cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
Two Nambu-Goldstone zero modes for rotating Bose-Einstein condensates
Creators: name: Polkinghorne, Rodney E. S.
name: Simula, Tapio P.
Publisher: name: arXiv
Year: 2021
Subjects: subject: Quantum Gases (cond-mat.quant-gas)
subject: FOS: Physical sciences

description: We consider rotating finite size vortex arrays in Bose-Einstein condensates that are confined by cylindrically symmetric external potentials. We show that such systems possess two exact Nambu-Goldstone zero modes associated with two spontaneously broken continuous symmetries of the system. We verify our analytical result via direct numerical diagonalizations of the Bogoliubov-de Gennes equations. We conclude by comparing rotating vortex lattices in superfluids to supersolids and discrete time crystals.
description: 6 pages, 3 figures
Realtime Utopias: Demoscene, Creativity Driven by Limitations
Creators: name: EDMOND, CAMERON
name: BEDNARZ, TOMASZ
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: When observing the role of the digital image in contemporary society, it is easy to become cynical. Advances in computer science that afford image-based discourse are often influenced by nefarious drivers: drone surveillance and facial recognition limit privacy, while AI-driven deepfakes, informed by art and design practice, spread misinformation and often ethically shameful pornography.Although this dystopia of codified images threatens to smother us, communities representing a lighter side of image generation, and the collision of art and science, exist. Rather than serving opposing political masters to their counterparts, however, these communities allude to an almost a-political mode of creative and scientific expression. These communities represent a sort of “digital utopia”. To explore this notion, this paper will examine the Demoscene community.Demoscene emerged from the computing underground of the late 1970s, where “Demosceners” would produce real-time audio-visual productions, aimed at pushing the limitations of coder, artist, and hardware. Demosceners are driven to “achieve the impossible” by pushing machines of the time via creative algorithmic programming, outputting inspiring generative art. Famously, Demosceners create art using machines such as the Commodore 64, Amiga 500/1000, ZX Spectrum, Atari, PC.In effect, Demoscene exists for “pure” reasons, driven by artistic and algorithmic passion. A global phenomenon, Demoscene represents an alternative to the agenda-driven practices of image manipulation, vision and generation. Although a truly non-political space is impossible, exploring Demoscene from this perspective provides a remedy to the Dark Eden we find ourselves in online. After all, it is the impossible that Demoscene seeks to overcome.
Instantaneous Quantum Computation
Creators: name: Shepherd, Dan
name: Bremner, Michael J.
Publisher: name: arXiv
Year: 2008
Subjects: subject: Quantum Physics (quant-ph)
subject: FOS: Physical sciences

description: We examine theoretic architectures and an abstract model for a restricted class of quantum computation, called here instantaneous quantum computation because it allows for essentially no temporal structure within the quantum dynamics. Using the theory of binary matroids, we argue that the paradigm is rich enough to enable sampling from probability distributions that cannot, classically, be sampled from efficiently and accurately. This paradigm also admits simple interactive proof games that may convince a skeptic of the existence of truly quantum effects. Furthermore, these effects can be created using significantly fewer qubits than are required for running Shor's Algorithm.
description: Significantly rewritten for clarity, more explanation added
Postille sulla tradizione manoscritta di Folquet de Marselha
Creators: name: Cura Curà, Giulio
Publisher: name: Università degli Studi di Milano
Year: 2014
Subjects: Folquet de Marselha; Liederblatt; Liederbuch

description: Il contributo esamina le coppie minime di testi presenti nella tradizione manoscritta del trovatore Folquet de Marselha, allo scopo di rintracciare indizî che possano deporre per la non casualità degli abbinamenti. Dall’analisi intrapresa emerge che solo per alcune coppie l’esito della ricerca è positivo e si rinvengono elementi – pertinenti di volta in volta al piano dei contenuti, degli stilemi e della metrica – che paiono indicare un legame frutto di una scelta voluta, verosimilmente di copisti più che d’autore.

The essay examines the smallest pairs of texts that we can find in the manuscript tradition of the troubadour Folquet de Marselha, in order to find out circumstantial evidences that should testify for non fortuity of the examined couples. The undertaken analysis points out that the outcome of the research is positive only for some couples; in this case, we find elements – in contents, style and metric – that seems to suggest a link due to a voluntary choice, probably of copyists more than of the author.
description: Carte romanze, Vol 2, No 1 (2014)
Incorporating characteristics of human creativity into an evolutionary art algorithm
Creators: name: DiPaola, Steve
name: Gabora, Liane
Publisher: name: arXiv
Year: 2010
Subjects: subject: Artificial Intelligence (cs.AI)
subject: Neural and Evolutionary Computing (cs.NE)
subject: Neurons and Cognition (q-bio.NC)
subject: FOS: Computer and information sciences
subject: FOS: Biological sciences

