cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
Losgna indica
Creators: name: Chaudhary, Karmannye Om
name: Reinisch, Sophia
Publisher: name: Zenodo
Year: 2025
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Hymenoptera
Ichneumonidae
Losgna
Losgna indica

description: Losgna indica (Heinrich, 1965)
Holotype ♀ W, Myanmar (Burma), Maymyo, 800 m, XII.37. Type no. ZSM- Hym-00663 coll. Gerd H. Heinrich.
Remarks: One of the most common Losgna species and prefers sparse grassy forest areas at the lowest mountain levels as per Heinrich, however no records of this species exists after Heinrich’s description.
Distribution: Maymyo, Mt. Popa, and Mt. Victoria in Myanmar and Sikkim, India.
description: Published as part of Chaudhary, Karmannye Om & Reinisch, Sophia, 2025, Rediscovery and description of a new species of Losgna (Cameron 1903): reviving a forgotten ichneumonid genus in India, pp. 595-600 in Zootaxa 5632 (3) on pages 598-599, DOI: 10.11646/zootaxa.5632.3.11, http://zenodo.org/record/15372313
Mostrare/Dimostrare. Gli allestimenti effimeri nella Roma del decennale fascista (1932)
Creators: name: Roscini Vitali, Aurora
Publisher: name: eum
Year: 2016

description: Nonostante la ricca bibliografia inerente alla Mostra della Rivoluzione (1932), i festeggiamenti del decennale fascista non si esauriscono nella pur spettacolare cornice allestitiva del Palazzo delle Esposizioni di Roma. Infatti, sparsi per la città, in una prospettiva globalizzante e avvolgente, una serie di padiglioni tematici documentano, da un lato, il continuo processo di estetizzazione della vita politica e sociale operato dal regime, dall’altro, le infinite possibilità espressive e comunicative del medium espositivo. Questo studio, attraverso una puntuale ricerca documentaria e archivistica, si propone di riconnotare le mostre “minori” del ’32 come canale operativo d’eccezione per artisti d’avanguardia e architetti razionalisti, esclusi dal “novecentismo” imperante e dal monumentalismo piacentiniano delle committenze ufficiali.

Despite the rich bibliography of the “Exhibition of the Fascist Revolution” (“Mostra della Rivoluzione Fascista”, 1932), the celebration of the tenth anniversary of the March on Rome does not end in the spectacular setting inside the Palace of Exhibitions. In fact, in a urban perspective, some thematic pavilions, scattered around the city, show, on the one hand, the continual “aestheticization” process of the political and social live by Mussolini's regime and, on the other hand, demonstrate the infinite possibilities of expression and communication of the exhibitions as “medium”. Through the archival and documentary research, this study seeks to describe the “minor” exhibitions that took place in 1932, where avant-garde artists and rationalist architects, that were excluded from official commissions, found their own way to create a different language from both “Novecento” movement and Piacentini’s monumentalism.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
Painting the National Portrait: Retrospective Exhibitions of French and Italian Art in the 1930's
Creators: name: Kangaslahti, Kate
Publisher: name: eum
Year: 2016

description: In contrast to the museum, exhibitions, by virtue of their temporary nature, allow art to be mobilised in response to more immediate demands and, in the case of the travelling exhibition, export historical narratives of the nation abroad. This essays examines four exhibitions of French and Italian art which took place in the decade before the Second World War: two in London, the “Exhibition of Italian Art” in 1930 and the “Exhibition of French Art” in 1932; and two in Paris, “L’Art italien de Cimabue à Tiepolo” in 1935 and the “Chefs d’oeuvre de l’art français” in 1937. In comparing the shows – their organisation, contents, display and critical reception – my intention is to unpick the various political, art historical, even economic interests which sought to marshal art in these years. If the different faces these retrospectives presented were neither faithful nor scholarly refl ections, in each case the evocation of a distant past was a mirror that refl ected the divergent needs of the present.

Contrariamente ai musei, la natura temporanea delle esposizioni permette all’arte di essere spostata in risposta a domande più immediate e, nel caso di esposizioni itineranti, di esportare narrative storiche della nazione all’estero. Questo saggio esamina quattro esibizioni d’arte francese e italiana che si sono tenute nel decennio che ha preceduto la Seconda Guerra Mondiale: due a Londra, “L’esposizione d’arte Italiana” del 1930 e “L’esposizione d’arte francese” del 1932; due a Parigi, “L’arte italiana da Cimabue a Tiepolo” del 1935 e “Capolavori dell’arte francese” del 1937. Dal confronto delle suddette – la loro organizzazione, i contenuti, l’esposizione e la critica – la mia intenzione è di discernere i fattori politici, artistici, ed anche economici che hanno spinto ha promuovere l’arte in questi anni. Se le varie sfaccettature che queste retrospettive hanno presentato non erano né fedeli e neppure rifl essioni erudite, in ogni caso l’evocazione di un distante passato era uno specchio che rifletteva i divergenti bisogni del presente.
description: Il Capitale culturale. Studies on the value of cultural heritage, No 14 (2016): Musei e mostre tra le due Guerre
Slutske_Supplemental_Material – Supplemental material for Potential Causal Influence of Neighborhood Disadvantage on Disordered Gambling: Evidence From a Multilevel Discordant Twin Design
Creators: name: Slutske, Wendy S.
name: Piasecki, Thomas M.
name: Deutsch, Arielle R.
name: Statham, Dixie J.
name: Martin, Nicholas G.
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 170199 Psychology not elsewhere classified
subject: FOS: Psychology

