cometadata/datacite-rtg-text-other-reclassification-records huggingface dataset:
title: Ð­Ð»ÐµÐºÑÑÐ¸ÑÐµÑÐºÐ°Ñ ÑÐ°ÑÑÑ Ð³Ð°Ð·Ð¾Ð¼Ð°Ð·ÑÑÐ½Ð¾Ð¹ ÐÐ­Ð¡ Ð¼Ð¾ÑÐ½Ð¾ÑÑÑÑ 5Ñ 500 ÐÐÑ
title: Ð¼Ð°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ
titleType: Subtitle
Creators: name: ÐÐ°Ð»Ð¸Ð¼Ð¾Ð², ÐÐ¸ÑÐ°Ð¸Ð»
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: Ð­Ð»ÐµÐºÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐ°Ð½ÑÐ¸Ð¸
Ð¢Ð¾ÐºÐ¸ ÐºÐ¾ÑÐ¾ÑÐºÐ¾Ð³Ð¾ Ð·Ð°Ð¼ÑÐºÐ°Ð½Ð¸Ñ
ÐÐµÐ½ÐµÑÐ°ÑÐ¾ÑÑ
Ð¢Ð¾ÐºÐ¾Ð¿ÑÐ¾Ð²Ð¾Ð´Ñ
Ð¢ÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¾ÑÑ

description: Ð Ð½Ð°ÑÑÐ¾ÑÑÐµÐ¹ ÑÐ°Ð±Ð¾ÑÐµ ÑÐ¿ÑÐ¾ÐµÐºÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð° ÐºÐ¾Ð½Ð´ÐµÐ½ÑÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ»ÐµÐºÑÑÐ¸ÑÐµÑÐºÐ°Ñ ÑÑÐ°Ð½ÑÐ¸Ñ Ð½Ð° Ð³Ð°Ð·Ð¾Ð¼Ð°Ð·ÑÑÐ½Ð¾Ð¼ ÑÐ¾Ð¿Ð»Ð¸Ð²Ðµ Ñ ÑÑÑÐ°Ð½Ð¾Ð²Ð»ÐµÐ½Ð½Ð¾Ð¹ Ð¼Ð¾ÑÐ½Ð¾ÑÑÑÑ 5Ñ500 ÐÐÑ. ÐÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½ Ð²ÑÐ±Ð¾Ñ Ð³Ð»Ð°Ð²Ð½Ð¾Ð¹ ÑÑÐµÐ¼Ñ ÑÐ»ÐµÐºÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÑÐ¾ÐµÐ´Ð¸Ð½ÐµÐ½Ð¸Ð¹, Ð° ÑÐ°ÐºÐ¶Ðµ ÑÐµÑÐ½Ð¸ÐºÐ¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· Ð´Ð²ÑÑ Ð²Ð°ÑÐ¸Ð°Ð½ÑÐ¾Ð², Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ ÐºÐ¾ÑÐ¾ÑÐ¾Ð³Ð¾ Ð²ÑÐ±ÑÐ°Ð½ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ Ð¾Ð¿ÑÐ¸Ð¼Ð°Ð»ÑÐ½ÑÐ¹. Ð Ð°ÑÑÑÐ¸ÑÐ°Ð½Ñ ÑÐ¾ÐºÐ¸ ÐºÐ¾ÑÐ¾ÑÐºÐ¾Ð³Ð¾ Ð·Ð°Ð¼ÑÐºÐ°Ð½Ð¸Ñ. ÐÐ¾Ð´Ð¾Ð±ÑÐ°Ð½Ñ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ Ð¿Ð¾Ð´ÑÐ¾Ð´ÑÑÐ¸Ðµ Ð¿Ð¾ ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¼ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸ÐºÐ°Ð¼ Ð³ÐµÐ½ÐµÑÐ°ÑÐ¾ÑÑ, ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¾ÑÑ, ÐºÐ¾Ð¼Ð¼ÑÑÐ°ÑÐ¸Ð¾Ð½Ð½ÑÐµ Ð°Ð¿Ð¿Ð°ÑÐ°ÑÑ. Ð£Ð´ÐµÐ»ÐµÐ½Ð¾ Ð²Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ ÑÐ¾Ð±ÑÑÐ²ÐµÐ½Ð½ÑÐ¼ Ð½ÑÐ¶Ð´Ð°Ð¼ ÑÐ»ÐµÐºÑÑÐ¾ÑÑÐ°Ð½ÑÐ¸Ð¸, Ð¿Ð¾Ð´Ð¾Ð±ÑÐ°Ð½Ñ ÐºÐ°Ð±ÐµÐ»Ð¸ Ðº Ð½ÐµÐºÐ¾ÑÐ¾ÑÑÐ¼ Ð¼ÐµÑÐ°Ð½Ð¸Ð·Ð¼Ð°Ð¼, Ð° ÑÐ°ÐºÐ¶Ðµ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½ ÑÐ°ÑÑÐµÑ ÑÐ°Ð¼Ð¾Ð·Ð°Ð¿ÑÑÐºÐ° Ð´Ð²Ð¸Ð³Ð°ÑÐµÐ»ÐµÐ¹ ÑÐ¾Ð±ÑÑÐ²ÐµÐ½Ð½ÑÑ Ð½ÑÐ¶Ð´ Ð¿Ð¾ÑÐ»Ðµ Ð¿ÐµÑÐµÑÑÐ²Ð° Ð¿Ð¸ÑÐ°Ð½Ð¸Ñ Ð¸ ÑÐ°ÑÑÑÐ¸ÑÐ°Ð½Ð¾ Ð²ÑÐµÐ¼Ñ Ð¿ÑÑÐºÐ° Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ Ð¼Ð¾ÑÐ½Ð¾Ð³Ð¾ ÑÐ»ÐµÐºÑÑÐ¾Ð´Ð²Ð¸Ð³Ð°ÑÐµÐ»Ñ.
title: ÐÑÐ½Ð¾Ð²Ð°Ð½Ð½Ð¾Ðµ Ð½Ð° Ð¾Ð±ÑÑÐµÐ½Ð¸Ð¸ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ Ð¸Ð·Ð¾Ð±ÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð¿Ð¾ÑÑÐµÐ´ÑÑÐ²Ð¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÐºÐ¾Ð½ÑÑÑÐ¾Ð²
title: Ð¼Ð°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ
titleType: Subtitle
title: Deep learning-based predictive image coding considering contours
Creators: name: Ð ÐµÐ¸Ð¼ÐµÑ ÐÐ¶ÐµÑÑ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: ÐÐ¸Ð´ÐµÐ¾Ð¸Ð½ÑÐ¾ÑÐ¼Ð°ÑÐ¸Ñ
ÐÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ
ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ðµ ÑÐ°Ð·ÑÐµÑÐµÐ½Ð¸Ñ
Ð¿ÑÐ¾Ð¿ÑÑÐºÐ½Ð°Ñ ÑÐ¿Ð¾ÑÐ¾Ð±Ð½Ð¾ÑÑÑ

description: Ð Ð¿Ð¾ÑÐ»ÐµÐ´Ð½Ð¸Ðµ Ð³Ð¾Ð´Ñ Ð½Ð°Ð±Ð»ÑÐ´Ð°ÐµÑÑÑ ÑÐµÐ½Ð´ÐµÐ½ÑÐ¸Ñ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ ÑÐ°Ð·ÑÐµÑÐµÐ½Ð¸Ñ Ð¾Ñ Ð²ÑÑÐ¾ÐºÐ¾Ð¹ ÑÐµÑÐºÐ¾ÑÑÐ¸ (HD) Ð´Ð¾ 4K Ð¸Ð»Ð¸ Ð´Ð°Ð¶Ðµ 8K Ultra High Definition (UHD). Ð¡ ÑÐ¾ÑÐºÐ¸ Ð·ÑÐµÐ½Ð¸Ñ ÐºÐ¾Ð»Ð¸ÑÐµÑÑÐ²Ð° Ð¿Ð¸ÐºÑÐµÐ»ÐµÐ¹ Ð´Ð»Ñ Ð¾ÑÐ¾Ð±ÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð¾Ð·Ð½Ð°ÑÐ°ÐµÑ, ÑÑÐ¾ Ð¿ÐµÑÐµÑÐ¾Ð´ Ð¾Ñ HD Ðº 4K UHD ÑÐ¸ÑÐ»Ð¾ Ð² ÑÐµÑÑÑÐµ ÑÐ°Ð·Ð°. Ð ÑÐ»ÑÑÐ°Ðµ 8K UHD Ð¿Ð¾ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ñ Ðº HD ÑÑÐ¾ Ð´Ð°Ð¶Ðµ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ðµ ÑÐ°ÐºÑÐ¾ÑÐ° ÑÐµÑÑÐ½Ð°Ð´ÑÐ°ÑÑ. ÐÐ¾ Ð² ÑÐ¾ Ð¶Ðµ Ð²ÑÐµÐ¼Ñ Ð´Ð¾ÑÑÑÐ¿Ð½ÑÑ Ð¿Ð¾Ð»Ð¾ÑÑ Ð¿ÑÐ¾Ð¿ÑÑÐºÐ°Ð½Ð¸Ñ, Ñ. Ðµ. Ð² Ð¸Ð½ÑÐµÑÐ½ÐµÑÐµ, Ð½Ðµ ÑÐ°ÑÑÐµÑ Ð¿ÑÐ¾Ð¿Ð¾ÑÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ ÑÐ°Ð·ÑÐµÑÐµÐ½Ð¸Ñ. ÐÐ»Ñ ÑÑÐ¾Ð³Ð¾ Ð½ÐµÐ¾Ð±ÑÐ¾Ð´Ð¸Ð¼Ð¾ Ð±Ð¾Ð»ÐµÐµ ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾Ðµ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ Ð²Ð¸Ð´ÐµÐ¾. ÐÐ»Ñ Ð²ÑÑÐ¾ÐºÐ¾ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾Ð³Ð¾ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð²Ð¸Ð´ÐµÐ¾ (hevc Ð²) Ð¸ÑÐ¿Ð¾Ð»ÑÐ·ÑÐµÑÑÑ Ð²Ð½ÑÑÑÐ¸ÐºÐ°Ð´ÑÐ¾Ð²Ð¾Ðµ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ ÑÑÐ´Ð¾Ð¼ Ñ Ð¼ÐµÐ¶ÐºÐ°Ð´ÑÐ¾Ð²ÑÐ¼ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸ÐµÐ¼ Ð² ÐºÐ°ÑÐµÑÑÐ²Ðµ ÐºÑÐ°ÐµÑÐ³Ð¾Ð»ÑÐ½Ð¾Ð³Ð¾ ÐºÐ°Ð¼Ð½Ñ Ð¿ÑÐ¸ ÑÐ¶Ð°ÑÐ¸Ð¸ Ð²Ð¸Ð´ÐµÐ¾, Ð½Ð¾ Ð¾Ð±Ð½Ð°ÑÑÐ¶Ð¸Ð²Ð°ÐµÑÑÑ Ð´ÐµÑÐ¸ÑÐ¸Ñ Ð² Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¿ÑÐ¾Ð³Ð½Ð¾Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ñ Ð´Ð»Ñ ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð±Ð»Ð¾ÐºÐ¾Ð². Ð ÑÑÐ¾Ð¹ Ð½Ð°ÑÑÐ½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÐµ Ð¸ÑÑÐ»ÐµÐ´ÑÐµÑÑÑ Ð¼ÐµÑÐ¾Ð´ Ð³Ð»ÑÐ±Ð¾ÐºÐ¾Ð³Ð¾ Ð¾Ð±ÑÑÐµÐ½Ð¸Ñ Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ¸ Ð¿ÑÐ¾Ð³Ð½Ð¾Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð·Ð½Ð°ÑÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐ°Ð·ÑÐ°, ÐºÐ¾ÑÐ¾ÑÑÐ¹ Ð¿Ð¾Ð´Ð´ÐµÑÐ¶Ð¸Ð²Ð°ÐµÑÑÑ Ð´Ð°Ð½Ð½ÑÐ¼Ð¸ ÐºÐ¾Ð½ÑÑÑÐ° Ð¸Ð·Ð¾Ð±ÑÐ°Ð¶ÐµÐ½Ð¸Ñ. Ð­ÐºÑÐ¿ÐµÑÐ¸Ð¼ÐµÐ½ÑÐ°Ð»ÑÐ½ÑÐµ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð¿Ð¾ÐºÐ°Ð·ÑÐ²Ð°ÑÑ, ÑÑÐ¾ Ð² ÑÐµÐ»Ð¾Ð¼ Ð²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ð¾ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ðµ Ð½Ð° 1-2 Ð´Ð, ÑÑÐ¾, ÑÐ¾Ð³Ð»Ð°ÑÐ½Ð¾ Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐµ Ð¿Ð¾ Ð²Ð¸Ð´ÐµÐ¾ÐºÐ¾Ð´Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ, ÑÐ²Ð»ÑÐµÑÑÑ Ð·Ð°Ð¼ÐµÑÐ½ÑÐ¼ ÑÐ»ÑÑÑÐµÐ½Ð¸ÐµÐ¼. Ð­ÑÐ¾ ÑÐ»ÑÑÑÐµÐ½Ð¸Ðµ Ð¿Ð¾Ð¼Ð¾Ð³Ð°ÐµÑ ÑÐ¼ÐµÐ½ÑÑÐ¸ÑÑ Ð½ÐµÐ¾Ð±ÑÐ¾Ð´Ð¸Ð¼ÑÑ Ð¿ÑÐ¾Ð¿ÑÑÐºÐ½ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ð½Ð¾ÑÑÑ Ð¿ÑÐ¸ Ð¿ÐµÑÐµÐ´Ð°ÑÐµ Ð´Ð°Ð½Ð½ÑÑ Ð¿Ð¾ ÑÐµÑÐ¸.
title: ÐÐ¾Ð²ÑÑÐµÐ½Ð¸Ðµ ÑÐ¾ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐ¸Ð¼ÐµÐ½Ð¸Ð¼Ð¾ÑÑÐ¸ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹, Ð¿ÑÐµÐ´Ð½Ð°Ð·Ð½Ð°ÑÐµÐ½Ð½ÑÑ Ð´Ð»Ñ ÑÐ°ÑÑÑÑÐ° Ð·Ð¾Ð½ ÑÐ°Ð´Ð¸Ð¾Ð´Ð¾ÑÑÑÐ¿Ð½Ð¾ÑÑÐ¸
title: Ð¼Ð°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ
titleType: Subtitle
Creators: name: ÐÐ°Ð»Ð», Ð Ð¾Ð¼Ð°Ð½
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: Ð Ð°Ð´Ð¸Ð¾ÑÐ²ÑÐ·Ñ Ð² Ð°Ð²Ð¸Ð°ÑÐ¸Ð¸
ÐÐµÑÐ°ÑÐµÐ»ÑÐ½ÑÐµ Ð°Ð¿Ð¿Ð°ÑÐ°ÑÑ Ð±ÐµÑÐ¿Ð¸Ð»Ð¾ÑÐ½ÑÐµ
Ð Ð°Ð´Ð¸Ð¾ÑÐ¸Ð³Ð½Ð°Ð»Ñ
ÑÐ°Ð´Ð¸Ð¾Ð´Ð¾ÑÑÑÐ¿Ð½Ð¾ÑÑÑ
ÑÐ°Ð´Ð¸Ð¾Ð²Ð¸Ð´Ð¸Ð¼Ð¾ÑÑÑ
ÑÐµÑÑÐ°ÐºÑÐ¸Ñ

