cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
sj-docx-1-cll-10.1177_09636897221084354 – Supplemental material for A Robust and Highly Efficient Approach for Isolation of Mesenchymal Stem Cells From Wharton’s Jelly for Tissue Repair
Creators: name: Zheng, Shengxia
name: Gao, Yanyan
name: Chen, Kai
name: Liu, Yusheng
name: Xia, Ninuo
name: Fang, Fang
Publisher: name: SAGE Journals
Year: 2022
Subjects: Medicine
Cell Biology

description: Supplemental material, sj-docx-1-cll-10.1177_09636897221084354 for A Robust and Highly Efficient Approach for Isolation of Mesenchymal Stem Cells From Wharton’s Jelly for Tissue Repair by Shengxia Zheng, Yanyan Gao, Kai Chen, Yusheng Liu, Ninuo Xia and Fang Fang in Cell Transplantation
Vaghezza e chiarezza: tradurre Il grande Gatsby
Creators: name: Cavagnoli, Franca
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: La traduzione di The Great Gatsby (1925) di Francis Scott Fitzgerald, pubblicata da Feltrinelli nel 2011: dalla tensione fra lingua scritta e lingua orale all’alternarsi di registri linguistici assai vari nei dialoghi (formale, colloquiale, popolare), dalla difficoltà di seguire Fitzgerald nelle sue ellissi all’aderenza sia alle sue scelte stilistiche sia ai campi espressivi da lui prediletti, in particolare l’area semantica del mare, delle tenebre, dell’inquietudine. Nell’articolo entro nel dettaglio delle singole scelte traduttive – attraverso il confronto della traduzione con il testo fonte e la spiegazione delle decisioni prese – compiute all’insegna di una scelta di fondo, e cioè che il fine etico dell’atto traduttivo sia accogliere lo Straniero in quanto tale, affinché nel versare un libro nella propria lingua madre l’Altro resti Altro e il desiderio di tradurre non porti a sostituire il proprio all’altrui.

The article retraces the path I followed in my translation, published by Feltrinelli in 2011, of Francis Scott Fitzgerald’s The Great Gatsby (1925) – from the tension between the written and spoken languages to the wide diversity of registers (formal, colloquial, popular) in the dialogues, from the difficulty of staying in step with Fitzgerald’s ellipses to the preservation of his stylistic choices and his favourite semantic fields, particularly those of the sea, of darkness and of restlessness. By comparing my translation with the source text and explaining the rationale behind my decisions, I will perform a thorough examination of my translation choices, which have been based on the tenet that the ethical aim of the translation act is to receive the Foreign as Foreign, so that when one turns a book into one’s own mother tongue the Other remains the Other and the wish to translate does not lead one to replace the Other with the Self.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
La naissance de la subjectivité et ses limites dans les études critiques de Tzvetan Todorov
Creators: name: Atanassov, Stoyan
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Cette étude porte sur l’apparition, l’évolution et les modalités de la subjectivité dans les ouvrages critiques de Tzvetan Todorov. Nous commençons par quelques considérations sur le statut du sujet critique en sciences humaines. L’analyse retrace ensuite le contexte intellectuel et théorique dans lequel émerge la subjectivité de Todorov. Nous commentons ensuite plusieurs ouvrages qui servent de repère dans l’étude de la subjectivité chez Todorov.

Celle-ci, tout comme le principe dialogique qu’il a mis au point en tant que méthode d’interprétation, relève d’une rationalité conséquente et d’une déontologie. On peut distinguer, au cours du travail critique, quatre instances du Je: existentielle, autobiographique, critique, cognitive. Les deux premières alimentent les deux autres. Le Je existentiel finit par s’affirmer, chez Todorov, comme le point de départ et l’horizon axiologique de la recherche. Le Je autobiographique émane du précédent. Il introduit en filigrane une narration retraçant aussi bien un destin individuel qu’un épisode historique. L’élément autobiographique chez Todorov est délibérément mitigé. Il ne trouve sa justification qu’en se mettant au service du Je critique. Ce dernier confère une dimension humaine et concrète à la recherche de la vérité. Le Je cognitif devient ainsi l’expression d’une vie et d’un destin individuels.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Tzvetan Todorov: dalla scienza alla letteratura
Creators: name: Tretyakov, Vladislav
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Nell'introduzione viene dato un saggio bibliografico sul Tzvetan Todorov "russo". Il grado di assimilazione, se non di notorietà, della sua opera in Russia rimane esiguo, fatto sorprendente per una serie di ragioni, tra le quali vanno annoverate le origini e la biografia di Todorov, il grande interesse degli umanisti russi per la teoria occidentale e il boom traduttivo degli ultimi decenni in Russia. Il lavoro principale di Todorov per le scienze umane russe rimane il suo articolo degli inizi "Che cos'è la letteratura"?

Nella parte principale dell'articolo viene esaminata l'evoluzione delle idee scientifiche di Todorov, che negli anni 1960-1970 è stato una delle figure principali dello strutturalismo, mentre col tempo è diventato un oppositore della teoria. L'approccio del tardo Todorov alla letteratura viene esaminato sulla base del suo articolo "Per che cosa esiste la letteratura?" (2007) e dell'intervista rilasciata alla rivista russa "Questioni di letteratura" ("Voprosy literatury") nel 2006. Il suo cammino dall'idea di letteratura come semiosis all'idea di letteratura come mathesis, dalle ricerche di una definizione strutturale della letteratura a quelle di una sua definizione funzionale – un iter che, usando la formula di Roland Barthes, potrebbe essere definito, appunto, "dalla scienza alla letteratura" – viene paragonato con l'evoluzione dello stesso Barthes (molto più noto in Russia di Todorov). È interessante notare, a questo proposito, che Barthes è stato il maestro di Todorov e che, pur considerando già impossibile l'esistenza di un discorso scientifico sulla letteratura, valutava molto positivamente i lavori di teoria letteraria dell'allievo.