description: Supplemental material, Slutske_Supplemental_Material for Potential Causal Influence of Neighborhood Disadvantage on Disordered Gambling: Evidence From a Multilevel Discordant Twin Design by Wendy S. Slutske, Thomas M. Piasecki, Arielle R. Deutsch, Dixie J. Statham and Nicholas G. Martin in Clinical Psychological Science
The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period
Creators: name: Moure Cecchini, Laura
Publisher: name: eum
Year: 2016

description: In 1935 the Venice Biennale organized an atypical exhibition commemorating its 40th anniversary. The “Mostra dei Quarant’anni” was mostly devoted to art from the Triveneto. Yet four rooms showed works by European artists who had exhibited in the Biennale, and were part of the collections of the Gallerie d’Arte Moderna in Rome and Venice. The show refl ected on the evolution of modern art and of the Biennale between 1895 and 1935, exemplifying the aesthetic criteria of Italian public collections at the time. It included many artists that are still considered part of the modernist canon but most of them are now all but forgotten. It thus represents an optimal case study to analyze renegotiations of the artistic canon. Furthermore, the “Mostra” played a key role in re-defi ning the international role of Venice within fascist artistic organization. As the “Mostra” took place in the gap year between two Biennales and received little support from governmental institutions, it is generally overlooked in the literature on the period. Yet, on the basis of unpublished archival documentation and of the digital reconstruction of these rooms, this paper argues that the “Mostra dei Quarant’anni” is crucial for our understanding of the history of the Biennale and of the cultural policies of the fascist state.

Nel 1935 la Biennale di Venezia ha organizzato una mostra atipica per commemorare il proprio 40° anniversario. La “Mostra dei Quarant’anni” era in gran parte dedicata all’arte dal Triveneto. Eppure quattro sale espongono opere di artisti europei che furono in mostra alla Biennale, e divennero parte delle collezioni della galleria d’Arte Moderna di Roma e Venezia. La Mostra rifl ette sull’evoluzione dell’arte moderna e della Biennale tra il 1895 e il 1935, esemplifi cando i criteri estetici adottati a quell’epoca in collezioni pubbliche italiane. Vengono esposti molti artisti ancora considerati parte del canone modernista. Essa rappresenta un caso di studio signifi cativo per analizzare la rinegoziazione del canone artistico. La Mostra, inoltre, ha giocato un ruolo chiave nella ridefi nizione del ruolo artistico internazionale di Venezia all’interno dell’organizzazione fascista. Poiché la Mostra ha avuto luogo durante l’anno di intervallo tra le due Biennali e ha ricevuto poco sostegno da parte delle istituzioni governative, è generalmente trascurata nella letteratura sul periodo. Tuttavia, sulla base di documentazione archivistica inedita e della ricostruzione digitale di queste sale internazionali, questo saggio sostiene che la “Mostra dei Quarant’anni” è fondamentale per la nostra comprensione della storia della Biennale e delle politiche culturali dello stato fascista.
description: Il Capitale culturale. Studies on the value of cultural heritage, No 14 (2016): Musei e mostre tra le due Guerre
Heffer_Supplemental_Material – Supplemental material for The Longitudinal Association Between Social-Media Use and Depressive Symptoms Among Adolescents and Young Adults: An Empirical Reply to Twenge et al. (2018)
Creators: name: Heffer, Taylor
name: Good, Marie
name: Daly, Owen
name: MacDonell, Elliott
name: Willoughby, Teena
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 170199 Psychology not elsewhere classified
subject: FOS: Psychology

description: Supplemental material, Heffer_Supplemental_Material for The Longitudinal Association Between Social-Media Use and Depressive Symptoms Among Adolescents and Young Adults: An Empirical Reply to Twenge et al. (2018) by Taylor Heffer, Marie Good, Owen Daly, Elliott MacDonell and Teena Willoughby in Clinical Psychological Science
Tra antropologia e storia dell'arte. Carlo Anti e il caso della mostra di scultura negra alla XIII Biennale di Venezia (1922)
Creators: name: Charans, Eleonora
Publisher: name: eum
Year: 2016

description: In occasione della XIII Biennale di Venezia (1922), due archeologi, Carlo Anti e Aldobrandino Mochi organizzavano una mostra di Scultura Negra all'interno del Padiglione centrale ai Giardini. La critica contemporanea irrise la mostra, la selezione e lo stile di quelle sculture: del resto, storicamente, si trattava del primo caso di immissione di forme d'arte primitiva o tribale in un contesto eminentemente legato a rappresentare ed esporre l'arte contemporanea. Anti giustificava l'impresa, nella breve introduzione a catalogo, ricordando quanto quel tipo di arte avesse interessato alcune avanguardie storiche di primo Novecento. Questo contributo sceglie, attraverso un lavoro sulle fonti testuali, di ripercorrere la mostra come caso di studio centrale per valutarne l'importanza nei rapporti tra storia dell'arte ed etnografia, il ruolo nella formazione del concetto di Primitivismo che proprio tra le due guerre suscitò interesse e visse una sua prima formalizzazione teorica.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
GenoMed4All and SYNTHEMA - Joint flyer
Creators: name: AUSTRALO
Publisher: name: Zenodo
Year: 2024

description: As part of GenoMed4All branded merchandise, printed materials like flyers, brochures and stickers have been designed and made available in digital format, to be printed out when required (e.g. for display in events and conferences). Physical copies have been handed out at key events, like the Expert Workshop on AI for Health during Expo Dubai or the EHA annual hybrid congress.