description: ÐÐ¾ Ð²ÑÐµÐ¼Ñ Ð¿ÑÐ¾ÐµÐºÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð¸ ÑÐ°Ð·Ð²ÑÑÑÑÐ²Ð°Ð½Ð¸Ñ ÑÐ¸ÑÑÐµÐ¼Ñ ÑÐ°Ð´Ð¸Ð¾ÑÐ²ÑÐ·Ð¸ Ð°ÐºÑÑÐ°Ð»ÑÐ½Ð¾Ð¹ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÑÐµÑÑÑ Ð·Ð°Ð´Ð°ÑÐ° Ð²ÑÑÐ°Ð±Ð¾ÑÐºÐ¸ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¹ Ðº Ð¿Ð°ÑÐ°Ð¼ÐµÑÑÐ°Ð¼ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð² ÑÐ¸ÑÑÐµÐ¼Ñ Ñ ÑÐµÐ»ÑÑ Ð´Ð¾ÑÑÐ¸Ð¶ÐµÐ½Ð¸Ñ Ð·Ð°Ð´Ð°Ð½Ð½Ð¾Ð¹ Ð¼Ð¾ÑÐ½Ð¾ÑÑÐ¸ Ð¿ÑÐ¸Ð½Ð¸Ð¼Ð°ÐµÐ¼Ð¾Ð³Ð¾ ÑÐ¸Ð³Ð½Ð°Ð»Ð°. ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ ÑÐ¾ÑÐ½Ð¾ÑÑÐ¸ Ð¿Ð¾Ð»ÑÐ´ÐµÑÐµÑÐ¼Ð¸Ð½Ð¸ÑÐ¾Ð²Ð°Ð½Ð½ÑÑ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹ ITM Ð¸ ITWOM, Ð¸ÑÐ¿Ð¾Ð»ÑÐ·ÑÑÑÐ¸ÑÑÑ Ð´Ð»Ñ Ð²ÑÐ¿Ð¾Ð»Ð½ÐµÐ½Ð¸Ñ ÑÐºÐ°Ð·Ð°Ð½Ð½Ð¾Ð¹ Ð·Ð°Ð´Ð°ÑÐ¸, Ð¸ Ð¾ÑÐµÐ½ÐºÐµ Ð¿ÑÐ¸Ð¼ÐµÐ½Ð¸Ð¼Ð¾ÑÑÐ¸ ÑÑÐ¸Ñ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹ Ð´Ð»Ñ Ð»Ð¸Ð½Ð¸Ð¸ ÑÐ²ÑÐ·Ð¸ Ð±ÐµÑÐ¿Ð¸Ð»Ð¾ÑÐ½Ð¾Ð³Ð¾ Ð»ÐµÑÐ°ÑÐµÐ»ÑÐ½Ð¾Ð³Ð¾ Ð°Ð¿Ð¿Ð°ÑÐ°ÑÐ° (ÐÐÐÐ) Ñ Ð½Ð°Ð·ÐµÐ¼Ð½ÑÐ¼ Ð¿ÑÐ½ÐºÑÐ¾Ð¼ ÑÐ¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ (ÐÐÐ£). Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½Ð° Ð¼Ð¾Ð´ÐµÐ»Ñ ITM2.0, Ð²ÐºÐ»ÑÑÐ°ÑÑÐ°Ñ Ð² ÑÐµÐ±Ñ Ð¸ÑÐ¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ Ð½ÐµÑÐ¾ÑÐ½Ð¾ÑÑÐµÐ¹ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹ ITM Ð¸ ITWOM. ÐÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÑÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÑÐ²ÑÑÐ²Ð¸ÑÐµÐ»ÑÐ½Ð¾ÑÑÐ¸ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹ Ð¿Ð¾ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ñ Ðº Ð¸Ð·Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ Ð²ÑÐ¾Ð´Ð½ÑÑ Ð¿ÐµÑÐµÐ¼ÐµÐ½Ð½ÑÑ; ÑÑÐ¾ÑÐ¼ÑÐ»Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¸, ÐºÐ°ÐºÐ¸Ðµ Ð¸Ð· Ð²ÑÐ¾Ð´Ð½ÑÑ Ð¿ÐµÑÐµÐ¼ÐµÐ½Ð½ÑÑ Ð·Ð½Ð°ÑÐ¸Ð¼Ñ Ð¸ ÑÑÐµÐ±ÑÑÑ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ ÑÐ¾ÑÐ½ÑÑ Ð¾ÑÐµÐ½ÐºÑ. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ ÑÐµÑÐ¸Ð¸ ÑÐºÑÐ¿ÐµÑÐ¸Ð¼ÐµÐ½ÑÐ¾Ð² Ð¿Ð¾ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð·Ð°ÑÑÑÐ°Ð½Ð¸Ñ ÑÐ¸Ð³Ð½Ð°Ð»Ð° Ð² ÐºÐ°Ð½Ð°Ð»Ðµ ÑÐ²ÑÐ·Ð¸ ÐÐÐÐ Ñ ÐÐÐ£ Ð¾ÑÑÑÐµÑÑÐ²Ð»ÐµÐ½Ð° Ð¾ÑÐµÐ½ÐºÐ° ÑÐ¾ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð¿ÑÐ¸Ð¼ÐµÐ½Ð¸Ð¼Ð¾ÑÑÐ¸ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹ ITM, ITWOM Ð¸ ITM2.0. Ð¡Ð¾Ð·Ð´Ð°Ð½Ð¾ Ð¿ÑÐ¾Ð³ÑÐ°Ð¼Ð¼Ð½Ð¾Ðµ Ð¾Ð±ÐµÑÐ¿ÐµÑÐµÐ½Ð¸Ðµ, Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÑÑÐµÐµ Ð²ÑÑÐ°Ð±Ð°ÑÑÐ²Ð°ÑÑ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¸ Ðº Ð¿Ð°ÑÐ°Ð¼ÐµÑÑÐ°Ð¼ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð² ÑÐ¸ÑÑÐµÐ¼Ñ ÑÐ°Ð´Ð¸Ð¾ÑÐ²ÑÐ·Ð¸ Ñ Ð¿Ð¾Ð¼Ð¾ÑÑÑ ÑÐ°ÑÑÐ¼Ð°ÑÑÐ¸Ð²Ð°ÐµÐ¼ÑÑ Ð¼Ð¾Ð´ÐµÐ»ÐµÐ¹.
The analogue technology of S: exploring narrative form and the encoded mystery of the margin
Creators: name: Wocke, Brendon John
Publisher: name: Università degli Studi di Cagliari
Year: 2014

