cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
Marilyn Banner - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Marilyn Banner was born in St. Louis, Missouri in March 1945. She was raised in the nearby suburb of University City. She has lived in New York NY and Boston MA, and currently lives in Takoma Park, Maryland.

Banner attended Washington University (BFA School of Fine Arts, 1968). She undertook further visual arts study at Queens College (CUNY), the University of Maryland, Montgomery College, the Corcoran School of the Arts, and Massachusetts College of Art in Boston (MSEd 1982). Influential teachers and mentors included David Lund, painter, Marvin Bileck, draughtsman/illustrator, Lowry Burgess, conceptual artist, and Betsy Damon, feminist, performance artist, and arts activist.

Banner’s MSEd thesis and exhibition, “Expanding Unconscious Sources: A Return to My Inner Self,” signaled a broadening and deepening of interests, approach, and media. This work signaled a long- term interest in the psyche, spiritual imagery, dreams, memory, Jung, feminism, expressionism, Jewish history and ancestry, and Shamanism.

Banner has created several distinct bodies of work, mainly content driven and non-traditional. Media include plaster, latex, fur, bones, metal, wood, bricks, fabric, shells, slate, photography, charcoal, oil paint, acrylic, and encaustic. Forms include drawing, painting, collage, assemblage, sculpture, and installation. Travel to Costa Rica in 2002 shifted her focus from the inner to the natural world and landscape. Since 2004 Banner has worked almost exclusively with encaustic paint on wood.

Marilyn Banner has been a leader in Betsy Damon’s No Limits for Women in the Arts project, in the National Women’s Caucus for Art, and in Washington Musica Viva, a Washington DC area music and art project. She exhibits nationally has been a member of Ceres Gallery in New York City since 1992.
The purpose of the oral history interview was to find out about Marilyn Banner’s legacy, unveiling how her upbringing, family, religion, sex, and education all played a role in her artwork. Banner talks about her Jewish ancestry and religion in post-World War II United States. She also discusses the effect of sexism on her work and her experiences. She describes herself as a fighter with a great sense of determination, but also a healthy fear informing her life. Her work redefines the meaning of being a survivor and belonging to a group of people persecuted in a genocide without directly experiencing those horrors oneself. Her paintings are focused inward, on the psyche, with a spiritual motif, and she uses fabrics in her paintings and sculptures. Website: www.marilynbanner.com
Design of NetApps development and evaluation environments
Creators: name: Stravos Kolometsos
Publisher: name: Zenodo
Year: 2021
Subjects: NetApp, NEF, CAPIF, REST APIs, SDK, CICD, Certification

description: The purpose of this document is to serve as an entry point to the implementation of the EVOLVED-5G experimental facility that will serve as the development and evaluation reference architecture for the realisation of the NetApp ecosystem. The deliverable is a result of work carried out in Tasks 2.3 and 2.4 of the EVOLVED-5G project, where main goals are to completely design all the various environments and components of the facility blueprint following the general lifecycle of a NetApp inside the ecosystem.
 In the light of the above, the main contribution of this deliverable is to provide a description towards the workspace for NetApps development and to share details for the validation and certification phase, as well as for the proposed Marketplace and publication phase.
 In more details the main contributions of this deliverable are the following: Description of the NetApp principles, including the definition the design and the implementation Description of the EVOLVED 5G facility and its main building blocks along with the NEF and CAPIF services on top of the infrastructure Detailed presentation and analysis of all the environments that are part of the overall lifecycle of the NetApp. Those are the Workspace, the Validation and Certification environment, and the Marketplace. The deliverable is divided into two parts. The first part expands some content that has been already provided in D2.1 and further describes in detail the NetApp concept and the principles towards the design and the implementation. Moreover, additional details regarding the EVOLVED 5G facility are provided in the first part.
 The second part focuses on the overall NetApp lifecycle and the workflow from the development to the marketplace publication. Based on such lifecycle, each one of the various defined environments are presented in greater detail, following a descriptive and logical structure based on 3 basic principles of work: Objectives and expected functionality of the environment. Main and core architectural components. Process design and methodology based on steps or phases. The work presented in this deliverable will guide the project towards the implementation and accomplishment of the EVOLVED-5G Facility and provides the very fundamental design and realization principles by which said implementation shall be governed, including all the different stages and phases that any NetApp must go through until its final release. Future deliverable, D2.3 "Overall framework for NetApp development and evaluation" (to be delivered in M17), will support the updated holistic picture on the design as well as the execution of the various phases.
Sonnenfleckenzeichnung Nr. 200.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 14.08.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Michael Cummings - ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Older artists
Art
Quilting
Oral history
Arts

