title: Ð¡ÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ñ Ð°ÐºÑÐ¸Ð²Ð¾Ð² Ð½Ð° ÑÑÐ½ÐºÐµ Ð¿ÑÐµÐ´Ð¼ÐµÑÐ¾Ð² Ð¸ÑÐºÑÑÑÑÐ²Ð°: Ð¼Ð¸ÑÐ¾Ð²Ð¾Ð¹ Ð¾Ð¿ÑÑ Ð¸ ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ°Ñ Ð¿ÑÐ°ÐºÑÐ¸ÐºÐ°
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Securitization of assets in the art market: world experience and russian practice
Creators: name: ÐÐ°Ð¹ÑÐµÐ²Ð°, ÐÐ»ÐµÐºÑÐ°Ð½Ð´ÑÐ°
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2020
Subjects: ÑÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ñ
Ð°ÑÑ-ÑÑÐ½Ð¾Ðº
Ð°ÐºÑÐ¸Ð²Ñ
Ð¿ÑÐµÐ´Ð¼ÐµÑÑ Ð¸ÑÐºÑÑÑÑÐ²Ð°
Ð°ÑÑ-Ð¸Ð½Ð´ÐµÐºÑÑ
Ð¸Ð½Ð²ÐµÑÑÐ¸ÑÐ¸Ð¸
Ð·Ð¿Ð¸Ñ
ÐºÐ¾ÑÑÐµÐ»ÑÑÐ¸Ñ ÑÐµÐ½
Ð·Ð°ÑÐ¸ÑÐ½ÑÐ¹ Ð°ÐºÑÐ¸Ð²
securitization
art market
assets
artworks
art-index
investments
open-ended fund
prices correlation
asset protection

description: Ð¦ÐµÐ»ÑÑ Ð´Ð°Ð½Ð½Ð¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÐµÑÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ð¸, ÐºÐ°Ðº Ð¸Ð½ÑÑÑÑÐ¼ÐµÐ½ÑÐ° Ð´Ð»Ñ Ð¿Ð¾Ð»ÑÑÐµÐ½Ð¸Ñ Ð¿ÑÐ¸Ð±ÑÐ»Ð¸ Ð¾Ñ Ð¾Ð¿ÐµÑÐ°ÑÐ¸Ð¹ Ñ Ð¿ÑÐµÐ´Ð¼ÐµÑÐ°Ð¼Ð¸ Ð¸ÑÐºÑÑÑÑÐ²Ð° Ð² Ð Ð¾ÑÑÐ¸Ð¸ Ð¸ Ð·Ð° ÑÑÐ±ÐµÐ¶Ð¾Ð¼, Ð° ÑÐ°ÐºÐ¶Ðµ ÑÐ°Ð·ÑÐ°Ð±Ð¾ÑÐºÐ° ÑÐ¿Ð¾ÑÐ¾Ð±Ð° ÑÐ°Ð·Ð²Ð¸ÑÐ¸Ñ Ð¼ÐµÑÐ°Ð½Ð¸Ð·Ð¼Ð° ÑÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ð¸ Ð½Ð° ÑÐ¾ÑÑÐ¸Ð¹ÑÐºÐ¾Ð¼ Ð°ÑÑ-ÑÑÐ½ÐºÐµ.
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1. ÐÐ·ÑÑÐµÐ½Ð¸Ðµ Ð¸ Ð°Ð½Ð°Ð»Ð¸Ð· Ð°ÑÐ¿ÐµÐºÑÐ¾Ð² ÑÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ð¸, Ð° ÑÐ°ÐºÐ¶Ðµ Ð´Ð°Ð½Ð½ÑÑ Ð¾ ÑÑÐ½ÐºÐµ Ð¿ÑÐµÐ´Ð¼ÐµÑÐ¾Ð² Ð¸ÑÐºÑÑÑÑÐ²Ð°;
2. ÐÐ½Ð°Ð»Ð¸Ð· Ð¼Ð¸ÑÐ¾Ð²Ð¾Ð³Ð¾ Ð¾Ð¿ÑÑÐ° ÑÐµÐºÑÑÑÐ¸ÑÐ¸Ð·Ð°ÑÐ¸Ð¸ Ð¿ÑÐµÐ´Ð¼ÐµÑÐ¾Ð² Ð¸ÑÐºÑÑÑÑÐ²Ð°;
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description: The given work is devoted to studying the use of securitization as a tool for making a profit from operations with art objects in Russia and worldwide, as well as to create a way to develop a securitization mechanism in the Russian art market.
The object of work is the Russian art market.
The subject of the study in this work is securitization of market assets of the Russian art market.
The research set the following goals:
1. Study and analysis of securitization aspects as well as art market data;
2. Analysis of world experience of securitization of art objects;
3. Analysis of Russian practice of securitization of art objects;
4. Identification of drawbacks of the Russian practice of securitization of art objects;
5. Development of a proposal for the development of securitization of art objects in Russia, which can improve the efficiency of investments in the financial market.
The calculations, made during the research, show that objects of art can be used as "Asset protection" in the formation of portfolios.
By analyzing the experience of investing in art in Russia, we can offer an investment project for securitizing contemporary Russian art, which can improve the efficiency of investment in the financial market.