description: A perceived limitation of evolutionary art and design algorithms is that they rely on human intervention; the artist selects the most aesthetically pleasing variants of one generation to produce the next. This paper discusses how computer generated art and design can become more creatively human-like with respect to both process and outcome. As an example of a step in this direction, we present an algorithm that overcomes the above limitation by employing an automatic fitness function. The goal is to evolve abstract portraits of Darwin, using our 2nd generation fitness function which rewards genomes that not just produce a likeness of Darwin but exhibit certain strategies characteristic of human artists. We note that in human creativity, change is less choosing amongst randomly generated variants and more capitalizing on the associative structure of a conceptual network to hone in on a vision. We discuss how to achieve this fluidity algorithmically.
Living Images, Inert Humans: Vitality of the Images Appearing in Chromatophony and a Wave
Creators: name: MASUDA, NOHUBIRO
name: Yokokawa, Juppo
name: Jo, Kazuhiro
name: Matsutani, Yosaku
name: Transdisciplinary Imaging Conference, Dark Eden
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: Since the beginning of this century, several theorists from visual studies as well as the history of art have claimed that the image itself is a living, autonomous organism. For example, W.J.T. Mitchell (2004) argues that the image is a species to biological organisms, of which pictures are a materialized specimen. According to H. Belting (2011), an image that has never been dominated by humans since time immemorial is a living entity that reproduces itself by parasitizing the human body and material media. These points are worth revisiting now, at a time when the Covid-19 pandemic has triggered such affective reactions as fear and panic. The unseen viruses as quasi-living organisms are transmitted universally via material media as if embodying a habit of the image.However, if we could compensate for these claims, it would be owing to its lack of a technological perspective. While acknowledging the significance of rethinking images on an anthropological scale, it must be asked how media technologies, such as digital devices and the Internet, operate in this situation. While many platforms have been successively launched by global corporations, constituting a media ecology that controls our mental and physical activities intensively, are these media the best breeding grounds for images, or their predicament to be threatened with contamination or extinction? To explore the possibility of media art, including the works presented below, serving as touchstones to examine these questions, this paper will attempt to map a theoretical perspective on the “Dark Eden,” reconsidered from the standpoint of the image.
Real-time dynamics of the photoinduced topological state in organic conductor $α$-(BEDT-TTF)$_2$I$_3$ under continuous-wave and pulse excitations
Creators: name: Tanaka, Yasuhiro
name: Mochizuki, Masahito
Publisher: name: arXiv
Year: 2021
Subjects: subject: Strongly Correlated Electrons (cond-mat.str-el)
subject: FOS: Physical sciences

description: We theoretically study the real-time dynamics of the photoinduced topological phase transition to a nonequilibrium Floquet Chern insulator in an organic conductor $α$-(BEDT-TTF)$_2$I$_3$, which was recently predicted using the Floquet theory. By using a tight-binding model of $α$-(BEDT-TTF)$_2$I$_3$ that hosts a pair of tilted Dirac-cone bands at the Fermi level, we solve the time-dependent Schrödinger equation and obtained time evolutions of physical quantities for continuous-wave and pulse excitations with circularly polarized light. We demonstrate that, for the continuous-wave excitations, time profiles of the Chern number and the Hall conductivity show indications of the Floquet topological insulator. We argue that the Hall conductivity exhibits a slow oscillation with its frequency corresponding to a photoinduced direct gap determined by the Floquet band structure. With pulse excitations, transient excitation spectra are obtained, from which we infer the formation of Floquet bands and the gap opening at the Dirac point during the pulse irradiation. This dynamical gap formation is also manifested by the slow oscillation component of the Hall conductivity; that is, its frequency increases with time toward the pulse peak at which it nearly coincides with the photoinduced direct gap. The relevance of the results to experiments is also discussed.
description: 8 pages, 5 figures, to appear in Phys. Rev. B
Heat waves in an electrothermal shock tube
Creators: name: Armstrong, Bruce Allan
Publisher: name: University of British Columbia
Year: 2010

description: The fluid flow in an electrothermal shock tube powered with a constant current was compared to that predicted by a heat wave model and found to be in qualitative agreement. An empirical heating characteristic, obtained experimentally from gas dynamical measurements, was verified with spectroscopic and velocity measurements indicating the flow is also in quantitative agreement with the model. Using a two step current pulse we launched double shock waves in argon with a subsonic heat wave. The interaction of these shock waves agreed very well with theory. Increasing the current in the second step created faster second shock waves until some limiting value of the current was reached, after which a second shock could no longer be produced. Rather, a supersonic heat wave was created which burned through the previously shock-compressed material. The velocities of the second shocks were in reasonable quantitative agreement with predictions of the heat wave theory, indicating again the flow in the shock tube is well described by the model. It was shown that the resulting fluid flow, after all the waves had interacted, did not depend on the history of the power pulse, only on its final magnitude.
Proposal for revealing quantum nonlocality via local contextuality
Creators: name: Cabello, Adan
Publisher: name: arXiv
Year: 2009
Subjects: subject: Quantum Physics (quant-ph)
subject: FOS: Physical sciences

