung der dortigen Bilder, nicht nur zum Wiederauffinden eines bestimmten Objektes dienen, sondern dem Nutzer auch eine bestimmte Aussage über den Kontext dieses Objektes bieten kann, die sich durch seine Kombination mit anderen Bildern innerhalb bestimmter Medien ergibt. Ob hierfür der Begriff des ‚hyperimage‘ als Beschreibung dienlich ist, möchte ich im ersten Teil meines Artikels untersuchen. Dafür werden Bildkonvolute der Graphischen Sammlung der Herzog August Bibliothek Wolfenbüttel beispielhaft analysiert. Im zweiten Teil setzte ich mich mit pluralen Bildern auseinander, die Thürlemann in seinem Buch Mehr als ein Bild – Für eine Kunstgeschichte des ‚hyperimage‘ ausgeklammert hat: Derzeit werden viele graphische (und andere museale) Sammlungen digitalisiert und im Internet öffentlich zugänglich gemacht. Natürlich sind digitalisierte Sammlungen nur eine Form der Präsenz von Bildern im Internet, die laut Thürlemann sehr mannigfaltig sein kann. Sie bieten sich allerdings, aufgrund ihrer konzeptuellen und institutionellen Geschlossenheit als Untersuchungsgegenstand an, um Thürlemanns Ausschlusskriterien digitaler Bildersammlungen für den Begriff des ‚hyperimage‘ genauer zu untersuchen. Ist nicht auch der Umgang mit einer materiell gebundenen Bildersammlung, wie Diaprojektionen, gewissermaßen interaktiv und von persönlichen Interessen gelenkt? Spielt nicht die „sprachliche Vermittlung“ im digitalen, wie im analogen Raum eine Rolle beim Erstellen und Erschließen von ‚hyperimages‘? Im abschließenden Teil des Artikels werden die Beobachtungen aus beiden untersuchten Bereichen unter medientheoretischen Aspekten analysiert und der Begriff des ‚hyperimages‘ auf seine Eignung hierfür hin nochmals verhandelt.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Height growth curves and site index tables for subalpine fir, Engelmann spruce, and lodgepole pine in the ESSF zone of BC
Creators: name: Klinka, Karel
name: Chen, Han Y. H.
name: Wang, Qingli
name: Chourmouzis, Christine
Publisher: name: Forest Sciences Department, University of British Columbia
Year: 2008

description: Height growth models of coastal low- and mid-elevation Pacific silver fir, low-elevation white spruce, and low- and midelevation lodgepole pine have been used for predicting productivity of subalpine fir, Engelmann spruce, and lodgepole pine, respectively. These models, however, are biased in predicting height growth of high-elevation subalpine fir, Engelmann spruce, and lodgepole pine. To improve this situation, 329 sample plots (165 for subalpine fir, 90 for Engelmann spruce, and 74 for lodgepole pine) were located throughout the Engelmann Spruce-Subalpine Fir (ESSF) zone. Stem analysis was carried out on three dominant trees in each 0.04 ha sample plot. For each study species, a height growth model was developed on the data from two-thirds of the sample plots using the conditioned Chapman-Richards’ function; the model was validated using the remaining one-third of the sample plots.
THE JOURNEY OF EVALUATION SYSTEM FROM ANCIENT GURUKUL TO MODERN EDUCATION SYSTEM
Creators: name: Singhal, Pooja
Publisher: name: figshare
Year: 2013
Subjects: Education

