cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
Abstraction and its processes : a studio investigation of the ongoing relevance of non-figurative art
Creators: name: Kelly, Wendy Louise
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas and brush; the history of what has been done in painting up to the current moment, “one can paint only out of the history of paint”; and an analysis of the concept of “medium”, as a grammar or family of concepts that cluster around the medium of paint.1. (Mark Titmarsh Art Monthly May. 2006.) The objective of this research is a studio investigation to augment an examination of non-figurative abstraction and demonstrate its relevance and continued viability through adaptability and continued exploration. The resulting body of work embodies my interpretation of non-figurative abstraction, communication, visual language and processes. The aim of this exegesis is to investigate abstraction and honour its relevance in two dimensional visual arts and its role as a language for visual communication. It will explore the application of abstraction as a form of visual expression. The exegesis will examine the historical and sociological processes by which abstraction has evolved, and also examine process in a practical way as an underpinning of the development of abstract art. The evolution of abstraction has meant that the materials and methods of mark making have been freed to be interpreted in complex and innovative ways. Abstraction’s role within visual language has been to communicate with an intensity that can touch a wide range of emotions and reactions. Abstraction warrants investigation because of its past and continuing contribution to visual art. As a visual language, the constant re-invention of abstraction indicates relevance, and its influence is being felt contemporaneously. As an artist, some developments within the genre have influenced my work more than others, and examples of artists, methods, and materials from past “movements” or “generations” of abstraction will be explored to address the problematical vera causa within development. Non-figurative abstraction, the role of its evolutionary process and the impact of material processes therein, will form the basis of this discussion. 1. Mark Titmarsh. Shapes of Inhabitation, Painting in the Expanded Field”, Art Monthly no 189 (2006)
Sonnenfleckenzeichnung Nr. 199.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 13.08.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
title: Not so mild head injury: diffusion tensor imaging implicates prefrontal axonal injury in executive function impairment following very mild traumatic brain injury.
Creators: name: Lipton, Michael
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Mild traumatic brain injury (mTBI) continues to be a critical healthcare problem worldwide. In the United States alone, roughly 1.1 million cases occur each year. While most patients will improveclinical from the time of injury, 30% of patients will...
Amaranth Ehrenhalt - ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: This Oral History explores the story of Amaranth Ehrenhalt and how being an artist is more of a way of being than a chosen way of living. She exposes her childhood memories about making art and how she always knew that there was nothing else that she wanted out of life than to draw and paint. Her view on life is that creativity is inherent and it enabled her to create colorful and inspiring work. She also emphasized how being an artist is about discipline, emotion and inspiration to share with the world and that each individual has to create their own path as an artist.
การจัดการความรู้ของบุคลากรในโรงเรียนสาธิต
Creators: name: ชนมณี ศิลานุกิจ
Publisher: name: สมาคมปรัชญาดุษฎีบัณฑิตทางสังคมศาสตร์ มหาวิทยาลัยรามคำแหง
Year: 2560
Subjects: การจัดการความรู้, คลังความรู้, วงจรแห่งการเรียนรู้, การแลกเปลี่ยนความรู้, Knowledge Management, Knowledge Assets, Knowledge Cycle, Knowledge Sharing

description: วารสารดุษฎีบัณฑิตทางสังคมศาสตร์, 7, 2
Processing inspiration: visual elements in a wonder-based practice
Creators: name: Huang, Katherine
Publisher: name: Monash University
Year: 2017
Subjects: Uncategorized