description: Two distant systems can exhibit quantum nonlocality even though the correlations between them admit a local model. This nonlocality can be revealed by testing extra correlations between successive measurements on one of the systems which do not admit a noncontextual model whatever the reduced state of this system is. This shows that quantum contextuality plays a fundamental role in quantum nonlocality, and allows an experimental test of the Kochen-Specker with locality theorem.
description: REVTeX4-1, 4 pages, 1 figure
Machine Learning and the Mediating Tendencies of the Image
Creators: name: Lee, Rosemary
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: Images exist at the interstices between human perceptual experience and its technological mediation. This is especially relevant as the development and implementation of technologies offers new possibilities to produce visualisations from data. In so doing, technological mediation tangibly augments relations between how images are produced, experienced, and interpreted.The present incorporation of machine learning into various forms of visual media offers insight into this issue by enabling images to be produced as the result of the statistical analysis of datasets. Computational relations which are extracted and inferred between features within images help to construct learned representations which are in turn used to generate images. This results in a form of computationally determined representation which is informed by the interpretive processes performed by machines.Existing notions of technically-produced images often prove inadequate for the description of the visual artefacts of machine learning, leaning heavily on historical narratives regarding the technical production of images and even perpetuating inaccuracies. These tend to misconstrue images either as accurate reflections of reality or as the product of artificial perception and genius by virtue of their engagement with technological processes.Through a media archaeological approach, this paper addresses how current notions of image production remain tied to historical ideas which anthropomorphise and which overestimate the role played by machines, while minimising the role played by humans therein. It seeks to clarify the mediating role played by visual technologies and to demonstrate how images produced using machine learning offer new ways of approaching theories of the image.
Opaque Bodies: The Organisation of Small Group Love
Creators: name: MASON, LOUIS
name: Transdisciplinary Imaging Conference, Dark Eden
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: We are currently witnessing the rapid and violent dissolution of a cultural project of Modernity, which was organised in the twentieth century around a particular individuation best expressed in the body of the citizen. In its place is a strange new social and media landscape, in which individually-identifying bodies are free to formulate, organise, and betray chosen alliances - to other bodies, to the state, to fixed ideological constructs, to militant and activist groupings - in real time. The effects of this shift on culture, politics, media production, and collective myth-making have been profound and probably irreversible, and it is around these critically opaque and radically unpredictable bodies that any future societal map, model, or fiction must be constructed.The body of the Modern citizen was organised around, and buttressed by, a set of essentially interior and domestic sureties: privacy, autonomy, social security, health care, and a clear critical vision that facilitated its political sovereignty. By contrast, the ambiguous and betraying bodies that increasingly replace it refuse to engage in projects of universalising clarity, and instead organise into micro-communities based on volatile and changeable interpersonal relationships - communities that privilege a particular image of authenticity in place of criticality, and individual autonomy of identification over responsibility to a humane universalism. They also produce their own anti-critical image cultures, and have manufactured a unique set of relations between image, body, identity, and the logistical organisation of survival in the hostile conditions of global neoliberalism. This paper seeks to catalogue and unpack some of the images, world-building practices, and alliance-forms that characterise these communities of opaque bodies.
Clustering effects on the diffusion of patchy colloids in disordered porous media
Creators: name: Holovko, M. F.
name: Korvatska, M. Ya.
Publisher: name: arXiv
Year: 2021
Subjects: subject: Soft Condensed Matter (cond-mat.soft)
subject: FOS: Physical sciences

description: Enskog theory is extended for the description of the self-diffusion coefficient of patchy colloidal fluid in disordered porous media. The theory includes the contact values of fluid-fluid and fluid-matrix pair distribution functions that are modified to include the dependence from the so-called probe particle porosity, $ϕ$, in order to correctly describe the effects of trapping the fluid particles by a matrix. The proposed expressions for the modified contact values of fluid-fluid and fluid-matrix pair distribution functions include three terms. Namely, a hard sphere contribution obtained by us in the previous work [Holovko M. F., Korvatska M. Ya., Condens. Matter Phys., 2020, 23, 23605], the depletion contribution connected with the cluster-cluster and cluster-matrix repulsion and the intramolecular correlation inside the cluster. It is shown that the last term leads to a remarkable decrease of the self-diffusion coefficient at a low fluid density. With a decreasing matrix porosity, this effect becomes weaker. For intermediate fluid densities, the depletion contribution leads to an increase of the self-diffusion coefficient in comparison with the hard sphere fluid. For a sufficiently dense fluid, the self-diffusion coefficient strongly decreases due to a hard sphere effect. The influence of the cluster size and the type of clusters as well as of the parameters of porous media is investigated and discussed in detail.
description: 10 pages, 4 figures
The Post-traumatic Urbanist
Creators: name: Manley, David
name: Transdisciplinary Imaging Conference, Dark Eden
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: The Post Traumatic Urbanist is a body of work that interrogates architecture’s relationship with trauma and the saturation of media images. The work links Paul Virilio's assertion that technology and in particular the speed and accelerative nature of the image has its own inherent violence, to Roger Luckhurst's thesis on the intersection of trauma and photography. I use the built environment as a conduit to explore these ideas and to develop my thesis that architecture has reasserted its place in our collective conscious as a potential space for violence. On a personal level, The Post Traumatic Urbanist series operates for me as a form of clinical diagnosis and therapy, a decelerative eddy in the torrent of a contemporary media culture.
Certain free products of graph operator algebras
Creators: name: Duncan, Benton L.
Publisher: name: arXiv
Year: 2008
Subjects: subject: Operator Algebras (math.OA)
subject: Functional Analysis (math.FA)
subject: FOS: Mathematics
subject: 46L09; 46L05; 46L55

