Exploring and Challenging the Originality of the Artwork from the <i>Transdigital</i> Perspective through Drawing
Creators: name: Garcia Cesar, Jose Vicente
Publisher: name: University of Tasmania
Year: 2025

description: This research project explores the concept of <i>transdigitality</i>, a term to describe the harmonious integration of digital and physical means in artistic practice. It navigates the complex interplay between digital technologies and traditional charcoal drawing, aiming to create a unique, immersive artistic experience which challenges traditional notions of authenticity in art. The outcomes of this research culminated in a body of work that showcased a series of charcoal drawings, representing a fusion of physical and digital methodologies, which now exist only on-line as Non-Fungible Tokens (NFTs). The displayed works exemplified the core concept of <i>transdigital art</i>, illustrating how the tactile, expressive nature of hand-drawn charcoal drawing can be harmoniously integrated with digital technologies. <br>Central to this research is phenomenology, particularly Maurice Merleau-Ponty's theories of embodiment and projection of memory, which provides a framework for understanding the relationship between the artist, the medium, and the artwork. This approach highlights the significance of the artist's physical interaction with their medium and the unique, embodied experience of creating art. The study also explores the philosophical implications of drawing as a form of artistic expression from the perspective of Paul Crowther, and his key concept of the autographic, which refers to the unique mark-making gestures that an artist employs when creating a drawing. <br>The research establishes the <i>transdigital</i> as part of the ongoing evolution of drawing machines, pushing the boundaries of drawing and artistic expression. Furthermore, it explores the influential works of David Hockney, particularly his iPad drawings collection, which exemplifies the blend of traditional artistry with modern technology. The project also draws inspiration from the technological innovations of Sougwen Chung, whose work epitomises the harmonious integration of human creativity with machines. <br>This research also explores the implications of digital technologies on artistic authenticity and the perception of art. Walter Benjamin's concept of the “aura” of artwork is re-evaluated in this context, particularly considering the advent of Non-Fungible Tokens (NFTs), which offer new perspectives on art ownership and originality. <br>Influential artists and projects within this space are examined, such as the Burnt Banksy project, which offers a unique perspective on authenticity in the digital realm. The work of Alberto Mielgo, which considers the potential of NFTs for the permanent preservation of artworks from decay is also important in informing this project. <br>This practice-led research project, marked by iterative experimentation and reflection, culminated in the project <i>Pardon / Indulto</i>. This work represents the integration of digital and physical realms, showcasing the potential of <i>transdigital art</i> to transcend traditional artistic boundaries in areas of authenticity, decay, embodiment, and mark making. It contributes to the evolving discourse on the intersection of digital technology and art, proposing an understanding of <i>transdigital art</i> as a symbiotic relationship between digital innovation and traditional artistic practices. It advocates for a continued exploration of emerging technologies to enhance artistic expression without losing sight of the artist's personal identity and human essence.