description: Michael Cummings [1945-] is a quilter who began quilting while working a 9-to-5 job. Once he retired, Cummings began quilting full-time. In this interview, he outlines his schedule while working and after retirement. He also describes his quilting and the various pieces and series he has created and is still working on. Many of his pieces have political themes, such as the Civil Rights and Obama series. Another series he describes is the Jazz series. He also expresses his excitement about participating in shows and being a part of ArtCart.
title: Ferucarbotran-enhanced diffusion-weighted MRI for assessment of small hepatocellular carcinomas (HCCs) in the cirrhotic liver
Creators: name: Shim, Jae
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Early detection of small (≤ 2 cm) hepatocellular carcinoma (HCC) is very important for patients with liver cirrhosis because surgical resection or liver transplantation offers the most effective treatment for HCC. Several different imaging...
Sonnenfleckenzeichnung Nr. 319.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 28.12.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Sonnenfleckenzeichnung Nr. 245.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 30.09.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Norma Greenwood - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Norma Greenwood’s artwork is influenced by her environment, family, travels, and everyday objects. She explains wanting her photography, paintings, and collages to have a narrative quality that resonates with her audience. Greenwood talks about her mentors, including Robert Motherwell for abstract expressionism and Leo Mansel for realism, which she tries to find a balance between. Much of her artwork includes themes about clouds, dreams, and travel, playing with light and shadows, patterns, and rust.
title: Double contrast (DC) enhanced magnetic resonance imaging (MRI) of the liver: Where do we stand today?
Creators: name: Almeida, Ana
Publisher: name: European Congress of Radiology
Year: 2009

description: Learning objectives Background Imaging findings OR Procedure details Conclusion Personal Information References
description: Learning objectives: After reviewing this exhibit, the participants will know: What is Double Contrast (DC) Enhanced Magnetic Resonance Imaging (MRI) ? How is it performed ? What are the indications ? How is it interpreted ? What are the advantages, disadvantages, and...
Big mapping class groups and rigidity of the simple circle
Creators: name: Calegari, Danny
name: Chen, Lvzhou
Publisher: name: arXiv
Year: 2019
Subjects: subject: Dynamical Systems (math.DS)
subject: Group Theory (math.GR)
subject: Geometric Topology (math.GT)
subject: FOS: Mathematics

description: Let $Γ$ denote the mapping class group of the plane minus a Cantor set. We show that every action of $Γ$ on the circle is either trivial or semi-conjugate to a unique minimal action on the so-called simple circle.
description: v4: fixed a typo in the proof of Theorem 5.4
DECODEX: artistsbooks and postliteracy
Creators: name: Ashby, Lyn
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: In this research project I explore the notion that the contemporary artistsbook is a vibrant, open arena for an experiment in the evolution of literacy. I investigate the structures and language forms of this new phase of literacy that I term "postliteracy." The project comprises a series of eight artistsbooks made in the studio and an exegetical record. The overall method of this research involves a creative loop that begins with studio making. The reading and viewing of the experiment in literacy underway in these works, which is expanded with the written analysis of works by other artists of the book, writers and theorists, feeds back into further making in the studio. In this way, while being a record of the development of the issues of the project, this document also builds a historical and critical context for the studio works. Encompassed in this project is an exploration of the nature of the background mental ecology of centuries of standard literacy and its main mechanisms in the context of which postliteracy emerges. Western literacy's dominant feature of linear sequentiality and its conventions of pictorial space and narrative time crucially influence the look of language and how it operates across the pages of books. With the arising of experiments that challenge these conventions in the book, I examine the reawakening of the sensory dimension of language and its role in the process of signification. I also explore "the mosaic principle" of the book as an open field of language systems, and the significance of the resonant spaces between language elements without standard literacy's hierarchical structures or prescriptive grammars. I explore too how the temporal dimension in the artistsbook is reconfigured into cycles and loops, or is collapsed entirely, resulting in a different type of narrative with a different way of telling. The core of this research is presented in a final chapter comprising the reading, analysis and commentary of the artistsbooks made in the studio, thus completing the final round of the generative process that underpins the creative methodology of this project. In each of the studio artworks there is a question for the book form itself and the expressive possibilities for the language forms and structures that operate in its spaces. The title of this research contains the word "Decodex," an enfolding, portmanteau word. Code is the essence of the operating mode of language and literacy, while codex is our term for the millennia-old form of the book. The sense of going beyond both code (conventional literacy) and the standard book, implied in the word Decodex, is precisely the spirit of this project, an unfolding of a new literacy invoked on the pages of the experimental, contemporary artistsbook.
Sonnenfleckenzeichnung Nr. 273.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 01.11.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
AtomNeb: IDL Library and Python Package for Atomic Data of Ionized Nebulae
Creators: name: Danehkar, A.
Publisher: name: arXiv
Year: 2019
Subjects: subject: Instrumentation and Methods for Astrophysics (astro-ph.IM)
subject: Astrophysics of Galaxies (astro-ph.GA)
subject: Solar and Stellar Astrophysics (astro-ph.SR)
subject: FOS: Physical sciences

description: Spectra emitted from ionized nebulae typically contain collisionally excited and recombination lines, which can be used to trace physical conditions and chemical abundances of the interstellar medium in our Galaxy and other galaxies. "AtomNeb" is a database containing atomic data stored in the Flexible Image Transport System (FITS) file format, including the data for collisionally excited and recombination lines often observed in nebular astrophysics. The AtomNeb interface library is equipped with several application programming interface (API) functions developed in the Interactive Data Language (IDL), also usable in the GNU Data Language (GDL), and in the high-level, general-purpose programming language Python. The IDL library relies on the FITS file-related IDL procedures from the IDL Astronomy User's library, while the Python package depends on the Python packages Astropy and NumPy. The AtomNeb IDL library and the corresponding Python package, in conjunction with the "proEQUIB" IDL library and "pyEQUIB" Python package, respectively, can be used to perform plasma diagnostics and abundance analysis of emission lines from ionized gaseous nebulae.
description: 4+2 pages, published in The Journal of Open Source Software. The IDL code and its documentation are available at https://github.com/atomneb/AtomNeb-idl and its archive at https://doi.org/10.5281/zenodo.2584419 ; The Python code and its documentation are available at https://github.com/atomneb/AtomNeb-py and its archive at https://doi.org/10.5281/zenodo.4287565
Algorithmic Decision Making And Human Rights
Creators: name: Schulz, Wolfgang
name: Polster, Anne-Kristin
Publisher: name: Zenodo
Year: 2018
Subjects: Algorithms
Algorithmic decision-making
Human Rights
Artificial Intelligence
Regulation