La traiettoria tracciata nell'articolo non accomuna solo questi due autori ed è in un certo senso tipica della teoria contemporanea.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
The Fluidity of the Fantastic: Todorov’s Legacy to Literary Criticism
Creators: name: Bolongaro, Eugenio
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: This article addresses the contemporary significance of Tzvetan Todorov’s seminal essay The Fantastic. A Structural Approach to a Literary Genre. The enduring contribution of Todorov’s essay to literary theory and criticism is examined in the first part of the discussion which focuses on three key mo- ments in the critic’s argument: the defense of genre as a crucial conceptual category for literary analysis, the concept of hesitation or wavering which is at the core of the definition of the fantastic genre, and the idea that there is strong link between the fantastic genre and the acceleration of plot. It is argued that each of these moments remains richly suggestive and productively engage contemporary preoccupations about the role of literary theory and the complex inter-relation between realist and non-realist fiction, as well as the ethical dimension of literary narratives. The second part of the essay approaches The Fantastic as a work of rather than merely about literature. From this perspective the essay emerges as the trace of a fascinating conceptual adventure. A careful rereading of Todorov’s work reveals the genesis, evolution and eventual disper- sion of the critic’s insights as they break out of the initial structuralist framework and open horizons that Todorov’s himself did not anticipate and can- not fully control. This excess of meaning is the surest evidence of Todorov’s outstanding achievement.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Introduzione
Creators: name: Tirinanzi De Medici, Carlo
name: Mingati, Adalgisa
name: Tamassia, Paolo
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Introduzione alla sezione monografica Tzvetan Todorov
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Editoriale
Creators: name: Taravacci, Pietro
name: Binelli, Andrea
name: Fadini, Matteo
name: Ferrari, Fulvio
name: Tirinanzi De Medici, Carlo
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: .
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Aperçu des apports de la psychologie en marketing
Creators: name: CALLY, ROMAIN
Publisher: name: Revue Marocaine de Recherche en Management et Marketing
Year: 2011
Subjects: psychologie du consommateur, marketing, dissonance cognitive, réactance psychologique, prix psychologique, renforcement psychologique, narcissisme

description: La psychologie du consommateur est une discipline dont l’objectif est de comprendre et d’influencer le comportement individuel. En marketing, pour accroître les ventes d’un produit, les professionnels adoptent un certain nombre de processus/techniques psychologiques. Bien souvent, l’individu est incité à acheter, car l’environnement et les signaux que lui envoient les managers finissent par le persuader de le faire. Vendre c’est avant tout convaincre psychologiquement un individu d’acheter.
description: Revue Marocaine de Recherche en Management et Marketing, No 4-5 (2011): Janvier-Décembre 2011 : l’interface marketing finance, de la théorie à la pratique
Additional file 1 of Distinct patterns of distribution, community assembly and cross-domain co-occurrence of planktonic archaea in four major estuaries of China
Creators: name: Hu, Xuya
name: Huang, Yujie
name: Gu, Gaoke
name: Hu, Hanjing
name: Yan, Huizhen
name: Zhang, Huajun
name: Zhang, Rui
name: Zhang, Demin
name: Wang, Kai
Publisher: name: figshare
Year: 2024
Subjects: subject: Microbiology
subject: FOS: Biological sciences
subject: Ecology

description: Supplementary Material 1
sj-pdf-1-asq-10.1177_00018392221078584 – Supplemental material for How Do Employees React When Their CEO Speaks Out? Intra- and Extra-Firm Implications of CEO Sociopolitical Activism
Creators: name: Wowak, Adam J.
name: Busenbark, John R.
name: Hambrick, Donald C.
Publisher: name: SAGE Journals
Year: 2022
Subjects: subject: 150310 Organisation and Management Theory
subject: FOS: Economics and business

description: Supplemental material, sj-pdf-1-asq-10.1177_00018392221078584 for How Do Employees React When Their CEO Speaks Out? Intra- and Extra-Firm Implications of CEO Sociopolitical Activism by Adam J. Wowak, John R. Busenbark and Donald C. Hambrick in Administrative Science Quarterly
Additional file 1 of Predictive value of ellipsoid zone-related angle parameters in primary surgery of large macular hole: a case control study
Creators: name: Xia, Huaqin
name: Yang, Jiarui
name: Ding, Yi
name: Wang, Xinglin
name: Liao, Yanfeng
name: Shi, Yiwen
name: Dou, Hongliang
name: Li, Xuemin
Publisher: name: figshare
Year: 2023
Subjects: subject: Space Science
subject: Physical Sciences not elsewhere classified
subject: Medicine
subject: Cell Biology
subject: Neuroscience
subject: Physiology
subject: FOS: Biological sciences
subject: Mathematical Sciences not elsewhere classified
subject: Infectious Diseases
subject: FOS: Health sciences
subject: Computational Biology

description: Additional file 1: Supplementary Table 1. Comparison of angles from different directions and AR of each angle between the two groups.
Undoing "over-sanctification" : disentangling caste from karma in Hindu theology
Creators: name: Babu, Kabir
Publisher: name: The University of St Andrews
Year: 2021
Subjects: subject: BL1215.C3B2
subject: Hinduism--India
subject: Caste--India
subject: Karma

