cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
S7_AnalogueDigital Media_Physical_ConditionReport.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
Food Body Place
Creators: name: Bleumortier, Peter
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Painting
Drawing
Queer theory

description: My work aims to question how historic tropes shape the way personal identity is formed in relation to sexuality, specifically in relation to masculinity and queerness. By using the symbols which are representative of my cultural background, I aim to find ways in which the inherent sexuality in these symbols can be brought forward – a queering of the iconography I am surrounded by. A Butlerian understanding of sexuality tells us that gender is on a spectrum – the polarities of masculine and feminine are archetypes that no one actually inhabits and are perpetuated by the media. Through art making I aim to break down these archetypes of gender and sexuality that are enforced in subtle and nuanced ways. This essay investigates ways in which form and line can corrode the propaganda that is enforced by western media concerning gender archetypes. In my current artistic practice I have chosen to mostly focus on my childhood upbringing as a model to express how gender is enforced through the iconography I am surrounded by. I grew up in a factory town, a town where everyone’s lives revolved around working for one company: McCain Foods. I have chosen to use this company to represent my childhood experience but also to reflect on the history of the place I came from. Munoz’s ideas of disidentification and Ahmed’s theorizing of disorientation are tools that have allowed me to explore personal cultural iconography rooted in the local of the Maritimes, which can be exclusive. Through contortion of form and by emphasizing sexual connotations I create a queering of the local industries of my own family history. Food has given me a vessel for commentary on my personal experience concerning sexuality, and I look forward to creating new works that deal with these themes.
description: In support of the fulfillment of Low residency Master of Applied Arts degree in Visual Arts.
description: Iconography
The CN isotopic ratios in comets
Creators: name: Manfroid, J.
name: Jehin, E.
name: Hutsemékers, D.
name: Cochran, A.
name: Zucconi, J. -M.
name: Arpigny, C.
name: Schulz, R.
name: Stüwe, J. A.
name: Ilyin, I.
Publisher: name: arXiv
Year: 2009
Subjects: subject: Earth and Planetary Astrophysics (astro-ph.EP)
subject: FOS: Physical sciences

description: Our aim is to determine the isotopic ratios {$^{12}$C/$^{13}$C}{} and {$^{14}$N/$^{15}$N}{} in a variety of comets and link these measurements to the formation and evolution of the solar system. The {$^{12}$C/$^{13}$C}{} and {$^{14}$N/$^{15}$N}{} isotopic ratios are measured {for} the CN radical by means of high-resolution optical spectra of the R branch of the B-X (0,0) violet band. {23 comets from different dynamical classes} have been observed, sometimes at various heliocentric {and nucleocentric} distances, in order to estimate possible variations of the isotopic ratios in parent molecules. The {$^{12}$C/$^{13}$C}{} and {$^{14}$N/$^{15}$N}{} isotopic ratios in CN are remarkably constant (average values of, respectively, $91.0\pm3.6$ and $147.8\pm5.7$) within our measurement errors, for all comets whatever their origin or heliocentric distance. While the carbon isotopic ratio does agree with the terrestrial value (89), the nitrogen ratio is a factor of two lower than the terrestrial value (272), indicating a fractionation in the early solar system, or in the protosolar nebula, common to all the comets of our sample. This points towards a common origin of the comets independently of their birthplaces, and a relationship between HCN and CN.
description: 54 pages
John Clare and the poetic process
Creators: name: Howard, William James
Publisher: name: University of British Columbia
Year: 2011

