title: ÐÐµÐ½ÑÐºÐ¸Ð¹ Ð¾Ð±ÑÐ°Ð· Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ Ð¸ ÑÑÑÑÐºÐ¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ XIX Ð²ÐµÐºÐ°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: The Image of a Female in Chinese and Russian painting of the XIX century
Creators: name: ÐÑÐ´ÑÑÑÐ¾Ð²Ð°, ÐÐºÐ°ÑÐµÑÐ¸Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð¶ÐµÐ½ÑÐºÐ¸Ð¹ Ð¾Ð±ÑÐ°Ð·
ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ°Ñ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑ
XIX Ð²ÐµÐº
ÑÑÑÑÐºÐ°Ñ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑ
Ð¸Ð´ÐµÐ°Ð»
female image
traditional chinese painting
XIX century
russian painting
ideal

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ ÑÐµÐ¿ÑÐµÐ·ÐµÐ½ÑÐ°ÑÐ¸Ð¸ Ð¶ÐµÐ½ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð° Ð² ÑÑÑÑÐºÐ¾Ð¹ Ð¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ XIX Ð²ÐµÐºÐ°. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1.ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¶ÐµÐ½ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð° XIX Ð²ÐµÐºÐ° Ð² ÑÑÑÑÐºÐ¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ Ð¸ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ ÐµÐ³Ð¾ Ñ Ð¾Ð±ÑÐ°Ð·Ð¾Ð¼ XVIII Ð²ÐµÐºÐ°. 2.ÐÐ¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¾Ð½Ð½ÑÑ ÑÑÐ°Ð½Ð´Ð°ÑÑÐ¾Ð² ÐºÑÐ°ÑÐ¾ÑÑ Ð½Ð° Ð¸Ð·Ð¾Ð±ÑÐ°Ð¶ÐµÐ½Ð¸Ðµ Ð¶ÐµÐ½ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð° ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ XIX Ð²ÐµÐºÐ°. 3.Ð¡ÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ Ð¶ÐµÐ½ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð° ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ Ð¸ ÑÑÑÑÐºÐ¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ XIX Ð²ÐµÐºÐ°, Ð¾Ð±ÑÑÑÐ½ÐµÐ½Ð¸Ðµ ÑÑÐ¾Ð´ÑÑÐ² Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ð¹ Ð² Ð¸Ñ Ð¸Ð½ÑÐµÑÐ¿ÑÐµÑÐ°ÑÐ¸ÑÑ. ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ, Ð²Ð²Ð¸Ð´Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÑ Ð¼ÐµÑÐ¾Ð´Ð¾Ð², Ð¸Ð¼ÐµÐµÑ ÐºÐ¾Ð¼Ð¿Ð»ÐµÐºÑÐ½ÑÐ¹ ÑÐ°ÑÐ°ÐºÑÐµÑ. ÐÑÐ»Ð¸ Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ñ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð½ÑÐµ Ð¿Ð¾Ð´ÑÐ¾Ð´Ñ Ð´Ð»Ñ ÑÐ°ÑÐºÑÑÑÐ¸Ñ Ð¿Ð¾ÑÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾Ð¹ ÑÐµÐ»Ð¸. Ð¡Ð¸ÑÑÐµÐ¼Ð½ÑÐ¹ Ð¼ÐµÑÐ¾Ð´ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð»ÑÑ Ð´Ð»Ñ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ ÑÐµÐ»Ð¾ÑÑÐ½Ð¾ÑÑÐ¸ ÑÑÑÑÐºÐ¾Ð¹ Ð¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ ÐºÐ°Ðº ÑÐ½Ð¸ÐºÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ ÑÐ¾ÑÐ¸Ð¾ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ ÑÐ²Ð»ÐµÐ½Ð¸Ñ, Ð¸ Ð¸Ñ Ð²Ð·Ð°Ð¸Ð¼Ð¾ÑÐ²ÑÐ·Ð¸ Ñ Ð¸ÑÑÐ¾ÑÐ¸ÐµÐ¹. Ð ÐµÑÑÐ¾ÑÐ¿ÐµÐºÑÐ¸Ð²Ð½ÑÐ¹ Ð¿Ð¾Ð´ÑÐ¾Ð´ Ð¿Ð¾Ð·Ð²Ð¾Ð»Ð¸Ð» Ð¿Ð¾Ð½ÑÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð° Ð²ÑÐ´Ð°ÑÑÐ¸ÑÑÑ ÑÑÐ´Ð¾Ð¶Ð½Ð¸ÐºÐ¾Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ ÐÐ¸ÑÐ°Ñ. ÐÐµÑÐ¾Ð´ ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¸Ð¼ÐµÐ» Ð·Ð½Ð°ÑÐµÐ½Ð¸Ðµ Ð¿ÑÐ¸ ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¸ ÑÐ¾ÑÐ¸Ð¾ÐºÑÐ»ÑÑÑÑÐ½ÑÑ ÑÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ Ð¸ ÑÐ¼ÑÑÐ»Ð¾Ð²ÑÑ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸Ðº ÐºÑÐ»ÑÑÑÑ Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ ÐÐ¸ÑÐ°Ñ, Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ ÑÐµÐ¿ÑÐµÐ·ÐµÐ½ÑÐ°ÑÐ¸Ð¸ Ð¶ÐµÐ½ÑÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð° Ð² Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð±ÑÐ»Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ Ð¾Ð± Ð¸Ð´ÐµÐ°Ð»Ð°Ñ Ð¶ÐµÐ½ÑÐºÐ¾Ð¹ ÐºÑÐ°ÑÐ¾ÑÑ Ð² Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ ÐÐ¸ÑÐ°Ñ Ð¸ Ð Ð¾ÑÑÐ¸Ð¸.
description: Present work is devoted to the studying of the peculiarities of representation of the image of a female in Russian and Chinese painting of the XIX century. The research set the following goals: 1. Studying of the image of a female of the XIX century in Russian painting and its comprising with the figure of the XVIII century. 2. Determining the influence of traditional beauty standards on the image of a female in Chinese painting of the XIX century. 3. Comparison of the image of a female of Chinese and Russian painting of the XIX century, explanation of similarities and differences in their interpretations. The study, due to the use of various methods, has a complex character. Certain approaches were selected to reveal the goal. The system method was used to identify the integrity of Russian and Chinese traditional painting as a unique socio-cultural phenomenon, and their relationship with history. The retrospective approach allowed us to understand the features of the work of outstanding artists in Russia and China. The method of comparative analysis was important in comparing the socio-cultural values and semantic characteristics of the cultures of Russia and China, the features of the representation of the image of a female in painting. As a result of the research, the peculiarities of the representation of the ideals of female beauty in painting in China and Russia were determined.