description: This exegesis – written to accompany a body of studio-based research – explores my process of collecting gestalt sights and found objects through travel, and the transposition of these inspirations and items into sculpture. In tracing this process – from the initial encounter to the finished work – the findings of my report suggest that my art revolves around the idea of locating wonder in the properties of spaces, materials, and ideas. Travel offers a nexus of the imagined and the plan (itinerary), as well as the realities of ‘being there’ that are not invented and cannot be preconceived. My exegesis conceives the ‘structure’ of travel in terms of ‘the plan/ the project/ the intention’, and the incidental elements of travel in terms of ‘a meta-plan of memory’ (a surface, a volume or a flexing template for holding disparate impressions). These elements of travel are used in my exegesis to reflect on my creative process. Like travel, my process begins with ‘I am going to do something’. The process then combusts or reorientates due to encounters that elicit wonder which in turn elicit the impulse in me to play and to improvise. Could wonder, the ‘found object’ and the project, be reconciled in an artistic practice? The exegesis engages with the art practices of Robert Morris, Bruce Nauman and Allan McCollum among others, and the writing of Georges Perec, Gaston Bachelard, Rosalind Krauss, Edward Said and Walter Benjamin.
Sonnenfleckenzeichnung Nr. 196.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 10.08.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Carrier-Resolved Photo Hall Measurement in World-Record-Quality Perovskite and Kesterite Solar Absorbers
Creators: name: Gunawan, Oki
name: Pae, Seong Ryul
name: Bishop, Douglas M.
name: Lee, Yun Seog
name: Virgus, Yudistira
name: Jeon, Nam Joong
name: Noh, Jun Hong
name: Shao, Xiaoyan
name: Todorov, Teodor
name: Mitzi, David B.
name: Shin, Byungha
Publisher: name: arXiv
Year: 2018
Subjects: subject: Applied Physics (physics.app-ph)
subject: Materials Science (cond-mat.mtrl-sci)
subject: FOS: Physical sciences

description: Majority and minority carrier properties such as type, density and mobility represent fundamental yet difficult to access parameters governing semiconductor device performance, most notably solar cells. Obtaining this information simultaneously under light illumination would unlock many critical parameters such as recombination lifetime, recombination coefficient, and diffusion length; while deeply interesting for optoelectronic devices, this goal has remained elusive. We demonstrate here a new carrier-resolved photo-Hall technique that rests on a new identity relating hole-electron mobility difference ($Δμ$), Hall coefficient ($h$), and conductivity ($σ$): $Δμ=(2+d\ln h/d\ln σ)\,h\,σ$, and a rotating parallel dipole line ac-field Hall system with Fourier/lock-in detection for clean Hall signal measurement. We successfully apply this technique to recent world-record-quality perovskite and kesterite films and map the results against varying light intensities, demonstrating unprecedented simultaneous access to the above-mentioned parameters.
description: 13 pages, 3 figures, supplementary materials (15 pages) including link to Movie S1
Sonnenfleckenzeichnung Nr. 262.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 18.10.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Cheryl Edwards- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: ARTIST STATEMENT  Cheryl D. Edwards is an African American artist and was born in Miami Beach, Florida. She began her studies in art during 1988 in New York City in a class at the Art Student League taught by the late, Ernest Crichlow. She has been living in Washington, DC for the past 22 years. Her artistic practice is social justice, multiculture, organic and historical.  She is a paintier and printmaker. Cheryl has exhibited in many shows in the Washington, DC, New York, Virginia, Maryland, Miami, Texas ,Germany, Rotterdam and Hong Kong.  Her medium is oil, ink and acrylics. Please contact her for viewings and/or visit her website: Cheryl-edwards.artistwebsites.com.  She is currently represented by Wohlfarth Galleries (Washington, DC); Artisan Direct, LLC (Rochester, NY); Susanne Juggeberth Gallery (Germany) (www.us-arts.de) Cheryl is a 2015 DC Commission on the Arts and Humanities Fellowship Awardee. Her  work is in the permanent collection of the District of Columbia Art and Humanities Commission Art Bank and the David C. Driskell Center for the Arts at the University of Maryland.
SELECTED EXHIBITS
“Hues of Red and Blue ”, Allentown Museum and Re:Find Gallery, Allentown, PA (2016)
International Art Fair Rotterdamn, Susanne Juggenburth Galerie, Rotterdamn (2016)
African American Museum of Dallas, Dallas, Texas, (2016).
Katzen Arts Museum (American University), Art Cart:  Honoring the Legacy, D.C. (2016)
New Creative Door Gallery, EPI Women, Baltimore, Maryland (2016)
Arte, Galerie  Susanne Juggenburth, Sindelfingen, Germany (2016).
Spectrum Art Fair (Art Basel), Galerie Susanne Juggenburth, Miami, Florida (2015).
Raciality, Group Exhibit, Gallery 128, NY, NY (2015)
 “At War With Ourselves”, Group Exhibit, Brentwood Arts Center, Brentwood, MD (2015)
DC Commission on the Arts and Humanities, Fellowship Grantee Exhibit, I Street Gallery, D. C. (2014)
Galleries Susanne Juggeburth, Spectrum Art Fair (Art Basel), Miami, Florida (2014)
District of Columbia Commission on the Arts and Humanities, Fellowship Exhibit
Washington, DC, (2014)  
Haitian Cultural Arts Center, “Shades of Black” group exhibit, Miami, Florida (2014)
 Howard University Blackburn Center Gallery, Group Exhibit, D.C., 2012   
African American Museum of Nassau County, Solo Exhibit (‘Occupy America’), Hempstead, N.Y. (2012)   
Washington County Museum of Fine Art, Group Exhibit, Hagerstown, MD (2012)  
Southwest Fine Arts Show, Dallas African American Museum, (2012)   
David Driskell Art Center (University of Maryland), group exhibit, College Park, MD (2011)  
 Washington County Museum of Fine Art, group exhibit, Hagerstown, MD (2011)     
Washington County Museum of Fine Art, group exhibit, Hagerstown, MD (2010)
Annette Polan- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: Annette  Polan is internationally known as a portrait artist living in Washington DC. Ms. Polan is the mother of Courtney Van Winkle Fox and Arthur Lowell Fox III. Born in Huntington, West Virginia, graduated from The Baldwin School in Bryn Mawr, Pa. and Hollins University in Va. where she was honored with the Distinguished Alumnae Award, she is also Dipolmée from the École du Louvre in Art History. Her portraits include  photographed  and  painted  the  official portraits  of Justice Sandra Day O’Connor and other leaders of industry  and government.   In addition to painting, Professor Polan is Professor Emerita from the Corcoran College of Art + Design  at George Washington University and Principal of Insight Institute, a non-profit that promotes innovation, cititical thinking and creative problem solving through visual intelligence in a variety of educational and  professional contexts from military, law enforcement, and medical training to business management.