description: This study is an attempt to interpret and correlate Clare's several statements in prose and verse about his art. It is also an attempt to discover the impact of the resulting theory on the individual poems, and on the body of his work as a whole. The theory itself is examined in detail, and reveals Clare's view that the poet's mind is uniquely endowed with functioning powers which he calls taste and genius. They combine to enable the poet "to look on nature with a poetic eye," and thereby alter his initial perception. This alteration produces metaphors which, when recorded in words, become poetry. But it is also governed in better poets by an artistic integrity which confines the poet to recording only those metaphors which have a basis in his natural environment. In this way the mind intensifies the beauty of nature, but remains directly based on nature for its images. In practice Clare often used the mental experience of this process of metaphorization to provide structure for his individual poems. The best of these poems describe the progress of the mind from its initial response to an object in nature, to a state of mental excitement during which the object is transformed into a metaphor, and finally to an impulse toward recording these images. In these works, too, the metaphors used are those which arise from the poetic process described in the poem. Unlike his early work, in which he imposed conventional metaphors on his perceptions, his mature works gain an added element of unity from his creation of metaphors out of material provided by the experience itself. On a larger scale he utilizes certain major metaphors to provide a scheme to which the individual poems can be related. Thus the poems in praise of childhood and those of disillusionment at his waning appreciation of nature can be related to each other by the encompassing pattern of the Eden— wasteland metaphor. Similarly, many of the songs, as well as "The Nightmare" and "Child Harold," are interrelated by their participating in the major metaphor of Mary Joyce. Thus Clare is seen speculating theoretically about the nature of art, experimenting with poetic form, and developing consistent major metaphors which give his work a distinct unity.
title: ภาวะผู้นำการเปลี่ยนแปลงและกลยุทธ์ในการบริหารของนายพินิจ จารุสมบัติ : วิเคราะห์ผ่านบริบทความสัมพันธ์ระหว่างไทยและสาธารณรัฐประชาธิปไตยประชาชนลาว
Creators: name: พันลคร สีบุนเรือง
Publisher: name: สาขารัฐประศาสนศาสตร์ คณะศิลปศาสตร์ มหาวิทยาลัยกาฬสินธุ์
publisherIdentifierScheme: ROR
Year: 2019
Subjects: ภาวะผู้นำการเปลี่ยนแปลง
กลยุทธ์ในการบริหาร
พินิจ จารุสมบัติ

description: วารสารการบริหารปกครอง, 8, 1, 203-227
S8_DigitalFile_ConditionReport.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
title: Carbon Dioxide Hydrogenation
Creators: name: Kleiber, Sascha
name: Loder, Astrid
name: Siebenhofer, Matthäus
name: Lux, Susanne
Publisher: name: TU Wien
Year: 2020
Subjects: carbon dioxide
CO2
Hydrogenation
methane
Methanol

description: The ecological impact of carbon dioxide (CO2) in the atmosphere necessitates a reduction of CO2 emissions and demands utilization strategies. Hydrogenation processes may contribute to reduction of CO2 emissions, and furthermore can be used in energy storage. The possible hydrogenation processes methanation and methanol (CH3OH) synthesis are investigated. Due to thermodynamic stability of CO2 large scale hydrogenation needs robust catalysts with sufficient activity at moderate reaction conditions, which are easy to prepare, easy to recycle, and stable for long term usage. Exemplarily, Ni doped MgO catalysts offer great performance in methanation and can easily be recycled in basic-oxygen-furnaces in either steel or copper industry.
Analysis of tau -> Ks pion nu_tau Belle data in a chiral framework
Creators: name: Portoles, J.
Publisher: name: arXiv
Year: 2008
Subjects: subject: High Energy Physics - Phenomenology (hep-ph)
subject: FOS: Physical sciences

description: The recent measurement of the tau -> Ks pion nu_tau spectrum by the Belle Collaboration provides the frame to set forth a theoretical description of the decay, which is based on the contributing vector F_+(s) and scalar F_0(s) form factors. We show that a good representation of data is obtained through the use of form factors calculated within resonance chiral theory and constrained by dispersion relations and short-distance QCD. Hence we obtain a determination of K*(892) parameters and the low-energy parameterization of F_+(s).
description: 4 pages, 2 figures
Black Hole Theatre
Creators: name: Kelly, Ross
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Photography
Memory
Black holes (Astronomy)

description: This supporting thesis outlines a series of photographic works that attempt to map out and explore the physical surfaces of photographs and the spaces of interaction that open up when we encounter an image at the photograph’s surface. Many of the works draw heavily on the analogy of a black hole as a phenomenon which pulls in information from the world around it and forever preserves and conceals that information. Other works examine the kind of encounters we have within this space of interaction, using the physical photograph as an object to express self-reflectively and theatrically some of the ways in which photography functions. The works are discussed speculatively in terms of their relationship to modernism, minimalism, concrete photography and the theatre, citing relevant works from other artists where appropriate.
description: In support of the fulfillment of Low residency Master of Applied Arts degree.
description: Surface
description: Rubbing
description: Printing
description: Casting
description: Impression
description: Recording
description: Photo-based
Community Structure in Time-Dependent, Multiscale, and Multiplex Networks
Creators: name: Mucha, Peter J.
name: Richardson, Thomas
name: Macon, Kevin
name: Porter, Mason A.
name: Onnela, Jukka-Pekka
Publisher: name: arXiv
Year: 2009
Subjects: subject: Data Analysis, Statistics and Probability (physics.data-an)
subject: Physics and Society (physics.soc-ph)
subject: FOS: Physical sciences