description: The 2013 publication of S, J.J. Abrams’ and Doug Dorst’s “love letter to the written word,” represents a particular intervention in the debates surrounding the future of the book and the relationship between analogue and digital publication. In S we see how the analogue nature of this particular book drives much of the narrative structure of the text, indeed the physical presentation of the book informs much of the imaginative contents of the narrative. In this article I would like to consider the theoretic bounds of this novel and its form, from the question of marginal (and fragmented) writing that is evoked in the work of Jacques Derrida, to the importance of the medium and the message that it carries as described by Marshall McLuhan. One could furthermore consider the manner in which S integrates itself into the imagination of the reader both in textual and in literal terms in light of Umberto Eco’s notion of the “open work.”
description: Between, Vol 4, N° 8 (2014): Tecnologia, immaginazione e forme del narrare
title: « L’éducation émotionnelle » à travers la littérature jeunesse :
title: séquence d’enseignement à partir d’un ouvrage choisi : La couleur des émotions Llenas (2014)
titleType: Subtitle
title: « L’éducation émotionnelle » à travers la littérature jeunesse :
titleType: AlternativeTitle
Creators: name: Manz, Emma
name: Ménigoz, Eva
Publisher: name: Unknown
Year: 0
Subjects: subject: émotions
subject: éducation émotionnelle
subject: compétences émotionnelles
subject: intelligence émotionnelle
subject: métaémotion
subject: séquence d’enseignement

description: Ce mémoire s’intéresse à l’éducation émotionnelle dans le cadre scolaire au cycle 1 (4 à 7 ans) et tous les bienfaits qui en découlent quant à la construction de l’identité propre de chaque élève. Ce travail favorisera leur épanouissement dans leur vie scolaire et sociale. Il a été démontré au travers de nombreuses recherches que les facteurs émotionnels jouent un rôle essentiel dans la réussite scolaire de chaque enfant, tout autant que les facteurs intellectuels (Claeys-Bouuaert, 2018). Dans ce sens, nous avons construit une séquence d’enseignement en lien avec l’œuvre littéraire La couleur des émotions (Llenas, 2014). L’idée étant que les élèves soient capables de reconnaître, comprendre et, finalement, exprimer leurs émotions. Ceci nous a permis de formuler la question de recherche suivante : en quoi une séquence didactique basée sur un ouvrage de littérature jeunesse, soit La couleur des émotions (Llenas, 2014) permet-elle aux élèves de mieux identifier, comprendre et exprimer leurs émotions ? Ce projet de recherche a ainsi pour but de mettre en œuvre un dispositif en classe en vue de proposer des outils à nos élèves pour développer leurs compétences relationnelles et émotionnelles. En s’appuyant sur les différentes émotions présentes dans le support choisi, nous accompagnons nos élèves à la construction de ces compétences. Les activités mêlant discussion, créativité, partage, lecture et encore motricité gardent les élèves motivés tout au long de leur travail et favorisent leur progression. Grâce à l’interprétation des résultats au travers de notre grille d’analyse, nous avons pu relever où se situait la progression des élèves de manière générale. De plus, nous avons constaté les bienfaits de ce travail dans la vie quotidienne de la classe au sein des interactions entre les élèves en lien avec leurs capacités d’empathie.
The emulsion polymerization of isoprene by cumene hydroperoxide
Creators: name: Reynolds, Warren L.
Publisher: name: University of British Columbia
Year: 2012

description: The emulsion polymerization of isoprene by means of cumene hydroperoxide was found to yield polymers of irreproducible intrinsic viscosities. The cause was found to be in the procedure used which was that recommended for drying GR-S type rubbers. The temperature and drying period finally found to be satisfactory were 35° C. and 48 hours. The formula recommended for the production of GR-S rubber by means of cumene hydroperoxide when applied to isoprene gave a rubber with too low a molecular weight. By studying the effect of varying the concentration of each of the components, and also the temperature, conditions have been established for the production of a satisfactory polymer.
[Premiesøknad fra Christen Andersen Biøringen]
Creators: name: Biøringen, Christen Andersen
Publisher: name: Unknown
Year: 1774
Subjects: Biøringen, Christen Andersen

description: Premiesøknad innen temaet Jordforbedring nordenfjells innsendt av Christen Andersen Biøringen.
Maurice Halbwachs interdisziplinär beleuchtet und psychologisch kategorisiert
Creators: name: Sumner, Angela M.
Publisher: name: KULT_online
Year: 2004

description: Der Sammelband Kontexte und Kulturen des Erinnerns, herausgegeben von Gerald Echterhoff und Martin Saar, bietet eingehende Betrachtungen über die Gedächtnistheorie des französischen Soziologen Maurice Halbwachs. Vor allem der psychologischen Perspektive wird hierbei ein besonderer Stellenwert beigemessen, wenngleich der Band durch Beiträge aus verschiedenen Philologien, der Philosophie sowie der Geschichts- und Politikwissenschaft insgesamt interdisziplinär angelegt ist. In den 13 Artikeln erfolgt nicht nur eine konzise Darstellung der Theorie von Halbwachs, sondern es werden zugleich Anknüpfungspunkte für Forschungsfragen verschiedenster Disziplinen aufgezeigt.
description: KULT_online, Nr. 03 (2004): KULT_online 03 (2004)
title: CÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ðµ ÐºÑÐ¸ÑÐµÑÐ¸Ð¸ Ð¾ÑÐµÐ½ÐºÐ¸ Ð¾Ð±ÑÐµÐºÑÐ° ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð½Ð°ÑÐ»ÐµÐ´Ð¸Ñ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¼Ð°Ð³Ð¸ÑÑÑÐ°
titleType: Subtitle
Creators: name: ÐÑÑÑÐ¸Ð½Ð°, ÐÐ»ÐµÐ½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: ÐÑÑ Ð¸ÑÐµÐºÑÑÑÐ½ÑÐµ Ð¿Ð°Ð¼ÑÑÐ½Ð¸ÐºÐ¸
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ÑÐ½Ð¸ÐºÐ°Ð»ÑÐ½ÑÐµ ÑÐ¾Ð¾ÑÑÐ¶ÐµÐ½Ð¸Ñ

description: ÐÐ°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐµ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ñ ÐºÑÐ¸ÑÐµÑÐ¸ÐµÐ² Ð¾ÑÐµÐ½ÐºÐ¸ Ð¾Ð±ÑÐµÐºÑÐ° ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð½Ð°ÑÐ»ÐµÐ´Ð¸Ñ Ð´Ð»Ñ ÐµÐ³Ð¾ ÑÐ¾ÑÑÐ°Ð½ÐµÐ½Ð¸Ñ Ð¸ ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾Ð¹ ÑÐºÑÐ¿Ð»ÑÐ°ÑÐ°ÑÐ¸Ð¸. Ð ÑÐ¾Ð´Ðµ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ¸ ÑÐµÐ¼Ñ Ð±ÑÐ»Ð¸ Ð²ÑÐ¿Ð¾Ð»Ð½ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð·Ð°Ð´Ð°ÑÐ¸ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ. ÐÑÐ» Ð¸Ð·ÑÑÐµÐ½ Ð¾ÑÐµÑÐµÑÑÐ²ÐµÐ½Ð½ÑÐ¹ Ð¸ Ð·Ð°ÑÑÐ±ÐµÐ¶Ð½ÑÐ¹ Ð¾Ð¿ÑÑ ÑÐ¾ÑÑÐ°Ð½ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐºÑÐ¾Ð² ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð½Ð°ÑÐ»ÐµÐ´Ð¸Ñ, Ð²ÑÑÐ²Ð»ÐµÐ½Ñ ÑÐ°Ð¼ÑÐµ ÑÑÑÐµÐºÑÐ¸Ð²Ð½ÑÐµ Ð¸Ð· Ð½Ð¸Ñ. Ð¢Ð°ÐºÐ¶Ðµ Ð±ÑÐ» Ð²ÑÐ±ÑÐ°Ð½ Ð¸ Ð¸Ð·ÑÑÐµÐ½ Ð¾Ð±ÑÐµÐºÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ, ÐµÐ³Ð¾ Ð¾ÐºÑÑÐ¶Ð°ÑÑÐ°Ñ ÑÑÐµÐ´Ð°, Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð° Ð½Ð¾Ð²Ð°Ñ ÑÑÐ½ÐºÑÐ¸Ñ Ð´Ð»Ñ Ð¿ÑÐ¸ÑÐ¿Ð¾ÑÐ¾Ð±Ð»ÐµÐ½Ð¸Ñ. Ð¡ÑÐ¾ÑÐ¼Ð¸ÑÐ¾Ð²Ð°Ð½Ñ Ð¿Ð¾ÐºÐ°Ð·Ð°ÑÐµÐ»Ð¸ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾Ð¹ Ð¸ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð¹ ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸ Ð¾Ð±ÑÐµÐºÑÐ° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ, ÐºÐ¾ÑÐ¾ÑÑÐµ Ð¿Ð¾Ð´ÑÐ²ÐµÑÐ´Ð¸Ð»Ð¸ Ð¿ÑÐ¸Ð¼ÐµÐ½Ð¸Ð¼Ð¾ÑÑÑ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð¸Ñ Ð¿Ð¾ Ð²Ð¾ÑÑÑÐ°Ð½Ð¾Ð²Ð»ÐµÐ½Ð¸Ñ Ð¸ Ð¿ÑÐ¸ÑÐ¿Ð¾ÑÐ¾Ð±Ð»ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐºÑÐ° Ð¸ÑÑÐ¾ÑÐ¸ÐºÐ¾-ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð³Ð¾ Ð½Ð°ÑÐ»ÐµÐ´Ð¸Ñ.
Die Geschlechter als kulturelle Konstruktionen im Fokus der interdisziplinären Diskussion
Creators: name: Rothermel, Agata
Publisher: name: KULT_online
Year: 2004

description: Die vorliegende Gedenkschrift ist der im Jahr 1998 verstorbenen Gisela Schoenthal gewidmet, die sich auf dem Gebiet der feministischen Linguistik in Deutschland sehr verdient machte. Der 340 Seiten umfassende Band beinhaltet insgesamt 15 unterschiedliche Beiträge. Die Aufsätze aus den Gebieten Linguistik, neuere und mittelalterliche Literaturwissenschaft, Aphasieforschung, Medienwissenschaft und Psychologie führen die von der Wissenschaftlerin mitinitiierte interdisziplinäre Diskussion fort.
description: KULT_online, Nr. 03 (2004): KULT_online 03 (2004)
[Premiesøknad fra Endre Semundsæt]
Creators: name: Semundsæt, Endre
Publisher: name: Unknown
Year: 1774
Subjects: Semundsæt, Endre

description: Premiesøknad innen temaet Stengjerde innsendt av Endre Semundsæt. Premiert med 20 Rdr.
Zaungäste oder Zaunkönige? - Von der Komplexität und gleichzeitigen Berechenbarkeit interkultureller Kommunikation
Creators: name: Prechter, Sabine
Publisher: name: KULT_online
Year: 2004

description: Der von Ernst Apeltauer herausgegebene Band Interkulturelle Kommunikation. Deutschland - Skandinavien - Großbritannien ist der um einen Aufsatz von Sabine Riedel ergänzte Abdruck der sieben Beiträge einer Ringvorlesung zum Thema Interkulturelle Kommunikation, die im Sommersemester 2000 im Rahmen des grenzüberschreitenden Studienganges Kultur- und Sprachmittler (Universität Flensburg/Süddänische Universität) an der Universität Flensburg gehalten wurde. Das Themenspektrum reicht dabei von schwerpunktmäßig linguistisch ausgerichteten Beiträgen über pragmatische Fragestellungen bis hin zur Analyse grenzüberschreitender Strategien im Arbeits- und Wirtschaftsleben.
description: KULT_online, Nr. 04 (2004): KULT_online 04 (2004)
D1.8.31a CEN Standards TC505 Progress report (TG1)
Creators: name: NFA
Publisher: name: Zenodo
Year: 2005
Subjects: NoE and NEXUS Projects
The EuroFIR Food Platform
EuroFIR

description: A proposal for a new CEN project on food composition data, submitted to CEN BT in April, was accepted in July. 23 countries agreed, 2 abstained, while 5 countries abstained without voting. A project committee CEN/TC 387 “Project committee – Food composition data” was established. The project committee is led by SIS (chaired by W Becker). A press release (in Swedish) on the establishment of the committee was issued in September and an article was published in SIS Standards Magazine (2008/3) on the subject.

