Bewegendes Sammeln
Creators: name: Romelli, Tiziana
Publisher: name: Humboldt-Universität zu Berlin, Philosophische Fakultät IV
Year: 2010
Subjects: subject: Museum
subject: Sammlung
subject: Ästhetische Bildung
subject: Studiolo
subject: Collection
subject: Aesthetic Eduction
subject: 370 Erziehung, Schul- und Bildungswesen
subject: 22 Erziehung, Bildung, Unterricht
subject: AK 85900
subject: LB 34005
subject: LH 29912

description: Diese Arbeit geht der Frage nach den bildungstheoretischen Absichten der Sammlungspraktiken zweier außerordentlicher Kunstkennerinnen und -sammlerinnen der Renaissance nach, Isabella d''Este und Margarethe von Österreich. Ihre Sammlungen formten einen neuen Wissenstypus, indem sie mittels Strukturierung und Visualisierung deutende Ordnungen der Welt erstellten. In den Studioli von Isabella d''Este und von Margarethe von Österreich, die zu Marksteinen einer Entwicklung wurden, die in Nordeuropa erst in der zweiten Hälfte des 16. Jahrhunderts zu ihrer Entfaltung kam, dienen Kunstverständnis, Kunstförderung und Kunsterwerb der höfischen Selbstdarstellung. Mit ihrer Ausstattung repräsentieren sie darüber hinaus die Frühform eines Sammlungsraumes, in dem zukunftsweisende Bildungsprozesse stattfinden. Die vorliegende Arbeit versteht sich somit als Rekonstruktion und Analyse eines impliziten Bildungsprogramms.
description: The study compares the history of two Renaissance collections, the "studiolo" of Isabella d’Este (1474-1539) and the "petit cabinet" of Margaret of Austria (1480-1530), two extraordinary art experts and collectors sixteenth century. They modelled a new type of knowledge by their method of acquisition as they created an interpretative classification of the world through the use of structure and visualisation. The work focuses on the concepts of knowledge inscribed into the visual structure of those two collections and the pedagogical approaches they enacted. Isabella d’Este’s and Margaret of Austria’s collection rooms became a landmark in a development, which only came into being in northern Europe in the second half of the sixteenth century. This is, in part, due to the fact that the understanding, promotion and acquisition of art became an important aspect of courtly self representation. Furthermore, their collection represents an early form of collection space which created the foundation for future educational processes. Therefore, this work is aims to be a historiography of an educational process as well as the reconstruction and analysis of an implicit pedagogical program. Following an interdisciplinary approach, the research is designed to systematically and historically reconstruct the order, production and representation of knowledge within its social context. The comparative approach aims to grasp the specific pedagogical perspective of each collection. Furthermore it focuses on parallels of their concern of transformation and the functionality of such extraordinary collection activities. Analytical categories such as space, time and hierarchies are used in the analysis of the primary sources. In this way, the collections and corresponding materials will be analysed in order to explain how the implicit educational program can be understood as a forerunner of an educational theory.