description: Education aims at making children capable of becoming responsible, productive and useful members of society. Knowledge, skills and attitudes are built through learning experiences and opportunities created for learners in schools. The education system in vogue in a country reflects the ethos, aspirations and expectations of a particular society. As aspirations and expectations of each generation vary with time, constant review of curriculum and evaluation system becomes an essential exercise. Evaluation is very important component of the education system. Reforms in the examination system are often recommended, sometimes discussed and rarely implemented. Introduction of Continuous and Comprehensive Evaluation (CCE) is one of such reforms which have undergone a painful journey. The need for introducing CCE in schools in an effective and systematic manner has been felt for a long time. The present paper discusses the journey of evaluation system from our Ancient Gurukul system in form of oral examination to the implementation of Continuous and Comprehensive Evaluation of Modern Education System in Indian Perspective. The paper reflects the rationale behind replacing our traditional examination system with the concept of Continuous and Comprehensive Evaluation (CCE) and its relevance in school education over the traditional examination system. Further this paper also highlight several problems associated with the execution of Continuous and Comprehensive Evaluation and suggests few remedial measures for its smooth execution.
A SMALL RIVER BASIN IN INDIA WITH ITS MORPHOLOGICAL STATISTICS AND UNIQUE COMBINATIONS OF FLOOD SITUATION
Creators: name: Malavika Sinha
Publisher: name: figshare
Year: 2013
Subjects: Geography

description: Indiscriminate use of formulae regarding water planning, without
consideration of the unique characteristics of a river, sometimes lead to an anomalous
situation and up to some extent it provides ill-effects on the river regime. For a scientific
and rational approach to different river problems, planning and design of water
resources projects, an understanding of the morphological behaviour of the river is an
essential pre-requisite. The most remarkable identity of Dwarekeswar River is that, it
consists of transitional characteristics of flash floods it its upper catchment, monsoonal
flood in the middle and tidal effect in its lower confluence simultaneously. This thrice
combinations of flood situations of a small river makes the Dwarekeshwar as a unique
and rare river type in plateau area.
Georg Pencz
Creators: name: Dyballa, Katrin
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Both the mobility of artists and the mobility of artworks are discussed based on the example of Georg Pencz, who rose to become Nuremberg’s leading painter following the death of Albrecht Dürer. Becoming an “honourable servant” in 1532, Pencz found himself in a fairly comfortable position; he received a small annual salary, and it certainly became much easier for him to build up his own complex network and to be part of a network. All this was the prerequisite for him being commissioned to work on prestigious projects such as the Silveraltar, which was made for the burial chapel of the Polish King Sigismund I (reign 1506-1548). But his prominent position also allowed Pencz to generate interest among a number of people. Ultimately Pencz became mobile through a combination of fortunate factors, including his own skills, his position, his relationships and a generous offer. Becoming a court painter in Königsberg was a great step in his career, which unfortunately ended somewhat abruptly when he died after only around four weeks in his new role.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Between “Silesiae metropolim” and “Quasi centrum Europae”
Creators: name: Patała, Agnieszka
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Although several scholars have explored the issue of commercial and artistic relationships between Nuremberg and Breslau, the multidimensional phenomenon of artists’ mobility between the banks of the Pegnitz and the Oder in the 15th and the 16th centuries has received little attention. Taking into account the vast number of networks – especially commercial, family, ecclesiastical, and monastery ties – that determined and facilitated the migration in question, especially among painters and goldsmiths, it turns out that the presence of numerous merchants in Breslau who were originally from Nuremberg had little impact on this particular mobility. Nevertheless, almost every case of artists’ mobility discussed was anything but coincidental, taking place within the framework of dense networks. Moreover, it becomes clear that the social position of artists from particular crafts was closely related to their mobility – more affluent and appreciated by their patrons, goldsmiths migrated more frequently than painters.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Hans von Kulmbach in Poland
Creators: name: Sitek, Masza
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: In the mid-19th century, a certain case of artistic mobility in the early Renaissance entered the agenda of Polish, and subsequently German, antiquarianism and art history. The artist in question was the presumed student of Albrecht Dürer, Hans Suess von Kulmbach (d. 1522), whose name was eventually linked to a number of high-quality paintings dispersed among Cracow churches and private collections. At the same time, a controversy erupted over the supposition that the painter behind the masterpieces had resided in Cracow and developed manifold relationships with the local milieu. In the face of scarce and inconclusive evidence, the answers successively offered in the debate have proven closely dependent on changing methodological as well as political factors.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Kuntze/Chuntze/Konicz in the Casino Borghese, and the identity-alterity of the artist
Creators: name: Nitka, Maria
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: This paper scrutinizes the medallions, which were created by Taddeus (Tadeusz) Kuntze in the mid-1780s, for the Casino Borghese, one of the first modern museums, in Stanza di Ercole, Rome. In terms of the iconographic program of the Casino Borghese, the images of musicians portrayed in the medallions relate to the idea of an artist identifying to a cultural field other than the “classical” one. In fact, the medallions present a distinctive strategy of fostering a broadening definition of the artist, who until then was defined in national terms as Polish or German. In the context of the scuola romana, these medallions will be interpreted as a mark of the artist’s “alterity” in eighteenth-century Rome.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Reproducing il primo quadro del mondo
Creators: name: Mardilovich, Galina
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Fedor Iordan (1800-1883) spent more than twenty years in Europe studying printmaking as a pensioner of the Russian Imperial Academy of Arts: first in Paris, then in London, and finally, from 1835 in Rome, where he embarked on his monumental engraving of Raphael’s Transfiguration. Scrutinising the production and reception of this print – which took fifteen years to complete and afforded the artist an opportunity to remain in Italy – this essay reconsiders Iordan’s work within the wider context of international printmaking and, within the emerging debates about Russia’s position in transnational artistic developments and its national distinctiveness.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Integrated-optic sensors for high-voltage substation applications.
Creators: name: Jaeger, Nicolas A. F.
Publisher: name: Society of Photo-Optical Instrumentation Engineers (SPIE)
Year: 2011

