Trip: Geração Beat e os escritores Lusófonos - um estudo comparado
Creators: name: De Nápoles, Miguel Gullander Metello
Publisher: name: Zenodo
Year: 2021
Subjects: Literary experimentalism; Body-Without-Organs; Shamanism; Sexual Revolution; Buddhism; Drugs; Altered States of Consciousness; Body Conceptions; Becoming; Mapping and Deterritorialization, Al Berto; Roberto Piva; Levi Condinho; Herberto Hélder; Eduardo Bueno

description: This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna,This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not “Beat” in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna, This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic “TRIP” will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on “À Procura do Vento Num Jardim d’Agosto”), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story “Teorema” from Os Passos em Volta) and Levi Condinho, with the poem “Jazz”; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standp
description: This PhD thesis is about the impact and influence of the American counterculture movement known as the Beat Generation on lusophone writers. In this thesis the the topic "TRIP" will be analysed in relation and comparation with the Beats. The Trip will be seen in its diferente contexts and meanings. The Beat Generation and the lusophone authores experienced many diferente forms of Trip, from the artistic and rebellious Trip, to the geographical, religious, political, sexual and the drug Trip. As investigative material for this thesis I started by counsulting the primary sources, written by the Beats and lusophone writers by them influenced. Most of their material speaks for itself, having as form and content a voice of almost continous manifesto. Also, the importance of direct reference to the Beats and lusophone writers by them influenced is because their work is completely contemporary and actual, what makes of their works their own best spokesman. From the North American writeres I give special attention to Jack Kerouac, William Burroughs and Allen Ginsberg. From the lusophone writeres, from Portugal, I give special attention to Al Berto (with focus on "À Procura do Vento Num Jardim d'Agosto"), and from Brazil, to Roberto Piva (the whole of work). I also included, withouth the same depth, from Portugal Herberto Hélder (with the short story "Teorema" from Os Passos em Volta) and Levi Condinho, with the poem "Jazz"; and from Brazil, Eduardo Bueno (varied texts). As philosophical axis I used the the analitical standpoint of Guattari and Deleuze. Simultaneously I used multiple sources of information and works related to the Beats. I will not list all those sources presently, but I would like to refer the importance of magazine articles, films, music álbuns, the internet, besides the books, in this dive into the subject matter in hands. The availability of this varied type of sources reveals the other cultural areas (areas of popular impact) where the Beats started to spread their influence. I also had to investigate many paralel works, that are not "Beat" in themselves, but are related to the Beats. I am refering specifically to the investigation I had to do in Shamanism, Buddhism, literary experimentalismo, consciousness alteration, conceptions of body, mapping and deterritorialization. Furthermore, I used the conventional sources, that inclued biographers and critics well known in this area, and authores like Campbell, Eliade, Nicosia, Charters, Mottram, Pécora, Willer, Martins, Mckenna,