One of these opportunities to synergize came with EHA 2024, a reference event where both GenoMed4All and sister project SYNTHEMA had their time to shine within ERN-EuroBloodNet’s Research Meeting.
Losgna simulator
Creators: name: Chaudhary, Karmannye Om
name: Reinisch, Sophia
Publisher: name: Zenodo
Year: 2025
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Hymenoptera
Ichneumonidae
Losgna
Losgna simulator

description: Losgna simulator (Townes & Gupta 1961)
Holotype ♀ India: Sikkim, 36.1858, NHMUK.
Remarks: This species was separated from Losgna cariniscutis (Cameron 1905) by Townes & Gupta and the holotype is kept in the NHMUK.
Distribution: Sikkim, India and Mt. Victoria and Maymyo in Myanmar.
description: Published as part of Chaudhary, Karmannye Om & Reinisch, Sophia, 2025, Rediscovery and description of a new species of Losgna (Cameron 1903): reviving a forgotten ichneumonid genus in India, pp. 595-600 in Zootaxa 5632 (3) on page 599, DOI: 10.11646/zootaxa.5632.3.11, http://zenodo.org/record/15372313
Supplemental material for Role of multi-parametric ultrasound in transient perivascular inflammation of the carotid artery syndrome
Creators: name: Rafailidis, Vasileios
name: Chryssogonidis, Ioannis
name: Tegos, Thomas
name: Partovi, Sasan
name: Charitanti-Kouridou, Afroditi
name: Staub, Daniel
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 111402 Obstetrics and Gynaecology
subject: FOS: Clinical medicine
subject: 110320 Radiology and Organ Imaging

description: Supplemental Material for Role of multi-parametric ultrasound in transient perivascular inflammation of the carotid artery syndrome by Vasileios Rafailidis, Ioannis Chryssogonidis, Thomas Tegos, Sasan Partovi, Afroditi Charitanti-Kouridou and Daniel Staub in Ultrasound
Additional file 2 of Transcriptome profiling of male and female Ascaris lumbricoides reproductive tissues
Creators: name: Phuphisut, Orawan
name: Poodeepiyasawat, Akkarin
name: Yoonuan, Tippayarat
name: Watthanakulpanich, Dorn
name: Chotsiri, Palang
name: Reamtong, Onrapak
name: Mousley, Angela
name: Gobert, Geoffrey N.
name: Adisakwattana, Poom
Publisher: name: figshare
Year: 2024
Subjects: subject: Genetics
subject: FOS: Biological sciences

description: Additional file 2: Table S1. The primer list for constructing library and validating gene expression.
Supplemental Material, sj-pdf-1-ppq-10.1177_1354068818822251 - The expanding party universe: Patterns of partisan engagement in Australia and the United Kingdom
Creators: name: Gauja, Anika
name: Grömping, Max
Publisher: name: SAGE Journals
Year: 2020
Subjects: subject: 160607 International Relations
subject: FOS: Political science

description: Supplemental Material, sj-pdf-1-ppq-10.1177_1354068818822251 for The expanding party universe: Patterns of partisan engagement in Australia and the United Kingdom by Anika Gauja and Max Grömping in Party Politics
Man_et_al_CRM_Table_S1 – Supplemental material for Impact of Locally Adopted Simulation-Based Crew Resource Management Training on Patient Safety Culture: Comparison Between Operating Room Personnel and General Health Care Populations Pre and Post Course
Creators: name: Man, Adeline P. N.
name: Lam, Carmen K. M.
name: Cheng, Benny C. P.
name: Kam-Shing Tang
name: Pui-Fun Tang
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 111799 Public Health and Health Services not elsewhere classified
subject: FOS: Health sciences
subject: 160807 Sociological Methodology and Research Methods
subject: FOS: Sociology

description: Supplemental material, Man_et_al_CRM_Table_S1 for Impact of Locally Adopted Simulation-Based Crew Resource Management Training on Patient Safety Culture: Comparison Between Operating Room Personnel and General Health Care Populations Pre and Post Course by Adeline P. N. Man, Carmen K. M. Lam, Benny C. P. Cheng, Kam-Shing Tang and Pui-Fun Tang in American Journal of Medical Quality
Supplemental Material, SI_3 - Postdisaster Reconstruction as a Cause of Intrastate Violence: An Instrumental Variable Analysis with Application to the 2004 Tsunami in Sri Lanka
Creators: name: Kikuta, Kyosuke
Publisher: name: SAGE Journals
Year: 2018
Subjects: subject: 220104 Human Rights and Justice Issues
subject: FOS: Philosophy, ethics and religion
subject: 160607 International Relations
subject: FOS: Political science

description: Supplemental Material, SI_3 for Postdisaster Reconstruction as a Cause of Intrastate Violence: An Instrumental Variable Analysis with Application to the 2004 Tsunami in Sri Lanka by Kyosuke Kikuta in Journal of Conflict Resolution
Supplemental material for Health Behavior Profiles of Korean Baby Boomers
Creators: name: Kim, Bon
name: Kyungmin Kim
name: Burr, Jeffrey A.
name: Gyounghae Han
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 110308 Geriatrics and Gerontology
subject: FOS: Clinical medicine

description: Supplemental Material for Health Behavior Profiles of Korean Baby Boomers by Bon Kim, Kyungmin Kim, Jeffrey A. Burr and Gyounghae Han in The International Journal of Aging and Human Development
Mid-term report on Communication & Dissemination  activities
Creators: name: Zammit, Edwin
name: Bonnici West, Lorna Marie
name: Theuma, Lisa
Publisher: name: Zenodo
Year: 2025

description: This document represents deliverable D6.2 ‘Mid-Term Report on Communication and Dissemination (C&D) activities’ of the WATERLINE project funded by the European Commission's Horizon Europe HORIZON-WIDERA-2021-ACCESS-05 under grant agreement No 101071306. The main objective of this deliverable is to report on the project’s communication and dissemination progress for months 1 to 13 [Oct 22 – Oct 23]. The report evaluates the adherence to the project’s Dissemination, Exploitation and Communication Plan (DECP), assesses the quality of communication materials, and provides insights into stakeholder engagement.

