title: ÐÐ¸Ð½Ð¾ÑÑÑÐ´Ð¸Ñ Â«ÐÐÐ¤ÐÂ» Ð¸ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ðµ Ð¾Ð±ÑÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: The Film Studio "DEFAâ and the creation of a public image in Germany
Creators: name: Ð Ð°ÑÐ°ÑÐ´Ð¶Ð¾, ÐÐ¶Ð¾Ð½Ð°ÑÐ°Ð½
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: ÐºÐ¸Ð½Ð¾
ÐÐµÑÐ¼Ð°Ð½Ð¸Ñ
ÐºÑÐ»ÑÑÑÑÐ°
Ð¸Ð´ÐµÐ½ÑÐ¸ÑÐ½Ð¾ÑÑÑ
Ð½Ð¾ÑÑÐ°Ð»ÑÐ³Ð¸Ñ (Ð¾ÑÑÐ°Ð»ÑÐ³Ð¸Ñ)
Ð¾Ð±ÑÐµÑÑÐ²Ð¾
Ð¿Ð¾Ð»Ð¸ÑÐ¸ÐºÐ°
cinema
Germany
culture
identity
nostalgia (ostalgia)
society
politics

description: ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¾Ð¿ÑÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð¾Ð±ÑÐ°Ð·Ð° ÐÐµÑÐ¼Ð°Ð½Ð¸Ð¸ Ð² ÐºÐ¾Ð½ÑÐµÐºÑÑÐµ ÑÐ°Ð±Ð¾Ñ ÐºÐ¸Ð½Ð¾ÑÑÑÐ´Ð¸Ð¸ Â«ÐÐÐ¤ÐÂ» Ð² ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ Ð¿ÐµÑÐ¸Ð¾Ð´Ñ Ð¸ÑÑÐ¾ÑÐ¸Ð¸ ÐÐµÑÐ¼Ð°Ð½Ð¸Ð¸. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÑÑ Ð¸ Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°ÑÑ Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ð¹ Ð°ÑÐ¿ÐµÐºÑ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ° Ð² ÑÐ°Ð·Ð½ÑÐµ Ð¿ÐµÑÐ¸Ð¾Ð´Ñ: 1918ï­1933 Ð³Ð³.; 1933ï­1945 Ð³Ð³.; 1945ï­1989 Ð³Ð³. 2. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ Ð¸ Ð¾Ð¿Ð¸ÑÐ°ÑÑ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ Ð² Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¼ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐµ. 3. ÐÑÑÐ²Ð¸ÑÑ ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½Ð¾-Ð¿Ð¾Ð»Ð¸ÑÐ¸ÑÐµÑÐºÐ¸Ðµ Ð¿ÑÐ¾Ð±Ð»ÐµÐ¼Ñ, ÑÐ°ÑÐ°ÐºÑÐµÑÐ½ÑÐµ Ð´Ð»Ñ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÑ Ð¿ÐµÑÐ¸Ð¾Ð´Ð¾Ð². 4. ÐÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°ÑÑ Ð¸ Ð¾Ð¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½Ð¾Ðµ Ð²Ð¾ÑÐ¿ÑÐ¸ÑÑÐ¸Ðµ Ð²Ð¾ÑÑÐ¾ÑÐ½Ð¾Ð³ÐµÑÐ¼Ð°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½Ð¾. Ð ÑÐ°Ð¼ÐºÐ°Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð»Ð¸ÑÑ Ð¼ÐµÑÐ¾Ð´Ñ ÑÑÐ°Ð²Ð½ÐµÐ½Ð¸Ñ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð·Ð° Ð¸ÑÑÐ¾ÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð´Ð°Ð½Ð½ÑÑ Ð¸ ÐºÐ¸Ð½Ð¾ÑÐ¸Ð»ÑÐ¼Ð¾Ð², ÑÑÐ¾ Ð¿Ð¾Ð·Ð²Ð¾Ð»Ð¸Ð»Ð¾ Ð²ÑÑÐ²Ð¸ÑÑ Ð¾ÑÐ½Ð¾Ð²Ð½ÑÐµ ÐºÑÐ»ÑÑÑÑÐ½ÑÐµ ÑÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð³Ð¾ Ð½Ð°ÑÐ¾Ð´Ð° Ð² ÑÐ°Ð·Ð½ÑÐµ Ð¿ÐµÑÐ¸Ð¾Ð´Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ°. Ð¢Ð°ÐºÐ¶Ðµ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð»Ð¸ÑÑ ÑÐ»ÐµÐ´ÑÑÑÐ¸Ðµ Ð¼ÐµÑÐ¾Ð´Ñ: Ð¸Ð½Ð´ÑÐºÑÐ¸Ñ, ÑÐ¸Ð½ÑÐµÐ·. ÐÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð²ÑÑÐµÐ¿ÐµÑÐµÑÐ¸ÑÐ»ÐµÐ½Ð½ÑÑ Ð¼ÐµÑÐ¾Ð´Ð¾Ð² Ð¿Ð¾Ð·Ð²Ð¾Ð»Ð¸Ð»Ð¾ Ð½Ð°Ð¼ Ð¾Ð¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ ÑÐ¾Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÐ¹ Ð¾Ð±ÑÐ°Ð· Ð²Ð¾ÑÑÐ¾ÑÐ½Ð¾Ð³ÐµÑÐ¼Ð°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ°. Ð ÐµÐ·ÑÐ»ÑÑÐ°ÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÑÐ°Ð» Ð°Ð½Ð°Ð»Ð¸Ð· Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¹ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ¸Ð¸ Ð¸ Ð¿ÑÐ¾ÑÐµÑÑ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ Ð¾Ð±ÑÐµÑÑÐ²ÐµÐ½Ð½Ð¾Ð³Ð¾ Ð¾Ð±ÑÐ°Ð·Ð°. ÐÐ½Ð°Ð»Ð¸Ð· Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¹ Ð¸ÑÑÐ¾ÑÐ¸Ð¸ Ð¸ ÐµÐµ Ð²Ð»Ð¸ÑÐ½Ð¸Ñ Ð½Ð° ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°Ñ. Ð Ð°Ð·Ð²Ð¸ÑÐ¸Ðµ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÑ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÑ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¹ Ð² Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¼ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐµ, Ð² ÑÐ°ÑÑÐ½Ð¾ÑÑÐ¸ Ð²Ð¾ÑÑÐ¾ÑÐ½Ð¾Ð³ÐµÑÐ¼Ð°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ°. ÐÑÐ¾Ð³Ð¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÑÐ°Ð»Ð¾ Ð¿Ð¾Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ Ð¾Ð±ÑÐ°Ð·Ð° Ð³ÐµÑÐ¾ÐµÐ² Ð²Ð¾ÑÑÐ¾ÑÐ½Ð¾Ð³ÐµÑÐ¼Ð°Ð½ÑÐºÐ¾Ð³Ð¾ ÐºÐ¸Ð½ÐµÐ¼Ð°ÑÐ¾Ð³ÑÐ°ÑÐ° Ð² Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¼ Ð¾Ð±ÑÐµÑÑÐ²Ðµ. ÐÐ±Ð»Ð°ÑÑÑ Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ: Ð´Ð°Ð»ÑÐ½ÐµÐ¹ÑÐ°Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°ÑÐµÐ»ÑÑÐºÐ°Ñ ÑÐ°Ð±Ð¾ÑÐ°, ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° ÐºÑÑÑÐ° Ð»ÐµÐºÑÐ¸Ð¹, ÑÐ²ÑÐ·Ð°Ð½Ð½Ð¾Ð³Ð¾ Ñ Ð¸Ð·ÑÑÐµÐ½Ð¸ÐµÐ¼ Ð½ÐµÐ¼ÐµÑÐºÐ¾Ð¹ ÐºÑÐ»ÑÑÑÑÑ.
description: The purpose of the work is to reveal the image of Germany created by DEFA Film Studio in different periods of German history. In order to achieve the goal the following tasks were set: 1. To consider and analyze the historical aspect of the development of German cinema in different periods: 1918ï­1933; 1933ï­1945; 1945ï­1989. 2. To identify and describe various directions in German cinema. 3. To discuss the socio-political topics typical for various periods. 4. To analyze and determine the contemporary public perception of East German cinema. In the framework of the study, the methods of comparison and analysis of historical data and films were used, which made it possible to identify the main cultural values of the German people in different periods of the development of cinema. The following methods were also used: induction, synthesis. The use of the above methods allowed us to determine the topics and to analyze the characters typical for East German cinematography. As the result of the study the German cinematography in the context of history was analyzed and the creation of typical public images was revealed. An analysis of German history and its impact on cinema was made. The development of various artistic trends in German cinema, especially East German cinema was described. The analysis of the public image evolution in the context of DEFA development and the impact of the public image on the film popularity was emphasized. The field of application: further research work, the training courses aimed at studying and describing the German culture.