description: Network science is an interdisciplinary endeavor, with methods and applications drawn from across the natural, social, and information sciences. A prominent problem in network science is the algorithmic detection of tightly-connected groups of nodes known as communities. We developed a generalized framework of network quality functions that allowed us to study the community structure of arbitrary multislice networks, which are combinations of individual networks coupled through links that connect each node in one network slice to itself in other slices. This framework allows one to study community structure in a very general setting encompassing networks that evolve over time, have multiple types of links (multiplexity), and have multiple scales.
description: 31 pages, 3 figures, 1 table. Includes main text and supporting material. This is the accepted version of the manuscript (the definitive version appeared in Science), with typographical corrections included here
Additional file 2 of The biometric parameters of aniso-astigmatism and its risk factor in Chinese preschool children: the Nanjing eye study
Creators: name: Tong, Haohai
name: Hao, Qingfeng
name: Wang, Zijin
name: Wang, Yue
name: Li, Rui
name: Zhao, Xiaoyan
name: Sun, Qigang
name: Zhang, Xiaohan
name: Chen, Xuejuan
name: Zhu, Hui
name: Huang, Dan
name: Liu, Hu
Publisher: name: figshare
Year: 2021
Subjects: subject: Medicine
subject: Cell Biology
subject: Biotechnology
subject: Biological Sciences not elsewhere classified
subject: Mathematical Sciences not elsewhere classified
subject: Cancer
subject: Science Policy
subject: Infectious Diseases
subject: FOS: Health sciences
subject: Computational Biology

description: Additional file 2: Table S2. Distribution of Risk Factors in Children With vs. Without Vectorial Aniso-Corneal Astigmatism.
Adiabatic entanglement in two-atom cavity QED
Creators: name: Lazarou, C.
name: Garraway, B. M.
Publisher: name: arXiv
Year: 2008
Subjects: subject: Quantum Physics (quant-ph)
subject: FOS: Physical sciences

description: We analyse the problem of a single mode field interacting with a pair of two level atoms. The atoms enter and exit the cavity at different times. Instead of using constant coupling, we use time dependent couplings which represent the spatial dependence of the mode. Although the system evolution is adiabatic for most of the time, a previously unstudied energy crossing plays a key role in the system dynamics when the atoms have a time delay. We show that conditional atom-cavity entanglement can be generated, while for large photon numbers the entangled system has a behaviour which can be mapped onto the single atom Jaynes-Cummings model. Exploring the main features of this system we propose simple and fairly robust methods for entangling atoms independently of the cavity, for quantum state mapping, and for implementing SWAP and C-NOT gates with atomic qubits.
description: 15 pages, 7 figures
Les primitifs et l'oeuvre de Joris-Karl Huysmans
Creators: name: Maingon, Charles
Publisher: name: University of British Columbia
Year: 2011

description: The interest Joris-Karl Huysmans showed for the Flemish, German and Italian Primitives played a large role in his works and life. His own Flemish origins coupled with the artistic and literary trends of his day contributed to his interest for the art of the XVth and XVIth centuries. His style was admirably suited for describing and commenting the paintings and sculptures of the end of the Middle Ages and early Renaissance. A forerunner of Symbolism, he found himself at the crossroads of Impressionism and Expressionism. His influence on the writers and painters of the late XlXth and early XXth centuries cannot be denied. A worthy successor to Baudelaire, he showed how closely Art and Literature were related.
title: Linking Adhesion Force to Area in Molecular Contact measured by FRET spectroscopy
Creators: name: Simoes, Monica
name: Urstöger, Georg
name: Schennach, Robert
name: Hirn, Ulrich
Publisher: name: TU Wien
Year: 2020
Subjects: adhesion force
FRET methods
fluorescence dyes
area in molecular contact

description: Adhesion depends on the area in molecular contact (AMC). Though, is extremely difficult to measure AMC, mostly because areas that appear to be in full contact, show no AMC, when observed at higher magnification. Here, we show how AMC can be measured using Förster resonance energy transfer (FRET) spectroscopy, a technique capable of measuring the nanometric distance between interactive surfaces. FRET uses the non-radiative energy transferred between fluorescence molecules (donor and acceptor) to study their exact molecular distance. If the molecules are close enough to each other (molecular contact), a FRET signal can be detected. Through a FRET signal, it is possible to calculate the energy transfer efficiency which indicates the degree of molecular contact between the surfaces. For the experiments, poly(2-Hydroxyethyl methacrylate) thin films labelled with the fluorescence molecules, 7-(diethylamino)coumarin-3-carbohydrazide (donor) and fluorescein-5-thiosemicarbazide (acceptor), were produced at the same dye(s) molar concentration and bonded using different pressure loads. Our results reveal that AMC increases with the pressure applied in the bonded thin films, resulting in higher FRET signal and adhesion force.  Hence, in this work, we implement an experimental measuring method for AMC and validate the relationship between AMC (measured with FRET spectroscopy) and adhesion (force energy) within polymeric thin films.
S9_Equipment_ConditionReport.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
Quantum interference effects in electron transport through nitrobenzene with pyridil anchor groups
Creators: name: Stadler, Robert
Publisher: name: arXiv
Year: 2008
Subjects: subject: Materials Science (cond-mat.mtrl-sci)
subject: Mesoscale and Nanoscale Physics (cond-mat.mes-hall)
subject: FOS: Physical sciences