Professor Polan  has  taught  and lectured on her work and contemporary American portraiture  in  Europe, Asia, and Australia, and has had numerous solo and group exhibitions in the United States and abroad.  She is a participant in the  U.S. Department of State’s Art in Embassy Program.  She was  Chair and Founder of Faces of the Fallen, an exhibition of 1323 portraits by 230 American artists, honoring American servicemen and women who died in Afghanistan and Iraq between October 10, 2001 and November 11, 2004.  In recognition of her leadership on that project, she was awarded the Chairman of the Joint Chiefs of Staff Outstanding Public Service Award.
Keywords: studio, work ethic, inspiration, Hollins class reunion, invisibility, women, Faces of the Fallen, the Corcoran, portraiture, importance of showing work, Balzak.
title: Schistosomiasis mansoni as a cause of hyperintense basal ganglia
Creators: name: Manzella, Adonis
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Hyperintense basal ganglia on T1-weighted magnetic resonance imaging (T1W MRI) has been reported to occur in patients with or after various pathological conditions, including chronic hepatic encephalopathy, long-term total parenteral nutrition,...
Sonnenfleckenzeichnung Nr. 256.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 11.10.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Akili Ron Anderson - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts
African Americans

description: Professor Akili Ron Anderson discusses drawing inspiration for his art from Africa and his experiences growing up as an African American in a segregated United States. He explains how he used painting people of color as a form of protest during the Civil Rights Era. Africa became a large part of his multi-media art when he visited Nigeria and when he joined the Pan-African group African Commune of Bad Relevant Artists (AFRICOBRA). He talks about the impact of his health as he ages on his work, and ends with statements about the intergenerational nature of ensuring art continues into the future.
Sonnenfleckenzeichnung Nr. 302.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 08.12.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
An algebraic approach to Harder-Narasimhan filtrations
Creators: name: Treffinger, Hipolito
Publisher: name: arXiv
Year: 2018
Subjects: subject: Category Theory (math.CT)
subject: Algebraic Geometry (math.AG)
subject: Rings and Algebras (math.RA)
subject: Representation Theory (math.RT)
subject: FOS: Mathematics