description: Caste System in India has been the substructure for most socio-religious interactions for over 3 Millenia. Its continuation despite its discriminatory practices can be theologically attributed to the Theory of Karma. The theory of Karma not only legitimizes Caste through weaving it within the fabric of Hindu theology but also provides it with impunity within the Hindu social life. This study is attempting to disentangle this relationship between Caste and the theory of Karma by pointing out the historical period when these ideas developed a symbiotic coalition. By using Roy Rapaport’s theory of “Over-sanctification”, it has been argued that this entanglement has led to a loss of “meaningfulness” in Hindu theology that can only be restored through the disentanglement of said ideas. This study investigates the beginnings of Hinduism from pre-Vedic period unto the institutionalization of Hinduism in the post- Mauryan period, through both a liturgical as well as Historical analysis and provides a ground map for the perversion of both Caste and theory of Karma as independent ideas through their alliance. Furthermore, this study by focusing on the loss of sacredness and meaning in Hinduism due of this entanglement is attempting to change the discourse on Caste System within Hindu theology. The Caste System continues to reduce individual identity to nothing more than burdens of posterity and by disentangling the idea of karmic rebirth from caste it is possible to dilute this process. By freeing Caste from the law of Karma and its narrow functionality in the social sphere it is possible to restore the sacredness of both ideas within the Hindu spiritual universe where they belong.
Techniques Créatives de Placement : Concepts et applications
Creators: name: KHALBOUS, Slim
name: MAAZOUL, Meriem
Publisher: name: Revue Marocaine de Recherche en Management et Marketing
Year: 2011
Subjects: placement produit, attitudes, publicité, programme, télévision, téléspectateur.

description: Aujourd’hui la technique du placement est de plus en plus internationale. Le consommateur final est de plus en plus conscient de l’objectif persuasif de cette technique de communication. Par conséquent, son efficacité dépend de plus en plus des approches créatives utilisées dans la présentation des marques. Cette recherche propose un modèle conceptuel explicatif des techniques créatives de placement appliqué au cas de la télévision. Le modèle a été validé empiriquement par une enquête auprès de 348 individus. Les analyses par les équations structurelles montrent que l’appréciation des techniques créatives du placement télévisuel dépend à la fois des variables liées au placement lui-même ; des variables contextuelles d’exposition ; et enfin des variables individuelles du téléspectateur.
description: Revue Marocaine de Recherche en Management et Marketing, No 4-5 (2011): Janvier-Décembre 2011 : l’interface marketing finance, de la théorie à la pratique
sj-pdf-1-tva-10.1177_15248380221075087 – Supplemental Material for Links of Adversity in Childhood With Mental and Physical Health Outcomes: A Systematic Review of Longitudinal Mediating and Moderating Mechanisms
Creators: name: Hales, George K.
name: Saribaz, Zeliha E.
name: Debowska, Agata
name: Rowe, Richard
Publisher: name: SAGE Journals
Year: 2022
Subjects: subject: 160299 Criminology not elsewhere classified
subject: FOS: Law

description: Supplemental Material, sj-pdf-1-tva-10.1177_15248380221075087 for Links of Adversity in Childhood With Mental and Physical Health Outcomes: A Systematic Review of Longitudinal Mediating and Moderating Mechanisms by George Kelvin Hales, Agata Debowska, Richard Rowe and Zeliha Ezgi Saribaz in Trauma, Violence, & Abuse
Vers une anthropologie de l’exil : le « second » Todorov
Creators: name: Lazzarin, Stefano
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Au début des années quatre-vingt, un tournant intellectuel majeur intervient dans l’œuvre de Tzvetan Todorov. L’un des nombreux éléments de nouveauté qui caractérisent sa « seconde » période par rapport à la « première » est la place de plus en plus significative que Todorov réserve à la problématique de l’exil. En effet, après 1980, au fil de ses ouvrages et avec une force particulière dans le « diptyque du dépaysement » que forment L’homme dépaysé (1996) et Devoirs et délices (2002), Todorov a progressivement tracé les lignes directrices d’une véritable anthropologie de l’exil, qui plonge ses racines dans l’expérience d’acculturation – et de remise en cause de son passé – qu’il a accomplie lors de son passage de Sofia à Paris, et pendant les années de sa « francisation ».

The beginning of the 1980s marks a major turning point in Tzvetan Todorov’s intellectual career. The notion of exile plays a more and more important role in his later work. Particularly in L’homme dépaysé (1996) and Devoirs et délices (2002), which can be considered as a “diptych of disorientation,” Todorov outlined an anthropology of exile, based on the experience of acculturation – and the rediscussion of his own past – that occurred to him when he moved from Sofia to Paris as well as during the years of his “francization”.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Additional file 1 of Does clinical T1N0 GGN really require checking for distant metastasis during initial staging for lung cancer?
Creators: name: Imai, Kazuhiro
name: Kurihara, Nobuyasu
name: Konno, Motoko
name: Mori, Naoko
name: Takashima, Shinogu
name: Kuriyama, Shoji
name: Demura, Ryo
name: Suzuki, Haruka
name: Harata, Yuzu
name: Fujibayashi, Tatsuki
name: Shibano, Sumire
name: Wakita, Akiyuki
name: Nagaki, Yushi
name: Sato, Yusuke
name: Nomura, Kyoko
name: Minamiya, Yoshihiro
Publisher: name: figshare
Year: 2024
Subjects: Space Science
Medicine
Cell Biology
Cancer

description: Supplementary Material 1
Il cinema immorale sullo sfondo del modello penitenziale postridentino
Creators: name: Subini, Tomaso
Publisher: name: Schermi. Storie e culture del cinema e dei media in Italia
Year: 2017
Subjects: cattolicesimo; cinema; clero

description: L’articolo si interroga sui rapporti tra Chiesa cattolica e modernità, discutendo in particolare i motivi per cui il cinema immorale era considerato una pericolosa minaccia. Mentre nei discorsi ufficiali ci si sforza di declinare il problema morale all’interno di una più ampia riflessione sul mezzo, considerato anche nei suoi aspetti positivi, nelle consultazioni interne e nelle circolari riservate al clero a prevalere sono i dubbi, le paure, la necessità di potenziare le politiche contenitive e la consapevolezza che il cinema è spesso occasione di peccato.

