title: ÐÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾ÑÐ¸Ð±Ð¾Ðº ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: Causal-typological analysis of film translation mistakes
Creators: name: Ð§ÐµÑÐµÐ´Ð½Ð¸ÐºÐ¾Ð², ÐÑÑÐµÐ¼
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2022
Subjects: ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð¾ÑÐ¸Ð±ÐºÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°
Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¹ Ð¿ÐµÑÐµÐ²Ð¾Ð´
ÐºÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð·
film translation
translation mistakes
audiovisual translation
causal-typological analysis

description: Ð¢ÐµÐ¼Ð° Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ: Â«ÐÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾ÑÐ¸Ð±Ð¾Ðº ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°Â».Â ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð¸Ñ ÐºÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¾ÑÐ¸Ð±Ð¾Ðº ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð´ÑÐ±Ð»ÑÐ¶Ð° Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½Ð¾Ð³Ð¾ ÑÐµÑÐ¸Ð°Ð»Ð° âTed Lassoâ Ð¾Ñ ÑÑÑÐ´Ð¸Ð¸ Ð¾Ð·Ð²ÑÑÐºÐ¸ Â«ÐÐ¸ÑÐ°Ð³Ð¾ÑÂ». ÐÑÑÑÐµÑÑÐ²Ð»ÐµÐ½Ð½ÑÐ¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¿Ð¾Ð·Ð²Ð¾Ð»Ð¸Ñ Ð¼Ð¸Ð½Ð¸Ð¼Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°ÑÑ ÐºÐ¾Ð»Ð¸ÑÐµÑÑÐ²Ð¾ Ð¾ÑÐ¸Ð±Ð¾Ðº, Ð´Ð¾Ð¿ÑÑÐºÐ°ÐµÐ¼ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ°Ð¼Ð¸ Ð¿ÑÐ¸ ÑÐ°Ð±Ð¾ÑÐµ Ð½Ð°Ð´ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð¼ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÑ ÑÐ¸Ð»ÑÐ¼Ð¾Ð² Ð¸ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð². Ð ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐµÑÐ°Ð»Ð¸ÑÑ ÑÐ»ÐµÐ´ÑÑÑÐ¸Ðµ Ð·Ð°Ð´Ð°ÑÐ¸:Â 1) Ð¸Ð·ÑÑÐ¸ÑÑ Ð¿Ð¾Ð½ÑÑÐ¸Ðµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¾Ð¹ Ð¾ÑÐ¸Ð±ÐºÐ¸ Ð¸ Ð¼Ð°ÑÑÑÐ°Ð± ÐµÐµ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ Ð½Ð° Ð¼Ð¸ÑÐ¾Ð²ÑÑ Ð¸ÑÑÐ¾ÑÐ¸Ñ, Ð¿Ð¾Ð»Ð¸ÑÐ¸ÐºÑ Ð¸ ÐºÑÐ»ÑÑÑÑÑ;Â 2) ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¸ ÑÐ¸Ð¿Ð¾Ð²ÑÐµ Ð¾ÑÐ¸Ð±ÐºÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÐºÐ¾Ð¼ÐµÐ´Ð¸Ð¹Ð½Ð¾Ð³Ð¾ Ð¶Ð°Ð½ÑÐ° ÐºÐ¸Ð½Ð¾; 3) ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð²Ð¸Ð´Ñ Ð¸ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð² ÐºÐ¸Ð½Ð¾- Ð¸ ÑÐµÐ»ÐµÑÐ¸Ð»ÑÐ¼Ð¾Ð²;Â 4) ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð·Ð°Ð³Ð¾Ð»Ð¾Ð²ÐºÐ¾Ð² ÑÐ¸Ð»ÑÐ¼Ð¾Ð²;Â 5) ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÑÐ¸ÑÐ¾Ð²Ð°ÑÑ Ð¾ÑÐ¸Ð±ÐºÐ¸ ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°;Â 6) Ð¿ÑÐ¾Ð²ÐµÑÑÐ¸ ÑÐ¾ÑÐ¸Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð¾Ð¿ÑÐ¾Ñ Ð¿Ð¾ ÑÐµÐ¼Ðµ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ Ð¾ÑÐ¸Ð±Ð¾Ðº ÐºÐ¸Ð½Ð¾Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð½Ð° Ð·ÑÐ¸ÑÐµÐ»ÑÑÐºÐ¾Ðµ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ðµ; 7)Â Ð¿ÑÐ¾Ð²ÐµÑÑÐ¸ ÐºÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð¾ÑÐ¸Ð±Ð¾Ðº Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð°Ð½Ð³Ð»Ð¾ÑÐ·ÑÑÐ½Ð¾Ð³Ð¾ ÑÐµÑÐ¸Ð°Ð»Ð° âTed Lassoâ. ÐÑÐ»Ð¸ Ð¸Ð·ÑÑÐµÐ½Ñ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ñ, Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð½ÑÐµ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð¼Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ñ Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð²ÐµÐ´ÐµÐ½Ð¸Ñ. Ð ÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ, Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð² Ð´Ð°Ð½Ð½Ð¾Ð¹ Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÐµ, Ð¼Ð¾Ð³ÑÑ Ð±ÑÑÑ Ð¿Ð¾Ð»ÐµÐ·Ð½Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ°Ð¼, ÑÐ°Ð±Ð¾ÑÐ°ÑÑÐ¸Ð¼ Ñ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½ÑÐ¼ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð¾Ð¼.Â ÐÐ½ÑÐ¾ÑÐ¼Ð°ÑÐ¸Ñ, Ð¿Ð¾Ð»ÑÑÐµÐ½Ð½Ð°Ñ Ð² ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ ÐºÐ°ÑÐ·Ð°Ð»ÑÐ½Ð¾-ÑÐ¸Ð¿Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð°Ð½Ð°Ð»Ð¸Ð·Ð°, Ð¼Ð¾Ð¶ÐµÑ Ð±ÑÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð° ÐºÐ°Ðº Ð¿ÑÐ¸ Ð°ÐºÐ°Ð´ÐµÐ¼Ð¸ÑÐµÑÐºÐ¾Ð¹ Ð¿Ð¾Ð´Ð³Ð¾ÑÐ¾Ð²ÐºÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ¾Ð², ÑÐ°Ðº Ð¸ Ð² Ð¿ÑÐ¾ÑÐµÑÑÐµ Ð°ÑÐ´Ð¸Ð¾Ð²Ð¸Ð·ÑÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° ÑÐ¸Ð»ÑÐ¼Ð¾Ð² Ð¸ ÑÐµÑÐ¸Ð°Ð»Ð¾Ð².
description: The topic of the final qualifying work is âCausal-typological analysis of film translation mistakesâ. This work is devoted to a causal-typological analysis of film translation mistakes based on the dubbing of the American TV series âTed Lassoâ from the professional voiceover studio âPythagorâ. The analysis results will allow minimizing the number of mistakes made by translators when working on audiovisual translation of various films and series. In the course of the study, the following tasks were solved: 1) study the concept of a translation mistake and its possible impact on world history, politics and culture; 2) consider typical translation mistakes and features of comedy film genre; 3) consider the types of film translation and their features; 4) consider the features of film title translation; 5) classify film translation mistakes; 6) conduct a sociological survey on the impact of film translation mistakes on audience perception; 7) conduct an analysis of translation mistakes in the English-language TV series âTed Lassoâ. Various theoretical materials on audiovisual translation and translation studies were examined. The results of the research conducted in this final qualification work may be useful for translators working on audiovisual translation. The information obtained as a result of causal-typological analysis can be used both in academic purposes and in the process of translating films or series.