title: ÐÐ¾ÑÐ¼Ñ Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÐ¸ Ð¸ ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸ Ð² ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ Ñ ÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÑ ÑÐ¸Ð»ÑÐ¼Ð¾Ð² 1960-2020 Ð³Ð³.
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: Norms of adequacy and equivalence in the translations of feature films from 1960 to 2020
Creators: name: ÐÑÐ»ÑÐµÐ²ÑÐºÐ°Ñ, ÐÐ°Ð»ÐµÑÐ¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2023
Subjects: Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð´ÑÐ±Ð»ÑÐ¶
Ð½Ð¾ÑÐ¼Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°
ÑÑÑÐ°ÑÐµÐ³Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°
Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÑ
ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÑ
audiovisual translation
film translation
dubbing
translation norms
translation strategy
adequacy
equivalence

description: ÐÐ°ÑÑÐ¾ÑÑÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ ÑÑÑÐ¾Ð¹ÑÐ¸Ð²ÑÑ Ð¸ Ð²Ð°ÑÐ¸Ð°ÑÐ¸Ð²Ð½ÑÑ Ð°ÑÐ¿ÐµÐºÑÐ¾Ð² Ð² ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð½Ð¾ÑÐ¼ ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÐ¸ Ð² Ð°Ð½Ð³Ð»Ð¾-ÑÑÑÑÐºÐ¾Ð¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ-Ð´ÑÐ±Ð»ÑÐ¶Ðµ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÑ ÑÐ¸Ð»ÑÐ¼Ð¾Ð² 1960-Ñ - 2020-Ñ Ð³Ð³. Ð ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð±ÑÐ»Ð¸ ÑÐµÑÐµÐ½Ñ ÑÐ»ÐµÐ´ÑÑÑÐ¸Ðµ Ð·Ð°Ð´Ð°ÑÐ¸: 1. ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¸ ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°; 2. ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð¿Ð¾Ð½ÑÑÐ¸Ð¹ Â«Ð½Ð¾ÑÐ¼Ð°ÑÐ¸Ð²Ð½Ð¾ÑÑÑÂ» Ð¸ Â«Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ°Ñ Ð½Ð¾ÑÐ¼Ð°Â»; 3. Ð¾ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸Ð·Ð¾Ð²Ð°Ð½Ñ ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸Ð¸ Ð½Ð¾ÑÐ¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°; 4. ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¾Ð¹ ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÐ¸ ÐºÐ°Ðº Ð½Ð¾ÑÐ¼Ð°ÑÐ¸Ð²Ð½ÑÑ Ð°ÑÐ¿ÐµÐºÑÐ¾Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°; 5. Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÐµÐºÑÑÐ° Ð°Ð½Ð³Ð»Ð¾-ÑÑÑÑÐºÐ¾Ð³Ð¾ Ð´ÑÐ±Ð»Ð¸ÑÐ¾Ð²Ð°Ð½Ð½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÑ ÑÐ¸Ð»ÑÐ¼Ð¾Ð² ÑÑÐµÑ Ð¿ÐµÑÐ¸Ð¾Ð´Ð¾Ð² (1960-70-Ðµ; 1990-2000-Ðµ; 2010- 2020-Ðµ Ð³Ð³.); 6. Ð²ÑÑÐ²Ð»ÐµÐ½Ñ ÑÑÐ¾Ð´ÑÑÐ²Ð° Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ Ð² Ð´Ð¾ÑÑÐ¸Ð¶ÐµÐ½Ð¸Ð¸ ÑÑÐ¾Ð²Ð½ÐµÐ¹ ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸; 7. Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ñ ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¹; 8. Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿ÑÐ¸ÐµÐ¼Ð¾Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÐºÑÐ»ÑÑÑÑÐ½ÑÑ ÑÐµÐ°Ð»Ð¸Ð¹; 9. Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿ÑÐ¸ÐµÐ¼Ð¾Ð² Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÐ¼Ð¾ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾-Ð¾ÑÐµÐ½Ð¾ÑÐ½Ð¾Ð³Ð¾ ÐºÐ¾Ð¼Ð¿Ð¾Ð½ÐµÐ½ÑÐ°. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÑÑÑÐºÐ¾ÑÐ·ÑÑÐ½Ð¾Ð³Ð¾ Ð´ÑÐ±Ð»ÑÐ¶Ð° Ð¾ÑÐ¸Ð³Ð¸Ð½Ð°Ð»ÑÐ½ÑÑ Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½ÑÑ ÐºÐ¸Ð½Ð¾ÑÐ¸Ð»ÑÐ¼Ð¾Ð² Ð±ÑÐ»Ð¸ Ð²ÑÑÐ²Ð»ÐµÐ½Ñ Ð¿Ð¾ÑÑÐ¾ÑÐ½Ð½ÑÐµ Ð¸ Ð²Ð°ÑÐ¸Ð°ÑÐ¸Ð²Ð½ÑÐµ Ð°ÑÐ¿ÐµÐºÑÑ Ð½Ð¾ÑÐ¼ ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÐ¸, Ð° ÑÐ°ÐºÐ¶Ðµ ÑÐµÐ½Ð´ÐµÐ½ÑÐ¸Ð¸ Ð² ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð´Ð°Ð½Ð½ÑÑ Ð½Ð¾ÑÐ¼ Ð² ÑÐ¾Ð²ÐµÑÑÐºÐ¾Ð¼, Ð¿Ð¾ÑÑÑÐ¾Ð²ÐµÑÑÐºÐ¾Ð¼ Ð¸ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ.
description: The given work deals with identifying constant and variable aspects of adequacy and equivalence translation norms in Russian dubbing of English feature films from 1960 to 2020. In the course of the study, the following objectives were achieved: 1. theoretical approaches and concepts in the field of film translation are analyzed; 2. the concepts of normativity and translation norm are defined; 3. typologies of translation norms are characterised; 4. the concepts of translation equivalence and adequacy as normative aspects of translation are considered; 5. English-Russian dubbed translations of feature films of three periods (1960-70s; 1990-2000s; 2010-2020s) are analyzed; 6. similarities and differences in the methods and degree of achieving equivalence levels have been identified; 7. translation transformations as a means of achieving translation adequacy are analyzed; 8. translation techniques of cultural realities are identified; 9. techniques of representing the emotional and evaluative component are identified. As a result, the study of Russian dubbing of original English-language films revealed the constant and variable aspects of the norms of equivalence and adequacy, as well as the trends in the realization of these norms in Soviet, post-Soviet and modern translations.