title: Ð¢Ð°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ðµ Ð¸ÑÐºÑÑÑÑÐ²Ð¾ ÐÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ ÐÐ°ÑÐ¾Ð´Ð½Ð¾Ð¹ Ð ÐµÑÐ¿ÑÐ±Ð»Ð¸ÐºÐ¸ Ð²Ð¾ Ð²ÑÐ¾ÑÐ¾Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ðµ XX Ð²ÐµÐºÐ°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Dance art of the People`s Republic of China in the second half of the XX century
Creators: name: ÐÐ»ÑÑÐµÐ²ÑÐºÐ°Ñ, ÐÐ»ÑÐ³Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: ÐºÑÐ»ÑÑÑÑÐ° ÐÐ¸ÑÐ°Ñ
ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ðµ ÑÑÐµÐ½Ð¸ÑÐµÑÐºÐ¾Ðµ Ð¸ÑÐºÑÑÑÑÐ²Ð¾
Ð¸ÑÑÐ¾ÑÐ¸Ñ ÑÐ°Ð½ÑÐ°
Ð°Ð½ÑÑÐ¾Ð¿Ð¾Ð»Ð¾Ð³Ð¸Ñ ÑÐ°Ð½ÑÐ°
ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð°Ñ Ð´ÑÐ°Ð¼Ð°
ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½ÑÐµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ
Chinese Culture
China perfoming arts
dance history
anthropology of dance
dance drama
dance studies

description: Ð¦ÐµÐ»ÑÑ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ðµ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÑ Ð¿Ð°ÑÐ°Ð¼ÐµÑÑÐ¾Ð² Ð² Ð¼ÐµÑÐ°Ð½Ð¸Ð·Ð¼Ðµ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð° ÐÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ ÐÐ°ÑÐ¾Ð´Ð½Ð¾Ð¹ Ð ÐµÑÐ¿ÑÐ±Ð»Ð¸ÐºÐ¸ Ð² ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÐºÐ¾Ð½ÑÐµÐºÑÑÐµ Ð²ÑÐ¾ÑÐ¾Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ñ Ð¥Ð¥ Ð²ÐµÐºÐ°. ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ Ð¿ÑÐ¾ÑÐµÑÑ Ð¿ÐµÑÐµÑÑÑÐ¾Ð¹ÐºÐ¸ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿Ð¾Ð»Ñ ÐÐ¸ÑÐ°Ñ Ð²Ð¾ Ð²ÑÐ¾ÑÐ¾Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ðµ XX Ð²ÐµÐºÐ°. Ð Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÐµ Ð±ÑÐ» Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½ Ð¼ÐµÑÐ¾Ð´ ÑÐ¸ÑÑÐµÐ¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð°. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: â¢ ÐÑÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÑÐ°Ð¿Ñ Ð¸ Ð²ÐµÐºÑÐ¾ÑÑ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð° ÐÐ¸ÑÐ°Ñ, Ð²Ð¾ Ð²ÑÐ¾ÑÐ¾Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ðµ XX Ð²ÐµÐºÐ°: 1 ÑÑÐ°Ð¿ â 1949â1965 Ð³Ð³: ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ðµ Ð¾Ð±ÑÐµÐ³Ð¾ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð²Ð¸Ð´ÐµÐ½Ð¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ°Ð½ÑÐ°, Ð¿ÑÐµÐ²Ð°Ð»Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ Ð½Ð°ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÑ ÐºÐ°Ð½Ð¾Ð½Ð¾Ð² Ð¸ ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¹; 2 ÑÑÐ°Ð¿ â 1966â1976 Ð³Ð³: ÑÑÐ°Ð³Ð½Ð°ÑÐ¸Ñ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°, Ð³Ð»Ð°Ð²Ð½ÑÐ¹ Ð¶Ð°Ð½Ñ â ÑÐµÐ²Ð¾Ð»ÑÑÐ¸Ð¾Ð½Ð½ÑÐ¹ Ð±Ð°Ð»ÐµÑ, Ð¾Ð±Ð»Ð°Ð´Ð°ÑÑÐ¸Ð¹ Ð¿ÑÐ¾Ð¿Ð°Ð³Ð°Ð½Ð´Ð¸ÑÑÐºÐ¾Ð¹ ÑÑÐ½ÐºÑÐ¸ÐµÐ¹; 3 ÑÑÐ°Ð¿ â 1977â1999 Ð³Ð³: Ð¿Ð»ÑÑÐ°Ð»Ð¸Ð·Ð¼ ÑÑÐ¸Ð»ÐµÐ²ÑÑ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¹ Ð¸ ÑÐµÑÐµÐ½Ð¸Ð¹ Ð´Ð»Ñ Ð¿Ð¾ÑÑÐ°Ð½Ð¾Ð²Ð¾Ðº, Ð»Ð¸Ð±ÐµÑÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ð¹ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½ÑÑ ÐºÐ°Ð½Ð¾Ð½Ð¾Ð². â¢ ÐÐ¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ Ð²Ð°Ð¶Ð½ÐµÐ¹ÑÐ¸Ðµ Ð¿ÑÐ¾ÑÐ¸Ð»ÑÐ½ÑÐµ Ð¾ÑÐ³Ð°Ð½Ð¸Ð·Ð°ÑÐ¸Ð¸ â ÐÑÑÐ¾ÑÐ¸Ð°ÑÐ¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÑÐ°Ð½ÑÐ¾ÑÐ¾Ð², ÐÐµÐºÐ¸Ð½ÑÐºÐ°Ñ Ð°ÐºÐ°Ð´ÐµÐ¼Ð¸Ñ ÑÐ°Ð½ÑÐ°, Ð¦ÐµÐ½ÑÑÐ°Ð»ÑÐ½Ð°Ñ Ð°ÐºÐ°Ð´ÐµÐ¼Ð¸Ñ Ð´ÑÐ°Ð¼Ñ, Ð¸ Ð¿ÐµÑÐ¸Ð¾Ð´Ð¸ÑÐµÑÐºÐ¸Ðµ Ð¸Ð·Ð´Ð°Ð½Ð¸Ñ: "Ð¢Ð°Ð½ÐµÑ", "ÐÑÐ°Ð¼Ð°", "ÐÑÑÐ½Ð°Ð» ÐÐµÐºÐ¸Ð½ÑÐºÐ¾Ð¹ ÐÐºÐ°Ð´ÐµÐ¼Ð¸Ð¸ ÑÐ°Ð½ÑÐ°". â¢ ÐÑÑÐ²Ð»ÐµÐ½Ñ ÑÐ¿ÐµÑÐ¸ÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÐµÑÑÑ ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿Ð¾Ð»Ñ ÑÐµÐ³Ð¸Ð¾Ð½Ð°: Ð¿Ð¾ÑÑÐ¾ÑÐ½Ð½Ð¾Ðµ Ð¾Ð±ÑÐ°ÑÐµÐ½Ð¸Ðµ Ðº Ð¸ÑÐºÑÑÑÑÐ²Ñ Ð¿ÑÐ¾ÑÐ»Ð¾Ð³Ð¾, Ð·Ð°Ð²Ð¸ÑÐ¸Ð¼Ð¾ÑÑÑ Ð¾Ñ Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð¾Ð±ÑÑÐ°Ð½Ð¾Ð²ÐºÐ¸, ÑÐ¾ÑÑÐ°Ð½ÐµÐ½Ð¸Ðµ Ð¿ÑÐµÐ¾Ð±Ð»Ð°Ð´Ð°Ð½Ð¸Ñ Ð½Ð°ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÑ ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¹ Ð² ÑÐ°Ð½ÑÐµ. ÐÐ±Ð»Ð°ÑÑÑ Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ â ÑÐµÐ°ÑÑÑ, ÑÐ°Ð½ÑÐµÐ²Ð°Ð»ÑÐ½ÑÐµ Ð²ÑÐ·Ñ, Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²ÐµÐ½Ð½ÑÐµ Ð¸ ÐºÐ¾Ð¼Ð¼ÐµÑÑÐµÑÐºÐ¸Ðµ ÑÐºÐ¾Ð»Ñ ÑÐ°Ð½ÑÐµÐ².
description: The purpose of the work is to reveal main parameters in the dance art mechanism of the People`s Republic of China through the cultural and historical context of the second half of XX century. The object of research is the process of the dance field restructuring that took place in China in the second half of the 20th century. The method of systematic analysis was applied in the paper. As a result of the study: â¢ The main stages and vectors of the development of Chinese dance art in the second half of the 20th century were highlighted and evaluated. Stage 1: 1949 â 1965: creation of a common artistic vision of Chinese dance, national canons and traditions as a priority. Stage 2: 1966 â 1976: the stagnation of dance art, the main genre is revolutionary ballet, which has a propaganda function. Stage 3: 1977 â 1999: pluralism of style concepts and solutions for choreography, liberalization of Chinese dance canons. â¢ The most important professional organizations were identified â the Association of Chinese Dancers, the Beijing Academy of Dance, the Central Academy of Drama, and periodicals: "Dance", "Drama", "Journal of the Beijing Academy of Dance", "Dance Herald". â¢ Specific features of the region`s dance field were revealed: a constant appeal to the art of the past, dependence on the political situation, and the preservation of the national traditions prevalence in dance. Field of application: theaters, dance universities, state and commercial dance schools.