ANTROPOLOGIE DEI DIRITTI UMANI. PERCORSI AFRICANI.
Creators: name: CAPPELLETTI, RICCARDO
Publisher: name: Universit� degli Studi di Milano
Year: 2011

description: The Human Rights topic is increasing its relevance in the field of legal studies and in the agenda of inter/transnational actors. The Sociology of Law is deeply engaged in this dialogue, but some of its contributions seem to share a common lack of concern about the dimensions of cultural legitimacy and politics of imagination. Refusing the ?simplistic? vision of �legal transplants�, the approach in term of regionalization and the genealogical theories (i.e. the so called generations of human rights), the thesis aims to outline a multidisciplinary frame, trying to merge the anthropological and the socio-legal knowledge to shed light on the �anthropologies of human rights�. The use of the plural suggests several orders of realities: firstly, it reflects the high fragmentation which characterizes the epistemological and methodological debate of contemporary anthropology, as a disciplinary field. An ?internal? multiplication of points of view which becomes even more striking in its interactions whit the HR subject and its own kind of internal dissemination. Secondly (and consequently), it enlightens that the ?pluralisation? of human rights discourse could be better understood as a proliferation of world-visions and axiologies. In this second meaning, the summoned �anthropologies� have to be intended in term of theories on human beings, on social reality and social order, shaped by cultural assumptions, taken-for-granted and (shared) symbolical repertoires. Deeply merged within every manifestation of the �humanitarian transnational narration�, these world-versions need to be studied as sources of influence and inspiration for legal claims, texts and declarations that build the corpus of international humanitarian law. Lastly, this plurality which stems from the relationship between the macro-narrative of the International Bill of Human Rights and its situated appropriations points out the potentiality of a cultural analysis of the social life of (human) rights in avoiding the dichotomist models (universalism versus relativism, global versus local and so on) in favor of a representation in term of narrative encounters between different conceptions of human dignity, human beings, normative orders and social realities. 
To grasp this mutual and multilayered overlapping, the first part of the thesis builds an analytical framework destined to be applied, in the second part, to the specific context of the �African system of human rights�. This choice was dictated by the peculiarities which seem to distinguish it from others regional systems: amongst these features, the African Charter on Human and Peoples? Rights deserves a special place, considered its aspects of relevant innovation and creativity as well its signs of criticism and its lack of real efficacy. 
In the first chapter we start from the general liaison between Law and Culture, looking for a �relational paradigm� which rejects determinist or reductionist presentations of this organic link. Adopting a pluralist point of view (centered on the idea of �normative pluralism� preferred to the classical one in term of �legal pluralism�), we borrow some insights from early anthropological researches on �primitive law� and on the co-existence of plural normative orders in colonial settings. 
The second chapter deals with the concept of �legal culture�, trying to discuss a cardinal notion of sociology of law that often pretend to exhaustively grasp the complexity of law/culture nexus. We explore the richness and the pitfalls of influent theorizations about this topic, sorting out three dimensions which seem to require a deeper engagement: the power, the (construction of the) collective identities and the pluralism. In strict dialogue with the studies on �legal consciousness� and �legal socialization�, we move towards a textual description of culture.
The third chapter sketches a theory of culture in term of cognitive and normative interface between men and the meaningful world they try to create (and to live in). Borrowing from Clifford Geertz the fundamental ideas about the �social traffic of meanings�, the textual dimension of cultures and the law as a way of world-making ? or better, of imaging the reality ?, we keep developing our model in a more comprehensive perspective which dismisses the ?literary? constraints entrenched in the idea of �text�. 
The forth chapter deals with some assumptions of the so-called �narrative paradigm�, trying to ?dissolve? the persisting rigidities of the textual frame into a larger and (more) universal human ability: the narrative competence. We examine the coalescence between narrative attitude and normative attitude, stressing the similarities and the constitutive power of both of them. Starting from narration as a meta-model for the social construction of reality, we move towards the specificities of �legal narration� as expression of the legal construction of social reality. This narrative standpoint can be synthesized as follow: the human skill to produce, to understand and to manipulate tales (and other sources of narrative production) is the key that ensures the transmission and the socializations of cultural meanings, representations and symbols. Trough the narrativization of culture it becomes easier to conceive the narrativization of legal cultures as shared, contested, polyphonic repertories of legal and social ideas.
In the fifth chapter we start applying our theoretical framework to the human rights topic. We begin with a preliminary set of issues regrouped under the label of �spatial problematic�. It underlines the paradox of the Universalist project, with its claims of cultural independence and planetary applicability on the one hand, and the need of cultural resonance and local relevance on the other. We explore critical contributions about the �globalization talk�, which stress some traps of this overriding way of representing social and socio-legal phenomena in the contemporary world. Aiming to reject monodimensional explanations, we merge the �rhetoric of flaws� with the sensibility for �friction events� generated by and trough the encounters between transnational narratives and specific local (and cultural) settings. The concept of �vernacularization� helps us to conceive these interactions/intersections between global flows and punctual frictions. 
The sixth chapter introduces the main elements of the African context, starting from a sketched portrait of what we define its �radical normative pluralism�. In order to cope with the complex reality of the African human rights system, we outline a historical (and political) description of the events that preceded the creation of the Organization for the African Unity, the institutional body which had the main responsibility in the consolidation of the system itself. We also examine various ?legal? precedents (the so-called Lagos Law, the Universal Declaration of the Rights of Peoples and so on) which influenced the elaboration of the African Charter with their moral and political authority.
Whit the seventh chapter we finally land the heart of our topic: the narrative analysis of the African Charter of Human and Peoples? Rights. After a quick identification of the focal features of the document, we approach the meaningful core of the Charter: the organic/holistic relationship between individual human rights and collective dimension of peoples? (human) rights. We split our investigation in two different but related paths: the individual/people pole and the rights/duties pole, assuming they are two dissimilar strategies to arrange this underlying ?cohabitation?. We also draw to several pronunciations of the African Commission of human and peoples? rights exploring the potential meanings of people and peoples? rights to clarify the official/institutional position on the subject. Anthropological and sociological studies on the ongoing modifications of collective frames of reference (the family, the ethnic group and other strategies of kinship allegiance) in contemporary Africa are employed to complete our inquiry.
In the eighth chapter we (temporary) leave the African Charter in favor of other documents and protocols produced by the African system, strictly related to the �culture variable�: the Pan-African Cultural Manifesto, the Cultural Charter for Africa and the Charter for African Cultural Renaissance. After that, we approach three other texts more engaged on the promotion and protection of human rights for specific categories of people: the African Charter on the rights and welfare of the child, the Protocol to the African Charter on human and peoples? rights on the rights of women in Africa and the African Youth Charter. Our aim is to show how cultural assumptions about the subjects concerned shape or influence the normative prescriptions designed to protect them. 
The ninth chapter, finally, outlines a general evaluation of our analytical model trough the exploration of its weakness and its points of strength. It shows the hermeneutical advantages provided by the �gius-narrative� key, which enabled us to trace and emphasize the links between myths and foundational narratives of social groups and theirs normative constructions. It also stresses the need for a cultural study of social life of human rights, to (try to) grasp the many faces that the struggle for human rights is showing in its continuous spread around the world.