Overall, the Mid-Term Report on C&D activities is a vital tool for ensuring that the project not only meets its scientific and technical goals but also successfully communicates its outcomes, fostering broader awareness and engagement within the quadruple helix stakeholders.
title: "Ritratto di anziana donna (Vincenza Danesi?)", attribuito a Ottoni Lorenzo, inv. CCLXVII (ITA/EN)
title: Scheda catalogo digitale Borghese
titleType: AlternativeTitle
Creators: name: Felici, Sonja
name: Galleria Borghese
Publisher: name: Galleria Borghese
Year: 2024

description: Pubblicazione delle schede delle opere conservate nel museo ed estratte dal catalogo digitale di Galleria Borghese, nelle due versioni esistenti online, in italiano e inglese.

Collegamento al catalogo digitale:

ITA: https://www.collezionegalleriaborghese.it/

EN: https://www.collezionegalleriaborghese.it/en
Supplementary_file_5 – Supplemental material for Biomechanical comparison ofscrew-based zones of a spatial subchondral support plate forproximal humerus fractures
Creators: name: Jabran, Ali
name: Peach, Chris
name: Zou, Zhenmin
name: Ren, Lei
Publisher: name: SAGE Journals
Year: 2019
Subjects: Surgery
Engineering not elsewhere classified

description: Supplemental material, Supplementary_file_5 for Biomechanical comparison ofscrew-based zones of a spatial subchondral support plate forproximal humerus fractures by Ali Jabran, Chris Peach, Zhenmin Zou and Lei Ren in Proceedings of the Institution of Mechanical Engineers, Part H: Journal of Engineering in Medicine
PDP879601 Supplemental Material - Supplemental material for Glomus Tumor of the Kidney in a Child With Tuberous Sclerosis
Creators: name: Zhao, Manli
name: Yang, Min
name: Gu, Weizhong
name: Chen, Xi
name: Chen, Huiyi
name: Kuick, Chik Hong
name: Chang, Kenneth Tou En
name: Tang, Hongfeng
Publisher: name: SAGE Journals
Year: 2019
Subjects: Paediatrics
Pharmacology and Pharmaceutical Sciences not elsewhere classified

description: Supplemental material, PDP879601 Supplemental Material for Glomus Tumor of the Kidney in a Child With Tuberous Sclerosis by Manli Zhao, Min Yang, Weizhong Gu, Xi Chen, Huiyi Chen, Chik Hong Kuick, Kenneth Tou En Chang and Hongfeng Tang in Pediatric and Developmental Pathology
Guide pratique pour enseigner en formation à distance : Recueil de documents de travail (Guide FAD)
Creators: name: Gouin, Marie-Michelle
name: Cabana, Mélanie
name: Lez, Alexandra
name: Babineau, Marie-Andrée
name: Bourque, Caroline
Publisher: name: Université de Sherbooke, École de gestion
Year: 2025
Subjects: Pédagogie universitaire
Formation à distance
Scénarisation d'un cours
Plan de cours
Enseignement à distance
Enseignement universitaire
Préparation de cours

description: Regroupement de documents de travail en lien avec l’enseignement en formation à distance en milieu universitaire.

 
description: Ressources éducatives libres

REL

Open Educational Resources

OER
description: Discipline : Éducation

Format : Texte/HTML

Type de la ressource : Objet d'apprentissage
Machia_OnlineAppendix – Supplemental material for The Diverging Effects of Need Fulfillment Obtained From Within and Outside of a Romantic Relationship
Creators: name: Machia, Laura V.
name: Proulx, Morgan L.
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 170199 Psychology not elsewhere classified
subject: FOS: Psychology

description: Supplemental material, Machia_OnlineAppendix for The Diverging Effects of Need Fulfillment Obtained From Within and Outside of a Romantic Relationship by Laura V. Machia and Morgan L. Proulx in Personality and Social Psychology Bulletin
Dive into the Ultimate Gaming Experience!
Creators: name: Amarasinghe, Asanka
Publisher: name: Zenodo
Year: 2025

description: Hey there! Ready for non-stop fun, exciting challenges, and big wins? Pin Up casino app is your perfect choice for an unforgettable gaming adventure. With a massive selection of top-quality games, you’ll never get bored!

Enjoy daily bonuses, exclusive promotions, and thrilling tournaments that keep the excitement going. Play whenever and wherever you want—on your phone, tablet, or desktop—with a smooth and hassle-free experience. Your privacy and security are always a priority, ensuring a safe and enjoyable time.

Fast payouts, user-friendly navigation, and an incredible variety of games make this platform a must-try. Whether you love strategy or just want to have fun, there’s something for everyone. Click the link and start your journey today!
Supplemental Material, JVM)2nd_Reponses - Effectiveness of demographic characteristics in understanding Malaysian customers’ perceived value of the integrated resort sector
Creators: name: Jiseon Ahn
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 150310 Organisation and Management Theory
subject: FOS: Economics and business
subject: 150402 Hospitality Management

description: Supplemental Material, JVM)2nd_Reponses for Effectiveness of demographic characteristics in understanding Malaysian customers’ perceived value of the integrated resort sector by Jiseon Ahn in Journal of Vacation Marketing
supplementary_material - Effectiveness of a multidisciplinary parent training program for children with developmental disabilities: A single-blind randomized waitlist controlled trial
Creators: name: Leung, Cynthia
name: Lai, Cynthia
name: Lau, Dustin
name: Leung, Shirley
name: Tamis W Pin
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 111708 Health and Community Services
subject: FOS: Health sciences
subject: 111099 Nursing not elsewhere classified
subject: 111403 Paediatrics
subject: FOS: Clinical medicine