This paper deals with the relationship between the Catholic Church and modernity, examining in particular the reasons why immoral films were considered a dangerous threat. While official discourse tries to frame the moral issues related to cinema within a broader reflection on the medium, considered also under its positive aspect, internal debate and circular letters addressed exclusively to the clergy are characterized by doubt, fear as well as by the necessity to implement limitation policies starting from the awareness that cinema is often occasion of sin.
description: Schermi. Storie e culture del cinema e dei media in Italia, N. 1 (2017)
Clavis, Patrum Graecorum (Corpus Christianorum), cura et studio Mauritii Geerard
Creators: name: Sieben, Hermann Josef
Publisher: name: Theologie und Philosophie
Year: 1970

description: Theologie und Philosophie, Bd. 56 Nr. 2 (1981): Theologie und Philosophie, Band 56, Heft 2
La censura cinematografica e la chiesa durante la seconda guerra mondiale
Creators: name: Venturini, Alfonso
Publisher: name: Schermi. Storie e culture del cinema e dei media in Italia
Year: 2017
Subjects: censura; fascismo; cattolicesimo; seconda guerra mondiale; cinema

description: Il regime fascista dal 1939 applicò in maniera più permissiva la censura cinematografica per quanto riguardava il senso del pudore e le questioni morali, venendo incontro alle richieste avanzate sia dall’ente statale che doveva importare film esteri sia dai produttori italiani e dalla Banca Nazionale del Lavoro, che finanziava l’attività cinematografica nazionale. L’allentamento della censura contrariò i vertici della Chiesa, che vedeva nel cinema il maggior pericolo per la salute morale della popolazione. Per contestualizzare il fenomeno, sono trattate in maniera rapida la censura fascista e la situazione cinematografica italiana nel 1940. Per valutare, invece, l’atteggiamento della Chiesa verso il cinema, vengono analizzate le pubblicazioni delle «Segnalazioni cinematografiche» edite dal CCC, organo dell’ACI, che attribuivano un giudizio morale a tutti i film circolanti in Italia.

From 1939, the Fascist regime relaxed film censorship on matters of decency and morality, thus acknowledging the requests expressed both by the State agency in charge of importing foreign films and the Italian film producers backed by the Banca Nazionale del Lavoro, which financed the national film industry. The loosening of censorship upset the Catholic Church authorities who saw cinema as the worst threat to the population’s moral salubrity. To offer context, the article briefly describes censorship under Fascism and gives an overview of cinema in Italy in 1940. Then, in order to assess the attitude of the Church towards cinema, the essay examines the Church’s recommendations («Segnalazioni cinematografiche»), which were published by the Centro Cattolico Cinematografico (CCC), an agency of the Azione Cattolica Italiana (ACI), and which offered moral judgements on every film distributed in Italy.
description: Schermi. Storie e culture del cinema e dei media in Italia, N. 1 (2017)
Don de la ebriedad di Claudio Rodríguez: dall’estasi della visione alla contemplazione del cantico
Creators: name: Taravacci, Pietro
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: I quattro componimenti che qui si presentano ap- partengono alla prima opera poetica di Claudio Rodríguez (Zamora 1934 – Madrid 1999) che può essere certamente considerato uno dei maggiori poeti della seconda metà del Novecento spagnolo, e che le storie letterarie convenzionalmente ascrivono alla cosiddetta “Generación de los Cincuenta”, un consistente gruppo di autori di altissimo valore letterario, ancora poco conosciuti in Italia. L’opera lirica di Rodríguez comprende cinque raccolte: Don de la ebriedad (1953), Conjuros (1958), Alianza y Condena (1965), El vuelo de la celebración (1976) e Casi una leyenda (1991). Esile quanto intensa attività, che gli valse una ventina di importanti premi letterari e l’elezione a membro “de número” della Real Academia Española (1987).

The four poems hereby analysed are included in the first edited collection by Claudio Rodríguez (Zamora 1934 – Madrid 1999), one of the most representa- tive authors belonging to the generation of Spanish poets of the second half of the 20th century. A group of poets of the highest literary value conventionally defined by literary critics as “Generación de los Cincuenta”, still hardly known in Italy. Rodríguez published five collections of lyrical poems: Don de la ebriedad (1953), Conjuros (1958), Alianza y Condena (1965), El vuelo de la celebración (1976) and Casi una leyenda (1991). His modest but intense literary production earned him a score of prestigious literary awards, as well as the election as member of the Real Academia Española (1987).
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
«Cambiare il pubblico, tutto il resto verrà da sé»: erotismo, cultura di massa e spettatori cattolici (1954-1969)
Creators: name: Garofalo, Damiano
Publisher: name: Schermi. Storie e culture del cinema e dei media in Italia
Year: 2017
Subjects: pubblico; cinema italiano; televisione; cattolicesimo

