title: Ð¡Ð¿ÐµÑÐ¸ÑÐ¸ÐºÐ° ÑÐ¸ÑÐ°ÑÐµÐ»ÑÑÐºÐ¾Ð³Ð¾ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ Ð¶Ð°Ð½ÑÐ° Â«Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸ÑÂ» Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ Ð·Ð° ÑÑÐ±ÐµÐ¶Ð¾Ð¼: ÑÐµÐ´Ð°ÐºÑÐ¸Ð¾Ð½Ð½Ð¾-Ð¸Ð·Ð´Ð°ÑÐµÐ»ÑÑÐºÐ¸Ðµ Ð°ÑÐ¿ÐµÐºÑÑ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Specifics of readers ' perception of the "dystopia" genre in Russia and abroad: editorial and publishing aspects
Creators: name: ÐÐ°ÑÐ¸Ð»Ð°Ñ, ÐÐ°Ð»ÐµÑÐ¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸Ñ
Ñ Ð°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸ÐºÐ¸ Ð¶Ð°Ð½ÑÐ°
ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ° Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ
ÑÐ¸ÑÐ°ÑÐµÐ»ÑÑÐºÐ¸Ðµ Ð¾ÑÐ·ÑÐ²Ñ
ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¸
dystopia
genre characteristics
perception specifics
reader reviews
recommendations

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ¸ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ ÑÐ¸ÑÐ°ÑÐµÐ»ÑÐ¼Ð¸ Ð¶Ð°Ð½ÑÐ° Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸Ð¸ Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ Ð·Ð° ÑÑÐ±ÐµÐ¶Ð¾Ð¼. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¾ÑÐ½Ð¾Ð²Ð°Ð½Ð¸Ñ Ð´Ð»Ñ Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ ÑÐ¸ÑÐ°ÑÐµÐ»ÑÑÐºÐ¾Ð³Ð¾ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ Ð¶Ð°Ð½ÑÐ° Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸Ð¸. 2. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸ Ð¾ÑÐ±Ð¾ÑÐ° Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹ Ð¶Ð°Ð½ÑÐ° Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸Ñ Ð´Ð»Ñ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð°. 3. ÐÑÐ¾Ð²ÐµÑÑÐ¸ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¸ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ Ð¾ÑÐ·ÑÐ²Ð¾Ð² ÑÐ¸ÑÐ°ÑÐµÐ»ÐµÐ¹, ÑÐ¾ÑÑÐ°Ð²Ð¸ÑÑ Ð¾Ð±ÑÑÑ ÐºÐ°ÑÑÐ¸Ð½Ñ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ Ð¶Ð°Ð½ÑÐ°. 4. Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐ°ÑÑ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¸ Ð´Ð»Ñ Ð¸Ð·Ð´Ð°ÑÐµÐ»ÐµÐ¹ Ð¸ ÑÐµÐ´Ð°ÐºÑÐ¾ÑÐ¾Ð², Ð·Ð°Ð½Ð¸Ð¼Ð°ÑÑÐ¸ÑÑÑ Ð¸Ð·Ð´Ð°Ð½Ð¸ÐµÐ¼ Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸Ð¹. Ð Ð°Ð±Ð¾ÑÐ° Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»Ð°ÑÑ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ 10 Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹, Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ð½ÑÑ Ð¿Ð¾ ÐºÑÐ¸ÑÐµÑÐ¸ÑÐ¼. ÐÑÐ»Ð¸ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ñ: Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾ÑÐ·ÑÐ²Ð¾Ð² ÑÑÐ´Ð¾Ð²ÑÑ ÑÐ¸ÑÐ°ÑÐµÐ»ÐµÐ¹, Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾ÑÐ·ÑÐ²Ð¾Ð² Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÑ ÑÐ¸ÑÐ°ÑÐµÐ»ÐµÐ¹ (ÐºÑÐ¸ÑÐ¸ÐºÐ¾Ð², ÑÐµÑÐµÐ½Ð·ÐµÐ½ÑÐ¾Ð², Ð¶ÑÑÐ½Ð°Ð»Ð¸ÑÑÐ¾Ð²) Ð¸ ÑÐ´ÐµÐ»Ð°Ð½Ð¾ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ Ð²ÑÐµÑ Ð¾ÑÐ·ÑÐ²Ð¾Ð² Ð¿Ð¾ ÐºÐ°Ð¶Ð´Ð¾Ð¼Ñ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ñ. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð¾Ð² Ð¸ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ð¹, Ð¼Ñ Ð²ÑÑÐ²Ð¸Ð»Ð¸ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ¸ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ñ Ð¶Ð°Ð½ÑÐ° Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ Ð·Ð° ÑÑÐ±ÐµÐ¶Ð¾Ð¼, Ð¾ÑÐ¼ÐµÑÐ°ÑÑÐ¸ÐµÑÑ Ð°Ð²ÑÐ¾ÑÐ°Ð¼Ð¸ Ð¾ÑÐ·ÑÐ²Ð¾Ð², Ð·Ð°ÑÐµÐ¼ Ð¾Ð¿ÑÐµÐ´ÐµÐ»Ð¸Ð»Ð¸ Ð¸Ñ Ð² Ð³ÑÑÐ¿Ð¿Ñ. ÐÐ° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ¸ Ð¼Ñ ÑÐ¾Ð·Ð´Ð°Ð»Ð¸ ÑÑÐ´ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¹ Ð´Ð»Ñ Ð¸Ð·Ð´Ð°ÑÐµÐ»ÐµÐ¹ Ð¸ ÑÐµÐ´Ð°ÐºÑÐ¾ÑÐ¾Ð² Ð¿ÑÐ¸ ÑÐ°Ð±Ð¾ÑÐµ Ñ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÐ¼Ð¸ Ð°Ð½ÑÐ¸ÑÑÐ¾Ð¿Ð¸ÑÐµÑÐºÐ¸Ð¼Ð¸ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÐ¼Ð¸.
description: This work is devoted to the study of the specifics of readers' perception of the dystopian genre in Russia and abroad. Tasks that were solved during the study: 1. To determine the theoretical basis for the study of the reader's perception of the dystopian genre. 2. To determine the selection criteria for works of the dystopian genre for analysis. 3. To analyze and compare readers' reviews, to compose a general picture of the perception of the genre. 4. Develop recommendations for publishers and editors involved in the publication of anti-utopias. The work was carried out on the example of 10 works selected by criteria. The following was carried out: analysis of reviews of ordinary readers, analysis of reviews of professional readers (critics, reviewers, journalists) and a comparison of all reviews for each work was made. As a result of analyzes and comparisons, we identified the main specifics of the perception of the genre in Russia and abroad, noted by the reviewers, then identified them in groups. Based on an analysis of the specifics, we created a series of recommendations for publishers and editors when working with modern dystopian works.