title: Ð¡Ð¿ÐµÑÐ¸ÑÐ¸ÐºÐ° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð³Ð¾ Ð´Ð¸ÑÐºÑÑÑÐ° ÑÑÑÐ´ÐµÐ½ÑÐ°Ð¼Ð¸ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð¿ÑÐ¾ÑÐ¸Ð»Ñ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
title: Specific features of art history discourse translation by linguistic majors
Creators: name: Ð¨ÑÐ»ÑÐ³Ð¸Ð½Ð¾Ð²Ð°, ÐÐ»ÑÐ³Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð¿ÐµÑÐµÐ²Ð¾Ð´
Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¸Ð¹ Ð´Ð¸ÑÐºÑÑÑ
Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¸Ð¹ ÑÐµÐºÑÑ
Ð¿ÑÐ¾ÑÐµÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ðµ ÐºÐ¾Ð¼Ð¿ÐµÑÐµÐ½ÑÐ¸Ð¸
Ð¾Ð±ÑÑÐµÐ½Ð¸Ðµ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ñ
translation
art criticism discourse
art history texts
professional translation competencies
translation training

description: ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Â«Ð¡Ð¿ÐµÑÐ¸ÑÐ¸ÐºÐ° Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð³Ð¾ Ð´Ð¸ÑÐºÑÑÑÐ° ÑÑÑÐ´ÐµÐ½ÑÐ°Ð¼Ð¸ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¾Ð³Ð¾ Ð¿ÑÐ¾ÑÐ¸Ð»ÑÂ» Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð¾ Ð²Ð¾Ð¿ÑÐ¾ÑÐ°Ð¼ Ð°Ð½Ð³Ð»Ð¾-ÑÑÑÑÐºÐ¾Ð³Ð¾ Ð¸ ÑÑÑÑÐºÐ¾-Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð³Ð¾ Ð´Ð¸ÑÐºÑÑÑÐ° Ð¸ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¸Ñ ÑÐµÐºÑÑÐ¾Ð² Ð² ÐºÐ°ÑÐµÑÑÐ²Ðµ Ð¾Ð±ÑÑÐ°ÑÑÐ¸Ñ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ð¾Ð² Ð´Ð»Ñ ÑÑÑÐ´ÐµÐ½ÑÐ¾Ð² Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ¾Ð². ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ ÑÐ¿ÐµÑÐ¸ÑÐ¸ÐºÐ° Ð°Ð½Ð³Ð»Ð¾-ÑÑÑÑÐºÐ¾Ð³Ð¾ Ð¸ ÑÑÑÑÐºÐ¾-Ð°Ð½Ð³Ð»Ð¸Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð³Ð¾ Ð´Ð¸ÑÐºÑÑÑÐ°. Ð¦ÐµÐ»ÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ Ð°Ð½Ð°Ð»Ð¸Ð· Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ñ Ð°ÑÐ¿ÐµÐºÑÐ¾Ð² Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð³Ð¾ Ð´Ð¸ÑÐºÑÑÑÐ°, Ð° ÑÐ°ÐºÐ¶Ðµ Ð¾Ð±Ð¾ÑÐ½Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð²ÐºÐ»ÑÑÐµÐ½Ð¸Ñ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ð¾Ð² Ð¸ÑÐºÑÑÑÑÐ²Ð¾Ð²ÐµÐ´ÑÐµÑÐºÐ¾Ð¹ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð² Ð¿ÑÐ¾Ð³ÑÐ°Ð¼Ð¼Ñ Ð¿Ð¾Ð´Ð³Ð¾ÑÐ¾Ð²ÐºÐ¸ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¾Ð²-Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐ¸ÐºÐ¾Ð².
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description: The thesis âSpecific features of art history discourse translation by linguistic majorsâ focuses on the translation problems of the English and Russian art history texts, as well as the integration of these texts into the linguistic profile students` curriculum. The subject of the research is the specific features of the English and Russian translation of the art criticism discourse. The research aims at analyzing linguistic and trans-lational aspects of the art criticism discourse and substantiating of the art criticism discourse` inclusion in the Linguistics students` curriculum.
The main objectives of the research are to clarify specific features of the art criticism discourse, to analyze the text material which is the basis of this research; to consider methodological aspects of art criticism discourse` inclusion in the linguistic students` curriculum; to elaborate practical tasks for linguistics majors.
The linguistic, extralinguistic and stylistic analysis of the art history monograph The Story of Art by Ernst Gombrich has been conducted. Tasks based on the art history texts and aimed at developing written translation skills have been elaborated.