description: supplementary_material for Effectiveness of a multidisciplinary parent training program for children with developmental disabilities: A single-blind randomized waitlist controlled trial by Cynthia Leung, Cynthia Lai, Dustin Lau, Shirley Leung and Tamis W Pin in Journal of Child Health Care
«A Ca’ Giustinian fu tutto diverso». La mostra di Paolo Veronese a Venezia (1939)
Creators: name: Cartolari, Matilde
Publisher: name: eum
Year: 2016

description: La mostra di Paolo Veronese si svolse a Venezia nel 1939 sotto la direzione di Rodolfo Pallucchini. Promuovendo una ricognizione materiale e critica dell’opera del maestro, la mostra fu l’occasione per effettuare una massiccia campagna di restauri ad opera del bergamasco Mauro Pellicioli e della sua squadra di collaboratori. Agendo sul duplice fronte della museografia e del restauro, Pallucchini si pose in dialogo con le parallele definizioni elaborate in sede istituzionale da Guglielmo Pacchioni e Giulio Carlo Argan. Il presente saggio intende offrire, attraverso materiale archivistico inedito, un’analisi del ruolo della mostra di Veronese nel contesto nazionale e internazionale, ricostruendo con un approccio interdisciplinare le dinamiche teoriche e operative che ne animarono lo svolgimento.

Veronese exhibition took place in Venice in 1939 under the direction of Rodolfo Pallucchini. While promoting both material and critical examination of Veronese’s work, the exhibition was an opportunity to undertake a massive restoration, performed by Mauro Pellicioli and his team of collaborators. Pallucchini’s museographical and conservative program was in close relation with the theories promoted by Guglielmo Pacchioni and Giulio Carlo Argan in public administration. This paper intends to offer, through unpublished archival evidence, a detailed analysis of Veronese exhibition in relation to national and international context, in order to understand with an interdisciplinary approach both its theoretical and practical aspects.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
Material reenactment:  The missing and replaced paintings of Malevich’s 1929 retrospective
Creators: name: Gasper-Hulvat, Marie
Publisher: name: eum
Year: 2016

description: In 1927, Russian avant-garde artist Kazimir Malevich was recalled by Soviet authorities from Berlin, where he had received critical acclaim during a journey abroad. He returned to Moscow, leaving behind in Germany the paintings with which he had travelled. It was a cache that represented his entire painterly career. In 1929, Malevich found himself granted a retrospective exhibition at the foremost museum of Russian art in the Soviet capital, the Tretiakov Gallery. With the bulk of the material evidence of his career now missing, the artist responded by producing forty new canvases. In this article, I propose that Malevich’s exhibition of 1929 represented an attempt to materially reenact his own career, producing a counterfeit simulation of what might have happened. Furthermore, I explain how an exhibition of his work held in 2000 signifi cantly altered the scholarly discussion of the works displayed in 1929.

Nel 1927, le autorità sovietiche richiamarono l’artista dell’avanguardia russa Kazimir Malevich da Berlino, dove si era recato per un viaggio all’estero e dove aveva ricevuto un’accoglienza critica. Malevich tornò a Mosca lasciando in Germania le opere con le quali aveva viaggiato, una serie che documentava interamente la sua carriera pittorica. Nella capitale sovietica gli fu dedicata, due anni dopo, una mostra retrospettiva, ospitata dal principale museo di arte russa di Mosca, la Galleria Tretiakov. Sebbene buona parte delle prove materiali del suo lavoro fosse andata perduta, l’artista rispose producendo quaranta nuove tele. Scopo di questo articolo è dimostrare come la mostra del 1929 costituisca un tentativo, da parte di Malevich, di ricostruire la sua carriera per produrre una simulazione di quello che avrebbe potuto essere. Inoltre si documenta come una mostra dedicata nel 2000 all’artista ha contribuito all’analisi critica della esposizione del 1929.
description: Il Capitale culturale. Studies on the value of cultural heritage, No 14 (2016): Musei e mostre tra le due Guerre
Effimero, sperimentale e narrativo: il nuovo stile delle esposizioni a cavallo tra le due guerre
Creators: name: Bassanelli, Michela
Publisher: name: eum
Year: 2016

description: Il saggio indaga il cambiamento in chiave intima e spirituale dello stile delle esposizioni avvenuto nel ventennio che precede il secondo conflitto mondiale. Il tema, che nasce come fenomeno prevalentemente commerciale legato all’idea di progresso con le Grandi Esposizioni Universali, nei primi anni del Novecento assume nuovi valori: «le esposizioni si vanno orientando nel loro punto di partenza tematico, nella loro struttura ideale, nella loro concreta architettura». Il saggio si focalizza sulla descrizione di due casi paradigmatici, gli allestimenti per la Mostra della Rivoluzione Fascista (Roma, 1932) e quelli per la Mostra della Aeronautica italiana (Milano, 1934) che consentono di individuare alcune delle caratteristiche connotanti il nuovo linguaggio delle esposizioni: esposizione concepita come discorso con un programma da illustrare, prevalenza del gusto dell’effimero e dello sperimentale ed esposizione come «operazione attiva, volontaria e propulsiva».
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
The Strossmayer Gallery in Zagreb in the interwar period: from a utopian project to a renowned institution
Creators: name: Dulibic, Ljerka
name: Pasini Tržec, Iva
Publisher: name: eum
Year: 2016

description: The basis of today’s Strossmayer Gallery’s collection is the bequest of European Old Masters’ paintings collected by Bishop J. J. Strossmayer (1815-1905), with the fundamental desire to enlarge the scope of the Croatian cultural tradition through the appropriation of European elite culture. The meaning and function of the Gallery changed considerably over time. Before WWI, the Strossmayer Gallery was a utopian project in the sense that its mission was not only to fabricate what was seen to be a missing artistic past, but also to create the foundations for a future, native art. After WWI, with the formation of the Kingdom of Serbs, Croats and Slovenes, the national state was, at least in some form, realized, and the Gallery now turned its attention to concrete matters. In this paper, we follow the paths of intensive professionalization of the wide range of activities in the interwar period, retracing not only the history of museum presentation, or the history of Art History and of Art Conservation in Croatia, but also some traces of the general development of the dynamic, intertwined and significant relationship between Art History, Art Conservation and the museum.