description: In this article we study chains of torsion classes in an abelian category $\mathcal{A}$. We prove that each chain of torsion classes induce a Harder-Narasimhan filtration for every nonzero object $M$ in $\mathcal{A}$, generalising a well-known property of stability conditions. We also characterise the slicings of $\mathcal{A}$ in terms of chain of torsion classes. We finish the paper by showing that chains of torsion classes induce wall-crossing formulas in the completed Hall algebra of the category.
description: This is the final and published version of the present article. Minor typos corrected, some figures added
Ann Zahn - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Ann Zahn is a visual artist born on June 7, 1931. The interview asks about her arts and her personal life: where and why did she start her artistic pursuit? How did personal and family life events shape her art works and vise versa? She discusses erasing and destroying as integral aspect of art. The interview includes descriptions of her garden journal, print-making workshops, accident events as inspirations for her art, and her husband Ted Zahn.
Sonnenfleckenzeichnung Nr. 285.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 20.11.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Supplementary document for Chemical bath synthesis of Ag₂S, CuS, and CdS nanoparticle-polymer nanocomposites: structural, linear, and nonlinear optical characteristics - 5883868.pdf
Creators: name: Fatemi, Ali
name: Rasouli, Milad
name: Ghoranneviss, Mahmood
name: Dorranian, D.
name: Ostrikov, Ken
Publisher: name: Optica Publishing Group
Year: 2022
Subjects: subject: Uncategorized
subject: 20503 Nonlinear Optics and Spectroscopy
subject: FOS: Physical sciences

description: SEM analyses
Evangeline J. Montgomery- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: In this interview printmaker E.J. Montgomery concisely discusses her art practice which spans over six decades. E.J. explores her printmaking process; the role memory plays in her work; the re-occurring theme of nature, movement, color and texture in her imagery; as well as the language created in her mark making which reference cultures around the world. When discussing her history as an artist she reveals her relationship to Washington DC’s Color Field movement and other artists that she was influenced by or collaborated with throughout her life.
title: View and review of the posteromedial brain: Anatomy, structure, connectivity and pathology
Creators: name: Alcaraz Soto, María
Publisher: name: European Congress of Radiology
Year: 2009

description: Learning objectives Background Imaging findings OR Procedure details Conclusion Personal Information References
description: Learning objectives: In this educational exhibit we will learn: 1. What the concept of “posterior-medial brain” is. 2. What its anatomical landmarks are. 3. How to recognise them in structural imaging. 4. What the characteristic structures of gray and white matter...
Carol Hamoy - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Older artists
Oral history
Women artists
Art
Arts

description: Carol Hamoy discusses her experiences being a woman artist. Through her artwork, Hamoy gives voice to and creates an audience for victims of prejudice and generalizations. She talks about being a successful woman in a profession dominated by men who assumed she was there to wait on them rather than as one of their equals. When she retired and became a full-time artist, she realized the gender imbalance in artists represented in galleries, which continues in the present. She also talks about her relationship with her family throughout her life, and how they do not always understand her desire to make art instead of being around family all the time.
Adele Shtern- ART CART Oral Histories
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2016
Subjects: Art
Women artists
Older artists
Arts

description: Adele Shtern's career as an artist spans her entire adult life and her journey from Montréal to Yale to New York City. Throughout that life she has learned to follow her own unique line. Shtern purposefully pushes up against the boundaries of what it means to be a woman, a spiritual being, and an artist in the modern world with wit and aplomb. Traumatic events in her history led to profound healing, as much as freeing herself from convention led directly to her eclectic body of work with a singular message.
James Brown Jr. - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: In this oral history interview, James Brown, Jr., discusses his growth as an African American multi-media artist. The first clip explores Brown’s inspirations and the ancestral themes in his work. His work also reflects his community during the Civil Rights Era and the Black Arts Movement, using his “paintbrush as my weapon.” Brown also explains the notion that artists as a threat to society and how effective movers of culture and society they can be. The second clip explores Brown’s specific paintings and his experiences creating them. He also elaborates further on the Black Arts Movement in the 1960s as well as his expansion from painting into textile arts, being called the “Silk Man” because he painted on silk.
On the Complexity of Properties of Transformation Semigroups
Creators: name: Fleischer, Lukas
name: Jack, Trevor
Publisher: name: arXiv
Year: 2018
Subjects: subject: Group Theory (math.GR)
subject: FOS: Mathematics
subject: 20M20