description: Embedded in smart technologies, algorithms are taking decisions on a daily basis. What challenges arise from algorithmic decision making for human rights and for the regulation of artificial intelligence? In this blog article, Wolfgang Schulz and Anne-Kristin Polster document some initial findings which could be observed at the Global Network of Internet and Society Research Center’s discussion.
Niki Berg - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: This oral history interview focuses on Niki Berg’s career as a photographer. She talks about some of her projects or series such as the Berkshire Home Project, her Sacred Connections book, and her Generations series. Berg explains the themes of family and multiple generations in her work, especially in her images depicting her grandmother, her parents, herself, and her children. She talks about how emotional these projects were and the role of nudity versus the distraction of clothing in her photographs. Equally as important to her work were her experiences battling cancer, her spirituality, confronting mortality and the process of aging, and the journey of adopting a child. She also describes her technique of layering images.
Marilyn Schwartz- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: Marilyn Schwartz, a photographer and collagist was born in the Bronx. She has always lived and worked in New York City and for many years at Westbeth Artist Residence in Greenwich Village. Schwartz was selected in 1978 by the Cultural Council Foundation to work on the CETA Artist Project. She was stationed in Staten Island, and with the S. I. Museum archived buildings for the Landmarks Commission. She also photographed a dance troop’s productions, and worked with the S.I. Children’s Museum. Her photographs were shown in all of these venues.

Schwartz has documented feminist artists picketing Museum of Modern Art for greater representation, students at NYU for pro-choice, anti-racist marches in So. Boston and religious groups for peace. She has often worked in series in black and white and is noted for her portraits as well. Schwartz now works with collage and in color of events such as Tango on the Hudson Piers, and a Celebration of New York City Gardens, and people and events around town. Her photographs are in the collection of the Museum of the City of New York, The Staten Island Museum, Museum of Modern Art archives and the New York Historical Society. She has been published in many magazines and exhibited widely around NYC and in Puerto Rico.

Marilyn Schwartz discusses her media, the main one being photography, and also collage and poetry and how they relate to each other, as well as insights about how photography has changed over the last half century. She discusses the important CETA movement – the Comprehensive Employment and Training Act of 1973, a federal program created for the public, of which artists took great advantage, and her part in it. She describes the early years of the artists’ housing complex, Westbeth, where she lives, and which was created around the same time, and how it became a hub for a very productive time in all art forms in American artistic history as well as her connections to feminism and women’s rights.
Mary Miss- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: In this oral history, Mary Miss recounts her early influences and formative creative experiences, such as viewing much of the American southwest from the backseat of a moving Chevy. She details how the environment and the viewer's physical, mental, and social engagement have been primary elements of her work. Mary also talks about what it was like to be an artist during the 1960s and 1970s in New York City. She reflects on some of her unrealized project proposals, and provides advice for artists both young and old.
Learning binary undirected graph in low dimensional regime
Creators: name: De Canditiis, Daniela
Publisher: name: arXiv
Year: 2019
Subjects: subject: Methodology (stat.ME)
subject: FOS: Computer and information sciences
subject: 62G05

description: Given a random sample extracted from a Multivariate Bernoulli Variable (MBV), we consider the problem of estimating the structure of the undirected graph for which the distribution is pairwise Markov and the parameters' vector of its exponential form. We propose a simple method that provides a closed form estimator of the parameters' vector and through its support also provides an estimate of the undirected graph associated to the MBV distribution. The estimator is proved to be consistent but it is feasible only in low-dimensional regimes. Synthetic examples illustrates its performance compared with another method that represents the state of the art in literature. Finally, the proposed procedure is used for the analysis of a real data set in the pediatric allergology area showing its practical efficiency.
description: 16 pages, 1 figure
title: Diffusion-weighted images of the liver at 3T MRI: Comparison of apparent diffusion coefficient before and after contrast enhancement with Gd-EOB-DTPA
Creators: name: Namimoto, Tomohiro
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Background Gd-EOB-DTPA [gadolinium-ethoxybenzyl-diethylenetriamine-pentaacetic-acid (Primovist)] accumulates in normally functioning hepatocytes in the hepatobiliary phase which begin 20 min after injection. As paramagnetic MR contrast agents,...
Sonnenfleckenzeichnung Nr. 218.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 01.09.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Business And It Alignment Model (Ontology)
Creators: name: Hinkelmann, Knut
Publisher: name: Zenodo
Year: 2018

description: This is the business and IT alignment ontology for CloudSocket.