A first plenary meeting was held in Stockholm 12-13 November with delegations from five national standardisation organisations (Finland, France, Portugal, Sweden, UK). The Swedish delegation is comprised of representatives from SIS, NFA and GS1-Sweden. The SIS/TK 505 will function as a national “mirror committee” for the CEN/TC 387. Resolutions on “Final title and scope of the committee” and “Programme of work” were prepared. These were sent to the participants and to other national standardisation organisations within CEN for voting by correspondence. To date 5 countries (B, DK, P, SE, UK) has approved, which is required for starting the formal work.

The SIS Technical Committee on food data (TK505) has met twice during August-December 2008 with additional meetings with the core group of experts from SIS, NFA and GS1-Sweden. The work has focussed on planning the first plenary meeting with the CEN/TC 387 committee and planning of subsequent work on the draft standard.
Quantum subgroups of GL_{α,β}(n)
Creators: name: Garcia, Gaston Andres
Publisher: name: arXiv
Year: 2009
Subjects: subject: Quantum Algebra (math.QA)
subject: FOS: Mathematics
subject: 16W30, 17B37

description: Let a, b be non-zero complex numbers and l an odd natural number bigger that 2. We determine all Hopf algebra quotients of the quantized coordinate algebra O_{a,b}(GL_{n}) when a^{-1}b is a primitive l-th root of unity and a, b satisfy certain mild conditions, and we caracterize all finite-dimensional quotients when a^{-1}b is not a root of unity. As a byproduct we give a new family of non-semisimple and non-pointed Hopf algebras with non-pointed duals which are quotients of O_{a, b}(GL_{n}).
description: 42 pages
New-physics contributions to the forward-backward asymmetry in B -> K* mu+ mu-
Creators: name: Alok, Ashutosh Kumar
name: Dighe, Amol
name: Ghosh, Diptimoy
name: London, David
name: Matias, Joaquim
name: Nagashima, Makiko
name: Szynkman, Alejandro
Publisher: name: arXiv
Year: 2009
Subjects: subject: High Energy Physics - Phenomenology (hep-ph)
subject: FOS: Physical sciences

description: We study the forward-backward asymmetry (AFB) and the differential branching ratio (DBR) in B -> K* mu+ mu- in the presence of new physics (NP) with different Lorentz structures. We consider NP contributions from vector-axial vector (VA), scalar-pseudoscalar (SP), and tensor (T) operators, as well as their combinations. We calculate the effects of these new Lorentz structures in the low-q^2 and high-q^2 regions, and explain their features through analytic approximations. We find two mechanisms that can give a significant deviation from the standard-model predictions, in the direction indicated by the recent measurement of AFB by the Belle experiment. They involve the addition of the following NP operators: (i) VA, or (ii) a combination of SP and T (slightly better than T alone). These two mechanisms can be distinguished through measurements of DBR in B -> K* mu+ mu- and AFB in B -> K mu+ mu-.
description: 33 pages, revtex, 9 figures. Paper originally submitted with the wrong figures. This is corrected in the replacement. An incorrect factor of 2 found in a formula. This is corrected and figures modified. Conclusions unchanged. Typos corrected
title: Ð¤Ð¸Ð½Ð°Ð½ÑÐ¾Ð²ÑÐµ Ð¼ÐµÑ Ð°Ð½Ð¸Ð·Ð¼Ñ ÑÐµÐ³ÑÐ»Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ ÑÐºÑÐ¿Ð¾ÑÑÐ° Ð¸ Ð¸Ð¼Ð¿Ð¾ÑÑÐ° ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð² ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÑ ÑÑÐ»Ð¾Ð²Ð¸ÑÑ
title: Ð¼Ð°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ
titleType: Subtitle
Creators: name: ÐÐ»Ð¾ÑÐ¾Ð²Ð°, ÐÐºÐ°ÑÐµÑÐ¸Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½Ð¾Ðµ Ð´Ð²Ð¸Ð¶ÐµÐ½Ð¸Ðµ ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð°
Ð¿Ð»Ð°ÑÐµÐ¶Ð½ÑÐ¹ Ð±Ð°Ð»Ð°Ð½Ñ
Ð¿ÑÑÐ¼ÑÐµ Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½ÑÐµ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¸
Ð¼Ð¾Ð½ÐµÑÐ°ÑÐ¸Ð·Ð¼
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description: ÐÐ±ÑÐµÐºÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ - ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ðµ Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ñ, Ð¾Ð±ÑÑÐ»Ð¾Ð²Ð»ÐµÐ½Ð½ÑÐµ ÑÐºÑÐ¿Ð¾ÑÑÐ¾Ð¼ Ð¸ Ð¸Ð¼Ð¿Ð¾ÑÑÐ¾Ð¼ ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð°. Ð¦ÐµÐ»Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ - Ð°Ð½Ð°Ð»Ð¸Ð· ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÑ ÑÐ¸Ð½Ð°Ð½ÑÐ¾Ð²ÑÑ Ð¼ÐµÑÐ°Ð½Ð¸Ð·Ð¼Ð¾Ð² ÑÐºÑÐ¿Ð¾ÑÑÐ° Ð¸ Ð¸Ð¼Ð¿Ð¾ÑÑÐ° ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¸ Ð¾Ð±Ð¾ÑÐ½Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð¸Ð¹ Ð¿Ð¾ ÑÐ½Ð¸Ð¶ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐ¼Ð¾Ð² Ð²ÑÐ²Ð¾Ð·Ð° ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¸Ð· Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐ¼Ð¾Ð² Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¹ Ð² ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÑÑ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÐºÑ. ÐÑÑÐ¾Ðº ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¸Ð· Ð Ð¾ÑÑÐ¸Ð¸ ÑÐ²ÑÐ·Ð°Ð½ Ð½Ðµ ÑÐ¾Ð»ÑÐºÐ¾ Ñ Ð¼Ð°ÐºÑÐ¾ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð¹ Ð½ÐµÑÑÐ°Ð±Ð¸Ð»ÑÐ½Ð¾ÑÑÑÑ, Ð½Ð¾ Ð¸ Ñ Ð¾ÑÑÑÑÑÑÐ²Ð¸ÐµÐ¼ Ð¼ÐµÑÐ°Ð½Ð¸Ð·Ð¼Ð¾Ð² Ð² ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¹ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÐºÐµ Ð´Ð»Ñ ÑÐ¾ÑÑÐ° Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ Ð°ÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸. ÐÐ° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° ÑÑÑÐ°Ð½Ð¾Ð²Ð»ÐµÐ½Ð¾, ÑÑÐ¾ Ð±Ð¾Ð»ÑÑÐ°Ñ ÑÐ°ÑÑÑ Ð¿ÑÑÐ¼ÑÑ Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½ÑÑ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¹ Ð¿Ð¾ÑÑÑÐ¿Ð°ÐµÑ Ð² ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÑÑ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÐºÑ Ð¸Ð· ÑÑÑÐ°Ð½, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÑÐ°Ð´Ð¸ÑÐ¸Ð¾Ð½Ð½Ð¾ ÑÐ²Ð»ÑÑÑÑÑ Ð¾ÑÑÐ¾ÑÐ½ÑÐ¼Ð¸ ÑÑÐ¸ÑÐ´Ð¸ÐºÑÐ¸ÑÐ¼Ð¸. ÐÐ·Ð²ÐµÑÑÐ½Ð¾, ÑÑÐ¾ Ð¸Ð¼Ð¿Ð¾ÑÑ Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½Ð¾Ð³Ð¾ ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¿ÑÐ¸ÑÐ¾Ð´Ð¸Ñ Ð² Ð¿ÐµÑÐ²ÑÑ Ð¾ÑÐµÑÐµÐ´Ñ Ð² ÑÐµÐ³Ð¸Ð¾Ð½Ñ Ñ Ð²ÑÑÐ¾ÐºÐ¸Ð¼ ÑÑÐ¾Ð²Ð½ÐµÐ¼ Ð²Ð°Ð»Ð¾Ð²Ð¾Ð³Ð¾ ÑÐµÐ³Ð¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð¿ÑÐ¾Ð´ÑÐºÑÐ°. Ð¡ÑÐ¾ÑÐ¼ÑÐ»Ð¸ÑÐ¾Ð²Ð°Ð½Ñ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð¸Ñ Ð¿Ð¾ ÑÐ»ÑÑÑÐµÐ½Ð¸Ñ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ ÐºÐ»Ð¸Ð¼Ð°ÑÐ° Ñ ÑÐµÐ»ÑÑ ÑÐ½Ð¸Ð¶ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐ¼Ð¾Ð² Ð½ÐµÐ»ÐµÐ³Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ Ð²ÑÐ²Ð¾Ð·Ð° ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¸Ð· ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¹ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÐºÐ¸. ÐÐ¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð·Ð°Ð´Ð°ÑÐ¸, ÑÑÐ¾ÑÑÐ¸Ðµ Ð¿ÐµÑÐµÐ´ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÐ¼Ð¸ Ð°Ð³ÐµÐ½ÑÑÑÐ²Ð°Ð¼Ð¸ Ð´Ð»Ñ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ Ð¿ÑÐ¸ÑÐ¾ÐºÐ° Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½ÑÑ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¹, Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ ÑÐ°Ð±Ð¾ÑÑ ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¸Ñ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÑ Ð°Ð³ÐµÐ½ÑÑÑÐ² Ð¸ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ñ Ð¿ÑÑÐ¸ ÑÑÑÑÐ°Ð½ÐµÐ½Ð¸Ñ Ð¿ÑÐ¾ÑÐ¸Ð²Ð¾ÑÐµÑÐ¸Ð¹ Ð² ÑÐ°Ð±Ð¾ÑÐµ Ñ Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½ÑÐ¼Ð¸ Ð¸Ð½Ð²ÐµÑÑÐ¾ÑÐ°Ð¼Ð¸. Ð ÐµÐ°Ð»Ð¸Ð·Ð°ÑÐ¸Ñ Ð´Ð°Ð½Ð½ÑÑ Ð¼ÐµÑ Ð±ÑÐ´ÐµÑ ÑÐ¿Ð¾ÑÐ¾Ð±ÑÑÐ²Ð¾Ð²Ð°ÑÑ ÑÐ²ÐµÐ»Ð¸ÑÐµÐ½Ð¸Ñ Ð¿ÑÐ¸ÑÐ¾ÐºÐ° Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½Ð¾Ð³Ð¾ ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ ÑÐ½Ð¸Ð¶ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐµÐ¼Ð¾Ð² Ð½ÐµÐ»ÐµÐ³Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ ÑÐºÑÐ¿Ð¾ÑÑÐ° ÐºÐ°Ð¿Ð¸ÑÐ°Ð»Ð° Ð¸Ð· Ð Ð¾ÑÑÐ¸Ð¸.
Erinnerung und Vergangenheit im Werk Penelope Livelys
Creators: name: Birke, Dorothee
Publisher: name: KULT_online
Year: 2004