description: We investigate the computational complexity for determining various properties of a finite transformation semigroup given by generators. We introduce a simple framework to describe transformation semigroup properties that are decidable in $\mathsf{AC^0}$. This framework is then used to show that the problems of deciding whether a transformation semigroup is a group, commutative or a semilattice are in $\mathsf{AC^0}$. Deciding whether a semigroup has a left (resp.right) zero is shown to be $\mathsf{NL}$-complete, as are the problems of testing whether a transformation semigroup is nilpotent, $\mathcal{R}$-trivial or has central idempotents. We also give $\mathsf{NL}$ algorithms for testing whether a transformation semigroup is idempotent, orthodox, completely regular, Clifford or has commuting idempotents. Some of these algorithms are direct consequences of the more general result that arbitrary fixed semigroup equations can be tested in~$\mathsf{NL}$. Moreover, we show how to compute left and right identities of a transformation semigroup in polynomial time. Finally, we show that checking whether an element is regular is $\mathsf{PSPACE}$-complete. \
description: Version 1 left several lower bounds as open questions, but this version answers most of them. It also includes $\mathsf{AC^0}$ results not mentioned in the first version
Sonnenfleckenzeichnung Nr. 289.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 24.11.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
A PRAGMATIC APPROACH TO THE TEACHING OF ISLAMIC CARDINAL PRINCIPLES (THE FIVE PILLARS)
Creators: name: Salako, Taofiki
name: Sodiq., OYESANYA,
Publisher: name: figshare
Year: 2022
Subjects: subject: 220403 Islamic Studies
subject: FOS: Philosophy, ethics and religion

description: This study focused on the methodology for teaching Islamic fundamental principles, it addressed a big challenge which has been confronting students and practicing teachers teaching the subject who are faced with the problem of appropriate method to adopt and particularly identifying instructional materials that suit the topics dealing with the Oneness and Unity of Allah and the likes. The work discussed the scientific approaches to teaching Islamic Studies which appealed to reasoning rather than professing dogma. It as well justified the positive support of Islam to the learning of secular and technological studies juxtaposing the inclusion of the subject in modern schooling system. The rationale for adequate preparation of lesson note and acquisition of background information on the students to serve as guide for effective teaching and learning of the subject was clearly juxtaposed in the study. It concluded with the need for Islamic Studies teachers to be knowledgeable in the subject matter; methodical; practical in teaching; morally disciplined; and relate learning to students’ experiences to make the teaching of Islamic Studies effective and meaningful.
Sonnenfleckenzeichnung Nr. 221.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 05.09.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Sonnenfleckenzeichnung Nr. 298.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 04.12.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
title: Differentation between high grades gliomas and solitary brain metastasis using peritumoral MR spectroscopy, diffusion and perfusion
Creators: name: Serrano Velasco, Laura
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: PURPOSE • To evaluate the effectiveness of MR diffusion, perfusion and spectroscopy in the differentiation between hign grade gliomas ( HGG ) and solitary brain metastasis ( M ), by means of tumoral and peritumoral...
Gilda Pervin - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Women artists
Oral history
Art
Older artists
Arts

description: Gilda Pervin began showing her art in school before moving to Texas where she started her first studio and then moved to New York City after seven years. In this oral history interview, she talks about her fascination with light and patterns from a young age and how they carry through her artwork today. She describes different pieces and series she has created and how the inspiration for them came from personal experiences in her life. Explaining her creative process, Pervin talks about combines painting, found materials, and cement to create her multimedia art that explores the passage of time and the idea of being caught in a moment. Her artwork is more about evoking individual meaning and experiences for her audience rather than making them see her motivations for creating the pieces.
Sonnenfleckenzeichnung Nr. 212.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 26.08.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Katamenes jenjouristei subsp. jenjouristei ssp. jenjouristei (Kostylev 1939
Creators: name: Carpenter, James M.
name: Gadallah, Neveen S.
Publisher: name: Zenodo
Year: 2020
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Hymenoptera
Eumenidae
Katamenes
Katamenes jenjouristei
Katamenes jenjouristei ssp. jenjouristei (kostylev, 1939)