description: We present density functional theory (DFT) based non-equilibrium Green's function (NEGF) calculations for the conductance through a nitrobenzene molecule, which is anchored by pyridil-groups to Au electrodes. This work is building up on earlier theoretical studies where quantum interference effects (QIE) have been identified both in qualitative tight binding and in DFT descriptions for the same molecule with different chemical connections to the leads. The novelty in the current contribution is two-fold: i) The pyridil-anchors guarantee for the conductance to be determined by rather narrow peaks situated closely to the Fermi energy which is relevant because it might maximize the impact of quantum interferences on the I/V behaviour. In a scan of eight different junction setups, where the connection sites of aromatic rings, their torsion angle with respect to each other and the surface structure have been varied, QIE was found to dominate the conductance for only one planar geometry. For finite torsion angles between aromatic rings the effect moves to higher energies and would therefore only be accessible for experimental observation in a gated junction. ii) A detailed comparison between simple topological models and DFT results for the investigated systems aims at assessing the usefulness of such models as analysis tools for a better understanding of the physics of QIE and its structure dependence.
Beyond Personal Documentary
Creators: name: Spivak, Rafael
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Documentary films

description: The personal documentary and the biographical film, at their very best, reflect both a desire to discover and need to reveal, discover that which is already forgotten and reveal how the personal story is implicated in social realities and historic processes. When a documentary does not embody a passion to discover a forgotten truth it simply become a chronology and cannot be referred to as personal, and when it fails to suggest how the personal is emblematic of some larger social or political phenomenon it becomes a form of pornography of the self. The successful personal documentary is thus inherently a form of investigation, an inquiry into the self or the nearby, and frequently into the past, tackling directly the problem of memory and time, and so the films often take on the structure of the fragmented nature of the broken down recollections that are its materials. In my research for the past three years, I’ve been working towards finding a new form for my work, one that would enable me to keep creating film-based art which in its essence can still be referred to as both personal and documentary, but would step beyond linear storytelling, beyond non-linear storytelling to a place where moving images and sounds create an actual new space in the gallery, a space with no beginning or end, a magical space that feels familiar and strange at the same time. My films will often tackle themes of exile, immigration and otherness, and use an idiosyncratic approach to history, by telling my own subjective unofficial history of a particular time. In her book, Experimental Ethnography, Katherine Russell Identifies four distinct, subjective voices of the filmmaker: as the speaker (narrator), as the seer (the person holding the camera), as the seen (the person on camera), and as the editor (277). It is this last editorial voice of the writer of temporal structures, the collagist, that is most central to my films and is one of the primary concerns of this dissertation.
description: In support of the fulfillment of Low residency Master of Applied Arts degree.
description: Documentary
description: Film
description: Personal
Wodzicki Residue for Operators on Manifolds with Cylindrical Ends
Creators: name: Battisti, U.
name: Coriasco, S.
Publisher: name: arXiv
Year: 2010
Subjects: subject: Functional Analysis (math.FA)
subject: FOS: Mathematics
subject: 58J40 (Primary) 58J42, 47A10, 47G30, 47L15 (Secondary)

description: We define the Wodzicki Residue TR(A) for A in a space of operators with double order (m_1,m_2). Such operators are globally defined initially on R^n and then, more generally, on a class of non-compact manifolds, namely, the manifolds with cylindrical ends. The definition is based on the analysis of the associate zeta function. Using this approach, under suitable ellipticity assumptions, we also compute a two terms leading part of the Weyl formula for a positive selfadjoint operator belonging the mentioned class in the case m_1=m_2.
description: 24 pages, picture changed, added references, corrected typos
The Stories Ghosts Tell
Creators: name: Craig, Kemi
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Biopolitics
Art and motion pictures
Race identity

