title: ÐÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ°Ñ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÑ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð² Ð² Ð¿Ð¾Ð²ÐµÑÑÐ¸ ÐÐ¶Ð¾Ð½Ð° Ð¤Ð°ÑÐ»Ð·Ð° "ÐÐ°ÑÐ½Ñ Ð¸Ð· ÑÑÑÐ½Ð¾Ð³Ð¾ Ð´ÐµÑÐµÐ²Ð°"
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: The pragmatic orientation of intertextual elements in John Fowlesâ novella âThe Ebony Towerâ
Creators: name: Ð¡ÐµÐ¼ÐµÐ½Ð¾Ð²Ð°, ÐÐ°ÑÑÑ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑ
ÐÐ¶Ð¾Ð½ Ð¤Ð°ÑÐ»Ð·
Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÐµ ÑÐ»ÐµÐ¼ÐµÐ½ÑÑ
Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ°Ñ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÑ
intertextuality
John Fowles
intertextual elements
pragmatics

description: ÐÐ°Ð½Ð½Ð°Ñ Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÑ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð² Ð² Ð¿Ð¾Ð²ÐµÑÑÐ¸ ÐÐ¶Ð¾Ð½Ð° Ð¤Ð°ÑÐ»Ð·Ð° Â«ÐÐ°ÑÐ½Ñ Ð¸Ð· ÑÐµÑÐ½Ð¾Ð³Ð¾ Ð´ÐµÑÐµÐ²Ð°Â». ÐÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¿Ð¾Ð´ÑÐ¾Ð´Ñ Ðº Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð¿Ð¾Ð½ÑÑÐ¸Ð¹ Â«Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÂ», Â«Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑÂ», Â«Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ°Ñ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÑÂ», Â«Ð°Ð»Ð»ÑÐ·Ð¸ÑÂ», Â«Ð¼Ð¾ÑÐ¸Ð²Â». ÐÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¸ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÑ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð², Ð½Ð° ÑÑÐµÐ¹ Ð¾ÑÐ½Ð¾Ð²Ðµ Ð±ÑÐ»Ð° ÑÐ¾ÑÑÐ°Ð²Ð»ÐµÐ½Ð° ÑÐ¾Ð±ÑÑÐ²ÐµÐ½Ð½Ð°Ñ ÐºÐ»Ð°ÑÑÐ¸ÑÐ¸ÐºÐ°ÑÐ¸Ñ, Ð² ÐºÐ¾ÑÐ¾ÑÑÑ Ð²Ð¾ÑÐ»Ð¸ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ ÑÐµÐ»ÐµÐ²Ð°Ð½ÑÐ½ÑÐµ Ð´Ð»Ñ Ð¸ÑÑÐ»ÐµÐ´ÑÐµÐ¼Ð¾Ð¹ Ð¿Ð¾Ð²ÐµÑÑÐ¸ ÑÑÐ¾Ð²Ð½Ð¸ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÐ¸ Ð¸ Ð²Ð¸Ð´Ñ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÑ Ð²ÐºÐ»ÑÑÐµÐ½Ð¸Ð¹. ÐÐ°Ð»ÐµÐµ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½ ÐºÑÐ°ÑÐºÐ¸Ð¹ Ð¾Ð±Ð·Ð¾Ñ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð° ÐÐ¶Ð¾Ð½Ð° Ð¤Ð°ÑÐ»Ð·Ð°, Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ ÐµÐ³Ð¾ Ð°Ð²ÑÐ¾ÑÑÐºÐ¾Ð³Ð¾ ÑÑÐ¸Ð»Ñ, Ð° ÑÐ°ÐºÐ¶Ðµ Ð¿Ð¾Ð²ÐµÑÑÐ¸ Â«ÐÐ°ÑÐ½Ñ Ð¸Ð· ÑÐµÑÐ½Ð¾Ð³Ð¾ Ð´ÐµÑÐµÐ²Ð°Â». Ð Ð¿ÑÐ°ÐºÑÐ¸ÑÐµÑÐºÐ¾Ð¹ ÑÐ°ÑÑÐ¸ ÑÐ°Ð±Ð¾ÑÑ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¸ Ð½Ð° ÐºÐµÐ»ÑÑÑÐºÑÑ Ð»Ð¸ÑÐµÑÐ°ÑÑÑÑ, Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸, Ð»Ð¸ÑÐµÑÐ°ÑÑÑÐ½ÑÐµ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ñ Â«ÐÐ¾Ð»ÑÐ²Â» Ð¸ Â«Ð­Ð»Ð¸Ð´ÑÐºÂ», Ð° ÑÐ°ÐºÐ¶Ðµ Ð±ÑÐ»Ð° Ð²ÑÑÐ²Ð»ÐµÐ½Ð° Ð¸Ñ Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ°Ñ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÑ. ÐÐ¾Ð»ÑÑÐµÐ½Ð½ÑÐµ Ð´Ð°Ð½Ð½ÑÐµ Ð¼Ð¾Ð³ÑÑ Ð±ÑÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ñ Ð´Ð»Ñ Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð¿ÑÐ°Ð³Ð¼Ð°ÑÐ¸ÑÐµÑÐºÐ¾Ð¹ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½ÑÑ ÑÐ»ÐµÐ¼ÐµÐ½ÑÐ¾Ð² Ð² ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð¼ ÑÐµÐºÑÑÐµ Ð¸ Ð¸Ñ ÑÐ¾Ð»Ð¸ Ð² Ð²Ð¾Ð¿Ð»Ð¾ÑÐµÐ½Ð¸Ð¸ Ð¸Ð´ÐµÐ¹ Ð°Ð²ÑÐ¾ÑÐ°.
description: This thesis examines the pragmatic orientation of intertextual elements in John Fowlesâ novella âThe Ebony Towerâ. The main approaches to the definition of the concepts of âintertextâ, âintertextualityâ, âpragmatic orientationâ, âallusionâ, âmotiveâ are presented. The main classifications of intertextual elements are analyzed, on the basis of which a new classification was compiled. It included the most relevant levels of intertextuality and types of intertextual inclusions for the story under study. Then a brief overview of the work of John Fowles, the main features of his style, as well as of the novella âThe Ebony Towerâ was given. In the practical part of the work, allusions to Celtic literature, paintings, literary works âThe Magus" and âEliducâ were analyzed, and their pragmatic orientation was also defined. The obtained data can be used to determine the pragmatic orientation of the intertextual elementsâ use in a literary text and their role in embodying the authors ideas.