description: Die Monographie von Kerstin Ebel untersucht die Darstellung von Erinnerung und Vergangenheit im zeitgenössischen britischen Roman, unter besonderer Berücksichtigung der Werke Penelope Livelys. Die Verfasserin verfolgt dabei einen interdisziplinären Ansatz: Konzepte und Ansätze aus Psychologie, Soziologie und Geschichtswissenschaft werden hinzugezogen, um die Romane zu interpretieren. Dabei versucht sie auch zu zeigen, wie Konzepte wie das einer "endgültigen Wahrheit" in der Geschichtsschreibung oder einer "objektiven, authentischen Erinnerung", ob auf individueller oder kollektiver Ebene, sowohl in zeitgenössischen Theorien als auch in den Romanen selbst in Frage gestellt werden.
description: KULT_online, Nr. 04 (2004): KULT_online 04 (2004)
Vom Schreiben über Kunst
Creators: name: Zwernemann, Jens
Publisher: name: KULT_online
Year: 2004

description: Nur durch das "Schwatzen" über Bilder, befanden August Wilhelm und Caroline Schlegel 1799 in "Die Gemählde", könne sich der Betrachter einen wahren Zugang zur Kunst verschaffen, werde doch die individuelle ästhetische Erfahrung erst durch ihre Übersetzung in Worte auch kommunizier- und erinnerbar. Die "gesellige Wechselberührung" von Wort und Bild ist jedoch nicht allein ein Phänomen der Romantik: In seinem neuesten Buch zeigt Christoph Eykman, dass sich auch in der Gegenwart viele Schriftsteller von der Schwesterkunst der Literatur inspirieren lassen. Sein Interesse gilt dabei v.a. unterschiedlichen Arten der Bezugnahme auf Werke der bildenden Kunst in der westeuropäischen und US-amerikanischen Literatur des 20. Jahrhunderts.
description: KULT_online, Nr. 04 (2004): KULT_online 04 (2004)
title: High Performance Concrete Composition
title: masterâs graduate qualification work
titleType: Subtitle
title: Ð¡Ð¾ÑÑÐ°Ð² Ð²ÑÑÐ¾ÐºÐ¾ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾Ð³Ð¾ Ð±ÐµÑÐ¾Ð½Ð°
Creators: name: Antonova, M.
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: ÐÐµÑÐ¾Ð½
Ð²ÑÑÐ¾ÐºÐ¾ÑÑÑÐµÐºÑÐ¸Ð²Ð½ÑÐ¹ Ð±ÐµÑÐ¾Ð½
ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ðµ ÑÑÐ°Ð½Ð´Ð°ÑÑÑ

description: In this paper, the development of high-performance concrete in accordance with European standards for concrete components was presented. The influence of the grain composition of aggregates on the properties of concrete is determined, the dependence of the strength of concrete on the water-cement ratio and cement consumption is derived. Comparative tests of the effectiveness of additives of hyperplasticizers produced in Germany, the Czech Republic, France, Finland. A preliminary selection of 5 high-performance concrete compositions was made.
description: Ð Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÐµ Ð±ÑÐ»Ð° Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ð° ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° Ð²ÑÑÐ¾ÐºÐ¾ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾Ð³Ð¾ Ð±ÐµÑÐ¾Ð½Ð° Ð² ÑÐ¾Ð¾ÑÐ²ÐµÑÑÑÐ²Ð¸Ð¸ Ñ ÐµÐ²ÑÐ¾Ð¿ÐµÐ¹ÑÐºÐ¸Ð¼Ð¸ ÑÑÐ°Ð½Ð´Ð°ÑÑÐ°Ð¼Ð¸ Ð½Ð° Ð±ÐµÑÐ¾Ð½Ð½ÑÐµ ÑÐ¾ÑÑÐ°Ð²Ð»ÑÑÑÐ¸Ðµ. ÐÐ¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¾ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ Ð·ÐµÑÐ½Ð¾Ð²Ð¾Ð³Ð¾ ÑÐ¾ÑÑÐ°Ð²Ð° Ð·Ð°Ð¿Ð¾Ð»Ð½Ð¸ÑÐµÐ»ÐµÐ¹ Ð½Ð° ÑÐ²Ð¾Ð¹ÑÑÐ²Ð° Ð±ÐµÑÐ¾Ð½Ð°, Ð²ÑÐ²ÐµÐ´ÐµÐ½Ð° Ð·Ð°Ð²Ð¸ÑÐ¸Ð¼Ð¾ÑÑÑ Ð¿ÑÐ¾ÑÐ½Ð¾ÑÑÐ¸ Ð±ÐµÑÐ¾Ð½Ð° Ð¾Ñ Ð²Ð¾Ð´Ð¾ÑÐµÐ¼ÐµÐ½ÑÐ½Ð¾Ð³Ð¾ ÑÐ¾Ð¾ÑÐ½Ð¾ÑÐµÐ½Ð¸Ñ Ð¸ ÑÐ°ÑÑÐ¾Ð´Ð° ÑÐµÐ¼ÐµÐ½ÑÐ°. ÐÑÐ¾Ð²ÐµÐ´ÐµÐ½Ñ ÑÑÐ°Ð²Ð½Ð¸ÑÐµÐ»ÑÐ½ÑÐµ Ð¸ÑÐ¿ÑÑÐ°Ð½Ð¸Ñ ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸ Ð´Ð¾Ð±Ð°Ð²Ð¾Ðº Ð³Ð¸Ð¿ÐµÑÐ¿Ð»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¾ÑÐ¾Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÑÐ½Ð½ÑÑ Ð² ÐÐµÑÐ¼Ð°Ð½Ð¸Ð¸, Ð§ÐµÑÐ¸Ð¸, Ð¤ÑÐ°Ð½ÑÐ¸Ð¸, Ð¤Ð¸Ð½Ð»ÑÐ½Ð´Ð¸Ð¸. ÐÑÐ¿Ð¾Ð»Ð½ÐµÐ½ Ð¿ÑÐµÐ´Ð²Ð°ÑÐ¸ÑÐµÐ»ÑÐ½ÑÐ¹ Ð¾ÑÐ±Ð¾Ñ 5 Ð²ÑÑÐ¾ÐºÐ¾ÑÑÑÐµÐºÑÐ¸Ð²Ð½ÑÑ Ð±ÐµÑÐ¾Ð½Ð½ÑÑ ÑÐ¾ÑÑÐ°Ð²Ð¾Ð².
title: ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÐ¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¹ Ð½Ð° ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¼ ÑÑÐ½ÐºÐµ
title: Ð¼Ð°Ð³Ð¸ÑÑÐµÑÑÐºÐ°Ñ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ñ
titleType: Subtitle
Creators: name: ÐÐ¸ Ð¡ÑÐ¹ÑÑÐ°Ð½Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: ÑÐ¸Ð½Ð°Ð½ÑÐ¾Ð²ÑÐ¹ ÑÑÐ½Ð¾Ðº Ð Ð¾ÑÑÐ¸Ð¸
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description: ÐÐ±ÑÐµÐºÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð²ÑÑÑÑÐ¿Ð°ÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÐ¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¹ Ð½Ð° ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¼ ÑÑÐ½ÐºÐµ, Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ Ð¸ Ð¿ÐµÑÑÐ¿ÐµÐºÑÐ¸Ð²Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð±Ð¸Ð·Ð½ÐµÑÐ° Ð² Ð Ð¾ÑÑÐ¸Ð¸. Ð¦ÐµÐ»Ñ ÑÐ°Ð±Ð¾ÑÑ - ÑÐ°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ð¸Ðµ, Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¸ Ð¿ÐµÑÑÐ¿ÐµÐºÑÐ¸Ð²Ñ Ð´Ð»Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¹, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐ°Ð·Ð²Ð¸Ð²Ð°ÑÑÑÑ Ð½Ð° ÑÑÑÑÐºÐ¾Ð¼ ÑÑÐ½ÐºÐµ. ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð´Ð¸ÑÑÐµÑÑÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ, Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÑ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¹ Ð½Ð° ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¼ ÑÑÐ½ÐºÐµ, Ð²ÐºÐ»ÑÑÐ°ÑÑÐ¸Ðµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Ð±Ð¸Ð·Ð½ÐµÑÐ° ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ð¼Ð¸ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸ÑÐ¼Ð¸ Ð¸ ÑÐ¾ÑÐ³Ð¾Ð²Ð»Ð¸ ÐÐ¸ÑÐ°Ñ Ð² Ð Ð¾ÑÑÐ¸Ð¸, Ð° ÑÐ°ÐºÐ¶Ðµ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ Ð¸ Ð¿ÐµÑÑÐ¿ÐµÐºÑÐ¸Ð²Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð±Ð¸Ð·Ð½ÐµÑÐ° Ð² Ð Ð¾ÑÑÐ¸Ð¸. Ð ÐµÐ·ÑÐ»ÑÑÐ°ÑÑ ÑÐ°Ð±Ð¾ÑÑ Ð¸ Ð¸Ñ Ð½Ð¾Ð²Ð¸Ð·Ð½Ð°. Ð Ð½Ð°ÑÑÐ¾ÑÑÐµÐ¼Ñ Ð²ÑÐµÐ¼ÐµÐ½Ð¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ðµ Ð¸ ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¸Ðµ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¸ Ð±Ð¾Ð»ÐµÐµ Ð°ÐºÑÐ¸Ð²Ð½Ð¾ ÑÑÐ°Ð»Ð¸ ÑÐ¾ÑÑÑÐ´Ð½Ð¸ÑÐ°ÑÑ Ð² ÑÐ°Ð·Ð½Ð¾Ð¾Ð±ÑÐ°Ð·Ð½ÑÑ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ñ ÑÑÐµÑÐ°Ñ, Ð¿Ð»Ð°Ð½Ð¸ÑÑÑÑÑÑ Ð¸ ÑÐµÐ°Ð»Ð¸Ð·ÑÑÑÑÑ Ð½ÐµÑÐºÐ¾Ð»ÑÐºÐ¾ ÐºÑÑÐ¿Ð½ÑÑ Ð¿ÑÐ¾ÐµÐºÑÐ¾Ð² ÑÐ¾ÑÑÑÐ´Ð½Ð¸ÑÐµÑÑÐ²Ð°. Ð ÑÐµÑÐµÐ½Ð¸Ðµ Ð¿Ð¾ÑÐ»ÐµÐ´Ð½ÐµÐ³Ð¾ Ð´ÐµÑÑÑÐ¸Ð»ÐµÑÐ¸Ñ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ°Ñ ÑÑÐµÑÐ° Ð¸ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÐ¹ ÐºÐ»Ð¸Ð¼Ð°Ñ Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸Ð·Ð¼ÐµÐ½Ð¸Ð»Ð¸ÑÑ ÑÐ°Ð´Ð¸ÐºÐ°Ð»ÑÐ½ÑÐ¼ Ð¾Ð±ÑÐ°Ð·Ð¾Ð¼ Ð² Ð»ÑÑÑÑÑ ÑÑÐ¾ÑÐ¾Ð½Ñ Ð´Ð»Ñ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÐ¸ Ð¸Ð½Ð¾ÑÑÑÐ°Ð½Ð½ÑÑ ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¹. ÐÑÐ¾Ð³Ð½Ð¾Ð·Ð½ÑÐµ Ð¿ÑÐµÐ´Ð¿Ð¾Ð»Ð¾Ð¶ÐµÐ½Ð¸Ñ Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ð¸ - Ð½ÑÐ½ÐµÑÐ½ÐµÐµ Ð¿Ð¾Ð»Ð¾Ð¶ÐµÐ½Ð¸Ðµ Ð¼ÐµÐ¶Ð´Ñ Ð Ð¤ Ð¸ ÐÐÐ  Ð¸Ð¼ÐµÐµÑ Ð¿Ð¾Ð»Ð¾Ð¶Ð¸ÑÐµÐ»ÑÐ½ÑÑ Ð´Ð¸Ð½Ð°Ð¼Ð¸ÐºÑ. ÐÐ²ÑÑÑÐ¾ÑÐ¾Ð½Ð½ÐµÐµ ÑÐ¾ÑÑÑÐ´Ð½Ð¸ÑÐµÑÑÐ²Ð¾ Ð¿Ð¾ÑÑÐ¸ Ð² ÐºÐ°Ð¶Ð´Ð¾Ð¹ Ð¾ÑÑÐ°ÑÐ»Ð¸ Ð¼ÐµÐ¶Ð´Ñ ÐÐÐ  Ð¸ Ð Ð¤, Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¾Ðµ Ð´Ð¾Ð²ÐµÑÐ¸Ðµ Ð¸ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ðµ ÑÐ¾ÑÑÑÐ´Ð½Ð¸ÑÐµÑÑÐ²Ð¾ Ð·Ð°Ð¼ÐµÑÐ½Ð¾ ÑÑÐ¸Ð»Ð¸Ð»Ð¸ÑÑ, Ð½Ð°Ð±Ð»ÑÐ´Ð°ÐµÑÑÑ ÑÐ¾ÑÑ ÑÐ¾Ð²Ð°ÑÐ¾Ð¾Ð±Ð¾ÑÐ¾ÑÐ° Ð¿Ð¾Ð»Ðµ Ð¿Ð°Ð´ÐµÐ½Ð¸Ñ.
Memories of Future Masculine Identities: A Comparison of Philip K. Dick’s “We Can Remember it for you Wholesale”, the 1990 Film Total Recall and its 2012 Remake
Creators: name: Fernández-Menicucci, Amaya
Publisher: name: Università degli Studi di Cagliari
Year: 2014

description: Recent remakes of iconic science fiction films such as Total Recall, far from merely reproducing cultural landscapes from the past, are actively producing new constructions of categories of identity such as gender and sexuality. In particular, in the two filmic adaptations of Philip K. Dick’s short story “We Can Remember it for you Wholesale” by Paul Verhoeven in 1990 and Len Wiseman in 2012, memory is a metaphor for the historical accountability of hegemonic masculinity—or the lack thereof. Dick’s original text and both Total Recall adaptations can be read as revisionist approaches to the past through a dystopian vision of the future, which, in turn, is but a projection of present anxieties of masculinities in crisis. A comparative analysis of the amnesiac heroes presented in these three sci-fi texts will thus offer an insight into the way in which futuristic action men ‘recall’ present and past discourses on power. Indeed, memory constitutes the narrative mechanism that allows collective and individual realities to be questioned and re-imagined through the intra-textual and inter-textual references present in the three texts in question.
description: Between, Vol 4, N° 8 (2014): Tecnologia, immaginazione e forme del narrare
“Linking Venus”. New Technologies of Memory and Reconfiguration of Space at the Warburg Library
Creators: name: Patti, Emanuela
name: Quiviger, Francois
Publisher: name: Università degli Studi di Cagliari
Year: 2014

description: The Hamburg art historian Aby Warburg (1866- 1929) anticipated what, in network science, we would call today the practice and mapping of complex patterns of information. Both his Library and his last project Mnemosyne were conceived as experiences of conceptual and emotional rhizomatic connection. In our days, his idea of Kulturwissensschaft presents a number of “elective affinities” with the concepts of  “transdisciplinarity” (Nicolescu 2002), “convergence” (Jenkins 2006) and “information visualization” (Lima 2011), suggesting that digital technologies could enhance the resources of the Warburg Library in ways that could not only reflect but also expand the original   plan   of   his founder.   On these assumptions, this article investigates how digital media – including linked data – are likely to affect the transdisciplinary process of knowledge production represented in paper format in the Warburg Library. We look at how this has been developed in the digital resources of the Warburg Institute, their potential for further development and what impact they have on the process of knowledge production and scholarly training. It concentrates on the specific case study of a mythological figure, Venus, examining how the potential connections between images and texts available in the Library can be reconfigured in the digital space.
description: Between, Vol 4, N° 8 (2014): Tecnologia, immaginazione e forme del narrare
title: ÐÐ½Ð½Ð¾Ð²Ð°ÑÐ¸Ð¾Ð½Ð½Ð¾Ðµ Ð¿ÑÐ¾ÐµÐºÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ ÐºÐ°Ðº Ð¸Ð½ÑÑÑÑÐ¼ÐµÐ½Ñ ÑÐ½Ð¸Ð¶ÐµÐ½Ð¸Ñ ÑÐ¸ÑÐºÐ¾Ð² ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐ¸Ð·Ð¸ÑÐµÑÐºÐ¾Ð¹ ÐºÑÐ»ÑÑÑÑÑ Ð¸ ÑÐ¿Ð¾ÑÑÐ° Ð² Ð ÐµÑÐ¿ÑÐ±Ð»Ð¸ÐºÐµ ÐÐµÐ»Ð°ÑÑÑÑ
title: Innovative design as a tool for reducing the risks of the development of physical culture and sport in the Republic of Belarus
Creators: name: ÐÐ¾Ð´Ð¾Ð½Ð¾Ð²Ð°, Ð.
name: "Ð¡Ð¿Ð¾ÑÑ, ÑÐµÐ»Ð¾Ð²ÐµÐº, Ð·Ð´Ð¾ÑÐ¾Ð²ÑÐµ", Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½ÑÐ¹ Ð½Ð°ÑÑÐ½ÑÐ¹ ÐºÐ¾Ð½Ð³ÑÐµÑÑ
Publisher: name: ÐÐÐÐÐ¢ÐÐ¥-ÐÐ ÐÐ¡Ð¡
Year: 2021
Subjects: Ð¸Ð½Ð½Ð¾Ð²Ð°ÑÐ¸Ð¾Ð½Ð½ÑÐ¹ Ð¿ÑÐ¾ÐµÐºÑ
ÑÐ¸ÑÐº
ÑÐ¸Ð·Ð¸ÑÐµÑÐºÐ°Ñ ÐºÑÐ»ÑÑÑÑÐ° Ð¸ ÑÐ¿Ð¾ÑÑ
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description: Ð ÑÑÐ°ÑÑÐµ ÑÐ°ÑÐºÑÑÑÐ° ÑÑÑÐ½Ð¾ÑÑÑ ÑÐ¸ÑÐºÐ¾Ð² Ð² ÑÑÐµÑÐµ ÑÐ¸Ð·Ð¸ÑÐµÑÐºÐ¾Ð¹ ÐºÑÐ»ÑÑÑÑÑ Ð¸ ÑÐ¿Ð¾ÑÑÐ° Ð ÐµÑÐ¿ÑÐ±Ð»Ð¸ÐºÐ¸ ÐÐµÐ»Ð°ÑÑÑÑ; Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð° ÑÐ¾Ð»Ñ Ð¸Ð½Ð½Ð¾Ð²Ð°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¿ÑÐ¾ÐµÐºÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ Ð´Ð»Ñ Ð¿ÑÐµÐ´ÑÐ¿ÑÐµÐ¶Ð´ÐµÐ½Ð¸Ñ Ð´Ð°Ð½Ð½ÑÑ ÑÐ¸ÑÐºÐ¾Ð²; Ð¾Ð¿Ð¸ÑÐ°Ð½Ñ Ð¼ÐµÑÐ¾Ð´Ð¸ÑÐµÑÐºÐ¸Ðµ Ð¾ÑÐ½Ð¾Ð²Ñ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ¸ Ð¸ ÑÐ°Ð·Ñ Ð¸Ð½Ð½Ð¾Ð²Ð°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¿ÑÐ¾ÐµÐºÑÐ° ÑÐ¿Ð¾ÑÑÐ¸Ð²Ð½Ð¾Ð¹ Ð¾ÑÐ³Ð°Ð½Ð¸Ð·Ð°ÑÐ¸Ð¸.
description: The article reveals the essence of risks in the field of physical culture and sports of the Republic of Belarus; the role of innovative design for the prevention of these risks is determined; the methodological foundations of the development and phases of an innovative project of a sports organization are described.
title: Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¿Ð¾ÑÑÐ°Ð»Ð° Ð´Ð»Ñ Ð¾Ð±ÑÑÐµÐ½Ð¸Ñ ÑÐºÐ¾Ð»ÑÐ½Ð¸ÐºÐ¾Ð² ÐÑÐµÑÐ½Ð°Ð¼Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
Creators: name: ÐÑ, Ð¢ÑÐ¸
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ðµ Ð¾Ð±ÑÑÐµÐ½Ð¸Ðµ
moodle
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Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½ÑÐ¹ Ð¿Ð¾ÑÑÐ°Ð»