description: In order to justify continual violence, inequitable distributions of power as well as hierarchical states of being, a carving of bodies has been perpetrated. Bodily constructions and delineations of human, nature, gender, race, sexuality, class and the notion of identity itself have confined ‘Beings’ as materials and resources to be extracted and destroyed. In the North American context of being marked Black female, I want to understand how I can survive and transcend these forces that operate internally and externally. The method through which my investigation takes shape borrows from Afrofuturism. Afrofuturism imagines a space where the African Diaspora is a thriving, empowered, regenerating positionality in parallel with other peoples. Within its discourses there are two streams which I take up in my art practice that I believe make this future possible. The first is my graduate thesis installation, which was heavily influenced by hauntology, a concept which recognizes that we are always haunted by the past; and the other, my interim and directed study installations which were informed by biopolitical theory, a body of work which unpacks what it means to be human alongside social constructions of power. Blending past and contemporary filmic devices and materials to investigate contingencies of identity, my intention is to speak from my own peculiarities to point to larger systems in operation. Avery Gordon writes that, “... haunting, unlike trauma by contrast, is distinctive for producing a something-to-be-done.” Through analogue and digital film installations, I trouble notions of ‘past’; and through materials and process, I articulate traumas of blackness and gender as well as demonstrate that these constructions are not fixed, but instead fluid and in constant states of forming and reforming in relation to environmental factors such as era, location, power and control. Afrofuturism calls for a joining of critical and utopian discourses embedded in Afrodiasporic experiences. I act to reframe the past and present narratives to imagine utopias, mapped but not inhibited by race and gender. My aim is not to erase difference, simply to dismantle oppressions legitimized through social constructs that systemically award inferiority or superiority.
description: In support of the fulfillment of Low residency Master of Applied Arts degree in Media Arts.
description: Analogue film
description: Afrofuturism
description: Hauntology
description: Blackness
title: Evaluation of Transient Voltage Behaviour During Load Changes in Automotive PEM Fuel Cells
Creators: name: Marius, Bernhard
name: Hacker, Viktor
Publisher: name: TU Wien
Year: 2020
Subjects: polymer electrolyte fuel cell
segmented cell
voltage response
transient behaviour
automotive application

description: Polymer electrolyte fuel cells reach high efficiency and zero emissions even under highly dynamic loads. Power fluctuations, sudden load changes, start up and shut down procedures cause locally very high as well as very low voltages. These undesired voltage levels accelerate the degradation of the cells in terms of carbon corrosion, platinum oxidation and membrane decomposition. Experiments with single cells are capable to indicate, which conditions are most harmful to the cell. The voltage response during load steps shows characteristic under- and overshoots. The amount of these over- and undershoots are directly correlated to the amount of the extend of the load change. The shape and the relaxation time of the voltage curve are dependent on the operation conditions of the cell in terms of humidity, pressure and stoichiometry.
Rollback
Creators: name: Havens, Justin
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Indigenous knowledge
Art, Modern
Plastics as art material
Five Nations
Weaving

description: This thesis and accompanying projects utilize and experiment with Indigenous methods for education and art making framed by the theory of self-conscious traditionalism. My studio work uses the strategies and techniques of contemporary art making as a process for reconnecting and reclaiming Indigenous practice for the purposed of presenting within cultural spaces. The Haudenosaunee (Iroquois Confederacy) have a centuries-old way of intercultural communication called wampum that stands at the intersection of oral and written communication. Conventional wampum are shell beads woven into belts or strings also called wampum, which use mnemonic design to stand in place of written documents. In my practice I abstract theories associated with wampum tradition and extrapolate their uses to a contemporary art platform for presentation and dissemination of works to my audience. In this paper, I document my creative process and trace the methodologies that inform my practice, referencing art mediums and signifiers rooted in traditional practices of production. I use found and reclaimed elements from commercial consumerist landscapes as raw materials which after processing result in a product I label Rollback Rawhide. By working in this way the finished projects become expressions of ancestral heritage through design, form and the process of production. Like wampum belts the retelling/presentation of the works attempt to operate in context-specific encounters aiming to deliver specific information to the viewer. Whether it is in the gallery, classroom, public space or a cultural gathering the projects attempt to operate as communicators and even educators facilitating the kind of experiences that I believe are necessary moving forward.
description: In support of the fulfillment of Low residency Master of Applied Arts degree.
description: Weaving
description: Indigeneity
description: Wampum
description: Haudenosaunee
description: Plastics
description: Repurposed
description: Indigenous ways of knowing
description: Regalia
S10_InwardLoan_TBAProforma.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
Electron spin relaxation in paramagnetic Ga(Mn)As quantum wells
Creators: name: Jiang, J. H.
name: Zhou, Y.
name: Korn, T.
name: Schüller, C.
name: Wu, M. W.
Publisher: name: arXiv
Year: 2009
Subjects: subject: Materials Science (cond-mat.mtrl-sci)
subject: FOS: Physical sciences

