title: ÐÐ±ÑÐ°Ð· ÐÑÐ°Ð¶Ð´Ð°Ð½ÑÐºÐ¾Ð¹ Ð²Ð¾Ð¹Ð½Ñ Ð² ÐÐ¸ÑÐ°Ðµ (1927â1949) Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¼ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐµ Ð¸ ÑÐµÐ°ÑÑÐ°Ð»ÑÐ½Ð¾Ð¼ Ð¸ÑÐºÑÑÑÑÐ²Ðµ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Image of the Chinese Civil War (1927â1949) in the Chinese cinema and theatre art
Creators: name: ÐÐ¾Ð³Ð°ÑÐ¾Ð², ÐÐ°Ð½Ð¸Ð¸Ð»
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: Ð³ÑÐ°Ð¶Ð´Ð°Ð½ÑÐºÐ°Ñ Ð²Ð¾Ð¹Ð½Ð° Ð² ÐÐ¸ÑÐ°Ðµ
ÐºÐ¾Ð¼Ð¼ÑÐ½Ð¸ÑÑÐ¸ÑÐµÑÐºÐ°Ñ Ð¿Ð°ÑÑÐ¸Ñ ÐÐ¸ÑÐ°Ñ
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chinese civil war
communist party of China
kuomintang
cinema
theatre
image

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description: The given work is devoted to identifying the characteristics of the image of the Chinese Civil War and transformation of its image in the Chinese cinema and theatre art for the period 1945â2015. The research set the following goals: 1. To identify the key events of the Chinese Civil War, which are remembered by people and became a basis for a large number of films and theatrical works about the Chinese Civil War. 2. To analyse the transformation of the image of the Civil War in Chinese cinema of 1945â2015. 3. To analyse the transformation of the image of the Civil War in Chinese theatrical works of 1945â2015. During the writing of this paper, following research methods were used: the comparative-historical method for identifying the characteristics of embodiment of the image of the Chinese Civil War in Chinese cinematographic and theatrical works; the method of working with visual material (films and performances). As a result of the study, a conclusion was drawn about the evolution of the image of the Chinese Civil War in cinematographic and theatrical works. Films and performances of the XX century are focused mainly on the juxtaposition of communists with their supportersâ idealized images and Kuomintangâs members whose negative character traits are raised to an absolute. The directors of the works of the XXI century are most interested in individual peopleâs lives, regardless of the roles of the characters in the Civil War events. Now the key idea is peace and unity on the territory of China.