title: ÐÐµÑÐµÐ´Ð°ÑÐ° ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Â«ÐÐ¸ÐºÑÐ¾ÑÐ¸ÑÂ» Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ Ð¿Ð¾Ð´ Ð¿Ð¾Ð»Ð½ÑÐ¹ Ð´ÑÐ±Ð»ÑÐ¶
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: The transmission of cultural and historical realities in the dubbing of the TV series âVictoriaâ from English into Russian
Creators: name: ÐÐ°ÑÐºÐ¾Ð²Ð°, ÐÐ»ÐµÐºÑÐ°Ð½Ð´ÑÐ°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð´ÑÐ±Ð»ÑÐ¶
ÑÐµÐ°Ð»Ð¸Ð¸
ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»
ÑÑÐ½ÐºÑÐ¸Ð¸ ÑÐµÐ°Ð»Ð¸Ð¹ Ð² Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð¼ Ð¿ÑÐ¾ÑÑÑÐ°Ð½ÑÑÐ²Ðµ
ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹
ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÐµÐ°Ð»Ð¸Ð¹
Ð°udiovisual translation
dubbing
realities
tv series
functions of realities in audiovisual space
classification of realities
ways of reality transfer

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Â«ÐÐ¸ÐºÑÐ¾ÑÐ¸ÑÂ» Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ Ð¿Ð¾Ð´ Ð¿Ð¾Ð»Ð½ÑÐ¹ Ð´ÑÐ±Ð»ÑÐ¶. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. ÐÐ·ÑÑÐ¸ÑÑ ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð°ÑÐ¿ÐµÐºÑÑ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° (ÐÐÐ): Ð¿Ð¾Ð½ÑÑÐ¸Ðµ ÐÐÐ, ÐµÐ³Ð¾ Ð²Ð¸Ð´Ñ Ð¸ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¿Ð¾Ð´ÑÐ¾Ð´Ñ Ðº ÐµÐ³Ð¾ Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ. 2. ÐÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°ÑÑ Ð¿Ð¾Ð½ÑÑÐ¸Ðµ Â«ÑÐµÐ°Ð»Ð¸ÑÂ», Ð° ÑÐ°ÐºÐ¶Ðµ ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÑÑ ÑÑÑÐµÑÑÐ²ÑÑÑÐ¸Ðµ Ð² Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÐºÐµ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¸ ÑÐµÐ°Ð»Ð¸Ð¹. 3. ÐÐ·ÑÑÐ¸ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÐµÐ°Ð»Ð¸Ð¹ Ñ Ð¾Ð´Ð½Ð¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° Ð´ÑÑÐ³Ð¾Ð¹. 4. ÐÐ»Ð°ÑÑÐ¸ÑÐ¸ÑÐ¸ÑÐ¾Ð²Ð°ÑÑ ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÐµÐ°Ð»Ð¸Ð¸, Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ð½ÑÐµ Ð¸Ð· ÑÑÐµÑ ÑÐµÐ·Ð¾Ð½Ð¾Ð² ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Â«ÐÐ¸ÐºÑÐ¾ÑÐ¸ÑÂ» (2016â2019 Ð³Ð³.). 5. ÐÑÑÐ²Ð¸ÑÑ Ð¸ Ð¾Ð¿Ð¸ÑÐ°ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Â«ÐÐ¸ÐºÑÐ¾ÑÐ¸ÑÂ» Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ Ð¿Ð¾Ð´ Ð¿Ð¾Ð»Ð½ÑÐ¹ Ð´ÑÐ±Ð»ÑÐ¶. ÐÐ°ÑÐµÑÐ¸Ð°Ð»Ð¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿Ð¾ÑÐ»ÑÐ¶Ð¸Ð» Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¸Ð¹ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð» Â«ÐÐ¸ÐºÑÐ¾ÑÐ¸ÑÂ» (2016â2019 Ð³Ð³.) Ð² Ð¾ÑÐ¸Ð³Ð¸Ð½Ð°Ð»ÑÐ½Ð¾Ð¹ Ð¸ Ð´ÑÐ±Ð»Ð¸ÑÐ¾Ð²Ð°Ð½Ð½Ð¾Ð¹ Ð²ÐµÑÑÐ¸ÑÑ (Ð¿ÐµÑÐµÐ²Ð¾Ð´ ÑÑÑÐ´Ð¸Ð¸ Lucky Production), Ð¸Ð· ÐºÐ¾ÑÐ¾ÑÑÑ Ð±ÑÐ»Ð¾ Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ð¾ Ð´Ð»Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° 100 ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹. ÐÑÐ±Ð¾Ñ Ð´Ð°Ð½Ð½Ð¾Ð³Ð¾ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Ð±ÑÐ» Ð¾Ð±ÑÑÐ»Ð¾Ð²Ð»ÐµÐ½ ÑÐµÐ¼, ÑÑÐ¾ Ð² Ð½ÐµÐ¼ Ð¿Ð¾Ð²ÐµÑÑÐ²ÑÐµÑÑÑ Ð¾Ð± Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½Ð¾Ð¼ Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¼ Ð¿ÐµÑÐ¸Ð¾Ð´Ðµ ÐÑÐ¸ÑÐ°Ð½Ð¸Ð¸, Ð¾Ð¿Ð¸ÑÑÐ²Ð°ÐµÑÑÑ Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ°Ñ, ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ°Ñ Ð¸ ÐºÑÐ»ÑÑÑÑÐ½Ð°Ñ Ð¶Ð¸Ð·Ð½Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐµÑÑÐ²Ð° ÑÐ¾Ð³Ð¾ Ð²ÑÐµÐ¼ÐµÐ½Ð¸. Ð ÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿Ð¾Ð¼Ð¾Ð³ÑÑ ÑÐ°ÑÑÐ¸ÑÐ¸ÑÑ Ð¿Ð¾Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ ÑÑÑÐ½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ°Ð»Ð¸Ð¹ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð¾Ð² Ð¿Ð¾Ð´ Ð¿Ð¾Ð»Ð½ÑÐ¹ Ð´ÑÐ±Ð»ÑÐ¶ Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹.
description: The following tasks were accomplished in the course of the research: 1. Study of the theoretical aspects of audiovisual translation (AVT): the concept of AVT, its types and the main approaches to its study. 2.Â  Analysis of the concept of ârealiaâ, as well as considering the existing classifications of realia in linguistics. 3. Study of the ways of interpreting realia from one language to another. 4. Classification of the cultural and historical realia selected from three seasons of the TV series âVictoriaâ (2016-2019). 5. Identification and description of the ways of interpreting cultural and historical realia when dubbing the TV series âVictoriaâ from English into Russian. The primary research subject was the British television series Victoria (2016-2019) in original and dubbed versions (translated by Lucky Production Studio), in which 100 cultural and historical realia were distinguished and analysed. The chosen TV series is set in a specific historical period of Great Britain, thus it describes the political, economic and cultural life of English society at that time. The findings of this study will help to expand understanding regarding the essence of interpreting cultural and historical realities when dubbing historical TV series from English into Russian.