title: ÐÐµÑÐµÐ´Ð°ÑÐ° Ð»ÐµÐºÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ñ ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¹ Ð² Ð½Ð°ÑÑÐ½Ð¾-ÑÐ°Ð½ÑÐ°ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ ÑÐ¸ÐºÐ»Ð° Ð½Ð°ÑÑÐ½Ð¾-ÑÐ°Ð½ÑÐ°ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐ¾Ð¼Ð°Ð½Ð¾Ð² Ð¤ÑÑÐ½ÐºÐ° ÐÐµÑÐ±ÐµÑÑÐ° Â«Ð¥ÑÐ¾Ð½Ð¸ÐºÐ¸ ÐÑÐ½ÑÂ»)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Transfer of lexical translation transformations in science fiction works (based on the material of the cycle of science fiction novels by Frank Herbert (âChronicles of Duneâ)
Creators: name: ÐÑÐ¾Ð±Ð¸ÑÑÐºÐ¾, ÐÐ²Ð³ÐµÐ½Ð¸Ð¹
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2022
Subjects: Ð½Ð°ÑÑÐ½Ð°Ñ ÑÐ°Ð½ÑÐ°ÑÑÐ¸ÐºÐ°
ÐºÐ¾ÑÐ¼Ð¸ÑÐµÑÐºÐ°Ñ Ð¾Ð¿ÐµÑÐ°
Ñ ÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÐ¹ Ð¼Ð¸Ñ
Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑ
ÐºÐ²Ð°Ð·Ð¸ÑÐµÐ°Ð»Ð¸Ð¸
science fiction
space opera
fictional universe
intertextuality
quasi-realities

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ðµ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð»ÐµÐºÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ñ ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¹ Ð² Ð½Ð°ÑÑÐ½Ð¾-ÑÐ°Ð½ÑÐ°ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ ÑÐ¾Ð¼Ð°Ð½Ð¾Ð² Ð¤ÑÑÐ½ÐºÐ° ÐÐµÑÐ±ÐµÑÑÐ° Ð¸Ð· ÑÐ¸ÐºÐ»Ð° Â«Ð¥ÑÐ¾Ð½Ð¸ÐºÐ¸ ÐÑÐ½ÑÂ». Ð ÑÐ¾Ð´Ðµ ÑÐ°Ð±Ð¾ÑÑ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÑÐ°ÐºÐ¸Ðµ ÐºÐ»ÑÑÐµÐ²ÑÐµ Ð¿Ð¾Ð½ÑÑÐ¸Ñ ÐºÐ°Ðº Â«ÐºÐ²Ð°Ð·Ð¸ÑÐµÐ°Ð»Ð¸Ð¸Â», Â«Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑÂ» Ð¸ Â«ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÐ¹ Ð¼Ð¸ÑÂ». Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ñ, Ð²ÑÐ¿Ð¾Ð»Ð½ÐµÐ½Ð½ÑÐµ ÑÐ°Ð·Ð½ÑÐ¼Ð¸ Ð°Ð²ÑÐ¾ÑÐ°Ð¼Ð¸, Ñ ÑÐµÐ»ÑÑ ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð¾-ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð¸ÑÐµÐ»ÑÐ½Ð¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¿ÑÐ¸ÐµÐ¼Ð¾Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. ÐÑÐ´ÐµÐ»ÐµÐ½Ñ Ð¸ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÐºÐ²Ð°Ð·Ð¸ÑÐµÐ°Ð»Ð¸Ð¸, ÐºÐ¾ÑÐ¾ÑÑÐµ Ð·Ð°Ð½Ð¸Ð¼Ð°ÑÑ Ð¾ÑÐ¾Ð±Ð¾Ðµ Ð¼ÐµÑÑÐ¾ Ð¿ÑÐ¸ Ð¾Ð¿Ð¸ÑÐ°Ð½Ð¸Ð¸ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð¹ Ð²ÑÐµÐ»ÐµÐ½Ð½Ð¾Ð¹ Â«ÐÑÐ½ÑÂ», ÑÐ¾Ð·Ð´Ð°Ð½Ð½Ð¾Ð¹ Ð¤ÑÑÐ½ÐºÐ¾Ð¼ ÐÐµÑÐ±ÐµÑÑÐ¾Ð¼. ÐÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð½ÑÐ¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿Ð¾Ð·Ð²Ð¾Ð»Ð¸Ð» Ð²ÑÑÐ²Ð¸ÑÑ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ðµ ÑÑÑÐ´Ð½Ð¾ÑÑÐ¸, Ñ ÐºÐ¾ÑÐ¾ÑÑÐ¼Ð¸ ÑÑÐ°Ð»ÐºÐ¸Ð²Ð°Ð»Ð¸ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ¸ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ ÑÐ¾Ð¼Ð°Ð½Ð¾Ð² Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ ÑÐ·ÑÐº. ÐÑÐ¾Ð±Ð¾Ðµ Ð²Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ Ð±ÑÐ»Ð¾ ÑÐ´ÐµÐ»ÐµÐ½Ð¾ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÐ¸, Ð¸ÑÐ¿Ð¾Ð»ÑÐ·ÑÐµÐ¼Ð¾Ð¹ Ð¿ÑÐ¸ Ð¾Ð¿Ð¸ÑÐ°Ð½Ð¸Ð¸ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¼Ð¸ÑÐ° Â«ÐÑÐ½ÑÂ».
description: The article focuses on transferring of lexical translation transformations in science fiction based on Frank Herbert's novels from the series âChronicles of Duneâ. The following key concepts such as âquasi-realitiesâ, âintertextualityâ and âfictional universeâ have been considered. The well-known translations of the Frank Herbert's novels from the series âChronicles of Duneâ into the Russian language performed by various translators have been studied. The similarities and differences of the analyzed translations have been reviewed. The different authorial quasi-realities to describe the unique universe created by Frank Herbert have been distinguished and analyzed. The conducted analysis has allowed revealing some translation obstacles which translators faced while translating the series of âChronicles of Duneâ into the Russian language. A particular attention has been paid to intertextuality used by Frank Herbert when describing the unique universe of âChronicles of Duneâ.