Il nucleo dell’odierna collezione della Galleria Strossmayer è costituito dal lascito delle opere dei maestri antichi europei raccolti dal vescovo J.J. Strossmayer (1815-1905), il cui scopo fondamentale fu di allargare la tradizione culturale croata con l’appropriazione della cultura elitaria europea. Con il passare del tempo, il signifi cato e la funzione della Galleria cambiò considerevolmente. Prima della Prima guerra mondiale la Galleria Strossmayer fu un progetto utopistico nel senso che la sua missione non era solo di riempire il vuoto visto come il passato artistico mancante, ma anche di creare le fondamenta per una futura arte locale. Dopo la guerra, con la formazione del Regno dei Serbi, Croati e Sloveni, lo stato nazionale fu, almeno in un certo senso, realizzato, e i responsabili della Galleria si concentrarono sui compiti concreti. Il presente articolo delinea un processo, svoltosi tra le due guerre, che si può defi nire di intensa professionalizzazione, ritracciando non solo la storia degli allestimenti museali, o la storia della storia d’arte in Croazia, ma anche alcune tracce dei percorsi di sviluppo delle relazioni tra la storia dell’arte, la conservazione dei beni culturali e il museo.
description: Il Capitale culturale. Studies on the value of cultural heritage, No 14 (2016): Musei e mostre tra le due Guerre
878916_Supplemental_Interview_Sample_Questions - “I’m not alone”: women’s experiences of recovery oriented occupational therapy groups following depression
Creators: name: Woolley, Hannah
name: Levy, Esther
name: Spector, Samantha
name: Geneau, Naomie
name: Castro, Aileen
name: Rouleau, Suzanne
name: Roy, Laurence
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 111708 Health and Community Services
subject: FOS: Health sciences

description: 878916_Supplemental_Interview_Sample_Questions for “I’m not alone”: women’s experiences of recovery oriented occupational therapy groups following depression by Hannah Woolley, Esther Levy, Samantha Spector, Naomie Geneau, Aileen Castro, Suzanne Rouleau and Laurence Roy in Canadian Journal of Occupational Therapy
Additional file 1 of Non-invasive cardiovascular magnetic resonance assessment of pressure recovery distance after aortic valve stenosis
Creators: name: Fernandes, Joao Filipe
name: Gill, Harminder
name: Nio, Amanda
name: Faraci, Alessandro
name: Galli, Valeria
name: Marlevi, David
name: Bissell, Malenka
name: Ha, Hojin
name: Rajani, Ronak
name: Mortier, Peter
name: Myerson, Saul G.
name: Dyverfeldt, Petter
name: Ebbers, Tino
name: Nordsletten, David A.
name: Lamata, Pablo
Publisher: name: figshare
Year: 2024
Subjects: Biophysics
Space Science
Medicine
Chemical Sciences not elsewhere classified
Biological Sciences not elsewhere classified

description: Additional file 1. Turbulent dissipation versus SAW pressure recovery based on CFD simulations from workbench 1.
Additional file 2 of Non-invasive cardiovascular magnetic resonance assessment of pressure recovery distance after aortic valve stenosis
Creators: name: Fernandes, Joao Filipe
name: Gill, Harminder
name: Nio, Amanda
name: Faraci, Alessandro
name: Galli, Valeria
name: Marlevi, David
name: Bissell, Malenka
name: Ha, Hojin
name: Rajani, Ronak
name: Mortier, Peter
name: Myerson, Saul G.
name: Dyverfeldt, Petter
name: Ebbers, Tino
name: Nordsletten, David A.
name: Lamata, Pablo
Publisher: name: figshare
Year: 2024
Subjects: Biophysics
Space Science
Medicine
Chemical Sciences not elsewhere classified
Biological Sciences not elsewhere classified

description: Additional file 2. PrecDist measurement definition in pulsatile conditions.
Supplementary_Material_Feline_Zoonoses_Client_Brochure – Supplemental material for 2019 AAFP Feline Zoonoses Guidelines
Creators: name: Lappin, Michael R
name: Elston, Tom
name: Evans, Lisanne
name: Glaser, Carol
name: Jarboe, Lorraine
name: Karczmar, Peter
name: Lund, Cathy
name: Ray, Michael
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 70706 Veterinary Medicine
subject: FOS: Veterinary sciences

description: Supplemental material, Supplementary_Material_Feline_Zoonoses_Client_Brochure for 2019 AAFP Feline Zoonoses Guidelines by Michael R Lappin, Tom Elston, Lisanne Evans, Carol Glaser, Lorraine Jarboe, Peter Karczmar, Cathy Lund and Michael Ray in Journal of Feline Medicine and Surgery
IPS787429_French_and_Spanish_abstracts – Supplemental material for Explaining variation in the implementation of global norms: Gender mainstreaming of security in the OSCE and the EU
Creators: name: Jenichen, Anne
name: Joachim, Jutta
name: Schneiker, Andrea
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 160607 International Relations
subject: FOS: Political science

