title: Ð¤Ð¸Ð·Ð¸ÐºÐ¾-Ñ Ð¸Ð¼Ð¸ÑÐµÑÐºÐ¾Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ñ ÑÐµÐ»ÑÑ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ ÑÐ°Ð»ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¸ ÑÐ¸Ð½ÐºÐ¾Ð²ÑÑ Ð±ÐµÐ»Ð¸Ð», Ð¿ÑÐ¸Ð¼ÐµÐ½ÑÐ²ÑÐ¸Ñ ÑÑ Ð´Ð»Ñ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ ÐºÐ°ÑÑÐ¸Ð½Ñ ÑÑÑÑÐºÐ¾Ð³Ð¾ Ð°Ð²Ð°Ð½Ð³Ð°ÑÐ´Ð° Ð¥Ð¥-Ð³Ð¾ Ð²ÐµÐºÐ°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° ÑÐ¿ÐµÑÐ¸Ð°Ð»Ð¸ÑÑÐ°
titleType: Subtitle
title: Physicochemical research in order to identify the falsification of zinc white used to create a picture of the Russian avant-garde of the 20th century
Creators: name: Ð¤Ð¸ÐºÑ, Ð®Ð»Ð¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2021
Subjects: Ð¦Ð¸Ð½Ðº, Ð¾ÐºÐ¸ÑÑ
ÑÑÐ´ÐµÐ±Ð½Ð°Ñ ÑÐºÑÐ¿ÐµÑÑÐ¸Ð·Ð°
Ð¸Ð½Ð¶ÐµÐ½ÐµÑÐ½Ð¾-ÑÐµÑ Ð½Ð¸ÑÐµÑÐºÐ°Ñ ÑÐºÑÐ¿ÐµÑÑÐ¸Ð·Ð°
ÑÐ¸Ð·Ð¸ÐºÐ¾-Ñ Ð¸Ð¼Ð¸ÑÐµÑÐºÐ¸Ðµ Ð¼ÐµÑÐ¾Ð´Ñ
ÑÑÐ´ÐµÐ±Ð½Ð¾-ÑÐµÑ Ð½Ð¸ÑÐµÑÐºÐ°Ñ ÑÐºÑÐ¿ÐµÑÑÐ¸Ð·Ð° Ð¿ÑÐµÐ´Ð¼ÐµÑÐ¾Ð² Ð¸ÑÐºÑÑÑÑÐ²
Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸
Ð¿Ð¾Ð´Ð´ÐµÐ»ÐºÐ°
Ð¸Ð½Ð½Ð¾Ð²Ð°ÑÐ¸Ð¸
forensic expertise
engineering and technical expertise
physico-chemical methods
forensic-technical expertise of art objects
painting works
forgery
innovation

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description: Topic of final qualifying work: Â«Physicochemical study of zinc white used to create paintings of the Russian Avant-garde of the XX century, in order to identify falsificationsÂ». The subject of the study is forensic technical examinations in the field of pictorial art, as well as the identification of general and particular features of some components of pictorial paints to establish the authenticity of works of art. The purpose of the study is to determine the features of the use by experts of physicochemical methods for studying paintings of the Russian avant-garde of the 20th century in order to identify falsifications. The work discloses the basic concepts, methodology and normative legal acts regulating activities in the field of forensic technical examination of art objects. Physicochemical research methods and their use in the detection of counterfeit paintings are analyzed. The conclusion was made about the methodological possibility of attribution of paintings of the Russian avant-garde of the twentieth century based on the data of Raman spectroscopy and gas chromatography-mass spectrometry in the framework of the forensic technical examination of art objects.