description: Electron spin relaxation in paramagnetic Ga(Mn)As quantum wells is studied via the fully microscopic kinetic spin Bloch equation approach where all the scatterings, such as the electron-impurity, electron-phonon, electron-electron Coulomb, electron-hole Coulomb, electron-hole exchange (the Bir-Aronov-Pikus mechanism) and the $s$-$d$ exchange scatterings, are explicitly included. The Elliot-Yafet mechanism is also incorporated. From this approach, we study the spin relaxation in both $n$-type and $p$-type Ga(Mn)As quantum wells. For $n$-type Ga(Mn)As quantum wells where most Mn ions take the interstitial positions, we find that the spin relaxation is always dominated by the DP mechanism in metallic region. Interestingly, the Mn concentration dependence of the spin relaxation time is nonmonotonic and exhibits a peak. This behavior is because that the momentum scattering and the inhomogeneous broadening have different density dependences in the non-degenerate and degenerate regimes. For $p$-type Ga(Mn)As quantum wells, we find that Mn concentration dependence of the spin relaxation time is also nonmonotonic and shows a peak. Differently, this behavior is because that the $s$-$d$ exchange scattering (or the Bir-Aronov-Pikus) mechanism dominates the spin relaxation in the high Mn concentration regime at low (or high) temperature, whereas the DP mechanism determines the spin relaxation in the low Mn concentration regime. The Elliot-Yafet mechanism also contributes the spin relaxation at intermediate temperature. The spin relaxation time due to the DP mechanism increases with Mn concentration due to motional narrowing, whereas those due to the spin-flip mechanisms decrease with Mn concentration, which thus leads to the formation of the peak.... (The remaining is omitted due to the space limit)
description: 12 pages, 8 figures, Phys. Rev. B 79, 2009, in press
title: Statistical Modeling of the Coating Uniformity in a Wurster Coating Process
Creators: name: Madlmeir, Stefan
name: Radl, Stefan
Publisher: name: TU Wien
Year: 2020
Subjects: Pharmaceutical coating
Wurster coating process
FD-DEM
tatistical modeling
oating uniformity

description: Modeling pharmaceutical coating processes involves considering many complex phenomena. Detailed models fail to cover the whole coating duration due to the large computational expense, while the input parameters for statistical models are usually difficult to obtain. In the present work a statistical model was derived from detailed numerical simulations of a Wurster coater. The model provides the possibility to evaluate the impact of the inlet air flow rate, spray rate, coating level and solid mass fraction in the spray solution on the coating uniformity over the full process duration. It was found that the coating uniformity scales with the inverse square root of the number of cycles, which the particles undergo during the coating process. Based on the model, a strategy for the systematic optimization of the process parameters is presented.
title: ปัจจัยที่มีอิทธิพลต่อประสิทธิผลตามยุทธศาสตร์ การมีส่วนร่วมของประชาชนและเครือข่าย การปฏิบัติงานของตำรวจในเขตพื้นที่ตำรวจภูธรภาค 4
Creators: name: พลกฤต  กิติเงิน
Publisher: name: สาขารัฐประศาสนศาสตร์ คณะศิลปศาสตร์ มหาวิทยาลัยกาฬสินธุ์
publisherIdentifierScheme: ROR
Year: 2019
Subjects: ประสิทธิผล
ยุทธศาสตร์การมีส่วนร่วม
เครือข่ายการปฏิบัติงานของตำรวจ

description: วารสารการบริหารปกครอง, 8, 1, 228-249
Bose-Hubbard phase diagram with arbitrary integer filling
Creators: name: Teichmann, Niklas
name: Hinrichs, Dennis
name: Holthaus, Martin
name: Eckardt, Andre
Publisher: name: arXiv
Year: 2008
Subjects: subject: Other Condensed Matter (cond-mat.other)
subject: FOS: Physical sciences