description: Il contributo ha per oggetto la ricezione da parte degli spettatori cattolici della rappresentazione cinematografica e televisiva dei temi connessi all’erotismo e alla sessualità in un periodo compreso tra l’inizio delle trasmissioni televisive, nel 1954, e il biennio 1968-69, con l’aumento della conflittualità politica e un cambiamento radicale del panorama sociale e culturale. Obiettivo del saggio sarà ricondurre il mutamento delle rappresentazioni cinematografiche e televisive dell’erotismo di quegli anni a tendenze sociali e culturali più ampie. La presentazione della ricerca sarà introdotta da una breve trattazione sulle presunte responsabilità degli spettatori nell’alimentare un “problema” della sessualità al cinema e in televisione. Successivamente, saranno esaminate le rubriche dei lettori del principale settimanale di costume di stampo cattolico, «Famiglia Cristiana», al fine di rintracciare la presenza di queste tematiche come oggetto di discussione tra le lettere ad argomento televisivo e cinematografico ricevute e pubblicate dalla redazione.

This article focuses on the reception, by Catholic spectators, of eroticism and sexuality in film and on TV. The historical coordinates of the study will be defined by two crucial events: the first transmissions on TV in 1954; and the two-year period of 1968-69, which saw increased political conflict and a radical change in the social and cultural panorama. The objective of the essay is to relate changes in the cinematic and televised representation of eroticism to broader social and cultural tendencies. The research undertaken will be preceded by a brief overview of the presumed responsibility assumed by spectators in creating a “problem” of sexuality in film and TV. Following this, the article examines the letters sent by readers to the most relevant Catholic weekly, «Famiglia Cristiana», in order to trace out the presence of such themes in the communications on television and cinema.
description: Schermi. Storie e culture del cinema e dei media in Italia, N. 1 (2017)
«Too many Gatsbys in the fire»: un’occasione mancata?
Creators: name: Serrai, Roberto
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Da quando lo scadere del settantesimo anno dalla morte di Francis Scott Fitzgerald ha permesso di sfruttare commercialmente – e legalmente – le sue opere senza dover pagare i diritti d’autore, editori piccoli e grandi hanno invaso le librerie con nuove traduzioni dei suoi lavori più importanti. Nuove? Non sempre. Negli oltre sessant’anni che sono trascorsi dall’ultima versione italiana del Grande Gatsby (Fernanda Pivano per Mondadori, 1950), per esempio, il mondo ha «recuperato» il testo corretto dell’opera, grazie al lavoro di Matthew J. Broccoli; alcuni giovani studiosi – tra tutti, Keith Gandal del City College of New York – hanno guardato al romanzo con occhi nuovi e solida scholarship per offrirne punti di vista in parte inediti e, soprattutto, non viziati da pregiudizio; la teoria e la pratica della traduzione, infine, si sono evolute e il primato della traduzione scorrevole, accettabile e appropriante viene ormai sempre più eroso (almeno nei casi più virtuosi) da traduzioni adeguate al testo e alla sua specificità culturale. Le nuove traduzioni tengono conto di tutto questo o sono solo operazioni commerciali? Questo contributo vorrebbe essere da stimolo alla nascita di una nuova tradizione nella ricezione di questo testo, che non risponda esclusivamente a logiche mercantili e narcisismi da catalogo, ma che come accadde per la versione di Fernanda Pivano formi nuove generazioni di lettori, entusiasti ma – soprattutto – consapevoli e informati.

Since the coming of the seventieth year after Francis Scott Fitzgerald’s death allowed to commercially – and legally – take advantage of his works without having to pay royalties, publishers big and small flooded bookstores with new translations of his novels. New? Not always. In the more than sixty years since the last Italian version of The Great Gatsby (Fernanda Pivano, Mondadori, 1950) the world gained access to the correct text of the novel, thanks to the efforts of Matthew J. Broccoli; some scholars – among them, Keith Gandal of the City College of New York – have looked at the novel with new eyes and solid scholarship, offering new critical arguments not tainted by prejudice; the theory and practice of translation, finally, evolved and the primacy of the smooth, acceptable (and appropriating) translation is now being increasingly eroded (at least by the most righteous) by translations striving to faithfully conform to the text and its cultural specificity, sometimes almost keeping the reader at a distance. Do the new Gatsby’s translations take into account all of this or do they just answer to commercial demands? This contribution would aim to be a starting point to the development of a new tradition, a new way to address the text that would not respond exclusively to mercantile logic and catalog narcissism, but – as it happened with Pivano’s version – would shape new generations of readers, excited but also aware and informed.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Additional file 2 of Predictive value of ellipsoid zone-related angle parameters in primary surgery of large macular hole: a case control study
Creators: name: Xia, Huaqin
name: Yang, Jiarui
name: Ding, Yi
name: Wang, Xinglin
name: Liao, Yanfeng
name: Shi, Yiwen
name: Dou, Hongliang
name: Li, Xuemin
Publisher: name: figshare
Year: 2024
Subjects: subject: Space Science
subject: Physical Sciences not elsewhere classified
subject: Medicine
subject: Cell Biology
subject: Neuroscience
subject: Physiology
subject: FOS: Biological sciences
subject: Mathematical Sciences not elsewhere classified
subject: Infectious Diseases
subject: FOS: Health sciences
subject: Computational Biology