description: Integrated-optic devices for use in high-voltage substations are reviewed. Specifically, two types of integrated-optic Mach-Zehnder and the integrated-optic Pockels cell are described and compared. A system for monitoring the condition of fluid-and-paper insulation systems, such as are used in many current transformers and power transformer bushings, is also described. This condition monitoring system measures the dissipation factor of an insulation system being monitored. It uses an integrated-optic Pockels cell to measure the phase of the voltage on the high-voltage transmission line to which the insulation system is connected. Preliminary results, showing that the system is capable of measuring the dissipation factor to an accuracy of 0.5%, are presented. Copyright 1998 Society of Photo-Optical Instrumentation Engineers. One print or electronic copy may be made for personal use only. Systematic reproduction and distribution, duplication of any material in this paper for a fee or for commercial purposes, or modification of the content of the paper are prohibited.
Italy too sweet
Creators: name: Zachariáš, Jan
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Traveling was an important part of artistic education for many landscape painters in late imperial Russia, and the St Petersburg Academy of Arts devoted considerable funds for travel scholarships for its most excellent graduates. In the middle of the nineteenth century, the desired destination for foreign study for Russian landscape painters changed from Italy to the more artistically progressive places such as Düsseldorf and Geneva. From 1860 onwards many Russian landscape painters, including Ivan Shishkin and Aleksey Savrasov, studied with renowned painters like Alexandre Calame and Rudolf Koller in Switzerland, or with the Achenbach brothers in Düsseldorf. This paper will explore how two Russian artists – Shishkin and Savrasov – mastered the painting manner of Calame and the Düsseldorf School, and how they were able to reuse the visual strategies of Central European painting to express Russian nature.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 3 (2016): Kunsttexte
Denkmal Ost-Moderne II. Denkmalpflegerische Praxis der Nachkriegsmoderne
Creators: name: Klusemann, Christian
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Rezension zu: Denkmal Ost-Moderne II. Denkmalpflegerische Praxis der Nachkriegsmoderne (Stadtentwicklung und Denkmalpflege, Bd. 18), hg. v. Mark Escherich, Berlin: Jovis-Verlag 2016, ISBN 978-3-86859-399-0
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 2 (2016): Kunsttexte
MARITAL CONFLICTS: EFFECT OF FAMILY ECOLOGY AND SOCIO- ECONOMIC STATUS
Creators: name: Samridhi Arora
name: RASHMI CHADHA
Publisher: name: figshare
Year: 2013
Subjects: Art