description: We study the transition from a Mott insulator to a superfluid in both the two- and the three-dimensional Bose-Hubbard model at zero temperature, employing the method of the effective potential. Converting Kato's perturbation series into an algorithm capable of reaching high orders, we obtain accurate critical parameters for any integer filling factor. Our technique allows us to monitor both the approach to the mean-field limit by considering spatial dimensionalities $d > 3$, and to the quantum rotor limit of high filling, which refers to an array of Josephson junctions.
description: 4 pages, 4 figures
Supplementary document for Internal nanocavity based high-resolution and stable structural colours fabricated by laser printing - 5058498.pdf
Creators: name: Wang, Lei
name: Ma, Lijun
name: Zhao, Qiuling
name: Wang, Shu
name: Wang, Xiaofeng
name: Zhang, Chen
name: Wang, Xia
name: Liu, Qian
Publisher: name: Optica Publishing Group
Year: 2021
Subjects: Uncategorized

description: Revised supplemental information
S11_InwardLoan_ConditionReport.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
Sound and Vision
Creators: name: Rao, John
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Electronic surveillance
Noise
Soundscapes (Music)
Light art
Privacy

description: This thesis outlines the processes, methodology, and research for my practice which is based on sound and light. This paper unpacks the process and development of two major works, Binary Ghost Planet (2015) and Lines of Light Receding (2016). These two pieces emerged from my research into the subjects of online privacy breeches and surveillance. Our online activities are assembled into a profile which is used by corporate and governmental bodies. The result of my research in these areas developed a central focus on two questions: what is the sound of online surveillance? What does the world of this profile sound like? The installations were meant to create immersive phenomenological experiences for the viewer that evoke a sense of time and place inspired by a virtual world. As such, the evolving production process of these works has been essential in creating these experiences. Challenging the viewer and their own perception are key to the outcome of this practice.
description: In support of the fulfillment of Low residency Master of Applied Arts degree.
Exciton scattering model of carrier multiplication in semiconductor nanocrystals
Creators: name: Piryatinski, Andrei
name: Velizhanin, Kirill A.
Publisher: name: arXiv
Year: 2009
Subjects: subject: Mesoscale and Nanoscale Physics (cond-mat.mes-hall)
subject: FOS: Physical sciences

description: The effect of carrier multiplication (CM) in semiconductor nanocrystals is systematically treated by employing an exciton scattering approach. Using projection operators, we reduce the Coulomb coupled multi-exciton dynamics to scattering dynamics in the space spanning both single- and bi-exciton states. We derive a closed set of equations determining the scattering matrix elements. This allows us to interpret CM dynamics as a series of odd-order interband scattering events. Using the time-dependent density matrix formalism, we provide a rigorous description of the CM dynamics induced by a finite-time pump pulse. Within this approach, both processes of single- and bi-exciton photogeneration and the consequent population relaxation are treated on the same footing. This approach provides a framework for numerical calculations and for comparisons of the quantum efficiencies associated with each process. For applications, the limit of weak interband Coulomb coupling is considered. Finally, we demonstrate that three previously used theoretical models can be recovered as limiting cases of our exciton scattering model.
description: 20 pages, 8 figures, Revised version, Accepted for publication in the Journal of Chemical Physics
Cores of Cooperative Games in Information Theory
Creators: name: Madiman, Mokshay
Publisher: name: arXiv
Year: 2009
Subjects: subject: Information Theory (cs.IT)
subject: Computer Science and Game Theory (cs.GT)
subject: FOS: Computer and information sciences

description: Cores of cooperative games are ubiquitous in information theory, and arise most frequently in the characterization of fundamental limits in various scenarios involving multiple users. Examples include classical settings in network information theory such as Slepian-Wolf source coding and multiple access channels, classical settings in statistics such as robust hypothesis testing, and new settings at the intersection of networking and statistics such as distributed estimation problems for sensor networks. Cooperative game theory allows one to understand aspects of all of these problems from a fresh and unifying perspective that treats users as players in a game, sometimes leading to new insights. At the heart of these analyses are fundamental dualities that have been long studied in the context of cooperative games; for information theoretic purposes, these are dualities between information inequalities on the one hand and properties of rate, capacity or other resource allocation regions on the other.
description: 12 pages, published at http://www.hindawi.com/GetArticle.aspx?doi=10.1155/2008/318704 in EURASIP Journal on Wireless Communications and Networking, Special Issue on "Theory and Applications in Multiuser/Multiterminal Communications", April 2008
The Leather Diaries and the Rise and Fall of Rocket Queen
Creators: name: Tysowski, Erin
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Heavy metal
Fetishism

