title: ÐÐ¾Ð½ÑÐµÐ¿Ñ "ÑÑÐ¿ÐµÑ " Ð² ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ðµ Ð.Ð­ÑÐ½Ð¾Ð·Ð° (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ ÑÐ¾Ð¼Ð°Ð½Ð¾Ð² Â«Ð£ ÑÐ¾ÑÐ»ÑÂ», Â«Ð Ð°Ð²ÐµÐ»ÑÂ», Â«Ð§ÐµÑÐ¾ÐºÐ¸Â» Ð¸ Â«ÐÐ¾Ð»Ð½Ð¸Ð¸Â»)
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: The concept of "success" in the works of Jean Eshnoz (based on the novels "At the piano", "Ravel", "Cherokee" and "Lightning")
Creators: name: ÐÐ°ÑÐ¸Ð»ÑÐµÐ²Ð°, ÐÐ»Ð¸Ð·Ð°Ð²ÐµÑÐ°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2023
Subjects: ÐºÐ¾Ð½ÑÐµÐ¿Ñ
ÑÑÐ¿ÐµÑ
ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¾ÑÑÐµÑÐ°
ÐÐ°Ð½ Ð­ÑÐ½Ð¾Ð·
concept
success
conceptosphere
Jean Eshnoz

description: Ð¦ÐµÐ»Ñ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ â Ð¿ÑÐ¾Ð²ÐµÑÑÐ¸ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°Ð½Ð°Ð»Ð¸Ð· ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ° Â«ÑÑÐ¿ÐµÑ/ÑÑÐ¿ÐµÑÂ» Ð² ÐµÐ³Ð¾ Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¼ ÐºÐ¾Ð½ÑÐµÐºÑÑÐµ, Ð¿ÑÐ¾ÑÐ»ÐµÐ´Ð¸Ð² ÑÐµÐ¼Ð°Ð½ÑÐ¸ÑÐµÑÐºÑÑ ÑÐ²Ð¾Ð»ÑÑÐ¸Ñ ÐµÐ³Ð¾ ÐºÐ¾Ð¼Ð¿Ð¾Ð½ÐµÐ½ÑÐ¾Ð². ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐ¾Ð²Ð¾Ð´Ð¸Ð»Ð¾ÑÑ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐ°Ñ Ð¸Ð· ÑÐ»Ð¾Ð²Ð°ÑÑ Ð¿Ð¾ÑÐ»Ð¾Ð²Ð¸Ñ, Ð¿Ð¾Ð³Ð¾Ð²Ð¾ÑÐ¾Ðº Ð¸ Ð°ÑÐ¾ÑÐ¸Ð·Ð¼Ð¾Ð², Ð° ÑÐ°ÐºÐ¶Ðµ ÑÑÐ¸Ð¼Ð¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ ÑÐ»Ð¾Ð²Ð°ÑÐµÐ¹ Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸ÐµÐ¼ ÑÐ°ÐºÐ¸Ñ Ð¼ÐµÑÐ¾Ð´Ð¾Ð², ÐºÐ°Ðº ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ðµ Ð¸ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ñ ÑÐ·ÑÐºÐ¾Ð²Ð¾Ð³Ð¾ Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ð°. ÐÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿Ð¾ÐºÐ°Ð·Ð°Ð»Ð¾, ÑÑÐ¾ ÐºÐ¾Ð½ÑÐµÐ¿Ñ ÑÑÐ¿ÐµÑÐ° ÑÐ²Ð»ÑÐµÑÑÑ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÐ¾Ð¼ Ð´Ð»Ð¸ÑÐµÐ»ÑÐ½Ð¾Ð¹ ÐºÑÐ»ÑÑÑÑÐ½Ð¾-Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¾Ð¹ ÑÐ²Ð¾Ð»ÑÑÐ¸Ð¸, ÑÑÐ¾ Ð´ÐµÐ»Ð°ÐµÑ ÐµÐ³Ð¾ Ð¿ÐµÑÑÐ¿ÐµÐºÑÐ¸Ð²Ð½Ð¾Ð¹ Ð¾Ð±Ð»Ð°ÑÑÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ð¹ Ð´Ð»Ñ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÐºÐ¸, ÑÐ¸Ð»Ð¾ÑÐ¾ÑÐ¸Ð¸, ÑÐ¾ÑÐ¸Ð¾Ð»Ð¾Ð³Ð¸Ð¸ Ð¸ ÐºÑÐ»ÑÑÑÑÐ¾Ð»Ð¾Ð³Ð¸Ð¸. Ð Ð°ÑÑÐ¼Ð°ÑÑÐ¸Ð²Ð°Ñ Ð¾Ð±ÑÐµÐµ Ð¿Ð¾Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ° Ð² ÑÑÑÑÐºÐ¾Ð¼ ÑÐ·ÑÐºÐµ, Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¿ÑÐ¾Ð»Ð¸Ð²Ð°ÐµÑ ÑÐ²ÐµÑ Ð½Ð° ÑÐ½Ð¸ÐºÐ°Ð»ÑÐ½ÑÐµ ÑÐ°ÑÐ°ÐºÑÐµÑÐ¸ÑÑÐ¸ÐºÐ¸ ÑÐ·ÑÐºÐ° Ð¸ ÑÐ¿Ð¾ÑÐ¾Ð±ÑÑÐ²ÑÐµÑ Ð¿Ð¾Ð½Ð¸Ð¼Ð°Ð½Ð¸Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¾ÑÑÐµÑÑ, Ð»ÐµÐºÑÐ¸ÐºÐ¾Ð»Ð¾Ð³Ð¸Ð¸ Ð¸ Ð¼ÐµÐ¶ÐºÑÐ»ÑÑÑÑÐ½Ð¾Ð¹ ÐºÐ¾Ð¼Ð¼ÑÐ½Ð¸ÐºÐ°ÑÐ¸Ð¸. ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÑÑÑÑ ÑÐ¾Ð¼Ð°Ð½Ñ ÐÐ°Ð½Ð° Ð­ÑÐ½Ð¾Ð·Ð°, ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ð³Ð¾ ÑÑÐ°Ð½ÑÑÐ·ÑÐºÐ¾Ð³Ð¾ Ð¿Ð¸ÑÐ°ÑÐµÐ»Ñ-Ð¼Ð¸Ð½Ð¸Ð¼Ð°Ð»Ð¸ÑÑÐ°, Ð° Ð¸Ð¼ÐµÐ½Ð½Ð¾ Â«Ð Ð°Ð²ÐµÐ»ÑÂ», Â«ÐÐ¾Ð»Ð½Ð¸Ð¸Â», Â«Ð£ ÑÐ¾ÑÐ»ÑÂ» Ð¸ Â«Ð§ÐµÑÐ¾ÐºÐ¸Â». Ð Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ð¸ Ð¸Ð·ÑÑÐ°ÐµÑÑÑ Ñ Ð¿Ð¾Ð¼Ð¾ÑÑÑ ÐºÐ°ÐºÐ¸Ñ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ñ ÐµÐ´Ð¸Ð½Ð¸Ñ ÐÐ°Ð½ Ð­ÑÐ½Ð¾Ð· ÑÐµÐ°Ð»Ð¸Ð·ÑÐµÑ ÐºÐ¾Ð½ÑÐµÐ¿Ñ Â«ÑÑÐ¿ÐµÑÂ», Ð° ÑÐ°ÐºÐ¶Ðµ ÐºÐ°Ðº ÑÑÐ¸ Ð»Ð¸Ð½Ð³Ð²Ð¸ÑÑÐ¸ÑÐµÑÐºÐ¸Ðµ ÐµÐ´Ð¸Ð½Ð¸ÑÑ ÑÐ¾Ð·Ð´Ð°ÑÑ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ ÑÐ¼Ð¾ÑÐ¸Ð¾Ð½Ð°Ð»ÑÐ½ÑÐµ ÐºÐ¾Ð½Ð½Ð¾ÑÐ°ÑÐ¸Ð¸ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ°.
description: The aim of this paper is to provide a linguistic analysis of the concept of Â«ÑÑÐ¿ÐµÑ/successÂ» in its historical context, tracing the semantic evolution of its components. The research draws upon examples from dictionaries of proverbs, sayings, and aphorisms, as well as etymological dictionaries, using methods such as comparison and classification of linguistic material. The study identifies that the concept of success is the result of a long cultural and historical evolution, making it a promising area of research for linguistics, philosophy, sociology, and cultural science. By examining the concept in Russian language, the study sheds light on the unique characteristics of the language and contributes to the understanding of conceptosphere, lexicology, and theory of cross-cultural communication. The subject of the study is the novels of Jean Eshnoz, a modern French minimalist writer, including Â«Ravel,Â» Â«Lightning,Â» Â«At the Piano,Â» and Â«Cherokee.Â» The study analyzes the linguistic units utilized by Jean Eshnoz to convey the concept of Â«successÂ» and investigates how these units generate different emotional connotations associated with the concept. â