description: We develop a notion of a generalized Cuntz-Krieger family of projections and partial isometries where the range of the partial isometries need not have trivial intersection. We associate to these generalized Cuntz-Krieger families a directed graph, with a coloring function on the edge set. We call such a directed graph an edge-colored directed graph. We then study the $C^*$-algebras and the non-selfadjoint operator algebras associated to edge-colored directed graphs. These algebras arise as free products of directed graph algebras with amalgamation. We then determine the $C^*$-envelopes for a large class of the non-selfadjoint algebras. Finally, we relate properties of the edge-colored directed graphs to properties of the associated $C^*$-algebra, including simplicity and nuclearity. Using the free product description of these algebras we investigate the $K$-theory of these algebras.
description: 14 pages
Living Images, Inert Humans: Vitality of the Images Appearing in Chromatophony and a Wave
Creators: name: MASUDA, NOHUBIRO
name: Yokokawa, Juppo
name: Jo, Kazuhiro
name: Matsutani, Yosaku
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: Since the beginning of this century, several theorists from visual studies as well as the history of art have claimed that the image itself is a living, autonomous organism. For example, W.J.T. Mitchell (2004) argues that the image is a species to biological organisms, of which pictures are a materialized specimen. According to H. Belting (2011), an image that has never been dominated by humans since time immemorial is a living entity that reproduces itself by parasitizing the human body and material media. These points are worth revisiting now, at a time when the Covid-19 pandemic has triggered such affective reactions as fear and panic. The unseen viruses as quasi-living organisms are transmitted universally via material media as if embodying a habit of the image.However, if we could compensate for these claims, it would be owing to its lack of a technological perspective. While acknowledging the significance of rethinking images on an anthropological scale, it must be asked how media technologies, such as digital devices and the Internet, operate in this situation. While many platforms have been successively launched by global corporations, constituting a media ecology that controls our mental and physical activities intensively, are these media the best breeding grounds for images, or their predicament to be threatened with contamination or extinction? To explore the possibility of media art, including the works presented below, serving as touchstones to examine these questions, this paper will attempt to map a theoretical perspective on the “Dark Eden,” reconsidered from the standpoint of the image.
On resolving the Savage-Dickey paradox
Creators: name: Marin, Jean-Michel
name: Robert, Christian
Publisher: name: arXiv
Year: 2009
Subjects: subject: Statistics Theory (math.ST)
subject: Probability (math.PR)
subject: Computation (stat.CO)
subject: FOS: Mathematics
subject: FOS: Computer and information sciences

description: The Savage-Dickey ratio is known as a specialised representation of the Bayes factor (O'Hagan and Forster, 2004) that allows for a functional plugging approximation of this quantity. We demonstrate here that the Savage-Dickey representation is in fact a generic representation of the Bayes factor that relies on specific measure-theoretic versions of the densities involved in the ratio, instead of a special identity imposing the above constraints on the prior distributions. We completely clarify the measure-theoretic foundations of the representation as well as the generalisation of Verdinelli and Wasserman (1995) and propose a comparison of this new approximation with their version, as well as with bridge sampling and Chib's approaches.
description: Accepted version of the paper to appear in the Electronic Journal of Statistics, 9 pages, one figure
Wie viel Energie ist genug?
Creators: name: Best, Benjamin
Publisher: name: Zenodo
Year: 2023

description: Vortrag im Rahmen vom DGB Seminar „Die Grenzen des Wachstums sind erreicht! Wirtschaften in den ökologischen Grenzen, aber wie?" (Leiter:innen: Elisabeth Zschache, Sven-David Pfau)

https://www.dgb-bildungswerk.de/seminar/18133250

 

Gefördert vom Bundesministerium für Bildung und Forschung (BMBF) im Rahmen des Projekts "EnSu - Energieversorgung in Energiewende und Gesellschaft" (https://energysufficiency.de/) im Rahmen der Strategie "Forschung für Nachhaltigkeit" (FONA) (http://www.fona.de/en) im Förderschwerpunkt Sozial-ökologische Forschung, Förderkennzeichen [01UU2004B]. Die Verantwortung für den Inhalt dieser Veröffentlichung liegt bei den Autor:innen.
Reliability, Sufficiency, and the Decomposition of Proper Scores
Creators: name: Bröcker, Jochen
Publisher: name: arXiv
Year: 2008
Subjects: subject: Atmospheric and Oceanic Physics (physics.ao-ph)
subject: Data Analysis, Statistics and Probability (physics.data-an)
subject: FOS: Physical sciences