description: Supplemental material, IPS787429_French_and_Spanish_abstracts for Explaining variation in the implementation of global norms: Gender mainstreaming of security in the OSCE and the EU by Anne Jenichen, Jutta Joachim and Andrea Schneiker in International Political Science Review
MSO879952 Supplemental Material2 - Supplemental material for Magnetic resonance spectroscopy evidence for declining gliosis in MS patients treated with ocrelizumab versus interferon beta-1a
Creators: name: MacMillan, Erin L
name: Schubert, Julia J
name: Vavasour, Irene M
name: Tam, Roger
name: Rauscher, Alexander
name: Taylor, Carolyn
name: White, Rick
name: Garren, Hideki
name: Clayton, David
name: Levesque, Victoria
name: Li, David KB
name: Kolind, Shannon H
name: Traboulsee, Anthony L
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 110904 Neurology and Neuromuscular Diseases
subject: FOS: Clinical medicine
subject: Neuroscience

description: Supplemental material, MSO879952 Supplemental Material2 for Magnetic resonance spectroscopy evidence for declining gliosis in MS patients treated with ocrelizumab versus interferon beta-1a by Erin L MacMillan, Julia J Schubert, Irene M Vavasour, Roger Tam, Alexander Rauscher, Carolyn Taylor, Rick White, Hideki Garren, David Clayton, Victoria Levesque, David KB Li, Shannon H Kolind and Anthony L Traboulsee in Multiple Sclerosis Journal – Experimental, Translational and Clinical
MPX882139 Supplemental Material2 - Supplemental material for Genetic associations of perinatal pain and depression
Creators: name: McClain, Lora
name: Farrell, Lia
name: LaSorda, Kelsea
name: Pan, Lisa A.
name: Peters, David
name: Lim, Grace
Publisher: name: SAGE Journals
Year: 2019
Subjects: subject: 110904 Neurology and Neuromuscular Diseases
subject: FOS: Clinical medicine
subject: 111702 Aged Health Care
subject: FOS: Health sciences
subject: 111599 Pharmacology and Pharmaceutical Sciences not elsewhere classified
subject: Neuroscience

description: Supplemental material, MPX882139 Supplemental Material2 for Genetic associations of perinatal pain and depression by Lora McClain, Lia Farrell, Kelsea LaSorda, Lisa A. Pan, David Peters and Grace Lim in Molecular Pain
Mostre e musei nei cinegiornali dell’Archivio Luce tra le due guerre
Creators: name: Casini, Tommaso
Publisher: name: eum
Year: 2016

description: Il patrimonio cinematografi co dell’Istituto Nazionale Luce raccoglie alcune centinaia di ore di fi lmati che riguardano la storia delle mostre e dei musei del ‘900 in Italia e non solo. Sin dalla sua nascita, nel 1925, il LUCE (L’Unione Cinematografi ca Educativa) inviò i suoi operatori a documentare musei, gallerie e mostre, specialmente in occasione di visite ufficiali dei sovrani e di esponenti del regime fascista. Cinegiornali e documentari didattici sono visibili on-line sul sito dell’Archivio, e parzialmente anche sul canale dedicato di YouTube. Il contributo traccia una prima ricognizione di un vasto panorama di materiali documentari e informativi, dando conto dell’uso del mezzo fi lmico per documentare le esposizioni temporanee e i musei. L’importanza del materiale del LUCE, che a partire dal 1931 diventa anche sonoro, offre uno spaccato ancora poco conosciuto di questa forma di documentazione in relazione al coevo dibattito sui musei, tra propaganda e uso pedagogico dell’immagine. Vengono esaminate modalità e strategie di presentazione visive e testuali distinguendo tra gli i musei di archeologia, arte antica, arte moderna e contemporanea, considerando alcuni casi specifi ci di esposizioni temporanee come la Biennale di Venezia e la Quadriennale di Roma. La conclusione è dedicata ad una rifl essione sui viaggi di Adolf Hitler in Italia in rapporto al patrimonio artistico e architettonico.

The film heritage of the National Institute Luce collects several hundred hours of footage covering the history of the exhibitions and museums of the ‘900 in Italy and beyond. Since its inception in 1925, the LUCE (The Union Educational Film) sent his workers to document museums, galleries and exhibitions, especially on the occasion of offi cial visits of kings and members of the fascist regime. Newsreels and educational documentaries and that for some years on-line are also visible on the Archive audiovisual database, and partly also on the dedicated YouTube channel. The paper draws a fi rst reconnaissance of a vast landscape of documentary materials and informative, giving regard to the use of the medium of fi lm to document the temporary exhibitions and museums. The importance of the LUCE’s material, which in 1931 also becomes sound, offers a glimpse still little known of this form of documentation in relation to the contemporary debate on museums, including propaganda and pedagogical use of the image. Ways visual and textual presentation strategies are examined distinguishing among the museums of archeology, ancient art, modern and contemporary art, considering some specifi c cases of temporary exhibitions like the Venice Biennale and the Rome Quadrenniale. The conclusion is dedicated to a refl ection on Adolf Hitler travels in Italy in relation to the artistic and architectural heritage.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
L’apertura della Galleria Giorgio Franchetti alla Ca’d’Oro nel primo dopoguerra: la trasformazione della dimora patrizia in un museo di ambientazione (1894-1927)
Creators: name: Viola, Eliana
Publisher: name: eum
Year: 2016

description: Il barone Giorgio Franchetti era un raffinato cultore delle arti, dedito sin da giovane ad una  intensa attività collezionistica. La sua storia si lega alla Ca’d’Oro di Venezia dal 1894, quando acquistò il palazzo tardogotico sul Canal Grande, ormai fatiscente ed in un pessimo stato conservativo, per farne un prestigioso scrigno per la sua collezione d’arte. Durante gli anni della Grande Guerra si decise a donare allo Stato la sua raccolta ed il palazzo stesso per finanziare i complessi lavori di restauro e consentirne la fruizione pubblica. Questo articolo si propone di illustrare l’attento recupero filologico del palazzo e della corte monumentale, a cui il barone Franchetti si dedicò alacremente sullo sfondo della guerra e fino alla morte nel 1922, e la reazione dei critici d’arte dell’epoca. Si analizzano, inoltre, il progetto museografico del soprintendente Gino Fogolari per il primo allestimento museale della Ca’d’Oro, aperta al pubblico dal 1927, e l’eredità raccolta da quello attuale.