description: Ð Ð°Ð±Ð¾ÑÐ° Ð¾ÑÐ½Ð¾ÑÐ¸ÑÑÑ Ðº ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¿Ð¾ÑÑÐ°Ð»Ð° Ð´Ð»Ñ Ð¾Ð±ÑÑÐµÐ½Ð¸Ñ ÑÐºÐ¾Ð»ÑÐ½Ð¸ÐºÐ¾Ð² ÐÑÐµÑÐ½Ð°Ð¼Ð°. Ð Ð¿ÐµÑÐ²Ð¾Ð¹ Ð³Ð»Ð°Ð²Ðµ ÑÐµÑÑ Ð¸Ð´ÐµÑ Ð´Ð»Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½Ð¾Ð³Ð¾ Ð¾Ð¿ÑÑÐ° ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ¸ Ð¿Ð¾ÑÑÐ°Ð»Ð¾Ð² Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÑÑÐµÐ½Ð¸Ñ. Ð Ð²ÑÐ¾ÑÐ¾Ð¹ Ð³Ð»Ð°Ð²Ðµ Ð¾Ð¿Ð¸ÑÑÐ²Ð°ÐµÑÑÑ Ð°Ð½Ð°Ð»Ð¸Ð· Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð²Ð¾ ÐÑÐµÑÐ½Ð°Ð¼Ðµ. Ð ÑÑÐµÑÐµÐ¹ Ð³Ð»Ð°Ð²Ðµ Ð¾Ð¿Ð¸ÑÑÐ²Ð°ÐµÑÑÑ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° ÑÑÑÑÐºÑÑÑÑ ÑÑÐµÐ±Ð½Ð¾Ð³Ð¾ Ð¿Ð¾ÑÑÐ°Ð»Ð°. ÐÑÐ¸Ð²Ð¾Ð´ÑÑÑÑ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ¸ ÑÑÑÑÐºÑÑÑÑ Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÑÑÐµÐ½Ð¸Ñ. Ð ÑÐµÑÐ²ÐµÑÑÐ¾Ð¹ Ð¾Ð¿Ð¸ÑÑÐ²Ð°ÐµÑÑÑ Ð°Ð½Ð°Ð»Ð¸Ð· ÐºÑÑÑÐ¾Ð² Ð¸Ð½ÑÐ¾ÑÐ¼Ð°ÑÐ¸ÐºÐ¸ Ð´Ð»Ñ ÑÐºÐ¾Ð»ÑÐ½Ð¸ÐºÐ¾Ð² Ð² ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¸Ð¹ Ð¸ Ð¼ÐµÐ¶Ð´ÑÐ½Ð°ÑÐ¾Ð´Ð½ÑÐ¹ Ð¾Ð¿ÑÑ. Ð Ð¿ÑÑÐ¾Ð¹ Ð³Ð»Ð°Ð²Ðµ Ð¿ÑÐ¸Ð²Ð¾Ð´ÑÑÑÑ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° Ð´Ð¸ÑÑÐ°Ð½ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ ÐºÑÑÑÐ° Ð¿Ð¾ Ð¸Ð½ÑÐ¾ÑÐ¼Ð°ÑÐ¸ÐºÐµ.
title: Ð ÐµÐ¾ÑÐ³Ð°Ð½Ð¸Ð·Ð°ÑÐ¸Ñ Ð¸Ð½ÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ¸ÑÑÐµÐ¼Ñ Ð¿ÑÐµÐ´Ð¿ÑÐ¸ÑÑÐ¸Ñ ÐÐ Â«ÐÑÐ½Ð´Â»
title: Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÑÐºÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ°
titleType: Subtitle
Creators: name: ÐÑÐ»Ð¾Ð², Ð.
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: Ð¾Ð¿ÑÐ¸Ð¼Ð¸Ð·Ð°ÑÐ¸Ñ
Ð¼Ð¾Ð´ÐµÑÐ½Ð¸Ð·Ð°ÑÐ¸Ñ
Ð°ÑÐ´Ð¸Ñ Ð¸Ñ-Ð¸Ð½ÑÑÐ°ÑÑÑÑÐºÑÑÑÑ
Ð¾ÑÐºÐ°Ð·Ð¾ÑÑÑÐ¾Ð¹ÑÐ¸Ð²Ð¾ÑÑÑ
ÑÐµÐ·ÐµÑÐ²Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ñ

description: ÐÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÐÐ¢-Ð¸Ð½ÑÑÐ°ÑÑÑÑÐºÑÑÑÑ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° ÑÐ·ÐºÐ¸Ñ Ð¼ÐµÑÑ Ð² ÐÐ¢-Ð¸Ð½ÑÑÐ°ÑÑÑÑÐºÑÑÑÐµ, Ð¿ÑÐ¸Ð²ÐµÐ´ÐµÐ½Ñ Ð¼ÐµÑÐ¾Ð´Ñ Ð¾Ð¿ÑÐ¸Ð¼Ð¸Ð·Ð°ÑÐ¸Ð¸. ÐÑÐ½Ð¾Ð²Ð½ÑÐ¼Ð¸ Ð¾Ð±ÑÐµÐºÑÐ°Ð¼Ð¸ Ð²Ð½ÐµÐ´ÑÐµÐ½Ð¸Ñ Ð¿Ð¾ÑÐ»ÑÐ¶Ð¸Ð»Ð¸ Ð¿ÑÐ¾Ð³ÑÐ°Ð¼Ð¼Ð½Ð¾-Ð°Ð¿Ð¿Ð°ÑÐ°ÑÐ½ÑÐµ Ð¼Ð°ÑÑÑÑÑÐ¸Ð·Ð°ÑÐ¾ÑÑ FortiGate, ÑÐ¸ÑÑÐµÐ¼Ð° Ð¼Ð¾Ð½Ð¸ÑÐ¾ÑÐ¸Ð½Ð³Ð° Zabbix Ð¸ Ð¿Ð¾ÑÑÐ¾Ð²Ð°Ñ ÑÐ¸ÑÑÐµÐ¼Ð° MS Exchange 2010. ÐÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð° Ð¿ÑÐ¾Ð¼ÑÑÐ»ÐµÐ½Ð½Ð°Ñ ÑÐºÑÐ¿Ð»ÑÐ°ÑÐ°ÑÐ¸Ñ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð½ÑÑ ÑÐ¸ÑÑÐµÐ¼, Ð¿Ð¾Ð´ÑÐ²ÐµÑÐ¶Ð´ÐµÐ½Ð° Ð¸Ñ ÑÐ°Ð±Ð¾ÑÐ¾ÑÐ¿Ð¾ÑÐ¾Ð±Ð½Ð¾ÑÑÑ Ð¸ Ð¿Ð¾ÐºÐ°Ð·Ð°Ð½Ð° Ð°ÐºÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑ Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ Ð¸Ñ Ð½Ð° Ð¿ÑÐµÐ´Ð¿ÑÐ¸ÑÑÐ¸Ð¸. Ð ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½Ð° Ð¼Ð¾Ð´ÐµÑÐ½Ð¸Ð·Ð°ÑÐ¸Ñ Ð¸ Ð¾Ð¿ÑÐ¸Ð¼Ð¸Ð·Ð°ÑÐ¸Ñ ÐÐ¢-ÑÐµÑÐ²Ð¸ÑÐ¾Ð² ÐºÐ¾Ð¼Ð¿Ð°Ð½Ð¸Ð¸. ÐÐ¾ÑÑÐ¸Ð³Ð½ÑÑÑ Ð½ÐµÐ¾Ð±ÑÐ¾Ð´Ð¸Ð¼ÑÐµ Ð¿Ð¾ÐºÐ°Ð·Ð°ÑÐµÐ»Ð¸ ÐºÐ°ÑÐµÑÑÐ²Ð° ÑÐ°Ð±Ð¾ÑÑ Ð´Ð»Ñ ÐºÐ°Ð¶Ð´Ð¾Ð³Ð¾ Ð¸Ð· Ð¾Ð¿Ð¸ÑÐ°Ð½Ð½ÑÑ ÑÐµÑÐ²Ð¸ÑÐ¾Ð².
การปรับเปลี่ยนวัสดุกรอบอาคารเพื่อลดการปล่อยก๊าซเรือนกระจก : กรณีศึกษาอาคารสถานศึกษาอาชีวศึกษา
Creators: name: บุษกร ดวงแก้ว
Publisher: name: คณะสถาปัตยกรรมศาสตร์
Year: 2022
Subjects: วัสดุกรอบอาคาร
ก๊าซเรือนกระจก
อาคารสถานศึกษาอาชีวศึกษา

description: วารสาร สิ่งแวดล้อมสรรค์สร้างวินิจฉัย (Built Environment Inquiry BEI), 21, 1, 21-36
title: Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¹ Ð¿Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐµÐ²ÐµÑÐ¾-Ð·Ð°Ð¿Ð°Ð´Ð½Ð¾Ð³Ð¾ ÑÐµÐ³Ð¸Ð¾Ð½Ð° Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð¾ÑÐµÐ½ÐºÐ¸ ÐµÐ³Ð¾ Ð¿Ð¾ÑÐµÐ½ÑÐ¸Ð°Ð»Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
Creators: name: ÐÑÐ¼Ð¾Ð², ÐÐ½Ð´ÑÐµÐ¹
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: ÐºÐ¾Ð½ÐºÑÑÐµÐ½ÑÐ¸Ñ
ÐºÐ¾Ð½ÐºÑÑÐµÐ½ÑÐ½ÑÐµ ÑÑÑÐ°ÑÐµÐ³Ð¸Ð¸
Ð³Ð¾ÑÑÐ´Ð°ÑÑÑÐ²ÐµÐ½Ð½Ð¾Ðµ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ðµ
Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ ÐºÐ¾Ð½ÐºÑÑÐµÐ½ÑÐ½ÑÑ Ð¿Ð¾Ð·Ð¸ÑÐ¸Ð¹
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description: ÐÐ±ÑÐµÐºÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ Ð¡ÐµÐ²ÐµÑÐ¾-ÐÐ°Ð¿Ð°Ð´Ð½ÑÐ¹ ÑÐµÐ³Ð¸Ð¾Ð½ Ð Ð¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¹ Ð¤ÐµÐ´ÐµÑÐ°ÑÐ¸Ð¸. Ð¦ÐµÐ»ÑÑ Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¹ Ð¿Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð¡ÐµÐ²ÐµÑÐ¾-ÐÐ°Ð¿Ð°Ð´Ð½Ð¾Ð³Ð¾ ÑÐµÐ³Ð¸Ð¾Ð½Ð° Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð¾ÑÐµÐ½ÐºÐ¸ ÐµÐ³Ð¾ Ð¿Ð¾ÑÐµÐ½ÑÐ¸Ð°Ð»Ð°. ÐÐ° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° ÑÐµÐ³Ð¸Ð¾Ð½Ð°Ð»ÑÐ½Ð¾Ð³Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð²ÑÐ´ÐµÐ»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐµÐ³Ð¸Ð¾Ð½Ð¾Ð² Ð Ð¤. ÐÑÐ»Ð¸ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½Ñ ÑÐµÐºÐ¾Ð¼ÐµÐ½Ð´Ð°ÑÐ¸Ð¹ Ð¿Ð¾ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð¡ÐµÐ²ÐµÑÐ¾-ÐÐ°Ð¿Ð°Ð´Ð½Ð¾Ð³Ð¾ ÑÐµÐ³Ð¸Ð¾Ð½Ð° Ð½Ð° Ð¾ÑÐ½Ð¾Ð²Ðµ Ð¾ÑÐµÐ½ÐºÐ¸ ÐµÐ³Ð¾ Ð¿Ð¾ÑÐµÐ½ÑÐ¸Ð°Ð»Ð°.
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title: ÐÐ¾Ð¼Ð¿Ð»ÐµÐºÑÐ½Ð°Ñ Ð¾ÑÐµÐ½ÐºÐ° ÑÐºÐ¾Ð»Ð¾Ð³Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¾Ð¹ ÑÐ±Ð°Ð»Ð°Ð½ÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð½Ð¾ÑÑÐ¸ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¿ÑÐµÐ´Ð¿ÑÐ¸ÑÑÐ¸Ñ ÐÐÐ Â«ÐÐµÑÐ°Ð»Ð»ÐÐµÐºÐ¾ÑÂ»
title: Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÑÐºÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ°
titleType: Subtitle
Creators: name: ÐÐ»ÑÐ¼Ð±ÐµÐºÐ¾Ð²Ð°, ÐÐ¸Ð´Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2017
Subjects: Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½Ð°Ñ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÑ
ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÑ Ð¿ÑÐ¾ÐµÐºÑÐ°
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description: ÐÐ±ÑÐµÐºÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÑÑÑÑ Ð¿ÑÐµÐ´Ð¿ÑÐ¸ÑÑÐ¸Ñ ÑÐµÐ°Ð»ÑÐ½Ð¾Ð³Ð¾ ÑÐµÐºÑÐ¾ÑÐ° ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÐºÐ¸, Ð¾ÑÑÑÐµÑÑÐ²Ð»ÑÑÑÐ¸Ðµ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÑ Ð´ÐµÑÑÐµÐ»ÑÐ½Ð¾ÑÑÑ. Ð¦ÐµÐ»ÑÑ Ð²ÑÐ¿ÑÑÐºÐ½Ð¾Ð¹ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ Ð¼Ð¾Ð´ÐµÐ»Ð¸ÑÐ¾Ð²Ð°Ð½Ð¸Ðµ ÐºÐ¾Ð¼Ð¿Ð»ÐµÐºÑÐ½Ð¾Ð¹ Ð¾ÑÐµÐ½ÐºÐ¸ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÑ Ð¿ÑÐ¾ÐµÐºÑÐ¾Ð² Ñ ÑÑÐµÑÐ¾Ð¼ ÑÐºÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¾Ð³Ð¾ ÑÐ°ÐºÑÐ¾ÑÐ°, Ð°Ð½Ð°Ð»Ð¸Ð· ÑÐºÐ¾Ð»Ð¾Ð³Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ñ ÑÐ²ÑÐ·ÐµÐ¹ Ð¿ÑÐµÐ´Ð¿ÑÐ¸ÑÑÐ¸Ñ. ÐÑÑÐ²Ð»ÐµÐ½Ð° ÑÐ°Ð·ÑÐ¾Ð·Ð½ÐµÐ½Ð½Ð¾ÑÑÑ ÑÐºÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð¸ ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÐ¸Ñ ÑÐ°ÐºÑÐ¾ÑÐ¾Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²Ð¾Ð´ÑÑÐ²Ð°. ÐÑÐ¿Ð¾Ð»Ð½ÐµÐ½Ð° Ð¾ÑÐµÐ½ÐºÐ° Ð¾Ð±ÑÐ¸Ñ Ð¼ÐµÑÐ¾Ð´Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð¾ÑÐ½Ð¾Ð²Ñ ÑÑÑÐµÐºÑÐ¸Ð²Ð½Ð¾ÑÑÐ¸ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½ÑÑ Ð¿ÑÐ¾ÐµÐºÑÐ¾Ð². Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½Ð° ÐºÐ¾Ð¼Ð¿Ð»ÐµÐºÑÐ½Ð°Ñ Ð¾ÑÐµÐ½ÐºÐ°, ÐºÐ¾ÑÐ¾ÑÐ°Ñ Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÐµÑ Ð°Ð´ÐµÐºÐ²Ð°ÑÐ½Ð¾ Ð¾ÑÐµÐ½Ð¸ÑÑ Ð¿ÐµÑÑÐ¿ÐµÐºÑÐ¸Ð²Ñ Ð¿ÑÐ¸Ð½ÑÑÐ¸Ñ ÑÐµÑÐµÐ½Ð¸Ñ Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¾Ð½Ð½Ð¾Ð³Ð¾ Ð¿ÑÐ¾ÐµÐºÑÐ°, ÑÑÐ¸ÑÑÐ²Ð°Ñ ÑÐºÐ¾Ð»Ð¾Ð³Ð¾-ÑÐºÐ¾Ð½Ð¾Ð¼Ð¸ÑÐµÑÐºÑÑ ÑÐ±Ð°Ð»Ð°Ð½ÑÐ¸ÑÐ¾Ð²Ð°Ð½Ð½Ð¾ÑÑÑ.
title: Ð¡Ð¸ÑÑÐµÐ¼Ð° ÑÐµÐ¿Ð»Ð¾ÑÑÐµÑÐ° Ð²Ð¾Ð´Ð¾ÑÐ½Ð°Ð±Ð¶Ð°ÑÑÐµÐ¹ ÑÐµÑÐ¸
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
Creators: name: ÐÑÑÐµÐ¹Ð½Ð¾Ð², Ð¢ÐµÐ¹Ð¼ÑÑ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2018
Subjects: ÑÐµÐ¿Ð»Ð¾ÑÑÐµÑ
ÑÐµÐ¿Ð»Ð¾Ð½Ð¾ÑÐ¸ÑÐµÐ»Ñ
ÑÐ°ÑÑ Ð¾Ð´Ð¾Ð¼ÐµÑ
ÑÐµÐ¿Ð»Ð¾Ð²ÑÑÐ¸ÑÐ»Ð¸ÑÐµÐ»Ñ
ÑÐµÐ¿Ð»Ð¾ÑÑÐµÑÑÐ¸Ðº

