title: ÐÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½Ð¾Ð³Ð¾ Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÐ° Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¿ÑÐ±Ð»Ð¸ÐºÐ°ÑÐ¸Ð¹ Ð² Ð¢Ð²Ð¸ÑÑÐµÑÐµ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Graphic stylistic features of English-language internet discourse based on Twitter publications
Creators: name: ÐÐµÐ½ÑÐºÐ¸Ð½, ÐÐ¸ÐºÑÐ¾Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2022
Subjects: ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÐºÐ°
Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑ
Ð¿Ð°ÑÐ°Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐµÐ´ÑÑÐ²Ð°
Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐµÐ´ÑÑÐ²Ð°
stylistics
Internet Discourse
paralinguistic features
graphic features

description: ÐÐ°Ð½Ð½Ð°Ñ Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¼ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÑÐ¼ Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿Ð°ÑÐ°Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÑÐµÐ´ÑÑÐ² Ð² Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÐµ. ÐÐ°Ð½Ð¾ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ Ð¿Ð¾Ð½ÑÑÐ¸Ñ Â«Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÂ». ÐÐµÑÐµÑÐ¸ÑÐ»ÐµÐ½Ñ Ð¸ Ð¾Ð¿Ð¸ÑÐ°Ð½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¶Ð°Ð½ÑÑ Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÐ°. ÐÑÑÐ²Ð»ÐµÐ½Ñ Ð¾Ð±ÑÐ¸Ðµ Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¸ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¢Ð²Ð¸ÑÑÐµÑ-Ð¿ÑÐ±Ð»Ð¸ÐºÐ°ÑÐ¸Ð¹. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÐ¸Ð¿Ñ Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿Ð°ÑÐ°Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÑÐµÐ´ÑÑÐ², Ð° ÑÐ°ÐºÐ¶Ðµ Ð¸Ñ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐ½ÐºÑÐ¸Ð¸. ÐÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ñ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ ÐºÐ¾Ð»Ð¸ÑÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¢Ð²Ð¸ÑÑÐµÑ-Ð¿ÑÐ±Ð»Ð¸ÐºÐ°ÑÐ¸Ð¹ Ð½Ð° Ð½Ð°Ð»Ð¸ÑÐ¸Ðµ Ð² Ð½Ð¸Ñ Ð¸ÐºÐ¾Ð½Ð¸ÑÐµÑÐºÐ¸Ñ, ÑÐ¸Ð½Ð³ÑÐ°ÑÐµÐ¼Ð½ÑÑ, Ð³ÑÐ°ÑÐ¸ÐºÐ¾-ÐºÐ¸Ð½ÐµÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¸ ÑÑÐ¿ÑÐ°Ð³ÑÐ°ÑÐµÐ¼Ð½ÑÑ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¸ÐµÐ¼Ð¾Ð². ÐÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ñ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ ÐºÐ°ÑÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð°, Ð¾Ð¿Ð¸ÑÑÐ²Ð°ÑÑÐ¸Ðµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿Ð°ÑÐ°Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¸ÐµÐ¼Ð¾Ð² Ð² Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÐµ. ÐÐ¾Ð»ÑÑÐµÐ½Ð½ÑÐµ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð¼Ð¾Ð³ÑÑ Ð±ÑÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ñ Ð¿ÑÐ¸ Ð´Ð°Ð»ÑÐ½ÐµÐ¹ÑÐµÐ¹ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐµ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ ÑÑÐ½ÐºÑÐ¸Ð¾Ð½Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð³ÑÐ°ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÑÐ¸Ð»Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÑÐµÐ´ÑÑÐ² Ð² Ð¸Ð½ÑÐµÑÐ½ÐµÑ-Ð´Ð¸ÑÐºÑÑÑÐµ.
description: This bachelorâs thesis is devoted to the stylistic characteristics of graphic paralinguistic features of Internet discourse. The definition of "Internet discourse" is given. The main genres of Internet discourse are listed and described. The general pragmatic and stylistic features of Twitter publications are discussed. The main types of graphic paralinguistic features, as well as their stylistic functions, are considered. The results of quantitative analysis of Twitter publications for the presence of iconic, syngraphemic, grapho-kinetic and supragraphemic stylistic techniques are presented. The results of a qualitative analysis describing the features of the graphic paralinguistic devices in Internet discourse are presented. The results can be used in the further development of the problem of the functioning of graphic stylistic devices in Internet discourse.