title: Ð¡Ð¸Ð¼Ð²Ð¾Ð»Ð¸ÐºÐ° ÑÐ²ÐµÑÐ° Ð² Ð¿Ð¾ÑÐ·Ð¸Ð¸ Ð¤ÐµÐ´ÐµÑÐ¸ÐºÐ¾ ÐÐ°ÑÑÐ¸Ñ ÐÐ¾ÑÐºÐ¸
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Color symbolism in the poetry of Federico GarcÃ­a Lorca
Creators: name: Ð¢Ð°ÑÐ°Ð½Ð¸Ð½Ð°, ÐÐ¸Ð»Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2021
Subjects: ÑÑÐ°Ð·ÐµÐ¾Ð»Ð¾Ð³Ð¸Ñ
ÑÐ²ÐµÑ
ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¸Ð·Ð¼
ÑÐµÐ´ÐµÑÐ¸ÐºÐ¾ Ð³Ð°ÑÑÐ¸Ñ Ð»Ð¾ÑÐºÐ°
Ð¿Ð¾ÑÑ
Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ðµ
ÐºÑÐ»ÑÑÑÑÐ°
ÐµÐ´Ð¸Ð½Ð¸ÑÐ°
phraseology
color
symbolism
federico garcia lorca
poet
poem
culture
idiom

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ 1) ÐÐ¾Ð½ÑÑÐ¸Ñ Â«ÑÑÐ°Ð·ÐµÐ¾Ð»Ð¾Ð³Ð¸Ð·Ð¼Â» Ð¸ ÐµÐ³Ð¾ ÑÐ²ÑÐ·Ñ Ñ Ð¿Ð¾Ð½ÑÑÐ¸ÐµÐ¼ Â«ÐºÐ°ÑÑÐ¸Ð½Ð° Ð¼Ð¸ÑÐ°Â». 2) ÐÐ¾Ð½ÑÑÐ¸Ñ Â«ÑÐ²ÐµÑÂ» Ñ ÑÐ¾ÑÐºÐ¸ Ð·ÑÐµÐ½Ð¸Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÑ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸Ðº Ð¸ Ð¿ÑÐ¸Ð·Ð½Ð°ÐºÐ¾Ð² ÑÐµÑÐ¼Ð¸Ð½Ð°. 3) Ð¤ÑÐ°Ð·ÐµÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¾Ð¹ Ð³ÑÑÐ¿Ð¿Ñ Â«ÑÐ²ÐµÑÂ» Ð¸ ÐµÐµ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ñ Ð¿ÑÐ¸ Ð¸Ð·ÑÑÐµÐ½Ð¸Ð¸ ÑÑÐ°Ð·ÐµÐ¾Ð»Ð¾Ð³Ð¸Ð·Ð¼Ð¾Ð² Ñ ÑÐ²ÐµÑÐ¾Ð²ÑÐ¼ ÐºÐ¾Ð¼Ð¿Ð¾Ð½ÐµÐ½ÑÐ¾Ð¼ Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ Ð¤ÐµÐ´ÐµÑÐ¸ÐºÐ¾ ÐÐ°ÑÑÐ¸Ñ ÐÐ¾ÑÐºÐ¸. 4) ÐÐ·ÑÑÐµÐ½Ð¸Ñ Ð±Ð¸Ð¾Ð³ÑÐ°ÑÐ¸Ð¸ Ð¤ÐµÐ´ÐµÑÐ¸ÐºÐ¾ ÐÐ°ÑÑÐ¸Ñ ÐÐ¾ÑÐºÐ¸. 5) Ð¡Ð»Ð¾Ð² Ñ ÑÐµÐ¼Ð°Ð½ÑÐ¸ÐºÐ¾Ð¹ ÑÐ²ÐµÑÐ° Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ Ð¤ÐµÐ´ÐµÑÐ¸ÐºÐ¾ ÐÐ°ÑÑÐ¸Ñ ÐÐ¾ÑÐºÐ°. 6) Ð¡Ð²ÑÐ·Ñ Ð¿ÑÐ¸ÑÐ¾ÑÐµÐ¼Ð°Ð½ÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ Ð¸ ÑÐ²ÐµÑÐ¾Ð²ÑÑ Ð¾Ð±Ð¾Ð·Ð½Ð°ÑÐµÐ½Ð¸Ð¹ Ð² Ð¿Ð¾ÑÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÑÐµÐºÑÑÐµ. ÐÑÐ°ÐºÑÐ¸ÑÐµÑÐºÐ°Ñ ÑÐ°ÑÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»Ð°ÑÑ Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ ÑÑÐµÑ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹ Ð¤ÐµÐ´ÐµÑÐ¸ÐºÐ¾ ÐÐ°ÑÑÐ¸Ñ ÐÐ¾ÑÐºÐ¸: Â«ÐÐ¾ÑÑÑÑÐ°ÑÑÐ°Ñ Ð¶ÐµÐ½Ð° ÑÐ°Ð¿Ð¾Ð¶Ð½Ð¸ÐºÐ°Â», Â«ÐÑÐ±Ð¾Ð²Ñ Ð´Ð¾Ð½Ð° ÐÐµÑÐ»Ð¸Ð¼Ð¿Ð»Ð¸Ð½Ð° Ð¸ ÐÐµÐ»Ð¸Ð·Ñ Ð² Ð¡Ð°Ð´ÑÂ» Ð¸ Â«ÐÑÐ¾Ð²Ð°Ð²Ð°Ñ Ð¡Ð²Ð°Ð´ÑÐ±Ð°Â». ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»Ð¾ÑÑ Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸ÐµÐ¼ ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¼ÐµÑÐ¾Ð´Ð¾Ð² (Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°ÑÐµÐ»ÑÑÐºÐ¸Ð¹, ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð¸ ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½ÑÐ¹ Ð°Ð½Ð°Ð»Ð¸Ð·).
description: The subject of the graduate qualification work is âColor symbolism in the poetry of Federico GarcÃ­a Lorcaâ. The given work is devoted to the concept of "phraseological unit" and its relationship with the concept of "picture of the world", concept of "color" in terms of the main characteristics and features of the term, phraseological group "color" and its importance in the study of phraseological units with a color component in the poetic works of Federico GarcÃ­a Lorca, study the biography of Federico GarcÃ­a Lorca, vocabulary with the semantics of color in the works of Federico Garcia Lorca, connection between psychosemantic features and color designations in a poetic text. The practical part of the study was carried out based on three poems of Federico GarcÃ­a Lorca: The Shoemaker's Wife, The love of don PerlimplÃ­n and Belisa in the garden and Blood Wedding. The study was conducted using theoretical methods (research, theoretical and comparative analyses).