description: Scoring rules are an important tool for evaluating the performance of probabilistic forecasting schemes. In the binary case, scoring rules (which are strictly proper) allow for a decomposition into terms related to the resolution and to the reliability of the forecast. This fact is particularly well known for the Brier Score. In this paper, this result is extended to forecasts for finite--valued targets. Both resolution and reliability are shown to have a positive effect on the score. It is demonstrated that resolution and reliability are directly related to forecast attributes which are desirable on grounds independent of the notion of scores. This finding can be considered an epistemological justification of measuring forecast quality by proper scores. A link is provided to the original work of DeGroot et al (1982), extending their concepts of sufficiency and refinement. The relation to the conjectured sharpness principle of Gneiting et al (2005a) is elucidated.
description: v1: 9 pages; submitted to International Journal of Forecasting v2: 12 pages; Significant change of contents; stronger focus on decomposition; Extensive comments on and extensions of earlier work, in particular sufficiency
Dark Monuments: the Protest Narratives of Krzysztof Wodiczko, Janet Cardiff, and Michael Candy
Creators: name: Hill, Peter
name: Transdisciplinary Imaging Conference, Dark Eden
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: This paper will examine how two artists, Krzysztof Wodiczko (Polish/Canadian), and Michael Candy (South African/Australian) working exactly thirty years apart (1986 and 2016) used the current technologies of the day to activate and politicise public monuments in Venice and Paris. It will show how technological developments - SatNav, web-streaming, and jet travel (all of which display dark auras under certain readings) enable Candy to expand the possibilities opened up by early pioneers such as Wodiczko (and to an extent fellow Canadian Janet Cardiff who will also be referenced). Wodiczko’s use of triple 35mm slide projectors to cast a skin of light over some of Venice’s major monuments (referencing both terrorism and tourism) find a dark soul mate in Candy’s Digital Empathy Device which he attached to the Goddess of Liberty Statue at the site of the Bataclan memorial in 2016, at the Place de la Republique, in Paris. A bomb explodes in Syria and the statue starts to weep. This paper will be constructed through interviews, made by the presenter, with Candy, Cardiff, and Wodiczko, between 1986 and 2019. It will argue that New Ideas will find New Hosts, as technologies and communications systems evolve. In the work of all three artists (Candy, Cardiff, and Wodiczko) elements of city planning to enable military marching between monuments; psychogeography; and "adventurism" are present. The work of all three artists is also situated between David Hume's Enlightenment philosophies and the counter-response to these as seen in the 2016 Edinburgh Art Festival exhibition The Scottish Endarkenment (curators Bill Hare and Professor Andrew Patrizio).
STADS
Creators: IT-Universitetet
Publisher: name: Rigsarkivet
Year: 2022

description: STADS anvendes til langt de fleste facetter af almindelig studieadministration: Optagelse (herunder kommunikation med Den Koordinerede Tilmelding) og indskrivning af studerende Administration og kontrol af studieforløb Til- og afmelding til eksamen Planlægning af undervisning og eksamen Resultatregistrering i forbindelse med undervisning og eksamen Registrering af merit Bevisudskrivning. Indberetning til Undervisningsministeriet og Danmarks Statistik Statistik STADS har endvidere et selvbetjeningsmodul (STADS Selvbetjening), der gør det muligt for de studerende via internettet at tilmelde sig undervisning og eksamen, lave karakterudskrifter osv.
«Cantar de Mio Cid», vv. 1-99. Prove di una nuova edizione
Creators: name: D'Agostino, Alfonso
Publisher: name: Università degli Studi di Milano
Year: 2014
Subjects: Cantar de Mio Cid; testo interpretativo; interpretative text; ricostruzione critica; critical reconstruction

description: In vista di una nuova edizione del Cantar de Mio Cid, l’autore propone uno specimen dei primi 99 versi dell’opera, pubblicati in una doppia edizione sinottica: un testo interpretativo e una ricostruzione critica. Il primo è fedele al manoscritto unico, limitandosi a correggere le sviste del copista; la seconda si basa sulla teoria metrica già illustrata dall’autore in altri saggi, ma fa appello anche alla tradizione indiretta, all’usus scribendi, alla conformatio textus e alla logica interna del racconto. Il testo è corredato da note filologiche.

As part of his work on a new edition of Cantar de mio Cid, the author presents a sample of the first 99 verses of the poem in a twofold synoptic version, with an interpretative text and a critical reconstruction. The first is true to the single manuscript and only corrects the copyist’s mistakes. The latter is based on the metric theory that was explained by the author in other essays, enriched by the resort to indirect tradition, usus scribendi, conformatio textus and the plot’s inner logic. The text is accompanied by philological notes.
description: Carte romanze, Vol 2, No 1 (2014)
Twin Spectres OR An Unintended Doubling
Creators: name: PAINE, KATIE
name: Transdisciplinary Imaging Conference, Dark Eden
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: I wish to propose a fictocritical text that imagines the spectral afterlife of the destroyed or discarded sign and its capacity to destabilise. The text considers the period after the fall of the Roman Empire thought to have birthed the ‘Dark Ages’. Troops departed the city of Londinium– excavations suggest a rapid exodus of inhabitants. Over time a city known as Lundenwic was developed outside of Londinium’s ruined Roman walls. The old city remained abandoned. This place for the living had become a spectre of itself; the imperialist ‘Eden’ whose conception signified the Empire’s project of civilisation was swallowed back into obscurity. Locals forgot the city’s history: stories abounded that it was built by giants or inhabited with ghouls. People resided beside this forgotten place in an ongoing act of unconscious haunting.The text explores how misunderstood signs discarded by the Empire birthed monstrous narratives within subsequent communities. As this material disseminates it becomes dislocated from its original source–adopting whole new interpretations or carrying with it the burden of thousands of simultaneous meanings. The ghost of a person might be separated from the world of the living and yet their very existence is manifest because they cannot let go of the past. An image or text, bereft of its original referent, might be imagined as a ghost. The text discusses 'the spectral sign' which sits against linear time, it is not beholden to the same earthly conditions as others and subsequently can subvert the laws of knowledge.
Additional file 1 of Notch signaling is activated in knee-innervating dorsal root ganglia in experimental models of osteoarthritis joint pain
Creators: name: Wang, Lai
name: Ishihara, Shingo
name: Li, Jun
name: Miller, Rachel E.
name: Malfait, Anne-Marie
Publisher: name: figshare
Year: 2023
Subjects: subject: Biophysics
subject: Biochemistry
subject: Cell Biology
subject: Molecular Biology
subject: Neuroscience
subject: Physiology
subject: FOS: Biological sciences
subject: Pharmacology
subject: Immunology
subject: FOS: Clinical medicine
subject: Developmental Biology