description: Additional file 2: Supplementary Table 2. Classic preoperative and postoperative parameter comparisons among unclosed MH patients
Récit et vérité chez Tzvetan Todorov
Creators: name: Yanakieva, Miriana Alexandrova
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: L’article se propose d’étudier certains aspects de la relation entre récit et vérité dans l’œuvre critique de Tzvetan Todorov. Pour lui la recherche de la vérité a toujours été étroitement liée à son intérêt inlassable pour le récit, pour l’acte de raconter et ses effets. D’abord, le récit littéraire était l’objet préféré de son travail de théoricien du structuralisme et de la sémiotique. Ce travail touchait à la question de la vérité sous deux aspects: la vérité d’une science de la littérature qui voulait offrir une approche objective à l’étude littéraire, et la vérité ou, plus précisément, la vraisemblance dans la fiction littéraire elle-même. Dans les écrits de Todorov l’anthropologue et l’humaniste, la liaison entre récit et vérité reste toujours aussi importante. Pour lui, la meilleure manière de réfléchir sur un sujet important, c’est de « raconter une histoire » (La conquête de l’Amérique). Il montre que chaque récit peut avoir trait à deux types de vérité – la vérité d’adéquation et la vérité de dévoilement. Le texte qui suit s’intéresse aussi au rôle que les concepts de rhétorique, interprétation, mémoire et intersubjectivité joue dans la méditation de Todorov sur la question de la vérité, plus spécialement, de la vérité de dévoilement.

The article deals with some aspects of the relationship between narrative and truth in the critical work of Tzvetan Todorov. For him the search for the truth has always been closely related to his untiring interest for the narrative, and for the act of narrating and its effects. At first, the literary narrative was the fa- vorite object of his work as a theoretician of Structuralism and Semiotics. This work was coming to the question of truth in two ways: the truth of the literary science, which would give an objective approach to the literary studies, and the truth, or, more exactly, the vraisemblance in the literary fiction itself. In the works of Todorov, the anthropologist and the humanist, the connection between narrative and truth remains as important as ever. For him, the best way to think about something, which is really important, is to “tell a story” (The Conquest of America). He shows that each story can be related to two types of truth – the truth-adequation and the truth-disclosure. The following text also examines the role that the concepts of rhetoric, of interpretation, of memory and of intersubjectivity play in the Todorov’s meditation on the question of truth, especially, of the truth-disclosure.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
ImOV3D: Learning Open-Vocabulary Point Clouds 3D Object Detection from Only 2D Images
Creators: name: Yang, Timing
name: Ju, Yuanliang
name: Yi, Li
Publisher: name: arXiv
Year: 2024
Subjects: subject: Computer Vision and Pattern Recognition (cs.CV)
subject: FOS: Computer and information sciences

description: Open-vocabulary 3D object detection (OV-3Det) aims to generalize beyond the limited number of base categories labeled during the training phase. The biggest bottleneck is the scarcity of annotated 3D data, whereas 2D image datasets are abundant and richly annotated. Consequently, it is intuitive to leverage the wealth of annotations in 2D images to alleviate the inherent data scarcity in OV-3Det. In this paper, we push the task setup to its limits by exploring the potential of using solely 2D images to learn OV-3Det. The major challenges for this setup is the modality gap between training images and testing point clouds, which prevents effective integration of 2D knowledge into OV-3Det. To address this challenge, we propose a novel framework ImOV3D to leverage pseudo multimodal representation containing both images and point clouds (PC) to close the modality gap. The key of ImOV3D lies in flexible modality conversion where 2D images can be lifted into 3D using monocular depth estimation and can also be derived from 3D scenes through rendering. This allows unifying both training images and testing point clouds into a common image-PC representation, encompassing a wealth of 2D semantic information and also incorporating the depth and structural characteristics of 3D spatial data. We carefully conduct such conversion to minimize the domain gap between training and test cases. Extensive experiments on two benchmark datasets, SUNRGBD and ScanNet, show that ImOV3D significantly outperforms existing methods, even in the absence of ground truth 3D training data. With the inclusion of a minimal amount of real 3D data for fine-tuning, the performance also significantly surpasses previous state-of-the-art. Codes and pre-trained models are released on the https://github.com/yangtiming/ImOV3D.
description: Accepted by NeurIPS 2024. Code link https://github.com/yangtiming/ImOV3D
Uno spettacolo osceno. La critica cattolica di fronte al fenomeno mondo movies
Creators: name: Previtali, Giuseppe
Publisher: name: Schermi. Storie e culture del cinema e dei media in Italia
Year: 2017
Subjects: mondo movies; Gualtiero Jacopetti; osceno; critica cattolica; sessualità

description: I mondo movies sono un genere tipicamente italiano che ha abitato il mercato cinematografico nazionale dal 1959 (Europa di notte di Alessandro Blasetti) alla fine degli anni ’80. Si tratta di un filone di pseudo-documentari che costituisce un ottimo caso di studio per indagare l’evoluzione di alcune grandi narrazioni culturali all’interno del Paese. Il saggio intende offrire una panoramica della ricezione del filone mondo in ambito cattolico, interrogando una serie di fonti diverse (del genere si parla tanto nei documenti del Segretariato generale per la Moralità quanto sulle riviste) per ricostruire un’immagine il più complessa possibile del fenomeno. Si tratta di un’indagine che – mai svolta prima per i mondo movies – consentirà anche di valutare la posizione della politica cinematografica cattolica in relazione a una serie di temi chiave quali il corpo sessuato e le sessualità non normative.