description: Katamenes jenjouristei ssp. jenjouristei (Kostylev, 1939)
Distribution in the Arabian Peninsula: Oman (Giordani Soika 1949 as Eumenes rubroniger var. pseudoconicus Giordani Soika, 1949; Gusenleitner 2013), Saudi Arabia (Guichard 1986; Gusenleitner 2013), Yemen (Kostylev 1939 as Eumenes jenjouristei and Eumenes zeniouristei Kostylev, 1939; Gusenleitner 2013).
Extralimital distribution: Israel.
Remarks: The second spelling by Kostylev (1939) cited above appears in the French summary and is obviously a transliteration error which has never since been used.
description: Published as part of Carpenter, James M. & Gadallah, Neveen S., 2020, Biodiversity of the aculeate wasps (Hymenoptera: Aculeata) of the Arabian Peninsula: Vespoidea, Vespidae, pp. 191-216 in Zootaxa 4754 (1) on page 200, DOI: 10.11646/zootaxa.4754.1.20, http://zenodo.org/record/3719047
title: The mathematical model of chronic diffuse liver diseases differential diagnosis based on 31P-MRS data
Creators: name: Bagnenko, Sergey
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Diffuse liver diseases are one of the most important problems of the modern medicine. This statement is especially true when we talk about the late stages of such chronic diseases as cirrhosis. The amount of people suffering from Hepatitis B and C...
Ceciliy Barth Firestein - ART CART Oral History
Creators: Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Cecily Barth Firestein has painted her entire life, beginning in Woodstock, NY. She discusses her education and artists with whom she studied in schools and through museums. When she went to NYU for graduate school, her teachers there taught her to see and paint the world around her rather than just drawing the model in front of the class, which moved her from figure into abstract art. She taught at schools and showed in predominantly male galleries in New York. She talks about using different materials and types of art and techniques, such as the “gestural stroke,” as well as the difficulty of titling her works. Known as the “Rubbings Baroness,” Firestein tells the story of learning about rubbings and creating a renowned course for parents and children focused on doing rubbings around NYC.
Sonnenfleckenzeichnung Nr. 293.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 29.11.1962, erstellt von Sergio Cortesi, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
title: Hepatic dysfunction: Evaluation by MRI with Gd-EOB-DTPA
Creators: name: Nakamura, Yuko
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Gadolinium-ethoxybenzyl-diethylenetriamine pentaacetic acid (Gd-EOB-DTPA) is a recently developed liver-specific MR imaging contrast agent with combined perfusion and hepatocyte-selective properties (1, 2). There have been some reports evaluating...
Lilian Thomas Burwell - ART CART Oral Histories
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: In this oral history interview, visual artist Lilian Thomas Burwell talks about her childhood, schooling in New York, and developing as an artist before a lot of training. She speaks about originality in her art and how personal and reflective it has. One of her examples is how the illness and death of her mother influenced her work and her transition from painting to sculpture. Her book explains how subconsciously and not overly-thought-out art reflects the artist’s life and his/her own truth. Burwell also discusses her experiences teaching art as well as her water-inspired installations.
Decomposable operators acting between distinct $L^p$-direct integrals of Banach spaces
Creators: name: Evseev, Nikita
name: Menovschikov, Alexander
Publisher: name: arXiv
Year: 2019
Subjects: subject: Functional Analysis (math.FA)
subject: FOS: Mathematics
subject: 47B38 (Primary), 47B33, 46E30 (Secondary)

description: The notion of decomposable operators acting between distinct $L^p$-direct integrals of Banach spaces is introduced. We show that these operators generalize the composition operator, in sense that a mapping is replaced by a binary relation. The necessary and sufficient conditions for the boundedness of those operators are the main results of the paper.
description: 26 pages, 7 figures
title: Hepato-mesenteric index: A new Doppler index in the hepatic perfusion’s study. Comparison with Doppler perfusion index
Creators: name: Foti, Pietro
Publisher: name: European Congress of Radiology
Year: 2009

