title: ÐÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð¾Ðµ Ð¸Ð·Ð¼ÐµÑÐµÐ½Ð¸Ðµ ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð¹ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ð¸ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ñ ÑÑÑÐ°Ð½ Ð¸ Ð Ð¾ÑÑÐ¸Ð¸ Ð² Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²Ð°Ñ Ð¦ÐµÐ½ÑÑÐ°Ð»ÑÐ½Ð¾Ð¹ ÐÐ·Ð¸Ð¸ (Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¢ÑÑÐºÐ¼ÐµÐ½Ð¸ÑÑÐ°Ð½Ð°)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: The musical dimension of cultural diplomacy of European countries and Russia in the states of Central Asia (on the example of Turkmenistan)
Creators: name: ÐÐ¸ÑÐ·Ð¾Ð²Ð°, Ð¡ÐµÐ»ÑÐ±Ð¸
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: Ð¼ÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð°ÑÂ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ñ
Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½ÑÐµ ÐºÑÐ»ÑÑÑÑÐ½ÑÐµ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ñ
ÐºÑÐ»ÑÑÑÑÐ½Ð°ÑÂ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ñ
ÑÑÑÐ°Ð½Ñ Ð°Ð·Ð¸Ð¸
Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ñ ÑÑÑÐºÐ¼ÐµÐ½Ð¸ÑÑÐ°Ð½Ð°
musical diplomacy
international cultural relations
cultural diplomacy
asian countries
diplomacy of turkmenistan

description: ÐÐºÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ Ð¾Ð±ÑÑÐ»Ð¾Ð²Ð»ÐµÐ½Ð° Ð½ÐµÐ¾Ð±ÑÐ¾Ð´Ð¸Ð¼Ð¾ÑÑÑÑ Ð¿ÐµÑÐµÐ¾ÑÐ¼ÑÑÐ»ÐµÐ½Ð¸Ñ Ð²Ð·Ð°Ð¸Ð¼Ð¾Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ð¹ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ñ ÑÑÑÐ°Ð½ Ð¸ Ð Ð¾ÑÑÐ¸Ð¸ Ñ Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²Ð°Ð¼Ð¸ Ð¦ÐµÐ½ÑÑÐ°Ð»ÑÐ½Ð¾Ð¹ ÐÐ·Ð¸Ð¸, Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ Ð² ÑÑÐ»Ð¾Ð²Ð¸ÑÑ ÑÑÐ»Ð¾Ð¶Ð½Ð¸Ð²ÑÐµÐ¹ÑÑ Ð³ÐµÐ¾Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¾Ð¹ ÑÐ¸ÑÑÐ°ÑÐ¸Ð¸ Ð¸ ÑÐ¾ÑÐ°Ð»ÑÐ½Ð¾Ð¹ ÑÑÑÐ±ÑÐ»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸ Ð² Ð¾Ð±Ð»Ð°ÑÑÐ¸ Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½ÑÑ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ð¹. Ð Ð°ÑÑÐ¼Ð°ÑÑÐ¸Ð²Ð°ÑÑ ÑÑÐ¸ Ð²Ð·Ð°Ð¸Ð¼Ð¾Ð´ÐµÐ¹ÑÑÐ²Ð¸Ñ Ð¼Ð¾Ð¶Ð½Ð¾ Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸ÐµÐ¼ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÑ Ð¸Ð½ÑÑÑÑÐ¼ÐµÐ½ÑÐ¾Ð², Ð½Ð¾ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÑÐµÑÑÑ, ÑÑÐ¾ ÑÐ¾Ð»Ñ Ð¼ÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ð¸ Ð² ÑÐ¾Ð¼, ÑÑÐ¾ Ð¾Ð½Ð° ÑÐ¿Ð¾ÑÐ¾Ð±Ð½Ð° ÑÑÐ¸Ð»Ð¸ÑÑ Ð¿Ð¾ÑÐµÐ½ÑÐ¸Ð°Ð» Ð¿Ð¾ Ð¾Ð±ÐµÑÐ¿ÐµÑÐµÐ½Ð¸Ñ ÑÑÑÐ¾Ð¹ÑÐ¸Ð²Ð¾Ð³Ð¾ Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾, ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð¸ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ. ÐÑÐµÐ´Ð¼ÐµÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ â ÑÐ¾ÑÐ¼Ð°ÑÑ Ð²Ð·Ð°Ð¸Ð¼Ð¾Ð´ÐµÐ¹ÑÑÐ²Ð¸Ñ Ð¸ ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ñ ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð¹/Ð¼ÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ð¸ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ñ ÑÑÑÐ°Ð½ Ð¸ Ð Ð¾ÑÑÐ¸Ð¸ Ð² Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²Ð°Ñ Ð¦ÐµÐ½ÑÑÐ°Ð»ÑÐ½Ð¾Ð¹ ÐÐ·Ð¸Ð¸ (Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¢ÑÑÐºÐ¼ÐµÐ½Ð¸ÑÑÐ°Ð½Ð°). Ð¦ÐµÐ»Ñ â Ð²ÑÑÐ²Ð¸ÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð¹/Ð¼ÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð¾Ð¹ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ð¸ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ñ ÑÑÑÐ°Ð½ Ð¸ Ð Ð¾ÑÑÐ¸Ð¸ Ð² Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²Ð°Ñ Ð¦ÐµÐ½ÑÑÐ°Ð»ÑÐ½Ð¾Ð¹ ÐÐ·Ð¸Ð¸ (Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¢ÑÑÐºÐ¼ÐµÐ½Ð¸ÑÑÐ°Ð½Ð°). ÐÐ¸Ð¿Ð¾ÑÐµÐ·Ð° Ð´Ð°Ð½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¼Ð¾Ð¶ÐµÑ ÑÑÐ¸ÑÐ°ÑÑÑÑ Ð¿Ð¾Ð´ÑÐ²ÐµÑÐ¶Ð´ÐµÐ½Ð½Ð¾Ð¹, Ñ.Ðº. Ð¼ÑÐ·ÑÐºÐ°Ð»ÑÐ½Ð°Ñ Ð´Ð¸Ð¿Ð»Ð¾Ð¼Ð°ÑÐ¸Ñ Ð´ÐµÐ¹ÑÑÐ²Ð¸ÑÐµÐ»ÑÐ½Ð¾ Ð¾Ð±Ð»Ð°Ð´Ð°ÐµÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ð½Ð¾ÑÑÑÑ Ð¸ Ð¿Ð¾ÑÐµÐ½ÑÐ¸Ð°Ð»Ð¾Ð¼ Ð¿Ð¾Ð·Ð¸ÑÐ¸Ð²Ð½Ð¾ Ð²Ð»Ð¸ÑÑÑ Ð½Ð° Ð²ÑÑÑÑÐ°Ð¸Ð²Ð°Ð½Ð¸Ðµ Ð¼ÐµÐ¶Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²ÐµÐ½Ð½ÑÑ Ð¸ Ð¼ÐµÐ¶ÑÐµÐ³Ð¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÑ Ð²Ð·Ð°Ð¸Ð¼Ð¾Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ð¹, ÑÑÐ¾ Ð² ÑÐ²Ð¾Ñ Ð¾ÑÐµÑÐµÐ´Ñ ÑÐ²ÐµÐ»Ð¸ÑÐ¸Ð²Ð°ÐµÑ Ð²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ð¾ÑÑÐ¸ Ð¿Ð¾ Ð¾Ð±ÐµÑÐ¿ÐµÑÐµÐ½Ð¸Ñ ÑÑÑÐ¾Ð¹ÑÐ¸Ð²Ð¾Ð³Ð¾ Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾, ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð¸ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ.
description: The relevance of this work is due to the need to rethink the relationship between European countries and Russia with the states of Central Asia, especially in the context of a complicated geopolitical situation and total turbulence in the field of international relations. These interactions can be considered using various tools, but it seems that the role of music diplomacy is that it can strengthen the potential to ensure sustainable political, cultural, and socio-economic development. The subject of the study is the formats of interaction and the implementation of cultural/musical diplomacy of European countries and Russia in the states of Central Asia (on the example of Turkmenistan). The aim is to identify the peculiarities of the implementation of cultural/musical diplomacy of European countries and Russia in the states of Central Asia (using the example of Turkmenistan). The hypothesis of this study can be considered confirmed, because musical diplomacy really has the ability and potential to positively influence the building of interstate and interregional relations, which in turn increases the possibilities for ensuring sustainable political, cultural and socio-economic development.