The link to ongoing evolution can be found here: https://github.com/BPaaSModelling/CloudSocket-Ontology/

More information on how to use the ontology can be found here: www.cloudsocket.eu
"Here & There™"
Creators: name: Phillips, Andrew Caleb
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: The intention of this project is to appraise cultural obsessions with certainty through a review of art forms that build complex and uncertain relationships between artist, subject, and viewer. These visual framing techniques that deflect the gaze of the viewer and entrust them with the responsibility of inscribing their own narrative understandings, will be utilised to examine the relationships between artifice and truth and subsequently the adherence to fictions of reality and illusion. A key aspect of this exegesis is to reflect on the dominance of the scopic realm in relation to contemporary psychological life. Instances of tension developing from passive/active binaries will be scrutinised to establish the ways authority can see us losing sight of transformative forces and gives rise to the illusions of permanence to which we cling. This questioning of the bond between seeing and knowing and visual certainty as given by appearance, is a tradition I am continuing as a means to unpack undercurrents of passivity and to examine the evolution of a globally articulated self-awareness. Being open to the instability of the human condition is important when making work that intends to connect with others in transformative and energetic ways. By using art practice to question the quality of our sociability I am able to bear witness to social, cultural and intellectual change. The final project submission will be six back to back video works of approximately fifteen minutes duration projected onto the gallery wall and will be accompanied by a series of typographic posters.
Sonnenfleckenzeichnung Nr. 254.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 09.10.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Living IKEA: shopping experiences, making homes and branding sustainability
Creators: name: Duque Hurtado, Melisa
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: "Living IKEA" aims to define the "intangibles" that IKEA "sells" through its range of products. In order to achieve this objective the research studied IKEA's strategies of commercialization, promotion and communication. This study was developed through a mixed methodology that comprised an ethnographic fieldwork at two different IKEA's stores; the visual analysis of the 2013 IKEA's catalogue, and a textual analysis of IKEA's sustainability reports. Based on the results obtained this dissertation argues: that IKEA provides shoppers with "shopping experiences" while they are visiting the store; that IKEA creates and promote particular "ways of life at home" throughout the pages of its catalogue; and that IKEA attaches "environmental values" to its products using sustainable reports. These arguments are advanced through three chapters that present: the principles of the IKEA experience, the patterns of the IKEA home and the environmental values that make IKEA "more sustainable".
Rose Mosner - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Rose Mosner, very early on as a child, was exposed to the best in art as her father took her through the finest New York Museums. So it wasn’t a surprise that her Bachelor’s and Masters degrees in fine art from Queens College would lead her into a long term career (20 years) of teaching and doing art in New York public schools. Highlights as a teacher were to recognize those students who “had the gift”. During this time her post graduate training continued at the School of Visual Arts (the New School and Adelphi University) where she acquired skills in woodworking, weaving and silk screen, all currently part of her current professional work. Although she retired early to pursue art, teaching hasn’t left her; since 2006, in New York and Washington DC she continues to teach collage classes in several senior centers at the New School, Educational Alliance, Iona Center and American University.
Doing art is her life, however. And collage is her major focus, from small pieces with beads, colored paper and found items to 3D abstract wood pieces shaped into exotic forms with a Dewalt Heavy Duty Scroll Saw. Her paintings are in acrylic, abstract, her work influenced by music, nature and especially art history. All is a challenge; at times she is working on several pieces, a hard-edged painting, a wood cut-out or a collage with buttons and styrofoam, each an experiment in media, a struggle of color, line and movement in search of a resolution. Her work has exhibited in 2011 at the Cahoon Museum American Art, Cotuit Mass., at the Corcoran Gallery in DC (2013), at the Rockville Art League, Rockville, MD. in 2014 and recently at the Leading Age Art forum, Univ. of DC, 2016.

