title: Ð¡Ð¿Ð¾ÑÐ¾Ð±Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ° Ð¿ÑÐ¸ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð°Ð¼ÐµÑÐ¸ÐºÐ°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¾Ð¼ÐµÐ´Ð¸Ð¹Ð½Ð¾-Ð´ÑÐ°Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐµÑÐ¸Ð°Ð»Ð° Â«Ð¢ÐµÐ´ ÐÐ°ÑÑÐ¾Â»)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Conveying Comic Effect in Audiovisual Translation Exemplified by American Comedy-Drama Television Series "Ted Lasso"
Creators: name: ÐÐ½ÑÑÐ¸ÐºÐ¾Ð²Ð°, Ð¯Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÑÑÐµÐºÑ
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Ð¿ÐµÑÐµÐ´Ð°ÑÐ° ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ°
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Ð·Ð°ÐºÐ°Ð´ÑÐ¾Ð²ÑÐ¹ Ð³Ð¾Ð»Ð¾Ñ
ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½Ð¾-ÑÐ¾Ð¿Ð¾ÑÑÐ°Ð²Ð¸ÑÐµÐ»ÑÐ½ÑÐ¹ Ð°Ð½Ð°Ð»Ð¸Ð·
comic effect
humour
British humour
American humour
Russian humour
equivalence
adequacy
comic effect translation
audiovisual translation
dubbing
voice-over
subtitling
comparative analysis

description: ÐÐ°ÑÑÐ¾ÑÑÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¿ÐµÑÐµÐ´Ð°ÑÐµ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ° Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½ÑÑ ÐºÐ¸Ð½Ð¾Ð´Ð¸Ð°Ð»Ð¾Ð³Ð¾Ð² Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹ ÑÐ·ÑÐº. Ð ÑÐ°Ð±Ð¾ÑÐµ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÑÐ°ÐºÐ¸Ðµ ÐºÐ»ÑÑÐµÐ²ÑÐµ Ð¿Ð¾Ð½ÑÑÐ¸Ñ ÐºÐ°Ðº Â«ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾ÐµÂ», Â«ÑÐ¼Ð¾ÑÂ» Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÑÑÐµÐ´ÑÑÐ²Ð° Ð¸ Ð¿ÑÐ¸ÐµÐ¼Ñ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ°. ÐÑÑÐ²Ð»ÐµÐ½Ñ Ð¸ Ð¾Ð¿Ð¸ÑÐ°Ð½Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÑÐ¾ÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð±ÑÐ¸ÑÐ°Ð½ÑÐºÐ¾Ð³Ð¾, Ð°Ð¼ÐµÑÐ¸ÐºÐ°Ð½ÑÐºÐ¾Ð³Ð¾ Ð¸ ÑÑÑÑÐºÐ¾Ð³Ð¾ ÑÐ¼Ð¾ÑÐ°. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ñ Ð¿Ð¾Ð½ÑÑÐ¸Ñ Â«ÑÐºÐ²Ð¸Ð²Ð°Ð»ÐµÐ½ÑÐ½Ð¾ÑÑÐ¸Â» Ð¸ Â«Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ÑÑÐ¸Â» Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸, Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÑÑÑÐ¸Ðµ ÐºÐ°ÑÐµÑÑÐ²Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. ÐÐ·ÑÑÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð²Ð¸Ð´Ñ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµ-Ð²Ð¾Ð´Ð° Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð° Ð¸Ñ ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ°. ÐÑÐµÐ´Ð¿ÑÐ¸Ð½ÑÑÐ° Ð¿Ð¾Ð¿ÑÑÐºÐ° Ð²ÑÑÐ²Ð¸ÑÑ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ðµ ÑÑÑÐ°ÑÐµÐ³Ð¸Ð¸ Ð¸ ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¸, Ð¸ÑÐ¿Ð¾Ð»ÑÐ·ÑÐµÐ¼ÑÐµ Ð´Ð»Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ° Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ Ð°Ð¼ÐµÑÐ¸ÐºÐ°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¾Ð¼ÐµÐ´Ð¸Ð¹Ð½Ð¾-Ð´ÑÐ°Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐµÑÐ¸Ð°Ð»Ð° Â«Ð¢ÐµÐ´ ÐÐ°ÑÑÐ¾Â», Ð¸ Ð¾ÑÐµÐ½Ð¸ÑÑ ÐºÐ°ÑÐµÑÑÐ²Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ ÑÑÐµÐ¿ÐµÐ½Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ°. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð±ÑÐ»Ð¾ ÑÑÑÐ°Ð½Ð¾Ð²Ð»ÐµÐ½Ð¾, ÑÑÐ¾ ÐºÐ°ÑÐµÑÑÐ²Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ ÑÑÐµÐ¿ÐµÐ½Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÐ¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÑÑÐµÐºÑÐ° Ð¿ÑÐ¸ Ð´ÑÐ±Ð»ÑÐ¶Ðµ Ð²ÑÑÐµ, ÑÐµÐ¼ Ð¿ÑÐ¸ Ð·Ð°ÐºÐ°Ð´ÑÐ¾Ð²Ð¾Ð¼ Ð³Ð¾Ð»Ð¾ÑÐµ Ð¸ ÑÑÐ±ÑÐ¸ÑÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð¸Ð¸.
description: The paper focuses on the issues dealing with the ways how to convey comic effect when translating English-language film dialogues into Russian. The key concepts such as âcomic effectâ and âhumourâ have been studied, and the stylistic devices used to create comic effect have been identified. The culture-specific elements of British, American and Russian humour have been described. The concepts of âequivalenceâ and âadequacyâ in the translation and the main criteria defining the quality of translation have been considered. The research provides the basic types of audiovisual translation and their specifics. A special emphasis has been made on defining the most effective translation strategies and techniques to achieve comic effect when translating American sports comedy-drama television series âTed Lassoâ. The conducted research has shown that the quality of the translation and the degree of conveying comic effect from English into Russian is considerably higher in dubbing than in voice-over and subtitling.