description: Additional file 1: Supp. Tab. 1. List of PCR primers and RNAscope probes used in the qRT-PCR and RISH. Supp. Fig. 1. Protein levels of CCL2 in DRG tissue lysates 6 and 24 h after IA injection of LPS or vehicle (N =4 or 5 mice per group). CCL2 levels are presented as CCL2 protein normalized to total protein (pg CCL2/mg total protein). Supp. Fig. 2. Identification of DRG neurons using phase contrast micrographs and DAPI staining, compared to the method using a neuronal marker PGP9.5 IF staining. Sections were stained overnight at 4°C with an antibody against PGP9.5 (Sigma-Aldrich Cat# SAB4503057, RRID:AB_10761291; 1:200), followed by an Alexa Fluor 488-conjugated secondary antibody (Invitrogen, 1:1000) for 1 h at room temperature. Scale bars, 50 µm. Supp. Fig. 3. DRG scRNAseq analysis reveals some Notch pathway genes are specifically or predominantly expressed in nociceptors in DRG. (A) Dot plots showing expression of Notch receptor genes (Notch1-4) and ligand genes (Jag1,2, Dll1,3,4, Dlk1). Dll3 is specifically expressed in nociceptors. (B) Dot plots showing expression of Notch transcriptional binding complex genes (Rbpj, Maml3), target genes (Hes1, Hey1) and γ-secretase complex component genes (Ncstn, Aph1a, Psen1,2, Psenen) expressed in DRG cells. Rbpj, Maml3, Hey1, Ncstn, Aph1a, Psen1 and Psen2 are predominantly expressed in nociceptors. SCHW, Schwann cells; SATG, satellite glial cells; VLMC-like, vascular leptomeningeal like cells; VEC, vascular endothelial cells; VSMCA, vascular smooth muscle cells arterial; NOCI, nociceptors; LDN, large diameter neurons; IMM, immune cells. (C-J) Quantitative RT-PCR analysis of these nociceptor-predominantly expressed gene expression in DRG harvested from mice 26 weeks after DMM or sham surgery (N =3 mice per group). Gene expression was presented as 2-ΔCT(Gene of interest – Gapdh). Each dot represents one mouse. Supp. Fig. 4. Notch signaling genes (JAG1, NOTCH1, RBPJ, and HES1) in human DRG. Raw data of TPM (transcripts per million) were obtained from comparative transcriptome profile analysis of L2 lumbar DRG of human donors [34, 35]. Gene expression was compared between donors without pain and those with neuropathic pain using unpaired 2-tailed Student's t-test. Totally 15 males (4 “no pain” and 11 “pain”) and 12 females (4 “no pain” and 8 “pain”) were analyzed.
Time to reach the maximum for a random acceleration process
Creators: name: Majumdar, Satya N.
name: Rosso, Alberto
name: Zoia, Andrea
Publisher: name: arXiv
Year: 2010
Subjects: subject: Statistical Mechanics (cond-mat.stat-mech)
subject: FOS: Physical sciences

description: We study the random acceleration model, which is perhaps one of the simplest, yet nontrivial, non-Markov stochastic processes, and is key to many applications. For this non-Markov process, we present exact analytical results for the probability density $p(t_m|T)$ of the time $t_m$ at which the process reaches its maximum, within a fixed time interval $[0,T]$. We study two different boundary conditions, which correspond to the process representing respectively (i) the integral of a Brownian bridge and (ii) the integral of a free Brownian motion. Our analytical results are also verified by numerical simulations.
description: 17 pages, 5 figures Typo in Eq. (B.11) corrected
Opaque Bodies: The Organisation of Small Group Love
Creators: name: MASON, LOUIS
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: We are currently witnessing the rapid and violent dissolution of a cultural project of Modernity, which was organised in the twentieth century around a particular individuation best expressed in the body of the citizen. In its place is a strange new social and media landscape, in which individually-identifying bodies are free to formulate, organise, and betray chosen alliances - to other bodies, to the state, to fixed ideological constructs, to militant and activist groupings - in real time. The effects of this shift on culture, politics, media production, and collective myth-making have been profound and probably irreversible, and it is around these critically opaque and radically unpredictable bodies that any future societal map, model, or fiction must be constructed.The body of the Modern citizen was organised around, and buttressed by, a set of essentially interior and domestic sureties: privacy, autonomy, social security, health care, and a clear critical vision that facilitated its political sovereignty. By contrast, the ambiguous and betraying bodies that increasingly replace it refuse to engage in projects of universalising clarity, and instead organise into micro-communities based on volatile and changeable interpersonal relationships - communities that privilege a particular image of authenticity in place of criticality, and individual autonomy of identification over responsibility to a humane universalism. They also produce their own anti-critical image cultures, and have manufactured a unique set of relations between image, body, identity, and the logistical organisation of survival in the hostile conditions of global neoliberalism. This paper seeks to catalogue and unpack some of the images, world-building practices, and alliance-forms that characterise these communities of opaque bodies.
En "randmoræne" i Odsherred gennemgravet; dokumentation og nytolkning
Creators: Ib Marcussen &Troels V. Østergaard
Publisher: name: Rigsarkivet
Year: 2022