In this oral history interview, Rose Mosner talks about her development from a young painter into an older artist using found objects in her art. The narrative includes a story about how she became interested in incorporating wood cuts into her art. Mosner explains the difficulty in naming her artwork because it is abstract and fluid, a constant evolutionary process. She also describes the differences between digital art or colleges and doing it hands-on, which she prefers.
Sonia Gechtoff - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Sonia Gechtoff is a painter who has worked in the Bay Area, CA, and in the NYC artist communities. She describes the differences between Bay Area and NY abstract expressionist painting and her experiences with each. She also talks about the differences between the two communities in terms of how women were treated. Her husband was also a painter and Gechtoff describes how their marriage was as two painters who respected each other’s work and raising a family supported by two artists. She explains the complexity of selling her artwork and how the market works. Music greatly influences her work and she talks about always listening to music while she paints.
Dissemination, Communication and 5G PPP Engagement Plan
Creators: name: V. Mavrikakis
Publisher: name: Zenodo
Year: 2021
Subjects: 5G-PPP, Communication, dissemination, NetApp, Training, Dashboard

description: The EVOLVED-5G project, through the D7.1 deliverable, presents the initial plan which will be applied by the EVOLVED-5G partners, in the context of project’s WP7 activities in the tasks of communication, dissemination, and engagement with 5G-PPP throughout the entire life cycle of the project.
 Specifically, the communication plan is presented, emphasizing the various digital and non-digital communication channels in use, and the overall action plan developed for efficient communication of the project to all the relative stakeholders, aiming at maximum impact. Similarly, the dissemination plan includes all the appropriate dissemination means that will be utilised for efficiently transmitting the results and the technological advances of the project to the corresponding scientific, academic, research, industrial and general public target audiences. Furthermore, the engagement with 5G-PPP association is described, shedding light to the representatives of EVOLVED-5G project in the Steering board and Technology board respectively. In addition, the participation of EVOLVED-5G partners in the different 5G-PPP working groups is described. All the plans described in D7.1 will be constantly updated throughout the entire project lifetime, and adapted to the project’s evolving requirements, for attaining the greatest project visibility, audience and impact. Adaptation will also take into account the changes in the environment, in which the project is being executed, e.g. the state and effects of the COVID-19 pandemic as well as the commercial evolution of 5G.
Katamenes niger
Creators: name: Carpenter, James M.
name: Gadallah, Neveen S.
Publisher: name: Zenodo
Year: 2020
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Hymenoptera
Eumenidae
Katamenes
Katamenes niger

