title: Histories of Postwar Architecture, No. 11 (2022): 1923-2023. Fernando Távora at 100
title: 1923-2023. Fernando Távora at 100
titleType: AlternativeTitle
Creators: name: Histories Of Postwar Architecture
Publisher: name: Histories of Postwar Architecture
Year: 2024

description: The Continuous Construction of Memories/Contínua construção de Memórias de Amanhã
Notes on the “Terceira Via” in Portugal and Sweden. A Comparison between Fernando Távora and Sven Backström &amp; Leif Reinius...138-149
Távora, the Days. Távora, i giorni...68-87
Tennis Pavilion in the “Quinta da Conceição” City Park...438-441
Aula Magna - Faculty of Law...446-449
Holiday Home in Ofir...442-445
City Park of the Quinta da Conceição e de Santiago...430-436
City Market...426-429
House on the Sea...424-425
Ramalde Housing Estates...150-153
Renovation of Aveiro City Centre...154-159
Pousada Santa Marinha da Costa...256-261
Arrangement of 8 de Maio Square...364-367
Renovation of the Former Council Building – Casa dos Vinte e Quatro...274-277
The Travel Drawings of Fernando Távora: a few Brief Notes on their Exhibition and Conservation...650-659
Dialogues with Memory and Time: A Contribution by the Marques da Silva Foundation for the Promotion of Fernando Távora’s Archive...636-649
A Travel in Fernando Távora’s Travels. (With Álvaro Siza, Alexandre Alves Costa, Fernando Barroso, Sérgio Fernandez, Alcino Soutinho, Manuel Mendes, José António Bandeirinha, Jorge Figueira, Francisco Barata, Eduardo Souto de Moura, 2013-2022)...594-635
Fernando Távora and the Journey into the Constants as the Foundation of the Project (1950-1960)...502-593
The Search for Eternity and the Polyphony Prodigy in Távora...494-501
A Dialogue On-Site with Álvaro Siza...486-493
Understanding Organised Space...450-485
The “Third Way”: Távora’s Method in Masterwork. The Reconstruction of Porto’s old Municipal Tower, Known as ‘Casa dos 24’...314-363
Le Corbusier, Bruno Zevi, Lúcio Costa...410-423
Architecture and Urbanism. The Lesson of Constants...406-409
The Pedagogical Value of the Organisation of Space. Founding Role and Continuity of Fernando Távora’s Thinking...384-405
A Project with Many Dates. Fernando Távora, Santa Cruz and Sansão Square in Coimbra...368-383
Fernando Távora’s Passion for the Antique...300-313
Avenida da Ponte: Knowledge of the City as a Tool for the Design of an Unresolved Place...278-299
In the Interior of Time. Constants and Contrasts...262-273
Between Sigtuna (1952) and Royaumont (1962)...132-137
A Look at Fernando Távora’s Quinta da Conceição...686-693
The Photographer Never Turns a Blind Eye...680-685
The Concept Fragment...670-679
Architecture of Photography...660-669
O problema da casa portuguesa...96-101
Profession: Távora...88-95
Fernando Távora: the Meaning of Time and the Reason of Things...60-67
Ink on the Table......56-59
Outmoded Lesson...52-55
A Statement without Rhetoric About the Architect Fernando Távora/Depoimento sem retórica sobre o Arquiteto Fernando Távora...40-51
The Continuous Construction of Memories/Contínua construção de Memórias de Amanhã...6-9
Manuel Mendes Interviews Fernando Távora. Edifícios (1988)...12-39
Fernando Távora and the Concept for a New Civic Centre for Aveiro: Urban Project, Modernity and the Enhancement of the Urban Landscape...176-215
A Project with Many Dates. Fernando Távora, Santa Cruz and Sansão Square in Coimbra
Portuguese Moderns: the Ramalde Neighborhood by Fernando Távora 1950...160-175
Designing with History: Intervention in Preexisting Buildings by Fernando Távora at the Dawn of the Third Way (1945-1962)...102-131
Fernando Távora: The Struggle from Português Suave to the Shifting Aesthetics of Resistance from 1923 to 1953. Ideology, Architectures, Periodicals, and the Role of Italy and CIAM from the First Salazar era to the Birth of the Third Way...216-255