description: Formålet med studiet er at nyfortolke og dokumentere en randmoræne ved Odsherred. Undersøgelsen er foretaget ved at tage billeder af udgravningernes profiler. Derudover indeholder studiet tegninger af disse profiler. Tegninger beskriver i detalje de fund, man har gjort ved udgravningerne. Det er blandt andet en beskrivelse aflejringen i profilerne og en beskrivelse af de forskellige sedimenter.
Dark Monuments: the Protest Narratives of Krzysztof Wodiczko, Janet Cardiff, and Michael Candy
Creators: name: Hill, Peter
Publisher: name: figshare
Year: 2021
Subjects: subject: 190104 Visual Cultures
subject: FOS: Arts (arts, history of arts, performing arts, music)

description: This paper will examine how two artists, Krzysztof Wodiczko (Polish/Canadian), and Michael Candy (South African/Australian) working exactly thirty years apart (1986 and 2016) used the current technologies of the day to activate and politicise public monuments in Venice and Paris. It will show how technological developments - SatNav, web-streaming, and jet travel (all of which display dark auras under certain readings) enable Candy to expand the possibilities opened up by early pioneers such as Wodiczko (and to an extent fellow Canadian Janet Cardiff who will also be referenced). Wodiczko’s use of triple 35mm slide projectors to cast a skin of light over some of Venice’s major monuments (referencing both terrorism and tourism) find a dark soul mate in Candy’s Digital Empathy Device which he attached to the Goddess of Liberty Statue at the site of the Bataclan memorial in 2016, at the Place de la Republique, in Paris. A bomb explodes in Syria and the statue starts to weep. This paper will be constructed through interviews, made by the presenter, with Candy, Cardiff, and Wodiczko, between 1986 and 2019. It will argue that New Ideas will find New Hosts, as technologies and communications systems evolve. In the work of all three artists (Candy, Cardiff, and Wodiczko) elements of city planning to enable military marching between monuments; psychogeography; and "adventurism" are present. The work of all three artists is also situated between David Hume's Enlightenment philosophies and the counter-response to these as seen in the 2016 Edinburgh Art Festival exhibition The Scottish Endarkenment (curators Bill Hare and Professor Andrew Patrizio).
Disk ray theory in transversely isotropic media
Creators: name: Yedlin, Mathew Jacob
Publisher: name: University of British Columbia
Year: 2010

description: The first motion approximation has been used to calculate synthetic seisnograms in transversely isotropic, linear, elastic media. To achieve this end the equations of motion have been solved in a geometrical optics regime. Formally, this has been accomplished by the use of asymptotic propagator matrices. This formalism is important, since the phase of the JWKB reflection coefficient can be easily calculated by consideration of the radiation condition. Calculation of this reflection coefficient has shown that the turning point behaviour is identical to that obtained for an isotropic medium. The similarity of the turning point behaviour is a direct consequence of the physical result that at a turning point the phase and group velocities are in the same direction. To understand the results of the first motion approximation applied to a simple upper mantle model, it is first necessary to understand the basic physics of transversely isotropic media. This has been achieved by examination of the dispersion relation arising from Newton*s Laws for an elastic solid. From the dispersion relation, it has been demonstrated how the Green's Function can be constructed using elementary projective geometry. Subsequently, the nature of the Green's Function has been analyzed. The analysis of the Green's Function (wave surface) is important because it facilitates comprehension of any dynamical results. The synthetic seismograms were calculated using ray parameter versus distance curves. These curves were obtained by integration of the ray equations derived form the dispersion relations. A Gaussian-Kantorovich method was utilized to perform the required integration. This hybrid integration technique proved to be extremely fast and accurate. When the resulting p-delta curve was used to calculate the synthetic seismogram, the main effect of the anisotropic model considered was a kinematic one - the main arrivals were earlier than those for an isotropic model.
DUKH-system
Creators: Den Uvildige Konsulentordning på Handicapområdet
Publisher: name: Rigsarkivet
Year: 2022

description: Systemet er udviklet specielt til støtte for DUKHs særlige opgaver og er tæt sammenvævet med de arbejdsgange og faglige rutiner DUKH benytter sig af.
Systemets formål er flere.
1)	Hjælpeværktøj i intern visitering af henvendelser.
2)	Registrering af henvendelser, DUKHs rådgivning og statistiske data i forhold til retssikkerhed.
3)	Registrering af sager og dokumenter i rådgivningssager.
4)	Registrering af sager og dokumenter i administrative sager.
5)	Statistisk udtræk
Tidsregistering af medarbejdernes tidsanvendelse
Screening of ion-ion correlations in electrolyte solutions adsorbed in charged disordered matrices: Application of replica Ornstein-Zernike equations
Creators: name: Mlakar, T.
name: Hribar-Lee, B.
Publisher: name: arXiv
Year: 2021
Subjects: subject: Soft Condensed Matter (cond-mat.soft)
subject: FOS: Physical sciences