description: The present study was conducted to investigate the marital conflicts among 240
couples of Jammu City having high, middle and low socio- economic status. Random
sampling technique was used for sample selection and data was collected using
interview guide. The results of the study revealed that marital conflicts exist in all the
selected families. The main reason for marital conflicts in high socio- economic group
was business tours of husbands, while conflicts due to needs of children and job of both
the partners were causes of conflict in middle socio- economic group. Husband's
alcoholism and low income were reasons in couples having low socio- economic status.
In all these families, majority of the wives took first step for compromise as compared to
husbands.
Erwin-Panofsky-Korrespondenz-Edition und Gerda S. Panofsky
Creators: name: Wuttke, Dieter
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Der Verfasser gibt an ausgewählten Beispielen einen Einblick in die wechselvollen Beziehungen von Gerda Panofsky zu der Arbeit an der Edition der fünfbändigen Erwin-Panofsky-Korrespondenz mit Ergänzungsband zwischen 1988 und 2014.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 1 (2016): Kunsttexte
title: 01_1867
Creators: name: Wesley Baldwin, John
name: Baldwin, John W.
Publisher: name: NAKALA - https://nakala.fr (Huma-Num - CNRS)
publisherIdentifier: https://ror.org/04ces3204
publisherIdentifierScheme: ROR
Year: 2018
Subjects: subject: LaMOP
subject: Laboratoire de Médiévistique Occidentale de Paris

description: L'ensemble de ces notes ont été crée par John Baldwin lors d'une de ses premières périodes de résidence à Paris. Ces documents comprennent tous les magistri qu’il avait pu rencontrer dans ses sources. Aux XIIème et XIIIème siècles, les universités n'existant pas encore, le titre de magister s'il évoque certainement une compétence n'est pas rattaché de façon systématique au passage par les écoles. De surcroît, les magistris sont le plus souvent désignés par leur seul prénom. La lecture de ces données est donc difficile et suppose un long travail pour tenter d'identifier un individu auquel on pourrait rattacher plusieurs mentions. John Baldwin avait donc renoncé à utiliser ces données pour donner un prolongement à sa magnifique étude sur les gradués d'université et leur emploi par les Capétiens et les Plantagenêts. Néanmoins, il a conservé ces données et elles sont potentiellement très utile dans le cadre de Studium, comme le sont toutes les mentions dans les volumes des Fasti Ecclesiae Gallicanae de chanoines portant ce titre de magister sans autres précisions. L'ampleur des dépouillements rend ces données très utiles et nous devons une grande reconnaissance à John Baldwin pour avoir pris la peine de faire photocopier ses fiches et de nous les avoir transmises amicalement.
Les données ainsi que les images des fiches sont accessibles sur le site Internet à l'adresse suivante : http://studium-baldwin.lamop.fr/.
Les transcriptions des fiches ont été effectuées par des étudiants de Paris 1 Panthéon - Sorbonne mais elles n'ont pas été corrigées par la suite.
description: Relation: https://lamop.hypotheses.org/
Karl Friedrich Schinkels Friedrichswerdersche Kirche braucht unseren Schutz
Creators: name: Freigang, Christian
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: Die Friedrichswerdersche Kirche, seit 1817 in Planung und 1824-30 errichtet, ist das letzte weitge-hend auch in seinem Innern erhaltene und erfahrbare Bauwerk Schinkels in Berlin. Trotz aller Veränderungen und Beschädigungen sind hier Schinkels Meisterschaft bei der Mauerwerksbehandlung und sein schöpferischer Umgang mit den gotischen wie klassizistischen Stilelementen auf das Beste ablesbar. Neben dem Denkmal auf dem Kreuzberg handelt es sich um eines der frühesten Beispiele der Gotikrezeption nach den Befreiungskriegen in Berlin. Schinkel orientierte sich hier nicht mehr an Kathedralen, sondern verarbeitete Eindrücke von mittelalterlichen Burg- und Collegekapellen. Das Innere des schlanken, langgestreckten Saalbaues mit seinen markanten Wandpfeilern, umlaufenden Emporen und zarten Rippengewölben erfuhr 1987 durch die Integration zeitgenössischer Skulptur aus den Staatlichen Museen eine kongeniale Bespielung. - - - All dies scheint nun passé.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 1 (2016): Kunsttexte
Sostenibilidad del cultivo bajo plástico en Andalucía Oriental: perspectivas de futuro y propuestas de gestión
Creators: name: Benito, Blas M.
Publisher: name: figshare
Year: 2013
Subjects: subject: Environmental Science
subject: Botany
subject: Ecology
subject: FOS: Biological sciences