description: Katamenes niger (Brullé, 1839)
Distribution in the Arabian Peninsula: Bahrain (Guichard 1986), Saudi Arabia (Giordani Soika 1957 as Eumenes nigra; Guichard 1986; Gusenleitner 2013).
Extralimital distribution: Algeria, Canary Islands, Chad, Egypt, Iran, Israel, Jordan, Morocco, Sudan.
description: Published as part of Carpenter, James M. & Gadallah, Neveen S., 2020, Biodiversity of the aculeate wasps (Hymenoptera: Aculeata) of the Arabian Peninsula: Vespoidea, Vespidae, pp. 191-216 in Zootaxa 4754 (1) on page 200, DOI: 10.11646/zootaxa.4754.1.20, http://zenodo.org/record/3719047
title: T2-weighted images of the liver on 3T MRI: Comparison of contrast before and after the administration of Gd-EOB-DTPA
Creators: name: Namimoto, Tomohiro
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Background Gd-EOB-DTPA [gadolinium-ethoxybenzyl-diethylenetriamine-pentaacetic-acid (Primovist)] accumulates in normally functioning hepatocytes in the hepatobiliary phase which begin 20 min after injection. As paramagnetic magnetic resonance (MR)...
Sonnenfleckenzeichnung Nr. 182.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 27.07.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
title: The added value of the perfusion, diffusion and spectroscopy MRI in the differentiation and grading of gliomas
Creators: name: Serrano Velasco, Laura
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: PURPOSE The presurgical malignant grading of gliomas is important to be able to determinate the best therapeutic approach and to establish the adequate follow-up. The conventional MRI, in some cases, can not characterize itself the malignant grading...
Between wishes and fears: a studio investigation of the fairy tale.
Creators: name: Doolan, Michael John
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: Fairy tales can cover the entire spectrum of life's ups and downs; they reveal our innermost fears, carry our wishes, teach us lessons and set seemingly unassailable challenges. Over time we forge rich personal relationships with their various protagonists who we welcome into our homes, onto our bookshelves, upon our stages and across our screens. We celebrate and admire their many attributes, mourn their dilemmas, grow to fear their countless adversaries and reflect on their many experiences as a means of understanding the world around us. But how has the fairy tale maintained its relevance today? The research shows the fairy tale has evolved over time from a rich oral tradition disseminated by storytellers who would adapt their tales in order to reflect the social and cultural values of their audience. The thesis demonstrates this unique tradition of renewal by investigating the fairy tale's literary development and exploring the breadth of its enduring incidence in contemporary culture. However, the major area of investigation within this research builds on these findings by questioning the fairy tale's continued relevance on both an individual and social level and examines its viability as a site for artistic interrogation. The major contribution to knowledge of this studio research is to demonstrate the conceptualisation and development of a three dimensional narrative type of fairy tale, by relocating the fairy tale within three-dimensional visual culture, whilst exploring its significance and capacity for renewal outside its established modes of expression.
Susan May Tell - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Susan May Tell discusses her experiences as a photojournalist for the Villager, NY Times, and NY Post. She describes her personal projects, which include People Alone, A Requiem: Tribute to the Spiritual Space at Auschwitz, and Appalachia and the Rust Belt 2012. Her photographs explore the themes of going with the flow, space, silence, and solitude. She also talks about her thoughts on the similarities between poetry and photography, and the communicative power of photography.
Zigi Ben Haim - ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Older artists
Arts

description: The interview with New York City artist Zigi Ben-Haim, focusing on the back stories behind his works from the 1970s until the present, is a journey that leads through different cultures and life experiences. The artist’s work in the ‘70s registers his first step to balance the differences between his Israeli cultural tradition and his new life in the US when he first moved to the country. It was from that time on that the urban landscape of SoHo and his travelling experiences became his primary sources of inspiration, and that “surface,” “materials from the outside of the art world,” “the old and the new,” and “culture and nature” became the key notions he has been painstakingly exploring through his entire career trajectory. When it came to his projects in the ‘80s and ‘90s, the ants carrying leaves in the rain forest of Costa Rica, the various figurines of gods in a Russian Church, and the tire of the Columbia Shuttle he got from NASA all added layers to Zigi’s art that he considers as the footprints of his life. This interview reveals how art has played an important role in maintaining a consistent and purposeful life for the artist, during which he has always reflected on the old but simultaneously adopted the new.
Barbara Hammer- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: The theme of the oral history is “Challenges: Youth and Age.” We focused on exploring the evolution of Barbara Hammer as she experiences life and new challenges. In her youth Barbara reflects on her upbringing and memories with her grandma. In her age, Barbara discusses her battle with ovarian cancer. She makes connections between her health condition and her art, and how the cancer has impacted her both as an individual and an artist. Hammer also discusses plans for the future and in terms of her career, personal life, and tackling new challenges. The oral history exemplifies Barbara Hammer’s positive attitude, courage, and resilience.
Sonnenfleckenzeichnung Nr. 309.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 18.12.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Arlene Gottfried- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: Arlene Gottfried, Kim McGough, Danielle Dong and Blythe Duckett were present for the recording of the oral history about Arlene’s life and her photography. The interview lasted approximately 50 minutes and overviewed her 5 books (The Eternal Light, 2002; Midnight, 2003; Sometimes Overwhelming, 2008; Bacalaitos and Fireworks, 2011; and Mommie, 2016). The overarching theme of the discussion focused on the people that Arlene photographs, which includes friends, family, and strangers.
Sonnenfleckenzeichnung Nr. 275.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 03.11.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
STEP: Spatial Temporal Graph Convolutional Networks for Emotion Perception from Gaits
Creators: name: Bhattacharya, Uttaran
name: Mittal, Trisha
name: Chandra, Rohan
name: Randhavane, Tanmay
name: Bera, Aniket
name: Manocha, Dinesh
Publisher: name: arXiv
Year: 2019
Subjects: subject: Computer Vision and Pattern Recognition (cs.CV)
subject: Robotics (cs.RO)
subject: FOS: Computer and information sciences