The “mondo movie” is a typically Italian genre that penetrated the film market from 1959 (“Europa di notte”) to the end of the 1980s. These films constitute a group of pseudo-documentaries that constitute a useful case study for an analysis of how certain cultural grand narratives evolved in Italy. This article will provide a panorama of the sub-genre’s reception in the context of Catholicism, in reference to a variety of resources (the films are widely discussed both in the documents of the Segretariato generale per la Moralità and in periodicals), in order to re-create as comprehensive an image as possible of this phenomenon. This study – the first of its kind in relation to mondo movies – will enable an evaluation of Catholic film policy’s positions on a series of key issues, such as the sexualized body, and non-normative sexuality.
description: Schermi. Storie e culture del cinema e dei media in Italia, N. 1 (2017)
Additional file 3 of Predictive value of ellipsoid zone-related angle parameters in primary surgery of large macular hole: a case control study
Creators: name: Xia, Huaqin
name: Yang, Jiarui
name: Ding, Yi
name: Wang, Xinglin
name: Liao, Yanfeng
name: Shi, Yiwen
name: Dou, Hongliang
name: Li, Xuemin
Publisher: name: figshare
Year: 2024
Subjects: subject: Space Science
subject: Physical Sciences not elsewhere classified
subject: Medicine
subject: Cell Biology
subject: Neuroscience
subject: Physiology
subject: FOS: Biological sciences
subject: Mathematical Sciences not elsewhere classified
subject: Infectious Diseases
subject: FOS: Health sciences
subject: Computational Biology

description: Additional file 3: Supplementary Table 3. EZ-related preoperative and postoperative parameter comparisons among unclosed MH patients
sj-pdf-1-jhs-10.1177_17531934221087572 - Supplemental material for Computerized adaptive testing of symptom severity: a registry-based study of 924 patients with trapeziometacarpal arthritis
Creators: name: Kamran, Rakhshan
name: Rodrigues, Jeremy N.
name: Dobbs, Thomas D.
name: Wormald, Justin C. R.
name: Trickett, Ryan W.
name: Harrison, Conrad J.
Publisher: name: SAGE Journals
Year: 2022
Subjects: subject: 110314 Orthopaedics
subject: FOS: Clinical medicine
subject: 110604 Sports Medicine
subject: FOS: Health sciences
subject: 110323 Surgery

description: Supplemental material, sj-pdf-1-jhs-10.1177_17531934221087572 for Computerized adaptive testing of symptom severity: a registry-based study of 924 patients with trapeziometacarpal arthritis by Rakhshan Kamran, Jeremy N. Rodrigues, Thomas D. Dobbs, Justin C. R. Wormald, Ryan W. Trickett and Conrad J. Harrison in Journal of Hand Surgery (European Volume)
Inventare l’altro. Forme di pseudo-traduzione nella scrittura di Salvatore Di Giacomo e Luigi Capuana.
Creators: name: Fulginiti, Valentina
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Being an extreme case of fictitious representation of linguistic otherness, pseudo-translation challenges the idea of a fatal and exclusive link between language and national ethos, a fundamental notion in the Nineteenth-century linguistic and literary culture. The present article compares two emblematic cases of pseudo-translation in post-Unification Italian culture: Luigi Capuana’s hoax Un poeta danese (published in 1882) and the earliest short stories published by Salvatore di Giacomo in 1878, mistakenly considered a plagiarizing translation from an uncredited German original. Their use of pseudo-translation is marked by opposite goals of parody and stylistic imitation; however, both authors challenge the fundamental assumption underlying the notion of «ethnicity of language». Pseudo-translation thus becomes a space of linguistic elaboration, complementary to the author’s direct involvement in translating major European works into Italian (such as Ibsen’s masterpiece A House of Dolls, which Capuana translated in 1891, and Edmond de Goncourt’s novel Sœur Philomèle, which Di Giacomo translated in 1892). Translation thus provides a free space for authors to experiment with new expressive solutions and challenge commonplaces about language and identity: such reflection on the limits of language and nations represent a direct contribution to the linguistic unification of Italy.

Caso estremo di rappresentazione fittizia del- l’alterità linguistica, la pseudo-traduzione chiama in causa l’idea del legame unico e “fatale” fra lingua e nazione – concetto fondamentale nella cultura linguistica del XIX secolo. L’articolo mette a confronto due casi emblematici di pseudo-traduzione nella cultura meridionale post-unitaria: la beffa letteraria di Luigi Capuana Un poeta danese (1882) e le ‘tedescherie’ di Salvatore di Giacomo, gruppo di novelle pubblicate nel 1878 che molti considerarono (a torto) un plagio da ignoto autore tedesco. Questi opposti usi della pseudo-traduzione (parodico l’uno e involontario l’altro), mettono in discussione la ten- denza a considerare l’“etnicità” e l’intraducibilità di un testo come un indice del suo valore; al tempo stesso, la riflessione maturata in queste pratiche si intreccia alle traduzioni vere e proprie operate da entrambi gli autori: quella capuaniana di Casa di bambola (1891) e quella di Di Giacomo di Suor Filomena di E. de Goncourt (1892). La traduzione diventa quindi un vero e proprio laboratorio linguistico, luogo di una “strana teoria” che permette di esprimere dubbi sulle idées réçues riguardo a lingue e nazioni, senza tuttavia mettere in discussione la propria poetica autoriale. La riflessione sul rapporto tra lingue e sistemi letterari, condotta mediante il ricorso a pratiche traduttive e pseudo-traduttive, finisce così per intrecciarsi al più vasto processo di unificazione linguistica e culturale successivo all’Unità.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Non solo bambole: lo stardom femminile della commedia a episodi e il dibattito sul cinema immorale (1964-1966)
Creators: name: Missero, Dalila
Publisher: name: Schermi. Storie e culture del cinema e dei media in Italia
Year: 2017
Subjects: stardom; commedia all'italiana; pubblico; cattolicesimo; cinema

