title: ÐÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ð¹ Ð¸Ð½ÑÐµÑÑÐµÑ XVIIâXVIII Ð²ÐµÐºÐ¾Ð² Ð¸ ÐµÐ³Ð¾ Ð¿ÐµÑÐµÐ¾ÑÐ¼ÑÑÐ»ÐµÐ½Ð¸Ðµ Ð² ÑÑÐ¸Ð»Ðµ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Chinese interior of the XVIIâXVIII centuries and its rethinking in the style of chinoiserie
Creators: name: ÐÐµÐ»Ð¸ÑÐµÐ½ÐºÐ¾, Ð®Ð»Ð¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: ÐÐ¸ÑÐ°Ð¹
Ð¸Ð½ÑÐµÑÑÐµÑ
ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸
ÑÑÐ¸Ð»Ñ
Ð¼ÐµÐ±ÐµÐ»Ñ
Ð¾ÑÐ½Ð°Ð¼ÐµÐ½ÑÑ
China
interior
chinoiserie
style
furniture
ornaments

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¸Ð½ÑÐµÑÑÐµÑÐ° XVIIâXVIII Ð²Ð². Ð½Ð° ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ð¹ ÑÑÐ¸Ð»Ñ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸. Ð¦ÐµÐ»ÑÑ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ Ð¿Ð¾ÐºÐ°Ð·Ð°ÑÑ ÑÑÐ¾Ð´ÑÑÐ²Ð° Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¸Ð½ÑÐµÑÑÐµÑÐ° ÑÐ¿Ð¾ÑÐ¸ Ð¦Ð¸Ð½ Ð¸ ÑÐºÐ·Ð¾ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¾Ð³Ð¾ ÑÑÐ¸Ð»Ñ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¼ÐµÐ±ÐµÐ»ÑÐ½ÑÑ Ð¸Ð·Ð´ÐµÐ»Ð¸Ð¹. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ ÑÐ°ÐºÑÐ¾ÑÑ ÑÐ¾ÑÐ¼Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð¸Ð½ÑÐµÑÑÐµÑÐ° Ð² ÐÐ¸ÑÐ°Ðµ. 2. ÐÑÐ´ÐµÐ»Ð¸ÑÑ ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸Ñ Ð¼ÐµÐ±ÐµÐ»ÑÐ½ÑÑ Ð¸Ð·Ð´ÐµÐ»Ð¸Ð¹ ÑÐ¿Ð¾ÑÐ¸ Ð¦Ð¸Ð½. 3. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·ÑÐµÐ¼ÑÐµ Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²Ð¾Ð´ÑÑÐ²Ðµ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ Ð¼ÐµÐ±ÐµÐ»ÑÐ½ÑÑ Ð¸Ð·Ð´ÐµÐ»Ð¸Ð¹ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ñ. 4. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð¿ÑÐ¸ÑÐ¸Ð½Ñ Ð¸Ð½ÑÐµÑÐµÑÐ° Ðº Ð¸Ð·Ð´ÐµÐ»Ð¸ÑÐ¼ Ð² ÑÐºÐ·Ð¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÑÑÐ¸Ð»Ðµ Ð² ÐÐ²ÑÐ¾Ð¿Ðµ XVIIâXVIII Ð²ÐµÐºÐ¾Ð². 5. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ Ð¿ÑÑÐ¸ Ð¸Ð½ÑÐµÐ³ÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸ Ð² ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ð¹ Ð¸Ð½ÑÐµÑÑÐµÑ. 6. Ð¡ÑÐ°Ð²Ð½Ð¸ÑÑ Ð¼ÐµÐ±ÐµÐ»ÑÐ½ÑÐµ Ð¸Ð·Ð´ÐµÐ»Ð¸Ñ XVIIâXVIII Ð²Ð². Ð² ÐÐ²ÑÐ¾Ð¿Ðµ Ð¸ Ð² ÐÐ¸ÑÐ°Ðµ. Ð Ð°Ð±Ð¾ÑÐ° Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð° Ð½Ð° Ð±Ð°Ð·Ðµ ÑÐ¾ÑÑÐ°Ð½Ð¸Ð²ÑÐ¸ÑÑÑ Ð¾Ð±ÑÐ°Ð·ÑÐ¾Ð² ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ Ð¼ÐµÐ±ÐµÐ»Ð¸ Ð¸ Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐ½ÑÑ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹ ÑÐ¿Ð¾ÑÐ¸ Ð¦Ð¸Ð½ æ¸ (1644â1911), Ð° ÑÐ°ÐºÐ¶Ðµ Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ð°Ñ Ð°Ð»ÑÐ±Ð¾Ð¼Ð¾Ð² ÐºÐ¾Ð»Ð»ÐµÐºÑÐ¸Ð¹ ÑÐ°ÐºÐ¸Ñ Ð¼ÑÐ·ÐµÐµÐ², ÐºÐ°Ðº ÐÑÐ·ÐµÐ¹ ÐÐ¸ÐºÑÐ¾ÑÐ¸Ð¸ Ð¸ ÐÐ»ÑÐ±ÐµÑÑÐ° Ð² ÐÐ¾Ð½Ð´Ð¾Ð½Ðµ Ð¸ ÐÐ°ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÐ¹ Ð¼ÑÐ·ÐµÐ¹ Ð¨Ð¾ÑÐ»Ð°Ð½Ð´Ð¸Ð¸. ÐÐ½Ð°Ð»Ð¸Ð· Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»ÑÑ ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð¾-Ð¾Ð¿Ð¸ÑÐ°ÑÐµÐ»ÑÐ½ÑÐ¼ Ð¼ÐµÑÐ¾Ð´Ð¾Ð¼. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð±ÑÐ»Ð¸ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÑÑÐ¾Ð´ÑÑÐ²Ð° Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ ÑÐ¾ÑÐ¼ Ð¸ Ð¾ÑÐ½Ð°Ð¼ÐµÐ½ÑÐ°Ð»ÑÐ½ÑÑ Ð¼Ð¾ÑÐ¸Ð²Ð¾Ð² Ð¼ÐµÐ±ÐµÐ»ÑÐ½ÑÑ Ð¸Ð·Ð´ÐµÐ»Ð¸Ð¹ ÑÐ¿Ð¾ÑÐ¸ Ð¦Ð¸Ð½ Ð¸ ÑÑÐ¸Ð»Ñ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸. ÐÑÑÐ²Ð»ÐµÐ½Ð¾, ÑÑÐ¾ ÑÑÐ¸Ð»Ñ ÑÐ¸Ð½ÑÐ°Ð·ÑÐ¸ Ð±ÑÐ» Ð°Ð´Ð°Ð¿ÑÐ¸ÑÐ¾Ð²Ð°Ð½ Ð½Ð° ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¾Ð¼ ÐºÐ¾Ð½ÑÐ¸Ð½ÐµÐ½ÑÐµ ÑÐ°Ð¾ÑÐ¸ÑÐ½ÑÐ¼ Ð¾Ð±ÑÐ°Ð·Ð¾Ð¼, Ð±ÐµÐ· Ð¿Ð¾Ð½Ð¸Ð¼Ð°Ð½Ð¸Ñ ÑÐµÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ ÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¾Ð³Ð¾ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ñ ÑÐ¼ÑÑÐ»Ð¾Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ ÐºÑÐ»ÑÑÑÑÑ Ð¸ ÑÐ²Ð»ÑÐ»ÑÑ Ð¾ÑÐ´ÐµÐ»ÑÐ½ÑÐ¼, ÑÐ°Ð¼Ð¾ÑÑÐ¾ÑÑÐµÐ»ÑÐ½ÑÐ¼ Ð²Ð¸Ð´Ð¾Ð¼ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°.
description: The given work is devoted to the study of the influence of Chinese interior XVIIâXVIII centuries on chinoiserie style. The aim of the work is to show the similarities and differences of the Chinese interior of the Qing era and exotic European chinoiserie style on the example of furniture products. The research set the following goals: 1. To determine the factors of the formation of the interior in China. 2. To highlight the typology of furniture products of the Qing era. 3. To consider the materials used in the manufacture of Chinese furniture products. 4. To consider the reasons for the interest in exotic-style products in Europe of the XVIIâXVIII centuries. 5. To identify ways to integrate chinoiserie into the European interior. 6. To compare furniture products of the XVIIâXVIII centuries in Europe and in China. The work was carried out on the basis of preserved samples of traditional furniture and literary works of the Qing dynasty (1644â1911), as well as on album materials from collections of museums such as the Victoria and Albert Museum in London and the National Museum of Scotland. The analysis was conducted by the method of descriptive-comparative research. The study resulted in the conclusion that similarities and differences in the shapes and ornamental motifs of Qing dynasty furniture and chinoiserie style were analyzed. The chinoiserie style was adapted on the European continent in a chaotic manner, without understanding the real philosophical meaning of the meanings of Chinese culture and was a separate, independent type of European art.