description: Purpose Methods and Materials Results Conclusion
description: Purpose: Occult hepatic metastases from colorectal cancer result in an increase of the ratio of arterial hepatic blood flow to total hepatic bloodflow, described as the Doppler perfusion Index (DPI) . The purpose of our study is to evaluate thediagnostic...
Efficient and Robust Registration on the 3D Special Euclidean Group
Creators: name: Bhattacharya, Uttaran
name: Govindu, Venu Madhav
Publisher: name: arXiv
Year: 2019
Subjects: subject: Computer Vision and Pattern Recognition (cs.CV)
subject: FOS: Computer and information sciences

description: We present an accurate, robust and fast method for registration of 3D scans. Our motion estimation optimizes a robust cost function on the intrinsic representation of rigid motions, i.e., the Special Euclidean group $\mathbb{SE}(3)$. We exploit the geometric properties of Lie groups as well as the robustness afforded by an iteratively reweighted least squares optimization. We also generalize our approach to a joint multiview method that simultaneously solves for the registration of a set of scans. We demonstrate the efficacy of our approach by thorough experimental validation. Our approach significantly outperforms the state-of-the-art robust 3D registration method based on a line process in terms of both speed and accuracy. We also show that this line process method is a special case of our principled geometric solution. Finally, we also present scenarios where global registration based on feature correspondences fails but multiview ICP based on our robust motion estimation is successful.
description: 18 pages, 7 figures, 7 tables
Lila Oliver Asher - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Lila Oliver Asher is a multimedia artist who discovered printmaking while teaching ceramics at Howard University. She discusses the differences between working with different mediums. She also explains the theme of mother and child in her artwork and the African influences that show up in her pieces. In World War II, she went abroad as a one-person show with the USO to do artwork for the bedridden servicemen in hospitals. She ends with the lasting effects on people she hopes her artwork and teaching has.
title: The role of imaging in the preoperative assessment of potential donors in living donor-liver transplantion (LDLT)
Creators: name: Mc Sweeney, Sean
Publisher: name: European Congress of Radiology
Year: 2009

description: Learning objectives Background Imaging findings OR Procedure details Conclusion Personal Information References
description: Learning objectives: 1) To discuss the role of imaging in the preoperative assessment of potential living donor-liver transplantations (LDLT). 2) To review and illustrate with appropriate examples the role of cross-sectional imaging in donor...
Katamenes jenjouristei subsp. rubroniger
Creators: name: Carpenter, James M.
name: Gadallah, Neveen S.
Publisher: name: Zenodo
Year: 2020
Subjects: Biodiversity
Taxonomy
Animalia
Arthropoda
Insecta
Hymenoptera
Eumenidae
Katamenes
Katamenes jenjouristei
Katamenes jenjouristei ssp. rubroniger (giordani soika, 1941)

description: Katamenes jenjouristei ssp. rubroniger (Giordani Soika, 1941)
Distribution in the Arabian Peninsula: Saudi Arabia (Guichard 1986; Zalat et al. 1993), United Arab Emirates (Gusenleitner 2010, 2013).
Extralimital distribution: Egypt, Israel, Jordan, Palestine.
description: Published as part of Carpenter, James M. & Gadallah, Neveen S., 2020, Biodiversity of the aculeate wasps (Hymenoptera: Aculeata) of the Arabian Peninsula: Vespoidea, Vespidae, pp. 191-216 in Zootaxa 4754 (1) on page 200, DOI: 10.11646/zootaxa.4754.1.20, http://zenodo.org/record/3719047
Overall Framework Design and Industry 4.0 Requirements
Creators: name: Geromitsos, Artemios
Publisher: name: Zenodo
Year: 2021
Subjects: NetApps, 5G Core Programmability, CAPIF, NEF, SEAL, i4.0, Northbound APIs