description: We present a novel classifier network called STEP, to classify perceived human emotion from gaits, based on a Spatial Temporal Graph Convolutional Network (ST-GCN) architecture. Given an RGB video of an individual walking, our formulation implicitly exploits the gait features to classify the emotional state of the human into one of four emotions: happy, sad, angry, or neutral. We use hundreds of annotated real-world gait videos and augment them with thousands of annotated synthetic gaits generated using a novel generative network called STEP-Gen, built on an ST-GCN based Conditional Variational Autoencoder (CVAE). We incorporate a novel push-pull regularization loss in the CVAE formulation of STEP-Gen to generate realistic gaits and improve the classification accuracy of STEP. We also release a novel dataset (E-Gait), which consists of $2,177$ human gaits annotated with perceived emotions along with thousands of synthetic gaits. In practice, STEP can learn the affective features and exhibits classification accuracy of 89% on E-Gait, which is 14 - 30% more accurate over prior methods.
description: 11 pages, 7 figures, 1 table
Sonnenfleckenzeichnung Nr. 219.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 02.09.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Terry Berkowitz - ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: This oral history Is a collection of stories by Terry Berkowitz, an artist living in the New York City area. She is a lifelong advocate for humankind. Her work seeks to engage the entire individual for a transformative, and inspirational experience.
Take an Emotion Walk: Perceiving Emotions from Gaits Using Hierarchical Attention Pooling and Affective Mapping
Creators: name: Bhattacharya, Uttaran
name: Roncal, Christian
name: Mittal, Trisha
name: Chandra, Rohan
name: Kapsaskis, Kyra
name: Gray, Kurt
name: Bera, Aniket
name: Manocha, Dinesh
Publisher: name: arXiv
Year: 2019
Subjects: subject: Computer Vision and Pattern Recognition (cs.CV)
subject: Machine Learning (cs.LG)
subject: FOS: Computer and information sciences

description: We present an autoencoder-based semi-supervised approach to classify perceived human emotions from walking styles obtained from videos or motion-captured data and represented as sequences of 3D poses. Given the motion on each joint in the pose at each time step extracted from 3D pose sequences, we hierarchically pool these joint motions in a bottom-up manner in the encoder, following the kinematic chains in the human body. We also constrain the latent embeddings of the encoder to contain the space of psychologically-motivated affective features underlying the gaits. We train the decoder to reconstruct the motions per joint per time step in a top-down manner from the latent embeddings. For the annotated data, we also train a classifier to map the latent embeddings to emotion labels. Our semi-supervised approach achieves a mean average precision of 0.84 on the Emotion-Gait benchmark dataset, which contains both labeled and unlabeled gaits collected from multiple sources. We outperform current state-of-art algorithms for both emotion recognition and action recognition from 3D gaits by 7%--23% on the absolute. More importantly, we improve the average precision by 10%--50% on the absolute on classes that each makes up less than 25% of the labeled part of the Emotion-Gait benchmark dataset.
description: 18 pages, 5 figures, 3 tables
title: The middle cerebellar peduncle in diagnostics of MSA and PSP revisited: An MRI study
Creators: name: Christensen, Anders
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: In neurodegenerative disorders, paired structures are affected bilaterally, i.e. the MCP (middle cerebellar peduncle). The degree of affection is howeveroften asymmetric and this finding varies between the underlying conditions. The aim of this...