title: Ð¤Ð¾Ð½ÐµÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸ Ð¸ÑÐ¾Ð½Ð¸Ð¸ (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ°)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Phonetic criteria of irony (based on the material of the British film and television discourse)
Creators: name: Ð¡Ð½Ð¸ÑÐºÐ¾, ÐÐ°Ð»ÐµÐ½ÑÐ¸Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2023
Subjects: Ð¼Ð¾Ð´Ð°Ð»ÑÐ½Ð¾ÑÑÑ
Ð¿ÑÐ¾ÑÐ¾Ð´Ð¸Ñ
Ð¸ÑÐ¾Ð½Ð¸Ñ
Ð´Ð»Ð¸ÑÐµÐ»ÑÐ½Ð¾ÑÑÑ
Ð¸Ð½ÑÐµÐ½ÑÐ¸Ð²Ð½Ð¾ÑÑÑ
Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº
ÑÐ°ÑÑÐ¾ÑÐ° Ð¾ÑÐ½Ð¾Ð²Ð½Ð¾Ð³Ð¾ ÑÐ¾Ð½Ð°
Ð°ÐºÑÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·
ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÐ¹ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¸Ð¹ ÐºÐ¸Ð½Ð¾- Ð¸ ÑÐµÐ»ÐµÐ´Ð¸ÑÐºÑÑÑ
modality
prosody
irony
duration
intensity
english language
pitch frequency
acoustic analysis
modern british film and television discourse

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð°Ð½Ð°Ð»Ð¸Ð·Ñ ÑÐ¾Ð½ÐµÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸Ðº Ð¸ÑÐ¾Ð½Ð¸ÑÐ½ÑÑ Ð²ÑÑÐºÐ°Ð·ÑÐ²Ð°Ð½Ð¸Ð¹ Ð² Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð¼ ÑÐ·ÑÐºÐµ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½Ð¾- Ð¸ ÑÐµÐ»ÐµÐ´Ð¸ÑÐºÑÑÑÐ°. Ð Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ð¸ Ð±ÑÐ»Ð¸ ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð½Ð°ÑÑÐ½ÑÐµ Ð¿Ð¾Ð´ÑÐ¾Ð´Ñ Ðº Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ Ð¸ÑÐ¾Ð½Ð¸Ð¸, ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ñ Ð¸ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÑÐ°Ð¿Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð¿Ð¾Ð½ÑÑÐ¸Ñ, Ð° ÑÐ°ÐºÐ¶Ðµ Ð±ÑÐ»Ð¾ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¾ Ð»Ð¸Ð½Ð³Ð²Ð¾ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ðµ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ðµ Ð¸ÑÐ¾Ð½Ð¸Ð¸ Ð² Ð¼Ð¸ÑÐ¾Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ð¸ Ð±ÑÐ¸ÑÐ°Ð½ÑÐµÐ² Ð¸ Ð²ÑÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð²ÐµÑÐ±Ð°Ð»ÑÐ½Ð¾Ð¹ Ð¸ÑÐ¾Ð½Ð¸Ð¸ Ð² Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð¼ ÑÐ·ÑÐºÐµ. ÐÐ»Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð±ÑÐ» Ð¾ÑÐ¾Ð±ÑÐ°Ð½ ÑÐµÐ»ÐµÐ²Ð°Ð½ÑÐ½ÑÐ¹, Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ Ð°ÐºÑÑÐ°Ð»ÑÐ½ÑÐ¹ Ð´Ð»Ñ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½Ð¾- Ð¸ ÑÐµÐ»ÐµÐ´Ð¸ÑÐºÑÑÑÐ° Ð²Ð°ÑÐ¸Ð°Ð½Ñ Ð¿ÑÐ¾Ð¸Ð·Ð½Ð¾ÑÐ¸ÑÐµÐ»ÑÐ½Ð¾Ð¹ Ð½Ð¾ÑÐ¼Ñ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¾Ð³Ð¾ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾. ÐÑÐ»ÐµÐ´ÑÑÐ²Ð¸Ðµ ÑÑÐ¾Ð³Ð¾ Ð±ÑÐ»Ð¸ Ð¾ÑÐ¾Ð±ÑÐ°Ð½Ñ Ð´Ð¸ÐºÑÐ¾ÑÑ (2 Ð¼ÑÐ¶ÑÐºÐ¸Ñ Ð´Ð¸ÐºÑÐ¾ÑÐ° Ð¸ 1 Ð¶ÐµÐ½ÑÐºÐ¸Ð¹), Ð° ÑÐ°ÐºÐ¶Ðµ Ð²Ð¸Ð´ÐµÐ¾- Ð¸ Ð°ÑÐ´Ð¸Ð¾Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ñ Ñ Ð¸Ñ ÑÑÐ°ÑÑÐ¸ÐµÐ¼, Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ ÐºÐ¾ÑÐ¾ÑÑÑ Ð±ÑÐ» Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½ Ð°ÐºÑÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·. Ð ÑÐ°Ð¼ÐºÐ°Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° ÑÑÐ¿ÑÐ°ÑÐµÐ³Ð¼ÐµÐ½ÑÐ½ÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð¸ÑÐ¾Ð½Ð¸ÑÐµÑÐºÐ¸Ñ Ð²ÑÑÐºÐ°Ð·ÑÐ²Ð°Ð½Ð¸Ð¹ Ð½Ð° Ð±Ð°Ð·Ðµ Ð²ÑÐ±ÑÐ°Ð½Ð½Ð¾Ð³Ð¾ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ð° Ð¾ÑÐ¾Ð±Ð¾Ðµ Ð²Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ ÑÐ´ÐµÐ»ÑÐ»Ð¾ÑÑ ÑÐ°ÐºÐ¸Ð¼ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸ÐºÐ°Ð¼, ÐºÐ°Ðº: ÑÐ°ÑÑÐ¾ÑÐ° Ð¾ÑÐ½Ð¾Ð²Ð½Ð¾Ð³Ð¾ ÑÐ¾Ð½Ð°, ÑÐµÐ¼Ð¿ ÑÐµÑÐ¸, Ð¸Ð½ÑÐµÐ½ÑÐ¸Ð²Ð½Ð¾ÑÑÑ ÑÐ¸Ð»Ñ Ð·Ð²ÑÐºÐ¾Ð²Ð¾Ð³Ð¾ Ð´Ð°Ð²Ð»ÐµÐ½Ð¸Ñ. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð±ÑÐ»Ð¸ Ð²ÑÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð·Ð°ÐºÐ¾Ð½Ð¾Ð¼ÐµÑÐ½Ð¾ÑÑÐ¸, Ð° ÑÐ°ÐºÐ¶Ðµ ÑÑÐ¾Ð´ÑÑÐ²Ð° Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ Ð¼ÐµÐ¶Ð´Ñ Ð´Ð¸ÐºÑÐ¾ÑÐ°Ð¼Ð¸ Ð² ÑÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð¸ÑÐ¾Ð½Ð¸Ð¸ Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð¼ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¾Ð¼ ÐºÐ¸Ð½Ð¾- Ð¸ ÑÐµÐ»ÐµÐ´Ð¸ÑÐºÑÑÑÐµ.
description: This work is devoted to the analysis of phonetic characteristics of ironic utterances in the English language on the example of modern British film and television discourse. The study examined the main scientific approaches to the study of irony, the classification and the main stages of the development of the concept, and also determined the linguistic and cultural significance of irony in the perception of the British and highlighted the features of verbal irony in the English language. For the study, a relevant variant of the pronunciation norm of British English was selected, the most topical for the modern British film and television discourse. Therefore, the speakers were selected (2 male speakers and 1 female), as well as video and audio materials with their participation, on the basis of which an acoustic analysis was performed. As part of the analysis of suprasegmental features of the implementation of ironic utterances based on the selected material, special consideration was paid to such characteristics as: the pitch frequency, the pace of speech, the intensity of the sound pressure force. As a result of the study, based on the data obtained, the main patterns were identified, as well as similarities and differences between speakers in the implementation of irony in modern British film and television discourse.