title: ÐÐ¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ðµ Ð°Ð»Ð»ÑÐ·Ð¸Ð¸ Ð² Ð´ÑÐ°Ð¼Ð°ÑÑÑÐ³Ð¸ÑÐµÑÐºÐ¸Ñ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ ÐÐ°ÑÐ¸Ð½Ñ ÐÐ°ÑÑ Ð¸ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° (Ð½Ð° Ð¼Ð°ÑÐµÑÐ¸Ð°Ð»Ðµ Ð¿ÑÐµÑ "ÐÑÐ¹" Ð¸ "ÐÑÐ¸ÑÐ»Ñ")
title: Ð²ÑÐ¿ÑÑÐºÐ½Ð°Ñ ÐºÐ²Ð°Ð»Ð¸ÑÐ¸ÐºÐ°ÑÐ¸Ð¾Ð½Ð½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð±Ð°ÐºÐ°Ð»Ð°Ð²ÑÐ°
titleType: Subtitle
title: Mythological allusions in Marina Carrâs drama and the peculiarities of their translation (based on the material of the plays âThe Maiâ and âArielâ)
Creators: name: ÐÐ¾ÑÐ¾Ð²Ð°, Ð¡ÑÐµÑÐ°Ð½Ð¸Ñ
Publisher: name: Ð¡Ð°Ð½ÐºÑ-ÐÐµÑÐµÑÐ±ÑÑÐ³ÑÐºÐ¸Ð¹ Ð¿Ð¾Ð»Ð¸ÑÐµÑÐ½Ð¸ÑÐµÑÐºÐ¸Ð¹ ÑÐ½Ð¸Ð²ÐµÑÑÐ¸ÑÐµÑ ÐÐµÑÑÐ° ÐÐµÐ»Ð¸ÐºÐ¾Ð³Ð¾
Year: 2024
Subjects: Ð¸Ð½ÑÐµÑÑÐµÐºÑÑÑÐ°Ð»ÑÐ½Ð¾ÑÑÑ
Ð°Ð»Ð»ÑÐ·Ð¸Ñ
Ð¿ÐµÑÐµÐ²Ð¾Ð´ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹
Ð´ÑÐ°Ð¼Ð°ÑÑÑÐ³Ð¸Ñ
ÐÐ°ÑÐ¸Ð½Ð° ÐÐ°ÑÑ
intertextuality
allusion
translation of mythological allusions
drama
Marina Carr

description: ÐÐ°Ð½Ð½Ð°Ñ Ð½Ð°ÑÑÐ½Ð°Ñ ÑÐ°Ð±Ð¾ÑÐ° Ð¿Ð¾ÑÐ²ÑÑÐµÐ½Ð° Ð¸Ð·ÑÑÐµÐ½Ð¸Ñ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹ Ð² Ð¿ÑÐµÑÐ°Ñ Â«ÐÑÐ¹Â» Ð¸ Â«ÐÑÐ¸ÑÐ»ÑÂ» ÐÐ°ÑÐ¸Ð½Ñ ÐÐ°ÑÑ Ð¸ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÑÐ¼ Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. Ð¦ÐµÐ»ÑÑ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ ÑÐ²Ð»ÑÐµÑÑÑ Ð¸Ð½ÑÐµÑÐ¿ÑÐµÑÐ°ÑÐ¸Ñ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹ Ð² Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸ÑÑ Ð´ÑÐ°Ð¼Ð°ÑÑÑÐ³Ð° ÐÐ°ÑÐ¸Ð½Ñ ÐÐ°ÑÑ Ð¸ Ð²ÑÑÐ²Ð»ÐµÐ½Ð¸Ð¸ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹ Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. ÐÑÐµÐ´Ð¼ÐµÑÐ¾Ð¼ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°ÑÐµÐ»ÑÑÐºÐ¾Ð¹ ÑÐ°Ð±Ð¾ÑÑ ÑÐ²Ð»ÑÑÑÑÑ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ðµ Ð°Ð»Ð»ÑÐ·Ð¸Ð¸ Ð¸ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐ¸ Ð¸Ñ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð°. Ð ÑÐ°Ð¼ÐºÐ°Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¿ÑÐ¾Ð²ÐµÐ´ÐµÐ½ Ð°Ð½Ð°Ð»Ð¸Ð· ÑÐµÐ¾ÑÐµÑÐ¸ÑÐµÑÐºÐ¸Ñ Ð°ÑÐ¿ÐµÐºÑÐ¾Ð², Ð²ÐºÐ»ÑÑÐ°Ñ Ð²Ð·Ð°Ð¸Ð¼Ð¾ÑÐ²ÑÐ·Ñ Ð»Ð¸ÑÐµÑÐ°ÑÑÑÑ Ð¸ ÑÐ¾Ð»ÑÐºÐ»Ð¾ÑÐ°, Ð¿Ð¾Ð½ÑÑÐ¸Ñ Â«ÑÐ¾Ð»ÑÐºÐ»Ð¾ÑÂ», Â«Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÂ», Â«Ð°Ð»Ð»ÑÐ·Ð¸ÑÂ». Ð Ð°ÑÑÐ¼Ð¾ÑÑÐµÐ½Ð° Ð¸ÑÑÐ¾ÑÐ¸Ñ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸Ð¸ ÐÑÐ¸ÑÐ°Ð½ÑÐºÐ¸Ñ Ð¾ÑÑÑÐ¾Ð²Ð¾Ð² Ñ ÑÑÐµÑÐ¾Ð¼ ÑÐµÑÑÐ¸ÑÐ¾ÑÐ¸Ð°Ð»ÑÐ½ÑÑ Ð¾ÑÐ¾Ð±ÐµÐ½Ð½Ð¾ÑÑÐµÐ¹. ÐÑÐ» Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½ ÑÐ²Ð¾ÑÑÐµÑÐºÐ¸Ð¹ Ð¿Ð¾Ð´ÑÐ¾Ð´ Ð´ÑÐ°Ð¼Ð°ÑÑÑÐ³Ð° ÐÐ°ÑÐ¸Ð½Ñ ÐÐ°ÑÑ Ðº ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ ÑÐµÐ°ÑÑÐ°Ð»ÑÐ½ÑÑ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹. Ð ÑÐ°ÑÑÐ½Ð¾ÑÑÐ¸, Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð»Ð¸ÑÑ Ð¿ÑÐµÑÑ Â«ÐÑÐ¹Â» Ð¸ Â«ÐÑÐ¸ÑÐ»ÑÂ», Ð³Ð´Ðµ Ð±ÑÐ»Ð¸ Ð¾Ð±Ð½Ð°ÑÑÐ¶ÐµÐ½Ñ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ðµ Ð°Ð»Ð»ÑÐ·Ð¸Ð¸ Ð¸ Ð´Ð°Ð½Ñ ÑÐ¾Ð¾ÑÐ²ÐµÑÑÑÐ²ÑÑÑÐ¸Ðµ Ð¸Ð½ÑÐµÑÐ¿ÑÐµÑÐ°ÑÐ¸Ð¸ Ð¿ÑÐ¾Ð¸Ð·Ð²ÐµÐ´ÐµÐ½Ð¸Ð¹. ÐÑÐ»Ð¸ Ð¿ÑÐµÐ´Ð»Ð¾Ð¶ÐµÐ½Ñ Ð²Ð°ÑÐ¸Ð°Ð½ÑÑ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð½Ð°Ð¹Ð´ÐµÐ½Ð½ÑÑ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹, Ð¿ÑÐ¾Ð°Ð½Ð°Ð»Ð¸Ð·Ð¸ÑÐ¾Ð²Ð°Ð½Ñ ÑÐ°Ð·Ð»Ð¸ÑÐ½ÑÐµ ÑÑÑÐ°ÑÐµÐ³Ð¸Ð¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¸ Ð²ÑÑÐ²Ð»ÐµÐ½Ñ Ð½Ð°Ð¸Ð±Ð¾Ð»ÐµÐµ ÑÑÑÐµÐºÑÐ¸Ð²Ð½ÑÐµ Ð¿ÐµÑÐµÐ²Ð¾Ð´ÑÐµÑÐºÐ¸Ðµ ÑÑÐ°Ð½ÑÑÐ¾ÑÐ¼Ð°ÑÐ¸Ð¸ Ð´Ð»Ñ Ð¿ÐµÑÐµÐ´Ð°ÑÐ¸ ÑÐ¼ÑÑÐ»Ð° Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹. ÐÐ°Ð»ÐµÐµ Ð±ÑÐ»Ð¸ Ð¾Ð±Ð¾Ð·Ð½Ð°ÑÐµÐ½Ñ ÑÑÑÐ´Ð½Ð¾ÑÑÐ¸, Ð²Ð¾Ð·Ð½Ð¸ÐºÑÐ¸Ðµ Ð¿ÑÐ¸ Ð°Ð´Ð°Ð¿ÑÐ°ÑÐ¸Ð¸ Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹. Ð ÐµÐ·ÑÐ»ÑÑÐ°ÑÑ Ð´Ð°Ð½Ð½Ð¾Ð³Ð¾ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸Ñ Ð¼Ð¾Ð³ÑÑ Ð±ÑÑÑ Ð¸ÑÐ¿Ð¾Ð»ÑÐ·Ð¾Ð²Ð°Ð½Ñ Ð² Ð¿Ð¾ÑÐ»ÐµÐ´ÑÑÑÐ¸Ñ Ð¸ÑÑÐ»ÐµÐ´Ð¾Ð²Ð°Ð½Ð¸ÑÑ Ð² Ð¾Ð±Ð»Ð°ÑÑÐ¸ Ð¿ÐµÑÐµÐ²Ð¾Ð´Ð° Ð¼Ð¸ÑÐ¾Ð»Ð¾Ð³Ð¸ÑÐµÑÐºÐ¸Ñ Ð°Ð»Ð»ÑÐ·Ð¸Ð¹ Ð² Ð´ÑÐ°Ð¼Ð°ÑÑÑÐ³Ð¸Ð¸.
description: This scientific research is devoted to the study of mythological allusions in the plays âThe Maiâ and âArielâ by Marina Carr and their features of translation. The purpose of the study is to interpret the mythological allusions in the works of the playwright Marina Carr and to identify the features of their translation. The subject of the research work is mythological allusions and their features of translation. Within the study, an analysis of theoretical aspects was conducted, including the relationship between literature and folklore, the concepts of âfolklore,â âmythology,â and âallusion.â The history of mythology of the British Isles was considered with taking into account territorial specificities. The approach of the playwright Marina Carr to creating theatrical works was analyzed. In particular, the plays âThe Maiâ and âArielâ were analyzed, where mythological allusions were identified and corresponding interpretations of the works were provided. Translation options for the mythological allusions were suggested, various translation strategies were analyzed, and the most effective translation transformations for conveying the meaning of mythological allusions were identified. Difficulties encountered in the adaptation of mythological allusions were outlined. The results of this study can be used in further research in the field of translating mythological allusions in drama.