title: ÐÐ»Ð¸ÑÐ½Ð¸Ðµ Ð»Ð¸ÑÐ½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ° ÐºÐ°Ðº ÑÑÐ±ÑÐµÐºÑÐ¸Ð²Ð½ÑÐ¹ ÑÐ°ÐºÑÐ¾Ñ Ñ ÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¾ÑÐ¸ÑÐ¸Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¸ Ð»ÑÐ±Ð¸ÑÐµÐ»ÑÑÐºÐ¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐ¾Ð¼Ð°Ð½Ð° Ð¥Ð°ÑÐ¿ÐµÑ ÐÐ¸ Â«Ð£Ð±Ð¸ÑÑ Ð¿ÐµÑÐµÑÐ¼ÐµÑÐ½Ð¸ÐºÐ°Â»)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: The interpreter personality`s influence as a subjective factor in literary translation (based on the official and dilettante translations of Harper Lee`s novel "To kill a Mockingbird")
Creators: name: Ð¤ÐµÐ´Ð¾ÑÐµÐµÐ²Ð°, Ð¡Ð¾ÑÑÑ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2023
Subjects: Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ñ ÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ ÑÐµÐºÑÑÐ°
Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÐ¹ Ð¸ Ð»ÑÐ±Ð¸ÑÐµÐ»ÑÑÐºÐ¸Ð¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð»Ð¸ÑÐ½Ð¾ÑÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ°
Ð¿ÑÐ¾ÑÐ²Ð»ÐµÐ½Ð¸Ðµ ÑÐ°ÐºÑÐ¾ÑÐ° ÑÑÐ±ÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸
ÑÐ·ÑÐºÐ¾Ð²ÑÐµ ÑÑÐµÐ´ÑÑÐ²Ð°
literary translation
professional and dilettante translations
interpreter`s personality
the subjective factor manifestation
linguistic means

description: Ð Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÐµ ÑÐ°ÑÑÐ¼Ð°ÑÑÐ¸Ð²Ð°ÑÑÑÑ ÑÐ·ÑÐºÐ¾Ð²ÑÐµ ÑÑÐµÐ´ÑÑÐ²Ð° Ð²ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ ÑÐ°ÐºÑÐ¾ÑÐ° ÑÑÐ±ÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸ Ð¿Ð¾Ð´ Ð²Ð»Ð¸ÑÐ½Ð¸ÐµÐ¼ Ð»Ð¸ÑÐ½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ° Ð² Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð¼ Ð¸ Ð»ÑÐ±Ð¸ÑÐµÐ»ÑÑÐºÐ¾Ð¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°Ñ ÑÐ¾Ð¼Ð°Ð½Ð° Ð¥Ð°ÑÐ¿ÐµÑ ÐÐ¸ Â«Ð£Ð±Ð¸ÑÑ Ð¿ÐµÑÐµÑÐ¼ÐµÑÐ½Ð¸ÐºÐ°Â». ÐÐ¸ÑÐ½Ð¾ÑÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ°, Ð° Ð¸Ð¼ÐµÐ½Ð½Ð¾ ÐµÑ ÑÐµÑÐµÐ²Ð¾Ðµ Ð¿ÑÐ¾ÑÐ²Ð»ÐµÐ½Ð¸Ðµ Ð½Ð° ÑÐ°Ð·Ð½ÑÑ ÑÑÐ¾Ð²Ð½ÑÑ ÑÐ·ÑÐºÐ°, Ð¼Ð¾Ð¶ÐµÑ Ð¿ÑÐ¸Ð²ÐµÑÑÐ¸ Ðº Ð¸ÑÐºÐ°Ð¶ÐµÐ½Ð¸ÑÐ¼ ÑÐ¼ÑÑÐ»Ð° ÑÐµÐºÑÑÐ° Ð¾ÑÐ¸Ð³Ð¸Ð½Ð°Ð»Ð°. ÐÐ»Ñ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ ÑÐµÑÐºÐ¾Ð³Ð¾ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ ÑÐ¼ÑÑÐ»Ð¾Ð²ÑÑ Ð¾ÑÐºÐ»Ð¾Ð½ÐµÐ½Ð¸Ð¹ Ð¼ÐµÐ¶Ð´Ñ Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÑÐµÐ¼ÑÐ¼Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°Ð¼Ð¸ Ð¸ ÑÐµÐºÑÑÐ¾Ð¼ Ð¾ÑÐ¸Ð³Ð¸Ð½Ð°Ð»Ð° Ð±ÑÐ»Ð¸ Ð²ÑÐ±ÑÐ°Ð½Ñ ÑÐµÑÐµÐ²ÑÐµ Ð¿ÑÐ¾ÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð»Ð¸ÑÐ½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ° Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐµ Ð¾Ð±ÑÐ°Ð·Ð¾Ð² Ð¿ÐµÑÑÐ¾Ð½Ð°Ð¶ÐµÐ¹ Ð½Ð° Ð»ÐµÐºÑÐ¸ÑÐµÑÐºÐ¾Ð¼ Ð¸ ÑÐ¸Ð½ÑÐ°ÐºÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÑÑÐ¾Ð²Ð½ÑÑ, Ð³Ð´Ðµ ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð»ÑÐ»Ð¸ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ð³Ð»Ð°Ð³Ð¾Ð»Ð¾Ð² ÑÐµÑÐµÐ²Ð¾Ð³Ð¾ Ð´ÐµÐ¹ÑÑÐ²Ð¸Ñ, Ð¾Ð¿Ð¸ÑÐ°ÑÐµÐ»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´, Ð»ÐµÐºÑÐ¸ÑÐµÑÐºÐ¾Ðµ Ð´Ð¾Ð±Ð°Ð²Ð»ÐµÐ½Ð¸Ðµ Ð¸ Ð¿ÑÐ½ÐºÑÑÐ°ÑÐ¸Ð¾Ð½Ð½ÑÐµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¸ Ð¿Ð¾Ð»ÑÑÐµÐ½Ð½ÑÑ Ð¿Ð¾Ð´ÑÑÐµÑÐ¾Ð² Ð² Ð¿ÑÐ¾ÑÐµÐ½ÑÐ½Ð¾Ð¼ ÑÐ¾Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ð¸ Ð±ÑÐ»Ð¾ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¾, ÑÑÐ¾ Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ð¸Ð¼ÐµÐµÑ Ð½Ð°Ð¸Ð±Ð¾Ð»ÑÑÐ¸Ð¹ Ð¿ÑÐ¾ÑÐµÐ½Ñ ÑÐ¼ÑÑÐ»Ð¾Ð²ÑÑ Ð¾ÑÐºÐ»Ð¾Ð½ÐµÐ½Ð¸Ð¹, ÑÐµÐ¼ ÑÐ°Ð¼ÑÐ¼ Ð·Ð½Ð°ÑÐ¸ÑÐµÐ»ÑÐ½Ð¾ ÑÑÐ¸Ð»Ð¸Ð² ÑÐ¼Ð¾ÑÐ¸Ð¸ Ð¸ ÑÐ°ÑÐ°ÐºÑÐµÑ Ð³ÐµÑÐ¾ÐµÐ² ÑÐ¾Ð¼Ð°Ð½Ð°. Ð ÑÐ¾ Ð²ÑÐµÐ¼Ñ ÐºÐ°Ðº Ð»ÑÐ±Ð¸ÑÐµÐ»ÑÑÐºÐ¸Ð¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ð² Ð±Ð¾Ð»ÑÑÐµÐ¹ ÑÑÐµÐ¿ÐµÐ½Ð¸ ÑÐ¾ÑÑÐ°Ð½Ð¸Ð» Ð½ÐµÐ¹ÑÑÐ°Ð»Ð¸ÑÐµÑ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐµ Ð¾Ð±ÑÐ°Ð·Ð¾Ð² Ð¿ÐµÑÑÐ¾Ð½Ð°Ð¶ÐµÐ¹. ÐÐ»Ñ Ð¿Ð¾Ð´ÑÐ²ÐµÑÐ¶Ð´ÐµÐ½Ð¸Ñ Ð¿Ð¾Ð»ÑÑÐµÐ½Ð½ÑÑ Ð²ÑÐ²Ð¾Ð´Ð¾Ð² Ð±ÑÐ» Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð¾Ð¿ÑÐ¾Ñ, ÐºÐ¾ÑÐ¾ÑÑÐ¹ ÑÐ°ÐºÐ¶Ðµ Ð¿Ð¾ÐºÐ°Ð·Ð°Ð», ÑÑÐ¾ ÐºÐ°Ð¶Ð´ÑÐ¹ Ð¸Ð· Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÑÐµÐ¼ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð² ÑÐ¾Ð´ÐµÑÐ¶Ð¸Ñ Ð² ÑÐµÐ±Ðµ ÑÐ°ÐºÑÐ¾Ñ ÑÑÐ±ÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸.
description: This work considers the linguistic means of the subjectivity factor`s expression under the interpreter personality`s influence in professional and dilettante translations of Harper Lee`s novel âTo kill a Mockingbirdâ. The personality of the interpreter, namely its language occurrences at different language levels, can lead to meaning distortion of the original version. Language occurrence of the interpreter`s personality during the characters` images translation at lexical and syntactic levels were selected to identify semantic deviations between the translations under analysis and the original version. The analysis included comparison of the speech action verbs translation, descriptive translation, lexical addition and punctuation peculiarity. As a result, it was revealed that the professional translation has the highest semantic deviations index percent, thereby significantly enhancing the emotions and characters of the novel`s heroes, while the dillettante one stayed neutral in a majority cases. To confirm the results, the conducted survey showed that both translations contains the subjectivity factor.