description: Ð ÑÐ°Ð±Ð¾ÑÐµ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ð° ÑÐ¸ÑÑÐµÐ¼Ð° ÑÐµÐ¿Ð»Ð¾ÑÑÐµÑÐ° ÑÐµÐ¿Ð»Ð¾ÑÐ½Ð°Ð±Ð¶Ð°ÑÑÐµÐ¹ ÑÐµÑÐ¸ Ð´Ð»Ñ Ð¼Ð°Ð»ÑÑ Ð¶Ð¸Ð»ÑÑ Ð´Ð¾Ð¼Ð¾Ð². ÐÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÑÑÐµÑÑÐ²ÑÑÑÐ¸Ñ Ð°Ð½Ð°Ð»Ð¾Ð³Ð¾Ð² Ñ Ð¾Ð¿Ð¸ÑÐ°Ð½Ð¸ÐµÐ¼ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÑ Ð½ÐµÐ´Ð¾ÑÑÐ°ÑÐºÐ¾Ð² Ð¸ Ð´Ð¾ÑÑÐ¾Ð¸Ð½ÑÑÐ² Ð¸Ñ ÑÐºÑÐ¿Ð»ÑÐ°ÑÐ°ÑÐ¸Ð¸. Ð Ð°Ð·ÑÐ°Ð±Ð¾ÑÐ°Ð½Ñ ÑÑÑÑÐºÑÑÑÐ½Ð°Ñ Ð¸ Ð¿ÑÐ¸Ð½ÑÐ¸Ð¿Ð¸Ð°Ð»ÑÐ½Ð°Ñ ÑÐ»ÐµÐºÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÑÑÐµÐ¼Ñ ÑÐµÐ¿Ð»Ð¾Ð²ÑÑÐ¸ÑÐ»Ð¸ÑÐµÐ»Ñ, Ð¾Ð±Ð¾ÑÐ½Ð¾Ð²Ð°Ð½ Ð²ÑÐ±Ð¾Ñ Ð¾ÑÐ´ÐµÐ»ÑÐ½ÑÑ ÐµÐ³Ð¾ ÐºÐ¾Ð¼Ð¿Ð¾Ð½ÐµÐ½ÑÐ¾Ð². Ð¡Ð¾ÑÑÐ°Ð²Ð»ÐµÐ½ Ð°Ð»Ð³Ð¾ÑÐ¸ÑÐ¼ ÑÐ°Ð±Ð¾ÑÑ Ð¼Ð¸ÐºÑÐ¾ÐºÐ¾Ð½ÑÑÐ¾Ð»Ð»ÐµÑÐ° ÑÐ¸ÑÑÐµÐ¼Ñ Ñ Ð½Ð°Ð¿Ð¸ÑÐ°Ð½Ð¸ÐµÐ¼ ÑÐ¾Ð¾ÑÐ²ÐµÑÑÑÐ²ÑÑÑÐµÐ³Ð¾ Ð¿ÑÐ¾Ð³ÑÐ°Ð¼Ð¼Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÐµÑÐ¿ÐµÑÐµÐ½Ð¸Ñ. ÐÑÐ¾Ð²ÐµÐ´ÐµÐ½ ÑÐ°ÑÑÐµÑ Ð¸ Ð¾ÑÐµÐ½ÐºÐ° Ð¿Ð¾Ð³ÑÐµÑÐ½Ð¾ÑÑÐµÐ¹ Ð¸Ð·Ð¼ÐµÑÐµÐ½Ð¸Ð¹ ÑÐ¸ÑÑÐµÐ¼Ñ.
Spatio-temporal distribution of induced seismicity in flooded mines in the Ruhr area - interpretation by geomechanical numerical modelling
Creators: name: Rische, Martina
name: Niederhuber, Thomas
name: Müller, Birgit
name: Fischer, Kasper D.
name: Friederich, Wolfgang
Publisher: name: Karlsruher Institut für Technologie (KIT)
Year: 2023
Subjects: e-docs::Geophysik::Allgemeine Geophysik::Seismologie {Geophysik}
induced seismicity
post mining
mine water rise
numerical stress model
stress arching
failure potential
FID-GEO-DE-7

description: Induced seismicity during mine flooding is the focus of the FloodRisk project. One of the study areas is the Ruhr area, which is characterised by centuries of intensive coal mining. After the closure of the last mines, controlled flooding began. Within the FloodRisk project, we investigate ground uplift, stress changes due to pore pressure changes and the reactivation potential of faults to explain induced seismicity. We concentrate on the seismicity monitoring and geomechanics of the Haus Aden catchment, for which we investigate the relationship between water rise, tectonic stress and induced seismicity. The monitoring of seismicity is based on a network of up to 30 short-period seismic stations installed by the Ruhr University in the area of the former "Bergwerk Ost", which exhibited the highest seismicity in the Ruhr area during active mining. The stations cover an area of about 160 km 2 and are spaced between 0.5 and 3.5 km apart. They allow continuous monitoring of seismicity. Since 2019, more than 2200 induced events have been localised. A prerequisite for the interpretation of seismicity is a detailed localisation of the events. The relative localisation of the induced earthquakes has significantly reduced the location uncertainty and allowed the spatial and temporal evolution of earthquake clusters due to the rise in mine water levels to be studied. The resulting pattern of seismicity was compared with known underground structures. This comparison indicates that most of the events occur approximately 300 m below the main pillars between the longwall panels in the already flooded deepest level of the mine. A generic FE numerical model was developed for a section of the Heinrich Robert mine based on the geometry of the pillars, shafts and longwall panels. The stress data for model calibration are based on a compilation of the regional stress state in the eastern Ruhr area. For this purpose, hydraulic fracture tests carried out in the mines to minimise rock bursts were re-evaluated and compared with stress orientations derived from independent sources such as borehole fractures and earthquake source mechanisms. Using this 3D numerical approach, we conclude that there is increased vertical stress within and below the pillars as a result of stress arching. As the horizontal stress changes below the mine levels are small, this results in increasing differential stresses that can lead to the observed events below the mine level when the mine water level rises.
[Premiesøknad fra Mads Berntsen Leervold]
Creators: name: Leervold, Mads Berntsen
Publisher: name: Unknown
Year: 1774
Subjects: Leervold, Mads Berntsen

description: Premiesøknad innen temaet Ødegård innsendt av Mads Berntsen Leervold. Premiert med 20 Rdr.
The effect of a magnetic field on chemical reactions
Creators: name: Collins, Sonia
Publisher: name: University of British Columbia
Year: 2012

description: (1) Equipment was constructed and calibrated for the purpose of studying the effect of a magnetic field on chemical reactions. (2) The effect of a magnetic field on the decomposition of benzoyl peroxide -was investigated. No effect of a magnetic field of 12000 gauss was detected. (3) The catalyzed and uncatalyzed polymerization of styrene at 80°C. was found to be unaffected by a magnetic field of 12000 gauss. The absence of an effect in the uncatalyzed polymerization of styrene is in marked disagreement with the results reported by Schmid et al. It was concluded that the results reported by these authors are in error. (4) A preliminary investigation of hydrogen peroxide decomposition in a magnetic field was undertaken. No conclusive evidence for field effect was obtained as the rate of this reaction is very dependent on surface effect and extremely small amounts of catalytic impurities. (5) A possible explanation for the absence of a field effect in free radical reactions was suggested.