description: The replica Ornstein-Zernike equations for an electrolyte adsorbed in a charged, disordered matrix were applied to a model, where both subsystems consisted of points carrying a single (positive or negative) charge. While the system as a whole was electroneutral, each of the subsytems had a net charge. The results of this study are compared with the ones previously obtained, where the interactions in such a system were considered to be the same as in the case of electroneutral subsystems.
description: 8 pages, 2 figures
Projective reduction of the discrete Painlevé system of type $(A_2+A_1)^{(1)}$
Creators: name: Kajiwara, Kenji
name: Nakazono, Nobutaka
name: Tsuda, Teruhisa
Publisher: name: arXiv
Year: 2009
Subjects: subject: Exactly Solvable and Integrable Systems (nlin.SI)
subject: FOS: Physical sciences

description: We consider the q-Painlevé III equation arising from the birational representation of the affine Weyl group of type $(A_2 + A_1)^{(1)}$. We study the reduction of the q-Painlevé III equation to the q-Painlevé II equation from the viewpoint of affine Weyl group symmetry. In particular, the mechanism of apparent inconsistency between the hypergeometric solutions to both equations is clarified by using factorization of difference operators and the $τ$ functions.
description: 27 pages, 10 figures
Universal renormalization procedure for higher curvature gravities in D$\leq$5
Creators: name: Araya, Ignacio J.
name: Edelstein, Jose D.
name: Sanchez, Alberto Rivadulla
name: Rodriguez, David Vazquez
name: Lopez, Alejandro Vilar
Publisher: name: arXiv
Year: 2021
Subjects: subject: High Energy Physics - Theory (hep-th)
subject: General Relativity and Quantum Cosmology (gr-qc)
subject: FOS: Physical sciences

description: We implement a universal method for renormalizing AdS gravity actions applicable to arbitrary higher curvature theories in up to five dimensions. The renormalization procedure considers the extrinsic counterterm for Einstein-AdS gravity given by the Kounterterms scheme, but with a theory-dependent coupling constant that is fixed by the requirement of renormalization for the vacuum solution. This method is shown to work for a generic higher curvature gravity with arbitrary couplings except for a zero measure subset, which includes well-known examples where the asymptotic behavior is modified and the AdS vacua are degenerate, such as Chern-Simons gravity in 5D, Conformal Gravity in 4D and New Massive Gravity in 3D. In order to show the universality of the scheme, we perform a decomposition of the equations of motion into their normal and tangential components with respect to the Poincare coordinate and study the Fefferman-Graham expansion of the metric. We verify the cancellation of divergences of the on-shell action and the well-posedness of the variational principle.
description: 33 pages, minor amendments and references added
Bosted System
Creators: Assens Kommune
Assens Misbrugscenter
Poul Mose Parken
Botilbud Bryggervangen
Asabo-Pilebakken
Botilbud Skovvangen
Psykiatricenter Vestervangen
Botilbud Nyholmgården
Bostedet Stærevænget
Bostøtte Team Vestervangen
Lindebjerg
Værkstedet Pilevej
Center for Senhjerneskade
Fyns Amt
Publisher: name: Rigsarkivet
Year: 2022

description: Assens Kommune har brugt Bosted systemet fra den 1. august 2003 til den 1. marts 2018.
Systemet har været brugt af vores 12 bosteder. Bostederne arbejder med voksne fysisk- psykiskhandicappede, sindslidende, misbrugere af stoffer og alkohol og voksne senhjerneskadede.
Bostederne har arbejdet inden for servicelovens § 85, 101, 102, 103, 104, 105, 107, 108 samt Sundhedslovens § 141 og 142.
Observation of vortex formation in an oscillating trapped Bose-Einstein condensate
Creators: name: Henn, E. A. L.
name: Seman, J. A.
name: Ramos, E. R. F.
name: Caracanhas, M.
name: Castilho, P.
name: Olimpio, E. P.
name: Roati, G.
name: Magalhães, D. V.
name: Magalhães, K. M. F.
name: Bagnato, V. S.
Publisher: name: arXiv
Year: 2008
Subjects: subject: Other Condensed Matter (cond-mat.other)
subject: Mesoscale and Nanoscale Physics (cond-mat.mes-hall)
subject: FOS: Physical sciences

description: We report on the observation of vortex formation in a Bose-Einstein condensate of Rb-87 atoms. Vortices are generated by superimposing an oscillating excitation to the trapping potential introduced by an external magnetic field. For small amplitudes of the external excitation field we observe a bending of the cloud axis. Increasing the amplitude we observe formation of a growing number of vortices in the sample. Shot-to-shot variations in both vortex number and position within the condensed cloud are observed, probably due to the intrinsic vortex nucleation dynamics. We discuss the possible formation of vortices and anti-vortices in the sample as well as possible mechanisms for vortex nucleation.
description: 1 figure added, text modified, accepted for publication Phys. Rev. A