Pardalota asymmetrica Karsch 1896
Creators: name: Heller, Klaus-Gerhard
name: Hemp, Claudia
name: Liu, Chunxiang
name: Volleth, Marianne
Publisher: name: Zenodo
Year: 2014
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Orthoptera
Phaneropteridae
Pardalota
Pardalota asymmetrica

description: Pardalota asymmetrica Karsch, 1896
[C] CH 4953–4, CH 4961–64 5 ♂♂, 1 ♀
The mainly black and white coloured animals (with orange markings on legs and pronotum) have a distinctive threatening display (Fig. 1 B). They open the elevated wings to some extent, go down with the head towards the ground and bulge the brightly orange skin of the neck as it is done also by disturbed Acripeza reticulata (Rentz 2010). Possibly they are imitating a wasp or another Hymenopteran (see the wasp-imitating phaneropterine Aganacris for a similar wing coloration; Nickle 2012). This idea is supported by the black antennae, marked with white rings only in large intervals. However, even the nymphs present orange and black colours (Fig. 1 C), so that an own chemical defence should not be completely excluded.
The eggs are flat as typical for Phaneropterinae (Bey-Bienko 1954), and relatively oblong (4.7 mm long, 1.8 mm width, 0.9mm thick; one dark brown egg, in ethanol).
Song: In the field and in the laboratory two different types of song could be heard. The short song (about 0.5–2 s; Fig. 6) was heard quite often, while the complicated long song (8–28 s; 4 complete recordings) was presented only in much larger intervals.
At the beginning of the short song an animal typically sings microsyllables by opening the tegmina silently and producing few impulses only during a part of the closing movement. After a variable number of these elements, increasing in amplitude, the animal switches to macrosyllables and during the whole closing movement impulses are produced (Fig. 7 A). The syllable repetition rate decreases only very slightly from 23 to 21 Hz (T> 29ºC). Mostly there are one or a few intermediate syllables in between. At the end of a short song sometimes microsyllabes are added or even another series of micro- and macrosyllables (observed once in a field recording). A long song (Fig. 2) starts with macrosyllables of low amplitude and short duration, but they become quickly longer and louder and remain so for several (up to many) seconds (syllable repetition rate 23 Hz). After some time the animal switches (Fig. 6, 7 B) to another syllable type which looks like a combination of a micro- and a macrosyllable. After a series of impulses one separate impulse (8–10 ms interval) is following. These syllables are repeated for about 2 to 4 s at a repetition rate of 37 Hz. After some intermediate syllables (Fig. 7 C) the final syllable sequence (0.5 to 1 s duration) is enclosed where very loud isolated impulses are produced, similarly as in the microsyllables, but with a much higher intensity, higher movement amplitude and higher repetition rate (55 Hz).
The stridulatory file did not show any irregularities.
description: Published as part of Heller, Klaus-Gerhard, Hemp, Claudia, Liu, Chunxiang & Volleth, Marianne, 2014, Taxonomic, bioacoustic and faunistic data on a collection of Tettigonioidea from Eastern Congo (Insecta: Orthoptera), pp. 343-376 in Zootaxa 3785 (3) on pages 347-349, DOI: 10.11646/zootaxa.3785.3.2, http://zenodo.org/record/250508