title: ÐÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¼ÐµÑÐ°ÑÐ¾ÑÑ Ð² ÑÐ¸ÑÑÐ¾Ð²Ð¾Ð¼ Ð¸ÑÐºÑÑÑÑÐ²Ðµ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: The use of metaphor in digital art
Creators: name: ÐÐµÑÐ¼ÑÐºÐ¾Ð², ÐÐ»ÐµÐºÑÐ°Ð½Ð´Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2019
Subjects: ÐÐ½ÑÐµÑÑÐµÐ¹ÑÑ
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description: Ð¦ÐµÐ»ÑÑ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ ÑÐ²Ð»ÐµÐ½Ð¸Ñ Â«Ð¼ÐµÑÐ°ÑÐ¾ÑÑÂ» Ð² Ð´Ð¸Ð·Ð°Ð¹Ð½Ðµ ÐºÐ°Ðº Ð¿ÑÐ¾ÐµÐºÑÐ½Ð¾-ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸Ð½ÑÑÑÑÐ¼ÐµÐ½ÑÐ° Ð²Ð·Ð°Ð¸Ð¼Ð¾Ð´ÐµÐ¹ÑÑÐ²Ð¸Ñ Ð¸ Ð¿Ð¾Ð²ÐµÐ´ÐµÐ½Ð¸Ñ ÑÐ¸ÑÑÐµÐ¼, ÑÑÐµÐ´ Ð¸ Ð¿ÑÐ¾Ð´ÑÐºÑÐ¾Ð² Ñ Ð¸Ñ Ð¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°ÑÐµÐ»ÐµÐ¼. ÐÐ·ÑÑÐµÐ½Ð¸Ðµ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÑÐ¾Ð¿Ð¾Ð² Ð½Ð° Ð¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°ÑÐµÐ»Ñ. Ð ÑÐ°Ð±Ð¾ÑÐµ Ð¿ÑÐ¾Ð²ÐµÐ´ÑÐ½ Ð¸ÑÑÐ¾ÑÐ¸ÐºÐ¾-ÐºÑÐ»ÑÑÑÑÐ½ÑÐ¹ Ð¾Ð±Ð·Ð¾Ñ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾Ð±ÑÐ°Ð·ÑÐ¾Ð² Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¼ÐµÑÐ°ÑÐ¾ÑÑ Ð² Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÑÑÐµÐ·Ðµ Ð¸ÑÐºÑÑÑÑÐ²Ð° XIXâXX Ð²ÐµÐºÐ¾Ð², Ð² ÑÐ¾Ð´Ðµ ÐºÐ¾ÑÐ¾ÑÐ¾Ð³Ð¾ ÑÐ´Ð°Ð»Ð¾ÑÑ Ð¿ÑÐ¾ÑÐ»ÐµÐ´Ð¸ÑÑ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ðµ Ð¿ÑÐ¸Ð½ÑÐ¸Ð¿Ð¾Ð² Ð¸ ÑÐµÐ½Ð´ÐµÐ½ÑÐ¸Ð¹ Ð² Ð¸ÑÐºÑÑÑÑÐ²Ðµ, Ð¿Ð¾Ð²Ð»Ð¸ÑÐ²ÑÐ¸Ñ Ð¸ Ð¿ÐµÑÐµÑÐµÐ´ÑÐ¸Ñ Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÐ¹ Ð´Ð¸Ð·Ð°Ð¹Ð½. ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¾ ÑÐ²Ð»ÐµÐ½Ð¸Ðµ Ð³Ð¸Ð±ÑÐ¸Ð´Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð½Ð°ÑÐºÐ¸ Ð¸ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð°, ÐºÐ°Ðº Ð¾Ð´Ð½Ð¾Ð³Ð¾ Ð¸Ð· ÑÑÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¸Ð½ÑÐ¸Ð¿Ð¾Ð² ÑÐ°ÑÐ°ÐºÑÐµÑÐ½ÑÑ Ð´Ð»Ñ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð´Ð¸Ð·Ð°Ð¹Ð½Ð°, Ð° ÑÐ°ÐºÐ¶Ðµ ÐµÑ Ð¿ÑÐµÐ´Ð¿Ð¾ÑÑÐ»ÐºÐ¸. ÐÐ°Ð½Ð¾ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ Ð¼ÐµÑÐ°ÑÐ¾ÑÐµ Ð¸ Ð´ÑÑÐ³Ð¸Ð¼ ÑÑÐ¾Ð¿Ð°Ð¼ Ð¾ÑÐ½Ð¾ÑÐ¸ÑÐµÐ»ÑÐ½Ð¾ ÑÑÐµÑÑ Ð´Ð¸Ð·Ð°Ð¹Ð½Ð°. ÐÐ° Ð±Ð°Ð·Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿ÑÐ¸Ð´ÑÐ¼Ð°Ð½Ð° Ð¸ ÑÐµÐ°Ð»Ð¸Ð·Ð¾Ð²Ð°Ð½Ð° Ð¾ÑÐ¸Ð³Ð¸Ð½Ð°Ð»ÑÐ½Ð°Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ñ Ð¸Ð½ÑÐµÑÐ°ÐºÑÐ¸Ð²Ð½Ð¾Ð¹ Ð¸Ð½ÑÑÐ°Ð»Ð»ÑÑÐ¸Ð¸ Ñ ÑÑÐ°ÑÑÐ¸ÐµÐ¼ Ð¿ÑÐ¾Ð¼ÑÑÐ»ÐµÐ½Ð½Ð¾Ð³Ð¾ ÑÐ¾Ð±Ð¾ÑÐ°, ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½ Ð¸Ð½ÑÐµÑÑÐµÐ¹Ñ Ð¿ÑÐ¾Ð³ÑÐ°Ð¼Ð¼Ñ, Ñ Ð¿Ð¾Ð¼Ð¾ÑÑÑ ÐºÐ¾ÑÐ¾ÑÐ¾Ð¹ Ð¼Ð¾Ð¶Ð½Ð¾ ÑÐ¿ÑÐ°Ð²Ð»ÑÑÑ Ð¼Ð°Ð½Ð¸Ð¿ÑÐ»ÑÑÐ¾ÑÐ¾Ð¼. Ð Ð°Ð±Ð¾ÑÐ¸Ð¹ Ð¿ÑÐ¾ÑÐ¾ÑÐ¸Ð¿ Ð¸Ð½ÑÑÐ°Ð»Ð»ÑÑÐ¸Ð¸ Ð±ÑÐ» Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½ Ð² ÑÐ°Ð¼ÐºÐ°Ñ Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½Ð¾Ð³Ð¾ ÑÐµÑÑÐ¸Ð²Ð°Ð»Ñ Science Fest 2018.
description: The purpose of this work is to study the phenomenon of "metaphor" in design as an artistic tool for interaction and behavior of systems, environments and products with their users. The masterâs thesis presents historical and cultural review and analysis of examples of metaphor usage in the historical section of art of the XIX â XX centuries, during which it was possible to see the development of the principles in art that have passed into modern design. The research was about the phenomenon of hybridization of science and creativity, which is typically for modern design. An original installation concept with the participation of a robotic arm has been created, based on the conclusions of the research. Also a program interface has been developed, with which the manipulator can be controlled. A working prototype of the installation was presented at the International Science Fest 2018 festival.