description: In quel torno di anni che vide l’approvazione delle due leggi sul cinema, rispettivamente del 1962 e del 1965, l’uscita di alcune commedie a episodi a firma di registi come Mauro Bolognini, Luigi Comencini, Dino Risi ed Ettore Scola fu al centro di un animato dibattito sull’oscenità del cinema italiano. L’articolo si propone di indagare tale dibattito attraverso la mediazione dello stardom femminile, inteso come luogo di negoziazione simbolica dei profondi mutamenti in atto nella percezione della moralità e dei ruoli di genere nella società italiana. Per la sua restituzione, si indagheranno rotocalchi popolari di varia collocazione ideologica, come «Famiglia Cristiana», «Epoca», «Oggi» e il settimanale femminile di sinistra «Noi donne».

During the Sixties, in a moment that witnessed the introduction of two new laws on cinema (1962 and 1965), the release of a group of serial comedies by directors like Mauro Bolognini, Luigi Comencini, Dino Risi and Ettore Scola were at the centre of an animated debate on obscenity in Italian cinema. This article aims, accordingly, to investigate this debate according to its mediation of female stardom, which is understood as a space for the symbolic negotiation of the deep changes at the time in the perception of morality and gender roles in Italian society. The argument draws upon several tabloids and popular publications from the time, with different ideological positions, including “Famiglia Cristiana”, “Epoca”, “Oggi” and the left-wing women’s weekly “Noi donne”.
description: Schermi. Storie e culture del cinema e dei media in Italia, N. 1 (2017)
sj-docx-1-acr-10.1177_02841851221085378 - Supplemental material for Prognostic value of 18F-FDG PET/CT in malignant pleural mesothelioma: a meta-analysis
Creators: name: Wang, Yu
name: Xu, Yanfeng
name: Kan, Ying
name: Wang, Wei
name: Yang, Jigang
Publisher: name: SAGE Journals
Year: 2022
Subjects: Radiology and Organ Imaging

description: Supplemental material, sj-docx-1-acr-10.1177_02841851221085378 for Prognostic value of 18F-FDG PET/CT in malignant pleural mesothelioma: a meta-analysis by Yu Wang, Yanfeng Xu, Ying Kan, Wei Wang and Jigang Yang in Acta Radiologica
Narrare la guerra: da Vita e destino a Le Benevole
Creators: name: Panichi, Camilla
Publisher: name: Ticontre. Teoria Testo Traduzione
Year: 2014

description: Questo saggio si concentra su due romanzi storici che hanno per argomento la Seconda guerra mon- diale e lo sterminio degli ebrei d’Europa: Vita e destino di Vasilij Grossman (1980) e Le Benevole di Jonathan Littell (2006). La scelta è determinata sia dal rapporto esistente tra i due romanzi, sia dalla convinzione che essi rappresentino, per forma e contenuti, due diversi paradigmi attraverso i quali l’immaginario collettivo ha costruito la narrazione dell’evento guerra. Inoltre si tratta di opere che hanno, in tempi diversi, creato un caso letterario: Le Benevole ha sollevato molti problemi orientando il dibattito su temi etici piuttosto che estetici; Vita e destino ha subito la censura in Unione Sovietica. In questa sede si è scelto di analizzare i romanzi da una prospettiva strettamente letteraria, attraverso due argomenti: la legittimità della costruzione finzionale in rapporto al punto di vista dell’autore (testimone dei fatti narrati nel caso di Grossman, post-testimone nel caso di Littell) e l’analisi degli elementi romanzeschi di tradizione ottocentesca e modernista.

This paper focuses on two novels narrating the Second World War and the extermination of the Jews of Europe: Life and Fate, by Vasily Grossman (1980), and The Kindly Ones by Jonathan Littell (2006). These books have been chosen because they are closely related to each other and because they embody two different paradigms through which the Second World War has been represented. Moreover both Life and Fate and The Kindly Ones have been literary events: the first was censored in the Soviet Union, the second gave rise to a wide-ranging debate on ethical and aesthetical problems. The following paper analyzes these novels from a strictly literary perspective, focusing on two issues: the legitimacy of fiction (Grossman narrates the war from the standpoint of a witness, Littell, born in 1967, is in the position of the historian) and the relationship of these texts with the nineteenth-century narrative tradition and the modernist novel.
description: Ticontre. Teoria Testo Traduzione, No 1 (2014)
Additional file 1 of Therapy management and outcome of acute hydrocephalus secondary to intraventricular hemorrhage in adults
Creators: name: Wang, Chaoyang
name: Bai, Jianuo
name: He, Qiheng
name: Jiao, Yuming
name: Zhang, Wenqian
name: Huo, Ran
name: Wang, Jie
name: Xu, Hongyuan
name: Zhao, Shaozhi
name: Wu, Zhiyou
name: Sun, Yingfan
name: Yu, Qifeng
name: Tang, Jinyi
name: Zeng, Xianwei
name: Yang, Wuyang
name: Cao, Yong
Publisher: name: figshare
Year: 2024
Subjects: Space Science
Medicine
Biotechnology
Environmental Sciences not elsewhere classified
Biological Sciences not elsewhere classified
Science Policy

description: Additional file 1: Appendix S1. Full search strategy in PubMed, Cochrane Library and Web of Science. Appendix S2. Detailed reasons for the excluded studies.