The baron Giorgio Franchetti was a refined art lover, dedicated since young to an intense activity of art collector. His history was bound to the Ca’d’Oro Palace in Venice since 1894, when he bought the late Gothic residence on the Grand Canal, that was rundown and in very bed conservative conditions, in order to give a prestigious location to his collection. During the First World War he decided to donate his collection and the palace to the State, in order to finance the restorations and let the public use. This paper aims the purpose of illustrating the very careful and philological restoration of the palace and of the monumental courtyard, to which the baron Franchetti devoted himself during the war and till death, and the reaction of the contemporary criticism. Further, it analyses the museographic project conceived by the superintendent Gino Fogolari for the first museum exhibition, opened to the public since 1927, and the inheritance of the current one.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre
The exhibition for sale. The Austrian Museum for Art and Industry between nationalistic exploitation and self-perception as an educational institution during the Austrofascist era
Creators: name: Feher, Maria-Luise
Publisher: name: eum
Year: 2016

description: The presented case study offers an outline of Vienna’s museum of applied arts’ history during the transitional phase from Austria’s First Republic to the authoritarian regime of Austrofascism. It covers if and to which degree external factors like political ideologies were infl uencing the institution’s exhibition policies. Especially under the intense scrutiny of the ruling regime any proactive undertaking on the part of any museum’s director holdsspecial importance. Even more so as in this case Richard Ernst, the acting director, held this post from 1932 to 1950, thereby allowing the assessment of his policies throughout several changes of government. The study suggests that the modernisation of the exhibition space that took place under his leadership is connected to an overall repositioning as a scientific institution in opposition (or at least complementation) to the museum’s previous function as a promotional platform for Austrian businesses at home and abroad.

Il caso di studio presenta uno spaccato della storia del Museo di Storia delle Arti Applicate di Vienna durante la transizione dall’Austria della Prima Repubblica all’affermazione del regime autoritario dell’Austrofascismo. Intende dimostrare se e in quale misura fattori esterni come le ideologie abbiano infl uenzato le politiche espositive dell’istituzione. Specialmente sotto l’intenso controllo del regime ogni attività proattiva dei direttori museali assume particolare importanza, come si evince dal caso di Richard Ernst, direttore in carica dal 1932 al 1950, che permette di effettuare una valutazione delle scelte da lui effettuate nel corso di dei diversi cambi di governo. Lo studio dimostra che la modernizzazione dello spazio espositivo, che ebbe luogo sotto la sua direzione, è connessa a una risistemazione globale del museo come istituzione scientifi ca, in opposizione (o almeno come completamento) alla precedente funzione intesa come strumento di promozione per le imprese austriache in patria e all’estero.
description: Il Capitale culturale. Studies on the value of cultural heritage, No 14 (2016): Musei e mostre tra le due Guerre
La ricostruzione del pergamo di Giovanni Pisano: solennità impareggiabile dell’arte e del fascismo
Creators: name: Susini, Fabiana
Publisher: name: eum
Year: 2016

description: L’inaugurazione della ricomposizione del pergamo di Giovanni Pisano all’interno della cattedrale pisana, avvenuta al cospetto di Benito Mussolini il 25 maggio del 1926, fu occasione per una serie di celebrazioni che coinvolsero l’intera cittadinanza e che sollevarono una larga eco nella stampa locale e nazionale.

L’evento della ricollocazione e, al contempo, di ‘musealizzazione’ del pergamo fu sostenuto fortemente dal partito fascista che riservava una grande attenzione nei riguardi dei simboli del passato: la riconsacrazione del monumento venne definita “solennità impareggiabile dell’arte e del fascismo”. L’opera fu caricata di facili significati propagandistici, del tutto estranei alla sua natura: “l’Italia riacquista col Pergamo di Giovanni Pisano uno dei suoi più grandi capolavori. Ed è merito della nuova mentalità fascista la ricostruzione di questo monumento divino” (La Tribuna, 13 maggio 1926).

Questo contributo intende analizzare, attraverso la lettura dei periodici del tempo, delle testimonianze dei protagonisti e dei documenti ufficiali, la valenza propagandistica dell’evento di ‘rinascita’ del pergamo di Giovanni Pisano.

The inauguration of the reconstruction of the pulpit by Giovanni Pisano in the cathedral of Pisa, which took place in the presence of Benito Mussolini on May 25, 1926, was the occasion for a series of celebrations that involved the whole citizenry and that raised a wide resonance in the local and national press. The event of relocation and, at the same time, the 'musealization' of the pulpit was strongly supported by the fascist party that reserved a great attention to the symbols of the historical past: the rededication of the monument was defined as a " incomparable solemnity of art and fascism" . The pulpit took on a new and important meaning related to political propaganda, completely foreign to his nature: "Italy regains with the pulpit by Giovanni Pisano, one of his greatest masterpieces. The reconstruction of this monument divine took place thanks to the new fascist mentality "(La Tribuna, 13 May 1926).

This paper aims to analyze, through the reading of periodicals of the time, the testimonies of the protagonists and the official documents, the value of propaganda of the ‘rebirth' event of the pulpit by Giovanni Pisano.
description: IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, No 14 (2016): Musei e mostre tra le due Guerre