title: ÐÑÐ¾Ð±Ð»ÐµÐ¼Ð°ÑÐ¸ÐºÐ° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½Ð¾Ð¹ Ð¸ ÑÐ²ÑÐµÐ¼Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð»ÐµÐºÑÐ¸ÐºÐ¸ Ñ Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¾Ð³Ð¾ Ð½Ð° Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¸ÑÐ¿Ð°Ð½Ð¾ÑÐ·ÑÑÐ½ÑÑ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð²)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Translation Strategy Analysis of Dis-course and Euphemistic Vocabulary: Based on Spanish-speaking TV-series, Inter-preted into English
Creators: name: ÐÐ¾Ð¿ÐºÐ¾Ð²Ð°, ÐÐ½Ð°ÑÑÐ°ÑÐ¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´
ÑÐ¿Ð¾Ð½ÑÐ°Ð½Ð½Ð°Ñ ÑÐµÑÑ
Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½Ð°Ñ ÐµÐ´Ð¸Ð½Ð¸ÑÐ°
ÑÐ²ÑÐµÐ¼Ð¸Ð·Ð¼
Ð¿ÑÐ¸ÑÐ¼Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°
Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº
Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº
Ð½Ð°ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾-ÐºÑÐ»ÑÑÑÑÐ½ÑÐµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸
audiovisual translation
film translation
spontaneous speech
discourse marker
euphemism
translation techniques
spanish language
english language
national and cultural peculiarities

description: Ð¢ÐµÐ¼Ð° Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ: Â«ÐÑÐ¾Ð±Ð»ÐµÐ¼Ð°ÑÐ¸ÐºÐ° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½Ð¾Ð¹ Ð¸ ÑÐ²ÑÐµÐ¼Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð»ÐµÐºÑÐ¸ÐºÐ¸ Ñ Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¾Ð³Ð¾ Ð½Ð° Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¸ÑÐ¿Ð°Ð½Ð¾ÑÐ·ÑÑÐ½ÑÑ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð²Â».
ÐÐ°ÑÑÐ¾ÑÑÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ ÑÐ²ÑÐµÐ¼Ð¸Ð·Ð°ÑÐ¸Ð¸ Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¾Ð¹ ÑÐ°Ð·Ð³Ð¾Ð²Ð¾ÑÐ½Ð¾Ð¹ ÑÐµÑÐ¸ Ð¸ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ð°ÑÐ¸ÐºÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐ»Ð¾Ð²-Ð¿Ð°ÑÐ°Ð·Ð¸ÑÐ¾Ð² Ñ Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¾Ð³Ð¾ Ð½Ð° Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ÑÐ¿Ð°Ð½Ð¾ÑÐ·ÑÑÐ½ÑÑ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð² âLa Casa de Papelâ Ð¸ âÃliteâ. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ:
1. ÐÐ·ÑÑÐµÐ½Ð¸Ðµ Ð¿Ð¾Ð½ÑÑÐ¸Ñ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÐºÐ°Ðº Ð¾ÑÐ´ÐµÐ»ÑÐ½Ð¾Ð³Ð¾ Ð²Ð¸Ð´Ð° Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¾Ð¹ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÐ¸;
2. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ð¸Ðµ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÑ Ð²Ð¸Ð´Ð¾Ð² Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°; 3. ÐÐ·ÑÑÐµÐ½Ð¸Ðµ ÑÐ²Ð»ÐµÐ½Ð¸Ñ ÑÐ²ÑÐµÐ¼Ð¸Ð¸ Ð¸ Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½Ð¾Ð¹ Ð»ÐµÐºÑÐ¸ÐºÐ¸ Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð¹ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÐºÐµ Ð¸ Ð²ÑÑÐ²Ð¸ÑÑ Ð¸Ñ ÑÐ¾Ð»Ñ Ð² Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ; 4. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ð¸Ðµ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¸ Ð¸ ÑÑÐ½ÐºÑÐ¸Ð¸ ÑÐ²ÑÐµÐ¼Ð¸Ð·Ð¼Ð¾Ð² Ð¸ Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½ÑÑ ÐµÐ´Ð¸Ð½Ð¸Ñ; 5. ÐÑÑÐ²Ð»ÐµÐ½Ð¸Ðµ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿ÑÐ¸ÑÐ¼Ð¾Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐ²ÑÐµÐ¼Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð¸ Ð´Ð¸ÑÐºÑÑÑÐ¸Ð²Ð½Ð¾Ð¹ Ð»ÐµÐºÑÐ¸ÐºÐ¸ Ñ Ð¸ÑÐ¿Ð°Ð½ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð¸ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¸Ð¹ ÑÐ·ÑÐº Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¸ÑÐ¿Ð°Ð½Ð¾ÑÐ·ÑÑÐ½ÑÑ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð².
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description: 55 pages, 2 figures.
The given graduate thesis is devoted to âTranslation Strategy Analysis of Dis-course and Euphemistic Vocabulary: Based on Spanish-speaking TV-series, Interpreted into Englishâ.
The present graduate discusses issues related to the interpretation of Spanish euphemisms and discourse markers in colloquial speech while translating into Eng-lish by means of examples from TV-series âLa Casa de Papelâ and âÃliteâ. The re-search sets the following goals:
1. Studying the concept of Audiovisual Translation as a particular type of transla-tion activity;
2. Considering the main types of Audiovisual Translation;
3. Observing the concept of euphemistic and discourse vocabulary in modern lin-guistics and identifying their roles in Audiovisual Translation;
4. Analyzing classifications and functional difficulties of euphemistic and dis-course vocabulary.
5. Detecting techniques for interpreting euphemistic and discourse vocabulary from Spanish into English based on the material of Spanish-speaking TV se-ries.
Audiovisual Translation as a particular type of a translation activity is considered; the main types of Audiovisual Translation are revealed. The classifications of discourse and euphemistic vocabulary are presented and vocabulary functions are highlighted. The thesis focuses on issues of translating discourse markers, harsh words and phrases used in Spanish-speaking TV-series and endeavors to determine and analyze possible translation techniques and strategies. A particular attention is paid to analyzing various obstacles and errors that may occur during interpreting discourse and euphemistic vocabulary in Audiovisual Translation. The results draw attention to the problems that occur during euphemization and the translation of discourse markers from Spanish into English and may contribute to further research.