title: ÐÑÐ¾Ð±Ð»ÐµÐ¼Ð° Ð½Ð¾Ð¼Ð¸Ð½Ð°ÑÐ¸Ð¸: Ð»ÐµÐºÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¸ Ð³ÑÐ°Ð¼Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐµÐ´ÑÑÐ²Ð° Ð²ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð² ÑÐ¾Ð¼Ð°Ð½Ðµ Ð. ÐÑÐ»Ñ Â«ÐÐ¸ÑÑÐ¸Ñ ÐÑÐ»Ð»Ð¾ÑÑÐ¹Â» Ð² ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¸ Ñ ÐµÐ³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð¼
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: The issue of nomination: lexical and grammatical means of expressing indefiniteness in W. Woolfâs âMrs. Dallowayâ in comparison with its Russian translation
Creators: name: ÐÑÐºÑÐµÐµÐ²Ð°, ÐÐ½Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÑ
ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð°Ñ Ð´Ð¾Ð¼Ð¸Ð½Ð°Ð½ÑÐ°
Ð¼Ð¾Ð´ÐµÑÐ½Ð¸Ð·Ð¼
Ð¿Ð¾Ð»Ð¸ÑÐ¾Ð½Ð¸Ñ
Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·
ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·
Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐ¾Ð²ÐµÐ´ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·
ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÑ
ÑÑÑÑÐºÐ¸Ð¹ ÑÐ·ÑÐº
Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº
ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð°Ñ ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸Ñ
indefiniteness
functional dominant
modernism
polyphony
linguistic analysis
stylistic analysis
literary analysis
equivalence
Russian
English
comparative typology

description: Ð¦ÐµÐ»Ñ ÑÐ°Ð±Ð¾ÑÑ â Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°ÑÑ ÑÑÐµÐ´ÑÑÐ²Ð° Ð²ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¸ Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð² ÑÐ¾Ð¼Ð°Ð½Ðµ Ð. ÐÑÐ»Ñ Â«ÐÐ¸ÑÑÐ¸Ñ ÐÑÐ»Ð»Ð¾ÑÑÐ¹Â» Ð² ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¸ Ñ ÐµÐ³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð¼. Ð ÑÐ°Ð±Ð¾ÑÐµ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ñ ÑÐ»ÐµÐ´ÑÑÑÐ¸Ðµ Ð¼ÐµÑÐ¾Ð´Ñ: Ð¾Ð±Ð¾Ð±ÑÐµÐ½Ð¸Ðµ Ð¿Ð¾Ð»ÑÑÐµÐ½Ð½ÑÑ Ð´Ð°Ð½Ð½ÑÑ, ÐºÐ¾Ð»Ð¸ÑÐµÑÑÐ²ÐµÐ½Ð½ÑÐ¹ Ð°Ð½Ð°Ð»Ð¸Ð·, ÐºÐ¾Ð½ÑÐµÐºÑÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·, ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð¾-ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð¸ÑÐµÐ»ÑÐ½ÑÐ¹, ÑÐµÐ¼Ð°Ð½ÑÐ¸ÐºÐ¾-ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð¸ ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð¸ÑÐµÐ»ÑÐ½Ð¾-ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð¼ÐµÑÐ¾Ð´Ñ. Ð ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿Ð¾Ð»ÑÑÐµÐ½Ñ ÑÐ»ÐµÐ´ÑÑÑÐ¸Ðµ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ: 1) ÐÑÐ½Ð¾Ð²Ð½ÑÐ¼Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ð¼Ð¸ ÑÑÑÐ´Ð½Ð¾ÑÑÑÐ¼Ð¸ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐµ ÑÑÐµÐ´ÑÑÐ² Ð²ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ ÑÐ²Ð»ÑÑÑÑÑ Ð¾ÑÑÑÑÑÑÐ²Ð¸Ðµ ÐºÐ°ÐºÐ¾Ð¹-Ð»Ð¸Ð±Ð¾ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¸ Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÑÐµÐ¼ ÑÐ·ÑÐºÐµ Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ Ð¿ÑÐ¸ ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¸. 2) ÐÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÑ ÑÐ²Ð»ÑÐµÑÑÑ ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¾Ð¼Ð¸Ð½Ð°Ð½ÑÐ¾Ð¹ ÑÐ¾Ð¼Ð°Ð½Ð° Ð. ÐÑÐ»Ñ Â«ÐÐ¸ÑÑÐ¸Ñ ÐÑÐ»Ð»Ð¾ÑÑÐ¹Â». ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÐµÐ»ÑÐ½Ð°Ñ ÑÑÐ½ÐºÑÐ¸Ñ Ð´Ð¾Ð¼Ð¸Ð½Ð°Ð½ÑÑ Ð·Ð°ÐºÐ»ÑÑÐ°ÐµÑÑÑ Ð² Ð¾ÑÐ±Ð¾ÑÐµ ÑÐ·ÑÐºÐ¾Ð²ÑÑ ÐµÐ´Ð¸Ð½Ð¸Ñ Ð¸ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¹ (ÐºÐ¾Ð½ÑÐµÐ½ÑÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð½Ð¾ÑÑÑ ÑÑÐµÐ´ÑÑÐ² Ð²ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¸ Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÐ¸). Ð¢ÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð¸ÑÑÑÑÐ°Ñ Ð¶Ðµ ÑÑÐ½ÐºÑÐ¸Ñ Ð¿ÑÐ¾ÑÐ²Ð»ÑÐµÑÑÑ Ð² ÑÐ¾Ð¼, ÑÑÐ¾ Ð´Ð°Ð¶Ðµ ÑÑÐµÐ´ÑÑÐ²Ð°, Ð´Ð»Ñ ÐºÐ¾ÑÐ¾ÑÑÑ Ð½Ðµ ÑÐ°ÑÐ°ÐºÑÐµÑÐ½Ð° ÑÐµÐ¼Ð°Ð½ÑÐ¸ÐºÐ° Ð½ÐµÐ¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾ÑÑÐ¸, Ð¿ÑÐ¸Ð¾Ð±ÑÐµÑÐ°ÑÑ ÑÑÐ¾ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ðµ (Ð½ÐµÐºÐ¾ÑÐ¾ÑÑÐµ Ð´ÐµÐ¹ÐºÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÐ»ÐµÐ¼ÐµÐ½ÑÑ). 3) Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½Ñ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸ Ð´Ð»Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¾Ð¼Ð¸Ð½Ð°Ð½ÑÑ Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ: ÑÑÐ¾Ð²ÐµÐ½Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÐ¾Ð¾ÑÐ²ÐµÑÑÑÐ²ÑÑÑÐ¸Ñ ÑÐ·ÑÐºÐ¾Ð²ÑÑ ÐµÐ´Ð¸Ð½Ð¸Ñ Ð¸ ÐºÐ°ÑÐµÐ³Ð¾ÑÐ¸Ð¹; ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÑ; ÑÐ¾Ð±Ð»ÑÐ´ÐµÐ½Ð¸Ðµ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐ²Ð¾ÐµÐ¾Ð±ÑÐ°Ð·Ð¸Ñ ÑÐµÐºÑÑÐ°; Ð¿ÐµÑÐµÐ´Ð°ÑÐ° Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð°ÑÐ¿ÐµÐºÑÐ° Ð½Ð° ÑÑÐ¾Ð²Ð½Ðµ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ ÑÐµÐ»Ð¾Ð³Ð¾. 4) ÐÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¾Ð¼Ð¸Ð½Ð°Ð½ÑÑ Ð² ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð¼ ÑÐµÐºÑÑÐµ, ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÑ Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ ÐºÐ¾ÑÐ¾ÑÐ¾Ð³Ð¾ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÑÐµÑÑÑ ÐºÐ¾Ð¼Ð¿Ð»ÐµÐºÑÐ½ÑÐ¼ Ð¿Ð¾Ð´ÑÐ¾Ð´Ð¾Ð¼ Ð¸ ÑÑÐµÑÐ¾Ð¼ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ ÑÐµÐ»ÐµÐ²Ð°Ð½ÑÐ½ÑÑ ÑÐºÑÑÑÐ°Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐ°ÐºÑÐ¾ÑÐ¾Ð² (Ð±Ð¸Ð¾Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ð¹, Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐ½ÑÐ¹ Ð¸ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ð¹ ÐºÐ¾Ð½ÑÐµÐºÑÑ).
description: The study aims at analysing the means of expressing the category of indefiniteness in W. Woolfâs âMrs. Dallowayâ and its Russian translation. It applies the methods of quantitative, contextual, comparative, semantic-stylistic, and comparative-stylistic analysis. The following results were obtained in the course of the study: 1) The main difficulties in translation of the means of expressing indefiniteness from English into Russian are the absence of a certain category in the target language and differences at the level of expression. 2) Indefiniteness is a functional dominant in V. Woolfâs âMrs. Dallowayâ. Its defining function manifests itself in the selection of linguistic units and categories (the frequency of means of expressing the category of indefiniteness). The transformative function is expressed when the linguistic units that do not usually mark indefiniteness take on this meaning (certain deictic elements). 3) We have developed the following criteria for translation analysis as it per-tains to the functional dominant: the level of transfer of the relevant linguistic units and categories; equivalence; the observance of the stylistic peculiarities of the text; and the level of transfer of the pragmatic aspect of the text as an artistic whole. 4) The method of analysing the functional dominant in a work of fiction was provided and its advantages lie in its complex approach and its due regard for the most relevant extralinguistic factors (i.e. biographical, literary and socio-historical context).