description: Trabajo final del Máster en Gestión y Auditoría Medioambiental (Universidad de Cádiz) presentado por Blas M. Benito
Offener Brief zum geplanten Umbau der St. Hedwigs-Kathedrale
Creators: name: Buttlar, Adrian Von
Publisher: name: kunsttexte.de - Journal für Kunst- und Bildgeschichte
Year: 2022

description: In einem Offenen Brief gegen die Zerstörung der St. Hedwigs-Kathedrale wenden sich Angehörige des Fachgebiets Kunstgeschichte der TU Berlin, unterstützt von zahlreichen WissenschaftlerInnen aus In- und Ausland an Erzbischof Dr. Heiner Koch. Weiteres erfahren Sie auf dem Internetauftritt der "Freunde der Hedwigskathedrale" (http://www.freunde-hedwigskathedrale.de/). Dort haben die Möglichkeit, sich unter bewahren[at]online.de dem Protest anzuschließen.
description: kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr. 1 (2016): Kunsttexte
Large Zenith Telescope project: a 6-m mercury-mirror telescope.
Creators: name: Hickson, Paul
name: Walker, Gordon A. H.
Publisher: name: Society of Photo-Optical Instrumentation Engineers (SPIE)
Year: 2011

description: The Large Zenith Telescope is a zenith-pointing telescope with a 6-meter diameter rotating mercury mirror. Located in mountains near Vancouver, Canada, it is expected to see first light in 1998. Equipped with a low-noise drift- scanning CCD camera, the telescope will survey a 17-arcmin- wide strip of sky using a set of medium-band filters. The data are expected to provide spectral energy distributions and photometric redshifts for over a million galaxies which will form a base for studies of galaxy evolution and large- scale structure. Copyright 1998 Society of Photo-Optical Instrumentation Engineers. One print or electronic copy may be made for personal use only. Systematic reproduction and distribution, duplication of any material in this paper for a fee or for commercial purposes, or modification of the content of the paper are prohibited.
Use of Ecopath with Ecosim to Evaluate Strategies for Sustainable Exploitation of Multi-Species Resources
Creators: name: Pauly, D. (Daniel)
name: Weingartner, Gunna
Publisher: name: Fisheries Centre. University of British Columbia
Year: 2017

description: This report presents background material to and the main conclusions of a workshop, held on March 25-27, 1998 at the Fisheries Centre,UBC, and devoted to the use of the Ecopath with Ecosim software as a tool for evaluating different strategies for fisheries resource management in a multispecies, i.e., ecosystem context. Summaries of lectures describing the latest version of Ecopath with Ecosim (V. Christensen), the background, capabilities and shortcomings of Ecosim (C. Walters), including the use of Ecosim in an economic context (R. Sumaila) to assess the effectivity of marine protected areas (R. Watson) and for rebuilding ecosystem (T. Pitcher) are presented. The main features of Ecospace, a spatial version of Ecopath recently developed by C. Walters, are briefly outlined.The requirements of FAO - the main sponsor of the workshop - for field use of the package are presented (K. Cochrane), as are the results of tests and simulations by the workshop participants.The report concludes with a general discussion of the type of prediction (safe, tentative, guesses) that can be expected to result from Ecosim/Ecospace applications.