title: ÐÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÐºÑÐ¸Ð¼Ð¸Ð½Ð°Ð»ÑÐ½Ð¾Ð¹ Ð»ÐµÐºÑÐ¸ÐºÐ¸ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ðµ ÑÐµÐ»ÐµÑÐµÑÐ¸Ð°Ð»Ð° Â«ÐÑÑÑÑÐµ ÐºÐ¾Ð·ÑÑÑÐºÐ¸Â» Ñ Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ ÑÐ·ÑÐºÐ° Ð½Ð° ÑÑÑÑÐºÐ¸Ð¹
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: The ways of conveying of criminal vocabulary at translating of the TV series âPeaky Blindersâ from English into Russian
Creators: name: ÐÑÑÐ¸ÑÑÐ¾Ð²Ð°, ÐÐ°ÑÑÐ½
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2023
Subjects: Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð´ÑÐ±Ð»ÑÐ¶
ÐºÑÐ¸Ð¼Ð¸Ð½Ð°Ð»ÑÐ½Ð°Ñ Ð»ÐµÐºÑÐ¸ÐºÐ°
Ð¶Ð°ÑÐ³Ð¾Ð½
Ð°ÑÐ³Ð¾
audiovisual translation
dubbing
criminal vocabulary
jargon
argo

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description: The present study describes the main difficulties at translating audio-visual texts intended for further dubbing. In the course of the study, the features of au-diovisual translation as a special type of translation activity were considered. We described the existing types of audiovisual translation, and also identified the dif-ficulties faced by the translator when working with each type. We also reviewed the existing classifications of the lexical composition of the English and Russian languages. The main characteristics of criminal vocabulary were identified, as well as the existing definitions of the concepts "jargon", "argot", "non-equivalent vocabulary" were analyzed. Next, we analyzed the ways of transmitting criminal vocabulary when translating the TV series âPeaky BlindersâÂ  for full dubbing. Theoretical part of the study includes the analysis of the history of the emergence and development of audiovisual translation was considered, the main types of audiovisual translation were analyzed, as well as the definition of the concept of "audiovisual translation" was given, the features of criminal vocabulary, jargon and argo were described. The practical part of this work is devoted to the main changes taking place with audiovisual texts intended for further duplication.