description: The intense ongoing work towards 5G readiness has reached the point where the performance gains provided by 5G infrastructures should be exploited by third party innovators and SMEs, to create a new, open, and dynamic ecosystem from both technology and marketing perspectives. Towards the materialization of the 5G performance gains at application and market level, key contributions are expected by the domain of design and development of Network Application (NetApp).
 EVOLVED-5G endorses this vision through the definition of a NetApp ecosystem and proposes a functional architecture relevant to the implementation of an experimental facility blueprint (The EVOLVED-5G facility), that will provide the tools and the processes for the development and validation of NetApps, as well as any supporting network infrastructure (e.g., a 5G-NPN) and mechanisms for market releasing and collaboration (e.g., a Marketplace). Based on the facility blueprint, a requirements analysis work is depicted, maintaining a clear separation among: Requirements that are fundamental for Industry 4.0 businesses, as expected by the vertical Apps (vApps) and NetApps. Requirements that relate to the 5G network infrastructure, relating to both the network equipment, access and core network components as well as the orchestration and monitoring capabilities. Physical infrastructure requirements that involve the data center capabilities. Requirements related to the NetApps development, validation and testing. Furthermore, EVOLVED-5G brings innovate Industry 4.0-related use cases that are also defined in this deliverable so as to help understand and visualize the importance of the proposed NetApp ecosystem and the value it will bring.
 The designated approach in this deliverable will guide the project towards the realization of the EVOLVED-5G Facility. The definition and identification of core requirements from both the Facility and use cases perspective will also become a common reference for the project and will serve as a fundamental guide for the subsequent specification and implementation activities.
title: Ultrasound quantification of tissue strain properties: a way to overcome subjectivity?
Creators: name: D'Onofrio, Mirko
Publisher: name: European Congress of Radiology
Year: 2009

description: Learning objectives Background Imaging findings OR Procedure details Conclusion Personal Information References
description: Learning objectives: To show the possibilities of Virtual Touch Tissue quantification in studying normal and pathological conditions of liver, pancreas, spleen and...
Marilee Shapiro - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Marilee Shapiro was born in Chicago on November 17 1912. She graduated from the University of Chicago with a degree in philosophy in 1933 After her marriage to Bernard Shapiro in 1935 she discovered sculpture in 1937 in a WPA class in the basement of a local school. When Alexander Archipenko opened a teaching studio in Chicago in 1939 she enrolled and studied with him for two years. Having come to Washington with her family during WW2 she enrolled in classes at The American University continuing with sculpture and drawing.

Her first one person show was of water colors at the Watkins Gallery of American University In Washington she was a member of the Franz Bader Gallery, Here in Washington there were many opportunities to show in juried shows in the Washington and Baltimore museums as well as the Corcoran Gallery of Art where she received an Honorable Mention in sculpture and a first prize for a painting from the Washington Society of Artists. She also was an etcher and began the use of photoshop to produce digital prints in the year 2000 when she was 88 years old followed in 2015 by beginning to work with photography up to the present time, 2016.
This oral history interview discusses some of her sculptures and what she loves about working with clay and the limitations she experiences working with clay and bronze. Shapiro elaborates on the theme of nuns or sisters of the church in her artwork. She talks about her hiatus from art and what eventually got her back into it. She’s now over 100 years old and credits art with preserving her.
Sonnenfleckenzeichnung Nr. 242.
Zeichnung von Flecken und Fackelflächen zur Ermittlung der Sonnenaktivität am 27.09.1962, erstellt von Araldo Pittini, Sonnenobservatorium Specola Solare Ticinese in Locarno
Creators: name: Observatorium Specola Solare Ticinese Locarno (1957 bis 1980 Teil der Eidgenössischen Sternwarte der ETH Zürich)
Publisher: name: [s.n.]
Year: 1962

description: Bleistiftzeichnung mit Tinte und Farbstift, erstellt als Projektionsbildzeichnung für die Beobachtungen in Locarno-Monti auf dem Vordruck der Eidgenössischen Sternwarte Zürich. Instrument: Zeiss-Coudé-Refraktor mit 15 cm Öffnung und 225 cm Brennweite.
Die Beobachtungen zu Einzelflecken und zu Sonnenfleckengruppen wurden auf dem Vordruck eingetragen. Zusätzlich sind zuhanden der späteren statistischen Verarbeitung die Angaben für die Bestimmung der Fleckenrelativzahl notiert
description: ETH-Bibliothek
Nancy Haynes - ART CART Oral History
Creators: Teachers College. Research Center for Arts and Culture
Publisher: name: Columbia University
Year: 2013
Subjects: Arts

description: Nancy Haynes talks about her experiences entering the art world at an early age in New York. She describes different materials or paints and colors she uses. Haynes also talks about the influences, such as books and authors, on her artwork and how she incorporates them into her titles as well. She tells stories about specific pieces of her work, including what she calls “memory drawings.” She also expresses the gratitude she feels being an artist.