title: ÐÑÑÐ°Ð¶ÐµÐ½Ð¸Ðµ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ñ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¹ Ð² ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð¹ Ð¿ÐµÐ¹Ð·Ð°Ð¶Ð½Ð¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ ÑÐ¿Ð¾Ñ Ð¡ÑÐ½ Ð¸ Ð®Ð°Ð½Ñ
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Reflection of natural-philosophical ideas in Chinese landscape painting of the Song and Yuan eras
Creators: name: ÐÐ¸ÑÐ¸Ð»Ð»Ð¾Ð²ÑÐºÐ°Ñ, ÐÐ¾Ð»Ð¸Ð½Ð°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2021
Subjects: Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÐ¸Ñ
ÐÐ½Ñ-Ð¯Ð½
Ð£-Ð¡Ð¸Ð½
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ÐÐ¸Ð²Ð¾Ð¿Ð¸ÑÑ
ÐÐµÐ¹Ð·Ð°Ð¶
Ð¡ÑÐ½
Ð®Ð°Ð½Ñ
ÐÐ¸ÑÐ°Ð¹
natural philosophy
Yin-Yang
Wu-Xing
Qi
Painting
Landscape
Song
Yuan
China

description: ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ðµ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ, ÐºÐ¾ÑÐ¾ÑÑÐµ Ð½Ð°ÑÐ¾Ð´ÑÑ Ð¾ÑÑÐ°Ð¶ÐµÐ½Ð¸Ðµ Ð² ÐºÐ°ÑÑÐ¸Ð½Ð°Ñ ÑÑÐµÐ´Ð½ÐµÐ²ÐµÐºÐ¾Ð²ÑÑ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¸Ñ ÑÑÐ´Ð¾Ð¶Ð½Ð¸ÐºÐ¾Ð². ÐÐ°Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ñ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ Ð¾ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¹ Ð² Ð¿ÐµÐ¹Ð·Ð°Ð¶Ð½Ð¾Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ ÑÐ¿Ð¾Ñ Ð¡ÑÐ½ Ð¸ Ð®Ð°Ð½Ñ. ÐÐ°Ð´Ð°ÑÐ¸, ÐºÐ¾ÑÐ¾ÑÑÐµ ÑÐµÑÐ°Ð»Ð¸ÑÑ Ð² ÑÐ¾Ð´Ðµ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ: 1. ÐÐ¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ Ð¿Ð¾Ð½ÑÑÐ¸Ðµ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÐ¸Ð¸ Ð¸ Ð²ÑÑÑÐ½Ð¸ÑÑ ÑÐ¿Ð¾ÑÐ¾Ð±Ñ ÐµÑ Ð¿ÑÐ¸Ð¼ÐµÐ½ÐµÐ½Ð¸Ñ Ð² Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸; 2. ÐÑÐ´ÐµÐ»Ð¸ÑÑ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ Ð¸Ð·Ð²ÐµÑÑÐ½ÑÑ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑÐµÐ² Ð¸ ÑÑÐ´Ð¾Ð¶ÐµÑÑÐ²ÐµÐ½Ð½ÑÐµ Ð¾Ð±ÑÐµÐ´Ð¸Ð½ÐµÐ½Ð¸Ñ, Ð³ÑÑÐ¿Ð¿Ñ ÑÑÐ´Ð¾Ð¶Ð½Ð¸ÐºÐ¾Ð², Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÑÐ²ÑÐ¸Ðµ ÑÐ°Ð·Ð½ÑÐµ Ð½Ð°Ð¿ÑÐ°Ð²Ð»ÐµÐ½Ð¸Ñ ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ ÑÐ°Ð½ÑÑÑÐ¹ÑÑÐ° Ð² ÐºÐ°Ð¶Ð´ÑÐ¹ Ð¿ÐµÑÐ¸Ð¾Ð´, Ð¾Ð¿ÑÐµÐ´ÐµÐ»Ð¸ÑÑ Ð·Ð½Ð°ÑÐ¸Ð¼Ð¾ÑÑÑ Ð¸Ñ ÑÐ²Ð¾ÑÑÐµÑÑÐ²Ð° Ð´Ð»Ñ Ð¿Ð¾ÑÐ»ÐµÐ´ÑÑÑÐ¸Ñ Ð¿Ð¾ÐºÐ¾Ð»ÐµÐ½Ð¸Ð¹, Ð¾ÑÐ¼ÑÑÐ»Ð¸ÑÑ Ð¸Ñ Ð¼ÐµÑÑÐ¾ Ð² Ð¸ÑÑÐ¾ÑÐ¸Ð¸ ÐºÐ¸ÑÐ°Ð¹ÑÐºÐ¾Ð³Ð¾ Ð¸ÑÐºÑÑÑÑÐ²Ð°; 3. Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÑÑ ÑÐ²Ð¾Ð»ÑÑÐ¸Ñ Ð²Ð¾Ð¿Ð»Ð¾ÑÐµÐ½Ð¸Ñ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¹ Ð² Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ Ñ ÑÐ¿Ð¾ÑÐ¸ Ð¡ÑÐ½ Ð¿Ð¾ ÑÐ¿Ð¾ÑÑ Ð®Ð°Ð½Ñ; 4. ÐÑÑÐ²Ð¸ÑÑ ÑÑÐ¾Ð´ÑÑÐ²Ð° Ð¸ ÑÐ°Ð·Ð»Ð¸ÑÐ¸Ñ Ð² Ð²Ð¾Ð¿Ð»Ð¾ÑÐµÐ½Ð¸Ð¸ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ñ ÐºÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¹ Ð² ÑÑÐ¸ ÑÐ¿Ð¾ÑÐ¸. ÐÐ¾Ð½ÑÐµÐ¿ÑÐ¸Ð¸ Ð¸Ð½Ñ-ÑÐ½, Ñ-ÑÐ¸Ð½, ÑÐ¸ Ð¸ Ñ-Ñ Ð½Ð°ÑÐ»Ð¸ Ð¾ÑÑÐ°Ð¶ÐµÐ½Ð¸Ðµ Ð² ÐºÐ°Ð¶Ð´Ð¾Ð¼ Ð¿ÐµÐ¹Ð·Ð°Ð¶Ðµ. Ð­ÑÐ¾ Ð³Ð¾Ð²Ð¾ÑÐ¸Ñ Ð¾ ÑÐ¾Ð¼, ÑÑÐ¾ Ð½Ð° Ð¿ÑÐ¸Ð¼ÐµÑÐµ Ð¾ÑÑÐ°Ð¶ÐµÐ½Ð¸Ñ Ð½Ð°ÑÑÑÑÐ¸Ð»Ð¾ÑÐ¾ÑÑÐºÐ¸Ñ Ð¿ÑÐµÐ´ÑÑÐ°Ð²Ð»ÐµÐ½Ð¸Ð¹ Ð² ÑÐ°Ð½ÑÑÑÐ¹ÑÑÐ°, Ð¼Ð¾Ð¶Ð½Ð¾ Ð³Ð¾Ð²Ð¾ÑÐ¸ÑÑ Ð¾ ÑÐ¸Ð¼Ð±Ð¸Ð¾Ð·Ðµ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÐ¸ Ð¸ ÑÐ¸Ð»Ð¾ÑÐ¾ÑÐ¸Ð¸. ÐÐ¾Ð»ÑÑÐµÐ½Ð½ÑÐµ ÑÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð¼Ð¾Ð³ÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°ÑÑÑÑ Ð´Ð»Ñ Ð´Ð°Ð»ÑÐ½ÐµÐ¹ÑÐµÐ³Ð¾ Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ Ð¿ÑÐµÐ´Ð¼ÐµÑÐ° Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð² Ð´ÑÑÐ³Ð¸Ðµ Ð²ÑÐµÐ¼ÐµÐ½Ð½ÑÐµ Ð¿ÑÐ¾Ð¼ÐµÐ¶ÑÑÐºÐ¸.
description: The subject of the research is natural philosophical ideas that are reflected in the paintings. This work is devoted to identifying the features of the reflection of natural philosophical concepts in landscape painting of the Song and Yuan eras. The tasks that were solved during the study: 1. To identify the most famous painters and art associations, groups of artists representing different directions of shanshuihua development in each period, 2. To determine the significance of their work for subsequent generations, to comprehend their place in the history of Chinese art; 3. Consider the evolution of the embodiment of natural philosophical concepts in painting from the Song era to the Yuan era; 4. Identify the similarities and differences in the implementation of natural philosophical concepts in these eras. The key concepts of natural philosophy were considered, as well as their reflection in the works of landscape painters in the Song and Yuan eras. The concepts of yin-yang, wu-hsing, qi and yu-wu are reflected in every landscape. This suggests that by the example of the reflection of natural philosophical concepts in Shanshuihua, one can speak of the symbiosis of painting and philosophy. The results obtained can be used for further study of the subject of research at other time intervals. The results obtained can be used for further study of the subject of research at other time intervals.