description: In the midst of doing my Master’s degree, I created an alternate persona for myself. She belongs to a tribe of edgy women, and explores various aspects of self in relation to past and present narratives of fandom. Fandom is a subculture of fans that share a common interest, in this case heavy metal. Since 2014, I’ve framed my alternate identity in the art world. For this paper and my art and graduate work she is Rocket Queen [ET]. Her desire to relive becoming Youth Gone Wild is a desperate attempt to escape the inevitable: mortality. Rocket Queen and Rocket Queen [ET] - my persona name - is a fantasy character acting in a type of large social drama or my own rock drama where we can witness the rise and fall of rebellious women. Rocket Queen [ET] takes her adventures through a series of art making in the form of rock posters stapled up around the city of Calgary, Alberta as interventions, installations using concert lights and leather reconfigured to appear in the tradition of objects/wall paintings. My aim is to understand and disrupt gender expectations and to signify homologous and heterogeneous characteristics, while aestheticizing and fetishizing the coded material of heavy metal culture. Leather remains a powerful masculine signifier in heavy metal and is prominent in my artwork. It carries with it a history of objectification and sex along with other meanings and histories. In my thesis project I explore the predominately male subculture as “other” and from the perspective of a female, a fan, someone engaging the genre not in London but in the Canadian prairies, and as an artist. My media comprise paintings, mock paintings, drawings, sculptures, photographs, theatrical lights, paper posters, civic interventions and gallery installations. I am identifying with this subculture and its feelings of empowerment and freedom, while simultaneously being isolated from its core as a player.
description: Rocket Queen
description: Leather
description: In support of the fulfillment of Low residency Master of Applied Arts degree.
Finding Water: The Machine of Awesome Bright Liquid Blueness
Creators: name: McLeod, Christopher
Publisher: name: Emily Carr University of Art and Design
Year: 2016
Subjects: Social practice (Art)
Sculpture
Interactive art
Performance

description: The Machine of Awesome Bright Liquid Blueness project investigates the ideas of convenience, fashion and entertainment as they relate to a specific community’s choice around drinking water. A hybrid of participatory and dialogical art practices incorporating an interactive sculpture along with the artist performing direct community outreach is the foundation of what the artist refers to as a performance sculpture. A performance sculpture utilizes an interactive sculptural apparatus as an activation or focusing point within a larger community engagement project. The process of directly recruiting, consulting, and collaborating with community partners is a key part of a performance sculpture. Projects work to combine both art product and process in order to facilitate a public through emblematic, supportive, and participatory means. Guided by a migration of educational methods and socially engaged art practices, a performance sculpture is multimodal in its strategy. Its projects operate with five root concerns: examining how art and a communal experience actually operate in everyday life; speaking a language that everyday people can understand; existing in a public space; instigating a collective action; and creating ubiquity and embracing popular methods of cultural production. The level and amount of these concerns will vary from project to project and audience to audience.
description: In support of the fulfillment of low residency Master of Applied Arts degree.
S12_loantourCR.pdf
Creators: name: Sherring, Asti
name: Barnott-Clement, Rebecca
Publisher: name: figshare
Year: 2021
Subjects: subject: 210202 Heritage and Cultural Conservation
subject: FOS: Media and communications

description: The Art Gallery of New South Wales (AGNSW) has been engaged in a collaborative and interdepartmental approach to the development and implementation of time-based art (TBA) collection management over the last six years. During this time the TBA conservation department has overseen, contributed to and composed documentation formats, such as questionnaires, artwork Pro Forma, iteration and iteration history reports, touring and artwork loan guides and analogue/digital media condition reports to support the conservation of non-traditional and changeable artworks from the Gallery’s collection. This paper provides practical TBA resources developed by the Art Gallery of New South Wales with the goal to support staff at other institutions and organisations working with TBA collections. The purpose, formation, practical application and value of the resources are discussed in the paper, along with sample templates provided as supplemental materials, for further use by museum professionals who manage and care for TBA works.
Non-minimally coupled canonical, phantom and quintom models of holographic dark energy
Creators: name: Setare, M. R.
name: Saridakis, E. N.
Publisher: name: arXiv
Year: 2008
Subjects: subject: High Energy Physics - Theory (hep-th)
subject: Astrophysics (astro-ph)
subject: FOS: Physical sciences

description: We investigate canonical, phantom and quintom models, with the various fields being non-minimally coupled to gravity, in the framework of holographic dark energy. We classify them and we discuss their cosmological implications. In particular, we examine the present value of the dark energy equation-of-state parameter and the crossing through the phantom divide, and we extract the conditions for a future cosmological singularity. The combined scenarios are in agreement with observations and reveal interesting cosmological behaviors.
description: 9 pages, 5 figures, version published in Phys. Lett. B