title: ÐÐ±ÑÐ°Ð·Ñ Ð¶ÐµÐ½ÑÐ¸Ð½ Ð² ÑÐ²Ð¾ÑÑÐµÑÐºÐ¾Ð¼ Ð½Ð°ÑÐ»ÐµÐ´Ð¸Ð¸ ÐÑ Ð¡ÑÐ»Ð¸Ð½Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Female characters in the Pu Songlingâs stories
Creators: name: Ð¡Ð»ÐµÐ¿ÑÐµÐ½Ð¾Ð²Ð°, ÐÐ»Ð¸Ð·Ð°Ð²ÐµÑÐ°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: ÐÐ¸ÑÐ°Ð¹
Ð¶ÐµÐ½ÑÐ¸Ð½Ñ
Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐ°
XVII Ð²ÐµÐº
ÐÑ Ð¡ÑÐ½Ð»Ð¸Ð½
ÑÐ°ÑÑÐºÐ°Ð·Ñ
Ð¾Ð±Ð¾ÑÐ¾ÑÐ½Ð¸
Ð±ÐµÑÑ
ÑÐµÐ¸
Ð¾Ð±ÑÐ°Ð·Ð¾Ð²Ð°Ð½Ð¸Ðµ
Ð¾Ð±ÑÐµÑÑÐ²Ð¾
Ð´Ð¸Ð½Ð°ÑÑÐ¸Ñ ÐÐ¸Ð½
Ð´Ð¸Ð½Ð°ÑÑÐ¸Ñ Ð¦Ð¸Ð½
China
women
literature
XVIIth century
Pu Songling
novels
werewolves
demons
fairies
education
society
Ming dynasty
Qing dynasty

description: ÐÐ°Ð½Ð½Ð°Ñ ÐÐÐ  Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸Ðº Ð¶ÐµÐ½ÑÐºÐ¸Ñ Ð¾Ð±ÑÐ°Ð·Ð¾Ð² Ð² ÑÐ±Ð¾ÑÐ½Ð¸ÐºÐµ ÑÐ°ÑÑÐºÐ°Ð·Ð¾Ð² ÐÑ Ð¡ÑÐ½Ð»Ð¸Ð½Ð° Â«ÐÑÐ¾ Ð§Ð¶Ð°Ð¹ ÑÐ¶Ð¸ Ð¸Â». ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. ÐÐ·ÑÑÐµÐ½Ð¸Ðµ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ð¹ Ð² ÑÑÐ°ÑÑÑÐµ Ð¼ÑÐ¶ÑÐ¸Ð½Ñ Ð¸ Ð¶ÐµÐ½ÑÐ¸Ð½Ñ Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¼ Ð¾Ð±ÑÐµÑÑÐ²Ðµ XVII Ð².; 2. ÐÐ¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾Ð¹ ÑÐ¾Ð»Ð¸ Ð¶ÐµÐ½ÑÐ¸Ð½Ñ ÐÐ¸ÑÐ°Ñ XVII Ð².; 3. ÐÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ñ Ð¶ÐµÐ½ÑÐºÐ¸Ñ ÑÐ¾Ð¾Ð±ÑÐµÑÑÐ² Ð² ÐÐ¸ÑÐ°Ðµ XVII Ð². Ð¿Ð¾ ÑÐ°ÑÐ°ÐºÑÐµÑÑ ÑÐ»ÐµÐ½ÑÑÐ²Ð° Ð¸ Ð¸Ñ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ Ð¼ÐµÐ¶Ð´Ñ ÑÐ¾Ð±Ð¾Ð¹; 4. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ð¸Ðµ Ð±Ð¸Ð¾Ð³ÑÐ°ÑÐ¸Ð¸ ÐÑ Ð¡ÑÐ½Ð»Ð¸Ð½Ð° Ð¸ Ð¾Ð¿Ð¸ÑÐ°Ð½Ð¸Ðµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ ÐµÐ³Ð¾ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð° Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ ÑÐ±Ð¾ÑÐ½Ð¸ÐºÐ° Â«ÐÑÐ¾ Ð§Ð¶Ð°Ð¹ ÑÐ¶Ð¸ Ð¸Â»; 5. Ð¡ÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ ÑÑÐ½ÐºÑÐ¸Ð¹ Ð¶ÐµÐ½ÑÐ¸Ð½ Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¼ Ð¾Ð±ÑÐµÑÑÐ²Ðµ XVII Ð². Ð¸ ÑÑÐ½ÐºÑÐ¸Ð¹ Ð¶ÐµÐ½ÑÐºÐ¸Ñ Ð¾Ð±ÑÐ°Ð·Ð¾Ð² Ð² ÑÐ°ÑÑÐºÐ°Ð·Ð°Ñ ÐÑ Ð¡ÑÐ½Ð»Ð¸Ð½Ð°. Ð ÑÐ°Ð±Ð¾ÑÐµ Ð±ÑÐ»Ð° Ð¸Ð·ÑÑÐµÐ½Ð° Ð±Ð¸Ð¾Ð³ÑÐ°ÑÐ¸Ñ Ð°Ð²ÑÐ¾ÑÐ°, Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÐµÐ³Ð¾ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð°, Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐµÑÑÐ²Ð° XVII Ð²ÐµÐºÐ° Ð¸ Ð¿Ð¾Ð»Ð¾Ð¶ÐµÐ½Ð¸Ðµ Ð¶ÐµÐ½ÑÐ¸Ð½Ñ Ð² ÑÑÐ¾Ñ Ð¿ÐµÑÐ¸Ð¾Ð´, Ð° ÑÐ°ÐºÐ¶Ðµ ÐµÐµ Ð²Ð¾ÑÐ¿Ð¸ÑÐ°Ð½Ð¸Ðµ Ð¸ Ð¾Ð±ÑÐ°Ð·Ð¾Ð²Ð°Ð½Ð¸Ðµ. ÐÑÐ»Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸ Ð´Ð»Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¶ÐµÐ½ÑÐºÐ¸Ñ Ð¾Ð±ÑÐ°Ð·Ð¾Ð², Ð¸ Ð½Ð° Ð¸Ñ Ð¾ÑÐ½Ð¾Ð²Ðµ Ð±ÑÐ» Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÐ°ÑÑÐºÐ°Ð·Ð¾Ð². Ð Ð±Ð¾Ð»ÑÑÐ¸Ð½ÑÑÐ²Ðµ ÑÐ»ÑÑÐ°ÐµÐ² Ð² ÑÐ°ÑÑÐºÐ°Ð·Ð°Ñ ÐÑ Ð¡ÑÐ½Ð»Ð¸Ð½Ð° Ð¶ÐµÐ½ÑÐ¸Ð½Ð° Ð¸Ð³ÑÐ°ÐµÑ Ð²ÑÐ¾ÑÐ¾ÑÑÐµÐ¿ÐµÐ½Ð½ÑÑ ÑÐ¾Ð»Ñ, Ð²ÑÑÑÑÐ¿Ð°ÐµÑ Ð² Ð¾Ð±ÑÐ°Ð·Ðµ ÑÐµÐ»Ð¾Ð²ÐµÐºÐ°, ÑÐ¾ÑÑÐ¾ÑÑÐµÐ³Ð¾ Ð² ÑÐµÐ¼ÐµÐ¹Ð½ÑÑ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸ÑÑ Ð¸ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸Ð·ÑÑÑÐµÐ³Ð¾ÑÑ Ð¿ÑÐ¸Ð¼ÐµÑÐ½ÑÐ¼ Ð¿Ð¾Ð²ÐµÐ´ÐµÐ½Ð¸ÐµÐ¼
description: Present graduate work analyzes the characterization of female characters in Pu Songling's stories from the collection Liao Zhai zhiyi. The following tasks have been set: 1. To research the differences of men and women status of Chinese society in XVIIth century; 2. To define the female social role; 3. To classify women's communities in XVIIth century China by the nature of membership and compare them; 4. To consider the Pu Songlingâs biography and describe the features of his work on the example of Liao Zhai zhiyi; 5. To compare the functions of women in Chinese society and the functions of female characters in Liao Zhai zhiyi; The work explores the authorâs biography, the features of his work, the characteristics of the Chinese society in 17th-century and the womenâs position during this period, as well as their education. The female figures in the stories were analyzed according to the criteria determined in the course of the present work. Generally, women in Pu Songling's stories are minor characters, who play humans, they are usually members of families and have good behavior